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Speaker 1: Or La Latino Usa listener, it's Maria no josa. Today

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Speaker 1: we want to bring you something well fun. We want

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Speaker 1: to make you laugh a little, and Latina comedians Joenna

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Speaker 1: Hausman and Jenny Lorenzo are great at making us laugh.

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Speaker 1: They have a very funny podcast it's called Hyphenated, where

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Speaker 1: they talk about the connections between American and Latino culture

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Speaker 1: and what it's like to live in the in between.

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Speaker 1: So today we bring you a taste of Hyphenated. In

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Speaker 1: this episode, Jenny and Joyna discuss one of my favorite topics,

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Speaker 1: Latin American sayings or dichos from estos unaroscn mango, which

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Speaker 1: is this is rice with mango to masa bel diablo

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Speaker 1: which means the devil knows better from being old than

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Speaker 1: from being evil. I mean, Latin American dichos are the best,

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Speaker 1: and I actually discovered some new ones, some new they

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Speaker 1: choose by listening to this episode. So before we begin,

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Speaker 1: a quick warning that yes, Juanna and Jenny will be

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Speaker 1: dropping some F bombs and some explicit language in this episode.

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Speaker 1: You've been warned. So here's Hyphenated and enjoy.

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Speaker 2: Hi everyone, I'm Joanna and I'm Jenny, and this is

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Speaker 2: hyphenated the podcast about Living in the hyphen I have

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Speaker 2: to say, it's been a while since I've seen you, Jenny.

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Speaker 2: I've felt abandoned. I felt abandoned by you, and I'm

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Speaker 2: honestly I'm still upset and wow, just been feeling kind

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Speaker 2: of ignored, you know.

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Speaker 3: Wow, Okay, listen, You're busy making cartoon history and I'm

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Speaker 3: just I'm pet sitting my sister's dog. So, you know,

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Speaker 3: like we're both really fucking busy. Joanna, you were.

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Speaker 2: Like shooting a bunch of stuff. You pretty little liar,

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Speaker 2: You're like working, And that's how I call people when

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Speaker 2: I want to call them a liar, but I'm like,

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Speaker 2: I don't want to say the word liar.

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Speaker 3: That's pretty pretty Oh my god.

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Speaker 2: You could say I created my own saying for like

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Speaker 2: when I want to tell someone that they're like not

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Speaker 2: being truthful without calling them a liar, but I am

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Speaker 2: because I'm calling them pretty and little before it like

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Speaker 2: softens the blow. You know, I.

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Speaker 4: Appreciate that that that actually works.

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Speaker 3: There I go, speaking of saying.

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Speaker 2: Look at that, look at that? Well, yes, So we

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Speaker 2: were like, you know, what are we going to talk

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Speaker 2: about this week? There's so much to catch up on.

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Speaker 2: We always have stuff to talk about, and I haven't

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Speaker 2: talked about this topic, and Jenny, you haven't either for

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Speaker 2: a bit. There's something about sayings I find to be astounding.

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Speaker 2: And I was recently interviewed for other podcast called Immigrant Jam,

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Speaker 2: and this girl started telling me, like she was like,

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Speaker 2: oh my god, I love these Venezuelan sayings. And she

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Speaker 2: starts listing some of these sayings and I'm like, I've

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Speaker 2: never heard of any of these before.

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Speaker 3: What.

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Speaker 2: Yeah, So, like, I guess she found sayings from like

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Speaker 2: either another time in Minnesueta, another decade that I wasn't

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Speaker 2: around for, or another area of Venezuela that I'm not from.

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Speaker 2: And a lot of my sayings are like more Katakas sayings,

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Speaker 2: which like makes me realize like how regionalistic sayings are.

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Speaker 2: Uh yeah, And since my grandmother was Cuban.

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Speaker 3: She so sorry, Joana, my dog just fell down. No,

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Speaker 3: I swear to God, every time we're.

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Speaker 2: Doing this thing, is she okay? Is she okay?

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Speaker 4: Yeah?

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Speaker 3: Oh my god, We're at my sister's house, but she's

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Speaker 3: going blind. She literally tumbled.

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Speaker 2: I hope this is an insensitive but this sounds like

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Speaker 2: a saying, which is like, of course, when you record

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Speaker 2: a podcast, that's exactly. It's like Murphy's law. It's a

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Speaker 2: whenever you're gonna record a podcast, your dog is gonna

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Speaker 2: fall or like last episode we were together poop somewhere,

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Speaker 2: like that's the right moment for her to just make

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Speaker 2: her entrance. Honestly, dude, your dog is the third host

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Speaker 2: of this podcast. Your dog is the third chaotic host

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Speaker 2: of this podcast. She pops up only sometimes, and only

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Speaker 2: to disrupt us in the most dramatic of ways.

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Speaker 3: I can't make this shit up.

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Speaker 2: Oh my god, dying right now? Wow.

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Speaker 3: Yeah, she's fine, though, everybody. She's fine. She's walking around.

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Speaker 4: I don't know. This dog is made of steel. I

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Speaker 4: don't know it's.

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Speaker 2: She's like a Nokia Phone of dogs. She'll be you know,

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Speaker 2: she's fine.

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Speaker 4: Yeah.

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Speaker 3: She just looked so peaceful and so sleepy that I'm like, okay,

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Speaker 3: let me leave her up there. I didn't think she'd

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Speaker 3: get up so soon anyway, Thanks Delilah Weuenoske.

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Speaker 2: I think she's gonna have a spinoff podcast series because

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Speaker 2: of how how much of a like protagonist energy she's having.

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Speaker 3: You know what kind of energy she has, like she

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Speaker 3: has like salohiganta energy, Like it's like old school Latino

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Speaker 3: comedy energy where it's like, oh, all of a sudden,

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Speaker 3: yeah Dan, Like she has like these wacky entrances.

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Speaker 2: She really does. She's the cramer of our of our group.

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Speaker 2: She's like shits on herself and it's like, oh my god,

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Speaker 2: it's just Delilah being Delilah. What a charming character.

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Speaker 3: Oh my god, I can't breathe. Okay, back just saying.

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Speaker 2: Oh my god. So I seriously, I I truly want

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Speaker 2: to say that I want to create my own saying

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Speaker 2: about Delilah, about like how perfectly timed chaos can come.

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Speaker 2: I feel like we've just created our own saying and

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Speaker 2: only we will understand it. But it might catch on.

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Speaker 2: It might catch on, It might so Jenny, me and

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Speaker 2: you wanted to talk about say in this episode, Delilah

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Speaker 2: made the perfect representation of how sayings are made. I

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Speaker 2: really think that a lot of like sayings are made

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Speaker 2: by precisely what just occurred, something happened, and then someone

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Speaker 2: was like this is this is so funny and it

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Speaker 2: perfectly encapsulates the chaos of a moment. Delilah fallI is

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Speaker 2: going to become a saying because a lot of like

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Speaker 2: at least Venezuelan sayings I feel like, happened on a

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Speaker 2: farm or something, and a farmer's like, man, someone gifted

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Speaker 2: me this animal. I'm not gonna look it at the

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Speaker 2: teeth because if I do, that means that I'm not

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Speaker 2: accepting a free gift. Like I feel like, I feel

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Speaker 2: like sayings come from real life. That's just my interpretation

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Speaker 2: of my theory.

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Speaker 3: For me, it's just impressive how it catches on. I mean,

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Speaker 3: I guess it's kind of like a TikTok trend.

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Speaker 2: Hmmmm mm hmmm, the original viral.

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Speaker 4: Yeah is a saying.

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Speaker 3: It is a saying. Now I will say I think

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Speaker 3: sayings have a longer life than TikTok trends. You kind

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Speaker 3: of forget about them after a week. But yeah, there's

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Speaker 3: that similarity, like someone starts it's the trend and then

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Speaker 3: people follow it.

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Speaker 4: So for me, I'm like.

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Speaker 3: Damn, Like who came up with this saying? You know

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Speaker 3: the fact that we're still saying this generation after generation exactly?

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Speaker 2: Yeah, Like I'll tell you an example and we'll start

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Speaker 2: in English so that we sort of understand how how

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Speaker 2: the story of how these sayings come to life are

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Speaker 2: truly like a viral video, Like I think it's accidental.

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Speaker 2: People started saying something and then it's like, oh my god,

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Speaker 2: this really caught on. Oh my goodness, now we're all

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Speaker 2: saying it. You know, this is like the original corn song,

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Speaker 2: so you know the idiom like it cost an arm

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Speaker 2: and a leg, like, oh my goodness, oh good lord,

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Speaker 2: because of the hikes and prices, this is really costing

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Speaker 2: an arm and a leg. Do you know where it

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Speaker 2: comes from?

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Speaker 5: No?

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Speaker 3: I don't.

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Speaker 2: So the origins are from eighteenth century art. Okay, when

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Speaker 2: like rich people that didn't want to spend too much

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Speaker 2: money on their portraits, they'd be like, okay, make a

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Speaker 2: portrait of me, but I know that arms and legs

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Speaker 2: like limbs cost more to paint, so they'd only do

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Speaker 2: like from the neck up. It was like a cheaper

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Speaker 2: version of a portrait an arm and a leg. If

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Speaker 2: you incorporate that into your portrait, it'd be a more

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Speaker 2: expensive portrait, so it would cost an arm and a leg.

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Speaker 2: And that's sort of how it came.

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Speaker 3: By god, way less morbid and horror than I imagined.

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Speaker 2: Your face was like please don't, please, don't is this

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Speaker 2: an Aladdin reference where they chop people's arms off.

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Speaker 3: I was I was thinking some some terribly dark shit.

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Speaker 3: So I'm like, oh, okay, that ain't so bad.

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Speaker 2: That's fun, that's nice. I feel like a lot of

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Speaker 2: these are very fun, Like the origins must have been fun,

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Speaker 2: you know. M So, my grandmother was Cuban, as you know,

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Speaker 2: and I always heard her sayroo mango right, What the

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Speaker 2: fuck is that? I never understood it. She just said it,

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Speaker 2: and I never thought twice about it. What does it mean?

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Speaker 3: Well, I mean the direct English translation is rice with mango,

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Speaker 3: but it just means you're in a sticky situation because

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Speaker 3: the dish is sticky, and it's funny because Cubans. Cubans

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Speaker 3: don't eat rice with mango. It's actually an Asian.

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Speaker 2: Dish, so where did it come from?

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Speaker 3: The actual dish is an Asian dish and it's made

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Speaker 3: with sticky rice, so it's not just any rice. It's

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Speaker 3: mango with sticky rice, which makes sense with the whole

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Speaker 3: you know, sort of sticky situation like it is we are,

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Speaker 3: this is like fucked like, this is screwed up, this

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Speaker 3: is sticky.

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Speaker 2: Yeah, you know what I would love, I wish that

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Speaker 2: Cuban idioms were part of like Hollywood, because imagine like

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Speaker 2: a James Bond scene where everything's going wrong, like his

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Speaker 2: loved one just drowned and he's calling m and he's

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Speaker 2: like about to cry. I mean, I know James Bond

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Speaker 2: doesn't cry, but he's like, you know, toxic masculinity, crying

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Speaker 2: on the inside. And then he goes, this is sticky

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Speaker 2: rice with mango. Right now, we're a sticky rice with mango.

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Speaker 2: And it sounds like a code word, but it's not.

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Speaker 2: It just means sticky situation. Yeah, I would love that.

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Speaker 3: But and the thing is, like I've done a lot

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Speaker 3: of re the sayings and like I cannot find anything

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Speaker 3: about the deep origins of it. I mean, again, I

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Speaker 3: don't know if Cubans were specifically thinking about Southeast Asia

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Speaker 3: when they came up with this phrase, but I think

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Speaker 3: it's that they're like, Okay, what is really sticky?

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Speaker 2: All right?

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Speaker 4: Mango that's messy.

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Speaker 3: And then you've got rice, which can be sticky, especially

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Speaker 3: if it's sticky rice and you mix them together, then

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Speaker 3: you've got a really sticky situation.

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Speaker 2: Also, sticky rice is sticky, and then mango is a

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Speaker 2: mess of a fruit to eat. Yes, so it's almost

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Speaker 2: like it's not just sticky on sticky, it's sticky with

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Speaker 2: like a hairy, juicy, complicated fruit to eat. You know.

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Speaker 2: I like it. I feel like it's it's simple mess

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Speaker 2: I'd give it a I think i'd give it a

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Speaker 2: seven out of ten. I'd give this saying a seven

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Speaker 2: out of ten. Yeah, what happened? Now? Did the dog?

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Speaker 2: What happened with the dog?

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Speaker 3: I flip the bowl?

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Speaker 2: No, she did not, Delilah. That's the same Delilah just

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Speaker 2: like flipped a ble for no reason. She is being

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Speaker 2: so dramatic and intense. She is being a Delilah and

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Speaker 2: casa heena Delilah chica. So I give that a seven

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Speaker 2: out of ten. And I've just decided we're gonna rate

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Speaker 2: I think we got to rate these sayings based on

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Speaker 2: how good they are at explaining the situation and how

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Speaker 2: fun they are to say. So I'd give that a

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Speaker 2: seven out of ten. I feel like they encapsulates like

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Speaker 2: messiness in a way I could have it could have

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Speaker 2: been escalated a little bit more like if it was

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Speaker 2: like you know what I mean, I'd be like, Okay,

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Speaker 2: that's a little bit more on the nose, but I

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Speaker 2: appreciate I give a set up. What do you give it?

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Speaker 3: I mean, I think it's because like I'm so used,

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Speaker 3: like I'm so tired of that phrase already, Like so

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Speaker 3: I give it like a five.

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Speaker 2: Okay, all right, Well.

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Speaker 3: Because you know why, because they didn't. If this was

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Speaker 3: a true like invent of like ill, no one would

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Speaker 3: ever eat those foods together. Then I'd be like, Okay,

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Speaker 3: that makes sense. That's really clever. But like that's an

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Speaker 3: actual dish though, that Southeast Asian to eat. So it's

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Speaker 3: like it's I don't think it was just like this

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Speaker 3: awesome invention of a saying, because that food combination does exist.

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Speaker 5: You know what.

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Speaker 2: It was probably one guy that like wasn't havana or something,

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Speaker 2: and then some Southeast Asian workers or Southeast Asian immigrants

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Speaker 2: or something they were eating this thing. The guy tasted it,

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Speaker 2: he's like, this is sticky, and then he's like, oh no,

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Speaker 2: this isn't sticky, this is out of coomanngo. And then

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Speaker 2: he's like, oh my god, guess I'm in a sticky situation.

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Speaker 2: And then it went viral without him wanting it to

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Speaker 2: be or her wanting it to be, and then it

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Speaker 2: just then it became thus saying for Cubans, and there

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Speaker 2: we go, virality, virality at its inception. Yes, okay, So

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Speaker 2: I have a Venezuelan saying and I want to see

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Speaker 2: if you understand what it means, because it has two

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Speaker 2: words that I don't know if they are if they're

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Speaker 2: like Spanish or just Venezuelan and Spanish. Okay okay, kachi gambo.

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Speaker 3: Conchu Okay, I don't even know what most of those

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Speaker 3: words mean, Like those are words I've never heard in

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Speaker 3: my life.

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Speaker 5: Conchuo, okay, kachi gambo, chi gambo morokoi morokoi gonchu no

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Speaker 5: idea doude no idea, no.

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Speaker 2: Idea, no no idea, no no, you don't even want to,

250
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Speaker 2: like guess what it could The meaning could.

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Speaker 3: Bechi gambo is that some dude's name.

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Speaker 2: I don't want to tell you what it is. I

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Speaker 2: want to I want it all to be a surprise.

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Speaker 3: Okay, say it again, like like like the way you

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Speaker 3: would say.

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Speaker 6: Itchi gambo this cen al morokoi, conchudo, Oh.

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Speaker 3: My god, this might as well if you told me

258
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Speaker 3: this was another language, I'd be like yeah.

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Speaker 2: I honestly, when I said it to my my husband

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Speaker 2: like years ago. He was like, what the fuck just

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Speaker 2: came out of your mouth? I don't know what you

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Speaker 2: just said. I'm like ill. He's like that, those are

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00:14:03,360 --> 00:14:07,440
Speaker 2: not words. You just you just you just said. You

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Speaker 2: just said nothing.

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Speaker 3: The only thing that it sounds like that, which is

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Speaker 3: like an English saying, is pot calling a kettle black.

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Speaker 2: Are you freaking kidding me, Jenny? What are you serious?

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Speaker 3: That's what it sounds like, like's calling. I don't know that.

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Speaker 3: It's just like the cadence. I don't have any making

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Speaker 3: any sense.

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Speaker 2: The way that you knew that is insane because that's

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Speaker 2: exactly what the saying means. What I mean, the symbolism

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Speaker 2: of it is that. But the literal translation is armadillo

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Speaker 2: calling the tortoise Shelley, Like the armadillo is like going

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Speaker 2: up to the tortoise and be like, Yo, you fucking

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Speaker 2: Shelley bitch, And he's like, dude, look at yourself, look

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Speaker 2: at yourself. You're a little shell too.

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Speaker 4: My brain right now can't believe that it that it

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Speaker 4: made sense of.

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Speaker 2: This somehow it made sense. It's like, what is it?

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Speaker 2: What is the saying in English? The tea calling the

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Speaker 2: kettle black?

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Speaker 3: What plot calling a kettle black?

284
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Speaker 2: Look at how these two things mean the exact same thing,

285
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Speaker 2: the exact same thing, except in English it's just like

286
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Speaker 2: kitchen appliances, and then in Latin America it's an armadillo

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00:15:11,640 --> 00:15:16,160
Speaker 2: and an enormous turtle. They're like, you know, these are

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00:15:16,200 --> 00:15:19,360
Speaker 2: the things that influence and inspired people, or like these

289
00:15:19,400 --> 00:15:22,280
Speaker 2: wild animals and like not, you know, I'm imagining in

290
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Speaker 2: England or I don't know where this was made up.

291
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Speaker 2: They were just probably in the winter board and they

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00:15:26,120 --> 00:15:27,960
Speaker 2: were just looking at their kitchen appliances and they had

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Speaker 2: to come up with something.

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Speaker 3: You know, I could be wrong. That definitely sounds very British.

295
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Speaker 2: And the oh black absolutely British.

296
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Speaker 3: Maybe it's just the word kettle them and their tea,

297
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Speaker 3: you know. So I'm like, okay, yeah, but I love

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Speaker 3: that saying.

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Speaker 2: And I remember when I was a kid, older people

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Speaker 2: in my life would say these things and I wouldn't

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Speaker 2: really think about it. I wouldn't. I just through context clues,

302
00:15:54,560 --> 00:15:56,440
Speaker 2: was like, oh, I guess my grandma's mad, or like,

303
00:15:56,520 --> 00:15:58,720
Speaker 2: oh I guess I said something wrong, And then it

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00:15:58,720 --> 00:16:00,760
Speaker 2: wasn't just till later on in life. I'm like who wha, whoa, whoa,

305
00:16:00,800 --> 00:16:03,280
Speaker 2: whoa whoa. This saying. Let's break down this saying right now,

306
00:16:03,800 --> 00:16:07,400
Speaker 2: let's break down what you're you're you're saying. It's yes,

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00:16:07,880 --> 00:16:12,520
Speaker 2: like for example, like there's another one called La Monte,

308
00:16:13,320 --> 00:16:17,040
Speaker 2: like the goat always will go to the mountain. Yes,

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00:16:17,120 --> 00:16:19,520
Speaker 2: it's always a freaking animal. You put an animal in it.

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Speaker 2: You take an English saying and you just add an

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00:16:21,200 --> 00:16:24,680
Speaker 2: animal and it becomes Latin American. But like a goat

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00:16:24,680 --> 00:16:27,960
Speaker 2: will always end up in the mountains. And for me,

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00:16:28,400 --> 00:16:30,520
Speaker 2: I've heard that my whole life, and I'm like yeah, man,

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Speaker 2: and then I'm like what hold up? It's like, you

315
00:16:32,680 --> 00:16:35,000
Speaker 2: know those moments in life are like everything stops and

316
00:16:35,000 --> 00:16:39,840
Speaker 2: you're like what wait this thing? I've been hearing it

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00:16:39,920 --> 00:16:43,960
Speaker 2: like my whole life. It's actually saying a very tiny

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Speaker 2: short story in like five words that is absolutely mind

319
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Speaker 2: blowing and makes no sense but also makes all the

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Speaker 2: sense of the world.

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Speaker 6: So what would you give gotchi gum out of ten?

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00:16:55,320 --> 00:16:57,800
Speaker 2: What? What's what's you're rating.

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00:16:57,920 --> 00:17:01,360
Speaker 3: Just because it sounds freaking cool? But I unless this

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00:17:01,480 --> 00:17:05,320
Speaker 3: is a specific way of saying armadillo in Venezuela and Spanish,

325
00:17:05,359 --> 00:17:08,119
Speaker 3: I've never learned how to say armadillo in Spanish, So

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Speaker 3: I'm just gonna give this a nine, just because I

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00:17:10,560 --> 00:17:13,760
Speaker 3: was educated on how to say new Spanish words for

328
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Speaker 3: things I never knew.

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Speaker 2: Look at that the more you know, Yeah, man.

330
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Speaker 3: I wish I could use a lot of these phrases

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00:17:19,760 --> 00:17:25,280
Speaker 3: amongst my exclusively English speaking friends, but it won't make

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00:17:25,320 --> 00:17:27,400
Speaker 3: any goddamn sense. I think one of the very few

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00:17:27,440 --> 00:17:32,240
Speaker 3: phrases that has been used very commonly in English but

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00:17:32,320 --> 00:17:36,680
Speaker 3: that originated in Spanish is again very exclusive to Miami,

335
00:17:36,800 --> 00:17:39,160
Speaker 3: so that when I say it out here in La

336
00:17:39,280 --> 00:17:41,040
Speaker 3: they have no idea what the fuck I'm saying. Which

337
00:17:41,080 --> 00:17:44,639
Speaker 3: is eating shit, which again it translates in Spanish to

338
00:17:44,880 --> 00:17:48,680
Speaker 3: Gome and Miedda, and in Miami we say eating shit

339
00:17:48,800 --> 00:17:50,720
Speaker 3: a lot, like like the English translation.

340
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Speaker 4: We say all the time, like what are you doing, bro?

341
00:17:52,680 --> 00:17:55,320
Speaker 3: No man, just eating shit? Just eating shit, bro, or

342
00:17:55,359 --> 00:17:58,639
Speaker 3: like like she's she's not looking at the road, like

343
00:17:58,680 --> 00:18:03,760
Speaker 3: she's eating shit. So it could be used in various ways, Bro,

344
00:18:03,920 --> 00:18:07,560
Speaker 3: Delilah's eating ship. So people think either the like literally

345
00:18:07,880 --> 00:18:10,760
Speaker 3: like what do you mean like you're eating shit? Or

346
00:18:11,119 --> 00:18:12,840
Speaker 3: out here in the West Coast they think you mean

347
00:18:12,920 --> 00:18:15,240
Speaker 3: like you fell like you ate it, like you fell

348
00:18:15,240 --> 00:18:18,200
Speaker 3: in your face and you ate shit. So they don't

349
00:18:18,240 --> 00:18:22,720
Speaker 3: think you're saying what I'm trying to convey when I

350
00:18:22,760 --> 00:18:23,200
Speaker 3: say it.

351
00:18:23,119 --> 00:18:25,240
Speaker 2: Which is I guess eating shit is like, oh nothing

352
00:18:25,320 --> 00:18:26,120
Speaker 2: like bored.

353
00:18:25,920 --> 00:18:28,359
Speaker 3: I'm not, yeah, I or like I'm no, I'm doing nothing.

354
00:18:28,560 --> 00:18:31,600
Speaker 3: I'm yeah, exactly, I'm bored. I'm eating shit, I'm not

355
00:18:31,640 --> 00:18:36,400
Speaker 3: doing anything significant. And again there's the more negative Spanish version,

356
00:18:36,400 --> 00:18:38,560
Speaker 3: which is com is a lot more aggressive. It just

357
00:18:38,600 --> 00:18:41,560
Speaker 3: means like you're literally doing nothing your your parents love

358
00:18:41,600 --> 00:18:44,239
Speaker 3: to use it with their kids when they're being like

359
00:18:44,840 --> 00:18:49,879
Speaker 3: lazy and or not doing their chores like you know,

360
00:18:50,119 --> 00:18:51,879
Speaker 3: or like you're not doing anything with your life. It

361
00:18:51,880 --> 00:18:55,640
Speaker 3: can be like pretty severe. It's very negative. But yeah,

362
00:18:55,880 --> 00:18:58,520
Speaker 3: the then we kind of turned it into like a no,

363
00:18:59,000 --> 00:19:02,360
Speaker 3: I'm just bored. For the English version.

364
00:19:02,240 --> 00:19:04,919
Speaker 2: Yeah, a little bit more soft. Yeah, it went from it.

365
00:19:05,040 --> 00:19:07,440
Speaker 2: It r to a bit of a PG. Thirteen situation.

366
00:19:09,000 --> 00:19:11,400
Speaker 3: So what would you rate Goma?

367
00:19:11,480 --> 00:19:14,560
Speaker 2: I honestly think it's a bit simple for me. I'm

368
00:19:14,600 --> 00:19:16,239
Speaker 2: gonna I'm gonna rate it a four out of ten.

369
00:19:16,320 --> 00:19:18,679
Speaker 2: And I'm sorry, I really respect your culture. This has

370
00:19:18,720 --> 00:19:21,040
Speaker 2: nothing to do with my respect for Cuban people. I

371
00:19:21,119 --> 00:19:24,200
Speaker 2: just think it could be a little bit more elaborated

372
00:19:24,359 --> 00:19:27,600
Speaker 2: and metaphorical. You know, I feel like this is just

373
00:19:27,600 --> 00:19:29,159
Speaker 2: just stating something. You know.

374
00:19:29,520 --> 00:19:34,520
Speaker 3: Listen, I'm gonna give Gomi lomiedda on nine point two because,

375
00:19:34,920 --> 00:19:38,199
Speaker 3: oh my goodness, it is versatile. You can say it

376
00:19:38,240 --> 00:19:41,040
Speaker 3: in any given situation in your life, day and night,

377
00:19:41,320 --> 00:19:48,320
Speaker 3: and it also has varying depths and us hyphenated youths

378
00:19:48,359 --> 00:19:53,160
Speaker 3: of Miami reclaimed it as our own, so we kind

379
00:19:53,160 --> 00:19:57,359
Speaker 3: of it's a clap back to strict, angry Cuban parents

380
00:19:57,560 --> 00:20:01,760
Speaker 3: across the world who always I think we're lazy and

381
00:20:01,760 --> 00:20:03,919
Speaker 3: we're not doing anything with our lives. We're always coming

382
00:20:04,040 --> 00:20:05,400
Speaker 3: on me and then we're like, okay, you know what,

383
00:20:05,560 --> 00:20:09,720
Speaker 3: I am eating shit and what. So that's why I

384
00:20:09,720 --> 00:20:10,679
Speaker 3: give it a high rating.

385
00:20:10,800 --> 00:20:15,199
Speaker 2: Okay, well, it feels like you just are trying to

386
00:20:15,240 --> 00:20:19,680
Speaker 2: be patriotic and uh, you know, represent your people in

387
00:20:20,080 --> 00:20:22,040
Speaker 2: the correct way, in a way that makes them proud.

388
00:20:22,200 --> 00:20:26,240
Speaker 2: Because that's crazy. But I respected, I respect your justification

389
00:20:27,160 --> 00:20:29,560
Speaker 2: and I totally understand. I'll give you one that I

390
00:20:29,600 --> 00:20:32,800
Speaker 2: think is actually just like a Pan Latin American saying,

391
00:20:32,880 --> 00:20:35,320
Speaker 2: I feel like I've heard this said in more places

392
00:20:35,320 --> 00:20:36,720
Speaker 2: than just minus whatever, but I thought it was just

393
00:20:36,800 --> 00:20:39,760
Speaker 2: Venezuelan and it is Masave.

394
00:20:43,359 --> 00:20:44,080
Speaker 3: I know that one.

395
00:20:44,200 --> 00:20:48,480
Speaker 2: It's so good, it's so good. I honestly I think

396
00:20:48,560 --> 00:20:52,240
Speaker 2: this is a pitch for a movie, Like I think

397
00:20:52,280 --> 00:20:54,840
Speaker 2: this is so good. It's so logline for a series

398
00:20:54,880 --> 00:20:58,600
Speaker 2: I could watch it is. It tells such a story.

399
00:20:59,320 --> 00:21:02,400
Speaker 2: In English, it means the devil knows more because he's

400
00:21:02,400 --> 00:21:05,760
Speaker 2: old than because he is the devil. I mean, it

401
00:21:05,960 --> 00:21:09,040
Speaker 2: just packs a punch. This is about wisdom, This is

402
00:21:09,040 --> 00:21:13,280
Speaker 2: about growing up. This is about the devil. Where did

403
00:21:13,320 --> 00:21:15,480
Speaker 2: he come in? You know what I mean? He could

404
00:21:15,520 --> 00:21:18,159
Speaker 2: have just said you get wiser as you get older,

405
00:21:18,160 --> 00:21:21,679
Speaker 2: but no, we brought the devil into this. We were like, no, no, no, no, no,

406
00:21:21,760 --> 00:21:24,680
Speaker 2: let's make this spicy. The devil. You know that guy,

407
00:21:24,720 --> 00:21:28,000
Speaker 2: you know that evil motherfucker. Well you think he might

408
00:21:28,000 --> 00:21:30,280
Speaker 2: be smart, but it's because it's just because he's he's

409
00:21:30,320 --> 00:21:33,160
Speaker 2: been around forever, he's old. It's not because he's the devil.

410
00:21:33,359 --> 00:21:36,560
Speaker 2: Oh my goodness, Like what a character arc painting? As

411
00:21:36,680 --> 00:21:42,200
Speaker 2: you're painting a picture, you're telling a story all with one, two, three, four, five, six, seven, eight,

412
00:21:42,320 --> 00:21:47,639
Speaker 2: nine words, nine words air go. I give this a

413
00:21:47,760 --> 00:21:50,159
Speaker 2: nine out of ten. This saying deserves a nine out

414
00:21:50,200 --> 00:21:50,399
Speaker 2: of ten.

415
00:21:50,480 --> 00:21:53,200
Speaker 4: Oh yeah, it's very it's very poetic.

416
00:21:53,680 --> 00:21:57,160
Speaker 2: It's perfection. I remember my grandma would say. She would

417
00:21:57,240 --> 00:21:59,600
Speaker 2: say it angry to herself, muttering, and I feel like

418
00:21:59,640 --> 00:22:02,240
Speaker 2: that's how most old people would say sayings, like to themselves,

419
00:22:02,280 --> 00:22:04,240
Speaker 2: as if there was a camera there, like they're having

420
00:22:04,280 --> 00:22:07,800
Speaker 2: a little separate soliloquy and no one they they think

421
00:22:07,800 --> 00:22:09,720
Speaker 2: no one else is listening, but they're saying it to themselves.

422
00:22:09,760 --> 00:22:12,359
Speaker 2: Like my grandma would be like washing the dishes, and

423
00:22:12,400 --> 00:22:15,359
Speaker 2: like we'd be talking about something and then like an

424
00:22:15,400 --> 00:22:17,480
Speaker 2: aunt or an uncle that is being annoying or I

425
00:22:17,480 --> 00:22:21,639
Speaker 2: don't know what, and then she'd be like and then

426
00:22:21,680 --> 00:22:23,840
Speaker 2: you'd be like, OK, She's like I na not you

427
00:22:23,920 --> 00:22:30,639
Speaker 2: know yahnah. That's literally every single time. Yeah.

428
00:22:30,720 --> 00:22:32,040
Speaker 4: I would actually give this one a ten.

429
00:22:32,240 --> 00:22:33,360
Speaker 2: Oh my goodness, yes.

430
00:22:33,200 --> 00:22:36,399
Speaker 3: Because so many Latinos know this phrase, so it's like gone,

431
00:22:36,440 --> 00:22:42,200
Speaker 3: hella viral, and it just seems like a professional writer

432
00:22:43,040 --> 00:22:45,880
Speaker 3: or a poet came up with this, like.

433
00:22:45,760 --> 00:22:48,040
Speaker 2: Freaking I gotta see. Americis was like, yo, you know

434
00:22:48,080 --> 00:22:51,600
Speaker 2: what you know? The saying the older, the wiser. Let's

435
00:22:51,640 --> 00:22:57,240
Speaker 2: just make it freaking amazing. Yes, yes, let's add attention

436
00:22:57,400 --> 00:23:00,439
Speaker 2: and drama to this saying. Yeah, okay, so since this

437
00:23:00,480 --> 00:23:06,040
Speaker 2: one's winning so far, we got nine point five, so Jenny,

438
00:23:06,080 --> 00:23:08,360
Speaker 2: let's see you you you might you might still win.

439
00:23:08,720 --> 00:23:16,040
Speaker 3: So let's see this one is sol that.

440
00:23:16,000 --> 00:23:20,800
Speaker 2: Will end like the Guateal Party. So I'm going to

441
00:23:21,640 --> 00:23:25,639
Speaker 2: guess here that the Guateu Party was some kind of

442
00:23:25,720 --> 00:23:30,639
Speaker 2: party where like something horrible happened, like people like the

443
00:23:30,800 --> 00:23:33,320
Speaker 2: soldiers showed up, or like there was something really horrible

444
00:23:33,359 --> 00:23:36,080
Speaker 2: that happened at this party. So it's a party where

445
00:23:36,080 --> 00:23:40,919
Speaker 2: it unexpectedly went totally downhill. That's what I That's what

446
00:23:40,960 --> 00:23:41,879
Speaker 2: I would guess.

447
00:23:42,200 --> 00:23:45,240
Speaker 3: Yeah. So this is actually one of the best known

448
00:23:45,400 --> 00:23:50,479
Speaker 3: Cuban sayings. It was the Guateal Festival and it became

449
00:23:50,560 --> 00:23:54,320
Speaker 3: a true tragedy. But there are different versions that explain

450
00:23:54,400 --> 00:23:57,800
Speaker 3: what actually went down at the Guateau Festival. So there's

451
00:23:57,840 --> 00:23:59,320
Speaker 3: three theories. One of them is that there was a

452
00:23:59,359 --> 00:24:04,399
Speaker 3: discussion occurred during an Afro Cuban religious celebration. Another theory

453
00:24:04,400 --> 00:24:07,159
Speaker 3: is that there was an attack by Spanish soldiers, and

454
00:24:07,240 --> 00:24:09,760
Speaker 3: another theory is that there was a love conflict caused

455
00:24:09,760 --> 00:24:10,960
Speaker 3: by jealousy.

456
00:24:10,920 --> 00:24:12,680
Speaker 2: And the party just went downhill.

457
00:24:12,880 --> 00:24:15,119
Speaker 4: It just went downhill, and everyone.

458
00:24:14,760 --> 00:24:16,840
Speaker 2: Heard about this party going downhill. People were like, Yo,

459
00:24:16,840 --> 00:24:19,119
Speaker 2: did you hear about that crazy party? Yeah? It ended

460
00:24:19,359 --> 00:24:19,760
Speaker 2: real man.

461
00:24:19,840 --> 00:24:23,000
Speaker 3: Can you imagine, like you throw this party, this festival,

462
00:24:23,640 --> 00:24:27,280
Speaker 3: it goes downhill in the worst of ways, and it

463
00:24:27,359 --> 00:24:30,439
Speaker 3: was so bad that like centuries later, people are still

464
00:24:30,480 --> 00:24:32,960
Speaker 3: talking about that party. I mean, it's funny because there's

465
00:24:33,040 --> 00:24:35,480
Speaker 3: like these three very different theories, and it's just like,

466
00:24:35,480 --> 00:24:37,199
Speaker 3: that's how long ago it was that it becomes like

467
00:24:37,240 --> 00:24:40,080
Speaker 3: a game of telephone and you're like, what really went down?

468
00:24:40,240 --> 00:24:43,000
Speaker 3: This is like more in depth on. One of the

469
00:24:43,000 --> 00:24:47,919
Speaker 3: theories is that I had to do with this woman

470
00:24:48,480 --> 00:24:51,359
Speaker 3: named ed Metha. Of course, this is the most Cuban

471
00:24:51,400 --> 00:24:53,840
Speaker 3: fucking name. When I saw that name, I was like,

472
00:24:53,880 --> 00:24:57,800
Speaker 3: of course Amida. Everyone knows any Metha. And she was

473
00:24:57,880 --> 00:25:02,080
Speaker 3: super popular and she went to the Wataupha because duh

474
00:25:02,359 --> 00:25:06,159
Speaker 3: and several men that she was leading on showed up

475
00:25:06,200 --> 00:25:11,280
Speaker 3: to this festival and she like decided, fuck it, I'm

476
00:25:11,280 --> 00:25:13,320
Speaker 3: gonna dance with all of them and like have a

477
00:25:13,359 --> 00:25:15,920
Speaker 3: good time. But one of the dudes was like he

478
00:25:16,000 --> 00:25:18,680
Speaker 3: got mad jealous. He's like, no, I want to dance

479
00:25:18,800 --> 00:25:22,080
Speaker 3: exclusively with you, and she's like no, she rejected him,

480
00:25:22,240 --> 00:25:24,199
Speaker 3: and the man was filled with such anger he just

481
00:25:24,240 --> 00:25:27,680
Speaker 3: haded to attack anyone who even looked at her, and

482
00:25:27,760 --> 00:25:31,520
Speaker 3: he like threw musical instruments and shit like and then

483
00:25:31,520 --> 00:25:35,680
Speaker 3: it just became a big brawl amongst the party goers,

484
00:25:36,520 --> 00:25:39,159
Speaker 3: so everyone got injured and shit. It was just like

485
00:25:40,200 --> 00:25:42,439
Speaker 3: it all started because of this one chick in Neitha.

486
00:25:42,800 --> 00:25:46,000
Speaker 2: You know, I'm gonna say that it's that, isn't it.

487
00:25:46,400 --> 00:25:49,560
Speaker 2: Meth Uh. I think that's a myth. I think that's

488
00:25:49,560 --> 00:25:49,840
Speaker 2: a myth.

489
00:25:49,960 --> 00:25:52,000
Speaker 6: That's so typical, Like, you know, you know what happened

490
00:25:52,040 --> 00:25:55,200
Speaker 6: that crazy massacre because a woman was dancing, Like every

491
00:25:55,320 --> 00:25:58,000
Speaker 6: every time, there's always like they can't be that simple.

492
00:25:58,040 --> 00:26:02,000
Speaker 2: It's like no, no, no, that light and I'm like, that

493
00:26:02,160 --> 00:26:05,639
Speaker 2: doesn't justify That doesn't justify the massacre or like the

494
00:26:05,680 --> 00:26:08,280
Speaker 2: brawl that occurred. That does not make any sense to me.

495
00:26:08,359 --> 00:26:10,040
Speaker 2: But it's like, but I'm I.

496
00:26:10,040 --> 00:26:12,920
Speaker 3: Mean absolutely, this was like Spaniards doing some stupid shit.

497
00:26:13,400 --> 00:26:16,959
Speaker 3: That's just let's just be real, let's move on. It

498
00:26:17,000 --> 00:26:21,520
Speaker 3: was fucking up like they normally do.

499
00:26:21,600 --> 00:26:23,120
Speaker 2: And they were like, you know what, let's just blame

500
00:26:23,160 --> 00:26:25,720
Speaker 2: it on poor Let's just blame it on Meet. The

501
00:26:25,760 --> 00:26:27,840
Speaker 2: probably didn't even go meet that was probably home. She

502
00:26:27,920 --> 00:26:30,359
Speaker 2: was like, yo, what the fuck? Like, Yo, we heard,

503
00:26:30,760 --> 00:26:32,879
Speaker 2: we heard what happened. And she's like, dude, I literally

504
00:26:32,960 --> 00:26:36,320
Speaker 2: was at home sewing, okay, because there's nothing else to do,

505
00:26:36,560 --> 00:26:38,520
Speaker 2: and I was sewing. I was being peaceful. And now

506
00:26:38,560 --> 00:26:42,040
Speaker 2: everyone thinks I'm just like some you know, brawl starting

507
00:26:42,600 --> 00:26:45,560
Speaker 2: dancing lady. Anyway, I feel bad forraid to meet them.

508
00:26:45,600 --> 00:26:48,399
Speaker 3: That's yeah, that's definitely like a sugarcoating of what really

509
00:26:48,440 --> 00:26:51,840
Speaker 3: went down, and like someone trying to protect like these angry,

510
00:26:52,720 --> 00:26:56,400
Speaker 3: violent Spaniards. I'm like, did they not have a hobby.

511
00:26:56,680 --> 00:26:59,000
Speaker 2: No one had a hobby at that time, Okay, well,

512
00:26:59,000 --> 00:27:00,840
Speaker 2: no one was just like trying to survive.

513
00:27:00,960 --> 00:27:02,680
Speaker 4: Wouldn't gotten into arts and crafts.

514
00:27:02,720 --> 00:27:06,080
Speaker 2: I don't know, I know, like Amita, who was just sewing. Yeah,

515
00:27:06,119 --> 00:27:10,120
Speaker 2: oh my god, according to my theory, So I think

516
00:27:10,200 --> 00:27:13,159
Speaker 2: that I think that's saying. I would give it. I

517
00:27:13,200 --> 00:27:15,080
Speaker 2: think an eight out of ten. I think it tells

518
00:27:15,119 --> 00:27:17,600
Speaker 2: a story. I think people would ask. I think that's like, Okay,

519
00:27:17,680 --> 00:27:20,960
Speaker 2: there's like a historical question to it. It's very much

520
00:27:21,000 --> 00:27:24,960
Speaker 2: tied to Cuban history in some way, and it's mysterious,

521
00:27:25,119 --> 00:27:26,119
Speaker 2: which I enjoy.

522
00:27:26,520 --> 00:27:28,879
Speaker 3: Yeah, same, I would give it a seven point five

523
00:27:29,200 --> 00:27:31,639
Speaker 3: because it is cool. There's like a lot of different

524
00:27:31,680 --> 00:27:34,919
Speaker 3: theories and history behind it. It makes people question, like

525
00:27:34,960 --> 00:27:37,560
Speaker 3: you said, but it's also very easy to guess, like

526
00:27:37,600 --> 00:27:41,720
Speaker 3: you easily guessed what it meant, like okay, right, even

527
00:27:41,760 --> 00:27:45,440
Speaker 3: though I don't know what this Gadal party was about,

528
00:27:45,840 --> 00:27:47,720
Speaker 3: it sounds like it wasn't good.

529
00:27:49,000 --> 00:27:52,160
Speaker 2: So yeah, yeah, yeah, it like we wouldn't be saying

530
00:27:52,200 --> 00:27:55,960
Speaker 2: it in this way. We would be saying like, can't

531
00:27:55,960 --> 00:27:59,479
Speaker 2: wait for it to be like the what party? You know,

532
00:27:59,520 --> 00:28:02,320
Speaker 2: and it's like, no, this might end up like it. Yeah,

533
00:28:02,600 --> 00:28:03,920
Speaker 2: it's a cautionary.

534
00:28:03,440 --> 00:28:04,440
Speaker 4: Tale you just don't want.

535
00:28:04,480 --> 00:28:06,879
Speaker 3: But like, yo, she's about to go down like that

536
00:28:06,960 --> 00:28:12,000
Speaker 3: Jenny Lorenzo Halloween party from nineteen ninety eight, which like

537
00:28:12,160 --> 00:28:13,480
Speaker 3: was what my eighth birthday?

538
00:28:13,800 --> 00:28:15,560
Speaker 4: I don't uge her. I can't map.

539
00:28:16,000 --> 00:28:18,119
Speaker 2: I heard, I heard, I heard it was a it

540
00:28:18,160 --> 00:28:21,879
Speaker 2: was a disaster, Jenny. I heard you arrived wanting to

541
00:28:21,960 --> 00:28:24,320
Speaker 2: dance with every other eight year old and one eight

542
00:28:24,359 --> 00:28:27,240
Speaker 2: year old went crazy and the pinata completely caught on

543
00:28:27,280 --> 00:28:28,600
Speaker 2: fire and it was all your fault.

544
00:28:28,880 --> 00:28:34,600
Speaker 3: So all right, hit me with another one, Okay, I have,

545
00:28:34,800 --> 00:28:35,440
Speaker 3: I have one.

546
00:28:35,800 --> 00:28:38,280
Speaker 2: And the reason I love this one is because so

547
00:28:38,400 --> 00:28:41,920
Speaker 2: many Spanish sayings are so dramatic, so metaphorical, so like,

548
00:28:42,000 --> 00:28:46,120
Speaker 2: oh my goodness, just like Maxico Gabriel, Garcia Marquez up

549
00:28:46,120 --> 00:28:50,000
Speaker 2: in this joint, and this one is just so boring.

550
00:28:50,320 --> 00:28:58,160
Speaker 2: And it is it isn't that Maria was washing and

551
00:28:58,200 --> 00:29:01,520
Speaker 2: then her soap rana that was it. That's it, That's what.

552
00:29:01,600 --> 00:29:02,120
Speaker 3: That's it.

553
00:29:02,520 --> 00:29:03,880
Speaker 2: Okay, what do you think this means?

554
00:29:04,000 --> 00:29:06,480
Speaker 3: It's not like Maria was washing in her soap ran out.

555
00:29:06,760 --> 00:29:08,480
Speaker 3: I mean it kind of sounds like something you'd say

556
00:29:08,480 --> 00:29:10,320
Speaker 3: to like tell someone like it's not a big deal.

557
00:29:10,360 --> 00:29:12,200
Speaker 4: It's not like it could be worse.

558
00:29:12,600 --> 00:29:15,200
Speaker 2: I don't know, Okay, I like I like that. I

559
00:29:15,480 --> 00:29:17,400
Speaker 2: think that's better than the actual meaning.

560
00:29:18,000 --> 00:29:18,600
Speaker 4: What is it?

561
00:29:18,680 --> 00:29:21,400
Speaker 2: Because your way of describing it is like, oh my god,

562
00:29:21,440 --> 00:29:24,680
Speaker 2: things can get worse. Maria was washing, then she ran

563
00:29:24,680 --> 00:29:26,520
Speaker 2: out of soap, and then a serial killer showed up

564
00:29:26,520 --> 00:29:29,080
Speaker 2: and killed her. Like I feel like your your explanation

565
00:29:29,480 --> 00:29:32,920
Speaker 2: makes more makes it more exciting. But what it is

566
00:29:32,920 --> 00:29:37,040
Speaker 2: is like things aren't that simple, Like when I'm like, Mom,

567
00:29:37,120 --> 00:29:39,160
Speaker 2: I you know, this happened, and this happened, and this happened.

568
00:29:39,200 --> 00:29:41,200
Speaker 2: I think it's all because I'm in a bad mood,

569
00:29:41,240 --> 00:29:45,840
Speaker 2: and she's like, ma, you know, there isn't a clear

570
00:29:46,000 --> 00:29:49,200
Speaker 2: cause and effect. Oh yeah, there's a lot of things

571
00:29:49,200 --> 00:29:52,000
Speaker 2: here at play. This isn't as simple as it looks.

572
00:29:52,160 --> 00:29:53,680
Speaker 2: My mom used to say all the time. This is

573
00:29:53,680 --> 00:29:55,800
Speaker 2: one of the ones that my mom would like say

574
00:29:55,840 --> 00:29:57,920
Speaker 2: too much to the point of it losing its meaning.

575
00:29:58,000 --> 00:30:00,000
Speaker 2: And she'd be like, okay, mariatada, and she just even

576
00:30:00,120 --> 00:30:04,000
Speaker 2: and that was it. You didn't even need the rest.

577
00:30:04,360 --> 00:30:07,120
Speaker 2: It was like, you know, it was like implied. It

578
00:30:07,160 --> 00:30:09,479
Speaker 2: wasn't that Maria was washing. Wasn't that Maria was washing.

579
00:30:09,680 --> 00:30:12,840
Speaker 2: So I really enjoyed this one. Oh, Delilah also enjoyed it.

580
00:30:13,120 --> 00:30:13,880
Speaker 2: She loved that one.

581
00:30:14,240 --> 00:30:16,880
Speaker 4: That that's Penny. That's my sister's dog.

582
00:30:16,960 --> 00:30:20,040
Speaker 2: Oh that's Penny. Oh my god. No, no. Now there's

583
00:30:20,080 --> 00:30:23,240
Speaker 2: two dogs wanting to be the Jenny Lorenzo's and Joyna

584
00:30:23,240 --> 00:30:25,480
Speaker 2: houses of the dog world. I think the loud one

585
00:30:25,520 --> 00:30:27,640
Speaker 2: is me, for sure. The loud one is me.

586
00:30:27,840 --> 00:30:29,160
Speaker 4: I'm the one that tumbles down.

587
00:30:29,680 --> 00:30:32,240
Speaker 3: That's another saying, if it's not Delilah, it's Penny.

588
00:30:32,920 --> 00:30:35,320
Speaker 2: If it's not Delilah, it is Penny. There will always

589
00:30:35,360 --> 00:30:38,960
Speaker 2: be a dog creating havoc. So what would you give

590
00:30:39,040 --> 00:30:40,840
Speaker 2: Maria washing dishes out of ten?

591
00:30:41,400 --> 00:30:42,240
Speaker 4: Probably a six?

592
00:30:43,080 --> 00:30:45,600
Speaker 2: Yeah, you're even younger. That's how boring this one was too.

593
00:30:48,920 --> 00:30:53,080
Speaker 2: Well yeah, okay, this one wasn't my best one. Okay,

594
00:30:53,280 --> 00:30:55,520
Speaker 2: I'll admit it, but it's one I felt close to

595
00:30:55,600 --> 00:30:55,960
Speaker 2: my heart.

596
00:30:56,640 --> 00:30:58,520
Speaker 4: Well, yeah, because your mom uses it all the time.

597
00:30:58,880 --> 00:30:59,080
Speaker 3: Yeah.

598
00:30:59,520 --> 00:31:01,400
Speaker 2: Oh, and I love how my mom says it. My

599
00:31:01,480 --> 00:31:04,080
Speaker 2: mom also like adds like some like drama to it,

600
00:31:04,240 --> 00:31:06,600
Speaker 2: like like how my grandma used to do washing the

601
00:31:06,680 --> 00:31:08,920
Speaker 2: dishes as we talked, and she would be listening and

602
00:31:09,000 --> 00:31:11,320
Speaker 2: says it to herself like a soliloquy. My mom will

603
00:31:11,360 --> 00:31:17,640
Speaker 2: be like h, you know, like h to herself, to herself,

604
00:31:17,960 --> 00:31:23,560
Speaker 2: just a little little sassy to herself, saying, you know, Jenny,

605
00:31:23,600 --> 00:31:26,040
Speaker 2: no one would ever tell you that, saying because you

606
00:31:26,120 --> 00:31:29,200
Speaker 2: always have an explanation for why things happen, like very

607
00:31:29,320 --> 00:31:32,600
Speaker 2: detailed explanations and theories like oh, I mean I'm I'm

608
00:31:32,720 --> 00:31:35,480
Speaker 2: like I'm tired. You're not tired because of ADHD. There's

609
00:31:35,520 --> 00:31:40,480
Speaker 2: something called circumvental picantac CACN disorder, and you're there's a

610
00:31:40,560 --> 00:31:42,880
Speaker 2: chemical in your brain, and I'm like, what, no, bro,

611
00:31:43,000 --> 00:31:46,680
Speaker 2: I just didn't sleep. It's simple. Maria was washing the

612
00:31:46,800 --> 00:31:49,760
Speaker 2: soap right now, I didn't sleep. I am tired. You're like, no,

613
00:31:49,880 --> 00:31:51,800
Speaker 2: that's not how it works. That's not how it works. Actually,

614
00:31:52,200 --> 00:31:56,920
Speaker 2: there's another theory. It's too simple for you. If it

615
00:31:57,080 --> 00:31:59,600
Speaker 2: was like Maria was washing, then she got distracted, she

616
00:31:59,720 --> 00:32:01,640
Speaker 2: went on a BuzzFeed quiz, she found out she was

617
00:32:01,680 --> 00:32:03,680
Speaker 2: a sandwich. Then she forgot she was washing. Then she

618
00:32:03,800 --> 00:32:05,760
Speaker 2: left the house. She came back, she realized she needed

619
00:32:05,760 --> 00:32:07,080
Speaker 2: to wash, and then she realized she didn't have soap,

620
00:32:07,120 --> 00:32:08,920
Speaker 2: so she went to go get the soap. She came back,

621
00:32:09,000 --> 00:32:11,720
Speaker 2: she started washing, and then she forgot again. And that

622
00:32:11,800 --> 00:32:13,440
Speaker 2: would be your your iteration of this.

623
00:32:13,680 --> 00:32:17,360
Speaker 3: Well, actually, Joanna, it's because over explaining is a trauma

624
00:32:17,440 --> 00:32:23,000
Speaker 3: response for fellow adhders, because people tend to think that

625
00:32:23,080 --> 00:32:25,040
Speaker 3: we're just a bunch of lazy fuck ups, and we

626
00:32:25,160 --> 00:32:28,240
Speaker 3: have to always like over explain ourselves so that people

627
00:32:28,680 --> 00:32:29,600
Speaker 3: don't hate up.

628
00:32:29,840 --> 00:32:33,040
Speaker 2: Oh my god, I think Maria had ADHD. Maria had ADHD.

629
00:32:33,160 --> 00:32:35,880
Speaker 2: She had trauma. Maria had adhd. She was just she

630
00:32:36,000 --> 00:32:38,320
Speaker 2: actually was just washing and then her soap ran out.

631
00:32:38,360 --> 00:32:41,400
Speaker 2: Stop you know, but no, you're right, this is you

632
00:32:41,480 --> 00:32:45,160
Speaker 2: know what, this this has a new layer to it

633
00:32:46,480 --> 00:32:50,280
Speaker 2: thanks to you. All Right, what's your next one?

634
00:32:50,880 --> 00:32:54,720
Speaker 3: There's so many that I'm just like trying to decide. Okay,

635
00:32:54,760 --> 00:32:57,080
Speaker 3: well I'm gonna say this one. It's not it's not poetic.

636
00:32:57,160 --> 00:32:59,800
Speaker 3: It's not like, oh my god, I like fascinating. But

637
00:33:00,000 --> 00:33:02,640
Speaker 3: but I say it all the time because my mom

638
00:33:02,760 --> 00:33:05,080
Speaker 3: says it all the time, and but a lot of

639
00:33:05,080 --> 00:33:06,440
Speaker 3: people don't know what the fuck I'm talking.

640
00:33:06,240 --> 00:33:08,840
Speaker 4: About though, even though it's like two words tremendo.

641
00:33:09,480 --> 00:33:12,000
Speaker 3: Okay, I I think I can discern what that means

642
00:33:12,040 --> 00:33:13,440
Speaker 3: tremendous package.

643
00:33:13,280 --> 00:33:19,080
Speaker 2: Which is sounds pornographic, but it is not. That would

644
00:33:19,120 --> 00:33:21,800
Speaker 2: be that's a whole different meaning. In English. What I'd

645
00:33:21,840 --> 00:33:26,080
Speaker 2: say in tremendo paquet is like sort of like an ordeal, like,

646
00:33:26,200 --> 00:33:28,479
Speaker 2: oh god, that's that's gonna be hard. Oh my god,

647
00:33:28,520 --> 00:33:30,200
Speaker 2: another pornographic saying what am I doing?

648
00:33:30,440 --> 00:33:31,520
Speaker 3: You're actually wrong?

649
00:33:33,000 --> 00:33:35,400
Speaker 4: Oh my god, I'm wrong, wrong, Johanna.

650
00:33:36,800 --> 00:33:40,920
Speaker 2: What is tremento? I imagine it being like, ohh trementdo

651
00:33:41,640 --> 00:33:42,479
Speaker 2: tremendous package.

652
00:33:42,680 --> 00:33:48,640
Speaker 3: Tremendo is when someone is being exaggerative and you'd like

653
00:33:48,760 --> 00:33:52,280
Speaker 3: they're you like you tell they're being exaggerative, they're lying.

654
00:33:53,440 --> 00:33:57,960
Speaker 3: I learned that phrase mostly watching novelas with my mom

655
00:33:58,880 --> 00:34:03,320
Speaker 3: because that phrase matches every single scenario. And there's a

656
00:34:03,440 --> 00:34:07,000
Speaker 3: dude that fucking ends up in a fiery explosion car

657
00:34:07,160 --> 00:34:09,759
Speaker 3: accident on the top of a hill, rolls down fall.

658
00:34:09,880 --> 00:34:12,840
Speaker 3: You see his like dummy stunt double fall off the

659
00:34:12,920 --> 00:34:14,720
Speaker 3: cliff in like fucking flames.

660
00:34:15,160 --> 00:34:17,600
Speaker 4: Then the next scene it's him in.

661
00:34:17,600 --> 00:34:21,480
Speaker 3: The hospital with like a scratch on his forehead and

662
00:34:21,640 --> 00:34:25,120
Speaker 3: he's like fine, and my mom would be like, geta

663
00:34:26,760 --> 00:34:33,279
Speaker 3: get like bullshit, bullshit bro. Get Even till this day,

664
00:34:33,280 --> 00:34:35,840
Speaker 3: I'll be watching like some show with my husband. I'm like,

665
00:34:35,960 --> 00:34:38,000
Speaker 3: I get back, get the bro like please.

666
00:34:38,120 --> 00:34:40,920
Speaker 2: Get buck look at you, soliloqueen to yourself like every

667
00:34:40,960 --> 00:34:42,800
Speaker 2: other Latino one. And when she says a saying like

668
00:34:43,080 --> 00:34:48,040
Speaker 2: get bucket. You know, it's kind of ironic because men

669
00:34:48,440 --> 00:34:53,560
Speaker 2: lie about their bagets all the time. So is this

670
00:34:53,719 --> 00:34:57,440
Speaker 2: huge exaggeration. Get out, don't exaggerate, you know. I think

671
00:34:57,480 --> 00:34:58,320
Speaker 2: that's very appropriate.

672
00:34:58,400 --> 00:35:00,440
Speaker 3: Yeah, it's interesting how baghete is he was like, oh,

673
00:35:00,480 --> 00:35:04,239
Speaker 3: what up? Like this person packaged this entire made up

674
00:35:04,719 --> 00:35:07,640
Speaker 3: fucking story, but it's like obvious that it's made up,

675
00:35:08,239 --> 00:35:11,400
Speaker 3: and so it's like there's no way in hell that

676
00:35:11,600 --> 00:35:15,800
Speaker 3: could have happened. It's almost like when someone wraps or

677
00:35:15,840 --> 00:35:17,560
Speaker 3: like when you order something from Amazon, it comes in

678
00:35:17,600 --> 00:35:21,080
Speaker 3: this giant box and it's like for a toothbrush, and

679
00:35:21,160 --> 00:35:26,000
Speaker 3: you're just like, why did this happen? Yeah, you know

680
00:35:26,600 --> 00:35:29,160
Speaker 3: that's who exaggerated like the size of this thing.

681
00:35:29,360 --> 00:35:31,960
Speaker 2: I really love how efficient this saying is. I think

682
00:35:32,000 --> 00:35:33,239
Speaker 2: i'd give it a night out of ten.

683
00:35:33,480 --> 00:35:36,480
Speaker 3: Well, I'm glad I went with this one. Yeah, it's

684
00:35:36,560 --> 00:35:41,040
Speaker 3: it's one that I truthfully use on a freaking daily basis.

685
00:35:42,920 --> 00:35:46,440
Speaker 2: It's great. It's great. So I think the winner is

686
00:35:46,520 --> 00:35:49,839
Speaker 2: still nine point five.

687
00:35:50,040 --> 00:35:50,719
Speaker 4: Yeah, for sure.

688
00:35:50,840 --> 00:35:53,600
Speaker 2: I think that's the winner for sure. But like before

689
00:35:53,680 --> 00:35:56,200
Speaker 2: we you know, log off and say our goodbyes and

690
00:35:56,520 --> 00:35:58,880
Speaker 2: continue on with our lives. I wanted to share a

691
00:35:58,960 --> 00:36:01,840
Speaker 2: saying that it's relative new. I heard it in my

692
00:36:02,040 --> 00:36:04,960
Speaker 2: generation in Minezuela, and like, I don't think it's as

693
00:36:05,160 --> 00:36:08,320
Speaker 2: well known as other sayings because it's younger, But I

694
00:36:08,880 --> 00:36:11,239
Speaker 2: freaking love this saying and I want to make it

695
00:36:11,320 --> 00:36:16,279
Speaker 2: go ultra viral. And the saying is maf which is,

696
00:36:16,560 --> 00:36:19,800
Speaker 2: he's uglier than a shooting in an elevator. And I

697
00:36:19,920 --> 00:36:22,319
Speaker 2: know it's violent and grotesque and horrible, but I think

698
00:36:22,360 --> 00:36:24,319
Speaker 2: that's one of the reasons I love these sayings. These

699
00:36:24,320 --> 00:36:28,640
Speaker 2: sayings are so absurd, they're so ridiculous. They go to

700
00:36:28,760 --> 00:36:31,400
Speaker 2: the extreme to explain something super simple, like instead of

701
00:36:31,440 --> 00:36:34,319
Speaker 2: saying this dude's ugly, it's like, he's so ugly, he's

702
00:36:34,400 --> 00:36:36,880
Speaker 2: uglier than a shooting in a in an elevator, Like

703
00:36:36,960 --> 00:36:39,560
Speaker 2: that is just that is art, that's metaphor.

704
00:36:39,360 --> 00:36:41,320
Speaker 3: That's oh my fucking god.

705
00:36:41,560 --> 00:36:44,880
Speaker 2: It's it's crazy. But if you rise, you look around

706
00:36:45,160 --> 00:36:50,080
Speaker 2: the world, like every every society, every culture has their

707
00:36:50,120 --> 00:36:53,279
Speaker 2: way of exaggerating and sayings, you know, oh yeah, and

708
00:36:53,680 --> 00:36:56,279
Speaker 2: looking at us, I feel like Latins have fun with it.

709
00:36:56,520 --> 00:36:59,439
Speaker 4: Yeah, we do, and we make no sense to anybody else,

710
00:36:59,520 --> 00:37:00,719
Speaker 4: and that's how we like it.

711
00:37:01,320 --> 00:37:03,520
Speaker 2: So before we leave, I'm going to list off some

712
00:37:03,640 --> 00:37:06,000
Speaker 2: other countries and their sayings to see, like just to

713
00:37:06,120 --> 00:37:08,839
Speaker 2: show you how they save their stuff, and I want

714
00:37:08,840 --> 00:37:11,600
Speaker 2: to see if it fits what we think about generally

715
00:37:11,840 --> 00:37:14,200
Speaker 2: that culture. So in Germany, instead of saying to live

716
00:37:14,239 --> 00:37:17,200
Speaker 2: in luxury, They say to live like a maggot in bacon.

717
00:37:17,520 --> 00:37:24,880
Speaker 3: That is purely disgusting and vomitrocious. Yeah, but makes absolute

718
00:37:25,000 --> 00:37:28,000
Speaker 3: sense because if I were to put myself in the

719
00:37:28,160 --> 00:37:30,120
Speaker 3: shoes of a maggot, that's.

720
00:37:30,000 --> 00:37:30,880
Speaker 4: Where I would want to be.

721
00:37:31,200 --> 00:37:33,240
Speaker 3: That is luxury, truly, that is luxury.

722
00:37:33,320 --> 00:37:34,480
Speaker 4: That is true luxury.

723
00:37:34,680 --> 00:37:36,440
Speaker 3: Yes, absolutely it is.

724
00:37:36,800 --> 00:37:38,879
Speaker 2: And you know, you know, Germans have gone through shit

725
00:37:39,080 --> 00:37:42,120
Speaker 2: and have seen shit, so you know, of course your

726
00:37:42,120 --> 00:37:44,120
Speaker 2: sayings are going to be about maggots on bacon. Then

727
00:37:44,200 --> 00:37:47,040
Speaker 2: I have a Swedish thing. So instead of saying to

728
00:37:47,120 --> 00:37:48,759
Speaker 2: be caught with your pants down, which is like an

729
00:37:48,800 --> 00:37:52,600
Speaker 2: English saying, the Swedish people say caught with your beard

730
00:37:52,680 --> 00:37:56,560
Speaker 2: in a mailbox, say that again, caught with your beard

731
00:37:56,640 --> 00:38:01,360
Speaker 2: in a mailbox? Ow out, and also just like not

732
00:38:01,520 --> 00:38:03,520
Speaker 2: that bad, you know what I mean, Like the Swedish

733
00:38:03,520 --> 00:38:05,800
Speaker 2: people have clearly not gone through what the Germans have

734
00:38:05,920 --> 00:38:07,799
Speaker 2: maybe gone through, Like they're like, this is so bad

735
00:38:07,840 --> 00:38:09,160
Speaker 2: your beard's caught in a mailbox.

736
00:38:09,320 --> 00:38:11,080
Speaker 3: Yeah. I feel like the German version would be like

737
00:38:11,239 --> 00:38:14,680
Speaker 3: getting your pubes trapped in a in your fly your zipper.

738
00:38:15,080 --> 00:38:18,359
Speaker 2: Yeah, that's real pain. Yeah, I feel like Swedish people.

739
00:38:18,480 --> 00:38:20,040
Speaker 2: This tells me that Swedish people have a lot of

740
00:38:20,080 --> 00:38:24,799
Speaker 2: beards and they really really respect the privacy of their

741
00:38:24,880 --> 00:38:28,120
Speaker 2: pulsal service. So those are some things I found just

742
00:38:28,200 --> 00:38:30,600
Speaker 2: by this, this saying. And then obviously in Italy we

743
00:38:30,719 --> 00:38:32,799
Speaker 2: have instead of saying once in a blue moon, which

744
00:38:32,800 --> 00:38:34,279
Speaker 2: I don't even know what a blue moon is, but whatever,

745
00:38:34,520 --> 00:38:36,920
Speaker 2: once in a blue moon, they say every death of

746
00:38:37,000 --> 00:38:40,800
Speaker 2: a pope, every death of a pope, once in a

747
00:38:40,840 --> 00:38:44,239
Speaker 2: blue moon, every death of a pope. Of course you

748
00:38:44,320 --> 00:38:48,440
Speaker 2: have the Yeah, the papacy be there, Vatican, Vatican's there.

749
00:38:48,560 --> 00:38:49,879
Speaker 2: Of course they're gonna be talking about popes.

750
00:38:49,920 --> 00:38:52,080
Speaker 4: You know this makes sense, yeah, yeah, yeah.

751
00:38:52,360 --> 00:38:55,520
Speaker 2: And then the French, instead of saying I have other

752
00:38:55,640 --> 00:38:58,839
Speaker 2: things to do or better fish to fry, the French say,

753
00:38:59,280 --> 00:39:01,440
Speaker 2: I have us cats to whip.

754
00:39:01,880 --> 00:39:04,120
Speaker 4: Hold on, I have other cats to whip.

755
00:39:04,360 --> 00:39:06,520
Speaker 2: I don't know what this could ever mean, because cats

756
00:39:06,560 --> 00:39:07,320
Speaker 2: are never whipped.

757
00:39:07,640 --> 00:39:10,600
Speaker 3: No, And like, for me, my French association with cats

758
00:39:10,719 --> 00:39:14,880
Speaker 3: is the Aristocrats, the Disney film. So I'm like, no,

759
00:39:15,120 --> 00:39:17,120
Speaker 3: no cats get whipped in that film. I don't This

760
00:39:17,320 --> 00:39:18,040
Speaker 3: is very bizarre.

761
00:39:18,239 --> 00:39:19,719
Speaker 2: I mean, the French are a little bizarre, you know,

762
00:39:19,760 --> 00:39:22,480
Speaker 2: they're a little bit like you know, have their films

763
00:39:22,520 --> 00:39:26,279
Speaker 2: are kind of nonsensical. Sometimes they they're more art sy.

764
00:39:26,800 --> 00:39:28,440
Speaker 2: So maybe this just has like some type of like

765
00:39:28,719 --> 00:39:32,200
Speaker 2: art definition here, like they're they're trying to make it

766
00:39:33,000 --> 00:39:37,239
Speaker 2: purposely confusing to make it feel more poetic. That's what

767
00:39:37,320 --> 00:39:39,480
Speaker 2: i'd say about the French here. Or they hate cats,

768
00:39:39,560 --> 00:39:40,399
Speaker 2: or they just any cats.

769
00:39:40,560 --> 00:39:41,200
Speaker 4: There's something.

770
00:39:41,760 --> 00:39:45,080
Speaker 3: There's some dark, underground shit going on in France regarding

771
00:39:45,160 --> 00:39:48,640
Speaker 3: cats that none of us are aware of. If you're

772
00:39:48,719 --> 00:39:50,960
Speaker 3: Peta and you're listening, I might you might want to

773
00:39:51,040 --> 00:39:51,600
Speaker 3: check in on this.

774
00:39:52,560 --> 00:39:55,000
Speaker 2: Just go go to France. Check in on their cats, please.

775
00:39:55,280 --> 00:39:57,000
Speaker 2: I know they love their dogs, but their cats I've

776
00:39:57,040 --> 00:39:59,080
Speaker 2: never seen one. Yeah, they've never seen a cat in France.

777
00:39:59,239 --> 00:40:01,279
Speaker 3: They go all they go hard for their poodles, but

778
00:40:01,360 --> 00:40:03,279
Speaker 3: I don't know about their cats. Bro. There we go.

779
00:40:03,520 --> 00:40:06,920
Speaker 2: I think we might have discovered an underground ring. So

780
00:40:07,400 --> 00:40:11,040
Speaker 2: you're welcome. We're here. This podcast went for just a

781
00:40:11,160 --> 00:40:14,800
Speaker 2: fun comedy podcast to a true crime podcast about cats

782
00:40:15,239 --> 00:40:18,480
Speaker 2: in France. Tune in next episode to find out what

783
00:40:18,640 --> 00:40:23,520
Speaker 2: these French people are doing to their Siamese. That bit

784
00:40:23,600 --> 00:40:25,920
Speaker 2: went on for far too long, but here we are

785
00:40:26,200 --> 00:40:28,920
Speaker 2: we made it. We made it to the end of

786
00:40:28,960 --> 00:40:31,719
Speaker 2: this We figured out our favorite Spanish saying, and you

787
00:40:31,760 --> 00:40:34,359
Speaker 2: know what we learned about really bizarre sayings around the world.

788
00:40:34,400 --> 00:40:36,399
Speaker 2: And I can say that, what a treat it's been.

789
00:40:36,800 --> 00:40:42,279
Speaker 3: Yeah, I'm as happy as a dog surviving, Oh, Delilah,

790
00:40:42,719 --> 00:40:44,520
Speaker 3: but that's kind of my life. And every time I

791
00:40:44,560 --> 00:40:47,200
Speaker 3: think I'm gonna die, I'm just like, oh, I'm still alive.

792
00:40:47,480 --> 00:40:54,080
Speaker 2: Hala la Allen. That's been my favorite saying of this

793
00:40:54,320 --> 00:40:55,200
Speaker 2: entire podcast.

794
00:40:55,320 --> 00:40:59,839
Speaker 6: Isla la caa like Delilah falling in a in an

795
00:41:00,160 --> 00:41:00,480
Speaker 6: What is that?

796
00:41:00,520 --> 00:41:02,840
Speaker 2: Hannah? Casa Hannah is how do you say that in English?

797
00:41:03,320 --> 00:41:05,560
Speaker 3: A stranger's house or someone else's house.

798
00:41:05,560 --> 00:41:08,520
Speaker 2: But but Hannah is like not stranger. Hannah's like not

799
00:41:08,719 --> 00:41:12,600
Speaker 2: yours but also not totally a stranger. Well, there we go, Delilah,

800
00:41:13,120 --> 00:41:15,880
Speaker 2: thank you for making our podcast make even more sense.

801
00:41:16,239 --> 00:41:18,879
Speaker 2: Maybe that's saying will go viral in ten years people

802
00:41:18,880 --> 00:41:21,239
Speaker 2: will be saying, Delilah, I listen, casa Hannah. That's the

803
00:41:21,360 --> 00:41:21,600
Speaker 2: dream