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Speaker 1: It's the Best Bits of the week with Morgan. I

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Speaker 1: just the bits.

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Speaker 2: What's up, everybody? Welcome to the Best Bits this weekend.

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Speaker 2: It's Morgan here. You might have heard some news from

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Speaker 2: me on the show this week, which we'll get into

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Speaker 2: unfortunately in the number one spot. But if my voice

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Speaker 2: sound a little bit different pushing through. So hang in

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Speaker 2: there and get caught up on the Bobby Bone Show

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Speaker 2: with me this week. But if you want to check

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Speaker 2: out part one. In part three, I would love that

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Speaker 2: Lunchbox joins me. He gives me a really funny, entertaining

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Speaker 2: pep talk in part one. In part three, we answer

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Speaker 2: all kinds of questions, especially about all of the baby

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Speaker 2: boxes and then going back to school and if he

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Speaker 2: really dislikes Abby or if it's just a bit. So

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Speaker 2: that's all over in part one. In part three, now

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Speaker 2: the reason you're here, we're gonna break down the Bobby

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Speaker 2: Bone Show from this week. Tuesday Reviews Day is always fun.

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Speaker 2: You guys like to hear some recommendations because it's kind

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Speaker 2: of hard to figure out what should I watch this week?

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Speaker 2: You sit down after a long day, I don't want

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Speaker 2: to scroll through everything. Well, here are some suggestions we

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Speaker 2: do Tuesday Reviews Day every week and everybody shares something

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Speaker 2: that they've been watching.

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Speaker 3: We got a lot.

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Speaker 2: We've got one called The Stranger, American Murder, Cowboy, Cartel,

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Speaker 2: The Union. There's lots of things all up in there,

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Speaker 2: or whatever your taste of things are. However, if you

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Speaker 2: have listened to part one, you'll know that I am

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Speaker 2: currently looking for things to watch that have absolutely zero

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Speaker 2: type of romantic sense into them. So if you have

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Speaker 2: good suggestions, send them my way. We'll do the reverse

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Speaker 2: and it'll be a Saturday Reviews Day and you can

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Speaker 2: DM me on Instagram.

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Speaker 1: Number seven.

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Speaker 3: Tuesday Reviews Day the one day we review everything we've

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Speaker 3: watched in the past week. I watched a movie. It

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Speaker 3: was called something about Planet of the Apes. I don't

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Speaker 3: know which one it was, Hey, Mike, it was the

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Speaker 3: latest Planet of the Apes. Whereas mostly all apes there's

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Speaker 3: not like one human.

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Speaker 1: Kicking them on the Planet of the Apes.

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Speaker 4: Yeah, aren't they all like that?

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Speaker 3: No? No, no they're not, And I was ready for

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Speaker 3: more like humans.

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Speaker 4: It's called Planet of the apes't thing doesn't matter.

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Speaker 3: It's sometimes full humans to go and fight the apes.

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Speaker 3: And there's all these different versions of it.

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Speaker 5: Right.

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Speaker 3: Mike Trilogy before was the first one had a lot

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Speaker 3: of humans in. Mark Wahlberg was in it. Brokay, that's

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Speaker 3: a right.

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Speaker 4: I forgot about that.

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Speaker 3: Yeah, and the books and the old Charlton Heston, like,

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Speaker 3: it's not just all monkeys all the time.

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Speaker 4: Is this the one where the birds?

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Speaker 6: Yeah, okay, that's a good one. I saw this one

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Speaker 6: of the movies. Okay, Oh you didn't like it.

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Speaker 3: It's okay. Oh it's okay. Is long? And I was like,

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Speaker 3: I love, it's fine, it's fine. I just expected more humans.

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Speaker 4: I agree with you.

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Speaker 7: I that it was pretty boring.

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Speaker 3: Yeah, if there had been more humans out of related

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Speaker 3: more but it was like it's all ape on ape

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Speaker 3: crime and I was like, what's that? And I was

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Speaker 3: like I don't even know who to root for sometimes,

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Speaker 3: and like the silver Backs were like bad guys, and

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Speaker 3: then humans were bad, but then good, and then it

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Speaker 3: was I would give it two and a half Earth Weapons,

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Speaker 3: Oh yeah, that's good out of five because it's fine.

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Speaker 3: I fell asleep a little bit during it.

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Speaker 4: You fell asleep in the movie?

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Speaker 3: Yeah, led to my wife ISID I didn't know because

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Speaker 3: she was like, I don't want to watch this anymore.

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Speaker 3: Watched it in two parts. I was like, i'll watch

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Speaker 3: it with you. I fell asleep, and then she was

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Speaker 3: like are you asleep? And I was like no, no, no,

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Speaker 3: And then now I have to act like my favorite

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Speaker 3: movie at home because it fell asleep during it. The

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Speaker 3: same almost fell asleep in the theater watching you did. Yeah,

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Speaker 3: so more humans that have been pretty good. The second

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Speaker 3: thing to Beingji, but I get the BEINGI to And

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Speaker 3: you guys may have watched this and it's in a

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Speaker 3: different language, well British to British, what is it? It's

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Speaker 3: still English but British, So you got to have the

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Speaker 3: subtitles up because sometimes they're like, it's called The Stranger.

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Speaker 3: It's on Netflix. It only came out a few years ago.

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Speaker 8: Okay, I haven't watched this.

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Speaker 3: It's based on a book. Well, we were just flipping

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Speaker 3: through pick it, so it sounds like we're flipping and

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Speaker 3: we go over to Netflix, which is kind of the

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Speaker 3: lamer of the services now because it's more generic. But

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Speaker 3: we felt we were like, let's give it a run.

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Speaker 3: Watching them two days, eight episodes.

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Speaker 4: Wow, yeah, it's eight episode.

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Speaker 8: It's a BINGI, it's a stranger.

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Speaker 3: Yeah, we're going four and then out of five Baseball

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Speaker 3: Caps because well it's British and it wasn't American. I

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Speaker 3: can't give anything five out of five except for squad Games.

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Speaker 3: But The Stranger on Netflix. It's based off a book

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Speaker 3: and I thought it was great. My wife thought it

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Speaker 3: was great. We loved it. What's eighty seven percent on

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Speaker 3: Rotten Tomatoes?

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Speaker 4: Can you say what?

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Speaker 3: I a web of secret since family man Adam Price

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Speaker 3: onto a desperate quest to discover the truth about the

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Speaker 3: people closest to him, all from A Stranger. Okay, those

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Speaker 3: are my two Tuesday reviews.

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Speaker 5: Days Amy Anything, I watched American Murder Lacy Peterson.

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Speaker 3: I'm going to watch that. We're going to watch that.

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Speaker 5: It's been twenty years since Scott Peterson was convicted.

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Speaker 3: Movie or series.

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Speaker 5: It's a three part series and it's really interesting because

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Speaker 5: you're seeing like jurors or part of it. Her mom

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Speaker 5: is speaking out for the first time, and yeah, I

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Speaker 5: really enjoyed it and it hopefully will Like her mom

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Speaker 5: was saying, she's gotten so many letters from Lacey's story

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Speaker 5: being shared from women that have maybe been in a

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Speaker 5: relationship that if they could, if they got out soon enough,

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Speaker 5: then it saves their lives.

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Speaker 3: You know, first of all, what do you rate it?

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Speaker 3: And have a question.

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Speaker 5: So sad, but I guess the way they did it,

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Speaker 5: I thought it was really.

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Speaker 3: What I have to rate the murder of the story

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Speaker 3: actually just rating what.

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Speaker 8: It just feels weird.

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Speaker 5: But Netflix did a great job, So I give it

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Speaker 5: four and a half out of five.

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Speaker 9: Why do you to say streaming services, yeah, like, uh,

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Speaker 9: when involved, No, we're not doing that, but I.

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Speaker 8: Mean that's involved in the murder.

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Speaker 3: Okay, Juris, thank you.

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Speaker 4: Sorry, that was hard, generic cereal.

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Speaker 3: Anything I said streaming services just so you can say

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Speaker 3: that any chance we feel better about Scott Peterson after this,

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Speaker 3: you can't say that.

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Speaker 8: Okay. The weird no, not me.

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Speaker 5: The weird thing is you're seeing from like some certain

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Speaker 5: people that think he's still innocent, and but to me,

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Speaker 5: it's like, how in the world you will get all this.

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Speaker 8: Evidence and thing that he's innocent.

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Speaker 5: But I think his sister in law like went and

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Speaker 5: got her law degree and she's trying to fight for

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Speaker 5: him to.

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Speaker 3: Get Because I've seen like five different versions of a

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Speaker 3: show like this, probably not as detailed, not three episodes.

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Speaker 8: I don't want to say too much.

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Speaker 3: Some of the yea. You couldn't even rate it a

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Speaker 3: certain thing because it's sensitive. Yeah, all right, let's walch

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Speaker 3: you got.

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Speaker 7: I watched The Sand Pebbles.

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Speaker 3: Was that the movie that Kevin Costner said was the

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Speaker 3: greatest of all time?

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Speaker 7: He said it is his favorite movie of all time?

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Speaker 3: And I know why nineteen sixty six because there's.

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Speaker 7: Three hours and sixteen minutes.

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Speaker 10: Oh, that's why Kevin Costler liked it.

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Speaker 3: And what did you think of The Sand Pebbles.

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Speaker 7: I don't even Maybe I'm not smart enough for the movie.

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Speaker 3: It's in the sixties.

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Speaker 10: Maybe I needed to understand what was going on in

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Speaker 10: nineteen thirty and it's like a US ship over in

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Speaker 10: China and they're fighting.

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Speaker 7: I was bored out of my mind. I had to

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Speaker 7: rent it twice because I couldn't finish it.

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Speaker 3: Why did you re rent it?

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Speaker 7: Because I had to have to review it. I had

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Speaker 7: to finish it, yuys.

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Speaker 3: I want to make this clear, you don't have to

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Speaker 3: watch anything. No.

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Speaker 10: I was intrigued about Kevin Costner's favorite movie of all time.

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Speaker 10: He's one of the greatest actors of our generation, and

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Speaker 10: I'm like, Okay, there has to be something that I'm

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Speaker 10: going to get out of this like it's gonna get better.

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Speaker 3: Right, let me state the rolls again. This isn't you

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Speaker 3: have to watch something, it's if you do. This is

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Speaker 3: the one time of the week we review it. Oh

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Speaker 3: so this is not homework to go and you have

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Speaker 3: to watch something. I didn't say I had to know,

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Speaker 3: but Amy thinks it is.

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Speaker 8: He kind of just said I thought he said I

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Speaker 8: had to I had to do it to review it.

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Speaker 10: No, I had to finish it to review it. Because

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Speaker 10: you can't review something you haven't finished.

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Speaker 3: What do you give the sand pebbles?

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Speaker 7: One and a half? Oh ships out of five?

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Speaker 6: Okay, thank you, Eddie anything cowboy Cartel. Amy brought it

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Speaker 6: to the show. She was talking in a little something

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Speaker 6: about it was like, let me watch this thing, guys.

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Speaker 4: It's awesome.

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Speaker 6: It's I mean, this takes place in South Texas, Like

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Speaker 6: this is my stomping ground as I was born and

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Speaker 6: raised McCall in Texas, right by the border. The Zettas

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Speaker 6: is the is the cartel that's down there who they

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Speaker 6: did some bad stuff And this is how the FBI

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Speaker 6: got him review it. Oh, four out of five quarter horses.

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Speaker 3: We'll put all this up on our social media pages too, Morgan,

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Speaker 3: you have one.

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Speaker 2: Yeah, so I watched The Union on Netflix. It's with

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Speaker 2: Mark Wahlberg and Halle Berry. It's a great dumb action movie.

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Speaker 11: Never heard of it.

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Speaker 2: Yeah, it's brand new, just came out, and it's all

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Speaker 2: about basically Mark Wahlberg and Halle Berry is his ex

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Speaker 2: from like twenty five years ago, and she pops out

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Speaker 2: of nowhere and then all these things in sue and

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Speaker 2: I would give it three and a half out of

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Speaker 2: five cell phones.

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Speaker 3: The audience score for Rotten Tomatoes is twenty eight percent.

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Speaker 2: I told you, dumb action movie. Okay, Yeah, dumb action movie,

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Speaker 2: but like an easy watch. And I really like Mark

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Speaker 2: Wahlberg and Halle Berry together.

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Speaker 3: That's Tuesday reviews day. Yeah, if nobody has anything, we'll

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Speaker 3: just go there's nothing to review. You do not have

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Speaker 3: to watch anything. Amy got it.

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Speaker 8: I was like, oh, man, want to finish it to

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Speaker 8: be able to review it.

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Speaker 3: You got it? It moving on, Okay, it's the best

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Speaker 3: bits of the week with Morgan.

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Speaker 1: Number two.

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Speaker 2: Drew Baldridge stopped by the studio this week. It's his

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Speaker 2: first time officially in the studio. You might have heard

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Speaker 2: him on Bobby's Bobby cast really cool stuff. This guy

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Speaker 2: has almost made it to the top one on country

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Speaker 2: radio and he's completely self funded. He's not on a

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Speaker 2: record label. He had posted his song She's Somebody's Daughter,

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Speaker 2: and it went viral on social media and he thought

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Speaker 2: after that he'd for surely beginning onto a record label,

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Speaker 2: but that wasn't the case. So he was like, I'm

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Speaker 2: going to fight for this, and he has and that's

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Speaker 2: what he came in to talk about. It's really cool

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Speaker 2: and super inspiring. So if you haven't heard of him,

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Speaker 2: now you will. His name is Drew Baldridge.

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Speaker 1: Number six on the Bobby Bones Show. Now Drew Baldridge.

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Speaker 12: True?

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Speaker 3: Is this the week we're doing it?

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Speaker 13: Or what this is it?

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Speaker 14: Brother?

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Speaker 3: So if Drew hits number one, which I think you're

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Speaker 3: at three this week?

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Speaker 14: Yeah, So we're three this week on media Base and

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Speaker 14: five on Billboard.

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Speaker 3: Okay, let's just keep it on media Base. It's all

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Speaker 3: we care about right here. I like it three.

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Speaker 15: This week at two I think was everybody get it yeah,

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Speaker 15: shaboozi yeah, and then at number one it was uh ah,

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Speaker 15: try jack, I try do.

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Speaker 3: So we've set up for this number one.

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Speaker 16: Now.

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Speaker 3: The thing about Drew if you've been listening to the

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Speaker 3: stuff that we've been doing over on the Bobby Cast.

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Speaker 3: If he reaches number one on media Base, he'll be

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Speaker 3: the first ever self funded artist to reach the top

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Speaker 3: spot with their song.

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Speaker 4: That's amazing funded artist.

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Speaker 3: What does self funded mean? Drew?

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Speaker 14: Well, I just had to create my own record label

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Speaker 14: to do this, so I had to hire my own staff,

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Speaker 14: and uh, you know which is which is a lot.

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Speaker 14: I mean that's why artists, you know, back in the

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Speaker 14: day really couldn't do it. We're very lucky that streaming

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Speaker 14: exists to kind of fund the staff to help send

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Speaker 14: a radio because it's like, you can't just have a

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Speaker 14: label and say hey, I'm sending song to radio and

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Speaker 14: everybody just starts playing it.

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Speaker 10: You know.

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Speaker 14: You got to have people that rep you, that go

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Speaker 14: out and say hey, can you please play this and

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Speaker 14: please play this? And we're just very lucky that radio

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Speaker 14: has been so kind. You know, I've been in Nashville

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Speaker 14: for thirteen years now chasing this.

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Speaker 3: Overnight success is what I hear. I don't know about

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Speaker 3: you guys, never been a better example of overnight success.

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Speaker 3: Talk about the song for a second. So she's somebody's daughter,

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Speaker 3: How long ago, did you write the song?

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Speaker 14: So I wrote this song six years ago after meeting

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Speaker 14: my wife's dad for the first time. She was just

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Speaker 14: my girlfriend and it was kind of just like one

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Speaker 14: of those things of don't mess this up, like treat

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Speaker 14: her write you know. I wanted to message to myself

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Speaker 14: to remember that. So I wrote this song back in

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Speaker 14: twenty eighteen, and I was on a record label and

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Speaker 14: we put it out in twenty nineteen and it just

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Speaker 14: really it really didn't do anything. There was a girl

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Speaker 14: at that time had a song to Neil Towns, had

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Speaker 14: a song called Somebody's Daughter, which was a great song, and.

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Speaker 13: I was like, you gotta be kidding me.

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Speaker 14: And it was such a god blessing because we didn't

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Speaker 14: put it out to radio and the label I was

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Speaker 14: on closed in three months and because of you, not

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Speaker 14: because I don't know, but it was just they just

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Speaker 14: wanted to shut their doors. And I thought, and I'd

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Speaker 14: get a new record deal. And twenty twenty came and

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Speaker 14: COVID hit and nobody would you know, take meetings, and

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Speaker 14: I almost quit. I lost my record deal, I lost

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Speaker 14: my manager, I lost my booking agent. And the thing

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Speaker 14: that I did was I said, okay, that's kind of

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Speaker 14: one last straw. I'm just going to post on my

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Speaker 14: TikTok and just say hey, I'll play in anybody's backyard

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Speaker 14: that wants to have me. And I thought we'd get

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Speaker 14: like five requests, and we end up getting I think

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Speaker 14: close to twenty twenty thousand requests. And I went around

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Speaker 14: the country for two or three years and just played

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Speaker 14: three hundred people's backyards.

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Speaker 3: Just the least amount of money you ever got for

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Speaker 3: doing a backyard.

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Speaker 14: Oh man, I think five hundred bucks.

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Speaker 3: Okay, still respectable. So no one got you for like

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Speaker 3: two bucks and some blint in their pocket like oh Mann, yeah,

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Speaker 3: oh crap, I forgot to bring my wallet. And what

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Speaker 3: was the most anybody ever gave you?

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Speaker 5: Man?

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Speaker 14: I think you know, it's hard. I'm trying to remember.

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Speaker 14: I think like five five thousand dollars to go play,

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Speaker 14: and that was I mean at that time, you know,

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Speaker 14: everybody thought I was doing them such a favor, like, man,

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Speaker 14: you being here as awesome. I can't believe in your yard,

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Speaker 14: and I'd be like, man, no, like what you're doing

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Speaker 14: for me is life changing. Like I have a son,

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Speaker 14: you know, I have a wife, and I'm trying to

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Speaker 14: live a lifestyle and stay in Nashville. It's expensive here,

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Speaker 14: and just like they helped me so much. And now

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Speaker 14: it's crazy to think that all those people we played

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Speaker 14: in their backyards and I'm seeing posts every day. It's

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Speaker 14: like this dude's almost got a number one record.

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Speaker 13: He was in our yard. You know. It's just crazy.

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Speaker 3: And sometimes as a porchpirate not even playing the show,

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Speaker 3: but I was just trying to steal stuff to get by. Yeah,

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Speaker 3: so we feel like this could be.

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Speaker 13: The week man.

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Speaker 14: Yeah, I mean right now, there's this thing called real

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Speaker 14: Time that shows the chart in real time, and we're.

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Speaker 13: At number one.

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Speaker 14: Guys, we're at number one in real time, and it's

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Speaker 14: such a blessing and I just can't believe it. I mean,

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Speaker 14: you know, everybody looks at media Base. I'm also like

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Speaker 14: a Billboard watch or two and we're three on Billboard,

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Speaker 14: and I'm like, oh man, we're so close, Like it'd

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Speaker 14: be cool to hit the number one on both. But

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Speaker 14: I was talking to somebodies yesday and they're just like, dude,

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Speaker 14: just you're number one, Take your number one song, Take

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Speaker 14: the number one. And it's just such a blessing to

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Speaker 14: know too, Like we did it by ourselves. Like there

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Speaker 14: wasn't no fancy strings being pulled, there wasn't big money

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Speaker 14: pockets behind it. It was just like me and take it.

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Speaker 3: Yeah, dark political money. He didn't take it.

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Speaker 13: No, he didn't make it.

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Speaker 14: Man, It's just cool. And also I can just say

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Speaker 14: it's the fans. You know, they drove this song. I

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Speaker 14: think you know they've had like a billion views on

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Speaker 14: TikTok and like have driven driven this song to number one.

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Speaker 14: It's really them and they've become a part of my

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Speaker 14: life and part of my family. And it's really special

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Speaker 14: to watch a song that means so much to me

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Speaker 14: that I wrote about my wife and her dad, and

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Speaker 14: now watching it mean so much to other people, and

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Speaker 14: hearing people sing at shows, like I've been here for

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Speaker 14: thirteen years. I've never had anybody sing along at a show.

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Speaker 14: And so like my bass player the first time that happened.

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Speaker 14: He's been playing bass for me for eleven years, like

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Speaker 14: right when I started, and I remember the first time

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Speaker 14: it happened. It was last year and people started singing.

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Speaker 14: I was like, dude, do you remember people singing at

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Speaker 14: our show?

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Speaker 4: Nope?

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Speaker 13: Never, nobody's ever singing. I've been waiting on this for Tay.

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Speaker 14: I was like, oh my goodness, we finally got a

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Speaker 14: song that people know.

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Speaker 3: Whenever you write a song, let's say, for your now wife,

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Speaker 3: and you play it for her, you're like, this was inspired.

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Speaker 3: When you write a song inspired by her? Dad, are

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Speaker 3: you ever You're like, Chuck, come in, I want you

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Speaker 3: to listen to this song I wrote. How did that

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Speaker 3: get back to him? Cause that's kind of you know,

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Speaker 3: it's it's not awkward, but it's kind of I wrote

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Speaker 3: the song about Yeah.

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Speaker 13: Yeah, I just I didn't show him, you know.

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Speaker 14: I showed her and it was like, hey, if you

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Speaker 14: want to show your dad, you can, and I have

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Speaker 14: this really special video of the first time, like, you know,

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Speaker 14: we're getting married, and she said, Dad, I got the

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Speaker 14: song we're going to dance to. And I made, you know,

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Speaker 14: the twenty nineteen versions, like this real up tempo thing.

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Speaker 14: And we got married in twenty twenty one, so it

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Speaker 14: was a couple of years later. I made a special

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Speaker 14: wedding version just so she could dance to it with

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Speaker 14: her dad and just me and a piano and a cello.

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Speaker 14: And so she pulls it up up in the kitchen

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Speaker 14: and just starts dancing with her dad in the kitchen

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Speaker 14: to it and they're crying, and I like sneak my

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Speaker 14: phone in on the side of it and watched, you know,

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Speaker 14: get to watch them have this special moment of her

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Speaker 14: and her dad. And that was really cool for me

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Speaker 14: as a as a songwriter to be like, man, I've

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Speaker 14: been writing songs since I was sixteen in my bedroom

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Speaker 14: and like, never thought I would write the song that

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Speaker 14: my wife and father in law would dance to, and

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Speaker 14: not only that, but so many around the country at

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Speaker 14: that time. It was just literally I did it for

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Speaker 14: them and we posted the video on our honeymoon. I'm

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Speaker 14: just like, hey, if you like this wedding version, I'll

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Speaker 14: put it out. And it was a Wednesday and we

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Speaker 14: woke up the next morning with almost ten million views

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Speaker 14: on the TikTok, and I was just like me and

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Speaker 14: my wife were dancing, was like, every record company's gonna

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Speaker 14: be calling us now, baby, you know, and nobody did.

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Speaker 14: We laughed now, but not so funny then so funny

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Speaker 14: then now now we're laughing because it's like, yeah, we

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Speaker 14: freaking did it by ourselves. Back then, it was like,

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Speaker 14: oh man, everybody's calling and yeah, nobody did and just

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Speaker 14: watched it happen. So many other dads use this song

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Speaker 14: and it's so funny. Now in meet and greets, I

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Speaker 14: have these cowboys that come up and cowboy hats and

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Speaker 14: real manly man and they're like crying. They're like, don't

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Speaker 14: tell anybody, I'm crying. But that song right there really means.

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Speaker 13: A lot to me.

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Speaker 3: Are you those dads match a man? Ready savage?

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Speaker 13: No?

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Speaker 3: Everyone sounded like, yeah, have you played any weddings this song?

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Speaker 3: Any weddings I have?

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Speaker 14: Yeah, there's some really awesome TikTok videos too, where I

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Speaker 14: just kind of surprise some people. Like I get messages

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Speaker 14: all the time, and I always reach back if I

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Speaker 14: see them, like where's it at?

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Speaker 13: You know, if I'm in the area and I'm touring,

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Speaker 13: like and if I have.

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Speaker 14: Time, I'll stop by, you know, and if it works out,

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Speaker 14: it does, and if not, you know, I wish we

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Speaker 14: could do surprise more people. But but yeah, we've done

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Speaker 14: a couple of them. They've been really special. I had

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Speaker 14: one in Salt Lake City that really stands out. They

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Speaker 14: reached out and they're like, we're using you know, she's

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Speaker 14: somebody's dollar. I also have this song called can she

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Speaker 14: have this dance that I wrote from my mama to

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Speaker 14: dance to at our wedding And we put that out too,

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Speaker 14: and like my husband's dancing to that song, we're also

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Speaker 14: going to use your son. I was like, well, man,

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Speaker 14: this they're using all my songs. Tribute show. You're still

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Speaker 14: a lot tribute I'm still here. So we would show

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Speaker 14: up and we got to play those and that was

441
00:18:11,440 --> 00:18:14,320
Speaker 14: really cool. But those those are some special moments because

442
00:18:14,359 --> 00:18:15,920
Speaker 14: you just get to be a part of people's lives.

443
00:18:15,920 --> 00:18:18,320
Speaker 14: And I just think that's what's so cool about country

444
00:18:18,400 --> 00:18:21,120
Speaker 14: music is you know, music's made to make memories too,

445
00:18:21,160 --> 00:18:24,800
Speaker 14: and man, when you can be a part of somebody's long,

446
00:18:25,400 --> 00:18:27,960
Speaker 14: long term memory of getting married, you know, that's that's

447
00:18:28,000 --> 00:18:28,800
Speaker 14: really special to me.

448
00:18:29,280 --> 00:18:30,760
Speaker 3: I know for a long time, you were booking all

449
00:18:30,760 --> 00:18:33,399
Speaker 3: of your own shows too, like you were a DIY.

450
00:18:33,960 --> 00:18:36,680
Speaker 3: And what's cool is you've learned how to do it.

451
00:18:37,320 --> 00:18:40,399
Speaker 3: But now have there been people come along that are

452
00:18:40,440 --> 00:18:41,520
Speaker 3: now joining the team.

453
00:18:41,720 --> 00:18:42,080
Speaker 7: Yeah.

454
00:18:42,119 --> 00:18:45,840
Speaker 14: So from twenty twenty to twenty four, I managed myself.

455
00:18:46,040 --> 00:18:48,560
Speaker 14: I booked to myself. That was my own record lage. Well,

456
00:18:48,600 --> 00:18:49,480
Speaker 14: I don't know what I was doing.

457
00:18:49,560 --> 00:18:51,399
Speaker 5: Would you talk like yourself though, or would you be like,

458
00:18:51,600 --> 00:18:56,880
Speaker 5: right question, let me go check his calendar.

459
00:18:57,080 --> 00:18:58,560
Speaker 14: Yeah, so what I do is I just had a

460
00:18:59,240 --> 00:19:03,040
Speaker 14: Drew Baldridge man management email on on my Instagram and

461
00:19:03,080 --> 00:19:04,960
Speaker 14: I still do you know, it just says Drew Baldridge

462
00:19:04,960 --> 00:19:08,439
Speaker 14: Management and Gmail and show inquiries would come through that

463
00:19:08,480 --> 00:19:10,720
Speaker 14: and I'd just be like, thank you so much.

464
00:19:10,560 --> 00:19:13,840
Speaker 13: For being interested in Drew Baldridge. This is what we require.

465
00:19:14,960 --> 00:19:17,960
Speaker 14: And so yeah, I just run that email and uh,

466
00:19:18,080 --> 00:19:19,439
Speaker 14: you know when when they would ask to get on

467
00:19:19,480 --> 00:19:20,919
Speaker 14: the phone, that's when it would get harry, you know,

468
00:19:20,920 --> 00:19:22,760
Speaker 14: and then I'd have to go my tour managers like, hey, man,

469
00:19:22,760 --> 00:19:24,119
Speaker 14: do you care to call these people? This is what

470
00:19:24,160 --> 00:19:27,040
Speaker 14: we need and this is what we're doing. And but yeah,

471
00:19:27,119 --> 00:19:29,240
Speaker 14: so I ran up by myself for four years. We

472
00:19:29,280 --> 00:19:31,720
Speaker 14: got We did it all the way up to top

473
00:19:31,800 --> 00:19:35,919
Speaker 14: ten alone with no manager, no agent, no record label.

474
00:19:36,000 --> 00:19:39,440
Speaker 14: And then the last month I got a manager. Now,

475
00:19:39,600 --> 00:19:42,600
Speaker 14: which is super awesome. I don't feel alone and I

476
00:19:42,640 --> 00:19:46,399
Speaker 14: have an awesome booking agent UTA where I'm not having

477
00:19:46,440 --> 00:19:49,200
Speaker 14: to you know, run all those phone calls. I got

478
00:19:49,200 --> 00:19:51,000
Speaker 14: a I got a son, I got a wife. When

479
00:19:51,080 --> 00:19:52,560
Speaker 14: I'm gone all the time, then I come home. When

480
00:19:52,560 --> 00:19:54,639
Speaker 14: I'm on the phone till nine o'clock at night, my

481
00:19:54,760 --> 00:19:56,879
Speaker 14: wife wants to kill me halftime probably you know I

482
00:19:56,920 --> 00:20:01,160
Speaker 14: would if it was reversed, And so get a team

483
00:20:01,320 --> 00:20:03,679
Speaker 14: to start helping. This is awesome, but it's also like

484
00:20:04,680 --> 00:20:07,160
Speaker 14: I've been doing this alone. So I'm like, it's really

485
00:20:07,160 --> 00:20:09,080
Speaker 14: hard to give it up, you know. I'm like, no,

486
00:20:09,280 --> 00:20:10,880
Speaker 14: you don't know. You might not know what you're doing,

487
00:20:10,920 --> 00:20:12,520
Speaker 14: but I know what I'm doing, you know. And it's like, no,

488
00:20:12,720 --> 00:20:16,159
Speaker 14: I'm finally starting to feel like, oh, I can just relax, Like,

489
00:20:16,320 --> 00:20:17,800
Speaker 14: oh my goodness, we're about to have a number one.

490
00:20:17,800 --> 00:20:20,119
Speaker 14: I actually have a team that knows what they're doing.

491
00:20:20,320 --> 00:20:22,199
Speaker 14: They know more than I do. I'm just you know,

492
00:20:22,600 --> 00:20:24,560
Speaker 14: it's been it's been a journey for sure.

493
00:20:24,680 --> 00:20:27,240
Speaker 3: I'm saying, a bunch of shows pop up, like more shows.

494
00:20:27,480 --> 00:20:31,560
Speaker 14: Yeah, man, we just announced a tour just last week

495
00:20:31,600 --> 00:20:33,919
Speaker 14: where we're gonna go out and kind of celebrate this.

496
00:20:34,040 --> 00:20:38,119
Speaker 14: She's Somebody's daughter journey to number one. And you know

497
00:20:38,119 --> 00:20:40,960
Speaker 14: they're all on my website at Drew baldersmusic dot com.

498
00:20:40,960 --> 00:20:41,880
Speaker 13: Little plug right there.

499
00:20:42,359 --> 00:20:44,000
Speaker 3: Yeah. Starting by the way, it's a bunch of the

500
00:20:44,000 --> 00:20:46,960
Speaker 3: cities that wanted to September sixth, uh Greenville, North Carolina,

501
00:20:47,040 --> 00:20:55,320
Speaker 3: but all the way up till December sixth, Bakersfield, Vegas, Pittsburgh, Cincinnati, Minneapolis,

502
00:20:55,320 --> 00:20:57,160
Speaker 3: Des Moines, just some of the places that our show

503
00:20:57,160 --> 00:20:59,520
Speaker 3: has heard. So you guys go to Drew's instagrammer's website

504
00:20:59,560 --> 00:21:00,600
Speaker 3: and you can see all the shows there.

505
00:21:00,640 --> 00:21:01,520
Speaker 13: Man, thank you for that.

506
00:21:01,600 --> 00:21:03,879
Speaker 14: Yeah, we're excited, and you know, we hope that we

507
00:21:03,920 --> 00:21:05,600
Speaker 14: have more people come out and never you know, I

508
00:21:06,280 --> 00:21:10,399
Speaker 14: I've been touring for you know, twelve years, eleven years,

509
00:21:10,440 --> 00:21:13,280
Speaker 14: and you know, just now having a people sing along.

510
00:21:13,359 --> 00:21:16,280
Speaker 14: So it's really nerve wracking, like headlining your own tour.

511
00:21:16,400 --> 00:21:18,120
Speaker 14: I'm sure if you talk to artists that come in here,

512
00:21:18,119 --> 00:21:20,679
Speaker 14: you're like, man, I just hope I sell one hundred tickets. Like,

513
00:21:21,000 --> 00:21:23,920
Speaker 14: you want everybody to win. You want the person that's

514
00:21:24,320 --> 00:21:26,159
Speaker 14: the club that's having you there, you want them to

515
00:21:26,160 --> 00:21:28,280
Speaker 14: make money. You want to not be broke, and you

516
00:21:28,320 --> 00:21:29,960
Speaker 14: want the fans to enjoy it and not come out

517
00:21:30,119 --> 00:21:31,960
Speaker 14: because I played so many shows where there's like three

518
00:21:31,960 --> 00:21:35,119
Speaker 14: people you know, and you're just like, hi, guys, this

519
00:21:35,240 --> 00:21:36,080
Speaker 14: is for you.

520
00:21:36,080 --> 00:21:36,320
Speaker 13: You know.

521
00:21:36,520 --> 00:21:38,440
Speaker 3: I guess you learn every one of their names.

522
00:21:38,520 --> 00:21:41,280
Speaker 14: Yeah, you do, and but you know what's cool now

523
00:21:41,400 --> 00:21:44,159
Speaker 14: is people come out and they have their backyard shirts on.

524
00:21:44,480 --> 00:21:46,720
Speaker 14: And that's what's been really special is you know that

525
00:21:46,760 --> 00:21:49,520
Speaker 14: says Baldridge and Bonfire's what we call the tour and

526
00:21:50,240 --> 00:21:52,000
Speaker 14: they have their Baldridge and Bonfire shirt on thems like

527
00:21:52,040 --> 00:21:54,080
Speaker 14: you're here when nobody was. You know, it's just a

528
00:21:54,119 --> 00:21:56,000
Speaker 14: different kind of bond with these people.

529
00:21:56,280 --> 00:21:58,360
Speaker 3: Can I suggest a song called He's Somebody's Son?

530
00:21:58,720 --> 00:21:59,840
Speaker 13: I had a lot of people.

531
00:22:00,520 --> 00:22:02,840
Speaker 3: I mean, it just all won to be fair. Go, yeah,

532
00:22:02,880 --> 00:22:05,600
Speaker 3: he's some modest son, didn't have the sing, doesn't hit

533
00:22:05,640 --> 00:22:06,920
Speaker 3: thet doesn't.

534
00:22:06,680 --> 00:22:07,000
Speaker 13: Have a sing.

535
00:22:07,080 --> 00:22:08,840
Speaker 3: You even heard all the lyrics, yet haters.

536
00:22:10,200 --> 00:22:11,400
Speaker 13: Write bring it back.

537
00:22:11,440 --> 00:22:14,240
Speaker 3: I really get in touch with my personal side and

538
00:22:14,280 --> 00:22:17,800
Speaker 3: you guys are like it doesn't hit the same. Yeah, Drew,

539
00:22:17,920 --> 00:22:19,000
Speaker 3: I'm happy for you man.

540
00:22:19,080 --> 00:22:19,640
Speaker 13: Well, thank you.

541
00:22:19,680 --> 00:22:21,960
Speaker 14: And you've been such a big part of this too,

542
00:22:21,960 --> 00:22:24,240
Speaker 14: Like allow me to come on here when you know

543
00:22:24,359 --> 00:22:25,480
Speaker 14: I don't really have.

544
00:22:26,080 --> 00:22:29,000
Speaker 3: You're a total loser. When I found you, I was like,

545
00:22:29,160 --> 00:22:29,920
Speaker 3: what do you need sir?

546
00:22:32,119 --> 00:22:33,160
Speaker 13: But no, this means a lot.

547
00:22:33,200 --> 00:22:35,520
Speaker 14: Since I moved to Nashville, IVE always dreamed of being

548
00:22:35,560 --> 00:22:37,600
Speaker 14: on the Bobby Bone Show. This has been a special

549
00:22:37,640 --> 00:22:40,280
Speaker 14: moment for me to come in here, and you guys

550
00:22:40,280 --> 00:22:42,119
Speaker 14: don't have to allow me to come in here and

551
00:22:42,119 --> 00:22:44,399
Speaker 14: tell my story. And Bob, you've told my story so

552
00:22:44,480 --> 00:22:46,320
Speaker 14: many times and so many of your listeners. I'm just

553
00:22:46,440 --> 00:22:49,359
Speaker 14: very thankful and humbled. And you know, I've had deals

554
00:22:49,359 --> 00:22:51,840
Speaker 14: and I've lost them, and I don't take anything for

555
00:22:51,880 --> 00:22:55,480
Speaker 14: granted anymore of so, like, this is special being in

556
00:22:55,520 --> 00:22:56,160
Speaker 14: here with you guys.

557
00:22:56,160 --> 00:22:58,800
Speaker 3: Today we're gonna play She's Somebody's Daughter. Do you want

558
00:22:58,800 --> 00:23:00,120
Speaker 3: to play like twelve times?

559
00:23:00,119 --> 00:23:00,240
Speaker 13: Just on.

560
00:23:02,119 --> 00:23:02,600
Speaker 3: Repeat?

561
00:23:02,720 --> 00:23:03,600
Speaker 13: Please? Please?

562
00:23:03,640 --> 00:23:05,600
Speaker 14: At least you know once every hour. There we go

563
00:23:06,160 --> 00:23:06,960
Speaker 14: every morning.

564
00:23:07,400 --> 00:23:13,280
Speaker 3: Drew Baldridge, She's Somebody's daughter. Drew, Congratulations on whatever run

565
00:23:13,400 --> 00:23:16,160
Speaker 3: this is. I hope you get your number one. That's amazing.

566
00:23:16,280 --> 00:23:19,120
Speaker 3: Whatever you do next, but don't fall into that trap

567
00:23:19,160 --> 00:23:21,399
Speaker 3: off going. Okay, now I got to do it again.

568
00:23:21,600 --> 00:23:23,040
Speaker 3: There'll be a time for that this week.

569
00:23:23,680 --> 00:23:26,359
Speaker 14: Wet's thank you because it's so it's easy to stress

570
00:23:26,359 --> 00:23:29,600
Speaker 14: out because everybody's like, man, what's next. Hey, you're ringing

571
00:23:29,600 --> 00:23:31,080
Speaker 14: the bell once? How do you do it again? I'm like,

572
00:23:31,400 --> 00:23:33,679
Speaker 14: I don't freaking know. I'll be honest, I don't know

573
00:23:33,680 --> 00:23:35,240
Speaker 14: how we're gonna do it again, but we're gonna try

574
00:23:35,280 --> 00:23:37,200
Speaker 14: and and so you can get caught in that trap.

575
00:23:37,200 --> 00:23:39,159
Speaker 14: But I'm really just trying to enjoy it. Next week,

576
00:23:39,640 --> 00:23:41,879
Speaker 14: I took vacation, me and my wife. We're gonna go

577
00:23:41,920 --> 00:23:44,280
Speaker 14: to the beach for four days and just try to

578
00:23:44,359 --> 00:23:47,080
Speaker 14: you know, if we're number one, great, If not, we're

579
00:23:47,080 --> 00:23:48,880
Speaker 14: just gonna celebrate the journey of.

580
00:23:48,760 --> 00:23:50,520
Speaker 13: This of like, hey, we did this together.

581
00:23:50,800 --> 00:23:53,480
Speaker 3: After you get back stress out exactly, take a few

582
00:23:53,560 --> 00:23:55,719
Speaker 3: days you just enjoy it.

583
00:23:56,119 --> 00:23:57,440
Speaker 8: Are you able to really disconnect?

584
00:23:57,440 --> 00:23:59,160
Speaker 5: Like do you think when you go on vacation next week,

585
00:23:59,200 --> 00:24:00,960
Speaker 5: like you'll be able to truly unplugged.

586
00:24:01,040 --> 00:24:03,040
Speaker 14: I don't know, I'll be honest, I don't know. My

587
00:24:03,080 --> 00:24:05,040
Speaker 14: wife has already said you got you got to, but

588
00:24:05,160 --> 00:24:06,879
Speaker 14: she was like, you're gonna be on the phone so

589
00:24:07,000 --> 00:24:10,000
Speaker 14: much with people saying congrats, congrats, and so I was like,

590
00:24:10,119 --> 00:24:13,600
Speaker 14: at least that's better than like them saying what's next,

591
00:24:13,600 --> 00:24:14,080
Speaker 14: what's next?

592
00:24:14,119 --> 00:24:15,920
Speaker 13: You know, they're like, what are you doing now?

593
00:24:16,000 --> 00:24:18,960
Speaker 14: And and so I think there's gonna have to come

594
00:24:19,000 --> 00:24:21,280
Speaker 14: where I just shut my phone off to really disconnect

595
00:24:21,480 --> 00:24:23,879
Speaker 14: and and just enjoy it, because already it's getting to

596
00:24:23,880 --> 00:24:25,080
Speaker 14: the point where I'm getting a lot of text of

597
00:24:25,160 --> 00:24:27,440
Speaker 14: congrats and I feel bad I'm not being able to respond.

598
00:24:27,160 --> 00:24:28,800
Speaker 3: To what I call them.

599
00:24:28,960 --> 00:24:31,919
Speaker 14: Yeah, I'm not trying to do that, but but like

600
00:24:31,960 --> 00:24:34,040
Speaker 14: I said, next week, I'm really gonna try. I'm really

601
00:24:34,080 --> 00:24:36,879
Speaker 14: gonna try because my wife deserves that too, and and

602
00:24:36,920 --> 00:24:38,800
Speaker 14: so does my son and so, and I feel like

603
00:24:38,880 --> 00:24:40,560
Speaker 14: we do too, how busy we've been. So I'm gonna

604
00:24:40,560 --> 00:24:42,600
Speaker 14: try to shut it off, but we'll see. I mean,

605
00:24:42,640 --> 00:24:45,520
Speaker 14: it's also fun to get congrats from buddies and and

606
00:24:45,840 --> 00:24:48,879
Speaker 14: I've never had really anybody congratulate me about stuff.

607
00:24:49,040 --> 00:24:58,200
Speaker 16: You know, that's a sad He's like, like me, that

608
00:24:58,280 --> 00:25:00,320
Speaker 16: sounds I would say, what.

609
00:25:00,400 --> 00:25:02,520
Speaker 13: Does mean about?

610
00:25:01,359 --> 00:25:02,840
Speaker 2: You know?

611
00:25:03,880 --> 00:25:05,080
Speaker 13: That sound terrible?

612
00:25:05,240 --> 00:25:07,040
Speaker 3: Then I'm going to do you a special favor and

613
00:25:07,040 --> 00:25:09,320
Speaker 3: I'm not going to text your congrats. Oh well thanks

614
00:25:09,760 --> 00:25:11,520
Speaker 3: you tell him now though, No, just a little gift

615
00:25:11,520 --> 00:25:12,840
Speaker 3: from me to him. I'm just gonna ignore him for

616
00:25:12,840 --> 00:25:14,960
Speaker 3: a while. As everybody else is like, you're the man,

617
00:25:15,280 --> 00:25:17,480
Speaker 3: I'll be like, you know what, I'll take three steps back.

618
00:25:18,400 --> 00:25:19,320
Speaker 13: Tell me the next week.

619
00:25:19,440 --> 00:25:22,040
Speaker 3: Yeah, then I'll be like, what's next. There we go,

620
00:25:23,119 --> 00:25:26,200
Speaker 3: that's cool, man, congratulations. I'm sure I'll talk to you soon.

621
00:25:26,280 --> 00:25:30,440
Speaker 3: But yeah, you are an example of what I think

622
00:25:30,560 --> 00:25:33,200
Speaker 3: a lot of artists are going to look at and go, dang,

623
00:25:33,200 --> 00:25:36,480
Speaker 3: I'm thinking about giving it up. But they get to

624
00:25:36,480 --> 00:25:39,040
Speaker 3: see your story because you also had those thoughts, as

625
00:25:39,080 --> 00:25:41,360
Speaker 3: you said, and you didn't and you found a way

626
00:25:41,520 --> 00:25:42,880
Speaker 3: in the ways that other people are going to find

627
00:25:42,880 --> 00:25:44,560
Speaker 3: are not going to be the same. But it does

628
00:25:44,720 --> 00:25:48,080
Speaker 3: show people if you don't quit your work hard and

629
00:25:48,119 --> 00:25:52,320
Speaker 3: you strategize and then you modify your strategy constantly, like

630
00:25:52,400 --> 00:25:53,679
Speaker 3: there is a way, there.

631
00:25:53,560 --> 00:25:53,880
Speaker 13: Is a way.

632
00:25:53,920 --> 00:25:55,280
Speaker 14: And I think that's what's been one of the most

633
00:25:55,320 --> 00:25:57,320
Speaker 14: cool things out of this whole thing is so many

634
00:25:57,400 --> 00:26:00,000
Speaker 14: artists have reached out and be like, dude, this is awesome.

635
00:26:00,040 --> 00:26:01,600
Speaker 14: I'm like, can we go get breakfast. I'm like, one

636
00:26:01,680 --> 00:26:03,960
Speaker 14: hundred percent, let's go do that. Because there's so many

637
00:26:03,960 --> 00:26:07,040
Speaker 14: great artists in Nashville that come here, they get a

638
00:26:07,080 --> 00:26:09,720
Speaker 14: record deal, and then their first song doesn't work or

639
00:26:09,720 --> 00:26:10,280
Speaker 14: their second one.

640
00:26:10,280 --> 00:26:12,200
Speaker 13: Then they don't get to go to radio again.

641
00:26:12,320 --> 00:26:14,520
Speaker 14: Or they're just dropped or they're lost, or they become

642
00:26:14,560 --> 00:26:19,080
Speaker 14: songwriters and they still have that artist drive. And it's

643
00:26:19,080 --> 00:26:22,640
Speaker 14: been awesome to give some people some hope of saying like, no, man,

644
00:26:23,080 --> 00:26:25,159
Speaker 14: you have the right song that you believe in that

645
00:26:25,200 --> 00:26:28,080
Speaker 14: you'll put you know, or give it a real shot,

646
00:26:28,119 --> 00:26:30,240
Speaker 14: a real chance, put your whole heart into it.

647
00:26:30,240 --> 00:26:30,879
Speaker 13: It can work.

648
00:26:31,640 --> 00:26:34,240
Speaker 14: And that's what's I think so cool and so cool

649
00:26:34,240 --> 00:26:36,879
Speaker 14: for our community and our whole town and even radio

650
00:26:36,960 --> 00:26:39,399
Speaker 14: it's awesome, like, hey, you have a song, it's working

651
00:26:39,440 --> 00:26:42,359
Speaker 14: and people love it. Radio will play it, and you

652
00:26:42,480 --> 00:26:44,840
Speaker 14: just got to believe in it, and you know, take

653
00:26:44,880 --> 00:26:46,600
Speaker 14: a whole year of your life and you know, we

654
00:26:46,680 --> 00:26:49,680
Speaker 14: send it to radio August twenty first of last year,

655
00:26:49,800 --> 00:26:52,280
Speaker 14: so it's been almost a full year. But it's been

656
00:26:52,320 --> 00:26:55,480
Speaker 14: fun to have a lot of other artists reach out

657
00:26:55,520 --> 00:26:57,440
Speaker 14: and be able to give some love to them.

658
00:26:57,800 --> 00:27:02,520
Speaker 3: At Drew Baldridge Music, the linked there for toward eights.

659
00:27:02,680 --> 00:27:04,600
Speaker 3: You can just I don't get I don't guess you

660
00:27:04,600 --> 00:27:06,080
Speaker 3: get paid for Instagram, though, do you?

661
00:27:06,480 --> 00:27:06,640
Speaker 13: Man?

662
00:27:06,680 --> 00:27:07,919
Speaker 3: You can't just like watch a video over and over

663
00:27:07,960 --> 00:27:09,200
Speaker 3: and over again and put money in your pocket.

664
00:27:09,359 --> 00:27:09,800
Speaker 13: No, but you can.

665
00:27:10,040 --> 00:27:12,280
Speaker 14: You can strain the music, yeah, exactly, stream the music

666
00:27:12,359 --> 00:27:13,280
Speaker 14: and but come out to.

667
00:27:13,400 --> 00:27:15,320
Speaker 3: To a show. Yeah, go to a show, and by

668
00:27:15,400 --> 00:27:18,800
Speaker 3: merchre you the merch is what helps the mercher yea

669
00:27:19,080 --> 00:27:21,280
Speaker 3: at Drew Baldridge music. Drew, good to see you, buddy,

670
00:27:21,800 --> 00:27:26,600
Speaker 3: everybody said by Drew. Thank and we're rooting for you

671
00:27:26,600 --> 00:27:27,320
Speaker 3: to see what's next.

672
00:27:29,280 --> 00:27:30,400
Speaker 13: I love all right by Drew.

673
00:27:30,480 --> 00:27:34,400
Speaker 1: So you guys, it's the best bits of the week

674
00:27:35,200 --> 00:27:36,400
Speaker 1: with Morgan number two.

675
00:27:38,000 --> 00:27:41,240
Speaker 2: Speaking of movies, these are some that freaked us out

676
00:27:41,320 --> 00:27:43,960
Speaker 2: as kids. Now, these are not just like scary movies.

677
00:27:43,960 --> 00:27:46,200
Speaker 2: There's some in here, but some of us have really

678
00:27:46,240 --> 00:27:49,200
Speaker 2: normal movies that probably didn't freak anybody else out but us.

679
00:27:49,240 --> 00:27:51,320
Speaker 2: And this was all inspired by the new Beetle Juice

680
00:27:51,320 --> 00:27:53,440
Speaker 2: movie coming out. One of the actors was talking about

681
00:27:53,480 --> 00:27:56,639
Speaker 2: how Beetlejuice used to scare her Number five.

682
00:27:56,480 --> 00:27:56,880
Speaker 4: As a kid.

683
00:27:56,920 --> 00:28:01,000
Speaker 3: I loved Beetlejuice. Michael Keaton right with you, They like,

684
00:28:01,200 --> 00:28:06,000
Speaker 3: come on, that was awesome, and so they're remaking it.

685
00:28:06,320 --> 00:28:10,760
Speaker 3: And Jenna Ortega, who was Wednesday right on Netflix, so

686
00:28:11,880 --> 00:28:13,280
Speaker 3: she's in it, and she was like, she was scared

687
00:28:13,280 --> 00:28:15,800
Speaker 3: of everything, including the original Beetle Juice movie. Was anybody

688
00:28:15,840 --> 00:28:17,919
Speaker 3: as a kid scared of the Beetle Juice movie that

689
00:28:17,960 --> 00:28:18,720
Speaker 3: freak anybody out?

690
00:28:18,840 --> 00:28:19,000
Speaker 17: Now?

691
00:28:19,440 --> 00:28:21,439
Speaker 3: That was funny me too, And I freaked out at

692
00:28:21,440 --> 00:28:23,640
Speaker 3: every movie now was there a movie as a kid

693
00:28:23,680 --> 00:28:26,040
Speaker 3: that probably freaked you out more than it should because

694
00:28:26,080 --> 00:28:29,879
Speaker 3: mine was Grimlins. The first time I watched Grimlins, I

695
00:28:29,880 --> 00:28:33,560
Speaker 3: didn't want to feed anything, humans, animals, anything near midnight.

696
00:28:34,119 --> 00:28:36,680
Speaker 3: That movie freaked me out so bad that I didn't

697
00:28:36,720 --> 00:28:38,560
Speaker 3: like scary movies. I still don't like scary movies. No

698
00:28:38,640 --> 00:28:41,800
Speaker 3: horror for me. But Gremlins was the one that scarred

699
00:28:41,800 --> 00:28:44,280
Speaker 3: me as a kid. And when we had dogs, I

700
00:28:44,280 --> 00:28:46,120
Speaker 3: would the closer I got to midnight, I don't want

701
00:28:46,120 --> 00:28:47,480
Speaker 3: to feed them, just just in case they did what

702
00:28:47,520 --> 00:28:50,840
Speaker 3: the Gremlins did, which they turned from Grimlins, like what

703
00:28:50,840 --> 00:28:51,280
Speaker 3: were they called it?

704
00:28:51,600 --> 00:28:54,160
Speaker 4: Guys, the gizmo would turn into.

705
00:28:53,960 --> 00:28:58,440
Speaker 3: Like a crazy They haven't remade that movie because that.

706
00:28:58,440 --> 00:28:59,600
Speaker 4: Was that's pretty good.

707
00:28:59,720 --> 00:29:00,840
Speaker 7: I was great movie.

708
00:29:00,880 --> 00:29:03,280
Speaker 3: Yeah, so that mine's Gremlins. Amy, any movie is a

709
00:29:03,360 --> 00:29:06,160
Speaker 3: kid that's scard you candy Man, that's a real scary one.

710
00:29:06,400 --> 00:29:06,560
Speaker 11: Yeah.

711
00:29:06,560 --> 00:29:08,120
Speaker 8: I mean it was scary, so it should have scarred me.

712
00:29:08,160 --> 00:29:12,720
Speaker 5: But mind mon even scary like go in a bathroom

713
00:29:12,760 --> 00:29:14,800
Speaker 5: with a mirror and you know, and then of course

714
00:29:14,920 --> 00:29:16,680
Speaker 5: my sister and her friends they would do that and

715
00:29:16,760 --> 00:29:18,560
Speaker 5: be like Amy, Common would be like say, candy Man

716
00:29:18,600 --> 00:29:20,600
Speaker 5: in the mirrors and it just freaked me out. Anytime

717
00:29:20,600 --> 00:29:21,800
Speaker 5: I would have to go to the bathroom after that

718
00:29:21,840 --> 00:29:22,200
Speaker 5: in the dark.

719
00:29:22,280 --> 00:29:24,320
Speaker 4: What do you say, candy man, like three times and.

720
00:29:24,240 --> 00:29:25,120
Speaker 8: You turn or something.

721
00:29:25,280 --> 00:29:28,680
Speaker 13: Yeah, don't do it.

722
00:29:27,320 --> 00:29:30,600
Speaker 3: It's not real. Lunchbox. Any movie as a kid that

723
00:29:31,000 --> 00:29:34,560
Speaker 3: there was a couple scar The Stuff. Oh, that was

724
00:29:34,560 --> 00:29:38,160
Speaker 3: the worst movie scary about yogurt.

725
00:29:38,160 --> 00:29:40,760
Speaker 10: Hold on, hold on, you're telling me, as a six

726
00:29:40,920 --> 00:29:43,200
Speaker 10: or seven year old you watched that you wouldn't be

727
00:29:43,360 --> 00:29:44,600
Speaker 10: terrified to eat yogurt?

728
00:29:44,600 --> 00:29:47,520
Speaker 3: And like you, I thought all our listeners the quick

729
00:29:47,560 --> 00:29:49,320
Speaker 3: story of what the Stuff is about?

730
00:29:49,360 --> 00:29:51,440
Speaker 7: The Stuff is the scariest movie of all time.

731
00:29:51,520 --> 00:29:54,080
Speaker 10: And it is like this yogurt the government makes it

732
00:29:54,120 --> 00:29:57,200
Speaker 10: to take over your body, and it's in this one

733
00:29:57,240 --> 00:29:58,400
Speaker 10: town and these two kids.

734
00:29:58,400 --> 00:29:59,800
Speaker 7: This one kid's like, I'm not going to eat it.

735
00:30:00,040 --> 00:30:02,240
Speaker 7: Whole family'es like you will eat the yogurt and he's.

736
00:30:02,160 --> 00:30:05,400
Speaker 10: Like putting it down the toilet and it comes alive

737
00:30:05,520 --> 00:30:06,560
Speaker 10: and tries to eat you.

738
00:30:07,360 --> 00:30:11,000
Speaker 7: Terrifying as a kid. Another one, Children of the.

739
00:30:10,920 --> 00:30:15,360
Speaker 10: Corn, Oh, that was legitimately scar my goodness. Anytime we'd

740
00:30:15,400 --> 00:30:18,959
Speaker 10: drive my corn, I'm oh, go go goat. So scary

741
00:30:19,040 --> 00:30:22,840
Speaker 10: all Corn You're Out, Nightmare on Elm Street scary, But I.

742
00:30:22,840 --> 00:30:24,560
Speaker 3: Would say those were actually scary movie.

743
00:30:24,720 --> 00:30:25,960
Speaker 7: I'm just telling you you don't.

744
00:30:26,040 --> 00:30:27,840
Speaker 3: Juice to her was like, I don't watch it to

745
00:30:27,880 --> 00:30:29,640
Speaker 3: freak me out. Gremlins to me, I don't watch it

746
00:30:29,640 --> 00:30:32,280
Speaker 3: a freaking out like yours are like normal, healthy. You

747
00:30:32,280 --> 00:30:33,720
Speaker 3: shouldn't be watching those as kids anyway.

748
00:30:33,760 --> 00:30:35,080
Speaker 7: Oh, Keith may just watch them.

749
00:30:35,320 --> 00:30:36,800
Speaker 8: I'm trying to think of a normal teeth.

750
00:30:36,800 --> 00:30:40,640
Speaker 3: He didn't call teeth, Keith. No anything for you.

751
00:30:40,640 --> 00:30:44,240
Speaker 4: You guys, remember Christine is Scary is Stephen King movie.

752
00:30:44,240 --> 00:30:46,760
Speaker 6: And it was like an old fifties car that like

753
00:30:46,840 --> 00:30:48,760
Speaker 6: came alive and it would start with like an oldie

754
00:30:48,760 --> 00:30:51,760
Speaker 6: song like twisted and shout, and then the lights came

755
00:30:51,760 --> 00:30:52,080
Speaker 6: on and.

756
00:30:52,000 --> 00:30:52,760
Speaker 4: It killed people.

757
00:30:53,080 --> 00:30:53,400
Speaker 7: Dude.

758
00:30:53,440 --> 00:30:56,200
Speaker 4: That freaked me out. Man, that car would just drive

759
00:30:56,240 --> 00:31:00,840
Speaker 4: on its own. Dude, just run over people. It's like yogurt, yogurt, no.

760
00:31:00,720 --> 00:31:01,800
Speaker 3: Way, Morgan anything.

761
00:31:02,000 --> 00:31:03,280
Speaker 2: Yeah, mine was Casper.

762
00:31:03,840 --> 00:31:06,800
Speaker 3: Now see now we're talking the friendly ghost. Heck, yeah, man,

763
00:31:06,960 --> 00:31:07,880
Speaker 3: he was friendly, but are.

764
00:31:07,760 --> 00:31:08,520
Speaker 8: You still a ghost?

765
00:31:08,520 --> 00:31:09,680
Speaker 2: So after I watched it, I thought there were a

766
00:31:09,680 --> 00:31:11,720
Speaker 2: ghosts everywhere, and I thought a Casper is gonna pop

767
00:31:11,800 --> 00:31:13,440
Speaker 2: up every time I was walking around the house and

768
00:31:13,480 --> 00:31:14,680
Speaker 2: I was like, is there Casper?

769
00:31:14,760 --> 00:31:15,120
Speaker 5: Is this real?

770
00:31:15,160 --> 00:31:16,000
Speaker 7: I thought it was legit?

771
00:31:16,320 --> 00:31:18,280
Speaker 3: How friendly is he really? Yeah?

772
00:31:18,400 --> 00:31:19,080
Speaker 8: He wasn't friend.

773
00:31:19,800 --> 00:31:22,480
Speaker 4: He's friendly, he'pposedly, but he can get anywhere.

774
00:31:22,840 --> 00:31:25,600
Speaker 3: Completely agree. I felt on a Casper RAYMONDO. Anybody with

775
00:31:25,600 --> 00:31:27,680
Speaker 3: the freak jaz as a kid, mine's kind of embarrassing.

776
00:31:27,720 --> 00:31:30,480
Speaker 3: But Jumanji. Now we're talking with the Ouiji board.

777
00:31:30,520 --> 00:31:32,280
Speaker 18: And my mom told me how evil it was, and

778
00:31:32,320 --> 00:31:33,880
Speaker 18: she said, if your friends ever tried to do that

779
00:31:33,920 --> 00:31:36,920
Speaker 18: Ouiji board, don't because that's when the evil spirits come out.

780
00:31:36,920 --> 00:31:38,680
Speaker 18: And so my friend it was super popular. It made

781
00:31:38,720 --> 00:31:40,560
Speaker 18: it in middle school. So they would all grab a

782
00:31:40,560 --> 00:31:42,160
Speaker 18: Wiji board and I just go in the other room.

783
00:31:42,680 --> 00:31:44,400
Speaker 18: I told mom, I wasn't a part of it.

784
00:31:44,600 --> 00:31:45,440
Speaker 13: They did it, so.

785
00:31:45,320 --> 00:31:48,440
Speaker 3: You'd let yourself out, you'd shug yourself out if they wuiji. Yeah,

786
00:31:48,440 --> 00:31:51,360
Speaker 3: it was very terrified of it. We never wiji boarded.

787
00:31:52,040 --> 00:31:53,720
Speaker 3: We were too scared of that stuff in general, Like,

788
00:31:53,720 --> 00:31:55,600
Speaker 3: we didn't do that. But it's funny that Ray would

789
00:31:55,960 --> 00:31:58,640
Speaker 3: leave the room as his friends did it. Thank you guys.

790
00:31:58,880 --> 00:32:01,200
Speaker 3: You guys are all normal. We're all screwed.

791
00:32:01,280 --> 00:32:02,040
Speaker 11: Up, that's true.

792
00:32:02,080 --> 00:32:04,040
Speaker 3: We let normal movies mess with their heads. Let's do

793
00:32:04,080 --> 00:32:06,040
Speaker 3: Bailey Zimmerman. Where it is Bobby Bone Show.

794
00:32:07,400 --> 00:32:11,160
Speaker 1: It's the best Bits of the week with Morgan. Number two.

795
00:32:14,000 --> 00:32:16,000
Speaker 2: A listener called in and she's the reason why we

796
00:32:16,040 --> 00:32:18,959
Speaker 2: did this segment. Right here. We had some scams that

797
00:32:19,000 --> 00:32:20,840
Speaker 2: we've all fallen for over the course of the years,

798
00:32:21,080 --> 00:32:23,840
Speaker 2: but she wanted us to talk about the worst scams

799
00:32:23,880 --> 00:32:26,520
Speaker 2: each of us on the show had fallen for. And

800
00:32:26,560 --> 00:32:29,280
Speaker 2: there's some really funny ones. And you may think it's

801
00:32:29,320 --> 00:32:31,880
Speaker 2: Amy that has the worst one, but she wasn't.

802
00:32:32,280 --> 00:32:32,880
Speaker 1: Number four.

803
00:32:33,000 --> 00:32:35,600
Speaker 3: Let's go to Jarra and Florida. Hey, Jara, you're on

804
00:32:35,640 --> 00:32:36,440
Speaker 3: the show. What's going on?

805
00:32:36,600 --> 00:32:41,000
Speaker 17: Hio? Okay? So I just have a question, almost wondering

806
00:32:41,080 --> 00:32:43,440
Speaker 17: if you guys could do a segment of the worst

807
00:32:43,480 --> 00:32:46,200
Speaker 17: scams that he's fallen for. And the reason I say

808
00:32:46,280 --> 00:32:49,800
Speaker 17: this because remember like a year ago when Amy fell

809
00:32:49,880 --> 00:32:52,080
Speaker 17: for the scam. I think it was like a prisoner

810
00:32:52,160 --> 00:32:53,880
Speaker 17: had just gotten out and he came to the door

811
00:32:54,440 --> 00:32:57,160
Speaker 17: and he was selling Amy something and Amy cried with him,

812
00:32:57,640 --> 00:33:00,000
Speaker 17: and Amy gains the person her credit pard number.

813
00:33:01,040 --> 00:33:03,959
Speaker 19: Yeah, and then she bought the magazines that never really happened,

814
00:33:04,440 --> 00:33:09,440
Speaker 19: wasn't magazine never really happened? Yeah, I think we could

815
00:33:09,440 --> 00:33:11,760
Speaker 19: spend an hour on Amy's yeah alone.

816
00:33:11,520 --> 00:33:13,360
Speaker 8: That one right there is probably my worst.

817
00:33:13,640 --> 00:33:17,240
Speaker 3: You think, what about the cat? Oh yeah, Amy bought

818
00:33:17,240 --> 00:33:21,520
Speaker 3: like this really expensive cat, but hyperde h it was

819
00:33:21,560 --> 00:33:23,560
Speaker 3: a deposit. Yeah, she gave a deposit and then then

820
00:33:23,600 --> 00:33:25,440
Speaker 3: she never got the cat, and then we went after

821
00:33:25,520 --> 00:33:26,640
Speaker 3: him on the show and all of a sudden she

822
00:33:26,680 --> 00:33:28,440
Speaker 3: got her deposit back, but like they weren't going to

823
00:33:28,480 --> 00:33:29,280
Speaker 3: give it back to her.

824
00:33:29,440 --> 00:33:31,520
Speaker 7: No chance. That was the biggest scam ever she had

825
00:33:31,560 --> 00:33:32,200
Speaker 7: scam for that.

826
00:33:32,320 --> 00:33:33,240
Speaker 8: They were in Louisiana.

827
00:33:33,440 --> 00:33:36,400
Speaker 3: That was a tough one. Yeah, I mean I've been

828
00:33:36,480 --> 00:33:39,400
Speaker 3: very fortunate as far as like scams and links for me.

829
00:33:40,000 --> 00:33:41,960
Speaker 3: Somebody used my credit card a bow Jangles last week

830
00:33:41,960 --> 00:33:44,480
Speaker 3: and I canceled it immediately. Really yeah, you were gone,

831
00:33:44,480 --> 00:33:45,840
Speaker 3: And I was like, some is my credit card a

832
00:33:45,880 --> 00:33:48,640
Speaker 3: bo Jangles? Canceled? Canceled, cancel, But I think my number

833
00:33:48,720 --> 00:33:50,120
Speaker 3: just got out and I have LifeLock.

834
00:33:50,240 --> 00:33:52,120
Speaker 4: No one went to bow Jangles. Your wife didn't go

835
00:33:52,120 --> 00:33:52,640
Speaker 4: to bo Janles.

836
00:33:52,640 --> 00:33:55,120
Speaker 3: I hit her up. You have Bojangles? Nope, I canceled

837
00:33:55,160 --> 00:33:58,960
Speaker 3: a card. Uh so I think my lunchbox back in

838
00:33:59,000 --> 00:34:01,760
Speaker 3: the day day maybe was the first one to get

839
00:34:01,840 --> 00:34:04,360
Speaker 3: semi scam because he clicked the link. He thought he

840
00:34:04,400 --> 00:34:04,920
Speaker 3: was on the news.

841
00:34:04,960 --> 00:34:07,200
Speaker 7: Hey, look, you were on the news. What I was

842
00:34:07,200 --> 00:34:10,359
Speaker 7: on the news? No, it wasn't me, but.

843
00:34:10,360 --> 00:34:11,560
Speaker 3: It's just a link. They were fished.

844
00:34:11,840 --> 00:34:14,399
Speaker 4: Oh they got him good, like trying to get.

845
00:34:14,320 --> 00:34:17,080
Speaker 8: Him the biggest. That doesn't come off as scam. Scam,

846
00:34:17,120 --> 00:34:17,840
Speaker 8: but it definitely.

847
00:34:17,920 --> 00:34:20,480
Speaker 5: Ray got scammed when he thought he was modeling for

848
00:34:20,880 --> 00:34:23,280
Speaker 5: Express and he showed up and took pictures in a basement.

849
00:34:23,800 --> 00:34:24,600
Speaker 8: That's a scam.

850
00:34:25,000 --> 00:34:26,799
Speaker 3: Different a good job of putting it right now, because

851
00:34:26,800 --> 00:34:28,760
Speaker 3: it's good off you, because this is the worst, definitely

852
00:34:28,800 --> 00:34:32,640
Speaker 3: the worst. Ray was approached by a photographer. It was like, hey,

853
00:34:32,640 --> 00:34:35,960
Speaker 3: I'm shooting for Express the store in the mall. Yeah,

854
00:34:36,000 --> 00:34:37,680
Speaker 3: and so would come down in my basement and Ray

855
00:34:37,680 --> 00:34:40,600
Speaker 3: got in his underwear and liked on the bed and

856
00:34:40,640 --> 00:34:44,759
Speaker 3: took all these pictures and just his underwear. They never

857
00:34:45,200 --> 00:34:49,719
Speaker 3: ever surfaced. They weird, never made the magazine, never was

858
00:34:49,719 --> 00:34:52,160
Speaker 3: in a pamphlet. The guy. We don't even know if

859
00:34:52,160 --> 00:34:54,480
Speaker 3: the guy was actually a photographer or if the camera

860
00:34:54,480 --> 00:34:54,920
Speaker 3: had film.

861
00:34:55,280 --> 00:34:59,359
Speaker 8: I mean, I'm sure it had film documenting.

862
00:34:59,000 --> 00:35:02,640
Speaker 3: Looking back ray, Yeah, pretty like do you hate kind

863
00:35:02,640 --> 00:35:05,319
Speaker 3: of hate that that happened for sure? Scammed? Yeah, and

864
00:35:05,360 --> 00:35:06,400
Speaker 3: it was a learning experience.

865
00:35:06,520 --> 00:35:08,040
Speaker 8: Yeah yeah, what does this mean?

866
00:35:08,080 --> 00:35:10,280
Speaker 3: Like you were there like naked basically.

867
00:35:10,400 --> 00:35:10,600
Speaker 7: Yeah.

868
00:35:10,600 --> 00:35:12,480
Speaker 18: And then after the fact I did realize that's the

869
00:35:12,520 --> 00:35:14,399
Speaker 18: reason he wanted me to drink, you know.

870
00:35:14,760 --> 00:35:16,439
Speaker 4: Oh wow, he wanted you to drink.

871
00:35:16,520 --> 00:35:18,279
Speaker 18: Well, he said there's a Fridge're gonna have drinks. You're

872
00:35:18,320 --> 00:35:20,640
Speaker 18: more comfortable when you're drinking.

873
00:35:22,120 --> 00:35:26,359
Speaker 3: And so how unclothed did you get my underwear? And

874
00:35:26,400 --> 00:35:28,640
Speaker 3: like you were laying in the bed like spread eagle,

875
00:35:29,239 --> 00:35:31,239
Speaker 3: like were you like doing like on all fours? Like?

876
00:35:31,239 --> 00:35:33,080
Speaker 3: How was he having you modeled the underwear.

877
00:35:33,080 --> 00:35:34,759
Speaker 7: Normally they wanted to.

878
00:35:34,800 --> 00:35:36,239
Speaker 18: I guess he was sitting there trying to promote it

879
00:35:36,280 --> 00:35:38,799
Speaker 18: as a lounge wear. So but all this stuff now

880
00:35:38,920 --> 00:35:41,600
Speaker 18: this that everybody's wearing, all this relaxed fit clothing.

881
00:35:41,680 --> 00:35:43,600
Speaker 3: I was the start of it years ago with this guy.

882
00:35:43,920 --> 00:35:45,480
Speaker 18: And he said people are going to now be more

883
00:35:45,560 --> 00:35:48,160
Speaker 18: comfortable and underwear and briefs and stuff like that on

884
00:35:48,200 --> 00:35:48,680
Speaker 18: their couch.

885
00:35:48,840 --> 00:35:50,400
Speaker 3: So that's how it was modeling. And so you were

886
00:35:50,400 --> 00:35:52,640
Speaker 3: wearing briefs on a couch and was he getting really

887
00:35:52,680 --> 00:35:54,480
Speaker 3: close to you, like take a picture like close ups?

888
00:35:54,560 --> 00:35:56,799
Speaker 18: Yeah, it was for a magazine, but it was it

889
00:35:56,840 --> 00:35:58,719
Speaker 18: was You can't argue that, but yes, yes.

890
00:35:58,680 --> 00:36:00,480
Speaker 4: Was there anyone else there? Ray like it was just

891
00:36:00,520 --> 00:36:01,160
Speaker 4: you two, like.

892
00:36:01,120 --> 00:36:02,080
Speaker 3: A lighting director?

893
00:36:02,640 --> 00:36:04,640
Speaker 18: No, it's just him, But he did say there were

894
00:36:04,680 --> 00:36:06,160
Speaker 18: other people getting filmed later in the sh.

895
00:36:09,640 --> 00:36:12,480
Speaker 3: Was there any chance that you were changing and there

896
00:36:12,480 --> 00:36:15,360
Speaker 3: were pictures taking a view that you didn't know? Eh?

897
00:36:15,680 --> 00:36:18,760
Speaker 18: I think that was before webcams and secrets stuff like that. Okay,

898
00:36:19,600 --> 00:36:21,320
Speaker 18: I think that's been the leader in the clubhouse of

899
00:36:21,400 --> 00:36:24,960
Speaker 18: in the past. How we yere, Eddie, have any you've

900
00:36:24,960 --> 00:36:25,680
Speaker 18: been scammed? Nah?

901
00:36:25,760 --> 00:36:28,200
Speaker 4: I just remember when we were moving to Nashville.

902
00:36:28,320 --> 00:36:31,040
Speaker 6: I saw a house for rent for like two hundred

903
00:36:31,040 --> 00:36:33,200
Speaker 6: dollars a month and it was awesome and it was huge,

904
00:36:33,600 --> 00:36:35,319
Speaker 6: and then when I called them, they were like, no,

905
00:36:35,480 --> 00:36:37,439
Speaker 6: this is not for rent and it ended up being yeah,

906
00:36:37,640 --> 00:36:41,279
Speaker 6: Nigerian prince. So but I called the real owner and

907
00:36:41,280 --> 00:36:42,359
Speaker 6: they're like, this is not for rent.

908
00:36:42,400 --> 00:36:44,120
Speaker 3: So this is you were interested in the scam?

909
00:36:44,160 --> 00:36:45,680
Speaker 4: Oh? I was ready to do it.

910
00:36:45,760 --> 00:36:46,719
Speaker 3: Yeah, that sounds pretty fun.

911
00:36:46,719 --> 00:36:48,359
Speaker 4: I'd had a good deal, yeah, but I didn't fall

912
00:36:48,400 --> 00:36:48,640
Speaker 4: for it.

913
00:36:48,719 --> 00:36:50,239
Speaker 3: Lunchbox had seen a new one. What was it?

914
00:36:50,640 --> 00:36:53,680
Speaker 10: I got a text message and it says, hello, my

915
00:36:53,800 --> 00:36:55,600
Speaker 10: name is Evelyn Thornton and I'm a recruiter.

916
00:36:55,600 --> 00:36:56,520
Speaker 7: It's simply hired.

917
00:36:56,960 --> 00:37:00,239
Speaker 10: We offer full time and part time jobs, and you've

918
00:37:00,239 --> 00:37:03,120
Speaker 10: had your resume sent to us and recommended by several

919
00:37:03,440 --> 00:37:06,160
Speaker 10: online recruiters, so we'd like to offer you a part

920
00:37:06,160 --> 00:37:08,920
Speaker 10: time job or full time, depending on what you're interested in.

921
00:37:09,239 --> 00:37:11,840
Speaker 10: The work is simple and all you needed is a

922
00:37:11,840 --> 00:37:14,239
Speaker 10: smartphone computer to get the job done.

923
00:37:14,440 --> 00:37:17,799
Speaker 7: Daily wages range from two D and stuff. But like,

924
00:37:17,960 --> 00:37:19,640
Speaker 7: but then it clicked, you click a link?

925
00:37:19,760 --> 00:37:20,719
Speaker 3: Yeah did you click it?

926
00:37:20,920 --> 00:37:24,280
Speaker 10: No, because here's my thing. I don't have a resume,

927
00:37:26,120 --> 00:37:29,719
Speaker 10: so I knew that wasn't for me. But I thought

928
00:37:29,760 --> 00:37:31,439
Speaker 10: if you were looking for a job and you would

929
00:37:31,440 --> 00:37:34,800
Speaker 10: set your resume out, you would think, oh, man, that's awesome.

930
00:37:34,880 --> 00:37:37,040
Speaker 10: Someone has contacted me about a job.

931
00:37:36,920 --> 00:37:38,600
Speaker 3: Or this actually could be a thing and they just

932
00:37:38,640 --> 00:37:39,560
Speaker 3: have the wrong number down.

933
00:37:39,760 --> 00:37:42,040
Speaker 5: Yeah, I think they're shooting their shot. Maybe they're spreading

934
00:37:42,040 --> 00:37:42,480
Speaker 5: the net.

935
00:37:42,680 --> 00:37:45,320
Speaker 3: Wait, this wasn't a scam. It's more of a catfish.

936
00:37:45,360 --> 00:37:47,480
Speaker 3: I got catfish and I was like, twenty six, Oh,

937
00:37:47,600 --> 00:37:49,239
Speaker 3: this I thought it was a guest jenes model who

938
00:37:49,280 --> 00:37:51,160
Speaker 3: wanted to say what up? And like I talked to her,

939
00:37:51,239 --> 00:37:54,000
Speaker 3: but a webcam was always broken. Breathe yeah, and then

940
00:37:54,040 --> 00:37:56,240
Speaker 3: turns out as a dude who was like getting money

941
00:37:56,239 --> 00:37:57,200
Speaker 3: from other men.

942
00:37:57,560 --> 00:38:00,080
Speaker 4: Didn't make the newsers the news make story.

943
00:38:00,160 --> 00:38:02,919
Speaker 3: And I luckily didn't mean I didn't pay him that much,

944
00:38:03,000 --> 00:38:05,200
Speaker 3: but so it was just that much, no nothing, but

945
00:38:05,239 --> 00:38:06,560
Speaker 3: I brought him on the air. I think it was

946
00:38:06,600 --> 00:38:07,959
Speaker 3: a girl to prove to them. I was like, guys,

947
00:38:07,960 --> 00:38:10,399
Speaker 3: you'll never believe somebody actually likes me a guest jeans model,

948
00:38:10,400 --> 00:38:11,959
Speaker 3: and they were like, no way. And then we put

949
00:38:12,000 --> 00:38:14,200
Speaker 3: her on and she came on the show sound a

950
00:38:14,280 --> 00:38:17,360
Speaker 3: drunkest crap came on the show, And turned out it

951
00:38:17,440 --> 00:38:20,239
Speaker 3: was like a really small man who had made a

952
00:38:20,280 --> 00:38:21,040
Speaker 3: lot of money off the sea.

953
00:38:21,160 --> 00:38:23,800
Speaker 8: I mean, lots of people we know.

954
00:38:24,440 --> 00:38:25,120
Speaker 3: We're pretty scared.

955
00:38:25,920 --> 00:38:27,080
Speaker 8: You got caught up in that.

956
00:38:27,200 --> 00:38:28,960
Speaker 3: I think it caught up because nothing happened to me.

957
00:38:29,360 --> 00:38:30,200
Speaker 8: You were in it.

958
00:38:30,280 --> 00:38:34,560
Speaker 5: Though he got mad when we were like Bobby, we

959
00:38:34,560 --> 00:38:37,680
Speaker 5: were questioning this guest Jean's model being into.

960
00:38:39,440 --> 00:38:44,920
Speaker 3: Because nobody ever wanted to go on oh yes, And

961
00:38:45,160 --> 00:38:47,880
Speaker 3: I was like I wasn't mad at you. I was

962
00:38:48,480 --> 00:38:51,440
Speaker 3: so happy for me because it was like you.

963
00:38:51,360 --> 00:38:53,360
Speaker 8: Were defensive, we were questioning.

964
00:38:53,719 --> 00:38:55,920
Speaker 3: I was like, I can't there's finally a girl that

965
00:38:56,080 --> 00:38:58,200
Speaker 3: likes me, and you guys are fight That's what it was.

966
00:38:58,239 --> 00:39:00,920
Speaker 3: I felt so insulted. This is the story here from

967
00:39:00,960 --> 00:39:03,560
Speaker 3: twenty ten. They had been in contact for months from

968
00:39:03,560 --> 00:39:06,880
Speaker 3: ABC News when the woman who identified herself as bre

969
00:39:06,920 --> 00:39:10,239
Speaker 3: Condon made the first request for money. Mark Puelo said

970
00:39:10,239 --> 00:39:13,480
Speaker 3: they met online exchange telephone calls and emails. Brie had

971
00:39:13,520 --> 00:39:15,400
Speaker 3: sent pictures of herself, but they'd never met in person.

972
00:39:15,640 --> 00:39:18,880
Speaker 3: According to the AFFI David, he had sent ten thousand

973
00:39:18,920 --> 00:39:21,839
Speaker 3: dollars to bre Condon. Luckily I was broke in I'll

974
00:39:21,880 --> 00:39:23,440
Speaker 3: be honest with you because that might have been a

975
00:39:23,440 --> 00:39:25,320
Speaker 3: different story then. But yeah, I was just so insulted

976
00:39:25,360 --> 00:39:27,239
Speaker 3: because there were no girls that wanted to date me,

977
00:39:27,400 --> 00:39:29,160
Speaker 3: and finally there was a model, and they were like

978
00:39:29,200 --> 00:39:30,560
Speaker 3: there's no chance, and I was like, you guys are

979
00:39:30,600 --> 00:39:33,600
Speaker 3: so mean, and there was a little man. Oh it's

980
00:39:33,640 --> 00:39:36,000
Speaker 3: a little man. But yeah, Jar, we've been through it

981
00:39:36,000 --> 00:39:36,759
Speaker 3: a little bit over here.

982
00:39:37,760 --> 00:39:39,640
Speaker 17: Well, thank you for so much for sharing your story.

983
00:39:39,800 --> 00:39:42,080
Speaker 3: You brought up a lot of hurt, a lot of pasts,

984
00:39:42,120 --> 00:39:44,520
Speaker 3: a lot of hurt that this is kind of still there.

985
00:39:44,760 --> 00:39:46,279
Speaker 3: I hope you have a great day, Jar Thank you

986
00:39:46,280 --> 00:39:48,960
Speaker 3: for listening to the show. You all right, see you later.

987
00:39:50,280 --> 00:39:53,480
Speaker 1: It's the best Bits of the Week with Morgan.

988
00:39:53,560 --> 00:39:56,960
Speaker 2: Number two Thomas rat stop by the studio. He has

989
00:39:56,960 --> 00:39:58,440
Speaker 2: a new album out and it was super fun to

990
00:39:58,480 --> 00:40:00,480
Speaker 2: hear about all the new music. Not only that, he

991
00:40:00,480 --> 00:40:03,280
Speaker 2: also talked about his wife Lauren in the beginning stages

992
00:40:03,320 --> 00:40:06,520
Speaker 2: of their relationship. Also, they had just went to Africa

993
00:40:06,560 --> 00:40:09,480
Speaker 2: and took their daughter for her first trip. So really

994
00:40:09,520 --> 00:40:11,480
Speaker 2: fun stuff here with Thomas rhtt In's studio.

995
00:40:12,040 --> 00:40:16,799
Speaker 1: Number three on the Bobby Bones Show. Now Thomas rhett.

996
00:40:16,640 --> 00:40:19,839
Speaker 3: His new album is out today. When you do a

997
00:40:19,880 --> 00:40:22,480
Speaker 3: new record, it's don't know. Do you try to always

998
00:40:22,520 --> 00:40:27,200
Speaker 3: present a slightly new version of yourself or is it

999
00:40:27,280 --> 00:40:29,400
Speaker 3: just you're a different person because you've actually matured with

1000
00:40:29,480 --> 00:40:31,920
Speaker 3: age and experience and it just comes out a new

1001
00:40:31,920 --> 00:40:34,839
Speaker 3: person of yourself, like a version maybe both.

1002
00:40:34,960 --> 00:40:36,520
Speaker 20: I mean I feel like I try to write you

1003
00:40:36,520 --> 00:40:38,279
Speaker 20: know where I'm at in life, and I think right

1004
00:40:38,280 --> 00:40:41,040
Speaker 20: now I'm in a fun season of life, like all

1005
00:40:41,080 --> 00:40:43,279
Speaker 20: my kids are in school, for the first time ever,

1006
00:40:43,320 --> 00:40:45,560
Speaker 20: and so I feel like Lauren and I just kind

1007
00:40:45,560 --> 00:40:48,400
Speaker 20: of are freer these days. And so I think I

1008
00:40:48,400 --> 00:40:50,080
Speaker 20: think whatever I'm kind of going through in life sort

1009
00:40:50,120 --> 00:40:51,839
Speaker 20: of translates in music. But I think when it comes

1010
00:40:51,880 --> 00:40:54,640
Speaker 20: to making records, I feel like it's always trying to

1011
00:40:54,680 --> 00:40:56,760
Speaker 20: be progressive while remaining authentic.

1012
00:40:57,440 --> 00:40:59,320
Speaker 3: The album is about a woman, and we're going to

1013
00:40:59,360 --> 00:41:01,520
Speaker 3: play some songs out as we talk, But Ray, would

1014
00:41:01,560 --> 00:41:03,120
Speaker 3: you give me an overdrive?

1015
00:41:03,200 --> 00:41:05,200
Speaker 20: I would say that this song is a pretty accurate

1016
00:41:05,239 --> 00:41:07,319
Speaker 20: story of my high school days.

1017
00:41:07,360 --> 00:41:09,800
Speaker 11: If you will, do you have your Do you have

1018
00:41:09,840 --> 00:41:12,000
Speaker 11: your first truck that you ever drove? Anybody have a

1019
00:41:12,400 --> 00:41:13,600
Speaker 11: first vehicle that?

1020
00:41:15,080 --> 00:41:16,560
Speaker 3: Yeah? Yours?

1021
00:41:16,680 --> 00:41:16,880
Speaker 13: I do.

1022
00:41:16,960 --> 00:41:17,640
Speaker 11: I bought it back.

1023
00:41:17,800 --> 00:41:18,920
Speaker 3: Oh yeah, I remember when you did that.

1024
00:41:18,960 --> 00:41:21,759
Speaker 11: I bought it back. And so I just I don't know.

1025
00:41:21,800 --> 00:41:24,920
Speaker 20: When I hear this song, I smell you know, Abercrombie

1026
00:41:24,960 --> 00:41:29,319
Speaker 20: and Fitch Fierce immediately, and I go straight back to

1027
00:41:29,480 --> 00:41:31,600
Speaker 20: like nineties, two thousands, all rock, and.

1028
00:41:31,560 --> 00:41:32,279
Speaker 11: I just I don't know.

1029
00:41:32,320 --> 00:41:34,239
Speaker 20: I just can envision myself going to pick up Lauren

1030
00:41:34,280 --> 00:41:36,960
Speaker 20: in that truck, and I don't know. I love nostalgia,

1031
00:41:37,040 --> 00:41:40,880
Speaker 20: like I'm a sucker for cheesy high school football films

1032
00:41:40,920 --> 00:41:43,600
Speaker 20: and you know, things that take me back to younger years,

1033
00:41:43,600 --> 00:41:45,840
Speaker 20: and so this kind of checks all those boxes for me.

1034
00:41:46,520 --> 00:41:50,000
Speaker 3: When you and Lauren were first dating, because I saw

1035
00:41:50,040 --> 00:41:52,040
Speaker 3: the picture that one of you guys had posted recently,

1036
00:41:52,040 --> 00:41:53,719
Speaker 3: it was like at a football game. Maybe it's been

1037
00:41:53,760 --> 00:41:56,600
Speaker 3: posted a couple of times. Yeah, sure, did you guys

1038
00:41:56,760 --> 00:41:59,680
Speaker 3: say outwardly we know we're gonna get married we're so

1039
00:41:59,840 --> 00:42:02,160
Speaker 3: in love? Because I'm sure that cycled in and out.

1040
00:42:02,239 --> 00:42:05,040
Speaker 3: And but was that always the thing with you two?

1041
00:42:05,960 --> 00:42:06,279
Speaker 13: For her?

1042
00:42:06,440 --> 00:42:07,600
Speaker 11: No, for me?

1043
00:42:07,800 --> 00:42:09,719
Speaker 3: You say that to her like as a kid, I.

1044
00:42:09,719 --> 00:42:10,480
Speaker 11: Don't, I don't think.

1045
00:42:10,520 --> 00:42:12,600
Speaker 20: So we dated a little bit when we were like

1046
00:42:12,640 --> 00:42:16,480
Speaker 20: sixteen years old, and you know, dated other people for

1047
00:42:16,520 --> 00:42:18,319
Speaker 20: a long we didn't really get back together until we

1048
00:42:18,320 --> 00:42:19,439
Speaker 20: were like twenty one, twenty two.

1049
00:42:19,640 --> 00:42:21,799
Speaker 3: When you were dating at sixteen, though, did you feel

1050
00:42:21,800 --> 00:42:23,240
Speaker 3: like this is the person I'm gonna marry.

1051
00:42:23,920 --> 00:42:26,239
Speaker 11: I mean I probably thought about it, you know.

1052
00:42:27,160 --> 00:42:30,520
Speaker 3: Yeah, that just it just feels like in hindsight, you

1053
00:42:30,520 --> 00:42:31,600
Speaker 3: guys have always been together.

1054
00:42:31,640 --> 00:42:33,799
Speaker 20: Even for sure, it feels that way old. I mean

1055
00:42:33,800 --> 00:42:35,680
Speaker 20: we kind of even when we were dating other people,

1056
00:42:35,719 --> 00:42:39,880
Speaker 20: we actually still double dated together. So like what, yeah,

1057
00:42:40,160 --> 00:42:42,480
Speaker 20: you mean you went out, like we always remained really

1058
00:42:42,520 --> 00:42:44,759
Speaker 20: good friends. And so I was dating somebody else and

1059
00:42:44,800 --> 00:42:46,880
Speaker 20: she was dating somebody else. We would go to the

1060
00:42:46,920 --> 00:42:49,560
Speaker 20: movie together, like go to Sonic together, like you know,

1061
00:42:49,600 --> 00:42:52,000
Speaker 20: do the thing. So we always remained like really close.

1062
00:42:52,160 --> 00:42:55,360
Speaker 3: Sounds a bit fishy, I feel what fish.

1063
00:42:55,320 --> 00:42:57,880
Speaker 5: Whatever girl you've had with you how to be like,

1064
00:42:57,960 --> 00:42:59,719
Speaker 5: oh my gosh, she's totally into this other girl.

1065
00:43:00,239 --> 00:43:02,080
Speaker 20: There was There was a long time period where I

1066
00:43:02,400 --> 00:43:04,600
Speaker 20: seriously did I completely had blocked it out of my mind.

1067
00:43:05,160 --> 00:43:07,040
Speaker 20: But I think like later on, when I turned like,

1068
00:43:07,120 --> 00:43:09,720
Speaker 20: you know, sophomore junior in college, I was just like, man,

1069
00:43:10,320 --> 00:43:12,160
Speaker 20: you know, but I kind of thought she was going

1070
00:43:12,239 --> 00:43:14,120
Speaker 20: to get married to somebody else. And we actually see

1071
00:43:14,160 --> 00:43:16,720
Speaker 20: both of these people on a regular basis.

1072
00:43:17,560 --> 00:43:21,160
Speaker 11: The girl that I dated, I see her at church

1073
00:43:21,200 --> 00:43:23,120
Speaker 11: every Sunday, and uh.

1074
00:43:23,200 --> 00:43:25,200
Speaker 20: And one of the guys or one of the one

1075
00:43:25,200 --> 00:43:27,080
Speaker 20: of the guys that Lauren dated, he comes to all

1076
00:43:27,080 --> 00:43:29,680
Speaker 20: of our like Halloween parties, Christmas parties, all the stuff.

1077
00:43:29,719 --> 00:43:32,080
Speaker 11: So we see a lot more of like the people

1078
00:43:32,120 --> 00:43:34,840
Speaker 11: that Lauren dated than I dated. So probably shows to

1079
00:43:34,880 --> 00:43:37,840
Speaker 11: her character. She probably dated better people than me.

1080
00:43:38,440 --> 00:43:42,239
Speaker 3: You guys have been together, even married for a while. Yeah,

1081
00:43:42,239 --> 00:43:44,440
Speaker 3: how does she feel when you create something new and

1082
00:43:44,480 --> 00:43:46,840
Speaker 3: you bring it home and you're like, check out this

1083
00:43:47,000 --> 00:43:52,640
Speaker 3: song because it's even for my wife, And I say,

1084
00:43:52,880 --> 00:43:55,360
Speaker 3: my wife loves me and supports me in every way. Sure,

1085
00:43:55,480 --> 00:43:57,040
Speaker 3: And we were talking about my wife doesn't listen to

1086
00:43:57,040 --> 00:43:58,799
Speaker 3: the show. She just does not care. She's like I

1087
00:43:58,840 --> 00:44:02,200
Speaker 3: live with the show for sure. So I would say,

1088
00:44:02,200 --> 00:44:03,200
Speaker 3: I would say it's similar.

1089
00:44:03,640 --> 00:44:06,480
Speaker 20: I think like early on, she was with me a ton,

1090
00:44:06,560 --> 00:44:09,160
Speaker 20: like before we got married. You know, Lauren graduated as

1091
00:44:09,160 --> 00:44:12,160
Speaker 20: a nurse from the University of Tennessee, and when we

1092
00:44:12,160 --> 00:44:15,040
Speaker 20: were going into marriage counseling, our counselor was like, I think,

1093
00:44:15,120 --> 00:44:17,239
Speaker 20: y'all just need to like really be together your first

1094
00:44:17,320 --> 00:44:19,839
Speaker 20: year of marriage. And so she was with me, like

1095
00:44:19,960 --> 00:44:22,839
Speaker 20: with you know, seven other dudes on the bus, and

1096
00:44:22,880 --> 00:44:24,920
Speaker 20: back then we were playing like two hundred and eighty

1097
00:44:24,960 --> 00:44:26,759
Speaker 20: three hundred and something plus shows. So I mean she

1098
00:44:26,840 --> 00:44:30,279
Speaker 20: got a full feel like twenty twelve, twenty thirteen on

1099
00:44:30,320 --> 00:44:31,040
Speaker 20: the road.

1100
00:44:32,560 --> 00:44:35,680
Speaker 11: But yeah, I used to play her like every.

1101
00:44:35,360 --> 00:44:38,120
Speaker 20: Song that I would write, And now I don't even

1102
00:44:38,160 --> 00:44:40,360
Speaker 20: really play her demos anymore. I wait till they're finished

1103
00:44:40,360 --> 00:44:44,680
Speaker 20: because Lauren gets like severe demo demo sad. Yeah, I

1104
00:44:44,680 --> 00:44:46,560
Speaker 20: remember when I wrote die Happy Man. I played her

1105
00:44:46,560 --> 00:44:49,080
Speaker 20: the demo and then we went to the studio to

1106
00:44:49,080 --> 00:44:51,640
Speaker 20: cut it. She was like, I hate this version, and

1107
00:44:51,680 --> 00:44:55,319
Speaker 20: I was like, well, I can't put two am you

1108
00:44:55,360 --> 00:44:58,560
Speaker 20: know bus bus vocal out on the radio. But anyway,

1109
00:44:59,360 --> 00:45:01,200
Speaker 20: I've gotten the point where I'll finish the record now

1110
00:45:01,239 --> 00:45:02,799
Speaker 20: and then I'll play it all for So.

1111
00:45:03,000 --> 00:45:05,920
Speaker 3: What about this record sonically musically? Then people's ears are

1112
00:45:05,960 --> 00:45:07,040
Speaker 3: they going to feel a bit different?

1113
00:45:07,960 --> 00:45:08,160
Speaker 13: Man?

1114
00:45:08,239 --> 00:45:10,080
Speaker 11: I worked with a different producer on this project.

1115
00:45:10,719 --> 00:45:12,800
Speaker 3: I don't know if you explain what that because again

1116
00:45:13,080 --> 00:45:14,719
Speaker 3: I think we all know we're in that world of

1117
00:45:14,760 --> 00:45:16,600
Speaker 3: what a producer even is for sure? What is that?

1118
00:45:16,600 --> 00:45:17,399
Speaker 11: That's kind of all over the place.

1119
00:45:17,480 --> 00:45:18,759
Speaker 3: Yeah, yeah, What does that mean when you say work

1120
00:45:18,800 --> 00:45:20,640
Speaker 3: with a new producer? How does that affect you and

1121
00:45:20,680 --> 00:45:22,000
Speaker 3: what you're doing while you're in there.

1122
00:45:22,480 --> 00:45:25,440
Speaker 20: I think that different producers use, you know, different sounds,

1123
00:45:25,440 --> 00:45:29,279
Speaker 20: They come from different backgrounds, their influencers are different, and

1124
00:45:29,320 --> 00:45:31,719
Speaker 20: so on this record. Dan Huff remained a constant on

1125
00:45:31,760 --> 00:45:34,080
Speaker 20: this project. But my buddy Julian and Benetta. I don't

1126
00:45:34,120 --> 00:45:37,200
Speaker 20: know if you think you know that Julian, but he started,

1127
00:45:37,560 --> 00:45:39,760
Speaker 20: you know, maybe fifteen twenty years ago, and his first

1128
00:45:39,800 --> 00:45:41,719
Speaker 20: big project that he worked on was like the One

1129
00:45:41,719 --> 00:45:44,879
Speaker 20: Direction albums, and so like grew grew up in La,

1130
00:45:45,120 --> 00:45:47,279
Speaker 20: did the whole LA thing. And now this year he

1131
00:45:47,280 --> 00:45:49,920
Speaker 20: produced my record, produced the Sabrina Carpenter record and the

1132
00:45:50,520 --> 00:45:51,600
Speaker 20: Teddy Swims project.

1133
00:45:52,560 --> 00:45:53,920
Speaker 11: And so I feel like his ability to.

1134
00:45:53,960 --> 00:45:56,239
Speaker 20: Kind of shift in between like all those different things

1135
00:45:56,239 --> 00:45:58,759
Speaker 20: while having the wealth of knowledge that he has, he

1136
00:45:58,840 --> 00:46:00,680
Speaker 20: kind of just came in and like, chackallenge me in

1137
00:46:00,719 --> 00:46:04,200
Speaker 20: a bunch of different ways, musically, lyrically, sonically.

1138
00:46:04,280 --> 00:46:06,960
Speaker 3: Challenge like if you have something that you like and

1139
00:46:06,960 --> 00:46:09,160
Speaker 3: he's like, does he say, I think that can be better?

1140
00:46:09,520 --> 00:46:11,440
Speaker 3: Like do you allow someone to challenge you?

1141
00:46:11,440 --> 00:46:14,200
Speaker 20: Like, oh, dude, hundred percent. We do this thing called

1142
00:46:14,200 --> 00:46:16,319
Speaker 20: the Firing Squad with each other. So me and him

1143
00:46:16,320 --> 00:46:17,680
Speaker 20: and the couple people will sit around. I don't know

1144
00:46:17,680 --> 00:46:19,799
Speaker 20: if y'all do this, but you should. We sit around

1145
00:46:19,800 --> 00:46:22,200
Speaker 20: and we just pass the you know, the little speaker

1146
00:46:22,239 --> 00:46:24,279
Speaker 20: around and we just play songs and we absolutely go

1147
00:46:24,480 --> 00:46:27,000
Speaker 20: hard in the paint on what we either like or

1148
00:46:27,040 --> 00:46:30,160
Speaker 20: can't stand about the song. So I feel like in

1149
00:46:30,200 --> 00:46:32,600
Speaker 20: this right like every single song went through so many

1150
00:46:32,680 --> 00:46:34,400
Speaker 20: rounds of like why do you like this? Why do

1151
00:46:34,440 --> 00:46:36,560
Speaker 20: you not like this? I love the first verse, I

1152
00:46:36,560 --> 00:46:38,600
Speaker 20: hate the second verse. The bridge could be better. So

1153
00:46:39,160 --> 00:46:41,400
Speaker 20: I think having the time this go around, because I

1154
00:46:41,400 --> 00:46:43,320
Speaker 20: had such a light touring year this year, it allowed

1155
00:46:43,320 --> 00:46:45,560
Speaker 20: me to kind of like keep going back over to

1156
00:46:45,640 --> 00:46:48,439
Speaker 20: Julian's house in tweaking melody and tweaking verses. And I've

1157
00:46:48,440 --> 00:46:50,359
Speaker 20: never done that before. It's kind of always been like, well,

1158
00:46:50,400 --> 00:46:52,480
Speaker 20: the song is done, that's what it's going to be.

1159
00:46:52,880 --> 00:46:54,239
Speaker 20: A lot of these songs went through a bunch of

1160
00:46:54,280 --> 00:46:56,880
Speaker 20: different rounds of just like fixing and tweaking until we

1161
00:46:56,920 --> 00:46:58,000
Speaker 20: both felt like it was right.

1162
00:46:58,080 --> 00:47:01,080
Speaker 3: So will you ever sing? And somebody like Julian or

1163
00:47:01,080 --> 00:47:04,400
Speaker 3: whomever you trust, is like, do it again? That is

1164
00:47:04,480 --> 00:47:06,440
Speaker 3: not it and you're like, no, I feel like that's

1165
00:47:06,480 --> 00:47:09,560
Speaker 3: like and they push you and then maybe you hit

1166
00:47:09,600 --> 00:47:11,440
Speaker 3: a spot, a new spot, or maybe you have to

1167
00:47:11,480 --> 00:47:13,879
Speaker 3: chase the place you don't feel comfortable and does that happen?

1168
00:47:13,560 --> 00:47:16,040
Speaker 20: It happened a lot on this project because I feel

1169
00:47:16,040 --> 00:47:17,520
Speaker 20: like I really found my voice and I feel like

1170
00:47:17,560 --> 00:47:18,319
Speaker 20: I know how I sing.

1171
00:47:19,000 --> 00:47:20,200
Speaker 11: But he challenged me in a.

1172
00:47:20,120 --> 00:47:22,280
Speaker 20: Bunch of different ways on this record, like on Boots,

1173
00:47:22,320 --> 00:47:24,799
Speaker 20: which is like I think track maybe twelve or twelve

1174
00:47:24,840 --> 00:47:27,879
Speaker 20: or thirteen. I think I told you this the other night,

1175
00:47:27,880 --> 00:47:29,480
Speaker 20: but I sing it like me and he was just like,

1176
00:47:29,520 --> 00:47:32,840
Speaker 20: I feel like your vocal is boring, And I was like,

1177
00:47:32,880 --> 00:47:33,800
Speaker 20: what do you mean to do? And he was like,

1178
00:47:33,840 --> 00:47:36,520
Speaker 20: I just want you to channel Elvis and Dwight Yoakam

1179
00:47:36,600 --> 00:47:38,160
Speaker 20: right here, even if we don't use it, I just

1180
00:47:38,200 --> 00:47:40,040
Speaker 20: want to hear what it sounds like. And so I

1181
00:47:40,080 --> 00:47:42,400
Speaker 20: did it as a joke, and then I started living

1182
00:47:42,440 --> 00:47:45,200
Speaker 20: with that, and all of a sudden, it became so

1183
00:47:45,280 --> 00:47:48,200
Speaker 20: much more cooler. It just became cooler to me because

1184
00:47:48,200 --> 00:47:49,880
Speaker 20: it was almost like I was playing a character for

1185
00:47:49,920 --> 00:47:52,000
Speaker 20: the first time. I want a song like Can't Love

1186
00:47:52,040 --> 00:47:54,360
Speaker 20: You Anymore? Like I always sing really full voice, and

1187
00:47:54,400 --> 00:47:55,880
Speaker 20: you challenged me to sing in kind of like this

1188
00:47:55,960 --> 00:47:59,880
Speaker 20: weird not whisper but not yelling kind of voice, and

1189
00:48:00,000 --> 00:48:01,319
Speaker 20: so I feel like I feel like on a lot

1190
00:48:01,320 --> 00:48:03,080
Speaker 20: of the tracks on this record, he kind of encouraged

1191
00:48:03,120 --> 00:48:04,840
Speaker 20: me to kind of sing differently on a lot of

1192
00:48:04,840 --> 00:48:06,840
Speaker 20: different things to kind of just keep making the record

1193
00:48:06,840 --> 00:48:08,960
Speaker 20: interesting as you went down down the project.

1194
00:48:09,000 --> 00:48:10,440
Speaker 3: So Ray, I want to hear a little bit of

1195
00:48:10,440 --> 00:48:11,840
Speaker 3: boots that he was talking about.

1196
00:48:11,640 --> 00:48:13,880
Speaker 20: Could have easily gone in there and just gone okay

1197
00:48:14,080 --> 00:48:17,040
Speaker 20: to talk to the session players. Let's record a nineties

1198
00:48:17,640 --> 00:48:19,799
Speaker 20: honky talk sound in song, and I'll sing you like me.

1199
00:48:20,400 --> 00:48:22,439
Speaker 20: But then you start tweaking and you kind of get

1200
00:48:22,440 --> 00:48:25,120
Speaker 20: more into this like rockabilly land, and then compaired with

1201
00:48:25,160 --> 00:48:28,000
Speaker 20: like this, you know, kind of like zezy top, like

1202
00:48:28,040 --> 00:48:29,920
Speaker 20: a hole, you know, like just kind of just getting

1203
00:48:30,000 --> 00:48:32,879
Speaker 20: just more into into the song, and it just made

1204
00:48:32,920 --> 00:48:34,160
Speaker 20: it so much more interesting to me.

1205
00:48:34,320 --> 00:48:37,440
Speaker 3: So I'm gonna play which is the song that the

1206
00:48:37,480 --> 00:48:40,520
Speaker 3: record is kind of named after, about a woman, So

1207
00:48:40,880 --> 00:48:43,080
Speaker 3: give me a little something here before I go into this,

1208
00:48:43,560 --> 00:48:45,719
Speaker 3: like what's I don't know when I talk about that?

1209
00:48:45,760 --> 00:48:46,160
Speaker 3: What do you think?

1210
00:48:46,200 --> 00:48:48,040
Speaker 11: What do you say with a song something a by

1211
00:48:48,080 --> 00:48:48,359
Speaker 11: a woman?

1212
00:48:48,480 --> 00:48:51,680
Speaker 20: Yeah, I feel like it is the song maybe I

1213
00:48:51,719 --> 00:48:53,479
Speaker 20: think something about a woman in boots are the ones

1214
00:48:53,520 --> 00:48:57,360
Speaker 20: that feel like the most left of center songs on

1215
00:48:57,400 --> 00:49:01,000
Speaker 20: the project, really, I feel like they do. And if

1216
00:49:01,000 --> 00:49:03,399
Speaker 20: you know me, like I'm a giant like Rolling Rolling

1217
00:49:03,480 --> 00:49:07,160
Speaker 20: Stones fan, like big Steely Dan fan, and I feel

1218
00:49:07,200 --> 00:49:10,680
Speaker 20: like I was trying to channel my inter Mick Jagger

1219
00:49:10,800 --> 00:49:13,799
Speaker 20: on this track. We wrote this song at like two

1220
00:49:13,840 --> 00:49:16,000
Speaker 20: o'clock in the morning on the road, and once we

1221
00:49:16,040 --> 00:49:17,479
Speaker 20: had finished it, I was like, I don't know where

1222
00:49:17,520 --> 00:49:19,279
Speaker 20: this goes, Like, does it go on this project? Does

1223
00:49:19,320 --> 00:49:21,600
Speaker 20: it come as a one off? And the more I

1224
00:49:21,640 --> 00:49:23,160
Speaker 20: listen to it, the more it just kind of became

1225
00:49:24,120 --> 00:49:26,680
Speaker 20: my favorite thing. It's the one that when I sit

1226
00:49:26,719 --> 00:49:28,120
Speaker 20: down with a guitar, it's like the first thing I

1227
00:49:28,200 --> 00:49:28,760
Speaker 20: start playing.

1228
00:49:28,800 --> 00:49:29,719
Speaker 3: So we're gonna play it.

1229
00:49:29,719 --> 00:49:29,799
Speaker 12: Now.

1230
00:49:29,840 --> 00:49:32,359
Speaker 3: Here's something about a Woman Thomas Htz here, He's got

1231
00:49:32,360 --> 00:49:34,640
Speaker 3: an album out that's called About a Woman. It's out today.

1232
00:49:34,719 --> 00:49:37,120
Speaker 3: Go go stream it, save it and then stream it later.

1233
00:49:37,480 --> 00:49:39,239
Speaker 3: You can't even stream it right now. Save it right

1234
00:49:39,280 --> 00:49:40,840
Speaker 3: now and then stream it later.

1235
00:49:42,280 --> 00:49:44,920
Speaker 1: On the Bobby Bones Show. Now, Thomas Rhett.

1236
00:49:45,080 --> 00:49:47,120
Speaker 3: When you record an album, do you do it all?

1237
00:49:47,160 --> 00:49:49,040
Speaker 3: And like you go and you lock yourself in a

1238
00:49:49,080 --> 00:49:53,600
Speaker 3: studio for four days? Is it different every time you do?

1239
00:49:53,719 --> 00:49:56,719
Speaker 3: Sometimes it takes months? Like this record, I don't know.

1240
00:49:56,760 --> 00:49:57,759
Speaker 3: Do you record all the track?

1241
00:49:57,920 --> 00:49:58,160
Speaker 7: I don't.

1242
00:49:58,160 --> 00:49:59,480
Speaker 3: I don't understand how this works.

1243
00:50:00,040 --> 00:50:02,200
Speaker 20: Yeah, this record was obviously was different than any record

1244
00:50:02,239 --> 00:50:05,080
Speaker 20: I've ever done. During COVID, I taught myself how to

1245
00:50:05,120 --> 00:50:07,719
Speaker 20: like record my vocal at my house and so I

1246
00:50:07,719 --> 00:50:09,800
Speaker 20: feel like when I would used to go record songs,

1247
00:50:09,840 --> 00:50:11,560
Speaker 20: it would always be like, Okay, we're going to block

1248
00:50:11,600 --> 00:50:13,719
Speaker 20: seven days to go to your producer's house or to

1249
00:50:13,719 --> 00:50:16,759
Speaker 20: the studio and do a gajillion takes of a song

1250
00:50:16,800 --> 00:50:19,880
Speaker 20: and whatever. But I kind of felt like doing it

1251
00:50:19,920 --> 00:50:21,960
Speaker 20: in my studio, like in my basement at home, Like

1252
00:50:22,000 --> 00:50:24,800
Speaker 20: I just felt like I could try more without anyone watching.

1253
00:50:24,840 --> 00:50:28,080
Speaker 20: And so I would just like literally just compile, compile,

1254
00:50:28,120 --> 00:50:29,759
Speaker 20: and compile, and then I would shoot it over to

1255
00:50:29,880 --> 00:50:32,520
Speaker 20: Julian and he would do all the comping. Uh me,

1256
00:50:33,600 --> 00:50:36,480
Speaker 20: like when you sing a song like ten times in

1257
00:50:36,480 --> 00:50:37,880
Speaker 20: a row, you kind of like go through and you

1258
00:50:37,960 --> 00:50:39,800
Speaker 20: get you kind of get to pick the best pieces

1259
00:50:39,840 --> 00:50:41,600
Speaker 20: of the verse or get the you know, pick the

1260
00:50:41,600 --> 00:50:42,720
Speaker 20: best pieces of the chorus.

1261
00:50:42,760 --> 00:50:44,759
Speaker 11: And so I could never comp my vocal.

1262
00:50:44,800 --> 00:50:47,279
Speaker 20: I would I would go absolutely crazy doing that, but

1263
00:50:47,320 --> 00:50:48,799
Speaker 20: there are some people that are so good at it.

1264
00:50:48,840 --> 00:50:51,640
Speaker 20: But yeah, I mean we would go in and track,

1265
00:50:51,800 --> 00:50:53,520
Speaker 20: you know, with a live band, and we would take

1266
00:50:53,600 --> 00:50:55,319
Speaker 20: kind of the raw pieces of it and kind of

1267
00:50:55,560 --> 00:50:58,960
Speaker 20: we did mostly subtracting, which is interesting because I always

1268
00:50:58,960 --> 00:51:00,920
Speaker 20: feel like in my music, I'm I'm one of those

1269
00:51:00,920 --> 00:51:03,359
Speaker 20: people that just always likes to add and add and add.

1270
00:51:03,480 --> 00:51:05,319
Speaker 20: You know, if there's two part harmony, let's make it four,

1271
00:51:05,480 --> 00:51:07,440
Speaker 20: you know what I mean. And I feel like Julian

1272
00:51:07,480 --> 00:51:08,840
Speaker 20: and Dan did a good job on this record. It

1273
00:51:08,920 --> 00:51:11,480
Speaker 20: really just like subtracting, so kind of just taking the

1274
00:51:11,520 --> 00:51:13,879
Speaker 20: bones and just making what needed to be there stay there.

1275
00:51:13,960 --> 00:51:15,879
Speaker 20: So I feel like there's on this record there's more

1276
00:51:15,880 --> 00:51:18,239
Speaker 20: space than there's ever been on my projects, which kind

1277
00:51:18,239 --> 00:51:21,200
Speaker 20: of terrified me in a way because space freaks me out.

1278
00:51:21,239 --> 00:51:23,719
Speaker 20: Like even when I'm playing shows, if like we end

1279
00:51:23,719 --> 00:51:26,200
Speaker 20: a song and like my drummer has to change his

1280
00:51:26,239 --> 00:51:28,200
Speaker 20: snare drum er, we have like guitar changes or whatever,

1281
00:51:28,239 --> 00:51:29,840
Speaker 20: I start to panic because I feel like we just

1282
00:51:29,880 --> 00:51:31,520
Speaker 20: need to get into the next song as fast as

1283
00:51:31,600 --> 00:51:34,800
Speaker 20: humanly possible. But I've kind of learned how to embrace

1284
00:51:34,800 --> 00:51:36,200
Speaker 20: the space on this project.

1285
00:51:36,239 --> 00:51:39,080
Speaker 3: So do you ever hear any flaws in your old records?

1286
00:51:39,120 --> 00:51:42,960
Speaker 3: That's your fault? I mean yeah, Like and you're like,

1287
00:51:43,000 --> 00:51:46,560
Speaker 3: oh man, I can't believe that five records ago, Like

1288
00:51:46,640 --> 00:51:50,040
Speaker 3: I missed that a little. Do you ever hear that

1289
00:51:51,040 --> 00:51:53,080
Speaker 3: or purposely leave a flaw in because I can think

1290
00:51:53,120 --> 00:51:55,360
Speaker 3: of a couple famous songs oh yeah, not even yours,

1291
00:51:55,400 --> 00:51:59,600
Speaker 3: like James Blunt, you're beautiful at that beginning part. Yeah, yeah,

1292
00:52:00,520 --> 00:52:01,799
Speaker 3: hey can you count me in? There are a lot

1293
00:52:01,840 --> 00:52:04,600
Speaker 3: of those little any of that on your records where

1294
00:52:04,600 --> 00:52:05,200
Speaker 3: they either left it.

1295
00:52:05,640 --> 00:52:08,560
Speaker 20: I've always I've always really loved flaw on albums, Like

1296
00:52:08,640 --> 00:52:11,359
Speaker 20: I think probably my favorite reference would be like one

1297
00:52:11,360 --> 00:52:13,760
Speaker 20: of the first couple led Zeppelin albums, like John Bonham

1298
00:52:13,960 --> 00:52:15,600
Speaker 20: is the reason I ever wanted to play drums, and

1299
00:52:15,600 --> 00:52:17,200
Speaker 20: so like when you listen to those records, you can

1300
00:52:17,280 --> 00:52:20,239
Speaker 20: hear his like kick drum pedal squeaking, you know, in

1301
00:52:20,239 --> 00:52:22,359
Speaker 20: the microphone or whatever. And today you would you would

1302
00:52:22,400 --> 00:52:23,880
Speaker 20: be able to just like take that out. But I

1303
00:52:24,360 --> 00:52:27,200
Speaker 20: think I think flaw is what makes you human, you

1304
00:52:27,280 --> 00:52:29,600
Speaker 20: know what I'm saying. And so there's definitely sometimes when

1305
00:52:29,600 --> 00:52:32,200
Speaker 20: I listen down to a vocal or like my voice

1306
00:52:32,200 --> 00:52:33,399
Speaker 20: cracked or my voice broke, but.

1307
00:52:33,360 --> 00:52:35,120
Speaker 3: It got a record though that made it, and you

1308
00:52:35,120 --> 00:52:37,360
Speaker 3: didn't catch it until it's like fully produced.

1309
00:52:37,440 --> 00:52:39,160
Speaker 20: No, because I listened to these songs way too many

1310
00:52:39,200 --> 00:52:42,440
Speaker 20: times not to catch that stuff. But I think I

1311
00:52:42,800 --> 00:52:44,799
Speaker 20: definitely look back at records and I go, man, that

1312
00:52:44,840 --> 00:52:47,600
Speaker 20: record could have done without five or six of those songs,

1313
00:52:47,960 --> 00:52:50,440
Speaker 20: you know what I mean, Because I do think we

1314
00:52:50,520 --> 00:52:52,439
Speaker 20: kind of live in an age where it's like more

1315
00:52:52,520 --> 00:52:57,840
Speaker 20: is better all the time, content music, whatever, and so

1316
00:52:57,960 --> 00:53:00,239
Speaker 20: like on this record, like even just putting fourteen in

1317
00:53:00,280 --> 00:53:02,480
Speaker 20: this project freaked me out because I was like, everybody

1318
00:53:02,560 --> 00:53:06,080
Speaker 20: is putting a gajillion songs on their project and they're releasing.

1319
00:53:05,719 --> 00:53:06,839
Speaker 11: Like three projects a year.

1320
00:53:08,040 --> 00:53:11,040
Speaker 20: But yeah, I definitely look back at my older records

1321
00:53:11,040 --> 00:53:13,200
Speaker 20: and I'm like, man, those could have easily been eleven

1322
00:53:13,239 --> 00:53:14,280
Speaker 20: songs and not eighteen.

1323
00:53:14,800 --> 00:53:18,520
Speaker 3: There's I think of were you a Nirvana fan ever? Yes,

1324
00:53:18,560 --> 00:53:19,720
Speaker 3: but not miss you.

1325
00:53:19,760 --> 00:53:19,920
Speaker 4: No.

1326
00:53:20,080 --> 00:53:21,920
Speaker 11: I was a Nirvana fan, but probably not as big

1327
00:53:21,920 --> 00:53:22,359
Speaker 11: as you were.

1328
00:53:22,440 --> 00:53:24,520
Speaker 3: Yeah, it's big. I'm obviously a little older too. But

1329
00:53:24,520 --> 00:53:26,920
Speaker 3: there's a song Pollie where it's like Polly says, there

1330
00:53:27,000 --> 00:53:30,280
Speaker 3: back hurts, but he jumps in. He should have waited

1331
00:53:30,280 --> 00:53:32,640
Speaker 3: four and he jumped in it two. And I listened

1332
00:53:32,680 --> 00:53:34,960
Speaker 3: to the producer who was in Garbage, who yeah, is

1333
00:53:35,040 --> 00:53:37,799
Speaker 3: very famous producer, and he was talking about how he

1334
00:53:37,880 --> 00:53:39,560
Speaker 3: just jumped in early and they left it in Like

1335
00:53:39,640 --> 00:53:43,959
Speaker 3: I love sure those instances of it just seems normal now. Yeah,

1336
00:53:43,960 --> 00:53:46,200
Speaker 3: for sure, here these famous songs, but they left like, well.

1337
00:53:46,040 --> 00:53:47,520
Speaker 20: Those are the things, those are the things that you

1338
00:53:47,520 --> 00:53:49,400
Speaker 20: can't wait to, like scream at a concert.

1339
00:53:49,680 --> 00:53:50,399
Speaker 11: You know what I'm saying.

1340
00:53:50,480 --> 00:53:54,000
Speaker 20: Yeah, like a hidden tracks used to be a rad thing.

1341
00:53:54,200 --> 00:53:55,680
Speaker 20: It was like, I don't I don't know that that

1342
00:53:56,000 --> 00:53:59,200
Speaker 20: our generation has the capacity to wait sixty seconds after

1343
00:53:59,200 --> 00:54:00,520
Speaker 20: the last song is over.

1344
00:54:00,320 --> 00:54:02,640
Speaker 3: And we would see, now how long a song is

1345
00:54:02,680 --> 00:54:04,440
Speaker 3: and it would end at three and be like, why

1346
00:54:04,480 --> 00:54:06,640
Speaker 3: is this strike seven minutes? Because I remember like hard

1347
00:54:06,640 --> 00:54:08,839
Speaker 3: Candy from County Crows on the last I would hold

1348
00:54:08,840 --> 00:54:13,319
Speaker 3: down this fast forwards on the CD right and then

1349
00:54:13,360 --> 00:54:16,720
Speaker 3: it would hear oh no said and it was Joni

1350
00:54:16,760 --> 00:54:18,920
Speaker 3: Mitchell and it ended up later being them with the

1351
00:54:18,960 --> 00:54:21,960
Speaker 3: Vanessa Carlton. Yeah, paved Paradi I has to put up.

1352
00:54:22,000 --> 00:54:23,359
Speaker 3: But that was the hidden track and I was like,

1353
00:54:23,400 --> 00:54:26,200
Speaker 3: this is the coolest thing ever. Yeah, hidden tracks were

1354
00:54:26,200 --> 00:54:26,720
Speaker 3: so legit.

1355
00:54:26,840 --> 00:54:27,719
Speaker 11: We need to bring them back.

1356
00:54:28,280 --> 00:54:30,839
Speaker 3: What about like backward masking? You ever hear about that

1357
00:54:30,880 --> 00:54:33,799
Speaker 3: where you play the song backwards and people would be like,

1358
00:54:33,880 --> 00:54:37,560
Speaker 3: you'd hear this, you'd heart and people be like, I

1359
00:54:37,600 --> 00:54:40,600
Speaker 3: swear he just said the devil's wearing jeans. He the

1360
00:54:40,600 --> 00:54:46,080
Speaker 3: devil's wearing jeans. What do you listen to whenever not new,

1361
00:54:46,280 --> 00:54:48,440
Speaker 3: I'm gonna put you there. But when it's you just

1362
00:54:48,520 --> 00:54:51,399
Speaker 3: are going to like relax. If you're like grill out

1363
00:54:51,400 --> 00:54:53,200
Speaker 3: in the back and you got to put something on

1364
00:54:53,640 --> 00:54:55,239
Speaker 3: that you love, but you don't have to spend a

1365
00:54:55,280 --> 00:54:57,960
Speaker 3: lot of attention to like what is your what's your songs?

1366
00:54:57,960 --> 00:54:58,600
Speaker 3: What's your music?

1367
00:54:59,080 --> 00:54:59,239
Speaker 7: Man?

1368
00:54:59,239 --> 00:55:01,840
Speaker 20: I'm kind of an so I feel like when we're

1369
00:55:01,960 --> 00:55:04,840
Speaker 20: like cooking at the house or whatever, I'm a I

1370
00:55:04,920 --> 00:55:09,040
Speaker 20: just put on Frank Sinatra radio. There's something about the fifties.

1371
00:55:09,040 --> 00:55:11,120
Speaker 20: I don't know what it is, but it puts me

1372
00:55:11,160 --> 00:55:14,960
Speaker 20: in a very joyous mood. So fifties music, I think,

1373
00:55:15,840 --> 00:55:16,720
Speaker 20: or yacht rock.

1374
00:55:17,040 --> 00:55:20,520
Speaker 3: Yeah yeah, right, yeah, yeah, when the big ballads come

1375
00:55:20,560 --> 00:55:22,360
Speaker 3: on yacht rock, that's pretty fun stuff.

1376
00:55:22,160 --> 00:55:22,720
Speaker 11: Pretty awesome.

1377
00:55:23,200 --> 00:55:24,080
Speaker 3: Do you guys go to Africa?

1378
00:55:24,360 --> 00:55:25,720
Speaker 11: We did. We were there for three weeks.

1379
00:55:25,719 --> 00:55:26,600
Speaker 3: How long is that flight?

1380
00:55:27,840 --> 00:55:28,279
Speaker 11: Which one?

1381
00:55:29,280 --> 00:55:32,080
Speaker 20: I mean my family went over to London to try

1382
00:55:32,080 --> 00:55:34,080
Speaker 20: to adapt at the time with all my kids and

1383
00:55:34,120 --> 00:55:37,880
Speaker 20: I flew from Denver to London, London to Dubai, Dubai

1384
00:55:37,920 --> 00:55:41,600
Speaker 20: down to Uganda and so all in all, it's it's

1385
00:55:41,600 --> 00:55:44,839
Speaker 20: about a thirty six hours travel day. Yeah, wow, And

1386
00:55:44,880 --> 00:55:47,560
Speaker 20: coming back Dubai to Washington, d C is a fifteen

1387
00:55:47,600 --> 00:55:50,560
Speaker 20: hour straight flight and we did that with four four kids.

1388
00:55:50,800 --> 00:55:52,840
Speaker 3: And what do you do while you're there for three weeks?

1389
00:55:52,960 --> 00:55:54,040
Speaker 3: Was it your daughter's first time.

1390
00:55:54,000 --> 00:55:56,000
Speaker 11: D Yeah, it was. We kind of did half and

1391
00:55:56,000 --> 00:55:56,239
Speaker 11: a half.

1392
00:55:56,280 --> 00:55:58,200
Speaker 20: So my wife is on the board of this organization

1393
00:55:58,280 --> 00:56:01,399
Speaker 20: called Love One International, and for the last like five

1394
00:56:01,480 --> 00:56:03,319
Speaker 20: or six years they've been raising money to build this

1395
00:56:03,400 --> 00:56:06,680
Speaker 20: center in this little town about five hours north of Kampala,

1396
00:56:06,760 --> 00:56:08,799
Speaker 20: which is the capital. So we went over there for

1397
00:56:08,840 --> 00:56:12,759
Speaker 20: the grand opening of that and it was amazing. But yeah,

1398
00:56:13,000 --> 00:56:15,680
Speaker 20: watching wille Gray go back to Uganda for the first

1399
00:56:15,680 --> 00:56:18,520
Speaker 20: time it's been eight years now, it was one of

1400
00:56:18,560 --> 00:56:20,239
Speaker 20: the most special moments as a dad that I've ever

1401
00:56:20,239 --> 00:56:21,720
Speaker 20: experienced when.

1402
00:56:21,640 --> 00:56:25,720
Speaker 3: You wrote Mamma's House, because you wrote that with Morgan. Yeah,

1403
00:56:26,320 --> 00:56:29,160
Speaker 3: how did that come up as a topic? Did someone

1404
00:56:29,200 --> 00:56:31,480
Speaker 3: come in to go, let's write about a mammal or

1405
00:56:31,520 --> 00:56:33,759
Speaker 3: did that organically just come about in conversation.

1406
00:56:34,400 --> 00:56:35,880
Speaker 20: That was the first time I ever wrote with Morgan.

1407
00:56:35,920 --> 00:56:37,759
Speaker 20: It was on Zoom during COVID. It was me and

1408
00:56:37,880 --> 00:56:40,840
Speaker 20: him and Josh Thompson and a guy named Matt Dragson.

1409
00:56:40,960 --> 00:56:42,640
Speaker 20: We actually had written another song. I don't even remember

1410
00:56:42,640 --> 00:56:45,000
Speaker 20: what it was called, but I remember almost getting off

1411
00:56:45,000 --> 00:56:47,080
Speaker 20: the zoom, thinking like, we just wrote the worst song ever.

1412
00:56:47,680 --> 00:56:50,120
Speaker 20: And Morgan randomly gets a phone call from his grandmama

1413
00:56:50,600 --> 00:56:52,279
Speaker 20: and you can hear it in the very beginning of

1414
00:56:52,280 --> 00:56:54,480
Speaker 20: the track, like that was like live audio from that session.

1415
00:56:55,120 --> 00:56:56,279
Speaker 20: And he got back and I was like, man, I

1416
00:56:56,280 --> 00:56:58,160
Speaker 20: didn't know you had a mammal that was from East

1417
00:56:58,160 --> 00:57:00,120
Speaker 20: Tennessee because I've got a mama from me Tennessee. We

1418
00:57:00,120 --> 00:57:02,239
Speaker 20: started talking about the way that we were raised and

1419
00:57:02,440 --> 00:57:03,840
Speaker 20: all this kind of stuff, and so we were just like,

1420
00:57:03,960 --> 00:57:06,200
Speaker 20: let's write a song about our grandparents, kind of honestly

1421
00:57:06,239 --> 00:57:08,279
Speaker 20: thinking this is never going to see the light of day.

1422
00:57:08,960 --> 00:57:11,759
Speaker 20: And it didn't for like four years, and then yeah,

1423
00:57:11,800 --> 00:57:13,439
Speaker 20: it came out and turns out a lot of people

1424
00:57:13,719 --> 00:57:15,720
Speaker 20: love singing about the grandmamas.

1425
00:57:15,160 --> 00:57:18,200
Speaker 3: So I would say that's accurate. I liked the song too,

1426
00:57:18,360 --> 00:57:21,240
Speaker 3: even if they don't like their grammarship rh. Yeah. You

1427
00:57:21,280 --> 00:57:23,560
Speaker 3: ever write a song that's you feel like it's really

1428
00:57:23,600 --> 00:57:27,720
Speaker 3: good and it just doesn't make sense for you, not

1429
00:57:27,800 --> 00:57:30,400
Speaker 3: even timing wise, but it's just like, man, I love

1430
00:57:30,440 --> 00:57:32,840
Speaker 3: this song and it's super catchy and says, but I

1431
00:57:32,920 --> 00:57:34,040
Speaker 3: don't make sense singing it.

1432
00:57:34,160 --> 00:57:39,120
Speaker 11: For sure. It happens a lot. Actually, what's one of those? Nothing?

1433
00:57:39,440 --> 00:57:40,640
Speaker 11: Probably nothing recently.

1434
00:57:41,880 --> 00:57:43,720
Speaker 20: But I just had to hit with Dustin Lynch want

1435
00:57:43,720 --> 00:57:46,720
Speaker 20: a song called Stars Like Confetti that I wrote and

1436
00:57:46,760 --> 00:57:48,680
Speaker 20: I loved, but it didn't make sense for my project.

1437
00:57:48,840 --> 00:57:50,320
Speaker 20: And I don't even have a reason for that, but

1438
00:57:50,360 --> 00:57:52,520
Speaker 20: I think like listening down and then putting that song

1439
00:57:52,560 --> 00:57:53,760
Speaker 20: in the mix, it didn't make sense.

1440
00:57:54,640 --> 00:57:58,640
Speaker 3: I like when it goes stars like Confetti, Uh huh, yeah,

1441
00:57:58,880 --> 00:58:01,160
Speaker 3: that she a little ear candy. Yeah, So tell me

1442
00:58:01,200 --> 00:58:05,280
Speaker 3: about that specifically because I like that because it definitely

1443
00:58:05,360 --> 00:58:08,240
Speaker 3: hits way different, and there's a chance that when it

1444
00:58:08,280 --> 00:58:10,120
Speaker 3: hits different, it's going to hit Oh that's super catchy

1445
00:58:10,200 --> 00:58:13,400
Speaker 3: or that's super corny. Yeah, yeah, I love that. That's

1446
00:58:13,400 --> 00:58:15,840
Speaker 3: what comes by What are you saying? What's he saying exactly?

1447
00:58:16,240 --> 00:58:19,800
Speaker 11: I think you just ah yah did.

1448
00:58:19,600 --> 00:58:22,680
Speaker 3: You write that? In the initial chorus?

1449
00:58:24,360 --> 00:58:26,040
Speaker 11: And I've got the demo i'll play, I'll send, I'll

1450
00:58:26,040 --> 00:58:26,480
Speaker 11: send it to you.

1451
00:58:26,520 --> 00:58:28,400
Speaker 3: And then did you think should we leave the AI

1452
00:58:28,480 --> 00:58:30,960
Speaker 3: in or did you know immediately you felt.

1453
00:58:30,720 --> 00:58:34,200
Speaker 20: Like yeah, I think we just wrote it and and

1454
00:58:34,280 --> 00:58:36,120
Speaker 20: I don't know like six eight months went by and

1455
00:58:36,160 --> 00:58:38,400
Speaker 20: like nothing was happening with it, and so I think

1456
00:58:38,640 --> 00:58:40,800
Speaker 20: my buddy Josh Thompson the Senate to Dustin and he

1457
00:58:40,840 --> 00:58:42,080
Speaker 20: takes me and said, are you going to do anything

1458
00:58:42,080 --> 00:58:44,480
Speaker 20: with this? And I said, I don't think so, and

1459
00:58:44,520 --> 00:58:46,680
Speaker 20: he and you never know when we will record your songs,

1460
00:58:46,680 --> 00:58:48,600
Speaker 20: that they're just going to be like random track number

1461
00:58:48,600 --> 00:58:50,360
Speaker 20: ten on an album if they're actually have a chance

1462
00:58:50,400 --> 00:58:52,320
Speaker 20: at making it as a single. But I think that

1463
00:58:52,400 --> 00:58:55,440
Speaker 20: song was kind of starting to pop organically. And yeah,

1464
00:58:55,520 --> 00:58:57,520
Speaker 20: dust I mean Dustin pretty much sang it how we

1465
00:58:57,520 --> 00:58:58,160
Speaker 20: did it in the demo.

1466
00:58:58,760 --> 00:59:02,800
Speaker 3: I love Surprised and I just love the yeah, like

1467
00:59:02,880 --> 00:59:03,640
Speaker 3: that is such.

1468
00:59:03,680 --> 00:59:07,120
Speaker 20: Well, it's like ooze and oz and like it's just

1469
00:59:07,120 --> 00:59:09,720
Speaker 20: something for people to latch onto, you know what I mean.

1470
00:59:09,760 --> 00:59:11,080
Speaker 11: Like even if you don't know any of the other

1471
00:59:11,080 --> 00:59:13,320
Speaker 11: words in the show, you can go ah.

1472
00:59:13,440 --> 00:59:15,320
Speaker 3: You know, do you think if someone walked in with

1473
00:59:15,360 --> 00:59:17,240
Speaker 3: a shotgun right now, said Thom's rett, I need you

1474
00:59:17,320 --> 00:59:18,880
Speaker 3: to go in this room, and I need you to

1475
00:59:18,880 --> 00:59:20,560
Speaker 3: write a song, and it has to be a hit,

1476
00:59:20,600 --> 00:59:22,720
Speaker 3: and it could be as as simple as possible, and

1477
00:59:22,760 --> 00:59:25,840
Speaker 3: you have thirty minutes. You could write a hit song.

1478
00:59:26,200 --> 00:59:28,080
Speaker 3: You can put all the claps and oohs and oz

1479
00:59:28,400 --> 00:59:31,480
Speaker 3: and kid choir anything you want. That is no. Do

1480
00:59:31,520 --> 00:59:33,560
Speaker 3: you think you could write a song in thirty minutes

1481
00:59:33,600 --> 00:59:34,160
Speaker 3: it would be a hit.

1482
00:59:36,200 --> 00:59:38,160
Speaker 8: Maybe it got to be a shotgun?

1483
00:59:38,240 --> 00:59:39,600
Speaker 3: Yeah, Well, because we got to make him want to

1484
00:59:39,600 --> 00:59:42,640
Speaker 3: do it. Otherwise, he's like, because he Thomas invests a

1485
00:59:42,640 --> 00:59:44,320
Speaker 3: lot of himself into his art and wants to say

1486
00:59:44,680 --> 00:59:46,400
Speaker 3: things are important to him. But I'm not asking to

1487
00:59:46,440 --> 00:59:48,080
Speaker 3: do that. I'm saying, you just got to write a

1488
00:59:48,480 --> 00:59:49,640
Speaker 3: goofy radio hit.

1489
00:59:49,720 --> 00:59:49,919
Speaker 11: Yeah.

1490
00:59:50,120 --> 00:59:51,560
Speaker 3: Do you think in thirty minutes you could do one?

1491
00:59:51,600 --> 00:59:52,160
Speaker 11: Let me it could?

1492
00:59:52,240 --> 00:59:57,800
Speaker 3: Yeah, that's awesome. Get a gun, bringing it, Bring about

1493
00:59:57,840 --> 01:00:01,560
Speaker 3: a woman. It is out today, fourteen.

1494
01:00:01,160 --> 01:00:02,360
Speaker 11: Tracks, Yeah, fourteen.

1495
01:00:02,800 --> 01:00:07,720
Speaker 3: Hey, what's the deal you and Lauren the UT and

1496
01:00:07,800 --> 01:00:09,200
Speaker 3: Georgia versions?

1497
01:00:09,680 --> 01:00:10,480
Speaker 7: What are you what?

1498
01:00:10,520 --> 01:00:12,320
Speaker 3: It's even happening here where you guys are going against

1499
01:00:12,320 --> 01:00:12,680
Speaker 3: each other?

1500
01:00:13,360 --> 01:00:15,880
Speaker 20: So that rivalry in our house has just been like

1501
01:00:16,040 --> 01:00:18,880
Speaker 20: such a joke for a long time. And like, you know,

1502
01:00:18,920 --> 01:00:20,480
Speaker 20: me and my dad are like the only two Georgia

1503
01:00:20,480 --> 01:00:23,440
Speaker 20: Bulldog fans that that I'm like, I spend a lot

1504
01:00:23,480 --> 01:00:24,000
Speaker 20: of time with.

1505
01:00:24,080 --> 01:00:24,400
Speaker 11: And so.

1506
01:00:26,400 --> 01:00:27,880
Speaker 20: We go to a lot of UT games and I

1507
01:00:27,880 --> 01:00:29,480
Speaker 20: feel like there's just not a whole bunch of love

1508
01:00:29,800 --> 01:00:32,560
Speaker 20: for the Georgia Bulldogs around my family. And so somebody

1509
01:00:32,600 --> 01:00:34,680
Speaker 20: on my team had the idea of making these two

1510
01:00:34,720 --> 01:00:39,800
Speaker 20: different vinyls to see, so one has like the orange

1511
01:00:39,840 --> 01:00:41,919
Speaker 20: and white checkerboard on the hood and the other has

1512
01:00:41,960 --> 01:00:44,080
Speaker 20: like the red and black light Georgis stripe on the hood,

1513
01:00:45,400 --> 01:00:47,040
Speaker 20: and we just kind of wanted to make a competition

1514
01:00:47,080 --> 01:00:48,640
Speaker 20: out of that to kind of see who had more

1515
01:00:49,000 --> 01:00:52,520
Speaker 20: loyalty from my fan base. And so she's beating me

1516
01:00:52,560 --> 01:00:56,360
Speaker 20: by like thirty five percent currently, which is not shocking.

1517
01:00:56,640 --> 01:01:00,000
Speaker 3: So about a woman is out today. One other thing,

1518
01:01:01,160 --> 01:01:02,360
Speaker 3: you look really like healthy?

1519
01:01:02,600 --> 01:01:02,960
Speaker 11: Thanks?

1520
01:01:03,320 --> 01:01:04,800
Speaker 3: Yeah, anything? What are you doing new?

1521
01:01:05,200 --> 01:01:08,440
Speaker 20: I think I'm just like playing shows again. I've lost

1522
01:01:08,680 --> 01:01:10,600
Speaker 20: I've lost like twelve pounds over the summer and I

1523
01:01:10,600 --> 01:01:13,040
Speaker 20: don't know if it's from jumping around in July and

1524
01:01:13,080 --> 01:01:14,080
Speaker 20: August heat or whatever.

1525
01:01:14,160 --> 01:01:14,840
Speaker 3: But yeah, you look good.

1526
01:01:14,880 --> 01:01:16,200
Speaker 11: I can't fit into most of my pants.

1527
01:01:16,200 --> 01:01:18,360
Speaker 5: Well you can't say that with such emphasis of those

1528
01:01:18,360 --> 01:01:20,200
Speaker 5: are good. I know you look good, but when it's

1529
01:01:20,240 --> 01:01:21,240
Speaker 5: like you look good.

1530
01:01:21,040 --> 01:01:24,280
Speaker 3: Like his hair is like popping, it's like a good color.

1531
01:01:24,360 --> 01:01:27,320
Speaker 3: It's like it's crazy.

1532
01:01:26,720 --> 01:01:29,320
Speaker 11: But Assault and THEFF for Happening and they're awesome embracing it.

1533
01:01:29,320 --> 01:01:29,960
Speaker 3: New albums out.

1534
01:01:29,960 --> 01:01:32,280
Speaker 11: Good to see your buddy likewise, man, that's always.

1535
01:01:31,960 --> 01:01:35,760
Speaker 3: Roof for everything you do. A ey a eh. What

1536
01:01:35,800 --> 01:01:39,520
Speaker 3: if someone said, final thing? What if someone said Tom's

1537
01:01:39,560 --> 01:01:42,960
Speaker 3: ratt your producer, and you know you said they wanted

1538
01:01:42,960 --> 01:01:46,200
Speaker 3: you to like little channel litt Dwight yoak a little maybe. Oh,

1539
01:01:46,200 --> 01:01:48,200
Speaker 3: I as fast as you did, you know whatever that is,

1540
01:01:48,200 --> 01:01:50,200
Speaker 3: and they were like, we need you to channel Mickey

1541
01:01:50,200 --> 01:01:53,600
Speaker 3: Mouse and and just just lay down a little bit

1542
01:01:53,640 --> 01:01:57,000
Speaker 3: of half of me. But need you do like Mickey Mouse.

1543
01:01:58,520 --> 01:01:59,320
Speaker 11: I could not do that.

1544
01:01:59,480 --> 01:02:01,280
Speaker 3: Well, no, I'm your producer.

1545
01:02:03,920 --> 01:02:05,360
Speaker 11: Yeah, there's no way for me.

1546
01:02:05,680 --> 01:02:07,600
Speaker 3: I kind of have to at least agree. See, yeah

1547
01:02:07,600 --> 01:02:09,880
Speaker 3: we never worked together. Then we never work you'd.

1548
01:02:09,600 --> 01:02:11,640
Speaker 11: Be out Bobby's producers record.

1549
01:02:11,960 --> 01:02:13,960
Speaker 3: See you didn't come to the challenge. And now I'm

1550
01:02:13,960 --> 01:02:15,920
Speaker 3: gonna go back to the Wiggles, which is what I've

1551
01:02:15,920 --> 01:02:18,800
Speaker 3: been known before. Yes, Thomas wrote the new record about

1552
01:02:18,800 --> 01:02:19,760
Speaker 3: a woman Thomas, Good to see a.

1553
01:02:19,720 --> 01:02:20,919
Speaker 11: Buddy Likewise, Thank you, ma'am.

1554
01:02:22,240 --> 01:02:25,440
Speaker 1: It's the best bits of the week with Morgan.

1555
01:02:25,520 --> 01:02:35,320
Speaker 2: Number two, Lunchbox surprised a listener with a toilet seat.

1556
01:02:35,680 --> 01:02:38,200
Speaker 2: So it's the Palette, you know, he who shall not

1557
01:02:38,240 --> 01:02:41,439
Speaker 2: be named aka Baltimore aka the Palette. But it got

1558
01:02:41,520 --> 01:02:44,320
Speaker 2: named and it was a big surprise for a listener

1559
01:02:44,600 --> 01:02:46,800
Speaker 2: in a way. The listener also called them wanting it.

1560
01:02:47,240 --> 01:02:50,360
Speaker 2: But that's what you're about to hear is lunchbox surprising

1561
01:02:50,400 --> 01:02:53,320
Speaker 2: a listener Forcibly number.

1562
01:02:52,960 --> 01:02:54,640
Speaker 3: Two and Morgan Harry Potter.

1563
01:02:55,400 --> 01:02:55,960
Speaker 4: What's the name?

1564
01:02:56,000 --> 01:03:00,320
Speaker 3: They don't say? Oh, Valdemart and what I'm sorry. Never

1565
01:03:00,320 --> 01:03:02,360
Speaker 3: read the books, I respect him, never seen the movies,

1566
01:03:02,400 --> 01:03:05,200
Speaker 3: I respect them. Why don't they say the name?

1567
01:03:05,680 --> 01:03:09,360
Speaker 2: Well, he's the main villain, And basically it's kind of

1568
01:03:09,360 --> 01:03:10,920
Speaker 2: like a Boogeyman type situation.

1569
01:03:11,000 --> 01:03:12,640
Speaker 7: If you kind of say the name he shows.

1570
01:03:12,400 --> 01:03:13,600
Speaker 3: Up, it is like beetlejuice.

1571
01:03:13,840 --> 01:03:16,240
Speaker 2: No, but like that's kind of the vibe of it.

1572
01:03:16,280 --> 01:03:18,840
Speaker 2: He doesn't actually show up, but that's the vibe, Like,

1573
01:03:18,880 --> 01:03:20,880
Speaker 2: don't speak about him because he's the darkness.

1574
01:03:21,160 --> 01:03:23,200
Speaker 3: By the way, Beetlejuice awesome. Back in the day. The

1575
01:03:23,200 --> 01:03:24,440
Speaker 3: new Beetle Juice coming out.

1576
01:03:24,360 --> 01:03:26,000
Speaker 4: Beetle Juice, Beetle Juice three.

1577
01:03:26,200 --> 01:03:27,600
Speaker 3: It's beetle Juice, Wait.

1578
01:03:27,880 --> 01:03:30,760
Speaker 8: Three, Beetle Juice, Hold On, Hold On?

1579
01:03:31,880 --> 01:03:34,600
Speaker 3: Is the movie called beetle Juice, beetle Juice. Okay, so

1580
01:03:35,000 --> 01:03:36,640
Speaker 3: what we're saying is you got to say it three

1581
01:03:36,640 --> 01:03:38,320
Speaker 3: times to get him to come out right, right, right.

1582
01:03:38,360 --> 01:03:42,920
Speaker 3: But the new movie, I'm looking forward to beatle Juice,

1583
01:03:42,920 --> 01:03:45,760
Speaker 3: beetle Juice because the first one was so good. So

1584
01:03:45,920 --> 01:03:48,440
Speaker 3: you don't say Voldemort, you don't say beetlejuice three times.

1585
01:03:48,520 --> 01:03:50,120
Speaker 3: And there's a word that we don't like to say

1586
01:03:50,120 --> 01:03:53,040
Speaker 3: on this show because it brings up bad thoughts and memories.

1587
01:03:53,400 --> 01:03:55,320
Speaker 3: Do you guys know the word palette?

1588
01:03:56,440 --> 01:03:57,640
Speaker 4: I figured palette.

1589
01:03:57,760 --> 01:03:59,800
Speaker 3: So the palette is something we all put our money into.

1590
01:04:00,080 --> 01:04:03,400
Speaker 3: Bought this pallette. It's a palette of Amazon returns. We

1591
01:04:03,400 --> 01:04:07,880
Speaker 3: didn't know what was in it, and we were very

1592
01:04:07,920 --> 01:04:10,160
Speaker 3: excited to make money by selling the stuff individually. It

1593
01:04:10,200 --> 01:04:13,040
Speaker 3: turned to a massive fight within us. We just stopped

1594
01:04:13,040 --> 01:04:14,680
Speaker 3: talking about it. We said, we're not doing this as

1595
01:04:14,720 --> 01:04:19,880
Speaker 3: a bit. However, Lunchbox continues, drip by drip to tell

1596
01:04:19,920 --> 01:04:22,560
Speaker 3: me that the palette is making people very happy still

1597
01:04:22,560 --> 01:04:24,840
Speaker 3: to this day. So what is the latest.

1598
01:04:25,280 --> 01:04:28,080
Speaker 10: Some guy called in and said he broke his toilet

1599
01:04:28,120 --> 01:04:31,280
Speaker 10: seat and knew that we had toilet seats from the pallette.

1600
01:04:31,440 --> 01:04:33,320
Speaker 10: And he would love to have a toilet seat from

1601
01:04:33,320 --> 01:04:34,520
Speaker 10: the Pallette. So I was like, man, I'm gonna call

1602
01:04:34,560 --> 01:04:35,320
Speaker 10: him and sell him one.

1603
01:04:36,000 --> 01:04:37,520
Speaker 7: But Bobby was like, no, you need to give it

1604
01:04:37,560 --> 01:04:38,280
Speaker 7: to him for free.

1605
01:04:38,600 --> 01:04:39,840
Speaker 3: Oh yeah, of course, And so.

1606
01:04:39,840 --> 01:04:41,560
Speaker 7: I called the dude back and made his dreams come for.

1607
01:04:41,680 --> 01:04:44,480
Speaker 3: We had the call. Yeah, hell, here we go.

1608
01:04:45,400 --> 01:04:47,000
Speaker 7: Hello is this toilet seat guy?

1609
01:04:47,360 --> 01:04:48,720
Speaker 17: Yes, toilet seat guy?

1610
01:04:48,920 --> 01:04:50,640
Speaker 7: Man, what's up? It's lunchbox?

1611
01:04:51,480 --> 01:04:54,480
Speaker 17: No freaking way, what's up lunchbox dude?

1612
01:04:54,520 --> 01:04:56,960
Speaker 10: What is your name? I just know you. You want

1613
01:04:56,960 --> 01:04:59,160
Speaker 10: to put your butt on our toilet seat?

1614
01:04:59,440 --> 01:05:04,320
Speaker 17: Yes, yes, huge, let go. My name is Carter Man.

1615
01:05:04,480 --> 01:05:06,160
Speaker 10: Okay, well you know what we're gonna do. We're gonna

1616
01:05:06,160 --> 01:05:08,800
Speaker 10: make dreams come true today because this is what we do.

1617
01:05:09,240 --> 01:05:11,200
Speaker 10: I mean, I was gonna sell it to you, and

1618
01:05:11,240 --> 01:05:13,840
Speaker 10: Bobby said that I have to give it to you

1619
01:05:13,920 --> 01:05:15,520
Speaker 10: for free.

1620
01:05:15,840 --> 01:05:20,480
Speaker 17: For free. That is freaking awesome. I wants to toilet seat,

1621
01:05:20,520 --> 01:05:23,000
Speaker 17: lunch box, and I will give you my address.

1622
01:05:24,840 --> 01:05:27,240
Speaker 10: Hey man, We're gonna make your toilet see congratulations, have

1623
01:05:27,280 --> 01:05:29,920
Speaker 10: a great day. We're making dreams come true, one crap

1624
01:05:29,960 --> 01:05:30,760
Speaker 10: at a time.

1625
01:05:31,480 --> 01:05:33,439
Speaker 17: One crap out of time. Dreams are coming true.

1626
01:05:33,520 --> 01:05:35,520
Speaker 13: God, thank you' all two things.

1627
01:05:35,520 --> 01:05:37,360
Speaker 3: How do we know if it's a toilet? Are they universal?

1628
01:05:37,840 --> 01:05:38,320
Speaker 4: I don't know.

1629
01:05:38,520 --> 01:05:40,720
Speaker 3: Two do we send them on? We all signed, we're

1630
01:05:40,720 --> 01:05:42,120
Speaker 3: gonna sign it, but not on the top.

1631
01:05:43,160 --> 01:05:43,480
Speaker 7: On top.

1632
01:05:43,880 --> 01:05:45,800
Speaker 3: Yeah, let's sign it and he sits on it. Guys,

1633
01:05:45,800 --> 01:05:46,560
Speaker 3: that's so funny.

1634
01:05:46,560 --> 01:05:47,960
Speaker 8: You can do it underneath when you listen.

1635
01:05:48,280 --> 01:05:50,400
Speaker 3: Why would we want that? How many do we have?

1636
01:05:50,960 --> 01:05:52,320
Speaker 7: I think we have three remaining.

1637
01:05:52,440 --> 01:05:54,520
Speaker 3: No, we send them one and we all sign it

1638
01:05:54,760 --> 01:05:57,000
Speaker 3: and he sits on it. Yes, Why would you not

1639
01:05:57,040 --> 01:05:57,320
Speaker 3: want that?

1640
01:05:57,880 --> 01:05:58,840
Speaker 8: Why would you want that?

1641
01:05:59,080 --> 01:06:01,200
Speaker 3: Because that's hilarious and you get to pick what you want?

1642
01:06:01,200 --> 01:06:03,439
Speaker 7: Do you want back button? Do you want sign like big?

1643
01:06:04,840 --> 01:06:07,320
Speaker 3: Where do you sign it? Yeah? Yeah, I'm gonna go

1644
01:06:07,400 --> 01:06:08,520
Speaker 3: right in the middle of the back, so I get

1645
01:06:08,520 --> 01:06:12,120
Speaker 3: a little crack. It's a little failing. See the palette.

1646
01:06:12,120 --> 01:06:15,000
Speaker 3: Although made us miserable and really hate each other for

1647
01:06:15,000 --> 01:06:17,120
Speaker 3: a while, it's making some people happy.

1648
01:06:17,160 --> 01:06:18,120
Speaker 8: He sounded pretty happy.

1649
01:06:18,240 --> 01:06:21,360
Speaker 3: So death tell me something good, So we'll sign it.

1650
01:06:21,400 --> 01:06:23,880
Speaker 3: We'll mail it off today. Nice.

1651
01:06:24,080 --> 01:06:27,800
Speaker 1: It's the best bits of the week with Morgan. Number two.

1652
01:06:29,120 --> 01:06:30,600
Speaker 2: I really hate when I have to come on here

1653
01:06:30,720 --> 01:06:33,640
Speaker 2: for another week and do a not so fun number

1654
01:06:33,680 --> 01:06:37,840
Speaker 2: one spot. But this was some big news in my life,

1655
01:06:37,880 --> 01:06:41,120
Speaker 2: not exciting news, very sad news. And I barely made

1656
01:06:41,120 --> 01:06:44,240
Speaker 2: it through the announcement, barely making it through telling you

1657
01:06:44,240 --> 01:06:47,840
Speaker 2: guys right now because the suggestion or that even the

1658
01:06:47,880 --> 01:06:50,280
Speaker 2: topic of it just you know, brings on some sad

1659
01:06:50,320 --> 01:06:52,840
Speaker 2: feelings for me. But here it is the number one spot.

1660
01:06:52,880 --> 01:06:56,760
Speaker 2: I shared some updates on my relationship Number one.

1661
01:06:56,920 --> 01:06:58,920
Speaker 3: This is what's referred to as a band aid segment

1662
01:06:59,120 --> 01:07:01,800
Speaker 3: where I don't tease it, there's no build up to it.

1663
01:07:02,200 --> 01:07:04,480
Speaker 3: We just ripped the band aid off. I've never called

1664
01:07:04,480 --> 01:07:05,760
Speaker 3: it that until now, but if you ever hear of

1665
01:07:05,760 --> 01:07:07,120
Speaker 3: a band aid segment, that's what it's going to be

1666
01:07:07,160 --> 01:07:09,120
Speaker 3: for now on. Okay, I didn't before going into this

1667
01:07:09,160 --> 01:07:15,000
Speaker 3: segment and teas or anything band aid segment. Ready, go ahead,

1668
01:07:17,640 --> 01:07:18,960
Speaker 3: man in uniform.

1669
01:07:18,560 --> 01:07:19,440
Speaker 13: And I broke up.

1670
01:07:20,280 --> 01:07:25,120
Speaker 3: Oh, so that is Morgan didn't want to do a

1671
01:07:25,120 --> 01:07:29,840
Speaker 3: big bit build out till Lunchbox. Well, Morgan also, I've

1672
01:07:29,880 --> 01:07:33,680
Speaker 3: known for a bit because I will try to make

1673
01:07:33,760 --> 01:07:38,000
Speaker 3: sure that the show doesn't migrate to going in on something,

1674
01:07:38,480 --> 01:07:40,640
Speaker 3: just to give her a little space. And so she

1675
01:07:40,720 --> 01:07:42,680
Speaker 3: was like, Hey, this happened, It's cool. I felt like

1676
01:07:42,680 --> 01:07:44,200
Speaker 3: it's my job to protect her for a little bit,

1677
01:07:44,320 --> 01:07:46,120
Speaker 3: so if it goes somewhere, I can boot it out

1678
01:07:46,160 --> 01:07:49,560
Speaker 3: until she's comfortable right a little behind the scenes, she

1679
01:07:49,760 --> 01:07:51,919
Speaker 3: did also come and say I would like to say

1680
01:07:51,960 --> 01:07:53,920
Speaker 3: it now and get it over with because it will

1681
01:07:53,960 --> 01:07:57,800
Speaker 3: be brought up again in normal discussion. And I recommend

1682
01:07:57,800 --> 01:07:59,440
Speaker 3: her for that because she's looking out for herself by

1683
01:07:59,440 --> 01:08:01,360
Speaker 3: doing that. But this is always a hard segment. So

1684
01:08:01,880 --> 01:08:03,959
Speaker 3: I'm also vamping here to let her catch your breath again,

1685
01:08:04,080 --> 01:08:06,320
Speaker 3: because I know that was hard for her to say.

1686
01:08:07,040 --> 01:08:08,720
Speaker 3: So We're going to give you all the space that

1687
01:08:08,760 --> 01:08:14,000
Speaker 3: you want or need, and you can lead us in

1688
01:08:14,040 --> 01:08:15,000
Speaker 3: whichever direction you like.

1689
01:08:15,040 --> 01:08:22,320
Speaker 12: Morgan, I was completely blindsided. I didn't know this was coming.

1690
01:08:22,439 --> 01:08:26,240
Speaker 12: I didn't see it coming. I protected myself in every

1691
01:08:26,280 --> 01:08:29,000
Speaker 12: way that I possibly could, and thought that I had

1692
01:08:29,080 --> 01:08:32,599
Speaker 12: found somebody that this was it. And you guys heard

1693
01:08:32,600 --> 01:08:35,920
Speaker 12: that in me talking about it on the show. But

1694
01:08:36,560 --> 01:08:40,799
Speaker 12: he uh, as we were about to move in together,

1695
01:08:41,840 --> 01:08:42,919
Speaker 12: I guess you could say.

1696
01:08:42,760 --> 01:08:44,479
Speaker 3: Would you say, as you what to move in together?

1697
01:08:44,520 --> 01:08:48,680
Speaker 2: We were about to move in together, had a epiphany

1698
01:08:50,240 --> 01:08:54,280
Speaker 2: man in uniform is Jewish and decided, because I'm not Jewish,

1699
01:08:54,320 --> 01:08:58,480
Speaker 2: that's not what he wanted, so we had multiple conversations

1700
01:08:58,520 --> 01:09:00,439
Speaker 2: about it. I thought we were on the same which

1701
01:09:00,479 --> 01:09:05,679
Speaker 2: is why I was completely blindsided, but I guess we weren't.

1702
01:09:06,520 --> 01:09:08,639
Speaker 2: And that's where we are now.

1703
01:09:09,479 --> 01:09:11,880
Speaker 3: Can I give you a oh, it's such a light

1704
01:09:12,479 --> 01:09:15,040
Speaker 3: like fractional positive? Can I give you a fractional positive?

1705
01:09:15,200 --> 01:09:17,240
Speaker 3: You didn't pick a freaking loser. And I think that

1706
01:09:17,240 --> 01:09:20,360
Speaker 3: that for the first time, like as your friend, Like

1707
01:09:20,400 --> 01:09:22,560
Speaker 3: that's big growth. This sucks for now. No, I'm not

1708
01:09:22,600 --> 01:09:25,240
Speaker 3: taking away this sucks for you in any way, but

1709
01:09:25,360 --> 01:09:28,080
Speaker 3: I think that you're maturing and actually knowing what you

1710
01:09:28,120 --> 01:09:34,200
Speaker 3: want in a relationship and from our life with you,

1711
01:09:35,040 --> 01:09:38,040
Speaker 3: I think you have started to look for more quality

1712
01:09:38,120 --> 01:09:41,559
Speaker 3: guys and for what they stand for and believe in.

1713
01:09:41,600 --> 01:09:43,479
Speaker 3: And I know right now it doesn't help you feel better,

1714
01:09:43,520 --> 01:09:47,160
Speaker 3: but like this was, this is a mild wind in

1715
01:09:47,240 --> 01:09:51,120
Speaker 3: your in your growth as a human that I totally get.

1716
01:09:51,720 --> 01:09:54,240
Speaker 3: If you guys aren't compatible on that level, don't go

1717
01:09:54,360 --> 01:09:56,360
Speaker 3: further at all. And I'm sure it hurts for both

1718
01:09:56,360 --> 01:10:01,800
Speaker 3: of you and sucks for both of you. And I'm

1719
01:10:01,800 --> 01:10:03,360
Speaker 3: gonna stop talking because I'm not even sure what I

1720
01:10:03,360 --> 01:10:05,839
Speaker 3: can even ask, but that really sucks.

1721
01:10:06,360 --> 01:10:07,439
Speaker 2: I mean, you can ask that.

1722
01:10:08,880 --> 01:10:12,000
Speaker 12: I do feel good about the fact that I finally

1723
01:10:13,040 --> 01:10:16,200
Speaker 12: found someone who gave me hope that there are good

1724
01:10:16,280 --> 01:10:19,799
Speaker 12: men out there, but it sucks all the more because

1725
01:10:19,840 --> 01:10:23,720
Speaker 12: of that, again, because I was blindsided in thinking that

1726
01:10:23,760 --> 01:10:25,400
Speaker 12: this was this was it?

1727
01:10:25,880 --> 01:10:29,160
Speaker 3: Did you want you convert? Was that it? No?

1728
01:10:29,760 --> 01:10:32,839
Speaker 2: You know, really like, I don't think that would have mattered.

1729
01:10:33,360 --> 01:10:38,960
Speaker 3: Was he practicing or born or both? Born? Okay, so

1730
01:10:39,040 --> 01:10:42,000
Speaker 3: does he practice Judaism? Was that it was that it's

1731
01:10:42,040 --> 01:10:42,400
Speaker 3: more the.

1732
01:10:42,360 --> 01:10:45,960
Speaker 2: Culture thing, not as much practicing, which is why, like

1733
01:10:46,000 --> 01:10:48,800
Speaker 2: when we had conversations about it, it kind of really

1734
01:10:48,840 --> 01:10:53,280
Speaker 2: threw me because I didn't see that at all. And

1735
01:10:53,560 --> 01:10:55,240
Speaker 2: that's why when we were to have conversations about it,

1736
01:10:55,240 --> 01:10:58,559
Speaker 2: I thought were on the same page, but as you know,

1737
01:10:58,640 --> 01:11:01,600
Speaker 2: we got more serious and stuff, it just became that

1738
01:11:01,600 --> 01:11:04,320
Speaker 2: that's going to be more important for him in the future.

1739
01:11:04,560 --> 01:11:06,920
Speaker 3: I suppose does he want to find a Jewish wife?

1740
01:11:07,080 --> 01:11:08,880
Speaker 2: Yeah?

1741
01:11:09,400 --> 01:11:14,439
Speaker 3: I think good job by him, because this definitely could

1742
01:11:14,439 --> 01:11:18,200
Speaker 3: have gone a lot farther and he could have pulled

1743
01:11:18,200 --> 01:11:20,519
Speaker 3: that thread a little later, which would have been even harder.

1744
01:11:20,800 --> 01:11:24,400
Speaker 3: I think good job by you by picking somebody that

1745
01:11:24,479 --> 01:11:28,080
Speaker 3: was worth the crap. It still very much sucks, and

1746
01:11:28,120 --> 01:11:32,280
Speaker 3: I'm very sorry because I know you were, like you're

1747
01:11:32,400 --> 01:11:37,160
Speaker 3: fundamentally you were excited about the future, and that's you'll

1748
01:11:37,160 --> 01:11:40,439
Speaker 3: look back at this as big time growth, big time growth.

1749
01:11:40,479 --> 01:11:43,519
Speaker 3: You can't write now it sucks, It really sucks. I'm sorry.

1750
01:11:44,120 --> 01:11:44,799
Speaker 8: Yeah, there's.

1751
01:11:46,080 --> 01:11:49,799
Speaker 12: Not a lot of people out there that can relate

1752
01:11:49,840 --> 01:11:53,960
Speaker 12: to this particular topic, which also makes it harder and

1753
01:11:54,439 --> 01:11:56,600
Speaker 12: really hard for me to understand.

1754
01:11:59,040 --> 01:11:59,479
Speaker 2: But I do.

1755
01:11:59,560 --> 01:11:59,760
Speaker 3: I do.

1756
01:12:00,200 --> 01:12:03,639
Speaker 12: I am really happy that one day I can.

1757
01:12:03,560 --> 01:12:07,200
Speaker 2: Look at this scenario and know that I found somebody

1758
01:12:07,240 --> 01:12:11,040
Speaker 2: that was good, and I now can see out there

1759
01:12:11,040 --> 01:12:12,200
Speaker 2: that there is going to be good.

1760
01:12:14,600 --> 01:12:17,000
Speaker 3: I think this is actually something that happens more than

1761
01:12:17,040 --> 01:12:23,559
Speaker 3: you think. And I'm not saying you're specific Jewish and Christian,

1762
01:12:24,400 --> 01:12:28,040
Speaker 3: but I think there are a lot of couples that

1763
01:12:28,120 --> 01:12:33,679
Speaker 3: struggle with again I'll use the word like fundamental foundation,

1764
01:12:35,320 --> 01:12:39,000
Speaker 3: that they don't come from that same spiritual background or

1765
01:12:39,040 --> 01:12:40,920
Speaker 3: even same religion, and they have to figure a way

1766
01:12:40,920 --> 01:12:42,640
Speaker 3: to make it work. I have very close friends that

1767
01:12:42,640 --> 01:12:45,680
Speaker 3: have gone through some extremely difficult times because they do

1768
01:12:45,800 --> 01:12:48,000
Speaker 3: have like a they even call it like a split.

1769
01:12:49,560 --> 01:12:53,240
Speaker 3: I think interfaith, and it's it's it's it's difficult, but

1770
01:12:53,800 --> 01:12:56,280
Speaker 3: it's again, it's really great that you guys identified that

1771
01:12:56,400 --> 01:13:01,240
Speaker 3: now because it just works. It's been way way.

1772
01:13:00,680 --> 01:13:03,320
Speaker 5: Harder and then you sharing right now, even as hard

1773
01:13:03,360 --> 01:13:07,519
Speaker 5: as it is, it may prompt conversations that other people

1774
01:13:07,600 --> 01:13:10,840
Speaker 5: need to have, like hearing this, Like, even though it's

1775
01:13:11,040 --> 01:13:14,000
Speaker 5: painful and hard, somebody listening right now is going to

1776
01:13:14,040 --> 01:13:16,360
Speaker 5: be encouraged of like, oh, this is a conversation that

1777
01:13:16,439 --> 01:13:18,880
Speaker 5: I haven't had yet in my relationship, and I maybe

1778
01:13:18,920 --> 01:13:21,760
Speaker 5: need to do it, and it may help them get

1779
01:13:21,800 --> 01:13:24,280
Speaker 5: through either whatever direction they're going to go. It's a

1780
01:13:24,320 --> 01:13:28,920
Speaker 5: conversation that sometimes people avoid or don't realize un till

1781
01:13:28,920 --> 01:13:31,120
Speaker 5: it gets too late and they're like, oh, shoot, we

1782
01:13:31,280 --> 01:13:32,840
Speaker 5: didn't discuss this, and what if we want to have

1783
01:13:32,960 --> 01:13:34,840
Speaker 5: kids and then how are we going to raise them?

1784
01:13:34,880 --> 01:13:36,680
Speaker 8: And you know, it's snowballs.

1785
01:13:36,680 --> 01:13:40,400
Speaker 3: So is there a chance you guys have a discussion

1786
01:13:40,439 --> 01:13:44,960
Speaker 3: about it later and change your minds? I don't think. So.

1787
01:13:46,280 --> 01:13:50,120
Speaker 2: We had a follow up conversation after the breakup happened,

1788
01:13:50,160 --> 01:13:55,280
Speaker 2: and he seemed very sure in his decision. So I

1789
01:13:55,320 --> 01:13:57,640
Speaker 2: don't think there's anything that I could have done or

1790
01:13:57,680 --> 01:14:02,040
Speaker 2: could do differently for him, And that sucks for me,

1791
01:14:03,439 --> 01:14:06,400
Speaker 2: but I do still believe he's a great human, which

1792
01:14:06,479 --> 01:14:07,160
Speaker 2: also sucks.

1793
01:14:07,880 --> 01:14:09,400
Speaker 3: And two things can be true at the same time.

1794
01:14:09,600 --> 01:14:11,519
Speaker 3: One this is just sucks. I'm really sorry because it

1795
01:14:11,560 --> 01:14:14,640
Speaker 3: sucks and your heart hurts, and hate that for you

1796
01:14:14,680 --> 01:14:16,880
Speaker 3: as a person. But it also, I think is a

1797
01:14:16,920 --> 01:14:19,760
Speaker 3: good thing that it happened now and not later after

1798
01:14:19,760 --> 01:14:21,240
Speaker 3: you lived with each other and made it even harder,

1799
01:14:21,240 --> 01:14:22,880
Speaker 3: which would then make if you did decide to get

1800
01:14:22,920 --> 01:14:24,759
Speaker 3: married and keep hunting it kicking the can.

1801
01:14:25,439 --> 01:14:28,920
Speaker 2: God dang, yeah, I could have made it so much worse,

1802
01:14:28,960 --> 01:14:30,320
Speaker 2: So I am thankful for that.

1803
01:14:31,200 --> 01:14:34,040
Speaker 3: Well, well, he hurts.

1804
01:14:33,880 --> 01:14:34,519
Speaker 8: Really bad right now.

1805
01:14:34,600 --> 01:14:35,360
Speaker 3: I'm sure it does.

1806
01:14:35,439 --> 01:14:36,080
Speaker 4: Sorry, Morgan.

1807
01:14:38,360 --> 01:14:40,240
Speaker 3: And I know Lunchbox's eyes got big because it was

1808
01:14:40,280 --> 01:14:41,840
Speaker 3: going to be like love Bomb told you, but it

1809
01:14:41,880 --> 01:14:42,960
Speaker 3: wasn't that at all. And then, you know, did he

1810
01:14:43,080 --> 01:14:45,439
Speaker 3: his eyes got lower, you know, and he lowered his

1811
01:14:45,439 --> 01:14:47,639
Speaker 3: head down real quick because he wasn't going to say anything.

1812
01:14:47,760 --> 01:14:50,200
Speaker 7: I got a couple theories, there.

1813
01:14:50,040 --> 01:14:53,439
Speaker 4: Are theories to have she told you what happened.

1814
01:14:53,520 --> 01:14:55,840
Speaker 3: No, this is I don't even know that. I don't

1815
01:14:55,880 --> 01:14:56,200
Speaker 3: even know.

1816
01:14:56,280 --> 01:14:56,920
Speaker 8: It's too soon.

1817
01:14:57,479 --> 01:14:59,200
Speaker 5: This is why right at the beginning on like lunchbox.

1818
01:14:59,400 --> 01:15:00,760
Speaker 5: I looked at him and I was like, lunch fox.

1819
01:15:00,840 --> 01:15:04,320
Speaker 4: No, maybe that's why it looked.

1820
01:15:04,720 --> 01:15:08,240
Speaker 8: She's clearly in pain right now. Yeah, right at the beginning,

1821
01:15:08,240 --> 01:15:08,719
Speaker 8: did you see.

1822
01:15:08,720 --> 01:15:11,320
Speaker 5: I looked back and I go lunchbox, because I knew

1823
01:15:11,360 --> 01:15:13,879
Speaker 5: he was about to just like go in.

1824
01:15:15,360 --> 01:15:15,680
Speaker 3: What's one?

1825
01:15:15,880 --> 01:15:19,519
Speaker 21: What's what's One of the theories part of my just

1826
01:15:19,560 --> 01:15:22,880
Speaker 21: hearing her talk is he got cold feet about the

1827
01:15:22,920 --> 01:15:25,599
Speaker 21: moving in because she said we were about to move

1828
01:15:25,640 --> 01:15:27,880
Speaker 21: in together, and so he looked for the one thing

1829
01:15:27,920 --> 01:15:28,920
Speaker 21: that he knew.

1830
01:15:29,000 --> 01:15:31,200
Speaker 7: He could use as the excuse, because she.

1831
01:15:31,240 --> 01:15:34,519
Speaker 10: Said they had multiple conversations about it and they were

1832
01:15:34,560 --> 01:15:36,720
Speaker 10: on the same page. So I think the moving in

1833
01:15:37,640 --> 01:15:38,679
Speaker 10: like freaked him out.

1834
01:15:38,720 --> 01:15:42,160
Speaker 3: Well, let's go to Morgan. Morgan, your theory, your thoughts

1835
01:15:42,160 --> 01:15:42,799
Speaker 3: on that theory.

1836
01:15:43,640 --> 01:15:45,439
Speaker 12: I don't think it was that because he's the one

1837
01:15:45,439 --> 01:15:48,599
Speaker 12: who brought it up. I was never I was never

1838
01:15:48,840 --> 01:15:51,760
Speaker 12: pursuing that. That was never something that I pushed, and

1839
01:15:52,720 --> 01:15:55,680
Speaker 12: it came very naturally into the conversation, and he was

1840
01:15:55,800 --> 01:15:58,840
Speaker 12: very consistent. There was even like a moment where I

1841
01:15:58,880 --> 01:16:00,600
Speaker 12: was like, I'm not getting rid of any of my

1842
01:16:00,600 --> 01:16:02,800
Speaker 12: stuff because we're not married and I'm not going there

1843
01:16:02,800 --> 01:16:05,080
Speaker 12: I don't want to do this, and he assured me

1844
01:16:05,120 --> 01:16:08,519
Speaker 12: that this is this is happening, and we were moving forward.

1845
01:16:08,600 --> 01:16:12,320
Speaker 12: So there was no part of me that believed the

1846
01:16:12,360 --> 01:16:14,120
Speaker 12: cold feat thing was going to happen.

1847
01:16:14,160 --> 01:16:17,080
Speaker 3: Okay, that's one theory, get it out.

1848
01:16:17,320 --> 01:16:19,599
Speaker 7: Second second theory she does get out of the way

1849
01:16:19,920 --> 01:16:23,559
Speaker 7: is that he had been waiting to meet me, and

1850
01:16:23,600 --> 01:16:24,719
Speaker 7: then now that he did, he was like, all.

1851
01:16:24,680 --> 01:16:28,000
Speaker 3: Right, I can break up that one. I can probably sign, yeah,

1852
01:16:28,000 --> 01:16:29,519
Speaker 3: because I met a lot of us.

1853
01:16:29,600 --> 01:16:32,080
Speaker 10: I met him a half ago and then it's like,

1854
01:16:32,160 --> 01:16:34,000
Speaker 10: all right, now that I got to meet Lunchek, and so.

1855
01:16:34,000 --> 01:16:35,920
Speaker 3: The whole relationship he was just using her to get to.

1856
01:16:35,880 --> 01:16:37,920
Speaker 7: You sounds like it. I mean, he did ask me

1857
01:16:37,960 --> 01:16:39,120
Speaker 7: if I wanted to go run with him.

1858
01:16:40,200 --> 01:16:42,080
Speaker 3: That's the one, guys, I can kind of sign again.

1859
01:16:42,760 --> 01:16:44,960
Speaker 3: I kind of believe Morgan. It really sucks. We're laughing

1860
01:16:45,000 --> 01:16:46,360
Speaker 3: now because we're just trying to lighten it up a

1861
01:16:46,360 --> 01:16:50,840
Speaker 3: little bit. But weaker people have gotten through harder things,

1862
01:16:51,240 --> 01:16:53,280
Speaker 3: and you're going to crush this. You're gonna grow from it,

1863
01:16:53,280 --> 01:16:55,599
Speaker 3: you're gonna learn from it. You didn't pick a loser.

1864
01:16:55,640 --> 01:16:57,400
Speaker 3: And I think as funny as that sounds, for me

1865
01:16:57,439 --> 01:17:01,439
Speaker 3: to say, like that shows your growth and I'm sorry

1866
01:17:01,439 --> 01:17:02,880
Speaker 3: it happened, you know, I.

1867
01:17:02,800 --> 01:17:05,559
Speaker 12: Will say, there's a moment for me this weekend as

1868
01:17:05,600 --> 01:17:10,680
Speaker 12: I'm trying to process everything, I was my dog that

1869
01:17:10,720 --> 01:17:13,800
Speaker 12: you had mentioned that my new foster, Sunshine got adopted,

1870
01:17:13,920 --> 01:17:16,599
Speaker 12: and I was taking her to her new home, and

1871
01:17:16,640 --> 01:17:18,799
Speaker 12: I looked at her and I was like, you're so special,

1872
01:17:18,880 --> 01:17:22,200
Speaker 12: and I know this is scary, and I know that

1873
01:17:22,320 --> 01:17:25,400
Speaker 12: you're afraid of what's to come, but this is going

1874
01:17:25,439 --> 01:17:28,240
Speaker 12: to be so beautiful for you. And as I was

1875
01:17:28,280 --> 01:17:31,120
Speaker 12: telling her that, I was like, what the crap am

1876
01:17:31,160 --> 01:17:32,800
Speaker 12: I doing? Why can I say that to her? But

1877
01:17:32,840 --> 01:17:37,080
Speaker 12: I can't say it to myself right now? And there

1878
01:17:37,240 --> 01:17:40,280
Speaker 12: was some healing in that, So that was kind.

1879
01:17:40,120 --> 01:17:44,040
Speaker 2: Of a bright spot amongst all of this as well.

1880
01:17:44,520 --> 01:17:46,519
Speaker 3: Would it help you if we promoted your podcast at

1881
01:17:46,600 --> 01:17:48,680
Speaker 3: least you gets extremely the podcasts from this. I think

1882
01:17:48,680 --> 01:17:51,880
Speaker 3: that would be a good good idea. Yeah, yeah, yeah, yeah, Morgan.

1883
01:17:51,920 --> 01:17:54,880
Speaker 3: The name of your podcast is take this Personally? Oh no,

1884
01:17:55,439 --> 01:17:56,959
Speaker 3: what it's the name of her podcast.

1885
01:17:57,000 --> 01:17:59,479
Speaker 7: Yeah, maybe he took something personally from the podcast.

1886
01:18:01,680 --> 01:18:03,400
Speaker 3: Maybe here with the theory he wanted to meet you

1887
01:18:05,160 --> 01:18:08,160
Speaker 3: with that one check out Morgan's podcast Take This Personally.

1888
01:18:10,000 --> 01:18:13,519
Speaker 3: We care about you. You're gonna be fine. It sucks

1889
01:18:13,600 --> 01:18:15,800
Speaker 3: right now, and that's okay, and it should suck right now.

1890
01:18:15,960 --> 01:18:21,800
Speaker 7: Are you back on Hunge a weekend like lunch fun?

1891
01:18:24,920 --> 01:18:28,599
Speaker 1: It's the best Bits of the Week with Morgan number two.

1892
01:18:29,800 --> 01:18:31,679
Speaker 2: All right, y'all, that's it for me this weekend. Thanks

1893
01:18:31,760 --> 01:18:35,000
Speaker 2: for hanging out with me and letting me exist and

1894
01:18:35,040 --> 01:18:38,080
Speaker 2: survive right now while also enjoying the best bits that

1895
01:18:38,240 --> 01:18:41,720
Speaker 2: really helps me get through this time. And also, if

1896
01:18:41,760 --> 01:18:44,400
Speaker 2: you will, go check out Take This Personally, my new podcast.

1897
01:18:44,760 --> 01:18:47,920
Speaker 2: I really have been enjoying doing that, especially in such

1898
01:18:47,960 --> 01:18:50,599
Speaker 2: a weird moment of my life. But it's helped other

1899
01:18:50,600 --> 01:18:53,679
Speaker 2: people feel less alone, and it's also helping me deal

1900
01:18:53,720 --> 01:18:56,559
Speaker 2: with these new hardships that I didn't see coming. So

1901
01:18:57,240 --> 01:18:59,360
Speaker 2: check it out and come follow me out web girl

1902
01:18:59,360 --> 01:19:01,320
Speaker 2: Morgan on all the thing, but also follow the show

1903
01:19:01,320 --> 01:19:03,439
Speaker 2: at Bobby Bone Show and you can get lots of

1904
01:19:03,600 --> 01:19:06,000
Speaker 2: new content there, even stuff we haven't talked about here

1905
01:19:06,280 --> 01:19:08,719
Speaker 2: or even on the big show. Just good stuff everywhere.

1906
01:19:08,840 --> 01:19:10,600
Speaker 2: All right, y'all, have a great weekend. Bye.

1907
01:19:11,000 --> 01:19:13,840
Speaker 22: That's the best Bits of the week with Morgan. Thanks

1908
01:19:13,880 --> 01:19:15,920
Speaker 22: for listening. Be sure to check out the other two

1909
01:19:15,960 --> 01:19:19,840
Speaker 22: parts this weekend. Go follow the show on all social platforms.

1910
01:19:19,320 --> 01:19:21,040
Speaker 13: Bobby Bomb Show and follow at

1911
01:19:21,120 --> 01:19:23,840
Speaker 22: Web girl Morgan to submit your listener questions for next

1912
01:19:23,840 --> 01:19:25,360
Speaker 22: week's episode.