1 00:00:10,840 --> 00:00:15,280 Speaker 1: Hey, everybody, welcome to a bonus episode of I Saw 2 00:00:15,280 --> 00:00:17,600 Speaker 1: What You Did. My name is Millie. To Jericho, I'm 3 00:00:17,680 --> 00:00:23,480 Speaker 1: Daniel Henderson, and hey girl, Hey, hey, hey, I got 4 00:00:23,520 --> 00:00:30,640 Speaker 1: some real world pressing information conversation, a topic at hand 5 00:00:30,680 --> 00:00:31,720 Speaker 1: I want to talk to you about. 6 00:00:32,159 --> 00:00:32,640 Speaker 2: Bring it on. 7 00:00:33,120 --> 00:00:37,240 Speaker 1: Okay, have you seen the new Magic Mic movie? 8 00:00:37,440 --> 00:00:39,560 Speaker 3: I have not seen the new Magic Mic movie yet, 9 00:00:39,680 --> 00:00:43,479 Speaker 3: and here's why. Nothing will tap my experience of seeing 10 00:00:43,479 --> 00:00:45,160 Speaker 3: Magic Mike two in the theaters. 11 00:00:45,600 --> 00:00:47,919 Speaker 1: Okay, I completely agree. 12 00:00:48,200 --> 00:00:50,559 Speaker 3: Yeah, I discussed this on the pod right like I've 13 00:00:50,600 --> 00:00:51,640 Speaker 3: discussed this on the pod. 14 00:00:52,080 --> 00:00:54,560 Speaker 1: Tell them though, in case you don't know about this story, 15 00:00:54,600 --> 00:00:56,520 Speaker 1: because I literally told it the other night. 16 00:00:56,760 --> 00:00:58,880 Speaker 3: Just as our refresher. I was living in New York 17 00:00:58,920 --> 00:01:00,840 Speaker 3: City and Magic Mike two came out. I went with 18 00:01:00,840 --> 00:01:01,560 Speaker 3: my friend Maggie. 19 00:01:01,640 --> 00:01:02,640 Speaker 2: What's that Maggie? 20 00:01:03,560 --> 00:01:06,320 Speaker 3: And we went to see it at a movie theater 21 00:01:06,400 --> 00:01:10,600 Speaker 3: in Union Square and it was my first I hadn't 22 00:01:10,640 --> 00:01:13,200 Speaker 3: seen the first Magic Mic, so this is the second 23 00:01:13,240 --> 00:01:15,960 Speaker 3: Magic Mic. Was my first experience with Magic Mic. 24 00:01:16,200 --> 00:01:17,560 Speaker 1: Oh I wish. 25 00:01:17,600 --> 00:01:20,720 Speaker 3: And it was the wildest crowd I have ever been 26 00:01:20,760 --> 00:01:24,640 Speaker 3: in for any movie. And a woman got so excited 27 00:01:25,040 --> 00:01:28,920 Speaker 3: she threw a kitchen sponge at the screen like New 28 00:01:29,000 --> 00:01:32,160 Speaker 3: York is at another level anyway, But that just took 29 00:01:32,200 --> 00:01:33,040 Speaker 3: me out forever. 30 00:01:33,400 --> 00:01:34,080 Speaker 1: It took me out. 31 00:01:34,120 --> 00:01:36,360 Speaker 2: It was a fucking party in that movie theater. 32 00:01:37,080 --> 00:01:40,360 Speaker 1: Oh my god. I So I told that story because 33 00:01:40,640 --> 00:01:43,000 Speaker 1: it's literally one of my favorite Like somebody went to 34 00:01:43,000 --> 00:01:46,840 Speaker 1: a screening and something happened stories, And I was telling 35 00:01:46,840 --> 00:01:52,400 Speaker 1: that story to somebody because the conversation was about movies 36 00:01:52,480 --> 00:01:56,240 Speaker 1: where people feel the need to get like dressed up 37 00:01:56,280 --> 00:02:00,160 Speaker 1: and like take a limousine to the opening night, Like 38 00:02:00,200 --> 00:02:03,000 Speaker 1: have you ever done that? Okay, and you're not in Hollywood, 39 00:02:03,040 --> 00:02:05,880 Speaker 1: You're not at the premiere. I'm talking about some movie 40 00:02:05,920 --> 00:02:07,960 Speaker 1: comes out that you really like and you just felt 41 00:02:08,000 --> 00:02:10,720 Speaker 1: the need to kind of like wear your nice outfit 42 00:02:10,840 --> 00:02:12,440 Speaker 1: and heels and take a limo. 43 00:02:13,480 --> 00:02:16,280 Speaker 3: Never, even when I have gone to movie premieres, I'm 44 00:02:16,480 --> 00:02:18,320 Speaker 3: at sil dirt bagging it. I'm like jeans in a 45 00:02:18,440 --> 00:02:21,040 Speaker 3: nice going out top, Like I'm never taking a fucking limo. 46 00:02:22,000 --> 00:02:27,400 Speaker 1: Yes, so we were I was talking with some folks 47 00:02:27,760 --> 00:02:31,000 Speaker 1: and we were saying that how there were two times 48 00:02:31,600 --> 00:02:35,480 Speaker 1: in the history of movie going from our perspective where 49 00:02:35,520 --> 00:02:40,080 Speaker 1: we saw that happen, And one was the first Sex 50 00:02:40,200 --> 00:02:41,360 Speaker 1: in the City movie. 51 00:02:41,680 --> 00:02:44,600 Speaker 2: Oh my god, Oh, people made like a night of it, gotcha? 52 00:02:44,720 --> 00:02:46,560 Speaker 1: Yeah yeah, And I'm like, okay, get I get it. 53 00:02:46,560 --> 00:02:48,920 Speaker 1: So everybody wants to dress up like the Four Gals. 54 00:02:48,960 --> 00:02:51,800 Speaker 1: And I don't know if they were having cosmos beforehand 55 00:02:51,880 --> 00:02:54,400 Speaker 1: or whatever it's like, but it was like that was 56 00:02:54,639 --> 00:02:58,720 Speaker 1: that was truly, like, you know, a comic con level 57 00:02:58,880 --> 00:03:02,560 Speaker 1: type of event completely, even though it has nothing to 58 00:03:02,600 --> 00:03:05,520 Speaker 1: do with comic books. It was like a sexy comic con. 59 00:03:06,040 --> 00:03:09,600 Speaker 3: It was even cosplaying with like cosmopolitans and breakdowns. 60 00:03:09,919 --> 00:03:16,480 Speaker 1: Yeah, it was Cosmo con play cosplay, Cosmo con cosplay. 61 00:03:17,040 --> 00:03:19,080 Speaker 1: And then the other one somebody said is that they 62 00:03:19,080 --> 00:03:22,280 Speaker 1: saw people dress up for the second Magic Mic movie. 63 00:03:22,760 --> 00:03:24,840 Speaker 1: And then I was like, I told them your story, 64 00:03:25,080 --> 00:03:28,680 Speaker 1: and everybody screamed because I didn't clarify that it was 65 00:03:28,680 --> 00:03:31,239 Speaker 1: a kitchen sponge when I told it. 66 00:03:31,760 --> 00:03:35,160 Speaker 3: Oh like somebody thought somebody ripped a vaginal sponge out 67 00:03:35,200 --> 00:03:35,840 Speaker 3: of their body. 68 00:03:36,240 --> 00:03:39,320 Speaker 1: Uh huh, like exactly, and it was a man, So 69 00:03:39,440 --> 00:03:41,800 Speaker 1: I don't know, maybe it was they just didn't know. 70 00:03:42,040 --> 00:03:44,040 Speaker 3: But I based look high five for him knowing what 71 00:03:44,080 --> 00:03:45,080 Speaker 3: a fucking sponge is. 72 00:03:45,320 --> 00:03:47,680 Speaker 2: Most I don't even know like, is that a tampon? 73 00:03:47,800 --> 00:03:48,320 Speaker 2: What is that? 74 00:03:49,280 --> 00:03:53,400 Speaker 1: It's like, good for you, dude, But I but it 75 00:03:53,440 --> 00:03:56,000 Speaker 1: was that that moment where they were like screaming because 76 00:03:56,040 --> 00:03:57,640 Speaker 1: they thought that somebody had ripped a sponge out of 77 00:03:57,680 --> 00:04:00,880 Speaker 1: their you know, vagina and through it at a screen. 78 00:04:00,920 --> 00:04:03,200 Speaker 1: And I was like, yeah, but also, like a regular 79 00:04:03,280 --> 00:04:05,080 Speaker 1: kitchen sponge is also filthy. 80 00:04:05,600 --> 00:04:06,200 Speaker 2: That's the thing. 81 00:04:06,200 --> 00:04:08,080 Speaker 3: If it was a bagelal sponge, it kind of would 82 00:04:08,080 --> 00:04:10,760 Speaker 3: have made more spent more sense in a weird way. Yes, 83 00:04:10,880 --> 00:04:14,880 Speaker 3: Like in preg baby men like ready, I'm ready to 84 00:04:14,880 --> 00:04:20,960 Speaker 3: take out this Dutch cap. Let's get going Dutch cap. 85 00:04:21,520 --> 00:04:23,440 Speaker 3: Like every movie in the seventies are like, get my 86 00:04:23,560 --> 00:04:24,080 Speaker 3: Dutch cap. 87 00:04:24,080 --> 00:04:24,839 Speaker 2: And I'm like, what. 88 00:04:26,200 --> 00:04:26,440 Speaker 4: Is that? 89 00:04:26,520 --> 00:04:31,960 Speaker 3: Like a jaunty hat? No fucking pregnancy, get my Dutch cap. 90 00:04:32,000 --> 00:04:34,640 Speaker 3: But yeah, like the kitchen sponge was weirder for so 91 00:04:34,760 --> 00:04:35,360 Speaker 3: many reasons. 92 00:04:35,360 --> 00:04:36,800 Speaker 2: Where did it come from? Does she have a bag 93 00:04:36,800 --> 00:04:37,600 Speaker 2: of groceries with her? 94 00:04:37,600 --> 00:04:37,680 Speaker 5: Like? 95 00:04:37,720 --> 00:04:39,320 Speaker 1: What the does she just carry a sponge around? 96 00:04:39,360 --> 00:04:39,400 Speaker 5: Like? 97 00:04:39,400 --> 00:04:40,680 Speaker 2: What the fuck is happening there? 98 00:04:41,040 --> 00:04:43,520 Speaker 1: See? I I saw it as as clean up on 99 00:04:43,640 --> 00:04:47,599 Speaker 1: aisle cap. You know what I mean? Do you know 100 00:04:47,600 --> 00:04:48,479 Speaker 1: what I'm talking about? 101 00:04:49,400 --> 00:04:49,560 Speaker 3: Oh? 102 00:04:49,600 --> 00:04:53,039 Speaker 1: I know he's talking about flash flooding in the Greater 103 00:04:53,160 --> 00:04:57,920 Speaker 1: Los Angeles area, you know what I'm saying. So I 104 00:04:57,960 --> 00:05:01,600 Speaker 1: was like, that's g why would anybody do transum anyway? 105 00:05:01,680 --> 00:05:08,159 Speaker 1: So either Sponge Either Sponge is hilarious. But so you 106 00:05:08,320 --> 00:05:10,080 Speaker 1: haven't seen the New Magic Mic. 107 00:05:10,720 --> 00:05:12,720 Speaker 3: I have not seen the third one yet because nothing 108 00:05:12,720 --> 00:05:15,040 Speaker 3: can top it, nothing can top it. And I've heard 109 00:05:15,200 --> 00:05:19,360 Speaker 3: things in passing about the third one that make me 110 00:05:19,480 --> 00:05:23,200 Speaker 3: reluctant to see it. But I'll get I'll save that. 111 00:05:23,240 --> 00:05:26,040 Speaker 3: But you have seen it, and our producer Casey has 112 00:05:26,080 --> 00:05:30,160 Speaker 3: seen it. Not only has Casey seen it, Casey liked it. Well. 113 00:05:30,200 --> 00:05:33,600 Speaker 1: We got to get him on Casey. 114 00:05:34,279 --> 00:05:37,039 Speaker 4: Yes, Hello, what an honor it is to be on 115 00:05:37,120 --> 00:05:41,080 Speaker 4: the show to discuss one of the greatest film franchises 116 00:05:41,920 --> 00:05:44,000 Speaker 4: of all time. Thank you for having me. 117 00:05:44,080 --> 00:05:46,040 Speaker 1: You guys, Oh my god. I can't believe it's taken 118 00:05:46,040 --> 00:05:46,960 Speaker 1: this long for you. 119 00:05:47,040 --> 00:05:50,400 Speaker 2: I know, pop In, We're thrilled, We are thrilled. 120 00:05:51,920 --> 00:05:54,120 Speaker 1: I totally agree with you that it's one of the 121 00:05:54,120 --> 00:05:57,839 Speaker 1: greatest film franchises of all time, which may that's why 122 00:05:57,920 --> 00:06:00,440 Speaker 1: I had to see the third one, right, because I 123 00:06:00,480 --> 00:06:02,880 Speaker 1: was like, I'm a completist, and and I got to 124 00:06:02,920 --> 00:06:04,080 Speaker 1: know where this is going. 125 00:06:04,800 --> 00:06:06,560 Speaker 2: And you're your boy Channing Tatum's in it. 126 00:06:06,920 --> 00:06:08,720 Speaker 3: Oh, you're never going to pass up an opportunity to 127 00:06:08,760 --> 00:06:13,159 Speaker 3: see Channing Tatum doing the fucking buster the Bugs Bunny 128 00:06:13,160 --> 00:06:13,680 Speaker 3: on screen. 129 00:06:14,200 --> 00:06:19,480 Speaker 1: Yeah, I realized something because I saw I saw Magic 130 00:06:19,560 --> 00:06:24,360 Speaker 1: Mike the Sorry Magic Mike's Last Dance. That's the third one. 131 00:06:24,720 --> 00:06:28,560 Speaker 1: I saw it twice. I saw I saw it in 132 00:06:28,720 --> 00:06:32,040 Speaker 1: London because not because I was there for the premiere 133 00:06:32,040 --> 00:06:33,719 Speaker 1: and thing, but I was just happened to be there, 134 00:06:34,240 --> 00:06:38,359 Speaker 1: so I saw it there. But then I then I 135 00:06:38,480 --> 00:06:42,160 Speaker 1: came back to America and saw it again. Goodness, and 136 00:06:42,600 --> 00:06:45,520 Speaker 1: because I had to confirm a few things, which is 137 00:06:45,560 --> 00:06:50,400 Speaker 1: that I didn't enjoy it at all pretty much or. 138 00:06:51,080 --> 00:06:53,800 Speaker 3: Uhys done, Katy can't even speak, I. 139 00:06:53,720 --> 00:06:54,440 Speaker 1: Know, and like that. 140 00:06:54,640 --> 00:06:56,960 Speaker 4: I'm just gonna say, I do think it's the worst 141 00:06:57,040 --> 00:07:00,680 Speaker 4: Magic mic. I do think it's the worst one. And 142 00:07:00,720 --> 00:07:02,760 Speaker 4: that's so interesting that you saw it in London because 143 00:07:02,800 --> 00:07:04,400 Speaker 4: it takes place in London. 144 00:07:04,640 --> 00:07:08,039 Speaker 1: Yeah, did not need to take place in London? 145 00:07:08,240 --> 00:07:11,880 Speaker 4: Did she think, like, oh no, certainly not. 146 00:07:12,200 --> 00:07:14,520 Speaker 2: No, he's not like climbing up big bed and like 147 00:07:14,600 --> 00:07:16,920 Speaker 2: humping it. But didn't I feel like. 148 00:07:16,920 --> 00:07:20,040 Speaker 4: There's like three locations in the entire movie. I feel 149 00:07:20,080 --> 00:07:23,600 Speaker 4: like it's like the theater and an apartment and. 150 00:07:23,000 --> 00:07:25,520 Speaker 1: At a double decker bus. I guess the double decker 151 00:07:26,160 --> 00:07:30,440 Speaker 1: you get. But I understand too, though, despite the fact 152 00:07:30,440 --> 00:07:33,920 Speaker 1: that I feel like, why London, that every like every 153 00:07:34,040 --> 00:07:38,440 Speaker 1: great shitty TV show has like an international episode. Yes, yeah, 154 00:07:38,480 --> 00:07:41,440 Speaker 1: like everybody's got to have an international trip. I get it. 155 00:07:41,520 --> 00:07:47,160 Speaker 1: But I I will say this, I realize coming out 156 00:07:47,160 --> 00:07:48,520 Speaker 1: of it, despite the fact that I didn't like it, 157 00:07:48,560 --> 00:07:52,160 Speaker 1: that I would pretty much watch Channing Tatum in any movie, 158 00:07:52,240 --> 00:07:55,640 Speaker 1: like I will follow him into the. 159 00:07:55,560 --> 00:07:59,360 Speaker 3: Fire, magic bank on the Moon You're there, which is 160 00:07:59,400 --> 00:08:02,680 Speaker 3: what makes this painful for me to not like. 161 00:08:02,680 --> 00:08:03,680 Speaker 1: It, you know what I mean? 162 00:08:04,640 --> 00:08:06,800 Speaker 4: Yeah, well, they it was actually interesting. I start up 163 00:08:06,800 --> 00:08:09,760 Speaker 4: the Alamo draft House and they had kind of a 164 00:08:10,400 --> 00:08:13,080 Speaker 4: edit of all of his dance scenes, like edited all 165 00:08:13,120 --> 00:08:16,560 Speaker 4: together before the showing of the movie, And it did 166 00:08:16,560 --> 00:08:19,960 Speaker 4: make me just like appreciate all that is Channing Tatum 167 00:08:20,000 --> 00:08:23,240 Speaker 4: and just like, yes, how there's not really another actor 168 00:08:23,400 --> 00:08:24,840 Speaker 4: out there like him? 169 00:08:25,120 --> 00:08:29,800 Speaker 1: Agree at all? Yeah, he for me feels very Patrick 170 00:08:29,840 --> 00:08:31,480 Speaker 1: swayzey but funny. 171 00:08:31,240 --> 00:08:34,040 Speaker 3: Yeah, yes, you know, very funny. Yeah, he's a funny 172 00:08:34,040 --> 00:08:35,319 Speaker 3: he's a he's a bro Swayze. 173 00:08:35,840 --> 00:08:39,360 Speaker 1: Yeah, I fucking love Channing Tatum and then so here, 174 00:08:39,559 --> 00:08:43,040 Speaker 1: so I will say this. I also read the Vanity 175 00:08:43,080 --> 00:08:46,240 Speaker 1: Fair article. He was on the cover of Vanity Fair, 176 00:08:46,240 --> 00:08:49,840 Speaker 1: and I like bought it in London and read it 177 00:08:49,880 --> 00:08:52,600 Speaker 1: on the plane. Uh, And there was a lot of 178 00:08:52,640 --> 00:08:57,040 Speaker 1: info in that that I think explains a little about 179 00:08:57,400 --> 00:08:59,800 Speaker 1: this third installment. 180 00:09:00,400 --> 00:09:01,679 Speaker 2: Okay, I'm already out. 181 00:09:01,679 --> 00:09:05,520 Speaker 3: If I need an accompanying article like a like a 182 00:09:05,720 --> 00:09:08,199 Speaker 3: crib notes to get through a movie, I A'm doing it. 183 00:09:08,720 --> 00:09:14,080 Speaker 1: Well, Okay, Casey, yes, Okay, since Daniel hasn't seen it, Daniel, 184 00:09:14,120 --> 00:09:17,199 Speaker 1: would you mind if Casey gave like a tiny synopsis 185 00:09:17,240 --> 00:09:18,199 Speaker 1: of what happens that? 186 00:09:18,559 --> 00:09:21,240 Speaker 3: Okay, I'm dying to know what happened from your guys' perspective, 187 00:09:21,280 --> 00:09:22,240 Speaker 3: like what went down? 188 00:09:22,480 --> 00:09:27,320 Speaker 4: Okay, Well, it's basically like magic Mike has fallen on 189 00:09:27,360 --> 00:09:32,560 Speaker 4: hard times and he is now bartending at parties, and 190 00:09:33,559 --> 00:09:36,440 Speaker 4: he is bartending at a rich person's party, and that 191 00:09:36,559 --> 00:09:40,400 Speaker 4: rich person is Selma Hayak, and she essentially is so 192 00:09:40,800 --> 00:09:44,839 Speaker 4: seduced by him after one evening that she hires him 193 00:09:45,400 --> 00:09:53,720 Speaker 4: to put on a dance review slash old theatrical production. 194 00:09:53,720 --> 00:09:55,760 Speaker 4: I can't even remember the name of that. It's the 195 00:09:55,800 --> 00:09:57,880 Speaker 4: play that they're putting on. But it's like a dance 196 00:09:57,960 --> 00:10:00,400 Speaker 4: take on, like kind of an old English theater play 197 00:10:01,080 --> 00:10:05,400 Speaker 4: and that that's it. And also they're they're they're in 198 00:10:05,440 --> 00:10:07,280 Speaker 4: love or they have a romance. 199 00:10:07,640 --> 00:10:08,240 Speaker 2: Of course they do. 200 00:10:08,480 --> 00:10:10,800 Speaker 3: Listen how hard at times are you falling on when 201 00:10:10,800 --> 00:10:12,760 Speaker 3: you're bartending in London and you're. 202 00:10:12,880 --> 00:10:17,080 Speaker 4: Jankass he's bartending in Miami, but he gets kind of 203 00:10:17,200 --> 00:10:18,960 Speaker 4: kidnapped by Selma Hayak. 204 00:10:18,960 --> 00:10:25,480 Speaker 1: He's human traffic. Yeah, like essentially, but it's but then, 205 00:10:25,720 --> 00:10:29,320 Speaker 1: but then, the craziest part is that they don't even 206 00:10:30,040 --> 00:10:32,160 Speaker 1: like it could have been a great moment for there 207 00:10:32,240 --> 00:10:34,439 Speaker 1: to be this like my fair Lady type of thing 208 00:10:34,480 --> 00:10:37,440 Speaker 1: where they were like, let's spit polish him and make them, 209 00:10:37,640 --> 00:10:40,000 Speaker 1: you know, like take off his Florida clothes. They actually 210 00:10:40,040 --> 00:10:41,920 Speaker 1: there is a sequence where they take off his Florida 211 00:10:41,960 --> 00:10:46,679 Speaker 1: clothes and they and they dress him in black hoodies. 212 00:10:47,920 --> 00:10:51,520 Speaker 3: Different taken the savile row like, let's get you a 213 00:10:51,760 --> 00:10:53,200 Speaker 3: bespoke hoodie. 214 00:10:54,040 --> 00:10:55,599 Speaker 4: That's literally what happens. 215 00:10:56,200 --> 00:10:59,160 Speaker 1: They take off the alternative apparel hoodie and put on 216 00:10:59,480 --> 00:11:02,960 Speaker 1: some fun seven hundred dollars Hoodie, and he doesn't look 217 00:11:03,040 --> 00:11:05,200 Speaker 1: any different, by the way, at all, Like he just 218 00:11:05,240 --> 00:11:08,760 Speaker 1: doesn't at all look different, Millie. 219 00:11:08,760 --> 00:11:11,839 Speaker 4: I think something that I thought was interesting. The thing 220 00:11:11,880 --> 00:11:13,800 Speaker 4: I thought that was sort of interesting about this movie 221 00:11:13,840 --> 00:11:16,840 Speaker 4: is that maybe you were going to say the same thing, Millie, 222 00:11:16,920 --> 00:11:20,199 Speaker 4: but that it's kind of like after the live show, 223 00:11:20,240 --> 00:11:23,920 Speaker 4: the Magic Mic Live Show, they kind of were This 224 00:11:23,960 --> 00:11:26,440 Speaker 4: is sort of like the movie version of the Magic 225 00:11:26,520 --> 00:11:32,280 Speaker 4: Mike Live Show. So in that way, it's sort of interesting, 226 00:11:32,400 --> 00:11:35,760 Speaker 4: but it is also a little soulless because it is 227 00:11:35,920 --> 00:11:40,040 Speaker 4: just sort of to have these sort of huge, like 228 00:11:40,440 --> 00:11:42,680 Speaker 4: big dance productions. 229 00:11:42,280 --> 00:11:46,040 Speaker 3: Exactly, it's yeah, there's no narrative pushing the dance. It's 230 00:11:46,080 --> 00:11:49,079 Speaker 3: just like we're gonna dance now, yeah, and then everybody 231 00:11:49,160 --> 00:11:53,960 Speaker 3: dancing out comes on and they're like bent basically yes. 232 00:11:54,160 --> 00:11:59,440 Speaker 1: Well, it's it's like there's I'm sorry, there's just not 233 00:11:59,600 --> 00:12:02,560 Speaker 1: enough ass in it. Like there's just not enough. 234 00:12:02,640 --> 00:12:04,880 Speaker 3: That is the number one complaint I have heard so 235 00:12:05,000 --> 00:12:07,440 Speaker 3: far from three different people where they're like I sat 236 00:12:07,480 --> 00:12:09,920 Speaker 3: there for forty minutes and didn't see a single ass. 237 00:12:10,840 --> 00:12:17,280 Speaker 1: They they Okay, I think we all understand why the 238 00:12:17,320 --> 00:12:23,000 Speaker 1: second film Magic Mike Double XL is a masterpiece. I'm 239 00:12:23,000 --> 00:12:24,239 Speaker 1: calling it a masterpiece. 240 00:12:24,400 --> 00:12:25,440 Speaker 2: I completely agree. 241 00:12:25,559 --> 00:12:28,240 Speaker 4: Okay, it's my wife's favorite film. 242 00:12:28,320 --> 00:12:32,880 Speaker 3: Yes, Okay, you're sitting around the fire at Christmas and 243 00:12:32,880 --> 00:12:34,480 Speaker 3: you're like, let's put on It's a Wonderful Life, and 244 00:12:34,520 --> 00:12:34,880 Speaker 3: she's like. 245 00:12:35,000 --> 00:12:36,679 Speaker 2: Or Magic Mike XXL. 246 00:12:37,040 --> 00:12:38,920 Speaker 1: Well, and this is great. This is great that we 247 00:12:38,960 --> 00:12:40,400 Speaker 1: have you on casey because you can give us like 248 00:12:40,440 --> 00:12:43,600 Speaker 1: the straight male perspective on this because it's like, like, 249 00:12:44,000 --> 00:12:50,160 Speaker 1: I feel like it's a masterpiece because it absolutely understood 250 00:12:50,200 --> 00:12:52,280 Speaker 1: the mission. Like it was like, oh, the first one 251 00:12:53,240 --> 00:12:56,800 Speaker 1: was kind of this like dark character study of this 252 00:12:56,960 --> 00:13:00,360 Speaker 1: you know guy that's kind of like, you know, to 253 00:13:00,800 --> 00:13:04,760 Speaker 1: the profession, and he gets taken under Magic Mike's wing 254 00:13:04,840 --> 00:13:06,960 Speaker 1: and then he kind of, you know, gets caught up 255 00:13:07,000 --> 00:13:10,200 Speaker 1: in the lifestyle and all that stuff. And then the 256 00:13:10,320 --> 00:13:12,640 Speaker 1: second one they were like, well, it seems like everybody 257 00:13:12,920 --> 00:13:15,240 Speaker 1: just really liked the corny. 258 00:13:14,880 --> 00:13:17,600 Speaker 3: Guys dancing, so why don't we just do that the 259 00:13:17,760 --> 00:13:20,800 Speaker 3: entire time, and then let's throw in Jada Pinkett Smith 260 00:13:21,200 --> 00:13:23,400 Speaker 3: to make it even like take it to another level. 261 00:13:23,800 --> 00:13:27,679 Speaker 1: Yes, yes, I have I have something to say about that. 262 00:13:27,960 --> 00:13:29,920 Speaker 1: In reference to the third movie. But we'll get to 263 00:13:29,960 --> 00:13:32,880 Speaker 1: that later. But I'm just saying that, Like, so that's 264 00:13:32,960 --> 00:13:37,960 Speaker 1: why the third one felt bad in a way, because 265 00:13:38,000 --> 00:13:40,200 Speaker 1: I was just like, well, then, well here's the thing. 266 00:13:40,280 --> 00:13:45,720 Speaker 1: He ostensibly like hires twenty dudes in London to put 267 00:13:45,720 --> 00:13:50,600 Speaker 1: on this show, and they barely have their shirts off. 268 00:13:50,800 --> 00:13:53,719 Speaker 1: Like there's one dance sequence where there wearing full suits, and. 269 00:13:53,679 --> 00:13:59,560 Speaker 4: I'm like, there's no stripping, really, movie, I mean, also, 270 00:13:59,679 --> 00:14:01,720 Speaker 4: I don't think any of those other men have like 271 00:14:01,800 --> 00:14:07,080 Speaker 4: a single line of dialogue. Yes, what because it's you know, 272 00:14:07,200 --> 00:14:09,240 Speaker 4: the second one is so great because it is about 273 00:14:09,280 --> 00:14:13,040 Speaker 4: the camaraderie of the strippers, you know, as they make 274 00:14:13,120 --> 00:14:17,280 Speaker 4: their way up the coast ye stripping competition. 275 00:14:17,800 --> 00:14:17,959 Speaker 3: Uh. 276 00:14:18,280 --> 00:14:20,760 Speaker 4: And it's almost the second one. I had a hard 277 00:14:20,760 --> 00:14:22,520 Speaker 4: time when I first saw it because it's almost like 278 00:14:22,560 --> 00:14:25,760 Speaker 4: an art film in that there there is literally no 279 00:14:26,120 --> 00:14:31,240 Speaker 4: conflict or stakes whatsoever. So there has to be there's 280 00:14:31,240 --> 00:14:35,600 Speaker 4: something else more magical propelling the film forward, which is like, 281 00:14:35,800 --> 00:14:40,960 Speaker 4: you know, thrusting and stripping, and so a lot of 282 00:14:41,040 --> 00:14:43,080 Speaker 4: none of that camaraderie is in the third one, and 283 00:14:43,120 --> 00:14:46,040 Speaker 4: it really does. I don't know that changes it, that 284 00:14:46,120 --> 00:14:47,080 Speaker 4: changes it totally. 285 00:14:47,680 --> 00:14:51,720 Speaker 1: I I one hundred percent agree with that. And here 286 00:14:51,760 --> 00:14:54,640 Speaker 1: here's what I will say, because obviously what I think 287 00:14:54,880 --> 00:14:59,640 Speaker 1: happened is that instead of having the Corny guy gang 288 00:15:00,120 --> 00:15:03,840 Speaker 1: come back and give the new corny guys a chance 289 00:15:03,920 --> 00:15:06,200 Speaker 1: to talk like I was like, oh, they're British, they 290 00:15:06,200 --> 00:15:11,000 Speaker 1: could have been like thanks for hiring me and me abs. 291 00:15:10,400 --> 00:15:13,200 Speaker 2: Thank you, thank you. 292 00:15:13,200 --> 00:15:14,760 Speaker 1: You won't mean the strip now. 293 00:15:14,880 --> 00:15:17,480 Speaker 3: I mean, like every British listener we've ever had just 294 00:15:17,520 --> 00:15:19,760 Speaker 3: burn their computer to the ground, just threw their phone 295 00:15:19,800 --> 00:15:20,480 Speaker 3: into the ocean. 296 00:15:21,040 --> 00:15:23,280 Speaker 1: You're like, burn her passport. She's not allowed back in 297 00:15:23,280 --> 00:15:25,880 Speaker 1: this country. She had in a horrible accent. 298 00:15:26,960 --> 00:15:29,080 Speaker 3: But that's also like if you're going for like a 299 00:15:29,120 --> 00:15:31,760 Speaker 3: place and again have not seen it, but as a writer, 300 00:15:32,000 --> 00:15:33,760 Speaker 3: if I'm going for a place where I'm like, all right. 301 00:15:34,200 --> 00:15:36,280 Speaker 3: The thing that made the second one so special is 302 00:15:36,320 --> 00:15:38,480 Speaker 3: that it was almost all ass all the time. It 303 00:15:38,520 --> 00:15:42,920 Speaker 3: was just full stripping. Stripping was the narrative thrust of 304 00:15:42,960 --> 00:15:46,680 Speaker 3: the film. And if you're gonna do that and take 305 00:15:46,720 --> 00:15:48,080 Speaker 3: it to a place where you're like, all right, we're 306 00:15:48,080 --> 00:15:49,960 Speaker 3: gonna this is the last time we're doing it, we're 307 00:15:50,000 --> 00:15:52,240 Speaker 3: taking it to another level. If you're basing it on 308 00:15:52,440 --> 00:15:57,800 Speaker 3: the stereotypical, like the stereotype of a geography. London is 309 00:15:57,800 --> 00:15:58,960 Speaker 3: not the place to go. You want to go to 310 00:15:59,000 --> 00:16:00,600 Speaker 3: fucking Brazil to Carnival. 311 00:16:01,800 --> 00:16:02,720 Speaker 1: Oh, that would have been. 312 00:16:02,600 --> 00:16:08,000 Speaker 4: Good, right, I thought, for sure. I'm sorry if this 313 00:16:08,040 --> 00:16:09,920 Speaker 4: is a little bit, Danielle, do you mind if I 314 00:16:10,000 --> 00:16:10,880 Speaker 4: this is a little. 315 00:16:10,600 --> 00:16:13,000 Speaker 1: Spoiler warning, Go for it. 316 00:16:13,000 --> 00:16:16,880 Speaker 4: It's magic, Mike, Okay. I thought for sure. At the 317 00:16:16,920 --> 00:16:19,360 Speaker 4: end of the third one, it was like, this isn't working, 318 00:16:19,400 --> 00:16:21,800 Speaker 4: the show's not working. I got to bring in my boys, 319 00:16:21,960 --> 00:16:26,000 Speaker 4: my Florida Boys, Florida Bruise, and that did not happen. 320 00:16:26,120 --> 00:16:28,720 Speaker 4: And in fact, they are only the Florida Boys are 321 00:16:28,720 --> 00:16:32,720 Speaker 4: only featured in one of the worst like filmed zoom 322 00:16:32,800 --> 00:16:35,960 Speaker 4: call scenes I've ever seen, Like, didn't you feel like 323 00:16:36,000 --> 00:16:38,480 Speaker 4: that was like their zooms were like actually going in 324 00:16:38,560 --> 00:16:41,000 Speaker 4: and out and it was I don't know. I thought 325 00:16:41,000 --> 00:16:43,440 Speaker 4: it was an insult to the second film just having 326 00:16:43,480 --> 00:16:44,840 Speaker 4: that that scene in there. 327 00:16:44,960 --> 00:16:46,440 Speaker 2: Oh, you either have them in there or don't have 328 00:16:46,560 --> 00:16:46,960 Speaker 2: them at all. 329 00:16:47,120 --> 00:16:48,920 Speaker 4: Yes, sure, exactly so. 330 00:16:49,240 --> 00:16:54,120 Speaker 1: Yeah, And I think having it in there made me sick. 331 00:16:54,640 --> 00:16:58,680 Speaker 1: I was like, I can't stand I can't stand that 332 00:16:58,680 --> 00:17:01,640 Speaker 1: they're not going to be know in the in the 333 00:17:01,680 --> 00:17:03,560 Speaker 1: real world, they're going to be on a zoom call 334 00:17:03,640 --> 00:17:05,440 Speaker 1: for ten minutes, not even. 335 00:17:05,720 --> 00:17:07,840 Speaker 3: That's so it couldn't even been like a past the 336 00:17:07,920 --> 00:17:10,520 Speaker 3: torch moment, like have the guys come to teach them 337 00:17:10,560 --> 00:17:13,200 Speaker 3: the moves and teach them how to take the suits off? 338 00:17:13,800 --> 00:17:16,080 Speaker 4: Yeah, I think that, Oh that would have been so good. Yeah, 339 00:17:16,080 --> 00:17:18,080 Speaker 4: because you could have been like, you guys are so uptight, 340 00:17:18,119 --> 00:17:20,160 Speaker 4: you know, British people. We got to teach you how to. 341 00:17:20,119 --> 00:17:23,040 Speaker 3: Relax, and like, this is why I get paid the 342 00:17:23,080 --> 00:17:25,920 Speaker 3: big bucks guys, because I and be like, here's what's up. 343 00:17:26,400 --> 00:17:29,360 Speaker 1: This is the plot. Okay, So here's what I will 344 00:17:29,400 --> 00:17:34,520 Speaker 1: say to this exact point. Okay, because from what I understand, 345 00:17:34,920 --> 00:17:40,760 Speaker 1: these films are written by men, right. And and this 346 00:17:40,800 --> 00:17:43,320 Speaker 1: is what I read in this Vanity Fair article with 347 00:17:43,560 --> 00:17:45,280 Speaker 1: Channing Tatum, which I believe is on the internet. 348 00:17:45,320 --> 00:17:45,840 Speaker 2: Go look it up. 349 00:17:46,320 --> 00:17:49,200 Speaker 1: And I'm paraphrasing, not quote. This is not direct quote 350 00:17:49,240 --> 00:17:54,520 Speaker 1: from Channing himself. Don't see us, but he said that 351 00:17:54,880 --> 00:17:58,920 Speaker 1: essentially he felt like him and the producers or whoever 352 00:17:59,000 --> 00:18:04,919 Speaker 1: the people involved than making the movie, We're like, we 353 00:18:04,960 --> 00:18:06,959 Speaker 1: didn't feel like we could get away with making a 354 00:18:07,000 --> 00:18:14,800 Speaker 1: third movie. That did not have a prominent female lead. Okay, 355 00:18:15,040 --> 00:18:18,000 Speaker 1: just from you know the world and in the spirit 356 00:18:18,040 --> 00:18:23,520 Speaker 1: of being inclusive. Now I respect that, and I feel 357 00:18:23,560 --> 00:18:26,159 Speaker 1: like maybe that's what happened with the second film. Is 358 00:18:26,200 --> 00:18:28,280 Speaker 1: that's why Jada Pinkett Smith's in the movie is because 359 00:18:28,280 --> 00:18:33,080 Speaker 1: there needed to be you know, a character. Yes. 360 00:18:33,440 --> 00:18:33,680 Speaker 2: Yeah. 361 00:18:34,119 --> 00:18:39,960 Speaker 1: However, the third one is truly like using the Selma 362 00:18:40,040 --> 00:18:42,560 Speaker 1: hy character as like a co main character because she's 363 00:18:42,600 --> 00:18:45,920 Speaker 1: like in the movie all the time she talks about 364 00:18:45,920 --> 00:18:48,720 Speaker 1: her interior life, about how she's married to this rich guy. 365 00:18:48,800 --> 00:18:52,919 Speaker 1: She's not happy. The whole storyline for her is is 366 00:18:52,960 --> 00:18:55,800 Speaker 1: it like she does she marry for money or love? 367 00:18:55,920 --> 00:18:58,000 Speaker 1: And you know, if she like gets with Magic Mike, 368 00:18:58,119 --> 00:19:00,480 Speaker 1: she's broke but in love. But if she stays with 369 00:19:00,520 --> 00:19:03,320 Speaker 1: her husband, and why why do women have to choose? 370 00:19:03,359 --> 00:19:03,600 Speaker 4: Why? 371 00:19:03,680 --> 00:19:07,280 Speaker 1: Why? Why are women put in this position? All very 372 00:19:07,520 --> 00:19:12,080 Speaker 1: very interesting, But I don't want that in Magic Mike. 373 00:19:12,480 --> 00:19:13,840 Speaker 1: And I hate. 374 00:19:13,640 --> 00:19:19,480 Speaker 3: To say that speaking that shit from Little Women, well, I. 375 00:19:19,480 --> 00:19:23,080 Speaker 1: Understand it's like in a weird way, it feels like 376 00:19:23,119 --> 00:19:25,760 Speaker 1: it they overcorrect it. And I don't know if this 377 00:19:25,800 --> 00:19:28,520 Speaker 1: makes me a bad feminist, but I'm saying as a feminist. 378 00:19:29,240 --> 00:19:33,040 Speaker 1: I don't actually need that from y'all. Like, to me, 379 00:19:34,000 --> 00:19:39,280 Speaker 1: the corny stripper guys in a way are are are 380 00:19:39,400 --> 00:19:45,000 Speaker 1: the feminized. Their characters are experiencing a gaze, right yep. 381 00:19:45,359 --> 00:19:46,680 Speaker 4: Yes, So. 382 00:19:48,600 --> 00:19:52,720 Speaker 1: That to me feels like satisfying as a as a 383 00:19:52,720 --> 00:19:53,840 Speaker 1: as a female viewer. 384 00:19:54,520 --> 00:19:55,960 Speaker 2: And the Jada character in. 385 00:19:55,920 --> 00:19:59,199 Speaker 3: The second one, I think because she wasn't overused, and 386 00:19:59,240 --> 00:19:59,600 Speaker 3: she did. 387 00:19:59,720 --> 00:20:01,760 Speaker 2: She wasn't prominent in the movie, but she. 388 00:20:01,760 --> 00:20:04,440 Speaker 1: Had a crucial part of the plot. Yeah, that's all 389 00:20:04,480 --> 00:20:04,840 Speaker 1: I need. 390 00:20:05,000 --> 00:20:05,119 Speaker 2: Is it? 391 00:20:05,280 --> 00:20:07,680 Speaker 3: Like she's a woman who has something to do and 392 00:20:07,840 --> 00:20:10,840 Speaker 3: is not just arm candy for magic Mike. 393 00:20:11,680 --> 00:20:12,760 Speaker 1: Yeah, Like that's all I need. 394 00:20:13,040 --> 00:20:14,720 Speaker 3: You don't have to overcorrect to the point where you're like, 395 00:20:14,720 --> 00:20:17,120 Speaker 3: we're gonna now make this about this movie is now 396 00:20:17,160 --> 00:20:19,920 Speaker 3: half about this woman that nobody cares about and it's 397 00:20:19,960 --> 00:20:23,000 Speaker 3: never met and doesn't make sense to the world. 398 00:20:23,640 --> 00:20:26,240 Speaker 1: Well, and like they spend a lot of time kind 399 00:20:26,280 --> 00:20:30,159 Speaker 1: of debating whether or not she was nuts, you know 400 00:20:30,320 --> 00:20:31,119 Speaker 1: how great? 401 00:20:33,080 --> 00:20:36,360 Speaker 4: Yes, well it's it's interesting because yeah, like the second 402 00:20:36,480 --> 00:20:39,520 Speaker 4: film is very much from the female gaze, and in 403 00:20:39,560 --> 00:20:43,120 Speaker 4: that way, it feels more of a feminist film, even 404 00:20:43,119 --> 00:20:47,520 Speaker 4: though they're objectifying they're objectifying men much more in that movie, 405 00:20:47,520 --> 00:20:51,800 Speaker 4: and it's all about like asses and muscly chests and stuff. 406 00:20:51,880 --> 00:20:54,480 Speaker 4: And I thought that Selma Hyat the whole time was 407 00:20:54,480 --> 00:20:57,720 Speaker 4: gonna end up being somewhat of a sinister character because 408 00:20:57,760 --> 00:20:59,879 Speaker 4: we've seen that kind of archetype, and like in a 409 00:21:00,000 --> 00:21:05,280 Speaker 4: American in Paris, where like the Gene Kelly character is 410 00:21:05,359 --> 00:21:09,840 Speaker 4: kind of taken advantage of by this older, richer woman. 411 00:21:09,920 --> 00:21:12,720 Speaker 4: I don't know, it just it was not I didn't 412 00:21:12,720 --> 00:21:14,720 Speaker 4: get the sense that it was like finally they're telling 413 00:21:15,280 --> 00:21:18,560 Speaker 4: the woman's story. Magic. You know, it wasn't. 414 00:21:18,320 --> 00:21:21,719 Speaker 3: That because it doesn't need it. Magic is about the mics, 415 00:21:21,840 --> 00:21:24,920 Speaker 3: come on, come on. And it's still that's the thing. 416 00:21:24,960 --> 00:21:27,280 Speaker 3: Like the first two movies are still interesting to me 417 00:21:27,880 --> 00:21:31,160 Speaker 3: from a feminist perspective because they're telling a gendered story 418 00:21:32,280 --> 00:21:34,280 Speaker 3: and it's a gendered story that you're not used to 419 00:21:34,920 --> 00:21:36,639 Speaker 3: seeing and talking about. 420 00:21:36,640 --> 00:21:38,040 Speaker 2: Like the interior. 421 00:21:37,600 --> 00:21:41,200 Speaker 3: Lives of these men who exist in that female gaze 422 00:21:41,640 --> 00:21:43,320 Speaker 3: is interesting, and just. 423 00:21:43,320 --> 00:21:47,399 Speaker 1: The idea that they have to navigate, you know, like 424 00:21:48,320 --> 00:21:51,360 Speaker 1: sex work essentially, where they have to navigate that world 425 00:21:51,840 --> 00:21:55,560 Speaker 1: where they have to take care of their bodies and 426 00:21:55,600 --> 00:21:59,119 Speaker 1: they have to be a fantasy to people, which is 427 00:21:59,160 --> 00:22:03,560 Speaker 1: obviously like an interesting that's an interesting gender reversal story, 428 00:22:03,600 --> 00:22:06,639 Speaker 1: you know. To me, I'm like, okay, so that is 429 00:22:06,800 --> 00:22:11,080 Speaker 1: enough for me, and I actually wanted to see you know, 430 00:22:11,160 --> 00:22:14,119 Speaker 1: like I'm curious about that world, which is why I 431 00:22:14,160 --> 00:22:17,359 Speaker 1: want to be invested so badly into Magic Mike. But 432 00:22:18,560 --> 00:22:20,840 Speaker 1: I felt like the third movie was trying too hard 433 00:22:20,840 --> 00:22:24,480 Speaker 1: to kind of shoehorn in this like this huge kind 434 00:22:24,520 --> 00:22:30,200 Speaker 1: of message about you know how women and have you know, 435 00:22:30,320 --> 00:22:35,000 Speaker 1: basically they have no agency to choose the types of 436 00:22:35,040 --> 00:22:36,399 Speaker 1: men that they want to date or whatever. And I 437 00:22:36,400 --> 00:22:38,359 Speaker 1: was just kind of like, and then they fall in love, 438 00:22:38,600 --> 00:22:41,480 Speaker 1: which I'm kind of like, why that it was a 439 00:22:41,600 --> 00:22:44,120 Speaker 1: very very short period of time that they knew each other. 440 00:22:44,160 --> 00:22:48,720 Speaker 1: It's basically like it goes from Selma Hayek is digmatized 441 00:22:48,840 --> 00:22:53,200 Speaker 1: in her own living room with no window coverings at all. 442 00:22:53,320 --> 00:22:56,960 Speaker 1: By the way, it was definitely sexy living in mid air, 443 00:22:57,000 --> 00:23:01,120 Speaker 1: even though she lived on the ground fear. But then 444 00:23:01,160 --> 00:23:03,040 Speaker 1: it was like it was more from that to like 445 00:23:03,760 --> 00:23:05,800 Speaker 1: we only have a month to put on the show, 446 00:23:05,880 --> 00:23:08,760 Speaker 1: or like some very short period of time for all 447 00:23:08,800 --> 00:23:11,959 Speaker 1: of this story to happen. There's a daughter character in 448 00:23:12,000 --> 00:23:16,720 Speaker 1: the film, which is also very strange to me because 449 00:23:16,760 --> 00:23:20,399 Speaker 1: first of all, she kind of is like a narrator. 450 00:23:20,800 --> 00:23:21,880 Speaker 4: She is the narrator. 451 00:23:22,040 --> 00:23:24,040 Speaker 1: She is she's kind He's like. 452 00:23:24,040 --> 00:23:24,560 Speaker 2: She is. 453 00:23:28,400 --> 00:23:33,639 Speaker 1: Like a preteen or like high school age girl is 454 00:23:33,640 --> 00:23:37,280 Speaker 1: the narrator for this strip third Installment and a stripper, 455 00:23:37,280 --> 00:23:40,680 Speaker 1: a male strippergy. 456 00:23:39,880 --> 00:23:42,919 Speaker 4: And when that movie started with her voice over and 457 00:23:42,960 --> 00:23:46,240 Speaker 4: you're in Miami with Channing Tatum, it is very jarring 458 00:23:46,280 --> 00:23:48,720 Speaker 4: and confusing. Why there's like a twelve year old British 459 00:23:48,760 --> 00:23:51,760 Speaker 4: girl speaking as the narrator of Magic Mind? 460 00:23:52,480 --> 00:23:53,760 Speaker 2: Like did he kidnap a child? 461 00:23:53,840 --> 00:23:55,119 Speaker 1: Has a lot of this movie. 462 00:23:56,000 --> 00:23:58,040 Speaker 3: He's no doubt on his luck that he kidnapped a 463 00:23:58,040 --> 00:23:59,959 Speaker 3: British child and he's gonna hold her for ransom. 464 00:24:00,040 --> 00:24:01,080 Speaker 2: What is this movie gonna be? 465 00:24:01,640 --> 00:24:03,840 Speaker 1: I know? And I was like, it's it sounds like 466 00:24:03,960 --> 00:24:07,080 Speaker 1: it's gonna be, you know, some like uh fairy tale 467 00:24:07,680 --> 00:24:10,800 Speaker 1: type thing. But then she materializes as an actual character 468 00:24:10,880 --> 00:24:17,960 Speaker 1: and it's like she is clearly black, and it's like 469 00:24:18,119 --> 00:24:21,600 Speaker 1: and then you know, de Selma Hyak character. They had 470 00:24:21,640 --> 00:24:24,080 Speaker 1: to explain that a way, like oh, she was adopted 471 00:24:24,160 --> 00:24:26,480 Speaker 1: or something like that, because it was like obviously a 472 00:24:27,200 --> 00:24:30,000 Speaker 1: You know, a Latino woman and a white guy do 473 00:24:30,160 --> 00:24:31,520 Speaker 1: not make a black girl. 474 00:24:32,560 --> 00:24:36,080 Speaker 2: We don't need any of this for magic. For kitchen 475 00:24:36,160 --> 00:24:38,359 Speaker 2: sponge at the screen is what we need. 476 00:24:38,440 --> 00:24:41,360 Speaker 1: We don't need any of the Well. 477 00:24:41,240 --> 00:24:44,119 Speaker 4: On the last episode, Danielle, I believe you said you 478 00:24:44,240 --> 00:24:48,600 Speaker 4: didn't want to see this movie because Steve Buscemi wasn't 479 00:24:48,640 --> 00:24:52,840 Speaker 4: it correct? Okay, not enough people are talking about that. 480 00:24:52,880 --> 00:24:54,160 Speaker 2: I mean, this is where my. 481 00:24:54,160 --> 00:24:54,960 Speaker 1: Crush level is. 482 00:24:54,960 --> 00:24:56,480 Speaker 2: But I also think this is where we need to 483 00:24:56,520 --> 00:24:57,760 Speaker 2: be as a society. 484 00:24:58,080 --> 00:24:59,240 Speaker 1: Is like, why aren't we getting some. 485 00:24:59,320 --> 00:25:01,840 Speaker 3: Old as, like if you're doing it in London, get 486 00:25:01,880 --> 00:25:04,640 Speaker 3: some fucking retired ass London strippers to be up there, 487 00:25:04,680 --> 00:25:06,520 Speaker 3: like shake it up a little bit, give me something new, 488 00:25:06,520 --> 00:25:08,320 Speaker 3: give me Steve who sent me, give me something new. 489 00:25:08,680 --> 00:25:12,280 Speaker 1: At bare minimum, he could have been I mean, honestly, 490 00:25:12,320 --> 00:25:14,840 Speaker 1: he should have been one of the dancers. Let's get serious. 491 00:25:15,400 --> 00:25:20,199 Speaker 1: But if not, he could have been that Sassy Butler character. 492 00:25:21,440 --> 00:25:24,840 Speaker 1: Sassy Butler. No, come on, this. 493 00:25:24,720 --> 00:25:26,879 Speaker 3: Movie has suffered from a little bit something I like 494 00:25:26,880 --> 00:25:28,600 Speaker 3: to call too much movie. As you all know, and 495 00:25:28,640 --> 00:25:30,040 Speaker 3: I haven't even seen it, and I can tell from 496 00:25:30,080 --> 00:25:31,719 Speaker 3: the description it's too much movie. 497 00:25:32,760 --> 00:25:36,920 Speaker 1: I yeah, and I unfortunately love most, if not all, 498 00:25:36,960 --> 00:25:38,919 Speaker 1: of the people involved. So I'm like, this is what 499 00:25:39,160 --> 00:25:39,680 Speaker 1: is happening. 500 00:25:39,680 --> 00:25:43,520 Speaker 5: I don't like this movie and I saw it twice 501 00:25:44,080 --> 00:25:48,160 Speaker 5: to make sure, but Katy liked it, So wow, did 502 00:25:48,160 --> 00:25:49,960 Speaker 5: you what is it? 503 00:25:50,000 --> 00:25:53,840 Speaker 4: I think that you know, it hasn't aged well in 504 00:25:53,880 --> 00:25:56,119 Speaker 4: my Like I was even talking about this with my 505 00:25:56,160 --> 00:25:58,399 Speaker 4: wife Trisha this morning. I was like, you know what 506 00:25:58,440 --> 00:26:02,919 Speaker 4: it really is? They're the worst one. 507 00:26:02,000 --> 00:26:02,400 Speaker 1: And. 508 00:26:04,040 --> 00:26:07,000 Speaker 4: I yeah, I just there's not I think I knew 509 00:26:07,040 --> 00:26:09,480 Speaker 4: going in that it was kind of the movie version 510 00:26:09,560 --> 00:26:11,320 Speaker 4: of the stage show, so I was like, oh, that's 511 00:26:11,440 --> 00:26:14,720 Speaker 4: kind of fun. And I wasn't expecting very much, but 512 00:26:16,240 --> 00:26:18,720 Speaker 4: I mean it's it's a light romp. It's fine, but 513 00:26:19,000 --> 00:26:22,200 Speaker 4: it's no, it's not. It's hard to follow up a masterpiece. 514 00:26:22,320 --> 00:26:25,160 Speaker 1: Like as you've said, this is true. This is true. 515 00:26:25,160 --> 00:26:26,880 Speaker 3: So it didn't even need to exist, Like they could 516 00:26:26,880 --> 00:26:29,800 Speaker 3: have left us with Magic XXL and the live show 517 00:26:29,880 --> 00:26:30,879 Speaker 3: and called it quits. 518 00:26:31,000 --> 00:26:31,920 Speaker 4: Yeah. 519 00:26:32,000 --> 00:26:33,920 Speaker 1: I mean there's a part of me that's like, well, 520 00:26:33,960 --> 00:26:36,639 Speaker 1: now we got to have more to make because we 521 00:26:36,680 --> 00:26:37,840 Speaker 1: can't just end like this. 522 00:26:37,920 --> 00:26:38,960 Speaker 2: We have to fix this. 523 00:26:39,600 --> 00:26:42,480 Speaker 1: It's like whatever the film equivalent is to like overplucking 524 00:26:42,520 --> 00:26:45,879 Speaker 1: your eyebrows. That's how I feel right now. I'm just like, 525 00:26:45,920 --> 00:26:50,520 Speaker 1: well then, now let's just fucking go to Paris and Japan. 526 00:26:51,040 --> 00:26:51,680 Speaker 2: Oh good? 527 00:26:52,000 --> 00:26:55,960 Speaker 1: And do you know something where they're you know, maybe 528 00:26:56,040 --> 00:26:58,200 Speaker 1: it takes place on a boat. One of them takes 529 00:26:58,200 --> 00:27:02,119 Speaker 1: place on a boat, or like a high rise that's crumbling, 530 00:27:02,240 --> 00:27:04,639 Speaker 1: like making a full disaster film. I don't know, like 531 00:27:05,359 --> 00:27:09,919 Speaker 1: because the corny guys guys so badly to be in it, 532 00:27:10,040 --> 00:27:10,400 Speaker 1: I know. 533 00:27:10,600 --> 00:27:11,119 Speaker 2: I'm telling you. 534 00:27:11,160 --> 00:27:12,480 Speaker 1: It's Magic Make on the Moon. 535 00:27:13,080 --> 00:27:16,000 Speaker 3: This is how I would have written this, this next installment, 536 00:27:16,040 --> 00:27:17,280 Speaker 3: it's Magic Make on the Moon. 537 00:27:17,720 --> 00:27:19,160 Speaker 2: They're stripping astronauts. 538 00:27:19,440 --> 00:27:21,760 Speaker 3: One of the guys is diagnosed with a terminal illness 539 00:27:21,920 --> 00:27:25,120 Speaker 3: and the last scene is him stripping his astronaut suit. 540 00:27:24,960 --> 00:27:26,920 Speaker 2: Off outside the specie of ship. 541 00:27:27,200 --> 00:27:30,239 Speaker 3: While all the other guys are crying and he's like 542 00:27:30,400 --> 00:27:31,560 Speaker 3: one last strip. 543 00:27:31,320 --> 00:27:33,920 Speaker 2: And then he takes his helmet off and he's dead. 544 00:27:36,840 --> 00:27:45,000 Speaker 1: Dude, pony if the pony, yes, it's done in zero gravity, 545 00:27:45,640 --> 00:27:48,800 Speaker 1: thank you, and they'd have to pump like as you 546 00:27:48,840 --> 00:27:54,040 Speaker 1: know in space. Fuck. That's so good, Daniel. 547 00:27:54,200 --> 00:27:57,880 Speaker 4: It can be like a solemn remix, Yes, a solemn 548 00:27:57,880 --> 00:27:59,240 Speaker 4: remix of Pony too. 549 00:27:59,400 --> 00:28:03,040 Speaker 3: You know, remix Pony with Kate Blanche with Kate Bush 550 00:28:03,119 --> 00:28:08,119 Speaker 3: is this woman's work shripping. Mike has been diagnosed with 551 00:28:08,119 --> 00:28:12,040 Speaker 3: a terminal illness and he's doing Pony and he takes 552 00:28:12,040 --> 00:28:15,440 Speaker 3: the helmet off and the screen goes black. And that's 553 00:28:15,480 --> 00:28:17,240 Speaker 3: why I don't get paid the big books, because I 554 00:28:17,240 --> 00:28:18,800 Speaker 3: would literally pitch that movie. 555 00:28:19,880 --> 00:28:23,280 Speaker 1: Well, you'd get my money in a heartbeat. I would 556 00:28:23,280 --> 00:28:24,360 Speaker 1: say it four times. 557 00:28:24,800 --> 00:28:29,040 Speaker 2: God, well, this was a tree we have to see. 558 00:28:29,680 --> 00:28:30,400 Speaker 1: Let's plan on. 559 00:28:30,400 --> 00:28:32,840 Speaker 3: All seeing the same movie again at some point, either 560 00:28:32,880 --> 00:28:34,320 Speaker 3: together or just at the same time. 561 00:28:34,359 --> 00:28:36,000 Speaker 2: Because Casey, I love having you on the show. 562 00:28:36,080 --> 00:28:37,960 Speaker 4: Oh thank you for having me. This is very fun. 563 00:28:38,760 --> 00:28:42,080 Speaker 3: And if you don't already know, if we haven't repped 564 00:28:42,080 --> 00:28:46,000 Speaker 3: it enough, Casey co hosts an incredible film podcast called 565 00:28:46,040 --> 00:28:51,040 Speaker 3: farth House and you gotta listen, give it a listen. 566 00:28:51,040 --> 00:28:52,240 Speaker 4: Thank you, Danielle. 567 00:28:52,240 --> 00:28:56,760 Speaker 1: I appreciate it. He doesn't, Yeah, he doesn't know this, 568 00:28:56,840 --> 00:28:59,120 Speaker 1: but I'm like such a creepy fucking fan of Farthhouse. 569 00:28:59,200 --> 00:29:02,480 Speaker 1: Like I'm I'm not on the discord because I just 570 00:29:02,560 --> 00:29:05,080 Speaker 1: don't know how it works. But if I if I 571 00:29:05,120 --> 00:29:07,800 Speaker 1: knew how it works, I'd be like creeping while you sleeping, 572 00:29:08,120 --> 00:29:12,240 Speaker 1: Like I need it. I need the car house. I'm 573 00:29:12,280 --> 00:29:14,000 Speaker 1: like every time you guys talk about like people in 574 00:29:14,000 --> 00:29:16,840 Speaker 1: your real lives, I'm like, who are they? They must 575 00:29:16,880 --> 00:29:23,280 Speaker 1: be so cool to know Patrick and Casey. Oh my god, amazing, amazing, amazing. 576 00:29:23,280 --> 00:29:25,760 Speaker 3: Well, yes, please keep producing our podcast because we love it. 577 00:29:25,760 --> 00:29:27,959 Speaker 3: I will, but also come back anytime. 578 00:29:28,360 --> 00:29:29,600 Speaker 1: Oh well, thank you so much. 579 00:29:29,720 --> 00:29:31,880 Speaker 2: This was is always open. You know where to find us. 580 00:29:37,160 --> 00:29:38,600 Speaker 2: That was so nice. 581 00:29:38,680 --> 00:29:41,360 Speaker 3: I love I just love Casey me too, how I 582 00:29:41,400 --> 00:29:43,240 Speaker 3: feel about men. He knows how I feel about men. 583 00:29:43,720 --> 00:29:44,600 Speaker 3: I truly love Casey. 584 00:29:44,680 --> 00:29:47,959 Speaker 1: He's the only one we like, the only one truly. 585 00:29:48,000 --> 00:29:49,480 Speaker 2: Everyone else jumps out of the way. 586 00:29:50,840 --> 00:29:52,600 Speaker 1: Well, and like, also, thanks for letting me get that 587 00:29:52,600 --> 00:29:54,240 Speaker 1: off my chest. I know how annoying it is to 588 00:29:54,320 --> 00:30:00,800 Speaker 1: talk about a movie when you haven't seen it. 589 00:30:00,360 --> 00:30:02,800 Speaker 3: Because like, no, this makes perfect sense. I wanted to 590 00:30:02,800 --> 00:30:05,320 Speaker 3: give you the space. But also, like I said, I've 591 00:30:05,360 --> 00:30:07,479 Speaker 3: heard about the film. I've heard how disappointed people are 592 00:30:07,520 --> 00:30:10,040 Speaker 3: in the film, and I kind of was curious to 593 00:30:10,080 --> 00:30:12,000 Speaker 3: see from your perspective. 594 00:30:12,400 --> 00:30:14,600 Speaker 2: People who both liked the second one. 595 00:30:14,440 --> 00:30:16,760 Speaker 3: In equal amount, I was very curious about your perspective 596 00:30:16,800 --> 00:30:17,680 Speaker 3: on this one. 597 00:30:18,000 --> 00:30:21,120 Speaker 1: Yeah, well, I thank you for holding that space for me. 598 00:30:21,160 --> 00:30:24,320 Speaker 1: And honestly, like, I don't know, I just I hate 599 00:30:24,320 --> 00:30:26,000 Speaker 1: being disappointed by movies. 600 00:30:26,240 --> 00:30:30,240 Speaker 3: I want to love all movies I know could have 601 00:30:30,280 --> 00:30:31,720 Speaker 3: been again Pony in Space. 602 00:30:33,520 --> 00:30:36,680 Speaker 1: I truly feel like this is like because I also 603 00:30:36,720 --> 00:30:39,000 Speaker 1: read in that Vanity Fair article that Channing Tanum was 604 00:30:39,040 --> 00:30:41,600 Speaker 1: in the best shape of his life for this film, 605 00:30:41,840 --> 00:30:46,320 Speaker 1: and it clearly shows because he is fucking shreded and 606 00:30:46,440 --> 00:30:50,760 Speaker 1: just like like all the guys, all the guys on stage, 607 00:30:50,920 --> 00:30:54,640 Speaker 1: and like they're performing at such a high level athletically 608 00:30:54,840 --> 00:30:57,840 Speaker 1: that they're able to like they're able to stand up 609 00:30:57,840 --> 00:31:00,120 Speaker 1: from the lying down position, and I'm like, how the 610 00:30:59,920 --> 00:31:01,160 Speaker 1: fuck can you do that? 611 00:31:01,280 --> 00:31:03,600 Speaker 3: Like, honestly, how do you do that without rolling on 612 00:31:03,600 --> 00:31:06,400 Speaker 3: your knees and like pausing and sighing and then kind 613 00:31:06,440 --> 00:31:07,640 Speaker 3: of rolling up slowly. 614 00:31:08,040 --> 00:31:10,960 Speaker 1: Well, And like, honestly, I kept thinking that about myself 615 00:31:10,960 --> 00:31:15,360 Speaker 1: because I was watching these like fucking incredible people, like 616 00:31:15,440 --> 00:31:18,200 Speaker 1: the ballerina, and there's a ballerina who's in the film, 617 00:31:18,200 --> 00:31:23,440 Speaker 1: and I was like, I would fucking love to be 618 00:31:23,520 --> 00:31:29,480 Speaker 1: as shredded as she was, like, and I was like, going, okay, Well, Unfortunately, 619 00:31:29,520 --> 00:31:32,400 Speaker 1: every time I get up from seating, not laying down, 620 00:31:32,480 --> 00:31:36,120 Speaker 1: but from just succeating position. It's like I'm like an old, 621 00:31:36,360 --> 00:31:40,520 Speaker 1: like eighties lawn chair that just goes click click click click. 622 00:31:40,720 --> 00:31:42,480 Speaker 1: It's like, there's all my bones. 623 00:31:46,200 --> 00:31:48,320 Speaker 2: Let's vulture on these bones in the place so. 624 00:31:48,280 --> 00:31:50,960 Speaker 1: I can just stand up, I know, And I'm like, God, 625 00:31:51,040 --> 00:31:54,440 Speaker 1: damn it, these magic mic bodies are so hot. I 626 00:31:54,480 --> 00:31:55,000 Speaker 1: have to tell you. 627 00:31:55,040 --> 00:31:57,000 Speaker 3: I was at the grocery store the other day, and 628 00:31:57,360 --> 00:32:00,680 Speaker 3: sometimes I go a little too hard and I don't 629 00:32:00,680 --> 00:32:02,400 Speaker 3: get a cart because I'm like, I'm just running in 630 00:32:02,400 --> 00:32:04,640 Speaker 3: for a couple of things. I should not do that. 631 00:32:04,720 --> 00:32:07,080 Speaker 3: I know myself. There's always going to be an even 632 00:32:07,080 --> 00:32:09,280 Speaker 3: if it's just three things. Get the get a small cart, 633 00:32:09,280 --> 00:32:12,880 Speaker 3: but get a cart. I'm in this store without a cart, 634 00:32:12,920 --> 00:32:15,040 Speaker 3: and I was holding like three things, and one of 635 00:32:15,080 --> 00:32:17,760 Speaker 3: the things was a carton of eggs. So I had 636 00:32:17,760 --> 00:32:19,960 Speaker 3: the carton of eggs and two things balanced on top 637 00:32:20,000 --> 00:32:22,880 Speaker 3: of it. And then I needed to get butter. And 638 00:32:22,920 --> 00:32:25,440 Speaker 3: I opened the door to the buttercase and the butter 639 00:32:25,520 --> 00:32:28,480 Speaker 3: that I wanted was on the third shelf down. When 640 00:32:28,520 --> 00:32:32,880 Speaker 3: I tell you, the groan I let out, just easing 641 00:32:32,920 --> 00:32:37,160 Speaker 3: myself down to get my hand to that shelf. Every 642 00:32:37,200 --> 00:32:41,960 Speaker 3: single person around me stopped and looked. Every single person 643 00:32:42,040 --> 00:32:44,640 Speaker 3: was like, homegirl having a stroke. What's going on here? 644 00:32:45,400 --> 00:32:47,320 Speaker 3: She passed a clot What is happening? 645 00:32:48,000 --> 00:32:51,760 Speaker 2: I was like, we don't realized I was doing it. 646 00:32:51,960 --> 00:32:54,200 Speaker 3: It just came out of my body because my body 647 00:32:54,280 --> 00:32:55,440 Speaker 3: was like what are you doing? 648 00:32:55,680 --> 00:32:57,680 Speaker 2: And I'm like, I could do this, I gotcha. No, 649 00:32:57,840 --> 00:33:01,480 Speaker 2: I did not have it. It was so embarrassing. 650 00:33:02,120 --> 00:33:05,040 Speaker 3: So I'm not standing up from a laying down position 651 00:33:05,160 --> 00:33:05,920 Speaker 3: anytime soon. 652 00:33:06,160 --> 00:33:08,480 Speaker 1: I swear. It was like they were just like laying 653 00:33:08,480 --> 00:33:09,800 Speaker 1: flat on the ground and then they would just like 654 00:33:09,920 --> 00:33:12,040 Speaker 1: jump up and they were standing, And I'm like, how 655 00:33:12,080 --> 00:33:14,240 Speaker 1: did this happen anyone? 656 00:33:15,000 --> 00:33:16,800 Speaker 2: How does anyone come out of the pandemic in the 657 00:33:16,800 --> 00:33:17,720 Speaker 2: best shape of their life? 658 00:33:17,720 --> 00:33:18,120 Speaker 1: Like? Fuck you? 659 00:33:18,200 --> 00:33:21,720 Speaker 2: Channing Tatum first and foremost I know, And like he goes. 660 00:33:21,520 --> 00:33:23,680 Speaker 1: On in the article and he actually says this in 661 00:33:23,720 --> 00:33:27,360 Speaker 1: the movie as well, where he doesn't fuck with vegetables, 662 00:33:27,440 --> 00:33:32,120 Speaker 1: he doesn't eat vegetables, and I'm like, fuck this guy, 663 00:33:32,320 --> 00:33:36,040 Speaker 1: He's able to be like that and not eat vegetables, 664 00:33:36,040 --> 00:33:38,440 Speaker 1: And then he doesn't eat carbs either, because he mentions 665 00:33:38,440 --> 00:33:40,520 Speaker 1: that he's like it bloats my face, and I'm like, 666 00:33:40,560 --> 00:33:42,280 Speaker 1: I wish I knew that about myself. 667 00:33:45,680 --> 00:33:48,040 Speaker 3: I wish I knew anything about anything that blots me 668 00:33:48,120 --> 00:33:50,080 Speaker 3: up because I don't care to even find out. 669 00:33:50,640 --> 00:33:52,840 Speaker 1: Yeah, and so I'm going, what was he just eating 670 00:33:52,880 --> 00:33:54,120 Speaker 1: fucking rabbis all day? 671 00:33:54,280 --> 00:33:54,360 Speaker 3: Like? 672 00:33:54,480 --> 00:33:55,600 Speaker 1: Right, what's this? 673 00:33:55,720 --> 00:33:58,880 Speaker 3: He's like just smashing raw eggs and eating a fucking steak? 674 00:33:58,960 --> 00:34:00,240 Speaker 1: Like, what is he doing over there? 675 00:34:00,560 --> 00:34:00,880 Speaker 3: God? 676 00:34:01,000 --> 00:34:04,160 Speaker 1: Dude, I know. And he's like my age I think, 677 00:34:04,320 --> 00:34:06,520 Speaker 1: or maybe like slightly younger than me. And I'm like, 678 00:34:08,000 --> 00:34:09,759 Speaker 1: he's in his forties and he can look like that 679 00:34:10,040 --> 00:34:11,879 Speaker 1: incredible high five. 680 00:34:11,920 --> 00:34:14,319 Speaker 3: I'll be over here ice in my fucking neck because 681 00:34:14,320 --> 00:34:15,600 Speaker 3: they had to pick up some butter. 682 00:34:16,520 --> 00:34:19,800 Speaker 1: Yeah, I'm gonna be fucking like rolling in a circle 683 00:34:19,840 --> 00:34:22,560 Speaker 1: on the floor because I can't actually get up. 684 00:34:23,280 --> 00:34:26,160 Speaker 3: You know that cartoon move where they're like just moving 685 00:34:26,200 --> 00:34:27,680 Speaker 3: their legs and going in a circle. 686 00:34:27,800 --> 00:34:35,640 Speaker 1: Yes, that's me. You know what I propose? Actually, since 687 00:34:35,760 --> 00:34:37,600 Speaker 1: we don't have a ton of time left, I feel 688 00:34:37,640 --> 00:34:39,800 Speaker 1: like we should read on Lisa's FMK. I feel like 689 00:34:39,800 --> 00:34:41,480 Speaker 1: we would get I think we should. 690 00:34:41,520 --> 00:34:43,040 Speaker 3: We have a couple of good ones that I think 691 00:34:43,040 --> 00:34:46,239 Speaker 3: we can bust through pretty quickly, and since one of 692 00:34:46,239 --> 00:34:48,400 Speaker 3: them is from Onalise, we got to get to it 693 00:34:48,600 --> 00:34:53,520 Speaker 3: because they are a former uh I saw what you did, engineer, Yes. 694 00:34:54,600 --> 00:34:57,200 Speaker 1: And they're forced to listen to us because they QC 695 00:34:58,440 --> 00:35:02,799 Speaker 1: do they do you see? So they literally have to 696 00:35:02,920 --> 00:35:07,879 Speaker 1: listen to all of our episodes and. 697 00:35:06,320 --> 00:35:08,239 Speaker 2: I still find the time to want to send in 698 00:35:08,239 --> 00:35:08,720 Speaker 2: a question. 699 00:35:09,280 --> 00:35:14,319 Speaker 1: Okay, so let's do this. Then we'll read Daisy's email first, 700 00:35:14,320 --> 00:35:16,560 Speaker 1: and then we'll finish up with on oasis. 701 00:35:16,840 --> 00:35:20,680 Speaker 3: The subject of this email is FMK a variety of villains. 702 00:35:21,320 --> 00:35:25,160 Speaker 3: Dearest queens, congratulations on your one hundredth episode. Thank you 703 00:35:25,200 --> 00:35:27,960 Speaker 3: for your voices, your laughter, and your perspectives as movie 704 00:35:27,960 --> 00:35:31,200 Speaker 3: lovers and scholars. I continue to be obsessed with both 705 00:35:31,239 --> 00:35:34,240 Speaker 3: of you from a healthy Internet distance and look forward 706 00:35:34,239 --> 00:35:36,360 Speaker 3: to seeing you someday should you take the show on 707 00:35:36,520 --> 00:35:40,160 Speaker 3: the road. Love you both so much, Daisy, And now 708 00:35:40,480 --> 00:35:45,759 Speaker 3: FMK villains and douchebags. Now, thank you, Daisy. I'm also 709 00:35:45,800 --> 00:35:48,920 Speaker 3: going to be calling this FMK round self loathing to 710 00:35:49,000 --> 00:35:57,600 Speaker 3: the max because my choice, my choices make me hate myself. 711 00:35:58,440 --> 00:36:00,359 Speaker 2: But sometimes that's what you gotta do to get through 712 00:36:00,360 --> 00:36:00,760 Speaker 2: the round. 713 00:36:00,960 --> 00:36:07,680 Speaker 3: So yeah, round one of villains and douchebags, Superman's nemeses, 714 00:36:09,320 --> 00:36:13,439 Speaker 3: Gene Hackman as Lex Luthor, Terrence Stamp as General's One, 715 00:36:14,360 --> 00:36:16,120 Speaker 3: Robert Vaughan as Ross Webster. 716 00:36:17,560 --> 00:36:22,520 Speaker 1: Ooh ooh ooh ooh ooh, okay, you want me to 717 00:36:22,560 --> 00:36:23,000 Speaker 1: go first? 718 00:36:23,400 --> 00:36:23,880 Speaker 4: Yeah? 719 00:36:24,040 --> 00:36:26,800 Speaker 1: Oh boy, Well, honestly. 720 00:36:29,200 --> 00:36:30,319 Speaker 2: I have to. 721 00:36:30,680 --> 00:36:33,160 Speaker 1: I just need to take it because I was like, 722 00:36:33,200 --> 00:36:35,439 Speaker 1: what angle are we going for here? I think I'm 723 00:36:35,440 --> 00:36:38,040 Speaker 1: just gonna go with like gut instinct, and honestly it's 724 00:36:38,080 --> 00:36:45,800 Speaker 1: about the actual guys. I feel like that's solid, maybe 725 00:36:47,080 --> 00:36:51,600 Speaker 1: because I would definitely for I would definitely fuck Terrence Stamp, 726 00:36:52,320 --> 00:36:56,919 Speaker 1: like old school Terrence Stamp, right, but maybe new school 727 00:36:56,960 --> 00:37:01,439 Speaker 1: two a little you know, like I don't know me, yeah, 728 00:37:01,960 --> 00:37:05,799 Speaker 1: lie me exactly. He was kind of tough, Priscilla Quy 729 00:37:05,920 --> 00:37:09,239 Speaker 1: of the Desert perhaps, like I'm into it, Like I 730 00:37:09,239 --> 00:37:11,720 Speaker 1: I'm just saying I think that Terrence Stamp has always 731 00:37:11,760 --> 00:37:13,959 Speaker 1: been like a weird crush of mine. So I feel 732 00:37:14,040 --> 00:37:18,320 Speaker 1: like that's an f. I would definitely marry Robert Vaughan, 733 00:37:20,040 --> 00:37:22,520 Speaker 1: not because not only because he was on The Man 734 00:37:22,520 --> 00:37:25,160 Speaker 1: from Uncle and in the Magnificent Seven, but also he 735 00:37:25,239 --> 00:37:29,160 Speaker 1: has what is that like, uh Gary Martin Hayes an 736 00:37:29,160 --> 00:37:32,200 Speaker 1: associates ship that he he has a structured settlement. He 737 00:37:32,280 --> 00:37:34,560 Speaker 1: might he was add a structured settlement. I don't know, 738 00:37:35,640 --> 00:37:39,440 Speaker 1: very important. You know, he was making money till the end. 739 00:37:39,920 --> 00:37:43,359 Speaker 1: He was really pumping out those uh those Gary Martin 740 00:37:43,400 --> 00:37:47,799 Speaker 1: Hayes ads. And then I hate to do this. I 741 00:37:47,960 --> 00:37:52,000 Speaker 1: begrudgingly kill Gene Hackman. Don't do it. Don't do it, 742 00:37:52,280 --> 00:37:55,879 Speaker 1: I know, but I but I have to, because it's 743 00:37:55,920 --> 00:37:59,680 Speaker 1: just it's just the way it shook loose this time. 744 00:38:00,239 --> 00:38:02,640 Speaker 3: Sometimes it happens and you don't again self loathing, you 745 00:38:02,640 --> 00:38:04,960 Speaker 3: don't want to do it. But sometimes you gotta kill 746 00:38:05,040 --> 00:38:08,319 Speaker 3: Gene Hackman and you don't want to do it. 747 00:38:09,239 --> 00:38:11,160 Speaker 1: Well, what about you now? I'm curious. 748 00:38:11,880 --> 00:38:18,239 Speaker 3: Well, I am also fucking Terrent Stamp. The glitter jumpsuit 749 00:38:18,680 --> 00:38:22,680 Speaker 3: done truly, the fucking ice cold breath, I'm there, Like 750 00:38:22,719 --> 00:38:26,440 Speaker 3: we would have so much fucking fun. Yeah, yeah, it 751 00:38:26,440 --> 00:38:30,280 Speaker 3: would be one for the ages. So fuck Terrent Stamp 752 00:38:30,440 --> 00:38:33,200 Speaker 3: as General Zod. Also, you're fucking someone called. 753 00:38:33,160 --> 00:38:37,640 Speaker 2: General Zod stud Like, what do you call him? 754 00:38:37,760 --> 00:38:40,839 Speaker 1: G Zod? 755 00:38:41,360 --> 00:38:46,080 Speaker 3: Endless, endless possibilities. I am actually gonna marry Gene Hackman. 756 00:38:46,160 --> 00:38:49,120 Speaker 3: Is Lex Luthor because not just because I love Gene Hackman, 757 00:38:49,280 --> 00:38:51,719 Speaker 3: but Gene Hackman as Lex Luthor in that movie, in 758 00:38:51,760 --> 00:38:56,240 Speaker 3: those movies fucking hilarious, and he's got a really terrible 759 00:38:56,280 --> 00:38:59,480 Speaker 3: business sense. So I feel like I could just go 760 00:38:59,520 --> 00:39:01,960 Speaker 3: in there and you know, whip them into shape and 761 00:39:02,000 --> 00:39:04,760 Speaker 3: get that villain business in tip top shape. 762 00:39:05,040 --> 00:39:05,320 Speaker 1: M h. 763 00:39:06,239 --> 00:39:10,640 Speaker 3: And I'm killing Robert Vaughan as Ross Webster because one, 764 00:39:10,680 --> 00:39:14,239 Speaker 3: that's how it's shaken out, but also he's a little too. 765 00:39:13,680 --> 00:39:14,880 Speaker 1: Grandpa aged for me. 766 00:39:15,680 --> 00:39:19,239 Speaker 3: Yeah, Like I know it's I know from my discussions 767 00:39:19,280 --> 00:39:21,719 Speaker 3: on this podcast, it seems like I have no boundaries 768 00:39:21,719 --> 00:39:25,399 Speaker 3: whatsoever when it comes to this ship. But I don't 769 00:39:25,400 --> 00:39:28,040 Speaker 3: want to fuck someone who's like, actually in my grandpa's age. 770 00:39:28,040 --> 00:39:30,880 Speaker 1: So you gotta gout. 771 00:39:31,640 --> 00:39:32,760 Speaker 4: You gotta go out. Peace. 772 00:39:34,080 --> 00:39:36,640 Speaker 2: Now, that was great, But are you ready for round two? 773 00:39:36,719 --> 00:39:42,200 Speaker 1: Which is truly loathsome I'm rearranging it again as like 774 00:39:42,440 --> 00:39:45,320 Speaker 1: as you say it. It's like I've got like three 775 00:39:45,600 --> 00:39:49,120 Speaker 1: three solo cups and I'm like moving them around because 776 00:39:49,120 --> 00:39:51,680 Speaker 1: there's I gotta get this right. 777 00:39:52,200 --> 00:39:56,920 Speaker 3: You're playing three card Monty with the f MK. Well, 778 00:39:57,080 --> 00:39:59,480 Speaker 3: here's your chance, because I'm reading it and you're gonna answer. 779 00:39:59,560 --> 00:40:03,040 Speaker 3: Round two is high school bullies of villains and douchebags 780 00:40:03,719 --> 00:40:08,080 Speaker 3: f MK James Spader as Steph McKee and Pretty and Pink, 781 00:40:09,120 --> 00:40:12,520 Speaker 3: Craig Sheffer as Hardy Gens and some kind of wonderful 782 00:40:13,280 --> 00:40:16,719 Speaker 3: and Billy Zabka as Greg Tallon and just one of 783 00:40:16,719 --> 00:40:17,720 Speaker 3: the guys. 784 00:40:19,040 --> 00:40:26,000 Speaker 1: Dude, this is hard this day. Yes, this is like 785 00:40:26,280 --> 00:40:30,400 Speaker 1: so dark for me because this is pulling like you 786 00:40:30,480 --> 00:40:34,520 Speaker 1: can't go for like classic high school bullies and not 787 00:40:35,760 --> 00:40:40,279 Speaker 1: hate yourself for even thinking at all about an F 788 00:40:40,520 --> 00:40:45,760 Speaker 1: or an M for any of these people. Okay, okay, okay, 789 00:40:46,040 --> 00:40:49,880 Speaker 1: all right, great round Daisy, thank you. Yeah, okay, fine, 790 00:40:49,960 --> 00:40:54,719 Speaker 1: this is gonna be it for the ages. I'm fucking 791 00:40:55,120 --> 00:41:00,000 Speaker 1: Steph from Pretty and Pink and not because I even 792 00:41:00,080 --> 00:41:02,080 Speaker 1: think he'd be good in bed, but. 793 00:41:02,080 --> 00:41:03,240 Speaker 2: I just like to Spike. 794 00:41:03,400 --> 00:41:06,799 Speaker 1: Maybe there's a little like again it's like Spader, that 795 00:41:06,960 --> 00:41:14,600 Speaker 1: Spader energy of eight. But he's such a fucking cock 796 00:41:14,840 --> 00:41:17,320 Speaker 1: in pretty truly, Like I'm just like I do not 797 00:41:17,480 --> 00:41:19,960 Speaker 1: want to hang out with him at all. He's like 798 00:41:20,440 --> 00:41:23,080 Speaker 1: the worst. He doesn't even like music like oh, but 799 00:41:23,239 --> 00:41:26,640 Speaker 1: like no, he's a fucking run. Yeah, it's like a revenge, 800 00:41:26,880 --> 00:41:30,719 Speaker 1: a revenge fuck for sure. Okay, oh that's nasty. That's 801 00:41:30,840 --> 00:41:33,719 Speaker 1: nasty going down, I got I I have to say now, 802 00:41:33,800 --> 00:41:37,399 Speaker 1: this one I really had to think about. Okay, I 803 00:41:37,480 --> 00:41:43,400 Speaker 1: will marry Greg Talon and just one of the guys. 804 00:41:43,760 --> 00:41:47,200 Speaker 1: I know. I never thought i'd marry a blonde. I'll 805 00:41:47,239 --> 00:41:49,680 Speaker 1: throw that out there. Never thought I'd ended up with 806 00:41:49,760 --> 00:41:54,799 Speaker 1: a blonde, but that's what happened Billy's Abka. And just 807 00:41:54,840 --> 00:41:58,120 Speaker 1: like in Billy's Abka played a lot of fucking villains 808 00:41:58,400 --> 00:42:02,279 Speaker 1: in his day. I don't know why I will marry him. 809 00:42:03,480 --> 00:42:05,760 Speaker 2: I just think it's because you want to kill correct. 810 00:42:07,040 --> 00:42:13,440 Speaker 1: I want to kill Hardigen's so bad, his face, his 811 00:42:13,640 --> 00:42:19,080 Speaker 1: fucking face, like like like, okay, some kind of wonderful 812 00:42:19,120 --> 00:42:22,640 Speaker 1: for me was more important than Pretty and Pink because 813 00:42:22,680 --> 00:42:25,440 Speaker 1: it was you know, attempting to uh you know right, 814 00:42:25,560 --> 00:42:28,560 Speaker 1: some wrongs. I guess is why. I don't know if 815 00:42:28,560 --> 00:42:30,960 Speaker 1: that movie got made because everybody hated the ending of 816 00:42:30,960 --> 00:42:33,279 Speaker 1: Pretty and Pink. But like, I also just love the 817 00:42:33,360 --> 00:42:36,760 Speaker 1: gender reversal shit in that movie too. But anyway, Hardy 818 00:42:36,840 --> 00:42:40,839 Speaker 1: Gen sucks. He made my girl feel like shit, and 819 00:42:40,880 --> 00:42:43,680 Speaker 1: I just am like I but I have to kill him. 820 00:42:43,760 --> 00:42:44,920 Speaker 1: I have to kill him, and I don't want to 821 00:42:44,920 --> 00:42:46,080 Speaker 1: marry him obviously. 822 00:42:46,200 --> 00:42:50,200 Speaker 2: So look, that is a solid round of answers. 823 00:42:50,440 --> 00:42:54,400 Speaker 3: Okay, And not only do you hate yourself in answering, 824 00:42:54,520 --> 00:42:56,600 Speaker 3: now you get a chance to hate me because I'm 825 00:42:56,840 --> 00:42:57,959 Speaker 3: fucking hearty gen. 826 00:42:58,280 --> 00:43:03,600 Speaker 2: No, listen, do not validate him at all. 827 00:43:04,360 --> 00:43:06,160 Speaker 3: This is some kiss of the spider woman shit, some 828 00:43:06,200 --> 00:43:09,440 Speaker 3: fucking like like you fuck him, then you eat his 829 00:43:09,520 --> 00:43:14,840 Speaker 3: head like real, like natural, like get into the nature 830 00:43:14,880 --> 00:43:16,880 Speaker 3: of it, like the natural world. 831 00:43:16,960 --> 00:43:19,640 Speaker 1: You fuck him and then you hurt him. God, should 832 00:43:19,640 --> 00:43:22,319 Speaker 1: I be admitting that? That's so mean? I told you 833 00:43:22,400 --> 00:43:22,959 Speaker 1: this is dark. 834 00:43:23,360 --> 00:43:27,560 Speaker 3: This is the darkest round we've ever done. I would 835 00:43:27,600 --> 00:43:30,200 Speaker 3: fuck Craig Sheffer's hearty Gens and then find a way 836 00:43:30,239 --> 00:43:34,120 Speaker 3: to push him down a well, yeah. 837 00:43:32,960 --> 00:43:34,799 Speaker 2: Either in the act or I right after. 838 00:43:36,239 --> 00:43:37,960 Speaker 4: But I'm doing that. 839 00:43:38,160 --> 00:43:40,399 Speaker 1: A murder of passion. I get it. I get it. 840 00:43:40,719 --> 00:43:41,840 Speaker 1: That's how I would explain it. 841 00:43:42,160 --> 00:43:44,600 Speaker 3: But I hate fucked him the whole time, yes, and 842 00:43:44,640 --> 00:43:49,960 Speaker 3: then killed I hate him so much that I killed him. Okay, dark, dark, 843 00:43:50,040 --> 00:43:53,680 Speaker 3: Sorry everyone, I'm so sorry, because I'm also gonna marry 844 00:43:53,719 --> 00:43:54,480 Speaker 3: James Vader. 845 00:43:54,280 --> 00:43:54,960 Speaker 2: Or Stephan. 846 00:43:58,560 --> 00:44:06,320 Speaker 3: How dry I hate myself. We're saying that sentence. Listen, 847 00:44:06,520 --> 00:44:08,759 Speaker 3: he's gonna be a terrible husband, he's gonna be a 848 00:44:08,840 --> 00:44:12,120 Speaker 3: terrible fuck. He's gonna be a miserable marriage. But my 849 00:44:12,280 --> 00:44:16,560 Speaker 3: thinking is, it's the eighties, so I'm gonna get out 850 00:44:16,600 --> 00:44:19,320 Speaker 3: of it with at least like a solid spandex collection 851 00:44:19,400 --> 00:44:23,080 Speaker 3: in a car. Like, I'll get something out of that 852 00:44:23,120 --> 00:44:27,640 Speaker 3: marriage that is not love or passion or physical satisfaction. 853 00:44:28,000 --> 00:44:32,359 Speaker 1: I see you've time traveled as well. Now the time 854 00:44:32,440 --> 00:44:33,759 Speaker 1: travels on the book. 855 00:44:35,600 --> 00:44:36,600 Speaker 4: I'm time traveling. 856 00:44:36,680 --> 00:44:41,840 Speaker 2: It's the eighties. I'll get something that is Steph. 857 00:44:41,880 --> 00:44:45,560 Speaker 3: Plus you get to see him become move away from 858 00:44:45,600 --> 00:44:49,440 Speaker 3: like the white jacket smirky guy to like the bald, 859 00:44:50,080 --> 00:44:52,480 Speaker 3: miserable guy. Like I want to be part of that 860 00:44:52,520 --> 00:44:55,000 Speaker 3: process of making him lose his hair and become miserable. 861 00:44:55,280 --> 00:44:58,799 Speaker 1: Oh yeah, you do not want to know or be 862 00:44:58,880 --> 00:45:01,600 Speaker 1: married to a guy that was hot and cool in 863 00:45:01,640 --> 00:45:06,560 Speaker 1: the eighties, No, because it would have been bad horror show. 864 00:45:06,640 --> 00:45:09,239 Speaker 3: If I'm part of making him miserable, I will marry him, 865 00:45:10,360 --> 00:45:13,000 Speaker 3: which is a new wrinkle because usually I marry them 866 00:45:13,040 --> 00:45:16,120 Speaker 3: if they're never going to be around. If they're gonna 867 00:45:16,120 --> 00:45:17,959 Speaker 3: be around, I'm gonna make their life a living. 868 00:45:18,000 --> 00:45:18,200 Speaker 2: Hell. 869 00:45:18,440 --> 00:45:22,240 Speaker 1: Yeah, you can't be a passive participant in this marriage. 870 00:45:22,280 --> 00:45:25,320 Speaker 1: You're gonna have to fucking engage. Yeah, pick aside. 871 00:45:25,800 --> 00:45:28,200 Speaker 3: And then I'm killing Billy Zabka as Greg Talon and 872 00:45:28,239 --> 00:45:30,479 Speaker 3: just one of the guys, not just because of the role, 873 00:45:30,840 --> 00:45:33,240 Speaker 3: but because he was so good at playing a fucking 874 00:45:33,320 --> 00:45:35,520 Speaker 3: villain in the eighties that I will never not see 875 00:45:35,600 --> 00:45:40,280 Speaker 3: him as that dude. Yeah, and I cannot touch him. Yeah, 876 00:45:40,560 --> 00:45:42,760 Speaker 3: I just can't do it. I can't bring myself mentally 877 00:45:42,760 --> 00:45:45,480 Speaker 3: to overcome. And I haven't seen Cobra kai, don't even start. 878 00:45:46,160 --> 00:45:47,880 Speaker 3: I know he's not that guy. And you're like, I 879 00:45:47,960 --> 00:45:51,960 Speaker 3: get it. But because he's an indelible villain in my mind, 880 00:45:52,320 --> 00:45:54,440 Speaker 3: because he was so good at it in the eighties, 881 00:45:55,440 --> 00:45:56,640 Speaker 3: that I'm killing him. 882 00:45:56,800 --> 00:46:02,319 Speaker 1: Yeah. Look, this is odd, Daisy. You just managed to 883 00:46:02,640 --> 00:46:04,239 Speaker 1: ruin both of our nights. 884 00:46:06,719 --> 00:46:10,920 Speaker 3: Night or Live at Night or live I'm me thinking 885 00:46:10,960 --> 00:46:12,960 Speaker 3: about this for a long time, as I'm sure a 886 00:46:12,960 --> 00:46:15,000 Speaker 3: lot of our listeners. I know we're gonna be hearing 887 00:46:15,000 --> 00:46:18,640 Speaker 3: about this forever. Oh yeah, this is like we're getting 888 00:46:18,960 --> 00:46:20,080 Speaker 3: you know now. 889 00:46:20,200 --> 00:46:24,120 Speaker 1: People are like, I'm just gonna leave a review as 890 00:46:24,600 --> 00:46:29,080 Speaker 1: a disagreeing with the both of you and hating what 891 00:46:29,120 --> 00:46:31,799 Speaker 1: you've said. I'm just gonna leave it as a review. 892 00:46:34,040 --> 00:46:41,440 Speaker 3: Like Okay, fine FMK Nope, nope, Billy Zaba marrying Billy 893 00:46:41,560 --> 00:46:45,560 Speaker 3: Zabka or killing Billy Zabka nope. 894 00:46:45,840 --> 00:46:46,560 Speaker 1: One star. 895 00:46:51,080 --> 00:46:54,200 Speaker 3: Well, thankfully we have another FMK to follow that up 896 00:46:54,200 --> 00:46:56,280 Speaker 3: that might make us feel a little bit better about ourselves. 897 00:46:56,280 --> 00:46:57,800 Speaker 2: But I'm not making any promises. 898 00:46:58,880 --> 00:47:02,560 Speaker 1: Yeah you want me to read this one? Oh yeah? 899 00:47:02,640 --> 00:47:07,840 Speaker 1: An FMK from a former iswid engineer. Hi friends. It 900 00:47:07,880 --> 00:47:10,120 Speaker 1: feels so strange to be writing in this way, as 901 00:47:10,160 --> 00:47:12,680 Speaker 1: I have the distinct pleasure of seeing your lovely names 902 00:47:12,680 --> 00:47:15,600 Speaker 1: pop up in my inbox and hearing your lovely voices 903 00:47:15,640 --> 00:47:18,879 Speaker 1: every week. But since the inception of this FMK trend, 904 00:47:18,920 --> 00:47:21,440 Speaker 1: I figured it was time I finally jump on the bandwagon. 905 00:47:22,000 --> 00:47:24,160 Speaker 1: Last year, I made the decision to live alone for 906 00:47:24,200 --> 00:47:28,120 Speaker 1: the first time in years, and it's been heaven. One 907 00:47:28,160 --> 00:47:30,360 Speaker 1: of the truly wonderful parts of soul living is the 908 00:47:30,400 --> 00:47:33,920 Speaker 1: ability to watch whatever I damn well please, no kidding, 909 00:47:35,080 --> 00:47:37,319 Speaker 1: And in the past couple months, for some reason, I've 910 00:47:37,320 --> 00:47:42,160 Speaker 1: been on a huge Jane Fonda kick, sometimes watching several 911 00:47:42,200 --> 00:47:44,680 Speaker 1: of her films every week, something that would have been 912 00:47:44,719 --> 00:47:48,760 Speaker 1: nearly impossible for any reasonable roommate to approve. Recently, while 913 00:47:48,800 --> 00:47:52,200 Speaker 1: pondering this interesting trend of films I've been delving into, 914 00:47:52,400 --> 00:47:55,560 Speaker 1: it hit me I knew what fmk'd finally send in, 915 00:47:56,000 --> 00:48:02,440 Speaker 1: and so I present to you FMK Fonda Edition. I'm 916 00:48:02,440 --> 00:48:04,400 Speaker 1: excited to hear her choices, and as always, it's a 917 00:48:04,440 --> 00:48:06,600 Speaker 1: pleasure getting to listen to you and work alongside you 918 00:48:06,680 --> 00:48:08,560 Speaker 1: every week. Your friend on. 919 00:48:08,640 --> 00:48:12,440 Speaker 3: A lease ah, thank you so much on Elie's for 920 00:48:12,520 --> 00:48:15,240 Speaker 3: writing in and saying such nice things. 921 00:48:15,239 --> 00:48:16,919 Speaker 1: I'm so glad you're living alone and you. 922 00:48:16,840 --> 00:48:19,600 Speaker 3: Get to really sit with your thoughts, your thoughts being 923 00:48:19,640 --> 00:48:21,279 Speaker 3: what kind of FMK am I going to send in 924 00:48:21,320 --> 00:48:23,560 Speaker 3: to million Danielle. 925 00:48:23,600 --> 00:48:26,239 Speaker 1: I love it. I love it well. And this is 926 00:48:26,280 --> 00:48:29,719 Speaker 1: technically the second exactly right employee that has weighed in 927 00:48:30,280 --> 00:48:33,200 Speaker 1: on the FMK because remember the very first the inception 928 00:48:33,719 --> 00:48:37,440 Speaker 1: of FNK came from one of the marketing goals that 929 00:48:37,560 --> 00:48:39,240 Speaker 1: exactly right, so this is perfect. 930 00:48:39,680 --> 00:48:42,759 Speaker 3: Yes, Aaron kicked all of this off by something she 931 00:48:42,920 --> 00:48:45,520 Speaker 3: overheard while she was at a theme park with her kids, 932 00:48:45,560 --> 00:48:46,520 Speaker 3: and I love it well. 933 00:48:46,560 --> 00:48:50,760 Speaker 1: Okay, so let me I purposely decided to not reveal 934 00:48:50,920 --> 00:48:53,319 Speaker 1: the round because We're about to do it, right, So yes, 935 00:48:54,600 --> 00:49:00,120 Speaker 1: FMK Jane fund edition, is this Corey from Barefoot in 936 00:49:00,160 --> 00:49:04,319 Speaker 1: the Park, Gloria from They Shoot Horses, Don't They? And 937 00:49:04,480 --> 00:49:08,120 Speaker 1: Judy from Nine to Five? This is. 938 00:49:09,520 --> 00:49:10,960 Speaker 3: You know how I said, this is a round that 939 00:49:11,040 --> 00:49:13,360 Speaker 3: might make us feel better about ourselves. Yeah, taking that 940 00:49:13,480 --> 00:49:18,680 Speaker 3: immediately back, immediately back. But I have reasons for all 941 00:49:18,680 --> 00:49:23,319 Speaker 3: my choices. Okay, I am gonna fuck Judy from Nine 942 00:49:23,360 --> 00:49:29,840 Speaker 3: to five? And here's why not physically my most attractive 943 00:49:29,960 --> 00:49:36,760 Speaker 3: Jane Fonda character. But Judy's on a real fucking journey 944 00:49:36,840 --> 00:49:39,400 Speaker 3: and she's becoming more and more adventurous as time goes on. 945 00:49:40,880 --> 00:49:43,680 Speaker 3: So I feel like fucking Judy would be a ride. 946 00:49:43,800 --> 00:49:47,799 Speaker 1: Yeah. I mean she's divorced, so maybe she uh could 947 00:49:47,880 --> 00:49:49,120 Speaker 1: use a little roll in the hay. 948 00:49:49,640 --> 00:49:51,880 Speaker 3: She's divorced, she's smoking pot for the first time, like 949 00:49:51,960 --> 00:49:56,960 Speaker 3: she's truly out there, and I feel like within weeks 950 00:49:56,960 --> 00:50:00,360 Speaker 3: of meeting I could get her in like a fucking 951 00:50:00,360 --> 00:50:01,560 Speaker 3: goth club or something. 952 00:50:03,480 --> 00:50:10,960 Speaker 1: So she's like, oh, take down all of this restraint 953 00:50:10,960 --> 00:50:13,040 Speaker 1: equipment that we used on Dabney Coleman. I have to 954 00:50:13,080 --> 00:50:15,480 Speaker 1: wear it now. I gotta wear like a harness across 955 00:50:15,520 --> 00:50:18,160 Speaker 1: the chest, and we're gonna need this so that Danielle 956 00:50:18,160 --> 00:50:21,120 Speaker 1: can drag me around the club with a ballgag in 957 00:50:21,160 --> 00:50:21,640 Speaker 1: my mouth. 958 00:50:21,960 --> 00:50:24,080 Speaker 2: Those are her nine to five outfits now, it's all 959 00:50:24,120 --> 00:50:25,080 Speaker 2: that restraint and equipment. 960 00:50:25,440 --> 00:50:27,640 Speaker 3: She's like, Look, we already painted the office and made 961 00:50:27,719 --> 00:50:28,880 Speaker 3: part time work possible. 962 00:50:28,920 --> 00:50:29,560 Speaker 1: Why not this? 963 00:50:29,920 --> 00:50:36,879 Speaker 2: Why not Judy and Harness? So I'm fucking Judy. I'm 964 00:50:36,880 --> 00:50:38,200 Speaker 2: gonna marry. 965 00:50:38,960 --> 00:50:41,080 Speaker 3: Corey and Barefoot in the park, even though she's kind 966 00:50:41,080 --> 00:50:45,719 Speaker 3: of the more boring one. I feel like it's a 967 00:50:45,760 --> 00:50:49,319 Speaker 3: safer choice because Gloria and they shoot horses, don't they 968 00:50:49,440 --> 00:50:50,279 Speaker 3: has got to go. 969 00:50:50,560 --> 00:50:53,040 Speaker 2: I am killing her. She's a fucking nightmare. 970 00:50:53,840 --> 00:50:58,080 Speaker 1: Yeah, definitely, hear you on that. Definitely. So those are 971 00:50:58,080 --> 00:51:05,640 Speaker 1: my choices, very good selections. Here's what I'm gonna do. 972 00:51:06,120 --> 00:51:08,920 Speaker 1: I will fuck Corey from Barrifu in the park because 973 00:51:10,040 --> 00:51:12,839 Speaker 1: I'm gonna have to do the thing I did with 974 00:51:12,880 --> 00:51:18,200 Speaker 1: the Vampira and James Dane thing, which is that I 975 00:51:18,280 --> 00:51:20,080 Speaker 1: might have to get Robert Redford in on it. 976 00:51:20,840 --> 00:51:25,480 Speaker 3: Why these rules that you introduced, we're in the same 977 00:51:25,760 --> 00:51:28,400 Speaker 3: Like maybe we live in the same apartment in New York, 978 00:51:28,560 --> 00:51:32,360 Speaker 3: maybe hanging out these rules that you introduced are wild 979 00:51:32,440 --> 00:51:38,759 Speaker 3: as fuck? Yeah, fuck Cory because we can add other 980 00:51:38,800 --> 00:51:39,359 Speaker 3: people in. 981 00:51:39,760 --> 00:51:41,400 Speaker 1: Well, it's like, that's the thing is that I'm like, 982 00:51:41,520 --> 00:51:46,040 Speaker 1: I guess if if they're in the movie, would they 983 00:51:46,080 --> 00:51:48,200 Speaker 1: be available for a threesome? 984 00:51:48,560 --> 00:51:48,880 Speaker 3: Sure? 985 00:51:49,400 --> 00:51:58,360 Speaker 1: Why not? Is that allowed? We time travel? We also 986 00:51:58,400 --> 00:51:59,879 Speaker 1: pull in other characters. 987 00:52:00,480 --> 00:52:02,319 Speaker 3: I love this wrinkle of like it has to be 988 00:52:02,360 --> 00:52:06,520 Speaker 3: that they're in the movie as well. I'm into it. Look, 989 00:52:07,280 --> 00:52:09,759 Speaker 3: let me not stop you. I am just trying to 990 00:52:09,840 --> 00:52:13,360 Speaker 3: keep track of all the new rules that are being introduced. 991 00:52:13,880 --> 00:52:16,560 Speaker 1: Who knew I was Polly in the in the FMK. 992 00:52:17,239 --> 00:52:20,359 Speaker 1: I have no idea about about myself, but apparently that's 993 00:52:20,400 --> 00:52:25,680 Speaker 1: what happened. So anyway, I'm I'm f and Corey for sure? 994 00:52:25,840 --> 00:52:26,359 Speaker 3: Oh good. 995 00:52:27,160 --> 00:52:29,600 Speaker 1: I think it's fairly obvious. I would marry Judy from 996 00:52:29,640 --> 00:52:33,240 Speaker 1: nine to five. Definitely. I would be her second marriage. 997 00:52:33,320 --> 00:52:37,800 Speaker 1: I know, but you know, like we all deserve second chances. 998 00:52:38,160 --> 00:52:40,440 Speaker 1: I feel like I could make her happy. You know 999 00:52:40,640 --> 00:52:41,920 Speaker 1: you would. You would be sharing. 1000 00:52:42,000 --> 00:52:47,080 Speaker 3: You could share looks like a pump, feels like a sneaker, Yes, yes, 1001 00:52:47,239 --> 00:52:48,480 Speaker 3: like you can share sneakers. 1002 00:52:48,520 --> 00:52:50,960 Speaker 2: You could share clothes. She could make you feel good 1003 00:52:50,960 --> 00:52:51,960 Speaker 2: about being in a cardigan. 1004 00:52:52,840 --> 00:52:55,400 Speaker 1: I can help her tease out that like soft serve 1005 00:52:56,360 --> 00:53:00,480 Speaker 1: white lady puff hair hairstyle that she has. 1006 00:53:00,960 --> 00:53:03,560 Speaker 2: You can get her in some different glasses, some wire frames. 1007 00:53:04,080 --> 00:53:07,960 Speaker 1: Absolutely, I mean yeah I can. She'd be like halfway 1008 00:53:07,960 --> 00:53:10,480 Speaker 1: eaten by that giant copy machine and then we just 1009 00:53:10,560 --> 00:53:13,319 Speaker 1: laugh about it. We could just like she'd come home 1010 00:53:13,360 --> 00:53:16,160 Speaker 1: and just be like, put a couple of steaks on it, 1011 00:53:16,160 --> 00:53:18,600 Speaker 1: and you get to hear the story about how I 1012 00:53:18,719 --> 00:53:22,840 Speaker 1: was almost killed by a giant copy machine on my 1013 00:53:22,880 --> 00:53:23,600 Speaker 1: first day of work. 1014 00:53:24,200 --> 00:53:25,839 Speaker 3: She's like, hang on, I'm gonna I'm gonna make us 1015 00:53:26,000 --> 00:53:27,560 Speaker 3: the Channing Tatum for dinner tonight. 1016 00:53:27,600 --> 00:53:30,080 Speaker 2: Where have just steaks. 1017 00:53:32,160 --> 00:53:38,960 Speaker 1: From the Channing Tatum cookbook. It's just two steaks on the. 1018 00:53:40,960 --> 00:53:41,759 Speaker 4: Well done on. 1019 00:53:41,760 --> 00:53:46,280 Speaker 2: A bare white plate, bone in. 1020 00:53:46,400 --> 00:53:49,399 Speaker 3: Bone in, picking up like fucking Fred Flintstone. 1021 00:53:49,600 --> 00:53:51,239 Speaker 2: And then you just talk about the copy machine. I 1022 00:53:51,280 --> 00:53:52,080 Speaker 2: love this marriage. 1023 00:53:52,200 --> 00:53:55,400 Speaker 1: Yeah, I'm telling you I we would be very happy together. 1024 00:53:56,440 --> 00:54:01,000 Speaker 1: And then I'm killing Gloria because that movie is so yeah. 1025 00:54:01,000 --> 00:54:01,760 Speaker 1: I just can't. 1026 00:54:02,480 --> 00:54:03,359 Speaker 4: I can't. 1027 00:54:03,520 --> 00:54:06,400 Speaker 1: Like even though weirdly enough, I mean, her look in 1028 00:54:06,440 --> 00:54:09,080 Speaker 1: that movie is great, like she's got good stuff, but 1029 00:54:09,120 --> 00:54:12,840 Speaker 1: I just that that movie just too it's too much, 1030 00:54:13,320 --> 00:54:17,000 Speaker 1: too much to depressing, and I don't know, I mean 1031 00:54:17,160 --> 00:54:20,080 Speaker 1: looks like that's how it shook loose this time. But 1032 00:54:20,160 --> 00:54:23,239 Speaker 1: I honestly, this is amazing, Honalyse, thank you so much. 1033 00:54:24,080 --> 00:54:27,479 Speaker 3: Truly like a thinker, I really had to think about 1034 00:54:27,480 --> 00:54:29,320 Speaker 3: that one. Usually it has come in gut instinct, but 1035 00:54:29,360 --> 00:54:30,640 Speaker 3: I really had to think about that one. 1036 00:54:30,719 --> 00:54:31,279 Speaker 1: And I love it. 1037 00:54:31,760 --> 00:54:34,400 Speaker 3: And I'm so glad that you're living alone and this 1038 00:54:34,480 --> 00:54:36,279 Speaker 3: is the kind of stuff you're doing with your free time. 1039 00:54:37,040 --> 00:54:40,759 Speaker 1: Absolutely, you should stop having to QC our podcast and 1040 00:54:40,800 --> 00:54:42,680 Speaker 1: just go out there and live your life. 1041 00:54:43,400 --> 00:54:45,440 Speaker 3: Be like, why am I listening to this movie podcast 1042 00:54:45,480 --> 00:54:46,920 Speaker 3: when I'm trying to watch these movies? 1043 00:54:46,960 --> 00:54:47,560 Speaker 2: How about that? 1044 00:54:50,520 --> 00:54:55,400 Speaker 1: Well? As always, if you want to email us for 1045 00:54:55,560 --> 00:54:58,520 Speaker 1: the bonus episodes, like I said, we do fmk's. We 1046 00:54:58,560 --> 00:55:02,080 Speaker 1: also just like read letters that are cool and interesting, 1047 00:55:02,920 --> 00:55:04,440 Speaker 1: So if you want to do that, we're at I 1048 00:55:04,440 --> 00:55:06,800 Speaker 1: Saw what you Did Pod at gmail dot com. 1049 00:55:07,040 --> 00:55:09,040 Speaker 3: And you can find us on our social media at 1050 00:55:09,080 --> 00:55:11,560 Speaker 3: I Saw Pod on Instagram and Twitter. 1051 00:55:12,560 --> 00:55:15,799 Speaker 1: Also, as always, we have merch If you go to 1052 00:55:15,880 --> 00:55:17,840 Speaker 1: the I Saw what You Did section of the Exactly 1053 00:55:17,960 --> 00:55:19,520 Speaker 1: Right Shop, you will find it there. 1054 00:55:20,080 --> 00:55:22,520 Speaker 3: And look, you're listening to the bonus episode right now 1055 00:55:22,760 --> 00:55:24,920 Speaker 3: on the main feed because they are free to you 1056 00:55:24,960 --> 00:55:28,160 Speaker 3: now to listen to every third Thursday of the month. 1057 00:55:28,520 --> 00:55:30,839 Speaker 3: And then don't forget that we are slowly rolling out 1058 00:55:30,880 --> 00:55:34,040 Speaker 3: old episodes on Wednesdays every couple of weeks. 1059 00:55:34,560 --> 00:55:40,000 Speaker 1: Yes, and like suddenly, now the social media posts that 1060 00:55:40,040 --> 00:55:43,440 Speaker 1: goes up about the bonus, the new bonuses are lit. 1061 00:55:44,160 --> 00:55:47,480 Speaker 2: Yeah, the last Everyone's listening. Everyone's listening. 1062 00:55:47,960 --> 00:55:48,520 Speaker 1: I love it. 1063 00:55:48,560 --> 00:55:51,160 Speaker 3: I think it was a good idea and I'm glad 1064 00:55:51,160 --> 00:55:56,040 Speaker 3: that you're all joining us. And I've already at per usual. 1065 00:55:56,080 --> 00:55:59,520 Speaker 3: As per usual, I've already forgotten. I've forgotten exactly what 1066 00:55:59,560 --> 00:56:01,680 Speaker 3: I said in this podcast, but I know that I 1067 00:56:01,800 --> 00:56:03,840 Speaker 3: have a bad feeling about something I said in this 1068 00:56:03,920 --> 00:56:07,520 Speaker 3: podcast but during that first FMK, So I can't wait 1069 00:56:07,560 --> 00:56:09,719 Speaker 3: to listen back and figure out what that was. 1070 00:56:11,320 --> 00:56:15,440 Speaker 1: General zods just zapped your brain and you don't know anything. 1071 00:56:15,760 --> 00:56:19,080 Speaker 3: Just coldstone freezed it. 1072 00:56:19,120 --> 00:56:21,479 Speaker 2: Well, this is so much fun, so much fun. 1073 00:56:21,840 --> 00:56:24,560 Speaker 1: Danielle is always a fucking pleasure doing this podcast with you. 1074 00:56:25,360 --> 00:56:28,680 Speaker 1: Thank you Kasey for joining us. Thank you, Kasey, bad 1075 00:56:29,080 --> 00:56:29,800 Speaker 1: saying Edward. 1076 00:56:35,960 --> 00:56:38,479 Speaker 3: This has been an exactly right production produced by Ksey 1077 00:56:38,520 --> 00:56:41,560 Speaker 3: O'Brien mixed by Edson Choi. Our theme song is by 1078 00:56:41,560 --> 00:56:45,440 Speaker 3: Tom bry Fogel, artwork by Garrett Ross. Our executive producers 1079 00:56:45,440 --> 00:56:48,480 Speaker 3: are Georgia Hartstart Caring, Til Gareff, and Daniel Kramer. You 1080 00:56:48,520 --> 00:56:51,400 Speaker 3: can follow us on Instagram and Twitter at I Saw pod, 1081 00:56:51,800 --> 00:56:53,840 Speaker 3: and you can email us at I Saw What you 1082 00:56:53,880 --> 00:57:00,239 Speaker 3: Did Pod at Gmail. Yeah,