WEBVTT - Mahershala Ali and Uncle Ralph

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<v Speaker 1>Yo rachetness ratchets to sit down right, should come to

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<v Speaker 1>the most prominent form for you. Wait your ass up

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<v Speaker 1>early in the morning. But they tell me it was y'all.

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<v Speaker 1>I said, hell yeah, I'm getting the world smoos dangerous

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<v Speaker 1>smaller ship three people's choice. Actually, let's I got you

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<v Speaker 1>Jomo made god people who I can't believe you guys

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<v Speaker 1>in the basket. Look did we know this breakfast club?

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<v Speaker 1>Good morning Usa yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo. Good

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<v Speaker 1>morning angela ye, good morning, Davy shoo me. The god

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<v Speaker 1>piece to the planet is Tuesday. Yes, it's Tuesday. Good morning,

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<v Speaker 1>it absolutely is. How you fair out there? I feel blessed,

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<v Speaker 1>Black and Holly favorite. What about you? Yes? I feel amazing.

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<v Speaker 1>I feel great. You know, I'm a big fan of Brooklyn,

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<v Speaker 1>where I'm from, where I still live. But what I'm

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<v Speaker 1>about to say will make people never want to move

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<v Speaker 1>to Brooklyn. But this morning was rough. I have to

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<v Speaker 1>first of all, today is one of the worst days

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<v Speaker 1>I had to park like three blocks for my house

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<v Speaker 1>because I got home late last night. There's no parking

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<v Speaker 1>on the street, and it's not like we have driveways.

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<v Speaker 1>You're nervous walking three blocks away from your house and

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<v Speaker 1>you gotta walk to the crier bikes all no, no,

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<v Speaker 1>not a name, Okay, no. But the worst part is

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<v Speaker 1>going in the morning. And I don't be scared of people.

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<v Speaker 1>I'd be scared of rats. And today was garbage pickup day,

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<v Speaker 1>and so that's always a scary time to be walking

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<v Speaker 1>in the dark when no one's outside to your car.

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<v Speaker 1>I'm more scared of that than anything you got pepper sprayed,

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<v Speaker 1>mace or something like that. But the rats for people,

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<v Speaker 1>I just told you when I'm more scared of I'm

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<v Speaker 1>just saying. But I do still love Brooklyn. But I

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<v Speaker 1>know it's not attractive to hear that. But yes, there's

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<v Speaker 1>a lot of rats on the street on garbage pickup day.

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<v Speaker 1>Did y'all see is supposed to snow here in the

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<v Speaker 1>Try State on Wednesday? Y'all see? People in Miami don't care.

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<v Speaker 1>People in Miami, Like, that's why I need to move

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<v Speaker 1>the floor to people in Miami. They have to care.

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<v Speaker 1>The reason I say that it's because of my cars.

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<v Speaker 1>They have to care because of your cars, because of

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<v Speaker 1>your car Showy Cotely, my car show. I got all

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<v Speaker 1>these cars going down, almost missed the truck, so because

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<v Speaker 1>the truck was supposed to pick up on Wednesday. But

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<v Speaker 1>of course we can't get it through these snows. So

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<v Speaker 1>we have to actually start packing them and loading them

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<v Speaker 1>today and tomorrow. I mean, we were carrying like forty

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<v Speaker 1>cars down there for the car show for people kids

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<v Speaker 1>five and under a free so we're trying to put

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<v Speaker 1>on the show. We sold thousands and thousands of tickets

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<v Speaker 1>and I didn't want to cancel because of the snow.

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<v Speaker 1>So yeah, and people lost them. My friend from Miami

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<v Speaker 1>staying with me right now. People love snow. They do

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<v Speaker 1>because look, she's from Miami and she doesn't get to

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<v Speaker 1>see snow. So she's like, I hope it snows while

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<v Speaker 1>I'm here because I never get to see that in Miami.

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<v Speaker 1>Snow is like grandkids. Snow is like grandkids. You love them,

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<v Speaker 1>but you can still, you know, go back home. Okay, yeah, yeah,

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<v Speaker 1>she'll come up here for a day, but she'll be

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<v Speaker 1>she'll be right back home. Man. You know a song

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<v Speaker 1>we gotta start praying, playing early in the morning. And

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<v Speaker 1>you heard the new Marria J. Blige Good Morning Gorgeous,

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<v Speaker 1>Good Morning. We played it last week. We premiered it here.

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<v Speaker 1>Yeah no, you played the DJ No, you played the

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<v Speaker 1>Djalid record amazing. No, we premiered good Morning Gorgeous. That

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<v Speaker 1>I wasn't here for that. Well, that's what we need

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<v Speaker 1>to I don't remember that. I remember playing the Calid record.

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<v Speaker 1>I remember playing the Calid record amazing. But we need

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<v Speaker 1>to be playing good Morning Gorgeous every morning for the

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<v Speaker 1>next couple of weeks. That is a great affirmation record.

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<v Speaker 1>We played it every hour on the hour. We just

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<v Speaker 1>played the Calid record in the rumors, but we played

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<v Speaker 1>that every hour on the hour one What day was

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<v Speaker 1>that any Thursday? Friday? Friday? Friday? Was I here Friday? Yeah? Yes,

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<v Speaker 1>Friday was the only day I was here. You weren't

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<v Speaker 1>here Friday? Yeah no, we played every hour one hour. Well,

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<v Speaker 1>we need to keep playing that record then, instead of

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<v Speaker 1>coming here talking about everything that we're doing, we need

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<v Speaker 1>to be we need to be playing that record every morning.

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<v Speaker 1>That is a great morning wake up record. Also, um,

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<v Speaker 1>I think think of the the snow. They also said it's

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<v Speaker 1>gonna stone in Hawaii? Did I hear that? Right? Wow,

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<v Speaker 1>it's gonna snow on her. I didn't know that happened

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<v Speaker 1>this week. I didn't know what happened to either, but

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<v Speaker 1>they said, but it's just weird, doesn't happen? Goodness, gra

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<v Speaker 1>climate change is real? All right? Well, let's get the

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<v Speaker 1>show cracking front page news. What we're talking about? Um, well,

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<v Speaker 1>let's talk about Sony. They have fired a PlayStation executive

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<v Speaker 1>and the reason why is disgusting. All right, we'll get

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<v Speaker 1>into that next. Jot it, write it down. So let's

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<v Speaker 1>get to that next. And here he goes. It's Mary J. Blige.

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<v Speaker 1>Good morning God, Yes, there you go. Who breakfast Club

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<v Speaker 1>of morning? Good morning everybody, Charlemagne the guy. We are

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<v Speaker 1>to breakfast club. Let's get some front page news. Great

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<v Speaker 1>record to set your attention to man, set your attention

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<v Speaker 1>to the foot the day man. Now on Monday night football,

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<v Speaker 1>the Patriots beat the Bills fourteen to ten. Now what

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<v Speaker 1>else we got? Easy? Well, let's talk about Sony. They

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<v Speaker 1>fired a PlayStation executive. He was allegedly caught in a

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<v Speaker 1>pedophilious thing. George, how do you say, katopo? George Katopo.

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<v Speaker 1>He is a senior vice president from the team behind

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<v Speaker 1>PlayStation and allegedly he tried to arrange a meeting with

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<v Speaker 1>a fifteen year old boy. According to a video that

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<v Speaker 1>was posted on the YouTube channel People Versus preds Now,

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<v Speaker 1>he's been in PlayStation for more than eight years and

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<v Speaker 1>he most recently serves as senior vice president of Engineering.

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<v Speaker 1>So the way this happened, it's an amateurstic operation and

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<v Speaker 1>they actually try to catch sexual predators who meet victims online.

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<v Speaker 1>So they identified Kotobo as a sixty four year old

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<v Speaker 1>who was trying to arrange a meeting with a fifteen

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<v Speaker 1>year old boy at four thirty am. Allegedly. In the video,

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<v Speaker 1>you can see the cameraman walking down the street toward

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<v Speaker 1>a house that Katopo is wearing a black PlayStation five

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<v Speaker 1>T shirt. He's standing in front of the house. And

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<v Speaker 1>here's what happens. Who you are here to meet tonight, Jeff, Jeff,

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<v Speaker 1>we can have a conversation. I can call the cops. Jeff,

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<v Speaker 1>you want to have Jeff, I got your face on video.

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<v Speaker 1>You come back, you want me to call the cops?

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<v Speaker 1>Excuse me? Everybody, this year old boy to have sex

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<v Speaker 1>with up tonight. The cops will be here soon. It's

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<v Speaker 1>come back ouch now. Seeing That reported that Katupo contacted

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<v Speaker 1>the decoy miner on Grinder that's a dating app for gay,

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<v Speaker 1>by trans and queer people. They exchanged pictures and Katupo

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<v Speaker 1>told the decoy his name was Jeff and then allegedly

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<v Speaker 1>gave his address in order to have sex with the

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<v Speaker 1>alleged fifteen year old boy, according to seeing this review

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<v Speaker 1>of the log, So they actually have posted the conversation

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<v Speaker 1>that they had and it's pretty I'll tell you one thing.

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<v Speaker 1>The catch the Catcher Predator clearly isn't as sophisticated as

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<v Speaker 1>it once was with all that scream and Chris Hansen

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<v Speaker 1>used to be way more calm when he used to

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<v Speaker 1>catch the pedophile some cookies. Of course he can get

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<v Speaker 1>arrested for that, right. What would he be charged with?

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<v Speaker 1>Could he be talking about he's a pedophile? Envy? What

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<v Speaker 1>are you talking about? What would he beach? Because I

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<v Speaker 1>don't I don't know what the charge is because you

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<v Speaker 1>know he was caught about to do the act, you

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<v Speaker 1>know what I mean? So I don't know what the

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<v Speaker 1>charges are, right well, listen, the thing is that they

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<v Speaker 1>did exchange pictures, right allegedly, and then they have and

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<v Speaker 1>then they have the conversation. The decoy is saying, I'm

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<v Speaker 1>finally fifteen, l ol. I think we talked before. So

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<v Speaker 1>even the idea that you're going to meet with a

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<v Speaker 1>fifteen year old somebody you think is a fifteen year old,

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<v Speaker 1>and then he says, are you really fifteen? And then

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<v Speaker 1>he said, I just turned fifteen two weeks ago? And well,

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<v Speaker 1>what was the charge on the ketchup predator? Because they

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<v Speaker 1>used to get arrested. I mean, there's no charge. You

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<v Speaker 1>can't like, what's the charge? Is the attempt? Is it?

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<v Speaker 1>You know? I'm just curious. I forgot what the actual

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<v Speaker 1>charge to get arrested on the catchup predator? And how

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<v Speaker 1>much time could he get for it? You know? Yeah?

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<v Speaker 1>Then are you like a do you have to register

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<v Speaker 1>as a sex defender after that? Yeah? Absolutely? All right,

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<v Speaker 1>Well that is here and all I know that that's

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<v Speaker 1>also on an extreme abusive power because he has the

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<v Speaker 1>best bait for a kid, Like what kid didn't come

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<v Speaker 1>to the CEO of PlayStations? I don't think he says

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<v Speaker 1>you use that now. He just asked that his name

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<v Speaker 1>is Jeff. That's it Wow. Oh all right, well that

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<v Speaker 1>is front page news. Now get it off your chests

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<v Speaker 1>eight undred five eight five one oh five one. If

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<v Speaker 1>you need to vent phone lines to wide open, hit

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<v Speaker 1>this uping now. And also herschela Ali actor will be

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<v Speaker 1>joining us this morning, so we'll talk to him next hour,

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<v Speaker 1>so don't move. It's to breakfast club for morning. The

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<v Speaker 1>breakfast Club. Wake up, wake up, Wall you're trying to

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<v Speaker 1>get it off your chest. Your man, I'm blast. We

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<v Speaker 1>want to hear from you on the breakfast But hello,

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<v Speaker 1>who's this? Hey, it's part of from Jersey And what's

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<v Speaker 1>going on? Brother? What's up? Bro? Get it off your chests? Brother?

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<v Speaker 1>I got a situation. Hey Jerry, Hey, what's gabel? Listen,

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<v Speaker 1>I gotta situation. I gotta My man was doing Uh,

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<v Speaker 1>my man was doing real bad in the streets. So

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<v Speaker 1>I learned with my house. You know what I'm saying.

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<v Speaker 1>He got his life together, he got a job, he's

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<v Speaker 1>making my going to an hour commission, and uh, he

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<v Speaker 1>started messing with drugs. He saw off the wagon. So right,

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<v Speaker 1>I don't know, Like I don't want to kick him out,

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<v Speaker 1>and like I can't keep an eye on him because

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<v Speaker 1>I'm always working and then I don't want to kick

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<v Speaker 1>him out because I'm leaving in the street that hit

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<v Speaker 1>it don't be in the worst. So me and his

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<v Speaker 1>brother trying to figure out the situation. So like, UM,

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<v Speaker 1>like I don't know what to do, like you got kids,

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<v Speaker 1>got in your house, now you don't his mother, But

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<v Speaker 1>I get him on the weekend, okay, I you know

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<v Speaker 1>I would just be careful with with him around my

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<v Speaker 1>kids if he is a user like that. Um, but yeah, yeah, no,

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<v Speaker 1>I don't. Yeah, I mean I started to cut you

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<v Speaker 1>off at me because he got a son too, you know,

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<v Speaker 1>like I don't want to we wanted to say we

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<v Speaker 1>don't this week. We want to say something to his son,

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<v Speaker 1>like we gonna like your your Fox's gonna be away

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<v Speaker 1>for a little bit because I did a son. I

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<v Speaker 1>did a son too, Like I get my son and

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<v Speaker 1>I get his son. Because you know, it's it's a situation.

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<v Speaker 1>You're a good as friend, bro, you're a good friend.

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<v Speaker 1>Where you from? So where's he gonna where's he going

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<v Speaker 1>when he goes away? He's going to rehab or what's happening? No, Like, well,

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<v Speaker 1>when he go away? I mean, well, we're trying to

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<v Speaker 1>get him to rehab now, and you know he gets defensive,

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<v Speaker 1>like his mother says something to him and then he

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<v Speaker 1>gets defensive. Then he leaves the house and then like

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<v Speaker 1>he'll have him stunts. So when we get like that,

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<v Speaker 1>like you never really know when he's gonna how he

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<v Speaker 1>gonna act like he's working all week. He just lost

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<v Speaker 1>his job. So now I'm like, come on fire, like

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<v Speaker 1>you're in a situation. I can't I can't keep helping

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<v Speaker 1>you what like this? Yeah, because then that kind of

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<v Speaker 1>enables somebody when they know that you're always going to

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<v Speaker 1>help them out. But no, no no, he said, he's moody

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<v Speaker 1>sometimes around his kids. Sometimes the mood when you know

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<v Speaker 1>his mood changes when the day changes. You don't want

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<v Speaker 1>him to have a nasty or bad mood and he

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<v Speaker 1>takes that out on his son or your son. So

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<v Speaker 1>I mean, I would say, try to get him as

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<v Speaker 1>help as possible. I don't even know which way to

0:10:45.240 --> 0:10:47.400
<v Speaker 1>guide you and send you, but it seems like he

0:10:47.440 --> 0:10:49.640
<v Speaker 1>needs help. But I would be very very careful with him,

0:10:49.679 --> 0:10:52.320
<v Speaker 1>you know, in the crib with with the kids. Oh yeah, no, no, no,

0:10:52.840 --> 0:10:55.880
<v Speaker 1>that when he when I don't that's that situation that

0:10:55.960 --> 0:10:58.880
<v Speaker 1>I keep away like I don't like your keeper. I

0:10:59.000 --> 0:11:00.959
<v Speaker 1>like to like kind of when we with the son.

0:11:01.000 --> 0:11:02.880
<v Speaker 1>You know what I'm saying, it's always if he with

0:11:03.000 --> 0:11:05.680
<v Speaker 1>his son, I'm with him with like that. But good,

0:11:05.840 --> 0:11:08.000
<v Speaker 1>I brought him to the car sho, I brought him

0:11:08.040 --> 0:11:09.880
<v Speaker 1>to your coho the whole thing. I brought him his

0:11:10.040 --> 0:11:15.160
<v Speaker 1>son and all that. Well, I would now it's a situation,

0:11:15.440 --> 0:11:18.679
<v Speaker 1>I would definitely suggest that you hit up a place

0:11:18.720 --> 0:11:22.120
<v Speaker 1>that that specializes in addiction treatment to get advice from

0:11:22.160 --> 0:11:24.720
<v Speaker 1>them on how you should handle something like this, because

0:11:24.720 --> 0:11:27.079
<v Speaker 1>they can give you the proper resources. You know, It's

0:11:27.120 --> 0:11:28.679
<v Speaker 1>one thing to want to help somebody, it's another thing

0:11:28.679 --> 0:11:31.360
<v Speaker 1>whether you can point them to someplace that they can

0:11:31.360 --> 0:11:34.760
<v Speaker 1>actually tangibly go to get help. Now they saying, I

0:11:34.800 --> 0:11:38.840
<v Speaker 1>think in Jersey you can't. You can't like um, not

0:11:38.920 --> 0:11:40.959
<v Speaker 1>force them, but like leat them in there like that

0:11:41.080 --> 0:11:44.880
<v Speaker 1>You're going somewhere they got they gotta do a big jump. No, absolutely,

0:11:44.880 --> 0:11:46.640
<v Speaker 1>But what I'm saying is you can call like the

0:11:46.720 --> 0:11:50.720
<v Speaker 1>National Helpline for Substance Abuse and talk to them and

0:11:50.760 --> 0:11:53.080
<v Speaker 1>they can let you know what are some things that

0:11:53.160 --> 0:11:55.320
<v Speaker 1>you can do in a situation like this to try

0:11:55.320 --> 0:11:57.400
<v Speaker 1>to help, and then you can also say, look, you

0:11:57.440 --> 0:11:59.840
<v Speaker 1>need help. Here's a place that I think I would

0:12:00.080 --> 0:12:01.839
<v Speaker 1>commend for you to go to. And they can also

0:12:01.880 --> 0:12:04.760
<v Speaker 1>give you more ideas and how you can convince somebody

0:12:04.840 --> 0:12:06.840
<v Speaker 1>to go get treatment. Yeah, because if you don't, he's

0:12:06.880 --> 0:12:09.720
<v Speaker 1>gonna end up in one of those uh those abandoned homes,

0:12:09.840 --> 0:12:13.679
<v Speaker 1>you know, doing drugs by himself. And and you don't

0:12:13.880 --> 0:12:18.080
<v Speaker 1>doubt ye getting hotels and getting rooms just to get high.

0:12:18.120 --> 0:12:20.800
<v Speaker 1>Like cool man, it's killing me. It's killing me inside.

0:12:20.960 --> 0:12:22.920
<v Speaker 1>But it's an addiction though, and and a lot of

0:12:22.920 --> 0:12:25.080
<v Speaker 1>times people can't control it, so it is an addiction. Bro.

0:12:25.920 --> 0:12:27.199
<v Speaker 1>I'm sorry for you, but I don't even know what

0:12:27.280 --> 0:12:30.800
<v Speaker 1>to tell you. Bro. I'm sorry. Yeah, I'm a I'm

0:12:30.800 --> 0:12:32.920
<v Speaker 1>gonna figure it out. But thank you'all for answering um

0:12:33.160 --> 0:12:35.680
<v Speaker 1>congratulally throwing you out eleven years man, Thank you. And

0:12:35.760 --> 0:12:39.280
<v Speaker 1>you can call one eight hundred sixty six to help, Okay.

0:12:39.320 --> 0:12:43.200
<v Speaker 1>That is the Substance Abuse and Mental Health Services Administration hotline,

0:12:43.360 --> 0:12:46.360
<v Speaker 1>and then they'll refer you to someplace local for you.

0:12:47.040 --> 0:12:49.600
<v Speaker 1>What is beginning, need one hundred and sixty six to help, Yeah,

0:12:49.640 --> 0:12:54.000
<v Speaker 1>one eight hundred and six six to help. Okay, thank you. Well,

0:12:54.920 --> 0:12:57.520
<v Speaker 1>that's a real friend right there. Absolutely, I pick up

0:12:57.559 --> 0:12:59.520
<v Speaker 1>your son. I'll let you stay with me. I mean,

0:12:59.559 --> 0:13:01.400
<v Speaker 1>that's what four right. If you have a good friend,

0:13:01.400 --> 0:13:03.040
<v Speaker 1>a real friend, that's what they'll do. And I got

0:13:03.040 --> 0:13:05.000
<v Speaker 1>a bunch of real friends like that. Something happened to me.

0:13:05.040 --> 0:13:06.679
<v Speaker 1>They will be there. Or if I'm out of town,

0:13:06.720 --> 0:13:08.640
<v Speaker 1>they will be there. And that's what you want. Get

0:13:08.640 --> 0:13:11.120
<v Speaker 1>it off your chest eight hundred five eight five one

0:13:11.120 --> 0:13:12.560
<v Speaker 1>on five one. If you need to vent, hit us

0:13:12.600 --> 0:13:15.800
<v Speaker 1>up now. It's the breakfast Club. Good morning, the breakfast Club.

0:13:20.679 --> 0:13:22.320
<v Speaker 1>This is your time to get it off your chests,

0:13:22.360 --> 0:13:24.599
<v Speaker 1>whether you're mad or blacks. So we better have the

0:13:24.640 --> 0:13:26.400
<v Speaker 1>same endity we want to hear from you on the

0:13:26.440 --> 0:13:32.760
<v Speaker 1>breakfast Club. Hello, who's this? Good morning, my comedy buddy

0:13:33.040 --> 0:13:37.040
<v Speaker 1>snack Man, Hey snack Man, what's good? This is our

0:13:37.120 --> 0:13:41.000
<v Speaker 1>local breakfast club comedian. Oh he's your local comedian. But

0:13:41.080 --> 0:13:43.679
<v Speaker 1>go ahead, yah yo, Yeah, I got two jokes for

0:13:43.720 --> 0:13:47.280
<v Speaker 1>your angela. Okay, let's go. I'm not mad about wearing

0:13:47.320 --> 0:13:51.160
<v Speaker 1>a mask because I'm saving a lot of them. And

0:13:51.320 --> 0:13:56.760
<v Speaker 1>begin why doesn't Santa Claus have any children? Why? Because

0:13:56.760 --> 0:14:00.840
<v Speaker 1>he's not real? Because he only comes once a year

0:14:01.400 --> 0:14:09.040
<v Speaker 1>and it's down a chimney, Thank you who? Because number one,

0:14:09.080 --> 0:14:11.559
<v Speaker 1>what if chimney was the woman's name? And number two

0:14:11.559 --> 0:14:16.680
<v Speaker 1>all it takes is one time boo, Hello, who's this? Tasha?

0:14:16.840 --> 0:14:20.840
<v Speaker 1>Tasha from Jersey Tasha, good morning, get it off your chess. Okay, well,

0:14:20.920 --> 0:14:23.760
<v Speaker 1>at first I want to say good morning. Just a

0:14:24.480 --> 0:14:27.440
<v Speaker 1>few things Angela. I love that you're a woman doing

0:14:27.480 --> 0:14:30.440
<v Speaker 1>your things. Dj Envy, I love that you're a family man.

0:14:30.880 --> 0:14:34.280
<v Speaker 1>And Charlomagne, you're a really smart man, like you really are.

0:14:34.360 --> 0:14:37.720
<v Speaker 1>I love listening to you when you get going on

0:14:37.800 --> 0:14:40.720
<v Speaker 1>any of your conversations. I actually agree with almost everything

0:14:40.760 --> 0:14:42.840
<v Speaker 1>you say. But what I do want to get off

0:14:42.920 --> 0:14:46.920
<v Speaker 1>my point is the story you guys were talking about

0:14:46.920 --> 0:14:49.280
<v Speaker 1>with like the pedophile. Like I used to be a CEO,

0:14:49.480 --> 0:14:51.600
<v Speaker 1>so I know he's definitely going to be charged with

0:14:51.840 --> 0:14:54.720
<v Speaker 1>enticon a minor off the bat, and they'll probably hit

0:14:54.800 --> 0:14:57.400
<v Speaker 1>him with something else for exchanging the pictures. But they

0:14:57.480 --> 0:15:01.240
<v Speaker 1>only get like five to six years for simple stuff

0:15:01.240 --> 0:15:04.040
<v Speaker 1>like that, and honestly, I don't think it's fair. I

0:15:04.040 --> 0:15:06.720
<v Speaker 1>think they should get more time because they're going after

0:15:06.880 --> 0:15:09.240
<v Speaker 1>innocent children at the end of the day, and then

0:15:09.280 --> 0:15:12.720
<v Speaker 1>once they get into the prison system, they're still continuing

0:15:12.840 --> 0:15:16.400
<v Speaker 1>their pedophilia. There's still a trade and file because you know,

0:15:16.440 --> 0:15:18.760
<v Speaker 1>they got stuff they're not supposed to, and it's like

0:15:18.800 --> 0:15:20.800
<v Speaker 1>they don't get better, they just get worse and they

0:15:20.880 --> 0:15:24.080
<v Speaker 1>learn the trade better. Let me ask you a questions

0:15:24.120 --> 0:15:27.440
<v Speaker 1>as a CEO. Um, you know once once people know

0:15:28.000 --> 0:15:30.120
<v Speaker 1>there's a pedophile on the yard that they still get

0:15:30.120 --> 0:15:33.880
<v Speaker 1>beat up and stuff. I mean I would say absolutely,

0:15:34.040 --> 0:15:36.200
<v Speaker 1>we don't ask you know, obviously, see it happen. We

0:15:36.240 --> 0:15:39.960
<v Speaker 1>get the aftermasth and um, they have like certain individuals

0:15:39.960 --> 0:15:42.320
<v Speaker 1>that don't walk around they're quite like the Bloody Bandit.

0:15:42.440 --> 0:15:45.520
<v Speaker 1>So they find out that you know you're a pedophile,

0:15:45.800 --> 0:15:50.000
<v Speaker 1>they're gonna take your butt or they're gonna export you, yeah,

0:15:50.160 --> 0:15:52.680
<v Speaker 1>or they're depending on how bad you are, obviously they're

0:15:52.720 --> 0:15:55.640
<v Speaker 1>gonna you know, teach you up. But they do get

0:15:55.680 --> 0:15:59.400
<v Speaker 1>taken care of. Wow. Well yeah, yeah, I mean listen

0:15:59.560 --> 0:16:02.600
<v Speaker 1>that that is something right. I mean, it's clearly something

0:16:02.680 --> 0:16:05.640
<v Speaker 1>off with with with pedophiles. So what kind of what

0:16:05.720 --> 0:16:08.960
<v Speaker 1>kind of treatment does a pedophile get so when they

0:16:08.960 --> 0:16:11.000
<v Speaker 1>come home, they don't make they don't continue to do that.

0:16:11.520 --> 0:16:15.240
<v Speaker 1>I don't know. I think certain certain prisons they actually

0:16:15.280 --> 0:16:18.720
<v Speaker 1>have programs geared for the pedophiles to help them get

0:16:18.720 --> 0:16:22.880
<v Speaker 1>the treatment. But certain individuals start to say they actually

0:16:22.920 --> 0:16:25.800
<v Speaker 1>recognize what they're doing, they know that it's wrong, but

0:16:25.840 --> 0:16:28.400
<v Speaker 1>they choose to do it anyway. Right, But some of

0:16:28.440 --> 0:16:31.320
<v Speaker 1>them they don't know because they experienced it when they

0:16:31.360 --> 0:16:33.600
<v Speaker 1>were younger, so they don't know any they don't know

0:16:33.640 --> 0:16:36.240
<v Speaker 1>any better. So it's coming half and half. You have

0:16:36.360 --> 0:16:39.360
<v Speaker 1>the individuals with any crime that know what they're doing,

0:16:39.440 --> 0:16:41.560
<v Speaker 1>it's wrong, what they choose to do it anyway. Then

0:16:41.600 --> 0:16:43.640
<v Speaker 1>you have the ones that are really traumatized on their

0:16:43.680 --> 0:16:51.000
<v Speaker 1>childhood that just need help. All right, Well, thank you information. Yeah,

0:16:51.040 --> 0:16:54.080
<v Speaker 1>we appreciate that. No problem. You guys have a good

0:16:54.120 --> 0:16:56.320
<v Speaker 1>day all ready. Now get it off your chest. Eight

0:16:56.400 --> 0:16:59.040
<v Speaker 1>hundred five eight five one on five one. We got

0:16:59.080 --> 0:17:02.080
<v Speaker 1>rumors all the way. And let's talk about Jesse's Smallett.

0:17:02.080 --> 0:17:05.920
<v Speaker 1>You know, he took the stand in his criminal trial yesterday,

0:17:06.160 --> 0:17:07.800
<v Speaker 1>and we'll tell you some of the things that he

0:17:07.960 --> 0:17:10.760
<v Speaker 1>is claiming when it comes to whether or not he

0:17:11.000 --> 0:17:14.720
<v Speaker 1>was attacked in an anti gay and racist attack. All right,

0:17:14.760 --> 0:17:16.960
<v Speaker 1>we'll get into that next. It's the breakfast club. Good morning,

0:17:17.640 --> 0:17:25.040
<v Speaker 1>the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,

0:17:25.080 --> 0:17:27.679
<v Speaker 1>Charlomagne the guy we are the Breakfast Club. Good morning.

0:17:28.440 --> 0:17:32.199
<v Speaker 1>Now let's get to the rumors to talk Dan. This

0:17:32.320 --> 0:17:42.080
<v Speaker 1>is the Rumor Report with angela year well, Damon Dash

0:17:42.240 --> 0:17:45.760
<v Speaker 1>was on Bootleg Cavs and Bootleg Cavs Show, and one

0:17:45.800 --> 0:17:48.080
<v Speaker 1>of the things that he talked about was some of

0:17:48.119 --> 0:17:51.320
<v Speaker 1>the words and phrases that he invented. Now, in case

0:17:51.359 --> 0:17:54.840
<v Speaker 1>you didn't know, when y'all say, paused, Damon Dash invented

0:17:54.880 --> 0:17:58.480
<v Speaker 1>that if it's coming, wife here it embrace it, Paul monetize,

0:17:58.480 --> 0:18:04.000
<v Speaker 1>Oh god, that was called did you invent pause? Yes,

0:18:04.200 --> 0:18:06.600
<v Speaker 1>my crew, the best out, we invented pause for sure.

0:18:06.920 --> 0:18:09.200
<v Speaker 1>There's nobody could ever ever say that I didn't know.

0:18:09.680 --> 0:18:11.920
<v Speaker 1>That's all that came from my block. It's not meant

0:18:11.960 --> 0:18:14.080
<v Speaker 1>to be offensive. It's always been a personal joke with

0:18:14.160 --> 0:18:16.680
<v Speaker 1>my offense and down the whole world doesn't It's like

0:18:17.040 --> 0:18:19.800
<v Speaker 1>I can't even have a personal joke, you know, everyone

0:18:19.880 --> 0:18:21.840
<v Speaker 1>says people would ask me, I'd be like, I would

0:18:21.880 --> 0:18:23.840
<v Speaker 1>never tell them what it meant. Ever, I'd be like,

0:18:23.840 --> 0:18:27.600
<v Speaker 1>you have to figure it out, that's right. It's one

0:18:27.600 --> 0:18:30.400
<v Speaker 1>of the greatest things ever. Yeah, they created it. It's

0:18:30.400 --> 0:18:32.560
<v Speaker 1>one of the greatest things ever. I love it to

0:18:32.640 --> 0:18:34.960
<v Speaker 1>this day. I just will never go out of it. Yeah,

0:18:35.000 --> 0:18:37.679
<v Speaker 1>it was that and the in the note you know word,

0:18:37.800 --> 0:18:40.560
<v Speaker 1>but yeah, they definitely created that. Now he talks about

0:18:40.560 --> 0:18:43.199
<v Speaker 1>a lot of other things that he came up with

0:18:43.240 --> 0:18:45.080
<v Speaker 1>an invented and by the way, he also talks about

0:18:45.400 --> 0:18:48.840
<v Speaker 1>having his own band, having his own artists boot camp. Uh.

0:18:48.920 --> 0:18:51.119
<v Speaker 1>He talks about Kanye and jay Z and some of

0:18:51.160 --> 0:18:54.920
<v Speaker 1>their comments. But here are some other phrases and things

0:18:54.960 --> 0:18:58.399
<v Speaker 1>that he invented, pop tags. I made that one up. Okay,

0:18:58.440 --> 0:19:01.760
<v Speaker 1>I'm the one that named Hova. I made that up.

0:19:02.000 --> 0:19:08.920
<v Speaker 1>What was the inspiration for the Hova too? Jahova? You know? So, yeah,

0:19:09.000 --> 0:19:11.120
<v Speaker 1>I don't. I can't dispute any of that. I mean

0:19:11.160 --> 0:19:12.800
<v Speaker 1>that those are the first The first time I heard

0:19:12.840 --> 0:19:16.000
<v Speaker 1>those phrases was from day so yeah, all right. Now,

0:19:16.080 --> 0:19:18.840
<v Speaker 1>Jesse Smalat took the stand in his criminal trial. You know,

0:19:18.920 --> 0:19:21.159
<v Speaker 1>that's a very risky thing to do because when you

0:19:21.200 --> 0:19:23.520
<v Speaker 1>get cross examined, they are going to put you through it.

0:19:23.720 --> 0:19:26.960
<v Speaker 1>This case is messy. Yes, so he's trying to rebut

0:19:27.000 --> 0:19:30.359
<v Speaker 1>the charges that he staged a fake hate crime and

0:19:30.440 --> 0:19:33.199
<v Speaker 1>lied to the police in Chicago about everything that happened

0:19:33.680 --> 0:19:36.359
<v Speaker 1>in January of twenty nineteen. He was on the stand

0:19:36.359 --> 0:19:39.879
<v Speaker 1>for over five hours, so he denied orchestrating the attack,

0:19:39.880 --> 0:19:42.240
<v Speaker 1>and he said that the brothers who he knew from Empire,

0:19:42.680 --> 0:19:46.000
<v Speaker 1>may have had other motivations at play. One of the

0:19:46.040 --> 0:19:48.920
<v Speaker 1>things that he said was Bola Osandaro, who he calls bond,

0:19:49.359 --> 0:19:52.119
<v Speaker 1>helped him get drugs, also helped him get cocaine. He

0:19:52.119 --> 0:19:55.240
<v Speaker 1>also said they had a sexual relationship and that started

0:19:55.280 --> 0:19:59.320
<v Speaker 1>between the two at a particular Chicago bathhouse. One night

0:19:59.359 --> 0:20:01.639
<v Speaker 1>the two were and he testified they got a private

0:20:01.720 --> 0:20:04.520
<v Speaker 1>room and did more drugs and made out. He also

0:20:04.560 --> 0:20:07.080
<v Speaker 1>says that he and Bola snuck away from his brother

0:20:07.119 --> 0:20:09.240
<v Speaker 1>after the three were at a female strip club together

0:20:09.640 --> 0:20:11.800
<v Speaker 1>and they got a private room again and made out

0:20:11.800 --> 0:20:15.840
<v Speaker 1>and masturbated together. Now, Bolo Osundaro has denied that they

0:20:15.840 --> 0:20:18.320
<v Speaker 1>had a sexual relationship and said he didn't know that

0:20:18.400 --> 0:20:23.560
<v Speaker 1>there was even any sexual tension. And Jesse Smolett also

0:20:23.600 --> 0:20:25.879
<v Speaker 1>talked about the brother Ola. He said he kind of

0:20:25.880 --> 0:20:28.080
<v Speaker 1>creaked me out every time we were around him. He

0:20:28.080 --> 0:20:29.800
<v Speaker 1>didn't speak to me every time we needed to leave.

0:20:29.840 --> 0:20:32.280
<v Speaker 1>He made it seem like we needed to sneak off. Now,

0:20:32.280 --> 0:20:34.080
<v Speaker 1>there was a hate letter that was sent to Jesse

0:20:34.160 --> 0:20:37.600
<v Speaker 1>Smollett and the mail at the Empire Studio and according

0:20:37.600 --> 0:20:40.359
<v Speaker 1>to Jesse Smolette, he said Bola Osundaro approached him about

0:20:40.359 --> 0:20:44.240
<v Speaker 1>becoming his personal security guard, and he said he would

0:20:44.240 --> 0:20:47.199
<v Speaker 1>repeatedly ask him that, but he had a problem with

0:20:47.240 --> 0:20:50.320
<v Speaker 1>the idea of always having a security detail around him.

0:20:50.840 --> 0:20:52.480
<v Speaker 1>So those are some of the things. He also said

0:20:52.480 --> 0:20:54.439
<v Speaker 1>that he didn't give a police detective his cell phone

0:20:54.600 --> 0:20:57.040
<v Speaker 1>when they asked for it because he didn't think that

0:20:57.080 --> 0:20:59.919
<v Speaker 1>the police believed his story. And he also said that

0:21:00.000 --> 0:21:02.680
<v Speaker 1>the Maga hat was a lie. He told police, um,

0:21:03.400 --> 0:21:05.359
<v Speaker 1>you know that that wasn't true, and he said that

0:21:05.480 --> 0:21:09.480
<v Speaker 1>Chicago police his relationship with them started to deteriorate after

0:21:09.520 --> 0:21:13.359
<v Speaker 1>they mentioned the Maga hats because that hat was favored

0:21:13.400 --> 0:21:16.199
<v Speaker 1>by supporters of the president at the time, Donald Trump.

0:21:17.160 --> 0:21:21.479
<v Speaker 1>So what is he alleged. He's alleging that they were

0:21:21.520 --> 0:21:24.840
<v Speaker 1>disgruntled lovers who flipped out on him. Yeah, I guess

0:21:24.880 --> 0:21:27.000
<v Speaker 1>he's trying to say maybe that part of the reason

0:21:27.080 --> 0:21:29.600
<v Speaker 1>why they were having any type of interaction with each

0:21:29.600 --> 0:21:33.320
<v Speaker 1>other was because they were lovers, but he didn't say

0:21:33.320 --> 0:21:36.680
<v Speaker 1>he lied and he's lying about the Maga hat there. Yeah,

0:21:36.680 --> 0:21:39.320
<v Speaker 1>he's admitting that he lied about the Maga hat. Yeah,

0:21:39.359 --> 0:21:42.520
<v Speaker 1>there was no no Maga hat, so he said. Um.

0:21:42.560 --> 0:21:45.399
<v Speaker 1>He rejected some of what has been reported, including that

0:21:45.440 --> 0:21:47.919
<v Speaker 1>he told police his alleged attackers were wearing Maga hats.

0:21:48.240 --> 0:21:52.480
<v Speaker 1>He said he never told the police that. Oh he

0:21:52.560 --> 0:21:54.800
<v Speaker 1>said he lied on him. Yeah, he's saying he never

0:21:54.840 --> 0:21:56.919
<v Speaker 1>said that, and he said under oath that there was

0:21:56.960 --> 0:21:59.600
<v Speaker 1>no hoax. He said he was driving, smoking a blunt

0:21:59.720 --> 0:22:03.440
<v Speaker 1>and texting with a woman after his MSNBC appearance when

0:22:03.480 --> 0:22:06.440
<v Speaker 1>the Olsen Darrell brothers were in his car. And according

0:22:06.440 --> 0:22:08.240
<v Speaker 1>to the brothers, they say that remember when they said

0:22:08.240 --> 0:22:11.000
<v Speaker 1>that they were going through like a dress rehearsal of

0:22:11.080 --> 0:22:13.040
<v Speaker 1>the hoax. He's saying that's not what happened. They just

0:22:13.080 --> 0:22:15.280
<v Speaker 1>were in his car at that time and he was

0:22:15.600 --> 0:22:19.440
<v Speaker 1>texting and smoking. He also says the night of the attack,

0:22:19.760 --> 0:22:22.840
<v Speaker 1>Bola Olsen Dyral called him about his training and his

0:22:22.920 --> 0:22:25.119
<v Speaker 1>mail plan and they told him to get four eggs.

0:22:25.440 --> 0:22:28.080
<v Speaker 1>So he went to Walgreens to get eggs and that's

0:22:28.080 --> 0:22:32.639
<v Speaker 1>when he was attacked. All I know is you know personally,

0:22:32.680 --> 0:22:35.040
<v Speaker 1>whatever you know happens in this situation. I don't think

0:22:35.440 --> 0:22:37.760
<v Speaker 1>Jesse deserves no three years in prison. I think that's

0:22:37.760 --> 0:22:39.960
<v Speaker 1>what he's facing, right, three is in prison. Yeah, it's

0:22:40.000 --> 0:22:41.800
<v Speaker 1>like no given probation of something. All he did was

0:22:41.800 --> 0:22:43.840
<v Speaker 1>lie to the police. Well he's saying he didn't lie,

0:22:45.480 --> 0:22:48.560
<v Speaker 1>so oh well yeah, okay, you're right, but even at

0:22:48.600 --> 0:22:51.680
<v Speaker 1>the at the worst, at the worst, you know, he's

0:22:51.720 --> 0:22:54.920
<v Speaker 1>he's a completely innocent or if he is guilty, Hinges

0:22:54.960 --> 0:22:58.720
<v Speaker 1>lied to thee three years in prison, yeah, don't. I

0:22:58.720 --> 0:23:00.520
<v Speaker 1>don't think there's enough evidence to say that he did

0:23:00.560 --> 0:23:02.399
<v Speaker 1>it though, Like it's my word verse their word, Like

0:23:02.440 --> 0:23:04.359
<v Speaker 1>there's not enough. There's no evidence that said that this

0:23:04.560 --> 0:23:06.520
<v Speaker 1>was a hoax. Right, they don't have no no text,

0:23:06.600 --> 0:23:09.879
<v Speaker 1>they don't have nothing to just their words versus Justesse's words, right, Yeah,

0:23:09.920 --> 0:23:12.520
<v Speaker 1>and so he's back on the stand today. I don't

0:23:12.520 --> 0:23:14.720
<v Speaker 1>think that's enough to convict him if there's no evidence.

0:23:14.880 --> 0:23:18.560
<v Speaker 1>It's just I didn't I can't believe this went to trial. Yeah,

0:23:18.600 --> 0:23:22.040
<v Speaker 1>but all right, well that is your rumor report. All right,

0:23:22.119 --> 0:23:24.680
<v Speaker 1>thank you, miss ye. Now we got front page news

0:23:24.680 --> 0:23:26.200
<v Speaker 1>coming up. What we're talking about, Yes, we'll give you

0:23:26.240 --> 0:23:28.440
<v Speaker 1>the latest. I'm what's going on with us? I'm a

0:23:28.520 --> 0:23:32.160
<v Speaker 1>crime variant, all right, and next hour also, mahischela Ali

0:23:32.200 --> 0:23:34.600
<v Speaker 1>will be joining us. You know him from Moonlight in

0:23:34.720 --> 0:23:37.440
<v Speaker 1>Green Book. He's in the new movie Swan Song. We're

0:23:37.440 --> 0:23:39.640
<v Speaker 1>gonna talk to him next time. He'll be playing Blade

0:23:39.920 --> 0:23:43.240
<v Speaker 1>in the Marvel Cinematic Universe. All right. So front page

0:23:43.280 --> 0:23:45.439
<v Speaker 1>news is next to the breakfast Club. Go morning, So

0:23:45.600 --> 0:23:50.040
<v Speaker 1>breakfast Club, your mornings will never be the same. What up, y'all?

0:23:50.240 --> 0:23:53.760
<v Speaker 1>DJ Envy for nearly sixty years of quality coverage, make

0:23:53.800 --> 0:23:55.760
<v Speaker 1>the right call and go with the general called eight

0:23:55.800 --> 0:23:57.679
<v Speaker 1>under General, or go to the general dot com to

0:23:57.680 --> 0:24:01.400
<v Speaker 1>get a hassle free quote. Today the General to Insurance Services, Inc.

0:24:01.440 --> 0:24:08.760
<v Speaker 1>An insurance agency Nashville, Tennessee. Some restrictions apply time morning.

0:24:08.800 --> 0:24:12.960
<v Speaker 1>Everybody is DJ Angela Yee Charlomagne the guy. We are

0:24:13.000 --> 0:24:16.480
<v Speaker 1>to breakfast Club. Let's get in some front page news now.

0:24:16.600 --> 0:24:20.720
<v Speaker 1>Monday night football, Patriots beat the Bills fourteen to ten.

0:24:20.840 --> 0:24:22.399
<v Speaker 1>Patriots ain't doing that bad the shit they't nine and

0:24:22.400 --> 0:24:24.080
<v Speaker 1>four Buffalo Bills the seven to five? Now, what else

0:24:24.080 --> 0:24:27.399
<v Speaker 1>we got? Easy? Instagram will now tell users when to

0:24:27.400 --> 0:24:30.760
<v Speaker 1>take a break from using the app. So they launched

0:24:30.800 --> 0:24:34.000
<v Speaker 1>their take a break tool today that will encourage you

0:24:34.080 --> 0:24:36.760
<v Speaker 1>just to spend some time away from the platform after

0:24:36.800 --> 0:24:40.159
<v Speaker 1>they've been scrolling for a certain period. So now you

0:24:40.200 --> 0:24:42.399
<v Speaker 1>can turn on the feature in your settings and you

0:24:42.400 --> 0:24:44.360
<v Speaker 1>can select if you want to be alerted after using

0:24:44.359 --> 0:24:46.800
<v Speaker 1>the platform for ten minutes, twenty minutes, or thirty minutes.

0:24:47.000 --> 0:24:48.919
<v Speaker 1>Then you'll get a full screen alert telling you to

0:24:48.960 --> 0:24:51.880
<v Speaker 1>close out of the app, suggest that you take a

0:24:51.920 --> 0:24:55.480
<v Speaker 1>deep breath, write something down, check out to do list,

0:24:56.040 --> 0:24:59.280
<v Speaker 1>or listen to a song. That's great. So if you

0:24:59.320 --> 0:25:02.960
<v Speaker 1>pay attention to yeah, no, no, that's great. All right, Now,

0:25:03.560 --> 0:25:06.919
<v Speaker 1>let's talk about the latest on the Amicron variant. The

0:25:07.040 --> 0:25:10.560
<v Speaker 1>US is reevaluating travel bands on a daily basis. This

0:25:10.720 --> 0:25:13.080
<v Speaker 1>is important right now because I know the holidays are

0:25:13.160 --> 0:25:15.840
<v Speaker 1>upon us and people are making plans. It's making it

0:25:15.880 --> 0:25:17.679
<v Speaker 1>hard to even decide like where to go or what

0:25:17.720 --> 0:25:19.320
<v Speaker 1>to do because you don't know where we'll be at

0:25:19.320 --> 0:25:22.760
<v Speaker 1>that time. But doctor Anthony Fauci is saying that a

0:25:22.880 --> 0:25:26.080
<v Speaker 1>US travel ban on South Africa and several other African

0:25:26.080 --> 0:25:28.480
<v Speaker 1>countries is being re evaluated every day. He said the

0:25:28.520 --> 0:25:30.240
<v Speaker 1>US was aware of the heart tip. The bands have

0:25:30.359 --> 0:25:33.119
<v Speaker 1>placed on the countries, but he said the band was

0:25:33.160 --> 0:25:35.120
<v Speaker 1>put in place when the US was in the dark

0:25:35.160 --> 0:25:37.480
<v Speaker 1>and just learning about a surge in cases in South

0:25:37.520 --> 0:25:40.560
<v Speaker 1>Africa due to the amicron variant, and added that the

0:25:40.600 --> 0:25:43.080
<v Speaker 1>band was meant to provide time to assess the situation.

0:25:43.640 --> 0:25:46.199
<v Speaker 1>So they did bar entry the travelers from South Africa,

0:25:46.280 --> 0:25:50.680
<v Speaker 1>Botswana's and Babwe, Malawi. But the variant has now been

0:25:50.720 --> 0:25:54.080
<v Speaker 1>identified in dozens of countries in several US states as well,

0:25:54.680 --> 0:25:57.480
<v Speaker 1>So now there's new travel restrictions because of this variant

0:25:57.480 --> 0:26:01.480
<v Speaker 1>in the UK, Australia, Japan, Brazil, can to India, Russia,

0:26:01.560 --> 0:26:04.719
<v Speaker 1>and they're getting more and more information about cases. So

0:26:04.760 --> 0:26:06.280
<v Speaker 1>if it's in all these places, that they're going to

0:26:06.359 --> 0:26:08.359
<v Speaker 1>band travel for all these places as well, because we

0:26:08.440 --> 0:26:10.600
<v Speaker 1>already told you starting in South Africa, right, well, we

0:26:10.640 --> 0:26:12.680
<v Speaker 1>already told you starting yesterday, you have to have tested

0:26:12.760 --> 0:26:14.880
<v Speaker 1>negative within twenty four hours. It used to be within

0:26:14.960 --> 0:26:17.520
<v Speaker 1>three days, right and now it's within twenty four hours,

0:26:17.520 --> 0:26:21.120
<v Speaker 1>So they've made that rule already. So Joe Biden also

0:26:21.160 --> 0:26:24.119
<v Speaker 1>announced previously that there's new measures that are aimed at

0:26:24.160 --> 0:26:27.719
<v Speaker 1>curbing the pandemic. All inbound international travelers have to be

0:26:27.760 --> 0:26:30.439
<v Speaker 1>required to test within one day of departure for the

0:26:30.560 --> 0:26:36.199
<v Speaker 1>United States and all flights departing after today. Yeah, starting

0:26:36.200 --> 0:26:39.200
<v Speaker 1>today must have buy buy a new CDC testing order

0:26:39.240 --> 0:26:43.479
<v Speaker 1>which was posted, So that's going to apply to everyone, Okay,

0:26:43.480 --> 0:26:46.560
<v Speaker 1>and documentation of having recovered from COVID in the past

0:26:46.640 --> 0:26:50.520
<v Speaker 1>ninety days it's also accepted. And I'm really confused with

0:26:50.520 --> 0:26:53.480
<v Speaker 1>this because they're saying, no, morochrome might not be as

0:26:53.480 --> 0:26:55.919
<v Speaker 1>they might not have as much damage to people as

0:26:55.960 --> 0:26:58.280
<v Speaker 1>the delta variant or the regular areat right, Yeah, but

0:26:58.320 --> 0:27:01.320
<v Speaker 1>that's not going so crazy over this variant. Well, they're

0:27:01.320 --> 0:27:03.760
<v Speaker 1>saying it's more contagious, is what it looks like. So

0:27:03.800 --> 0:27:05.560
<v Speaker 1>it might not be as damaging, but it could be

0:27:05.560 --> 0:27:07.800
<v Speaker 1>more contagious. But again, it's still too early to know

0:27:07.880 --> 0:27:10.840
<v Speaker 1>everything because it's a new variant, got so things come

0:27:10.920 --> 0:27:13.359
<v Speaker 1>up all the time, so they're keeping an eye on it, right,

0:27:13.480 --> 0:27:15.919
<v Speaker 1>all right, And taking viagra can cut your risk of

0:27:15.960 --> 0:27:19.760
<v Speaker 1>Alzheimer's by up to sixty nine percent. Really, what a

0:27:19.800 --> 0:27:23.240
<v Speaker 1>crazy percentage number to go with your viagra. But yes,

0:27:23.400 --> 0:27:26.440
<v Speaker 1>so if you take viagra, according to research, it can

0:27:26.520 --> 0:27:29.280
<v Speaker 1>slash your risk of Alzheimer's by two thirds, So you

0:27:29.280 --> 0:27:32.879
<v Speaker 1>should take Viagra more. I mean, it's just the study.

0:27:33.119 --> 0:27:36.800
<v Speaker 1>They did analyze data on seven point two million US adults,

0:27:37.000 --> 0:27:39.120
<v Speaker 1>and they found that regular users had a sixty nine

0:27:39.119 --> 0:27:41.679
<v Speaker 1>percent lower chance of being diagnosed with Alzheimer's over the

0:27:41.680 --> 0:27:43.320
<v Speaker 1>next six years. You just gotta walk around with a

0:27:43.320 --> 0:27:45.439
<v Speaker 1>third leg in your pants all day long if you're

0:27:45.560 --> 0:27:47.520
<v Speaker 1>Nick Cannon. But I don't know everybody won't have that.

0:27:47.600 --> 0:27:50.720
<v Speaker 1>Because you saw Nick Cannon went viral? Did you just

0:27:50.760 --> 0:27:54.280
<v Speaker 1>go m no, yes you did. You didn't just go

0:27:54.760 --> 0:27:57.080
<v Speaker 1>that wasn't before Nick Cannon? What's wrong with you? Man?

0:27:58.000 --> 0:28:01.920
<v Speaker 1>So random? I say, Nick Cannon? You said no, I didn't.

0:28:02.680 --> 0:28:05.320
<v Speaker 1>All right, Well that is your front Pace news. My goodness?

0:28:05.359 --> 0:28:10.680
<v Speaker 1>All right? Now how do you pronounce Herschela Ali will

0:28:10.720 --> 0:28:12.719
<v Speaker 1>be joining us. He's an actor, of course. He won

0:28:12.760 --> 0:28:15.080
<v Speaker 1>an Oscar for his role in Moonlight in Green Book.

0:28:15.320 --> 0:28:17.560
<v Speaker 1>He's in a new flick is called swan Song and

0:28:17.640 --> 0:28:22.000
<v Speaker 1>premiers in theaters on Friday, December seventeen. He's an amazing actor,

0:28:22.080 --> 0:28:24.400
<v Speaker 1>and you know Swansong is his first and leading role.

0:28:24.760 --> 0:28:26.399
<v Speaker 1>You would think that in Green Book he was the

0:28:26.480 --> 0:28:28.560
<v Speaker 1>lead in that movie, but he actually won the Oscar

0:28:28.640 --> 0:28:31.800
<v Speaker 1>for Best Supporting Actor and in Moonlight, but everybody thought

0:28:31.840 --> 0:28:33.960
<v Speaker 1>he was the lead. Okay, so I'm gonna kick with

0:28:34.160 --> 0:28:36.120
<v Speaker 1>We're gonna kick it with Mirschela Ali when we come back,

0:28:36.119 --> 0:28:38.680
<v Speaker 1>so don't move. It's to Breakfast Club. Good Morning, the

0:28:38.880 --> 0:28:47.280
<v Speaker 1>Breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne

0:28:47.320 --> 0:28:49.200
<v Speaker 1>the guy. We all the Breakfast Club. We got a

0:28:49.240 --> 0:28:52.960
<v Speaker 1>special guest in the building, indeed, Herchela Ali. Welcome, Robam, Hey,

0:28:53.000 --> 0:28:56.680
<v Speaker 1>thanks for having me. How you feel. I'm good? I'm good,

0:28:56.800 --> 0:29:00.440
<v Speaker 1>first time Goode's good? Today? Life is good? Man? How

0:29:00.520 --> 0:29:03.720
<v Speaker 1>y'all doing? Blessed Black and Holly favorite brother? So let's

0:29:03.760 --> 0:29:05.560
<v Speaker 1>get into it. Of course we're here to talk about

0:29:05.600 --> 0:29:09.040
<v Speaker 1>swan Song first and foremost. And if I'm not mistaken,

0:29:09.040 --> 0:29:11.000
<v Speaker 1>did you produce this movie? Also, I'm one of the

0:29:11.000 --> 0:29:13.800
<v Speaker 1>producers only Yeah, okay, So what you're you to this movie?

0:29:13.800 --> 0:29:18.320
<v Speaker 1>In particular the dilemma I think the story is is

0:29:18.360 --> 0:29:21.200
<v Speaker 1>really unique. Did I read correctly that this is your

0:29:21.200 --> 0:29:24.120
<v Speaker 1>first leading role? First, that's nuts to me. I mean,

0:29:24.120 --> 0:29:25.840
<v Speaker 1>I don't know why I never thought that this, always

0:29:25.840 --> 0:29:30.240
<v Speaker 1>thought you Yeah. Yeah. And also, first, it's been twenty

0:29:30.320 --> 0:29:33.240
<v Speaker 1>years twenty one years. Yeah, and you did when oscars

0:29:33.240 --> 0:29:36.720
<v Speaker 1>already I'm want to talk about support. How does that change?

0:29:36.920 --> 0:29:39.640
<v Speaker 1>Some people would say, oh, these awards don't matter and

0:29:40.280 --> 0:29:43.280
<v Speaker 1>say things like that. But winning an oscar, right, how

0:29:43.360 --> 0:29:45.520
<v Speaker 1>did that change your trajectory? Or did it? Did it

0:29:45.560 --> 0:29:47.520
<v Speaker 1>not matter to you? Did it change things? Oh? It

0:29:47.680 --> 0:29:51.720
<v Speaker 1>definitely matter. Did it change things? You suddenly get more opportunity.

0:29:51.960 --> 0:29:55.040
<v Speaker 1>Quantity doesn't always equal quality, though, you still have to

0:29:55.080 --> 0:29:57.120
<v Speaker 1>sift through it all to make sure that you are

0:29:57.640 --> 0:30:00.280
<v Speaker 1>are locking in on the opportunity that feels right for you.

0:30:00.520 --> 0:30:02.960
<v Speaker 1>Let's talk about that process though, of getting to the

0:30:03.080 --> 0:30:05.680
<v Speaker 1>leading man status and everything about you says leading man, right,

0:30:06.120 --> 0:30:08.560
<v Speaker 1>how do you humble yourself to I guess, play your

0:30:08.600 --> 0:30:10.720
<v Speaker 1>position until you get to this point. So the sports

0:30:10.760 --> 0:30:13.720
<v Speaker 1>analogy is, you know, you might be seventh eighth man

0:30:13.800 --> 0:30:16.320
<v Speaker 1>on the bench, but you believe that you have the

0:30:16.360 --> 0:30:19.360
<v Speaker 1>capacity to start, you know, And so I think what

0:30:19.400 --> 0:30:21.680
<v Speaker 1>you try to do is every time you're playing, you

0:30:21.720 --> 0:30:23.360
<v Speaker 1>just try to show up and do your job and

0:30:24.040 --> 0:30:26.880
<v Speaker 1>try to prove that you are worthy of more minutes.

0:30:27.400 --> 0:30:29.160
<v Speaker 1>So you just got to kind of keep doing what

0:30:29.200 --> 0:30:31.240
<v Speaker 1>you're doing, keep your head down, do the best work

0:30:31.280 --> 0:30:34.520
<v Speaker 1>you can do, try to keep growing and try not

0:30:34.560 --> 0:30:38.120
<v Speaker 1>to repeat. You want to try to diversify, you know,

0:30:38.240 --> 0:30:41.400
<v Speaker 1>so you might take something smaller just because it's so

0:30:41.480 --> 0:30:43.480
<v Speaker 1>different from the last thing you did, because then the

0:30:43.520 --> 0:30:46.720
<v Speaker 1>goal becomes about showing your range as an actor, so

0:30:46.800 --> 0:30:50.560
<v Speaker 1>that eventually, when that right thing pops, people are just

0:30:50.640 --> 0:30:53.040
<v Speaker 1>constantly seeing you in a different light. That's kind of

0:30:53.040 --> 0:30:56.160
<v Speaker 1>been my approach to try to be patient and also

0:30:56.280 --> 0:30:59.400
<v Speaker 1>just understand that as long as I'm doing my best work,

0:30:59.480 --> 0:31:02.400
<v Speaker 1>that unfold in God's time. Did you ever make the

0:31:02.400 --> 0:31:04.480
<v Speaker 1>wrong pick? Like, damn, I should have did this movie

0:31:04.640 --> 0:31:08.160
<v Speaker 1>or that movie was great. I could have had an opportunity,

0:31:08.200 --> 0:31:09.680
<v Speaker 1>but I didn't go that route. Did you ever make

0:31:09.720 --> 0:31:12.800
<v Speaker 1>that mistake? It's you make that decision, you know. I

0:31:12.840 --> 0:31:14.959
<v Speaker 1>don't want to say that they are mistakes because I've grown.

0:31:15.320 --> 0:31:17.640
<v Speaker 1>I've grown from every opportunity, and now I think that

0:31:18.040 --> 0:31:20.360
<v Speaker 1>every role that you get, there's a reason why you

0:31:20.400 --> 0:31:22.520
<v Speaker 1>got that role. That's that's my approach to it, because

0:31:22.520 --> 0:31:25.200
<v Speaker 1>I've learned something from each role that I got it

0:31:25.280 --> 0:31:27.320
<v Speaker 1>for a reason and it impacted me for a reason,

0:31:27.600 --> 0:31:30.520
<v Speaker 1>and so as long as you're learning, it's less about

0:31:30.600 --> 0:31:33.240
<v Speaker 1>making the right choice or the wrong choice. But it's

0:31:33.280 --> 0:31:35.720
<v Speaker 1>more about can you look at your growth as a

0:31:35.800 --> 0:31:39.720
<v Speaker 1>result of having just done this experience? What did you

0:31:39.760 --> 0:31:43.360
<v Speaker 1>learn from green book? I think like stepping into it,

0:31:43.480 --> 0:31:45.880
<v Speaker 1>especially coming off a moon, like I was looking to

0:31:45.960 --> 0:31:48.120
<v Speaker 1>do something that felt really unique. And so when I

0:31:48.160 --> 0:31:51.960
<v Speaker 1>look at somebody who was empowered enough in nineteen sixty

0:31:52.000 --> 0:31:55.080
<v Speaker 1>one nineteen sixty two to hire a white man to

0:31:55.200 --> 0:31:58.360
<v Speaker 1>drive him through the South, that I interpret that as

0:31:58.960 --> 0:32:01.600
<v Speaker 1>almost somebody like flipping off the South, so to speak,

0:32:01.640 --> 0:32:04.600
<v Speaker 1>like he had his own little ways of bucking the system.

0:32:04.640 --> 0:32:09.320
<v Speaker 1>So when I looked at like his education, his experiences,

0:32:09.680 --> 0:32:11.600
<v Speaker 1>I was like, this is somebody that I hadn't quite

0:32:11.600 --> 0:32:17.720
<v Speaker 1>seen before. So that right there, I wanted to challenge myself. No, no,

0:32:17.880 --> 0:32:19.840
<v Speaker 1>because I don't regret the work I did, and I

0:32:19.920 --> 0:32:22.760
<v Speaker 1>don't regret regret what attracted me to it and why

0:32:22.760 --> 0:32:27.880
<v Speaker 1>I did it. Now, in every situation, things get complicated

0:32:27.920 --> 0:32:31.080
<v Speaker 1>at time, and so if anything, I think walking out

0:32:31.120 --> 0:32:34.880
<v Speaker 1>of it you learn more about like what is due diligence.

0:32:35.760 --> 0:32:38.600
<v Speaker 1>Going into a project, like you could do your due diligence,

0:32:38.640 --> 0:32:40.200
<v Speaker 1>you ask some questions, Well, this is what I need,

0:32:40.200 --> 0:32:43.280
<v Speaker 1>this is you know that I don't need, but then

0:32:43.400 --> 0:32:45.880
<v Speaker 1>later on you kind of learned as things revealed. You're like,

0:32:45.960 --> 0:32:49.040
<v Speaker 1>oh man, there's an extra set of questions that I

0:32:49.040 --> 0:32:51.000
<v Speaker 1>could have asked. But you just also don't know what

0:32:51.040 --> 0:32:52.840
<v Speaker 1>you don't know. And so that's just part of the

0:32:52.840 --> 0:32:55.840
<v Speaker 1>experiences of growing and moving from being someone who is

0:32:56.560 --> 0:33:01.880
<v Speaker 1>most often supporting something to almost in something, and that

0:33:02.000 --> 0:33:04.600
<v Speaker 1>leap is a real leap, and so their awareness and

0:33:05.120 --> 0:33:07.920
<v Speaker 1>all the details of that and how much of your

0:33:07.920 --> 0:33:11.400
<v Speaker 1>life changes and the expectations and the responsibilities and all that.

0:33:11.520 --> 0:33:14.480
<v Speaker 1>It's you learning too. You know, you're learning on the fly,

0:33:14.600 --> 0:33:17.920
<v Speaker 1>and especially once you're working with like these big corporations

0:33:17.960 --> 0:33:20.440
<v Speaker 1>and you're like, whoa, I don't agree with this trailer.

0:33:20.560 --> 0:33:22.520
<v Speaker 1>This shouldn't be in it. It's out of context, and

0:33:22.680 --> 0:33:26.040
<v Speaker 1>they go it tested. Well, You're like, what can you

0:33:26.080 --> 0:33:30.320
<v Speaker 1>say to that? And so that's often the experience artists

0:33:30.400 --> 0:33:33.360
<v Speaker 1>find themselves in, and you navigated, you learn from it,

0:33:33.400 --> 0:33:37.200
<v Speaker 1>and you try to move on. And especially what happens

0:33:37.320 --> 0:33:43.760
<v Speaker 1>is when you have studios and production companies, they're faceless, right,

0:33:43.920 --> 0:33:48.040
<v Speaker 1>And so once that film comes out and it may

0:33:48.120 --> 0:33:52.440
<v Speaker 1>do well in one part of a demographic and another

0:33:52.480 --> 0:33:56.280
<v Speaker 1>part of the country, is not feeling it, especially as

0:33:56.320 --> 0:33:59.040
<v Speaker 1>actors of color, you walk out kind of carrying that

0:33:59.120 --> 0:34:02.520
<v Speaker 1>bag if you made all those choices or decisions when

0:34:02.840 --> 0:34:06.080
<v Speaker 1>the faceless companies kind of like they own the next

0:34:06.160 --> 0:34:09.480
<v Speaker 1>rollout for their next gig. So I learned a lot

0:34:09.520 --> 0:34:10.879
<v Speaker 1>from it. Does that make you feel like you want

0:34:10.880 --> 0:34:12.560
<v Speaker 1>to have more control as far as that's what maybe

0:34:12.640 --> 0:34:14.759
<v Speaker 1>want to produce? I mean, it's not what made me

0:34:14.760 --> 0:34:16.759
<v Speaker 1>want to produce, but it's something that added to the

0:34:16.800 --> 0:34:21.040
<v Speaker 1>fuel behind behind wanting to produce because so often you're

0:34:21.080 --> 0:34:24.239
<v Speaker 1>behind the scenes, and I'm sure you could talk to

0:34:25.000 --> 0:34:28.440
<v Speaker 1>a healthy group of actors of color, because it's not

0:34:28.480 --> 0:34:31.480
<v Speaker 1>just black actors, but where you find yourself where there

0:34:31.560 --> 0:34:35.400
<v Speaker 1>isn't a black voice in the producerial role. So what

0:34:35.480 --> 0:34:37.799
<v Speaker 1>happens is actors have to start saying like, oh, there's

0:34:37.800 --> 0:34:40.640
<v Speaker 1>a problem with this scene. Can we try it this way?

0:34:40.719 --> 0:34:44.720
<v Speaker 1>Because that could be problematic, And so that inherently becomes

0:34:44.840 --> 0:34:47.200
<v Speaker 1>part of your job as an actor, though you will

0:34:47.239 --> 0:34:50.480
<v Speaker 1>not be credited as a producer, but you're producing because

0:34:50.480 --> 0:34:52.640
<v Speaker 1>you begin to start trying to protect the film and

0:34:52.680 --> 0:34:55.560
<v Speaker 1>think about all these things that can impact the film

0:34:55.640 --> 0:34:59.279
<v Speaker 1>and impact you as an artist. So in getting the

0:34:59.320 --> 0:35:02.920
<v Speaker 1>producer at it. Often you're already doing that work anyway.

0:35:03.600 --> 0:35:07.640
<v Speaker 1>So I've appreciated being able to move into that space

0:35:07.719 --> 0:35:10.319
<v Speaker 1>because now there's a legit seat at the table. It's

0:35:10.320 --> 0:35:12.400
<v Speaker 1>not like you're standing behind the people sitting at the

0:35:12.400 --> 0:35:14.759
<v Speaker 1>table and being like, hey, can you fix this part

0:35:14.840 --> 0:35:17.920
<v Speaker 1>because that could be problematic or this is actually what

0:35:17.960 --> 0:35:20.080
<v Speaker 1>we need to go for here can you do that?

0:35:20.160 --> 0:35:22.200
<v Speaker 1>And they may or may not listen to you that

0:35:22.280 --> 0:35:25.640
<v Speaker 1>if you're producing and you're the face of it, it's

0:35:25.680 --> 0:35:29.920
<v Speaker 1>a way to protect yourself and the story. Now Herschel

0:35:29.920 --> 0:35:32.240
<v Speaker 1>to break down the movie Swan song, What is it about?

0:35:32.280 --> 0:35:36.120
<v Speaker 1>The film is about a man who is dealing with

0:35:36.120 --> 0:35:41.040
<v Speaker 1>a terminal illness and he is presented with an opportunity

0:35:41.080 --> 0:35:43.319
<v Speaker 1>to clone himself. And so this is the not too

0:35:43.360 --> 0:35:46.719
<v Speaker 1>distant future, so it's say it's like twenty forty. Part

0:35:46.760 --> 0:35:49.560
<v Speaker 1>of it is that he just can't tell his family.

0:35:49.960 --> 0:35:51.960
<v Speaker 1>And the reason he can't tell his family is because

0:35:52.040 --> 0:35:55.359
<v Speaker 1>this process is new, so there's almost still in this

0:35:55.920 --> 0:36:00.000
<v Speaker 1>semi testing phase of it. It's not like openly permitted yet.

0:36:01.000 --> 0:36:04.960
<v Speaker 1>So with that said, considering that you have somebody who

0:36:05.120 --> 0:36:10.279
<v Speaker 1>is relatively young, meaning the character on playing and the

0:36:10.400 --> 0:36:12.840
<v Speaker 1>child who is like ten years old. You have somebody

0:36:12.880 --> 0:36:15.680
<v Speaker 1>who's looking like feeling like they're dying before their time.

0:36:16.160 --> 0:36:18.640
<v Speaker 1>The advantage that the clone has is that he has

0:36:18.680 --> 0:36:22.640
<v Speaker 1>all the awareness that the original has, Like he has

0:36:22.680 --> 0:36:26.440
<v Speaker 1>all the same memories, all the same he's him, No,

0:36:26.880 --> 0:36:30.400
<v Speaker 1>he's him, he's him, but he just doesn't have the

0:36:30.440 --> 0:36:34.320
<v Speaker 1>illness right. And so there's this thing where you feel

0:36:34.320 --> 0:36:37.000
<v Speaker 1>like the clone is really about to take advantage of

0:36:37.040 --> 0:36:41.319
<v Speaker 1>having this new opportunity at life. And so I feel

0:36:41.360 --> 0:36:44.760
<v Speaker 1>like we all have that character's name is Jack the Clone.

0:36:44.840 --> 0:36:46.640
<v Speaker 1>I think we all have a Jack Inness. We all

0:36:46.680 --> 0:36:48.880
<v Speaker 1>have a higher potential, we all have our best self.

0:36:49.320 --> 0:36:52.359
<v Speaker 1>So the work becomes about what do we have to

0:36:52.440 --> 0:36:55.440
<v Speaker 1>do to manifest our best selves? Like how do we

0:36:55.520 --> 0:36:59.480
<v Speaker 1>take stock and take inventory? Do we need a death sentence?

0:36:59.520 --> 0:37:02.160
<v Speaker 1>Do you need the ticking clock that you're totally aware

0:37:02.160 --> 0:37:05.360
<v Speaker 1>of to begin to like look at some of the

0:37:05.440 --> 0:37:07.279
<v Speaker 1>changes you need to make in a lot in your

0:37:07.280 --> 0:37:12.440
<v Speaker 1>own life. Envy Angela Yee, Charlemagne, the guy we are

0:37:12.480 --> 0:37:14.840
<v Speaker 1>the Breakfast Club is still kicking it with Reharcheal Ali.

0:37:14.960 --> 0:37:16.440
<v Speaker 1>Of course you want to ask for his roles in

0:37:16.520 --> 0:37:19.279
<v Speaker 1>Moonlighting Green book. He has a new flick Swan song.

0:37:19.680 --> 0:37:21.680
<v Speaker 1>You ever get a sucking character, though, because it's like

0:37:22.040 --> 0:37:26.680
<v Speaker 1>you do different characters, Yeah, from all aspects and players

0:37:26.680 --> 0:37:28.360
<v Speaker 1>and all different people. Do you ever get stuck in

0:37:28.360 --> 0:37:31.520
<v Speaker 1>the thing and can't get out? Um? And how do

0:37:31.560 --> 0:37:33.120
<v Speaker 1>you get out of it? You know what I will say,

0:37:33.200 --> 0:37:34.840
<v Speaker 1>I don't think I ever get stuck in character. But

0:37:34.920 --> 0:37:37.600
<v Speaker 1>what I do think is I think you. I think

0:37:37.600 --> 0:37:39.880
<v Speaker 1>there's things to take with you from each character. I

0:37:39.880 --> 0:37:41.759
<v Speaker 1>think there's lessons to take with you, just like there's

0:37:41.840 --> 0:37:44.759
<v Speaker 1>lessons to take from each relationship or each job. And

0:37:44.800 --> 0:37:47.840
<v Speaker 1>so I try to take the things that impact me

0:37:47.880 --> 0:37:50.040
<v Speaker 1>in a positive way from these from these characters. But

0:37:50.080 --> 0:37:52.680
<v Speaker 1>each character comes with a certain degree of toxicity too, right,

0:37:52.920 --> 0:37:55.400
<v Speaker 1>because you're living in somebody else's problems for twelve to

0:37:55.680 --> 0:37:58.680
<v Speaker 1>eighteen hours a day, And so for me, there's a

0:37:58.680 --> 0:38:03.000
<v Speaker 1>time in which I kind of need post shooting to

0:38:03.160 --> 0:38:06.040
<v Speaker 1>sort of like almost mourn the character, like to kind

0:38:06.080 --> 0:38:07.920
<v Speaker 1>of get it out of me, because you get in

0:38:07.920 --> 0:38:10.759
<v Speaker 1>the rhythm and you get eat. I can't even eat

0:38:10.800 --> 0:38:12.480
<v Speaker 1>sitting down. It's hard for me to eat sitting down

0:38:12.480 --> 0:38:14.439
<v Speaker 1>because I'm just so used to rushing all the time.

0:38:14.440 --> 0:38:16.879
<v Speaker 1>And you quick change and then you're back on set

0:38:16.920 --> 0:38:19.319
<v Speaker 1>real quick and at a certain point you're like, Yo,

0:38:19.480 --> 0:38:22.000
<v Speaker 1>this is not normal. Let me bring it down. I

0:38:22.080 --> 0:38:24.640
<v Speaker 1>gotta let go of the stresses of this character that

0:38:24.680 --> 0:38:28.319
<v Speaker 1>I've been living with for four months and begin to

0:38:28.360 --> 0:38:31.239
<v Speaker 1>embrace my own again and kind of let that go.

0:38:31.400 --> 0:38:34.680
<v Speaker 1>So it just it takes time to shake it, like

0:38:34.760 --> 0:38:37.359
<v Speaker 1>I just feel it. Like I remember shooting Rock Rock

0:38:37.400 --> 0:38:41.440
<v Speaker 1>Sanne Rock Sane No, but I had nightmares like the

0:38:41.480 --> 0:38:43.600
<v Speaker 1>last week of shooting and that with that character, like

0:38:43.640 --> 0:38:46.160
<v Speaker 1>for real, I've never had it like that before. And

0:38:46.360 --> 0:38:49.360
<v Speaker 1>so there's a thing where your body doesn't necessarily know

0:38:49.520 --> 0:38:51.759
<v Speaker 1>the difference from the messages you're telling it. And that's

0:38:51.760 --> 0:38:53.839
<v Speaker 1>why you have to be so conscious of what what

0:38:53.880 --> 0:38:56.080
<v Speaker 1>you're listening to, what you're taking in. I remember listening

0:38:56.080 --> 0:38:58.719
<v Speaker 1>to the radio it's like twelve. I would turn the

0:38:58.840 --> 0:39:00.640
<v Speaker 1>radio on at night and one time my mom came

0:39:00.680 --> 0:39:02.759
<v Speaker 1>in and she was like, no, turn that off. You

0:39:02.800 --> 0:39:04.000
<v Speaker 1>can't listen to it. I was like, what are you

0:39:04.000 --> 0:39:08.040
<v Speaker 1>talking about? Like you know, She's like, no, there's messages

0:39:08.120 --> 0:39:10.520
<v Speaker 1>that you need to be conscious of what you're listening to.

0:39:10.600 --> 0:39:13.719
<v Speaker 1>I ain't trying to screw you. Guys up for people listening.

0:39:13.960 --> 0:39:16.400
<v Speaker 1>But like, there's messages you need to be conscious of.

0:39:16.520 --> 0:39:18.480
<v Speaker 1>And it's like if it's playing and you hear it

0:39:18.520 --> 0:39:20.520
<v Speaker 1>and you know it, that's one thing. But yeah, it

0:39:20.520 --> 0:39:22.000
<v Speaker 1>takes time to shake. I want to go back to

0:39:22.040 --> 0:39:25.200
<v Speaker 1>something you said in regardless of Swan songs, does that

0:39:25.280 --> 0:39:29.719
<v Speaker 1>movie change your perception of death and life? You know what?

0:39:29.800 --> 0:39:33.600
<v Speaker 1>I think it encourages me to to live a little fooler.

0:39:33.680 --> 0:39:36.800
<v Speaker 1>I think it encourages me to put my foot on

0:39:36.840 --> 0:39:39.640
<v Speaker 1>the gas of it. I think it really encourages me

0:39:39.680 --> 0:39:41.600
<v Speaker 1>to try to be as present as possible with my

0:39:41.640 --> 0:39:43.840
<v Speaker 1>friends and loved ones right now. My grandfather told me

0:39:43.960 --> 0:39:46.120
<v Speaker 1>years ago, he said, tell people how you feel right now,

0:39:47.040 --> 0:39:49.280
<v Speaker 1>like and he you know, he started, he got teared

0:39:49.320 --> 0:39:50.520
<v Speaker 1>up a little bit and he was like, I don't

0:39:50.560 --> 0:39:52.000
<v Speaker 1>know where this was coming from. And he was like,

0:39:52.239 --> 0:39:53.680
<v Speaker 1>I just want you to to know I love you, and

0:39:53.719 --> 0:39:55.960
<v Speaker 1>you know, and that always stuck with me. I was

0:39:56.000 --> 0:39:58.680
<v Speaker 1>about fifteen years old, and leading up to this, it

0:39:58.760 --> 0:40:01.040
<v Speaker 1>just makes me think, like, you know, if there's something

0:40:01.040 --> 0:40:02.719
<v Speaker 1>I want to do, there's something there I want to try,

0:40:02.760 --> 0:40:05.759
<v Speaker 1>if there's a change I want to make. There's one

0:40:05.760 --> 0:40:08.000
<v Speaker 1>thing in like thinking about it and kind of road

0:40:08.080 --> 0:40:10.200
<v Speaker 1>mapping it out through your head. But there's another thing

0:40:10.239 --> 0:40:13.719
<v Speaker 1>in like a very New York thing, just go. And

0:40:13.760 --> 0:40:16.799
<v Speaker 1>I think that for me is the message, you know,

0:40:16.920 --> 0:40:20.040
<v Speaker 1>because I just want to make sure that I stay

0:40:20.080 --> 0:40:22.960
<v Speaker 1>in motion, you know. And I think if we keep

0:40:23.160 --> 0:40:26.480
<v Speaker 1>like marching forward, that's all we got because you know,

0:40:26.840 --> 0:40:31.080
<v Speaker 1>all of our numbers are going to be called like

0:40:31.120 --> 0:40:34.239
<v Speaker 1>a really safe space too, where we're comfortable with the

0:40:34.320 --> 0:40:36.319
<v Speaker 1>routine of what we're doing in our lives. We know

0:40:36.440 --> 0:40:39.560
<v Speaker 1>we have this steady paycheck and you're like scared to

0:40:39.640 --> 0:40:42.719
<v Speaker 1>go out and take a risk doing something else. So

0:40:43.120 --> 0:40:46.080
<v Speaker 1>did you ever have that experience in your career. I've

0:40:46.120 --> 0:40:48.960
<v Speaker 1>had that experience most of the time. And that's a muscle,

0:40:49.239 --> 0:40:53.719
<v Speaker 1>the reaction to that. When I start feeling comfortable, I

0:40:53.840 --> 0:40:57.920
<v Speaker 1>found myself reacting in ways where that voice gets louder

0:40:58.680 --> 0:41:00.799
<v Speaker 1>and you could kind of work to or it, but

0:41:00.880 --> 0:41:03.200
<v Speaker 1>eventually you need to react. So when I was on

0:41:03.239 --> 0:41:06.160
<v Speaker 1>a House of Cards, which is a huge show, it

0:41:06.239 --> 0:41:08.960
<v Speaker 1>was after the beginning is I don't know, I was

0:41:09.000 --> 0:41:11.080
<v Speaker 1>season three and I started asking to get off the show,

0:41:11.520 --> 0:41:14.120
<v Speaker 1>and I had friends and family going like, are you crazy?

0:41:14.160 --> 0:41:16.359
<v Speaker 1>This thing is huge, like why you want to get

0:41:16.400 --> 0:41:21.080
<v Speaker 1>off the show? And I was concerned with getting comfortable

0:41:21.719 --> 0:41:25.520
<v Speaker 1>and finding myself as how I interpreted just another dude

0:41:25.560 --> 0:41:28.200
<v Speaker 1>on the show, and so it was important for me

0:41:28.960 --> 0:41:31.759
<v Speaker 1>to move on, to keep building towards what I saw

0:41:31.840 --> 0:41:34.200
<v Speaker 1>for myself, which was Swan song. You know what I

0:41:34.200 --> 0:41:36.799
<v Speaker 1>mean in a way of like I want to move up,

0:41:37.440 --> 0:41:39.479
<v Speaker 1>and I just didn't want to be on somebody's show,

0:41:39.640 --> 0:41:43.680
<v Speaker 1>always supporting other people's narrative. So Chao came to me

0:41:44.000 --> 0:41:48.120
<v Speaker 1>doing Luke Cage and he was like, yo, you want

0:41:48.120 --> 0:41:49.640
<v Speaker 1>to do this show? And I was like, I just

0:41:49.680 --> 0:41:51.200
<v Speaker 1>got off a House of cards. He was like, he's

0:41:51.200 --> 0:41:55.640
<v Speaker 1>gonna die. I was like, cool. I was the only

0:41:55.680 --> 0:41:57.480
<v Speaker 1>reason I did it though, because they're gonna kill it.

0:41:57.680 --> 0:42:00.439
<v Speaker 1>I wouldn't have done it otherwise, Wow, I just got

0:42:00.440 --> 0:42:02.960
<v Speaker 1>off of the show. Well, I didn't want to get stuck.

0:42:03.080 --> 0:42:05.279
<v Speaker 1>I didn't want to be on another show for it.

0:42:06.000 --> 0:42:10.040
<v Speaker 1>I've already done, like I came into it and Crossing

0:42:10.120 --> 0:42:13.239
<v Speaker 1>Jordan two thousand and one. I did my first year there.

0:42:13.280 --> 0:42:16.400
<v Speaker 1>I got fired after one year or whatever, but everyone

0:42:16.400 --> 0:42:18.240
<v Speaker 1>else was on there for seven years and I watched

0:42:18.239 --> 0:42:19.640
<v Speaker 1>it happen. It was the best thing that could have

0:42:19.680 --> 0:42:21.719
<v Speaker 1>happened to me. Honestly, I would ended up on like

0:42:21.760 --> 0:42:24.279
<v Speaker 1>the forty four hundred and asked for a three year deal,

0:42:24.400 --> 0:42:26.840
<v Speaker 1>so that was gonna be short, and everyone else was

0:42:26.840 --> 0:42:29.560
<v Speaker 1>in six year deal. So I always was trying to

0:42:30.080 --> 0:42:34.800
<v Speaker 1>make sure that I couldn't get too comfortable, because, especially

0:42:34.840 --> 0:42:37.600
<v Speaker 1>as an actor, you don't want to get stuck as

0:42:37.800 --> 0:42:41.720
<v Speaker 1>one thing, like because that is death or an actor

0:42:41.760 --> 0:42:46.640
<v Speaker 1>to only but I hear you, and that's that was

0:42:46.680 --> 0:42:50.480
<v Speaker 1>a real concern. And for me, it's always been about

0:42:50.520 --> 0:42:55.719
<v Speaker 1>trying to diversify and make sure that I wasn't repeating

0:42:55.840 --> 0:42:58.000
<v Speaker 1>or playing the same character, and making sure that I'm

0:42:58.000 --> 0:43:03.720
<v Speaker 1>always pushing myself. Otherwise, for me, if I don't feel uncomfortable,

0:43:03.960 --> 0:43:06.720
<v Speaker 1>then I know I'm not growing. And so if something

0:43:06.840 --> 0:43:09.640
<v Speaker 1>feels like it's starting to get easy, as much as like,

0:43:09.719 --> 0:43:11.759
<v Speaker 1>I love when things get easy, but at the same

0:43:11.800 --> 0:43:16.799
<v Speaker 1>time you're like yeah, and then I get unhappy in

0:43:16.840 --> 0:43:19.640
<v Speaker 1>a real way. And so I already know that about myself,

0:43:19.640 --> 0:43:22.080
<v Speaker 1>so I kind of have to keep pushing myself and

0:43:22.160 --> 0:43:25.839
<v Speaker 1>figuring out, all right, how am I gonna take on

0:43:25.920 --> 0:43:32.239
<v Speaker 1>something that scares me a bit. There's there's plenty there's

0:43:32.280 --> 0:43:34.319
<v Speaker 1>plenty to work out. There's so much about that that

0:43:34.440 --> 0:43:37.160
<v Speaker 1>is that is challenging, just in general that you know,

0:43:37.200 --> 0:43:39.200
<v Speaker 1>I got my hands full, and even in doing it

0:43:39.480 --> 0:43:42.040
<v Speaker 1>and then wanting to do other stuff, I don't want

0:43:42.080 --> 0:43:44.800
<v Speaker 1>to just be bladed like that is one character. And honestly,

0:43:45.040 --> 0:43:47.640
<v Speaker 1>as huge as that is, is huge as the Marvel

0:43:47.760 --> 0:43:52.200
<v Speaker 1>cinematic universes and all of that is amazing. All these

0:43:52.280 --> 0:43:55.120
<v Speaker 1>characters are important to me equally. That's all. You say

0:43:55.360 --> 0:43:58.160
<v Speaker 1>that you were losing sleep over your voice over role

0:43:58.239 --> 0:44:01.960
<v Speaker 1>in the Eternals, and I'm like, why your voice is amazing? No, well,

0:44:03.120 --> 0:44:06.160
<v Speaker 1>I'm talking character though, and so, and all I meant

0:44:06.239 --> 0:44:10.720
<v Speaker 1>by that was if you're doing vocal work for something

0:44:10.840 --> 0:44:14.319
<v Speaker 1>your months away from filming, you're still putting together all

0:44:14.320 --> 0:44:17.160
<v Speaker 1>those things in your head. You're like body starting to change,

0:44:17.160 --> 0:44:18.680
<v Speaker 1>which is gonna change your voice? You don't know if

0:44:18.719 --> 0:44:20.399
<v Speaker 1>you're gonna go with something a little deeper. You don't

0:44:20.440 --> 0:44:23.320
<v Speaker 1>know if you're gonna so suddenly when someone's like, okay,

0:44:23.320 --> 0:44:25.759
<v Speaker 1>we need you to voice something, You're like, oh, I

0:44:25.880 --> 0:44:28.200
<v Speaker 1>was coming to that in its natural order. And so

0:44:28.239 --> 0:44:31.120
<v Speaker 1>it's just something that felt premature, because otherwise you would

0:44:31.160 --> 0:44:34.120
<v Speaker 1>never do that. You talk about doing radio, got that

0:44:34.200 --> 0:44:41.760
<v Speaker 1>quiet stone voice, but like to hear that. But no, no,

0:44:41.760 --> 0:44:45.480
<v Speaker 1>no radio. But I respect I respect it, I respect it.

0:44:45.520 --> 0:44:47.400
<v Speaker 1>All right. We have more with rehearsal Ali when we

0:44:47.440 --> 0:44:51.360
<v Speaker 1>come back, don't move. It's to Breakfast Club. Good morning morning.

0:44:51.360 --> 0:44:55.319
<v Speaker 1>Everybody is DJ Envy Angela Yee. Charlomagne, the guy we

0:44:55.360 --> 0:44:57.920
<v Speaker 1>are to Breakfast Club is still kicking it with rehearsal Ali.

0:44:58.040 --> 0:44:59.520
<v Speaker 1>Of course you want to Oscar for his roles and

0:44:59.600 --> 0:45:02.359
<v Speaker 1>moon Lay Green Book. He has a new flick swan song.

0:45:02.920 --> 0:45:05.439
<v Speaker 1>Where were you an artist? At one point? I'm still

0:45:05.480 --> 0:45:08.799
<v Speaker 1>an artist though I make beats. I was on Hieroglyphics

0:45:08.800 --> 0:45:11.359
<v Speaker 1>Imperium the label, and doing some stuff before that. So

0:45:11.600 --> 0:45:14.719
<v Speaker 1>I've always been involved in in music in some way,

0:45:14.760 --> 0:45:16.719
<v Speaker 1>shape or form. You know, if you grow up in

0:45:16.760 --> 0:45:20.160
<v Speaker 1>the era, can't separate yourself. You love doing Roxan roxand

0:45:20.200 --> 0:45:24.080
<v Speaker 1>because of that, you know, are you kidding me? Yeah?

0:45:24.120 --> 0:45:25.880
<v Speaker 1>I had the ute Phone records or some of my

0:45:25.960 --> 0:45:29.560
<v Speaker 1>early records like Utfo, Houdini, Fat Boys, like all those

0:45:29.560 --> 0:45:33.680
<v Speaker 1>whore I was doing yeah like no, like yeah, like no.

0:45:36.560 --> 0:45:38.359
<v Speaker 1>And my dad was a New Yorker, so I was out.

0:45:38.480 --> 0:45:41.000
<v Speaker 1>I'm from California, from the Bay Area, but my dad

0:45:41.000 --> 0:45:42.520
<v Speaker 1>had moved to New York when I was when I

0:45:42.560 --> 0:45:45.080
<v Speaker 1>was three, and so I was coming out here and

0:45:45.160 --> 0:45:47.440
<v Speaker 1>growing up and getting a taste in New York for

0:45:47.480 --> 0:45:49.000
<v Speaker 1>the summer, and then I would go back to the

0:45:49.040 --> 0:45:52.040
<v Speaker 1>Bay and I was like, I couldn't explain it. So

0:45:52.120 --> 0:45:54.640
<v Speaker 1>what about Roxan Roxand how was that for you? Doing

0:45:54.640 --> 0:45:59.359
<v Speaker 1>that and having that musical background Roxand was was both

0:45:59.360 --> 0:46:02.200
<v Speaker 1>a dream a nightmare. And what I mean is that

0:46:02.320 --> 0:46:07.600
<v Speaker 1>the playing this character cross who is you know, violent,

0:46:08.080 --> 0:46:11.040
<v Speaker 1>you know, hitting her like we we all know the story.

0:46:12.120 --> 0:46:14.440
<v Speaker 1>It was honored to be a service of her truth.

0:46:14.640 --> 0:46:16.640
<v Speaker 1>I gotta be the bad guy, but she's gonna win

0:46:16.920 --> 0:46:19.759
<v Speaker 1>in the end in some way, right, so you gotta

0:46:19.800 --> 0:46:21.360
<v Speaker 1>give over to that. And that's the only thing that

0:46:21.400 --> 0:46:24.720
<v Speaker 1>really gave me peace about it. So to do something

0:46:25.040 --> 0:46:29.240
<v Speaker 1>to help tell an icon story and her in particular,

0:46:29.400 --> 0:46:32.000
<v Speaker 1>was a great thing to be able to do, especially

0:46:32.080 --> 0:46:35.640
<v Speaker 1>having a real relationship to the music and being aware

0:46:35.680 --> 0:46:37.840
<v Speaker 1>at that time as a kid growing up. But what

0:46:38.000 --> 0:46:42.480
<v Speaker 1>was hard was like the actual like physical act of it.

0:46:42.600 --> 0:46:45.200
<v Speaker 1>And you know, you gotta go there, you gotta push

0:46:45.200 --> 0:46:47.319
<v Speaker 1>yourself and then you gotta do it like take after

0:46:47.360 --> 0:46:50.400
<v Speaker 1>take after take, So you like pretending to beat somebody

0:46:50.520 --> 0:46:54.399
<v Speaker 1>up and strangling them and acting like crazy for six

0:46:54.440 --> 0:46:57.240
<v Speaker 1>hours of the day like that, don't just go away.

0:46:57.360 --> 0:47:00.240
<v Speaker 1>You gotta shake that off. Do you question yourself an

0:47:00.280 --> 0:47:02.560
<v Speaker 1>acting nowadays when you're doing that, Because I was talking

0:47:02.560 --> 0:47:05.120
<v Speaker 1>to Megan Good recently and she was saying how when

0:47:05.360 --> 0:47:07.279
<v Speaker 1>she does sex act, she thinks people look at it

0:47:07.320 --> 0:47:09.799
<v Speaker 1>and think that's how she really gets down. In this

0:47:09.920 --> 0:47:13.399
<v Speaker 1>era of cancel culture, people be like, oh, he must

0:47:13.400 --> 0:47:15.040
<v Speaker 1>really do that to women. Look how he does it

0:47:15.120 --> 0:47:18.000
<v Speaker 1>so well. You know, I try not to think about

0:47:18.040 --> 0:47:20.880
<v Speaker 1>it that way. I'm always a little surprised when people

0:47:22.160 --> 0:47:25.000
<v Speaker 1>I feel like Danny Glover had stayed impacted by his

0:47:25.120 --> 0:47:29.279
<v Speaker 1>part in Color Purple. I'm serious, like I felt like

0:47:29.360 --> 0:47:32.839
<v Speaker 1>that there's not a sweeter man on the planet. But

0:47:32.920 --> 0:47:36.399
<v Speaker 1>I feel like sometimes people play roles so well that

0:47:36.640 --> 0:47:39.800
<v Speaker 1>it's hard for folks to get that thing out of

0:47:39.840 --> 0:47:42.400
<v Speaker 1>their head and they do associate you with that character.

0:47:42.480 --> 0:47:45.480
<v Speaker 1>So it's something to be to be really mindful of.

0:47:45.680 --> 0:47:48.399
<v Speaker 1>But like a career as a mosaic, right, Like, there's

0:47:48.400 --> 0:47:50.520
<v Speaker 1>all these tiles in it each role you play, and

0:47:50.520 --> 0:47:52.839
<v Speaker 1>when you step away you step back from it, there's

0:47:52.840 --> 0:47:57.120
<v Speaker 1>a picture, right you look at Denzel. Denzel's career and

0:47:57.400 --> 0:48:00.920
<v Speaker 1>there's all these characters in there. There's characters that are

0:48:01.080 --> 0:48:03.359
<v Speaker 1>icons and heroes as characters that are normal people. He's

0:48:03.360 --> 0:48:05.040
<v Speaker 1>got a villain up in there. You know. When you

0:48:05.080 --> 0:48:07.640
<v Speaker 1>step away, you go, oh, you see the spine of

0:48:07.640 --> 0:48:09.319
<v Speaker 1>his work, you see the picture of his work, and

0:48:09.360 --> 0:48:11.240
<v Speaker 1>you get a sense of his essence as a person.

0:48:11.560 --> 0:48:14.279
<v Speaker 1>But you're not gonna hopefully you don't judge him by

0:48:14.480 --> 0:48:17.080
<v Speaker 1>one character he played, Like, really, well, when did you

0:48:17.080 --> 0:48:21.160
<v Speaker 1>start to realize the power of intention? M That's a

0:48:21.200 --> 0:48:24.480
<v Speaker 1>good question, man, that's a good question. You know what

0:48:24.560 --> 0:48:27.399
<v Speaker 1>I would probably say a little over twenty years ago

0:48:27.680 --> 0:48:30.200
<v Speaker 1>when I converted to Islam, Like one of the things

0:48:30.200 --> 0:48:32.680
<v Speaker 1>that you do is you state your intention before you pray.

0:48:32.719 --> 0:48:35.560
<v Speaker 1>So I intend to make my fudgered prayer like my

0:48:35.680 --> 0:48:38.600
<v Speaker 1>morning prayer whatever. And then it kind of led to

0:48:38.640 --> 0:48:42.919
<v Speaker 1>me thinking more about like the importance of writing things down,

0:48:43.000 --> 0:48:44.760
<v Speaker 1>Like I know, I remember one time I wrote down

0:48:45.600 --> 0:48:47.239
<v Speaker 1>I don't know, maybe like two thousand and six or

0:48:47.239 --> 0:48:49.040
<v Speaker 1>seven or something like that. I wrote down these goals

0:48:49.080 --> 0:48:50.600
<v Speaker 1>that I wanted to do. I want the book a pilot,

0:48:50.640 --> 0:48:51.879
<v Speaker 1>I don't want to do this that another I wrote

0:48:51.920 --> 0:48:53.960
<v Speaker 1>them down. I kept it in my wallet. I remember

0:48:53.960 --> 0:48:56.520
<v Speaker 1>I pulled it out some time later and I like, wow,

0:48:56.680 --> 0:49:00.239
<v Speaker 1>all these things happen. And also growing up with my grandmother, well,

0:49:00.239 --> 0:49:02.279
<v Speaker 1>being around my grandmother a lot, she was always like

0:49:02.880 --> 0:49:05.239
<v Speaker 1>filling my head with certain things. Tell yourself, you have

0:49:05.280 --> 0:49:07.239
<v Speaker 1>five hundred million dollars. She's been telling me that since

0:49:07.280 --> 0:49:09.000
<v Speaker 1>I was a little kid. Like I was like, that's

0:49:09.040 --> 0:49:11.360
<v Speaker 1>a crazy amount of money. But okay, you know, and

0:49:12.000 --> 0:49:15.080
<v Speaker 1>you start telling your things yourself things, and so I was.

0:49:15.239 --> 0:49:17.960
<v Speaker 1>I've gotten messages as as a little kid about like

0:49:18.040 --> 0:49:20.280
<v Speaker 1>being conscious of what you think and what you tell yourself,

0:49:20.360 --> 0:49:23.600
<v Speaker 1>and to to don't be afraid to state your intention

0:49:23.640 --> 0:49:25.680
<v Speaker 1>because it will help you. It'll kind of be like

0:49:25.760 --> 0:49:27.840
<v Speaker 1>when behind your back ever reason, I have to because

0:49:27.840 --> 0:49:30.080
<v Speaker 1>everything just hearing you talk, it feels like everything you

0:49:30.120 --> 0:49:33.439
<v Speaker 1>do is intentional, not everything. But I try. I try

0:49:33.440 --> 0:49:36.440
<v Speaker 1>to be intentional. I do try. You know, how did

0:49:36.480 --> 0:49:38.680
<v Speaker 1>you feel when Wesley Snipe said you'll you'll do a

0:49:38.680 --> 0:49:44.719
<v Speaker 1>great job in Blade Man? Humbled and so encouraged by that,

0:49:44.840 --> 0:49:47.000
<v Speaker 1>because then you have to say that, like you know

0:49:47.040 --> 0:49:49.480
<v Speaker 1>what nobody really asking him for him to come out

0:49:49.520 --> 0:49:52.000
<v Speaker 1>and say that, you know, somebody I look up to

0:49:52.160 --> 0:49:56.919
<v Speaker 1>so much. I sincerely appreciated that, so thank you brother.

0:49:57.120 --> 0:49:58.680
<v Speaker 1>Has there been any talks about because you know, we

0:49:58.760 --> 0:50:01.240
<v Speaker 1>got the multiverse and more, have there been any talks about,

0:50:01.480 --> 0:50:06.160
<v Speaker 1>you know, him reprising. I can't talk about I can't

0:50:06.200 --> 0:50:10.160
<v Speaker 1>even really, you know, they put the hush that's pretty

0:50:10.160 --> 0:50:12.680
<v Speaker 1>good at the questions. Yeah, I can't even. I can't even.

0:50:12.840 --> 0:50:14.920
<v Speaker 1>I really can't really talk about anything. But how much

0:50:15.000 --> 0:50:18.560
<v Speaker 1>pressure to do? I'm learning it's a lot of pressure. Man,

0:50:18.600 --> 0:50:20.759
<v Speaker 1>it's a lot. But other people have done it and

0:50:21.000 --> 0:50:25.440
<v Speaker 1>survived and succeeded, So you know, I'm just gonna try

0:50:25.480 --> 0:50:27.560
<v Speaker 1>to set myself up to do to it the absolute

0:50:27.600 --> 0:50:29.759
<v Speaker 1>best work I could do. What's the next thing for

0:50:29.800 --> 0:50:33.000
<v Speaker 1>you that you're scared of to accomplish that You're like, Okay,

0:50:33.680 --> 0:50:35.200
<v Speaker 1>I don't want to get too comfortable, like we've been

0:50:35.239 --> 0:50:37.799
<v Speaker 1>talking about not getting too comfortable in the space, and

0:50:37.840 --> 0:50:40.120
<v Speaker 1>so you have to figure out, Okay, now I want

0:50:40.120 --> 0:50:43.160
<v Speaker 1>to do this that I've never done before direct and

0:50:43.200 --> 0:50:45.400
<v Speaker 1>you know, God willing not have happened at some point.

0:50:45.560 --> 0:50:47.520
<v Speaker 1>Is there something on the table now? I mean I've

0:50:47.560 --> 0:50:51.279
<v Speaker 1>had a couple of things pop up, but it's been

0:50:51.960 --> 0:50:54.640
<v Speaker 1>I've said no because of just knowing what is on

0:50:54.719 --> 0:50:58.279
<v Speaker 1>my acting slate and how I kind of have to do.

0:50:58.400 --> 0:51:00.359
<v Speaker 1>Even if I'm doing multiple things, I have to do

0:51:00.480 --> 0:51:03.200
<v Speaker 1>one thing at a time. So maybe I got something

0:51:03.200 --> 0:51:06.360
<v Speaker 1>else on the calendar on that day, but I can't

0:51:06.400 --> 0:51:08.360
<v Speaker 1>be doing the thing I'm doing and prepping for the

0:51:08.400 --> 0:51:10.799
<v Speaker 1>other thing. I'm just I'm not really good at that

0:51:11.080 --> 0:51:13.160
<v Speaker 1>will be your dream role? You'd like to tell m

0:51:14.360 --> 0:51:16.640
<v Speaker 1>sty Oh, you know what that was? Marvin Gaye for

0:51:16.680 --> 0:51:18.799
<v Speaker 1>me for a long time, I can't. I can't say

0:51:18.840 --> 0:51:21.280
<v Speaker 1>what it would be now. I think, you know, there's

0:51:21.280 --> 0:51:23.319
<v Speaker 1>other people out there that are right for that, but

0:51:24.080 --> 0:51:26.759
<v Speaker 1>I don't know, man, I honestly, I would have to

0:51:26.800 --> 0:51:29.879
<v Speaker 1>say that I'm kind of living it in the way

0:51:29.920 --> 0:51:32.719
<v Speaker 1>of like just getting the play this character in a

0:51:32.760 --> 0:51:36.120
<v Speaker 1>Swan song, even just the range and like just what

0:51:36.239 --> 0:51:39.880
<v Speaker 1>it asked of me, just playing even two characters, like

0:51:40.080 --> 0:51:43.200
<v Speaker 1>it was all pretty challenging, but in a positive way.

0:51:43.360 --> 0:51:45.320
<v Speaker 1>How far away do you think we are from cloning people?

0:51:46.520 --> 0:51:49.480
<v Speaker 1>You think there's some clones out there? It would be Hey,

0:51:50.200 --> 0:51:53.120
<v Speaker 1>the real meat might be at home, right You know,

0:51:53.160 --> 0:51:56.040
<v Speaker 1>we always like I wish I had a clone. You

0:51:56.120 --> 0:51:59.880
<v Speaker 1>might be in London press. Yeah, I don't know. I

0:52:00.040 --> 0:52:03.080
<v Speaker 1>don't know who who who knows, but it's but doing

0:52:03.080 --> 0:52:05.359
<v Speaker 1>this make you feel like in twenty years it's nice

0:52:05.360 --> 0:52:07.840
<v Speaker 1>for real. Half of course, when the watch that can

0:52:07.920 --> 0:52:12.960
<v Speaker 1>reproduce now cloone sheep, who knows? Yeah, yeah, I'm they

0:52:13.120 --> 0:52:15.640
<v Speaker 1>working on it. Somebody looked all them dudes up there

0:52:15.640 --> 0:52:17.920
<v Speaker 1>flying to space. I'm sure they're trying to hang out

0:52:17.960 --> 0:52:21.439
<v Speaker 1>on a little bit earlier too. So just come one

0:52:21.520 --> 0:52:24.720
<v Speaker 1>song the seven seventeenth in theaters on on a Apple

0:52:24.760 --> 0:52:27.319
<v Speaker 1>TV Plus, and we appreciate you for joining us, Thanks

0:52:27.320 --> 0:52:29.160
<v Speaker 1>for having me. Good to see yo. We're gonna play

0:52:29.160 --> 0:52:30.719
<v Speaker 1>one of your beats that you produce back in the day.

0:52:32.400 --> 0:52:37.840
<v Speaker 1>Herschela Ala, the hell is herschel He's looking at your

0:52:37.880 --> 0:52:44.520
<v Speaker 1>skin complexion, chocolate, that's what yourschel. My real name, my

0:52:44.600 --> 0:52:47.480
<v Speaker 1>birth name is my HERSCHELI hashpots. It's in the Bible Isaiah,

0:52:47.560 --> 0:52:49.399
<v Speaker 1>chapter eight, verse one and three. It's the longest name.

0:52:49.520 --> 0:52:52.960
<v Speaker 1>You just called this man Hershey's bro. You know it's

0:52:53.000 --> 0:52:55.080
<v Speaker 1>all good. They called me that grow growing up. I

0:52:55.360 --> 0:52:57.920
<v Speaker 1>got I got called hershey a couple of times. Man

0:52:58.040 --> 0:53:00.600
<v Speaker 1>I was like, no, can't, we can't do that. Get

0:53:00.600 --> 0:53:11.239
<v Speaker 1>to that Herchela at least the Breakfast Club. It's about

0:53:09.480 --> 0:53:16.880
<v Speaker 1>this Angela the breakfast Club. Well, Jack Queens went viral,

0:53:17.000 --> 0:53:19.480
<v Speaker 1>and that is for singing the national anthem at the

0:53:19.560 --> 0:53:23.719
<v Speaker 1>Lakers game. And people enjoyed this. Listen to it or

0:53:23.760 --> 0:53:33.840
<v Speaker 1>the ram pot twee we're so good shraming and the

0:53:34.080 --> 0:53:42.959
<v Speaker 1>Rockets recol What do you think that's pretty good? Yeah,

0:53:43.000 --> 0:53:45.080
<v Speaker 1>so he said, my first time singing the national anthem

0:53:45.080 --> 0:53:47.160
<v Speaker 1>at the Staples Center, r Cobe shout out the whole

0:53:47.200 --> 0:53:49.960
<v Speaker 1>Lakers squad and then he said, la was legendary. One

0:53:50.000 --> 0:53:53.320
<v Speaker 1>of them times I'll never forget. You know they always

0:53:53.320 --> 0:53:55.960
<v Speaker 1>talk about. They said that Fergie had the worst national

0:53:56.000 --> 0:53:59.920
<v Speaker 1>anthem rendition the NBA All Star Game back in twenty eighteen,

0:54:00.000 --> 0:54:04.080
<v Speaker 1>and a lot of people were you know it was

0:54:04.200 --> 0:54:25.239
<v Speaker 1>it was pretty bad, but oh my goodness, but that's

0:54:25.360 --> 0:54:28.560
<v Speaker 1>entertaining if you had the game laughing. I remember the

0:54:28.600 --> 0:54:32.280
<v Speaker 1>play is laughing. What she did. Remember that her husband

0:54:32.360 --> 0:54:34.440
<v Speaker 1>was mad. He said that Jamond Green old her an

0:54:34.440 --> 0:54:36.960
<v Speaker 1>apology because he was laughing. Everybody was laughing though, and

0:54:37.000 --> 0:54:39.080
<v Speaker 1>you know, they made it into a children's book, that

0:54:39.200 --> 0:54:43.799
<v Speaker 1>horrible singer. Yeah, the furg American national anthem. I don't

0:54:43.920 --> 0:54:46.239
<v Speaker 1>matter if they get paid, Okay, Yeah, I mean I

0:54:46.239 --> 0:54:48.200
<v Speaker 1>don't know if she did, but I guess they would

0:54:48.200 --> 0:54:49.960
<v Speaker 1>have to get clearance from her in order for that

0:54:50.000 --> 0:54:55.120
<v Speaker 1>to happen. Absolutely, yes, but shout out to him all right? Um? Now,

0:54:55.360 --> 0:54:58.720
<v Speaker 1>Punked and Dish MANTLD has been set for a season

0:54:58.800 --> 0:55:01.719
<v Speaker 1>two premieres at oh Coup. So there were two of

0:55:01.760 --> 0:55:04.720
<v Speaker 1>the unscripted Quibby originals that were renewed for a second season.

0:55:04.760 --> 0:55:08.520
<v Speaker 1>While Quimby existed, that was definitely a quick bite. Quimby

0:55:09.040 --> 0:55:11.880
<v Speaker 1>came and went, but Punked was hosted by Chance the

0:55:11.960 --> 0:55:14.640
<v Speaker 1>Rapper was renewed in June of twenty twenty, so their

0:55:14.840 --> 0:55:18.360
<v Speaker 1>second season role premiere on Friday. Some of the guests

0:55:18.400 --> 0:55:23.240
<v Speaker 1>include Tiffany Hattish, Little Nas, x Odell Beckham Junior, Tiana Taylor,

0:55:23.960 --> 0:55:27.839
<v Speaker 1>Miguel Carucci, Kate Upton. Here here's what it sounds like

0:55:27.880 --> 0:55:33.160
<v Speaker 1>from the trailer. Oh, I think my water just broke. Tiffany,

0:55:33.280 --> 0:55:37.359
<v Speaker 1>don't want nothing to do with that wrecking ball just

0:55:37.360 --> 0:55:48.960
<v Speaker 1>falling on my coffee? Are you kitty drop it? I'm

0:55:48.960 --> 0:55:53.239
<v Speaker 1>definitely remember having a bait. I always love punk man.

0:55:53.239 --> 0:55:55.400
<v Speaker 1>I love the Pump with Jady Kiss was a funny

0:55:55.400 --> 0:55:57.840
<v Speaker 1>one with Kanye West was another funny, funny one. I

0:55:57.880 --> 0:56:00.320
<v Speaker 1>love Pump. Yeah, I feel like they could punk you easily.

0:56:00.480 --> 0:56:06.160
<v Speaker 1>Definitely catch me. I do absolutely. You will get cursed

0:56:06.160 --> 0:56:10.399
<v Speaker 1>out in a minute. To set that up, sir. Your

0:56:10.400 --> 0:56:13.000
<v Speaker 1>cars didn't arrive at the car show. I will be

0:56:13.040 --> 0:56:15.719
<v Speaker 1>a good one. That will be a good one. And

0:56:15.760 --> 0:56:19.160
<v Speaker 1>I had my calls on, oh my goodness, don't play

0:56:19.200 --> 0:56:21.200
<v Speaker 1>with me, do not play with me. We have to wait,

0:56:21.520 --> 0:56:23.160
<v Speaker 1>make sure they get there first, and then do that.

0:56:23.400 --> 0:56:26.040
<v Speaker 1>Don't play with me. Okay. And by the way, since

0:56:26.080 --> 0:56:29.000
<v Speaker 1>we just mentioned Miguel saying that he called off his

0:56:29.120 --> 0:56:32.080
<v Speaker 1>divorce from his wife, they actually were spotted having a

0:56:32.160 --> 0:56:35.160
<v Speaker 1>romantic dinner a few weeks ago after they had broken up,

0:56:35.520 --> 0:56:37.319
<v Speaker 1>and so it looks like that two of them are

0:56:37.400 --> 0:56:41.480
<v Speaker 1>back on again. So happy to see that they hopefully

0:56:41.560 --> 0:56:43.480
<v Speaker 1>worked it out. Yeah, that's that's a great thing. I

0:56:43.600 --> 0:56:45.359
<v Speaker 1>love to see love like that. And you know, they've

0:56:45.360 --> 0:56:47.400
<v Speaker 1>been together a long time, so sometimes you get in

0:56:47.440 --> 0:56:49.800
<v Speaker 1>the arguments things go a little too far. And seventeen

0:56:49.880 --> 0:56:51.840
<v Speaker 1>years they've been together, you got to reset. Me and

0:56:51.840 --> 0:56:54.120
<v Speaker 1>a wife been together twenty seven years, so sometimes you

0:56:54.120 --> 0:56:57.279
<v Speaker 1>gotta reset. I can't take this guy out. I'm sure

0:56:57.320 --> 0:57:00.800
<v Speaker 1>she does that all the time. All right. And Nick Cannon,

0:57:00.920 --> 0:57:03.520
<v Speaker 1>we were talking about how Nick Cannon was trending, and

0:57:03.560 --> 0:57:06.200
<v Speaker 1>then when you went to find out why he was trending,

0:57:06.560 --> 0:57:08.359
<v Speaker 1>it was because of the suit that he had on

0:57:08.520 --> 0:57:11.160
<v Speaker 1>that was kind of tight, and I guess you could

0:57:11.160 --> 0:57:14.480
<v Speaker 1>see his print. And we talked about this earlier, and

0:57:14.520 --> 0:57:16.800
<v Speaker 1>they found that regular users had a sixty nine percent

0:57:16.840 --> 0:57:19.200
<v Speaker 1>lower chance of being diagnosed with Alzheimer's over the next

0:57:19.240 --> 0:57:20.840
<v Speaker 1>six years. You just gotta walk around with a third

0:57:20.920 --> 0:57:23.400
<v Speaker 1>leg in your pants all day long if you're Nick Cannon.

0:57:23.440 --> 0:57:26.040
<v Speaker 1>But I don't know everybody won't have that. Because you

0:57:26.080 --> 0:57:30.360
<v Speaker 1>saw Nick Cannon, did you just go yes, she did?

0:57:31.720 --> 0:57:34.040
<v Speaker 1>What did you lie? I didn't know. I said I

0:57:34.160 --> 0:57:36.400
<v Speaker 1>was on purpose. I was a reaction. I wasn't talking

0:57:36.400 --> 0:57:42.560
<v Speaker 1>about Nick Cannon. Well, Damon Dash would say, paulse all right,

0:57:42.680 --> 0:57:45.440
<v Speaker 1>And QC Sports has announced the launch of their no

0:57:45.720 --> 0:57:52.440
<v Speaker 1>full service basketball division, so congratulations to them. They also

0:57:52.480 --> 0:57:55.560
<v Speaker 1>have announced Derek Powell as global head of Basketball. He

0:57:55.560 --> 0:57:59.920
<v Speaker 1>has twenty two years of NBA insight negotiation and agency experience.

0:58:00.000 --> 0:58:01.840
<v Speaker 1>That's what you got to do when you venture into something,

0:58:02.120 --> 0:58:05.880
<v Speaker 1>you gotta get somebody on the team that actually has

0:58:05.880 --> 0:58:08.840
<v Speaker 1>been doing that for quite some time. Correct, So congratulations

0:58:09.280 --> 0:58:13.040
<v Speaker 1>to them for a QC Sports. And Travis Scott wants

0:58:13.120 --> 0:58:17.800
<v Speaker 1>the Astro World lawsuit dismissed and he doesn't believe that

0:58:17.840 --> 0:58:19.960
<v Speaker 1>he should be tied to litigation when it comes to

0:58:19.960 --> 0:58:22.800
<v Speaker 1>the tragedy that happened, So he's asking a judge to

0:58:22.800 --> 0:58:25.440
<v Speaker 1>get rid of one of the lawsuits against him. Now,

0:58:26.440 --> 0:58:29.120
<v Speaker 1>he just filed legal documents denying the claims against him

0:58:29.120 --> 0:58:32.080
<v Speaker 1>by a guy named jesse Garcia. Jesse Garcia says he

0:58:32.160 --> 0:58:35.640
<v Speaker 1>was in the crowd at the festival, and he's saying that,

0:58:36.720 --> 0:58:39.880
<v Speaker 1>you know, as it pertains to himself, his company, and

0:58:39.960 --> 0:58:43.680
<v Speaker 1>his foundation, Cactus Jack. He's doing a general denial. That's

0:58:43.680 --> 0:58:45.480
<v Speaker 1>a legal term in civil suits that allows when to

0:58:45.480 --> 0:58:49.200
<v Speaker 1>submit one blanket response to all of the allegations against them.

0:58:49.240 --> 0:58:51.480
<v Speaker 1>So he wants to make it clear that the deaths

0:58:51.480 --> 0:58:53.840
<v Speaker 1>and injuries are not his responsibility, and he wants the

0:58:53.880 --> 0:58:56.600
<v Speaker 1>judge to toss the suit against him and his entities.

0:58:56.640 --> 0:58:58.360
<v Speaker 1>So we'll see what happens. Yeah, I don't think the

0:58:58.440 --> 0:58:59.840
<v Speaker 1>judge is going to drop that, but I mean, I

0:59:00.080 --> 0:59:03.560
<v Speaker 1>don't necessarily believe he should be accountable. You know, he's performing,

0:59:03.560 --> 0:59:06.440
<v Speaker 1>he's an artist there. He didn't hire the security, pay

0:59:06.520 --> 0:59:07.960
<v Speaker 1>for the venue and all that other stuff. I don't

0:59:07.960 --> 0:59:09.720
<v Speaker 1>think he should be liable for all that stuff. But

0:59:09.920 --> 0:59:11.320
<v Speaker 1>it's gonna be in court. It's gonna be a court

0:59:11.360 --> 0:59:13.160
<v Speaker 1>for a long time. Right. He said he was unaware

0:59:13.160 --> 0:59:15.400
<v Speaker 1>of what was going on that night, So that's what

0:59:15.520 --> 0:59:18.040
<v Speaker 1>he's saying. He didn't realize that's what's happening. And you

0:59:18.040 --> 0:59:19.920
<v Speaker 1>can tell because it was one incident where somebody did

0:59:20.040 --> 0:59:22.240
<v Speaker 1>pass out. He stopped, he made short, security got the

0:59:22.280 --> 0:59:24.360
<v Speaker 1>mountain and he continued perform. And he didn't know that

0:59:24.400 --> 0:59:26.760
<v Speaker 1>people were passing out and dying. I'm sure if he

0:59:26.800 --> 0:59:28.160
<v Speaker 1>had known that, he would have stopped it. I mean,

0:59:28.840 --> 0:59:31.280
<v Speaker 1>he's an artist. I'm sure sometimes people pass out a

0:59:31.320 --> 0:59:33.520
<v Speaker 1>lot when they when they're performing. All right, well that

0:59:33.600 --> 0:59:36.520
<v Speaker 1>is your rumor reports. All right, thank you miss yet.

0:59:36.560 --> 0:59:38.600
<v Speaker 1>Now when we come back, Charlemagne got donkey today, so

0:59:38.640 --> 0:59:41.880
<v Speaker 1>don't move. It's to Breakfast Club. Good morning, So Breakfast Club,

0:59:41.960 --> 0:59:45.840
<v Speaker 1>your morning's will never be the same. It's here, the

0:59:45.840 --> 0:59:49.080
<v Speaker 1>most star studded black western ever made the Heart of

0:59:49.120 --> 0:59:52.880
<v Speaker 1>day Fall, directed by James Samuel, alongside a killer soundtrack

0:59:52.960 --> 0:59:56.000
<v Speaker 1>that features original songs by jay Z, Kid Cutty and Moore.

0:59:56.360 --> 0:59:59.160
<v Speaker 1>Watch now on Netflix and stream the soundtrack now on

0:59:59.200 --> 1:00:02.520
<v Speaker 1>all platforms. This don't be a dusty because right now

1:00:02.520 --> 1:00:07.120
<v Speaker 1>you want some real It's time for Donkey of the Day.

1:00:07.360 --> 1:00:08.720
<v Speaker 1>So if we ever feel I need to be a

1:00:08.840 --> 1:00:12.200
<v Speaker 1>dust man, get it with the hero. Did she get

1:00:12.520 --> 1:00:17.600
<v Speaker 1>the lease? I had become Donkey of the Day practice club?

1:00:17.640 --> 1:00:22.520
<v Speaker 1>Bitches Donkey to Day for Tuesday December seventh goes to

1:00:22.560 --> 1:00:26.120
<v Speaker 1>the CEO or Better dot Com Visual Guard. That's his name,

1:00:26.200 --> 1:00:29.080
<v Speaker 1>Visual garg. Now what is better dot Com? Well? Better

1:00:29.080 --> 1:00:31.840
<v Speaker 1>dot Com is a mortgage company that launched in twenty

1:00:31.920 --> 1:00:36.360
<v Speaker 1>sixteen and they are a director lender providing online mortgage financing.

1:00:36.440 --> 1:00:40.040
<v Speaker 1>But fall at doesn't matter what service the company provides

1:00:40.080 --> 1:00:42.720
<v Speaker 1>for the people, because what it did two which people,

1:00:43.160 --> 1:00:46.920
<v Speaker 1>was a complete disservice. See. I'm a proud forty three

1:00:47.000 --> 1:00:50.160
<v Speaker 1>year old man, Okay, I love every bit of my age,

1:00:50.240 --> 1:00:53.680
<v Speaker 1>every minute, every second. So I'm a bit more old

1:00:53.720 --> 1:00:56.800
<v Speaker 1>schools than most, So some of this new stuff. I

1:00:56.840 --> 1:00:58.840
<v Speaker 1>just can't get jiggie with. Okay, see I just said

1:00:58.840 --> 1:01:01.120
<v Speaker 1>get jiggi with. I did that on purpose. People, Relax,

1:01:01.200 --> 1:01:04.240
<v Speaker 1>But what do ceo of Better dot Com did? I

1:01:04.320 --> 1:01:06.560
<v Speaker 1>just can't get with. Let's go to CBS two New

1:01:06.640 --> 1:01:08.800
<v Speaker 1>York for the report police. It was a mass zoom

1:01:08.800 --> 1:01:11.880
<v Speaker 1>call where employees logged on and learned they were being

1:01:11.920 --> 1:01:16.280
<v Speaker 1>fired weeks before Christmas. In a video that has gone viral,

1:01:16.600 --> 1:01:19.840
<v Speaker 1>you hear Vishal Garg, the CEO of Better dot Com,

1:01:19.880 --> 1:01:23.120
<v Speaker 1>giving the bad news. For some, it's reminiscent of the

1:01:23.160 --> 1:01:26.720
<v Speaker 1>movie Up in the Air starring George Clooney, where firing

1:01:26.720 --> 1:01:30.400
<v Speaker 1>people in person instead of via teleconference was part of

1:01:30.400 --> 1:01:33.280
<v Speaker 1>the plotline. This was real life, though, for some nine

1:01:33.400 --> 1:01:37.360
<v Speaker 1>hundred employees of the digital mortgage lender, which has offices

1:01:37.360 --> 1:01:41.280
<v Speaker 1>in Oakland, California. Now, look, I'm old school, and I

1:01:41.360 --> 1:01:43.760
<v Speaker 1>also could be projecting right now, because I've been fired

1:01:43.800 --> 1:01:47.080
<v Speaker 1>like seven times in my life. Four times from radio,

1:01:47.240 --> 1:01:50.320
<v Speaker 1>once from Taco Bell, once from a cloven store called

1:01:50.320 --> 1:01:53.240
<v Speaker 1>Demo in the mall, once from a factory called Industrial

1:01:53.280 --> 1:01:56.080
<v Speaker 1>Acoustics Company. So that's seven times I've been fired in

1:01:56.120 --> 1:01:59.520
<v Speaker 1>my life, and every single time I've gotten fired except

1:01:59.600 --> 1:02:03.320
<v Speaker 1>one I got fired face to face. See, I respect

1:02:03.320 --> 1:02:05.800
<v Speaker 1>when you look somebody in the eye and tell them

1:02:05.960 --> 1:02:08.160
<v Speaker 1>you are moving in another direction. Okay, the one time

1:02:08.200 --> 1:02:10.400
<v Speaker 1>I didn't get fired face to face was because my

1:02:10.440 --> 1:02:13.040
<v Speaker 1>black ass chose radio slute to Ze ninety three jams

1:02:13.040 --> 1:02:16.520
<v Speaker 1>and Charleston, South Carolina. I chose radio over Demo and

1:02:17.040 --> 1:02:20.240
<v Speaker 1>north Ford's mall and I just simply, you know, didn't

1:02:20.280 --> 1:02:22.400
<v Speaker 1>go in. So my manager at the time, Nikki, she

1:02:22.480 --> 1:02:24.400
<v Speaker 1>did what she had to do. Salute the Nikki dropping

1:02:24.400 --> 1:02:26.959
<v Speaker 1>on the cluees bombs for Nikki. I appreciate you, queen.

1:02:27.480 --> 1:02:30.440
<v Speaker 1>Now radio is even better. They don't just fire you,

1:02:30.520 --> 1:02:34.080
<v Speaker 1>they have hr escort you out. That's why I never

1:02:34.440 --> 1:02:37.520
<v Speaker 1>keep anything in any office at a radio station I

1:02:37.640 --> 1:02:39.840
<v Speaker 1>work at to this day. At the breakfast club, I

1:02:39.840 --> 1:02:42.120
<v Speaker 1>don't have no damn office. I mean there is one

1:02:42.160 --> 1:02:44.480
<v Speaker 1>back there, you know, for us, but I don't use

1:02:44.520 --> 1:02:48.080
<v Speaker 1>it because, hey, you just never know. I'm traumatized. So

1:02:48.120 --> 1:02:50.840
<v Speaker 1>I'm saying all that to say that visual guard is

1:02:50.880 --> 1:02:53.880
<v Speaker 1>a coward. Now, maybe in this era that we live in,

1:02:53.920 --> 1:02:57.120
<v Speaker 1>folks get fired all the time via zoom. Maybe I

1:02:57.160 --> 1:02:59.960
<v Speaker 1>don't know, Maybe they still following some type of cold

1:03:00.040 --> 1:03:03.480
<v Speaker 1>with protocol. But if you have to fire people, call

1:03:03.600 --> 1:03:06.760
<v Speaker 1>them in the office and do it one at a time. Okay,

1:03:06.840 --> 1:03:10.000
<v Speaker 1>getting fired shouldn't be no damn group project. Even when

1:03:10.000 --> 1:03:12.440
<v Speaker 1>it was mass layoffs in two thousand and eight, I

1:03:12.800 --> 1:03:16.560
<v Speaker 1>believe we still got called in the office individually, at

1:03:16.640 --> 1:03:19.200
<v Speaker 1>least I did. Okay. Granted it was like, you know,

1:03:19.360 --> 1:03:22.480
<v Speaker 1>thirty of us getting fired and not nine hundred, But damn,

1:03:22.960 --> 1:03:25.640
<v Speaker 1>you're gonna fire nine hundred people before the holidays, and

1:03:25.640 --> 1:03:29.840
<v Speaker 1>didn't say HR will send you an email detailing benefits

1:03:29.880 --> 1:03:33.920
<v Speaker 1>in severance. Wow. Now Ivicial has been involved in this

1:03:33.960 --> 1:03:36.200
<v Speaker 1>type of scandal before. In fact, this is the second

1:03:36.280 --> 1:03:40.320
<v Speaker 1>time in his career he's fired employees like this. In fact,

1:03:40.360 --> 1:03:43.120
<v Speaker 1>he said the last time he did it, he cried, listen,

1:03:43.400 --> 1:03:46.120
<v Speaker 1>and I do not want to do this. The last

1:03:46.160 --> 1:03:48.440
<v Speaker 1>time I did it, I cried. This time, I hope

1:03:48.480 --> 1:03:52.040
<v Speaker 1>to be stronger. But we are laying off about fifteen

1:03:52.080 --> 1:03:56.000
<v Speaker 1>percent of the company. If you're on this call, you

1:03:56.040 --> 1:04:00.680
<v Speaker 1>are part of the unlucky group, you dude, being laid off.

1:04:01.760 --> 1:04:04.200
<v Speaker 1>That's right, f you, dude. And this wasn't even his

1:04:04.280 --> 1:04:07.440
<v Speaker 1>first controversy. He once sent an email to his staff

1:04:07.840 --> 1:04:10.960
<v Speaker 1>saying you are too damn slow. You are a bunch

1:04:11.000 --> 1:04:14.400
<v Speaker 1>of dumb dolphins, So stop it, stop it, stop it

1:04:14.480 --> 1:04:19.600
<v Speaker 1>right now. You are embarrassing me in quote. First of all, Visual,

1:04:20.160 --> 1:04:23.280
<v Speaker 1>how dare you insult dolphins in this way. I can't

1:04:23.280 --> 1:04:25.520
<v Speaker 1>speak for your staff. I don't know your staff, but

1:04:25.800 --> 1:04:29.080
<v Speaker 1>dumb dolphins is an oxymoron. Dolphins are one of the

1:04:29.160 --> 1:04:33.240
<v Speaker 1>smartest animals in the world. Dolphins are notoriously talented mimics.

1:04:33.360 --> 1:04:37.960
<v Speaker 1>They are quick learners. They demonstrate self awareness, problem solving, empathy, innovation,

1:04:38.080 --> 1:04:42.440
<v Speaker 1>teaching skills, grief, joy, and playfulness. Dolphins. Okay, you are

1:04:42.560 --> 1:04:45.480
<v Speaker 1>bugging if you think dolphins are dumb. I don't know

1:04:45.560 --> 1:04:48.240
<v Speaker 1>your staff, but I know dolphins. So if you're calling

1:04:48.280 --> 1:04:51.960
<v Speaker 1>dolphins dumb, then Visual, you might really be the one

1:04:52.000 --> 1:04:55.600
<v Speaker 1>who lacks intelligence. We already know you lack emotional intelligence

1:04:55.600 --> 1:04:58.800
<v Speaker 1>by the way you fired your nine hundred employees. Does

1:04:58.880 --> 1:05:02.680
<v Speaker 1>everything have to be dig nowadays? That's my question? Why

1:05:02.720 --> 1:05:05.760
<v Speaker 1>does everything have to be so impersonal? Give me the

1:05:05.840 --> 1:05:09.360
<v Speaker 1>opportunity to do that walk of shame with HR out

1:05:09.360 --> 1:05:12.280
<v Speaker 1>of the building, Give me that opportunity to curse you

1:05:12.320 --> 1:05:15.240
<v Speaker 1>out in person. How can I tell someone. When one

1:05:15.320 --> 1:05:18.680
<v Speaker 1>door closes, another one opens. If I didn't even get

1:05:18.680 --> 1:05:21.800
<v Speaker 1>the chance to walk out the first door, what do

1:05:21.880 --> 1:05:24.440
<v Speaker 1>we say now when somebody gets fired, or when you

1:05:24.480 --> 1:05:26.120
<v Speaker 1>lose a job, or what do you say when one

1:05:26.200 --> 1:05:30.880
<v Speaker 1>zoom meeting ends another one begins? Come on, man, technology

1:05:31.000 --> 1:05:34.560
<v Speaker 1>is really making the world impersonal. The impersonal Internet has

1:05:34.640 --> 1:05:38.200
<v Speaker 1>really replaced the human touch. Maybe this is the new wave.

1:05:38.720 --> 1:05:42.600
<v Speaker 1>I don't know, but I don't like it. Please give

1:05:42.720 --> 1:05:46.560
<v Speaker 1>Visual Guard, CEO of better dot Com, the biggest he had.

1:05:50.120 --> 1:05:52.200
<v Speaker 1>In fact, let remy ma give him the biggest he

1:05:52.240 --> 1:05:56.960
<v Speaker 1>har he ha he ha, you stupid motherfar are you dumb?

1:05:57.240 --> 1:05:59.360
<v Speaker 1>I thank you for that. Donkey of the day. Now,

1:05:59.360 --> 1:06:02.080
<v Speaker 1>when we come back, Ralph McDaniel's uncle Ralph will be

1:06:02.160 --> 1:06:05.280
<v Speaker 1>joining us. He's the hosting creator of Video Music Box,

1:06:05.760 --> 1:06:08.560
<v Speaker 1>one of the first shows to play hip hop videos.

1:06:08.600 --> 1:06:10.040
<v Speaker 1>All right, that's probably where a lot of these other

1:06:10.080 --> 1:06:12.240
<v Speaker 1>places got the idea from. So we're gonnakick it with

1:06:12.320 --> 1:06:14.200
<v Speaker 1>Uncle Ralph when we come back. It's the Breakfast Club.

1:06:14.200 --> 1:06:21.480
<v Speaker 1>Good morning, the Breakfast Club, The Breakfast Club. Your morning's

1:06:21.520 --> 1:06:26.360
<v Speaker 1>will never be the same morning. Everybody is DJ Envy,

1:06:26.520 --> 1:06:29.520
<v Speaker 1>Angela Yee, Charlemagne the guy. We are the Breakfast Club.

1:06:29.560 --> 1:06:32.960
<v Speaker 1>We got a special guest in the building, Uncle Ralph,

1:06:33.080 --> 1:06:37.360
<v Speaker 1>Ralph McDaniel. Let's say, hey, good to be here, Breakfast Club.

1:06:37.440 --> 1:06:43.680
<v Speaker 1>I'm I'm honored right now. Congratulations, thank you so much

1:06:43.840 --> 1:06:46.800
<v Speaker 1>for the documentary on Video Music Box. Yeah. I watched

1:06:46.800 --> 1:06:48.680
<v Speaker 1>it yesterday. I was I was hungover, so I was

1:06:48.800 --> 1:06:50.360
<v Speaker 1>laying on the couch and I just turned it on.

1:06:50.520 --> 1:06:55.480
<v Speaker 1>Oh good. Thoroughly enjoyed it, enjoyed its staples here in

1:06:55.520 --> 1:06:58.240
<v Speaker 1>the Try State area. I remember it was video music

1:06:58.240 --> 1:07:01.439
<v Speaker 1>back and it was New York hat. Yes, yes, yeah,

1:07:01.440 --> 1:07:04.800
<v Speaker 1>you're showing your age now with New York. I have

1:07:04.960 --> 1:07:08.080
<v Speaker 1>cable right if I wanted to see videos the only

1:07:08.120 --> 1:07:09.880
<v Speaker 1>place back then you really could see it if you

1:07:09.960 --> 1:07:13.280
<v Speaker 1>caught one of those shows thirty one, Yes Town thirty one.

1:07:13.640 --> 1:07:15.960
<v Speaker 1>And you know, look, this has been something that we've

1:07:15.960 --> 1:07:17.560
<v Speaker 1>been wanting to do. I've been working on this project

1:07:17.600 --> 1:07:19.720
<v Speaker 1>for ten years. So we went to a bunch of

1:07:19.760 --> 1:07:23.240
<v Speaker 1>hoops to get to showtime and master appeal, and then

1:07:23.320 --> 1:07:25.840
<v Speaker 1>Naas came in and said, I want to get this right.

1:07:25.920 --> 1:07:27.640
<v Speaker 1>And I almost cried when he said that, because I

1:07:28.480 --> 1:07:30.560
<v Speaker 1>was like, what are you talking about, bro? How do

1:07:30.640 --> 1:07:33.520
<v Speaker 1>you go through all that footage. Yeah, because you have

1:07:33.720 --> 1:07:35.680
<v Speaker 1>a lot of footage. Now, if you don't know video

1:07:35.760 --> 1:07:38.479
<v Speaker 1>music boxes, it's a video show that started off playing

1:07:38.520 --> 1:07:41.680
<v Speaker 1>hip hop videos when nobody else would it was it

1:07:41.720 --> 1:07:43.680
<v Speaker 1>wasn't on cable, so it was Channel thirty one, one

1:07:43.720 --> 1:07:45.600
<v Speaker 1>of the high channels, and after school we'd all run

1:07:45.640 --> 1:07:47.680
<v Speaker 1>home to go watch it. Yes, but you have footage

1:07:47.680 --> 1:07:50.080
<v Speaker 1>of years. Man, how did you go through the footage

1:07:50.120 --> 1:07:51.880
<v Speaker 1>to decide what you're gonna put in this documentary? Because

1:07:51.880 --> 1:07:54.120
<v Speaker 1>the documentary was what ninety minutes? Ninety minutes? Yeah, it

1:07:54.120 --> 1:07:56.160
<v Speaker 1>could have went to me for three hours and it

1:07:56.160 --> 1:07:58.880
<v Speaker 1>would have been interesting. But you know, showtime was like easy,

1:07:58.920 --> 1:08:02.439
<v Speaker 1>take it, easy path. So but you know, we filled

1:08:02.520 --> 1:08:04.800
<v Speaker 1>up that ninety minutes with so much stuff, and you know,

1:08:04.840 --> 1:08:08.000
<v Speaker 1>so many interviews were left on the editing floor. M

1:08:08.120 --> 1:08:10.280
<v Speaker 1>it was difficult to to really shave it all down

1:08:10.280 --> 1:08:13.000
<v Speaker 1>to ninety minutes. But you know, you got the eighties

1:08:13.040 --> 1:08:15.160
<v Speaker 1>and the nineties. I said, the nineties are super important.

1:08:15.240 --> 1:08:17.519
<v Speaker 1>Let's make sure that we got the nineties and makes

1:08:17.560 --> 1:08:19.240
<v Speaker 1>make sure we got them more of that than the

1:08:19.240 --> 1:08:21.960
<v Speaker 1>eighties because there's a lot more people around from the nineties.

1:08:22.000 --> 1:08:24.080
<v Speaker 1>So let's touch on that. And I liked the nineties

1:08:24.080 --> 1:08:27.200
<v Speaker 1>era myself a perspective, such a such a full circle

1:08:27.240 --> 1:08:29.960
<v Speaker 1>moment for you to you didna this first video? Yes?

1:08:30.040 --> 1:08:32.360
<v Speaker 1>And then for him to be executive producing this with

1:08:32.360 --> 1:08:35.320
<v Speaker 1>with Massive hill Man, how did that feel? Um Naas

1:08:35.400 --> 1:08:38.080
<v Speaker 1>came in and I looked at him and I said,

1:08:38.800 --> 1:08:40.960
<v Speaker 1>you know, you know, this is something that I think

1:08:40.960 --> 1:08:44.240
<v Speaker 1>you're going to enjoy. And originally he was the executive producer,

1:08:44.280 --> 1:08:46.880
<v Speaker 1>he wasn't the director, and then he's somewhere in the

1:08:46.920 --> 1:08:49.280
<v Speaker 1>middle set now I'm going to direct this and I

1:08:49.320 --> 1:08:52.320
<v Speaker 1>want to get this right, Ralph, and and I just was,

1:08:52.400 --> 1:08:54.040
<v Speaker 1>you know, it was, you know, like I did. It

1:08:54.080 --> 1:08:56.680
<v Speaker 1>ain't hard to tell. The first single off of Illmatic,

1:08:57.000 --> 1:09:00.280
<v Speaker 1>I directed that, and this thing called it ePK was

1:09:00.320 --> 1:09:02.360
<v Speaker 1>really the thing that really broke Nahs in New York

1:09:02.680 --> 1:09:05.480
<v Speaker 1>because it was like an interview with all the producers

1:09:05.560 --> 1:09:07.240
<v Speaker 1>and all the people that were involved. I went to

1:09:07.280 --> 1:09:09.519
<v Speaker 1>his house hung out in Queensbridge. It was just like

1:09:09.560 --> 1:09:11.880
<v Speaker 1>a little short documentary that I did from Nah. So

1:09:12.040 --> 1:09:14.920
<v Speaker 1>now he's doing, you know, my thing, and I'm like bugging.

1:09:15.000 --> 1:09:18.920
<v Speaker 1>I'm like wow, like this is the god Yeah, it's

1:09:19.040 --> 1:09:20.360
<v Speaker 1>one of those things. It's like, Yo, you never know

1:09:20.360 --> 1:09:22.560
<v Speaker 1>who's gonna be who. That's why you should show everybody.

1:09:22.720 --> 1:09:25.920
<v Speaker 1>Everybody love, key key. You know. We see people all

1:09:25.920 --> 1:09:28.519
<v Speaker 1>the time that come up, and I always show people

1:09:28.560 --> 1:09:31.040
<v Speaker 1>respect because I don't know, first of all, because I'm

1:09:31.040 --> 1:09:33.599
<v Speaker 1>from the street and I understand respect the street, you know,

1:09:33.880 --> 1:09:35.400
<v Speaker 1>because we got to go out there in these in

1:09:35.439 --> 1:09:37.880
<v Speaker 1>these blocks all the time, you know, and I'm like,

1:09:38.000 --> 1:09:40.599
<v Speaker 1>we don't want no problems out here, so I never

1:09:40.600 --> 1:09:43.519
<v Speaker 1>know who's who, and let's continue to respect him. And

1:09:43.560 --> 1:09:45.720
<v Speaker 1>I think that people say, man, you be out here,

1:09:46.040 --> 1:09:48.479
<v Speaker 1>you know, you on the av and you in this place,

1:09:48.640 --> 1:09:50.360
<v Speaker 1>and I'm like, you don't got no bodyguards. They'd be

1:09:50.439 --> 1:09:53.280
<v Speaker 1>looking around, like where do I'm like, I'm good, what's up.

1:09:53.320 --> 1:09:54.760
<v Speaker 1>I was gonna ask that you ever got into any

1:09:54.800 --> 1:09:56.600
<v Speaker 1>any any problems because like with Fat Joe said on

1:09:56.720 --> 1:09:58.640
<v Speaker 1>the documentary, yeah, you know, I'm on my block and

1:09:58.680 --> 1:10:00.880
<v Speaker 1>they say video music box, the party down the block.

1:10:00.920 --> 1:10:03.360
<v Speaker 1>And you were in the Bronx, You went in Brooklyn,

1:10:03.439 --> 1:10:05.559
<v Speaker 1>you went to la you went to Ye, you went

1:10:05.600 --> 1:10:07.519
<v Speaker 1>to the hood, you on Jamaica Avenue, you you were

1:10:07.640 --> 1:10:10.320
<v Speaker 1>in the hoods. Did you ever have a prom at all, um,

1:10:10.600 --> 1:10:13.280
<v Speaker 1>you know, we probably did. But my man Beasts, Yeah

1:10:13.280 --> 1:10:16.960
<v Speaker 1>you highlighted them in the day. Yeah, But Beasts is

1:10:17.000 --> 1:10:19.000
<v Speaker 1>not like my security. He was my friend, you know,

1:10:19.080 --> 1:10:21.200
<v Speaker 1>like we weren't like you know people. He did security

1:10:21.200 --> 1:10:23.600
<v Speaker 1>for all these other people like that. You know, he

1:10:23.680 --> 1:10:26.439
<v Speaker 1>became known for white cleft and everything. And he's known.

1:10:26.520 --> 1:10:28.960
<v Speaker 1>He's in the Shots movie and everybody knows him for

1:10:29.000 --> 1:10:31.040
<v Speaker 1>shot Is because he blows up the whole place is

1:10:31.040 --> 1:10:35.120
<v Speaker 1>he's acting, right. But but Beasts was official, you know.

1:10:35.280 --> 1:10:37.559
<v Speaker 1>You know, he's official cat, you know. And and so

1:10:37.600 --> 1:10:40.240
<v Speaker 1>we kept guys like that. They just hung around it.

1:10:40.320 --> 1:10:42.920
<v Speaker 1>I tell you tell people list a lot of not Beasts,

1:10:42.920 --> 1:10:44.519
<v Speaker 1>but a lot of the other guys that worked with us.

1:10:44.560 --> 1:10:47.520
<v Speaker 1>All had come home from jail. They needed an opportunity.

1:10:47.640 --> 1:10:48.960
<v Speaker 1>And I said, loo, I'm gonna give you all the

1:10:48.960 --> 1:10:51.280
<v Speaker 1>opportunity to work with me, but you can't screw it up,

1:10:51.560 --> 1:10:54.120
<v Speaker 1>you know. And most of those guys took it and

1:10:54.439 --> 1:10:56.200
<v Speaker 1>ran with it and did the right thing. Now, Video

1:10:56.280 --> 1:10:58.400
<v Speaker 1>Music Box was really just in the Tri State area,

1:10:58.439 --> 1:11:00.920
<v Speaker 1>but people knew about it from all over. Why do

1:11:00.960 --> 1:11:04.000
<v Speaker 1>you think it never ended up going national? Well, in

1:11:04.080 --> 1:11:06.880
<v Speaker 1>the dock, I said that I went to MTV and

1:11:07.320 --> 1:11:10.200
<v Speaker 1>there was this concert called The Fresh Fresh and I

1:11:10.240 --> 1:11:12.559
<v Speaker 1>went there and I was like, I saw a mixture

1:11:12.560 --> 1:11:15.280
<v Speaker 1>of everybody, so white people, black people, Asian people. I said, Oh,

1:11:15.360 --> 1:11:17.880
<v Speaker 1>this is happening right now. And I went to MTV

1:11:18.320 --> 1:11:22.080
<v Speaker 1>and they were like, no, Middle America's not ready for this, Ralph,

1:11:22.120 --> 1:11:23.840
<v Speaker 1>you know, it's not happening right now. And I'm like,

1:11:23.880 --> 1:11:26.200
<v Speaker 1>there's a tour, it's going out. I got the videotapes,

1:11:26.400 --> 1:11:27.840
<v Speaker 1>take a look at it. And they were like, no,

1:11:28.200 --> 1:11:29.960
<v Speaker 1>you don't need to pull out the tapes. It's okay.

1:11:30.040 --> 1:11:33.000
<v Speaker 1>We already know what we're gonna do. And then two

1:11:33.080 --> 1:11:35.800
<v Speaker 1>years later they did you know, MTV raps and you know,

1:11:35.840 --> 1:11:38.000
<v Speaker 1>and people thought, oh, you got me tight right now.

1:11:38.320 --> 1:11:40.680
<v Speaker 1>And I wasn't tight then. I was gonna type the

1:11:40.680 --> 1:11:43.040
<v Speaker 1>first time because I knew that it was happening already

1:11:43.040 --> 1:11:44.920
<v Speaker 1>and they could have had to jump on it. So

1:11:45.240 --> 1:11:47.920
<v Speaker 1>my whole career, I've been a little bit early. You

1:11:47.960 --> 1:11:49.840
<v Speaker 1>know how that is. Sometimes you're a little bit early,

1:11:50.120 --> 1:11:52.360
<v Speaker 1>so you don't really take it and go like, oh man,

1:11:52.520 --> 1:11:54.519
<v Speaker 1>y'are trying to jerk me. I didn't take it like that.

1:11:54.560 --> 1:11:56.439
<v Speaker 1>I just said it was early and then that was it,

1:11:56.520 --> 1:11:59.280
<v Speaker 1>you know, and then what happens after that and people

1:11:59.320 --> 1:12:01.360
<v Speaker 1>do what they do, and when MTV comes out, I

1:12:01.360 --> 1:12:04.080
<v Speaker 1>mean your MTV Raps comes out, and Rap City and

1:12:04.600 --> 1:12:07.559
<v Speaker 1>whatever else was out there. You know, it all kind

1:12:07.560 --> 1:12:09.880
<v Speaker 1>of feels like video music Box to people. But you know,

1:12:09.920 --> 1:12:11.599
<v Speaker 1>whatever it was gonna be was what it's gonna be.

1:12:11.760 --> 1:12:13.640
<v Speaker 1>Was there have any network that came to you and

1:12:13.720 --> 1:12:16.280
<v Speaker 1>wanted to do it once? Remember there was this show

1:12:16.320 --> 1:12:20.880
<v Speaker 1>called um Man, My Girl, D Bonds, uh pump it Up?

1:12:23.040 --> 1:12:25.200
<v Speaker 1>So they asked me to do that, but they wanted

1:12:25.200 --> 1:12:27.360
<v Speaker 1>me to stop doing Video Music Box. And I could

1:12:27.360 --> 1:12:30.719
<v Speaker 1>tell that at the time, Fox was not really serious

1:12:30.760 --> 1:12:32.960
<v Speaker 1>about this hip hop thing, and I was like, I'm

1:12:32.960 --> 1:12:35.320
<v Speaker 1>not gonna stop what I'm doing and commit to y'all.

1:12:35.640 --> 1:12:37.840
<v Speaker 1>And then, you know, six months later, Org, no, it's

1:12:37.840 --> 1:12:40.439
<v Speaker 1>not working, and then I'm stuck, you know, So I

1:12:40.439 --> 1:12:42.519
<v Speaker 1>said no. I said, I'm going to continue to do

1:12:42.560 --> 1:12:45.320
<v Speaker 1>my little local show. Why what's the problem, y'all? This

1:12:45.400 --> 1:12:47.080
<v Speaker 1>is a national program you don't want me to do

1:12:47.360 --> 1:12:49.040
<v Speaker 1>And they were like, no, you can't do that. And

1:12:49.120 --> 1:12:51.400
<v Speaker 1>I felt like, you know, I was, I can't do that,

1:12:51.520 --> 1:12:54.400
<v Speaker 1>and M and D Bonds did it and um, and

1:12:54.439 --> 1:12:56.840
<v Speaker 1>so we yeah, that's what happened. How did you get paid?

1:12:56.920 --> 1:12:59.479
<v Speaker 1>Original from video music box? Because there was no commercial,

1:13:00.439 --> 1:13:02.240
<v Speaker 1>but you would travel, you go for borrow to borrow,

1:13:02.240 --> 1:13:04.760
<v Speaker 1>you in city to city, club to clubs. You had expenses,

1:13:05.040 --> 1:13:07.320
<v Speaker 1>So how did you get paid? How was you making money?

1:13:07.800 --> 1:13:10.600
<v Speaker 1>That's why we started giving parties, you know, and I

1:13:10.720 --> 1:13:13.160
<v Speaker 1>fat Joe says, Yo, that's what DJ's do. You know,

1:13:13.240 --> 1:13:15.000
<v Speaker 1>we don't get paid a lot of money, and we

1:13:15.080 --> 1:13:17.679
<v Speaker 1>do whatever we do to have events and do things,

1:13:18.040 --> 1:13:19.920
<v Speaker 1>you know. And that's what we did. You know, we

1:13:19.920 --> 1:13:22.320
<v Speaker 1>were sitting the club and watch a promoter at give

1:13:22.400 --> 1:13:24.640
<v Speaker 1>giving us like three hundred dollars to show up and

1:13:24.680 --> 1:13:27.479
<v Speaker 1>he walking away with you know, twenty five thousand and

1:13:27.479 --> 1:13:29.760
<v Speaker 1>thirty thousand dollars in his pocket in the club, you know,

1:13:29.760 --> 1:13:31.880
<v Speaker 1>And I was like, that don't make sense because everybody

1:13:31.920 --> 1:13:34.400
<v Speaker 1>came here for us, So we're gonna start doing that,

1:13:34.880 --> 1:13:37.280
<v Speaker 1>and um, and that's what we did. Me my man, Sam,

1:13:37.320 --> 1:13:40.559
<v Speaker 1>Crazy Sam. All these dudes were like, you know, we

1:13:40.560 --> 1:13:42.479
<v Speaker 1>was doing three or four parties in the night, you know,

1:13:42.640 --> 1:13:44.800
<v Speaker 1>and you know, just walking away with the money and

1:13:44.880 --> 1:13:47.160
<v Speaker 1>going okay, we're good. Yeah, you're explaining the ductor you

1:13:47.160 --> 1:13:50.280
<v Speaker 1>never actually made money off the show, No, no, because

1:13:50.320 --> 1:13:52.360
<v Speaker 1>it was at first it was on a PBS channel

1:13:52.920 --> 1:13:55.479
<v Speaker 1>and so it was non commercial, which was great really

1:13:55.800 --> 1:13:59.519
<v Speaker 1>because it gave us the opportunity to educate where you know,

1:13:59.560 --> 1:14:02.080
<v Speaker 1>you can't really do that in commercial world, like you know,

1:14:02.280 --> 1:14:03.920
<v Speaker 1>no time for that. We got a round commercials, bro.

1:14:04.160 --> 1:14:06.920
<v Speaker 1>We ain't trying to help the community, you know, you know,

1:14:07.000 --> 1:14:09.080
<v Speaker 1>we we wanted to do a lot of that and

1:14:09.120 --> 1:14:10.560
<v Speaker 1>we did do that in the show. So it was

1:14:10.600 --> 1:14:13.919
<v Speaker 1>a balance of both and that's how we got through. Um,

1:14:13.960 --> 1:14:16.400
<v Speaker 1>you know, being on that station, we got more with

1:14:16.479 --> 1:14:18.880
<v Speaker 1>Uncle Ralph, Ralph McDaniels when we come back. Of course,

1:14:18.920 --> 1:14:22.120
<v Speaker 1>he's the creator a video music box. It's the Breakfast

1:14:22.120 --> 1:14:26.800
<v Speaker 1>Club The Morning, The Morning, everybody is DJ Envy, Angela Yee. Charlomagne,

1:14:26.800 --> 1:14:28.679
<v Speaker 1>the guy we are the Breakfast Club was still kicking

1:14:28.720 --> 1:14:31.160
<v Speaker 1>it with Uncle Ralph Charlomagne. You know, you got the

1:14:31.240 --> 1:14:35.840
<v Speaker 1>video of of Bigger Nas freestyle and you know Jay

1:14:35.880 --> 1:14:38.600
<v Speaker 1>and Big in the club all great, But what is

1:14:38.640 --> 1:14:42.360
<v Speaker 1>your most prized piece of footage? M hm, that's a

1:14:42.360 --> 1:14:46.920
<v Speaker 1>good question. Um. I think for me, Um, it's probably

1:14:47.000 --> 1:14:51.240
<v Speaker 1>Big and Jay when they did the My Birthday because

1:14:51.240 --> 1:14:53.120
<v Speaker 1>that was really kind of like out of the blue,

1:14:53.560 --> 1:14:57.200
<v Speaker 1>and Jay came and was hosting it and they and

1:14:57.240 --> 1:14:59.439
<v Speaker 1>they were both at the early stages of their career.

1:14:59.600 --> 1:15:02.800
<v Speaker 1>Was like beginning of Rockefeller and the Big you know,

1:15:02.960 --> 1:15:06.479
<v Speaker 1>beginning of Big, you know at Bad Boy and and

1:15:06.520 --> 1:15:09.040
<v Speaker 1>they just in the place was crowded. You know, this

1:15:09.120 --> 1:15:11.000
<v Speaker 1>is when people got dressed up and they danced at

1:15:11.040 --> 1:15:14.680
<v Speaker 1>clubs and remember that, and you know, it was just

1:15:14.720 --> 1:15:16.639
<v Speaker 1>one of those nights where you were like, couldn't call

1:15:16.680 --> 1:15:18.599
<v Speaker 1>that any better than that. That was that was a

1:15:18.600 --> 1:15:21.000
<v Speaker 1>beautiful night. You know, it was like everybody, your peers

1:15:21.000 --> 1:15:23.599
<v Speaker 1>were there, you know, just you know, one of those

1:15:23.680 --> 1:15:25.679
<v Speaker 1>one of those shows that was just it was perfect.

1:15:25.720 --> 1:15:28.599
<v Speaker 1>But you didn't realize that those two individuals would become

1:15:28.640 --> 1:15:32.000
<v Speaker 1>these mythical yeah, you know, beings that they are now

1:15:32.479 --> 1:15:34.960
<v Speaker 1>right right. You always say, you know, people always ask me,

1:15:35.000 --> 1:15:37.360
<v Speaker 1>what if Big was alive, what would that be like

1:15:37.640 --> 1:15:40.439
<v Speaker 1>between him and Jay and Nas, Like what would that

1:15:40.760 --> 1:15:43.040
<v Speaker 1>you know, what would that look like? And I don't know,

1:15:43.200 --> 1:15:46.360
<v Speaker 1>you know, like I mean Nas, you know is you know,

1:15:46.360 --> 1:15:48.479
<v Speaker 1>like I'm a fan of like, you know, poets and

1:15:48.640 --> 1:15:50.880
<v Speaker 1>you know, and Nas is that that kind of spiritual

1:15:51.000 --> 1:15:53.439
<v Speaker 1>kind of thing. You know. That's how when he started

1:15:53.439 --> 1:15:56.240
<v Speaker 1>doing my thing, I was like, this is a spiritual dude. Man,

1:15:56.320 --> 1:15:58.000
<v Speaker 1>Like I'm gonna be in a good place, you know.

1:15:58.000 --> 1:15:59.760
<v Speaker 1>I see. I used. All I was saying to to

1:16:00.320 --> 1:16:03.360
<v Speaker 1>was we gotta have that hip hop soul. Bro. No,

1:16:03.640 --> 1:16:05.880
<v Speaker 1>you know, because I watched documentaries and I'm like, this

1:16:06.040 --> 1:16:09.120
<v Speaker 1>is mad generic right now. We noticed everybody. If people

1:16:09.240 --> 1:16:11.360
<v Speaker 1>notice all this information, we don't need to go through this.

1:16:11.680 --> 1:16:13.840
<v Speaker 1>Let's get into different stories. And that's what I wanted

1:16:13.880 --> 1:16:15.840
<v Speaker 1>to do with this. And he was like, got it,

1:16:15.880 --> 1:16:18.840
<v Speaker 1>and he just started working and making sure that the

1:16:18.920 --> 1:16:22.080
<v Speaker 1>direction took the right direction because we know, yeah it

1:16:22.200 --> 1:16:24.240
<v Speaker 1>was the Bronx, and we know there was dances, and

1:16:24.280 --> 1:16:26.760
<v Speaker 1>we know graffiti. We know that already. We there's more

1:16:26.800 --> 1:16:28.560
<v Speaker 1>stories to us than that. You know. To me, the

1:16:28.640 --> 1:16:31.320
<v Speaker 1>soul comes from your footage, yes, you know what I mean,

1:16:31.360 --> 1:16:34.360
<v Speaker 1>Like your footage throughout gives it that warmth, makes it

1:16:34.560 --> 1:16:37.680
<v Speaker 1>you know classic. Yeah, yeah, nah, I mean, And I'm

1:16:37.840 --> 1:16:40.400
<v Speaker 1>I'm super happy that you know that we still have

1:16:40.479 --> 1:16:42.920
<v Speaker 1>the footage because I thought about that too when you

1:16:42.960 --> 1:16:45.080
<v Speaker 1>whenever you showed the room. I'm always thinking about what

1:16:45.160 --> 1:16:46.960
<v Speaker 1>if he'd lost all of that the way Rizzly lost

1:16:47.000 --> 1:16:51.200
<v Speaker 1>all that, right, Yeah, yeah, rizz you know, loss so

1:16:51.280 --> 1:16:53.360
<v Speaker 1>many of his masters. But you know, we've been in

1:16:53.400 --> 1:16:55.920
<v Speaker 1>the last One thing about the pandemic is it got

1:16:55.920 --> 1:16:59.840
<v Speaker 1>me to be around and really work on digitizing all

1:17:00.080 --> 1:17:03.320
<v Speaker 1>this content. So I just was like, yo, I gotta

1:17:03.360 --> 1:17:05.519
<v Speaker 1>get this done. And we started in a nonprofit, the

1:17:05.600 --> 1:17:08.920
<v Speaker 1>Video Music Box Collection, and we started raising money for it,

1:17:09.000 --> 1:17:11.320
<v Speaker 1>and you know, and people started, you know, giving us

1:17:11.320 --> 1:17:13.200
<v Speaker 1>a couple of dollars. We're still raising money for I

1:17:13.200 --> 1:17:16.040
<v Speaker 1>still need money for people, give me some money. But

1:17:16.360 --> 1:17:18.960
<v Speaker 1>we that is what helped us get to the point

1:17:19.000 --> 1:17:21.519
<v Speaker 1>where we have. You know, you can look at this

1:17:21.600 --> 1:17:24.040
<v Speaker 1>content and be like, wow, it's pretty clear. You know

1:17:24.600 --> 1:17:28.400
<v Speaker 1>thirty years ago. You know, you remember the DVD day

1:17:28.680 --> 1:17:30.720
<v Speaker 1>all of that. You know, there's guys out there that

1:17:30.800 --> 1:17:33.760
<v Speaker 1>can have content that is super important. Man restore it,

1:17:33.840 --> 1:17:36.839
<v Speaker 1>take care of it. Our history, hip hop history is important.

1:17:37.040 --> 1:17:40.960
<v Speaker 1>History is black history is important. But you know, sometimes

1:17:41.000 --> 1:17:42.960
<v Speaker 1>our stuff just gets pushed to the side. There's been

1:17:43.000 --> 1:17:46.719
<v Speaker 1>so many masters and visuals that have been lost over

1:17:46.760 --> 1:17:49.280
<v Speaker 1>the years, and it's like, wait a minute, somebody just

1:17:49.360 --> 1:17:53.160
<v Speaker 1>threw that away because they didn't think it was important, Like, well,

1:17:53.200 --> 1:17:56.679
<v Speaker 1>who did that? You know happens all the time? Part two?

1:17:56.760 --> 1:17:58.360
<v Speaker 1>Since you said you do have a lot of footage

1:17:58.400 --> 1:18:01.439
<v Speaker 1>that you weren't even able to use for this one. Yeah,

1:18:01.479 --> 1:18:05.040
<v Speaker 1>I told um showtime, like yo, we could do two,

1:18:05.240 --> 1:18:07.840
<v Speaker 1>three more you know, and some other stories that we

1:18:07.840 --> 1:18:09.920
<v Speaker 1>got in the books. So that's on the plate for

1:18:09.920 --> 1:18:13.200
<v Speaker 1>twenty twenty two. I would like to see artists talk

1:18:13.280 --> 1:18:15.840
<v Speaker 1>about those moments more, like I want to just hear

1:18:15.960 --> 1:18:18.960
<v Speaker 1>nas go more in death on the Big Thing because

1:18:19.040 --> 1:18:20.920
<v Speaker 1>he said something and the doctor I didn't know. He

1:18:20.960 --> 1:18:22.320
<v Speaker 1>was like, yo, him and Big with us to start

1:18:22.320 --> 1:18:24.880
<v Speaker 1>a crew right called the good Fellas. And I was like,

1:18:25.160 --> 1:18:26.840
<v Speaker 1>well then what didn't him and Jay weren't they gonna

1:18:26.840 --> 1:18:29.120
<v Speaker 1>start the commission? Big and Jay? So I'm like, right,

1:18:29.280 --> 1:18:32.240
<v Speaker 1>what what did that have look like? You know? I

1:18:32.240 --> 1:18:34.439
<v Speaker 1>would like to hit the artists see those videos and

1:18:34.520 --> 1:18:37.960
<v Speaker 1>those moments and how they remember. The crazy thing about

1:18:38.040 --> 1:18:41.640
<v Speaker 1>that moment is that in that night was like method

1:18:41.680 --> 1:18:45.240
<v Speaker 1>Man was there j birthday party? Jones? Well, miss Jones

1:18:45.280 --> 1:18:47.640
<v Speaker 1>says that it wasn't a birthday party, it was an

1:18:47.640 --> 1:18:50.160
<v Speaker 1>album released party, but I'm pretty sure it was a birthday,

1:18:50.200 --> 1:18:53.840
<v Speaker 1>but I don't know much, but um yeah, anyway, you know,

1:18:53.960 --> 1:18:56.360
<v Speaker 1>Common was there. You know, there were so many artists

1:18:56.400 --> 1:18:58.320
<v Speaker 1>that were just getting ready to come up, you know,

1:18:58.400 --> 1:19:00.479
<v Speaker 1>and I was like, you know, I look at the

1:19:00.520 --> 1:19:02.559
<v Speaker 1>footage and you know, now sucks about it was a

1:19:02.560 --> 1:19:04.880
<v Speaker 1>fight behind him, there was, you know, and we knew

1:19:04.880 --> 1:19:06.760
<v Speaker 1>it was coming like one of those parties with somebody

1:19:06.800 --> 1:19:11.320
<v Speaker 1>gonna fight and this. You know, you know, it's just

1:19:11.320 --> 1:19:14.280
<v Speaker 1>too much energy. You know. You ever see of looking

1:19:14.280 --> 1:19:16.000
<v Speaker 1>at all the footage, you ever see people in the crowd,

1:19:16.040 --> 1:19:18.200
<v Speaker 1>You'd be like, look at that artist, now they're a

1:19:18.280 --> 1:19:21.240
<v Speaker 1>huge rapper. Look at this person. You ever see some

1:19:21.280 --> 1:19:23.840
<v Speaker 1>of those Yeah, you know. I had that conversation with

1:19:24.040 --> 1:19:27.800
<v Speaker 1>Jay Cole because he went to Saint John's University and

1:19:28.000 --> 1:19:29.560
<v Speaker 1>was a fan of Video Music Box when he was

1:19:29.600 --> 1:19:32.720
<v Speaker 1>at Saint John. And Jay Cole was like, man, you know,

1:19:33.360 --> 1:19:34.920
<v Speaker 1>you know, I came to your parties, I came to

1:19:34.960 --> 1:19:36.840
<v Speaker 1>your offense. I know who you are, you know, and

1:19:36.880 --> 1:19:39.479
<v Speaker 1>this was a young guy and I was like, I

1:19:39.560 --> 1:19:41.680
<v Speaker 1>knew who was music. I was familiar with him, and

1:19:41.720 --> 1:19:43.800
<v Speaker 1>I was like, yo, I appreciate you man, You're coming

1:19:43.840 --> 1:19:46.439
<v Speaker 1>up the same thing with Asap Rocky. You know, He's like, yo, man,

1:19:46.439 --> 1:19:48.200
<v Speaker 1>I gotta call my mom. I'm standing next to Raph

1:19:48.320 --> 1:19:51.760
<v Speaker 1>McDaniels right now, you know. And and asap Ferg I

1:19:51.840 --> 1:19:54.200
<v Speaker 1>knew his dad, you know. So I see these people

1:19:54.240 --> 1:19:57.360
<v Speaker 1>in in in the in the at their young stage

1:19:57.400 --> 1:20:00.439
<v Speaker 1>and now to watch like I did this interview with Fergan,

1:20:00.520 --> 1:20:02.360
<v Speaker 1>I was like, yo, bro, you're doing some amazing thing.

1:20:02.400 --> 1:20:05.519
<v Speaker 1>He's building furniture and cars and okay, you know, like

1:20:06.240 --> 1:20:08.679
<v Speaker 1>that's what we did this for for that to happen.

1:20:09.320 --> 1:20:11.160
<v Speaker 1>I saw j D. I saw j D and some

1:20:11.320 --> 1:20:14.240
<v Speaker 1>footage with Udini on the duck. I use that footage

1:20:14.280 --> 1:20:16.120
<v Speaker 1>all the time too, yet paid every time I use

1:20:16.160 --> 1:20:22.240
<v Speaker 1>your footage. Yes, how do you want Video Music Box

1:20:22.280 --> 1:20:25.599
<v Speaker 1>to be remembered? The whole idea of this you're watching

1:20:25.680 --> 1:20:28.760
<v Speaker 1>Video Music Box film was to not be forgotten because

1:20:28.760 --> 1:20:32.240
<v Speaker 1>I could easily see how our history is forgotten and

1:20:32.600 --> 1:20:35.439
<v Speaker 1>the importance of us just giving an artist a little

1:20:35.479 --> 1:20:38.080
<v Speaker 1>bit of a break, a little bit of three minutes

1:20:38.120 --> 1:20:40.479
<v Speaker 1>of a of a music video or a shout out

1:20:41.000 --> 1:20:43.639
<v Speaker 1>is what catapulted all of these artists that we now

1:20:43.760 --> 1:20:47.360
<v Speaker 1>know and love into stardom. And you know, making a

1:20:47.360 --> 1:20:49.280
<v Speaker 1>whole bunch of money, and I was like, we can't

1:20:49.320 --> 1:20:51.519
<v Speaker 1>let that go. You know, my daughter is to produce

1:20:51.600 --> 1:20:54.840
<v Speaker 1>on it. And I said, Kim, you know, we gotta

1:20:54.920 --> 1:20:57.439
<v Speaker 1>keep this legacy everybody, not just me. You know, we

1:20:57.520 --> 1:20:59.760
<v Speaker 1>just gotta keep out like we don't do that, you know,

1:21:00.040 --> 1:21:03.479
<v Speaker 1>Black folks, you know, you know, all these other names

1:21:03.479 --> 1:21:07.360
<v Speaker 1>are on buildings or whatever. They're important. We need to

1:21:07.360 --> 1:21:09.759
<v Speaker 1>get our names on buildings. We have so many street

1:21:09.840 --> 1:21:13.000
<v Speaker 1>names being changed. Now. That's the process of starting to

1:21:13.040 --> 1:21:16.479
<v Speaker 1>do that, you know, getting name changing in community so

1:21:16.479 --> 1:21:18.480
<v Speaker 1>that we see a name or we see a statue

1:21:18.520 --> 1:21:20.760
<v Speaker 1>that we can relate to us. And that's what this

1:21:20.840 --> 1:21:23.800
<v Speaker 1>is part of the same concept. And they're certain people

1:21:23.800 --> 1:21:26.080
<v Speaker 1>whenever they call you should always pick up that phone

1:21:26.120 --> 1:21:28.120
<v Speaker 1>and say, yes, what do you need me for? And

1:21:28.200 --> 1:21:30.760
<v Speaker 1>you're one of those people. Ralph McDaniel Solf. He's going

1:21:30.840 --> 1:21:33.000
<v Speaker 1>to put that out there too. Yes, thank you so much,

1:21:33.080 --> 1:21:35.559
<v Speaker 1>Thank you, Uncle Ralph, Uncle Ralph, we appreciate you for

1:21:35.600 --> 1:21:38.519
<v Speaker 1>Make sure y'all go watch that documentary on Showtime. It's

1:21:38.560 --> 1:21:42.360
<v Speaker 1>on Showtime on demand right now. You're watching Video Music Box.

1:21:42.439 --> 1:21:45.880
<v Speaker 1>It's Uncle Ralph, Ralph McDaniels, It's the Breakfast Club. Good

1:21:45.880 --> 1:21:54.200
<v Speaker 1>morning the Breakfast Club holding. Everybody is DJ Envy, Angela Yee,

1:21:54.240 --> 1:21:56.360
<v Speaker 1>Charlomne the guy. We are to Breakfast Club. Let's get

1:21:56.360 --> 1:22:03.760
<v Speaker 1>to the room as let's talk Ye. This is the

1:22:03.840 --> 1:22:08.439
<v Speaker 1>rumor report with Angela Yee on the Breakfast Club. So

1:22:08.640 --> 1:22:12.280
<v Speaker 1>Drake has withdrawn his Grammy nominations. He has gotten two

1:22:12.320 --> 1:22:15.400
<v Speaker 1>nominations for the twenty twenty two Grammys, and that was

1:22:15.439 --> 1:22:17.400
<v Speaker 1>for Best Rap Album for Certified Love a Boy and

1:22:17.439 --> 1:22:20.200
<v Speaker 1>for Best Rap Performance for A Way Too Sexy. Now,

1:22:20.200 --> 1:22:22.679
<v Speaker 1>we're not sure why that decision was made, but they're

1:22:23.160 --> 1:22:26.080
<v Speaker 1>going to remove it from the Grammy website in an update.

1:22:26.160 --> 1:22:30.439
<v Speaker 1>So I'm not sure what happened here, but you know,

1:22:30.479 --> 1:22:33.479
<v Speaker 1>remember The Weekend didn't get any Grammy nominations last year,

1:22:34.040 --> 1:22:37.720
<v Speaker 1>and so he criticized the Grammys for that. I know

1:22:37.760 --> 1:22:41.280
<v Speaker 1>they have a good relationship, and so Drake had made

1:22:41.280 --> 1:22:43.120
<v Speaker 1>a statement at the time. He said, I think we

1:22:43.160 --> 1:22:45.479
<v Speaker 1>should stop allowing ourselves to be shocked every year by

1:22:45.479 --> 1:22:48.559
<v Speaker 1>the disconnect between impactful music and these awards and just

1:22:48.680 --> 1:22:51.640
<v Speaker 1>accept that what once was the highest form of recognition

1:22:51.920 --> 1:22:54.160
<v Speaker 1>may no longer matter to the artists that exists now

1:22:54.200 --> 1:22:56.880
<v Speaker 1>and the ones that come after that and he said,

1:22:56.920 --> 1:22:58.840
<v Speaker 1>this is a great time to start something new that

1:22:58.920 --> 1:23:01.160
<v Speaker 1>we can build up over town and pass on to

1:23:01.240 --> 1:23:03.839
<v Speaker 1>the generations to come. I think he cares about the Grammys.

1:23:03.840 --> 1:23:06.160
<v Speaker 1>I mean, he made a great album in Drake is Spitting.

1:23:06.360 --> 1:23:08.320
<v Speaker 1>If you listen to a lot of Drake's wraps and

1:23:08.320 --> 1:23:10.880
<v Speaker 1>what he's rhyming and his features, that boy will fire.

1:23:10.920 --> 1:23:14.160
<v Speaker 1>You don't care all right now. Pete Davidson and Machine

1:23:14.200 --> 1:23:16.320
<v Speaker 1>Gun Kelly, I know you enjoyed this. They did a

1:23:16.360 --> 1:23:19.880
<v Speaker 1>live stream and they were doing a photo shoot wearing

1:23:19.920 --> 1:23:23.920
<v Speaker 1>their Calvin Klein briefs and so the two of them

1:23:24.000 --> 1:23:26.760
<v Speaker 1>kind of stripped down to their underwear for this campaign

1:23:27.479 --> 1:23:31.520
<v Speaker 1>and they did like a little fake, funny, spicy photo shoot.

1:23:31.560 --> 1:23:34.639
<v Speaker 1>They took turns posing on the couch and then there

1:23:34.720 --> 1:23:37.080
<v Speaker 1>was one scene where Pete Davidson is on the cow

1:23:37.160 --> 1:23:41.080
<v Speaker 1>test Machine Gun Kelly is pouring popcorn into his mouth.

1:23:41.560 --> 1:23:44.280
<v Speaker 1>It was weird, but did they pause. Here's what it

1:23:44.320 --> 1:23:46.120
<v Speaker 1>was sounding like. I don't know, this is what I

1:23:46.120 --> 1:23:49.920
<v Speaker 1>was kind of picturing. Nice stuff by the way, Now, yeah,

1:23:51.439 --> 1:23:53.679
<v Speaker 1>I just I would have put an extra like two

1:23:53.680 --> 1:23:57.240
<v Speaker 1>socks in there and just always got to fuck up

1:23:57.320 --> 1:23:59.400
<v Speaker 1>or get a sweet in between her going yeah, for sure,

1:23:59.479 --> 1:24:01.680
<v Speaker 1>you can't let go cold, you know what I mean?

1:24:02.000 --> 1:24:04.160
<v Speaker 1>And I'm freezing right now. How Yeah, I am a

1:24:04.160 --> 1:24:06.680
<v Speaker 1>grower for sure. I'm not really a growl or a

1:24:06.680 --> 1:24:10.559
<v Speaker 1>shower for sure. It's actually a scientific wonder. That's okay,

1:24:10.560 --> 1:24:12.800
<v Speaker 1>We'll just get a new agents. Just having fun, man,

1:24:12.840 --> 1:24:16.040
<v Speaker 1>that's all it is. They just having fun. And Calvin

1:24:16.080 --> 1:24:18.200
<v Speaker 1>Klein did year a photo of the two of them

1:24:18.240 --> 1:24:20.439
<v Speaker 1>at the camera, so I guess it's a campaign for

1:24:20.520 --> 1:24:23.000
<v Speaker 1>Calvin Klein. It worked, yeah, And Calvin Clean, please stop

1:24:23.040 --> 1:24:25.439
<v Speaker 1>calling me. I don't like I don't want to do it,

1:24:25.560 --> 1:24:27.200
<v Speaker 1>you know. I know you guys offer me a lot

1:24:27.240 --> 1:24:29.240
<v Speaker 1>to you know, be underway a model. I don't want

1:24:29.240 --> 1:24:31.519
<v Speaker 1>to do it. I just don't. Is it that Calvin

1:24:31.600 --> 1:24:33.680
<v Speaker 1>or is it the Calvin who works at McDonald's. No,

1:24:33.840 --> 1:24:36.360
<v Speaker 1>Calvin klean to me a lot, but I don't want

1:24:36.360 --> 1:24:37.400
<v Speaker 1>to do it. I don't want to show if my

1:24:37.400 --> 1:24:39.920
<v Speaker 1>body like that. We don't want you to do it either,

1:24:40.040 --> 1:24:43.719
<v Speaker 1>all right. And Virgil, they did on a Virgil Ablow

1:24:43.760 --> 1:24:47.439
<v Speaker 1>in his hometown. There was a memorial and there were

1:24:47.439 --> 1:24:50.479
<v Speaker 1>a lot of people that participated to pay their respects

1:24:50.479 --> 1:24:55.679
<v Speaker 1>to the family. Rihanna, Kim Kardashian, Kanye Tyler, the Creator,

1:24:56.280 --> 1:25:00.400
<v Speaker 1>Drake Kid, Cutty, Frank Ocean Asap Rocky. And so this

1:25:00.439 --> 1:25:04.240
<v Speaker 1>was all in Chicago at the Museum of Contemporary Art yesterday.

1:25:04.720 --> 1:25:08.000
<v Speaker 1>And so here is his sister, Edwina Abelow. And here's

1:25:08.000 --> 1:25:11.080
<v Speaker 1>what you had to say. As Virgil once said in

1:25:11.080 --> 1:25:15.760
<v Speaker 1>a slat show, there's no woman. Life is short. And

1:25:15.800 --> 1:25:19.479
<v Speaker 1>then you can't waste even the day subscribing to what

1:25:19.600 --> 1:25:23.519
<v Speaker 1>people think you should do. Virgil was the permanent mark

1:25:23.760 --> 1:25:27.479
<v Speaker 1>on the world in which we will never forget. Your

1:25:27.560 --> 1:25:31.000
<v Speaker 1>legacy will continue to flourish in the eyes of woe

1:25:31.320 --> 1:25:36.680
<v Speaker 1>and great. I'm forever grateful for you. Wrist fell, my

1:25:36.840 --> 1:25:41.120
<v Speaker 1>sweet and gentle again. Arrest in peace to Virgil. He

1:25:41.160 --> 1:25:44.120
<v Speaker 1>was only forty one years old when he passed away

1:25:44.120 --> 1:25:46.599
<v Speaker 1>from cancer. It was a private battle that he did

1:25:46.600 --> 1:25:51.360
<v Speaker 1>not disclose publicly. Only his closest friends were aware of it. Alright,

1:25:51.400 --> 1:25:54.760
<v Speaker 1>in this comedy festival, this sounds like something amazing. To

1:25:54.840 --> 1:25:58.000
<v Speaker 1>go to Netflix is a joke. Now, this festival was

1:25:58.000 --> 1:26:00.919
<v Speaker 1>supposed to happen last year, but because of the pandemic

1:26:00.960 --> 1:26:03.479
<v Speaker 1>that it didn't happen. But now it is going to happen,

1:26:03.479 --> 1:26:05.639
<v Speaker 1>and that's gonna be April twenty ninth to May eighth

1:26:05.640 --> 1:26:09.240
<v Speaker 1>of twenty twenty two. So we know some of the

1:26:09.280 --> 1:26:13.160
<v Speaker 1>people who would be on that stage. Dave Chappelle, okay,

1:26:13.200 --> 1:26:17.200
<v Speaker 1>Amy Schumer, Tina Fey, Yeah, Wanda Psykes, Jerry Seinfeld, David

1:26:17.240 --> 1:26:20.240
<v Speaker 1>let Himan, Chris Rock Ali Wang. Wow. Yes, it's gonna

1:26:20.280 --> 1:26:22.280
<v Speaker 1>be huge, and so I think that would be something

1:26:22.320 --> 1:26:25.840
<v Speaker 1>really fun to go to. This is in La Okay,

1:26:26.280 --> 1:26:29.280
<v Speaker 1>I feel like we need to be there. So in addition,

1:26:29.280 --> 1:26:31.759
<v Speaker 1>there's going to be Dion Cole as he's un sorry,

1:26:31.960 --> 1:26:35.919
<v Speaker 1>Chelsea Handler, Kevin Hart, some of our favorites, Pete Davidson

1:26:35.960 --> 1:26:39.080
<v Speaker 1>will be there, Ellen DeGeneres, Whill performing. It's what they're

1:26:39.080 --> 1:26:41.280
<v Speaker 1>calling kind of the Coachella of comedy, but not saying

1:26:41.280 --> 1:26:46.640
<v Speaker 1>the name Coachella because yeah, no, they're not doing that,

1:26:47.000 --> 1:26:49.240
<v Speaker 1>all right. So yeah, so that sounds like something really

1:26:49.240 --> 1:26:51.439
<v Speaker 1>dope to go to. So that is Netflix is a

1:26:51.960 --> 1:26:54.439
<v Speaker 1>Netflix does have a lot of the best comedy specials

1:26:54.439 --> 1:26:56.400
<v Speaker 1>on there too, Yes they do. All right, Well that

1:26:56.520 --> 1:26:59.320
<v Speaker 1>is your rumor reports, all right, thank you, missy, And

1:26:59.360 --> 1:27:01.320
<v Speaker 1>I don't forget my call shows like four or five

1:27:01.400 --> 1:27:04.639
<v Speaker 1>days or that fight celebrity calls from people like Kalid

1:27:04.720 --> 1:27:08.519
<v Speaker 1>fifty Yogatti Trina, Um, you don't want my car. I

1:27:08.560 --> 1:27:12.759
<v Speaker 1>got a twenty twenty two. Um it didn't make the cut. Okay,

1:27:13.600 --> 1:27:15.080
<v Speaker 1>I got your call. Next year in New York. I'm

1:27:15.080 --> 1:27:17.760
<v Speaker 1>not gonna take your car to Miami. But um, yeah,

1:27:17.760 --> 1:27:20.880
<v Speaker 1>so we got and that was a nice letdown. That's

1:27:20.880 --> 1:27:23.080
<v Speaker 1>a nice way that you let me down. Your next year,

1:27:23.400 --> 1:27:25.280
<v Speaker 1>your my car don't need to be at theme. I'm

1:27:25.280 --> 1:27:27.240
<v Speaker 1>appressed with your car. Call is really really dope. Having

1:27:27.280 --> 1:27:30.439
<v Speaker 1>my fairy Nike ye over shout the Nike ye yes

1:27:30.520 --> 1:27:32.880
<v Speaker 1>over at Freeport Long Island. Who made it happen for me?

1:27:32.920 --> 1:27:35.240
<v Speaker 1>At BMW when they were saying nobody was getting in

1:27:35.280 --> 1:27:38.559
<v Speaker 1>the car, I was listening to everybody else telling everyone, Oh, yeah,

1:27:38.600 --> 1:27:40.080
<v Speaker 1>you know, we just don't have an available this is

1:27:40.080 --> 1:27:41.599
<v Speaker 1>all we have what's in stock. And I was able

1:27:41.640 --> 1:27:44.160
<v Speaker 1>to customize and order my car the way that I wanted.

1:27:44.240 --> 1:27:46.280
<v Speaker 1>Is so thank you again, have the Nike ye but

1:27:46.680 --> 1:27:49.200
<v Speaker 1>call showing five days, get your tickets, kids five and

1:27:49.360 --> 1:27:51.120
<v Speaker 1>under a free and I can't wait to see you

1:27:51.160 --> 1:27:53.840
<v Speaker 1>this Sunday in Miami. All right, this meet out y'all

1:27:53.880 --> 1:27:55.920
<v Speaker 1>heard it, I did not, all right, Well, the People's

1:27:56.000 --> 1:27:57.720
<v Speaker 1>Choice mixes up next to get your request in It's

1:27:57.720 --> 1:28:01.040
<v Speaker 1>the Breakfast Club. Good morning, So Breakfast Club, your morning's

1:28:01.080 --> 1:28:07.360
<v Speaker 1>will never be the same. No Arts created the More

1:28:07.400 --> 1:28:10.920
<v Speaker 1>Than Just Words Initiative to raise awareness about racial disparities

1:28:10.920 --> 1:28:13.760
<v Speaker 1>and breast cancer. Care to learn more about what more

1:28:13.800 --> 1:28:16.760
<v Speaker 1>than Just Words hopes to accomplish. An here talk with

1:28:16.840 --> 1:28:20.360
<v Speaker 1>Grammy nominated R and B artist Jasmine Sullivan. Visit more

1:28:20.400 --> 1:28:29.920
<v Speaker 1>Than Just Words dot us morning everybody in dj Envy,

1:28:30.080 --> 1:28:33.559
<v Speaker 1>Angela Yee, Charlomagne the guy. We are the Breakfast Club Now.

1:28:33.560 --> 1:28:36.800
<v Speaker 1>Shout out to Mahierschela Ali for joining us this morning. Yes,

1:28:37.000 --> 1:28:40.080
<v Speaker 1>amazing actor, so I'm excited for him to actually direct

1:28:40.120 --> 1:28:42.880
<v Speaker 1>his first feature film coming up next. And also Ralph

1:28:43.000 --> 1:28:45.800
<v Speaker 1>McDaniel's uncle, Ralph the hosting creator of video music Box.

1:28:45.840 --> 1:28:48.400
<v Speaker 1>I grew up on that and I love this documentary.

1:28:48.400 --> 1:28:49.760
<v Speaker 1>If you get a chance school check it out. It's

1:28:49.760 --> 1:28:52.080
<v Speaker 1>on showtime, right Uncle Ralph. I run into him all

1:28:52.080 --> 1:28:54.400
<v Speaker 1>the time. He'd always been like super cool and humble,

1:28:54.640 --> 1:28:56.519
<v Speaker 1>so I can see why people will always be open

1:28:56.560 --> 1:28:59.639
<v Speaker 1>to want to talk to him. Absolutely show him his respect,

1:29:00.080 --> 1:29:01.519
<v Speaker 1>all right, and now when we come back. We got

1:29:01.520 --> 1:29:03.360
<v Speaker 1>the positive notes, so don't move. It's the Breakfast Club.

1:29:03.400 --> 1:29:10.280
<v Speaker 1>Good Morning Morning. Everybody is DJ Envy, Angela Yee, Charlomagne

1:29:10.280 --> 1:29:13.439
<v Speaker 1>the guy. We are the Breakfast Club. I'm super duper excited.

1:29:13.760 --> 1:29:15.240
<v Speaker 1>I think we got like four or five more days

1:29:15.240 --> 1:29:18.120
<v Speaker 1>to my car show in Miami. We had to run

1:29:18.160 --> 1:29:20.720
<v Speaker 1>an audible. It's supposed to snow in New York, so

1:29:21.080 --> 1:29:23.080
<v Speaker 1>I have to get the cars out of here so

1:29:23.120 --> 1:29:24.400
<v Speaker 1>I can get them to the car show. We got

1:29:24.439 --> 1:29:28.439
<v Speaker 1>about thirty forty cars heading out to Miami, so all

1:29:28.560 --> 1:29:31.040
<v Speaker 1>day today I'll be driving the cars to the trucks

1:29:31.040 --> 1:29:33.400
<v Speaker 1>and getting them loaded because we just gotta get these

1:29:33.439 --> 1:29:35.120
<v Speaker 1>cars out of here. I don't want no problems with snow.

1:29:35.160 --> 1:29:36.840
<v Speaker 1>I don't want no accidents. You know, we got a

1:29:36.840 --> 1:29:39.639
<v Speaker 1>lot of valuable cars and a lot of people's cars

1:29:39.680 --> 1:29:41.920
<v Speaker 1>on these trucks, so we're gonna get these cars out today.

1:29:41.920 --> 1:29:43.439
<v Speaker 1>If you haven't got your tickets to the car show,

1:29:43.600 --> 1:29:46.479
<v Speaker 1>get your tickets. Celebrity cars from Calid It's gonna have

1:29:46.520 --> 1:29:50.000
<v Speaker 1>some cars in the show. Yo Gotti, floor Rider, Trina,

1:29:50.160 --> 1:29:53.280
<v Speaker 1>Dwayne Wade, Nikki Jams, just to name a few. So

1:29:54.040 --> 1:29:56.240
<v Speaker 1>get your tickets if you haven't got them already. Yeah,

1:29:56.240 --> 1:29:57.960
<v Speaker 1>And I want to shout out to tam La Payne.

1:29:58.000 --> 1:30:01.719
<v Speaker 1>Her son, Casey Goodson, was killed by a police officer.

1:30:01.840 --> 1:30:03.720
<v Speaker 1>She hit me up. She said, she's probably going to

1:30:03.800 --> 1:30:06.599
<v Speaker 1>be at your car show. So yeah, and we've had

1:30:06.640 --> 1:30:09.479
<v Speaker 1>her on the Breakfast Club before. But she's still trying

1:30:09.479 --> 1:30:13.320
<v Speaker 1>to get justice for her son. And so there's been

1:30:13.360 --> 1:30:17.160
<v Speaker 1>some more news lately. The cop who did kill her

1:30:17.160 --> 1:30:21.719
<v Speaker 1>son is actually being indicted, So I think that's important

1:30:21.800 --> 1:30:25.000
<v Speaker 1>information and we'll be following that case very closely. He

1:30:25.120 --> 1:30:28.479
<v Speaker 1>was going to subway walking up to his house and

1:30:29.560 --> 1:30:35.080
<v Speaker 1>hadn't done anything wrong. And so finally the Ohio deputy

1:30:35.120 --> 1:30:38.120
<v Speaker 1>has been charged with murder in the case of Casey

1:30:38.120 --> 1:30:40.400
<v Speaker 1>Goodson Jr. And she's been fighting for this for quite

1:30:40.479 --> 1:30:43.439
<v Speaker 1>some time right now, so there's no body camera, no

1:30:43.560 --> 1:30:47.280
<v Speaker 1>dash cam footage. Everything that happened is still largely unexplained,

1:30:47.680 --> 1:30:49.479
<v Speaker 1>and so they were fighting just to even have this

1:30:49.560 --> 1:30:52.760
<v Speaker 1>case heard. So I'm happy to say that at least

1:30:53.040 --> 1:30:56.040
<v Speaker 1>that's happening. You know, so far he had a sandwich

1:30:56.080 --> 1:31:00.920
<v Speaker 1>in his hand, not a gun, and there you have it.

1:31:01.080 --> 1:31:03.320
<v Speaker 1>So we'll keep you guys updated on that though it's

1:31:03.360 --> 1:31:05.840
<v Speaker 1>been a really tough year for her, So shout out

1:31:05.840 --> 1:31:10.439
<v Speaker 1>to Toma Lapaine. All right, well you got a positive note. Yes,

1:31:10.520 --> 1:31:13.360
<v Speaker 1>and this comes from Arthur mel Robbins who's been on

1:31:13.400 --> 1:31:16.160
<v Speaker 1>the Breakfast Club before. She said, you don't let go

1:31:16.160 --> 1:31:18.519
<v Speaker 1>of a bad relationship because you stopped caring about them.

1:31:18.560 --> 1:31:21.600
<v Speaker 1>You let go because you finally start caring about yourself.

1:31:22.240 --> 1:31:24.960
<v Speaker 1>Breakfast Club, you're finish her. Y'all dumb,