1 00:00:00,480 --> 00:00:03,400 Speaker 1: Hello, and welcome back to Movie Mix Movie Podcast. This 2 00:00:03,560 --> 00:00:07,000 Speaker 1: is a spoiler edition of a movie review. Today we're 3 00:00:07,000 --> 00:00:10,160 Speaker 1: talking about Note, which I'm really excited to do because 4 00:00:10,200 --> 00:00:13,039 Speaker 1: in my normal review, I really just got the chance 5 00:00:13,080 --> 00:00:15,560 Speaker 1: to explain how that movie made me feel. But now 6 00:00:15,560 --> 00:00:17,760 Speaker 1: I get to get into all of the spoilers, all 7 00:00:17,880 --> 00:00:20,439 Speaker 1: the plot lines, and what at least this movie meant 8 00:00:20,480 --> 00:00:24,840 Speaker 1: to me. And everybody was pretty divided on this movie. 9 00:00:25,079 --> 00:00:27,920 Speaker 1: Some people loved it like I did, and some people 10 00:00:28,000 --> 00:00:30,560 Speaker 1: hated it and thought it was a waste of time, 11 00:00:30,920 --> 00:00:33,480 Speaker 1: not scary at all, one of the worst movies they've 12 00:00:33,479 --> 00:00:35,479 Speaker 1: ever seen. And I feel like when it comes to 13 00:00:35,520 --> 00:00:39,760 Speaker 1: a Jordan Peele movie, they are so polarizing that that 14 00:00:40,000 --> 00:00:43,199 Speaker 1: is how the audiences are usually split. You either loved it, 15 00:00:43,800 --> 00:00:46,720 Speaker 1: you got everything he was trying to say, or if 16 00:00:46,720 --> 00:00:48,199 Speaker 1: you did it in that moment, you like to go 17 00:00:48,360 --> 00:00:51,400 Speaker 1: research later and figure it out and then be like, 18 00:00:51,440 --> 00:00:54,120 Speaker 1: oh man, that was really awesome now that I get it. 19 00:00:54,160 --> 00:00:56,360 Speaker 1: And that's the type of movie fan I am. Or 20 00:00:56,640 --> 00:01:00,120 Speaker 1: you watch it take it for face value, and if 21 00:01:00,160 --> 00:01:02,680 Speaker 1: you go in expecting to be scared, expecting to have 22 00:01:02,800 --> 00:01:04,800 Speaker 1: something kind of rock your world and it doesn't do 23 00:01:04,880 --> 00:01:07,160 Speaker 1: that so you hate it, which is fine too. I 24 00:01:07,160 --> 00:01:10,199 Speaker 1: think it's just hard to make something that is in 25 00:01:10,240 --> 00:01:15,600 Speaker 1: the sci fi horror realm and able to meet everybody's expectations. 26 00:01:15,840 --> 00:01:18,840 Speaker 1: For me, I just like seeing something made that is 27 00:01:18,920 --> 00:01:23,279 Speaker 1: completely different, completely novel, even if it doesn't completely nail 28 00:01:23,400 --> 00:01:27,839 Speaker 1: all those elements. I love a director like Jordan Peel 29 00:01:28,000 --> 00:01:31,480 Speaker 1: striving to do something different, trying to make something that 30 00:01:31,520 --> 00:01:34,199 Speaker 1: has never been made before. And that's what I feel 31 00:01:34,240 --> 00:01:36,119 Speaker 1: like I got with Nope, and that's why I left 32 00:01:36,200 --> 00:01:39,000 Speaker 1: enjoying it so much. But let's get into where this 33 00:01:39,160 --> 00:01:41,800 Speaker 1: movie started, what it's about, because I never really even 34 00:01:41,840 --> 00:01:43,600 Speaker 1: got into that in a normal review, because I think 35 00:01:43,640 --> 00:01:45,280 Speaker 1: this is a movie. If you don't know a whole 36 00:01:45,280 --> 00:01:47,720 Speaker 1: lot about it going into it, you enjoy it that 37 00:01:47,800 --> 00:01:52,080 Speaker 1: much more. But essentially, it is a movie that deals 38 00:01:52,160 --> 00:01:56,480 Speaker 1: with the paranormal. It deals with extraterrestrials. It deals with UFOs, 39 00:01:57,240 --> 00:02:00,760 Speaker 1: and I am somebody who loves UFOs. I love all 40 00:02:01,000 --> 00:02:03,919 Speaker 1: discussions when it comes to aliens. By myself, I believe 41 00:02:04,000 --> 00:02:07,040 Speaker 1: in aliens. I feel like as we learn more and 42 00:02:07,080 --> 00:02:09,960 Speaker 1: more about the world we live in, this movie did 43 00:02:09,960 --> 00:02:15,040 Speaker 1: a pretty interesting job at tackling the sentiment surrounding aliens, 44 00:02:15,240 --> 00:02:20,720 Speaker 1: the characteristics of aliens, and just how our society reacts 45 00:02:20,720 --> 00:02:23,560 Speaker 1: to them. Now, where this movie kind of started and 46 00:02:23,600 --> 00:02:27,520 Speaker 1: the idea began was with Jordan Peel wanting to create 47 00:02:27,600 --> 00:02:30,840 Speaker 1: something that was a spectacle. He made and wrote this 48 00:02:30,919 --> 00:02:35,120 Speaker 1: movie at a time that he didn't know if movie 49 00:02:35,160 --> 00:02:38,600 Speaker 1: theaters or movies in general, we're going to be all right, 50 00:02:38,600 --> 00:02:40,440 Speaker 1: if people were going to go back and watch movies. 51 00:02:40,919 --> 00:02:43,400 Speaker 1: He thought he needed to create something so large and 52 00:02:43,400 --> 00:02:46,040 Speaker 1: put on such a show that would get people back 53 00:02:46,080 --> 00:02:48,880 Speaker 1: into seeds in the movie theaters. And that's kind of 54 00:02:48,880 --> 00:02:52,320 Speaker 1: where the idea of Nopes started, the idea of creating 55 00:02:52,360 --> 00:02:55,440 Speaker 1: a spectacle, And that is one of the main themes 56 00:02:55,440 --> 00:03:00,320 Speaker 1: out of the entire movie that I really identified early on, 57 00:03:01,040 --> 00:03:02,720 Speaker 1: and I feel like it's kind of sat with me 58 00:03:02,840 --> 00:03:05,280 Speaker 1: here even a couple of weeks now after I've seen 59 00:03:05,320 --> 00:03:08,320 Speaker 1: the movie, and you see this really from the very 60 00:03:08,360 --> 00:03:11,960 Speaker 1: beginning of the movie, where they are on set. You 61 00:03:12,000 --> 00:03:15,440 Speaker 1: have o J and his sister Emerald, continuing on their 62 00:03:15,560 --> 00:03:18,799 Speaker 1: dad's business, who at the beginning of the movie died 63 00:03:18,919 --> 00:03:22,760 Speaker 1: after a random object fell out of the sky, crushed 64 00:03:22,760 --> 00:03:26,160 Speaker 1: his skull, went inside of his head, and killed him, 65 00:03:26,440 --> 00:03:29,679 Speaker 1: and there was no real explanation given. But they had 66 00:03:29,680 --> 00:03:33,280 Speaker 1: this business called Hollywood Horses where they live on a 67 00:03:33,320 --> 00:03:36,600 Speaker 1: horse ranch. They trained these horses to be in Hollywood productions, 68 00:03:37,000 --> 00:03:38,920 Speaker 1: and that's kind of where you get your first spectacle. 69 00:03:39,120 --> 00:03:43,240 Speaker 1: Is there there help being film a commercial and they 70 00:03:43,280 --> 00:03:45,360 Speaker 1: could just use C G I horses, but they have 71 00:03:45,600 --> 00:03:49,000 Speaker 1: O J there and his sister and they are training 72 00:03:49,000 --> 00:03:51,960 Speaker 1: the horses to be a part of this commercial. And 73 00:03:52,000 --> 00:03:54,880 Speaker 1: the first kind of instance that you feel something is 74 00:03:54,920 --> 00:03:57,880 Speaker 1: a little bit off is whenever O J tells everybody 75 00:03:57,960 --> 00:04:00,840 Speaker 1: not to look the horse the eye, not to do 76 00:04:00,880 --> 00:04:05,440 Speaker 1: anything sudden, and this guy comes up puts this reflective 77 00:04:05,480 --> 00:04:07,920 Speaker 1: thing in front of the horse and the horse freaks out, 78 00:04:08,240 --> 00:04:10,600 Speaker 1: which that will come back into play at the end 79 00:04:10,600 --> 00:04:12,680 Speaker 1: of the movie. But this is where all the themes 80 00:04:12,720 --> 00:04:16,920 Speaker 1: kind of start of working with animals, of show business, 81 00:04:17,000 --> 00:04:20,159 Speaker 1: of the idea of just putting on a big production, 82 00:04:20,240 --> 00:04:23,599 Speaker 1: which was a pretty big theme out of the entire movie, 83 00:04:23,920 --> 00:04:27,839 Speaker 1: I think the biggest theme and what Jordan Peel was 84 00:04:27,880 --> 00:04:30,520 Speaker 1: trying to say in this movie. I feel like it 85 00:04:30,640 --> 00:04:34,880 Speaker 1: was his most ambitious attempt yet out of his three movies, 86 00:04:35,160 --> 00:04:39,320 Speaker 1: and the one that maybe just didn't quite land with everybody, 87 00:04:39,360 --> 00:04:41,400 Speaker 1: because it's a pretty hard thing to connect. You have 88 00:04:41,560 --> 00:04:45,360 Speaker 1: this movie about aliens in this UFO and they're trying 89 00:04:45,480 --> 00:04:49,159 Speaker 1: to capture the UFO get the Money slash Oprah shot 90 00:04:49,200 --> 00:04:52,240 Speaker 1: that they talk about. But then you're kind of creating 91 00:04:52,440 --> 00:04:57,479 Speaker 1: this idea of fame and this idea of having to 92 00:04:57,560 --> 00:05:02,040 Speaker 1: record everything. And o J played by Daniel Kaluya, and 93 00:05:02,120 --> 00:05:05,920 Speaker 1: the Emerald their brother and sister, and they realize that 94 00:05:06,000 --> 00:05:08,920 Speaker 1: there is a cloud on their ranch that hasn't moved 95 00:05:09,480 --> 00:05:11,880 Speaker 1: and it has to be the thing linked with all 96 00:05:12,000 --> 00:05:15,479 Speaker 1: the crazy things happening around their ranch, so they want 97 00:05:15,800 --> 00:05:19,279 Speaker 1: to capture it. They want to get it on film 98 00:05:19,440 --> 00:05:23,640 Speaker 1: and HD quality unlike anybody has ever seen before, and 99 00:05:23,760 --> 00:05:27,160 Speaker 1: they think by doing that that shot will make them 100 00:05:27,240 --> 00:05:31,400 Speaker 1: rich and famous. And the entire movie kind of plays 101 00:05:31,440 --> 00:05:34,839 Speaker 1: out that idea of people wanting to have fame, people 102 00:05:34,920 --> 00:05:38,320 Speaker 1: wanting to capture things on film. And I just found 103 00:05:38,360 --> 00:05:42,320 Speaker 1: that as kind of an interesting point to make, as 104 00:05:42,400 --> 00:05:45,800 Speaker 1: this has kind of been our norm the last I 105 00:05:45,800 --> 00:05:49,080 Speaker 1: mean even decade, but very much in the last few years, 106 00:05:49,279 --> 00:05:54,320 Speaker 1: of everybody always recording something, and not only that, but 107 00:05:54,839 --> 00:05:57,520 Speaker 1: it's almost like some things in our life don't exist 108 00:05:57,920 --> 00:06:00,760 Speaker 1: unless we photograph it, unless we take a video of it. 109 00:06:01,440 --> 00:06:04,680 Speaker 1: You weren't at a concert unless you filmed it. You 110 00:06:04,720 --> 00:06:07,320 Speaker 1: didn't witness something cool if you didn't get it for 111 00:06:07,360 --> 00:06:11,159 Speaker 1: your Instagram story. And now you're not really a part 112 00:06:11,160 --> 00:06:13,680 Speaker 1: of anything unless you can put a clip up on TikTok. 113 00:06:14,000 --> 00:06:16,240 Speaker 1: And you see this throughout the movie. You see it 114 00:06:16,320 --> 00:06:20,160 Speaker 1: with the cinematographer who comes to help them, and he 115 00:06:20,200 --> 00:06:22,719 Speaker 1: has the camera that doesn't have any electronics, so he's 116 00:06:22,760 --> 00:06:27,359 Speaker 1: able to go around the UFOs, ability to shut down 117 00:06:27,440 --> 00:06:30,160 Speaker 1: things that run, you know, through battery power or through 118 00:06:30,160 --> 00:06:34,760 Speaker 1: any kind of electronic and he has a fascination of 119 00:06:35,680 --> 00:06:39,279 Speaker 1: getting that shot, no matter what it takes, of just 120 00:06:39,440 --> 00:06:41,960 Speaker 1: getting that shot, because that's the only thing that really 121 00:06:42,000 --> 00:06:45,640 Speaker 1: excites him, and ultimately that leads to his death. He 122 00:06:45,680 --> 00:06:51,280 Speaker 1: had already done his job of capturing the UFO on film, 123 00:06:51,360 --> 00:06:53,400 Speaker 1: but he wanted to take it a step further, and 124 00:06:53,400 --> 00:06:56,719 Speaker 1: to get the perfect shot, sacrificed his life. He went 125 00:06:56,760 --> 00:06:59,400 Speaker 1: on to a part of the mountain or the hill 126 00:06:59,480 --> 00:07:03,000 Speaker 1: or whatever and kept rolling on it until the UFO 127 00:07:03,440 --> 00:07:06,200 Speaker 1: ate him. And that's how he went out. His fascination 128 00:07:06,320 --> 00:07:10,080 Speaker 1: with getting the perfect shot because he wanted the better lighting. 129 00:07:10,520 --> 00:07:13,200 Speaker 1: And then you also have the TMZ reporter who kind 130 00:07:13,200 --> 00:07:16,640 Speaker 1: of comes out of nowhere, which was a bit odd. 131 00:07:16,680 --> 00:07:19,400 Speaker 1: It was kind of an interesting placement to put that 132 00:07:19,480 --> 00:07:22,480 Speaker 1: in the story. I got why he was there. He 133 00:07:22,760 --> 00:07:26,720 Speaker 1: was the kind of outside noise of somebody wanting to 134 00:07:27,960 --> 00:07:33,240 Speaker 1: again get that shot. And even as he is sitting there, 135 00:07:33,280 --> 00:07:37,240 Speaker 1: actually laying on the ground after being hit by the 136 00:07:37,280 --> 00:07:41,760 Speaker 1: force field and is in really bad shape, he wants 137 00:07:41,840 --> 00:07:45,600 Speaker 1: o J to film him like he's still obsessed with like, 138 00:07:46,440 --> 00:07:48,560 Speaker 1: oh man, this would make such a great footage. I'm 139 00:07:48,560 --> 00:07:51,600 Speaker 1: probably about to die, but I need to capture this 140 00:07:51,680 --> 00:07:54,320 Speaker 1: in order to show this later. He's just fascinated with that. 141 00:07:55,080 --> 00:07:59,400 Speaker 1: So I didn't love I didn't hate the TMZ character 142 00:07:59,440 --> 00:08:02,040 Speaker 1: in this because but I just felt that you kind 143 00:08:02,040 --> 00:08:06,640 Speaker 1: of already got that point across with the cinematographer. It 144 00:08:06,680 --> 00:08:09,800 Speaker 1: was kind of just adding that second element that other 145 00:08:10,440 --> 00:08:13,720 Speaker 1: restating that same plot point. So I didn't feel like 146 00:08:13,760 --> 00:08:17,440 Speaker 1: that character was completely necessary. So maybe I held that 147 00:08:17,600 --> 00:08:20,000 Speaker 1: a little bit against the film. So I felt like 148 00:08:20,040 --> 00:08:22,920 Speaker 1: that was the overarching theme that is kind of what 149 00:08:23,160 --> 00:08:26,080 Speaker 1: Jordan Peele was trying to say in this movie. I 150 00:08:26,120 --> 00:08:27,680 Speaker 1: did think it was going to be a lot more 151 00:08:27,760 --> 00:08:30,640 Speaker 1: focused on aliens and maybe even with like an idea 152 00:08:30,720 --> 00:08:33,360 Speaker 1: of money, and I knew that wasn't going to be 153 00:08:33,400 --> 00:08:37,000 Speaker 1: the case early on in the movie, where you see 154 00:08:37,080 --> 00:08:40,360 Speaker 1: the alien pretty like in the first twenty minutes or so, 155 00:08:41,120 --> 00:08:42,679 Speaker 1: and you think, like, well, where is it going to 156 00:08:42,760 --> 00:08:44,360 Speaker 1: go from here? But it turns out to kind of 157 00:08:44,360 --> 00:08:47,480 Speaker 1: be a spoof of it's just the the kids who 158 00:08:47,559 --> 00:08:50,000 Speaker 1: live at the other ranch coming to mess with him. 159 00:08:50,280 --> 00:08:52,320 Speaker 1: That kind of gave me that feeling I had back 160 00:08:52,360 --> 00:08:54,880 Speaker 1: when I watched Signs and seeing that alien for the 161 00:08:54,920 --> 00:08:58,600 Speaker 1: first time. I was kind of scared at that point, 162 00:08:58,679 --> 00:09:00,920 Speaker 1: but it felt like they were knowing it so much 163 00:09:01,000 --> 00:09:03,800 Speaker 1: that that couldn't be the thing, and that ended up 164 00:09:03,800 --> 00:09:07,920 Speaker 1: being kind of just a goof But credit to Jordan 165 00:09:07,960 --> 00:09:10,280 Speaker 1: people for still giving me that kind of scared feeling 166 00:09:10,640 --> 00:09:13,160 Speaker 1: and then kind of having that misdirection moment of it 167 00:09:13,280 --> 00:09:16,680 Speaker 1: just being kids inside a costume. I did think it 168 00:09:16,760 --> 00:09:18,760 Speaker 1: was going to have like an overlying message of like 169 00:09:18,840 --> 00:09:22,720 Speaker 1: Little Green Men and it being kind of a metaphor 170 00:09:22,800 --> 00:09:25,160 Speaker 1: where you think alien, but you also think little Green 171 00:09:25,200 --> 00:09:28,280 Speaker 1: Men relating to money. I guess that kind of comes 172 00:09:28,320 --> 00:09:32,000 Speaker 1: back to the fascination with O J kind of out 173 00:09:32,000 --> 00:09:36,319 Speaker 1: of nowhere wanting to make money. Yes, he is struggling 174 00:09:36,400 --> 00:09:39,040 Speaker 1: after not really being able to keep the business going 175 00:09:39,120 --> 00:09:42,360 Speaker 1: as well as his father did, and maybe now the 176 00:09:42,400 --> 00:09:46,320 Speaker 1: little green men in the spaceship could be his ticket 177 00:09:46,360 --> 00:09:48,760 Speaker 1: to recovery. Maybe we just figured it out there. Maybe 178 00:09:48,800 --> 00:09:51,520 Speaker 1: that's was the symbolism there. But I think my favorite 179 00:09:51,559 --> 00:09:55,200 Speaker 1: part out of the entire movie ended up not being 180 00:09:55,240 --> 00:09:58,040 Speaker 1: the aliens. It ended up being the character Jup played 181 00:09:58,080 --> 00:10:00,880 Speaker 1: by Steven Yen. And I think this was the only 182 00:10:00,920 --> 00:10:03,040 Speaker 1: freaking spoiler I saw before seeing this movie, and I 183 00:10:03,080 --> 00:10:05,400 Speaker 1: really wish I had no idea and it wasn't so 184 00:10:05,480 --> 00:10:07,880 Speaker 1: much a spoiler, but I didn't know that there was 185 00:10:07,920 --> 00:10:10,439 Speaker 1: going to be some kind of monkey attack, and if 186 00:10:10,480 --> 00:10:13,040 Speaker 1: I wasn't expecting that at all, I think I would 187 00:10:13,080 --> 00:10:14,880 Speaker 1: have enjoyed it even more. But it still ended up 188 00:10:14,880 --> 00:10:18,000 Speaker 1: being my favorite part out of the entire movie. I 189 00:10:18,040 --> 00:10:21,280 Speaker 1: just loved the character Juke, who was a childhood star 190 00:10:21,520 --> 00:10:24,280 Speaker 1: on this TV show, Gordy's Home. I loved the way 191 00:10:24,320 --> 00:10:28,080 Speaker 1: that that TV show was introduced and how the scene 192 00:10:28,400 --> 00:10:31,079 Speaker 1: was sort of revealed but not really and it just 193 00:10:31,160 --> 00:10:33,600 Speaker 1: kind of kept flashing back and flashing back to that. 194 00:10:33,960 --> 00:10:37,920 Speaker 1: I found that this also dealt with fame, It also 195 00:10:38,000 --> 00:10:41,840 Speaker 1: dealt with the exploitation of animals and was able to 196 00:10:41,920 --> 00:10:46,920 Speaker 1: tie back into the idea of the UFO creature in 197 00:10:47,000 --> 00:10:52,160 Speaker 1: this movie. Now, Juke was on this TV show where 198 00:10:52,200 --> 00:10:55,720 Speaker 1: they had a real chimp. It was doing really well 199 00:10:55,760 --> 00:10:58,680 Speaker 1: in the ratings. The show was crushing it. But then 200 00:10:58,840 --> 00:11:03,200 Speaker 1: one day there was an attack where he beat some 201 00:11:03,280 --> 00:11:09,680 Speaker 1: people to a bloody pulp. And then although Jup didn't 202 00:11:09,720 --> 00:11:12,920 Speaker 1: get attacked, he ended up being fine because right as 203 00:11:13,440 --> 00:11:16,439 Speaker 1: Gordy was going to kind of do the little hand 204 00:11:16,520 --> 00:11:19,240 Speaker 1: signal that they did on the show, he was shot 205 00:11:19,280 --> 00:11:22,680 Speaker 1: by somebody and killed. But it was that trauma that 206 00:11:23,080 --> 00:11:25,920 Speaker 1: he experienced on the worst day of his life that 207 00:11:25,960 --> 00:11:30,200 Speaker 1: now was an adult, still holds and kind of carry 208 00:11:30,280 --> 00:11:33,880 Speaker 1: something with him that he has built the shrine in 209 00:11:34,000 --> 00:11:38,920 Speaker 1: this new Western theme park, that he has built this 210 00:11:39,000 --> 00:11:43,840 Speaker 1: side show attraction to kind of hold and remember the 211 00:11:43,880 --> 00:11:46,400 Speaker 1: worst day of his life. And he has this fascination 212 00:11:47,559 --> 00:11:50,559 Speaker 1: with something so awful, which I just found so interesting. 213 00:11:51,559 --> 00:11:55,320 Speaker 1: I found his character as he was rehearsing what he 214 00:11:55,360 --> 00:11:58,600 Speaker 1: was going to say on the first day of this exhibit, 215 00:11:58,640 --> 00:12:03,160 Speaker 1: where he you find out he has been taking the 216 00:12:03,240 --> 00:12:08,120 Speaker 1: horses he's been buying from o J and feeding him 217 00:12:08,160 --> 00:12:11,200 Speaker 1: to the alien, to the spaceship in the sky, and 218 00:12:11,280 --> 00:12:13,280 Speaker 1: he is still trying to put on a show. He's 219 00:12:13,280 --> 00:12:18,120 Speaker 1: almost trying to relive his childhood fame days of now 220 00:12:19,440 --> 00:12:24,559 Speaker 1: exploiting a different animal. Instead of the chimp from Gordy's home. 221 00:12:24,679 --> 00:12:29,800 Speaker 1: It is now this alien creature in the sky, and 222 00:12:29,880 --> 00:12:32,240 Speaker 1: he wants all these people there. He wanted o J 223 00:12:32,400 --> 00:12:35,320 Speaker 1: there to experience it. And it was almost like he 224 00:12:35,440 --> 00:12:39,640 Speaker 1: didn't learn anything from being on Gordy's home. He didn't 225 00:12:39,720 --> 00:12:43,640 Speaker 1: learn anything of that relationship he formed. What he took 226 00:12:43,679 --> 00:12:45,640 Speaker 1: away from it is I gotta find a way to 227 00:12:45,679 --> 00:12:47,600 Speaker 1: do that again. I have to find a way to 228 00:12:47,720 --> 00:12:51,040 Speaker 1: exploit another animal, because that was awesome. I was famous 229 00:12:51,040 --> 00:12:53,200 Speaker 1: when I was doing that. So it's like he's still 230 00:12:53,240 --> 00:12:56,520 Speaker 1: hanging on to his childhood fame. He's still hanging onto 231 00:12:56,600 --> 00:12:59,960 Speaker 1: those days. I mean, even his co star Mary Joe, 232 00:13:00,040 --> 00:13:03,559 Speaker 1: who shows up at the event, she's still wearing her 233 00:13:03,640 --> 00:13:07,720 Speaker 1: T shirt with her character's face on it while covering 234 00:13:07,720 --> 00:13:11,680 Speaker 1: her face that has been disfigured from that chimp attack. 235 00:13:11,920 --> 00:13:14,959 Speaker 1: So it is kind of a commentary on childhood fame, 236 00:13:15,320 --> 00:13:22,040 Speaker 1: the things we do to create a spectacle, and I 237 00:13:22,040 --> 00:13:24,000 Speaker 1: said we would come back to that first point I 238 00:13:24,080 --> 00:13:28,240 Speaker 1: made about the horse and it seem gets reflection and 239 00:13:28,320 --> 00:13:32,760 Speaker 1: it freaking out and causing them to do away with 240 00:13:32,800 --> 00:13:35,840 Speaker 1: O j Services and just use a C. G I horse. 241 00:13:36,400 --> 00:13:38,800 Speaker 1: And it was because he told him, you know, don't 242 00:13:38,840 --> 00:13:40,640 Speaker 1: mess with the horse, don't look the horse in the eye, 243 00:13:40,679 --> 00:13:43,880 Speaker 1: don't show him his reflection, and they did and that 244 00:13:43,960 --> 00:13:46,959 Speaker 1: kind of came into play at the ending where they 245 00:13:47,040 --> 00:13:51,080 Speaker 1: realize where if they didn't look at Jeane Jacket the 246 00:13:51,120 --> 00:13:54,520 Speaker 1: name of the UFO in the eyes with their eyes, 247 00:13:55,160 --> 00:13:58,320 Speaker 1: that they were kind of immune to his attack. And 248 00:13:58,360 --> 00:14:03,080 Speaker 1: we saw this whenever he showed himself at the event 249 00:14:03,240 --> 00:14:07,960 Speaker 1: on Jup's ranch and swallowed all those people, which was 250 00:14:08,000 --> 00:14:09,920 Speaker 1: one of the best scenes out of the entire movie. 251 00:14:10,520 --> 00:14:12,880 Speaker 1: And then the dumping of the blood on their house 252 00:14:13,480 --> 00:14:15,480 Speaker 1: like that is That's why I felt this movie was 253 00:14:15,520 --> 00:14:18,560 Speaker 1: an instant classic. That is something you'll remember that was 254 00:14:18,640 --> 00:14:22,080 Speaker 1: reminiscent of when I saw a Jaws attack for the 255 00:14:22,080 --> 00:14:25,840 Speaker 1: first time, or the blood coming off the elevators in 256 00:14:25,960 --> 00:14:29,200 Speaker 1: the Shining or the blood shooting out of the bed 257 00:14:29,320 --> 00:14:32,040 Speaker 1: on Nightmare on elm Street. I just thought it was 258 00:14:32,080 --> 00:14:36,360 Speaker 1: a great ode to horror classics in a way that 259 00:14:36,680 --> 00:14:39,920 Speaker 1: felt very two So they realized this that if you 260 00:14:39,960 --> 00:14:43,160 Speaker 1: don't look Jane Jacket in the eyes, you don't get eaten, 261 00:14:43,200 --> 00:14:45,440 Speaker 1: you don't get attacked. And at this point, I've been 262 00:14:45,520 --> 00:14:47,800 Speaker 1: loving everything about the movie. I thought it was almost 263 00:14:47,880 --> 00:14:50,320 Speaker 1: a perfect film. Lost me a little bit on the 264 00:14:50,360 --> 00:14:52,800 Speaker 1: TMZ character, but that was fine. I just thought he 265 00:14:52,840 --> 00:14:54,640 Speaker 1: was gonna have kind of a cooler role, kind of 266 00:14:54,640 --> 00:14:56,680 Speaker 1: means something a little bit more, but that was fine. 267 00:14:57,000 --> 00:15:00,160 Speaker 1: I wouldn't have ducked any points for that. I' just 268 00:15:00,200 --> 00:15:04,600 Speaker 1: think the ending to me didn't feel as gratifying as 269 00:15:04,640 --> 00:15:09,200 Speaker 1: I was expecting. It summed everything up nice. It I 270 00:15:09,240 --> 00:15:12,200 Speaker 1: didn't feel like I missed anything. I was just expecting 271 00:15:12,240 --> 00:15:15,120 Speaker 1: a little bit more of a Hurrah moment of all 272 00:15:15,160 --> 00:15:18,960 Speaker 1: these crazy things that had been happening of o J 273 00:15:19,800 --> 00:15:22,320 Speaker 1: kind of going through a lot, but yet not feeling 274 00:15:22,320 --> 00:15:24,800 Speaker 1: any highs or lows. He kind of stays consistent throughout 275 00:15:24,840 --> 00:15:27,640 Speaker 1: the entire movie, even after all these crazy things are 276 00:15:27,640 --> 00:15:31,080 Speaker 1: happening happening to him, he still feels pretty normal and chill, 277 00:15:31,200 --> 00:15:33,360 Speaker 1: which I thought was a cool take on his character, 278 00:15:33,400 --> 00:15:35,080 Speaker 1: and he stayed kind of true to that, and then 279 00:15:35,120 --> 00:15:39,920 Speaker 1: you have him in the relationship with his sister Emerald 280 00:15:40,320 --> 00:15:43,360 Speaker 1: kind of become the last statement out of the entire 281 00:15:43,440 --> 00:15:48,280 Speaker 1: movie of they've had this kind of feeling between them 282 00:15:48,320 --> 00:15:51,800 Speaker 1: that hasn't been resolved and o J's relationship with his 283 00:15:51,920 --> 00:15:55,880 Speaker 1: dad and Emerald kind of feeling left out of that relationship, 284 00:15:56,720 --> 00:15:59,400 Speaker 1: and then o J doing this heroic thing at the 285 00:15:59,520 --> 00:16:03,160 Speaker 1: end to kind of make up for that, and that 286 00:16:03,280 --> 00:16:05,400 Speaker 1: kind of being the last note it goes out on. 287 00:16:05,560 --> 00:16:07,760 Speaker 1: I just felt like it didn't quite get there for me. 288 00:16:08,000 --> 00:16:10,560 Speaker 1: I could have had something a little bit more. And 289 00:16:10,600 --> 00:16:13,400 Speaker 1: then even with Jeane Jacket kind of taking on this 290 00:16:13,480 --> 00:16:17,520 Speaker 1: new form of realizing it needed to create a bigger 291 00:16:17,560 --> 00:16:22,240 Speaker 1: spectacle in order to defeat them, and the thing that 292 00:16:22,400 --> 00:16:27,320 Speaker 1: kind of ultimately takes him out is just them tricking 293 00:16:27,440 --> 00:16:30,760 Speaker 1: him into eating some of the things and making him explode. 294 00:16:31,080 --> 00:16:34,200 Speaker 1: And then it doesn't really explain if they were able 295 00:16:34,320 --> 00:16:37,160 Speaker 1: to keep the footage that they shot on that camera, 296 00:16:37,880 --> 00:16:40,280 Speaker 1: like did that footage exists or did it go away 297 00:16:40,360 --> 00:16:45,040 Speaker 1: Whenever the the other camera guy went up into Jeane 298 00:16:45,120 --> 00:16:49,200 Speaker 1: Jacket and the only thing they had were the pictures 299 00:16:49,240 --> 00:16:51,960 Speaker 1: that were taken from the perspective of that well, so 300 00:16:52,040 --> 00:16:54,560 Speaker 1: it was still an almost perfect movie to me, with 301 00:16:54,600 --> 00:16:57,480 Speaker 1: all the themes it tried to tackle on, with all 302 00:16:57,480 --> 00:17:01,520 Speaker 1: the characters it created, but only that it just created 303 00:17:01,600 --> 00:17:04,840 Speaker 1: this last thing affect in me, which it's not very 304 00:17:04,960 --> 00:17:08,680 Speaker 1: often that I think about a movie for days after 305 00:17:08,720 --> 00:17:11,560 Speaker 1: seeing it. I thought about this movie for almost two 306 00:17:11,600 --> 00:17:15,959 Speaker 1: weeks after I watched it, because I was rethinking, like, 307 00:17:16,000 --> 00:17:17,919 Speaker 1: how did what does that mean exactly? Oh, well, this 308 00:17:17,960 --> 00:17:21,040 Speaker 1: seemed did that His hoodie was orange, so that was 309 00:17:21,640 --> 00:17:24,840 Speaker 1: a representation of this, and then the credits were orange. 310 00:17:24,840 --> 00:17:27,199 Speaker 1: There were just so many fine details in it that 311 00:17:27,280 --> 00:17:30,000 Speaker 1: I felt like everything existed for a purpose. It was 312 00:17:30,080 --> 00:17:33,280 Speaker 1: up to me to figure out what that purpose was. 313 00:17:34,160 --> 00:17:36,159 Speaker 1: And that's a lot of work to put into a 314 00:17:36,160 --> 00:17:39,239 Speaker 1: movie that's a lot of detail. So I think if 315 00:17:39,280 --> 00:17:42,600 Speaker 1: you really want to dig into it, there are even 316 00:17:42,640 --> 00:17:44,919 Speaker 1: more things you can talk about and pull out of 317 00:17:44,920 --> 00:17:49,360 Speaker 1: this movie. And it's very rare that a film like 318 00:17:49,440 --> 00:17:53,119 Speaker 1: this exists that different people can interpret it different ways, 319 00:17:53,160 --> 00:17:55,360 Speaker 1: and I think that is the sign of great art. 320 00:17:55,800 --> 00:17:58,560 Speaker 1: This movie felt like art to me. It felt like 321 00:17:58,640 --> 00:18:01,360 Speaker 1: a discussion piece that even if you hated this movie, 322 00:18:01,400 --> 00:18:04,199 Speaker 1: you thought it was stupid, you thought, even though you 323 00:18:04,320 --> 00:18:06,919 Speaker 1: understood some of the symbolism that was trying to be, 324 00:18:07,720 --> 00:18:10,920 Speaker 1: you know, put across the screen, you still found it dumb. 325 00:18:11,080 --> 00:18:14,719 Speaker 1: Like that's fine. I just still think it was a bold, 326 00:18:14,880 --> 00:18:18,639 Speaker 1: ambitious movie. And if there are things being created that 327 00:18:18,760 --> 00:18:22,679 Speaker 1: can still create these kind of conversations, that is important. 328 00:18:23,600 --> 00:18:27,880 Speaker 1: There are so many great movies. Maybe it's not this 329 00:18:27,920 --> 00:18:30,840 Speaker 1: one for you, but something that you can find that 330 00:18:31,080 --> 00:18:35,359 Speaker 1: is new and novel and thought provoking and not the 331 00:18:35,400 --> 00:18:38,600 Speaker 1: same thing over and over again. That is what I'm 332 00:18:38,600 --> 00:18:41,600 Speaker 1: looking for. That is what excites me. So I think 333 00:18:41,640 --> 00:18:44,440 Speaker 1: when it comes to where I see cinema wanting to go, 334 00:18:45,000 --> 00:18:48,960 Speaker 1: I really love seeing Jordan's Peel being the one to 335 00:18:49,080 --> 00:18:51,679 Speaker 1: kind of take it in new directions. So now I 336 00:18:51,800 --> 00:18:54,200 Speaker 1: still stand by my rating. I still think it's a 337 00:18:54,240 --> 00:18:57,879 Speaker 1: four point five out of five, easily in my top 338 00:18:58,040 --> 00:19:02,800 Speaker 1: three movies of the year. Could probably battles between this 339 00:19:02,880 --> 00:19:06,160 Speaker 1: and Everything Everywhere all at once. I would still rank 340 00:19:06,200 --> 00:19:09,399 Speaker 1: it as my second favorite Jordan Peele movie. I would 341 00:19:09,400 --> 00:19:14,000 Speaker 1: go Get Out, Nope, and then Us in that order. 342 00:19:14,359 --> 00:19:16,960 Speaker 1: And I just can't wait to see what he does next. 343 00:19:17,480 --> 00:19:22,360 Speaker 1: That has been my spoiler addition and my attempt at 344 00:19:22,400 --> 00:19:26,280 Speaker 1: explaining the themes of Nope. Hope you enjoyed that. If 345 00:19:26,320 --> 00:19:31,160 Speaker 1: you thought there was another theme, another thing you picked 346 00:19:31,240 --> 00:19:33,600 Speaker 1: up on after watching this movie that I didn't hit on, 347 00:19:33,920 --> 00:19:36,920 Speaker 1: let me know. Email me movie Mike D at gmail 348 00:19:37,000 --> 00:19:40,280 Speaker 1: dot com, hit me up on social media at Mike 349 00:19:40,359 --> 00:19:43,520 Speaker 1: destro And you can always find all those links in 350 00:19:43,560 --> 00:19:47,880 Speaker 1: the podcast episode notes. And until next time, go out 351 00:19:47,960 --> 00:19:50,720 Speaker 1: and watch good movies and I will talk to you later.