1
00:00:00,480 --> 00:00:01,640
Speaker 1: Celebrity club.

2
00:00:07,160 --> 00:00:10,040
Speaker 2: Oh god, damn it, traffics.

3
00:00:10,080 --> 00:00:11,959
Speaker 1: Stupid, stupid Beth.

4
00:00:12,039 --> 00:00:19,160
Speaker 2: Okay, my curtsy, Oh, Duchess Megan, either.

5
00:00:20,720 --> 00:00:23,040
Speaker 1: Beyond the wild Berry in the plummet.

6
00:00:27,560 --> 00:00:28,080
Speaker 3: Hih.

7
00:00:28,880 --> 00:00:32,440
Speaker 1: Hi, I'm Beth with blue wott fieldberry jams.

8
00:00:32,560 --> 00:00:34,879
Speaker 3: Yeah, Hi, we know you're late. Bath. You can come

9
00:00:34,920 --> 00:00:36,400
Speaker 3: over in the waiting room or here, thank you.

10
00:00:44,880 --> 00:00:47,440
Speaker 1: Yeah, Hi, Megan, Hi, Duchess.

11
00:00:47,960 --> 00:00:52,080
Speaker 3: Oh, you can call me Meghan. It's fine, Meghan the Dutch.

12
00:00:52,120 --> 00:00:53,640
Speaker 1: Sorry, Meghan the Duchess.

13
00:00:54,920 --> 00:00:58,080
Speaker 3: Just Meghan and Meghan. Yes, Beth, So good to.

14
00:00:58,200 --> 00:00:59,560
Speaker 1: Meet you in real life.

15
00:01:00,160 --> 00:01:03,440
Speaker 3: It's such a pleasure. I'm so looking forward to seeing

16
00:01:03,560 --> 00:01:05,720
Speaker 3: your wares and seeing what you've been putting together.

17
00:01:06,680 --> 00:01:10,240
Speaker 2: Well, I have an amazing collection of jams free of

18
00:01:10,319 --> 00:01:12,520
Speaker 2: course I put them together and I was in the

19
00:01:12,640 --> 00:01:15,160
Speaker 2: field plunging them with my feet.

20
00:01:15,200 --> 00:01:19,080
Speaker 3: But really, this is you, and just know that, thank

21
00:01:19,120 --> 00:01:21,000
Speaker 3: you for saying that. I've just I've been on this

22
00:01:21,160 --> 00:01:25,800
Speaker 3: journey for so long and I've always wanted to do this.

23
00:01:26,200 --> 00:01:29,479
Speaker 2: You came to the right place. No one doesn't jam

24
00:01:29,680 --> 00:01:35,000
Speaker 2: better than me. Duchess Meghan, Megan, Megan. Okay, is Harry here?

25
00:01:35,920 --> 00:01:38,440
Speaker 3: My husband is not here. Actually he's in Africa with

26
00:01:38,520 --> 00:01:39,360
Speaker 3: one of our charities.

27
00:01:39,600 --> 00:01:40,240
Speaker 1: Wonderful.

28
00:01:41,040 --> 00:01:43,760
Speaker 3: Your hair is so short, that's I think it's really cool.

29
00:01:44,000 --> 00:01:44,280
Speaker 1: Thanks.

30
00:01:44,360 --> 00:01:48,680
Speaker 2: You know, safety first, right, I worked actually up in

31
00:01:48,920 --> 00:01:52,680
Speaker 2: northern California for a while, and actually I used to

32
00:01:52,760 --> 00:01:54,280
Speaker 2: work in wine and then I went to jam. My

33
00:01:54,360 --> 00:01:57,680
Speaker 2: hair was always in my face. You don't care, okay.

34
00:01:57,920 --> 00:02:01,640
Speaker 2: So these are the three we have that we talked

35
00:02:01,640 --> 00:02:02,840
Speaker 2: about in the zoom right.

36
00:02:03,120 --> 00:02:04,640
Speaker 3: Okay, so we've got the pluot.

37
00:02:04,760 --> 00:02:08,280
Speaker 2: We have the Pluots, which I have to say my favorite,

38
00:02:08,320 --> 00:02:11,040
Speaker 2: and I know not everyone goes for them, but when

39
00:02:11,120 --> 00:02:13,760
Speaker 2: you said you wanted a plu Ot Jam you wanted

40
00:02:13,960 --> 00:02:16,240
Speaker 2: to remind people of home.

41
00:02:16,600 --> 00:02:18,200
Speaker 1: I thought that was so beautiful.

42
00:02:18,720 --> 00:02:21,519
Speaker 3: Thank you so much forever and reading that. Do you

43
00:02:21,600 --> 00:02:22,919
Speaker 3: mind if I please?

44
00:02:23,000 --> 00:02:25,280
Speaker 1: And I brought some gluten free crackers.

45
00:02:25,440 --> 00:02:27,560
Speaker 3: Oh awesome. Yeah, I know a lot of our customers

46
00:02:27,680 --> 00:02:29,399
Speaker 3: we are hoping that they'll be gluten free.

47
00:02:31,360 --> 00:02:35,760
Speaker 1: Here you go, broke, hold on, I have more.

48
00:02:36,440 --> 00:02:37,160
Speaker 2: I have more.

49
00:02:37,280 --> 00:02:41,200
Speaker 3: It's really okay. I'm very just sort of placid about everything.

50
00:02:41,400 --> 00:02:44,680
Speaker 1: So this is the Pluot Jam gluten free cracker.

51
00:02:45,400 --> 00:02:49,560
Speaker 3: Okay, hm.

52
00:02:51,040 --> 00:02:51,280
Speaker 2: Hmm.

53
00:02:51,680 --> 00:02:55,720
Speaker 3: That's delicious. It really does taste like home and when

54
00:02:55,720 --> 00:03:03,200
Speaker 3: I say home, I mean a sort of mixture of Toronto, London, Montecito, Vancouver,

55
00:03:04,360 --> 00:03:06,919
Speaker 3: and Chicago, and a little bit of Florida as well.

56
00:03:07,880 --> 00:03:12,200
Speaker 1: Yes, yes, okay, so up next, let's get to it.

57
00:03:12,360 --> 00:03:15,040
Speaker 1: This is the orange marmalade. We're looking at this at

58
00:03:15,080 --> 00:03:16,160
Speaker 1: being the hero product.

59
00:03:16,880 --> 00:03:20,240
Speaker 3: Okay, yeah, I think orange might be a little intense

60
00:03:21,120 --> 00:03:21,840
Speaker 3: just as a color.

61
00:03:22,120 --> 00:03:24,720
Speaker 1: We write that down my moleskin. Yeah, I may gray

62
00:03:24,880 --> 00:03:25,280
Speaker 1: be better.

63
00:03:25,720 --> 00:03:28,040
Speaker 3: Oh that sounds nice. Yeah, we're even a cream.

64
00:03:28,040 --> 00:03:31,200
Speaker 1: Okay, a cream cream marmalade. Okay, we might have just

65
00:03:31,240 --> 00:03:32,040
Speaker 1: some dying.

66
00:03:32,080 --> 00:03:35,560
Speaker 3: A lighter color. Just thinking about people with different eye

67
00:03:35,640 --> 00:03:37,520
Speaker 3: conditions and what it might be like for them to

68
00:03:37,560 --> 00:03:38,240
Speaker 3: look at the jam.

69
00:03:39,000 --> 00:03:41,600
Speaker 1: We can go back to the test kitchen and try

70
00:03:41,680 --> 00:03:43,480
Speaker 1: to make a gray jam.

71
00:03:43,680 --> 00:03:44,000
Speaker 3: Thank you.

72
00:03:44,520 --> 00:03:46,600
Speaker 2: Okay, Well, last up, I want you to try this

73
00:03:47,240 --> 00:03:49,720
Speaker 2: really beautiful Humboldt fog.

74
00:03:50,040 --> 00:03:51,440
Speaker 3: I love fog with gray.

75
00:03:51,760 --> 00:03:53,720
Speaker 1: The rubarb, which I know it's red.

76
00:03:54,320 --> 00:03:56,720
Speaker 3: That could be intense, but I love the way the

77
00:03:56,800 --> 00:03:59,920
Speaker 3: word sounds ruebarb rubarb so fun.

78
00:04:00,600 --> 00:04:07,080
Speaker 1: Try to say up backwards barboo. You're hilarious.

79
00:04:07,440 --> 00:04:09,840
Speaker 3: I know I'm often noted for my sense of humor.

80
00:04:10,040 --> 00:04:12,120
Speaker 3: That's something my husband says he loves about me.

81
00:04:12,800 --> 00:04:16,719
Speaker 1: Can I say something? You guys are a beautiful couple.

82
00:04:17,000 --> 00:04:19,400
Speaker 3: Thank you so much, Beth, and I don't.

83
00:04:19,400 --> 00:04:21,279
Speaker 1: Follow all the hubbub.

84
00:04:21,839 --> 00:04:22,600
Speaker 3: I know you don't.

85
00:04:22,720 --> 00:04:26,920
Speaker 2: I don't, but you know, sometimes even in Whole Foods

86
00:04:26,960 --> 00:04:28,880
Speaker 2: they have a People magazine.

87
00:04:28,720 --> 00:04:29,720
Speaker 1: And I don't look at it.

88
00:04:30,080 --> 00:04:30,960
Speaker 3: Oh, thank you for that.

89
00:04:31,240 --> 00:04:33,120
Speaker 1: And I just want to say a big f you.

90
00:04:33,680 --> 00:04:36,840
Speaker 2: Sorry, I'm getting fired up here, big f you to

91
00:04:37,000 --> 00:04:40,760
Speaker 2: those crazy tabloid people because you and Dutch, you and

92
00:04:40,880 --> 00:04:43,159
Speaker 2: mister Duchess are such a beautiful couple.

93
00:04:43,320 --> 00:04:45,800
Speaker 3: Thank you, Thank you so much. Sorry how to get tired?

94
00:04:46,040 --> 00:04:48,920
Speaker 3: I really appreciate that. And I have nothing but just

95
00:04:49,040 --> 00:04:52,520
Speaker 3: a calm smile to return to your general goodwill that

96
00:04:52,640 --> 00:04:53,680
Speaker 3: you've bestowed upon me.

97
00:04:54,520 --> 00:04:56,040
Speaker 2: Okay, well, I don't want to waste any more of

98
00:04:56,040 --> 00:04:57,720
Speaker 2: your time. Do you have any of the notes that

99
00:04:58,000 --> 00:05:01,000
Speaker 2: we want to make the orange marmalad ray or cream?

100
00:05:02,240 --> 00:05:04,359
Speaker 3: Yeah, and then I think we'll go with the pluot

101
00:05:04,440 --> 00:05:06,400
Speaker 3: And then I didn't get a chance to really taste

102
00:05:06,400 --> 00:05:09,520
Speaker 3: the third one. But I'm just not even hungry anymore. Okay,

103
00:05:09,640 --> 00:05:12,360
Speaker 3: if we can get that into production, and you know,

104
00:05:12,520 --> 00:05:14,320
Speaker 3: at the end of the day, we may not even

105
00:05:14,400 --> 00:05:17,000
Speaker 3: end up releasing any of these jams, and none of

106
00:05:17,080 --> 00:05:19,360
Speaker 3: them may turn out to be in stores. But as

107
00:05:19,480 --> 00:05:21,920
Speaker 3: long as we have something we can take a photo of,

108
00:05:22,040 --> 00:05:23,000
Speaker 3: I think that'll be open.

109
00:05:23,120 --> 00:05:25,960
Speaker 2: Absolutely okay, and we'll make sure you get a package

110
00:05:26,000 --> 00:05:27,080
Speaker 2: to send a close friends.

111
00:05:27,240 --> 00:05:30,920
Speaker 3: That would be essential. I have at least four perfect Yeah.

112
00:05:31,000 --> 00:05:33,960
Speaker 3: It's Tyler Perry and then his three assistants, Megan.

113
00:05:34,600 --> 00:05:36,680
Speaker 2: I can't thank you enough for taking time out of

114
00:05:36,760 --> 00:05:38,160
Speaker 2: your very busy schedule.

115
00:05:38,520 --> 00:05:41,920
Speaker 1: I'm honored to be working with you. Should I seeing

116
00:05:42,000 --> 00:05:42,760
Speaker 1: myself out.

117
00:05:43,040 --> 00:05:45,040
Speaker 3: My gay assistant James will help you to your car.

118
00:05:45,560 --> 00:05:47,920
Speaker 1: Let me just zip up my professional teator.

119
00:05:57,640 --> 00:06:00,400
Speaker 3: Who's that knocking at the door. It's all your friends,

120
00:06:00,440 --> 00:06:03,400
Speaker 3: you filthy whose your husband's gone, and we've got books

121
00:06:03,440 --> 00:06:06,960
Speaker 3: and a bottle of wine to kill. It's Hollywood, it's books,

122
00:06:07,279 --> 00:06:14,400
Speaker 3: it's gossip. I'm shook its memoirs Martini, Celebrity Poop Club,

123
00:06:15,440 --> 00:06:16,680
Speaker 3: read it while it's hot.

124
00:06:17,240 --> 00:06:18,360
Speaker 1: Celebrity book Club.

125
00:06:18,640 --> 00:06:19,800
Speaker 2: I'll tell your secrets.

126
00:06:19,880 --> 00:06:25,719
Speaker 3: We won't talk celebrity books. No boys are a loud cleo,

127
00:06:27,160 --> 00:06:30,159
Speaker 3: say it loud and pound. Celebrity book Club.

128
00:06:31,000 --> 00:06:32,760
Speaker 1: Buzz me in. I brought the queer voe.

129
00:06:33,040 --> 00:06:38,279
Speaker 3: Hey, that's else. Welcome to yet another edition of every other.

130
00:06:38,400 --> 00:06:42,559
Speaker 2: Summer hashtag every other summer the summer where we're putting

131
00:06:42,640 --> 00:06:44,719
Speaker 2: the week between episodes.

132
00:06:47,120 --> 00:06:50,120
Speaker 3: This week goes between episodes, Mama, and what are two

133
00:06:50,200 --> 00:06:50,960
Speaker 3: weeks it's been?

134
00:06:51,279 --> 00:06:54,000
Speaker 1: Oh my god, it's been insane.

135
00:06:54,320 --> 00:07:00,720
Speaker 3: Rooftop parties, travel, not travel, road trip, relaxing, guard but

136
00:07:00,839 --> 00:07:01,400
Speaker 3: also all.

137
00:07:01,320 --> 00:07:03,559
Speaker 1: That sticky, crazy summer stuff.

138
00:07:03,600 --> 00:07:08,360
Speaker 3: Air conditioners, breaking magazines, getting stuck to your skin and

139
00:07:08,440 --> 00:07:09,960
Speaker 3: some of the newsprint coming off.

140
00:07:10,240 --> 00:07:14,760
Speaker 2: Oh yeah, walking into an old navy just to take

141
00:07:14,880 --> 00:07:16,920
Speaker 2: a minute for yourself.

142
00:07:16,840 --> 00:07:18,720
Speaker 3: And get in that cold, cold air con.

143
00:07:19,040 --> 00:07:19,760
Speaker 1: Oh yeah.

144
00:07:20,240 --> 00:07:23,000
Speaker 3: Buying an Alo Planet home depot so you can have

145
00:07:23,080 --> 00:07:26,560
Speaker 3: a fresh source of Alo to rub on your sunburn wounds.

146
00:07:27,120 --> 00:07:30,720
Speaker 1: I haven't gone sunburn yet this summer, and I'm really hoping.

147
00:07:31,000 --> 00:07:34,480
Speaker 3: Oh that this will be the summer of not being burned. Yeah,

148
00:07:34,760 --> 00:07:36,920
Speaker 3: I'd love to see it. Okay, you're going to have

149
00:07:36,960 --> 00:07:38,480
Speaker 3: to really slather it on, mama.

150
00:07:38,800 --> 00:07:40,160
Speaker 1: Oh yeah, Alo.

151
00:07:40,520 --> 00:07:43,720
Speaker 3: I just got in my fab Fit Fun Box, which,

152
00:07:43,720 --> 00:07:45,760
Speaker 3: as you know, I do get every season for free

153
00:07:45,800 --> 00:07:48,800
Speaker 3: because I worked for them and I'm just still getting

154
00:07:48,800 --> 00:07:51,440
Speaker 3: a big pile of crap for women every three months.

155
00:07:51,600 --> 00:07:56,600
Speaker 3: Pile of crap for women. And I got that brand Vacation,

156
00:07:56,840 --> 00:07:59,760
Speaker 3: which is this kind of that like retro branded sunscreen brand. Yes,

157
00:08:00,080 --> 00:08:02,800
Speaker 3: it's very like the brand for brands Strata, just because

158
00:08:02,840 --> 00:08:05,440
Speaker 3: it's so like we got it, you're branding. It's very

159
00:08:05,560 --> 00:08:08,240
Speaker 3: mad and they do like the Apple garmand very kind

160
00:08:08,240 --> 00:08:12,560
Speaker 3: of like tight tight like long Sarah font but then

161
00:08:12,600 --> 00:08:15,000
Speaker 3: also like a script just being like now more than

162
00:08:15,040 --> 00:08:18,440
Speaker 3: ever or just what's the SPF on it? So it's

163
00:08:18,480 --> 00:08:22,360
Speaker 3: like their face stuff. And it's like specifically a face spray. Oh,

164
00:08:22,880 --> 00:08:24,560
Speaker 3: and it's want to say, it's fifty.

165
00:08:25,000 --> 00:08:26,160
Speaker 1: Fifty face spray.

166
00:08:26,320 --> 00:08:29,240
Speaker 3: Yeah, sounds nice, which I'm excited to use because I

167
00:08:29,280 --> 00:08:31,160
Speaker 3: think it's a good for touchups at the beach.

168
00:08:32,000 --> 00:08:33,760
Speaker 1: Well, I mean that's the biggest problem.

169
00:08:33,840 --> 00:08:36,559
Speaker 2: You're sloth, the hands are sandy at that point you're

170
00:08:36,559 --> 00:08:37,600
Speaker 2: slathering on the face.

171
00:08:37,679 --> 00:08:40,360
Speaker 3: Yeah, I think the spray might actually be nice. But

172
00:08:40,440 --> 00:08:41,880
Speaker 3: it's not like a huge aerosol can.

173
00:08:41,960 --> 00:08:45,000
Speaker 2: It's like a small, siny, little like Q can you're

174
00:08:45,040 --> 00:08:48,439
Speaker 2: putting in. It's not sore man, person you just purchased.

175
00:08:48,640 --> 00:08:50,679
Speaker 3: It's the size of like I don't know, like it's

176
00:08:50,679 --> 00:08:53,080
Speaker 3: a little bit larger than a glue stick. It's maybe

177
00:08:53,120 --> 00:08:56,920
Speaker 3: a double glue stick as big as a double glue stick.

178
00:08:59,080 --> 00:08:59,880
Speaker 1: That's so funny.

179
00:09:00,400 --> 00:09:02,679
Speaker 2: We're making jokes about like tick size and stuff like

180
00:09:02,760 --> 00:09:04,240
Speaker 2: that and products because that.

181
00:09:04,360 --> 00:09:06,240
Speaker 1: Reminds me of a scene in Suits.

182
00:09:06,440 --> 00:09:07,360
Speaker 3: I just watch.

183
00:09:08,800 --> 00:09:09,800
Speaker 1: My Summer Practices.

184
00:09:09,840 --> 00:09:16,079
Speaker 2: I've been binging this show Suits, starring the Duchess Magan Markle.

185
00:09:16,480 --> 00:09:18,560
Speaker 3: Yeah, let's say it. We read her book.

186
00:09:18,800 --> 00:09:21,280
Speaker 2: We read her book, and you may be like, wait, what,

187
00:09:22,120 --> 00:09:25,040
Speaker 2: Meghan has a memoir, you guys, it's summer.

188
00:09:25,040 --> 00:09:30,559
Speaker 3: Okay, So we read her children's book that's actually not forgids.

189
00:09:30,760 --> 00:09:32,680
Speaker 3: It's a children's book for fathers.

190
00:09:33,000 --> 00:09:36,600
Speaker 1: Fathers to like prep and feel like calm and.

191
00:09:36,679 --> 00:09:38,920
Speaker 3: Like empowered about their impending fatherhood.

192
00:09:40,000 --> 00:09:42,680
Speaker 1: Yeah, because we need to lift up our fathers and.

193
00:09:42,840 --> 00:09:46,120
Speaker 3: Like subtly tell the fathers that their wives will be

194
00:09:46,160 --> 00:09:47,880
Speaker 3: attracted to them if they are a good father, Like,

195
00:09:48,000 --> 00:09:49,000
Speaker 3: please be a good father.

196
00:09:49,559 --> 00:09:52,520
Speaker 1: I like you will get laid more if I see

197
00:09:52,640 --> 00:09:53,560
Speaker 1: you being a good father.

198
00:09:54,000 --> 00:09:57,120
Speaker 3: Yeah, and it's kind of just like it is that true?

199
00:09:57,400 --> 00:09:59,920
Speaker 3: Is that true? Show me the receipts, mom, we'll discuss.

200
00:10:00,720 --> 00:10:05,959
Speaker 1: Her book is called called The Bench by Meghan Camma, Mamma.

201
00:10:06,440 --> 00:10:08,040
Speaker 3: The Duchess of Sussex.

202
00:10:08,880 --> 00:10:10,079
Speaker 1: I guess I didn't realize.

203
00:10:10,120 --> 00:10:13,839
Speaker 2: You know, I'm not your total grammar girl, and I'm not.

204
00:10:14,480 --> 00:10:18,359
Speaker 2: I didn't realize that it would be Meghan Comma the Duchess.

205
00:10:18,240 --> 00:10:22,000
Speaker 3: As opposed to what just Meghan the Duchess.

206
00:10:22,080 --> 00:10:24,720
Speaker 1: Kind of like Megan thee Stallion. Just like Meghan the Duchess.

207
00:10:24,880 --> 00:10:28,400
Speaker 3: Oh yeah, why doesn't Meghan the Stallion have an Oxford Comma?

208
00:10:29,640 --> 00:10:31,920
Speaker 3: Megan Megan Comma the Stallion.

209
00:10:34,760 --> 00:10:36,839
Speaker 2: Now, if you don't know who Meghan the Duchess is,

210
00:10:36,920 --> 00:10:38,440
Speaker 2: why don't I just read her bio?

211
00:10:39,240 --> 00:10:40,240
Speaker 3: Wait? Wait, what's the.

212
00:10:42,240 --> 00:10:46,240
Speaker 2: Meghan Comma, the Duchess of Sussex is a mother, wife,

213
00:10:46,440 --> 00:10:47,880
Speaker 2: feminist and activist.

214
00:10:48,160 --> 00:10:52,000
Speaker 3: Oh right, okay, right, Oh that mother? Yeah, I know

215
00:10:52,080 --> 00:10:52,440
Speaker 3: that mother.

216
00:10:54,600 --> 00:10:58,439
Speaker 2: Through the nonprofit work of the Archwelth Foundation, she and

217
00:10:58,640 --> 00:11:03,640
Speaker 2: her husband no name. She and her husband are committed

218
00:11:03,760 --> 00:11:10,679
Speaker 2: to activating compassion in communities across the world. Committed to

219
00:11:10,960 --> 00:11:12,520
Speaker 2: activating compassion.

220
00:11:12,880 --> 00:11:14,240
Speaker 1: What are you and your husband like to do?

221
00:11:14,600 --> 00:11:18,439
Speaker 3: Fun? We love to commit to activate.

222
00:11:18,160 --> 00:11:23,959
Speaker 2: Compassion in communities. Oh, I think this weekend we're probably

223
00:11:24,000 --> 00:11:25,800
Speaker 2: just gonna lay low low.

224
00:11:27,400 --> 00:11:34,280
Speaker 1: Compassion. She currently resides in her home state of California

225
00:11:34,360 --> 00:11:39,079
Speaker 1: with her family, two dogs and a growing flock of

226
00:11:39,440 --> 00:11:40,679
Speaker 1: rescue chickens.

227
00:11:41,760 --> 00:11:45,720
Speaker 3: Squawk, squawk, rescue chickens and.

228
00:11:45,880 --> 00:11:48,080
Speaker 1: Like rescue chickens.

229
00:11:48,600 --> 00:11:51,200
Speaker 3: Does that mean that they were rescued from like an purdue,

230
00:11:51,480 --> 00:11:53,839
Speaker 3: like a Purdue and they just like someone did a

231
00:11:53,960 --> 00:11:56,800
Speaker 3: jail break and in so chicken run and like get

232
00:11:56,840 --> 00:12:00,760
Speaker 3: the chickens, like nine chickens escaped and some homemade way

233
00:12:00,880 --> 00:12:04,120
Speaker 3: to the Montecito ranch that SE's leasing from Oprah.

234
00:12:04,360 --> 00:12:06,720
Speaker 2: Yeah, is this we're trying to connect with Harry being

235
00:12:06,800 --> 00:12:09,319
Speaker 2: so Wallace in Gramaed and chicken run and like British

236
00:12:09,679 --> 00:12:10,360
Speaker 2: like or is.

237
00:12:10,360 --> 00:12:12,520
Speaker 3: The rescue chicken more? Just like there's kind of a

238
00:12:12,920 --> 00:12:17,160
Speaker 3: farm that's fallen into disrepair, like in Greater Oxnar to California,

239
00:12:17,760 --> 00:12:20,200
Speaker 3: and it's like kind of this just like trashy family.

240
00:12:20,559 --> 00:12:23,280
Speaker 2: I think it's both because when I went to this

241
00:12:23,520 --> 00:12:27,920
Speaker 2: like animal sanctuary by my mom's house, like everyone had

242
00:12:28,000 --> 00:12:31,080
Speaker 2: each animal had a bio and it said this goat

243
00:12:31,160 --> 00:12:34,640
Speaker 2: or this chicken came from like a horrible neglect situation,

244
00:12:35,400 --> 00:12:38,400
Speaker 2: and you're kind of like, what's going on with goat neglect?

245
00:12:39,400 --> 00:12:41,960
Speaker 2: Like are you saying it was like an old man

246
00:12:42,120 --> 00:12:45,160
Speaker 2: that couldn't handle it or was it like a weird

247
00:12:45,320 --> 00:12:46,080
Speaker 2: petting zoo.

248
00:12:46,640 --> 00:12:50,160
Speaker 3: Yeah, it could be a totally abusive petting zoo, or

249
00:12:50,280 --> 00:12:50,760
Speaker 3: it could.

250
00:12:50,600 --> 00:12:53,800
Speaker 1: Be cockfights and like in California.

251
00:12:53,960 --> 00:12:57,400
Speaker 3: Yeah, it's like these Tijuana like cockfights and there's all

252
00:12:57,440 --> 00:13:00,800
Speaker 3: these chickens and cages that they're like maybe raising for

253
00:13:00,840 --> 00:13:02,959
Speaker 3: the fact. It's just the thing about chickens is I'm

254
00:13:03,040 --> 00:13:03,440
Speaker 3: just kind of.

255
00:13:03,480 --> 00:13:04,360
Speaker 1: Like they're everywhere.

256
00:13:04,559 --> 00:13:06,520
Speaker 3: Hey, they're everywhere, so I'm kind of like, what is

257
00:13:06,640 --> 00:13:09,440
Speaker 3: chicken neglect? It's just like there are just like wild chickens.

258
00:13:09,520 --> 00:13:12,000
Speaker 3: Like I was in Puerto Rico earlier this year, there's

259
00:13:12,040 --> 00:13:14,280
Speaker 3: fucking a rooster on every foot.

260
00:13:14,480 --> 00:13:15,200
Speaker 1: Well, those are.

261
00:13:15,280 --> 00:13:16,840
Speaker 2: Wild, so I don't think they need to be rescued

262
00:13:16,840 --> 00:13:18,240
Speaker 2: because they're already being so free range.

263
00:13:18,280 --> 00:13:21,040
Speaker 3: So it's about a chicken that's like actively being abused

264
00:13:21,080 --> 00:13:22,680
Speaker 3: in like a small cage. But it's like that's also

265
00:13:22,880 --> 00:13:24,040
Speaker 3: all chickens.

266
00:13:24,000 --> 00:13:27,000
Speaker 2: Unless they are a free range like from like a

267
00:13:27,200 --> 00:13:28,120
Speaker 2: beautiful farm.

268
00:13:28,559 --> 00:13:31,640
Speaker 3: Right, the norm is actually chickens being horrifically abused.

269
00:13:31,800 --> 00:13:34,839
Speaker 2: Right, So I guess there's so many chickens too, But

270
00:13:35,000 --> 00:13:39,120
Speaker 2: it's like, right, she going to like this perdue factory

271
00:13:39,559 --> 00:13:40,080
Speaker 2: and being.

272
00:13:40,040 --> 00:13:41,600
Speaker 1: Like I'll take three.

273
00:13:41,880 --> 00:13:44,120
Speaker 3: I think the fantasy of the Rescue Chicken is that

274
00:13:44,240 --> 00:13:48,319
Speaker 3: it's like this abusive, like blonde, legally blonde like and

275
00:13:48,440 --> 00:13:52,880
Speaker 3: it's like so like yeah, Donald's this like evil trailer

276
00:13:52,960 --> 00:13:56,280
Speaker 3: park drunk dat like molest uncle.

277
00:13:56,880 --> 00:13:59,480
Speaker 2: It's like big glasses and he's like, I'm about to

278
00:13:59,559 --> 00:14:01,280
Speaker 2: make million dollars.

279
00:14:00,880 --> 00:14:01,840
Speaker 1: On these chickens.

280
00:14:01,960 --> 00:14:04,640
Speaker 3: Yeah, and he's like doing this like really put them

281
00:14:04,800 --> 00:14:09,840
Speaker 3: to Tessin. Yeah. Also, I'll say this about the Rescue Chickens,

282
00:14:09,960 --> 00:14:13,120
Speaker 3: is it is so her doing her cottage core fantasy. Yes,

283
00:14:13,480 --> 00:14:16,000
Speaker 3: and like she is being so marinto anat because like

284
00:14:16,480 --> 00:14:20,280
Speaker 3: she is like other women we recently discussed a woman

285
00:14:20,360 --> 00:14:22,080
Speaker 3: of many contradictions of.

286
00:14:22,640 --> 00:14:25,600
Speaker 2: Like someone of stature who is either with like like

287
00:14:25,760 --> 00:14:28,840
Speaker 2: Libby with a general or married to a former prince.

288
00:14:29,120 --> 00:14:31,840
Speaker 2: Those are the women of contradictions because it's like her

289
00:14:32,240 --> 00:14:33,560
Speaker 2: wife of powerful men.

290
00:14:33,680 --> 00:14:35,600
Speaker 3: Because like it's easy to sort of tar her as

291
00:14:35,600 --> 00:14:36,960
Speaker 3: a hypocrite and we have to just been the whole

292
00:14:36,960 --> 00:14:39,040
Speaker 3: episode doing that, but like, you know, you can get

293
00:14:39,080 --> 00:14:41,120
Speaker 3: it out of the way. It's like obviously, like the

294
00:14:41,160 --> 00:14:43,840
Speaker 3: book is literally by Megan, the Duchess of Sussex and

295
00:14:43,920 --> 00:14:47,960
Speaker 3: her whole thing was like grieving the monarchy. But but

296
00:14:48,080 --> 00:14:49,680
Speaker 3: I am going to be and I was reading the

297
00:14:49,720 --> 00:14:53,280
Speaker 3: Goodreads before, like the views of this there's like so

298
00:14:53,400 --> 00:14:56,520
Speaker 3: many haters and so many lovers, and it's like she's

299
00:14:56,560 --> 00:14:57,480
Speaker 3: such a flashpoint.

300
00:14:57,960 --> 00:15:03,040
Speaker 1: No, it's it's very you'll love. Yeah, let me hate me.

301
00:15:03,800 --> 00:15:05,680
Speaker 3: I Like someone has just being like, well, if she

302
00:15:05,880 --> 00:15:08,360
Speaker 3: didn't say duchess, then people will be mad at her,

303
00:15:08,800 --> 00:15:12,120
Speaker 3: like for pretending like she wasn't a duchess.

304
00:15:12,000 --> 00:15:14,720
Speaker 1: And like not honoring the fact of like she would

305
00:15:14,720 --> 00:15:17,760
Speaker 1: have never gotten a book right from just being so

306
00:15:18,400 --> 00:15:20,800
Speaker 1: the haters will be the haters will hate.

307
00:15:20,880 --> 00:15:23,640
Speaker 3: Oh yeah, when you're the seventh lead on suits, like

308
00:15:23,840 --> 00:15:26,400
Speaker 3: you're getting a children's bo like we.

309
00:15:26,640 --> 00:15:29,160
Speaker 1: Have read so many random memoirs.

310
00:15:29,240 --> 00:15:32,000
Speaker 3: No, it's possible they're handing out memborist.

311
00:15:32,080 --> 00:15:35,200
Speaker 2: But then her defenders, I'm sure, like, well, this is

312
00:15:35,240 --> 00:15:38,600
Speaker 2: a beautiful message and we should like honor her.

313
00:15:38,880 --> 00:15:41,080
Speaker 3: I mean some of the defenders were just like, I

314
00:15:41,200 --> 00:15:43,080
Speaker 3: know you're not supposed to read a book without reviewing it,

315
00:15:43,200 --> 00:15:46,000
Speaker 3: but I'm gonna review this book without reading it because

316
00:15:46,000 --> 00:15:49,280
Speaker 3: you know what, there's too many Megan haters in the reviews.

317
00:15:49,600 --> 00:15:51,880
Speaker 3: So they were just admitting that they were just being they.

318
00:15:51,760 --> 00:15:53,520
Speaker 1: Haven't read it, and they came here to defend.

319
00:15:53,720 --> 00:15:57,280
Speaker 2: But good Reads is one of the craziest places on

320
00:15:57,560 --> 00:15:59,000
Speaker 2: planet wild West.

321
00:15:59,120 --> 00:16:02,880
Speaker 3: Over there there are people are so committed, like actually

322
00:16:02,920 --> 00:16:06,080
Speaker 3: settle the fuck up. But people were also having read

323
00:16:06,160 --> 00:16:09,600
Speaker 3: it leaving bad reviews, being like, this book is literally

324
00:16:09,680 --> 00:16:11,920
Speaker 3: bad and says nothing and has no plot and has

325
00:16:12,000 --> 00:16:15,160
Speaker 3: like no purpose at all, And it's also weirdly for

326
00:16:15,360 --> 00:16:17,360
Speaker 3: fathers even though it's supposed to be for kids. But

327
00:16:17,440 --> 00:16:19,160
Speaker 3: then some people being like, this book has such a

328
00:16:19,200 --> 00:16:22,160
Speaker 3: beautiful message and the illustrations like do such a good

329
00:16:22,240 --> 00:16:27,400
Speaker 3: job of like showing different fathers, different fathers in different situations. Fathers, by.

330
00:16:30,360 --> 00:16:34,000
Speaker 1: This book is full of diverse fathers.

331
00:16:34,120 --> 00:16:36,880
Speaker 3: Okay, let's just kind of go to the The first.

332
00:16:36,680 --> 00:16:39,080
Speaker 2: Page is because it's called the bench, and that's a

333
00:16:39,240 --> 00:16:41,880
Speaker 2: metaphor for dads sitting on benches with you.

334
00:16:42,120 --> 00:16:45,000
Speaker 3: Yeah, it's not even so much a metaphor as it

335
00:16:45,160 --> 00:16:47,200
Speaker 3: is just like literally.

336
00:16:47,080 --> 00:16:51,280
Speaker 1: It's dad's take dead children to the sitting on benches.

337
00:16:51,480 --> 00:16:53,920
Speaker 3: It's supposed to be like this device that's like about

338
00:16:53,960 --> 00:16:58,440
Speaker 3: how there's this constant throughout the process of raising a

339
00:16:58,560 --> 00:17:02,040
Speaker 3: child in which like you'll take a seat and kind

340
00:17:02,080 --> 00:17:03,240
Speaker 3: of take stock.

341
00:17:03,200 --> 00:17:05,840
Speaker 1: Of what's happening in the moment, whether it's you're at.

342
00:17:05,760 --> 00:17:07,520
Speaker 3: The park, sort of like our listeners are doing in

343
00:17:07,600 --> 00:17:09,920
Speaker 3: every other summer where they just sort of sit down

344
00:17:10,680 --> 00:17:12,800
Speaker 3: on a van and take stock.

345
00:17:12,680 --> 00:17:14,760
Speaker 2: Like maybe they're on a walk or something like that,

346
00:17:14,880 --> 00:17:17,560
Speaker 2: and they're on this like summer city stomp. But then

347
00:17:17,600 --> 00:17:20,000
Speaker 2: they get kind of sweaty and they're like, you know what,

348
00:17:20,359 --> 00:17:20,919
Speaker 2: let me just.

349
00:17:21,440 --> 00:17:22,480
Speaker 1: Get off a gatto.

350
00:17:23,080 --> 00:17:25,080
Speaker 3: So I feel like we can basically read the whole book.

351
00:17:25,640 --> 00:17:27,160
Speaker 1: Yeah, let's do it, Okay.

352
00:17:27,440 --> 00:17:32,760
Speaker 2: The first beautiful illustration is of a redheaded dad, red

353
00:17:32,840 --> 00:17:36,600
Speaker 2: headed dad with a scruffy beard, wearing a short seat

354
00:17:36,600 --> 00:17:39,440
Speaker 2: gray T shirt so we know Harry famously has that

355
00:17:39,520 --> 00:17:41,520
Speaker 2: shirt that says girl dad.

356
00:17:42,000 --> 00:17:44,120
Speaker 3: Right, that's like a heathered gray tea.

357
00:17:44,080 --> 00:17:47,440
Speaker 2: And he's like in jeans, probably in like a rag

358
00:17:47,520 --> 00:17:49,280
Speaker 2: and bone paper denim here.

359
00:17:49,560 --> 00:17:52,680
Speaker 3: And it's kind of that too last sick like gestural

360
00:17:52,800 --> 00:17:55,760
Speaker 3: watercolor child book illustration style that's.

361
00:17:55,640 --> 00:17:57,920
Speaker 2: Been hot for the passage Run by a Man Baby

362
00:17:58,119 --> 00:17:59,919
Speaker 2: twenty years because we're honoring fathers.

363
00:18:00,200 --> 00:18:00,400
Speaker 3: Yeah.

364
00:18:00,520 --> 00:18:05,879
Speaker 1: Christian Robinson, who won the Kreta Scott King Illustrator.

365
00:18:05,880 --> 00:18:09,719
Speaker 3: She's celebrating black leadership and children's illustrations.

366
00:18:09,359 --> 00:18:12,000
Speaker 1: For sure, and like raising up fathers, yes.

367
00:18:12,200 --> 00:18:13,840
Speaker 3: And being really horny for.

368
00:18:13,920 --> 00:18:16,800
Speaker 1: Fathers and like also before we read it, it's like.

369
00:18:17,480 --> 00:18:20,560
Speaker 3: So much preamble for the seven page book, Like.

370
00:18:20,840 --> 00:18:23,840
Speaker 2: I just feel like you hear over and over like

371
00:18:24,320 --> 00:18:27,560
Speaker 2: women like kind of like nineties rom com like a

372
00:18:27,640 --> 00:18:31,160
Speaker 2: woman seeing like a steady guy and being like, there

373
00:18:31,359 --> 00:18:35,680
Speaker 2: is nothing sucksier than what a man you can tell

374
00:18:35,760 --> 00:18:37,800
Speaker 2: he's going to be a really good father someday.

375
00:18:37,920 --> 00:18:39,600
Speaker 3: Hey, when you can tell he's gonna be a good father.

376
00:18:39,680 --> 00:18:42,159
Speaker 3: But of course the jackpot for single women in their

377
00:18:42,200 --> 00:18:45,320
Speaker 3: thirties and rom coms is a single to add it's

378
00:18:45,359 --> 00:18:47,840
Speaker 3: a guy with the baby born. And then she clocks

379
00:18:48,080 --> 00:18:48,720
Speaker 3: no ring.

380
00:18:48,800 --> 00:18:52,000
Speaker 2: And like she sees him, she's like, oh, your wife

381
00:18:52,520 --> 00:18:56,680
Speaker 2: must be so happy that you're taking little Isabella out

382
00:18:56,680 --> 00:18:58,720
Speaker 2: to the park, right, And he says.

383
00:18:59,080 --> 00:19:01,880
Speaker 3: Oh, actually I'm unmarried.

384
00:19:01,880 --> 00:19:02,479
Speaker 1: I'm widowed.

385
00:19:02,720 --> 00:19:03,600
Speaker 3: Yeah, widowed is.

386
00:19:04,160 --> 00:19:05,680
Speaker 2: The best because that you don't have the ex wife

387
00:19:05,880 --> 00:19:09,639
Speaker 2: or we're actually divorced. So I have Isabella this weekend.

388
00:19:10,080 --> 00:19:15,880
Speaker 1: I savor these moments, save these moments with her goes.

389
00:19:15,720 --> 00:19:17,800
Speaker 3: By so fast, and then it's great because then you

390
00:19:18,520 --> 00:19:20,240
Speaker 3: as their girlfriend can be like, oh great, we still

391
00:19:20,320 --> 00:19:22,000
Speaker 3: get like every other weekend, right.

392
00:19:21,960 --> 00:19:23,600
Speaker 1: You're like, I get to see him being a girl

393
00:19:23,600 --> 00:19:25,120
Speaker 1: father of a daughter, girl dad.

394
00:19:25,640 --> 00:19:27,879
Speaker 3: But then we can have the groanies every other weekend

395
00:19:27,960 --> 00:19:30,320
Speaker 3: when his bitch ex wife bitch.

396
00:19:30,560 --> 00:19:34,600
Speaker 2: Okay, this is your bench where life will begin for

397
00:19:34,800 --> 00:19:38,520
Speaker 2: you and our son, our baby are can.

398
00:19:38,520 --> 00:19:40,040
Speaker 3: And let's just say the bench is sort of in

399
00:19:40,119 --> 00:19:42,640
Speaker 3: the middle of a park. Yeah, but it could maybe

400
00:19:42,720 --> 00:19:44,280
Speaker 3: be like a really nice backyard.

401
00:19:44,480 --> 00:19:46,960
Speaker 1: This first page is of Harry is their huge backyard.

402
00:19:47,000 --> 00:19:49,360
Speaker 3: I don't think this, oh this is this is that frogmore?

403
00:19:49,560 --> 00:19:51,680
Speaker 1: Yeah, this is this is not a public bench.

404
00:19:51,760 --> 00:19:54,680
Speaker 2: This is like a British bench under my favorite tree

405
00:19:54,720 --> 00:19:55,840
Speaker 2: where my mother brought me.

406
00:19:56,119 --> 00:19:59,840
Speaker 3: Right, okay, next page, now we have this is your

407
00:20:00,000 --> 00:20:02,359
Speaker 3: and whereia witness great joy. And we're looking at a

408
00:20:02,440 --> 00:20:05,320
Speaker 3: craftsman with a porch.

409
00:20:06,600 --> 00:20:09,840
Speaker 1: I want to say almost maybe like in a Portland Washington.

410
00:20:09,600 --> 00:20:10,960
Speaker 3: Say Portland or Washington.

411
00:20:11,200 --> 00:20:14,359
Speaker 1: Yeah, maybe beautiful craftsmen not too big, you.

412
00:20:14,400 --> 00:20:17,040
Speaker 3: Know, like Cemetery Hill in Tacoma. I think it's a

413
00:20:17,080 --> 00:20:19,280
Speaker 3: neighborhood that we're looking at right now. You can get

414
00:20:19,280 --> 00:20:20,000
Speaker 3: a good deal on it.

415
00:20:20,119 --> 00:20:23,440
Speaker 1: Two bedroom craftsmen, maybe Beacon Hill in Seattle.

416
00:20:23,160 --> 00:20:24,960
Speaker 3: And it's got a swinging porch.

417
00:20:25,480 --> 00:20:27,800
Speaker 2: It is a new swinging porch like something the Two

418
00:20:27,920 --> 00:20:30,359
Speaker 2: Twins and how that HGGV show would be, Like what

419
00:20:30,440 --> 00:20:31,720
Speaker 2: if we put in a porch swing.

420
00:20:31,680 --> 00:20:34,280
Speaker 3: And the colors are so like Pacific Northwest like this

421
00:20:34,400 --> 00:20:36,280
Speaker 3: kind of olive green. It's just so funny because I

422
00:20:36,359 --> 00:20:39,359
Speaker 3: do feel like because now she's like a readopted American

423
00:20:39,359 --> 00:20:41,600
Speaker 3: where she's American then became Canadian, then became British and

424
00:20:41,640 --> 00:20:44,320
Speaker 3: I was American again, and she's like, I am celebrating

425
00:20:44,320 --> 00:20:46,600
Speaker 3: American suburbia, but like not Trump's America.

426
00:20:46,760 --> 00:20:50,120
Speaker 2: Like this is like a This is celebrating like sub

427
00:20:51,280 --> 00:20:56,560
Speaker 2: liberal liberal suburbs right outside of a city, yes, where

428
00:20:56,640 --> 00:20:58,919
Speaker 2: you could be like, oh my commune is actually fifteen

429
00:20:59,000 --> 00:21:03,600
Speaker 2: minutes yeh hashtag fifteen minute commute.

430
00:21:04,080 --> 00:21:07,879
Speaker 3: To the Boeing campus periods not forty three. This is

431
00:21:07,960 --> 00:21:11,040
Speaker 3: your bench will you'll witness great joy and again And

432
00:21:11,200 --> 00:21:13,800
Speaker 3: now I can see that the father looks to be

433
00:21:14,640 --> 00:21:18,960
Speaker 3: the father of a mixed race child. It's like so subtle, but.

434
00:21:19,119 --> 00:21:21,639
Speaker 1: Okay, so maybe now this is her father.

435
00:21:21,920 --> 00:21:24,880
Speaker 3: Right well, but I feel like the thing that colors

436
00:21:24,960 --> 00:21:25,720
Speaker 3: this whole book.

437
00:21:26,080 --> 00:21:28,720
Speaker 1: Oh right, her father's is like she has.

438
00:21:28,640 --> 00:21:32,200
Speaker 3: An insanely strange relationship her father. Now Harry has this

439
00:21:32,280 --> 00:21:39,040
Speaker 3: insanely at strange relationship from his father, the king, the King, Oh,

440
00:21:39,320 --> 00:21:42,080
Speaker 3: the King. Oh, he's a father and climate activist. I

441
00:21:42,119 --> 00:21:42,840
Speaker 3: don't know if you know him.

442
00:21:42,920 --> 00:21:46,080
Speaker 1: He begnds with his partner, Camilla.

443
00:21:46,280 --> 00:21:47,920
Speaker 3: Camilla, and they're two dogs.

444
00:21:48,040 --> 00:21:50,879
Speaker 1: There's seven non rescue courgies.

445
00:21:52,200 --> 00:21:52,640
Speaker 2: Cet.

446
00:22:03,680 --> 00:22:07,159
Speaker 3: I do feel like this whole book is either like

447
00:22:07,240 --> 00:22:10,600
Speaker 3: an attempt. It's like wish fulfillment that she actually did

448
00:22:10,680 --> 00:22:12,240
Speaker 3: have a good relationship with her father and that like

449
00:22:12,359 --> 00:22:16,119
Speaker 3: Harry and his father did have a good relationship, or to.

450
00:22:16,240 --> 00:22:19,399
Speaker 2: Me, this is more of a fuck you actually to

451
00:22:19,560 --> 00:22:23,080
Speaker 2: both the fathers and say we're of a modern parentship. Yes,

452
00:22:23,400 --> 00:22:25,439
Speaker 2: our fathers are hanging out with our children.

453
00:22:25,680 --> 00:22:27,880
Speaker 3: Right. Well, it's kind of like the Kelly Clarkson.

454
00:22:27,560 --> 00:22:31,440
Speaker 1: Song which one Stephen by the way, former member of

455
00:22:31,480 --> 00:22:33,359
Speaker 1: the Kelly Clarkson Street.

456
00:22:33,440 --> 00:22:37,080
Speaker 3: Cut of piece by piece. It's kind of a letter

457
00:22:37,200 --> 00:22:39,640
Speaker 3: kiss off letter to her dad being like he'll never

458
00:22:39,760 --> 00:22:41,960
Speaker 3: ask for money. He's not just going to come into

459
00:22:42,000 --> 00:22:44,159
Speaker 3: my life when it's convenient for him, Like he's going

460
00:22:44,240 --> 00:22:47,000
Speaker 3: to be there for our daughter, ironically than her and

461
00:22:47,160 --> 00:22:49,399
Speaker 3: random Black Suck did get divorced.

462
00:22:49,119 --> 00:22:52,239
Speaker 1: And of course he's been basically robbing or robbing her.

463
00:22:52,359 --> 00:22:56,359
Speaker 3: Yeah, so she kind of spoke too soon with that song,

464
00:22:57,000 --> 00:22:59,040
Speaker 3: But like, I do see your point that it's kind

465
00:22:59,080 --> 00:23:01,200
Speaker 3: of that, But I also don't you think underlying that

466
00:23:01,400 --> 00:23:02,240
Speaker 3: is right.

467
00:23:02,320 --> 00:23:06,159
Speaker 2: It's because I think she was very sad, Like she

468
00:23:06,359 --> 00:23:09,520
Speaker 2: had many meetings with her like and she'd be dad like.

469
00:23:09,600 --> 00:23:11,280
Speaker 3: Didn't we talk about this in the Harry episode though,

470
00:23:11,280 --> 00:23:13,720
Speaker 3: But like she was like a daddyist girl. I think

471
00:23:13,760 --> 00:23:15,639
Speaker 3: they used to be close, and it's the same thing

472
00:23:15,680 --> 00:23:17,959
Speaker 3: with Harry where it's like the dad's always calling him

473
00:23:18,000 --> 00:23:22,240
Speaker 3: like Madonie doling boy, and so like there is this

474
00:23:22,400 --> 00:23:23,200
Speaker 3: great rift.

475
00:23:23,840 --> 00:23:27,800
Speaker 2: Yeah, I almost wonder if, like after Megan and her

476
00:23:27,920 --> 00:23:32,760
Speaker 2: father had their kind of separation, Harry was like, Okay,

477
00:23:32,920 --> 00:23:34,920
Speaker 2: we're in it together, and like now I have to

478
00:23:35,119 --> 00:23:38,160
Speaker 2: also have this separation with my dad. And I think

479
00:23:38,320 --> 00:23:41,639
Speaker 2: just Charles is just like old and British and he

480
00:23:41,960 --> 00:23:44,399
Speaker 2: like kind of like didn't get what was happening in

481
00:23:44,480 --> 00:23:47,960
Speaker 2: the real fight honestly is kind of between Meiam and Harry.

482
00:23:48,320 --> 00:23:50,160
Speaker 3: That's obviously the real I mean as we know from

483
00:23:50,200 --> 00:23:50,760
Speaker 3: the book.

484
00:23:50,720 --> 00:23:54,600
Speaker 1: Right, Like Charles is just like I even trying to

485
00:23:54,720 --> 00:23:55,280
Speaker 1: keep up here.

486
00:23:55,600 --> 00:23:59,719
Speaker 3: Yeah, he's just like my twots are. And I mean

487
00:23:59,760 --> 00:24:02,680
Speaker 3: all so though I think the Kate Meghan thing is

488
00:24:03,160 --> 00:24:05,320
Speaker 3: there's obviously I mean, you want to go back and

489
00:24:05,400 --> 00:24:06,400
Speaker 3: listen to episod about Harry.

490
00:24:06,440 --> 00:24:09,000
Speaker 1: There's a huge attackt the wedding where Kate.

491
00:24:08,920 --> 00:24:10,680
Speaker 3: Says, like, you don't know me well enough to ask

492
00:24:10,720 --> 00:24:12,280
Speaker 3: about my hormones.

493
00:24:15,040 --> 00:24:15,600
Speaker 1: So private.

494
00:24:16,680 --> 00:24:20,520
Speaker 3: Still, it's so funny because like Megan ultimately is just like.

495
00:24:21,160 --> 00:24:22,600
Speaker 1: She's the seventh fleet on suits.

496
00:24:22,640 --> 00:24:26,439
Speaker 3: So she's like she's this basic bitch yoga wife, American Chica.

497
00:24:26,640 --> 00:24:29,440
Speaker 2: Like it's just aviators like being like hey girl, like

498
00:24:29,560 --> 00:24:31,240
Speaker 2: how's it going like with your marriage?

499
00:24:31,240 --> 00:24:34,040
Speaker 3: And I do think this all speaks to Meghan's like

500
00:24:34,400 --> 00:24:36,960
Speaker 3: journey of being like I'm dealing with my dad and stuff.

501
00:24:36,960 --> 00:24:39,040
Speaker 3: I'm processing my relationship with my father. By writing this

502
00:24:39,080 --> 00:24:40,320
Speaker 3: book about how fathers are good.

503
00:24:40,280 --> 00:24:43,320
Speaker 2: I'm proving how in love with my husband, but also

504
00:24:43,480 --> 00:24:45,840
Speaker 2: how much we are a team because they're very like

505
00:24:46,160 --> 00:24:47,040
Speaker 2: parenting is a team.

506
00:24:47,160 --> 00:24:49,440
Speaker 3: Everything is because with his whole book, it was like

507
00:24:49,560 --> 00:24:53,119
Speaker 3: he basically created this whole narrative and like made her

508
00:24:53,200 --> 00:24:55,480
Speaker 3: the new Diana. How she was like the victim and

509
00:24:55,600 --> 00:24:58,440
Speaker 3: they had to leave because no one understood them and

510
00:24:58,480 --> 00:25:01,280
Speaker 3: they were under attack, and like it's them against the world,

511
00:25:01,320 --> 00:25:03,520
Speaker 3: and they have seen with their own lord. That's with

512
00:25:03,560 --> 00:25:05,359
Speaker 3: their own lord. And we had to move America to

513
00:25:05,400 --> 00:25:08,000
Speaker 3: start a podcast company that they've already like.

514
00:25:08,080 --> 00:25:09,359
Speaker 1: That it's already out of business.

515
00:25:09,880 --> 00:25:10,200
Speaker 3: Business.

516
00:25:10,200 --> 00:25:11,840
Speaker 1: Well, if we can't have a podcast, can we have

517
00:25:11,920 --> 00:25:13,000
Speaker 1: a children's book?

518
00:25:13,400 --> 00:25:16,760
Speaker 3: And they got like twenty million to do eleven episodes

519
00:25:16,800 --> 00:25:17,440
Speaker 3: of a podcast.

520
00:25:17,760 --> 00:25:20,000
Speaker 2: And now the podcast company is exuing them and they're

521
00:25:20,080 --> 00:25:21,800
Speaker 2: acting like they've never even heard of They were like.

522
00:25:21,800 --> 00:25:22,359
Speaker 1: What are you talking?

523
00:25:22,480 --> 00:25:23,680
Speaker 3: They're like, sorry, we're busy.

524
00:25:25,560 --> 00:25:29,520
Speaker 2: Passionate communities fifteen minutes outside of the Bowing campus anyway.

525
00:25:29,600 --> 00:25:32,000
Speaker 3: So the bench is like she's obviously trying to be grounded,

526
00:25:32,200 --> 00:25:34,440
Speaker 3: and the bench is a form of grounded. There's the

527
00:25:34,560 --> 00:25:37,600
Speaker 3: city and a bench, I think is a lot public space.

528
00:25:37,680 --> 00:25:41,520
Speaker 2: So it's ultimately like this public American like political thing

529
00:25:41,600 --> 00:25:46,439
Speaker 2: of like Elizabeth Warren, I want to invest fifty million

530
00:25:46,520 --> 00:25:48,560
Speaker 2: dollars into a public green space.

531
00:25:48,760 --> 00:25:52,520
Speaker 3: And the irony is America is like so much America,

532
00:25:53,280 --> 00:25:55,160
Speaker 3: so much less public space.

533
00:25:56,000 --> 00:25:58,760
Speaker 1: We're all about having big private spaces.

534
00:25:58,440 --> 00:26:02,600
Speaker 3: And she later she has been in this like Montcito

535
00:26:02,720 --> 00:26:05,160
Speaker 3: compound now for like the past two years.

536
00:26:05,280 --> 00:26:06,760
Speaker 1: Love to see her in a public space.

537
00:26:07,280 --> 00:26:10,760
Speaker 3: Literally, bitch, when are you on a park bench? Okay,

538
00:26:11,000 --> 00:26:13,680
Speaker 3: so the next page we have a father of color

539
00:26:14,359 --> 00:26:15,719
Speaker 3: with the matching baby.

540
00:26:16,960 --> 00:26:20,240
Speaker 1: Like matching baby. It looks like he's lying down on

541
00:26:20,359 --> 00:26:22,360
Speaker 1: a bench taking a nap.

542
00:26:22,720 --> 00:26:26,000
Speaker 3: Again outdoors from here you will rest see the growth

543
00:26:26,080 --> 00:26:26,800
Speaker 3: of our boy.

544
00:26:27,160 --> 00:26:30,280
Speaker 1: Here's the thing about just the logistics of this. Usually

545
00:26:30,359 --> 00:26:34,639
Speaker 1: you don't see someone on a public bench with.

546
00:26:34,840 --> 00:26:36,520
Speaker 3: A with loose baby.

547
00:26:38,400 --> 00:26:39,280
Speaker 1: They are sleep on.

548
00:26:39,800 --> 00:26:41,560
Speaker 3: It's a little bit like that's a concern.

549
00:26:42,000 --> 00:26:42,760
Speaker 1: Usually a concern.

550
00:26:42,800 --> 00:26:50,480
Speaker 4: It's usually like an older man, no baby, a few

551
00:26:50,600 --> 00:26:55,760
Speaker 4: bags maybe, not like a hip warby proper call our

552
00:26:55,960 --> 00:26:57,879
Speaker 4: loose baby, like in a hammock.

553
00:26:58,600 --> 00:27:01,640
Speaker 1: Yeah, in your beautiful craftsman backyard.

554
00:27:01,880 --> 00:27:03,879
Speaker 3: Yes, maybe, And then the mom is being like, oh

555
00:27:03,920 --> 00:27:11,800
Speaker 3: my god, there's so cute. Okay, next bench, he'll learn to.

556
00:27:11,920 --> 00:27:14,879
Speaker 1: Ride a bike as you watch on with pride. Now

557
00:27:15,000 --> 00:27:16,280
Speaker 1: this makes more sense to me.

558
00:27:16,640 --> 00:27:19,240
Speaker 3: Yeah, so this is back to seeming like public bench.

559
00:27:19,280 --> 00:27:21,080
Speaker 3: Maybe it could be like school bench. It's like a

560
00:27:21,520 --> 00:27:22,720
Speaker 3: newer bench with metal.

561
00:27:23,280 --> 00:27:27,200
Speaker 2: Yeah, like a little more restoration hardware, no edges, but

562
00:27:27,440 --> 00:27:30,920
Speaker 2: no back It's a dad with a yetti and a backpack.

563
00:27:31,119 --> 00:27:32,120
Speaker 1: No, maybe a briefcase.

564
00:27:32,160 --> 00:27:33,719
Speaker 3: I think that's a big briefcase.

565
00:27:34,080 --> 00:27:35,760
Speaker 1: Okay, so he's coming from me.

566
00:27:36,000 --> 00:27:39,119
Speaker 3: He's got like the yetti like coffee mug and he's like,

567
00:27:39,240 --> 00:27:42,200
Speaker 3: come on, Bud, and Bud is a little helmet and

568
00:27:42,280 --> 00:27:42,880
Speaker 3: a little bike.

569
00:27:43,320 --> 00:27:45,200
Speaker 1: Where did you learn how to bike.

570
00:27:45,080 --> 00:27:48,040
Speaker 3: Ride in Newton, Massachusetts where I grew up?

571
00:27:48,280 --> 00:27:50,200
Speaker 1: Okay, like on the street or do you go to

572
00:27:50,320 --> 00:27:51,320
Speaker 1: like a park first?

573
00:27:51,720 --> 00:27:53,720
Speaker 3: And then I just learned it on the street. I

574
00:27:53,760 --> 00:27:55,760
Speaker 3: think I did the normal, like I had training wheels,

575
00:27:55,800 --> 00:27:57,920
Speaker 3: and then I remember there was one like birthday, like

576
00:27:58,040 --> 00:28:00,600
Speaker 3: I got like a bike that was like, ah, oh.

577
00:28:00,600 --> 00:28:02,320
Speaker 1: My god, I wanted to huffy yeas big fi.

578
00:28:02,480 --> 00:28:04,359
Speaker 3: It's so birthday to get a big huffy with the

579
00:28:04,440 --> 00:28:10,119
Speaker 3: like streamers on it. And you're like, but I wasn't

580
00:28:10,200 --> 00:28:14,360
Speaker 3: being so like idyllic riding bikes around all like my childhood.

581
00:28:14,440 --> 00:28:18,240
Speaker 2: I wasn't so like so now and then you're like sugar, Sugar,

582
00:28:19,960 --> 00:28:22,320
Speaker 2: You're like getting a cone and then like the big

583
00:28:22,400 --> 00:28:23,840
Speaker 2: bullies stole your bike.

584
00:28:24,119 --> 00:28:26,119
Speaker 1: He stole my bike because.

585
00:28:25,840 --> 00:28:27,480
Speaker 3: I feel like it wasn't like allowed to bike to

586
00:28:27,520 --> 00:28:30,119
Speaker 3: school because I remember walking to school a lot, like

587
00:28:30,240 --> 00:28:33,639
Speaker 3: in elementary school, but not biking, which seems kind of random.

588
00:28:33,880 --> 00:28:35,359
Speaker 3: But maybe I like didn't know how to bike it.

589
00:28:35,680 --> 00:28:37,359
Speaker 1: Yeah, maybe they didn't trust you with the bike.

590
00:28:37,800 --> 00:28:39,360
Speaker 3: It seems like that would have been a lot easier.

591
00:28:39,720 --> 00:28:41,760
Speaker 3: So that walk to school was like so long.

592
00:28:42,120 --> 00:28:43,080
Speaker 1: Damn they were putting you through.

593
00:28:43,160 --> 00:28:46,600
Speaker 3: It was a thirty minute walk. That's how father's and

594
00:28:46,720 --> 00:28:47,840
Speaker 3: he's watching me on a bench.

595
00:28:48,360 --> 00:28:52,040
Speaker 2: Okay, second page. This is like a concrete bench. This

596
00:28:52,200 --> 00:28:53,880
Speaker 2: looks like it could be actually a little bit more

597
00:28:53,960 --> 00:28:58,720
Speaker 2: from a sculpture park. Yeah, and it's a white kind

598
00:28:58,760 --> 00:29:03,600
Speaker 2: of indie light other in brown shorts and a stripe shirt.

599
00:29:03,440 --> 00:29:06,960
Speaker 3: And flip flops. Okay, he'll run and he'll keep he's

600
00:29:07,000 --> 00:29:09,880
Speaker 3: doing every other summer. He's very over the summer. He'll

601
00:29:09,960 --> 00:29:11,800
Speaker 3: run and he'll fall and he'll take it in stride

602
00:29:12,080 --> 00:29:15,120
Speaker 3: and he's like repairing a booboo on the little child.

603
00:29:15,240 --> 00:29:18,000
Speaker 3: He's got like the big bottle of hydrogen peroxide and

604
00:29:18,440 --> 00:29:19,240
Speaker 3: the van dam thing.

605
00:29:19,400 --> 00:29:21,840
Speaker 2: This is very like also telling the story of like, oh,

606
00:29:21,960 --> 00:29:24,600
Speaker 2: fathers are prepared. It's not just the wife who has

607
00:29:24,680 --> 00:29:25,480
Speaker 2: the bag of stuff.

608
00:29:25,800 --> 00:29:30,800
Speaker 3: The father's bringing hydrogen peroxide to high Park just in

609
00:29:30,960 --> 00:29:32,320
Speaker 3: case there's this scrape.

610
00:29:32,240 --> 00:29:34,840
Speaker 1: Huge old bottle of peroxide.

611
00:29:35,040 --> 00:29:39,160
Speaker 3: I don't know in her fantasy. Yeah, well, because in

612
00:29:39,280 --> 00:29:41,760
Speaker 3: Megan's world, like the hydrogen peroxide's in the first eight

613
00:29:41,880 --> 00:29:44,560
Speaker 3: kit in one of the several SUVs that's accompanying them

614
00:29:44,600 --> 00:29:45,280
Speaker 3: to the party.

615
00:29:45,360 --> 00:29:47,560
Speaker 2: It's like that father's running to one of the SUVs

616
00:29:47,640 --> 00:29:51,440
Speaker 2: being like a cut and then like assistant with huge.

617
00:29:51,240 --> 00:29:55,160
Speaker 1: Sunglasses is handing next bench.

618
00:29:55,600 --> 00:29:58,680
Speaker 2: Now this is an epic page, and this gets two pages. Yes,

619
00:29:58,760 --> 00:30:00,240
Speaker 2: because this is a statement, This is.

620
00:30:00,240 --> 00:30:04,200
Speaker 3: A huge statement, and this is critical. You'll love him,

621
00:30:04,560 --> 00:30:06,040
Speaker 3: you'll listen, You'll.

622
00:30:05,800 --> 00:30:10,160
Speaker 1: Be his supporter, supporter. What could a father be.

623
00:30:10,520 --> 00:30:14,960
Speaker 3: Supporter of whatever you guys are imagining. It's probably pretty close.

624
00:30:15,120 --> 00:30:16,480
Speaker 1: Could it be a trans baby?

625
00:30:16,640 --> 00:30:20,360
Speaker 3: Could it be a father in a two two matching

626
00:30:20,800 --> 00:30:23,240
Speaker 3: with his tiny little gay sign.

627
00:30:23,200 --> 00:30:25,480
Speaker 1: Niney gay sended two too as well, being like I'll

628
00:30:25,560 --> 00:30:26,440
Speaker 1: grab my two.

629
00:30:26,360 --> 00:30:31,360
Speaker 3: Two yeah, so boys can be ballerina's ballerinas ballerina x'es

630
00:30:31,480 --> 00:30:36,280
Speaker 3: balarynxes welcome, and like the dad is like wearing a

631
00:30:36,400 --> 00:30:39,240
Speaker 3: tutu over his khakis to show that he's not actually

632
00:30:39,280 --> 00:30:42,120
Speaker 3: like a ballerina. He's just kind of like he's planning

633
00:30:42,160 --> 00:30:45,280
Speaker 3: it on to make his little faggot sound fel And.

634
00:30:45,280 --> 00:30:47,720
Speaker 2: I think you'll see those tiktoks that are like popill

635
00:30:47,760 --> 00:30:51,680
Speaker 2: be like my husband is like so hilarious, And it's

636
00:30:51,800 --> 00:30:55,080
Speaker 2: like a dad running a fake beauty salon with like

637
00:30:55,200 --> 00:30:56,760
Speaker 2: his three daughters, right.

638
00:30:56,880 --> 00:31:00,480
Speaker 3: No, I mean there's nothing more attractive and a man

639
00:31:00,520 --> 00:31:03,880
Speaker 3: who's so comfortable in his heterosexuality that he can be

640
00:31:04,000 --> 00:31:05,880
Speaker 3: a little bit fam and let his daughters do his

641
00:31:06,040 --> 00:31:07,000
Speaker 3: makeup for TikTok.

642
00:31:07,320 --> 00:31:08,120
Speaker 1: But it's crazy, you know.

643
00:31:08,200 --> 00:31:10,560
Speaker 2: It's like these days sometimes you'll still hear about a

644
00:31:10,640 --> 00:31:13,120
Speaker 2: father who's afraid of, you know, his child doing a

645
00:31:13,160 --> 00:31:16,720
Speaker 2: certain type of Halloween costume or something so crazy, so sad.

646
00:31:16,920 --> 00:31:19,120
Speaker 1: This is why Megan wrote this book. It's just also

647
00:31:19,240 --> 00:31:19,640
Speaker 1: crazy to me.

648
00:31:19,720 --> 00:31:22,160
Speaker 3: I'm like that it's four fathers, that it's addressed to

649
00:31:22,320 --> 00:31:24,240
Speaker 3: fathers and not children. Yeah, it's insane.

650
00:31:24,360 --> 00:31:25,479
Speaker 1: It's absolutely insane.

651
00:31:25,480 --> 00:31:27,560
Speaker 2: And a wife is like picking it up and then

652
00:31:27,640 --> 00:31:29,680
Speaker 2: being like this is why, hey, babe, I got you

653
00:31:29,760 --> 00:31:30,240
Speaker 2: a present.

654
00:31:32,640 --> 00:31:36,000
Speaker 1: Man is like opening it. He's like, oh, yeth.

655
00:31:36,400 --> 00:31:38,640
Speaker 3: But it's it's also so like, you know, the new

656
00:31:38,680 --> 00:31:41,880
Speaker 3: masculinity where it's like so much of the baby process

657
00:31:42,400 --> 00:31:45,080
Speaker 3: it's all about women. It's all about mothers. The baby

658
00:31:45,160 --> 00:31:48,240
Speaker 3: shower is all about the mom, like the bridal shower

659
00:31:48,280 --> 00:31:49,640
Speaker 3: is all about the mom. It's just like the whole

660
00:31:49,880 --> 00:31:54,200
Speaker 3: process of pregnancy, it's all your towards mother's. There's no

661
00:31:54,640 --> 00:31:58,200
Speaker 3: like social event around a guy's getting together for like

662
00:31:58,320 --> 00:32:00,760
Speaker 3: their dude is about to have a kid because they're

663
00:32:00,760 --> 00:32:03,640
Speaker 3: afraid guys don't get each other, like push presence.

664
00:32:04,400 --> 00:32:08,120
Speaker 2: Okay, let's start doing that, right, let's start to elevated.

665
00:32:08,520 --> 00:32:10,360
Speaker 2: I mean, I'm taking Meghan's advice, like.

666
00:32:10,600 --> 00:32:13,000
Speaker 3: Let's activate compassion for dad. So I don't know if

667
00:32:13,040 --> 00:32:15,320
Speaker 3: this is so her full mission, but like I think

668
00:32:15,360 --> 00:32:18,800
Speaker 3: she's imagining that like a wife, an expectant mother could

669
00:32:18,880 --> 00:32:20,400
Speaker 3: get this for her indie husband.

670
00:32:20,480 --> 00:32:22,680
Speaker 2: And I actually think her indie husband like would love

671
00:32:22,720 --> 00:32:25,120
Speaker 2: it because I've you know, spoken to some indie husbands

672
00:32:25,200 --> 00:32:29,680
Speaker 2: and want children's No, but they've said, like I wish

673
00:32:29,840 --> 00:32:33,720
Speaker 2: I could, for example, breastfeed, right, Not because I want

674
00:32:33,880 --> 00:32:35,520
Speaker 2: huge knockers, right, It's like.

675
00:32:35,640 --> 00:32:38,520
Speaker 3: But I want to be able to participate in help, yes,

676
00:32:38,960 --> 00:32:41,440
Speaker 3: and like build that connection. And one way you can

677
00:32:41,520 --> 00:32:44,400
Speaker 3: help is by reading a children's book to yourself.

678
00:32:45,960 --> 00:32:48,640
Speaker 2: Now, of course, there was that man who I used

679
00:32:48,640 --> 00:32:51,120
Speaker 2: to work with who once told me a story about

680
00:32:51,200 --> 00:32:54,440
Speaker 2: how he really wanted to taste his wife's breast milk,

681
00:32:55,560 --> 00:32:57,600
Speaker 2: and he was like, she wouldn't give me a sip.

682
00:32:58,000 --> 00:32:59,120
Speaker 3: That's so fucked up.

683
00:33:01,960 --> 00:33:04,800
Speaker 2: It's so fucking twisted the wife. So here's a little

684
00:33:04,840 --> 00:33:08,200
Speaker 2: idea for a gift basket bottle bottle.

685
00:33:08,520 --> 00:33:11,920
Speaker 3: Bottle of your vest milk that says for Papa use only.

686
00:33:12,520 --> 00:33:17,680
Speaker 2: Instead of whiskey stones, milk stones, like big awesome sphere.

687
00:33:17,280 --> 00:33:23,920
Speaker 3: Of cold milk cold without it getting deluded. Okay, next shot,

688
00:33:23,960 --> 00:33:26,280
Speaker 3: when life feels in shampos, you'll help them find order.

689
00:33:26,760 --> 00:33:31,600
Speaker 3: And Daddy is now like gluing a like dinosaur on

690
00:33:31,720 --> 00:33:33,360
Speaker 3: what looks to be like a work bench that's actually

691
00:33:33,400 --> 00:33:34,120
Speaker 3: in the playroom.

692
00:33:34,560 --> 00:33:36,440
Speaker 2: This to me feels like the most like kind of

693
00:33:36,600 --> 00:33:40,560
Speaker 2: classic child's like a kid who's reminiscent of Chucky from Rugrats,

694
00:33:40,640 --> 00:33:42,040
Speaker 2: but like the modern.

695
00:33:41,800 --> 00:33:44,160
Speaker 1: Version freckles and glasses and red hair.

696
00:33:44,560 --> 00:33:46,560
Speaker 3: She's getting to be a little bit more realistic with

697
00:33:46,640 --> 00:33:49,840
Speaker 3: her bench use here where it's like we're not constantly

698
00:33:49,920 --> 00:33:52,880
Speaker 3: on at this public park doesn't exist like this is more.

699
00:33:52,800 --> 00:33:53,840
Speaker 1: Like you're at the house.

700
00:33:53,920 --> 00:33:55,480
Speaker 3: You're at the house, you have like a bench in

701
00:33:55,520 --> 00:33:56,360
Speaker 3: the playroom.

702
00:33:56,040 --> 00:33:58,200
Speaker 1: And this is like the ikea calyx.

703
00:33:58,960 --> 00:34:01,280
Speaker 3: Basically the collis. I don't know it's actually safe to

704
00:34:01,320 --> 00:34:03,400
Speaker 3: put your full body weight on a top of the

705
00:34:03,440 --> 00:34:05,760
Speaker 3: calyx if you think if you're just a oh it,

706
00:34:05,840 --> 00:34:07,560
Speaker 3: actually you can and actually know a gay who has

707
00:34:07,640 --> 00:34:09,520
Speaker 3: calyxes that he uses his benches in his house.

708
00:34:09,680 --> 00:34:11,759
Speaker 1: Really, yeah, you should give him this book.

709
00:34:11,880 --> 00:34:12,440
Speaker 3: I'm going to.

710
00:34:12,719 --> 00:34:16,480
Speaker 1: I'm sure he'd appreciate it. Let's imagine her writing this book.

711
00:34:16,840 --> 00:34:20,920
Speaker 2: I feel like the illustrations must have come first, and

712
00:34:21,160 --> 00:34:24,480
Speaker 2: then she told an assistant what she wanted.

713
00:34:25,160 --> 00:34:28,080
Speaker 3: I could see her working closely with the illustrator over zoom.

714
00:34:28,160 --> 00:34:29,719
Speaker 3: And by closely, I mean like they had at least

715
00:34:29,760 --> 00:34:30,720
Speaker 3: like four meetings.

716
00:34:31,080 --> 00:34:32,120
Speaker 1: Yeah, four would be a lot.

717
00:34:32,560 --> 00:34:35,000
Speaker 3: I think they had like an initial conversation that her

718
00:34:35,040 --> 00:34:38,640
Speaker 3: assistant like prepped for that was like, let's come up

719
00:34:38,680 --> 00:34:43,279
Speaker 3: with situations that could involve a bench, a father, and

720
00:34:43,400 --> 00:34:46,880
Speaker 3: a son. Like we've got three ingredients here, bench, father's son, go.

721
00:34:47,400 --> 00:34:49,440
Speaker 3: And her assistant came up with like twenty ideas.

722
00:34:49,920 --> 00:34:52,919
Speaker 2: Harry's been like, Babe, like do you want to watch

723
00:34:53,040 --> 00:34:58,040
Speaker 2: the new Gypsy Rose documentary and she's like, babe, I'm working.

724
00:34:58,840 --> 00:35:02,120
Speaker 2: She said skin and it says that the top bench

725
00:35:02,200 --> 00:35:08,240
Speaker 2: ideas under on underline and she's like, to too damp

726
00:35:09,600 --> 00:35:14,719
Speaker 2: child gets a cut, she's like actively kind of like

727
00:35:14,840 --> 00:35:17,640
Speaker 2: tapping her She's pen to her head.

728
00:35:17,480 --> 00:35:20,759
Speaker 3: So tapping head and then being like child playing and

729
00:35:20,800 --> 00:35:22,160
Speaker 3: then realizing she already wrote that.

730
00:35:22,440 --> 00:35:27,799
Speaker 2: She's cat child playing somewhere else. So we have never

731
00:35:28,600 --> 00:35:33,960
Speaker 2: watched suits until this book. Yeah, I've been binging it

732
00:35:34,000 --> 00:35:35,799
Speaker 2: and I feel like we used to roast people who

733
00:35:35,840 --> 00:35:36,759
Speaker 2: watch suits so much.

734
00:35:37,200 --> 00:35:40,680
Speaker 3: So I watched an episode last night. She's doing what

735
00:35:40,880 --> 00:35:44,440
Speaker 3: I will describe as alarm clock acting, which is just

736
00:35:44,680 --> 00:35:47,680
Speaker 3: like when your alarm clock goes off and you're like, oh,

737
00:35:47,800 --> 00:35:51,480
Speaker 3: I'm late. All of her scenes are that where she's

738
00:35:51,560 --> 00:35:55,560
Speaker 3: always just like, I have this big case, I'm a

739
00:35:55,680 --> 00:35:59,920
Speaker 3: busy paralegal, and she's always like kind of flustered and like.

740
00:36:00,280 --> 00:36:03,240
Speaker 1: It's very Canadian as well super Canadian.

741
00:36:03,360 --> 00:36:05,600
Speaker 3: It's really mild. It's very bland.

742
00:36:06,239 --> 00:36:11,080
Speaker 1: In the pilot which I watched, and then some other episodes.

743
00:36:11,160 --> 00:36:14,120
Speaker 2: She's like, oh, I'm the hot one, but I'm also

744
00:36:14,239 --> 00:36:16,880
Speaker 2: smart and I know I'm hot and don't mess with me,

745
00:36:17,120 --> 00:36:19,840
Speaker 2: but like in the calmest way. And this guy's like,

746
00:36:19,920 --> 00:36:22,400
Speaker 2: oh my god, you're hot, and she's like, now that

747
00:36:22,520 --> 00:36:25,799
Speaker 2: we got that out of the way, give some kind

748
00:36:25,800 --> 00:36:28,160
Speaker 2: of like a smirk and it's like, and by the way,

749
00:36:28,600 --> 00:36:31,520
Speaker 2: stop hitting on me. He's like, I wasn't hitting on you,

750
00:36:31,680 --> 00:36:34,400
Speaker 2: and she's like, I've given a hundred tours of this

751
00:36:34,600 --> 00:36:38,040
Speaker 2: law office. You can't get anything by me. No.

752
00:36:38,239 --> 00:36:40,920
Speaker 3: Everyone on the show is like sassier and more like

753
00:36:41,080 --> 00:36:44,360
Speaker 3: canniving and like more plot driven than her, and she

754
00:36:44,960 --> 00:36:47,200
Speaker 3: is just there, but like then she's also like the

755
00:36:47,280 --> 00:36:49,360
Speaker 3: love interest and she's doing Pelico stuff. The episode I

756
00:36:49,400 --> 00:36:51,719
Speaker 3: watched was like about her being like so stressed about

757
00:36:51,760 --> 00:36:53,840
Speaker 3: like going to law school but also working at the

758
00:36:53,920 --> 00:36:56,320
Speaker 3: firm and just being like, wait, can I have a

759
00:36:56,400 --> 00:36:57,920
Speaker 3: day off? I'm sorry and it wi'll be one day

760
00:36:57,960 --> 00:36:59,600
Speaker 3: off and he was like, no, you can't have a

761
00:36:59,719 --> 00:37:01,440
Speaker 3: day off. If you can't figure out how to work,

762
00:37:01,520 --> 00:37:04,960
Speaker 3: don't do it. And then she's like, oh kay, forget

763
00:37:05,000 --> 00:37:05,840
Speaker 3: I said anything.

764
00:37:06,520 --> 00:37:08,279
Speaker 2: But then there was the scene I saw later on

765
00:37:08,400 --> 00:37:10,520
Speaker 2: where it's like she's trying to be conniving with one

766
00:37:10,520 --> 00:37:13,600
Speaker 2: of the conniving Bosses, where she again is so slightly sassy,

767
00:37:13,640 --> 00:37:16,160
Speaker 2: where she's like, oh, and by the way, you're going

768
00:37:16,200 --> 00:37:18,839
Speaker 2: to pay my way through law school, but it's very

769
00:37:19,000 --> 00:37:20,120
Speaker 2: like high school acting.

770
00:37:20,640 --> 00:37:24,560
Speaker 1: Yeah, she's like, by the way, you are going to

771
00:37:24,640 --> 00:37:26,360
Speaker 1: pay my way through law school.

772
00:37:26,520 --> 00:37:28,880
Speaker 3: Also, everything on that show is like grayscale. It's all

773
00:37:29,000 --> 00:37:32,000
Speaker 3: just like white black gray. All the interiors are just

774
00:37:32,120 --> 00:37:35,759
Speaker 3: like black leather, white walls, white walls, like it's white leather.

775
00:37:36,680 --> 00:37:36,880
Speaker 3: I know.

776
00:37:37,160 --> 00:37:39,799
Speaker 2: The show is literally called Suits, but the way they're

777
00:37:39,880 --> 00:37:44,520
Speaker 2: all very much like I'm standing up super straight because I'm.

778
00:37:44,400 --> 00:37:46,719
Speaker 3: In a suit, you know. I Mean the concept is

779
00:37:46,719 --> 00:37:47,320
Speaker 3: they're wearing.

780
00:37:47,320 --> 00:37:50,920
Speaker 1: And it's like, we get it, you're wearing your suit.

781
00:37:52,560 --> 00:37:54,840
Speaker 3: There's the sea where it's her like boyfriend and her

782
00:37:54,920 --> 00:37:59,080
Speaker 3: and they're app they're like totally unrealistically huge apartment in Manhattan. Oh,

783
00:38:00,320 --> 00:38:02,680
Speaker 3: and like she's just like, oh, I'm doing so much

784
00:38:02,760 --> 00:38:05,399
Speaker 3: work and she's like writing on a laptop with a pen,

785
00:38:06,040 --> 00:38:08,560
Speaker 3: and like her boyfriend comes up and he's like rubbing

786
00:38:08,600 --> 00:38:11,040
Speaker 3: her shoulders and he's just like, be real nice if

787
00:38:11,080 --> 00:38:14,520
Speaker 3: we could go lie down together. And then she's just like,

788
00:38:15,160 --> 00:38:20,920
Speaker 3: I'm working. I'd like that too, with that bag gated

789
00:38:21,080 --> 00:38:23,239
Speaker 3: and like that's it, and that's her supposed to be

790
00:38:23,360 --> 00:38:25,960
Speaker 3: being like, uh, like I want to have sex with you,

791
00:38:26,080 --> 00:38:30,640
Speaker 3: but I'm so busy. I'd like that too. Period period.

792
00:38:31,800 --> 00:38:35,160
Speaker 2: When this kiss happens with the boyfriend, it's like her

793
00:38:35,320 --> 00:38:37,120
Speaker 2: version of L word where it's kind of like this

794
00:38:37,239 --> 00:38:39,719
Speaker 2: really small kiss and then she walks away and she's

795
00:38:39,800 --> 00:38:41,759
Speaker 2: kind of like unsteady, like she's supposed to be like

796
00:38:41,880 --> 00:38:45,080
Speaker 2: so shaken by it, Like fuck, that.

797
00:38:45,360 --> 00:38:47,640
Speaker 3: Was a kiss. I didn't I didn't hate it.

798
00:38:47,760 --> 00:38:48,960
Speaker 1: I was I didn't hate so too.

799
00:38:49,080 --> 00:38:51,000
Speaker 2: I was like, this is so funny how it is

800
00:38:51,200 --> 00:38:55,880
Speaker 2: being like ultimately twenty twelve TV of like Sassy Lawyer

801
00:38:55,960 --> 00:38:59,279
Speaker 2: show where we're all like talking really fast and.

802
00:38:59,520 --> 00:39:04,160
Speaker 3: No one famous, like everyone's like this very interchangeable, like

803
00:39:04,280 --> 00:39:05,879
Speaker 3: forgettable kind of face.

804
00:39:06,040 --> 00:39:08,680
Speaker 2: Right and being like da da duah, didn't know my

805
00:39:08,840 --> 00:39:11,640
Speaker 2: morning was starting with napalm and it was on Hey.

806
00:39:11,560 --> 00:39:17,560
Speaker 3: Harvard, No, Like all they're like confrontations, like everyone's like

807
00:39:17,600 --> 00:39:19,560
Speaker 3: kind of barely acting but being mean and just being

808
00:39:19,719 --> 00:39:21,920
Speaker 3: just like, oh, you think you're gonna walk into my

809
00:39:22,120 --> 00:39:25,080
Speaker 3: courtroom with that bag of tricks and get away with it? Yeah?

810
00:39:25,239 --> 00:39:30,840
Speaker 3: I think I just did. You're like Oover, and like

811
00:39:31,000 --> 00:39:33,680
Speaker 3: it was part of this like raft of shows that

812
00:39:33,800 --> 00:39:36,320
Speaker 3: was just like necessary roughness that was about like a

813
00:39:36,360 --> 00:39:39,320
Speaker 3: sports medicine doctor and like burn Notice and then like

814
00:39:39,480 --> 00:39:42,400
Speaker 3: also like Royal Pains, which is about like a doctor

815
00:39:42,960 --> 00:39:45,800
Speaker 3: the doctor, and they're all also like someone who's like

816
00:39:45,880 --> 00:39:47,840
Speaker 3: good at their job and a little bit sassy.

817
00:39:48,280 --> 00:39:50,200
Speaker 2: Also kind of I would say psych is of a

818
00:39:50,640 --> 00:39:54,360
Speaker 2: way funnier for us defenders.

819
00:39:56,719 --> 00:39:57,600
Speaker 3: No one cares.

820
00:39:58,480 --> 00:40:00,920
Speaker 2: I'm just saying, like USA was this place for like

821
00:40:01,080 --> 00:40:04,520
Speaker 2: we're being sassy with actors no one knows, and the

822
00:40:04,800 --> 00:40:08,680
Speaker 2: sass is medium, but we're all like so they all

823
00:40:08,760 --> 00:40:10,239
Speaker 2: think we're super quippy.

824
00:40:10,280 --> 00:40:12,000
Speaker 3: Right, and they're just like this show I can barely

825
00:40:12,080 --> 00:40:14,400
Speaker 3: keep it and it's like, yeah, if you're sixty five.

826
00:40:14,800 --> 00:40:16,919
Speaker 1: It's fast talking for sixty five year olds.

827
00:40:17,040 --> 00:40:19,760
Speaker 3: But then you sent me the blooper Real Megan Markle's

828
00:40:19,880 --> 00:40:23,000
Speaker 3: best bloopers from Suits, and I was kind of like, honestly,

829
00:40:23,200 --> 00:40:26,120
Speaker 3: she's fun Like she wasn't being funny. It was like

830
00:40:26,200 --> 00:40:28,080
Speaker 3: kind of other people being funny in the bloopers, but

831
00:40:28,160 --> 00:40:30,680
Speaker 3: like she was like laughing with the best of them,

832
00:40:30,719 --> 00:40:33,000
Speaker 3: and I was like, honestly, this is a fun workplace.

833
00:40:33,040 --> 00:40:34,480
Speaker 2: I thought it's a fun workplace, and I think it

834
00:40:34,680 --> 00:40:36,600
Speaker 2: was because no one was super famous.

835
00:40:36,800 --> 00:40:39,759
Speaker 1: Wasn't the Friends cast? You know, it was like we're

836
00:40:39,960 --> 00:40:40,759
Speaker 1: just a workplace.

837
00:40:41,000 --> 00:40:43,160
Speaker 3: Like the steak's being so low when you're in an

838
00:40:43,239 --> 00:40:46,320
Speaker 3: ensemble like a USA show is kind of wonderful.

839
00:40:46,560 --> 00:40:48,719
Speaker 2: And now those suits, since it became on Netflix, I

840
00:40:48,760 --> 00:40:51,480
Speaker 2: think like teens are watching it, which is funny.

841
00:40:51,880 --> 00:40:52,640
Speaker 3: It's having to run.

842
00:40:52,880 --> 00:40:54,880
Speaker 1: It's having like a teen run a suit of sons,

843
00:40:55,040 --> 00:40:55,879
Speaker 1: the sudosans.

844
00:40:56,040 --> 00:40:58,480
Speaker 3: But it did remind me that I think like ultimately,

845
00:40:58,680 --> 00:41:01,760
Speaker 3: like you know, if Hate is like the modern British

846
00:41:01,800 --> 00:41:04,080
Speaker 3: woman who's like uptight and like kind of had a

847
00:41:04,120 --> 00:41:07,520
Speaker 3: boring job, like Megan Markle is like the modern American

848
00:41:07,560 --> 00:41:10,600
Speaker 3: woman who is just like prettier and more fun and

849
00:41:10,840 --> 00:41:11,960
Speaker 3: more chill and like.

850
00:41:12,040 --> 00:41:16,160
Speaker 1: Yes, laugh at a dirty not make it, yes, but

851
00:41:16,239 --> 00:41:16,880
Speaker 1: she'll laugh at it.

852
00:41:16,920 --> 00:41:18,480
Speaker 3: And she's not gonna be like you're not allowed to

853
00:41:18,520 --> 00:41:22,759
Speaker 3: talk about hormones please. I'm like, ultimately, like there was

854
00:41:22,920 --> 00:41:26,080
Speaker 3: always going to be this you know, violent collision between

855
00:41:26,120 --> 00:41:28,880
Speaker 3: tradition and modernity when she rolled into town, and just

856
00:41:28,960 --> 00:41:29,560
Speaker 3: why like.

857
00:41:29,719 --> 00:41:33,440
Speaker 2: I'll hop on good reads and honestly defend Megan any day. Like,

858
00:41:33,640 --> 00:41:37,200
Speaker 2: I do think the Queen was absolutely rude to.

859
00:41:37,239 --> 00:41:39,440
Speaker 3: Her, But I like people are like, Okay, she's the

860
00:41:39,480 --> 00:41:41,280
Speaker 3: cunning girl boss who took down an empire.

861
00:41:41,600 --> 00:41:44,200
Speaker 1: She inflacacts, people are projecting onto her net.

862
00:41:44,320 --> 00:41:46,800
Speaker 2: I think people are understanding that, like, she is a

863
00:41:47,080 --> 00:41:50,399
Speaker 2: basic we turned her into a girl boss. Yeah, okay,

864
00:41:50,640 --> 00:41:54,480
Speaker 2: she was ray Bands and cut off short an ensemble cast.

865
00:41:54,719 --> 00:41:56,680
Speaker 3: But this is why I think being annoyed at her

866
00:41:56,880 --> 00:42:00,239
Speaker 3: is like somewhat legitimate, because I'm just like, even though

867
00:42:00,239 --> 00:42:03,279
Speaker 3: she's this fun ray Bands girl, she like became so

868
00:42:03,719 --> 00:42:05,719
Speaker 3: like maniacal, but her girl boss may and was like,

869
00:42:06,040 --> 00:42:08,760
Speaker 3: I need to like become like the most global victim

870
00:42:08,880 --> 00:42:11,359
Speaker 3: ever and then use that to start like a twenty

871
00:42:11,440 --> 00:42:15,280
Speaker 3: million dollar podcast business launched my insane new jam business.

872
00:42:15,320 --> 00:42:18,319
Speaker 3: American Riviera or tid that makes no sense.

873
00:42:18,440 --> 00:42:19,920
Speaker 1: Well, I think what is about It's.

874
00:42:19,800 --> 00:42:22,600
Speaker 3: Like and be like miss America all a sudden.

875
00:42:22,320 --> 00:42:25,560
Speaker 2: Cool, funky girlfriend who used to go out for rose

876
00:42:25,719 --> 00:42:27,880
Speaker 2: all day is all of a sudden, is like because

877
00:42:27,880 --> 00:42:31,120
Speaker 2: they forced her, the society of the Crown has forced

878
00:42:31,160 --> 00:42:33,719
Speaker 2: her into girl bossery and then they're also mad at

879
00:42:33,760 --> 00:42:35,680
Speaker 2: her for becoming a girl boss, but they made her.

880
00:42:35,680 --> 00:42:36,279
Speaker 1: Be a girl boss.

881
00:42:36,520 --> 00:42:39,160
Speaker 3: But I think her girl Boss d was actually I

882
00:42:39,239 --> 00:42:42,680
Speaker 3: think she saw a chance the crown as a chance

883
00:42:42,800 --> 00:42:45,279
Speaker 3: to be more I think the girl Bossy was more

884
00:42:45,400 --> 00:42:48,560
Speaker 3: American at first because she had launched the Tig before.

885
00:42:48,760 --> 00:42:51,120
Speaker 3: Was that her blog that was her blog that also

886
00:42:51,400 --> 00:42:54,000
Speaker 3: travel blog. Yes, that also sold like a bag that

887
00:42:54,160 --> 00:42:56,880
Speaker 3: was called like the Tig the.

888
00:42:57,000 --> 00:42:59,480
Speaker 1: Tick because I wouldn't even call a travel bag.

889
00:42:59,600 --> 00:43:02,080
Speaker 2: That's where basic to me, Like not that being a

890
00:43:02,120 --> 00:43:05,160
Speaker 2: girl boss isn't basic, but the difference between.

891
00:43:04,920 --> 00:43:07,480
Speaker 3: Having any ravel dog. But I think it was like

892
00:43:07,640 --> 00:43:10,160
Speaker 3: proto girl boss. And then when she got to the palace,

893
00:43:10,239 --> 00:43:12,160
Speaker 3: they were kind of just like babe, like there's no

894
00:43:12,239 --> 00:43:14,400
Speaker 3: podcast studio here, and she was a little bit like,

895
00:43:14,440 --> 00:43:18,319
Speaker 3: oh wait, wait way, what do you mean last my thing?

896
00:43:18,360 --> 00:43:20,840
Speaker 2: It is like I'm annoyed by her, but I also

897
00:43:21,080 --> 00:43:25,400
Speaker 2: defend her because I'm like a royal woman of contradictions. No.

898
00:43:25,640 --> 00:43:28,440
Speaker 3: I love that, like she is fun and sassy, and

899
00:43:28,520 --> 00:43:31,280
Speaker 3: I do think it's sad that, like, you know, Britain

900
00:43:31,400 --> 00:43:34,080
Speaker 3: is so stuffy that they can't handle that they can't

901
00:43:34,120 --> 00:43:34,520
Speaker 3: handle it.

902
00:43:34,600 --> 00:43:36,920
Speaker 2: And then that she thought she had to be now

903
00:43:37,040 --> 00:43:41,400
Speaker 2: like serious, but like there is like this girl you know,

904
00:43:41,480 --> 00:43:42,279
Speaker 2: that was fun.

905
00:43:42,320 --> 00:43:44,879
Speaker 1: And then she gets like married to like a rich guy,

906
00:43:45,040 --> 00:43:47,279
Speaker 1: so she feels like she has to do something like

907
00:43:47,400 --> 00:43:48,240
Speaker 1: good with the money.

908
00:43:48,440 --> 00:43:51,000
Speaker 2: Yeah, and then she actually does something just worse and

909
00:43:51,120 --> 00:43:54,120
Speaker 2: it becomes a little bit like tonight was so fun

910
00:43:54,760 --> 00:43:56,280
Speaker 2: but leaves after ten minutes.

911
00:43:56,719 --> 00:44:00,399
Speaker 3: Yeah, and you're just like, uh, I miss likes Mega,

912
00:44:00,560 --> 00:44:02,640
Speaker 3: I having like one glass of wine and laughing at

913
00:44:02,640 --> 00:44:04,239
Speaker 3: someone else's eat jokes but not making them.

914
00:44:06,840 --> 00:44:09,680
Speaker 2: And by the way, the jam it's not sold in stores.

915
00:44:10,120 --> 00:44:12,480
Speaker 2: I saw Mindy Kayling receive the jam. That was the

916
00:44:12,560 --> 00:44:14,680
Speaker 2: first time I saw the jam. As Mindy Kayling post

917
00:44:14,719 --> 00:44:17,120
Speaker 2: has said Megan, thank you so much for the jam.

918
00:44:17,320 --> 00:44:19,279
Speaker 3: Basically they only made enough to give out to her

919
00:44:19,320 --> 00:44:24,640
Speaker 3: influencer friends. And again the brand is called American Riviera Orchard.

920
00:44:25,040 --> 00:44:27,719
Speaker 3: It is the longest name ever. It's just like you

921
00:44:27,760 --> 00:44:31,320
Speaker 3: could have stopped that American Riviera or maybe done American Orchard,

922
00:44:31,400 --> 00:44:35,640
Speaker 3: but American Riviera Orchard, it's so like embodies the sort

923
00:44:35,680 --> 00:44:39,080
Speaker 3: of contradictions of the Canadian American like British ex princess

924
00:44:39,080 --> 00:44:41,040
Speaker 3: who's still calling herself a princess, where it's just like,

925
00:44:41,160 --> 00:44:42,200
Speaker 3: what are you trying to be here?

926
00:44:42,239 --> 00:44:45,280
Speaker 1: Because American riviera makes it sound too southern.

927
00:44:45,520 --> 00:44:47,200
Speaker 3: Well, I think it makes it sound like it's trying

928
00:44:47,239 --> 00:44:51,040
Speaker 3: to be too glam because the riviera is like European glamor,

929
00:44:51,400 --> 00:44:52,880
Speaker 3: and then American riviera is.

930
00:44:52,920 --> 00:44:54,799
Speaker 2: Why I think that is because I think it's kind

931
00:44:54,840 --> 00:44:58,000
Speaker 2: of southern to like call a swamp the riviera.

932
00:44:58,239 --> 00:45:00,479
Speaker 3: Oh, because people call like destiny or whatever.

933
00:45:00,760 --> 00:45:02,840
Speaker 1: Yeah, like redneck riviera.

934
00:45:03,600 --> 00:45:06,040
Speaker 3: Right, And she's trying to not be you're.

935
00:45:05,960 --> 00:45:08,040
Speaker 1: Saying is what she thinks she's doing.

936
00:45:08,280 --> 00:45:11,800
Speaker 2: She thinks since Europe it's actually a little more Jimmy

937
00:45:11,800 --> 00:45:15,200
Speaker 2: Buffett to be like, right, we're ail and.

938
00:45:15,840 --> 00:45:17,800
Speaker 3: But then Orchard is her being like, no, it's so

939
00:45:17,920 --> 00:45:20,200
Speaker 3: farm to table, and it's just like, ultimately, this is

940
00:45:20,360 --> 00:45:22,680
Speaker 3: three multi syllabic words, and it's actually like, this is

941
00:45:22,719 --> 00:45:25,640
Speaker 3: a crazy name for a brand. It does not flow

942
00:45:25,680 --> 00:45:26,640
Speaker 3: off the tongue at all.

943
00:45:27,120 --> 00:45:29,320
Speaker 1: No, I don't think many killing is saying it aloud.

944
00:45:29,400 --> 00:45:33,200
Speaker 3: And so they like already reserve patents for so many

945
00:45:33,360 --> 00:45:38,480
Speaker 3: things for like jams and pillows and like bed sheets

946
00:45:38,560 --> 00:45:42,759
Speaker 3: and like maybe a bench also, and so she has

947
00:45:42,840 --> 00:45:45,920
Speaker 3: this plan, but it's just kind of like okay, yeah, wallpaper,

948
00:45:46,080 --> 00:45:51,160
Speaker 3: yoga equipment, fragrances, gardening gear, non medicated skincare preparations, bath

949
00:45:51,239 --> 00:45:55,080
Speaker 3: and shower gels, not for medical purposes.

950
00:45:55,440 --> 00:45:58,400
Speaker 2: Then she's getting full Justica Elba right where she's like,

951
00:45:58,480 --> 00:46:01,760
Speaker 2: let's just take pattents out on everything and see what works.

952
00:46:02,000 --> 00:46:05,040
Speaker 3: So every non medical salt at the wall and stands.

953
00:46:05,160 --> 00:46:07,399
Speaker 1: It's like, just release the jam first.

954
00:46:07,440 --> 00:46:08,759
Speaker 3: Okay, we do have to get to the book. Blah

955
00:46:08,760 --> 00:46:10,480
Speaker 3: blah blah. There's more benches. Wait, I did want to

956
00:46:10,480 --> 00:46:13,120
Speaker 3: talk about that indoor bench that was like the bench

957
00:46:13,200 --> 00:46:16,480
Speaker 3: has drop zone. Oh yeah, because there's one bench that's

958
00:46:16,520 --> 00:46:18,360
Speaker 3: inside where it's like a kid is taking.

959
00:46:18,200 --> 00:46:21,000
Speaker 1: Off his even talk about she has a veteran.

960
00:46:21,520 --> 00:46:24,080
Speaker 3: There's like an army, there's a man, and there's also

961
00:46:24,160 --> 00:46:26,759
Speaker 3: a disabled dad who's helping his kid on the bench

962
00:46:26,920 --> 00:46:29,480
Speaker 3: at the drop zone bench put on his shoes. The

963
00:46:29,719 --> 00:46:32,000
Speaker 3: only scene though, where a woman appears.

964
00:46:32,600 --> 00:46:38,920
Speaker 2: She's sobbing seeing her army husband read full Camo Reunite

965
00:46:39,120 --> 00:46:41,680
Speaker 2: with the sun on a bench.

966
00:46:41,600 --> 00:46:45,879
Speaker 3: And it's like we're straining the bench motif so hard.

967
00:46:46,960 --> 00:46:49,880
Speaker 3: What's this random bench? And she's watching from the window

968
00:46:50,000 --> 00:46:53,800
Speaker 3: over the flower boxes too, right, But you're like, no,

969
00:46:53,840 --> 00:46:55,240
Speaker 3: I want to watch the reunion.

970
00:46:54,840 --> 00:46:57,200
Speaker 2: Because it looks like he's dropped his bag, like he

971
00:46:57,360 --> 00:46:59,719
Speaker 2: is getting out of the car, dropped the bag.

972
00:47:00,080 --> 00:47:03,560
Speaker 3: Reunion, And there's this back from like this sort of

973
00:47:03,800 --> 00:47:06,799
Speaker 3: this outdoor furniture red bench and.

974
00:47:06,880 --> 00:47:09,960
Speaker 1: Maybe he painted before he left for the barracks, and

975
00:47:10,120 --> 00:47:11,600
Speaker 1: like the kid was reading.

976
00:47:11,680 --> 00:47:14,000
Speaker 3: And this dad is kind of a redhead like Harry. Again.

977
00:47:14,120 --> 00:47:16,120
Speaker 2: Well then I was like, well, Harry was in the army,

978
00:47:16,239 --> 00:47:18,920
Speaker 2: so that's also kind of a right throwback.

979
00:47:19,120 --> 00:47:20,640
Speaker 3: And then it's like we're back to these just sort

980
00:47:20,680 --> 00:47:23,920
Speaker 3: of general outdoor bunches, face benches, don't know where they are.

981
00:47:24,400 --> 00:47:27,560
Speaker 2: Funny enough, at the end, we're back at Harry because

982
00:47:27,600 --> 00:47:30,280
Speaker 2: there's two dogs and rescue chickens and Megan.

983
00:47:30,520 --> 00:47:31,680
Speaker 3: We see the back of Meghan.

984
00:47:31,840 --> 00:47:32,840
Speaker 1: We see her in a.

985
00:47:32,880 --> 00:47:37,480
Speaker 2: Garden in her American riviera orchard and she's not even

986
00:47:37,600 --> 00:47:41,200
Speaker 2: looking because she trusts her husband so much, yeah, to

987
00:47:41,280 --> 00:47:42,759
Speaker 2: be a good dad, to be a good dad, that

988
00:47:42,800 --> 00:47:45,279
Speaker 2: she can focus on the riviera, to be a boy dad,

989
00:47:45,400 --> 00:47:47,960
Speaker 2: and she can focus on her jam business and non

990
00:47:48,040 --> 00:47:48,960
Speaker 2: medicated salts.

991
00:47:49,200 --> 00:47:50,960
Speaker 3: Like the irony of her being like I'm an ex

992
00:47:51,040 --> 00:47:53,600
Speaker 3: princess who is still a duchess, thank you very much,

993
00:47:53,840 --> 00:47:56,719
Speaker 3: is it's so Marie Antoinette to be like and now

994
00:47:56,760 --> 00:47:58,240
Speaker 3: I'm doing my farm fantasy.

995
00:47:58,560 --> 00:48:03,960
Speaker 2: And by the way, they keep on changing their website,

996
00:48:05,239 --> 00:48:09,759
Speaker 2: so their website is now called Sussex dot com the

997
00:48:09,880 --> 00:48:12,280
Speaker 2: Office of Prince Harry and Meghan, the Duke and Duchess

998
00:48:12,320 --> 00:48:15,520
Speaker 2: of Sussex, and it's a photo of them looking like

999
00:48:15,600 --> 00:48:18,880
Speaker 2: they're clapping at a ted talk as the home page.

1000
00:48:19,120 --> 00:48:21,120
Speaker 3: Oh wait, yeah, they absolutely are at a dead.

1001
00:48:21,040 --> 00:48:23,640
Speaker 2: Talk and I think it used to be called like

1002
00:48:24,160 --> 00:48:29,480
Speaker 2: the Palace of Duchess stock com. Like they're on you rebrand.

1003
00:48:29,520 --> 00:48:31,560
Speaker 2: You're kind of like no one knows and it's a

1004
00:48:31,600 --> 00:48:33,120
Speaker 2: big deals to them, but it's just.

1005
00:48:33,160 --> 00:48:36,560
Speaker 3: They're always in like pre launch mode, and they've been

1006
00:48:36,640 --> 00:48:40,279
Speaker 3: in this rollout for years now with the documentary and

1007
00:48:40,360 --> 00:48:42,480
Speaker 3: the book, the podcast, like.

1008
00:48:43,000 --> 00:48:45,360
Speaker 1: In every other summer, stop launching.

1009
00:48:45,040 --> 00:48:48,760
Speaker 3: Stop launching. Nothing sticky, like take a beat, take.

1010
00:48:48,680 --> 00:48:50,759
Speaker 2: A bike ride, like you need to sit on a

1011
00:48:50,840 --> 00:49:05,799
Speaker 2: goddamn bench. The Duke and Duchess segments, what does she eat?

1012
00:49:06,000 --> 00:49:09,200
Speaker 3: How does she live? Okay? As you said earlier, her

1013
00:49:09,360 --> 00:49:11,799
Speaker 3: interior aesthetic is always a wedding venue.

1014
00:49:11,640 --> 00:49:14,320
Speaker 1: Wedding venue, winery office.

1015
00:49:15,160 --> 00:49:20,080
Speaker 3: Everything is like a lived based massive tables like archways

1016
00:49:20,200 --> 00:49:22,600
Speaker 3: and its brick and it's stone and it's wood and

1017
00:49:22,760 --> 00:49:25,480
Speaker 3: no one, no one's there and it's like rented for

1018
00:49:25,600 --> 00:49:27,920
Speaker 3: the day. And there's cream furniture, and there's always like

1019
00:49:27,960 --> 00:49:31,600
Speaker 3: a telegren. There's a TV in the corner, always.

1020
00:49:31,640 --> 00:49:33,359
Speaker 1: Like yeah, there's TV crews.

1021
00:49:33,400 --> 00:49:37,479
Speaker 2: They're like, we haven't like sat down in days. There's

1022
00:49:37,600 --> 00:49:40,320
Speaker 2: lesbian pas, there's walking talkies.

1023
00:49:40,520 --> 00:49:43,280
Speaker 3: And there's like a bouquet of lemons being delivered.

1024
00:49:43,480 --> 00:49:47,040
Speaker 1: Oh, the citrus is flowing bumping.

1025
00:49:46,960 --> 00:49:49,880
Speaker 3: She's like there. I'm like, she's never like using the lemons.

1026
00:49:49,920 --> 00:49:51,200
Speaker 3: There's just piles of lemons.

1027
00:49:51,400 --> 00:49:53,840
Speaker 2: I can't imagine her cutting a lemon and of exqueezing

1028
00:49:53,880 --> 00:49:56,880
Speaker 2: into water. It's because there's already lemon water the slice

1029
00:49:56,920 --> 00:49:57,400
Speaker 2: lemons in it.

1030
00:49:57,680 --> 00:50:02,120
Speaker 3: That seems insane to me cutting one lemon. Yeah, what

1031
00:50:02,200 --> 00:50:02,919
Speaker 3: does she eat?

1032
00:50:03,040 --> 00:50:08,160
Speaker 1: I think she's like blending archie like some sweet potato.

1033
00:50:08,480 --> 00:50:10,719
Speaker 3: I definitely think Jennifer Garner is sending her Once upon

1034
00:50:10,760 --> 00:50:13,920
Speaker 3: a Farm, Yes, for sure. And she's sending Jennifer Garner

1035
00:50:13,920 --> 00:50:17,160
Speaker 3: American movie or orchard jam. Did you see Jen post

1036
00:50:17,239 --> 00:50:17,560
Speaker 3: about it?

1037
00:50:17,840 --> 00:50:17,880
Speaker 2: No?

1038
00:50:18,160 --> 00:50:20,960
Speaker 1: So I'm saying I only summoned to kill who like

1039
00:50:21,160 --> 00:50:22,839
Speaker 1: still is being so star over.

1040
00:50:23,200 --> 00:50:26,040
Speaker 3: Probably was literally like four jars.

1041
00:50:25,680 --> 00:50:29,840
Speaker 1: Of jam that went out Mindy Tyler Prairie.

1042
00:50:29,800 --> 00:50:31,880
Speaker 3: Oprah, and Oprah hasn't seen it yet. It's in some

1043
00:50:32,040 --> 00:50:34,279
Speaker 3: pile of shit that she has, Kyle.

1044
00:50:34,200 --> 00:50:37,880
Speaker 1: I think, well, as we know, like she taught Harry

1045
00:50:38,040 --> 00:50:38,800
Speaker 1: to cook chicken.

1046
00:50:39,440 --> 00:50:42,200
Speaker 3: Yeah, I'm remembering that story roast chicken, roast chicken where

1047
00:50:42,200 --> 00:50:44,360
Speaker 3: he made it in his like basement apartment at like

1048
00:50:44,520 --> 00:50:45,520
Speaker 3: Caldswell Palace.

1049
00:50:45,680 --> 00:50:46,440
Speaker 1: But I don't know.

1050
00:50:46,560 --> 00:50:48,920
Speaker 2: I'm like, I don't think they're cooking anymore. I think

1051
00:50:48,960 --> 00:50:50,480
Speaker 2: it's just chef and it's.

1052
00:50:51,600 --> 00:50:55,880
Speaker 3: You, Juice, pretending to cook like you're coming over. She's like, oh,

1053
00:50:55,920 --> 00:50:58,319
Speaker 3: I love to do like this easy chicken. And she's

1054
00:50:58,400 --> 00:51:01,239
Speaker 3: just like moving a plate of where everything is like

1055
00:51:01,320 --> 00:51:02,120
Speaker 3: pre made.

1056
00:51:02,239 --> 00:51:06,760
Speaker 1: And she's tossing the salad a fresh lettuce from her rivia.

1057
00:51:07,400 --> 00:51:13,280
Speaker 1: What does she wear? Cream cream aviators, loose tops.

1058
00:51:13,040 --> 00:51:17,120
Speaker 3: Because she used to be like more like Bolden. She's

1059
00:51:17,120 --> 00:51:18,680
Speaker 3: always had the same sole where she's like kind of

1060
00:51:18,760 --> 00:51:21,200
Speaker 3: skinny jeans that are like pre ripped and like kind

1061
00:51:21,280 --> 00:51:21,480
Speaker 3: of a.

1062
00:51:21,680 --> 00:51:26,120
Speaker 1: She's very Maxmara, Yeah, and like like shiny dresses with belts.

1063
00:51:25,840 --> 00:51:28,640
Speaker 3: And tops that like are loose but tight.

1064
00:51:28,800 --> 00:51:32,760
Speaker 1: Like loose around the bosom, tight a on the waist, yes.

1065
00:51:32,719 --> 00:51:34,680
Speaker 3: And like looser than the neck but tight on the

1066
00:51:34,880 --> 00:51:37,760
Speaker 3: arms and like kind of like slinky loosey fast.

1067
00:51:38,120 --> 00:51:40,799
Speaker 1: Some of her outfits in suits were tight.

1068
00:51:41,400 --> 00:51:41,600
Speaker 3: Yeah.

1069
00:51:41,760 --> 00:51:43,919
Speaker 1: And the whole show is her being like my face

1070
00:51:44,040 --> 00:51:44,480
Speaker 1: is up here.

1071
00:51:44,800 --> 00:51:49,360
Speaker 3: Yeah. Yes, she's wearing like pencil skirts and suits a

1072
00:51:49,400 --> 00:51:50,560
Speaker 3: lot little tops.

1073
00:51:50,960 --> 00:51:53,239
Speaker 1: She doesn't wear a suit because she's not a lawyer yet.

1074
00:51:53,320 --> 00:51:55,719
Speaker 3: You know, I will say, she's really like and again

1075
00:51:55,800 --> 00:51:58,600
Speaker 3: this is why Kate hates her, because she's so unequivocally

1076
00:51:58,640 --> 00:52:01,200
Speaker 3: hotter than her and every way it's crazy where it's

1077
00:52:01,200 --> 00:52:04,680
Speaker 3: like she has a very kind of easy, approachable American

1078
00:52:04,760 --> 00:52:05,760
Speaker 3: beauty where it's.

1079
00:52:05,719 --> 00:52:10,560
Speaker 1: Like a model and cosmobi it's so that el yes

1080
00:52:10,800 --> 00:52:15,440
Speaker 1: it's l girl and like it's this American smile. Or

1081
00:52:15,480 --> 00:52:18,040
Speaker 1: she's a little bit of freckles, a little bit of freckles.

1082
00:52:18,360 --> 00:52:19,920
Speaker 1: She has a nice popular girl face.

1083
00:52:20,680 --> 00:52:24,000
Speaker 3: Yeah, nice, come over, sit at our table.

1084
00:52:26,560 --> 00:52:29,080
Speaker 1: Come on, guys, she's new, she's new.

1085
00:52:30,920 --> 00:52:34,760
Speaker 3: What's her favorite thing to eat for lunch? Nice popular

1086
00:52:34,800 --> 00:52:35,320
Speaker 3: girl face?

1087
00:52:35,760 --> 00:52:39,200
Speaker 1: And what does she how does she live?

1088
00:52:39,680 --> 00:52:40,360
Speaker 3: We just kind of did that.

1089
00:52:40,640 --> 00:52:43,120
Speaker 1: Oh, so who are you in the book which dad

1090
00:52:43,200 --> 00:52:43,400
Speaker 1: are you?

1091
00:52:44,440 --> 00:52:47,960
Speaker 3: Dad? Are you? Well? I'm not the ballerino because my

1092
00:52:48,120 --> 00:52:51,040
Speaker 3: dad didn't support my three month by my career when

1093
00:52:51,040 --> 00:52:53,160
Speaker 3: I was five. I mean he did not support it.

1094
00:52:53,719 --> 00:52:56,520
Speaker 1: You put on you could be the dad. You could

1095
00:52:56,520 --> 00:52:57,239
Speaker 1: put on the two too.

1096
00:52:57,280 --> 00:52:59,640
Speaker 3: Oh my god, that would be so I'm supporting my

1097
00:52:59,760 --> 00:53:02,200
Speaker 3: five year old. Yeah, and he wants to do ballet.

1098
00:53:02,920 --> 00:53:04,520
Speaker 3: I feel like I would also just be like, I

1099
00:53:04,560 --> 00:53:06,680
Speaker 3: don't know, babe, it's a lot of time. Are you

1100
00:53:06,800 --> 00:53:09,399
Speaker 3: sure you want to do this? I feel like I'm

1101
00:53:09,440 --> 00:53:11,520
Speaker 3: not such as stage one being like, oh my kids

1102
00:53:11,600 --> 00:53:15,239
Speaker 3: need to be so like competitive classes, Like I feel

1103
00:53:15,239 --> 00:53:17,719
Speaker 3: like it'd be more into them, just like doing like

1104
00:53:17,880 --> 00:53:21,640
Speaker 3: baby rock gym or like doing I don't know, like

1105
00:53:21,760 --> 00:53:25,040
Speaker 3: no classes. I just feel like ballet is so intense.

1106
00:53:25,440 --> 00:53:27,320
Speaker 1: It is very intense. It's so random. I went to

1107
00:53:27,400 --> 00:53:29,160
Speaker 1: two ballet classes and then I was done.

1108
00:53:29,480 --> 00:53:31,080
Speaker 3: Yeah. I mean I did it for like a month

1109
00:53:31,160 --> 00:53:33,120
Speaker 3: when summer because I had this like gay fantasy of

1110
00:53:33,200 --> 00:53:36,560
Speaker 3: being in ballet arena. But I was like it honestly

1111
00:53:36,680 --> 00:53:37,800
Speaker 3: was way too crazy.

1112
00:53:37,960 --> 00:53:39,600
Speaker 1: I was like, oh, this is not I was like

1113
00:53:39,680 --> 00:53:41,080
Speaker 1: the woman was mean. I was like one thing. I

1114
00:53:41,160 --> 00:53:42,800
Speaker 1: was like, absolutely not I'm not going to do it.

1115
00:53:42,840 --> 00:53:44,000
Speaker 3: I kind of thought it was a little more just

1116
00:53:44,080 --> 00:53:48,239
Speaker 3: like being gay and prancy even at five, Like they're

1117
00:53:48,360 --> 00:53:50,359
Speaker 3: fucking like whipping those girls.

1118
00:53:50,239 --> 00:53:53,200
Speaker 1: Like it's not scary Russian woman yelling.

1119
00:53:53,400 --> 00:53:55,799
Speaker 3: There's no like time in ballet when it's like fun.

1120
00:53:56,080 --> 00:53:58,839
Speaker 1: No, it's straight to business like you were four years old.

1121
00:53:59,040 --> 00:54:00,680
Speaker 3: That's the thing about all those like things where you

1122
00:54:00,760 --> 00:54:02,600
Speaker 3: need to be small for like gymnastics, It's like they're

1123
00:54:02,640 --> 00:54:03,960
Speaker 3: just mean to you from the beginning.

1124
00:54:03,719 --> 00:54:04,840
Speaker 1: Because that's like your prime.

1125
00:54:05,000 --> 00:54:06,640
Speaker 3: Yeah. So no, I'm not putting it on the two.

1126
00:54:07,239 --> 00:54:10,520
Speaker 1: Okay, which thatdam I I think.

1127
00:54:10,960 --> 00:54:12,120
Speaker 3: Wait, which benchure?

1128
00:54:12,400 --> 00:54:13,400
Speaker 1: Which am I?

1129
00:54:15,520 --> 00:54:17,400
Speaker 3: I mean I'm kind of the drop zone.

1130
00:54:18,360 --> 00:54:19,960
Speaker 1: Yeah, I think your weight.

1131
00:54:20,160 --> 00:54:22,319
Speaker 3: You're the sideways calyx. Yeah.

1132
00:54:22,400 --> 00:54:24,920
Speaker 2: I think I'm the one like helping put together like

1133
00:54:25,040 --> 00:54:26,440
Speaker 2: play with like dinosaurs.

1134
00:54:26,760 --> 00:54:29,960
Speaker 3: Okay, I like I'm the one gluing back the dinosaur,

1135
00:54:30,480 --> 00:54:35,040
Speaker 3: and I think that you're feeding the chickens. Yeah, because

1136
00:54:35,480 --> 00:54:36,600
Speaker 3: I love livestock.

1137
00:54:36,680 --> 00:54:39,960
Speaker 1: I do love livestock, and I love like neglected animals.

1138
00:54:41,400 --> 00:54:43,560
Speaker 1: That's true. I'm like, let's grab a bag of feet.

1139
00:54:44,040 --> 00:54:46,040
Speaker 3: But I'm also the woman crying through the window.

1140
00:54:46,680 --> 00:54:49,200
Speaker 1: No, I mean you're so sobbing at like a man

1141
00:54:49,360 --> 00:54:50,080
Speaker 1: being a good father.

1142
00:54:51,120 --> 00:54:55,200
Speaker 3: Okay, Megan, Wow, what an interesting choice to write a

1143
00:54:55,280 --> 00:54:55,919
Speaker 3: children's book.

1144
00:54:56,000 --> 00:54:58,879
Speaker 2: For as much as like I defend you, I'm also

1145
00:54:59,120 --> 00:55:01,920
Speaker 2: just like this book so random, babe.

1146
00:55:02,160 --> 00:55:04,359
Speaker 3: It's just like add it to the pile of your

1147
00:55:04,520 --> 00:55:05,840
Speaker 3: random business endeavors.

1148
00:55:06,480 --> 00:55:09,280
Speaker 1: One point five benches out of benches.

1149
00:55:09,640 --> 00:55:11,960
Speaker 3: It's a little bit like, yeah, I'm just like I

1150
00:55:12,080 --> 00:55:12,960
Speaker 3: miss suits, Meghan.

1151
00:55:13,520 --> 00:55:15,560
Speaker 2: Sorry, let's go back to suits. Like, I think you

1152
00:55:15,719 --> 00:55:18,760
Speaker 2: have more than this. It's like just men on benches.

1153
00:55:19,200 --> 00:55:21,080
Speaker 3: It's not enough one out of five.

1154
00:55:21,920 --> 00:55:24,560
Speaker 1: And I think like her products where she has too

1155
00:55:24,560 --> 00:55:25,160
Speaker 1: many products.

1156
00:55:25,280 --> 00:55:27,680
Speaker 2: This should have just been about one dad, one dad,

1157
00:55:27,760 --> 00:55:31,200
Speaker 2: one bench, one dad, one bench. Okay, thank you Megan,

1158
00:55:31,440 --> 00:55:33,680
Speaker 2: you guys, thank you Meghan, thank you for listening. Happy

1159
00:55:33,760 --> 00:55:34,480
Speaker 2: every other's.

1160
00:55:34,280 --> 00:55:36,400
Speaker 3: Happy, every other summer. We'll see you.

1161
00:55:36,920 --> 00:55:38,759
Speaker 1: Next week with the week after. But we will see

1162
00:55:38,760 --> 00:55:40,839
Speaker 1: you next week if you subscribe to the VIP.

1163
00:55:41,000 --> 00:55:43,880
Speaker 3: Yellow So if you've started VIP, we'll see you next Friday.

1164
00:55:44,200 --> 00:55:46,719
Speaker 3: If you don't, we'll see you in two wednesdays.

1165
00:55:47,000 --> 00:55:50,239
Speaker 1: Get that, got it right? For the price, bitch by

1166
00:55:50,320 --> 00:55:51,719
Speaker 1: a calendar, write it down.

1167
00:55:52,360 --> 00:55:58,520
Speaker 2: That's the producer who resides in Sussex is Darby Masters.

1168
00:55:58,760 --> 00:56:03,320
Speaker 3: The bench was exact getive produced by Christina Everett. It

1169
00:56:03,440 --> 00:56:06,919
Speaker 3: was supervisingly produced by Brucifer. The theme song was done

1170
00:56:06,960 --> 00:56:09,879
Speaker 3: by such a good father. He's an incredible father. He's

1171
00:56:09,880 --> 00:56:13,799
Speaker 3: been at war for several months, but he's still good dad.

1172
00:56:13,840 --> 00:56:16,640
Speaker 3: He writes occasionally and his name is um Gold. Of course.

1173
00:56:17,160 --> 00:56:22,000
Speaker 2: Artwork was done by Teddy Blank, who was dethroned. This

1174
00:56:22,239 --> 00:56:28,360
Speaker 2: podcast was originally co produced with Megan's former podcast partner Projects.

1175
00:56:28,680 --> 00:56:31,640
Speaker 2: Find us on Patreon, Patreon dot com, slash CPC the pod.

1176
00:56:31,719 --> 00:56:34,920
Speaker 3: Line and please please review us because we have so

1177
00:56:35,000 --> 00:56:37,600
Speaker 3: many haters in the tabloids and I would like you. Guys,

1178
00:56:37,760 --> 00:56:39,960
Speaker 3: I'm asking you please just go read a review. It's

1179
00:56:39,960 --> 00:56:40,319
Speaker 3: not that hard.

1180
00:56:40,480 --> 00:56:41,200
Speaker 1: It would be fun.

1181
00:56:41,360 --> 00:56:42,400
Speaker 3: It's not that hard.

1182
00:56:43,040 --> 00:56:45,800
Speaker 1: We can do hard things. I love you, Love you,