WEBVTT - Open Secret

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<v Speaker 1>Family Secrets is a production of I Heart Radio. I'm

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<v Speaker 1>Danny Shapiro, and this is family secrets, the secrets that

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<v Speaker 1>are kept from us, the secrets we keep from others,

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<v Speaker 1>and the secrets we keep from ourselves. One of the

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<v Speaker 1>things I've noticed about family secrets, aside from the fact

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<v Speaker 1>that just about everybody has them, is that often if

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<v Speaker 1>somebody is, say a writer, an artist, a playwright, a filmmaker,

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<v Speaker 1>she or he ends up with a very strong impulse

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<v Speaker 1>to tell the story, to make something out of it,

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<v Speaker 1>to turn all that weird silence, shame, confusion, and betrayal

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<v Speaker 1>into a narrative into something that shines a bright light

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<v Speaker 1>in the darkness. I know, I did, I still do.

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<v Speaker 1>I mean, that's kind of what this podcast is all about.

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<v Speaker 1>You're about to hear Steve Licktie, who did just that

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<v Speaker 1>in a very personal documentary film called Open Secret. I

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<v Speaker 1>began by asking Steve to tell me about the landscape

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<v Speaker 1>of his childhood, his family, and the town in which

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<v Speaker 1>he grew up. I was raised in a large Catholic

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<v Speaker 1>family on a farm in Kansas. The closest town was

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<v Speaker 1>eight miles away, and it was very small. It was

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<v Speaker 1>five hundred people, the school I went to. It was

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<v Speaker 1>small towns had come together to attend This school that

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<v Speaker 1>was built in the middle of a cow pasture, had

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<v Speaker 1>about three hundred students from kindergarten through twelfth grade. My

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<v Speaker 1>class had around forty students. And these are kids that

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<v Speaker 1>I would have got to school with from kindergarten all

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<v Speaker 1>the way through to twelfth grade. The town center was

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<v Speaker 1>essentially the school, really, and that's where we gathered for

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<v Speaker 1>most things, and that's where the center of our our

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<v Speaker 1>world was. At an early age, you remember was being

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<v Speaker 1>five or six years old, Steve was told by his

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<v Speaker 1>parents that he was adopted. Do you have a memory

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<v Speaker 1>of that moment? I'm afraid it might be conjured, uh,

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<v Speaker 1>like a made up memory. I feel like I do

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<v Speaker 1>have a memory of that with my mother telling me

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<v Speaker 1>that I was adopted and that my real parents loved

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<v Speaker 1>me very much. But I'm afraid it's been so long

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<v Speaker 1>I went out. Maybe that's what I wanted to be

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<v Speaker 1>remembered as if I know my family, like I think

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<v Speaker 1>I know my family, probably did not happen that way.

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<v Speaker 1>It's probably a very peripheral conversation, not even a conversation,

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<v Speaker 1>just a telling like a check off the list. Okay,

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<v Speaker 1>we told him move on. Steve was the youngest by far,

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<v Speaker 1>the youngest of his adoptive siblings. Before his parents Don

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<v Speaker 1>and Mary Jane adopted him, they raised a family of eight.

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<v Speaker 1>There were two boys and six girls. Who arranged an

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<v Speaker 1>aid from Steve's sister Beth, who was nine years older

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<v Speaker 1>than Steve, all the way to his oldest sister joe Me,

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<v Speaker 1>who was twenty two years his senior. By the time

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<v Speaker 1>Steve was five, Joanie had moved out of the house

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<v Speaker 1>and was living in Colorado. So I just went on

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<v Speaker 1>with my life having this information with my adoptive parents,

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<v Speaker 1>who were older than my classmates parents by probably thirty years,

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<v Speaker 1>I would say. But then the day before my high

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<v Speaker 1>school graduation, everything changed, at least how I saw myself changed.

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<v Speaker 1>My two best friends, Alan and Vance came over to

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<v Speaker 1>my house, walked into my bedroom and said that they

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<v Speaker 1>needed to tell me something. It was Vance who said,

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<v Speaker 1>we know who your mom is. He says, it's Joanie.

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<v Speaker 1>So up until that moment, I thought Joanie was my

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<v Speaker 1>adopted sister. This meant then that my adoptive parents were

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<v Speaker 1>really my grandparents. My memory of that moment was me

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<v Speaker 1>almost immediately trying to prove them wrong in a very

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<v Speaker 1>sort of half hearted way. I kept saying that it

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<v Speaker 1>didn't make it. But I think that there was something

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<v Speaker 1>always in the back of my mind where I knew

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<v Speaker 1>something was not quite right with my family and my

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<v Speaker 1>situation within that family. And I remember asking them about

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<v Speaker 1>my father, but they didn't know anything about my father.

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<v Speaker 1>And then that was it. I mean, I think we

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<v Speaker 1>talked a little longer they left. I graduated from high school,

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<v Speaker 1>and for most of that summer I don't think I

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<v Speaker 1>talked about it again. Do you know why Alan and

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<v Speaker 1>Vance decided that this was the moment to tell you

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<v Speaker 1>what they knew, Because again, in my mind, going back

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<v Speaker 1>to this small town, I'm imagining it was a place

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<v Speaker 1>that people lived in for generations, not a lot of

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<v Speaker 1>people moved in, not a lot of people moved out.

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<v Speaker 1>And these were guys that you grew up with your

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<v Speaker 1>whole life. Is that correct? That's right? They knew every thing.

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<v Speaker 1>I think that those kids who were my classmates and

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<v Speaker 1>the people I went to school with all kind of

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<v Speaker 1>found out at different times of their lives. That they

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<v Speaker 1>didn't all find it out at once. Some found out

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<v Speaker 1>very young. Some found out in junior high, but there

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<v Speaker 1>was a collective agreement among them to make sure that

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<v Speaker 1>I didn't find out. I just have to stop for

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<v Speaker 1>a second here, just stop, hold on. It's one thing

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<v Speaker 1>to have a massive secret kept from you for your

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<v Speaker 1>entire life, to grow up thinking you're adopted, and then

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<v Speaker 1>all of a sudden find out that not only are

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<v Speaker 1>you not adopted, but your older sister is your mother

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<v Speaker 1>and your adoptive parents are your actual grandparents. That would

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<v Speaker 1>be world rocking enough, but then it turns out that

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<v Speaker 1>a whole town, your teachers, coaches, friends, parents, friends, teammates,

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<v Speaker 1>the checkout guy at the grocery store had kept that

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<v Speaker 1>secret from you were eighteen years I remember Vance and

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<v Speaker 1>Alan both saying to me, we're men now, and Vance,

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<v Speaker 1>I think, says, you know, they weren't going to tell

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<v Speaker 1>you your parents, so I did. This was true love

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<v Speaker 1>and respect for my friends at the time, saying hey,

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<v Speaker 1>here's this thing. We've known. Everybody that we grew up

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<v Speaker 1>with knows, and you now need to know too. You

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<v Speaker 1>have to be brought in to this secret because we're

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<v Speaker 1>going to be separating and going our separate ways, and

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<v Speaker 1>we think you should know, secrets do a lot of

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<v Speaker 1>things to different people in different ways, and the secret creators,

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<v Speaker 1>the secret keepers, and then the people who are on

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<v Speaker 1>the receiving end of the secret, of the victims of

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<v Speaker 1>the secret, all have different things that that they grapple with.

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<v Speaker 1>One image particularly stands out for me from Steve's documentary.

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<v Speaker 1>I found it incredibly haunting. It's a photo taken with

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<v Speaker 1>an a day or so of Steve being told the

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<v Speaker 1>truth about his identity, that he isn't adopted at all,

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<v Speaker 1>that his older sister is his mother, and that his

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<v Speaker 1>mother and father are his grandparents. And in this photo

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<v Speaker 1>Steve has his arms around both his parents, or rather grandparents,

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<v Speaker 1>and he has this great, big smile on his face.

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<v Speaker 1>It's always a little bit dangerous to read too much

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<v Speaker 1>into a photograph, but when I looked at this one,

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<v Speaker 1>it was hard to reconcile that grinning kid at his

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<v Speaker 1>high school graduation and what must have been going on

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<v Speaker 1>beneath the surface. They completely pushed down all of that

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<v Speaker 1>information and didn't bring it up at all to my

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<v Speaker 1>parents for a while. That was a period of me

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<v Speaker 1>just trying to enjoy that moment of graduating from high

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<v Speaker 1>school and this next phase of my life. But I'm

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<v Speaker 1>sure underneath all that, I was thinking, well, what is

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<v Speaker 1>the next phase of my life? Who am I? Literally?

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<v Speaker 1>Who am I? Why did my family do this? We're

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<v Speaker 1>going to pause for a moment. Do you think that

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<v Speaker 1>you were afraid or nervous about talking to your parents

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<v Speaker 1>about it because you were trying to kind of absorb

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<v Speaker 1>it in terms of your own reality and not bring

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<v Speaker 1>their reality into it, or perhaps because did you wonder

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<v Speaker 1>if they would be angry or whether they would deny

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<v Speaker 1>yes to all those things that you just said. I

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<v Speaker 1>was worried about all that stuff, and I kind of

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<v Speaker 1>always kept my emotions in check, and I still do

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<v Speaker 1>to a certain extent, and it was something that I

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<v Speaker 1>didn't want to lose control by bringing it up so

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<v Speaker 1>soon after finding out and feeling like I was going

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<v Speaker 1>to careen into this emotional territory that I wasn't ready

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<v Speaker 1>to deal with. Steve's family wasn't one to talk to

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<v Speaker 1>each other about feelings or problems. It was an atmosphere

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<v Speaker 1>of Midwestern stoicism, with a less said the better and

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<v Speaker 1>secrets were best off remaining. Just that, like so many

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<v Speaker 1>dustballs swept under the rug. So it makes total sense

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<v Speaker 1>that Steve would want to stay in control of his

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<v Speaker 1>own brand new narrative for as long as he could.

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<v Speaker 1>When he did think about it, he did the mental math. Well,

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<v Speaker 1>Joanie is twenty two years older than him, That makes sense.

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<v Speaker 1>Of course she would have been able to give birth

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<v Speaker 1>to a child. And then there was the fact that

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<v Speaker 1>he resembled some members of his family in a way

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<v Speaker 1>that an adoptive kid probably wouldn't. And as I started

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<v Speaker 1>to think about those things, it started to make more

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<v Speaker 1>sense to me. And I think that my belief in

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<v Speaker 1>it crept up over time, and eventually, you know, then

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<v Speaker 1>became something that I fully and holly believed and knew

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<v Speaker 1>to be true. And that's probably when the lid really

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<v Speaker 1>came off of everything. So here's another thing about secrets.

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<v Speaker 1>Once we know the truth, it can't help but live

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<v Speaker 1>inside us. Even if we try to ignore what we know.

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<v Speaker 1>It pushes its way to the surface of our consciousness.

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<v Speaker 1>Sometimes it whispers, sometimes it shouts. One weekend when he's

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<v Speaker 1>home from college, Donn and Mary Jane walk in on

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<v Speaker 1>Steve having sex with a girlfriend. Picture Mary Jane as

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<v Speaker 1>a seventies something. Francis McDormand that's who would be cast

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<v Speaker 1>as her in the movie. And Don is a sort

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<v Speaker 1>of elderly ed Harris all gruff and taciturn. So Don

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<v Speaker 1>and Mary Jane walk in on two teenagers and Steve's

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<v Speaker 1>traditional Catholic parents, or I should say grandparents, are appalled.

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<v Speaker 1>That was a Saturday. The next day, Sunday, I was

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<v Speaker 1>in bed and I heard the TV go on loudly,

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<v Speaker 1>and it was a preacher televangelista, you know, on a

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<v Speaker 1>Sunday morning show, preaching abstinence, and my mom turned it

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<v Speaker 1>up really loud. And my room was right next to

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<v Speaker 1>the living room where the TV was, And I got up,

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<v Speaker 1>walked out into the living room and I said, did

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<v Speaker 1>you play this sermon for Joanie? And then I went

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<v Speaker 1>over and I shut the TV off, and she said,

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<v Speaker 1>what are you talking about? I said, did you play

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<v Speaker 1>this sermon about not having sex to Joanie? And she said,

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<v Speaker 1>I have no idea what you mean. I go, I

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<v Speaker 1>know Joanie is my mother, and she just kept denying it.

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<v Speaker 1>I have no idea, what are you talking about? Who

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<v Speaker 1>told you that? There was a back and forth for

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<v Speaker 1>a time, and then the most vivid memory of this

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<v Speaker 1>is my father sitting in his recliner while this is

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<v Speaker 1>all going on, and he just takes his hand, he

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<v Speaker 1>slams it down on the arm and he says, damn it,

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<v Speaker 1>Mary Jane, just tell him. And that's when it all

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<v Speaker 1>sort of broke away, and she said, yes, it's true, Joanie,

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<v Speaker 1>is your mother. We adopted you, we your grandparents. And

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<v Speaker 1>then I was incredibly angry. I stored out of the house,

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<v Speaker 1>I got into my car and drove away, checked into

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<v Speaker 1>a motel room in the town, the big town, called

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<v Speaker 1>my friends, and we got drunk. But with your anger

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<v Speaker 1>towards your parents, it sounds a little bit like confronting

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<v Speaker 1>them and then having them finally acknowledge it and admit

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<v Speaker 1>it brought this to a different level of reality for you,

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<v Speaker 1>because it doesn't sound like you were walking around angry

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<v Speaker 1>prior to that. It sounds like you were just trying

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<v Speaker 1>to digest it and maybe even in a bit of

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<v Speaker 1>a state of numbness. But the reality of that confrontation

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<v Speaker 1>brought it home for you. Yeah, it's funny. I think

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<v Speaker 1>I remember I was embarrassed about being caught having sex.

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<v Speaker 1>That was like a real felt like was an invasion

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<v Speaker 1>of my privacy, and I just felt really embarrassed about it.

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<v Speaker 1>I always wonder if that had not happened, how long

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<v Speaker 1>would it have gone before I confronted? Would I have ever?

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<v Speaker 1>Would I have just like never talked about it. But

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<v Speaker 1>there was something about that moment, my mom's sort of

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<v Speaker 1>almost like smugness about it, her shame in me having

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<v Speaker 1>premarital sex, and I just couldn't take the hypocrisy in

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<v Speaker 1>that moment. I think that's partly why I snapped. It

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<v Speaker 1>was all these mixed emotions of embarrassment and feeling like

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<v Speaker 1>she didn't have any place to be lecturing me about

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<v Speaker 1>these things when her own daughter, her real own daughter,

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<v Speaker 1>had this affair as a young woman and got pregnant.

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<v Speaker 1>There's nothing an eighteen year old boy like less than hypocrisy,

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<v Speaker 1>That's right. I was like a very holding Coffield moment

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<v Speaker 1>of like, who these phonies treating me like they don't

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<v Speaker 1>know who I am and what I do? And how

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<v Speaker 1>dare her? You know? I'm a man. I keep going

0:13:40.720 --> 0:13:43.600
<v Speaker 1>back to the whole idea that the entire town knew

0:13:43.640 --> 0:13:46.400
<v Speaker 1>the truth of Steve's identity and that he was the

0:13:46.480 --> 0:13:49.880
<v Speaker 1>only one in the dark. I think I'm obsessed with

0:13:49.920 --> 0:13:53.000
<v Speaker 1>this part of his story my own personal obsession with

0:13:53.040 --> 0:13:56.760
<v Speaker 1>it because when I discovered my own massive family secret

0:13:57.280 --> 0:14:00.400
<v Speaker 1>that my dad had not been my biological father, and

0:14:00.440 --> 0:14:03.480
<v Speaker 1>I began calling people who were still alive since both

0:14:03.520 --> 0:14:06.640
<v Speaker 1>my parents were long gone, to ask them what they knew.

0:14:07.360 --> 0:14:10.160
<v Speaker 1>I was terrified that the only one who didn't know

0:14:10.200 --> 0:14:15.560
<v Speaker 1>the truth of my own identity was me. Right, I

0:14:15.640 --> 0:14:19.360
<v Speaker 1>was really digging for what did they know? And each

0:14:19.400 --> 0:14:21.800
<v Speaker 1>time I made a phone call, my heart was pounding

0:14:21.840 --> 0:14:24.680
<v Speaker 1>and my palms were sweating. And I finally realized that

0:14:24.800 --> 0:14:26.560
<v Speaker 1>what I was most afraid I was going to find

0:14:26.560 --> 0:14:29.760
<v Speaker 1>out was that everybody knew. Interesting, you know, that I

0:14:29.800 --> 0:14:32.040
<v Speaker 1>was the only one in the dark. So I was

0:14:32.200 --> 0:14:35.800
<v Speaker 1>very conscious of that, wondering what that would have felt

0:14:35.840 --> 0:14:37.240
<v Speaker 1>like for you. It's like you were living in the

0:14:37.280 --> 0:14:41.040
<v Speaker 1>Truman Show. Yeah right, that's right. I it's funny that

0:14:41.080 --> 0:14:44.560
<v Speaker 1>you felt that was your fear in your own circumstances.

0:14:45.600 --> 0:14:48.960
<v Speaker 1>I have many fears, but one of them was did

0:14:49.040 --> 0:14:52.160
<v Speaker 1>everybody know this but me? So let me let me

0:14:52.200 --> 0:14:53.960
<v Speaker 1>ask you this, if you don't mind, let me turn

0:14:54.000 --> 0:14:57.720
<v Speaker 1>the tables for one second. Do you feel embarrassed by

0:14:57.760 --> 0:15:01.640
<v Speaker 1>that that you lacked that ability to perceive something that

0:15:01.920 --> 0:15:05.040
<v Speaker 1>was so obviously not right, Or what is the feeling

0:15:05.040 --> 0:15:08.880
<v Speaker 1>that you're having about everyone knowing but you. It's already

0:15:08.880 --> 0:15:10.880
<v Speaker 1>evolved in a couple of years that I've been living

0:15:10.920 --> 0:15:13.040
<v Speaker 1>with this. I think initially there was a little bit

0:15:13.040 --> 0:15:17.200
<v Speaker 1>of a feeling of embarrassment or shame or I should

0:15:17.240 --> 0:15:20.840
<v Speaker 1>have known, or you know. I pride myself on my intuition.

0:15:20.960 --> 0:15:24.200
<v Speaker 1>Where was my intuition? Actually? I think my intuition was

0:15:24.280 --> 0:15:27.200
<v Speaker 1>alive and well and working very hard to try to

0:15:27.280 --> 0:15:32.920
<v Speaker 1>understand something that I couldn't understand. I just couldn't. We believe,

0:15:32.960 --> 0:15:35.640
<v Speaker 1>and we construct narratives around what we know and what

0:15:35.720 --> 0:15:38.720
<v Speaker 1>we're told as children, and and the trust that we

0:15:38.800 --> 0:15:40.840
<v Speaker 1>place in the adults around us, and it kind of

0:15:40.840 --> 0:15:44.160
<v Speaker 1>forms our reality. I think I was most bothered by

0:15:44.160 --> 0:15:46.880
<v Speaker 1>the idea that I think my mom and dad thought

0:15:46.960 --> 0:15:49.240
<v Speaker 1>that they could get away with it, And I mean

0:15:49.280 --> 0:15:51.520
<v Speaker 1>that that sounds so vicious that like a boy, they

0:15:51.800 --> 0:15:54.240
<v Speaker 1>just crime. I don't know that they were ever going

0:15:54.280 --> 0:15:57.640
<v Speaker 1>to tell me, and I think that is probably the

0:15:57.920 --> 0:16:01.720
<v Speaker 1>driving force of any anger I may have about the situation.

0:16:02.480 --> 0:16:04.160
<v Speaker 1>I don't know that they ever had any intention of

0:16:04.200 --> 0:16:09.480
<v Speaker 1>actually ever telling me. I have a friend who has

0:16:09.520 --> 0:16:12.360
<v Speaker 1>psychic abilities, and it's pretty sure she knows what happens

0:16:12.400 --> 0:16:15.720
<v Speaker 1>when we die. I'm sure I've lost some of you here,

0:16:16.360 --> 0:16:18.760
<v Speaker 1>and I'm a bit of a skeptic myself, so don't

0:16:18.760 --> 0:16:22.960
<v Speaker 1>shoot the messenger anyway. She told me that when we die,

0:16:23.440 --> 0:16:25.520
<v Speaker 1>we can look back and survey our lives with a

0:16:25.560 --> 0:16:28.600
<v Speaker 1>sense of distance and compassion, and we get to see

0:16:28.640 --> 0:16:32.280
<v Speaker 1>the whole thing, what we got right, what we missed,

0:16:33.200 --> 0:16:37.040
<v Speaker 1>what we just didn't see. And I remember thinking that

0:16:37.080 --> 0:16:40.440
<v Speaker 1>if this was true, if I hadn't discovered the truth

0:16:40.480 --> 0:16:43.600
<v Speaker 1>about my dad, I would have been standing there thinking,

0:16:44.080 --> 0:16:47.640
<v Speaker 1>oh my god, I missed the whole thing I was

0:16:47.680 --> 0:16:52.960
<v Speaker 1>wrong about myself. I didn't have an essential piece of information. Yeah,

0:16:52.960 --> 0:16:58.280
<v Speaker 1>that that would have been pretty bad death moment, big bummer,

0:16:58.280 --> 0:17:00.400
<v Speaker 1>except apparently you don't feel like it's a bump because

0:17:00.400 --> 0:17:05.960
<v Speaker 1>you're dead. So Steve has his big confrontation with Don

0:17:05.960 --> 0:17:09.520
<v Speaker 1>and Mary Jane. He doesn't talk to anybody else about

0:17:09.520 --> 0:17:13.360
<v Speaker 1>his secret, not for a very long time. But as

0:17:13.359 --> 0:17:17.399
<v Speaker 1>he moves through his twenties, an aimlessness sets in. The

0:17:17.480 --> 0:17:20.080
<v Speaker 1>kid who was a star in high school barely scrapes

0:17:20.119 --> 0:17:23.600
<v Speaker 1>through college, and it's kind of flailing. He doesn't have

0:17:23.600 --> 0:17:27.800
<v Speaker 1>a passion for work. His relationships are pretty unsatisfying. But

0:17:27.880 --> 0:17:30.840
<v Speaker 1>he doesn't know what's wrong. He doesn't know why he's

0:17:30.880 --> 0:17:33.920
<v Speaker 1>so miserable. I got up in the morning, I had jobs,

0:17:34.000 --> 0:17:36.560
<v Speaker 1>I did all the things you do, but I was depressed.

0:17:36.600 --> 0:17:39.080
<v Speaker 1>I sometimes I couldn't get out of bed for a

0:17:39.080 --> 0:17:41.679
<v Speaker 1>whole day. I'm just play there. I did really poorly

0:17:41.680 --> 0:17:45.359
<v Speaker 1>in college. Everything how I was in high school was

0:17:45.440 --> 0:17:47.520
<v Speaker 1>not the way I was as the sort of young adult,

0:17:47.680 --> 0:17:51.080
<v Speaker 1>drinking too much, all the stuff that goes along with

0:17:51.280 --> 0:17:54.600
<v Speaker 1>something like this happening to you. But I never put

0:17:54.680 --> 0:17:57.200
<v Speaker 1>two and two together. I wasn't like, oh, I I'm

0:17:57.240 --> 0:17:59.800
<v Speaker 1>sad and depressed because the secret was kept for me

0:17:59.840 --> 0:18:03.560
<v Speaker 1>my entire childhood. I never made that connection. And I

0:18:03.960 --> 0:18:07.800
<v Speaker 1>went to various counselors and psychologists and so forth, and

0:18:07.840 --> 0:18:09.680
<v Speaker 1>of course it would come out that I would tell

0:18:09.680 --> 0:18:12.360
<v Speaker 1>this story, but I still can never make that direct connection.

0:18:12.400 --> 0:18:14.879
<v Speaker 1>I just sort of thought, oh, well, I'm lazy, or

0:18:15.119 --> 0:18:17.040
<v Speaker 1>I've not found the right thing to do in my life,

0:18:17.160 --> 0:18:19.399
<v Speaker 1>or whatever it might be. And that was kind of

0:18:19.440 --> 0:18:22.840
<v Speaker 1>my twenties. For the most part, just didn't feel good.

0:18:23.960 --> 0:18:26.280
<v Speaker 1>I didn't feel close to my family, I didn't feel

0:18:27.000 --> 0:18:29.359
<v Speaker 1>the relationships that I would have with people were always

0:18:29.359 --> 0:18:32.119
<v Speaker 1>going to be on my terms. That you really do

0:18:32.200 --> 0:18:35.919
<v Speaker 1>develop this lack of trust, even though you can't articulate that.

0:18:36.480 --> 0:18:38.720
<v Speaker 1>It's just a feeling of I don't know about this person.

0:18:39.720 --> 0:18:41.480
<v Speaker 1>Just keep you at arms length for a while. I

0:18:41.480 --> 0:18:43.040
<v Speaker 1>don't know what's going on with you. I don't want

0:18:43.040 --> 0:18:46.320
<v Speaker 1>you in my space. And then you do this stupid

0:18:46.359 --> 0:18:48.439
<v Speaker 1>thing where you use I did this a lot in

0:18:48.480 --> 0:18:50.600
<v Speaker 1>my twenties that I look back on now, and then

0:18:50.640 --> 0:18:53.359
<v Speaker 1>you use this story as like a little weapon or

0:18:53.400 --> 0:18:55.960
<v Speaker 1>a way of getting people to think that you're interesting

0:18:56.320 --> 0:18:59.639
<v Speaker 1>or damaged in some way. And I would deploy it

0:18:59.720 --> 0:19:02.280
<v Speaker 1>at times that I thought would maybe that would impress

0:19:02.320 --> 0:19:05.600
<v Speaker 1>this girl or maybe you know, I would really wow

0:19:05.720 --> 0:19:08.919
<v Speaker 1>this party crowd with my story of my horrible and

0:19:08.960 --> 0:19:11.320
<v Speaker 1>of course I would embellish it. But even then, I

0:19:11.400 --> 0:19:12.960
<v Speaker 1>think I was trying to figure out, what does this

0:19:13.040 --> 0:19:16.679
<v Speaker 1>story mean to me? Really? What is it all about? Really?

0:19:17.440 --> 0:19:19.359
<v Speaker 1>And I think that's what I was playing with in

0:19:19.400 --> 0:19:23.040
<v Speaker 1>those early days, and it moved forward to something more concrete,

0:19:23.040 --> 0:19:25.439
<v Speaker 1>and as I discovered journalism, and I just discovered that

0:19:25.480 --> 0:19:28.800
<v Speaker 1>there is a real power in crafting a truthful narrative,

0:19:29.200 --> 0:19:31.080
<v Speaker 1>or at least as truthful as you can make it

0:19:31.160 --> 0:19:35.280
<v Speaker 1>and your emotional truth. Steve eventually discovers his calling as

0:19:35.280 --> 0:19:39.639
<v Speaker 1>a journalist and finds success working for NPR and various

0:19:39.640 --> 0:19:43.240
<v Speaker 1>other news organizations. He digs for the truth in other

0:19:43.280 --> 0:19:47.360
<v Speaker 1>people's stories, and eventually he begins to think he might

0:19:47.400 --> 0:19:49.440
<v Speaker 1>want to make a film to dig for the truth

0:19:49.480 --> 0:19:53.040
<v Speaker 1>of his own family story and in order to tell

0:19:53.080 --> 0:19:56.560
<v Speaker 1>the truth in three and sixty degrees, not only Steve's

0:19:56.600 --> 0:19:59.399
<v Speaker 1>own story, but seen through the lens of everyone in

0:19:59.440 --> 0:20:05.800
<v Speaker 1>his family. He begins a process of interviewing his brother's sisters, Mary, Jane, Don,

0:20:06.280 --> 0:20:08.920
<v Speaker 1>his old friends, the ones who broke the news to him.

0:20:08.920 --> 0:20:13.880
<v Speaker 1>To begin with, being the documentarian allows Steve a little

0:20:13.920 --> 0:20:19.000
<v Speaker 1>bit of distance, and also this is so important permission,

0:20:19.720 --> 0:20:23.639
<v Speaker 1>his camera and recording equipment a buffer between himself and

0:20:23.760 --> 0:20:26.320
<v Speaker 1>his own pain. Then I started to see like there

0:20:26.359 --> 0:20:28.639
<v Speaker 1>was a way to do this, tell the story that

0:20:28.640 --> 0:20:31.439
<v Speaker 1>would be fair to everyone, not just to me, but

0:20:31.520 --> 0:20:34.320
<v Speaker 1>to my family. I learned that there was a way

0:20:34.359 --> 0:20:36.560
<v Speaker 1>to let people have their say about what had happened

0:20:36.560 --> 0:20:39.280
<v Speaker 1>without any accusations and without people feeling like they were

0:20:39.280 --> 0:20:42.919
<v Speaker 1>put on trial, and that's ultimately where I got to.

0:20:43.359 --> 0:20:47.080
<v Speaker 1>But it was incredibly long period of time, and even

0:20:47.080 --> 0:20:48.720
<v Speaker 1>the making of the film was long. You know. I

0:20:48.720 --> 0:20:50.520
<v Speaker 1>started in two thousand three. I don't think I finished

0:20:50.560 --> 0:20:53.800
<v Speaker 1>in two two eleven. So it was a very very

0:20:53.840 --> 0:20:57.720
<v Speaker 1>hard pulling thread very slowly. Do you think that in

0:20:57.880 --> 0:21:02.439
<v Speaker 1>part was because as you could sort of only really

0:21:03.520 --> 0:21:06.240
<v Speaker 1>examine it a little bit at a time. Yeah. I

0:21:06.240 --> 0:21:07.679
<v Speaker 1>couldn't have done it all at once. It would have

0:21:07.760 --> 0:21:10.520
<v Speaker 1>killed me. Every time I did an interview with a

0:21:10.520 --> 0:21:12.679
<v Speaker 1>family member, it would take this little chunk out of me.

0:21:12.880 --> 0:21:14.760
<v Speaker 1>Then I just steal myself for the next one. And

0:21:14.760 --> 0:21:17.040
<v Speaker 1>also you know, the issues of job and money and

0:21:17.080 --> 0:21:19.800
<v Speaker 1>all those sorts of things. But it was just every

0:21:19.840 --> 0:21:24.000
<v Speaker 1>interview was like a little slice of energy. Decision making,

0:21:24.440 --> 0:21:27.159
<v Speaker 1>all those things were just sort of taken away and

0:21:27.200 --> 0:21:29.640
<v Speaker 1>it took a while. Then you do all the interviews

0:21:29.880 --> 0:21:32.000
<v Speaker 1>for it, and then you have the editing process, which

0:21:32.000 --> 0:21:35.880
<v Speaker 1>was absolutely torturous for me to watch myself, to see

0:21:35.920 --> 0:21:37.719
<v Speaker 1>the things I was saying, to acting the way I

0:21:37.760 --> 0:21:40.600
<v Speaker 1>was acting. I had a great editor who taught me

0:21:40.680 --> 0:21:44.320
<v Speaker 1>to be honest in those moments and don't ask to

0:21:44.359 --> 0:21:47.280
<v Speaker 1>have things cut out that are gonna be truthful and honest,

0:21:50.320 --> 0:22:04.520
<v Speaker 1>We're going to take a quick break. And then there's Joanie.

0:22:04.920 --> 0:22:08.480
<v Speaker 1>The palpable awkwardness and discomfort during the moments Joanie is

0:22:08.520 --> 0:22:12.400
<v Speaker 1>on screen made me squirm as Steve and Joanie talk

0:22:12.840 --> 0:22:16.760
<v Speaker 1>that awkwardness sometimes turns to anger. There's such a feeling

0:22:16.800 --> 0:22:20.160
<v Speaker 1>of disconnect between them. She doesn't seem like his mother,

0:22:20.640 --> 0:22:24.000
<v Speaker 1>she doesn't seem like his sister. A glass of wine

0:22:24.080 --> 0:22:27.320
<v Speaker 1>is always nearby whenever she's on camera, and she seems

0:22:27.359 --> 0:22:30.600
<v Speaker 1>a bit lost, baffled at the turns her life is taken.

0:22:31.920 --> 0:22:34.800
<v Speaker 1>Try as I might, I didn't really feel a bond

0:22:34.840 --> 0:22:39.160
<v Speaker 1>between them. Steve does, however, seem like a son during

0:22:39.160 --> 0:22:42.480
<v Speaker 1>his moments with Mary, Jane and Don because he was

0:22:42.560 --> 0:22:46.439
<v Speaker 1>their son for eighteen formative years. It's not like his

0:22:46.520 --> 0:22:51.199
<v Speaker 1>discovery automatically turned them into grandparents in his psyche, nor

0:22:51.320 --> 0:22:54.960
<v Speaker 1>did it turn Joanie into his mother, because that's just

0:22:55.200 --> 0:23:00.359
<v Speaker 1>not how it works. In the film, you in review

0:23:00.720 --> 0:23:04.520
<v Speaker 1>Joanie a number of times, and those are some of

0:23:04.560 --> 0:23:10.040
<v Speaker 1>the most painful scenes to me. They were in the film,

0:23:10.160 --> 0:23:14.919
<v Speaker 1>and there's a moment in which I guess it's in

0:23:15.000 --> 0:23:20.040
<v Speaker 1>anticipation of an upcoming wedding and your wedding and whether

0:23:20.080 --> 0:23:23.320
<v Speaker 1>she's going to come or not come, and who she

0:23:23.359 --> 0:23:28.400
<v Speaker 1>will be at your wedding, how do you explain her?

0:23:29.000 --> 0:23:33.480
<v Speaker 1>What is her role? And you say to her, you know,

0:23:33.560 --> 0:23:37.280
<v Speaker 1>I'm not sure that I'm ever gonna be able to

0:23:37.320 --> 0:23:44.400
<v Speaker 1>call you mother? Right right? Yeah, So could you talk

0:23:44.440 --> 0:23:48.440
<v Speaker 1>a little bit about that, about that moment. Yeah, there's

0:23:48.440 --> 0:23:50.480
<v Speaker 1>a preface to that. I get the film has been

0:23:50.520 --> 0:23:52.159
<v Speaker 1>around for a while, and it's been on all the

0:23:52.160 --> 0:23:53.880
<v Speaker 1>places where you can get to see movies, and it's

0:23:53.880 --> 0:23:55.560
<v Speaker 1>been a festivals and so forth, and I've had a

0:23:55.560 --> 0:23:57.119
<v Speaker 1>lot of great reactions, but I've had a lot of

0:23:57.119 --> 0:24:00.639
<v Speaker 1>negative reactions to how I am in the film, toward

0:24:00.920 --> 0:24:04.480
<v Speaker 1>Joanie in particular. And this is one moment that people

0:24:04.640 --> 0:24:07.639
<v Speaker 1>talk about. You softened it, actually, I actually say it,

0:24:07.920 --> 0:24:10.359
<v Speaker 1>how would you feel if I never called you mom?

0:24:10.400 --> 0:24:14.800
<v Speaker 1>Which is that's a really pointed question and kind of

0:24:14.800 --> 0:24:16.960
<v Speaker 1>a jerky way to saying it. But of course is

0:24:17.000 --> 0:24:20.000
<v Speaker 1>the moment in the film, and no one knows all

0:24:20.040 --> 0:24:22.720
<v Speaker 1>the backstory to that moment. Necessarily they see what they

0:24:22.760 --> 0:24:24.240
<v Speaker 1>see in the movie, and there's only so much you

0:24:24.280 --> 0:24:27.239
<v Speaker 1>can include and and all the feelings and emotions that

0:24:27.280 --> 0:24:29.960
<v Speaker 1>came up to that moment. I feel so bad about

0:24:29.960 --> 0:24:32.480
<v Speaker 1>the whole thing, and I've I've always thinking I'm gonna

0:24:32.480 --> 0:24:34.679
<v Speaker 1>ask my distributor to take the movie down off of

0:24:34.720 --> 0:24:36.760
<v Speaker 1>all the places and nobody can see it ever again.

0:24:37.320 --> 0:24:38.840
<v Speaker 1>But Steve, when you say you feel bad about the

0:24:38.840 --> 0:24:41.800
<v Speaker 1>whole thing, you mean you feel bad about the whole thing,

0:24:42.040 --> 0:24:46.000
<v Speaker 1>or you feel bad about the film part or or

0:24:46.000 --> 0:24:50.040
<v Speaker 1>what I feel bad about the whole thing. I feel

0:24:50.160 --> 0:24:53.040
<v Speaker 1>bad about that I ever knew. I feel bad that

0:24:53.080 --> 0:24:55.679
<v Speaker 1>I made the film. I feel embarrassed about how I

0:24:55.880 --> 0:24:58.320
<v Speaker 1>come across in the film, even though I'm also at

0:24:58.320 --> 0:25:00.600
<v Speaker 1>the same time, if you can imagine this, proud of it,

0:25:00.680 --> 0:25:06.520
<v Speaker 1>because it's an accurate journalistic depiction of me in that moment.

0:25:06.800 --> 0:25:09.119
<v Speaker 1>I was angry at times. I was kind of a

0:25:09.200 --> 0:25:12.360
<v Speaker 1>jerk at times. I don't often come across as that articulate.

0:25:12.400 --> 0:25:14.879
<v Speaker 1>At times, I sometimes make these leaps of logic that

0:25:14.880 --> 0:25:16.879
<v Speaker 1>don't make any sense, you know, all this stuff. But

0:25:16.920 --> 0:25:19.200
<v Speaker 1>in thinking about the conversation that we were going to have,

0:25:19.800 --> 0:25:23.399
<v Speaker 1>I had this. I mean, it's an epiphany. It really is.

0:25:23.440 --> 0:25:25.600
<v Speaker 1>It's not to put too much of a dramatic point

0:25:25.640 --> 0:25:28.119
<v Speaker 1>on it. But I had this moment of of something

0:25:28.160 --> 0:25:30.679
<v Speaker 1>that has never once occurred to me in all the

0:25:30.760 --> 0:25:33.760
<v Speaker 1>years and even all the adoption conferences that I've taken

0:25:33.800 --> 0:25:36.320
<v Speaker 1>this film too. In that moment, in that scene, the

0:25:36.359 --> 0:25:39.800
<v Speaker 1>reason I said it that way it was feeling so angry,

0:25:39.920 --> 0:25:42.119
<v Speaker 1>or it was an angry way of asking it, is

0:25:42.160 --> 0:25:45.159
<v Speaker 1>that it is hard to understand if you have not

0:25:45.240 --> 0:25:48.760
<v Speaker 1>been adopted or had a secret kept from you about

0:25:48.800 --> 0:25:51.320
<v Speaker 1>who you are. It seems to me that part of

0:25:51.359 --> 0:25:52.679
<v Speaker 1>why you would have been mad about it is it

0:25:52.760 --> 0:25:56.879
<v Speaker 1>was erasing your history. It was essentially saying those first

0:25:56.920 --> 0:26:02.600
<v Speaker 1>eighteen years where you believed what you believed, that doesn't matter. Right.

0:26:03.119 --> 0:26:06.400
<v Speaker 1>And the people who understand this actually are adoptees. When

0:26:06.440 --> 0:26:09.119
<v Speaker 1>I go to those conferences and show this film and

0:26:09.160 --> 0:26:11.120
<v Speaker 1>I always preface it with this sort of oh, I'm

0:26:11.160 --> 0:26:13.560
<v Speaker 1>a real jerk in this, sorry everybody, And at the

0:26:13.640 --> 0:26:15.400
<v Speaker 1>end they're like, what are you talking about? You are

0:26:15.440 --> 0:26:18.680
<v Speaker 1>not a jerk at all. In fact, you are acting

0:26:19.080 --> 0:26:21.960
<v Speaker 1>how anybody would act, and you deserve to be able

0:26:22.000 --> 0:26:24.080
<v Speaker 1>to act that way and you should never apologize for that.

0:26:25.000 --> 0:26:27.280
<v Speaker 1>A lot of states still have closed adoption records, although

0:26:27.320 --> 0:26:30.439
<v Speaker 1>that's changing, So you really don't have any access to

0:26:30.680 --> 0:26:34.359
<v Speaker 1>your history, your actual biological history. You have to take

0:26:34.400 --> 0:26:39.000
<v Speaker 1>on this other history that is really hard to understand

0:26:39.200 --> 0:26:42.520
<v Speaker 1>if you have not been through it. And that is

0:26:42.560 --> 0:26:45.119
<v Speaker 1>my if, if as any message I could send to

0:26:45.160 --> 0:26:47.520
<v Speaker 1>the people who say, boy, Stevie really hard on Joanie

0:26:47.520 --> 0:26:50.159
<v Speaker 1>in that movie and man, poor Janie. And I agree

0:26:50.280 --> 0:26:53.800
<v Speaker 1>she had a rough time to absolutely, but it's really

0:26:53.800 --> 0:26:56.879
<v Speaker 1>important to understand that I feel like I'm sounding angry

0:26:56.960 --> 0:26:59.320
<v Speaker 1>right now. I'm more of just emphatic about it. Is

0:26:59.359 --> 0:27:01.200
<v Speaker 1>that because I so it's brand new, I'm just coming

0:27:01.200 --> 0:27:02.919
<v Speaker 1>to This is the hardest thing for me to have

0:27:02.960 --> 0:27:04.960
<v Speaker 1>realized all these years, and that I just realized recently,

0:27:05.000 --> 0:27:08.720
<v Speaker 1>is that I actually don't owe Joanie anything. I don't

0:27:08.760 --> 0:27:12.080
<v Speaker 1>owe her relationship. I don't owe her to be called mom.

0:27:12.119 --> 0:27:14.240
<v Speaker 1>I don't owe her to act as a son to her.

0:27:14.800 --> 0:27:16.960
<v Speaker 1>I don't owe her anything because there was never any

0:27:16.960 --> 0:27:20.240
<v Speaker 1>agreement made between us or transaction made between us. We

0:27:20.320 --> 0:27:24.520
<v Speaker 1>are just two people. Do you suppose that there is

0:27:24.560 --> 0:27:28.359
<v Speaker 1>also an element to that response that that that people

0:27:28.400 --> 0:27:32.320
<v Speaker 1>have that is probably a largely unconscious response when they

0:27:32.320 --> 0:27:36.959
<v Speaker 1>have it that the person in those circumstances is supposed

0:27:37.000 --> 0:27:42.840
<v Speaker 1>to feel grateful. In other words, absolutely, yeah, I mean

0:27:43.160 --> 0:27:46.960
<v Speaker 1>you were taken in, you were loved, Otherwise you might

0:27:46.960 --> 0:27:50.200
<v Speaker 1>have had very different circumstances. Or I mean, I don't

0:27:50.240 --> 0:27:52.359
<v Speaker 1>know whether the reason why I'm relating to this is

0:27:53.040 --> 0:27:58.720
<v Speaker 1>as someone who discovered that she was donor conceived, um,

0:27:58.760 --> 0:28:03.720
<v Speaker 1>but I know that what people feel about people who

0:28:03.760 --> 0:28:05.920
<v Speaker 1>find out that they were doing or conceived is well,

0:28:05.960 --> 0:28:09.560
<v Speaker 1>you're you're here, aren't you. I mean, you're glad you're here,

0:28:09.880 --> 0:28:12.920
<v Speaker 1>You've you've had this great life and that as if

0:28:13.000 --> 0:28:17.080
<v Speaker 1>that's supposed to check that box and then you're kind

0:28:17.080 --> 0:28:20.280
<v Speaker 1>of done with it and there's no room for other feelings,

0:28:20.359 --> 0:28:23.800
<v Speaker 1>much more complex feelings of what led to in my case,

0:28:23.880 --> 0:28:26.960
<v Speaker 1>my being born and in your case, the way that

0:28:27.000 --> 0:28:30.640
<v Speaker 1>you were raised. Oh there's yeah, I've heard that many

0:28:30.640 --> 0:28:32.640
<v Speaker 1>many times. You know, you're lucky that you weren't aborted,

0:28:33.040 --> 0:28:35.919
<v Speaker 1>You're lucky you were't abused. All true. And you know

0:28:36.000 --> 0:28:40.120
<v Speaker 1>you can be grateful and still be adamant that you

0:28:40.280 --> 0:28:46.120
<v Speaker 1>don't owe the person something beyond the gratefulness. You know, Yes,

0:28:46.720 --> 0:28:48.240
<v Speaker 1>you can have two things in your head at the

0:28:48.280 --> 0:28:50.320
<v Speaker 1>same time of like thank you for not aborting me

0:28:50.440 --> 0:28:53.360
<v Speaker 1>or abusing me. And I'm not going to call you mom,

0:28:53.400 --> 0:28:56.840
<v Speaker 1>and I'm not going to call you mom, So let

0:28:56.840 --> 0:29:01.280
<v Speaker 1>me ask you what's your relationship out to Joanie and

0:29:01.440 --> 0:29:04.480
<v Speaker 1>in the fullness of time and in the aftermaths of

0:29:05.320 --> 0:29:09.640
<v Speaker 1>open secret coming out. So she did not like the film.

0:29:09.760 --> 0:29:12.880
<v Speaker 1>She felt that she wasn't portrayed in a positive way,

0:29:13.080 --> 0:29:15.720
<v Speaker 1>which I disagree. I think she comes across as a

0:29:15.840 --> 0:29:19.400
<v Speaker 1>very sympathetic person who went through a very difficult childhood,

0:29:20.040 --> 0:29:22.680
<v Speaker 1>had her struggles with her own identity, trying to figure out,

0:29:22.720 --> 0:29:26.080
<v Speaker 1>you know, who she wanted to be, and I think

0:29:26.120 --> 0:29:29.080
<v Speaker 1>she found it embarrassing. It's funny. Other members of the

0:29:29.120 --> 0:29:32.480
<v Speaker 1>family feel like that was an absolute accurate depiction of

0:29:32.520 --> 0:29:35.760
<v Speaker 1>her in every way. I wouldn't have released it if

0:29:35.800 --> 0:29:38.720
<v Speaker 1>I thought that it was somehow damning to her. I

0:29:38.760 --> 0:29:41.720
<v Speaker 1>think that she comes out as someone who's incredibly complicated

0:29:41.800 --> 0:29:44.760
<v Speaker 1>and has a lot to tell and a lot to show.

0:29:45.520 --> 0:29:48.000
<v Speaker 1>The movies a lot about two women, you know, my mom,

0:29:48.240 --> 0:29:50.840
<v Speaker 1>Mary Jane and Joanie and the struggles of that time

0:29:51.840 --> 0:29:55.560
<v Speaker 1>being choice is not given to them, choice is taken away,

0:29:55.720 --> 0:30:01.240
<v Speaker 1>and I felt like that was portrayed fairly accurately for them.

0:30:01.320 --> 0:30:04.520
<v Speaker 1>Do you feel like this whole experience has very much

0:30:04.760 --> 0:30:10.000
<v Speaker 1>affected your interest in not keeping secrets in your family

0:30:10.200 --> 0:30:13.640
<v Speaker 1>and in your family that you've made with with your

0:30:13.640 --> 0:30:17.600
<v Speaker 1>wife and your kids. Yeah, any secret that has an

0:30:17.640 --> 0:30:22.080
<v Speaker 1>effect on someone else, I am very much against. You know,

0:30:22.080 --> 0:30:23.720
<v Speaker 1>there are lots of secrets, their secrets that you keep

0:30:23.760 --> 0:30:26.200
<v Speaker 1>for yourself that only affect you, like that you eat

0:30:26.280 --> 0:30:29.120
<v Speaker 1>too many cupcakes at night when nobody's looking or whatever.

0:30:29.560 --> 0:30:32.680
<v Speaker 1>But then there's the secrets that of people's identity or

0:30:33.640 --> 0:30:36.200
<v Speaker 1>any secret that I think can obstruct someone's progress in

0:30:36.240 --> 0:30:38.840
<v Speaker 1>the world. I think is a bad secret and it

0:30:38.960 --> 0:30:42.280
<v Speaker 1>needs to be told. I feel very very strongly about that.

0:30:42.360 --> 0:30:44.640
<v Speaker 1>And I would never keep a secret from my kids

0:30:45.440 --> 0:30:47.600
<v Speaker 1>if it was something that if they knew the truth,

0:30:47.640 --> 0:30:49.960
<v Speaker 1>would make their life better or not even better, it

0:30:50.000 --> 0:30:53.800
<v Speaker 1>would just move their life forward. Yeah, exactly. I mean,

0:30:54.400 --> 0:30:58.959
<v Speaker 1>I think that we are formed by what we don't know,

0:30:59.760 --> 0:31:02.840
<v Speaker 1>at least as much, if not more, then by what

0:31:02.880 --> 0:31:05.080
<v Speaker 1>we do. And we're when we're formed by what we

0:31:05.120 --> 0:31:09.800
<v Speaker 1>don't know, it's going is gonna sound like a word puzzle,

0:31:09.920 --> 0:31:12.440
<v Speaker 1>but we we were being formed by something we don't

0:31:12.480 --> 0:31:15.360
<v Speaker 1>even know we're being formed by. And so there's something

0:31:15.360 --> 0:31:18.920
<v Speaker 1>that's very dangerous about that because it's so it's so

0:31:19.040 --> 0:31:23.160
<v Speaker 1>unavailable and so unconscious. Yeah, I always think my my

0:31:23.240 --> 0:31:25.400
<v Speaker 1>hypothetical and all this is imagine if my parents had

0:31:25.440 --> 0:31:27.280
<v Speaker 1>set me down at the age of five and six,

0:31:27.360 --> 0:31:30.400
<v Speaker 1>instead of saying adopted, said hey, listen, you should know

0:31:30.480 --> 0:31:32.520
<v Speaker 1>we're your grandparents and we love you very much. And

0:31:32.960 --> 0:31:35.000
<v Speaker 1>Joanie is your mom and she had you and she

0:31:35.000 --> 0:31:36.680
<v Speaker 1>couldn't take care of you because she wasn't ready to

0:31:36.760 --> 0:31:39.520
<v Speaker 1>do that. But they're part of this family, and you know,

0:31:39.520 --> 0:31:42.440
<v Speaker 1>we're going to raise you as our grandson and our

0:31:42.480 --> 0:31:45.760
<v Speaker 1>son if you want us to, and you know, welcome.

0:31:47.160 --> 0:31:49.800
<v Speaker 1>You know what an amazing moment that now I get it.

0:31:49.840 --> 0:31:53.200
<v Speaker 1>This is Kansas, this is Catholic. People were like, oh

0:31:53.240 --> 0:31:55.400
<v Speaker 1>my god, Janie, I can't believe she's pregnant. What kind

0:31:55.440 --> 0:31:57.719
<v Speaker 1>of awful person is she? You know, I don't know

0:31:57.840 --> 0:32:01.280
<v Speaker 1>the social mores of the time, but that would have

0:32:01.280 --> 0:32:03.760
<v Speaker 1>been a really amazing thing to have happened if it

0:32:03.800 --> 0:32:08.400
<v Speaker 1>would have happened that way. Of course, this story would

0:32:08.440 --> 0:32:12.960
<v Speaker 1>not be complete without talking about Henry. Who's Henry, you

0:32:13.040 --> 0:32:18.680
<v Speaker 1>might ask, Steve's biological father. I remember there was a

0:32:18.760 --> 0:32:20.760
<v Speaker 1>very brief conversation that I had with Joni at the

0:32:20.760 --> 0:32:23.600
<v Speaker 1>age I was twenty, I think I was in school,

0:32:24.040 --> 0:32:28.040
<v Speaker 1>and she goes, I have Henry's phone number. I've had

0:32:28.080 --> 0:32:30.920
<v Speaker 1>it for a long time. Um. She told me that

0:32:31.080 --> 0:32:33.480
<v Speaker 1>in that moment that she had been sending photos to him.

0:32:33.520 --> 0:32:35.280
<v Speaker 1>She had an address and a phone number, so he

0:32:35.360 --> 0:32:37.560
<v Speaker 1>knew I existed, but she didn't know anything about him.

0:32:37.680 --> 0:32:39.480
<v Speaker 1>She's like, I don't know. He has a thick accent,

0:32:39.920 --> 0:32:41.520
<v Speaker 1>and I don't even know where he's from. I think

0:32:41.520 --> 0:32:43.200
<v Speaker 1>she you know, she told me very stories about him

0:32:43.200 --> 0:32:46.960
<v Speaker 1>being from Romania and from Italy and all kinds of stuff,

0:32:47.000 --> 0:32:49.080
<v Speaker 1>but she never knew anything really about him. But she

0:32:49.160 --> 0:32:51.280
<v Speaker 1>had a name and a phone number, and he was

0:32:51.320 --> 0:32:53.440
<v Speaker 1>living in Los Angeles, which is where she met him

0:32:53.440 --> 0:32:56.160
<v Speaker 1>when she ran away from home that summer and got pregnant.

0:32:57.360 --> 0:32:59.400
<v Speaker 1>And so I took that number from her and I

0:32:59.400 --> 0:33:02.360
<v Speaker 1>held onto it for a while, and then one night

0:33:02.840 --> 0:33:05.520
<v Speaker 1>I called it and he answered the phone, and it

0:33:05.560 --> 0:33:07.800
<v Speaker 1>was the thickest accent I had ever heard in my life.

0:33:08.040 --> 0:33:11.480
<v Speaker 1>Like it was, this is a kid from Kansas who

0:33:11.920 --> 0:33:14.640
<v Speaker 1>had never been really anywhere, and uh, it was this

0:33:14.720 --> 0:33:18.720
<v Speaker 1>thick European accent. And you know, I'll tell you. What.

0:33:18.760 --> 0:33:20.880
<v Speaker 1>If there's anything that I'm embarrassed about, it's about how

0:33:21.840 --> 0:33:24.600
<v Speaker 1>just dumb I was in those moments where I had

0:33:24.640 --> 0:33:26.120
<v Speaker 1>this man on the phone and I didn't know what

0:33:26.160 --> 0:33:29.120
<v Speaker 1>to ask him. I just froze. And all he said

0:33:29.120 --> 0:33:33.640
<v Speaker 1>to me was I don't have anything for you. And

0:33:33.720 --> 0:33:36.960
<v Speaker 1>I don't know if he meant that monetarily or emotionally

0:33:37.120 --> 0:33:40.640
<v Speaker 1>or what it was, but I was so panicked. I mean,

0:33:40.640 --> 0:33:42.560
<v Speaker 1>it sounds like the thing you described earlier about your

0:33:42.560 --> 0:33:45.120
<v Speaker 1>heart's racing and you're gripping the phone. I didn't know

0:33:45.120 --> 0:33:47.720
<v Speaker 1>what to do. I was still a kid in that way,

0:33:47.800 --> 0:33:50.280
<v Speaker 1>and so I just was like, I don't want anything

0:33:50.320 --> 0:33:52.280
<v Speaker 1>from you, thank you for talking to me, goodbye, and

0:33:52.320 --> 0:33:54.280
<v Speaker 1>I hung up and that was it. I never talked

0:33:54.280 --> 0:33:57.320
<v Speaker 1>to him again. He died, um, you know, five or

0:33:57.360 --> 0:34:00.760
<v Speaker 1>six years later. Eventually I was able to track down

0:34:01.720 --> 0:34:05.160
<v Speaker 1>a daughter that he had from his marriage, who is

0:34:05.200 --> 0:34:07.360
<v Speaker 1>the same age as Joanie, by the way, and I

0:34:07.400 --> 0:34:09.360
<v Speaker 1>wrote her a letter and we connected that way, and

0:34:09.400 --> 0:34:12.879
<v Speaker 1>that's where I found out who he was, where he's from.

0:34:12.880 --> 0:34:16.640
<v Speaker 1>He was born and raised in Poland, was a Holocaust survivor.

0:34:17.320 --> 0:34:21.400
<v Speaker 1>All these pieces sort of started to come together and

0:34:21.480 --> 0:34:23.759
<v Speaker 1>just in case you're thinking that this story can't get

0:34:23.800 --> 0:34:27.239
<v Speaker 1>even more complex than it already is, it turns out

0:34:27.280 --> 0:34:31.760
<v Speaker 1>that Steve has a biological half sister that his father, Henry,

0:34:32.000 --> 0:34:36.480
<v Speaker 1>was in fact married when he got Jonie pregnant. I

0:34:36.520 --> 0:34:38.120
<v Speaker 1>talked to her recently. She had just gone on a

0:34:38.120 --> 0:34:40.680
<v Speaker 1>trip to Poland with her son, one of her sons,

0:34:40.680 --> 0:34:43.120
<v Speaker 1>who was at my wedding. By the way, I've become

0:34:43.160 --> 0:34:45.040
<v Speaker 1>sort of friendly with him. He was very interested in

0:34:45.120 --> 0:34:47.960
<v Speaker 1>this whole story. He's my same a I'm his uncle technically,

0:34:48.200 --> 0:34:50.440
<v Speaker 1>but we're the same age. But she had gone to

0:34:50.480 --> 0:34:53.600
<v Speaker 1>Poland to go visit Henry's the town where he lived

0:34:53.640 --> 0:34:56.040
<v Speaker 1>and where he was rounded up, and all those sorts

0:34:56.040 --> 0:34:57.719
<v Speaker 1>of things, and she wanted to talk to me about it.

0:34:57.800 --> 0:35:00.120
<v Speaker 1>So we had a phone call, and you know, we

0:35:00.160 --> 0:35:02.040
<v Speaker 1>talk about it. It's funny, and she'll refer to Henry

0:35:02.040 --> 0:35:05.360
<v Speaker 1>as our father, which I think is something she obviously

0:35:05.400 --> 0:35:07.840
<v Speaker 1>does not have to do but does. And then she

0:35:07.880 --> 0:35:09.560
<v Speaker 1>had said, I can't wait to meet your boys. You know,

0:35:09.600 --> 0:35:12.960
<v Speaker 1>they're my they're my only nephews. It's funny. I see,

0:35:13.000 --> 0:35:14.319
<v Speaker 1>he was a member of my family, but with no

0:35:14.480 --> 0:35:18.120
<v Speaker 1>name attached, no signifier, attached to it. No, like sister, brother, cousin.

0:35:18.239 --> 0:35:20.680
<v Speaker 1>She's just is somebody who's part of my world. Sure,

0:35:20.880 --> 0:35:23.320
<v Speaker 1>I mean it's such it's such a depiction of modern family,

0:35:23.840 --> 0:35:26.040
<v Speaker 1>the families that we make, the families that we end

0:35:26.120 --> 0:35:30.879
<v Speaker 1>up with. We're so interested in defining with labels who

0:35:30.880 --> 0:35:34.160
<v Speaker 1>we are to each other. Right, Oh yeah, I just

0:35:34.200 --> 0:35:36.239
<v Speaker 1>see her as this person who's in my life and

0:35:36.280 --> 0:35:38.799
<v Speaker 1>who is a family member. But it would be very

0:35:38.800 --> 0:35:40.520
<v Speaker 1>strange to call her sister, and you know what, she's

0:35:40.520 --> 0:35:46.520
<v Speaker 1>ever asked me to. As Steve and I talk, I

0:35:46.560 --> 0:35:51.080
<v Speaker 1>find myself thinking a lot about closure. After all, he's

0:35:51.120 --> 0:35:54.640
<v Speaker 1>known the truth since he was eighteen. He's now forty nine,

0:35:55.200 --> 0:35:58.200
<v Speaker 1>He's made a film about it, he has a wife, kids,

0:35:58.239 --> 0:36:01.279
<v Speaker 1>a great career, a life he built in Washington, d C.

0:36:02.400 --> 0:36:04.560
<v Speaker 1>Is there a point when a family secret like this

0:36:04.920 --> 0:36:09.000
<v Speaker 1>begins to lose its power? Is closure a real thing?

0:36:09.880 --> 0:36:14.440
<v Speaker 1>Does Steve believe in it? No? I don't. Actually, I

0:36:14.480 --> 0:36:18.359
<v Speaker 1>think that I sort of visualize it. The secret part

0:36:18.360 --> 0:36:20.240
<v Speaker 1>of it, or the grappling with it, is like a bumpy,

0:36:20.480 --> 0:36:24.520
<v Speaker 1>pothole filled road. It's a bumpy gravel road with twists

0:36:24.520 --> 0:36:26.719
<v Speaker 1>and turns. And then when you come to sort of

0:36:27.040 --> 0:36:30.200
<v Speaker 1>grips with it. The road smooths out, but it keeps going,

0:36:30.640 --> 0:36:33.719
<v Speaker 1>so there's not an ending, and that road could become

0:36:33.760 --> 0:36:37.920
<v Speaker 1>bumpy again. So it's a traveling metaphor. You know, you're

0:36:37.960 --> 0:36:41.920
<v Speaker 1>the closure is when you die. That's the end, that

0:36:42.040 --> 0:36:45.439
<v Speaker 1>it's closure. But I'm always going to be grappling with

0:36:45.680 --> 0:36:47.759
<v Speaker 1>all of this. Right now, I'm on a smooth road

0:36:48.520 --> 0:36:52.600
<v Speaker 1>with it, and I love Joanie. I care about what

0:36:52.640 --> 0:36:55.520
<v Speaker 1>happens to her. I can't forge a mother's son relationship

0:36:55.560 --> 0:36:58.239
<v Speaker 1>with her that will never happen. It doesn't mean that

0:36:58.280 --> 0:37:01.040
<v Speaker 1>I don't have feelings for her or respect her and

0:37:01.080 --> 0:37:03.640
<v Speaker 1>care about how she's doing. But there was a time

0:37:03.680 --> 0:37:07.080
<v Speaker 1>where that road was awfully bumpy and not good to

0:37:07.080 --> 0:37:09.880
<v Speaker 1>travel on, and now it feels like it's a nice, steady,

0:37:10.280 --> 0:37:14.080
<v Speaker 1>smooth ride. And my goal is for it to just

0:37:14.120 --> 0:37:16.719
<v Speaker 1>continue that way on my own terms. Now, she may

0:37:16.880 --> 0:37:18.440
<v Speaker 1>she may say the opposite. She'd be like, oh, no,

0:37:18.480 --> 0:37:20.479
<v Speaker 1>the road is still really bumpy and it's not good.

0:37:20.520 --> 0:37:24.280
<v Speaker 1>I'll say, well, that's that's your perception of it. Mine

0:37:24.320 --> 0:37:36.480
<v Speaker 1>is this. I'd like to thank my guest Steve Lichtie

0:37:36.840 --> 0:37:39.880
<v Speaker 1>for sharing his story with us today. For more about

0:37:39.920 --> 0:37:46.000
<v Speaker 1>his documentary, visit Open Secret film dot com. Family Secrets

0:37:46.000 --> 0:37:49.040
<v Speaker 1>is an I Heeart media production. Dylan Fagan is the

0:37:49.040 --> 0:37:53.719
<v Speaker 1>supervising producer, Andrew Howard and Tristan McNeil are the audio engineers,

0:37:54.040 --> 0:37:57.239
<v Speaker 1>and Julie Douglas is the executive producer. If you have

0:37:57.280 --> 0:37:59.440
<v Speaker 1>a family secret you'd like to share, you can get

0:37:59.480 --> 0:38:02.640
<v Speaker 1>in touch with us at listener mail at Family Secrets

0:38:02.680 --> 0:38:05.799
<v Speaker 1>podcast dot com, and you can also find us on

0:38:05.840 --> 0:38:10.399
<v Speaker 1>Instagram at Danny Ryder, and Facebook at Family Secrets Pod

0:38:10.920 --> 0:38:14.799
<v Speaker 1>and Twitter at Fam Secrets Pod. That's fam Secrets Pod.

0:38:15.480 --> 0:38:31.680
<v Speaker 1>For more about my book, Inheritance, visit Danny Shapiro dot com.