1 00:00:00,520 --> 00:00:03,560 Speaker 1: On the Dog Cast, the questions asked if movies have 2 00:00:03,640 --> 00:00:07,520 Speaker 1: women in them, are all their discussions just boyfriends and husbands, 3 00:00:07,560 --> 00:00:11,959 Speaker 1: or do they have individualism the patriarchy? Zef and Best 4 00:00:12,360 --> 00:00:16,160 Speaker 1: start changing it with the beck Del Cast. Hi, Welcome 5 00:00:16,200 --> 00:00:17,840 Speaker 1: to the beck Del Cast. My name is Jamie, my 6 00:00:17,920 --> 00:00:20,880 Speaker 1: name is Caitlin, and this is our movie podcast about 7 00:00:21,160 --> 00:00:24,759 Speaker 1: the girls, the girls, for the girls. Women. We're not 8 00:00:24,880 --> 00:00:29,120 Speaker 1: girls were women were sorry and neither was not anyone. 9 00:00:29,240 --> 00:00:32,519 Speaker 1: There's no girls where you're born grown up adult with 10 00:00:32,640 --> 00:00:36,600 Speaker 1: a woman child, just like Boss? Baby? Who's that movie? 11 00:00:36,640 --> 00:00:40,840 Speaker 1: Just like Baby? I don't know, I you know? Who? 12 00:00:40,960 --> 00:00:43,600 Speaker 1: Is it? For eating a cheeseburger Today? You're reaching a 13 00:00:43,680 --> 00:00:48,319 Speaker 1: cheeseburg in lieu of a Mike's Hard lemonade. Yeah, I'm 14 00:00:48,479 --> 00:00:52,680 Speaker 1: I'm making some changes in my life. Follow your heart. Yeah, 15 00:00:52,760 --> 00:00:55,240 Speaker 1: it's like a tangential change, but it's a change. It 16 00:00:55,360 --> 00:00:58,240 Speaker 1: changes the change. Our podcast is about the portrayal of 17 00:00:58,320 --> 00:01:01,080 Speaker 1: women in film. It's it's by by the Bechdel Tests. 18 00:01:01,120 --> 00:01:03,920 Speaker 1: It's a test that requires that two women in a movie, 19 00:01:04,280 --> 00:01:06,240 Speaker 1: they have to talk to each other and it has 20 00:01:06,280 --> 00:01:08,839 Speaker 1: to be about something other than a man. We prefer 21 00:01:08,920 --> 00:01:13,400 Speaker 1: that they have names but sometimes we'll give them a pass. Hey, 22 00:01:13,520 --> 00:01:15,400 Speaker 1: there is that. I didn't get to see it. It's 23 00:01:15,400 --> 00:01:18,680 Speaker 1: gone now, but fun Home was in town. It's connected 24 00:01:18,720 --> 00:01:23,200 Speaker 1: to the Bechdel Test because it's based on a graphic novel, 25 00:01:24,280 --> 00:01:26,400 Speaker 1: a musical version of that. I didn't know that it 26 00:01:26,480 --> 00:01:28,720 Speaker 1: was as well. I want to ask our guests about 27 00:01:28,760 --> 00:01:31,760 Speaker 1: it because she got to see it. Um our guest today. 28 00:01:31,959 --> 00:01:36,120 Speaker 1: She is Buttercup on Powerpuff Girls. She is in everything 29 00:01:36,160 --> 00:01:40,959 Speaker 1: that UCB does. Ever, Natalie Pelamide, has it gone? Thanks 30 00:01:41,000 --> 00:01:44,520 Speaker 1: so much for having me wait here? Did you love 31 00:01:44,520 --> 00:01:47,800 Speaker 1: fun Home? Oh my god, I freaking love fun I 32 00:01:47,840 --> 00:01:50,880 Speaker 1: cried the last twenty minutes of it. It's just so moving, 33 00:01:51,040 --> 00:01:54,040 Speaker 1: it's really funny. The music is really great and powerful. 34 00:01:54,080 --> 00:01:56,640 Speaker 1: It gives you goose bumps. Just a good story. It's 35 00:01:56,680 --> 00:02:00,400 Speaker 1: the you know, it's the true story about Alison Ptel's 36 00:02:00,480 --> 00:02:03,760 Speaker 1: life and her relationship with her father who was closeted, 37 00:02:04,480 --> 00:02:06,440 Speaker 1: and then you know, it's her story about coming out 38 00:02:06,440 --> 00:02:08,960 Speaker 1: as well and how they deal with that together. But 39 00:02:09,040 --> 00:02:12,480 Speaker 1: it's just, oh my god, it's I've listened to the 40 00:02:12,520 --> 00:02:14,360 Speaker 1: album and I've read the book, but I haven't gotten 41 00:02:14,400 --> 00:02:16,560 Speaker 1: to see you yet. I should see it if you can. 42 00:02:17,360 --> 00:02:20,080 Speaker 1: I still haven't finished the one Alison Bechdel book I 43 00:02:20,120 --> 00:02:24,360 Speaker 1: have bought. I wish I remember what it was called. 44 00:02:24,520 --> 00:02:27,080 Speaker 1: It's not It's Your Mama a Llama, because that's a 45 00:02:27,080 --> 00:02:32,120 Speaker 1: different book, but it sounds like I don't think that 46 00:02:32,160 --> 00:02:35,200 Speaker 1: she wrote your Mama is a Lama. No, she definitely 47 00:02:35,240 --> 00:02:37,480 Speaker 1: did not. But that's what the title of this book 48 00:02:37,520 --> 00:02:40,079 Speaker 1: reminds me of. I went to uh there was like 49 00:02:40,120 --> 00:02:41,840 Speaker 1: a book sale at the library and I got a 50 00:02:41,840 --> 00:02:45,400 Speaker 1: bunch of kids books with like illustrations that I liked, 51 00:02:45,520 --> 00:02:49,120 Speaker 1: and there's one called Runaway Pickle and it's about a 52 00:02:49,160 --> 00:02:53,440 Speaker 1: pickle that runs away. Recommendation of the cast I would 53 00:02:53,480 --> 00:02:56,920 Speaker 1: like to formally endorse a book. I'm pretty sure it's 54 00:02:56,919 --> 00:03:00,200 Speaker 1: called Runaway Pickle. Well, hey, you at the or if 55 00:03:00,200 --> 00:03:02,000 Speaker 1: you want to read that book you showed, you should 56 00:03:02,040 --> 00:03:04,400 Speaker 1: also read Are You My Mother, which is the name 57 00:03:04,680 --> 00:03:07,800 Speaker 1: of the Alice in Becktel book, not Is Your Mama 58 00:03:07,800 --> 00:03:10,120 Speaker 1: a Lama? Kail And I'm going to really try to 59 00:03:10,200 --> 00:03:12,200 Speaker 1: lean in on the mouth the noises of me eating 60 00:03:12,200 --> 00:03:14,280 Speaker 1: this cheeseburger, because I know you're going to edit this 61 00:03:14,360 --> 00:03:16,120 Speaker 1: later and I just like want to feel close to you. 62 00:03:16,919 --> 00:03:22,320 Speaker 1: Thank you all right, Clara Stuttles really disgusted because he 63 00:03:22,919 --> 00:03:26,120 Speaker 1: too can hear everyone. I'm sorry, he's also probably upset 64 00:03:26,120 --> 00:03:29,760 Speaker 1: they're eating beef in his presence because Air Stuttle is 65 00:03:29,800 --> 00:03:35,600 Speaker 1: a dirty, dirty vegan. I'm sorry for triggering everyone with 66 00:03:35,640 --> 00:03:38,840 Speaker 1: my with my bad eating habits, but you know, it 67 00:03:38,960 --> 00:03:41,080 Speaker 1: is what it is. Hey, your body, your choice, you know, 68 00:03:41,680 --> 00:03:44,160 Speaker 1: let's talk about the What a beautiful way to learn 69 00:03:44,200 --> 00:03:48,240 Speaker 1: that lesson by like actively polluting your body. Yeah, the 70 00:03:48,280 --> 00:03:50,640 Speaker 1: movie we're talking about today that you have brought us, 71 00:03:50,720 --> 00:03:53,720 Speaker 1: Natalie is The sand Lot. Yes, it's a classic, a 72 00:03:53,800 --> 00:03:57,440 Speaker 1: modern classic. So when did you first see this movie? 73 00:03:57,440 --> 00:03:59,920 Speaker 1: What's your relationship to this movie? I saw the movie 74 00:04:00,000 --> 00:04:02,920 Speaker 1: when I was maybe seven or eight years old, and 75 00:04:03,320 --> 00:04:06,560 Speaker 1: oh my gosh, I mean the nostalgia that I experienced 76 00:04:06,600 --> 00:04:10,160 Speaker 1: when I'm watching it is is powerful. You know. It's 77 00:04:10,160 --> 00:04:12,520 Speaker 1: just it reminds me of Fourth of July, like being 78 00:04:12,520 --> 00:04:15,320 Speaker 1: outside and playing baseball. Even though I'm not a boy, 79 00:04:15,640 --> 00:04:18,839 Speaker 1: I relate to it just because like my cousins, even 80 00:04:18,880 --> 00:04:22,000 Speaker 1: my girl cousins, would all like play sam Lot, like 81 00:04:22,080 --> 00:04:26,200 Speaker 1: I would be squints Paladoras because my last name is Palomides, 82 00:04:26,880 --> 00:04:30,160 Speaker 1: and I had like really big glasses too, just like Squints. 83 00:04:30,200 --> 00:04:34,520 Speaker 1: So I really related to Squints, you know, even though 84 00:04:34,640 --> 00:04:38,479 Speaker 1: he wasn't isn't my same gender, I thought just me 85 00:04:38,560 --> 00:04:41,920 Speaker 1: and him should get married. So you or we're the 86 00:04:41,960 --> 00:04:45,920 Speaker 1: same person. Yeah, did either way be a good match. Yeah, 87 00:04:46,440 --> 00:04:48,440 Speaker 1: so you've probably like seen this movie? Have you seen 88 00:04:48,480 --> 00:04:50,480 Speaker 1: it a bunch of times? I watched it every year 89 00:04:50,520 --> 00:04:54,800 Speaker 1: on Fourth of July without fail. Usually I'm drunk. We 90 00:04:54,920 --> 00:04:56,920 Speaker 1: come home and been like drinking all day, and then 91 00:04:56,920 --> 00:04:59,840 Speaker 1: we watched the Sad Lot. That's so nice. Yeah. When year, 92 00:04:59,880 --> 00:05:01,800 Speaker 1: I even watched it by myself because I was away 93 00:05:01,800 --> 00:05:05,840 Speaker 1: from my family. I still got drunken watched it myself. 94 00:05:06,640 --> 00:05:09,800 Speaker 1: That's sad. Where did you grow up Pittsburgh? Outside of 95 00:05:09,839 --> 00:05:15,360 Speaker 1: Pittsburgh from western Pennsylvania, but like rural Yeah, I mean yeah, 96 00:05:15,640 --> 00:05:17,840 Speaker 1: it's pretty rural where I grew up. It's like an 97 00:05:17,839 --> 00:05:21,760 Speaker 1: hour outside the city. Cool. Yeah, we'll talk about that later. Yeah, 98 00:05:21,960 --> 00:05:24,599 Speaker 1: we talked a lot about Pennsylvania and Massachusetts that we 99 00:05:24,640 --> 00:05:28,400 Speaker 1: do in the cast that Alison Bechtel's from Pennsylvania, kidding, 100 00:05:29,320 --> 00:05:33,200 Speaker 1: I can see all of Pennsylvania. Yeah, it's one of 101 00:05:33,240 --> 00:05:36,760 Speaker 1: the songs we should listen to that soundtrack in a 102 00:05:36,800 --> 00:05:42,040 Speaker 1: locked room and just release it's really good to but yeah, 103 00:05:42,080 --> 00:05:44,960 Speaker 1: so it's usually Yeah, brings a lot on a lot 104 00:05:45,000 --> 00:05:49,080 Speaker 1: of nostalgia at the movie makes me think about, you know, 105 00:05:49,200 --> 00:05:52,880 Speaker 1: family barbecues and just playing baseball with my family and 106 00:05:53,240 --> 00:05:55,839 Speaker 1: when I was a kid, you know, being outside all day. 107 00:05:56,520 --> 00:06:01,279 Speaker 1: Those are the kind of memories that it evokes. Yeah. Cool. 108 00:06:01,560 --> 00:06:03,839 Speaker 1: I saw this movie for the first time, I think 109 00:06:04,240 --> 00:06:06,440 Speaker 1: probably in college, which is when I saw most of 110 00:06:06,480 --> 00:06:10,239 Speaker 1: the movies I've seen. But um I told this story 111 00:06:10,279 --> 00:06:13,039 Speaker 1: on an earlier episode of the podcast. But I was 112 00:06:13,080 --> 00:06:16,160 Speaker 1: at a friend's house like a little pool party, and 113 00:06:16,520 --> 00:06:18,359 Speaker 1: all the boys were like, hey, let's go inside and 114 00:06:18,360 --> 00:06:20,840 Speaker 1: watch The sand Lot. And then they put like the 115 00:06:20,920 --> 00:06:24,240 Speaker 1: VHS tape in the VCR and it was a porn 116 00:06:24,440 --> 00:06:28,799 Speaker 1: movie and not The sand Lot. But because it wasn't 117 00:06:28,839 --> 00:06:32,520 Speaker 1: porn version out of the sand it was a woman. 118 00:06:33,360 --> 00:06:38,880 Speaker 1: It was just a woman being fisted with baseball with 119 00:06:38,920 --> 00:06:49,080 Speaker 1: a baby side off. But because I did not know 120 00:06:49,880 --> 00:06:52,560 Speaker 1: what The sand Lot was at the time, I somehow 121 00:06:52,600 --> 00:06:54,000 Speaker 1: like when it came out, I missed it. I was 122 00:06:54,040 --> 00:06:56,520 Speaker 1: I don't know, I just like, wasn't the gender or 123 00:06:56,520 --> 00:06:58,800 Speaker 1: the demographic that that movie was intended for. I also 124 00:06:58,920 --> 00:07:00,920 Speaker 1: grew up under a rock, so I didn't know that 125 00:07:00,960 --> 00:07:03,320 Speaker 1: I wasn't watching The sand Lot when we were I 126 00:07:03,320 --> 00:07:05,159 Speaker 1: was like, oh, the Sandlot is a porn movie. I 127 00:07:05,200 --> 00:07:12,640 Speaker 1: guess about being a kid and making friend. It wasn't 128 00:07:12,720 --> 00:07:15,480 Speaker 1: until years later that I discovered what the Sandlot actually was. 129 00:07:15,640 --> 00:07:19,480 Speaker 1: Funding nickname for your vagina the sand the Sandon Welcome 130 00:07:19,760 --> 00:07:22,880 Speaker 1: to this and that I had a very scary dream 131 00:07:22,920 --> 00:07:24,840 Speaker 1: the other night. I used to have, like when I 132 00:07:24,880 --> 00:07:27,600 Speaker 1: was a little The first movie I ever saw to 133 00:07:27,640 --> 00:07:29,360 Speaker 1: the point where I don't even remember seeing it, but 134 00:07:29,400 --> 00:07:32,640 Speaker 1: it like seeped into my consciousness was Aladdin, and I 135 00:07:32,720 --> 00:07:35,240 Speaker 1: used to be so scared of the cave that would 136 00:07:35,360 --> 00:07:39,200 Speaker 1: rise out of the same yeah, and there was I 137 00:07:39,720 --> 00:07:43,240 Speaker 1: still have dreams about the cave, and I used to 138 00:07:43,280 --> 00:07:45,760 Speaker 1: have like this. I used to sleepalk all lot when 139 00:07:45,760 --> 00:07:48,080 Speaker 1: I was a little kid, and there was like this 140 00:07:48,240 --> 00:07:51,280 Speaker 1: short flight of stairs that I fell down multiple times 141 00:07:51,320 --> 00:07:53,880 Speaker 1: because I like I was having a dream that the 142 00:07:53,960 --> 00:07:56,360 Speaker 1: cave was at the bottom of the stairs and I 143 00:07:56,400 --> 00:08:01,400 Speaker 1: would just launch myself what to what was not the 144 00:08:01,440 --> 00:08:05,960 Speaker 1: cave at all. It was thankfully a soft carpet at 145 00:08:06,000 --> 00:08:09,080 Speaker 1: the bottom, but still at the bottom of stairs, like 146 00:08:09,320 --> 00:08:13,720 Speaker 1: lots of rug burn. Yeah, I had the hots for Jafar. Really, 147 00:08:13,800 --> 00:08:17,880 Speaker 1: it's my most memorable thing. Laden. Yeah, he was my 148 00:08:17,960 --> 00:08:20,600 Speaker 1: first crush, the little twisty beard kind of guy. Yeah, 149 00:08:20,760 --> 00:08:24,040 Speaker 1: I guess I like, yeah, wait, I just want to 150 00:08:24,080 --> 00:08:27,080 Speaker 1: set the record straight and say that my nickname from 151 00:08:27,080 --> 00:08:32,240 Speaker 1: my vagina is box office flop. But oh I love that. 152 00:08:34,800 --> 00:08:36,800 Speaker 1: But I can we can call the sand Lot to 153 00:08:37,520 --> 00:08:39,720 Speaker 1: thinking of the sand Lot too returned with the sand Lot. 154 00:08:40,440 --> 00:08:44,160 Speaker 1: Oh my gosh, that's terrible. I can't believe they've even 155 00:08:44,200 --> 00:08:46,880 Speaker 1: made that. They ruined it. I didn't see the super 156 00:08:47,000 --> 00:08:52,480 Speaker 1: Was that a directive video? Yeah, I didn't see it. 157 00:08:52,920 --> 00:08:54,880 Speaker 1: When did you see The Sandlet for the first time, Jamie. 158 00:08:55,040 --> 00:08:58,560 Speaker 1: I remember seeing it where my my oldest cousin, Aaron, 159 00:08:58,840 --> 00:09:00,839 Speaker 1: used to love that movie. He was a couple of 160 00:09:00,880 --> 00:09:02,960 Speaker 1: years older than me and so we all would like 161 00:09:03,000 --> 00:09:05,800 Speaker 1: watch it together in the den when we were little. Yeah, 162 00:09:06,120 --> 00:09:08,240 Speaker 1: it was nice. I didn't It wasn't like one of 163 00:09:08,280 --> 00:09:11,360 Speaker 1: my favorite favorite movies. But it's like kind of the 164 00:09:11,400 --> 00:09:13,600 Speaker 1: same as you just reminded me of hanging out with 165 00:09:13,640 --> 00:09:16,679 Speaker 1: my cousins when I was little, and I wasn't I 166 00:09:16,760 --> 00:09:21,520 Speaker 1: wasn't baseball or sports girl in general, Like some of 167 00:09:21,520 --> 00:09:23,720 Speaker 1: my cousins would split off and play the sand lot 168 00:09:24,200 --> 00:09:27,240 Speaker 1: and re enact that movie. And then yeah, and then 169 00:09:27,320 --> 00:09:30,720 Speaker 1: in the backyard, me and my cousin Tammy would try 170 00:09:30,720 --> 00:09:33,280 Speaker 1: to re enact the Lindsay Lohan version of the parents. 171 00:09:34,800 --> 00:09:38,840 Speaker 1: That was like what we would do. So the movie, 172 00:09:39,000 --> 00:09:42,800 Speaker 1: let's talk about the Let's start with the characters. The 173 00:09:43,040 --> 00:09:48,520 Speaker 1: main boy characters are Scottie. He's like the protagonist who's 174 00:09:49,040 --> 00:09:55,120 Speaker 1: the story sort of unfolds through his point of view. 175 00:09:55,679 --> 00:10:01,080 Speaker 1: And then his best friend Benny Rodriguez, like the cool kid. 176 00:10:01,160 --> 00:10:06,480 Speaker 1: He's super good. It's changed, You're just like Benny. I know, 177 00:10:06,720 --> 00:10:11,400 Speaker 1: he's so much taller. Yeah, I think I might still 178 00:10:11,400 --> 00:10:13,480 Speaker 1: serve about a crush. And I remember I had a 179 00:10:13,920 --> 00:10:16,559 Speaker 1: like he was such a cute pan He's a good 180 00:10:16,600 --> 00:10:22,240 Speaker 1: looking young kid who is not inappropriate for us. Okay, 181 00:10:23,640 --> 00:10:26,880 Speaker 1: Then we got Squints like you, he was my crush. 182 00:10:27,840 --> 00:10:31,520 Speaker 1: And then he's a little underdog Timmy and Tommy the brothers, 183 00:10:32,120 --> 00:10:35,319 Speaker 1: and then yeah, yeah is the little short kid. Then 184 00:10:35,320 --> 00:10:39,520 Speaker 1: we got Ham and Kenny de Nunez and Bertram. That's 185 00:10:39,520 --> 00:10:45,439 Speaker 1: with the nine remember Bertram. All the glasses. Oh I remember, 186 00:10:45,480 --> 00:10:47,920 Speaker 1: I remember him now? Yeah? Yeah, yeah, I lost track 187 00:10:47,960 --> 00:10:49,959 Speaker 1: of a few of them. Some of them blended together 188 00:10:50,120 --> 00:10:59,760 Speaker 1: brings the chaw. Yes. So that's the main boys. And 189 00:10:59,800 --> 00:11:10,320 Speaker 1: then as far as the women go, where are they Mom? 190 00:11:11,320 --> 00:11:14,520 Speaker 1: Scotty's mom played by Karen Allen who is never even 191 00:11:14,720 --> 00:11:19,360 Speaker 1: named just mom. And then you've got Wendy Peppercorn. Hey wait, 192 00:11:19,400 --> 00:11:22,800 Speaker 1: should I do the the recap? Do their eat cap? 193 00:11:23,080 --> 00:11:26,240 Speaker 1: I guess what little semblance of a story it has 194 00:11:27,960 --> 00:11:36,160 Speaker 1: coming in? High's going to pass out? And well, okay, 195 00:11:36,280 --> 00:11:41,280 Speaker 1: so it's about these nine boys who play baseball every 196 00:11:41,360 --> 00:11:44,840 Speaker 1: day of this summer. I think it's in nine two, 197 00:11:45,400 --> 00:11:48,439 Speaker 1: And we focus on Scottie who moved to the neighborhood 198 00:11:48,440 --> 00:11:54,240 Speaker 1: and he's like, I'm Bad's my dad And he's like, 199 00:11:55,040 --> 00:11:57,200 Speaker 1: I want to play baseball, but I'm not good at it. 200 00:11:57,360 --> 00:11:59,960 Speaker 1: But I want to make friends. But they're all good baseball. 201 00:12:00,080 --> 00:12:01,880 Speaker 1: I don't I don't know how all we can do. 202 00:12:01,920 --> 00:12:05,400 Speaker 1: A little boy voices this whole episode, Oh man, I mean, 203 00:12:06,360 --> 00:12:09,240 Speaker 1: and then he like approaches these boys who were playing 204 00:12:09,280 --> 00:12:11,480 Speaker 1: at this place called the Sand Law, which is this 205 00:12:11,559 --> 00:12:15,240 Speaker 1: like magical place where boys play baseball every day and 206 00:12:15,280 --> 00:12:18,119 Speaker 1: then he's really bad, but they sort of accept him 207 00:12:18,520 --> 00:12:21,040 Speaker 1: whenever he shows that he can like finally catch a ball. 208 00:12:21,520 --> 00:12:24,960 Speaker 1: And then they play every day and then there's this 209 00:12:25,440 --> 00:12:29,400 Speaker 1: beast who lives in a backyard at the neighboring house, 210 00:12:29,520 --> 00:12:31,400 Speaker 1: and they're like, don't go to the beast. We lose 211 00:12:31,440 --> 00:12:36,800 Speaker 1: all these baseballs. No, it's scary for the baseballs. There's 212 00:12:36,840 --> 00:12:43,880 Speaker 1: so many baseballs over the fence by the beasts. So 213 00:12:44,200 --> 00:12:48,360 Speaker 1: one day they are playing and by this halfway through 214 00:12:48,400 --> 00:12:50,960 Speaker 1: the movie, and the inciting incident doesn't really happen until 215 00:12:50,960 --> 00:12:55,480 Speaker 1: this they bust a ball open. Benny because he's so 216 00:12:55,520 --> 00:12:59,640 Speaker 1: good at baseball. He's like, I'm gonna mash this ball up. 217 00:12:59,679 --> 00:13:03,600 Speaker 1: And they ruined this baseball and Scotty's like, hey, I 218 00:13:03,600 --> 00:13:07,800 Speaker 1: got a baseball at my house. I'm gonna use it. 219 00:13:07,880 --> 00:13:11,760 Speaker 1: Scott is so eager to little it was assigned by 220 00:13:12,040 --> 00:13:15,800 Speaker 1: Babe Ruth, who he doesn't know who that is, baby Ruth. 221 00:13:16,040 --> 00:13:20,480 Speaker 1: That was a fun yeah, like who is she? Yeah, 222 00:13:20,559 --> 00:13:22,320 Speaker 1: And then they lose it and the beast gets it, 223 00:13:22,440 --> 00:13:26,599 Speaker 1: so they have to like orchestrate this whole like rescue it. 224 00:13:27,240 --> 00:13:31,840 Speaker 1: Halfway through the movie pretty much, but they're building their 225 00:13:31,840 --> 00:13:34,920 Speaker 1: friendship and everything and establishing. I mean it's like to 226 00:13:34,960 --> 00:13:37,559 Speaker 1: be a kid, you know. Yeah, it does take a 227 00:13:37,600 --> 00:13:40,920 Speaker 1: while for things to actually start happenings. Some great moments 228 00:13:40,960 --> 00:13:44,320 Speaker 1: come before, you know, like the smorn and everything smores 229 00:13:44,720 --> 00:13:49,600 Speaker 1: and then they rescue this ball, but not before the 230 00:13:49,600 --> 00:13:52,280 Speaker 1: beast gets out and he's a big dog and he 231 00:13:52,400 --> 00:13:54,199 Speaker 1: chased them through the neighborhood and there's a cake and 232 00:13:54,200 --> 00:13:56,800 Speaker 1: then it falls on everyone. And then and Benny has 233 00:13:56,840 --> 00:14:01,880 Speaker 1: BF Flyers fast jump Fire and a ghost at the 234 00:14:01,880 --> 00:14:07,559 Speaker 1: Babe Ruth ghost visits Benny and at his house. Yeah, 235 00:14:07,720 --> 00:14:10,600 Speaker 1: and I have the same shoes as Benny. Very nice 236 00:14:10,760 --> 00:14:16,240 Speaker 1: sam audition PA Flyers, and then they discover that the 237 00:14:16,280 --> 00:14:18,640 Speaker 1: old man who lives in the house that the beast 238 00:14:18,760 --> 00:14:24,440 Speaker 1: is at is Yeah. James Jon Jones, former Yankees baseball 239 00:14:24,480 --> 00:14:28,080 Speaker 1: player who knew Babe Ruth, remind me that I caught 240 00:14:28,080 --> 00:14:30,440 Speaker 1: a flyball once, but it was like with my back 241 00:14:30,440 --> 00:14:33,240 Speaker 1: brace when I was twelve, I would have gotten hit 242 00:14:33,360 --> 00:14:36,320 Speaker 1: and like maybe hurt, but it hit. I was leaning over. 243 00:14:36,840 --> 00:14:40,120 Speaker 1: I was reading a magazine feature about Josh Hartnett, of course, 244 00:14:40,480 --> 00:14:43,440 Speaker 1: and the flyball at the baseball game that we had 245 00:14:43,480 --> 00:14:46,840 Speaker 1: gone to as a school field trip, like fell in 246 00:14:47,000 --> 00:14:49,840 Speaker 1: between the seat and my back brace, so that it 247 00:14:50,000 --> 00:14:52,080 Speaker 1: just I was like, what was that? And it was 248 00:14:52,120 --> 00:14:56,720 Speaker 1: a fly ball at a Providence White Sox game. Was good. 249 00:14:56,760 --> 00:14:59,360 Speaker 1: I still have it at my house, Uncle John, thank you. 250 00:14:59,520 --> 00:15:02,360 Speaker 1: Is it in your trophy room? It's in my trophy room. Yeah, 251 00:15:02,360 --> 00:15:05,000 Speaker 1: I have a lot of trophies. They're all heads of 252 00:15:05,040 --> 00:15:08,240 Speaker 1: the men you've decapitated. Yeah. It's a stinky little room, 253 00:15:09,120 --> 00:15:12,720 Speaker 1: but I'm proud of it. Uh cool. So that's mostly 254 00:15:12,720 --> 00:15:14,840 Speaker 1: the story. They like talked to James ald Jones and 255 00:15:14,840 --> 00:15:17,000 Speaker 1: he's like, yeah, here, here's a new ball. It has 256 00:15:17,080 --> 00:15:21,040 Speaker 1: all the signatures from the Yankees. I like how James 257 00:15:21,080 --> 00:15:25,480 Speaker 1: Earl Jones blackmails them into being his friends. I thought 258 00:15:25,480 --> 00:15:28,160 Speaker 1: that was really nice. And also just like that's such 259 00:15:28,160 --> 00:15:30,920 Speaker 1: a nice scene to where he's like, please be my friend. 260 00:15:31,680 --> 00:15:35,320 Speaker 1: He's basically like the Boo Radley of the community. Yeah, 261 00:15:35,400 --> 00:15:37,120 Speaker 1: oh yeah, I didn't even think of that. And then 262 00:15:37,120 --> 00:15:39,440 Speaker 1: he turns out to be a nice guy. Yeah, but 263 00:15:40,040 --> 00:15:41,840 Speaker 1: I have I had a lot of questions when I 264 00:15:41,880 --> 00:15:45,160 Speaker 1: watched it this time. I never like questioned the world 265 00:15:45,200 --> 00:15:47,720 Speaker 1: that the sand Lott takes place in. But it's like, 266 00:15:48,040 --> 00:15:55,800 Speaker 1: so first of all, there's no women live in this town. 267 00:15:56,000 --> 00:15:58,240 Speaker 1: But in regards to James Old Jones, I have so 268 00:15:58,240 --> 00:16:02,560 Speaker 1: many questions. Where did his life go wrong? Besides being blind? 269 00:16:02,720 --> 00:16:06,120 Speaker 1: Did he never get it a second wind? He lost 270 00:16:06,120 --> 00:16:10,040 Speaker 1: his career, He never had a backup plan, especially one 271 00:16:10,160 --> 00:16:13,160 Speaker 1: that involved him being blind. I don't know if he 272 00:16:13,240 --> 00:16:17,400 Speaker 1: lives in that little doesn't think doesn't doesn't major League 273 00:16:17,400 --> 00:16:20,760 Speaker 1: Baseball give you workmen's comp when you go blind. We'll 274 00:16:20,760 --> 00:16:23,480 Speaker 1: have to make some calls. You might have. He might 275 00:16:23,560 --> 00:16:26,240 Speaker 1: have squandered all his baseball cash. And then you know, 276 00:16:27,280 --> 00:16:30,120 Speaker 1: also like he's blind living on his own. Imagine taking 277 00:16:30,120 --> 00:16:32,960 Speaker 1: care of a house by yourself. That's a dog dogs 278 00:16:32,960 --> 00:16:35,040 Speaker 1: probably tuning everything. He's not even a seeing eye dog. 279 00:16:35,240 --> 00:16:42,880 Speaker 1: Yeah exactly. Yeah. Anyway, as we mentioned, there are almost 280 00:16:42,880 --> 00:16:47,880 Speaker 1: no women except for Scotty's mom and Wendy Peppercorn. They 281 00:16:47,880 --> 00:16:51,320 Speaker 1: don't touch to each other. Yeah, yeah, no, they were 282 00:16:51,360 --> 00:16:55,000 Speaker 1: like women. Sometimes they're like, hey, there's one uh like 283 00:16:55,120 --> 00:16:58,160 Speaker 1: in that when the boys are thrown out of the pool, 284 00:16:58,240 --> 00:17:01,160 Speaker 1: there's a mom who looks at I'm like, what do 285 00:17:01,280 --> 00:17:03,240 Speaker 1: you do? Yeah? For listeners of the cast, I just 286 00:17:03,280 --> 00:17:05,560 Speaker 1: made an O shape with my mouth to indicate shock 287 00:17:06,560 --> 00:17:10,920 Speaker 1: in fairness though, like, are there like any boys in like, 288 00:17:11,600 --> 00:17:14,560 Speaker 1: you know, the Baby Stairs Club. True, Baby Stairs Club 289 00:17:14,640 --> 00:17:17,359 Speaker 1: for sure passes the BacT Old test, but this is 290 00:17:17,440 --> 00:17:20,280 Speaker 1: kind of like the dude version of like it is 291 00:17:20,320 --> 00:17:22,400 Speaker 1: like a boys club kind of movie, but a lot 292 00:17:22,400 --> 00:17:27,480 Speaker 1: of girls watch it. Yeah, I don't remember like feeling 293 00:17:27,520 --> 00:17:30,720 Speaker 1: weird about it. It's don't remember feeling weird either. It's 294 00:17:30,760 --> 00:17:35,560 Speaker 1: weird because it's like it's a story where women are absent, 295 00:17:35,640 --> 00:17:39,720 Speaker 1: but they don't really with the exception of Wendy fefforcorn 296 00:17:40,000 --> 00:17:44,040 Speaker 1: um or is that how you say peffer peffer Feffer. 297 00:17:44,119 --> 00:17:48,800 Speaker 1: I was imagining a pfefforcorn No, it's peppercorn, yeah, i' 298 00:17:51,000 --> 00:17:55,600 Speaker 1: but they it's not really that condescending to women. It's 299 00:17:55,640 --> 00:17:59,920 Speaker 1: just a world that don't really stand. Well, there's the 300 00:18:00,000 --> 00:18:03,320 Speaker 1: it you play ball like a girl, right, There's a 301 00:18:03,400 --> 00:18:05,639 Speaker 1: number of instances. So I made note of this. I 302 00:18:05,640 --> 00:18:10,200 Speaker 1: think that it's horribly condescending to women. And yeah, I'm 303 00:18:10,240 --> 00:18:14,080 Speaker 1: taking a strong stance on this episode. You guys love it. 304 00:18:14,600 --> 00:18:17,720 Speaker 1: There's a scene where this other group of like baseball 305 00:18:17,760 --> 00:18:21,840 Speaker 1: boys roll up and they're sort of like insult battling. 306 00:18:21,880 --> 00:18:25,800 Speaker 1: They're roasting each other if you will, it's a roast. Oh, 307 00:18:25,880 --> 00:18:29,160 Speaker 1: I see your sister out in left field. She's naked, right. 308 00:18:29,480 --> 00:18:32,560 Speaker 1: Oh yeah, but that's the game before they play the 309 00:18:32,560 --> 00:18:35,239 Speaker 1: game against each other. Ham and this other kid from 310 00:18:35,240 --> 00:18:37,440 Speaker 1: this other team are like hurling insults at each other 311 00:18:37,600 --> 00:18:39,240 Speaker 1: and they're going back and forth and it keeps heightening 312 00:18:39,280 --> 00:18:42,000 Speaker 1: because they're like, you're dumb, you're a dork, you are 313 00:18:42,160 --> 00:18:45,639 Speaker 1: spart smeller, you are a toe jam liquor like stuff 314 00:18:45,640 --> 00:18:48,960 Speaker 1: like that. And then Ham goes, oh, yeah, well you 315 00:18:49,040 --> 00:18:53,560 Speaker 1: play like a girl. And then everyone goes as if 316 00:18:53,600 --> 00:18:56,480 Speaker 1: that's the when you posset and you play all those 317 00:18:56,520 --> 00:19:00,639 Speaker 1: tampon commercials. It's like, I don't play like I'm strong. 318 00:19:01,359 --> 00:19:03,840 Speaker 1: I biposit And I was like, what was it is 319 00:19:03,840 --> 00:19:09,280 Speaker 1: that the always company that co opted that? Um anyway, 320 00:19:09,320 --> 00:19:12,919 Speaker 1: it's very possible. Okay, well a girl plays baseball in 321 00:19:12,960 --> 00:19:15,800 Speaker 1: that commercial. Oh good, I'm so glad we get that 322 00:19:15,880 --> 00:19:19,320 Speaker 1: representation in there. So that's one example of a few 323 00:19:19,359 --> 00:19:23,120 Speaker 1: different instances where they use women as like the butt 324 00:19:23,160 --> 00:19:25,600 Speaker 1: of a joke. Or when I was a kid, I 325 00:19:25,640 --> 00:19:28,480 Speaker 1: wasn't insulted by that at all, and that was hilarious. 326 00:19:28,720 --> 00:19:33,960 Speaker 1: I'm sure it was wrong with me. They Another one 327 00:19:34,119 --> 00:19:37,080 Speaker 1: is when they're debating whether or not to let like 328 00:19:37,160 --> 00:19:41,040 Speaker 1: Scottie join the team. Um, Benny is like arguing for him, 329 00:19:41,040 --> 00:19:42,760 Speaker 1: and he's like, well, we only have eight people. He 330 00:19:42,840 --> 00:19:45,680 Speaker 1: makes nine and then someone I think it might be yeah, yeah, 331 00:19:45,760 --> 00:19:48,159 Speaker 1: or squints or someone goes so with my sister, but 332 00:19:48,200 --> 00:19:51,639 Speaker 1: I didn't bring her that, like why would we, Like 333 00:19:51,680 --> 00:19:54,400 Speaker 1: what a horrible choice that would have been. And then 334 00:19:54,920 --> 00:19:57,360 Speaker 1: there's another scene where it's super hot outside and they're 335 00:19:57,400 --> 00:19:59,960 Speaker 1: all like it's too hot to play and Benny's like, 336 00:20:00,000 --> 00:20:01,480 Speaker 1: come on, guys, let's do it. And they're like no, 337 00:20:01,680 --> 00:20:03,800 Speaker 1: and he's like, all right, well, anyone who wants to 338 00:20:03,800 --> 00:20:07,760 Speaker 1: be a can't hack it pantywaist? Who where's their mama's bra? 339 00:20:09,119 --> 00:20:10,639 Speaker 1: And they're all like, yeah, we're fine with that. But 340 00:20:10,840 --> 00:20:15,760 Speaker 1: just like that was a fun one though. It's just okay, 341 00:20:16,000 --> 00:20:23,119 Speaker 1: Sure these like young boys, right, like young locker room talk. 342 00:20:23,600 --> 00:20:26,080 Speaker 1: They're not going to be at the forefront of a 343 00:20:26,160 --> 00:20:30,359 Speaker 1: feminist movement. Sure they're young boys from nine two. But 344 00:20:30,600 --> 00:20:34,159 Speaker 1: here's the thing. Young kids, boys and girls are watching 345 00:20:34,160 --> 00:20:38,360 Speaker 1: this movie, and this audience is like very impressionable, easily 346 00:20:38,400 --> 00:20:41,679 Speaker 1: influenced so to like hear things like this from a movie, 347 00:20:42,359 --> 00:20:44,760 Speaker 1: they're like, Oh, that's that's okay, that's okay, Like that's 348 00:20:44,760 --> 00:20:48,520 Speaker 1: all right to think the guys we have to deal 349 00:20:48,560 --> 00:20:51,879 Speaker 1: with these days. I mean, it must have grown up 350 00:20:51,920 --> 00:20:55,560 Speaker 1: watching that movie. Man, I'm ready to hold the sand 351 00:20:55,640 --> 00:21:01,040 Speaker 1: Loan accountable feminists. I think that. I mean, it wouldn't 352 00:21:01,080 --> 00:21:04,720 Speaker 1: have been difficult to add. I mean, and this would 353 00:21:04,720 --> 00:21:08,119 Speaker 1: be like the very very very least is kind of 354 00:21:08,160 --> 00:21:12,560 Speaker 1: like a girl on the team who had to you know, 355 00:21:13,160 --> 00:21:16,280 Speaker 1: take that ship and then say hey and then throw 356 00:21:16,320 --> 00:21:19,439 Speaker 1: one good pitch Like that sounds like the team to 357 00:21:19,520 --> 00:21:23,440 Speaker 1: be so bad, right, just to give the I think 358 00:21:23,440 --> 00:21:28,120 Speaker 1: I would have liked the movie so much more the girl. Yeah, 359 00:21:28,240 --> 00:21:31,440 Speaker 1: at least one right, because like sort, I don't think 360 00:21:31,440 --> 00:21:34,639 Speaker 1: it's unrealistic for these boys to be thinking and talking 361 00:21:34,640 --> 00:21:39,320 Speaker 1: this way about girls. But because it goes unchallenged, is 362 00:21:39,359 --> 00:21:41,960 Speaker 1: I think what bothers me? And like, no one's like that, 363 00:21:42,080 --> 00:21:45,680 Speaker 1: don't talk that way about me. Yeah, I think about 364 00:21:45,680 --> 00:21:47,240 Speaker 1: how hilarious it would have been if he was like, 365 00:21:47,280 --> 00:21:50,160 Speaker 1: what do you play ball like a girl? And then 366 00:21:50,160 --> 00:21:53,479 Speaker 1: I was like, and then she's like the best player 367 00:21:53,520 --> 00:21:56,040 Speaker 1: on the team, you know, or something like and she's like, 368 00:21:56,640 --> 00:21:58,240 Speaker 1: what's that supposed to me? And you know he's like, 369 00:21:58,280 --> 00:22:02,840 Speaker 1: oh sorry. You know, there's moments there, there's man. Yeah, 370 00:22:02,920 --> 00:22:05,240 Speaker 1: I would love if there was a girl, at least 371 00:22:05,240 --> 00:22:07,080 Speaker 1: one girl. I still wouldn't help this movie pass the 372 00:22:07,160 --> 00:22:10,160 Speaker 1: back to all tests, but it would be cool. And 373 00:22:10,200 --> 00:22:12,640 Speaker 1: also I'd like there, you know, most of them are 374 00:22:12,760 --> 00:22:16,960 Speaker 1: like little shitty mouth breathing boys that it makes sense 375 00:22:16,960 --> 00:22:18,840 Speaker 1: further because they're supposed to be what like nine and 376 00:22:18,880 --> 00:22:26,280 Speaker 1: ten or something that young. And but I mean you've 377 00:22:26,320 --> 00:22:30,040 Speaker 1: got Scottie and Benny and they're both pretty good kids, 378 00:22:30,040 --> 00:22:32,360 Speaker 1: and it's like, you know, they seem like the sort 379 00:22:32,359 --> 00:22:37,560 Speaker 1: of characters that could interact with like a woman child 380 00:22:39,400 --> 00:22:42,560 Speaker 1: and and have it, you know, not be really condescending 381 00:22:42,560 --> 00:22:46,280 Speaker 1: and go well. But they did not do that, which 382 00:22:46,320 --> 00:22:51,080 Speaker 1: is not entirely surprising because this is written, directed, produced, 383 00:22:51,960 --> 00:22:55,760 Speaker 1: it's all guys who made this movie, which is I've 384 00:22:55,760 --> 00:22:58,800 Speaker 1: never been less surprised, But because it's a little boy movie. 385 00:22:59,400 --> 00:23:01,840 Speaker 1: Um yeah, was written and directed by David Evans and 386 00:23:01,880 --> 00:23:05,000 Speaker 1: then uh, someone named Robert Gunter also has a writing 387 00:23:05,040 --> 00:23:10,679 Speaker 1: credit on it, so they're responsible. Could we say that 388 00:23:10,720 --> 00:23:14,320 Speaker 1: it's important to make movies that are just like, like, 389 00:23:14,400 --> 00:23:18,000 Speaker 1: let's say that The sand Lot was like all girls 390 00:23:18,040 --> 00:23:21,239 Speaker 1: about like a girl's softball team. You know, do you 391 00:23:21,280 --> 00:23:25,040 Speaker 1: think people would be upset that there was no boy? Like, 392 00:23:25,080 --> 00:23:28,800 Speaker 1: obviously people are upset because in movies there's already a 393 00:23:28,920 --> 00:23:31,480 Speaker 1: lack of women represented. But let's just say it was 394 00:23:31,520 --> 00:23:36,080 Speaker 1: the opposite, it was like all women. Would people be like, oh, 395 00:23:36,119 --> 00:23:39,800 Speaker 1: there should have been a boy in there. Some men's 396 00:23:39,840 --> 00:23:42,280 Speaker 1: rights activists to be like, why aren't through? But like, 397 00:23:42,640 --> 00:23:46,600 Speaker 1: the females are already so underrepresented in film, right when 398 00:23:46,600 --> 00:23:50,159 Speaker 1: you feature like a marginalized group. Yeah, it's it's tricky 399 00:23:50,200 --> 00:23:53,040 Speaker 1: because I do understand the argument that could be made 400 00:23:53,040 --> 00:23:56,480 Speaker 1: of like this is a movie about little boys, and 401 00:23:56,640 --> 00:23:59,639 Speaker 1: I totally agree with you, Kaitlin that like the way 402 00:23:59,640 --> 00:24:02,879 Speaker 1: that they talk about girls is never challenged and and 403 00:24:02,920 --> 00:24:06,960 Speaker 1: that is you know, maybe that's realistic, but it's a movie. 404 00:24:07,080 --> 00:24:10,280 Speaker 1: It's very easy to just throw in any sort of 405 00:24:10,400 --> 00:24:13,280 Speaker 1: challenge from anyone. And there's a lot of stuff about 406 00:24:13,280 --> 00:24:15,920 Speaker 1: this movie, like it takes place in nineteen sixty two, 407 00:24:16,040 --> 00:24:20,200 Speaker 1: and there is a Hispanic character, there's a black character. 408 00:24:20,760 --> 00:24:24,760 Speaker 1: This is not addressed at all, And that's you know, 409 00:24:24,920 --> 00:24:27,800 Speaker 1: like that it's not that kind of movie that is 410 00:24:27,800 --> 00:24:30,160 Speaker 1: going to address racial issues. But it's weird because outside 411 00:24:30,200 --> 00:24:36,199 Speaker 1: of gender, it is relatively inclusive or at least, you know, 412 00:24:36,359 --> 00:24:39,840 Speaker 1: we see those characters on screen, and I don't I mean, 413 00:24:39,840 --> 00:24:41,320 Speaker 1: I don't know where this is going. It's just weird 414 00:24:41,320 --> 00:24:45,280 Speaker 1: because there's a few cop outs in that it's the summer, 415 00:24:45,400 --> 00:24:47,439 Speaker 1: so we never need to see them at school, and 416 00:24:47,480 --> 00:24:50,000 Speaker 1: that's where we would see girls. But even like at 417 00:24:50,040 --> 00:24:53,240 Speaker 1: the pool and stuff, like, there's no girl that they 418 00:24:53,280 --> 00:24:57,840 Speaker 1: consider an equal in this movie because Wendy Peffercorn is 419 00:24:57,880 --> 00:25:01,159 Speaker 1: like older and like a of them or whatever. And 420 00:25:01,200 --> 00:25:06,200 Speaker 1: then there's uh, Scottie's mom, and so there's no girl 421 00:25:06,520 --> 00:25:09,760 Speaker 1: who's on their level to interact with and and and 422 00:25:10,040 --> 00:25:12,040 Speaker 1: that is that is kind of where and even like 423 00:25:12,200 --> 00:25:16,440 Speaker 1: unusual for this kind of movie. Yeah, I mean, it's 424 00:25:16,480 --> 00:25:18,840 Speaker 1: not even so much that I'm upset by the lack 425 00:25:18,920 --> 00:25:23,480 Speaker 1: of women in the movie. All others certainly could be more. 426 00:25:23,720 --> 00:25:28,240 Speaker 1: It's just I suppose the way that they think about women, 427 00:25:28,320 --> 00:25:30,920 Speaker 1: Like I said, girls and women are used as an 428 00:25:30,920 --> 00:25:33,240 Speaker 1: insult every time. It's basically like we we think that 429 00:25:33,280 --> 00:25:37,760 Speaker 1: women are inherently bad and bad at sports and bad 430 00:25:37,760 --> 00:25:41,520 Speaker 1: at throwing, and they are basically just lesser than us. 431 00:25:41,960 --> 00:25:44,240 Speaker 1: So we are going to use that as an opportunity 432 00:25:44,520 --> 00:25:47,879 Speaker 1: to insult each other by calling each other girls, or 433 00:25:47,960 --> 00:25:52,120 Speaker 1: by insinuating that you're being girlish if you were being 434 00:25:52,160 --> 00:25:55,880 Speaker 1: weak or not good at baseball. What do you think 435 00:25:55,920 --> 00:26:04,920 Speaker 1: about Squints and Wendy Peffercorn getting together with and turns 436 00:26:04,960 --> 00:26:08,920 Speaker 1: in that relationship, like you right before the credits, it's 437 00:26:08,960 --> 00:26:15,160 Speaker 1: like Squints and Wendy had like so many kids together, Yeah, 438 00:26:15,440 --> 00:26:18,639 Speaker 1: could not stop. What do we think about that? Well, first, 439 00:26:18,640 --> 00:26:21,560 Speaker 1: she's like this powerful woman who like kicks his ass 440 00:26:21,600 --> 00:26:24,800 Speaker 1: out of the pool, you know, because he sexually assaults her. 441 00:26:25,040 --> 00:26:29,320 Speaker 1: Yeah yeah, right, oh yeah, yeah, he pulls her down 442 00:26:29,760 --> 00:26:33,719 Speaker 1: like that's not good, and but that is true, Like 443 00:26:33,800 --> 00:26:36,719 Speaker 1: it's never betrayed, like I you know, never even crossed 444 00:26:36,720 --> 00:26:38,600 Speaker 1: my mind as an adult, like watching this movie. I 445 00:26:38,640 --> 00:26:41,000 Speaker 1: watched it every year, you know, I said, never crossed 446 00:26:41,000 --> 00:26:44,560 Speaker 1: my mind that, Like she's getting sexually assaulted. In my head, 447 00:26:44,560 --> 00:26:49,560 Speaker 1: I'm like a goofy kid. It's like a fast one 448 00:26:49,600 --> 00:26:53,640 Speaker 1: on her, you know, yeah, I mean the voiceover from 449 00:26:53,720 --> 00:26:58,000 Speaker 1: older Scottie after that sequence, I was like, whoa this 450 00:26:58,080 --> 00:27:00,880 Speaker 1: is it would have like it's still would have been 451 00:27:01,040 --> 00:27:06,560 Speaker 1: very strange to you know, because Squint's literally like pulls 452 00:27:06,640 --> 00:27:09,280 Speaker 1: this girl down and she's trying to do her job, 453 00:27:09,880 --> 00:27:13,960 Speaker 1: and she's doing a good job, but she kicks them out, 454 00:27:14,119 --> 00:27:17,840 Speaker 1: and that is like, okay, good, you know, she stood 455 00:27:17,920 --> 00:27:19,560 Speaker 1: up for herself and got these kids the funk out 456 00:27:19,560 --> 00:27:22,080 Speaker 1: of there. But then the voiceover kicks in and it 457 00:27:22,160 --> 00:27:25,159 Speaker 1: was like, man, now it's so fucking cool. What a 458 00:27:25,320 --> 00:27:30,120 Speaker 1: bold little kid, And like that was he was a hero. 459 00:27:30,400 --> 00:27:33,119 Speaker 1: He kissed a girl and did a and then and 460 00:27:33,119 --> 00:27:37,000 Speaker 1: then the part that like ruined Wendy Peppercorn for me 461 00:27:37,440 --> 00:27:40,159 Speaker 1: is when later it's like at every time he passed 462 00:27:40,200 --> 00:27:42,679 Speaker 1: the pool, she would smile at him. I was like, 463 00:27:42,720 --> 00:27:46,199 Speaker 1: why what a little weird never happened. She'd be like, 464 00:27:46,240 --> 00:27:49,080 Speaker 1: oh god, the kid. Yeah, I would have like a 465 00:27:49,160 --> 00:27:51,879 Speaker 1: dark gun and like blow poisons darts at him. If 466 00:27:51,920 --> 00:27:55,760 Speaker 1: I would love to see a dark gun. I might 467 00:27:55,760 --> 00:27:58,359 Speaker 1: get in trouble for saying this, but like it's just 468 00:27:58,400 --> 00:28:02,680 Speaker 1: like there's this fine line between like technically it's sexual assault, 469 00:28:02,720 --> 00:28:06,680 Speaker 1: but then also he's like this stupid kid that just 470 00:28:06,720 --> 00:28:08,560 Speaker 1: thinks like this is the way to like hit on 471 00:28:08,600 --> 00:28:11,399 Speaker 1: Wendy pepper Corn or like you know, the way it's 472 00:28:11,440 --> 00:28:13,720 Speaker 1: presented is like he's like, this is my one shot 473 00:28:13,800 --> 00:28:16,440 Speaker 1: to like make his move, you know what I mean, 474 00:28:16,520 --> 00:28:19,720 Speaker 1: Like he doesn't even understand that like that would be 475 00:28:20,320 --> 00:28:23,359 Speaker 1: considered assault. Yeah, I mean in the movie, and I 476 00:28:23,400 --> 00:28:25,320 Speaker 1: think that the thing that bothered me more than the 477 00:28:25,359 --> 00:28:31,200 Speaker 1: fact that it actually happened was that the adult like 478 00:28:30,880 --> 00:28:33,879 Speaker 1: like like thirty years later is like that was cool, 479 00:28:34,160 --> 00:28:37,240 Speaker 1: like no regrets, you know, like that that was what 480 00:28:37,359 --> 00:28:42,000 Speaker 1: bothered me more. Yeah, we're like the narration like this, 481 00:28:42,200 --> 00:28:46,400 Speaker 1: you know whatever, The omniscient smart guy says it's fine 482 00:28:46,440 --> 00:28:54,920 Speaker 1: because he says what Squints did was sneaky, low rotten. Yeah, cool, right, Yeah, 483 00:28:55,200 --> 00:28:59,320 Speaker 1: it's that's at least they like partially acknowledged that it 484 00:28:59,400 --> 00:29:03,720 Speaker 1: was like uns Yeah. And then after they've gotten kicked 485 00:29:03,720 --> 00:29:05,760 Speaker 1: out of the pool and as they're walking away, Ham 486 00:29:05,880 --> 00:29:07,400 Speaker 1: is like did you plan that? And he's like, yeah, 487 00:29:07,400 --> 00:29:13,160 Speaker 1: I've been putting it for a while and it's actually 488 00:29:13,920 --> 00:29:16,000 Speaker 1: trigger I want to break this down a little bit 489 00:29:16,000 --> 00:29:18,720 Speaker 1: more because this scene was so alarming to me. But 490 00:29:19,280 --> 00:29:22,320 Speaker 1: before that happens, when we're introduced to Wendy Peppercorn for 491 00:29:22,320 --> 00:29:27,120 Speaker 1: the first time. She's so heavily objectified. It's insane, like 492 00:29:27,200 --> 00:29:33,240 Speaker 1: for like a fourteen year old girl, and she's she's young, 493 00:29:33,840 --> 00:29:37,360 Speaker 1: she's probably meant to be like sixteen, but even that's 494 00:29:37,480 --> 00:29:40,640 Speaker 1: still so the first time you meet her, she's walking 495 00:29:40,680 --> 00:29:42,400 Speaker 1: down the street and then there's a shot of just 496 00:29:42,640 --> 00:29:46,160 Speaker 1: her butt like as she's walking. It's just like a 497 00:29:46,360 --> 00:29:50,760 Speaker 1: lingering male gaze shot of her ass. But that's what 498 00:29:50,800 --> 00:29:54,120 Speaker 1: they're trying to portray though, right, I mean, they're portraying 499 00:29:54,160 --> 00:29:57,280 Speaker 1: like staring at her ass probably what I mean they're 500 00:29:57,760 --> 00:30:01,480 Speaker 1: They're they're saying that Squints attracted her, yes, but doesn't 501 00:30:01,480 --> 00:30:06,600 Speaker 1: need to be in such a sleazy way filmically, I think. Cinematically, yeah, 502 00:30:06,640 --> 00:30:08,680 Speaker 1: I think that comes back to the lack of challenging 503 00:30:08,720 --> 00:30:12,960 Speaker 1: anything where it's like you can have another shout out 504 00:30:12,960 --> 00:30:15,840 Speaker 1: to headless Women in Hollywood one of my favorite blogs ever, 505 00:30:16,480 --> 00:30:18,920 Speaker 1: and that's like one of those classic things where it's like, oh, 506 00:30:19,040 --> 00:30:22,440 Speaker 1: it's you know, a woman's ass and we know nothing 507 00:30:22,440 --> 00:30:26,360 Speaker 1: about her except she's a lifeguard, and well it happens, 508 00:30:26,600 --> 00:30:28,840 Speaker 1: it happens again. You know, that's the dream of mine. 509 00:30:29,440 --> 00:30:33,040 Speaker 1: That's really all Squints knows about her too. She just 510 00:30:33,080 --> 00:30:35,960 Speaker 1: has a crush from afar on this girl that he 511 00:30:36,080 --> 00:30:39,400 Speaker 1: thinks is pretty, and really all he knows about her 512 00:30:39,480 --> 00:30:42,880 Speaker 1: is like her good looks. Sure, it is like that 513 00:30:42,960 --> 00:30:46,320 Speaker 1: shallow from the kid's perspective, I think that can still 514 00:30:46,360 --> 00:30:49,640 Speaker 1: be communicated on screen without isolating a shot of just 515 00:30:49,840 --> 00:30:52,120 Speaker 1: her ass. And then it happens again when she's at 516 00:30:52,160 --> 00:30:54,760 Speaker 1: the pool, you see just a shot of her breasts, 517 00:30:55,000 --> 00:30:58,280 Speaker 1: like that she's putting on sunscreen. So like there's still 518 00:30:58,320 --> 00:31:01,360 Speaker 1: ways to communicate that one cares attracted to another without 519 00:31:01,480 --> 00:31:05,240 Speaker 1: like horribly objectifying them like that. Yes, but I think 520 00:31:05,320 --> 00:31:07,880 Speaker 1: part of like the thing that I think is funny 521 00:31:08,080 --> 00:31:11,760 Speaker 1: is that he is just like so like like drooling 522 00:31:11,800 --> 00:31:14,880 Speaker 1: over like her ass. It's kind of like things that 523 00:31:14,960 --> 00:31:18,440 Speaker 1: like guys do focus on, you know, and they're even 524 00:31:18,480 --> 00:31:23,480 Speaker 1: like focus on my feet actually, you know, like they 525 00:31:23,520 --> 00:31:26,160 Speaker 1: are you know for me, I don't think it's like 526 00:31:26,880 --> 00:31:29,880 Speaker 1: so absurd to like show from his perspective that that's 527 00:31:29,920 --> 00:31:33,840 Speaker 1: like all he's focusing on, because that probably is like 528 00:31:33,880 --> 00:31:35,760 Speaker 1: what he's focusing on. Sure, I mean he's a horny 529 00:31:35,760 --> 00:31:40,080 Speaker 1: little boy who's reaching puberty. Yeah, yeah, he's the first one. 530 00:31:40,880 --> 00:31:46,520 Speaker 1: What do you would think of you Benny, but he's 531 00:31:46,560 --> 00:31:50,080 Speaker 1: horny for the game. Yeah. I see what you're saying 532 00:31:50,080 --> 00:31:53,360 Speaker 1: that it's like right to objectify women, but like that 533 00:31:53,560 --> 00:31:58,320 Speaker 1: is his perspective that they're portraying. I understand. It still 534 00:31:58,440 --> 00:32:02,160 Speaker 1: gross me out. I'm still like, yeah, and it probably wouldn't. 535 00:32:02,160 --> 00:32:04,120 Speaker 1: It didn't gross me out. Like the first time I 536 00:32:04,160 --> 00:32:06,000 Speaker 1: saw it, I didn't think anything of it, you know, 537 00:32:06,080 --> 00:32:09,160 Speaker 1: like ten years ago, but now I'm like, you know 538 00:32:09,240 --> 00:32:11,440 Speaker 1: what that that porn that I thought was the sand 539 00:32:11,440 --> 00:32:14,960 Speaker 1: Lot where that woman is getting tristed is less subjectifying 540 00:32:15,120 --> 00:32:19,160 Speaker 1: than this movie. Yeah, yeah, well yeah, I mean, especially 541 00:32:19,200 --> 00:32:22,520 Speaker 1: in a movie for little kids, that's that's a weird 542 00:32:23,160 --> 00:32:27,360 Speaker 1: precedent to be setting. And I mean, like I don't know, 543 00:32:27,440 --> 00:32:30,040 Speaker 1: like kids are pretty sexual though, you know what I mean, 544 00:32:30,200 --> 00:32:33,240 Speaker 1: like they I mean I made my barbies have sex 545 00:32:33,280 --> 00:32:35,280 Speaker 1: with each other when I was like six years old. 546 00:32:35,720 --> 00:32:37,720 Speaker 1: I used to. I used to make my Hunchback of 547 00:32:37,800 --> 00:32:42,520 Speaker 1: Nu Puppets make out. Yeah, like I like made out 548 00:32:42,560 --> 00:32:45,680 Speaker 1: with my Ventriloquist dummy, you know, like you would have 549 00:32:45,680 --> 00:32:50,800 Speaker 1: been Trillo was dummy. Yeah. But like you know, I 550 00:32:50,840 --> 00:32:53,880 Speaker 1: feel like people tend to forget that kids, like, even 551 00:32:53,920 --> 00:32:57,720 Speaker 1: from a young age, are like sexual beings, you know, 552 00:32:57,800 --> 00:33:00,880 Speaker 1: in their own like innocent way, you know, like I 553 00:33:00,960 --> 00:33:03,400 Speaker 1: was like banging my barbies together or whatever. But kids 554 00:33:03,400 --> 00:33:07,600 Speaker 1: still like have this like innate, like animalistic. But that's 555 00:33:07,760 --> 00:33:10,280 Speaker 1: kind of all the more reason to show them a 556 00:33:10,400 --> 00:33:14,800 Speaker 1: way of looking at people that isn't so I don't know, 557 00:33:14,840 --> 00:33:18,400 Speaker 1: like reductive. I don't know. Because also they're like poking 558 00:33:18,440 --> 00:33:22,320 Speaker 1: fun at Squints for like, he's like, so Google Gaga 559 00:33:22,440 --> 00:33:25,200 Speaker 1: over this girl. Yeah, that's true to the point where 560 00:33:25,200 --> 00:33:27,400 Speaker 1: he's willing to almost drown himself, which, by the way, 561 00:33:28,360 --> 00:33:32,280 Speaker 1: my favorite line in the movie. It's man expository dialogue 562 00:33:32,320 --> 00:33:34,160 Speaker 1: because he's about to like go jump in the pool 563 00:33:34,280 --> 00:33:37,280 Speaker 1: and someone's like, but that's that deep end and Squints 564 00:33:37,360 --> 00:33:43,680 Speaker 1: can't swim. It's like, cool, thanks for that, very like 565 00:33:44,480 --> 00:33:46,920 Speaker 1: but yeah, so then he jumps in the pool and 566 00:33:46,960 --> 00:33:49,240 Speaker 1: he's like, I guess pretends to drown or also maybe 567 00:33:49,240 --> 00:33:51,840 Speaker 1: you can't swim. But then Wendy saves him and she's 568 00:33:51,840 --> 00:33:55,040 Speaker 1: performing CPR and him and like the second or third 569 00:33:55,040 --> 00:33:58,360 Speaker 1: time she goes to blow aaron to his lungs, he's like, 570 00:33:58,920 --> 00:34:02,520 Speaker 1: let's kitchen shing not how he talks now, but um, 571 00:34:02,640 --> 00:34:11,080 Speaker 1: but I love that boys never and then what also 572 00:34:11,160 --> 00:34:13,840 Speaker 1: bothered me after that she like I do like that. 573 00:34:13,880 --> 00:34:16,759 Speaker 1: She's like, you little pervert, and she grabs him and 574 00:34:16,800 --> 00:34:18,920 Speaker 1: like yanks him and she kicks them all out of 575 00:34:18,960 --> 00:34:21,560 Speaker 1: the pool. But then two seconds later, when they're like 576 00:34:21,600 --> 00:34:24,000 Speaker 1: outside of the fence, he like kind of waves at 577 00:34:24,040 --> 00:34:26,279 Speaker 1: her and she just gives him this look like you 578 00:34:26,480 --> 00:34:30,799 Speaker 1: little rascal, and it's like he just forcibly kissed you 579 00:34:31,160 --> 00:34:34,120 Speaker 1: without your permission. It was just that was just a 580 00:34:34,239 --> 00:34:37,320 Speaker 1: confusing to be of, Like she was just so mad 581 00:34:37,760 --> 00:34:43,640 Speaker 1: and like pushed nine boys out simultaneously, and then like 582 00:34:43,680 --> 00:34:45,840 Speaker 1: a few minutes later, she's like, you know what, you know, 583 00:34:45,960 --> 00:34:50,440 Speaker 1: it's kind of funny. This is like we're you cooled down, Wendy. 584 00:34:50,560 --> 00:34:55,879 Speaker 1: I don't know that that whole sequence like it started out. 585 00:34:55,920 --> 00:34:58,520 Speaker 1: I'm like, well, it's good that she's kicking their ass. 586 00:34:58,560 --> 00:35:01,439 Speaker 1: And then it's or have ended, like and then you've 587 00:35:01,600 --> 00:35:06,480 Speaker 1: you had nine kids and they get together? Is this 588 00:35:06,560 --> 00:35:10,480 Speaker 1: a good time to say that? Benny now is an 589 00:35:10,600 --> 00:35:17,040 Speaker 1: L A P. D. Firefighter. Oh Benny Firefighter. He was 590 00:35:17,160 --> 00:35:21,680 Speaker 1: higher from acting at the seven after being in D 591 00:35:21,719 --> 00:35:27,399 Speaker 1: two and D three The Mighty Duck No Way got 592 00:35:27,480 --> 00:35:29,719 Speaker 1: type cast and then he was like, I'm going out 593 00:35:29,760 --> 00:35:34,720 Speaker 1: on top and I'm gonna save this beautiful city from fires. 594 00:35:34,760 --> 00:35:40,320 Speaker 1: And he's oh god, oh. He was arrested for what 595 00:35:41,480 --> 00:35:44,440 Speaker 1: Vitar and two other firemen were involved in a physical 596 00:35:44,480 --> 00:35:48,239 Speaker 1: altercation with another man who was severely injured on Halloween. 597 00:35:48,520 --> 00:35:50,680 Speaker 1: He was booked on December three for the incident and 598 00:35:50,760 --> 00:35:55,800 Speaker 1: was later released on thirty bail. We don't, my gosh, 599 00:35:56,800 --> 00:36:00,480 Speaker 1: he beat up a guy on Halloween, and his defense 600 00:36:00,560 --> 00:36:04,520 Speaker 1: it was, yeah, maybe it's like the Purge, you can 601 00:36:04,760 --> 00:36:09,440 Speaker 1: community crime, you one on Halloween? Or oh yeah, we're 602 00:36:09,440 --> 00:36:12,520 Speaker 1: talk about Wendy Peppercorne. Um, here's something I had a 603 00:36:12,600 --> 00:36:16,800 Speaker 1: question about. Does Dennis Larry and his wife with no 604 00:36:17,000 --> 00:36:19,960 Speaker 1: name have a good marriage or do they hate each other. 605 00:36:20,160 --> 00:36:22,680 Speaker 1: She seems a little bit scared of him. She's into 606 00:36:22,800 --> 00:36:27,080 Speaker 1: like where he's always in his room. I scared to 607 00:36:27,120 --> 00:36:29,719 Speaker 1: talk to him. She's like right where She's like, go 608 00:36:29,880 --> 00:36:32,640 Speaker 1: talk to your dad. And I don't know, like the 609 00:36:32,719 --> 00:36:36,759 Speaker 1: dynamic between them, Dennis Larry seemed very mean. First of all, 610 00:36:36,800 --> 00:36:40,279 Speaker 1: I love that Dennis ar Yeah, Like, but what does 611 00:36:40,320 --> 00:36:46,640 Speaker 1: he do's his job? Where's he going? He travels? He travels, 612 00:36:46,719 --> 00:36:49,080 Speaker 1: He's and I get that, like we're sort of seeing 613 00:36:49,120 --> 00:36:52,120 Speaker 1: his parents through Scotty's eyes where it's like no one 614 00:36:52,160 --> 00:36:58,640 Speaker 1: totally you knows what their dad does, and like, you know, really, yeah, 615 00:36:58,640 --> 00:37:00,799 Speaker 1: I have no idea. There's I asked someone what they 616 00:37:00,920 --> 00:37:06,279 Speaker 1: dad did recently? Any answered like something involving bricks? Was 617 00:37:06,320 --> 00:37:08,239 Speaker 1: that me? Because my dad's a bricklayer? But I know 618 00:37:08,320 --> 00:37:11,319 Speaker 1: that my st is your dad a bricklayer? You know 619 00:37:11,400 --> 00:37:17,759 Speaker 1: what you do? This is over over thirty lad me 620 00:37:17,920 --> 00:37:20,680 Speaker 1: some bricks. I always say, I need to just hook 621 00:37:20,760 --> 00:37:24,560 Speaker 1: up with a Scottish bricklayer. Is your dad's Scottish? No, see, 622 00:37:24,600 --> 00:37:27,880 Speaker 1: I'm objectifying that you're going to scott on this summer, right, Yeah, 623 00:37:27,920 --> 00:37:31,440 Speaker 1: that's my If anybody from Scalens listening to that you're 624 00:37:31,440 --> 00:37:35,320 Speaker 1: a bricklayer, you just need to go to like brickless 625 00:37:35,360 --> 00:37:39,799 Speaker 1: areas and just wait, don't show up. Yeah exactly. I've 626 00:37:39,840 --> 00:37:43,160 Speaker 1: never seen brick being before. I've only seen it. You're 627 00:37:43,160 --> 00:37:50,439 Speaker 1: gonna want to see its bricks getting laid. Oh yeah, bricks. Yes, 628 00:37:51,400 --> 00:37:54,480 Speaker 1: my dad is a sports reporter and there's no less 629 00:37:54,600 --> 00:37:56,880 Speaker 1: I mean, which Scotty is at the end, there's no 630 00:37:57,040 --> 00:38:00,680 Speaker 1: last sexy profession in the entire world. Just all people 631 00:38:00,680 --> 00:38:03,240 Speaker 1: who were like, well, it wasn't that good at sports. 632 00:38:03,400 --> 00:38:07,200 Speaker 1: So now I wear hats and I sweat a lot 633 00:38:07,480 --> 00:38:13,719 Speaker 1: that can who can't report the thing? Right, that's the thing. 634 00:38:13,840 --> 00:38:16,240 Speaker 1: But I will see my dad one third place Local 635 00:38:16,239 --> 00:38:19,200 Speaker 1: Emmy for his volleyball coverage in two thousand and seven. 636 00:38:19,320 --> 00:38:23,160 Speaker 1: Is your dad really a sportscaster? Because he's a he's 637 00:38:23,160 --> 00:38:25,600 Speaker 1: a print guy, but he has more followers in you. 638 00:38:25,880 --> 00:38:28,480 Speaker 1: He has more followers on Twitter than me. It's really 639 00:38:29,400 --> 00:38:32,239 Speaker 1: but I wish to god it was a joke. I 640 00:38:32,239 --> 00:38:35,480 Speaker 1: had him for a little bit in early We got 641 00:38:35,520 --> 00:38:38,400 Speaker 1: into like this really fun screaming match where I was 642 00:38:38,480 --> 00:38:41,319 Speaker 1: like I did it and he was like, just you wait, 643 00:38:41,920 --> 00:38:44,239 Speaker 1: and I did wait, and then he beat me again 644 00:38:44,320 --> 00:38:48,280 Speaker 1: because he's got the Bruins exclusives and I don't have those. 645 00:38:48,760 --> 00:38:51,320 Speaker 1: I should start getting them. If you're out there listening 646 00:38:51,320 --> 00:38:54,640 Speaker 1: to this podcast, please follow Jamie on Twitter at Hamburger Phone. 647 00:38:54,680 --> 00:39:00,080 Speaker 1: Please block my dad at loftis underscore Ledger. I did. 648 00:39:00,239 --> 00:39:02,120 Speaker 1: I asked people to block my dad and a lot 649 00:39:02,120 --> 00:39:04,000 Speaker 1: of people who were very supportive, and they blocked my 650 00:39:04,080 --> 00:39:07,239 Speaker 1: dad's you know, I was like, suspend his account. He 651 00:39:07,400 --> 00:39:12,319 Speaker 1: followed me and really see you now. He's like trying 652 00:39:12,320 --> 00:39:14,319 Speaker 1: to appeal to people and be like, I'm gonna follow 653 00:39:14,400 --> 00:39:17,239 Speaker 1: Jamie's friends and like, first of all, if they don't 654 00:39:17,239 --> 00:39:19,960 Speaker 1: know what's up, that looks very weird on your end. 655 00:39:20,160 --> 00:39:23,120 Speaker 1: Did he try to get your account suspended as well? No, 656 00:39:23,400 --> 00:39:26,719 Speaker 1: he's very mature about it. But no, he'll post about 657 00:39:26,719 --> 00:39:30,600 Speaker 1: it on Facebook sometimes and be like, whenever my daughter 658 00:39:30,719 --> 00:39:33,239 Speaker 1: does this, dot dot dot, I get a lot of 659 00:39:33,360 --> 00:39:36,400 Speaker 1: followers on Twitter. And then all his high school friends 660 00:39:36,400 --> 00:39:42,919 Speaker 1: were like, yeah, Mike, I love Sully because that's why. Yeah, man, 661 00:39:43,120 --> 00:39:46,760 Speaker 1: having a dad named Mike is so is the greatest 662 00:39:46,760 --> 00:39:50,040 Speaker 1: struggle of my life. My name really wait, why is 663 00:39:50,080 --> 00:39:52,120 Speaker 1: this struggle for you? Well, because there are so many 664 00:39:52,160 --> 00:39:55,280 Speaker 1: people out there named Mike, and sometimes you'll find yourself 665 00:39:55,280 --> 00:39:59,280 Speaker 1: in and in in a in a romantic situation, perhaps 666 00:39:59,320 --> 00:40:02,960 Speaker 1: with a mind, and then it's like, there's been mix 667 00:40:03,000 --> 00:40:06,280 Speaker 1: in my life my dad's sales. I never had a problem. 668 00:40:06,480 --> 00:40:09,040 Speaker 1: That's amazing. My name is Steve, which I think is 669 00:40:09,080 --> 00:40:14,000 Speaker 1: already the least sexy name ever, but he's a bricklayer. Hey, 670 00:40:14,040 --> 00:40:16,240 Speaker 1: can we talk about how the most interesting female character 671 00:40:16,280 --> 00:40:20,960 Speaker 1: in this movie is the character that's in the Wolfman, 672 00:40:21,160 --> 00:40:24,520 Speaker 1: which is being screened in like a movie theater as 673 00:40:24,560 --> 00:40:28,880 Speaker 1: they're like chasing the dogs chasing. Yeah, it's towards the 674 00:40:28,960 --> 00:40:31,440 Speaker 1: end they like are running through the town and like 675 00:40:31,520 --> 00:40:33,560 Speaker 1: this picnic and stuff, and then they go into this 676 00:40:33,600 --> 00:40:37,200 Speaker 1: movie theater and the dog like bursts through the projector screen. 677 00:40:37,480 --> 00:40:41,279 Speaker 1: I looked it up there watching the Wolfman. From the 678 00:40:41,400 --> 00:40:43,520 Speaker 1: female character from that, I think it's the most interesting 679 00:40:43,600 --> 00:40:47,520 Speaker 1: character in the sand Loot. Is it possible the Beast 680 00:40:47,600 --> 00:40:50,000 Speaker 1: as a girl. Well, I don't know, because we get 681 00:40:50,040 --> 00:40:57,440 Speaker 1: some shots the dog and that dog has got very 682 00:40:57,440 --> 00:41:07,319 Speaker 1: permanent bobby he's packing. But essentially I did have a 683 00:41:07,400 --> 00:41:13,160 Speaker 1: female cat called the Dude, so you know it's named 684 00:41:13,160 --> 00:41:16,600 Speaker 1: after the big Lebowski. Yeah, I got you, got you 685 00:41:17,000 --> 00:41:22,000 Speaker 1: very I've seen that movie. Brag, good job, Jamie. That'd 686 00:41:22,000 --> 00:41:26,440 Speaker 1: be a good movie for the test. Yeah, I don't 687 00:41:26,440 --> 00:41:28,560 Speaker 1: think it passes. If it does, it's by one of 688 00:41:28,600 --> 00:41:33,600 Speaker 1: those like very like bar line interactions. We've had a 689 00:41:33,680 --> 00:41:37,799 Speaker 1: few of those, but it's is unfortunate the sand Lot though, 690 00:41:37,960 --> 00:41:42,560 Speaker 1: the sand Lotte, you know it, it fails the test 691 00:41:42,280 --> 00:41:47,440 Speaker 1: for pretty pretty spectacular. I think even uh women maybe 692 00:41:47,440 --> 00:41:50,120 Speaker 1: only get a combined like five minutes of screen time 693 00:41:50,160 --> 00:41:53,279 Speaker 1: total because his mom is only and it's mostly his 694 00:41:53,719 --> 00:41:57,520 Speaker 1: exposition mommy who comes in. I thought that it was 695 00:41:57,600 --> 00:42:00,759 Speaker 1: weird that one of her first scene, I think, is 696 00:42:00,800 --> 00:42:03,799 Speaker 1: just her bursting into the room, like why don't you 697 00:42:03,840 --> 00:42:07,400 Speaker 1: have any friends? Like, like, I would be so terrified 698 00:42:07,440 --> 00:42:10,200 Speaker 1: of my mom because I mean, she wasn't that aggressive, 699 00:42:10,239 --> 00:42:12,560 Speaker 1: but she was just like do you friendshet do? And 700 00:42:12,600 --> 00:42:14,840 Speaker 1: he was like, no, I'm still a negad And she 701 00:42:14,920 --> 00:42:17,120 Speaker 1: was like, I want you to have a lot of friends, 702 00:42:17,160 --> 00:42:20,920 Speaker 1: like it's important to have friends as like, jeez, she 703 00:42:20,960 --> 00:42:22,600 Speaker 1: probably just wants him out of the house so that 704 00:42:23,760 --> 00:42:27,520 Speaker 1: so she can do what. Also, the mom's anti engineering. 705 00:42:27,760 --> 00:42:33,080 Speaker 1: He's just trying to work on his kinetics set engineering 706 00:42:33,320 --> 00:42:37,359 Speaker 1: skills for the future. She's a woman against stem. She 707 00:42:38,400 --> 00:42:41,360 Speaker 1: women against them. It's like, who side are you on? 708 00:42:44,400 --> 00:42:47,600 Speaker 1: Let's do let's do the check the checklist of things 709 00:42:47,640 --> 00:42:50,839 Speaker 1: we look for in every movie. I would argue, we've 710 00:42:50,840 --> 00:42:56,000 Speaker 1: got some steampunk going. Okay, really okay, So like the 711 00:42:56,000 --> 00:42:59,720 Speaker 1: erector set that well, no, they make they make some 712 00:42:59,719 --> 00:43:03,440 Speaker 1: some little contraptions to get the ball, to get the 713 00:43:03,480 --> 00:43:07,560 Speaker 1: Babe Ruth ball. So you know, I've expanded my uh 714 00:43:07,719 --> 00:43:12,480 Speaker 1: my hatred of steampunk to anything involving gears and pulleys 715 00:43:12,480 --> 00:43:16,880 Speaker 1: and any anybody like. You know, there's a little bit 716 00:43:16,920 --> 00:43:21,520 Speaker 1: of steampull. I'll you know the Machine Works, which is 717 00:43:21,640 --> 00:43:23,440 Speaker 1: they make it kind but I think they make it 718 00:43:23,440 --> 00:43:26,400 Speaker 1: out of the erector set. Oh do they? Okay? I 719 00:43:26,840 --> 00:43:28,719 Speaker 1: will say I made macaroni and cheese while I was 720 00:43:28,719 --> 00:43:30,879 Speaker 1: watching this movie a this time, and so there are 721 00:43:30,920 --> 00:43:33,720 Speaker 1: maybe two two to three minutes that I don't totally 722 00:43:33,719 --> 00:43:36,160 Speaker 1: know what happens, and my roommate talked to me and 723 00:43:36,160 --> 00:43:38,959 Speaker 1: I had to pause it. Oh yeah, oh I didn't 724 00:43:38,960 --> 00:43:44,040 Speaker 1: have before, You've never spoken to Yeah, yeah, yeah, I paused. 725 00:43:44,120 --> 00:43:45,840 Speaker 1: I would because I was in the kitchen. He caught 726 00:43:45,880 --> 00:43:48,160 Speaker 1: me because he had he had taken he had just 727 00:43:48,200 --> 00:43:54,560 Speaker 1: taken a shower, like because he had slops because I 728 00:43:54,600 --> 00:43:57,759 Speaker 1: was trying to see, um, hey, does anyone have to 729 00:43:57,960 --> 00:44:01,880 Speaker 1: hear like you do when you're playing baseball and you're 730 00:44:01,920 --> 00:44:04,520 Speaker 1: rounding the bases? Good? Yes, that was what I was 731 00:44:04,520 --> 00:44:08,920 Speaker 1: trying to back together. I was on a UM. So 732 00:44:09,040 --> 00:44:11,680 Speaker 1: I've been on a few different softball teams in my life, 733 00:44:12,000 --> 00:44:14,560 Speaker 1: not in high school or anything like that. UM, but 734 00:44:14,640 --> 00:44:18,400 Speaker 1: I was on like the Boston comedy softball. Oh I 735 00:44:19,520 --> 00:44:21,839 Speaker 1: was afraid of that. Yeah, I was not very good. 736 00:44:22,000 --> 00:44:24,759 Speaker 1: I knew a bunch of female comics who are who 737 00:44:24,760 --> 00:44:27,279 Speaker 1: were on that bossing softball league I was invited to, 738 00:44:27,400 --> 00:44:30,640 Speaker 1: but I was like, I'm I'm kind of scared, so 739 00:44:30,960 --> 00:44:35,960 Speaker 1: I guess I was. I was not helpful. But anyways, 740 00:44:35,960 --> 00:44:38,040 Speaker 1: softball teams are cool. I like to I was gonna 741 00:44:38,160 --> 00:44:39,960 Speaker 1: play softball and I was a kid and I was 742 00:44:40,000 --> 00:44:42,480 Speaker 1: practicing with my dad and he hit me in the 743 00:44:42,480 --> 00:44:46,360 Speaker 1: face with the ball. I just didn't want to play anymore. 744 00:44:46,440 --> 00:44:49,520 Speaker 1: What that aim? Yeah? How bad? Was your dad a 745 00:44:52,360 --> 00:44:58,439 Speaker 1: huge on accident? You know as an actor? Yeah? Really, 746 00:44:58,560 --> 00:45:02,600 Speaker 1: my dad tripped me on purpose when I was little, 747 00:45:03,000 --> 00:45:05,759 Speaker 1: because I know, And then I asked him about it 748 00:45:05,760 --> 00:45:07,239 Speaker 1: about a year ago, and do you remember where you 749 00:45:07,280 --> 00:45:10,400 Speaker 1: tripped me? Because I don't know. I had been complaining 750 00:45:10,400 --> 00:45:12,640 Speaker 1: about a scab I had on my knee and I'm like, 751 00:45:12,760 --> 00:45:15,240 Speaker 1: this is so stupid. I hate that I have this gap. 752 00:45:15,239 --> 00:45:17,600 Speaker 1: It's ugly. I wish I had fallen off my bike, 753 00:45:18,080 --> 00:45:21,520 Speaker 1: and I guess I was being annoying and then he 754 00:45:21,560 --> 00:45:23,000 Speaker 1: tripped me. And I don't think he thought I was 755 00:45:23,000 --> 00:45:25,400 Speaker 1: going to fell fall but I did, and then this 756 00:45:25,480 --> 00:45:31,600 Speaker 1: gab got bigger. Dad Yeah deserves to be blocked on 757 00:45:31,640 --> 00:45:36,200 Speaker 1: Twitter for everyone block. He needs to make a movie 758 00:45:36,320 --> 00:45:40,600 Speaker 1: called bad Dad. Am I right, guys, what about Daddy's Home? 759 00:45:41,280 --> 00:45:48,279 Speaker 1: I was, what about bad Santa Bat Santa? Um? There? 760 00:45:48,280 --> 00:45:52,719 Speaker 1: I had to write click bait today as I do, uh, 761 00:45:52,800 --> 00:45:55,880 Speaker 1: so I can pay for things I and I wrote 762 00:45:55,960 --> 00:46:01,480 Speaker 1: about the rock Vin Diesel feud uh And my favorite 763 00:46:01,520 --> 00:46:04,040 Speaker 1: part of learning about it was that when Vin Diesel 764 00:46:04,200 --> 00:46:06,480 Speaker 1: stormed off the set of the Fate of the Furious 765 00:46:06,680 --> 00:46:10,920 Speaker 1: last summer, he said, Daddy's gone and then he laughed, 766 00:46:11,440 --> 00:46:14,400 Speaker 1: and that's true, that happened. He said, well, allegedly he 767 00:46:14,440 --> 00:46:17,560 Speaker 1: said Daddy's gone. And I was like, whoa. After eight movies, 768 00:46:17,640 --> 00:46:21,440 Speaker 1: I guess that is allowed. You can just say daddy's gone. 769 00:46:21,960 --> 00:46:24,759 Speaker 1: Maybe he's daddy on set. Maybe everybody's asking him to 770 00:46:24,800 --> 00:46:28,839 Speaker 1: teach you to ride bikes and stuff like that. Like 771 00:46:28,960 --> 00:46:31,680 Speaker 1: Vin's like kind of our daddy. It's like kind of 772 00:46:31,719 --> 00:46:35,839 Speaker 1: the vibe he per checks, it makes us sandwiches and 773 00:46:35,920 --> 00:46:39,520 Speaker 1: cuts the crust off. He's a good daddy. He's not 774 00:46:39,640 --> 00:46:42,840 Speaker 1: like the movie you're going to write bad Daddy, Daddy 775 00:46:43,640 --> 00:46:49,960 Speaker 1: d bad Daddy I can't wait for that billboard good. 776 00:46:50,000 --> 00:46:53,120 Speaker 1: Does anyone have any final thoughts about the movie The 777 00:46:53,160 --> 00:46:56,399 Speaker 1: sand Lot. I want a version of this movie that 778 00:46:56,480 --> 00:46:58,719 Speaker 1: has a girl on the team. I think I would 779 00:46:58,719 --> 00:47:02,000 Speaker 1: have really really loved that movie when younger. I agree, 780 00:47:02,000 --> 00:47:04,160 Speaker 1: and I think so too. Even though I did love 781 00:47:04,160 --> 00:47:05,760 Speaker 1: the movie when I was younger, I think a girl 782 00:47:06,640 --> 00:47:09,160 Speaker 1: would make it better. Hey, my one, not two girls. 783 00:47:09,239 --> 00:47:11,800 Speaker 1: I like when I was a kid and like playing 784 00:47:12,239 --> 00:47:15,000 Speaker 1: sports and soccer, kickball or whatever. Like in my neighborhood 785 00:47:15,160 --> 00:47:17,440 Speaker 1: it was mostly boys, but I was a girl and 786 00:47:17,480 --> 00:47:19,520 Speaker 1: I was there. I was playing, and I was better 787 00:47:19,560 --> 00:47:22,120 Speaker 1: than most of them. Also, I was on a soccer 788 00:47:22,160 --> 00:47:24,439 Speaker 1: team where I was one of two girls and then 789 00:47:24,680 --> 00:47:27,279 Speaker 1: everyone else was a boy. But like we were I 790 00:47:27,320 --> 00:47:29,320 Speaker 1: don't know, like seven or something, and it was like 791 00:47:29,360 --> 00:47:32,879 Speaker 1: a co ed team, and um, the girls were yes, 792 00:47:32,920 --> 00:47:36,160 Speaker 1: under represented, but we were there. We were playing score 793 00:47:36,160 --> 00:47:38,520 Speaker 1: a goal once. I would like to see more girls. 794 00:47:38,600 --> 00:47:41,560 Speaker 1: But okay, I think maybe I'm just a bad person. 795 00:47:41,640 --> 00:47:44,479 Speaker 1: But is there something to be said about Like there's 796 00:47:44,520 --> 00:47:47,360 Speaker 1: like that dynamic of like the one girl like squeezes 797 00:47:47,360 --> 00:47:50,080 Speaker 1: in and then teaches them all a lesson. That's the 798 00:47:50,280 --> 00:47:52,839 Speaker 1: kind of thing it's like a trope. It's like the 799 00:47:52,880 --> 00:47:57,439 Speaker 1: one strong female is like, fuck y'all, like girls rule. 800 00:47:57,920 --> 00:48:00,120 Speaker 1: I wish that wasn't a trope, you know, but it's 801 00:48:00,160 --> 00:48:03,080 Speaker 1: like there's something about I mean, that trope that would 802 00:48:03,080 --> 00:48:06,120 Speaker 1: have worked well in the movie. That even extends to 803 00:48:06,200 --> 00:48:08,440 Speaker 1: like I think we've talked about that with like superhero 804 00:48:08,480 --> 00:48:12,920 Speaker 1: movies before, where there's like one female superhero and then 805 00:48:13,000 --> 00:48:19,160 Speaker 1: she like kicks something and they're like, whoa, that's crazy, right, 806 00:48:19,239 --> 00:48:21,560 Speaker 1: and then she like folds her arms and she's like, 807 00:48:21,840 --> 00:48:26,200 Speaker 1: I know that's a yeah, I mean, that's Strong Girls, 808 00:48:26,800 --> 00:48:30,400 Speaker 1: the Powerpuff Girls, three girls, three Strong Girls, you know, 809 00:48:30,480 --> 00:48:34,640 Speaker 1: the kick but every episode passes afect test. Yeah, every 810 00:48:34,640 --> 00:48:38,400 Speaker 1: episode past the effectual test exactly, and they kick. Yeah. 811 00:48:38,440 --> 00:48:40,120 Speaker 1: But Kyle, that's a good point. Maybe if there was 812 00:48:40,160 --> 00:48:43,879 Speaker 1: like a pair of sisters, um that yeah, I mean, 813 00:48:43,920 --> 00:48:46,120 Speaker 1: and then you could avoid that trope pretty easily because 814 00:48:46,120 --> 00:48:49,320 Speaker 1: even if there were two little girls on this team 815 00:48:49,680 --> 00:48:51,719 Speaker 1: and one of them was great and one of them 816 00:48:51,840 --> 00:48:56,080 Speaker 1: was really bad at baseball. Because I was a dent 817 00:48:56,200 --> 00:48:59,080 Speaker 1: that kid who was like, we need one more person, 818 00:48:59,440 --> 00:49:02,799 Speaker 1: you know, Jammy, can you just stand here? Yeah? Like 819 00:49:02,880 --> 00:49:05,640 Speaker 1: and then like I was I was not a sporty child. 820 00:49:05,800 --> 00:49:09,040 Speaker 1: But um, you know, maybe if there are two female characters, 821 00:49:09,320 --> 00:49:12,640 Speaker 1: you could sort of dodge that trope too. Sure. Yeah, 822 00:49:13,120 --> 00:49:17,759 Speaker 1: and also maybe if Wendy Peppercorn's girlfriend shows up when 823 00:49:17,880 --> 00:49:23,080 Speaker 1: Squint's kisses her and it's like, hey, she's taken whoa 824 00:49:23,960 --> 00:49:27,480 Speaker 1: you know? Yeah, and then she drowned Squints, And then 825 00:49:29,200 --> 00:49:31,880 Speaker 1: I will say I would love someone to drown to 826 00:49:31,960 --> 00:49:34,880 Speaker 1: impress me, but I would want it to end in 827 00:49:34,920 --> 00:49:38,719 Speaker 1: them actually drowning. I just want to say real quick, 828 00:49:38,760 --> 00:49:40,600 Speaker 1: like I can't something I know we talked about, like 829 00:49:40,640 --> 00:49:43,080 Speaker 1: the kiss, like Squints, it's sexual assault, and I hate 830 00:49:43,120 --> 00:49:46,040 Speaker 1: to excuse it this way, but there's an innocence that 831 00:49:46,320 --> 00:49:49,640 Speaker 1: kids have where like he doesn't realize, you know what 832 00:49:49,680 --> 00:49:53,840 Speaker 1: I mean. That's the problem though, So that's the problem 833 00:49:53,880 --> 00:49:56,080 Speaker 1: that it's he doesn't know. But it's like there's an 834 00:49:56,120 --> 00:49:58,480 Speaker 1: innocence to like stealing a kiss from someone. You know, 835 00:49:58,480 --> 00:50:00,880 Speaker 1: it's like kiss my cheek, you turn your head and 836 00:50:00,920 --> 00:50:03,000 Speaker 1: like steal the kiss and it's like, oh, you know, 837 00:50:03,160 --> 00:50:05,399 Speaker 1: and this isn't you know, you know what I mean? 838 00:50:05,680 --> 00:50:08,440 Speaker 1: And not to minimize any type of sexual assault, I 839 00:50:08,480 --> 00:50:12,480 Speaker 1: don't want to do that, you know, being kissed is 840 00:50:12,520 --> 00:50:18,240 Speaker 1: probably less traumatic and other horrible things that can happen 841 00:50:18,280 --> 00:50:21,560 Speaker 1: to you. So I do, I mean, I I do 842 00:50:22,000 --> 00:50:25,480 Speaker 1: get the innocence part of it, because it totally is 843 00:50:25,520 --> 00:50:29,239 Speaker 1: like a you know, a kid thing, like you're just 844 00:50:29,360 --> 00:50:31,520 Speaker 1: psyche that he like kissed a girl, you know what 845 00:50:31,560 --> 00:50:35,560 Speaker 1: I mean. They're not like right, yeah, it's you know 846 00:50:35,560 --> 00:50:38,040 Speaker 1: what I mean, Like it's like it's like kind of 847 00:50:38,080 --> 00:50:41,200 Speaker 1: about perspective, but it's like not. But it's also not 848 00:50:41,280 --> 00:50:44,440 Speaker 1: okay to like present that as an okay thing for kids. 849 00:50:44,480 --> 00:50:46,600 Speaker 1: You know, it's like it starts somewhere. It's kind of 850 00:50:46,600 --> 00:50:49,239 Speaker 1: the problem. But yeah, it's the way it sort of 851 00:50:49,239 --> 00:50:51,359 Speaker 1: goes back to the lack of challenging anything, where if 852 00:50:51,440 --> 00:50:54,040 Speaker 1: Dennis Leary was just like, hey, don't do that, you 853 00:50:54,080 --> 00:50:57,280 Speaker 1: know that's or like at any point appeared to even 854 00:50:57,680 --> 00:51:01,319 Speaker 1: vaguely like his wife and be like respect this one. 855 00:51:01,360 --> 00:51:02,600 Speaker 1: We don't know what her name is, I don't know 856 00:51:02,640 --> 00:51:05,400 Speaker 1: where her name is, but you know, she seems afraid 857 00:51:05,400 --> 00:51:09,120 Speaker 1: of me. Well, I think in the voice over the 858 00:51:09,160 --> 00:51:12,319 Speaker 1: older Scotty does after that happens with Wendy Peppercorn, he 859 00:51:12,360 --> 00:51:15,120 Speaker 1: said something, yes, Squint's put the move on the lifeguard. 860 00:51:15,360 --> 00:51:19,480 Speaker 1: There's definitely like the seeds of something and teaching little 861 00:51:19,520 --> 00:51:23,839 Speaker 1: boys and that that's cool or something. Yeah, it's I mean, 862 00:51:23,880 --> 00:51:27,719 Speaker 1: there's it's definitely a gray area where it's like we're 863 00:51:27,800 --> 00:51:32,320 Speaker 1: not gonna take squints to court over this, but showing 864 00:51:32,400 --> 00:51:37,800 Speaker 1: that and then leaving it relatively unaddressed and that smile 865 00:51:37,880 --> 00:51:40,600 Speaker 1: and wave to him like she liked it or something right, 866 00:51:40,800 --> 00:51:44,279 Speaker 1: right right, and then just leave hers being mad. You know, 867 00:51:44,360 --> 00:51:46,880 Speaker 1: she's mad, like she's not going to come back and 868 00:51:48,280 --> 00:51:50,680 Speaker 1: suddenly have a crush on him or something, and then 869 00:51:50,719 --> 00:51:54,879 Speaker 1: doubled down and then yeah, and then be like she 870 00:51:55,239 --> 00:51:58,120 Speaker 1: she loved it so much she couldn't get enough. She 871 00:51:58,280 --> 00:52:02,040 Speaker 1: kept coming back from where she sucked him five billion times. Okay. Also, 872 00:52:02,160 --> 00:52:05,120 Speaker 1: like in terms of thinking of like mischief and stuff, 873 00:52:05,200 --> 00:52:08,399 Speaker 1: it's kind of funny to like trick someone into thinking 874 00:52:08,440 --> 00:52:11,440 Speaker 1: they're giving you CPR and then you know, like smack 875 00:52:11,520 --> 00:52:13,120 Speaker 1: him with a kiss, you know what I mean. Like 876 00:52:13,440 --> 00:52:15,000 Speaker 1: there's like the kind of it's like kind of like 877 00:52:15,040 --> 00:52:19,200 Speaker 1: a like mischievous. It's like a hard I mean, that's 878 00:52:19,200 --> 00:52:21,799 Speaker 1: a hard thing. I know, it's so hard, and like 879 00:52:21,800 --> 00:52:24,680 Speaker 1: we're you know, we're pulling apart, but and I'm probably 880 00:52:24,719 --> 00:52:28,000 Speaker 1: like approaching this too much like a s j W. 881 00:52:28,760 --> 00:52:33,080 Speaker 1: No no, no, no, yeah no, I just like to 882 00:52:33,200 --> 00:52:35,080 Speaker 1: want to like talk about it because it's just like 883 00:52:35,200 --> 00:52:39,839 Speaker 1: it is weird. Yeah, and and then like is this presented? Yeah, 884 00:52:39,880 --> 00:52:42,960 Speaker 1: like I said, like so lightly, you know, but then 885 00:52:43,040 --> 00:52:45,680 Speaker 1: it's uh right, But then it's like that's that maybe 886 00:52:45,719 --> 00:52:50,680 Speaker 1: the seeds of of like making a few seeing its okay, Yeah, 887 00:52:50,719 --> 00:52:54,160 Speaker 1: like if you see stuff like that enough times where 888 00:52:54,840 --> 00:53:00,400 Speaker 1: it's like again, the audience of this is like young Andy, exactly, 889 00:53:00,400 --> 00:53:04,840 Speaker 1: it is true. So I don't know, it's tricky. It's tricky. 890 00:53:05,080 --> 00:53:07,960 Speaker 1: There's there's a lot of and I guess that that's 891 00:53:08,000 --> 00:53:12,800 Speaker 1: why internalized misogyny is is it's so hard to shake because, 892 00:53:12,840 --> 00:53:15,040 Speaker 1: like you know, like in a lot of like like 893 00:53:15,200 --> 00:53:18,920 Speaker 1: comedy of errors type things like forces and stuff, they 894 00:53:18,960 --> 00:53:22,359 Speaker 1: have a you know, a guy dressed up as someone 895 00:53:22,440 --> 00:53:24,959 Speaker 1: else and they kiss you know what I mean. There's 896 00:53:25,040 --> 00:53:28,560 Speaker 1: like a like getting someone to kiss you under false pretense. Yeah, 897 00:53:28,600 --> 00:53:30,719 Speaker 1: there's like kind of like that cliche kind of like 898 00:53:31,000 --> 00:53:34,520 Speaker 1: trophy thing about like tricking someone into kissing you that 899 00:53:34,640 --> 00:53:39,040 Speaker 1: I think it plays with Man, I would feel so 900 00:53:39,120 --> 00:53:42,680 Speaker 1: much better about that if a we just let Wendy 901 00:53:42,760 --> 00:53:46,279 Speaker 1: stay mad. Yeah, yeah, yeah exactly, and b if the 902 00:53:46,560 --> 00:53:50,440 Speaker 1: voiceover after had been just a little bit like not 903 00:53:50,560 --> 00:53:53,440 Speaker 1: even a little bit like more critical chance with her 904 00:53:53,520 --> 00:53:56,200 Speaker 1: or whatever, or like right or like we learned later 905 00:53:56,280 --> 00:53:59,600 Speaker 1: that that's not what you do and not like, man, 906 00:54:00,200 --> 00:54:02,000 Speaker 1: that was kind of gross, but it was mostly dope. 907 00:54:02,160 --> 00:54:05,480 Speaker 1: And now I was a forty year old sports reporter 908 00:54:05,640 --> 00:54:10,920 Speaker 1: still think, like, fuck, that kid was so cool. That's weird, right, 909 00:54:11,200 --> 00:54:16,440 Speaker 1: that's weird. Also, not to objectify old Scottie, but he 910 00:54:16,480 --> 00:54:20,080 Speaker 1: looked like shit. Man, I was just such a little kid, 911 00:54:20,200 --> 00:54:28,040 Speaker 1: so did old Benny. Why you mustache? Not? He could 912 00:54:28,080 --> 00:54:31,800 Speaker 1: have been so much hotter. I don't love a mustache, 913 00:54:31,800 --> 00:54:33,520 Speaker 1: but I thought he looks he was a man at 914 00:54:33,520 --> 00:54:36,759 Speaker 1: the nineties. You know, nineties men had mustaches. I was 915 00:54:36,840 --> 00:54:38,680 Speaker 1: so excited for him to grow up, to get his 916 00:54:38,800 --> 00:54:42,040 Speaker 1: hot hunk. And then and then it was that he 917 00:54:42,160 --> 00:54:45,440 Speaker 1: didn't like meet my expectations. But I don't think he 918 00:54:45,880 --> 00:54:50,640 Speaker 1: has a hot child. He was, and I like a 919 00:54:50,680 --> 00:54:54,000 Speaker 1: good mustache. Some some children I used to think we're hot. 920 00:54:54,320 --> 00:54:57,239 Speaker 1: A list of two people who come to mind, Oh wait, 921 00:54:57,239 --> 00:55:00,759 Speaker 1: no three, okay, Number one Peter Pan in the two 922 00:55:00,800 --> 00:55:04,520 Speaker 1: thousand three live action Peter Pan. His name was Jeremy something, 923 00:55:04,960 --> 00:55:09,759 Speaker 1: and he was very cute. Number two Liam Aiken in 924 00:55:10,360 --> 00:55:12,680 Speaker 1: two thousand and four is a Series of Unfortunate Events. 925 00:55:12,719 --> 00:55:17,080 Speaker 1: He played Klass little mop top adorable. Number three, and 926 00:55:17,160 --> 00:55:19,520 Speaker 1: this was one that I remember. My mom told my 927 00:55:19,560 --> 00:55:24,920 Speaker 1: cousins Jamie has a crush on Chris from a direct 928 00:55:25,080 --> 00:55:29,600 Speaker 1: to video Casper movie called Casper Returns. And I had 929 00:55:29,600 --> 00:55:33,160 Speaker 1: a huge crush on little Chris who had his all. 930 00:55:33,280 --> 00:55:35,600 Speaker 1: His hair was like one huge cowlic he had a 931 00:55:35,680 --> 00:55:38,080 Speaker 1: middle part, and I was just like, he's so cute, 932 00:55:38,400 --> 00:55:40,840 Speaker 1: and I confided in my mom and then she fucking 933 00:55:40,840 --> 00:55:43,960 Speaker 1: blew it. She told everyone and my cousins were like, 934 00:55:44,080 --> 00:55:47,960 Speaker 1: you like Chris, He's all you know, he only has banks, 935 00:55:47,960 --> 00:55:51,120 Speaker 1: And I'm like, I like that. Anyways, three hot children. 936 00:55:51,280 --> 00:55:54,560 Speaker 1: I don't remember even when I wasn't a kid, I 937 00:55:54,560 --> 00:55:58,000 Speaker 1: don't remember being attracted to like other kids on screen. 938 00:55:58,160 --> 00:56:01,880 Speaker 1: Like all my movie crushes were on adult men, which 939 00:56:02,600 --> 00:56:04,160 Speaker 1: I don't know what that says about me. And I 940 00:56:04,200 --> 00:56:09,120 Speaker 1: went to either my age or very old because then 941 00:56:09,239 --> 00:56:12,640 Speaker 1: the incomes the Alfred Molina crush and that and that 942 00:56:12,760 --> 00:56:23,520 Speaker 1: gets tricky. This Alfred Molina Dock like Spider Man. Okay, 943 00:56:23,680 --> 00:56:29,160 Speaker 1: he's also he's in Frieda and he's Oh I love 944 00:56:29,360 --> 00:56:32,560 Speaker 1: chack a lot plays the is the mayor. I want 945 00:56:32,600 --> 00:56:35,440 Speaker 1: to say he's not the hot character in the movie, 946 00:56:36,400 --> 00:56:41,080 Speaker 1: but I think he's the hot character in the movie. 947 00:56:39,840 --> 00:56:47,399 Speaker 1: And the goalie from Mighty Ducks bad Boy and he's 948 00:56:47,440 --> 00:56:48,799 Speaker 1: like they get him to be on the team because 949 00:56:48,800 --> 00:56:52,200 Speaker 1: he's like so fast, I get blocking on the pucks. Yeah, 950 00:56:52,239 --> 00:56:55,000 Speaker 1: I never thought I didn't. I only saw the Mighty Ducks, 951 00:56:55,360 --> 00:56:58,920 Speaker 1: I think once, but like, but it's cool, and there's like, 952 00:56:59,400 --> 00:57:03,840 Speaker 1: Oh and another hot child, the kid from Ned's Declassified 953 00:57:03,880 --> 00:57:07,799 Speaker 1: School Survival Guide. I thought Ned was so cute and 954 00:57:07,840 --> 00:57:11,200 Speaker 1: then his his friend, who was a girl, was tall 955 00:57:11,760 --> 00:57:13,879 Speaker 1: and I was like, it's me. I'm taller than all 956 00:57:14,040 --> 00:57:17,200 Speaker 1: my you know, everyone so small and I'm so big. 957 00:57:17,320 --> 00:57:19,240 Speaker 1: And they still had a crush on each other, and 958 00:57:19,240 --> 00:57:22,040 Speaker 1: that I was inspired. I was like, wow, small men, 959 00:57:22,120 --> 00:57:25,440 Speaker 1: you really can make it happen. Yeah. So that's four 960 00:57:25,480 --> 00:57:29,680 Speaker 1: hot children. Oh and Natalie had one two so I 961 00:57:29,680 --> 00:57:32,040 Speaker 1: can't think of any Maybe I was just a horny kid. 962 00:57:32,120 --> 00:57:40,240 Speaker 1: I don't know, but kids are horny their parts and stuff. Yeah, 963 00:57:40,320 --> 00:57:42,480 Speaker 1: they don't realize it, but yeah they are. I mean, 964 00:57:42,560 --> 00:57:46,320 Speaker 1: and and every kid has a weird memory, like like, 965 00:57:46,360 --> 00:57:49,520 Speaker 1: I remember Corey who lived in the trailer down the street, 966 00:57:49,800 --> 00:57:52,000 Speaker 1: who I had such a huge crush at one time. 967 00:57:52,080 --> 00:57:56,520 Speaker 1: He like, I mean again, he's like kind of cornered me. 968 00:57:56,720 --> 00:57:59,720 Speaker 1: But I was like, oh Corey, you know, and he 969 00:58:00,000 --> 00:58:03,480 Speaker 1: got me singing a song from Hercules in my backyard 970 00:58:03,760 --> 00:58:10,920 Speaker 1: and then he kissed my forehead. Thank you, thank you 971 00:58:11,640 --> 00:58:14,000 Speaker 1: on my forehead because he is a little bit taller 972 00:58:14,040 --> 00:58:20,000 Speaker 1: than me. So well, I think it's time. I think 973 00:58:20,040 --> 00:58:23,480 Speaker 1: it's time to rate the movie all horned up? Yep, 974 00:58:24,520 --> 00:58:26,280 Speaker 1: does anyone want to go first week rate on a 975 00:58:26,280 --> 00:58:28,600 Speaker 1: scale of zero to five nipples based on its portrayal 976 00:58:28,640 --> 00:58:31,600 Speaker 1: of women? Oh my gosh, I'll go first base on 977 00:58:31,680 --> 00:58:38,400 Speaker 1: his portrayal of women. It gets like a zero unfortunately. 978 00:58:38,520 --> 00:58:43,240 Speaker 1: But I do love the movie still for nostalgia. But 979 00:58:43,760 --> 00:58:46,240 Speaker 1: and you know, I think it's just got some classic moments. 980 00:58:46,320 --> 00:58:51,920 Speaker 1: But yeah, zero on its portrayal of women. Unfortunately. Yeah, 981 00:58:51,960 --> 00:58:55,520 Speaker 1: I'll give it a zero as well. I want, Okay, 982 00:58:55,600 --> 00:58:57,640 Speaker 1: we gotta I think that this is more of a 983 00:58:57,680 --> 00:59:00,000 Speaker 1: call to actually, we gotta do a sand Lot reboot. 984 00:59:00,440 --> 00:59:07,120 Speaker 1: Replace the boy twins with girl twins were good to go, like, yeah, yeah, 985 00:59:07,320 --> 00:59:09,640 Speaker 1: just give us, give us a new sand lot with 986 00:59:10,120 --> 00:59:13,200 Speaker 1: with a girl, and then everything else can yeah, you know, 987 00:59:13,240 --> 00:59:16,200 Speaker 1: and give the mom a name. Yeah if if she 988 00:59:16,320 --> 00:59:18,960 Speaker 1: and Dennis Leary can even still be the dad if 989 00:59:19,000 --> 00:59:22,000 Speaker 1: he wants if he's not. He was a big hit 990 00:59:22,080 --> 00:59:26,520 Speaker 1: with you, isn't he. I love Dennis. Yeah. Well, anyways, 991 00:59:26,560 --> 00:59:28,400 Speaker 1: so I give it zero nipples. If I were to 992 00:59:28,440 --> 00:59:30,400 Speaker 1: give it a nipple of any sort that I would 993 00:59:30,400 --> 00:59:37,560 Speaker 1: like to specify, it would be James Earl Jones's blind nipples. Yeah, 994 00:59:37,600 --> 00:59:39,200 Speaker 1: I was. I was going to give it like a 995 00:59:39,320 --> 00:59:42,640 Speaker 1: half nipple until he said, well, just because we don't 996 00:59:42,640 --> 00:59:46,600 Speaker 1: even think we've ever given a movie zero nipples, especially 997 00:59:46,640 --> 00:59:50,720 Speaker 1: because one should I give it a one? I mean, well, no, 998 00:59:50,840 --> 00:59:53,520 Speaker 1: I don't think it deserves that much. Really, just it's 999 00:59:53,560 --> 00:59:56,200 Speaker 1: just no female characters, and the ones that there are, 1000 00:59:56,880 --> 01:00:01,480 Speaker 1: you know, they're heavily objectified. They have very little screen time. 1001 01:00:02,120 --> 01:00:04,000 Speaker 1: His mom is. I mean, I guess I don't have 1002 01:00:04,000 --> 01:00:06,360 Speaker 1: any problems with her. I couldn't think of anything, but 1003 01:00:06,400 --> 01:00:09,080 Speaker 1: she's like she's just a little exposition machine. He's like 1004 01:00:09,120 --> 01:00:12,400 Speaker 1: all scared of the dad though. She Yeah, it's like 1005 01:00:12,720 --> 01:00:15,840 Speaker 1: when you maybe have time, can you teach about pride? 1006 01:00:16,720 --> 01:00:19,240 Speaker 1: Like he's about to hit her or something. And then 1007 01:00:19,280 --> 01:00:22,200 Speaker 1: his dad. Oh god, any movie where like the dad 1008 01:00:22,280 --> 01:00:25,120 Speaker 1: is always in a different room. You're just like, God, 1009 01:00:25,200 --> 01:00:27,560 Speaker 1: what is he doing in that room? What is he 1010 01:00:27,600 --> 01:00:32,320 Speaker 1: doing in the room? Yeah? Yeah, so I guess you 1011 01:00:32,320 --> 01:00:37,880 Speaker 1: guys are saying that reboot I but not videobots, no, 1012 01:00:38,440 --> 01:00:41,960 Speaker 1: give us a wide release. Yeah, like, actually a good 1013 01:00:42,000 --> 01:00:44,360 Speaker 1: movie though, That's what I'm saying, like so many times, 1014 01:00:44,360 --> 01:00:47,600 Speaker 1: the reboot of movie it just sucks. Yeah, you know, 1015 01:00:47,720 --> 01:00:50,680 Speaker 1: give us another Mighty Ducks as well. Yeah, I just 1016 01:00:50,880 --> 01:00:56,440 Speaker 1: meant or adults, but maybe I'll say they could just 1017 01:00:56,480 --> 01:00:59,400 Speaker 1: think of like a new thing. I love Amelia West 1018 01:00:59,400 --> 01:01:04,440 Speaker 1: of Us. Yeah, hey, I'm gonna give it zero nipples. Um. 1019 01:01:05,160 --> 01:01:08,680 Speaker 1: The women are just uh, you know, poor Wendy. I 1020 01:01:08,680 --> 01:01:11,320 Speaker 1: want to like, give her more lines, give her make 1021 01:01:11,360 --> 01:01:15,080 Speaker 1: her not okay with her being kissed against her will. 1022 01:01:15,160 --> 01:01:18,360 Speaker 1: Don't make her marriage. I don't make her marriage at 1023 01:01:18,440 --> 01:01:20,720 Speaker 1: least that I mean, come on, it was like at 1024 01:01:20,760 --> 01:01:23,800 Speaker 1: it in the titles, like it's a bit much. Yeah, 1025 01:01:24,080 --> 01:01:28,240 Speaker 1: Sama is a good movie for nostalgia. It's a bad 1026 01:01:28,280 --> 01:01:31,840 Speaker 1: movie for for women in terms of the way the 1027 01:01:31,960 --> 01:01:36,000 Speaker 1: characters are just don't exist or are. You know. This 1028 01:01:36,080 --> 01:01:38,360 Speaker 1: is why we have the podcast because sometimes it's hard 1029 01:01:38,400 --> 01:01:41,560 Speaker 1: to be like, I love this movie, but God calls 1030 01:01:41,600 --> 01:01:43,760 Speaker 1: spade a spade. Sometimes I don't need it. I like. 1031 01:01:43,880 --> 01:01:46,880 Speaker 1: I like a lot of the like Little the Boy characters. 1032 01:01:47,240 --> 01:01:51,240 Speaker 1: They're fun. You know, it's a little boys movie for 1033 01:01:51,280 --> 01:01:54,520 Speaker 1: like little boys. Yeah they've got the chubby one. Yeah 1034 01:01:54,880 --> 01:01:59,360 Speaker 1: they've got they have of course. Yeah. I mean I 1035 01:01:59,360 --> 01:02:05,440 Speaker 1: guess because Hand became a wrestler, was like, that's pretty dope. 1036 01:02:05,800 --> 01:02:08,720 Speaker 1: Well not in real life, but in his epilog. I 1037 01:02:08,720 --> 01:02:11,360 Speaker 1: don't know if any of these kids act anymore. I 1038 01:02:11,400 --> 01:02:16,240 Speaker 1: think Ham does funny or die video or something good 1039 01:02:16,280 --> 01:02:21,960 Speaker 1: for him. Let's not good for him or good for him. 1040 01:02:22,000 --> 01:02:24,840 Speaker 1: Hey Natalie, where can people find you online? Oh my gosh, 1041 01:02:25,000 --> 01:02:29,000 Speaker 1: find me at nat Dog cat Dog on Twitter Cat 1042 01:02:29,080 --> 01:02:33,680 Speaker 1: with a K and on Instagram at Natalie Palmidies. Also 1043 01:02:33,720 --> 01:02:36,680 Speaker 1: shout out to all those Scottish bricklayers out there had 1044 01:02:37,360 --> 01:02:41,680 Speaker 1: coming through and yeah they'll be like from Scotland, there's 1045 01:02:41,680 --> 01:02:50,080 Speaker 1: a brick there's been there working me up over here. 1046 01:02:51,120 --> 01:02:54,280 Speaker 1: Thank you so much for being here. Yeah, thanks chanting 1047 01:02:54,360 --> 01:02:56,800 Speaker 1: about this movie with us. Yeah, it's been a ton 1048 01:02:56,800 --> 01:03:02,080 Speaker 1: of fun. Has now home run and what I don't know. 1049 01:03:02,120 --> 01:03:05,320 Speaker 1: I try to say something at the end of the 1050 01:03:05,360 --> 01:03:09,400 Speaker 1: episode that's like Okay, I think we're starting a new part. 1051 01:03:09,440 --> 01:03:12,680 Speaker 1: I was like, oh, oh, we're finished. Just go out 1052 01:03:12,720 --> 01:03:15,720 Speaker 1: there and hit a home run with your life, everybody. 1053 01:03:15,760 --> 01:03:19,240 Speaker 1: If you reach for the stars, you might get there. Yeah. 1054 01:03:20,040 --> 01:03:22,520 Speaker 1: Follow us on batel Cast. Thank you, bye,