WEBVTT - 190: Anything Else? Anything Else? Anything Else?

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<v Speaker 1>Start uf dot up, Start Up, Brooklyn Buy, start Up,

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<v Speaker 1>Brooklyn buys start uf dot Up. They're making noise data

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<v Speaker 1>dot dot up. Episode one nine. This is the Brooklyn

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<v Speaker 1>Boys podcast. And uh, our backs are up against the wall.

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<v Speaker 1>Wouldn't you I have a wash room dryer over here,

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<v Speaker 1>but I wouldn't say it's a wall. My I mean

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<v Speaker 1>my backs up against the wall. We we gotta get

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<v Speaker 1>out of here. We got yeah, we gotta don't want

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<v Speaker 1>anything the podcast right now, what I'm what I'm saying

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<v Speaker 1>is Brody and I have a cruise sort of well,

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<v Speaker 1>was you cold as a cruise? You know it's a

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<v Speaker 1>it's a non cruise to nowhere. Yeah, we're hanging with

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<v Speaker 1>our friends at Norwegian Cruise Line and the morning show.

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<v Speaker 1>We're gonna have dinner and we're gonna meet everybody and

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<v Speaker 1>then they're gonna start up. They're gonna crank it all

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<v Speaker 1>up again because the Norwegian Breakaway is leaving on Sunday

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<v Speaker 1>out of the New York City right next to the

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<v Speaker 1>World Miss Intrepid on the west side and and um

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<v Speaker 1>we we um, I don't know. We said, oh, we

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<v Speaker 1>have to do this podcast, but we don't have to.

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<v Speaker 1>We want to do the podcast, so we got to

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<v Speaker 1>get one in before we go. So we're here right

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<v Speaker 1>because we didn't do one last night and a couple

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<v Speaker 1>of people are upset tweeting at me, go, what the

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<v Speaker 1>hell's the episode? Yeah, you know what, it's no, I

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<v Speaker 1>think I want I like the passion, But Wednesday, Thursday,

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<v Speaker 1>you know you're gonna get get one here in the

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<v Speaker 1>middle of the week something. Although now we're towards the

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<v Speaker 1>end of the week and Wednesday's the middle depends on

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<v Speaker 1>It's all relative though for some people that people that

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<v Speaker 1>are off on Mondays and Tuesday's Wednesday's the beginning of

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<v Speaker 1>the week. It's true. So ah yeah. So anyway, so, uh,

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<v Speaker 1>we have some things that we wanted to cover today

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<v Speaker 1>and say, hi, um listen, I may not be able

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<v Speaker 1>to keep doing the podcast. I hate to break it

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<v Speaker 1>to you, given I was given a huge opportunity on Instagram.

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<v Speaker 1>What what Brody? Did they come to you with the

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<v Speaker 1>with an eight figure deal here to be an influencer.

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<v Speaker 1>Guy named Brett Darren. He's an A and R and

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<v Speaker 1>publishing consultant, former casting consultant for America's Got Talented Americans?

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<v Speaker 1>All right, he deemed me and said, would you be

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<v Speaker 1>interested in putting together a girl group? Yeah? I mean,

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<v Speaker 1>now here's the thing. Is he talking about an orgy

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<v Speaker 1>or is he talking about a music group? Either way,

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<v Speaker 1>I'm in So I never contacted him back. But what

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<v Speaker 1>do you think? Scary? Should I should? I like? Why me?

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<v Speaker 1>Why would he ask me? Because I passed? Did you? Yes?

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<v Speaker 1>He contacted you? Sure did? No, dude, you got my

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<v Speaker 1>sloppy seconds on this one. I got all these girls

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<v Speaker 1>sloppy seconds. I gotta find it in Instagram and pull

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<v Speaker 1>it up. What's his name? I'm Brett. I love these people.

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<v Speaker 1>They're playing Mommy and Daddy with us, Good Cop, Bad Cop.

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<v Speaker 1>Well you know I didn't go first. Well, because let's

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<v Speaker 1>check the date. Hold on, what's his name? I'm searching? No,

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<v Speaker 1>what's his Instagram handle? B d A search for b

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<v Speaker 1>d A D Okay, be Brett Darren. Okay, yeah, I

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<v Speaker 1>mean that's okay, that's fine. So he writes to me

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<v Speaker 1>on September, what's the day that yours came in? Brodie,

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<v Speaker 1>I did a screenshot, So let me go back to

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<v Speaker 1>my install. You tell me what yours is, and I'll

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<v Speaker 1>I'll pull up my Instagram and see what day it was.

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<v Speaker 1>It could have been the same day. Let me say,

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<v Speaker 1>hold on, I'm scrolling the search on mine doesn't work.

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<v Speaker 1>If I search for Brett, it'll show me every bread

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<v Speaker 1>on Instagram doesn't September, I am okay. Nothing like sitting

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<v Speaker 1>there after midnight, hanging out in bed or wherever he

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<v Speaker 1>may be, and hitting up my d M s. Here

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<v Speaker 1>come the group text messages. Oh my god, stop, So

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<v Speaker 1>let me just tell you what you would you be

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<v Speaker 1>interested in putting together a girl group? And I wrote, yeah,

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<v Speaker 1>copy and paste. I would not know the first thing

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<v Speaker 1>about it. I'm not a record label. And then he writes,

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<v Speaker 1>you're in radio, so figured you knew some talent. And

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<v Speaker 1>then he gave me the emoji with the shades. Now

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<v Speaker 1>is he throwing shade or like sorry? Or what is

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<v Speaker 1>that supposed to be cute when you throw the emoji

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<v Speaker 1>with the sunglasses on it? I don't know. I got

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<v Speaker 1>the emoji with sunglasses. Yeah. And then and then um,

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<v Speaker 1>I wrote back to him, I wish, but it would

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<v Speaker 1>also be a violation of my contract and a conflict

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<v Speaker 1>of interest with what I do for a living l

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<v Speaker 1>O L. Because it's true, I mean, because we work

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<v Speaker 1>in dude, we never in real life be able to

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<v Speaker 1>uh to put together. You just couldn't pitch them to

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<v Speaker 1>the radio station. You couldn't you couldn't do anything to

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<v Speaker 1>help them. I was under the impression that we can't

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<v Speaker 1>do anything in the music industry that would taint or

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<v Speaker 1>sway and said, you know, you know anything, because then

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<v Speaker 1>that means I can manipulate the playlist. You know, if this,

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<v Speaker 1>what if this girl group becomes big, I might have

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<v Speaker 1>to step aside from my radio job. That's what I'm saying.

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<v Speaker 1>I don't know about this. I guess the podcast is okay.

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<v Speaker 1>It can also be talent searched through the station. Not

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<v Speaker 1>so much. I love you, Brett. Um. I wouldn't know

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<v Speaker 1>the first thing about getting together a group, producing a group.

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<v Speaker 1>I'm not. I just don't understand why he would come

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<v Speaker 1>to two producers on a morning show, Scooter Braun, Scary Braun,

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<v Speaker 1>skip me a bo bop. I don't. I don't get it.

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<v Speaker 1>I'm trying to search. I can't find it. Hold on,

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<v Speaker 1>all right, well, hold on anyway, hold on, Brett, No,

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<v Speaker 1>you know what doesn't what it is? Okay? Hold on?

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<v Speaker 1>What was your date September twelve? What time. Am Okay,

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<v Speaker 1>I want to send you a screenshot, Uh, so you

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<v Speaker 1>can see it. You had it right before me. Twelve.

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<v Speaker 1>I'm sending it right now so you believe me. Twelve twelve.

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<v Speaker 1>So you got you got my I ignored him and

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<v Speaker 1>he hit you up. No, I think I think we're

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<v Speaker 1>both victims of a blanket text. Well, I gotta I

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<v Speaker 1>got another blanket text this week. Let me let me

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<v Speaker 1>pull up the other one I got this week, and

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<v Speaker 1>you tell me what you make of this, because I

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<v Speaker 1>I was it was a little sketchy on my end,

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<v Speaker 1>because first I got excited about it. I'm like, oh,

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<v Speaker 1>that's really nice. Hold on this girl group, girl group.

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<v Speaker 1>Girl group. By the way, if you're a member of

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<v Speaker 1>a girl group and you'd like to contact us, yeah yeah, well,

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<v Speaker 1>uh maybe send us a tape if you're not. That's

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<v Speaker 1>like that's a guy walking around like he saying, hey, listen,

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<v Speaker 1>I'm not a guy of collegist, but I'll have a look, right.

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<v Speaker 1>I gott a M got I got a d M

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<v Speaker 1>from Mary. I'm not gonna give her last name. She writes,

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<v Speaker 1>high exclamation point, uh, double space. I want to thank

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<v Speaker 1>you so much exclamation and point your work makes me

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<v Speaker 1>laugh every day and brought joy insanity during COVID. Your

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<v Speaker 1>work work, keep more specific warmth and respect, Mara. So

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<v Speaker 1>I looked up Mara. Mara follows me for now Yeah right, Um,

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<v Speaker 1>she doesn't follow anyone else from the morning show. So

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<v Speaker 1>somehow she likes only me on the morning show. Right.

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<v Speaker 1>It's not like she's a Brooklyn Boys fan, because you

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<v Speaker 1>would have followed you also on the Brooklyn Boys, so

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<v Speaker 1>I said. So I wrote, Um, thanks for a nice note, Mara.

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<v Speaker 1>I have a question. You don't follow any of my

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<v Speaker 1>co workers, so I'm wondering how come how you came

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<v Speaker 1>about my work or my Instagram account? She says, Oh,

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<v Speaker 1>I saw you on Clubhouse wanted to extended thank you.

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<v Speaker 1>I'm an actress and a producer. Okay, So, so I

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<v Speaker 1>wrote back, Okay, but I'm not on Clubhouse. I assumed

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<v Speaker 1>you were a listener to my morning show or my podcast,

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<v Speaker 1>but you aren't. Forgive me. I often get people copy

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<v Speaker 1>and paste notes to people in the industry who just

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<v Speaker 1>want to connect to other people, and that's fine. I

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<v Speaker 1>was just curious as to what I've done it you'd

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<v Speaker 1>like so I can keep doing it? What is it?

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<v Speaker 1>Exactly I've done that. You like, I have not a response. No,

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<v Speaker 1>no response. And by the way, you'll get the unfollowed

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<v Speaker 1>in about a week or show. Let me see if

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<v Speaker 1>she let me see she follows no more, I'm clicking

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<v Speaker 1>on her program. The only do it to follow you

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<v Speaker 1>to get your attention. That's it. Yea unfollowed. Yeah, because

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<v Speaker 1>you know what, if you're gonna try and disguise it,

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<v Speaker 1>at least live it. Do better, do your research, do

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<v Speaker 1>your homework. No, she still follows me for now. Let's

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<v Speaker 1>follow up in a couple of more follows. Uh, Colbert

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<v Speaker 1>Late Show, Daily Show, a lot of industry people, a

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<v Speaker 1>lot of like industry shows. I don't see any other

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<v Speaker 1>comics that I that I'm looking at. Not of politicians.

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<v Speaker 1>We overlap on some politicians. Huh uh No, nobody, nobody

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<v Speaker 1>that I know. But she follows me, and she's thanking

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<v Speaker 1>me for my work. But apparently she thinks I'm great

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<v Speaker 1>on Clubhouse. Well you know something wing on Clubhouse? Who

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<v Speaker 1>must be raking it in? Well maybe he's out of

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<v Speaker 1>the David Broody. Oh can we talk about that? No,

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<v Speaker 1>I'd rather not that that ruins my day. That can

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<v Speaker 1>I just tell you. I would like to send a

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<v Speaker 1>thank you because I had a problem. I had a

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<v Speaker 1>problem with with two people who sent me vicious hate tweets. Okay,

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<v Speaker 1>I'm not you can go ahead look on my Twitter.

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<v Speaker 1>I'm not gonna give them out again. I don't want

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<v Speaker 1>to start the fight. But one of them, her name

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<v Speaker 1>was Lydia, okay, and she attacked me, thinking I was okay,

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<v Speaker 1>your son of a bitch. She attacked me like a

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<v Speaker 1>lot like people do when I think I'm the guy. Okay.

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<v Speaker 1>And then another woman attacked me. Um, and so I wrote,

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<v Speaker 1>I wrote like six people right because the guy said

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<v Speaker 1>something that most people would think is stupid, and they

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<v Speaker 1>attacked to me, thinking I'm him. You guys know the

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<v Speaker 1>story already. So I emailed everyone back. I tweeted everyone

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<v Speaker 1>back rather and I said, hey, you know I'm not

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<v Speaker 1>the David bo. Do you want please delete the tweet?

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<v Speaker 1>Thank you very much, have a nice day whatever. Blah

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<v Speaker 1>blah yep. One woman wrote back no, and one woman

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<v Speaker 1>wrote back, let meast if I can get it. She said,

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<v Speaker 1>she wrote not going to do it, and I said, uh,

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<v Speaker 1>you know, I keep people. People kept replying to her

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<v Speaker 1>tweet and attacking me I said, hey, listen, gim me

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<v Speaker 1>a favor. I'm not the guy you want. Please delete

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<v Speaker 1>the tweet. She wrote back, boo hoo. Wow. So I

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<v Speaker 1>sent our our hour slices and I said, hey, hey, guys,

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<v Speaker 1>um you got the army story. Sent the army. She

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<v Speaker 1>is the story of a girl. What that's nine days? Right?

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<v Speaker 1>He said, this is the story all right? Right? Right? Yep?

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<v Speaker 1>Sorry Brady, Yeah, exactly, And so a bunch of our

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<v Speaker 1>story of my life. Very loyal listeners like Christopher Travers

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<v Speaker 1>went after her hardcore just vileness. I love it when

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<v Speaker 1>the slices rise up. Oh, they rose up. They got

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<v Speaker 1>very very upset at this awful woman because I asked

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<v Speaker 1>her nicely and and she would not delete the tweet.

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<v Speaker 1>You know what, fuck her, suck her. I'm sorry. I

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<v Speaker 1>don't mean to to spread hate. It's not the Brooklyn way.

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<v Speaker 1>You say, which felt the tractor attactor show, the Coco show,

0:11:44.360 --> 0:11:48.600
<v Speaker 1>the Cocoa show, the Coco attackeder that a drug reference

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<v Speaker 1>solo suet attacked her. But I'm looking. I want to

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<v Speaker 1>see if I can find like one of the really

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<v Speaker 1>violent violent on our end. Why didn't you just ignore her?

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<v Speaker 1>Why does it bother you No, I wanted to Christopher Travers. No, no,

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<v Speaker 1>the people who stuck up for me. Boo hoo, bitch,

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<v Speaker 1>you're getting someone involved that wants nothing to do with

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<v Speaker 1>your dumb ship and propaganda. You're fucking lame. You kept

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<v Speaker 1>at David Brody and you tweet again Cloud You're a bum.

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<v Speaker 1>This is probably the most Twitter feed has had in months.

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<v Speaker 1>I you to the person Mike Milk Milk manager, Hey,

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<v Speaker 1>don't have what our Brody tweet? Who you actually are?

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<v Speaker 1>Not so fond of you, jackass? Damn it, you're a

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<v Speaker 1>lot more so, I apologize I didn't get to all

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<v Speaker 1>of your hits. Just keep on coming. Yeah, yeah, so

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<v Speaker 1>what one woman who said no? The other woman she

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<v Speaker 1>immediately said, my mistake. I didn't realize. I didn't. She

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<v Speaker 1>took it down after she said no. She didn't realized.

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<v Speaker 1>You know, Jason Curly, thank you very much for your

0:12:46.360 --> 0:12:49.080
<v Speaker 1>for your hate love. You know what I love so

0:12:49.160 --> 0:12:52.840
<v Speaker 1>much about us, about about our podcast. But we always

0:12:52.840 --> 0:12:56.240
<v Speaker 1>know how to start on such a positive note. And

0:12:56.320 --> 0:12:58.920
<v Speaker 1>there it was, Oh would you like a positive note?

0:12:58.920 --> 0:13:03.800
<v Speaker 1>I'll give you a positive note right after this, because

0:13:03.800 --> 0:13:05.920
<v Speaker 1>I was gonna drag us down. I was gonna bring

0:13:06.000 --> 0:13:08.040
<v Speaker 1>us right back into the mud because I gotta complaint.

0:13:08.120 --> 0:13:10.800
<v Speaker 1>Oh I'm seeing them with anger Brodie. But I'll save that.

0:13:11.400 --> 0:13:13.120
<v Speaker 1>It could be a scary rant for later on. But

0:13:13.160 --> 0:13:16.640
<v Speaker 1>now we gotta we gotta balance it out, all right. Well,

0:13:16.640 --> 0:13:18.520
<v Speaker 1>thank you Jason Romana, who I didn't thank for sticking

0:13:18.559 --> 0:13:22.000
<v Speaker 1>up for me. But I had some good news. You

0:13:22.080 --> 0:13:24.360
<v Speaker 1>got you save money in your car insurance. I did

0:13:25.640 --> 0:13:29.120
<v Speaker 1>so after almost a year of trying to get it

0:13:29.160 --> 0:13:31.920
<v Speaker 1>done and getting a graphic that was high res enough

0:13:33.360 --> 0:13:37.600
<v Speaker 1>Brooklyn Boys dot Big Cartel dot com. That's Brooklyn Boys

0:13:38.040 --> 0:13:43.040
<v Speaker 1>dot Big car Cartel dot com. There you go. You

0:13:43.080 --> 0:13:46.400
<v Speaker 1>can now purchase a Walker's and Talkers T shirt. Yes,

0:13:46.480 --> 0:13:49.080
<v Speaker 1>it's right there in the store right there, so have

0:13:49.280 --> 0:13:51.920
<v Speaker 1>at it. It's a very it's a multi call. It's

0:13:51.960 --> 0:13:54.640
<v Speaker 1>more colors than one logo than anything the Brooklyn Boys

0:13:54.640 --> 0:13:59.679
<v Speaker 1>put together so far. However, we talked about some merchandise

0:13:59.760 --> 0:14:02.240
<v Speaker 1>land this week on this on this podcast on the

0:14:02.280 --> 0:14:05.440
<v Speaker 1>Brooklyn Boys, and we have an updoda merchandise And by

0:14:05.440 --> 0:14:07.400
<v Speaker 1>the way, I'm getting a little excited because we saw

0:14:07.480 --> 0:14:11.120
<v Speaker 1>some designs for some said merchandise. Team has already worked

0:14:11.200 --> 0:14:14.559
<v Speaker 1>on some designs and by the way, he created three

0:14:14.800 --> 0:14:18.000
<v Speaker 1>new ornaments, three ornaments for a Christmas tree, and all

0:14:18.040 --> 0:14:20.600
<v Speaker 1>three of them I'm in love with. But yeah, and

0:14:20.600 --> 0:14:23.480
<v Speaker 1>he's going to continue. Um nobody, there'd be some hone.

0:14:26.320 --> 0:14:28.480
<v Speaker 1>Uh yeah. Also, I had an idea for a shirts scared.

0:14:28.480 --> 0:14:30.560
<v Speaker 1>Do you think people would buy the shirt? It says

0:14:30.560 --> 0:14:33.880
<v Speaker 1>Brooklyn Boys dot big Cartel dot com. Then in big letters,

0:14:33.960 --> 0:14:36.320
<v Speaker 1>much bigger font, this says that's and then it gives

0:14:36.400 --> 0:14:40.720
<v Speaker 1>the Brooklyn Boys that big Cartel dot com again. Uh maybe,

0:14:41.880 --> 0:14:43.920
<v Speaker 1>I don't know if that would sell. Maybe a wallpaper

0:14:43.960 --> 0:14:45.960
<v Speaker 1>for your laptop. I don't know if that would sell.

0:14:46.120 --> 0:14:49.600
<v Speaker 1>Maybe a tattoo. I got burned out of twenty bucks

0:14:49.600 --> 0:14:52.920
<v Speaker 1>over the weekend. I was upset. I had radio music festival. No,

0:14:53.000 --> 0:14:55.000
<v Speaker 1>this isn't the rant, This isn't the rant. No, No,

0:14:55.120 --> 0:14:58.200
<v Speaker 1>the rant is the rant. Happened yesterday afternoon afternoon, and

0:14:58.280 --> 0:15:01.440
<v Speaker 1>it loved fucking fun. Me over with my food? You know,

0:15:01.480 --> 0:15:04.360
<v Speaker 1>one who comes between me and my food? Okay, pisses me.

0:15:04.400 --> 0:15:07.240
<v Speaker 1>I want to lose a finger. So I was at

0:15:07.320 --> 0:15:10.280
<v Speaker 1>I heard a music festival and we were backstage hanging

0:15:10.320 --> 0:15:12.200
<v Speaker 1>out at the Warner Brothers music lounge. They do it

0:15:12.280 --> 0:15:15.080
<v Speaker 1>like a special thing for some of the artists and um,

0:15:15.120 --> 0:15:16.480
<v Speaker 1>some of the people that are hanging out back there.

0:15:16.480 --> 0:15:18.440
<v Speaker 1>And I was, you know me, I like to what

0:15:18.480 --> 0:15:21.240
<v Speaker 1>do they call old school eighties reference hob nob with

0:15:21.280 --> 0:15:24.480
<v Speaker 1>the goober smoochers just stole that one guy who used

0:15:24.480 --> 0:15:28.080
<v Speaker 1>to work Okay, anyway, I used to be basically hanging

0:15:28.120 --> 0:15:31.640
<v Speaker 1>out with some friends and in radio, and there was

0:15:31.680 --> 0:15:36.000
<v Speaker 1>a guy and then again judging a book by its cover, um,

0:15:36.080 --> 0:15:38.600
<v Speaker 1>that's what this story is about. He was standing in

0:15:38.640 --> 0:15:41.720
<v Speaker 1>the corner, tall, like lanky guy, blonde hair, just had

0:15:41.760 --> 0:15:44.880
<v Speaker 1>a T shirt on with a giant credential around his neck.

0:15:45.400 --> 0:15:48.120
<v Speaker 1>You know. So I'm like, maybe he's probably probably a

0:15:48.120 --> 0:15:50.080
<v Speaker 1>record guy and he's talking to just one person and

0:15:50.160 --> 0:15:53.720
<v Speaker 1>no one else is around them. So one of our

0:15:54.520 --> 0:15:57.960
<v Speaker 1>one of our friends from Detroit I believe, or where

0:15:57.960 --> 0:16:00.560
<v Speaker 1>were we Chicago? She was like, hey, one of our

0:16:00.640 --> 0:16:04.120
<v Speaker 1>radio friends. She says, hey, because that's Phineas. Phineas if

0:16:04.160 --> 0:16:06.520
<v Speaker 1>you don't know, is is the older brother of Billie

0:16:06.520 --> 0:16:09.960
<v Speaker 1>Eilish helped her. The two of them collapsed on on

0:16:09.960 --> 0:16:12.960
<v Speaker 1>on her album When You Go to Sleep? Where do

0:16:13.000 --> 0:16:14.440
<v Speaker 1>you go When We Go to Sleep? You know? That

0:16:14.560 --> 0:16:17.280
<v Speaker 1>the smash album that we were playing five songs from,

0:16:17.360 --> 0:16:21.160
<v Speaker 1>and he had been on stage with her probably about

0:16:21.320 --> 0:16:24.520
<v Speaker 1>half hours on stage with Billie Eilish with her with

0:16:24.560 --> 0:16:29.840
<v Speaker 1>bill Billy a half hour prior, rocking his fucking guitar,

0:16:30.080 --> 0:16:34.040
<v Speaker 1>just just fucking playing like like frenetically with her, like

0:16:34.200 --> 0:16:37.480
<v Speaker 1>going crazy. And I was there to see it, right

0:16:37.520 --> 0:16:40.920
<v Speaker 1>in the front and that though. I was. I walked

0:16:40.920 --> 0:16:43.720
<v Speaker 1>into the pit to see her set and he's going crazy.

0:16:44.080 --> 0:16:46.880
<v Speaker 1>Someone's going nuts, right, and then and then and then

0:16:47.560 --> 0:16:50.320
<v Speaker 1>fast forward a half hour and the dude's in there right,

0:16:50.480 --> 0:16:52.520
<v Speaker 1>and then she goes, hey, that's that's got that's Phineas.

0:16:52.560 --> 0:16:56.520
<v Speaker 1>Looks like him, and I'm finish jab. I'm like, that's

0:16:56.560 --> 0:16:59.320
<v Speaker 1>not like, there's no fucking way that's Phineas. I said

0:16:59.480 --> 0:17:03.320
<v Speaker 1>that it's faux Phineas. And then and she's like, no,

0:17:03.440 --> 0:17:07.200
<v Speaker 1>it's him. So she starts googling pictures and images and

0:17:07.200 --> 0:17:08.679
<v Speaker 1>and I'm like, look, why don't you just look at

0:17:08.680 --> 0:17:11.000
<v Speaker 1>the video that I took a half hour ago. So

0:17:11.359 --> 0:17:14.679
<v Speaker 1>we take my video from Instagram and we're trying to

0:17:14.720 --> 0:17:16.919
<v Speaker 1>spause it and like look, and I'm like, look, the

0:17:17.000 --> 0:17:19.720
<v Speaker 1>sideburns don't match. I'm like, that's not him. I'm like,

0:17:19.800 --> 0:17:22.600
<v Speaker 1>and plus he's got higher cheakbones with her sidebones. He

0:17:22.840 --> 0:17:26.320
<v Speaker 1>took his sideburns off. And that's so I'm looking. I'm looking,

0:17:26.560 --> 0:17:28.720
<v Speaker 1>and she's looking. And and now four of us and

0:17:28.720 --> 0:17:31.760
<v Speaker 1>our friends Spike from the Mojo show in the morning,

0:17:32.160 --> 0:17:34.600
<v Speaker 1>he was he gets in on it goes, I don't know, man,

0:17:34.960 --> 0:17:39.040
<v Speaker 1>I think that's fake Phineas. And then the other girl goes, now,

0:17:39.080 --> 0:17:43.239
<v Speaker 1>that's Phineas fraud and then I'm like yes, and then

0:17:43.680 --> 0:17:46.600
<v Speaker 1>she's like, dude, it's got to be him. And I'm like,

0:17:46.640 --> 0:17:48.800
<v Speaker 1>but look look at the frame. And now we're holding

0:17:48.840 --> 0:17:52.240
<v Speaker 1>up my phone with the picture that I took thirty

0:17:52.240 --> 0:17:54.520
<v Speaker 1>minutes prior, and the guy standing in front of us,

0:17:54.520 --> 0:17:57.960
<v Speaker 1>and obviously the outfit was completely different. And I'm like

0:17:58.800 --> 0:18:01.919
<v Speaker 1>and I'm like, not a he uh, I'll bet you

0:18:02.000 --> 0:18:05.760
<v Speaker 1>twenty bucks so that it wasn't, you know, some guy,

0:18:06.000 --> 0:18:09.119
<v Speaker 1>one of the guys from put up twenty bucks. The

0:18:09.160 --> 0:18:14.560
<v Speaker 1>girl decided not to you know again, and I said, no,

0:18:14.640 --> 0:18:17.640
<v Speaker 1>that's Faul Finias. I said twenty bucks. Twenty bucks says

0:18:17.680 --> 0:18:20.679
<v Speaker 1>he's fineas and I said, nope, not a shot. Now

0:18:20.760 --> 0:18:23.119
<v Speaker 1>wait a minute, you're the guy who I convinced some

0:18:23.200 --> 0:18:25.359
<v Speaker 1>guy in a restaurant was the quarterback of the New

0:18:25.400 --> 0:18:27.960
<v Speaker 1>York Giants because he had a blue teeth. Daniel Jones

0:18:28.200 --> 0:18:31.720
<v Speaker 1>Daniel Jones before but when he first was a rookie,

0:18:32.040 --> 0:18:35.520
<v Speaker 1>and I'm thinking, that's right, and I'm like, I'm like,

0:18:35.600 --> 0:18:37.480
<v Speaker 1>you know what I said, I'm not gonna fall for

0:18:37.520 --> 0:18:40.199
<v Speaker 1>that ship again. That's fake finas So this is partly

0:18:40.240 --> 0:18:42.120
<v Speaker 1>I'm I'm partly to blame for his story. You are,

0:18:42.160 --> 0:18:43.920
<v Speaker 1>because I don't believe it anymore. We're not falling for

0:18:44.000 --> 0:18:45.879
<v Speaker 1>the banana the tail pipe again. Plus, if you think

0:18:45.920 --> 0:18:48.159
<v Speaker 1>about it, it was thirty minutes ago. And what is

0:18:48.160 --> 0:18:50.600
<v Speaker 1>the artists? What do the artists do after they perform

0:18:50.880 --> 0:18:54.480
<v Speaker 1>the off? They leave? No, they leave because they're finished

0:18:55.320 --> 0:18:59.879
<v Speaker 1>or they're fineast there, it's it's the f I N

0:19:00.200 --> 0:19:10.560
<v Speaker 1>finale then done? So a long story longer? Uh oh good?

0:19:11.400 --> 0:19:14.360
<v Speaker 1>He goes at this right the guy from the radio, wait,

0:19:14.359 --> 0:19:16.159
<v Speaker 1>hold on, yeah, it's been edited. If you're listening to

0:19:16.200 --> 0:19:18.840
<v Speaker 1>this right now, we edited this down from thirty seven minutes.

0:19:21.160 --> 0:19:25.480
<v Speaker 1>He went, he goes over, he goes and he goes, yeah,

0:19:25.640 --> 0:19:28.320
<v Speaker 1>he goes. Thank you can take a picture. Sure, click

0:19:28.720 --> 0:19:35.520
<v Speaker 1>it wass fucking phinny is to explain his sideburns against

0:19:35.560 --> 0:19:39.080
<v Speaker 1>all odds, I don't know. No, thanks, uh, Phil Collins.

0:19:41.080 --> 0:19:44.359
<v Speaker 1>I couldn't believe it was just hanging out in the

0:19:45.000 --> 0:19:47.760
<v Speaker 1>He was just hanging out in the freaking room drinking,

0:19:48.000 --> 0:19:50.680
<v Speaker 1>no one around him, no security guards, and he was

0:19:50.720 --> 0:19:53.040
<v Speaker 1>just wearing a ragged T shirt with some jeans, and

0:19:53.080 --> 0:19:55.639
<v Speaker 1>he had a pass over on him like an actual credential.

0:19:55.760 --> 0:19:59.159
<v Speaker 1>Well he's Jewish, a credential, he said, pass over a

0:19:59.280 --> 0:20:03.159
<v Speaker 1>pass on. Okay, So I just know that, you know,

0:20:03.240 --> 0:20:06.280
<v Speaker 1>some of yours, some celebrities could just be hanging out incognito,

0:20:06.400 --> 0:20:09.119
<v Speaker 1>just kind of like chilling, mingling with the crowd, not

0:20:09.240 --> 0:20:11.919
<v Speaker 1>wearing not trying to be like, I have sunglasses on,

0:20:12.160 --> 0:20:14.040
<v Speaker 1>I don't have an entourage, I'm not hanging out in

0:20:14.040 --> 0:20:16.160
<v Speaker 1>the corner. No, he's just talking to people at the bar,

0:20:16.280 --> 0:20:20.320
<v Speaker 1>hanging out like it was just really cool. Pick phineas well.

0:20:20.400 --> 0:20:26.080
<v Speaker 1>Speaking of Phil Collins, since you mentioned Phil Collins, Yeah,

0:20:26.119 --> 0:20:28.040
<v Speaker 1>if you don't, you should know Phil Collins is, if

0:20:28.080 --> 0:20:31.040
<v Speaker 1>nothing else for the drum solo in the airtight to

0:20:31.119 --> 0:20:33.440
<v Speaker 1>Doom to Doom, to Doom, to Doom, Doom, don one

0:20:33.440 --> 0:20:36.360
<v Speaker 1>of the most famous drum fills of all time. Okay,

0:20:36.760 --> 0:20:39.480
<v Speaker 1>so I think I told the story about meeting Phil

0:20:39.480 --> 0:20:42.520
<v Speaker 1>Collins and the close talker who used to work with us,

0:20:42.800 --> 0:20:44.840
<v Speaker 1>who was rambling to him for like five minutes about

0:20:44.840 --> 0:20:47.359
<v Speaker 1>every concept you ever saw. I did tell that story.

0:20:47.680 --> 0:20:49.960
<v Speaker 1>So when I had met Phil Collins, I guess it

0:20:50.000 --> 0:20:52.240
<v Speaker 1>was about four years ago. He had like he had

0:20:52.280 --> 0:20:54.639
<v Speaker 1>a hip surgery and knee surgery, and he was he

0:20:54.680 --> 0:20:56.520
<v Speaker 1>had lost a lot of weight. He wasn't walking well,

0:20:56.760 --> 0:21:00.760
<v Speaker 1>but couldn't have been a nicer guy anyway, he's he

0:21:00.840 --> 0:21:02.720
<v Speaker 1>was in a pace. I guess he's back in the band,

0:21:03.200 --> 0:21:06.280
<v Speaker 1>but originally was in a band called Genesis, where he

0:21:06.320 --> 0:21:08.560
<v Speaker 1>was just the drummer, which, by the way, they're saying

0:21:08.640 --> 0:21:11.159
<v Speaker 1>Genesis is going to tour again and it will be

0:21:11.160 --> 0:21:14.440
<v Speaker 1>their last tour. Interesting. Interesting that you're giving me news

0:21:14.520 --> 0:21:17.920
<v Speaker 1>from a year ago. So Phil Collins was the drummer

0:21:17.920 --> 0:21:21.960
<v Speaker 1>of Genesis and Peter Gabriel was the lead singer. Peter

0:21:22.080 --> 0:21:24.439
<v Speaker 1>Gabriel left Genesis for his own solo career in the

0:21:24.440 --> 0:21:27.600
<v Speaker 1>eighties and Phil Collins was thrown into the lead singer role.

0:21:27.880 --> 0:21:30.280
<v Speaker 1>And then eventually when when solo, So you know, him

0:21:30.280 --> 0:21:32.720
<v Speaker 1>from a he has a lot of hits. Well, they're

0:21:32.760 --> 0:21:36.439
<v Speaker 1>already back on tours, Scary Jones. And the story is

0:21:36.840 --> 0:21:41.280
<v Speaker 1>he's so frail that he's singing from a chair. So

0:21:41.320 --> 0:21:45.240
<v Speaker 1>he just sits in a chair and then the band plays. Now,

0:21:45.640 --> 0:21:49.600
<v Speaker 1>if you remember about I don't know, yes, uh, well

0:21:49.680 --> 0:21:52.800
<v Speaker 1>you can't hit the high notes anymore, so he doesn't,

0:21:54.280 --> 0:21:57.600
<v Speaker 1>and so I can't sing an him aloo boom, I

0:21:57.640 --> 0:22:03.240
<v Speaker 1>can't stand and him all okay, okay. So if you

0:22:03.280 --> 0:22:06.520
<v Speaker 1>remember Dave Grohl from Food Fighters also, who was the

0:22:06.600 --> 0:22:09.520
<v Speaker 1>drummer in Nirvana and then became a singer and lead

0:22:09.560 --> 0:22:13.679
<v Speaker 1>guitar player once Kurt Cobain died, So so Dave grohld

0:22:13.720 --> 0:22:16.720
<v Speaker 1>Phil Collins. Something in common right there, drummers who became

0:22:16.800 --> 0:22:19.879
<v Speaker 1>lead singers and then and in another career after the

0:22:19.920 --> 0:22:23.880
<v Speaker 1>first band. So if you remember Dave Grohl had leg surgery,

0:22:23.880 --> 0:22:26.600
<v Speaker 1>broke his leg or something. He did a whole tour

0:22:27.320 --> 0:22:30.600
<v Speaker 1>sitting in a big throne. Could not could not walk.

0:22:30.640 --> 0:22:32.600
<v Speaker 1>Axel Rose did that I think with a C D C.

0:22:33.040 --> 0:22:35.000
<v Speaker 1>Sat in a chair. He couldn't, he couldn't run around,

0:22:35.480 --> 0:22:38.159
<v Speaker 1>So not unheard of, but would you if you were

0:22:38.200 --> 0:22:40.159
<v Speaker 1>a fan of this band and they're all like seventy

0:22:40.200 --> 0:22:43.440
<v Speaker 1>at this point around seventy, would you feel ripped off

0:22:43.440 --> 0:22:45.199
<v Speaker 1>that he wasn't running around and we'd be like, I

0:22:45.240 --> 0:22:56.520
<v Speaker 1>came here to music, Ah can't I'm singing, I'm singing.

0:22:56.560 --> 0:22:59.040
<v Speaker 1>I can't dance. I can't sing. But he jokes now

0:22:59.119 --> 0:23:02.000
<v Speaker 1>during that song this video of him performing in Florida

0:23:02.000 --> 0:23:04.600
<v Speaker 1>where he's joking about how he can't he can't dance.

0:23:04.720 --> 0:23:07.040
<v Speaker 1>So so let me ask you this, what percent of

0:23:07.080 --> 0:23:09.919
<v Speaker 1>his voice is still there? Is it still there? It's

0:23:09.920 --> 0:23:15.600
<v Speaker 1>still Phil Collins. So this is the We're cashing in tour? Everyone, Well,

0:23:15.640 --> 0:23:16.920
<v Speaker 1>this is the good. This has got to be the

0:23:16.960 --> 0:23:19.120
<v Speaker 1>Gooba tour. I can't imagine he's gonna have much left

0:23:19.119 --> 0:23:22.760
<v Speaker 1>in him. Spears breaking. You to see Britney Spears lip

0:23:22.760 --> 0:23:25.479
<v Speaker 1>sinking in a chair, that would be like no good, right,

0:23:25.520 --> 0:23:28.879
<v Speaker 1>pottery while you go see Brittany or Janet Jackson like

0:23:29.040 --> 0:23:31.760
<v Speaker 1>you know performers or j low Is to see the dancing.

0:23:31.840 --> 0:23:33.200
<v Speaker 1>Like if you want to see j Low in Constant

0:23:33.240 --> 0:23:35.480
<v Speaker 1>she was in a chair, you would you wouldn't. That

0:23:35.480 --> 0:23:38.120
<v Speaker 1>wouldn't be good, right? You want to see your butt

0:23:38.160 --> 0:23:41.399
<v Speaker 1>shaking around carawling on the stage. But Phil Collins is seventy,

0:23:41.440 --> 0:23:44.359
<v Speaker 1>you're like, no, non, Kevin moves around this amount. I

0:23:44.359 --> 0:23:46.119
<v Speaker 1>don't know. You know, it depends on how much you

0:23:46.119 --> 0:23:47.760
<v Speaker 1>love the artist, if you know it's going to be

0:23:47.800 --> 0:23:52.000
<v Speaker 1>their last stand. No pun intended, definitely meant pun intended,

0:23:52.440 --> 0:23:55.959
<v Speaker 1>pun intended. You know, if that was the case, and

0:23:55.960 --> 0:23:58.560
<v Speaker 1>and this was your all time one of your favorites,

0:23:59.359 --> 0:24:01.439
<v Speaker 1>I think I I would. I would go to the

0:24:01.440 --> 0:24:05.240
<v Speaker 1>show anyway, just with lower expectations and really saying this

0:24:05.280 --> 0:24:07.720
<v Speaker 1>is it is what it is, right. I mean. But

0:24:08.440 --> 0:24:13.360
<v Speaker 1>if you're like Billy Joel for instance, too, he says

0:24:13.359 --> 0:24:15.080
<v Speaker 1>to his piano, Well, he can get away with that

0:24:15.119 --> 0:24:17.680
<v Speaker 1>because that's what he does, right, right, Well, Elton two

0:24:17.720 --> 0:24:20.120
<v Speaker 1>years so Billy will come out. Elton doesn't move from

0:24:20.119 --> 0:24:22.720
<v Speaker 1>the piano for the most he's another one, right, but

0:24:22.800 --> 0:24:25.960
<v Speaker 1>Billy will come out and play like start start with

0:24:26.000 --> 0:24:28.280
<v Speaker 1>his guitar and play we didn't start to fire or

0:24:28.320 --> 0:24:30.480
<v Speaker 1>something like that. He doesn't we didn't start the fire,

0:24:30.480 --> 0:24:32.560
<v Speaker 1>But yes he did. I saw him do it personally.

0:24:32.560 --> 0:24:35.119
<v Speaker 1>You can't tell me what I but he did it

0:24:35.200 --> 0:24:37.040
<v Speaker 1>in the one show he just opened up with that.

0:24:37.280 --> 0:24:39.760
<v Speaker 1>I've seen the man like he was playing guitar, and

0:24:39.800 --> 0:24:41.480
<v Speaker 1>he came in and he played guitar. But he plays

0:24:41.560 --> 0:24:43.640
<v Speaker 1>guitar for one song and then he goes and sits

0:24:43.640 --> 0:24:47.520
<v Speaker 1>at the piano and that's where his fatast. He plays

0:24:47.520 --> 0:24:49.680
<v Speaker 1>piano standing up. He runs around the back of the stay.

0:24:49.840 --> 0:24:51.760
<v Speaker 1>He's still not Billy Joel. He he walks with a

0:24:51.760 --> 0:24:54.240
<v Speaker 1>little limp, you know, he does. He's been hitting with

0:24:54.280 --> 0:24:55.960
<v Speaker 1>a few shells, but he walk You don't walk with

0:24:55.960 --> 0:24:57.800
<v Speaker 1>a limp. Well, he walks with a limp, hasn't been

0:24:57.840 --> 0:25:02.160
<v Speaker 1>hit with any shells. But yeah, point is, uh, I could,

0:25:02.480 --> 0:25:05.119
<v Speaker 1>I could, I could forego I could. I love Billy

0:25:05.240 --> 0:25:07.760
<v Speaker 1>that much that I'll continue to see him again and again. However,

0:25:08.480 --> 0:25:11.320
<v Speaker 1>bon Jovia, on the other hand, I don't know. Man,

0:25:11.440 --> 0:25:14.720
<v Speaker 1>they bon Jovi was in a chair and fist pumping

0:25:14.760 --> 0:25:16.920
<v Speaker 1>from a chair, I'd be okay with it. See for me,

0:25:18.280 --> 0:25:20.480
<v Speaker 1>it's like all right, like for instance, right now, like

0:25:20.760 --> 0:25:23.720
<v Speaker 1>I've seen I've seen bon Jovi performed in recent years,

0:25:23.880 --> 0:25:25.880
<v Speaker 1>and he does not hit the high. Now you're talking

0:25:25.920 --> 0:25:28.480
<v Speaker 1>about the band of the band. Okay, I've seen them

0:25:28.680 --> 0:25:33.520
<v Speaker 1>perform and John doesn't people call him bon Jovia. That's

0:25:33.520 --> 0:25:35.920
<v Speaker 1>everything they're doing. All the songs are slowed down and

0:25:36.000 --> 0:25:39.440
<v Speaker 1>more melodic, and they're not as they're not as like

0:25:40.080 --> 0:25:43.080
<v Speaker 1>you know, rock metal edge like they used to, like

0:25:43.119 --> 0:25:45.320
<v Speaker 1>you remember on the track. So I saw him on

0:25:45.320 --> 0:25:47.760
<v Speaker 1>the Norwegian cruise line cruise a couple of years and

0:25:47.800 --> 0:25:50.959
<v Speaker 1>listen to how he performs no offense. I love bon Jovia,

0:25:50.960 --> 0:25:54.560
<v Speaker 1>I still admire and respect John and everyone, but but

0:25:54.680 --> 0:25:56.280
<v Speaker 1>when he does live it on a prayer, it just

0:25:56.320 --> 0:25:59.680
<v Speaker 1>doesn't have that oomph because it's like it's like a melodic,

0:26:00.280 --> 0:26:03.160
<v Speaker 1>like slow light light FM version of a song. He's

0:26:03.200 --> 0:26:05.320
<v Speaker 1>living on a cushioned prayer right now, it's just kind

0:26:05.320 --> 0:26:08.560
<v Speaker 1>of it's all we're halfway then you can hit the

0:26:08.600 --> 0:26:11.720
<v Speaker 1>notes he's got. It's not even it's not even as

0:26:11.840 --> 0:26:16.600
<v Speaker 1>fast or furious or loud. It's a there's no there's

0:26:16.600 --> 0:26:21.920
<v Speaker 1>no emphasis. And so that album came out, Okay, Slippery

0:26:21.960 --> 0:26:24.520
<v Speaker 1>Wint Slippery win Wet came out. There was the third album,

0:26:24.600 --> 0:26:26.000
<v Speaker 1>by the way, I was Living on a prayer that

0:26:26.160 --> 0:26:30.280
<v Speaker 1>was I was on there. Yep, it's a massive mass.

0:26:30.280 --> 0:26:33.160
<v Speaker 1>This problem is just fantastic. I have the original cover

0:26:33.240 --> 0:26:34.520
<v Speaker 1>with the girl with the wet T shirt and the

0:26:34.520 --> 0:26:37.320
<v Speaker 1>boob's popping out, and then that was too risky risque

0:26:37.440 --> 0:26:39.720
<v Speaker 1>for a lot of retailers, so they came out with

0:26:39.760 --> 0:26:43.840
<v Speaker 1>the road signed slippery Win Wet Yeah. But the original

0:26:43.840 --> 0:26:46.040
<v Speaker 1>cover google it is a girl in a yellow cut

0:26:46.080 --> 0:26:51.119
<v Speaker 1>off tank top with a boobs bursting. Anyway, so that

0:26:51.280 --> 0:26:54.919
<v Speaker 1>song is thirty five years old right now, there are

0:26:54.920 --> 0:26:58.560
<v Speaker 1>people listening to so many slices that are like, like,

0:26:58.760 --> 0:27:00.720
<v Speaker 1>love that song even though it's older than you, because

0:27:00.760 --> 0:27:05.000
<v Speaker 1>it's such a classic song. Classic right if you've seen

0:27:05.080 --> 0:27:06.679
<v Speaker 1>him in concert and heard the song with thirty five

0:27:06.760 --> 0:27:09.200
<v Speaker 1>years you know what, it's kind of a cool vibe

0:27:09.240 --> 0:27:10.680
<v Speaker 1>the way he does it now. It's sort of a

0:27:10.760 --> 0:27:13.159
<v Speaker 1>nice change of pace if I want to hear that,

0:27:13.200 --> 0:27:14.840
<v Speaker 1>If I want to hear the rocking version, I can

0:27:14.840 --> 0:27:16.800
<v Speaker 1>put on the you know, put on the music myself.

0:27:17.520 --> 0:27:21.000
<v Speaker 1>So I don't mind the adaptation. But there's some songs

0:27:21.400 --> 0:27:26.800
<v Speaker 1>I feel like, um oh, like, uh was it? What's

0:27:26.880 --> 0:27:29.280
<v Speaker 1>what is it? Let it rock? Is it? Let it rock? No?

0:27:30.000 --> 0:27:33.160
<v Speaker 1>Some of his will upbeat, like thunderous anthems. I feel

0:27:33.200 --> 0:27:37.199
<v Speaker 1>like you, uh, you have to be upbeat for let

0:27:37.280 --> 0:27:41.360
<v Speaker 1>it rock, Let it rock, Let it rock. No, No, no, no, no, anyway,

0:27:41.960 --> 0:27:43.800
<v Speaker 1>there's some Bung Jovi songs you have to play, and

0:27:43.840 --> 0:27:46.600
<v Speaker 1>he does. He does play electric versions of of some songs.

0:27:46.640 --> 0:27:49.560
<v Speaker 1>But I think that you know, he's he's married with kids.

0:27:49.560 --> 0:27:52.680
<v Speaker 1>He's sixty or fifties, late fifties, whatever it is, early sixties.

0:27:52.880 --> 0:27:55.720
<v Speaker 1>Happen you have a bad name. It's like, you know

0:27:56.520 --> 0:28:02.160
<v Speaker 1>now he's talking about his kids, boyfriend. No, I get it.

0:28:02.160 --> 0:28:05.280
<v Speaker 1>It depends on Norwegian crews. So I was very excited.

0:28:05.359 --> 0:28:07.679
<v Speaker 1>I'm going I'm just gonna say those It depends on

0:28:07.760 --> 0:28:11.439
<v Speaker 1>how much you loved these artists. These legacy artists would talk, well,

0:28:11.480 --> 0:28:14.240
<v Speaker 1>who is your favorite? Will you see you too? You too?

0:28:14.720 --> 0:28:17.880
<v Speaker 1>Sitting in chairs? They did an acoustic set, you would

0:28:17.960 --> 0:28:22.679
<v Speaker 1>I'd go, yeah, Beasty Boys, Beasty Boys, not even not

0:28:22.760 --> 0:28:24.800
<v Speaker 1>even a question, I'd go, I know, unless you would,

0:28:24.880 --> 0:28:26.960
<v Speaker 1>of course, right, I mean I want to go see

0:28:27.000 --> 0:28:31.439
<v Speaker 1>them act out their book twice. You know, they had

0:28:31.440 --> 0:28:33.720
<v Speaker 1>their book coming out and they did their their their book.

0:28:33.720 --> 0:28:35.879
<v Speaker 1>They read from their book and they told stories to

0:28:35.920 --> 0:28:38.720
<v Speaker 1>the audience. There was no music involved there. But you know,

0:28:38.960 --> 0:28:40.800
<v Speaker 1>the surviving members of the Beastie Boys, how can I

0:28:40.800 --> 0:28:42.080
<v Speaker 1>think you know what time it is? It's time to

0:28:42.080 --> 0:28:52.440
<v Speaker 1>sit still. I can't stand till Brooklyn. Yeah, well listen,

0:28:52.480 --> 0:28:54.520
<v Speaker 1>getting older it's a thing, right, Yeah, I'm just saying,

0:28:55.960 --> 0:28:58.360
<v Speaker 1>blessed press now really really, well, are you depressed? Because

0:28:58.360 --> 0:29:03.200
<v Speaker 1>Phil Collins was all right, what are you gonna do?

0:29:07.160 --> 0:29:10.120
<v Speaker 1>You know? Yes, we do that on every break. By

0:29:10.120 --> 0:29:13.760
<v Speaker 1>the way, you notice that the Boys podcast, we both

0:29:13.920 --> 0:29:15.680
<v Speaker 1>both cut each other off and then we both paused

0:29:15.720 --> 0:29:19.360
<v Speaker 1>to see what each other had to say. Oh, like

0:29:19.360 --> 0:29:23.920
<v Speaker 1>like that, like that. We got some angry text messages

0:29:23.960 --> 0:29:26.560
<v Speaker 1>on the Elvis rd Morning Show today, and I think

0:29:26.600 --> 0:29:32.720
<v Speaker 1>sometimes people developing here, by the way, with angry texts. Well,

0:29:32.760 --> 0:29:36.360
<v Speaker 1>how about Monday. I don't know what happened Monday. I'm

0:29:36.400 --> 0:29:40.160
<v Speaker 1>not gonna read them all, but Monday was just vile, angry,

0:29:40.280 --> 0:29:46.760
<v Speaker 1>upset with everything, people offended, hurt. How dare you? You

0:29:46.800 --> 0:29:52.959
<v Speaker 1>should be ashamed of yourself. So Danielle mentioned that Danielle

0:29:52.960 --> 0:29:55.560
<v Speaker 1>and Elvis were talking about how they bought some stuff

0:29:55.560 --> 0:29:58.320
<v Speaker 1>on Amazon. They got Amazon packages. I think Elvis said, everybody,

0:29:58.440 --> 0:30:00.280
<v Speaker 1>what was the last thing got from Amazon? Everybody around

0:30:00.280 --> 0:30:03.240
<v Speaker 1>the room and talk about that from Amazon. So people

0:30:03.240 --> 0:30:05.800
<v Speaker 1>would text. A couple of people texted in don't shop

0:30:05.800 --> 0:30:09.840
<v Speaker 1>at Amazon. They treat your employees like crap. Right, So,

0:30:09.840 --> 0:30:14.000
<v Speaker 1>so I thought to myself, I understand the point, right,

0:30:14.040 --> 0:30:17.960
<v Speaker 1>I understand what you're saying. But here's the problem. If

0:30:18.000 --> 0:30:21.320
<v Speaker 1>you don't shop at Amazon, you've you've taught Jeff Bezos

0:30:21.320 --> 0:30:23.760
<v Speaker 1>a lesson. But all those people who work there will

0:30:23.800 --> 0:30:27.400
<v Speaker 1>lose their jobs. Right, You're like, don't shop at that?

0:30:27.440 --> 0:30:30.480
<v Speaker 1>What what about the employees? They treat the employees like crap.

0:30:30.720 --> 0:30:33.240
<v Speaker 1>But if the employees don't have jobs to be treated

0:30:33.280 --> 0:30:35.880
<v Speaker 1>like crap. So I don't know where the balance is,

0:30:36.080 --> 0:30:37.840
<v Speaker 1>but I think we all we we far too often

0:30:37.880 --> 0:30:41.520
<v Speaker 1>say don't shop there. Yes, you're not realizing the ramifications.

0:30:41.520 --> 0:30:43.720
<v Speaker 1>And then you choose a company that's a bigger offender,

0:30:43.880 --> 0:30:46.239
<v Speaker 1>but you don't even realize it because they're owned by

0:30:46.320 --> 0:30:49.120
<v Speaker 1>another company. Sometimes that people say, we'll support local, and

0:30:49.240 --> 0:30:52.000
<v Speaker 1>I'm a big fan of that, but sometimes local businesses

0:30:52.160 --> 0:30:54.960
<v Speaker 1>are owned by assholes. Yeah, and guess what, sometimes those

0:30:55.000 --> 0:30:58.400
<v Speaker 1>local businesses go through Amazon to have their products sold. Well,

0:30:58.440 --> 0:31:02.080
<v Speaker 1>that's also true. So I mean, you can't just avoid

0:31:02.160 --> 0:31:05.480
<v Speaker 1>them because they're you know, Well, how about you remember

0:31:05.480 --> 0:31:09.000
<v Speaker 1>the the the It was about ten years ago where

0:31:09.000 --> 0:31:12.280
<v Speaker 1>everyone wanted a boycott gas stations for a day. That

0:31:12.320 --> 0:31:15.120
<v Speaker 1>was always a thing like that would be a big thing. Okay,

0:31:15.120 --> 0:31:18.800
<v Speaker 1>on September three, nobody by gas. We'll teach these gas

0:31:18.840 --> 0:31:23.080
<v Speaker 1>stations a lesson these gas companies. Right, well, that's fine,

0:31:23.080 --> 0:31:25.640
<v Speaker 1>but you're gonna go by gas the next day, going

0:31:25.720 --> 0:31:28.080
<v Speaker 1>to get gas. You're gonna may right, they may set

0:31:28.120 --> 0:31:30.200
<v Speaker 1>them before. So the only thing is their profits are

0:31:30.200 --> 0:31:32.000
<v Speaker 1>just delayed by a couple of days. Right, It's not

0:31:32.040 --> 0:31:34.320
<v Speaker 1>you're gonna stop using gas. You're like, we're not. Everyone's

0:31:34.320 --> 0:31:37.760
<v Speaker 1>gonna just well, do a gas out on Tuesday, gas out. Okay,

0:31:37.800 --> 0:31:40.920
<v Speaker 1>then you're gonna have long lines on Wednesday. Who you you?

0:31:40.920 --> 0:31:43.840
<v Speaker 1>You you? That's how you fight a gas company. We're

0:31:43.840 --> 0:31:47.000
<v Speaker 1>gonna we're gonna you switched to electric. That's how you

0:31:47.480 --> 0:31:50.360
<v Speaker 1>how You're right, that's ultimately, that's what I'm going to

0:31:50.360 --> 0:31:54.880
<v Speaker 1>oil heat funk all y'all, Well, that's still gas. You're

0:31:54.920 --> 0:31:57.680
<v Speaker 1>talking about natural gas. That's you know, natural gas versus

0:31:57.760 --> 0:32:01.720
<v Speaker 1>oil versus gas. But still it's not oil heat versus

0:32:01.720 --> 0:32:07.280
<v Speaker 1>gas heat oil. He's still oil. The oil oil. It's

0:32:07.280 --> 0:32:09.880
<v Speaker 1>from some of the same companies that make gasoline. So

0:32:09.920 --> 0:32:11.800
<v Speaker 1>you're fucked either way. Right, that's why I have to

0:32:11.880 --> 0:32:14.400
<v Speaker 1>use natural gas. But in the in the world of fuel,

0:32:15.280 --> 0:32:18.160
<v Speaker 1>then you you would you would buy a you know,

0:32:18.160 --> 0:32:21.440
<v Speaker 1>a tesla right right, if you, if you, if you

0:32:21.520 --> 0:32:24.520
<v Speaker 1>really want to screw over the you know, the gas companies,

0:32:24.960 --> 0:32:27.040
<v Speaker 1>you know in the heating companies just live in the cold.

0:32:27.560 --> 0:32:29.200
<v Speaker 1>They're just live in a cold house. You'll show them

0:32:29.240 --> 0:32:33.400
<v Speaker 1>some utilities are unavoidable and you can't boy up. Uh,

0:32:33.640 --> 0:32:37.800
<v Speaker 1>you know, I wanted to bring something up. Well, you

0:32:37.800 --> 0:32:44.560
<v Speaker 1>should get a podcast maybe. Um. So yesterday I was,

0:32:45.880 --> 0:32:47.920
<v Speaker 1>how would you handle this, Brodie? What would Brody do?

0:32:48.000 --> 0:32:52.680
<v Speaker 1>W w B d Um ordered a salad from Sweet Green.

0:32:52.680 --> 0:32:54.360
<v Speaker 1>I'm just gonna call him out, I was. I was

0:32:54.400 --> 0:32:56.600
<v Speaker 1>struggling in my head. Do I call these people out

0:32:56.720 --> 0:33:02.240
<v Speaker 1>or not? Yes? Sweet Green Sweeten famous chain. They have

0:33:02.240 --> 0:33:04.479
<v Speaker 1>a hundred twenty two stores around the country. Now they

0:33:04.880 --> 0:33:08.920
<v Speaker 1>they're blown up the vegetables so well, they're still salad,

0:33:09.120 --> 0:33:13.200
<v Speaker 1>you know, not really your speedy. They do fancy salad

0:33:13.240 --> 0:33:15.800
<v Speaker 1>they do. They do things with roasted like sweet potatoes

0:33:15.800 --> 0:33:20.840
<v Speaker 1>and their chicken roasted spicy roccoli in there they throw.

0:33:21.000 --> 0:33:23.080
<v Speaker 1>You know, it's one of those salad places that have

0:33:23.360 --> 0:33:26.280
<v Speaker 1>they made their mark. Um. But here in the in

0:33:26.320 --> 0:33:28.880
<v Speaker 1>the city. There are a bunch of locations New York City,

0:33:28.880 --> 0:33:31.480
<v Speaker 1>New York City, right Manhattan. They opened up a location

0:33:31.520 --> 0:33:35.360
<v Speaker 1>in Jersey and New Jersey, Brody, New Jersey. Now Here

0:33:35.360 --> 0:33:38.000
<v Speaker 1>comes the relatable part where I think that you know,

0:33:38.080 --> 0:33:41.920
<v Speaker 1>what would Brody do? Okay? They the only Sweet Green

0:33:42.000 --> 0:33:43.680
<v Speaker 1>this side of the Hudson. And by the way, it's

0:33:43.680 --> 0:33:46.560
<v Speaker 1>a very well respected and known brand and brand we've

0:33:46.680 --> 0:33:49.680
<v Speaker 1>established that. I'm done to know what happened? I ordered.

0:33:49.920 --> 0:33:51.720
<v Speaker 1>I ordered a salad with a bunch of things in it,

0:33:52.000 --> 0:33:56.720
<v Speaker 1>of course, with some kind of pesto, something dressing and

0:33:56.840 --> 0:34:00.080
<v Speaker 1>chicken and you know, a scary Jones style salad. You know,

0:34:00.200 --> 0:34:03.800
<v Speaker 1>they had a parmesan parmesan shavings on it, a hard

0:34:03.800 --> 0:34:08.120
<v Speaker 1>boiled egg in there. So extra healthy, extra extra. Now

0:34:08.160 --> 0:34:11.000
<v Speaker 1>what is it in the Greek sality cream? What? What?

0:34:11.000 --> 0:34:14.120
<v Speaker 1>What is it in the Greek salle you hated? I forgot?

0:34:14.120 --> 0:34:16.520
<v Speaker 1>Oh nothing, I forgot. I don't know. From one of

0:34:16.560 --> 0:34:20.000
<v Speaker 1>our earlier episodes when and if they leave the pits

0:34:20.040 --> 0:34:22.600
<v Speaker 1>in the olives, that wasn't it. There was some mr

0:34:22.680 --> 0:34:25.200
<v Speaker 1>ingredient you didn't like, whatever it was, I don't know that.

0:34:25.280 --> 0:34:27.920
<v Speaker 1>The point here is I ordered it through seamless tweet

0:34:27.960 --> 0:34:30.239
<v Speaker 1>scary letter and you guys remember go ahead, So you

0:34:30.280 --> 0:34:34.080
<v Speaker 1>ordered through seamless, and I thought I smelled something funny

0:34:34.320 --> 0:34:37.200
<v Speaker 1>there was I thought something was up before I ordered it.

0:34:37.560 --> 0:34:41.239
<v Speaker 1>Looked at my Google reviews. This place has reached a

0:34:41.280 --> 0:34:44.080
<v Speaker 1>three point oh out of five stars. I'm like, hawk,

0:34:44.280 --> 0:34:47.319
<v Speaker 1>that is awful. Then I then I go to Yelp

0:34:47.400 --> 0:34:51.800
<v Speaker 1>and I see it has two point five stars. I'm like, huh,

0:34:52.000 --> 0:34:56.160
<v Speaker 1>guess what it's this fucking location. It's it's the specific

0:34:56.280 --> 0:34:59.200
<v Speaker 1>location that sucks up your ship. But I didn't you

0:34:59.200 --> 0:35:02.560
<v Speaker 1>know what it's We've green how bad could it really be?

0:35:02.880 --> 0:35:05.879
<v Speaker 1>All the other locations are fucking phenomenal and over the

0:35:06.040 --> 0:35:09.320
<v Speaker 1>moon and off the charts awesome. But that's a culture

0:35:09.320 --> 0:35:12.719
<v Speaker 1>they've created over years where people know how to you know, place, Well,

0:35:12.760 --> 0:35:14.920
<v Speaker 1>that's all the other ones. All the other ones have

0:35:15.040 --> 0:35:18.040
<v Speaker 1>great reviews. Right, yeah, you're talking about a franchise location.

0:35:18.080 --> 0:35:21.600
<v Speaker 1>That's where I went wrong. I ordered it seamless, let's

0:35:21.600 --> 0:35:23.440
<v Speaker 1>put it this way, and it wasn't seamless as what

0:35:23.520 --> 0:35:28.200
<v Speaker 1>I'm here. Well, it shows up the fucking salad with

0:35:28.239 --> 0:35:31.240
<v Speaker 1>all the delivery fees and all the extra extras cost

0:35:31.280 --> 0:35:34.400
<v Speaker 1>me thirty thirty three zero dollars. And it was the

0:35:34.440 --> 0:35:37.440
<v Speaker 1>only item cheese on top. It was the only thing

0:35:37.440 --> 0:35:39.680
<v Speaker 1>I got in my in the cart. It was the

0:35:39.680 --> 0:35:43.160
<v Speaker 1>only fucking item. And when I've gone this week Green

0:35:43.200 --> 0:35:46.120
<v Speaker 1>before Brodie, I used to fucking pile that thing into

0:35:46.200 --> 0:35:47.920
<v Speaker 1>the into the bowl. And in fact, and they used

0:35:47.960 --> 0:35:49.799
<v Speaker 1>to put the cover on top, in the plastic cover.

0:35:49.960 --> 0:35:52.520
<v Speaker 1>It was like a Starbucks cover where it would overflow.

0:35:52.680 --> 0:35:55.960
<v Speaker 1>You know, the whipped cream, the whipped cream, you know,

0:35:56.000 --> 0:35:58.360
<v Speaker 1>a little opening at the top, you know how you

0:35:58.400 --> 0:36:02.520
<v Speaker 1>know how the Starbucks has the whip dome. Yeah, this

0:36:02.640 --> 0:36:04.440
<v Speaker 1>salad used to come with a dome and he used

0:36:04.480 --> 0:36:06.120
<v Speaker 1>to just pack it on, used to open up the

0:36:06.120 --> 0:36:10.200
<v Speaker 1>fucking flat leg. Well yeah, not only did I get

0:36:10.239 --> 0:36:13.360
<v Speaker 1>flat lid, and it gets worse, they flat lid at me.

0:36:13.400 --> 0:36:14.799
<v Speaker 1>And it was only half full. It was like a

0:36:14.840 --> 0:36:16.839
<v Speaker 1>soup bowl, a small soup bowl that was like kind

0:36:16.840 --> 0:36:20.440
<v Speaker 1>of half full, half empty. Just well, that's me. I'm

0:36:20.719 --> 0:36:25.760
<v Speaker 1>pessimist today. Yeah, well no, I'm the pestimistimist. I'm the optimist, optimist,

0:36:25.880 --> 0:36:29.359
<v Speaker 1>the optimist, the pessimist. And but the salad wasn't even

0:36:29.360 --> 0:36:33.080
<v Speaker 1>touching the flat lid. But it gets worse. They forgot

0:36:33.120 --> 0:36:38.480
<v Speaker 1>the fucking salad dressing. What dude, salad place, How do

0:36:38.520 --> 0:36:41.719
<v Speaker 1>you forget the salade? Far as I'm concerned, that's the

0:36:41.880 --> 0:36:45.400
<v Speaker 1>entire meal, because eating dry salad is not even an option.

0:36:45.840 --> 0:36:48.920
<v Speaker 1>So I went on seamless and I'm like, what the fuck?

0:36:49.000 --> 0:36:51.400
<v Speaker 1>And I go back and forth because at first I

0:36:51.440 --> 0:36:54.239
<v Speaker 1>called the place and they're like, all right, I got

0:36:54.320 --> 0:36:56.959
<v Speaker 1>Sweet Green. I'm sorry. I went to Sweet called the place,

0:36:57.000 --> 0:37:00.239
<v Speaker 1>and I got pushed to Sweet Greens online chat because

0:37:00.280 --> 0:37:01.960
<v Speaker 1>the people at the local store don't want to hear

0:37:02.000 --> 0:37:04.839
<v Speaker 1>from you. They just want to busy the salad dress.

0:37:04.840 --> 0:37:07.440
<v Speaker 1>They want to suck you over. So yeah, well that's

0:37:07.480 --> 0:37:10.560
<v Speaker 1>exactly it. So so they push you to the the

0:37:10.680 --> 0:37:13.440
<v Speaker 1>corporate chat. So I I laid into them on the

0:37:13.480 --> 0:37:15.839
<v Speaker 1>corporate chat and I'm like, look, I'm like, you're one

0:37:15.840 --> 0:37:19.360
<v Speaker 1>of your local stores. Is leading a stain on your brand?

0:37:19.920 --> 0:37:22.920
<v Speaker 1>I said, because this this, and this happened, charge me

0:37:22.960 --> 0:37:25.640
<v Speaker 1>three dollars for a second. It wasn't a salad dressing stain,

0:37:25.719 --> 0:37:28.360
<v Speaker 1>you know that much exactly, So I said, So I

0:37:28.360 --> 0:37:29.680
<v Speaker 1>said to them, and they're like, oh, sorry, you have

0:37:29.680 --> 0:37:32.600
<v Speaker 1>to go to seamless because you ordered your food from there. Well, Seamless,

0:37:32.680 --> 0:37:36.560
<v Speaker 1>that's bullshit. So Seamless. I go to the what's missing

0:37:36.680 --> 0:37:38.840
<v Speaker 1>this and that and the other thing, and then Seamless

0:37:38.920 --> 0:37:41.960
<v Speaker 1>is like, uh, they don't even leave have salad dressing

0:37:41.960 --> 0:37:44.360
<v Speaker 1>as an option. It's just like, is the cucumbers missing?

0:37:44.480 --> 0:37:46.000
<v Speaker 1>Is the chicken? Is the beats? I'm like, no, none

0:37:46.040 --> 0:37:48.200
<v Speaker 1>of the above, and it says, okay, we're done here.

0:37:48.440 --> 0:37:50.719
<v Speaker 1>Like no, I had rewind and I go back to

0:37:50.760 --> 0:37:54.520
<v Speaker 1>the beginning, and I say, okay, they they made my

0:37:54.680 --> 0:37:58.280
<v Speaker 1>order wrong. I chose that selection and it seems goes

0:37:59.680 --> 0:38:05.280
<v Speaker 1>we've fund to But that's a seams But that's Seamless.

0:38:05.400 --> 0:38:07.600
<v Speaker 1>My issue is not with Seamless. I'm still pissed at

0:38:07.640 --> 0:38:10.360
<v Speaker 1>the fucking store. First of all, you're tarnishing the brand.

0:38:10.600 --> 0:38:12.360
<v Speaker 1>I go down to the Google reviews. I go to

0:38:12.400 --> 0:38:17.440
<v Speaker 1>the Yelp reviews. You guys, hey slices, Google Sweet Green,

0:38:18.560 --> 0:38:23.040
<v Speaker 1>Hudson Street, Jersey City, New Jersey. Oh seven three one

0:38:23.080 --> 0:38:27.200
<v Speaker 1>oh that specific you are hardcore? No Google it, look

0:38:27.239 --> 0:38:30.040
<v Speaker 1>at and look at the review at least look at

0:38:30.080 --> 0:38:32.080
<v Speaker 1>the reviews, you know, look at the reviews on this

0:38:32.120 --> 0:38:35.920
<v Speaker 1>fucking place. It's one complain after the next they're so

0:38:36.040 --> 0:38:39.160
<v Speaker 1>Chiinsey with the food. They're so the salad was the

0:38:39.239 --> 0:38:43.320
<v Speaker 1>salad was dry. Someone uploaded a picture of plastic wrap

0:38:43.560 --> 0:38:46.279
<v Speaker 1>that was inside the salad. Say, um, I don't think

0:38:46.280 --> 0:38:48.080
<v Speaker 1>this is supposed to be here in my paying extra

0:38:48.160 --> 0:38:52.600
<v Speaker 1>for it? Like like literally problem if the problem? You know,

0:38:53.080 --> 0:38:56.120
<v Speaker 1>I complained about I complained about the food not being

0:38:56.200 --> 0:38:59.520
<v Speaker 1>up to par or and they said yeah so and

0:38:59.520 --> 0:39:01.440
<v Speaker 1>got blue drink with me. The people behind the counter,

0:39:02.160 --> 0:39:04.360
<v Speaker 1>what a bunch of assholes and they don't want to

0:39:04.360 --> 0:39:09.360
<v Speaker 1>answer their phone. Who owns this place? People, I'm so pissed.

0:39:09.920 --> 0:39:12.800
<v Speaker 1>I'm just saying this is wrong on so many levels.

0:39:13.120 --> 0:39:15.880
<v Speaker 1>You want to you're the only I'm gonna call it

0:39:15.920 --> 0:39:18.320
<v Speaker 1>the flagship Sweet Green for New Jersey, the state of

0:39:18.360 --> 0:39:21.160
<v Speaker 1>New Jersey, because there are no other ones here and

0:39:21.280 --> 0:39:24.400
<v Speaker 1>this is this is your introduction, your debut to a

0:39:24.520 --> 0:39:27.600
<v Speaker 1>very crowded salad market. Might I ask? Might I add

0:39:27.800 --> 0:39:29.759
<v Speaker 1>in Jersey City and Hoboken. You know, there's a lot

0:39:29.760 --> 0:39:31.880
<v Speaker 1>of people that are very big on salad, and there

0:39:31.920 --> 0:39:34.400
<v Speaker 1>are ten places that are ten times better. But I

0:39:34.440 --> 0:39:37.480
<v Speaker 1>see the Sweet Green logo. I'm a loyal customer. Sweet

0:39:37.480 --> 0:39:40.479
<v Speaker 1>Green when all the city ones and now they sucked

0:39:40.520 --> 0:39:42.880
<v Speaker 1>me over here at this location and I still have

0:39:43.000 --> 0:39:44.600
<v Speaker 1>yet to get to anybody. I said, I want to

0:39:44.600 --> 0:39:46.720
<v Speaker 1>talk to the general manager of the store who owns

0:39:46.719 --> 0:39:49.759
<v Speaker 1>this place. Why the fuck are they not? Are they

0:39:49.760 --> 0:39:51.840
<v Speaker 1>not making good on this? I have to have seamless

0:39:51.920 --> 0:39:54.120
<v Speaker 1>jump in and bite the bullet on a thirty one

0:39:54.160 --> 0:39:57.319
<v Speaker 1>dollar salad that you guys only filled up halfway and

0:39:57.360 --> 0:40:00.680
<v Speaker 1>didn't even give me my dressing or apologize for. And

0:40:00.800 --> 0:40:03.239
<v Speaker 1>all the corporate chat did was saying, all right, we're

0:40:03.239 --> 0:40:06.040
<v Speaker 1>gonna pass this song. We're gonna elevate this to corporate

0:40:06.160 --> 0:40:09.719
<v Speaker 1>higher ups because some seems like some team training is

0:40:09.760 --> 0:40:12.080
<v Speaker 1>in order here and they need to figure some stuff out.

0:40:12.360 --> 0:40:15.279
<v Speaker 1>And I said, damn straight you do, because you're disappointing

0:40:15.280 --> 0:40:17.680
<v Speaker 1>customers left and right. This is your introduction to the

0:40:17.960 --> 0:40:22.680
<v Speaker 1>Jersey City market. Oh I'm so angry. You sound angry.

0:40:22.680 --> 0:40:24.160
<v Speaker 1>I don't know why you let these places get you

0:40:24.239 --> 0:40:26.080
<v Speaker 1>so upset. You know me, I let it all roll

0:40:26.120 --> 0:40:31.200
<v Speaker 1>down my back. Okay, so I can't. Here's what I'm

0:40:31.200 --> 0:40:34.520
<v Speaker 1>gonna do. I'm gonna promise you guys an update because

0:40:34.560 --> 0:40:38.000
<v Speaker 1>I had a very similar situation to what Skier he's

0:40:38.040 --> 0:40:41.880
<v Speaker 1>going through with. Uh we'll just call him t J.

0:40:42.080 --> 0:40:46.960
<v Speaker 1>I my days, Okay. Uh it was I would say

0:40:47.600 --> 0:40:51.320
<v Speaker 1>eleven points seven times worse than the story you just told.

0:40:52.000 --> 0:40:55.280
<v Speaker 1>And this was back in uh first week of August.

0:40:55.880 --> 0:40:58.719
<v Speaker 1>So now we're looking at almost two months where they

0:40:58.719 --> 0:41:01.760
<v Speaker 1>have not helped me. Corporate is not helping me. However,

0:41:02.920 --> 0:41:07.680
<v Speaker 1>Uh while I was napping today, Uh John from the

0:41:07.719 --> 0:41:11.400
<v Speaker 1>corporate office called me left me a voicemail to go

0:41:11.560 --> 0:41:14.879
<v Speaker 1>over and talk to me about the situation I had

0:41:14.920 --> 0:41:18.400
<v Speaker 1>in my local right, so this is after will you

0:41:18.440 --> 0:41:19.800
<v Speaker 1>hear the story. I'm not gonna do it now because

0:41:19.920 --> 0:41:21.760
<v Speaker 1>it's gonna sound a lot like what you just told

0:41:22.080 --> 0:41:24.280
<v Speaker 1>and I don't want to be It's too much negativity.

0:41:24.280 --> 0:41:26.239
<v Speaker 1>And by the way, I'm not gonna most slices of

0:41:26.280 --> 0:41:28.720
<v Speaker 1>saying like, you know what, why did he say sweet Greens?

0:41:28.800 --> 0:41:30.360
<v Speaker 1>And then because I know that's what we do at

0:41:30.360 --> 0:41:33.359
<v Speaker 1>the end of the rent truth do it. Nope, I'm

0:41:33.400 --> 0:41:37.040
<v Speaker 1>not gonna do it because I love Sweet Green. I

0:41:37.080 --> 0:41:40.440
<v Speaker 1>love I love them. They're the best except for that store.

0:41:41.520 --> 0:41:47.640
<v Speaker 1>Fuck that location, okay of specifically right in the Jersey

0:41:47.640 --> 0:41:50.440
<v Speaker 1>City location. They never ever ever done me dirty and

0:41:50.480 --> 0:41:53.880
<v Speaker 1>I've been I've been going to them since I'm so angry.

0:41:53.960 --> 0:41:56.360
<v Speaker 1>Right now, let me give you a customer service experience

0:41:56.400 --> 0:42:01.040
<v Speaker 1>that wasn't necessarily bad, but because I'm prepared, Uh, this

0:42:01.120 --> 0:42:04.160
<v Speaker 1>may be a helpful tip for you guys. So I

0:42:04.200 --> 0:42:06.040
<v Speaker 1>told you how I got locked out of my house.

0:42:06.160 --> 0:42:09.319
<v Speaker 1>I said that story, yes, right, So I had I

0:42:09.360 --> 0:42:12.719
<v Speaker 1>broke a window by accident, a storm window, and so

0:42:12.760 --> 0:42:14.279
<v Speaker 1>I took it to a window as I called. I

0:42:14.320 --> 0:42:17.080
<v Speaker 1>called a couple of window places. One one company wanted

0:42:17.120 --> 0:42:20.040
<v Speaker 1>eighty five dollars, one company that had had worked for

0:42:20.120 --> 0:42:23.399
<v Speaker 1>me before wanted sixty five dollars. And then a third

0:42:23.400 --> 0:42:27.040
<v Speaker 1>guy who came very well reviewed, wanted thirty dollars, but

0:42:27.080 --> 0:42:29.000
<v Speaker 1>it would take a week, so it was longer. The

0:42:29.040 --> 0:42:31.239
<v Speaker 1>other people were like two days, Like, well, I don't

0:42:31.239 --> 0:42:33.600
<v Speaker 1>need a storm window. It's fine. I take a glass.

0:42:33.600 --> 0:42:37.000
<v Speaker 1>So he said, you have thirty dollars, not a problem,

0:42:37.239 --> 0:42:39.680
<v Speaker 1>drop it off and I take about a week because

0:42:40.000 --> 0:42:41.759
<v Speaker 1>it was it was right after a storm here in

0:42:41.800 --> 0:42:44.399
<v Speaker 1>the area, so a lot of people. It was after Ida,

0:42:44.640 --> 0:42:46.600
<v Speaker 1>so a lot of people had like broken windows. So

0:42:46.680 --> 0:42:49.480
<v Speaker 1>he was backed up. Okay, so he said thirty dollars.

0:42:49.480 --> 0:42:53.000
<v Speaker 1>So in my notepad on my phone. I had put

0:42:53.040 --> 0:42:56.840
<v Speaker 1>all the places, um phone numbers and names and their estimates.

0:42:56.960 --> 0:42:58.919
<v Speaker 1>This way I can remember what all the estimates were,

0:42:59.040 --> 0:43:00.880
<v Speaker 1>so I can look back and then a decision. Right,

0:43:01.160 --> 0:43:05.839
<v Speaker 1>so I go Bob's Glass, Okay, blah blah and eight

0:43:05.880 --> 0:43:10.400
<v Speaker 1>five dollars. Right, It's all on my notepad. And then

0:43:11.239 --> 0:43:14.400
<v Speaker 1>when I just decided to go with the thirty dollar guy,

0:43:14.760 --> 0:43:19.440
<v Speaker 1>I emailed myself his address, right, so i'd have it

0:43:20.400 --> 0:43:23.200
<v Speaker 1>and the phone number and the quote of thirty dollars.

0:43:23.560 --> 0:43:26.800
<v Speaker 1>You follow me so far? I do. So now I'm covered.

0:43:27.120 --> 0:43:30.879
<v Speaker 1>I drop off the window. Uh. And I very nice guy,

0:43:31.280 --> 0:43:32.920
<v Speaker 1>he says, I'll give you a calling me a call

0:43:33.000 --> 0:43:38.680
<v Speaker 1>next next Wednesday, which was a week ago yesterday. So

0:43:39.160 --> 0:43:42.840
<v Speaker 1>it's one of these like it looks like nobody's cleaned

0:43:42.920 --> 0:43:45.560
<v Speaker 1>up the place or updated the place in a hundred years.

0:43:45.600 --> 0:43:48.160
<v Speaker 1>Like all the guy does make less. Right. It's a shop.

0:43:48.760 --> 0:43:50.719
<v Speaker 1>It's not a fancy store. It's a guy who just

0:43:51.000 --> 0:43:52.960
<v Speaker 1>he's got a table. He's got a table in the

0:43:53.000 --> 0:43:55.960
<v Speaker 1>back like a cutting he's got a desk, and he's

0:43:55.960 --> 0:43:59.239
<v Speaker 1>got like hundreds of window panes lined up in the

0:43:59.239 --> 0:44:01.840
<v Speaker 1>front leaning against the wall with tags on them. That's it,

0:44:02.000 --> 0:44:07.759
<v Speaker 1>bare bones, past the savings onto the consumer. Okay, no computer, right,

0:44:07.840 --> 0:44:11.120
<v Speaker 1>everything's on a notepad. He writes for seats, down post,

0:44:11.160 --> 0:44:14.359
<v Speaker 1>it notes everywhere, not the most. But he's got a system, right,

0:44:14.400 --> 0:44:17.279
<v Speaker 1>you know, he's got a system of dred years. So

0:44:17.360 --> 0:44:20.120
<v Speaker 1>I got to pick up my window and he goes

0:44:20.160 --> 0:44:23.640
<v Speaker 1>here you go, he goes, uh, that's uh forty dollars

0:44:23.640 --> 0:44:27.719
<v Speaker 1>plus tax. But I it was, uh, sorry, you you

0:44:27.800 --> 0:44:31.920
<v Speaker 1>quoted me thirty. No, the size of the window here

0:44:31.920 --> 0:44:36.880
<v Speaker 1>that's forty. So I said, yeah, that's because it is

0:44:36.920 --> 0:44:40.239
<v Speaker 1>more glassed, there's more more of a job, because it's bigger. No,

0:44:40.480 --> 0:44:42.080
<v Speaker 1>he didn't say that. He didn't say, Look, it was

0:44:42.080 --> 0:44:44.160
<v Speaker 1>harder than I thought. He said, oh no, not for

0:44:44.320 --> 0:44:47.440
<v Speaker 1>his window. This windows forty. It's says my standard. That's forty.

0:44:47.600 --> 0:44:49.960
<v Speaker 1>But what makes one window less than the other if

0:44:49.960 --> 0:44:52.040
<v Speaker 1>it's the same labor well, if you well, it may

0:44:52.080 --> 0:44:55.040
<v Speaker 1>not be maybe larger, alright, alright, alright, it may require

0:44:55.040 --> 0:44:58.479
<v Speaker 1>to take off my mind screws. So I said, well,

0:44:58.560 --> 0:45:01.360
<v Speaker 1>you quoted me thirty. No, that doesn't sound right. So

0:45:01.520 --> 0:45:03.880
<v Speaker 1>I take out my notepad and I showed it to him,

0:45:03.920 --> 0:45:05.239
<v Speaker 1>and he says, yeah, I don't think I would have

0:45:05.239 --> 0:45:07.520
<v Speaker 1>said thirty. Then I showed him my email to myself

0:45:07.880 --> 0:45:10.440
<v Speaker 1>and go, look, I emailed myself on that date you

0:45:10.520 --> 0:45:13.600
<v Speaker 1>said thirty. I wrote it twice. So he says, well,

0:45:13.680 --> 0:45:16.279
<v Speaker 1>let me check the measurements again, and he measures the

0:45:16.280 --> 0:45:19.320
<v Speaker 1>glass and he goes, son of a bitch, yeah that's thirty.

0:45:21.080 --> 0:45:24.879
<v Speaker 1>So all I'm saying is, well, I'm not blaming the guy.

0:45:25.239 --> 0:45:28.200
<v Speaker 1>He was honest, man. He wasn't trying to take advantage.

0:45:28.600 --> 0:45:32.200
<v Speaker 1>But sometimes people went out like a real filing system

0:45:32.239 --> 0:45:35.120
<v Speaker 1>and a laptop or you know. He was going by

0:45:35.120 --> 0:45:37.319
<v Speaker 1>post it note and his memory and his memory and

0:45:37.320 --> 0:45:42.440
<v Speaker 1>he's trying to eyeball it. Yeah, and he put a

0:45:42.480 --> 0:45:44.400
<v Speaker 1>post it note on the frame and said forty. But

0:45:44.400 --> 0:45:46.440
<v Speaker 1>I'm like, that's not what you told him. Sometimes it's all,

0:45:46.560 --> 0:45:50.359
<v Speaker 1>you know, it's all just opinion. How you feeling, How's

0:45:50.400 --> 0:45:53.040
<v Speaker 1>which way is the wind blowing? Hopefully not towards my

0:45:53.080 --> 0:45:56.440
<v Speaker 1>window because it was open. You know, what side of

0:45:56.440 --> 0:45:58.040
<v Speaker 1>the bed did I wake up on this morning? You know,

0:45:58.200 --> 0:46:02.319
<v Speaker 1>like something A record of your phone calls always asked

0:46:02.320 --> 0:46:04.400
<v Speaker 1>the name of the customer service person who spoke to

0:46:05.320 --> 0:46:09.600
<v Speaker 1>He's very important. Notes have notes have notes. You can't

0:46:09.680 --> 0:46:13.319
<v Speaker 1>argue amast with Bodi and Scary. I was gonna end on,

0:46:13.440 --> 0:46:15.600
<v Speaker 1>I can't argue it an email. And as I was

0:46:15.600 --> 0:46:17.359
<v Speaker 1>saying that, you will, let you hit the jingle. Okay,

0:46:17.360 --> 0:46:19.600
<v Speaker 1>I'll tell you what. Now you could say it and

0:46:19.600 --> 0:46:22.640
<v Speaker 1>then I'll hit the jingle. No, already did it. I'm

0:46:22.640 --> 0:46:24.000
<v Speaker 1>not gonna edit it. You just gonna play it twice.

0:46:24.000 --> 0:46:25.960
<v Speaker 1>I'm just gonna play it twice. So yeah, do you

0:46:26.080 --> 0:46:31.760
<v Speaker 1>joke you can't argue with an emails with Bodi and Scary.

0:46:32.120 --> 0:46:37.920
<v Speaker 1>Now he's like three seconds dead air there. Okay, you

0:46:37.920 --> 0:46:42.600
<v Speaker 1>can't argue it an emails with Bodi and Scary. There

0:46:42.600 --> 0:46:45.000
<v Speaker 1>you go. That's that's radio professional right there. That was

0:46:45.040 --> 0:46:47.399
<v Speaker 1>the kind of guy what you just did there. If

0:46:47.640 --> 0:46:50.359
<v Speaker 1>with that quality on the third one, I would have

0:46:50.400 --> 0:46:53.000
<v Speaker 1>you put together a girl group. That's there. You go.

0:46:53.440 --> 0:46:59.719
<v Speaker 1>That's talent. Hey, uh you know we Hey there's an

0:46:59.719 --> 0:47:06.040
<v Speaker 1>echo again, damn it, bothers. It's a little bit all right.

0:47:06.120 --> 0:47:07.960
<v Speaker 1>So we have some sound to go through, and you know,

0:47:08.000 --> 0:47:09.920
<v Speaker 1>one of these pieces of sound that I loaded in

0:47:10.840 --> 0:47:13.480
<v Speaker 1>is my voice? What then you trying to do to me? Okay,

0:47:13.520 --> 0:47:15.759
<v Speaker 1>hold on, I need an old clip first, do you

0:47:15.960 --> 0:47:19.360
<v Speaker 1>have uh do you have the clip in the system

0:47:19.520 --> 0:47:25.360
<v Speaker 1>of Kate Uh no, no, no, no, no, Kate McKinnon

0:47:25.880 --> 0:47:31.120
<v Speaker 1>doing the Verizon commercial. Um, let me just take a

0:47:31.160 --> 0:47:33.480
<v Speaker 1>look through my sound banks. I do have to have

0:47:33.960 --> 0:47:37.440
<v Speaker 1>this limited space on this hard drive, so it's space.

0:47:37.480 --> 0:47:40.120
<v Speaker 1>While you're looking limited space, I want to read a

0:47:40.160 --> 0:47:44.600
<v Speaker 1>tweet from Monster donut Pants Aronell girl. She says, what

0:47:44.719 --> 0:47:47.719
<v Speaker 1>because last week there was a problem with you said

0:47:47.719 --> 0:47:50.640
<v Speaker 1>my system was had a problem. What Scary Jones nine

0:47:50.680 --> 0:47:53.160
<v Speaker 1>point two million dollar recording system doesn't make up for

0:47:53.239 --> 0:47:56.520
<v Speaker 1>David Brodie's audio issues on the Brooklyn Boys. Now, you

0:47:56.560 --> 0:48:01.320
<v Speaker 1>don't have hord drive space eleven points six million dollars.

0:48:01.400 --> 0:48:04.360
<v Speaker 1>You don't you know what? Now? All right? If you,

0:48:04.440 --> 0:48:06.359
<v Speaker 1>if you, I'll tell you what. Dude. No, you're gonna

0:48:06.400 --> 0:48:08.920
<v Speaker 1>read that, then fuck you. I'm gonna read this, okay.

0:48:09.040 --> 0:48:11.840
<v Speaker 1>From the Brooklyn Boys Podcast at gmail dot com. Brooklyn

0:48:11.880 --> 0:48:14.879
<v Speaker 1>Boys Podcast at gmail dot com. No, because you're you're

0:48:14.880 --> 0:48:16.960
<v Speaker 1>pushing me to the edge. You're making fun of my equipment.

0:48:17.000 --> 0:48:20.880
<v Speaker 1>Now go fund yourself here. No, you're pushing me to

0:48:20.920 --> 0:48:24.840
<v Speaker 1>the edge. From Paul Hickey in all caps, get back

0:48:24.880 --> 0:48:27.359
<v Speaker 1>in the studio, scary. You guys need to do an

0:48:27.360 --> 0:48:30.080
<v Speaker 1>in studio podcast sooner rather than later. The banter and

0:48:30.200 --> 0:48:32.840
<v Speaker 1>energy for Shore will be electric. Get Brody off his

0:48:33.160 --> 0:48:36.520
<v Speaker 1>fucking couch and out of his and out of his house.

0:48:36.719 --> 0:48:40.560
<v Speaker 1>Hashtag crappy WiFi, So go fund yourself. Well, I'm not

0:48:40.640 --> 0:48:44.120
<v Speaker 1>on a couch. I'm on a very comfortable business chart.

0:48:44.160 --> 0:48:46.480
<v Speaker 1>I'm just saying from Regency office, you want to make

0:48:46.480 --> 0:48:48.520
<v Speaker 1>fun of the equipment. We don't have to use this equipment.

0:48:48.560 --> 0:48:50.080
<v Speaker 1>We can go back in the studio and stare at

0:48:50.080 --> 0:48:52.560
<v Speaker 1>each other face to face and use the radio stations

0:48:52.560 --> 0:48:55.200
<v Speaker 1>a million dollars set up. I'm just saying what you

0:48:55.360 --> 0:48:58.760
<v Speaker 1>told me. You leave that studio at ten o'clock sharp boom.

0:48:58.800 --> 0:49:00.279
<v Speaker 1>But if we were to do with the pod cast,

0:49:00.360 --> 0:49:05.760
<v Speaker 1>I'll think about it. Do you have the Verizon sound

0:49:05.960 --> 0:49:09.120
<v Speaker 1>We don't, but well I'm gonna play it. Remind everybody

0:49:09.160 --> 0:49:14.080
<v Speaker 1>what we ripped Verizon. Kate McKinnon for Verizon launched the

0:49:14.080 --> 0:49:16.040
<v Speaker 1>first five G network and now we want to be

0:49:16.080 --> 0:49:18.160
<v Speaker 1>the first to give everyone the joy of five G

0:49:18.360 --> 0:49:21.239
<v Speaker 1>by giving every customer a new five G phone on

0:49:21.440 --> 0:49:25.120
<v Speaker 1>us old customers new cuts. Right, do you catch that

0:49:25.440 --> 0:49:28.080
<v Speaker 1>we want to give everyone. We made fun of we

0:49:28.080 --> 0:49:31.719
<v Speaker 1>we we said she doesn't work for Verizon. She's not

0:49:31.760 --> 0:49:34.160
<v Speaker 1>giving you the phone right. We want to save you

0:49:34.200 --> 0:49:36.080
<v Speaker 1>money on your monthly but u k K, you don't work.

0:49:36.120 --> 0:49:39.520
<v Speaker 1>Remember we did the whole thing right. This commercial ran

0:49:39.560 --> 0:49:42.400
<v Speaker 1>on see what handred yesterday? Play the commercial Scary Jones.

0:49:42.640 --> 0:49:44.040
<v Speaker 1>By the way, there's gonna be a part here. I

0:49:44.080 --> 0:49:45.879
<v Speaker 1>thought you're gonna go after me for something else, because

0:49:46.239 --> 0:49:48.080
<v Speaker 1>I'm gonna go with you for that too. But that's

0:49:48.160 --> 0:49:50.120
<v Speaker 1>one thing at a time. You have no case, my friend.

0:49:50.200 --> 0:49:53.000
<v Speaker 1>Just in time for fall, the Sloman's Free Doorbell Camera

0:49:53.080 --> 0:49:56.920
<v Speaker 1>and Free Home Security System with professional installation is back.

0:49:57.200 --> 0:49:59.120
<v Speaker 1>We're doing it all again. If you wanted the weird,

0:50:00.040 --> 0:50:02.879
<v Speaker 1>we're doing it all again. Stop stop, I got I

0:50:02.960 --> 0:50:06.040
<v Speaker 1>already have a rebuttal for that. Okay, we're doing it

0:50:06.080 --> 0:50:09.080
<v Speaker 1>all again. When I say we, I mean we here

0:50:09.080 --> 0:50:10.960
<v Speaker 1>at Z one are doing it again. Because if you

0:50:11.000 --> 0:50:14.239
<v Speaker 1>listen to what follows, it's a solicit for a contest.

0:50:14.600 --> 0:50:16.760
<v Speaker 1>It's call us right now. Be one of the first

0:50:16.840 --> 0:50:21.680
<v Speaker 1>forty callers to us. Listen again. Just in time for fall,

0:50:21.760 --> 0:50:25.200
<v Speaker 1>the Sloman's Free Doorbell Camera and Free Home Security System

0:50:25.239 --> 0:50:28.840
<v Speaker 1>with professional installation is back. We're doing it all again.

0:50:28.920 --> 0:50:31.560
<v Speaker 1>If you're want of the first forties ze listeners to

0:50:31.640 --> 0:50:34.120
<v Speaker 1>dial pound two fifty from your cell right now and

0:50:34.120 --> 0:50:36.840
<v Speaker 1>then say the keyword Sloman's. You'll get a free doorbell

0:50:36.920 --> 0:50:40.120
<v Speaker 1>camera with installation of your sloman Shield. There you go.

0:50:40.640 --> 0:50:43.399
<v Speaker 1>I never said that I'm Sloman's. I never said I'm

0:50:43.400 --> 0:50:46.400
<v Speaker 1>wearing the hat. And it's we're doing it again because

0:50:46.680 --> 0:50:50.000
<v Speaker 1>we because Sloman's is a partner of ours, and we

0:50:50.200 --> 0:50:53.840
<v Speaker 1>all together are doing this for you. So call us

0:50:53.960 --> 0:50:57.279
<v Speaker 1>right now, boom, call us, because we want to dial in.

0:50:57.440 --> 0:50:59.520
<v Speaker 1>They want people to dial in and pressed pound two

0:50:59.600 --> 0:51:02.880
<v Speaker 1>fifty and say the keyword Sloan's. I'm sorry that I

0:51:02.920 --> 0:51:05.000
<v Speaker 1>just get a free commercial without having to play the jingle.

0:51:05.320 --> 0:51:07.520
<v Speaker 1>Yes I did. Yeah, I figured you'd like, what's the

0:51:07.600 --> 0:51:10.480
<v Speaker 1>second part? Now you tell me what the second part is?

0:51:10.520 --> 0:51:12.919
<v Speaker 1>The second part? If you're gonna work, if you're gonna

0:51:12.920 --> 0:51:14.799
<v Speaker 1>say that my grammar is off, and I said that

0:51:14.920 --> 0:51:19.880
<v Speaker 1>it is instead of R you're wrong. It's free doorbell

0:51:19.960 --> 0:51:24.200
<v Speaker 1>camera and free home security system with professional installation is back.

0:51:26.040 --> 0:51:29.680
<v Speaker 1>Something some would say they are back. It's not what

0:51:29.719 --> 0:51:32.680
<v Speaker 1>I'm saying it because it's a package. Right, No, I

0:51:32.719 --> 0:51:35.280
<v Speaker 1>did not. No, I was not calling you up. Oh

0:51:35.320 --> 0:51:39.880
<v Speaker 1>my god, what your internet went off? Now you're back? No,

0:51:40.040 --> 0:51:43.279
<v Speaker 1>I hit the mike cable. It's back. Yeah, No, you

0:51:43.320 --> 0:51:45.480
<v Speaker 1>know I wasn't called Yeah, I wasn't calling you out

0:51:45.480 --> 0:51:48.640
<v Speaker 1>on that A not at all. Alright, alright, moving on

0:51:48.680 --> 0:51:52.239
<v Speaker 1>to other sound Yes, oh what are the clips do

0:51:52.239 --> 0:51:56.799
<v Speaker 1>you have there? Of course the famous John Gruden clip? Oh,

0:51:56.920 --> 0:52:00.360
<v Speaker 1>John Gruden. Remember when I we played the clip of

0:52:00.400 --> 0:52:04.080
<v Speaker 1>the fan yelling about the home run they had Las

0:52:04.200 --> 0:52:08.640
<v Speaker 1>Vegas Raiders The Vegas Writers head coach John Gruden miked

0:52:08.719 --> 0:52:11.360
<v Speaker 1>up and didn't turn his mic off. So while the

0:52:11.360 --> 0:52:14.520
<v Speaker 1>announcers are talking about the game, listen to John Gruden

0:52:14.560 --> 0:52:16.440
<v Speaker 1>in the background. And by the way, he is a

0:52:16.440 --> 0:52:18.799
<v Speaker 1>former broadcaster and shouldn't know better. He was in the

0:52:18.840 --> 0:52:25.399
<v Speaker 1>booth for head Monday Night Football to send the game

0:52:25.440 --> 0:52:32.000
<v Speaker 1>into overtime. I mean, I think John is not the

0:52:32.040 --> 0:52:36.680
<v Speaker 1>third man in the broadcast booth, but he is. You

0:52:36.719 --> 0:52:42.759
<v Speaker 1>can't really hear it, but what was he saying? But

0:52:43.560 --> 0:52:45.680
<v Speaker 1>by the way, it didn't help that they put the

0:52:45.719 --> 0:52:47.640
<v Speaker 1>camera on him, so if you couldn't hear it, you

0:52:47.640 --> 0:52:50.040
<v Speaker 1>could mouth the words and along with it. So it

0:52:50.160 --> 0:52:52.520
<v Speaker 1>actually if there was any question what he was saying,

0:52:52.680 --> 0:52:54.800
<v Speaker 1>the real problem is the cameraman who put the camera

0:52:54.920 --> 0:52:57.960
<v Speaker 1>on him while he was cursing his upper storm. What

0:52:57.960 --> 0:53:01.080
<v Speaker 1>what what was he? What was he pissed about? I

0:53:01.120 --> 0:53:03.879
<v Speaker 1>don't know. I wasn't watching the game. I'm not I'm

0:53:03.920 --> 0:53:07.560
<v Speaker 1>not a fan of John. So you have the Vikings clip. Alright,

0:53:07.640 --> 0:53:09.440
<v Speaker 1>So some of you guys may have heard this already,

0:53:09.760 --> 0:53:13.319
<v Speaker 1>but I was listening to UM the Sunday Drive. Now,

0:53:13.320 --> 0:53:17.080
<v Speaker 1>the guy didn't do the line I wanted to play.

0:53:17.239 --> 0:53:20.480
<v Speaker 1>He usually does with Bill Tory and Phil Tory and

0:53:20.600 --> 0:53:24.600
<v Speaker 1>Bill Lets. He does like a whole likes the most fake, right.

0:53:24.840 --> 0:53:27.680
<v Speaker 1>They didn't play that particular rejoined when I was in

0:53:27.719 --> 0:53:29.600
<v Speaker 1>the car for the half hour. I was in the car,

0:53:29.760 --> 0:53:32.160
<v Speaker 1>so I couldn't get that audio. Few guys, but I

0:53:32.200 --> 0:53:34.600
<v Speaker 1>heard this clip when they want to let's go live

0:53:34.920 --> 0:53:39.000
<v Speaker 1>because UM the Sunday Drive on the NFL channel. They

0:53:39.040 --> 0:53:40.920
<v Speaker 1>go from game to game whenever someone's like in the

0:53:40.920 --> 0:53:43.640
<v Speaker 1>red zone, we're close to scoring. So I heard this live.

0:53:43.640 --> 0:53:46.000
<v Speaker 1>They're like, let's go live to Minnesota for the kick

0:53:46.040 --> 0:53:55.399
<v Speaker 1>to win the game? Shop are you kidding me? Mr? Wright?

0:54:02.160 --> 0:54:09.400
<v Speaker 1>All Right? So First of all, here an announcer, you

0:54:09.440 --> 0:54:12.120
<v Speaker 1>have monitors. You also can see the line judges like

0:54:12.200 --> 0:54:15.080
<v Speaker 1>put their hands up or wave them off. This guy

0:54:15.239 --> 0:54:19.600
<v Speaker 1>is obviously a Homer, which is fine. Team it means,

0:54:19.680 --> 0:54:22.760
<v Speaker 1>it means the announcer over roots for the team. Certain

0:54:22.840 --> 0:54:25.279
<v Speaker 1>cities allow it, like everything. I was about to say,

0:54:25.360 --> 0:54:29.560
<v Speaker 1>that's terrible. It shouldn't these broadcasters remain sort of neutral, Like,

0:54:30.400 --> 0:54:34.040
<v Speaker 1>I mean, that isn't that bad. I don't know. I

0:54:33.760 --> 0:54:35.799
<v Speaker 1>I don't live. We live in New York City where

0:54:35.800 --> 0:54:37.879
<v Speaker 1>they're not allowed to do that. Well, here's the thing.

0:54:38.120 --> 0:54:40.440
<v Speaker 1>Over the years, the Yankees have had had announcers that

0:54:40.480 --> 0:54:45.040
<v Speaker 1>were Homer's. Phil Razuto, former player, was a Homer. I

0:54:45.040 --> 0:54:47.440
<v Speaker 1>would I would say that the two current radio announcers

0:54:47.440 --> 0:54:51.360
<v Speaker 1>they have now are major Homer's Atlanta. He's saying Homer

0:54:51.480 --> 0:54:55.000
<v Speaker 1>by the way, Carry was a big Homer, Harry Carry

0:54:55.000 --> 0:54:59.799
<v Speaker 1>in Chicago. Certain cities they've they've grown to love their announcers,

0:54:59.840 --> 0:55:02.600
<v Speaker 1>and announcers are part of the fabric and they will

0:55:02.719 --> 0:55:05.759
<v Speaker 1>cheer and live and die like a fan, whereas some

0:55:05.800 --> 0:55:09.399
<v Speaker 1>announcers will be like yes, yes, home run. And they've

0:55:09.440 --> 0:55:12.040
<v Speaker 1>they've they've taken a lead for making capture the energy.

0:55:12.360 --> 0:55:16.600
<v Speaker 1>But they don't like yes, yes, like they don't loot.

0:55:16.640 --> 0:55:20.480
<v Speaker 1>They're like they're like home roun here here in New York.

0:55:21.400 --> 0:55:23.520
<v Speaker 1>You're screaming into the mike, here in New York. Here

0:55:23.520 --> 0:55:26.279
<v Speaker 1>in New York with Gary Cohen, Ron Darling and Keith

0:55:26.280 --> 0:55:29.879
<v Speaker 1>Hernandez du former, two former Mets and a former uh

0:55:29.920 --> 0:55:31.680
<v Speaker 1>you know, fan of a fan of the Mets. He

0:55:31.719 --> 0:55:33.600
<v Speaker 1>grew up and watched every went to every single game,

0:55:33.760 --> 0:55:37.919
<v Speaker 1>Garry Cohen. They they clearly are Met fans, but they're

0:55:37.960 --> 0:55:41.800
<v Speaker 1>tasteful and classy in the way, and they will spank

0:55:41.880 --> 0:55:45.399
<v Speaker 1>the Mets for making bad plays or letting things happen.

0:55:45.480 --> 0:55:48.600
<v Speaker 1>It's they're they're actually they're fans of the game and

0:55:48.680 --> 0:55:51.520
<v Speaker 1>they want to be fair at the same time whatever

0:55:51.560 --> 0:55:54.120
<v Speaker 1>you're used to. So I just can't believe that this

0:55:54.239 --> 0:55:57.239
<v Speaker 1>exists in other cities. I was shocked to hear how

0:55:57.320 --> 0:56:00.759
<v Speaker 1>biased some of these announcers are. I mean, you'll never

0:56:00.800 --> 0:56:02.759
<v Speaker 1>get it on a national like Joe Buck, You'll never

0:56:02.800 --> 0:56:05.279
<v Speaker 1>get it on the national broadcast because they're not they're

0:56:05.280 --> 0:56:07.640
<v Speaker 1>not fans of the team. They're they're going to miscellaneous

0:56:07.680 --> 0:56:10.560
<v Speaker 1>games when you watch, like I fell on Fox, but

0:56:11.200 --> 0:56:13.160
<v Speaker 1>it's the radio guys that are the like the Jet

0:56:13.160 --> 0:56:16.719
<v Speaker 1>announcers are on the radio, they screaming, go crazy at

0:56:16.719 --> 0:56:18.600
<v Speaker 1>the end, I'm like, oh my god, it's so biased.

0:56:18.680 --> 0:56:21.759
<v Speaker 1>I never really listened to tune into that before. So

0:56:22.040 --> 0:56:24.000
<v Speaker 1>I'm gonna I'm gonna tweet something out. Let me pull

0:56:24.080 --> 0:56:33.879
<v Speaker 1>up my Twitter play this more time? Are you kidding me? Mr?

0:56:34.000 --> 0:56:39.160
<v Speaker 1>Right right? I'm gonna retweet this right now at David Brody.

0:56:39.800 --> 0:56:42.880
<v Speaker 1>The tweets called the worst and what it is? Someone

0:56:42.920 --> 0:56:45.759
<v Speaker 1>sent it to me right thank you for sending it

0:56:45.800 --> 0:56:50.760
<v Speaker 1>to me. Uh. It is a kid stopping the tape

0:56:50.800 --> 0:56:52.799
<v Speaker 1>of a Jets game. He's like a twelve year old

0:56:52.840 --> 0:56:58.319
<v Speaker 1>kid and he uh he breaks down the play and

0:56:58.400 --> 0:57:01.520
<v Speaker 1>shows you out of position everybody he is. And I mean,

0:57:01.640 --> 0:57:03.400
<v Speaker 1>let me pull up the clip because I want you

0:57:03.440 --> 0:57:05.440
<v Speaker 1>to hear the audio of this. Because at one point

0:57:05.640 --> 0:57:08.759
<v Speaker 1>there's two Jets lineman standing off to the side. They

0:57:08.800 --> 0:57:10.640
<v Speaker 1>look like they're about to block each other. There is

0:57:10.680 --> 0:57:13.279
<v Speaker 1>nobody on the Patriots around. Listen to this kid, hold

0:57:13.280 --> 0:57:15.080
<v Speaker 1>one play this songs up the New York Jets. This

0:57:15.080 --> 0:57:17.280
<v Speaker 1>one has to be it. This Patriots winning off the edge.

0:57:17.360 --> 0:57:19.919
<v Speaker 1>This Jets lineman is probably holding there's a patriot charging

0:57:19.960 --> 0:57:21.760
<v Speaker 1>up the middle at sac with no blocking at all.

0:57:21.960 --> 0:57:24.280
<v Speaker 1>This Jets dude is being pancakeed on the ground. Give

0:57:24.320 --> 0:57:26.040
<v Speaker 1>these two idiots staring at each other like, Yo, what

0:57:26.040 --> 0:57:28.840
<v Speaker 1>are we doing? I don't know, let's just stand here.

0:57:31.040 --> 0:57:33.960
<v Speaker 1>I love that we have these two idiots. And literally,

0:57:33.960 --> 0:57:36.520
<v Speaker 1>when you look at the picture, it's two Jets standing

0:57:36.520 --> 0:57:38.560
<v Speaker 1>there like what do you want for lunch? I don't

0:57:38.560 --> 0:57:40.480
<v Speaker 1>know what do you want for lunch? There's nothing happening

0:57:40.480 --> 0:57:43.320
<v Speaker 1>around them, but they're just standing there and the quarterback

0:57:43.560 --> 0:57:46.320
<v Speaker 1>is about to throw a horrific interception and they are

0:57:46.360 --> 0:57:50.040
<v Speaker 1>doing nothing. And this kid, this kid watched the tape

0:57:50.480 --> 0:57:54.160
<v Speaker 1>and shredded them and analyzed it good. Then I want

0:57:54.160 --> 0:57:56.400
<v Speaker 1>to give this props for you, scary you get the

0:57:56.440 --> 0:58:00.520
<v Speaker 1>upper hand here. Uh. Stephanie Minker at Ville two who seven?

0:58:00.880 --> 0:58:02.920
<v Speaker 1>She tweeted at us, My daughter and I love the

0:58:02.920 --> 0:58:05.840
<v Speaker 1>Brooklyn boys. Smart family. She said, Mom, you have to

0:58:05.840 --> 0:58:07.919
<v Speaker 1>send this to them. Do you have their number? How

0:58:07.960 --> 0:58:10.680
<v Speaker 1>cute is that? Maybe they will call us? She was

0:58:10.720 --> 0:58:13.160
<v Speaker 1>too cute. Hope you enjoy. So this is a little

0:58:13.200 --> 0:58:15.360
<v Speaker 1>girl in a in a minivan car seat. It looks

0:58:15.400 --> 0:58:24.320
<v Speaker 1>like here it is hold him podcast. So it's scary.

0:58:23.640 --> 0:58:30.720
<v Speaker 1>It's the bumper we play into commercial yeast right, I'll

0:58:30.760 --> 0:58:32.600
<v Speaker 1>play it. People know what it is. I don't have

0:58:32.640 --> 0:58:36.160
<v Speaker 1>to play it. Will have one that is right. We

0:58:36.200 --> 0:58:37.560
<v Speaker 1>don't see you don't seem to play that one as

0:58:37.640 --> 0:58:40.280
<v Speaker 1>much do I do? I I rotate. They just played

0:58:40.280 --> 0:58:42.040
<v Speaker 1>yours three times in a row. We went to a

0:58:42.040 --> 0:58:45.640
<v Speaker 1>full false commercial. You dick, I know how great was that?

0:58:45.960 --> 0:58:47.880
<v Speaker 1>You got me to do it three times? I did,

0:58:47.920 --> 0:58:53.560
<v Speaker 1>didn't I? So? Hey, I was a Target over the weekend.

0:58:54.040 --> 0:58:56.400
<v Speaker 1>Love Target? Who doesn't love Target? Not a commercial target,

0:58:56.440 --> 0:59:00.240
<v Speaker 1>Target practice, not a commercial with Target. So I two

0:59:00.240 --> 0:59:04.800
<v Speaker 1>problems a target. One was the cashier. So I went

0:59:04.840 --> 0:59:08.240
<v Speaker 1>with one of my kids and I got two boxes

0:59:08.240 --> 0:59:13.640
<v Speaker 1>of cereal, some frozen pizzas, an ice cream that's also

0:59:13.720 --> 0:59:20.919
<v Speaker 1>you know frozen, a board game, some candy whatever. So

0:59:21.720 --> 0:59:23.920
<v Speaker 1>I like to organize everything on the conveyor belt when

0:59:23.960 --> 0:59:26.560
<v Speaker 1>I go shopping. Put all the frozen foods together, all

0:59:26.560 --> 0:59:29.080
<v Speaker 1>the cans, all the boxes whatever. So I put the

0:59:29.080 --> 0:59:32.720
<v Speaker 1>two cereals together standing up, and I put the frozen

0:59:32.760 --> 0:59:35.040
<v Speaker 1>foods and I put you always put the potato chips

0:59:35.040 --> 0:59:37.160
<v Speaker 1>of the eggs last, so that those bags end up

0:59:37.160 --> 0:59:39.240
<v Speaker 1>on the top of your your call it right. She

0:59:39.360 --> 0:59:44.760
<v Speaker 1>starts willy nilly packing right, So she puts the frozen

0:59:44.800 --> 0:59:48.680
<v Speaker 1>pizza in the bottom of the bag, then ignores the

0:59:48.720 --> 0:59:52.400
<v Speaker 1>ice cream, grabs the box of cereal, puts that in

0:59:52.440 --> 0:59:55.880
<v Speaker 1>with the frozen So I said, oh, I kind of

0:59:55.880 --> 0:59:58.959
<v Speaker 1>want to keep the frozen food together. So she says,

0:59:59.000 --> 1:00:01.800
<v Speaker 1>all okay, takes the box of cereal out, puts the

1:00:01.840 --> 1:00:06.000
<v Speaker 1>ice cream in right, then makes another bag, grabs one

1:00:06.080 --> 1:00:09.160
<v Speaker 1>box of cereal, then tries to put the Monopoly game

1:00:09.200 --> 1:00:11.880
<v Speaker 1>in with the cereal. They said, can you can you

1:00:12.040 --> 1:00:14.480
<v Speaker 1>put the other boxes cereal and with the cereal And

1:00:14.560 --> 1:00:19.280
<v Speaker 1>she says, you know what, that's that's a good idea

1:00:20.120 --> 1:00:25.240
<v Speaker 1>that the grocery they went next to each other. She scary,

1:00:25.360 --> 1:00:28.000
<v Speaker 1>no joke. She had to reach around the second box

1:00:28.000 --> 1:00:33.080
<v Speaker 1>of cereal to grab the monopoly. Second box was standing

1:00:33.120 --> 1:00:36.040
<v Speaker 1>there like a tower, and she went around it and

1:00:36.080 --> 1:00:39.320
<v Speaker 1>grab the monopoly. She just doesn't know. I mean, she's

1:00:39.360 --> 1:00:42.120
<v Speaker 1>just seeing things. And you know you gotta do it

1:00:42.560 --> 1:00:46.520
<v Speaker 1>by by fragility, like how fragile something is right? And

1:00:46.520 --> 1:00:48.640
<v Speaker 1>and tetris and the rest is a Tetris game, like

1:00:48.920 --> 1:00:50.960
<v Speaker 1>how can I position this stuff and you put the

1:00:50.960 --> 1:00:54.360
<v Speaker 1>boxes together, and the cans and the bottles. He's putting

1:00:54.360 --> 1:00:56.520
<v Speaker 1>cereal boxes and all my frozen pizzas. Come on, it's

1:00:56.560 --> 1:00:59.080
<v Speaker 1>that her cabin. Cabin. I ask you a question. Do

1:00:59.080 --> 1:01:02.160
<v Speaker 1>you play Monopoly? Yes? I do? Okay, I love Monopoly,

1:01:02.320 --> 1:01:05.840
<v Speaker 1>grew up never in my whole life, and unfortunately i'd

1:01:05.880 --> 1:01:08.040
<v Speaker 1>like to be I'm always the shoe or the hat.

1:01:08.040 --> 1:01:10.120
<v Speaker 1>I love the shoe. I used to used to play

1:01:10.120 --> 1:01:11.919
<v Speaker 1>with my father and I think I beat him once.

1:01:12.760 --> 1:01:14.200
<v Speaker 1>I don't I'm gonna get to play with him again

1:01:14.240 --> 1:01:16.600
<v Speaker 1>because he's I don't have him any longer. But that

1:01:16.720 --> 1:01:19.280
<v Speaker 1>was our game, Checkers and Monopoly. That was the only

1:01:19.280 --> 1:01:21.880
<v Speaker 1>board game he wanted to play. That was he played

1:01:21.880 --> 1:01:25.000
<v Speaker 1>it when he was young, and he loved Monopoly. Right now,

1:01:25.360 --> 1:01:27.440
<v Speaker 1>since the days of my dad and me growing up

1:01:27.440 --> 1:01:30.600
<v Speaker 1>with Monopoly and paper money, they've come out with electronic

1:01:30.600 --> 1:01:34.640
<v Speaker 1>Monopoly and everything imaginal Star Wars Monopoly. I've got a

1:01:34.640 --> 1:01:37.400
<v Speaker 1>New York Jets Monopoly, and what when you buy a

1:01:37.400 --> 1:01:40.880
<v Speaker 1>New York Mets Monopoly or Chicago Club's Monopoly or Disney

1:01:40.880 --> 1:01:43.960
<v Speaker 1>World Monopoly. For the most part, I'm sure they'll be exceptions,

1:01:44.120 --> 1:01:46.280
<v Speaker 1>but for the most part. What do they do? They

1:01:46.360 --> 1:01:49.160
<v Speaker 1>just changed changed the property name, and they changed the cards,

1:01:49.480 --> 1:01:51.960
<v Speaker 1>the community chest and check, but it's still it's in

1:01:52.040 --> 1:01:54.080
<v Speaker 1>a boardwalk and park place. It might be like Space

1:01:54.160 --> 1:01:56.800
<v Speaker 1>Mountain and and they changed Oh, and they changed the

1:01:56.880 --> 1:01:59.040
<v Speaker 1>figurines that you used to go around the board. Right,

1:01:59.120 --> 1:02:03.080
<v Speaker 1>but it's monopoly. It's still monopoly. Right. So we were

1:02:03.120 --> 1:02:05.440
<v Speaker 1>a Target on Friday and my daughter says, oh, look

1:02:05.480 --> 1:02:08.560
<v Speaker 1>this Target monopoly and look they give you a little

1:02:08.560 --> 1:02:11.240
<v Speaker 1>shopping cart and a basket. The pieces are you can

1:02:11.280 --> 1:02:13.919
<v Speaker 1>get a little shopping cart. How cute is that? And

1:02:14.200 --> 1:02:16.080
<v Speaker 1>we she and I have not played monopoly in a

1:02:16.120 --> 1:02:20.160
<v Speaker 1>long time. So she's, Daddy, can we get the monopoly?

1:02:20.800 --> 1:02:23.240
<v Speaker 1>I said, come on, man, we're paying I'll tell you

1:02:23.280 --> 1:02:26.040
<v Speaker 1>the price yet, right, So I said, it's it's blah

1:02:26.120 --> 1:02:28.080
<v Speaker 1>blah blah amount of money, which seems like a lot

1:02:28.120 --> 1:02:31.120
<v Speaker 1>to pay for monopoly, and it's just gonna be monopoly.

1:02:32.080 --> 1:02:35.760
<v Speaker 1>But like with red stuff. She's but, but I'll play

1:02:35.800 --> 1:02:39.720
<v Speaker 1>it because it'll be different. Said okay, fine, I'll break down.

1:02:40.440 --> 1:02:42.480
<v Speaker 1>I'll get the monopoly. How much do you think the

1:02:42.600 --> 1:02:49.320
<v Speaker 1>Target Monopoly was a lot of Target? So okay, so

1:02:49.360 --> 1:02:51.920
<v Speaker 1>we get home. We're all excited to play target Monopoly,

1:02:51.960 --> 1:02:54.200
<v Speaker 1>and she says, I want to be the dog. Well,

1:02:54.240 --> 1:02:57.080
<v Speaker 1>the dog has a little but a flat butt, should

1:02:57.080 --> 1:02:59.680
<v Speaker 1>have the bull's eye over its face from the commercials

1:03:00.160 --> 1:03:03.200
<v Speaker 1>have but it's the little dog figurine and it it

1:03:03.240 --> 1:03:05.000
<v Speaker 1>has like it has like three legs in a butt.

1:03:05.880 --> 1:03:12.920
<v Speaker 1>But if you don't place it perfectly, it falls over. Yeah. Right,

1:03:12.960 --> 1:03:14.880
<v Speaker 1>there's a shopping cart, which is fine, and I don't

1:03:14.880 --> 1:03:16.600
<v Speaker 1>know what else the pieces were because she was the dog,

1:03:16.720 --> 1:03:22.160
<v Speaker 1>but shopping The instruction booklet is about six pages long.

1:03:23.120 --> 1:03:29.120
<v Speaker 1>Why because it's not monopoly. It's got the board right,

1:03:29.160 --> 1:03:33.440
<v Speaker 1>the board looks like monopoly. Everything is cleverly, you know, rechanged,

1:03:33.960 --> 1:03:39.600
<v Speaker 1>you know house swears and computers and televisions. So they've

1:03:39.600 --> 1:03:42.440
<v Speaker 1>they've done the usual, but the us of the game

1:03:42.640 --> 1:03:46.880
<v Speaker 1>are completely different. You you get little properties, but you

1:03:46.920 --> 1:03:49.520
<v Speaker 1>don't you can buy a property, right, you can buy

1:03:49.640 --> 1:03:52.840
<v Speaker 1>TV and it's it's tiny, right, and it fits in

1:03:52.880 --> 1:03:56.040
<v Speaker 1>your little basket. It's not like the big properties. There's

1:03:56.040 --> 1:03:59.840
<v Speaker 1>no rent, there's no mortgage, there's no houses, no hotels. Man,

1:04:00.080 --> 1:04:02.840
<v Speaker 1>that's watered down ship. You have to check out from

1:04:03.040 --> 1:04:07.479
<v Speaker 1>free parking where the registers are or go right. Once

1:04:07.520 --> 1:04:10.360
<v Speaker 1>you buy a property, someone else lands on it. They

1:04:10.360 --> 1:04:12.920
<v Speaker 1>can buy it from you, you can buy it twice.

1:04:13.320 --> 1:04:16.840
<v Speaker 1>You have to then save up coupons all the already

1:04:16.840 --> 1:04:19.080
<v Speaker 1>hate this kid, it's a nightmare. I'm not here. The

1:04:19.120 --> 1:04:24.960
<v Speaker 1>point is it's really it's like a monopoly with like, uh,

1:04:25.000 --> 1:04:27.160
<v Speaker 1>it's like you made you Let's say your mom made

1:04:27.240 --> 1:04:30.520
<v Speaker 1>the perfect Marinarow sauce, right, the perfect red sauce, and

1:04:30.560 --> 1:04:33.040
<v Speaker 1>then come along and squirted mustard in it, mixed them

1:04:33.080 --> 1:04:36.360
<v Speaker 1>up and said his mom's sauce, Like what house mustard

1:04:36.400 --> 1:04:40.840
<v Speaker 1>doing it here? Don't worry about it. Awful, so confusing bucket.

1:04:41.000 --> 1:04:43.720
<v Speaker 1>So please if you want to confuse your kids and

1:04:43.760 --> 1:04:48.760
<v Speaker 1>yourself by Target monopoly, by Target monopoly, Um, I haven't

1:04:48.800 --> 1:04:50.920
<v Speaker 1>they returned? Can I return it once it's open on

1:04:50.960 --> 1:04:53.440
<v Speaker 1>the grounds it sucks? Yes, I would do that if

1:04:53.480 --> 1:04:56.280
<v Speaker 1>I were you. Now I have something for you guys

1:04:56.440 --> 1:05:01.040
<v Speaker 1>right after this. Please it's the perfect But yeah, I

1:05:01.040 --> 1:05:02.600
<v Speaker 1>feel like we brought this up on the Big Show

1:05:02.600 --> 1:05:04.200
<v Speaker 1>and Brodie didn't have a chance to comment on it,

1:05:04.240 --> 1:05:05.880
<v Speaker 1>and I think we should. We should do it again.

1:05:06.040 --> 1:05:09.720
<v Speaker 1>That's a pattern. Well, you don't get to talk on

1:05:09.720 --> 1:05:12.400
<v Speaker 1>the Big show. Otherwise, half the stuff that you talk

1:05:12.480 --> 1:05:15.080
<v Speaker 1>on about this podcast, you'd be able to expand on. See,

1:05:15.240 --> 1:05:16.880
<v Speaker 1>I get to speak about things on the big show,

1:05:16.920 --> 1:05:19.240
<v Speaker 1>but I don't get to expand on them. That's that's right,

1:05:19.320 --> 1:05:22.040
<v Speaker 1>because you're an executive producer and I'm only an executive producer.

1:05:22.240 --> 1:05:25.520
<v Speaker 1>That makes no sense, uh I was. Earlier this week,

1:05:25.560 --> 1:05:29.080
<v Speaker 1>we had a little mini conversation about about etiquette with

1:05:29.280 --> 1:05:33.600
<v Speaker 1>photos taking pictures. I wanted to know how you feel

1:05:33.720 --> 1:05:36.360
<v Speaker 1>about being in the middle of a picture and what

1:05:36.360 --> 1:05:39.439
<v Speaker 1>do you do with your arms, because I tend to think,

1:05:39.480 --> 1:05:40.840
<v Speaker 1>and I said this on the air and I'll say

1:05:40.840 --> 1:05:44.640
<v Speaker 1>it again, I think it's selfish if you stand in

1:05:44.680 --> 1:05:47.080
<v Speaker 1>the middle of a picture and you have your arms

1:05:47.120 --> 1:05:49.280
<v Speaker 1>at your sides, or you let everybody put their arms

1:05:49.280 --> 1:05:51.000
<v Speaker 1>around you like you're the middle and you're the center

1:05:51.000 --> 1:05:55.720
<v Speaker 1>of attention, Whereas I think a better look is by

1:05:55.960 --> 1:05:58.480
<v Speaker 1>putting your arm. If you're in the middle, you put

1:05:58.480 --> 1:06:00.640
<v Speaker 1>your left arm around the left person, the right arm

1:06:00.720 --> 1:06:02.880
<v Speaker 1>around the shoulder the right person, and it's kind of

1:06:02.920 --> 1:06:06.040
<v Speaker 1>like chummy. It's more endearing. It's more like we're a

1:06:06.040 --> 1:06:08.640
<v Speaker 1>group taking a picture and it doesn't matter that I'm

1:06:08.640 --> 1:06:10.560
<v Speaker 1>in the middle, it's not It doesn't matter that I'm

1:06:10.560 --> 1:06:14.480
<v Speaker 1>in the middle, because I'm actually we're all together in there. No,

1:06:14.960 --> 1:06:17.800
<v Speaker 1>it's a risky move. Why well, first of all, if

1:06:17.800 --> 1:06:20.040
<v Speaker 1>it's two women, it's doubly risky. But but let's just

1:06:20.120 --> 1:06:22.960
<v Speaker 1>keep it as two people, right. If you do the

1:06:22.960 --> 1:06:27.400
<v Speaker 1>double reach around and then they don't, then you go

1:06:27.440 --> 1:06:29.560
<v Speaker 1>And should I not be doing the double reach round?

1:06:30.120 --> 1:06:32.880
<v Speaker 1>Is this awkward? Did I take? Did I take this

1:06:33.000 --> 1:06:35.880
<v Speaker 1>to be a closer friendship than I thought? Because now

1:06:35.920 --> 1:06:38.480
<v Speaker 1>they're standing there going this guy's arms around me? So

1:06:38.920 --> 1:06:41.040
<v Speaker 1>I do the like when I take picture with celebrities,

1:06:41.480 --> 1:06:44.480
<v Speaker 1>I do the reach around, but I don't touch them.

1:06:44.520 --> 1:06:47.560
<v Speaker 1>So my hand is behind them for the so that

1:06:47.600 --> 1:06:50.320
<v Speaker 1>my arm is somewhere to go, but I don't touch

1:06:50.400 --> 1:06:52.600
<v Speaker 1>them even if they like. Sometimes it's like, especially the

1:06:52.600 --> 1:06:55.160
<v Speaker 1>female celebrities, they'll put their head on my shoulder. They'll

1:06:55.160 --> 1:06:57.360
<v Speaker 1>put their hand on my shoulder where I'm like, okay,

1:06:57.400 --> 1:06:58.640
<v Speaker 1>as long as you did it, but I will not

1:06:58.720 --> 1:07:02.520
<v Speaker 1>touch their back like I do. No, he's the move

1:07:02.600 --> 1:07:05.680
<v Speaker 1>I do usually if I don't know the people well enough,

1:07:06.240 --> 1:07:08.800
<v Speaker 1>if they haven't put their arms around me, is I'll

1:07:08.840 --> 1:07:12.200
<v Speaker 1>cross my arms like you know, like like an eight sitcom,

1:07:12.280 --> 1:07:14.919
<v Speaker 1>like hello, I got my arms crossed, but you don't

1:07:14.960 --> 1:07:18.480
<v Speaker 1>do that, you don't, but you and then some people

1:07:18.600 --> 1:07:22.200
<v Speaker 1>a lot of a lot of people, um and and

1:07:22.360 --> 1:07:25.600
<v Speaker 1>I guess, um. Actually you ever see the breakfast club

1:07:25.680 --> 1:07:28.720
<v Speaker 1>Envy and DJ Envy and Charlemagne and Angela when they

1:07:28.760 --> 1:07:32.160
<v Speaker 1>take a picture with the celebrity, nobody touches anyone. In fact,

1:07:32.200 --> 1:07:34.880
<v Speaker 1>they all have their different poses, like like like one

1:07:34.920 --> 1:07:38.280
<v Speaker 1>guy will have like have his arms crossed. Uh the end,

1:07:38.360 --> 1:07:40.760
<v Speaker 1>you will have his like left leg up against the wall.

1:07:41.120 --> 1:07:43.600
<v Speaker 1>And not only those are not only radio professional, but

1:07:43.600 --> 1:07:45.560
<v Speaker 1>they look it looks like a magazine cover every time.

1:07:45.600 --> 1:07:48.640
<v Speaker 1>I'm like, no, their TV profession perfectly styled. I'm like,

1:07:48.720 --> 1:07:51.160
<v Speaker 1>why can't we do more of that? I mean, maybe

1:07:51.200 --> 1:07:53.080
<v Speaker 1>that's a solution. Maybe that's why you and I don't

1:07:53.080 --> 1:07:55.880
<v Speaker 1>have a TV shows and uh radio gigs like that

1:07:56.440 --> 1:07:59.560
<v Speaker 1>around morning show. I'm just trying to figure it out

1:07:59.640 --> 1:08:02.840
<v Speaker 1>because when I look at pictures, I judge if I

1:08:03.200 --> 1:08:05.280
<v Speaker 1>see that the person in the middle, or they'll have

1:08:05.320 --> 1:08:07.880
<v Speaker 1>an arm around one person and the other arms limp.

1:08:08.240 --> 1:08:09.800
<v Speaker 1>I'm like, I guess they don't like the person on

1:08:09.840 --> 1:08:13.000
<v Speaker 1>their right enough to take a picture of a boy band,

1:08:13.600 --> 1:08:17.439
<v Speaker 1>Like if you take a picture with Backstreet Backstreet boys,

1:08:18.560 --> 1:08:21.680
<v Speaker 1>everybody puts the arms on everybody. That's their pose. So

1:08:21.760 --> 1:08:23.760
<v Speaker 1>then you're like, you're in the middle of it. That's fine,

1:08:23.760 --> 1:08:25.000
<v Speaker 1>you could be in the middle because it looks like

1:08:25.040 --> 1:08:28.160
<v Speaker 1>they're all like buddying up to you. But and if

1:08:28.320 --> 1:08:30.800
<v Speaker 1>and and if they say like sometimes they're like move

1:08:30.880 --> 1:08:33.360
<v Speaker 1>in a certain way, like so you'll move your arms,

1:08:33.439 --> 1:08:35.320
<v Speaker 1>think you're closer, and then you have to put your

1:08:35.400 --> 1:08:38.240
<v Speaker 1>arms behind them because they're so close. It's like squirshed

1:08:38.640 --> 1:08:40.799
<v Speaker 1>to get in the photo. Like if they're like everybody

1:08:40.880 --> 1:08:43.000
<v Speaker 1>squirsh in. Can't get everybody in the picture. Like with

1:08:43.040 --> 1:08:45.080
<v Speaker 1>a large group, you gotta picture arms around them. I

1:08:45.080 --> 1:08:47.240
<v Speaker 1>still don't touch them, though, do you touch them? I

1:08:47.360 --> 1:08:52.160
<v Speaker 1>do every one of them now celebrities aside. I also

1:08:52.200 --> 1:08:55.920
<v Speaker 1>realized that something else. Yeah, when I'm when I'm taking

1:08:55.920 --> 1:08:58.800
<v Speaker 1>pictures with women versus pictures with men, and this is

1:08:58.920 --> 1:09:02.320
<v Speaker 1>uh this those for our listeners. No, not necessarily. I smile.

1:09:02.360 --> 1:09:04.160
<v Speaker 1>I give big smiles all across the board. Yes, but

1:09:04.240 --> 1:09:06.720
<v Speaker 1>with the guys, I go over to the shoulders and

1:09:06.760 --> 1:09:09.400
<v Speaker 1>with women I go to their waist. I put my

1:09:09.479 --> 1:09:13.240
<v Speaker 1>arms around their waist. In fact, one time, accidentally, and

1:09:13.280 --> 1:09:16.080
<v Speaker 1>this is embarrassing, someone pointed out that I had a

1:09:16.080 --> 1:09:19.720
<v Speaker 1>picture with someone and it was a woman and my

1:09:20.040 --> 1:09:22.080
<v Speaker 1>I guess they were so small, they were so petite

1:09:22.520 --> 1:09:25.519
<v Speaker 1>that my arm went around them and over around, and

1:09:25.560 --> 1:09:27.559
<v Speaker 1>it looked like I was touching their boob from like

1:09:27.600 --> 1:09:29.800
<v Speaker 1>a reach around from the from the back all the

1:09:29.800 --> 1:09:32.000
<v Speaker 1>way back to the front, from the front to the back,

1:09:32.040 --> 1:09:34.720
<v Speaker 1>from the back to the front like that. I'm like,

1:09:34.760 --> 1:09:37.000
<v Speaker 1>oh my god, it's embarrassing. You can see my fingertips

1:09:37.439 --> 1:09:39.920
<v Speaker 1>under on their underbooth. That's too high up. But no,

1:09:40.080 --> 1:09:42.320
<v Speaker 1>I was. But then again, I'm a tall person though,

1:09:42.520 --> 1:09:47.920
<v Speaker 1>and they're shorter than me, so obviously you gotta angle down.

1:09:48.080 --> 1:09:51.519
<v Speaker 1>And I've never got down. I see I've done. I've

1:09:51.520 --> 1:09:55.040
<v Speaker 1>done the reach around crouch around them. No, I know,

1:09:55.120 --> 1:09:58.320
<v Speaker 1>well you know when I now, I don't think she

1:09:58.360 --> 1:10:01.559
<v Speaker 1>does it anymore. But the three or four times Taylor

1:10:01.640 --> 1:10:04.479
<v Speaker 1>Swift came up to the radio station, if you're a

1:10:04.520 --> 1:10:06.479
<v Speaker 1>Facebook friend of mine, you'd know this. But otherwise you

1:10:06.479 --> 1:10:09.479
<v Speaker 1>wouldn't know this. Uh, And if you're not my we

1:10:09.560 --> 1:10:10.960
<v Speaker 1>didn't go to high school with me or my cousin

1:10:10.960 --> 1:10:12.800
<v Speaker 1>you're not a Facebook friend of mine. I'm sorry. But

1:10:12.880 --> 1:10:16.120
<v Speaker 1>on my in my private galleries, UM, all of my

1:10:16.160 --> 1:10:20.160
<v Speaker 1>pictures would Taylor because she's so tall. I felt really

1:10:20.160 --> 1:10:22.080
<v Speaker 1>short next to her. So I said, hey, can you

1:10:22.120 --> 1:10:24.479
<v Speaker 1>crouch down if you're really short? And I would stand

1:10:24.479 --> 1:10:26.680
<v Speaker 1>on my tippy toes and she would crouch down a

1:10:26.720 --> 1:10:28.600
<v Speaker 1>little bit. And so I have pictures of her like

1:10:28.640 --> 1:10:33.559
<v Speaker 1>standing straight and crouching, standing straight, crouching, So, uh, it's she.

1:10:33.840 --> 1:10:35.840
<v Speaker 1>She was a good sport about it. But by the

1:10:35.840 --> 1:10:37.720
<v Speaker 1>time it was like the third one, She's like, I

1:10:37.760 --> 1:10:39.040
<v Speaker 1>know you want me to crouch down. It was like

1:10:39.080 --> 1:10:41.400
<v Speaker 1>a joke. She remembered me. She's like, oh yeah, and

1:10:41.479 --> 1:10:44.040
<v Speaker 1>she crouched. She crouched down because Taylor is tall. And

1:10:44.040 --> 1:10:47.519
<v Speaker 1>then with the heels, she's really tall, and it makes

1:10:47.520 --> 1:10:50.479
<v Speaker 1>you look really, I'm surprised. I'm surprised that you put

1:10:50.479 --> 1:10:54.640
<v Speaker 1>your arms around her after this is all? This is all. Uh,

1:10:54.880 --> 1:10:57.000
<v Speaker 1>there was thousand eight. There was a very public it

1:10:57.080 --> 1:10:59.479
<v Speaker 1>was a very public lawsuit with a radio d J. Well,

1:10:59.479 --> 1:11:02.439
<v Speaker 1>I know, no, I've never put my I've never I've

1:11:02.479 --> 1:11:05.200
<v Speaker 1>never put my hand on Taylor. I always put my

1:11:05.280 --> 1:11:07.559
<v Speaker 1>arm if it goes I would put it like behind her,

1:11:07.840 --> 1:11:10.280
<v Speaker 1>but like six seven inches away from her back. If

1:11:10.280 --> 1:11:12.040
<v Speaker 1>I feel like I think that they're uncomfortable, I do

1:11:12.120 --> 1:11:13.960
<v Speaker 1>the same thing. I hide it in the back, so

1:11:14.040 --> 1:11:16.280
<v Speaker 1>to the to the person looking at the picture, it

1:11:16.320 --> 1:11:18.200
<v Speaker 1>looks like I have my arm around them, but I'm

1:11:18.200 --> 1:11:20.160
<v Speaker 1>not touching them. I will. I will tell you that,

1:11:20.200 --> 1:11:22.160
<v Speaker 1>I'll make this observation and tell me if you think

1:11:22.160 --> 1:11:27.640
<v Speaker 1>I'm wrong. Sometimes newer artists and artists who haven't had

1:11:27.640 --> 1:11:31.200
<v Speaker 1>a hit in a while are much more touchy feely

1:11:31.240 --> 1:11:34.080
<v Speaker 1>friendly in photographs with people at radio stations. I believe

1:11:34.120 --> 1:11:37.080
<v Speaker 1>it like you got a you got a girl who

1:11:37.160 --> 1:11:40.280
<v Speaker 1>has like unsigned our, she has like her first song,

1:11:40.360 --> 1:11:42.360
<v Speaker 1>her album's coming out and she has like one single.

1:11:42.880 --> 1:11:44.479
<v Speaker 1>A lot of times they'll like they'll do the lean

1:11:44.560 --> 1:11:47.439
<v Speaker 1>on your shoulder thing. They'll put like hand over hand,

1:11:47.479 --> 1:11:50.400
<v Speaker 1>like when I met Dualipa before any of her songs

1:11:50.439 --> 1:11:54.479
<v Speaker 1>were out right, she was an unknown and she like,

1:11:54.600 --> 1:11:57.320
<v Speaker 1>oh she leaned on me right, like she put on

1:11:57.360 --> 1:12:04.000
<v Speaker 1>our hands right, Duelina. They're very good, but like that

1:12:04.040 --> 1:12:06.439
<v Speaker 1>won't happen again. First of all, I think the record

1:12:06.520 --> 1:12:08.439
<v Speaker 1>labels are like hey, you know, And plus I don't

1:12:08.439 --> 1:12:10.240
<v Speaker 1>think after a while, I feel like they're like U

1:12:10.400 --> 1:12:13.160
<v Speaker 1>radio DJs, take pictures with them whatever. But when they're

1:12:13.160 --> 1:12:15.479
<v Speaker 1>when they're starting out, they're very casual. It's all very

1:12:15.560 --> 1:12:19.080
<v Speaker 1>you know whatever. But like boy bands always with the

1:12:19.160 --> 1:12:24.959
<v Speaker 1>arm around, always always right, friendly boy bands just saying hey, um,

1:12:25.040 --> 1:12:28.720
<v Speaker 1>we were talking before about the other David Brody. Right,

1:12:29.320 --> 1:12:34.280
<v Speaker 1>So there's other people with famous names of famous people

1:12:34.320 --> 1:12:36.600
<v Speaker 1>with names of famous people that aren't famous. Well, that

1:12:36.720 --> 1:12:39.599
<v Speaker 1>happened to me. I got, I got. I got tricked

1:12:39.760 --> 1:12:42.080
<v Speaker 1>unintentionally or otherwise. Before you go into that, let me

1:12:42.160 --> 1:12:45.760
<v Speaker 1>just give you one example. My friend, a long time

1:12:45.800 --> 1:12:49.599
<v Speaker 1>friend of mine. His name is Jeffrey Epstein. Yes, always

1:12:49.640 --> 1:12:52.719
<v Speaker 1>met him in Combine be leave it right there, that's

1:12:52.720 --> 1:12:56.439
<v Speaker 1>his real name. And now he's like, don't yeah, that's

1:12:56.439 --> 1:12:59.400
<v Speaker 1>a problem. It's a problem. So I'm listening to the

1:12:59.439 --> 1:13:03.280
<v Speaker 1>Fantasy upball channel on Sirius XM because I'm a hardcore

1:13:03.320 --> 1:13:07.920
<v Speaker 1>fantasy football player and the guy, the guy says, hey,

1:13:08.320 --> 1:13:11.679
<v Speaker 1>good friend of mine is coming up, uh to talk

1:13:11.720 --> 1:13:16.160
<v Speaker 1>about whatever he's talking about. And he says, uh, yeah,

1:13:16.600 --> 1:13:18.400
<v Speaker 1>this guy has made a name for himself in the

1:13:18.400 --> 1:13:21.599
<v Speaker 1>fantasy world. And I got lucky enough to meet him

1:13:21.640 --> 1:13:25.360
<v Speaker 1>years ago. We've stayed friends. I consider myself very fortunate.

1:13:25.680 --> 1:13:28.320
<v Speaker 1>And so my buddy Ryan Reynolds is coming on to

1:13:28.439 --> 1:13:30.960
<v Speaker 1>talk about whatever. So I'm like, wow, this guy knows

1:13:31.040 --> 1:13:33.960
<v Speaker 1>Ryan Reynolds. Now a lot of celebrities have fantasy football

1:13:33.960 --> 1:13:37.000
<v Speaker 1>teams and they'll come on. So you thought maybe Ryan

1:13:37.040 --> 1:13:38.640
<v Speaker 1>Raynolds was coming on and give you his picks and

1:13:38.720 --> 1:13:41.320
<v Speaker 1>tell you what he thought, right, and and a lot

1:13:41.320 --> 1:13:43.320
<v Speaker 1>a lot of celebrities, you guys are probably if you've

1:13:43.320 --> 1:13:46.040
<v Speaker 1>ever listened to sports stations, there are there are athletes

1:13:46.040 --> 1:13:49.479
<v Speaker 1>that love fantasy football, or celebrities rather, and they'll come

1:13:49.479 --> 1:13:51.600
<v Speaker 1>on and give their picks and and they'll be in

1:13:51.680 --> 1:13:53.960
<v Speaker 1>leagues and they're like everybody else. So I'm like, who

1:13:53.960 --> 1:13:56.360
<v Speaker 1>doesn't love Ryan Raynolds? This is great. He's like, yeah,

1:13:56.439 --> 1:13:59.040
<v Speaker 1>my buddy, Ryan Reynolds. And so his CAUs goes, how'd

1:13:59.040 --> 1:14:01.200
<v Speaker 1>you get Ryan Reynolds know? Like he's like, I've just

1:14:01.640 --> 1:14:04.479
<v Speaker 1>I met him years ago. Now he's blowing up. He's

1:14:04.479 --> 1:14:07.360
<v Speaker 1>got a new column out that he writes for this website,

1:14:07.360 --> 1:14:10.560
<v Speaker 1>Like Brian Reynolds writes a fantasy football website. This is tremendous.

1:14:11.000 --> 1:14:12.719
<v Speaker 1>So the guy comes on, he's like lady and gentlemen,

1:14:12.800 --> 1:14:15.720
<v Speaker 1>Ryan Reynolds, and he's like, hey, everybody, I wanna talking

1:14:15.720 --> 1:14:18.439
<v Speaker 1>about my picks this week, Like this isn't fucking Ryan Reynolds.

1:14:22.040 --> 1:14:24.040
<v Speaker 1>So apparently this guy is a big deal now in

1:14:24.080 --> 1:14:26.880
<v Speaker 1>fantasy football, and now you gotta listen to his name

1:14:26.920 --> 1:14:28.719
<v Speaker 1>every time, and you're gonna be psyched out every single

1:14:28.800 --> 1:14:30.639
<v Speaker 1>The point was he was making a big deal about

1:14:30.640 --> 1:14:32.799
<v Speaker 1>his buddy Ryan Reynolds, because the guy in the fantasy

1:14:32.840 --> 1:14:35.639
<v Speaker 1>world is worth knowing. I think he did it on purpose,

1:14:35.880 --> 1:14:38.920
<v Speaker 1>just for tuning. He definitely he's like, hey, guys, got

1:14:39.000 --> 1:14:41.559
<v Speaker 1>Ryan Reynolds coming up. My friend Ryan Reynolds. Never once

1:14:41.640 --> 1:14:44.759
<v Speaker 1>said hey, same name as the famous guy. He wanted

1:14:44.800 --> 1:14:46.599
<v Speaker 1>you to think it was really him. That was him

1:14:46.600 --> 1:14:48.840
<v Speaker 1>doing little tease and little tune in a little tickli

1:14:48.840 --> 1:14:50.880
<v Speaker 1>your balls with a feather. Right. He didn't say I

1:14:50.880 --> 1:14:54.200
<v Speaker 1>went to college with him. I met him at about

1:14:54.240 --> 1:14:57.320
<v Speaker 1>a thing years ago. No, no, yeah, Now he did

1:14:57.320 --> 1:15:01.479
<v Speaker 1>it on purpose, absolutely, of course. So my friend Jeffrey

1:15:01.479 --> 1:15:04.160
<v Speaker 1>Epstein's coming Jeff Epstein on the next broadcast with the

1:15:04.160 --> 1:15:08.840
<v Speaker 1>Big Brooklyn Boys podcast. See, but Jeffrey one, he's dead right.

1:15:08.880 --> 1:15:10.519
<v Speaker 1>He may have not have hung himself, depending on what

1:15:10.600 --> 1:15:13.599
<v Speaker 1>conspiracy theory you're in. Oh, Adam Levine. Adam Levin coming

1:15:13.680 --> 1:15:16.400
<v Speaker 1>up next next week on the show. My friend, I'm

1:15:16.400 --> 1:15:20.000
<v Speaker 1>an accountant. Well, why I know what Adam Levin? I actually, yeah,

1:15:20.400 --> 1:15:22.880
<v Speaker 1>I can. I'm gonna call him up. I haven't spoken

1:15:22.880 --> 1:15:26.000
<v Speaker 1>to him since middle school, but you know he's he's around,

1:15:26.520 --> 1:15:29.799
<v Speaker 1>Adam Levine. All right, speaking of middle school and Brooklyn,

1:15:29.840 --> 1:15:32.880
<v Speaker 1>and um, are you gonna are we doing something with

1:15:33.080 --> 1:15:37.800
<v Speaker 1>in Brooklyn coming up? Yeah? I mean in the New

1:15:37.840 --> 1:15:40.320
<v Speaker 1>York Comedy Festival. No, no, no, that would be Manhattan.

1:15:40.600 --> 1:15:42.640
<v Speaker 1>I know. That's why I'm trying Brooklyn. I thought we

1:15:42.640 --> 1:15:46.240
<v Speaker 1>were supposed well, they was supposed to do something on

1:15:46.320 --> 1:15:49.640
<v Speaker 1>the rides in Brooklyn. Yeah, we never happened. It never materialized.

1:15:49.640 --> 1:15:51.640
<v Speaker 1>I thought they were gonna save it for fall. But

1:15:51.720 --> 1:15:54.599
<v Speaker 1>maybe not. Maybe that's a dead conversation. We were trying,

1:15:54.720 --> 1:15:56.719
<v Speaker 1>They were trying in the background, will just be honest.

1:15:57.360 --> 1:15:59.439
<v Speaker 1>They were trying to bring the Brooklyn Boys to Brooklyn

1:15:59.640 --> 1:16:02.320
<v Speaker 1>with all y'all listening and all the slices. Although you

1:16:02.320 --> 1:16:04.280
<v Speaker 1>don't say y'all in Brooklyn, you know, we do not.

1:16:04.680 --> 1:16:07.840
<v Speaker 1>But we were we were supposed to do something uh,

1:16:07.880 --> 1:16:10.280
<v Speaker 1>and it just never happened. But so what are we

1:16:10.320 --> 1:16:13.920
<v Speaker 1>doing in Brooklyn? Scary? Well right now? Nothing? Well, so

1:16:13.960 --> 1:16:15.960
<v Speaker 1>I thought you knew something I didn't know. No, I

1:16:16.240 --> 1:16:18.559
<v Speaker 1>thought we were going to do that, but I heard

1:16:18.600 --> 1:16:20.840
<v Speaker 1>that that was still maybe on the table for the fall.

1:16:20.880 --> 1:16:24.799
<v Speaker 1>But I come on, that's what hurt now, your dogs

1:16:24.840 --> 1:16:27.320
<v Speaker 1>howling at the moon? I think we should. Uh, we

1:16:27.320 --> 1:16:28.880
<v Speaker 1>gotta go. We gotta a cruise ship to board, and

1:16:28.880 --> 1:16:30.320
<v Speaker 1>I gotta pack. Can I just I want to just

1:16:30.360 --> 1:16:31.960
<v Speaker 1>tell you my Taco Bell story because I want to

1:16:32.040 --> 1:16:33.720
<v Speaker 1>end on a on a on a brooding kind of note.

1:16:33.880 --> 1:16:35.960
<v Speaker 1>You want to end on a on a negative go. Well,

1:16:36.040 --> 1:16:38.360
<v Speaker 1>So I I went to Taco Bell, as I often do.

1:16:38.960 --> 1:16:41.439
<v Speaker 1>I'm still a big fan, and I'm with I'm with

1:16:41.479 --> 1:16:43.840
<v Speaker 1>my kid. This is after Target, right after the the

1:16:43.840 --> 1:16:46.400
<v Speaker 1>the the incident and Target. She's like, let's go to

1:16:46.439 --> 1:16:49.800
<v Speaker 1>Taco Bell. So, uh, Taco I may have mentioned this

1:16:49.880 --> 1:16:55.120
<v Speaker 1>before they closed it eleven, Okay, at nine o'clock, I'm

1:16:55.120 --> 1:16:57.080
<v Speaker 1>in the parking lot trying to order our food on

1:16:57.120 --> 1:16:59.519
<v Speaker 1>the app because that's why when I customized it, I

1:16:59.520 --> 1:17:03.599
<v Speaker 1>know it's you go to the window and it's like, hey,

1:17:03.720 --> 1:17:06.240
<v Speaker 1>you know know this and know that, and you know

1:17:06.360 --> 1:17:08.400
<v Speaker 1>it's whatever. I'd rather do it in the app where

1:17:08.400 --> 1:17:10.160
<v Speaker 1>it's all customized already, and I have a pre set

1:17:10.320 --> 1:17:11.800
<v Speaker 1>and I just go boom boom, bah boom, and I

1:17:11.800 --> 1:17:14.080
<v Speaker 1>pull up I go mobile order for David done right

1:17:14.680 --> 1:17:17.479
<v Speaker 1>nine o'clock on the dot, I hit I hit purchase.

1:17:17.520 --> 1:17:19.640
<v Speaker 1>I got to hit purchase. It says the store is

1:17:19.640 --> 1:17:23.240
<v Speaker 1>closing soon. We can't take your order. What eleven o'clock?

1:17:23.280 --> 1:17:25.040
<v Speaker 1>What happened to that? Yes? So I pull him to

1:17:25.080 --> 1:17:26.960
<v Speaker 1>the drive through and the girls just gonna have your order.

1:17:26.960 --> 1:17:28.320
<v Speaker 1>I said, I'm trying to place the order through the

1:17:28.360 --> 1:17:32.120
<v Speaker 1>app just and it says you closed soon? What time

1:17:32.160 --> 1:17:34.479
<v Speaker 1>you open until eleven? Well, why won't you have to

1:17:34.520 --> 1:17:40.800
<v Speaker 1>take my order? I don't know. Well once you find out, yeah,

1:17:40.800 --> 1:17:42.680
<v Speaker 1>So I said, well, can you maybe the manager has

1:17:42.680 --> 1:17:44.959
<v Speaker 1>its set to closing at nine, like during the pandemic,

1:17:45.840 --> 1:17:50.200
<v Speaker 1>change until eleven? Can uh hold on? So the manager

1:17:50.240 --> 1:17:53.280
<v Speaker 1>comes over and he says, uh, yeah, it does that.

1:17:54.160 --> 1:17:55.640
<v Speaker 1>It does that right, And then that and by the

1:17:55.640 --> 1:17:57.960
<v Speaker 1>way they have that means they have no plans to

1:17:58.040 --> 1:18:00.479
<v Speaker 1>correct that because obviously they've been told before. Work does

1:18:00.520 --> 1:18:02.759
<v Speaker 1>that right? I said, but you're open two more hours.

1:18:03.000 --> 1:18:05.040
<v Speaker 1>He goes, yeah, that's story of the app works. But

1:18:05.120 --> 1:18:07.400
<v Speaker 1>the app thinks you're closing soon. I want to use

1:18:07.479 --> 1:18:10.920
<v Speaker 1>the app. And he says, yeah, that's the way it is. Well,

1:18:11.320 --> 1:18:14.840
<v Speaker 1>have you complained anybody? No, it is because you know what,

1:18:14.920 --> 1:18:17.120
<v Speaker 1>You're a bad manager. That's why. That's why you didn't

1:18:17.120 --> 1:18:20.840
<v Speaker 1>complain to anyone. Do your job. The girl gets back

1:18:20.880 --> 1:18:23.000
<v Speaker 1>to me and she says, uh, what can I get you?

1:18:23.040 --> 1:18:26.080
<v Speaker 1>Because I have to order right? So I said, give

1:18:26.120 --> 1:18:29.080
<v Speaker 1>me um now again. I have to order my food

1:18:29.400 --> 1:18:32.040
<v Speaker 1>with the modifiers right, anything extra, I want to order

1:18:32.040 --> 1:18:35.600
<v Speaker 1>anything without? I say, okay. So my daughter likes to

1:18:35.600 --> 1:18:39.040
<v Speaker 1>add nacho cheese to the Dorito's logos tacos. So I said,

1:18:39.640 --> 1:18:44.120
<v Speaker 1>I need three Doritos locos tacos anything else and I said, yep,

1:18:44.760 --> 1:18:48.280
<v Speaker 1>uh add nacho cheese to that. Okay, anything else? Yeah,

1:18:48.360 --> 1:18:52.479
<v Speaker 1>I need a soft taco no anything else. Yeah, I

1:18:52.640 --> 1:18:54.560
<v Speaker 1>want to order the soft taco no lettuce okay to

1:18:54.680 --> 1:18:56.840
<v Speaker 1>soft tacos one no let us no no no the

1:18:56.840 --> 1:19:01.920
<v Speaker 1>first one, no lettuce okay? Anything else? Yeah? I need

1:19:01.920 --> 1:19:05.760
<v Speaker 1>a chicken melt and anything else. So I said, you know, um,

1:19:05.840 --> 1:19:08.600
<v Speaker 1>if you can just stop saying anything else. I'd like

1:19:08.640 --> 1:19:12.120
<v Speaker 1>to just let me finish talking. Okay, I need a

1:19:12.200 --> 1:19:14.920
<v Speaker 1>chicken melt with rice and tomato. Okay, two chicken melks,

1:19:14.920 --> 1:19:17.280
<v Speaker 1>one more rice and tomato. No, I didn't the first one.

1:19:17.280 --> 1:19:22.000
<v Speaker 1>I'm modifying that. That's the first one. Okay, anything else, Yeah,

1:19:22.200 --> 1:19:25.160
<v Speaker 1>I would like to order a case anything else, like

1:19:25.200 --> 1:19:28.439
<v Speaker 1>she kept anything else in me, so at that point scared.

1:19:28.439 --> 1:19:31.040
<v Speaker 1>I have to be honest with you on principle, I

1:19:31.080 --> 1:19:35.679
<v Speaker 1>didn't want to stop ordering just to make you sound.

1:19:35.760 --> 1:19:38.000
<v Speaker 1>She realized how stupid she sounded. I felt like, if

1:19:38.000 --> 1:19:41.000
<v Speaker 1>I say that, you would have been right, a normal right,

1:19:41.360 --> 1:19:44.439
<v Speaker 1>So a normal person would have would have sat there

1:19:44.479 --> 1:19:47.160
<v Speaker 1>and say, uh, huh, take a pause, wait for you

1:19:47.200 --> 1:19:50.800
<v Speaker 1>to say something else. H take a place, and once

1:19:50.840 --> 1:19:54.800
<v Speaker 1>there's a pregnant pause, then you say anything else. Right.

1:19:54.840 --> 1:19:56.400
<v Speaker 1>So scary you drive them up to my drive through.

1:19:56.400 --> 1:19:59.439
<v Speaker 1>I'm that girl got to onto something. Hi, Well, i'd rather,

1:19:59.640 --> 1:20:02.080
<v Speaker 1>you know, to duncans, like, can I get a sausage?

1:20:03.280 --> 1:20:08.400
<v Speaker 1>Anything else? Uh? Can I get if I can have

1:20:08.479 --> 1:20:12.240
<v Speaker 1>some maple glazed bacon, anything else, I'd punch in the

1:20:12.960 --> 1:20:15.519
<v Speaker 1>That's that's how she was. I'm like, oh my, my, my,

1:20:15.600 --> 1:20:20.320
<v Speaker 1>daughter is like backhanding my leg like hey, okay, says

1:20:20.360 --> 1:20:22.679
<v Speaker 1>my day was like leave how long she's doing her jump? Brody?

1:20:22.800 --> 1:20:25.120
<v Speaker 1>All right, we'll go to anything else. No I'm not. Yeah,

1:20:25.479 --> 1:20:28.160
<v Speaker 1>I'm not done yet. So we get the food. We

1:20:28.320 --> 1:20:30.880
<v Speaker 1>get the food and there's no nuts. So my daughter

1:20:31.000 --> 1:20:32.720
<v Speaker 1>was defending her. We get the food. My daughter is

1:20:32.760 --> 1:20:35.080
<v Speaker 1>not your cheese is not on the doritos. Just just

1:20:35.400 --> 1:20:40.080
<v Speaker 1>that girl sucks, I said, you know what, defending her?

1:20:40.200 --> 1:20:42.320
<v Speaker 1>She just well I thought she was just trying, but

1:20:42.479 --> 1:20:46.479
<v Speaker 1>she clearly wasn't. She wasn't. No, she's looking at a

1:20:46.640 --> 1:20:49.719
<v Speaker 1>seat and it did not say not your cheese. Because

1:20:49.760 --> 1:20:51.439
<v Speaker 1>I said it, she added it and then took it

1:20:51.520 --> 1:20:56.439
<v Speaker 1>off because I didn't want double the order anything else else. No,

1:20:56.600 --> 1:20:58.760
<v Speaker 1>you know what's scary? One more thing hit the Brooken Boys,

1:20:58.800 --> 1:21:02.439
<v Speaker 1>Shingle and else. No, I'm not singing this time. You

1:21:02.600 --> 1:21:05.960
<v Speaker 1>do it me, Yeah, you do the Brooklyn Tomorrow I'm

1:21:05.960 --> 1:21:11.040
<v Speaker 1>going to visit my parents in Brooklyn. Boom Boys, Mike Track,

1:21:11.960 --> 1:21:16.120
<v Speaker 1>Broo Boys, brock brookl