WEBVTT - Best Bits: JUST THE BITS

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<v Speaker 1>It's the Best Bits of the week with Morgan. I

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<v Speaker 1>just the bits.

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<v Speaker 2>What's up, everybody? Welcome to the Best Bits this weekend.

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<v Speaker 2>It's Morgan here. You might have heard some news from

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<v Speaker 2>me on the show this week, which we'll get into

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<v Speaker 2>unfortunately in the number one spot. But if my voice

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<v Speaker 2>sound a little bit different pushing through. So hang in

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<v Speaker 2>there and get caught up on the Bobby Bone Show

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<v Speaker 2>with me this week. But if you want to check

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<v Speaker 2>out part one. In part three, I would love that

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<v Speaker 2>Lunchbox joins me. He gives me a really funny, entertaining

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<v Speaker 2>pep talk in part one. In part three, we answer

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<v Speaker 2>all kinds of questions, especially about all of the baby

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<v Speaker 2>boxes and then going back to school and if he

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<v Speaker 2>really dislikes Abby or if it's just a bit. So

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<v Speaker 2>that's all over in part one. In part three, now

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<v Speaker 2>the reason you're here, we're gonna break down the Bobby

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<v Speaker 2>Bone Show from this week. Tuesday Reviews Day is always fun.

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<v Speaker 2>You guys like to hear some recommendations because it's kind

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<v Speaker 2>of hard to figure out what should I watch this week?

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<v Speaker 2>You sit down after a long day, I don't want

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<v Speaker 2>to scroll through everything. Well, here are some suggestions we

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<v Speaker 2>do Tuesday Reviews Day every week and everybody shares something

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<v Speaker 2>that they've been watching.

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<v Speaker 3>We got a lot.

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<v Speaker 2>We've got one called The Stranger, American Murder, Cowboy, Cartel,

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<v Speaker 2>The Union. There's lots of things all up in there,

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<v Speaker 2>or whatever your taste of things are. However, if you

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<v Speaker 2>have listened to part one, you'll know that I am

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<v Speaker 2>currently looking for things to watch that have absolutely zero

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<v Speaker 2>type of romantic sense into them. So if you have

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<v Speaker 2>good suggestions, send them my way. We'll do the reverse

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<v Speaker 2>and it'll be a Saturday Reviews Day and you can

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<v Speaker 2>DM me on Instagram.

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<v Speaker 1>Number seven.

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<v Speaker 3>Tuesday Reviews Day the one day we review everything we've

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<v Speaker 3>watched in the past week. I watched a movie. It

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<v Speaker 3>was called something about Planet of the Apes. I don't

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<v Speaker 3>know which one it was, Hey, Mike, it was the

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<v Speaker 3>latest Planet of the Apes. Whereas mostly all apes there's

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<v Speaker 3>not like one human.

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<v Speaker 1>Kicking them on the Planet of the Apes.

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<v Speaker 4>Yeah, aren't they all like that?

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<v Speaker 3>No? No, no they're not, And I was ready for

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<v Speaker 3>more like humans.

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<v Speaker 4>It's called Planet of the apes't thing doesn't matter.

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<v Speaker 3>It's sometimes full humans to go and fight the apes.

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<v Speaker 3>And there's all these different versions of it.

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<v Speaker 5>Right.

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<v Speaker 3>Mike Trilogy before was the first one had a lot

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<v Speaker 3>of humans in. Mark Wahlberg was in it. Brokay, that's

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<v Speaker 3>a right.

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<v Speaker 4>I forgot about that.

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<v Speaker 3>Yeah, and the books and the old Charlton Heston, like,

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<v Speaker 3>it's not just all monkeys all the time.

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<v Speaker 4>Is this the one where the birds?

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<v Speaker 6>Yeah, okay, that's a good one. I saw this one

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<v Speaker 6>of the movies. Okay, Oh you didn't like it.

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<v Speaker 3>It's okay. Oh it's okay. Is long? And I was like,

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<v Speaker 3>I love, it's fine, it's fine. I just expected more humans.

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<v Speaker 4>I agree with you.

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<v Speaker 7>I that it was pretty boring.

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<v Speaker 3>Yeah, if there had been more humans out of related

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<v Speaker 3>more but it was like it's all ape on ape

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<v Speaker 3>crime and I was like, what's that? And I was

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<v Speaker 3>like I don't even know who to root for sometimes,

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<v Speaker 3>and like the silver Backs were like bad guys, and

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<v Speaker 3>then humans were bad, but then good, and then it

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<v Speaker 3>was I would give it two and a half Earth Weapons,

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<v Speaker 3>Oh yeah, that's good out of five because it's fine.

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<v Speaker 3>I fell asleep a little bit during it.

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<v Speaker 4>You fell asleep in the movie?

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<v Speaker 3>Yeah, led to my wife ISID I didn't know because

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<v Speaker 3>she was like, I don't want to watch this anymore.

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<v Speaker 3>Watched it in two parts. I was like, i'll watch

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<v Speaker 3>it with you. I fell asleep, and then she was

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<v Speaker 3>like are you asleep? And I was like no, no, no,

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<v Speaker 3>And then now I have to act like my favorite

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<v Speaker 3>movie at home because it fell asleep during it. The

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<v Speaker 3>same almost fell asleep in the theater watching you did. Yeah,

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<v Speaker 3>so more humans that have been pretty good. The second

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<v Speaker 3>thing to Beingji, but I get the BEINGI to And

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<v Speaker 3>you guys may have watched this and it's in a

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<v Speaker 3>different language, well British to British, what is it? It's

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<v Speaker 3>still English but British, So you got to have the

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<v Speaker 3>subtitles up because sometimes they're like, it's called The Stranger.

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<v Speaker 3>It's on Netflix. It only came out a few years ago.

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<v Speaker 8>Okay, I haven't watched this.

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<v Speaker 3>It's based on a book. Well, we were just flipping

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<v Speaker 3>through pick it, so it sounds like we're flipping and

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<v Speaker 3>we go over to Netflix, which is kind of the

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<v Speaker 3>lamer of the services now because it's more generic. But

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<v Speaker 3>we felt we were like, let's give it a run.

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<v Speaker 3>Watching them two days, eight episodes.

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<v Speaker 4>Wow, yeah, it's eight episode.

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<v Speaker 8>It's a BINGI, it's a stranger.

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<v Speaker 3>Yeah, we're going four and then out of five Baseball

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<v Speaker 3>Caps because well it's British and it wasn't American. I

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<v Speaker 3>can't give anything five out of five except for squad Games.

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<v Speaker 3>But The Stranger on Netflix. It's based off a book

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<v Speaker 3>and I thought it was great. My wife thought it

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<v Speaker 3>was great. We loved it. What's eighty seven percent on

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<v Speaker 3>Rotten Tomatoes?

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<v Speaker 4>Can you say what?

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<v Speaker 3>I a web of secret since family man Adam Price

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<v Speaker 3>onto a desperate quest to discover the truth about the

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<v Speaker 3>people closest to him, all from A Stranger. Okay, those

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<v Speaker 3>are my two Tuesday reviews.

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<v Speaker 5>Days Amy Anything, I watched American Murder Lacy Peterson.

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<v Speaker 3>I'm going to watch that. We're going to watch that.

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<v Speaker 5>It's been twenty years since Scott Peterson was convicted.

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<v Speaker 3>Movie or series.

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<v Speaker 5>It's a three part series and it's really interesting because

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<v Speaker 5>you're seeing like jurors or part of it. Her mom

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<v Speaker 5>is speaking out for the first time, and yeah, I

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<v Speaker 5>really enjoyed it and it hopefully will Like her mom

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<v Speaker 5>was saying, she's gotten so many letters from Lacey's story

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<v Speaker 5>being shared from women that have maybe been in a

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<v Speaker 5>relationship that if they could, if they got out soon enough,

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<v Speaker 5>then it saves their lives.

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<v Speaker 3>You know, first of all, what do you rate it?

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<v Speaker 3>And have a question.

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<v Speaker 5>So sad, but I guess the way they did it,

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<v Speaker 5>I thought it was really.

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<v Speaker 3>What I have to rate the murder of the story

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<v Speaker 3>actually just rating what.

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<v Speaker 8>It just feels weird.

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<v Speaker 5>But Netflix did a great job, So I give it

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<v Speaker 5>four and a half out of five.

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<v Speaker 9>Why do you to say streaming services, yeah, like, uh,

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<v Speaker 9>when involved, No, we're not doing that, but I.

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<v Speaker 8>Mean that's involved in the murder.

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<v Speaker 3>Okay, Juris, thank you.

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<v Speaker 4>Sorry, that was hard, generic cereal.

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<v Speaker 3>Anything I said streaming services just so you can say

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<v Speaker 3>that any chance we feel better about Scott Peterson after this,

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<v Speaker 3>you can't say that.

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<v Speaker 8>Okay. The weird no, not me.

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<v Speaker 5>The weird thing is you're seeing from like some certain

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<v Speaker 5>people that think he's still innocent, and but to me,

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<v Speaker 5>it's like, how in the world you will get all this.

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<v Speaker 8>Evidence and thing that he's innocent.

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<v Speaker 5>But I think his sister in law like went and

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<v Speaker 5>got her law degree and she's trying to fight for

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<v Speaker 5>him to.

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<v Speaker 3>Get Because I've seen like five different versions of a

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<v Speaker 3>show like this, probably not as detailed, not three episodes.

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<v Speaker 8>I don't want to say too much.

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<v Speaker 3>Some of the yea. You couldn't even rate it a

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<v Speaker 3>certain thing because it's sensitive. Yeah, all right, let's walch

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<v Speaker 3>you got.

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<v Speaker 7>I watched The Sand Pebbles.

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<v Speaker 3>Was that the movie that Kevin Costner said was the

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<v Speaker 3>greatest of all time?

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<v Speaker 7>He said it is his favorite movie of all time?

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<v Speaker 3>And I know why nineteen sixty six because there's.

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<v Speaker 7>Three hours and sixteen minutes.

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<v Speaker 10>Oh, that's why Kevin Costler liked it.

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<v Speaker 3>And what did you think of The Sand Pebbles.

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<v Speaker 7>I don't even Maybe I'm not smart enough for the movie.

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<v Speaker 3>It's in the sixties.

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<v Speaker 10>Maybe I needed to understand what was going on in

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<v Speaker 10>nineteen thirty and it's like a US ship over in

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<v Speaker 10>China and they're fighting.

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<v Speaker 7>I was bored out of my mind. I had to

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<v Speaker 7>rent it twice because I couldn't finish it.

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<v Speaker 3>Why did you re rent it?

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<v Speaker 7>Because I had to have to review it. I had

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<v Speaker 7>to finish it, yuys.

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<v Speaker 3>I want to make this clear, you don't have to

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<v Speaker 3>watch anything. No.

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<v Speaker 10>I was intrigued about Kevin Costner's favorite movie of all time.

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<v Speaker 10>He's one of the greatest actors of our generation, and

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<v Speaker 10>I'm like, Okay, there has to be something that I'm

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<v Speaker 10>going to get out of this like it's gonna get better.

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<v Speaker 3>Right, let me state the rolls again. This isn't you

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<v Speaker 3>have to watch something, it's if you do. This is

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<v Speaker 3>the one time of the week we review it. Oh

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<v Speaker 3>so this is not homework to go and you have

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<v Speaker 3>to watch something. I didn't say I had to know,

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<v Speaker 3>but Amy thinks it is.

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<v Speaker 8>He kind of just said I thought he said I

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<v Speaker 8>had to I had to do it to review it.

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<v Speaker 10>No, I had to finish it to review it. Because

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<v Speaker 10>you can't review something you haven't finished.

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<v Speaker 3>What do you give the sand pebbles?

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<v Speaker 7>One and a half? Oh ships out of five?

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<v Speaker 6>Okay, thank you, Eddie anything cowboy Cartel. Amy brought it

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<v Speaker 6>to the show. She was talking in a little something

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<v Speaker 6>about it was like, let me watch this thing, guys.

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<v Speaker 4>It's awesome.

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<v Speaker 6>It's I mean, this takes place in South Texas, Like

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<v Speaker 6>this is my stomping ground as I was born and

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<v Speaker 6>raised McCall in Texas, right by the border. The Zettas

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<v Speaker 6>is the is the cartel that's down there who they

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<v Speaker 6>did some bad stuff And this is how the FBI

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<v Speaker 6>got him review it. Oh, four out of five quarter horses.

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<v Speaker 3>We'll put all this up on our social media pages too, Morgan,

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<v Speaker 3>you have one.

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<v Speaker 2>Yeah, so I watched The Union on Netflix. It's with

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<v Speaker 2>Mark Wahlberg and Halle Berry. It's a great dumb action movie.

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<v Speaker 11>Never heard of it.

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<v Speaker 2>Yeah, it's brand new, just came out, and it's all

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<v Speaker 2>about basically Mark Wahlberg and Halle Berry is his ex

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<v Speaker 2>from like twenty five years ago, and she pops out

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<v Speaker 2>of nowhere and then all these things in sue and

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<v Speaker 2>I would give it three and a half out of

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<v Speaker 2>five cell phones.

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<v Speaker 3>The audience score for Rotten Tomatoes is twenty eight percent.

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<v Speaker 2>I told you, dumb action movie. Okay, Yeah, dumb action movie,

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<v Speaker 2>but like an easy watch. And I really like Mark

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<v Speaker 2>Wahlberg and Halle Berry together.

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<v Speaker 3>That's Tuesday reviews day. Yeah, if nobody has anything, we'll

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<v Speaker 3>just go there's nothing to review. You do not have

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<v Speaker 3>to watch anything. Amy got it.

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<v Speaker 8>I was like, oh, man, want to finish it to

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<v Speaker 8>be able to review it.

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<v Speaker 3>You got it? It moving on, Okay, it's the best

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<v Speaker 3>bits of the week with Morgan.

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<v Speaker 1>Number two.

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<v Speaker 2>Drew Baldridge stopped by the studio this week. It's his

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<v Speaker 2>first time officially in the studio. You might have heard

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<v Speaker 2>him on Bobby's Bobby cast really cool stuff. This guy

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<v Speaker 2>has almost made it to the top one on country

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<v Speaker 2>radio and he's completely self funded. He's not on a

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<v Speaker 2>record label. He had posted his song She's Somebody's Daughter,

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<v Speaker 2>and it went viral on social media and he thought

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<v Speaker 2>after that he'd for surely beginning onto a record label,

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<v Speaker 2>but that wasn't the case. So he was like, I'm

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<v Speaker 2>going to fight for this, and he has and that's

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<v Speaker 2>what he came in to talk about. It's really cool

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<v Speaker 2>and super inspiring. So if you haven't heard of him,

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<v Speaker 2>now you will. His name is Drew Baldridge.

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<v Speaker 1>Number six on the Bobby Bones Show. Now Drew Baldridge.

0:09:41.679 --> 0:09:41.920
<v Speaker 12>True?

0:09:41.960 --> 0:09:42.840
<v Speaker 3>Is this the week we're doing it?

0:09:42.920 --> 0:09:43.840
<v Speaker 13>Or what this is it?

0:09:43.920 --> 0:09:44.199
<v Speaker 14>Brother?

0:09:44.520 --> 0:09:48.480
<v Speaker 3>So if Drew hits number one, which I think you're

0:09:48.480 --> 0:09:49.360
<v Speaker 3>at three this week?

0:09:49.840 --> 0:09:52.840
<v Speaker 14>Yeah, So we're three this week on media Base and

0:09:52.920 --> 0:09:53.840
<v Speaker 14>five on Billboard.

0:09:53.880 --> 0:09:55.720
<v Speaker 3>Okay, let's just keep it on media Base. It's all

0:09:55.720 --> 0:09:58.559
<v Speaker 3>we care about right here. I like it three.

0:09:58.640 --> 0:10:03.120
<v Speaker 15>This week at two I think was everybody get it yeah,

0:10:03.160 --> 0:10:07.439
<v Speaker 15>shaboozi yeah, and then at number one it was uh ah,

0:10:07.640 --> 0:10:09.360
<v Speaker 15>try jack, I try do.

0:10:09.760 --> 0:10:12.160
<v Speaker 3>So we've set up for this number one.

0:10:12.600 --> 0:10:12.800
<v Speaker 16>Now.

0:10:12.920 --> 0:10:14.640
<v Speaker 3>The thing about Drew if you've been listening to the

0:10:14.679 --> 0:10:16.800
<v Speaker 3>stuff that we've been doing over on the Bobby Cast.

0:10:17.080 --> 0:10:19.360
<v Speaker 3>If he reaches number one on media Base, he'll be

0:10:19.360 --> 0:10:22.240
<v Speaker 3>the first ever self funded artist to reach the top

0:10:22.280 --> 0:10:23.640
<v Speaker 3>spot with their song.

0:10:23.920 --> 0:10:25.760
<v Speaker 4>That's amazing funded artist.

0:10:26.120 --> 0:10:27.560
<v Speaker 3>What does self funded mean? Drew?

0:10:28.000 --> 0:10:30.600
<v Speaker 14>Well, I just had to create my own record label

0:10:31.280 --> 0:10:33.240
<v Speaker 14>to do this, so I had to hire my own staff,

0:10:34.000 --> 0:10:36.800
<v Speaker 14>and uh, you know which is which is a lot.

0:10:36.880 --> 0:10:38.880
<v Speaker 14>I mean that's why artists, you know, back in the

0:10:38.960 --> 0:10:41.600
<v Speaker 14>day really couldn't do it. We're very lucky that streaming

0:10:41.640 --> 0:10:45.560
<v Speaker 14>exists to kind of fund the staff to help send

0:10:45.559 --> 0:10:48.520
<v Speaker 14>a radio because it's like, you can't just have a

0:10:48.559 --> 0:10:50.000
<v Speaker 14>label and say hey, I'm sending song to radio and

0:10:50.040 --> 0:10:51.040
<v Speaker 14>everybody just starts playing it.

0:10:51.040 --> 0:10:51.200
<v Speaker 10>You know.

0:10:51.200 --> 0:10:53.240
<v Speaker 14>You got to have people that rep you, that go

0:10:53.280 --> 0:10:54.920
<v Speaker 14>out and say hey, can you please play this and

0:10:55.000 --> 0:10:57.840
<v Speaker 14>please play this? And we're just very lucky that radio

0:10:57.920 --> 0:10:59.920
<v Speaker 14>has been so kind. You know, I've been in Nashville

0:10:59.920 --> 0:11:03.120
<v Speaker 14>for thirteen years now chasing this.

0:11:03.080 --> 0:11:05.720
<v Speaker 3>Overnight success is what I hear. I don't know about

0:11:05.720 --> 0:11:09.160
<v Speaker 3>you guys, never been a better example of overnight success.

0:11:09.559 --> 0:11:12.280
<v Speaker 3>Talk about the song for a second. So she's somebody's daughter,

0:11:12.360 --> 0:11:14.320
<v Speaker 3>How long ago, did you write the song?

0:11:14.400 --> 0:11:17.000
<v Speaker 14>So I wrote this song six years ago after meeting

0:11:17.080 --> 0:11:19.520
<v Speaker 14>my wife's dad for the first time. She was just

0:11:19.520 --> 0:11:21.960
<v Speaker 14>my girlfriend and it was kind of just like one

0:11:22.000 --> 0:11:25.280
<v Speaker 14>of those things of don't mess this up, like treat

0:11:25.320 --> 0:11:28.120
<v Speaker 14>her write you know. I wanted to message to myself

0:11:28.160 --> 0:11:29.800
<v Speaker 14>to remember that. So I wrote this song back in

0:11:29.840 --> 0:11:33.080
<v Speaker 14>twenty eighteen, and I was on a record label and

0:11:33.160 --> 0:11:36.840
<v Speaker 14>we put it out in twenty nineteen and it just

0:11:37.000 --> 0:11:39.320
<v Speaker 14>really it really didn't do anything. There was a girl

0:11:39.320 --> 0:11:41.040
<v Speaker 14>at that time had a song to Neil Towns, had

0:11:41.040 --> 0:11:43.240
<v Speaker 14>a song called Somebody's Daughter, which was a great song, and.

0:11:43.200 --> 0:11:44.920
<v Speaker 13>I was like, you gotta be kidding me.

0:11:45.400 --> 0:11:48.440
<v Speaker 14>And it was such a god blessing because we didn't

0:11:48.480 --> 0:11:50.880
<v Speaker 14>put it out to radio and the label I was

0:11:50.920 --> 0:11:53.960
<v Speaker 14>on closed in three months and because of you, not

0:11:54.040 --> 0:11:57.760
<v Speaker 14>because I don't know, but it was just they just

0:11:57.800 --> 0:12:00.240
<v Speaker 14>wanted to shut their doors. And I thought, and I'd

0:12:00.280 --> 0:12:02.480
<v Speaker 14>get a new record deal. And twenty twenty came and

0:12:03.160 --> 0:12:06.480
<v Speaker 14>COVID hit and nobody would you know, take meetings, and

0:12:06.640 --> 0:12:09.200
<v Speaker 14>I almost quit. I lost my record deal, I lost

0:12:09.280 --> 0:12:11.559
<v Speaker 14>my manager, I lost my booking agent. And the thing

0:12:11.600 --> 0:12:13.760
<v Speaker 14>that I did was I said, okay, that's kind of

0:12:13.760 --> 0:12:15.600
<v Speaker 14>one last straw. I'm just going to post on my

0:12:15.720 --> 0:12:19.480
<v Speaker 14>TikTok and just say hey, I'll play in anybody's backyard

0:12:19.760 --> 0:12:21.400
<v Speaker 14>that wants to have me. And I thought we'd get

0:12:21.400 --> 0:12:24.160
<v Speaker 14>like five requests, and we end up getting I think

0:12:24.200 --> 0:12:26.680
<v Speaker 14>close to twenty twenty thousand requests. And I went around

0:12:26.720 --> 0:12:28.559
<v Speaker 14>the country for two or three years and just played

0:12:29.040 --> 0:12:30.560
<v Speaker 14>three hundred people's backyards.

0:12:30.600 --> 0:12:32.280
<v Speaker 3>Just the least amount of money you ever got for

0:12:32.320 --> 0:12:33.439
<v Speaker 3>doing a backyard.

0:12:33.760 --> 0:12:37.040
<v Speaker 14>Oh man, I think five hundred bucks.

0:12:37.120 --> 0:12:40.440
<v Speaker 3>Okay, still respectable. So no one got you for like

0:12:40.960 --> 0:12:45.320
<v Speaker 3>two bucks and some blint in their pocket like oh Mann, yeah,

0:12:45.440 --> 0:12:47.959
<v Speaker 3>oh crap, I forgot to bring my wallet. And what

0:12:48.000 --> 0:12:49.360
<v Speaker 3>was the most anybody ever gave you?

0:12:49.800 --> 0:12:50.040
<v Speaker 5>Man?

0:12:50.320 --> 0:12:53.920
<v Speaker 14>I think you know, it's hard. I'm trying to remember.

0:12:53.960 --> 0:12:57.439
<v Speaker 14>I think like five five thousand dollars to go play,

0:12:57.040 --> 0:12:59.600
<v Speaker 14>and that was I mean at that time, you know,

0:13:00.280 --> 0:13:03.320
<v Speaker 14>everybody thought I was doing them such a favor, like, man,

0:13:03.440 --> 0:13:05.360
<v Speaker 14>you being here as awesome. I can't believe in your yard,

0:13:05.679 --> 0:13:08.120
<v Speaker 14>and I'd be like, man, no, like what you're doing

0:13:08.160 --> 0:13:10.800
<v Speaker 14>for me is life changing. Like I have a son,

0:13:11.080 --> 0:13:13.880
<v Speaker 14>you know, I have a wife, and I'm trying to

0:13:14.600 --> 0:13:17.719
<v Speaker 14>live a lifestyle and stay in Nashville. It's expensive here,

0:13:17.720 --> 0:13:21.120
<v Speaker 14>and just like they helped me so much. And now

0:13:21.160 --> 0:13:23.240
<v Speaker 14>it's crazy to think that all those people we played

0:13:23.240 --> 0:13:25.840
<v Speaker 14>in their backyards and I'm seeing posts every day. It's

0:13:25.880 --> 0:13:27.839
<v Speaker 14>like this dude's almost got a number one record.

0:13:28.000 --> 0:13:30.360
<v Speaker 13>He was in our yard. You know. It's just crazy.

0:13:30.679 --> 0:13:32.800
<v Speaker 3>And sometimes as a porchpirate not even playing the show,

0:13:32.800 --> 0:13:35.400
<v Speaker 3>but I was just trying to steal stuff to get by. Yeah,

0:13:35.600 --> 0:13:36.640
<v Speaker 3>so we feel like this could be.

0:13:36.640 --> 0:13:37.600
<v Speaker 13>The week man.

0:13:37.840 --> 0:13:40.320
<v Speaker 14>Yeah, I mean right now, there's this thing called real

0:13:40.360 --> 0:13:43.520
<v Speaker 14>Time that shows the chart in real time, and we're.

0:13:43.360 --> 0:13:44.040
<v Speaker 13>At number one.

0:13:44.160 --> 0:13:46.200
<v Speaker 14>Guys, we're at number one in real time, and it's

0:13:46.240 --> 0:13:48.760
<v Speaker 14>such a blessing and I just can't believe it. I mean,

0:13:49.040 --> 0:13:51.880
<v Speaker 14>you know, everybody looks at media Base. I'm also like

0:13:52.160 --> 0:13:54.480
<v Speaker 14>a Billboard watch or two and we're three on Billboard,

0:13:54.520 --> 0:13:56.199
<v Speaker 14>and I'm like, oh man, we're so close, Like it'd

0:13:56.240 --> 0:13:57.760
<v Speaker 14>be cool to hit the number one on both. But

0:13:58.200 --> 0:14:01.160
<v Speaker 14>I was talking to somebodies yesday and they're just like, dude,

0:14:01.200 --> 0:14:04.280
<v Speaker 14>just you're number one, Take your number one song, Take

0:14:04.280 --> 0:14:07.120
<v Speaker 14>the number one. And it's just such a blessing to

0:14:07.160 --> 0:14:10.240
<v Speaker 14>know too, Like we did it by ourselves. Like there

0:14:10.280 --> 0:14:14.600
<v Speaker 14>wasn't no fancy strings being pulled, there wasn't big money

0:14:14.640 --> 0:14:17.880
<v Speaker 14>pockets behind it. It was just like me and take it.

0:14:19.280 --> 0:14:21.080
<v Speaker 3>Yeah, dark political money. He didn't take it.

0:14:21.120 --> 0:14:21.960
<v Speaker 13>No, he didn't make it.

0:14:22.000 --> 0:14:24.000
<v Speaker 14>Man, It's just cool. And also I can just say

0:14:24.040 --> 0:14:26.720
<v Speaker 14>it's the fans. You know, they drove this song. I

0:14:26.760 --> 0:14:30.560
<v Speaker 14>think you know they've had like a billion views on

0:14:30.680 --> 0:14:34.080
<v Speaker 14>TikTok and like have driven driven this song to number one.

0:14:34.160 --> 0:14:36.680
<v Speaker 14>It's really them and they've become a part of my

0:14:36.720 --> 0:14:38.920
<v Speaker 14>life and part of my family. And it's really special

0:14:38.960 --> 0:14:40.960
<v Speaker 14>to watch a song that means so much to me

0:14:41.600 --> 0:14:44.480
<v Speaker 14>that I wrote about my wife and her dad, and

0:14:44.520 --> 0:14:46.440
<v Speaker 14>now watching it mean so much to other people, and

0:14:46.480 --> 0:14:49.360
<v Speaker 14>hearing people sing at shows, like I've been here for

0:14:49.480 --> 0:14:52.480
<v Speaker 14>thirteen years. I've never had anybody sing along at a show.

0:14:52.840 --> 0:14:55.560
<v Speaker 14>And so like my bass player the first time that happened.

0:14:55.560 --> 0:14:57.600
<v Speaker 14>He's been playing bass for me for eleven years, like

0:14:57.680 --> 0:15:00.000
<v Speaker 14>right when I started, and I remember the first time

0:15:00.120 --> 0:15:02.280
<v Speaker 14>it happened. It was last year and people started singing.

0:15:02.280 --> 0:15:04.920
<v Speaker 14>I was like, dude, do you remember people singing at

0:15:04.960 --> 0:15:05.320
<v Speaker 14>our show?

0:15:05.440 --> 0:15:05.800
<v Speaker 4>Nope?

0:15:05.840 --> 0:15:08.280
<v Speaker 13>Never, nobody's ever singing. I've been waiting on this for Tay.

0:15:09.000 --> 0:15:10.840
<v Speaker 14>I was like, oh my goodness, we finally got a

0:15:10.880 --> 0:15:11.720
<v Speaker 14>song that people know.

0:15:12.280 --> 0:15:15.480
<v Speaker 3>Whenever you write a song, let's say, for your now wife,

0:15:15.520 --> 0:15:17.280
<v Speaker 3>and you play it for her, you're like, this was inspired.

0:15:17.640 --> 0:15:19.960
<v Speaker 3>When you write a song inspired by her? Dad, are

0:15:19.960 --> 0:15:22.600
<v Speaker 3>you ever You're like, Chuck, come in, I want you

0:15:22.640 --> 0:15:25.080
<v Speaker 3>to listen to this song I wrote. How did that

0:15:25.120 --> 0:15:27.400
<v Speaker 3>get back to him? Cause that's kind of you know,

0:15:27.480 --> 0:15:29.640
<v Speaker 3>it's it's not awkward, but it's kind of I wrote

0:15:29.680 --> 0:15:30.960
<v Speaker 3>the song about Yeah.

0:15:30.800 --> 0:15:33.040
<v Speaker 13>Yeah, I just I didn't show him, you know.

0:15:33.080 --> 0:15:34.960
<v Speaker 14>I showed her and it was like, hey, if you

0:15:34.960 --> 0:15:37.240
<v Speaker 14>want to show your dad, you can, and I have

0:15:37.360 --> 0:15:41.560
<v Speaker 14>this really special video of the first time, like, you know,

0:15:41.560 --> 0:15:44.080
<v Speaker 14>we're getting married, and she said, Dad, I got the

0:15:44.160 --> 0:15:47.600
<v Speaker 14>song we're going to dance to. And I made, you know,

0:15:47.640 --> 0:15:50.040
<v Speaker 14>the twenty nineteen versions, like this real up tempo thing.

0:15:50.120 --> 0:15:52.360
<v Speaker 14>And we got married in twenty twenty one, so it

0:15:52.400 --> 0:15:53.880
<v Speaker 14>was a couple of years later. I made a special

0:15:53.880 --> 0:15:55.800
<v Speaker 14>wedding version just so she could dance to it with

0:15:55.840 --> 0:15:57.440
<v Speaker 14>her dad and just me and a piano and a cello.

0:15:58.120 --> 0:16:00.800
<v Speaker 14>And so she pulls it up up in the kitchen

0:16:01.320 --> 0:16:03.640
<v Speaker 14>and just starts dancing with her dad in the kitchen

0:16:03.680 --> 0:16:06.160
<v Speaker 14>to it and they're crying, and I like sneak my

0:16:06.240 --> 0:16:09.560
<v Speaker 14>phone in on the side of it and watched, you know,

0:16:09.960 --> 0:16:12.000
<v Speaker 14>get to watch them have this special moment of her

0:16:12.040 --> 0:16:14.720
<v Speaker 14>and her dad. And that was really cool for me

0:16:14.760 --> 0:16:16.840
<v Speaker 14>as a as a songwriter to be like, man, I've

0:16:16.880 --> 0:16:19.520
<v Speaker 14>been writing songs since I was sixteen in my bedroom

0:16:19.560 --> 0:16:21.720
<v Speaker 14>and like, never thought I would write the song that

0:16:21.800 --> 0:16:24.040
<v Speaker 14>my wife and father in law would dance to, and

0:16:24.080 --> 0:16:25.920
<v Speaker 14>not only that, but so many around the country at

0:16:25.960 --> 0:16:28.240
<v Speaker 14>that time. It was just literally I did it for

0:16:28.280 --> 0:16:32.120
<v Speaker 14>them and we posted the video on our honeymoon. I'm

0:16:32.160 --> 0:16:34.160
<v Speaker 14>just like, hey, if you like this wedding version, I'll

0:16:34.160 --> 0:16:38.080
<v Speaker 14>put it out. And it was a Wednesday and we

0:16:38.120 --> 0:16:40.720
<v Speaker 14>woke up the next morning with almost ten million views

0:16:40.720 --> 0:16:43.240
<v Speaker 14>on the TikTok, and I was just like me and

0:16:43.240 --> 0:16:45.560
<v Speaker 14>my wife were dancing, was like, every record company's gonna

0:16:45.600 --> 0:16:52.360
<v Speaker 14>be calling us now, baby, you know, and nobody did.

0:16:52.480 --> 0:16:55.320
<v Speaker 14>We laughed now, but not so funny then so funny

0:16:55.320 --> 0:16:58.400
<v Speaker 14>then now now we're laughing because it's like, yeah, we

0:16:58.480 --> 0:17:00.920
<v Speaker 14>freaking did it by ourselves. Back then, it was like,

0:17:01.000 --> 0:17:04.119
<v Speaker 14>oh man, everybody's calling and yeah, nobody did and just

0:17:04.160 --> 0:17:07.400
<v Speaker 14>watched it happen. So many other dads use this song

0:17:07.600 --> 0:17:09.199
<v Speaker 14>and it's so funny. Now in meet and greets, I

0:17:09.200 --> 0:17:11.840
<v Speaker 14>have these cowboys that come up and cowboy hats and

0:17:11.840 --> 0:17:14.480
<v Speaker 14>real manly man and they're like crying. They're like, don't

0:17:14.480 --> 0:17:17.040
<v Speaker 14>tell anybody, I'm crying. But that song right there really means.

0:17:16.880 --> 0:17:17.399
<v Speaker 13>A lot to me.

0:17:18.000 --> 0:17:20.000
<v Speaker 3>Are you those dads match a man? Ready savage?

0:17:20.200 --> 0:17:21.400
<v Speaker 13>No?

0:17:21.800 --> 0:17:27.360
<v Speaker 3>Everyone sounded like, yeah, have you played any weddings this song?

0:17:27.400 --> 0:17:28.360
<v Speaker 3>Any weddings I have?

0:17:28.520 --> 0:17:31.320
<v Speaker 14>Yeah, there's some really awesome TikTok videos too, where I

0:17:31.359 --> 0:17:33.960
<v Speaker 14>just kind of surprise some people. Like I get messages

0:17:34.000 --> 0:17:36.080
<v Speaker 14>all the time, and I always reach back if I

0:17:36.119 --> 0:17:37.200
<v Speaker 14>see them, like where's it at?

0:17:37.280 --> 0:17:38.800
<v Speaker 13>You know, if I'm in the area and I'm touring,

0:17:38.880 --> 0:17:39.920
<v Speaker 13>like and if I have.

0:17:39.880 --> 0:17:42.560
<v Speaker 14>Time, I'll stop by, you know, and if it works out,

0:17:42.600 --> 0:17:44.639
<v Speaker 14>it does, and if not, you know, I wish we

0:17:44.680 --> 0:17:47.080
<v Speaker 14>could do surprise more people. But but yeah, we've done

0:17:47.080 --> 0:17:49.000
<v Speaker 14>a couple of them. They've been really special. I had

0:17:49.040 --> 0:17:51.719
<v Speaker 14>one in Salt Lake City that really stands out. They

0:17:51.760 --> 0:17:53.960
<v Speaker 14>reached out and they're like, we're using you know, she's

0:17:53.960 --> 0:17:55.840
<v Speaker 14>somebody's dollar. I also have this song called can she

0:17:55.920 --> 0:17:58.439
<v Speaker 14>have this dance that I wrote from my mama to

0:17:58.520 --> 0:18:00.359
<v Speaker 14>dance to at our wedding And we put that out too,

0:18:00.440 --> 0:18:03.520
<v Speaker 14>and like my husband's dancing to that song, we're also

0:18:03.560 --> 0:18:05.520
<v Speaker 14>going to use your son. I was like, well, man,

0:18:05.560 --> 0:18:07.840
<v Speaker 14>this they're using all my songs. Tribute show. You're still

0:18:07.840 --> 0:18:09.800
<v Speaker 14>a lot tribute I'm still here. So we would show

0:18:09.880 --> 0:18:11.399
<v Speaker 14>up and we got to play those and that was

0:18:11.440 --> 0:18:14.320
<v Speaker 14>really cool. But those those are some special moments because

0:18:14.359 --> 0:18:15.920
<v Speaker 14>you just get to be a part of people's lives.

0:18:15.920 --> 0:18:18.320
<v Speaker 14>And I just think that's what's so cool about country

0:18:18.400 --> 0:18:21.120
<v Speaker 14>music is you know, music's made to make memories too,

0:18:21.160 --> 0:18:24.800
<v Speaker 14>and man, when you can be a part of somebody's long,

0:18:25.400 --> 0:18:27.960
<v Speaker 14>long term memory of getting married, you know, that's that's

0:18:28.000 --> 0:18:28.800
<v Speaker 14>really special to me.

0:18:29.280 --> 0:18:30.760
<v Speaker 3>I know for a long time, you were booking all

0:18:30.760 --> 0:18:33.399
<v Speaker 3>of your own shows too, like you were a DIY.

0:18:33.960 --> 0:18:36.680
<v Speaker 3>And what's cool is you've learned how to do it.

0:18:37.320 --> 0:18:40.399
<v Speaker 3>But now have there been people come along that are

0:18:40.440 --> 0:18:41.520
<v Speaker 3>now joining the team.

0:18:41.720 --> 0:18:42.080
<v Speaker 7>Yeah.

0:18:42.119 --> 0:18:45.840
<v Speaker 14>So from twenty twenty to twenty four, I managed myself.

0:18:46.040 --> 0:18:48.560
<v Speaker 14>I booked to myself. That was my own record lage. Well,

0:18:48.600 --> 0:18:49.480
<v Speaker 14>I don't know what I was doing.

0:18:49.560 --> 0:18:51.399
<v Speaker 5>Would you talk like yourself though, or would you be like,

0:18:51.600 --> 0:18:56.880
<v Speaker 5>right question, let me go check his calendar.

0:18:57.080 --> 0:18:58.560
<v Speaker 14>Yeah, so what I do is I just had a

0:18:59.240 --> 0:19:03.040
<v Speaker 14>Drew Baldridge man management email on on my Instagram and

0:19:03.080 --> 0:19:04.960
<v Speaker 14>I still do you know, it just says Drew Baldridge

0:19:04.960 --> 0:19:08.439
<v Speaker 14>Management and Gmail and show inquiries would come through that

0:19:08.480 --> 0:19:10.720
<v Speaker 14>and I'd just be like, thank you so much.

0:19:10.560 --> 0:19:13.840
<v Speaker 13>For being interested in Drew Baldridge. This is what we require.

0:19:14.960 --> 0:19:17.960
<v Speaker 14>And so yeah, I just run that email and uh,

0:19:18.080 --> 0:19:19.439
<v Speaker 14>you know when when they would ask to get on

0:19:19.480 --> 0:19:20.919
<v Speaker 14>the phone, that's when it would get harry, you know,

0:19:20.920 --> 0:19:22.760
<v Speaker 14>and then I'd have to go my tour managers like, hey, man,

0:19:22.760 --> 0:19:24.119
<v Speaker 14>do you care to call these people? This is what

0:19:24.160 --> 0:19:27.040
<v Speaker 14>we need and this is what we're doing. And but yeah,

0:19:27.119 --> 0:19:29.240
<v Speaker 14>so I ran up by myself for four years. We

0:19:29.280 --> 0:19:31.720
<v Speaker 14>got We did it all the way up to top

0:19:31.800 --> 0:19:35.919
<v Speaker 14>ten alone with no manager, no agent, no record label.

0:19:36.000 --> 0:19:39.440
<v Speaker 14>And then the last month I got a manager. Now,

0:19:39.600 --> 0:19:42.600
<v Speaker 14>which is super awesome. I don't feel alone and I

0:19:42.640 --> 0:19:46.399
<v Speaker 14>have an awesome booking agent UTA where I'm not having

0:19:46.440 --> 0:19:49.200
<v Speaker 14>to you know, run all those phone calls. I got

0:19:49.200 --> 0:19:51.000
<v Speaker 14>a I got a son, I got a wife. When

0:19:51.080 --> 0:19:52.560
<v Speaker 14>I'm gone all the time, then I come home. When

0:19:52.560 --> 0:19:54.639
<v Speaker 14>I'm on the phone till nine o'clock at night, my

0:19:54.760 --> 0:19:56.879
<v Speaker 14>wife wants to kill me halftime probably you know I

0:19:56.920 --> 0:20:01.160
<v Speaker 14>would if it was reversed, And so get a team

0:20:01.320 --> 0:20:03.679
<v Speaker 14>to start helping. This is awesome, but it's also like

0:20:04.680 --> 0:20:07.160
<v Speaker 14>I've been doing this alone. So I'm like, it's really

0:20:07.160 --> 0:20:09.080
<v Speaker 14>hard to give it up, you know. I'm like, no,

0:20:09.280 --> 0:20:10.880
<v Speaker 14>you don't know. You might not know what you're doing,

0:20:10.920 --> 0:20:12.520
<v Speaker 14>but I know what I'm doing, you know. And it's like, no,

0:20:12.720 --> 0:20:16.159
<v Speaker 14>I'm finally starting to feel like, oh, I can just relax, Like,

0:20:16.320 --> 0:20:17.800
<v Speaker 14>oh my goodness, we're about to have a number one.

0:20:17.800 --> 0:20:20.119
<v Speaker 14>I actually have a team that knows what they're doing.

0:20:20.320 --> 0:20:22.199
<v Speaker 14>They know more than I do. I'm just you know,

0:20:22.600 --> 0:20:24.560
<v Speaker 14>it's been it's been a journey for sure.

0:20:24.680 --> 0:20:27.240
<v Speaker 3>I'm saying, a bunch of shows pop up, like more shows.

0:20:27.480 --> 0:20:31.560
<v Speaker 14>Yeah, man, we just announced a tour just last week

0:20:31.600 --> 0:20:33.919
<v Speaker 14>where we're gonna go out and kind of celebrate this.

0:20:34.040 --> 0:20:38.119
<v Speaker 14>She's Somebody's daughter journey to number one. And you know

0:20:38.119 --> 0:20:40.960
<v Speaker 14>they're all on my website at Drew baldersmusic dot com.

0:20:40.960 --> 0:20:41.880
<v Speaker 13>Little plug right there.

0:20:42.359 --> 0:20:44.000
<v Speaker 3>Yeah. Starting by the way, it's a bunch of the

0:20:44.000 --> 0:20:46.960
<v Speaker 3>cities that wanted to September sixth, uh Greenville, North Carolina,

0:20:47.040 --> 0:20:55.320
<v Speaker 3>but all the way up till December sixth, Bakersfield, Vegas, Pittsburgh, Cincinnati, Minneapolis,

0:20:55.320 --> 0:20:57.160
<v Speaker 3>Des Moines, just some of the places that our show

0:20:57.160 --> 0:20:59.520
<v Speaker 3>has heard. So you guys go to Drew's instagrammer's website

0:20:59.560 --> 0:21:00.600
<v Speaker 3>and you can see all the shows there.

0:21:00.640 --> 0:21:01.520
<v Speaker 13>Man, thank you for that.

0:21:01.600 --> 0:21:03.879
<v Speaker 14>Yeah, we're excited, and you know, we hope that we

0:21:03.920 --> 0:21:05.600
<v Speaker 14>have more people come out and never you know, I

0:21:06.280 --> 0:21:10.399
<v Speaker 14>I've been touring for you know, twelve years, eleven years,

0:21:10.440 --> 0:21:13.280
<v Speaker 14>and you know, just now having a people sing along.

0:21:13.359 --> 0:21:16.280
<v Speaker 14>So it's really nerve wracking, like headlining your own tour.

0:21:16.400 --> 0:21:18.120
<v Speaker 14>I'm sure if you talk to artists that come in here,

0:21:18.119 --> 0:21:20.679
<v Speaker 14>you're like, man, I just hope I sell one hundred tickets. Like,

0:21:21.000 --> 0:21:23.920
<v Speaker 14>you want everybody to win. You want the person that's

0:21:24.320 --> 0:21:26.159
<v Speaker 14>the club that's having you there, you want them to

0:21:26.160 --> 0:21:28.280
<v Speaker 14>make money. You want to not be broke, and you

0:21:28.320 --> 0:21:29.960
<v Speaker 14>want the fans to enjoy it and not come out

0:21:30.119 --> 0:21:31.960
<v Speaker 14>because I played so many shows where there's like three

0:21:31.960 --> 0:21:35.119
<v Speaker 14>people you know, and you're just like, hi, guys, this

0:21:35.240 --> 0:21:36.080
<v Speaker 14>is for you.

0:21:36.080 --> 0:21:36.320
<v Speaker 13>You know.

0:21:36.520 --> 0:21:38.440
<v Speaker 3>I guess you learn every one of their names.

0:21:38.520 --> 0:21:41.280
<v Speaker 14>Yeah, you do, and but you know what's cool now

0:21:41.400 --> 0:21:44.159
<v Speaker 14>is people come out and they have their backyard shirts on.

0:21:44.480 --> 0:21:46.720
<v Speaker 14>And that's what's been really special is you know that

0:21:46.760 --> 0:21:49.520
<v Speaker 14>says Baldridge and Bonfire's what we call the tour and

0:21:50.240 --> 0:21:52.000
<v Speaker 14>they have their Baldridge and Bonfire shirt on thems like

0:21:52.040 --> 0:21:54.080
<v Speaker 14>you're here when nobody was. You know, it's just a

0:21:54.119 --> 0:21:56.000
<v Speaker 14>different kind of bond with these people.

0:21:56.280 --> 0:21:58.360
<v Speaker 3>Can I suggest a song called He's Somebody's Son?

0:21:58.720 --> 0:21:59.840
<v Speaker 13>I had a lot of people.

0:22:00.520 --> 0:22:02.840
<v Speaker 3>I mean, it just all won to be fair. Go, yeah,

0:22:02.880 --> 0:22:05.600
<v Speaker 3>he's some modest son, didn't have the sing, doesn't hit

0:22:05.640 --> 0:22:06.920
<v Speaker 3>thet doesn't.

0:22:06.680 --> 0:22:07.000
<v Speaker 13>Have a sing.

0:22:07.080 --> 0:22:08.840
<v Speaker 3>You even heard all the lyrics, yet haters.

0:22:10.200 --> 0:22:11.400
<v Speaker 13>Write bring it back.

0:22:11.440 --> 0:22:14.240
<v Speaker 3>I really get in touch with my personal side and

0:22:14.280 --> 0:22:17.800
<v Speaker 3>you guys are like it doesn't hit the same. Yeah, Drew,

0:22:17.920 --> 0:22:19.000
<v Speaker 3>I'm happy for you man.

0:22:19.080 --> 0:22:19.640
<v Speaker 13>Well, thank you.

0:22:19.680 --> 0:22:21.960
<v Speaker 14>And you've been such a big part of this too,

0:22:21.960 --> 0:22:24.240
<v Speaker 14>Like allow me to come on here when you know

0:22:24.359 --> 0:22:25.480
<v Speaker 14>I don't really have.

0:22:26.080 --> 0:22:29.000
<v Speaker 3>You're a total loser. When I found you, I was like,

0:22:29.160 --> 0:22:29.920
<v Speaker 3>what do you need sir?

0:22:32.119 --> 0:22:33.160
<v Speaker 13>But no, this means a lot.

0:22:33.200 --> 0:22:35.520
<v Speaker 14>Since I moved to Nashville, IVE always dreamed of being

0:22:35.560 --> 0:22:37.600
<v Speaker 14>on the Bobby Bone Show. This has been a special

0:22:37.640 --> 0:22:40.280
<v Speaker 14>moment for me to come in here, and you guys

0:22:40.280 --> 0:22:42.119
<v Speaker 14>don't have to allow me to come in here and

0:22:42.119 --> 0:22:44.399
<v Speaker 14>tell my story. And Bob, you've told my story so

0:22:44.480 --> 0:22:46.320
<v Speaker 14>many times and so many of your listeners. I'm just

0:22:46.440 --> 0:22:49.359
<v Speaker 14>very thankful and humbled. And you know, I've had deals

0:22:49.359 --> 0:22:51.840
<v Speaker 14>and I've lost them, and I don't take anything for

0:22:51.880 --> 0:22:55.480
<v Speaker 14>granted anymore of so, like, this is special being in

0:22:55.520 --> 0:22:56.160
<v Speaker 14>here with you guys.

0:22:56.160 --> 0:22:58.800
<v Speaker 3>Today we're gonna play She's Somebody's Daughter. Do you want

0:22:58.800 --> 0:23:00.120
<v Speaker 3>to play like twelve times?

0:23:00.119 --> 0:23:00.240
<v Speaker 13>Just on.

0:23:02.119 --> 0:23:02.600
<v Speaker 3>Repeat?

0:23:02.720 --> 0:23:03.600
<v Speaker 13>Please? Please?

0:23:03.640 --> 0:23:05.600
<v Speaker 14>At least you know once every hour. There we go

0:23:06.160 --> 0:23:06.960
<v Speaker 14>every morning.

0:23:07.400 --> 0:23:13.280
<v Speaker 3>Drew Baldridge, She's Somebody's daughter. Drew, Congratulations on whatever run

0:23:13.400 --> 0:23:16.160
<v Speaker 3>this is. I hope you get your number one. That's amazing.

0:23:16.280 --> 0:23:19.120
<v Speaker 3>Whatever you do next, but don't fall into that trap

0:23:19.160 --> 0:23:21.399
<v Speaker 3>off going. Okay, now I got to do it again.

0:23:21.600 --> 0:23:23.040
<v Speaker 3>There'll be a time for that this week.

0:23:23.680 --> 0:23:26.359
<v Speaker 14>Wet's thank you because it's so it's easy to stress

0:23:26.359 --> 0:23:29.600
<v Speaker 14>out because everybody's like, man, what's next. Hey, you're ringing

0:23:29.600 --> 0:23:31.080
<v Speaker 14>the bell once? How do you do it again? I'm like,

0:23:31.400 --> 0:23:33.679
<v Speaker 14>I don't freaking know. I'll be honest, I don't know

0:23:33.680 --> 0:23:35.240
<v Speaker 14>how we're gonna do it again, but we're gonna try

0:23:35.280 --> 0:23:37.200
<v Speaker 14>and and so you can get caught in that trap.

0:23:37.200 --> 0:23:39.159
<v Speaker 14>But I'm really just trying to enjoy it. Next week,

0:23:39.640 --> 0:23:41.879
<v Speaker 14>I took vacation, me and my wife. We're gonna go

0:23:41.920 --> 0:23:44.280
<v Speaker 14>to the beach for four days and just try to

0:23:44.359 --> 0:23:47.080
<v Speaker 14>you know, if we're number one, great, If not, we're

0:23:47.080 --> 0:23:48.880
<v Speaker 14>just gonna celebrate the journey of.

0:23:48.760 --> 0:23:50.520
<v Speaker 13>This of like, hey, we did this together.

0:23:50.800 --> 0:23:53.480
<v Speaker 3>After you get back stress out exactly, take a few

0:23:53.560 --> 0:23:55.719
<v Speaker 3>days you just enjoy it.

0:23:56.119 --> 0:23:57.440
<v Speaker 8>Are you able to really disconnect?

0:23:57.440 --> 0:23:59.160
<v Speaker 5>Like do you think when you go on vacation next week,

0:23:59.200 --> 0:24:00.960
<v Speaker 5>like you'll be able to truly unplugged.

0:24:01.040 --> 0:24:03.040
<v Speaker 14>I don't know, I'll be honest, I don't know. My

0:24:03.080 --> 0:24:05.040
<v Speaker 14>wife has already said you got you got to, but

0:24:05.160 --> 0:24:06.879
<v Speaker 14>she was like, you're gonna be on the phone so

0:24:07.000 --> 0:24:10.000
<v Speaker 14>much with people saying congrats, congrats, and so I was like,

0:24:10.119 --> 0:24:13.600
<v Speaker 14>at least that's better than like them saying what's next,

0:24:13.600 --> 0:24:14.080
<v Speaker 14>what's next?

0:24:14.119 --> 0:24:15.920
<v Speaker 13>You know, they're like, what are you doing now?

0:24:16.000 --> 0:24:18.960
<v Speaker 14>And and so I think there's gonna have to come

0:24:19.000 --> 0:24:21.280
<v Speaker 14>where I just shut my phone off to really disconnect

0:24:21.480 --> 0:24:23.879
<v Speaker 14>and and just enjoy it, because already it's getting to

0:24:23.880 --> 0:24:25.080
<v Speaker 14>the point where I'm getting a lot of text of

0:24:25.160 --> 0:24:27.440
<v Speaker 14>congrats and I feel bad I'm not being able to respond.

0:24:27.160 --> 0:24:28.800
<v Speaker 3>To what I call them.

0:24:28.960 --> 0:24:31.919
<v Speaker 14>Yeah, I'm not trying to do that, but but like

0:24:31.960 --> 0:24:34.040
<v Speaker 14>I said, next week, I'm really gonna try. I'm really

0:24:34.080 --> 0:24:36.879
<v Speaker 14>gonna try because my wife deserves that too, and and

0:24:36.920 --> 0:24:38.800
<v Speaker 14>so does my son and so, and I feel like

0:24:38.880 --> 0:24:40.560
<v Speaker 14>we do too, how busy we've been. So I'm gonna

0:24:40.560 --> 0:24:42.600
<v Speaker 14>try to shut it off, but we'll see. I mean,

0:24:42.640 --> 0:24:45.520
<v Speaker 14>it's also fun to get congrats from buddies and and

0:24:45.840 --> 0:24:48.879
<v Speaker 14>I've never had really anybody congratulate me about stuff.

0:24:49.040 --> 0:24:58.200
<v Speaker 16>You know, that's a sad He's like, like me, that

0:24:58.280 --> 0:25:00.320
<v Speaker 16>sounds I would say, what.

0:25:00.400 --> 0:25:02.520
<v Speaker 13>Does mean about?

0:25:01.359 --> 0:25:02.840
<v Speaker 2>You know?

0:25:03.880 --> 0:25:05.080
<v Speaker 13>That sound terrible?

0:25:05.240 --> 0:25:07.040
<v Speaker 3>Then I'm going to do you a special favor and

0:25:07.040 --> 0:25:09.320
<v Speaker 3>I'm not going to text your congrats. Oh well thanks

0:25:09.760 --> 0:25:11.520
<v Speaker 3>you tell him now though, No, just a little gift

0:25:11.520 --> 0:25:12.840
<v Speaker 3>from me to him. I'm just gonna ignore him for

0:25:12.840 --> 0:25:14.960
<v Speaker 3>a while. As everybody else is like, you're the man,

0:25:15.280 --> 0:25:17.480
<v Speaker 3>I'll be like, you know what, I'll take three steps back.

0:25:18.400 --> 0:25:19.320
<v Speaker 13>Tell me the next week.

0:25:19.440 --> 0:25:22.040
<v Speaker 3>Yeah, then I'll be like, what's next. There we go,

0:25:23.119 --> 0:25:26.200
<v Speaker 3>that's cool, man, congratulations. I'm sure I'll talk to you soon.

0:25:26.280 --> 0:25:30.440
<v Speaker 3>But yeah, you are an example of what I think

0:25:30.560 --> 0:25:33.200
<v Speaker 3>a lot of artists are going to look at and go, dang,

0:25:33.200 --> 0:25:36.480
<v Speaker 3>I'm thinking about giving it up. But they get to

0:25:36.480 --> 0:25:39.040
<v Speaker 3>see your story because you also had those thoughts, as

0:25:39.080 --> 0:25:41.360
<v Speaker 3>you said, and you didn't and you found a way

0:25:41.520 --> 0:25:42.880
<v Speaker 3>in the ways that other people are going to find

0:25:42.880 --> 0:25:44.560
<v Speaker 3>are not going to be the same. But it does

0:25:44.720 --> 0:25:48.080
<v Speaker 3>show people if you don't quit your work hard and

0:25:48.119 --> 0:25:52.320
<v Speaker 3>you strategize and then you modify your strategy constantly, like

0:25:52.400 --> 0:25:53.679
<v Speaker 3>there is a way, there.

0:25:53.560 --> 0:25:53.880
<v Speaker 13>Is a way.

0:25:53.920 --> 0:25:55.280
<v Speaker 14>And I think that's what's been one of the most

0:25:55.320 --> 0:25:57.320
<v Speaker 14>cool things out of this whole thing is so many

0:25:57.400 --> 0:26:00.000
<v Speaker 14>artists have reached out and be like, dude, this is awesome.

0:26:00.040 --> 0:26:01.600
<v Speaker 14>I'm like, can we go get breakfast. I'm like, one

0:26:01.680 --> 0:26:03.960
<v Speaker 14>hundred percent, let's go do that. Because there's so many

0:26:03.960 --> 0:26:07.040
<v Speaker 14>great artists in Nashville that come here, they get a

0:26:07.080 --> 0:26:09.720
<v Speaker 14>record deal, and then their first song doesn't work or

0:26:09.720 --> 0:26:10.280
<v Speaker 14>their second one.

0:26:10.280 --> 0:26:12.200
<v Speaker 13>Then they don't get to go to radio again.

0:26:12.320 --> 0:26:14.520
<v Speaker 14>Or they're just dropped or they're lost, or they become

0:26:14.560 --> 0:26:19.080
<v Speaker 14>songwriters and they still have that artist drive. And it's

0:26:19.080 --> 0:26:22.640
<v Speaker 14>been awesome to give some people some hope of saying like, no, man,

0:26:23.080 --> 0:26:25.159
<v Speaker 14>you have the right song that you believe in that

0:26:25.200 --> 0:26:28.080
<v Speaker 14>you'll put you know, or give it a real shot,

0:26:28.119 --> 0:26:30.240
<v Speaker 14>a real chance, put your whole heart into it.

0:26:30.240 --> 0:26:30.879
<v Speaker 13>It can work.

0:26:31.640 --> 0:26:34.240
<v Speaker 14>And that's what's I think so cool and so cool

0:26:34.240 --> 0:26:36.879
<v Speaker 14>for our community and our whole town and even radio

0:26:36.960 --> 0:26:39.399
<v Speaker 14>it's awesome, like, hey, you have a song, it's working

0:26:39.440 --> 0:26:42.359
<v Speaker 14>and people love it. Radio will play it, and you

0:26:42.480 --> 0:26:44.840
<v Speaker 14>just got to believe in it, and you know, take

0:26:44.880 --> 0:26:46.600
<v Speaker 14>a whole year of your life and you know, we

0:26:46.680 --> 0:26:49.680
<v Speaker 14>send it to radio August twenty first of last year,

0:26:49.800 --> 0:26:52.280
<v Speaker 14>so it's been almost a full year. But it's been

0:26:52.320 --> 0:26:55.480
<v Speaker 14>fun to have a lot of other artists reach out

0:26:55.520 --> 0:26:57.440
<v Speaker 14>and be able to give some love to them.

0:26:57.800 --> 0:27:02.520
<v Speaker 3>At Drew Baldridge Music, the linked there for toward eights.

0:27:02.680 --> 0:27:04.600
<v Speaker 3>You can just I don't get I don't guess you

0:27:04.600 --> 0:27:06.080
<v Speaker 3>get paid for Instagram, though, do you?

0:27:06.480 --> 0:27:06.640
<v Speaker 13>Man?

0:27:06.680 --> 0:27:07.919
<v Speaker 3>You can't just like watch a video over and over

0:27:07.960 --> 0:27:09.200
<v Speaker 3>and over again and put money in your pocket.

0:27:09.359 --> 0:27:09.800
<v Speaker 13>No, but you can.

0:27:10.040 --> 0:27:12.280
<v Speaker 14>You can strain the music, yeah, exactly, stream the music

0:27:12.359 --> 0:27:13.280
<v Speaker 14>and but come out to.

0:27:13.400 --> 0:27:15.320
<v Speaker 3>To a show. Yeah, go to a show, and by

0:27:15.400 --> 0:27:18.800
<v Speaker 3>merchre you the merch is what helps the mercher yea

0:27:19.080 --> 0:27:21.280
<v Speaker 3>at Drew Baldridge music. Drew, good to see you, buddy,

0:27:21.800 --> 0:27:26.600
<v Speaker 3>everybody said by Drew. Thank and we're rooting for you

0:27:26.600 --> 0:27:27.320
<v Speaker 3>to see what's next.

0:27:29.280 --> 0:27:30.400
<v Speaker 13>I love all right by Drew.

0:27:30.480 --> 0:27:34.400
<v Speaker 1>So you guys, it's the best bits of the week

0:27:35.200 --> 0:27:36.400
<v Speaker 1>with Morgan number two.

0:27:38.000 --> 0:27:41.240
<v Speaker 2>Speaking of movies, these are some that freaked us out

0:27:41.320 --> 0:27:43.960
<v Speaker 2>as kids. Now, these are not just like scary movies.

0:27:43.960 --> 0:27:46.200
<v Speaker 2>There's some in here, but some of us have really

0:27:46.240 --> 0:27:49.200
<v Speaker 2>normal movies that probably didn't freak anybody else out but us.

0:27:49.240 --> 0:27:51.320
<v Speaker 2>And this was all inspired by the new Beetle Juice

0:27:51.320 --> 0:27:53.440
<v Speaker 2>movie coming out. One of the actors was talking about

0:27:53.480 --> 0:27:56.639
<v Speaker 2>how Beetlejuice used to scare her Number five.

0:27:56.480 --> 0:27:56.880
<v Speaker 4>As a kid.

0:27:56.920 --> 0:28:01.000
<v Speaker 3>I loved Beetlejuice. Michael Keaton right with you, They like,

0:28:01.200 --> 0:28:06.000
<v Speaker 3>come on, that was awesome, and so they're remaking it.

0:28:06.320 --> 0:28:10.760
<v Speaker 3>And Jenna Ortega, who was Wednesday right on Netflix, so

0:28:11.880 --> 0:28:13.280
<v Speaker 3>she's in it, and she was like, she was scared

0:28:13.280 --> 0:28:15.800
<v Speaker 3>of everything, including the original Beetle Juice movie. Was anybody

0:28:15.840 --> 0:28:17.919
<v Speaker 3>as a kid scared of the Beetle Juice movie that

0:28:17.960 --> 0:28:18.720
<v Speaker 3>freak anybody out?

0:28:18.840 --> 0:28:19.000
<v Speaker 17>Now?

0:28:19.440 --> 0:28:21.439
<v Speaker 3>That was funny me too, And I freaked out at

0:28:21.440 --> 0:28:23.640
<v Speaker 3>every movie now was there a movie as a kid

0:28:23.680 --> 0:28:26.040
<v Speaker 3>that probably freaked you out more than it should because

0:28:26.080 --> 0:28:29.879
<v Speaker 3>mine was Grimlins. The first time I watched Grimlins, I

0:28:29.880 --> 0:28:33.560
<v Speaker 3>didn't want to feed anything, humans, animals, anything near midnight.

0:28:34.119 --> 0:28:36.680
<v Speaker 3>That movie freaked me out so bad that I didn't

0:28:36.720 --> 0:28:38.560
<v Speaker 3>like scary movies. I still don't like scary movies. No

0:28:38.640 --> 0:28:41.800
<v Speaker 3>horror for me. But Gremlins was the one that scarred

0:28:41.800 --> 0:28:44.280
<v Speaker 3>me as a kid. And when we had dogs, I

0:28:44.280 --> 0:28:46.120
<v Speaker 3>would the closer I got to midnight, I don't want

0:28:46.120 --> 0:28:47.480
<v Speaker 3>to feed them, just just in case they did what

0:28:47.520 --> 0:28:50.840
<v Speaker 3>the Gremlins did, which they turned from Grimlins, like what

0:28:50.840 --> 0:28:51.280
<v Speaker 3>were they called it?

0:28:51.600 --> 0:28:54.160
<v Speaker 4>Guys, the gizmo would turn into.

0:28:53.960 --> 0:28:58.440
<v Speaker 3>Like a crazy They haven't remade that movie because that.

0:28:58.440 --> 0:28:59.600
<v Speaker 4>Was that's pretty good.

0:28:59.720 --> 0:29:00.840
<v Speaker 7>I was great movie.

0:29:00.880 --> 0:29:03.280
<v Speaker 3>Yeah, so that mine's Gremlins. Amy, any movie is a

0:29:03.360 --> 0:29:06.160
<v Speaker 3>kid that's scard you candy Man, that's a real scary one.

0:29:06.400 --> 0:29:06.560
<v Speaker 11>Yeah.

0:29:06.560 --> 0:29:08.120
<v Speaker 8>I mean it was scary, so it should have scarred me.

0:29:08.160 --> 0:29:12.720
<v Speaker 5>But mind mon even scary like go in a bathroom

0:29:12.760 --> 0:29:14.800
<v Speaker 5>with a mirror and you know, and then of course

0:29:14.920 --> 0:29:16.680
<v Speaker 5>my sister and her friends they would do that and

0:29:16.760 --> 0:29:18.560
<v Speaker 5>be like Amy, Common would be like say, candy Man

0:29:18.600 --> 0:29:20.600
<v Speaker 5>in the mirrors and it just freaked me out. Anytime

0:29:20.600 --> 0:29:21.800
<v Speaker 5>I would have to go to the bathroom after that

0:29:21.840 --> 0:29:22.200
<v Speaker 5>in the dark.

0:29:22.280 --> 0:29:24.320
<v Speaker 4>What do you say, candy man, like three times and.

0:29:24.240 --> 0:29:25.120
<v Speaker 8>You turn or something.

0:29:25.280 --> 0:29:28.680
<v Speaker 13>Yeah, don't do it.

0:29:27.320 --> 0:29:30.600
<v Speaker 3>It's not real. Lunchbox. Any movie as a kid that

0:29:31.000 --> 0:29:34.560
<v Speaker 3>there was a couple scar The Stuff. Oh, that was

0:29:34.560 --> 0:29:38.160
<v Speaker 3>the worst movie scary about yogurt.

0:29:38.160 --> 0:29:40.760
<v Speaker 10>Hold on, hold on, you're telling me, as a six

0:29:40.920 --> 0:29:43.200
<v Speaker 10>or seven year old you watched that you wouldn't be

0:29:43.360 --> 0:29:44.600
<v Speaker 10>terrified to eat yogurt?

0:29:44.600 --> 0:29:47.520
<v Speaker 3>And like you, I thought all our listeners the quick

0:29:47.560 --> 0:29:49.320
<v Speaker 3>story of what the Stuff is about?

0:29:49.360 --> 0:29:51.440
<v Speaker 7>The Stuff is the scariest movie of all time.

0:29:51.520 --> 0:29:54.080
<v Speaker 10>And it is like this yogurt the government makes it

0:29:54.120 --> 0:29:57.200
<v Speaker 10>to take over your body, and it's in this one

0:29:57.240 --> 0:29:58.400
<v Speaker 10>town and these two kids.

0:29:58.400 --> 0:29:59.800
<v Speaker 7>This one kid's like, I'm not going to eat it.

0:30:00.040 --> 0:30:02.240
<v Speaker 7>Whole family'es like you will eat the yogurt and he's.

0:30:02.160 --> 0:30:05.400
<v Speaker 10>Like putting it down the toilet and it comes alive

0:30:05.520 --> 0:30:06.560
<v Speaker 10>and tries to eat you.

0:30:07.360 --> 0:30:11.000
<v Speaker 7>Terrifying as a kid. Another one, Children of the.

0:30:10.920 --> 0:30:15.360
<v Speaker 10>Corn, Oh, that was legitimately scar my goodness. Anytime we'd

0:30:15.400 --> 0:30:18.959
<v Speaker 10>drive my corn, I'm oh, go go goat. So scary

0:30:19.040 --> 0:30:22.840
<v Speaker 10>all Corn You're Out, Nightmare on Elm Street scary, But I.

0:30:22.840 --> 0:30:24.560
<v Speaker 3>Would say those were actually scary movie.

0:30:24.720 --> 0:30:25.960
<v Speaker 7>I'm just telling you you don't.

0:30:26.040 --> 0:30:27.840
<v Speaker 3>Juice to her was like, I don't watch it to

0:30:27.880 --> 0:30:29.640
<v Speaker 3>freak me out. Gremlins to me, I don't watch it

0:30:29.640 --> 0:30:32.280
<v Speaker 3>a freaking out like yours are like normal, healthy. You

0:30:32.280 --> 0:30:33.720
<v Speaker 3>shouldn't be watching those as kids anyway.

0:30:33.760 --> 0:30:35.080
<v Speaker 7>Oh, Keith may just watch them.

0:30:35.320 --> 0:30:36.800
<v Speaker 8>I'm trying to think of a normal teeth.

0:30:36.800 --> 0:30:40.640
<v Speaker 3>He didn't call teeth, Keith. No anything for you.

0:30:40.640 --> 0:30:44.240
<v Speaker 4>You guys, remember Christine is Scary is Stephen King movie.

0:30:44.240 --> 0:30:46.760
<v Speaker 6>And it was like an old fifties car that like

0:30:46.840 --> 0:30:48.760
<v Speaker 6>came alive and it would start with like an oldie

0:30:48.760 --> 0:30:51.760
<v Speaker 6>song like twisted and shout, and then the lights came

0:30:51.760 --> 0:30:52.080
<v Speaker 6>on and.

0:30:52.000 --> 0:30:52.760
<v Speaker 4>It killed people.

0:30:53.080 --> 0:30:53.400
<v Speaker 7>Dude.

0:30:53.440 --> 0:30:56.200
<v Speaker 4>That freaked me out. Man, that car would just drive

0:30:56.240 --> 0:31:00.840
<v Speaker 4>on its own. Dude, just run over people. It's like yogurt, yogurt, no.

0:31:00.720 --> 0:31:01.800
<v Speaker 3>Way, Morgan anything.

0:31:02.000 --> 0:31:03.280
<v Speaker 2>Yeah, mine was Casper.

0:31:03.840 --> 0:31:06.800
<v Speaker 3>Now see now we're talking the friendly ghost. Heck, yeah, man,

0:31:06.960 --> 0:31:07.880
<v Speaker 3>he was friendly, but are.

0:31:07.760 --> 0:31:08.520
<v Speaker 8>You still a ghost?

0:31:08.520 --> 0:31:09.680
<v Speaker 2>So after I watched it, I thought there were a

0:31:09.680 --> 0:31:11.720
<v Speaker 2>ghosts everywhere, and I thought a Casper is gonna pop

0:31:11.800 --> 0:31:13.440
<v Speaker 2>up every time I was walking around the house and

0:31:13.480 --> 0:31:14.680
<v Speaker 2>I was like, is there Casper?

0:31:14.760 --> 0:31:15.120
<v Speaker 5>Is this real?

0:31:15.160 --> 0:31:16.000
<v Speaker 7>I thought it was legit?

0:31:16.320 --> 0:31:18.280
<v Speaker 3>How friendly is he really? Yeah?

0:31:18.400 --> 0:31:19.080
<v Speaker 8>He wasn't friend.

0:31:19.800 --> 0:31:22.480
<v Speaker 4>He's friendly, he'pposedly, but he can get anywhere.

0:31:22.840 --> 0:31:25.600
<v Speaker 3>Completely agree. I felt on a Casper RAYMONDO. Anybody with

0:31:25.600 --> 0:31:27.680
<v Speaker 3>the freak jaz as a kid, mine's kind of embarrassing.

0:31:27.720 --> 0:31:30.480
<v Speaker 3>But Jumanji. Now we're talking with the Ouiji board.

0:31:30.520 --> 0:31:32.280
<v Speaker 18>And my mom told me how evil it was, and

0:31:32.320 --> 0:31:33.880
<v Speaker 18>she said, if your friends ever tried to do that

0:31:33.920 --> 0:31:36.920
<v Speaker 18>Ouiji board, don't because that's when the evil spirits come out.

0:31:36.920 --> 0:31:38.680
<v Speaker 18>And so my friend it was super popular. It made

0:31:38.720 --> 0:31:40.560
<v Speaker 18>it in middle school. So they would all grab a

0:31:40.560 --> 0:31:42.160
<v Speaker 18>Wiji board and I just go in the other room.

0:31:42.680 --> 0:31:44.400
<v Speaker 18>I told mom, I wasn't a part of it.

0:31:44.600 --> 0:31:45.440
<v Speaker 13>They did it, so.

0:31:45.320 --> 0:31:48.440
<v Speaker 3>You'd let yourself out, you'd shug yourself out if they wuiji. Yeah,

0:31:48.440 --> 0:31:51.360
<v Speaker 3>it was very terrified of it. We never wiji boarded.

0:31:52.040 --> 0:31:53.720
<v Speaker 3>We were too scared of that stuff in general, Like,

0:31:53.720 --> 0:31:55.600
<v Speaker 3>we didn't do that. But it's funny that Ray would

0:31:55.960 --> 0:31:58.640
<v Speaker 3>leave the room as his friends did it. Thank you guys.

0:31:58.880 --> 0:32:01.200
<v Speaker 3>You guys are all normal. We're all screwed.

0:32:01.280 --> 0:32:02.040
<v Speaker 11>Up, that's true.

0:32:02.080 --> 0:32:04.040
<v Speaker 3>We let normal movies mess with their heads. Let's do

0:32:04.080 --> 0:32:06.040
<v Speaker 3>Bailey Zimmerman. Where it is Bobby Bone Show.

0:32:07.400 --> 0:32:11.160
<v Speaker 1>It's the best Bits of the week with Morgan. Number two.

0:32:14.000 --> 0:32:16.000
<v Speaker 2>A listener called in and she's the reason why we

0:32:16.040 --> 0:32:18.959
<v Speaker 2>did this segment. Right here. We had some scams that

0:32:19.000 --> 0:32:20.840
<v Speaker 2>we've all fallen for over the course of the years,

0:32:21.080 --> 0:32:23.840
<v Speaker 2>but she wanted us to talk about the worst scams

0:32:23.880 --> 0:32:26.520
<v Speaker 2>each of us on the show had fallen for. And

0:32:26.560 --> 0:32:29.280
<v Speaker 2>there's some really funny ones. And you may think it's

0:32:29.320 --> 0:32:31.880
<v Speaker 2>Amy that has the worst one, but she wasn't.

0:32:32.280 --> 0:32:32.880
<v Speaker 1>Number four.

0:32:33.000 --> 0:32:35.600
<v Speaker 3>Let's go to Jarra and Florida. Hey, Jara, you're on

0:32:35.640 --> 0:32:36.440
<v Speaker 3>the show. What's going on?

0:32:36.600 --> 0:32:41.000
<v Speaker 17>Hio? Okay? So I just have a question, almost wondering

0:32:41.080 --> 0:32:43.440
<v Speaker 17>if you guys could do a segment of the worst

0:32:43.480 --> 0:32:46.200
<v Speaker 17>scams that he's fallen for. And the reason I say

0:32:46.280 --> 0:32:49.800
<v Speaker 17>this because remember like a year ago when Amy fell

0:32:49.880 --> 0:32:52.080
<v Speaker 17>for the scam. I think it was like a prisoner

0:32:52.160 --> 0:32:53.880
<v Speaker 17>had just gotten out and he came to the door

0:32:54.440 --> 0:32:57.160
<v Speaker 17>and he was selling Amy something and Amy cried with him,

0:32:57.640 --> 0:33:00.000
<v Speaker 17>and Amy gains the person her credit pard number.

0:33:01.040 --> 0:33:03.959
<v Speaker 19>Yeah, and then she bought the magazines that never really happened,

0:33:04.440 --> 0:33:09.440
<v Speaker 19>wasn't magazine never really happened? Yeah, I think we could

0:33:09.440 --> 0:33:11.760
<v Speaker 19>spend an hour on Amy's yeah alone.

0:33:11.520 --> 0:33:13.360
<v Speaker 8>That one right there is probably my worst.

0:33:13.640 --> 0:33:17.240
<v Speaker 3>You think, what about the cat? Oh yeah, Amy bought

0:33:17.240 --> 0:33:21.520
<v Speaker 3>like this really expensive cat, but hyperde h it was

0:33:21.560 --> 0:33:23.560
<v Speaker 3>a deposit. Yeah, she gave a deposit and then then

0:33:23.600 --> 0:33:25.440
<v Speaker 3>she never got the cat, and then we went after

0:33:25.520 --> 0:33:26.640
<v Speaker 3>him on the show and all of a sudden she

0:33:26.680 --> 0:33:28.440
<v Speaker 3>got her deposit back, but like they weren't going to

0:33:28.480 --> 0:33:29.280
<v Speaker 3>give it back to her.

0:33:29.440 --> 0:33:31.520
<v Speaker 7>No chance. That was the biggest scam ever she had

0:33:31.560 --> 0:33:32.200
<v Speaker 7>scam for that.

0:33:32.320 --> 0:33:33.240
<v Speaker 8>They were in Louisiana.

0:33:33.440 --> 0:33:36.400
<v Speaker 3>That was a tough one. Yeah, I mean I've been

0:33:36.480 --> 0:33:39.400
<v Speaker 3>very fortunate as far as like scams and links for me.

0:33:40.000 --> 0:33:41.960
<v Speaker 3>Somebody used my credit card a bow Jangles last week

0:33:41.960 --> 0:33:44.480
<v Speaker 3>and I canceled it immediately. Really yeah, you were gone,

0:33:44.480 --> 0:33:45.840
<v Speaker 3>And I was like, some is my credit card a

0:33:45.880 --> 0:33:48.640
<v Speaker 3>bo Jangles? Canceled? Canceled, cancel, But I think my number

0:33:48.720 --> 0:33:50.120
<v Speaker 3>just got out and I have LifeLock.

0:33:50.240 --> 0:33:52.120
<v Speaker 4>No one went to bow Jangles. Your wife didn't go

0:33:52.120 --> 0:33:52.640
<v Speaker 4>to bo Janles.

0:33:52.640 --> 0:33:55.120
<v Speaker 3>I hit her up. You have Bojangles? Nope, I canceled

0:33:55.160 --> 0:33:58.960
<v Speaker 3>a card. Uh so I think my lunchbox back in

0:33:59.000 --> 0:34:01.760
<v Speaker 3>the day day maybe was the first one to get

0:34:01.840 --> 0:34:04.360
<v Speaker 3>semi scam because he clicked the link. He thought he

0:34:04.400 --> 0:34:04.920
<v Speaker 3>was on the news.

0:34:04.960 --> 0:34:07.200
<v Speaker 7>Hey, look, you were on the news. What I was

0:34:07.200 --> 0:34:10.359
<v Speaker 7>on the news? No, it wasn't me, but.

0:34:10.360 --> 0:34:11.560
<v Speaker 3>It's just a link. They were fished.

0:34:11.840 --> 0:34:14.399
<v Speaker 4>Oh they got him good, like trying to get.

0:34:14.320 --> 0:34:17.080
<v Speaker 8>Him the biggest. That doesn't come off as scam. Scam,

0:34:17.120 --> 0:34:17.840
<v Speaker 8>but it definitely.

0:34:17.920 --> 0:34:20.480
<v Speaker 5>Ray got scammed when he thought he was modeling for

0:34:20.880 --> 0:34:23.280
<v Speaker 5>Express and he showed up and took pictures in a basement.

0:34:23.800 --> 0:34:24.600
<v Speaker 8>That's a scam.

0:34:25.000 --> 0:34:26.799
<v Speaker 3>Different a good job of putting it right now, because

0:34:26.800 --> 0:34:28.760
<v Speaker 3>it's good off you, because this is the worst, definitely

0:34:28.800 --> 0:34:32.640
<v Speaker 3>the worst. Ray was approached by a photographer. It was like, hey,

0:34:32.640 --> 0:34:35.960
<v Speaker 3>I'm shooting for Express the store in the mall. Yeah,

0:34:36.000 --> 0:34:37.680
<v Speaker 3>and so would come down in my basement and Ray

0:34:37.680 --> 0:34:40.600
<v Speaker 3>got in his underwear and liked on the bed and

0:34:40.640 --> 0:34:44.759
<v Speaker 3>took all these pictures and just his underwear. They never

0:34:45.200 --> 0:34:49.719
<v Speaker 3>ever surfaced. They weird, never made the magazine, never was

0:34:49.719 --> 0:34:52.160
<v Speaker 3>in a pamphlet. The guy. We don't even know if

0:34:52.160 --> 0:34:54.480
<v Speaker 3>the guy was actually a photographer or if the camera

0:34:54.480 --> 0:34:54.920
<v Speaker 3>had film.

0:34:55.280 --> 0:34:59.359
<v Speaker 8>I mean, I'm sure it had film documenting.

0:34:59.000 --> 0:35:02.640
<v Speaker 3>Looking back ray, Yeah, pretty like do you hate kind

0:35:02.640 --> 0:35:05.319
<v Speaker 3>of hate that that happened for sure? Scammed? Yeah, and

0:35:05.360 --> 0:35:06.400
<v Speaker 3>it was a learning experience.

0:35:06.520 --> 0:35:08.040
<v Speaker 8>Yeah yeah, what does this mean?

0:35:08.080 --> 0:35:10.280
<v Speaker 3>Like you were there like naked basically.

0:35:10.400 --> 0:35:10.600
<v Speaker 7>Yeah.

0:35:10.600 --> 0:35:12.480
<v Speaker 18>And then after the fact I did realize that's the

0:35:12.520 --> 0:35:14.399
<v Speaker 18>reason he wanted me to drink, you know.

0:35:14.760 --> 0:35:16.439
<v Speaker 4>Oh wow, he wanted you to drink.

0:35:16.520 --> 0:35:18.279
<v Speaker 18>Well, he said there's a Fridge're gonna have drinks. You're

0:35:18.320 --> 0:35:20.640
<v Speaker 18>more comfortable when you're drinking.

0:35:22.120 --> 0:35:26.359
<v Speaker 3>And so how unclothed did you get my underwear? And

0:35:26.400 --> 0:35:28.640
<v Speaker 3>like you were laying in the bed like spread eagle,

0:35:29.239 --> 0:35:31.239
<v Speaker 3>like were you like doing like on all fours? Like?

0:35:31.239 --> 0:35:33.080
<v Speaker 3>How was he having you modeled the underwear.

0:35:33.080 --> 0:35:34.759
<v Speaker 7>Normally they wanted to.

0:35:34.800 --> 0:35:36.239
<v Speaker 18>I guess he was sitting there trying to promote it

0:35:36.280 --> 0:35:38.799
<v Speaker 18>as a lounge wear. So but all this stuff now

0:35:38.920 --> 0:35:41.600
<v Speaker 18>this that everybody's wearing, all this relaxed fit clothing.

0:35:41.680 --> 0:35:43.600
<v Speaker 3>I was the start of it years ago with this guy.

0:35:43.920 --> 0:35:45.480
<v Speaker 18>And he said people are going to now be more

0:35:45.560 --> 0:35:48.160
<v Speaker 18>comfortable and underwear and briefs and stuff like that on

0:35:48.200 --> 0:35:48.680
<v Speaker 18>their couch.

0:35:48.840 --> 0:35:50.400
<v Speaker 3>So that's how it was modeling. And so you were

0:35:50.400 --> 0:35:52.640
<v Speaker 3>wearing briefs on a couch and was he getting really

0:35:52.680 --> 0:35:54.480
<v Speaker 3>close to you, like take a picture like close ups?

0:35:54.560 --> 0:35:56.799
<v Speaker 18>Yeah, it was for a magazine, but it was it

0:35:56.840 --> 0:35:58.719
<v Speaker 18>was You can't argue that, but yes, yes.

0:35:58.680 --> 0:36:00.480
<v Speaker 4>Was there anyone else there? Ray like it was just

0:36:00.520 --> 0:36:01.160
<v Speaker 4>you two, like.

0:36:01.120 --> 0:36:02.080
<v Speaker 3>A lighting director?

0:36:02.640 --> 0:36:04.640
<v Speaker 18>No, it's just him, But he did say there were

0:36:04.680 --> 0:36:06.160
<v Speaker 18>other people getting filmed later in the sh.

0:36:09.640 --> 0:36:12.480
<v Speaker 3>Was there any chance that you were changing and there

0:36:12.480 --> 0:36:15.360
<v Speaker 3>were pictures taking a view that you didn't know? Eh?

0:36:15.680 --> 0:36:18.760
<v Speaker 18>I think that was before webcams and secrets stuff like that. Okay,

0:36:19.600 --> 0:36:21.320
<v Speaker 18>I think that's been the leader in the clubhouse of

0:36:21.400 --> 0:36:24.960
<v Speaker 18>in the past. How we yere, Eddie, have any you've

0:36:24.960 --> 0:36:25.680
<v Speaker 18>been scammed? Nah?

0:36:25.760 --> 0:36:28.200
<v Speaker 4>I just remember when we were moving to Nashville.

0:36:28.320 --> 0:36:31.040
<v Speaker 6>I saw a house for rent for like two hundred

0:36:31.040 --> 0:36:33.200
<v Speaker 6>dollars a month and it was awesome and it was huge,

0:36:33.600 --> 0:36:35.319
<v Speaker 6>and then when I called them, they were like, no,

0:36:35.480 --> 0:36:37.439
<v Speaker 6>this is not for rent and it ended up being yeah,

0:36:37.640 --> 0:36:41.279
<v Speaker 6>Nigerian prince. So but I called the real owner and

0:36:41.280 --> 0:36:42.359
<v Speaker 6>they're like, this is not for rent.

0:36:42.400 --> 0:36:44.120
<v Speaker 3>So this is you were interested in the scam?

0:36:44.160 --> 0:36:45.680
<v Speaker 4>Oh? I was ready to do it.

0:36:45.760 --> 0:36:46.719
<v Speaker 3>Yeah, that sounds pretty fun.

0:36:46.719 --> 0:36:48.359
<v Speaker 4>I'd had a good deal, yeah, but I didn't fall

0:36:48.400 --> 0:36:48.640
<v Speaker 4>for it.

0:36:48.719 --> 0:36:50.239
<v Speaker 3>Lunchbox had seen a new one. What was it?

0:36:50.640 --> 0:36:53.680
<v Speaker 10>I got a text message and it says, hello, my

0:36:53.800 --> 0:36:55.600
<v Speaker 10>name is Evelyn Thornton and I'm a recruiter.

0:36:55.600 --> 0:36:56.520
<v Speaker 7>It's simply hired.

0:36:56.960 --> 0:37:00.239
<v Speaker 10>We offer full time and part time jobs, and you've

0:37:00.239 --> 0:37:03.120
<v Speaker 10>had your resume sent to us and recommended by several

0:37:03.440 --> 0:37:06.160
<v Speaker 10>online recruiters, so we'd like to offer you a part

0:37:06.160 --> 0:37:08.920
<v Speaker 10>time job or full time, depending on what you're interested in.

0:37:09.239 --> 0:37:11.840
<v Speaker 10>The work is simple and all you needed is a

0:37:11.840 --> 0:37:14.239
<v Speaker 10>smartphone computer to get the job done.

0:37:14.440 --> 0:37:17.799
<v Speaker 7>Daily wages range from two D and stuff. But like,

0:37:17.960 --> 0:37:19.640
<v Speaker 7>but then it clicked, you click a link?

0:37:19.760 --> 0:37:20.719
<v Speaker 3>Yeah did you click it?

0:37:20.920 --> 0:37:24.280
<v Speaker 10>No, because here's my thing. I don't have a resume,

0:37:26.120 --> 0:37:29.719
<v Speaker 10>so I knew that wasn't for me. But I thought

0:37:29.760 --> 0:37:31.439
<v Speaker 10>if you were looking for a job and you would

0:37:31.440 --> 0:37:34.800
<v Speaker 10>set your resume out, you would think, oh, man, that's awesome.

0:37:34.880 --> 0:37:37.040
<v Speaker 10>Someone has contacted me about a job.

0:37:36.920 --> 0:37:38.600
<v Speaker 3>Or this actually could be a thing and they just

0:37:38.640 --> 0:37:39.560
<v Speaker 3>have the wrong number down.

0:37:39.760 --> 0:37:42.040
<v Speaker 5>Yeah, I think they're shooting their shot. Maybe they're spreading

0:37:42.040 --> 0:37:42.480
<v Speaker 5>the net.

0:37:42.680 --> 0:37:45.320
<v Speaker 3>Wait, this wasn't a scam. It's more of a catfish.

0:37:45.360 --> 0:37:47.480
<v Speaker 3>I got catfish and I was like, twenty six, Oh,

0:37:47.600 --> 0:37:49.239
<v Speaker 3>this I thought it was a guest jenes model who

0:37:49.280 --> 0:37:51.160
<v Speaker 3>wanted to say what up? And like I talked to her,

0:37:51.239 --> 0:37:54.000
<v Speaker 3>but a webcam was always broken. Breathe yeah, and then

0:37:54.040 --> 0:37:56.240
<v Speaker 3>turns out as a dude who was like getting money

0:37:56.239 --> 0:37:57.200
<v Speaker 3>from other men.

0:37:57.560 --> 0:38:00.080
<v Speaker 4>Didn't make the newsers the news make story.

0:38:00.160 --> 0:38:02.919
<v Speaker 3>And I luckily didn't mean I didn't pay him that much,

0:38:03.000 --> 0:38:05.200
<v Speaker 3>but so it was just that much, no nothing, but

0:38:05.239 --> 0:38:06.560
<v Speaker 3>I brought him on the air. I think it was

0:38:06.600 --> 0:38:07.959
<v Speaker 3>a girl to prove to them. I was like, guys,

0:38:07.960 --> 0:38:10.399
<v Speaker 3>you'll never believe somebody actually likes me a guest jeans model,

0:38:10.400 --> 0:38:11.959
<v Speaker 3>and they were like, no way. And then we put

0:38:12.000 --> 0:38:14.200
<v Speaker 3>her on and she came on the show sound a

0:38:14.280 --> 0:38:17.360
<v Speaker 3>drunkest crap came on the show, And turned out it

0:38:17.440 --> 0:38:20.239
<v Speaker 3>was like a really small man who had made a

0:38:20.280 --> 0:38:21.040
<v Speaker 3>lot of money off the sea.

0:38:21.160 --> 0:38:23.800
<v Speaker 8>I mean, lots of people we know.

0:38:24.440 --> 0:38:25.120
<v Speaker 3>We're pretty scared.

0:38:25.920 --> 0:38:27.080
<v Speaker 8>You got caught up in that.

0:38:27.200 --> 0:38:28.960
<v Speaker 3>I think it caught up because nothing happened to me.

0:38:29.360 --> 0:38:30.200
<v Speaker 8>You were in it.

0:38:30.280 --> 0:38:34.560
<v Speaker 5>Though he got mad when we were like Bobby, we

0:38:34.560 --> 0:38:37.680
<v Speaker 5>were questioning this guest Jean's model being into.

0:38:39.440 --> 0:38:44.920
<v Speaker 3>Because nobody ever wanted to go on oh yes, And

0:38:45.160 --> 0:38:47.880
<v Speaker 3>I was like I wasn't mad at you. I was

0:38:48.480 --> 0:38:51.440
<v Speaker 3>so happy for me because it was like you.

0:38:51.360 --> 0:38:53.360
<v Speaker 8>Were defensive, we were questioning.

0:38:53.719 --> 0:38:55.920
<v Speaker 3>I was like, I can't there's finally a girl that

0:38:56.080 --> 0:38:58.200
<v Speaker 3>likes me, and you guys are fight That's what it was.

0:38:58.239 --> 0:39:00.920
<v Speaker 3>I felt so insulted. This is the story here from

0:39:00.960 --> 0:39:03.560
<v Speaker 3>twenty ten. They had been in contact for months from

0:39:03.560 --> 0:39:06.880
<v Speaker 3>ABC News when the woman who identified herself as bre

0:39:06.920 --> 0:39:10.239
<v Speaker 3>Condon made the first request for money. Mark Puelo said

0:39:10.239 --> 0:39:13.480
<v Speaker 3>they met online exchange telephone calls and emails. Brie had

0:39:13.520 --> 0:39:15.400
<v Speaker 3>sent pictures of herself, but they'd never met in person.

0:39:15.640 --> 0:39:18.880
<v Speaker 3>According to the AFFI David, he had sent ten thousand

0:39:18.920 --> 0:39:21.839
<v Speaker 3>dollars to bre Condon. Luckily I was broke in I'll

0:39:21.880 --> 0:39:23.440
<v Speaker 3>be honest with you because that might have been a

0:39:23.440 --> 0:39:25.320
<v Speaker 3>different story then. But yeah, I was just so insulted

0:39:25.360 --> 0:39:27.239
<v Speaker 3>because there were no girls that wanted to date me,

0:39:27.400 --> 0:39:29.160
<v Speaker 3>and finally there was a model, and they were like

0:39:29.200 --> 0:39:30.560
<v Speaker 3>there's no chance, and I was like, you guys are

0:39:30.600 --> 0:39:33.600
<v Speaker 3>so mean, and there was a little man. Oh it's

0:39:33.640 --> 0:39:36.000
<v Speaker 3>a little man. But yeah, Jar, we've been through it

0:39:36.000 --> 0:39:36.759
<v Speaker 3>a little bit over here.

0:39:37.760 --> 0:39:39.640
<v Speaker 17>Well, thank you for so much for sharing your story.

0:39:39.800 --> 0:39:42.080
<v Speaker 3>You brought up a lot of hurt, a lot of pasts,

0:39:42.120 --> 0:39:44.520
<v Speaker 3>a lot of hurt that this is kind of still there.

0:39:44.760 --> 0:39:46.279
<v Speaker 3>I hope you have a great day, Jar Thank you

0:39:46.280 --> 0:39:48.960
<v Speaker 3>for listening to the show. You all right, see you later.

0:39:50.280 --> 0:39:53.480
<v Speaker 1>It's the best Bits of the Week with Morgan.

0:39:53.560 --> 0:39:56.960
<v Speaker 2>Number two Thomas rat stop by the studio. He has

0:39:56.960 --> 0:39:58.440
<v Speaker 2>a new album out and it was super fun to

0:39:58.480 --> 0:40:00.480
<v Speaker 2>hear about all the new music. Not only that, he

0:40:00.480 --> 0:40:03.280
<v Speaker 2>also talked about his wife Lauren in the beginning stages

0:40:03.320 --> 0:40:06.520
<v Speaker 2>of their relationship. Also, they had just went to Africa

0:40:06.560 --> 0:40:09.480
<v Speaker 2>and took their daughter for her first trip. So really

0:40:09.520 --> 0:40:11.480
<v Speaker 2>fun stuff here with Thomas rhtt In's studio.

0:40:12.040 --> 0:40:16.799
<v Speaker 1>Number three on the Bobby Bones Show. Now Thomas rhett.

0:40:16.640 --> 0:40:19.839
<v Speaker 3>His new album is out today. When you do a

0:40:19.880 --> 0:40:22.480
<v Speaker 3>new record, it's don't know. Do you try to always

0:40:22.520 --> 0:40:27.200
<v Speaker 3>present a slightly new version of yourself or is it

0:40:27.280 --> 0:40:29.400
<v Speaker 3>just you're a different person because you've actually matured with

0:40:29.480 --> 0:40:31.920
<v Speaker 3>age and experience and it just comes out a new

0:40:31.920 --> 0:40:34.839
<v Speaker 3>person of yourself, like a version maybe both.

0:40:34.960 --> 0:40:36.520
<v Speaker 20>I mean I feel like I try to write you

0:40:36.520 --> 0:40:38.279
<v Speaker 20>know where I'm at in life, and I think right

0:40:38.280 --> 0:40:41.040
<v Speaker 20>now I'm in a fun season of life, like all

0:40:41.080 --> 0:40:43.279
<v Speaker 20>my kids are in school, for the first time ever,

0:40:43.320 --> 0:40:45.560
<v Speaker 20>and so I feel like Lauren and I just kind

0:40:45.560 --> 0:40:48.400
<v Speaker 20>of are freer these days. And so I think I

0:40:48.400 --> 0:40:50.080
<v Speaker 20>think whatever I'm kind of going through in life sort

0:40:50.120 --> 0:40:51.839
<v Speaker 20>of translates in music. But I think when it comes

0:40:51.880 --> 0:40:54.640
<v Speaker 20>to making records, I feel like it's always trying to

0:40:54.680 --> 0:40:56.760
<v Speaker 20>be progressive while remaining authentic.

0:40:57.440 --> 0:40:59.320
<v Speaker 3>The album is about a woman, and we're going to

0:40:59.360 --> 0:41:01.520
<v Speaker 3>play some songs out as we talk, But Ray, would

0:41:01.560 --> 0:41:03.120
<v Speaker 3>you give me an overdrive?

0:41:03.200 --> 0:41:05.200
<v Speaker 20>I would say that this song is a pretty accurate

0:41:05.239 --> 0:41:07.319
<v Speaker 20>story of my high school days.

0:41:07.360 --> 0:41:09.800
<v Speaker 11>If you will, do you have your Do you have

0:41:09.840 --> 0:41:12.000
<v Speaker 11>your first truck that you ever drove? Anybody have a

0:41:12.400 --> 0:41:13.600
<v Speaker 11>first vehicle that?

0:41:15.080 --> 0:41:16.560
<v Speaker 3>Yeah? Yours?

0:41:16.680 --> 0:41:16.880
<v Speaker 13>I do.

0:41:16.960 --> 0:41:17.640
<v Speaker 11>I bought it back.

0:41:17.800 --> 0:41:18.920
<v Speaker 3>Oh yeah, I remember when you did that.

0:41:18.960 --> 0:41:21.759
<v Speaker 11>I bought it back. And so I just I don't know.

0:41:21.800 --> 0:41:24.920
<v Speaker 20>When I hear this song, I smell you know, Abercrombie

0:41:24.960 --> 0:41:29.319
<v Speaker 20>and Fitch Fierce immediately, and I go straight back to

0:41:29.480 --> 0:41:31.600
<v Speaker 20>like nineties, two thousands, all rock, and.

0:41:31.560 --> 0:41:32.279
<v Speaker 11>I just I don't know.

0:41:32.320 --> 0:41:34.239
<v Speaker 20>I just can envision myself going to pick up Lauren

0:41:34.280 --> 0:41:36.960
<v Speaker 20>in that truck, and I don't know. I love nostalgia,

0:41:37.040 --> 0:41:40.880
<v Speaker 20>like I'm a sucker for cheesy high school football films

0:41:40.920 --> 0:41:43.600
<v Speaker 20>and you know, things that take me back to younger years,

0:41:43.600 --> 0:41:45.840
<v Speaker 20>and so this kind of checks all those boxes for me.

0:41:46.520 --> 0:41:50.000
<v Speaker 3>When you and Lauren were first dating, because I saw

0:41:50.040 --> 0:41:52.040
<v Speaker 3>the picture that one of you guys had posted recently,

0:41:52.040 --> 0:41:53.719
<v Speaker 3>it was like at a football game. Maybe it's been

0:41:53.760 --> 0:41:56.600
<v Speaker 3>posted a couple of times. Yeah, sure, did you guys

0:41:56.760 --> 0:41:59.680
<v Speaker 3>say outwardly we know we're gonna get married we're so

0:41:59.840 --> 0:42:02.160
<v Speaker 3>in love? Because I'm sure that cycled in and out.

0:42:02.239 --> 0:42:05.040
<v Speaker 3>And but was that always the thing with you two?

0:42:05.960 --> 0:42:06.279
<v Speaker 13>For her?

0:42:06.440 --> 0:42:07.600
<v Speaker 11>No, for me?

0:42:07.800 --> 0:42:09.719
<v Speaker 3>You say that to her like as a kid, I.

0:42:09.719 --> 0:42:10.480
<v Speaker 11>Don't, I don't think.

0:42:10.520 --> 0:42:12.600
<v Speaker 20>So we dated a little bit when we were like

0:42:12.640 --> 0:42:16.480
<v Speaker 20>sixteen years old, and you know, dated other people for

0:42:16.520 --> 0:42:18.319
<v Speaker 20>a long we didn't really get back together until we

0:42:18.320 --> 0:42:19.439
<v Speaker 20>were like twenty one, twenty two.

0:42:19.640 --> 0:42:21.799
<v Speaker 3>When you were dating at sixteen, though, did you feel

0:42:21.800 --> 0:42:23.240
<v Speaker 3>like this is the person I'm gonna marry.

0:42:23.920 --> 0:42:26.239
<v Speaker 11>I mean I probably thought about it, you know.

0:42:27.160 --> 0:42:30.520
<v Speaker 3>Yeah, that just it just feels like in hindsight, you

0:42:30.520 --> 0:42:31.600
<v Speaker 3>guys have always been together.

0:42:31.640 --> 0:42:33.799
<v Speaker 20>Even for sure, it feels that way old. I mean

0:42:33.800 --> 0:42:35.680
<v Speaker 20>we kind of even when we were dating other people,

0:42:35.719 --> 0:42:39.880
<v Speaker 20>we actually still double dated together. So like what, yeah,

0:42:40.160 --> 0:42:42.480
<v Speaker 20>you mean you went out, like we always remained really

0:42:42.520 --> 0:42:44.759
<v Speaker 20>good friends. And so I was dating somebody else and

0:42:44.800 --> 0:42:46.880
<v Speaker 20>she was dating somebody else. We would go to the

0:42:46.920 --> 0:42:49.560
<v Speaker 20>movie together, like go to Sonic together, like you know,

0:42:49.600 --> 0:42:52.000
<v Speaker 20>do the thing. So we always remained like really close.

0:42:52.160 --> 0:42:55.360
<v Speaker 3>Sounds a bit fishy, I feel what fish.

0:42:55.320 --> 0:42:57.880
<v Speaker 5>Whatever girl you've had with you how to be like,

0:42:57.960 --> 0:42:59.719
<v Speaker 5>oh my gosh, she's totally into this other girl.

0:43:00.239 --> 0:43:02.080
<v Speaker 20>There was There was a long time period where I

0:43:02.400 --> 0:43:04.600
<v Speaker 20>seriously did I completely had blocked it out of my mind.

0:43:05.160 --> 0:43:07.040
<v Speaker 20>But I think like later on, when I turned like,

0:43:07.120 --> 0:43:09.720
<v Speaker 20>you know, sophomore junior in college, I was just like, man,

0:43:10.320 --> 0:43:12.160
<v Speaker 20>you know, but I kind of thought she was going

0:43:12.239 --> 0:43:14.120
<v Speaker 20>to get married to somebody else. And we actually see

0:43:14.160 --> 0:43:16.720
<v Speaker 20>both of these people on a regular basis.

0:43:17.560 --> 0:43:21.160
<v Speaker 11>The girl that I dated, I see her at church

0:43:21.200 --> 0:43:23.120
<v Speaker 11>every Sunday, and uh.

0:43:23.200 --> 0:43:25.200
<v Speaker 20>And one of the guys or one of the one

0:43:25.200 --> 0:43:27.080
<v Speaker 20>of the guys that Lauren dated, he comes to all

0:43:27.080 --> 0:43:29.680
<v Speaker 20>of our like Halloween parties, Christmas parties, all the stuff.

0:43:29.719 --> 0:43:32.080
<v Speaker 11>So we see a lot more of like the people

0:43:32.120 --> 0:43:34.840
<v Speaker 11>that Lauren dated than I dated. So probably shows to

0:43:34.880 --> 0:43:37.840
<v Speaker 11>her character. She probably dated better people than me.

0:43:38.440 --> 0:43:42.239
<v Speaker 3>You guys have been together, even married for a while. Yeah,

0:43:42.239 --> 0:43:44.440
<v Speaker 3>how does she feel when you create something new and

0:43:44.480 --> 0:43:46.840
<v Speaker 3>you bring it home and you're like, check out this

0:43:47.000 --> 0:43:52.640
<v Speaker 3>song because it's even for my wife, And I say,

0:43:52.880 --> 0:43:55.360
<v Speaker 3>my wife loves me and supports me in every way. Sure,

0:43:55.480 --> 0:43:57.040
<v Speaker 3>And we were talking about my wife doesn't listen to

0:43:57.040 --> 0:43:58.799
<v Speaker 3>the show. She just does not care. She's like I

0:43:58.840 --> 0:44:02.200
<v Speaker 3>live with the show for sure. So I would say,

0:44:02.200 --> 0:44:03.200
<v Speaker 3>I would say it's similar.

0:44:03.640 --> 0:44:06.480
<v Speaker 20>I think like early on, she was with me a ton,

0:44:06.560 --> 0:44:09.160
<v Speaker 20>like before we got married. You know, Lauren graduated as

0:44:09.160 --> 0:44:12.160
<v Speaker 20>a nurse from the University of Tennessee, and when we

0:44:12.160 --> 0:44:15.040
<v Speaker 20>were going into marriage counseling, our counselor was like, I think,

0:44:15.120 --> 0:44:17.239
<v Speaker 20>y'all just need to like really be together your first

0:44:17.320 --> 0:44:19.839
<v Speaker 20>year of marriage. And so she was with me, like

0:44:19.960 --> 0:44:22.839
<v Speaker 20>with you know, seven other dudes on the bus, and

0:44:22.880 --> 0:44:24.920
<v Speaker 20>back then we were playing like two hundred and eighty

0:44:24.960 --> 0:44:26.759
<v Speaker 20>three hundred and something plus shows. So I mean she

0:44:26.840 --> 0:44:30.279
<v Speaker 20>got a full feel like twenty twelve, twenty thirteen on

0:44:30.320 --> 0:44:31.040
<v Speaker 20>the road.

0:44:32.560 --> 0:44:35.680
<v Speaker 11>But yeah, I used to play her like every.

0:44:35.360 --> 0:44:38.120
<v Speaker 20>Song that I would write, And now I don't even

0:44:38.160 --> 0:44:40.360
<v Speaker 20>really play her demos anymore. I wait till they're finished

0:44:40.360 --> 0:44:44.680
<v Speaker 20>because Lauren gets like severe demo demo sad. Yeah, I

0:44:44.680 --> 0:44:46.560
<v Speaker 20>remember when I wrote die Happy Man. I played her

0:44:46.560 --> 0:44:49.080
<v Speaker 20>the demo and then we went to the studio to

0:44:49.080 --> 0:44:51.640
<v Speaker 20>cut it. She was like, I hate this version, and

0:44:51.680 --> 0:44:55.319
<v Speaker 20>I was like, well, I can't put two am you

0:44:55.360 --> 0:44:58.560
<v Speaker 20>know bus bus vocal out on the radio. But anyway,

0:44:59.360 --> 0:45:01.200
<v Speaker 20>I've gotten the point where I'll finish the record now

0:45:01.239 --> 0:45:02.799
<v Speaker 20>and then I'll play it all for So.

0:45:03.000 --> 0:45:05.920
<v Speaker 3>What about this record sonically musically? Then people's ears are

0:45:05.960 --> 0:45:07.040
<v Speaker 3>they going to feel a bit different?

0:45:07.960 --> 0:45:08.160
<v Speaker 13>Man?

0:45:08.239 --> 0:45:10.080
<v Speaker 11>I worked with a different producer on this project.

0:45:10.719 --> 0:45:12.800
<v Speaker 3>I don't know if you explain what that because again

0:45:13.080 --> 0:45:14.719
<v Speaker 3>I think we all know we're in that world of

0:45:14.760 --> 0:45:16.600
<v Speaker 3>what a producer even is for sure? What is that?

0:45:16.600 --> 0:45:17.399
<v Speaker 11>That's kind of all over the place.

0:45:17.480 --> 0:45:18.759
<v Speaker 3>Yeah, yeah, What does that mean when you say work

0:45:18.800 --> 0:45:20.640
<v Speaker 3>with a new producer? How does that affect you and

0:45:20.680 --> 0:45:22.000
<v Speaker 3>what you're doing while you're in there.

0:45:22.480 --> 0:45:25.440
<v Speaker 20>I think that different producers use, you know, different sounds,

0:45:25.440 --> 0:45:29.279
<v Speaker 20>They come from different backgrounds, their influencers are different, and

0:45:29.320 --> 0:45:31.719
<v Speaker 20>so on this record. Dan Huff remained a constant on

0:45:31.760 --> 0:45:34.080
<v Speaker 20>this project. But my buddy Julian and Benetta. I don't

0:45:34.120 --> 0:45:37.200
<v Speaker 20>know if you think you know that Julian, but he started,

0:45:37.560 --> 0:45:39.760
<v Speaker 20>you know, maybe fifteen twenty years ago, and his first

0:45:39.800 --> 0:45:41.719
<v Speaker 20>big project that he worked on was like the One

0:45:41.719 --> 0:45:44.879
<v Speaker 20>Direction albums, and so like grew grew up in La,

0:45:45.120 --> 0:45:47.279
<v Speaker 20>did the whole LA thing. And now this year he

0:45:47.280 --> 0:45:49.920
<v Speaker 20>produced my record, produced the Sabrina Carpenter record and the

0:45:50.520 --> 0:45:51.600
<v Speaker 20>Teddy Swims project.

0:45:52.560 --> 0:45:53.920
<v Speaker 11>And so I feel like his ability to.

0:45:53.960 --> 0:45:56.239
<v Speaker 20>Kind of shift in between like all those different things

0:45:56.239 --> 0:45:58.759
<v Speaker 20>while having the wealth of knowledge that he has, he

0:45:58.840 --> 0:46:00.680
<v Speaker 20>kind of just came in and like, chackallenge me in

0:46:00.719 --> 0:46:04.200
<v Speaker 20>a bunch of different ways, musically, lyrically, sonically.

0:46:04.280 --> 0:46:06.960
<v Speaker 3>Challenge like if you have something that you like and

0:46:06.960 --> 0:46:09.160
<v Speaker 3>he's like, does he say, I think that can be better?

0:46:09.520 --> 0:46:11.440
<v Speaker 3>Like do you allow someone to challenge you?

0:46:11.440 --> 0:46:14.200
<v Speaker 20>Like, oh, dude, hundred percent. We do this thing called

0:46:14.200 --> 0:46:16.319
<v Speaker 20>the Firing Squad with each other. So me and him

0:46:16.320 --> 0:46:17.680
<v Speaker 20>and the couple people will sit around. I don't know

0:46:17.680 --> 0:46:19.799
<v Speaker 20>if y'all do this, but you should. We sit around

0:46:19.800 --> 0:46:22.200
<v Speaker 20>and we just pass the you know, the little speaker

0:46:22.239 --> 0:46:24.279
<v Speaker 20>around and we just play songs and we absolutely go

0:46:24.480 --> 0:46:27.000
<v Speaker 20>hard in the paint on what we either like or

0:46:27.040 --> 0:46:30.160
<v Speaker 20>can't stand about the song. So I feel like in

0:46:30.200 --> 0:46:32.600
<v Speaker 20>this right like every single song went through so many

0:46:32.680 --> 0:46:34.400
<v Speaker 20>rounds of like why do you like this? Why do

0:46:34.440 --> 0:46:36.560
<v Speaker 20>you not like this? I love the first verse, I

0:46:36.560 --> 0:46:38.600
<v Speaker 20>hate the second verse. The bridge could be better. So

0:46:39.160 --> 0:46:41.400
<v Speaker 20>I think having the time this go around, because I

0:46:41.400 --> 0:46:43.320
<v Speaker 20>had such a light touring year this year, it allowed

0:46:43.320 --> 0:46:45.560
<v Speaker 20>me to kind of like keep going back over to

0:46:45.640 --> 0:46:48.439
<v Speaker 20>Julian's house in tweaking melody and tweaking verses. And I've

0:46:48.440 --> 0:46:50.359
<v Speaker 20>never done that before. It's kind of always been like, well,

0:46:50.400 --> 0:46:52.480
<v Speaker 20>the song is done, that's what it's going to be.

0:46:52.880 --> 0:46:54.239
<v Speaker 20>A lot of these songs went through a bunch of

0:46:54.280 --> 0:46:56.880
<v Speaker 20>different rounds of just like fixing and tweaking until we

0:46:56.920 --> 0:46:58.000
<v Speaker 20>both felt like it was right.

0:46:58.080 --> 0:47:01.080
<v Speaker 3>So will you ever sing? And somebody like Julian or

0:47:01.080 --> 0:47:04.400
<v Speaker 3>whomever you trust, is like, do it again? That is

0:47:04.480 --> 0:47:06.440
<v Speaker 3>not it and you're like, no, I feel like that's

0:47:06.480 --> 0:47:09.560
<v Speaker 3>like and they push you and then maybe you hit

0:47:09.600 --> 0:47:11.440
<v Speaker 3>a spot, a new spot, or maybe you have to

0:47:11.480 --> 0:47:13.879
<v Speaker 3>chase the place you don't feel comfortable and does that happen?

0:47:13.560 --> 0:47:16.040
<v Speaker 20>It happened a lot on this project because I feel

0:47:16.040 --> 0:47:17.520
<v Speaker 20>like I really found my voice and I feel like

0:47:17.560 --> 0:47:18.319
<v Speaker 20>I know how I sing.

0:47:19.000 --> 0:47:20.200
<v Speaker 11>But he challenged me in a.

0:47:20.120 --> 0:47:22.280
<v Speaker 20>Bunch of different ways on this record, like on Boots,

0:47:22.320 --> 0:47:24.799
<v Speaker 20>which is like I think track maybe twelve or twelve

0:47:24.840 --> 0:47:27.879
<v Speaker 20>or thirteen. I think I told you this the other night,

0:47:27.880 --> 0:47:29.480
<v Speaker 20>but I sing it like me and he was just like,

0:47:29.520 --> 0:47:32.840
<v Speaker 20>I feel like your vocal is boring, And I was like,

0:47:32.880 --> 0:47:33.800
<v Speaker 20>what do you mean to do? And he was like,

0:47:33.840 --> 0:47:36.520
<v Speaker 20>I just want you to channel Elvis and Dwight Yoakam

0:47:36.600 --> 0:47:38.160
<v Speaker 20>right here, even if we don't use it, I just

0:47:38.200 --> 0:47:40.040
<v Speaker 20>want to hear what it sounds like. And so I

0:47:40.080 --> 0:47:42.400
<v Speaker 20>did it as a joke, and then I started living

0:47:42.440 --> 0:47:45.200
<v Speaker 20>with that, and all of a sudden, it became so

0:47:45.280 --> 0:47:48.200
<v Speaker 20>much more cooler. It just became cooler to me because

0:47:48.200 --> 0:47:49.880
<v Speaker 20>it was almost like I was playing a character for

0:47:49.920 --> 0:47:52.000
<v Speaker 20>the first time. I want a song like Can't Love

0:47:52.040 --> 0:47:54.360
<v Speaker 20>You Anymore? Like I always sing really full voice, and

0:47:54.400 --> 0:47:55.880
<v Speaker 20>you challenged me to sing in kind of like this

0:47:55.960 --> 0:47:59.880
<v Speaker 20>weird not whisper but not yelling kind of voice, and

0:48:00.000 --> 0:48:01.319
<v Speaker 20>so I feel like I feel like on a lot

0:48:01.320 --> 0:48:03.080
<v Speaker 20>of the tracks on this record, he kind of encouraged

0:48:03.120 --> 0:48:04.840
<v Speaker 20>me to kind of sing differently on a lot of

0:48:04.840 --> 0:48:06.840
<v Speaker 20>different things to kind of just keep making the record

0:48:06.840 --> 0:48:08.960
<v Speaker 20>interesting as you went down down the project.

0:48:09.000 --> 0:48:10.440
<v Speaker 3>So Ray, I want to hear a little bit of

0:48:10.440 --> 0:48:11.840
<v Speaker 3>boots that he was talking about.

0:48:11.640 --> 0:48:13.880
<v Speaker 20>Could have easily gone in there and just gone okay

0:48:14.080 --> 0:48:17.040
<v Speaker 20>to talk to the session players. Let's record a nineties

0:48:17.640 --> 0:48:19.799
<v Speaker 20>honky talk sound in song, and I'll sing you like me.

0:48:20.400 --> 0:48:22.439
<v Speaker 20>But then you start tweaking and you kind of get

0:48:22.440 --> 0:48:25.120
<v Speaker 20>more into this like rockabilly land, and then compaired with

0:48:25.160 --> 0:48:28.000
<v Speaker 20>like this, you know, kind of like zezy top, like

0:48:28.040 --> 0:48:29.920
<v Speaker 20>a hole, you know, like just kind of just getting

0:48:30.000 --> 0:48:32.879
<v Speaker 20>just more into into the song, and it just made

0:48:32.920 --> 0:48:34.160
<v Speaker 20>it so much more interesting to me.

0:48:34.320 --> 0:48:37.440
<v Speaker 3>So I'm gonna play which is the song that the

0:48:37.480 --> 0:48:40.520
<v Speaker 3>record is kind of named after, about a woman, So

0:48:40.880 --> 0:48:43.080
<v Speaker 3>give me a little something here before I go into this,

0:48:43.560 --> 0:48:45.719
<v Speaker 3>like what's I don't know when I talk about that?

0:48:45.760 --> 0:48:46.160
<v Speaker 3>What do you think?

0:48:46.200 --> 0:48:48.040
<v Speaker 11>What do you say with a song something a by

0:48:48.080 --> 0:48:48.359
<v Speaker 11>a woman?

0:48:48.480 --> 0:48:51.680
<v Speaker 20>Yeah, I feel like it is the song maybe I

0:48:51.719 --> 0:48:53.479
<v Speaker 20>think something about a woman in boots are the ones

0:48:53.520 --> 0:48:57.360
<v Speaker 20>that feel like the most left of center songs on

0:48:57.400 --> 0:49:01.000
<v Speaker 20>the project, really, I feel like they do. And if

0:49:01.000 --> 0:49:03.399
<v Speaker 20>you know me, like I'm a giant like Rolling Rolling

0:49:03.480 --> 0:49:07.160
<v Speaker 20>Stones fan, like big Steely Dan fan, and I feel

0:49:07.200 --> 0:49:10.680
<v Speaker 20>like I was trying to channel my inter Mick Jagger

0:49:10.800 --> 0:49:13.799
<v Speaker 20>on this track. We wrote this song at like two

0:49:13.840 --> 0:49:16.000
<v Speaker 20>o'clock in the morning on the road, and once we

0:49:16.040 --> 0:49:17.479
<v Speaker 20>had finished it, I was like, I don't know where

0:49:17.520 --> 0:49:19.279
<v Speaker 20>this goes, Like, does it go on this project? Does

0:49:19.320 --> 0:49:21.600
<v Speaker 20>it come as a one off? And the more I

0:49:21.640 --> 0:49:23.160
<v Speaker 20>listen to it, the more it just kind of became

0:49:24.120 --> 0:49:26.680
<v Speaker 20>my favorite thing. It's the one that when I sit

0:49:26.719 --> 0:49:28.120
<v Speaker 20>down with a guitar, it's like the first thing I

0:49:28.200 --> 0:49:28.760
<v Speaker 20>start playing.

0:49:28.800 --> 0:49:29.719
<v Speaker 3>So we're gonna play it.

0:49:29.719 --> 0:49:29.799
<v Speaker 12>Now.

0:49:29.840 --> 0:49:32.359
<v Speaker 3>Here's something about a Woman Thomas Htz here, He's got

0:49:32.360 --> 0:49:34.640
<v Speaker 3>an album out that's called About a Woman. It's out today.

0:49:34.719 --> 0:49:37.120
<v Speaker 3>Go go stream it, save it and then stream it later.

0:49:37.480 --> 0:49:39.239
<v Speaker 3>You can't even stream it right now. Save it right

0:49:39.280 --> 0:49:40.840
<v Speaker 3>now and then stream it later.

0:49:42.280 --> 0:49:44.920
<v Speaker 1>On the Bobby Bones Show. Now, Thomas Rhett.

0:49:45.080 --> 0:49:47.120
<v Speaker 3>When you record an album, do you do it all?

0:49:47.160 --> 0:49:49.040
<v Speaker 3>And like you go and you lock yourself in a

0:49:49.080 --> 0:49:53.600
<v Speaker 3>studio for four days? Is it different every time you do?

0:49:53.719 --> 0:49:56.719
<v Speaker 3>Sometimes it takes months? Like this record, I don't know.

0:49:56.760 --> 0:49:57.759
<v Speaker 3>Do you record all the track?

0:49:57.920 --> 0:49:58.160
<v Speaker 7>I don't.

0:49:58.160 --> 0:49:59.480
<v Speaker 3>I don't understand how this works.

0:50:00.040 --> 0:50:02.200
<v Speaker 20>Yeah, this record was obviously was different than any record

0:50:02.239 --> 0:50:05.080
<v Speaker 20>I've ever done. During COVID, I taught myself how to

0:50:05.120 --> 0:50:07.719
<v Speaker 20>like record my vocal at my house and so I

0:50:07.719 --> 0:50:09.800
<v Speaker 20>feel like when I would used to go record songs,

0:50:09.840 --> 0:50:11.560
<v Speaker 20>it would always be like, Okay, we're going to block

0:50:11.600 --> 0:50:13.719
<v Speaker 20>seven days to go to your producer's house or to

0:50:13.719 --> 0:50:16.759
<v Speaker 20>the studio and do a gajillion takes of a song

0:50:16.800 --> 0:50:19.880
<v Speaker 20>and whatever. But I kind of felt like doing it

0:50:19.920 --> 0:50:21.960
<v Speaker 20>in my studio, like in my basement at home, Like

0:50:22.000 --> 0:50:24.800
<v Speaker 20>I just felt like I could try more without anyone watching.

0:50:24.840 --> 0:50:28.080
<v Speaker 20>And so I would just like literally just compile, compile,

0:50:28.120 --> 0:50:29.759
<v Speaker 20>and compile, and then I would shoot it over to

0:50:29.880 --> 0:50:32.520
<v Speaker 20>Julian and he would do all the comping. Uh me,

0:50:33.600 --> 0:50:36.480
<v Speaker 20>like when you sing a song like ten times in

0:50:36.480 --> 0:50:37.880
<v Speaker 20>a row, you kind of like go through and you

0:50:37.960 --> 0:50:39.800
<v Speaker 20>get you kind of get to pick the best pieces

0:50:39.840 --> 0:50:41.600
<v Speaker 20>of the verse or get the you know, pick the

0:50:41.600 --> 0:50:42.720
<v Speaker 20>best pieces of the chorus.

0:50:42.760 --> 0:50:44.759
<v Speaker 11>And so I could never comp my vocal.

0:50:44.800 --> 0:50:47.279
<v Speaker 20>I would I would go absolutely crazy doing that, but

0:50:47.320 --> 0:50:48.799
<v Speaker 20>there are some people that are so good at it.

0:50:48.840 --> 0:50:51.640
<v Speaker 20>But yeah, I mean we would go in and track,

0:50:51.800 --> 0:50:53.520
<v Speaker 20>you know, with a live band, and we would take

0:50:53.600 --> 0:50:55.319
<v Speaker 20>kind of the raw pieces of it and kind of

0:50:55.560 --> 0:50:58.960
<v Speaker 20>we did mostly subtracting, which is interesting because I always

0:50:58.960 --> 0:51:00.920
<v Speaker 20>feel like in my music, I'm I'm one of those

0:51:00.920 --> 0:51:03.359
<v Speaker 20>people that just always likes to add and add and add.

0:51:03.480 --> 0:51:05.319
<v Speaker 20>You know, if there's two part harmony, let's make it four,

0:51:05.480 --> 0:51:07.440
<v Speaker 20>you know what I mean. And I feel like Julian

0:51:07.480 --> 0:51:08.840
<v Speaker 20>and Dan did a good job on this record. It

0:51:08.920 --> 0:51:11.480
<v Speaker 20>really just like subtracting, so kind of just taking the

0:51:11.520 --> 0:51:13.879
<v Speaker 20>bones and just making what needed to be there stay there.

0:51:13.960 --> 0:51:15.879
<v Speaker 20>So I feel like there's on this record there's more

0:51:15.880 --> 0:51:18.239
<v Speaker 20>space than there's ever been on my projects, which kind

0:51:18.239 --> 0:51:21.200
<v Speaker 20>of terrified me in a way because space freaks me out.

0:51:21.239 --> 0:51:23.719
<v Speaker 20>Like even when I'm playing shows, if like we end

0:51:23.719 --> 0:51:26.200
<v Speaker 20>a song and like my drummer has to change his

0:51:26.239 --> 0:51:28.200
<v Speaker 20>snare drum er, we have like guitar changes or whatever,

0:51:28.239 --> 0:51:29.840
<v Speaker 20>I start to panic because I feel like we just

0:51:29.880 --> 0:51:31.520
<v Speaker 20>need to get into the next song as fast as

0:51:31.600 --> 0:51:34.800
<v Speaker 20>humanly possible. But I've kind of learned how to embrace

0:51:34.800 --> 0:51:36.200
<v Speaker 20>the space on this project.

0:51:36.239 --> 0:51:39.080
<v Speaker 3>So do you ever hear any flaws in your old records?

0:51:39.120 --> 0:51:42.960
<v Speaker 3>That's your fault? I mean yeah, Like and you're like,

0:51:43.000 --> 0:51:46.560
<v Speaker 3>oh man, I can't believe that five records ago, Like

0:51:46.640 --> 0:51:50.040
<v Speaker 3>I missed that a little. Do you ever hear that

0:51:51.040 --> 0:51:53.080
<v Speaker 3>or purposely leave a flaw in because I can think

0:51:53.120 --> 0:51:55.360
<v Speaker 3>of a couple famous songs oh yeah, not even yours,

0:51:55.400 --> 0:51:59.600
<v Speaker 3>like James Blunt, you're beautiful at that beginning part. Yeah, yeah,

0:52:00.520 --> 0:52:01.799
<v Speaker 3>hey can you count me in? There are a lot

0:52:01.840 --> 0:52:04.600
<v Speaker 3>of those little any of that on your records where

0:52:04.600 --> 0:52:05.200
<v Speaker 3>they either left it.

0:52:05.640 --> 0:52:08.560
<v Speaker 20>I've always I've always really loved flaw on albums, Like

0:52:08.640 --> 0:52:11.359
<v Speaker 20>I think probably my favorite reference would be like one

0:52:11.360 --> 0:52:13.760
<v Speaker 20>of the first couple led Zeppelin albums, like John Bonham

0:52:13.960 --> 0:52:15.600
<v Speaker 20>is the reason I ever wanted to play drums, and

0:52:15.600 --> 0:52:17.200
<v Speaker 20>so like when you listen to those records, you can

0:52:17.280 --> 0:52:20.239
<v Speaker 20>hear his like kick drum pedal squeaking, you know, in

0:52:20.239 --> 0:52:22.359
<v Speaker 20>the microphone or whatever. And today you would you would

0:52:22.400 --> 0:52:23.880
<v Speaker 20>be able to just like take that out. But I

0:52:24.360 --> 0:52:27.200
<v Speaker 20>think I think flaw is what makes you human, you

0:52:27.280 --> 0:52:29.600
<v Speaker 20>know what I'm saying. And so there's definitely sometimes when

0:52:29.600 --> 0:52:32.200
<v Speaker 20>I listen down to a vocal or like my voice

0:52:32.200 --> 0:52:33.399
<v Speaker 20>cracked or my voice broke, but.

0:52:33.360 --> 0:52:35.120
<v Speaker 3>It got a record though that made it, and you

0:52:35.120 --> 0:52:37.360
<v Speaker 3>didn't catch it until it's like fully produced.

0:52:37.440 --> 0:52:39.160
<v Speaker 20>No, because I listened to these songs way too many

0:52:39.200 --> 0:52:42.440
<v Speaker 20>times not to catch that stuff. But I think I

0:52:42.800 --> 0:52:44.799
<v Speaker 20>definitely look back at records and I go, man, that

0:52:44.840 --> 0:52:47.600
<v Speaker 20>record could have done without five or six of those songs,

0:52:47.960 --> 0:52:50.440
<v Speaker 20>you know what I mean, Because I do think we

0:52:50.520 --> 0:52:52.439
<v Speaker 20>kind of live in an age where it's like more

0:52:52.520 --> 0:52:57.840
<v Speaker 20>is better all the time, content music, whatever, and so

0:52:57.960 --> 0:53:00.239
<v Speaker 20>like on this record, like even just putting fourteen in

0:53:00.280 --> 0:53:02.480
<v Speaker 20>this project freaked me out because I was like, everybody

0:53:02.560 --> 0:53:06.080
<v Speaker 20>is putting a gajillion songs on their project and they're releasing.

0:53:05.719 --> 0:53:06.839
<v Speaker 11>Like three projects a year.

0:53:08.040 --> 0:53:11.040
<v Speaker 20>But yeah, I definitely look back at my older records

0:53:11.040 --> 0:53:13.200
<v Speaker 20>and I'm like, man, those could have easily been eleven

0:53:13.239 --> 0:53:14.280
<v Speaker 20>songs and not eighteen.

0:53:14.800 --> 0:53:18.520
<v Speaker 3>There's I think of were you a Nirvana fan ever? Yes,

0:53:18.560 --> 0:53:19.720
<v Speaker 3>but not miss you.

0:53:19.760 --> 0:53:19.920
<v Speaker 4>No.

0:53:20.080 --> 0:53:21.920
<v Speaker 11>I was a Nirvana fan, but probably not as big

0:53:21.920 --> 0:53:22.359
<v Speaker 11>as you were.

0:53:22.440 --> 0:53:24.520
<v Speaker 3>Yeah, it's big. I'm obviously a little older too. But

0:53:24.520 --> 0:53:26.920
<v Speaker 3>there's a song Pollie where it's like Polly says, there

0:53:27.000 --> 0:53:30.280
<v Speaker 3>back hurts, but he jumps in. He should have waited

0:53:30.280 --> 0:53:32.640
<v Speaker 3>four and he jumped in it two. And I listened

0:53:32.680 --> 0:53:34.960
<v Speaker 3>to the producer who was in Garbage, who yeah, is

0:53:35.040 --> 0:53:37.799
<v Speaker 3>very famous producer, and he was talking about how he

0:53:37.880 --> 0:53:39.560
<v Speaker 3>just jumped in early and they left it in Like

0:53:39.640 --> 0:53:43.959
<v Speaker 3>I love sure those instances of it just seems normal now. Yeah,

0:53:43.960 --> 0:53:46.200
<v Speaker 3>for sure, here these famous songs, but they left like, well.

0:53:46.040 --> 0:53:47.520
<v Speaker 20>Those are the things, those are the things that you

0:53:47.520 --> 0:53:49.400
<v Speaker 20>can't wait to, like scream at a concert.

0:53:49.680 --> 0:53:50.399
<v Speaker 11>You know what I'm saying.

0:53:50.480 --> 0:53:54.000
<v Speaker 20>Yeah, like a hidden tracks used to be a rad thing.

0:53:54.200 --> 0:53:55.680
<v Speaker 20>It was like, I don't I don't know that that

0:53:56.000 --> 0:53:59.200
<v Speaker 20>our generation has the capacity to wait sixty seconds after

0:53:59.200 --> 0:54:00.520
<v Speaker 20>the last song is over.

0:54:00.320 --> 0:54:02.640
<v Speaker 3>And we would see, now how long a song is

0:54:02.680 --> 0:54:04.440
<v Speaker 3>and it would end at three and be like, why

0:54:04.480 --> 0:54:06.640
<v Speaker 3>is this strike seven minutes? Because I remember like hard

0:54:06.640 --> 0:54:08.839
<v Speaker 3>Candy from County Crows on the last I would hold

0:54:08.840 --> 0:54:13.319
<v Speaker 3>down this fast forwards on the CD right and then

0:54:13.360 --> 0:54:16.720
<v Speaker 3>it would hear oh no said and it was Joni

0:54:16.760 --> 0:54:18.920
<v Speaker 3>Mitchell and it ended up later being them with the

0:54:18.960 --> 0:54:21.960
<v Speaker 3>Vanessa Carlton. Yeah, paved Paradi I has to put up.

0:54:22.000 --> 0:54:23.359
<v Speaker 3>But that was the hidden track and I was like,

0:54:23.400 --> 0:54:26.200
<v Speaker 3>this is the coolest thing ever. Yeah, hidden tracks were

0:54:26.200 --> 0:54:26.720
<v Speaker 3>so legit.

0:54:26.840 --> 0:54:27.719
<v Speaker 11>We need to bring them back.

0:54:28.280 --> 0:54:30.839
<v Speaker 3>What about like backward masking? You ever hear about that

0:54:30.880 --> 0:54:33.799
<v Speaker 3>where you play the song backwards and people would be like,

0:54:33.880 --> 0:54:37.560
<v Speaker 3>you'd hear this, you'd heart and people be like, I

0:54:37.600 --> 0:54:40.600
<v Speaker 3>swear he just said the devil's wearing jeans. He the

0:54:40.600 --> 0:54:46.080
<v Speaker 3>devil's wearing jeans. What do you listen to whenever not new,

0:54:46.280 --> 0:54:48.440
<v Speaker 3>I'm gonna put you there. But when it's you just

0:54:48.520 --> 0:54:51.399
<v Speaker 3>are going to like relax. If you're like grill out

0:54:51.400 --> 0:54:53.200
<v Speaker 3>in the back and you got to put something on

0:54:53.640 --> 0:54:55.239
<v Speaker 3>that you love, but you don't have to spend a

0:54:55.280 --> 0:54:57.960
<v Speaker 3>lot of attention to like what is your what's your songs?

0:54:57.960 --> 0:54:58.600
<v Speaker 3>What's your music?

0:54:59.080 --> 0:54:59.239
<v Speaker 7>Man?

0:54:59.239 --> 0:55:01.840
<v Speaker 20>I'm kind of an so I feel like when we're

0:55:01.960 --> 0:55:04.840
<v Speaker 20>like cooking at the house or whatever, I'm a I

0:55:04.920 --> 0:55:09.040
<v Speaker 20>just put on Frank Sinatra radio. There's something about the fifties.

0:55:09.040 --> 0:55:11.120
<v Speaker 20>I don't know what it is, but it puts me

0:55:11.160 --> 0:55:14.960
<v Speaker 20>in a very joyous mood. So fifties music, I think,

0:55:15.840 --> 0:55:16.720
<v Speaker 20>or yacht rock.

0:55:17.040 --> 0:55:20.520
<v Speaker 3>Yeah yeah, right, yeah, yeah, when the big ballads come

0:55:20.560 --> 0:55:22.360
<v Speaker 3>on yacht rock, that's pretty fun stuff.

0:55:22.160 --> 0:55:22.720
<v Speaker 11>Pretty awesome.

0:55:23.200 --> 0:55:24.080
<v Speaker 3>Do you guys go to Africa?

0:55:24.360 --> 0:55:25.720
<v Speaker 11>We did. We were there for three weeks.

0:55:25.719 --> 0:55:26.600
<v Speaker 3>How long is that flight?

0:55:27.840 --> 0:55:28.279
<v Speaker 11>Which one?

0:55:29.280 --> 0:55:32.080
<v Speaker 20>I mean my family went over to London to try

0:55:32.080 --> 0:55:34.080
<v Speaker 20>to adapt at the time with all my kids and

0:55:34.120 --> 0:55:37.880
<v Speaker 20>I flew from Denver to London, London to Dubai, Dubai

0:55:37.920 --> 0:55:41.600
<v Speaker 20>down to Uganda and so all in all, it's it's

0:55:41.600 --> 0:55:44.839
<v Speaker 20>about a thirty six hours travel day. Yeah, wow, And

0:55:44.880 --> 0:55:47.560
<v Speaker 20>coming back Dubai to Washington, d C is a fifteen

0:55:47.600 --> 0:55:50.560
<v Speaker 20>hour straight flight and we did that with four four kids.

0:55:50.800 --> 0:55:52.840
<v Speaker 3>And what do you do while you're there for three weeks?

0:55:52.960 --> 0:55:54.040
<v Speaker 3>Was it your daughter's first time.

0:55:54.000 --> 0:55:56.000
<v Speaker 11>D Yeah, it was. We kind of did half and

0:55:56.000 --> 0:55:56.239
<v Speaker 11>a half.

0:55:56.280 --> 0:55:58.200
<v Speaker 20>So my wife is on the board of this organization

0:55:58.280 --> 0:56:01.399
<v Speaker 20>called Love One International, and for the last like five

0:56:01.480 --> 0:56:03.319
<v Speaker 20>or six years they've been raising money to build this

0:56:03.400 --> 0:56:06.680
<v Speaker 20>center in this little town about five hours north of Kampala,

0:56:06.760 --> 0:56:08.799
<v Speaker 20>which is the capital. So we went over there for

0:56:08.840 --> 0:56:12.759
<v Speaker 20>the grand opening of that and it was amazing. But yeah,

0:56:13.000 --> 0:56:15.680
<v Speaker 20>watching wille Gray go back to Uganda for the first

0:56:15.680 --> 0:56:18.520
<v Speaker 20>time it's been eight years now, it was one of

0:56:18.560 --> 0:56:20.239
<v Speaker 20>the most special moments as a dad that I've ever

0:56:20.239 --> 0:56:21.720
<v Speaker 20>experienced when.

0:56:21.640 --> 0:56:25.720
<v Speaker 3>You wrote Mamma's House, because you wrote that with Morgan. Yeah,

0:56:26.320 --> 0:56:29.160
<v Speaker 3>how did that come up as a topic? Did someone

0:56:29.200 --> 0:56:31.480
<v Speaker 3>come in to go, let's write about a mammal or

0:56:31.520 --> 0:56:33.759
<v Speaker 3>did that organically just come about in conversation.

0:56:34.400 --> 0:56:35.880
<v Speaker 20>That was the first time I ever wrote with Morgan.

0:56:35.920 --> 0:56:37.759
<v Speaker 20>It was on Zoom during COVID. It was me and

0:56:37.880 --> 0:56:40.840
<v Speaker 20>him and Josh Thompson and a guy named Matt Dragson.

0:56:40.960 --> 0:56:42.640
<v Speaker 20>We actually had written another song. I don't even remember

0:56:42.640 --> 0:56:45.000
<v Speaker 20>what it was called, but I remember almost getting off

0:56:45.000 --> 0:56:47.080
<v Speaker 20>the zoom, thinking like, we just wrote the worst song ever.

0:56:47.680 --> 0:56:50.120
<v Speaker 20>And Morgan randomly gets a phone call from his grandmama

0:56:50.600 --> 0:56:52.279
<v Speaker 20>and you can hear it in the very beginning of

0:56:52.280 --> 0:56:54.480
<v Speaker 20>the track, like that was like live audio from that session.

0:56:55.120 --> 0:56:56.279
<v Speaker 20>And he got back and I was like, man, I

0:56:56.280 --> 0:56:58.160
<v Speaker 20>didn't know you had a mammal that was from East

0:56:58.160 --> 0:57:00.120
<v Speaker 20>Tennessee because I've got a mama from me Tennessee. We

0:57:00.120 --> 0:57:02.239
<v Speaker 20>started talking about the way that we were raised and

0:57:02.440 --> 0:57:03.840
<v Speaker 20>all this kind of stuff, and so we were just like,

0:57:03.960 --> 0:57:06.200
<v Speaker 20>let's write a song about our grandparents, kind of honestly

0:57:06.239 --> 0:57:08.279
<v Speaker 20>thinking this is never going to see the light of day.

0:57:08.960 --> 0:57:11.759
<v Speaker 20>And it didn't for like four years, and then yeah,

0:57:11.800 --> 0:57:13.439
<v Speaker 20>it came out and turns out a lot of people

0:57:13.719 --> 0:57:15.720
<v Speaker 20>love singing about the grandmamas.

0:57:15.160 --> 0:57:18.200
<v Speaker 3>So I would say that's accurate. I liked the song too,

0:57:18.360 --> 0:57:21.240
<v Speaker 3>even if they don't like their grammarship rh. Yeah. You

0:57:21.280 --> 0:57:23.560
<v Speaker 3>ever write a song that's you feel like it's really

0:57:23.600 --> 0:57:27.720
<v Speaker 3>good and it just doesn't make sense for you, not

0:57:27.800 --> 0:57:30.400
<v Speaker 3>even timing wise, but it's just like, man, I love

0:57:30.440 --> 0:57:32.840
<v Speaker 3>this song and it's super catchy and says, but I

0:57:32.920 --> 0:57:34.040
<v Speaker 3>don't make sense singing it.

0:57:34.160 --> 0:57:39.120
<v Speaker 11>For sure. It happens a lot. Actually, what's one of those? Nothing?

0:57:39.440 --> 0:57:40.640
<v Speaker 11>Probably nothing recently.

0:57:41.880 --> 0:57:43.720
<v Speaker 20>But I just had to hit with Dustin Lynch want

0:57:43.720 --> 0:57:46.720
<v Speaker 20>a song called Stars Like Confetti that I wrote and

0:57:46.760 --> 0:57:48.680
<v Speaker 20>I loved, but it didn't make sense for my project.

0:57:48.840 --> 0:57:50.320
<v Speaker 20>And I don't even have a reason for that, but

0:57:50.360 --> 0:57:52.520
<v Speaker 20>I think like listening down and then putting that song

0:57:52.560 --> 0:57:53.760
<v Speaker 20>in the mix, it didn't make sense.

0:57:54.640 --> 0:57:58.640
<v Speaker 3>I like when it goes stars like Confetti, Uh huh, yeah,

0:57:58.880 --> 0:58:01.160
<v Speaker 3>that she a little ear candy. Yeah, So tell me

0:58:01.200 --> 0:58:05.280
<v Speaker 3>about that specifically because I like that because it definitely

0:58:05.360 --> 0:58:08.240
<v Speaker 3>hits way different, and there's a chance that when it

0:58:08.280 --> 0:58:10.120
<v Speaker 3>hits different, it's going to hit Oh that's super catchy

0:58:10.200 --> 0:58:13.400
<v Speaker 3>or that's super corny. Yeah, yeah, I love that. That's

0:58:13.400 --> 0:58:15.840
<v Speaker 3>what comes by What are you saying? What's he saying exactly?

0:58:16.240 --> 0:58:19.800
<v Speaker 11>I think you just ah yah did.

0:58:19.600 --> 0:58:22.680
<v Speaker 3>You write that? In the initial chorus?

0:58:24.360 --> 0:58:26.040
<v Speaker 11>And I've got the demo i'll play, I'll send, I'll

0:58:26.040 --> 0:58:26.480
<v Speaker 11>send it to you.

0:58:26.520 --> 0:58:28.400
<v Speaker 3>And then did you think should we leave the AI

0:58:28.480 --> 0:58:30.960
<v Speaker 3>in or did you know immediately you felt.

0:58:30.720 --> 0:58:34.200
<v Speaker 20>Like yeah, I think we just wrote it and and

0:58:34.280 --> 0:58:36.120
<v Speaker 20>I don't know like six eight months went by and

0:58:36.160 --> 0:58:38.400
<v Speaker 20>like nothing was happening with it, and so I think

0:58:38.640 --> 0:58:40.800
<v Speaker 20>my buddy Josh Thompson the Senate to Dustin and he

0:58:40.840 --> 0:58:42.080
<v Speaker 20>takes me and said, are you going to do anything

0:58:42.080 --> 0:58:44.480
<v Speaker 20>with this? And I said, I don't think so, and

0:58:44.520 --> 0:58:46.680
<v Speaker 20>he and you never know when we will record your songs,

0:58:46.680 --> 0:58:48.600
<v Speaker 20>that they're just going to be like random track number

0:58:48.600 --> 0:58:50.360
<v Speaker 20>ten on an album if they're actually have a chance

0:58:50.400 --> 0:58:52.320
<v Speaker 20>at making it as a single. But I think that

0:58:52.400 --> 0:58:55.440
<v Speaker 20>song was kind of starting to pop organically. And yeah,

0:58:55.520 --> 0:58:57.520
<v Speaker 20>dust I mean Dustin pretty much sang it how we

0:58:57.520 --> 0:58:58.160
<v Speaker 20>did it in the demo.

0:58:58.760 --> 0:59:02.800
<v Speaker 3>I love Surprised and I just love the yeah, like

0:59:02.880 --> 0:59:03.640
<v Speaker 3>that is such.

0:59:03.680 --> 0:59:07.120
<v Speaker 20>Well, it's like ooze and oz and like it's just

0:59:07.120 --> 0:59:09.720
<v Speaker 20>something for people to latch onto, you know what I mean.

0:59:09.760 --> 0:59:11.080
<v Speaker 11>Like even if you don't know any of the other

0:59:11.080 --> 0:59:13.320
<v Speaker 11>words in the show, you can go ah.

0:59:13.440 --> 0:59:15.320
<v Speaker 3>You know, do you think if someone walked in with

0:59:15.360 --> 0:59:17.240
<v Speaker 3>a shotgun right now, said Thom's rett, I need you

0:59:17.320 --> 0:59:18.880
<v Speaker 3>to go in this room, and I need you to

0:59:18.880 --> 0:59:20.560
<v Speaker 3>write a song, and it has to be a hit,

0:59:20.600 --> 0:59:22.720
<v Speaker 3>and it could be as as simple as possible, and

0:59:22.760 --> 0:59:25.840
<v Speaker 3>you have thirty minutes. You could write a hit song.

0:59:26.200 --> 0:59:28.080
<v Speaker 3>You can put all the claps and oohs and oz

0:59:28.400 --> 0:59:31.480
<v Speaker 3>and kid choir anything you want. That is no. Do

0:59:31.520 --> 0:59:33.560
<v Speaker 3>you think you could write a song in thirty minutes

0:59:33.600 --> 0:59:34.160
<v Speaker 3>it would be a hit.

0:59:36.200 --> 0:59:38.160
<v Speaker 8>Maybe it got to be a shotgun?

0:59:38.240 --> 0:59:39.600
<v Speaker 3>Yeah, Well, because we got to make him want to

0:59:39.600 --> 0:59:42.640
<v Speaker 3>do it. Otherwise, he's like, because he Thomas invests a

0:59:42.640 --> 0:59:44.320
<v Speaker 3>lot of himself into his art and wants to say

0:59:44.680 --> 0:59:46.400
<v Speaker 3>things are important to him. But I'm not asking to

0:59:46.440 --> 0:59:48.080
<v Speaker 3>do that. I'm saying, you just got to write a

0:59:48.480 --> 0:59:49.640
<v Speaker 3>goofy radio hit.

0:59:49.720 --> 0:59:49.919
<v Speaker 11>Yeah.

0:59:50.120 --> 0:59:51.560
<v Speaker 3>Do you think in thirty minutes you could do one?

0:59:51.600 --> 0:59:52.160
<v Speaker 11>Let me it could?

0:59:52.240 --> 0:59:57.800
<v Speaker 3>Yeah, that's awesome. Get a gun, bringing it, Bring about

0:59:57.840 --> 1:00:01.560
<v Speaker 3>a woman. It is out today, fourteen.

1:00:01.160 --> 1:00:02.360
<v Speaker 11>Tracks, Yeah, fourteen.

1:00:02.800 --> 1:00:07.720
<v Speaker 3>Hey, what's the deal you and Lauren the UT and

1:00:07.800 --> 1:00:09.200
<v Speaker 3>Georgia versions?

1:00:09.680 --> 1:00:10.480
<v Speaker 7>What are you what?

1:00:10.520 --> 1:00:12.320
<v Speaker 3>It's even happening here where you guys are going against

1:00:12.320 --> 1:00:12.680
<v Speaker 3>each other?

1:00:13.360 --> 1:00:15.880
<v Speaker 20>So that rivalry in our house has just been like

1:00:16.040 --> 1:00:18.880
<v Speaker 20>such a joke for a long time. And like, you know,

1:00:18.920 --> 1:00:20.480
<v Speaker 20>me and my dad are like the only two Georgia

1:00:20.480 --> 1:00:23.440
<v Speaker 20>Bulldog fans that that I'm like, I spend a lot

1:00:23.480 --> 1:00:24.000
<v Speaker 20>of time with.

1:00:24.080 --> 1:00:24.400
<v Speaker 11>And so.

1:00:26.400 --> 1:00:27.880
<v Speaker 20>We go to a lot of UT games and I

1:00:27.880 --> 1:00:29.480
<v Speaker 20>feel like there's just not a whole bunch of love

1:00:29.800 --> 1:00:32.560
<v Speaker 20>for the Georgia Bulldogs around my family. And so somebody

1:00:32.600 --> 1:00:34.680
<v Speaker 20>on my team had the idea of making these two

1:00:34.720 --> 1:00:39.800
<v Speaker 20>different vinyls to see, so one has like the orange

1:00:39.840 --> 1:00:41.919
<v Speaker 20>and white checkerboard on the hood and the other has

1:00:41.960 --> 1:00:44.080
<v Speaker 20>like the red and black light Georgis stripe on the hood,

1:00:45.400 --> 1:00:47.040
<v Speaker 20>and we just kind of wanted to make a competition

1:00:47.080 --> 1:00:48.640
<v Speaker 20>out of that to kind of see who had more

1:00:49.000 --> 1:00:52.520
<v Speaker 20>loyalty from my fan base. And so she's beating me

1:00:52.560 --> 1:00:56.360
<v Speaker 20>by like thirty five percent currently, which is not shocking.

1:00:56.640 --> 1:01:00.000
<v Speaker 3>So about a woman is out today. One other thing,

1:01:01.160 --> 1:01:02.360
<v Speaker 3>you look really like healthy?

1:01:02.600 --> 1:01:02.960
<v Speaker 11>Thanks?

1:01:03.320 --> 1:01:04.800
<v Speaker 3>Yeah, anything? What are you doing new?

1:01:05.200 --> 1:01:08.440
<v Speaker 20>I think I'm just like playing shows again. I've lost

1:01:08.680 --> 1:01:10.600
<v Speaker 20>I've lost like twelve pounds over the summer and I

1:01:10.600 --> 1:01:13.040
<v Speaker 20>don't know if it's from jumping around in July and

1:01:13.080 --> 1:01:14.080
<v Speaker 20>August heat or whatever.

1:01:14.160 --> 1:01:14.840
<v Speaker 3>But yeah, you look good.

1:01:14.880 --> 1:01:16.200
<v Speaker 11>I can't fit into most of my pants.

1:01:16.200 --> 1:01:18.360
<v Speaker 5>Well you can't say that with such emphasis of those

1:01:18.360 --> 1:01:20.200
<v Speaker 5>are good. I know you look good, but when it's

1:01:20.240 --> 1:01:21.240
<v Speaker 5>like you look good.

1:01:21.040 --> 1:01:24.280
<v Speaker 3>Like his hair is like popping, it's like a good color.

1:01:24.360 --> 1:01:27.320
<v Speaker 3>It's like it's crazy.

1:01:26.720 --> 1:01:29.320
<v Speaker 11>But Assault and THEFF for Happening and they're awesome embracing it.

1:01:29.320 --> 1:01:29.960
<v Speaker 3>New albums out.

1:01:29.960 --> 1:01:32.280
<v Speaker 11>Good to see your buddy likewise, man, that's always.

1:01:31.960 --> 1:01:35.760
<v Speaker 3>Roof for everything you do. A ey a eh. What

1:01:35.800 --> 1:01:39.520
<v Speaker 3>if someone said, final thing? What if someone said Tom's

1:01:39.560 --> 1:01:42.960
<v Speaker 3>ratt your producer, and you know you said they wanted

1:01:42.960 --> 1:01:46.200
<v Speaker 3>you to like little channel litt Dwight yoak a little maybe. Oh,

1:01:46.200 --> 1:01:48.200
<v Speaker 3>I as fast as you did, you know whatever that is,

1:01:48.200 --> 1:01:50.200
<v Speaker 3>and they were like, we need you to channel Mickey

1:01:50.200 --> 1:01:53.600
<v Speaker 3>Mouse and and just just lay down a little bit

1:01:53.640 --> 1:01:57.000
<v Speaker 3>of half of me. But need you do like Mickey Mouse.

1:01:58.520 --> 1:01:59.320
<v Speaker 11>I could not do that.

1:01:59.480 --> 1:02:01.280
<v Speaker 3>Well, no, I'm your producer.

1:02:03.920 --> 1:02:05.360
<v Speaker 11>Yeah, there's no way for me.

1:02:05.680 --> 1:02:07.600
<v Speaker 3>I kind of have to at least agree. See, yeah

1:02:07.600 --> 1:02:09.880
<v Speaker 3>we never worked together. Then we never work you'd.

1:02:09.600 --> 1:02:11.640
<v Speaker 11>Be out Bobby's producers record.

1:02:11.960 --> 1:02:13.960
<v Speaker 3>See you didn't come to the challenge. And now I'm

1:02:13.960 --> 1:02:15.920
<v Speaker 3>gonna go back to the Wiggles, which is what I've

1:02:15.920 --> 1:02:18.800
<v Speaker 3>been known before. Yes, Thomas wrote the new record about

1:02:18.800 --> 1:02:19.760
<v Speaker 3>a woman Thomas, Good to see a.

1:02:19.720 --> 1:02:20.919
<v Speaker 11>Buddy Likewise, Thank you, ma'am.

1:02:22.240 --> 1:02:25.440
<v Speaker 1>It's the best bits of the week with Morgan.

1:02:25.520 --> 1:02:35.320
<v Speaker 2>Number two, Lunchbox surprised a listener with a toilet seat.

1:02:35.680 --> 1:02:38.200
<v Speaker 2>So it's the Palette, you know, he who shall not

1:02:38.240 --> 1:02:41.439
<v Speaker 2>be named aka Baltimore aka the Palette. But it got

1:02:41.520 --> 1:02:44.320
<v Speaker 2>named and it was a big surprise for a listener

1:02:44.600 --> 1:02:46.800
<v Speaker 2>in a way. The listener also called them wanting it.

1:02:47.240 --> 1:02:50.360
<v Speaker 2>But that's what you're about to hear is lunchbox surprising

1:02:50.400 --> 1:02:53.320
<v Speaker 2>a listener Forcibly number.

1:02:52.960 --> 1:02:54.640
<v Speaker 3>Two and Morgan Harry Potter.

1:02:55.400 --> 1:02:55.960
<v Speaker 4>What's the name?

1:02:56.000 --> 1:03:00.320
<v Speaker 3>They don't say? Oh, Valdemart and what I'm sorry. Never

1:03:00.320 --> 1:03:02.360
<v Speaker 3>read the books, I respect him, never seen the movies,

1:03:02.400 --> 1:03:05.200
<v Speaker 3>I respect them. Why don't they say the name?

1:03:05.680 --> 1:03:09.360
<v Speaker 2>Well, he's the main villain, And basically it's kind of

1:03:09.360 --> 1:03:10.920
<v Speaker 2>like a Boogeyman type situation.

1:03:11.000 --> 1:03:12.640
<v Speaker 7>If you kind of say the name he shows.

1:03:12.400 --> 1:03:13.600
<v Speaker 3>Up, it is like beetlejuice.

1:03:13.840 --> 1:03:16.240
<v Speaker 2>No, but like that's kind of the vibe of it.

1:03:16.280 --> 1:03:18.840
<v Speaker 2>He doesn't actually show up, but that's the vibe, Like,

1:03:18.880 --> 1:03:20.880
<v Speaker 2>don't speak about him because he's the darkness.

1:03:21.160 --> 1:03:23.200
<v Speaker 3>By the way, Beetlejuice awesome. Back in the day. The

1:03:23.200 --> 1:03:24.440
<v Speaker 3>new Beetle Juice coming out.

1:03:24.360 --> 1:03:26.000
<v Speaker 4>Beetle Juice, Beetle Juice three.

1:03:26.200 --> 1:03:27.600
<v Speaker 3>It's beetle Juice, Wait.

1:03:27.880 --> 1:03:30.760
<v Speaker 8>Three, Beetle Juice, Hold On, Hold On?

1:03:31.880 --> 1:03:34.600
<v Speaker 3>Is the movie called beetle Juice, beetle Juice. Okay, so

1:03:35.000 --> 1:03:36.640
<v Speaker 3>what we're saying is you got to say it three

1:03:36.640 --> 1:03:38.320
<v Speaker 3>times to get him to come out right, right, right.

1:03:38.360 --> 1:03:42.920
<v Speaker 3>But the new movie, I'm looking forward to beatle Juice,

1:03:42.920 --> 1:03:45.760
<v Speaker 3>beetle Juice because the first one was so good. So

1:03:45.920 --> 1:03:48.440
<v Speaker 3>you don't say Voldemort, you don't say beetlejuice three times.

1:03:48.520 --> 1:03:50.120
<v Speaker 3>And there's a word that we don't like to say

1:03:50.120 --> 1:03:53.040
<v Speaker 3>on this show because it brings up bad thoughts and memories.

1:03:53.400 --> 1:03:55.320
<v Speaker 3>Do you guys know the word palette?

1:03:56.440 --> 1:03:57.640
<v Speaker 4>I figured palette.

1:03:57.760 --> 1:03:59.800
<v Speaker 3>So the palette is something we all put our money into.

1:04:00.080 --> 1:04:03.400
<v Speaker 3>Bought this pallette. It's a palette of Amazon returns. We

1:04:03.400 --> 1:04:07.880
<v Speaker 3>didn't know what was in it, and we were very

1:04:07.920 --> 1:04:10.160
<v Speaker 3>excited to make money by selling the stuff individually. It

1:04:10.200 --> 1:04:13.040
<v Speaker 3>turned to a massive fight within us. We just stopped

1:04:13.040 --> 1:04:14.680
<v Speaker 3>talking about it. We said, we're not doing this as

1:04:14.720 --> 1:04:19.880
<v Speaker 3>a bit. However, Lunchbox continues, drip by drip to tell

1:04:19.920 --> 1:04:22.560
<v Speaker 3>me that the palette is making people very happy still

1:04:22.560 --> 1:04:24.840
<v Speaker 3>to this day. So what is the latest.

1:04:25.280 --> 1:04:28.080
<v Speaker 10>Some guy called in and said he broke his toilet

1:04:28.120 --> 1:04:31.280
<v Speaker 10>seat and knew that we had toilet seats from the pallette.

1:04:31.440 --> 1:04:33.320
<v Speaker 10>And he would love to have a toilet seat from

1:04:33.320 --> 1:04:34.520
<v Speaker 10>the Pallette. So I was like, man, I'm gonna call

1:04:34.560 --> 1:04:35.320
<v Speaker 10>him and sell him one.

1:04:36.000 --> 1:04:37.520
<v Speaker 7>But Bobby was like, no, you need to give it

1:04:37.560 --> 1:04:38.280
<v Speaker 7>to him for free.

1:04:38.600 --> 1:04:39.840
<v Speaker 3>Oh yeah, of course, And so.

1:04:39.840 --> 1:04:41.560
<v Speaker 7>I called the dude back and made his dreams come for.

1:04:41.680 --> 1:04:44.480
<v Speaker 3>We had the call. Yeah, hell, here we go.

1:04:45.400 --> 1:04:47.000
<v Speaker 7>Hello is this toilet seat guy?

1:04:47.360 --> 1:04:48.720
<v Speaker 17>Yes, toilet seat guy?

1:04:48.920 --> 1:04:50.640
<v Speaker 7>Man, what's up? It's lunchbox?

1:04:51.480 --> 1:04:54.480
<v Speaker 17>No freaking way, what's up lunchbox dude?

1:04:54.520 --> 1:04:56.960
<v Speaker 10>What is your name? I just know you. You want

1:04:56.960 --> 1:04:59.160
<v Speaker 10>to put your butt on our toilet seat?

1:04:59.440 --> 1:05:04.320
<v Speaker 17>Yes, yes, huge, let go. My name is Carter Man.

1:05:04.480 --> 1:05:06.160
<v Speaker 10>Okay, well you know what we're gonna do. We're gonna

1:05:06.160 --> 1:05:08.800
<v Speaker 10>make dreams come true today because this is what we do.

1:05:09.240 --> 1:05:11.200
<v Speaker 10>I mean, I was gonna sell it to you, and

1:05:11.240 --> 1:05:13.840
<v Speaker 10>Bobby said that I have to give it to you

1:05:13.920 --> 1:05:15.520
<v Speaker 10>for free.

1:05:15.840 --> 1:05:20.480
<v Speaker 17>For free. That is freaking awesome. I wants to toilet seat,

1:05:20.520 --> 1:05:23.000
<v Speaker 17>lunch box, and I will give you my address.

1:05:24.840 --> 1:05:27.240
<v Speaker 10>Hey man, We're gonna make your toilet see congratulations, have

1:05:27.280 --> 1:05:29.920
<v Speaker 10>a great day. We're making dreams come true, one crap

1:05:29.960 --> 1:05:30.760
<v Speaker 10>at a time.

1:05:31.480 --> 1:05:33.439
<v Speaker 17>One crap out of time. Dreams are coming true.

1:05:33.520 --> 1:05:35.520
<v Speaker 13>God, thank you' all two things.

1:05:35.520 --> 1:05:37.360
<v Speaker 3>How do we know if it's a toilet? Are they universal?

1:05:37.840 --> 1:05:38.320
<v Speaker 4>I don't know.

1:05:38.520 --> 1:05:40.720
<v Speaker 3>Two do we send them on? We all signed, we're

1:05:40.720 --> 1:05:42.120
<v Speaker 3>gonna sign it, but not on the top.

1:05:43.160 --> 1:05:43.480
<v Speaker 7>On top.

1:05:43.880 --> 1:05:45.800
<v Speaker 3>Yeah, let's sign it and he sits on it. Guys,

1:05:45.800 --> 1:05:46.560
<v Speaker 3>that's so funny.

1:05:46.560 --> 1:05:47.960
<v Speaker 8>You can do it underneath when you listen.

1:05:48.280 --> 1:05:50.400
<v Speaker 3>Why would we want that? How many do we have?

1:05:50.960 --> 1:05:52.320
<v Speaker 7>I think we have three remaining.

1:05:52.440 --> 1:05:54.520
<v Speaker 3>No, we send them one and we all sign it

1:05:54.760 --> 1:05:57.000
<v Speaker 3>and he sits on it. Yes, Why would you not

1:05:57.040 --> 1:05:57.320
<v Speaker 3>want that?

1:05:57.880 --> 1:05:58.840
<v Speaker 8>Why would you want that?

1:05:59.080 --> 1:06:01.200
<v Speaker 3>Because that's hilarious and you get to pick what you want?

1:06:01.200 --> 1:06:03.439
<v Speaker 7>Do you want back button? Do you want sign like big?

1:06:04.840 --> 1:06:07.320
<v Speaker 3>Where do you sign it? Yeah? Yeah, I'm gonna go

1:06:07.400 --> 1:06:08.520
<v Speaker 3>right in the middle of the back, so I get

1:06:08.520 --> 1:06:12.120
<v Speaker 3>a little crack. It's a little failing. See the palette.

1:06:12.120 --> 1:06:15.000
<v Speaker 3>Although made us miserable and really hate each other for

1:06:15.000 --> 1:06:17.120
<v Speaker 3>a while, it's making some people happy.

1:06:17.160 --> 1:06:18.120
<v Speaker 8>He sounded pretty happy.

1:06:18.240 --> 1:06:21.360
<v Speaker 3>So death tell me something good, So we'll sign it.

1:06:21.400 --> 1:06:23.880
<v Speaker 3>We'll mail it off today. Nice.

1:06:24.080 --> 1:06:27.800
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

1:06:29.120 --> 1:06:30.600
<v Speaker 2>I really hate when I have to come on here

1:06:30.720 --> 1:06:33.640
<v Speaker 2>for another week and do a not so fun number

1:06:33.680 --> 1:06:37.840
<v Speaker 2>one spot. But this was some big news in my life,

1:06:37.880 --> 1:06:41.120
<v Speaker 2>not exciting news, very sad news. And I barely made

1:06:41.120 --> 1:06:44.240
<v Speaker 2>it through the announcement, barely making it through telling you

1:06:44.240 --> 1:06:47.840
<v Speaker 2>guys right now because the suggestion or that even the

1:06:47.880 --> 1:06:50.280
<v Speaker 2>topic of it just you know, brings on some sad

1:06:50.320 --> 1:06:52.840
<v Speaker 2>feelings for me. But here it is the number one spot.

1:06:52.880 --> 1:06:56.760
<v Speaker 2>I shared some updates on my relationship Number one.

1:06:56.920 --> 1:06:58.920
<v Speaker 3>This is what's referred to as a band aid segment

1:06:59.120 --> 1:07:01.800
<v Speaker 3>where I don't tease it, there's no build up to it.

1:07:02.200 --> 1:07:04.480
<v Speaker 3>We just ripped the band aid off. I've never called

1:07:04.480 --> 1:07:05.760
<v Speaker 3>it that until now, but if you ever hear of

1:07:05.760 --> 1:07:07.120
<v Speaker 3>a band aid segment, that's what it's going to be

1:07:07.160 --> 1:07:09.120
<v Speaker 3>for now on. Okay, I didn't before going into this

1:07:09.160 --> 1:07:15.000
<v Speaker 3>segment and teas or anything band aid segment. Ready, go ahead,

1:07:17.640 --> 1:07:18.960
<v Speaker 3>man in uniform.

1:07:18.560 --> 1:07:19.440
<v Speaker 13>And I broke up.

1:07:20.280 --> 1:07:25.120
<v Speaker 3>Oh, so that is Morgan didn't want to do a

1:07:25.120 --> 1:07:29.840
<v Speaker 3>big bit build out till Lunchbox. Well, Morgan also, I've

1:07:29.880 --> 1:07:33.680
<v Speaker 3>known for a bit because I will try to make

1:07:33.760 --> 1:07:38.000
<v Speaker 3>sure that the show doesn't migrate to going in on something,

1:07:38.480 --> 1:07:40.640
<v Speaker 3>just to give her a little space. And so she

1:07:40.720 --> 1:07:42.680
<v Speaker 3>was like, Hey, this happened, It's cool. I felt like

1:07:42.680 --> 1:07:44.200
<v Speaker 3>it's my job to protect her for a little bit,

1:07:44.320 --> 1:07:46.120
<v Speaker 3>so if it goes somewhere, I can boot it out

1:07:46.160 --> 1:07:49.560
<v Speaker 3>until she's comfortable right a little behind the scenes, she

1:07:49.760 --> 1:07:51.919
<v Speaker 3>did also come and say I would like to say

1:07:51.960 --> 1:07:53.920
<v Speaker 3>it now and get it over with because it will

1:07:53.960 --> 1:07:57.800
<v Speaker 3>be brought up again in normal discussion. And I recommend

1:07:57.800 --> 1:07:59.440
<v Speaker 3>her for that because she's looking out for herself by

1:07:59.440 --> 1:08:01.360
<v Speaker 3>doing that. But this is always a hard segment. So

1:08:01.880 --> 1:08:03.959
<v Speaker 3>I'm also vamping here to let her catch your breath again,

1:08:04.080 --> 1:08:06.320
<v Speaker 3>because I know that was hard for her to say.

1:08:07.040 --> 1:08:08.720
<v Speaker 3>So We're going to give you all the space that

1:08:08.760 --> 1:08:14.000
<v Speaker 3>you want or need, and you can lead us in

1:08:14.040 --> 1:08:15.000
<v Speaker 3>whichever direction you like.

1:08:15.040 --> 1:08:22.320
<v Speaker 12>Morgan, I was completely blindsided. I didn't know this was coming.

1:08:22.439 --> 1:08:26.240
<v Speaker 12>I didn't see it coming. I protected myself in every

1:08:26.280 --> 1:08:29.000
<v Speaker 12>way that I possibly could, and thought that I had

1:08:29.080 --> 1:08:32.599
<v Speaker 12>found somebody that this was it. And you guys heard

1:08:32.600 --> 1:08:35.920
<v Speaker 12>that in me talking about it on the show. But

1:08:36.560 --> 1:08:40.799
<v Speaker 12>he uh, as we were about to move in together,

1:08:41.840 --> 1:08:42.919
<v Speaker 12>I guess you could say.

1:08:42.760 --> 1:08:44.479
<v Speaker 3>Would you say, as you what to move in together?

1:08:44.520 --> 1:08:48.680
<v Speaker 2>We were about to move in together, had a epiphany

1:08:50.240 --> 1:08:54.280
<v Speaker 2>man in uniform is Jewish and decided, because I'm not Jewish,

1:08:54.320 --> 1:08:58.480
<v Speaker 2>that's not what he wanted, so we had multiple conversations

1:08:58.520 --> 1:09:00.439
<v Speaker 2>about it. I thought we were on the same which

1:09:00.479 --> 1:09:05.679
<v Speaker 2>is why I was completely blindsided, but I guess we weren't.

1:09:06.520 --> 1:09:08.639
<v Speaker 2>And that's where we are now.

1:09:09.479 --> 1:09:11.880
<v Speaker 3>Can I give you a oh, it's such a light

1:09:12.479 --> 1:09:15.040
<v Speaker 3>like fractional positive? Can I give you a fractional positive?

1:09:15.200 --> 1:09:17.240
<v Speaker 3>You didn't pick a freaking loser. And I think that

1:09:17.240 --> 1:09:20.360
<v Speaker 3>that for the first time, like as your friend, Like

1:09:20.400 --> 1:09:22.560
<v Speaker 3>that's big growth. This sucks for now. No, I'm not

1:09:22.600 --> 1:09:25.240
<v Speaker 3>taking away this sucks for you in any way, but

1:09:25.360 --> 1:09:28.080
<v Speaker 3>I think that you're maturing and actually knowing what you

1:09:28.120 --> 1:09:34.200
<v Speaker 3>want in a relationship and from our life with you,

1:09:35.040 --> 1:09:38.040
<v Speaker 3>I think you have started to look for more quality

1:09:38.120 --> 1:09:41.559
<v Speaker 3>guys and for what they stand for and believe in.

1:09:41.600 --> 1:09:43.479
<v Speaker 3>And I know right now it doesn't help you feel better,

1:09:43.520 --> 1:09:47.160
<v Speaker 3>but like this was, this is a mild wind in

1:09:47.240 --> 1:09:51.120
<v Speaker 3>your in your growth as a human that I totally get.

1:09:51.720 --> 1:09:54.240
<v Speaker 3>If you guys aren't compatible on that level, don't go

1:09:54.360 --> 1:09:56.360
<v Speaker 3>further at all. And I'm sure it hurts for both

1:09:56.360 --> 1:10:01.800
<v Speaker 3>of you and sucks for both of you. And I'm

1:10:01.800 --> 1:10:03.360
<v Speaker 3>gonna stop talking because I'm not even sure what I

1:10:03.360 --> 1:10:05.839
<v Speaker 3>can even ask, but that really sucks.

1:10:06.360 --> 1:10:07.439
<v Speaker 2>I mean, you can ask that.

1:10:08.880 --> 1:10:12.000
<v Speaker 12>I do feel good about the fact that I finally

1:10:13.040 --> 1:10:16.200
<v Speaker 12>found someone who gave me hope that there are good

1:10:16.280 --> 1:10:19.799
<v Speaker 12>men out there, but it sucks all the more because

1:10:19.840 --> 1:10:23.720
<v Speaker 12>of that, again, because I was blindsided in thinking that

1:10:23.760 --> 1:10:25.400
<v Speaker 12>this was this was it?

1:10:25.880 --> 1:10:29.160
<v Speaker 3>Did you want you convert? Was that it? No?

1:10:29.760 --> 1:10:32.839
<v Speaker 2>You know, really like, I don't think that would have mattered.

1:10:33.360 --> 1:10:38.960
<v Speaker 3>Was he practicing or born or both? Born? Okay, so

1:10:39.040 --> 1:10:42.000
<v Speaker 3>does he practice Judaism? Was that it was that it's

1:10:42.040 --> 1:10:42.400
<v Speaker 3>more the.

1:10:42.360 --> 1:10:45.960
<v Speaker 2>Culture thing, not as much practicing, which is why, like

1:10:46.000 --> 1:10:48.800
<v Speaker 2>when we had conversations about it, it kind of really

1:10:48.840 --> 1:10:53.280
<v Speaker 2>threw me because I didn't see that at all. And

1:10:53.560 --> 1:10:55.240
<v Speaker 2>that's why when we were to have conversations about it,

1:10:55.240 --> 1:10:58.559
<v Speaker 2>I thought were on the same page, but as you know,

1:10:58.640 --> 1:11:01.600
<v Speaker 2>we got more serious and stuff, it just became that

1:11:01.600 --> 1:11:04.320
<v Speaker 2>that's going to be more important for him in the future.

1:11:04.560 --> 1:11:06.920
<v Speaker 3>I suppose does he want to find a Jewish wife?

1:11:07.080 --> 1:11:08.880
<v Speaker 2>Yeah?

1:11:09.400 --> 1:11:14.439
<v Speaker 3>I think good job by him, because this definitely could

1:11:14.439 --> 1:11:18.200
<v Speaker 3>have gone a lot farther and he could have pulled

1:11:18.200 --> 1:11:20.519
<v Speaker 3>that thread a little later, which would have been even harder.

1:11:20.800 --> 1:11:24.400
<v Speaker 3>I think good job by you by picking somebody that

1:11:24.479 --> 1:11:28.080
<v Speaker 3>was worth the crap. It still very much sucks, and

1:11:28.120 --> 1:11:32.280
<v Speaker 3>I'm very sorry because I know you were, like you're

1:11:32.400 --> 1:11:37.160
<v Speaker 3>fundamentally you were excited about the future, and that's you'll

1:11:37.160 --> 1:11:40.439
<v Speaker 3>look back at this as big time growth, big time growth.

1:11:40.479 --> 1:11:43.519
<v Speaker 3>You can't write now it sucks, It really sucks. I'm sorry.

1:11:44.120 --> 1:11:44.799
<v Speaker 8>Yeah, there's.

1:11:46.080 --> 1:11:49.799
<v Speaker 12>Not a lot of people out there that can relate

1:11:49.840 --> 1:11:53.960
<v Speaker 12>to this particular topic, which also makes it harder and

1:11:54.439 --> 1:11:56.600
<v Speaker 12>really hard for me to understand.

1:11:59.040 --> 1:11:59.479
<v Speaker 2>But I do.

1:11:59.560 --> 1:11:59.760
<v Speaker 3>I do.

1:12:00.200 --> 1:12:03.639
<v Speaker 12>I am really happy that one day I can.

1:12:03.560 --> 1:12:07.200
<v Speaker 2>Look at this scenario and know that I found somebody

1:12:07.240 --> 1:12:11.040
<v Speaker 2>that was good, and I now can see out there

1:12:11.040 --> 1:12:12.200
<v Speaker 2>that there is going to be good.

1:12:14.600 --> 1:12:17.000
<v Speaker 3>I think this is actually something that happens more than

1:12:17.040 --> 1:12:23.559
<v Speaker 3>you think. And I'm not saying you're specific Jewish and Christian,

1:12:24.400 --> 1:12:28.040
<v Speaker 3>but I think there are a lot of couples that

1:12:28.120 --> 1:12:33.679
<v Speaker 3>struggle with again I'll use the word like fundamental foundation,

1:12:35.320 --> 1:12:39.000
<v Speaker 3>that they don't come from that same spiritual background or

1:12:39.040 --> 1:12:40.920
<v Speaker 3>even same religion, and they have to figure a way

1:12:40.920 --> 1:12:42.640
<v Speaker 3>to make it work. I have very close friends that

1:12:42.640 --> 1:12:45.680
<v Speaker 3>have gone through some extremely difficult times because they do

1:12:45.800 --> 1:12:48.000
<v Speaker 3>have like a they even call it like a split.

1:12:49.560 --> 1:12:53.240
<v Speaker 3>I think interfaith, and it's it's it's it's difficult, but

1:12:53.800 --> 1:12:56.280
<v Speaker 3>it's again, it's really great that you guys identified that

1:12:56.400 --> 1:13:01.240
<v Speaker 3>now because it just works. It's been way way.

1:13:00.680 --> 1:13:03.320
<v Speaker 5>Harder and then you sharing right now, even as hard

1:13:03.360 --> 1:13:07.519
<v Speaker 5>as it is, it may prompt conversations that other people

1:13:07.600 --> 1:13:10.840
<v Speaker 5>need to have, like hearing this, Like, even though it's

1:13:11.040 --> 1:13:14.000
<v Speaker 5>painful and hard, somebody listening right now is going to

1:13:14.040 --> 1:13:16.360
<v Speaker 5>be encouraged of like, oh, this is a conversation that

1:13:16.439 --> 1:13:18.880
<v Speaker 5>I haven't had yet in my relationship, and I maybe

1:13:18.920 --> 1:13:21.760
<v Speaker 5>need to do it, and it may help them get

1:13:21.800 --> 1:13:24.280
<v Speaker 5>through either whatever direction they're going to go. It's a

1:13:24.320 --> 1:13:28.920
<v Speaker 5>conversation that sometimes people avoid or don't realize un till

1:13:28.920 --> 1:13:31.120
<v Speaker 5>it gets too late and they're like, oh, shoot, we

1:13:31.280 --> 1:13:32.840
<v Speaker 5>didn't discuss this, and what if we want to have

1:13:32.960 --> 1:13:34.840
<v Speaker 5>kids and then how are we going to raise them?

1:13:34.880 --> 1:13:36.680
<v Speaker 8>And you know, it's snowballs.

1:13:36.680 --> 1:13:40.400
<v Speaker 3>So is there a chance you guys have a discussion

1:13:40.439 --> 1:13:44.960
<v Speaker 3>about it later and change your minds? I don't think. So.

1:13:46.280 --> 1:13:50.120
<v Speaker 2>We had a follow up conversation after the breakup happened,

1:13:50.160 --> 1:13:55.280
<v Speaker 2>and he seemed very sure in his decision. So I

1:13:55.320 --> 1:13:57.640
<v Speaker 2>don't think there's anything that I could have done or

1:13:57.680 --> 1:14:02.040
<v Speaker 2>could do differently for him, And that sucks for me,

1:14:03.439 --> 1:14:06.400
<v Speaker 2>but I do still believe he's a great human, which

1:14:06.479 --> 1:14:07.160
<v Speaker 2>also sucks.

1:14:07.880 --> 1:14:09.400
<v Speaker 3>And two things can be true at the same time.

1:14:09.600 --> 1:14:11.519
<v Speaker 3>One this is just sucks. I'm really sorry because it

1:14:11.560 --> 1:14:14.640
<v Speaker 3>sucks and your heart hurts, and hate that for you

1:14:14.680 --> 1:14:16.880
<v Speaker 3>as a person. But it also, I think is a

1:14:16.920 --> 1:14:19.760
<v Speaker 3>good thing that it happened now and not later after

1:14:19.760 --> 1:14:21.240
<v Speaker 3>you lived with each other and made it even harder,

1:14:21.240 --> 1:14:22.880
<v Speaker 3>which would then make if you did decide to get

1:14:22.920 --> 1:14:24.759
<v Speaker 3>married and keep hunting it kicking the can.

1:14:25.439 --> 1:14:28.920
<v Speaker 2>God dang, yeah, I could have made it so much worse,

1:14:28.960 --> 1:14:30.320
<v Speaker 2>So I am thankful for that.

1:14:31.200 --> 1:14:34.040
<v Speaker 3>Well, well, he hurts.

1:14:33.880 --> 1:14:34.519
<v Speaker 8>Really bad right now.

1:14:34.600 --> 1:14:35.360
<v Speaker 3>I'm sure it does.

1:14:35.439 --> 1:14:36.080
<v Speaker 4>Sorry, Morgan.

1:14:38.360 --> 1:14:40.240
<v Speaker 3>And I know Lunchbox's eyes got big because it was

1:14:40.280 --> 1:14:41.840
<v Speaker 3>going to be like love Bomb told you, but it

1:14:41.880 --> 1:14:42.960
<v Speaker 3>wasn't that at all. And then, you know, did he

1:14:43.080 --> 1:14:45.439
<v Speaker 3>his eyes got lower, you know, and he lowered his

1:14:45.439 --> 1:14:47.639
<v Speaker 3>head down real quick because he wasn't going to say anything.

1:14:47.760 --> 1:14:50.200
<v Speaker 7>I got a couple theories, there.

1:14:50.040 --> 1:14:53.439
<v Speaker 4>Are theories to have she told you what happened.

1:14:53.520 --> 1:14:55.840
<v Speaker 3>No, this is I don't even know that. I don't

1:14:55.880 --> 1:14:56.200
<v Speaker 3>even know.

1:14:56.280 --> 1:14:56.920
<v Speaker 8>It's too soon.

1:14:57.479 --> 1:14:59.200
<v Speaker 5>This is why right at the beginning on like lunchbox.

1:14:59.400 --> 1:15:00.760
<v Speaker 5>I looked at him and I was like, lunch fox.

1:15:00.840 --> 1:15:04.320
<v Speaker 4>No, maybe that's why it looked.

1:15:04.720 --> 1:15:08.240
<v Speaker 8>She's clearly in pain right now. Yeah, right at the beginning,

1:15:08.240 --> 1:15:08.719
<v Speaker 8>did you see.

1:15:08.720 --> 1:15:11.320
<v Speaker 5>I looked back and I go lunchbox, because I knew

1:15:11.360 --> 1:15:13.879
<v Speaker 5>he was about to just like go in.

1:15:15.360 --> 1:15:15.680
<v Speaker 3>What's one?

1:15:15.880 --> 1:15:19.519
<v Speaker 21>What's what's One of the theories part of my just

1:15:19.560 --> 1:15:22.880
<v Speaker 21>hearing her talk is he got cold feet about the

1:15:22.920 --> 1:15:25.599
<v Speaker 21>moving in because she said we were about to move

1:15:25.640 --> 1:15:27.880
<v Speaker 21>in together, and so he looked for the one thing

1:15:27.920 --> 1:15:28.920
<v Speaker 21>that he knew.

1:15:29.000 --> 1:15:31.200
<v Speaker 7>He could use as the excuse, because she.

1:15:31.240 --> 1:15:34.519
<v Speaker 10>Said they had multiple conversations about it and they were

1:15:34.560 --> 1:15:36.720
<v Speaker 10>on the same page. So I think the moving in

1:15:37.640 --> 1:15:38.679
<v Speaker 10>like freaked him out.

1:15:38.720 --> 1:15:42.160
<v Speaker 3>Well, let's go to Morgan. Morgan, your theory, your thoughts

1:15:42.160 --> 1:15:42.799
<v Speaker 3>on that theory.

1:15:43.640 --> 1:15:45.439
<v Speaker 12>I don't think it was that because he's the one

1:15:45.439 --> 1:15:48.599
<v Speaker 12>who brought it up. I was never I was never

1:15:48.840 --> 1:15:51.760
<v Speaker 12>pursuing that. That was never something that I pushed, and

1:15:52.720 --> 1:15:55.680
<v Speaker 12>it came very naturally into the conversation, and he was

1:15:55.800 --> 1:15:58.840
<v Speaker 12>very consistent. There was even like a moment where I

1:15:58.880 --> 1:16:00.600
<v Speaker 12>was like, I'm not getting rid of any of my

1:16:00.600 --> 1:16:02.800
<v Speaker 12>stuff because we're not married and I'm not going there

1:16:02.800 --> 1:16:05.080
<v Speaker 12>I don't want to do this, and he assured me

1:16:05.120 --> 1:16:08.519
<v Speaker 12>that this is this is happening, and we were moving forward.

1:16:08.600 --> 1:16:12.320
<v Speaker 12>So there was no part of me that believed the

1:16:12.360 --> 1:16:14.120
<v Speaker 12>cold feat thing was going to happen.

1:16:14.160 --> 1:16:17.080
<v Speaker 3>Okay, that's one theory, get it out.

1:16:17.320 --> 1:16:19.599
<v Speaker 7>Second second theory she does get out of the way

1:16:19.920 --> 1:16:23.559
<v Speaker 7>is that he had been waiting to meet me, and

1:16:23.600 --> 1:16:24.719
<v Speaker 7>then now that he did, he was like, all.

1:16:24.680 --> 1:16:28.000
<v Speaker 3>Right, I can break up that one. I can probably sign, yeah,

1:16:28.000 --> 1:16:29.519
<v Speaker 3>because I met a lot of us.

1:16:29.600 --> 1:16:32.080
<v Speaker 10>I met him a half ago and then it's like,

1:16:32.160 --> 1:16:34.000
<v Speaker 10>all right, now that I got to meet Lunchek, and so.

1:16:34.000 --> 1:16:35.920
<v Speaker 3>The whole relationship he was just using her to get to.

1:16:35.880 --> 1:16:37.920
<v Speaker 7>You sounds like it. I mean, he did ask me

1:16:37.960 --> 1:16:39.120
<v Speaker 7>if I wanted to go run with him.

1:16:40.200 --> 1:16:42.080
<v Speaker 3>That's the one, guys, I can kind of sign again.

1:16:42.760 --> 1:16:44.960
<v Speaker 3>I kind of believe Morgan. It really sucks. We're laughing

1:16:45.000 --> 1:16:46.360
<v Speaker 3>now because we're just trying to lighten it up a

1:16:46.360 --> 1:16:50.840
<v Speaker 3>little bit. But weaker people have gotten through harder things,

1:16:51.240 --> 1:16:53.280
<v Speaker 3>and you're going to crush this. You're gonna grow from it,

1:16:53.280 --> 1:16:55.599
<v Speaker 3>you're gonna learn from it. You didn't pick a loser.

1:16:55.640 --> 1:16:57.400
<v Speaker 3>And I think as funny as that sounds, for me

1:16:57.439 --> 1:17:01.439
<v Speaker 3>to say, like that shows your growth and I'm sorry

1:17:01.439 --> 1:17:02.880
<v Speaker 3>it happened, you know, I.

1:17:02.800 --> 1:17:05.559
<v Speaker 12>Will say, there's a moment for me this weekend as

1:17:05.600 --> 1:17:10.680
<v Speaker 12>I'm trying to process everything, I was my dog that

1:17:10.720 --> 1:17:13.800
<v Speaker 12>you had mentioned that my new foster, Sunshine got adopted,

1:17:13.920 --> 1:17:16.599
<v Speaker 12>and I was taking her to her new home, and

1:17:16.640 --> 1:17:18.799
<v Speaker 12>I looked at her and I was like, you're so special,

1:17:18.880 --> 1:17:22.200
<v Speaker 12>and I know this is scary, and I know that

1:17:22.320 --> 1:17:25.400
<v Speaker 12>you're afraid of what's to come, but this is going

1:17:25.439 --> 1:17:28.240
<v Speaker 12>to be so beautiful for you. And as I was

1:17:28.280 --> 1:17:31.120
<v Speaker 12>telling her that, I was like, what the crap am

1:17:31.160 --> 1:17:32.800
<v Speaker 12>I doing? Why can I say that to her? But

1:17:32.840 --> 1:17:37.080
<v Speaker 12>I can't say it to myself right now? And there

1:17:37.240 --> 1:17:40.280
<v Speaker 12>was some healing in that, So that was kind.

1:17:40.120 --> 1:17:44.040
<v Speaker 2>Of a bright spot amongst all of this as well.

1:17:44.520 --> 1:17:46.519
<v Speaker 3>Would it help you if we promoted your podcast at

1:17:46.600 --> 1:17:48.680
<v Speaker 3>least you gets extremely the podcasts from this. I think

1:17:48.680 --> 1:17:51.880
<v Speaker 3>that would be a good good idea. Yeah, yeah, yeah, yeah, Morgan.

1:17:51.920 --> 1:17:54.880
<v Speaker 3>The name of your podcast is take this Personally? Oh no,

1:17:55.439 --> 1:17:56.959
<v Speaker 3>what it's the name of her podcast.

1:17:57.000 --> 1:17:59.479
<v Speaker 7>Yeah, maybe he took something personally from the podcast.

1:18:01.680 --> 1:18:03.400
<v Speaker 3>Maybe here with the theory he wanted to meet you

1:18:05.160 --> 1:18:08.160
<v Speaker 3>with that one check out Morgan's podcast Take This Personally.

1:18:10.000 --> 1:18:13.519
<v Speaker 3>We care about you. You're gonna be fine. It sucks

1:18:13.600 --> 1:18:15.800
<v Speaker 3>right now, and that's okay, and it should suck right now.

1:18:15.960 --> 1:18:21.800
<v Speaker 7>Are you back on Hunge a weekend like lunch fun?

1:18:24.920 --> 1:18:28.599
<v Speaker 1>It's the best Bits of the Week with Morgan number two.

1:18:29.800 --> 1:18:31.679
<v Speaker 2>All right, y'all, that's it for me this weekend. Thanks

1:18:31.760 --> 1:18:35.000
<v Speaker 2>for hanging out with me and letting me exist and

1:18:35.040 --> 1:18:38.080
<v Speaker 2>survive right now while also enjoying the best bits that

1:18:38.240 --> 1:18:41.720
<v Speaker 2>really helps me get through this time. And also, if

1:18:41.760 --> 1:18:44.400
<v Speaker 2>you will, go check out Take This Personally, my new podcast.

1:18:44.760 --> 1:18:47.920
<v Speaker 2>I really have been enjoying doing that, especially in such

1:18:47.960 --> 1:18:50.599
<v Speaker 2>a weird moment of my life. But it's helped other

1:18:50.600 --> 1:18:53.679
<v Speaker 2>people feel less alone, and it's also helping me deal

1:18:53.720 --> 1:18:56.559
<v Speaker 2>with these new hardships that I didn't see coming. So

1:18:57.240 --> 1:18:59.360
<v Speaker 2>check it out and come follow me out web girl

1:18:59.360 --> 1:19:01.320
<v Speaker 2>Morgan on all the thing, but also follow the show

1:19:01.320 --> 1:19:03.439
<v Speaker 2>at Bobby Bone Show and you can get lots of

1:19:03.600 --> 1:19:06.000
<v Speaker 2>new content there, even stuff we haven't talked about here

1:19:06.280 --> 1:19:08.719
<v Speaker 2>or even on the big show. Just good stuff everywhere.

1:19:08.840 --> 1:19:10.600
<v Speaker 2>All right, y'all, have a great weekend. Bye.

1:19:11.000 --> 1:19:13.840
<v Speaker 22>That's the best Bits of the week with Morgan. Thanks

1:19:13.880 --> 1:19:15.920
<v Speaker 22>for listening. Be sure to check out the other two

1:19:15.960 --> 1:19:19.840
<v Speaker 22>parts this weekend. Go follow the show on all social platforms.

1:19:19.320 --> 1:19:21.040
<v Speaker 13>Bobby Bomb Show and follow at

1:19:21.120 --> 1:19:23.840
<v Speaker 22>Web girl Morgan to submit your listener questions for next

1:19:23.840 --> 1:19:25.360
<v Speaker 22>week's episode.