WEBVTT - 202: The Other Woman

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Higheartradiots, Katie Loves Well, Oh man, here we go.

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<v Speaker 2>We should like do this.

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<v Speaker 3>Scandal Rewatch podcast Yale Unpacking the Toolbox Here Madias and.

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<v Speaker 1>Katie Los Katie. The last time I was thinking, do

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<v Speaker 1>you go by just Katie Low's? Are you Katie Low Shapiro?

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<v Speaker 1>Are you hyphenated last name? You said? Hell? No, I'm

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<v Speaker 1>fucking Katie Lows, bitch. You know what I was in

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<v Speaker 1>the bear? Don't you know who I am?

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<v Speaker 3>Anyway, Well, today we're talking about episode two oh two, Yes,

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<v Speaker 3>the Other Woman, which aired on October fourth in twenty twelve,

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<v Speaker 3>written by Heather Mitchell and directed by Stephen Cragg.

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<v Speaker 2>Yes.

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<v Speaker 3>Yes, and the guest star list is but we gotta

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<v Speaker 3>name it because here on the Scandal Rewatch podcast we

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<v Speaker 3>respect our guest stops.

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<v Speaker 1>Yes, because they're usually like pretty freaking amazing. Yeah. I

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<v Speaker 1>mean the first main big one is uh Lorraine Toussain,

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<v Speaker 1>who plays Nancy Drake, who is just a wonderful actress.

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<v Speaker 1>She's she's one of those people that when you see

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<v Speaker 1>her face, so you see her in one thing, you're like,

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<v Speaker 1>oh my god, I've seen her in a thousand things,

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<v Speaker 1>like she's in so much, she's a she's from Trinidad.

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<v Speaker 2>Nice fun fact.

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<v Speaker 1>Yeah, nice fun fact there. But yeah, she's amazing. And

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<v Speaker 1>then we got Elise Neil and John Diel Dial. How

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<v Speaker 1>do you say that?

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<v Speaker 3>Maybe we'll just give it a deal, Dial Dial deal,

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<v Speaker 3>John deel Dal deal.

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<v Speaker 1>We got Leslie and John Deal played Ragewire. Who's Lindsay

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<v Speaker 1>Dwyer's dad?

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<v Speaker 3>Oh that I watched this episode And now we're starting

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<v Speaker 3>to get into the part of the Scandal Rewatch podcast

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<v Speaker 3>Unpacking the two Box where I don't.

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<v Speaker 2>Remember shooting that.

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<v Speaker 3>No, really, I distinctly remember standing with you outside of

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<v Speaker 3>that motel.

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<v Speaker 2>I remember that later in the episode.

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<v Speaker 3>Yes, we'll talk about I do not remember shooting the

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<v Speaker 3>scene with the dad.

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<v Speaker 1>No, no, no, do you remember that? Do you remember

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<v Speaker 1>the lady staring at Quinn at Lindsay Dwyer. Yo. I

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<v Speaker 1>wish we could have gotten her name and given her

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<v Speaker 1>a shout out because homegirl is so freaking good and

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<v Speaker 1>committed and annoying. Oh she's just perfect for the role.

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<v Speaker 3>Oh dare this Smallotov mistress bitch come and sit in

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<v Speaker 3>and have a fucking coffee in our small fucking at

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<v Speaker 3>a looma California town.

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<v Speaker 1>With her omelet on her plate that she never touches.

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<v Speaker 1>I wrote in my notes, is it a wig or

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<v Speaker 1>not a whig?

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<v Speaker 2>Not a wig?

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<v Speaker 1>It's not a wig.

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<v Speaker 3>I do kind of remember that woman. The other people

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<v Speaker 3>we have is Leslie Grossman is Lisa, who's the DC corner.

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<v Speaker 2>She was amazing. Marcus Bonoza's Chairman of Joint Chiefs.

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<v Speaker 3>Greg Henry is Hollis Doyle, Debraah Mooney is Verna Thornton,

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<v Speaker 3>who is constant recurring. Wendy Davis is Kimberly Mitchell. San

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<v Speaker 3>McMurray is the US attorney Pat Wexler. Joe Holt, who's

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<v Speaker 3>a friend of mine. As Secretary, he defends Virginia Louise

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<v Speaker 3>Smith as Secretary of State.

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<v Speaker 2>J Jackson's local anchor.

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<v Speaker 3>If y'all don't remember this episode, let's just jog yie,

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<v Speaker 3>old memory, y old memory.

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<v Speaker 1>Olivia has to deal with the ramifications of Quinn's jaw

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<v Speaker 1>dropping court verdict as Abbey continues to press Olivia for

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<v Speaker 1>answers and Quinn takes a trip back home. The firm

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<v Speaker 1>represents the widow of a very prominent pastor who had

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<v Speaker 1>a secret life with his mistress and son. Olivia works

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<v Speaker 1>on striking a deal to keep Pastor Drake's other life

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<v Speaker 1>a secret before the funeral. Meanwhile, in the White House,

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<v Speaker 1>Cyrus and Fitz deal with a foreign policy emergency that

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<v Speaker 1>was potentially fabricated by the CIA. What the hell, dude?

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<v Speaker 2>That was stupendous.

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<v Speaker 3>I also think your scandal pace is always so good

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<v Speaker 3>because I understand what you're saying, like you're putting the

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<v Speaker 3>inflection on the correct word.

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<v Speaker 1>Listen, I thank you, But I always understand your scandal pace.

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<v Speaker 1>So anyway, I have.

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<v Speaker 3>To admit sometimes I'm just not smart enough for this show.

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<v Speaker 3>And either all of the CIA fabrication of what was

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<v Speaker 3>going on, I was like, wait, hold up, mehy they

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<v Speaker 3>do that?

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<v Speaker 1>I was like, Yo, I know shit is corrupt, but

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<v Speaker 1>what the hell?

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<v Speaker 3>Why are they just making a fucking photo of gen

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<v Speaker 3>children in Sudan?

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<v Speaker 1>Is it because the dude that did it? What is

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<v Speaker 1>he the head of the CIA? Is it because he's

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<v Speaker 1>he wants the president to go to war and he's

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<v Speaker 1>a Republican and he wants me I don't fucking know.

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<v Speaker 3>I was confused too well, let it be known here

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<v Speaker 3>that Gar and I on this rewatch podcast we don't

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<v Speaker 3>completely understand what's going on.

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<v Speaker 1>Which listen, listen. I feel like a lot of the audience,

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<v Speaker 1>our listeners will understand. And it's okay because this show

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<v Speaker 1>has so much in it that it doesn't matter. Yes,

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<v Speaker 1>But also, Katie, do you remember ever being on set

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<v Speaker 1>like and I'd be like, I know me. Mostly I'd

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<v Speaker 1>be like, Katie, I don't know what's happening, Like, what's

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<v Speaker 1>happening on the show.

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<v Speaker 3>Because yes, I remember we see the start of this

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<v Speaker 3>episode that Olivia and the President have started this relationship

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<v Speaker 3>where they're like old school fucking late night phone calls ye,

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<v Speaker 3>where they're just like talking about their life and Olivia's

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<v Speaker 3>in bed and she's like it can't keep taking calls

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<v Speaker 3>from my married ex boyfriend.

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<v Speaker 1>Yes, yeah, which is so cute.

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<v Speaker 2>I think it's like.

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<v Speaker 1>It's really normal.

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<v Speaker 3>Yeah, weird to see them like normal, Like they're not

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<v Speaker 3>at a white House dinner, they're not like on the trail,

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<v Speaker 3>they're not doing any of those things.

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<v Speaker 2>They're literally just like talking on the phone.

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<v Speaker 1>Yeah, gossiping, right, They're just like like telling each other's

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<v Speaker 1>shit from their day and stuff. Yeah it's okay. You know,

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<v Speaker 1>for those of those of us who are little on

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<v Speaker 1>the older side, that's the way we used to chat

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<v Speaker 1>with the people we were seeing or dating or whatever.

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<v Speaker 1>You'd be on the phone for freaking hours.

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<v Speaker 2>Oh my god. Yeah, my parents got me.

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<v Speaker 3>I mean, this is some bougie ash fucking white privilege

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<v Speaker 3>shit right here. My parents were my sixteenth birthday, I

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<v Speaker 3>think got me my own phone line. I got my

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<v Speaker 3>own fucking line because I think my parents found out

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<v Speaker 3>that it was like twenty five more cents like a

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<v Speaker 3>fucking hour or whatever if they just gave me my

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<v Speaker 3>own phone, because I was clogging that shit up, Like

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<v Speaker 3>I was on the phone all day with bitches and

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<v Speaker 3>fucking night with boyfriends.

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<v Speaker 1>Like I was just oh, yeah, that's the way it

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<v Speaker 1>went down.

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<v Speaker 3>Yeah yeah, Heremo, you didn't have your own line now.

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<v Speaker 1>No, we had one phone hanging in the hallway of

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<v Speaker 1>our New York City Washington Heights apartment with a cord.

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<v Speaker 1>The only time it got bougie for us is when

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<v Speaker 1>my parents are like, we're like, we're gonna to buy

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<v Speaker 1>a longer cored. I'd walk into like the bathroom and

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<v Speaker 1>close the door in the kitchen.

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<v Speaker 2>You'd have to hawk is a AA.

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<v Speaker 1>Yep. I think this is the first time, right Katie,

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<v Speaker 1>that we see him.

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<v Speaker 3>Yeah, I think this is the first time we see

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<v Speaker 3>you howk in AA.

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<v Speaker 1>Yeah. I remember shooting the scene, the AA scene because

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<v Speaker 1>it was like just a few blocks away from Sunta Gower,

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<v Speaker 1>which is where the stage is where we shot Scandal,

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<v Speaker 1>And it was like in the basement of a church,

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<v Speaker 1>if I'm not mistaken, and it was really cool. And also,

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<v Speaker 1>you know, I was gonna I was gonna say too,

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<v Speaker 1>I have a sort of a history with A because

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<v Speaker 1>my ex used to be in AA. But I used

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<v Speaker 1>to go to the meetings with him. And I'm not

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<v Speaker 1>an alcoholic. Well maybe i am, but no, just a

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<v Speaker 1>little bit. But I don't have a.

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<v Speaker 3>Problem, no disrespect it is with you, I know, no, no,

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<v Speaker 3>no no. But you have a personal relationship to being

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<v Speaker 3>a Alana.

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<v Speaker 1>Yeah yeah, yeah, right. But I used to go to

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<v Speaker 1>the meetings and get so much out of them, like

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<v Speaker 1>I really enjoyed because it's all about you know, very

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<v Speaker 1>spiritual yes, and lifting the person up and giving them encouragement.

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<v Speaker 1>It was it was wonderful and I really got a

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<v Speaker 1>lot out of it. Those rooms are really really special.

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<v Speaker 2>And so for you to get to stand there and

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<v Speaker 2>talk about fucking killing.

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<v Speaker 1>People, yeah, yeah, yeah, Well that's why I thought about

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<v Speaker 1>me going to the meetings, because I would go, But

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<v Speaker 1>it wasn't about having an addiction. It was I was

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<v Speaker 1>just getting a lot more out of it just for

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<v Speaker 1>life in general. And so, so huck Is doesn't have

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<v Speaker 1>an alcohol problem either, he's going because he's you know,

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<v Speaker 1>whiskey represents him killing people and torturing people. So I

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<v Speaker 1>wonder if they would have done like a like coverage

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<v Speaker 1>of like the with the people in the meeting, like

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<v Speaker 1>what the fuck is this guy talking about? Because he's like,

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<v Speaker 1>I'm really good at drinking with.

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<v Speaker 2>I don't think they ever flip it around.

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<v Speaker 1>They never flip around.

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<v Speaker 2>No interesting, but oh no, it totally works.

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<v Speaker 3>I actually never even realized it until you just said that, Yeah,

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<v Speaker 3>Quinn is being a stupid bid bitch.

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<v Speaker 1>Quinn is so like's.

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<v Speaker 3>Apartment and I'm like so mad, and so like, why

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<v Speaker 3>is anyone telling me anything? Anyone messed up my life

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<v Speaker 3>and no one's telling me why. And I mean, I

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<v Speaker 3>don't know if other people got that out of my performance,

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<v Speaker 3>but I definitely felt like nails on a chalkboard watching.

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<v Speaker 1>I think people fuck Whenn's frustration, right, I love this year.

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<v Speaker 1>Her line to Olivia is like I got more sleep

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<v Speaker 1>in prison.

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<v Speaker 3>Oh my god, they tossed that away into a pillow

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<v Speaker 3>because I doubt my acting choice was at all.

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<v Speaker 2>Now I wasn't in these scenes.

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<v Speaker 3>But the episode features like the America's pastor, Pastor Drake,

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<v Speaker 3>who's incredible and obviously have this like very public beautiful

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<v Speaker 3>marriage to U Lorraine Tucson's character Nancy Drake, but the

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<v Speaker 3>whole time, for fifteen years he's been stripping this other

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<v Speaker 3>woman named Anna Gordon. But you find the episode in

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<v Speaker 3>like a classic Olivia Pope Opa handling the situation where

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<v Speaker 3>the wife calls they can't find Pastor Drake. You guys

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<v Speaker 3>get led to a camera across the street from the

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<v Speaker 3>hay Adams Hotel, and you are in the hotel and

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<v Speaker 3>you hear like ah, and they open the door and

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<v Speaker 3>they find Pastor Drake.

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<v Speaker 1>On top, oh, top of his mistress.

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<v Speaker 3>And she's handcuffed to the bed, and no one knows

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<v Speaker 3>it first until Huck kind of runs in and checks

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<v Speaker 3>and knows, like right away, the guy's been dead and

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<v Speaker 3>she's been like stuck under the air because the bro

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<v Speaker 3>is like three hundred and fifty pounds.

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<v Speaker 1>Yeah, home was a big boy. What I found so

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<v Speaker 1>amusing was watching the episode and the first thing that

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<v Speaker 1>happens is Huck rushes in check is his pulse and

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<v Speaker 1>he's like he's been dead. Was sohow is whatever the

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<v Speaker 1>fuck I said? And then Abby says something in Olivia

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<v Speaker 1>and then there's a moment we're all just standing there

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<v Speaker 1>like hmm, what do we do now? And the whole

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<v Speaker 1>time watching the episode, I was like, this girl is

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<v Speaker 1>stuck under this large as man and nobody's like there

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<v Speaker 1>was no nobody in rush to be like They're just like, dude.

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<v Speaker 3>I didn't I'm gonna have to go back and wash

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<v Speaker 3>because I did not catch that at all. I love

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<v Speaker 3>the part of this scene is this this This is

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<v Speaker 3>the scene where she's like, what do you need to

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<v Speaker 3>do to get rid of the body? And you're like

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<v Speaker 3>five hundreds and you're like, you're like lusty. You're like lusty,

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<v Speaker 3>like describing all the tools in which you would need

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<v Speaker 3>to dispose of a body this big, and she'say, I

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<v Speaker 3>mean to just move the body?

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<v Speaker 1>Oh yeah, oh well then just like and your body

0:11:41.000 --> 0:11:43.800
<v Speaker 1>some sheets. Yeah, you're like, you're.

0:11:43.760 --> 0:11:46.040
<v Speaker 2>So psyched that you were going to cut this dude up.

0:11:46.240 --> 0:11:48.640
<v Speaker 1>Yeah, but he's also super embarrassed, I think because he's like,

0:11:48.679 --> 0:11:49.120
<v Speaker 1>oh my.

0:11:49.080 --> 0:11:51.280
<v Speaker 2>God, You're like, oh my god, I'm so fucked up.

0:11:51.920 --> 0:11:55.040
<v Speaker 3>Yeah, Like clearly you clearly Huck knows he has a

0:11:55.040 --> 0:11:58.240
<v Speaker 3>problem because you're going to aa so like you know

0:11:58.480 --> 0:12:01.880
<v Speaker 3>that things are a in your mental health.

0:12:02.040 --> 0:12:06.560
<v Speaker 1>Yeah, and he could feel himself, you know, slipping, Yes,

0:12:06.640 --> 0:12:09.480
<v Speaker 1>and I'm going closer to the dark side. But yeah,

0:12:09.520 --> 0:12:12.200
<v Speaker 1>that was such a great mind. Olivia's look to Huck

0:12:12.360 --> 0:12:16.480
<v Speaker 1>is like, motherfucker, I was talking about moving him, not

0:12:16.559 --> 0:12:19.240
<v Speaker 1>chopping him up. Is so good, so good. But she's

0:12:19.280 --> 0:12:22.960
<v Speaker 1>also like, you know, like there's the fright in her face, like,

0:12:23.000 --> 0:12:25.160
<v Speaker 1>oh my god, this motherfucker was ready.

0:12:24.880 --> 0:12:27.680
<v Speaker 3>To check him up in the midst of this whole

0:12:28.840 --> 0:12:31.720
<v Speaker 3>montage about moving his body because their goal is to

0:12:31.800 --> 0:12:36.000
<v Speaker 3>like clean up the scene, which is super illegal, and

0:12:36.080 --> 0:12:39.600
<v Speaker 3>to get that body back to in bed where he

0:12:39.640 --> 0:12:42.360
<v Speaker 3>would live, like I mean, so that they can sort

0:12:42.400 --> 0:12:45.920
<v Speaker 3>of stage it, like keeping his rep clean. That like

0:12:46.400 --> 0:12:48.560
<v Speaker 3>if he's not found with the hooker, but he's found

0:12:48.600 --> 0:12:50.920
<v Speaker 3>that he just like had a heart attack in bed

0:12:51.360 --> 0:12:53.920
<v Speaker 3>then it would be much better for his look and

0:12:53.960 --> 0:12:56.480
<v Speaker 3>his wife's reputation and his legacy and all of that.

0:12:56.520 --> 0:12:58.880
<v Speaker 3>But in the midst of all these scenes, there's such

0:12:58.880 --> 0:13:03.640
<v Speaker 3>a great scene between Dan Bucatinski and Jeff so much

0:13:03.640 --> 0:13:06.199
<v Speaker 3>where he's yes, I hate that I married a Republican.

0:13:06.320 --> 0:13:09.920
<v Speaker 1>Yes I want a baby, a fat one, a smushy one.

0:13:10.200 --> 0:13:11.680
<v Speaker 2>Yes, it's so cute.

0:13:12.120 --> 0:13:14.240
<v Speaker 1>Oh it's so good. You know. I wrote down in

0:13:14.240 --> 0:13:17.120
<v Speaker 1>my notes that they they fight like a real couple.

0:13:18.160 --> 0:13:20.120
<v Speaker 1>I mean, because we see couples on TV all the time,

0:13:20.120 --> 0:13:22.080
<v Speaker 1>and sometimes, you know, you kind of get the chemistry,

0:13:22.120 --> 0:13:26.640
<v Speaker 1>sometimes you don't. But I feel like like Dan and Jeff,

0:13:26.960 --> 0:13:30.520
<v Speaker 1>like their chemistry was fire from the beginning, like they

0:13:30.640 --> 0:13:34.600
<v Speaker 1>just it just clicked. But also Jeff, Jeff and Dan.

0:13:34.640 --> 0:13:36.320
<v Speaker 1>I was gonna say Jeff, because Jeff is a you know,

0:13:36.320 --> 0:13:38.400
<v Speaker 1>as a straight man. He's married to Linda Lowe, who

0:13:38.400 --> 0:13:42.760
<v Speaker 1>was our casting director, and but he Jeff is such

0:13:42.920 --> 0:13:46.800
<v Speaker 1>an amazing, fucking skilled Like he's one of those actors

0:13:46.840 --> 0:13:50.559
<v Speaker 1>that just is no joke. He's a genius. So I

0:13:50.640 --> 0:13:53.040
<v Speaker 1>knew he was going to approach this gay character with

0:13:53.720 --> 0:13:57.880
<v Speaker 1>you know, just complete completely embracing it and being as

0:13:57.920 --> 0:14:00.360
<v Speaker 1>real as possible and not having any hang upsot it,

0:14:00.600 --> 0:14:02.840
<v Speaker 1>and that comes across you know what I mean, Like

0:14:02.880 --> 0:14:04.520
<v Speaker 1>they really come across as a real couple.

0:14:04.760 --> 0:14:07.520
<v Speaker 2>They totally do. And I think, I think when we

0:14:07.559 --> 0:14:08.719
<v Speaker 2>have a mom will have to ask him.

0:14:08.720 --> 0:14:12.360
<v Speaker 3>But I'm pretty sure he's played gay characters multiple times

0:14:12.360 --> 0:14:15.079
<v Speaker 3>in his I think, yeah, I think he's played that,

0:14:15.600 --> 0:14:19.000
<v Speaker 3>like from his early twenties on. I think what's probably

0:14:19.080 --> 0:14:22.240
<v Speaker 3>weirdest for them is that, And I can't wait to

0:14:22.240 --> 0:14:24.480
<v Speaker 3>ask them about this, is that Jeff and Dan have

0:14:24.600 --> 0:14:26.400
<v Speaker 3>been real life friends for.

0:14:26.440 --> 0:14:28.840
<v Speaker 1>Like twenty years. Oh, I didn't know that.

0:14:29.080 --> 0:14:31.480
<v Speaker 2>I'm sure that it had nothing.

0:14:31.240 --> 0:14:31.720
<v Speaker 1>To do with that.

0:14:31.800 --> 0:14:33.240
<v Speaker 3>It would be weird if you were a girl too,

0:14:33.240 --> 0:14:35.560
<v Speaker 3>But like they have to like make out, you know

0:14:35.600 --> 0:14:39.400
<v Speaker 3>what I mean, Like like Linda cast Don Ruth, Dan

0:14:39.440 --> 0:14:43.920
<v Speaker 3>Bugatinski's husband, Don Ruth is a big screenwriter and Linda

0:14:44.040 --> 0:14:45.760
<v Speaker 3>cast his movies like twenty years ago.

0:14:45.840 --> 0:14:48.640
<v Speaker 2>They've all four been friends for a very long time.

0:14:49.040 --> 0:14:51.960
<v Speaker 3>Wow, And so I think it was probably weirder than

0:14:52.000 --> 0:14:54.800
<v Speaker 3>anything that. Like Jeff, oh shit, I'm don't have to

0:14:54.800 --> 0:14:57.040
<v Speaker 3>make up with like a dear friend of mine, you know,

0:14:58.720 --> 0:14:59.480
<v Speaker 3>than anything else.

0:15:01.680 --> 0:15:04.840
<v Speaker 2>Oh Okay, what about this part.

0:15:05.240 --> 0:15:08.080
<v Speaker 3>Who was it in the script that all the OPA

0:15:08.200 --> 0:15:09.840
<v Speaker 3>people use the same deodorant?

0:15:10.120 --> 0:15:12.920
<v Speaker 1>Oh my god, I wrote notes on that too, right.

0:15:13.080 --> 0:15:15.920
<v Speaker 1>I think they were trying to give the feeling on

0:15:15.960 --> 0:15:17.960
<v Speaker 1>the show that obviously they've been up all night and

0:15:18.000 --> 0:15:20.440
<v Speaker 1>moving this guy and they're probably sweating, and they're all

0:15:20.480 --> 0:15:24.000
<v Speaker 1>passing this deodorant. It's such an odd but like it's

0:15:24.000 --> 0:15:26.080
<v Speaker 1>such an odd but interesting moment. Yeah.

0:15:26.160 --> 0:15:28.680
<v Speaker 3>Yes, and you're the only one. Huk is the only

0:15:28.680 --> 0:15:30.320
<v Speaker 3>one that does its.

0:15:29.840 --> 0:15:31.520
<v Speaker 1>Dirty ass and he's probably the one that needs it

0:15:31.520 --> 0:15:33.760
<v Speaker 1>the most. I was like, what are you what are

0:15:33.800 --> 0:15:37.000
<v Speaker 1>you doing? Like, put that ship under your arms. It's secret.

0:15:37.120 --> 0:15:39.480
<v Speaker 1>We all know how strong secret is.

0:15:39.800 --> 0:15:43.200
<v Speaker 3>It won't pick up this skank ass shit from one

0:15:43.240 --> 0:15:44.800
<v Speaker 3>person's arms to another.

0:15:45.040 --> 0:15:45.680
<v Speaker 2>Like I feel like.

0:15:45.640 --> 0:15:50.000
<v Speaker 3>It's a secret magic about secret that like you're gonna

0:15:50.040 --> 0:15:51.320
<v Speaker 3>be fine.

0:15:51.800 --> 0:15:52.200
<v Speaker 2>That is.

0:15:52.360 --> 0:15:54.240
<v Speaker 3>I just loved it, Like I thought it was so

0:15:54.600 --> 0:15:57.880
<v Speaker 3>familial and like we've been up all night and we

0:15:57.960 --> 0:15:59.360
<v Speaker 3>have no fucking boundaries.

0:15:59.720 --> 0:16:01.920
<v Speaker 2>Yeah, and there's no I love it.

0:16:01.960 --> 0:16:04.080
<v Speaker 3>No one's even commenting on this, Like, no one's like

0:16:05.400 --> 0:16:08.800
<v Speaker 3>and it's just like happening while you're working on the case. Yeah,

0:16:08.840 --> 0:16:12.360
<v Speaker 3>And then we get to oh. I think this is

0:16:12.360 --> 0:16:14.200
<v Speaker 3>when Quinn goes this sear, oh no, you come and

0:16:14.240 --> 0:16:16.760
<v Speaker 3>you realize I'm gone, and I Quinn goes to see

0:16:16.760 --> 0:16:19.360
<v Speaker 3>your dad, which I don't remember this.

0:16:20.680 --> 0:16:23.440
<v Speaker 2>I don't remembering this scene.

0:16:24.000 --> 0:16:31.800
<v Speaker 1>John John Deal Deal Deal Dal Deal. He's a fucking

0:16:32.040 --> 0:16:34.720
<v Speaker 1>dope actor. I love him. I love this. Oh yeah,

0:16:34.760 --> 0:16:36.920
<v Speaker 1>he's been a ton of stuff. I looked up. I

0:16:36.960 --> 0:16:39.320
<v Speaker 1>looked him up on IMDb and IMDb and he's done

0:16:39.360 --> 0:16:42.200
<v Speaker 1>over one hundred and thirty one hundred and forty films

0:16:42.200 --> 0:16:45.240
<v Speaker 1>and TV shows. Yeah, way, yeah. Some of his credits

0:16:45.240 --> 0:16:48.480
<v Speaker 1>are escaped from or what's my number? I haven't but

0:16:48.520 --> 0:16:50.800
<v Speaker 1>I'm going to write right after we finish this podcast

0:16:51.400 --> 0:16:57.000
<v Speaker 1>at my numbers ship. But in the meantime, John Deal

0:16:57.080 --> 0:16:59.800
<v Speaker 1>Deal Dal Deal Deal, he was in Escape from Me,

0:17:00.320 --> 0:17:04.240
<v Speaker 1>he was in Miami Vice, The Outer Limits, X Files. Yeah. Anyway,

0:17:04.280 --> 0:17:06.680
<v Speaker 1>he's been in a ton of stuff and he's really

0:17:06.680 --> 0:17:08.040
<v Speaker 1>great in the episode you know.

0:17:08.000 --> 0:17:10.720
<v Speaker 2>What's slowly coming back for me, which is making me sad.

0:17:11.040 --> 0:17:12.240
<v Speaker 2>What is I.

0:17:12.080 --> 0:17:17.399
<v Speaker 3>Kind of remember vaguely him saying like, oh, this is

0:17:17.440 --> 0:17:17.880
<v Speaker 3>so great.

0:17:17.920 --> 0:17:19.679
<v Speaker 2>I get cast as your dad. They're going to be

0:17:19.680 --> 0:17:20.960
<v Speaker 2>bringing me back a lot.

0:17:21.320 --> 0:17:26.440
<v Speaker 1>O so many Katie, I feel like so many actors

0:17:27.040 --> 0:17:29.720
<v Speaker 1>and even me, I remember saying that to some actors,

0:17:29.720 --> 0:17:32.320
<v Speaker 1>like when they were cast like a Cux girlfriend. I'd

0:17:32.359 --> 0:17:34.240
<v Speaker 1>be like, oh my god, this is awesome. You're for

0:17:34.320 --> 0:17:36.520
<v Speaker 1>sure coming back. And then I'd be like, oh, they

0:17:36.600 --> 0:17:37.480
<v Speaker 1>killed this bitch off.

0:17:37.680 --> 0:17:41.000
<v Speaker 3>Oh good, well, body, all your girlfriends had a pretty

0:17:41.000 --> 0:17:42.159
<v Speaker 3>long run.

0:17:42.800 --> 0:17:43.000
<v Speaker 1>You know.

0:17:43.200 --> 0:17:46.560
<v Speaker 2>Actors are so like, we have to be nomadic. That's

0:17:46.640 --> 0:17:47.320
<v Speaker 2>how it is.

0:17:47.359 --> 0:17:52.600
<v Speaker 3>It's actually like unheard of to stay in want any

0:17:52.640 --> 0:17:55.440
<v Speaker 3>one job for a long time, which was why scandal

0:17:55.520 --> 0:17:56.679
<v Speaker 3>is such a unicorn.

0:17:56.960 --> 0:17:58.399
<v Speaker 1>Yeah, but most of.

0:17:58.400 --> 0:18:02.320
<v Speaker 3>The time that's not our story, and we go where the.

0:18:02.280 --> 0:18:03.120
<v Speaker 2>Wind takes us.

0:18:03.240 --> 0:18:05.680
<v Speaker 3>I mean, I've been cut out of so much fucking shit,

0:18:06.400 --> 0:18:08.880
<v Speaker 3>and everyone has their story of like they've been fired,

0:18:08.960 --> 0:18:11.600
<v Speaker 3>and then there's like amazing miracle stories like Bellamy Young,

0:18:11.680 --> 0:18:14.160
<v Speaker 3>who I think was only to do like three episodes

0:18:14.160 --> 0:18:17.320
<v Speaker 3>in season one or something. Yeah, So you know, there's

0:18:17.359 --> 0:18:20.280
<v Speaker 3>like ups and downs and it is what it is.

0:18:20.320 --> 0:18:21.200
<v Speaker 2>But I do.

0:18:21.040 --> 0:18:23.200
<v Speaker 3>Remember the dad being like, oh man, I think they're

0:18:23.200 --> 0:18:23.840
<v Speaker 3>gonna call me.

0:18:23.840 --> 0:18:26.879
<v Speaker 2>Back, and I'm just like, fuck, man, no, I don't.

0:18:26.960 --> 0:18:29.120
<v Speaker 3>I don't remember what I said, but probably not something

0:18:29.160 --> 0:18:33.199
<v Speaker 3>that made him feel any better, Go get a snack

0:18:33.440 --> 0:18:34.400
<v Speaker 3>and we'll be right back.

0:18:38.240 --> 0:18:41.520
<v Speaker 2>Okay. Then what happens Giermo.

0:18:41.640 --> 0:18:43.760
<v Speaker 1>Well, how goes to check on Quinn? Is the next

0:18:43.760 --> 0:18:47.399
<v Speaker 1>thing that I have that sort of happens? Right? Yes, right.

0:18:47.440 --> 0:18:49.440
<v Speaker 1>Olivia's like, go check on Quinn because she was a

0:18:49.480 --> 0:18:52.320
<v Speaker 1>little bit jumpy this morning when you said asleep better

0:18:52.359 --> 0:18:54.080
<v Speaker 1>in prison all that stuff. So Fu goes to check

0:18:54.080 --> 0:18:56.600
<v Speaker 1>on Quinn. She's nowhere to be found.

0:18:57.240 --> 0:19:00.800
<v Speaker 3>Yep, because I went to Petaluma, California to visit my

0:19:00.880 --> 0:19:02.359
<v Speaker 3>daddy to try to get back to them in my

0:19:02.400 --> 0:19:03.080
<v Speaker 3>normal life.

0:19:03.160 --> 0:19:05.919
<v Speaker 1>We're already at the point where you're meeting up with

0:19:05.960 --> 0:19:10.879
<v Speaker 1>your dad and and Huck somehow miraculously shows up there,

0:19:11.359 --> 0:19:13.879
<v Speaker 1>and Quinn's like, what the hell are you doing here? Like?

0:19:13.920 --> 0:19:17.040
<v Speaker 1>Can I not go anywhere without you? People like following me.

0:19:17.480 --> 0:19:18.840
<v Speaker 2>I kind of remember shooting that.

0:19:18.920 --> 0:19:21.119
<v Speaker 3>I feel like I have photos of that day that

0:19:21.320 --> 0:19:24.760
<v Speaker 3>I have to find, right, But Hucks, like, you have

0:19:24.960 --> 0:19:28.119
<v Speaker 3>such a beautiful monologue to me. But we're at some

0:19:28.240 --> 0:19:32.040
<v Speaker 3>like Motel six where I feel like, my god, you

0:19:32.080 --> 0:19:34.840
<v Speaker 3>and I shot there like a thousand times. I don't

0:19:34.880 --> 0:19:37.640
<v Speaker 3>know why you kind of shot there. Season one when

0:19:37.680 --> 0:19:40.080
<v Speaker 3>you like abducted me and you had to, like I

0:19:40.080 --> 0:19:41.520
<v Speaker 3>feel like you had to like throw me over your

0:19:41.520 --> 0:19:44.320
<v Speaker 3>shoulder and I was like, I am so sorry.

0:19:44.480 --> 0:19:46.480
<v Speaker 1>Was that in season? Was that season one? Yeah?

0:19:46.520 --> 0:19:49.520
<v Speaker 3>Maybe it was when they do the flashback and somebody's

0:19:49.600 --> 0:19:54.480
<v Speaker 3>like watching me. I think maybe even Susie poorfar As

0:19:54.560 --> 0:19:56.920
<v Speaker 3>character is like standing outside of the motel and you

0:19:57.000 --> 0:20:01.600
<v Speaker 3>see like Huck take me away, and yes, I kind

0:20:01.600 --> 0:20:04.600
<v Speaker 3>of remember vaguely me being like, oh my god, I

0:20:04.640 --> 0:20:08.240
<v Speaker 3>can't believe you have to haul me over your fucking shoulder.

0:20:07.840 --> 0:20:09.280
<v Speaker 2>Like that was not safe.

0:20:09.520 --> 0:20:11.240
<v Speaker 3>It does no matter how heavy or light you are,

0:20:11.320 --> 0:20:14.119
<v Speaker 3>that she is not safe. Not good for a body.

0:20:14.600 --> 0:20:16.600
<v Speaker 3>I do not like when anyone picks me up. It

0:20:16.600 --> 0:20:18.720
<v Speaker 3>makes me feel wildly and secure. There's only one person

0:20:18.760 --> 0:20:21.000
<v Speaker 3>who does it all the time, and it's fucking Scott Fully.

0:20:21.400 --> 0:20:24.920
<v Speaker 3>He does my entire relationship with Scott Fully. I love

0:20:24.960 --> 0:20:25.880
<v Speaker 3>this man so much.

0:20:25.800 --> 0:20:27.879
<v Speaker 1>Picking you up. I've never seen him pick you up.

0:20:27.960 --> 0:20:28.640
<v Speaker 1>Oh my god.

0:20:28.680 --> 0:20:30.960
<v Speaker 3>He's always picking me up like a baby sister. He's

0:20:31.000 --> 0:20:32.679
<v Speaker 3>like my older frap brother. But he'll always be like

0:20:32.840 --> 0:20:36.239
<v Speaker 3>and he only calls me kat Q. He'll ask him

0:20:36.240 --> 0:20:38.240
<v Speaker 3>when he comes on a kt Q and he comes

0:20:38.280 --> 0:20:41.280
<v Speaker 3>on and he picks me up. Okay, so you come

0:20:41.400 --> 0:20:43.320
<v Speaker 3>and we have this awesome scene at the motel where

0:20:43.359 --> 0:20:45.639
<v Speaker 3>Hawk is like Overcoon's shoulders and he's like, this is

0:20:45.680 --> 0:20:46.480
<v Speaker 3>where they took you.

0:20:46.600 --> 0:20:48.600
<v Speaker 2>And I'm like, something's I don't.

0:20:48.440 --> 0:20:50.000
<v Speaker 1>Know what are you talking about yet? Yeah?

0:20:50.000 --> 0:20:51.840
<v Speaker 2>Oh yeah that's what I say, what are you talking about?

0:20:52.960 --> 0:20:56.119
<v Speaker 2>And you say, no, this is where they took you. Yeah.

0:20:56.160 --> 0:20:58.560
<v Speaker 3>Seven people might have been blown up that day in Cytron,

0:20:58.640 --> 0:20:59.440
<v Speaker 3>but it wasn't seven.

0:20:59.480 --> 0:21:02.840
<v Speaker 1>It was really eight eight that died. Yeah. I remember

0:21:02.880 --> 0:21:05.400
<v Speaker 1>shooting that scene Katie, and it was so hot. We're

0:21:05.400 --> 0:21:07.280
<v Speaker 1>shooting it in Hollywood, a few blocks I think it

0:21:07.320 --> 0:21:09.399
<v Speaker 1>was a few blocks away from Sunset Gower. Again it

0:21:09.440 --> 0:21:10.600
<v Speaker 1>was yeah, like.

0:21:13.880 --> 0:21:16.359
<v Speaker 3>For us on Sunset Boulevard where these people by the

0:21:16.359 --> 0:21:17.600
<v Speaker 3>hour pieces of ship.

0:21:18.480 --> 0:21:21.720
<v Speaker 1>But it was so hot outside and they wardrobe came

0:21:22.080 --> 0:21:24.360
<v Speaker 1>to me with a jacket and I remember being like,

0:21:24.760 --> 0:21:28.000
<v Speaker 1>what you want me to put on this jacket? And

0:21:28.000 --> 0:21:29.879
<v Speaker 1>they were like, yeah, you got to wear a jacket,

0:21:29.920 --> 0:21:32.840
<v Speaker 1>and I remember just being so upset and I fought

0:21:32.920 --> 0:21:35.040
<v Speaker 1>back and forth. I was like, but he could have

0:21:35.119 --> 0:21:36.959
<v Speaker 1>left it in the car all and they were like, no,

0:21:37.000 --> 0:21:38.040
<v Speaker 1>you gotta put on the jacket.

0:21:38.760 --> 0:21:40.879
<v Speaker 3>We always did that ship where we would try to

0:21:40.920 --> 0:21:41.840
<v Speaker 3>talk to him like I don't.

0:21:41.720 --> 0:21:42.400
<v Speaker 2>Need a bag.

0:21:42.600 --> 0:21:43.359
<v Speaker 1>I don't need a bag.

0:21:43.440 --> 0:21:46.280
<v Speaker 3>I have in my pockets, and they like, you have

0:21:46.359 --> 0:21:49.080
<v Speaker 3>to wear a bag. I don't need a jacket. Quinn

0:21:49.359 --> 0:21:51.800
<v Speaker 3>ran out of O PA. She doesn't need a jacket.

0:21:51.480 --> 0:21:53.880
<v Speaker 1>And they're like, it is put your jacket on in.

0:21:53.920 --> 0:21:55.359
<v Speaker 2>D C and no one will.

0:21:55.320 --> 0:21:57.840
<v Speaker 3>Believe it unless there's a fucking wool pea coat on

0:21:57.880 --> 0:21:59.399
<v Speaker 3>you exactly.

0:22:00.760 --> 0:22:02.439
<v Speaker 1>But it was such a great Yeah, that was a

0:22:02.480 --> 0:22:05.440
<v Speaker 1>really really sweet scene. And then and then he hands

0:22:05.440 --> 0:22:07.320
<v Speaker 1>her a coffee and then they you know, and then

0:22:07.320 --> 0:22:09.439
<v Speaker 1>they cut to the next scene. I loved it. In

0:22:09.480 --> 0:22:14.120
<v Speaker 1>this episode, Quinn is saying goodbye to Lindsay Dwyer. Right.

0:22:14.280 --> 0:22:16.919
<v Speaker 3>Yeah, it's either like you accept this new life and

0:22:16.960 --> 0:22:20.159
<v Speaker 3>this new identity and jump both feet into working at

0:22:20.200 --> 0:22:22.240
<v Speaker 3>OPA and stop being a little bit.

0:22:22.400 --> 0:22:26.120
<v Speaker 1>Stop looking back, yeah.

0:22:24.960 --> 0:22:27.680
<v Speaker 2>Or like leave but like you can't.

0:22:27.920 --> 0:22:30.760
<v Speaker 3>This life that you're running back to try to get

0:22:30.760 --> 0:22:31.880
<v Speaker 3>doesn't exist anymore.

0:22:31.960 --> 0:22:34.199
<v Speaker 1>Yeah. I was watching the show too and looking at

0:22:34.200 --> 0:22:36.639
<v Speaker 1>that scene and thinking if this was me Giarmo who

0:22:36.680 --> 0:22:40.639
<v Speaker 1>they had done that to, I would be like help me.

0:22:41.119 --> 0:22:44.679
<v Speaker 1>I'd be like like a big old sobbing like mess,

0:22:44.720 --> 0:22:48.080
<v Speaker 1>like please somebody put me in a hospital. I can't

0:22:48.119 --> 0:22:48.800
<v Speaker 1>do it is.

0:22:49.080 --> 0:22:51.320
<v Speaker 2>Like stranger thing'd be.

0:22:51.359 --> 0:22:56.159
<v Speaker 3>Like what alternate reality plane of existence? Are you telling

0:22:56.240 --> 0:22:58.440
<v Speaker 3>me that I'm not the person I was? And here's

0:22:58.480 --> 0:23:01.560
<v Speaker 3>my new fucking identity. His boyfriend's been murdered and I've

0:23:01.600 --> 0:23:03.840
<v Speaker 3>been in a part of a huge fucking trial and

0:23:03.880 --> 0:23:08.640
<v Speaker 3>I miraculously got off Like yeah, no one's telling me anything,

0:23:08.760 --> 0:23:13.440
<v Speaker 3>like it's insane, insane. The next scene that I think

0:23:13.560 --> 0:23:16.640
<v Speaker 3>is is jumping to like the what makes this episode

0:23:16.640 --> 0:23:20.159
<v Speaker 3>so great is where Huck says, let's go home, and

0:23:20.200 --> 0:23:22.800
<v Speaker 3>you see what sort of accept like my new home

0:23:23.080 --> 0:23:25.720
<v Speaker 3>is Opa, and my new home is the identity of

0:23:25.760 --> 0:23:29.240
<v Speaker 3>Quinn Perkins. Yes Live and Fits are talking on the

0:23:29.240 --> 0:23:31.720
<v Speaker 3>phone about Pastor Drake and there this is where we

0:23:31.760 --> 0:23:33.400
<v Speaker 3>get into that thing we were talking about of it

0:23:33.520 --> 0:23:35.440
<v Speaker 3>just being like normal and they're just like on their

0:23:35.480 --> 0:23:39.960
<v Speaker 3>phone and they're hysterical laughing because she confides and Fits

0:23:39.960 --> 0:23:45.280
<v Speaker 3>about how Pastor Drake actually died, Yeah, and he was

0:23:45.400 --> 0:23:49.159
<v Speaker 3>king Ki and and they're like hysterical and it's so cute.

0:23:49.320 --> 0:23:52.399
<v Speaker 3>Like the scene totally takes a turn because Olivia is

0:23:52.440 --> 0:23:56.560
<v Speaker 3>realizing through this episode that she is the mistress. Like

0:23:57.200 --> 0:24:01.200
<v Speaker 3>the whole episode is the parallel between Lorraine Tucson is

0:24:01.280 --> 0:24:06.679
<v Speaker 3>Nancy Drake being Melly and Elise Neil Azanna Gordon being Olivia. Like,

0:24:07.200 --> 0:24:11.720
<v Speaker 3>Olivia will never get the twenty Christmases that Melli gets

0:24:11.760 --> 0:24:16.040
<v Speaker 3>to be with. Right, She'll never have Fitz's babies, She'll

0:24:16.080 --> 0:24:17.800
<v Speaker 3>never She'll always.

0:24:17.359 --> 0:24:18.760
<v Speaker 2>Be the mistress, you know what I mean.

0:24:19.359 --> 0:24:23.600
<v Speaker 3>Yeah, And Olivia's sort of realizing it unfold as she's watching,

0:24:23.880 --> 0:24:27.120
<v Speaker 3>you know, her sort of experience unfolding in like the case.

0:24:26.920 --> 0:24:27.359
<v Speaker 2>Of the week.

0:24:27.720 --> 0:24:31.080
<v Speaker 1>It's like mirroring her experience with it. Yeah, it's so

0:24:31.080 --> 0:24:31.560
<v Speaker 1>so cool.

0:24:31.640 --> 0:24:34.159
<v Speaker 3>And she screams at him, I want you to cancel

0:24:34.240 --> 0:24:35.000
<v Speaker 3>the autopsy.

0:24:35.160 --> 0:24:36.879
<v Speaker 2>That's what I want. I know.

0:24:36.920 --> 0:24:39.040
<v Speaker 1>It goes from them cracking up and like being like

0:24:39.119 --> 0:24:42.040
<v Speaker 1>all cute see with each other to her like flipping

0:24:42.119 --> 0:24:44.480
<v Speaker 1>out and being like, yeah, this is what I want.

0:24:44.320 --> 0:24:45.960
<v Speaker 2>And just screaming her fucking head off.

0:24:46.080 --> 0:24:50.200
<v Speaker 1>Fitz is whipped because he does it. He makes it happen.

0:24:50.240 --> 0:24:52.480
<v Speaker 1>He gives Olivia what she wants, and.

0:24:52.440 --> 0:24:55.359
<v Speaker 3>He just did it in the episode before, Yeah, doesn't

0:24:55.359 --> 0:24:59.399
<v Speaker 3>he because he lets Quinn He's the reason why, you know,

0:24:59.440 --> 0:25:04.160
<v Speaker 3>when Quinn's entire case just gets sort of shelved and

0:25:04.480 --> 0:25:07.120
<v Speaker 3>David Rosen jumps up and he's like, what the hell

0:25:07.400 --> 0:25:11.720
<v Speaker 3>in only the way that Josh Malina can, but you realize,

0:25:11.720 --> 0:25:16.040
<v Speaker 3>like she keeps getting into deep doodoo, but she knows

0:25:16.080 --> 0:25:18.680
<v Speaker 3>she can because she can always fucking call the bat phone.

0:25:19.119 --> 0:25:21.760
<v Speaker 1>Yeah, and I think she knows that she's gotten wrapped

0:25:21.760 --> 0:25:24.680
<v Speaker 1>around her little finger, like she knows, she knows he's

0:25:24.680 --> 0:25:25.920
<v Speaker 1>going to do what she says.

0:25:26.000 --> 0:25:31.520
<v Speaker 3>Yeah, yeah, okay. Lorraine Tussant has that most amazing scene

0:25:31.560 --> 0:25:35.200
<v Speaker 3>with Melly. Lorraine Tussan's character Nancy Drake is supposed to

0:25:35.240 --> 0:25:37.800
<v Speaker 3>have this like sit down for the press with Melly

0:25:38.000 --> 0:25:42.360
<v Speaker 3>about the America's pastor passing away, and she's taken some

0:25:42.400 --> 0:25:46.560
<v Speaker 3>ship which looked so fun, right, and that's see when

0:25:46.800 --> 0:25:49.240
<v Speaker 3>Olivia is looking at her, he's kind of like, did

0:25:49.280 --> 0:25:49.840
<v Speaker 3>you take something?

0:25:49.920 --> 0:25:55.159
<v Speaker 2>She's like, yeah, Zena, I don't know what. She's oh god.

0:25:57.480 --> 0:26:00.000
<v Speaker 3>Right now, and Olivia is like, we'll take some car.

0:26:01.240 --> 0:26:03.440
<v Speaker 3>And then Mellie sits down and she's like, my wife,

0:26:03.440 --> 0:26:06.879
<v Speaker 3>my husband was cheating on me and there wait, what

0:26:06.960 --> 0:26:08.800
<v Speaker 3>did you say? And Mellie's like give us the room.

0:26:08.840 --> 0:26:11.040
<v Speaker 3>I just think we need a private moment to pray.

0:26:11.440 --> 0:26:15.159
<v Speaker 3>And then there's amazing monologues where like, of course, I

0:26:15.200 --> 0:26:21.080
<v Speaker 3>mean Scott Scandal, television does not get monologues too for

0:26:21.240 --> 0:26:24.879
<v Speaker 3>gladiators listening, Like every TV show that G and I

0:26:24.920 --> 0:26:28.719
<v Speaker 3>have been on, which is a lot, monologues are a

0:26:28.800 --> 0:26:33.960
<v Speaker 3>theatrical theater vehicle. They're not in TV. So to be

0:26:34.119 --> 0:26:36.680
<v Speaker 3>on Scandal, where people got I mean Jeff Perry's character

0:26:36.720 --> 0:26:43.760
<v Speaker 3>fits his character, Olivia Huck, Joe Morton, everybody got beautiful monologues,

0:26:43.960 --> 0:26:46.440
<v Speaker 3>and they trusted the actors to be able to hold

0:26:46.480 --> 0:26:50.280
<v Speaker 3>the screen like for minutes alone, like not popping back

0:26:50.320 --> 0:26:51.879
<v Speaker 3>and forth around between people.

0:26:51.960 --> 0:26:55.240
<v Speaker 1>It's just like like mouthwatering monologues like we were. I

0:26:55.280 --> 0:26:58.800
<v Speaker 1>remember always being so excited when we would get our monologues.

0:26:59.040 --> 0:27:00.720
<v Speaker 1>I mean, we'd be sort of scared. In the beginnings.

0:27:00.760 --> 0:27:02.240
<v Speaker 1>We were like, oh my god, it's so many words.

0:27:02.240 --> 0:27:04.960
<v Speaker 1>But then it was like reciting a soliloquy. It was

0:27:05.119 --> 0:27:08.520
<v Speaker 1>just so so good. It was so satisfying to say

0:27:08.560 --> 0:27:10.879
<v Speaker 1>the words. But also in this scene, I'm glad they

0:27:10.880 --> 0:27:14.120
<v Speaker 1>didn't go for like the cookie cutter sort of angle

0:27:14.520 --> 0:27:20.040
<v Speaker 1>before we see Melly consoling missus Drake. Olivia is telling

0:27:20.560 --> 0:27:22.840
<v Speaker 1>Missus Drake just say thank you, just say thank you

0:27:22.880 --> 0:27:25.119
<v Speaker 1>to everybody, just you know, just look at them and

0:27:25.160 --> 0:27:28.280
<v Speaker 1>say thank you. But in that moment, Lorene Tussan's character

0:27:28.480 --> 0:27:31.680
<v Speaker 1>tells Melly he was cheating on me or whatever she says.

0:27:31.680 --> 0:27:34.159
<v Speaker 1>It's real, Like that's real life. I feel like that's

0:27:34.359 --> 0:27:36.159
<v Speaker 1>what a woman would do in that moment and be like,

0:27:36.200 --> 0:27:39.399
<v Speaker 1>fuck that shit, he was cheating on me, a freaking cheater.

0:27:39.760 --> 0:27:42.040
<v Speaker 1>It was just such a real moment. It snaps you

0:27:42.080 --> 0:27:44.720
<v Speaker 1>out of show for a second because you're like, oh, shit,

0:27:44.880 --> 0:27:47.840
<v Speaker 1>like this is She's telling her the truth. It's so good,

0:27:47.920 --> 0:27:49.560
<v Speaker 1>it's so juicy, it's so great.

0:27:49.520 --> 0:27:54.040
<v Speaker 2>It's so good. Those two ladies are Oh, they're so

0:27:54.200 --> 0:27:55.119
<v Speaker 2>fucking good together.

0:27:55.560 --> 0:27:58.880
<v Speaker 1>And who better to console like right for missus Drake

0:27:59.000 --> 0:28:02.080
<v Speaker 1>than Mellie, who is you know, experiencing the same thing

0:28:02.119 --> 0:28:03.240
<v Speaker 1>with Olibya and her husband.

0:28:03.640 --> 0:28:08.360
<v Speaker 3>Ye, And then I wrote down David Rosen gets canned.

0:28:10.880 --> 0:28:11.560
<v Speaker 1>He sure does.

0:28:12.359 --> 0:28:17.600
<v Speaker 3>God we are about to embark on season two should

0:28:17.680 --> 0:28:25.400
<v Speaker 3>just be called Let's shop on David Rosen the entire season,

0:28:25.520 --> 0:28:32.320
<v Speaker 3>which Let's get gladiators, Let's get humped, this guy gets fucked,

0:28:32.800 --> 0:28:35.919
<v Speaker 3>not in a good way, right and left. Like, this

0:28:36.119 --> 0:28:45.959
<v Speaker 3>guy gets fired sexually scared. Yes, people are hunting him down.

0:28:46.320 --> 0:28:49.440
<v Speaker 3>He's it is a mess his life. This is the

0:28:49.480 --> 0:28:53.440
<v Speaker 3>beginning of the worst shit ever for this guy.

0:28:53.520 --> 0:28:55.000
<v Speaker 2>So let's put a pause on that.

0:28:55.320 --> 0:28:58.920
<v Speaker 1>Yeah, and also, just real quick, the gentleman who fires

0:28:59.320 --> 0:29:02.040
<v Speaker 1>David Rosen. And the actor's name is Sam McMurray, who

0:29:02.120 --> 0:29:04.560
<v Speaker 1>is another I think Katie. When I looked him up,

0:29:04.560 --> 0:29:08.120
<v Speaker 1>he had like one hundred and ninety nine credits, film

0:29:08.120 --> 0:29:10.480
<v Speaker 1>credits and TV credits. Yes, and I've done two things

0:29:10.480 --> 0:29:13.040
<v Speaker 1>with him. I did a show called United We Fall

0:29:13.080 --> 0:29:15.640
<v Speaker 1>with him, and I did a movie called Second Serve

0:29:15.720 --> 0:29:18.040
<v Speaker 1>with him. He was also in Adams Family Values, he

0:29:18.120 --> 0:29:21.960
<v Speaker 1>was on The Golden Girls, he was on Miamivice. Yes, anyway,

0:29:22.000 --> 0:29:24.560
<v Speaker 1>this actor is amazing. His name is Sam McMurray.

0:29:24.840 --> 0:29:27.160
<v Speaker 3>He's one of those I've never known him. I didn't

0:29:27.160 --> 0:29:28.720
<v Speaker 3>work with him on the Skin, but when I watched this,

0:29:28.840 --> 0:29:30.000
<v Speaker 3>I was like, oh my god, that dude.

0:29:30.080 --> 0:29:31.640
<v Speaker 2>He's one of those dudes that has literally been in

0:29:31.680 --> 0:29:32.360
<v Speaker 2>fucking everything.

0:29:32.480 --> 0:29:39.280
<v Speaker 3>Yes, yes, yes, okay, that's There's an emotional scene in

0:29:39.280 --> 0:29:42.040
<v Speaker 3>the episode where the wife grabs the mistress and her

0:29:42.080 --> 0:29:44.920
<v Speaker 3>son and takes everybody goes up to the casket to

0:29:45.000 --> 0:29:47.000
<v Speaker 3>say goodbye to Pastor Drake.

0:29:46.760 --> 0:29:50.440
<v Speaker 2>And it's so listen, emotional and great.

0:29:50.920 --> 0:29:53.560
<v Speaker 1>I don't know if Mercury is in retrograde this month,

0:29:53.600 --> 0:29:57.160
<v Speaker 1>but I fucking sobbed again watching this episode, in that

0:29:57.200 --> 0:30:00.239
<v Speaker 1>moment when she grabs her out of the pew and

0:30:00.280 --> 0:30:03.080
<v Speaker 1>she's like come, like she grabs her and like pulls it,

0:30:03.160 --> 0:30:04.240
<v Speaker 1>like like tugs in.

0:30:04.320 --> 0:30:07.000
<v Speaker 3>Her closes man and we are going to say goodbye

0:30:07.040 --> 0:30:08.120
<v Speaker 3>to him and bury him.

0:30:08.240 --> 0:30:10.560
<v Speaker 2>Oh my gosh, it's so good.

0:30:11.240 --> 0:30:13.200
<v Speaker 1>And can we talk for a second about Elise Neil

0:30:13.680 --> 0:30:18.600
<v Speaker 1>alist Neil was in Scream two Get directed by Wes Craven.

0:30:19.080 --> 0:30:21.320
<v Speaker 1>She played She played one of the friends, one of

0:30:22.160 --> 0:30:24.400
<v Speaker 1>Sydney's friends in the beginning of the film and then

0:30:24.680 --> 0:30:26.520
<v Speaker 1>she I believe she gets murdered. I have to go

0:30:26.560 --> 0:30:30.120
<v Speaker 1>back and watch it. But also Scream. She's in Scream two,

0:30:30.120 --> 0:30:33.600
<v Speaker 1>and Scott Foley is actually in Scream three. He's the

0:30:33.720 --> 0:30:35.000
<v Speaker 1>killer in Scream three.

0:30:35.120 --> 0:30:38.680
<v Speaker 3>Katie, See, I don't watch horror movies because I'm terrified

0:30:38.680 --> 0:30:39.760
<v Speaker 3>and hate them and so scared.

0:30:40.320 --> 0:30:44.920
<v Speaker 2>Yes, I had no idea. Yeah, Scream three.

0:30:45.480 --> 0:30:50.239
<v Speaker 3>That scene is beautiful, is beautiful, and they followed up

0:30:50.240 --> 0:30:53.600
<v Speaker 3>with an amazing another great scene between Melly and Fits

0:30:53.640 --> 0:30:56.560
<v Speaker 3>where they're in the limo and Melly is just like,

0:30:56.600 --> 0:30:58.560
<v Speaker 3>you have to forgive me, you have to forgive me,

0:30:58.600 --> 0:31:01.080
<v Speaker 3>you have to forgive me, like because they're like our

0:31:01.120 --> 0:31:03.200
<v Speaker 3>friend of ours just died, like either of us could

0:31:03.240 --> 0:31:04.000
<v Speaker 3>die tomorrow.

0:31:04.600 --> 0:31:05.840
<v Speaker 2>And he's like, I forgive you.

0:31:05.920 --> 0:31:07.760
<v Speaker 3>And they kiss, but then they as soon as they

0:31:07.840 --> 0:31:09.800
<v Speaker 3>sort of kiss and hug, not a real kiss, it's

0:31:09.800 --> 0:31:11.920
<v Speaker 3>like a peck, yeah, and like a quick hug, and

0:31:11.960 --> 0:31:14.560
<v Speaker 3>then they move back apart to the opposite sides of

0:31:14.560 --> 0:31:16.600
<v Speaker 3>the windows in the in the limo, and it's like,

0:31:16.720 --> 0:31:18.480
<v Speaker 3>my god, these people are so fucking broken.

0:31:18.640 --> 0:31:20.800
<v Speaker 1>Well mostly Fits, right, Fits is kind of the one.

0:31:20.840 --> 0:31:23.200
<v Speaker 1>He's like holding her and telling I forgive you, and

0:31:23.240 --> 0:31:27.080
<v Speaker 1>then he goes back to his paperwork and Mellie's like hello, Yeah, She's.

0:31:26.960 --> 0:31:30.240
<v Speaker 2>Like this relationship is fucked. Oh and she's pregnant.

0:31:30.480 --> 0:31:32.840
<v Speaker 1>And she's pregnant Katie. This is one of those moments

0:31:32.840 --> 0:31:34.720
<v Speaker 1>which I'm embarrassed to say. I was like, what is

0:31:34.760 --> 0:31:36.360
<v Speaker 1>she asking him to forgive her for?

0:31:36.760 --> 0:31:37.120
<v Speaker 2>I know?

0:31:38.160 --> 0:31:40.840
<v Speaker 1>Is it? Because just all the does he know about

0:31:40.920 --> 0:31:44.520
<v Speaker 1>He doesn't know about Cytron and all that stuff yet, right.

0:31:44.880 --> 0:31:48.360
<v Speaker 2>No, but you know, well, well she knows because she

0:31:48.440 --> 0:31:51.560
<v Speaker 2>rigged the election, right, she knows? What is about that?

0:31:52.240 --> 0:31:52.320
<v Speaker 1>He?

0:31:53.720 --> 0:31:54.800
<v Speaker 2>This is what happened.

0:31:55.280 --> 0:31:57.960
<v Speaker 3>They're starting this season two storyline where they're trying to

0:31:57.960 --> 0:31:59.800
<v Speaker 3>push Fits into a war that it seems like he

0:31:59.800 --> 0:32:04.560
<v Speaker 3>does doesn't want in Sudan, and somebody mocks up even

0:32:04.880 --> 0:32:07.280
<v Speaker 3>go so far as to like mock up a photo

0:32:07.440 --> 0:32:11.040
<v Speaker 3>in this episode of Sudanese children who have been like murdered,

0:32:11.920 --> 0:32:15.680
<v Speaker 3>and everyone's pushing for this war, and even Melly makes

0:32:15.680 --> 0:32:19.160
<v Speaker 3>a play to push him into war, and he is.

0:32:19.080 --> 0:32:20.840
<v Speaker 2>Like, fuck you, you can't fucking do that.

0:32:21.040 --> 0:32:25.280
<v Speaker 3>But Melly, because she's a political animal, she's always also

0:32:25.440 --> 0:32:29.640
<v Speaker 3>angling for like what she wants the presidency to be

0:32:29.720 --> 0:32:31.479
<v Speaker 3>doing and which they want to make it. So when

0:32:31.520 --> 0:32:34.560
<v Speaker 3>she's asking for forgiveness, she's like, I overstepped. I overstepped him. Sorry,

0:32:34.560 --> 0:32:36.640
<v Speaker 3>please forgive me. What happened to us? What happened to us?

0:32:36.680 --> 0:32:38.560
<v Speaker 3>We used to just be like a little couple that

0:32:38.680 --> 0:32:42.160
<v Speaker 3>like had sex in like our one bedroom apartment, what

0:32:42.200 --> 0:32:43.320
<v Speaker 3>she says.

0:32:43.600 --> 0:32:45.280
<v Speaker 2>And he's like, I forgive you, And then he's like,

0:32:45.560 --> 0:32:46.360
<v Speaker 2>but I don't like you.

0:32:47.440 --> 0:32:50.280
<v Speaker 1>But I don't like you. I don't like your ass.

0:32:51.800 --> 0:32:55.880
<v Speaker 3>We end we're starting to end the episode with you

0:32:55.920 --> 0:32:57.800
<v Speaker 3>have your I go.

0:32:57.800 --> 0:33:00.280
<v Speaker 1>Back to my AA meeting where it's a yeah.

0:33:00.320 --> 0:33:03.840
<v Speaker 3>And now the difference in the episode is because Carrie

0:33:03.880 --> 0:33:06.080
<v Speaker 3>just Olivia just worked on this case and she sees

0:33:06.120 --> 0:33:10.040
<v Speaker 3>that the mistress never really gets shit when Fitz keeps

0:33:10.080 --> 0:33:11.600
<v Speaker 3>trying to call her and call her and call her

0:33:11.640 --> 0:33:16.160
<v Speaker 3>for their usually nightly phone sex hang flo, she don't

0:33:16.160 --> 0:33:16.680
<v Speaker 3>pick up.

0:33:16.960 --> 0:33:18.160
<v Speaker 1>You don't pick phone.

0:33:18.280 --> 0:33:19.080
<v Speaker 2>And then we move.

0:33:18.920 --> 0:33:21.520
<v Speaker 3>Into a scene where Jeff Perry is like, no, no,

0:33:21.680 --> 0:33:23.800
<v Speaker 3>you can't have a baby because I have a baby.

0:33:23.600 --> 0:33:26.600
<v Speaker 2>And his name is Fitzgerald Grant. He's a little baby bitch.

0:33:28.560 --> 0:33:31.040
<v Speaker 1>And then they fuck and.

0:33:30.960 --> 0:33:33.360
<v Speaker 2>Then Dan is like, whoa that turns me on?

0:33:33.760 --> 0:33:37.560
<v Speaker 1>Yeah, power Cyrus is so hot? Yeah right, or something

0:33:37.640 --> 0:33:37.960
<v Speaker 1>like that.

0:33:38.280 --> 0:33:41.000
<v Speaker 2>Is it an from a gay man's point of view?

0:33:42.160 --> 0:33:45.200
<v Speaker 3>Do you think in their relationship that it is clear

0:33:45.320 --> 0:33:46.640
<v Speaker 3>who's top and whose bottom?

0:33:47.080 --> 0:33:50.080
<v Speaker 1>No, it's not. I was thinking about that too. I

0:33:50.120 --> 0:33:54.040
<v Speaker 1>was like, who's the top? Sometimes it's the unexpected one sometimes,

0:33:54.080 --> 0:33:57.160
<v Speaker 1>so I would say, yeah, where you're like, oh shit,

0:33:58.000 --> 0:34:03.160
<v Speaker 1>James is the top? What's the feeling I got? Yeah, yeah, yeah.

0:34:03.200 --> 0:34:04.960
<v Speaker 2>Seeing that Cyrus was at bottom.

0:34:05.120 --> 0:34:09.239
<v Speaker 1>Yes, but you just blew my mind because.

0:34:08.960 --> 0:34:15.160
<v Speaker 3>I think stereotypically being a boring breeder as I am myself.

0:34:15.520 --> 0:34:18.880
<v Speaker 1>They listen, if it wasn't for a couple of breeders,

0:34:18.920 --> 0:34:20.560
<v Speaker 1>none of our would be here.

0:34:20.719 --> 0:34:22.840
<v Speaker 2>So we can't be here anymore. I don't know, but listen.

0:34:23.440 --> 0:34:26.040
<v Speaker 3>I watched that scene and I'm like, okay, Like, obviously

0:34:26.120 --> 0:34:30.080
<v Speaker 3>Cyrus is a power top and Dan is a bottom,

0:34:30.880 --> 0:34:34.279
<v Speaker 3>but there's also explained to people you can also be

0:34:34.280 --> 0:34:35.839
<v Speaker 3>in a relationship where people switch.

0:34:35.800 --> 0:34:41.239
<v Speaker 1>Now of course, yeah yeah, yeah, and relationships were you know, intercourse,

0:34:41.320 --> 0:34:43.400
<v Speaker 1>Like you know, fucking is not even a thing you do.

0:34:43.520 --> 0:34:45.600
<v Speaker 1>There's so many, you know, a ton of other stuff.

0:34:45.600 --> 0:34:48.000
<v Speaker 2>Blow jobs all day, all night exactly.

0:34:47.680 --> 0:34:53.799
<v Speaker 1>Yeah, a handy blowjoby. We're both talking like a little

0:34:53.840 --> 0:34:55.840
<v Speaker 1>bit hesitantly because we don't know how farn if this

0:34:56.000 --> 0:34:57.839
<v Speaker 1>was me and Katie, like at my house or at

0:34:57.840 --> 0:34:58.640
<v Speaker 1>her house, we'd be like.

0:34:59.200 --> 0:35:03.920
<v Speaker 3>God, we might get there at the podcast. Can you

0:35:04.000 --> 0:35:06.680
<v Speaker 3>hit us up and let us know how interested you

0:35:06.719 --> 0:35:09.839
<v Speaker 3>are in hearing real dirty shit out of our mouth

0:35:10.160 --> 0:35:11.640
<v Speaker 3>or is it like you know what, let's keep this

0:35:11.680 --> 0:35:14.680
<v Speaker 3>a little bit scandal style, which is like a ten PM,

0:35:14.840 --> 0:35:16.640
<v Speaker 3>not like a one am exactly.

0:35:17.880 --> 0:35:21.120
<v Speaker 1>Go get a snack, take a crap, and come right back.

0:35:25.640 --> 0:35:28.840
<v Speaker 2>Verren A Thornton. We meet her in this episode.

0:35:28.480 --> 0:35:29.320
<v Speaker 1>Deborah Mooney.

0:35:29.880 --> 0:35:33.120
<v Speaker 3>Deborah Mooney is a fucking actress and we get so

0:35:33.200 --> 0:35:34.600
<v Speaker 3>much of Deborah Mooney this season.

0:35:34.800 --> 0:35:38.160
<v Speaker 1>This is just the beginning. This is the beginning for her.

0:35:38.280 --> 0:35:40.640
<v Speaker 3>Yeah, and she's amazing and we have to have her on,

0:35:40.960 --> 0:35:44.560
<v Speaker 3>especially for the episode where she well, I don't know

0:35:44.600 --> 0:35:46.240
<v Speaker 3>who's got that episode is so important.

0:35:46.280 --> 0:35:47.520
<v Speaker 2>We're not going to get there yet. We're not.

0:35:48.040 --> 0:35:51.520
<v Speaker 3>You just got to keep listening to our podcast. We

0:35:51.560 --> 0:35:55.520
<v Speaker 3>reveal the end cliffhanger of this episode two o two

0:35:56.800 --> 0:36:03.640
<v Speaker 3>with David just fucking beautiful mind his apartment. Yes, he's

0:36:03.719 --> 0:36:05.480
<v Speaker 3>just oh I think it was called in the script

0:36:05.640 --> 0:36:06.920
<v Speaker 3>wall Oh crazy?

0:36:07.440 --> 0:36:09.239
<v Speaker 1>Oh really? How do you remember that?

0:36:09.480 --> 0:36:13.400
<v Speaker 3>I had a weird memory of like David's wall of crazy,

0:36:14.800 --> 0:36:17.200
<v Speaker 3>like he's just got a wall because they kept being

0:36:17.200 --> 0:36:19.000
<v Speaker 3>like you don't want Abby to walk in and.

0:36:18.920 --> 0:36:22.320
<v Speaker 2>See the wall crazy? Or maybe it's Brenda Song's character

0:36:22.800 --> 0:36:23.440
<v Speaker 2>later on.

0:36:24.040 --> 0:36:29.680
<v Speaker 1>Maybe maybe maybe, maybe, yeah, but it mimics like our

0:36:29.760 --> 0:36:32.120
<v Speaker 1>wall at OPA, right, because we put up all the

0:36:32.560 --> 0:36:33.959
<v Speaker 1>people's photo.

0:36:33.719 --> 0:36:35.720
<v Speaker 2>He's not like strings and dots.

0:36:35.840 --> 0:36:39.600
<v Speaker 1>Yeah, yeah, yeah, But also I don't want us to forget.

0:36:39.600 --> 0:36:44.160
<v Speaker 1>There's a moment with with you, with Quinn in the apartment,

0:36:44.280 --> 0:36:47.879
<v Speaker 1>watching the president give the speech at the eulogy at

0:36:47.920 --> 0:36:53.480
<v Speaker 1>the funeral, and you so beautifully break down, sobbing. Oh, Katie,

0:36:53.480 --> 0:36:56.319
<v Speaker 1>that was such a great scene. Yes, because your may

0:36:56.400 --> 0:36:58.600
<v Speaker 1>I feel like you're obviously we talked about it earlier.

0:36:58.640 --> 0:37:01.640
<v Speaker 1>You're making your peace with with your life. You're you.

0:37:01.840 --> 0:37:04.160
<v Speaker 1>Part of you is dying as well. That eulogy is

0:37:04.160 --> 0:37:08.760
<v Speaker 1>for you too, you know Lindsay died. Yeah, after tearstick.

0:37:09.600 --> 0:37:13.279
<v Speaker 1>I love the question mark. Possibly, I don't know, you

0:37:13.280 --> 0:37:13.719
<v Speaker 1>tell me.

0:37:14.280 --> 0:37:16.120
<v Speaker 2>I can't remember if I had it in me that

0:37:16.200 --> 0:37:16.640
<v Speaker 2>day or not.

0:37:17.000 --> 0:37:20.480
<v Speaker 3>Some days obviously, g and I remember really well, like

0:37:20.520 --> 0:37:24.640
<v Speaker 3>Amanda Tanner's Morgcine, we were a ball of crying.

0:37:24.280 --> 0:37:26.640
<v Speaker 1>And yeah, of emotions and yes, and then.

0:37:26.520 --> 0:37:28.520
<v Speaker 2>There are some I can't remember if I had it that.

0:37:28.560 --> 0:37:31.880
<v Speaker 1>Day, well, tearstick or not. It was a beautiful, beautiful

0:37:31.880 --> 0:37:35.759
<v Speaker 1>moment and and just just that being revealed and you

0:37:35.800 --> 0:37:38.359
<v Speaker 1>get that comes across so beautifully that you're like, oh,

0:37:38.360 --> 0:37:42.000
<v Speaker 1>she's mourning. She's mourning Lindsay Dwyer like Quinn is mourning

0:37:42.120 --> 0:37:48.400
<v Speaker 1>her old self. Just a great scene by Well Mandy.

0:37:51.880 --> 0:37:54.120
<v Speaker 3>Fun fact about this episode, This is a horror heavy

0:37:54.160 --> 0:37:55.080
<v Speaker 3>guest cast, isn't it.

0:37:55.160 --> 0:37:58.200
<v Speaker 2>Gee, I already knew that. We already talked about that.

0:37:58.239 --> 0:38:02.000
<v Speaker 3>Elise Neil and A Gordon plays Halle and Scream two,

0:38:02.040 --> 0:38:03.520
<v Speaker 3>which is directed by Wes Craven.

0:38:03.600 --> 0:38:05.000
<v Speaker 2>Have you ever worked with Wes Craven.

0:38:05.160 --> 0:38:08.680
<v Speaker 1>I haven't, and unfortunately he's passed on now, but uh,

0:38:08.920 --> 0:38:11.800
<v Speaker 1>that was one of my dream directors. Yeah.

0:38:11.840 --> 0:38:16.600
<v Speaker 3>So the other horror heavy the horror fun fact Germo

0:38:16.840 --> 0:38:20.200
<v Speaker 3>is that the house that Anna, the character the mistress,

0:38:20.239 --> 0:38:22.200
<v Speaker 3>lives in this house is the house from a Nightmare

0:38:22.239 --> 0:38:24.720
<v Speaker 3>on Elm Street, which is also directed by Wes Craven.

0:38:24.800 --> 0:38:27.000
<v Speaker 3>So there was just a lot of horror ship going.

0:38:26.840 --> 0:38:29.839
<v Speaker 1>On Wes Craven in this Yes, if people people from

0:38:29.840 --> 0:38:33.640
<v Speaker 1>California know this house is it's there's always people out

0:38:33.640 --> 0:38:35.880
<v Speaker 1>front taking pictures. It's the it's the exterior of the

0:38:35.920 --> 0:38:39.920
<v Speaker 1>house where Nancy lived in Nightmare on Elm Street. Anyway,

0:38:39.960 --> 0:38:41.919
<v Speaker 1>that's such a great fun fact. Ord.

0:38:42.000 --> 0:38:44.560
<v Speaker 3>Would I never know that because I would never watch

0:38:44.640 --> 0:38:48.560
<v Speaker 3>that movie. One other fun fact list that needs to

0:38:48.560 --> 0:38:50.759
<v Speaker 3>be brought up is that this episode is designed to

0:38:50.800 --> 0:38:53.560
<v Speaker 3>be a mirror for Olivia and Fitz's relationship to the

0:38:53.600 --> 0:38:57.240
<v Speaker 3>appearance of Pastor Drake's infidelities, but the use of mirrored

0:38:57.239 --> 0:39:00.320
<v Speaker 3>elements is apparent even throughout the episode. The episode begins

0:39:00.400 --> 0:39:02.799
<v Speaker 3>and ends almost with a phone call from Fits. That's

0:39:02.880 --> 0:39:06.120
<v Speaker 3>mirror one. David Ros's home is a wall of mirrors

0:39:06.160 --> 0:39:09.200
<v Speaker 3>the bored in OPA office. Oh right, David Rosen's wall

0:39:09.239 --> 0:39:12.040
<v Speaker 3>of crazy mirrors like you said, gr board at the

0:39:12.080 --> 0:39:13.120
<v Speaker 3>OPA office.

0:39:13.640 --> 0:39:15.640
<v Speaker 2>Mellie's her beg.

0:39:15.480 --> 0:39:18.440
<v Speaker 3>To Fits uses almost the exact same words as he

0:39:18.480 --> 0:39:22.520
<v Speaker 3>does to Olivia. Another mirror, and then Vincent Anna and

0:39:22.560 --> 0:39:26.200
<v Speaker 3>Pastor Drake's son is the spitting image of his fob.

0:39:27.000 --> 0:39:32.040
<v Speaker 3>So the whole episode's theme, Yes is mirror and didn't

0:39:32.080 --> 0:39:33.840
<v Speaker 3>we learn a lot today?

0:39:37.440 --> 0:39:43.000
<v Speaker 1>Tweet?

0:39:45.800 --> 0:39:48.000
<v Speaker 3>Are there any fun Scandal tweets at the time? To

0:39:48.080 --> 0:39:49.280
<v Speaker 3>wrap up episode two.

0:39:49.280 --> 0:39:52.200
<v Speaker 1>Two, Let's see here, let's see what we got here,

0:39:51.960 --> 0:39:52.439
<v Speaker 1>We're through.

0:39:52.719 --> 0:39:54.280
<v Speaker 2>Oh there's really cute.

0:39:54.560 --> 0:39:57.480
<v Speaker 3>My god, there's a flashback photo that Mary Howard tweeted

0:39:57.480 --> 0:40:00.480
<v Speaker 3>on October fourth of twenty twelve. Episode two two cruise

0:40:00.520 --> 0:40:03.279
<v Speaker 3>screening of ABC Scandal during lunch.

0:40:03.280 --> 0:40:07.160
<v Speaker 2>You guys, we used to screen episodes.

0:40:06.920 --> 0:40:09.000
<v Speaker 1>During lunch, or the crew during.

0:40:08.840 --> 0:40:12.719
<v Speaker 3>Lunch in our big like conference room that was where

0:40:12.719 --> 0:40:14.080
<v Speaker 3>we did all of our table reads, where they were

0:40:14.120 --> 0:40:16.160
<v Speaker 3>just a ton of old school folding chairs. They used

0:40:16.160 --> 0:40:19.440
<v Speaker 3>to put it like two or three big screen TVs

0:40:19.520 --> 0:40:23.680
<v Speaker 3>on like rolling things, and the whole crew would gather

0:40:23.760 --> 0:40:26.320
<v Speaker 3>instead of like taking lunch and like taking a break

0:40:26.320 --> 0:40:28.600
<v Speaker 3>of their own, everyone would gather and watch the episodes together.

0:40:28.640 --> 0:40:29.919
<v Speaker 2>Like who the fuck does that?

0:40:30.160 --> 0:40:32.640
<v Speaker 1>But that's so rare on like the crew on a

0:40:32.680 --> 0:40:34.359
<v Speaker 1>show or a movie. I mean, of course they're there

0:40:34.400 --> 0:40:36.440
<v Speaker 1>and they're amazing, but the last thing I think they

0:40:36.440 --> 0:40:38.200
<v Speaker 1>want to do is go and watch, like, you know,

0:40:38.200 --> 0:40:40.640
<v Speaker 1>a screening of the episode. But it would hype people

0:40:40.719 --> 0:40:43.640
<v Speaker 1>up so much because the show is so hot that

0:40:43.680 --> 0:40:45.919
<v Speaker 1>people would just be like, oh my god, we're working

0:40:46.000 --> 0:40:49.120
<v Speaker 1>on the most amazing show. It would just ripe everybody up.

0:40:49.120 --> 0:40:49.960
<v Speaker 1>It was dope. Yeah.

0:40:50.080 --> 0:40:52.560
<v Speaker 3>I just love this photo most of all, guys, This

0:40:52.760 --> 0:40:56.160
<v Speaker 3>Mary Howard photo of the crew screening. It just everyone's

0:40:56.320 --> 0:40:59.560
<v Speaker 3>arms are up and smiling and laughing and like it's

0:40:59.560 --> 0:41:00.759
<v Speaker 3>from every department.

0:41:01.840 --> 0:41:03.560
<v Speaker 1>I miss all those people so much.

0:41:03.719 --> 0:41:05.759
<v Speaker 3>Hey, maybe some of the crews listening today. If some

0:41:05.800 --> 0:41:07.760
<v Speaker 3>of the crew is listening today, we love you, guys,

0:41:07.760 --> 0:41:14.040
<v Speaker 3>we miss you. Episode two oh three is next week.

0:41:15.160 --> 0:41:19.239
<v Speaker 3>Episode two oh three is called Hunting Season. Oh yes,

0:41:19.640 --> 0:41:22.319
<v Speaker 3>oh my goodness. Hopefully we've got we've got a guest

0:41:22.360 --> 0:41:24.319
<v Speaker 3>coming on, but if not, Episode two of three is

0:41:24.320 --> 0:41:25.720
<v Speaker 3>one of my favorite episodes.

0:41:25.360 --> 0:41:26.920
<v Speaker 1>Of season two.

0:41:27.239 --> 0:41:31.040
<v Speaker 3>Yeah, there's a lot of fucking Camp David and Goldwyn

0:41:31.200 --> 0:41:32.200
<v Speaker 3>like chopping wood.

0:41:32.840 --> 0:41:35.120
<v Speaker 1>Yes, yes, say no more.

0:41:35.280 --> 0:41:36.879
<v Speaker 3>Maybe I think he chops would But if he doesn't

0:41:36.920 --> 0:41:40.920
<v Speaker 3>chop wood, I know he laces up Olivia's hunting.

0:41:40.560 --> 0:41:43.160
<v Speaker 2>Boots really really yeah, because.

0:41:42.920 --> 0:41:46.239
<v Speaker 3>They're supposed to go hunting and she gets summoned to

0:41:46.280 --> 0:41:48.319
<v Speaker 3>Camp David because he's so fucking pissed off that she's

0:41:48.320 --> 0:41:50.960
<v Speaker 3>not answering his phone calls. And it's really steamy and

0:41:51.000 --> 0:41:54.120
<v Speaker 3>it's really fucking hot and it's really ending. And so

0:41:54.239 --> 0:41:56.439
<v Speaker 3>episode two of three Hunting Season will be next week.

0:41:56.640 --> 0:42:00.200
<v Speaker 3>Tune in, tell your friends, subscribe. Scandal Rewatch podcast asked

0:42:00.280 --> 0:42:01.640
<v Speaker 3>Unpacking the Toolbox.

0:42:01.920 --> 0:42:04.800
<v Speaker 1>Yes, we'll be here. We'll be here and hopefully you

0:42:04.800 --> 0:42:05.600
<v Speaker 1>guys will go.

0:42:05.920 --> 0:42:10.600
<v Speaker 3>Gee, let's talk about how many people we've had sex

0:42:10.640 --> 0:42:12.719
<v Speaker 3>with and by that, I'm saying how many people, how

0:42:12.760 --> 0:42:15.160
<v Speaker 3>many numbers of feeling like we're going to talk about

0:42:15.160 --> 0:42:19.360
<v Speaker 3>our IMDb numbers? How many numbers do we got? Oh

0:42:19.400 --> 0:42:25.040
<v Speaker 3>my god, Giermo, Wow, you have one hundred and four

0:42:25.360 --> 0:42:29.120
<v Speaker 3>and that's including seven to eight years being on one.

0:42:29.040 --> 0:42:34.799
<v Speaker 1>Job, crazy crazy, crazy crazy. Hey, that's pretty good.

0:42:35.560 --> 0:42:38.680
<v Speaker 2>Okay, okay, so let it be here known first.

0:42:38.680 --> 0:42:39.160
<v Speaker 1>That's right.

0:42:39.560 --> 0:42:42.080
<v Speaker 3>She might have one hundred and four IMDb credits. I'm

0:42:42.080 --> 0:42:44.200
<v Speaker 3>an on a fifty, but I am more famous than

0:42:44.200 --> 0:42:46.760
<v Speaker 3>Gemo by like, yeah, nothing.

0:42:46.680 --> 0:42:49.360
<v Speaker 1>You better tell somebody I love it. I love it.

0:42:49.680 --> 0:42:51.120
<v Speaker 2>But that's today, Gemo.

0:42:51.239 --> 0:42:55.480
<v Speaker 3>If you just release a sex tape tonight, that number

0:42:55.719 --> 0:42:57.680
<v Speaker 3>will go way down.

0:42:57.920 --> 0:43:01.520
<v Speaker 1>Oh my god. Okay, that star.

0:43:01.360 --> 0:43:04.480
<v Speaker 3>Meater bullshit used to make me ill. Like I remember

0:43:04.520 --> 0:43:07.440
<v Speaker 3>in my twenties auditioning and being like this dude I

0:43:07.440 --> 0:43:10.000
<v Speaker 3>broke up with, Like, I was so angry and my

0:43:10.040 --> 0:43:13.759
<v Speaker 3>friend was like, well, whatever you're starting is way better

0:43:13.800 --> 0:43:16.920
<v Speaker 3>than his. Oh my god, and I was like, I

0:43:16.960 --> 0:43:19.400
<v Speaker 3>can never look at this again. This is not healthy.

0:43:19.960 --> 0:43:23.600
<v Speaker 1>Well, today's episode was really fun, really exciting.

0:43:23.960 --> 0:43:27.400
<v Speaker 3>We the best time ever as usual, and listen to

0:43:27.440 --> 0:43:29.319
<v Speaker 3>the two most famous people in the world talk about

0:43:29.440 --> 0:43:34.239
<v Speaker 3>sandelwatch I mean talk about the Scandal. Episodes two three,

0:43:34.280 --> 0:43:36.399
<v Speaker 3>Hunting Season will be next week. Tell your friends, Tell

0:43:36.440 --> 0:43:39.560
<v Speaker 3>your loved ones. I love you, Gearmo, I love you.

0:43:39.680 --> 0:43:43.399
<v Speaker 1>Katie Low's not Katie Low Shapiro, just Katie Low.

0:43:43.640 --> 0:43:46.879
<v Speaker 2>These total vanity, just like my name better right?

0:43:46.960 --> 0:43:51.040
<v Speaker 1>Hell Ya, Well you are pretty famous, so that star

0:43:51.160 --> 0:43:55.040
<v Speaker 1>meter would go up if you took Shapiro. Maybe.

0:43:56.400 --> 0:44:00.000
<v Speaker 3>Gladiators, we love you, We love you guys.

0:44:01.960 --> 0:44:05.360
<v Speaker 1>Thank you guys for joining us on Unpacking the Toolbox.

0:44:05.640 --> 0:44:09.239
<v Speaker 1>If you enjoyed the show, please subscribe, share with your friends, rate,

0:44:09.400 --> 0:44:10.360
<v Speaker 1>or leave us a review.

0:44:10.520 --> 0:44:14.440
<v Speaker 3>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

0:44:14.760 --> 0:44:18.520
<v Speaker 3>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:44:18.600 --> 0:44:21.360
<v Speaker 3>Vince de Johnny, with music by Chad Fisher.

0:44:21.600 --> 0:44:24.560
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:44:24.560 --> 0:44:26.800
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:44:27.000 --> 0:44:29.440
<v Speaker 3>Unpacking the Toolbox is a production of Shondaland Audio in

0:44:29.480 --> 0:44:33.799
<v Speaker 3>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:44:33.840 --> 0:44:40.960
<v Speaker 3>the iHeartRadio app or anywhere you subscribe to your favorite shows.