WEBVTT - Listener Mail: The Quickening

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>And today we're going to read some of the messages

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<v Speaker 1>that you've sent in about things like the Universal Solvent,

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<v Speaker 1>Star Wars, Aliens, sargassum, seaweed. It's gonna be a lot

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<v Speaker 1>of fun. Are you ready to jump right in, rob

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<v Speaker 1>Let's do it? Okay? This first message comes from Nathan Is.

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<v Speaker 1>It is about our episode on the Dissolver of Worlds,

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<v Speaker 1>the the Universal Solvent or the Alcahest from the History

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<v Speaker 1>of Alchemy, And Nathan writes, Dear Robert and Joe, I

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<v Speaker 1>recently listened to your episode Dissolver of World's about the

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<v Speaker 1>search for a universal solvent. It reminded me of an

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<v Speaker 1>old time radio show I used to listen to called

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<v Speaker 1>Lights Out. In the episode oxy Chloride X, a disgruntled

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<v Speaker 1>chemistry student creates a chemical compound which eats through anything.

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<v Speaker 1>As soon as it's created, it begins dissolving the chemistry

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<v Speaker 1>lab and eating through the ground below. Over the remainder

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<v Speaker 1>of the story, the whole caused by the chemical grows

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<v Speaker 1>larger both in depth and diameter, wreaking havoc worldwide. People

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<v Speaker 1>even become terrified that it will eat through the entire earth.

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<v Speaker 1>I won't spoil the ending, but here's a link where

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<v Speaker 1>you can listen to it and find out for yourselves.

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<v Speaker 1>And Nathan links to a couple of versions of this

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<v Speaker 1>old radio show. Um, I'd be interested to hear you

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<v Speaker 1>talk about other science fiction old time radio shows in

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<v Speaker 1>the same vein of your anthology of horror episodes around Halloween.

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<v Speaker 1>This is a good idea, Nathan says. Secondly, in the

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<v Speaker 1>same episode Dissolver of Worlds, you talked about an alchemist

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<v Speaker 1>who believed everything in the universe was made of water

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<v Speaker 1>that was yonda Pista van Helmont. I wonder if this

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<v Speaker 1>was at all influenced by a similar hypothesis from the

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<v Speaker 1>Greek philosopher theories of Melitas, who lived in the sixth

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<v Speaker 1>century b c. Thanks for continuing to teach me about

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<v Speaker 1>the world and the weird. Best wishes, Nathan. Well, thanks, Nathan. Yeah,

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<v Speaker 1>this was a great email. So several things here. First

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<v Speaker 1>of all, I remember in that book I was reading

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<v Speaker 1>by Lawrence Prince, you pay about the history of alchemy. Uh,

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<v Speaker 1>the author did mention theories of melitas in the context

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<v Speaker 1>of talking about Van Helmont's idea that at bottom, all

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<v Speaker 1>substances were made of water, just water in different forms.

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<v Speaker 1>But I don't know if you specified whether van Helmont

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<v Speaker 1>got that idea from theilies or not. But it wouldn't

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<v Speaker 1>surprise me because obviously alchemists were usually very concerned with

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<v Speaker 1>the thoughts of the natural philosophers of antiquity. On top

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<v Speaker 1>of that, you mentioned this oxy chloride X episode, and

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<v Speaker 1>I have to say that Seth also brought up the

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<v Speaker 1>same episode to me. We were talking about this, I

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<v Speaker 1>think one day when we were sitting around waiting to

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<v Speaker 1>record one of these episodes, and so, so maybe we

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<v Speaker 1>can get a clip of one of these radio shows

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<v Speaker 1>to play for you right now, CC Barrier, I've CC

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<v Speaker 1>so and he mocks a chloride Oh good, good, you're

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<v Speaker 1>working out just as I plan. Who's there? Who's that

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<v Speaker 1>working there? Professor? What do you do it? And after

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<v Speaker 1>all my warnings, you're just in time, professor, Yes, just

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<v Speaker 1>in time to have you thrown out of the university.

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<v Speaker 1>What are you doing there? What is this messive equipment?

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<v Speaker 1>It's my miracle miracle. What are you talking about? My miracle? Insane?

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<v Speaker 1>Take it apart, all of it at once. Listen to

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<v Speaker 1>it bubbling. A beautiful sound, isn't it, Professor? Get apart,

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<v Speaker 1>empty outter a talk? No, I got to wait. Are

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<v Speaker 1>you mad? Turn out the burners, all right, I'll turn

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<v Speaker 1>them off, for it's no see where you are do it?

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<v Speaker 1>Put down that aid. I'll smash the bottle on your head.

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<v Speaker 1>If you touch anything on the table, no, don't throw it.

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<v Speaker 1>Put the bottle of as down, stewart, please, my experiment,

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<v Speaker 1>my miracle, bubbling and boiling and stewing. It will work, Professor,

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<v Speaker 1>It's got to work. But but what is it? I

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<v Speaker 1>told him, I create something that no other man has

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<v Speaker 1>I told him, and I will, Professor, you hear me,

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<v Speaker 1>I will. But what a solvent? A solvent more powerful

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<v Speaker 1>than anything the world has ever known? What do you mean?

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<v Speaker 1>What are you talking about? I never actually listened to

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<v Speaker 1>this in full, but I'm gonna have to follow up

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<v Speaker 1>and do that after, after we're done today. And I

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<v Speaker 1>love your idea about covering old radio dramas like sci

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<v Speaker 1>fi and horror radio dramas for for some kind of

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<v Speaker 1>October content. I think that's fantastic. I will say, I

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<v Speaker 1>actually don't know all that much old time radio drama,

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<v Speaker 1>but I have a good friend who is really into

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<v Speaker 1>that stuff, and he sent me several things to listen

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<v Speaker 1>to last year, one of which was a great Orson

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<v Speaker 1>Wells performance of the classic story The Hitchhiker, which was

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<v Speaker 1>eventually made into a Twilight Zone episode. Maybe I had

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<v Speaker 1>to hear that in um in school at one point,

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<v Speaker 1>now that you mentioned it, because I was about to

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<v Speaker 1>say I don't really think I've heard much in the

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<v Speaker 1>way of of old timey radio shows either outside of

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<v Speaker 1>you know, some familiarity with war the Worlds and uh,

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<v Speaker 1>you know, and some of the some of the classics,

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<v Speaker 1>you know, like they the old like the Shadow and Shadow. Yeah,

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<v Speaker 1>but it stands to reason there's some good stuff mixed

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<v Speaker 1>in there. Yeah, so maybe we should have a look.

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<v Speaker 1>I think there was some really good radio drama on

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<v Speaker 1>the Colgate Hour alongside Roy Donk and stuff like that.

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<v Speaker 1>But also, um, there was a really good one my

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<v Speaker 1>friend sent me that was an old horror radio drama

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<v Speaker 1>called ghost Hunt that was from a show called Suspense

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<v Speaker 1>that was about a radio host who if it was

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<v Speaker 1>made today, I guess it'd be a podcaster who was

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<v Speaker 1>like broadcasting from a haunted house that he's trying to

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<v Speaker 1>stay in all night. Yeah, I mean, it's it's kind

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<v Speaker 1>of interesting how you look at these old radio shows

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<v Speaker 1>and you see similar efforts to kind of do the

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<v Speaker 1>same thing, to reinvent the same thing in the podcast

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<v Speaker 1>Realm Today. Um. And then of course I think British listeners,

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<v Speaker 1>people who have listened to British radio would easily chime

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<v Speaker 1>in and say, well, yeah, we've been listening to to

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<v Speaker 1>uh to audio narrations auto audio versions of various works

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<v Speaker 1>for years. I mean, they're uh, I'm I'm reminded, especially

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<v Speaker 1>of the precursors to certain television shows that came out,

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<v Speaker 1>like I know, there's you know or who audio dramas,

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<v Speaker 1>and I think there was like a hobbit audio drama

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<v Speaker 1>stuff like that. But but also, but before you got

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<v Speaker 1>the TV show The Mighty Bush, the Mighty Bousch was

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<v Speaker 1>a radio program. Before Chris Morris put out his excellent

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<v Speaker 1>dark comedy Jam. He put out Blue Jam, which is uh,

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<v Speaker 1>this kind of ambient electronic music slash dark comedy mash

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<v Speaker 1>up that works really well. And there are other examples

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<v Speaker 1>of that kind of thing is that you can find too. Huh. Okay, well,

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<v Speaker 1>I can't promise anything, but Nathan, I think this is

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<v Speaker 1>a great idea. Rob and I will have to mull

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<v Speaker 1>it over and uh and see what we think come October.

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<v Speaker 1>All right, here's another bit of alchemy. A listener mail

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<v Speaker 1>David writes in and responding to our discussion of the

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<v Speaker 1>dissolver of Worlds, brings up the topic of black holes. Quote.

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<v Speaker 1>If you mix anything with a black hole, it'll break

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<v Speaker 1>everything down to the most elemental components, and eventually you

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<v Speaker 1>will only have pure energy leftover Hawking radiation. Hear me

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<v Speaker 1>out if I try to imagine how a universal solvent

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<v Speaker 1>would work and what a jar of black holes would

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<v Speaker 1>look like to me, at least they seem like they

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<v Speaker 1>would both be identical. Black holes would reduce everything is mentioned,

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<v Speaker 1>but also gravity would cause it to eat through any

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<v Speaker 1>kind of jar and fall to the ground, where there

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<v Speaker 1>would just be a hole going through the earth until

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<v Speaker 1>the black hole and Earth find a gravitational equilibrium, and

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<v Speaker 1>anything unfortunate to mix with the black hole would further

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<v Speaker 1>be reduced. Always enjoy your insight and helping me think

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<v Speaker 1>of things. Differently and making new connections to David actually

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<v Speaker 1>thought while we were recording this episode about like what

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<v Speaker 1>would be the closest thing to the idea of the

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<v Speaker 1>universal solvent, And maybe you could say that a black

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<v Speaker 1>hole is a kind of universal solvent. So David's on

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<v Speaker 1>the same frequency here, but I'm not sure. Actually, uh,

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<v Speaker 1>it'd be interested for you know, listeners with physics knowledge

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<v Speaker 1>to write in about this. I'm not sure that if

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<v Speaker 1>you had a tiny, tiny black hole in a jar,

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<v Speaker 1>that it would actually eat through the jar, because I

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<v Speaker 1>recall reading some coverage of um people having concerns that

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<v Speaker 1>the large Hadron collider at CERN would create tiny black

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<v Speaker 1>holes and that these would just sort of turn into

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<v Speaker 1>that universal acid they would eat up the whole world,

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<v Speaker 1>and the response to that being that no, actually, if

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<v Speaker 1>you work out the physics on the creation of a

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<v Speaker 1>microscopic black hole, that what it tends to do is

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<v Speaker 1>actually just like dissipate. I don't know that for sure,

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<v Speaker 1>but I've read stuff along those lines, so maybe we

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<v Speaker 1>can revisit that in the future. All right. The next

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<v Speaker 1>bit of listener mail is in response to the first

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<v Speaker 1>of our Star Wars Alien Necropsy episodes, but as we're

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<v Speaker 1>recording this listener mail episode, only the first one of

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<v Speaker 1>those has aired, right, so I'm sure we've got a

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<v Speaker 1>lot more alien stuff coming in. All right, This comes

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<v Speaker 1>from Nick. Nick says, Hi, guys, I love your most

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<v Speaker 1>recent podcast on the alien morphology seen in the Star

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<v Speaker 1>Wars movies and franchises. When you were both talking about

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<v Speaker 1>space faring organisms and how they could possibly evolve in

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<v Speaker 1>the vacuum of space, it got me thinking what if

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<v Speaker 1>amino acids could be collected in places called lagrange points,

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<v Speaker 1>or points where the gravitational pull between two bodies allows

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<v Speaker 1>for objects to remain in place. In fact, the Sun

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<v Speaker 1>and Earth have five different lagrange points that are used

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<v Speaker 1>for satellites to remain put while using very little fuel.

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<v Speaker 1>In theory, these areas would be present throughout the galaxy

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<v Speaker 1>and could act as a collector of amino acids and

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<v Speaker 1>eventually become a nursery for space faring organisms. Additionally, it

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<v Speaker 1>could be theorized that dark matter could also have the

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<v Speaker 1>same effect, as we know that dark matter has a

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<v Speaker 1>gravitational pull, but since we don't know what comprises dark matter,

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<v Speaker 1>may or may not be suitable for life forms to

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<v Speaker 1>live in just a thought. Thanks for the great podcast,

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<v Speaker 1>and I look forward to hearing more episodes. Nick. Well, Nick,

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<v Speaker 1>I'm not sure if what you say is viable or not,

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<v Speaker 1>but I like the idea of stuff just collecting in

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<v Speaker 1>the lagrange points, kind of like in the Sargasso Sea, right,

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<v Speaker 1>there's currents all around it and things just kind of

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<v Speaker 1>drift into that still point in the middle. Yeah. Absolutely,

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<v Speaker 1>And speaking of sargasm the Weed of Deceit, we also

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<v Speaker 1>heard from Jenna, who wrote writes in and says, while

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<v Speaker 1>listening to your Sargasm C episode, I was reminded that

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<v Speaker 1>z frank did a true facts video on frog Fish.

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<v Speaker 1>If you haven't already seen it, you should. It's delightful.

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<v Speaker 1>Here's the link, um, Yeah, and then the link is

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<v Speaker 1>to one of these z franc Um YouTube videos, which

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<v Speaker 1>I imagine a lot of you have seen. These are

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<v Speaker 1>these are like documentary footage, but with somebody else, uh

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<v Speaker 1>putting in this uh, this over the top narration, and

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<v Speaker 1>I think usually there's some some real facts in there,

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<v Speaker 1>but also a bunch of comedic facts. Yeah, it's it's

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<v Speaker 1>basically comedy narration over over nature documentary footage. I mean,

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<v Speaker 1>in the same kind of vein. It's a different person

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<v Speaker 1>doing it, but the same kind of vein is the

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<v Speaker 1>much UH celebrated honey Badger viral video years ago. UH.

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<v Speaker 1>And in this case, it's talking about frog fish and

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<v Speaker 1>at one point brings up the sargassum frog fish. Uh.

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<v Speaker 1>The narrator, I guess this is the Z Frank guy.

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<v Speaker 1>I was not familiar with this channel before, but I've

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<v Speaker 1>seen videos like this, and he points out that they

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<v Speaker 1>eat each other, and he says, it's kind of a

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<v Speaker 1>crappy life because they hang out in this seaweed that

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<v Speaker 1>they look like, and so it's kind of like if

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<v Speaker 1>lions looked like couches, like that analogy. But one thing

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<v Speaker 1>I noticed is that the narrator doesn't just make comedy points.

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<v Speaker 1>A lot of what he does is he's just talking

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<v Speaker 1>about a fish and then suddenly the fish will like

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<v Speaker 1>bite another thing's head off, and he'll just start laughing.

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<v Speaker 1>In a way. It's kind of reminiscent of the narration

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<v Speaker 1>we get at the beginning of that the blood water

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<v Speaker 1>is a doctor Z which of course we we discussed

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<v Speaker 1>uh around the same time on Weird House Cinema. Partially

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<v Speaker 1>related to this, I have to say that there's there's

0:11:52.320 --> 0:11:55.600
<v Speaker 1>a wonderful video that I've watched way too many times

0:11:56.360 --> 0:12:00.720
<v Speaker 1>where it's it's footage from a documentary. Here he's hosted

0:12:00.720 --> 0:12:04.520
<v Speaker 1>by Brian Cox, not the the actor, but the the

0:12:04.520 --> 0:12:09.440
<v Speaker 1>the astrophysicist, wonderful science communicator. Uh, taking nothing away from him,

0:12:09.480 --> 0:12:12.440
<v Speaker 1>but in this video someone has dubbed over it doing

0:12:12.440 --> 0:12:16.480
<v Speaker 1>a Brian Cox impersonation, and it's hilarious because he's because

0:12:16.480 --> 0:12:18.960
<v Speaker 1>he's saying stuff like you might think this is Earth,

0:12:19.000 --> 0:12:22.320
<v Speaker 1>but it's not, it's Mars or something something that effect

0:12:22.400 --> 0:12:26.480
<v Speaker 1>is just like way out there, um, astounding. So I

0:12:26.480 --> 0:12:29.040
<v Speaker 1>don't know. So sometimes these sorts of gimmicks can work

0:12:29.080 --> 0:12:36.520
<v Speaker 1>really well. All right, let's let's move on to a

0:12:36.520 --> 0:12:39.920
<v Speaker 1>little Weird House Cinema listener mail while we're at it.

0:12:39.960 --> 0:12:42.560
<v Speaker 1>Sounds great. Let's see do you want to take this

0:12:42.600 --> 0:12:45.160
<v Speaker 1>one from Katie or should I? Um? I I can

0:12:45.160 --> 0:12:48.920
<v Speaker 1>take this one, so Katie writes, Hi, Rob and Joe,

0:12:49.080 --> 0:12:51.560
<v Speaker 1>I love your show, and Weird House Cinema just makes

0:12:51.559 --> 0:12:54.560
<v Speaker 1>it even better. I'm actually listening to an episode right now.

0:12:54.960 --> 0:12:57.719
<v Speaker 1>I know you mostly do adult movies um and she

0:12:57.840 --> 0:13:01.000
<v Speaker 1>means movies for grown ups. There um or green movies,

0:13:01.040 --> 0:13:06.080
<v Speaker 1>not especially game films, not not especially aimed at children. Um.

0:13:06.080 --> 0:13:08.640
<v Speaker 1>But she continues, but you did do the e Walk

0:13:08.720 --> 0:13:10.839
<v Speaker 1>movies once, which I loved, so I thought I might

0:13:10.880 --> 0:13:13.439
<v Speaker 1>suggest two movies for younger viewers that you may or

0:13:13.480 --> 0:13:16.760
<v Speaker 1>may not be familiar with. The first, and probably the

0:13:16.800 --> 0:13:20.080
<v Speaker 1>stranger of the two, is The five Thousand Fingers of

0:13:20.160 --> 0:13:23.679
<v Speaker 1>Dr t NTE, which I believe has something to do

0:13:23.760 --> 0:13:26.640
<v Speaker 1>with Dr Seuss. And uh, and she is correct on this.

0:13:26.640 --> 0:13:28.280
<v Speaker 1>This was a Doctor SEUs was involved in this. I

0:13:28.280 --> 0:13:30.800
<v Speaker 1>think it would ended up being not not a project

0:13:30.800 --> 0:13:33.559
<v Speaker 1>that that anyone involved in it was particularly happy with.

0:13:34.280 --> 0:13:36.400
<v Speaker 1>But this did come up in my research about like

0:13:36.440 --> 0:13:40.680
<v Speaker 1>weird films from previous decades. Anyway, Uh, they I haven't

0:13:40.720 --> 0:13:43.959
<v Speaker 1>seen it, but our our listener has, and they continue quote.

0:13:44.000 --> 0:13:46.360
<v Speaker 1>I remember watching this a number of times with my

0:13:46.400 --> 0:13:48.520
<v Speaker 1>best friend as a kid and loving it, even though

0:13:48.559 --> 0:13:50.760
<v Speaker 1>it is very strange and at times a little scary.

0:13:51.080 --> 0:13:53.280
<v Speaker 1>At some point in college I found a DVD copy

0:13:53.600 --> 0:13:56.000
<v Speaker 1>and so have seen it at least once as an adult,

0:13:56.240 --> 0:13:58.440
<v Speaker 1>but that was years ago. I keep meaning to show

0:13:58.480 --> 0:14:00.600
<v Speaker 1>it to my kids, but I haven't had a chance yet.

0:14:00.920 --> 0:14:04.160
<v Speaker 1>It's about a boy who is resisting his piano lessons,

0:14:04.200 --> 0:14:06.880
<v Speaker 1>and somehow, maybe through a dream, gets taken to a

0:14:06.920 --> 0:14:11.360
<v Speaker 1>strange world or castle run by Dr to Willaker as

0:14:11.400 --> 0:14:15.440
<v Speaker 1>a prisoner. There are many other children being forced to

0:14:15.520 --> 0:14:19.240
<v Speaker 1>play the piano there, and then he has to escape.

0:14:19.480 --> 0:14:21.840
<v Speaker 1>This may not be exactly right, but it's as much

0:14:21.840 --> 0:14:24.480
<v Speaker 1>as I can remember. Plot wise, this sounds similar to

0:14:24.520 --> 0:14:26.880
<v Speaker 1>a goose Bumps book that I recall when they're one

0:14:26.920 --> 0:14:30.280
<v Speaker 1>about a sinister piano teacher. Well, you know, certainly the

0:14:30.920 --> 0:14:33.280
<v Speaker 1>way that we we think of our piano teachers sometimes

0:14:33.360 --> 0:14:36.600
<v Speaker 1>can can can lean towards the villainus, so it makes

0:14:36.600 --> 0:14:41.000
<v Speaker 1>sense anyway. They continue the second movie, The Return to Oz,

0:14:42.480 --> 0:14:44.760
<v Speaker 1>maybe a little two main stream, but I love it

0:14:44.800 --> 0:14:47.400
<v Speaker 1>still today and it is definitely a little strange. It

0:14:47.520 --> 0:14:49.400
<v Speaker 1>is sort of a mash up of the Next to

0:14:49.560 --> 0:14:52.400
<v Speaker 1>Oz books and has some delightful new characters and several

0:14:52.480 --> 0:14:56.360
<v Speaker 1>genuinely creepy moments, including an old time asylum and a

0:14:56.360 --> 0:14:58.840
<v Speaker 1>witch who takes off her head. I have shared this

0:14:58.880 --> 0:15:00.840
<v Speaker 1>with my kids as well. It was a sixth grade

0:15:00.840 --> 0:15:03.600
<v Speaker 1>class I taught years ago. Although at times they were

0:15:03.640 --> 0:15:06.600
<v Speaker 1>a little worried, they were hooked. Anyway, Thank you so

0:15:06.760 --> 0:15:09.600
<v Speaker 1>much for all the wonderful listening. I don't have much

0:15:09.680 --> 0:15:12.080
<v Speaker 1>time right now to watch movies, so weird how cinema

0:15:12.200 --> 0:15:15.760
<v Speaker 1>is my portal into the strange b movie world. Thanks Katie.

0:15:16.720 --> 0:15:19.200
<v Speaker 1>Uh So, I've never seen all of Return to Oz,

0:15:19.280 --> 0:15:21.480
<v Speaker 1>but this is one that people have told me multiple

0:15:21.560 --> 0:15:23.760
<v Speaker 1>times I should watch and that they thought I would love.

0:15:23.800 --> 0:15:26.680
<v Speaker 1>And so I've seen some clips from it. I recall

0:15:26.720 --> 0:15:30.240
<v Speaker 1>it has some creepy pumpkinheads in it. Uh oh yeah,

0:15:30.240 --> 0:15:35.160
<v Speaker 1>people with wheels skates for hands. It's uh. I think

0:15:35.240 --> 0:15:37.200
<v Speaker 1>I saw it when I was younger, and it does

0:15:37.280 --> 0:15:40.840
<v Speaker 1>have a lot of weird stuff in it, and um uh,

0:15:40.880 --> 0:15:43.120
<v Speaker 1>you know it's and it's got It's got a pretty

0:15:43.120 --> 0:15:45.880
<v Speaker 1>decent cast too. It's got some interesting connections there. So

0:15:46.320 --> 0:15:50.120
<v Speaker 1>Dorothy played by Ferusa Bulk it is yep, and uh,

0:15:50.800 --> 0:15:52.680
<v Speaker 1>let's see who else is that. Gene marsh is in it.

0:15:52.960 --> 0:15:58.360
<v Speaker 1>Um uh. Brian Henson does a voice, so it's it's interesting.

0:15:59.080 --> 0:16:02.160
<v Speaker 1>It might be the sort of film to consider. Is

0:16:02.200 --> 0:16:05.080
<v Speaker 1>it in two mainstream? I don't know. We've we sometimes

0:16:05.120 --> 0:16:07.720
<v Speaker 1>asked that question about things we're considering for Weird House,

0:16:07.720 --> 0:16:11.560
<v Speaker 1>because we don't have a firm definition of what exactly

0:16:11.640 --> 0:16:14.400
<v Speaker 1>a weird house cinema selection is I know there's at

0:16:14.480 --> 0:16:17.960
<v Speaker 1>least one very mainstream children's movie that I have I've

0:16:17.960 --> 0:16:21.280
<v Speaker 1>been kicking around the idea of doing, but I haven't

0:16:21.360 --> 0:16:23.760
<v Speaker 1>quite pulled the trigger on yet. I'd say the criteria

0:16:23.840 --> 0:16:26.480
<v Speaker 1>for weird house inclusion or not super solid. I mean,

0:16:26.640 --> 0:16:29.840
<v Speaker 1>we don't have hard boundaries, but but yeah, well, I

0:16:29.880 --> 0:16:32.320
<v Speaker 1>guess we do tend to the more obscure. But you know,

0:16:32.360 --> 0:16:34.320
<v Speaker 1>I don't know. We did a Star Wars movie. I

0:16:34.360 --> 0:16:37.360
<v Speaker 1>mean it was He Walks, but that's about as mainstream

0:16:37.360 --> 0:16:48.960
<v Speaker 1>as you can get. True true. All right, So this

0:16:49.000 --> 0:16:51.480
<v Speaker 1>next message came to us from James. This is a

0:16:51.640 --> 0:16:55.680
<v Speaker 1>follow up email he I think wrote in the last

0:16:55.760 --> 0:16:57.960
<v Speaker 1>Listener Mail episode. It was the one where he told

0:16:58.040 --> 0:17:02.120
<v Speaker 1>us about all those turbographics sixteen names, including the racing RPG,

0:17:02.360 --> 0:17:05.119
<v Speaker 1>which is still just that was just clanging around in

0:17:05.200 --> 0:17:07.960
<v Speaker 1>my head like a big copper kettle. Uh that that

0:17:08.040 --> 0:17:10.159
<v Speaker 1>you would like go to different towns and talk to

0:17:10.240 --> 0:17:13.200
<v Speaker 1>people and like talking I don't know, have a random

0:17:13.280 --> 0:17:16.600
<v Speaker 1>encounters for racing. That just sounds amazing. But anyway, he

0:17:16.640 --> 0:17:19.000
<v Speaker 1>also said he was seeking out a copy of Frogs

0:17:19.160 --> 0:17:21.199
<v Speaker 1>or I think maybe he'd already gotten one, and so

0:17:21.240 --> 0:17:23.840
<v Speaker 1>he writes again. James says, Wow, thanks so much for

0:17:23.880 --> 0:17:26.560
<v Speaker 1>reading my letter in the latest Listener mail segment. That

0:17:26.680 --> 0:17:29.280
<v Speaker 1>totally made my day, and I look forward to showing

0:17:29.320 --> 0:17:31.320
<v Speaker 1>it off to my brother, who shares most of the

0:17:31.359 --> 0:17:34.360
<v Speaker 1>same memories. I think he's talking about the terbographic sixteen.

0:17:34.920 --> 0:17:38.760
<v Speaker 1>James says, I just finished watching Frogs last night. Between

0:17:38.760 --> 0:17:41.879
<v Speaker 1>the shots attempting to make geckos appear menacing and the

0:17:41.920 --> 0:17:45.359
<v Speaker 1>horrific acting, it elicited plenty of laughter and was well

0:17:45.359 --> 0:17:48.359
<v Speaker 1>worth the four dollar eBay purchase. I'm glad you brought

0:17:48.400 --> 0:17:51.359
<v Speaker 1>this odd little Jim to my attention. And then James

0:17:51.400 --> 0:17:55.000
<v Speaker 1>attaches a photo I suppose of his copy of Frogs

0:17:55.000 --> 0:17:57.200
<v Speaker 1>sitting on a table. I guess this is in his house,

0:17:57.480 --> 0:18:00.280
<v Speaker 1>but it's next to a gecko that I can tell

0:18:00.320 --> 0:18:02.680
<v Speaker 1>if that's like a plastic fake gecko or a real

0:18:02.840 --> 0:18:04.800
<v Speaker 1>that looks real that looks like a real gecko. Uh.

0:18:04.920 --> 0:18:07.040
<v Speaker 1>And then behind the gecko, yeah, I guess this looks

0:18:07.040 --> 0:18:09.560
<v Speaker 1>like a gecko habitat sort of. There's like a place

0:18:09.600 --> 0:18:12.439
<v Speaker 1>with like a water bowl and things be strange if

0:18:12.440 --> 0:18:15.320
<v Speaker 1>that was fake. And then behind it there's a bunch

0:18:15.320 --> 0:18:17.760
<v Speaker 1>of art, and one of the pieces of art has

0:18:17.800 --> 0:18:21.920
<v Speaker 1>this like cool looking gecko with sunglasses. Is this GEX

0:18:22.119 --> 0:18:24.840
<v Speaker 1>from those Gets video games? You remember these things? I

0:18:24.880 --> 0:18:26.960
<v Speaker 1>don't know. It looks like it's a Frogger poster based

0:18:27.000 --> 0:18:30.520
<v Speaker 1>on the term above it, so maybe it was like

0:18:30.520 --> 0:18:35.680
<v Speaker 1>a latter day Frogger video game poster. I'm I'm almost

0:18:35.680 --> 0:18:38.159
<v Speaker 1>certain this character here is GEX. I mean, you should

0:18:38.160 --> 0:18:40.520
<v Speaker 1>google Gets if you don't. I don't. I never play

0:18:40.600 --> 0:18:42.639
<v Speaker 1>these games myself, but somehow I knew about them, and

0:18:42.680 --> 0:18:46.720
<v Speaker 1>maybe friends I knew had them. GEX is a lizard

0:18:47.560 --> 0:18:51.119
<v Speaker 1>game adventure hero who like makes wise cracks about TV.

0:18:51.440 --> 0:18:55.520
<v Speaker 1>He's like a stand up comedian geck action hero, and

0:18:55.640 --> 0:18:58.199
<v Speaker 1>it looks a little Pucci. Yeah, yeah, yeah, very Pucci.

0:18:58.280 --> 0:19:02.639
<v Speaker 1>Actually he's got sunglasses and they definitely pouchified him by

0:19:02.680 --> 0:19:05.440
<v Speaker 1>ten percent. So he'll jump on a big mushroom or

0:19:05.480 --> 0:19:08.359
<v Speaker 1>something and then say, this reminds me of when the

0:19:08.440 --> 0:19:11.200
<v Speaker 1>fawns jumped over the shark or I don't know, I

0:19:11.280 --> 0:19:12.920
<v Speaker 1>just made that up, but he he like, he makes

0:19:13.000 --> 0:19:15.280
<v Speaker 1>jokes about pop culture in a video game, which I

0:19:15.320 --> 0:19:18.720
<v Speaker 1>think was innovative at the time. Okay, yeah, I'm not

0:19:18.720 --> 0:19:20.879
<v Speaker 1>not really familiar with him. But but speaking of Frogs,

0:19:20.880 --> 0:19:24.400
<v Speaker 1>you know who else like the Frog's episode? My mom? Yeah,

0:19:24.480 --> 0:19:26.560
<v Speaker 1>I think she can really. Yeah, she tends to skip

0:19:26.560 --> 0:19:28.480
<v Speaker 1>the Weird House sent in the episodes, but she was

0:19:28.480 --> 0:19:30.240
<v Speaker 1>telling me it's like I saw the Frogs one and

0:19:30.240 --> 0:19:33.199
<v Speaker 1>I saw that had Sam Elliott discussed in it. So

0:19:33.240 --> 0:19:34.840
<v Speaker 1>I listened to it and it was a lot of fun.

0:19:35.000 --> 0:19:37.720
<v Speaker 1>So who doesn't like Sam Elliott? Yeah, she has not

0:19:37.760 --> 0:19:39.879
<v Speaker 1>seen the movie, but she expressed an interest in seeing

0:19:39.880 --> 0:19:43.639
<v Speaker 1>it after having listened to the episode, So there you go.

0:19:44.119 --> 0:19:46.320
<v Speaker 1>I briefly brought up the idea of my wife that

0:19:46.359 --> 0:19:48.600
<v Speaker 1>maybe I could give a copy of Frogs to my

0:19:48.680 --> 0:19:52.960
<v Speaker 1>mom for Mother's Day, but that was shot down. Apparently

0:19:53.040 --> 0:19:56.280
<v Speaker 1>that's not Mother's Day material that that particular movie. I

0:19:56.320 --> 0:20:03.239
<v Speaker 1>guess not. Hey, do you mind if I do this?

0:20:03.280 --> 0:20:06.359
<v Speaker 1>Next message also about Weird House Cinema from Mike. Here

0:20:06.640 --> 0:20:09.760
<v Speaker 1>go for it, alright, So let's see. Mike writes in

0:20:09.840 --> 0:20:12.040
<v Speaker 1>to say he he enjoyed our Weird House Cinema on

0:20:12.160 --> 0:20:16.200
<v Speaker 1>silent movies, and he talks about appreciating that we discussed

0:20:16.200 --> 0:20:19.200
<v Speaker 1>the importance of live music to accompany silent films back

0:20:19.200 --> 0:20:22.119
<v Speaker 1>in the original time. Like. He shares a story of

0:20:22.119 --> 0:20:24.119
<v Speaker 1>when he was in college, he went to see the

0:20:24.160 --> 0:20:28.040
<v Speaker 1>movie Intolerance from nineteen sixteen and says it was It

0:20:28.080 --> 0:20:30.439
<v Speaker 1>was accompanied by piano, and he says it was a

0:20:30.480 --> 0:20:33.200
<v Speaker 1>lovely experience. He says the pianist was like a conduit

0:20:33.240 --> 0:20:36.120
<v Speaker 1>between the audience and the film part of and separate

0:20:36.160 --> 0:20:40.080
<v Speaker 1>from both simultaneously. But then he shares a personally anecdote,

0:20:40.080 --> 0:20:42.719
<v Speaker 1>I wanted to read this part. Sometime after the showing

0:20:42.760 --> 0:20:45.959
<v Speaker 1>slash performance of Intolerance. I mentioned it to my grandmother

0:20:46.080 --> 0:20:48.400
<v Speaker 1>and was treated to a story that I hold dear.

0:20:48.840 --> 0:20:51.920
<v Speaker 1>As a young woman in Rochester, New Hampshire, she played

0:20:51.960 --> 0:20:55.320
<v Speaker 1>the piano for silent movies at the local theater. As

0:20:55.359 --> 0:20:58.720
<v Speaker 1>she accompanied a film one night, her attention drifted. She

0:20:58.880 --> 0:21:01.880
<v Speaker 1>was surprised when the audience started to laugh. No one

0:21:01.920 --> 0:21:04.520
<v Speaker 1>had laughed at that film before. After a moment, she

0:21:04.600 --> 0:21:07.320
<v Speaker 1>realized that everyone was laughing because she was playing a

0:21:07.440 --> 0:21:11.280
<v Speaker 1>jaunty polka during a somber funeral scene. Never wanted to

0:21:11.320 --> 0:21:13.760
<v Speaker 1>mind what people thought about her, she kept on playing,

0:21:13.840 --> 0:21:16.640
<v Speaker 1>bringing it back to a more appropriate tune. I love

0:21:16.720 --> 0:21:19.760
<v Speaker 1>this story because it captures both my grandmother's personality and

0:21:19.800 --> 0:21:23.160
<v Speaker 1>a particular movie going experience specific to the Silent Era.

0:21:23.520 --> 0:21:27.800
<v Speaker 1>Thanks for all you do, Mike. I've never considered this before,

0:21:27.840 --> 0:21:29.959
<v Speaker 1>that you just have like a like a like a

0:21:29.960 --> 0:21:33.359
<v Speaker 1>pianist improvising. I guess I always assumed they'd be playing

0:21:33.440 --> 0:21:36.600
<v Speaker 1>from sheet music that was timed to accompany the music, right,

0:21:36.640 --> 0:21:38.919
<v Speaker 1>But if they're improvising, yeah, who knows what they're going

0:21:38.960 --> 0:21:40.959
<v Speaker 1>to make the movie feel like? Yeah? Or if there

0:21:41.000 --> 0:21:44.280
<v Speaker 1>was some mix up with the sheet music, perhaps because

0:21:44.280 --> 0:21:46.360
<v Speaker 1>you could you could imagine a scenario where you had

0:21:46.359 --> 0:21:48.879
<v Speaker 1>the sheet music for a different film and it might

0:21:49.000 --> 0:21:52.280
<v Speaker 1>and everything might line up well enough for a while

0:21:52.880 --> 0:21:55.520
<v Speaker 1>until you get to that section where you are playing

0:21:55.520 --> 0:22:03.719
<v Speaker 1>polka music over a funeral. Yeah, that's rough, Mike. Al Right,

0:22:03.760 --> 0:22:05.720
<v Speaker 1>here's another. Um. I guess this is kind of I

0:22:05.760 --> 0:22:07.480
<v Speaker 1>don't know if this is weird house related or just

0:22:07.920 --> 0:22:11.119
<v Speaker 1>movie related, but this one comes to us from Tom, Hi, Robert,

0:22:11.119 --> 0:22:14.200
<v Speaker 1>and Joe. I just finished listening to listener mail Fire

0:22:14.240 --> 0:22:17.600
<v Speaker 1>of Unknown Origins. The question came up, why does Sean

0:22:17.600 --> 0:22:20.800
<v Speaker 1>Connery's character in Highlander have a Scottish accent? My take

0:22:20.880 --> 0:22:26.120
<v Speaker 1>is Sean Connery's character probably learned English in Scotland if

0:22:26.160 --> 0:22:28.720
<v Speaker 1>he was from Egypt. He had to learn English somewhere else.

0:22:29.160 --> 0:22:31.879
<v Speaker 1>I love the podcast. I'm a field service engineer and

0:22:31.880 --> 0:22:34.240
<v Speaker 1>do a lot of windshield time. Your podcast keeps me

0:22:34.359 --> 0:22:38.480
<v Speaker 1>entertained and also educates me. So time well spent. Thanks again, Tom,

0:22:38.520 --> 0:22:41.000
<v Speaker 1>And yes, Tom, this is a solid theory. I mean

0:22:41.720 --> 0:22:44.640
<v Speaker 1>why not. Yeah, Well, so I've I've got I've got

0:22:44.640 --> 0:22:47.280
<v Speaker 1>a counter theory though. I do think this is an

0:22:47.280 --> 0:22:50.199
<v Speaker 1>interesting possibility, and I appreciate you sharing it, Tom. But

0:22:50.280 --> 0:22:53.919
<v Speaker 1>one complication is that a language is not just built

0:22:53.920 --> 0:22:57.000
<v Speaker 1>out of words, but actually built out of phonetic building

0:22:57.040 --> 0:22:59.679
<v Speaker 1>blocks that are the sub parts of words. You know

0:22:59.760 --> 0:23:02.399
<v Speaker 1>that the individual sounds you make with your mouth to

0:23:02.480 --> 0:23:05.720
<v Speaker 1>make a word, and different languages build words out of

0:23:05.760 --> 0:23:09.680
<v Speaker 1>different sets of phonemes like the individual letter sounds. Often

0:23:09.760 --> 0:23:12.399
<v Speaker 1>the differences are subtle enough that when we're used to

0:23:12.520 --> 0:23:15.359
<v Speaker 1>one language and we learn a new one, we build

0:23:15.440 --> 0:23:17.399
<v Speaker 1>the words of the new language not out of the

0:23:17.480 --> 0:23:20.399
<v Speaker 1>same phonemes as a native speaker, but out of the

0:23:20.480 --> 0:23:24.160
<v Speaker 1>nearest approximation of those phonemes from our own native language.

0:23:24.160 --> 0:23:25.800
<v Speaker 1>So if you're an English speaker and you're trying to

0:23:25.880 --> 0:23:28.240
<v Speaker 1>learn French, I think a lot of times. At first,

0:23:28.520 --> 0:23:31.800
<v Speaker 1>you're you're going to be building the sounds. You're like

0:23:31.880 --> 0:23:38.280
<v Speaker 1>approximating the sounds of French words based on English phonemes.

0:23:38.320 --> 0:23:42.800
<v Speaker 1>So you're saying that Sean Connery's character and Highlander Ramiers

0:23:43.320 --> 0:23:46.720
<v Speaker 1>would not be speaking English with a Scottish accent. He

0:23:46.760 --> 0:23:51.400
<v Speaker 1>would be speeda king English with an ancient Egyptian accent. Well,

0:23:51.400 --> 0:23:53.520
<v Speaker 1>maybe not accent, but like, I don't know. I mean,

0:23:53.520 --> 0:23:56.679
<v Speaker 1>I guess if you're immersed long enough, then maybe because

0:23:56.920 --> 0:23:58.719
<v Speaker 1>I'm sure he's had plenty of time to get immersed,

0:23:58.760 --> 0:24:01.760
<v Speaker 1>maybe then you really do incorporate like the full range

0:24:01.760 --> 0:24:04.959
<v Speaker 1>of phonemes that a native speaker if that language, would use,

0:24:05.000 --> 0:24:07.920
<v Speaker 1>and then yeah, the accent is fully there. Uh So,

0:24:07.960 --> 0:24:09.880
<v Speaker 1>I guess it would depend on how long he's been

0:24:09.920 --> 0:24:13.359
<v Speaker 1>speaking English. You know. One thing that it makes me

0:24:13.440 --> 0:24:15.280
<v Speaker 1>wonder about, and I've probably wondered about this in the

0:24:15.280 --> 0:24:19.000
<v Speaker 1>show so before, so apologies, but what is the nero

0:24:19.119 --> 0:24:22.639
<v Speaker 1>plasticity of an immortal in the Highlander world? You know,

0:24:22.720 --> 0:24:26.399
<v Speaker 1>because on one level, their bodies don't really change, and

0:24:26.440 --> 0:24:29.679
<v Speaker 1>if and if they suffer injury like something, I don't know,

0:24:29.720 --> 0:24:32.080
<v Speaker 1>sometimes it seems like they heal sometimes maybe not, but

0:24:32.240 --> 0:24:34.119
<v Speaker 1>for the most part, you know, they have stayed the

0:24:34.160 --> 0:24:37.320
<v Speaker 1>same across the centuries. Yet, on the on the other hand,

0:24:37.720 --> 0:24:39.720
<v Speaker 1>and yeah, and certainly I guess maybe they hold onto

0:24:39.760 --> 0:24:42.680
<v Speaker 1>old ideas like the Kuragan doesn't seem to have really evolved.

0:24:42.720 --> 0:24:44.560
<v Speaker 1>He hasn't really evolved that much when it comes to

0:24:44.640 --> 0:24:48.600
<v Speaker 1>his you know, his moral philosophy or anything. Uh. But

0:24:48.760 --> 0:24:51.680
<v Speaker 1>on the other hand, in order to survive across the centuries,

0:24:52.040 --> 0:24:54.680
<v Speaker 1>you would have to have a certain amount of neuroplasticity.

0:24:54.960 --> 0:24:56.639
<v Speaker 1>You would have to you know, you'd have to be

0:24:56.720 --> 0:25:00.359
<v Speaker 1>able and willing to make drastic changes in your ability

0:25:00.400 --> 0:25:03.840
<v Speaker 1>to acquire new languages, new cultures, new technologies. Maybe what

0:25:04.000 --> 0:25:08.280
<v Speaker 1>the quickening does is it undoes synaptic pruning so that

0:25:08.480 --> 0:25:11.320
<v Speaker 1>your brain is sort of reset to a childlike state

0:25:11.359 --> 0:25:14.560
<v Speaker 1>where you can have that incredibly protein neo plasticity you

0:25:14.600 --> 0:25:16.520
<v Speaker 1>see in a child's brain, where a child can just

0:25:16.560 --> 0:25:21.280
<v Speaker 1>acquire languages at a rate that's unimaginable to adults. Now,

0:25:21.320 --> 0:25:23.240
<v Speaker 1>this is the quickening that occurs when you be head

0:25:23.280 --> 0:25:25.679
<v Speaker 1>another immortal and will assume their power, or is this

0:25:25.760 --> 0:25:28.280
<v Speaker 1>the quickening thing where you're just running next to a horse.

0:25:29.600 --> 0:25:31.679
<v Speaker 1>I think it'd be the beheading, so you got you

0:25:31.720 --> 0:25:34.880
<v Speaker 1>have to go behead another immortal every time you want

0:25:34.960 --> 0:25:38.119
<v Speaker 1>to learn a new language, or actually be able to

0:25:38.119 --> 0:25:40.639
<v Speaker 1>pronounce all the dinosaur names if you haven't learned them before.

0:25:40.680 --> 0:25:44.440
<v Speaker 1>That kind of thing. Okay, makes sense. I like this theory. Yes,

0:25:45.200 --> 0:25:47.879
<v Speaker 1>all right. On that note, Carney, the mail body is

0:25:47.880 --> 0:25:50.159
<v Speaker 1>telling us that he has done. This is all the

0:25:50.240 --> 0:25:53.200
<v Speaker 1>listener mail for today. Of course, we still have other

0:25:53.240 --> 0:25:56.000
<v Speaker 1>bits of listener mail we didn't have time to get to. Uh.

0:25:56.160 --> 0:25:58.880
<v Speaker 1>New listener mails coming in all the time, so keep

0:25:58.880 --> 0:26:00.800
<v Speaker 1>it coming. We read all of it, even if we

0:26:00.840 --> 0:26:03.359
<v Speaker 1>don't have a chance to read it all on the show.

0:26:04.160 --> 0:26:08.639
<v Speaker 1>We appreciate your your thoughts, your riffs, your suggestions for

0:26:08.640 --> 0:26:12.439
<v Speaker 1>the future, your you know, occasional corrections as needed, and

0:26:12.520 --> 0:26:15.800
<v Speaker 1>just in general, like your feedback, your experience with the

0:26:15.920 --> 0:26:18.760
<v Speaker 1>information that we're discussing. In the meantime, if you want

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<v Speaker 1>to listen to other episodes of Stuff to Blow your

0:26:21.160 --> 0:26:23.720
<v Speaker 1>Mind Listener Mail, those come out on Monday, Core episodes

0:26:23.760 --> 0:26:27.119
<v Speaker 1>on Tuesdays and Thursdays. Weird how cent them on Fridays

0:26:27.160 --> 0:26:29.879
<v Speaker 1>and on the weekend. We have a little rerun for

0:26:29.920 --> 0:26:32.200
<v Speaker 1>you in the form of a vault episode. Huge thanks

0:26:32.240 --> 0:26:35.480
<v Speaker 1>as always to our excellent audio producer Seth Nicholas Johnson.

0:26:35.520 --> 0:26:37.240
<v Speaker 1>If you would like to get in touch with us

0:26:37.240 --> 0:26:40.040
<v Speaker 1>with feedback on this episode or any other, to suggest

0:26:40.040 --> 0:26:42.000
<v Speaker 1>a topic for the future, or just to say hello,

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