1
00:00:00,200 --> 00:00:03,760
Speaker 1: Bagged out the hammer. And it's because when I be conflicted,

2
00:00:03,800 --> 00:00:08,080
Speaker 1: like what the fuss seven soft but seven crazy.

3
00:00:12,640 --> 00:00:26,000
Speaker 2: Clean cheft p seven salt worring.

4
00:00:22,600 --> 00:00:36,480
Speaker 1: Get thee my whole clicked out about it. We take

5
00:00:36,520 --> 00:00:39,360
Speaker 1: yours while poud about it. Never want to church? Why

6
00:00:39,720 --> 00:00:44,720
Speaker 1: Church is the new Orchard Beach? That's crazy? Are we rolling?

7
00:00:45,200 --> 00:00:46,800
Speaker 3: It costs too much to be that. I get what

8
00:00:46,840 --> 00:00:48,200
Speaker 3: you're saying, but it costs nothing.

9
00:00:48,920 --> 00:00:49,839
Speaker 4: Everybody's just scammon.

10
00:00:50,000 --> 00:00:50,600
Speaker 1: They did that and.

11
00:00:50,640 --> 00:00:52,479
Speaker 5: Too Loom you that's too expensive.

12
00:00:52,520 --> 00:00:55,560
Speaker 1: Saying Turks is the new Orchard Beach is absurd. It

13
00:00:55,640 --> 00:00:56,480
Speaker 1: is that's crazy.

14
00:00:56,560 --> 00:01:00,080
Speaker 6: No disrespected Turks, but everybody is gone or going on

15
00:01:00,120 --> 00:01:00,560
Speaker 6: the Turks.

16
00:01:00,600 --> 00:01:03,240
Speaker 1: I could like Tuloom maybe that comparison, but Turks is

17
00:01:03,280 --> 00:01:03,800
Speaker 1: still Turks.

18
00:01:03,840 --> 00:01:07,640
Speaker 6: Even thought to Loom is the new, but I'm not

19
00:01:07,680 --> 00:01:11,720
Speaker 6: going is Cony Beech Cony Island, Yeah, Tulum is like

20
00:01:11,760 --> 00:01:14,360
Speaker 6: the new, like South Beach it's Jones Beach.

21
00:01:14,440 --> 00:01:14,640
Speaker 1: Yeah.

22
00:01:14,680 --> 00:01:17,000
Speaker 6: And then once that airport isn't Tuloom, it's really over.

23
00:01:17,520 --> 00:01:18,199
Speaker 6: It's a rat.

24
00:01:18,240 --> 00:01:20,440
Speaker 1: But just because everyone goes to Turks doesn't like it's

25
00:01:20,480 --> 00:01:21,760
Speaker 1: still a very expensive place.

26
00:01:22,319 --> 00:01:24,120
Speaker 4: No, and it's a it's a beautiful place.

27
00:01:24,160 --> 00:01:28,120
Speaker 6: But I'm just like, it's just like everybody's going, Like

28
00:01:28,200 --> 00:01:30,080
Speaker 6: I just don't y'all know that about me. I don't

29
00:01:30,160 --> 00:01:32,840
Speaker 6: like going where everybody's going. I'd rather go to somewhere

30
00:01:32,840 --> 00:01:34,880
Speaker 6: where it's like nobody's on to the spot yet.

31
00:01:34,920 --> 00:01:37,320
Speaker 1: Cool. You don't want to go to that doc bar

32
00:01:37,480 --> 00:01:40,119
Speaker 1: that that Drake goes to. You want to run into

33
00:01:40,160 --> 00:01:40,920
Speaker 1: the boy in Turks?

34
00:01:41,040 --> 00:01:43,280
Speaker 3: No, you know, you could just go to Turks and

35
00:01:43,400 --> 00:01:46,880
Speaker 3: avoid that. The only thing it's certain clubs and restaurants

36
00:01:46,959 --> 00:01:48,960
Speaker 3: and know what's arc that people go to. But you

37
00:01:49,000 --> 00:01:50,200
Speaker 3: can literally avoid all.

38
00:01:50,560 --> 00:01:53,080
Speaker 6: You can go anywhere and just be isolated and secluded

39
00:01:53,120 --> 00:01:55,920
Speaker 6: from you know, you don't have to be mixy besides

40
00:01:55,920 --> 00:01:58,680
Speaker 6: going from a restaurant or something like that. But there's

41
00:01:58,680 --> 00:02:00,440
Speaker 6: a lot of other islands that people are not onto

42
00:02:00,560 --> 00:02:03,160
Speaker 6: yet for sure. You know what I'm saying, Chill, we

43
00:02:03,160 --> 00:02:07,200
Speaker 6: ain't doing that, Roosevelt, we ain't doing that, baby d Now,

44
00:02:07,240 --> 00:02:08,160
Speaker 6: we ain't giving that away?

45
00:02:08,440 --> 00:02:09,240
Speaker 5: Can you text it to me?

46
00:02:09,560 --> 00:02:10,520
Speaker 1: I got you?

47
00:02:10,680 --> 00:02:13,600
Speaker 4: I mean, bro, hit the clock, Bro, what we're doing?

48
00:02:13,680 --> 00:02:16,920
Speaker 1: I mean they could just like look at a map, yeah,

49
00:02:16,960 --> 00:02:20,839
Speaker 1: but still they wouldn't know to go there or yeah,

50
00:02:20,840 --> 00:02:22,240
Speaker 1: but they wouldn't know to go there, and if they

51
00:02:22,240 --> 00:02:23,360
Speaker 1: go there, they wouldn't know what to do.

52
00:02:24,560 --> 00:02:26,200
Speaker 6: I guess that's true, you know what I'm saying, Like

53
00:02:26,280 --> 00:02:28,079
Speaker 6: now people know what to do just by following people

54
00:02:28,120 --> 00:02:30,160
Speaker 6: on social media. Okay, I gotta go there. I gotta

55
00:02:30,200 --> 00:02:32,760
Speaker 6: go there. It's like they get their whole itinerary based

56
00:02:32,760 --> 00:02:34,240
Speaker 6: off of the people they follow that have been to

57
00:02:34,280 --> 00:02:34,720
Speaker 6: an island.

58
00:02:34,760 --> 00:02:36,840
Speaker 4: Like I know it's aalk in Turks.

59
00:02:36,919 --> 00:02:40,480
Speaker 6: Everybody wants to go there just because Drake obviously made

60
00:02:40,480 --> 00:02:42,480
Speaker 6: it a hot spot, and.

61
00:02:41,960 --> 00:02:45,000
Speaker 5: That's the players be allegedly. I wouldn't know.

62
00:02:45,120 --> 00:02:46,880
Speaker 1: I don't think it's a legend. I think it's pretty

63
00:02:47,040 --> 00:02:49,240
Speaker 1: they saying that they're there. Yeah, I got's a lot

64
00:02:49,240 --> 00:02:52,720
Speaker 1: of women without jobs off of the prices and everything

65
00:02:52,760 --> 00:02:55,320
Speaker 1: off of TikTok. I went on TikTok and searched like

66
00:02:55,400 --> 00:02:57,680
Speaker 1: everything I wanted to do and found where to do it,

67
00:02:57,720 --> 00:02:59,720
Speaker 1: how much it was going to cost, how to contact

68
00:02:59,760 --> 00:03:03,520
Speaker 1: every I love TikTok. They can't band TikTok. I'll die,

69
00:03:03,880 --> 00:03:04,760
Speaker 1: can't band the snowman.

70
00:03:05,000 --> 00:03:05,720
Speaker 4: I do believe that.

71
00:03:05,760 --> 00:03:07,720
Speaker 6: I do believe that they banned TikTok in America. We

72
00:03:07,760 --> 00:03:09,040
Speaker 6: will see a mass suicide.

73
00:03:10,600 --> 00:03:13,400
Speaker 1: I'm not like a I'm a cult suicide.

74
00:03:13,080 --> 00:03:17,080
Speaker 6: Like I'm Cortes. How much does it take to like

75
00:03:17,120 --> 00:03:18,560
Speaker 6: how many do it take to reach?

76
00:03:18,680 --> 00:03:20,480
Speaker 1: Like a mask? Is it? Like?

77
00:03:20,520 --> 00:03:22,919
Speaker 5: I think it's eight eight people.

78
00:03:23,360 --> 00:03:25,520
Speaker 1: Eight is not a mask. It's a mass suicide every day,

79
00:03:26,080 --> 00:03:26,919
Speaker 1: probably on this block.

80
00:03:27,000 --> 00:03:29,560
Speaker 3: But if you guys all do it together, Oh you

81
00:03:29,639 --> 00:03:31,320
Speaker 3: have to do it as a crew, as a crew.

82
00:03:31,400 --> 00:03:34,320
Speaker 6: Yeah, oh no, I think if they band TikTok in America,

83
00:03:34,360 --> 00:03:36,680
Speaker 6: we're gonna see way more than eight people commit suicide.

84
00:03:36,800 --> 00:03:40,360
Speaker 6: I just Instagram be down for thirty minutes and people

85
00:03:40,400 --> 00:03:42,360
Speaker 6: be fucking panicing and losing their mind.

86
00:03:42,240 --> 00:03:44,400
Speaker 5: Which I don't understand because Instagram ain't even that girl.

87
00:03:44,760 --> 00:03:47,360
Speaker 1: People will find the new Instagram. She ain't that girl.

88
00:03:48,200 --> 00:03:48,720
Speaker 1: What is that?

89
00:03:48,760 --> 00:03:51,360
Speaker 3: I don't know, Like she's not it, Like Instagram is

90
00:03:51,400 --> 00:03:54,000
Speaker 3: not the girl. Like Instagram is not the eight girl anymore.

91
00:03:54,320 --> 00:03:56,680
Speaker 6: Oh that's like okay, not like that's the new thing

92
00:03:56,680 --> 00:03:58,760
Speaker 6: that y'all are saying there, Like it's not that's not

93
00:03:58,800 --> 00:03:59,160
Speaker 6: the girl.

94
00:03:59,240 --> 00:04:01,640
Speaker 3: Yeah, Like she's not that girl like that you know

95
00:04:01,680 --> 00:04:03,520
Speaker 3: who that girl is, like the it girl. She's not

96
00:04:03,560 --> 00:04:04,400
Speaker 3: the it girl, but.

97
00:04:04,360 --> 00:04:06,680
Speaker 1: She's still the goat. Like even if she's not the

98
00:04:06,800 --> 00:04:10,880
Speaker 1: hottest chick that year, she is still Yeah, she's still Bernice. Yeah,

99
00:04:10,920 --> 00:04:13,040
Speaker 1: like there's always going to be another Fashion Nova partner.

100
00:04:13,440 --> 00:04:14,400
Speaker 1: Do we know, Bernice?

101
00:04:14,440 --> 00:04:16,039
Speaker 4: What is the what is the what is the correlation

102
00:04:16,120 --> 00:04:18,560
Speaker 4: with this blue slide on the you guys?

103
00:04:18,560 --> 00:04:20,960
Speaker 1: Oh well we'll get into that. Well, welcome back everyone,

104
00:04:22,680 --> 00:04:25,120
Speaker 1: We'll get into our weekends in a second. Thank you

105
00:04:25,160 --> 00:04:28,240
Speaker 1: for coming back. We have a new micr is Beautiful

106
00:04:28,240 --> 00:04:30,880
Speaker 1: available right now with our friend Boss Boss.

107
00:04:30,960 --> 00:04:32,880
Speaker 4: Thank you for coming out, man, appreciate that.

108
00:04:33,720 --> 00:04:36,760
Speaker 1: Shout out the Queens Fians in the belding. Somebody replied

109
00:04:36,800 --> 00:04:40,800
Speaker 1: back to us, posting the Boss like trailer, real thing

110
00:04:41,520 --> 00:04:44,080
Speaker 1: Boss with the dexterity of an elite Tetris player on

111
00:04:44,120 --> 00:04:44,440
Speaker 1: the mic.

112
00:04:44,920 --> 00:04:46,719
Speaker 4: Yeah, if we really look at the video, like you

113
00:04:46,720 --> 00:04:48,000
Speaker 4: can tell he was great at Tetris.

114
00:04:48,040 --> 00:04:50,360
Speaker 1: I got this the same feeling for sure. Yeah.

115
00:04:50,440 --> 00:04:52,360
Speaker 4: But how was your weekend week It was cool, man,

116
00:04:52,640 --> 00:04:53,520
Speaker 4: it was cool.

117
00:04:53,680 --> 00:04:57,920
Speaker 1: Dreaming about DC this weekend, DC, March twenty third, Saturday.

118
00:04:58,440 --> 00:04:59,640
Speaker 4: Yeah, I came quick, right.

119
00:04:59,600 --> 00:05:01,760
Speaker 6: Very quick, This Saturday, March twenty third.

120
00:05:01,800 --> 00:05:02,400
Speaker 4: We are in DC.

121
00:05:02,480 --> 00:05:05,480
Speaker 6: Howard there, The tickets are still available, but yeah, I'm

122
00:05:05,480 --> 00:05:06,960
Speaker 6: looking forward to that. We always have fun when we

123
00:05:06,960 --> 00:05:09,520
Speaker 6: go down in DC. The crowd is great, people are great.

124
00:05:09,800 --> 00:05:12,359
Speaker 6: I got some family coming up, some family coming out

125
00:05:12,720 --> 00:05:14,760
Speaker 6: from Maryland and Virginia and shit like that.

126
00:05:14,800 --> 00:05:17,599
Speaker 1: So something tells me of a lot of family off

127
00:05:17,680 --> 00:05:18,200
Speaker 1: ninety five.

128
00:05:18,480 --> 00:05:20,280
Speaker 4: Absolutely, that's sick.

129
00:05:20,720 --> 00:05:23,520
Speaker 1: Just leave it right there. I don't even think they're

130
00:05:23,600 --> 00:05:26,480
Speaker 1: just convenient exits.

131
00:05:27,240 --> 00:05:28,800
Speaker 6: You know what, This is a nice neighborhood right here.

132
00:05:28,839 --> 00:05:29,600
Speaker 4: Yeah, just you know what I.

133
00:05:29,520 --> 00:05:32,320
Speaker 1: Mean, D like, why does it just keep going in

134
00:05:32,320 --> 00:05:34,400
Speaker 1: the city has family in.

135
00:05:34,400 --> 00:05:36,080
Speaker 6: Greens It's just like, you know, the d m V

136
00:05:36,160 --> 00:05:38,719
Speaker 6: area is a great area, beautiful area, beautiful people. So

137
00:05:38,880 --> 00:05:40,760
Speaker 6: Mars twoty third is Saturday. We will be in DC.

138
00:05:41,080 --> 00:05:43,960
Speaker 6: Tickets available now new Roymau dot com.

139
00:05:44,080 --> 00:05:45,400
Speaker 1: Since we got that out of the way, we can

140
00:05:45,480 --> 00:05:48,760
Speaker 1: get to the weekend. I got no text messages from

141
00:05:48,800 --> 00:05:51,440
Speaker 1: any of you. I think it was out of respect

142
00:05:51,440 --> 00:05:54,520
Speaker 1: that Saint Patrick's state does exploit my culture. So that's

143
00:05:54,520 --> 00:05:56,800
Speaker 1: why nobody know. It's funny that happy Saint Pats Andy

144
00:05:56,880 --> 00:05:57,120
Speaker 1: right Yo.

145
00:05:57,160 --> 00:05:59,280
Speaker 6: It's funny because somebody mentioned to me that it was

146
00:05:59,320 --> 00:06:01,240
Speaker 6: Saint Patrick's and I was like, oh shit, I thought

147
00:06:01,240 --> 00:06:03,240
Speaker 6: about calling you, but I was like Rory is probably

148
00:06:03,240 --> 00:06:04,360
Speaker 6: gonna hang up on me if I called him.

149
00:06:04,360 --> 00:06:06,320
Speaker 4: I wish him house happy same past day.

150
00:06:06,400 --> 00:06:08,080
Speaker 1: Yeah, because if you called me, I think something would

151
00:06:08,120 --> 00:06:08,479
Speaker 1: be wrong.

152
00:06:08,520 --> 00:06:10,560
Speaker 6: And then for me to just say happy same past day,

153
00:06:10,560 --> 00:06:12,000
Speaker 6: you'll probably be like, all right, I'm not doing this.

154
00:06:12,080 --> 00:06:12,920
Speaker 1: Call me on my birthday.

155
00:06:13,000 --> 00:06:14,280
Speaker 4: Yeah, yeah, I'll save it for your.

156
00:06:14,200 --> 00:06:18,240
Speaker 1: Birthday because I would feel like you don't call me

157
00:06:18,240 --> 00:06:19,840
Speaker 1: on my birthday with Saint Patrick's day is when you

158
00:06:19,880 --> 00:06:20,120
Speaker 1: do it.

159
00:06:20,160 --> 00:06:22,279
Speaker 3: I called you on your birthday, you text him Happy

160
00:06:22,320 --> 00:06:24,080
Speaker 3: birthday with the earth that capitalized.

161
00:06:24,160 --> 00:06:27,480
Speaker 1: Yeah, but I called him too, Yeah, I called probably, Yeah,

162
00:06:27,560 --> 00:06:29,719
Speaker 1: I call him on his birthday. Yeah.

163
00:06:29,760 --> 00:06:32,560
Speaker 6: Absolutely, you gonna call me on mind March twenty six,

164
00:06:32,760 --> 00:06:35,080
Speaker 6: thirty years old, baby d in the building.

165
00:06:35,120 --> 00:06:37,360
Speaker 1: You lose her phone out there, didn't.

166
00:06:37,360 --> 00:06:38,279
Speaker 5: He didn't have to say that.

167
00:06:39,160 --> 00:06:41,120
Speaker 6: I think it's dope. At your turner thirty like I

168
00:06:41,160 --> 00:06:44,800
Speaker 6: get to I get to witness you, like reach a

169
00:06:44,839 --> 00:06:46,160
Speaker 6: milestone like the thirtieth.

170
00:06:46,160 --> 00:06:49,679
Speaker 1: So I get to every every dog year seven years, right.

171
00:06:50,080 --> 00:06:51,240
Speaker 4: Every dog year seven years.

172
00:06:51,560 --> 00:06:53,880
Speaker 5: I promise you I will slap the dog ship out

173
00:06:53,920 --> 00:06:54,400
Speaker 5: of you today.

174
00:06:54,440 --> 00:06:57,039
Speaker 1: So the dog So let's follow this.

175
00:06:57,200 --> 00:06:59,760
Speaker 2: Let's follow my logic here okay, man, I feel like

176
00:06:59,800 --> 00:07:01,159
Speaker 2: we age a year.

177
00:07:01,720 --> 00:07:03,200
Speaker 1: A year is a set standard.

178
00:07:03,200 --> 00:07:05,159
Speaker 4: I know, niggas, I went to high school with age

179
00:07:05,200 --> 00:07:05,760
Speaker 4: more than a year.

180
00:07:05,800 --> 00:07:07,440
Speaker 1: Oh that's the crack. These niggas look bad.

181
00:07:07,520 --> 00:07:10,600
Speaker 2: Well yeah, well things, you know, change your biological clock.

182
00:07:10,640 --> 00:07:12,760
Speaker 2: But I'm saying a year man or year if you

183
00:07:12,760 --> 00:07:14,880
Speaker 2: say you're thirty or thirty as a man, but thirty

184
00:07:14,880 --> 00:07:18,280
Speaker 2: for a woman means it's a little different in what way?

185
00:07:19,000 --> 00:07:22,200
Speaker 1: How so it's not like egg freezing difference. Well, yeah,

186
00:07:22,240 --> 00:07:22,920
Speaker 1: you're your clock.

187
00:07:23,040 --> 00:07:25,040
Speaker 2: Like people look at it like someone says, if you're

188
00:07:25,040 --> 00:07:26,240
Speaker 2: a man and you're thirty, you're young.

189
00:07:26,240 --> 00:07:29,760
Speaker 1: If you're a woman, you're thirty. I don't think it's

190
00:07:29,760 --> 00:07:30,640
Speaker 1: that way anymore.

191
00:07:30,760 --> 00:07:35,080
Speaker 2: So I want to ask you guys, what is the clock? Like,

192
00:07:35,120 --> 00:07:37,920
Speaker 2: what is the number? If the dog is seven years,

193
00:07:37,960 --> 00:07:39,840
Speaker 2: if a man is just the one to one ratio?

194
00:07:40,000 --> 00:07:42,680
Speaker 4: You know what that woman crop? We have it like

195
00:07:42,800 --> 00:07:45,120
Speaker 4: union square. Yeah, like on the building of all the

196
00:07:45,120 --> 00:07:46,720
Speaker 4: debt that we that's the woman.

197
00:07:46,600 --> 00:07:50,640
Speaker 2: That's seventy four trillion.

198
00:07:52,560 --> 00:07:55,040
Speaker 6: Like, damn, look thirty getting up there, baby d No.

199
00:07:55,120 --> 00:07:57,320
Speaker 6: But I'm happy that to witness this though, like I

200
00:07:57,360 --> 00:08:01,240
Speaker 6: want to see I'm excited to see themarus in her thirties,

201
00:08:01,640 --> 00:08:04,440
Speaker 6: and uh, you know see how she changes, how she evolved.

202
00:08:04,560 --> 00:08:06,680
Speaker 6: You told us you you had a Can I say

203
00:08:06,680 --> 00:08:08,960
Speaker 6: it what you did this weekend? Okay, I'm sorry, but

204
00:08:09,000 --> 00:08:12,440
Speaker 6: see I asked right what you see? I'm I'm still

205
00:08:12,480 --> 00:08:14,480
Speaker 6: with my toes. I asked right. I wasn't going to

206
00:08:14,520 --> 00:08:16,080
Speaker 6: throw your business out there. I just asked.

207
00:08:16,120 --> 00:08:16,560
Speaker 4: You know what I'm saying.

208
00:08:16,800 --> 00:08:19,480
Speaker 1: But you know I left to ask again, why wants

209
00:08:20,480 --> 00:08:21,000
Speaker 1: she had.

210
00:08:20,880 --> 00:08:22,000
Speaker 4: She did something this weekend?

211
00:08:22,680 --> 00:08:23,640
Speaker 1: You know didn't tell me.

212
00:08:23,800 --> 00:08:26,800
Speaker 4: Yeah, it wasn't nothing crazy, It's just themarriage weekend.

213
00:08:27,320 --> 00:08:27,840
Speaker 1: Just gotcha.

214
00:08:27,960 --> 00:08:31,480
Speaker 3: Yeah, getting older ship, well, but I do plan on freezing,

215
00:08:31,720 --> 00:08:33,000
Speaker 3: even though you were being on the side of freezing.

216
00:08:33,080 --> 00:08:34,920
Speaker 1: Yeah, you already see.

217
00:08:35,120 --> 00:08:37,880
Speaker 2: That's this proves my point. That's not I'm not trying

218
00:08:37,880 --> 00:08:39,760
Speaker 2: to be an asshole with this question. I'm saying, Derek

219
00:08:39,800 --> 00:08:42,640
Speaker 2: clock is different. I'm bringing up you kept bring up

220
00:08:42,679 --> 00:08:44,559
Speaker 2: dog ears. You were trying to be a well because

221
00:08:44,800 --> 00:08:46,840
Speaker 2: because comparatively we look at.

222
00:08:46,880 --> 00:08:49,360
Speaker 1: The dogs, we look at women like dogs. Yeah yeah,

223
00:08:49,520 --> 00:08:49,800
Speaker 1: well the.

224
00:08:49,840 --> 00:08:52,040
Speaker 6: Bitch is a female dog to see, and I do

225
00:08:52,120 --> 00:08:52,760
Speaker 6: love my bitches.

226
00:08:53,160 --> 00:08:53,559
Speaker 1: That's right.

227
00:08:54,000 --> 00:08:55,920
Speaker 2: You go something a lot of men treat their dogs

228
00:08:55,920 --> 00:08:59,200
Speaker 2: better than their bitches. Most men treat their dog better

229
00:08:59,200 --> 00:09:00,120
Speaker 2: than their will part of.

230
00:09:00,320 --> 00:09:04,600
Speaker 3: Oh my God, a nigga with a thoroughbred pit bull, baby,

231
00:09:04,840 --> 00:09:08,080
Speaker 3: he treats a female pit bull, He treat her amazing.

232
00:09:08,120 --> 00:09:11,400
Speaker 2: That dog eats steak, He'll carry the dog and dog

233
00:09:11,480 --> 00:09:12,079
Speaker 2: walk the woman.

234
00:09:12,920 --> 00:09:17,439
Speaker 4: That dog eats steak. Your girl can't eat steak.

235
00:09:18,320 --> 00:09:20,800
Speaker 6: I mean, your your girl eating omele for dinner while

236
00:09:20,840 --> 00:09:23,319
Speaker 6: your female pit bulls eating like a ribbi.

237
00:09:23,480 --> 00:09:26,480
Speaker 1: It's fucking crazy, like.

238
00:09:26,440 --> 00:09:28,480
Speaker 6: A magic going in the kitchen and seeing a ribbi

239
00:09:28,559 --> 00:09:31,040
Speaker 6: in the peg and your girl sits sticking. You're throwing

240
00:09:31,120 --> 00:09:33,080
Speaker 6: down for her, and you put that in a dog ball.

241
00:09:34,960 --> 00:09:37,439
Speaker 1: How long have I been with the girl compared to

242
00:09:37,480 --> 00:09:38,440
Speaker 1: how long I've had the dog?

243
00:09:39,280 --> 00:09:42,400
Speaker 6: It doesn't matter that you talk ribbi for your female

244
00:09:42,400 --> 00:09:44,480
Speaker 6: pit bull to take some fucking oat male upstairs to

245
00:09:44,520 --> 00:09:44,880
Speaker 6: your girl.

246
00:09:45,800 --> 00:09:50,120
Speaker 1: I've definitely cooked a steak for beings before, really.

247
00:09:49,880 --> 00:09:51,120
Speaker 5: And fed that girl Chipotle.

248
00:09:51,559 --> 00:09:55,160
Speaker 6: Yeah, and it fed your girl like stovetoped craft macaroni

249
00:09:55,240 --> 00:09:55,560
Speaker 6: and cheese.

250
00:09:55,600 --> 00:09:58,000
Speaker 2: Yeah, why not mac and cheese? As a damn Republican

251
00:09:58,080 --> 00:10:03,120
Speaker 2: right there, I said, real Republican right there.

252
00:10:03,120 --> 00:10:06,200
Speaker 5: That's America fans, Servioce'll stop.

253
00:10:07,200 --> 00:10:09,640
Speaker 6: I love dogs too, but cooking the cooking the steak

254
00:10:09,679 --> 00:10:11,400
Speaker 6: for your dog and give me your girl some bullshit

255
00:10:11,440 --> 00:10:12,040
Speaker 6: as wow.

256
00:10:12,040 --> 00:10:14,400
Speaker 1: A woman will break your heart. A dog won't unless

257
00:10:14,400 --> 00:10:15,400
Speaker 1: they like die.

258
00:10:16,440 --> 00:10:19,360
Speaker 5: Well, I mean they die every ten years, like yes.

259
00:10:19,200 --> 00:10:20,640
Speaker 1: That's why you have to make sure their time here

260
00:10:20,640 --> 00:10:22,079
Speaker 1: as well spent. You have mad time to eat a

261
00:10:22,120 --> 00:10:23,720
Speaker 1: steak days only has ten years.

262
00:10:24,040 --> 00:10:27,360
Speaker 6: My homeboy only got a short time with it. Got

263
00:10:27,480 --> 00:10:28,240
Speaker 6: got to make her happy.

264
00:10:28,240 --> 00:10:33,080
Speaker 1: Mad Bays is gonna make it to thirty like you. Yeah,

265
00:10:33,320 --> 00:10:35,760
Speaker 1: unless I maybe I should freeze her eggs, just freeze her,

266
00:10:36,000 --> 00:10:38,920
Speaker 1: actually freeze her. They already made me.

267
00:10:39,320 --> 00:10:41,880
Speaker 6: Would you would you get? Would you do taxidermy on

268
00:10:41,920 --> 00:10:45,160
Speaker 6: base like stuffer? You stop that and put on a mantle.

269
00:10:45,360 --> 00:10:47,520
Speaker 1: You can do that with everything.

270
00:10:47,400 --> 00:10:50,160
Speaker 5: I promise you for fucking stuff, Babe, gonna do that?

271
00:10:50,480 --> 00:10:52,800
Speaker 1: Hell yeah, like with the same fury.

272
00:10:53,000 --> 00:10:54,720
Speaker 4: It looks like she's just standing there frozen.

273
00:10:55,320 --> 00:10:58,319
Speaker 1: Yeah, that'd be amazing. That would be the sikest ship

274
00:10:58,400 --> 00:10:59,080
Speaker 1: in the world.

275
00:10:59,800 --> 00:11:01,520
Speaker 6: You So, if I walk in your house, god forbid,

276
00:11:01,520 --> 00:11:04,080
Speaker 6: it bezes passed away and then you get taxidermy and

277
00:11:04,160 --> 00:11:06,440
Speaker 6: Bays is like on the mantle by the TV I'm leaving.

278
00:11:06,480 --> 00:11:07,840
Speaker 1: I'm walking out of the house. I'm going to take

279
00:11:07,840 --> 00:11:10,200
Speaker 1: it a step further and be truthful. This isn't for content.

280
00:11:10,400 --> 00:11:11,480
Speaker 1: I would sleep like.

281
00:11:12,720 --> 00:11:21,679
Speaker 3: With with dead ass bays yeats.

282
00:11:18,000 --> 00:11:23,720
Speaker 1: So like I would if I have Bays in that afterlife, Like, yeah.

283
00:11:23,040 --> 00:11:24,439
Speaker 2: Looks like you can do it from anywhere from like

284
00:11:24,480 --> 00:11:27,840
Speaker 2: five hundred to eight thousand dollars to taxidermy a domestic dog.

285
00:11:28,679 --> 00:11:31,040
Speaker 1: That'd be awesome. That's crazy. I wouldn't want to see

286
00:11:31,040 --> 00:11:33,880
Speaker 1: the process though, That'd be that would know, Yeah, tell

287
00:11:33,920 --> 00:11:34,719
Speaker 1: them you got.

288
00:11:36,920 --> 00:11:38,559
Speaker 3: In her fucking asshole. No, I would hope that you

289
00:11:38,559 --> 00:11:39,920
Speaker 3: wouldn't want to see the fucking process.

290
00:11:40,000 --> 00:11:42,640
Speaker 1: Whoever really does that as a sick fuck though? Yeah,

291
00:11:42,960 --> 00:11:45,080
Speaker 1: to cut up like dead dogs and make stuffed animals

292
00:11:45,080 --> 00:11:46,240
Speaker 1: at them, that's just some six ship.

293
00:11:46,320 --> 00:11:47,319
Speaker 4: Yeah, it's a real thing though.

294
00:11:47,400 --> 00:11:51,480
Speaker 1: Yeah, it's a real big business. But like, yeah, I see,

295
00:11:51,480 --> 00:11:53,040
Speaker 1: I would want to do that, But then it would

296
00:11:53,120 --> 00:11:56,760
Speaker 1: remind me of that process. Like if I looked in

297
00:11:57,000 --> 00:11:58,560
Speaker 1: the fake eyes they put in, I'd be like, well,

298
00:11:58,559 --> 00:12:01,520
Speaker 1: where did they put bezes eyes? Yeah, I feel away,

299
00:12:01,960 --> 00:12:02,559
Speaker 1: I take it back.

300
00:12:02,600 --> 00:12:06,640
Speaker 5: It would be nice closed Rory, No, they don't close that.

301
00:12:06,800 --> 00:12:08,480
Speaker 2: They don't close the eyes. I think they would put

302
00:12:08,520 --> 00:12:10,240
Speaker 2: fake eyes, and I think the dog is just frozen.

303
00:12:10,240 --> 00:12:12,040
Speaker 4: It looks like the dogs literally just frozen.

304
00:12:12,200 --> 00:12:14,559
Speaker 1: And you can get it like positioned like you have

305
00:12:14,600 --> 00:12:15,400
Speaker 1: her sitting down.

306
00:12:15,880 --> 00:12:18,240
Speaker 3: Oh, like she walking like midwalk, like get the Instagram

307
00:12:18,280 --> 00:12:19,920
Speaker 3: photos when you walking through New York City.

308
00:12:20,080 --> 00:12:22,439
Speaker 1: It'd be cool like Bays does her hind leg dance,

309
00:12:22,679 --> 00:12:24,640
Speaker 1: like they could do that, freeze her that way. They

310
00:12:24,640 --> 00:12:25,040
Speaker 1: could do that.

311
00:12:25,080 --> 00:12:26,800
Speaker 2: But then we get like you could do that. They

312
00:12:26,800 --> 00:12:29,240
Speaker 2: could do that, a fake pissed stream coming out. She's

313
00:12:29,440 --> 00:12:31,000
Speaker 2: peeing every time you would go near her.

314
00:12:31,000 --> 00:12:32,920
Speaker 1: They could do that. We can do all that. Listen.

315
00:12:32,920 --> 00:12:33,600
Speaker 1: I'm kind of sold.

316
00:12:33,600 --> 00:12:34,480
Speaker 4: It's twenty twenty four.

317
00:12:34,520 --> 00:12:36,320
Speaker 5: Man, there's nothing you can't do.

318
00:12:35,559 --> 00:12:38,400
Speaker 4: My doing that, that's some sick ship to cuddle with.

319
00:12:38,440 --> 00:12:43,720
Speaker 1: That though, with the taxidermis is liked Marcas.

320
00:12:43,840 --> 00:12:46,040
Speaker 6: That's equivalent to like going to somebody's house and like

321
00:12:46,040 --> 00:12:47,600
Speaker 6: they're in the bedding and yo, what's up?

322
00:12:47,600 --> 00:12:49,559
Speaker 1: And he got like the urn with ashes in the

323
00:12:49,600 --> 00:12:52,400
Speaker 1: bed with them. It's like spooning and that's ashes, like

324
00:12:52,440 --> 00:12:54,440
Speaker 1: I would defer would be there, wouldn't the fur like

325
00:12:54,480 --> 00:12:57,000
Speaker 1: start to how do they know it's.

326
00:12:56,880 --> 00:13:00,640
Speaker 2: What's that called what they coded in? It's a preservative.

327
00:13:00,800 --> 00:13:03,240
Speaker 4: Yeah, it's like it's almost like a waxy type of thing.

328
00:13:03,320 --> 00:13:05,839
Speaker 1: Yeah. Oh, not against it.

329
00:13:06,679 --> 00:13:09,160
Speaker 6: No, getting it done is I understand. I know people

330
00:13:09,160 --> 00:13:11,240
Speaker 6: that have gotten it done to their pets, but cuddling

331
00:13:11,240 --> 00:13:12,360
Speaker 6: with it is a whole different level.

332
00:13:12,360 --> 00:13:15,319
Speaker 1: I don't know what the fuck that is. Speaking of fatherhood,

333
00:13:16,400 --> 00:13:22,240
Speaker 1: I sent you video. I sent a video to Damaris

334
00:13:22,240 --> 00:13:24,640
Speaker 1: and Julian this morning. So I didn't really celebrate Saint

335
00:13:24,640 --> 00:13:27,640
Speaker 1: Patrick's day, Okay. I don't want to contribute to the

336
00:13:27,720 --> 00:13:33,040
Speaker 1: exploitation of my culture. It's been commercialized, so you know,

337
00:13:33,440 --> 00:13:35,920
Speaker 1: I'm protesting to some degree.

338
00:13:36,000 --> 00:13:37,800
Speaker 6: Speaking of same patricke. They not have to cut you off?

339
00:13:37,920 --> 00:13:43,400
Speaker 6: Did y'all see that they're bringing back uh Ghost.

340
00:13:44,200 --> 00:13:46,560
Speaker 1: Like I'm sorry, wait wait wait like Power Ghost. Yeah,

341
00:13:46,600 --> 00:13:48,560
Speaker 1: I thought they canceled the whole show. No, like all

342
00:13:48,600 --> 00:13:51,920
Speaker 1: the power books got cancer. He's coming back from the dead.

343
00:13:52,440 --> 00:13:53,439
Speaker 1: Are they taxiderming him?

344
00:13:53,440 --> 00:13:56,360
Speaker 6: Apparently he didn't die, you just got shot in the chests,

345
00:13:56,360 --> 00:13:57,640
Speaker 6: fell off a balcony.

346
00:13:57,200 --> 00:14:00,320
Speaker 1: And they spent an entire season talking about his death. Man,

347
00:14:00,320 --> 00:14:01,600
Speaker 1: I don't know what the Right is going to do.

348
00:14:03,640 --> 00:14:05,160
Speaker 1: What is he coming back? In Mario.

349
00:14:05,160 --> 00:14:08,720
Speaker 6: Harwick posted something on his Instagram on St.

350
00:14:08,720 --> 00:14:09,360
Speaker 4: Patrick's Day.

351
00:14:09,440 --> 00:14:12,720
Speaker 6: No, this was like last week, but I thought about

352
00:14:12,760 --> 00:14:14,320
Speaker 6: it when Saint Patrick Day.

353
00:14:14,320 --> 00:14:16,680
Speaker 4: I'm like, I'm done though, I'm done.

354
00:14:16,920 --> 00:14:19,000
Speaker 6: B m F is They had a Tupac on it

355
00:14:19,120 --> 00:14:21,560
Speaker 6: that looked like, I don't know what I'm just done.

356
00:14:21,720 --> 00:14:24,480
Speaker 1: Is that episode out yet? I haven't gotten to that

357
00:14:24,640 --> 00:14:25,520
Speaker 1: episode if it did.

358
00:14:25,720 --> 00:14:27,840
Speaker 4: No, I don't know if it's out. I just I

359
00:14:27,880 --> 00:14:28,240
Speaker 4: saw the.

360
00:14:29,000 --> 00:14:31,800
Speaker 1: Wasn't there an AirPod in the actor's ear or something

361
00:14:31,840 --> 00:14:35,000
Speaker 1: like that? I believe MF Tupac. Yeah, I saw that

362
00:14:35,080 --> 00:14:36,040
Speaker 1: on my timeline.

363
00:14:36,800 --> 00:14:38,960
Speaker 4: I don't believe that. You saw the picture of it.

364
00:14:39,120 --> 00:14:40,320
Speaker 1: Yeah, it was a screen grab.

365
00:14:40,360 --> 00:14:42,640
Speaker 2: Someone said there's an air pod in Homie's ear in

366
00:14:42,680 --> 00:14:43,520
Speaker 2: the middle of a scene.

367
00:14:44,040 --> 00:14:46,320
Speaker 4: There was a Exausty putting the AirPod in a two.

368
00:14:47,400 --> 00:14:51,440
Speaker 1: This is just showing he's still alive. You guys don't

369
00:14:51,440 --> 00:14:55,960
Speaker 1: follow up, Okay, go Yeah?

370
00:14:56,000 --> 00:14:57,640
Speaker 6: Yeah, they got some air pods down there for pop

371
00:14:57,720 --> 00:14:58,320
Speaker 6: for sure.

372
00:14:58,080 --> 00:15:02,360
Speaker 1: And you only get one because distributed equally forever, get it. Yeah.

373
00:15:02,440 --> 00:15:05,400
Speaker 1: Someone posted a photo of the guy that's playing Tupac

374
00:15:05,440 --> 00:15:08,360
Speaker 1: and BMTH, and it admittedly looked like a zesty photo,

375
00:15:08,360 --> 00:15:12,520
Speaker 1: and someone tweeted it as hit them they up.

376
00:15:14,840 --> 00:15:16,720
Speaker 4: Set hit them up. I got no, no, I got

377
00:15:16,760 --> 00:15:18,600
Speaker 4: I got it. It's all good.

378
00:15:19,360 --> 00:15:21,480
Speaker 1: What it was Tupac hanging out with BMF?

379
00:15:22,920 --> 00:15:26,000
Speaker 6: I don't know, man, I have no idea not saying

380
00:15:26,000 --> 00:15:28,920
Speaker 6: it didn't happen though, because it probably definitely did. I

381
00:15:29,080 --> 00:15:31,440
Speaker 6: never heard that story. But it's not far fetched though,

382
00:15:32,040 --> 00:15:34,400
Speaker 6: be meeting them. They was when they was popping down

383
00:15:34,440 --> 00:15:36,440
Speaker 6: in Atlanta. It was they was hanging out with everybody.

384
00:15:36,640 --> 00:15:38,680
Speaker 1: So I mean, all this means is we're gonna get

385
00:15:38,760 --> 00:15:42,880
Speaker 1: a fifty four part Vlad interview about Tupac hanging out

386
00:15:42,880 --> 00:15:46,800
Speaker 1: with BMF. So you know, I'm excited. But back to

387
00:15:46,840 --> 00:15:48,960
Speaker 1: my weekend. I didn't celebrate, but I took Amara to

388
00:15:49,000 --> 00:15:53,320
Speaker 1: the park because it was really nice this weekend. Tell

389
00:15:53,360 --> 00:15:57,240
Speaker 1: me if you think child Protective Services will be at

390
00:15:57,240 --> 00:15:59,240
Speaker 1: my door by tonight? All right? Check?

391
00:15:59,320 --> 00:15:59,880
Speaker 4: Wait is this you?

392
00:16:00,200 --> 00:16:00,640
Speaker 1: This is me?

393
00:16:01,720 --> 00:16:12,400
Speaker 6: Oh man? Yo yo? What the fuck is wrong with you?

394
00:16:12,440 --> 00:16:21,280
Speaker 1: Bro? I misjudged the slide, yo.

395
00:16:22,960 --> 00:16:25,520
Speaker 3: My friend he held out to tomorrow the whole time.

396
00:16:25,680 --> 00:16:30,160
Speaker 1: He never let my sacrificed myself to save it. What

397
00:16:31,080 --> 00:16:31,840
Speaker 1: is wrong with you?

398
00:16:33,000 --> 00:16:38,200
Speaker 2: Look at that? That's really good ball security. What the

399
00:16:38,440 --> 00:16:39,720
Speaker 2: fuck is wrong with you?

400
00:16:39,760 --> 00:16:42,560
Speaker 1: Bro? You can't tell in this video. I hit my

401
00:16:42,600 --> 00:16:45,600
Speaker 1: head really saw I have a cut in the back

402
00:16:45,600 --> 00:16:50,640
Speaker 1: of my but I tried to turn to cover. This

403
00:16:50,800 --> 00:16:57,160
Speaker 1: was like me trying to protect my fatherly instincts kicked in. Yo.

404
00:16:59,400 --> 00:17:04,240
Speaker 1: That boom you hold on the slide very very hard.

405
00:17:04,320 --> 00:17:06,800
Speaker 2: Yeah, the like slight delay. Then Omar is starting to cry.

406
00:17:06,840 --> 00:17:13,800
Speaker 2: It's so fucking funny.

407
00:17:11,600 --> 00:17:17,600
Speaker 6: Yo, What is wrong with you? Man? Is wrong with you?

408
00:17:17,600 --> 00:17:21,680
Speaker 1: Man? Did you hear that soun? Yo?

409
00:17:22,920 --> 00:17:24,720
Speaker 2: You know the funny thing about being a parent, like

410
00:17:24,760 --> 00:17:26,800
Speaker 2: one of the many funny things Your kids are just

411
00:17:26,840 --> 00:17:29,280
Speaker 2: subjected to the dumb ship that you do. Like mar

412
00:17:29,400 --> 00:17:31,800
Speaker 2: wouldn't have done this, dolo. This is Rory is like,

413
00:17:31,840 --> 00:17:32,480
Speaker 2: this will be fun.

414
00:17:32,680 --> 00:17:34,160
Speaker 1: She was forced to do this.

415
00:17:34,400 --> 00:17:37,679
Speaker 6: She gets she's got forced into Why did you like

416
00:17:37,760 --> 00:17:40,000
Speaker 6: put your your sneakers, like put your heels on the

417
00:17:40,000 --> 00:17:41,800
Speaker 6: slide and kind of slow yourself down.

418
00:17:41,720 --> 00:17:45,040
Speaker 1: So he came out. You just got your legs up,

419
00:17:45,200 --> 00:17:48,560
Speaker 1: like put your fucking sneaker down? Your leg is like,

420
00:17:48,720 --> 00:17:51,160
Speaker 1: what are you doing poking off?

421
00:17:51,440 --> 00:17:53,320
Speaker 3: First of all, you're lucky you didn't fly You see

422
00:17:53,320 --> 00:17:54,800
Speaker 3: that angle that you didn't fly off?

423
00:17:54,840 --> 00:17:56,280
Speaker 5: The slide at that angle.

424
00:17:56,000 --> 00:17:57,560
Speaker 1: I call myself, that's all that thought.

425
00:17:57,600 --> 00:18:08,640
Speaker 6: You'd be putting on your trousers man.

426
00:18:02,160 --> 00:18:06,080
Speaker 1: Stout when you were in the tube part of this.

427
00:18:06,200 --> 00:18:07,800
Speaker 2: Did you know I was about to go to ship

428
00:18:07,840 --> 00:18:09,720
Speaker 2: or was it just coming out of this a surprise?

429
00:18:10,400 --> 00:18:13,520
Speaker 1: So Lamar and I do slides all the time. I

430
00:18:13,560 --> 00:18:15,480
Speaker 1: thought she was ready for like the big kid slide

431
00:18:15,480 --> 00:18:21,239
Speaker 1: because she likes slides so much. In the tube, I

432
00:18:21,320 --> 00:18:23,040
Speaker 1: was like, oh, this is really pussy because we were

433
00:18:23,040 --> 00:18:26,600
Speaker 1: barely moving in the tube and then right before the

434
00:18:26,680 --> 00:18:29,600
Speaker 1: tube you can't see it from this angle, it like

435
00:18:29,840 --> 00:18:33,280
Speaker 1: drops aggressively. So we went from like I was almost

436
00:18:33,359 --> 00:18:36,159
Speaker 1: scooting in the tube. I was like this is this

437
00:18:36,240 --> 00:18:39,800
Speaker 1: was whack? And then that ship dropped like a water slide,

438
00:18:40,400 --> 00:18:43,480
Speaker 1: and I saw my life flash before my eyes.

439
00:18:43,520 --> 00:18:48,959
Speaker 2: Look at the curve the whole slide makes.

440
00:18:47,280 --> 00:18:50,080
Speaker 1: Like you're you're barely moving and then you come out

441
00:18:50,080 --> 00:18:52,880
Speaker 1: this ship down like on a vertical angle. Yo, that

442
00:18:53,040 --> 00:18:57,320
Speaker 1: is fucking crazy. That slide isn't even safe for teenagers. Well,

443
00:18:57,359 --> 00:19:00,439
Speaker 1: I'm sure that James City needs to check the co this.

444
00:19:00,840 --> 00:19:04,400
Speaker 1: That slide is so fucking dangerous.

445
00:19:04,440 --> 00:19:08,360
Speaker 3: Being heavy ass is causing more velocity so therefore your

446
00:19:08,560 --> 00:19:12,160
Speaker 3: coming down the slide faster than than a kid would

447
00:19:12,160 --> 00:19:13,000
Speaker 3: because you have more weight.

448
00:19:13,040 --> 00:19:16,199
Speaker 1: Becas I'm fat, I get it. You know you're not

449
00:19:16,200 --> 00:19:16,760
Speaker 1: a child.

450
00:19:17,640 --> 00:19:19,920
Speaker 2: The form you have with the mar is really impressive though,

451
00:19:19,960 --> 00:19:22,080
Speaker 2: Like you you got that well, thank you.

452
00:19:23,680 --> 00:19:26,240
Speaker 4: Football, Yeah you you you protected.

453
00:19:26,280 --> 00:19:28,359
Speaker 1: Tomorrow was making sure she was okay.

454
00:19:28,440 --> 00:19:31,880
Speaker 6: Yeah, she was good, like my god in the back.

455
00:19:32,840 --> 00:19:36,080
Speaker 1: After she cut the video. Immediately once we made sure

456
00:19:36,160 --> 00:19:38,560
Speaker 1: obviously mar was okay, I was like, can we leave please? Yeah?

457
00:19:38,960 --> 00:19:40,360
Speaker 4: Just can we just leave the walk?

458
00:19:40,400 --> 00:19:40,800
Speaker 1: After that?

459
00:19:41,119 --> 00:19:42,960
Speaker 4: I just right now, we're going over here. It's like

460
00:19:42,960 --> 00:19:43,840
Speaker 4: you get out of the walk.

461
00:19:43,920 --> 00:19:45,320
Speaker 1: Man. There was a lot of people there. I know

462
00:19:45,359 --> 00:19:47,480
Speaker 1: it looks like it's an empty playground, but this is

463
00:19:47,560 --> 00:19:51,120
Speaker 1: a beautiful sunday. There was so many people.

464
00:19:50,920 --> 00:19:52,520
Speaker 5: There, that's so embarrassing.

465
00:19:53,200 --> 00:19:55,000
Speaker 1: I was like, yeah, lets can we can we leave?

466
00:19:55,040 --> 00:19:56,720
Speaker 6: Rightmorrow?

467
00:19:56,800 --> 00:20:00,720
Speaker 1: Right over feel the judging eyes of all parents going like, wow,

468
00:20:00,840 --> 00:20:02,920
Speaker 1: that's a shitty parent, like.

469
00:20:02,880 --> 00:20:05,119
Speaker 4: They definitely do like he's an alcoholic.

470
00:20:04,600 --> 00:20:07,800
Speaker 1: Like idiot, did you not see that fucking that there's

471
00:20:07,800 --> 00:20:09,960
Speaker 1: a drop in that slide? Mind tumbler. In the other hand,

472
00:20:12,240 --> 00:20:15,200
Speaker 1: you definitely know Tomorrow's sober, and you know tomorrow.

473
00:20:14,840 --> 00:20:16,280
Speaker 6: Like how the girls be fighting the club and he

474
00:20:16,320 --> 00:20:18,600
Speaker 6: hold they drink up when they like about the fall.

475
00:20:18,480 --> 00:20:20,480
Speaker 5: And they never they did drink a spill.

476
00:20:20,480 --> 00:20:22,480
Speaker 4: You ain't spilling that drink. You didn't spill a mar.

477
00:20:22,800 --> 00:20:27,080
Speaker 2: Ma's legs kicking too, Oh my god, yo that yeah.

478
00:20:26,760 --> 00:20:28,919
Speaker 6: Well, I'm glad. I'm glad of mars.

479
00:20:28,680 --> 00:20:29,080
Speaker 4: Is, Okay.

480
00:20:29,160 --> 00:20:31,320
Speaker 1: I was trying to absorb the impact at this point

481
00:20:31,480 --> 00:20:32,680
Speaker 1: and keep her away from the ground.

482
00:20:32,680 --> 00:20:34,679
Speaker 5: Can you play it from the beginning just on full speed.

483
00:20:34,680 --> 00:20:36,360
Speaker 6: I can't wait till Lamar is like at the age

484
00:20:36,400 --> 00:20:38,760
Speaker 6: where she can look at this video and look at like, yo,

485
00:20:38,800 --> 00:20:40,280
Speaker 6: you are just said, what is wrong with you?

486
00:20:41,240 --> 00:20:44,719
Speaker 1: I wish I would please. That's a problem.

487
00:20:45,080 --> 00:20:46,520
Speaker 6: You know you fell out of that ship. It sounds

488
00:20:46,520 --> 00:20:51,879
Speaker 6: like somebody has some sneakers in the drive. Like you

489
00:20:51,920 --> 00:20:55,080
Speaker 6: knowing what the sneakers in the driving shit? You like, like,

490
00:20:55,119 --> 00:21:02,119
Speaker 6: what the fuck? Damn, Briy, that's ship her.

491
00:21:02,200 --> 00:21:04,000
Speaker 1: I know your ass, her, I know your head hurt,

492
00:21:04,400 --> 00:21:05,440
Speaker 1: my lower back hurt.

493
00:21:06,880 --> 00:21:07,080
Speaker 7: It was.

494
00:21:07,320 --> 00:21:09,199
Speaker 6: Rory definitely got up and looked at the looked at

495
00:21:09,240 --> 00:21:10,800
Speaker 6: the slie with both his hands on his hips and like,

496
00:21:10,800 --> 00:21:11,600
Speaker 6: why would they put this?

497
00:21:11,680 --> 00:21:13,959
Speaker 1: I wish she kept rolling. I definitely looked and blatant.

498
00:21:14,000 --> 00:21:16,639
Speaker 1: The slide. The slide slid. It did what it was

499
00:21:16,640 --> 00:21:17,159
Speaker 1: supposed to do.

500
00:21:17,200 --> 00:21:20,119
Speaker 3: Start you start cursing, like sitting up there like designed this?

501
00:21:20,720 --> 00:21:22,800
Speaker 1: Yeah? Who put this here? I want to speak to

502
00:21:22,800 --> 00:21:23,400
Speaker 1: the architect.

503
00:21:23,560 --> 00:21:25,359
Speaker 4: That's hilarious. Well, I'm glad, I'm glad of Mars.

504
00:21:25,400 --> 00:21:28,119
Speaker 1: Okay, she was a faker man. Within two seconds she

505
00:21:28,240 --> 00:21:30,920
Speaker 1: was laughing. She was just kind of stunned, like because

506
00:21:32,119 --> 00:21:35,040
Speaker 1: she fell, you felt like, you know, just like oh ship, Yeah.

507
00:21:35,080 --> 00:21:36,440
Speaker 5: I don't think she got hurt at all. I think

508
00:21:36,440 --> 00:21:37,320
Speaker 5: it was just like surprise.

509
00:21:37,480 --> 00:21:41,800
Speaker 1: She was fine. You said and one. I don't get

510
00:21:41,800 --> 00:21:47,120
Speaker 1: the reference fall and one No, I was like, wow,

511
00:21:48,480 --> 00:21:50,520
Speaker 1: that's cool. Is Amar the basketball?

512
00:21:50,520 --> 00:21:55,520
Speaker 6: You heard Julian Odds cool? The comedian on stage and

513
00:21:55,560 --> 00:21:57,520
Speaker 6: one of your jokes so likes.

514
00:21:57,000 --> 00:21:58,520
Speaker 1: Cool, like it.

515
00:21:58,560 --> 00:22:01,240
Speaker 6: I got two more minutes. There's nothing y'allul do to

516
00:22:01,280 --> 00:22:03,080
Speaker 6: get me off this stage. I'm here for ten more minutes.

517
00:22:03,119 --> 00:22:08,119
Speaker 1: Fuck it. The main actor is not even ready yet

518
00:22:08,240 --> 00:22:08,760
Speaker 1: listening right now.

519
00:22:08,840 --> 00:22:10,600
Speaker 2: His pause that show was like, man, that niggas suck.

520
00:22:12,200 --> 00:22:15,560
Speaker 2: That's whatever. He's still listening still here, man.

521
00:22:15,760 --> 00:22:23,480
Speaker 6: Yeah, do you feel like social media has helped or

522
00:22:23,520 --> 00:22:23,840
Speaker 6: hurt me.

523
00:22:26,080 --> 00:22:35,200
Speaker 1: That's a good question. I think helped, to be quite honest, really, Yeah,

524
00:22:35,280 --> 00:22:40,359
Speaker 1: in the beginning, if you remember, Meek on Instagram was

525
00:22:40,359 --> 00:22:42,480
Speaker 1: like kind of a thing when he still had the

526
00:22:42,880 --> 00:22:45,200
Speaker 1: pre Drake ship, when he still had the mystique of

527
00:22:45,920 --> 00:22:48,520
Speaker 1: this is the Philly I hit spin her. I'm gonna

528
00:22:48,520 --> 00:22:53,160
Speaker 1: sound like, yeah, who we thought Meek was. Was great

529
00:22:53,160 --> 00:22:55,720
Speaker 1: for him to be involved in social media, and Meek

530
00:22:55,920 --> 00:22:58,159
Speaker 1: was posting memes like he would he was damn near

531
00:22:58,240 --> 00:23:00,679
Speaker 1: like a mean page at one point on Instagram, very funny,

532
00:23:00,840 --> 00:23:06,120
Speaker 1: like Meek was great on the internet with mystique. Now

533
00:23:06,160 --> 00:23:09,720
Speaker 1: it's just free for all, and even though he looks nuts,

534
00:23:10,280 --> 00:23:12,920
Speaker 1: I think it's helping him. I think it's keep because

535
00:23:12,960 --> 00:23:16,320
Speaker 1: if he's selling six k without this social media rant

536
00:23:16,440 --> 00:23:18,800
Speaker 1: like yeah, you need this, you need some type of attention.

537
00:23:20,080 --> 00:23:22,320
Speaker 4: So wait, you you agree that six k for me

538
00:23:22,440 --> 00:23:22,840
Speaker 4: is a fail?

539
00:23:23,600 --> 00:23:27,159
Speaker 1: Imagine but he didn't have social media. People have sold three.

540
00:23:27,760 --> 00:23:30,919
Speaker 6: See I'm on the opposite side of that. I think

541
00:23:31,720 --> 00:23:34,960
Speaker 6: I think social media. I think social media has kind

542
00:23:34,960 --> 00:23:38,159
Speaker 6: of like it caused people to kind of turn on

543
00:23:38,240 --> 00:23:41,560
Speaker 6: Meek and laugh at him and kind of like now

544
00:23:41,560 --> 00:23:43,400
Speaker 6: he's like it's not even it's like it's like he's

545
00:23:43,440 --> 00:23:46,640
Speaker 6: a meme. Now you understand I'm saying. It's almost like

546
00:23:47,200 --> 00:23:49,719
Speaker 6: people are waiting for me to post something so they

547
00:23:49,720 --> 00:23:50,600
Speaker 6: can make fun of him.

548
00:23:50,880 --> 00:23:51,240
Speaker 5: Mhm.

549
00:23:51,880 --> 00:23:52,920
Speaker 1: But I think he's like, I don't think.

550
00:23:53,000 --> 00:23:55,520
Speaker 4: I don't think they're waiting for this point. You do,

551
00:23:55,560 --> 00:23:56,520
Speaker 4: you yes?

552
00:23:57,320 --> 00:24:00,160
Speaker 1: After the puff situation a few weeks ago, I think

553
00:24:00,160 --> 00:24:04,119
Speaker 1: has been one hundred percent leaning into our perception of

554
00:24:04,160 --> 00:24:06,080
Speaker 1: him on social media. But that's what I'm saying, even

555
00:24:06,119 --> 00:24:09,399
Speaker 1: he's giving us more stuff to purposely clown with some

556
00:24:09,440 --> 00:24:09,800
Speaker 1: real shit.

557
00:24:09,960 --> 00:24:12,520
Speaker 6: Even that situation, he was number one trending. I think

558
00:24:12,560 --> 00:24:17,040
Speaker 6: that week right on social media on Twitter, you drop

559
00:24:17,600 --> 00:24:21,919
Speaker 6: a six pack and you do six thousand units. Like

560
00:24:23,560 --> 00:24:26,040
Speaker 6: we said, I don't think that Meek even had any

561
00:24:26,080 --> 00:24:28,520
Speaker 6: plans to drop in that before that that should happen.

562
00:24:29,520 --> 00:24:31,639
Speaker 6: I mean, it's it's smart to try to capitalize off

563
00:24:31,680 --> 00:24:35,080
Speaker 6: of being number one trending, you know, so on Twitter,

564
00:24:35,359 --> 00:24:37,600
Speaker 6: it's smart to capitalize off of that.

565
00:24:37,680 --> 00:24:42,119
Speaker 1: But but not when that's your first impression of being

566
00:24:42,440 --> 00:24:45,679
Speaker 1: independent right now, you put a value on who you

567
00:24:45,720 --> 00:24:48,840
Speaker 1: are as an artist in the current market only as

568
00:24:48,840 --> 00:24:51,080
Speaker 1: funky as your last cuts. Right now, Meek mill is

569
00:24:51,160 --> 00:24:54,320
Speaker 1: valued at six thousand units, which we know Meek his

570
00:24:54,560 --> 00:24:57,080
Speaker 1: entire career has been valued much higher than that.

571
00:24:58,280 --> 00:25:01,919
Speaker 6: What was the most Meek sol first week? Probably they

572
00:25:01,920 --> 00:25:03,840
Speaker 6: would have to be the Championships album, right.

573
00:25:04,440 --> 00:25:07,159
Speaker 1: Or what was the one with the red covered dreams

574
00:25:07,160 --> 00:25:09,600
Speaker 1: worth more than Money? I would say either one of those.

575
00:25:09,640 --> 00:25:11,240
Speaker 1: When he when he was with Nikki, I know that

576
00:25:11,359 --> 00:25:12,240
Speaker 1: first week.

577
00:25:12,560 --> 00:25:17,679
Speaker 2: Was, Yeah, champions did uh two hundred and twenty nine thousand,

578
00:25:18,880 --> 00:25:19,880
Speaker 2: which is dreams.

579
00:25:19,600 --> 00:25:21,760
Speaker 3: Great Dreams worth more to money? Was two forty five

580
00:25:21,800 --> 00:25:22,720
Speaker 3: if I'm not mistaken.

581
00:25:23,840 --> 00:25:27,240
Speaker 1: And of course album sales have changed drastically, Oh for

582
00:25:27,280 --> 00:25:30,800
Speaker 1: all artists. I mean Dreams the night Man, but I

583
00:25:30,800 --> 00:25:33,760
Speaker 1: mean even even then, it's a it's a wild jump.

584
00:25:35,320 --> 00:25:36,800
Speaker 2: Yeah to Dreams was more than one. It was two

585
00:25:36,840 --> 00:25:40,119
Speaker 2: forty six, which is fire?

586
00:25:40,480 --> 00:25:40,720
Speaker 1: Yeah?

587
00:25:41,160 --> 00:25:43,719
Speaker 5: Is this pain didn't do bad? Yeah, it didn't do bad?

588
00:25:43,840 --> 00:25:46,840
Speaker 1: Ninety five first week? Expensive Payne what was that twenty

589
00:25:47,600 --> 00:25:51,600
Speaker 1: twenty two, twenty one, twenty one one? First that's I mean,

590
00:25:51,600 --> 00:25:54,280
Speaker 1: that's really good in twenty twenty one and did he

591
00:25:54,320 --> 00:25:56,840
Speaker 1: have a single with that? He complained how that was

592
00:25:56,880 --> 00:25:58,240
Speaker 1: that was under allowed to?

593
00:25:58,400 --> 00:25:58,600
Speaker 8: Yeah?

594
00:25:58,640 --> 00:26:02,160
Speaker 2: He was pretty mad Atlantic it was just a lot

595
00:26:02,160 --> 00:26:05,920
Speaker 2: of snipe snipe campaigns like skinning buses and billboards and stuff,

596
00:26:05,920 --> 00:26:07,840
Speaker 2: but there wasn't too much promotion outside of that.

597
00:26:10,359 --> 00:26:12,119
Speaker 1: I just think he needs to get more creative with

598
00:26:13,119 --> 00:26:15,159
Speaker 1: his roles. You can't brag about the independent shit and

599
00:26:15,200 --> 00:26:20,119
Speaker 1: your only rollout be crazy tweets. I think that's helpful

600
00:26:20,160 --> 00:26:22,160
Speaker 1: for him and keeps him in the conversation, but it's

601
00:26:22,200 --> 00:26:27,080
Speaker 1: not translating to music, which is why I think we

602
00:26:27,080 --> 00:26:29,720
Speaker 1: get tweets like I need to start a podcast because

603
00:26:29,760 --> 00:26:31,919
Speaker 1: he's seeing the only thing that's really getting traction right

604
00:26:31,960 --> 00:26:35,000
Speaker 1: now is the shit he say, for better or for worse.

605
00:26:34,840 --> 00:26:37,719
Speaker 2: Which I think that's a good amount of self awareness

606
00:26:37,760 --> 00:26:40,920
Speaker 2: to be like, Okay, like, maybe my voice is still

607
00:26:41,000 --> 00:26:43,199
Speaker 2: valuable in this space, but it might not be in

608
00:26:43,240 --> 00:26:46,960
Speaker 2: the music per se. I go viral every time I tweet,

609
00:26:47,000 --> 00:26:49,720
Speaker 2: I do some some shit I say always is.

610
00:26:49,680 --> 00:26:50,640
Speaker 1: On the timeline.

611
00:26:50,800 --> 00:26:54,440
Speaker 2: My value has now transitioned to this part of the culture.

612
00:26:54,800 --> 00:26:57,399
Speaker 1: Do you think mek O's a hem apology, I don't.

613
00:26:57,800 --> 00:27:01,080
Speaker 6: Nah man no no no no, Like I don't I

614
00:27:01,600 --> 00:27:06,719
Speaker 6: get it, but nah man Meek's didn't. He didn't, So

615
00:27:06,840 --> 00:27:09,800
Speaker 6: Meek is like no longer valuable in music. So now

616
00:27:09,800 --> 00:27:11,920
Speaker 6: he's gonna now he's valuable and just what he says

617
00:27:11,920 --> 00:27:12,520
Speaker 6: on social media.

618
00:27:12,600 --> 00:27:13,639
Speaker 4: But now let's do a podcast.

619
00:27:13,720 --> 00:27:17,080
Speaker 2: I think he would do very well, uh on the timeline,

620
00:27:17,119 --> 00:27:21,080
Speaker 2: like socially, on podcasts where ads are sold versus people

621
00:27:21,119 --> 00:27:23,520
Speaker 2: having to go to Apple Music or Spotify and finding

622
00:27:23,520 --> 00:27:26,359
Speaker 2: his music, I think it would think it would bode

623
00:27:26,359 --> 00:27:27,520
Speaker 2: better for him.

624
00:27:28,000 --> 00:27:29,760
Speaker 1: I think currently, I don't.

625
00:27:29,840 --> 00:27:32,399
Speaker 3: I don't know how long last thing it would be,

626
00:27:32,920 --> 00:27:34,520
Speaker 3: but I think that he could break out and get

627
00:27:34,560 --> 00:27:36,199
Speaker 3: a lot of listens. I also think if he had

628
00:27:36,200 --> 00:27:39,359
Speaker 3: a really good production team that would know how to

629
00:27:39,400 --> 00:27:41,200
Speaker 3: cut up the dumb ship that he's saying, I think

630
00:27:41,240 --> 00:27:43,199
Speaker 3: that it would actually be Yeah, I think a lot

631
00:27:43,200 --> 00:27:43,960
Speaker 3: of people would listen.

632
00:27:44,240 --> 00:27:47,960
Speaker 1: Do we know if Meek can podcast? That's what I'm

633
00:27:47,960 --> 00:27:50,720
Speaker 1: saying for the first few episodes for sure, because it's Meek.

634
00:27:50,800 --> 00:27:52,240
Speaker 1: No matter what, there's gonna be a lot of eyes.

635
00:27:52,240 --> 00:27:53,600
Speaker 1: Even people don't want to get.

636
00:27:53,600 --> 00:27:55,680
Speaker 6: You're gonna get. You're gonna get get us rappers to

637
00:27:55,680 --> 00:27:55,919
Speaker 6: come sit.

638
00:27:57,040 --> 00:27:57,359
Speaker 9: You have to.

639
00:27:57,400 --> 00:27:59,360
Speaker 1: You'd have to dress it up. I'm assuming he's taught.

640
00:27:59,600 --> 00:28:02,360
Speaker 2: I'm on the impression that he's talking like he tweets

641
00:28:02,480 --> 00:28:04,040
Speaker 2: if he goes on there and start talking about.

642
00:28:03,880 --> 00:28:06,840
Speaker 1: Prison reform, throw the whole fucking podcast out. But that's

643
00:28:06,840 --> 00:28:07,919
Speaker 1: what he wants to discuss.

644
00:28:07,920 --> 00:28:11,359
Speaker 6: I would have to do that. But you think that

645
00:28:11,440 --> 00:28:14,240
Speaker 6: Meek is going to have a podcast and not discuss I.

646
00:28:14,160 --> 00:28:16,360
Speaker 2: Think he needs to do the formula that we see

647
00:28:16,400 --> 00:28:19,640
Speaker 2: with like Cam and Mace, be the reactive guy, talk

648
00:28:19,640 --> 00:28:20,719
Speaker 2: about ship in the culture.

649
00:28:21,200 --> 00:28:23,680
Speaker 1: Be funny to make.

650
00:28:23,600 --> 00:28:26,720
Speaker 6: Me No, No, No, Meek is too he's too current and

651
00:28:26,800 --> 00:28:27,920
Speaker 6: two and two and too.

652
00:28:28,040 --> 00:28:30,840
Speaker 2: If he thinks he's like Martin Luther Meek and keep

653
00:28:30,880 --> 00:28:32,280
Speaker 2: it bro. No one wants to hear you talk about

654
00:28:32,320 --> 00:28:35,040
Speaker 2: prison reform. That that's not going to bring eyeballs to

655
00:28:35,080 --> 00:28:35,640
Speaker 2: your podcast.

656
00:28:35,640 --> 00:28:38,640
Speaker 1: Okay. Also back to my original point of someone going

657
00:28:38,640 --> 00:28:41,000
Speaker 1: through the prison system doesn't mean that they should be

658
00:28:41,040 --> 00:28:44,240
Speaker 1: the face or the leader of it because they may

659
00:28:44,280 --> 00:28:46,480
Speaker 1: not know how to properly speak about it. And this

660
00:28:46,560 --> 00:28:48,560
Speaker 1: is not me shitting on Meek as far as how

661
00:28:48,720 --> 00:28:51,360
Speaker 1: articulate he is, But how do we know Meek can

662
00:28:51,400 --> 00:28:55,960
Speaker 1: get on a microphone and properly discuss prison reform? Just

663
00:28:55,960 --> 00:28:57,800
Speaker 1: because he went through it doesn't mean that you know

664
00:28:57,800 --> 00:28:58,640
Speaker 1: how to pot about it.

665
00:28:58,840 --> 00:29:00,760
Speaker 6: No, I'm not saying I'm not that he has to

666
00:29:00,840 --> 00:29:03,600
Speaker 6: get on the mic and you know, but bring people

667
00:29:03,720 --> 00:29:07,840
Speaker 6: in like I don't go the you know, jump right

668
00:29:07,920 --> 00:29:10,840
Speaker 6: into the bring rappers on route. I think you go

669
00:29:11,080 --> 00:29:14,520
Speaker 6: into bringing people that can speak more in depth about

670
00:29:15,040 --> 00:29:17,480
Speaker 6: prison reform and things like that, things that he's really

671
00:29:17,480 --> 00:29:20,960
Speaker 6: into businesses, and you know, go that route.

672
00:29:21,080 --> 00:29:22,120
Speaker 4: I would like to see me go that.

673
00:29:22,320 --> 00:29:25,000
Speaker 6: I don't want to see him jump, you know, straight

674
00:29:25,040 --> 00:29:27,240
Speaker 6: into just sitting down with other artists and rappers and

675
00:29:27,280 --> 00:29:27,840
Speaker 6: I don't know what.

676
00:29:28,040 --> 00:29:30,440
Speaker 3: He shouldn't have a podcast, like y'all are y'all are

677
00:29:30,440 --> 00:29:33,560
Speaker 3: in the podcast industry. Y'all see everybody else's podcast feeling.

678
00:29:33,640 --> 00:29:35,640
Speaker 3: Y'all know there is no money in podcast Then y'all

679
00:29:35,640 --> 00:29:37,840
Speaker 3: see all these celebrities come out with podcasts and they

680
00:29:37,920 --> 00:29:41,160
Speaker 3: fucking flop all the time. You can't just go on

681
00:29:41,280 --> 00:29:43,200
Speaker 3: there and just meet talking about all that shit.

682
00:29:43,280 --> 00:29:45,479
Speaker 5: No one cares. No one is gonna listen to that.

683
00:29:45,600 --> 00:29:48,360
Speaker 1: Cam and Mace are in their own lane. They're nonominally

684
00:29:48,400 --> 00:29:51,840
Speaker 1: because both of them, we've known their entire careers outside

685
00:29:51,840 --> 00:29:54,600
Speaker 1: of music, have had hilarious personalities and we know Cam

686
00:29:55,120 --> 00:29:57,560
Speaker 1: can debate with the best of them. He can be funny,

687
00:29:57,680 --> 00:30:00,800
Speaker 1: he can be witty. We know can. I'm not saying

688
00:30:00,880 --> 00:30:03,440
Speaker 1: Meek isn't that, but that's not what he's known for.

689
00:30:05,040 --> 00:30:07,080
Speaker 1: What makes us think that he'll be able to just

690
00:30:07,200 --> 00:30:10,280
Speaker 1: carry a podcast? I don't even think advertisers out the

691
00:30:10,320 --> 00:30:13,960
Speaker 1: gate would even attach themselves to that in this pod

692
00:30:14,040 --> 00:30:17,360
Speaker 1: market outside of two or three episodes, is it going

693
00:30:17,400 --> 00:30:20,600
Speaker 1: to last with views? I mean, he is me gonna

694
00:30:20,640 --> 00:30:22,600
Speaker 1: ask the right questions about.

695
00:30:22,800 --> 00:30:24,959
Speaker 6: All of that, All of that remains, all of that

696
00:30:25,000 --> 00:30:26,840
Speaker 6: remains to be seen. But I'm just saying that I

697
00:30:26,880 --> 00:30:32,360
Speaker 6: think that meets value is still more in music. Agree,

698
00:30:32,520 --> 00:30:35,360
Speaker 6: I just think that he needs a different level of

699
00:30:35,400 --> 00:30:36,760
Speaker 6: focus when it comes to his music.

700
00:30:37,600 --> 00:30:39,200
Speaker 1: I think that he needs a different.

701
00:30:40,840 --> 00:30:45,480
Speaker 6: Level of create creativity, put itself into different rooms with

702
00:30:45,560 --> 00:30:48,560
Speaker 6: different creators and things like that, and just focus on

703
00:30:48,640 --> 00:30:52,000
Speaker 6: that because he is first and will always be first

704
00:30:52,000 --> 00:30:55,400
Speaker 6: an artists and mc a rapper. I just think that

705
00:30:56,840 --> 00:31:00,320
Speaker 6: he's trying, maybe trying try some different sounds. A lot

706
00:31:00,360 --> 00:31:02,800
Speaker 6: of Meeks sounds is kind of similar, Like I feel

707
00:31:02,800 --> 00:31:06,360
Speaker 6: like I heard that record already. I think that's it.

708
00:31:06,400 --> 00:31:09,640
Speaker 6: I don't think Meek should even focus on podcasting. I

709
00:31:09,640 --> 00:31:11,400
Speaker 6: think if it's like a passion thing and he wants

710
00:31:11,480 --> 00:31:13,720
Speaker 6: to do it, like you know, every now and then, Sure,

711
00:31:13,800 --> 00:31:17,160
Speaker 6: go for it, but don't just abandon music and say, Okay,

712
00:31:17,640 --> 00:31:19,360
Speaker 6: your value is in talking.

713
00:31:19,440 --> 00:31:20,000
Speaker 1: Well, yeah, I don't.

714
00:31:20,200 --> 00:31:22,440
Speaker 3: Julian said that, but I don't think Meek never said that.

715
00:31:22,520 --> 00:31:24,920
Speaker 3: I don't think Meek would ever abandon music. He never

716
00:31:24,960 --> 00:31:26,880
Speaker 3: said that. He said that he has a lot to

717
00:31:27,040 --> 00:31:29,040
Speaker 3: say and that he would like a podcast.

718
00:31:29,120 --> 00:31:31,800
Speaker 4: Put it into music, Yeah, put it into music.

719
00:31:32,680 --> 00:31:35,400
Speaker 3: Translated, he literally said, I want to be a part

720
00:31:35,440 --> 00:31:37,480
Speaker 3: of black media. I'm never going to tell a man

721
00:31:37,520 --> 00:31:39,640
Speaker 3: who still has life in him not to do what

722
00:31:39,680 --> 00:31:42,000
Speaker 3: he wants to do. I will always give advice onto

723
00:31:42,160 --> 00:31:44,800
Speaker 3: how he could possibly do it. And I think that,

724
00:31:45,160 --> 00:31:47,200
Speaker 3: like I said, if he had an amazing production team

725
00:31:47,680 --> 00:31:51,040
Speaker 3: and he ever released episodes almost like how Karesha did

726
00:31:51,400 --> 00:31:53,880
Speaker 3: not regularly, not twice a week, not even once a week,

727
00:31:54,040 --> 00:31:55,960
Speaker 3: you did it maybe once a month or once every

728
00:31:56,000 --> 00:31:56,600
Speaker 3: couple of weeks.

729
00:31:57,000 --> 00:31:57,920
Speaker 5: I think that there's value.

730
00:31:57,920 --> 00:31:59,719
Speaker 3: And I think he has an audience that would sit

731
00:31:59,800 --> 00:32:01,800
Speaker 3: up there and listen to him, even if it's not us.

732
00:32:02,000 --> 00:32:03,280
Speaker 5: I think he has an audience.

733
00:32:03,280 --> 00:32:05,040
Speaker 4: I think it's cool for him to do that.

734
00:32:05,080 --> 00:32:07,479
Speaker 6: I mean because I mean I think he does control

735
00:32:07,520 --> 00:32:12,680
Speaker 6: his own narrative by doing that, but still Man Meek's

736
00:32:12,760 --> 00:32:15,440
Speaker 6: value is the mu the podcast.

737
00:32:15,520 --> 00:32:19,240
Speaker 1: The podcast fan base is the smartest fan base out there,

738
00:32:19,560 --> 00:32:19,800
Speaker 1: and the.

739
00:32:19,880 --> 00:32:21,720
Speaker 4: Bars on which podcast you're talking about.

740
00:32:21,600 --> 00:32:26,960
Speaker 1: Just overall, the podcast fan bases, I think of higher

741
00:32:27,240 --> 00:32:30,120
Speaker 1: intellect and can smell the bullshit quicker than most fan

742
00:32:30,160 --> 00:32:34,080
Speaker 1: bases because they listen for longer, they pay attention. It's

743
00:32:34,080 --> 00:32:36,080
Speaker 1: it's different than just listening to some quick radio shit

744
00:32:36,200 --> 00:32:42,360
Speaker 1: or watching a movie whatever. If me gets Michael Rubin

745
00:32:42,400 --> 00:32:45,000
Speaker 1: on there to talk about owning your masters or some

746
00:32:45,240 --> 00:32:48,200
Speaker 1: like cliche fucking business plan, just because he can get

747
00:32:48,440 --> 00:32:52,240
Speaker 1: Michael Rubin, the podcast fan base he thinks he's gonna grab,

748
00:32:52,640 --> 00:32:56,120
Speaker 1: is gonna laugh at it. That's good. The surface shit

749
00:32:56,200 --> 00:33:00,320
Speaker 1: he thinks he can maybe get to is already in

750
00:33:00,360 --> 00:33:04,360
Speaker 1: the podcast market now at a way higher level. I

751
00:33:04,400 --> 00:33:07,480
Speaker 1: don't think the podcast fan base needs to hear about

752
00:33:07,520 --> 00:33:12,120
Speaker 1: owning your masters or being independent or what Michael Rubin's

753
00:33:12,120 --> 00:33:16,120
Speaker 1: business plan is. It just isn't going to really see.

754
00:33:16,200 --> 00:33:17,360
Speaker 4: And that's the problem right there.

755
00:33:17,400 --> 00:33:20,760
Speaker 6: I think that he needs to spend less time nothing

756
00:33:20,800 --> 00:33:23,200
Speaker 6: against Michael Rubman, but spend less time with Michael Rubin

757
00:33:23,280 --> 00:33:24,960
Speaker 6: and start spending more time with Rick Rubin.

758
00:33:26,640 --> 00:33:28,320
Speaker 4: That's funny, you understand what I'm saying.

759
00:33:28,320 --> 00:33:30,720
Speaker 6: Like, I think that's because Rick Ruben, he tells you,

760
00:33:30,760 --> 00:33:32,960
Speaker 6: I don't know about you know, technology and all of

761
00:33:33,080 --> 00:33:35,600
Speaker 6: I don't play instruments. I just know what's what feels good.

762
00:33:36,080 --> 00:33:39,480
Speaker 6: Meak needs to be around people that are proven in

763
00:33:39,520 --> 00:33:42,000
Speaker 6: the world of music, that just know when the music

764
00:33:42,120 --> 00:33:42,760
Speaker 6: feels good.

765
00:33:43,960 --> 00:33:45,840
Speaker 4: Simple, like just focus on that.

766
00:33:46,480 --> 00:33:48,920
Speaker 6: Change who's in the room when you're creating things like that,

767
00:33:49,040 --> 00:33:52,000
Speaker 6: sitting down with different people, I mean, always saying on

768
00:33:52,080 --> 00:33:54,120
Speaker 6: your business and you know, shout out to to Michael Rubin.

769
00:33:54,160 --> 00:33:57,960
Speaker 6: But I think spend less time there and more time

770
00:33:58,480 --> 00:34:02,240
Speaker 6: focusing on the sound in the field of your music.

771
00:34:02,440 --> 00:34:05,200
Speaker 1: Nah, he can't be near Rick Rubin. Why Because Rick

772
00:34:05,280 --> 00:34:09,600
Speaker 1: Rubin has this ability to make something you say that's

773
00:34:09,640 --> 00:34:12,680
Speaker 1: not deep almost sound deep just because he has long hair.

774
00:34:13,360 --> 00:34:16,160
Speaker 1: Like he'll be like, so the rollie is actually just

775
00:34:16,200 --> 00:34:19,120
Speaker 1: for motivational It's not. You didn't buy it for you, meek.

776
00:34:19,520 --> 00:34:24,319
Speaker 1: You bought it to motivate us. Oh, my remik, this

777
00:34:24,480 --> 00:34:26,640
Speaker 1: is it. That's how I think Rick Ruben is gonna

778
00:34:26,640 --> 00:34:29,000
Speaker 1: look at his me He's gonna make something deep when

779
00:34:29,000 --> 00:34:29,799
Speaker 1: it doesn't need to be deep.

780
00:34:30,000 --> 00:34:32,279
Speaker 4: Nah, I don't think that's fine. I don't think it's that.

781
00:34:32,360 --> 00:34:34,200
Speaker 6: But I think he just needs to spend more time

782
00:34:34,239 --> 00:34:36,160
Speaker 6: focusing on just the music man.

783
00:34:37,239 --> 00:34:39,120
Speaker 1: Before we close, though, does he owe us an apology

784
00:34:39,160 --> 00:34:41,560
Speaker 1: if he wants to get in the media space. Why

785
00:34:41,640 --> 00:34:44,239
Speaker 1: he's one of multiple rappers that clowned all of us

786
00:34:44,280 --> 00:34:49,080
Speaker 1: for having podcasts early on breast podcast streets. Don't care

787
00:34:49,080 --> 00:34:53,080
Speaker 1: about podcast every He's not one of maybe ten rappers.

788
00:34:53,120 --> 00:34:55,000
Speaker 1: I can think of that clown podcasting and then try

789
00:34:55,000 --> 00:34:56,040
Speaker 1: to get into it.

790
00:34:56,200 --> 00:34:59,480
Speaker 6: I mean, but that's always part of it, Like people

791
00:34:59,520 --> 00:35:01,719
Speaker 6: clown stuf and then when they see it's lucrative and

792
00:35:02,280 --> 00:35:04,239
Speaker 6: you know, it's how much money is in it, and

793
00:35:04,280 --> 00:35:06,680
Speaker 6: then you can control your own narrative, you have your

794
00:35:06,800 --> 00:35:10,080
Speaker 6: own voice, and you know, then feelings and emotions and

795
00:35:10,400 --> 00:35:10,959
Speaker 6: things changed.

796
00:35:11,000 --> 00:35:11,319
Speaker 1: I don't.

797
00:35:11,400 --> 00:35:13,640
Speaker 6: I don't put much into that. That that happened. That's

798
00:35:13,680 --> 00:35:16,480
Speaker 6: part of everything in life, like it is what it is.

799
00:35:16,960 --> 00:35:20,400
Speaker 1: No if I if I clown something publicly and I

800
00:35:20,480 --> 00:35:22,560
Speaker 1: want to go do it, I'm going to start with

801
00:35:23,280 --> 00:35:23,919
Speaker 1: you all was wrong.

802
00:35:26,239 --> 00:35:28,600
Speaker 4: I mean, I guess everybody's integrity.

803
00:35:28,640 --> 00:35:31,719
Speaker 2: I also don't think that many people know that me clown, Like,

804
00:35:31,719 --> 00:35:32,880
Speaker 2: I don't think people retain that.

805
00:35:33,480 --> 00:35:36,200
Speaker 4: Not only that people don't care. No one gives a shit, nobody.

806
00:35:35,880 --> 00:35:38,640
Speaker 1: I'm saying us as podcasts, I don't pay attention to it.

807
00:35:39,360 --> 00:35:44,120
Speaker 1: We did until you just said it. Listen, I've been

808
00:35:44,160 --> 00:35:45,160
Speaker 1: in this game for a long time.

809
00:35:45,680 --> 00:35:47,600
Speaker 5: You came in this game as the hater.

810
00:35:47,920 --> 00:35:50,719
Speaker 1: Over as a potter, as an overlord. I've been an

811
00:35:50,760 --> 00:35:54,200
Speaker 1: over overlord to this pod shit since twenty fifteen. All right,

812
00:35:58,800 --> 00:35:59,200
Speaker 1: so worry.

813
00:35:59,200 --> 00:36:00,360
Speaker 3: I want to know if you still stand in our

814
00:36:00,400 --> 00:36:02,839
Speaker 3: business on your stupid ass take you made. Which one

815
00:36:03,520 --> 00:36:05,719
Speaker 3: go on that the clock is on for Sexy Red

816
00:36:05,920 --> 00:36:07,440
Speaker 3: when she's about to have song of the Summer.

817
00:36:07,719 --> 00:36:09,759
Speaker 4: M Hey, we got to stop doing that.

818
00:36:10,239 --> 00:36:12,439
Speaker 1: So many songs in the summer. Yeah, like, we gotta stop.

819
00:36:12,600 --> 00:36:14,080
Speaker 5: I haven't named one song of the summer.

820
00:36:14,360 --> 00:36:14,920
Speaker 4: I'm not so much.

821
00:36:15,000 --> 00:36:16,560
Speaker 6: I'm just saying like, in general, we got to stop

822
00:36:16,560 --> 00:36:18,879
Speaker 6: hearing the record before the summer and be like song

823
00:36:18,920 --> 00:36:19,719
Speaker 6: of the summer.

824
00:36:20,400 --> 00:36:24,120
Speaker 1: That starts the song the summer. We're in that that

825
00:36:24,280 --> 00:36:28,439
Speaker 1: second quarter era where we start to decide what's the song? Yeah,

826
00:36:28,440 --> 00:36:30,239
Speaker 1: I don't even know the song? Get it? Sex you

827
00:36:30,360 --> 00:36:33,719
Speaker 1: ever seen that did get a sexy where will You'll be?

828
00:36:33,760 --> 00:36:35,680
Speaker 1: As I saw? I saw a rolling loud clip? Was that?

829
00:36:35,800 --> 00:36:36,680
Speaker 1: Did she premiere it? There?

830
00:36:36,800 --> 00:36:39,600
Speaker 3: Not even just her song, it's the it's the song

831
00:36:39,719 --> 00:36:42,400
Speaker 3: with all the dance videos. People have been connecting it

832
00:36:42,440 --> 00:36:45,920
Speaker 3: to old like on TikTok. It's not about TikTok.

833
00:36:45,960 --> 00:36:49,520
Speaker 1: I haven't seen it. I don't support shots dance Twitter.

834
00:36:49,719 --> 00:36:52,680
Speaker 3: They've been on Twitter, They've been on Instagram. Elliott won't

835
00:36:52,680 --> 00:36:55,000
Speaker 3: stop posting them. Like the young boys is in there.

836
00:36:55,520 --> 00:36:57,799
Speaker 1: It's the young what are the young boys doing to it?

837
00:36:58,520 --> 00:36:59,799
Speaker 5: She has a dance that goes to it.

838
00:36:59,800 --> 00:37:02,960
Speaker 3: It's reminists of like the crank that yank or all

839
00:37:03,000 --> 00:37:05,520
Speaker 3: of those type of old dances. She has a dance

840
00:37:05,560 --> 00:37:07,560
Speaker 3: that goes with it. Now her role in our performance,

841
00:37:07,560 --> 00:37:09,200
Speaker 3: I will pull up like I would go on her page.

842
00:37:09,239 --> 00:37:11,560
Speaker 1: No way, just since we're on Sexy Red.

843
00:37:12,000 --> 00:37:14,680
Speaker 2: Her singing is since this part is the funniest clip

844
00:37:15,280 --> 00:37:16,080
Speaker 2: see this over the weekend.

845
00:37:16,160 --> 00:37:22,360
Speaker 1: Yeah, that's hilarious. That's her personality.

846
00:37:24,960 --> 00:37:27,879
Speaker 2: She's hilarious, perfect because I don'tbody know what the She's

847
00:37:28,160 --> 00:37:29,160
Speaker 2: so fucking funny.

848
00:37:30,760 --> 00:37:32,680
Speaker 4: All right, I'm with y'all. This is funny.

849
00:37:34,200 --> 00:37:39,160
Speaker 1: Personality is great, great personality. Please get that off? But this.

850
00:37:40,719 --> 00:37:45,160
Speaker 5: But no, go ahead, get your ship off.

851
00:37:45,640 --> 00:37:48,040
Speaker 1: Were you distracted by what looked like a vagina on.

852
00:37:48,000 --> 00:37:50,640
Speaker 6: Scring No, that was my favorite intimate's cake. I know

853
00:37:50,640 --> 00:37:55,440
Speaker 6: what that is, Okay, vagina? I just I think Sexy

854
00:37:55,440 --> 00:37:58,040
Speaker 6: Red is dope. I think she she's a personality is great.

855
00:37:58,080 --> 00:38:00,680
Speaker 6: I think she's going to have a bigger career outside

856
00:38:00,719 --> 00:38:03,200
Speaker 6: of music that she does with music, just because of

857
00:38:03,200 --> 00:38:12,560
Speaker 6: her personality. But can you understand how like some of

858
00:38:12,600 --> 00:38:19,800
Speaker 6: the more talented female rappers would look at Sexy Red

859
00:38:20,080 --> 00:38:23,400
Speaker 6: and how many people champion and push her and support

860
00:38:23,400 --> 00:38:26,360
Speaker 6: her and be like what the fuck?

861
00:38:26,960 --> 00:38:29,680
Speaker 1: I mean? Probably same goes for male rappers too, of

862
00:38:29,719 --> 00:38:32,000
Speaker 1: the bullshit that they push as opposed to people that

863
00:38:32,040 --> 00:38:35,520
Speaker 1: have talent. I still stand by the clock is on.

864
00:38:37,080 --> 00:38:39,680
Speaker 1: I don't think the clock is on for her as

865
00:38:39,680 --> 00:38:41,919
Speaker 1: far as a human being, for all of us, But

866
00:38:42,920 --> 00:38:45,440
Speaker 1: every day it's how much time closer to being stuffed

867
00:38:45,480 --> 00:38:50,600
Speaker 1: by us? What are they called against? Yeah? Yeah, would

868
00:38:50,600 --> 00:38:51,600
Speaker 1: you do that with a family member?

869
00:38:52,400 --> 00:38:55,440
Speaker 2: No? Okay, No, remember that trend that was going on

870
00:38:55,480 --> 00:38:57,719
Speaker 2: for a while at funerals where they would dress them

871
00:38:57,800 --> 00:39:00,759
Speaker 2: up and do like a club night, like propped the

872
00:39:00,840 --> 00:39:03,000
Speaker 2: prop the dead body up and like put put a

873
00:39:03,000 --> 00:39:04,359
Speaker 2: bottle of costum egos in his hand.

874
00:39:04,400 --> 00:39:05,560
Speaker 1: I don't think it was a trend. I think it's

875
00:39:05,600 --> 00:39:08,000
Speaker 1: still going on. You know, that's still that's the sick.

876
00:39:08,040 --> 00:39:09,920
Speaker 1: It slowed down because of COVID, but after that, I

877
00:39:09,920 --> 00:39:10,839
Speaker 1: think it ramped back up.

878
00:39:11,200 --> 00:39:14,120
Speaker 6: They had somebody during COVID because you couldn't have funerals,

879
00:39:14,480 --> 00:39:16,200
Speaker 6: so they had like the body propped up like at

880
00:39:16,200 --> 00:39:20,200
Speaker 6: a drive through and like, I think I'm joking. You

881
00:39:20,200 --> 00:39:21,440
Speaker 6: can pull that up and look at it. It was

882
00:39:21,480 --> 00:39:24,400
Speaker 6: a drive through funeral and the body was like propped.

883
00:39:24,120 --> 00:39:27,080
Speaker 2: Up like one of my favorite COVID the cod if

884
00:39:27,120 --> 00:39:29,880
Speaker 2: that drivet through funeral. Remember when crazy Remember when the

885
00:39:29,920 --> 00:39:33,200
Speaker 2: pope was squirting holy water on the baby's foreheads with

886
00:39:33,239 --> 00:39:35,160
Speaker 2: a squirre gun because he didn't want to touch anyone.

887
00:39:35,200 --> 00:39:35,879
Speaker 1: Could have been worse.

888
00:39:35,920 --> 00:39:38,120
Speaker 2: He had a squirt gun. You're shooting kids in the

889
00:39:38,120 --> 00:39:40,960
Speaker 2: face with a squirre gun. Probably was shooting I was

890
00:39:40,960 --> 00:39:44,200
Speaker 2: going to say, the US the rest of his staff.

891
00:39:45,160 --> 00:39:47,680
Speaker 1: Yeah, I thought, finally we got this guy under control

892
00:39:47,880 --> 00:39:52,399
Speaker 1: exactly at least water, right, Jamerius, my stupid ass take

893
00:39:52,520 --> 00:39:55,600
Speaker 1: I still am on my stupid ass take. No, I

894
00:39:55,640 --> 00:39:57,600
Speaker 1: think that's song. If you say it's gonna be a

895
00:39:57,600 --> 00:39:59,359
Speaker 1: song in the summer, I believe you. I think she'll

896
00:39:59,400 --> 00:39:59,880
Speaker 1: be around.

897
00:40:00,080 --> 00:40:02,600
Speaker 3: I think it's a very strong contender. I think that

898
00:40:02,640 --> 00:40:06,239
Speaker 3: and get a glow, very strong contenter. Have y'all heard

899
00:40:06,239 --> 00:40:06,600
Speaker 3: the song?

900
00:40:07,320 --> 00:40:08,120
Speaker 1: Which one? I heard?

901
00:40:08,200 --> 00:40:08,480
Speaker 4: Sexy?

902
00:40:08,520 --> 00:40:08,960
Speaker 1: Red song?

903
00:40:09,040 --> 00:40:09,840
Speaker 5: Did get it sexy?

904
00:40:10,320 --> 00:40:11,840
Speaker 1: I'm sure it sounds like the other ones? Do you

905
00:40:11,920 --> 00:40:14,359
Speaker 1: think she puts out an album and is successful.

906
00:40:16,280 --> 00:40:18,480
Speaker 4: The album?

907
00:40:18,600 --> 00:40:20,640
Speaker 1: If they want to keep giving her great records that

908
00:40:20,680 --> 00:40:23,680
Speaker 1: show her personality, she'll be around and then end up

909
00:40:23,719 --> 00:40:25,479
Speaker 1: doing something outside of this is I think this.

910
00:40:25,440 --> 00:40:27,400
Speaker 4: Is the new blueprint for artists, though.

911
00:40:28,040 --> 00:40:29,880
Speaker 1: It's been that way though as far as just putting

912
00:40:29,880 --> 00:40:30,759
Speaker 1: out singles.

913
00:40:30,560 --> 00:40:31,440
Speaker 4: Just put out singles.

914
00:40:31,480 --> 00:40:35,600
Speaker 6: Do features like because now it's like again, you drop

915
00:40:35,640 --> 00:40:38,880
Speaker 6: an album, people listen to it for a couple of weeks,

916
00:40:39,880 --> 00:40:43,080
Speaker 6: maybe a month if it's really good, and then after

917
00:40:43,120 --> 00:40:47,080
Speaker 6: that you don't even hear nobody speaking on it.

918
00:40:47,640 --> 00:40:52,440
Speaker 1: How does this transition? Tomarius? Like, let let's say my

919
00:40:52,520 --> 00:40:55,800
Speaker 1: take is extremely stupid and she's going to be here forever,

920
00:40:56,640 --> 00:41:02,560
Speaker 1: how does it switch? Like Onmes twenty seven, she's a Republican. Oh,

921
00:41:02,600 --> 00:41:03,520
Speaker 1: she's a big trumpet.

922
00:41:03,800 --> 00:41:04,240
Speaker 6: Yeah.

923
00:41:04,440 --> 00:41:06,440
Speaker 3: Nobody ever says she was going to be here forever.

924
00:41:07,440 --> 00:41:10,120
Speaker 3: Oh no, I don't think anybody in this climate, in

925
00:41:10,200 --> 00:41:12,480
Speaker 3: this music climate, is going to be here forever.

926
00:41:12,719 --> 00:41:13,520
Speaker 1: She's like Lauren Hill.

927
00:41:14,120 --> 00:41:16,319
Speaker 3: But I think she's going to last longer than what

928
00:41:16,320 --> 00:41:18,560
Speaker 3: people think. And she has lasted longer.

929
00:41:19,080 --> 00:41:21,839
Speaker 1: Longer than I thought. So I stand corrected there for sure.

930
00:41:23,120 --> 00:41:23,719
Speaker 4: You didn't hit you.

931
00:41:23,960 --> 00:41:27,279
Speaker 1: Yeah we did, Lauren Dale, No I heard, I just

932
00:41:27,320 --> 00:41:30,239
Speaker 1: ignored it. I think you guys just sleeping on the

933
00:41:30,280 --> 00:41:33,120
Speaker 1: sex of her. I think she's here to stay. I

934
00:41:33,160 --> 00:41:36,200
Speaker 1: don't know what personality is before her personality is.

935
00:41:36,200 --> 00:41:38,799
Speaker 3: Julian, are you able to have a conversation without being

936
00:41:38,840 --> 00:41:39,400
Speaker 3: an asshole?

937
00:41:39,960 --> 00:41:44,399
Speaker 1: It's really difficult, But like, do you ever fight that urge?

938
00:41:44,400 --> 00:41:44,600
Speaker 9: Though?

939
00:41:45,280 --> 00:41:47,160
Speaker 1: I deal with it, but I fight the urge a lot.

940
00:41:47,320 --> 00:41:50,239
Speaker 6: Yeah, that's like part of being like human, Julie, Like

941
00:41:50,520 --> 00:41:51,719
Speaker 6: we all want to be assholes.

942
00:41:51,719 --> 00:41:53,360
Speaker 1: Twenty four to seven. Nah, I mean, this is the

943
00:41:53,360 --> 00:41:57,400
Speaker 1: future of hip hop. This is hip hop. You're being sarcastic,

944
00:41:57,440 --> 00:42:00,680
Speaker 1: but he said something that is No, I'm not your

945
00:42:00,719 --> 00:42:03,280
Speaker 1: con Unfortunately it's correct.

946
00:42:03,680 --> 00:42:05,439
Speaker 4: Yeah, this is the future of hip hop.

947
00:42:05,760 --> 00:42:08,799
Speaker 1: So yeah, I think she'll be around here for this

948
00:42:09,960 --> 00:42:13,719
Speaker 1: business model. Sure they do rolling out every other week.

949
00:42:13,760 --> 00:42:16,920
Speaker 1: I'm sure she'll headline all the time. Listen, man, But

950
00:42:16,960 --> 00:42:18,840
Speaker 1: then what girls want to shake ass? They want to

951
00:42:18,840 --> 00:42:19,360
Speaker 1: throw ass?

952
00:42:19,400 --> 00:42:21,479
Speaker 3: Like it's not y'all keep saying girls want to shake ass.

953
00:42:21,480 --> 00:42:24,439
Speaker 3: Girls want to throw ass like Sexy Red doesn't even

954
00:42:24,920 --> 00:42:29,040
Speaker 3: I think Sexy Reds fan base is more younger teens

955
00:42:29,080 --> 00:42:31,439
Speaker 3: and young and a lot of young boys than it

956
00:42:31,480 --> 00:42:33,439
Speaker 3: is girls young.

957
00:42:33,520 --> 00:42:36,320
Speaker 5: She doesn't really make torque music.

958
00:42:36,360 --> 00:42:38,440
Speaker 3: She makes some torque music, but the majority of her

959
00:42:38,520 --> 00:42:40,560
Speaker 3: music is like hood gangster ship.

960
00:42:41,000 --> 00:42:42,600
Speaker 1: She kind of reminds me of the Ying Ying Twins.

961
00:42:44,400 --> 00:42:45,120
Speaker 4: I could see that.

962
00:42:45,080 --> 00:42:46,799
Speaker 1: That's the kind of following what you say.

963
00:42:46,920 --> 00:42:48,239
Speaker 5: Yeah, that's the type of music she makes.

964
00:42:48,280 --> 00:42:51,279
Speaker 3: She doesn't just make like like girls don't hear sexy ready, like,

965
00:42:51,280 --> 00:42:52,799
Speaker 3: oh I want to shake ass the second.

966
00:42:52,520 --> 00:42:54,320
Speaker 1: Girls hit anything in shake Ass?

967
00:42:54,360 --> 00:42:54,840
Speaker 5: True, but.

968
00:42:56,480 --> 00:42:57,480
Speaker 1: You're not doing the wall.

969
00:42:57,560 --> 00:42:59,160
Speaker 5: It's not sexy restaurants to Drake's song.

970
00:42:59,480 --> 00:43:02,160
Speaker 1: Yeah, but it's express they shake their ass at the

971
00:43:02,160 --> 00:43:05,360
Speaker 1: hook that she does. That's what they play outside.

972
00:43:05,800 --> 00:43:07,719
Speaker 3: But there's anyway, like I was saying, there's a dance

973
00:43:07,760 --> 00:43:08,960
Speaker 3: to go with this song.

974
00:43:08,840 --> 00:43:10,480
Speaker 1: This likeing.

975
00:43:11,040 --> 00:43:12,120
Speaker 5: No, that's just her dancing.

976
00:43:12,160 --> 00:43:13,960
Speaker 3: But the beginning part that she was doing with the

977
00:43:13,960 --> 00:43:16,880
Speaker 3: football player boy, like that's like a dance, is becoming

978
00:43:16,920 --> 00:43:17,399
Speaker 3: like a thing.

979
00:43:17,960 --> 00:43:21,680
Speaker 1: Yeah, her personality is going to carry everything. That's to me,

980
00:43:21,800 --> 00:43:23,640
Speaker 1: that's the business model. So as far as they want

981
00:43:23,640 --> 00:43:26,920
Speaker 1: to take her personality is as far as I think

982
00:43:26,960 --> 00:43:29,480
Speaker 1: she'll go career wise. I don't think that music is

983
00:43:29,520 --> 00:43:31,120
Speaker 1: going to be the end all be all for her.

984
00:43:31,360 --> 00:43:33,680
Speaker 4: Long before the end of the year, how long before

985
00:43:33,719 --> 00:43:37,400
Speaker 4: Sexy Reds reality show? Mm hm, cause it's coming.

986
00:43:38,400 --> 00:43:42,319
Speaker 1: I can see it. It's definitely coming. Going to be

987
00:43:42,360 --> 00:43:43,520
Speaker 1: her next big bag.

988
00:43:43,560 --> 00:43:45,120
Speaker 3: For her to do a reality show, they would have

989
00:43:45,120 --> 00:43:46,240
Speaker 3: to pay her a pretty big bag.

990
00:43:46,920 --> 00:43:50,440
Speaker 1: I mean, listen, show they got, they got, these platforms,

991
00:43:50,440 --> 00:43:52,359
Speaker 1: got it to give her. Adam twenty two kicked down

992
00:43:52,400 --> 00:43:54,880
Speaker 1: the door as far as doing a reality show of

993
00:43:54,880 --> 00:43:57,279
Speaker 1: Who's Gonna Fuck His Wife? I could see Sexy Red

994
00:43:57,320 --> 00:44:00,319
Speaker 1: doing Who's going to Be My Baby Daddy show and

995
00:44:00,320 --> 00:44:03,560
Speaker 1: then actually have to get pregnant by the winner. We've

996
00:44:03,560 --> 00:44:06,680
Speaker 1: reached that point in life that could happen.

997
00:44:07,480 --> 00:44:09,960
Speaker 6: Then that that could happen, But I don't think that will.

998
00:44:10,160 --> 00:44:12,799
Speaker 6: I don't think it's sexy Red though, but that you're

999
00:44:12,840 --> 00:44:13,240
Speaker 6: not wrong.

1000
00:44:13,440 --> 00:44:15,399
Speaker 1: You don't think you think that's out of sexy reds

1001
00:44:15,480 --> 00:44:17,480
Speaker 1: wheelhouse a little bit.

1002
00:44:17,560 --> 00:44:21,279
Speaker 6: Yeah, I mean she's in a relationship with her, but

1003
00:44:21,320 --> 00:44:23,840
Speaker 6: not only that, she's in a relationship with her her baby,

1004
00:44:23,840 --> 00:44:24,680
Speaker 6: her current baby father.

1005
00:44:24,760 --> 00:44:27,759
Speaker 1: Right, Yes, I don't see her like doing that. No.

1006
00:44:29,440 --> 00:44:31,400
Speaker 6: What we've seen reality shows where people are looking for

1007
00:44:31,480 --> 00:44:35,279
Speaker 6: love and fine love and have family. So it's not

1008
00:44:35,800 --> 00:44:38,560
Speaker 6: it happened, but you're seeing directly going to it, like

1009
00:44:39,040 --> 00:44:41,279
Speaker 6: who wants to be my next?

1010
00:44:42,000 --> 00:44:45,439
Speaker 1: I guess what I'm saying is it's getting whether people

1011
00:44:45,440 --> 00:44:47,319
Speaker 1: want to admit it or not, tough for Cardi to

1012
00:44:47,320 --> 00:44:50,760
Speaker 1: some degree. Right now, we think Sexy Red is gonna

1013
00:44:51,360 --> 00:44:55,600
Speaker 1: be okay, tough for Cardi? What to catch one a record? Yeah,

1014
00:44:58,040 --> 00:45:00,439
Speaker 1: I'm not here to shoot on Cardi, but Cardi Cardi,

1015
00:45:01,000 --> 00:45:01,520
Speaker 1: he's saying.

1016
00:45:01,360 --> 00:45:03,080
Speaker 5: But it's getting tough for her to catch one.

1017
00:45:03,080 --> 00:45:04,680
Speaker 3: I'm like, she caught one and then the last one

1018
00:45:04,760 --> 00:45:06,439
Speaker 3: was caught, and then the last one was a caught,

1019
00:45:06,480 --> 00:45:08,799
Speaker 3: So like, it's not getting tough for her to catch one,

1020
00:45:08,840 --> 00:45:09,920
Speaker 3: it's tough for cat.

1021
00:45:10,280 --> 00:45:12,160
Speaker 1: I thought the freestyle was a good numb we're talking

1022
00:45:12,200 --> 00:45:15,719
Speaker 1: about sexy I'm saying it's tough for Carti right now,

1023
00:45:16,480 --> 00:45:20,080
Speaker 1: Cardi caught fifteen ones and it's tough for her. Now

1024
00:45:21,120 --> 00:45:23,080
Speaker 1: look at the longevity. It's been what five years, and

1025
00:45:23,120 --> 00:45:26,080
Speaker 1: it's tough for one of the biggest artists period forget

1026
00:45:26,320 --> 00:45:29,040
Speaker 1: female or male. We think Sexy Red is going to

1027
00:45:29,080 --> 00:45:31,000
Speaker 1: be able to maintain it if Cardi b is having

1028
00:45:31,000 --> 00:45:33,719
Speaker 1: time about trouble because she currently just caught another one.

1029
00:45:33,800 --> 00:45:36,000
Speaker 1: I know, but she's in the phase of her career

1030
00:45:36,000 --> 00:45:39,360
Speaker 1: that Carti was with Bodak Yellow, like she's in the beginning. Yeah,

1031
00:45:39,440 --> 00:45:43,680
Speaker 1: we think she'll be able to maintain when Carti's having trouble. No,

1032
00:45:43,840 --> 00:45:46,080
Speaker 1: I don't think that when every artist period is having trouble.

1033
00:45:46,120 --> 00:45:47,600
Speaker 1: I just don't think she's going to be the savior

1034
00:45:47,840 --> 00:45:52,280
Speaker 1: that's going to re redo the business model of staying

1035
00:45:52,320 --> 00:45:53,240
Speaker 1: relevant with your music.

1036
00:45:53,400 --> 00:45:53,480
Speaker 2: No.

1037
00:45:53,680 --> 00:45:57,080
Speaker 6: Of course, at the same time, you know, like Sexy Red,

1038
00:45:57,400 --> 00:46:01,160
Speaker 6: she right now in her career, she probably feel like, yo,

1039
00:46:01,239 --> 00:46:02,120
Speaker 6: I didn't think I would.

1040
00:46:02,000 --> 00:46:04,080
Speaker 4: Be this big or get this far. Yeah, so this

1041
00:46:04,120 --> 00:46:04,520
Speaker 4: is a win.

1042
00:46:04,920 --> 00:46:08,120
Speaker 6: So anything after this for her is like Okay, that's

1043
00:46:08,160 --> 00:46:09,960
Speaker 6: just on top of like you know, the cake, Like

1044
00:46:10,000 --> 00:46:12,680
Speaker 6: all right, cool, But I don't think that Sexy Red

1045
00:46:12,760 --> 00:46:16,319
Speaker 6: has any intent of like being the biggest artist ever,

1046
00:46:16,640 --> 00:46:18,920
Speaker 6: being the big biggest female artist of Like maybe I

1047
00:46:18,920 --> 00:46:21,720
Speaker 6: think she's just enjoying the moment and just accepting everything

1048
00:46:21,760 --> 00:46:24,000
Speaker 6: that's coming to her right now. Having She's having a

1049
00:46:24,040 --> 00:46:26,040
Speaker 6: lot of fucking fun, you know what I'm saying. Like

1050
00:46:26,080 --> 00:46:27,880
Speaker 6: she has a family obviously, So it's.

1051
00:46:27,760 --> 00:46:30,120
Speaker 3: Just like I've been making music for a long time too,

1052
00:46:30,200 --> 00:46:32,400
Speaker 3: like longer than what people think she's been making music for.

1053
00:46:32,520 --> 00:46:35,680
Speaker 3: Because Sexy had a song go viral. I remember it

1054
00:46:35,760 --> 00:46:37,960
Speaker 3: used to be viral on Twitter. We didn't know who

1055
00:46:38,040 --> 00:46:40,319
Speaker 3: she was, but she did that then no no, no, no,

1056
00:46:40,320 --> 00:46:43,120
Speaker 3: no flip Like with the guns that was like when

1057
00:46:43,160 --> 00:46:44,880
Speaker 3: did that go viral? Like she has fourteen's on the

1058
00:46:44,920 --> 00:46:47,000
Speaker 3: fifteen It was a long time ago, but.

1059
00:46:47,000 --> 00:46:51,319
Speaker 1: I mean Vanessa Carlton flip, Yeah, the Guns Hunt. That's

1060
00:46:51,320 --> 00:46:53,279
Speaker 1: a great record. Yeah, it's her. I mean when we

1061
00:46:53,440 --> 00:46:57,239
Speaker 1: played the Woodie Whole Brown record for the first time

1062
00:46:57,280 --> 00:46:58,440
Speaker 1: on the podcast.

1063
00:46:58,360 --> 00:46:59,480
Speaker 4: That was a masterpiece.

1064
00:46:59,560 --> 00:47:01,880
Speaker 1: Poundown, Poundtown. I was like, guys, this is like the

1065
00:47:01,920 --> 00:47:05,120
Speaker 1: seventh videos Zion. Poundtown was like a year old when

1066
00:47:05,120 --> 00:47:07,960
Speaker 1: it popped. She did like seven videos of Poundtown before

1067
00:47:07,960 --> 00:47:10,160
Speaker 1: it really got crazy, got to pound it up. So no,

1068
00:47:10,400 --> 00:47:13,120
Speaker 1: I respect and I'm not hating on her success. I

1069
00:47:13,520 --> 00:47:17,400
Speaker 1: do like her personality. I think she's made fun songs

1070
00:47:17,440 --> 00:47:20,200
Speaker 1: that have purpose in hip hop. For sure. I've had

1071
00:47:20,239 --> 00:47:23,960
Speaker 1: fun to records with people, it's great. My thing was

1072
00:47:24,080 --> 00:47:27,879
Speaker 1: just the longevity of this strategy for all of music,

1073
00:47:28,040 --> 00:47:30,120
Speaker 1: not just Sexy Red. We're just using her as an

1074
00:47:30,120 --> 00:47:33,080
Speaker 1: example because she's one of the bigger artists that's focused

1075
00:47:33,160 --> 00:47:36,160
Speaker 1: just on the single thing and her personality. How long

1076
00:47:36,280 --> 00:47:37,759
Speaker 1: is this model going to the clock is on for

1077
00:47:37,840 --> 00:47:39,359
Speaker 1: this model? Is what I'm saying. Why don't we put

1078
00:47:39,400 --> 00:47:41,200
Speaker 1: so much weight in longevity with music?

1079
00:47:41,360 --> 00:47:43,400
Speaker 3: Yeah, Like we imagine if they had podcasts when Lean

1080
00:47:43,440 --> 00:47:46,560
Speaker 3: would rock with It came out or Crank That came out,

1081
00:47:47,320 --> 00:47:49,879
Speaker 3: well all those there were a bunch of people saying

1082
00:47:49,920 --> 00:47:52,600
Speaker 3: that that wasn't like that. That was they were destroying

1083
00:47:52,680 --> 00:47:56,400
Speaker 3: hip hop with ye snap music too, which is what

1084
00:47:56,520 --> 00:47:57,040
Speaker 3: a lot of her.

1085
00:47:57,080 --> 00:48:00,759
Speaker 1: That happened since the eighties. They were that's happening in

1086
00:48:00,840 --> 00:48:04,359
Speaker 1: hip hop since its inception. The generation after every single

1087
00:48:04,400 --> 00:48:06,600
Speaker 1: time was killing hip hop. Yeah, but what I'm saying

1088
00:48:06,680 --> 00:48:08,440
Speaker 1: Ellie was killing hip hop and now we look at

1089
00:48:08,520 --> 00:48:09,960
Speaker 1: Nelly as like a real MC.

1090
00:48:10,120 --> 00:48:12,520
Speaker 6: But that's another thing too. We gotta be I'm with

1091
00:48:12,800 --> 00:48:15,319
Speaker 6: I'm with not calling some a lot of this ship,

1092
00:48:15,600 --> 00:48:16,759
Speaker 6: not calling this ship hip hop.

1093
00:48:18,160 --> 00:48:19,640
Speaker 3: I'm with that it's hip hop. Though I call a

1094
00:48:19,680 --> 00:48:21,399
Speaker 3: lot of hit rap and it's not hip hop. I'll

1095
00:48:21,400 --> 00:48:22,560
Speaker 3: say it's rap, it's not hip hop.

1096
00:48:22,719 --> 00:48:24,640
Speaker 1: Is it hip hop? The derivative of hip hop? That

1097
00:48:24,880 --> 00:48:25,400
Speaker 1: it is hip hop?

1098
00:48:25,440 --> 00:48:27,480
Speaker 4: Now you just changed the teat derivative.

1099
00:48:28,000 --> 00:48:31,560
Speaker 6: No, I don't think, and I think that I think

1100
00:48:31,640 --> 00:48:35,200
Speaker 6: that the people that were some of the creators of

1101
00:48:35,280 --> 00:48:37,200
Speaker 6: hip hop would agree that this is not hip hop.

1102
00:48:37,360 --> 00:48:39,000
Speaker 1: No one wants to hear that earlier hip hop that's good?

1103
00:48:39,040 --> 00:48:39,320
Speaker 1: Did it do?

1104
00:48:39,480 --> 00:48:39,680
Speaker 6: Did it?

1105
00:48:39,880 --> 00:48:40,399
Speaker 4: Nobody said?

1106
00:48:40,440 --> 00:48:42,359
Speaker 6: Nobody saying Nobody saying you want to hear that there

1107
00:48:42,400 --> 00:48:44,839
Speaker 6: was hip hop way after that that was still hip hop.

1108
00:48:44,920 --> 00:48:46,960
Speaker 6: Look there, there's still there are still people that are

1109
00:48:46,960 --> 00:48:48,680
Speaker 6: currently still putting out hip hop.

1110
00:48:48,760 --> 00:48:51,080
Speaker 2: There can be a golden era of something, but it

1111
00:48:51,160 --> 00:48:53,760
Speaker 2: doesn't negate the other forms of it that also exists.

1112
00:48:53,800 --> 00:48:55,759
Speaker 6: I'm not saying to gate anything. I'm just saying, like this,

1113
00:48:56,000 --> 00:48:59,439
Speaker 6: we just need to start again, start identifying what things

1114
00:48:59,520 --> 00:49:01,799
Speaker 6: are and putting them in their proper perspective, That's all

1115
00:49:01,840 --> 00:49:02,279
Speaker 6: I'm saying.

1116
00:49:02,760 --> 00:49:06,000
Speaker 1: But the way like rock, like yo, this is this

1117
00:49:06,120 --> 00:49:08,320
Speaker 1: is Chinese. Well they both have noodles.

1118
00:49:08,760 --> 00:49:11,280
Speaker 4: Noodles still it's not Chinese.

1119
00:49:11,560 --> 00:49:13,319
Speaker 1: But the way rock and roll expanded where they had

1120
00:49:13,360 --> 00:49:15,799
Speaker 1: to make subcategories after it got so big. I think

1121
00:49:15,840 --> 00:49:19,680
Speaker 1: hip hop's in the same realm as that. Like there's

1122
00:49:19,760 --> 00:49:22,480
Speaker 1: punk rock, there's all different types of rock and roll.

1123
00:49:22,520 --> 00:49:24,640
Speaker 1: I think hip hop is the same thing. That's trap,

1124
00:49:25,120 --> 00:49:28,960
Speaker 1: that's underground, that's through hip hop. I think it's all

1125
00:49:29,000 --> 00:49:29,640
Speaker 1: within the same thing.

1126
00:49:29,880 --> 00:49:32,799
Speaker 2: Is why do we always play so much so much?

1127
00:49:32,920 --> 00:49:37,000
Speaker 2: It's like value in longevity. The world changes, things are

1128
00:49:37,000 --> 00:49:39,000
Speaker 2: supposed to change, things are supposed to evolve.

1129
00:49:39,160 --> 00:49:41,919
Speaker 1: You're asking why I want a champion longevity and music.

1130
00:49:42,440 --> 00:49:44,880
Speaker 2: It's just not But that's not commonplace. Like look at

1131
00:49:44,880 --> 00:49:46,440
Speaker 2: the history of hip hop. How many phases we've had,

1132
00:49:46,480 --> 00:49:47,880
Speaker 2: Like we're looking for something that's never.

1133
00:49:47,800 --> 00:49:50,600
Speaker 3: Existed, and some of our most classic like what's the

1134
00:49:50,719 --> 00:49:52,560
Speaker 3: longest era in hip hop? Yeah, some of our most

1135
00:49:52,600 --> 00:49:55,319
Speaker 3: classic songs and eras of hip hop, especially.

1136
00:49:55,000 --> 00:49:57,040
Speaker 1: With us just put out three albums.

1137
00:49:57,239 --> 00:50:00,520
Speaker 2: Okay, everybody is not what two people. I've been making

1138
00:50:00,560 --> 00:50:02,799
Speaker 2: good music for the for the entirety of the genre.

1139
00:50:02,880 --> 00:50:05,280
Speaker 2: I'm saying hip hop has gone through so many phases

1140
00:50:05,800 --> 00:50:07,640
Speaker 2: in they some longer than others, they coming up.

1141
00:50:07,680 --> 00:50:10,600
Speaker 1: But that's it. That's the nature of music. That's just

1142
00:50:10,719 --> 00:50:11,640
Speaker 1: how this shit works.

1143
00:50:13,320 --> 00:50:17,520
Speaker 4: On Like, I think, I always champion longevity. I'm not

1144
00:50:17,600 --> 00:50:18,359
Speaker 4: saying just music.

1145
00:50:18,560 --> 00:50:21,080
Speaker 6: Like I said, I think that Sexy Red is going

1146
00:50:21,160 --> 00:50:23,080
Speaker 6: to have She's going to be around for a while

1147
00:50:23,120 --> 00:50:26,200
Speaker 6: because even if it's not music, her personality is going

1148
00:50:26,280 --> 00:50:28,080
Speaker 6: to keep her around for a very long time.

1149
00:50:28,160 --> 00:50:28,359
Speaker 1: Yeah.

1150
00:50:28,680 --> 00:50:31,520
Speaker 6: So whether she moves into TV, film, you know what

1151
00:50:31,560 --> 00:50:34,759
Speaker 6: I mean, talk show, whatever it is, I think that

1152
00:50:35,080 --> 00:50:38,719
Speaker 6: her personality is going to warrant her longevity. Now, she

1153
00:50:38,840 --> 00:50:41,920
Speaker 6: may not be putting out hit songs and going you know,

1154
00:50:42,040 --> 00:50:45,520
Speaker 6: things like that too much longer, but I think that

1155
00:50:45,960 --> 00:50:49,520
Speaker 6: her Sexy Red, she is going her personality is going

1156
00:50:49,600 --> 00:50:51,920
Speaker 6: to keep her around for a very long time.

1157
00:50:52,960 --> 00:50:54,520
Speaker 1: Yeah, longevity.

1158
00:50:55,719 --> 00:50:57,240
Speaker 4: Still a thing to champion.

1159
00:50:57,320 --> 00:51:00,520
Speaker 1: I think that's the main problem with hip hop is

1160
00:51:00,600 --> 00:51:05,759
Speaker 1: not champion longevity, like, continue to contribute to the well,

1161
00:51:05,840 --> 00:51:06,280
Speaker 1: not here.

1162
00:51:06,200 --> 00:51:09,600
Speaker 4: To the hip hop music. Music has turned into a lick.

1163
00:51:09,719 --> 00:51:10,360
Speaker 1: It's a hustle.

1164
00:51:10,840 --> 00:51:13,799
Speaker 6: It's a let me get lit here so I can

1165
00:51:14,400 --> 00:51:17,160
Speaker 6: do this thing over here, like let me get a

1166
00:51:17,239 --> 00:51:19,200
Speaker 6: viral moment, let me get a viral record, let me,

1167
00:51:19,360 --> 00:51:21,680
Speaker 6: you know, get a bunch of streams here, and then

1168
00:51:21,760 --> 00:51:23,800
Speaker 6: I can go and do this thing. Like people started

1169
00:51:23,920 --> 00:51:26,960
Speaker 6: using the music as a vehicle to really get to it,

1170
00:51:27,120 --> 00:51:29,080
Speaker 6: which is I don't think there's nothing wrong with it,

1171
00:51:29,160 --> 00:51:30,480
Speaker 6: you know what I'm saying. I think that still you

1172
00:51:30,560 --> 00:51:33,760
Speaker 6: need integrity and everything that you do. But I understand

1173
00:51:33,880 --> 00:51:36,680
Speaker 6: this eraror and this generation, but of how quickly things

1174
00:51:36,719 --> 00:51:38,480
Speaker 6: could happen for you. Like even we go back to

1175
00:51:39,800 --> 00:51:41,920
Speaker 6: Bryson Tiller when his record took off, when his song

1176
00:51:42,000 --> 00:51:44,400
Speaker 6: took off, he was still I think working at a

1177
00:51:44,440 --> 00:51:47,279
Speaker 6: pizza spot when that record took off, and he was like, yo,

1178
00:51:47,360 --> 00:51:50,640
Speaker 6: I didn't even have too much other other songs done.

1179
00:51:50,760 --> 00:51:52,319
Speaker 6: Like when that song took off, and now people looking

1180
00:51:52,320 --> 00:51:54,120
Speaker 6: at me like we need an album, He's like, what

1181
00:51:54,320 --> 00:51:56,759
Speaker 6: the fuck? So he was doing something where it was

1182
00:51:56,800 --> 00:51:58,279
Speaker 6: like he didn't know it was gonna pop for him.

1183
00:51:58,600 --> 00:52:02,320
Speaker 6: But now obviously he's had longevity, he's been around for

1184
00:52:02,360 --> 00:52:04,720
Speaker 6: a while. He's been able to put out good songs,

1185
00:52:04,880 --> 00:52:08,080
Speaker 6: good albums, like you know, it could take off to you.

1186
00:52:08,200 --> 00:52:10,560
Speaker 6: But a lot of people now they use it as

1187
00:52:10,719 --> 00:52:13,160
Speaker 6: just I don't even care about this ship, like I

1188
00:52:13,280 --> 00:52:14,960
Speaker 6: just want to quick lick and then let me go

1189
00:52:15,480 --> 00:52:16,399
Speaker 6: and do this other thing.

1190
00:52:18,160 --> 00:52:21,480
Speaker 1: I just think it's the most important thing to hip

1191
00:52:21,480 --> 00:52:24,640
Speaker 1: hop culture is longevity my crazy life by YG turned ten.

1192
00:52:24,920 --> 00:52:26,160
Speaker 4: Longevity or integrity?

1193
00:52:27,239 --> 00:52:31,600
Speaker 1: Well it's I mean, because is there integrity anywhere? No longevity?

1194
00:52:33,120 --> 00:52:35,799
Speaker 1: If you if you want to put integrity into hip hop,

1195
00:52:35,920 --> 00:52:39,239
Speaker 1: that's a tough thing to put into. If you really

1196
00:52:39,280 --> 00:52:42,719
Speaker 1: want to get down, you should.

1197
00:52:43,760 --> 00:52:46,919
Speaker 6: You should put integrity into anything that you're creating, into

1198
00:52:47,000 --> 00:52:47,879
Speaker 6: anything that you're doing.

1199
00:52:48,200 --> 00:52:50,640
Speaker 1: Well, that would depend on your definition of integrity.

1200
00:52:50,880 --> 00:52:52,600
Speaker 4: There's only one definition of integrity.

1201
00:52:53,239 --> 00:52:55,680
Speaker 2: What the one where you set up your man's and

1202
00:52:55,800 --> 00:52:58,399
Speaker 2: then you know, like the hip hop it's so it's

1203
00:52:58,480 --> 00:53:01,160
Speaker 2: such a selfish sport. There's so little integrity in this shit.

1204
00:53:01,880 --> 00:53:03,640
Speaker 2: I think the place that above all is like what

1205
00:53:03,719 --> 00:53:03,920
Speaker 2: are we.

1206
00:53:04,040 --> 00:53:08,440
Speaker 1: Talking aboute Integrity can be a perception like let you

1207
00:53:08,480 --> 00:53:11,640
Speaker 1: sexy Red for example. I don't think it's bad the

1208
00:53:11,719 --> 00:53:14,680
Speaker 1: stuff she talks about or you know, shakes her ass,

1209
00:53:14,680 --> 00:53:17,080
Speaker 1: all the shit that people could say like how could

1210
00:53:17,080 --> 00:53:19,279
Speaker 1: you do that as a woman have some integrity? I

1211
00:53:19,360 --> 00:53:21,360
Speaker 1: think she has integrity. I don't think her doing that

1212
00:53:21,600 --> 00:53:23,879
Speaker 1: takes away from her integrity. But some people would think,

1213
00:53:24,320 --> 00:53:27,239
Speaker 1: as a woman, you should have some integrity and not

1214
00:53:27,960 --> 00:53:31,320
Speaker 1: speak that way, move that way, dance that way. Like

1215
00:53:31,760 --> 00:53:34,600
Speaker 1: integrity is a perception, it really is.

1216
00:53:35,400 --> 00:53:38,319
Speaker 4: But that Yeah, I don't know about that one.

1217
00:53:39,360 --> 00:53:40,200
Speaker 5: So MA, would you like me?

1218
00:53:40,320 --> 00:53:40,520
Speaker 2: Could you?

1219
00:53:40,680 --> 00:53:43,120
Speaker 1: I mean rapping about I mean, it's it's definitely a

1220
00:53:43,560 --> 00:53:49,239
Speaker 1: way bigger systematic conversation. But you could say, glorifying selling

1221
00:53:49,320 --> 00:53:52,200
Speaker 1: drugs to a community does not have much integrity in it. Exactly,

1222
00:53:52,680 --> 00:53:56,000
Speaker 1: it doesn't. You could sell drugs with integrity senseless violence.

1223
00:53:56,000 --> 00:53:57,759
Speaker 1: People could say, of course it comes from.

1224
00:53:57,640 --> 00:53:58,239
Speaker 6: A certain place.

1225
00:53:58,280 --> 00:53:59,400
Speaker 4: To sell drugs with integrity.

1226
00:53:59,520 --> 00:54:02,480
Speaker 1: Yeah, to your family. Everyone else's no.

1227
00:54:02,640 --> 00:54:04,799
Speaker 4: But you can sell drugs with integrity, is what I'm saying.

1228
00:54:05,600 --> 00:54:07,200
Speaker 1: Explain that to me if you're talking about from the

1229
00:54:07,200 --> 00:54:10,080
Speaker 1: business side, Yeah, from the business side. But at the

1230
00:54:10,160 --> 00:54:11,360
Speaker 1: end of the day, you're still.

1231
00:54:12,719 --> 00:54:14,680
Speaker 2: I think we're talking that's about integrity, and this is

1232
00:54:14,719 --> 00:54:16,120
Speaker 2: more into the morality side.

1233
00:54:15,960 --> 00:54:18,880
Speaker 4: Of this poisoning ship that you eat every day that

1234
00:54:18,960 --> 00:54:19,480
Speaker 4: you support.

1235
00:54:19,640 --> 00:54:22,759
Speaker 5: Okay, they don't have any integrity either. I don't think

1236
00:54:23,360 --> 00:54:25,120
Speaker 5: integrity with integrity.

1237
00:54:24,840 --> 00:54:26,800
Speaker 1: At least those things are FDA approved.

1238
00:54:28,120 --> 00:54:29,880
Speaker 4: At least put that little stick on it.

1239
00:54:30,040 --> 00:54:33,480
Speaker 1: The highest form, like somebody with a bad dog. Shit.

1240
00:54:33,600 --> 00:54:35,080
Speaker 6: Let you feel like somebody with a lab coat, like

1241
00:54:35,160 --> 00:54:36,480
Speaker 6: looked over it before they sold it to you.

1242
00:54:36,600 --> 00:54:39,120
Speaker 1: Put that little FDA stick on it. I mean, once

1243
00:54:39,200 --> 00:54:44,440
Speaker 1: you get into selling certain lifestyles integrities, you can move

1244
00:54:44,480 --> 00:54:47,040
Speaker 1: the integrity, but the overall thing you're doing is doesn't

1245
00:54:47,080 --> 00:54:47,719
Speaker 1: have integrity.

1246
00:54:48,000 --> 00:54:51,440
Speaker 3: Integrity, integrity the quality of being honest and having strong

1247
00:54:51,560 --> 00:54:53,680
Speaker 3: moral principles, moral uprightness.

1248
00:54:54,120 --> 00:54:57,520
Speaker 1: Yeah, it's very morality center. Think. I think there can be.

1249
00:54:57,760 --> 00:54:59,960
Speaker 6: Big You can absolutely sell drugs with a tegrity.

1250
00:55:00,760 --> 00:55:04,239
Speaker 1: I think there're gonna be a redemption quality in ending

1251
00:55:04,320 --> 00:55:05,960
Speaker 1: it and realizing what you did was wrong and you

1252
00:55:06,000 --> 00:55:07,960
Speaker 1: were putting a position that you kind of had no

1253
00:55:08,040 --> 00:55:12,000
Speaker 1: other choice. I understand it. But without the redemption part,

1254
00:55:12,160 --> 00:55:15,359
Speaker 1: is there any integrity? That's kind of like what people

1255
00:55:15,400 --> 00:55:17,920
Speaker 1: are giving me a lot of shit for when he's

1256
00:55:17,920 --> 00:55:20,920
Speaker 1: talking about prison reform and squashing beefs and then he

1257
00:55:21,000 --> 00:55:24,040
Speaker 1: goes on on the radar and talks about just shooting ops,

1258
00:55:24,200 --> 00:55:27,360
Speaker 1: spinning the block, Like there needs to be some consistency

1259
00:55:27,560 --> 00:55:29,280
Speaker 1: in this integrity but this but yeah.

1260
00:55:29,120 --> 00:55:31,960
Speaker 4: But that's again, that's the art understand thing, Like you know,

1261
00:55:32,120 --> 00:55:32,439
Speaker 4: you can't.

1262
00:55:32,480 --> 00:55:34,919
Speaker 6: We're not sitting there talking about Denzel killing a bunch

1263
00:55:34,920 --> 00:55:37,440
Speaker 6: of people in Equalizer and saying he's a bad person.

1264
00:55:37,560 --> 00:55:38,880
Speaker 1: That's art. It's a movie.

1265
00:55:39,239 --> 00:55:41,560
Speaker 6: You can't hold rappers. You can't hold rappers to that

1266
00:55:41,640 --> 00:55:44,120
Speaker 6: and say, oh, he's talking about this in his music, like, yes,

1267
00:55:44,239 --> 00:55:44,600
Speaker 6: you can.

1268
00:55:46,640 --> 00:55:48,440
Speaker 4: Denzel walking here. You ain't like, Yo, that's fucked up?

1269
00:55:48,480 --> 00:55:49,239
Speaker 4: What you didn't it?

1270
00:55:49,360 --> 00:55:52,000
Speaker 3: Because it's because this is It depends on who the

1271
00:55:52,120 --> 00:55:55,400
Speaker 3: audience is. If this was thirty forty years ago and

1272
00:55:55,520 --> 00:55:59,439
Speaker 3: we didn't know the repercussions and the effects that rap has,

1273
00:56:00,120 --> 00:56:03,520
Speaker 3: especially violent rap has on these young children's minds and

1274
00:56:03,640 --> 00:56:06,560
Speaker 3: how they look up to these celebrities and idolize these celebrities,

1275
00:56:06,600 --> 00:56:08,239
Speaker 3: if we didn't were if it was forty years ago,

1276
00:56:08,239 --> 00:56:11,000
Speaker 3: fifty years ago and we didn't know those ramifications, then

1277
00:56:11,080 --> 00:56:13,240
Speaker 3: we can say, okay, this is different because we didn't

1278
00:56:13,239 --> 00:56:16,359
Speaker 3: expect that at this point. You know, I know, both

1279
00:56:16,400 --> 00:56:18,800
Speaker 3: of them know how these little kids look up to

1280
00:56:18,880 --> 00:56:21,200
Speaker 3: these drill rappers and how they idolize them, and how

1281
00:56:21,280 --> 00:56:23,279
Speaker 3: it affects the way that they move throughout this world.

1282
00:56:23,560 --> 00:56:24,960
Speaker 3: So you can sit up here and say, oh, it's

1283
00:56:25,040 --> 00:56:26,759
Speaker 3: just the art form and use that as a cop out.

1284
00:56:26,920 --> 00:56:28,960
Speaker 3: If you're really good at your art, use a different

1285
00:56:29,000 --> 00:56:29,600
Speaker 3: type of art forms.

1286
00:56:30,320 --> 00:56:34,160
Speaker 6: The marg just saying is that's killing, shooting, homicide, murders.

1287
00:56:34,239 --> 00:56:36,239
Speaker 6: That's something that has been happening. Hip hop is only

1288
00:56:36,280 --> 00:56:39,920
Speaker 6: fifty years old. Murders, killings, and all this shit has

1289
00:56:40,000 --> 00:56:43,200
Speaker 6: been happening way before hip hop even was thought of.

1290
00:56:43,520 --> 00:56:46,640
Speaker 3: Okay, so just because this genre time that these younger

1291
00:56:46,680 --> 00:56:49,480
Speaker 3: boys are way worse than the generations before them, you

1292
00:56:49,640 --> 00:56:51,000
Speaker 3: say that on the seat all the time.

1293
00:56:51,120 --> 00:56:52,680
Speaker 1: Absolutely, Why do you think that that is?

1294
00:56:52,760 --> 00:56:54,320
Speaker 3: You don't think that that has anything to do with

1295
00:56:54,400 --> 00:56:56,880
Speaker 3: the inception of drill music and how violent music has

1296
00:56:56,920 --> 00:56:58,080
Speaker 3: gotten and how accessible.

1297
00:56:58,200 --> 00:57:01,360
Speaker 6: I'm not saying it. What I'm saying is I'm not

1298
00:57:01,440 --> 00:57:03,560
Speaker 6: going to sit here and say, oh, because an artist

1299
00:57:03,680 --> 00:57:09,080
Speaker 6: talks about this like he's doing something wrong, like that's

1300
00:57:09,160 --> 00:57:11,640
Speaker 6: adding poison to our community. I'm not going to say

1301
00:57:11,640 --> 00:57:13,840
Speaker 6: that now. I do, at the same time, see the

1302
00:57:13,960 --> 00:57:17,640
Speaker 6: influence that music has. Music had the influence on me.

1303
00:57:18,600 --> 00:57:22,320
Speaker 6: I started experimenting with smoking weed and drinking forties and

1304
00:57:22,320 --> 00:57:24,200
Speaker 6: shit like that. Just all of the shit I was

1305
00:57:24,240 --> 00:57:26,480
Speaker 6: listening to That's how I was introduced to that shit.

1306
00:57:26,720 --> 00:57:29,200
Speaker 6: I didn't know anything about that. But at the same time,

1307
00:57:29,760 --> 00:57:32,120
Speaker 6: I still had my own I wasn't a follower. You

1308
00:57:32,200 --> 00:57:33,360
Speaker 6: underst what I'm saying. So I think a lot of

1309
00:57:33,360 --> 00:57:35,840
Speaker 6: the times it's who is doing these things. These are

1310
00:57:35,880 --> 00:57:37,919
Speaker 6: kids that are lost. They're just looking for identity, They're

1311
00:57:37,920 --> 00:57:39,240
Speaker 6: trying to find themselves they don't have.

1312
00:57:39,640 --> 00:57:42,320
Speaker 3: But those those are demn near all if once you

1313
00:57:42,800 --> 00:57:44,400
Speaker 3: get are under the age, if I want to say,

1314
00:57:44,440 --> 00:57:46,520
Speaker 3: like sixteen, that is damn near all kids. All kids

1315
00:57:46,560 --> 00:57:47,040
Speaker 3: are lost and.

1316
00:57:47,240 --> 00:57:50,000
Speaker 6: Yeah, but no, but all kids, all kids are not

1317
00:57:50,120 --> 00:57:53,240
Speaker 6: without foundation. A lot of these kids like that are

1318
00:57:53,280 --> 00:57:57,720
Speaker 6: doing dumb shit, come from great homes, great families, like

1319
00:57:58,280 --> 00:58:01,520
Speaker 6: they're just following. So, but I'm not going to blame

1320
00:58:01,600 --> 00:58:04,760
Speaker 6: that solely on music. That will be unfair to the artist.

1321
00:58:05,480 --> 00:58:07,560
Speaker 6: Like because I said something, you mean to tell me

1322
00:58:07,680 --> 00:58:10,120
Speaker 6: I caused full homicides in the city because I said

1323
00:58:10,160 --> 00:58:13,600
Speaker 6: something in a song last week, that's unfair to put

1324
00:58:13,640 --> 00:58:14,280
Speaker 6: that on the artist.

1325
00:58:14,560 --> 00:58:16,720
Speaker 3: Oh, all the time, not sincerest with but all the

1326
00:58:16,760 --> 00:58:18,920
Speaker 3: time you say on this podcast, I have to use

1327
00:58:19,000 --> 00:58:20,240
Speaker 3: my platform responsibly.

1328
00:58:20,320 --> 00:58:22,280
Speaker 5: I have to be careful of what I say, because

1329
00:58:22,320 --> 00:58:23,479
Speaker 5: I know that I have a reach.

1330
00:58:23,880 --> 00:58:26,560
Speaker 3: So if you're making millions and millions and millions of

1331
00:58:26,600 --> 00:58:29,000
Speaker 3: dollars off of these kids, no matter whether it's just

1332
00:58:29,080 --> 00:58:31,120
Speaker 3: you or whether it's a one hundred rappers, and it's like, oh, well,

1333
00:58:31,120 --> 00:58:33,160
Speaker 3: they're all talking about the same things too. You are

1334
00:58:33,240 --> 00:58:35,720
Speaker 3: participating in the culture and you are contributing, and you

1335
00:58:35,800 --> 00:58:37,840
Speaker 3: got to eat that. It might not feel good, and

1336
00:58:37,920 --> 00:58:39,760
Speaker 3: you might have to look and say, hey, I'm making millions,

1337
00:58:39,800 --> 00:58:41,959
Speaker 3: I'm feeding my family, I'm helping my family out the hood.

1338
00:58:42,000 --> 00:58:44,240
Speaker 5: But you are contributing to a problem. It's the same

1339
00:58:44,240 --> 00:58:45,080
Speaker 5: shit with recycling.

1340
00:58:45,200 --> 00:58:46,800
Speaker 3: I can sit up there and go throw a bottle

1341
00:58:46,840 --> 00:58:48,600
Speaker 3: on the ground and say, oh but this, my one

1342
00:58:48,640 --> 00:58:50,880
Speaker 3: little bottle isn't going to cause real harm in the world,

1343
00:58:50,920 --> 00:58:52,680
Speaker 3: but I am still contributing to the problem.

1344
00:58:52,840 --> 00:58:54,800
Speaker 4: Yeah, but again, very true.

1345
00:58:54,920 --> 00:58:57,680
Speaker 6: But it's not fair to say because an artist is

1346
00:58:57,800 --> 00:59:02,080
Speaker 6: rapping about this type of music that oh, you're the

1347
00:59:02,160 --> 00:59:05,520
Speaker 6: sole cause of this that's going on in our communities.

1348
00:59:05,800 --> 00:59:07,600
Speaker 4: I can never put that on just the artist.

1349
00:59:07,680 --> 00:59:10,920
Speaker 6: It's a it's a bigger problem, no problem, this is

1350
00:59:10,960 --> 00:59:12,680
Speaker 6: what I'm saying it say so it's a way bigger

1351
00:59:12,720 --> 00:59:14,920
Speaker 6: problem than just the music and hip hop.

1352
00:59:15,040 --> 00:59:17,760
Speaker 4: Now again, I'm with you. I've seen it firsthand.

1353
00:59:17,800 --> 00:59:19,840
Speaker 6: I've been a victim of it to a certain degree

1354
00:59:20,160 --> 00:59:24,200
Speaker 6: of how music can influence and you know, affect your

1355
00:59:24,320 --> 00:59:27,880
Speaker 6: upbringing and you growing up in your environment. It's the

1356
00:59:28,040 --> 00:59:31,080
Speaker 6: energy that's put out. It's a fucking it's words, you

1357
00:59:31,120 --> 00:59:33,000
Speaker 6: know what I'm saying. It's like it gets you people

1358
00:59:33,080 --> 00:59:36,000
Speaker 6: listening to music to getting the zone with the athletes

1359
00:59:36,040 --> 00:59:36,720
Speaker 6: in the locker room.

1360
00:59:36,920 --> 00:59:38,200
Speaker 4: Not not well, not to kill people.

1361
00:59:38,320 --> 00:59:40,280
Speaker 5: Niggas put out certain music to go kill people.

1362
00:59:40,560 --> 00:59:42,880
Speaker 6: No, I mean we've seen We've seen even Marines say

1363
00:59:42,920 --> 00:59:44,720
Speaker 6: they was listening to certain songs and shit when they

1364
00:59:44,760 --> 00:59:47,920
Speaker 6: were going in Afghanistan going like looking for like Taliban,

1365
00:59:48,000 --> 00:59:51,080
Speaker 6: and they was listening to certain music like to get

1366
00:59:51,120 --> 00:59:52,520
Speaker 6: them in that in that move.

1367
00:59:52,640 --> 00:59:54,560
Speaker 4: So, but that's what it is. It's a it puts

1368
00:59:54,560 --> 00:59:56,440
Speaker 4: you in them, but you have to understand how to

1369
00:59:56,560 --> 00:59:57,160
Speaker 4: separate that.

1370
00:59:57,680 --> 00:59:59,600
Speaker 6: Like the same if you go to see a movie,

1371
00:59:59,800 --> 01:00:02,600
Speaker 6: if I see somebody shooting up a whole fucking store

1372
01:00:02,680 --> 01:00:04,360
Speaker 6: in a movie, I'm not gonna be in a movie

1373
01:00:04,400 --> 01:00:05,920
Speaker 6: that are rocking back and forth, like yes, as soon

1374
01:00:05,920 --> 01:00:08,240
Speaker 6: as i leave, I'm going outside to fucking do this

1375
01:00:08,360 --> 01:00:10,400
Speaker 6: same shit that I just like, No, this is the

1376
01:00:10,600 --> 01:00:13,600
Speaker 6: this is not this is art. This is just creativity.

1377
01:00:13,680 --> 01:00:16,920
Speaker 6: This is how somebody's painting a story, painting a picture.

1378
01:00:17,280 --> 01:00:19,080
Speaker 6: I'm not gonna go out here and do that because

1379
01:00:19,120 --> 01:00:21,600
Speaker 6: that's the words that I'm listening to. That's the It's

1380
01:00:21,680 --> 01:00:24,760
Speaker 6: just a difference in being able to associate yourself with

1381
01:00:25,440 --> 01:00:27,040
Speaker 6: art and music and they say, Okay, I want to

1382
01:00:27,160 --> 01:00:29,160
Speaker 6: be like that, I want to do that. That's a

1383
01:00:29,360 --> 01:00:31,120
Speaker 6: that's the problem. Like a lot of these kids are

1384
01:00:31,200 --> 01:00:35,600
Speaker 6: just lost souls, like they're lost on heavy drugs, fucked

1385
01:00:35,680 --> 01:00:40,040
Speaker 6: up family situation, fucked up living situation, you know, poverty,

1386
01:00:40,160 --> 01:00:43,360
Speaker 6: like you said, no education. It's a bigger problem than

1387
01:00:43,440 --> 01:00:46,320
Speaker 6: just saying, oh, this drill rapper is the reason, Like,

1388
01:00:46,560 --> 01:00:48,000
Speaker 6: because a lot of these drill rappers are really just

1389
01:00:48,080 --> 01:00:50,000
Speaker 6: rapping about the shit that they see in not that

1390
01:00:50,040 --> 01:00:53,760
Speaker 6: they're not necessarily doing, but the shit that's going on

1391
01:00:53,880 --> 01:00:56,200
Speaker 6: in their environments. Their homeboy just got killed, you know

1392
01:00:56,200 --> 01:00:58,160
Speaker 6: what I'm saying, Or their cousin was killed and things

1393
01:00:58,200 --> 01:01:00,720
Speaker 6: like that growing up whatever. So it's not you can't

1394
01:01:00,760 --> 01:01:02,400
Speaker 6: just put that on the artists. I think that's unfair.

1395
01:01:03,120 --> 01:01:05,480
Speaker 6: But there's a heavy influence on music in the culture

1396
01:01:05,560 --> 01:01:07,880
Speaker 6: and what goes on in our neighborhoods because it is

1397
01:01:08,040 --> 01:01:10,240
Speaker 6: the voice of the people from these communities.

1398
01:01:10,720 --> 01:01:12,680
Speaker 3: Yeah, and I'm not just being I'm not just being

1399
01:01:12,800 --> 01:01:14,760
Speaker 3: hard and we could get off this because it's depressing

1400
01:01:14,760 --> 01:01:16,440
Speaker 3: and ship, but I'm not just being hard on hip

1401
01:01:16,440 --> 01:01:18,600
Speaker 3: hop too. I give video games the same amount of

1402
01:01:18,640 --> 01:01:20,080
Speaker 3: smoke for a lot of the shit.

1403
01:01:20,160 --> 01:01:22,800
Speaker 6: Yeah, we're gonna probably much more, gonna cancel GTA like

1404
01:01:22,880 --> 01:01:24,200
Speaker 6: and be like y'all like they were.

1405
01:01:24,440 --> 01:01:27,120
Speaker 1: Weren't they like trying to get g TA canceled.

1406
01:01:27,280 --> 01:01:29,480
Speaker 4: I cannot. I can understand why. I agree, you know

1407
01:01:29,520 --> 01:01:29,919
Speaker 4: what I'm saying.

1408
01:01:29,960 --> 01:01:32,160
Speaker 6: But at the same time, it's like we got to

1409
01:01:32,200 --> 01:01:35,280
Speaker 6: look past just the video game, past just the artists

1410
01:01:35,280 --> 01:01:37,400
Speaker 6: and the rapper, and we got to look past that

1411
01:01:37,640 --> 01:01:41,280
Speaker 6: and dig deeper, like what's what's the root of these problems?

1412
01:01:42,200 --> 01:01:49,280
Speaker 1: I agree. It was a good, healthy conversation, guys. It's

1413
01:01:49,280 --> 01:01:51,959
Speaker 1: always good to have healthy conversation. Love a nice little

1414
01:01:52,000 --> 01:01:55,560
Speaker 1: after school special, you know what I'm saying. Jokes, funny, No,

1415
01:01:55,720 --> 01:01:57,960
Speaker 1: I really enjoyed the conversation. I'm serious. Yeah, I thought

1416
01:01:58,000 --> 01:02:00,560
Speaker 1: that was great. But back to your point of saying,

1417
01:02:01,600 --> 01:02:04,840
Speaker 1: like the female rappers that can actually rap looking at

1418
01:02:04,840 --> 01:02:07,680
Speaker 1: sexy Red, I do think there is a balance that

1419
01:02:07,720 --> 01:02:10,160
Speaker 1: we need to pay attention to Flow Milly, who we've

1420
01:02:10,240 --> 01:02:13,000
Speaker 1: loved for quite some time. I love you could say

1421
01:02:13,040 --> 01:02:16,720
Speaker 1: that the machine pushed the button, but she's been putting

1422
01:02:16,720 --> 01:02:20,560
Speaker 1: in work for what seven years now. I love that

1423
01:02:20,640 --> 01:02:24,120
Speaker 1: Cardi and Scissa hopped on that remix. The song is incredible,

1424
01:02:24,240 --> 01:02:27,440
Speaker 1: and I think it's her time. M hm. She can

1425
01:02:27,520 --> 01:02:30,240
Speaker 1: really rap. She's one of those. So I think there

1426
01:02:30,400 --> 01:02:33,240
Speaker 1: is still a good balance. As much as I shit

1427
01:02:33,400 --> 01:02:37,360
Speaker 1: on current hip hop and what I think is more

1428
01:02:37,400 --> 01:02:39,439
Speaker 1: of a business model than it is a music model,

1429
01:02:40,480 --> 01:02:42,320
Speaker 1: you still get people like Flow Millie getting the looks

1430
01:02:42,320 --> 01:02:45,000
Speaker 1: they deserve. To have Sisson and Cardi on a remix,

1431
01:02:45,040 --> 01:02:47,040
Speaker 1: shout out of Helen shot at RCA. But that's.

1432
01:02:50,280 --> 01:02:51,320
Speaker 4: Great look for Flow Milly.

1433
01:02:51,360 --> 01:02:53,120
Speaker 6: I mean anytime you can get a record with Cardi

1434
01:02:53,200 --> 01:02:55,880
Speaker 6: and Scissor, I mean that's you know, that's the top

1435
01:02:55,920 --> 01:02:56,360
Speaker 6: of the top.

1436
01:03:00,880 --> 01:03:06,600
Speaker 1: But is that another way for like you said, uh.

1437
01:03:08,160 --> 01:03:10,200
Speaker 4: Earlier, Cardi is having trouble catching one.

1438
01:03:10,640 --> 01:03:15,800
Speaker 1: Is this another way for her to stay relevant? Yeah?

1439
01:03:15,840 --> 01:03:19,760
Speaker 3: They in the in the ears for Sciss doesn't have

1440
01:03:19,800 --> 01:03:20,920
Speaker 3: a problem with any relevancy.

1441
01:03:21,040 --> 01:03:24,600
Speaker 6: So I'm just I'm just speaking about Cardi in particular,

1442
01:03:24,680 --> 01:03:26,360
Speaker 6: like because artists will do that even though they're big

1443
01:03:27,760 --> 01:03:29,280
Speaker 6: album even though.

1444
01:03:29,120 --> 01:03:31,640
Speaker 1: They well that part that's still charting, but even though.

1445
01:03:31,480 --> 01:03:35,600
Speaker 6: They're big, it's like they'll they'll hear because to me,

1446
01:03:35,800 --> 01:03:38,560
Speaker 6: this is again great for flu Millie because this is

1447
01:03:38,640 --> 01:03:41,440
Speaker 6: you're talking about Cardi and fucking Scissors, two of the biggest,

1448
01:03:41,480 --> 01:03:46,600
Speaker 6: fucking artists. But this is to me another way of

1449
01:03:46,840 --> 01:03:52,800
Speaker 6: if an artist is signed to how we had the

1450
01:03:52,840 --> 01:03:56,400
Speaker 6: conversation of one of the biggest artists, right and that

1451
01:03:56,560 --> 01:03:58,360
Speaker 6: artist goes in the studio just to hear what you're

1452
01:03:58,400 --> 01:04:01,240
Speaker 6: working on, and here's like, oh shit, like you got

1453
01:04:01,320 --> 01:04:03,840
Speaker 6: a record. This is really just the cool way of

1454
01:04:03,840 --> 01:04:06,200
Speaker 6: saying YOUO, let me get that, but let me hop on.

1455
01:04:06,280 --> 01:04:08,120
Speaker 1: I need a verse on that. But that's it's been

1456
01:04:08,200 --> 01:04:09,120
Speaker 1: happening in hip hop.

1457
01:04:09,160 --> 01:04:11,080
Speaker 4: I'm not saying it's anything wrong with it.

1458
01:04:11,200 --> 01:04:14,240
Speaker 1: I think it's a back to our longevity conversation. I

1459
01:04:14,320 --> 01:04:17,640
Speaker 1: think it's a beautiful way for young artists and legacy

1460
01:04:17,760 --> 01:04:18,760
Speaker 1: acts to use each other.

1461
01:04:19,600 --> 01:04:21,520
Speaker 6: I'm not saying, oh did it Drake, does it I'm

1462
01:04:21,560 --> 01:04:23,840
Speaker 6: not I'm not saying anybody does it. I'm not saying

1463
01:04:23,840 --> 01:04:26,520
Speaker 6: that there's anything wrong with it. I'm just saying that

1464
01:04:27,080 --> 01:04:30,800
Speaker 6: that is essentially what this is. Here's this artist that's

1465
01:04:31,360 --> 01:04:34,040
Speaker 6: on the rise, on the come up, making some noise,

1466
01:04:34,320 --> 01:04:37,640
Speaker 6: caught a record, has a really dope record. Artists that

1467
01:04:37,640 --> 01:04:40,920
Speaker 6: are already established hear that record and like, nah, I

1468
01:04:40,960 --> 01:04:42,360
Speaker 6: need I need to eat on it, I need I

1469
01:04:42,440 --> 01:04:45,440
Speaker 6: need a verse on that. If if Flow Milly was

1470
01:04:45,520 --> 01:04:51,400
Speaker 6: signed to Cardio Scissor, we may not have even heard

1471
01:04:51,480 --> 01:04:53,400
Speaker 6: this record. It made it that I'm just saying that,

1472
01:04:53,520 --> 01:04:55,520
Speaker 6: that's how you're saying I went to what it would

1473
01:04:55,520 --> 01:04:58,400
Speaker 6: have went to the bigger artists it would have went.

1474
01:04:58,480 --> 01:05:00,920
Speaker 6: So this would have just been a Cardi record if

1475
01:05:00,960 --> 01:05:03,080
Speaker 6: she was signed to Cardi Party at a label, or

1476
01:05:03,360 --> 01:05:04,760
Speaker 6: if she was signed to scism.

1477
01:05:04,680 --> 01:05:09,040
Speaker 3: Because really is such a completely different artist than Maybe actually.

1478
01:05:08,840 --> 01:05:10,880
Speaker 6: That's how things happen. It's not like a guess that's

1479
01:05:10,920 --> 01:05:11,240
Speaker 6: how things.

1480
01:05:11,280 --> 01:05:13,480
Speaker 3: I understand that, but it also has to match the artists.

1481
01:05:13,480 --> 01:05:15,959
Speaker 3: We were talking about literally on our last conversation about

1482
01:05:16,040 --> 01:05:18,440
Speaker 3: Drake and how he handles his artist. The artist on

1483
01:05:18,520 --> 01:05:22,200
Speaker 3: his label usually make music like him. This Flow Millie song.

1484
01:05:22,360 --> 01:05:24,000
Speaker 3: It could be a Cardi record, could not be a

1485
01:05:24,040 --> 01:05:26,360
Speaker 3: Cardi record. It could be a Scissor record. This would

1486
01:05:26,360 --> 01:05:27,800
Speaker 3: not be No, of course, this could.

1487
01:05:27,600 --> 01:05:29,440
Speaker 6: Be a Scissor record because she's basically singing.

1488
01:05:29,880 --> 01:05:32,800
Speaker 4: This could be a Cardi record. This could absolutely be

1489
01:05:32,840 --> 01:05:33,439
Speaker 4: a Cardi record.

1490
01:05:33,480 --> 01:05:35,480
Speaker 5: You sign me a Cardi record that sounds anything like this.

1491
01:05:36,000 --> 01:05:38,000
Speaker 1: Cardi has songs where she's singing on some of the

1492
01:05:38,080 --> 01:05:40,840
Speaker 1: song song with his what are we talking about?

1493
01:05:41,960 --> 01:05:43,920
Speaker 3: It's not just about the singing, it's about the way

1494
01:05:44,000 --> 01:05:46,520
Speaker 3: that the song is. Like, this isn't a Cardi record.

1495
01:05:47,440 --> 01:05:48,000
Speaker 5: It just isn't.

1496
01:05:48,040 --> 01:05:49,160
Speaker 6: So why is Cardi on the record.

1497
01:05:49,840 --> 01:05:52,000
Speaker 3: It's a good feature, it's cute, it's a different it's

1498
01:05:52,000 --> 01:05:54,320
Speaker 3: a remix, Like it's not like it's just a regular song.

1499
01:05:54,360 --> 01:05:55,040
Speaker 5: It's a remix.

1500
01:05:55,360 --> 01:05:57,280
Speaker 3: So yes, you switched the song up a little bit,

1501
01:05:57,320 --> 01:05:58,960
Speaker 3: but it does. It just doesn't sound like a Cardi record.

1502
01:05:59,000 --> 01:06:00,760
Speaker 3: I don't think that's a big crazy the thing to say.

1503
01:06:00,760 --> 01:06:03,480
Speaker 6: If Flow Milly, if Cardi b had a record label

1504
01:06:03,840 --> 01:06:06,600
Speaker 6: and Flow Milly was an artist that she signed, I

1505
01:06:06,720 --> 01:06:09,600
Speaker 6: can guarantee you that if Cardi walked in this session

1506
01:06:09,640 --> 01:06:13,520
Speaker 6: and heard that record, this would be a Cardi B record. Okay,

1507
01:06:14,400 --> 01:06:17,160
Speaker 6: guarantee you that I disagree. That's how it happens, like

1508
01:06:17,440 --> 01:06:19,360
Speaker 6: it always happens, Like I could see it as Cardi

1509
01:06:19,560 --> 01:06:22,360
Speaker 6: featuring Flow Mill. I think, however, you want to chop it,

1510
01:06:22,520 --> 01:06:24,840
Speaker 6: it would be on a Cardi B project or it

1511
01:06:24,880 --> 01:06:26,720
Speaker 6: would be released as a Cardi B record, is what

1512
01:06:26,800 --> 01:06:27,160
Speaker 6: I'm saying.

1513
01:06:27,200 --> 01:06:29,760
Speaker 1: Well, I think it's great that Carti is I guess,

1514
01:06:29,800 --> 01:06:32,160
Speaker 1: I guess helping flow Milly, but again, she's been working

1515
01:06:32,200 --> 01:06:35,200
Speaker 1: for so long is definitely Cardi and says of help

1516
01:06:35,240 --> 01:06:37,080
Speaker 1: with this. I mean this is an RCA move. I

1517
01:06:37,400 --> 01:06:41,560
Speaker 1: think RCA wanted to remix a record that's already popping

1518
01:06:41,640 --> 01:06:43,920
Speaker 1: and got Scissor, who's on RCA. I'm sure she liked

1519
01:06:43,960 --> 01:06:47,280
Speaker 1: it and fucks with Flowmilly. I'm sure the relationship and

1520
01:06:47,320 --> 01:06:49,440
Speaker 1: then got a Cardy after that, because Carti is, to

1521
01:06:49,560 --> 01:06:52,720
Speaker 1: your point, hopping on things to be next to what's

1522
01:06:52,720 --> 01:06:54,240
Speaker 1: hot at the time, which I don't think there's any

1523
01:06:54,400 --> 01:06:54,880
Speaker 1: fault in that.

1524
01:06:55,040 --> 01:06:57,120
Speaker 4: That's part of the game. That's part of the game.

1525
01:06:57,160 --> 01:06:57,720
Speaker 4: That's what I'm saying.

1526
01:06:57,760 --> 01:07:00,200
Speaker 6: If if this, if this was an artist signed to

1527
01:07:00,280 --> 01:07:02,880
Speaker 6: one of these ladies, this could easily have been one

1528
01:07:02,960 --> 01:07:06,960
Speaker 6: of their records sis we notice would have been Acissor song.

1529
01:07:07,000 --> 01:07:09,200
Speaker 1: This sounds like a Scissor record. Yeah, do you know

1530
01:07:09,240 --> 01:07:10,160
Speaker 1: what I'm saying? But Cardi.

1531
01:07:10,400 --> 01:07:12,200
Speaker 6: I could see Cardi taking this and like you said,

1532
01:07:12,240 --> 01:07:14,560
Speaker 6: even if she kept flowing it, if that was an artist,

1533
01:07:14,800 --> 01:07:16,760
Speaker 6: this would be a Cardi song, is what I'm saying.

1534
01:07:16,800 --> 01:07:19,880
Speaker 1: But even to that point, like I'm sure an an

1535
01:07:20,000 --> 01:07:24,960
Speaker 1: R heard that record at RCA. They didn't send it

1536
01:07:25,000 --> 01:07:27,280
Speaker 1: to SIV Flowilly kept it. They're on the same label.

1537
01:07:27,600 --> 01:07:28,959
Speaker 1: That is similar to what you're saying.

1538
01:07:30,360 --> 01:07:34,160
Speaker 6: Yeah, but I'm talking about being signed directly to that artist,

1539
01:07:34,440 --> 01:07:38,440
Speaker 6: not being label mates, being signed directly to that artist.

1540
01:07:38,800 --> 01:07:42,240
Speaker 4: Yeah, it's a that's a total different thing, totally different thing.

1541
01:07:42,320 --> 01:07:45,040
Speaker 6: But one of my one of my candidates for a

1542
01:07:45,120 --> 01:07:48,120
Speaker 6: song of the Summer, Dislow Milli record.

1543
01:07:48,840 --> 01:07:51,400
Speaker 4: I like it, definitely one of my one of my candidates.

1544
01:07:51,600 --> 01:07:54,520
Speaker 1: Do you like the remix? I like the remix? I

1545
01:07:54,680 --> 01:07:56,439
Speaker 1: like it, Yeah, I like to I like the remix,

1546
01:07:56,600 --> 01:07:59,440
Speaker 1: like the videos, dope like I like it. And staying

1547
01:07:59,480 --> 01:08:01,440
Speaker 1: in music, it was a it was a cool new

1548
01:08:01,560 --> 01:08:05,560
Speaker 1: music Friday. I felt like we can stay in longevity

1549
01:08:05,680 --> 01:08:11,840
Speaker 1: and legacy. H my partner in crime, Man in the Woods,

1550
01:08:12,120 --> 01:08:14,320
Speaker 1: he come out of the Woods. Yeah, we might have

1551
01:08:14,400 --> 01:08:15,240
Speaker 1: to Justin Timberlake.

1552
01:08:15,360 --> 01:08:17,680
Speaker 6: We might have to forgive Justin for that Man in

1553
01:08:17,720 --> 01:08:20,720
Speaker 6: the Woods album and O this album was that good

1554
01:08:20,800 --> 01:08:22,519
Speaker 6: act like it never. I mean, it's a lot better

1555
01:08:22,600 --> 01:08:26,280
Speaker 6: than Man in the Woods. So we might have to

1556
01:08:26,320 --> 01:08:30,080
Speaker 6: forgive Justin. Might be he might be slowly working his

1557
01:08:30,160 --> 01:08:33,320
Speaker 6: way back into a good graces and a spot at

1558
01:08:33,360 --> 01:08:36,560
Speaker 6: the Things Given dinner table for sure. Should I have

1559
01:08:36,640 --> 01:08:40,040
Speaker 6: some white hate white hate? I love white hate so absolutely.

1560
01:08:40,600 --> 01:08:41,840
Speaker 6: I love when y'all hate on each other.

1561
01:08:43,040 --> 01:08:46,960
Speaker 1: The album confused me. It was a rollercoaster of me

1562
01:08:48,000 --> 01:08:50,160
Speaker 1: liking it and me also thinking it was the worst

1563
01:08:50,200 --> 01:08:55,479
Speaker 1: thing ever. Really, the first record Memphis, I was like, okay,

1564
01:08:55,560 --> 01:08:58,320
Speaker 1: this was like when Usher tried to make that Future album.

1565
01:08:58,479 --> 01:09:00,600
Speaker 1: M hmm. I was like, what the fuck Justin was

1566
01:09:00,680 --> 01:09:03,599
Speaker 1: in the Woods? Now he's just trying to find records

1567
01:09:03,640 --> 01:09:06,559
Speaker 1: that should have went to Drake. I was very nervous.

1568
01:09:06,640 --> 01:09:09,639
Speaker 1: I hate the intro. It would be a great song

1569
01:09:09,760 --> 01:09:11,920
Speaker 1: for someone else. Justin trying to match what's going on

1570
01:09:12,040 --> 01:09:13,759
Speaker 1: right now was awful. Okay.

1571
01:09:14,080 --> 01:09:16,280
Speaker 6: It's always a little weird when the legacy artists try

1572
01:09:16,320 --> 01:09:18,120
Speaker 6: to catch the current sound.

1573
01:09:18,560 --> 01:09:21,559
Speaker 1: And maybe that's short sighted and my opinion maybe they

1574
01:09:21,560 --> 01:09:23,760
Speaker 1: should try to do that for longevity, but I think

1575
01:09:23,800 --> 01:09:29,720
Speaker 1: it sucks. It started out slow. Technicolor I think could

1576
01:09:29,760 --> 01:09:35,479
Speaker 1: be ranked in Justin's top fifteen catalog. That's how good

1577
01:09:35,520 --> 01:09:40,559
Speaker 1: record color. That record is insane. Drown was like they

1578
01:09:40,640 --> 01:09:44,280
Speaker 1: were trying to recreate the old Justin. That's what a

1579
01:09:44,320 --> 01:09:48,640
Speaker 1: lot of this album feels like. The Justin that we

1580
01:09:48,840 --> 01:09:53,240
Speaker 1: loved with Timberland. They tried to recreate.

1581
01:09:53,280 --> 01:09:54,200
Speaker 4: It was glimpses of it.

1582
01:09:54,600 --> 01:09:56,720
Speaker 1: They tried to recreate. It's like since they brought him

1583
01:09:56,720 --> 01:09:57,400
Speaker 1: out the woods, it's.

1584
01:09:57,280 --> 01:10:01,280
Speaker 6: Like seeing stocking him alone picking roll. It's like okay, yeah, not.

1585
01:10:01,360 --> 01:10:03,560
Speaker 1: As quick as it used to be, but okay, and

1586
01:10:03,760 --> 01:10:07,200
Speaker 1: some landed, some landed really good, and some didn't at all.

1587
01:10:07,320 --> 01:10:09,479
Speaker 1: There was like, there's really no greay area on this album.

1588
01:10:09,720 --> 01:10:12,519
Speaker 1: It's either they nailed it or they didn't at all.

1589
01:10:12,880 --> 01:10:15,120
Speaker 1: Like the Usher album, there's stuff that like I'm like, oh,

1590
01:10:15,200 --> 01:10:18,000
Speaker 1: that's cool, that's really great. Not for me. This one

1591
01:10:18,080 --> 01:10:20,840
Speaker 1: is either nailed it. I hate that, or get the

1592
01:10:20,960 --> 01:10:22,080
Speaker 1: fuck out of it? Is it big?

1593
01:10:23,000 --> 01:10:23,120
Speaker 7: Is that?

1594
01:10:23,479 --> 01:10:24,360
Speaker 1: I hate that record?

1595
01:10:24,960 --> 01:10:28,080
Speaker 4: Oh my god, I hate that record. I wish I

1596
01:10:28,200 --> 01:10:29,080
Speaker 4: never heard that record.

1597
01:10:29,240 --> 01:10:31,479
Speaker 5: You hate it that much, he said.

1598
01:10:31,960 --> 01:10:33,720
Speaker 6: When I used to go to McDonald's, I would never

1599
01:10:33,920 --> 01:10:36,320
Speaker 6: order to small. I would always do it big.

1600
01:10:36,600 --> 01:10:37,120
Speaker 1: What is that?

1601
01:10:39,240 --> 01:10:40,040
Speaker 6: I don't ever want to.

1602
01:10:42,200 --> 01:10:44,560
Speaker 1: All right, the back to what you were saying, R

1603
01:10:44,960 --> 01:10:46,320
Speaker 1: I mean, one of the best records on there. I

1604
01:10:46,400 --> 01:10:49,160
Speaker 1: think the writing is fucking insane. I'm we don't need

1605
01:10:49,200 --> 01:10:51,800
Speaker 1: to leave. I'm the party. I don't know why, girl,

1606
01:10:51,840 --> 01:10:52,400
Speaker 1: I'm the party.

1607
01:10:53,040 --> 01:10:56,080
Speaker 6: It's a good sad record, but I don't give all

1608
01:10:56,120 --> 01:10:58,880
Speaker 6: told y'all crazy that song, I said, dope record.

1609
01:10:59,000 --> 01:11:00,840
Speaker 1: I don't ever want to hear forty six year old

1610
01:11:00,880 --> 01:11:02,639
Speaker 1: tell a girl to stay in because I am the party.

1611
01:11:04,000 --> 01:11:05,880
Speaker 1: That sounds like something Will Ferrell would say when he

1612
01:11:05,960 --> 01:11:08,559
Speaker 1: walked into like a step Brother scene. First of all,

1613
01:11:09,120 --> 01:11:09,880
Speaker 1: that's what that sounds like.

1614
01:11:10,240 --> 01:11:12,439
Speaker 4: US is not forty six, number one, forty seven. No,

1615
01:11:12,560 --> 01:11:13,680
Speaker 4: he's what's wrong with you?

1616
01:11:13,800 --> 01:11:14,360
Speaker 1: Forty five?

1617
01:11:15,000 --> 01:11:17,439
Speaker 2: Oh that's all right, that's crazy, he said, forty six

1618
01:11:17,520 --> 01:11:19,439
Speaker 2: you're trying to come on. That's it's a year off.

1619
01:11:19,479 --> 01:11:20,200
Speaker 1: I was a year off.

1620
01:11:20,960 --> 01:11:21,760
Speaker 4: US is forty five?

1621
01:11:21,960 --> 01:11:24,080
Speaker 1: Yeah? Yeah, I thought he was like forty three, forty

1622
01:11:24,120 --> 01:11:24,960
Speaker 1: five he's the party?

1623
01:11:25,760 --> 01:11:28,559
Speaker 4: Oh shit, I didn't know she was forty five age

1624
01:11:28,640 --> 01:11:33,320
Speaker 4: she looks before his age, kidding me, I'd beat.

1625
01:11:35,280 --> 01:11:39,840
Speaker 1: Too far. Cay, I say I'm gay. Whoa, Yeah that

1626
01:11:40,040 --> 01:11:42,960
Speaker 1: was no, Like like the beats on that album. The

1627
01:11:43,000 --> 01:11:46,439
Speaker 1: beats on the album are really good. Okay, okay, all right,

1628
01:11:46,479 --> 01:11:48,240
Speaker 1: Like i'd like to play a beat, No, but you

1629
01:11:48,400 --> 01:11:50,680
Speaker 1: like to get Yeah, oh my god, you would never

1630
01:11:50,800 --> 01:11:52,800
Speaker 1: be a fly love to be a fly? Little session. Yes,

1631
01:11:52,840 --> 01:11:54,960
Speaker 1: I would be so scared. Let's get back to it,

1632
01:11:55,120 --> 01:11:57,160
Speaker 1: especially of how amazing flying the wall to be a

1633
01:11:57,240 --> 01:11:59,719
Speaker 1: man on his knees, I'd be kicky Balmer.

1634
01:12:00,560 --> 01:12:02,720
Speaker 5: We almost made it through this episode, which shall be

1635
01:12:02,800 --> 01:12:03,559
Speaker 5: in eggs.

1636
01:12:03,720 --> 01:12:06,000
Speaker 4: Like y'all keep telling you I'm being progressive.

1637
01:12:08,080 --> 01:12:11,160
Speaker 1: I like that. Like ugs, it's pretty good. I don't

1638
01:12:11,160 --> 01:12:13,280
Speaker 1: want to sit here and ship on everything I thought

1639
01:12:13,360 --> 01:12:16,920
Speaker 1: it was. I think it is great. But like when

1640
01:12:16,960 --> 01:12:19,040
Speaker 1: you get stuff like this, dude, like I don't need

1641
01:12:20,080 --> 01:12:23,000
Speaker 1: the world does not need justin Timberlake's afrobeat.

1642
01:12:22,560 --> 01:12:31,959
Speaker 2: Record No Black Women Loved When Brands African Child.

1643
01:12:33,640 --> 01:12:37,439
Speaker 1: Classic record by the way, Yeah he was a African

1644
01:12:37,520 --> 01:12:41,880
Speaker 1: space Christ. Great record. That movie is really underrated. And

1645
01:12:42,000 --> 01:12:44,320
Speaker 1: I know we're we're not team Puff, but he killed

1646
01:12:44,320 --> 01:12:50,880
Speaker 1: that role. Yeah, there's just moments in there that I

1647
01:12:51,080 --> 01:12:53,120
Speaker 1: just think r c A was like, well, he's back,

1648
01:12:53,200 --> 01:12:55,920
Speaker 1: Let's get him on some let's get him on some afrobeats.

1649
01:12:56,160 --> 01:12:58,200
Speaker 1: They should just put him in black face. The record

1650
01:12:58,240 --> 01:13:01,639
Speaker 1: with in Sync is fucking incredible. Paradise is so good.

1651
01:13:02,200 --> 01:13:04,360
Speaker 1: I love that. That's like the way in Sync came back.

1652
01:13:05,200 --> 01:13:08,200
Speaker 1: What you should have put him in black face? What

1653
01:13:08,320 --> 01:13:11,439
Speaker 1: is he? I don't listen, Okay, I have caught the

1654
01:13:11,479 --> 01:13:13,600
Speaker 1: Laura Hills. I don't live all right, I gotta I

1655
01:13:13,640 --> 01:13:15,120
Speaker 1: gotta pick that up from you. I didn't even hear

1656
01:13:15,200 --> 01:13:16,519
Speaker 1: him say that. All right? Cool?

1657
01:13:16,680 --> 01:13:16,720
Speaker 2: No?

1658
01:13:16,840 --> 01:13:18,760
Speaker 1: They I mean once he went in the Woods, it

1659
01:13:18,880 --> 01:13:20,400
Speaker 1: was like invisible black face got you.

1660
01:13:23,160 --> 01:13:26,320
Speaker 4: It's cool. The album, it's just cool.

1661
01:13:26,520 --> 01:13:27,800
Speaker 1: Is it better than Man in the Woods.

1662
01:13:29,240 --> 01:13:29,720
Speaker 6: I don't know.

1663
01:13:30,520 --> 01:13:32,120
Speaker 1: Nah, it's better than Man in the Woods. Don't do

1664
01:13:32,200 --> 01:13:35,000
Speaker 1: that this Man in the Woods. Right, at least they committed.

1665
01:13:35,040 --> 01:13:36,960
Speaker 1: But I'll put it this way, I don't like Man

1666
01:13:37,000 --> 01:13:40,160
Speaker 1: in the Woods. At least they committed. Okay, they committed.

1667
01:13:40,200 --> 01:13:41,880
Speaker 1: In Man in the Woods, they went full fledge, and

1668
01:13:41,960 --> 01:13:44,800
Speaker 1: that's what the fuck we're gonna do. This one felt

1669
01:13:44,920 --> 01:13:50,720
Speaker 1: like we're committing to trying to make Justin what he

1670
01:13:50,960 --> 01:13:53,200
Speaker 1: was before, when he was a pop star that the

1671
01:13:53,280 --> 01:13:57,960
Speaker 1: whites and blacks loved. And I think they missed more

1672
01:13:58,040 --> 01:14:02,080
Speaker 1: than they hit. But when they hit, hands down some

1673
01:14:02,200 --> 01:14:04,280
Speaker 1: of the best Meteah. Even in the video Technicolor is

1674
01:14:04,360 --> 01:14:06,680
Speaker 1: so fucking good. That's a great record. It looks like

1675
01:14:06,720 --> 01:14:09,360
Speaker 1: they're reminding Justin Timberlake. He's Justin Timberlake.

1676
01:14:09,640 --> 01:14:13,200
Speaker 2: Yeah, like even this, even watching this video currently without

1677
01:14:13,240 --> 01:14:15,960
Speaker 2: soundly just it's like he's acting to be himself.

1678
01:14:16,680 --> 01:14:18,920
Speaker 1: Probably forty six too, Yeah, he run the same age

1679
01:14:18,920 --> 01:14:21,599
Speaker 1: as usual. Yeah, I would say there justin.

1680
01:14:21,760 --> 01:14:23,400
Speaker 4: You know what it is with Justin Man, He's he's

1681
01:14:23,439 --> 01:14:26,439
Speaker 4: always like he's always trying to.

1682
01:14:26,520 --> 01:14:29,680
Speaker 1: Forty three real, wow, you recently turned forty three.

1683
01:14:29,840 --> 01:14:33,040
Speaker 6: He's he's always like the cool spy in all his

1684
01:14:34,479 --> 01:14:36,120
Speaker 6: is that they try to make him the cool spy.

1685
01:14:36,400 --> 01:14:39,000
Speaker 6: Like it's like, who is this who is this handsome

1686
01:14:39,479 --> 01:14:42,559
Speaker 6: guy walking like in a different temple than everybody else.

1687
01:14:42,479 --> 01:14:44,919
Speaker 1: In the room. And it's always funny that the camera's

1688
01:14:45,280 --> 01:14:47,800
Speaker 1: specifically on him, but no one recognizes him. He always

1689
01:14:47,840 --> 01:14:50,280
Speaker 1: walks through the club undetected, Yeah, and then has a

1690
01:14:50,800 --> 01:14:51,880
Speaker 1: even though spotlight is on him.

1691
01:14:51,920 --> 01:14:53,360
Speaker 6: Yeah, it then has a one on one with a

1692
01:14:54,200 --> 01:14:56,519
Speaker 6: beautiful woman on the dance floor and then disappears in

1693
01:14:56,600 --> 01:14:57,440
Speaker 6: his Lamborghini.

1694
01:14:57,760 --> 01:15:00,519
Speaker 1: And I don't care who you are, like it, James

1695
01:15:00,600 --> 01:15:03,320
Speaker 1: Bond was. Even if you're not famous, if this scenario

1696
01:15:03,360 --> 01:15:05,280
Speaker 1: happened in the club, everyone's gonna stop and look at

1697
01:15:05,280 --> 01:15:05,760
Speaker 1: what they're doing.

1698
01:15:06,560 --> 01:15:07,800
Speaker 6: Have you ever been in the club and seen a

1699
01:15:07,840 --> 01:15:09,519
Speaker 6: scenario like this happen? Where you ever see like a

1700
01:15:09,600 --> 01:15:11,600
Speaker 6: guy that doesn't know a girl, he just walks up

1701
01:15:11,600 --> 01:15:13,799
Speaker 6: to and starts dancing. That never happens.

1702
01:15:14,080 --> 01:15:16,559
Speaker 1: It happens. Oh, when it's freaky. I've been that. I've

1703
01:15:16,560 --> 01:15:19,280
Speaker 1: been that girl. I've been that girl.

1704
01:15:19,360 --> 01:15:20,400
Speaker 6: When have you been that girl?

1705
01:15:20,479 --> 01:15:22,439
Speaker 1: Demaras, when have you been?

1706
01:15:22,520 --> 01:15:24,080
Speaker 3: You got a different You gotta go to different type

1707
01:15:24,080 --> 01:15:25,639
Speaker 3: of clubs and all you gotta go to the clubs when.

1708
01:15:25,479 --> 01:15:27,200
Speaker 6: They actually I gotta go to a different type of club.

1709
01:15:27,240 --> 01:15:29,120
Speaker 3: You gotta go to clubs with dance clubs like where

1710
01:15:29,120 --> 01:15:30,240
Speaker 3: they actually dance.

1711
01:15:30,560 --> 01:15:31,599
Speaker 4: You don't dancing clubs?

1712
01:15:31,640 --> 01:15:34,200
Speaker 5: No, yes they do. They have play dance club.

1713
01:15:34,400 --> 01:15:36,120
Speaker 4: We're name one in New York.

1714
01:15:36,200 --> 01:15:38,240
Speaker 1: Well, I don't. I'm older now, I don't really go

1715
01:15:38,320 --> 01:15:38,639
Speaker 1: to club.

1716
01:15:38,680 --> 01:15:39,160
Speaker 4: I'm older.

1717
01:15:39,200 --> 01:15:42,599
Speaker 3: You're twenty nine, you're twenty nine when I was twenty

1718
01:15:42,760 --> 01:15:43,759
Speaker 3: twenty one years.

1719
01:15:43,560 --> 01:15:47,120
Speaker 6: Old, looking faces and he was licking somebody's mouth random,

1720
01:15:47,360 --> 01:15:48,480
Speaker 6: she was tripping sweat.

1721
01:15:49,000 --> 01:15:49,960
Speaker 1: I see all that. I love that.

1722
01:15:50,240 --> 01:15:52,720
Speaker 3: But the dancing with the random nud dancing with your

1723
01:15:52,800 --> 01:15:54,640
Speaker 3: random melt like and all that.

1724
01:15:54,680 --> 01:15:58,000
Speaker 5: Ship like, Yeah that people, really, that's that actually happens.

1725
01:15:58,800 --> 01:15:59,400
Speaker 1: We don't do that.

1726
01:15:59,520 --> 01:16:02,000
Speaker 5: And African American hip hop culture clubs.

1727
01:16:01,760 --> 01:16:01,840
Speaker 10: No.

1728
01:16:03,680 --> 01:16:05,120
Speaker 4: American culture clubs.

1729
01:16:05,960 --> 01:16:10,360
Speaker 1: Club brand said that what club is African American culture

1730
01:16:10,400 --> 01:16:13,560
Speaker 1: club I American hip hop? What the fuck is that?

1731
01:16:14,200 --> 01:16:16,880
Speaker 6: That sounds like a fucking AA meeting, like the African

1732
01:16:16,920 --> 01:16:19,080
Speaker 6: American Culture Club of Society of America.

1733
01:16:19,200 --> 01:16:20,280
Speaker 1: I think that's the definition of.

1734
01:16:20,400 --> 01:16:23,240
Speaker 5: Urban, Like, what the fuck is they don't? They don't

1735
01:16:23,280 --> 01:16:24,400
Speaker 5: do that at urban clubs?

1736
01:16:24,920 --> 01:16:27,559
Speaker 1: Urban? Well, they definitely. Why so if they not doing

1737
01:16:27,600 --> 01:16:28,960
Speaker 1: that at urban clubs, what club they're doing that?

1738
01:16:29,200 --> 01:16:31,280
Speaker 3: They do that at the white The white people be

1739
01:16:31,400 --> 01:16:33,920
Speaker 3: in there together dancing with each other, kissing each other

1740
01:16:34,000 --> 01:16:35,160
Speaker 3: randomly on a dance for that.

1741
01:16:35,240 --> 01:16:38,840
Speaker 4: Happens because everybody's high on coke as of white.

1742
01:16:38,880 --> 01:16:41,200
Speaker 1: Even though we're off beat, we do enjoy dancing together.

1743
01:16:42,560 --> 01:16:43,920
Speaker 1: We do a lot. We do a lot of dancing.

1744
01:16:43,960 --> 01:16:45,880
Speaker 4: I mean black people we enjoy dancing together too.

1745
01:16:46,400 --> 01:16:48,360
Speaker 1: I mean, you guys are great at it. I'm saying

1746
01:16:49,000 --> 01:16:51,559
Speaker 1: we're trash, but we still like it. I didn't think

1747
01:16:51,560 --> 01:16:53,360
Speaker 1: I needed to explain that black people dance. I was

1748
01:16:53,360 --> 01:16:55,640
Speaker 1: trying to explain that white people dance. Y'all don't even know.

1749
01:16:55,800 --> 01:16:57,720
Speaker 6: Justin Colemano right there with that girl looking to see

1750
01:16:57,760 --> 01:16:59,479
Speaker 6: that's that's that's how you catch that mono that you.

1751
01:16:59,520 --> 01:17:03,200
Speaker 1: Had point to me that mono? Right, mono when I

1752
01:17:03,280 --> 01:17:04,559
Speaker 1: was seventeen.

1753
01:17:04,280 --> 01:17:04,960
Speaker 4: How did you catch it?

1754
01:17:05,160 --> 01:17:05,360
Speaker 1: Girl?

1755
01:17:05,400 --> 01:17:06,519
Speaker 4: Lickt your mouth on the dance floor?

1756
01:17:06,600 --> 01:17:10,560
Speaker 1: Right? Probably something similar, exactly exactly my point. It was

1757
01:17:11,800 --> 01:17:15,880
Speaker 1: underrated feeling as as a youngster when you were at

1758
01:17:15,920 --> 01:17:18,920
Speaker 1: the parties or the clubs. When she dances with you

1759
01:17:19,880 --> 01:17:21,960
Speaker 1: for two and a half songs and then she turns

1760
01:17:22,000 --> 01:17:24,400
Speaker 1: around and keeps dancing with you, You've been chosen for

1761
01:17:24,439 --> 01:17:27,000
Speaker 1: the night. Oh, once you get that face to face time,

1762
01:17:27,360 --> 01:17:29,360
Speaker 1: Like if she dances two songs, you're like, all right,

1763
01:17:29,920 --> 01:17:32,160
Speaker 1: this could be something. That third song when she turns

1764
01:17:32,200 --> 01:17:33,840
Speaker 1: around to dance with you face to face, you but

1765
01:17:33,960 --> 01:17:35,920
Speaker 1: like you're getting put You get a little ot yeah,

1766
01:17:35,960 --> 01:17:38,320
Speaker 1: But then you know that that feeling of like, oh shit,

1767
01:17:38,360 --> 01:17:39,000
Speaker 1: I'm gonna.

1768
01:17:39,439 --> 01:17:41,040
Speaker 6: But then you start hating when she start dancing with

1769
01:17:41,120 --> 01:17:43,800
Speaker 6: somebody else, and then you're standing there trying to look

1770
01:17:43,840 --> 01:17:45,840
Speaker 6: cool and not dance by yourself, and now you don't want.

1771
01:17:45,760 --> 01:17:47,920
Speaker 1: To dance face face. She's not dancing to somebody else.

1772
01:17:48,520 --> 01:17:49,760
Speaker 1: There was a lot of girls that you used to

1773
01:17:50,200 --> 01:17:51,840
Speaker 1: face to face every guy in the party.

1774
01:17:52,000 --> 01:17:54,479
Speaker 4: Yeah, like that, that don't mean that she's with you

1775
01:17:54,560 --> 01:17:55,960
Speaker 4: for the night because she face to face.

1776
01:17:56,080 --> 01:17:57,880
Speaker 1: Then she used you like that over the pants tug,

1777
01:17:58,000 --> 01:17:59,559
Speaker 1: like in the middle of the club. The bad thing

1778
01:17:59,680 --> 01:18:01,680
Speaker 1: was the guy that didn't understand that that was just

1779
01:18:01,880 --> 01:18:04,760
Speaker 1: a dub and like awkwardly followed the girl for the

1780
01:18:04,800 --> 01:18:07,320
Speaker 1: rest of the party just because y'all danced for that long.

1781
01:18:07,439 --> 01:18:08,920
Speaker 1: She was really just dancing, that's it.

1782
01:18:09,400 --> 01:18:10,160
Speaker 4: But that's what I'm saying.

1783
01:18:10,200 --> 01:18:12,080
Speaker 6: Some guys that they see her dance with another guy

1784
01:18:12,160 --> 01:18:14,680
Speaker 6: and now they're like mad, like you thought that was

1785
01:18:14,920 --> 01:18:16,479
Speaker 6: like just your dance partner for the night.

1786
01:18:17,360 --> 01:18:18,320
Speaker 4: She's in a party like.

1787
01:18:18,360 --> 01:18:20,560
Speaker 1: She's But I'm saying, you know that feeling. On the

1788
01:18:20,640 --> 01:18:22,680
Speaker 1: third song, turn around and she looks at you and

1789
01:18:22,800 --> 01:18:25,160
Speaker 1: like your trouble. I'm getting pussy.

1790
01:18:25,360 --> 01:18:28,000
Speaker 5: Not your trouble. You've been outside a little bit too long.

1791
01:18:28,200 --> 01:18:30,840
Speaker 1: You're trouble. Your trouble. If your trouble just made you

1792
01:18:30,880 --> 01:18:32,559
Speaker 1: feel you getting hard on her butt, that's OK.

1793
01:18:34,960 --> 01:18:37,719
Speaker 4: You know I'm hard, I'm horny. I'm not trouble, troubled.

1794
01:18:37,760 --> 01:18:40,160
Speaker 1: Your trouble. He's married. I haven't been hard on the

1795
01:18:40,200 --> 01:18:40,920
Speaker 1: butt in a minute.

1796
01:18:40,960 --> 01:18:41,080
Speaker 10: Man.

1797
01:18:41,120 --> 01:18:44,480
Speaker 1: I missed those days because you haven't probably danced.

1798
01:18:44,240 --> 01:18:46,400
Speaker 2: And that's what I'm saying. I missed like the dancing days.

1799
01:18:46,479 --> 01:18:47,680
Speaker 2: No one dances like that now.

1800
01:18:47,760 --> 01:18:49,320
Speaker 4: When we was at the box, you was trying to

1801
01:18:49,400 --> 01:18:50,240
Speaker 4: find one to dance with.

1802
01:18:50,439 --> 01:18:51,240
Speaker 1: There was none in there.

1803
01:18:51,320 --> 01:18:54,280
Speaker 6: It was you had to see Julian look any type

1804
01:18:54,280 --> 01:18:56,439
Speaker 6: of girl woke past. He start trying to catch the

1805
01:18:56,520 --> 01:18:57,160
Speaker 6: beat a little bit.

1806
01:18:57,240 --> 01:19:00,280
Speaker 1: I'm like, yo, it's not in here tonight makes me

1807
01:19:00,400 --> 01:19:05,560
Speaker 1: licking toes on a fucking perch. Crazy man told this

1808
01:19:05,680 --> 01:19:09,479
Speaker 1: story fingering a girl while dancing at a high school

1809
01:19:09,520 --> 01:19:11,720
Speaker 1: party was like the purest form of human I think

1810
01:19:11,760 --> 01:19:14,240
Speaker 1: I ever was. That's when I think I was my happiest.

1811
01:19:15,160 --> 01:19:18,320
Speaker 1: Sap with your finger in your mouth, that's sick you.

1812
01:19:18,880 --> 01:19:21,240
Speaker 1: I definitely smelled it. You can't make that smell it.

1813
01:19:21,280 --> 01:19:23,640
Speaker 1: Anta can't. You can't make that.

1814
01:19:23,920 --> 01:19:26,600
Speaker 6: You can't just create that off the freestyle, just a

1815
01:19:26,800 --> 01:19:27,719
Speaker 6: pea tree dish.

1816
01:19:28,920 --> 01:19:31,200
Speaker 1: Listen, man, that that feeling of when she you know,

1817
01:19:31,280 --> 01:19:33,479
Speaker 1: your hand was close and she gave you that little

1818
01:19:33,520 --> 01:19:34,439
Speaker 1: nudge to push it down.

1819
01:19:34,640 --> 01:19:36,000
Speaker 4: You felt that lip that lit.

1820
01:19:36,280 --> 01:19:39,160
Speaker 1: It just gets warm. I don't think there's a better feeling.

1821
01:19:39,240 --> 01:19:40,960
Speaker 4: That warm lip hanging outside of the throng.

1822
01:19:42,439 --> 01:19:45,360
Speaker 2: A warm lip still heads. Yeah, we gotta bring back dancing.

1823
01:19:45,439 --> 01:19:49,000
Speaker 2: We gotta bring back warm fingering and clad. We got

1824
01:19:49,120 --> 01:19:51,080
Speaker 2: to bring back warm lips. Lips don't be warm no more.

1825
01:19:51,120 --> 01:19:53,919
Speaker 2: That's the problem. See anybody walking around with these cold coochies,

1826
01:19:54,439 --> 01:19:58,479
Speaker 2: aren't y'all niggas out here? Y'all not getting these couchies warm?

1827
01:19:58,600 --> 01:20:00,200
Speaker 2: Like it's a lot of cold coochies in the club.

1828
01:20:00,360 --> 01:20:02,240
Speaker 2: When was the last time he ran into a cold one?

1829
01:20:02,320 --> 01:20:05,040
Speaker 2: A cold couch ship about like it felt like you

1830
01:20:05,080 --> 01:20:07,000
Speaker 2: reached at the bottom of the cooler for this. It's like, yo,

1831
01:20:07,200 --> 01:20:10,760
Speaker 2: like you gotta women took like those handwarmer things that

1832
01:20:10,800 --> 01:20:12,960
Speaker 2: you like slap to activate and just put him in there.

1833
01:20:13,240 --> 01:20:16,559
Speaker 3: I had a conversation with a man who planed one

1834
01:20:16,640 --> 01:20:19,960
Speaker 3: time about warm COUCHI he said he liked for the

1835
01:20:20,160 --> 01:20:23,120
Speaker 3: like the snail musin that comes out to.

1836
01:20:23,240 --> 01:20:27,479
Speaker 1: Be that's what she's like, a necrophiliac like he like.

1837
01:20:27,520 --> 01:20:28,880
Speaker 5: I don't know. He said it was like a he

1838
01:20:29,080 --> 01:20:31,040
Speaker 5: liked it almost like when somebody to let niggas.

1839
01:20:30,720 --> 01:20:32,240
Speaker 4: Go buy an aloe plant, put it in the fridge.

1840
01:20:32,280 --> 01:20:36,040
Speaker 6: Then facts, facts, that's what he wants. He want a

1841
01:20:36,120 --> 01:20:38,360
Speaker 6: cold piece of alo on a plant. He want a

1842
01:20:38,400 --> 01:20:43,479
Speaker 6: cold piece of alo. You don't want a woman, want

1843
01:20:43,520 --> 01:20:46,080
Speaker 6: a cold al He don't want a woman. He want

1844
01:20:46,120 --> 01:20:46,840
Speaker 6: a cold piece of all.

1845
01:20:47,600 --> 01:20:47,880
Speaker 1: He said.

1846
01:20:47,880 --> 01:20:49,320
Speaker 3: It's a nice feel every once in a while, like

1847
01:20:49,400 --> 01:20:51,840
Speaker 3: not regularly. But the coldness, he's crazy.

1848
01:20:51,960 --> 01:20:53,760
Speaker 1: That means something's wrong. It's supposed to be one of

1849
01:20:53,760 --> 01:20:57,800
Speaker 1: the warmest part once it's literally coming out of your bike.

1850
01:20:58,080 --> 01:21:00,800
Speaker 1: People have become such horse war players. Young people are

1851
01:21:00,880 --> 01:21:03,880
Speaker 1: just fucking that's why it's cold. Now for one's warming

1852
01:21:03,920 --> 01:21:05,479
Speaker 1: the pussy, Yeah, yes it's yeah, you.

1853
01:21:05,560 --> 01:21:08,040
Speaker 4: Got you gotta warm these coochies up. Get back to

1854
01:21:08,120 --> 01:21:09,719
Speaker 4: four play for like forty minutes.

1855
01:21:12,520 --> 01:21:15,160
Speaker 1: Is fingering even a thing to this generation? Hell?

1856
01:21:15,320 --> 01:21:16,559
Speaker 4: Finger on hell?

1857
01:21:16,680 --> 01:21:18,479
Speaker 3: I mean I'm good with finger and like leave it

1858
01:21:18,560 --> 01:21:22,800
Speaker 3: taking a back seat. Why it's just it's not it's unsanitary,

1859
01:21:22,920 --> 01:21:24,479
Speaker 3: no matter how much you wash your hands, it's just

1860
01:21:24,600 --> 01:21:26,040
Speaker 3: your hands carry a lot of bacteria.

1861
01:21:26,680 --> 01:21:27,120
Speaker 1: Sanitary.

1862
01:21:27,240 --> 01:21:28,519
Speaker 4: Your hands carry bacteria.

1863
01:21:29,320 --> 01:21:31,479
Speaker 1: But if I put my tongue there, you think of

1864
01:21:31,479 --> 01:21:33,400
Speaker 1: a nigga mouth and a dick don't carry bacteria.

1865
01:21:33,800 --> 01:21:34,680
Speaker 4: Ye carry more than that.

1866
01:21:34,960 --> 01:21:37,080
Speaker 5: Your hands, Your hands are probably the dirtiest part of you.

1867
01:21:37,080 --> 01:21:37,360
Speaker 1: About it.

1868
01:21:37,600 --> 01:21:40,400
Speaker 5: I'm not in hell no, you dick dirtrty. Your hands

1869
01:21:41,200 --> 01:21:42,200
Speaker 5: don't play with me like well you.

1870
01:21:42,240 --> 01:21:42,800
Speaker 1: Said hell no.

1871
01:21:42,920 --> 01:21:46,439
Speaker 6: So in general, like niggas ain't no dirt dirty niggas

1872
01:21:46,479 --> 01:21:48,320
Speaker 6: are you? You know it's some dirt balls.

1873
01:21:48,120 --> 01:21:49,360
Speaker 4: Walking around you telling me.

1874
01:21:49,439 --> 01:21:50,960
Speaker 5: I know it's like I fuck with dirty niggas.

1875
01:21:51,000 --> 01:21:52,840
Speaker 4: I'm not saying you funk with them, but you see them.

1876
01:21:53,680 --> 01:21:55,280
Speaker 5: They exists for sure, Oh they do.

1877
01:21:55,439 --> 01:21:59,680
Speaker 6: They niggas is everywhere a dirt bomb and those are

1878
01:21:59,720 --> 01:22:02,120
Speaker 6: the and a dirty nigga is the most social nigga.

1879
01:22:02,120 --> 01:22:04,400
Speaker 6: He wanted to be in every girl face. You don't

1880
01:22:04,439 --> 01:22:06,320
Speaker 6: see that plaque in your mouth, like nigga, get out

1881
01:22:06,320 --> 01:22:06,679
Speaker 6: her face.

1882
01:22:06,760 --> 01:22:08,559
Speaker 1: And if you think about it, if I wash my hands,

1883
01:22:08,600 --> 01:22:11,320
Speaker 1: what's worse that or me busting down a chop. She's

1884
01:22:11,360 --> 01:22:13,439
Speaker 1: and Hennessy and then go to each your pussy at

1885
01:22:13,479 --> 01:22:13,880
Speaker 1: two am.

1886
01:22:14,080 --> 01:22:17,120
Speaker 2: That's my mouth has probably discussed that post club mouth

1887
01:22:17,200 --> 01:22:20,120
Speaker 2: when you probably just well, alcohols are disinfecting.

1888
01:22:20,240 --> 01:22:20,880
Speaker 1: You might have had like.

1889
01:22:21,200 --> 01:22:26,120
Speaker 10: Honey, I think has more like it doesn't. You can't

1890
01:22:26,160 --> 01:22:29,760
Speaker 10: disinfect itself even pussy off the sata. You didn't brush

1891
01:22:29,800 --> 01:22:32,599
Speaker 10: your teeth, pussy eight white niggas. That drink regular Hennessy

1892
01:22:32,720 --> 01:22:34,639
Speaker 10: is crazy at.

1893
01:22:34,560 --> 01:22:37,559
Speaker 1: This old age. Regular just Hennessy in general.

1894
01:22:38,680 --> 01:22:42,120
Speaker 3: They have really high like price points for others that

1895
01:22:42,160 --> 01:22:45,559
Speaker 3: are really good quality, but regular hanness I.

1896
01:22:45,600 --> 01:22:48,360
Speaker 1: Mean, I've ate the chicks pussy after sipping ian j

1897
01:22:48,560 --> 01:22:50,439
Speaker 1: and you're telling me me washing my hands and fingers

1898
01:22:50,479 --> 01:22:53,720
Speaker 1: would they be worse? No, straight evil Jesus.

1899
01:22:55,080 --> 01:22:58,560
Speaker 5: I'm thinking Paul Massian Peach, I'm sorry, but who's.

1900
01:23:00,479 --> 01:23:00,759
Speaker 2: Jesus?

1901
01:23:06,479 --> 01:23:10,240
Speaker 4: Is that what Jesus disciple was? Paul Massan? Who is

1902
01:23:10,280 --> 01:23:10,960
Speaker 4: Paul Massan?

1903
01:23:11,200 --> 01:23:15,080
Speaker 1: It was at the end of the Last Woman, Brandy, Yeah,

1904
01:23:15,160 --> 01:23:17,759
Speaker 1: you never had Paul Masome. I never heard of Paul Massan.

1905
01:23:18,200 --> 01:23:21,240
Speaker 6: Oh, Oh, that's that real.

1906
01:23:21,479 --> 01:23:24,600
Speaker 3: That's that real Alki ship, like a real Alky to

1907
01:23:24,680 --> 01:23:26,320
Speaker 3: drink that drink that ship. My uncle and my aunt

1908
01:23:26,400 --> 01:23:27,920
Speaker 3: used to drink it, and one day they spilled it.

1909
01:23:28,000 --> 01:23:29,559
Speaker 3: I remember, I'll never forget this as a kid. They

1910
01:23:29,600 --> 01:23:30,080
Speaker 3: spilled it on.

1911
01:23:30,160 --> 01:23:31,920
Speaker 5: Her wooden floor and it took the color out of

1912
01:23:31,920 --> 01:23:33,160
Speaker 5: the woods. They never drink it again.

1913
01:23:34,280 --> 01:23:39,760
Speaker 1: That's really what especially about. We're like, that's the v

1914
01:23:39,880 --> 01:23:43,360
Speaker 1: s O. P CA. Michelle was really singing about Paul Maissan.

1915
01:23:44,040 --> 01:23:47,519
Speaker 1: My track coach at Saint Peter's name was Coach Massoon.

1916
01:23:47,800 --> 01:23:49,880
Speaker 1: So we used to when we were drinking in college,

1917
01:23:49,880 --> 01:23:52,599
Speaker 1: we used to say we was drinking drinking the Coach Massoon.

1918
01:23:53,560 --> 01:23:54,320
Speaker 1: We drink in a lot.

1919
01:23:54,760 --> 01:23:59,360
Speaker 6: It's cheap, Yeah, it's nasty. My cheap alcohol was not

1920
01:23:59,439 --> 01:24:01,680
Speaker 6: been in. I can't even smell that shit. I just

1921
01:24:02,560 --> 01:24:04,120
Speaker 6: I will throw up smelling that ship.

1922
01:24:04,200 --> 01:24:05,680
Speaker 2: You know what, I've been drinking a lot lately. I

1923
01:24:05,720 --> 01:24:07,439
Speaker 2: had went last night. I've been drinking a lot of

1924
01:24:07,520 --> 01:24:09,080
Speaker 2: mes caun mcgroney's lately.

1925
01:24:09,560 --> 01:24:10,600
Speaker 1: Mescal mcgroney's.

1926
01:24:10,840 --> 01:24:13,160
Speaker 4: I can tell by your hat that you look like

1927
01:24:13,200 --> 01:24:13,479
Speaker 4: a mess.

1928
01:24:13,920 --> 01:24:18,760
Speaker 1: That pretentious. It's not miss cal mcgarney. Yeah, just the

1929
01:24:18,800 --> 01:24:24,040
Speaker 1: word mcgroney feels pretentious. I feel like you shouldn't say nigroni. Yeah,

1930
01:24:24,080 --> 01:24:26,519
Speaker 1: that's a little macaroni.

1931
01:24:26,560 --> 01:24:28,519
Speaker 2: I don't like it, well, he said, he did. Many

1932
01:24:29,080 --> 01:24:31,439
Speaker 2: think about a mescal negrony roy it does. It is

1933
01:24:31,560 --> 01:24:36,200
Speaker 2: your color, so at least you can like coordinate. Oh

1934
01:24:36,240 --> 01:24:39,919
Speaker 2: it's a little ginger red, Yeah, a little, that's the capari.

1935
01:24:40,080 --> 01:24:42,200
Speaker 5: He could just do an old fashion, old fashion taste better.

1936
01:24:42,560 --> 01:24:44,000
Speaker 1: I love the mess caletary. They're great.

1937
01:24:44,080 --> 01:24:46,920
Speaker 2: It's super simple too, to make anyone out there is

1938
01:24:46,960 --> 01:24:48,160
Speaker 2: experimenting with cocktails.

1939
01:24:50,280 --> 01:24:54,760
Speaker 3: Catch gave me a free espresso martini shot and yeah,

1940
01:24:54,760 --> 01:24:55,560
Speaker 3: why do y'all drink that?

1941
01:24:55,600 --> 01:24:57,320
Speaker 1: Ship? Well it's not a shot.

1942
01:24:57,680 --> 01:24:59,599
Speaker 6: Well, they gave you a start there.

1943
01:25:00,360 --> 01:25:01,080
Speaker 1: Well they bust it.

1944
01:25:01,160 --> 01:25:03,519
Speaker 3: They bust it down like it's basically a special martini,

1945
01:25:03,560 --> 01:25:05,320
Speaker 3: and they busted down in the shots for my table.

1946
01:25:05,360 --> 01:25:06,560
Speaker 5: And I was just like, oh, this is so.

1947
01:25:06,680 --> 01:25:08,240
Speaker 4: He just gave you a special martini but he only

1948
01:25:08,280 --> 01:25:08,960
Speaker 4: wanted to give you one.

1949
01:25:09,400 --> 01:25:11,280
Speaker 1: Yeah, so free.

1950
01:25:11,400 --> 01:25:13,679
Speaker 5: It was like free, but it was just it's nasty.

1951
01:25:14,560 --> 01:25:14,680
Speaker 10: You know.

1952
01:25:14,760 --> 01:25:16,560
Speaker 1: When Demarrius was a bartender, she used to charge me

1953
01:25:16,600 --> 01:25:17,000
Speaker 1: full price.

1954
01:25:17,240 --> 01:25:19,599
Speaker 2: Sure did, yeah, but that was kind of like an

1955
01:25:19,600 --> 01:25:21,479
Speaker 2: even exchange because you would charge her full price for.

1956
01:25:22,920 --> 01:25:24,760
Speaker 5: That's eighty dollars. His fucking drink was ten.

1957
01:25:25,720 --> 01:25:29,519
Speaker 1: There was only so many comps thank you. I got it.

1958
01:25:31,080 --> 01:25:34,799
Speaker 4: My guest list is jammed. It was jam it's just slammed.

1959
01:25:35,160 --> 01:25:36,080
Speaker 4: My list is slammed.

1960
01:25:36,120 --> 01:25:37,760
Speaker 1: I can't especially if you.

1961
01:25:37,760 --> 01:25:39,360
Speaker 3: Try to get Rory'd be like, just buy the ticket

1962
01:25:39,439 --> 01:25:41,799
Speaker 3: and I'll get you backstage. You go to like get backstage.

1963
01:25:41,840 --> 01:25:44,599
Speaker 5: He's running. He's fake runner. I'm just so busy running around.

1964
01:25:44,720 --> 01:25:46,800
Speaker 1: Was not fake running around. I was really running around.

1965
01:25:46,840 --> 01:25:49,559
Speaker 4: No, no, I've seen Rory really running around bark Lay Center.

1966
01:25:50,439 --> 01:25:52,880
Speaker 5: I was like, no, that night, oh that night you

1967
01:25:52,920 --> 01:25:53,240
Speaker 5: were there.

1968
01:25:53,479 --> 01:25:56,840
Speaker 1: I was working. I did the pyro coked out of

1969
01:25:56,880 --> 01:26:00,800
Speaker 1: my mind. This is who control didn't know he did coke.

1970
01:26:02,200 --> 01:26:04,720
Speaker 1: This is who we are. When would I have known

1971
01:26:04,760 --> 01:26:07,720
Speaker 1: you you had done coke? This is what the whole tour.

1972
01:26:08,520 --> 01:26:11,160
Speaker 1: I didn't see one person do cocaine on the Polluca tour.

1973
01:26:11,280 --> 01:26:13,559
Speaker 1: I mean, I'm nice with like, I'm not like a fool,

1974
01:26:13,720 --> 01:26:15,120
Speaker 1: but yeah, we were all reactive.

1975
01:26:15,240 --> 01:26:17,000
Speaker 4: So you was jacked the pressing the button.

1976
01:26:17,200 --> 01:26:19,040
Speaker 1: No, you don't even know. You think I'm a officer.

1977
01:26:19,120 --> 01:26:20,880
Speaker 1: I had work to do. I wasn't like looking at

1978
01:26:21,560 --> 01:26:23,240
Speaker 1: we didn't piss test y'all. I didn't know.

1979
01:26:23,479 --> 01:26:25,400
Speaker 2: Because so this is years ago. At this point, Uh,

1980
01:26:26,200 --> 01:26:28,519
Speaker 2: you know, I I'm throwing I'm throwing everybody under the bus.

1981
01:26:28,760 --> 01:26:29,000
Speaker 2: This guy.

1982
01:26:29,120 --> 01:26:31,160
Speaker 1: Yeah, we don't we don't know if wants that up.

1983
01:26:31,600 --> 01:26:34,000
Speaker 1: Yeah yeah, yeah yeah, you see see we know if

1984
01:26:34,040 --> 01:26:35,040
Speaker 1: somebody get locked up.

1985
01:26:35,080 --> 01:26:36,439
Speaker 6: He we and they all come looking forward.

1986
01:26:36,720 --> 01:26:38,519
Speaker 2: They know we were we were doing uh you know,

1987
01:26:39,120 --> 01:26:41,400
Speaker 2: and most time you're sharing bags. So we're doing a

1988
01:26:41,439 --> 01:26:43,759
Speaker 2: lot of bag passes, and we were doing the tunnels

1989
01:26:43,760 --> 01:26:45,680
Speaker 2: like at the Marcos backstage, but there's always just like.

1990
01:26:45,760 --> 01:26:48,080
Speaker 1: Police posted up because it's one of those nights. And

1991
01:26:48,200 --> 01:26:49,120
Speaker 1: we were doing a pass.

1992
01:26:50,040 --> 01:26:53,200
Speaker 2: This guy man in front, like in the wall of

1993
01:26:53,280 --> 01:26:55,200
Speaker 2: police or three ft in front of us, not even

1994
01:26:55,439 --> 01:26:57,080
Speaker 2: and he just takes the bag out and does like

1995
01:26:57,400 --> 01:27:00,439
Speaker 2: the most botched, horrible backwards handoff in front of the

1996
01:27:00,479 --> 01:27:04,000
Speaker 2: police wall. And I just go and just like grab

1997
01:27:04,080 --> 01:27:05,439
Speaker 2: it and we just like walked by. I was like, dude,

1998
01:27:05,479 --> 01:27:07,800
Speaker 2: what the fuck was that? We were both like strung out.

1999
01:27:08,040 --> 01:27:11,679
Speaker 1: It was just his uh and his defense. I'm sure

2000
01:27:11,720 --> 01:27:14,720
Speaker 1: the cops were preoccupied with the sixty crips that were

2001
01:27:15,280 --> 01:27:15,759
Speaker 1: that stage.

2002
01:27:15,840 --> 01:27:17,680
Speaker 2: Yeah, but like I just like, you know, because that's

2003
01:27:17,720 --> 01:27:20,960
Speaker 2: like the fluorescent highlight, the wall that seat, that hallway

2004
01:27:21,040 --> 01:27:23,280
Speaker 2: is just so well lit. They would have seen the bag.

2005
01:27:23,400 --> 01:27:25,519
Speaker 2: If the bag hit the floor, they wouldn't have cared.

2006
01:27:25,600 --> 01:27:28,320
Speaker 2: It was just a I mean, I would have felt awful.

2007
01:27:29,080 --> 01:27:29,200
Speaker 1: Uh.

2008
01:27:29,560 --> 01:27:31,880
Speaker 2: But after that I got a text about doing the

2009
01:27:31,920 --> 01:27:33,720
Speaker 2: pyro and I ended up doing the pyro for the

2010
01:27:34,120 --> 01:27:37,519
Speaker 2: Locks reunion and just like smashing buttons and hitting on

2011
01:27:37,600 --> 01:27:39,840
Speaker 2: the sliders, so you almost kill styles. And I was

2012
01:27:39,880 --> 01:27:42,719
Speaker 2: doing I was doing data chic, I was doing bumps

2013
01:27:42,760 --> 01:27:44,519
Speaker 2: while we were doing the it was great.

2014
01:27:44,960 --> 01:27:46,760
Speaker 4: Well it was doing money power respect he was doing

2015
01:27:46,840 --> 01:27:47,400
Speaker 4: money powder.

2016
01:27:47,680 --> 01:27:52,360
Speaker 1: Yeah. Respect well, they were saying they had enough weight

2017
01:27:53,120 --> 01:27:55,640
Speaker 1: to scale that the way The Whales with Julian was like.

2018
01:27:55,680 --> 01:27:59,000
Speaker 2: It on tour when we would do like when we

2019
01:27:59,040 --> 01:28:01,760
Speaker 2: would do drug like when we do bumps whatever outside

2020
01:28:01,840 --> 01:28:04,519
Speaker 2: like in the in the production pilic, in the tech room,

2021
01:28:04,720 --> 01:28:05,639
Speaker 2: all the tech guys.

2022
01:28:06,120 --> 01:28:08,680
Speaker 1: Yeah, this is just seriously like when mothers find out

2023
01:28:08,760 --> 01:28:12,680
Speaker 1: like their kids drank at sixteen. I swear on my

2024
01:28:12,840 --> 01:28:14,599
Speaker 1: whole life, I had no idea y'all were doing.

2025
01:28:14,520 --> 01:28:16,320
Speaker 4: Cocin What the fuck?

2026
01:28:16,400 --> 01:28:18,200
Speaker 1: The great? It's easy. I would have told y'all not

2027
01:28:18,280 --> 01:28:21,960
Speaker 1: to do cocaine, especially so I don't think our insurance

2028
01:28:22,000 --> 01:28:22,400
Speaker 1: covered them.

2029
01:28:22,400 --> 01:28:24,200
Speaker 6: Because the Locks was coming on stage. You don't need

2030
01:28:24,240 --> 01:28:26,679
Speaker 6: to be in charge of fucking blowing up Jada Kiss's face.

2031
01:28:26,920 --> 01:28:30,720
Speaker 1: At the job, no one got near the pyro that was.

2032
01:28:31,400 --> 01:28:33,439
Speaker 1: That was They did a great job. No, that was me.

2033
01:28:33,680 --> 01:28:35,599
Speaker 1: I guided them. You you got it them.

2034
01:28:35,640 --> 01:28:36,559
Speaker 4: You said, yo, don't step there.

2035
01:28:36,800 --> 01:28:38,360
Speaker 1: I was like, yeah, go that way.

2036
01:28:41,240 --> 01:28:45,160
Speaker 2: But if you ever get into the tech like a booth,

2037
01:28:45,280 --> 01:28:46,960
Speaker 2: like with the like guys with the sound guys, they

2038
01:28:47,160 --> 01:28:50,280
Speaker 2: all do so we would spend me and redacted name

2039
01:28:50,320 --> 01:28:52,479
Speaker 2: from earlier. We'd just spend like time in there, just

2040
01:28:52,560 --> 01:28:55,360
Speaker 2: like openly just doing bumps with the team, the venue team.

2041
01:28:55,640 --> 01:28:59,559
Speaker 1: Yeah, okay, so you know it's conraraderie. You were running

2042
01:28:59,560 --> 01:29:03,280
Speaker 1: a fucking crazy I had no where. He was just

2043
01:29:03,360 --> 01:29:06,280
Speaker 1: running around slapping wrist bands on people's wrists. Yeah, all

2044
01:29:06,400 --> 01:29:09,080
Speaker 1: his four taking them off. Maul actually did. Aul was

2045
01:29:09,080 --> 01:29:11,840
Speaker 1: a good help at the Barclay Center. Was there made

2046
01:29:11,880 --> 01:29:16,200
Speaker 1: you made a decision that was really actually helpful in

2047
01:29:16,280 --> 01:29:20,240
Speaker 1: the moment? Oh yes, I was in the middle of

2048
01:29:20,320 --> 01:29:21,240
Speaker 1: losing my fucking mind.

2049
01:29:21,320 --> 01:29:23,200
Speaker 4: That was what it was, Benner. I told Benner, right,

2050
01:29:23,280 --> 01:29:24,320
Speaker 4: it was Benner. I told Benner.

2051
01:29:24,520 --> 01:29:27,160
Speaker 6: I think they were trying to stop all the fabios

2052
01:29:27,200 --> 01:29:29,599
Speaker 6: like his whole crew from going on stage, and I'm like, dog,

2053
01:29:30,439 --> 01:29:34,000
Speaker 6: we're in Brooklyn Arclay Center. He has one of the

2054
01:29:34,120 --> 01:29:37,799
Speaker 6: biggest records in the fucking city, in the fucking country

2055
01:29:37,880 --> 01:29:41,400
Speaker 6: right now, let all of these motherfuckers on stage, Like,

2056
01:29:41,439 --> 01:29:44,120
Speaker 6: why are you trying to stop the whole block from

2057
01:29:44,160 --> 01:29:44,400
Speaker 6: going on?

2058
01:29:44,640 --> 01:29:47,400
Speaker 4: This is a moment. Some of them started.

2059
01:29:47,160 --> 01:29:49,920
Speaker 6: Climbing and sneaking in. They were trying to stop. I'm like, dog,

2060
01:29:50,040 --> 01:29:52,360
Speaker 6: just let them go. As soon as they got on stage,

2061
01:29:52,560 --> 01:29:54,519
Speaker 6: that ship turned into a fucking moment.

2062
01:29:54,600 --> 01:29:56,400
Speaker 1: It was the perfect advice hen to stop that from

2063
01:29:56,439 --> 01:29:58,400
Speaker 1: because no matter what, you're not gonna stop, so you

2064
01:29:58,479 --> 01:29:59,840
Speaker 1: might as well let the moment happen.

2065
01:29:59,840 --> 01:30:02,160
Speaker 6: They just want to go in there. They were great

2066
01:30:02,280 --> 01:30:06,200
Speaker 6: brook Yeah, they grew up ten blocks from here. This

2067
01:30:06,360 --> 01:30:08,400
Speaker 6: is like them being in the garden. Let them have

2068
01:30:08,560 --> 01:30:11,320
Speaker 6: their moment. Let them go up there. Do they dances,

2069
01:30:11,439 --> 01:30:14,400
Speaker 6: you know, like, just let them fucking go crazy packed.

2070
01:30:14,600 --> 01:30:16,719
Speaker 1: I was crazy when that came on. I will speak

2071
01:30:16,800 --> 01:30:20,720
Speaker 1: for Fave and his crew for that night specifically, they

2072
01:30:20,800 --> 01:30:24,439
Speaker 1: were some of the best I don't want to use

2073
01:30:24,439 --> 01:30:27,559
Speaker 1: the word anserage, but best crew that we've had. Usually

2074
01:30:27,680 --> 01:30:30,160
Speaker 1: the crews are are always a nightmare. They were some

2075
01:30:30,280 --> 01:30:34,080
Speaker 1: of the nicest, most polite people ever. Once Fabio was done,

2076
01:30:34,120 --> 01:30:35,960
Speaker 1: they got off stage and went and party like they

2077
01:30:36,000 --> 01:30:38,840
Speaker 1: were fucking great. The cops were on crazy alert. I

2078
01:30:38,920 --> 01:30:41,120
Speaker 1: understand they had just had a lot of shit had

2079
01:30:41,160 --> 01:30:45,200
Speaker 1: happened six nine Casanova rowdy. There was a lot of

2080
01:30:45,200 --> 01:30:47,000
Speaker 1: shit that was going on with the bar place, so

2081
01:30:47,120 --> 01:30:49,960
Speaker 1: they were on edge with those guys. Those guys were amazing. Yeah,

2082
01:30:50,000 --> 01:30:50,120
Speaker 1: it was.

2083
01:30:50,320 --> 01:30:50,479
Speaker 9: It was.

2084
01:30:50,560 --> 01:30:51,120
Speaker 1: It was a moment.

2085
01:30:51,479 --> 01:30:53,559
Speaker 6: It was definitely a moment, and I'm glad that they

2086
01:30:53,720 --> 01:30:55,760
Speaker 6: let them have that moment because that shit turned up

2087
01:30:56,280 --> 01:30:58,080
Speaker 6: a whole the show. The whole show was that night

2088
01:30:58,160 --> 01:31:00,000
Speaker 6: was dope. I would have five YEO hit the Stay

2089
01:31:00,400 --> 01:31:03,240
Speaker 6: did that record that took that shit to a whole

2090
01:31:03,280 --> 01:31:03,720
Speaker 6: other level.

2091
01:31:04,120 --> 01:31:05,679
Speaker 5: Raven took a picture of me when I was dancing

2092
01:31:05,840 --> 01:31:07,680
Speaker 5: to it. There's a picture of me.

2093
01:31:07,800 --> 01:31:09,400
Speaker 4: Oh, I know, you was someway out this shaking.

2094
01:31:09,600 --> 01:31:11,680
Speaker 1: I literally was doing a big drip dance like just

2095
01:31:11,760 --> 01:31:15,080
Speaker 1: like that kind of video of me. Yeah, great moment.

2096
01:31:20,880 --> 01:31:23,040
Speaker 1: Before we get away from music, I do want to

2097
01:31:23,120 --> 01:31:26,040
Speaker 1: note that Tiara Whack put out an incredible album on Friday,

2098
01:31:26,120 --> 01:31:29,479
Speaker 1: hip Hop. It's hip Hop, It's r and b it's pop.

2099
01:31:29,640 --> 01:31:32,920
Speaker 1: There's everything on that album. I'm only like two or

2100
01:31:32,920 --> 01:31:34,439
Speaker 1: three listeners into it, but you know when you can

2101
01:31:34,479 --> 01:31:36,800
Speaker 1: tell that you're gonna like an album for quite some time.

2102
01:31:37,160 --> 01:31:40,240
Speaker 6: Yeah, this was one of those. Tierra is She's, She's

2103
01:31:40,400 --> 01:31:43,280
Speaker 6: she's like quietly one of my favorite artists.

2104
01:31:43,520 --> 01:31:47,599
Speaker 1: She she delivered on this. Yeah, it's incredible. I'm really

2105
01:31:47,680 --> 01:31:49,599
Speaker 1: happy that she took her time with it. I'm happy

2106
01:31:49,640 --> 01:31:53,720
Speaker 1: that she's getting the shine she deserves for it. You know,

2107
01:31:53,840 --> 01:31:56,519
Speaker 1: as we know, for the past however many years, Cherra

2108
01:31:56,560 --> 01:31:58,880
Speaker 1: has always been I think, ahead of the curve as

2109
01:31:58,920 --> 01:32:01,920
Speaker 1: far as creative goes with everything that she does. But

2110
01:32:02,760 --> 01:32:06,240
Speaker 1: I can't recommend this album more. It's so fucking good.

2111
01:32:07,040 --> 01:32:10,200
Speaker 6: She went Tierra Man, she's she's dope. Like I think

2112
01:32:10,240 --> 01:32:17,040
Speaker 6: that she's just such a unique artist again hip hop

2113
01:32:17,680 --> 01:32:22,439
Speaker 6: MC rapper, She's dope. Man, She's dope. She gives me

2114
01:32:22,520 --> 01:32:25,560
Speaker 6: a lot of like the old Missy vibes.

2115
01:32:27,920 --> 01:32:29,439
Speaker 1: You know, just compare women to other women.

2116
01:32:30,160 --> 01:32:31,519
Speaker 6: No, but I'm just saying, like, as far as like

2117
01:32:31,680 --> 01:32:35,200
Speaker 6: just her artists, like she pays attention. She's like she's

2118
01:32:35,280 --> 01:32:39,479
Speaker 6: creating her own like her Tierra world, and she's she's.

2119
01:32:39,360 --> 01:32:41,800
Speaker 1: One of the artists that could actually really rap and

2120
01:32:42,000 --> 01:32:45,240
Speaker 1: on singing well, Tierra can rap and like a lot.

2121
01:32:45,400 --> 01:32:47,360
Speaker 1: It's a lot of great singing on this project. Really,

2122
01:32:49,400 --> 01:32:53,560
Speaker 1: it's it's great. But before we get to voicemails, I

2123
01:32:53,720 --> 01:32:55,960
Speaker 1: know we weren't really going to get into it, but

2124
01:32:56,040 --> 01:32:59,880
Speaker 1: I do want to bring up more Kanye West text messages. Okay,

2125
01:33:00,200 --> 01:33:02,040
Speaker 1: the copy one that we talked about last episode was

2126
01:33:02,040 --> 01:33:06,000
Speaker 1: one of my favorite. I fully identified with his text

2127
01:33:06,040 --> 01:33:08,200
Speaker 1: message to Kaye, even though I disagreed with him being

2128
01:33:08,240 --> 01:33:10,720
Speaker 1: mad at Kai. So you ain't do nothing wrong? So

2129
01:33:10,840 --> 01:33:13,280
Speaker 1: I felt this way for no reason. Ooh, so something

2130
01:33:13,280 --> 01:33:15,880
Speaker 1: you got off before? He said yes and then he

2131
01:33:15,920 --> 01:33:16,519
Speaker 1: said fuck you?

2132
01:33:17,600 --> 01:33:21,519
Speaker 4: He said fuck you? Yes Yo or Kai.

2133
01:33:21,840 --> 01:33:23,599
Speaker 5: That's how you know he's doing well. He getting hate

2134
01:33:23,600 --> 01:33:24,240
Speaker 5: from everywhere.

2135
01:33:24,320 --> 01:33:28,200
Speaker 6: Textion texting Kanye gotta be like opening fortune cookies. Yes,

2136
01:33:28,800 --> 01:33:30,680
Speaker 6: you can't predict what he gonna say next at all.

2137
01:33:30,720 --> 01:33:31,799
Speaker 6: There's no fucking way.

2138
01:33:31,880 --> 01:33:35,240
Speaker 1: And it's probably gonna be bad advice to you. Can't

2139
01:33:35,479 --> 01:33:36,600
Speaker 1: you cannot predict.

2140
01:33:36,360 --> 01:33:37,760
Speaker 4: What Kanye is gonna say next to you in the

2141
01:33:37,760 --> 01:33:38,400
Speaker 4: text mess.

2142
01:33:38,280 --> 01:33:41,040
Speaker 1: He might give you some lucky numbers. I wouldn't, I

2143
01:33:41,040 --> 01:33:42,880
Speaker 1: would he might three four fifty.

2144
01:33:42,960 --> 01:33:44,559
Speaker 6: He might send you a picture of a fortune from

2145
01:33:44,560 --> 01:33:47,519
Speaker 6: a fortune cookie, Like imagine if somebody you was texting

2146
01:33:47,560 --> 01:33:51,040
Speaker 6: somebody and their responsors was only like pictures of fortunes

2147
01:33:51,080 --> 01:33:54,360
Speaker 6: from fortune cookies, like Yo, so what you doing tonight?

2148
01:33:54,360 --> 01:33:55,800
Speaker 6: And the nigga send you a message like, yo, your

2149
01:33:55,880 --> 01:33:59,080
Speaker 6: lucky numbers are? What am I supposed to do with this?

2150
01:34:00,200 --> 01:34:01,960
Speaker 4: Like that's what textan Kanye has to be.

2151
01:34:02,000 --> 01:34:04,920
Speaker 1: Like, I just love the simplicity of so you ain't

2152
01:34:04,920 --> 01:34:06,760
Speaker 1: doing nothing wrong. So I felt this way for no

2153
01:34:06,880 --> 01:34:11,280
Speaker 1: reason because you know the answer is rhetorical. I feel

2154
01:34:11,320 --> 01:34:14,599
Speaker 1: a way. What a beautiful way to just put something,

2155
01:34:15,000 --> 01:34:16,280
Speaker 1: and especially when you're wrong.

2156
01:34:16,320 --> 01:34:18,760
Speaker 2: I followed by the fuck you didn't. It's for those

2157
01:34:18,800 --> 01:34:22,040
Speaker 2: that aren't aware of what happened. Kanye said. Kai a

2158
01:34:22,120 --> 01:34:24,519
Speaker 2: pair of his new sweatpants and apparently their four size

2159
01:34:24,600 --> 01:34:25,160
Speaker 2: is too large.

2160
01:34:25,640 --> 01:34:28,160
Speaker 1: So Kay said this on a stream.

2161
01:34:34,520 --> 01:34:59,120
Speaker 6: Yeah yo, yeah, Yo is crazy funny because you know

2162
01:34:59,200 --> 01:35:01,840
Speaker 6: he probably was waiting nose and then you get him

2163
01:35:01,840 --> 01:35:03,439
Speaker 6: in an a that big You're like, come.

2164
01:35:03,280 --> 01:35:04,960
Speaker 1: On, man, have you ever been in that position where

2165
01:35:05,000 --> 01:35:07,519
Speaker 1: you get seated something you couldn't wait for? Yes? And

2166
01:35:07,560 --> 01:35:10,479
Speaker 1: then they send you the wrong size. It's like absolutely man.

2167
01:35:10,520 --> 01:35:13,960
Speaker 2: With the initial message Kanye sent out was don't make

2168
01:35:14,040 --> 01:35:16,280
Speaker 2: no jokes about my clothes when you ain't saying nothing

2169
01:35:16,320 --> 01:35:18,800
Speaker 2: about what Adidas is doing. When Vulture song came out,

2170
01:35:18,840 --> 01:35:21,439
Speaker 2: you ain't played my verse. You controlled, don't play with me.

2171
01:35:23,080 --> 01:35:24,200
Speaker 4: That's fortunate. Cookie shit.

2172
01:35:24,360 --> 01:35:26,200
Speaker 1: That was at ten to sixteen PM.

2173
01:35:27,439 --> 01:35:29,760
Speaker 6: Imagine opening your DMS and seeing a message like that,

2174
01:35:32,960 --> 01:35:34,840
Speaker 6: don't play with me, you control controlled.

2175
01:35:35,240 --> 01:35:36,840
Speaker 4: What what do you talk about?

2176
01:35:36,920 --> 01:35:39,519
Speaker 1: Man? And do you watch Kay's content? What did you

2177
01:35:39,560 --> 01:35:42,439
Speaker 1: think he was gonna say during your Adidas back No?

2178
01:35:42,680 --> 01:35:45,080
Speaker 6: The fuck that? The funny part is kind of saying

2179
01:35:45,120 --> 01:35:47,760
Speaker 6: nothing wrong like the wrong side? How big?

2180
01:35:47,880 --> 01:35:49,880
Speaker 1: These bits? So like, Yo, what come on? Man?

2181
01:35:49,960 --> 01:35:52,240
Speaker 4: Like this just don't fit me? That ain't like what's

2182
01:35:52,280 --> 01:35:52,720
Speaker 4: wrong with that?

2183
01:35:53,200 --> 01:35:57,559
Speaker 1: I think it was great promo for the line. Yeah

2184
01:35:57,600 --> 01:35:59,160
Speaker 1: that was that made me want to go look at

2185
01:35:59,160 --> 01:36:00,560
Speaker 1: what the sweats look like? Do we think that?

2186
01:36:00,760 --> 01:36:03,400
Speaker 6: Do we think that uh yeah makes an appearance in

2187
01:36:03,479 --> 01:36:08,080
Speaker 6: Ky's basement? That'd be it so awesome, like bringing bringing

2188
01:36:08,120 --> 01:36:09,160
Speaker 6: the right side sweats?

2189
01:36:11,000 --> 01:36:13,599
Speaker 3: I think so I could see Yo seeing yay yell

2190
01:36:13,640 --> 01:36:15,400
Speaker 3: at Kai while Kai just sitting there.

2191
01:36:15,320 --> 01:36:17,759
Speaker 5: Like bro, Like it would be hilarious.

2192
01:36:18,439 --> 01:36:20,240
Speaker 4: Like I could see Yea definitely going to kicking it

2193
01:36:20,320 --> 01:36:21,479
Speaker 4: with Kyle on the stream for sure.

2194
01:36:22,439 --> 01:36:24,040
Speaker 1: I feel like he'd ask Ky to go to wherever

2195
01:36:24,120 --> 01:36:28,800
Speaker 1: he was, like whatever pyramid Kanye was in. Nah, see no, man,

2196
01:36:28,920 --> 01:36:30,320
Speaker 1: that's just something. Yeah, you gotta go.

2197
01:36:30,760 --> 01:36:33,760
Speaker 4: I agree with him. Yeah, Man, go to go to

2198
01:36:33,920 --> 01:36:36,400
Speaker 4: Ka's basement, man, and kick it with him there.

2199
01:36:36,479 --> 01:36:39,880
Speaker 6: Man, don't don't send Kyle to come to some fucking

2200
01:36:39,920 --> 01:36:42,960
Speaker 6: empty warehouse. You know what I'm saying, Like, you know ya,

2201
01:36:43,200 --> 01:36:46,040
Speaker 6: It's an empty warehouse, nothing in there, just him and Kai.

2202
01:36:46,800 --> 01:36:48,439
Speaker 4: Like, no, man, don't do that.

2203
01:36:48,640 --> 01:36:48,760
Speaker 9: Man.

2204
01:36:48,840 --> 01:36:52,719
Speaker 1: No. I tried to look up this John Monopoly threat

2205
01:36:53,240 --> 01:36:56,560
Speaker 1: because apparently John Monopoly was Kanye West's manager currently and

2206
01:36:56,600 --> 01:36:59,240
Speaker 1: has been his manager for a long time. I saw

2207
01:36:59,280 --> 01:37:01,960
Speaker 1: the headline that he threatened Kai to like fight him.

2208
01:37:02,479 --> 01:37:05,120
Speaker 1: I couldn't find that clip of John Monopoly saying that

2209
01:37:05,840 --> 01:37:08,559
Speaker 1: is that actually true? But there's a Kai did respond.

2210
01:37:09,160 --> 01:37:10,679
Speaker 1: I know I shouldn't find the original clip.

2211
01:37:14,320 --> 01:37:19,360
Speaker 5: Stuff, how is he fighting me?

2212
01:37:23,720 --> 01:37:25,760
Speaker 1: Kai is really good at what he does. Man, so good.

2213
01:37:26,200 --> 01:37:34,160
Speaker 1: He's so good at this. Making suspense for a Google

2214
01:37:34,200 --> 01:37:37,639
Speaker 1: search is a talent. That's a pure talent.

2215
01:37:41,240 --> 01:37:41,960
Speaker 5: It was his age.

2216
01:37:45,840 --> 01:37:50,479
Speaker 1: How old I love him?

2217
01:37:51,479 --> 01:37:51,599
Speaker 7: Yo?

2218
01:37:51,800 --> 01:37:54,240
Speaker 1: How old is thisga is fun? Can you read whatever

2219
01:37:54,360 --> 01:37:56,320
Speaker 1: is below? Because I have to hear the threat? How

2220
01:37:56,320 --> 01:37:58,760
Speaker 1: did yo Monopoly say he was going to fight Kai?

2221
01:37:59,080 --> 01:38:01,560
Speaker 1: I just don't believe that. He said. He posted a

2222
01:38:01,560 --> 01:38:02,639
Speaker 1: photo with you, he said, were good.

2223
01:38:02,640 --> 01:38:03,960
Speaker 2: But if we ever need to link up for a

2224
01:38:04,000 --> 01:38:06,360
Speaker 2: face to face, I'll meet him in his hood on

2225
01:38:06,960 --> 01:38:09,560
Speaker 2: the streets, just me plus one. He can bring his

2226
01:38:09,640 --> 01:38:12,240
Speaker 2: whole team. Just so y'all understand the type of time

2227
01:38:12,280 --> 01:38:13,920
Speaker 2: I'm on. May Allah bless you all.

2228
01:38:14,520 --> 01:38:17,760
Speaker 1: Wait, what that's so weird? You bring all into that?

2229
01:38:19,040 --> 01:38:19,639
Speaker 1: During Raman?

2230
01:38:20,560 --> 01:38:22,400
Speaker 5: He said he that was his message to cor No,

2231
01:38:22,560 --> 01:38:26,840
Speaker 5: that was a tweet. But why a child for for pants?

2232
01:38:27,760 --> 01:38:30,639
Speaker 1: Yeah? Just set him a better size or don't send

2233
01:38:30,720 --> 01:38:31,040
Speaker 1: him at all.

2234
01:38:31,439 --> 01:38:35,400
Speaker 4: No, bring the correct size to his fucking to the basement,

2235
01:38:35,479 --> 01:38:37,960
Speaker 4: give it to him on his stream. Make it a

2236
01:38:38,040 --> 01:38:50,880
Speaker 4: moment man, child.

2237
01:38:57,800 --> 01:38:59,960
Speaker 1: Yeah, I'm I'm. I'm basically just.

2238
01:39:02,920 --> 01:39:04,040
Speaker 7: Because that's the people.

2239
01:39:05,600 --> 01:39:09,960
Speaker 1: More time strong. I think.

2240
01:39:10,400 --> 01:39:13,719
Speaker 7: I think we respect one another and take the time

2241
01:39:14,400 --> 01:39:18,200
Speaker 7: to communicate from a mature perspective.

2242
01:39:19,479 --> 01:39:22,160
Speaker 1: Bro, this is all they're arguing over his paris my pants.

2243
01:39:23,640 --> 01:39:23,920
Speaker 1: We're not.

2244
01:39:25,160 --> 01:39:27,560
Speaker 7: That's when thing's gonna go left, and I want to

2245
01:39:27,680 --> 01:39:31,519
Speaker 7: keep things centered. And I appreciate you were taking the

2246
01:39:31,680 --> 01:39:34,160
Speaker 7: time and considering these words.

2247
01:39:35,640 --> 01:39:41,479
Speaker 1: All right, but understand that right, understand that, understand that.

2248
01:39:42,320 --> 01:39:44,640
Speaker 6: Understanding why I'm gonna come so create it to me

2249
01:39:44,720 --> 01:39:46,720
Speaker 6: from the first place, you said the.

2250
01:39:46,720 --> 01:39:52,400
Speaker 1: Pods don't fit, the pots don't fit. You said what

2251
01:39:53,160 --> 01:39:58,439
Speaker 1: you know. I'm just saying, like I could whatever you

2252
01:39:58,520 --> 01:40:01,160
Speaker 1: want to do, we can result. I don't care what

2253
01:40:01,320 --> 01:40:04,960
Speaker 1: is to the fact that I was I had noicerespect

2254
01:40:05,160 --> 01:40:07,640
Speaker 1: you feel me, and I just feel like what he

2255
01:40:07,760 --> 01:40:09,640
Speaker 1: was going back and forth and was a little was

2256
01:40:09,640 --> 01:40:15,960
Speaker 1: a little crazy. Yeah yeah, so so so you.

2257
01:40:16,040 --> 01:40:18,160
Speaker 5: Know, how could I how how can we go out

2258
01:40:18,200 --> 01:40:18,920
Speaker 5: moving forward with this?

2259
01:40:21,120 --> 01:40:24,080
Speaker 1: I think we just need to develop a relationship, you

2260
01:40:24,160 --> 01:40:24,639
Speaker 1: know what I'm.

2261
01:40:24,479 --> 01:40:26,240
Speaker 4: Saying, just to get some correct size.

2262
01:40:26,280 --> 01:40:29,800
Speaker 1: Just send him the right hair. Are they It sounds

2263
01:40:29,880 --> 01:40:32,640
Speaker 1: like Johnnopley is a gun to his head, like on

2264
01:40:32,800 --> 01:40:36,040
Speaker 1: some hostage ship. Two forty first, that's down the block

2265
01:40:36,080 --> 01:40:40,360
Speaker 1: for my block. Oh, John used to live on no bullshit,

2266
01:40:42,880 --> 01:40:44,880
Speaker 1: so you should know that we shouldn't go for no bullshit,

2267
01:40:44,960 --> 01:40:50,719
Speaker 1: no direspect. Yeah, oh so John, he's from two forty first, Oh, Okay,

2268
01:40:50,920 --> 01:40:52,320
Speaker 1: John Monopoli is from Chicago.

2269
01:40:53,360 --> 01:40:55,280
Speaker 5: He must have lived over he mustn't.

2270
01:40:55,680 --> 01:40:57,720
Speaker 1: Yeah, he goes on to say he's lived there for

2271
01:40:57,840 --> 01:40:59,200
Speaker 1: ten years or whatever.

2272
01:40:59,320 --> 01:41:01,240
Speaker 4: Oh so he yeah, so do you know the neighborhood?

2273
01:41:01,240 --> 01:41:05,639
Speaker 1: Then? But why, like why that ship?

2274
01:41:05,760 --> 01:41:06,040
Speaker 3: Lane?

2275
01:41:06,360 --> 01:41:09,559
Speaker 1: Is this like it's weird? Is this planned? There's no way,

2276
01:41:09,600 --> 01:41:11,160
Speaker 1: that's fucking it. That's what I'm telling you. This has

2277
01:41:11,200 --> 01:41:13,040
Speaker 1: to be rolled out. Yeah, is going on.

2278
01:41:13,240 --> 01:41:16,680
Speaker 6: His stream has to be There's no way all of

2279
01:41:16,760 --> 01:41:19,000
Speaker 6: this is over. Just him saying like, yo, like he

2280
01:41:19,040 --> 01:41:21,920
Speaker 6: should still fit like that, that's all he said.

2281
01:41:22,000 --> 01:41:24,639
Speaker 2: I think that moment could have been sincere, but their reaction,

2282
01:41:24,760 --> 01:41:28,320
Speaker 2: Kanye's reaction is just a very Kanye reaction. Yeah, it's

2283
01:41:28,400 --> 01:41:30,920
Speaker 2: just like but I think because of how he reacted, Yeah,

2284
01:41:31,200 --> 01:41:33,240
Speaker 2: go to the house, it could lead to a stream.

2285
01:41:33,439 --> 01:41:35,960
Speaker 1: It should. Why wouldn't Kanye do that? Yeah?

2286
01:41:35,960 --> 01:41:37,880
Speaker 4: I think I think it'd be dope. I think it'd

2287
01:41:37,920 --> 01:41:39,880
Speaker 4: be dope. Kyle is great at what he does.

2288
01:41:39,960 --> 01:41:42,680
Speaker 5: Man's fucking I want I want a son like him.

2289
01:41:42,800 --> 01:41:43,719
Speaker 5: He's so perfect.

2290
01:41:44,120 --> 01:41:45,000
Speaker 4: You want a sun like her?

2291
01:41:45,320 --> 01:41:46,600
Speaker 1: Yeah, he's so funny and.

2292
01:41:46,640 --> 01:41:51,080
Speaker 5: Cute, like he's he's like he's been streaming for years.

2293
01:41:51,160 --> 01:41:53,640
Speaker 5: I want like a son. That's like, that's funny and

2294
01:41:53,720 --> 01:41:54,680
Speaker 5: like entertaining like that.

2295
01:41:54,880 --> 01:41:56,559
Speaker 6: Kyle will try to bust your ass if he saw

2296
01:41:56,600 --> 01:41:59,000
Speaker 6: you in the clubs and with you talking about you

2297
01:41:59,040 --> 01:41:59,639
Speaker 6: want a son.

2298
01:41:59,600 --> 01:42:04,680
Speaker 1: Like him, you let Cobby. I have to throw snapchats.

2299
01:42:04,720 --> 01:42:05,400
Speaker 1: I mean, who knows?

2300
01:42:06,400 --> 01:42:08,960
Speaker 4: Yeah, who knows? That's funny.

2301
01:42:10,000 --> 01:42:11,439
Speaker 1: God, I don't want to put anything on his jacket.

2302
01:42:11,479 --> 01:42:11,920
Speaker 4: Who knows?

2303
01:42:12,080 --> 01:42:17,200
Speaker 1: Who knows? Do we have voicemails? You've got mail? Yeah?

2304
01:42:17,320 --> 01:42:20,120
Speaker 2: Oh, this is actually a fun one. Remember the threesome

2305
01:42:20,240 --> 01:42:21,200
Speaker 2: story that we wanted?

2306
01:42:21,479 --> 01:42:21,639
Speaker 9: Yes?

2307
01:42:21,680 --> 01:42:25,639
Speaker 1: Oh god? So since yeah, we'll give give some quick backstory.

2308
01:42:25,680 --> 01:42:27,760
Speaker 1: She called in was talking about she was living her life.

2309
01:42:27,840 --> 01:42:30,360
Speaker 1: Finally she had her first threesome. And then didn't she

2310
01:42:30,400 --> 01:42:32,639
Speaker 1: get onto some crazy question and we were way more concerned.

2311
01:42:32,720 --> 01:42:34,920
Speaker 2: She was saying, I'm turning. She said, when I turned thirty,

2312
01:42:34,960 --> 01:42:36,080
Speaker 2: I had all these things in my life.

2313
01:42:36,160 --> 01:42:36,880
Speaker 1: What did you guys?

2314
01:42:37,120 --> 01:42:39,720
Speaker 2: She was specifically asking Demerius, but then the question opened

2315
01:42:39,800 --> 01:42:41,120
Speaker 2: up to all of us, what did you want to

2316
01:42:41,160 --> 01:42:43,360
Speaker 2: do or accomplish at a certain point or time in

2317
01:42:43,400 --> 01:42:45,400
Speaker 2: your life? One of her is being a threesome, which

2318
01:42:45,439 --> 01:42:48,080
Speaker 2: she said she easily knocked off her list in seven concerts.

2319
01:42:48,080 --> 01:42:49,760
Speaker 5: She says she wanted to do seven consonants. She made

2320
01:42:49,800 --> 01:42:50,280
Speaker 5: it so five.

2321
01:42:50,479 --> 01:42:53,680
Speaker 1: Yeah, And instead of caring about her amazing question and

2322
01:42:54,320 --> 01:42:56,720
Speaker 1: her quest, we were more concerned of how that first

2323
01:42:56,800 --> 01:43:01,000
Speaker 1: you was on the tape. No, we're a crew, We're

2324
01:43:01,000 --> 01:43:04,040
Speaker 1: a team. We're not ganggang. It's not until this time,

2325
01:43:04,200 --> 01:43:05,960
Speaker 1: like you know, saying the white man speaks for all

2326
01:43:06,000 --> 01:43:06,280
Speaker 1: of us.

2327
01:43:06,960 --> 01:43:09,800
Speaker 4: M M, that's American, that's American.

2328
01:43:10,600 --> 01:43:11,599
Speaker 1: Can we get rid of that flag?

2329
01:43:11,640 --> 01:43:13,960
Speaker 6: By the way man Maul put that there? This is

2330
01:43:14,000 --> 01:43:17,080
Speaker 6: the country you live in, right, you're American? I am

2331
01:43:18,120 --> 01:43:19,560
Speaker 6: the flag stays.

2332
01:43:19,479 --> 01:43:21,559
Speaker 1: Speaking of a speaking of America. I did just watch

2333
01:43:21,640 --> 01:43:24,040
Speaker 1: that Flowers of the Moonshine.

2334
01:43:25,200 --> 01:43:27,679
Speaker 5: Of the Moonshine. He's not the name of the movie

2335
01:43:28,560 --> 01:43:30,920
Speaker 5: Killers the Flower Moon? What say it say? Some racist?

2336
01:43:32,280 --> 01:43:36,679
Speaker 1: Worst acting Leo's ever done in his entire life. He's

2337
01:43:36,680 --> 01:43:39,120
Speaker 1: supposed to be bad. I understand he's supposed to be

2338
01:43:39,160 --> 01:43:41,360
Speaker 1: like the stupid guy that gets taken advantage of. But

2339
01:43:41,560 --> 01:43:45,880
Speaker 1: it was the most diet Shutter Island acting ever. It

2340
01:43:45,960 --> 01:43:48,000
Speaker 1: felt like outtakes from Shutter Island when he would like

2341
01:43:48,080 --> 01:43:49,400
Speaker 1: make the face in the same suit.

2342
01:43:51,160 --> 01:43:51,400
Speaker 3: It was.

2343
01:43:51,560 --> 01:43:53,679
Speaker 1: It was awful. Fucking It was the worst de Niro's

2344
01:43:53,680 --> 01:43:57,280
Speaker 1: ever acted too. He was a better actor and Meet

2345
01:43:57,320 --> 01:44:01,560
Speaker 1: the Parents than he was in there. That was I

2346
01:44:01,760 --> 01:44:03,519
Speaker 1: appreciate the attempt of what they tried to do in

2347
01:44:03,560 --> 01:44:06,000
Speaker 1: Scorsese doing something like that. It was a good story,

2348
01:44:06,960 --> 01:44:13,000
Speaker 1: but man, did the two Legends not deliver. Leo stunk

2349
01:44:13,040 --> 01:44:15,439
Speaker 1: in that movie. He was like bad, bad.

2350
01:44:16,040 --> 01:44:18,200
Speaker 5: You tend to over exaggerate and be a hater though, So.

2351
01:44:18,280 --> 01:44:19,920
Speaker 1: Is it really that? I love? Leo's one of my

2352
01:44:19,960 --> 01:44:22,000
Speaker 1: favorite actors. It's not that bad. It's not that bad

2353
01:44:22,040 --> 01:44:25,080
Speaker 1: of them. I'm sure a good movie. Oh no, I'm

2354
01:44:25,120 --> 01:44:26,640
Speaker 1: gonna rewatch it because it was three hours long and

2355
01:44:26,640 --> 01:44:28,400
Speaker 1: there was a lot of ship to cover. It's a

2356
01:44:28,439 --> 01:44:33,719
Speaker 1: good movie. I just Leo was awful. I acted by everybody.

2357
01:44:33,720 --> 01:44:35,719
Speaker 6: I don't feel like it was some of Leo's best acting.

2358
01:44:35,800 --> 01:44:37,160
Speaker 6: But I don't think it was bad acting.

2359
01:44:37,600 --> 01:44:41,320
Speaker 1: Like, no, I think there's better growing pains scenes with

2360
01:44:41,520 --> 01:44:42,679
Speaker 1: Leo than they're were in that movie.

2361
01:44:43,240 --> 01:44:50,559
Speaker 11: He going crazy noses, Leo wasn't good and growing pains, yeah,

2362
01:44:50,960 --> 01:44:53,479
Speaker 11: But I think Leo's good and everything he's done.

2363
01:44:54,479 --> 01:44:56,040
Speaker 1: He's one of my favorite actors by far.

2364
01:44:56,320 --> 01:44:57,200
Speaker 4: This was just awful.

2365
01:44:57,760 --> 01:44:58,400
Speaker 1: I mean that's fair.

2366
01:44:58,600 --> 01:45:00,120
Speaker 4: I mean, you ain't got to be your favorite, but

2367
01:45:00,560 --> 01:45:01,639
Speaker 4: you enjoyed the movie though.

2368
01:45:02,360 --> 01:45:04,519
Speaker 1: The story the way it was, it's just tough to

2369
01:45:04,600 --> 01:45:07,080
Speaker 1: do three and a half hours when de Niro and

2370
01:45:07,200 --> 01:45:12,320
Speaker 1: Leo stink, Okay, not mad at that. Everybody else carried

2371
01:45:12,360 --> 01:45:15,640
Speaker 1: it well, she and Leo just the whole time. What

2372
01:45:15,760 --> 01:45:17,640
Speaker 1: is the lead actress's name? I forgot her name, but

2373
01:45:17,680 --> 01:45:20,880
Speaker 1: I think she just won. Didn't she win a was

2374
01:45:20,920 --> 01:45:23,120
Speaker 1: it an Emmy or Golden not an Oscar?

2375
01:45:23,280 --> 01:45:23,960
Speaker 4: Do you want to Oscar?

2376
01:45:24,760 --> 01:45:24,960
Speaker 1: Wait?

2377
01:45:25,040 --> 01:45:28,880
Speaker 2: Now, I don't think she won. She was nominated. What's

2378
01:45:29,439 --> 01:45:35,720
Speaker 2: the woman's name? As someone she smoked it? Yeah, No,

2379
01:45:35,800 --> 01:45:36,240
Speaker 2: she was great.

2380
01:45:36,280 --> 01:45:39,760
Speaker 1: She was great as someone that prefers Scorsese over Tarantino.

2381
01:45:40,120 --> 01:45:43,559
Speaker 1: This felt like a movie that Tarantino should have done.

2382
01:45:45,960 --> 01:45:48,120
Speaker 1: There was so much build up to crazy shit and

2383
01:45:48,200 --> 01:45:51,599
Speaker 1: whyn't I kind of needed the wild ending.

2384
01:45:52,479 --> 01:45:55,120
Speaker 6: It wasn't enough, too much building a Tarantino movie, though

2385
01:45:55,160 --> 01:45:56,760
Speaker 6: Tarantino movies are always more violu.

2386
01:45:56,880 --> 01:46:01,439
Speaker 1: I was smoking mad people racist? Oh it did definitely guarantee,

2387
01:46:01,720 --> 01:46:04,519
Speaker 1: I echoed Tarantinos. Tarantino would have found a way to

2388
01:46:04,680 --> 01:46:07,000
Speaker 1: use the N word in a Native American, white movies.

2389
01:46:07,520 --> 01:46:09,200
Speaker 2: What were they known as? Because it wouldn't hit as

2390
01:46:09,240 --> 01:46:11,200
Speaker 2: hard as the N words. I feel like that's why

2391
01:46:11,280 --> 01:46:12,920
Speaker 2: Tarantina would bow out of a film like this.

2392
01:46:14,400 --> 01:46:18,559
Speaker 1: There's no former the former name of the Washington commanders,

2393
01:46:18,560 --> 01:46:20,599
Speaker 1: I think would have been thrown around a lot. Well,

2394
01:46:20,760 --> 01:46:23,880
Speaker 1: Parentin would have find some way to say Redskins. It was.

2395
01:46:24,000 --> 01:46:26,479
Speaker 1: It was thrown around in it a little bit. Yeah,

2396
01:46:26,520 --> 01:46:28,040
Speaker 1: but like that, it's just like it. Those are a

2397
01:46:28,080 --> 01:46:31,920
Speaker 1: week when they were bringing up the the Tulsa ship. Yeah,

2398
01:46:31,920 --> 01:46:34,640
Speaker 1: they throwed them. Oh yeah. Tarantino would have made that

2399
01:46:34,680 --> 01:46:35,320
Speaker 1: scene longer.

2400
01:46:36,360 --> 01:46:41,840
Speaker 2: He would have harped rebombed Tulsa. The movie just would

2401
01:46:41,880 --> 01:46:46,560
Speaker 2: have been Sula. The current light it up again is

2402
01:46:46,600 --> 01:46:47,639
Speaker 2: that twenty twenty four.

2403
01:46:48,720 --> 01:46:50,760
Speaker 1: He would have changed the actual name from Black Wall

2404
01:46:50,800 --> 01:46:51,680
Speaker 1: Street to something else.

2405
01:46:51,680 --> 01:46:54,080
Speaker 4: Saratune would have blew up escalated Tulsa right now.

2406
01:46:55,080 --> 01:46:58,400
Speaker 1: In the nineteen twenties and put Jamie Fox in it

2407
01:46:58,479 --> 01:46:59,000
Speaker 1: for no reason.

2408
01:46:59,560 --> 01:47:01,800
Speaker 4: Yeah, go a little crazy.

2409
01:47:02,400 --> 01:47:04,800
Speaker 1: But what's what's the name of that actress that was

2410
01:47:04,840 --> 01:47:09,479
Speaker 1: in uh Handmaid's Tale? Oh the white bitch. Yeah, that

2411
01:47:09,680 --> 01:47:13,840
Speaker 1: face she made it was an accurate description. I knew

2412
01:47:13,840 --> 01:47:17,680
Speaker 1: who he was talking about. Elizabeth Moss. The face she

2413
01:47:17,840 --> 01:47:21,240
Speaker 1: makes through the entire series is the face Leo was

2414
01:47:21,280 --> 01:47:24,920
Speaker 1: making through the whole movie. Really, just the whole time. This,

2415
01:47:25,479 --> 01:47:27,719
Speaker 1: this is the character the whole time. I can't stand.

2416
01:47:28,360 --> 01:47:30,920
Speaker 3: I hate her more than anyone I've ever hated any

2417
01:47:31,600 --> 01:47:32,479
Speaker 3: show of all times.

2418
01:47:33,040 --> 01:47:35,920
Speaker 1: She's the worst character. This was Lee, that was Leo

2419
01:47:36,040 --> 01:47:40,840
Speaker 1: the entire movie. She plays very unlikable characters and does

2420
01:47:40,880 --> 01:47:43,880
Speaker 1: a great job. She's probably a sweetheart in her life,

2421
01:47:44,240 --> 01:47:45,680
Speaker 1: I'm sure, but she's very like that.

2422
01:47:45,920 --> 01:47:47,120
Speaker 4: That's the ones that plays like her.

2423
01:47:47,160 --> 01:47:49,639
Speaker 1: It's like horrible. I mean in a good way. She's

2424
01:47:49,680 --> 01:47:51,880
Speaker 1: been in other stuff that she was good, and she

2425
01:47:52,040 --> 01:47:56,080
Speaker 1: Handmaid's Tales. She's just an awful character.

2426
01:47:56,479 --> 01:48:00,240
Speaker 5: Yeah, oh so were you really like watched Handmaids So yeah,

2427
01:48:00,640 --> 01:48:01,360
Speaker 5: and you're still.

2428
01:48:02,280 --> 01:48:04,360
Speaker 1: It's a great series. I just can't get past her

2429
01:48:04,400 --> 01:48:08,599
Speaker 1: facial facial reaction throughout the entire thing. Yeah, they were

2430
01:48:09,000 --> 01:48:09,519
Speaker 1: off putting.

2431
01:48:09,760 --> 01:48:11,040
Speaker 5: Do you want to go to voice smail?

2432
01:48:11,280 --> 01:48:11,679
Speaker 7: Oh? Yeah?

2433
01:48:11,680 --> 01:48:15,320
Speaker 1: Anyway, So after that side step, so we have this

2434
01:48:15,439 --> 01:48:20,160
Speaker 1: resome story. See why it never got any awards, didn't it?

2435
01:48:20,960 --> 01:48:24,880
Speaker 9: Hey? Everyone is Michelle from Chicago calling back with the

2436
01:48:25,000 --> 01:48:27,040
Speaker 9: Rory requested threesome stories.

2437
01:48:27,120 --> 01:48:28,200
Speaker 5: So Bam, here we go.

2438
01:48:28,520 --> 01:48:30,880
Speaker 1: She whole team out, the whole team, only you asking

2439
01:48:30,920 --> 01:48:33,519
Speaker 1: for the damn thing. The team. All right, we're a unit.

2440
01:48:34,640 --> 01:48:36,040
Speaker 2: So fuck.

2441
01:48:36,200 --> 01:48:37,880
Speaker 1: I totally wish that it was.

2442
01:48:38,000 --> 01:48:41,360
Speaker 9: I think maybe Julian said it, see that the three

2443
01:48:41,400 --> 01:48:45,200
Speaker 9: someome happened during my quest to hit all seven continents,

2444
01:48:45,360 --> 01:48:48,240
Speaker 9: and unfortunately, no it didn't. It happened here in Chicago.

2445
01:48:49,320 --> 01:48:53,960
Speaker 9: But I guess some backstory is First, Uh, leading up

2446
01:48:54,000 --> 01:48:57,680
Speaker 9: to turning thirty, I was in a really really awful relationship,

2447
01:48:57,760 --> 01:48:59,639
Speaker 9: incredibly controlling, very.

2448
01:48:59,520 --> 01:49:02,240
Speaker 1: Abusive, of one of those relationships.

2449
01:49:01,600 --> 01:49:05,000
Speaker 9: Like you can't even believe you are in it, you

2450
01:49:05,200 --> 01:49:11,599
Speaker 9: can't find yourself in this, And anyway, that's not important.

2451
01:49:11,920 --> 01:49:17,160
Speaker 9: What's important is that after I got out of that relationship,

2452
01:49:17,880 --> 01:49:21,880
Speaker 9: I took control back of my life, my sensuality, myself

2453
01:49:22,680 --> 01:49:26,720
Speaker 9: and everything and was bound and determined to have a

2454
01:49:26,760 --> 01:49:30,240
Speaker 9: threesome because he never quote unquote let me, which is

2455
01:49:30,320 --> 01:49:33,080
Speaker 9: so fucking nauseating to even say, because I'm not the

2456
01:49:33,120 --> 01:49:35,160
Speaker 9: type of person to let anybody tell me what the

2457
01:49:35,200 --> 01:49:35,560
Speaker 9: fuck to do.

2458
01:49:36,479 --> 01:49:39,040
Speaker 5: But anyway, shit, I'm running out of time.

2459
01:49:39,560 --> 01:49:41,960
Speaker 1: So basically, I meet this married couple.

2460
01:49:42,160 --> 01:49:44,439
Speaker 9: They invite me into their relationship as kind of their

2461
01:49:44,560 --> 01:49:47,960
Speaker 9: girlfriend and things just take off from there. He was

2462
01:49:48,040 --> 01:49:51,439
Speaker 9: a filmmaker, and I was basically the creative director of

2463
01:49:51,560 --> 01:49:54,880
Speaker 9: my own threesome. He shot it in the most beautiful,

2464
01:49:55,160 --> 01:50:00,080
Speaker 9: like film noir, sexy as hell type of way, and

2465
01:50:00,360 --> 01:50:02,719
Speaker 9: it was one of the greatest experiences of my life.

2466
01:50:04,360 --> 01:50:07,360
Speaker 1: Oh, she had the fucking for a first three story

2467
01:50:07,400 --> 01:50:08,800
Speaker 1: with five seconds left on the clock.

2468
01:50:08,920 --> 01:50:09,719
Speaker 5: That's fire.

2469
01:50:10,280 --> 01:50:16,439
Speaker 1: My nipples are hard yep unheardened him to fuck like, yo, real,

2470
01:50:16,479 --> 01:50:19,280
Speaker 1: can you teach me how to filmmake? Filmmaker?

2471
01:50:19,800 --> 01:50:20,040
Speaker 9: Gay?

2472
01:50:20,640 --> 01:50:22,920
Speaker 4: I feel like that was gay. It's a woman talking.

2473
01:50:23,120 --> 01:50:23,160
Speaker 10: No.

2474
01:50:23,920 --> 01:50:27,720
Speaker 1: I don't want to make up like I just want

2475
01:50:27,760 --> 01:50:33,200
Speaker 1: to filmmaker, because clearly filmmakers are going crazy. What a

2476
01:50:33,240 --> 01:50:34,120
Speaker 1: beautiful threesome.

2477
01:50:34,439 --> 01:50:36,559
Speaker 4: She said that he wouldn't let her have a threesome.

2478
01:50:38,200 --> 01:50:40,760
Speaker 3: All I would assume that he probably liked it, like

2479
01:50:40,920 --> 01:50:41,840
Speaker 3: he didn't want her.

2480
01:50:42,000 --> 01:50:43,000
Speaker 5: He didn't want to have one with her.

2481
01:50:44,680 --> 01:50:46,439
Speaker 1: That's crazy. You know how easy it is for women

2482
01:50:46,479 --> 01:50:47,160
Speaker 1: to have a three zome.

2483
01:50:47,840 --> 01:50:49,760
Speaker 4: It's easy for women to ask no.

2484
01:50:49,920 --> 01:50:51,800
Speaker 2: I know, well, yes, I mean that's why they deserve

2485
01:50:51,920 --> 01:50:54,800
Speaker 2: less financially. Yeah, but I'm I'm just saying, like specifically,

2486
01:50:54,840 --> 01:50:57,720
Speaker 2: when it comes to threesomes. Every man has that, like,

2487
01:50:57,800 --> 01:50:59,720
Speaker 2: oh my god, what a woman just goes up to

2488
01:50:59,800 --> 01:51:01,720
Speaker 2: a was like I want to fuck you both, They're

2489
01:51:01,720 --> 01:51:07,439
Speaker 2: gonna be like yeah, sure, wells you could just say no, yeah.

2490
01:51:07,479 --> 01:51:09,559
Speaker 6: I mean if the couple was into it, though, like yeah,

2491
01:51:10,400 --> 01:51:13,120
Speaker 6: and even if they're not, I could still see it

2492
01:51:13,200 --> 01:51:17,920
Speaker 6: turning into like a flirtatious type of like no, but

2493
01:51:18,080 --> 01:51:20,479
Speaker 6: you're cute and you know if we were into that,

2494
01:51:20,600 --> 01:51:22,920
Speaker 6: we would and but you could sit with us and

2495
01:51:23,040 --> 01:51:25,120
Speaker 6: like drink and you know whatever. Like I could see

2496
01:51:25,120 --> 01:51:27,800
Speaker 6: it being that. But like men, we can't get that

2497
01:51:27,840 --> 01:51:28,200
Speaker 6: ship off.

2498
01:51:28,280 --> 01:51:30,120
Speaker 1: I don't know. But in our case, you have to

2499
01:51:30,200 --> 01:51:32,320
Speaker 1: approach to when we can't go up to two lesbians

2500
01:51:32,360 --> 01:51:34,760
Speaker 1: and be like yo, I would love it's sextually very

2501
01:51:34,800 --> 01:51:39,600
Speaker 1: disrespectful to do that. See, be disrespectful. It should be

2502
01:51:39,680 --> 01:51:44,640
Speaker 1: respectful to say that to any couple like yo, like that.

2503
01:51:44,720 --> 01:51:47,599
Speaker 3: Well, usually a couple comes up to you. That's what's

2504
01:51:47,640 --> 01:51:49,600
Speaker 3: supposed to happen. The couple was supposed to approach you.

2505
01:51:51,560 --> 01:51:55,640
Speaker 4: I guess, yeah, that's what happened here. The couple approached her.

2506
01:51:56,720 --> 01:52:01,000
Speaker 1: This did sound like the beginning of an amazing horror movie, though,

2507
01:52:01,080 --> 01:52:05,400
Speaker 1: no well, like this really nice couple that does video

2508
01:52:05,600 --> 01:52:09,280
Speaker 1: and he's a director and they shoot this amazing scene

2509
01:52:09,479 --> 01:52:12,320
Speaker 1: and the street her so well she and then's back.

2510
01:52:12,479 --> 01:52:14,160
Speaker 5: They want to film her, but like they want to

2511
01:52:14,200 --> 01:52:16,600
Speaker 5: tie her up and then they like abuse her or

2512
01:52:16,800 --> 01:52:17,479
Speaker 5: like she.

2513
01:52:17,600 --> 01:52:21,280
Speaker 1: Goes back for the second time. They're out running errands

2514
01:52:21,320 --> 01:52:23,320
Speaker 1: and they have such a beautiful place that she just

2515
01:52:23,360 --> 01:52:26,479
Speaker 1: starts walking around. She goes into his office then finds

2516
01:52:26,640 --> 01:52:29,760
Speaker 1: like all the tapes of the other threesomes of them

2517
01:52:29,880 --> 01:52:33,439
Speaker 1: just killing the girl afterward. Like that's that's what it

2518
01:52:33,520 --> 01:52:36,760
Speaker 1: sounded like to me. That's a Hula movies creed writer.

2519
01:52:37,400 --> 01:52:40,520
Speaker 1: There's like ten to movies that probably are that exactly At.

2520
01:52:40,360 --> 01:52:43,439
Speaker 2: Sidney Sweeney did a filming down on Hulu. She got

2521
01:52:43,600 --> 01:52:46,720
Speaker 2: fully naked and it was a big moment. Mmm you

2522
01:52:46,840 --> 01:52:49,160
Speaker 2: for you No, No, it's a film on Hula. There

2523
01:52:49,280 --> 01:52:52,080
Speaker 2: there's just uh, it's very voyeuristic. She lives in the

2524
01:52:52,080 --> 01:52:55,680
Speaker 2: building across these people. She goes across. The guy's a photographer.

2525
01:52:55,680 --> 01:52:57,840
Speaker 2: He's a creep of course, and then they like have

2526
01:52:57,960 --> 01:53:00,439
Speaker 2: all these tapes and photos and images of every It's

2527
01:53:00,520 --> 01:53:03,760
Speaker 2: it's literally what you just said is the movie? How

2528
01:53:03,960 --> 01:53:06,040
Speaker 2: like as a couple with Sidney Swiney stads.

2529
01:53:07,520 --> 01:53:11,519
Speaker 1: All of my like threesome requests has been somebody like

2530
01:53:11,600 --> 01:53:15,439
Speaker 1: I knew and thought they would pair. Well, what do

2531
01:53:15,479 --> 01:53:18,400
Speaker 1: you mean if I was having a conversation with a girl,

2532
01:53:18,400 --> 01:53:20,240
Speaker 1: I was talking to her dating and we were talking

2533
01:53:20,280 --> 01:53:24,120
Speaker 1: about threesomes. I mean, it's best if she picks, but

2534
01:53:24,200 --> 01:53:26,559
Speaker 1: I've offered up options of like women that I think

2535
01:53:26,600 --> 01:53:28,839
Speaker 1: she'd find attractive. You know, you go through the whole checklist.

2536
01:53:29,960 --> 01:53:31,640
Speaker 1: What do you do as like a couple just on

2537
01:53:31,840 --> 01:53:34,439
Speaker 1: like a Sandals resort and just fi like, how do

2538
01:53:34,520 --> 01:53:37,120
Speaker 1: you find that girl? To me, that's like just porno shit.

2539
01:53:37,520 --> 01:53:39,880
Speaker 1: Maybe I'm naive you approach all the girls. Couples just

2540
01:53:40,000 --> 01:53:44,040
Speaker 1: run into women by themselves just ready to have threesomes.

2541
01:53:44,640 --> 01:53:45,960
Speaker 5: Yeah, that actually happens a lot.

2542
01:53:46,160 --> 01:53:46,760
Speaker 1: I guess I'm not.

2543
01:53:46,800 --> 01:53:48,920
Speaker 4: Living, especially on vacations, like a lot of the women

2544
01:53:49,000 --> 01:53:50,439
Speaker 4: at work at resorts and stuff like that.

2545
01:53:50,640 --> 01:53:52,560
Speaker 1: Oh, I guess I could. I always wanted to do that.

2546
01:53:53,680 --> 01:53:55,519
Speaker 3: Well, I didn't know that people really did that until

2547
01:53:55,560 --> 01:53:57,080
Speaker 3: I saw somebody do it and I was like, y'all

2548
01:53:57,160 --> 01:53:59,400
Speaker 3: really fuck strangers on vacation. I just will never get

2549
01:53:59,439 --> 01:53:59,680
Speaker 3: over there.

2550
01:54:00,120 --> 01:54:02,160
Speaker 1: Like couples are just people in general. I'm not worried

2551
01:54:02,200 --> 01:54:04,280
Speaker 1: about strainers. It's not the point of a vacation as

2552
01:54:04,280 --> 01:54:05,719
Speaker 1: a fuck a stranger hotel employee.

2553
01:54:06,200 --> 01:54:11,120
Speaker 2: No, that sounds great, like if you're a vacation by

2554
01:54:11,120 --> 01:54:14,600
Speaker 2: yourself or whatever, like if we go to LA and

2555
01:54:14,680 --> 01:54:15,360
Speaker 2: shoot some shit.

2556
01:54:15,840 --> 01:54:19,240
Speaker 1: Mm hmm. I'm just not that boat. Like I respect

2557
01:54:19,280 --> 01:54:22,360
Speaker 1: people's workplace. If I'm with my girl and we're like

2558
01:54:22,439 --> 01:54:25,439
Speaker 1: trying to have a threesome, the maid would be the

2559
01:54:25,520 --> 01:54:28,320
Speaker 1: last person I would ask both, like why would I

2560
01:54:28,560 --> 01:54:30,960
Speaker 1: like this woman's at work? Like, why would I fuck

2561
01:54:31,040 --> 01:54:34,280
Speaker 1: up her? Yeah, be getting paid. So remember we was

2562
01:54:34,320 --> 01:54:36,040
Speaker 1: in high school. We went to I don't want to

2563
01:54:36,040 --> 01:54:37,800
Speaker 1: pay for a threesome. We had a show. I think.

2564
01:54:37,880 --> 01:54:42,360
Speaker 4: I want to say it was like in random Iowa.

2565
01:54:43,240 --> 01:54:44,320
Speaker 1: Nice shout out Iowa.

2566
01:54:44,400 --> 01:54:48,520
Speaker 6: And my homeboy that was in school with at the time,

2567
01:54:48,600 --> 01:54:52,720
Speaker 6: he he fucked the girl that worked at the front desk.

2568
01:54:54,200 --> 01:54:56,840
Speaker 4: We was high school, so he was like sixteen. This

2569
01:54:57,040 --> 01:54:58,120
Speaker 4: was clearly a grown woman.

2570
01:54:58,240 --> 01:54:58,920
Speaker 1: This was a crime.

2571
01:54:59,200 --> 01:55:01,720
Speaker 6: No, this is what I'm getting to like. But I

2572
01:55:01,800 --> 01:55:04,440
Speaker 6: remember like seeing like I was like it was like, yo,

2573
01:55:04,520 --> 01:55:05,920
Speaker 6: that showed me from the front desk.

2574
01:55:05,800 --> 01:55:10,040
Speaker 1: In your room. He was like, yeah, women are predators.

2575
01:55:10,080 --> 01:55:12,960
Speaker 6: Man, I'm like, yo, what the now? She wasn't She

2576
01:55:13,160 --> 01:55:15,840
Speaker 6: was definitely in her twenties, Like, she wasn't. I don't

2577
01:55:15,840 --> 01:55:17,879
Speaker 6: think she was thirty, but she was in her twenties.

2578
01:55:18,360 --> 01:55:19,760
Speaker 6: But I just remember seeing her in the room and

2579
01:55:19,800 --> 01:55:22,000
Speaker 6: I was just like, yo, that's and I remember him saying,

2580
01:55:22,000 --> 01:55:23,200
Speaker 6: he was like, I'm a fuck shorty.

2581
01:55:23,000 --> 01:55:23,520
Speaker 1: At the front desk.

2582
01:55:24,000 --> 01:55:27,120
Speaker 6: That's a grown ass woman, Like shut up. Four hours

2583
01:55:27,160 --> 01:55:28,240
Speaker 6: later she was in his room.

2584
01:55:28,360 --> 01:55:29,280
Speaker 1: What is it about that?

2585
01:55:29,520 --> 01:55:33,520
Speaker 2: And especially in schools or like teachers, it's usually women

2586
01:55:33,920 --> 01:55:35,000
Speaker 2: that are fucking the studious.

2587
01:55:35,000 --> 01:55:37,720
Speaker 1: It's not usually women. No, it's not, it is it

2588
01:55:37,840 --> 01:55:38,520
Speaker 1: is not usually.

2589
01:55:38,600 --> 01:55:40,200
Speaker 5: Well, look pull up the statistics that showed me that

2590
01:55:40,240 --> 01:55:41,160
Speaker 5: it's usually and then.

2591
01:55:41,080 --> 01:55:42,600
Speaker 4: Who took those statistics?

2592
01:55:43,880 --> 01:55:44,520
Speaker 1: It's a weird poll.

2593
01:55:44,600 --> 01:55:46,120
Speaker 6: It's a weird yeah, like who did that? Who went

2594
01:55:46,160 --> 01:55:49,040
Speaker 6: around the nation? Like, hey, how many male teachers versus

2595
01:55:49,080 --> 01:55:49,880
Speaker 6: female teachers fucks?

2596
01:55:49,920 --> 01:55:50,080
Speaker 1: To me?

2597
01:55:50,320 --> 01:55:52,000
Speaker 5: I don't know the status, but who get caught?

2598
01:55:52,120 --> 01:55:54,760
Speaker 1: From what I've seen recently, it does seem like it's

2599
01:55:54,920 --> 01:55:58,040
Speaker 1: only the women teachers being caught fucking their students. Yes,

2600
01:55:58,160 --> 01:56:00,560
Speaker 1: it's been a long time since I've seen coming up.

2601
01:56:00,760 --> 01:56:02,760
Speaker 3: But that's because little boys don't know how to keep

2602
01:56:02,760 --> 01:56:05,400
Speaker 3: their mouth shut. Because coming up in high school, the

2603
01:56:05,480 --> 01:56:06,920
Speaker 3: male teachers were always creepiest.

2604
01:56:07,240 --> 01:56:08,960
Speaker 1: We are, yeah that was in the.

2605
01:56:09,040 --> 01:56:11,880
Speaker 6: News, but the male teachers are creepy. But and then

2606
01:56:12,240 --> 01:56:17,600
Speaker 6: women are more more like covert about their intentions. As

2607
01:56:17,680 --> 01:56:21,480
Speaker 6: you know, you're a woman, can speak to your intention.

2608
01:56:23,920 --> 01:56:25,440
Speaker 1: All right, well, give me the scenario. If I'm on

2609
01:56:25,560 --> 01:56:29,440
Speaker 1: vacation to like how to lure in the three song as.

2610
01:56:29,280 --> 01:56:32,600
Speaker 5: A couple sounds creepy, Just well, you gotta see who's

2611
01:56:32,600 --> 01:56:32,880
Speaker 5: giving you.

2612
01:56:32,960 --> 01:56:33,080
Speaker 1: Well.

2613
01:56:33,080 --> 01:56:35,080
Speaker 5: First of all, you and k are a very attractive couple,

2614
01:56:35,520 --> 01:56:36,440
Speaker 5: so people.

2615
01:56:36,200 --> 01:56:39,640
Speaker 1: Will if I get a haircut, maybe I'll be more attractive.

2616
01:56:39,640 --> 01:56:40,600
Speaker 5: You'll attract more white women.

2617
01:56:40,640 --> 01:56:44,560
Speaker 1: Make this so I do. I'm joking love that.

2618
01:56:47,760 --> 01:56:50,560
Speaker 3: That's not very Republican, like stand on that ship man,

2619
01:56:51,600 --> 01:56:54,520
Speaker 3: So y'all will naturally get you know, looks from women

2620
01:56:54,560 --> 01:56:56,200
Speaker 3: and stuff like that. You go to the bar, you

2621
01:56:56,320 --> 01:56:58,040
Speaker 3: kind of like, you know, you talk to people, and

2622
01:56:58,160 --> 01:56:59,960
Speaker 3: as you talk to people, you can tell when someone

2623
01:57:00,160 --> 01:57:03,160
Speaker 3: is giving you, like the energy, Look how.

2624
01:57:03,080 --> 01:57:06,839
Speaker 6: Fast she's showing up some covert intentions, right, my COVID intentions,

2625
01:57:07,120 --> 01:57:07,640
Speaker 6: you're giving them.

2626
01:57:07,680 --> 01:57:09,839
Speaker 4: The playbook who drew that playbook?

2627
01:57:10,320 --> 01:57:10,720
Speaker 1: M hmm.

2628
01:57:11,080 --> 01:57:11,920
Speaker 5: Coaches don't play.

2629
01:57:12,880 --> 01:57:14,440
Speaker 6: Some of them used to some of the best coaches.

2630
01:57:14,440 --> 01:57:16,440
Speaker 6: It's some of the best coaches absolutely.

2631
01:57:16,040 --> 01:57:21,560
Speaker 1: Play experiences everything. That's so, going on vacation next week, Miami,

2632
01:57:21,800 --> 01:57:24,600
Speaker 1: I need this. You can just tell me exactly where

2633
01:57:24,600 --> 01:57:25,160
Speaker 1: the I'm.

2634
01:57:25,040 --> 01:57:29,960
Speaker 6: Going, Sorry, staying at the Jesus Christ covert intentions.

2635
01:57:29,560 --> 01:57:32,680
Speaker 5: Good, I'm sorry. We could bleep that out on vacation.

2636
01:57:33,840 --> 01:57:36,000
Speaker 1: So, like, do I just walk to the strip and

2637
01:57:36,160 --> 01:57:41,120
Speaker 1: just also like, I feel like that takes a bit

2638
01:57:41,160 --> 01:57:44,520
Speaker 1: of finessing. Do I tell the nanny to leave? Just

2639
01:57:44,600 --> 01:57:46,720
Speaker 1: buy a bitch of mahi mahi? I'm not I'm not

2640
01:57:46,800 --> 01:57:49,480
Speaker 1: paying for three to me, that's to pay for sex.

2641
01:57:49,560 --> 01:57:51,000
Speaker 1: I'm saying, just get her like a my tie and

2642
01:57:51,120 --> 01:57:53,000
Speaker 1: like a piece of lobster and she'll do it.

2643
01:57:53,080 --> 01:57:55,280
Speaker 3: Yeah, well you're gonna. If you're gonna do the three piece,

2644
01:57:56,000 --> 01:57:57,480
Speaker 3: I don't know if I want that. You go to

2645
01:57:57,560 --> 01:57:59,920
Speaker 3: a place like a lounge or like a hotel boy

2646
01:58:00,400 --> 01:58:03,080
Speaker 3: or like a regular just bar with Cleveland and you

2647
01:58:03,280 --> 01:58:04,360
Speaker 3: just talk to women.

2648
01:58:04,600 --> 01:58:05,440
Speaker 4: That's a sick place.

2649
01:58:05,760 --> 01:58:07,720
Speaker 3: If you feel like you're getting played from my first

2650
01:58:07,760 --> 01:58:09,400
Speaker 3: place to go, you feel like you're getting played from

2651
01:58:09,440 --> 01:58:11,080
Speaker 3: a woman. I literally hate you guys.

2652
01:58:11,880 --> 01:58:14,320
Speaker 1: I mean, that's how out of touch I am. That'd

2653
01:58:14,360 --> 01:58:17,600
Speaker 1: be the first place wet willies. I'm sorry.

2654
01:58:17,800 --> 01:58:21,440
Speaker 4: No, you don't want to go to No, you want

2655
01:58:21,480 --> 01:58:22,680
Speaker 4: to wet willie pussy God?

2656
01:58:22,760 --> 01:58:26,440
Speaker 1: No, no, don't go on the strip? Is there like

2657
01:58:26,640 --> 01:58:29,320
Speaker 1: a specific colored T shirt I should wear? Like the

2658
01:58:29,400 --> 01:58:32,520
Speaker 1: way you guys have talked about you want to like

2659
01:58:32,600 --> 01:58:35,200
Speaker 1: these messaging things that are out there. When you were

2660
01:58:35,240 --> 01:58:37,280
Speaker 1: talking about being in the sauna and you knew how

2661
01:58:37,320 --> 01:58:39,080
Speaker 1: to attract the gay guys because you knew the signs,

2662
01:58:39,320 --> 01:58:41,480
Speaker 1: that's not what is the Hey, we're.

2663
01:58:41,360 --> 01:58:43,840
Speaker 6: A couple looking for a third knew a shod to

2664
01:58:43,920 --> 01:58:44,600
Speaker 6: tie his towel on.

2665
01:58:44,920 --> 01:58:46,880
Speaker 3: The man is flirting with a woman in front of

2666
01:58:46,960 --> 01:58:49,880
Speaker 3: his woman. If you are flirting with me in front

2667
01:58:49,920 --> 01:58:51,800
Speaker 3: of your girl, I know what you're trying to do.

2668
01:58:51,920 --> 01:58:53,040
Speaker 3: I know what y'all are trying to.

2669
01:58:53,080 --> 01:58:54,920
Speaker 4: Also, he'd have to be I feel like she should be.

2670
01:58:56,000 --> 01:58:58,040
Speaker 3: That can also happen as well. But you also have

2671
01:58:58,200 --> 01:59:00,440
Speaker 3: to give energy. You have you both have to be

2672
01:59:00,480 --> 01:59:02,120
Speaker 3: giving energy, so you both should be fir.

2673
01:59:02,240 --> 01:59:04,240
Speaker 1: What if I play like the mysterious role in the corner?

2674
01:59:04,640 --> 01:59:07,000
Speaker 3: I mean like, No, you gotta do is act like

2675
01:59:07,040 --> 01:59:09,040
Speaker 3: you gotta have the girl. You gotta have the girl.

2676
01:59:09,480 --> 01:59:11,000
Speaker 1: How quickly would this dry up to pussy?

2677
01:59:12,040 --> 01:59:12,200
Speaker 7: Yeah?

2678
01:59:12,280 --> 01:59:12,880
Speaker 1: Nah, that's dry.

2679
01:59:13,600 --> 01:59:15,480
Speaker 6: All you gotta do is act like act like justin

2680
01:59:15,480 --> 01:59:17,400
Speaker 6: Tim Lake and his lady was gonna say, yeah, get

2681
01:59:17,440 --> 01:59:19,280
Speaker 6: on your JT's also you gotta do.

2682
01:59:19,760 --> 01:59:22,520
Speaker 1: I'm not that smooth. I would I would fall to the.

2683
01:59:22,560 --> 01:59:24,480
Speaker 6: Thing is you have to order a drink and then

2684
01:59:24,560 --> 01:59:26,320
Speaker 6: turn your back to the barton and lean against the

2685
01:59:26,320 --> 01:59:27,800
Speaker 6: bar like and then she just puts the drink right.

2686
01:59:27,960 --> 01:59:29,480
Speaker 1: I think, like I'm near side, I have to focus

2687
01:59:29,560 --> 01:59:31,040
Speaker 1: on what's in front of me. You couldn't see her

2688
01:59:31,080 --> 01:59:32,400
Speaker 1: all the way at the end of the club.

2689
01:59:32,880 --> 01:59:35,280
Speaker 6: Order to drink right, and then you turn around and

2690
01:59:35,320 --> 01:59:37,680
Speaker 6: you put your back to the bar, laying on the

2691
01:59:37,760 --> 01:59:40,560
Speaker 6: bar barton to push the drink right by your arm,

2692
01:59:41,080 --> 01:59:43,320
Speaker 6: and you look directly at the woman that.

2693
01:59:43,840 --> 01:59:46,360
Speaker 5: You and your lady want, pick up the drink and

2694
01:59:46,400 --> 01:59:46,760
Speaker 5: sip it.

2695
01:59:47,560 --> 01:59:49,480
Speaker 6: And then what you do is you order another drink.

2696
01:59:49,560 --> 01:59:51,800
Speaker 6: That cool, guys, No, listen, you order another drink whatever

2697
01:59:51,800 --> 01:59:54,280
Speaker 6: your drinking, So give me another strategy listen or whether

2698
01:59:54,320 --> 01:59:55,240
Speaker 6: I'm a good listener.

2699
01:59:54,960 --> 01:59:57,240
Speaker 4: Another drink that you're drinking and then you listen take

2700
01:59:57,280 --> 01:59:58,040
Speaker 4: the drink to the girl.

2701
01:59:58,320 --> 02:00:01,080
Speaker 1: What'd you say? That was a good one?

2702
02:00:01,120 --> 02:00:01,720
Speaker 6: That was a good bar?

2703
02:00:02,120 --> 02:00:02,400
Speaker 1: Sorry?

2704
02:00:02,600 --> 02:00:04,080
Speaker 3: I told him he wasn't a good listener. He said,

2705
02:00:04,120 --> 02:00:04,840
Speaker 3: what you say it was?

2706
02:00:05,080 --> 02:00:06,840
Speaker 1: You guys are giving me a scenario that I can't

2707
02:00:06,880 --> 02:00:10,320
Speaker 1: pull off. There's no way that the order that's dry herself,

2708
02:00:10,840 --> 02:00:13,760
Speaker 1: that would fuck the both of us, would fall for me,

2709
02:00:14,720 --> 02:00:16,640
Speaker 1: or like one, am I the most interesting man in

2710
02:00:16,720 --> 02:00:19,960
Speaker 1: the world. Well, is this a seconds commercial or whatever.

2711
02:00:20,840 --> 02:00:21,320
Speaker 4: Here's the thing.

2712
02:00:21,480 --> 02:00:23,960
Speaker 6: If it's a drink nine times out of ten, okay, well,

2713
02:00:24,040 --> 02:00:26,240
Speaker 6: let's say easy more times than none. If a woman

2714
02:00:26,360 --> 02:00:30,160
Speaker 6: is alone in a spot, like a vacation spot, like

2715
02:00:30,280 --> 02:00:33,600
Speaker 6: whether it's a restaurant, bar, she's alone, she's probably working.

2716
02:00:33,640 --> 02:00:36,120
Speaker 4: So it's probably gonna be really easy.

2717
02:00:36,240 --> 02:00:37,160
Speaker 1: But I don't want to do that.

2718
02:00:38,400 --> 02:00:39,280
Speaker 6: He wants the natural.

2719
02:00:39,360 --> 02:00:41,000
Speaker 5: He wants the girl that's just like there with her

2720
02:00:41,040 --> 02:00:42,960
Speaker 5: friends for the weekend, Like.

2721
02:00:43,120 --> 02:00:45,800
Speaker 1: And you grab a cute one. I don't want a professional,

2722
02:00:46,360 --> 02:00:48,200
Speaker 1: you don't want the world. I want a girl that's

2723
02:00:48,280 --> 02:00:50,360
Speaker 1: trying to fulfill her threesome checklist.

2724
02:00:50,520 --> 02:00:51,440
Speaker 4: Oh and she goes back.

2725
02:00:51,520 --> 02:00:53,760
Speaker 1: That'll give the better energy than the girl that's about

2726
02:00:53,840 --> 02:00:57,080
Speaker 1: to leave my threesome to go have another threesome. Got it? Yeah, true,

2727
02:00:57,160 --> 02:00:59,720
Speaker 1: it's not. That's not really my my and no disrespects

2728
02:00:59,720 --> 02:01:01,240
Speaker 1: people that pay for sex. It's just not my thing.

2729
02:01:01,880 --> 02:01:03,200
Speaker 1: Have send Kia hunting.

2730
02:01:03,800 --> 02:01:06,120
Speaker 3: Kiya will have to catch the vibe from the girl

2731
02:01:06,280 --> 02:01:07,440
Speaker 3: and see if she can get the girl to ear

2732
02:01:07,520 --> 02:01:09,320
Speaker 3: pussy in the bathroom. If she can do that, he

2733
02:01:09,560 --> 02:01:11,600
Speaker 3: has to halt it before they get too turned on,

2734
02:01:11,760 --> 02:01:13,120
Speaker 3: and then take her with you.

2735
02:01:13,400 --> 02:01:14,120
Speaker 1: I have a hotel.

2736
02:01:14,440 --> 02:01:16,400
Speaker 5: No, that's what I'm sathroom.

2737
02:01:16,960 --> 02:01:18,000
Speaker 1: They got to hit the bathroom.

2738
02:01:18,200 --> 02:01:21,080
Speaker 5: They gotta hit the bathroom lick first to see if.

2739
02:01:21,000 --> 02:01:22,839
Speaker 1: I don't even know there's a bathroom at Wet Willies.

2740
02:01:23,760 --> 02:01:26,200
Speaker 6: Why are you there? I told you, I told you

2741
02:01:26,320 --> 02:01:28,320
Speaker 6: in the first bar, don't go to Wet Willies.

2742
02:01:28,440 --> 02:01:32,520
Speaker 1: Now you just at the barstools and yeah check in. Yeah,

2743
02:01:33,560 --> 02:01:35,000
Speaker 1: pussy in the bathroom is crazy.

2744
02:01:35,800 --> 02:01:38,040
Speaker 5: Girls do that all the time, but she's not supposed to.

2745
02:01:38,880 --> 02:01:38,960
Speaker 10: Ye.

2746
02:01:39,280 --> 02:01:41,280
Speaker 3: Girls go to the bathroom to go all the way

2747
02:01:41,320 --> 02:01:43,120
Speaker 3: with it. I thought that was to warm it up,

2748
02:01:43,200 --> 02:01:45,360
Speaker 3: like maybe like finger her or like kiss her or.

2749
02:01:45,360 --> 02:01:48,880
Speaker 6: Something like that, kissing warming somebody up by just fingering

2750
02:01:48,960 --> 02:01:53,120
Speaker 6: them is crazy. It's how you know, huh anything cool down?

2751
02:01:53,960 --> 02:01:54,440
Speaker 1: Where you from?

2752
02:01:56,120 --> 02:01:59,040
Speaker 4: Where you from? I've been in mad times, Like.

2753
02:01:59,600 --> 02:02:01,440
Speaker 1: We can't can't starting a lawnmower.

2754
02:02:01,600 --> 02:02:03,560
Speaker 4: We can't do We can't do that.

2755
02:02:04,240 --> 02:02:05,000
Speaker 1: Men cannot do that.

2756
02:02:05,240 --> 02:02:08,800
Speaker 5: No one should be doing that. That's something that has

2757
02:02:08,840 --> 02:02:09,720
Speaker 5: sent her a drink.

2758
02:02:10,000 --> 02:02:13,320
Speaker 2: Fucking in the bathroom, it's I kind of it's kind

2759
02:02:13,360 --> 02:02:14,960
Speaker 2: of lit like a club or a bar.

2760
02:02:15,360 --> 02:02:17,800
Speaker 1: It's great. None in a long time. That's the time

2761
02:02:17,840 --> 02:02:20,080
Speaker 1: I did it was during COVID. That's a fun thing.

2762
02:02:20,320 --> 02:02:22,640
Speaker 1: Eating pussy in the bathroom is crazy.

2763
02:02:22,680 --> 02:02:24,080
Speaker 6: All you gotta do is put a leg up on

2764
02:02:24,160 --> 02:02:29,560
Speaker 6: the toilet, So you gotta do right what I hear, Oh,

2765
02:02:29,640 --> 02:02:32,920
Speaker 6: you gotta do it like you don't hit the marriage.

2766
02:02:32,960 --> 02:02:34,600
Speaker 6: All you gotta do whatever. What niggas say, all you

2767
02:02:34,640 --> 02:02:36,600
Speaker 6: gotta do you either go into jail or they did

2768
02:02:36,640 --> 02:02:38,400
Speaker 6: it already, Like what toy you gotta do?

2769
02:02:38,560 --> 02:02:40,640
Speaker 1: Is that, nigga, how many times you did that? Or

2770
02:02:40,720 --> 02:02:42,600
Speaker 1: you gotta do put a leg up on the sink.

2771
02:02:42,640 --> 02:02:45,000
Speaker 1: It seems a little more sanitized.

2772
02:02:44,440 --> 02:02:47,720
Speaker 3: Yeah, but it's sinks are higher if you're short. Hypothetically,

2773
02:02:47,880 --> 02:02:49,640
Speaker 3: like it's a lot to hold that leg up there.

2774
02:02:49,720 --> 02:02:54,440
Speaker 1: M m you know what I'm saying. I mean, I

2775
02:02:54,600 --> 02:02:56,880
Speaker 1: just feel like we would ruin the moment in the

2776
02:02:57,000 --> 02:03:00,360
Speaker 1: uber back to the hotel. We'd start talking about you.

2777
02:03:00,440 --> 02:03:02,800
Speaker 2: You should just get a different car. No, send them

2778
02:03:02,880 --> 02:03:04,800
Speaker 2: home together. You got a separate car and meet them there.

2779
02:03:05,360 --> 02:03:07,840
Speaker 2: You literally get into the room when when they're ready,

2780
02:03:08,040 --> 02:03:10,040
Speaker 2: like you, don't come along and fuck it up along

2781
02:03:10,120 --> 02:03:10,360
Speaker 2: the way.

2782
02:03:10,520 --> 02:03:13,520
Speaker 1: I've had my fair share of three somes. I know

2783
02:03:13,560 --> 02:03:16,920
Speaker 1: how to operate once it's not going down under these circumstances.

2784
02:03:17,120 --> 02:03:20,400
Speaker 1: A cold coal threesome I've never I've never done before.

2785
02:03:21,000 --> 02:03:23,560
Speaker 1: She could FaceTime. I don't know how to operate that

2786
02:03:23,640 --> 02:03:28,600
Speaker 1: in time, old cold threes just walking right into FaceTime. Hey,

2787
02:03:29,840 --> 02:03:32,680
Speaker 1: new parents haven't been outside very trying to get crazy,

2788
02:03:33,160 --> 02:03:35,920
Speaker 1: baby start talking about I'm trying to say, that's how

2789
02:03:35,960 --> 02:03:42,000
Speaker 1: weird we are looking this me on the slide. Notice

2790
02:03:42,000 --> 02:03:42,760
Speaker 1: how I secured my.

2791
02:03:45,760 --> 02:03:48,080
Speaker 6: Rory would walk into the three someome starts showing videos

2792
02:03:48,120 --> 02:03:50,720
Speaker 6: of omorrow like, yeah, this was her first walk right here,

2793
02:03:50,800 --> 02:03:51,800
Speaker 6: This is when she started.

2794
02:03:51,560 --> 02:03:53,240
Speaker 1: Walking once the three song was done. Though, that'd be

2795
02:03:53,240 --> 02:03:55,280
Speaker 1: a good thing to do, right, no terrible thing to do.

2796
02:03:55,440 --> 02:03:58,880
Speaker 1: Why I just don't leave the kid up pick her out. Yeah,

2797
02:03:59,640 --> 02:03:59,920
Speaker 1: there you go.

2798
02:04:00,720 --> 02:04:03,040
Speaker 3: The woman who wants to think about kids with riding

2799
02:04:03,080 --> 02:04:04,040
Speaker 3: nut on the side of her face.

2800
02:04:04,760 --> 02:04:07,400
Speaker 6: Nobody wants to think about that after I like wiped

2801
02:04:07,400 --> 02:04:08,920
Speaker 6: her face. But see, this could have been one of

2802
02:04:08,960 --> 02:04:11,800
Speaker 6: those Yeah, look what I create.

2803
02:04:12,000 --> 02:04:14,960
Speaker 1: If I leave it in we could all be co parents.

2804
02:04:15,200 --> 02:04:17,160
Speaker 5: Okay, do we have another voicemail?

2805
02:04:17,240 --> 02:04:20,280
Speaker 1: You could be co paared. That's sick. That's sick. You

2806
02:04:20,320 --> 02:04:21,840
Speaker 1: want to bring it in a threesome. You want to

2807
02:04:21,920 --> 02:04:26,520
Speaker 1: kick the girl out after the three esome. No, to me,

2808
02:04:26,640 --> 02:04:29,440
Speaker 1: that's like kind of the allure of the threesome afterwards,

2809
02:04:29,480 --> 02:04:30,040
Speaker 1: like let us.

2810
02:04:30,000 --> 02:04:32,280
Speaker 4: Do if she's cool. If she's cool. If she's cool,

2811
02:04:32,320 --> 02:04:33,480
Speaker 4: then it's like she can say.

2812
02:04:33,680 --> 02:04:36,440
Speaker 1: Like the community of it afterwards to me is like

2813
02:04:36,480 --> 02:04:38,760
Speaker 1: a real big thing. People.

2814
02:04:38,800 --> 02:04:41,160
Speaker 3: That's only But that's because you've only had threesomes with

2815
02:04:41,240 --> 02:04:44,920
Speaker 3: people that you weren't in serious relationships with you.

2816
02:04:45,240 --> 02:04:46,920
Speaker 5: Now that you're in a serious relationship, you don't want

2817
02:04:46,920 --> 02:04:47,720
Speaker 5: that girl standing there.

2818
02:04:48,000 --> 02:04:50,280
Speaker 1: Go home, so I could lay down with the community.

2819
02:04:50,400 --> 02:04:52,400
Speaker 1: This kid wouldn't want the changes hanging out. What if

2820
02:04:52,440 --> 02:04:55,200
Speaker 1: she's cool? What if she is like a really cool perspective?

2821
02:04:55,240 --> 02:04:55,880
Speaker 4: What is she's dope?

2822
02:04:56,080 --> 02:05:01,760
Speaker 1: Perspective. I don't want Rory Gaza. I need you to

2823
02:05:01,800 --> 02:05:03,879
Speaker 1: stop using that classic.

2824
02:05:04,160 --> 02:05:05,040
Speaker 4: Just that's a classic.

2825
02:05:05,320 --> 02:05:05,400
Speaker 7: Yo.

2826
02:05:05,640 --> 02:05:09,720
Speaker 1: He said, I'm the sickest human being on earth. Let's

2827
02:05:09,760 --> 02:05:12,120
Speaker 1: just put it that way. Knows any idea what we're

2828
02:05:12,120 --> 02:05:14,360
Speaker 1: talking about. I'm the sickest human being that's ever existed.

2829
02:05:14,400 --> 02:05:17,320
Speaker 1: I'm aware, I'm aware I'm the sickest human being. I

2830
02:05:17,480 --> 02:05:18,400
Speaker 1: was hoping you'd say it.

2831
02:05:19,200 --> 02:05:19,960
Speaker 6: Is it the Jews?

2832
02:05:24,600 --> 02:05:29,520
Speaker 1: There's no way he's talking, yo.

2833
02:05:30,200 --> 02:05:30,920
Speaker 6: Is it the Jews?

2834
02:05:30,960 --> 02:05:33,720
Speaker 1: Through the hotel room? Am I crazy? Am I the

2835
02:05:33,800 --> 02:05:39,360
Speaker 1: sickest human being? Or am I the most profound human

2836
02:05:39,400 --> 02:05:41,160
Speaker 1: being you've ever come across?

2837
02:05:41,320 --> 02:05:43,320
Speaker 6: You're the You're the sickest nigg I've ever met in

2838
02:05:43,360 --> 02:05:43,920
Speaker 6: my life.

2839
02:05:45,880 --> 02:05:54,400
Speaker 1: That ship you do craziest. I don't think about that often, yo.

2840
02:05:55,480 --> 02:05:58,800
Speaker 6: Me and Julie was laughing so hard. Security game upstairs.

2841
02:05:59,200 --> 02:06:02,920
Speaker 1: The guy tried to get out of the hotel for London.

2842
02:06:03,000 --> 02:06:06,160
Speaker 1: But my room is right the room, so we just

2843
02:06:06,280 --> 02:06:08,720
Speaker 1: point to our doors. We're standing outside. He goes, can

2844
02:06:08,760 --> 02:06:11,040
Speaker 1: you go in either one of those? We were just

2845
02:06:11,240 --> 02:06:12,360
Speaker 1: laughing so hard.

2846
02:06:14,640 --> 02:06:16,840
Speaker 6: Oh, yo, bad.

2847
02:06:16,960 --> 02:06:18,800
Speaker 5: We wish we could see you guys, what we're talking about.

2848
02:06:20,440 --> 02:06:28,840
Speaker 1: Holy ship isn't isn't the Jews the am I the

2849
02:06:28,920 --> 02:06:34,760
Speaker 1: goat no no you the halal version of go o mam,

2850
02:06:34,800 --> 02:06:37,600
Speaker 1: and I went out. We laughed for like two hours

2851
02:06:37,680 --> 02:06:40,440
Speaker 1: after that. Oh that was so funny.

2852
02:06:40,760 --> 02:06:49,080
Speaker 2: Yo, y'all are sick. Y'all are crazy. Uh, this next

2853
02:06:49,200 --> 02:06:51,320
Speaker 2: voicemail could go either one of two ways. We either

2854
02:06:51,400 --> 02:06:53,800
Speaker 2: keep it or cut it depending on how we talk

2855
02:06:53,840 --> 02:06:54,160
Speaker 2: about it.

2856
02:06:54,320 --> 02:06:54,600
Speaker 1: Sor right.

2857
02:06:54,600 --> 02:06:55,680
Speaker 4: Well let's see here we go.

2858
02:06:57,000 --> 02:07:02,400
Speaker 8: Yoas from Virginia, I got a question for y'all, have

2859
02:07:02,480 --> 02:07:04,640
Speaker 8: athetical question even though the share really is the motherfucker.

2860
02:07:05,800 --> 02:07:08,400
Speaker 8: So I got a girl and then my girl's close

2861
02:07:08,480 --> 02:07:12,040
Speaker 8: group of friends. One of them is transgender, like he

2862
02:07:12,160 --> 02:07:14,000
Speaker 8: used to be a nigga of a nicer.

2863
02:07:14,160 --> 02:07:14,720
Speaker 1: She's a girl.

2864
02:07:14,960 --> 02:07:17,360
Speaker 8: She's a girl now, used to be a nigga and

2865
02:07:17,400 --> 02:07:21,800
Speaker 8: all that, and she has a man now. When she

2866
02:07:21,880 --> 02:07:23,920
Speaker 8: started to bring around the group every time we hang

2867
02:07:23,960 --> 02:07:26,840
Speaker 8: out and sh like that, I don't really know him

2868
02:07:26,960 --> 02:07:28,760
Speaker 8: like that, and I don't really know her like that,

2869
02:07:30,000 --> 02:07:33,200
Speaker 8: But he has no idea as of now that she

2870
02:07:33,320 --> 02:07:36,480
Speaker 8: used to be a nigga because she looks convincing. She

2871
02:07:36,640 --> 02:07:37,080
Speaker 8: was convincing.

2872
02:07:37,120 --> 02:07:37,640
Speaker 1: I'm not gonna lie.

2873
02:07:37,640 --> 02:07:41,320
Speaker 8: She was convincing, and my girl told me that she's

2874
02:07:41,400 --> 02:07:44,800
Speaker 8: made it clear that she has no real intensions of

2875
02:07:44,960 --> 02:07:46,440
Speaker 8: letting him know about her past.

2876
02:07:48,640 --> 02:07:51,560
Speaker 1: Hey, should I tell this nigga, like, where's.

2877
02:07:51,280 --> 02:07:52,280
Speaker 6: Are my loyalty line on this?

2878
02:07:52,440 --> 02:07:53,760
Speaker 8: Am I wrong for outing her?

2879
02:07:55,400 --> 02:07:57,080
Speaker 1: Or am I wrong for letting this niggas I don't

2880
02:07:57,080 --> 02:07:58,520
Speaker 1: know be tricked? I guess because like.

2881
02:07:58,720 --> 02:08:01,120
Speaker 8: She's gonna tell him, Loki, you think it's up, it's

2882
02:08:01,120 --> 02:08:01,600
Speaker 8: not gonna.

2883
02:08:01,400 --> 02:08:02,839
Speaker 2: Tell if you're going to take this man seriously.

2884
02:08:02,960 --> 02:08:05,080
Speaker 6: But I don't like that.

2885
02:08:05,240 --> 02:08:06,040
Speaker 1: I don't know him like that.

2886
02:08:06,560 --> 02:08:09,240
Speaker 8: I don't know if if I should do anything at

2887
02:08:09,280 --> 02:08:11,919
Speaker 8: all or just watch the ship explode.

2888
02:08:11,960 --> 02:08:13,360
Speaker 1: I guess what should I do?

2889
02:08:13,640 --> 02:08:13,960
Speaker 9: Let me know?

2890
02:08:14,560 --> 02:08:15,600
Speaker 1: Mind your fucking business.

2891
02:08:15,800 --> 02:08:17,000
Speaker 4: I was just in a situation like that.

2892
02:08:17,480 --> 02:08:20,800
Speaker 1: Oh please do tell me WHOA Well? Not like that figured,

2893
02:08:20,880 --> 02:08:23,879
Speaker 1: but I trust my gods story immediately.

2894
02:08:24,000 --> 02:08:24,240
Speaker 7: No, no, no.

2895
02:08:24,440 --> 02:08:30,080
Speaker 6: I saw somebody that I've had you know, interactions with

2896
02:08:30,160 --> 02:08:33,600
Speaker 6: here and there, like a picture of someone that I

2897
02:08:33,840 --> 02:08:36,840
Speaker 6: know is trans. I don't know the trans person, but

2898
02:08:36,920 --> 02:08:38,800
Speaker 6: I know that they're trans because I know somebody that

2899
02:08:39,000 --> 02:08:42,000
Speaker 6: knows that the trans the trans girl, so I've seen

2900
02:08:42,080 --> 02:08:44,040
Speaker 6: he was like on a bunch of picks, liking a

2901
02:08:44,080 --> 02:08:47,000
Speaker 6: bunch of picks. So I'm like, all right, and I

2902
02:08:47,120 --> 02:08:50,600
Speaker 6: know he's a sniper, full fled sniper, so I'm like,

2903
02:08:51,000 --> 02:08:55,080
Speaker 6: let me in case he didn't already snipe, let me

2904
02:08:55,160 --> 02:08:57,560
Speaker 6: let him know like your fam I see you and likes.

2905
02:08:57,440 --> 02:09:00,800
Speaker 1: A lot like this is a trans might be changing

2906
02:09:00,920 --> 02:09:03,640
Speaker 1: the caliber of the bullet. No, he might being the

2907
02:09:03,640 --> 02:09:04,520
Speaker 1: way I m.

2908
02:09:04,600 --> 02:09:05,880
Speaker 6: Him and told him, I was like, bro, this is

2909
02:09:06,280 --> 02:09:09,240
Speaker 6: a trans woman. Like in case you didn't know, he

2910
02:09:09,400 --> 02:09:11,400
Speaker 6: was like, oh ship good looking, Like I had no idea.

2911
02:09:11,600 --> 02:09:11,880
Speaker 1: I don't.

2912
02:09:12,040 --> 02:09:13,880
Speaker 3: I don't think that there's anything wrong with that. This

2913
02:09:14,000 --> 02:09:16,800
Speaker 3: person should mind their fucking business. They should mind their business.

2914
02:09:16,960 --> 02:09:18,960
Speaker 4: No, but that, But why what do you mean?

2915
02:09:19,000 --> 02:09:19,320
Speaker 2: But why?

2916
02:09:20,000 --> 02:09:23,080
Speaker 3: Because if he tells that man that that woman is trans,

2917
02:09:23,480 --> 02:09:25,520
Speaker 3: and that man kills that woman, guess who that's on.

2918
02:09:25,840 --> 02:09:27,960
Speaker 3: It's not her, but it's also on him. And you,

2919
02:09:28,120 --> 02:09:29,400
Speaker 3: now you got to carry that with you because you

2920
02:09:29,440 --> 02:09:30,840
Speaker 3: could have just shut your mouth and don't have it.

2921
02:09:31,080 --> 02:09:31,480
Speaker 1: Did he did?

2922
02:09:31,520 --> 02:09:31,560
Speaker 10: He?

2923
02:09:31,720 --> 02:09:34,200
Speaker 2: Did he engage in sexual activity with that you doesn't

2924
02:09:34,240 --> 02:09:35,560
Speaker 2: seem doesn't sound out way.

2925
02:09:35,640 --> 02:09:37,120
Speaker 6: So he's trying to he's trying to prevent it from

2926
02:09:37,160 --> 02:09:38,320
Speaker 6: It's not like he's trying to prevent it.

2927
02:09:38,680 --> 02:09:40,840
Speaker 3: I think he said they've been dating there, they've probably

2928
02:09:40,920 --> 02:09:41,440
Speaker 3: slept together.

2929
02:09:41,520 --> 02:09:44,000
Speaker 1: I would imagine no, play that, play that one more

2930
02:09:44,040 --> 02:09:45,920
Speaker 1: time because I do want to get that exact detail,

2931
02:09:46,280 --> 02:09:49,839
Speaker 1: because that's important, because I think that prevents what Demarus

2932
02:09:49,880 --> 02:09:52,320
Speaker 1: is talking about if he lets him know ahead of

2933
02:09:52,360 --> 02:09:55,080
Speaker 1: time instead of no, not exactly, which I think, which

2934
02:09:55,120 --> 02:09:56,680
Speaker 1: is fucked up and wrong. But it doesn't.

2935
02:09:56,800 --> 02:09:59,320
Speaker 5: It doesn't prevent it, actually, which is why not prevented.

2936
02:09:59,360 --> 02:10:02,760
Speaker 1: I'm sorry for saying, but a heads up could maybe

2937
02:10:02,800 --> 02:10:04,560
Speaker 1: alleviate a situation that could go.

2938
02:10:04,680 --> 02:10:06,640
Speaker 5: It's not even your friend. That's not even his friend,

2939
02:10:06,680 --> 02:10:07,520
Speaker 5: it's his girls.

2940
02:10:08,360 --> 02:10:13,680
Speaker 1: It's weird man like you should mind your heir.

2941
02:10:14,680 --> 02:10:17,960
Speaker 3: It's his girls, homie that used to be a girl

2942
02:10:18,160 --> 02:10:21,000
Speaker 3: that's now trans man that he's trying to warn it's

2943
02:10:21,040 --> 02:10:23,120
Speaker 3: like five degrees of separation that don't have ship to

2944
02:10:23,160 --> 02:10:23,400
Speaker 3: do with you.

2945
02:10:23,520 --> 02:10:25,640
Speaker 2: That's not your home COSO shouldn't say anything. But I

2946
02:10:25,760 --> 02:10:29,520
Speaker 2: think the real question is should the person who did transition,

2947
02:10:30,160 --> 02:10:32,400
Speaker 2: should they tell someone?

2948
02:10:32,520 --> 02:10:33,640
Speaker 1: Hey, yo for it.

2949
02:10:33,720 --> 02:10:35,360
Speaker 2: But by the way, I know we're seeing each other

2950
02:10:35,920 --> 02:10:37,760
Speaker 2: and getting serious whatever, hanging out more.

2951
02:10:38,120 --> 02:10:41,120
Speaker 1: I used to be a man and now I'm a woman.

2952
02:10:41,200 --> 02:10:43,280
Speaker 1: That's a conversa. I feel like that is the baseline.

2953
02:10:43,320 --> 02:10:45,680
Speaker 3: Save your life. That's a conversation you should have on

2954
02:10:45,760 --> 02:10:48,560
Speaker 3: the first or second date. Yeah, just save your own life.

2955
02:10:48,560 --> 02:10:51,400
Speaker 2: Because that's to Demarus's point, a lot of people lose

2956
02:10:51,440 --> 02:10:55,560
Speaker 2: their lives because they withhold that information, get sexual with

2957
02:10:55,720 --> 02:10:58,040
Speaker 2: someone and then it becomes revealed, and then that person

2958
02:10:58,120 --> 02:10:59,800
Speaker 2: can't live with that thought, so they kill them.

2959
02:11:01,200 --> 02:11:04,280
Speaker 1: Yeah, it should be sort of say fucking be like yo.

2960
02:11:05,440 --> 02:11:07,560
Speaker 4: Just tell people be honest up front.

2961
02:11:07,440 --> 02:11:08,680
Speaker 5: The home his business.

2962
02:11:09,600 --> 02:11:11,480
Speaker 2: Yeah, I don't unless they're like friends or has like

2963
02:11:11,480 --> 02:11:13,400
Speaker 2: a bro code thing. They don't know each other. He

2964
02:11:13,440 --> 02:11:15,480
Speaker 2: shouldn't say. He shouldn't be the one to say it.

2965
02:11:15,640 --> 02:11:17,680
Speaker 5: And you don't know if he really knows or not.

2966
02:11:17,920 --> 02:11:19,080
Speaker 5: They could be telling you he don't know.

2967
02:11:19,200 --> 02:11:23,200
Speaker 1: He might know. Yeah business. They just said, I'll play

2968
02:11:23,240 --> 02:11:26,320
Speaker 1: this part of that because he does say that girl and.

2969
02:11:26,360 --> 02:11:29,960
Speaker 8: Then my girl's close group of friends wonderful is transgender,

2970
02:11:30,680 --> 02:11:32,800
Speaker 8: Like he used to be a nigga of an or

2971
02:11:32,960 --> 02:11:34,880
Speaker 8: she's a girl. She's a girl now used to be

2972
02:11:34,880 --> 02:11:39,360
Speaker 8: a nigga thinking all that, and she has a man

2973
02:11:40,680 --> 02:11:43,000
Speaker 8: started around the group every time he hang out and

2974
02:11:43,280 --> 02:11:46,440
Speaker 8: like that, how do they know him like that? And

2975
02:11:46,520 --> 02:11:49,760
Speaker 8: I don't really know her like that, But he has

2976
02:11:49,880 --> 02:11:52,400
Speaker 8: no idea as of now that she used to be

2977
02:11:52,440 --> 02:11:56,040
Speaker 8: a nigga because she looks convincing. She was convincing. I'm

2978
02:11:56,040 --> 02:11:59,520
Speaker 8: not gonna lie. She was convincient, and my girl told

2979
02:11:59,560 --> 02:12:01,880
Speaker 8: me that she He's made it clear that she has

2980
02:12:01,960 --> 02:12:04,320
Speaker 8: no real tensions of letting him.

2981
02:12:04,280 --> 02:12:05,240
Speaker 1: Know about her past.

2982
02:12:06,080 --> 02:12:09,600
Speaker 2: So that's the part that's troubling because if she knows

2983
02:12:10,040 --> 02:12:14,280
Speaker 2: and plans on keeping out a secret and shit gets dangerous.

2984
02:12:14,000 --> 02:12:15,800
Speaker 1: I wouldn't tell him, but I would have a conversation

2985
02:12:15,960 --> 02:12:19,200
Speaker 1: with your girl that she should have a conversation with

2986
02:12:19,280 --> 02:12:21,240
Speaker 1: her friend, like for the safety of your friend. Yeah,

2987
02:12:21,280 --> 02:12:24,760
Speaker 1: Like just in case, make that be known. It's crazy

2988
02:12:24,800 --> 02:12:28,000
Speaker 1: out here, and it's not right that transgender people have

2989
02:12:28,160 --> 02:12:30,920
Speaker 1: to say that from the beginning, but let's deal with

2990
02:12:31,080 --> 02:12:33,480
Speaker 1: reality in the world we live in. It's something that

2991
02:12:33,600 --> 02:12:36,320
Speaker 1: you should say from the beginning because people are fucking

2992
02:12:36,400 --> 02:12:39,680
Speaker 1: crazy the same way, no matter what your gender is.

2993
02:12:41,240 --> 02:12:43,960
Speaker 1: Dating you have to take certain precautions no matter what

2994
02:12:44,200 --> 02:12:47,240
Speaker 1: for health reasons. And it's just always saying with the

2995
02:12:47,360 --> 02:12:50,240
Speaker 1: transgender community, you need to make that clear because people

2996
02:12:50,240 --> 02:12:52,640
Speaker 1: are fucking nuts and it's just not right.

2997
02:12:53,640 --> 02:12:56,000
Speaker 6: Like that's start there. It's just not right for you

2998
02:12:56,120 --> 02:12:58,760
Speaker 6: to play on somebody's reality like that. Like, if this

2999
02:12:58,840 --> 02:13:02,800
Speaker 6: is a heterosexual man and you're trands, you should definitely

3000
02:13:02,960 --> 02:13:03,720
Speaker 6: let that man.

3001
02:13:03,680 --> 02:13:06,720
Speaker 1: Know, like, well, the thinking is that they are one

3002
02:13:07,360 --> 02:13:09,120
Speaker 1: of women, and I know what.

3003
02:13:09,200 --> 02:13:09,920
Speaker 4: Their thinking is.

3004
02:13:10,680 --> 02:13:13,280
Speaker 6: Let's talk about what my thinking is as a heterosexual man.

3005
02:13:13,600 --> 02:13:15,440
Speaker 6: Because people like to just go with their thinking. Yeah,

3006
02:13:15,440 --> 02:13:17,120
Speaker 6: but it's two people here, so don't just tell me

3007
02:13:17,200 --> 02:13:19,960
Speaker 6: what their thinking is. Let's talk about what my thinking is.

3008
02:13:20,080 --> 02:13:24,560
Speaker 6: My thinking is I like a full fledged woman, natural

3009
02:13:24,680 --> 02:13:28,200
Speaker 6: born woman. Whatever you decide to do as an adult, great,

3010
02:13:28,440 --> 02:13:31,240
Speaker 6: that's your life, but don't play on my reality and

3011
02:13:31,280 --> 02:13:33,480
Speaker 6: think that I'm looking at a woman when you were

3012
02:13:33,640 --> 02:13:37,480
Speaker 6: born as male. Like no, now you're playing on my reality.

3013
02:13:38,040 --> 02:13:38,800
Speaker 1: And it is not right.

3014
02:13:39,040 --> 02:13:40,920
Speaker 3: And that's where it comes in where it doesn't matter

3015
02:13:41,040 --> 02:13:44,600
Speaker 3: what is you know PC or what's actually right right,

3016
02:13:45,000 --> 02:13:46,760
Speaker 3: it's not about that. It's about the person that you're

3017
02:13:46,840 --> 02:13:49,160
Speaker 3: dating and what they believe. That's why I said some things.

3018
02:13:49,200 --> 02:13:51,600
Speaker 3: It doesn't matter what's right or wrong. It matters about

3019
02:13:51,720 --> 02:13:54,440
Speaker 3: other people's perception. And if their perception is that you're

3020
02:13:54,560 --> 02:13:58,280
Speaker 3: not that trands. Women are not full women. Whether I

3021
02:13:58,360 --> 02:14:00,520
Speaker 3: agree with that, you agree with that, whoever agrees with that,

3022
02:14:01,000 --> 02:14:03,240
Speaker 3: that's their thinking and they're in this relationship and you

3023
02:14:03,400 --> 02:14:06,720
Speaker 3: need to consider that when before you start dating someone.

3024
02:14:06,920 --> 02:14:07,760
Speaker 4: Yeah, what are you right now?

3025
02:14:07,880 --> 02:14:09,280
Speaker 1: Women? Cool? Were you born?

3026
02:14:11,360 --> 02:14:12,880
Speaker 5: Is that something you guys are going to start asking

3027
02:14:12,880 --> 02:14:13,360
Speaker 5: when you're.

3028
02:14:13,280 --> 02:14:15,400
Speaker 4: Dating if somebody was born a woman?

3029
02:14:15,680 --> 02:14:18,920
Speaker 3: Because I ask now, if you're married, if you have

3030
02:14:18,960 --> 02:14:21,000
Speaker 3: a girlfriend, if you have kids, if you have anybody

3031
02:14:21,040 --> 02:14:23,400
Speaker 3: that think she's your girlfriend, you have to ask certain things.

3032
02:14:23,560 --> 02:14:24,280
Speaker 5: Are you going to ask?

3033
02:14:24,400 --> 02:14:26,720
Speaker 1: Like do you think that's a good question to ask

3034
02:14:26,800 --> 02:14:30,040
Speaker 1: in my cold call threesome in Miami? If you care

3035
02:14:30,200 --> 02:14:30,800
Speaker 1: out the gate.

3036
02:14:30,840 --> 02:14:32,960
Speaker 4: Yes, if it's a strange, random woman that you think

3037
02:14:33,040 --> 02:14:33,880
Speaker 4: is attractive, yes, you.

3038
02:14:33,880 --> 02:14:35,360
Speaker 1: Think that'll set the mood. If I'm like, yo, you

3039
02:14:35,680 --> 02:14:37,160
Speaker 1: like it's just let me see your birth.

3040
02:14:37,040 --> 02:14:39,040
Speaker 4: Certificate, I'll just have to say something else.

3041
02:14:39,280 --> 02:14:41,200
Speaker 1: Let me see your crotch, Like I just got a

3042
02:14:41,280 --> 02:14:42,400
Speaker 1: peace talking that bikini.

3043
02:14:43,040 --> 02:14:45,520
Speaker 5: They have big their surgeries that people get to have.

3044
02:14:45,960 --> 02:14:47,800
Speaker 6: Yeah, it's I feel like I could tell if you

3045
02:14:47,840 --> 02:14:49,240
Speaker 6: show me a pussy that used to be a gig,

3046
02:14:49,280 --> 02:14:50,920
Speaker 6: I feel like I should be able to tell. I

3047
02:14:50,960 --> 02:14:54,240
Speaker 6: don't know, man, I've seen enough, pussy bro Like, I've

3048
02:14:54,280 --> 02:14:57,120
Speaker 6: seen enough. It's like, all right, man, I could spot

3049
02:14:57,160 --> 02:14:59,120
Speaker 6: a eight ball, Like I know what that is right there?

3050
02:14:59,320 --> 02:15:02,720
Speaker 1: Like that that ain't real. That's not real. It's vegan.

3051
02:15:03,080 --> 02:15:03,720
Speaker 1: It's just not real.

3052
02:15:03,800 --> 02:15:05,840
Speaker 3: But all vaginas don't look the same though, some of

3053
02:15:05,880 --> 02:15:07,920
Speaker 3: the times completely different from others.

3054
02:15:08,000 --> 02:15:09,280
Speaker 1: So you're right.

3055
02:15:09,880 --> 02:15:11,360
Speaker 6: So I feel like I should be able to tell

3056
02:15:11,600 --> 02:15:14,760
Speaker 6: when something that completely was never a vagina that is

3057
02:15:14,840 --> 02:15:15,560
Speaker 6: now vagina.

3058
02:15:16,120 --> 02:15:17,800
Speaker 1: I should be able to do. It's like turkey bacon.

3059
02:15:18,200 --> 02:15:21,720
Speaker 1: You don't know until you try. It looks like bacon. No,

3060
02:15:21,840 --> 02:15:24,960
Speaker 1: it doesn't the amount. Like. We live in New York,

3061
02:15:25,000 --> 02:15:28,280
Speaker 1: which is a community full of everything. New York is

3062
02:15:28,320 --> 02:15:30,480
Speaker 1: probably one of the biggest cities that's like that. We

3063
02:15:30,640 --> 02:15:33,400
Speaker 1: also frequent LA a lot. We go in major cities

3064
02:15:33,440 --> 02:15:36,680
Speaker 1: that have a lot of the transgender community. It's weird

3065
02:15:36,720 --> 02:15:39,400
Speaker 1: that I don't really run in to a lot of

3066
02:15:39,440 --> 02:15:42,440
Speaker 1: friends that have like stories that are actively dating that

3067
02:15:42,520 --> 02:15:45,240
Speaker 1: that happens, that they just run into a transgender woman

3068
02:15:45,880 --> 02:15:50,320
Speaker 1: or vice versa, run into a transgender man. It doesn't

3069
02:15:50,360 --> 02:15:51,040
Speaker 1: happen as often.

3070
02:15:51,040 --> 02:15:54,160
Speaker 2: I have one friend, take one transgender woman on a

3071
02:15:54,240 --> 02:15:58,240
Speaker 2: date unknowingly similar situation, like didn't know now on a

3072
02:15:58,320 --> 02:16:00,680
Speaker 2: dating app, all the all the shit that you see,

3073
02:16:00,680 --> 02:16:03,920
Speaker 2: the photos whatever, met in person and I remember how

3074
02:16:03,960 --> 02:16:07,320
Speaker 2: he found out. But he was like and the transgender

3075
02:16:07,320 --> 02:16:09,360
Speaker 2: woman was calling him transphobic because he wouldn't go on.

3076
02:16:09,360 --> 02:16:10,040
Speaker 1: Another date with her.

3077
02:16:10,040 --> 02:16:13,880
Speaker 2: And he's like, well, yeah, like this obviously circumstantially is

3078
02:16:14,000 --> 02:16:15,800
Speaker 2: different than what I thought initially.

3079
02:16:16,160 --> 02:16:18,240
Speaker 1: And he's like a good looking dude. He's like a model.

3080
02:16:18,320 --> 02:16:20,720
Speaker 2: This woman I think also modeled, so it was like

3081
02:16:20,800 --> 02:16:24,040
Speaker 2: it's like one of those kind of couples. And he

3082
02:16:24,240 --> 02:16:25,760
Speaker 2: was just like yeah, but like this isn't and she

3083
02:16:26,000 --> 02:16:28,600
Speaker 2: like tried to get him canceled and like publicly smear

3084
02:16:28,600 --> 02:16:28,880
Speaker 2: his name.

3085
02:16:28,880 --> 02:16:31,000
Speaker 1: He's like, that's not this isn't gonna work. Like what

3086
02:16:32,320 --> 02:16:37,040
Speaker 1: I mean, that's the contradicting thing that is from that community. Like,

3087
02:16:37,160 --> 02:16:39,360
Speaker 1: if there's such a spectrum and we all have our

3088
02:16:39,520 --> 02:16:44,040
Speaker 1: preferences and there's so many different ideas of what we

3089
02:16:44,360 --> 02:16:48,960
Speaker 1: like in this spectrum, Hm, why can't I just like

3090
02:16:49,080 --> 02:16:51,800
Speaker 1: a natural born woman? Right? If we're all if there's

3091
02:16:51,920 --> 02:16:54,920
Speaker 1: so many different parts of the spectrum, why am I transphobic?

3092
02:16:55,000 --> 02:16:59,360
Speaker 1: Because I just like a natural born woman. How is

3093
02:16:59,400 --> 02:17:03,320
Speaker 1: that transphobi. I'm not trying to take away your right

3094
02:17:03,400 --> 02:17:06,760
Speaker 1: to vote. I'm with you, guys, like I'm claustrophobic. Mmm

3095
02:17:07,200 --> 02:17:09,279
Speaker 1: if you think actually that's yeah, that's a perfect point.

3096
02:17:09,160 --> 02:17:12,760
Speaker 6: Right, Like I just can't like I hate tight quarters type,

3097
02:17:12,800 --> 02:17:14,000
Speaker 6: you hate type pussy.

3098
02:17:14,400 --> 02:17:17,600
Speaker 4: But I'm transphobic. I don't care about I don't do

3099
02:17:17,720 --> 02:17:20,360
Speaker 4: what you want to do. But tell me what you are.

3100
02:17:20,360 --> 02:17:23,800
Speaker 4: If I'm trying to actively date you, like, give me,

3101
02:17:24,000 --> 02:17:24,840
Speaker 4: you have to give me that.

3102
02:17:25,120 --> 02:17:28,320
Speaker 1: Trying to still see the parallel between claustrophobia.

3103
02:17:27,680 --> 02:17:30,880
Speaker 6: And because I don't care about like a trans like,

3104
02:17:30,879 --> 02:17:33,160
Speaker 6: I'm not transphobic. I just don't want to elevators, I

3105
02:17:33,240 --> 02:17:34,959
Speaker 6: don't want to have sex with a trans woman.

3106
02:17:35,200 --> 02:17:38,720
Speaker 4: Like that doesn't make me transphobic, Like that's what always does.

3107
02:17:39,040 --> 02:17:42,039
Speaker 2: It's like when people, Yeah, when people do that, it's like, well,

3108
02:17:42,440 --> 02:17:46,560
Speaker 2: if you're not into it, therefore you are the phob

3109
02:17:46,760 --> 02:17:50,600
Speaker 2: Like no, that's just such like a crazy leap of

3110
02:17:50,760 --> 02:17:55,280
Speaker 2: like judgment. Now, it's crazy, it's absolutely crazy. But hey,

3111
02:17:55,920 --> 02:17:58,560
Speaker 2: like what you like, love what you love, you shouldn't

3112
02:17:58,560 --> 02:18:01,920
Speaker 2: say anything. But I think Demarus is right, you should

3113
02:18:01,959 --> 02:18:06,120
Speaker 2: tell your home, your girl to tell her homegirl to

3114
02:18:06,240 --> 02:18:06,720
Speaker 2: be honest.

3115
02:18:07,320 --> 02:18:11,440
Speaker 4: Yeah, did we say we're in DC Saturday?

3116
02:18:12,360 --> 02:18:12,480
Speaker 1: Mm?

3117
02:18:12,560 --> 02:18:16,360
Speaker 6: Hmm you did DC Saturday, March twenty third, Howard Theater.

3118
02:18:16,480 --> 02:18:18,560
Speaker 6: We're back, y'all looks like a shot.

3119
02:18:18,400 --> 02:18:23,000
Speaker 1: For me, just thinking about that idea of me taking

3120
02:18:23,040 --> 02:18:25,440
Speaker 1: a girl back to our hotel and she's trenchedender.

3121
02:18:26,680 --> 02:18:29,720
Speaker 4: Oh my god, just put some money.

3122
02:18:29,520 --> 02:18:34,520
Speaker 1: In because I'm very polite and aggressive. Ship. No, you're

3123
02:18:34,560 --> 02:18:36,400
Speaker 1: not not a nessity. You would not and that you

3124
02:18:36,440 --> 02:18:39,240
Speaker 1: wouldn't be like, oh no, it's cool. He back.

3125
02:18:40,520 --> 02:18:41,800
Speaker 5: You know what if your girl still wanted to see

3126
02:18:41,840 --> 02:18:42,160
Speaker 5: put her.

3127
02:18:44,000 --> 02:18:46,280
Speaker 1: Me and Ke would have to have some serious conversations.

3128
02:18:47,680 --> 02:18:49,640
Speaker 1: Will you back it out? It's bigger than you though,

3129
02:18:49,720 --> 02:18:50,120
Speaker 1: if you're not.

3130
02:18:50,440 --> 02:18:52,320
Speaker 3: If it's your preference not to have sex with somebody

3131
02:18:52,320 --> 02:18:54,320
Speaker 3: you say you're not transphobed with, but that's not your preference.

3132
02:18:54,640 --> 02:18:56,760
Speaker 3: If she's willing to have sex with that person that

3133
02:18:57,160 --> 02:18:58,920
Speaker 3: like just her, that will bother you.

3134
02:19:00,120 --> 02:19:02,959
Speaker 1: Wait say that scenario. Okay, Yeah, this is sick.

3135
02:19:03,120 --> 02:19:05,280
Speaker 3: If she wanted to still have sex with that person.

3136
02:19:05,360 --> 02:19:07,160
Speaker 3: The same way if she bought a girl to the

3137
02:19:07,280 --> 02:19:09,360
Speaker 3: hotel and you had drink too much and your dick

3138
02:19:09,360 --> 02:19:11,040
Speaker 3: couldn't get hard, and you would still let her funck

3139
02:19:11,080 --> 02:19:14,080
Speaker 3: the girl. You wouldn't let her fuck a transgender person,

3140
02:19:14,120 --> 02:19:15,080
Speaker 3: if that's what she wanted to tell.

3141
02:19:15,640 --> 02:19:17,119
Speaker 4: Does the trance still have the peak yet?

3142
02:19:18,080 --> 02:19:20,039
Speaker 1: Is another dick going in my girl's vagina?

3143
02:19:20,240 --> 02:19:20,280
Speaker 10: No?

3144
02:19:23,720 --> 02:19:25,440
Speaker 1: Sure, go go bump thus.

3145
02:19:25,600 --> 02:19:29,840
Speaker 6: Man, don't do that, stand no business. No, you wouldn't know,

3146
02:19:30,000 --> 02:19:30,200
Speaker 6: you not.

3147
02:19:30,400 --> 02:19:32,080
Speaker 3: You know the same way that he's just gonna walk

3148
02:19:32,080 --> 02:19:34,560
Speaker 3: out the key again or pussy eight and just you know,

3149
02:19:34,920 --> 02:19:37,000
Speaker 3: make a sandwich and they won't talk about this later.

3150
02:19:37,879 --> 02:19:38,960
Speaker 1: I'll get back to you later.

3151
02:19:41,440 --> 02:19:45,520
Speaker 6: Ain't no niggah like that, walk out the room like

3152
02:19:45,560 --> 02:19:46,360
Speaker 6: we'll talk later.

3153
02:19:46,600 --> 02:19:50,280
Speaker 1: So hard, I'm here to double down on it. I

3154
02:19:50,400 --> 02:19:52,920
Speaker 1: thought about it later after the episode and was like, yeah,

3155
02:19:53,080 --> 02:19:55,760
Speaker 1: that if it was a girl, I knew, uh huh,

3156
02:19:56,680 --> 02:19:59,760
Speaker 1: I would let it happen. Once I realized that I

3157
02:19:59,840 --> 02:20:02,720
Speaker 1: was not invited, I'm not going to fuck up that

3158
02:20:02,840 --> 02:20:05,960
Speaker 1: situation because I have hope that maybe I'll be let

3159
02:20:06,040 --> 02:20:08,760
Speaker 1: into this at some point. All right, That's why I

3160
02:20:08,800 --> 02:20:11,360
Speaker 1: said that. I was very clear in that. Ever, are

3161
02:20:11,400 --> 02:20:14,440
Speaker 1: you like there's some strange bitch eating keys pussy when

3162
02:20:14,480 --> 02:20:17,360
Speaker 1: I walk in my house? No, I'm shutting everything down,

3163
02:20:17,800 --> 02:20:21,160
Speaker 1: so does this person? Yeah, and I'm gonna walk in,

3164
02:20:21,280 --> 02:20:24,200
Speaker 1: like what's up? If they were, if they were clear

3165
02:20:24,320 --> 02:20:26,400
Speaker 1: that I wasn't part of it, I would leave. I

3166
02:20:26,400 --> 02:20:29,480
Speaker 1: wouldn't end it. Yeah, but you don't notice trans woman,

3167
02:20:30,720 --> 02:20:32,720
Speaker 1: so it's like she doesn't have a piece though, right,

3168
02:20:33,040 --> 02:20:38,560
Speaker 1: no fresh pussy straight off the assembly line. I would

3169
02:20:38,600 --> 02:20:44,160
Speaker 1: have some questions, na, bro if that situation happened where

3170
02:20:44,240 --> 02:20:46,480
Speaker 1: they still had the piece. Julian asked, like, what if

3171
02:20:46,520 --> 02:20:49,440
Speaker 1: it was bigger than yours? What a conflicting moment that

3172
02:20:49,560 --> 02:20:51,400
Speaker 1: would be? Like if he was ready to get busy

3173
02:20:51,920 --> 02:20:55,000
Speaker 1: and then son just pulled it out? Not only would

3174
02:20:55,000 --> 02:20:59,720
Speaker 1: you be like what the fuck? Yeah? Daughters see son

3175
02:20:59,879 --> 02:21:04,520
Speaker 1: is is a phrase we use for everybody universal, because

3176
02:21:04,520 --> 02:21:08,600
Speaker 1: we're all children under the sun. I call they sun

3177
02:21:08,720 --> 02:21:11,800
Speaker 1: because they shine like one backed out the hammer, and

3178
02:21:11,920 --> 02:21:14,280
Speaker 1: it's because one I be conflicted, like what the fuck

3179
02:21:14,320 --> 02:21:17,680
Speaker 1: is seven soft? But seven salt is crazy?

3180
02:21:20,920 --> 02:21:21,080
Speaker 2: Yo?

3181
02:21:21,520 --> 02:21:26,959
Speaker 1: No wars clean shaft piece seven salt? Like you sure

3182
02:21:26,959 --> 02:21:29,360
Speaker 1: you want to? God damn, Johnny said, you'll be going

3183
02:21:29,480 --> 02:21:37,880
Speaker 1: nuts backing up the sun ship wax Like what a

3184
02:21:37,959 --> 02:21:38,920
Speaker 1: conflicting moment?

3185
02:21:39,000 --> 02:21:39,080
Speaker 10: Yo?

3186
02:21:40,120 --> 02:21:40,240
Speaker 6: Yo?

3187
02:21:40,360 --> 02:21:43,360
Speaker 1: That's crazy because I'd be thrown off, just like of

3188
02:21:43,440 --> 02:21:46,360
Speaker 1: a dick coming out period. But then like the ego

3189
02:21:46,480 --> 02:21:49,880
Speaker 1: part of I'm there with my girl and he's seven

3190
02:21:50,000 --> 02:21:58,880
Speaker 1: soft clean shaft. Now I'm like, yo, yo oh, I

3191
02:21:58,879 --> 02:22:02,240
Speaker 1: don't know how Rella is gonna shop this up. Is

3192
02:22:03,959 --> 02:22:05,600
Speaker 1: just put a bunch of cuts to make it off.

3193
02:22:05,680 --> 02:22:06,519
Speaker 1: This fucking.

3194
02:22:09,640 --> 02:22:13,240
Speaker 6: On the vacateo, Like on the vacation smart Miami and

3195
02:22:13,280 --> 02:22:15,240
Speaker 6: here y'all staying in the same hotel. So you got

3196
02:22:15,360 --> 02:22:17,480
Speaker 6: to keep seeing that person the whole time you on vacation.

3197
02:22:18,240 --> 02:22:21,119
Speaker 1: How you talking seven soft? You a bikini? Yo? Man,

3198
02:22:21,160 --> 02:22:21,720
Speaker 1: it's crazy.

3199
02:22:21,720 --> 02:22:23,080
Speaker 4: You got to take that ship to the hole.

3200
02:22:24,200 --> 02:22:25,840
Speaker 1: How did I not see it through those leathers?

3201
02:22:30,720 --> 02:22:31,480
Speaker 6: Holy ship?

3202
02:22:32,400 --> 02:22:34,800
Speaker 1: Alright, man, DC, We will see y'all.

3203
02:22:34,600 --> 02:22:37,400
Speaker 6: This Saturday, March twenty third, Highard Theater, New Oranmal dot Com.

3204
02:22:37,520 --> 02:22:40,920
Speaker 6: Tickets are still available, and let's get out of here.

3205
02:22:40,959 --> 02:22:41,080
Speaker 7: Man.

3206
02:22:41,120 --> 02:22:41,720
Speaker 4: I'm fucking tired.

3207
02:22:41,760 --> 02:22:42,160
Speaker 1: I'm laughing.

3208
02:22:42,240 --> 02:22:45,680
Speaker 4: Y'all are fucking crazy. Uh, have a safe week. We'll

3209
02:22:45,720 --> 02:22:46,560
Speaker 4: be back in a couple of days.

3210
02:22:46,640 --> 02:22:47,280
Speaker 1: Kick it with y'all.

3211
02:22:47,800 --> 02:22:51,440
Speaker 6: Subscribe to the Patreon, subscribe to the YouTube, follow us

3212
02:22:51,480 --> 02:22:56,600
Speaker 6: on TikTok, Instagram, Twitter, New Orian Mal talk to you soon.

3213
02:22:56,680 --> 02:23:00,240
Speaker 1: I'm that nigga. He's just ginger peace aw