1
00:00:01,480 --> 00:00:08,600
Speaker 1: The waldmust Stands Morning Show, the Breakfast Club. Y'all together,

2
00:00:08,840 --> 00:00:11,000
Speaker 1: y'all are like a mega for us. Y'all just took

3
00:00:11,000 --> 00:00:15,640
Speaker 1: over him without this, Chris Brown, I've officially joined the

4
00:00:15,680 --> 00:00:19,920
Speaker 1: Breakfast Club. Say something. I'm with it, Dan Morning Show,

5
00:00:20,000 --> 00:00:34,000
Speaker 1: Breakfast Club. He better call back with the good morning.

6
00:00:34,080 --> 00:00:37,239
Speaker 1: Everybody is DJ m vy Angela Yee, Charlomagne the guy.

7
00:00:37,280 --> 00:00:39,480
Speaker 1: We are the Breakfast Club. We got a special guest

8
00:00:39,560 --> 00:00:42,360
Speaker 1: in the building D rated difference to making David. Yes,

9
00:00:43,040 --> 00:00:44,680
Speaker 1: I get to be a special guest today. Thank you.

10
00:00:44,760 --> 00:00:46,199
Speaker 1: You know what. I keep going there, D rate like

11
00:00:46,280 --> 00:00:48,360
Speaker 1: you've have been the most popular D rate for a

12
00:00:48,400 --> 00:00:51,360
Speaker 1: long time. But then the activists came along. He snapped off.

13
00:00:51,360 --> 00:00:53,640
Speaker 1: But before we get into that must, I must say,

14
00:00:53,680 --> 00:00:57,320
Speaker 1: she looks beautiful. She looked like she looked she looked

15
00:00:57,320 --> 00:01:00,680
Speaker 1: on Empire, Empire. He looks good. I don't know if

16
00:01:00,680 --> 00:01:02,680
Speaker 1: I was supposed to say that, you know, some new

17
00:01:02,720 --> 00:01:05,119
Speaker 1: head from her now. No, it's more than it ain't

18
00:01:05,120 --> 00:01:06,800
Speaker 1: just the head. You look good. I I'm sorry, I

19
00:01:06,840 --> 00:01:14,720
Speaker 1: can't not. I'm playing it now. We're good. I had

20
00:01:14,760 --> 00:01:16,520
Speaker 1: to get that flirt out. I had to get that

21
00:01:16,560 --> 00:01:19,080
Speaker 1: flirt off. I never shot my shot at you before

22
00:01:19,680 --> 00:01:23,360
Speaker 1: DearS tapped the industry. By the way, no man happens,

23
00:01:23,440 --> 00:01:27,360
Speaker 1: heavy man, two girlfriends happened? Clues a lot? Yeah I have. Yes,

24
00:01:27,480 --> 00:01:30,240
Speaker 1: I'm very very committed. You got two girlfriends? Yeah? You

25
00:01:30,280 --> 00:01:31,880
Speaker 1: know I'll be talked about this one hundred times. You

26
00:01:31,920 --> 00:01:34,920
Speaker 1: don't listen to me? You do? You call people fat?

27
00:01:35,080 --> 00:01:38,160
Speaker 1: Say who ugly? Irritate rappers? That's all he's like to do.

28
00:01:38,240 --> 00:01:41,840
Speaker 1: Like if you ain't been irritated. You remember I have

29
00:01:41,959 --> 00:01:44,520
Speaker 1: two girlfriends? Well, you know sometimes you have a you

30
00:01:44,520 --> 00:01:46,440
Speaker 1: have been single? No, you haven't been sing a long time.

31
00:01:46,440 --> 00:01:51,000
Speaker 1: I just stop. But you've had a wife's in third grade.

32
00:01:51,720 --> 00:01:55,640
Speaker 1: Came out of the wound with a ring. He came

33
00:01:55,640 --> 00:01:59,680
Speaker 1: out with a family behind him. No, what happens is

34
00:01:59,720 --> 00:02:01,040
Speaker 1: you you when you single? Me? I was singing for

35
00:02:01,120 --> 00:02:03,000
Speaker 1: a long time, But then you meet people that you've

36
00:02:03,000 --> 00:02:05,640
Speaker 1: been liking, and then you're dating two different people at

37
00:02:05,680 --> 00:02:07,560
Speaker 1: the same time you're dating, and then who do you

38
00:02:07,600 --> 00:02:09,240
Speaker 1: tell yo, I don't want to date you no more.

39
00:02:09,280 --> 00:02:11,320
Speaker 1: I'm gonna try this. Do you tell a person going

40
00:02:11,360 --> 00:02:13,200
Speaker 1: the waiting room? No? So what I did is I

41
00:02:13,240 --> 00:02:15,400
Speaker 1: decided to be honest instead of getting my windows busted

42
00:02:15,440 --> 00:02:18,119
Speaker 1: and cars scratched up, and I said, hey, I want

43
00:02:18,120 --> 00:02:19,520
Speaker 1: to I want to try something. I don't know if

44
00:02:19,560 --> 00:02:22,240
Speaker 1: it's it's not you know, ain't ain't the usual program.

45
00:02:22,240 --> 00:02:24,160
Speaker 1: We're gonna get rid of killed, people gonna talk stuff.

46
00:02:24,360 --> 00:02:26,919
Speaker 1: But most men got two girlfriends anyway, they just don't

47
00:02:26,960 --> 00:02:29,200
Speaker 1: say it. And it worked like y'all go out together,

48
00:02:29,400 --> 00:02:35,440
Speaker 1: we go out together with friends, Yeah, yeah, friend funny

49
00:02:35,600 --> 00:02:38,760
Speaker 1: on Oxygen. Then that show alone caused a lot of

50
00:02:38,800 --> 00:02:42,440
Speaker 1: like hectic stuff because when it's just us and people

51
00:02:42,639 --> 00:02:44,959
Speaker 1: assuming what it might be. But once you're gonna TV

52
00:02:45,040 --> 00:02:46,160
Speaker 1: and say this is what it is. You know what

53
00:02:46,160 --> 00:02:48,560
Speaker 1: I mean with two people who don't really like Carol

54
00:02:48,639 --> 00:02:50,560
Speaker 1: is she's more into like TV and actor because she

55
00:02:50,560 --> 00:02:52,760
Speaker 1: comes from that world of hosting and she was in

56
00:02:53,040 --> 00:02:56,280
Speaker 1: pageant stuff. But Coco's more like she don't really long

57
00:02:56,360 --> 00:02:59,040
Speaker 1: beach check generally care about no TV. You know, people

58
00:02:59,080 --> 00:03:01,640
Speaker 1: start saying different stuff. You you know, to get the pump,

59
00:03:01,680 --> 00:03:03,440
Speaker 1: you're a pimp, you're player, and it made the words

60
00:03:03,440 --> 00:03:04,760
Speaker 1: you want. You know what It's like. It's like when

61
00:03:04,760 --> 00:03:06,960
Speaker 1: you with your girl and somebody like dang another one,

62
00:03:06,960 --> 00:03:09,720
Speaker 1: You're like, no, it's the same one, same girl. So yeah,

63
00:03:10,120 --> 00:03:13,720
Speaker 1: live together? Yeah, wow, d damn, who show about it?

64
00:03:13,760 --> 00:03:16,720
Speaker 1: Living with Funny? What it's like to live with a comedian? Yeah, me,

65
00:03:16,840 --> 00:03:20,320
Speaker 1: Branda T. Jackson Michael Blackson called live with Funny, But

66
00:03:20,360 --> 00:03:24,280
Speaker 1: I'm the only funny girl. To me, it's some poet

67
00:03:24,360 --> 00:03:26,680
Speaker 1: tone that and I'm y'all have y'all stay in the

68
00:03:26,680 --> 00:03:28,480
Speaker 1: same room or y'all split them up. It's like one side,

69
00:03:28,520 --> 00:03:30,200
Speaker 1: one side and you no, no, I mean they were

70
00:03:30,240 --> 00:03:32,799
Speaker 1: always since they were in the same yeah. Same. It

71
00:03:32,800 --> 00:03:35,000
Speaker 1: mean it's like same bad. Yeah. Yeah, but I mean everybody,

72
00:03:35,160 --> 00:03:40,360
Speaker 1: everybody needs to No, man, we don't no, no, no, no, no, no,

73
00:03:40,360 --> 00:03:42,360
Speaker 1: no, no no, we actually don't. We actually don't have we

74
00:03:42,400 --> 00:03:45,440
Speaker 1: Actually I've never ever had a three someomee them that

75
00:03:45,480 --> 00:03:48,360
Speaker 1: don't happen. Well, man, you know I have pushed, I've

76
00:03:48,520 --> 00:03:51,880
Speaker 1: asked sublimantly, you know what I'm saying. But you can't

77
00:03:51,920 --> 00:03:53,720
Speaker 1: force people in that kind of situation. It's like trying

78
00:03:53,720 --> 00:03:55,680
Speaker 1: to force your music on people. You know what I'm saying.

79
00:03:55,680 --> 00:03:57,960
Speaker 1: People gotta love the rhythm of it before they love it,

80
00:03:58,000 --> 00:04:00,440
Speaker 1: you know what I mean. The wives, Yeah, they come.

81
00:04:00,560 --> 00:04:02,520
Speaker 1: Everybody comfortable as a Woman's hard to put a cap

82
00:04:02,600 --> 00:04:04,520
Speaker 1: on it. Though we're already living together and you were

83
00:04:04,600 --> 00:04:07,920
Speaker 1: eating together and we're family have sex together. Yeah, I

84
00:04:07,920 --> 00:04:10,320
Speaker 1: mean I hear your brothers. I'm right there with you.

85
00:04:10,440 --> 00:04:12,760
Speaker 1: But now, why can't that now listen, why can't that

86
00:04:12,800 --> 00:04:15,720
Speaker 1: be enough? Okay, we're all all of us get together,

87
00:04:15,760 --> 00:04:17,520
Speaker 1: We're in a great relationship. Why do you have to

88
00:04:17,560 --> 00:04:19,000
Speaker 1: take it that stand? If you don't push, you know,

89
00:04:19,000 --> 00:04:21,239
Speaker 1: if you don't, If you don't push, nothing on nobody.

90
00:04:21,279 --> 00:04:23,479
Speaker 1: I feel like, man, honestly, man lot so much. Man,

91
00:04:23,560 --> 00:04:26,200
Speaker 1: we we we lot so much that when we start

92
00:04:26,240 --> 00:04:28,159
Speaker 1: telling the truth, it's gonna surprised women and a lot

93
00:04:28,400 --> 00:04:30,200
Speaker 1: This is gonna happen a lot more. I feel like

94
00:04:30,240 --> 00:04:32,080
Speaker 1: it Isn't there a ball player? Who's the ball player

95
00:04:32,120 --> 00:04:34,000
Speaker 1: that has to they alreays say lou Wing, But I

96
00:04:34,000 --> 00:04:37,479
Speaker 1: haven't seen his girls. I don't know this situation. I

97
00:04:37,480 --> 00:04:39,200
Speaker 1: don't know if he got good girls. I don't know

98
00:04:39,200 --> 00:04:40,960
Speaker 1: if they was because a lot of dudes got two

99
00:04:41,000 --> 00:04:43,320
Speaker 1: girls sometimes be like two strippers and they be two

100
00:04:43,600 --> 00:04:45,720
Speaker 1: this time to get married. You have two legit what

101
00:04:45,800 --> 00:04:48,640
Speaker 1: you until they look if gay people are able to

102
00:04:48,640 --> 00:04:51,120
Speaker 1: marry each other, I actubated marry my two girlfriends, but

103
00:04:51,320 --> 00:04:52,960
Speaker 1: at me should be legal. I don't understand that like

104
00:04:53,000 --> 00:04:55,480
Speaker 1: that get you yeah, you gat you can get married.

105
00:04:55,520 --> 00:04:57,960
Speaker 1: You go. You know, do you wake up on another man? Chance?

106
00:04:58,320 --> 00:05:00,320
Speaker 1: Two men? You should be able to wake up with

107
00:05:00,560 --> 00:05:04,880
Speaker 1: folk breasts. That's the fact. Two chests. What would you

108
00:05:04,880 --> 00:05:07,800
Speaker 1: think about it? Women? Well, I've been asked that a lot.

109
00:05:07,839 --> 00:05:10,200
Speaker 1: It's different for a woman because women are know it's different.

110
00:05:10,240 --> 00:05:14,080
Speaker 1: Women are internal. Everything goes inside of you. Things inside

111
00:05:14,200 --> 00:05:19,600
Speaker 1: men too. Sometimes trying to argue to double standard girls

112
00:05:19,680 --> 00:05:21,560
Speaker 1: all holes if they got more than one guy and

113
00:05:21,600 --> 00:05:23,480
Speaker 1: where not. I'm saying if you, I'm saying, if your

114
00:05:23,520 --> 00:05:26,960
Speaker 1: daddy walking on you when you got to two penises

115
00:05:27,120 --> 00:05:29,239
Speaker 1: on your forehead, he's not gonna be like, that's my girl.

116
00:05:29,480 --> 00:05:32,520
Speaker 1: And if the two guys are okay with it, though

117
00:05:33,000 --> 00:05:34,600
Speaker 1: most a lot of guys are, and that's why they

118
00:05:35,240 --> 00:05:36,960
Speaker 1: go to the strip club and they both leave with

119
00:05:37,600 --> 00:05:41,200
Speaker 1: one girl. Yeah, it's different. You know, it's a train train,

120
00:05:41,520 --> 00:05:46,400
Speaker 1: a woman's a train both at the same time. To true,

121
00:05:46,440 --> 00:05:48,880
Speaker 1: I know, I know girls like that and girls emotionally though,

122
00:05:48,920 --> 00:05:50,400
Speaker 1: I think can't deal with it all the time. I

123
00:05:50,400 --> 00:05:54,599
Speaker 1: think it's heavy on them. Davis the difference maker keeping lots.

124
00:05:54,600 --> 00:06:02,520
Speaker 1: It's a breakfast club. Good morning, the breakfast club? Is

125
00:06:02,520 --> 00:06:06,960
Speaker 1: it just me? Is it just me? Is this so

126
00:06:06,960 --> 00:06:09,960
Speaker 1: so good? I shouldn't have the morning? Everybody is dj

127
00:06:10,279 --> 00:06:12,400
Speaker 1: Envy angela ye shall I mean the guy we are

128
00:06:12,480 --> 00:06:15,160
Speaker 1: the breakfast Club special guests in the building, Mister d

129
00:06:15,320 --> 00:06:17,440
Speaker 1: ray Davis. How is it doing the show with Coker

130
00:06:17,480 --> 00:06:19,800
Speaker 1: and carried with it? Difficult for them, like to put

131
00:06:19,839 --> 00:06:22,720
Speaker 1: their their lives out like that. Initially it was very

132
00:06:22,720 --> 00:06:25,279
Speaker 1: difficult because everybody had come from like real families. They

133
00:06:25,279 --> 00:06:28,320
Speaker 1: don't come like anybody broke in did nobody Daddy disappeared

134
00:06:28,480 --> 00:06:30,440
Speaker 1: and people always say that where they fathers had and

135
00:06:30,480 --> 00:06:33,440
Speaker 1: all that. I mean, it's it's different. They once they

136
00:06:33,480 --> 00:06:35,440
Speaker 1: get around me, they're cool because they see it's more

137
00:06:35,480 --> 00:06:37,640
Speaker 1: like family and friendship. Like I'm not around him tone

138
00:06:37,680 --> 00:06:39,640
Speaker 1: kissing at the dinner table, both of them sitting on

139
00:06:39,640 --> 00:06:41,720
Speaker 1: my last like y'all should have raised them better like

140
00:06:42,520 --> 00:06:46,000
Speaker 1: that going on, It's really like I'm I'm really, I mean,

141
00:06:46,040 --> 00:06:47,719
Speaker 1: I'm their friend, man, I'm the friend first, and they

142
00:06:47,800 --> 00:06:50,479
Speaker 1: just having the men messed up so much that I'm

143
00:06:50,480 --> 00:06:53,360
Speaker 1: in a place now, I'm in a position man where

144
00:06:53,400 --> 00:06:55,520
Speaker 1: it's like it's comfortable. I didn't know. I thought it

145
00:06:55,560 --> 00:06:57,880
Speaker 1: was reality, but it's not. It's it's like a scripted

146
00:06:57,880 --> 00:07:00,360
Speaker 1: I'm scripted show that should became. Man, come on, man,

147
00:07:00,640 --> 00:07:02,120
Speaker 1: comedians in the room, all we're gonna do is talk

148
00:07:02,120 --> 00:07:03,520
Speaker 1: about each other. They had to stop that. Like we

149
00:07:03,800 --> 00:07:06,120
Speaker 1: first shot it like that, sitting at a round table

150
00:07:06,360 --> 00:07:08,760
Speaker 1: and dudes, what's going in? Man? People was dudes wanted

151
00:07:08,760 --> 00:07:11,320
Speaker 1: to fight. Man, you know how I talked to exactly

152
00:07:12,080 --> 00:07:15,120
Speaker 1: at people and I can fight. So this is different,

153
00:07:15,240 --> 00:07:16,520
Speaker 1: you know what I mean. I've seen you get that.

154
00:07:16,600 --> 00:07:18,880
Speaker 1: I've seen you out in Miami on the street getting

155
00:07:18,880 --> 00:07:20,840
Speaker 1: at somebody. So they ready to whoop your ass until

156
00:07:20,920 --> 00:07:22,920
Speaker 1: you just they could be ready all day, but ready

157
00:07:22,960 --> 00:07:24,840
Speaker 1: and prepare to two different things. But the thing I

158
00:07:24,880 --> 00:07:26,559
Speaker 1: like about dear, you don't be trying to be funny.

159
00:07:26,600 --> 00:07:28,480
Speaker 1: You just be talking like I hate comedians that try

160
00:07:28,520 --> 00:07:30,720
Speaker 1: to be fun for you ever go to the stove

161
00:07:30,840 --> 00:07:36,320
Speaker 1: talking about the stop right the chips is on the wall. Yeah,

162
00:07:36,800 --> 00:07:38,720
Speaker 1: that's because my comedy having on accident. Man, I walked

163
00:07:38,720 --> 00:07:40,520
Speaker 1: into comedy club of Saud. I never saw it on TV,

164
00:07:40,600 --> 00:07:42,040
Speaker 1: so I guess that had a lot to do with

165
00:07:42,080 --> 00:07:44,440
Speaker 1: it really yeahs walked in and seen the comedian on stage,

166
00:07:44,480 --> 00:07:46,920
Speaker 1: comedian named Shaha, and they started talking about my shirt

167
00:07:46,920 --> 00:07:49,080
Speaker 1: and I was mad as hell, so I started yelling back,

168
00:07:49,120 --> 00:07:51,480
Speaker 1: but I ain't. Nobody told them what the heckler was

169
00:07:51,800 --> 00:07:53,280
Speaker 1: and then I learned the next to the next week,

170
00:07:53,320 --> 00:07:54,440
Speaker 1: I went back and I was like, I want to

171
00:07:54,440 --> 00:07:56,080
Speaker 1: try this, and that's how it happened. So he went

172
00:07:56,160 --> 00:07:58,320
Speaker 1: up on stage and got at it. Yeah, my uncles

173
00:07:58,320 --> 00:07:59,920
Speaker 1: the bartender, so I was I just talked to the

174
00:08:00,040 --> 00:08:01,440
Speaker 1: d I was, I want to try this, you know.

175
00:08:01,480 --> 00:08:03,080
Speaker 1: I thought. I opened up with a funny rap that

176
00:08:03,120 --> 00:08:05,240
Speaker 1: didn't go. Then I ended up doing like just talking

177
00:08:05,240 --> 00:08:07,760
Speaker 1: about people. Men at Large was there. I roasted the group.

178
00:08:07,840 --> 00:08:11,840
Speaker 1: It was sitting there and being like you call people fat?

179
00:08:12,480 --> 00:08:14,080
Speaker 1: Then talking about my jokes. They told me they said

180
00:08:14,120 --> 00:08:15,480
Speaker 1: you need to have a notebook. They say you need

181
00:08:15,520 --> 00:08:17,480
Speaker 1: to open your notebook and get some new jokes. And

182
00:08:17,520 --> 00:08:18,760
Speaker 1: I was like, you just mad. This ain't a menu,

183
00:08:18,840 --> 00:08:21,400
Speaker 1: and that was it. After that, it was it was

184
00:08:21,440 --> 00:08:25,440
Speaker 1: a round man if hard hard in Chicago though, being funny,

185
00:08:25,600 --> 00:08:28,200
Speaker 1: I asked Dion Cold the same thing, because it's like

186
00:08:28,440 --> 00:08:31,280
Speaker 1: Chicago to a rough place. Well, Dion Man my big brother,

187
00:08:31,280 --> 00:08:33,240
Speaker 1: I mean a big brother like people people always is

188
00:08:33,320 --> 00:08:35,200
Speaker 1: my big brother wants say successful. You know what I'm saying.

189
00:08:35,920 --> 00:08:37,719
Speaker 1: Dione went to school my brother, so I knew Dean

190
00:08:37,800 --> 00:08:40,960
Speaker 1: since I was like twelve years old. And I've seen

191
00:08:41,040 --> 00:08:43,880
Speaker 1: Dione do the Cotton Club. Dion just a naturally funny dude.

192
00:08:44,160 --> 00:08:46,600
Speaker 1: You know, worked hard on his material. As far as me,

193
00:08:46,880 --> 00:08:48,840
Speaker 1: I feel like me being around him. I'm a lunch

194
00:08:48,880 --> 00:08:51,079
Speaker 1: room funny while I talked to you know, talk to

195
00:08:51,480 --> 00:08:53,120
Speaker 1: the mess in the room. I'm not great at writing.

196
00:08:53,160 --> 00:08:56,240
Speaker 1: It's sitting sitting around. But comedians man for what we

197
00:08:56,640 --> 00:08:59,040
Speaker 1: for what little opportunities comments getting Now, I'll say it's

198
00:08:59,480 --> 00:09:04,280
Speaker 1: hard animal comic view, death, jammin around, hurt their las.

199
00:09:04,280 --> 00:09:05,839
Speaker 1: I hope they do it because that'd be great for

200
00:09:05,920 --> 00:09:09,960
Speaker 1: these Oh yeah, it's all death digital type thing. Yeah, yeah, yeah,

201
00:09:09,960 --> 00:09:12,880
Speaker 1: that'd be good. Man Yeah, Tony rock Man, Yeah, that's good.

202
00:09:12,920 --> 00:09:16,719
Speaker 1: Good for Tony Man, Tony rock Man, Tony Man, Me

203
00:09:16,760 --> 00:09:19,600
Speaker 1: and Tony always we always compete with each other. I mean,

204
00:09:19,640 --> 00:09:22,679
Speaker 1: I'm just I'm funny. Yeah, Okay. Bottom line, any of

205
00:09:22,720 --> 00:09:24,840
Speaker 1: these comedians gonna stage, they got to go before me.

206
00:09:25,000 --> 00:09:27,440
Speaker 1: That's just what it is. It's not gonna turn outway.

207
00:09:28,720 --> 00:09:32,200
Speaker 1: You know. I don't think, Dear Andre, they keep he man,

208
00:09:32,240 --> 00:09:35,679
Speaker 1: they keep, that's for sure. That don't change. I don't

209
00:09:35,720 --> 00:09:37,640
Speaker 1: think it's that man. I think this kind of conversation

210
00:09:37,640 --> 00:09:40,760
Speaker 1: the way I talk now ain't accepted in the comedy community.

211
00:09:40,840 --> 00:09:43,560
Speaker 1: As rappids, you can brag. As a ball player, you

212
00:09:43,720 --> 00:09:46,760
Speaker 1: brag a little bit, but as a comedian, you've been disrespectful,

213
00:09:46,760 --> 00:09:49,800
Speaker 1: and everybody funny is different. I'm like, no, gonna stage,

214
00:09:49,840 --> 00:09:51,480
Speaker 1: do you know ten minutes? We can go back and

215
00:09:51,520 --> 00:09:54,080
Speaker 1: forth and see who lasts longest on stage doing ten manute.

216
00:09:54,080 --> 00:09:56,640
Speaker 1: That's just how I love the art. To compete, and

217
00:09:56,760 --> 00:09:59,520
Speaker 1: I love to compete. And that's most comedians are self deprecating.

218
00:09:59,559 --> 00:10:01,800
Speaker 1: You're not so defrecating, yeah, man, because we gotta be.

219
00:10:01,880 --> 00:10:05,840
Speaker 1: Most commedian is ugly. They just get Most comedians got

220
00:10:05,920 --> 00:10:09,520
Speaker 1: cute after they made it, then they handsome. But you

221
00:10:09,679 --> 00:10:13,760
Speaker 1: was starkly. Come on, man, come on, parents made horrible

222
00:10:13,760 --> 00:10:17,840
Speaker 1: decisions and look for us to do comedy. Man, you

223
00:10:17,880 --> 00:10:23,000
Speaker 1: are man. I just don't. I'm about to call him

224
00:10:25,000 --> 00:10:27,120
Speaker 1: man sitting next to him. No, I mean, man, he

225
00:10:27,240 --> 00:10:30,560
Speaker 1: always do this. Ray Davis keeping locks. It's the Breakfast Club.

226
00:10:30,559 --> 00:10:35,440
Speaker 1: Good morning, Happy holidays, Wishing you and your family the

227
00:10:35,559 --> 00:10:37,720
Speaker 1: very best this holiday season from all of us here

228
00:10:37,840 --> 00:10:43,439
Speaker 1: at the Breakfast Club. The Breakfast Club. That's right, it's

229
00:10:43,480 --> 00:10:46,120
Speaker 1: the Breakfast Club. Good morning. We have d Ray Davis.

230
00:10:46,200 --> 00:10:48,160
Speaker 1: You Gotta Girl out coming. I heard that's coming in August.

231
00:10:48,200 --> 00:10:49,880
Speaker 1: I have no idea when that's coming out. That's that.

232
00:10:49,960 --> 00:10:52,000
Speaker 1: You shoot a lot of movies that don't come out,

233
00:10:53,320 --> 00:10:57,000
Speaker 1: and it's never Why is that though? I have made

234
00:10:57,040 --> 00:10:58,600
Speaker 1: with someone because I go get all the money. They

235
00:10:58,600 --> 00:11:00,199
Speaker 1: want to shoot, We're gonna shoot, but I tell don't

236
00:11:00,200 --> 00:11:01,520
Speaker 1: know why we shooting. I don't know if this is

237
00:11:01,559 --> 00:11:04,360
Speaker 1: coming out. Yeah. He did a couple episodes of Empire.

238
00:11:04,360 --> 00:11:07,400
Speaker 1: You were Gonna Empire that they killed you? Yeah they did, man, Yeah,

239
00:11:07,440 --> 00:11:08,960
Speaker 1: I was yeah. Man. I was excited to be on

240
00:11:08,960 --> 00:11:10,680
Speaker 1: that show too, because John Singleton called me put me

241
00:11:10,679 --> 00:11:12,080
Speaker 1: on that he wanted me to do. I did his

242
00:11:12,200 --> 00:11:15,040
Speaker 1: um FX show Snowfall, and he wanted me to play

243
00:11:15,080 --> 00:11:17,480
Speaker 1: like the main drug dealing cat on there, and he

244
00:11:17,559 --> 00:11:20,880
Speaker 1: was basically the casting people um or IF Foxes at

245
00:11:20,880 --> 00:11:23,520
Speaker 1: the time didn't think I could play that serious of character.

246
00:11:23,559 --> 00:11:25,080
Speaker 1: So he wanted to show them by putting me on

247
00:11:25,160 --> 00:11:32,400
Speaker 1: Empire City. Yeah yeah, and show my stomach. I'd have

248
00:11:32,440 --> 00:11:35,359
Speaker 1: lost all my fans. I'll try to keep my situations.

249
00:11:35,480 --> 00:11:36,640
Speaker 1: You know what I'm saying. I don't. I don't say

250
00:11:36,679 --> 00:11:38,839
Speaker 1: up outside of my boundaries. You know, I'm a shirt

251
00:11:38,880 --> 00:11:44,760
Speaker 1: on sex type of guy. You get shirt on shirt socks, lit. Yeah, lit.

252
00:11:45,320 --> 00:11:47,320
Speaker 1: Our interns did research for you, right, And I don't

253
00:11:47,320 --> 00:11:49,040
Speaker 1: know what this means, but they said, you've been vocal

254
00:11:49,080 --> 00:11:52,280
Speaker 1: about being a gay ally. I don't know what that means.

255
00:11:52,320 --> 00:11:53,839
Speaker 1: But he said, you said, if you said, if I

256
00:11:53,920 --> 00:11:56,600
Speaker 1: see two gay people fighting, what I helped him? I

257
00:11:56,600 --> 00:11:58,360
Speaker 1: guess I would guess that was a joke. They must

258
00:11:58,360 --> 00:12:00,520
Speaker 1: have heard of something. I guess, yeah. I don't have

259
00:12:00,559 --> 00:12:04,400
Speaker 1: no idea. And what is gay like? Like when I

260
00:12:04,440 --> 00:12:06,600
Speaker 1: go marching for gay people? And said, you've been vocal

261
00:12:06,640 --> 00:12:09,640
Speaker 1: about your being a gay allied, that problem gay discrimination

262
00:12:09,679 --> 00:12:12,120
Speaker 1: in the community, in the comedy community. What made you

263
00:12:12,160 --> 00:12:14,920
Speaker 1: be such a vocal ally for the LGBT community, I'm like, wow,

264
00:12:15,000 --> 00:12:19,600
Speaker 1: all right, well let's get into it. No allies like

265
00:12:19,679 --> 00:12:21,640
Speaker 1: in the in the US government, A friend, I would

266
00:12:21,679 --> 00:12:23,719
Speaker 1: say that whatever people want to do, like I've been

267
00:12:23,800 --> 00:12:26,440
Speaker 1: vocal about you can't go on stage and people starts

268
00:12:26,480 --> 00:12:29,160
Speaker 1: going from gay bash or gayest or I can't say

269
00:12:29,200 --> 00:12:33,160
Speaker 1: nothing bad about people without having something good positive to say. Also,

270
00:12:33,240 --> 00:12:35,640
Speaker 1: on that side of it, I'm saying because you growing up,

271
00:12:35,840 --> 00:12:37,880
Speaker 1: yeah gotta be. I mean when I first got to

272
00:12:38,040 --> 00:12:42,000
Speaker 1: LA I literally thought that was a disease when I

273
00:12:42,040 --> 00:12:43,880
Speaker 1: see it, because I'm from Chicago. You don't just be

274
00:12:43,960 --> 00:12:45,520
Speaker 1: like I'm gonna be like oh. I was like, Oh.

275
00:12:45,760 --> 00:12:48,800
Speaker 1: Then my building manager, Steve let me know he ain't

276
00:12:48,840 --> 00:12:51,120
Speaker 1: want none from me. He was like, dude, you think

277
00:12:51,120 --> 00:12:53,560
Speaker 1: just because a gay dude, look, he's every gay dude.

278
00:12:53,559 --> 00:12:56,200
Speaker 1: Don't want you anybody looking at you. He's letting me

279
00:12:56,280 --> 00:12:58,960
Speaker 1: know that, you know. And he ended up being somebody

280
00:12:59,000 --> 00:13:02,160
Speaker 1: when I was getting evicted, when I was wasn't touring.

281
00:13:02,600 --> 00:13:05,319
Speaker 1: He's somebody that was like, YO, talk to me about

282
00:13:05,320 --> 00:13:08,040
Speaker 1: the business of owning my own my own building's my

283
00:13:08,080 --> 00:13:10,600
Speaker 1: own thing. And this is conversation coming from a man

284
00:13:10,600 --> 00:13:13,319
Speaker 1: who I would never even let talk to me, judging

285
00:13:13,840 --> 00:13:15,520
Speaker 1: by how I was raised and how you know, because

286
00:13:15,559 --> 00:13:17,800
Speaker 1: we was little, you cast somebody, Hey, you fought right away,

287
00:13:17,960 --> 00:13:19,400
Speaker 1: and in the bad part that somebody, the kids you

288
00:13:19,480 --> 00:13:21,760
Speaker 1: call gay and really was, but they was ashamed to

289
00:13:21,800 --> 00:13:25,360
Speaker 1: say they was. I would say, yeah, I would say that.

290
00:13:26,600 --> 00:13:28,000
Speaker 1: I mean, you know, it's funny because you said you

291
00:13:28,040 --> 00:13:29,679
Speaker 1: come from Chicagos when it was new to you, when

292
00:13:29,679 --> 00:13:31,680
Speaker 1: you saw it in LA. That's how I feel about

293
00:13:31,720 --> 00:13:34,320
Speaker 1: transgender women. I feel that's saying that's another new but

294
00:13:34,360 --> 00:13:36,480
Speaker 1: you know it's it's still And right now I don't

295
00:13:36,520 --> 00:13:38,360
Speaker 1: know how to answer that yet because I haven't. I

296
00:13:38,360 --> 00:13:40,559
Speaker 1: don't want to say been around I have now. I

297
00:13:40,559 --> 00:13:42,040
Speaker 1: don't want to have an issue it because that would

298
00:13:42,040 --> 00:13:44,000
Speaker 1: take me Does that take me against what I was saying? Really?

299
00:13:44,240 --> 00:13:45,959
Speaker 1: Because I gotta ask you with it too, Okay, I don't.

300
00:13:46,000 --> 00:13:47,439
Speaker 1: I want to know. Man, they got to be different.

301
00:13:47,440 --> 00:13:48,880
Speaker 1: But like cause you go to some of these clubs

302
00:13:48,880 --> 00:13:51,360
Speaker 1: in New York and it'd be the glass. This dude

303
00:13:51,400 --> 00:13:55,080
Speaker 1: crossed from me who is transgender. Doesn't mean they want you.

304
00:13:56,960 --> 00:13:58,559
Speaker 1: But I think I think going to the I think

305
00:13:58,559 --> 00:14:01,360
Speaker 1: the bathroom is yours, say you place, But any decision

306
00:14:01,400 --> 00:14:03,280
Speaker 1: you're make in life, and I mean as any decision

307
00:14:03,400 --> 00:14:05,880
Speaker 1: make from let's say, y'all, y'all artists in here, and

308
00:14:06,000 --> 00:14:08,880
Speaker 1: I mean that realisticly, y'all y'all, DJ's, y'all artists, y'all

309
00:14:09,080 --> 00:14:10,800
Speaker 1: on the radio. When you make a decision like today

310
00:14:10,840 --> 00:14:12,480
Speaker 1: you decide to wear your hair like that, the attention

311
00:14:12,520 --> 00:14:14,120
Speaker 1: you get from where your hair like that, it's different

312
00:14:14,120 --> 00:14:15,960
Speaker 1: than when you come in if you feel a little different.

313
00:14:15,960 --> 00:14:19,640
Speaker 1: So we should accept this attention we're asking for wherever

314
00:14:19,680 --> 00:14:21,480
Speaker 1: we're dressing. How are we looking like if if I

315
00:14:21,560 --> 00:14:23,840
Speaker 1: come I got my hoodie on and I see four

316
00:14:23,880 --> 00:14:27,080
Speaker 1: white people across the street, I asked for this attention

317
00:14:27,120 --> 00:14:29,600
Speaker 1: with my hoodie on, all dark clothes middle of the night.

318
00:14:29,960 --> 00:14:32,680
Speaker 1: You have to your environment is important to the decision

319
00:14:32,680 --> 00:14:34,400
Speaker 1: and make a gym with a hoodie on at night?

320
00:14:34,520 --> 00:14:36,880
Speaker 1: True too, but you can'tnot. You gotta be aware you

321
00:14:36,640 --> 00:14:38,680
Speaker 1: got away at all times. That's all I mean. That's

322
00:14:38,720 --> 00:14:41,920
Speaker 1: all other people's prejudices, not even just a prejudice of

323
00:14:41,960 --> 00:14:44,680
Speaker 1: what you're You gotta be aware of how you're being perceived, right,

324
00:14:44,680 --> 00:14:46,160
Speaker 1: that's a pret like people look at you and they

325
00:14:46,200 --> 00:14:48,520
Speaker 1: have a certain like amber Rose is the slut wall.

326
00:14:48,560 --> 00:14:50,760
Speaker 1: I think the name is strength in the name of

327
00:14:50,840 --> 00:14:52,400
Speaker 1: what you're trying to do, but I think it's other

328
00:14:52,440 --> 00:14:55,120
Speaker 1: ways to present it. But it also wasn't something she invented.

329
00:14:55,120 --> 00:14:57,960
Speaker 1: It was something that's been going on before that andantry

330
00:14:58,040 --> 00:15:00,080
Speaker 1: so I think just the fact that it was a

331
00:15:00,160 --> 00:15:02,160
Speaker 1: rose that did it, that's what made it. Yeah, a

332
00:15:02,200 --> 00:15:03,800
Speaker 1: lot of people have got a lot more attention to

333
00:15:03,880 --> 00:15:05,600
Speaker 1: it too. At the same time, true, I just think

334
00:15:05,600 --> 00:15:07,680
Speaker 1: the attention that you, Megan she why are you bringing

335
00:15:07,680 --> 00:15:11,120
Speaker 1: my hame out? It's the it's the whatever you whatever

336
00:15:11,160 --> 00:15:13,320
Speaker 1: you bring in, whatever you act, whatever you have around

337
00:15:13,360 --> 00:15:15,360
Speaker 1: you meet with the two girlfriends. I walked into a

338
00:15:15,400 --> 00:15:17,640
Speaker 1: conversation about two girlfriends, right, you know what I'm saying,

339
00:15:17,680 --> 00:15:20,720
Speaker 1: And somebody somewhere going, oh, he got two girlfriends? What

340
00:15:20,960 --> 00:15:23,480
Speaker 1: is this world coming to? It's a trans trand ginger

341
00:15:23,520 --> 00:15:25,720
Speaker 1: person going, I only got one person I love? But

342
00:15:25,760 --> 00:15:28,640
Speaker 1: what's wrong with d Ray? So exactly? Also coming back,

343
00:15:28,760 --> 00:15:31,240
Speaker 1: joking off, come back. Twenty episodes and you're on tour

344
00:15:31,360 --> 00:15:33,600
Speaker 1: right now, on tour, the Funniest Fact Tour. Get ready

345
00:15:33,600 --> 00:15:36,560
Speaker 1: to shoot another special Finally, the Funniest Fat Tour. Funniest

346
00:15:36,560 --> 00:15:41,400
Speaker 1: Fat Man, say it right for me again. Funny as

347
00:15:41,480 --> 00:15:44,960
Speaker 1: fact man. She can funny too, d Ray Davis, we

348
00:15:44,960 --> 00:15:47,880
Speaker 1: appreciate you joining us. Thank y'all. Usual, it's the breakfast Club.

349
00:15:47,920 --> 00:15:52,720
Speaker 1: Good morning, what's up y'alls? Angela ye, wishing you and

350
00:15:52,840 --> 00:15:55,960
Speaker 1: your family the very best sut holiday season from all

351
00:15:56,000 --> 00:16:01,920
Speaker 1: of us here at the Breakfast clubs the Breakfast Club. Oh,

352
00:16:02,880 --> 00:16:06,600
Speaker 1: everybody is DJ Mzy, Angela Yee, Charlotmagne the guy. We

353
00:16:06,640 --> 00:16:08,880
Speaker 1: are to Breakfast Club. We got a special guests in

354
00:16:08,920 --> 00:16:14,320
Speaker 1: the building. Mister sweet. Can't say that we talking about right.

355
00:16:15,080 --> 00:16:18,000
Speaker 1: They can believe it. They can believe it. I can't

356
00:16:18,000 --> 00:16:20,240
Speaker 1: say it like you nowhere. How you gotta put this,

357
00:16:20,280 --> 00:16:21,960
Speaker 1: you gotta put this wag on it said? I mean,

358
00:16:21,960 --> 00:16:27,800
Speaker 1: he said practice. That's how that's sound good to me.

359
00:16:28,440 --> 00:16:31,080
Speaker 1: I don't know about y'all. That sounded good head more

360
00:16:31,120 --> 00:16:33,600
Speaker 1: than what's up it? Uh? Now do you feel like

361
00:16:33,920 --> 00:16:35,880
Speaker 1: you got a bigger buzz now because of social media

362
00:16:35,920 --> 00:16:38,440
Speaker 1: than you ever did because of the music. I don't know.

363
00:16:38,640 --> 00:16:41,400
Speaker 1: I think when numbers come out, I bear to tell you, yeah,

364
00:16:41,520 --> 00:16:43,320
Speaker 1: so that happen. I don't really know, Like I don't

365
00:16:43,520 --> 00:16:45,440
Speaker 1: like I always I don't get caught up in what

366
00:16:45,560 --> 00:16:48,520
Speaker 1: ain't real for real, like it's about translating and making

367
00:16:48,560 --> 00:16:50,960
Speaker 1: all the work for you. So until the numbers come out,

368
00:16:50,960 --> 00:16:53,240
Speaker 1: when the next album come out, I tell you the

369
00:16:53,320 --> 00:16:56,960
Speaker 1: buzzs is bigger than not. It feel bigger. You feel

370
00:16:57,000 --> 00:16:58,360
Speaker 1: like when you're in the airport, people feel like if

371
00:16:58,360 --> 00:16:59,960
Speaker 1: they could just run up on you and stay any

372
00:17:00,080 --> 00:17:02,680
Speaker 1: thing and do anything. Now that's the aura. I feel

373
00:17:02,720 --> 00:17:05,320
Speaker 1: like that's would make my situation unique. It's a personal

374
00:17:05,320 --> 00:17:07,480
Speaker 1: connection between me and the people that support me. So

375
00:17:07,880 --> 00:17:10,160
Speaker 1: it's kind of like a no, no, whole bass situation

376
00:17:10,240 --> 00:17:13,919
Speaker 1: with me, Like sometimes I'm an over accessible guy. Now

377
00:17:13,960 --> 00:17:15,920
Speaker 1: that Color of Money situation. They ain't help you like that.

378
00:17:15,960 --> 00:17:17,920
Speaker 1: They ain't stop your interaction with the fans, like, yeah,

379
00:17:17,960 --> 00:17:19,119
Speaker 1: I don't want you all that close to me, no

380
00:17:19,160 --> 00:17:20,560
Speaker 1: more than when you say Color of Money and breaking

381
00:17:20,560 --> 00:17:23,040
Speaker 1: down when you was on the stage and the dude

382
00:17:23,080 --> 00:17:25,680
Speaker 1: grabbed you or whatever, you know what. And it's I

383
00:17:25,720 --> 00:17:27,919
Speaker 1: guess it's probably my first time with the story. That

384
00:17:28,000 --> 00:17:30,239
Speaker 1: story that was that was one of them situations that

385
00:17:30,920 --> 00:17:33,840
Speaker 1: for me a million times. It'll probably happened to me

386
00:17:33,880 --> 00:17:36,760
Speaker 1: a million times because it was another situation. Came on

387
00:17:36,800 --> 00:17:40,160
Speaker 1: stage and walk fans everybody grabbed you, brought them up. Yeah,

388
00:17:40,160 --> 00:17:42,280
Speaker 1: like it was I was surfing through the crowd, I

389
00:17:42,320 --> 00:17:45,080
Speaker 1: was on top of security shoulders and they was mushing

390
00:17:45,080 --> 00:17:47,280
Speaker 1: to dude, and they kind of end up choking them out.

391
00:17:47,280 --> 00:17:49,159
Speaker 1: So I kind of seen what the altercation was going on.

392
00:17:49,200 --> 00:17:51,000
Speaker 1: So when I got on the stage, I stopped the

393
00:17:51,000 --> 00:17:53,560
Speaker 1: show and I told them to go get dude, like

394
00:17:53,560 --> 00:17:55,160
Speaker 1: they're kicking out of the clubs. I said, man, brain,

395
00:17:55,240 --> 00:17:57,480
Speaker 1: dude back in. He can stand on the stage with me, like,

396
00:17:57,480 --> 00:17:59,160
Speaker 1: That's one of my policies when I'm when I'm performing,

397
00:17:59,200 --> 00:18:01,280
Speaker 1: all let nobody get got the club. So when he

398
00:18:01,320 --> 00:18:03,480
Speaker 1: came on stage, secured him was like, you wanted to

399
00:18:03,520 --> 00:18:04,760
Speaker 1: come up on hog Lege, I said, yeah, come on.

400
00:18:04,760 --> 00:18:06,080
Speaker 1: He was stand back in the drinking a look at

401
00:18:06,119 --> 00:18:07,280
Speaker 1: with me. So when he came up there, he was

402
00:18:07,280 --> 00:18:08,919
Speaker 1: just talking like, man, I love you. You You know if

403
00:18:08,960 --> 00:18:10,600
Speaker 1: I had to get kicked out behind you, bron care,

404
00:18:10,640 --> 00:18:12,000
Speaker 1: I'd love you. I just wanted touch your hand. So

405
00:18:12,040 --> 00:18:14,160
Speaker 1: I was like cool. So we were talking. I said,

406
00:18:14,160 --> 00:18:15,800
Speaker 1: all right, man, listen that stand back then and drink

407
00:18:15,800 --> 00:18:17,480
Speaker 1: the looking and you know I'd save you from getting

408
00:18:17,520 --> 00:18:19,679
Speaker 1: kicked out the club doesn't be good. So at that

409
00:18:19,720 --> 00:18:22,679
Speaker 1: point somebody I ended up saying, plies, I love you.

410
00:18:22,880 --> 00:18:24,800
Speaker 1: I ended up looking off. When I looked off, I

411
00:18:24,880 --> 00:18:27,119
Speaker 1: see I felt somebody grab me when he grabbed me,

412
00:18:27,160 --> 00:18:28,520
Speaker 1: I ain't knowing it. If he picking me up because

413
00:18:28,520 --> 00:18:30,000
Speaker 1: he loved me, if he's picking me up because we

414
00:18:30,480 --> 00:18:36,439
Speaker 1: had had question. It wasn't so when he picked me up.

415
00:18:36,480 --> 00:18:38,159
Speaker 1: When he picked me up by that snapped though. At

416
00:18:38,200 --> 00:18:40,400
Speaker 1: this point it wasn't even about trying to figure out

417
00:18:40,440 --> 00:18:41,800
Speaker 1: why he was picking me up. So when he picked

418
00:18:41,840 --> 00:18:43,680
Speaker 1: me up, I felt myself going off stage. When I

419
00:18:43,720 --> 00:18:46,200
Speaker 1: felt myself going off stage, I just turned. When I turned,

420
00:18:46,440 --> 00:18:48,280
Speaker 1: I fell on top of him. His back hit the reil,

421
00:18:48,359 --> 00:18:49,800
Speaker 1: and his back hit the reil. I just took off

422
00:18:49,840 --> 00:18:52,239
Speaker 1: at that point. It was just my mom called him

423
00:18:52,240 --> 00:18:54,359
Speaker 1: with a quick sick about four five. And I always

424
00:18:54,359 --> 00:18:56,320
Speaker 1: tell people, short man, just for the registrate, how much

425
00:18:56,320 --> 00:18:58,720
Speaker 1: you away like one eighty. Yeah, you can't whoop me

426
00:18:58,800 --> 00:19:04,720
Speaker 1: anything una too hardly, anything too humble. I'm whipping anything

427
00:19:04,760 --> 00:19:06,920
Speaker 1: with hand with these I'm whipping anything on the too humble.

428
00:19:07,320 --> 00:19:09,280
Speaker 1: If you're over too humbled, we got to handle it

429
00:19:09,359 --> 00:19:12,760
Speaker 1: a little different. So that situation is really how I happened.

430
00:19:12,800 --> 00:19:14,879
Speaker 1: But it's you know, it's one of them situations with me.

431
00:19:14,920 --> 00:19:17,280
Speaker 1: When I look back at it, it would have happened

432
00:19:17,280 --> 00:19:19,000
Speaker 1: to me a million times and I kind of go

433
00:19:19,040 --> 00:19:20,600
Speaker 1: through that with my brother. Right now, I'm saying, I know,

434
00:19:20,680 --> 00:19:22,480
Speaker 1: kids gotta be like rush stop blecking these boys. You

435
00:19:22,480 --> 00:19:25,119
Speaker 1: don'tunderstand didn't get cleared. Yeah, but it's kind of your philosophy.

436
00:19:25,200 --> 00:19:26,920
Speaker 1: Can I kind of hear you talk about it, then

437
00:19:27,200 --> 00:19:29,359
Speaker 1: you know you don't really trust us too much. I

438
00:19:29,400 --> 00:19:34,800
Speaker 1: don't trust n't trust us experience, but I still do

439
00:19:34,960 --> 00:19:36,840
Speaker 1: on the orders that I see that when he performs,

440
00:19:37,000 --> 00:19:38,520
Speaker 1: and I've been in a couple of clubs, when he

441
00:19:38,560 --> 00:19:41,040
Speaker 1: goes in the crowd, it doesn't matter what hood it

442
00:19:41,119 --> 00:19:42,720
Speaker 1: is where it's that he goes in the crowd with

443
00:19:42,720 --> 00:19:45,360
Speaker 1: his Julio, he performs, he into acts with them. But

444
00:19:45,000 --> 00:19:47,560
Speaker 1: it's but to be clear, it's about a system. Like

445
00:19:47,920 --> 00:19:50,040
Speaker 1: I think I've seen the Pope Hill. Somebody could have

446
00:19:50,040 --> 00:19:51,840
Speaker 1: shot at him. He didn't stopped that, right, you know,

447
00:19:51,880 --> 00:19:54,080
Speaker 1: somebody shot at him. Now when it when it's shooting halbum,

448
00:19:54,520 --> 00:19:56,920
Speaker 1: it's about what happens after that. So I feel like

449
00:19:56,960 --> 00:19:59,320
Speaker 1: I got a system in place for both of them now.

450
00:19:59,800 --> 00:20:01,320
Speaker 1: But but at the end of the day, that was

451
00:20:01,359 --> 00:20:02,639
Speaker 1: just one of the ones. It was it was it

452
00:20:02,680 --> 00:20:04,840
Speaker 1: was a crash to find some security guards after that,

453
00:20:04,880 --> 00:20:07,439
Speaker 1: Like and that was crazy because when people said it,

454
00:20:07,800 --> 00:20:10,600
Speaker 1: my security had just went to jail on OHAYO. I

455
00:20:10,680 --> 00:20:12,760
Speaker 1: ended up going to that show with one person with me. Yeah,

456
00:20:12,800 --> 00:20:14,879
Speaker 1: we got stopped like right outside of Tella has the

457
00:20:14,880 --> 00:20:16,800
Speaker 1: same night, So I knew all this was meant to

458
00:20:16,800 --> 00:20:19,359
Speaker 1: happen because the security we actually almost didn't make the

459
00:20:19,359 --> 00:20:22,280
Speaker 1: show on Tell Hassa and my security went to jail.

460
00:20:22,359 --> 00:20:24,560
Speaker 1: I still end up making it to the venue and

461
00:20:24,680 --> 00:20:26,760
Speaker 1: everybody who knows Teller hasa to call us them. They

462
00:20:26,840 --> 00:20:28,680
Speaker 1: got glad that it isn't though like them boys really

463
00:20:28,680 --> 00:20:31,440
Speaker 1: get it down. But I put them in a bad situation, coach.

464
00:20:31,800 --> 00:20:34,200
Speaker 1: They hadn't kicked dude without right. I'm kind of making

465
00:20:34,240 --> 00:20:36,840
Speaker 1: them go against day policy bringing them back in showing

466
00:20:36,960 --> 00:20:39,040
Speaker 1: love and it was just kind of one of them situations.

467
00:20:39,080 --> 00:20:40,800
Speaker 1: So I put them in a bad situation really, And

468
00:20:40,800 --> 00:20:42,800
Speaker 1: it has to be difficult too because you've gone through

469
00:20:42,840 --> 00:20:46,320
Speaker 1: situations with lawsuits, right, and you never know what could

470
00:20:46,320 --> 00:20:48,760
Speaker 1: happen if somebody decides to sue. It's not even your fault,

471
00:20:48,840 --> 00:20:51,119
Speaker 1: you just was there, But it half my I was

472
00:20:51,119 --> 00:20:52,560
Speaker 1: posed to happen because I know if I had my

473
00:20:52,600 --> 00:20:55,600
Speaker 1: people's I probably wouldn't even Yeah, yeah, yeah, that's the

474
00:20:55,760 --> 00:20:57,560
Speaker 1: people asked me what I regret about that situation? If

475
00:20:57,560 --> 00:20:59,240
Speaker 1: I could change something, what would what it would be?

476
00:20:59,240 --> 00:21:01,760
Speaker 1: Because I didn't kill him? Like, that's how that's my politive.

477
00:21:05,240 --> 00:21:06,800
Speaker 1: That's the only thing I would change about it. Ain't

478
00:21:07,720 --> 00:21:10,679
Speaker 1: that's political? Yeah, you can ask people around. That's policy.

479
00:21:10,760 --> 00:21:13,119
Speaker 1: If we get into something, they don't die, everybody get fucked.

480
00:21:16,280 --> 00:21:18,399
Speaker 1: Was spreading that best. That's if you're gonna work for me.

481
00:21:18,440 --> 00:21:21,000
Speaker 1: That's what policy is. If we get into something. Ever,

482
00:21:21,359 --> 00:21:27,960
Speaker 1: if he don't die, everybody fuck anybody. You don't think everybody.

483
00:21:28,200 --> 00:21:30,200
Speaker 1: I don't think that. You don't think that. Now, well

484
00:21:30,720 --> 00:21:32,879
Speaker 1: that's how you roll. That ain't high roll. Let me

485
00:21:32,880 --> 00:21:36,119
Speaker 1: ask about Kirk Frank, let's give some positivities. Did you

486
00:21:36,160 --> 00:21:40,720
Speaker 1: ever me Kurt y'all seen when he was in trouble?

487
00:21:40,960 --> 00:21:42,480
Speaker 1: Not really you asked him to come to the strip,

488
00:21:42,600 --> 00:21:44,880
Speaker 1: Kurt trying to kind of I heard I heard Kurt

489
00:21:44,960 --> 00:21:47,399
Speaker 1: kind of backtrack on what he said. He told me

490
00:21:47,440 --> 00:21:49,399
Speaker 1: thought I was talking about something else or something I

491
00:21:49,440 --> 00:21:56,960
Speaker 1: would talking about King and Hurt. I don't talk about

492
00:21:56,960 --> 00:21:59,520
Speaker 1: cutting the big joke joke. I was talking my King.

493
00:21:59,760 --> 00:22:03,000
Speaker 1: I'm I'm telling yeah, I felt like it was a

494
00:22:03,000 --> 00:22:05,360
Speaker 1: good People always told me about me and him looked

495
00:22:05,359 --> 00:22:07,280
Speaker 1: alike and we favor and all that, so you know,

496
00:22:07,280 --> 00:22:09,800
Speaker 1: I always was was a fan of what it was

497
00:22:09,840 --> 00:22:11,359
Speaker 1: that he did. I ain't never gotten into the gospel

498
00:22:11,359 --> 00:22:13,560
Speaker 1: of music thing, but I thought it was a good,

499
00:22:14,119 --> 00:22:20,960
Speaker 1: awful You never shot nobody to stomp. Yeah, yeah, that's

500
00:22:20,960 --> 00:22:22,359
Speaker 1: the damn that's the little thing you did. No, No,

501
00:22:22,400 --> 00:22:23,919
Speaker 1: I ain't never did that. Now if he if he

502
00:22:23,960 --> 00:22:25,240
Speaker 1: did go to kick it, Domons, would you go to

503
00:22:25,320 --> 00:22:28,120
Speaker 1: church with him? Absolutely, He's he's a man in his word,

504
00:22:28,119 --> 00:22:31,200
Speaker 1: it did, I'll go. I'll go with her. Absolutely, No applies.

505
00:22:31,359 --> 00:22:33,360
Speaker 1: Now we all want to know it's Angeli the inspiration

506
00:22:33,400 --> 00:22:37,280
Speaker 1: for people Saturday. I hope some of them girls seem

507
00:22:37,359 --> 00:22:39,520
Speaker 1: nasty that you'd be talking about. So let's hope. No,

508
00:22:39,720 --> 00:22:42,000
Speaker 1: you know what, and you know the word. I'm sure

509
00:22:42,280 --> 00:22:44,280
Speaker 1: you and Angelot was a couple or it's a couple

510
00:22:44,440 --> 00:22:46,880
Speaker 1: or something. You know what. When ye people don't really

511
00:22:46,960 --> 00:22:48,960
Speaker 1: understand that. I always told her if I ever candidate show,

512
00:22:49,000 --> 00:22:50,879
Speaker 1: I was gonna say that, like, you just dope to me.

513
00:22:50,960 --> 00:22:52,399
Speaker 1: She knows she dope to me. She dope to me

514
00:22:52,480 --> 00:22:54,919
Speaker 1: just in a lot of ways. But I feel like

515
00:22:55,480 --> 00:22:58,480
Speaker 1: from me, just to set the record straight, I'm infatuated

516
00:22:58,520 --> 00:23:01,440
Speaker 1: with with hard working women. I always benefastuated of that.

517
00:23:01,680 --> 00:23:03,760
Speaker 1: So when I see it, I bring it around me

518
00:23:03,800 --> 00:23:07,520
Speaker 1: because I got on a whole nother vibe probably some

519
00:23:07,640 --> 00:23:10,320
Speaker 1: months ago, and I just love being around women. Though,

520
00:23:10,880 --> 00:23:13,560
Speaker 1: would you like to be around before? No? No, No,

521
00:23:14,359 --> 00:23:18,000
Speaker 1: it's just hanging out with people. Oh. I just try

522
00:23:18,040 --> 00:23:20,520
Speaker 1: to explain this because you know, we do talk all

523
00:23:20,520 --> 00:23:22,480
Speaker 1: the time like that is my people. It's like it's

524
00:23:22,480 --> 00:23:24,520
Speaker 1: something happened. I'll talk to him for advice. He's a

525
00:23:24,600 --> 00:23:27,119
Speaker 1: very He was the only he was the only what

526
00:23:27,200 --> 00:23:30,440
Speaker 1: I call an industry friend slash associate that I have

527
00:23:30,560 --> 00:23:33,560
Speaker 1: for a long time. She got drinking Hennessy, Bro, you

528
00:23:33,600 --> 00:23:36,600
Speaker 1: are men. But that's something I'm gonna I'm anna, I'm

529
00:23:36,600 --> 00:23:39,080
Speaker 1: anna being sophe man. But I say, but let me

530
00:23:39,119 --> 00:23:41,600
Speaker 1: just explain what he's saying. He don't really go out

531
00:23:41,640 --> 00:23:48,800
Speaker 1: and socialize like fun. But I come on, but you

532
00:23:48,880 --> 00:23:51,320
Speaker 1: ain't going down. I hit him up and be like,

533
00:23:51,320 --> 00:23:53,040
Speaker 1: come on, let's go have a drink. Let's go. I

534
00:23:53,080 --> 00:23:57,040
Speaker 1: used to hate you, I'm gonna tell I used to

535
00:23:57,119 --> 00:24:03,679
Speaker 1: hate to hate you. Like when I first when she

536
00:24:03,800 --> 00:24:06,800
Speaker 1: was at what was when he was working, I used

537
00:24:06,800 --> 00:24:09,679
Speaker 1: to be like, damn like and I used to be

538
00:24:09,840 --> 00:24:11,760
Speaker 1: listening to it on the radio and they used to

539
00:24:11,760 --> 00:24:13,080
Speaker 1: try to take me over. I was like, I ain't

540
00:24:13,080 --> 00:24:15,400
Speaker 1: going over that girl knows like that's all she wanted

541
00:24:15,359 --> 00:24:16,760
Speaker 1: to do in no people a minute. Yeah. So when

542
00:24:16,760 --> 00:24:18,600
Speaker 1: I finally went over there, I met her and they

543
00:24:18,680 --> 00:24:20,480
Speaker 1: ended up playing you clip the clip we did. They

544
00:24:20,560 --> 00:24:22,080
Speaker 1: end up playing that against me in court. That's not

545
00:24:22,680 --> 00:24:26,280
Speaker 1: really what clip. And my brother was home then from prison,

546
00:24:26,359 --> 00:24:28,920
Speaker 1: but they played that video again. They played that video

547
00:24:28,960 --> 00:24:32,400
Speaker 1: and Superstar j video. Yeah, and I won the court

548
00:24:32,560 --> 00:24:35,680
Speaker 1: when you tweeted that little got some power that wasn't

549
00:24:35,680 --> 00:24:46,720
Speaker 1: about you you Yeah. Yeah, So y'all's never about to

550
00:24:46,720 --> 00:24:49,440
Speaker 1: ask you do it got powered? I don't talk to you,

551
00:24:49,560 --> 00:24:55,640
Speaker 1: but the room is you the one in it? Oh?

552
00:24:55,720 --> 00:24:58,320
Speaker 1: Nah man me And that's that's that's top notch, dog like,

553
00:24:58,480 --> 00:25:01,000
Speaker 1: that's on a whole nother level, another level of respect

554
00:25:01,000 --> 00:25:02,480
Speaker 1: for us. So I don't think a lot of people

555
00:25:02,680 --> 00:25:05,240
Speaker 1: understanding it. Well, people will understand me, understand, but if

556
00:25:05,240 --> 00:25:08,440
Speaker 1: you wanted a wife, you would be the prototype. You dope,

557
00:25:08,480 --> 00:25:11,080
Speaker 1: you got all the qualities. Yeah, you know she worked hard.

558
00:25:11,160 --> 00:25:14,640
Speaker 1: She make really really good money. That's probably make good money.

559
00:25:14,640 --> 00:25:21,640
Speaker 1: No, no no, no, no, finish. You never got to work again.

560
00:25:21,680 --> 00:25:23,639
Speaker 1: Look ill, that's probably why you know, I don't know,

561
00:25:23,760 --> 00:25:25,280
Speaker 1: you gotta do to not But that's probably why she

562
00:25:25,280 --> 00:25:26,920
Speaker 1: ain't gotta do because she ain't finally played the b

563
00:25:27,080 --> 00:25:29,280
Speaker 1: S game. So yeah, all right, we got more with

564
00:25:29,320 --> 00:25:31,119
Speaker 1: Plaus when we come back. Keep it locked. As to

565
00:25:31,119 --> 00:25:36,000
Speaker 1: breakfast club, good morning, what's up y'allis Angela? Ye'd wishing

566
00:25:36,080 --> 00:25:38,919
Speaker 1: you and your family the very best this holiday season

567
00:25:39,240 --> 00:25:41,960
Speaker 1: from all of us here at their breakfast club, the

568
00:25:42,160 --> 00:25:48,040
Speaker 1: breakfast Club. That's right, we are the breakfast Club. We

569
00:25:48,119 --> 00:25:50,960
Speaker 1: have Plaus in the building now. I remember telling you

570
00:25:51,000 --> 00:25:52,720
Speaker 1: that I'm glad that you started doing all of those

571
00:25:52,760 --> 00:25:55,679
Speaker 1: Instagram videos because you know, now people can see that

572
00:25:55,720 --> 00:25:57,879
Speaker 1: you're really funny. And that's why I was glad that

573
00:25:57,920 --> 00:26:00,080
Speaker 1: he started showing his personality more. And I'll try to

574
00:26:00,119 --> 00:26:06,040
Speaker 1: get into a girl so funny, man, hein't that funny

575
00:26:06,400 --> 00:26:13,200
Speaker 1: because brother funnier. That's that's that's that's more. What was

576
00:26:13,240 --> 00:26:15,080
Speaker 1: she suposed to say that it's cool she get that fast?

577
00:26:15,119 --> 00:26:17,000
Speaker 1: I ain't triple no, but I do feel like, you know,

578
00:26:17,040 --> 00:26:19,080
Speaker 1: I feel like people didn't know a lot about your

579
00:26:19,080 --> 00:26:21,440
Speaker 1: personality and that really helped. And then but I ain't

580
00:26:21,480 --> 00:26:25,160
Speaker 1: never really I never cared that. It wasn't even about

581
00:26:25,200 --> 00:26:28,159
Speaker 1: showing that side of me. Um My brother kind of

582
00:26:28,280 --> 00:26:32,239
Speaker 1: massaged me into that situation. I was just Twitter like

583
00:26:32,280 --> 00:26:34,280
Speaker 1: that's all I knew. I mean, he was like, bro,

584
00:26:34,920 --> 00:26:36,440
Speaker 1: I needed to get on IG Like it's the same

585
00:26:36,440 --> 00:26:38,800
Speaker 1: thing as Twitter, just record what you're saying. So I'm like,

586
00:26:38,800 --> 00:26:43,080
Speaker 1: Brian damn cameraing my face all day. So when he

587
00:26:43,200 --> 00:26:45,719
Speaker 1: kind of massaged me into the situation and I started

588
00:26:45,720 --> 00:26:48,159
Speaker 1: doing it, it's something that people enjoy. But for me,

589
00:26:48,200 --> 00:26:49,919
Speaker 1: I always tell people and people run up to me

590
00:26:49,920 --> 00:26:53,720
Speaker 1: with it. I never looked at myself as being humorous.

591
00:26:54,320 --> 00:26:55,760
Speaker 1: I just kind of say what I want to say

592
00:26:55,760 --> 00:26:58,240
Speaker 1: and I keep moving. It's kind of just real flawed though.

593
00:26:59,280 --> 00:27:00,800
Speaker 1: I just kind of say what it is. And I

594
00:27:00,840 --> 00:27:03,840
Speaker 1: also think that people also think that you know everything

595
00:27:03,840 --> 00:27:06,520
Speaker 1: that's going on, like on social media, and just a

596
00:27:06,560 --> 00:27:08,800
Speaker 1: couple of examples like sometimes you just have no idea,

597
00:27:08,960 --> 00:27:11,119
Speaker 1: Like Chris Brown got mad because he thought she was

598
00:27:11,160 --> 00:27:14,040
Speaker 1: throwing subliminals at him, so I called him and I

599
00:27:14,160 --> 00:27:15,800
Speaker 1: was like, Yo, what's going on. He's like, I didn't

600
00:27:15,840 --> 00:27:17,480
Speaker 1: even know what he was talking about. That was crazy.

601
00:27:17,520 --> 00:27:20,080
Speaker 1: That was crazy and nothing that he said and nobody.

602
00:27:20,119 --> 00:27:22,920
Speaker 1: Well I don't really do interviews like that too much,

603
00:27:22,960 --> 00:27:25,520
Speaker 1: but that situation was kind of that was kind of

604
00:27:25,560 --> 00:27:29,160
Speaker 1: disappointed situation with me with CB because I liked TB

605
00:27:30,320 --> 00:27:32,000
Speaker 1: you know what I mean. I think I think doll

606
00:27:32,240 --> 00:27:35,199
Speaker 1: like super super dope, so I always liked him. So

607
00:27:35,400 --> 00:27:38,040
Speaker 1: that whole situation transpired that that caught me off guard.

608
00:27:38,200 --> 00:27:40,320
Speaker 1: That kind of put me back into ro I can't

609
00:27:40,359 --> 00:27:43,280
Speaker 1: be left up with these dudes because if you felt

610
00:27:43,320 --> 00:27:46,320
Speaker 1: like that, like find somebody around me and Holly, but

611
00:27:46,520 --> 00:27:48,199
Speaker 1: you weren't even who I was thinking about, Like that

612
00:27:48,320 --> 00:27:51,360
Speaker 1: was nothing about nothing, and then for it happened kind

613
00:27:51,359 --> 00:27:53,840
Speaker 1: of how it happened like that was that was probably

614
00:27:54,119 --> 00:27:56,359
Speaker 1: one of the top three things in the game that

615
00:27:56,440 --> 00:28:00,320
Speaker 1: kind of disappointed me because I really really really dude

616
00:28:00,560 --> 00:28:05,719
Speaker 1: the other two. I would let me get that thing

617
00:28:05,800 --> 00:28:08,520
Speaker 1: with young right, you posted this doing that ain't disappoint me.

618
00:28:08,560 --> 00:28:10,320
Speaker 1: But I just want to clear something up about that too,

619
00:28:10,359 --> 00:28:12,840
Speaker 1: because I had an argument with somebody about this. There

620
00:28:12,880 --> 00:28:18,800
Speaker 1: you going to go for your man, you keep doing

621
00:28:18,840 --> 00:28:24,199
Speaker 1: it doing it's not short for bitch. It's nothing to

622
00:28:24,240 --> 00:28:27,040
Speaker 1: be disrespectful. And it's kind of like I used and

623
00:28:27,080 --> 00:28:29,040
Speaker 1: I'm I feel like I'm the best person acts I

624
00:28:29,040 --> 00:28:31,160
Speaker 1: don't want to came up with it like I used

625
00:28:31,160 --> 00:28:32,960
Speaker 1: it when I don't want to curse, and I use

626
00:28:33,040 --> 00:28:35,720
Speaker 1: it in place of what people would call profanity. So

627
00:28:35,720 --> 00:28:39,400
Speaker 1: so are you using the place for the word bitch? No, no, no, no, no,

628
00:28:39,360 --> 00:28:41,840
Speaker 1: no period. And first of all, man, like everybody, well,

629
00:28:41,880 --> 00:28:44,360
Speaker 1: people who know how rocking kids are sensitive issue to me,

630
00:28:44,400 --> 00:28:46,800
Speaker 1: like I don't, that ain't and and when he comes

631
00:28:46,800 --> 00:28:48,880
Speaker 1: to that, I'll just say this and we keep it moving.

632
00:28:48,920 --> 00:28:51,600
Speaker 1: But the kind of situations don't disappoint me, like I

633
00:28:51,800 --> 00:28:55,280
Speaker 1: understand the game. Like you got cats who ain't popping

634
00:28:55,360 --> 00:28:57,720
Speaker 1: trying to get popping. They just say what they want

635
00:28:57,720 --> 00:29:04,240
Speaker 1: to say. And dog ain't popping. So now, okay, fourteen

636
00:29:04,600 --> 00:29:07,200
Speaker 1: what he did ten fourteenth dollars record? Yeah, he got

637
00:29:07,200 --> 00:29:09,440
Speaker 1: that Straus though that's bother No, but he got the

638
00:29:09,440 --> 00:29:12,400
Speaker 1: Street movie. Even me talking about this ten thollars records

639
00:29:12,400 --> 00:29:14,440
Speaker 1: for nah, but he got the Street Bull. I looked

640
00:29:14,440 --> 00:29:17,040
Speaker 1: at you highly that I thought you had most so

641
00:29:17,720 --> 00:29:20,520
Speaker 1: I don't five records Records movie. But I thought that

642
00:29:20,800 --> 00:29:25,640
Speaker 1: I sto out there. I thought it was but I

643
00:29:25,640 --> 00:29:28,479
Speaker 1: thought your squash never started with me. You don't And

644
00:29:28,520 --> 00:29:30,360
Speaker 1: I told you, like, you don't go back and forth

645
00:29:30,440 --> 00:29:32,640
Speaker 1: with little dude. You just don't do it. So we

646
00:29:32,760 --> 00:29:34,560
Speaker 1: just keep. We could keep this movie. Does it scare

647
00:29:34,560 --> 00:29:36,080
Speaker 1: you a little bit? Du because he got a skirt on?

648
00:29:36,160 --> 00:29:38,400
Speaker 1: But then he talked about the shop action like that's

649
00:29:38,440 --> 00:29:42,000
Speaker 1: a little that's a little on an orthodox look at me.

650
00:29:43,600 --> 00:29:50,200
Speaker 1: I don't play with little dude. Man. Yeah. Here. One

651
00:29:50,240 --> 00:29:52,360
Speaker 1: thing I can say about what applies is he has

652
00:29:52,400 --> 00:29:54,600
Speaker 1: opened up because when he was first in the industry,

653
00:29:54,640 --> 00:29:57,200
Speaker 1: he was quiet when talking to nobody. He talks to

654
00:29:57,240 --> 00:29:58,880
Speaker 1: people now. But it was kind of why it was.

655
00:29:58,920 --> 00:30:00,479
Speaker 1: It was where I was from. And if it like

656
00:30:00,960 --> 00:30:03,080
Speaker 1: being for fourth miles, it that's that's how it is. Like,

657
00:30:03,360 --> 00:30:05,200
Speaker 1: it ain't disrespect if I don't speak to you, Like

658
00:30:05,240 --> 00:30:06,680
Speaker 1: if I don't speak to you, I just don't know you.

659
00:30:06,680 --> 00:30:08,760
Speaker 1: So if I don't know y'all, just keep it moving.

660
00:30:08,920 --> 00:30:11,480
Speaker 1: It ain't And I found out in this game some

661
00:30:11,520 --> 00:30:15,200
Speaker 1: people take it disrespectful, especially if they somebody had power

662
00:30:15,560 --> 00:30:17,240
Speaker 1: and you walk past him and don't speak to him.

663
00:30:17,240 --> 00:30:19,400
Speaker 1: But while I'm from if I ain't know, y'all, just

664
00:30:19,600 --> 00:30:21,600
Speaker 1: then speak to you now when you got a girl

665
00:30:21,640 --> 00:30:24,720
Speaker 1: applies and you on Instagram talking that talk ain't about

666
00:30:24,760 --> 00:30:27,840
Speaker 1: how good the game is? Do girls get upset? Hold on?

667
00:30:28,240 --> 00:30:32,040
Speaker 1: Do you get upset when um talking about talk on

668
00:30:32,120 --> 00:30:36,000
Speaker 1: the ground? I never get upset to him? Ain't sharpman,

669
00:30:36,000 --> 00:30:37,560
Speaker 1: I don't even know if you understand what this ain't

670
00:30:37,600 --> 00:30:41,480
Speaker 1: going nowhere? You throw the terrible job. I just seen

671
00:30:41,560 --> 00:30:48,400
Speaker 1: you more more than the day day. This is you,

672
00:30:49,280 --> 00:30:53,600
Speaker 1: This is at best, This is at best right and

673
00:30:54,640 --> 00:30:59,320
Speaker 1: I just seen you. This ain't huddled up, got the

674
00:30:59,360 --> 00:31:03,040
Speaker 1: same play. Hey, this ain't this ain't good used to

675
00:31:03,040 --> 00:31:09,959
Speaker 1: be more. I ain't good? Question, yo, Gotti? Yeah, Now

676
00:31:10,000 --> 00:31:12,560
Speaker 1: I saw before y'all didn't really get a log. He

677
00:31:12,640 --> 00:31:15,880
Speaker 1: has some that won that one that wasn't true. He

678
00:31:15,960 --> 00:31:18,000
Speaker 1: didn't say something about you in a song, and I

679
00:31:18,040 --> 00:31:21,160
Speaker 1: saw you posted his album shouted him out. Y'all did

680
00:31:21,160 --> 00:31:23,120
Speaker 1: a song together and people were like, oh, but he

681
00:31:23,160 --> 00:31:25,080
Speaker 1: said this about you? How are you going to post it? No?

682
00:31:25,160 --> 00:31:27,480
Speaker 1: I wouldn't got it. I think I forgot what mixtape

683
00:31:27,480 --> 00:31:29,840
Speaker 1: that was. It was covered projects to go, But he

684
00:31:29,840 --> 00:31:32,240
Speaker 1: said something that people didn't know which way to take it.

685
00:31:32,280 --> 00:31:34,840
Speaker 1: Theyin't gonna do a left a goal, right. But I

686
00:31:34,840 --> 00:31:36,840
Speaker 1: think he did a cover of interviews and he let

687
00:31:36,840 --> 00:31:39,280
Speaker 1: people know exactly what it was that he meant by

688
00:31:39,480 --> 00:31:41,800
Speaker 1: I mean, you gotta you gotta follow what the person

689
00:31:41,800 --> 00:31:44,320
Speaker 1: who wrote it said. So you know, that situation was

690
00:31:44,360 --> 00:31:46,200
Speaker 1: an easy one for me. Like God had probably wanted

691
00:31:46,200 --> 00:31:48,840
Speaker 1: the three at most part, I say, probably talked to

692
00:31:49,400 --> 00:31:52,200
Speaker 1: I disrespect, what what what the dog do? Did you

693
00:31:52,200 --> 00:31:54,200
Speaker 1: ever feel like? Do you ever feel like you can

694
00:31:54,240 --> 00:31:56,840
Speaker 1: settle down? And it ain't hard for me? Most street

695
00:31:56,920 --> 00:32:00,440
Speaker 1: cast that that cheat. If you got five women, you're

696
00:32:00,440 --> 00:32:02,400
Speaker 1: just trying to make one good woman, you might got

697
00:32:02,400 --> 00:32:04,640
Speaker 1: one going to take all them five and one good woman.

698
00:32:04,880 --> 00:32:06,680
Speaker 1: But if you find one good woman that got all

699
00:32:06,720 --> 00:32:09,560
Speaker 1: them qualities, it's easy. So it's just about for me,

700
00:32:09,600 --> 00:32:11,680
Speaker 1: it's just about finding the person that possessed all the

701
00:32:11,720 --> 00:32:13,920
Speaker 1: things is that I really stand on? So what's the

702
00:32:14,000 --> 00:32:18,080
Speaker 1: qualities for the love applies? Qualities? Quality? Was supposed to

703
00:32:18,120 --> 00:32:23,960
Speaker 1: have a reality show. Yeah yeah, haydon no, he was

704
00:32:24,000 --> 00:32:29,640
Speaker 1: gonna be on it. Absolutely that all these girls out man,

705
00:32:29,720 --> 00:32:31,640
Speaker 1: that's dope, man. See, that's the kind of girl you need,

706
00:32:31,720 --> 00:32:34,200
Speaker 1: you need to madam, a girl that's gonna be your man.

707
00:32:34,280 --> 00:32:38,080
Speaker 1: Girl can't control all the whole. He's on the sea

708
00:32:38,160 --> 00:32:44,560
Speaker 1: level today. You ain't you ain't. You ain't gonna fire today,

709
00:32:44,880 --> 00:32:50,600
Speaker 1: the greenballer, You ain't onna fire to that quality. I

710
00:32:50,640 --> 00:32:52,840
Speaker 1: think I'm symbol though, like I ain't really I ain't

711
00:32:52,880 --> 00:32:56,200
Speaker 1: really on the the dime, Like I ain't gotta be

712
00:32:56,320 --> 00:32:57,880
Speaker 1: kicking it with the dime. Like what you mean you

713
00:32:57,880 --> 00:33:00,280
Speaker 1: don't gotta be a dime? No? No, I mean like

714
00:33:00,320 --> 00:33:03,040
Speaker 1: a six seven and she if she is a six seven,

715
00:33:03,920 --> 00:33:06,440
Speaker 1: but she got the quality of me personally. I want

716
00:33:06,440 --> 00:33:12,640
Speaker 1: to geisha? What no brises for you? Like my? I

717
00:33:12,720 --> 00:33:14,440
Speaker 1: love my. I don't know if it's a such thing

718
00:33:14,520 --> 00:33:28,320
Speaker 1: as a geisha might be a memory? I want to

719
00:33:28,360 --> 00:33:30,480
Speaker 1: geis you gotta have gates? I want either want a

720
00:33:30,520 --> 00:33:33,360
Speaker 1: geisha or you gotta have Geisha quality. G a y

721
00:33:33,480 --> 00:33:43,800
Speaker 1: what is she got? You? Bingo? Got man who act

722
00:33:43,840 --> 00:33:48,320
Speaker 1: as hostesses and whose skills include performing various acts? See

723
00:33:48,320 --> 00:33:54,520
Speaker 1: what a performer? Either I either a geisha or gotta

724
00:33:54,560 --> 00:33:57,840
Speaker 1: have a geisha quality? And what that I need to

725
00:33:57,840 --> 00:34:01,760
Speaker 1: submissive woman? Did you ever see memories ever come into

726
00:34:01,840 --> 00:34:05,600
Speaker 1: contract with. I didn't. I just I just somebody in

727
00:34:05,640 --> 00:34:09,960
Speaker 1: the robe and miss missing what's your what's your definition?

728
00:34:09,960 --> 00:34:11,440
Speaker 1: Is a missions because a lot of girls don't like

729
00:34:11,520 --> 00:34:13,719
Speaker 1: that term. Yeah, they don't like that. I don't need

730
00:34:13,760 --> 00:34:15,839
Speaker 1: you to be the yes woman like I don't need

731
00:34:15,880 --> 00:34:17,839
Speaker 1: that to happen. I need you to understand how hard

732
00:34:17,880 --> 00:34:19,839
Speaker 1: I really work. I need that to happen. I don't

733
00:34:19,880 --> 00:34:22,520
Speaker 1: need you to think that. You know, we're just living

734
00:34:22,600 --> 00:34:26,120
Speaker 1: like this and that's that's when you and ANGELI with

735
00:34:26,200 --> 00:34:31,799
Speaker 1: bump heads right there. Nope, See, you've been he's been

736
00:34:31,840 --> 00:34:35,440
Speaker 1: tampled with. I've been tamped with. I've got tamped on.

737
00:34:35,719 --> 00:34:38,319
Speaker 1: I'm gonna tell you what I mean about that. I'm

738
00:34:38,440 --> 00:34:41,759
Speaker 1: tell I'm gonna tell you you've been tampled with. See

739
00:34:41,800 --> 00:34:44,560
Speaker 1: any time you got another nationality and you if you

740
00:34:44,800 --> 00:34:48,320
Speaker 1: like a white girl, Yeah, but you act black and

741
00:34:48,360 --> 00:34:51,080
Speaker 1: all that you've been tampled with. When you tampled with,

742
00:34:51,320 --> 00:34:53,640
Speaker 1: it's a whole another ball game with them. You don't

743
00:34:53,640 --> 00:34:55,200
Speaker 1: even know. Yeah, you've been tampled with. I know what

744
00:34:55,280 --> 00:34:57,440
Speaker 1: you mean. What does he mean that you've been tampled with?

745
00:34:57,600 --> 00:35:04,360
Speaker 1: Yea yea morning. Everybody is DJ m VY angela Ye, Chalomagne,

746
00:35:04,400 --> 00:35:07,080
Speaker 1: the guy we are the breakfast club applies is in

747
00:35:07,120 --> 00:35:09,120
Speaker 1: the building of Salomagne. Stop you're trying to make them

748
00:35:09,160 --> 00:35:13,040
Speaker 1: a couple all morning long. This clock is ticking. We're

749
00:35:13,080 --> 00:35:14,960
Speaker 1: gonna havedd this wedding? Are we not gonna have this

750
00:35:15,040 --> 00:35:19,200
Speaker 1: wedding between? I'm gonna do you like choind us? Okay?

751
00:35:19,280 --> 00:35:22,160
Speaker 1: Inviting two days before the wedding, y'all be either way.

752
00:35:22,600 --> 00:35:27,000
Speaker 1: Didn't give it here with an invite, chage invite two

753
00:35:27,080 --> 00:35:32,160
Speaker 1: days before the wedding. Don't tell nobody I didn't know

754
00:35:32,280 --> 00:35:39,320
Speaker 1: che next week. You don't truly feel successful, TI. You

755
00:35:39,360 --> 00:35:41,640
Speaker 1: got your family, right, so you got you a woman

756
00:35:41,719 --> 00:35:43,600
Speaker 1: and some kids and it's all in the house. You

757
00:35:43,719 --> 00:35:46,880
Speaker 1: really feel accomplished when you got that. You can propose

758
00:35:47,000 --> 00:35:54,160
Speaker 1: right here, right now. But what you're talking about right here? Man?

759
00:35:54,200 --> 00:35:59,160
Speaker 1: You a c minus man. You drop out the rage man.

760
00:35:59,280 --> 00:36:02,320
Speaker 1: You just this, This is just this, This is getting undown.

761
00:36:02,440 --> 00:36:06,359
Speaker 1: You got to do a rich consro remakes yep, y'all,

762
00:36:06,560 --> 00:36:09,040
Speaker 1: y'all like the huck should be ran off on the plug.

763
00:36:09,280 --> 00:36:11,719
Speaker 1: You know that I want to do a situation. Well

764
00:36:12,120 --> 00:36:14,560
Speaker 1: it brains, like you said, athletes and everybody who was

765
00:36:14,600 --> 00:36:16,759
Speaker 1: a part. I think that's what made this situation so big, man,

766
00:36:16,920 --> 00:36:19,880
Speaker 1: is that everybody embraced the situation, and people asking me

767
00:36:19,920 --> 00:36:21,440
Speaker 1: all the time, like what you really mean by I

768
00:36:21,520 --> 00:36:22,880
Speaker 1: ran off on the plug, And I said, it's just

769
00:36:23,000 --> 00:36:25,680
Speaker 1: it's a celebration. It's when you do somebody like example,

770
00:36:25,680 --> 00:36:27,759
Speaker 1: I uses, I mean, you can be slot boxing if

771
00:36:27,760 --> 00:36:28,960
Speaker 1: I get the best of you. I just you know,

772
00:36:29,280 --> 00:36:31,319
Speaker 1: I just ran off on the plug. Oh, I thought

773
00:36:31,360 --> 00:36:33,400
Speaker 1: that the plug front of using work and you haul that.

774
00:36:36,760 --> 00:36:38,319
Speaker 1: I was like, I don't know this was gonna let

775
00:36:38,320 --> 00:36:39,920
Speaker 1: that happen twice. And I think that's what took the

776
00:36:40,000 --> 00:36:41,960
Speaker 1: situation so big. It took it so viral because it

777
00:36:42,040 --> 00:36:44,040
Speaker 1: could be anything. Yeah, it could be we said a

778
00:36:44,080 --> 00:36:45,920
Speaker 1: guy up and ribbed him in his room and ran

779
00:36:47,160 --> 00:36:50,160
Speaker 1: you see what I mean? So listen, is it hard?

780
00:36:50,280 --> 00:36:51,759
Speaker 1: Like you know, you said, you keep a girl in

781
00:36:51,800 --> 00:36:53,960
Speaker 1: your corner, like you know, how would not to separate

782
00:36:54,000 --> 00:36:55,680
Speaker 1: the business from the pleasure, Like sometimes it's just cool

783
00:36:55,719 --> 00:36:57,800
Speaker 1: to be business with him. I don't trust nobody, So

784
00:36:57,960 --> 00:37:00,520
Speaker 1: Charlotte man min I'm I'm I'm all throw it off

785
00:37:00,560 --> 00:37:03,400
Speaker 1: on it. If I meet you in the club and

786
00:37:03,800 --> 00:37:05,759
Speaker 1: I ain't looking at how bad you is. I ain't

787
00:37:05,760 --> 00:37:07,960
Speaker 1: looking at how fine you is, how cute you. It

788
00:37:08,040 --> 00:37:11,719
Speaker 1: is like, yeah, I'm thinking about if this go wrong,

789
00:37:11,960 --> 00:37:14,120
Speaker 1: I'm thinking about Child's pool. I'm thinking about you know,

790
00:37:14,160 --> 00:37:17,240
Speaker 1: I'd be hearing the crazy story thirty five twenty thousand

791
00:37:17,239 --> 00:37:20,080
Speaker 1: dollars month and all that. So I'm just paranoid, really

792
00:37:20,160 --> 00:37:22,360
Speaker 1: for real, for real. So I enjoy women like I

793
00:37:22,840 --> 00:37:25,000
Speaker 1: I enjoy how women kick it. Like you can be

794
00:37:25,080 --> 00:37:26,799
Speaker 1: in the club with it with a chick hunt three

795
00:37:26,880 --> 00:37:29,560
Speaker 1: chicks over that dashing together, and I'd be like, oh, okay,

796
00:37:30,200 --> 00:37:32,160
Speaker 1: so that's your partner. They're like, no, I just meant them.

797
00:37:32,760 --> 00:37:35,480
Speaker 1: So I just like the whole camaraderie about women. So

798
00:37:35,840 --> 00:37:37,160
Speaker 1: does a girl have to have a fat ass for

799
00:37:37,239 --> 00:37:40,839
Speaker 1: you to no? I ain't. Well, listen, you and Angel

800
00:37:40,880 --> 00:37:46,319
Speaker 1: leave me to start playing with each other. How you listen? Man?

801
00:37:46,960 --> 00:37:49,279
Speaker 1: You just keep describing Angel the year from what off.

802
00:37:49,480 --> 00:37:51,160
Speaker 1: But but you know what I have figured out. You

803
00:37:51,239 --> 00:37:52,800
Speaker 1: know what I have to figured out. You you know

804
00:37:52,880 --> 00:37:55,799
Speaker 1: a lot about Andrew Lee I work whatever it ain't

805
00:37:55,800 --> 00:37:57,680
Speaker 1: no about no work, ain't no work. He's saying about it.

806
00:37:57,680 --> 00:38:00,359
Speaker 1: Ev Yet I don't even like it of you too

807
00:38:00,440 --> 00:38:06,680
Speaker 1: much now, you're getting back into your phone, getting back

808
00:38:06,719 --> 00:38:09,359
Speaker 1: into your phone. Now you see plus no, you're back

809
00:38:09,400 --> 00:38:11,120
Speaker 1: to your phone. Let you get out of here without explaining.

810
00:38:11,120 --> 00:38:16,880
Speaker 1: These pictures now pure pictures at what it was remote

811
00:38:16,960 --> 00:38:19,920
Speaker 1: wast We got music conference, revote, music conference, pation. Yeah,

812
00:38:19,920 --> 00:38:21,360
Speaker 1: we went to we went to the went to the

813
00:38:21,440 --> 00:38:23,919
Speaker 1: office and the other picture that was I was mad

814
00:38:24,000 --> 00:38:27,120
Speaker 1: for that because he posted that picture. The picture was

815
00:38:27,160 --> 00:38:31,520
Speaker 1: on her. I her picture, but he techt me told me,

816
00:38:31,560 --> 00:38:33,640
Speaker 1: he said, yo, you should take that down. That's not appropriate,

817
00:38:33,800 --> 00:38:35,600
Speaker 1: and then he posted it. So you just you just

818
00:38:35,680 --> 00:38:40,839
Speaker 1: listen to random or hes not random. That's your listen. Listen.

819
00:38:41,280 --> 00:38:43,440
Speaker 1: You got the juice. But now she kind of remixed

820
00:38:43,480 --> 00:38:46,880
Speaker 1: that one. He told half of the drew Okay, he

821
00:38:46,960 --> 00:38:49,200
Speaker 1: remixed that. But me and I was talking, Now I

822
00:38:49,239 --> 00:38:51,799
Speaker 1: ain't just randomly call years. Ay they take that down. Yeah,

823
00:38:51,880 --> 00:38:54,239
Speaker 1: Me and you was talking and I said, you got

824
00:38:54,280 --> 00:38:56,000
Speaker 1: out there on that last post, and she was like,

825
00:38:56,040 --> 00:38:57,400
Speaker 1: I ain't, no, I ain't looked down. I said, man,

826
00:38:57,440 --> 00:38:58,919
Speaker 1: come on, I said, you already know how you bosting

827
00:38:59,000 --> 00:39:00,960
Speaker 1: mid that work? Like you think I should take it out?

828
00:39:01,280 --> 00:39:03,000
Speaker 1: He man, it's on you, but you're trying to go

829
00:39:03,080 --> 00:39:05,720
Speaker 1: a whole other way now. But I had reposted that picture,

830
00:39:06,040 --> 00:39:07,600
Speaker 1: so I think a lot of people who didn't know

831
00:39:07,680 --> 00:39:09,920
Speaker 1: that she had posted it down so they didn't see it.

832
00:39:10,200 --> 00:39:11,640
Speaker 1: They thought it just was a personal picture to me.

833
00:39:11,719 --> 00:39:13,640
Speaker 1: But she had already posted that picture. So basically, you

834
00:39:13,719 --> 00:39:16,279
Speaker 1: and you just never had sex. What you're saying, no, man,

835
00:39:16,719 --> 00:39:22,600
Speaker 1: man off on the pug. Yeah, I know you ain't

836
00:39:22,680 --> 00:39:30,200
Speaker 1: leaving with what happened. Never listen, honestly, isn't. This is

837
00:39:30,239 --> 00:39:32,160
Speaker 1: like my people. I talk to him all the time, like,

838
00:39:32,640 --> 00:39:34,640
Speaker 1: listen here, No, anytime something happened, who was the first

839
00:39:34,680 --> 00:39:37,000
Speaker 1: person they'll call you? Before I answered that question, he

840
00:39:37,160 --> 00:39:40,400
Speaker 1: I don't like how you just said that you hanging.

841
00:39:41,040 --> 00:39:43,680
Speaker 1: We just heard a story about that this morning. Girl

842
00:39:44,080 --> 00:39:46,359
Speaker 1: a homeboy was at a girl house. Girl told him

843
00:39:46,360 --> 00:39:48,040
Speaker 1: he got to go in the bowls like let meat,

844
00:39:48,080 --> 00:39:54,279
Speaker 1: the leave, smoke the ball. That's all he wanted to drink. Yeah,

845
00:39:54,320 --> 00:39:59,680
Speaker 1: that's it. In that situation where I ain't been in that,

846
00:40:01,040 --> 00:40:03,600
Speaker 1: I get hornies, and man, I ain't. That's one of

847
00:40:03,680 --> 00:40:07,719
Speaker 1: my weaknesses. Man, a weakness. No, I just I just

848
00:40:07,920 --> 00:40:10,759
Speaker 1: it's just I'll be I'll be next love with man

849
00:40:10,840 --> 00:40:14,960
Speaker 1: like that remy I don't know why, but every time

850
00:40:15,040 --> 00:40:16,840
Speaker 1: that night, every time, huh, what are you doing to

851
00:40:16,920 --> 00:40:24,160
Speaker 1: the getting you drinking on that? Something about that horning,

852
00:40:24,239 --> 00:40:26,080
Speaker 1: but that harned be on whole another level. We got

853
00:40:26,200 --> 00:40:28,560
Speaker 1: the mattress in the back, We got the matter we do.

854
00:40:28,960 --> 00:40:30,919
Speaker 1: I can't listen. I came here last night with clue

855
00:40:31,239 --> 00:40:33,160
Speaker 1: and I'm glad y'all got the our on the here

856
00:40:33,200 --> 00:40:35,160
Speaker 1: today by we was a head last night it was

857
00:40:35,640 --> 00:40:38,000
Speaker 1: it was BREASTFA Club. I've been wrastling in Hill so

858
00:40:38,920 --> 00:40:41,319
Speaker 1: it was musk. Here was the whole room. I saying, man,

859
00:40:42,000 --> 00:40:43,680
Speaker 1: so Calden would tell me about the hour one on

860
00:40:43,800 --> 00:40:46,520
Speaker 1: they see they cut the hour, I say, man, now

861
00:40:46,600 --> 00:40:50,759
Speaker 1: to getting me out of here. I guess like two fives.

862
00:40:50,760 --> 00:40:55,840
Speaker 1: I'm like terrible interview outside or something. I say, the

863
00:40:55,880 --> 00:40:59,880
Speaker 1: Breadfa Club. I've been wrastling him. It was the worst.

864
00:41:00,280 --> 00:41:02,520
Speaker 1: I'm glad it. Look look I only heard to day though.

865
00:41:03,480 --> 00:41:06,200
Speaker 1: Night was terrible. I can't believe that I really pitting

866
00:41:06,280 --> 00:41:08,560
Speaker 1: up these pictures of us. You know how many people

867
00:41:08,600 --> 00:41:11,880
Speaker 1: wanted to know? Yeah, but albums, uh, we're saying right

868
00:41:11,920 --> 00:41:14,439
Speaker 1: now summer so yeah, we can push it up the label.

869
00:41:14,440 --> 00:41:16,080
Speaker 1: They telling me to tell them when I read it.

870
00:41:16,120 --> 00:41:17,800
Speaker 1: So I'm just trying to make sure we got the

871
00:41:18,800 --> 00:41:21,080
Speaker 1: follow up situation. Just I think my brother feels like

872
00:41:21,120 --> 00:41:23,759
Speaker 1: it's probably like my biggest record that I him did,

873
00:41:23,880 --> 00:41:26,960
Speaker 1: but um well we got actually got two records, one

874
00:41:27,000 --> 00:41:29,440
Speaker 1: by myself who wont with a feature. But this record

875
00:41:29,520 --> 00:41:31,719
Speaker 1: here is just this a people's record like this whole

876
00:41:32,000 --> 00:41:33,719
Speaker 1: you know, ran off on the plug twice thing. And

877
00:41:33,840 --> 00:41:36,160
Speaker 1: I want to make sure I leave this record out

878
00:41:36,200 --> 00:41:37,400
Speaker 1: here a long as I can leave it out here

879
00:41:37,400 --> 00:41:40,680
Speaker 1: because they made the situation what it is. We appreciate you, Jordan.

880
00:41:40,840 --> 00:41:44,040
Speaker 1: I appreciate you information flying. You don't huddled up before

881
00:41:44,280 --> 00:41:47,879
Speaker 1: you see you to see today. You say that flies

882
00:41:47,960 --> 00:41:50,040
Speaker 1: and you ain't having sex. They're not in a relationship,

883
00:41:50,640 --> 00:41:54,000
Speaker 1: they're just friends. Well it's flies. It's the breakfast club

884
00:41:54,200 --> 00:42:00,200
Speaker 1: sluteusolute cute with the cool hell I was go on

885
00:42:00,280 --> 00:42:05,160
Speaker 1: a donkey. It's the donkey of the death get stuck

886
00:42:15,800 --> 00:42:20,400
Speaker 1: the breakfast club donkey. The day goes to Shad Moss. Yes,

887
00:42:20,680 --> 00:42:23,400
Speaker 1: I give Shad Moss a hard time, and Shad Moss

888
00:42:23,480 --> 00:42:25,640
Speaker 1: has one in life and will continue to win. But

889
00:42:25,960 --> 00:42:28,279
Speaker 1: boy was this funny to me? Now Live TV is

890
00:42:28,400 --> 00:42:31,960
Speaker 1: no joke. Let's be clear about that. Live TV is

891
00:42:32,040 --> 00:42:34,560
Speaker 1: no joke. The pressure a live TV is a beast

892
00:42:34,760 --> 00:42:36,759
Speaker 1: and I'm sure I will mess up on live TV

893
00:42:36,960 --> 00:42:38,960
Speaker 1: one day and I would get roasted for it. But

894
00:42:39,520 --> 00:42:41,600
Speaker 1: bow out. This is your turn, I mean, Shad Moss.

895
00:42:41,920 --> 00:42:44,439
Speaker 1: Pay that man his respect and call him Shad Mass. Okay.

896
00:42:44,480 --> 00:42:47,480
Speaker 1: Shad Moss was hosting the CBS pre show at the

897
00:42:47,560 --> 00:42:51,120
Speaker 1: twenty sixteen Grammy Awards and either Shad Moss don't know,

898
00:42:52,000 --> 00:42:55,600
Speaker 1: don't show, literally didn't care what time it was because

899
00:42:55,640 --> 00:42:58,200
Speaker 1: he had one job. One and that was the throw

900
00:42:58,320 --> 00:43:01,040
Speaker 1: to the start of the Grammys. When the clock scrug zero.

901
00:43:01,160 --> 00:43:03,880
Speaker 1: He had the little counter in the corner. Okay, but

902
00:43:04,080 --> 00:43:06,160
Speaker 1: that's not what Shad Boss paid attention to. I don't

903
00:43:06,160 --> 00:43:08,840
Speaker 1: know what he was paying attention to. Shad Moss started

904
00:43:08,880 --> 00:43:11,239
Speaker 1: the show when there was well over ninety seconds on

905
00:43:11,320 --> 00:43:14,000
Speaker 1: the clock, and then Shad realized that the cameras were

906
00:43:14,040 --> 00:43:15,880
Speaker 1: still rolling, so he had to improvise. Then, let me

907
00:43:15,920 --> 00:43:17,960
Speaker 1: tell you something about live TV. The worst thing in

908
00:43:18,040 --> 00:43:20,840
Speaker 1: the world on live TV is when you buy yourself

909
00:43:21,080 --> 00:43:26,240
Speaker 1: and the producer says, scratch, improvised, we need more time. Okay.

910
00:43:26,400 --> 00:43:28,360
Speaker 1: Some people just not get on the spot like that.

911
00:43:28,920 --> 00:43:31,560
Speaker 1: Bow Wow tried, but I guess that pressure was getting

912
00:43:31,600 --> 00:43:33,439
Speaker 1: to him. So then he tried to start the show

913
00:43:33,480 --> 00:43:36,760
Speaker 1: again with a whole minute left on the clock, sixty seconds,

914
00:43:37,040 --> 00:43:39,800
Speaker 1: but it probably felt like I was for bye. Wowa

915
00:43:39,920 --> 00:43:42,160
Speaker 1: then tried to start the show again for a third time,

916
00:43:42,320 --> 00:43:44,399
Speaker 1: but he did it with thirty seconds left on the clock.

917
00:43:45,120 --> 00:43:47,920
Speaker 1: I'm not I'm not doing There's no justice. Let's hear

918
00:43:47,960 --> 00:44:00,439
Speaker 1: it annual Grimy Awards. I'm getting ready to start, gonna

919
00:44:00,440 --> 00:44:19,200
Speaker 1: be nervous. This is this is Oh, he's driving driving away.

920
00:44:21,160 --> 00:44:25,600
Speaker 1: Take this thing and it's almost about that time. About

921
00:44:31,080 --> 00:44:37,160
Speaker 1: this is you get my seat? Yes, that was amazing

922
00:44:37,239 --> 00:44:39,839
Speaker 1: for all the raw reasons. Okay, when you hear someone saying,

923
00:44:39,960 --> 00:44:44,919
Speaker 1: when you heard him say whoa repeatedly, that's the cry

924
00:44:45,000 --> 00:44:47,680
Speaker 1: for help on Live Live debal Okay, Shad had nothing

925
00:44:47,760 --> 00:44:51,279
Speaker 1: to say. He wanted out that situation, and Shad Moss

926
00:44:51,360 --> 00:44:53,719
Speaker 1: did what every every black man does when the underpressure,

927
00:44:53,719 --> 00:45:01,880
Speaker 1: when all else fails, dance. It's like when your boxing

928
00:45:01,960 --> 00:45:04,200
Speaker 1: it's three minutes, seems like it's a short amount of time,

929
00:45:04,239 --> 00:45:08,279
Speaker 1: but when you're in that ring, while you're absolutely right,

930
00:45:08,360 --> 00:45:11,000
Speaker 1: you were lost Okay, the funniest balls in the producers

931
00:45:11,040 --> 00:45:13,200
Speaker 1: just had enough for you after the third time and

932
00:45:13,360 --> 00:45:15,400
Speaker 1: through to Kevin Fraser. You know why they threw to

933
00:45:15,480 --> 00:45:18,319
Speaker 1: Kevin Fraser because Kevin Fraser has a concept of time.

934
00:45:18,600 --> 00:45:20,880
Speaker 1: Because Kevin Fraser knows that the show begins when the

935
00:45:20,920 --> 00:45:23,759
Speaker 1: countdown is over, when the clock strike zero, not at

936
00:45:23,840 --> 00:45:28,320
Speaker 1: ninety seconds. Now that sixty seconds, not at thirty zero.

937
00:45:29,760 --> 00:45:32,680
Speaker 1: Don't worry, shod Moss. It happens to the best of us.

938
00:45:33,840 --> 00:45:40,359
Speaker 1: I don't wonder one more time for I. I hope

939
00:45:40,440 --> 00:45:44,520
Speaker 1: I was taking on morning. Everybody is DJ M, v

940
00:45:44,800 --> 00:45:47,479
Speaker 1: Angela yee, Charlemagne the guy we are the breakfast club

941
00:45:47,600 --> 00:45:50,120
Speaker 1: forrell is in the building and Farel walking and said

942
00:45:50,200 --> 00:45:52,600
Speaker 1: thank you for having me. I was like, thank you

943
00:45:52,760 --> 00:45:55,200
Speaker 1: so much for coming. We've never had for you. Realize

944
00:45:55,280 --> 00:45:57,360
Speaker 1: most rich people, like really rich people, are like the

945
00:45:57,440 --> 00:46:02,200
Speaker 1: most humble the ones I've come across. Well, I'm great.

946
00:46:02,520 --> 00:46:06,200
Speaker 1: You can't deny you're rich. You know you know what, Listen,

947
00:46:06,280 --> 00:46:08,680
Speaker 1: I'm grateful, man, Seriously, you know, we get an opportunity

948
00:46:08,680 --> 00:46:11,239
Speaker 1: to talk about the film and you guys, you guys

949
00:46:11,320 --> 00:46:14,239
Speaker 1: have been like so supportive, like my career, all these years.

950
00:46:14,360 --> 00:46:16,399
Speaker 1: So you know, I'm always we're gonna get to the film.

951
00:46:16,440 --> 00:46:18,280
Speaker 1: We need to get to your diet tips first. Okay,

952
00:46:18,680 --> 00:46:20,560
Speaker 1: I need to know why the hell you have not

953
00:46:20,680 --> 00:46:23,479
Speaker 1: aided in twenty plus years. How much water you drink

954
00:46:23,480 --> 00:46:25,160
Speaker 1: a day matters fact. What do you have for breakfast?

955
00:46:25,200 --> 00:46:30,279
Speaker 1: Let's start that. Uh, you know what? This week is

956
00:46:30,320 --> 00:46:34,120
Speaker 1: not so good because man, why am I talking about this?

957
00:46:34,360 --> 00:46:35,880
Speaker 1: Because we want to know why you're not an agent?

958
00:46:36,280 --> 00:46:38,160
Speaker 1: There's nothing to do with it. It's just you know,

959
00:46:39,239 --> 00:46:41,400
Speaker 1: lots of water, my mom and my dad. You know,

960
00:46:42,239 --> 00:46:46,000
Speaker 1: I really do believe in like, uh, exfoliating though, I do.

961
00:46:48,400 --> 00:46:50,520
Speaker 1: I'm believing that I got some good exfoliation and stuff

962
00:46:50,520 --> 00:46:52,759
Speaker 1: at the house. Yeah when I was you know, when

963
00:46:52,760 --> 00:46:55,080
Speaker 1: I was much younger, Like you know all the girls

964
00:46:55,160 --> 00:46:57,040
Speaker 1: that the model girls. He's talking about that a lot.

965
00:46:57,400 --> 00:46:59,360
Speaker 1: Have you seen the meme that showed you from like

966
00:47:00,040 --> 00:47:02,520
Speaker 1: fifteen years ago there now it's hilarious and have you

967
00:47:02,640 --> 00:47:05,480
Speaker 1: and you're even your hairline, bro, you seem a little jealous.

968
00:47:06,480 --> 00:47:10,880
Speaker 1: I just want to know there's no there's definitely hereditary.

969
00:47:10,880 --> 00:47:12,800
Speaker 1: I don't think there was no one can help your hairline,

970
00:47:18,360 --> 00:47:21,839
Speaker 1: you know, quick so reflected, so it was so quick,

971
00:47:22,880 --> 00:47:26,160
Speaker 1: you're not began on you? Nah, okay, sorry that's short.

972
00:47:26,239 --> 00:47:29,879
Speaker 1: Rib Yeah, has to happen every once in a while

973
00:47:30,080 --> 00:47:32,839
Speaker 1: from Virginia, yes, sir, ye, so from what the film

974
00:47:32,920 --> 00:47:37,560
Speaker 1: Hidden Figures, Hidden Figures? Oh, thank you? Three African American

975
00:47:37,640 --> 00:47:42,040
Speaker 1: female protagonists, right, not talking about divorces or consoling each

976
00:47:42,080 --> 00:47:45,040
Speaker 1: other or like burning up the range over you know,

977
00:47:45,239 --> 00:47:48,320
Speaker 1: none of that other I like those movies too sometimes,

978
00:47:48,400 --> 00:47:51,719
Speaker 1: you know. It was a great movie, listen, listen with

979
00:47:51,920 --> 00:47:56,760
Speaker 1: Love with Love. But these were three female African American

980
00:47:56,960 --> 00:48:03,360
Speaker 1: protagonists who were scientists, engineers, mathematicians, technologically advanced, so that

981
00:48:03,800 --> 00:48:07,239
Speaker 1: blew my mind. It involved NASA, it involved space, two

982
00:48:07,280 --> 00:48:09,319
Speaker 1: subjects I was obsessed with since I was a child.

983
00:48:09,960 --> 00:48:12,440
Speaker 1: And then like it happened where I'm from, Hampton Rose,

984
00:48:12,520 --> 00:48:15,080
Speaker 1: Virginia in the nineteen sixty So how could we not

985
00:48:15,440 --> 00:48:16,800
Speaker 1: be a part of it? What I love about it

986
00:48:16,920 --> 00:48:19,399
Speaker 1: is his story that most people have never heard before. Yeah,

987
00:48:19,560 --> 00:48:24,360
Speaker 1: I mean there, listen. Catherine was a mathematic savant and

988
00:48:24,680 --> 00:48:27,920
Speaker 1: it was her math that enabled John Glenn to make

989
00:48:28,000 --> 00:48:31,480
Speaker 1: it in his orbit around the Earth in five hours,

990
00:48:31,640 --> 00:48:35,960
Speaker 1: three rotations around the Earth. Like that's unbelievable and that

991
00:48:36,120 --> 00:48:39,640
Speaker 1: was her math one degree off one meaning one decimal off,

992
00:48:40,440 --> 00:48:42,320
Speaker 1: and he would have went out into the continue of

993
00:48:42,440 --> 00:48:45,160
Speaker 1: space forever or coming back in he would have burnt

994
00:48:45,239 --> 00:48:47,480
Speaker 1: up and not made it through the go no go.

995
00:48:48,080 --> 00:48:51,719
Speaker 1: So the idea that we get to participate in this

996
00:48:51,880 --> 00:48:54,239
Speaker 1: story and telling this story. And I'm telling you guys,

997
00:48:54,320 --> 00:48:56,440
Speaker 1: like if you see the film, it will make you

998
00:48:57,360 --> 00:48:59,800
Speaker 1: feel better. You'll be upset that you didn't know the story.

999
00:49:00,840 --> 00:49:02,439
Speaker 1: But that's when movies afforida because a lot of people

1000
00:49:02,440 --> 00:49:04,440
Speaker 1: who don't read as much as they should. Yeah, and

1001
00:49:04,480 --> 00:49:06,799
Speaker 1: if we don't introduce these stories too, especially the youth,

1002
00:49:06,840 --> 00:49:10,800
Speaker 1: they'll probably never know. Yeah. Well, their stories were like

1003
00:49:11,040 --> 00:49:14,600
Speaker 1: muted because they were victims of the circumstances in the era.

1004
00:49:15,120 --> 00:49:18,560
Speaker 1: You know, being an African American, we would get our

1005
00:49:18,640 --> 00:49:20,960
Speaker 1: just do in terms of our accolades, but we weren't

1006
00:49:21,000 --> 00:49:23,719
Speaker 1: really necessarily we didn't really collect on them like that.

1007
00:49:23,920 --> 00:49:26,200
Speaker 1: You think it was by design that they didn't put

1008
00:49:26,280 --> 00:49:28,320
Speaker 1: people of color in those positions, like in front of

1009
00:49:28,320 --> 00:49:30,839
Speaker 1: the camera, because it would kind of maybe encourage kids

1010
00:49:30,880 --> 00:49:33,160
Speaker 1: to want to do that. I just don't think it

1011
00:49:33,280 --> 00:49:36,359
Speaker 1: was a part of the American narrative at that time.

1012
00:49:36,560 --> 00:49:40,080
Speaker 1: And women, So women had it twice as hard. That's

1013
00:49:40,120 --> 00:49:42,680
Speaker 1: why this is perfect timing, by the way, for this

1014
00:49:42,880 --> 00:49:46,120
Speaker 1: right now. Yeah, because there's so much, yeah, everything that's

1015
00:49:46,160 --> 00:49:49,600
Speaker 1: been going on lately in particular. Yeah, well there's a

1016
00:49:49,640 --> 00:49:53,200
Speaker 1: lot of gender bias and they're still racial biased. Like

1017
00:49:53,560 --> 00:49:56,879
Speaker 1: it's it's it's severe. To me, it's crazier than it's

1018
00:49:56,880 --> 00:49:58,840
Speaker 1: ever been because there was no internet in the sixties.

1019
00:49:59,040 --> 00:50:02,360
Speaker 1: Right now, it's like really undeniable. It's scarier because you

1020
00:50:02,360 --> 00:50:04,000
Speaker 1: don't know how much of it is real and how

1021
00:50:04,080 --> 00:50:06,000
Speaker 1: much of it is false. When we talk about your

1022
00:50:06,080 --> 00:50:08,879
Speaker 1: everyday life, like you interact with different types of people

1023
00:50:08,920 --> 00:50:11,399
Speaker 1: all the time. I don't experience overt racism. I don't

1024
00:50:11,400 --> 00:50:13,359
Speaker 1: think I've ever experienced the word racism. Probably I'm sure

1025
00:50:13,480 --> 00:50:16,600
Speaker 1: I experienced it covertly, but never overtly. Well because we're

1026
00:50:16,680 --> 00:50:19,719
Speaker 1: on the coast right the middle of the country, Like

1027
00:50:19,880 --> 00:50:22,960
Speaker 1: that's it's real. But think about even in the music business. Yeah,

1028
00:50:23,000 --> 00:50:25,719
Speaker 1: it goes on so much. Yeah, I think I feel

1029
00:50:25,760 --> 00:50:28,680
Speaker 1: it all the time. You never felt it for she

1030
00:50:28,840 --> 00:50:33,200
Speaker 1: was making well look empty, call you the N word

1031
00:50:33,800 --> 00:50:38,120
Speaker 1: to be racist. You know, it's a much deeper conversation, right,

1032
00:50:38,239 --> 00:50:40,360
Speaker 1: Like you know like with, we work in a business

1033
00:50:40,440 --> 00:50:43,600
Speaker 1: where like it is okay to own other people's masters.

1034
00:50:45,040 --> 00:50:48,720
Speaker 1: That's insane. Yeah. Well, I mean that's like you owning

1035
00:50:48,800 --> 00:50:50,759
Speaker 1: my ID and telling me when I can and can't

1036
00:50:50,760 --> 00:50:52,520
Speaker 1: cross the street, and when I can eat, and you know,

1037
00:50:52,560 --> 00:50:55,320
Speaker 1: when I should pay my taxes. That's the business that

1038
00:50:55,400 --> 00:50:58,360
Speaker 1: we we're in in the music industry. That will soon change,

1039
00:50:58,480 --> 00:51:01,480
Speaker 1: by the way, everybody they should own their masters. If

1040
00:51:02,040 --> 00:51:05,120
Speaker 1: major labels want to do deals with artists to partner

1041
00:51:05,160 --> 00:51:08,600
Speaker 1: with them, great, partner with me, but don't own me.

1042
00:51:09,640 --> 00:51:11,600
Speaker 1: You know those contracts they you know, they tell you

1043
00:51:11,719 --> 00:51:14,120
Speaker 1: that they want to own the master, and then every

1044
00:51:14,280 --> 00:51:19,640
Speaker 1: copy thereof is a slave. It's real. It's in the contracts, right,

1045
00:51:20,000 --> 00:51:21,600
Speaker 1: and that needs to change. But we're here to talk

1046
00:51:21,600 --> 00:51:25,640
Speaker 1: about hidden take. I always feel like you was using

1047
00:51:25,680 --> 00:51:27,840
Speaker 1: your music to get to space, though, and what I

1048
00:51:27,920 --> 00:51:29,840
Speaker 1: mean by that is that was just like an outlet

1049
00:51:29,920 --> 00:51:32,240
Speaker 1: for you to to do bigger things, to present bigger

1050
00:51:32,280 --> 00:51:34,719
Speaker 1: stories like this. Oh well, thank you. Yeah, although I

1051
00:51:34,800 --> 00:51:37,239
Speaker 1: will not be going this. You wouldn't go to space.

1052
00:51:38,000 --> 00:51:42,160
Speaker 1: Come on, man, have you ever watched the Science Channel? Yeah? Man,

1053
00:51:42,239 --> 00:51:45,759
Speaker 1: the pixelation is amazing. I'm listening. I am I am

1054
00:51:46,040 --> 00:51:48,719
Speaker 1: intrigued by UFOs. I'm obsessed with him. Everybody in this

1055
00:51:48,840 --> 00:51:50,440
Speaker 1: room tells me I'm crazy because I believe in an

1056
00:51:50,440 --> 00:51:54,520
Speaker 1: extra trust. Oh yeah, well they're probably not doing the math. Okay,

1057
00:51:54,600 --> 00:51:57,120
Speaker 1: So when you first consider the fact that our son

1058
00:51:57,400 --> 00:52:00,480
Speaker 1: is just another star, it's insane for you to assume

1059
00:52:00,600 --> 00:52:03,040
Speaker 1: that there's only this one star is the only one

1060
00:52:03,120 --> 00:52:06,120
Speaker 1: that has a solar system around it. The rest of

1061
00:52:06,200 --> 00:52:09,040
Speaker 1: those stars all have like planets around them. So what

1062
00:52:09,200 --> 00:52:12,439
Speaker 1: does the math tell you? Uh, I don't, I don't,

1063
00:52:12,440 --> 00:52:14,920
Speaker 1: I don't know. I mean, what do we know? At

1064
00:52:15,000 --> 00:52:18,480
Speaker 1: that point? Virginia is like a hip hop outliers in

1065
00:52:18,520 --> 00:52:21,840
Speaker 1: itself because you got Missy, you got Timberland geniuses, Teddy

1066
00:52:21,920 --> 00:52:24,640
Speaker 1: Riley genius. Like what what's in the water? Like where

1067
00:52:24,640 --> 00:52:27,560
Speaker 1: did all those producers come from? Like there's definitely something

1068
00:52:27,640 --> 00:52:31,040
Speaker 1: in the water in Virginia. You got uh drawn too,

1069
00:52:31,200 --> 00:52:33,759
Speaker 1: Like he's he's killing it. Yeah, yeah, there's there's a

1070
00:52:33,840 --> 00:52:40,880
Speaker 1: lot knots. There's Chris Brown, yeahs Angelo push your t

1071
00:52:41,440 --> 00:52:45,920
Speaker 1: but y'all controlled sound lips. Fam, We listen, man, you

1072
00:52:45,960 --> 00:52:48,840
Speaker 1: know what it is. But Virginia didn't have much and

1073
00:52:49,000 --> 00:52:52,239
Speaker 1: so exercising your creativity was just kind of like a

1074
00:52:52,360 --> 00:52:54,680
Speaker 1: great outlet. Mby was down there. He was down there

1075
00:52:54,719 --> 00:52:57,320
Speaker 1: when all of that was happening. Ampton, You Hampton, you

1076
00:52:57,440 --> 00:53:01,799
Speaker 1: was on fire. Yea. He might not have never been

1077
00:53:01,840 --> 00:53:03,720
Speaker 1: a DJ if he didn't go to him. My goodness,

1078
00:53:03,760 --> 00:53:06,640
Speaker 1: some of the most beautiful, beautiful women. Have you always

1079
00:53:06,680 --> 00:53:09,600
Speaker 1: been like the eclectic type guy? You are always aware though,

1080
00:53:09,760 --> 00:53:12,360
Speaker 1: so so did you just make sense now? But I

1081
00:53:12,440 --> 00:53:15,080
Speaker 1: mean for me, did you have a face resistance from

1082
00:53:15,120 --> 00:53:16,719
Speaker 1: like the push your teas and those guys who were like,

1083
00:53:16,760 --> 00:53:18,239
Speaker 1: I don't want to work with that guy? No? No, no,

1084
00:53:18,440 --> 00:53:20,920
Speaker 1: they were always supportive. But I feel like you're more

1085
00:53:20,960 --> 00:53:23,960
Speaker 1: of a trendsetter. No, because you don't think so, Because

1086
00:53:24,040 --> 00:53:26,560
Speaker 1: I mean, clearly people want to look like Pharrell. NA.

1087
00:53:26,719 --> 00:53:32,640
Speaker 1: That's weird. NA humbles no, no, no, no, no, no.

1088
00:53:33,040 --> 00:53:35,320
Speaker 1: This is not fake awkward either. It's like real awkward.

1089
00:53:37,800 --> 00:53:39,839
Speaker 1: Just saying we got more coming up with Farrell, don't

1090
00:53:39,840 --> 00:53:42,839
Speaker 1: go anywhere as the Breakfast Club. Good morning. What if

1091
00:53:42,920 --> 00:53:46,719
Speaker 1: y'all is DJ mbody named Charlomagne and Guy and we

1092
00:53:46,800 --> 00:53:49,120
Speaker 1: just want to say happy holidays from all three of us,

1093
00:53:49,560 --> 00:53:55,120
Speaker 1: all three of y'all. The Breakfast Club. This Morning, everybody

1094
00:53:55,280 --> 00:53:58,080
Speaker 1: is DJ m vy angela Ye, Charlomagne, the guy we

1095
00:53:58,160 --> 00:54:00,920
Speaker 1: are the Breakfast Club. Farrell is in the buildings. Can

1096
00:54:00,960 --> 00:54:02,200
Speaker 1: we go back to Yeah, let's go back to the

1097
00:54:02,200 --> 00:54:04,960
Speaker 1: movie you scored. How much of this movie nobody talks

1098
00:54:05,000 --> 00:54:06,839
Speaker 1: about what you're actually here to talk about anymore when

1099
00:54:06,880 --> 00:54:15,280
Speaker 1: you do interviews. Sorry, sorry, okay, you guys drive ahead figures.

1100
00:54:16,840 --> 00:54:18,879
Speaker 1: I am. I am really excited because I actually saw

1101
00:54:18,920 --> 00:54:20,680
Speaker 1: the trailer like a while ago, and I was like,

1102
00:54:20,719 --> 00:54:22,840
Speaker 1: this movie, like's gonna be great because Taragi be Henson's

1103
00:54:22,880 --> 00:54:27,080
Speaker 1: in it. Kills it. Yes, money is in it. Thea

1104
00:54:27,120 --> 00:54:28,960
Speaker 1: Spencer is in the movie. Are kills So some of

1105
00:54:29,000 --> 00:54:32,640
Speaker 1: my favorite people are in this movie, Yephlee, Kevin Costner,

1106
00:54:33,400 --> 00:54:37,120
Speaker 1: real really talented actors. When you think about it, like

1107
00:54:37,520 --> 00:54:40,080
Speaker 1: a lot of the female contribution in science and just

1108
00:54:40,200 --> 00:54:43,560
Speaker 1: across the board has been largely ignored, and I'm like

1109
00:54:43,760 --> 00:54:47,000
Speaker 1: dismissed and things are changing now, Like it was actually

1110
00:54:47,080 --> 00:54:51,839
Speaker 1: women that discovered the way the metric and measuring how

1111
00:54:51,960 --> 00:54:54,200
Speaker 1: far stars are or what they're made of. They are

1112
00:54:54,280 --> 00:54:56,480
Speaker 1: made of hydrogen. Those are women. I don't even think

1113
00:54:56,520 --> 00:54:58,920
Speaker 1: in school they encourage women to get into the sciences.

1114
00:54:59,440 --> 00:55:02,520
Speaker 1: They math or anything. They don't really encourage that they don't.

1115
00:55:03,040 --> 00:55:05,640
Speaker 1: And you think about it, like Catherine was a savant,

1116
00:55:05,760 --> 00:55:08,000
Speaker 1: Like it's it's insane what she was able to do,

1117
00:55:08,480 --> 00:55:10,399
Speaker 1: and she was as a scene in the film where

1118
00:55:10,960 --> 00:55:14,640
Speaker 1: she needs to use the bathroom, but because of that time,

1119
00:55:15,239 --> 00:55:17,759
Speaker 1: because it was segregated, her bathroom wasn't on the other

1120
00:55:17,840 --> 00:55:20,399
Speaker 1: side of the building. It was on the other side

1121
00:55:20,440 --> 00:55:24,560
Speaker 1: of the campus. And so NASA they were civil. They

1122
00:55:24,640 --> 00:55:27,080
Speaker 1: had like campus bikes, but that was for a man

1123
00:55:27,200 --> 00:55:32,160
Speaker 1: because as men, we we forget you could not wear

1124
00:55:32,239 --> 00:55:34,640
Speaker 1: pants or shorts. She had to wear long dresses and

1125
00:55:34,760 --> 00:55:38,799
Speaker 1: long skirts, so women women couldn't ride the bike there, right,

1126
00:55:38,880 --> 00:55:42,200
Speaker 1: So as an African American woman, you had to run.

1127
00:55:42,360 --> 00:55:45,080
Speaker 1: Catherine had to run a thirty to forty five minute

1128
00:55:45,160 --> 00:55:48,200
Speaker 1: round trip rain or shine just to use the bathroom,

1129
00:55:48,239 --> 00:55:51,560
Speaker 1: just to relieve herself. So it's crazy. You speak a

1130
00:55:51,600 --> 00:55:53,440
Speaker 1: lot about gender bias. You think gender bias is the

1131
00:55:53,520 --> 00:55:56,960
Speaker 1: reason Hillary didn't become president because you you endor Hillary Clinton.

1132
00:55:57,640 --> 00:56:00,960
Speaker 1: I think that gender bias played a part of it.

1133
00:56:01,160 --> 00:56:03,440
Speaker 1: I think they knew the difference but didn't appreciate the

1134
00:56:03,520 --> 00:56:08,040
Speaker 1: difference between reality shows and like real news as we

1135
00:56:08,120 --> 00:56:11,480
Speaker 1: see fake news is a huge thing. I also never

1136
00:56:11,600 --> 00:56:13,880
Speaker 1: believed in like the system of poles. I thought poles

1137
00:56:13,920 --> 00:56:16,120
Speaker 1: were like antiquated. It's twelve hundred people at a time

1138
00:56:16,480 --> 00:56:19,640
Speaker 1: and millennials don't answer house phones, so to me, I

1139
00:56:19,680 --> 00:56:22,520
Speaker 1: always thought it was antiquated. I think the news got

1140
00:56:22,560 --> 00:56:25,440
Speaker 1: it wrong. I think the news is responsible. I think

1141
00:56:25,520 --> 00:56:28,120
Speaker 1: Twitter is responsible. They could have easily just pull the

1142
00:56:28,160 --> 00:56:32,279
Speaker 1: blood social media period. Yeah. Yeah, And I just think

1143
00:56:32,320 --> 00:56:34,200
Speaker 1: that just should have been a different game plan. Man,

1144
00:56:34,520 --> 00:56:36,239
Speaker 1: There should have just been a different game plan. Do

1145
00:56:36,239 --> 00:56:37,799
Speaker 1: you think she was a terrible candidate? Because every time

1146
00:56:37,840 --> 00:56:39,759
Speaker 1: I say something like I think she was qualified. But

1147
00:56:39,880 --> 00:56:41,759
Speaker 1: I think that like the tables are turned, and I

1148
00:56:41,840 --> 00:56:45,839
Speaker 1: feel like people look at politics like they look at

1149
00:56:45,880 --> 00:56:48,919
Speaker 1: any other television show. You got to entertain, and that's

1150
00:56:48,960 --> 00:56:53,480
Speaker 1: what that's what happened. That's what happened in one case,

1151
00:56:53,560 --> 00:56:55,920
Speaker 1: and that's what did not happen in the other. Social

1152
00:56:55,960 --> 00:57:00,200
Speaker 1: studies catfight, what you're going to do into Yeah, I

1153
00:57:00,440 --> 00:57:05,080
Speaker 1: personally think women and millennials will essentially be the larger

1154
00:57:05,160 --> 00:57:09,439
Speaker 1: number that ends up saving us in four years because

1155
00:57:09,520 --> 00:57:12,319
Speaker 1: women have compassion, They think about the world, they birth

1156
00:57:12,440 --> 00:57:15,320
Speaker 1: the world, the whole entire world came through the conduit

1157
00:57:15,360 --> 00:57:17,680
Speaker 1: of a woman's body, you know what I'm saying. So

1158
00:57:17,800 --> 00:57:19,760
Speaker 1: to me, I feel like it's gonna be It's gonna

1159
00:57:19,760 --> 00:57:21,520
Speaker 1: be that. And there's gonna be men that will be

1160
00:57:21,600 --> 00:57:25,480
Speaker 1: in the number, but it's gonna be women and millennials.

1161
00:57:25,840 --> 00:57:30,080
Speaker 1: I remember you said that Hillary's dishonest, but so are you?

1162
00:57:30,200 --> 00:57:33,360
Speaker 1: So I remember thinking, So it's Pharrell willing to deal

1163
00:57:33,400 --> 00:57:35,600
Speaker 1: with for liars all the time or just when they

1164
00:57:35,960 --> 00:57:38,880
Speaker 1: running for president, who don't lie, broy on some level,

1165
00:57:39,160 --> 00:57:46,520
Speaker 1: on some level, who don't lie. Yeah, No, I'm the

1166
00:57:46,600 --> 00:57:51,120
Speaker 1: most upright standing, upstanding, right, upright standing, whatever way whatever

1167
00:57:51,320 --> 00:57:52,600
Speaker 1: you want to look at it, because they both have

1168
00:57:52,680 --> 00:57:55,200
Speaker 1: two different definitions, but it means the same thing. Who

1169
00:57:55,560 --> 00:57:59,120
Speaker 1: is that honest with their taxes? Right? There we go? Whoa,

1170
00:57:59,280 --> 00:58:03,240
Speaker 1: there we go. Done. Hey, I'm very honest with money. Yeah,

1171
00:58:03,320 --> 00:58:05,440
Speaker 1: but I mean, listen, are you willing to sit down

1172
00:58:05,480 --> 00:58:07,840
Speaker 1: and fact check? Because they can they'll find something that

1173
00:58:07,960 --> 00:58:09,919
Speaker 1: you're just this is a little gray line, a little

1174
00:58:09,960 --> 00:58:12,520
Speaker 1: great area. That's a great area for everybody, right and

1175
00:58:12,680 --> 00:58:16,640
Speaker 1: some people, But I'm really using for work, like certain things.

1176
00:58:17,040 --> 00:58:19,640
Speaker 1: You might not even have all your paperwork properly in order,

1177
00:58:19,680 --> 00:58:21,720
Speaker 1: and you just say, Okay, I'm a guestimate. This is

1178
00:58:21,800 --> 00:58:26,320
Speaker 1: what I spent. Listen, look, they won. It is what

1179
00:58:26,480 --> 00:58:29,360
Speaker 1: it is now. But here's what I will say. This

1180
00:58:29,560 --> 00:58:32,160
Speaker 1: pressure that's going to come about is going to make

1181
00:58:32,320 --> 00:58:36,080
Speaker 1: the best part, the best music, the best design. That

1182
00:58:36,200 --> 00:58:40,040
Speaker 1: that's fashion. It's going to be amazing. The other thing

1183
00:58:40,160 --> 00:58:43,560
Speaker 1: is you'll see more people galvanizing. You'll see our culture galvanize.

1184
00:58:44,040 --> 00:58:45,800
Speaker 1: Is that why you're being more vocal now about these

1185
00:58:45,840 --> 00:58:50,880
Speaker 1: kind of issues? Now I'm done, I'm done. I'm telling

1186
00:58:50,920 --> 00:58:54,400
Speaker 1: you I was mad, bro. I was like mad no

1187
00:58:54,600 --> 00:58:58,080
Speaker 1: before it Okay, nobody was listening. I'm like, yo, stop

1188
00:58:58,160 --> 00:59:01,240
Speaker 1: listening to these polls. Man. These old people many old, bro.

1189
00:59:02,040 --> 00:59:04,960
Speaker 1: They also old antiquated thing that worked in the fifties

1190
00:59:04,960 --> 00:59:07,160
Speaker 1: and the sixties when part of the television show was

1191
00:59:07,240 --> 00:59:09,120
Speaker 1: to show you Colgate in the middle of the show.

1192
00:59:09,600 --> 00:59:14,680
Speaker 1: That's when poles worked. Okay, people is old, broa. Now

1193
00:59:14,760 --> 00:59:17,240
Speaker 1: let's talk about how you've managed in this business for

1194
00:59:17,400 --> 00:59:19,920
Speaker 1: so long to be really just levelheaded. Like we see

1195
00:59:19,960 --> 00:59:22,400
Speaker 1: all these artists going through different things, and you know,

1196
00:59:22,520 --> 00:59:25,760
Speaker 1: struggling with mental issues, depression. They talk about it in

1197
00:59:25,840 --> 00:59:28,240
Speaker 1: their music. They talk about it in interviews, But do

1198
00:59:28,320 --> 00:59:29,880
Speaker 1: you think that coming up in the era that you

1199
00:59:30,040 --> 00:59:31,920
Speaker 1: came up in, where we didn't have social media, we

1200
00:59:31,960 --> 00:59:33,760
Speaker 1: didn't have the pressure of people being able to just

1201
00:59:34,160 --> 00:59:36,160
Speaker 1: directly reach out to you. Do you think that's been

1202
00:59:36,280 --> 00:59:39,280
Speaker 1: negative for artists sometimes? And how have you managed to

1203
00:59:39,600 --> 00:59:42,760
Speaker 1: there's no college course. There's no college course for how

1204
00:59:42,800 --> 00:59:45,040
Speaker 1: to manage your money when you're in this business when

1205
00:59:45,040 --> 00:59:48,000
Speaker 1: the lights of flashing and everyone's looking and you know,

1206
00:59:48,800 --> 00:59:52,920
Speaker 1: it's it's so many competitions that are unspoken of, but

1207
00:59:53,000 --> 00:59:56,120
Speaker 1: there ares you just in constant competition, the flash harder,

1208
00:59:57,000 --> 01:00:00,440
Speaker 1: reform harder, do bigger numbers. Like there's a lot of pressure, right,

1209
01:00:00,560 --> 01:00:04,160
Speaker 1: and companies it's not like in football where they have

1210
01:00:04,360 --> 01:00:06,280
Speaker 1: like they actually sit down and have you take a

1211
01:00:06,400 --> 01:00:09,320
Speaker 1: course and like what to avoid and people to stay

1212
01:00:09,360 --> 01:00:11,480
Speaker 1: away from, and you know, they don't do that in

1213
01:00:11,520 --> 01:00:14,919
Speaker 1: the music industry. This is the most abused industry ever.

1214
01:00:15,200 --> 01:00:17,760
Speaker 1: They said, Barry Gordy, you said when Smokey Robinson was here,

1215
01:00:17,960 --> 01:00:20,760
Speaker 1: He said, Berry Gordy would have artists every week. They

1216
01:00:20,840 --> 01:00:23,080
Speaker 1: had these like training classes, didn't matter how big you were,

1217
01:00:23,200 --> 01:00:25,600
Speaker 1: and everybody had to come, you know, to his house

1218
01:00:25,680 --> 01:00:28,800
Speaker 1: and we made that. We need that. And there's some

1219
01:00:28,960 --> 01:00:31,600
Speaker 1: really nice and brilliant people that are in the music

1220
01:00:31,720 --> 01:00:33,880
Speaker 1: industry right now. But shouldn't you guys like you be

1221
01:00:33,960 --> 01:00:36,160
Speaker 1: doing that because you're a poet for I'm doing my best.

1222
01:00:36,240 --> 01:00:38,560
Speaker 1: Any artists that signed with me will own their masters.

1223
01:00:38,840 --> 01:00:40,640
Speaker 1: It's crazy at the production thing, though, because it was

1224
01:00:40,640 --> 01:00:42,720
Speaker 1: like he was red hot and it was a moment

1225
01:00:42,760 --> 01:00:45,280
Speaker 1: when we ain't hit nothing from Pharrell and then it's

1226
01:00:45,320 --> 01:00:48,200
Speaker 1: just like you just came back and owned everything. I

1227
01:00:48,240 --> 01:00:51,560
Speaker 1: ain't do nothing, stop it. I just worked. And it's

1228
01:00:51,600 --> 01:00:54,080
Speaker 1: the universe too. It's the universe and the people. No

1229
01:00:54,200 --> 01:00:56,360
Speaker 1: matter how hot it is, it requires people to be

1230
01:00:56,440 --> 01:00:58,280
Speaker 1: into it. They gotta buy it, they gotta stream it,

1231
01:00:58,320 --> 01:01:00,360
Speaker 1: they got to tell their friends about it. You can't

1232
01:01:00,360 --> 01:01:02,400
Speaker 1: pay for that. So I don't take any of that

1233
01:01:02,520 --> 01:01:04,440
Speaker 1: for granted. For me, as far as I'm concerned, I'm

1234
01:01:04,600 --> 01:01:07,960
Speaker 1: here based on doors that were open for me, artists

1235
01:01:08,320 --> 01:01:13,480
Speaker 1: uh that worked with me, inspired me, based on fans

1236
01:01:13,600 --> 01:01:16,000
Speaker 1: that continued to lift me up, and you know, the

1237
01:01:16,160 --> 01:01:18,480
Speaker 1: universe guy like the rest of it. Like you know,

1238
01:01:18,720 --> 01:01:20,960
Speaker 1: that's a pre requisite. You're supposed to try to be

1239
01:01:21,040 --> 01:01:24,360
Speaker 1: your best, but that doesn't guarantee any kind of success.

1240
01:01:24,400 --> 01:01:26,439
Speaker 1: That's you know, you have to talk about the people

1241
01:01:26,480 --> 01:01:28,640
Speaker 1: that got you here. We got more Farrell when we

1242
01:01:28,760 --> 01:01:32,800
Speaker 1: come back. It's the Breakfast Club. Good morning, good morning.

1243
01:01:32,880 --> 01:01:36,240
Speaker 1: Everybody is DJ mvy, Angela Yee, Charlomagne, the guy we

1244
01:01:36,360 --> 01:01:38,760
Speaker 1: are to Breakfast Club. Farrell is in the building. I

1245
01:01:38,800 --> 01:01:40,760
Speaker 1: always want to talk to you about the record snitch Man,

1246
01:01:40,960 --> 01:01:43,240
Speaker 1: because I feel like that's the second greatest hip hop

1247
01:01:43,320 --> 01:01:46,680
Speaker 1: acronym of all time. Well come on easily, but it

1248
01:01:46,720 --> 01:01:48,720
Speaker 1: didn't get the credit for whatever reason. But I think

1249
01:01:48,720 --> 01:01:51,840
Speaker 1: it's cream then I think it's snitch. Well, thank you,

1250
01:01:52,160 --> 01:01:55,200
Speaker 1: you know they thank you. It was inspired. She said

1251
01:01:55,240 --> 01:01:57,880
Speaker 1: you made it, you created that. Yeah, how because you,

1252
01:01:58,000 --> 01:01:59,919
Speaker 1: like you were one of our One of our guys

1253
01:02:00,520 --> 01:02:02,800
Speaker 1: got locked up. Okay, he was in that world and

1254
01:02:02,960 --> 01:02:04,960
Speaker 1: I didn't even really talk to him, but in my

1255
01:02:05,040 --> 01:02:07,320
Speaker 1: mind I'd be like, man, I know what I'd be thinking. Sorry,

1256
01:02:07,560 --> 01:02:10,560
Speaker 1: I'm trying to come home. I'm telling yeah, oh oh

1257
01:02:10,880 --> 01:02:19,480
Speaker 1: oh yeah, I would what what not? What is there

1258
01:02:19,520 --> 01:02:22,640
Speaker 1: a question I don't I always say, don't do around me.

1259
01:02:22,720 --> 01:02:28,520
Speaker 1: I'm telling yeah, I'm not build for it, brout there

1260
01:02:28,600 --> 01:02:31,880
Speaker 1: doing it with them I'm not doing it. I'm not

1261
01:02:32,080 --> 01:02:34,000
Speaker 1: doing it. I have to do that. I don't want

1262
01:02:34,040 --> 01:02:37,200
Speaker 1: it that bad. Yeah there, Listen, certain people have it

1263
01:02:37,320 --> 01:02:40,360
Speaker 1: in their chemistry. They ever in their DNA. They warrior like,

1264
01:02:40,440 --> 01:02:42,880
Speaker 1: they got it in them. I don't have. I'm gonna

1265
01:02:42,880 --> 01:02:47,560
Speaker 1: do this thirty no, no, okay, thirty minutes in the gym.

1266
01:02:47,640 --> 01:02:50,920
Speaker 1: But ye, did you ever go through a period of

1267
01:02:50,960 --> 01:02:52,400
Speaker 1: time where you felt like you didn't want to do

1268
01:02:52,560 --> 01:02:55,560
Speaker 1: music anymore or you just over it? You know what?

1269
01:02:56,160 --> 01:03:05,120
Speaker 1: When I first got on the deal went left and

1270
01:03:05,760 --> 01:03:08,240
Speaker 1: I had a really really really dark time and my aunt,

1271
01:03:08,320 --> 01:03:10,880
Speaker 1: who could like used to have like really strong dreams

1272
01:03:10,960 --> 01:03:13,080
Speaker 1: that dreams are in my family, I had like a

1273
01:03:13,160 --> 01:03:14,720
Speaker 1: real tough time and I was like, man, I don't

1274
01:03:14,720 --> 01:03:16,440
Speaker 1: want to do this no more because it was so crazy.

1275
01:03:16,840 --> 01:03:20,320
Speaker 1: We had gotten signed to EMI and then the label

1276
01:03:20,400 --> 01:03:23,000
Speaker 1: folded like a dummy. You know. I brought my first

1277
01:03:23,160 --> 01:03:26,280
Speaker 1: you know, car was Alexis GS. I was driving around.

1278
01:03:26,280 --> 01:03:28,120
Speaker 1: I ain't no gas money. I didn't care because it

1279
01:03:28,320 --> 01:03:29,840
Speaker 1: was just kind of like, look, I'm a backpacker and

1280
01:03:29,920 --> 01:03:32,200
Speaker 1: I have Alexis. But my aunt was like, listen, this

1281
01:03:32,320 --> 01:03:34,640
Speaker 1: is what the double wants. You know, if you give

1282
01:03:34,760 --> 01:03:36,720
Speaker 1: up right now, you don't understand what's on the other

1283
01:03:36,800 --> 01:03:39,640
Speaker 1: side of this moment. Yeah, that was like a really

1284
01:03:39,760 --> 01:03:42,120
Speaker 1: dark time for me. I mean we have those periods man,

1285
01:03:42,160 --> 01:03:46,000
Speaker 1: as artists, we have those periods. We need some thunderstorms

1286
01:03:46,080 --> 01:03:48,760
Speaker 1: sometimes so that we can appreciate when that sunshine come back.

1287
01:03:48,880 --> 01:03:50,280
Speaker 1: Have you ever had a dark period while you were

1288
01:03:50,280 --> 01:03:52,640
Speaker 1: in the industry, like like those times when we don't

1289
01:03:52,720 --> 01:03:54,800
Speaker 1: hear from you and labels may be like, oh for real,

1290
01:03:54,800 --> 01:03:58,680
Speaker 1: you're not the sound of the moment. I would yeah, yeah,

1291
01:03:59,280 --> 01:04:02,080
Speaker 1: but would only like feel me. There was one time

1292
01:04:02,080 --> 01:04:06,439
Speaker 1: it's like just really dark because you just you want

1293
01:04:06,520 --> 01:04:09,400
Speaker 1: it to be a certain kind of way. But that's

1294
01:04:09,440 --> 01:04:10,960
Speaker 1: when you have to let go. When you let go

1295
01:04:11,080 --> 01:04:13,400
Speaker 1: to the universe sort of shows you how are you

1296
01:04:13,480 --> 01:04:15,600
Speaker 1: supposed to do it? You know? I always thought like

1297
01:04:15,680 --> 01:04:17,160
Speaker 1: I'm gonna be this, I'm gonna be there, and I've

1298
01:04:17,240 --> 01:04:20,280
Speaker 1: just been proven wrong every five years, Like okay, cool,

1299
01:04:20,320 --> 01:04:22,320
Speaker 1: all right, let me just shut up and now I

1300
01:04:22,440 --> 01:04:24,560
Speaker 1: just go with it. What's the rest of the nerd?

1301
01:04:24,600 --> 01:04:27,800
Speaker 1: At Chaise in Miami at the moment, Chat is in

1302
01:04:27,880 --> 01:04:30,880
Speaker 1: California at the moment. Does chat still make music? Yeah? Okay,

1303
01:04:31,120 --> 01:04:34,560
Speaker 1: absolutely so when y'all do stuff like Happy Us, the

1304
01:04:34,560 --> 01:04:37,600
Speaker 1: big Robin Thick record, I've forgotten now blird lines. Yeah

1305
01:04:37,640 --> 01:04:39,440
Speaker 1: he didn't work on any of that, but but we

1306
01:04:39,640 --> 01:04:42,720
Speaker 1: still work together. I'm just happy to collaborate whenever he's

1307
01:04:42,760 --> 01:04:44,600
Speaker 1: really ready to do it. He's the genius. Was it

1308
01:04:44,640 --> 01:04:46,520
Speaker 1: always planned for you to be like the Beyonce of Nerd?

1309
01:04:46,640 --> 01:04:50,880
Speaker 1: Like that was weird? You know what I'm saying? You

1310
01:04:50,960 --> 01:04:53,880
Speaker 1: know what I meant by that? See there you go

1311
01:04:54,000 --> 01:04:57,240
Speaker 1: with the just the gender thing Beyonce bigger than Gender's

1312
01:05:00,000 --> 01:05:02,320
Speaker 1: it is, But pointing me out to be that that

1313
01:05:02,400 --> 01:05:07,000
Speaker 1: makes me feel awkward. I'm I'm everybody. You're not Michelle,

1314
01:05:07,320 --> 01:05:13,360
Speaker 1: stop it? And I love Michelle. That's supposed to be

1315
01:05:13,400 --> 01:05:16,160
Speaker 1: your friends, you know what I mean? Like the front

1316
01:05:16,240 --> 01:05:19,480
Speaker 1: man of the group. You think nerd? You think Forrell? Wow,

1317
01:05:19,680 --> 01:05:22,640
Speaker 1: well he think? Does I know? I shy away from that.

1318
01:05:22,920 --> 01:05:27,160
Speaker 1: The leader thing he do? We do what we do? Yeah? Yeah, yeah, yeah,

1319
01:05:27,360 --> 01:05:29,280
Speaker 1: thank you, thank you. You have to embrace it as

1320
01:05:29,360 --> 01:05:33,320
Speaker 1: a man because you are a leader. You do have influence. Nah, bro,

1321
01:05:33,520 --> 01:05:35,720
Speaker 1: we're getting back to the awkward thing again. It doesn't

1322
01:05:35,720 --> 01:05:38,200
Speaker 1: think what Parell does works for him. It is what

1323
01:05:38,280 --> 01:05:41,600
Speaker 1: it is here to change. And you know I had

1324
01:05:41,600 --> 01:05:43,520
Speaker 1: a couple point where every great leader had to know, Okay,

1325
01:05:43,520 --> 01:05:44,880
Speaker 1: I'm a leader, what am I gonna do with this

1326
01:05:44,960 --> 01:05:48,560
Speaker 1: great power? Man? Come on, bro, what advisor? Advisor? I'm

1327
01:05:48,600 --> 01:05:50,720
Speaker 1: so happy to be that. How would you advise people

1328
01:05:50,800 --> 01:05:53,680
Speaker 1: now that Trump is in the White House? Intensions already

1329
01:05:53,680 --> 01:05:56,800
Speaker 1: and all time high. Recognize that there are power in numbers.

1330
01:05:57,600 --> 01:06:01,080
Speaker 1: It's us now, it's us, no more me turn the

1331
01:06:01,360 --> 01:06:05,080
Speaker 1: m upside down. We we we we it's our times,

1332
01:06:05,240 --> 01:06:09,080
Speaker 1: French time. We have to galvanize. We gotta see the

1333
01:06:09,240 --> 01:06:14,160
Speaker 1: power in numbers and women man like, we need you

1334
01:06:14,960 --> 01:06:17,240
Speaker 1: and y'all gotta stop hating on each other, like you

1335
01:06:17,320 --> 01:06:21,840
Speaker 1: don't understand that is many They won because we did

1336
01:06:22,000 --> 01:06:25,000
Speaker 1: not stand together. And none of us are perfect. Everybody

1337
01:06:25,200 --> 01:06:28,840
Speaker 1: up here is flawed. Everybody lies like. But when you

1338
01:06:29,160 --> 01:06:32,200
Speaker 1: recognize the strengthened numbers, like you could really do some

1339
01:06:32,360 --> 01:06:35,160
Speaker 1: amazing things you really can't. And when you don't, you're

1340
01:06:35,200 --> 01:06:37,360
Speaker 1: gonna see that other side continue to do what they're

1341
01:06:37,360 --> 01:06:39,840
Speaker 1: doing because they stuck together. I'm glad you keeps scrushing

1342
01:06:39,880 --> 01:06:41,560
Speaker 1: women because I got in troubled other day because I

1343
01:06:41,640 --> 01:06:44,600
Speaker 1: said I want. I said, it'd be really dope if

1344
01:06:44,680 --> 01:06:47,960
Speaker 1: women of color created a platform or they could have

1345
01:06:48,080 --> 01:06:51,680
Speaker 1: a voice to control their narratives, like the young chick

1346
01:06:51,760 --> 01:06:54,280
Speaker 1: Tommy Lord is doing. She didn't create that platform, but

1347
01:06:54,720 --> 01:06:57,760
Speaker 1: she's used Facebook to get her voice out there even more. Right,

1348
01:06:58,080 --> 01:07:01,040
Speaker 1: So they came at me hunting my pile. But I'm

1349
01:07:01,040 --> 01:07:03,640
Speaker 1: just saying, look, I understand how powerful women of colors

1350
01:07:03,760 --> 01:07:06,400
Speaker 1: voices are right now, and color have a lot of platforms.

1351
01:07:06,520 --> 01:07:08,080
Speaker 1: Is just the fact that. But I'm talking about as

1352
01:07:08,120 --> 01:07:10,080
Speaker 1: far as just like like like new we need an

1353
01:07:10,120 --> 01:07:13,880
Speaker 1: online news network. You talk about false stories and fake stories. Yeah,

1354
01:07:13,960 --> 01:07:17,040
Speaker 1: by the way, look I'm so sorry, but man, we

1355
01:07:17,200 --> 01:07:19,959
Speaker 1: need those platforms to sort of step up. They helped

1356
01:07:20,080 --> 01:07:24,000
Speaker 1: create this situation. It didn't really police it enough. Yeah,

1357
01:07:24,280 --> 01:07:26,440
Speaker 1: a lot of them. And the other side was just

1358
01:07:26,600 --> 01:07:28,840
Speaker 1: really smart. It was smart about it. They're like, ain't

1359
01:07:28,840 --> 01:07:30,440
Speaker 1: gonna do that, They're gonna get involved, They're gonna just

1360
01:07:30,480 --> 01:07:33,560
Speaker 1: continue making their money on their advertising, and you know

1361
01:07:33,800 --> 01:07:36,040
Speaker 1: they did that. But let's get inspired and see hidden

1362
01:07:36,080 --> 01:07:37,920
Speaker 1: figures because I know it's going to be an inspirational

1363
01:07:37,960 --> 01:07:39,640
Speaker 1: story for a lot of women, a lot of women

1364
01:07:39,680 --> 01:07:41,600
Speaker 1: of color, a lot of people in general, even men

1365
01:07:41,920 --> 01:07:44,200
Speaker 1: to let you know that you can't do anything. Yeah,

1366
01:07:44,280 --> 01:07:47,160
Speaker 1: it makes you feel better. Women crying, men crying. It's

1367
01:07:47,240 --> 01:07:49,880
Speaker 1: it's been, it's been amazing. This is an uplifting story.

1368
01:07:49,920 --> 01:07:52,560
Speaker 1: I know this is a very heavy conversation. Now it

1369
01:07:52,680 --> 01:07:55,439
Speaker 1: wasn't hate getting into like politics. I hate it. Why

1370
01:07:56,320 --> 01:07:58,720
Speaker 1: won't about the listening they are? You got? You gotta

1371
01:07:58,720 --> 01:08:02,080
Speaker 1: stop having that mentality? Man, man, I'm angry black They

1372
01:08:02,160 --> 01:08:04,280
Speaker 1: been listening to you for twenty years. Angry black man,

1373
01:08:04,400 --> 01:08:09,200
Speaker 1: angry black man, Samuel American, Samuel Jackson right now, right now,

1374
01:08:10,520 --> 01:08:13,960
Speaker 1: That's how I feel. That's what's going on on in now.

1375
01:08:14,000 --> 01:08:17,479
Speaker 1: You don't understand it's it's tempered. I've been working on this.

1376
01:08:17,840 --> 01:08:21,720
Speaker 1: I've never seen you angry whenever like happy. How much

1377
01:08:21,800 --> 01:08:24,439
Speaker 1: did I used to just break and just go full

1378
01:08:24,600 --> 01:08:28,880
Speaker 1: ass wild leading up to this whole entire thing? What

1379
01:08:29,080 --> 01:08:30,880
Speaker 1: had you so heated just affect that nobody could see

1380
01:08:30,920 --> 01:08:32,880
Speaker 1: the evil or they were? Did you guys? Have you

1381
01:08:32,960 --> 01:08:36,960
Speaker 1: guys ever seen the disgruntled Dallas Cowboys fan? I am

1382
01:08:37,040 --> 01:08:39,040
Speaker 1: one one of them, not not this year, but yeah,

1383
01:08:39,120 --> 01:08:42,040
Speaker 1: my father was one. My father actually telling somebody, somebody,

1384
01:08:42,200 --> 01:08:44,240
Speaker 1: he takes somebody at the Cowboys Jets game. He tass

1385
01:08:44,280 --> 01:08:46,479
Speaker 1: the marine on nine eleven in met life state. I

1386
01:08:46,600 --> 01:08:53,400
Speaker 1: need that. I need that footage. And no. Discruntled fans

1387
01:08:53,439 --> 01:08:56,960
Speaker 1: are everything to me. I like watching them. So you

1388
01:08:57,040 --> 01:08:59,800
Speaker 1: were a discrunt through killery fan. I guess let it go,

1389
01:09:00,000 --> 01:09:03,240
Speaker 1: Parrell just one time, let it go, let it go

1390
01:09:04,320 --> 01:09:08,680
Speaker 1: or now you're trn to me. Now that was That

1391
01:09:08,760 --> 01:09:12,960
Speaker 1: was another time I was frozen and the awards ceremony

1392
01:09:13,880 --> 01:09:17,080
Speaker 1: I had to let it go. Thank you, oh your

1393
01:09:17,120 --> 01:09:20,920
Speaker 1: cool ass awkwardness. All right, thank you man, thanks for

1394
01:09:21,000 --> 01:09:24,200
Speaker 1: having us and man please yeah. December twenty fifth, okay,

1395
01:09:24,800 --> 01:09:28,680
Speaker 1: um yep, January sixth and January thirteenth, and then the

1396
01:09:29,400 --> 01:09:36,000
Speaker 1: soundtrack is out now Mary J. Blige, later Halthaway, Janelle Munee,

1397
01:09:36,560 --> 01:09:40,640
Speaker 1: Kim Barell, Alicia Keys. Yeah, yeah, it's flavorful. Appreciate you.

1398
01:09:40,720 --> 01:09:41,200
Speaker 1: Appreciate