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Speaker 1: So I am with uh Alexa Vega and Darryl Savera,

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Speaker 1: the Spike Kids.

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Speaker 2: My kids.

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Speaker 1: Backtrack a little bit. I was, uh browsing sites. I'm

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Speaker 1: on upworthy. You just you know, obviously if if anyone's

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Speaker 1: looking for me, that's where I.

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Speaker 2: Oh, you'll find me on up or if it's upworthy worthy,

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Speaker 2: then it's worthy of my time. Uh.

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Speaker 1: And I see a little picture at the bottom that says,

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Speaker 1: see what these kids look like?

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Speaker 2: Now? What are the Spy Kids is doing?

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Speaker 3: Now?

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Speaker 2: Yeah?

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Speaker 1: And I yeah, I like I okay, like full grown

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Speaker 1: spots probably And I click it and my doorbell rings

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Speaker 1: uh and boom.

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Speaker 2: Right users plays like yes, it plays it plays what like, yeah,

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Speaker 2: it was getting me?

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Speaker 1: Did you that song is Forest Movement featuring Dev who

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Speaker 1: is did you know that is engineered DEVI? Yes, yeah,

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Speaker 1: it's true, he says, get the getting Slizzards part get.

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Speaker 1: And I opened the door and it is the Spy

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Speaker 1: the Spy Kids, and they're like, hey, you want to

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Speaker 1: see what we look like?

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Speaker 2: Right?

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Speaker 4: And I'm like I kind of sure, yeah, not like

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Speaker 4: a lot, but it makes you think about what that

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Speaker 4: really means when you click something like that, When they

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Speaker 4: go like.

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Speaker 2: You're like, I want to know what I look like now, okay.

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Speaker 1: And they're kind of like, here, it is good look

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Speaker 1: wearing mask, right, yeah, I mean until I like make

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Speaker 1: like the transaction that they will take off their masks

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Speaker 1: and you're.

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Speaker 2: Wearing a mask, right, sure, I'm at home.

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Speaker 5: Of course.

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Speaker 1: And so they're like, okay, well, we came all the

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Speaker 1: way here. If you want to see give us like whatever,

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Speaker 1: like fifty bucks, right if you want to see what's

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Speaker 1: under here, which obviously you do because you click the

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Speaker 1: thing and you've only got three twenties, yes, and so like,

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Speaker 1: I don't know, is this a tipping situation.

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Speaker 2: I don't know.

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Speaker 1: I've never been in something like this before, So I

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Speaker 1: just give them the whole thing. I don't know if

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Speaker 1: it's like each it's for both of them, I guess

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Speaker 1: they right, yeah, And then they're like, it's like one

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Speaker 1: of the twenties they have to go and spend together

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Speaker 1: at the same store, and then they each get to

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Speaker 1: take one of the other twenties home.

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Speaker 2: So it's nice because when they do go to do this,

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Speaker 2: I'm and I know Darryl a little not a big deal,

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Speaker 2: but I know Daryl a little. We hung out on

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Speaker 2: a roof after a Childish Cambino concert in two thousands,

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Speaker 2: and we this was good childish Gambino.

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Speaker 1: This is it's all to me. But this was like before,

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Speaker 1: like before he sold out at a like and it

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Speaker 1: got bad. It was when he was doing the good

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Speaker 1: stuff about backpatch ribs.

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Speaker 2: Well, I but well, to me, it's all good. But

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Speaker 2: what what I was going to say is Darrel and

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Speaker 2: I wound up spending a bit of time together. Uh huh.

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Speaker 5: He was.

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Speaker 2: Dating a girl at the time who now is dating

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Speaker 2: someone else I'm friends with. So I've spoken to him,

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Speaker 2: of course about doing these appearances. Yeah, and what's fun

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Speaker 2: for him is he said it's really the only way

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Speaker 2: he would keep in touch with Alexa.

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Speaker 1: Okay, And so often they run into this very not

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Speaker 1: great correspondence.

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Speaker 2: No, neither one of them is like on texting and

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Speaker 2: all that. They're spy kids, you know, so you'd think, oh,

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Speaker 2: they're in the gadgets, they're kids, they're texting, but they don't.

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Speaker 2: They don't have time. And so what happens is so

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Speaker 2: often they're in this three twenties situation that they always

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Speaker 2: do the appearance and they grab lunch after. Oh that's nice.

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Speaker 2: And they'll go get and they'll go get lunch after

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Speaker 2: get sun chips with their foot long and if they've

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Speaker 2: got the harvest cheddar, great, and if they don't, they'll

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Speaker 2: try one of the others.

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Speaker 1: So you got it for free, is what I'm hearing.

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Speaker 1: I've gotten anything. I get to see what Daryl looks like.

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Speaker 1: Alexa I've never met.

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Speaker 2: She was not at the Childiscampino concert, and she certainly

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Speaker 2: was not on the roof afterwards with Greg Walter from

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Speaker 2: Three Arts. Who else was there? And trying to remember, Well,

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Speaker 2: what's crazy is if you.

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Speaker 5: Saw her, you wouldn't even wreck. You wouldn't even.

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Speaker 1: Know I may have seen her. That was my the point,

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Speaker 1: and I, well, I this is sort of my issue

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Speaker 1: is so I want to be cool in this situation.

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Speaker 1: So I ripped the three twenties in half, and I

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Speaker 1: give them each half the twenties and then like you

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Speaker 1: get the other half when you when I see the goods.

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Speaker 2: Yeah, and then they're able to put two of the

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Speaker 2: three halves together. Yes, so that does defeat the purpose

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Speaker 2: a little bit.

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Speaker 5: But they didn't want to see what you look like.

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Speaker 5: I feel like you could have done a little time.

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Speaker 2: Oh yeah, you could have gotten twenty back for them

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Speaker 2: to see what you look like. You're a public figure

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Speaker 2: in your own right.

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Speaker 1: I know, but I look pretty much the same as

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Speaker 1: I did at the beginning of this.

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Speaker 2: Well, honestly, so does Darrell. He takes great care of himself,

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Speaker 2: and that was what I thought.

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Speaker 1: Darryl looks exactly the same as he did the movie,

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Speaker 1: which by the way, is much more notable than if

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Speaker 1: he had like grown up into an adult.

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Speaker 2: I looks the same. I was almost in a movie

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Speaker 2: called Worst prom Ever. Darryl was the star of an

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Speaker 2: MTV film I did. I want to say, sixteen auditions

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Speaker 2: for a one scene role, had to redo them several times.

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Speaker 2: Director came to my house, fill me in my apartment.

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Speaker 2: He wanted me for it. MTV wouldn't approve me, and

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Speaker 2: ultimately they were right, because we all are now talking

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Speaker 2: about Worst prom Ever to this day. We remember the

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Speaker 2: iconic guy who I think was like selling them weed.

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Speaker 5: Right, We were just talking about it before we Yeah.

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Speaker 1: Well, on the way into the record, it was that, Yes,

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Speaker 1: I didn't mean to tell a story about someone who

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Speaker 1: seems like it is like.

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Speaker 2: A big part of your life. Yes, this kid who

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Speaker 2: d dog, Yes, yeah, we know. We're of course buddies.

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Speaker 2: We hang out after concerts and we almost were in

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Speaker 2: a film together. Anyway, I.

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Speaker 1: Am still not sure if that if it was Alexa,

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Speaker 1: because like you were saying, it.

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Speaker 5: Is, he could have just grabbed anybody.

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Speaker 1: Yeah, it is is definitely Daryl. He looks exactly the same.

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Speaker 2: Uh.

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Speaker 1: I mean if I if I had to say for sure,

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Speaker 1: I would say it was not It was not Alexa

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Speaker 1: at all.

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Speaker 5: So he's paying her like maybe ten bucks.

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Speaker 2: Yeah, right, she was. She was Chinese, Okay, and we

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Speaker 2: could say that and there's nothing wrong with that. Now

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Speaker 2: if someone's Chinese, you can say they're Chinese. This is

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Speaker 2: what gets confusing in the like PC culture of today.

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Speaker 2: It's like you're allowed to call someone Chinese. Well, yeah,

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Speaker 2: she's from China. Yeah, this is a Chinese woman. Yeah,

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Speaker 2: so you can say, hey, she's Chinese. And I'm also

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Speaker 2: this is more of a dicey area. This is sort

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Speaker 2: of a gray area where I could get it some trouble.

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Speaker 2: I'm pretty sure Lexe Vega is not. So this is

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Speaker 2: what I was.

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Speaker 1: It was not the thing I was going to bring

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Speaker 1: up in the moment, but I did sort of a

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Speaker 1: while I'd be.

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Speaker 2: Like, come, I'm not paying for this? Sure, Yeah, and

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Speaker 2: it makes the mask incredibly useful because it's the you

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Speaker 2: do get the money handed over?

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Speaker 1: And then yeah, hey, welcome to Hollywood Handbook insiders.

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Speaker 2: Got we do?

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Speaker 1: We don't have to choose your own version of this,

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Speaker 1: do we know? But we let's explain what we're doing.

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Speaker 1: We have, we're doing this huge thing.

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Speaker 2: Black mirror fucking trips us out, freaks our being so

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Speaker 2: hard we could barely stand up afterwards. I've fallen off

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Speaker 2: my couch and been trapped underneath it for weeks at

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Speaker 2: a time from a single episode. A wheelchair there, Yeah, I've.

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Speaker 5: Been in a wheelchair because of the show.

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Speaker 2: Because the show makes it that you don't trust your

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Speaker 2: own feet, and also, isn't it funny wheelchairs make you

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Speaker 2: rely on technology, just like the people in the show

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Speaker 2: who are all stuck. And the black mirror is.

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Speaker 1: Actually imagine if the wheelchair since started driving you around, Yeah,

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Speaker 1: to where it has a mind of its own.

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Speaker 2: Somebody hacked my chair, yeah to get an essay, hacked

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Speaker 2: my chair and now I'm freaking masuring candidate.

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Speaker 1: So we're watching this thing the new thing. Yeah, the

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Speaker 1: legend of Bandersnants.

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Speaker 2: And it's Yes, it's the it's the legend of Bendy

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Speaker 2: Snatch and we are so into it and I don't

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Speaker 2: know what it is, but I'm loving it. And it's

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Speaker 2: this new way of doing TV and it's better better.

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Speaker 6: The Legend of Badger Snatch really is all anyone's talking about, and.

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Speaker 5: It was an experience.

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Speaker 1: It changes everything, and I'm still discovering new secret paths

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Speaker 1: through the narrative.

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Speaker 2: I've done this thing two times and I'm still like.

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Speaker 6: What, Yeah, I made it all the way through and

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Speaker 6: there are actually other options that I can be doing.

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Speaker 2: So it's choose your own adventure. And we said anything

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Speaker 2: you can do, I can do better. I can do

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Speaker 2: anything better than you. Annie Oakley, any get your gun

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Speaker 2: look it up. You guys have to see this, Oklahoma.

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Speaker 2: You have to see this fucking show. The songs are awesome.

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Speaker 2: We're taking the songs and putting them on the podcast.

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Speaker 2: We're not gonna sing them, We're gonna put them into practice. Hey,

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Speaker 2: Black Mirror, anything you can do, I can do better.

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Speaker 2: I can do anything better than you all. So we are.

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Speaker 1: We're gonna do one of these where we tell a

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Speaker 1: story and we give you choices that you can make

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Speaker 1: for which kind of story you want to hear and

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Speaker 1: what you want us to do in this story. Objection, Hey,

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Speaker 1: you don't have the technology for that, and that's true.

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Speaker 2: We don't.

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Speaker 5: We don't sustain.

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Speaker 1: Aha, And so so this is the thing.

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Speaker 2: Yeah, you are seeing counselor.

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Speaker 1: This is the fun of it for you as you

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Speaker 1: get to participate in this and actually do something yourself

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Speaker 1: instead of just like lying down and listening to the

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Speaker 1: show like you normally do. We will tell you how

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Speaker 1: far to jump ahead at backwards.

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Speaker 2: We're gonna take you on a fun adventure mission.

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Speaker 5: Button option that we're going to throw on this.

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Speaker 2: There is where would it be? There is a button,

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Speaker 2: there's a If you're listening on Stitcher, which is the

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Speaker 2: only app for me, there's.

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Speaker 5: A skin problems.

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Speaker 2: Huh.

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Speaker 5: The Stitcher app's pretty clean, right.

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Speaker 2: One thing, we are better than some of this other

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Speaker 2: stuff that's out there, these viruses.

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Speaker 1: We are going to need the woman to be a

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Speaker 1: character if we're stopping and starting, we do need.

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Speaker 2: The absolutely resuming. It be said, she has.

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Speaker 1: To be a part of this story because she is

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Speaker 1: going to be in it so much, because there's so

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Speaker 1: much stopping and starting.

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Speaker 2: I sometimes she's sometimes like I go to resume an episode,

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Speaker 2: there's like a lag where I know she has like

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Speaker 2: woken up, but she can't remember what she's supposed to say.

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Speaker 2: So it's like it's about to start, like almost the

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Speaker 2: time is starting to move, and then there's like this

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Speaker 2: pause where she is panicking because, oh, resuming episode. So

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Speaker 2: we will let you use the button to skip forward

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Speaker 2: thirty seconds. We will skip forward in increments of thirty seconds. Yeah,

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Speaker 2: we'll do every and Devin'll keep track of this.

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Speaker 1: Oh yeah, and like normally we would kind of stitch

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Speaker 1: it together afterwards. It is a condition of our new

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Speaker 1: deal that the engineers will no longer they'll like take

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Speaker 1: a look at each episode after it's done, but they're not.

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Speaker 2: Going to like get in there. Yeah, so that the listener, Yes,

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Speaker 2: so I got it's super active listening, and it's you're

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Speaker 2: getting to work out because you get to click the

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Speaker 2: button and think you're getting a mental workout. So we'll

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Speaker 2: be presenting you with stuff and then you can skip

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Speaker 2: to the different scenarios.

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Speaker 1: What is it that you're allowed to do with the

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Speaker 1: in the edit now? Like you're just allowed to like

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Speaker 1: change the volume once.

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Speaker 7: I think one time. Yeah, okay, yeah you can. You

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Speaker 7: can cut just the beginning or just the end, but

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Speaker 7: not both. Okay, so let's keep track of not trying

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Speaker 7: to use that right. You can't suit your anything.

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Speaker 2: Yes, Now, if it's takes a long time to get going,

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Speaker 2: you can cut up to four minutes off the top, right. Yeah,

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Speaker 2: I believe that's right. And at the end it's like

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Speaker 2: eighty seconds, yes, which is great. Oh, it's which is

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Speaker 2: great because we run over. We run over by almost

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Speaker 2: a minute and a half. So let's start it. We

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Speaker 2: obviously need a mission, We need an adventure to choose.

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Speaker 2: I was thinking that perhaps we get together our crack

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Speaker 2: squad of Earwolf engineers, hosts, stars, guest comedians, funny informative people,

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Speaker 2: and even bang Raj Man.

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Speaker 5: Hi, oh wow, explain myself in the mission.

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Speaker 2: He's the guest. Yes, okay, oh yeah, that's right. The

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Speaker 2: guest is bang Rode Man. Hey fuck you bow.

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Speaker 5: You know at this point you don't even need to

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Speaker 5: introduce me.

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Speaker 2: Hey man, I agree.

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Speaker 5: I think let's use our let's use some of our

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Speaker 5: at a time to edit that out.

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Speaker 1: M m okay, we do want to really, we haven't

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Speaker 1: even started yet.

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Speaker 2: Let's I don't want to commit to us anything. If

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Speaker 2: we're going to edit anything we've done out, i'd probably

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Speaker 2: want to take out the whole run about the Chinese stuff,

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Speaker 2: I don't know if that's you know, I don't know why.

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Speaker 2: That's all I said was that the woman was she

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Speaker 2: was wearing a T shirt with the Chinese flag on

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Speaker 2: it too, to really, you know, send her home, drive

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Speaker 2: it home.

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Speaker 6: It's not like a Chinese American person. She is from China.

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Speaker 6: She's Chinese. Okay, Now, Hayes, you wear a mask of

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Speaker 6: your own face right at home.

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Speaker 1: It's of my own face, as like a as like

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Speaker 1: an older man.

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Speaker 2: It's like an aged up. To change that mask.

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Speaker 5: Yeah, you're giving away the fucking milk for free.

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Speaker 2: What I'm going to look like? Yeah yeah yeah, but

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Speaker 2: you what I like about the mask is that you

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Speaker 2: look shocked. So when you answer the door in the.

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Speaker 1: Mask, well, I'm shocked at how the time has gone

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Speaker 1: by so quickly.

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Speaker 6: Yeah, yoh yeah, okay, So what's uh?

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Speaker 2: Where where we breaking into? Okay? So I think that

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Speaker 2: the crack squad of Earwolf, Engineer, stars, guests and everybody

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Speaker 2: is going to be busting into Vulture Headquarters, the most

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Speaker 2: secure building on the planet. We're going to get into

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Speaker 2: the vault where they keep all their year end best

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Speaker 2: of lists, and we're going to fix the list. Put

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Speaker 2: Hollywood Handbook, Hollywood pro Version, Hollywood Masterclass, and the flagrant

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Speaker 2: ones at the very tops of the list.

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Speaker 1: So, and Chef Kevin is here also, and he can

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Speaker 1: sort of help you can play himself.

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Speaker 2: I guess, Chef Kevin, you want to be a part

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Speaker 2: of this.

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Speaker 1: And I guess this is where I think there is

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Speaker 1: something wrong with my headphones, because Chef Kevin got a

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Speaker 1: present today and I'm he must be saying thank you,

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Speaker 1: but I think your headphones with Devineah, I'm not hearing

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Speaker 1: it thank you either.

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Speaker 2: I haven't heard a big thank you.

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Speaker 8: Hey, guys, Chef Kevin here, I did receive a present.

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Speaker 8: The mic is up now, and thank you very much.

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Speaker 8: I'm so excited to open it.

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Speaker 2: And it doesn't sound like he's weeping with joy from

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Speaker 2: his two heroes honoring him with this present. And so

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Speaker 2: it is maybe just a funky, a staticy thing where

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Speaker 2: the levels are off, Devin, and you might want to

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Speaker 2: check on that for one of the shows that you're

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Speaker 2: allowed to do that for not this one, obviously not

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Speaker 2: So I guess we'll start our mission where in the

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Speaker 2: bushes outside the building waiting the security patrol vulture, which

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Speaker 2: is these like jack booted thugs, is sort of walking

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Speaker 2: back and forth with their ar fifteens which are still

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Speaker 2: legal to buy for some reason.

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Speaker 9: And they got a clip and he got bumping in

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Speaker 9: a clip and the bump stock, and they are walking

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Speaker 9: back and forth just looking itching for any excuse to

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Speaker 9: take somebody out.

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Speaker 1: And so in the bushes our junior Engineer Devin, Chef

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Speaker 1: Kevin and Bang rag Man okay, and they're like, okay,

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Speaker 1: so you guys talk for a second.

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Speaker 5: M Hey, I think we should knock these guys out.

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Speaker 2: Kevin has a different idea.

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Speaker 8: I think we should just run right into the building,

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Speaker 8: real sneaky, okay.

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Speaker 1: And then Engineer Devin, I guess we'll distract them by

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Speaker 1: doing the stanky legs, stinky leg and blow kisses. And

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Speaker 1: then hey, junior Engineered Devin, he will be doing the

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Speaker 1: spanky Engineer Cody comes running up from behind.

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Speaker 2: No one seen him in months. He looks like a

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Speaker 2: fucking coyote. He's got he's got a steak with sleeping

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Speaker 2: pills stuffed in it the raw steaks that he wants

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Speaker 2: to toss to the guards.

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Speaker 5: Okay, so now.

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Speaker 2: And so then there should be like a sound yeah,

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Speaker 2: do you.

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Speaker 5: The listener want to do? Okay, so you heard the

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Speaker 5: you heard the honk? Which choice did you make?

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Speaker 2: So? Yeah? Do you if you want to feed them

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Speaker 2: the steak? Fast forward four minutes right, like hit the button?

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Speaker 2: Each one is one minute? Uh, welly, we should just

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Speaker 2: do this.

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Speaker 5: What do you want to do right now?

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Speaker 2: You want to do the steak?

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Speaker 1: Well, for other way, we can't just decide to do

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Speaker 1: the steak one because if we just start doing it,

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Speaker 1: we have to be able to go right into the

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Speaker 1: next one. So we have to get the order clarified

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Speaker 1: before because again Devon is not allowed to get in there.

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Speaker 2: Well, the order that they were presented in, right was

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Speaker 2: that Ben wants to off the guards. I think we

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Speaker 2: have to go and Kevin wants to sneak Devin. He

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Speaker 2: wants to do the stinky leg kisses, and then engineer

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Speaker 2: Cody wants to throw a stake filled with sleeping pills.

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Speaker 2: So I think we should go in that order, and

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Speaker 2: they and these all have to work or well some

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Speaker 2: of the network. So then okay, so then you have

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Speaker 2: to shut off, you have to stop, shut off the podcast,

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Speaker 2: off the podcast, and you have to throw away your

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Speaker 2: phone and that's system. Yeah, okay, so all right, so

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Speaker 2: that's that's honest. Okay, I'm getting a timer out. We

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Speaker 2: have to decide how long each one of these is

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Speaker 2: gonna be. Well, they got to be in thirty second

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Speaker 2: increment exactly.

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Speaker 6: Though, and then we'll just have to explain that if

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Speaker 6: it's very short.

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Speaker 2: But we'll just say how many button presses it is

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Speaker 2: rather than saying the time. Why don't we say, you know,

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Speaker 2: hit forward, hit hit forward eight times or something. If

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Speaker 2: you want to hear about the steak. If you don't

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Speaker 2: want to hear about the steak, but you do want

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Speaker 2: to hear about the stanky leg blowing kisses, hit forward

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Speaker 2: five times, okay, So then we'll have ninety seconds in

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Speaker 2: between the steak and the.

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Speaker 5: Well, here's where the sanky leg.

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Speaker 6: Okay, if you immediately die, So let's say I knocked

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Speaker 6: this guy out and then he shoots me and I'm dead,

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Speaker 6: then we got about twenty nine seconds.

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Speaker 5: To vamp a little bit and we can catch up

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Speaker 5: with each other.

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Speaker 2: But at the oh, we can hang out at the

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Speaker 2: end of the twenty nine seconds. I would also say, hey,

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Speaker 2: hit backwards, hit hit backwards, hit the fifteen second and

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Speaker 2: that'll be double the amount of times. But hit it. So,

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Speaker 2: for instance, if you died from throwing the steak, I

393
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Speaker 2: don't think you would, but if you did, you would

394
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Speaker 2: hit backwards sixteen times. Okay, all right, so let's do

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Speaker 2: this first one. So get it.

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Speaker 1: Okay, So we'll say if you want to hear the guards,

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Speaker 1: get if you want them to, try to knock the

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Speaker 1: guards out, keep listening when we say now, keep this all.

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Speaker 2: Begin listening now.

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Speaker 1: We're not saying now now, but we'll say yes, and

401
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Speaker 1: you'll know when it's the real one.

402
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Speaker 2: Okay, and then from and then from now. So we'll

403
00:21:03,920 --> 00:21:06,879
Speaker 2: lay out the other options. First, Yes, we have to.

404
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Speaker 2: If you don't want to knock the guard out, you're

405
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Speaker 2: going to hit it eight times, six times, fifteen times,

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Speaker 2: whatever it is. And then if you don't want to

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Speaker 2: do that, keep listening now.

408
00:21:15,800 --> 00:21:19,399
Speaker 1: Right, But that's not the real one at now.

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Speaker 2: When we do the steak, that will be when you

410
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Speaker 2: should hit forward. Also, if you don't want to hit

411
00:21:23,840 --> 00:21:25,440
Speaker 2: the stake, So then now is your cue to either

412
00:21:25,520 --> 00:21:28,760
Speaker 2: listen or do whatever else you need to do. If

413
00:21:28,800 --> 00:21:31,000
Speaker 2: you want them to go in on sneaky, what was

414
00:21:31,040 --> 00:21:32,760
Speaker 2: your sneak into the building? Sneak?

415
00:21:32,960 --> 00:21:35,320
Speaker 1: If you want them to sneak into the building, hit

416
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Speaker 1: thirty seconds said sneak into the.

417
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Speaker 2: Building normal this time, but the first time we should

418
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Speaker 2: try to get in all sneaky. He was being like

419
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Speaker 2: a baby and now he's trying to be a doll

420
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Speaker 2: about taking in the building.

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Speaker 6: It's sorry, hey man, it's already documented as oh sneaky, yeah,

422
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Speaker 6: and you know we can't change it. We can't change

423
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Speaker 6: big sneaky. We already use the edit getting out my introduction.

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Speaker 1: And so if you want to hear them, go and

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Speaker 1: a'll sneaky hit thirty seconds forward twice. Okay, So we

426
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Speaker 1: have one minute to do the knocking out part. Okay,

427
00:22:08,680 --> 00:22:13,960
Speaker 1: or catch up if you wanna. If you want to

428
00:22:14,200 --> 00:22:17,480
Speaker 1: hear Devid to blowcasses and do the snanky leg hit

429
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Speaker 1: thirty seconds forward four times.

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Speaker 2: Huh, So then we'll have one minute to do the

431
00:22:22,440 --> 00:22:26,320
Speaker 2: sneaking after the yeah, knocking out that's right, uh, And

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Speaker 2: you want to throw that sta.

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Speaker 1: So it's gonna he's gonna do the snanky leg for

434
00:22:29,960 --> 00:22:32,720
Speaker 1: a little extra time probably, so that's probably ninety seconds.

435
00:22:32,760 --> 00:22:34,520
Speaker 2: So okay, so if you want so, if you want

436
00:22:34,520 --> 00:22:38,159
Speaker 2: to throw the steak that hit forward seven times seven, okay, okay,

437
00:22:38,280 --> 00:22:42,480
Speaker 2: so now here we go. Let's knock out this guard.

438
00:22:42,560 --> 00:22:48,480
Speaker 2: Motherfucker's all right? Boom crack out, damn damn son? Why'd

439
00:22:48,520 --> 00:22:52,520
Speaker 2: you do that? Shut up, old man? Get hey, burm

440
00:22:52,560 --> 00:22:56,360
Speaker 2: on out, damn what not knocking? Quick? Help me take

441
00:22:56,359 --> 00:22:58,879
Speaker 2: his uniform off. Looks like you have a boo boo.

442
00:22:59,160 --> 00:23:05,199
Speaker 2: I'm gonna hurt you. Oh Jesus Christ, damn son. What

443
00:23:05,280 --> 00:23:08,560
Speaker 2: the hell, dude, I'm distracting him. Get you out that hey,

444
00:23:08,600 --> 00:23:12,960
Speaker 2: don't take my pants off? Oh god, oh no, oh no, no,

445
00:23:13,480 --> 00:23:15,720
Speaker 2: you can see my whole butt. I didn't wear any

446
00:23:15,800 --> 00:23:17,919
Speaker 2: underwear today.

447
00:23:18,520 --> 00:23:23,000
Speaker 6: Shove napkin down this guy's throat so it'll stop talking.

448
00:23:23,280 --> 00:23:25,640
Speaker 2: Oh no, that's not my throat, that's my butt. Why

449
00:23:25,640 --> 00:23:27,960
Speaker 2: do you put a napkin up there? Man, Kevin? What

450
00:23:28,000 --> 00:23:31,040
Speaker 2: are you doing on? Manbod stop?

451
00:23:31,320 --> 00:23:36,159
Speaker 1: Oh god, I got past your road engineered, Devin got

452
00:23:37,480 --> 00:23:41,600
Speaker 1: absolutely swiss. Jeez, I've had enough of this life.

453
00:23:41,960 --> 00:23:46,800
Speaker 2: Okay, that's now we're going in all sneaky.

454
00:23:48,160 --> 00:23:52,520
Speaker 8: Okay, if we crawl really quietly, they won't see us. Uh, Ben,

455
00:23:52,600 --> 00:23:54,760
Speaker 8: throw that rope to the top of the roof.

456
00:23:55,400 --> 00:23:57,960
Speaker 5: All right, great ooh the perfect lasso.

457
00:23:59,080 --> 00:24:02,480
Speaker 8: Lasso on the top, but the vultures antenna. Let's crawl up.

458
00:24:02,600 --> 00:24:04,120
Speaker 2: Hey, Mike, you hear anything?

459
00:24:05,280 --> 00:24:06,439
Speaker 5: Shit, shut up, shut up?

460
00:24:06,880 --> 00:24:09,600
Speaker 2: I think I heard something almost sounded like a rope,

461
00:24:09,680 --> 00:24:13,360
Speaker 2: perfect last suit going up on the roof. You want

462
00:24:13,359 --> 00:24:14,480
Speaker 2: to look up? Or should I?

463
00:24:14,840 --> 00:24:16,400
Speaker 5: Dad? Why do you look up?

464
00:24:17,480 --> 00:24:20,760
Speaker 2: Okay? But I gotta say. My neck don't work so

465
00:24:20,880 --> 00:24:23,960
Speaker 2: good these days. I've been sleeping on the couch. The

466
00:24:24,080 --> 00:24:28,040
Speaker 2: missus kicked me out. Oh that sucks, man, But at

467
00:24:28,119 --> 00:24:32,600
Speaker 2: least you've got a couch. Whoa, whoa, whoa, what's going on? Mike?

468
00:24:33,640 --> 00:24:38,280
Speaker 2: You lose your couch. I'm living in my car. Jesus, man,

469
00:24:38,400 --> 00:24:40,840
Speaker 2: no wonder you don't want to look up. The twos

470
00:24:40,880 --> 00:24:43,600
Speaker 2: of us both got bad necks. Can't look up?

471
00:24:44,119 --> 00:24:46,280
Speaker 5: Oh God, I wish my neck worked right.

472
00:24:46,560 --> 00:24:52,080
Speaker 2: Okay, next one? Okay, this is your blowing kisses and

473
00:24:52,400 --> 00:24:54,879
Speaker 2: uh and thank you stanky.

474
00:24:54,960 --> 00:25:00,280
Speaker 10: Okay, guess I'll just track him here. Hold on, ship

475
00:25:00,440 --> 00:25:05,960
Speaker 10: is working? Oh damn, this guy's making me horny as hell. God,

476
00:25:06,000 --> 00:25:09,000
Speaker 10: I'm forgetting all about how bad my neck hurt?

477
00:25:09,600 --> 00:25:14,280
Speaker 2: Yeah, Jesus, why your neck hurts? Oh right, I'm sleeping

478
00:25:14,320 --> 00:25:16,359
Speaker 2: in my car. You got to hear what's going on

479
00:25:16,480 --> 00:25:19,679
Speaker 2: for me? That's worse. But of course the missus booted

480
00:25:19,720 --> 00:25:20,840
Speaker 2: me out of the boudoir.

481
00:25:21,080 --> 00:25:22,439
Speaker 5: I gotta sleep on the couch.

482
00:25:22,600 --> 00:25:28,280
Speaker 2: I haven't been okay, let's go. Got me worked up right,

483
00:25:28,320 --> 00:25:30,920
Speaker 2: and the missus would like what I'm thinking right now. Either,

484
00:25:31,040 --> 00:25:33,160
Speaker 2: I'm gonna give this guy a kiss back? Who's doing

485
00:25:33,240 --> 00:25:36,320
Speaker 2: kisses in this stanky leg? I want to watch you, guys.

486
00:25:35,960 --> 00:25:40,240
Speaker 2: I didn't think the street. Okay, we're inside. What should

487
00:25:40,240 --> 00:25:41,960
Speaker 2: we take? This door on the left, of this door

488
00:25:42,040 --> 00:25:47,200
Speaker 2: on the right. There's forty five more seconds from the start.

489
00:25:48,200 --> 00:25:50,160
Speaker 2: So what was your name, sir?

490
00:25:51,000 --> 00:25:54,040
Speaker 7: Uh engineered devone?

491
00:25:54,280 --> 00:25:59,640
Speaker 2: Devone? I like this bad name a lot. Yes, yeah, hey,

492
00:25:59,760 --> 00:26:03,600
Speaker 2: do phone? What time you get off work? I mean,

493
00:26:03,600 --> 00:26:05,600
Speaker 2: I'm just standing outside the Vulture building. I'm not I'm

494
00:26:05,600 --> 00:26:08,120
Speaker 2: not at work right now. I'm off now, I'm freeze. Okay,

495
00:26:09,240 --> 00:26:12,080
Speaker 2: job right? What do we get off? That's a better question.

496
00:26:14,600 --> 00:26:21,280
Speaker 2: Let's see. Today is a Thursday, So thursdays I work

497
00:26:22,160 --> 00:26:28,399
Speaker 2: a full shift starting at.

498
00:26:26,960 --> 00:26:28,440
Speaker 5: I guess like new next?

499
00:26:28,480 --> 00:26:29,160
Speaker 2: Why next one?

500
00:26:29,920 --> 00:26:30,360
Speaker 5: Okay?

501
00:26:30,480 --> 00:26:33,080
Speaker 2: And that one has now two options that we got

502
00:26:33,080 --> 00:26:38,320
Speaker 2: to cover because they want the B side. You have

503
00:26:38,400 --> 00:26:40,639
Speaker 2: to go back, okay because the first one we died.

504
00:26:41,280 --> 00:26:42,480
Speaker 2: But but they.

505
00:26:42,400 --> 00:26:44,320
Speaker 1: Well, now we have to we have what we're supposed

506
00:26:44,320 --> 00:26:46,480
Speaker 1: to be doing, which is each steak. I hear Cody

507
00:26:46,600 --> 00:26:50,040
Speaker 1: throws the steak and then hey Mike, you.

508
00:26:51,359 --> 00:26:56,720
Speaker 2: Baby looks delicious. Hey man, I I love it rare

509
00:26:56,920 --> 00:26:58,600
Speaker 2: like this, where it's not cooked at all.

510
00:26:58,760 --> 00:27:00,960
Speaker 6: Yeah, eat like a real man, and where I like

511
00:27:01,000 --> 00:27:03,119
Speaker 6: it basically crawling across the plate.

512
00:27:03,320 --> 00:27:06,520
Speaker 2: Oh god, if it ain't moving, it ain't real steak.

513
00:27:06,640 --> 00:27:09,920
Speaker 2: To me, I'm a real man, and risking getting sick

514
00:27:10,000 --> 00:27:12,360
Speaker 2: is part of my meal routine. I'm a real man.

515
00:27:12,520 --> 00:27:13,800
Speaker 5: I got check this out.

516
00:27:13,920 --> 00:27:19,480
Speaker 2: It's my man card. Oh shit, that's fucking huge.

517
00:27:20,119 --> 00:27:22,840
Speaker 6: Yeah, Jesus Christ, you haven't seen one of these.

518
00:27:23,520 --> 00:27:24,840
Speaker 5: I mean how hard it is.

519
00:27:25,960 --> 00:27:28,800
Speaker 2: I've seen him hit card like that, but I never

520
00:27:28,840 --> 00:27:32,119
Speaker 2: see one that big. Would you get it blown up

521
00:27:32,160 --> 00:27:37,240
Speaker 2: at the Kinko's or something. It just came this way, baby, Ooh.

522
00:27:37,320 --> 00:27:40,879
Speaker 2: I can barely fit it in my pants. The guard's

523
00:27:40,920 --> 00:27:43,119
Speaker 2: been down to pick up the steak and eat it.

524
00:27:43,160 --> 00:27:47,200
Speaker 1: But that's your Cody scurries over like the guy from

525
00:27:47,280 --> 00:27:51,639
Speaker 1: Split in the Glass trailer, eats the steak before that,

526
00:27:51,680 --> 00:27:55,199
Speaker 1: he gets jealous and eats the steak before the guards

527
00:27:55,200 --> 00:27:55,719
Speaker 1: get eat it.

528
00:27:56,040 --> 00:27:59,520
Speaker 5: Oh god, that fucking human animal just got that.

529
00:28:00,000 --> 00:28:03,520
Speaker 2: He's just looking steak. Oh no, it's the thirteenth personality,

530
00:28:03,600 --> 00:28:04,119
Speaker 2: the Beast.

531
00:28:07,920 --> 00:28:09,920
Speaker 5: Gee, damn, I read about him.

532
00:28:10,440 --> 00:28:13,639
Speaker 2: They only shut the friggin Beast. He's a superhero walking

533
00:28:13,720 --> 00:28:16,959
Speaker 2: among us, or a super villain. In fact, his powers

534
00:28:17,000 --> 00:28:20,199
Speaker 2: are incredible. He's only he's got insanity so bad that

535
00:28:20,280 --> 00:28:20,960
Speaker 2: he's strong.

536
00:28:23,320 --> 00:28:27,760
Speaker 5: God, we need a hero. Wish that security guard fella?

537
00:28:28,760 --> 00:28:34,840
Speaker 2: Oh yeah, the stadium security guard. Yeah, I wish he

538
00:28:35,000 --> 00:28:36,600
Speaker 2: was fucking here, dude.

539
00:28:36,760 --> 00:28:38,600
Speaker 5: If only he would come out of the shadow.

540
00:28:38,720 --> 00:28:41,880
Speaker 2: So we didn't know there's for this one.

541
00:28:42,080 --> 00:28:46,040
Speaker 1: No, yeah, it's it's unclear.

542
00:28:46,200 --> 00:28:48,680
Speaker 2: I guess if a lot of these worked there, Hey,

543
00:28:48,720 --> 00:28:52,200
Speaker 2: let's go get a steak. Yeah yeah, yeah, let's go

544
00:28:52,200 --> 00:28:55,760
Speaker 2: get a steak. Okay, so now let's sneak in.

545
00:28:56,040 --> 00:28:57,520
Speaker 5: You want to drive or should I drive?

546
00:28:58,040 --> 00:29:01,400
Speaker 2: Oh? You know what? Okay, so they are still there? Yeah,

547
00:29:01,680 --> 00:29:06,479
Speaker 2: you know what, why don't we let you decide that

548
00:29:06,560 --> 00:29:07,880
Speaker 2: we're pointing out of the.

549
00:29:07,800 --> 00:29:13,880
Speaker 11: Podcast and hopefully Stitcher as the technology for me. Oh uga, okay, okay,

550
00:29:13,960 --> 00:29:16,520
Speaker 11: so now we got to go to this thread. Okay,

551
00:29:16,640 --> 00:29:20,080
Speaker 11: so we're committed to this one. So who should drive?

552
00:29:20,280 --> 00:29:27,080
Speaker 11: Mike or Ernie? Now keep in mind where else living

553
00:29:27,160 --> 00:29:27,600
Speaker 11: his car?

554
00:29:30,520 --> 00:29:33,480
Speaker 2: So there's positives and negatives. It's probably a little messier

555
00:29:33,520 --> 00:29:34,360
Speaker 2: in there, but.

556
00:29:34,280 --> 00:29:39,400
Speaker 6: There's more stuff that you could probably use. Ernie's car

557
00:29:39,480 --> 00:29:46,040
Speaker 6: probably is cleaner, smells better, but probably less in there.

558
00:29:46,640 --> 00:29:51,320
Speaker 1: Yeah, so how much time do we need? Uh if

559
00:29:51,480 --> 00:29:52,360
Speaker 1: Mike drives.

560
00:29:52,960 --> 00:29:57,480
Speaker 6: If Mike drives, I think we need uh thirty seconds.

561
00:29:57,560 --> 00:30:03,240
Speaker 2: Okay, so that's one button. If Ernie drive, Ernie drives,

562
00:30:03,280 --> 00:30:05,280
Speaker 2: we probably need like thirty seconds.

563
00:30:05,440 --> 00:30:10,240
Speaker 1: Okay, so to wait, no, sorry, If Mike drives, keep listening.

564
00:30:10,360 --> 00:30:12,320
Speaker 2: Yeah, if Ernie drives.

565
00:30:12,040 --> 00:30:15,000
Speaker 5: Go back after we say go back forward.

566
00:30:15,080 --> 00:30:19,000
Speaker 2: If Ernie drives, do one board, do one button forward

567
00:30:19,240 --> 00:30:24,760
Speaker 2: after we say now and so and then now maybe

568
00:30:24,800 --> 00:30:30,280
Speaker 2: I should drive this baby. Okay, yeah, sure, let me

569
00:30:30,360 --> 00:30:34,240
Speaker 2: just clear this out and yeah, thanks for moving that. Yeah,

570
00:30:34,360 --> 00:30:37,320
Speaker 2: no problem, it's my man I almost sat on it.

571
00:30:37,480 --> 00:30:40,480
Speaker 2: I almost sat on your manifesto. Oh hang on, Actually

572
00:30:40,480 --> 00:30:43,200
Speaker 2: i'd like to leave through this a little bit. Yeah, sure,

573
00:30:44,120 --> 00:30:51,520
Speaker 2: Hey they are kind of like that. Yeah, yeah, I'm

574
00:30:51,560 --> 00:30:58,280
Speaker 2: afraid to publish it. But next you know what, I'll

575
00:30:58,360 --> 00:31:03,800
Speaker 2: drive all right, Yeah great, I'm out of gas. Yeah

576
00:31:03,960 --> 00:31:06,640
Speaker 2: that's who I don't Yeah, it's fine, I said, I drive,

577
00:31:07,040 --> 00:31:10,120
Speaker 2: Go ahead and get in. Just sit right down. There's

578
00:31:10,160 --> 00:31:12,480
Speaker 2: nothing that stacked up on my front seat or anything.

579
00:31:12,680 --> 00:31:15,520
Speaker 5: Oh yeah, and you've got a bead cushion.

580
00:31:16,080 --> 00:31:17,440
Speaker 2: Yeah, it's good for your back.

581
00:31:17,560 --> 00:31:17,760
Speaker 8: Huh.

582
00:31:17,920 --> 00:31:19,920
Speaker 2: Like I wish I put it on my driver's seat.

583
00:31:19,960 --> 00:31:21,840
Speaker 2: I love how much my passenger is a joy it.

584
00:31:21,920 --> 00:31:24,760
Speaker 2: But I'm always like, why do I not get that? Okay, stop,

585
00:31:24,840 --> 00:31:26,800
Speaker 2: So we we didn't really say it put a limit

586
00:31:26,840 --> 00:31:30,800
Speaker 2: on that. But if you chose the second choice, you

587
00:31:30,800 --> 00:31:33,720
Speaker 2: made the right choice, because Mike's back feels a little

588
00:31:33,720 --> 00:31:37,760
Speaker 2: better than it would have right in the first version.

589
00:31:37,920 --> 00:31:39,280
Speaker 2: There's no right or wrong though.

590
00:31:40,080 --> 00:31:41,840
Speaker 1: Well we did say that some of the media you

591
00:31:41,880 --> 00:31:43,560
Speaker 1: have to throw your phone away.

592
00:31:43,600 --> 00:31:47,920
Speaker 5: Sure, but that's part of the story.

593
00:31:48,040 --> 00:31:49,120
Speaker 2: We haven't done that yet.

594
00:31:49,240 --> 00:31:52,520
Speaker 5: We have experience, we haven't done it yet fully failed.

595
00:31:52,680 --> 00:31:55,680
Speaker 2: But that was also there were also two doors, obviously

596
00:31:55,800 --> 00:31:58,360
Speaker 2: at the end of the or in the middle of

597
00:31:58,440 --> 00:32:02,840
Speaker 2: the stinky legs. They were. Also they did get onto

598
00:32:02,880 --> 00:32:05,840
Speaker 2: the roof in the Sneaky Kevin scenario, right, so I

599
00:32:05,960 --> 00:32:09,479
Speaker 2: think it dies. Well, no, we we it's no, it's okay.

600
00:32:09,520 --> 00:32:13,240
Speaker 2: What we'll do is now, if you did not want

601
00:32:13,520 --> 00:32:16,200
Speaker 2: to follow the cars, because imagine you had done that

602
00:32:16,320 --> 00:32:21,360
Speaker 2: other scenario, you need to hit backwards. So I would say,

603
00:32:21,480 --> 00:32:26,920
Speaker 2: hit backwards maybe thirty forty five times. See this is.

604
00:32:26,920 --> 00:32:29,600
Speaker 1: Tough, because I was it's such a great opportunity. If

605
00:32:29,600 --> 00:32:34,600
Speaker 1: you're gonna do a show about having infinite choices, sending

606
00:32:34,600 --> 00:32:36,600
Speaker 1: your characters to Sizzler.

607
00:32:38,000 --> 00:32:40,640
Speaker 2: Is such a great opportunity. It kind of has to

608
00:32:40,680 --> 00:32:43,280
Speaker 2: be in there, right, Yeah, should we just stick with

609
00:32:43,320 --> 00:32:45,880
Speaker 2: the guys that says they like you get to Jews

610
00:32:45,920 --> 00:32:47,920
Speaker 2: what they eat kind of the more interesting one. I

611
00:32:47,960 --> 00:32:50,920
Speaker 2: gotta say, yeah, No, that that's great. Well, all I

612
00:32:51,040 --> 00:32:53,200
Speaker 2: was saying is you can go back thirty four or

613
00:32:53,200 --> 00:32:55,360
Speaker 2: five times. It will catch up later and do those

614
00:32:55,400 --> 00:32:58,520
Speaker 2: Oh yeah, because because it's it's it's easy.

615
00:32:59,560 --> 00:33:02,600
Speaker 1: But do we want to like see a compound again

616
00:33:02,640 --> 00:33:03,240
Speaker 1: at Sizzler?

617
00:33:03,560 --> 00:33:05,120
Speaker 2: Absolutely? Absolutely?

618
00:33:05,160 --> 00:33:08,360
Speaker 6: All right, So we're back with Mike and Ernie in

619
00:33:09,120 --> 00:33:13,360
Speaker 6: Ernie's car, right, and uh, they're just leaving now and.

620
00:33:13,320 --> 00:33:16,280
Speaker 2: They're pulling up and the only spot available is a

621
00:33:16,320 --> 00:33:19,200
Speaker 2: handicap parking spot. So if you want them to keep

622
00:33:19,240 --> 00:33:22,400
Speaker 2: circling the block and see if there's street parking, uh,

623
00:33:22,880 --> 00:33:28,440
Speaker 2: you know, I guess fast forward sixty seconds, So hit forward.

624
00:33:28,160 --> 00:33:30,560
Speaker 1: Twice, forward twice if you If you want them to

625
00:33:30,600 --> 00:33:32,560
Speaker 1: park in the handicap spot and just kind of roll

626
00:33:32,600 --> 00:33:34,440
Speaker 1: the dice and hope they don't get towed or get

627
00:33:34,440 --> 00:33:38,040
Speaker 1: a pretty pricey ticket, then I would say just listen.

628
00:33:38,120 --> 00:33:41,440
Speaker 1: Now I'm going to reverse those yeah, and say if

629
00:33:41,480 --> 00:33:44,280
Speaker 1: you if you know, I'm saying, if you want them

630
00:33:44,320 --> 00:33:48,680
Speaker 1: to keep circling, then you have to listen to the

631
00:33:48,720 --> 00:33:49,760
Speaker 1: next sixty seconds.

632
00:33:49,760 --> 00:33:49,920
Speaker 3: Ah.

633
00:33:50,240 --> 00:33:53,720
Speaker 1: But if you want to make the time efficient choice

634
00:33:54,120 --> 00:33:57,440
Speaker 1: and have the handicap spot, and like, think of all

635
00:33:57,440 --> 00:34:00,720
Speaker 1: the good things they could do with that time, uh huh,

636
00:34:00,760 --> 00:34:01,560
Speaker 1: Like that could.

637
00:34:01,320 --> 00:34:02,200
Speaker 2: Help the world.

638
00:34:02,720 --> 00:34:06,640
Speaker 1: Yeah, so it's actually kind of a nice moral choice

639
00:34:07,080 --> 00:34:10,440
Speaker 1: to park on the handicap spot, But it's up to you. Yeah,

640
00:34:10,960 --> 00:34:14,359
Speaker 1: if you're lazy, you can just circle around. Uh So

641
00:34:15,760 --> 00:34:18,759
Speaker 1: it's two clicks if you want to park on.

642
00:34:18,680 --> 00:34:23,520
Speaker 2: The handicap spot. Uh Okay, Now, hey man, I think

643
00:34:23,560 --> 00:34:25,759
Speaker 2: we should just keep looking like maybe there's a meter

644
00:34:25,960 --> 00:34:27,399
Speaker 2: nearby or something like that.

645
00:34:28,440 --> 00:34:31,000
Speaker 5: Yeah, I always have good luck with this stuff.

646
00:34:31,560 --> 00:34:33,719
Speaker 2: Yeah, you know what, I'm gonna pull back out because

647
00:34:33,760 --> 00:34:35,880
Speaker 2: I'm worried. What happens to us is we pull in

648
00:34:35,880 --> 00:34:38,920
Speaker 2: here and then somebody who watched the latest Black Mirror

649
00:34:39,000 --> 00:34:41,560
Speaker 2: pulls up and they got to use a wheelchair, so

650
00:34:41,600 --> 00:34:45,120
Speaker 2: they're not able to park and down that.

651
00:34:45,239 --> 00:34:48,840
Speaker 6: Somebody will hack that wheelchair and then they'll man churry

652
00:34:48,880 --> 00:34:50,120
Speaker 6: in candidate us.

653
00:34:50,239 --> 00:34:53,279
Speaker 2: Oh yeah, that's absolutely something that could happen on that show.

654
00:34:53,360 --> 00:34:56,879
Speaker 2: Good example. So all right, let's just keep driving and

655
00:34:57,120 --> 00:35:02,120
Speaker 2: he shouldn't pick this guy up. Oh probably, Hey, get

656
00:35:02,120 --> 00:35:04,200
Speaker 2: in pal Thicks.

657
00:35:05,800 --> 00:35:09,719
Speaker 5: Oh wow, what a deep basso voice you got.

658
00:35:10,000 --> 00:35:13,960
Speaker 2: Oh god, the whole car smells like English leather, the

659
00:35:14,040 --> 00:35:17,760
Speaker 2: cologne whose tagline is all my men wear English leather

660
00:35:17,920 --> 00:35:20,440
Speaker 2: or they wear nothing at all. That's me.

661
00:35:22,160 --> 00:35:23,439
Speaker 5: Damn, you're a cool guy.

662
00:35:23,480 --> 00:35:25,640
Speaker 2: Well we're going to Okay, we're not sorry. I had

663
00:35:25,680 --> 00:35:27,440
Speaker 2: to keep my eye on the clock. It's hard to

664
00:35:27,520 --> 00:35:27,920
Speaker 2: kind of do.

665
00:35:30,160 --> 00:35:35,360
Speaker 1: Okay, we'll park in and now we're parked and word, yeah.

666
00:35:35,040 --> 00:35:37,400
Speaker 2: Fuck this, let's just do it. I'm stopping.

667
00:35:40,040 --> 00:35:41,960
Speaker 1: Did you see it's okay? We're doing a black Mere

668
00:35:42,000 --> 00:35:45,800
Speaker 1: episode and during the record, the TV just turns on.

669
00:35:46,120 --> 00:35:50,680
Speaker 2: Sean, no one even touched mirror, and the TV goes

670
00:35:50,920 --> 00:35:54,240
Speaker 2: turn on. I've never seen that happen before.

671
00:35:54,640 --> 00:35:58,919
Speaker 6: All right, let's get out here. Yeah, okay, oh ship,

672
00:35:59,400 --> 00:36:04,640
Speaker 6: they stepped through a wormhole? Oh, an alternate universe.

673
00:36:04,560 --> 00:36:11,040
Speaker 2: Where they decided to drive around the block again, How

674
00:36:11,040 --> 00:36:13,080
Speaker 2: do we get back in the car? Was that some

675
00:36:13,200 --> 00:36:16,080
Speaker 2: kind of wormhole? I think we walked through a wormhole?

676
00:36:16,200 --> 00:36:16,880
Speaker 5: Was something?

677
00:36:17,000 --> 00:36:21,399
Speaker 2: Oh my god, a wormhole right at my sizzler way.

678
00:36:21,719 --> 00:36:26,560
Speaker 2: But what's next? You know what I mean? Oh god?

679
00:36:26,760 --> 00:36:29,240
Speaker 5: I wonder what TV is on in this world?

680
00:36:29,480 --> 00:36:30,960
Speaker 2: Yeah, well we were get Vulture.

681
00:36:31,040 --> 00:36:33,480
Speaker 1: You'd think that we would know what's on TV, you know,

682
00:36:33,880 --> 00:36:36,840
Speaker 1: kind of just google timer. He wants to do it himself,

683
00:36:36,880 --> 00:36:38,799
Speaker 1: I guess. And we got a lot of pictures. If

684
00:36:39,040 --> 00:36:41,839
Speaker 1: people hold the class, what.

685
00:36:41,880 --> 00:36:44,120
Speaker 2: Do you guys look at? Here's a copy of Vulture.

686
00:36:45,239 --> 00:36:48,960
Speaker 2: Oh okay, all right, what's on TV in this alternate reality?

687
00:36:49,040 --> 00:36:55,960
Speaker 6: Vulture Confederate HBO's confederate. I remember that being on.

688
00:36:56,160 --> 00:37:02,320
Speaker 1: They actually handled it really well, kind of a stooky premise,

689
00:37:02,600 --> 00:37:04,560
Speaker 1: but they where the.

690
00:37:04,440 --> 00:37:06,840
Speaker 5: Fuck this guy come from?

691
00:37:07,120 --> 00:37:10,160
Speaker 2: Oh? No, they made it work. They made it work.

692
00:37:10,360 --> 00:37:19,439
Speaker 2: Oh god, this guy smells just like Dracarna. Dude, I'm

693
00:37:19,480 --> 00:37:22,160
Speaker 2: stop and let's pluck in that handicaps. Yeah, let's just

694
00:37:22,200 --> 00:37:23,000
Speaker 2: fucking do it.

695
00:37:27,400 --> 00:37:31,359
Speaker 1: So now we are in an alternate universe like from

696
00:37:31,440 --> 00:37:34,920
Speaker 1: the one that we were in. Yeah, it's shows this

697
00:37:35,080 --> 00:37:38,680
Speaker 1: a little bit harder to go back to the the storyline.

698
00:37:38,719 --> 00:37:40,960
Speaker 5: That's interesting, it's very similar.

699
00:37:41,320 --> 00:37:43,560
Speaker 2: I think when you go back that you might find that,

700
00:37:43,640 --> 00:37:49,719
Speaker 2: like Engineer Cody is like uh President, high functioning.

701
00:37:53,080 --> 00:37:56,319
Speaker 1: Stuff you do in this universe can't affect what's going

702
00:37:56,360 --> 00:37:57,400
Speaker 1: on exactly when.

703
00:37:57,280 --> 00:38:00,000
Speaker 2: You go to the other one. Oh, that's so black mirror.

704
00:38:00,280 --> 00:38:02,279
Speaker 2: Oh that's so badass.

705
00:38:03,680 --> 00:38:06,000
Speaker 1: And it's the choices that people made that brought them

706
00:38:06,040 --> 00:38:11,399
Speaker 1: to this point of episode, so really bad at is themselves.

707
00:38:11,400 --> 00:38:15,640
Speaker 1: Oh that's so metal, that is so black mirror. Oh shit,

708
00:38:16,600 --> 00:38:18,000
Speaker 1: that fucking rocks.

709
00:38:18,160 --> 00:38:21,920
Speaker 5: Okay, So now you can either get out and go

710
00:38:22,000 --> 00:38:22,680
Speaker 5: to the Sizzler.

711
00:38:23,560 --> 00:38:30,439
Speaker 6: Yeah right, or uh, you can get out and check

712
00:38:30,480 --> 00:38:34,600
Speaker 6: out the street fair that is happening in front of

713
00:38:34,600 --> 00:38:35,200
Speaker 6: the Sizzler.

714
00:38:35,640 --> 00:38:38,440
Speaker 2: Oh god, I forgot the freaking street fairs this weekend.

715
00:38:38,600 --> 00:38:42,800
Speaker 2: No wonder we were having such a hard time finding parking. Yeah, geez, Louise,

716
00:38:43,360 --> 00:38:46,680
Speaker 2: Oh no, tell me they don't got fried.

717
00:38:46,440 --> 00:38:50,480
Speaker 5: Dough, oh boy, and I don't have my roll age.

718
00:38:51,239 --> 00:38:55,480
Speaker 2: Ah, let's just go to Sizzler. So now you can

719
00:38:55,520 --> 00:39:00,560
Speaker 2: either listen to him and just go to Sizzler, or

720
00:39:00,600 --> 00:39:01,680
Speaker 2: you could go to the street Fair.

721
00:39:01,719 --> 00:39:03,600
Speaker 1: And the choice to just get out and go to

722
00:39:03,600 --> 00:39:05,839
Speaker 1: Sizzler is a pretty short one.

723
00:39:05,920 --> 00:39:07,839
Speaker 5: Now there's a third choice this time.

724
00:39:08,000 --> 00:39:11,799
Speaker 6: Okay, you can also these guys are listening to a

725
00:39:11,920 --> 00:39:16,120
Speaker 6: podcast in their car and they're into it. Now do

726
00:39:16,160 --> 00:39:20,960
Speaker 6: you want to listen to the end of the podcasting.

727
00:39:19,680 --> 00:39:22,720
Speaker 2: A driveway moment? Do you want to have a driveway moment?

728
00:39:22,760 --> 00:39:25,520
Speaker 2: You could have a driveway moment is one opportunity. It's

729
00:39:25,520 --> 00:39:28,719
Speaker 2: a handicapped parking spot in this case. Not saying that's

730
00:39:28,719 --> 00:39:31,560
Speaker 2: good or bad, but you could have a driveway moment

731
00:39:31,560 --> 00:39:34,239
Speaker 2: where you just got to finish the podcast.

732
00:39:34,600 --> 00:39:37,799
Speaker 1: Or or just get out and go to Sizzler or

733
00:39:38,040 --> 00:39:42,440
Speaker 1: go to the street Fair. So getting out and going

734
00:39:42,520 --> 00:39:46,080
Speaker 1: to Sizzler, I think is one thirty second button forward

735
00:39:46,120 --> 00:39:48,160
Speaker 1: and then one fifteen second back.

736
00:39:48,400 --> 00:39:50,960
Speaker 2: That's just a very short thing.

737
00:39:51,000 --> 00:39:53,480
Speaker 1: It's just getting out of the car, walking into Siddler

738
00:39:53,520 --> 00:39:54,880
Speaker 1: and you're a hanted cast spot.

739
00:39:55,120 --> 00:39:58,840
Speaker 2: Yeah, but you don're going to be maybe it's really short. Yeah,

740
00:39:58,960 --> 00:40:02,480
Speaker 2: that would be short, right, So that one just past

741
00:40:02,560 --> 00:40:04,680
Speaker 2: the forward once, but don't let it go all the

742
00:40:04,680 --> 00:40:08,440
Speaker 2: way through, or maybe just hang out. And then for

743
00:40:08,520 --> 00:40:12,680
Speaker 2: the street Fair one, I guess hit it twice, and

744
00:40:12,719 --> 00:40:15,920
Speaker 2: then for the podcast one, don't hit it at all.

745
00:40:16,120 --> 00:40:19,959
Speaker 1: Wait for the street Fair one. That's what if you're

746
00:40:20,560 --> 00:40:23,440
Speaker 1: just going into SIZZLERD. Then you just listen for the

747
00:40:23,440 --> 00:40:26,719
Speaker 1: street Fair one. You hit forward once and then back

748
00:40:26,760 --> 00:40:29,640
Speaker 1: fifteen seconds. And how long do we want to spend

749
00:40:29,800 --> 00:40:31,240
Speaker 1: the street fair? Two minutes?

750
00:40:31,920 --> 00:40:35,640
Speaker 2: Yeah, you could spend the whole day. Oh god, those

751
00:40:35,680 --> 00:40:42,080
Speaker 2: things are so much. Yeah, there's all these great yeah yeah,

752
00:40:42,200 --> 00:40:44,360
Speaker 2: not to say you should do some of them aren't great.

753
00:40:47,200 --> 00:40:49,640
Speaker 5: And inside scoop that this is a very good street fair.

754
00:40:52,280 --> 00:40:55,839
Speaker 2: So that yeah, that is really cool. So there's gonna

755
00:40:55,840 --> 00:40:58,000
Speaker 2: be a lot of stuff to discover there. They might

756
00:40:58,040 --> 00:41:01,759
Speaker 2: even meet someone and the guys coming with them too.

757
00:41:02,080 --> 00:41:05,600
Speaker 5: There might be a celebrity yes, yeah, but star Wars.

758
00:41:06,320 --> 00:41:10,080
Speaker 2: But if you want to podcast, star Wars might be there.

759
00:41:10,239 --> 00:41:12,520
Speaker 2: So but if you want to listen to the podcast,

760
00:41:13,120 --> 00:41:15,680
Speaker 2: which I know you like, podcasts. You're listening to this,

761
00:41:16,160 --> 00:41:18,319
Speaker 2: you can do that too, And where would what would

762
00:41:18,320 --> 00:41:18,960
Speaker 2: they do for that?

763
00:41:19,360 --> 00:41:22,680
Speaker 1: You'd hit it five times? Five times.

764
00:41:22,680 --> 00:41:25,239
Speaker 2: That'll give us enough time at the at the street fair.

765
00:41:25,280 --> 00:41:27,479
Speaker 2: I think that was the street.

766
00:41:27,640 --> 00:41:30,880
Speaker 1: It would be two minutes and fifteen seconds.

767
00:41:30,960 --> 00:41:36,880
Speaker 2: Okay, I think so let's do this thing first area. Okay,

768
00:41:36,960 --> 00:41:39,640
Speaker 2: now all right, let's go in.

769
00:41:39,719 --> 00:41:40,440
Speaker 5: Yeah, let's go in.

770
00:41:40,640 --> 00:41:44,200
Speaker 2: Oh god, I tripped on a crack. Yeah, okay, well,

771
00:41:44,200 --> 00:41:49,960
Speaker 2: throw your phone away, throw your phone away. You fucked up.

772
00:41:50,680 --> 00:41:55,160
Speaker 2: You fuck this, you die in real life. Next, this

773
00:41:55,239 --> 00:41:58,319
Speaker 2: is a fair, ye street fair, Come on, man, get

774
00:41:58,320 --> 00:42:00,680
Speaker 2: out of the back there. We're hitting this fucking street dude.

775
00:42:00,800 --> 00:42:04,160
Speaker 2: Oh god, it looks fun. Yeah, yeah, yeah, this looks

776
00:42:04,160 --> 00:42:05,280
Speaker 2: like it's actually a good one.

777
00:42:05,880 --> 00:42:09,560
Speaker 1: I brought my own gun for the water pistol shooting grade.

778
00:42:09,760 --> 00:42:13,000
Speaker 2: Oh shit, put that away. Wow, that's a three D

779
00:42:13,160 --> 00:42:18,600
Speaker 2: printed single shot gun. Oh my god, with a bump stone.

780
00:42:20,320 --> 00:42:23,440
Speaker 5: Yeah. It made like yeah plastic, Yeah, it's three.

781
00:42:23,880 --> 00:42:25,759
Speaker 2: It's more likely to blow up in your hand than

782
00:42:25,800 --> 00:42:27,480
Speaker 2: it is to be able to shoot the clown.

783
00:42:28,960 --> 00:42:31,080
Speaker 6: Is that why you were asking us all those questions

784
00:42:31,120 --> 00:42:33,759
Speaker 6: about the Star Wars cast hole ride?

785
00:42:34,520 --> 00:42:34,719
Speaker 2: Yeah?

786
00:42:34,760 --> 00:42:36,799
Speaker 1: I was sort of wondering if Star Wars was gonna

787
00:42:36,800 --> 00:42:37,680
Speaker 1: be at the Street Fair.

788
00:42:38,560 --> 00:42:41,759
Speaker 2: All right, anyway, that seems unlikely, but hey it's it

789
00:42:41,880 --> 00:42:45,799
Speaker 2: is Vulture headquarters nearby. Anything could happen. Everybody goes in

790
00:42:45,760 --> 00:42:50,520
Speaker 2: out of the Star Wars. Yeah all right, Hey, excuse me, sir,

791
00:42:50,560 --> 00:42:52,040
Speaker 2: can you move out of the way. I'm trying to

792
00:42:52,040 --> 00:42:56,160
Speaker 2: get into the Street Fair. I'm coming through do on

793
00:42:56,320 --> 00:43:02,480
Speaker 2: stage shortly for present Mark. Holy shit, it's Mack Hammel.

794
00:43:03,719 --> 00:43:04,120
Speaker 5: It's me.

795
00:43:05,160 --> 00:43:09,000
Speaker 2: No autographs yet, please, let's saw her later today. God,

796
00:43:09,120 --> 00:43:14,280
Speaker 2: your twitter is inspiring. I love seeing you appear to surprise.

797
00:43:14,400 --> 00:43:18,720
Speaker 2: Are you scared retribution for what you tweet down with Trump?

798
00:43:20,760 --> 00:43:23,399
Speaker 6: Okay, okay, well I disagree with that, but I love

799
00:43:23,480 --> 00:43:25,040
Speaker 6: your movies.

800
00:43:25,880 --> 00:43:31,439
Speaker 2: It's a gratifying to meet faz so uh so. By

801
00:43:31,480 --> 00:43:36,040
Speaker 2: the way, what was I going to say to you? Oh?

802
00:43:36,160 --> 00:43:39,880
Speaker 2: What's Yoda like? No, what's Yoda like? Oh? Yoda's great,

803
00:43:40,120 --> 00:43:44,880
Speaker 2: Yoda's really great to work with. Okay, good? Good? I

804
00:43:44,920 --> 00:43:47,319
Speaker 2: love her? Very small? God?

805
00:43:47,400 --> 00:43:49,760
Speaker 5: What games should we play? Oh?

806
00:43:49,840 --> 00:43:50,080
Speaker 3: Man?

807
00:43:50,719 --> 00:43:53,640
Speaker 2: Is there like a like a Papa shot type like

808
00:43:53,680 --> 00:43:54,239
Speaker 2: hoops game?

809
00:43:56,120 --> 00:44:00,520
Speaker 6: Sorry, there's a hoops game. Rings, there's a ring toss

810
00:44:01,120 --> 00:44:04,760
Speaker 6: and then there's a squirt gun game, which one should

811
00:44:04,760 --> 00:44:05,360
Speaker 6: we do?

812
00:44:06,920 --> 00:44:08,840
Speaker 2: Okay, next then we can go back and play that

813
00:44:09,400 --> 00:44:14,000
Speaker 2: right now. They driveway moment, So what made you decide

814
00:44:14,040 --> 00:44:15,280
Speaker 2: to make the good place?

815
00:44:16,160 --> 00:44:16,600
Speaker 3: Sort of.

816
00:44:21,040 --> 00:44:27,000
Speaker 2: Like a crazy TV show? So it was it was interesting.

817
00:44:27,080 --> 00:44:31,160
Speaker 1: I was watching Lost and I was thinking, yeah.

818
00:44:31,120 --> 00:44:37,320
Speaker 2: We lost, We love Lost. That's so cool. That's cool man.

819
00:44:37,440 --> 00:44:40,680
Speaker 1: And I thought, are we doing this? Are we like,

820
00:44:40,760 --> 00:44:42,279
Speaker 1: are we going to do this right now? Are we

821
00:44:42,320 --> 00:44:45,319
Speaker 1: really doing this? And and the network was like, yeah, sure,

822
00:44:45,440 --> 00:44:45,920
Speaker 1: go for it.

823
00:44:46,239 --> 00:44:52,320
Speaker 2: Oh my god. Wow, that gotta be scary. Yeah, just amazing.

824
00:44:52,640 --> 00:44:57,839
Speaker 2: Like what was that like? And were you scared? And

825
00:44:58,880 --> 00:45:02,919
Speaker 2: like walk us through that? Yeah, honestly I wasn't sure

826
00:45:02,920 --> 00:45:05,560
Speaker 2: if we were really gonna do it. Jamila, where'd she

827
00:45:05,640 --> 00:45:09,440
Speaker 2: come from? Where'd she come from? I? You know, honestly,

828
00:45:09,480 --> 00:45:22,200
Speaker 2: I don't know. Wow. Okay, So that's our driveway moment. So, uh,

829
00:45:22,360 --> 00:45:25,120
Speaker 2: is this over? It's over?

830
00:45:25,239 --> 00:45:27,640
Speaker 5: Should we get out and go into a sizzler?

831
00:45:28,480 --> 00:45:29,680
Speaker 2: Uh?

832
00:45:29,960 --> 00:45:32,359
Speaker 6: Or is there another podcast that'll come on right after

833
00:45:32,440 --> 00:45:32,839
Speaker 6: this one?

834
00:45:34,360 --> 00:45:38,879
Speaker 2: I guess Stitch will probably automatically play something else.

835
00:45:39,400 --> 00:45:45,040
Speaker 1: Oh okay, so we have to decide whether to get

836
00:45:45,080 --> 00:45:45,880
Speaker 1: out of the car.

837
00:45:47,920 --> 00:45:52,120
Speaker 2: So we're leaving the street fair beyond. I go, okay,

838
00:45:52,200 --> 00:45:54,360
Speaker 2: so we got a few we got a few different options.

839
00:45:54,440 --> 00:45:57,799
Speaker 2: We can go back to the roof. That's true. We

840
00:45:57,840 --> 00:46:00,399
Speaker 2: could get back on the roof of Chef Kevin right now. Yes,

841
00:46:01,520 --> 00:46:05,320
Speaker 2: So if you just hike backwards like fifty or fifty times,

842
00:46:05,320 --> 00:46:07,960
Speaker 2: fifty times, fifty to one hundred times, and then they

843
00:46:08,000 --> 00:46:11,160
Speaker 2: will hear what they have already heard. I just want

844
00:46:11,160 --> 00:46:13,880
Speaker 2: they won't be here again any news, no, no, and

845
00:46:14,000 --> 00:46:17,439
Speaker 2: then a reminder there, okay, hit forward, Hey, go there,

846
00:46:17,680 --> 00:46:20,160
Speaker 2: listen to us describe getting on the roof as a

847
00:46:20,200 --> 00:46:23,920
Speaker 2: refresher fifty to one hundred times. If we do that,

848
00:46:24,120 --> 00:46:28,520
Speaker 2: if we do that, and or or we go there

849
00:46:28,560 --> 00:46:30,600
Speaker 2: was two doors. We can go to the street. There

850
00:46:30,600 --> 00:46:33,600
Speaker 2: are the two doors. We can get inside Vulture inside

851
00:46:33,640 --> 00:46:37,239
Speaker 2: Vulture Head. Actually different doors, two different doors. Let's go

852
00:46:37,280 --> 00:46:38,400
Speaker 2: to the two different doors.

853
00:46:38,640 --> 00:46:43,840
Speaker 1: Yeah, okay, and so then that, okay, let's go to

854
00:46:43,880 --> 00:46:45,080
Speaker 1: the two different doors.

855
00:46:45,560 --> 00:46:47,640
Speaker 2: You hit back, well, then you hit back like thirty

856
00:46:47,680 --> 00:46:50,080
Speaker 2: five times. I think that's even more. I think that

857
00:46:51,120 --> 00:46:53,560
Speaker 2: it's like seventy. I think it was. It was one

858
00:46:53,640 --> 00:46:56,640
Speaker 2: after the roof. It was the stinky leg that was

859
00:46:56,440 --> 00:47:00,800
Speaker 2: that one. Okay, So that's thirty ten. That was twenty

860
00:47:00,840 --> 00:47:03,120
Speaker 2: minutes ago. Okay, great, okay, okay, great.

861
00:47:03,200 --> 00:47:07,480
Speaker 1: So so that's hitting back forty times and then forward.

862
00:47:07,680 --> 00:47:09,600
Speaker 7: Well, because it's fifteen seconds when you go back, so

863
00:47:09,640 --> 00:47:10,720
Speaker 7: it's more like eighty times.

864
00:47:10,840 --> 00:47:13,799
Speaker 2: Eighty times. Thank you, good idea, and this is anytimes.

865
00:47:13,840 --> 00:47:17,000
Speaker 5: This is banging, Kevin. We've made it inside Vulture headquarters,

866
00:47:17,600 --> 00:47:21,080
Speaker 5: Devine distracting the guard.

867
00:47:21,120 --> 00:47:24,240
Speaker 1: Okay, so there work kind of like a quieter version

868
00:47:24,239 --> 00:47:27,040
Speaker 1: of the play because you could hear it outside.

869
00:47:26,680 --> 00:47:28,680
Speaker 2: And there are two doors in front of them, and

870
00:47:28,760 --> 00:47:32,600
Speaker 2: just to clarify, one says men and one says women. Okay,

871
00:47:32,719 --> 00:47:34,319
Speaker 2: and that's if you want to do that one. If

872
00:47:34,360 --> 00:47:35,040
Speaker 2: you want to.

873
00:47:36,560 --> 00:47:40,040
Speaker 1: Have the have them get out of the car and

874
00:47:40,040 --> 00:47:43,080
Speaker 1: go to sizzler, we'll probably need like two minutes for

875
00:47:43,120 --> 00:47:45,640
Speaker 1: each of the earlier possibilities. So hit yeah, hit forward,

876
00:47:45,719 --> 00:47:47,680
Speaker 1: and just hitboard eight times.

877
00:47:48,000 --> 00:47:49,680
Speaker 5: Or if you want them to stay in the car

878
00:47:49,880 --> 00:47:51,920
Speaker 5: and listen to whatever weather.

879
00:47:52,160 --> 00:47:54,759
Speaker 2: See if a podcast comes on next. We don't know

880
00:47:54,760 --> 00:47:55,600
Speaker 2: if one will come on.

881
00:47:55,680 --> 00:47:57,960
Speaker 5: It probably does auto play, but they're going to decide

882
00:47:58,000 --> 00:48:00,000
Speaker 5: that they might just end up talking.

883
00:47:59,760 --> 00:48:01,719
Speaker 1: Then, and since it's only fifteen seconds to get insime

884
00:48:01,719 --> 00:48:04,480
Speaker 1: and go to scizzler. You hit forward nine times and

885
00:48:04,600 --> 00:48:11,399
Speaker 1: back one time. Okay, now so sorry, so.

886
00:48:12,800 --> 00:48:17,799
Speaker 2: Hang on what so now we're in front of the doors. No,

887
00:48:17,800 --> 00:48:20,279
Speaker 2: now that's not me, Then that's Kevin and.

888
00:48:21,160 --> 00:48:24,839
Speaker 5: Okay, uh all right, we got an option here. Should

889
00:48:24,840 --> 00:48:26,359
Speaker 5: we take the men's room or the women's room?

890
00:48:26,440 --> 00:48:30,000
Speaker 8: Let's take men because that's what we both are occupied.

891
00:48:32,600 --> 00:48:38,120
Speaker 2: Throw your phone out. Okay, we have two bedutes for

892
00:48:38,160 --> 00:48:40,160
Speaker 2: those farts. This is just what we will. Well, now

893
00:48:40,239 --> 00:48:42,440
Speaker 2: we've got time to kill, so we can we can't

894
00:48:42,480 --> 00:48:46,120
Speaker 2: actually catch Well that's really nicely because this is getting

895
00:48:46,120 --> 00:48:49,240
Speaker 2: fucking confusing. So it did make me think of something

896
00:48:49,360 --> 00:48:52,239
Speaker 2: that happens with Stitcher, which is like when I go

897
00:48:52,360 --> 00:48:55,040
Speaker 2: to like my homepage, there's all this ship that I

898
00:48:55,120 --> 00:49:00,120
Speaker 2: don't listen to. Yeah, isn't that weird? I awoke? And

899
00:49:00,160 --> 00:49:02,840
Speaker 2: what's up with that? What do you mean by stuff

900
00:49:02,840 --> 00:49:05,560
Speaker 2: you don't listen to? Like it's trying to sell you

901
00:49:05,600 --> 00:49:08,440
Speaker 2: on stuff, Like yeah, it's like trying to sell me podcasts.

902
00:49:08,440 --> 00:49:10,399
Speaker 2: But I'm like, why isn't my homepage the fucking shit?

903
00:49:10,480 --> 00:49:13,000
Speaker 2: I like, yeah, it does the same to me, Like

904
00:49:13,040 --> 00:49:17,799
Speaker 2: why does it have a duct tape marketing. The top

905
00:49:17,880 --> 00:49:20,719
Speaker 2: four Marketing twins for twenty nineteen is like the top

906
00:49:20,760 --> 00:49:25,520
Speaker 2: podcast and then one called Blackjack Justice. Like, this isn't

907
00:49:25,560 --> 00:49:28,000
Speaker 2: even the kind of stuff I listen to. For me,

908
00:49:28,239 --> 00:49:32,080
Speaker 2: posh use your phone at all. I guess he has

909
00:49:32,200 --> 00:49:33,120
Speaker 2: access to it.

910
00:49:33,320 --> 00:49:35,600
Speaker 1: If it's marketing podcasts and stuff like that. It does

911
00:49:35,640 --> 00:49:37,279
Speaker 1: seem like he might be listening to it.

912
00:49:38,360 --> 00:49:42,560
Speaker 2: Yeah, I mean he's really interested in like CEO, he's

913
00:49:42,600 --> 00:49:45,000
Speaker 2: really into Yeah.

914
00:49:45,800 --> 00:49:48,719
Speaker 1: I only listen to our show on it, which I've

915
00:49:49,000 --> 00:49:50,560
Speaker 1: heard as well a lot of people do.

916
00:49:51,400 --> 00:49:52,240
Speaker 2: And if you search.

917
00:49:52,120 --> 00:49:55,279
Speaker 1: Hollywood Handbook, it doesn't say when you search, it just

918
00:49:55,280 --> 00:49:58,000
Speaker 1: says Hollywood Handbook or Hollywood Handbook. It doesn't you have

919
00:49:58,080 --> 00:50:00,280
Speaker 1: to actually click it to find out if you're listening

920
00:50:00,320 --> 00:50:02,840
Speaker 1: to the ADS version or the normal show or the

921
00:50:02,880 --> 00:50:03,480
Speaker 1: pro version.

922
00:50:03,520 --> 00:50:06,080
Speaker 7: Because the ADS version is the listed it's listed as

923
00:50:05,920 --> 00:50:09,000
Speaker 7: the ADS version Hollywood Handbook for some unknown reasons.

924
00:50:09,000 --> 00:50:11,360
Speaker 2: So so that's that's better that way, it's.

925
00:50:11,239 --> 00:50:13,240
Speaker 7: Not filed next to the ononder if we could stop

926
00:50:13,280 --> 00:50:17,799
Speaker 7: the music, Devin, could you stop?

927
00:50:18,120 --> 00:50:20,200
Speaker 2: Okay, there's a chance that the guards will come inside.

928
00:50:20,239 --> 00:50:24,520
Speaker 1: It's a snaky like, uh, well, no, they fell in love, Yeah,

929
00:50:24,560 --> 00:50:26,960
Speaker 1: I understand, but the spell is broken. When he stops

930
00:50:27,000 --> 00:50:29,920
Speaker 1: doing this, he's still blown kisses, right, and that's the

931
00:50:30,400 --> 00:50:31,840
Speaker 1: that's in the rear view mirror.

932
00:50:31,920 --> 00:50:35,320
Speaker 5: I mean Kevin and Bang are inside, they're.

933
00:50:35,160 --> 00:50:38,439
Speaker 2: Inside the buildings. Happened devon out there, we don't even know. Okay,

934
00:50:38,440 --> 00:50:39,840
Speaker 2: he's getting Swiss cheese.

935
00:50:40,160 --> 00:50:43,560
Speaker 5: Yeah, no one can roasted.

936
00:50:44,520 --> 00:50:46,560
Speaker 2: But what were you saying about Hollywood Handbook? Because I

937
00:50:46,560 --> 00:50:48,600
Speaker 2: can't I can't listen to a thing with the music going,

938
00:50:49,239 --> 00:50:51,919
Speaker 2: I can't understand. So you're saying that you can't tell

939
00:50:51,960 --> 00:50:54,480
Speaker 2: it toll you click on it which thing it is.

940
00:50:54,520 --> 00:50:57,759
Speaker 2: But the pro version has a different graph.

941
00:50:57,640 --> 00:51:01,960
Speaker 1: Has very slightly and no different graphic ads.

942
00:51:02,040 --> 00:51:04,560
Speaker 2: Version looks exactly like regular you know, does a better

943
00:51:04,680 --> 00:51:09,880
Speaker 2: job at it read it, and like labeling, which is

944
00:51:09,880 --> 00:51:12,400
Speaker 2: what they put an orange background on it.

945
00:51:12,600 --> 00:51:16,520
Speaker 1: Oh, I think okay, So I think we did eat

946
00:51:16,560 --> 00:51:17,520
Speaker 1: the time for whatever.

947
00:51:17,600 --> 00:51:20,759
Speaker 2: The second thing was past, so now we can go

948
00:51:20,880 --> 00:51:26,320
Speaker 2: to the women's room. Well, the men's room was occupied.

949
00:51:26,360 --> 00:51:28,239
Speaker 5: The men's room was occupied, and you lost and you

950
00:51:28,280 --> 00:51:28,719
Speaker 5: fucked up.

951
00:51:28,800 --> 00:51:30,320
Speaker 2: Sounded like guy was going through something.

952
00:51:30,400 --> 00:51:32,880
Speaker 5: Yeah, now you can.

953
00:51:33,239 --> 00:51:35,000
Speaker 2: Now I think we are actually getting out of the

954
00:51:35,000 --> 00:51:36,120
Speaker 2: car and going to Sizzler.

955
00:51:36,320 --> 00:51:40,759
Speaker 6: Okay, now, all right, if you want to end up

956
00:51:40,760 --> 00:51:41,920
Speaker 6: going to the women's room.

957
00:51:41,920 --> 00:51:44,080
Speaker 2: And we did try to go to Sizzler already and

958
00:51:44,160 --> 00:51:45,520
Speaker 2: we did trip out and fall.

959
00:51:45,640 --> 00:51:47,640
Speaker 1: Yeah, no, I understand, but this is one of the

960
00:51:47,680 --> 00:51:51,440
Speaker 1: options that we that we uh, who knows what's going

961
00:51:51,520 --> 00:51:53,400
Speaker 1: to happen. Yes, and the first time you got out

962
00:51:53,440 --> 00:51:56,920
Speaker 1: because there's there's three games at the street because.

963
00:51:56,640 --> 00:51:59,440
Speaker 6: This time there also are the games of the Street Fair,

964
00:51:59,520 --> 00:52:00,920
Speaker 6: which we investigate.

965
00:52:01,200 --> 00:52:03,560
Speaker 1: This time, you are stepping out of your car having

966
00:52:03,760 --> 00:52:08,080
Speaker 1: listened to the Good Place podcast is a little bit different.

967
00:52:08,320 --> 00:52:08,960
Speaker 2: Yeah, that's right.

968
00:52:09,040 --> 00:52:11,560
Speaker 5: I'd love to go into the women's room.

969
00:52:11,680 --> 00:52:14,480
Speaker 2: And okay, you do seem to keep going because I

970
00:52:14,520 --> 00:52:17,040
Speaker 2: am curious what that guy in the men's room is

971
00:52:17,080 --> 00:52:19,960
Speaker 2: going through. Okay, and maybe you maybe listen through the wall,

972
00:52:20,480 --> 00:52:25,000
Speaker 2: like okay, all right.

973
00:52:24,920 --> 00:52:25,960
Speaker 5: Come on, let's let's go.

974
00:52:26,120 --> 00:52:28,560
Speaker 6: They won't expect us to go through this door with

975
00:52:28,719 --> 00:52:29,759
Speaker 6: a couple of guys.

976
00:52:30,120 --> 00:52:32,600
Speaker 2: Look at there's event and I feel like I could

977
00:52:32,600 --> 00:52:34,000
Speaker 2: hear someone mumbling.

978
00:52:36,840 --> 00:52:39,800
Speaker 3: Make all the lists and only put up the bad podcast,

979
00:52:39,840 --> 00:52:41,040
Speaker 3: and we don't tell anybody.

980
00:52:40,719 --> 00:52:42,560
Speaker 5: About Jesse David Foss.

981
00:52:42,680 --> 00:52:46,520
Speaker 3: I don't get to involve that watching watching S and

982
00:52:46,600 --> 00:52:48,200
Speaker 3: L is kind of like a sport for me, and

983
00:52:48,600 --> 00:52:51,480
Speaker 3: in some ways it's like the new second Cities, like

984
00:52:51,520 --> 00:52:54,120
Speaker 3: a farm team and Kevin, this is exactly why we

985
00:52:54,160 --> 00:52:57,040
Speaker 3: came here, follow track my favorite players, and I could

986
00:52:57,080 --> 00:53:00,120
Speaker 3: see who's you're having a good rookie season and.

987
00:53:01,600 --> 00:53:04,239
Speaker 5: The wily event. We gotta crawl through the vents.

988
00:53:04,640 --> 00:53:05,400
Speaker 2: Let's do it.

989
00:53:06,760 --> 00:53:07,200
Speaker 5: All right?

990
00:53:07,360 --> 00:53:09,280
Speaker 2: Oh God, don't worry. I brought a map.

991
00:53:09,560 --> 00:53:12,480
Speaker 5: Oh good thing, because then we otherwise we'd have options.

992
00:53:14,640 --> 00:53:18,799
Speaker 2: The map blew away in the vent. Oh damn it.

993
00:53:20,000 --> 00:53:27,920
Speaker 2: What's one of these pathways should we go down? Okay? Okay,

994
00:53:27,960 --> 00:53:31,360
Speaker 2: well it seems like we're on there's something there it does, yeah, okay,

995
00:53:31,600 --> 00:53:33,960
Speaker 2: but now I think we gotta go forward to that

996
00:53:34,080 --> 00:53:35,600
Speaker 2: street fair okay?

997
00:53:35,640 --> 00:53:38,040
Speaker 1: And we do still also sit in the car and

998
00:53:38,120 --> 00:53:39,320
Speaker 1: see if another podcast?

999
00:53:39,360 --> 00:53:43,640
Speaker 6: Okay, which one do you guys humored me? Which one

1000
00:53:43,680 --> 00:53:44,680
Speaker 6: do you should we go down?

1001
00:53:44,719 --> 00:53:44,919
Speaker 2: Now?

1002
00:53:45,360 --> 00:53:48,799
Speaker 5: You guys picked God basically.

1003
00:53:48,960 --> 00:53:51,600
Speaker 1: So unfortunately I'm not in charge of this. The listener

1004
00:53:51,680 --> 00:53:57,000
Speaker 1: is so we can either right see which they can

1005
00:53:57,120 --> 00:53:58,080
Speaker 1: go at wherever they want.

1006
00:53:58,200 --> 00:54:01,120
Speaker 6: But for us to just continue to to put out

1007
00:54:01,440 --> 00:54:02,719
Speaker 6: see what we've made.

1008
00:54:02,719 --> 00:54:05,560
Speaker 2: This is what I'm feeling right now, just before we

1009
00:54:05,600 --> 00:54:07,960
Speaker 2: go any further, is this should probably be three or

1010
00:54:07,960 --> 00:54:08,920
Speaker 2: four episodes.

1011
00:54:09,840 --> 00:54:13,359
Speaker 1: I yeah, we we bid off a little too much,

1012
00:54:13,640 --> 00:54:16,000
Speaker 1: but I think it's like a it's a luxury problem

1013
00:54:16,000 --> 00:54:18,840
Speaker 1: that we landed on something that does that works so

1014
00:54:19,000 --> 00:54:21,759
Speaker 1: well that we've discovered that we did make up time

1015
00:54:21,800 --> 00:54:22,000
Speaker 1: for it.

1016
00:54:22,040 --> 00:54:24,480
Speaker 2: No wonder Black Mirror did it? Yes, because those people

1017
00:54:24,480 --> 00:54:29,680
Speaker 2: are fucking insane, so genius. They're insane, and I should

1018
00:54:29,719 --> 00:54:32,640
Speaker 2: be locked up. I'm realizing. I'm terrified that they're out

1019
00:54:32,680 --> 00:54:34,800
Speaker 2: walking among us. Someone could be a black.

1020
00:54:34,600 --> 00:54:37,239
Speaker 5: Mirror and you wouldn't even know. Yeah, I mean maybe

1021
00:54:37,239 --> 00:54:38,160
Speaker 5: I'm a black mirror.

1022
00:54:38,880 --> 00:54:41,279
Speaker 2: Honestly, I don't think you.

1023
00:54:41,560 --> 00:54:45,000
Speaker 1: I mean, just like I knowing you, I don't think

1024
00:54:45,040 --> 00:54:46,080
Speaker 1: you are no offense.

1025
00:54:46,480 --> 00:54:48,239
Speaker 5: Yeah, but wouldn't that be the perfect cover.

1026
00:54:48,440 --> 00:54:51,160
Speaker 1: You're smart, you're like an interesting guy, but I don't

1027
00:54:51,200 --> 00:54:53,719
Speaker 1: And you're not like a blacker but exactly, but that's

1028
00:54:53,800 --> 00:54:55,719
Speaker 1: exactly what a black but you would do it in

1029
00:54:55,800 --> 00:55:03,480
Speaker 1: a way that was like more TV like convincing a.

1030
00:55:03,400 --> 00:55:06,200
Speaker 5: Black mirror is a good cover for a black mirror.

1031
00:55:06,880 --> 00:55:09,480
Speaker 2: I guess. And I have to say, I'm now convinced

1032
00:55:09,520 --> 00:55:12,399
Speaker 2: that you might be a black mirror. And it took

1033
00:55:12,400 --> 00:55:15,239
Speaker 2: a while, but I now think that you might be

1034
00:55:15,280 --> 00:55:19,839
Speaker 2: a black mirror. And I'm shaking in my shoes and

1035
00:55:19,920 --> 00:55:22,839
Speaker 2: I am not sure that I'm going to have full

1036
00:55:22,960 --> 00:55:24,719
Speaker 2: use of my legs.

1037
00:55:24,320 --> 00:55:26,560
Speaker 1: It is true that one of us must be a

1038
00:55:26,600 --> 00:55:29,919
Speaker 1: black mare for this to have worked the way it did.

1039
00:55:31,120 --> 00:55:34,360
Speaker 1: There is no way to execute something like this without

1040
00:55:34,480 --> 00:55:36,759
Speaker 1: a black mirror in the room or on the other

1041
00:55:36,800 --> 00:55:37,600
Speaker 1: side of the partition.

1042
00:55:37,800 --> 00:55:39,880
Speaker 2: It worked insanely well. It works insanely well.

1043
00:55:39,960 --> 00:55:43,000
Speaker 6: At the end of one of these options, you will

1044
00:55:43,040 --> 00:55:45,120
Speaker 6: find out which one of us is the black mirror.

1045
00:55:45,160 --> 00:55:47,600
Speaker 2: Oh wow, but that could be fair. That could be

1046
00:55:47,680 --> 00:55:50,359
Speaker 2: for a future We could keep it going all year,

1047
00:55:50,440 --> 00:55:55,239
Speaker 2: ideally because we do have to keep doing the podcast. Well, actually, no,

1048
00:55:55,280 --> 00:55:57,359
Speaker 2: we haven't done our new negotiation. That's right, we don't

1049
00:55:57,400 --> 00:56:00,520
Speaker 2: have a new contract yet. Well, this is a great idea.

1050
00:56:00,600 --> 00:56:03,480
Speaker 1: Now we got a fucking over a barrel because we

1051
00:56:03,480 --> 00:56:06,160
Speaker 1: we hang on to which one of us is black mirror.

1052
00:56:06,280 --> 00:56:09,040
Speaker 1: We record it now and we just say we'll plant

1053
00:56:09,080 --> 00:56:11,880
Speaker 1: it in a future episode. Even in the contract negotiats

1054
00:56:11,880 --> 00:56:13,520
Speaker 1: see that I can endit out as soon as we

1055
00:56:13,600 --> 00:56:15,680
Speaker 1: get what we need. I'm allowed to pull out.

1056
00:56:15,760 --> 00:56:19,360
Speaker 6: You know in some shows where the right a variety

1057
00:56:19,360 --> 00:56:22,919
Speaker 6: of endings, so even people in the cast don't know, right, Yeah,

1058
00:56:24,000 --> 00:56:26,920
Speaker 6: spill it out. Maybe we should record all of us

1059
00:56:26,960 --> 00:56:27,839
Speaker 6: admitting that we.

1060
00:56:27,760 --> 00:56:30,040
Speaker 1: Are that's great, so none of us really know which

1061
00:56:30,040 --> 00:56:30,840
Speaker 1: of us is black.

1062
00:56:31,000 --> 00:56:35,920
Speaker 2: It's cool, and even Chef Kevin has to say it. Okay,

1063
00:56:36,280 --> 00:56:39,280
Speaker 2: Chef Kevin is starting with you. I'm the black mirror.

1064
00:56:43,960 --> 00:56:45,560
Speaker 2: I think we're good. I don't think we have to

1065
00:56:45,600 --> 00:56:48,440
Speaker 2: do it. No, I don't think that's so obvious that

1066
00:56:48,600 --> 00:56:54,400
Speaker 2: Kevin is the black Yeah, that's so. It's so satisfying.

1067
00:56:55,200 --> 00:56:58,440
Speaker 2: Even Bosh got maybe this should be the last episode. Oh,

1068
00:56:58,600 --> 00:56:59,960
Speaker 2: that would be amazing.

1069
00:57:00,440 --> 00:57:03,280
Speaker 5: I'm honored. Bye on the last episode.

1070
00:57:03,600 --> 00:57:08,560
Speaker 2: Bye,