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Speaker 1: So Brett. So I'm driving the uber just to sort

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Speaker 1: of see what it's like, Oh, is this a good

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Speaker 1: fit for me?

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Speaker 2: Then I pick up.

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Speaker 1: The time to make the donuts guy and we're shooting

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Speaker 1: the shit and I just start crying and there's no

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Speaker 1: windshield wipers for your eyes, and so I'm losing it crying,

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Speaker 1: and he goes, well, what's wrong? And I said, I

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Speaker 1: think I just kind of miss my friend, you know.

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Speaker 3: Your time about me, Hayes.

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Speaker 1: And he actually asked, you mean engineer Brett, and I

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Speaker 1: made it pretty clear that I didn't. And so then

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Speaker 1: I was thinking, like, could you invite wind ship wipers

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Speaker 1: for your eyes? I know your eyelids can kind of

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Speaker 1: blink stuff out, but it's not the same as sort

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Speaker 1: of scrubbing across. And I was like, Hayes would be

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Speaker 1: the kind of guy who would know, you know, why

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Speaker 1: that would work or wouldn't.

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Speaker 3: But any of the guys at the gas stations will squeegee,

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Speaker 3: you know, squeegee for you.

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Speaker 1: I don't need this from you. But I am in

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Speaker 1: the studio, you know, I just said. I just dropped

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Speaker 1: him off wherever I was. I canceled it. I turned

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Speaker 1: the app off and I just got to the studio

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Speaker 1: and was like, I just want to be here to

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Speaker 1: feel what it's like to be around him. And it's

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Speaker 1: even harder because I just haven't seen him.

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Speaker 3: Yeah it's been a long time. Yeah, what's it been?

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Speaker 1: And even just telling that story now just sucked, Like

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Speaker 1: you're so bad at hearing his story, Like it just

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Speaker 1: fucking sucked.

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Speaker 3: Yeah. I can't say it was that good.

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Speaker 2: I mean, but he.

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Speaker 1: Would know how to make it good because he helps

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Speaker 1: with it. Can you just call him? Can you call him?

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Speaker 3: Yeah, I can get him on the phone. Would you

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Speaker 3: want to talk to him? Yeah, okay, let me let

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Speaker 3: me die all my uh.

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Speaker 1: You're not always recording our conversations.

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Speaker 3: Sorry, I like to keep it rolling. You can edit.

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Speaker 3: You can always tell me if you want to edit

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Speaker 3: it out. You never tell me that.

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Speaker 1: I don't want to talk to you unless I'm like

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Speaker 1: I have to. Hi, Hey, so I was driving this uber,

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Speaker 1: you know, to see what Yeah, yeah.

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Speaker 4: I'm in a meeting. Is this important? Everyone's here?

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Speaker 1: But I can like, oh no, if you're yeah, no,

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Speaker 1: I guess if you're in a meeting, you're in a meeting.

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Speaker 2: I don't uh no, just just tell me, like is

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Speaker 2: it something important?

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Speaker 1: It's just that's no, it's not. It's not more important

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Speaker 1: than your meeting. I mean, I didn't realize you were.

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Speaker 4: I'm gonna go back in unless there's something.

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Speaker 1: Okay, you want to say, save the story or I'll

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Speaker 1: tell it to Brett again.

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Speaker 3: Hey it's Brett.

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Speaker 1: I'm just here with Brett, and I was telling him

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Speaker 1: a story and I was saying that I missed you,

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Speaker 1: and I maybe spart it to you.

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Speaker 4: Are you?

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Speaker 1: I just here with Brett and I was telling him

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Speaker 1: that I missed you, and then I miss having you guys.

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Speaker 4: Can you just can you clear out of here for

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Speaker 4: a second? Then well it would like.

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Speaker 1: Oh heyes, I don't want the story.

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Speaker 2: No, no, no, I like you know I would. Let's

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Speaker 2: let's keep talking. Well, you know, we'll start this up

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Speaker 2: again in a few I just have to take this, okay.

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Speaker 1: You just I know, and I know you have so

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Speaker 1: many big meetings, but you've just been in New York

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Speaker 1: for so long, and I feel like my either my

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Speaker 1: stories are getting worse or Brett's just such a bad listener.

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Speaker 1: And I just I just missed you, and I wanted

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Speaker 1: to talk to you and see if you could find

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Speaker 1: something in this story.

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Speaker 4: Now, I'm glad you said this, which.

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Speaker 1: You wipers for your eyes as part of it.

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Speaker 2: Oh, well, that's interesting because we have eyelids, but they.

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Speaker 4: Only go one way.

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Speaker 2: Yeah, so like inventing eyelids that could go like I

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Speaker 2: believe a fish.

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Speaker 1: Yeah, they close in from the sun, goes.

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Speaker 4: In from the side, yeah, and make funny noise.

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Speaker 1: Oh what would that noise be?

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Speaker 4: I miss stories too, Brett.

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Speaker 2: Do you hear that?

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Speaker 3: Yeah?

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Speaker 4: And this is I've really missed this as well. And

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Speaker 4: it's like, so.

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Speaker 2: Just when I used to hear you say that, because

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Speaker 2: it's so like, it's so dirty here. It smells terrible.

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Speaker 1: Well, when are you coming home?

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Speaker 4: It's dark?

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Speaker 2: I don't know.

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Speaker 4: I mean like.

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Speaker 2: People are coming in here for meetings just like constantly.

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Speaker 2: It seems like, uh, and it's just like this never

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Speaker 2: ending cycle of people.

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Speaker 1: And just isn't the weather there, Like it's always wet.

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Speaker 1: It's just miserable over there.

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Speaker 2: I mean it's a little way.

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Speaker 1: You want to come home, yeah, I mean I.

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Speaker 2: Would love to come home, but you know, it just

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Speaker 2: feels like I'm stuck here for a little while.

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Speaker 4: I don't know when this is going to be over.

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Speaker 1: And it's just like shng on. What start talking again?

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Speaker 4: I was saying. It just feels like I'm stuck here.

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Speaker 4: I don't know when hang on.

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Speaker 1: I'm gonna take my headphones off.

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Speaker 3: Okay, do you hear something?

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Speaker 1: Talk again, Hayes. Yeah, I can hear him without my headphones.

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Speaker 1: I can hear him through this wall.

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Speaker 3: That doesn't make sense audio wise.

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Speaker 1: What's on the other side of this wall. It's just

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Speaker 1: that you're The lady's room is over there, right, Yeah,

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Speaker 1: it's just the women's bathroom.

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Speaker 3: Wait, hey, speak again.

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Speaker 4: Yeah, this is I'm calling from New York.

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Speaker 1: Hey, don't talk into the phone. Hang the phone up

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Speaker 1: and just start talking.

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Speaker 4: Okay, Hello, this is Hayes.

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Speaker 2: I'm talking from New York.

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Speaker 1: I can hear him. He's right, he's in the ladies room.

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Speaker 3: I can hear him too.

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Speaker 2: Hayes.

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Speaker 1: Walk out of New York, take a left down the hallway,

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Speaker 1: and then come in through the door.

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Speaker 2: Oh hey, oh you're there.

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Speaker 1: Oh have you been in the women's restroom of the

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Speaker 1: for the is there like four months?

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Speaker 2: That's what that room is. Yeah, okay, I thought so

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Speaker 2: I went in. There is his Mike Combrett. Can you

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Speaker 2: guys hear me? Okay, okay. I went in there. Well,

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Speaker 2: I don't eat, like fifteen weeks ago or something like that. Yeah,

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Speaker 2: And there was pizza him there, sure, And so I

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Speaker 2: thought this must be New York.

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Speaker 1: Yeah, well famous New York pizza. I must be here

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Speaker 1: on business, yeah, of course. And people are constantly coming

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Speaker 1: in for meetings. Yeah, women in pencil skirts.

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Speaker 2: And so I guess I thought. I guess I thought

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Speaker 2: I had taken a trip to New York.

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Speaker 1: I see, well that's happened to all of us at

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Speaker 1: some time or other.

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Speaker 2: But it's so great that you're here. Yeah, no, this

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Speaker 2: is this is good. It does make me wonder. It

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Speaker 2: feels like a little bit of wasted time that.

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Speaker 1: You were just in the ladies room for fifteen or

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Speaker 1: sixteen weeks.

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Speaker 4: Yeah.

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Speaker 2: But I had people like Tom Sharplick was in there

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Speaker 2: a lot, that's true.

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Speaker 1: And Getherard was in there, and he would come in.

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Speaker 2: Tom would come in and say like, I'd say, hey, Tom,

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Speaker 2: so good to see you here. What are you doing here?

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Speaker 2: And he'd be like, oh, I'm here like to do

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Speaker 2: We're gonna do a podcast together?

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Speaker 4: Right?

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Speaker 1: Oh that's right. Yeah that makes sense Because he sat

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Speaker 1: down for a long time and did a podcast with

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Speaker 1: you and.

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Speaker 2: Right because he was putting a microphone and he always

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Speaker 2: sounded a little distracted. He came in with microphones. I

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Speaker 2: would see him start to put into the ceiling, uh huh.

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Speaker 2: But then he was like, oh, these are just for

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Speaker 2: us to record our podcast.

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Speaker 1: And I could hear that a lot of photos were

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Speaker 1: being taken during those podcasts, but they weren't released, like

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Speaker 1: usually there's a lot of photos that go with our episode.

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Speaker 2: You know, they would just take some stock photo from

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Speaker 2: the internet.

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Speaker 1: Yeah.

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Speaker 2: I wondered about that too.

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Speaker 4: Where then it was.

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Speaker 1: Because there's camera clicking all the time, and was that

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Speaker 1: also in the ceiling looking down there was.

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Speaker 2: A sort of an infrared beam that if you crossed it,

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Speaker 2: they would take a picture. Because he was like, oh,

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Speaker 2: you know, we don't have an engineer here to do it.

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Speaker 1: And he was very invested in pretending it was New

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Speaker 1: York as well.

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Speaker 2: Yeah, I honestly feel like a big part of why

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Speaker 2: I thought it was New York is Tom.

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Speaker 1: Coming in with microphones.

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Speaker 2: And make camra and now and like taxi cab sounds,

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Speaker 2: horns honking and things like that, And now they might

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Speaker 2: have been an effect that he was doing with his

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Speaker 2: mouth right, and he would keep saying he saw Pizza

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Speaker 2: Rat as well, and I would never be able to

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Speaker 2: see him. He would always be gone by.

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Speaker 1: You just missed pizza at. Oh, you just missed Pizza at.

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Speaker 4: Yeah. Yeah, I'd be.

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Speaker 2: Very excited to see Pizza h because I'd heard so

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Speaker 2: much about how funny it was.

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Speaker 1: Yeah, that was a sensation, and I will surely launch

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Speaker 1: into a whole other There's got a bright future for

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Speaker 1: Pizza Rat.

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Speaker 2: But it was here. This is great though. I'm so

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Speaker 2: happy to I'm happy to be back doing the show. Well,

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Speaker 2: I mean I'm.

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Speaker 1: Here obviously after hours in the studio just because I

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Speaker 1: was sad and I and I came here to be alone. Really,

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Speaker 1: but I think lives here. But we I mean, as

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Speaker 1: long as we're here late at night, do you want

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Speaker 1: to do like a lock in?

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Speaker 2: Like sleep sleep? That's exact part of what I was thinking. Actually, yeah,

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Speaker 2: like good Night of the Museum?

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Speaker 1: Oh god? Yeah? Uh with the uh cowboy? Yeah yes,

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Speaker 1: and they're fighting and he has to teach them to

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Speaker 1: be friends.

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Speaker 2: But it will be like that or just like well

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Speaker 2: like in that it's nighttime and he likes the girl Cleopatra. No,

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Speaker 2: which girl the.

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Speaker 1: One who worked there? Maybe or is friends or is

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Speaker 1: a teacher Carla, Carla Gugito.

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Speaker 2: She's the teacher.

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Speaker 1: That's his friend. Okay, he hopes there's more.

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Speaker 2: Okay, I didn't see that part because it was on

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Speaker 2: a plane and they cut out some of.

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Speaker 1: The Cleopatra maybe teach him how to be brave with women? Okay,

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Speaker 1: strong assertive woman teaching you how to be brave.

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Speaker 2: That's interesting when because when they censor the parts with

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Speaker 2: the actual potential girl in relationship, all you get on

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Speaker 2: the plane is someone saying like here she comes, and

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Speaker 2: then it cuts to like a different thing.

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Speaker 1: Yeah, and then it's just like a a dinosaur.

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Speaker 3: I call him Rex.

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Speaker 2: So yeah, I mean I would love to do a

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Speaker 2: lock in. There's all kinds of Yeah, there's like we

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Speaker 2: have blankets.

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Speaker 1: Lock lock in closet.

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Speaker 2: We can use the sound.

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Speaker 1: Did you hear the word play.

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Speaker 2: Walk in closet like a walk in closet.

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Speaker 1: Or like a lock in freezer?

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Speaker 2: Yes, I walk in? I do hear it. And what

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Speaker 2: if you did a Christopher lock in?

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Speaker 1: Christopher lock in?

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Speaker 2: Wait, are you saying that like you said first?

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Speaker 1: Locking in the winter Wonderland Christopher locking in the winter

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Speaker 1: Wonderland closet. I mean, I think we found it. And

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Speaker 1: then we've got our next T shirt. I can't wait

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Speaker 1: to see that.

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Speaker 2: We're already It's so great that we're just together for

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Speaker 2: such a short time and we're already coming up with

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Speaker 2: a good new team.

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Speaker 1: Right in our old patterns and you know, being molded

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Speaker 1: in the image of Scott Anchorman to be able to

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Speaker 1: twist these words into a new thing.

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Speaker 2: Brett, do you think Scott would mind if we took

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Speaker 2: the soundproofing blankets off the wall and we use them

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Speaker 2: as real blanketing, blanket, real blanket, and wrap up in

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Speaker 2: it and just make a little burrito. We'll put him back.

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Speaker 2: We'll put him back, and I'd.

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Speaker 1: Like to tuck Hayzen like he's a little burrito.

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Speaker 3: I think that should be okay. I mean, and then, yes,

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Speaker 3: you know, I'm a lead engineer. That's kind of my call.

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Speaker 3: It's not Scott's call.

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Speaker 1: Holy shit, man, you're pulling rank on Scott. I mean,

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Speaker 1: you know, how would the Anchorman feel about that?

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Speaker 3: I mean, these are you know, I set up these blankets.

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Speaker 3: I don't think he would be aware that they've been

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Speaker 3: taken down. Uses swaddle uses.

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Speaker 1: So you're okay with it, but you want us to

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Speaker 1: know that it's your decision, yes, and that Scott wouldn't

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Speaker 1: be allowed to be mad if you took the blankets

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Speaker 1: out of his company.

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Speaker 3: I just want you to you know. I just felt

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Speaker 3: like a little dismissed in that that request, Like I

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Speaker 3: have no no fucking say, would.

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Speaker 1: You Jenny of Scripts be mad? Would Herbert Walker Scripts

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Speaker 1: or any of the Scripts?

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Speaker 2: Are you willing to roll up that far? And yeah,

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Speaker 2: who else are you willing to piss on?

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Speaker 1: Right now?

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Speaker 3: It goes to the top. I'll go to Scripts, I'll

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Speaker 3: tell I'll show them these blankets that you said, that's

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Speaker 3: why they bought this company, the.

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Speaker 1: Young even the youngest Scripts child, who's a notorious wild

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Speaker 1: card Portlandia Scripts.

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Speaker 2: Brett. Because what I'm asking is who's paying for the

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Speaker 2: thumb tacks that you use to keep these blankets from

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Speaker 2: falling down? These cleared thumb tacks, which I will say,

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Speaker 2: create the effect of invisibility. I know that's what you're

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Speaker 2: going for. Using the clear thumb tacks, it's as if

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Speaker 2: there's nothing there at all, and the blankets are hanging

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Speaker 2: of their own accord.

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Speaker 1: If it's if there were silver thumbtacks up there, which

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Speaker 1: I have seen, or pushpins or whatever. I would say, Okay,

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Speaker 1: I believe Brett that this is his call, because those

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Speaker 1: are totally replaceable. You get those at any staples. But

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Speaker 1: obviously these clear ones are special order. They're probably only

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Speaker 1: available to maybe Houdini's family and some other great illusion

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Speaker 1: masters Copperfield, Blaine, Masic Jonathan, because you could cover the

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Speaker 1: Statue of Liberty with the mind free Chriss angel and

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Speaker 1: make and make it disappear. Yes, and you could put

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Speaker 1: blankets on that, so it's fun. Well, I'm just saying, I.

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Speaker 2: Thank you for asking.

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Speaker 1: You're not gonna be able to I'm gonna say, no, no,

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Speaker 1: it's not really for you. It's for us and our audience.

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Speaker 3: Because they paid for the clear thumb tax. But I

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Speaker 3: did the little roll of tape behind the sound blanket

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Speaker 3: to put it up.

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Speaker 1: So that even the corner holds flush.

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Speaker 3: Right.

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Speaker 2: Oh, so you managed to create something of an Araboro's

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Speaker 2: of tape that's nothing.

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Speaker 1: But sticky tape, snake eating its own tail.

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Speaker 3: Yep. So what I'm trying to say is, sure, take

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Speaker 3: the blankets down, But.

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Speaker 1: Is that the American Medical Association to oroboris.

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Speaker 2: It is a snake, but it still has a tail,

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Speaker 2: so it must have been before it thought it's.

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Speaker 1: Is it oraboris or oriparos?

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Speaker 2: Is that JB. Smooth?

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Speaker 1: No, but this is fine that we you know, we

316
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Speaker 1: haven't seen each other for a while, so yeah, we're

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Speaker 1: gonna miss each other sometime.

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Speaker 2: Okay, we're gonna sound a little like your old your

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Speaker 2: old JB. Smooth, but maybe you've abandoned that. I'm gonna

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Speaker 2: come sit over here now.

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Speaker 1: And having him next to me, And do you feel.

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Speaker 2: The standing in this in the doorway? Yeah, it was weird.

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Speaker 3: The two of you were just facing each other from

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Speaker 3: across the.

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Speaker 1: Room for quite Sometimes they're standing in a different little

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Speaker 1: bit of more. I don't know.

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Speaker 3: I could feel a little bit of warming up that

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Speaker 3: had to be.

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Speaker 1: Yeah, And you can't just leap right in. I mean,

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Speaker 1: I hate to use this sort of analogy, but you

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Speaker 1: do need a little foreplay and and it does soften

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Speaker 1: some things and harden others so that they can meet.

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Speaker 2: And I wouldn't shy away from that analogy at all.

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Speaker 2: I mean, like, because before we sort of begin this process,

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Speaker 2: if it is too dry it will hurt everyone. Yeah,

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00:16:37,280 --> 00:16:39,400
Speaker 2: and so and so that you know, I think it's

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Speaker 2: good to take our time. Yeah.

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Speaker 3: So now you guys are sitting You just sat right

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Speaker 3: next to Sean, and you guys are back to it.

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Speaker 1: Yet I'm comedically getting boned out. It's getting stronger that.

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Speaker 3: Do you want me to place the blanket now over

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Speaker 3: you two? Or is it not to that point yet?

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Speaker 2: I wonder if we can use these sumbtacks to make

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Speaker 2: it into like a little roll, like a little burrito,

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Speaker 2: so we can be sort of like two caterpillar and

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Speaker 2: then we're like our papoosa.

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Speaker 4: Okay what I mean?

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Speaker 1: Yeah, yeah, we're in our papoosa ready to emerge.

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Speaker 3: Do you want individual papoosas or do you want to

350
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Speaker 3: be in one.

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Speaker 2: Wrap? I think one big one where we're where our

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00:17:31,680 --> 00:17:32,719
Speaker 2: feet are kind of touching.

353
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Speaker 1: Okay, yeah, touching papoosas.

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Speaker 2: And now Bret, you can so like it's a do

355
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Speaker 2: you know what a papoosa is. It's like a crystalist.

356
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Speaker 3: I thought it was like an Argentinian food.

357
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Speaker 1: It's like a crystalist.

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Speaker 3: Okay, yeah, it sounds like poo poo prett Okay, I

359
00:17:56,760 --> 00:17:57,600
Speaker 3: can't be mad.

360
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Speaker 1: I can't. I can't be mad.

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Speaker 2: I was mad for a minute. Oh I wanted to

362
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Speaker 2: be mad, but then I thought about it.

363
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Speaker 1: And it does sound like poop it well, and I so,

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Speaker 1: and that's why I can't be mad.

365
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Speaker 2: Hayes.

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00:18:13,080 --> 00:18:16,000
Speaker 1: So we're here for a slumber party and we're all

367
00:18:16,040 --> 00:18:18,600
Speaker 1: cuddled in and I'm back with my friends and.

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00:18:18,560 --> 00:18:20,879
Speaker 2: Bratt, can you just gods? Because I want us to

369
00:18:20,880 --> 00:18:23,400
Speaker 2: be able to talk about whatever we want and it's

370
00:18:23,520 --> 00:18:25,480
Speaker 2: not as fun with you here just watching.

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Speaker 1: Yes, And I want that kind of freak.

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Speaker 2: Like supervising us because I want us us to be

373
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Speaker 2: able to talk and just.

374
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Speaker 1: Hang out and just say anything, even if it's outrageous.

375
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Speaker 3: Yeah what if I just sort of turned around because

376
00:18:39,720 --> 00:18:42,520
Speaker 3: I have to monitor the the recording.

377
00:18:42,840 --> 00:18:44,600
Speaker 2: You can go look out like you know that little

378
00:18:44,680 --> 00:18:46,800
Speaker 2: your little perch that you used to look out the window.

379
00:18:47,119 --> 00:18:48,840
Speaker 2: Why don't you climb up on your little perch?

380
00:18:49,520 --> 00:18:49,680
Speaker 4: Oh?

381
00:18:49,760 --> 00:18:57,560
Speaker 1: Yeah, oh good there, like I'm scary of so speaking

382
00:18:57,640 --> 00:19:00,800
Speaker 1: of I was saying we might want to say something outrageous.

383
00:19:00,800 --> 00:19:02,920
Speaker 1: Did you see that gem in the Holograms movie?

384
00:19:03,520 --> 00:19:08,600
Speaker 2: Yeah? I did somehow, well it was on Tom's phone.

385
00:19:08,720 --> 00:19:13,080
Speaker 1: Here's what I like about it? At first, she's trying

386
00:19:13,080 --> 00:19:15,120
Speaker 1: to be a rock star, but she has this very

387
00:19:15,200 --> 00:19:19,720
Speaker 1: boring generic name Jerika, And they realize that if you

388
00:19:19,800 --> 00:19:23,080
Speaker 1: really want to be famous, you need something remarkable like gem.

389
00:19:23,480 --> 00:19:26,520
Speaker 2: Yeah, and she what she does on her face, She

390
00:19:26,560 --> 00:19:28,960
Speaker 2: paints like a lightning bolt on her face to basically

391
00:19:29,000 --> 00:19:30,439
Speaker 2: become this completely new.

392
00:19:30,480 --> 00:19:34,040
Speaker 1: From like this boring jerich. I mean, how many Jerika's did.

393
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Speaker 4: You know growing up?

394
00:19:34,880 --> 00:19:38,000
Speaker 1: What a snooze. You're never gonna be famous with that.

395
00:19:38,040 --> 00:19:40,639
Speaker 1: There's too many of them. It's like, oh, hey, I'm Jerika.

396
00:19:40,720 --> 00:19:44,080
Speaker 1: It's like Jerika who because I can't keep any more

397
00:19:44,080 --> 00:19:47,000
Speaker 1: on my name in my name bank in my head.

398
00:19:47,320 --> 00:19:50,399
Speaker 2: And it makes me it makes me sad, Sean to

399
00:19:50,520 --> 00:19:54,800
Speaker 2: think that you have had this idea in your head

400
00:19:54,840 --> 00:19:57,760
Speaker 2: for so long because about the gem in the Holograms

401
00:19:57,800 --> 00:20:00,360
Speaker 2: movie movie came out a long time ago. It makes

402
00:20:00,359 --> 00:20:03,520
Speaker 2: me feel like I didn't really fully understand the ramifications

403
00:20:03,520 --> 00:20:09,159
Speaker 2: of me being Dan God until now, which is you

404
00:20:09,240 --> 00:20:11,520
Speaker 2: must have a tremendous.

405
00:20:11,040 --> 00:20:16,399
Speaker 1: There's a treasure trove of just really great sharp observations

406
00:20:17,040 --> 00:20:19,919
Speaker 1: about what movies is doing right and who am I

407
00:20:19,920 --> 00:20:20,520
Speaker 1: gonna tell?

408
00:20:21,000 --> 00:20:25,520
Speaker 2: Yeah, dom imagine if Tom heard that, who am I

409
00:20:25,560 --> 00:20:30,520
Speaker 2: gonna tell and threw Tea that neither of those guys

410
00:20:30,560 --> 00:20:33,919
Speaker 2: would know what side of that to to be on?

411
00:20:34,240 --> 00:20:36,359
Speaker 2: What side of that, of course observation?

412
00:20:36,560 --> 00:20:42,280
Speaker 1: And who are you gonna tell Tom Sharpling, notorious pervert.

413
00:20:41,600 --> 00:20:46,600
Speaker 2: Tom hearing about this idea of a girl in general,

414
00:20:46,680 --> 00:20:46,960
Speaker 2: you know.

415
00:20:47,160 --> 00:20:49,600
Speaker 1: Yeah, oh yeah, he wouldn't be distracted on the name.

416
00:20:49,640 --> 00:20:52,879
Speaker 1: He'd be like, well, how big are her cans? Or

417
00:20:53,640 --> 00:20:56,720
Speaker 1: is she going to the bathroom anytime soon? And if so,

418
00:20:56,920 --> 00:20:59,320
Speaker 1: where and how much time do I have to get

419
00:20:59,320 --> 00:21:02,439
Speaker 1: in there first? And that's what he really would ask.

420
00:21:02,960 --> 00:21:06,320
Speaker 2: He would ask that, And I like the guy. Yeah,

421
00:21:07,560 --> 00:21:09,280
Speaker 2: I got a lot of respect for him. Sweet guy,

422
00:21:10,920 --> 00:21:14,320
Speaker 2: I'm here, I'm adding this lightning bolt thing which is

423
00:21:14,400 --> 00:21:18,560
Speaker 2: carrying the observation onto the huge next onto the next plane.

424
00:21:19,280 --> 00:21:24,880
Speaker 2: And it makes me sad and sorry that that these

425
00:21:24,880 --> 00:21:27,399
Speaker 2: things have just had to like fester in your brain.

426
00:21:27,640 --> 00:21:31,320
Speaker 1: And unfortunately Tom would only the lightning bolt, which I

427
00:21:31,520 --> 00:21:34,000
Speaker 1: needed to get me into the next level. You would

428
00:21:34,040 --> 00:21:39,600
Speaker 1: only know about it if it was painted on her papoosa, you.

429
00:21:39,560 --> 00:21:40,120
Speaker 4: Know what I mean?

430
00:21:41,040 --> 00:21:48,840
Speaker 1: Like, Brett, Brett, are you eavesdropping out there? Brat, get

431
00:21:48,920 --> 00:21:54,800
Speaker 1: in your bird perch and look at the city.

432
00:21:55,560 --> 00:21:59,960
Speaker 2: His head is following the lights of the cars going by,

433
00:21:59,840 --> 00:22:02,520
Speaker 2: and they sort of pawing at the window like like

434
00:22:02,600 --> 00:22:09,320
Speaker 2: it's a bug that he can catch. It's nice in here, Yeah,

435
00:22:09,480 --> 00:22:16,439
Speaker 2: it is now, and it's like it's it's fun to

436
00:22:16,480 --> 00:22:21,159
Speaker 2: be here after dark. And you know, think about some

437
00:22:21,200 --> 00:22:26,520
Speaker 2: of the stories that people like Jeff Garland and Harmer

438
00:22:26,600 --> 00:22:31,000
Speaker 2: Superstar have told in here, and you think about like

439
00:22:31,720 --> 00:22:36,080
Speaker 2: all the stories that this room has to tell, and

440
00:22:36,080 --> 00:22:37,240
Speaker 2: we're part of that story.

441
00:22:38,080 --> 00:22:40,800
Speaker 1: Yeah, for better or worse.

442
00:22:40,920 --> 00:22:43,160
Speaker 2: I love that. I mean just like being able this

443
00:22:44,720 --> 00:22:48,720
Speaker 2: traditional blanket. It's like a story told in a blanket.

444
00:22:49,040 --> 00:22:50,720
Speaker 1: Wow, I did something right, I guess.

445
00:22:50,760 --> 00:22:52,680
Speaker 2: And Holy when you think about what these what these

446
00:22:52,720 --> 00:22:58,399
Speaker 2: sound blankets do? They absorb all the sound and then it,

447
00:22:59,080 --> 00:23:00,639
Speaker 2: you know, where does it go. It must have kind

448
00:23:00,680 --> 00:23:03,679
Speaker 2: of like stay in there, you know what I mean. Yeah,

449
00:23:03,720 --> 00:23:05,919
Speaker 2: so they must still be in these blankets.

450
00:23:06,040 --> 00:23:08,560
Speaker 1: Yeah. You can almost hear Drew Drogie if you put

451
00:23:08,600 --> 00:23:10,920
Speaker 1: your ear up close enough to the sort of quilting

452
00:23:10,960 --> 00:23:16,400
Speaker 1: of the blanket. And who's this it's some the guy

453
00:23:16,440 --> 00:23:20,600
Speaker 1: who was the troubadour on the Gilmore Girls, Uh, who

454
00:23:20,720 --> 00:23:23,119
Speaker 1: had that sort of sound music.

455
00:23:23,200 --> 00:23:24,639
Speaker 4: E one for a little while.

456
00:23:26,240 --> 00:23:26,880
Speaker 2: What's his name?

457
00:23:26,920 --> 00:23:28,600
Speaker 1: Brett Brett?

458
00:23:29,520 --> 00:23:30,360
Speaker 3: Yeah, I'm here.

459
00:23:30,400 --> 00:23:33,520
Speaker 2: Who's that guy that you liked that was do the

460
00:23:33,600 --> 00:23:34,200
Speaker 2: music show?

461
00:23:35,760 --> 00:23:43,200
Speaker 3: Oh uh? Grant Bucker Buffalo, Grantly Buffalo, Buffalo Lee, Grant

462
00:23:43,240 --> 00:23:46,720
Speaker 3: Lee Buffalo Lee Buffalo. Yeah, you can almost hear the

463
00:23:47,400 --> 00:23:50,240
Speaker 3: short wave radio and you're done.

464
00:23:50,320 --> 00:23:51,119
Speaker 1: Get back out there.

465
00:23:51,880 --> 00:23:54,639
Speaker 2: His drums are still in here, huh.

466
00:23:54,760 --> 00:23:56,840
Speaker 3: Yeah, they've just been sitting here. He's never picked them up.

467
00:23:58,160 --> 00:23:59,080
Speaker 1: That's an outsunding.

468
00:23:59,160 --> 00:24:00,000
Speaker 2: That's the sound of the drum.

469
00:24:00,160 --> 00:24:02,920
Speaker 3: Make I don't know, wait, try it again.

470
00:24:04,760 --> 00:24:09,800
Speaker 2: Make it a drum. No, no, no, thinks.

471
00:24:09,600 --> 00:24:11,879
Speaker 3: It's the the keyboard.

472
00:24:12,320 --> 00:24:15,880
Speaker 2: Well it thinks it's a keyboard, which thinks it's saxophone.

473
00:24:18,240 --> 00:24:19,359
Speaker 2: I wanted to be a drum.

474
00:24:19,560 --> 00:24:22,159
Speaker 3: Okay, try it?

475
00:24:22,520 --> 00:24:23,760
Speaker 2: What am I going to blow into the sack?

476
00:24:23,960 --> 00:24:25,840
Speaker 3: Try again? Try again? There it is.

477
00:24:29,240 --> 00:24:32,680
Speaker 2: Wow. That ruled not as fun as I thought. Maybe

478
00:24:32,720 --> 00:24:34,080
Speaker 2: that's why the show didn't.

479
00:24:34,000 --> 00:24:38,359
Speaker 1: Didn't take Yeah, and it's not a statement on the show.

480
00:24:38,520 --> 00:24:43,080
Speaker 1: Not everything really just takes off right away, like what

481
00:24:43,119 --> 00:24:43,560
Speaker 1: we did.

482
00:24:44,760 --> 00:24:47,320
Speaker 2: I will say that I've never noticed it in here

483
00:24:47,840 --> 00:24:50,960
Speaker 2: until the lights are off. But the stars that Scott

484
00:24:51,480 --> 00:24:52,800
Speaker 2: put on the ceiling.

485
00:24:53,960 --> 00:24:56,360
Speaker 1: And they're in real consolation. Yeah, I mean he did

486
00:24:56,359 --> 00:24:56,960
Speaker 1: his homework.

487
00:24:57,119 --> 00:24:59,280
Speaker 2: Yeah, there are a lot of fun.

488
00:24:59,680 --> 00:25:02,679
Speaker 1: There's Ryan's belt and it's sort of slipping down and

489
00:25:02,760 --> 00:25:10,320
Speaker 1: revealing some of Orion's parts. There's a sickness the swab,

490
00:25:11,600 --> 00:25:14,480
Speaker 1: and he's sort of moving towards Oriyan.

491
00:25:16,000 --> 00:25:18,960
Speaker 2: He looks like, yeah, he might be trying to bite

492
00:25:19,119 --> 00:25:22,560
Speaker 2: Orion's parts, and then he thinks it's a piece of bread,

493
00:25:22,640 --> 00:25:23,720
Speaker 2: which it does look.

494
00:25:23,560 --> 00:25:30,439
Speaker 3: Like, Yeah, let go back, it's that crab crab one.

495
00:25:31,000 --> 00:25:35,640
Speaker 2: Brett, Brett, please take to your perch. And I wonder

496
00:25:35,680 --> 00:25:38,600
Speaker 2: if we have to put his little loop on his

497
00:25:38,720 --> 00:25:44,960
Speaker 2: little foot loop, oh, rather strapped or okay, how about

498
00:25:45,000 --> 00:25:48,840
Speaker 2: these the little flaps over his eyes that make him

499
00:25:48,840 --> 00:25:51,480
Speaker 2: think it's nighttime, which it is.

500
00:25:52,359 --> 00:25:55,160
Speaker 1: Yeah, that could be helpful. When you first said little loop,

501
00:25:55,200 --> 00:25:57,600
Speaker 1: I thought like his jeweler's loop, and I thought that's

502
00:25:57,680 --> 00:26:00,119
Speaker 1: not that's not helpful. But a lot of times you

503
00:26:00,240 --> 00:26:02,320
Speaker 1: come in, No, I don't want him to see he's

504
00:26:02,400 --> 00:26:05,399
Speaker 1: looking at Legos through a jeweler sloop like.

505
00:26:05,520 --> 00:26:08,920
Speaker 2: He's investigating and nodding and saying like oh yes, yes,

506
00:26:09,880 --> 00:26:11,439
Speaker 2: very nice, yes.

507
00:26:11,440 --> 00:26:12,879
Speaker 1: This one, and then he just throws it in the

508
00:26:12,920 --> 00:26:15,000
Speaker 1: bucket with the others, And I don't really know what

509
00:26:15,200 --> 00:26:16,680
Speaker 1: he thinks he's figuring out.

510
00:26:18,920 --> 00:26:21,879
Speaker 2: Well that I am curious about. What are you going

511
00:26:21,960 --> 00:26:24,000
Speaker 2: to do with all those? Yeah, what is the deal

512
00:26:24,080 --> 00:26:27,399
Speaker 2: with legos? And what are you looking for?

513
00:26:28,560 --> 00:26:28,600
Speaker 4: Like?

514
00:26:28,720 --> 00:26:31,920
Speaker 2: What's making you so happy when you find a good one?

515
00:26:32,040 --> 00:26:34,600
Speaker 2: Because sometimes they go in like a bad pile.

516
00:26:35,080 --> 00:26:37,879
Speaker 1: Yes, that's true, but I say they always half of

517
00:26:37,960 --> 00:26:39,600
Speaker 1: them go in the bucket, I guess, and then some

518
00:26:39,760 --> 00:26:42,639
Speaker 1: of them get like dismissed and you have to like

519
00:26:42,760 --> 00:26:43,640
Speaker 1: burn them or something.

520
00:26:43,680 --> 00:26:48,639
Speaker 2: But to me, they look the same. Yeah, wait, hang on,

521
00:26:48,760 --> 00:26:51,120
Speaker 2: let me take your little let me take your little

522
00:26:52,119 --> 00:26:52,560
Speaker 2: things off.

523
00:26:55,359 --> 00:27:03,480
Speaker 3: So I'm looking for any slight defects or miscolorations.

524
00:27:06,440 --> 00:27:07,520
Speaker 1: So you don't know either.

525
00:27:09,880 --> 00:27:12,600
Speaker 3: Well, so you look very closely, so you'll look at

526
00:27:12,640 --> 00:27:14,560
Speaker 3: one you don't know. You don't know what you'll find.

527
00:27:14,600 --> 00:27:17,440
Speaker 2: That's red, and you'll decide that it's like supposed to

528
00:27:17,520 --> 00:27:19,760
Speaker 2: be blue or something.

529
00:27:20,920 --> 00:27:23,240
Speaker 3: Well, yeah, you feel it in your hand first, you

530
00:27:23,840 --> 00:27:28,120
Speaker 3: smell it. You look very closely, and then you see

531
00:27:28,560 --> 00:27:31,159
Speaker 3: this really is supposed to be.

532
00:27:31,240 --> 00:27:34,280
Speaker 2: Blue, okay, and that makes it valuable to you.

533
00:27:35,280 --> 00:27:38,359
Speaker 3: Right, it's an error. It's like the upside down, you know,

534
00:27:38,520 --> 00:27:40,400
Speaker 3: planes stamps.

535
00:27:41,080 --> 00:27:42,320
Speaker 4: And do you know what that is?

536
00:27:43,800 --> 00:27:45,439
Speaker 1: Do you really know about that stamp?

537
00:27:47,000 --> 00:27:47,240
Speaker 3: Yeah?

538
00:27:47,520 --> 00:27:48,800
Speaker 2: Do you really know about it?

539
00:27:48,960 --> 00:27:50,439
Speaker 1: Like, do you actually know about the stamp?

540
00:27:52,240 --> 00:27:54,800
Speaker 3: I'm not sure what you're getting at, Like you're bringing

541
00:27:54,920 --> 00:27:55,639
Speaker 3: it up, but do you.

542
00:27:55,640 --> 00:27:58,080
Speaker 1: Actually know what it is? Like? Is this like when

543
00:27:58,119 --> 00:28:05,200
Speaker 1: you kept saying, uh that something was like, uh, what's

544
00:28:05,280 --> 00:28:08,960
Speaker 1: the movie where it's all different perspectives identity?

545
00:28:09,200 --> 00:28:14,680
Speaker 2: No, no, no that Oh that's so oh shut I'm

546
00:28:14,720 --> 00:28:15,399
Speaker 2: supposed to say that.

547
00:28:15,640 --> 00:28:21,960
Speaker 1: Oh no oh, and it's in his brain, uh roor

548
00:28:22,080 --> 00:28:26,120
Speaker 1: shaky or something. This is a movie where what it's

549
00:28:26,280 --> 00:28:31,040
Speaker 1: all you've seen it from different people perspects. It's you're

550
00:28:31,119 --> 00:28:35,960
Speaker 1: seeing it this my version? Are you course scratch from Watchman?

551
00:28:36,200 --> 00:28:39,040
Speaker 1: Russhak from Watchman? I think is maybe part of He's

552
00:28:39,080 --> 00:28:39,680
Speaker 1: maybe in it.

553
00:28:41,480 --> 00:28:41,920
Speaker 2: What is it?

554
00:28:42,360 --> 00:28:44,800
Speaker 1: And it's like I'm telling it my way. I think

555
00:28:44,880 --> 00:28:46,440
Speaker 1: community did a version of it.

556
00:28:47,040 --> 00:28:50,840
Speaker 2: Oh, Russian man.

557
00:28:51,720 --> 00:28:55,320
Speaker 1: Russian man, so it's Russian man. Is this like when

558
00:28:55,360 --> 00:28:57,720
Speaker 1: you were going like this is like a Russian man

559
00:28:57,840 --> 00:28:59,280
Speaker 1: thing and you could bring it up in the way

560
00:28:59,280 --> 00:29:01,040
Speaker 1: you could bring up this dam but you didn't really

561
00:29:01,160 --> 00:29:02,040
Speaker 1: know what you were saying.

562
00:29:03,920 --> 00:29:07,360
Speaker 3: Yeah, maybe you guys are good. I just gotta say,

563
00:29:07,360 --> 00:29:09,320
Speaker 3: you guys are back. It's good to have you guys back.

564
00:29:09,720 --> 00:29:13,240
Speaker 1: You felt like that was a rich moment.

565
00:29:13,640 --> 00:29:14,520
Speaker 3: Sparks fly.

566
00:29:15,360 --> 00:29:17,800
Speaker 1: Do you ever see that where you're watching people have

567
00:29:17,840 --> 00:29:19,920
Speaker 1: an exchange on the microphone. You're going, this should not

568
00:29:20,120 --> 00:29:22,800
Speaker 1: be edited. This should exist as is.

569
00:29:23,200 --> 00:29:25,760
Speaker 3: I take my hands off the mixing board, and I

570
00:29:25,920 --> 00:29:28,960
Speaker 3: just I just like, and you just marvel lean back,

571
00:29:29,080 --> 00:29:31,800
Speaker 3: and I just I just watch you guys go that level.

572
00:29:33,440 --> 00:29:36,080
Speaker 3: I will. Yeah, I'll say, Andrew T. There's very few

573
00:29:36,720 --> 00:29:40,240
Speaker 3: here who can get that get me in that position.

574
00:29:40,520 --> 00:29:42,880
Speaker 2: Way go out again, because I do want us to

575
00:29:42,920 --> 00:29:44,200
Speaker 2: be able to talk about whatever we want.

576
00:29:44,360 --> 00:29:47,600
Speaker 3: Okay, I have a question.

577
00:29:47,920 --> 00:29:55,280
Speaker 2: Yeah, which scar brother? If you like? I wanted one.

578
00:29:57,200 --> 00:29:59,400
Speaker 2: And I'm not saying to like beat boyfriends with or anything,

579
00:29:59,520 --> 00:30:03,120
Speaker 2: no I know, but to just like be able to

580
00:30:03,200 --> 00:30:07,480
Speaker 2: hang out with Yeah, one on one. Which one do

581
00:30:07,480 --> 00:30:10,440
Speaker 2: you think would just be like a better hang, just

582
00:30:10,520 --> 00:30:11,600
Speaker 2: like a more fun hang.

583
00:30:12,600 --> 00:30:19,440
Speaker 1: Oh you're gonna make me pick? Yeah, Well, they're both funny,

584
00:30:19,440 --> 00:30:22,840
Speaker 1: they both know about sports. Yeah, they're both smart, they're

585
00:30:22,880 --> 00:30:28,600
Speaker 1: both cute, they're both would be a good dad. And

586
00:30:28,680 --> 00:30:29,800
Speaker 1: which is something I look for?

587
00:30:31,280 --> 00:30:33,800
Speaker 2: I like that one of them one of them is

588
00:30:34,120 --> 00:30:36,120
Speaker 2: so nice when you just like see him around the

589
00:30:36,160 --> 00:30:38,960
Speaker 2: ap like he always like talks to me and stuff. Yeah,

590
00:30:39,840 --> 00:30:41,560
Speaker 2: and I'm not saying he likes me or anything, but

591
00:30:41,760 --> 00:30:42,080
Speaker 2: I do.

592
00:30:43,160 --> 00:30:43,360
Speaker 4: Yeah.

593
00:30:43,440 --> 00:30:45,600
Speaker 1: No, And I'm not saying that he's like into me,

594
00:30:45,880 --> 00:30:48,520
Speaker 1: like we have like a thing. Like I'm not that conceited.

595
00:30:48,640 --> 00:30:51,520
Speaker 1: So I think that like everybody like basically wants to,

596
00:30:52,280 --> 00:30:54,400
Speaker 1: you know, just hop into a sleeping bag with me

597
00:30:54,600 --> 00:30:57,080
Speaker 1: and uh, bust the zippers open.

598
00:30:58,160 --> 00:30:59,160
Speaker 2: But he's nice.

599
00:30:59,200 --> 00:31:02,560
Speaker 1: He just seems like he No, he's just a nice guy. Yeah,

600
00:31:02,960 --> 00:31:06,440
Speaker 1: and the kind of guy who you could see maybe

601
00:31:06,560 --> 00:31:08,480
Speaker 1: would provide But.

602
00:31:08,560 --> 00:31:10,000
Speaker 2: I sort of like that. The other one is kind

603
00:31:10,040 --> 00:31:12,680
Speaker 2: of like I don't know if it's just this is

604
00:31:12,800 --> 00:31:15,080
Speaker 2: just like the kind of thing I like, but that

605
00:31:15,240 --> 00:31:17,880
Speaker 2: the other one you sort of have to like work

606
00:31:17,960 --> 00:31:18,440
Speaker 2: harder for.

607
00:31:18,640 --> 00:31:23,080
Speaker 1: Yeah, he's like it's not standoffish, but it's almost flirtier

608
00:31:23,200 --> 00:31:23,640
Speaker 1: in a way.

609
00:31:23,760 --> 00:31:26,320
Speaker 2: He has really something, but he has something like really

610
00:31:26,440 --> 00:31:28,400
Speaker 2: going on that you're like, I sort of want to

611
00:31:28,720 --> 00:31:30,840
Speaker 2: find out and I want to get to the heart.

612
00:31:30,680 --> 00:31:34,760
Speaker 1: Of it, and that if he broke through that maybe

613
00:31:34,800 --> 00:31:36,719
Speaker 1: you'd have an even deeper connection with him.

614
00:31:36,760 --> 00:31:39,240
Speaker 2: And if he feels that strongly and passionately about something.

615
00:31:39,280 --> 00:31:42,040
Speaker 2: I sort of want that to be me, you know

616
00:31:42,080 --> 00:31:45,720
Speaker 2: what I mean? Yeah, And I wonder about like the

617
00:31:45,840 --> 00:31:48,480
Speaker 2: nice one. Am I always going to wonder like, oh,

618
00:31:48,600 --> 00:31:50,160
Speaker 2: is he just like nice to everybody?

619
00:31:50,640 --> 00:31:50,880
Speaker 1: Mmm?

620
00:31:52,400 --> 00:31:54,400
Speaker 2: But with the other one? Yeah?

621
00:31:54,600 --> 00:31:58,520
Speaker 1: Is that authentic that the one is? Like there's a

622
00:31:58,680 --> 00:32:01,680
Speaker 1: darkness in him. But maybe I'm what could sort of

623
00:32:01,800 --> 00:32:04,960
Speaker 1: be like the salve that he puts on that inner wound.

624
00:32:06,320 --> 00:32:10,920
Speaker 1: And I'm not saying that my seamen would be you know,

625
00:32:11,240 --> 00:32:14,000
Speaker 1: the liquid that would heal the wound because it's an

626
00:32:14,040 --> 00:32:16,160
Speaker 1: inner wound, like, because that would be going in him.

627
00:32:16,200 --> 00:32:19,000
Speaker 1: I'm not talking about it like that. I'm talking about

628
00:32:19,160 --> 00:32:21,440
Speaker 1: like spiritually you know.

629
00:32:23,680 --> 00:32:26,360
Speaker 2: No, I know, no, I know that you don't mean

630
00:32:26,400 --> 00:32:26,720
Speaker 2: it like that.

631
00:32:27,880 --> 00:32:29,440
Speaker 1: Yeah, That's not how I'm saying it.

632
00:32:29,760 --> 00:32:31,720
Speaker 2: And it's just like to talk like, you know, like

633
00:32:31,960 --> 00:32:33,560
Speaker 2: I don't think any of this is going to actually happen.

634
00:32:33,600 --> 00:32:35,480
Speaker 2: It's just like, you know, it's just like fun to

635
00:32:35,520 --> 00:32:35,880
Speaker 2: talk about.

636
00:32:35,920 --> 00:32:42,480
Speaker 1: I guess fuck Mary Kill engineer Ryan engineer Sam the

637
00:32:42,640 --> 00:32:44,760
Speaker 1: one kid who's always at his desk when we come in.

638
00:32:46,720 --> 00:32:48,760
Speaker 1: I know his name, but I accidentally called him Gabe

639
00:32:48,760 --> 00:32:50,160
Speaker 1: once and I'm scared to say his name.

640
00:32:50,280 --> 00:32:55,280
Speaker 2: Now his name is Josh, I know, okay, And you're

641
00:32:55,280 --> 00:32:58,120
Speaker 2: scared to say his name because you don't want him

642
00:32:58,120 --> 00:32:59,960
Speaker 2: to think it was a mistake when you called him gay,

643
00:33:00,600 --> 00:33:00,920
Speaker 2: and so.

644
00:33:01,600 --> 00:33:04,120
Speaker 1: It's like that's like a nickname I have for him. Okay.

645
00:33:05,920 --> 00:33:09,200
Speaker 2: So betray is saying Josh would let him know that

646
00:33:09,320 --> 00:33:11,520
Speaker 2: you know it was a mistake in a way that

647
00:33:11,840 --> 00:33:15,520
Speaker 2: you saying out loud that you made that mistake would not.

648
00:33:16,400 --> 00:33:19,200
Speaker 1: Oh yeah, if he goes because like every time somebody

649
00:33:19,200 --> 00:33:21,080
Speaker 1: says it's Josh, I go, I know and then I

650
00:33:21,600 --> 00:33:27,840
Speaker 1: geeb as if it means something. It's about being confident,

651
00:33:28,440 --> 00:33:33,640
Speaker 1: So fuck mar Kill Engineer Ryan, engineer Sam, Josh Josh.

652
00:33:35,160 --> 00:33:35,600
Speaker 4: I like that.

653
00:33:35,680 --> 00:33:38,320
Speaker 2: Josh works so hard because every time we come in here,

654
00:33:38,440 --> 00:33:40,800
Speaker 2: he is always at his desk kind of facing the door.

655
00:33:41,000 --> 00:33:42,680
Speaker 2: Is like the first guy we see when we come in.

656
00:33:43,520 --> 00:33:45,680
Speaker 2: He's always really nice. I honestly feel like you would

657
00:33:45,680 --> 00:33:47,520
Speaker 2: be nice to marry because.

658
00:33:47,400 --> 00:33:49,880
Speaker 1: He doesn't face the door. He faces away. Dana faces

659
00:33:49,920 --> 00:33:55,240
Speaker 1: the door. What he's not facing the door, he's facing

660
00:33:55,240 --> 00:33:55,680
Speaker 1: the other way.

661
00:33:56,840 --> 00:33:57,400
Speaker 4: And we come in.

662
00:33:57,600 --> 00:33:59,640
Speaker 1: Oh yeah, he hears the elevator open and he's just

663
00:33:59,720 --> 00:34:02,200
Speaker 1: the absolute ultimate well fast.

664
00:34:01,960 --> 00:34:03,960
Speaker 2: Committee fastest spinner in his chair.

665
00:34:04,160 --> 00:34:06,120
Speaker 1: Yeah, he doesn't get his headphones all the way off,

666
00:34:06,200 --> 00:34:08,040
Speaker 1: but he leans him off a little bit and he goes.

667
00:34:07,920 --> 00:34:13,040
Speaker 2: Hey, I almost think he'd be really nice to marry.

668
00:34:13,880 --> 00:34:14,480
Speaker 1: I could see that.

669
00:34:15,880 --> 00:34:16,160
Speaker 2: Also.

670
00:34:16,280 --> 00:34:18,359
Speaker 1: I know I'd have some time at home while he's

671
00:34:18,400 --> 00:34:22,239
Speaker 1: still at work to just watch my shows. And I

672
00:34:22,320 --> 00:34:26,200
Speaker 1: don't on a TV, but I call watching my shows

673
00:34:26,320 --> 00:34:29,600
Speaker 1: making shadow puppets. I have sort of shadow puppet theater

674
00:34:29,719 --> 00:34:32,400
Speaker 1: that I do in my basement, my home, my dad's

675
00:34:32,440 --> 00:34:36,000
Speaker 1: basement now and anyway, that's my shows.

676
00:34:36,120 --> 00:34:41,240
Speaker 2: Go ahead, Hayes, I would probably kill Engineer Ryan because

677
00:34:41,239 --> 00:34:46,919
Speaker 2: I think that is what he would like. It would

678
00:34:47,000 --> 00:34:49,040
Speaker 2: make me feel like I was doing him a huge favorite,

679
00:34:49,080 --> 00:34:49,680
Speaker 2: do you know what I mean.

680
00:34:50,120 --> 00:34:54,680
Speaker 1: Yeah, he's asked me before, he's approached me and asked

681
00:34:54,719 --> 00:34:55,960
Speaker 1: if i'd be willing to.

682
00:34:57,480 --> 00:34:59,960
Speaker 2: End him because he's always like I just like, I'm

683
00:35:00,080 --> 00:35:02,040
Speaker 2: just screw it up. If I try to do it,

684
00:35:02,560 --> 00:35:07,080
Speaker 2: I just screwed up. He has like so low self confidence, yeah,

685
00:35:07,440 --> 00:35:09,600
Speaker 2: that he thinks he'd do even that wrong. And he's

686
00:35:09,800 --> 00:35:13,000
Speaker 2: probably just lift forever or something. That's what he always says.

687
00:35:13,160 --> 00:35:16,960
Speaker 1: Yeah, and that's his fear. Yeah, so that's true, he

688
00:35:17,040 --> 00:35:20,600
Speaker 1: would be relieved. And so then you're doing the nasty

689
00:35:20,680 --> 00:35:21,880
Speaker 1: with my cousin Sam.

690
00:35:22,040 --> 00:35:25,680
Speaker 2: Yeah, because I feel like, you know, he rides that

691
00:35:25,760 --> 00:35:30,879
Speaker 2: motorcycle around and I know that the impression he's trying

692
00:35:30,920 --> 00:35:34,080
Speaker 2: to create is that that's his big hog.

693
00:35:34,880 --> 00:35:37,360
Speaker 1: Yeah. They call it a hog, and they call it

694
00:35:37,440 --> 00:35:40,719
Speaker 1: a hog. Yes, it's and that that's and it's got

695
00:35:41,040 --> 00:35:43,680
Speaker 1: He's got a lot of power between his legs. That's

696
00:35:43,760 --> 00:35:45,520
Speaker 1: kind of what he wants you to be thinking. And

697
00:35:45,680 --> 00:35:51,080
Speaker 1: it's like, I don't want it to be huge, you know, no,

698
00:35:51,280 --> 00:35:53,239
Speaker 1: But I mean, you know, it's a win win for

699
00:35:53,320 --> 00:35:56,040
Speaker 1: you because if he really is packing what he's saying

700
00:35:56,120 --> 00:36:01,360
Speaker 1: he is, then you get a true treat like a feast.

701
00:36:02,160 --> 00:36:05,000
Speaker 1: And then if he's not, then you can show him

702
00:36:05,040 --> 00:36:08,080
Speaker 1: what a real man be working with when you turn

703
00:36:08,200 --> 00:36:10,279
Speaker 1: it around and give him the other side.

704
00:36:10,840 --> 00:36:11,000
Speaker 4: Right.

705
00:36:11,640 --> 00:36:16,560
Speaker 1: So, uh, you know I'm related to Sam, so same

706
00:36:19,440 --> 00:36:24,839
Speaker 1: same answer for obvious reasons. But I do feel conflicted

707
00:36:27,080 --> 00:36:29,560
Speaker 1: just about that aspect of it. But it doesn't matter

708
00:36:29,600 --> 00:36:32,720
Speaker 1: if it's illegal, because it really happened. It also shouldn't

709
00:36:32,719 --> 00:36:35,759
Speaker 1: be illegal to have homosexual incest because you're not going

710
00:36:35,840 --> 00:36:36,360
Speaker 1: to create.

711
00:36:36,200 --> 00:36:38,719
Speaker 2: Anything because the reason for it is to stop you

712
00:36:38,800 --> 00:36:40,160
Speaker 2: from having a kid.

713
00:36:40,480 --> 00:36:46,719
Speaker 1: Yeah, it's the sort of chromosome overlap, and it's just

714
00:36:46,840 --> 00:36:49,440
Speaker 1: the obvious answer because chromosome.

715
00:36:49,640 --> 00:36:53,879
Speaker 2: Ryan wants to be dead so much, and Josh would

716
00:36:53,880 --> 00:36:57,279
Speaker 2: be so nice to marry. Yeah, because he works so hard.

717
00:36:57,800 --> 00:36:58,960
Speaker 1: Well, he's a hard worker.

718
00:36:59,280 --> 00:37:02,480
Speaker 2: Imagine coming home every night and instead of just like

719
00:37:02,520 --> 00:37:05,560
Speaker 2: coming to the office, he's sitting there and he's spinning

720
00:37:05,560 --> 00:37:07,160
Speaker 2: around in his chair and like, you know.

721
00:37:07,239 --> 00:37:09,160
Speaker 1: Kind of takes one headphone off one ear and he

722
00:37:09,280 --> 00:37:14,640
Speaker 1: goes like hey baby, yeah, and he is calling me baby. Yeah,

723
00:37:14,960 --> 00:37:16,000
Speaker 1: that's the right answer.

724
00:37:17,239 --> 00:37:18,160
Speaker 2: Did you see Billions?

725
00:37:18,880 --> 00:37:23,920
Speaker 1: Oh let me think, Oh right, I did, because it's

726
00:37:23,920 --> 00:37:28,440
Speaker 1: my new favorite show. Yeah, did I see Billions? You

727
00:37:28,560 --> 00:37:31,319
Speaker 1: put Giamati and Homeland in the same show. You got

728
00:37:31,800 --> 00:37:33,120
Speaker 1: one set of peoples you can count on.

729
00:37:33,280 --> 00:37:37,960
Speaker 2: The guy is very scary almost, but he's like a

730
00:37:38,200 --> 00:37:38,759
Speaker 2: rock star.

731
00:37:39,160 --> 00:37:39,359
Speaker 4: Yeah.

732
00:37:39,400 --> 00:37:42,160
Speaker 2: I mean, it's so cool to be like these guys

733
00:37:42,200 --> 00:37:49,360
Speaker 2: who are smarter math, doing genius money changing. It's so

734
00:37:49,640 --> 00:37:52,200
Speaker 2: bad at also walking around like a rock star.

735
00:37:52,920 --> 00:38:00,279
Speaker 1: Yeah, kicking ass, fucking mm hmm, telling people, hey, get

736
00:38:00,320 --> 00:38:04,560
Speaker 1: out of here, doing money, having the rules be like

737
00:38:04,880 --> 00:38:07,719
Speaker 1: not even really a main concern for you if you

738
00:38:07,840 --> 00:38:11,440
Speaker 1: even care about them at all, which, frankly, as a

739
00:38:11,520 --> 00:38:12,680
Speaker 1: rock star he seems to not.

740
00:38:13,160 --> 00:38:14,800
Speaker 2: But you know the rules, and this is something that

741
00:38:14,880 --> 00:38:19,960
Speaker 2: we can identify with. Oh yeah, people think I don't

742
00:38:20,120 --> 00:38:23,960
Speaker 2: know the rules because you say because, and this is

743
00:38:24,040 --> 00:38:27,240
Speaker 2: part of it. If you say you get caught breaking

744
00:38:27,280 --> 00:38:29,600
Speaker 2: the rules, we say we didn't know the rules.

745
00:38:30,360 --> 00:38:33,360
Speaker 1: That's something I say a lot. We say, oh, I

746
00:38:33,480 --> 00:38:33,960
Speaker 1: never heard that.

747
00:38:34,120 --> 00:38:34,920
Speaker 2: Were we supposed to?

748
00:38:35,560 --> 00:38:39,640
Speaker 1: Oh that's the rules? Okay, well next time, and then

749
00:38:39,680 --> 00:38:42,920
Speaker 1: you do it again. Cop is like what Yeah, and

750
00:38:43,040 --> 00:38:46,520
Speaker 1: hopefully it's just not the same cop. And even if

751
00:38:46,560 --> 00:38:48,279
Speaker 1: it is, I do this, I go, oh, I thought

752
00:38:48,320 --> 00:38:49,040
Speaker 1: you were kidding.

753
00:38:50,280 --> 00:38:52,440
Speaker 2: Oh no, you're not supposed to. You're not supposed to

754
00:38:52,560 --> 00:38:54,440
Speaker 2: use the firing thing. I'm sure to make it look

755
00:38:54,520 --> 00:39:00,239
Speaker 2: like you're like shooting like a big loads are I

756
00:39:00,320 --> 00:39:00,680
Speaker 2: didn't know?

757
00:39:01,800 --> 00:39:05,719
Speaker 1: Yeah, I go oh, I thought you were kidding. Oh God,

758
00:39:05,760 --> 00:39:07,960
Speaker 1: I thought you were so funny before you're really saying

759
00:39:08,000 --> 00:39:08,520
Speaker 1: the rules.

760
00:39:08,760 --> 00:39:10,279
Speaker 2: Yeah, and then you want them to be like, no,

761
00:39:10,440 --> 00:39:11,120
Speaker 2: I was kid.

762
00:39:11,120 --> 00:39:11,239
Speaker 1: You know.

763
00:39:11,560 --> 00:39:15,040
Speaker 2: I Oh you like that? Yeah, because you flatter them. Yeah,

764
00:39:15,400 --> 00:39:18,040
Speaker 2: and then I'm excited for Vinyl.

765
00:39:19,360 --> 00:39:20,920
Speaker 1: Uh, vinyl. I'm excited for it.

766
00:39:21,040 --> 00:39:23,400
Speaker 2: But I like the part where he goes because I

767
00:39:23,440 --> 00:39:25,000
Speaker 2: saw the first one, and I like the part where

768
00:39:25,040 --> 00:39:28,360
Speaker 2: he's like it's the beginning and he's like, well, I

769
00:39:28,440 --> 00:39:31,040
Speaker 2: got into this business. It was about the music, and

770
00:39:31,160 --> 00:39:36,759
Speaker 2: then you hear the song sounds and it's like but then,

771
00:39:37,120 --> 00:39:40,560
Speaker 2: like he started, then you see him do coke and

772
00:39:40,680 --> 00:39:44,719
Speaker 2: he's like, now it's more about something else. So that's

773
00:39:45,040 --> 00:39:47,839
Speaker 2: that's the coke, and he like you see him put

774
00:39:47,840 --> 00:39:48,400
Speaker 2: his head down and.

775
00:39:50,080 --> 00:39:50,320
Speaker 4: Do it.

776
00:39:50,840 --> 00:39:52,560
Speaker 2: Just a chop, just a big fash.

777
00:39:53,719 --> 00:39:56,120
Speaker 1: You're taken to the dome, you know, chopped up a

778
00:39:56,200 --> 00:39:57,120
Speaker 1: fucking mod.

779
00:39:57,080 --> 00:39:59,280
Speaker 2: Whenever you do a bunch of coke, like the cameras

780
00:39:59,280 --> 00:40:00,879
Speaker 2: above you and you like look up in your.

781
00:40:03,560 --> 00:40:06,600
Speaker 1: Yeah, it's like really going like becoming a werewolf quite frankly.

782
00:40:07,560 --> 00:40:09,719
Speaker 2: And he's like made a big pile of cash. But

783
00:40:10,080 --> 00:40:11,920
Speaker 2: he doesn't know how to hear music anymore.

784
00:40:12,040 --> 00:40:13,759
Speaker 1: But does the music change when he does the coke.

785
00:40:13,840 --> 00:40:16,439
Speaker 1: It's not in sense peppermints at that point, right, Yeah,

786
00:40:16,480 --> 00:40:17,160
Speaker 1: and now it's.

787
00:40:17,120 --> 00:40:20,280
Speaker 2: Like, uh like corporate rock.

788
00:40:20,800 --> 00:40:22,279
Speaker 4: Mm hmmm, like.

789
00:40:24,960 --> 00:40:30,239
Speaker 2: Overdrive, yes, speedo, what that's what when you said that's

790
00:40:30,239 --> 00:40:33,120
Speaker 2: what I thought, was Bakman tournament or at Overdrive, because

791
00:40:33,719 --> 00:40:38,800
Speaker 2: when they're overdriving, they're going so speedo yeah speed oh so.

792
00:40:39,239 --> 00:40:41,719
Speaker 2: But when he's like walking down the street and he's

793
00:40:41,760 --> 00:40:44,320
Speaker 2: like after a long night of coke and he like

794
00:40:44,640 --> 00:40:48,080
Speaker 2: just signed a bad music and he's like, what am

795
00:40:48,120 --> 00:40:51,560
Speaker 2: I doing? It's Richie Richie Finesse, don't.

796
00:40:51,400 --> 00:40:52,480
Speaker 1: Believe in himself anymore.

797
00:40:53,200 --> 00:40:58,080
Speaker 2: And then he hears this this sound. It's like kind

798
00:40:58,120 --> 00:41:00,759
Speaker 2: of muffled though, and he's like, what's this company? Like

799
00:41:00,800 --> 00:41:02,480
Speaker 2: looks and he sees like there's a light in the

800
00:41:02,560 --> 00:41:04,680
Speaker 2: bottom of it, like a Chinese restaurant.

801
00:41:04,800 --> 00:41:06,320
Speaker 1: Well it sounds like this guy's got an ear for

802
00:41:06,400 --> 00:41:08,000
Speaker 1: this kind of thing though, like he would only need

803
00:41:08,080 --> 00:41:09,920
Speaker 1: to hear a muffled version of the next big thing.

804
00:41:10,000 --> 00:41:12,120
Speaker 4: Yeah, And he's like, I gotta know what this is about.

805
00:41:12,520 --> 00:41:15,480
Speaker 2: Yeah, And he goes down the stairs and it's like

806
00:41:15,560 --> 00:41:17,680
Speaker 2: getting louder and then it's a little scary and he

807
00:41:17,760 --> 00:41:20,839
Speaker 2: doesn't knows it, like, uh, is this Bobby Carnival, Yes,

808
00:41:21,000 --> 00:41:22,839
Speaker 2: Bobby Carnival. Yeah, Yes.

809
00:41:23,320 --> 00:41:26,759
Speaker 1: He's back on HBO after the end of Carnival and.

810
00:41:26,880 --> 00:41:30,000
Speaker 2: He gets to the band room and there are these

811
00:41:30,080 --> 00:41:33,399
Speaker 2: guys on stage who are wearing like a paper clip

812
00:41:33,520 --> 00:41:39,080
Speaker 2: in there forgive nose, and he's like trying to He's like,

813
00:41:39,440 --> 00:41:41,560
Speaker 2: you try to, you gotta get that out of there.

814
00:41:42,760 --> 00:41:45,200
Speaker 2: But they're just like rocking out and they're being like, way,

815
00:41:45,360 --> 00:41:52,480
Speaker 2: don't go about the president. And he's like, I gotta

816
00:41:52,880 --> 00:41:56,880
Speaker 2: sign this band, the Nasty Bits. That's the name of

817
00:41:56,920 --> 00:41:59,479
Speaker 2: the band. Oh wow.

818
00:41:59,719 --> 00:42:02,080
Speaker 1: So they actually don't even care. If you think it

819
00:42:02,280 --> 00:42:07,920
Speaker 1: sounds like freaking, somebody's like meaner peace, and they're actually

820
00:42:08,400 --> 00:42:11,560
Speaker 1: saying tell me, they're not really saying they don't care

821
00:42:11,560 --> 00:42:14,200
Speaker 1: about the president. That's an exaggeration. Well, it's just maybe

822
00:42:14,200 --> 00:42:15,880
Speaker 1: saying they don't care about the vice president.

823
00:42:16,000 --> 00:42:17,799
Speaker 2: It's just a song. And they are sort of play

824
00:42:17,960 --> 00:42:20,080
Speaker 2: characters because in a TV.

825
00:42:19,960 --> 00:42:22,120
Speaker 1: Show, I hate when people hide behind a character in

826
00:42:22,160 --> 00:42:24,640
Speaker 1: their art, because why don't you just say what you

827
00:42:24,800 --> 00:42:27,200
Speaker 1: really mean? Why do you want to take on some

828
00:42:27,360 --> 00:42:31,759
Speaker 1: perspective that's not yours to make your statement, because that's cowardice.

829
00:42:32,440 --> 00:42:34,480
Speaker 1: And I'm out here the real me, my name is

830
00:42:34,520 --> 00:42:38,200
Speaker 1: Sean Clements and saying what I believe, who I'd fuck,

831
00:42:38,280 --> 00:42:41,440
Speaker 1: who I'd marry, who I'd kill? Among the employees at Earwolf,

832
00:42:42,480 --> 00:42:43,480
Speaker 1: just own it.

833
00:42:44,880 --> 00:42:48,480
Speaker 2: Anyway, I'm very excited for Vinyl and well, for me,

834
00:42:48,640 --> 00:42:51,680
Speaker 2: I like the music. For me, Billions is better. No,

835
00:42:52,040 --> 00:42:53,200
Speaker 2: have you heard some of this stuff?

836
00:42:53,560 --> 00:42:56,640
Speaker 1: Oh gosh, yeah, that's that sounds like a hell of

837
00:42:56,719 --> 00:42:59,919
Speaker 1: it tune. But for me, Billions is maybe better because

838
00:43:00,120 --> 00:43:02,560
Speaker 1: I do know more about money than music, and I

839
00:43:02,760 --> 00:43:05,680
Speaker 1: do think that there's a one line at the end.

840
00:43:06,920 --> 00:43:11,400
Speaker 1: What what's the point of having fuck you money if

841
00:43:11,440 --> 00:43:14,440
Speaker 1: you don't get to say fuck you or something like that,

842
00:43:15,440 --> 00:43:20,760
Speaker 1: And that to me was like, holy shit, this dude's

843
00:43:20,800 --> 00:43:26,200
Speaker 1: a fucking rock star of math, money Jesus and Paul

844
00:43:26,280 --> 00:43:28,879
Speaker 1: Giamonti's trying to make him follow the rules. And you'll

845
00:43:29,040 --> 00:43:31,600
Speaker 1: like this because it's like the band you describe. Yeah,

846
00:43:32,560 --> 00:43:34,600
Speaker 1: Paul Giamati is trying to make him follow the rules

847
00:43:34,960 --> 00:43:36,520
Speaker 1: and he doesn't want to.

848
00:43:37,000 --> 00:43:37,200
Speaker 4: Yeah.

849
00:43:37,200 --> 00:43:41,359
Speaker 1: I like that part where he's like yeah, and when

850
00:43:41,400 --> 00:43:46,680
Speaker 1: he's going like uh, saying something about having good principles

851
00:43:47,760 --> 00:43:49,200
Speaker 1: yes to his staff.

852
00:43:50,360 --> 00:43:53,400
Speaker 2: So and it's I feel like it's a show for

853
00:43:53,800 --> 00:43:58,200
Speaker 2: me as like a guy, you know, a man of

854
00:43:58,280 --> 00:44:01,359
Speaker 2: a certain age. You know it there that they're still doing,

855
00:44:01,840 --> 00:44:05,120
Speaker 2: you know, a show for the Yeah, you know you

856
00:44:05,200 --> 00:44:09,719
Speaker 2: could say it old men old white men. Yes, and

857
00:44:09,800 --> 00:44:11,919
Speaker 2: that we do still have our show. They haven't taken

858
00:44:12,000 --> 00:44:14,000
Speaker 2: all of them away. What's with this?

859
00:44:14,760 --> 00:44:17,040
Speaker 1: You know everyone's mad at us?

860
00:44:18,080 --> 00:44:18,759
Speaker 4: What is that?

861
00:44:19,000 --> 00:44:19,680
Speaker 1: I'm pissed.

862
00:44:21,480 --> 00:44:23,480
Speaker 2: Hello, it was happening in New York too.

863
00:44:23,760 --> 00:44:26,800
Speaker 1: I'm doing just what I'm supposed to be doing. Like,

864
00:44:27,000 --> 00:44:30,400
Speaker 1: I'm just doing good stuff that I like, the.

865
00:44:30,480 --> 00:44:34,600
Speaker 2: Same stuff we always did, and now it's bad. I

866
00:44:34,760 --> 00:44:37,759
Speaker 2: totally yes, I feel the exact same way. It used

867
00:44:37,800 --> 00:44:40,040
Speaker 2: to be great. People used to love it.

868
00:44:40,440 --> 00:44:44,319
Speaker 1: Yes, people were really going like that's good, and now

869
00:44:44,400 --> 00:44:51,680
Speaker 1: people are going like no, and it's frustrating because you

870
00:44:51,760 --> 00:44:54,880
Speaker 1: don't know what to I don't. It's like it's you

871
00:44:54,960 --> 00:44:56,320
Speaker 1: know that feeling where you don't know what to do

872
00:44:56,400 --> 00:44:58,360
Speaker 1: with your hands? Yeah, put them in my pockets? Do

873
00:44:58,440 --> 00:44:59,200
Speaker 1: I cross my arm?

874
00:44:59,360 --> 00:45:01,759
Speaker 2: It's like that on my back with making a movie

875
00:45:01,880 --> 00:45:03,479
Speaker 2: now for that movie TV.

876
00:45:04,040 --> 00:45:04,680
Speaker 1: Just speaking.

877
00:45:05,080 --> 00:45:08,960
Speaker 2: Yeah, everything I say is suddenly wrong because if I

878
00:45:09,120 --> 00:45:12,799
Speaker 2: try to be the master of none m it's now

879
00:45:12,880 --> 00:45:13,399
Speaker 2: it's bad.

880
00:45:14,600 --> 00:45:17,120
Speaker 1: Yes, if I try to be the train wreck, Oh,

881
00:45:17,160 --> 00:45:18,360
Speaker 1: all of a sudden, if I'm going to be the

882
00:45:18,400 --> 00:45:22,200
Speaker 1: train wreck, I'm like a bad guy. All I'm doing

883
00:45:22,400 --> 00:45:27,680
Speaker 1: is just you know, having fun with my body. But

884
00:45:28,960 --> 00:45:32,480
Speaker 1: I shouldn't even be saying this right now. It's just

885
00:45:32,560 --> 00:45:33,960
Speaker 1: the kind of conversation that gets.

886
00:45:33,800 --> 00:45:35,440
Speaker 2: Me in trustle Like if I, you know, I do

887
00:45:35,560 --> 00:45:39,360
Speaker 2: a movie where I, you know, I work at the

888
00:45:39,400 --> 00:45:42,840
Speaker 2: magazine and I take home a sixteen year old intern.

889
00:45:44,000 --> 00:45:46,400
Speaker 1: And we do it, yeah, and smoke a cigarette.

890
00:45:46,600 --> 00:45:48,319
Speaker 2: Now it's bad. M hmm.

891
00:45:49,080 --> 00:45:50,160
Speaker 1: Doesn't seem fair to me.

892
00:45:51,800 --> 00:45:54,320
Speaker 2: I could do Leslie Jones' same material.

893
00:45:54,600 --> 00:45:59,600
Speaker 1: Yes, word for word, word for word, one word in particular.

894
00:45:59,200 --> 00:46:00,640
Speaker 2: About how I make a good slate.

895
00:46:01,120 --> 00:46:04,440
Speaker 1: Yes, And I go up to do that, and all

896
00:46:04,440 --> 00:46:07,040
Speaker 1: of a sudden, I'm the bad guy. Hello. You guys

897
00:46:07,120 --> 00:46:07,960
Speaker 1: were just liking this.

898
00:46:09,920 --> 00:46:11,960
Speaker 2: And even if I go first, because I thought that

899
00:46:12,080 --> 00:46:14,280
Speaker 2: was a problem. I used to let her go first,

900
00:46:14,920 --> 00:46:16,879
Speaker 2: but now I say, let me go first. Let's see

901
00:46:16,880 --> 00:46:17,240
Speaker 2: what happened.

902
00:46:17,280 --> 00:46:19,319
Speaker 1: Because we came up with it together, all three of us.

903
00:46:20,640 --> 00:46:24,520
Speaker 1: We were having pancakes at do Pars, and we started

904
00:46:24,560 --> 00:46:26,560
Speaker 1: talking about, like, you know, what it would have been

905
00:46:26,640 --> 00:46:28,800
Speaker 1: like for us in slave times. Obviously we had a

906
00:46:28,800 --> 00:46:31,480
Speaker 1: different perspective, but I feel like we walked her to

907
00:46:31,560 --> 00:46:32,480
Speaker 1: a lot of that idea.

908
00:46:34,160 --> 00:46:40,719
Speaker 2: Brett, Yeah, can we have what do I want to eat? Oh?

909
00:46:42,200 --> 00:46:45,960
Speaker 1: Have you heard of this snack. It's a combination of

910
00:46:46,040 --> 00:46:51,520
Speaker 1: Graham crackers with chocolate and there's a melted sugar pillow

911
00:46:51,600 --> 00:46:55,200
Speaker 1: on it. I don't know it's a specific gum sugar

912
00:46:55,280 --> 00:46:59,120
Speaker 1: pillow sandwich. Yes, it might be. And the thing that's

913
00:46:59,160 --> 00:47:02,080
Speaker 1: so great is always want some others of them after

914
00:47:02,200 --> 00:47:03,000
Speaker 1: you've eaten them.

915
00:47:04,000 --> 00:47:05,960
Speaker 3: Brett Brett, Yeah, I'm right here.

916
00:47:06,360 --> 00:47:07,960
Speaker 2: Can you make Do we have crackers?

917
00:47:09,520 --> 00:47:10,600
Speaker 3: What kind of crackers?

918
00:47:12,160 --> 00:47:18,120
Speaker 2: I guess like Graham Norton, like Achmark three have Akmarks.

919
00:47:18,239 --> 00:47:21,000
Speaker 3: Ach mat I've never heard of that. I'll get you

920
00:47:21,080 --> 00:47:25,160
Speaker 3: some crack. We only have one type of here. No,

921
00:47:25,560 --> 00:47:30,760
Speaker 3: it's just plain cracker, life cereal. We don't have life cereal.

922
00:47:31,600 --> 00:47:32,640
Speaker 2: We have any kind of cereal.

923
00:47:32,880 --> 00:47:33,680
Speaker 1: They have almond butter.

924
00:47:34,880 --> 00:47:38,080
Speaker 3: We have crackers, we have we have plain crackers, playing

925
00:47:38,160 --> 00:47:38,960
Speaker 3: the white kind.

926
00:47:39,640 --> 00:47:41,279
Speaker 1: How much kinds of jerky do you have?

927
00:47:42,360 --> 00:47:42,560
Speaker 4: We have?

928
00:47:42,840 --> 00:47:47,040
Speaker 3: Uh, we have some turkey jerky. I think Josh might

929
00:47:47,080 --> 00:47:52,600
Speaker 3: have an ostrich. No, the sclar has turned me onto

930
00:47:52,680 --> 00:47:53,880
Speaker 3: that ostrich jerky stuff.

931
00:47:53,960 --> 00:47:55,759
Speaker 2: Hate when it's hungry and I don't know what I

932
00:47:55,800 --> 00:47:58,400
Speaker 2: want to eat? Yes, because you know, and I know

933
00:47:58,520 --> 00:48:00,719
Speaker 2: there's something. I know, there's like something that I really want,

934
00:48:02,160 --> 00:48:03,640
Speaker 2: but I can't think of what it is right now.

935
00:48:05,080 --> 00:48:05,600
Speaker 4: It's on the tip.

936
00:48:05,760 --> 00:48:07,080
Speaker 2: I wish it were on the tip of my tongue.

937
00:48:07,320 --> 00:48:10,160
Speaker 1: Just start taming stuff. Yeah, I'd like it on the tip.

938
00:48:10,239 --> 00:48:11,600
Speaker 3: I wish it were on the tip of my tongue,

939
00:48:11,640 --> 00:48:16,440
Speaker 3: and the just start sugar sugar. Oh, we don't have

940
00:48:16,560 --> 00:48:18,880
Speaker 3: that much, guys. I mean I can. I can rummage

941
00:48:18,920 --> 00:48:20,680
Speaker 3: in some of their desks. I know Dana has like

942
00:48:21,320 --> 00:48:27,080
Speaker 3: sour patch kids, and Sam has like creamed corn in

943
00:48:27,200 --> 00:48:27,640
Speaker 3: his desk.

944
00:48:27,719 --> 00:48:31,799
Speaker 1: For a bean sandwich something, Oh, I would love a bean.

945
00:48:31,920 --> 00:48:35,920
Speaker 1: Isn't that something like a nice Canelini bean on like

946
00:48:36,000 --> 00:48:37,680
Speaker 1: a Portuguese roll, A.

947
00:48:37,760 --> 00:48:41,200
Speaker 2: Giant white bean, like one of the big Cannelini beans.

948
00:48:41,680 --> 00:48:43,640
Speaker 2: Bean sandwich on a Portuguese roll.

949
00:48:43,800 --> 00:48:47,200
Speaker 1: Well, we need to one.

950
00:48:48,480 --> 00:48:50,759
Speaker 2: What are you saying we each start at one end

951
00:48:50,800 --> 00:48:51,920
Speaker 2: of the sandwich.

952
00:48:51,560 --> 00:48:52,040
Speaker 4: And then.

953
00:48:53,800 --> 00:48:56,160
Speaker 2: Have a Portuguese role. You only have enough for one

954
00:48:56,320 --> 00:48:57,080
Speaker 2: meat in the middle.

955
00:48:58,080 --> 00:48:59,520
Speaker 3: Do you want me to put it sort of in

956
00:48:59,600 --> 00:49:00,799
Speaker 3: between you guys?

957
00:49:01,520 --> 00:49:01,800
Speaker 4: Maybe?

958
00:49:03,040 --> 00:49:04,120
Speaker 2: And what I want to drink?

959
00:49:05,560 --> 00:49:08,160
Speaker 1: Do you have cucumber soda? No?

960
00:49:08,560 --> 00:49:12,239
Speaker 2: I love experimenting with interesting soda. Oh gosh, Like I'm

961
00:49:12,280 --> 00:49:14,360
Speaker 2: sort of a soda freak. In terms of just like

962
00:49:14,440 --> 00:49:17,120
Speaker 2: I'll go out to like a weird store, like a

963
00:49:17,200 --> 00:49:20,359
Speaker 2: store that's like not mostly even in English, and they

964
00:49:20,440 --> 00:49:22,399
Speaker 2: have stuff there and sometimes I'll buy something I don't

965
00:49:22,400 --> 00:49:25,160
Speaker 2: even know what it says I and I'll drink it

966
00:49:25,280 --> 00:49:26,279
Speaker 2: in like is.

967
00:49:26,280 --> 00:49:30,399
Speaker 1: There anything more interesting than what you drink? Like how

968
00:49:30,560 --> 00:49:32,400
Speaker 1: you really get to know a person unless you know

969
00:49:32,480 --> 00:49:35,400
Speaker 1: if they try other drinks from what you've heard of.

970
00:49:35,560 --> 00:49:39,640
Speaker 2: And sometimes everyone's just drinking the same old drinks that

971
00:49:39,880 --> 00:49:43,560
Speaker 2: everyone else does, but I like different ones and mixing

972
00:49:43,640 --> 00:49:44,200
Speaker 2: them together.

973
00:49:44,560 --> 00:49:47,880
Speaker 1: I guess it's part of my uniqueness that make me

974
00:49:48,000 --> 00:49:50,959
Speaker 1: want to have a drink that maybe you can't even

975
00:49:51,040 --> 00:49:54,560
Speaker 1: necessarily say the name or know about you, Brett, but

976
00:49:55,440 --> 00:49:58,240
Speaker 1: that I'm having to drink, And it's.

977
00:49:58,160 --> 00:50:00,400
Speaker 2: To me just normal, Like, what's a special drink you

978
00:50:00,480 --> 00:50:01,000
Speaker 2: had recently?

979
00:50:02,680 --> 00:50:02,719
Speaker 4: Me?

980
00:50:03,480 --> 00:50:07,880
Speaker 1: Yes, well, I was talking to Oh, he's talking to me.

981
00:50:08,080 --> 00:50:10,600
Speaker 2: Yeah, I was talking to Sean Oh, and we're both

982
00:50:10,640 --> 00:50:14,160
Speaker 2: looking up at the stars and so it's hard to Yeah,

983
00:50:14,320 --> 00:50:16,800
Speaker 2: it's hard to know exactly who's talking to who. But

984
00:50:16,960 --> 00:50:20,919
Speaker 2: I know the kind of special drink that Brett has

985
00:50:21,880 --> 00:50:29,800
Speaker 2: is like water and powdered medicine. Yeah, but what I

986
00:50:29,960 --> 00:50:33,759
Speaker 2: want an exciting drink water and worm killer because I

987
00:50:33,920 --> 00:50:35,760
Speaker 2: like knowing about exciting new drinks.

988
00:50:37,120 --> 00:50:41,000
Speaker 1: Well, a lot of people might drink a root beer,

989
00:50:42,440 --> 00:50:44,400
Speaker 1: but do they know about sasparilla.

990
00:50:47,120 --> 00:50:49,359
Speaker 2: And see that's yes, that's a great example of something

991
00:50:49,400 --> 00:50:51,920
Speaker 2: that it tastes exactly like root beer, but it is

992
00:50:52,000 --> 00:50:52,799
Speaker 2: a different.

993
00:50:52,760 --> 00:50:55,200
Speaker 1: Oh, some people think it's the same, and why even

994
00:50:55,280 --> 00:50:56,560
Speaker 1: bother labeling it differently?

995
00:50:56,760 --> 00:50:59,080
Speaker 2: But it is different. And it's so hard to find

996
00:50:59,200 --> 00:51:01,480
Speaker 2: and old, and you have to go to a special

997
00:51:01,800 --> 00:51:03,840
Speaker 2: a special store, and it's more expensive.

998
00:51:04,000 --> 00:51:07,440
Speaker 1: It's tradition, and it's Doc Holliday and it's America. And

999
00:51:07,840 --> 00:51:11,440
Speaker 1: I am, for one, not one who wants to forget

1000
00:51:11,520 --> 00:51:14,399
Speaker 1: the past because it could repeat itself. And this kind

1001
00:51:14,400 --> 00:51:16,279
Speaker 1: of leads me into some of the stuff in the

1002
00:51:16,440 --> 00:51:20,120
Speaker 1: past that old white guys did actually was pretty good.

1003
00:51:20,440 --> 00:51:22,839
Speaker 1: And so maybe we don't want to just like throw

1004
00:51:22,920 --> 00:51:24,279
Speaker 1: out the baby with the bathwater.

1005
00:51:24,400 --> 00:51:28,759
Speaker 3: Here sasparilla, Yes, sasparilla.

1006
00:51:28,920 --> 00:51:30,280
Speaker 2: It's like and it's real sugar.

1007
00:51:31,800 --> 00:51:33,719
Speaker 1: Oh god, so good.

1008
00:51:34,200 --> 00:51:38,600
Speaker 2: It's not you know, it's corn. It's not using corn chemicals.

1009
00:51:39,360 --> 00:51:41,919
Speaker 2: And it's like, yes, I'll eat corn. I like eating corn,

1010
00:51:41,960 --> 00:51:43,600
Speaker 2: which is regular, but I don't like.

1011
00:51:43,680 --> 00:51:47,920
Speaker 1: It fresh corn, popping corn, anything that is not just

1012
00:51:48,120 --> 00:51:49,400
Speaker 1: making it chemical, but.

1013
00:51:49,520 --> 00:51:52,520
Speaker 2: It's Yes, it's bad when it's transformed.

1014
00:51:53,600 --> 00:51:57,600
Speaker 1: The stop transforming it unless it's a car turning into

1015
00:51:57,640 --> 00:52:01,640
Speaker 1: a friend. I don't want anything transforming.

1016
00:52:02,800 --> 00:52:03,120
Speaker 2: Sorry.

1017
00:52:04,920 --> 00:52:09,439
Speaker 3: Okay, So one Portuguese bean sandwich and a sasparilla, yes,

1018
00:52:09,760 --> 00:52:10,760
Speaker 3: with cane sugar.

1019
00:52:11,160 --> 00:52:14,800
Speaker 2: Yes, and please don't use sand's cream corn.

1020
00:52:15,680 --> 00:52:17,399
Speaker 3: That's what I was going. That's where I was going

1021
00:52:17,480 --> 00:52:22,640
Speaker 3: to make syrup. Okay, how about some ginger beers.

1022
00:52:23,480 --> 00:52:26,759
Speaker 2: Have you heard of that? I like it so spicy? Yeah,

1023
00:52:26,840 --> 00:52:27,719
Speaker 2: I like it so hot.

1024
00:52:27,800 --> 00:52:30,399
Speaker 1: I cough, moose people can't drink it as spicy as

1025
00:52:30,480 --> 00:52:32,919
Speaker 1: I like to. Yeah, yeah, I need it so hot

1026
00:52:32,960 --> 00:52:39,520
Speaker 1: I cough. That reminds me of being on the Island's

1027
00:52:39,719 --> 00:52:44,640
Speaker 1: Mom having dud ging job beer on the bob Slid team.

1028
00:52:45,920 --> 00:52:48,240
Speaker 2: We never talked too much about your big vacation.

1029
00:52:48,600 --> 00:52:52,520
Speaker 1: Oh right, when I went to the Island's Mon with

1030
00:52:52,680 --> 00:52:54,280
Speaker 1: the Boobslid team.

1031
00:52:54,200 --> 00:52:58,880
Speaker 2: Because you told me that you saw some animals, but

1032
00:52:59,040 --> 00:53:01,400
Speaker 2: you wanted to tell me in person because there was

1033
00:53:02,239 --> 00:53:05,520
Speaker 2: like a visual component. Do you explaining the animals to me?

1034
00:53:06,719 --> 00:53:06,919
Speaker 1: Right?

1035
00:53:07,360 --> 00:53:09,920
Speaker 2: You know that you couldn't explain the animals over the phone.

1036
00:53:09,680 --> 00:53:11,040
Speaker 1: Bell because I have to be able to show you

1037
00:53:11,120 --> 00:53:11,720
Speaker 1: with my hands.

1038
00:53:11,800 --> 00:53:13,479
Speaker 4: How big yeah?

1039
00:53:14,880 --> 00:53:15,560
Speaker 1: Bird like this?

1040
00:53:16,200 --> 00:53:16,560
Speaker 4: Wow?

1041
00:53:17,600 --> 00:53:20,800
Speaker 1: What little tiny shark?

1042
00:53:21,120 --> 00:53:24,880
Speaker 2: Oh my god? This big? And is that it's tail or?

1043
00:53:24,960 --> 00:53:25,560
Speaker 2: It's all of it?

1044
00:53:25,800 --> 00:53:31,520
Speaker 1: No, it's face wow, normal sized penguin.

1045
00:53:32,080 --> 00:53:36,879
Speaker 2: Okay, well that looks small to me. Eh yeah, maybe

1046
00:53:36,920 --> 00:53:41,239
Speaker 2: you were far away. You can't probably get that close

1047
00:53:41,280 --> 00:53:41,440
Speaker 2: to it.

1048
00:53:41,560 --> 00:53:44,239
Speaker 1: I did the bird, right, Brett? Wait, what is that?

1049
00:53:44,520 --> 00:53:44,960
Speaker 4: What do you have?

1050
00:53:45,080 --> 00:53:45,319
Speaker 1: Brett?

1051
00:53:46,760 --> 00:53:50,800
Speaker 2: I was just gonna, oh, that's nice.

1052
00:53:52,360 --> 00:53:56,560
Speaker 1: Oh, I'm backing on the islands with the buju Bantan

1053
00:53:56,840 --> 00:54:01,600
Speaker 1: men going up on the should dah those if you

1054
00:54:01,880 --> 00:54:03,560
Speaker 1: take the life barb nah bah.

1055
00:54:04,120 --> 00:54:07,040
Speaker 2: I love that. That's reefer music for me. Can I

1056
00:54:07,120 --> 00:54:09,160
Speaker 2: ask something that I don't and I don't know this

1057
00:54:09,280 --> 00:54:11,480
Speaker 2: is bad to say? And I'm asking if it's bad

1058
00:54:11,560 --> 00:54:13,960
Speaker 2: to say? Okay, yeah, and you know this because you're

1059
00:54:13,960 --> 00:54:14,520
Speaker 2: on there.

1060
00:54:15,320 --> 00:54:16,680
Speaker 1: You're just asking if it's bad.

1061
00:54:16,840 --> 00:54:21,000
Speaker 2: Yes, what is a like? I think it's a bumble clot?

1062
00:54:23,239 --> 00:54:24,200
Speaker 4: What is that? Yeah?

1063
00:54:24,280 --> 00:54:25,960
Speaker 2: Don't that?

1064
00:54:26,360 --> 00:54:26,920
Speaker 1: Don't ask that.

1065
00:54:27,120 --> 00:54:29,759
Speaker 2: It is bad to say, but what is it? Are

1066
00:54:29,800 --> 00:54:30,960
Speaker 2: you allowed of saying something that?

1067
00:54:31,040 --> 00:54:34,880
Speaker 1: If you ask on the islands, you do get a punch,

1068
00:54:35,280 --> 00:54:38,880
Speaker 1: and if I wasn't so fast and strong, and I

1069
00:54:39,000 --> 00:54:43,040
Speaker 1: hate to even bring this up, yeah, I would have

1070
00:54:43,160 --> 00:54:45,279
Speaker 1: maybe gotten a big bruise. I mean a lot of

1071
00:54:45,320 --> 00:54:47,080
Speaker 1: people will get knocked out by it, but you actually

1072
00:54:47,120 --> 00:54:49,799
Speaker 1: kind of can't knock me out. But if I wasn't

1073
00:54:49,840 --> 00:54:52,080
Speaker 1: so fast and strong and caught the guy's hand and

1074
00:54:52,120 --> 00:54:54,160
Speaker 1: taught him a little lesson about and used his own

1075
00:54:54,200 --> 00:54:57,480
Speaker 1: momentary swinging on somebody, you use his own momentum against him.

1076
00:54:57,600 --> 00:54:57,799
Speaker 2: Yeah.

1077
00:54:57,880 --> 00:55:02,919
Speaker 1: Well, and I mean tradition of the water martial arts

1078
00:55:03,000 --> 00:55:05,359
Speaker 1: forms where you be like water and use the flow

1079
00:55:05,440 --> 00:55:06,120
Speaker 1: of their energy.

1080
00:55:07,239 --> 00:55:07,399
Speaker 4: Yeah.

1081
00:55:07,920 --> 00:55:12,120
Speaker 3: I keto hop keto, Yes, all the ketos.

1082
00:55:12,840 --> 00:55:17,000
Speaker 2: But they're they're doing they have their style of doing

1083
00:55:17,080 --> 00:55:19,600
Speaker 2: it where you think they're dancing and you come up

1084
00:55:19,640 --> 00:55:20,960
Speaker 2: to dance with them. Mm hmm.

1085
00:55:22,040 --> 00:55:25,000
Speaker 1: Well, and you start trying to do and locomotion.

1086
00:55:24,840 --> 00:55:29,560
Speaker 2: Suddenly it's suddenly it's fighting it can it can become

1087
00:55:29,680 --> 00:55:32,840
Speaker 2: that you grab their hips to do the locomotion.

1088
00:55:33,280 --> 00:55:33,680
Speaker 4: Mm hmm.

1089
00:55:34,200 --> 00:55:36,960
Speaker 1: Well, I straight up thought I was in a possible

1090
00:55:37,800 --> 00:55:41,399
Speaker 1: congo line and uh and I was trying to sort

1091
00:55:41,440 --> 00:55:45,600
Speaker 1: of shift that because the locomotion because it's the islands

1092
00:55:46,160 --> 00:55:49,960
Speaker 1: and uh, what happened was guy tried to do a

1093
00:55:50,360 --> 00:55:54,040
Speaker 1: roundhouse flip kick, and luckily for me, I'm familiar with

1094
00:55:54,040 --> 00:55:56,920
Speaker 1: a lot of the water forms of martial arts, and

1095
00:55:57,120 --> 00:55:59,160
Speaker 1: I was able to turn that kick into he was

1096
00:55:59,280 --> 00:56:08,120
Speaker 1: doing the locomotion in the hospital. So and that's what

1097
00:56:08,239 --> 00:56:09,960
Speaker 1: I'm and he was just you were just a train

1098
00:56:10,040 --> 00:56:10,600
Speaker 1: of gurneyes.

1099
00:56:11,440 --> 00:56:13,720
Speaker 2: Yeah, at the hospital, and you're making his hands move.

1100
00:56:14,640 --> 00:56:18,279
Speaker 1: Yeah, to do the local bo shit. Yeah, accidentally ripped

1101
00:56:18,320 --> 00:56:23,160
Speaker 1: his IV up. So you know, And I don't like

1102
00:56:23,239 --> 00:56:26,040
Speaker 1: to talk about violent stuff just because our culture is

1103
00:56:26,560 --> 00:56:30,080
Speaker 1: you know, gotten pretty bad. But also there's some stuff

1104
00:56:30,120 --> 00:56:31,879
Speaker 1: that we've done with violence that has been pretty good,

1105
00:56:31,960 --> 00:56:33,359
Speaker 1: like a lot of the movies. And maybe we don't

1106
00:56:33,360 --> 00:56:35,319
Speaker 1: throw out the baby with the bathwater in terms of just.

1107
00:56:35,440 --> 00:56:37,680
Speaker 2: Like we just put why don't we just put all

1108
00:56:37,719 --> 00:56:42,160
Speaker 2: these guns on paintball mode. I know, you know where

1109
00:56:42,239 --> 00:56:47,120
Speaker 2: it's like exploding paint. And so you can be like

1110
00:56:47,239 --> 00:56:47,719
Speaker 2: I got you.

1111
00:56:48,440 --> 00:56:51,040
Speaker 1: Yeah, so you know who got hit and if they

1112
00:56:51,160 --> 00:56:54,520
Speaker 1: got got and everybody gets a different color. Yes, And

1113
00:56:54,640 --> 00:56:57,160
Speaker 1: so you say like that's mine, I'll take pink. I'm

1114
00:56:57,160 --> 00:56:58,720
Speaker 1: not saying women have to do pink.

1115
00:57:00,400 --> 00:57:03,799
Speaker 2: I'm not I don't care yes, I yes, honestly don't

1116
00:57:03,840 --> 00:57:04,239
Speaker 2: care either.

1117
00:57:06,200 --> 00:57:08,879
Speaker 1: I don't think that's fair that it's just like, ooh,

1118
00:57:09,080 --> 00:57:11,279
Speaker 1: it has to be this. It's the pink is for.

1119
00:57:11,320 --> 00:57:14,560
Speaker 2: Girls yellow because he's the mustard man or whatever.

1120
00:57:14,920 --> 00:57:16,840
Speaker 1: Yeah, fucking restarred.

1121
00:57:19,120 --> 00:57:21,160
Speaker 3: That's not nice what.

1122
00:57:22,840 --> 00:57:23,240
Speaker 2: You said.

1123
00:57:23,600 --> 00:57:27,000
Speaker 3: I heard it. You said what they call me mustard,

1124
00:57:27,160 --> 00:57:32,240
Speaker 3: which is like it's starred first of all, which is

1125
00:57:32,280 --> 00:57:36,760
Speaker 3: short for mustard. Yeah, it's short for that.

1126
00:57:37,320 --> 00:57:37,520
Speaker 4: Yeah.

1127
00:57:38,760 --> 00:57:39,840
Speaker 2: Do you know the mustard man.

1128
00:57:40,960 --> 00:57:42,480
Speaker 1: Yeah, there's a mustard.

1129
00:57:42,560 --> 00:57:43,640
Speaker 3: I don't know the mustard man.

1130
00:57:44,320 --> 00:57:46,280
Speaker 1: And I was just saying I hear it so much,

1131
00:57:46,360 --> 00:57:49,520
Speaker 1: I'm hearing it again, like here we go. It's a restart.

1132
00:57:50,280 --> 00:57:54,720
Speaker 3: You're saying it like like like pete and repeat, okay.

1133
00:57:54,600 --> 00:57:57,080
Speaker 1: Beat and repeat in a boat, Pete falls out? Who's left?

1134
00:57:58,600 --> 00:58:05,280
Speaker 2: Who's left? Oh, Pete fell out?

1135
00:58:05,480 --> 00:58:06,320
Speaker 1: Yeah, Pete fell out.

1136
00:58:06,720 --> 00:58:12,800
Speaker 4: He's in the boat. Do it me. No, you're not.

1137
00:58:13,040 --> 00:58:16,280
Speaker 2: It's just pete and repeat in the boat Pete falls out.

1138
00:58:16,560 --> 00:58:19,400
Speaker 1: You can't do any of these repeat, he can't do it.

1139
00:58:20,640 --> 00:58:24,200
Speaker 2: Wait, no, go he said it, so okay, go back, okay,

1140
00:58:24,280 --> 00:58:27,680
Speaker 2: go back, go back. But remember what you said. Remember

1141
00:58:27,720 --> 00:58:30,880
Speaker 2: what you said, but you started from the Remember what

1142
00:58:30,960 --> 00:58:34,440
Speaker 2: you okay, but don't mess around and don't talking. Is

1143
00:58:34,480 --> 00:58:36,240
Speaker 2: what happened when we tried to do chicken butt with it?

1144
00:58:38,760 --> 00:58:39,960
Speaker 4: What was that?

1145
00:58:40,160 --> 00:58:41,720
Speaker 2: And he said he knew what and he said he

1146
00:58:41,840 --> 00:58:46,640
Speaker 2: knew what up dog was, and Dick he knew what

1147
00:58:46,880 --> 00:58:53,280
Speaker 2: was Yeah, he drew a stardu for me. Okay, okay,

1148
00:58:53,360 --> 00:58:54,640
Speaker 2: so remember what you said before.

1149
00:58:55,840 --> 00:58:59,200
Speaker 1: So Pete and Repeat are in a boat. Pete falls out?

1150
00:58:59,440 --> 00:59:01,120
Speaker 1: Who's left in the boat?

1151
00:59:04,040 --> 00:59:04,480
Speaker 3: Repeat?

1152
00:59:07,160 --> 00:59:10,800
Speaker 1: I've never gotten this far before. I know there's something

1153
00:59:10,840 --> 00:59:11,800
Speaker 1: I'm supposed to do now.

1154
00:59:12,120 --> 00:59:13,680
Speaker 2: Yeah, it feels like I just a'm so.

1155
00:59:13,960 --> 00:59:17,800
Speaker 1: Like excited that because he's right, I need him to

1156
00:59:17,880 --> 00:59:19,920
Speaker 1: say that, like that is who's in there?

1157
00:59:20,120 --> 00:59:20,320
Speaker 4: Yes?

1158
00:59:22,400 --> 00:59:23,560
Speaker 2: Is that it is a person?

1159
00:59:24,600 --> 00:59:26,000
Speaker 1: Yeah? His name is Repeat?

1160
00:59:26,280 --> 00:59:29,680
Speaker 2: Are they brothers? I guess they would have to be twins?

1161
00:59:30,080 --> 00:59:31,880
Speaker 2: But then how do you know which is which?

1162
00:59:32,240 --> 00:59:33,720
Speaker 3: So Repeat kills Pete.

1163
00:59:34,720 --> 00:59:35,920
Speaker 2: I think he just fell out.

1164
00:59:36,040 --> 00:59:37,840
Speaker 1: Yeah, I think he's just like maybe it was even

1165
00:59:37,960 --> 00:59:40,560
Speaker 1: showing off and maybe it was a storm show off

1166
00:59:40,640 --> 00:59:45,160
Speaker 1: in a boat at everybody stand up and doing the

1167
00:59:45,600 --> 00:59:46,480
Speaker 1: Titanic thing.

1168
00:59:46,720 --> 00:59:50,480
Speaker 2: Yes, and this boat's a rocking you know.

1169
00:59:50,800 --> 00:59:52,440
Speaker 1: Oh yeah, that one.

1170
00:59:55,280 --> 00:59:56,000
Speaker 2: Getting slippy.

1171
00:59:56,480 --> 01:00:00,720
Speaker 1: Yeah, I'm ready to look about Pratt. Shushush, I'm starting

1172
01:00:00,800 --> 01:00:01,400
Speaker 1: to get sleepy.

1173
01:00:01,440 --> 01:00:04,720
Speaker 3: Do we want to just you guys didn't finish your sasparullas.

1174
01:00:06,240 --> 01:00:08,120
Speaker 2: It's not good and I'm not supposed to have that

1175
01:00:08,240 --> 01:00:09,320
Speaker 2: much before I go to sleep.

1176
01:00:10,680 --> 01:00:13,800
Speaker 1: You know, the thing with a lot of these unique

1177
01:00:13,880 --> 01:00:16,960
Speaker 1: drinks is that they're not that good. Yeah, but I

1178
01:00:17,120 --> 01:00:19,000
Speaker 1: just drink them, so you know that I drink them,

1179
01:00:19,880 --> 01:00:21,360
Speaker 1: but I don't want really want to have them.

1180
01:00:21,520 --> 01:00:25,320
Speaker 2: A regular drink is either better or the same, usually

1181
01:00:25,440 --> 01:00:26,120
Speaker 2: the same.

1182
01:00:26,720 --> 01:00:28,320
Speaker 1: A lot of times the same, but a lot of

1183
01:00:28,360 --> 01:00:28,919
Speaker 1: times better.

1184
01:00:30,000 --> 01:00:31,440
Speaker 4: And that's why people like it so much.

1185
01:00:31,640 --> 01:00:33,960
Speaker 1: Yeah, that's why it's more popular, I guess, mm hmm.

1186
01:00:34,640 --> 01:00:38,440
Speaker 1: But that's different from our podcast, which is Rose Petal Sodas.

1187
01:00:38,520 --> 01:00:42,880
Speaker 2: Our podcast is unpopular because the popular stuff is bad.

1188
01:00:44,040 --> 01:00:46,680
Speaker 1: Yes, that's how podcasts are different than drinks.

1189
01:00:46,800 --> 01:00:50,560
Speaker 2: Than drinks, the popular drinks are good, they taste good,

1190
01:00:50,600 --> 01:00:53,640
Speaker 2: everyone likes them. Podcasts is different. The popular ones are

1191
01:00:53,760 --> 01:00:56,280
Speaker 2: bad and the unpopular ones areact.

1192
01:00:56,320 --> 01:01:02,600
Speaker 1: People don't know it's swill, and I think I think

1193
01:01:02,680 --> 01:01:03,080
Speaker 1: that's right.

1194
01:01:08,720 --> 01:01:13,720
Speaker 3: I think Sean's asleep, he's dreaming.

1195
01:01:13,920 --> 01:01:18,320
Speaker 2: He's dreaming about running at his little legs move.

1196
01:01:18,480 --> 01:01:22,240
Speaker 3: Yeah, that's got hard on.

1197
01:01:22,400 --> 01:01:28,800
Speaker 2: I think, yeah, and it kind of like emerges in

1198
01:01:28,880 --> 01:01:33,600
Speaker 2: that and that in that same way kind of comes

1199
01:01:33,640 --> 01:01:34,600
Speaker 2: out of the little sheath.

1200
01:01:35,640 --> 01:01:37,880
Speaker 3: Yeah, it's like drippy.

1201
01:01:41,200 --> 01:01:43,560
Speaker 1: Sean Brandy.

1202
01:01:44,840 --> 01:01:46,600
Speaker 2: Did we do the pro version anymore?

1203
01:01:48,000 --> 01:01:50,360
Speaker 1: No? You want to try it?

1204
01:01:50,800 --> 01:01:56,400
Speaker 2: Yeah, I guess I can try. Who's the one there's

1205
01:01:56,400 --> 01:01:59,760
Speaker 2: somebody who starts with war war Dell or something.

1206
01:02:00,080 --> 01:02:03,360
Speaker 1: Hmmm, I don't know about that. I'm too tucked in.

1207
01:02:06,080 --> 01:02:08,600
Speaker 1: I can't check. I'm too tucked in at Brett's brain.

1208
01:02:10,720 --> 01:02:12,840
Speaker 1: Who's the name on the forums that you think should

1209
01:02:12,840 --> 01:02:13,200
Speaker 1: get the pain?

1210
01:02:13,280 --> 01:02:13,400
Speaker 4: Is that?

1211
01:02:13,680 --> 01:02:16,240
Speaker 3: Let me ask you this, Ah, God, don't bring that up.

1212
01:02:16,280 --> 01:02:18,600
Speaker 2: That's supposed to be your brain?

1213
01:02:19,200 --> 01:02:19,360
Speaker 1: Is it?

1214
01:02:19,520 --> 01:02:26,360
Speaker 2: Like, here's here's the want to know the real story

1215
01:02:26,400 --> 01:02:28,480
Speaker 2: if you really want to get inside my brain.

1216
01:02:28,440 --> 01:02:29,280
Speaker 1: At Bret's brain on.

1217
01:02:30,840 --> 01:02:31,720
Speaker 2: What's really going on?

1218
01:02:31,880 --> 01:02:38,080
Speaker 3: Brain drops, just absolute just brain twisters coming at you

1219
01:02:38,200 --> 01:02:41,760
Speaker 3: every day. Comes from the early days of Twitter. I

1220
01:02:41,920 --> 01:02:44,920
Speaker 3: was there before you know what, when it was just

1221
01:02:44,960 --> 01:02:45,960
Speaker 3: a startup and.

1222
01:02:46,040 --> 01:02:48,080
Speaker 2: You certainly couldn't it. Is it now because it's this

1223
01:02:48,840 --> 01:02:50,800
Speaker 2: established brand.

1224
01:02:50,760 --> 01:02:54,640
Speaker 3: Can you change it? Because I was under the impression

1225
01:02:54,720 --> 01:02:57,640
Speaker 3: when Twitter started that it was like, yeah, all your

1226
01:02:57,720 --> 01:02:58,960
Speaker 3: little brain farts.

1227
01:02:59,760 --> 01:03:01,520
Speaker 2: I think you could change it, but then you might

1228
01:03:01,640 --> 01:03:05,560
Speaker 2: lose people not understanding whether it was just the most

1229
01:03:05,640 --> 01:03:07,280
Speaker 2: unfiltered hit straight from your.

1230
01:03:07,960 --> 01:03:13,080
Speaker 3: Like yeah mind like like mind explosions, yes, hot takes. Yeah,

1231
01:03:13,840 --> 01:03:18,560
Speaker 3: you know that's the story. Wargool, Sure are they going

1232
01:03:18,600 --> 01:03:19,520
Speaker 3: to wargole?

1233
01:03:19,600 --> 01:03:24,160
Speaker 1: Congrats on pro version stay real And I also wargle

1234
01:03:24,240 --> 01:03:29,040
Speaker 1: wanted to tell you about how All FM and a

1235
01:03:29,360 --> 01:03:34,439
Speaker 1: totally natural conversation. Hayes, you and I have been hanging

1236
01:03:34,480 --> 01:03:36,200
Speaker 1: out him. We're almost ready to sleep. Do you want

1237
01:03:36,240 --> 01:03:39,000
Speaker 1: to hear a little bedtime story for you and wargool?

1238
01:03:39,360 --> 01:03:41,720
Speaker 2: Yeah, yeah, yes, that'll help you go to sleep.

1239
01:03:41,800 --> 01:03:44,480
Speaker 1: Well, once upon a time someone who hadn't subscribed to

1240
01:03:44,760 --> 01:03:47,400
Speaker 1: howl yet and there and it was a little boy

1241
01:03:47,960 --> 01:03:52,480
Speaker 1: and so me. Yes, his name was mister Hayes, and

1242
01:03:52,720 --> 01:03:55,320
Speaker 1: he had to go to howl dot FM. Okay, I

1243
01:03:55,440 --> 01:04:00,880
Speaker 1: am subscribed but no, but god, okay, so he's okay.

1244
01:04:00,960 --> 01:04:04,680
Speaker 1: So his name was Blaze, so he had to gay

1245
01:04:05,560 --> 01:04:07,720
Speaker 1: Yeah you like that? Huh. So he had to go

1246
01:04:07,880 --> 01:04:09,680
Speaker 1: to howld dot fm to sign up and use the

1247
01:04:09,720 --> 01:04:17,080
Speaker 1: promo code Hollywood is Hollywood. So, as I was saying

1248
01:04:17,120 --> 01:04:19,600
Speaker 1: in this bedtime story, I'm telling Hayes just in a

1249
01:04:19,640 --> 01:04:23,520
Speaker 1: friendship way is use the promo code Hollywood to check

1250
01:04:23,560 --> 01:04:25,560
Speaker 1: out and claim it. That someone said to the little boy,

1251
01:04:25,640 --> 01:04:28,640
Speaker 1: and he did because whatever. And then he said, well,

1252
01:04:28,680 --> 01:04:30,840
Speaker 1: now what do I do? This boy who just got

1253
01:04:30,920 --> 01:04:38,800
Speaker 1: subscribed blaze and yeah, he's so brave. So then he

1254
01:04:39,200 --> 01:04:42,800
Speaker 1: got told to feel free to listen to any Howell

1255
01:04:42,840 --> 01:04:46,560
Speaker 1: original shows and speak about the ones he enjoyed. And

1256
01:04:46,680 --> 01:04:50,840
Speaker 1: I know you're already subscribed, so you must have loved

1257
01:04:51,400 --> 01:04:55,560
Speaker 1: hearing that someone said that. And there's even some mini

1258
01:04:55,680 --> 01:05:01,080
Speaker 1: series that I think warghool and you love and you've

1259
01:05:01,160 --> 01:05:01,920
Speaker 1: probably heard them all.

1260
01:05:02,120 --> 01:05:04,480
Speaker 2: Yeah, tell me about tell me about the mini series?

1261
01:05:04,640 --> 01:05:07,480
Speaker 1: Well, I mean, you know, I took it on myself,

1262
01:05:07,600 --> 01:05:09,760
Speaker 1: as I often do, to listen to a few minutes

1263
01:05:09,800 --> 01:05:11,840
Speaker 1: of the mini series so I could speak about it

1264
01:05:12,000 --> 01:05:17,240
Speaker 1: in the bedtime story. The first one which I really

1265
01:05:17,360 --> 01:05:20,360
Speaker 1: did listen to, is called The Complete Woman. And I

1266
01:05:20,480 --> 01:05:25,320
Speaker 1: gotta tell you, Hayes, she's not missing any arms, legs,

1267
01:05:26,080 --> 01:05:32,640
Speaker 1: She got her whole body. She is so finished being

1268
01:05:32,920 --> 01:05:38,680
Speaker 1: made in terms of the physical construction and number of pieces.

1269
01:05:39,400 --> 01:05:43,280
Speaker 2: And you like that, I hope. I yeah, I like

1270
01:05:43,400 --> 01:05:43,680
Speaker 2: that too.

1271
01:05:44,240 --> 01:05:46,560
Speaker 1: And then and I don't think I'm only going to

1272
01:05:46,600 --> 01:05:49,920
Speaker 1: talk about one because I listened to a few minutes

1273
01:05:49,960 --> 01:05:51,760
Speaker 1: of so much.

1274
01:05:52,840 --> 01:05:55,320
Speaker 2: I mean the Cannon commentaries.

1275
01:05:55,880 --> 01:06:01,240
Speaker 1: That's about Nick Cannon. Okay, so today's show is sponsored

1276
01:06:01,240 --> 01:06:03,240
Speaker 1: by Howell FM. Is that a weird thing for a

1277
01:06:03,280 --> 01:06:06,680
Speaker 1: bedtime Story? Maybe to you, not to us. It's like

1278
01:06:06,760 --> 01:06:11,120
Speaker 1: Netflix for podcasts. You gotta use the promo code, Hollywood,

1279
01:06:11,200 --> 01:06:13,439
Speaker 1: you have to, and then you get a full month

1280
01:06:13,480 --> 01:06:14,200
Speaker 1: of free trial.

1281
01:06:14,600 --> 01:06:16,320
Speaker 2: Can I just say, it's really nice of how To

1282
01:06:16,400 --> 01:06:19,800
Speaker 2: sponsoring this Bedtime Story And I can't wait to see

1283
01:06:20,440 --> 01:06:24,040
Speaker 2: the money for that. I mean, that's what sponsoring means, right.

1284
01:06:25,080 --> 01:06:29,360
Speaker 1: It's just dope, baby, It's just cold hard Cashi is

1285
01:06:29,560 --> 01:06:32,120
Speaker 1: like in Billions. What's the point of having fuck you

1286
01:06:32,240 --> 01:06:34,480
Speaker 1: Howel money if you don't say fuck you?

1287
01:06:36,920 --> 01:06:39,640
Speaker 2: So that's for war gooal. Congratulations on the pro version

1288
01:06:39,720 --> 01:06:43,240
Speaker 2: that's getting so tired in here.

1289
01:06:45,200 --> 01:06:47,960
Speaker 4: Yeah, thank you for.

1290
01:06:49,560 --> 01:06:51,120
Speaker 2: Still wanting to do the show with me.

1291
01:06:52,120 --> 01:06:55,880
Speaker 1: Thank you for finally coming out of the women's restaurom.

1292
01:06:55,560 --> 01:07:00,040
Speaker 2: Because I just kind of thought sometimes like maybe you

1293
01:07:00,080 --> 01:07:02,680
Speaker 2: would start doing with other people, and like maybe you

1294
01:07:02,720 --> 01:07:04,800
Speaker 2: would not want to do the show with me. I know,

1295
01:07:05,000 --> 01:07:09,360
Speaker 2: like I don't like any other people okay, and I

1296
01:07:09,600 --> 01:07:12,600
Speaker 2: you know, I honestly was like, it's like so stupid. Now,

1297
01:07:12,720 --> 01:07:15,080
Speaker 2: it's honestly so dumb, but like I was like kind

1298
01:07:15,080 --> 01:07:18,080
Speaker 2: of trying to make you jealous by like doing shows

1299
01:07:18,120 --> 01:07:21,040
Speaker 2: with Tom. I was hoping that you noticed. I was

1300
01:07:21,120 --> 01:07:23,280
Speaker 2: hoping that you and it's so dumb and like I

1301
01:07:23,360 --> 01:07:26,680
Speaker 2: feel so like so like like an idiot just like

1302
01:07:26,760 --> 01:07:28,040
Speaker 2: saying it out, but like I was just kind of

1303
01:07:28,040 --> 01:07:30,040
Speaker 2: helping you listen and be like, oh, like I want

1304
01:07:30,080 --> 01:07:32,600
Speaker 2: to do the show with him again, like and be mad.

1305
01:07:33,560 --> 01:07:36,680
Speaker 1: But would you agree? And I was jealous of you

1306
01:07:36,800 --> 01:07:38,840
Speaker 1: doing it with Tom, and I did really want to

1307
01:07:38,880 --> 01:07:39,960
Speaker 1: do it together again, but would you.

1308
01:07:40,360 --> 01:07:42,560
Speaker 2: It would be mad that like even for example that

1309
01:07:42,720 --> 01:07:45,800
Speaker 2: like the show that we do without you, the grease

1310
01:07:45,840 --> 01:07:46,520
Speaker 2: Nose Eggs.

1311
01:07:46,320 --> 01:07:50,560
Speaker 1: Episode was like the only one that got recognized unlike

1312
01:07:50,600 --> 01:07:53,640
Speaker 1: any year endless Yeah, actual individual episode.

1313
01:07:53,680 --> 01:07:55,440
Speaker 2: I was hoping that that would like make you, like

1314
01:07:55,560 --> 01:07:56,160
Speaker 2: really mad.

1315
01:07:56,360 --> 01:07:58,280
Speaker 1: And then anytime you search for the show on Twitter,

1316
01:07:58,320 --> 01:08:01,880
Speaker 1: it's all people tweeting about how specifically the sharpening episodes

1317
01:08:01,880 --> 01:08:03,240
Speaker 1: of the show are the good ones and those are

1318
01:08:03,280 --> 01:08:05,280
Speaker 1: the ones that I'm not in because it's you hosting

1319
01:08:05,360 --> 01:08:09,440
Speaker 1: them without me and that then when you did the

1320
01:08:09,480 --> 01:08:11,760
Speaker 1: one with DC at Brett's house without me, that that

1321
01:08:11,920 --> 01:08:14,480
Speaker 1: one was like this is the best non Sharpling episode

1322
01:08:14,520 --> 01:08:17,000
Speaker 1: of the show I've ever heard was a very common refrain,

1323
01:08:17,760 --> 01:08:20,280
Speaker 1: and that basically, I've done like one hundred and fifteen

1324
01:08:20,320 --> 01:08:22,960
Speaker 1: episodes of the show and there's three that I'm not in,

1325
01:08:23,200 --> 01:08:27,000
Speaker 1: and that they seem to get like more press than

1326
01:08:27,760 --> 01:08:30,000
Speaker 1: any of the other ones, and that you thought that

1327
01:08:30,040 --> 01:08:31,000
Speaker 1: would hurt my feelings.

1328
01:08:31,160 --> 01:08:33,000
Speaker 2: Yeah, I get well, I mean, you know, I just

1329
01:08:33,160 --> 01:08:35,720
Speaker 2: was hoping, Yeah, and it's dumb, but just like, yeah,

1330
01:08:35,760 --> 01:08:37,720
Speaker 2: that you would get jealous and you would like that

1331
01:08:37,720 --> 01:08:39,519
Speaker 2: would make you like kind of like appreciate me more.

1332
01:08:39,560 --> 01:08:41,840
Speaker 1: I guess yeah, that like, because it's people would be

1333
01:08:41,880 --> 01:08:43,800
Speaker 1: free to say, like this episode was so funny, I

1334
01:08:43,920 --> 01:08:45,840
Speaker 1: loved it this week, and they've said that before, but

1335
01:08:46,040 --> 01:08:49,760
Speaker 1: instead they say like this one is better than the

1336
01:08:49,880 --> 01:08:52,000
Speaker 1: other ones. It's the best one.

1337
01:08:53,200 --> 01:08:53,320
Speaker 3: Uh.

1338
01:08:53,640 --> 01:08:56,599
Speaker 1: And that feels pointed. And I don't know if those

1339
01:08:56,600 --> 01:08:59,360
Speaker 1: are you under those accounts, but I think we can

1340
01:08:59,439 --> 01:09:01,840
Speaker 1: agree that the episode you did with Sharplying maybe felt

1341
01:09:01,880 --> 01:09:04,280
Speaker 1: like a little random and aimless, like they sort of

1342
01:09:04,439 --> 01:09:06,920
Speaker 1: like hit some topics and then came back and then

1343
01:09:07,000 --> 01:09:09,000
Speaker 1: revisited and didn't feel like they had a point, whereas

1344
01:09:09,040 --> 01:09:14,280
Speaker 1: this one was so clean, Like what we just recorded

1345
01:09:14,479 --> 01:09:18,840
Speaker 1: is like truly just laser focused. It feels like a

1346
01:09:18,920 --> 01:09:21,719
Speaker 1: lot of the fat Bullseye after Bull's Eye has.

1347
01:09:21,680 --> 01:09:25,280
Speaker 2: Been sort of like sliced off. Yeah, and I wonder

1348
01:09:25,320 --> 01:09:28,600
Speaker 2: if people will like that less because they seem to

1349
01:09:28,760 --> 01:09:31,400
Speaker 2: like the more the free flowing. Yeah, you know, it

1350
01:09:31,439 --> 01:09:32,280
Speaker 2: feels more natural.

1351
01:09:33,120 --> 01:09:35,680
Speaker 1: Yeah, the people did seem to like those a lot.

1352
01:09:36,640 --> 01:09:40,599
Speaker 2: But is that dove that like, I don't know, it's

1353
01:09:40,680 --> 01:09:41,400
Speaker 2: like it's silly.

1354
01:09:41,479 --> 01:09:42,439
Speaker 4: It's like, honestly silly.

1355
01:09:42,640 --> 01:09:44,040
Speaker 1: You thought that would make me jealous?

1356
01:09:44,120 --> 01:09:44,320
Speaker 2: Yeah?

1357
01:09:45,920 --> 01:09:48,120
Speaker 1: No, I love doing it. Hey, look, I do the

1358
01:09:48,240 --> 01:09:53,960
Speaker 1: show for free for a long time. Uh, and then

1359
01:09:54,680 --> 01:09:57,960
Speaker 1: as soon as I'm not on it, everybody talks about

1360
01:09:57,960 --> 01:10:06,600
Speaker 1: how fucking awesome it is, and uh, that's nice. That

1361
01:10:06,720 --> 01:10:15,759
Speaker 1: wouldn't exist. It doesn't matter. Uh so bye bye, well, Hollywood, Hamburg.

1362
01:10:22,000 --> 01:10:25,479
Speaker 2: This has been an Earwolf production, executive produced by Scott Ackerman,

1363
01:10:25,560 --> 01:10:27,240
Speaker 2: Adam Sachs, and Chris Bannett.

1364
01:10:27,400 --> 01:10:30,280
Speaker 3: For more information and content, visit earwolf dot com.