1
00:00:00,160 --> 00:00:04,520
Speaker 1: Hey guys. Coming up, we have a New York Comedy

2
00:00:04,519 --> 00:00:06,680
Speaker 1: Festival show. It's called Coach War and I Don't Think

3
00:00:06,680 --> 00:00:10,160
Speaker 1: So Honey deathmatch Team Matt versus Team Bowen. Ten people

4
00:00:10,160 --> 00:00:12,560
Speaker 1: on each team fighting hard to see who can give

5
00:00:12,600 --> 00:00:15,160
Speaker 1: the most amazing I Don't Think So Honey. It's on

6
00:00:15,200 --> 00:00:17,800
Speaker 1: November seven, That's a Tuesday at eight thirty pm again

7
00:00:17,880 --> 00:00:20,639
Speaker 1: for New York Comedy Festival. Tickets are available right now.

8
00:00:20,760 --> 00:00:23,560
Speaker 1: And then at the Brooklyn Podcast Festival on November eight,

9
00:00:23,880 --> 00:00:26,759
Speaker 1: at ten pm, we have our third installment of I

10
00:00:26,760 --> 00:00:30,080
Speaker 1: Don't Think So Honey Live at the Bellhouse. We're so

11
00:00:30,120 --> 00:00:33,520
Speaker 1: excited to finally perform there with a brand new roster

12
00:00:33,600 --> 00:00:38,120
Speaker 1: of fifty comedians doing their amazing inaugural I Don't Think

13
00:00:38,120 --> 00:00:41,720
Speaker 1: So Honey's live for a rabid crowd. We can't wait

14
00:00:41,760 --> 00:00:49,159
Speaker 1: to see you there. Dang don La culture calling. Let

15
00:00:49,159 --> 00:00:52,519
Speaker 1: me tell you all. Matt Rogers, my co host, is

16
00:00:52,640 --> 00:00:56,840
Speaker 1: currently straddling the back of his chair like about it,

17
00:00:57,040 --> 00:00:59,920
Speaker 1: like a fucking Backstreet boy or the Spice Girls and

18
00:01:00,000 --> 00:01:05,040
Speaker 1: their lives stand bullshit poring you. I'm talking about you

19
00:01:05,080 --> 00:01:07,959
Speaker 1: did that because I remember I had the VA just

20
00:01:08,120 --> 00:01:11,160
Speaker 1: tape of the Spice Girls concert and there's one They're

21
00:01:11,280 --> 00:01:14,000
Speaker 1: naked there naked spoiler alert for those of you who

22
00:01:14,040 --> 00:01:18,480
Speaker 1: haven't seen the The Spice Girls Tour vhs. But they

23
00:01:18,480 --> 00:01:22,920
Speaker 1: are naked, singing naked and like the chairs, the backs

24
00:01:22,920 --> 00:01:25,920
Speaker 1: of the chairs are covering their ariola. Point. Jerry, who

25
00:01:26,000 --> 00:01:29,280
Speaker 1: you know is the fastest of all of them, fast,

26
00:01:29,600 --> 00:01:32,319
Speaker 1: rises out of her chair a little bit and the

27
00:01:32,400 --> 00:01:36,520
Speaker 1: amount of like ariola. You don't see any ariola. You

28
00:01:36,560 --> 00:01:40,959
Speaker 1: see the vagine. No, you see almost ariola, okay, And

29
00:01:41,040 --> 00:01:45,120
Speaker 1: I feel like that for me, even as it confused

30
00:01:45,959 --> 00:01:48,360
Speaker 1: first of all to racy. Crazy thing to see as

31
00:01:48,360 --> 00:01:51,560
Speaker 1: a seven year old. Racy, it's one word for it,

32
00:01:51,600 --> 00:01:55,040
Speaker 1: for sure, you know. Um. That reminds me of the

33
00:01:55,080 --> 00:01:57,400
Speaker 1: time when I saw the trailer from Mulan Ruthe the

34
00:01:57,440 --> 00:01:59,000
Speaker 1: first time, and I turned to my mom and I said,

35
00:01:59,000 --> 00:02:00,880
Speaker 1: I want to see that and she said, no, no,

36
00:02:01,040 --> 00:02:05,920
Speaker 1: that looks racy, Katrina. She was right, it was a

37
00:02:06,040 --> 00:02:09,760
Speaker 1: racy film. Um. But listen what I'm sitting like this

38
00:02:09,840 --> 00:02:11,799
Speaker 1: because I feel it's more comfortable for me. But the

39
00:02:11,880 --> 00:02:15,000
Speaker 1: jury is out on that because I've been sitting only

40
00:02:15,080 --> 00:02:17,320
Speaker 1: like this for a brief wan to do you want

41
00:02:17,320 --> 00:02:20,160
Speaker 1: me to like stall and fill in the time as

42
00:02:20,200 --> 00:02:22,280
Speaker 1: you readjust or now, because of what you can do.

43
00:02:22,520 --> 00:02:24,000
Speaker 1: You know what I trust you to do while I

44
00:02:24,040 --> 00:02:29,079
Speaker 1: readdress give the gredits, okay, but I will give the credits. Guys,

45
00:02:29,160 --> 00:02:32,359
Speaker 1: this is Lost Culture STA's history. This is our first

46
00:02:32,800 --> 00:02:36,359
Speaker 1: return guest on a recorded episode. So Pat Regan famously

47
00:02:36,520 --> 00:02:40,200
Speaker 1: is our on a weird technicality, our first return guests.

48
00:02:40,240 --> 00:02:42,280
Speaker 1: But this is our first return guest with a prior

49
00:02:42,320 --> 00:02:44,959
Speaker 1: recorded to make it to air, to make it to air,

50
00:02:45,400 --> 00:02:49,200
Speaker 1: So guys, as Beyonce would say, this is a pivotal moment.

51
00:02:50,000 --> 00:02:53,920
Speaker 1: As Beyonce would say, listening to the b the album

52
00:02:54,000 --> 00:02:57,160
Speaker 1: and you listen to Resentment and then you you let

53
00:02:57,200 --> 00:03:00,200
Speaker 1: Resentment play through and there's a pause all the time,

54
00:03:00,280 --> 00:03:03,400
Speaker 1: and then it's a Beyonce spoken word intro to listen,

55
00:03:03,760 --> 00:03:06,280
Speaker 1: and she says, I really wanted to do this next song,

56
00:03:06,560 --> 00:03:09,160
Speaker 1: which I wrote for the film Droom Girls, which we

57
00:03:09,240 --> 00:03:12,560
Speaker 1: know she did not fully right, that's all right anyway,

58
00:03:12,760 --> 00:03:16,320
Speaker 1: and she says this song is well, it's a pivotal

59
00:03:16,320 --> 00:03:18,840
Speaker 1: moment in the film. And it's just like she's reading

60
00:03:18,840 --> 00:03:22,520
Speaker 1: off some cards. I mean, that's fine, that's fine. It's

61
00:03:22,600 --> 00:03:27,560
Speaker 1: totally fine. I was just quoting, Okay, do your job,

62
00:03:27,720 --> 00:03:30,680
Speaker 1: so here the credits, Baby, I was Matt readjusts his

63
00:03:30,880 --> 00:03:33,800
Speaker 1: unsustainable posture on his chair. You, guys, this is a

64
00:03:33,800 --> 00:03:37,000
Speaker 1: true blue colstur cultural. He's one of our closest friends.

65
00:03:37,360 --> 00:03:40,640
Speaker 1: Um he has. You will have just seen his half

66
00:03:40,680 --> 00:03:45,960
Speaker 1: hour on Comedy Central fucking slayed the house down, Boots. Also,

67
00:03:46,120 --> 00:03:49,160
Speaker 1: his album is coming out Model Minority. It is so good.

68
00:03:49,200 --> 00:03:52,880
Speaker 1: We were at both live recordings, baby, and he killed

69
00:03:52,880 --> 00:03:56,120
Speaker 1: both recordings. Honestly excited to see which cuts made it

70
00:03:56,160 --> 00:04:00,400
Speaker 1: from either night. I definitely was watching both nights. I

71
00:04:00,440 --> 00:04:04,720
Speaker 1: wonder which cold um and I feel like, no matter what, yes,

72
00:04:04,880 --> 00:04:08,480
Speaker 1: people will be very satisfied, very satisfied, ha ha ha.

73
00:04:08,960 --> 00:04:12,600
Speaker 1: And um god, he's just otherwise prolific. You've seen him

74
00:04:12,640 --> 00:04:14,760
Speaker 1: on Conan, and you will see him on Conan, and

75
00:04:14,760 --> 00:04:16,520
Speaker 1: you will see him on Conan, and you've seen him

76
00:04:16,520 --> 00:04:19,680
Speaker 1: on a comedy knockout. The list goes on. Guys, please

77
00:04:19,720 --> 00:04:26,120
Speaker 1: welcome our friend Joe Kim Booster. This is thrilling to

78
00:04:26,200 --> 00:04:30,240
Speaker 1: be the first. That's right, Pat Regan the first. Now

79
00:04:30,560 --> 00:04:34,760
Speaker 1: Pat holds a real um place in lost culture. Restas

80
00:04:34,800 --> 00:04:37,560
Speaker 1: I guess, fan enough fandom. What would you call it? Canon?

81
00:04:37,720 --> 00:04:41,919
Speaker 1: The cannon as you know, the icon of original the

82
00:04:42,000 --> 00:04:47,480
Speaker 1: third co host? Spill tea right now, No, don't do

83
00:04:48,000 --> 00:04:51,599
Speaker 1: spill the tea here and the tea will burn through

84
00:04:51,600 --> 00:04:55,160
Speaker 1: the ground. It's so hot. One time Bowen said to me,

85
00:04:55,360 --> 00:04:57,400
Speaker 1: maybe we should get a third co host. No, I

86
00:04:57,440 --> 00:05:01,400
Speaker 1: did not phrase it. How dare you? I said, And

87
00:05:01,440 --> 00:05:03,919
Speaker 1: he said, I just feel like you could be better.

88
00:05:04,400 --> 00:05:07,279
Speaker 1: He never said that, but he did. He did, he

89
00:05:07,520 --> 00:05:10,040
Speaker 1: would go out of the idea about you. I said, Hey,

90
00:05:10,160 --> 00:05:12,280
Speaker 1: just a wild idea. What if we got a third

91
00:05:12,320 --> 00:05:15,359
Speaker 1: co host? Like what if? I couldn't believe? And I was.

92
00:05:15,400 --> 00:05:17,480
Speaker 1: I was like, because I'm listening to this PAD episode

93
00:05:17,480 --> 00:05:20,080
Speaker 1: and it's so fun, and like maybe every now and

94
00:05:20,080 --> 00:05:23,039
Speaker 1: then I couldn't. I can't imagine. You wouldn't be able.

95
00:05:23,279 --> 00:05:25,440
Speaker 1: You wouldn't be able to have I love Pat. I

96
00:05:25,440 --> 00:05:28,359
Speaker 1: think Pat is one of the most underrated comedians in

97
00:05:28,400 --> 00:05:32,200
Speaker 1: the community. I think the industry needs to take note

98
00:05:32,240 --> 00:05:36,440
Speaker 1: of Pat Regan. But I can't imagine it would be

99
00:05:36,480 --> 00:05:40,839
Speaker 1: a three person podcast. Every time there would be room,

100
00:05:40,960 --> 00:05:44,599
Speaker 1: there would literally there wouldn't be room at this table.

101
00:05:44,800 --> 00:05:47,680
Speaker 1: We've said so many times it's a small table, Get

102
00:05:47,720 --> 00:05:50,680
Speaker 1: us a big or a table. I mean you're on

103
00:05:51,080 --> 00:05:56,600
Speaker 1: your time out best podcast award winner award. Okay, But

104
00:05:56,960 --> 00:05:59,039
Speaker 1: also a lot of things have changed since I made

105
00:05:59,040 --> 00:06:03,680
Speaker 1: that statement, because Browan is currently pulling up Pat Reagan's

106
00:06:03,800 --> 00:06:06,800
Speaker 1: instant story. Pat No, no, no, not not a insto story.

107
00:06:06,839 --> 00:06:11,240
Speaker 1: Pat Reagan sent me this menacing bullying video in reference

108
00:06:11,320 --> 00:06:13,640
Speaker 1: to our upcoming show Culture as part of the New

109
00:06:13,680 --> 00:06:16,520
Speaker 1: York Comedy Festival, which we can announce right now that

110
00:06:16,520 --> 00:06:18,919
Speaker 1: we're sitting with one of the judges, one of the

111
00:06:18,960 --> 00:06:22,000
Speaker 1: judges of Culture. He and he and I have had

112
00:06:22,040 --> 00:06:25,800
Speaker 1: some antagonism going on in the last few days. I

113
00:06:25,839 --> 00:06:27,960
Speaker 1: wouldn't say it was an antagonism for me. I think

114
00:06:28,000 --> 00:06:31,080
Speaker 1: you came for me on Facebook, which was not a

115
00:06:31,160 --> 00:06:36,160
Speaker 1: smart strategy for come for a judge online. You initiated

116
00:06:36,480 --> 00:06:41,440
Speaker 1: this antagonism, I didn't. I just teams, the team rosters

117
00:06:41,440 --> 00:06:44,760
Speaker 1: went out. You said, wow, a lot of heavy hitters

118
00:06:44,760 --> 00:06:48,520
Speaker 1: on Matt's team. Someone's feeling competent. Yes, And I would

119
00:06:48,600 --> 00:06:52,159
Speaker 1: say I would say that is my pretty neutral No,

120
00:06:52,760 --> 00:06:55,040
Speaker 1: I didn't say anything about the quality of your team.

121
00:06:55,120 --> 00:06:57,839
Speaker 1: I didn't say a goddamn thing about your team. I

122
00:06:57,880 --> 00:07:00,960
Speaker 1: didn't say you mass at least add that my team

123
00:07:01,000 --> 00:07:03,400
Speaker 1: had to listen. If you want to project that onto

124
00:07:03,560 --> 00:07:06,680
Speaker 1: my comment, If you want to project all intent onto me,

125
00:07:06,920 --> 00:07:11,640
Speaker 1: one of your closest friends, then that's your decision. Also prerogative.

126
00:07:11,960 --> 00:07:14,360
Speaker 1: Also would judge. I don't know, bitch, I don't know

127
00:07:14,400 --> 00:07:20,120
Speaker 1: if your jet lagged or what. But this rageous, this

128
00:07:20,280 --> 00:07:22,120
Speaker 1: is him all the time. I don't know about this. Well,

129
00:07:23,680 --> 00:07:25,840
Speaker 1: I want to play No, I want to play this video,

130
00:07:25,920 --> 00:07:29,000
Speaker 1: this very menacing bullying video, honestly, and I will post

131
00:07:29,640 --> 00:07:33,360
Speaker 1: by the time this episode releases, will make it online.

132
00:07:33,480 --> 00:07:35,720
Speaker 1: This you gotta hear this, so it is really in

133
00:07:35,800 --> 00:07:37,920
Speaker 1: rare form. Oh so I should preface this by saying

134
00:07:37,960 --> 00:07:40,120
Speaker 1: that the way that our teams were chosen was Matt

135
00:07:40,160 --> 00:07:42,360
Speaker 1: and I at the same time. I was at the

136
00:07:42,400 --> 00:07:46,400
Speaker 1: airport in Brisbane and Matt was god knows where um,

137
00:07:46,400 --> 00:07:48,080
Speaker 1: but we at the same time. We arranged a time

138
00:07:48,120 --> 00:07:52,240
Speaker 1: for us to send each other probably street corner and

139
00:07:52,320 --> 00:07:55,880
Speaker 1: Prospect Park cooking and looking, cooking and look in, and

140
00:07:55,920 --> 00:07:58,320
Speaker 1: we arranged the time for us to send our picks

141
00:07:59,360 --> 00:08:01,320
Speaker 1: at the same time, so no one believe it was

142
00:08:01,360 --> 00:08:04,360
Speaker 1: two thirty pm. And for me that was like you know,

143
00:08:06,120 --> 00:08:10,160
Speaker 1: uh something like that, and then um and he overlaps

144
00:08:10,160 --> 00:08:13,360
Speaker 1: any conflicting any any members. We both wanted we would

145
00:08:13,400 --> 00:08:15,480
Speaker 1: have to fight over or our flipp a coin over,

146
00:08:16,120 --> 00:08:18,080
Speaker 1: and so no, we would debate. We would debate, and

147
00:08:18,240 --> 00:08:20,840
Speaker 1: I knew that Matt would have his picks, and so

148
00:08:20,960 --> 00:08:25,160
Speaker 1: I wanted to have as friction lists of a list

149
00:08:25,240 --> 00:08:28,680
Speaker 1: exchange as possible. So with that in mind, here's Pat's

150
00:08:28,880 --> 00:08:34,680
Speaker 1: video that he sent me. I know it was an

151
00:08:34,720 --> 00:08:37,840
Speaker 1: on your list for culture. Don't try to lie, bitch.

152
00:08:38,600 --> 00:08:43,160
Speaker 1: I just taught me everything and now I'm going to

153
00:08:43,240 --> 00:08:52,880
Speaker 1: make you suffer. So I'm so proud. No, No, he's

154
00:08:52,880 --> 00:08:55,760
Speaker 1: a bully guy. I had heard a peep out of

155
00:08:55,760 --> 00:08:59,200
Speaker 1: any any of the any of the delicate flowers on

156
00:08:59,400 --> 00:09:04,679
Speaker 1: bones something. They're being really aggressive. Amanda Dwarte is being

157
00:09:04,679 --> 00:09:08,719
Speaker 1: really aggressive. Praise be she is doing everything right and

158
00:09:08,760 --> 00:09:11,920
Speaker 1: she I I call foul play when she shared foul

159
00:09:11,920 --> 00:09:16,240
Speaker 1: play when she shared Nicole Silverberg's post amazing post and said,

160
00:09:16,280 --> 00:09:19,920
Speaker 1: how could Matt's team even show up when Bowen's team

161
00:09:19,960 --> 00:09:21,560
Speaker 1: is out here doing good work in the world. I

162
00:09:21,559 --> 00:09:26,720
Speaker 1: feel it's an appropriation of I feel she appropriated. She

163
00:09:26,760 --> 00:09:29,680
Speaker 1: can't you can't appropriate your own allies. Honey, you can.

164
00:09:30,520 --> 00:09:33,559
Speaker 1: I can. I don't know about that. Maybe my language

165
00:09:33,600 --> 00:09:36,199
Speaker 1: is off, but I know my heart. Okay, you know

166
00:09:39,400 --> 00:09:42,320
Speaker 1: this is a Real Housewives defense. If I had ever

167
00:09:42,480 --> 00:09:45,640
Speaker 1: heard how there is no argument that you can come

168
00:09:45,720 --> 00:09:47,560
Speaker 1: up against that. I don't know my words, but I

169
00:09:47,600 --> 00:09:51,560
Speaker 1: know my heart. Oh that's gorgeous. Put it on my tombstone.

170
00:09:51,559 --> 00:09:55,360
Speaker 1: I'm telling you, I don't know my words, but my heart.

171
00:09:55,559 --> 00:09:58,520
Speaker 1: Recently on Real Housewives of Dallas season two, which is

172
00:09:58,559 --> 00:10:02,040
Speaker 1: a must see for even in an uninitiated Real Housewives fan,

173
00:10:02,320 --> 00:10:05,080
Speaker 1: it is a it is an amazing show season that

174
00:10:05,160 --> 00:10:07,800
Speaker 1: we've got everything. You've got a woman who wants to

175
00:10:07,800 --> 00:10:10,640
Speaker 1: start a pink dog food company, the evil head of

176
00:10:10,679 --> 00:10:14,920
Speaker 1: a cosmetics company. Um. Everyone's marriage is failing, and there

177
00:10:14,920 --> 00:10:19,800
Speaker 1: are two former best friends, much like Bowen and matt Um.

178
00:10:19,880 --> 00:10:21,760
Speaker 1: On the off season in between the first and the

179
00:10:21,800 --> 00:10:24,400
Speaker 1: second season, one of the friends wrote about the other

180
00:10:24,440 --> 00:10:27,000
Speaker 1: friend's marriage that it was like watching a car crash

181
00:10:27,040 --> 00:10:31,120
Speaker 1: happen in slow motion and in on her on her

182
00:10:31,200 --> 00:10:35,199
Speaker 1: like Bravo affiliated blog, and then the other friend. So

183
00:10:35,240 --> 00:10:37,280
Speaker 1: that we come into this season, the friends are feuding

184
00:10:37,280 --> 00:10:38,680
Speaker 1: and the one friend who wrote that on her blog

185
00:10:38,720 --> 00:10:40,679
Speaker 1: doesn't know why her friend is mad at her, and

186
00:10:40,720 --> 00:10:43,920
Speaker 1: so they have early in the season confrontation about it.

187
00:10:44,080 --> 00:10:48,000
Speaker 1: And her defense of writing this about her best friend's marriages, Well,

188
00:10:48,080 --> 00:10:51,040
Speaker 1: that was just on my blog. That was just something

189
00:10:51,040 --> 00:10:53,600
Speaker 1: I wrote on That's just something I wrote on a blog,

190
00:10:53,640 --> 00:10:59,480
Speaker 1: which I think is very ragyan. I mean, that's just

191
00:10:59,679 --> 00:11:02,880
Speaker 1: in my heart. That's just when that's my heart. When

192
00:11:02,880 --> 00:11:06,600
Speaker 1: you're drowning, you don't fight to the surface politely. That

193
00:11:06,760 --> 00:11:14,720
Speaker 1: is what the un ending fount of fucking nonsense over here.

194
00:11:14,760 --> 00:11:17,520
Speaker 1: When they're drowning, you don't be polite. Guys. Matt is

195
00:11:17,559 --> 00:11:19,200
Speaker 1: in a place right now where he wants to like

196
00:11:19,520 --> 00:11:22,040
Speaker 1: come up with these platitudes. But the thing is is

197
00:11:22,080 --> 00:11:26,640
Speaker 1: you can't argue with it because because well I know

198
00:11:26,960 --> 00:11:28,760
Speaker 1: that if I were drowning, I would not want to

199
00:11:28,800 --> 00:11:31,760
Speaker 1: be polite exactly, And so I don't know, I don't

200
00:11:31,800 --> 00:11:36,800
Speaker 1: know what application that has to a conversation. Polite is

201
00:11:36,800 --> 00:11:40,800
Speaker 1: not an alternative and like being rude, whatever, you guy,

202
00:11:41,000 --> 00:11:44,880
Speaker 1: you have no idea how to even Let's just walk

203
00:11:44,960 --> 00:11:47,720
Speaker 1: it back. Okay. There was a show called Battle of

204
00:11:47,720 --> 00:11:53,560
Speaker 1: a Divas Okay, hosted by Everything to Do with this

205
00:11:54,360 --> 00:11:57,199
Speaker 1: the thing we were always admired about this podcast. It

206
00:11:56,880 --> 00:12:01,280
Speaker 1: is so alienating to viewers who don't live in New York,

207
00:12:01,400 --> 00:12:07,360
Speaker 1: and it's not people love it. People love constantly. Both

208
00:12:07,400 --> 00:12:10,000
Speaker 1: of you will be like and then one day Amanda said,

209
00:12:10,000 --> 00:12:12,120
Speaker 1: blah blah blah blah blah, And I, as a listener,

210
00:12:12,200 --> 00:12:16,440
Speaker 1: know who you're talking about, but a gigantic following. You

211
00:12:16,480 --> 00:12:21,080
Speaker 1: are a unequivably a very successful podcast. And I would

212
00:12:21,120 --> 00:12:24,240
Speaker 1: guess that the people who listen don't know who nine.

213
00:12:25,640 --> 00:12:29,680
Speaker 1: That's not true, as they culturalist us here in my call.

214
00:12:30,400 --> 00:12:32,400
Speaker 1: I know that you're all out there. I know what

215
00:12:32,520 --> 00:12:36,400
Speaker 1: you're out there with. Your Google's out searching, searching, searching,

216
00:12:36,840 --> 00:12:41,160
Speaker 1: And here's what I'll say, looking for these names, these

217
00:12:41,200 --> 00:12:45,840
Speaker 1: trash names, Amanda Dwarte, Nicole Silverberg. That wasn't even the

218
00:12:45,840 --> 00:12:51,000
Speaker 1: Amanda that was referencing that you mentioned, but who was. Yeah, ye,

219
00:12:51,559 --> 00:12:54,000
Speaker 1: people know her. People know Amanda. They know her because

220
00:12:54,000 --> 00:12:57,600
Speaker 1: we've referenced several times. But I would say, there's a

221
00:12:57,640 --> 00:13:01,439
Speaker 1: list of ten people under Team Bone and that's ash okay. Well,

222
00:13:01,480 --> 00:13:04,600
Speaker 1: and now what I was saying was you don't know

223
00:13:04,640 --> 00:13:09,040
Speaker 1: what it means to truly fight. Oh my God, Team Bowen,

224
00:13:09,320 --> 00:13:15,320
Speaker 1: just understand that your leader, he lost to me at

225
00:13:15,320 --> 00:13:18,120
Speaker 1: Battle of the Diva's when I was rapping Christina Guilera

226
00:13:18,200 --> 00:13:21,080
Speaker 1: and you were wrapping Britney Spears because you tried to

227
00:13:21,160 --> 00:13:24,719
Speaker 1: play the quote unquote right way. Well, I will win

228
00:13:24,880 --> 00:13:27,760
Speaker 1: no matter what. That what the dude, no matter what

229
00:13:28,440 --> 00:13:30,559
Speaker 1: you know? You know what that makes you, Matt what

230
00:13:30,720 --> 00:13:32,720
Speaker 1: it makes you? Know what? That makes me, first and

231
00:13:32,760 --> 00:13:37,200
Speaker 1: foremost Hillary Clinton, And it makes you the monster who

232
00:13:37,480 --> 00:13:45,240
Speaker 1: smashed the political machine. Don't Valentin Valentine. I'm Hillary and

233
00:13:45,240 --> 00:13:48,160
Speaker 1: your Valentine. What I'm saying to all my fans, what

234
00:13:48,200 --> 00:13:50,480
Speaker 1: I'm saying to all my fans out there is why

235
00:13:50,480 --> 00:13:53,640
Speaker 1: don't you visit the instagram pages of Bowen and everyone

236
00:13:53,720 --> 00:13:55,520
Speaker 1: on his team and just show them a little bit

237
00:13:55,520 --> 00:14:00,319
Speaker 1: of love by posting a rose Oh my God act

238
00:14:00,559 --> 00:14:03,360
Speaker 1: on the on the day of Selena's birthday. Of all days,

239
00:14:03,600 --> 00:14:06,160
Speaker 1: is that what today is? Today? We were recording, We

240
00:14:06,280 --> 00:14:09,960
Speaker 1: were I mean, yeah, we're recording on Salina's birthday. Anyway,

241
00:14:10,880 --> 00:14:14,360
Speaker 1: Please don't don't do that. I just want to say

242
00:14:14,600 --> 00:14:17,440
Speaker 1: that first of all, at that very show, and we

243
00:14:17,480 --> 00:14:22,560
Speaker 1: have to bring Joel into this, but he's in it.

244
00:14:22,080 --> 00:14:25,120
Speaker 1: He said he's in it. He's in it. But I

245
00:14:25,120 --> 00:14:27,360
Speaker 1: will say, and I've I've said this on the podcast before.

246
00:14:27,440 --> 00:14:32,120
Speaker 1: You ad Hominem attacked me so hard. You called me

247
00:14:32,400 --> 00:14:35,200
Speaker 1: old when you are older than I am. You said

248
00:14:35,680 --> 00:14:39,840
Speaker 1: both Brittany Spears and I are um stupid and old

249
00:14:40,040 --> 00:14:42,760
Speaker 1: like those. That was your argument, that was your main argument,

250
00:14:43,080 --> 00:14:46,600
Speaker 1: and I don't think for that to have been an

251
00:14:46,600 --> 00:14:53,160
Speaker 1: effective strategy. Is Trumpian and Valentinian and Rogan Ragan and

252
00:14:53,200 --> 00:14:55,240
Speaker 1: you know what wait, hold on? Was Dallas? Is Dallas

253
00:14:55,240 --> 00:14:57,280
Speaker 1: the one we're in a recent episode like they were

254
00:14:57,520 --> 00:15:00,040
Speaker 1: on the beach and then one of the how so

255
00:15:00,080 --> 00:15:02,000
Speaker 1: I've thought it'd be funny to put a dild. Yes,

256
00:15:02,080 --> 00:15:05,200
Speaker 1: this is Dallas. They're all awful. They're also terrible. No,

257
00:15:05,560 --> 00:15:08,080
Speaker 1: I actually think that there are there's one that was

258
00:15:08,160 --> 00:15:12,840
Speaker 1: born was abandoned at a carnival and grew up at

259
00:15:13,560 --> 00:15:18,600
Speaker 1: as a carny. It is and and she does bring

260
00:15:18,640 --> 00:15:22,120
Speaker 1: it up at every possible like to get out of

261
00:15:22,200 --> 00:15:24,960
Speaker 1: any situation. It is her trump card, and it is amazing.

262
00:15:26,280 --> 00:15:28,360
Speaker 1: I would they're the woman who wants to start the

263
00:15:28,400 --> 00:15:31,920
Speaker 1: pink dog food also her like angle her narrative and

264
00:15:31,920 --> 00:15:33,960
Speaker 1: all the women say this about her is that she's

265
00:15:34,120 --> 00:15:37,640
Speaker 1: very smart but she plays dumb, and I don't think

266
00:15:37,680 --> 00:15:40,520
Speaker 1: that's true. They have them there. There's an honest tea

267
00:15:40,680 --> 00:15:43,400
Speaker 1: party that they have where they each put in an

268
00:15:43,440 --> 00:15:45,800
Speaker 1: anonymous question about one of the other girls into a

269
00:15:45,840 --> 00:15:48,880
Speaker 1: teapot to like sort of get all the tea out

270
00:15:48,880 --> 00:15:53,400
Speaker 1: in the open. And I think it was no one

271
00:15:53,440 --> 00:15:56,320
Speaker 1: thought this. And this girl, the girl who wanted to

272
00:15:56,360 --> 00:15:58,880
Speaker 1: start the Pink Dog food company, one of the questions

273
00:15:58,920 --> 00:16:01,120
Speaker 1: she put in and everyone's saying like, why did you

274
00:16:01,160 --> 00:16:03,240
Speaker 1: say this about Stephanie behind your back? Why did you

275
00:16:03,240 --> 00:16:05,800
Speaker 1: say DeAndre can't come into your house? Etcetera, etcetera. And

276
00:16:05,880 --> 00:16:08,280
Speaker 1: then they get to one and it just says, what's

277
00:16:08,320 --> 00:16:13,280
Speaker 1: your favorite vacation destination? And this girl was like, yeah,

278
00:16:13,320 --> 00:16:17,280
Speaker 1: I didn't know what we were doing here, that's amazing.

279
00:16:17,840 --> 00:16:20,200
Speaker 1: Or actually she is very smart by doing something so

280
00:16:20,240 --> 00:16:23,280
Speaker 1: in not putting something in that she's so stupid that

281
00:16:23,360 --> 00:16:25,840
Speaker 1: she is on a different level, So it's hard to tell.

282
00:16:25,920 --> 00:16:27,720
Speaker 1: It's very January Jones thing. It's like is she a

283
00:16:27,720 --> 00:16:31,000
Speaker 1: good actress or she's so bad that does it come around?

284
00:16:31,040 --> 00:16:34,200
Speaker 1: Full totally suit made me watch a couple episodes of

285
00:16:34,200 --> 00:16:36,640
Speaker 1: New Jersey the other day and have you been watching

286
00:16:36,680 --> 00:16:39,040
Speaker 1: New Jersey not the new season night, okay, because there

287
00:16:39,120 --> 00:16:42,160
Speaker 1: was a huge conflict about one of them baked a

288
00:16:42,200 --> 00:16:45,960
Speaker 1: cake for another one and I think it was like

289
00:16:46,160 --> 00:16:48,560
Speaker 1: Teresa or someone else took the cake and threw the

290
00:16:48,560 --> 00:16:52,240
Speaker 1: cake and the restaurant, and the argument was the girl

291
00:16:52,280 --> 00:16:54,280
Speaker 1: who made the cake and gifted it to the girl

292
00:16:54,440 --> 00:16:57,760
Speaker 1: was upset because she felt she was disrespected and also

293
00:16:57,800 --> 00:17:01,440
Speaker 1: they disrespected the restaurant in her quote unquote town. This

294
00:17:01,560 --> 00:17:05,680
Speaker 1: was her town. But the girls who threw the cake,

295
00:17:05,920 --> 00:17:09,840
Speaker 1: who whose birthday it was, said, well, it's my cake,

296
00:17:09,960 --> 00:17:12,080
Speaker 1: I should be able to do what I want with it,

297
00:17:12,560 --> 00:17:17,760
Speaker 1: which and it sounds very rogging, sounds exactly like something

298
00:17:18,680 --> 00:17:21,000
Speaker 1: I think with a cake, I wouldn't throw. With a cake,

299
00:17:22,080 --> 00:17:25,520
Speaker 1: I would say something like, well it's my cake, so

300
00:17:25,680 --> 00:17:28,240
Speaker 1: I can do what I want, but I wouldn't throw it.

301
00:17:28,320 --> 00:17:33,240
Speaker 1: Trust I have respect for restaurant employees in one city

302
00:17:33,440 --> 00:17:36,440
Speaker 1: who like was too classy to be on the show.

303
00:17:37,560 --> 00:17:39,720
Speaker 1: There's there, well, there's a lot. There's a lot. There's

304
00:17:39,760 --> 00:17:42,760
Speaker 1: at least one on every season on every franchise, like

305
00:17:43,440 --> 00:17:46,960
Speaker 1: Carol radzwill is a fucking Kennedy and she's on the show.

306
00:17:47,160 --> 00:17:50,320
Speaker 1: I'm going to say this, it's very roging and like

307
00:17:50,440 --> 00:17:55,520
Speaker 1: Matt is Maddie Roger and in the Housewives world, Matt

308
00:17:55,640 --> 00:17:59,439
Speaker 1: is the Teresa. I know they're different franchises, they're different cities,

309
00:17:59,520 --> 00:18:02,960
Speaker 1: but I'm the Carol. I am the Kennedy and Matt

310
00:18:03,000 --> 00:18:05,720
Speaker 1: is like the New Jersey housewife. To put things, to

311
00:18:05,800 --> 00:18:09,760
Speaker 1: put things in New York terms, I think Matt is

312
00:18:09,920 --> 00:18:15,720
Speaker 1: the Ramona. You are the Carol. I have so many problems.

313
00:18:15,760 --> 00:18:18,439
Speaker 1: I don't even watch the shows. I don't even watch

314
00:18:18,600 --> 00:18:21,400
Speaker 1: and I'm sorry, I'm not saying that. It's like you

315
00:18:21,440 --> 00:18:25,080
Speaker 1: are not the Carol because Carol is untouchable because she's

316
00:18:25,119 --> 00:18:27,880
Speaker 1: always right, and you're not. Oh my god, you have

317
00:18:28,000 --> 00:18:31,879
Speaker 1: some flaws. Okay, all right, and you are Countess Luanne.

318
00:18:32,160 --> 00:18:35,359
Speaker 1: And this makes Joel the dy coo and of everything

319
00:18:35,400 --> 00:18:40,080
Speaker 1: because he is just watching idly. I want to say something, Okay,

320
00:18:40,160 --> 00:18:45,000
Speaker 1: this is your podcast. If I'm Christina and you're Brittany,

321
00:18:45,040 --> 00:18:49,800
Speaker 1: who's Joel Jessica, No, no, no, may Mandy because he

322
00:18:49,840 --> 00:18:54,120
Speaker 1: can keep the career? Is that what we're saying about

323
00:18:53,280 --> 00:18:56,000
Speaker 1: it that he has claimed to fame in all of

324
00:18:56,040 --> 00:19:02,760
Speaker 1: this career kept a very stable, consistent But that's that

325
00:19:02,840 --> 00:19:05,040
Speaker 1: is a hard plate to spend. I will say that

326
00:19:05,080 --> 00:19:07,959
Speaker 1: I believe that for Joel. No, you're saying that I'm

327
00:19:07,960 --> 00:19:10,720
Speaker 1: going to have about a decade of a dip. No, no, No,

328
00:19:11,040 --> 00:19:13,600
Speaker 1: she never had. Never jep, Honey, she never did. Because

329
00:19:13,600 --> 00:19:16,320
Speaker 1: even in that quote unquote dip, she was turning it

330
00:19:16,359 --> 00:19:20,760
Speaker 1: on Gray's and apps the timeline I'm not familiar music music, music,

331
00:19:20,880 --> 00:19:27,400
Speaker 1: walk to remember, how to deal, saved, Saved, and then

332
00:19:27,760 --> 00:19:31,000
Speaker 1: did Gray's Anatomy, then right into Tangled. Did not know

333
00:19:31,080 --> 00:19:33,480
Speaker 1: that she was on Grays She she did two episodes, No,

334
00:19:33,560 --> 00:19:35,520
Speaker 1: she did more than two. She was in she was

335
00:19:35,560 --> 00:19:38,000
Speaker 1: in the shooting episode, she was in the one supersized

336
00:19:38,080 --> 00:19:42,639
Speaker 1: shooting episode. Um, and then she came back during the

337
00:19:42,680 --> 00:19:45,320
Speaker 1: documentary episode. And then at the end it's revealed that

338
00:19:45,440 --> 00:19:48,800
Speaker 1: she dies. It was very sad and it's like an

339
00:19:48,800 --> 00:19:54,040
Speaker 1: emotional moment for and now she's doing Sally Field drag

340
00:19:54,560 --> 00:19:58,480
Speaker 1: regular on This is Us. She is doing Sally Field drag.

341
00:19:58,800 --> 00:20:01,600
Speaker 1: I don't want to watch that show, no way, refuse.

342
00:20:01,720 --> 00:20:04,320
Speaker 1: And I really like Parenthood, which is sort of its

343
00:20:04,359 --> 00:20:07,199
Speaker 1: spiritual predecessor on ABC. I really loved that show. But

344
00:20:07,280 --> 00:20:10,000
Speaker 1: I can't to. I just can't do emotion porn right now.

345
00:20:10,000 --> 00:20:11,680
Speaker 1: I feel like the world is too sad. I don't

346
00:20:11,680 --> 00:20:13,880
Speaker 1: need I don't need that kind of entertainment in my life.

347
00:20:13,880 --> 00:20:17,880
Speaker 1: That's why I'm watching Real Housewives of dat. Yeah. No, honestly,

348
00:20:17,960 --> 00:20:21,320
Speaker 1: I've been obsessed with Project Runway. Oh yes, you so

349
00:20:21,359 --> 00:20:22,880
Speaker 1: I have missed a lot while I've been gone. First

350
00:20:22,920 --> 00:20:25,400
Speaker 1: of all, we have not addressed that I've been away,

351
00:20:25,560 --> 00:20:27,399
Speaker 1: And we'll talk about this later, but I want to

352
00:20:27,400 --> 00:20:30,840
Speaker 1: talk about our our media diets right now, specifically Joel's.

353
00:20:30,920 --> 00:20:33,879
Speaker 1: He's the guest after all. But Joel I feel like

354
00:20:33,960 --> 00:20:37,080
Speaker 1: has a very wide breadth of He's a very wide,

355
00:20:37,560 --> 00:20:41,520
Speaker 1: sophisticated palette. I don't know. This bitch is posting all

356
00:20:41,560 --> 00:20:44,040
Speaker 1: the time on Real Housewives Facebook, But I'm saying I

357
00:20:44,040 --> 00:20:46,520
Speaker 1: don't think he watches anything else. No, but I think

358
00:20:46,520 --> 00:20:48,440
Speaker 1: he watches a lot of it. Okay, let's let Joel

359
00:20:48,520 --> 00:20:51,919
Speaker 1: speak for yourself. So no, I I think I do

360
00:20:52,080 --> 00:20:54,520
Speaker 1: have generally throughout the year a pretty good diet. But

361
00:20:54,600 --> 00:20:58,600
Speaker 1: right now, you know, as bowen It was involved in

362
00:20:58,640 --> 00:21:00,840
Speaker 1: this project, I've been developed being a show for a

363
00:21:00,880 --> 00:21:05,119
Speaker 1: cable network that is as yet undisclosed, and it's uh.

364
00:21:05,320 --> 00:21:08,240
Speaker 1: And I find as I've been writing this show, it's

365
00:21:08,480 --> 00:21:11,560
Speaker 1: very difficult for me to watch regular art of television.

366
00:21:12,000 --> 00:21:15,159
Speaker 1: So I've been watching a lot of Real Housewives, a

367
00:21:15,200 --> 00:21:22,800
Speaker 1: lot of American Ninja Warriors. I don't think any they haven't.

368
00:21:23,160 --> 00:21:26,080
Speaker 1: They haven't shouted it out as much as you would think.

369
00:21:26,520 --> 00:21:30,560
Speaker 1: Some of the women, it seems clear, but uh. And

370
00:21:30,640 --> 00:21:34,000
Speaker 1: some of the men, it seems must be there must be. Yeah.

371
00:21:34,040 --> 00:21:36,120
Speaker 1: I think I think there have been at least one

372
00:21:36,160 --> 00:21:38,600
Speaker 1: that that I'm aware, and then a lot of them.

373
00:21:38,920 --> 00:21:44,919
Speaker 1: I actually I dived into Will and Grace and I

374
00:21:44,920 --> 00:21:47,720
Speaker 1: haven't seen the new. I haven't. I haven't seen the

375
00:21:47,760 --> 00:21:50,399
Speaker 1: new I've been watching. I've been putting on the old

376
00:21:50,400 --> 00:21:53,120
Speaker 1: one in the background. And I started and I got

377
00:21:53,119 --> 00:21:55,680
Speaker 1: to say as I began, I said to I thought

378
00:21:56,000 --> 00:21:59,520
Speaker 1: this show benefited from being unavailable for so many years

379
00:21:59,520 --> 00:22:01,399
Speaker 1: because I did not think it held up as well

380
00:22:01,440 --> 00:22:03,440
Speaker 1: as I wanted it too in my brain. And there's

381
00:22:03,480 --> 00:22:06,600
Speaker 1: two and I'll say one more thing. I'm now in

382
00:22:06,640 --> 00:22:09,920
Speaker 1: the final season, and I actually think it gets much better.

383
00:22:10,480 --> 00:22:13,560
Speaker 1: I think it's flit. I think, unlike most sitcoms of

384
00:22:13,640 --> 00:22:16,240
Speaker 1: that that ILK like Frasier and Friends and things like that.

385
00:22:16,440 --> 00:22:18,879
Speaker 1: I think it actually get gets much better because it

386
00:22:18,880 --> 00:22:24,159
Speaker 1: gets more absurd and less tethered to reality. And I think, um,

387
00:22:24,320 --> 00:22:26,040
Speaker 1: the other thing. The other reason I think it doesn't

388
00:22:26,040 --> 00:22:27,600
Speaker 1: hold up quite as much as I wanted it too

389
00:22:27,720 --> 00:22:29,680
Speaker 1: is because I think so much of it was so

390
00:22:29,800 --> 00:22:33,680
Speaker 1: formative and informing my own comedic sensibilities that it felt

391
00:22:33,680 --> 00:22:36,240
Speaker 1: old had Like I watched the episode real early on

392
00:22:36,280 --> 00:22:40,600
Speaker 1: where uh Jack meets Share, and it wasn't as funny

393
00:22:40,600 --> 00:22:42,720
Speaker 1: as I remembered it being, only because it was so

394
00:22:43,000 --> 00:22:47,440
Speaker 1: ingrained in my like like Jack's impression of Share became

395
00:22:47,480 --> 00:22:50,480
Speaker 1: all of our impressions of And so I think, like

396
00:22:50,760 --> 00:22:53,679
Speaker 1: it just didn't hit me as hard. But I'll say, like,

397
00:22:53,760 --> 00:22:56,040
Speaker 1: as much as some of it just does not, I don't.

398
00:22:56,080 --> 00:22:58,080
Speaker 1: I think it's up. It was. It's a lot broader

399
00:22:58,119 --> 00:23:01,400
Speaker 1: than even I think Friends or Frasier was at the time.

400
00:23:02,080 --> 00:23:06,600
Speaker 1: Sean Hayes does some incredible work on that. He's incredible,

401
00:23:07,119 --> 00:23:09,400
Speaker 1: and he's continued to do it in like the there

402
00:23:09,440 --> 00:23:12,600
Speaker 1: I guess new iteration. It's so theatrical and yeah, and

403
00:23:12,600 --> 00:23:16,560
Speaker 1: people talk about Karen, who is amazing as well. I

404
00:23:16,600 --> 00:23:19,880
Speaker 1: think Mega malally is incredible in that show. But Sean

405
00:23:20,000 --> 00:23:23,360
Speaker 1: Hayes is so like the stuff that he got they

406
00:23:23,560 --> 00:23:26,760
Speaker 1: put on television of him doing is so outrageous to me,

407
00:23:26,880 --> 00:23:29,840
Speaker 1: Like even watching it now, the gay guy do like

408
00:23:29,880 --> 00:23:32,720
Speaker 1: fucking backflips and ship like like there's a scene where

409
00:23:32,720 --> 00:23:35,280
Speaker 1: he pretends to be pushing through a crowd as he's

410
00:23:35,520 --> 00:23:37,720
Speaker 1: escaping a scene of a breakup, and it is and

411
00:23:37,760 --> 00:23:41,920
Speaker 1: it's the guy from Amazing Physical, Amazing Physicalstel referred to

412
00:23:41,960 --> 00:23:44,520
Speaker 1: it as chaplain esque. Yeah, it really is, and I

413
00:23:44,560 --> 00:23:48,000
Speaker 1: think I encourage everybody who even though I agree, I'm

414
00:23:48,000 --> 00:23:51,800
Speaker 1: not sure we needed will and grace back. I think

415
00:23:51,840 --> 00:23:54,800
Speaker 1: if I think it's it's it makes me feel very

416
00:23:54,840 --> 00:23:57,119
Speaker 1: anxious that we think, you know what, you know what

417
00:23:57,160 --> 00:23:59,280
Speaker 1: I think it is, though, I think it's a little

418
00:23:59,320 --> 00:24:04,640
Speaker 1: lit miss test for friends reunion. No, really something else

419
00:24:05,080 --> 00:24:08,360
Speaker 1: I thought you were going to say, Like it feels

420
00:24:08,720 --> 00:24:11,800
Speaker 1: I know they started the wheels turning back when it

421
00:24:11,840 --> 00:24:14,119
Speaker 1: didn't feel like Trump was going to be but it

422
00:24:14,200 --> 00:24:18,680
Speaker 1: just feels like this way to be back in two thousand,

423
00:24:19,680 --> 00:24:21,800
Speaker 1: which is like crazy to me. I do feel like

424
00:24:21,800 --> 00:24:26,360
Speaker 1: we're hitting the nostalgia like psycho of like well, how

425
00:24:26,359 --> 00:24:29,360
Speaker 1: did how did things feel back in the late nineties

426
00:24:29,359 --> 00:24:32,119
Speaker 1: when everything felt sort of post everything and all right, Like,

427
00:24:32,119 --> 00:24:34,720
Speaker 1: because now do you see the slate of juke buck

428
00:24:34,960 --> 00:24:39,120
Speaker 1: musicals that are coming out that's now a fast share

429
00:24:40,400 --> 00:24:43,320
Speaker 1: Jimmy Buff, Jimmy Buff that I just saw a list

430
00:24:43,400 --> 00:24:45,160
Speaker 1: somebody listed the ones that are coming down the pike

431
00:24:45,200 --> 00:24:48,359
Speaker 1: and there's like eight that in development right now, and

432
00:24:48,400 --> 00:24:51,679
Speaker 1: that's like that I feel like was a product of

433
00:24:51,720 --> 00:24:54,720
Speaker 1: that same time period too. I feel like as the

434
00:24:54,800 --> 00:24:57,560
Speaker 1: alt right is sort of reviving all of these things

435
00:24:57,600 --> 00:25:01,719
Speaker 1: that died in the past now where the like liberal

436
00:25:01,760 --> 00:25:05,000
Speaker 1: response is we're doing the only thing we can. Jukebox

437
00:25:05,080 --> 00:25:08,959
Speaker 1: musicals and Will and Greg and multi camp sitcoms. I

438
00:25:09,000 --> 00:25:12,119
Speaker 1: have been really I have been like pleasantly surprised by

439
00:25:12,119 --> 00:25:15,200
Speaker 1: Will and Grace, though like I've heard that, I've heard

440
00:25:15,200 --> 00:25:17,679
Speaker 1: that I just haven't had the strength yet to visit it.

441
00:25:17,760 --> 00:25:20,000
Speaker 1: I I totally get that. I've watched the first two.

442
00:25:20,359 --> 00:25:22,199
Speaker 1: I couldn't get past the first five minutes of the

443
00:25:22,200 --> 00:25:25,240
Speaker 1: first episode where it's like they talk about they Definitely

444
00:25:25,480 --> 00:25:27,800
Speaker 1: it was a pretty hacky start to the episode, I thought,

445
00:25:27,840 --> 00:25:31,720
Speaker 1: because it was like we have to justify why none

446
00:25:31,720 --> 00:25:33,800
Speaker 1: of the last season matters or like you know what

447
00:25:33,880 --> 00:25:36,200
Speaker 1: I mean, like or kind of toss out the last

448
00:25:36,200 --> 00:25:38,480
Speaker 1: three episodes like what like they just like we're throwing

449
00:25:38,600 --> 00:25:41,639
Speaker 1: slang around and it was just like oh no, no, no, no, no.

450
00:25:42,040 --> 00:25:46,040
Speaker 1: His first line is like a grinder. Yeah. Yeah. I

451
00:25:46,840 --> 00:25:51,080
Speaker 1: think Also the one my one takeaway now that I'm

452
00:25:51,160 --> 00:25:54,119
Speaker 1: getting from Will and Graces that Vince is the best

453
00:25:54,160 --> 00:25:58,240
Speaker 1: gay boyfriend I think we've ever had on television, on

454
00:25:58,359 --> 00:26:02,280
Speaker 1: any gay focused media, I think Vince is the best one.

455
00:26:02,320 --> 00:26:05,920
Speaker 1: And he pop. He colonized my brain, I think in

456
00:26:06,000 --> 00:26:08,719
Speaker 1: my taste because I was thinking recently about like what

457
00:26:08,800 --> 00:26:11,080
Speaker 1: I really want and what my type because people will

458
00:26:11,119 --> 00:26:12,840
Speaker 1: ask me what my type is, and I think my

459
00:26:12,920 --> 00:26:15,800
Speaker 1: type is one of two on two spectrums. One it's

460
00:26:15,800 --> 00:26:20,040
Speaker 1: either I give me a swarthy Middle Eastern Italian Mediterranean

461
00:26:20,080 --> 00:26:22,399
Speaker 1: man and a full Adidas track suit who grew up

462
00:26:22,400 --> 00:26:27,880
Speaker 1: in Queens or give me like a corn fed Midwestern

463
00:26:28,040 --> 00:26:31,400
Speaker 1: boy who is a golden retriever turned into a boy

464
00:26:31,720 --> 00:26:35,520
Speaker 1: like that is that is those two sweet things? Well

465
00:26:35,560 --> 00:26:37,720
Speaker 1: I did one of those, and so maybe I'll try

466
00:26:37,840 --> 00:26:41,400
Speaker 1: the other thing same. I think I think we both

467
00:26:41,400 --> 00:26:44,280
Speaker 1: had at the time when we're like the we're dating

468
00:26:44,280 --> 00:26:48,359
Speaker 1: sort of the same thing right now, and it felt right.

469
00:26:48,600 --> 00:26:54,480
Speaker 1: But I think let's find our track suits break them out, honestly,

470
00:26:54,680 --> 00:26:57,520
Speaker 1: you know what, maybe that is next. Um, Vince is

471
00:26:57,600 --> 00:26:59,880
Speaker 1: one of our best gate boyfriends. And I will say,

472
00:27:00,400 --> 00:27:02,119
Speaker 1: just to bring this back to Brittany, one of the

473
00:27:02,160 --> 00:27:05,280
Speaker 1: best pop star guest star appearances on a sitcom. She

474
00:27:05,400 --> 00:27:08,040
Speaker 1: was pretty. She was really funny. I'm right around the

475
00:27:08,080 --> 00:27:10,760
Speaker 1: corner from that guest she was. She was like surprisingly funny.

476
00:27:10,840 --> 00:27:15,120
Speaker 1: This was like right before seven, right before the breakdown,

477
00:27:15,400 --> 00:27:18,960
Speaker 1: and she like at the time was like turning out

478
00:27:18,960 --> 00:27:21,040
Speaker 1: the comedy performances and like this was back when you're like,

479
00:27:21,119 --> 00:27:23,080
Speaker 1: oh yeah, she like had a really good at SNL

480
00:27:23,119 --> 00:27:25,639
Speaker 1: episode and really good and um but and then she

481
00:27:25,720 --> 00:27:27,960
Speaker 1: like plays the fucking lesbian talk show host, like a

482
00:27:27,960 --> 00:27:30,480
Speaker 1: super conservative talk show host who turns out to be lesbian,

483
00:27:30,520 --> 00:27:32,280
Speaker 1: and it was just, you know, that's what I think

484
00:27:32,560 --> 00:27:35,640
Speaker 1: peak TV has. We've lost In the mix of Peak

485
00:27:35,720 --> 00:27:38,159
Speaker 1: TV is shows like Will and Grace and Friends and

486
00:27:38,200 --> 00:27:42,480
Speaker 1: Fraser were guest star machine brack hit like every like

487
00:27:42,680 --> 00:27:46,600
Speaker 1: every episode just had like a random like like start,

488
00:27:47,600 --> 00:27:50,320
Speaker 1: like all these Ethan Embrey, like you know, these big

489
00:27:52,320 --> 00:27:56,880
Speaker 1: random Star, but like like truly every episode of Will

490
00:27:56,880 --> 00:27:59,000
Speaker 1: and Grace, like one of the Boyfriends, or like you know,

491
00:27:59,280 --> 00:28:04,439
Speaker 1: every what shows like that. Yeah, they're honestly, you know,

492
00:28:05,280 --> 00:28:08,760
Speaker 1: not that many. And I'm thinking because even on the

493
00:28:08,840 --> 00:28:12,840
Speaker 1: multiicams that are that exist that are still clretty Rock

494
00:28:13,000 --> 00:28:14,919
Speaker 1: might have been the last, the last big one. But

495
00:28:15,000 --> 00:28:17,320
Speaker 1: like even if you think about the CBS multiicams, it

496
00:28:17,400 --> 00:28:19,520
Speaker 1: comes that are sort of keeping that tradition alive. They're

497
00:28:19,560 --> 00:28:21,720
Speaker 1: not doing that. There's not big guest stars on Big

498
00:28:21,720 --> 00:28:24,720
Speaker 1: Bang or Two Broke Girls. I think that's because really

499
00:28:24,760 --> 00:28:27,320
Speaker 1: big stars. No, they don't have to do that, and

500
00:28:27,359 --> 00:28:30,240
Speaker 1: they don't want it because it's embarrassing because the quality

501
00:28:30,240 --> 00:28:33,880
Speaker 1: of the shows. Yeah, because at that time, networks were

502
00:28:33,880 --> 00:28:37,440
Speaker 1: still a powerful force of exactly there are eyes on it.

503
00:28:37,480 --> 00:28:39,920
Speaker 1: And also you can watch any of those NBC musty

504
00:28:40,000 --> 00:28:42,200
Speaker 1: TV shows and like actually laugh at them if you

505
00:28:42,240 --> 00:28:45,280
Speaker 1: have taste, you know what I mean. Like those CBS shows,

506
00:28:45,360 --> 00:28:49,480
Speaker 1: like they're you know, they're working real hard on Young Sheldon,

507
00:28:49,760 --> 00:28:53,800
Speaker 1: They're working to watch I've watched a couple of an

508
00:28:53,840 --> 00:28:57,720
Speaker 1: app I recently covered myself and shredded Mazzorella cheese. Got

509
00:28:57,840 --> 00:29:01,560
Speaker 1: so high just eating out of the straight, laying prostrate

510
00:29:01,600 --> 00:29:03,760
Speaker 1: on my on the flat on my back on my bed,

511
00:29:03,960 --> 00:29:06,760
Speaker 1: eating out of a bag of shredded mozzarella, covering myself

512
00:29:06,800 --> 00:29:10,880
Speaker 1: in and watched The Good Doctor and Young Sheldon just

513
00:29:11,040 --> 00:29:13,000
Speaker 1: as a sort of turning off my brain. I was

514
00:29:13,360 --> 00:29:16,000
Speaker 1: deeply depressed. You're catching me as I'm entering a manic face.

515
00:29:16,120 --> 00:29:19,760
Speaker 1: So that's a good for a podcast recording. But that moment,

516
00:29:19,920 --> 00:29:22,720
Speaker 1: and I'll say, uh, Young Sheldon, the mom there is

517
00:29:23,080 --> 00:29:26,120
Speaker 1: if it weren't connected. The problem with Young Sheldon is

518
00:29:26,200 --> 00:29:29,520
Speaker 1: that it's because the thing is is there are some

519
00:29:29,600 --> 00:29:32,920
Speaker 1: actually really lovely moments any Potts is on it, Like, yeah,

520
00:29:32,920 --> 00:29:36,600
Speaker 1: she plays the grandmother. The mother is actually really sort

521
00:29:36,640 --> 00:29:39,520
Speaker 1: of there are wonderful moments with her, like doing these

522
00:29:39,560 --> 00:29:42,240
Speaker 1: wonderful mom moments where she's like advocating for her kid

523
00:29:42,240 --> 00:29:45,920
Speaker 1: who's clearly on the spectrum. And yet you know that

524
00:29:45,960 --> 00:29:49,760
Speaker 1: this kid grows up to be an asshole who has

525
00:29:49,800 --> 00:29:52,080
Speaker 1: no sense of joy, and so you're like, oh, well

526
00:29:52,120 --> 00:29:54,440
Speaker 1: we know where this is going. It's it's sad because

527
00:29:54,720 --> 00:29:56,680
Speaker 1: like if if the story was sort of about like

528
00:29:56,880 --> 00:29:59,960
Speaker 1: how does this crotchety like lame kid sort of grow

529
00:30:00,120 --> 00:30:02,800
Speaker 1: up to be something better than what he is now.

530
00:30:03,080 --> 00:30:06,440
Speaker 1: It would be something sort of nice and beautiful to watch.

531
00:30:06,640 --> 00:30:09,200
Speaker 1: But as it stands, because we know he turns into

532
00:30:09,280 --> 00:30:12,480
Speaker 1: Jim Parsons, it's like we don't know how big bang

533
00:30:12,560 --> 00:30:15,640
Speaker 1: theory is. Maybe that's true, maybe he'll turn around. Yeah,

534
00:30:15,640 --> 00:30:17,440
Speaker 1: but that's not that's not gonna do anything for you.

535
00:30:19,080 --> 00:30:21,160
Speaker 1: I will say watch The Good Doctor though, because it

536
00:30:21,240 --> 00:30:24,080
Speaker 1: is good. Turn your brain, wait until there are eleven

537
00:30:24,080 --> 00:30:26,479
Speaker 1: episodes to watch and you have the flu, and watch

538
00:30:26,600 --> 00:30:29,120
Speaker 1: some Good Doctors. Seriously, it's actually good. I mean it's

539
00:30:29,120 --> 00:30:31,800
Speaker 1: the guy who created House. So it's incredibly consumable and

540
00:30:31,840 --> 00:30:35,400
Speaker 1: watchable and like sort of comforting in that in in

541
00:30:35,440 --> 00:30:39,920
Speaker 1: that its digestibility and the formula of you know, he

542
00:30:40,480 --> 00:30:43,360
Speaker 1: there's a problem, Like I think Houses so watchable just

543
00:30:43,400 --> 00:30:46,880
Speaker 1: because it's like you've gotta find that mystery that network

544
00:30:46,920 --> 00:30:50,680
Speaker 1: television is good at creative the premises he's autestic basically okay, cool,

545
00:30:50,880 --> 00:30:53,320
Speaker 1: I mean, yeah, i'd watch that. I don't love that kid.

546
00:30:56,000 --> 00:30:59,640
Speaker 1: I don't know something about him. He was in Finding Neverland,

547
00:31:00,200 --> 00:31:02,920
Speaker 1: he was he was in movies, and he also was

548
00:31:02,960 --> 00:31:05,520
Speaker 1: in Um. I think you're I think you're missing the

549
00:31:05,600 --> 00:31:13,480
Speaker 1: Marquis role, which is which is what? Oh you're saying, like, yeah,

550
00:31:13,560 --> 00:31:15,840
Speaker 1: I feel like I'm I don't think. I don't think

551
00:31:15,880 --> 00:31:20,160
Speaker 1: people are saying Freddy Highmore and connecting him to finding them.

552
00:31:20,200 --> 00:31:22,880
Speaker 1: I think they are. Should we should be searching con

553
00:31:23,240 --> 00:31:30,240
Speaker 1: search Bates Motel, that's it Motel, Yes, of course, And

554
00:31:30,280 --> 00:31:36,360
Speaker 1: so is that show over? Yes, Vera's career that's a

555
00:31:36,400 --> 00:31:40,959
Speaker 1: sad story because like Vera is so good, fantastic, fantastic, very,

556
00:31:41,080 --> 00:31:43,040
Speaker 1: so good, and you know, she's probably one of the

557
00:31:43,120 --> 00:31:48,200
Speaker 1: actresses that's like, okay, um the should we have our

558
00:31:48,240 --> 00:31:53,240
Speaker 1: list of twenty and at sixteen is Vera? And you

559
00:31:53,320 --> 00:31:57,200
Speaker 1: know number three says yes. So it's like, what do

560
00:31:57,240 --> 00:31:59,640
Speaker 1: you do if you're four through fifteen? And then Carrie

561
00:31:59,640 --> 00:32:02,320
Speaker 1: Coon and waiting patiently. I think actually Carry Coon's maybe

562
00:32:02,320 --> 00:32:06,080
Speaker 1: eclipsed Vera now, I think so she's more of the moment. Yeah,

563
00:32:06,120 --> 00:32:09,320
Speaker 1: she's oh, she's carry Coon. I feel like it is

564
00:32:09,400 --> 00:32:14,280
Speaker 1: the Sarah Paulson right now, the television actress that becomes

565
00:32:14,320 --> 00:32:17,760
Speaker 1: a huge fucking deal because she just keeps showing how

566
00:32:17,840 --> 00:32:19,840
Speaker 1: fucking good she. I just saw Harry Coon in a

567
00:32:19,960 --> 00:32:23,320
Speaker 1: play Mary Jane in New York and it is one

568
00:32:23,360 --> 00:32:27,600
Speaker 1: of the most devastating performances I've ever seen. Understated you

569
00:32:27,720 --> 00:32:31,120
Speaker 1: described this, She said she had at the end of

570
00:32:31,120 --> 00:32:35,200
Speaker 1: the first act of Mary Jane that it's sent Chuck,

571
00:32:35,440 --> 00:32:38,400
Speaker 1: I've never Here's my thing about theater right now is

572
00:32:38,440 --> 00:32:42,040
Speaker 1: I don't need to see another dramatic realism play. I

573
00:32:42,320 --> 00:32:45,240
Speaker 1: I find that boring, Like, don't show me someone chopping

574
00:32:45,320 --> 00:32:49,200
Speaker 1: vegetables on stage, Like that's what television and movies are for.

575
00:32:49,320 --> 00:32:52,120
Speaker 1: That's what I feel anyways, And this play is very

576
00:32:52,200 --> 00:32:55,720
Speaker 1: much that. It's very much like you're watching her full laundry,

577
00:32:55,920 --> 00:32:57,880
Speaker 1: you know, and that's like a moment. But I'll watch

578
00:32:57,960 --> 00:33:00,200
Speaker 1: carry Con do that because she sells it in such

579
00:33:00,200 --> 00:33:03,400
Speaker 1: a way that is remarkable. What is the line? The

580
00:33:03,880 --> 00:33:07,880
Speaker 1: line it won't make sense that I don't think it

581
00:33:07,880 --> 00:33:13,560
Speaker 1: doesn't matter, honey. Why are you sorry? Sweetie? Why are

582
00:33:13,640 --> 00:33:15,120
Speaker 1: you sorry? I have no idea what it means. But

583
00:33:15,880 --> 00:33:18,560
Speaker 1: and it's and it's there's layers because she's not crying,

584
00:33:18,560 --> 00:33:22,200
Speaker 1: but she is crying, and she's comforting, and she's terrifying.

585
00:33:22,280 --> 00:33:25,920
Speaker 1: It's Carrie. Only an actress of carry Coon's caliber could

586
00:33:26,080 --> 00:33:28,640
Speaker 1: could pull that off. I don't know if I can

587
00:33:28,680 --> 00:33:31,080
Speaker 1: get over that. Her name is Carrie. I don't want

588
00:33:31,080 --> 00:33:34,240
Speaker 1: to say her name carry coon. That's just a bad name.

589
00:33:34,360 --> 00:33:37,640
Speaker 1: It does sound like an early Amy Adams role, doesn't

590
00:33:37,640 --> 00:33:44,480
Speaker 1: it character's name? It's June. Okay, so um, Alternative US

591
00:33:45,120 --> 00:33:46,800
Speaker 1: has to tell you a little something. So we're going

592
00:33:46,880 --> 00:33:49,520
Speaker 1: to take a break and come right back with Bull.

593
00:33:49,720 --> 00:33:55,840
Speaker 1: Jim Couster. Oh, man, I think I sense a chill

594
00:33:55,880 --> 00:33:58,480
Speaker 1: in the air. Yes, well, if you thought that chill

595
00:33:58,680 --> 00:34:02,840
Speaker 1: was the fall the autumn, I have to say it's not.

596
00:34:03,440 --> 00:34:05,719
Speaker 1: It's a chill between you and I. That's because we

597
00:34:05,760 --> 00:34:08,719
Speaker 1: are going head to head people at culch War. It's

598
00:34:08,760 --> 00:34:11,160
Speaker 1: our show for New York Comedy Festival, and it's an

599
00:34:11,200 --> 00:34:14,800
Speaker 1: I don't think so, Honey, deathmatch. Team Matt and Team

600
00:34:14,840 --> 00:34:17,000
Speaker 1: Bowen are going to have their own teams of ten

601
00:34:17,080 --> 00:34:22,760
Speaker 1: comedians basing off head to head in many rounds, Honey,

602
00:34:22,800 --> 00:34:26,000
Speaker 1: for the title of the Ultimate Culture e Sta. Yes,

603
00:34:26,040 --> 00:34:28,640
Speaker 1: there will be a hundred dollar cash prize. Now, what

604
00:34:28,719 --> 00:34:31,160
Speaker 1: are some things you can do with a hundred dollars? Bowen? Oh,

605
00:34:31,200 --> 00:34:34,880
Speaker 1: I think you could pay for a Spirit Airlines ticket

606
00:34:35,000 --> 00:34:39,480
Speaker 1: to Tacoma. I think that that's a pretty reasonable that

607
00:34:40,680 --> 00:34:44,520
Speaker 1: I was gonna say, uh bill. Oh yeah. I think

608
00:34:44,640 --> 00:34:48,359
Speaker 1: someone whoever wins Coach War will be paying their condent bill,

609
00:34:48,520 --> 00:34:51,600
Speaker 1: and they'll also be bringing glory and victory to either

610
00:34:51,680 --> 00:34:54,560
Speaker 1: Team Matt or Team Bowen. You will find out which

611
00:34:54,600 --> 00:34:58,359
Speaker 1: team wins on November seven pm. This is for New

612
00:34:58,440 --> 00:35:01,440
Speaker 1: York Comedy Festible people and tickets are on sale now.

613
00:35:01,520 --> 00:35:04,640
Speaker 1: We're doing it at Villain in Brooklyn. We're very excited.

614
00:35:04,680 --> 00:35:09,360
Speaker 1: November seven thirty. It's a Tuesday, New York Comedy Festival, Brooklyn.

615
00:35:09,640 --> 00:35:12,680
Speaker 1: Villain is the space, and you know what, November seven

616
00:35:13,760 --> 00:35:17,680
Speaker 1: is Election Day, And I would say that this election

617
00:35:18,120 --> 00:35:21,000
Speaker 1: is more important than anything else that's happening in the country. Yes,

618
00:35:21,160 --> 00:35:26,160
Speaker 1: I agree. Now, if you can't make November seven, if

619
00:35:26,200 --> 00:35:28,960
Speaker 1: that's not something you can make work, then you can

620
00:35:29,000 --> 00:35:34,920
Speaker 1: come to the beautiful, more positive, more cathartic uh the

621
00:35:35,120 --> 00:35:38,600
Speaker 1: proven quantity of our I don't think so honey live

622
00:35:38,640 --> 00:35:40,920
Speaker 1: show this time at the Bellhouse. We're so excited to

623
00:35:40,920 --> 00:35:44,319
Speaker 1: be performing there. We're gonna have fifty brand new comedians

624
00:35:44,560 --> 00:35:47,400
Speaker 1: doing there. I don't think so honeys as we record

625
00:35:47,440 --> 00:35:54,520
Speaker 1: them as we introduce their uh stunning lee stunningly incisive

626
00:35:54,600 --> 00:35:57,799
Speaker 1: attacks to the world and it's gonna be so fun,

627
00:35:57,920 --> 00:36:00,279
Speaker 1: so fun, got some amazing comics lined up. It will

628
00:36:00,280 --> 00:36:07,239
Speaker 1: be announcing that very soon. Podcast Festival Honey at the

629
00:36:07,280 --> 00:36:09,800
Speaker 1: Bell House. Very excited about that. So again, that's November

630
00:36:09,800 --> 00:36:11,960
Speaker 1: seven Coach War and I Don't Think So Honey death

631
00:36:11,960 --> 00:36:14,640
Speaker 1: Match as part of New York Comedy Festival and November eighteen,

632
00:36:14,760 --> 00:36:17,359
Speaker 1: I Don't Think So Honey live at ten o'clock at

633
00:36:17,400 --> 00:36:20,319
Speaker 1: the Bellhouse as part of the Brooklyn Podcast Festival. So

634
00:36:20,320 --> 00:36:23,640
Speaker 1: there you go, people to options and we'll find out

635
00:36:24,360 --> 00:36:34,240
Speaker 1: who can really serve culture. It's getting colder in here. Okay,

636
00:36:34,239 --> 00:36:38,680
Speaker 1: we're back with Joel. Now. Before we get back to no,

637
00:36:38,880 --> 00:36:45,359
Speaker 1: don't cut all right, let me tell you something We're

638
00:36:45,440 --> 00:36:49,719
Speaker 1: not Yes, no, do what you want to do. This

639
00:36:49,800 --> 00:36:53,359
Speaker 1: is not fair. Every other fucking week you come in

640
00:36:53,360 --> 00:36:55,600
Speaker 1: with some request to cut something out of the episode

641
00:36:55,640 --> 00:36:58,799
Speaker 1: for some unseemly thing that you say, how dare you

642
00:36:58,960 --> 00:37:02,759
Speaker 1: rip that? Rip off? My launch made me. I need

643
00:37:02,800 --> 00:37:07,719
Speaker 1: to retake that. Fine, keep it, keep it because this

644
00:37:07,760 --> 00:37:12,280
Speaker 1: is the real this is this is cinema. Very fucking tay. Okay, um,

645
00:37:12,320 --> 00:37:14,200
Speaker 1: here we go. I don't think he used that right

646
00:37:14,280 --> 00:37:18,879
Speaker 1: at all. Cinema very day. Yeah, no he did, so

647
00:37:19,360 --> 00:37:22,680
Speaker 1: somebody knows his words, so I don't know. I don't

648
00:37:22,719 --> 00:37:24,320
Speaker 1: know my heart, but I don't know my words. Okay,

649
00:37:24,360 --> 00:37:29,759
Speaker 1: you guys before we get back to I honestly don't

650
00:37:29,760 --> 00:37:33,399
Speaker 1: know what we're keeping it. Read it. I think this

651
00:37:33,440 --> 00:37:40,480
Speaker 1: is part of the charm. I think people like this. Yeah, sure, um,

652
00:37:40,719 --> 00:37:43,960
Speaker 1: really funny story. Um. A couple of weeks ago, we

653
00:37:44,200 --> 00:37:49,279
Speaker 1: had a contest for whoever left the hundredth review on

654
00:37:49,400 --> 00:37:53,160
Speaker 1: iTunes on Apple podcasts, and um, wouldn't you know it?

655
00:37:53,200 --> 00:37:55,200
Speaker 1: A lot of a lot of a lot of reviews

656
00:37:55,239 --> 00:37:58,760
Speaker 1: came in, but we have a winner, and I think

657
00:37:59,600 --> 00:38:01,520
Speaker 1: I think it's not one, but two, because this is

658
00:38:01,760 --> 00:38:05,400
Speaker 1: two separate drafts of the same review by two different

659
00:38:06,400 --> 00:38:11,920
Speaker 1: user names, but with two system someone's a boat, someone's

660
00:38:11,920 --> 00:38:13,520
Speaker 1: a boat, or someone's trying to gain us. I think

661
00:38:13,520 --> 00:38:15,560
Speaker 1: someone is trying to cheat. The prize was by the

662
00:38:15,600 --> 00:38:19,240
Speaker 1: way to quote have their tapestry of words read aloud

663
00:38:19,239 --> 00:38:21,040
Speaker 1: on the podcast, which is what we're doing right now.

664
00:38:21,280 --> 00:38:26,640
Speaker 1: So first review, very is from user make Lost culture

665
00:38:26,680 --> 00:38:31,759
Speaker 1: stas bi weekly. Um title, yes, capital y and that

666
00:38:31,800 --> 00:38:34,399
Speaker 1: will be important in a moment. Five stars, I don't

667
00:38:34,440 --> 00:38:36,680
Speaker 1: think so honey, people who work out to anything other

668
00:38:36,719 --> 00:38:39,280
Speaker 1: than the sounds of this podcast. There is a reason

669
00:38:39,760 --> 00:38:42,200
Speaker 1: why the I d T s H is exactly one

670
00:38:42,200 --> 00:38:45,480
Speaker 1: minute per person, and it's just for your planking convenience.

671
00:38:45,880 --> 00:38:48,279
Speaker 1: I started running on Wednesday mornings just so I could

672
00:38:48,280 --> 00:38:50,919
Speaker 1: spend some time with Matt and Bowen and Prospect Park,

673
00:38:51,280 --> 00:38:54,040
Speaker 1: and I wouldn't have it any other way. Definitely the

674
00:38:54,080 --> 00:38:58,680
Speaker 1: number one podcast this year. Now the next review by

675
00:38:58,800 --> 00:39:04,120
Speaker 1: Culture Queen. Yes sah lower case why already different but

676
00:39:04,320 --> 00:39:07,080
Speaker 1: sort of similar. I don't think so, honey, people who

677
00:39:07,160 --> 00:39:09,920
Speaker 1: work out to anything other than the sounds of this podcast.

678
00:39:10,320 --> 00:39:12,320
Speaker 1: There was a reason why the I d T s

679
00:39:12,480 --> 00:39:15,279
Speaker 1: H is exactly one minute per person, and it's for

680
00:39:15,360 --> 00:39:20,120
Speaker 1: your planking convenience, hunting. I started running on Wednesday mornings

681
00:39:20,280 --> 00:39:23,359
Speaker 1: just to have quality time with Matt Bowen and an

682
00:39:23,400 --> 00:39:27,600
Speaker 1: empty Prospect Park, and now I'm fit and well versed

683
00:39:27,600 --> 00:39:31,360
Speaker 1: in all things culture. So those are two very similar.

684
00:39:33,080 --> 00:39:35,759
Speaker 1: I think it had to be. They were on their

685
00:39:35,760 --> 00:39:39,799
Speaker 1: one user, Yes, they wanted they wanted to buy two

686
00:39:39,880 --> 00:39:44,520
Speaker 1: Raffle takets. I think what happened was, hey, maybe they

687
00:39:44,520 --> 00:39:46,520
Speaker 1: wanted a bigger chance of winning to be the one

688
00:39:47,800 --> 00:39:52,799
Speaker 1: and guess what they did, or they clicked post and

689
00:39:53,000 --> 00:39:58,840
Speaker 1: something happened and they question whether or not it was posted.

690
00:39:59,200 --> 00:40:02,560
Speaker 1: I think that's that's what they did. Was they wentn't

691
00:40:02,680 --> 00:40:05,680
Speaker 1: on their other user, but why wouldn't. And what they

692
00:40:05,719 --> 00:40:08,080
Speaker 1: did was they said, well, I guess this is my

693
00:40:08,120 --> 00:40:10,799
Speaker 1: second crack at it, and they made it more specific.

694
00:40:11,320 --> 00:40:14,160
Speaker 1: I think the iTunes I actually do. I see that.

695
00:40:14,239 --> 00:40:17,960
Speaker 1: I'm in their mind. I have done a similar situation,

696
00:40:18,000 --> 00:40:20,719
Speaker 1: because it's like a tweet that like doesn't post and

697
00:40:20,719 --> 00:40:22,560
Speaker 1: you're like, oh, now I have the opportunity to make

698
00:40:22,560 --> 00:40:25,439
Speaker 1: it better. And so I think that's what they did here.

699
00:40:25,719 --> 00:40:27,799
Speaker 1: But I I and I also will say I think

700
00:40:27,840 --> 00:40:32,160
Speaker 1: iTunes is on yieldy. I don't know. The interface is hard,

701
00:40:33,040 --> 00:40:36,400
Speaker 1: it's hard to I just find it really suspect that

702
00:40:36,440 --> 00:40:39,960
Speaker 1: they created to separate is damn it and use your

703
00:40:40,040 --> 00:40:44,520
Speaker 1: name specifically for the podcast culture queen versus make class

704
00:40:44,520 --> 00:40:47,520
Speaker 1: cultures despite but maybe they maybe they thought that the

705
00:40:47,560 --> 00:40:50,399
Speaker 1: first one didn't create and so again they did sort of.

706
00:40:50,920 --> 00:40:52,680
Speaker 1: I don't know. You're right, I don't know. I don't

707
00:40:52,719 --> 00:40:57,360
Speaker 1: know who to believe. I think there's a vast conspiracy

708
00:40:57,600 --> 00:41:01,880
Speaker 1: um to Welcome to Info wars to leach, to leach

709
00:41:02,000 --> 00:41:05,520
Speaker 1: our creative intellectual real estate, to leach off of that,

710
00:41:05,640 --> 00:41:07,399
Speaker 1: and so I think I think there's something going on

711
00:41:07,400 --> 00:41:10,120
Speaker 1: out there. Okay, we're back with Joel. Now, Joel, during

712
00:41:10,120 --> 00:41:13,879
Speaker 1: a break, you just told us that you just saw

713
00:41:14,239 --> 00:41:18,719
Speaker 1: on Broadway. Yes, my my agent said, you can see anything.

714
00:41:18,960 --> 00:41:22,520
Speaker 1: I'll buy you tickets to anything on Broadway. Baby opened

715
00:41:22,560 --> 00:41:26,239
Speaker 1: the gate, the gate, and she said, tell me what

716
00:41:26,280 --> 00:41:28,200
Speaker 1: you want to see and we'll see it. And I said,

717
00:41:28,320 --> 00:41:34,399
Speaker 1: you didn't say Hamilton, No, I said, because I saw it, bitch,

718
00:41:35,320 --> 00:41:38,040
Speaker 1: original cast. I don't need to see anybody else spit

719
00:41:38,120 --> 00:41:41,759
Speaker 1: those words. Um no, but I and I said I.

720
00:41:42,120 --> 00:41:44,960
Speaker 1: I looked at the list of Broadway shows currently playing

721
00:41:44,960 --> 00:41:47,240
Speaker 1: of the things that I had not seen, and I said, Baby,

722
00:41:47,280 --> 00:41:49,640
Speaker 1: bring me to come from Away, give me that nine

723
00:41:49,680 --> 00:41:56,319
Speaker 1: eleven poin. I left it. I sobbed throughout it, and

724
00:41:56,360 --> 00:41:58,680
Speaker 1: I did. I went in not really wanting to like it.

725
00:41:58,719 --> 00:42:00,360
Speaker 1: I kind of went because I was like, this is

726
00:42:00,360 --> 00:42:02,040
Speaker 1: a free ticket. I'm not spending my own money, so

727
00:42:02,040 --> 00:42:04,279
Speaker 1: I'll see something I can make fun of. And I

728
00:42:04,560 --> 00:42:08,600
Speaker 1: that's amazing. Now tell someone who does not know what

729
00:42:08,680 --> 00:42:12,160
Speaker 1: the play is, such as me, Um, I guys very

730
00:42:12,239 --> 00:42:14,600
Speaker 1: uncultured when it comes to theater. Tell me, um it

731
00:42:14,760 --> 00:42:16,960
Speaker 1: is about so on nine eleven, all the planes got

732
00:42:16,960 --> 00:42:20,600
Speaker 1: grounded of course, um as you might remember, and um

733
00:42:20,680 --> 00:42:22,920
Speaker 1: so they all got grounded and so a lot of

734
00:42:22,920 --> 00:42:27,319
Speaker 1: them got grounded at the a very large airport in Newfoundland,

735
00:42:27,880 --> 00:42:31,320
Speaker 1: uh in Canada, and um so it was just basically

736
00:42:31,360 --> 00:42:35,360
Speaker 1: the play is it's an ensemble, multiple people playing multiple roles,

737
00:42:35,360 --> 00:42:39,200
Speaker 1: sort of tracking real life stories, some composites and some

738
00:42:39,280 --> 00:42:42,360
Speaker 1: actual like real people of this week that these people

739
00:42:42,719 --> 00:42:45,680
Speaker 1: were basically trapped in Newfoundland, like an entire day they

740
00:42:45,719 --> 00:42:48,200
Speaker 1: spent basically on the tour BAC and these planes, and

741
00:42:48,239 --> 00:42:50,600
Speaker 1: the it's a story. It's a convergence of the people

742
00:42:50,600 --> 00:42:52,359
Speaker 1: who were on the planes from all over the world

743
00:42:52,360 --> 00:42:54,560
Speaker 1: who were grounded and trapped and didn't know what was

744
00:42:54,600 --> 00:42:57,200
Speaker 1: going on. We're obviously terrified, and then the town that

745
00:42:57,280 --> 00:43:00,720
Speaker 1: sort of comes together to support them in this time

746
00:43:00,760 --> 00:43:03,560
Speaker 1: and then you know, and now there's a there's a

747
00:43:03,560 --> 00:43:06,600
Speaker 1: storyline where these one guy from London who's a businessman

748
00:43:06,640 --> 00:43:08,719
Speaker 1: who's sort of an uptight guy, and this woman from

749
00:43:08,800 --> 00:43:12,360
Speaker 1: Dallas end up meeting on trapped on this plane and

750
00:43:12,400 --> 00:43:14,399
Speaker 1: then they fall in love and get married and that's

751
00:43:14,400 --> 00:43:17,000
Speaker 1: a real life story. UM. And then one of the

752
00:43:17,000 --> 00:43:20,160
Speaker 1: women was the first UM one of the pilots was

753
00:43:20,200 --> 00:43:24,560
Speaker 1: the first female commercial airline pilot UM ever on the

754
00:43:24,600 --> 00:43:26,759
Speaker 1: thing and she, Oh my god, I don't I don't

755
00:43:26,760 --> 00:43:30,719
Speaker 1: know the actress. Yes, yes, and she was nominated for Tony.

756
00:43:30,760 --> 00:43:33,240
Speaker 1: I didn't watch the tourneys this last year, but damn,

757
00:43:33,320 --> 00:43:35,680
Speaker 1: she is an incredible I saw her and you know

758
00:43:35,680 --> 00:43:39,880
Speaker 1: what I saw her in um IF then Oh, she

759
00:43:39,880 --> 00:43:42,120
Speaker 1: she seems like she probably lost a lot of roles

760
00:43:42,160 --> 00:43:45,080
Speaker 1: to Sutton Foster or she seems within that type and

761
00:43:45,120 --> 00:43:49,000
Speaker 1: certainly within the vocal range. But just like she's one

762
00:43:49,080 --> 00:43:52,359
Speaker 1: of the best voices I've I've heard live incredible, UM

763
00:43:52,440 --> 00:43:55,800
Speaker 1: and it is I believe my plane got to led

764
00:43:59,120 --> 00:44:04,840
Speaker 1: getting back to America. We're here a new found then

765
00:44:04,880 --> 00:44:10,640
Speaker 1: and we found each job and we are getting married,

766
00:44:12,000 --> 00:44:16,560
Speaker 1: but we're never getting back on our playing producer joke,

767
00:44:16,560 --> 00:44:19,760
Speaker 1: can you turn off the soundtrack? You come from away

768
00:44:22,640 --> 00:44:25,960
Speaker 1: going to have a bright issue? He just mind, he

769
00:44:26,120 --> 00:44:30,920
Speaker 1: mind going over to the controls for um. No, it

770
00:44:31,040 --> 00:44:34,040
Speaker 1: was fantastic. It is. It is like the Laramie Project,

771
00:44:35,280 --> 00:44:38,400
Speaker 1: sort of a very docu play thing. It is meant

772
00:44:38,680 --> 00:44:40,520
Speaker 1: in ten years. It will be done at colleges and

773
00:44:40,640 --> 00:44:43,879
Speaker 1: in high schools all over the country. Laramie projects come

774
00:44:43,920 --> 00:44:50,680
Speaker 1: from away. It's necessary. Wow, I'm not building out the

775
00:44:50,719 --> 00:44:55,080
Speaker 1: credit going into this company. I will say this, Uh,

776
00:44:55,200 --> 00:44:59,640
Speaker 1: it is meant for for uh high schools and musicals.

777
00:44:59,640 --> 00:45:03,120
Speaker 1: It's sort of I don't understand the point. It will

778
00:45:03,160 --> 00:45:05,759
Speaker 1: be very interesting. It's it's weird for me to think

779
00:45:05,800 --> 00:45:08,000
Speaker 1: about it being done by high school students who weren't

780
00:45:08,040 --> 00:45:14,319
Speaker 1: alive during nine eleven. Was very students. I succumbed to

781
00:45:14,400 --> 00:45:18,239
Speaker 1: the sort of not ness. I actually do feel like

782
00:45:18,280 --> 00:45:21,040
Speaker 1: they hand it was less a tragedy porn than I

783
00:45:21,040 --> 00:45:22,920
Speaker 1: thought it would be, because it is it is much

784
00:45:23,000 --> 00:45:27,640
Speaker 1: less less about nine eleven and more about this specific experience,

785
00:45:28,000 --> 00:45:30,560
Speaker 1: which I was impressed by. They don't go into a

786
00:45:30,560 --> 00:45:33,360
Speaker 1: lot of like they don't feel the need to explain

787
00:45:33,480 --> 00:45:36,600
Speaker 1: nine eleven to you, like every They sort of they

788
00:45:36,640 --> 00:45:38,359
Speaker 1: don't talk down to the audience in that way. They

789
00:45:38,360 --> 00:45:40,839
Speaker 1: sort of like, Okay, everybody coming into see the show

790
00:45:40,880 --> 00:45:43,160
Speaker 1: knows what fucking nine eleven is. We don't need to

791
00:45:43,200 --> 00:45:47,000
Speaker 1: explain it. This is a very unique experience. Like there's

792
00:45:47,040 --> 00:45:49,440
Speaker 1: like a subplot about all the animals that are trapped

793
00:45:49,440 --> 00:45:51,960
Speaker 1: on this plane and the sort of the difficulty of

794
00:45:52,000 --> 00:45:53,759
Speaker 1: like how do you take care of these animals when

795
00:45:53,880 --> 00:45:57,000
Speaker 1: nobody will let them into the baggage claim because you know,

796
00:45:57,160 --> 00:45:59,839
Speaker 1: all the they think there could be bombs, and like

797
00:46:00,120 --> 00:46:03,640
Speaker 1: there's a very sort of subtle um, there's a Muslim

798
00:46:03,760 --> 00:46:06,239
Speaker 1: character and it's that's actually where I lost it, where

799
00:46:06,280 --> 00:46:08,200
Speaker 1: they're like letting them off the plane finally, and they

800
00:46:08,200 --> 00:46:09,920
Speaker 1: like sort of don't know if they should let him

801
00:46:09,960 --> 00:46:14,239
Speaker 1: into the town, and it's it's devastating. Um. But yeah,

802
00:46:14,280 --> 00:46:17,400
Speaker 1: so I felt like it was less tragedy porn than

803
00:46:17,440 --> 00:46:19,440
Speaker 1: I expected it to be going in, but it is

804
00:46:19,800 --> 00:46:23,200
Speaker 1: definitely still that and uh not. I I tried to

805
00:46:23,239 --> 00:46:25,840
Speaker 1: listen to the soundtrack afterwards. Other than Jen's song the

806
00:46:26,200 --> 00:46:31,560
Speaker 1: Female Airline Pilot song, there isn't an earworm in the soundtrack.

807
00:46:31,600 --> 00:46:33,480
Speaker 1: I won't say. A song that Joe just played for

808
00:46:33,600 --> 00:46:37,600
Speaker 1: us was um City Hook City play it again? Yeah,

809
00:46:37,680 --> 00:46:41,400
Speaker 1: could you play just one more time? I can't believe

810
00:46:41,520 --> 00:46:49,319
Speaker 1: my plane gottal We're sitting here on that sarmac and

811
00:46:49,360 --> 00:46:55,000
Speaker 1: we're never gonna find our well home. But we found

812
00:46:55,200 --> 00:47:04,520
Speaker 1: each other. We found uh and the whole chorus. So wait,

813
00:47:04,560 --> 00:47:08,880
Speaker 1: what was that it was? We found? Oh, just sometimes

814
00:47:08,920 --> 00:47:10,839
Speaker 1: you can just do a vow? Can I tell you, guys?

815
00:47:10,880 --> 00:47:14,719
Speaker 1: I was in Tesley today? Wait, you were aware tes

816
00:47:15,080 --> 00:47:23,000
Speaker 1: Bernie Tesley's office, Bernie Telsey cast legally blonde, that's all.

817
00:47:24,200 --> 00:47:27,560
Speaker 1: It's a casting office. And well, I can't believe, Thank god,

818
00:47:27,560 --> 00:47:30,040
Speaker 1: I didn't. I've never met this man, because I've been

819
00:47:30,080 --> 00:47:32,640
Speaker 1: telling people I have been going to Tesley all day.

820
00:47:33,000 --> 00:47:36,719
Speaker 1: Uh wait, why were you there? I was just yeah,

821
00:47:36,719 --> 00:47:39,399
Speaker 1: I had an audition, and I was there's multiple rooms,

822
00:47:39,440 --> 00:47:44,000
Speaker 1: there's like because they're casting a thousand goddamn and one

823
00:47:44,040 --> 00:47:46,640
Speaker 1: off some this boy went in. I was in the

824
00:47:46,719 --> 00:47:48,440
Speaker 1: waiting I was in part of the waiting room with

825
00:47:48,560 --> 00:47:51,280
Speaker 1: literally the entire cast of Oranges and New Black waiting

826
00:47:51,280 --> 00:47:53,040
Speaker 1: to go in for some play. And I was waiting

827
00:47:53,040 --> 00:47:55,480
Speaker 1: to go in for a movie. Yes, I am auditioning

828
00:47:55,480 --> 00:47:58,960
Speaker 1: for movies. And and uh, there was a music. I

829
00:47:58,960 --> 00:48:01,040
Speaker 1: think it was. I actually do think it was Hamilton's.

830
00:48:01,040 --> 00:48:03,279
Speaker 1: I think they were sort of casting, like you know,

831
00:48:03,320 --> 00:48:05,960
Speaker 1: they're doing a rolling casting presss for Hamilton's. And this

832
00:48:06,040 --> 00:48:11,920
Speaker 1: boy sang let it go, let it go in his

833
00:48:12,360 --> 00:48:14,359
Speaker 1: and then he sang it once and they asked him

834
00:48:14,400 --> 00:48:15,640
Speaker 1: to sing it again, and he sang it in his

835
00:48:15,680 --> 00:48:20,040
Speaker 1: head voice and the second time. The second time, but

836
00:48:20,080 --> 00:48:25,360
Speaker 1: he said yeah. And it was not that I was shocked.

837
00:48:25,400 --> 00:48:27,760
Speaker 1: We were all shocked collectively. It was actually a lovely

838
00:48:27,800 --> 00:48:29,600
Speaker 1: moment between me and the cast of Oranges and New

839
00:48:29,600 --> 00:48:33,440
Speaker 1: Black sitting there listening to this because we all were

840
00:48:33,560 --> 00:48:36,480
Speaker 1: shocked that he was asked to sing it again. Wait,

841
00:48:36,520 --> 00:48:40,000
Speaker 1: were there actual cast members from Osh? They were like

842
00:48:40,000 --> 00:48:43,600
Speaker 1: like like many, like three guards from where my Black

843
00:48:43,680 --> 00:48:47,880
Speaker 1: persist in his waiting room with me and no, And

844
00:48:47,960 --> 00:48:51,600
Speaker 1: I could not believe, who the fuck are you this?

845
00:48:51,960 --> 00:48:54,480
Speaker 1: There are a thousand people who want to get in

846
00:48:54,600 --> 00:48:57,919
Speaker 1: the door to audition for this musical and you're you're

847
00:48:57,960 --> 00:49:01,600
Speaker 1: bringing in fucking let it Go. Now, I applaud him.

848
00:49:02,239 --> 00:49:05,239
Speaker 1: I think he's a villain. He's a goddamn villain. Get

849
00:49:05,320 --> 00:49:09,279
Speaker 1: back to fucking Michigan where you belong. People that do that,

850
00:49:09,360 --> 00:49:13,080
Speaker 1: I think are they think they're being subversive. They think

851
00:49:13,120 --> 00:49:14,880
Speaker 1: they're like, I'm gonna bring in let it Go and

852
00:49:14,960 --> 00:49:16,839
Speaker 1: it's actually gonna be good, And that's gonna really set

853
00:49:16,880 --> 00:49:19,640
Speaker 1: me apart um because they're gonna be thinking, oh, he

854
00:49:19,640 --> 00:49:21,319
Speaker 1: brought in let it Go. I roll, but then it's

855
00:49:21,320 --> 00:49:22,960
Speaker 1: going to be good. And really it's just like, no,

856
00:49:23,080 --> 00:49:24,640
Speaker 1: you brought in Lettic. He brought in let it Go.

857
00:49:24,760 --> 00:49:27,120
Speaker 1: And here's the thing too, he was bad. If he

858
00:49:27,280 --> 00:49:29,719
Speaker 1: if he had slayed, I probably would be in here

859
00:49:29,760 --> 00:49:33,919
Speaker 1: thinking telling you an inspiring story. But I honestly feel

860
00:49:33,960 --> 00:49:36,280
Speaker 1: like they heard him sing let it Go poorly once

861
00:49:36,320 --> 00:49:39,040
Speaker 1: and then as a joke, as a prank, they said,

862
00:49:39,200 --> 00:49:40,960
Speaker 1: now try it in your head voice? Fine, fine, fine,

863
00:49:41,000 --> 00:49:42,719
Speaker 1: what song would you have sung? Come on, let's do this.

864
00:49:43,320 --> 00:49:45,480
Speaker 1: I went to Telsey one time and audition for Nerds

865
00:49:45,520 --> 00:49:49,239
Speaker 1: the Music, and I was there with Dave Mazzoni and

866
00:49:49,280 --> 00:49:53,000
Speaker 1: Matteo Lane, and I sang Sunday Morning by Maroon five

867
00:49:53,680 --> 00:49:59,239
Speaker 1: not appropriate. Dave sang um Amazed by a Lone Star

868
00:49:59,760 --> 00:50:04,200
Speaker 1: not appropriate, and Mateo Land sang the Weirzard and I

869
00:50:04,400 --> 00:50:07,640
Speaker 1: not appropriate. So the point and Joel, what about you?

870
00:50:08,560 --> 00:50:11,799
Speaker 1: But already the point is we're not much better than

871
00:50:11,840 --> 00:50:15,480
Speaker 1: this Letic. We're not musical theater actors. He did he

872
00:50:15,520 --> 00:50:19,480
Speaker 1: sound like? Did he sound like he did this? I

873
00:50:19,520 --> 00:50:21,279
Speaker 1: don't know. I mean he had the arch in his back,

874
00:50:21,320 --> 00:50:22,960
Speaker 1: if you know what I mean. And he walked out,

875
00:50:24,480 --> 00:50:26,400
Speaker 1: and so I could tell he had a b f

876
00:50:26,440 --> 00:50:31,920
Speaker 1: A under his belt, but he had he had an

877
00:50:32,000 --> 00:50:33,640
Speaker 1: arch in his back that suggested he had a b

878
00:50:33,800 --> 00:50:40,640
Speaker 1: f A in musical theater from Elon University. But no. Famously,

879
00:50:40,760 --> 00:50:44,000
Speaker 1: when I was in undergrad UH for theater, I sang

880
00:50:44,160 --> 00:50:47,760
Speaker 1: the same song for three semesters running at our unified

881
00:50:48,920 --> 00:50:52,080
Speaker 1: purpose from Avenue. That's a great song, yeah, great, great

882
00:50:52,080 --> 00:50:54,720
Speaker 1: little cut from Purpose, and I sang it at every

883
00:50:54,960 --> 00:50:58,240
Speaker 1: unified professional, unified audition, and it got me two jobs

884
00:50:58,320 --> 00:51:02,320
Speaker 1: in musical theater. She's a she. They were both thoroughly

885
00:51:02,360 --> 00:51:06,960
Speaker 1: modern million What would you sing? Little bang Bang? I

886
00:51:07,000 --> 00:51:10,239
Speaker 1: would sing bang Bang by Nancy Sinatra as interpreted by

887
00:51:10,320 --> 00:51:13,799
Speaker 1: Lady Gaga during the Cheeks a Cheek tour um. But

888
00:51:13,960 --> 00:51:17,839
Speaker 1: also I would sing just around the River band bitch,

889
00:51:18,000 --> 00:51:21,040
Speaker 1: and also another basic Disney song. But if it works,

890
00:51:21,040 --> 00:51:23,279
Speaker 1: it works. No, I don't. I don't know. I don't

891
00:51:23,320 --> 00:51:26,680
Speaker 1: go in for musical theater, and rightfully so same, I

892
00:51:26,719 --> 00:51:29,920
Speaker 1: mean me neither. I think I've never liked to try

893
00:51:29,960 --> 00:51:33,320
Speaker 1: and put us, put yourself on our level. We're trash

894
00:51:33,400 --> 00:51:38,399
Speaker 1: and your singing a singer, I've I'm not a singer

895
00:51:38,440 --> 00:51:42,120
Speaker 1: Matt Roger. I'm not a singer, but you know who is.

896
00:51:42,480 --> 00:51:47,160
Speaker 1: Jen Kalola plays the track. I can't believe my plane

897
00:51:47,440 --> 00:51:53,120
Speaker 1: got to let We'll never get off this time. Mac.

898
00:51:54,640 --> 00:51:59,919
Speaker 1: I know I won't find my way home, but I've

899
00:52:00,120 --> 00:52:11,040
Speaker 1: found Husman here. Well, they left the animals off plan.

900
00:52:12,480 --> 00:52:15,279
Speaker 1: Look what what is that interval? Okay, hold on it

901
00:52:16,080 --> 00:52:26,520
Speaker 1: than you? Was it? I can't believe this planet. The

902
00:52:26,600 --> 00:52:32,799
Speaker 1: interval from God to delayed was God. Now, I will say,

903
00:52:33,120 --> 00:52:37,879
Speaker 1: you always make fun and criticize my intervals. They're not

904
00:52:37,920 --> 00:52:41,520
Speaker 1: your intervals come from a ways intervals. We just heard

905
00:52:41,600 --> 00:52:47,960
Speaker 1: three separate verses from the slightly different Uh it has

906
00:52:48,000 --> 00:52:51,200
Speaker 1: two different prises. Yeah, but no, I've heard both of

907
00:52:51,239 --> 00:52:53,720
Speaker 1: you sing live many times. When we go to piano

908
00:52:53,760 --> 00:52:56,160
Speaker 1: bars in around New York City. You can find us there,

909
00:52:56,400 --> 00:52:59,439
Speaker 1: and I am constantly impressed with both Matt, but also Bowe.

910
00:52:59,600 --> 00:53:02,400
Speaker 1: You have one of the most technically proficient voices. I

911
00:53:02,400 --> 00:53:06,640
Speaker 1: think you have that. And here's the thing. A lot

912
00:53:06,719 --> 00:53:09,040
Speaker 1: a lot of people a part about singing, A part

913
00:53:09,080 --> 00:53:11,200
Speaker 1: about singing, A part about singing that a lot of

914
00:53:11,239 --> 00:53:14,680
Speaker 1: people don't talk about enough is memory. And Bowen has

915
00:53:14,920 --> 00:53:18,080
Speaker 1: I once saw Bowen sing Uh Giants in the Sky

916
00:53:18,440 --> 00:53:22,480
Speaker 1: A difficult son Sondheim is not an easy um song,

917
00:53:23,080 --> 00:53:25,000
Speaker 1: like any Sondheim song is not easy to say that

918
00:53:25,320 --> 00:53:28,560
Speaker 1: an easier Sondheim songs though anybody keep going. Bowen never

919
00:53:28,600 --> 00:53:30,840
Speaker 1: looks at his phone. Boone never looks at lyrics. Bowen

920
00:53:30,920 --> 00:53:33,520
Speaker 1: knows all these songs by heart. I can't. I'm so

921
00:53:33,600 --> 00:53:35,399
Speaker 1: afraid to sing in front of people that I can't

922
00:53:35,440 --> 00:53:37,319
Speaker 1: look anybody in the eye. I have to look at

923
00:53:37,320 --> 00:53:39,880
Speaker 1: my phone most of the time. I can remember lyrics

924
00:53:39,880 --> 00:53:45,520
Speaker 1: because again, the three parts of singing our memory, resident,

925
00:53:45,640 --> 00:53:50,600
Speaker 1: and pitch. And I know memory memory is the part

926
00:53:50,719 --> 00:53:52,600
Speaker 1: one of the three parts of singing that I'm good at.

927
00:53:52,920 --> 00:53:54,960
Speaker 1: And I still I get so afraid I have to

928
00:53:54,960 --> 00:53:56,720
Speaker 1: look at music because I don't want to look at anybody.

929
00:53:57,680 --> 00:53:59,680
Speaker 1: And I have been paid twice in my life on

930
00:53:59,680 --> 00:54:02,120
Speaker 1: I'm fashional level to sing in front of people live,

931
00:54:02,480 --> 00:54:05,040
Speaker 1: and I still when I have to sing in front

932
00:54:05,080 --> 00:54:08,160
Speaker 1: of people in casual settings, I get very nervous. It's

933
00:54:08,160 --> 00:54:11,000
Speaker 1: because casual is different than professional. When it's professional that

934
00:54:11,080 --> 00:54:13,520
Speaker 1: you're prepared for it, yea, And I know I go

935
00:54:13,680 --> 00:54:16,120
Speaker 1: up here and I put it in my and I

936
00:54:16,200 --> 00:54:18,840
Speaker 1: speak sing, you know, and I do a little and

937
00:54:18,840 --> 00:54:22,080
Speaker 1: I actually that's the point, that's the bits, that's what

938
00:54:22,080 --> 00:54:24,600
Speaker 1: they want to see. They want to see you perform.

939
00:54:24,719 --> 00:54:27,279
Speaker 1: That's that's why I like Sunheim, you know, because it's

940
00:54:27,320 --> 00:54:30,200
Speaker 1: for actors. It's not for singers, and that's why they

941
00:54:30,239 --> 00:54:35,279
Speaker 1: have so many actors first doing the movie musicals. And

942
00:54:35,320 --> 00:54:39,000
Speaker 1: that's I saw Into the Woods in the Park in

943
00:54:39,040 --> 00:54:42,120
Speaker 1: two thousand twelve with Amy Adams and here's the thing.

944
00:54:42,200 --> 00:54:46,319
Speaker 1: She did the reverse Jennifer Hudson, and Jennifer Hudson only

945
00:54:46,360 --> 00:54:49,280
Speaker 1: begins to act when she starts to sing. And Amy

946
00:54:49,320 --> 00:54:52,799
Speaker 1: Adams completely stopped singing acting when she began to sing

947
00:54:52,800 --> 00:54:55,360
Speaker 1: because she could tell she like me, she had memory,

948
00:54:55,640 --> 00:54:58,680
Speaker 1: but she was nervous about the other two and she

949
00:54:59,000 --> 00:55:01,400
Speaker 1: stopped acting in the That's a problematic thing to do

950
00:55:01,440 --> 00:55:04,560
Speaker 1: in a Santei musical because once again it's mostly singing

951
00:55:04,600 --> 00:55:07,759
Speaker 1: and it's a lot of acting. Well, and I did

952
00:55:07,800 --> 00:55:09,720
Speaker 1: see it the night, one of the nights that Snheim

953
00:55:09,760 --> 00:55:15,040
Speaker 1: was in the audience, and so imagine being nervous play

954
00:55:15,040 --> 00:55:16,959
Speaker 1: the baker's wife. She played the Baker's wife. I saw

955
00:55:17,000 --> 00:55:19,759
Speaker 1: it with a friend who is an idiot and he

956
00:55:20,160 --> 00:55:22,879
Speaker 1: asked at the end of the show at intermission, he said,

957
00:55:22,880 --> 00:55:25,560
Speaker 1: because Glenn Close did the voice of the baker of

958
00:55:25,600 --> 00:55:28,080
Speaker 1: the Giant's wife. And he said, do you think she's

959
00:55:28,080 --> 00:55:31,239
Speaker 1: back there right now? And I said, no, friend, I

960
00:55:31,280 --> 00:55:34,520
Speaker 1: don't think that. Glenn Close comes shows up to set

961
00:55:34,840 --> 00:55:37,200
Speaker 1: and sits backstage on a god mike and does her

962
00:55:37,280 --> 00:55:41,839
Speaker 1: lines and acts opposite these people. I thought he was great.

963
00:55:41,840 --> 00:55:43,760
Speaker 1: People hated him, but I liked him a lot, mostly

964
00:55:43,760 --> 00:55:46,200
Speaker 1: because I, again, I appreciate the acting with him, the

965
00:55:46,280 --> 00:55:50,560
Speaker 1: singing and Jesse Mueller Chicago. I almost said Chicago friend,

966
00:55:51,160 --> 00:55:54,080
Speaker 1: but she's not a friend. She is an acquaintance at best,

967
00:55:54,200 --> 00:55:57,600
Speaker 1: and she she's very nice. I've met her at least

968
00:55:57,640 --> 00:56:00,240
Speaker 1: twice in Chicago, and she's very kind. And her family

969
00:56:00,360 --> 00:56:03,960
Speaker 1: is like Chicago royalty. They're all all the Mulers are

970
00:56:04,280 --> 00:56:10,520
Speaker 1: are extremely talented, cool Christians, Christians Christians, but cool, you know,

971
00:56:10,600 --> 00:56:12,759
Speaker 1: cool obviously because they won't work in the theater. They

972
00:56:12,760 --> 00:56:15,520
Speaker 1: have to be cool with gay people. And I saw

973
00:56:15,760 --> 00:56:18,720
Speaker 1: her brother was in Sidetrack, a great gay bar in Chicago,

974
00:56:19,080 --> 00:56:22,680
Speaker 1: watched and watched her. His sister went and Tony and

975
00:56:22,800 --> 00:56:26,280
Speaker 1: cried in Sidetrack and I saw it happen. He's gay. No,

976
00:56:27,000 --> 00:56:28,480
Speaker 1: but he was just in a gay bar. It's a

977
00:56:28,520 --> 00:56:32,040
Speaker 1: good place to watch the Tonys. Hey, we're not here

978
00:56:32,719 --> 00:56:37,960
Speaker 1: to do that today. We're here to talk about Model Minority.

979
00:56:38,239 --> 00:56:42,480
Speaker 1: Model Minority album by Joe Kimbers. Now listen. It's out

980
00:56:42,520 --> 00:56:46,520
Speaker 1: on November four, third, but you can get on Rember

981
00:56:46,520 --> 00:56:49,600
Speaker 1: four because it'll have been you're trying to wrap this ship. No,

982
00:56:49,600 --> 00:56:51,200
Speaker 1: no, no no, no no, I just want to talk about that.

983
00:56:51,760 --> 00:56:54,480
Speaker 1: I just want to make sure that we want to

984
00:56:54,480 --> 00:56:56,560
Speaker 1: talk about the album of us and the half hour,

985
00:56:56,680 --> 00:56:59,120
Speaker 1: but the album is the centerpiece and the albums I

986
00:56:59,239 --> 00:57:01,040
Speaker 1: want to talk about the alb because you know what

987
00:57:01,080 --> 00:57:04,000
Speaker 1: was I I thought when I was listening to the album,

988
00:57:04,680 --> 00:57:06,719
Speaker 1: I thought this would be something that I would have

989
00:57:06,800 --> 00:57:10,040
Speaker 1: enjoyed very much in high school. I was down there,

990
00:57:10,520 --> 00:57:13,200
Speaker 1: like not saying that you need to be sad, but

991
00:57:13,239 --> 00:57:17,120
Speaker 1: I understand I'm saying I couldn't. If I were in

992
00:57:17,160 --> 00:57:19,720
Speaker 1: high school, I would have loved this. But like a

993
00:57:19,800 --> 00:57:23,840
Speaker 1: fifteen year old emotional intelligence, this would really kill um. No.

994
00:57:24,000 --> 00:57:26,600
Speaker 1: What I meant was like, that was the first time

995
00:57:26,640 --> 00:57:29,760
Speaker 1: I can remember becoming like really into a comedy album

996
00:57:29,880 --> 00:57:33,240
Speaker 1: and looking really just trying to desperately grasp at your

997
00:57:33,280 --> 00:57:36,000
Speaker 1: role models. Yeah, there were so many. It just it

998
00:57:36,040 --> 00:57:38,360
Speaker 1: took me back to that place in a way that

999
00:57:38,440 --> 00:57:41,080
Speaker 1: I remembered being that age, and like discovering all the

1000
00:57:41,120 --> 00:57:45,200
Speaker 1: Margaret Show albums and like, um, you know, I really

1001
00:57:45,240 --> 00:57:48,640
Speaker 1: loved Sandra burn Harden, like it gave me the feeling

1002
00:57:49,000 --> 00:57:52,000
Speaker 1: of wow, I could listen to this album a lot

1003
00:57:53,280 --> 00:57:56,360
Speaker 1: and I feel the same way. Yeah, But you can't

1004
00:57:56,360 --> 00:58:05,280
Speaker 1: say anything original about it, something reiginal. You go, this

1005
00:58:05,360 --> 00:58:09,760
Speaker 1: is someone who has had such a textured life. Look

1006
00:58:09,800 --> 00:58:12,360
Speaker 1: at him and his eyes. No, no, no, because this

1007
00:58:12,440 --> 00:58:15,920
Speaker 1: is this is this is a scholarly academic assessment. No,

1008
00:58:16,160 --> 00:58:18,360
Speaker 1: this is Here's the thing. In all seriousness, it's an

1009
00:58:18,360 --> 00:58:20,760
Speaker 1: amazing album because Joel has an amazing story and he's

1010
00:58:20,800 --> 00:58:24,360
Speaker 1: able to speak from and sorry to get all identity politics,

1011
00:58:24,640 --> 00:58:27,680
Speaker 1: he's able to speak from this queer Asian perspective. But

1012
00:58:28,080 --> 00:58:32,440
Speaker 1: it's also um, it also is just sort of textured

1013
00:58:32,560 --> 00:58:34,680
Speaker 1: and framed with all these other amazing things that like

1014
00:58:34,720 --> 00:58:36,360
Speaker 1: are so specific to him and no one else can

1015
00:58:36,400 --> 00:58:40,360
Speaker 1: talk about. And it's it's one amazing on like on

1016
00:58:40,360 --> 00:58:43,960
Speaker 1: an experiential life, experienced storytelling level, but too. It's just

1017
00:58:44,720 --> 00:58:47,480
Speaker 1: filled with jokes, baby, and it's so good. It's so

1018
00:58:47,480 --> 00:58:49,880
Speaker 1: good I would like to hit than it is filled

1019
00:58:49,880 --> 00:58:55,920
Speaker 1: with jokes. Yeah, it's filled with jokes. It filled. I

1020
00:58:56,200 --> 00:58:58,800
Speaker 1: listened to it the whole way through both minds and

1021
00:58:58,920 --> 00:59:01,680
Speaker 1: enjoyed myself both times. I say, is that as a

1022
00:59:01,800 --> 00:59:05,320
Speaker 1: replay value? Bit here? This is one of Joel's strengths

1023
00:59:05,480 --> 00:59:08,920
Speaker 1: as a stand up. He is a master a crowd work.

1024
00:59:09,080 --> 00:59:12,320
Speaker 1: And he had two very different nights of crowd work. Well,

1025
00:59:12,360 --> 00:59:14,840
Speaker 1: and here's the thing. Here's a little little secret and

1026
00:59:14,960 --> 00:59:17,200
Speaker 1: behind peek, behind the curtain, if you will, about that

1027
00:59:17,920 --> 00:59:20,640
Speaker 1: is I listened to both nights and I went to

1028
00:59:20,680 --> 00:59:22,720
Speaker 1: Comedy Central and I said, I love both these knights

1029
00:59:22,760 --> 00:59:25,240
Speaker 1: of crowd work. Can we stitch it together and make

1030
00:59:25,320 --> 00:59:31,120
Speaker 1: it sound like one night? And I and there he's siging,

1031
00:59:31,560 --> 00:59:38,760
Speaker 1: he's saying he was And I said, and they said, uh,

1032
00:59:39,200 --> 00:59:41,680
Speaker 1: not for all of it, but there is um I

1033
00:59:41,840 --> 00:59:44,480
Speaker 1: like to interrogate people about. I think that there's a

1034
00:59:44,720 --> 00:59:46,200
Speaker 1: there's a part in the show where I I talked

1035
00:59:46,200 --> 00:59:49,720
Speaker 1: to couples, specifically in couples and I and straight men,

1036
00:59:50,080 --> 00:59:52,280
Speaker 1: and I all both of those we were able to

1037
00:59:52,440 --> 00:59:55,440
Speaker 1: stitch together and it sounds seamless. It actually, they did

1038
00:59:55,480 --> 00:59:57,080
Speaker 1: a really good job of making it sound like I

1039
00:59:57,120 --> 01:00:00,800
Speaker 1: just jumped from and I just did two couples. I

1040
01:00:00,840 --> 01:00:02,560
Speaker 1: was gonna say, I thought you were going to say

1041
01:00:02,600 --> 01:00:05,080
Speaker 1: that they it seems seamless and that it's the it

1042
01:00:05,160 --> 01:00:07,360
Speaker 1: feels like it's the same straight guy. No, no, no,

1043
01:00:07,600 --> 01:00:10,240
Speaker 1: it is just like it sounds like I'm like, Okay,

1044
01:00:10,240 --> 01:00:11,640
Speaker 1: I'm done talking to you and now I'm gonna go

1045
01:00:11,680 --> 01:00:15,400
Speaker 1: over here and talk to SAP because I's it's one

1046
01:00:15,440 --> 01:00:26,400
Speaker 1: of I. I I come from a place of uh,

1047
01:00:26,680 --> 01:00:29,280
Speaker 1: you know, the imposter syndrome. I don't like to talk

1048
01:00:29,320 --> 01:00:30,920
Speaker 1: myself up, but I will say one thing that I

1049
01:00:30,960 --> 01:00:34,840
Speaker 1: do feel very confident about my my comedic abilities is

1050
01:00:34,880 --> 01:00:37,760
Speaker 1: crowd work. And I love doing it and I um

1051
01:00:37,880 --> 01:00:41,440
Speaker 1: very proud of that aspect of the album. Not everyone

1052
01:00:41,600 --> 01:00:43,640
Speaker 1: is good at that. I don't love it. I don't.

1053
01:00:43,800 --> 01:00:45,600
Speaker 1: I don't love not that I do stand up, but

1054
01:00:45,640 --> 01:00:50,720
Speaker 1: like you know, like I enjoy an audience's energy. But

1055
01:00:50,760 --> 01:00:54,160
Speaker 1: if someone were to like, I've never this actually is true.

1056
01:00:54,320 --> 01:00:57,320
Speaker 1: I've never been heckled, and I feel like if I

1057
01:00:57,320 --> 01:01:01,120
Speaker 1: ever were to be that would really throw me off. Yeah. Um,

1058
01:01:01,160 --> 01:01:04,760
Speaker 1: but Joel. Joel is just so good at first of all,

1059
01:01:04,760 --> 01:01:07,400
Speaker 1: he's just so quick. But second of all, with any

1060
01:01:07,560 --> 01:01:11,240
Speaker 1: kind of person, he knows how to just tailored his

1061
01:01:11,320 --> 01:01:14,920
Speaker 1: response to things and his line of question. Yeah, what

1062
01:01:15,040 --> 01:01:17,880
Speaker 1: would you say to a kind of person that was

1063
01:01:18,040 --> 01:01:22,520
Speaker 1: like really tall? Okay? Okay, So imagine they're like seven

1064
01:01:24,400 --> 01:01:29,240
Speaker 1: and they start to say loudly to their girlfriend, when's

1065
01:01:29,280 --> 01:01:32,919
Speaker 1: the next comic? What would you say that seven foot

1066
01:01:32,960 --> 01:01:38,760
Speaker 1: tall person? And that's the only imagine this. I'm I

1067
01:01:38,800 --> 01:01:41,160
Speaker 1: am the comic, and Bowen is my girlfriend who's a

1068
01:01:41,160 --> 01:01:44,280
Speaker 1: normal height. Okay, you're the comic or you're the guy.

1069
01:01:44,440 --> 01:01:48,360
Speaker 1: I'm the guy. I'm the guy. Hey, when's the next comic? Hey? Hey,

1070
01:01:48,560 --> 01:01:51,440
Speaker 1: I don't know what's going on up where you are, buddy,

1071
01:01:51,480 --> 01:01:58,480
Speaker 1: but down here we're having a comic. Honestly, yeah, I

1072
01:01:58,520 --> 01:02:01,800
Speaker 1: liked it. It made you laugh and so self conscious

1073
01:02:01,800 --> 01:02:04,640
Speaker 1: about my height, but in a way that it was inviting.

1074
01:02:04,840 --> 01:02:06,760
Speaker 1: You know. I love to go to an absurd place

1075
01:02:06,800 --> 01:02:11,520
Speaker 1: as though there's something different happening up up there, up there?

1076
01:02:11,520 --> 01:02:13,760
Speaker 1: What am I talking about up there? That is so?

1077
01:02:14,160 --> 01:02:18,680
Speaker 1: That is true because truth in comedy, guys, Um, I'm

1078
01:02:18,720 --> 01:02:23,080
Speaker 1: really jet lagged, and so I'm not really giving my

1079
01:02:23,080 --> 01:02:26,520
Speaker 1: my all right now, Like intellectually, I'm just I know,

1080
01:02:26,600 --> 01:02:28,840
Speaker 1: and this is I just want to one up Jewels

1081
01:02:29,360 --> 01:02:33,880
Speaker 1: inferiority complex. Um, I don't think I'm really I don't

1082
01:02:33,880 --> 01:02:36,160
Speaker 1: think I'm just giving the listeners what they want. And

1083
01:02:36,400 --> 01:02:40,240
Speaker 1: I think as a listeners, someone who's been sitting here

1084
01:02:40,280 --> 01:02:42,480
Speaker 1: as both a guest and a listener, I can say

1085
01:02:42,480 --> 01:02:45,200
Speaker 1: that you're giving me everything I wanted. That's so crazy

1086
01:02:45,280 --> 01:02:48,400
Speaker 1: for you to interrupt an amazing moment. No, I want

1087
01:02:48,400 --> 01:02:52,440
Speaker 1: to make this about me. Um. I first of all,

1088
01:02:52,440 --> 01:02:54,240
Speaker 1: I haven't had time to talk about my trip. Yeah.

1089
01:02:54,240 --> 01:02:55,840
Speaker 1: I was actually just about to say, let's turn it

1090
01:02:55,880 --> 01:02:58,520
Speaker 1: to because I I've come back from Australia before and

1091
01:02:58,560 --> 01:03:01,040
Speaker 1: it's tough. I can't believe you're even standing up right now.

1092
01:03:01,080 --> 01:03:02,120
Speaker 1: And this is the first time Joel and I have

1093
01:03:02,160 --> 01:03:05,640
Speaker 1: seen each other in many, many weeks. And I texted

1094
01:03:05,680 --> 01:03:07,680
Speaker 1: do this while I was in New Zealand. I go,

1095
01:03:08,080 --> 01:03:10,040
Speaker 1: can I let me see if I can pull up? No,

1096
01:03:10,160 --> 01:03:12,160
Speaker 1: it doesn't matter, No pull it up. I want you to.

1097
01:03:12,320 --> 01:03:15,240
Speaker 1: I know what you're talking about, getting like a bunch

1098
01:03:15,240 --> 01:03:17,440
Speaker 1: of a bunch of bunch of messages on the apps,

1099
01:03:18,280 --> 01:03:20,760
Speaker 1: the gay dating and sexual apps to the gay apps,

1100
01:03:20,880 --> 01:03:24,080
Speaker 1: and I did not act on any of them. So Yang,

1101
01:03:24,200 --> 01:03:26,160
Speaker 1: my sister, if you're listening to this, don't worry. I

1102
01:03:26,240 --> 01:03:28,480
Speaker 1: was with my parents the whole time, which I wish

1103
01:03:29,200 --> 01:03:31,080
Speaker 1: I would have rather because she probably would have like

1104
01:03:32,000 --> 01:03:35,840
Speaker 1: I had a connection. Anyway. Um, no, no, no, it's fine.

1105
01:03:36,600 --> 01:03:40,040
Speaker 1: Um what did I text roal Um? But anyway, just

1106
01:03:40,440 --> 01:03:43,320
Speaker 1: I was just gonna say, people down there are much

1107
01:03:43,360 --> 01:03:47,040
Speaker 1: more receptive to Asians on the apps, and it's maybe

1108
01:03:47,040 --> 01:03:48,880
Speaker 1: because there's a bunch of them around, because yeah, I

1109
01:03:48,920 --> 01:03:50,920
Speaker 1: think it's a growing up around It's a growing up

1110
01:03:50,960 --> 01:03:53,000
Speaker 1: around them thing. It's like, oh yeah, this is like

1111
01:03:53,080 --> 01:03:56,480
Speaker 1: these are most this is like billions of people in

1112
01:03:56,520 --> 01:03:58,560
Speaker 1: the world are Asian. I will I will say, I

1113
01:03:58,600 --> 01:04:02,200
Speaker 1: think uh re attraction to Asian men or not attraction

1114
01:04:02,200 --> 01:04:04,360
Speaker 1: to Asian men. The guys who are attracted to Asian men,

1115
01:04:04,400 --> 01:04:07,880
Speaker 1: it's either a reaction to not growing up or not

1116
01:04:08,000 --> 01:04:10,200
Speaker 1: experiencing them as a young person and sort of the

1117
01:04:10,240 --> 01:04:15,400
Speaker 1: exoticism of us, or it's a chill sort of oh yeah,

1118
01:04:15,400 --> 01:04:20,640
Speaker 1: I grew up around Asian people. You're just regular human beings.

1119
01:04:19,240 --> 01:04:24,880
Speaker 1: Been as a child exactly. Um I said, OMG, was

1120
01:04:24,920 --> 01:04:28,040
Speaker 1: not expecting this, but New Zealand is a Rice queen

1121
01:04:28,160 --> 01:04:32,520
Speaker 1: slash Asian paradise for both, like both sides benefit. And

1122
01:04:32,560 --> 01:04:36,439
Speaker 1: then Jewel responded, OMG, Australia sort of wise, but maybe

1123
01:04:36,560 --> 01:04:40,520
Speaker 1: m Z is better. Um, well, you know NZ New

1124
01:04:40,640 --> 01:04:44,120
Speaker 1: Zealand goddess, you know, famously dated that Asian Lord Lord,

1125
01:04:44,960 --> 01:04:48,880
Speaker 1: who I've been following around the country, is a great concert.

1126
01:04:48,960 --> 01:04:51,840
Speaker 1: I suggest, Oh, yeah, you haven't. You've been to multiple Lord.

1127
01:04:53,320 --> 01:04:55,320
Speaker 1: I have been to two Lord concerts this in the

1128
01:04:55,400 --> 01:04:58,520
Speaker 1: last three months. How is she live? And she's fantastic life.

1129
01:04:58,720 --> 01:05:00,760
Speaker 1: She is still a teenager and that comes out in

1130
01:05:00,800 --> 01:05:04,200
Speaker 1: that she likes to over explain the song sometimes, so

1131
01:05:04,320 --> 01:05:07,120
Speaker 1: she's like, this is melodrama, this is what it means

1132
01:05:07,160 --> 01:05:12,080
Speaker 1: to me, and that's all you're gonna get, and and

1133
01:05:12,120 --> 01:05:14,479
Speaker 1: it's like, okay, we get it. But she does cool

1134
01:05:14,520 --> 01:05:17,400
Speaker 1: things like I was so concerned about her in Seattle.

1135
01:05:17,520 --> 01:05:19,640
Speaker 1: Her shoes were untied on stage and I was like

1136
01:05:19,680 --> 01:05:21,760
Speaker 1: screaming at her. I was very close to the stage

1137
01:05:21,760 --> 01:05:24,320
Speaker 1: and I was like, your shoes are untied, and she

1138
01:05:24,760 --> 01:05:26,680
Speaker 1: looked down notice that her shoes were in tight took

1139
01:05:26,680 --> 01:05:28,640
Speaker 1: them off and gave them to a teen girl in

1140
01:05:28,680 --> 01:05:31,240
Speaker 1: the audience. You could have saved her life. That girl

1141
01:05:31,360 --> 01:05:36,880
Speaker 1: doesn't have shoes on. No it shoes. This is melodrama.

1142
01:05:37,600 --> 01:05:40,040
Speaker 1: Your accents are First of all, I just want to

1143
01:05:40,040 --> 01:05:42,640
Speaker 1: say I wanted to tweet this out, but I just

1144
01:05:42,720 --> 01:05:46,520
Speaker 1: didn't feel like it would bring exclusive content. Um. Everyone.

1145
01:05:46,640 --> 01:05:49,520
Speaker 1: You know how people just like default to an Australian

1146
01:05:49,520 --> 01:05:52,960
Speaker 1: accent as like a bit um I feel. And I

1147
01:05:53,040 --> 01:05:59,200
Speaker 1: just want to say, everyone's nailing it so accurate. Tweet

1148
01:05:59,240 --> 01:06:01,840
Speaker 1: that's a funny tweet it. Um, you know what, Maybe

1149
01:06:01,960 --> 01:06:04,800
Speaker 1: maybe I will, but I just wanted to workshop it here. Um.

1150
01:06:04,840 --> 01:06:06,880
Speaker 1: But yeah, I mean, I just I can't believe you

1151
01:06:06,920 --> 01:06:09,960
Speaker 1: didn't indulge because I love I love going to the

1152
01:06:10,000 --> 01:06:12,320
Speaker 1: West Coast. I love going to the Pacific Northwest. I

1153
01:06:12,320 --> 01:06:15,240
Speaker 1: I famously told you Seattle is also a great place.

1154
01:06:15,400 --> 01:06:19,360
Speaker 1: Seattle changed the way I looked at my own body. Okay, wait, okay,

1155
01:06:19,360 --> 01:06:23,000
Speaker 1: explain this just just because people were because I had

1156
01:06:23,040 --> 01:06:27,080
Speaker 1: sex with a literal gymnast and I said, you know what,

1157
01:06:27,280 --> 01:06:29,880
Speaker 1: this is what I deserve, and it's ruined me for

1158
01:06:29,960 --> 01:06:32,120
Speaker 1: men in New York because now I I I would

1159
01:06:32,160 --> 01:06:34,760
Speaker 1: say about six of the men I've had sex within

1160
01:06:34,880 --> 01:06:37,240
Speaker 1: over my lifetime I have not been attracted to, and

1161
01:06:37,240 --> 01:06:39,040
Speaker 1: I've just had sex with because I felt like it's

1162
01:06:39,080 --> 01:06:42,120
Speaker 1: what I deserve in New York specific just no in

1163
01:06:42,120 --> 01:06:44,919
Speaker 1: in in my intention, just since I started having sex.

1164
01:06:45,160 --> 01:06:47,720
Speaker 1: And now I say no, and I say, I'm going

1165
01:06:47,800 --> 01:06:50,480
Speaker 1: to hold out for a fucking Russian gymnast who might

1166
01:06:50,480 --> 01:06:52,480
Speaker 1: be trying to pump me for information about the states.

1167
01:06:52,560 --> 01:06:55,320
Speaker 1: There you go, But but it was it fun. Yes,

1168
01:06:55,520 --> 01:06:58,400
Speaker 1: It's ultimately a scarcity problem though, because like had all

1169
01:06:58,440 --> 01:07:01,760
Speaker 1: these had all these messages over there, and then yesterday,

1170
01:07:01,960 --> 01:07:04,920
Speaker 1: literally yesterday, as I fly back in, open up my appsolete,

1171
01:07:05,040 --> 01:07:07,480
Speaker 1: my traps on overnight, wake up the next morning, nothing

1172
01:07:07,480 --> 01:07:09,760
Speaker 1: and I'm like, oh, yeah, this is what I'm used

1173
01:07:09,800 --> 01:07:13,800
Speaker 1: to and it's stupid anyway. Um, but you know, doesn't

1174
01:07:13,840 --> 01:07:16,120
Speaker 1: feel great to feel hot though, because that's what it is.

1175
01:07:16,160 --> 01:07:17,959
Speaker 1: I had this whole bitgoing where I was like, I'm hot,

1176
01:07:17,960 --> 01:07:20,920
Speaker 1: bowing down here, and it actually was because I was

1177
01:07:22,160 --> 01:07:24,560
Speaker 1: the apps affect your your self esteem and I should

1178
01:07:24,560 --> 01:07:28,200
Speaker 1: get off them, you know. I I bought Tinder goals,

1179
01:07:28,280 --> 01:07:33,320
Speaker 1: so did I talk about this? And and the the

1180
01:07:33,440 --> 01:07:35,760
Speaker 1: draw is that you get to see who's already swiped

1181
01:07:35,840 --> 01:07:38,440
Speaker 1: right on you, And I thought, wow, what I want

1182
01:07:38,520 --> 01:07:41,360
Speaker 1: to see that? I want to see who I've been neglecting,

1183
01:07:42,200 --> 01:07:44,920
Speaker 1: And it is three men that I am deeply not

1184
01:07:44,960 --> 01:07:48,000
Speaker 1: attracted by the way we we we talked about this

1185
01:07:48,080 --> 01:07:50,800
Speaker 1: before I left, because I think we both activated this,

1186
01:07:50,920 --> 01:07:53,080
Speaker 1: and you were like, not one. You were like you

1187
01:07:53,120 --> 01:07:56,000
Speaker 1: asked me like, do you have one conventionally attractive person

1188
01:07:56,040 --> 01:07:58,640
Speaker 1: in your likes already? And I was like nope. But

1189
01:07:58,760 --> 01:08:03,080
Speaker 1: then down there everybody gorgeous, gorgeous scords everybody, and I

1190
01:08:03,160 --> 01:08:06,080
Speaker 1: was like, god, it is such a strange Like the

1191
01:08:06,200 --> 01:08:08,720
Speaker 1: then diagram of men that I'm attracted to and who

1192
01:08:08,760 --> 01:08:11,920
Speaker 1: are also attracted to me is a very slim margin

1193
01:08:12,000 --> 01:08:15,439
Speaker 1: in this city. But it's a regional thing. And that's yeah.

1194
01:08:16,200 --> 01:08:19,240
Speaker 1: I honestly I left Seattle being like I should live

1195
01:08:19,320 --> 01:08:23,000
Speaker 1: here just for the sake of fucking these gymnasts. I

1196
01:08:23,040 --> 01:08:25,280
Speaker 1: will say that I left Sydney being like, I should

1197
01:08:25,280 --> 01:08:27,360
Speaker 1: just come back on my own and have like a

1198
01:08:27,479 --> 01:08:32,000
Speaker 1: sexual vacation. Yeah, walk about, Yeah, sexual sexual walk about.

1199
01:08:32,120 --> 01:08:36,360
Speaker 1: That's the title, sexual love about. Write it down, HPJ.

1200
01:08:37,240 --> 01:08:39,519
Speaker 1: The three of us are all very single right now.

1201
01:08:39,640 --> 01:08:44,680
Speaker 1: It's officially cuffing season. So guess what, so lonely So

1202
01:08:44,840 --> 01:08:46,280
Speaker 1: that's what that was. That's what I realized when I

1203
01:08:46,280 --> 01:08:48,439
Speaker 1: flew back in yesterday. I was talking about that before.

1204
01:08:48,479 --> 01:08:50,639
Speaker 1: I was watching Edge of seventeen on the plane, which

1205
01:08:50,640 --> 01:08:52,200
Speaker 1: some people were saying was like the new means I

1206
01:08:52,360 --> 01:08:54,640
Speaker 1: like it. I don't. I heard you say on the

1207
01:08:54,720 --> 01:08:59,519
Speaker 1: last part that it was uh maybe, and I don't

1208
01:08:59,560 --> 01:09:02,000
Speaker 1: think so. Yeah, but we would have been hearing more

1209
01:09:02,000 --> 01:09:04,639
Speaker 1: about it if Asian romantic lead. Yes, it was very

1210
01:09:04,720 --> 01:09:07,360
Speaker 1: nice and very hot, and also a good depiction I

1211
01:09:07,360 --> 01:09:10,560
Speaker 1: think of just being a teenager. They're all terrible and unlikeable,

1212
01:09:10,640 --> 01:09:14,040
Speaker 1: and that's very right. And Haley turned out a great performance.

1213
01:09:14,080 --> 01:09:17,400
Speaker 1: I prefer Haley as an actor. I wish she would

1214
01:09:17,439 --> 01:09:21,080
Speaker 1: just stick to stay in her lane lane. I don't.

1215
01:09:21,160 --> 01:09:23,280
Speaker 1: I don't it's your people making her do it. I

1216
01:09:23,320 --> 01:09:27,320
Speaker 1: don't need her singing heartbeat song or whatever. I don't

1217
01:09:27,320 --> 01:09:29,479
Speaker 1: think it's her people. I think she genuinely like after

1218
01:09:29,479 --> 01:09:32,400
Speaker 1: she hung out with Taylor Swift one night, was like, oh,

1219
01:09:32,520 --> 01:09:34,479
Speaker 1: I want to go to the v m as every year.

1220
01:09:34,920 --> 01:09:37,519
Speaker 1: All of her songs are like everybody's doing blow, but

1221
01:09:37,640 --> 01:09:40,559
Speaker 1: I'm I've got my headphones on and I love to myself.

1222
01:09:40,600 --> 01:09:44,880
Speaker 1: She sounds like the worst person. I wish she would

1223
01:09:44,880 --> 01:09:46,760
Speaker 1: just say I wish she would admit that that is

1224
01:09:46,800 --> 01:09:53,240
Speaker 1: about masturbation. She doesn't use it. She actually is refused

1225
01:09:53,360 --> 01:09:56,479
Speaker 1: to admit that it's about masturbation, and it's so clearly

1226
01:09:56,520 --> 01:09:58,960
Speaker 1: about masturbation, and I wish she would just own that.

1227
01:09:59,120 --> 01:10:01,280
Speaker 1: See as okay, And just getting back to Lord. As

1228
01:10:01,320 --> 01:10:05,320
Speaker 1: precocious and like Dakoda Fanning esque as she is, she's

1229
01:10:05,360 --> 01:10:07,479
Speaker 1: so smart. She's so smart and like on talk shows,

1230
01:10:07,479 --> 01:10:09,120
Speaker 1: like she was able to go on the Tonight Show

1231
01:10:09,280 --> 01:10:11,320
Speaker 1: and make that an engaging interview with Jim Me. She's

1232
01:10:11,400 --> 01:10:14,400
Speaker 1: very articulate. She's very articulate, so charming, so funny, and

1233
01:10:14,439 --> 01:10:16,519
Speaker 1: like that was that was right when like it was

1234
01:10:16,600 --> 01:10:18,680
Speaker 1: it came out that she had a secret onion ring

1235
01:10:18,760 --> 01:10:22,080
Speaker 1: Instagram account where she reviews onion rings, and she was

1236
01:10:22,160 --> 01:10:25,160
Speaker 1: just so like perfectly like embarrassed by it, but also like,

1237
01:10:25,200 --> 01:10:27,639
Speaker 1: but no, I love onion rings, Like oh wait, you're

1238
01:10:27,680 --> 01:10:30,360
Speaker 1: like a cool person. I don't know. I love Lord too.

1239
01:10:30,400 --> 01:10:34,160
Speaker 1: And the new album I think there was but but

1240
01:10:34,160 --> 01:10:35,720
Speaker 1: people were really listening to it for like a week

1241
01:10:35,760 --> 01:10:38,200
Speaker 1: and then they moved on to like fucking I don't know.

1242
01:10:38,360 --> 01:10:41,719
Speaker 1: I'm listening to album right now and I'm I'm whopping

1243
01:10:41,760 --> 01:10:44,080
Speaker 1: it no because listen, she has a song on it

1244
01:10:44,160 --> 01:10:49,799
Speaker 1: called Daddy Issues and I got all these daddy issues

1245
01:10:50,160 --> 01:10:52,880
Speaker 1: and that's a good joke. Please turn off the spot

1246
01:10:52,880 --> 01:10:58,040
Speaker 1: and we can't keep board. I'm going crazy when I'm

1247
01:10:58,080 --> 01:11:02,800
Speaker 1: with you. That's classic classic Demi, and that interval is

1248
01:11:02,840 --> 01:11:05,479
Speaker 1: classic Demmi. But look such a good hook on that song,

1249
01:11:05,560 --> 01:11:11,519
Speaker 1: but it's such an uncomfortable lyric. It is uncomfortable. And actually,

1250
01:11:11,560 --> 01:11:14,120
Speaker 1: the other day my Spotify was acting up and for

1251
01:11:14,160 --> 01:11:16,400
Speaker 1: some reason the song was gone from the from the

1252
01:11:16,560 --> 01:11:18,519
Speaker 1: from the SANCD album and I was like, oh my god,

1253
01:11:18,560 --> 01:11:19,840
Speaker 1: someone had a problem with it and she had to

1254
01:11:19,880 --> 01:11:22,400
Speaker 1: take it off the album. But then it was just

1255
01:11:22,479 --> 01:11:25,040
Speaker 1: my Spotify being a little fun. But you know what,

1256
01:11:25,120 --> 01:11:27,960
Speaker 1: I think this is a great opportunity. UM. A couple

1257
01:11:27,960 --> 01:11:31,360
Speaker 1: episodes ago, Mike Kelton introduced us to Maggie Rogers uh,

1258
01:11:31,400 --> 01:11:33,519
Speaker 1: and then we've been cooked on her. I am hooked

1259
01:11:33,520 --> 01:11:36,600
Speaker 1: on her because of that podcast. She's really so and

1260
01:11:36,600 --> 01:11:38,720
Speaker 1: I think she listened to either the full episode or

1261
01:11:38,760 --> 01:11:40,680
Speaker 1: a snippet of it where we talked about her where

1262
01:11:40,720 --> 01:11:44,800
Speaker 1: Calton talked about her. Um, but she's fantastic, Go check

1263
01:11:44,800 --> 01:11:46,839
Speaker 1: her out. She tweeted us that she had a giggle

1264
01:11:46,920 --> 01:11:50,400
Speaker 1: fit listening to us. Maggie, we love you. And here's

1265
01:11:50,400 --> 01:11:52,360
Speaker 1: some other divas that we I want to shout out

1266
01:11:52,400 --> 01:11:54,840
Speaker 1: really quickly. Julia Michaels. She has a little ep out

1267
01:11:54,840 --> 01:11:58,639
Speaker 1: called Nervous System. She was VMAs and she had right

1268
01:11:58,640 --> 01:12:00,120
Speaker 1: where they did the whole like new artist, and they

1269
01:12:00,120 --> 01:12:01,760
Speaker 1: cut them off. They cut her off. And you know who,

1270
01:12:01,960 --> 01:12:06,200
Speaker 1: angrily tweeted who Adam Levine And I love I stand

1271
01:12:06,200 --> 01:12:08,800
Speaker 1: famously for Adam. I love Adam. Are you watching the

1272
01:12:08,840 --> 01:12:11,120
Speaker 1: voices here? Of course? And I think Jennifer is such

1273
01:12:11,120 --> 01:12:14,000
Speaker 1: a fantastic Jennifer is She's come alive on the voice

1274
01:12:14,000 --> 01:12:16,680
Speaker 1: in a way that we've never never seen her, never

1275
01:12:16,720 --> 01:12:19,599
Speaker 1: seen the personality like this. I love it, and I

1276
01:12:19,640 --> 01:12:23,960
Speaker 1: love her music. I love j hud her last album

1277
01:12:24,200 --> 01:12:26,880
Speaker 1: and I just rediscovered it at the airport months ago

1278
01:12:26,960 --> 01:12:29,240
Speaker 1: and it was so good. It's still so good. There's

1279
01:12:29,280 --> 01:12:31,760
Speaker 1: a lot of good Jennifer Hudson music, such good gems. Um.

1280
01:12:31,760 --> 01:12:33,479
Speaker 1: But Julia Michaels, guys, check her out. She's got a

1281
01:12:33,479 --> 01:12:35,519
Speaker 1: song called make It Up to You. It's so good.

1282
01:12:35,560 --> 01:12:40,479
Speaker 1: And then, um, you know, just just Diva's propping up,

1283
01:12:40,479 --> 01:12:45,360
Speaker 1: popping up everywhere, Diva's. I love Diva's. Look guys, Jet Locks,

1284
01:12:45,439 --> 01:12:47,479
Speaker 1: so Jet you said you wanted to shout out some

1285
01:12:47,560 --> 01:12:54,600
Speaker 1: divas and said, and then because I love you said divas, divas,

1286
01:12:54,680 --> 01:12:59,599
Speaker 1: I love divas. Where can we cut that out? No? No,

1287
01:13:00,080 --> 01:13:08,720
Speaker 1: something Shakespeare, I love us. That's a real moment for you.

1288
01:13:09,320 --> 01:13:12,679
Speaker 1: I this is such a double standard, like I say

1289
01:13:12,720 --> 01:13:16,840
Speaker 1: something whatever, what what are you about to say? I

1290
01:13:16,920 --> 01:13:19,920
Speaker 1: say something that is just, you know, not a graceful

1291
01:13:20,479 --> 01:13:23,880
Speaker 1: sequence of words. And I just you know, for my own,

1292
01:13:25,160 --> 01:13:27,800
Speaker 1: for my own as compared to who as compared to

1293
01:13:27,840 --> 01:13:31,240
Speaker 1: you and you that's because I land you have to

1294
01:13:31,240 --> 01:13:36,200
Speaker 1: such a classic dynamic, I said, I I texted you

1295
01:13:36,280 --> 01:13:38,439
Speaker 1: early in your podcasting career, as I said, you two

1296
01:13:38,479 --> 01:13:41,479
Speaker 1: are the Mary and Martha. And then I thought it

1297
01:13:41,479 --> 01:13:44,160
Speaker 1: was like a biblical record. I don't know, no. First

1298
01:13:44,200 --> 01:13:46,240
Speaker 1: I thought it was like a like a radio, like

1299
01:13:46,280 --> 01:13:49,000
Speaker 1: a talk radio. I thought it was Mary Taller Moore

1300
01:13:49,040 --> 01:13:52,200
Speaker 1: and some lady named Martha. It's from the fucking Bible.

1301
01:13:52,240 --> 01:13:53,960
Speaker 1: Can you talk to us because you are of course

1302
01:13:53,960 --> 01:13:57,519
Speaker 1: a Bible Mary and Martha, this this famous story of

1303
01:13:57,640 --> 01:13:59,800
Speaker 1: Jesus was going to go to Mary and Martha's house.

1304
01:14:00,240 --> 01:14:04,679
Speaker 1: And Martha, she's just the lady, she's just abroad and

1305
01:14:04,880 --> 01:14:06,560
Speaker 1: um and I will get the mixed up because it

1306
01:14:06,560 --> 01:14:09,800
Speaker 1: has been a while, but I believe Mary is like,

1307
01:14:09,880 --> 01:14:11,639
Speaker 1: I'm just gonna chill and I'm going to talk to him.

1308
01:14:11,640 --> 01:14:14,040
Speaker 1: To Jesus, this is fun. And Martha's like, no, we

1309
01:14:14,080 --> 01:14:16,160
Speaker 1: gotta get the house ready, we gotta like prepare. This

1310
01:14:16,240 --> 01:14:18,200
Speaker 1: is a celebrity. This is a person I want to make.

1311
01:14:18,479 --> 01:14:20,120
Speaker 1: I want to make this an event. I don't want

1312
01:14:20,120 --> 01:14:22,400
Speaker 1: this to just be us sitting around and talking out

1313
01:14:22,400 --> 01:14:25,479
Speaker 1: of our assholes. No, this is a different Mary there.

1314
01:14:25,960 --> 01:14:27,840
Speaker 1: And not even to Mary the mother. No, no, no, no,

1315
01:14:27,880 --> 01:14:33,040
Speaker 1: this is completely unrelated. Third and so and and then

1316
01:14:33,160 --> 01:14:36,639
Speaker 1: Jesus is like, Martha, actually, marry your girl. Mary had

1317
01:14:36,640 --> 01:14:39,559
Speaker 1: it right, you should, just you should. I don't care.

1318
01:14:39,600 --> 01:14:41,400
Speaker 1: I don't care about the place settings. I want to

1319
01:14:41,400 --> 01:14:45,639
Speaker 1: talk to you. Wow. So I was right. Well, and

1320
01:14:45,680 --> 01:14:50,040
Speaker 1: that's where the the the comparison goes awry, I think,

1321
01:14:50,240 --> 01:14:52,800
Speaker 1: but I think I don't think so. I think it's

1322
01:14:52,840 --> 01:15:05,040
Speaker 1: good because Bbe tells me, so, oh no. In the end, um, okay, so,

1323
01:15:05,240 --> 01:15:08,559
Speaker 1: and I misquoted Joel later on by saying that Joel

1324
01:15:08,680 --> 01:15:11,960
Speaker 1: called Matt the bull in the China shop, and I

1325
01:15:12,040 --> 01:15:14,800
Speaker 1: was the shop keep, which is again I think a

1326
01:15:14,920 --> 01:15:18,920
Speaker 1: fair because I think Matt, just like Greeks, we are

1327
01:15:18,960 --> 01:15:23,280
Speaker 1: a song of ice and fire, and Joel will have

1328
01:15:23,439 --> 01:15:27,320
Speaker 1: to decide, and I'm going to be very fair. I

1329
01:15:27,360 --> 01:15:29,320
Speaker 1: don't know if that. But see, I don't know if

1330
01:15:29,360 --> 01:15:33,080
Speaker 1: that is possible anymore, because you, because you've sabbathe self,

1331
01:15:33,080 --> 01:15:38,080
Speaker 1: sabotaged your own team, are your decisions now. If he's

1332
01:15:38,080 --> 01:15:40,599
Speaker 1: going to be unbiased, it's gonna be because of things

1333
01:15:40,640 --> 01:15:45,640
Speaker 1: that you didn't think prior to the show, which is

1334
01:15:45,640 --> 01:15:50,080
Speaker 1: on November seven, the day after my birthday. I don't

1335
01:15:50,120 --> 01:15:55,080
Speaker 1: care about that, and neither does anyone. Let's just say that, um,

1336
01:15:55,439 --> 01:15:59,040
Speaker 1: nine year older, okay. So, I don't think anything prior

1337
01:15:59,080 --> 01:16:00,760
Speaker 1: to the show should be take it into account in

1338
01:16:00,800 --> 01:16:02,640
Speaker 1: the judging. That's all. I don't think. I won't be.

1339
01:16:02,720 --> 01:16:04,800
Speaker 1: Don't worry it won't be. But it seems like it

1340
01:16:04,840 --> 01:16:09,600
Speaker 1: seems like, don't worry about it. Waters don't worry about it.

1341
01:16:09,600 --> 01:16:13,000
Speaker 1: It won't be, you know. I just can't imagine being

1342
01:16:13,080 --> 01:16:16,320
Speaker 1: you don't bring shit into my room if you don't

1343
01:16:16,400 --> 01:16:19,920
Speaker 1: want me to put it on my bed. Thank you.

1344
01:16:20,160 --> 01:16:23,920
Speaker 1: That was very rodgy and very ragy. And don't bring

1345
01:16:23,920 --> 01:16:25,320
Speaker 1: sh it into my room if you don't think I'm

1346
01:16:25,320 --> 01:16:29,440
Speaker 1: going to put it on my bed. Just these senseless aphorisms.

1347
01:16:29,520 --> 01:16:34,880
Speaker 1: But can you can you refute it? Can you? Okay, okay,

1348
01:16:34,880 --> 01:16:36,320
Speaker 1: give me give me a second, Give me a second.

1349
01:16:37,120 --> 01:16:38,680
Speaker 1: This is a podcast. Do you think people want to

1350
01:16:38,680 --> 01:16:41,679
Speaker 1: hear dead air while if you think if you don't

1351
01:16:41,680 --> 01:16:44,200
Speaker 1: want me to bring shit into your room, no, you

1352
01:16:44,280 --> 01:16:48,559
Speaker 1: better house trained me because I am a dog. What

1353
01:16:49,120 --> 01:16:53,880
Speaker 1: that makes sense? No, it does. I'm I'm so talking

1354
01:16:53,880 --> 01:16:57,640
Speaker 1: about nonsense. I don't know. Well, I'm gonna say, well,

1355
01:16:57,720 --> 01:17:03,040
Speaker 1: I'm gonna say to say all I'm gonna say November seven,

1356
01:17:03,080 --> 01:17:06,720
Speaker 1: at eight thirty on the stage of Villain, I will

1357
01:17:06,760 --> 01:17:09,920
Speaker 1: be thrashing in the waters. But how much how involved

1358
01:17:09,920 --> 01:17:12,760
Speaker 1: are you in these? Aren't I judging Pat Reagan and

1359
01:17:12,800 --> 01:17:15,920
Speaker 1: Chris Shackle Yes? Absolutely, I think that we're just going

1360
01:17:15,960 --> 01:17:19,880
Speaker 1: to be truly merely figureheads for our team. Perhaps there

1361
01:17:19,920 --> 01:17:21,439
Speaker 1: will be and I don't think so, Honey, up top

1362
01:17:21,640 --> 01:17:24,280
Speaker 1: between us to find out who's team will go first

1363
01:17:24,360 --> 01:17:27,360
Speaker 1: or second. I would love some behind the scenes coaching,

1364
01:17:27,800 --> 01:17:31,360
Speaker 1: you know, if what if you could do the production

1365
01:17:31,439 --> 01:17:34,000
Speaker 1: values up it a little bit, maybe I will be

1366
01:17:34,040 --> 01:17:37,160
Speaker 1: working with my girls. I will be working with my girls,

1367
01:17:37,200 --> 01:17:41,200
Speaker 1: and I will be working with my um mix of genders,

1368
01:17:41,200 --> 01:17:46,599
Speaker 1: not even just two. So um, I wow, that seems like, well,

1369
01:17:46,600 --> 01:17:48,600
Speaker 1: I don't know, you just like really gendered it, and

1370
01:17:48,680 --> 01:17:51,040
Speaker 1: so you sort of brought that to you, sort of

1371
01:17:51,120 --> 01:17:55,200
Speaker 1: drew first blood. Everyone is my girls. Okay, Well I

1372
01:17:55,240 --> 01:17:57,439
Speaker 1: just want to say that how Actually, now I think

1373
01:17:57,439 --> 01:18:00,639
Speaker 1: I'm gonna be pre I'm gonna come in this anti

1374
01:18:00,760 --> 01:18:06,639
Speaker 1: Matt instead of antill. I mean to be fair. I

1375
01:18:06,720 --> 01:18:08,800
Speaker 1: like I said, nothing should be taken into account before

1376
01:18:08,800 --> 01:18:13,280
Speaker 1: the show. But this is just sure and this is

1377
01:18:13,320 --> 01:18:16,720
Speaker 1: just indicative of Matt's um the tenor of the conversation

1378
01:18:16,760 --> 01:18:19,000
Speaker 1: that Matt sets, And so I just want people to

1379
01:18:19,000 --> 01:18:21,479
Speaker 1: be very aware of that I'm playing by the rules here,

1380
01:18:21,520 --> 01:18:24,360
Speaker 1: that I'm bringing in a team UM that is very

1381
01:18:24,560 --> 01:18:27,920
Speaker 1: very very um polished in tame and will not resort

1382
01:18:27,960 --> 01:18:33,639
Speaker 1: to low kicks. You go high, I go high, and

1383
01:18:33,920 --> 01:18:36,320
Speaker 1: um I do. This is what I meant to talk

1384
01:18:36,320 --> 01:18:38,280
Speaker 1: about earlier the three of us are all very lonely.

1385
01:18:39,360 --> 01:18:43,200
Speaker 1: The crispness in the air makes me want companionship. So

1386
01:18:43,400 --> 01:18:47,160
Speaker 1: I want us to make a pact on the record

1387
01:18:48,000 --> 01:18:50,839
Speaker 1: if nobody gets a boyfriend, if we all don't get boyfriend,

1388
01:18:50,920 --> 01:18:54,080
Speaker 1: there you go, and it's self fulfilling, but it still works.

1389
01:18:54,400 --> 01:18:56,320
Speaker 1: Are you pointing to me, I'm not pointing. I'm pointing

1390
01:18:56,360 --> 01:19:00,840
Speaker 1: at the Royal Air, the Royal We Okay, so the

1391
01:19:00,960 --> 01:19:05,360
Speaker 1: Royal Air now. Um, I know I'll never love again.

1392
01:19:07,120 --> 01:19:16,400
Speaker 1: I know I'm never love this away again. So fucky, Joe,

1393
01:19:16,880 --> 01:19:22,760
Speaker 1: you gotta turn off the royalties on this episode. Turn

1394
01:19:22,800 --> 01:19:25,760
Speaker 1: off this Julia Michael's track. Okay, I think it's time.

1395
01:19:26,000 --> 01:19:29,400
Speaker 1: I think it's time for I don't think so, honey,

1396
01:19:29,960 --> 01:19:33,960
Speaker 1: And this is our first two last time. I feel

1397
01:19:34,000 --> 01:19:36,240
Speaker 1: like this is my first true I don't think because

1398
01:19:36,320 --> 01:19:38,080
Speaker 1: last time you made me come for a fucking city.

1399
01:19:38,280 --> 01:19:41,040
Speaker 1: We did locations, and you know, because famously you were

1400
01:19:41,040 --> 01:19:43,960
Speaker 1: going to move to l A. That was when that

1401
01:19:44,040 --> 01:19:46,599
Speaker 1: was happening. Oh my god. We had just the most

1402
01:19:46,640 --> 01:19:51,120
Speaker 1: basic conversation about the differences between l A and I

1403
01:19:51,160 --> 01:19:53,240
Speaker 1: had to come for St. Louis, And since then, I

1404
01:19:53,280 --> 01:19:57,760
Speaker 1: have traveled the nation and I would say what I

1405
01:19:57,760 --> 01:20:02,200
Speaker 1: would say, Phoenix is maybe the worst place. Okay, cool, well, Um,

1406
01:20:02,360 --> 01:20:04,080
Speaker 1: A lot of friends who went to a s U

1407
01:20:04,200 --> 01:20:07,439
Speaker 1: who are not friends but high school classmates who went

1408
01:20:07,479 --> 01:20:11,839
Speaker 1: the trash, the trash. This is gonna be bowen yangs.

1409
01:20:12,000 --> 01:20:15,080
Speaker 1: I don't think so. Because he said he had one well,

1410
01:20:15,200 --> 01:20:17,800
Speaker 1: no that was that was during the break when these

1411
01:20:18,000 --> 01:20:20,960
Speaker 1: girls were being loud across the hall. Um. But I

1412
01:20:21,000 --> 01:20:25,400
Speaker 1: want to make okay, um, alright, alright, yeah, okay, Bowen yangs.

1413
01:20:25,400 --> 01:20:28,320
Speaker 1: I don't think so, honey. In this time starts, I

1414
01:20:28,320 --> 01:20:31,120
Speaker 1: don't think so, honey. British Commonwealth countries where you drive

1415
01:20:31,160 --> 01:20:33,160
Speaker 1: on the left side of the fucking road and the

1416
01:20:33,280 --> 01:20:37,360
Speaker 1: right side of the fucking car, bitch, do not turn

1417
01:20:37,479 --> 01:20:42,679
Speaker 1: my world, not upside down but inverted, inverted. I don't

1418
01:20:42,720 --> 01:20:46,040
Speaker 1: think so, honey. We I almost got into many car crashes.

1419
01:20:46,120 --> 01:20:47,639
Speaker 1: I didn't do any of the driving. That was all

1420
01:20:47,640 --> 01:20:49,880
Speaker 1: my brother in law. God, bless you, Brian, thank you

1421
01:20:49,960 --> 01:20:52,800
Speaker 1: so much. I should say, um, I don't and I

1422
01:20:52,840 --> 01:20:54,880
Speaker 1: bless you. I don't know he's Jewish. I'm not Jewish,

1423
01:20:54,920 --> 01:20:57,960
Speaker 1: but I'm a mention. Um, I'm a boy mention. And

1424
01:20:58,040 --> 01:21:00,760
Speaker 1: my sister's Jewish now and I feel I know some

1425
01:21:00,840 --> 01:21:02,519
Speaker 1: of the culture but not all of it. So please

1426
01:21:03,040 --> 01:21:04,720
Speaker 1: forgive me as this is a learning curve for me.

1427
01:21:04,760 --> 01:21:07,320
Speaker 1: I just want to turn this I don't think so

1428
01:21:07,320 --> 01:21:11,440
Speaker 1: honey around and just really talk about, um my spiritual journey, um,

1429
01:21:11,560 --> 01:21:14,240
Speaker 1: and how I want to believe in God but I

1430
01:21:14,240 --> 01:21:17,400
Speaker 1: don't know how to go about that. And UM, I'm

1431
01:21:17,439 --> 01:21:19,880
Speaker 1: really glad and grateful that Australia was able and the

1432
01:21:19,960 --> 01:21:21,479
Speaker 1: and the driving on the side of the road sort

1433
01:21:21,479 --> 01:21:25,360
Speaker 1: of led me to this place. Spiritually. I for religion. Um,

1434
01:21:25,400 --> 01:21:27,439
Speaker 1: if it's a cult, fine, that's a bonus. It's more,

1435
01:21:27,760 --> 01:21:32,679
Speaker 1: it's more organized, it's more struct what happened, I'm jet lued,

1436
01:21:32,880 --> 01:21:35,959
Speaker 1: I swear to God and English is not my first language.

1437
01:21:36,080 --> 01:21:41,360
Speaker 1: Need I remind you? So? Um, you know that was

1438
01:21:41,439 --> 01:21:47,280
Speaker 1: crazy fast and furious. So I'm coming off less than

1439
01:21:47,320 --> 01:21:51,080
Speaker 1: twenty I will say, as a fellow traveler who's come

1440
01:21:51,080 --> 01:21:53,360
Speaker 1: back from US Jelia, it is the worst jet like

1441
01:21:53,520 --> 01:21:57,320
Speaker 1: you can I felt insane for a week. I get

1442
01:21:57,320 --> 01:22:00,719
Speaker 1: ready buckle up, no damn it. And so I'm our listeners.

1443
01:22:01,040 --> 01:22:02,479
Speaker 1: Oh and you know what, you know, it was so

1444
01:22:02,600 --> 01:22:05,840
Speaker 1: nice and this isn't me just like tuting the podcast

1445
01:22:05,880 --> 01:22:09,320
Speaker 1: torn or anything, but went to New Zealand and fucking

1446
01:22:09,360 --> 01:22:12,360
Speaker 1: like a bunch of people came in with recommendations of

1447
01:22:12,360 --> 01:22:14,559
Speaker 1: where to go. We have a lot of Kiwi listeners.

1448
01:22:14,640 --> 01:22:18,680
Speaker 1: Hello everybody. Um, we have some Austy listeners tooose some

1449
01:22:18,760 --> 01:22:24,600
Speaker 1: great people just giving me recommendations. International turn up, international

1450
01:22:24,680 --> 01:22:29,120
Speaker 1: smile Katy Perry and um, you know what, uh shout

1451
01:22:29,160 --> 01:22:34,360
Speaker 1: out to um Anthony in Brisbane, my my birth city.

1452
01:22:34,600 --> 01:22:36,640
Speaker 1: He gave me so many great recommendations. He told me

1453
01:22:36,640 --> 01:22:38,960
Speaker 1: to go to the Lone Pine Koala, SAYINGC. Sherary, where

1454
01:22:39,000 --> 01:22:41,640
Speaker 1: Beyonce rolls every time she's in Australia, where all the

1455
01:22:41,720 --> 01:22:44,599
Speaker 1: drag queens from drag Race go when they're in Australia,

1456
01:22:44,640 --> 01:22:46,160
Speaker 1: to hold the koalas. And it was such a life

1457
01:22:46,240 --> 01:22:49,639
Speaker 1: changing experience. Koalas and my new favorite animal. And um,

1458
01:22:49,680 --> 01:22:52,760
Speaker 1: I do think so hony koalas and kangaroos. Oh I

1459
01:22:52,800 --> 01:22:54,800
Speaker 1: don't think so hony kangaroos, but that's for another one.

1460
01:22:54,840 --> 01:22:58,639
Speaker 1: That's for another episode. Kangaroos they're dirty, they're the deer

1461
01:22:58,760 --> 01:23:00,880
Speaker 1: of us, the deer of austra They're just so common.

1462
01:23:00,880 --> 01:23:02,640
Speaker 1: People don't give a shit about the kangaroos and just

1463
01:23:02,680 --> 01:23:04,479
Speaker 1: go up and shoot them because you know why they're

1464
01:23:04,520 --> 01:23:06,840
Speaker 1: they're overpopulated. And then if you don't think I like

1465
01:23:06,880 --> 01:23:10,040
Speaker 1: three vaginas too, something like that. But if you don't

1466
01:23:10,080 --> 01:23:12,200
Speaker 1: care this our tour guy was saying, if you don't,

1467
01:23:12,439 --> 01:23:18,080
Speaker 1: don't they got like three vaginas to turn off the

1468
01:23:18,120 --> 01:23:21,920
Speaker 1: Spotify Joe Um, our tour guy was telling us if

1469
01:23:22,040 --> 01:23:25,400
Speaker 1: if if they don't population control the kangaroos and straight

1470
01:23:25,479 --> 01:23:29,839
Speaker 1: up shooting the face squirrels, like, the populations will fucking

1471
01:23:30,240 --> 01:23:33,320
Speaker 1: disrupt the food chain and then they'll go extick. It

1472
01:23:33,360 --> 01:23:36,680
Speaker 1: actually makes them more extinct to let their populations go

1473
01:23:36,720 --> 01:23:40,200
Speaker 1: and check. So they have to control the populations. Um

1474
01:23:40,280 --> 01:23:43,080
Speaker 1: and um. Those are these are solid tongue clicks. Okay,

1475
01:23:43,120 --> 01:23:46,439
Speaker 1: all right, Matt, it's your turn. This is Matt Rodgers

1476
01:23:46,439 --> 01:23:48,920
Speaker 1: is I don't think so, honey. Hopefully his will be

1477
01:23:48,920 --> 01:23:51,920
Speaker 1: more cohesive than mine. His time starts now. I don't

1478
01:23:51,960 --> 01:23:54,280
Speaker 1: think so, honey. Koala bears, you know, bit just trying

1479
01:23:54,320 --> 01:23:57,120
Speaker 1: to take my place. I see you in the arms

1480
01:23:57,160 --> 01:24:00,599
Speaker 1: of my man. Get the funk out of here, Willa bears.

1481
01:24:00,720 --> 01:24:04,479
Speaker 1: You I think you're so cute, little bitch. You can't

1482
01:24:04,520 --> 01:24:08,160
Speaker 1: funk with Bowen because let me tell you something. I

1483
01:24:08,200 --> 01:24:10,160
Speaker 1: saw the look at his eyes and the glow in

1484
01:24:10,320 --> 01:24:12,760
Speaker 1: his face, and I've seen that look before. It was

1485
01:24:12,800 --> 01:24:15,840
Speaker 1: the first time he looked at me. He saw me

1486
01:24:16,600 --> 01:24:19,559
Speaker 1: at the Sketch comedy show in college and I was

1487
01:24:19,600 --> 01:24:24,000
Speaker 1: his Koala then. And all you stupid bears, you little bears,

1488
01:24:24,320 --> 01:24:28,800
Speaker 1: Marsupial ass bitch, get out of here. Marsupial is a

1489
01:24:28,920 --> 01:24:33,559
Speaker 1: made up genus. Let me tell you something, Koala bears,

1490
01:24:33,640 --> 01:24:36,200
Speaker 1: you're so good. Why don't you live in another continent?

1491
01:24:37,560 --> 01:24:40,400
Speaker 1: You can't make it across the ocean. Guess what, bitch,

1492
01:24:40,760 --> 01:24:43,760
Speaker 1: you are low in the food chain. If I ever

1493
01:24:43,880 --> 01:24:47,360
Speaker 1: see you, I'll kill you. I don't care that you live.

1494
01:24:48,040 --> 01:24:50,200
Speaker 1: I'm a human being and I stand atop the chain

1495
01:24:50,760 --> 01:24:59,000
Speaker 1: and I spit and everyone below me and dare you?

1496
01:24:59,680 --> 01:25:01,479
Speaker 1: This is is the one thing that's made me happy.

1497
01:25:01,640 --> 01:25:04,200
Speaker 1: I love you, and you only belong to me, and

1498
01:25:04,240 --> 01:25:08,479
Speaker 1: I'm your only friends. You don't have Koala friends. That's that.

1499
01:25:10,400 --> 01:25:14,600
Speaker 1: So they don't know enough to love you back. I

1500
01:25:14,680 --> 01:25:18,280
Speaker 1: didn't they let me tell you something? Animal? You were

1501
01:25:18,360 --> 01:25:20,920
Speaker 1: holding that Koala. I didn't grow up with a favorite an.

1502
01:25:22,760 --> 01:25:25,840
Speaker 1: You're back here now, and this is your reality me.

1503
01:25:26,720 --> 01:25:31,200
Speaker 1: There's no koalas you have me and I went, and

1504
01:25:31,280 --> 01:25:35,640
Speaker 1: now you know where you are actually crying so emotional.

1505
01:25:37,080 --> 01:25:39,600
Speaker 1: They don't exist really to you. They're not part of

1506
01:25:39,640 --> 01:25:44,320
Speaker 1: your world. I am no, I'm your favorite animal, my jailer.

1507
01:25:44,840 --> 01:25:49,639
Speaker 1: This is like I feel like I'm watching something deeply

1508
01:25:49,760 --> 01:25:57,280
Speaker 1: upsetting transpire. This is the power as time starts now,

1509
01:25:57,520 --> 01:26:00,120
Speaker 1: I don't think so honey, Bowen Yang and Matt Rogers.

1510
01:26:00,160 --> 01:26:02,840
Speaker 1: I don't think so honey, for this past several weeks

1511
01:26:02,960 --> 01:26:05,479
Speaker 1: what had happened to I don't think so honey being

1512
01:26:05,520 --> 01:26:08,439
Speaker 1: about the culture bitch. I don't think so honey, you're

1513
01:26:08,479 --> 01:26:10,120
Speaker 1: coming in here with I don't think so honey, is

1514
01:26:10,160 --> 01:26:13,280
Speaker 1: about ripped jeans and some fucking bigot on the train.

1515
01:26:13,680 --> 01:26:16,639
Speaker 1: I don't think, so honey, how is that about culture?

1516
01:26:17,160 --> 01:26:19,960
Speaker 1: Come in here and play by your own goddamn rules.

1517
01:26:19,960 --> 01:26:21,720
Speaker 1: I don't think so honey, you coming in here and

1518
01:26:21,760 --> 01:26:24,320
Speaker 1: just talking about any old thing in your day that

1519
01:26:24,400 --> 01:26:28,599
Speaker 1: bothers you. You created this form, you created the rules,

1520
01:26:28,640 --> 01:26:32,200
Speaker 1: you said something in the culture. I don't think so honey,

1521
01:26:32,320 --> 01:26:34,479
Speaker 1: you just coming in here and using your platform to

1522
01:26:34,560 --> 01:26:38,760
Speaker 1: complain about your days these people come to this podcast

1523
01:26:38,920 --> 01:26:41,519
Speaker 1: to hear about culture. They want to hear and I

1524
01:26:41,560 --> 01:26:45,320
Speaker 1: don't think so, honey, about song, about dance, about acting,

1525
01:26:45,479 --> 01:26:48,439
Speaker 1: about television, about movies. I don't think so honey. You're

1526
01:26:48,439 --> 01:26:52,519
Speaker 1: talking about eggs salad, about Koala's, about driving on the

1527
01:26:52,560 --> 01:26:54,920
Speaker 1: wrong side of the road or whatever ship you just

1528
01:26:55,160 --> 01:26:57,479
Speaker 1: spewed out in your I don't think so honey. I

1529
01:26:57,520 --> 01:27:00,200
Speaker 1: don't think so honey, the institution of I don't think so.

1530
01:27:01,040 --> 01:27:05,760
Speaker 1: Dragged down by you two more than enough, I want

1531
01:27:05,880 --> 01:27:08,720
Speaker 1: to let you know you have not just insulted us,

1532
01:27:09,320 --> 01:27:13,559
Speaker 1: insulted Joe Firestone for it is she discussed egg I know,

1533
01:27:13,600 --> 01:27:16,240
Speaker 1: and actually we had a great text conversation because I

1534
01:27:16,280 --> 01:27:19,400
Speaker 1: have eaten an egg salad sandwich in a bus bathroom

1535
01:27:19,600 --> 01:27:23,080
Speaker 1: because I was so ashamed to eat at that point.

1536
01:27:23,439 --> 01:27:25,800
Speaker 1: How dare you come from up? How dare you ever

1537
01:27:26,400 --> 01:27:30,519
Speaker 1: talking about? Jeez? Every time I hear your goddamn stinky asses,

1538
01:27:33,960 --> 01:27:38,360
Speaker 1: I have a washed ass bitch. A boat couldn't dread

1539
01:27:38,479 --> 01:27:44,960
Speaker 1: you from the bottom of the fucking Hudson. Is she is? She? Oh,

1540
01:27:45,040 --> 01:27:49,520
Speaker 1: she's awake now? Talking about religion before not even a complaint,

1541
01:27:49,520 --> 01:27:57,160
Speaker 1: really just a request that was guy, and I am

1542
01:27:57,200 --> 01:28:00,720
Speaker 1: being so real and raw with our listeners, and you

1543
01:28:00,760 --> 01:28:04,160
Speaker 1: have seen me be so vulnerable before, and I just

1544
01:28:04,680 --> 01:28:06,640
Speaker 1: I just want to say that. Um, I wish my

1545
01:28:07,040 --> 01:28:09,639
Speaker 1: two people sitting next to me could let their guards down,

1546
01:28:09,640 --> 01:28:11,840
Speaker 1: and like that, I let my guard down. On a

1547
01:28:11,880 --> 01:28:18,360
Speaker 1: regular basis. I tell everyone the most plain truths about myself.

1548
01:28:18,560 --> 01:28:20,120
Speaker 1: You know what, I will say this and this is

1549
01:28:20,240 --> 01:28:23,160
Speaker 1: this is true. T the three of us are very

1550
01:28:23,160 --> 01:28:28,880
Speaker 1: emotionally available. And um, we're like gaping wounds with legs

1551
01:28:28,920 --> 01:28:34,400
Speaker 1: were just avoids and just gashes, gashes with no connective

1552
01:28:34,439 --> 01:28:40,200
Speaker 1: tissue between the fleshy walls of our fucking yeah of

1553
01:28:40,479 --> 01:28:46,519
Speaker 1: our Okay, now I'm not I'm getting back. You got

1554
01:28:46,520 --> 01:28:51,760
Speaker 1: her back for we are just just just You're not just.

1555
01:28:54,280 --> 01:28:58,240
Speaker 1: I can see your sugar blood, sugar drop, You're so tired.

1556
01:28:58,240 --> 01:29:01,200
Speaker 1: All right, maybe we gotta go, but okay, but listen,

1557
01:29:01,280 --> 01:29:06,400
Speaker 1: I don't want I don't want to end. Let's end

1558
01:29:06,479 --> 01:29:09,040
Speaker 1: on what I came here to do, which is please

1559
01:29:09,040 --> 01:29:10,880
Speaker 1: watch my Comedy Central special. You can check it out

1560
01:29:10,880 --> 01:29:13,320
Speaker 1: in the app. Now. You can pre order my album,

1561
01:29:13,600 --> 01:29:18,360
Speaker 1: myth Whole Minority No. November three and on November four.

1562
01:29:18,760 --> 01:29:20,639
Speaker 1: Bitch guess where you can come and see me and

1563
01:29:20,760 --> 01:29:23,080
Speaker 1: Bowen Yang If you live in Philly, bitch, you can

1564
01:29:23,080 --> 01:29:25,479
Speaker 1: come to the Good Good Comedy Theater and Matt you

1565
01:29:25,520 --> 01:29:27,479
Speaker 1: can come. What are you guys doing there? I'm doing

1566
01:29:27,520 --> 01:29:30,880
Speaker 1: I'm headlining Good Good and I asked Bowen to accompany me.

1567
01:29:31,000 --> 01:29:33,559
Speaker 1: And guess what, bitch, it is Bowen's birthday. So I

1568
01:29:33,600 --> 01:29:39,280
Speaker 1: got a separate hotel rooms. Just maybe I'll buy a prostitute.

1569
01:29:39,280 --> 01:29:42,080
Speaker 1: Maybe I won't. I don't know. You should get a prostitute.

1570
01:29:42,520 --> 01:29:46,439
Speaker 1: Give me a prostitute. Um, I will say Philly. Um,

1571
01:29:46,600 --> 01:29:50,720
Speaker 1: if we're gonna talk about like regional grinder responsiveness, um,

1572
01:29:51,000 --> 01:29:53,120
Speaker 1: was was like, not that bad. I'm excited to go

1573
01:29:53,160 --> 01:29:55,880
Speaker 1: to Philly. You guys made it sound really fun. Yeah.

1574
01:29:56,000 --> 01:29:58,720
Speaker 1: I love that their gaborhood is called the gaborhood, the

1575
01:29:58,720 --> 01:30:02,800
Speaker 1: gaborhood or literally not even a portmanteau, it's called gay neighborhood,

1576
01:30:03,000 --> 01:30:07,080
Speaker 1: right h P J Yeah, okay j um. So yeah,

1577
01:30:07,080 --> 01:30:08,960
Speaker 1: do you live in Philly, tell us meet us out

1578
01:30:09,000 --> 01:30:11,040
Speaker 1: for Boonen's birthday, Meet us out for Bone's birthday, and

1579
01:30:11,080 --> 01:30:12,639
Speaker 1: you know what this head out to Philly and maybe

1580
01:30:12,680 --> 01:30:15,280
Speaker 1: you too can hook up with the producer of America's

1581
01:30:15,280 --> 01:30:20,519
Speaker 1: got talent like Matt and and you know what, it

1582
01:30:20,600 --> 01:30:22,479
Speaker 1: was very fun. I had to hold up bet to myself.

1583
01:30:22,520 --> 01:30:25,679
Speaker 1: Oh no, because so it was me, Matt, Sam Taggart,

1584
01:30:25,760 --> 01:30:28,479
Speaker 1: and Philip Marco who shared her room, and both Matt

1585
01:30:28,560 --> 01:30:32,400
Speaker 1: and Philip paired off with their own locals, and so

1586
01:30:32,560 --> 01:30:35,680
Speaker 1: Sam and I had our bets to ourselves and we

1587
01:30:35,760 --> 01:30:37,519
Speaker 1: just stayed up the whole night and talked like we

1588
01:30:37,520 --> 01:30:39,080
Speaker 1: were in the fifth grade at a sleepover. It was

1589
01:30:39,120 --> 01:30:41,799
Speaker 1: really cute me and Sam. That was a nice bonding

1590
01:30:41,800 --> 01:30:45,439
Speaker 1: moment for me and Sam. Um, maybe I will cancel

1591
01:30:45,520 --> 01:30:48,280
Speaker 1: the second room. This sounds fun. Yeah, I can just

1592
01:30:48,360 --> 01:30:51,240
Speaker 1: come over because I probably share across the flute. No,

1593
01:30:51,400 --> 01:30:53,960
Speaker 1: I think, Philly, We're gonna make this happen for both

1594
01:30:54,360 --> 01:30:56,880
Speaker 1: Bowen and I. But Bowen takes priority because it's his

1595
01:30:56,920 --> 01:30:59,479
Speaker 1: birthday weekend, but also Joel's headlining a good good and

1596
01:30:59,560 --> 01:31:01,360
Speaker 1: so you know, just if if you're going to be

1597
01:31:01,400 --> 01:31:04,120
Speaker 1: a starfucker, just do it, do it. Do it with Joel.

1598
01:31:04,360 --> 01:31:07,200
Speaker 1: You know it's he's He's you could do worst, You

1599
01:31:07,200 --> 01:31:09,160
Speaker 1: could do worst. Man, I really do think you should come.

1600
01:31:09,200 --> 01:31:10,559
Speaker 1: I don't think I can get you on the show.

1601
01:31:10,600 --> 01:31:15,400
Speaker 1: But I would you should just go. I think we

1602
01:31:15,479 --> 01:31:18,519
Speaker 1: need Yeah, I think we need Ei. There, Matt, we'll

1603
01:31:18,560 --> 01:31:20,080
Speaker 1: talk about this, we'll think about we'll talk about this.

1604
01:31:20,120 --> 01:31:28,280
Speaker 1: Off Mike, I will have every man in Philly and

1605
01:31:28,439 --> 01:31:33,559
Speaker 1: leave you both with nothing. And also no, oh no

1606
01:31:34,360 --> 01:31:37,960
Speaker 1: it um sexual walk about and Philly. I think we

1607
01:31:38,360 --> 01:31:42,120
Speaker 1: make that competitive and bring in a third party judge. Okay,

1608
01:31:42,200 --> 01:31:45,479
Speaker 1: fourth party judge. Um. Speaking of judges, Joel will judge

1609
01:31:46,000 --> 01:31:49,679
Speaker 1: Culture on November seven. UM. Check out his album, check

1610
01:31:49,680 --> 01:31:52,439
Speaker 1: out his half hour, check him out very soon. We

1611
01:31:52,479 --> 01:31:54,880
Speaker 1: won't wait for me, root for Jeel. We won't wait

1612
01:31:54,960 --> 01:31:58,880
Speaker 1: very long for another cool thing to happen to Joel. Um,

1613
01:31:59,280 --> 01:32:02,960
Speaker 1: I'm sure of it. And meanwhile, he's just a little,

1614
01:32:03,640 --> 01:32:06,439
Speaker 1: a little whimpering thing over there. What are you? What

1615
01:32:06,479 --> 01:32:09,120
Speaker 1: are you begging for? I just route for me, We

1616
01:32:09,320 --> 01:32:13,080
Speaker 1: route for you, we do. I don't feel we are

1617
01:32:13,560 --> 01:32:17,479
Speaker 1: rooting for you. Off. This is a full I think

1618
01:32:18,000 --> 01:32:24,479
Speaker 1: we should just say good bye. Oh wait, hold on,

1619
01:32:24,720 --> 01:32:26,880
Speaker 1: let's just hear that track one more time. Can we

1620
01:32:26,920 --> 01:32:32,160
Speaker 1: hear some come from Away? I can't believe this plan Godland,

1621
01:32:33,960 --> 01:32:40,520
Speaker 1: we'll never get back to America. And when I got deported,

1622
01:32:40,680 --> 01:32:51,240
Speaker 1: I found my Heart with Love Oh, the new album

1623
01:32:51,280 --> 01:33:00,920
Speaker 1: by Jen cole Ella. This has in a Forever Dog

1624
01:33:00,920 --> 01:33:06,040
Speaker 1: production executive produced by Brett Bahum, Joe Silio, and Alex Ramsey.

1625
01:33:06,680 --> 01:33:10,960
Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot

1626
01:33:11,000 --> 01:33:15,600
Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify,

1627
01:33:15,720 --> 01:33:18,080
Speaker 1: or wherever you get your podcasts. Keep up with the

1628
01:33:18,160 --> 01:33:21,400
Speaker 1: latest Forever Dog news by following us on Twitter and

1629
01:33:21,520 --> 01:33:26,680
Speaker 1: Instagram at forever Dog Team, and liking our page on Facebook.