WEBVTT - Cheetah Girls 2

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<v Speaker 1>Yeah, I was so hoping that's what it was going

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<v Speaker 1>to be.

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<v Speaker 2>This is all I have at this point, is this

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<v Speaker 2>like schmock, cha smock. That's it what happened. I was

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<v Speaker 2>born because I wear Cheetah, and I didn't think maybe

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<v Speaker 2>I should hold back on wearing the cheetah on the

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<v Speaker 2>podcast so much because then I don't have anything else

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<v Speaker 2>to wear. And I have a box of all my

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<v Speaker 2>stuff and I've gotta find it. I've got to go

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<v Speaker 2>through my garage.

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<v Speaker 1>And you do all is because I want not to

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<v Speaker 1>get duck to jump ahead to this film, but I

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<v Speaker 1>watched it with my wife and she kept asking about

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<v Speaker 1>the clothes and she's like, please tell me, Sabrina still

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<v Speaker 1>has that jean jacket. She's like, that's the best jean

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<v Speaker 1>jacket I think I've ever seen in my life. So

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<v Speaker 1>she's hoping, I actually.

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<v Speaker 2>We will have to get into the clothes because that

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<v Speaker 2>is such a big thing. I at this point, we

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<v Speaker 2>were so we were doing Cheatah stuff so much that

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<v Speaker 2>I had like my specific stuff that I knew I liked.

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<v Speaker 2>It was my character Like at this point, like the characters,

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<v Speaker 2>like you know, styles of all of us were so

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<v Speaker 2>well developed that I brought a lot of my stuff

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<v Speaker 2>and then I never got and they were like my

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<v Speaker 2>favorite jeans, like and you'll see, I'll I'll point them out.

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<v Speaker 2>They were my favorite gene.

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<v Speaker 1>The ones with all the stuff going down the side.

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<v Speaker 2>Uh not the first set, the second, like the different

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<v Speaker 2>later on in the movie when we're already in Spain

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<v Speaker 2>and I let them patch it up and I was like,

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<v Speaker 2>I don't care, I will wear them like this like

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<v Speaker 2>later on, like these are my favorite jeans. And he

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<v Speaker 2>would not give them.

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<v Speaker 1>Back to oh he wanted.

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<v Speaker 2>To pay me for them. I'm like, they I can't

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<v Speaker 2>find them again, Like I can't.

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<v Speaker 1>Ah, you know.

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<v Speaker 2>So, But that that there's a lot of backstage kind

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<v Speaker 2>or behind the scenes like fashion stuff that happened within

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<v Speaker 2>this movie because it was so important to everyone on

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<v Speaker 2>board as far as where the development.

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<v Speaker 1>It was huge. Even I noticed it. And when I noticed,

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<v Speaker 1>like the costumes or just the wardrobe, you know, it's

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<v Speaker 1>important because I never see stuff like that. But all right,

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<v Speaker 1>well let's hop into it. Welcome back to Magical Rewind,

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<v Speaker 1>the show that makes you want to grab your friends,

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<v Speaker 1>your PJS, and your popcorn and go back to time

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<v Speaker 1>when all the houses are smart. The wave Tsunamis and

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<v Speaker 1>Sabrina was making out on camera. Oh man, we're gonna

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<v Speaker 1>get into that. I will Fordell and.

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<v Speaker 2>I'm Sabrina Brian.

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<v Speaker 1>Yes, here we go, Yes, Here we Go. A sequel

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<v Speaker 1>is always a big deal here on Magical Rewind. But today, people,

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<v Speaker 1>today it is almost a national holiday. Yes, it's time

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<v Speaker 1>to strut and do your own thing. We're watching two

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<v Speaker 1>thousand and six is The Cheetah Girls Too, a follow

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<v Speaker 1>up that not only became one of the channel's biggest

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<v Speaker 1>movies ever, it stars our beloved co host and my friend.

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<v Speaker 1>Are you excited?

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<v Speaker 2>I am excited and nervous. I just went to the

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<v Speaker 2>rest of you. But I feel like I gotta go again.

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<v Speaker 2>I'm so nervous of how you're gonna react to this one,

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<v Speaker 2>because again, oh no pressure. But this was one of

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<v Speaker 2>This was an amazing night last night rewatching this because

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<v Speaker 2>I just was going down a trip like I can't imagine.

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<v Speaker 2>This was one of our favorite things that we had

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<v Speaker 2>ever done. It was just amazing and it was it

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<v Speaker 2>was just so fun.

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<v Speaker 1>Okay, well, you know I can't watch it as your friend.

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<v Speaker 1>I have to watch it as the guy watching movies

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<v Speaker 1>for that's.

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<v Speaker 2>All I want. I want it, I want it. I'm ready.

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<v Speaker 1>I gotta be real as I'm watching these things. That's

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<v Speaker 1>all I can do. Well. First of all, you've made

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<v Speaker 1>it no secret that Cheetah Girls Too is your favorite

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<v Speaker 1>of the series. Now, did you do you remember when

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<v Speaker 1>you heard you were making a second one? Is it

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<v Speaker 1>was this when you were making the first movie. Were

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<v Speaker 1>they already talking about what you were going to do

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<v Speaker 1>the second one? Or did this come later? How did

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<v Speaker 1>all this work?

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<v Speaker 2>The first movie was going to be just another one

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<v Speaker 2>of the dcoms that we've seen one and done. That

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<v Speaker 2>was it. Six weeks out in Toronto, two weeks here

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<v Speaker 2>in La rehearsing, bing bang boom, got it done in

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<v Speaker 2>that and that was it. We didn't have a premiere

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<v Speaker 2>or anything like that. We I mean, we went to

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<v Speaker 2>like a special event and it was like exciting to

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<v Speaker 2>see Raven and Adrian and Keighley again when we got

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<v Speaker 2>to when we were at the upfronts for before the

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<v Speaker 2>movie came, and that was kind of it. So I

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<v Speaker 2>kept in touch with them, saw them here and there.

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<v Speaker 2>Then we were asked to do a disney Mania song.

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<v Speaker 2>That led into us doing a Christmas album, and then

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<v Speaker 2>that led us into doing a Christmas tour. And while

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<v Speaker 2>we were on the Christmas tour is when we started

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<v Speaker 2>hearing the rumblings of they want to do a Cheetah

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<v Speaker 2>Girls too. Wow' yes. And I remember I was I

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<v Speaker 2>was in college and I was working out a tanning

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<v Speaker 2>saloon and on my phone Deborah Martin Chase, the producer

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<v Speaker 2>of the movie, called was calling me and I looked

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<v Speaker 2>at my manager and was like, I have to take this,

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<v Speaker 2>Like this is the Cheetah Girls producer. I have to

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<v Speaker 2>take this. And she's like okay. So I go outside

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<v Speaker 2>and she's like, what do you think about going to Barcelona?

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<v Speaker 2>And I was like, oh, are you serious?

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<v Speaker 1>Like I have a show on tomorrow.

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<v Speaker 2>She goes, they want to shoot it? And I found

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<v Speaker 2>out they want to. They want they're trying to expand

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<v Speaker 2>into Spain, so we're using this opportunity to take Cheater

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<v Speaker 2>Girls this Barcelona.

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<v Speaker 1>Wow.

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<v Speaker 2>And I just probably, I mean, my knees went weak.

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<v Speaker 2>I was an Orange County girl, just like doing here

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<v Speaker 2>here and their things. I was not big that. I

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<v Speaker 2>was not expecting this. I was excited to be a

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<v Speaker 2>part of the channel, but this was like Holy crap,

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<v Speaker 2>like this is becoming something.

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<v Speaker 1>Bigger, big, Yeah, this is okay, So that's cool. So

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<v Speaker 1>for everybody out there, you have to remember the first

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<v Speaker 1>Cheatagirl's debut to six point five million viewers, which was

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<v Speaker 1>a new gold standard for any decom moving forward. So

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<v Speaker 1>it was a no brainer to everybody else anyway that

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<v Speaker 1>it would get a sequel and become a franchise, because

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<v Speaker 1>at this point it was like it aired, it became huge.

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<v Speaker 1>They knew they had to do something, and boy did

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<v Speaker 1>it become huge. With the tagline the Parties just begun,

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<v Speaker 1>this second movie went above and beyond expectations by breaking

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<v Speaker 1>Disney Channel's all time record for a movie with the

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<v Speaker 1>whopping eight point one million viewers for its premiere, dethroning

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<v Speaker 1>a little movie called High School Musical from the top spot,

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<v Speaker 1>and becoming the most watched movie in the Cheetah Girls pantheon,

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<v Speaker 1>which for the record, it still is today. Cheatah Girls

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<v Speaker 1>Too was entirely shot on location in a Barcelona Yes, Toto,

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<v Speaker 1>we are not in Utah anymore. Even the shots that

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<v Speaker 1>were supposed to take place in New York were in

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<v Speaker 1>fact shot in Barcelona, and it had a working title

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<v Speaker 1>to prove. It referred to during filming as the Cheetah

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<v Speaker 1>Girls when in Spain. Do you remember that Sabrina, that

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<v Speaker 1>being the working title of the film.

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<v Speaker 2>Yes, yeah, I love that's Bretta.

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<v Speaker 1>Barcelona. This is not Salt Lake. So, I mean, was

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<v Speaker 1>it just every day waking up going I can't believe

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<v Speaker 1>I'm sitting. Had you been there before?

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<v Speaker 2>Never? No, I had not been at that point. I

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<v Speaker 2>don't think i'd been anywhere in Europe. Okay, the farthest

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<v Speaker 2>i'd gone was like Cabo, like I think Cabo and Toronto,

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<v Speaker 2>like i'd been overseas at all.

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<v Speaker 1>So your first time in Europe is why you're there

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<v Speaker 1>starring in a major motion picture. Yeah.

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<v Speaker 2>And it was wild. I mean, just like stepping off

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<v Speaker 2>of it. It's Barcelona is just such a magical city.

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<v Speaker 2>There's just so many influences of Goudy and I mean

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<v Speaker 2>like the architecture like everything. You're just walking around these

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<v Speaker 2>just huge cathedral buildings and you're just going, holy cow,

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<v Speaker 2>like this is so different than the OC. Yeah.

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<v Speaker 1>I'll say, were you all like that or were some

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<v Speaker 1>of you like kind of jaded, like, oh, I've done

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<v Speaker 1>this a thousand times. Were you all like, oh, man,

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<v Speaker 1>this is the greatest thing in the world.

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<v Speaker 2>We all were, and then it abruptly got a little

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<v Speaker 2>oh god, this isn't happening. We went to what they

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<v Speaker 2>thought was a brand new hotel and it was and

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<v Speaker 2>it was a really pretty hotel, but it was under construction, okay,

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<v Speaker 2>And we were set next to an elementary playground. So

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<v Speaker 2>we walk in the rooms that were there. I mean,

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<v Speaker 2>I'm not long enough, but Keeley's pretty a lot longer

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<v Speaker 2>than me, and she could touch her toe from one

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<v Speaker 2>side of the room to the next. And we had

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<v Speaker 2>all this luggage because we were planning on being there

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<v Speaker 2>for like two and a half months. This was going

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<v Speaker 2>to be a longer shoot. Yeah, yeah, And the closet

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<v Speaker 2>space was like this, but it was like a place

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<v Speaker 2>in New York, like it was like a hotel room.

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<v Speaker 2>And the worst part was the playground. And we were

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<v Speaker 2>there for like a couple hours and the kids were

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<v Speaker 2>out there just in shifts, right, just that recess. We're

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<v Speaker 2>going we have to do night shoots. How are we

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<v Speaker 2>going to sleep during the day, like, you know? And

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<v Speaker 2>so Deborah Martin Chase, she just man, she was our warrior.

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<v Speaker 2>She was so awesome. She came over and was like,

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<v Speaker 2>oh no, no, no, this won't do. Why don't you

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<v Speaker 2>guys come to our hotel? And we went to a

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<v Speaker 2>hotel Central and oh then I just started living.

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<v Speaker 1>Is this like a super fat hotel that everybody knows about?

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<v Speaker 2>I don't know, but yeah, even so much. I love

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<v Speaker 2>this hotel so much that when Jordan and I went

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<v Speaker 2>on our honeymoon, we started in Barcelona and ended in Barcelona,

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<v Speaker 2>and first night he surprised me with staying at hotels

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<v Speaker 2>because I had been talking about it for so long.

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<v Speaker 1>Oh, that's awesome.

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<v Speaker 2>The same, it was just amazing.

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<v Speaker 1>It's awesome right back there. Oh that's great. Well, obviously

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<v Speaker 1>this movie had a soundtrack, duh.

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<v Speaker 2>Yes.

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<v Speaker 1>It was released a week before the movie premiere and

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<v Speaker 1>debuted at number five on the Billboard charts. It also

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<v Speaker 1>sold over one point four million copies to date. The

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<v Speaker 1>album features tracks by the Cheata Girls duh, but also

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<v Speaker 1>solo songs from Raven and as always, Drew Sealey because

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<v Speaker 1>he legally must have one song on every Disney musical

0:10:08.559 --> 0:10:11.240
<v Speaker 1>soundtrack there is, so this absolutely tracks. I think it's

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<v Speaker 1>part of its contract. Did you get like a golden

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<v Speaker 1>platinum record? Do you actually have one of those records

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<v Speaker 1>like I do, Oh, that's so cool. I do.

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<v Speaker 2>My my parents have it, they have them up in

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<v Speaker 2>their house.

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<v Speaker 1>That is so so cool. Uh Okay, So you know

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<v Speaker 1>there's all these things about the Cheata Girls out there.

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<v Speaker 1>Are they coming back? Are they together? Why there were

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<v Speaker 1>not all four of you together in the last movie

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<v Speaker 1>at this point in the Cheetah Girls. Were you all

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<v Speaker 1>getting along? Was everything cool? Where you just happy to

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<v Speaker 1>be shooting? Had any of the stuff started? Or was

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<v Speaker 1>everybody just happy to be a Cheata girl at this point?

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<v Speaker 2>I think, well, at this point, to remember, we've already

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<v Speaker 2>now done a album together. So and A Raven was

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<v Speaker 2>a solo artist, so she and she was doing imagine

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<v Speaker 2>her schedule too with That's so Raven. So she had

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<v Speaker 2>a ton on her play and it was always offered

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<v Speaker 2>to the four of us, and she, you know, would decide, no,

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<v Speaker 2>I'm gonna go ahead and do like Disney Mania, she

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<v Speaker 2>did a solo a solo solo a song on that album.

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<v Speaker 2>And then I think it was probably scheduling or for

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<v Speaker 2>whatever reason, she didn't join us for the Christmas soundtrack

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<v Speaker 2>or this Christmas album. And then when she decided that

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<v Speaker 2>then obviously when we went on tour, she wasn't on

0:11:24.720 --> 0:11:26.720
<v Speaker 2>tour with us for that album as well. So the

0:11:26.840 --> 0:11:30.400
<v Speaker 2>three of us had now spent a long time together,

0:11:30.559 --> 0:11:33.720
<v Speaker 2>the album making and all of that, so our bond

0:11:33.800 --> 0:11:36.760
<v Speaker 2>was really tight, and I know we were all kind

0:11:36.760 --> 0:11:40.480
<v Speaker 2>of a little nervous, Like Adrian had had gone on

0:11:40.600 --> 0:11:43.560
<v Speaker 2>to That's so Raven and did some guest starring stuff, right,

0:11:43.840 --> 0:11:46.240
<v Speaker 2>and we'd seen her here and there. But I think

0:11:46.240 --> 0:11:48.720
<v Speaker 2>we were all a little nervous going it's been like

0:11:48.880 --> 0:11:50.880
<v Speaker 2>we've had all this time together and we haven't had

0:11:50.880 --> 0:11:52.959
<v Speaker 2>it with Raven, Like, how's that gonna be? Are we

0:11:53.000 --> 0:11:55.760
<v Speaker 2>gonna have the same chemistry? But like the second we

0:11:55.760 --> 0:11:58.839
<v Speaker 2>would get together and start rehearsing or for sure, by

0:11:58.840 --> 0:12:01.400
<v Speaker 2>the time we were on camera, it was like the

0:12:01.480 --> 0:12:03.920
<v Speaker 2>chemistry of the four of us being this great.

0:12:03.760 --> 0:12:05.240
<v Speaker 1>Group, right, that's where you started.

0:12:05.360 --> 0:12:08.200
<v Speaker 2>It just clicked. I mean it was all professional, It

0:12:08.280 --> 0:12:12.000
<v Speaker 2>was all great and hello, we were in Barcelona, like

0:12:12.000 --> 0:12:15.719
<v Speaker 2>who cares about anything? Yes, exactly, Like I mean, think

0:12:15.760 --> 0:12:18.120
<v Speaker 2>about it, We're in our early twenties, Like it's like

0:12:18.400 --> 0:12:20.360
<v Speaker 2>this is this is the Like.

0:12:20.400 --> 0:12:22.680
<v Speaker 1>Yeah, it really is.

0:12:22.760 --> 0:12:25.000
<v Speaker 2>No one's gonna take me off of this cloud. Because

0:12:25.000 --> 0:12:27.240
<v Speaker 2>we were just so excited and we were on our own.

0:12:27.600 --> 0:12:29.440
<v Speaker 2>This movie, I will say, which is different from the

0:12:29.480 --> 0:12:31.800
<v Speaker 2>third movie. We had a lot of freedom. If we weren't,

0:12:32.280 --> 0:12:35.440
<v Speaker 2>you know, working that day or rehearsing, they'd allow us

0:12:35.440 --> 0:12:38.120
<v Speaker 2>to kind of just have the day like any other

0:12:38.160 --> 0:12:40.000
<v Speaker 2>place where we got to go out and do lunches

0:12:40.040 --> 0:12:43.880
<v Speaker 2>and shop and and go on excursions and do things

0:12:43.960 --> 0:12:47.480
<v Speaker 2>like that, like on our own and we had no limits.

0:12:47.520 --> 0:12:50.640
<v Speaker 1>It was like, that's awesome for nothing like that kind

0:12:50.679 --> 0:12:55.199
<v Speaker 1>of freedom totally. So when you're recording, then you're the

0:12:55.240 --> 0:12:57.160
<v Speaker 1>four of you, Like, what's the recording process? Like, are

0:12:57.160 --> 0:12:59.800
<v Speaker 1>the four of you recording for this movie together? Do

0:12:59.840 --> 0:13:02.280
<v Speaker 1>you record everything surrounding microphones? Do you do your parts

0:13:02.320 --> 0:13:04.120
<v Speaker 1>one at a time? Like how does it work? So?

0:13:04.280 --> 0:13:10.400
<v Speaker 2>Yeah, so this movie again was we definitely had more

0:13:10.440 --> 0:13:13.240
<v Speaker 2>of like fuller songs. If you listen to the first album,

0:13:13.320 --> 0:13:18.160
<v Speaker 2>those are very short songs, right, these are full blown, yeah, long,

0:13:18.280 --> 0:13:21.040
<v Speaker 2>you know, normal length songs with you know, two to

0:13:21.080 --> 0:13:24.360
<v Speaker 2>three versus the chorus, the bridges like and so I

0:13:24.400 --> 0:13:27.840
<v Speaker 2>think for this album we definitely had a lot more

0:13:27.880 --> 0:13:31.360
<v Speaker 2>work to do than we did probably on the first album.

0:13:31.440 --> 0:13:35.920
<v Speaker 2>The first album, the songs are so short and so

0:13:35.960 --> 0:13:38.840
<v Speaker 2>that process though they do pull us in, but like

0:13:38.880 --> 0:13:41.280
<v Speaker 2>we're like, so we're kind of passing by. Like so

0:13:41.400 --> 0:13:43.480
<v Speaker 2>Keili and Adrian, because they lived together, they would always

0:13:43.520 --> 0:13:46.800
<v Speaker 2>kind of probably be there together, and then at the

0:13:46.920 --> 0:13:48.880
<v Speaker 2>end of their set is like when I would come

0:13:48.920 --> 0:13:51.200
<v Speaker 2>in and start doing my parts for the song, and

0:13:51.240 --> 0:13:53.120
<v Speaker 2>then as I was done, that's when they would know

0:13:53.160 --> 0:13:55.320
<v Speaker 2>how much time we had. That's when Raven would come.

0:13:55.440 --> 0:13:58.400
<v Speaker 2>So we definitely were We weren't because we weren't like

0:13:58.520 --> 0:14:03.600
<v Speaker 2>really writing on this soundtrack. It was it wasn't really

0:14:03.679 --> 0:14:04.679
<v Speaker 2>that important for us to be.

0:14:04.640 --> 0:14:07.080
<v Speaker 1>There together right separately, gotcha.

0:14:07.440 --> 0:14:09.640
<v Speaker 2>And you know it's a soundtrack, so the songs and

0:14:09.679 --> 0:14:13.160
<v Speaker 2>everything are going within what's happening in the movie in

0:14:13.200 --> 0:14:15.800
<v Speaker 2>the script. So yeah, it's a little bit different than

0:14:15.880 --> 0:14:19.160
<v Speaker 2>like fast forward to what was next for us the

0:14:19.200 --> 0:14:21.920
<v Speaker 2>three of us as we did our own album that

0:14:22.000 --> 0:14:24.880
<v Speaker 2>we were working in day and day, night till all

0:14:24.920 --> 0:14:27.640
<v Speaker 2>hours in the morning, starting at all hours, you know,

0:14:28.000 --> 0:14:31.480
<v Speaker 2>constantly just there with the producers, writing and producing and

0:14:31.520 --> 0:14:32.160
<v Speaker 2>doing everything.

0:14:32.280 --> 0:14:35.360
<v Speaker 1>So man, that's cool. Well I'm not even gonna ask

0:14:35.440 --> 0:14:37.520
<v Speaker 1>if we knew this movie existed before we started the podcast.

0:14:37.560 --> 0:14:39.440
<v Speaker 1>Because we knew this movie existed, some of us more

0:14:39.440 --> 0:14:41.480
<v Speaker 1>intimately than others. Of course, it would have been difficult

0:14:41.480 --> 0:14:43.680
<v Speaker 1>to avoid Cheetah Girls mania at the time anyway, But

0:14:44.640 --> 0:14:47.080
<v Speaker 1>as everyone out there knows, this is the first time

0:14:47.480 --> 0:14:50.240
<v Speaker 1>I've ever seen it, and yes, so if you don't know,

0:14:50.240 --> 0:14:52.200
<v Speaker 1>by the way, you can also watch The Cheetah Girls

0:14:52.240 --> 0:14:54.920
<v Speaker 1>too this time. It's personal right now on Disney Plus

0:14:55.400 --> 0:14:59.040
<v Speaker 1>or later also on Disney Plus. Basically, anytime you decide

0:14:59.040 --> 0:15:01.440
<v Speaker 1>to watch it, it it'll be on Disney Plus. I

0:15:01.480 --> 0:15:04.040
<v Speaker 1>even tried at four am to make sure it's still there.

0:15:04.560 --> 0:15:06.720
<v Speaker 1>It might not have a family, is what I'm thinking.

0:15:06.720 --> 0:15:08.480
<v Speaker 1>It's just working all night long. I actually feel bad

0:15:08.480 --> 0:15:10.360
<v Speaker 1>for the movie. Now, maybe do it as solid and

0:15:10.400 --> 0:15:13.120
<v Speaker 1>watch it now, don't wait till four am. That seems

0:15:13.160 --> 0:15:25.000
<v Speaker 1>mean in retrospective. All right, if your mom's dating a billionaire,

0:15:25.080 --> 0:15:27.040
<v Speaker 1>go spend a summer with him and bring your friends.

0:15:27.080 --> 0:15:30.800
<v Speaker 1>Because it's time for the synopsis, The Dynamic Girls group

0:15:30.840 --> 0:15:33.400
<v Speaker 1>returns to embark on an exciting journey to Spain and

0:15:33.440 --> 0:15:36.880
<v Speaker 1>an international music festival. The adventure will test their friendship

0:15:36.920 --> 0:15:40.320
<v Speaker 1>and careers as they navigate and dance through a totally

0:15:40.600 --> 0:15:44.000
<v Speaker 1>new country. No surprise here, but this was directed again

0:15:44.040 --> 0:15:46.240
<v Speaker 1>by the legend Kenny Ortega, a Disney Hall of famer

0:15:46.240 --> 0:15:48.320
<v Speaker 1>who were hoping to get on the show, who directed

0:15:48.320 --> 0:15:51.800
<v Speaker 1>the first movie Before movies, Kenny was an iconic choreographer,

0:15:52.000 --> 0:15:55.120
<v Speaker 1>working with names like Madonna, Olivia Newton, John and Michael Jackson.

0:15:55.160 --> 0:15:58.200
<v Speaker 1>He then transitioned behind the camera for hocus Pocus, a

0:15:58.280 --> 0:16:01.960
<v Speaker 1>Disney Halloween classic, followed by Little dcom called High School

0:16:02.040 --> 0:16:04.680
<v Speaker 1>musicale I think is how it's pronounced. He ran that

0:16:04.920 --> 0:16:07.400
<v Speaker 1>entire franchise and now is the brains behind the massive

0:16:07.480 --> 0:16:09.960
<v Speaker 1>Descendants movie at the Channel, and when all of a

0:16:09.960 --> 0:16:12.480
<v Speaker 1>sudden done, he will be considered one of the goats.

0:16:12.640 --> 0:16:14.360
<v Speaker 1>What was it like working with Kenny and Spain You've

0:16:14.360 --> 0:16:16.560
<v Speaker 1>talked a little bit about it. Was it just incredible? Ugh,

0:16:16.800 --> 0:16:17.280
<v Speaker 1>it was.

0:16:17.640 --> 0:16:22.240
<v Speaker 2>Literally a dream. I mean, this guy was behind Newsy's

0:16:22.600 --> 0:16:25.960
<v Speaker 2>so many of the I mean, Michael Jackson, hocus Pocus,

0:16:26.280 --> 0:16:29.000
<v Speaker 2>there was so many things that I already knew that

0:16:29.080 --> 0:16:32.400
<v Speaker 2>he was behind and had already known about him, the

0:16:32.560 --> 0:16:36.120
<v Speaker 2>idea that he was going to be directing, and I

0:16:36.240 --> 0:16:38.600
<v Speaker 2>knew he was obviously going to be behind all of

0:16:38.640 --> 0:16:42.840
<v Speaker 2>our musical productions. I was just like for a dancer, right,

0:16:43.120 --> 0:16:45.600
<v Speaker 2>this was the dream. And so the day that I

0:16:45.800 --> 0:16:49.120
<v Speaker 2>met him, I mean tried to hold it together, keep

0:16:49.120 --> 0:16:53.640
<v Speaker 2>it together. I'm here with Kenny Ortega. Luckily his assistant choreographer,

0:16:54.400 --> 0:16:59.680
<v Speaker 2>Chuckie Claypout. We were on Spark Kids, the dance troupe

0:16:59.680 --> 0:17:02.840
<v Speaker 2>that that dances at the Sparks Games, you know, years before.

0:17:02.880 --> 0:17:04.800
<v Speaker 2>And I had known Chucky because he was a big

0:17:05.040 --> 0:17:08.800
<v Speaker 2>dancer in the industry as well. I mean, luckily I

0:17:08.880 --> 0:17:10.720
<v Speaker 2>knew that, so that I already had like an inn

0:17:10.760 --> 0:17:13.480
<v Speaker 2>of like, oh, I know Chucky, like I've worked with him.

0:17:13.480 --> 0:17:15.960
<v Speaker 2>He's great, He's awesome. And so I felt a little

0:17:15.960 --> 0:17:19.800
<v Speaker 2>bit more comfortable, like I would not get get in

0:17:19.840 --> 0:17:21.640
<v Speaker 2>the place where I just like didn't have any words

0:17:21.680 --> 0:17:27.240
<v Speaker 2>to say right exact, my tongue won't let me go

0:17:27.400 --> 0:17:30.159
<v Speaker 2>like anywhere. So it was great that I had, I

0:17:30.160 --> 0:17:33.800
<v Speaker 2>had something a little bit more comfortable already. Man, even

0:17:33.880 --> 0:17:37.399
<v Speaker 2>from the first table read the way he would, you know,

0:17:37.520 --> 0:17:40.000
<v Speaker 2>read through it, he would he would already you could

0:17:40.040 --> 0:17:42.560
<v Speaker 2>see in his eyes when he would talk about it.

0:17:42.640 --> 0:17:46.159
<v Speaker 2>He had visualized it even before getting to Spain, you

0:17:46.240 --> 0:17:48.800
<v Speaker 2>know what I mean. It was awesome, and I know

0:17:48.880 --> 0:17:51.320
<v Speaker 2>they did trips to Spain before we ever got there

0:17:51.359 --> 0:17:54.480
<v Speaker 2>as well. But he just you could see his vision.

0:17:54.640 --> 0:17:57.320
<v Speaker 2>His brain was working. He had just gotten done with

0:17:57.400 --> 0:18:02.080
<v Speaker 2>high school musical one, so he was like he was

0:18:02.359 --> 0:18:03.280
<v Speaker 2>he was his steam.

0:18:03.359 --> 0:18:04.960
<v Speaker 1>It was like full yeah, he was in it.

0:18:05.040 --> 0:18:07.600
<v Speaker 2>He was in it, and it was like so magical

0:18:07.640 --> 0:18:11.840
<v Speaker 2>to watch this just incredible creator, just like do his magic.

0:18:11.960 --> 0:18:15.240
<v Speaker 1>Wow, that's awesome. Well. The movie stars a child acting legend,

0:18:15.240 --> 0:18:17.479
<v Speaker 1>one of the premieer faces for the channel, Raven Simone,

0:18:17.520 --> 0:18:20.480
<v Speaker 1>reprising her role as Galleria. She began her career as

0:18:20.520 --> 0:18:23.280
<v Speaker 1>the adorable Olivia on The Cosby Show, then joined Hanging

0:18:23.359 --> 0:18:25.960
<v Speaker 1>with Mister Cooper and started movies like Doctor Doolittle and

0:18:25.960 --> 0:18:29.120
<v Speaker 1>a dcom We Loved xenon Girl of the twenty first Century.

0:18:29.359 --> 0:18:31.520
<v Speaker 1>She'd also become the face of That So Raven, a

0:18:31.560 --> 0:18:33.960
<v Speaker 1>tent pole for Disney in the two thousands. She'd later

0:18:34.000 --> 0:18:36.359
<v Speaker 1>return to the character for a reboot Raven's Home and

0:18:36.480 --> 0:18:38.280
<v Speaker 1>is more than just an actress now. She's hosting the

0:18:38.320 --> 0:18:40.520
<v Speaker 1>view for a while, and she is currently the face

0:18:40.560 --> 0:18:43.520
<v Speaker 1>of the scrabble game show. Cheetah Girls two marks her

0:18:43.560 --> 0:18:46.359
<v Speaker 1>last appearance in a Cheahirls movie. And I'm very excited

0:18:46.400 --> 0:18:49.040
<v Speaker 1>to see how the next movie deals with that. So

0:18:49.119 --> 0:18:51.520
<v Speaker 1>I don't know how that'll happen, but we'll see Adrian

0:18:51.560 --> 0:18:54.879
<v Speaker 1>by Loan is Chanelle, an original member of the girl

0:18:54.880 --> 0:18:57.880
<v Speaker 1>group three l W. We saw Adrian just a few

0:18:57.880 --> 0:19:01.240
<v Speaker 1>weeks ago as the radio DJ inserted into Buffalo Dreams,

0:19:01.560 --> 0:19:04.080
<v Speaker 1>but she has her own solo pop career and TV

0:19:04.119 --> 0:19:06.840
<v Speaker 1>appearances on that So Raven the movie Coach Carter and

0:19:06.880 --> 0:19:10.080
<v Speaker 1>the Sweet Life of Zach and Cody and Our Sweet

0:19:10.119 --> 0:19:13.439
<v Speaker 1>Little Little Pee, Our Sweet Pea, Sabrina Bryan returns as

0:19:13.520 --> 0:19:16.719
<v Speaker 1>Derinda Sabrina. During the research, we saw that you were

0:19:16.760 --> 0:19:20.520
<v Speaker 1>also uncredited in the incredible movie Matilda. Where should we

0:19:20.560 --> 0:19:22.520
<v Speaker 1>be looking for you? In that movie? Pointed out, where

0:19:22.600 --> 0:19:24.119
<v Speaker 1>where are you? You know what?

0:19:24.160 --> 0:19:27.320
<v Speaker 2>I just saw something on Instagram on it and it's

0:19:27.680 --> 0:19:31.800
<v Speaker 2>during oh what's his name? When he eats that big

0:19:31.880 --> 0:19:32.600
<v Speaker 2>chocolate cake.

0:19:32.840 --> 0:19:36.720
<v Speaker 1>Okay, I've never seen any of any of them. Oh okay,

0:19:36.800 --> 0:19:39.680
<v Speaker 1>he I know the story though, because Ryder's strong son

0:19:39.760 --> 0:19:40.440
<v Speaker 1>plays that part.

0:19:40.520 --> 0:19:43.320
<v Speaker 2>You can do it and he oh he plays.

0:19:43.040 --> 0:19:46.440
<v Speaker 1>Up in not in the movie, in the play.

0:19:46.680 --> 0:19:51.359
<v Speaker 2>Now, yeah, he's there's a giant, massive chocolate cake and

0:19:51.400 --> 0:19:55.160
<v Speaker 2>we're all in the auditorium because she miss Miss Trunch

0:19:55.480 --> 0:19:57.800
<v Speaker 2>or Miss trunch Bowl knows he ate it, and so

0:19:58.119 --> 0:19:59.959
<v Speaker 2>he then eats the whole cake and then she smashed

0:20:00.160 --> 0:20:02.359
<v Speaker 2>the plate on him. That's the main one where you

0:20:02.400 --> 0:20:04.760
<v Speaker 2>can really see my face. And then anytime when we're

0:20:04.800 --> 0:20:08.280
<v Speaker 2>in I was an extra. Anytime we're in the playground area,

0:20:08.760 --> 0:20:11.359
<v Speaker 2>like we were basically wore the same thing over and

0:20:11.400 --> 0:20:13.320
<v Speaker 2>over again, so you can see, Like I had my

0:20:13.440 --> 0:20:15.520
<v Speaker 2>vans on, so I could see those and you could

0:20:15.560 --> 0:20:17.480
<v Speaker 2>see the back of my head or the front of me.

0:20:17.640 --> 0:20:20.000
<v Speaker 2>It was like it's like, you know, like that typical

0:20:20.400 --> 0:20:27.800
<v Speaker 2>background there I am. Of course, right, was so fun.

0:20:27.840 --> 0:20:29.679
<v Speaker 2>I did that when I was like in sixth grade,

0:20:29.800 --> 0:20:31.840
<v Speaker 2>and it was like summer camp.

0:20:32.000 --> 0:20:33.720
<v Speaker 1>Maybe we'll have to recap it. Maybe we'll have to

0:20:33.720 --> 0:20:34.119
<v Speaker 1>recap it.

0:20:34.200 --> 0:20:37.040
<v Speaker 2>Just it's a good movie, a good movie.

0:20:37.200 --> 0:20:39.719
<v Speaker 1>And then of course Pale the Show. Killy Williams is

0:20:39.800 --> 0:20:42.840
<v Speaker 1>AquaNet Kille is also part of Three l W and

0:20:42.920 --> 0:20:45.800
<v Speaker 1>appears in the House Bunny, Sisterhood of the Traveling Pants

0:20:45.840 --> 0:20:48.560
<v Speaker 1>and Stomp the Yard too. Also this time it's personal

0:20:49.000 --> 0:20:52.480
<v Speaker 1>and we meet Marisol played by Belinda the Mexican singer

0:20:52.480 --> 0:20:54.320
<v Speaker 1>and actress was a child star in her home country,

0:20:54.440 --> 0:20:57.520
<v Speaker 1>starring in the telenovela Amigos e Sempre I Think it

0:20:57.600 --> 0:21:00.720
<v Speaker 1>Is what it Is or Amigos ex Sempre. She has

0:21:00.760 --> 0:21:03.200
<v Speaker 1>been nominated for two Latin Grammy Awards and has sold

0:21:03.200 --> 0:21:06.119
<v Speaker 1>over three million albums, singles and soundtracks, making her the

0:21:06.160 --> 0:21:09.800
<v Speaker 1>third best selling Mexican female act of all time geez.

0:21:10.200 --> 0:21:13.600
<v Speaker 1>She also appeared in the twenty seventeen version of Baywatch,

0:21:13.680 --> 0:21:16.480
<v Speaker 1>which was the movie version Okay with the Rock and

0:21:16.560 --> 0:21:18.640
<v Speaker 1>zac Efron, and she is now one of the judges

0:21:18.680 --> 0:21:21.679
<v Speaker 1>of the Mexican version of The Voice. What was Belinda like?

0:21:21.680 --> 0:21:23.440
<v Speaker 1>I've obviously I had never heard of this person. I

0:21:23.440 --> 0:21:24.320
<v Speaker 1>don't know who they are.

0:21:24.359 --> 0:21:26.160
<v Speaker 2>But cutie pie.

0:21:26.640 --> 0:21:28.119
<v Speaker 1>Was she cool to work with? Oh?

0:21:28.200 --> 0:21:30.840
<v Speaker 2>She was so sweet. She there was a little bit

0:21:31.000 --> 0:21:36.520
<v Speaker 2>of you know, uh, language barriers you're in there, but

0:21:36.600 --> 0:21:38.720
<v Speaker 2>she really loved being around us because she was really

0:21:38.760 --> 0:21:40.960
<v Speaker 2>wanting to work on it. You know, at some point

0:21:41.000 --> 0:21:42.560
<v Speaker 2>there might have been like she wanted to do a

0:21:42.600 --> 0:21:43.600
<v Speaker 2>little bit more crossover.

0:21:44.200 --> 0:21:45.520
<v Speaker 1>Did she know the Cheetah Girls?

0:21:46.520 --> 0:21:49.080
<v Speaker 2>I don't know. I don't think I ever I don't

0:21:49.080 --> 0:21:50.000
<v Speaker 2>think I ever asked her that.

0:21:50.000 --> 0:21:52.359
<v Speaker 1>Okay, I'm curious if she if she knew the Cheetah Girls.

0:21:52.400 --> 0:21:55.760
<v Speaker 2>First so sweet and then weirdly enough, probably a year

0:21:55.800 --> 0:22:01.400
<v Speaker 2>after this movie, I was visiting someone in Texas and

0:22:01.520 --> 0:22:03.439
<v Speaker 2>she did an appearance at like a club I just

0:22:03.480 --> 0:22:06.920
<v Speaker 2>happened to be at. And when I tell you, this

0:22:07.000 --> 0:22:13.159
<v Speaker 2>crowd went bananas over her and I've somehow found my

0:22:13.240 --> 0:22:19.040
<v Speaker 2>way backstage. I was with Selena's brother who was like

0:22:19.680 --> 0:22:21.320
<v Speaker 2>hosting the table that I was sitting at, and I

0:22:21.359 --> 0:22:22.720
<v Speaker 2>was like, I know her, and he's like, do you

0:22:22.760 --> 0:22:24.920
<v Speaker 2>want to go see her? And I was like yes,

0:22:25.119 --> 0:22:27.000
<v Speaker 2>So we went back and we got to like reunite

0:22:27.040 --> 0:22:27.600
<v Speaker 2>like a year later.

0:22:27.840 --> 0:22:29.040
<v Speaker 1>Oh, that's really cool.

0:22:29.160 --> 0:22:31.440
<v Speaker 2>It was so awesome to watch her like in her

0:22:31.520 --> 0:22:34.040
<v Speaker 2>element because I felt she did really good when she

0:22:34.080 --> 0:22:36.399
<v Speaker 2>had her stage moments. Yes, And I was like, this

0:22:36.440 --> 0:22:37.600
<v Speaker 2>girl's a freaking rock styf.

0:22:37.680 --> 0:22:40.440
<v Speaker 1>Yeah awesome, Yeah that was it was. Yeah, I'd never

0:22:40.440 --> 0:22:43.080
<v Speaker 1>heard of her, but that's got third highest selling of

0:22:43.119 --> 0:22:43.440
<v Speaker 1>all time.

0:22:43.480 --> 0:22:44.680
<v Speaker 2>It's crazy, I know.

0:22:45.320 --> 0:22:50.760
<v Speaker 1>And Cheetah Girls two is Oh, it's ninety seven minutes long.

0:22:50.840 --> 0:22:52.399
<v Speaker 1>I hate to tell you this because I know this

0:22:52.400 --> 0:22:54.639
<v Speaker 1>one's important to you, but it's seven minutes past the

0:22:54.680 --> 0:22:56.879
<v Speaker 1>target and you know what that means, Sabrina. This movie

0:22:56.960 --> 0:22:58.640
<v Speaker 1>is too too.

0:22:58.600 --> 0:23:00.640
<v Speaker 2>Long long, and I can tell you where I want

0:23:00.680 --> 0:23:01.080
<v Speaker 2>to cut it.

0:23:01.160 --> 0:23:02.600
<v Speaker 1>I can tell you where I want to cut it too.

0:23:02.680 --> 0:23:05.080
<v Speaker 1>There's one song I did not like that was on me.

0:23:05.520 --> 0:23:05.680
<v Speaker 3>But.

0:23:08.320 --> 0:23:12.480
<v Speaker 1>Just one for me. We'll get into. We'll get into.

0:23:12.560 --> 0:23:15.000
<v Speaker 1>But that hurt me as much as it hurts you.

0:23:15.000 --> 0:23:16.840
<v Speaker 1>Trust me to say that it's too long, but it is.

0:23:16.960 --> 0:23:17.359
<v Speaker 2>It's okay.

0:23:17.600 --> 0:23:20.280
<v Speaker 1>Producers Deborah Martin Chase and Whitney Houston have returned to

0:23:20.320 --> 0:23:22.520
<v Speaker 1>work on the follow up, and Raven is also once

0:23:22.520 --> 0:23:25.359
<v Speaker 1>again an executive producer on the film. Three writers split

0:23:25.400 --> 0:23:27.680
<v Speaker 1>the credit on this one. Bethesda Brown gets her one

0:23:27.720 --> 0:23:30.359
<v Speaker 1>and only screen credit here. She also has a story

0:23:30.359 --> 0:23:33.160
<v Speaker 1>by credit on the twenty fourteen TV show The Divide,

0:23:33.320 --> 0:23:36.119
<v Speaker 1>but that's it. She's paired with Alison Taylor, a season

0:23:36.200 --> 0:23:39.040
<v Speaker 1>television writer with credits on Claristic explains at All married

0:23:39.040 --> 0:23:41.960
<v Speaker 1>with children, Lizzie Maguire, Just Jordan, and the first Cheatah

0:23:41.960 --> 0:23:44.960
<v Speaker 1>Girls movie. And finally we've got Deborah Gregory. She is

0:23:44.960 --> 0:23:46.919
<v Speaker 1>the author behind the Cheah Girls books and she will

0:23:46.960 --> 0:23:50.160
<v Speaker 1>always get a writing credit because they're her characters. Okay,

0:23:50.440 --> 0:23:53.120
<v Speaker 1>don't forget to practice because we're winning this contest. Let's

0:23:53.160 --> 0:23:56.760
<v Speaker 1>get in to Cheetah Girls too. The movie opens in

0:23:56.800 --> 0:24:00.840
<v Speaker 1>New York. It's really Barcelona with chance of Cheetah Cheetah

0:24:00.880 --> 0:24:04.160
<v Speaker 1>faintly heard in the distance. It's at Manhattan Magnet High's

0:24:04.280 --> 0:24:06.600
<v Speaker 1>grad night party, and the students are waiting to catch

0:24:06.600 --> 0:24:08.680
<v Speaker 1>a glimpse of their favorite pop group. This is also

0:24:08.760 --> 0:24:12.359
<v Speaker 1>comprised of their classmates. The Cheetah Girls are announced in

0:24:12.400 --> 0:24:16.520
<v Speaker 1>out pops Galleria Chanelle, Derinda and Ida. I'm kidding, there's

0:24:16.560 --> 0:24:18.159
<v Speaker 1>no idea seeing if you're still on board with me,

0:24:18.240 --> 0:24:24.600
<v Speaker 1>it's Aquineta, of course, the Aquanetta, Aquanetta, Sorry, Aquanetta, it's Aqua.

0:24:24.640 --> 0:24:26.000
<v Speaker 1>Which is I know are well enough to call her

0:24:26.000 --> 0:24:28.960
<v Speaker 1>Aqua at this point? Yeah. The crowd is hyped while

0:24:28.960 --> 0:24:32.560
<v Speaker 1>the girls, dressed in the jungle tiger print theme perform

0:24:32.720 --> 0:24:35.480
<v Speaker 1>the R and B Diddy the Party's just begun. Great song.

0:24:35.840 --> 0:24:37.400
<v Speaker 1>I think even if you don't have a real ear

0:24:37.400 --> 0:24:39.720
<v Speaker 1>for music, you can tell the production has been elevated

0:24:39.760 --> 0:24:42.640
<v Speaker 1>for the sequel. You already talked about how the songs

0:24:42.680 --> 0:24:44.320
<v Speaker 1>were longer, but did you just get a whole sense

0:24:44.320 --> 0:24:46.440
<v Speaker 1>on this entire movie? Forget that you're just in Barcelona,

0:24:46.440 --> 0:24:48.640
<v Speaker 1>but just with everything that, they're like, all right, they're

0:24:48.640 --> 0:24:51.400
<v Speaker 1>throwing everything at us now, oh yeah, you could just tell.

0:24:51.440 --> 0:24:53.760
<v Speaker 2>And honestly, it wasn't like they didn't want to do

0:24:53.800 --> 0:24:58.040
<v Speaker 2>it the first round. It's like they didn't realize how

0:24:58.080 --> 0:24:58.879
<v Speaker 2>big this could be.

0:24:59.200 --> 0:24:59.600
<v Speaker 1>Exactly.

0:24:59.600 --> 0:25:02.399
<v Speaker 2>We're like put in their best foot forward type of things.

0:25:02.520 --> 0:25:07.479
<v Speaker 2>So I think it's like everything just clicked. Yes, they

0:25:07.520 --> 0:25:10.119
<v Speaker 2>all every and again. This is after a lot of

0:25:10.160 --> 0:25:13.639
<v Speaker 2>the same writers and producers work on high school musical

0:25:13.680 --> 0:25:15.639
<v Speaker 2>and they're going, oh my god, this is a banger,

0:25:15.680 --> 0:25:17.240
<v Speaker 2>this is a bag, this is bringing in money, this

0:25:17.280 --> 0:25:18.080
<v Speaker 2>is bringing in money.

0:25:18.160 --> 0:25:19.280
<v Speaker 1>Yep, let me do the best.

0:25:19.359 --> 0:25:20.399
<v Speaker 2>So it was awesome.

0:25:20.440 --> 0:25:22.600
<v Speaker 1>Eight point one million people. It was lightning in a

0:25:22.680 --> 0:25:26.240
<v Speaker 1>cheeta printed bottle is actually absolutely what it was. Eventually,

0:25:26.280 --> 0:25:28.040
<v Speaker 1>near the end of the song, Galleria brings up a

0:25:28.040 --> 0:25:30.280
<v Speaker 1>dozen or so audience members to dance a long closing

0:25:30.280 --> 0:25:33.200
<v Speaker 1>out the track to big applause. Who were the kids

0:25:33.240 --> 0:25:36.960
<v Speaker 1>in the audience? Would you just dancers from from Barcelona?

0:25:37.119 --> 0:25:40.680
<v Speaker 2>They yes, yeah, we had you could tell as you see,

0:25:40.760 --> 0:25:43.480
<v Speaker 2>you'll see. I mean it's like the same little group

0:25:43.520 --> 0:25:46.399
<v Speaker 2>of I saw that yeah, of extras over and over it.

0:25:46.480 --> 0:25:47.639
<v Speaker 1>Yeah, but they were great.

0:25:48.040 --> 0:25:49.960
<v Speaker 2>They were good, They were good. Yeah.

0:25:50.040 --> 0:25:52.360
<v Speaker 1>We're now backstage. The girls are happy with their performance,

0:25:52.359 --> 0:25:55.000
<v Speaker 1>announcing junior year is finally over. Very smart to say,

0:25:55.000 --> 0:25:56.760
<v Speaker 1>they weren't senior, so you can get one more year

0:25:56.760 --> 0:25:59.680
<v Speaker 1>in if they wanted to. Chanelle casually drops that she

0:25:59.720 --> 0:26:02.640
<v Speaker 1>got a sixteen hundred on her SATs No Biggie. Now

0:26:02.680 --> 0:26:04.760
<v Speaker 1>that it's summer, Drenda looks forward to a break, but

0:26:04.880 --> 0:26:08.480
<v Speaker 1>no rest for the Cheetahs. Galeria has plans back out.

0:26:08.480 --> 0:26:10.639
<v Speaker 1>In the grad party, Galeria and Chanell meet up with

0:26:10.720 --> 0:26:14.360
<v Speaker 1>their moms because apparently both their chaperones control freak. Galleria

0:26:14.400 --> 0:26:17.479
<v Speaker 1>reminds Chanel about their summer rehearsal schedule. But truth is,

0:26:18.160 --> 0:26:20.919
<v Speaker 1>Galeria is going with her family to Martha's vineyard and

0:26:21.040 --> 0:26:24.520
<v Speaker 1>Chanell's family is going to Barcelona, which is a surprise

0:26:24.640 --> 0:26:27.800
<v Speaker 1>that was just ruined for Chanelle. Whoops. Chanelle storms off

0:26:27.840 --> 0:26:30.680
<v Speaker 1>with Galleria close behind. We are now at Chanelle's house.

0:26:30.680 --> 0:26:33.000
<v Speaker 1>Galleria can't believe she's spending her summer in Barcelona with

0:26:33.000 --> 0:26:36.359
<v Speaker 1>her mom's long term foreign boyfriend. She even Betsy's gonna

0:26:36.359 --> 0:26:38.439
<v Speaker 1>ask her to marry him, and she's scared that if

0:26:38.440 --> 0:26:40.439
<v Speaker 1>her mom does get married, they'll have to move to

0:26:40.440 --> 0:26:42.800
<v Speaker 1>Barcelona and she'll be taken away from her Cheetah Girls,

0:26:43.080 --> 0:26:45.680
<v Speaker 1>her friends since they were divas in diapers.

0:26:46.160 --> 0:26:50.480
<v Speaker 2>Galleria promises, oh, we got our first, we got cheatah, No,

0:26:50.560 --> 0:26:54.679
<v Speaker 2>our first cheatah cheatah chatta. Oh yeah, and diapers.

0:26:54.840 --> 0:26:59.360
<v Speaker 1>I am basically fluent now. I didn't even I knew

0:26:59.400 --> 0:27:00.720
<v Speaker 1>it was up the entire time. It was like, I

0:27:00.720 --> 0:27:02.639
<v Speaker 1>don't even need translation. I know what they're talking about.

0:27:03.840 --> 0:27:06.280
<v Speaker 1>Galleria promises her if that's the case, they'll figure it

0:27:06.280 --> 0:27:08.960
<v Speaker 1>out because no one can tear them apart. In the

0:27:09.000 --> 0:27:12.080
<v Speaker 1>next room, their mothers, Dorothea and Juanita are talking about

0:27:12.080 --> 0:27:15.359
<v Speaker 1>wedding dresses and Chanelle's mom is very stressed about getting

0:27:15.400 --> 0:27:18.200
<v Speaker 1>that ring. Eventually, Chanelle's pushed into a room by Galeria,

0:27:18.240 --> 0:27:20.239
<v Speaker 1>who appears to have a plan. Shenell tells her mom

0:27:20.320 --> 0:27:22.040
<v Speaker 1>she's ready to go to Spain and spend some time

0:27:22.040 --> 0:27:23.960
<v Speaker 1>with Luke. She knows it's important to her, so she's

0:27:24.000 --> 0:27:27.280
<v Speaker 1>willing to make it work. But she has an idea,

0:27:27.359 --> 0:27:29.639
<v Speaker 1>what if the Cheetah Girls come with them. It doesn't

0:27:29.640 --> 0:27:32.800
<v Speaker 1>get much thought because they leave in three days and

0:27:32.880 --> 0:27:35.480
<v Speaker 1>Luke can't host more people, so that is a big strikeout.

0:27:35.920 --> 0:27:38.040
<v Speaker 1>The two girls move over to Galeria's house, now joined

0:27:38.040 --> 0:27:40.919
<v Speaker 1>by the other two Cheetahs. They're eating Chinese food in

0:27:40.920 --> 0:27:43.840
<v Speaker 1>their pajamas, depressed they won't be going to Barcelona, something

0:27:43.920 --> 0:27:47.679
<v Speaker 1>they just found out was even a possibility. Sabrina. Okay,

0:27:47.720 --> 0:27:50.760
<v Speaker 1>so when you watch this, do the lines come right

0:27:50.840 --> 0:27:52.320
<v Speaker 1>back to you? I mean do you remember, like, could

0:27:52.359 --> 0:27:55.159
<v Speaker 1>you start doing your dialogue writer as you're watching the scenes?

0:27:55.640 --> 0:27:59.000
<v Speaker 2>Yes, some of them, or just like what we were

0:27:59.040 --> 0:28:03.920
<v Speaker 2>doing on on like camera, like like what was happening

0:28:04.000 --> 0:28:05.680
<v Speaker 2>around us type of things happen?

0:28:05.920 --> 0:28:08.280
<v Speaker 1>Well, stop me if there's stuff that I'm missing that

0:28:08.359 --> 0:28:10.760
<v Speaker 1>you're like, Okay, so while we're eating Chinese food, it's

0:28:10.800 --> 0:28:11.760
<v Speaker 1>really this or whatever.

0:28:12.000 --> 0:28:15.840
<v Speaker 2>Yes, there was a big At one point, someone gave

0:28:15.920 --> 0:28:19.199
<v Speaker 2>me the hottest Chinese food, like they heated it up,

0:28:19.200 --> 0:28:20.359
<v Speaker 2>and I was like, oh.

0:28:20.280 --> 0:28:22.280
<v Speaker 1>I not spicy, you mean like burn your mouth hot?

0:28:22.440 --> 0:28:25.200
<v Speaker 2>Like yes, And I was like, I am so sorry

0:28:25.240 --> 0:28:27.600
<v Speaker 2>because I couldn't even hold it. And I was at

0:28:27.600 --> 0:28:29.960
<v Speaker 2>first because I don't like to complain, So at first

0:28:30.040 --> 0:28:33.639
<v Speaker 2>I'm like and then like Kenny's like, what's wrong, and

0:28:33.680 --> 0:28:37.080
<v Speaker 2>I'm like my cock poal chicken is so hot. So

0:28:38.240 --> 0:28:40.520
<v Speaker 2>someone got it down and he's like, why did you

0:28:40.560 --> 0:28:43.080
<v Speaker 2>say something. I'm like, I'm the person out of nail

0:28:43.120 --> 0:28:45.520
<v Speaker 2>salon that won't tell the nail artists that she did

0:28:45.560 --> 0:28:47.960
<v Speaker 2>the wrong color. Like, I'll just walk out and live

0:28:48.040 --> 0:28:49.520
<v Speaker 2>with it for the two weeks that I have to.

0:28:50.680 --> 0:28:52.360
<v Speaker 2>I can't do that.

0:28:52.360 --> 0:28:54.040
<v Speaker 1>That's like me. I'm unfortunately the same way. I'm trying

0:28:54.040 --> 0:28:54.680
<v Speaker 1>to get better though.

0:28:54.760 --> 0:28:56.880
<v Speaker 2>I'm trying to too, but he's just like, you know.

0:28:56.960 --> 0:28:59.760
<v Speaker 2>And then this was the first. Also I put in

0:28:59.760 --> 0:29:01.760
<v Speaker 2>my bris. I'll just do my sabrinacs as we go.

0:29:02.040 --> 0:29:03.920
<v Speaker 1>Yes, perfect, And if there's anything we.

0:29:03.840 --> 0:29:06.160
<v Speaker 2>Don't do, I love it, try to hit it. But

0:29:06.280 --> 0:29:11.400
<v Speaker 2>that blanket that Keeley had that was like her comfort blanket.

0:29:11.400 --> 0:29:15.040
<v Speaker 2>It was her baby sister's blanket that she brought to

0:29:15.080 --> 0:29:17.400
<v Speaker 2>Barcelona because they had to be apart for so long,

0:29:17.440 --> 0:29:19.720
<v Speaker 2>and so she told her baby sister, I will she

0:29:19.800 --> 0:29:23.280
<v Speaker 2>told Tia, I'll bring it to Barcelona. So and then

0:29:23.400 --> 0:29:25.240
<v Speaker 2>she she was like, can I bring it into the

0:29:25.320 --> 0:29:28.160
<v Speaker 2>camera shot? And Kenny's like, for sure, that sounds great.

0:29:28.240 --> 0:29:30.920
<v Speaker 2>So that's the all around set.

0:29:31.040 --> 0:29:42.160
<v Speaker 1>Yeah, I love that old blanket. Okay, So now that

0:29:42.160 --> 0:29:44.800
<v Speaker 1>they're really moping. They see a shooting star at the window, which,

0:29:44.800 --> 0:29:46.480
<v Speaker 1>for the record, is the longest shooting star in history

0:29:46.480 --> 0:29:48.280
<v Speaker 1>because normally, by the time you see a shooting star,

0:29:48.440 --> 0:29:54.040
<v Speaker 1>it's gone, but this one is. It takes our right

0:29:54.080 --> 0:29:56.680
<v Speaker 1>under the window and watch it. This time, they make

0:29:56.680 --> 0:29:58.120
<v Speaker 1>a wish and each of them is at the same time,

0:29:58.200 --> 0:30:02.240
<v Speaker 1>they say Barcelona. With that, a nearby magazine flings open

0:30:02.240 --> 0:30:04.320
<v Speaker 1>from a gust of wind, stopping on an ad for

0:30:04.440 --> 0:30:09.080
<v Speaker 1>Barcelona Music Festival and its new Voice competition for undiscovered talent.

0:30:09.160 --> 0:30:11.480
<v Speaker 1>That's it, that's the way to get to Barcelona. The

0:30:11.520 --> 0:30:14.760
<v Speaker 1>Shooting Star worked quick wish for a million dollars twenty

0:30:14.760 --> 0:30:17.400
<v Speaker 1>million dollars, one hundred million dollars or fifty more wishes,

0:30:17.920 --> 0:30:22.040
<v Speaker 1>but unfortunately the deadline to apply was last week. Galleria

0:30:22.040 --> 0:30:24.320
<v Speaker 1>thinks she can convince them to include the Cheetah Girls,

0:30:24.320 --> 0:30:26.920
<v Speaker 1>so she plans on calling later because she puts together

0:30:27.000 --> 0:30:30.400
<v Speaker 1>that it's four am their QuickTime zone transition. Galeria, it's

0:30:30.480 --> 0:30:33.640
<v Speaker 1>very impressive. I know, I was like, wow, even where

0:30:33.640 --> 0:30:35.360
<v Speaker 1>you are in Orange County, I'm not sure we're in

0:30:35.400 --> 0:30:38.200
<v Speaker 1>the same time zone right now, so it's very impressive.

0:30:38.640 --> 0:30:40.560
<v Speaker 1>Later that night, while the girls are sleeping, their alarm

0:30:40.600 --> 0:30:42.640
<v Speaker 1>goes off, time for Galleria to call and to be

0:30:42.680 --> 0:30:45.120
<v Speaker 1>a real Karen about the cut off date, so she

0:30:45.320 --> 0:30:47.360
<v Speaker 1>wakes up the other three girls, mostly because she needs

0:30:47.400 --> 0:30:49.720
<v Speaker 1>she now to speaks Spanish. But immediately they're shut down

0:30:49.720 --> 0:30:53.239
<v Speaker 1>by the organizer and told to apply next year. Galeria, though,

0:30:53.280 --> 0:30:55.240
<v Speaker 1>doesn't take no for an answer and forces the Cheetahs

0:30:55.280 --> 0:30:58.200
<v Speaker 1>to start singing over the phone and magically they now

0:30:58.240 --> 0:31:00.280
<v Speaker 1>just have to download the application and meet with the

0:31:00.280 --> 0:31:03.120
<v Speaker 1>festival director next week to be included. They are all

0:31:03.160 --> 0:31:05.520
<v Speaker 1>so excited about the prospect and promise each other they're

0:31:05.520 --> 0:31:07.560
<v Speaker 1>going to do whatever they can to win and nothing

0:31:08.480 --> 0:31:10.880
<v Speaker 1>will break them apart. You remember this, people, Nothing's going

0:31:10.920 --> 0:31:14.280
<v Speaker 1>to break them apart? Or is it? This is a

0:31:14.320 --> 0:31:16.400
<v Speaker 1>good plan now though, because now they have to tell

0:31:16.440 --> 0:31:19.880
<v Speaker 1>Galeria and Chanell's mom. Okay, Galeria argues, this is just

0:31:19.960 --> 0:31:21.760
<v Speaker 1>the work of the universe and you don't want to

0:31:21.800 --> 0:31:23.960
<v Speaker 1>mess with the universe. All they have to do is

0:31:24.040 --> 0:31:26.400
<v Speaker 1>just get there. And Galeria already talk to her dad,

0:31:26.480 --> 0:31:28.680
<v Speaker 1>currently traveling in Hong Kong, and he's willing to give

0:31:28.760 --> 0:31:31.680
<v Speaker 1>up his airline miles because Dozna need them as well.

0:31:31.960 --> 0:31:33.960
<v Speaker 1>Dorinda says her foster mom is cool with it, and

0:31:34.000 --> 0:31:36.520
<v Speaker 1>Aqua says her dad has also approved the trip, but

0:31:36.760 --> 0:31:39.120
<v Speaker 1>Chanell's mom isn't sold. It's too much work traveling with

0:31:39.120 --> 0:31:44.000
<v Speaker 1>four girls on her own. So what if Dorothea Gallery's

0:31:44.040 --> 0:31:46.880
<v Speaker 1>mom comes to and just like that, the trip is set.

0:31:47.000 --> 0:31:50.080
<v Speaker 1>Everyone's ecstatic, but Galleria's mom warns her daughter she'll be

0:31:50.120 --> 0:31:52.320
<v Speaker 1>sent right back home if anything goes wrong, because this

0:31:52.440 --> 0:31:55.600
<v Speaker 1>is a crucial trip for Janita. But for now, it's

0:31:55.600 --> 0:31:59.480
<v Speaker 1>time to pack. The Cheetah girls with Wanita and Dorothea.

0:31:59.480 --> 0:32:03.320
<v Speaker 1>As they're ad guys arrive at the airport, Derinda is

0:32:03.400 --> 0:32:08.960
<v Speaker 1>already filming everything with their amazing two thousand's handycam. Oh yes,

0:32:10.560 --> 0:32:12.080
<v Speaker 1>was it on? Was it ever on? Or you're just

0:32:12.080 --> 0:32:12.960
<v Speaker 1>looking at a blank screen?

0:32:15.000 --> 0:32:17.720
<v Speaker 2>I think I did film a little bit of it. Okay,

0:32:17.720 --> 0:32:18.560
<v Speaker 2>we're in there, but.

0:32:18.920 --> 0:32:21.720
<v Speaker 1>Can you imagine finding those tapes? I know, how cool

0:32:21.760 --> 0:32:24.080
<v Speaker 1>would that be? Galeria warns them though they're no longer

0:32:24.200 --> 0:32:28.320
<v Speaker 1>just American divas in training, they're international superstars in training.

0:32:28.560 --> 0:32:32.200
<v Speaker 1>And before you know it, bam, they're in Spain, which

0:32:32.200 --> 0:32:33.880
<v Speaker 1>they've been there the whole time. Just for the record,

0:32:34.280 --> 0:32:36.840
<v Speaker 1>the girls are already sightseeing, planning on checking everything out

0:32:37.000 --> 0:32:39.560
<v Speaker 1>one day, but first they have to shop. We get

0:32:39.560 --> 0:32:41.880
<v Speaker 1>a graphic of postcards over a map of Barcelona. One

0:32:41.880 --> 0:32:46.040
<v Speaker 1>says cheat delicious, the next says growlicious, which doesn't really

0:32:46.080 --> 0:32:49.720
<v Speaker 1>seem that different, and then growl and snap and finally

0:32:49.840 --> 0:32:54.040
<v Speaker 1>just Barcelona. Apparently this means they saw everything before lunch,

0:32:54.320 --> 0:32:56.280
<v Speaker 1>because they're now in a restaurant for lunch, ready to

0:32:56.320 --> 0:32:59.040
<v Speaker 1>call it a day. Then the girls this, and this

0:32:59.080 --> 0:33:01.400
<v Speaker 1>is where I was like, Yes, this is the best

0:33:01.400 --> 0:33:04.240
<v Speaker 1>movie I've ever seen in my life. The girls here,

0:33:04.240 --> 0:33:06.800
<v Speaker 1>some beautiful guitar playing, and it's a young man with

0:33:06.880 --> 0:33:10.600
<v Speaker 1>long hair walking down the steps, just strumming away.

0:33:11.920 --> 0:33:12.280
<v Speaker 2>Oh.

0:33:12.360 --> 0:33:14.680
<v Speaker 1>I was like, yes, this is the.

0:33:15.600 --> 0:33:18.560
<v Speaker 2>I'm not I'm not going god here. We're about to

0:33:18.600 --> 0:33:20.840
<v Speaker 2>lose will I Lily turned to Jordan. I said, we're

0:33:20.840 --> 0:33:21.600
<v Speaker 2>about to lose will.

0:33:21.840 --> 0:33:30.200
<v Speaker 1>It was because it's it's so cheesy. Yes that it's awesome.

0:33:30.760 --> 0:33:32.960
<v Speaker 1>I mean he just he constantly like.

0:33:32.920 --> 0:33:34.480
<v Speaker 2>Even and it's his whisper.

0:33:34.760 --> 0:33:37.120
<v Speaker 1>It's made the whisper the entire time, but to the

0:33:37.160 --> 0:33:42.200
<v Speaker 1>point where when Raven later goes, I love him, He's everywhere.

0:33:42.600 --> 0:33:45.000
<v Speaker 1>It's like they they play with the joke that he

0:33:45.160 --> 0:33:47.200
<v Speaker 1>just will occasionally just here like no, no, no, and

0:33:47.240 --> 0:33:54.960
<v Speaker 1>he's up in the rafter. Oh here, hell angel, and

0:33:55.040 --> 0:33:59.520
<v Speaker 1>he's always at the top. I am unheldcome to like, yes,

0:33:59.800 --> 0:34:03.280
<v Speaker 1>hell yeah, that's the part I wanted to play. So yeah,

0:34:03.320 --> 0:34:06.200
<v Speaker 1>they're would have been crazy. I oh god, it would

0:34:06.200 --> 0:34:08.239
<v Speaker 1>have been the best. So the Cheeah girls are instantly

0:34:08.239 --> 0:34:10.200
<v Speaker 1>all goofy for the guy, as he says in Spanish,

0:34:10.239 --> 0:34:13.759
<v Speaker 1>welcome to the whisper of dreams. Hell yes, which is

0:34:13.800 --> 0:34:15.440
<v Speaker 1>also a great way to tell somebody you're gonna kill

0:34:15.480 --> 0:34:18.319
<v Speaker 1>them by the way. Anyway, on Kel, which we don't

0:34:18.320 --> 0:34:20.120
<v Speaker 1>know this name yet though, breaks into a song which

0:34:20.160 --> 0:34:23.160
<v Speaker 1>is a love song discovering Barcelona and don't want the

0:34:23.239 --> 0:34:26.239
<v Speaker 1>day to end. And when that's okay, this is when

0:34:26.239 --> 0:34:28.200
<v Speaker 1>they break into song and this is where I'm like, okay,

0:34:28.200 --> 0:34:30.879
<v Speaker 1>here we go. Now they're accompanied by their new honky

0:34:30.920 --> 0:34:33.760
<v Speaker 1>guitar player. The song is Strut, which is a great

0:34:33.840 --> 0:34:36.080
<v Speaker 1>song which starts as a ballad then speeds up into

0:34:36.120 --> 0:34:38.239
<v Speaker 1>a rock track. The girls and the new dude, who

0:34:38.280 --> 0:34:40.120
<v Speaker 1>again we now know it's on Hill, but they don't

0:34:40.120 --> 0:34:42.920
<v Speaker 1>even know his name, now perform in the streets. Now

0:34:44.000 --> 0:34:45.879
<v Speaker 1>just I know you said you weren't on the handicamel lot,

0:34:45.920 --> 0:34:49.759
<v Speaker 1>but what is. Here's the thing about this movie. This

0:34:49.960 --> 0:34:55.760
<v Speaker 1>was like a hybrid of Sometimes the songs were sung

0:34:55.880 --> 0:34:57.960
<v Speaker 1>because you're in a concert and that's the way you're

0:34:58.000 --> 0:35:00.680
<v Speaker 1>supposed to sing now, and then some times you did

0:35:00.719 --> 0:35:02.719
<v Speaker 1>the high school musical thing where you just broke right

0:35:02.760 --> 0:35:08.840
<v Speaker 1>and frankly, it was almost like transitioning, like like slowly

0:35:08.880 --> 0:35:10.560
<v Speaker 1>getting me into a musical, you know what I mean.

0:35:10.600 --> 0:35:13.520
<v Speaker 1>Like it was a good, a good gateway musical for me.

0:35:14.239 --> 0:35:17.840
<v Speaker 2>Yes, because the majority of it we are on stage

0:35:18.040 --> 0:35:20.839
<v Speaker 2>or we are rehearsing, like, yes, more of that, but

0:35:20.880 --> 0:35:24.920
<v Speaker 2>there's a couple of the like almost like interlude songs

0:35:24.960 --> 0:35:27.920
<v Speaker 2>that kind of just bring us a little throughout the storyline,

0:35:28.120 --> 0:35:31.040
<v Speaker 2>or like brighten up a spot like Strutt was all

0:35:31.080 --> 0:35:36.040
<v Speaker 2>about showing off the absolutely gorgeous city of Barcelona.

0:35:36.120 --> 0:35:38.440
<v Speaker 1>And that's why it worked perfectly because it was like

0:35:38.520 --> 0:35:43.040
<v Speaker 1>a rock it was you're dancing to show this beautiful city.

0:35:43.200 --> 0:35:45.200
<v Speaker 1>And so I was like, oh, Okay, you're not in

0:35:45.239 --> 0:35:47.600
<v Speaker 1>your high school. You're not walking down the aisle like yeah,

0:35:47.600 --> 0:35:49.759
<v Speaker 1>in your hallway, you're going through Barcelona.

0:35:50.000 --> 0:35:52.000
<v Speaker 2>I mean, we do get there. We do do you do?

0:35:52.760 --> 0:35:55.479
<v Speaker 1>You do? But it works out.

0:35:55.840 --> 0:35:59.319
<v Speaker 2>And this one is and especially because you do get

0:35:59.360 --> 0:36:02.120
<v Speaker 2>to see so many of the big sights in this song,

0:36:03.360 --> 0:36:07.200
<v Speaker 2>like Parkway. When we do the we kind of going

0:36:07.280 --> 0:36:12.160
<v Speaker 2>through in and out where it's like everybody knows that

0:36:12.239 --> 0:36:14.480
<v Speaker 2>something good is going on and it's that thing where

0:36:14.480 --> 0:36:17.920
<v Speaker 2>we like like just lounge into it. That is something

0:36:17.960 --> 0:36:20.520
<v Speaker 2>that gets done, like talk about like those memes and

0:36:20.560 --> 0:36:24.160
<v Speaker 2>those talks and yes, and when people are there in

0:36:24.800 --> 0:36:28.080
<v Speaker 2>park Way, they love filming because it's easy to find,

0:36:28.160 --> 0:36:30.759
<v Speaker 2>it's not hard, it's it's right there, all all of

0:36:30.800 --> 0:36:34.440
<v Speaker 2>that stuff, and they do their they'll redo it. And

0:36:34.520 --> 0:36:36.960
<v Speaker 2>I did it actually on my honeymoon. I did do

0:36:37.239 --> 0:36:40.320
<v Speaker 2>the same thing, react it and I never posted it

0:36:40.360 --> 0:36:43.279
<v Speaker 2>because that's what I do. I film things and never should.

0:36:43.160 --> 0:36:44.600
<v Speaker 1>Do you still have it? I do?

0:36:44.719 --> 0:36:48.200
<v Speaker 2>Yeah, We've got to post it. It's so cool because

0:36:48.239 --> 0:36:50.080
<v Speaker 2>what I love about it is when people go and

0:36:50.200 --> 0:36:53.520
<v Speaker 2>visit this place, there's a huge part of like them

0:36:53.600 --> 0:36:56.400
<v Speaker 2>remembering and first of all, even wanting to go to

0:36:56.480 --> 0:36:59.279
<v Speaker 2>this place because of the movie. And then when they're there,

0:36:59.680 --> 0:37:02.160
<v Speaker 2>we offer a musical that they could go ahead and

0:37:02.239 --> 0:37:03.000
<v Speaker 2>just re do.

0:37:03.360 --> 0:37:05.279
<v Speaker 1>But it's also I mean, think of the fans of

0:37:05.320 --> 0:37:07.839
<v Speaker 1>this movie. You know, you're a twelve thirteen year old girl.

0:37:07.880 --> 0:37:10.360
<v Speaker 1>Most of the time, most kids that age aren't traveling

0:37:10.400 --> 0:37:12.560
<v Speaker 1>the world yet. So by the time you're then in

0:37:12.600 --> 0:37:14.960
<v Speaker 1>your twenties or whatever, in your thirties, and now you're

0:37:15.000 --> 0:37:17.000
<v Speaker 1>going and oh my god, this is from the Cheeah Girls.

0:37:17.120 --> 0:37:18.600
<v Speaker 1>Is the first time I saw it. Of course you're

0:37:18.600 --> 0:37:20.120
<v Speaker 1>going to reenact it. That's the best.

0:37:20.480 --> 0:37:25.319
<v Speaker 2>Oh it's so cool again. I mean, I there's things

0:37:25.320 --> 0:37:29.080
<v Speaker 2>about Strut. I love it. If you notice in the

0:37:29.480 --> 0:37:33.600
<v Speaker 2>airport leading into going to Barcelona, I had these giant,

0:37:34.360 --> 0:37:38.279
<v Speaker 2>chunky platform shoes on. I did not have huge wedges.

0:37:38.840 --> 0:37:42.280
<v Speaker 2>And then by the time they're like so when we started,

0:37:42.320 --> 0:37:44.520
<v Speaker 2>like that was like the intro to get to Spain

0:37:44.560 --> 0:37:46.040
<v Speaker 2>and then they're like, oh yeah, they did like a

0:37:46.080 --> 0:37:48.360
<v Speaker 2>rewrite of some sort to where we were going straight

0:37:48.480 --> 0:37:52.080
<v Speaker 2>into Strut that I was like, can I get some

0:37:52.160 --> 0:37:54.879
<v Speaker 2>tennis shoes because we're going to be filming this for

0:37:54.920 --> 0:37:57.799
<v Speaker 2>like thirteen days, like in and out, and I'm not

0:37:57.880 --> 0:38:02.400
<v Speaker 2>wearing these platforms skin being and dancing and jumping on

0:38:02.560 --> 0:38:05.319
<v Speaker 2>the bencher, yeah, jumping off the benches, Like can I

0:38:05.320 --> 0:38:06.839
<v Speaker 2>get tet of shoes and they're like yeah, And then

0:38:06.880 --> 0:38:08.560
<v Speaker 2>they asked Raven. They're like, do you want to switch?

0:38:08.560 --> 0:38:10.280
<v Speaker 2>And Raymons like no, I want to do my heels,

0:38:10.320 --> 0:38:14.240
<v Speaker 2>and she did. She wore those freaking boots the whole time,

0:38:14.640 --> 0:38:17.920
<v Speaker 2>and I was like, props, props, props. I mean she

0:38:17.920 --> 0:38:19.919
<v Speaker 2>she did at some point start going my feet are dying.

0:38:20.320 --> 0:38:24.480
<v Speaker 2>Of course, my god, who cares. She thugged it through.

0:38:24.560 --> 0:38:27.200
<v Speaker 2>That was so hard. I couldn't imagine having to wear

0:38:27.360 --> 0:38:30.520
<v Speaker 2>those crazy boots for so many days. And she killed it.

0:38:30.600 --> 0:38:32.440
<v Speaker 2>She killed it, didn't it didn't stop her performance.

0:38:32.560 --> 0:38:35.480
<v Speaker 1>That's all a bit well. The song Struck brags about

0:38:35.480 --> 0:38:37.840
<v Speaker 1>the ability to walk through Barcelona while freeing your mind

0:38:37.880 --> 0:38:40.960
<v Speaker 1>and bothering street performers. There's a very cool routine here

0:38:41.000 --> 0:38:42.480
<v Speaker 1>where you all dance in front of what looks like

0:38:42.520 --> 0:38:45.719
<v Speaker 1>a temple and we just see this beautiful city all

0:38:45.760 --> 0:38:48.520
<v Speaker 1>the way. Yeah, it's incredible. The Cheeah girls are still

0:38:48.520 --> 0:38:51.080
<v Speaker 1>flanked by this total guitar playing stranger. Then he reveals

0:38:51.080 --> 0:38:56.279
<v Speaker 1>his name, un Hill, I am on hell Angel, which

0:38:56.280 --> 0:38:58.799
<v Speaker 1>is why he always shows up the hearing it in air.

0:38:58.880 --> 0:39:02.759
<v Speaker 1>I love it, which, by the way, for our producers

0:39:02.760 --> 0:39:05.279
<v Speaker 1>listening every time. I say the name angel or on hill.

0:39:05.360 --> 0:39:08.000
<v Speaker 1>I'd like it to be followed by a Spanish guitar rift.

0:39:08.000 --> 0:39:11.640
<v Speaker 1>Please thank you. Later, the Cheetah girls, now being driven

0:39:11.680 --> 0:39:14.840
<v Speaker 1>in a rolls Royce, arrived to Luke's estate, Ville Soule,

0:39:15.280 --> 0:39:17.440
<v Speaker 1>which is the size of a small city and filled

0:39:17.440 --> 0:39:20.319
<v Speaker 1>with employees. My god, what a stunning place. They get

0:39:20.360 --> 0:39:22.640
<v Speaker 1>a tour of the nineteenth century house and are informed

0:39:22.680 --> 0:39:26.360
<v Speaker 1>of their bedrooms. I mean, talk about hitting the jackpot

0:39:26.480 --> 0:39:28.879
<v Speaker 1>or I guess one, Needa did. It's and I'm gonna

0:39:28.920 --> 0:39:30.560
<v Speaker 1>say this and I'm gonna meet it. I mean this

0:39:30.600 --> 0:39:32.680
<v Speaker 1>all the way around. It's cheet delicious. It really is

0:39:33.480 --> 0:39:36.160
<v Speaker 1>no wonder When he's is stressing about the ring, I'd

0:39:36.160 --> 0:39:39.600
<v Speaker 1>marry this guy too. And then Luke arrives. The girls

0:39:39.719 --> 0:39:41.960
<v Speaker 1>thank the swab Man for housing them. He seems great,

0:39:42.040 --> 0:39:44.240
<v Speaker 1>even though Shanelle is still cold to him and incorrectly

0:39:44.320 --> 0:39:46.720
<v Speaker 1>finds him controlling, which is not at all. The girls

0:39:46.840 --> 0:39:49.080
<v Speaker 1>unpack and get some rests. Tomorrow they're gonna meet with

0:39:49.120 --> 0:39:52.080
<v Speaker 1>the festival director. The next morning. Everyone's eating breakfast on

0:39:52.080 --> 0:39:55.279
<v Speaker 1>the enormous grounds, waited on by numerous maids. Luke says

0:39:55.320 --> 0:39:58.160
<v Speaker 1>he's asked one of his friends, the Count of Tobar,

0:39:58.640 --> 0:40:01.879
<v Speaker 1>to assist them. I'm bo and I went, oh, there's

0:40:01.920 --> 0:40:04.080
<v Speaker 1>gonna be a cute boy showing up. I can tell.

0:40:04.760 --> 0:40:06.680
<v Speaker 1>So they're gonna meet him later on, and with that,

0:40:06.719 --> 0:40:10.200
<v Speaker 1>the girls are off to the festival headquarters. The girls

0:40:10.280 --> 0:40:14.320
<v Speaker 1>arrived to a stunning theater. It looks like the Phantom

0:40:14.320 --> 0:40:16.560
<v Speaker 1>of the Opera would haunt it. I mean, just incredible.

0:40:16.760 --> 0:40:19.960
<v Speaker 1>They're startled by a very Spanish man who asks them

0:40:20.160 --> 0:40:23.400
<v Speaker 1>what they've prepared for their audition. Galleria lets them know

0:40:23.440 --> 0:40:26.000
<v Speaker 1>that they actually brought a CD, but demands they perform

0:40:26.120 --> 0:40:28.399
<v Speaker 1>live now. I love that. They're like, oh, now, okay,

0:40:28.400 --> 0:40:30.279
<v Speaker 1>all right, but okay, well I guess that means now

0:40:30.320 --> 0:40:33.320
<v Speaker 1>let's go. The girls scurry to the cavern of stage

0:40:33.360 --> 0:40:36.240
<v Speaker 1>and they sing about Sisters a cappella, and once they finish,

0:40:36.320 --> 0:40:39.040
<v Speaker 1>the director quickly sends them out. That'll be all for today,

0:40:39.239 --> 0:40:41.440
<v Speaker 1>though it felt weird, and assistant quickly walks in and

0:40:41.480 --> 0:40:44.160
<v Speaker 1>lets them know they've made it. They'll be performing in

0:40:44.200 --> 0:40:48.320
<v Speaker 1>the New Voices competition. Congratulations, we're not back At Luke's Castle.

0:40:48.360 --> 0:40:50.400
<v Speaker 1>The Cheetahs are relaxing, but Galleria is trying to get

0:40:50.440 --> 0:40:53.479
<v Speaker 1>the girls to take a look at the practice schedule. Uh,

0:40:53.520 --> 0:40:56.480
<v Speaker 1>there's no rest. Now it's the time when the cute

0:40:56.480 --> 0:41:03.200
<v Speaker 1>boys arriving. Luke's friends slash summer intern Joaquin arrives. He's

0:41:03.200 --> 0:41:05.360
<v Speaker 1>not even it's not even a moped. It's a really

0:41:05.400 --> 0:41:08.879
<v Speaker 1>really cool scooter, like those Italian scooters of Vespa. He's

0:41:08.920 --> 0:41:12.120
<v Speaker 1>talking about the Dancing Cat, a teen club that possibly

0:41:12.160 --> 0:41:15.759
<v Speaker 1>New Voices competition performers will be performing at. It's like

0:41:15.760 --> 0:41:18.120
<v Speaker 1>the club they all go to. But tomorrow night is

0:41:18.200 --> 0:41:20.359
<v Speaker 1>open mic night, and he wants to sign them up.

0:41:20.840 --> 0:41:27.320
<v Speaker 1>But Joaquin seems most interested in Derinda Oh, immediately kissing

0:41:27.320 --> 0:41:31.759
<v Speaker 1>her hands. Sabrina, what's the deal? Good chemistry with this actor? What?

0:41:31.840 --> 0:41:34.120
<v Speaker 1>How did how did it feel to be with this guy?

0:41:34.200 --> 0:41:36.600
<v Speaker 1>They really paired you up, walk us through. It turned

0:41:36.680 --> 0:41:38.480
<v Speaker 1>ten shades of red as you tell me about.

0:41:38.239 --> 0:41:41.160
<v Speaker 2>This guy, because I just know you're gonna I.

0:41:41.040 --> 0:41:43.479
<v Speaker 1>Have a question from my wife that I'm gonna ask later,

0:41:43.600 --> 0:41:44.200
<v Speaker 1>but go ahead.

0:41:46.000 --> 0:41:50.960
<v Speaker 2>D Yeah. So we got to meet, you know, already,

0:41:51.040 --> 0:41:54.200
<v Speaker 2>because we had rehearsed together, because we had our you know,

0:41:54.200 --> 0:41:56.160
<v Speaker 2>our dances that we were going to be doing together.

0:41:56.239 --> 0:41:59.439
<v Speaker 2>He's in a couple of them, so we'd already met

0:42:00.239 --> 0:42:03.399
<v Speaker 2>he actually, I mean right away him and I did

0:42:03.400 --> 0:42:06.520
<v Speaker 2>click because we instantly started getting into dance, like convos,

0:42:06.560 --> 0:42:08.360
<v Speaker 2>because he is an actual dancer.

0:42:08.360 --> 0:42:09.920
<v Speaker 1>He was in sure you could tell.

0:42:09.800 --> 0:42:13.520
<v Speaker 2>A contemporary dance program. And that's when he told me

0:42:13.560 --> 0:42:15.520
<v Speaker 2>that they were actually going to be having a performance

0:42:15.640 --> 0:42:17.319
<v Speaker 2>during the time we were gonna be their shooting. So

0:42:17.640 --> 0:42:20.040
<v Speaker 2>are like most of us all went to go to

0:42:20.160 --> 0:42:23.040
<v Speaker 2>his performance and and see him do his thing, which

0:42:23.120 --> 0:42:26.759
<v Speaker 2>was very contemporary and not what I was thinking.

0:42:26.520 --> 0:42:28.000
<v Speaker 1>At all, like modern dance.

0:42:28.080 --> 0:42:31.680
<v Speaker 2>Kind of yes, like they it was really artistic and

0:42:31.840 --> 0:42:34.840
<v Speaker 2>super cool, but like the guys were in like these

0:42:35.040 --> 0:42:38.239
<v Speaker 2>team tiny like little nude shorts, and that was it and.

0:42:38.200 --> 0:42:40.360
<v Speaker 1>We were like wow.

0:42:40.320 --> 0:42:42.520
<v Speaker 2>What And then the girls were in like these like

0:42:42.640 --> 0:42:45.120
<v Speaker 2>just barely could see they're like nude, like they were

0:42:45.160 --> 0:42:48.480
<v Speaker 2>supposed to be completely nude, but they weren't nude nude,

0:42:48.719 --> 0:42:51.840
<v Speaker 2>so we just like hit it off right away. We

0:42:51.880 --> 0:42:55.120
<v Speaker 2>instantly both got into talking about dance. He had places

0:42:55.160 --> 0:42:58.759
<v Speaker 2>that like he recommended. He didn't live in Barcelona, he

0:42:58.880 --> 0:43:00.800
<v Speaker 2>wasn't from there. He was from somewhere else, so he

0:43:01.000 --> 0:43:03.000
<v Speaker 2>was like, oh, when I first got here, here's some

0:43:03.040 --> 0:43:06.040
<v Speaker 2>places you guys should check out cool. He spoke like

0:43:06.040 --> 0:43:09.760
<v Speaker 2>three different languages, and he would it was so fun

0:43:09.800 --> 0:43:14.080
<v Speaker 2>going out with him because so many people, like Barcelona's

0:43:14.160 --> 0:43:16.080
<v Speaker 2>kind of like a It's like New York. It's like

0:43:16.080 --> 0:43:18.480
<v Speaker 2>a melting pot of like all different people, a lot

0:43:18.480 --> 0:43:20.399
<v Speaker 2>of different cultures and stuff. So he would go from

0:43:20.440 --> 0:43:22.040
<v Speaker 2>like speaking French to German.

0:43:22.080 --> 0:43:24.759
<v Speaker 1>To yeah, most Europeans can do that, it's crazy, and.

0:43:24.800 --> 0:43:27.200
<v Speaker 2>To Spanish and like just anyone that was around and

0:43:27.239 --> 0:43:29.200
<v Speaker 2>me could talk and I was like, I don't understand

0:43:29.200 --> 0:43:29.640
<v Speaker 2>any of them.

0:43:29.800 --> 0:43:32.520
<v Speaker 1>Yep, so were Americans. We can only have one language

0:43:32.520 --> 0:43:33.000
<v Speaker 1>and ahead at.

0:43:32.920 --> 0:43:35.640
<v Speaker 2>The time where we get so crazy. It's so crazy

0:43:35.680 --> 0:43:38.279
<v Speaker 2>to know. He said he started speaking other languages when

0:43:38.280 --> 0:43:40.799
<v Speaker 2>he was like three or four. Yeah, Like I was like, yeah,

0:43:40.840 --> 0:43:42.960
<v Speaker 2>I don't even think he spoke real English when I

0:43:43.000 --> 0:43:44.160
<v Speaker 2>was three year exactly.

0:43:44.680 --> 0:43:47.880
<v Speaker 1>Luke arrives and confirms this young stud is a count

0:43:48.040 --> 0:43:52.239
<v Speaker 1>and is his dancing godson. As a result, Joaquin gives

0:43:52.239 --> 0:43:54.360
<v Speaker 1>Dough his studio addressed. The possible couple are going to

0:43:54.440 --> 0:43:59.440
<v Speaker 1>hang out and do a little dancing later at Galeria

0:43:59.480 --> 0:44:01.960
<v Speaker 1>Aqua and Galeria's mom or doing a little shopping when

0:44:01.960 --> 0:44:05.160
<v Speaker 1>they spot some incredible dresses. While admiring the designer, they're

0:44:05.200 --> 0:44:08.600
<v Speaker 1>interrupted by a man who knows Dorothea. His name is

0:44:08.800 --> 0:44:11.920
<v Speaker 1>Randolph Hunter and they apparently go way back. He owns

0:44:11.920 --> 0:44:15.640
<v Speaker 1>the boutique with the famous designer Aramet. Question from a

0:44:15.640 --> 0:44:18.200
<v Speaker 1>guy who knows nothing, is this completely and totally made up?

0:44:18.280 --> 0:44:20.360
<v Speaker 1>Or is Aramet a real designer in person? Like this

0:44:20.440 --> 0:44:21.560
<v Speaker 1>was somebody I was supposed to know?

0:44:22.160 --> 0:44:23.799
<v Speaker 2>No, I think it's it's fake.

0:44:23.840 --> 0:44:26.000
<v Speaker 1>Okay, Guys again, I was like, oh, is this am

0:44:26.040 --> 0:44:27.399
<v Speaker 1>I supposed to know who this is? Because I don't

0:44:27.400 --> 0:44:28.719
<v Speaker 1>know anything about design I didn't.

0:44:28.480 --> 0:44:32.600
<v Speaker 2>Know if this was supposed to be somebody Dorothia. Dorothea's

0:44:32.640 --> 0:44:35.760
<v Speaker 2>like whole backstory, is that right? She was the designer group,

0:44:35.800 --> 0:44:38.080
<v Speaker 2>but then she was she was a designer and all that.

0:44:38.280 --> 0:44:40.520
<v Speaker 1>I just didn't know if they brought in somebody famous

0:44:40.560 --> 0:44:42.560
<v Speaker 1>and I just didn't know who it was. Okay, So

0:44:42.600 --> 0:44:44.319
<v Speaker 1>the Aramet is made up? Gotcha?

0:44:44.160 --> 0:44:44.359
<v Speaker 2>Yeah?

0:44:44.600 --> 0:44:46.480
<v Speaker 1>And he invites them in to see her. After a

0:44:46.480 --> 0:44:48.920
<v Speaker 1>big reunion with Dorothea, Aqua wants to spend time with

0:44:48.920 --> 0:44:51.399
<v Speaker 1>one of her favorite clothing designers, but Galeria is still

0:44:51.480 --> 0:44:55.400
<v Speaker 1>very frustrated about the rehearsals because they just aren't happening.

0:44:55.440 --> 0:44:58.480
<v Speaker 1>And this is when I started going, thank you, Galeria,

0:44:58.640 --> 0:45:02.200
<v Speaker 1>you're there for a reason. Is nobody else rehearsing? And

0:45:02.200 --> 0:45:03.880
<v Speaker 1>I was starting to laggravated.

0:45:04.200 --> 0:45:04.600
<v Speaker 2>I know.

0:45:05.000 --> 0:45:08.360
<v Speaker 1>Meanwhile, I would have been to exactly, that's you. You

0:45:08.400 --> 0:45:10.520
<v Speaker 1>would have been like, let's rehearse.

0:45:10.200 --> 0:45:14.319
<v Speaker 2>Please for vacation, thank you a business, thank you.

0:45:14.719 --> 0:45:17.360
<v Speaker 1>Meanwhile, Derinda has arrived at the Que Boys dancing studio,

0:45:17.520 --> 0:45:20.560
<v Speaker 1>where he seductively grinds with a large group. Derinda is

0:45:20.600 --> 0:45:22.560
<v Speaker 1>invited to join them, borrowing clothes and shoes from some

0:45:22.680 --> 0:45:24.480
<v Speaker 1>random lady who is three feet taller than you but

0:45:24.520 --> 0:45:27.200
<v Speaker 1>apparently you fit into her shoes anyway, and jumping in

0:45:27.239 --> 0:45:30.600
<v Speaker 1>to do some tango, salsa and ballroom. Right, did I

0:45:30.600 --> 0:45:31.880
<v Speaker 1>get those rights? Yes?

0:45:32.160 --> 0:45:35.960
<v Speaker 2>So my Tay, which they actually I didn't realize last night.

0:45:36.000 --> 0:45:37.600
<v Speaker 2>I was like, oh my gosh, they used her real name.

0:45:37.680 --> 0:45:41.839
<v Speaker 2>So my te who helps us was actually our on

0:45:42.000 --> 0:45:47.359
<v Speaker 2>site Spanish dancing assistant to help with language barrier situations

0:45:47.360 --> 0:45:53.240
<v Speaker 2>like translation. She also she is an incredible like salsa

0:45:53.520 --> 0:45:57.080
<v Speaker 2>Latin dancer who is like best friends with Shakira, so

0:45:57.239 --> 0:45:59.439
<v Speaker 2>like she was like really cool to have on set.

0:45:59.800 --> 0:46:01.520
<v Speaker 2>And then they asked her to go ahead and be

0:46:01.600 --> 0:46:04.080
<v Speaker 2>in some of the scenes. Oh that was like, so

0:46:04.120 --> 0:46:05.920
<v Speaker 2>we already knew her for a long time because she

0:46:05.960 --> 0:46:07.000
<v Speaker 2>was within all the rehearsals.

0:46:07.200 --> 0:46:09.680
<v Speaker 1>Okay, well, that's really really cool and I'm glad that

0:46:09.719 --> 0:46:13.560
<v Speaker 1>I got it. So I also to say I never

0:46:13.600 --> 0:46:15.480
<v Speaker 1>watched Dance with the Stars. I've never seen a single

0:46:15.560 --> 0:46:19.040
<v Speaker 1>single episode, so I've never seen you dance other than

0:46:19.120 --> 0:46:22.440
<v Speaker 1>the cheetah girl stuff on stage, and to watch you

0:46:23.360 --> 0:46:25.879
<v Speaker 1>dance dance is phenomenal. You kill it.

0:46:26.440 --> 0:46:29.239
<v Speaker 2>This actually is really not the great I kind of

0:46:29.320 --> 0:46:33.879
<v Speaker 2>cringe at my youth. Don't like this really the way

0:46:34.400 --> 0:46:36.880
<v Speaker 2>it's okay, it's hard. This is like one of my

0:46:36.920 --> 0:46:40.400
<v Speaker 2>most proud scenes that I've ever done. It was so stunny.

0:46:40.440 --> 0:46:43.840
<v Speaker 2>This is why I was fucking excited to work with

0:46:43.920 --> 0:46:46.920
<v Speaker 2>Kenny Ortega. And I knew, especially when I saw in

0:46:46.960 --> 0:46:49.440
<v Speaker 2>the script I had like a specific dance scene and

0:46:49.440 --> 0:46:51.680
<v Speaker 2>it was a partner dance scene, I knew he was

0:46:51.719 --> 0:46:54.799
<v Speaker 2>going to kill it. But when I look at like then,

0:46:54.880 --> 0:46:56.880
<v Speaker 2>because I hadn't done Dancing with the Stars at this

0:46:57.000 --> 0:46:59.680
<v Speaker 2>point yet. So then when I went and did Dancing

0:46:59.719 --> 0:47:01.960
<v Speaker 2>with This Stars, and I learned more about the actual

0:47:02.000 --> 0:47:04.560
<v Speaker 2>technique because they didn't really they taught me the moves,

0:47:04.560 --> 0:47:06.600
<v Speaker 2>but they didn't teach the technique. We had like a

0:47:06.640 --> 0:47:11.319
<v Speaker 2>full blown, real amazing like Latin and ballroom choreographer come

0:47:11.360 --> 0:47:14.080
<v Speaker 2>in to do to help out with this, but he

0:47:14.080 --> 0:47:16.759
<v Speaker 2>didn't teach me because they wanted me to not look like,

0:47:16.960 --> 0:47:20.160
<v Speaker 2>oh I just picked Yeah, I wasn't supposed to look.

0:47:20.320 --> 0:47:24.080
<v Speaker 1>Had you done this kind of dancing at all before? No? Oh?

0:47:24.400 --> 0:47:26.880
<v Speaker 2>Okay, wow, I mean I did like a tap duet,

0:47:26.960 --> 0:47:29.000
<v Speaker 2>like I hadn't even done partner work. I did a

0:47:29.040 --> 0:47:31.040
<v Speaker 2>tap duet with a boy when I was when I

0:47:31.040 --> 0:47:32.880
<v Speaker 2>was growing up, and we did a few lifts, but

0:47:33.000 --> 0:47:36.560
<v Speaker 2>like lists were very uncomfortable for me, Like this was not.

0:47:36.680 --> 0:47:39.640
<v Speaker 1>Like a god you hit that so well because it

0:47:39.680 --> 0:47:41.919
<v Speaker 1>looked great. It really looked great.

0:47:42.200 --> 0:47:45.719
<v Speaker 2>It shot so gorgeous. The whole choreography is really good, and.

0:47:46.239 --> 0:47:48.240
<v Speaker 1>You look like you're getting along and you have almost

0:47:48.280 --> 0:47:50.680
<v Speaker 1>that dirty dancing moment where you're kind of like you

0:47:50.680 --> 0:47:53.040
<v Speaker 1>break and smile and you do all that. It was.

0:47:53.120 --> 0:47:53.919
<v Speaker 1>It was a great scene.

0:47:54.000 --> 0:47:57.000
<v Speaker 2>He told my manager Melissa. I was like, I'm gonna

0:47:57.040 --> 0:47:58.120
<v Speaker 2>get a dirty dude.

0:47:57.960 --> 0:47:58.360
<v Speaker 1>Dude.

0:48:00.080 --> 0:48:02.640
<v Speaker 2>Because Kenny did. Kenny did dirty Dan scene, I know.

0:48:03.040 --> 0:48:04.440
<v Speaker 2>So it was like, oh.

0:48:04.320 --> 0:48:06.360
<v Speaker 1>My god, no, this is so amazing.

0:48:06.480 --> 0:48:09.240
<v Speaker 2>It was a scene favorite days.

0:48:09.080 --> 0:48:11.080
<v Speaker 1>On How long did it take? It only took one day?

0:48:11.320 --> 0:48:13.719
<v Speaker 2>No, I think we probably did two days because we

0:48:13.800 --> 0:48:17.160
<v Speaker 2>had a couple, like we did everything within two days

0:48:17.200 --> 0:48:21.279
<v Speaker 2>in that one location. Gotchaight, So but it was like

0:48:21.480 --> 0:48:23.919
<v Speaker 2>amazing and just it was just you could just tell

0:48:23.920 --> 0:48:28.279
<v Speaker 2>how gorgeous it was going to be the life. Oh yeah, yeah,

0:48:28.320 --> 0:48:30.680
<v Speaker 2>are you kid? This was like what I was the

0:48:30.719 --> 0:48:32.920
<v Speaker 2>most scared of is like getting something like this with

0:48:33.320 --> 0:48:35.759
<v Speaker 2>as as excited as I was, I was scared I

0:48:35.800 --> 0:48:36.520
<v Speaker 2>was going to screw.

0:48:36.320 --> 0:48:38.520
<v Speaker 1>This up for Kenny or h Well, I'm sorry. I

0:48:38.560 --> 0:48:40.799
<v Speaker 1>know very little about it, but you looked like you killed.

0:48:40.800 --> 0:48:41.520
<v Speaker 1>It looked amazing.

0:48:41.680 --> 0:48:43.759
<v Speaker 2>I think it was so fun. It was fun, and

0:48:43.840 --> 0:48:46.759
<v Speaker 2>I thought the chemistry was like a real vibe. But

0:48:46.840 --> 0:48:50.080
<v Speaker 2>it was great. We were both like excited and like,

0:48:50.200 --> 0:48:53.440
<v Speaker 2>you know, he wasn't necessarily like a Latin dancer either, right,

0:48:53.520 --> 0:48:56.040
<v Speaker 2>he was not a contemporary dancer. So we were both

0:48:56.120 --> 0:48:57.960
<v Speaker 2>learning and both of us were looking at it like

0:48:58.400 --> 0:49:00.640
<v Speaker 2>we're doing it like this is good, this is awesome,

0:49:00.719 --> 0:49:01.000
<v Speaker 2>you know.

0:49:01.239 --> 0:49:04.040
<v Speaker 1>And again not bashing your Cheetah Girl sisters at all,

0:49:04.040 --> 0:49:07.319
<v Speaker 1>but knowing very little about dance, it's pretty easy to

0:49:07.320 --> 0:49:10.000
<v Speaker 1>see that you're the best dancer of the four. Well,

0:49:10.480 --> 0:49:13.319
<v Speaker 1>I mean, but you can I mean, it's just you

0:49:13.360 --> 0:49:14.840
<v Speaker 1>just can tell that you're a dancer.

0:49:14.880 --> 0:49:17.799
<v Speaker 2>I mean, yeah, I've had so much training.

0:49:17.560 --> 0:49:19.520
<v Speaker 1>Right, That's what I mean. But you can really tell

0:49:19.560 --> 0:49:21.399
<v Speaker 1>that that you're the best dancer of the four. Again,

0:49:21.440 --> 0:49:24.000
<v Speaker 1>no offense to the other three. So this dance finishes,

0:49:24.040 --> 0:49:26.560
<v Speaker 1>and even though Drenda seems entranced by his moves, she

0:49:26.640 --> 0:49:29.239
<v Speaker 1>realizes she's late. She's got to go. He invites her

0:49:29.280 --> 0:49:31.000
<v Speaker 1>to be his date for a beach party tomorrow. She

0:49:31.040 --> 0:49:33.480
<v Speaker 1>says she can't, she has rehearsal mm hmm, So now

0:49:33.480 --> 0:49:37.440
<v Speaker 1>she cares about rehearsal, but eventually says maybe and leaves.

0:49:37.680 --> 0:49:41.200
<v Speaker 1>But tonight he'll see her at the Dancing Cat. He

0:49:41.320 --> 0:49:44.359
<v Speaker 1>is very smitten by this American. We cut to that

0:49:44.520 --> 0:49:46.440
<v Speaker 1>night outside the Dancing Cat, where tons of people have

0:49:46.480 --> 0:49:48.920
<v Speaker 1>lined up to get in and celebrities are rushed inside.

0:49:49.120 --> 0:49:51.480
<v Speaker 1>Galeria tells the door guy that they're the Cheetah Girls,

0:49:51.480 --> 0:49:54.239
<v Speaker 1>and they're led right in and brought to Joaquin and

0:49:54.280 --> 0:49:57.640
<v Speaker 1>some other bros. Galeria remarks, the club is off the chain,

0:49:57.719 --> 0:49:59.960
<v Speaker 1>which of course it is. I know nothing of this chain.

0:50:00.160 --> 0:50:01.560
<v Speaker 1>I can tell that this club is off of it.

0:50:02.160 --> 0:50:05.279
<v Speaker 1>Before they can even get comfortable, though, a singer, Marisol,

0:50:05.440 --> 0:50:08.520
<v Speaker 1>Barcelona's best chance to win the New Voices competition, takes

0:50:08.560 --> 0:50:12.359
<v Speaker 1>the stage. She sings why Wait, a bilingual track about

0:50:12.360 --> 0:50:15.360
<v Speaker 1>season the day the club goers love her. She eventually

0:50:15.400 --> 0:50:18.240
<v Speaker 1>stage dives, and the Cheetah Girls know their growl pals

0:50:18.280 --> 0:50:22.919
<v Speaker 1>in some stiff competition. Joaquin offers them some stage time,

0:50:22.960 --> 0:50:25.480
<v Speaker 1>but the intimidated girl say they'll try another night. The

0:50:25.560 --> 0:50:28.400
<v Speaker 1>next act takes the stage and it's that long haired,

0:50:28.480 --> 0:50:33.360
<v Speaker 1>rised up Angelle from that lunch. He says he's gonna

0:50:33.360 --> 0:50:36.319
<v Speaker 1>slow things down with an old acoustic lullaby and it's

0:50:36.360 --> 0:50:39.719
<v Speaker 1>called a la Nanita Nana. I hope I got that right,

0:50:40.640 --> 0:50:44.879
<v Speaker 1>Nana A la nita nana okay. Chanelle immediately recognizes the song.

0:50:44.960 --> 0:50:47.160
<v Speaker 1>Her grandmother used to sing it to her, so she

0:50:47.239 --> 0:50:49.480
<v Speaker 1>decides to just sing along as he plays, and is

0:50:49.520 --> 0:50:52.320
<v Speaker 1>eventually joined by Marisol. Then the rest of the Cheetah

0:50:52.320 --> 0:50:54.120
<v Speaker 1>Girls give each other a little head nod and join

0:50:54.160 --> 0:50:56.120
<v Speaker 1>in with the harmonies. You know, like we all do,

0:50:56.160 --> 0:50:59.040
<v Speaker 1>and we're just hanging out at clubs or whatever. The

0:50:59.200 --> 0:51:02.680
<v Speaker 1>song ends, and everyone loves what they've heard, especially Marisol

0:51:02.800 --> 0:51:07.600
<v Speaker 1>and Lola Duran, who's Marisol's mamager. They've heard all about

0:51:07.640 --> 0:51:09.480
<v Speaker 1>the Cheetah Girls and want to know if they've traveled

0:51:09.480 --> 0:51:11.920
<v Speaker 1>to Spain alone. Gallerya explains they came with her mom,

0:51:11.960 --> 0:51:14.359
<v Speaker 1>who was also a mamager. Lola can't wait to meet

0:51:14.360 --> 0:51:16.520
<v Speaker 1>her and they exchange phone numbers with Chanelle to eventually

0:51:16.520 --> 0:51:20.720
<v Speaker 1>set up another get together. Right away. I didn't trust

0:51:20.719 --> 0:51:25.000
<v Speaker 1>this lady, oh right away. I didn't trust this lady.

0:51:25.239 --> 0:51:27.320
<v Speaker 2>Also, that's the song I woant to cut.

0:51:27.480 --> 0:51:31.520
<v Speaker 1>It was really so long. Although it looks really.

0:51:31.320 --> 0:51:35.080
<v Speaker 2>Pretty, well, that's only one of two this this song.

0:51:35.680 --> 0:51:37.840
<v Speaker 2>It was it was a very long song, and I

0:51:37.880 --> 0:51:41.640
<v Speaker 2>get it. It's the way that we introduced the sure

0:51:41.719 --> 0:51:45.240
<v Speaker 2>starting to join Force's type situation with Marisol and Chanel.

0:51:45.719 --> 0:51:49.440
<v Speaker 2>But it just was like so long and it's not

0:51:49.560 --> 0:51:52.600
<v Speaker 2>just pretty though it was pretty to me. I'm like,

0:51:52.719 --> 0:51:55.880
<v Speaker 2>oh man, you know, here we go, here we go,

0:51:55.960 --> 0:51:59.319
<v Speaker 2>and you get the then we start getting into the

0:51:59.600 --> 0:52:02.680
<v Speaker 2>things Kiley and Kiley. This is a time where Kiehi

0:52:02.800 --> 0:52:05.319
<v Speaker 2>always goes. Remember when you got caught on I have

0:52:05.400 --> 0:52:07.880
<v Speaker 2>like a couple times caught on camera where I'm giving Keey,

0:52:08.000 --> 0:52:13.080
<v Speaker 2>like actual real eye rolls from Sabrina are you and

0:52:14.600 --> 0:52:17.360
<v Speaker 2>I go, we get it, we get it, Aqua, And

0:52:17.360 --> 0:52:19.719
<v Speaker 2>then I like give her like the most ds. I

0:52:19.800 --> 0:52:22.080
<v Speaker 2>have these ridiculous eye rolls that I do, and I

0:52:22.320 --> 0:52:24.640
<v Speaker 2>like She's like, oh man, you let me.

0:52:24.719 --> 0:52:27.960
<v Speaker 1>Have it on this Oh yeah, oh I've got okay.

0:52:28.880 --> 0:52:31.640
<v Speaker 2>Really irritated her at her in real life. I'm not

0:52:31.640 --> 0:52:34.160
<v Speaker 2>saying that I'm not. It's it's an eye roll that

0:52:34.239 --> 0:52:37.600
<v Speaker 2>when I am irritated, I will do and it's so funny.

0:52:37.640 --> 0:52:40.799
<v Speaker 1>Oh it's the best. Oh, I love that. Yes, they

0:52:41.200 --> 0:52:43.719
<v Speaker 1>on the way out, Lola get again. Didn't trust this woman.

0:52:43.719 --> 0:52:45.560
<v Speaker 1>But on the way Lola gives them a little advice.

0:52:45.640 --> 0:52:47.799
<v Speaker 1>It's difficult to win the competition on your first try.

0:52:47.840 --> 0:52:51.759
<v Speaker 1>It's actually Marisol's third attempt. Lola suggests they need to

0:52:51.800 --> 0:52:53.200
<v Speaker 1>meet all the right people. They need to go to

0:52:53.239 --> 0:52:54.920
<v Speaker 1>the right parties and sing the right songs to make

0:52:54.920 --> 0:52:57.759
<v Speaker 1>a splash in Spain, which she can help with. The

0:52:57.800 --> 0:53:00.000
<v Speaker 1>Next day, while Lola and Marisol out for a walk,

0:53:00.160 --> 0:53:02.880
<v Speaker 1>Marisol's mom suggests that Lola stay with Chanel, so they

0:53:02.920 --> 0:53:05.600
<v Speaker 1>can grow closer and Chanell can help her learn some English,

0:53:05.760 --> 0:53:08.200
<v Speaker 1>and Marisol can return the favor by teaching Chanelle her

0:53:08.200 --> 0:53:11.719
<v Speaker 1>contest song and choreography. So Marisol wonders if her mom

0:53:11.800 --> 0:53:13.520
<v Speaker 1>is trying to breakup the Chetah Girls, and she says no,

0:53:13.920 --> 0:53:16.319
<v Speaker 1>But when Marisol sang with Chanelle at the Dancing Cat,

0:53:16.400 --> 0:53:18.960
<v Speaker 1>she got an idea. Marisol knows where this is going

0:53:18.960 --> 0:53:20.600
<v Speaker 1>and she doesn't like it. She wants to win on

0:53:20.640 --> 0:53:24.080
<v Speaker 1>her own, but Lola says she's already lost twice Yike's mom.

0:53:24.400 --> 0:53:26.719
<v Speaker 1>They need something new and this can be the thing

0:53:26.760 --> 0:53:31.439
<v Speaker 1>that puts her over the edge. Ooh vibes yes, and

0:53:31.520 --> 0:53:34.720
<v Speaker 1>so the plan begins. The Cheetah girls, now with Dorothea,

0:53:34.800 --> 0:53:36.440
<v Speaker 1>are on their way to meet Marisol and her mom

0:53:36.480 --> 0:53:39.200
<v Speaker 1>for the beach party. Dorothea thinks it's a little weird

0:53:39.200 --> 0:53:41.640
<v Speaker 1>that this woman wants to help, so did I, so

0:53:41.680 --> 0:53:44.000
<v Speaker 1>she suggests they keep an eye on her, but the

0:53:44.040 --> 0:53:46.840
<v Speaker 1>girls aren't worried about it, and they meet on what

0:53:46.880 --> 0:53:49.360
<v Speaker 1>appears to be the top of a mountain, which was amazing.

0:53:49.480 --> 0:53:52.680
<v Speaker 1>Lola kindly welcomes the girl and introduces herself to Dorothea.

0:53:52.920 --> 0:53:54.520
<v Speaker 1>So now the crew will make their way to the

0:53:54.520 --> 0:53:58.560
<v Speaker 1>beach party, where they already see Joaquin, who has some tapis.

0:53:59.040 --> 0:54:01.680
<v Speaker 1>Durinda seems very happy about seeing her new love interest,

0:54:01.760 --> 0:54:04.360
<v Speaker 1>but Galeria is freaking out that they aren't practicing for

0:54:04.400 --> 0:54:08.480
<v Speaker 1>the contest at all. Thank you, Galeria. Everybody's out there.

0:54:08.840 --> 0:54:13.080
<v Speaker 1>Galeria ain't gallivant, and well everybody else is. Maybe let's

0:54:13.080 --> 0:54:15.279
<v Speaker 1>get some practice in for this thing we flew here for.

0:54:16.000 --> 0:54:18.399
<v Speaker 1>But before they can even talk about it, Marisol pull

0:54:18.480 --> 0:54:21.399
<v Speaker 1>Chanel away to meet her local friends. Yikes. Okay, let's

0:54:21.440 --> 0:54:23.239
<v Speaker 1>talk about the beach party for a second, if we can.

0:54:25.000 --> 0:54:30.600
<v Speaker 1>A choreographer obviously choreographs. I completely understand that. Yes, for

0:54:30.719 --> 0:54:33.359
<v Speaker 1>the big long shot where you see the two kind

0:54:33.400 --> 0:54:36.239
<v Speaker 1>of stories of the beach party, Uh huh, there's like

0:54:36.280 --> 0:54:38.000
<v Speaker 1>the bottom row and the top row and it's all

0:54:38.040 --> 0:54:41.439
<v Speaker 1>by the ocean. It's gorgeous. Is every one of those

0:54:41.560 --> 0:54:44.480
<v Speaker 1>dances choreographed or do they just go dance like all right,

0:54:44.480 --> 0:54:46.640
<v Speaker 1>everybody just dance for the background and go from there.

0:54:46.800 --> 0:54:48.480
<v Speaker 1>Or is he going no, I want the top to

0:54:48.480 --> 0:54:50.200
<v Speaker 1>look like this, I want the bottom to look like this.

0:54:50.320 --> 0:54:53.319
<v Speaker 2>Yes, I think probably like the way he's doing it

0:54:53.360 --> 0:54:56.359
<v Speaker 2>is I don't think it's necessarily choreographed unless he has

0:54:56.400 --> 0:54:57.960
<v Speaker 2>to go in and say, no, I need you guys

0:54:58.000 --> 0:55:00.160
<v Speaker 2>to like I need you to twirl her here, and

0:55:00.239 --> 0:55:04.200
<v Speaker 2>like he's kind of placing it. But for the most part,

0:55:04.280 --> 0:55:07.720
<v Speaker 2>like that wasn't like a choreographed set. Okay, he did

0:55:07.760 --> 0:55:11.360
<v Speaker 2>have what's great as him and Chucky and then also

0:55:13.000 --> 0:55:15.840
<v Speaker 2>my take came in and they were they would split

0:55:15.960 --> 0:55:18.880
<v Speaker 2>up and kind of help the people that were on

0:55:19.120 --> 0:55:21.680
<v Speaker 2>camera of what they need to do and just what

0:55:21.880 --> 0:55:25.040
<v Speaker 2>they're looking for. But it wasn't like they didn't have

0:55:25.080 --> 0:55:26.160
<v Speaker 2>like rehearsals for sech.

0:55:26.080 --> 0:55:28.359
<v Speaker 1>Okay, that's what I was wondering. Okay, got it.

0:55:28.600 --> 0:55:30.600
<v Speaker 2>But they definitely they were a great team where they

0:55:30.600 --> 0:55:33.720
<v Speaker 2>would like kind of just like split up, like Kenny

0:55:33.719 --> 0:55:35.640
<v Speaker 2>would say, like I want this group to kind of

0:55:35.680 --> 0:55:38.799
<v Speaker 2>do this stuff, you know and whirling yeah, and he

0:55:38.920 --> 0:55:41.279
<v Speaker 2>like he loves to have it expanded so you see

0:55:41.320 --> 0:55:44.239
<v Speaker 2>it kind of on a broad gape and stuff. One

0:55:44.239 --> 0:55:47.600
<v Speaker 2>part about this was this was in Seeches is where

0:55:47.600 --> 0:55:50.600
<v Speaker 2>we filmed this, and there was a nude beach like

0:55:50.719 --> 0:55:53.080
<v Speaker 2>just over the like balcony.

0:55:53.200 --> 0:55:58.839
<v Speaker 1>Yeah heck yeah, welcome to Spain. But it wasn't like.

0:55:58.800 --> 0:56:01.040
<v Speaker 2>A nude beach with a bunch of sexy people. It

0:56:01.080 --> 0:56:02.239
<v Speaker 2>was like old men.

0:56:02.680 --> 0:56:06.120
<v Speaker 1>Yeah, I've seen nude beaches in Europe. They're not what

0:56:06.160 --> 0:56:07.439
<v Speaker 1>you think they are most of the time.

0:56:07.680 --> 0:56:09.840
<v Speaker 2>They're not the sexy one that you think that you

0:56:09.880 --> 0:56:12.279
<v Speaker 2>would ever want to see. Like you kind of went

0:56:12.320 --> 0:56:14.080
<v Speaker 2>there's a nude beach and you're like what you went

0:56:14.120 --> 0:56:14.840
<v Speaker 2>over there and you're.

0:56:14.719 --> 0:56:17.640
<v Speaker 1>Like, oh, yes, it's not Love Island nude beach. It's

0:56:17.719 --> 0:56:20.480
<v Speaker 1>oh old man nude beach. Yeah, yes it is, Yes

0:56:20.480 --> 0:56:20.759
<v Speaker 1>it is.

0:56:20.800 --> 0:56:22.000
<v Speaker 2>But that was really fun to.

0:56:22.040 --> 0:56:24.200
<v Speaker 1>Hit a certain age to be that comfortable naked.

0:56:24.440 --> 0:56:27.040
<v Speaker 2>Yeah, we were shooting shooting like that. A Disney channel

0:56:27.160 --> 0:56:29.600
<v Speaker 2>was movies shooting nude beach.

0:56:30.320 --> 0:56:33.400
<v Speaker 1>Later on, Derinda is hanging out and flirting with Joaquin.

0:56:33.520 --> 0:56:36.399
<v Speaker 1>They're talking about dancing and his family's expectations that will

0:56:36.400 --> 0:56:40.000
<v Speaker 1>go to Oxford. Derinda admits her home life is also complicated.

0:56:40.000 --> 0:56:42.000
<v Speaker 1>I like how the two characters kept saying complicated, but

0:56:42.080 --> 0:56:44.920
<v Speaker 1>keeps the whole orphan thing a secret. For now. We're

0:56:44.920 --> 0:56:46.480
<v Speaker 1>back at Luke's resort, which is the only thing it

0:56:46.480 --> 0:56:49.120
<v Speaker 1>could be called. Dorothya is telling Juanita something isn't right

0:56:49.200 --> 0:56:51.600
<v Speaker 1>with this. Lola and Janita is still just focusing on

0:56:51.680 --> 0:56:55.400
<v Speaker 1>Luke's possible proposal. Spain sure is confusing all the way around.

0:56:55.600 --> 0:56:58.520
<v Speaker 1>And in another room, the Cheetah girls are finally practicing.

0:56:58.840 --> 0:57:00.839
<v Speaker 1>Galeria is at the piano, but the others just want

0:57:00.840 --> 0:57:03.840
<v Speaker 1>to nap after the party. Chanelle is already bringing up advice.

0:57:03.920 --> 0:57:06.960
<v Speaker 1>Lola told her to sing a little something something in Spanish,

0:57:07.280 --> 0:57:10.000
<v Speaker 1>but Galleria doesn't get it. They don't speak Spanish. Before

0:57:10.040 --> 0:57:12.240
<v Speaker 1>any argument can occur, they're saved by the bell because

0:57:12.280 --> 0:57:14.480
<v Speaker 1>Direnda gets a call from Joaquin to teach a hip

0:57:14.480 --> 0:57:16.960
<v Speaker 1>hop class. Chanell needs to get ready for Luke's family,

0:57:16.960 --> 0:57:19.120
<v Speaker 1>who are coming over for lunch, and Aqua is going

0:57:19.120 --> 0:57:22.960
<v Speaker 1>back with Dorothea to Aramet's studio. Yikes, nobody's practicing here.

0:57:23.320 --> 0:57:26.320
<v Speaker 1>The band practice ended less than thirty minutes since it began,

0:57:26.720 --> 0:57:30.520
<v Speaker 1>and now they're only six days left before the competition. Galleria, who'

0:57:30.520 --> 0:57:32.600
<v Speaker 1>found herself alone, knows there's no way they can even

0:57:32.720 --> 0:57:37.600
<v Speaker 1>learn a Spanish song in time. Obviously, let's rehearse a

0:57:37.600 --> 0:57:40.720
<v Speaker 1>little bit here, people, And soon after, Luke's rambunctious and

0:57:40.800 --> 0:57:43.280
<v Speaker 1>casual family arrives at the compound, greeted by a very

0:57:43.320 --> 0:57:46.600
<v Speaker 1>fancily dressed Chanelle and her mom, while Derinda is smack

0:57:46.640 --> 0:57:48.840
<v Speaker 1>dab in the middle of teaching a hardcore dance class

0:57:48.840 --> 0:57:50.160
<v Speaker 1>like hip hop and and everything. It was so cool,

0:57:50.200 --> 0:57:52.600
<v Speaker 1>I'm going to sign up for one myself. Aqua's getting

0:57:52.600 --> 0:57:55.240
<v Speaker 1>a design lesson for the Cheeah Girls outfits, and Galeria

0:57:55.280 --> 0:57:58.200
<v Speaker 1>is told to piano practicing by herself writing music like

0:57:58.240 --> 0:57:59.720
<v Speaker 1>a mad woman, and they did make her look like

0:57:59.760 --> 0:58:01.240
<v Speaker 1>she a little bit of a mad woman as she

0:58:01.280 --> 0:58:04.880
<v Speaker 1>was writing that music. The girls all finally meet back

0:58:04.880 --> 0:58:07.000
<v Speaker 1>at Luke's, filling each other in on their big days,

0:58:07.000 --> 0:58:09.040
<v Speaker 1>but Chanell is nowhere to be found. Galleria wants to

0:58:09.080 --> 0:58:10.919
<v Speaker 1>play her her new song Idea, but they are all

0:58:10.920 --> 0:58:14.480
<v Speaker 1>focused on breakfast instead, and Dorinda wants to go to

0:58:14.560 --> 0:58:16.720
<v Speaker 1>lunch with Joaquin, spending an awful lot of time with

0:58:16.760 --> 0:58:20.280
<v Speaker 1>this Joaquin chap I know. Galeria knows they won't have

0:58:20.360 --> 0:58:23.160
<v Speaker 1>a chance at winning this thing if they never practice, obviously,

0:58:23.240 --> 0:58:25.479
<v Speaker 1>but no one seems to care as much as she does.

0:58:33.840 --> 0:58:37.440
<v Speaker 1>Now again alone, Galeria phils deserted. But here's some laughing outside.

0:58:37.560 --> 0:58:41.560
<v Speaker 1>It's Chanelle writing a Spanish song with Marisol. What a

0:58:41.640 --> 0:58:45.280
<v Speaker 1>two timer, Chanelle says, they're just fooling around. Uh huh,

0:58:45.280 --> 0:58:47.320
<v Speaker 1>but we know better than that. Galleria doesn't get it.

0:58:47.320 --> 0:58:49.760
<v Speaker 1>The Cheetah girls need to rehearse. She doesn't have to

0:58:49.760 --> 0:58:52.640
<v Speaker 1>rehearse with Marisol, but Marisol says she didn't just stop by,

0:58:52.720 --> 0:58:53.880
<v Speaker 1>she was invited to come over.

0:58:54.320 --> 0:58:55.280
<v Speaker 3>Ooh.

0:58:55.320 --> 0:58:57.320
<v Speaker 1>Also, Chanell doesn't like being told with the dow. This

0:58:57.360 --> 0:58:59.960
<v Speaker 1>turns into a fight. Galeria is accused of being too

0:59:00.120 --> 0:59:03.040
<v Speaker 1>controlling and Chanell is supposedly turning her back on the Cheetahs.

0:59:03.560 --> 0:59:05.360
<v Speaker 1>Things aren't looking good. Did they not see the beginning

0:59:05.360 --> 0:59:07.520
<v Speaker 1>of the movie, Nothing's Gonna split us apart? So about

0:59:07.520 --> 0:59:09.200
<v Speaker 1>half the songs are about it's being friends for every

0:59:09.360 --> 0:59:12.040
<v Speaker 1>So what the hell is happening? You're throwing me here?

0:59:12.160 --> 0:59:12.720
<v Speaker 1>And I don't like it.

0:59:12.960 --> 0:59:15.600
<v Speaker 2>Gallery is being bossy, and that's the same thing that

0:59:15.680 --> 0:59:17.840
<v Speaker 2>happened in the first movie. It was like, he hasn't

0:59:17.880 --> 0:59:21.080
<v Speaker 2>learned your lesson. None of us like being bossed around.

0:59:21.440 --> 0:59:25.280
<v Speaker 1>Hey, y'all, maybe we should rehearse for this international competition.

0:59:25.400 --> 0:59:29.840
<v Speaker 1>Is now being bossy. Yikes. I believed it in the

0:59:29.840 --> 0:59:31.640
<v Speaker 1>first one. I don't believe it in the second one.

0:59:31.720 --> 0:59:34.840
<v Speaker 2>No, this is such a teenager thing, Like, yes, I

0:59:34.880 --> 0:59:36.720
<v Speaker 2>want to. I want to compete, but I don't really

0:59:36.760 --> 0:59:37.800
<v Speaker 2>want to practice right.

0:59:38.160 --> 0:59:40.120
<v Speaker 1>And there's a cute boy, and there's this, and there's that.

0:59:40.120 --> 0:59:41.440
<v Speaker 1>There's other things to distract me.

0:59:41.480 --> 0:59:43.560
<v Speaker 2>I get, well, Spain's got a lot to offer.

0:59:43.600 --> 0:59:45.920
<v Speaker 1>It's not even Spain. I see shiny keys, and I'm

0:59:45.920 --> 0:59:49.880
<v Speaker 1>still distracted. Derinda returns to the dance studio and it's

0:59:49.880 --> 0:59:53.080
<v Speaker 1>surprised when Joaquin arrives with a group of high class coworkers,

0:59:53.120 --> 0:59:56.680
<v Speaker 1>including a girl, all in suits. He awkwardly sends him off,

0:59:56.720 --> 0:59:58.440
<v Speaker 1>and Derinda is worded out, why did he make his

0:59:58.440 --> 1:00:01.200
<v Speaker 1>friends leave without even introducing this to her? She's offended.

1:00:01.360 --> 1:00:03.360
<v Speaker 1>She's afraid they're just from different worlds. And I thought

1:00:03.400 --> 1:00:06.120
<v Speaker 1>Derinda jumped to this conclusion a little fast.

1:00:05.960 --> 1:00:09.120
<v Speaker 2>Right, Like, why don't you take a step back, girlfriend,

1:00:09.240 --> 1:00:10.480
<v Speaker 2>chill out for a second.

1:00:10.520 --> 1:00:13.080
<v Speaker 1>She saw she saw a three piece suit and was like,

1:00:13.160 --> 1:00:14.360
<v Speaker 1>we're from different worlds.

1:00:14.360 --> 1:00:14.880
<v Speaker 2>Like, wait a.

1:00:14.840 --> 1:00:17.000
<v Speaker 1>Second, you could have found that suit on the street,

1:00:17.680 --> 1:00:21.080
<v Speaker 1>Like my god, you got instantly offended. Yeah, different world.

1:00:20.920 --> 1:00:23.600
<v Speaker 2>Oh, it was hilarious to watch so fast.

1:00:23.880 --> 1:00:27.640
<v Speaker 1>It's like, wow, no red flag, there though no red

1:00:27.640 --> 1:00:30.320
<v Speaker 1>flag there at all. Yikes, waving it.

1:00:30.240 --> 1:00:33.000
<v Speaker 2>Waving it I know. God.

1:00:33.160 --> 1:00:36.960
<v Speaker 1>Well, yeah, she thinks he's royalty basically, and she reveels

1:00:37.040 --> 1:00:40.240
<v Speaker 1>she's a foster kid. During the dances for her future,

1:00:40.320 --> 1:00:42.680
<v Speaker 1>he dances as a hobby. Oh in the dance world,

1:00:42.760 --> 1:00:45.880
<v Speaker 1>that's a that's a big cut. Joaquin wants to talk

1:00:45.920 --> 1:00:48.800
<v Speaker 1>this out like a human, but it's just too complicated

1:00:48.840 --> 1:00:54.040
<v Speaker 1>for Derenda. This is a big us. This is a

1:00:54.040 --> 1:00:55.720
<v Speaker 1>big in ted scene. Do you remember filming this and

1:00:55.760 --> 1:01:00.120
<v Speaker 1>ever thinking maybe I should back off a little. Oh

1:01:00.120 --> 1:01:00.600
<v Speaker 1>my god.

1:01:04.040 --> 1:01:07.400
<v Speaker 2>They wanted it intense. They wanted it like you know,

1:01:07.560 --> 1:01:11.600
<v Speaker 2>she's hurt. She put herself out there a tie.

1:01:11.920 --> 1:01:13.160
<v Speaker 1>They never getting together.

1:01:13.560 --> 1:01:16.560
<v Speaker 2>I know he wore tie. It's over.

1:01:17.080 --> 1:01:22.480
<v Speaker 1>Yeah that was wow. Yikes. Yeah. Dorothea is still sketching

1:01:22.480 --> 1:01:24.800
<v Speaker 1>out clothing ideas, a passion from her past that Spain

1:01:24.800 --> 1:01:27.760
<v Speaker 1>has reignited. She says that Aram and Randolph loved her

1:01:27.760 --> 1:01:29.680
<v Speaker 1>design so much they want to make a sample of

1:01:29.720 --> 1:01:33.440
<v Speaker 1>one of her pieces for their spring collection. Galleria has

1:01:33.480 --> 1:01:36.680
<v Speaker 1>some news too. She's going home. Sheanelle has abandoned her

1:01:36.680 --> 1:01:38.360
<v Speaker 1>for Marisol, and she doesn't want to lose her as

1:01:38.360 --> 1:01:43.680
<v Speaker 1>a friend. Now, Okay, this could so easily have been

1:01:43.720 --> 1:01:47.120
<v Speaker 1>written I'm going home I'm a little bratty. I don't

1:01:47.120 --> 1:01:50.040
<v Speaker 1>want to blah blah blah. But they didn't. They really

1:01:50.080 --> 1:01:52.000
<v Speaker 1>did write it in such a way where she's like,

1:01:52.320 --> 1:01:55.120
<v Speaker 1>I'm gonna lose her as a friend if I push. Yeah,

1:01:55.160 --> 1:01:59.680
<v Speaker 1>I'm fine with that. We're not gonna win. Nobody's practicing,

1:01:59.720 --> 1:02:00.960
<v Speaker 1>so no chance of winning.

1:02:01.240 --> 1:02:02.080
<v Speaker 2>Nobody cares at this.

1:02:02.240 --> 1:02:04.600
<v Speaker 1>Nobody cares. I'm the only one that does, and I

1:02:04.640 --> 1:02:06.520
<v Speaker 1>am not going to lose my friend over this, so

1:02:06.640 --> 1:02:09.520
<v Speaker 1>it's best if I leave. It was really written in

1:02:09.520 --> 1:02:11.560
<v Speaker 1>a way where I was like, Wow, I like how

1:02:11.600 --> 1:02:14.160
<v Speaker 1>they did that. They did make her very mature, yes,

1:02:14.360 --> 1:02:14.920
<v Speaker 1>and it was.

1:02:14.880 --> 1:02:17.680
<v Speaker 2>A good huge That was one of the things that

1:02:17.720 --> 1:02:21.360
<v Speaker 2>I loved that Kenny really dove into was developing the

1:02:21.480 --> 1:02:23.920
<v Speaker 2>character and the maturity level of where it should have

1:02:24.000 --> 1:02:27.560
<v Speaker 2>been like. He did it in different ways, like Aqua

1:02:28.280 --> 1:02:32.080
<v Speaker 2>using hers was like the evolution of her designing and

1:02:32.120 --> 1:02:35.360
<v Speaker 2>her designing love for designing. He did a lot of

1:02:35.400 --> 1:02:38.200
<v Speaker 2>me where I was like tomboy in the first one,

1:02:38.240 --> 1:02:40.560
<v Speaker 2>and he wanted me to look a lot like more

1:02:40.560 --> 1:02:43.200
<v Speaker 2>of like you know, like feminine that I had grown into,

1:02:43.280 --> 1:02:46.080
<v Speaker 2>like my body and I'd grown into like my love

1:02:46.120 --> 1:02:49.959
<v Speaker 2>of dance, and like more of having a softer side

1:02:50.040 --> 1:02:52.320
<v Speaker 2>because I had these great friends around me that I

1:02:52.320 --> 1:02:54.560
<v Speaker 2>could I didn't need to be so crazy. Although this

1:02:54.680 --> 1:02:57.520
<v Speaker 2>lasting didn't show my growth, A.

1:02:57.880 --> 1:03:01.240
<v Speaker 1>Little bit of growth, but yikes, Yeah, I'm texting my

1:03:01.320 --> 1:03:03.480
<v Speaker 1>boys going, I got a red flag in front of me. Boys,

1:03:03.520 --> 1:03:04.840
<v Speaker 1>I got a red flag in front of me.

1:03:05.760 --> 1:03:08.400
<v Speaker 2>So very sick. But that was what he was wanting

1:03:08.440 --> 1:03:11.360
<v Speaker 2>to do. And a big thing for Galeria's character was

1:03:11.400 --> 1:03:14.920
<v Speaker 2>her growth of learning when to step back and allow

1:03:14.960 --> 1:03:17.720
<v Speaker 2>people to take their own journeys. And I loved this

1:03:18.040 --> 1:03:22.560
<v Speaker 2>and I thought, raz she killed it was incredible. She is.

1:03:22.720 --> 1:03:25.240
<v Speaker 1>You're all good as actors in this movie. You're all

1:03:25.240 --> 1:03:28.720
<v Speaker 1>good as actors in this movie. But she's phenomenal. It's

1:03:28.760 --> 1:03:33.000
<v Speaker 1>like she's like watching It's like watching Shia, you know,

1:03:33.040 --> 1:03:34.720
<v Speaker 1>you watch somebody who's just kind of working at a

1:03:34.720 --> 1:03:36.920
<v Speaker 1>different level than you know. When I worked with kids

1:03:36.920 --> 1:03:38.880
<v Speaker 1>like that, I was like, I'm just not on that level.

1:03:38.920 --> 1:03:41.520
<v Speaker 1>There's just some kids that are, and it's a handful

1:03:41.680 --> 1:03:43.720
<v Speaker 1>in every generation, and she's one of them. She really

1:03:43.760 --> 1:03:43.960
<v Speaker 1>is one.

1:03:44.160 --> 1:03:46.520
<v Speaker 2>Yeah. I mean the scenes, I love the scene when

1:03:46.800 --> 1:03:49.120
<v Speaker 2>and she's not afraid to go there either. I love

1:03:49.200 --> 1:03:51.680
<v Speaker 2>this scene when she was trying to talk the moms

1:03:51.720 --> 1:03:55.240
<v Speaker 2>into us all going and like her facials and she's

1:03:55.320 --> 1:03:55.760
<v Speaker 2>like dotor.

1:03:55.800 --> 1:03:58.200
<v Speaker 1>Her facial expressions are so funny where she catches you

1:03:58.200 --> 1:04:00.560
<v Speaker 1>guys kissing and all. It's yes, she.

1:04:01.760 --> 1:04:04.960
<v Speaker 2>Goes from being like like a Lucille ball to like

1:04:05.080 --> 1:04:07.880
<v Speaker 2>this like in depth care. I mean, she's just phenomenal.

1:04:08.040 --> 1:04:11.600
<v Speaker 1>No, she really is very very again all great acting

1:04:11.680 --> 1:04:13.640
<v Speaker 1>is very strong in this movie. But she's she's a star.

1:04:13.720 --> 1:04:14.880
<v Speaker 1>She really is. She's phenomenal.

1:04:14.840 --> 1:04:15.320
<v Speaker 2>It really is.

1:04:16.040 --> 1:04:19.360
<v Speaker 1>Yeah. So anyway, Galeria says she doesn't think they can

1:04:19.360 --> 1:04:22.400
<v Speaker 1>win the competition because they haven't practiced or rehearsed. Dorothea

1:04:22.440 --> 1:04:24.680
<v Speaker 1>says she'll leave tomorrow then, but Galeria doesn't want her

1:04:24.720 --> 1:04:26.920
<v Speaker 1>mom to ditch her big big two. So she's going

1:04:26.960 --> 1:04:28.640
<v Speaker 1>to take a train to Paris to meet her dad

1:04:28.800 --> 1:04:31.120
<v Speaker 1>and during the layoverarth they'll fly home together. She seems

1:04:31.120 --> 1:04:32.800
<v Speaker 1>at peace about it, and her mom is impressed with

1:04:32.800 --> 1:04:35.840
<v Speaker 1>their maturity and rightfully so. And so that night, Dorothea

1:04:35.880 --> 1:04:38.520
<v Speaker 1>and Juanita break the news to the Cheetah girls. Chanel

1:04:38.560 --> 1:04:41.360
<v Speaker 1>wants to talk to Galeria, but she's apparently sleeping. Derinda

1:04:41.360 --> 1:04:43.480
<v Speaker 1>and Akwer realized they've been distracted the whole trip, but

1:04:43.560 --> 1:04:46.160
<v Speaker 1>Chanelle gets defensive about it. They decide to give Galeria

1:04:46.240 --> 1:04:48.919
<v Speaker 1>some space, but you know what that means. It's time

1:04:48.960 --> 1:04:51.680
<v Speaker 1>for a song. We see Galeria packing her things, not sleeping,

1:04:51.720 --> 1:04:55.560
<v Speaker 1>when she breaks into It's over, a song about how

1:04:55.600 --> 1:04:58.720
<v Speaker 1>the trip is well is over. Chanelle jumps in and

1:04:58.720 --> 1:05:00.600
<v Speaker 1>while they're moping and half dancing, were on the ground,

1:05:00.680 --> 1:05:03.920
<v Speaker 1>same with Aqua and Derinda Sabrina. This is the one

1:05:03.920 --> 1:05:09.240
<v Speaker 1>I would have cut. Uh, it's it's it's this one's

1:05:09.280 --> 1:05:13.440
<v Speaker 1>pretty cheesy. This first of all, how many wind machines

1:05:13.440 --> 1:05:16.000
<v Speaker 1>are actually on you as you're trying to sit down.

1:05:20.080 --> 1:05:22.479
<v Speaker 2>And that's not even all of the shots. They didn't

1:05:22.600 --> 1:05:24.360
<v Speaker 2>use all the shots that we had. And that wind

1:05:24.440 --> 1:05:28.120
<v Speaker 2>machine went with me everywhere, everywhere.

1:05:28.800 --> 1:05:31.200
<v Speaker 1>And this, this.

1:05:30.960 --> 1:05:34.120
<v Speaker 2>Is the this is okay. Two things to say about this.

1:05:34.720 --> 1:05:39.120
<v Speaker 2>I remember filming this, and I remember not enjoying it.

1:05:39.240 --> 1:05:42.040
<v Speaker 2>I felt that it felt too.

1:05:41.840 --> 1:05:43.680
<v Speaker 1>Over the top top.

1:05:43.920 --> 1:05:47.920
<v Speaker 2>I was there as you know, Raven was shooting her scenes.

1:05:48.000 --> 1:05:51.680
<v Speaker 2>I watched Adrian, I watched Keeley. I thought actually looked

1:05:51.760 --> 1:05:53.360
<v Speaker 2>the most normal out of all of us.

1:05:54.000 --> 1:05:57.720
<v Speaker 1>It's not it's not a high bar and I just remember.

1:05:57.920 --> 1:06:01.440
<v Speaker 2>I just remember thinking like this, this isn't it because

1:06:01.600 --> 1:06:04.560
<v Speaker 2>this is the thing. This is the thing with a musical,

1:06:05.000 --> 1:06:10.840
<v Speaker 2>it's not like a music video type idea, right, Like

1:06:10.960 --> 1:06:13.840
<v Speaker 2>it's a musical, so it's different. And it just for

1:06:13.960 --> 1:06:19.520
<v Speaker 2>me felt so unnatural. It was just it was so

1:06:19.680 --> 1:06:24.800
<v Speaker 2>dramatic and just like I remember not thinking I was

1:06:24.840 --> 1:06:26.840
<v Speaker 2>gonna at least at least me was not gonna look

1:06:26.840 --> 1:06:29.439
<v Speaker 2>great doing this. I was uncomfortable. And then it took

1:06:29.480 --> 1:06:31.480
<v Speaker 2>me back when we were this is the scene. I

1:06:31.520 --> 1:06:34.640
<v Speaker 2>remember thinking when we looked at Vanessa Hudgens in her

1:06:35.200 --> 1:06:39.960
<v Speaker 2>yes always scene, and I felt like I recognized that

1:06:39.960 --> 1:06:43.240
<v Speaker 2>that that body language of like you don't really feel

1:06:43.240 --> 1:06:46.320
<v Speaker 2>comfortable doing this. And I'm not saying she did it,

1:06:46.640 --> 1:06:48.120
<v Speaker 2>and I'm not saying she didn't do a great job,

1:06:48.160 --> 1:06:51.080
<v Speaker 2>but I'm just saying like that, like the movements and

1:06:51.120 --> 1:06:54.439
<v Speaker 2>the throwing the hair, and it's like we're like, this

1:06:54.520 --> 1:06:55.720
<v Speaker 2>is just I don't know. It was.

1:06:56.880 --> 1:06:59.560
<v Speaker 1>It also wasn't my favorite song. And I really liked

1:06:59.760 --> 1:07:01.440
<v Speaker 1>the US in this movie. I really did, like I

1:07:01.520 --> 1:07:03.120
<v Speaker 1>genuinely I looked at you at one point, I'm like,

1:07:03.160 --> 1:07:04.360
<v Speaker 1>these are the songs are good?

1:07:04.840 --> 1:07:07.120
<v Speaker 2>This is when though, like I was like taking my

1:07:07.200 --> 1:07:11.640
<v Speaker 2>blanket master Jordan and Monroe and going, I can't believe

1:07:11.920 --> 1:07:17.760
<v Speaker 2>my magical Rewind family is going to watch this for

1:07:17.960 --> 1:07:20.680
<v Speaker 2>all of them again the first.

1:07:20.520 --> 1:07:24.160
<v Speaker 1>Time, the first time. And I'll bet you our Magical

1:07:24.200 --> 1:07:29.640
<v Speaker 1>Rewind producers knew every line, every word, every dance, everything.

1:07:30.080 --> 1:07:33.360
<v Speaker 2>It just only and it might not be as bad

1:07:33.400 --> 1:07:37.160
<v Speaker 2>as I think it is because I again, I was

1:07:37.200 --> 1:07:39.600
<v Speaker 2>in my own head when we filmed it. So then,

1:07:39.640 --> 1:07:41.560
<v Speaker 2>of course it's a little cheesy back there.

1:07:41.800 --> 1:07:44.760
<v Speaker 1>It's a little cheesy. It's also as weird as they

1:07:45.040 --> 1:07:47.520
<v Speaker 1>break the fourth wall. I mean, at one point, Raven's

1:07:47.520 --> 1:07:49.480
<v Speaker 1>looking right into the camera and I'm going, yeah, why

1:07:50.000 --> 1:07:50.919
<v Speaker 1>looking right into the lens.

1:07:51.240 --> 1:07:54.240
<v Speaker 2>It just was, it was, this is the.

1:07:54.160 --> 1:07:55.560
<v Speaker 1>One I would have cut. Is it the worst thing

1:07:55.600 --> 1:07:58.400
<v Speaker 1>I've ever seen in my life? Of course not, it's not.

1:07:58.720 --> 1:08:03.320
<v Speaker 2>It's a yes exactly, but it just wasn't. I just

1:08:03.400 --> 1:08:04.480
<v Speaker 2>it just didn't need to be that.

1:08:04.840 --> 1:08:07.800
<v Speaker 1>I agree. I agree, and you know why because the

1:08:07.840 --> 1:08:09.760
<v Speaker 1>rest of the songs, the rest of the dances, and

1:08:09.760 --> 1:08:11.360
<v Speaker 1>the rest of the movies were specific The rest of

1:08:11.360 --> 1:08:14.919
<v Speaker 1>the movie was specifically not this, yes, And that's why

1:08:14.960 --> 1:08:16.680
<v Speaker 1>I think it was so jarring. If most of the

1:08:16.680 --> 1:08:18.240
<v Speaker 1>movie was like this, it would have just been another

1:08:18.280 --> 1:08:20.200
<v Speaker 1>one of those things. But this seemed like it was

1:08:20.240 --> 1:08:23.680
<v Speaker 1>almost from a different movie, you know, So this is

1:08:23.680 --> 1:08:24.519
<v Speaker 1>the one I would have cut.

1:08:24.600 --> 1:08:31.800
<v Speaker 2>That I will say, is something that like the kids like, oh,

1:08:31.800 --> 1:08:35.040
<v Speaker 2>they must love it. They do, like the fans love this.

1:08:35.040 --> 1:08:36.880
<v Speaker 1>This is Zachron on the golf course.

1:08:37.439 --> 1:08:40.519
<v Speaker 2>Is course, And that's what I'm saying, Like, it's one

1:08:40.520 --> 1:08:43.080
<v Speaker 2>of those things for me that I look back and

1:08:43.120 --> 1:08:46.320
<v Speaker 2>go not my proudest moment, but.

1:08:46.120 --> 1:08:48.479
<v Speaker 1>It's again you you guys were fine. You were doing

1:08:48.520 --> 1:08:50.479
<v Speaker 1>what you were doing. I just this would another one

1:08:50.479 --> 1:08:52.960
<v Speaker 1>that I would have cut. But anyway, it's that thing.

1:08:53.120 --> 1:08:55.760
<v Speaker 1>They're still in it. I'm still in it. I'm still here.

1:08:56.680 --> 1:08:58.000
<v Speaker 1>The next morning, leave.

1:08:57.880 --> 1:08:58.720
<v Speaker 2>It on the cutting room.

1:08:58.840 --> 1:09:05.600
<v Speaker 1>Oh you didn't more wind? Yes, I was waiting for

1:09:05.640 --> 1:09:08.000
<v Speaker 1>like leaves to be blown in ad in the face,

1:09:08.160 --> 1:09:12.280
<v Speaker 1>like more wind. Yeah. The next morning, Sheel wakes up

1:09:12.320 --> 1:09:14.360
<v Speaker 1>and goes right to Galeria's room to talk, but she's

1:09:14.439 --> 1:09:16.920
<v Speaker 1>already gone. She left the sheet music for her new

1:09:16.920 --> 1:09:19.639
<v Speaker 1>song in the bed, and right then Marisol calls for Chanel,

1:09:20.200 --> 1:09:26.200
<v Speaker 1>which why would Marisol be calling that room anyway? Yes,

1:09:26.840 --> 1:09:28.800
<v Speaker 1>yes again, but she says she'll call.

1:09:28.720 --> 1:09:30.920
<v Speaker 2>Her back the notice. Then I'm just gonna say this

1:09:30.960 --> 1:09:32.960
<v Speaker 2>because it's not that big of a deal, but how

1:09:33.000 --> 1:09:37.720
<v Speaker 2>did Galeria or whoever get that giant poster of the

1:09:37.760 --> 1:09:39.680
<v Speaker 2>festival which is.

1:09:39.760 --> 1:09:42.240
<v Speaker 1>That's on kill? Is it not? Isn't that angel on

1:09:42.240 --> 1:09:46.559
<v Speaker 1>the poster? That's what I thought? Okay, So yes, gallery

1:09:46.680 --> 1:09:48.439
<v Speaker 1>is gone. We're now at the trade station, which is

1:09:48.479 --> 1:09:52.080
<v Speaker 1>another massively gorgeous building. Galeria wheels her bag and to

1:09:52.120 --> 1:09:55.559
<v Speaker 1>find her platform when she hears singing it's the Cheetah

1:09:55.560 --> 1:09:58.240
<v Speaker 1>girls still in their pajamas singing the song she wrote.

1:09:58.640 --> 1:10:00.800
<v Speaker 1>And I think the more important question is how did

1:10:00.800 --> 1:10:03.240
<v Speaker 1>you invent a machine to get you there so quickly?

1:10:03.280 --> 1:10:06.439
<v Speaker 1>And why haven't you patented that? Because she obviously left

1:10:06.439 --> 1:10:08.679
<v Speaker 1>first thing in the morning to get to the train station,

1:10:09.360 --> 1:10:11.040
<v Speaker 1>and you beat her there.

1:10:11.120 --> 1:10:15.759
<v Speaker 2>Essentially, I'm assuming she was like waiting in the lobby

1:10:15.800 --> 1:10:17.200
<v Speaker 2>her train was about to come.

1:10:17.439 --> 1:10:18.880
<v Speaker 1>No, they show her walk in.

1:10:20.720 --> 1:10:23.519
<v Speaker 2>Into the train station. Yes, well, though she was in

1:10:23.600 --> 1:10:25.280
<v Speaker 2>like a lobby of some sort. She walked to where

1:10:25.320 --> 1:10:25.960
<v Speaker 2>the trains were.

1:10:26.240 --> 1:10:28.439
<v Speaker 1>Oh so you imagine she had been sitting there for

1:10:28.439 --> 1:10:30.519
<v Speaker 1>a while. And then they they yeah, well, because they

1:10:31.680 --> 1:10:34.599
<v Speaker 1>train station and then all of a sudden, you guys

1:10:34.640 --> 1:10:36.000
<v Speaker 1>are there, like you magic snaw.

1:10:36.640 --> 1:10:39.040
<v Speaker 2>Maybe she would have had a shot of her like

1:10:39.040 --> 1:10:41.720
<v Speaker 2>like where we were actually sitting while everything was being

1:10:41.720 --> 1:10:44.080
<v Speaker 2>fair there I go something like that lobby because it

1:10:44.120 --> 1:10:46.840
<v Speaker 2>was that was that was that was pretty pretty fast.

1:10:47.400 --> 1:10:49.240
<v Speaker 1>But anyway, it's the Cheeah girls. They're still in their

1:10:49.280 --> 1:10:51.920
<v Speaker 1>pajama singing the song she wrote. This scene is truly amazing.

1:10:52.000 --> 1:10:54.160
<v Speaker 1>They love what she wrote and it's four part harmony,

1:10:54.240 --> 1:10:56.640
<v Speaker 1>so they need her. She now asked her forgiveness in

1:10:56.640 --> 1:10:59.599
<v Speaker 1>her pink poodle slippers, and Gallery accepts. The Cheetah girls

1:10:59.680 --> 1:11:03.720
<v Speaker 1>hug and now it's time to rehearse. Finally, they race

1:11:03.760 --> 1:11:05.799
<v Speaker 1>back to Luke's and get to the piano. Mid rehearsal,

1:11:05.880 --> 1:11:08.880
<v Speaker 1>Lola calls to apologize bout Galeria, not knowing the newest

1:11:08.880 --> 1:11:11.760
<v Speaker 1>series of events, but learns quickly the Cheetahs are back

1:11:11.840 --> 1:11:15.360
<v Speaker 1>and ready to be fierce. Lola, quick on her toes,

1:11:15.360 --> 1:11:17.360
<v Speaker 1>pretends to be happy about this and books them for

1:11:17.439 --> 1:11:19.760
<v Speaker 1>Wednesday at the Dancing Cat for a warm up gig.

1:11:19.800 --> 1:11:22.800
<v Speaker 1>And I knew exactly where this was going to be going.

1:11:22.800 --> 1:11:24.280
<v Speaker 1>I was like, oh, I don't trust her. Still don't

1:11:24.280 --> 1:11:26.719
<v Speaker 1>trust her. We're now back at Luke's. Wanita is still

1:11:26.760 --> 1:11:29.680
<v Speaker 1>complaining to Dorothea about not being engaged. His family was

1:11:29.720 --> 1:11:32.200
<v Speaker 1>wonderful to her in Chanelle and the relationship is great.

1:11:32.360 --> 1:11:34.040
<v Speaker 1>While she's having a bit of a little panic attack.

1:11:34.040 --> 1:11:36.720
<v Speaker 1>Wanted to worries that her daughter is the reason he

1:11:36.760 --> 1:11:41.200
<v Speaker 1>hasn't popped the question and Chanell overhears from the other room. Womp, womp.

1:11:41.640 --> 1:11:45.320
<v Speaker 1>So Chanelle races to Luke's room and apologizes. She says

1:11:45.320 --> 1:11:47.160
<v Speaker 1>she's been acting like a spoiled brat and is just

1:11:47.200 --> 1:11:49.280
<v Speaker 1>nervous to her mom get hurt again. He says he

1:11:49.320 --> 1:11:51.679
<v Speaker 1>loves her mom and would never hurt her. Chanelle thanks

1:11:51.720 --> 1:11:54.200
<v Speaker 1>him for his generosity. She'd be very proud to be

1:11:54.280 --> 1:11:56.559
<v Speaker 1>part of his family. Luke kisses her hand in response.

1:11:56.600 --> 1:11:59.040
<v Speaker 1>It's a very sweet scene. Next thing we know, and

1:11:59.080 --> 1:12:00.960
<v Speaker 1>here's what gets a little weird. All of the weight

1:12:01.000 --> 1:12:02.920
<v Speaker 1>staff and the Cheetah crew have gathered at the front

1:12:02.920 --> 1:12:06.120
<v Speaker 1>door to watch. Luke asked one needed to marry him.

1:12:06.240 --> 1:12:11.759
<v Speaker 1>So it really was Chanelle's fault?

1:12:12.080 --> 1:12:16.920
<v Speaker 2>I mean, I I think no. I think he just

1:12:17.080 --> 1:12:20.000
<v Speaker 2>at some point wasn't sure when he was gonna do it.

1:12:20.040 --> 1:12:23.320
<v Speaker 2>Within the trip and then her coming and giving her

1:12:23.360 --> 1:12:27.599
<v Speaker 2>like blessing. Yeah, it seemed like the timings wearing.

1:12:29.360 --> 1:12:31.240
<v Speaker 1>This was this quick writing thing where it was like

1:12:31.280 --> 1:12:33.559
<v Speaker 1>they really made it look like, oh my god, it

1:12:33.720 --> 1:12:36.960
<v Speaker 1>was her fault. Yeah, that that he hadn't proposed and

1:12:37.080 --> 1:12:39.719
<v Speaker 1>until she went and apologized, then he went and proposed.

1:12:39.760 --> 1:12:41.880
<v Speaker 1>It was a weird like because he was like, it

1:12:41.880 --> 1:12:43.360
<v Speaker 1>has nothing to do with you, but then I'm going

1:12:43.400 --> 1:12:45.840
<v Speaker 1>to go propose. So yeah, it made it seem a

1:12:45.840 --> 1:12:46.840
<v Speaker 1>little bit like fault.

1:12:47.479 --> 1:12:49.720
<v Speaker 2>I mean I took it, especially when you see it

1:12:49.840 --> 1:12:55.639
<v Speaker 2>again like world's worst proposal. Zero zero thought of that

1:12:55.960 --> 1:12:59.760
<v Speaker 2>and like, geez, come on, looke. With all that money, homie,

1:13:00.040 --> 1:13:03.920
<v Speaker 2>there's no like blimp or sky in, like sky riding

1:13:04.320 --> 1:13:05.920
<v Speaker 2>or like doves being thrown.

1:13:06.600 --> 1:13:08.960
<v Speaker 1>Do you think with all that money, you think with

1:13:09.000 --> 1:13:10.840
<v Speaker 1>all that money, a single woman in the world would

1:13:10.840 --> 1:13:13.040
<v Speaker 1>have been like, I didn't like your proposal. I'm gonna

1:13:13.040 --> 1:13:14.600
<v Speaker 1>say no it could They could have been in a

1:13:14.680 --> 1:13:17.240
<v Speaker 1>dumpster and they would be like, I love you, Luke.

1:13:17.520 --> 1:13:20.439
<v Speaker 2>Not with the rock he pulled out. Holy cow, that

1:13:20.479 --> 1:13:23.559
<v Speaker 2>thing was giant. But the proposal in general was just

1:13:23.600 --> 1:13:25.800
<v Speaker 2>like she just happens to be sitting.

1:13:25.520 --> 1:13:27.639
<v Speaker 1>There, That's what I mean, which is a weird place

1:13:27.720 --> 1:13:30.200
<v Speaker 1>to sit and read a book. That's the other thing, Like,

1:13:30.240 --> 1:13:31.200
<v Speaker 1>what are you doing.

1:13:31.040 --> 1:13:34.680
<v Speaker 2>When before we've seen that shot many times with the

1:13:34.720 --> 1:13:35.599
<v Speaker 2>table and chairs.

1:13:35.840 --> 1:13:37.880
<v Speaker 1>Yes, there was a table there like a like a

1:13:37.920 --> 1:13:39.320
<v Speaker 1>little while ago.

1:13:38.960 --> 1:13:42.479
<v Speaker 2>Why aren't you sitting over next door where we've seen

1:13:42.840 --> 1:13:45.320
<v Speaker 2>gallery and her mom in a lounge area.

1:13:45.720 --> 1:13:47.960
<v Speaker 1>Yeah, it didn't make any sense, but she does have

1:13:48.040 --> 1:13:50.400
<v Speaker 1>a huge rock and they push in on it. You

1:13:50.400 --> 1:13:53.559
<v Speaker 1>could barely see where the Titanic hit it. Yeah, so yes,

1:13:55.240 --> 1:13:58.240
<v Speaker 1>then that was it. They're engaged when he says yes,

1:13:58.280 --> 1:13:59.840
<v Speaker 1>and we get a big celebration in the front yard.

1:14:08.000 --> 1:14:10.360
<v Speaker 1>We're now back at the dance studio. Dorinda has come

1:14:10.400 --> 1:14:13.320
<v Speaker 1>to see Joaquin. Oh that's never weird when you do

1:14:13.439 --> 1:14:16.160
<v Speaker 1>that and you're giant red flag, then you come back.

1:14:16.600 --> 1:14:18.960
<v Speaker 1>She hasn't been returning his calls for days. She thanks

1:14:19.040 --> 1:14:20.920
<v Speaker 1>him for letting her use his dance studio, but he

1:14:20.960 --> 1:14:23.920
<v Speaker 1>admits Luke is the one who owns it. Joaquin just

1:14:23.960 --> 1:14:27.200
<v Speaker 1>gets to use it if he teaches here. He's actually poor,

1:14:27.600 --> 1:14:29.320
<v Speaker 1>which he would have told her had she not run

1:14:29.360 --> 1:14:31.439
<v Speaker 1>out and not said all the I don't want to

1:14:31.479 --> 1:14:33.360
<v Speaker 1>be with you, and then that was it. He didn't

1:14:33.360 --> 1:14:35.599
<v Speaker 1>introduce her to his rich friends because he couldn't afford

1:14:35.680 --> 1:14:37.880
<v Speaker 1>to go where they were eating. He his account, but

1:14:37.920 --> 1:14:40.400
<v Speaker 1>he's also broke his family lost her money years ago.

1:14:40.479 --> 1:14:42.639
<v Speaker 1>And then the Cheetah girls arrived for dance practice, sort

1:14:42.680 --> 1:14:45.840
<v Speaker 1>of ruining the moment. Drinda apologizes and Woaquin reveals he'll

1:14:45.880 --> 1:14:47.759
<v Speaker 1>be in New York in the fall for the dance

1:14:47.760 --> 1:14:49.920
<v Speaker 1>competition and he wants to Renda to be his partner.

1:14:50.439 --> 1:14:58.680
<v Speaker 1>And then oh and then people they kiss. Woooo Sabrina

1:14:59.160 --> 1:15:02.000
<v Speaker 1>walk us through the kiss. Did you talk about it before?

1:15:02.240 --> 1:15:03.880
<v Speaker 1>Was there gonna be tongue? Was there gonna be no tongue?

1:15:03.880 --> 1:15:05.840
<v Speaker 1>Who discussed it? What happened? Is this your first on

1:15:05.880 --> 1:15:07.360
<v Speaker 1>screen kiss? So many questions?

1:15:08.040 --> 1:15:11.360
<v Speaker 2>This is my first on screen kiss. Okay, we didn't

1:15:11.600 --> 1:15:13.960
<v Speaker 2>talk about it. It was his first on screen kiss

1:15:13.960 --> 1:15:17.000
<v Speaker 2>as well, so we didn't know to talk about it.

1:15:17.280 --> 1:15:21.519
<v Speaker 2>And but we also, I mean, for me, it's like, hello,

1:15:21.560 --> 1:15:23.719
<v Speaker 2>we're on the channel. We're not doing tongue, that's like.

1:15:23.680 --> 1:15:26.880
<v Speaker 1>And so there was no tongue, no, okay, just.

1:15:26.800 --> 1:15:29.559
<v Speaker 2>Like a big, like you know, open mouth smooch. It

1:15:29.600 --> 1:15:31.960
<v Speaker 2>wasn't like a clothes, like you know, it.

1:15:31.880 --> 1:15:33.439
<v Speaker 1>Was It wasn't Christy Carlson.

1:15:34.120 --> 1:15:38.240
<v Speaker 2>It was not Christy Carlson macking down on that was

1:15:39.800 --> 1:15:44.599
<v Speaker 2>not happening. I was so you you know me well

1:15:44.720 --> 1:15:47.400
<v Speaker 2>enough to know how uncomfortable I would have been in

1:15:47.439 --> 1:15:48.400
<v Speaker 2>a situation like that.

1:15:49.360 --> 1:15:51.400
<v Speaker 1>Everybody who's like, oh, you get to kiss all these

1:15:51.400 --> 1:15:53.280
<v Speaker 1>people on camera, you get to do a sex scene,

1:15:53.280 --> 1:15:56.920
<v Speaker 1>they're usually the worst. Yeah they are. It's hot, there's

1:15:56.960 --> 1:15:59.840
<v Speaker 1>people watching you. It's yeah, it's weird, you know.

1:16:00.120 --> 1:16:03.680
<v Speaker 2>And it's like even still like we're you know, you know,

1:16:03.760 --> 1:16:07.559
<v Speaker 2>trying to keep the like the the energy and the

1:16:07.680 --> 1:16:10.080
<v Speaker 2>vibe between us, like we're trying not to go too

1:16:10.120 --> 1:16:13.200
<v Speaker 2>far into the friend zone so that it looks, you know,

1:16:13.280 --> 1:16:15.680
<v Speaker 2>it's believable that we've got this great, like kind of

1:16:15.760 --> 1:16:19.200
<v Speaker 2>romantic chemistry. So we're you know, and then it's like

1:16:19.360 --> 1:16:21.560
<v Speaker 2>just like looking around like okay, and then it's like

1:16:21.600 --> 1:16:24.120
<v Speaker 2>the next shot, and then Kenny's like all right, we're

1:16:24.120 --> 1:16:25.920
<v Speaker 2>going to do one more, and I'm looking at Kenny

1:16:26.000 --> 1:16:27.240
<v Speaker 2>like how many times are you?

1:16:27.640 --> 1:16:28.000
<v Speaker 1>Yeah?

1:16:28.760 --> 1:16:31.200
<v Speaker 2>Yeah, when you know I hated Kenny.

1:16:31.040 --> 1:16:32.800
<v Speaker 1>Do you now did you have a boyfriend in real life?

1:16:32.800 --> 1:16:34.200
<v Speaker 1>At the time, I.

1:16:34.240 --> 1:16:37.360
<v Speaker 2>Was kind of at the end, I had a real boyfriend.

1:16:37.360 --> 1:16:39.960
<v Speaker 2>There was one that came to Spain. Yeah, that was

1:16:40.000 --> 1:16:42.439
<v Speaker 2>my long term boyfriend. So yeah, but we were kind

1:16:42.439 --> 1:16:43.920
<v Speaker 2>of in a weird spot.

1:16:44.080 --> 1:16:46.280
<v Speaker 1>So it's so weird though you're like in a relationship.

1:16:46.360 --> 1:16:49.800
<v Speaker 1>It's like legal cheating when you're doing yes any strange and.

1:16:49.760 --> 1:16:52.879
<v Speaker 2>I don't think, you know, being in my early twenties

1:16:52.920 --> 1:16:55.920
<v Speaker 2>and not really thinking too much into it. I don't

1:16:55.960 --> 1:16:57.639
<v Speaker 2>think I even told him that I had a kiss

1:16:57.640 --> 1:16:59.880
<v Speaker 2>in the movie, like because I didn't want to bring

1:17:00.040 --> 1:17:02.360
<v Speaker 2>it up right, I didn't want it, you know. It's

1:17:02.400 --> 1:17:05.479
<v Speaker 2>like that weird thing. And you know, God, I don't

1:17:05.479 --> 1:17:09.120
<v Speaker 2>even know that that was just such an awkward heart

1:17:09.240 --> 1:17:12.799
<v Speaker 2>And then lurs Keeley, Adrian and Raven were not helping.

1:17:12.920 --> 1:17:16.880
<v Speaker 2>They were totally coally making it. How they performed it

1:17:16.920 --> 1:17:20.040
<v Speaker 2>on camera is exactly how they treated me day of

1:17:20.360 --> 1:17:23.320
<v Speaker 2>all day today, the kissing day. How are we gonna

1:17:23.320 --> 1:17:25.080
<v Speaker 2>do it, Sabrina? Are you gonna go like this? Are

1:17:25.080 --> 1:17:26.320
<v Speaker 2>you gonna go like this? How's it gonna be? Are

1:17:26.360 --> 1:17:28.960
<v Speaker 2>gonna let him get cop a feel? I'm like, cut

1:17:29.000 --> 1:17:33.160
<v Speaker 2>it out. I love us amping up the anxiety for

1:17:33.200 --> 1:17:38.680
<v Speaker 2>these are there the awesome friends exactly sure it is.

1:17:38.720 --> 1:17:41.400
<v Speaker 1>Now, after this incredible kiss time, for which I'm sure

1:17:41.439 --> 1:17:43.080
<v Speaker 1>there was some tongue that You're just not admitting to,

1:17:43.200 --> 1:17:46.400
<v Speaker 1>it's time for Cheetah Girls dance practice, and now they're

1:17:46.400 --> 1:17:49.000
<v Speaker 1>finally focused. We get a new song step up, all

1:17:49.000 --> 1:17:51.320
<v Speaker 1>about how it's time to work. Now, it's time to

1:17:51.360 --> 1:17:53.679
<v Speaker 1>work for real. The girls have gotten it all together,

1:17:53.760 --> 1:17:56.160
<v Speaker 1>and just in time for the dance cap warm up show,

1:17:56.320 --> 1:17:58.360
<v Speaker 1>we're thrown right into the performance of The girls look great.

1:17:58.439 --> 1:18:01.839
<v Speaker 1>Lolo's in the audience and looks impressed. After the show, however,

1:18:01.960 --> 1:18:04.320
<v Speaker 1>Lola introduces the Cheetah Girls to the owner of the club,

1:18:04.320 --> 1:18:07.120
<v Speaker 1>who surprisingly pays them for the performances. And I knew

1:18:07.160 --> 1:18:09.080
<v Speaker 1>right then. I was like, it's an amateur competition. You

1:18:09.080 --> 1:18:11.639
<v Speaker 1>can't take money. With only two days left before the performance,

1:18:11.680 --> 1:18:14.559
<v Speaker 1>Lola warns them lights out early because tomorrow is sound check,

1:18:14.920 --> 1:18:16.800
<v Speaker 1>and so the next day, the Cheetah Girls finally see

1:18:16.800 --> 1:18:19.800
<v Speaker 1>the festival outdoor stage. But get this, their dressing room

1:18:19.840 --> 1:18:22.000
<v Speaker 1>is in the small corner of a huge, beautiful little building.

1:18:22.120 --> 1:18:26.080
<v Speaker 1>Did you expect anything else? Excited about Aqua and Dorothea's

1:18:26.080 --> 1:18:28.680
<v Speaker 1>proposed outfits, the Cheater Girls celebrate, but are interrupted by

1:18:28.720 --> 1:18:32.200
<v Speaker 1>the festival director. Unfortunately, because the girls took money from

1:18:32.200 --> 1:18:35.439
<v Speaker 1>the dancing cat owner, this makes them professional singers. The

1:18:35.479 --> 1:18:38.760
<v Speaker 1>competition is only for amateurs. They've been kicked off of

1:18:38.840 --> 1:18:41.920
<v Speaker 1>the show. Lola has an idea though, Wow, thanks Lola

1:18:41.960 --> 1:18:44.320
<v Speaker 1>for coming up with a great idea. Marisol can join

1:18:44.360 --> 1:18:47.080
<v Speaker 1>the group and they won't be I know what it's

1:18:47.080 --> 1:18:48.800
<v Speaker 1>like they have. She had a plan. They won't be

1:18:48.800 --> 1:18:52.360
<v Speaker 1>the Cheetah Girls anymore. They'll be amateurs again. Galeria isn't sold.

1:18:52.600 --> 1:18:54.280
<v Speaker 1>Marisol doesn't know any of the songs that she sings

1:18:54.320 --> 1:18:58.479
<v Speaker 1>in Spanish, but Marisol reminds them Chanelle does know some

1:18:58.560 --> 1:19:01.960
<v Speaker 1>of her songs, says she isn't performing without her girls,

1:19:02.000 --> 1:19:04.160
<v Speaker 1>thank you, But Galeria doesn't want them to have gone

1:19:04.200 --> 1:19:06.360
<v Speaker 1>all the way to Barcelona for nothing. The Cheetah Girls

1:19:06.360 --> 1:19:09.479
<v Speaker 1>should have some representation on that stage. The girls all agree,

1:19:09.520 --> 1:19:13.240
<v Speaker 1>and Chanelle's whisked away now an official duo with Marisol

1:19:14.040 --> 1:19:16.719
<v Speaker 1>back at Luke's. Dorothea reminds the girl she knew Lola

1:19:16.800 --> 1:19:19.519
<v Speaker 1>was trouble this entire time, as did. I wanted to

1:19:19.520 --> 1:19:21.400
<v Speaker 1>ask Luke if there's anything he can do, you know,

1:19:21.520 --> 1:19:23.680
<v Speaker 1>as a very rich person, but he says no. The

1:19:23.720 --> 1:19:26.400
<v Speaker 1>girls still want everyone there to support Chanelle. But some

1:19:26.520 --> 1:19:29.120
<v Speaker 1>good news. Luke reveals that he and Juanita will be

1:19:29.120 --> 1:19:31.559
<v Speaker 1>living in New York, so Chanelle doesn't have to move

1:19:31.600 --> 1:19:34.120
<v Speaker 1>and she won't miss her senior year and possibly a

1:19:34.160 --> 1:19:37.519
<v Speaker 1>third film. But most importantly, the Cheetah Girls can stay together.

1:19:37.840 --> 1:19:40.479
<v Speaker 1>And with that, Galeria says, there's only one thing left

1:19:40.479 --> 1:19:42.719
<v Speaker 1>to do. They go to the Dancing Cat and return

1:19:42.760 --> 1:19:45.160
<v Speaker 1>the money to the owner over the principle of it

1:19:45.479 --> 1:19:49.080
<v Speaker 1>and hiding in the shadows. Boooo is that huge little

1:19:49.120 --> 1:19:51.960
<v Speaker 1>flirt on Kel and his guitar. He sees them leave.

1:19:53.000 --> 1:19:55.000
<v Speaker 1>Now it's the night of the competition and Channel is

1:19:55.040 --> 1:19:58.000
<v Speaker 1>practicing with Marisol as the Cheetahs watch on. Then the

1:19:58.040 --> 1:20:00.360
<v Speaker 1>festival director returns. He wants to know what the Cheetah

1:20:00.360 --> 1:20:02.639
<v Speaker 1>girls are even doing here. They're about to see themselves

1:20:02.640 --> 1:20:05.040
<v Speaker 1>out when he reveals a reliable source told them that

1:20:05.160 --> 1:20:08.559
<v Speaker 1>Lola was the one who arranged for the Dancing Cat

1:20:08.640 --> 1:20:10.840
<v Speaker 1>to pay the girls. She of course denies it, but

1:20:10.880 --> 1:20:13.759
<v Speaker 1>he says his nephew told him, and his secret nephew

1:20:13.880 --> 1:20:18.599
<v Speaker 1>is and because of this, the Cheetah Girls are allowed

1:20:18.600 --> 1:20:21.240
<v Speaker 1>to perform. Marisol has also had enough of her conniving

1:20:21.240 --> 1:20:25.160
<v Speaker 1>mom and storms off, leaving her future completely and totally murky.

1:20:25.680 --> 1:20:27.800
<v Speaker 1>And that's time for the big contest. The Princess of

1:20:27.840 --> 1:20:30.519
<v Speaker 1>Barcelona is announced, but Marisol never comes out on stage.

1:20:30.560 --> 1:20:33.240
<v Speaker 1>She's at the catering eating what looks like an amazing

1:20:33.320 --> 1:20:38.160
<v Speaker 1>looks like it's a whole churro, bars, chocol Oh, that's

1:20:38.160 --> 1:20:41.760
<v Speaker 1>where I would have been too. I don't know, well,

1:20:41.760 --> 1:20:43.680
<v Speaker 1>that's where I would have been to. I don't need

1:20:43.720 --> 1:20:45.479
<v Speaker 1>to perform. Just give me a big thing at chiros

1:20:45.520 --> 1:20:48.479
<v Speaker 1>and chocolate and I am absolutely fine. And that's a

1:20:48.479 --> 1:20:50.519
<v Speaker 1>good thing because her mom never lets her enjoy these things.

1:20:50.800 --> 1:20:52.920
<v Speaker 1>That leaves only the final act. Straight from New York

1:20:52.920 --> 1:20:56.559
<v Speaker 1>City and Texas, it's the Cheetah Girls. Angel Galleria's new

1:20:56.560 --> 1:20:58.920
<v Speaker 1>boy toy has joined them with his guitar, and the

1:20:58.960 --> 1:21:01.799
<v Speaker 1>sketches have come to life now, ranging from festive Matador

1:21:01.840 --> 1:21:04.280
<v Speaker 1>to bright kind of Carmen San Diego. The girls are

1:21:04.280 --> 1:21:07.120
<v Speaker 1>performing a new song, Amiga's Cheetahs, the perfect way to

1:21:07.120 --> 1:21:10.320
<v Speaker 1>celebrate in Spain. It's an anthem about friendship and overcoming

1:21:10.360 --> 1:21:13.600
<v Speaker 1>obstacles together. This is a big number now. Sabrina Was

1:21:13.640 --> 1:21:16.240
<v Speaker 1>this the hardest one to do in the movie?

1:21:16.680 --> 1:21:20.360
<v Speaker 2>I mean, dance wise, no, but this was a night shoot,

1:21:20.400 --> 1:21:25.040
<v Speaker 2>so we were filming really late, I mean literally trying

1:21:25.080 --> 1:21:28.960
<v Speaker 2>to beat out the sun coming up like it was.

1:21:28.960 --> 1:21:30.360
<v Speaker 1>Was this one night or did you do it over

1:21:30.439 --> 1:21:31.080
<v Speaker 1>multiple nights?

1:21:31.200 --> 1:21:33.000
<v Speaker 2>We did it a couple nights. We had a couple

1:21:33.000 --> 1:21:34.800
<v Speaker 2>I think it was probably like three or four nights

1:21:34.800 --> 1:21:39.120
<v Speaker 2>that we had when we did any of the night stuff. Well,

1:21:39.240 --> 1:21:41.360
<v Speaker 2>this was no because when we were in Sieches is

1:21:41.360 --> 1:21:43.240
<v Speaker 2>when we did It's Over, which is obviously a night

1:21:43.240 --> 1:21:47.720
<v Speaker 2>shoot as well. But this one was tough because it

1:21:47.800 --> 1:21:50.240
<v Speaker 2>was I mean, it was doing it over and over

1:21:50.360 --> 1:21:52.080
<v Speaker 2>and over. This is a big number, you know, and

1:21:52.160 --> 1:21:57.080
<v Speaker 2>Kenny was in full blast, like I'm sure just creator

1:21:57.200 --> 1:22:00.559
<v Speaker 2>just insane mode of just wanting his visuals everything he

1:22:00.600 --> 1:22:03.040
<v Speaker 2>was doing. He was like again again again, you know,

1:22:03.080 --> 1:22:05.640
<v Speaker 2>and we're like, all right, all right, here we go. Man.

1:22:05.760 --> 1:22:07.680
<v Speaker 2>It was just it was it was hard because we

1:22:07.720 --> 1:22:09.840
<v Speaker 2>wanted to make sure Kenny got everything that he felt

1:22:09.880 --> 1:22:11.479
<v Speaker 2>he needed before the sun came up.

1:22:11.560 --> 1:22:14.240
<v Speaker 1>Yeah, it makes sense. And then there's a big surprise.

1:22:14.439 --> 1:22:17.520
<v Speaker 1>The Cheetahs are joined on stage by their new Amiga Marisol.

1:22:17.920 --> 1:22:20.080
<v Speaker 1>The crowd goes nuts for their hometown hero, and we

1:22:20.120 --> 1:22:23.040
<v Speaker 1>have a fifth honorary cheetaht well sixth if you count me.

1:22:23.680 --> 1:22:26.400
<v Speaker 1>They're also joined by honky drummers and the festival director

1:22:26.439 --> 1:22:28.799
<v Speaker 1>who's wailing on a trumpet for absolutely no reason whatsoever.

1:22:29.160 --> 1:22:32.439
<v Speaker 1>Durinda's dance partner is Jaquen at cender stage, and even

1:22:32.520 --> 1:22:34.720
<v Speaker 1>Lola is feeling it in the audience. All of our

1:22:34.760 --> 1:22:36.719
<v Speaker 1>main characters take a bout, with the Cheetah Girls dancing

1:22:36.720 --> 1:22:38.280
<v Speaker 1>into the crowd. A lot of extras here, then the

1:22:38.320 --> 1:22:44.760
<v Speaker 1>credits roll. Hold the on, I've now been here for

1:22:45.280 --> 1:22:55.280
<v Speaker 1>ninety seven minutes. Who won the contest? I watched all

1:22:55.320 --> 1:22:59.280
<v Speaker 1>the credits. I'm like, they're obviously gonna show us something.

1:22:59.640 --> 1:23:03.600
<v Speaker 2>I'm so sorry. That's not even art because in the

1:23:03.680 --> 1:23:07.160
<v Speaker 2>DVD at that time, the d coms had a DVD

1:23:08.240 --> 1:23:10.559
<v Speaker 2>exclusive like extra scene.

1:23:10.840 --> 1:23:13.320
<v Speaker 1>Sure wasn't explaining the whole film.

1:23:16.400 --> 1:23:17.280
<v Speaker 2>It was the wedding.

1:23:17.720 --> 1:23:19.719
<v Speaker 1>I was just gonna say, okay, so we found online,

1:23:19.720 --> 1:23:22.240
<v Speaker 1>you have to you just confirmed an alternate ending exists,

1:23:22.240 --> 1:23:25.160
<v Speaker 1>not including the main broadcast. It features Janeda and Luke's

1:23:25.160 --> 1:23:27.599
<v Speaker 1>wedding with the Cheetah Girls singing cherish the moment during

1:23:27.600 --> 1:23:30.120
<v Speaker 1>the summer during the ceremony, not really.

1:23:29.920 --> 1:23:33.000
<v Speaker 2>An alternate it was like an additional extra scene.

1:23:33.160 --> 1:23:36.600
<v Speaker 1>Were they singing it as the winners of the contest,

1:23:36.760 --> 1:23:41.120
<v Speaker 1>because I still don't know, God.

1:23:41.120 --> 1:23:44.559
<v Speaker 2>We were, I know, I thought the same thing as like, wait,

1:23:45.720 --> 1:23:49.880
<v Speaker 2>we didn't even know, Like they didn't even say if

1:23:49.920 --> 1:23:52.280
<v Speaker 2>we want or not? No, I mean, no idea we did.

1:23:52.520 --> 1:23:54.240
<v Speaker 1>I don't think that's clear. I think the first guy

1:23:54.280 --> 1:23:57.160
<v Speaker 1>with the DJ who was doing the singing, that's the

1:23:57.200 --> 1:24:00.519
<v Speaker 1>guy who won DJ. That's the guy who won DJ.

1:24:00.640 --> 1:24:02.760
<v Speaker 1>Whatever the hell. Oh, I couldn't believe it. I was

1:24:02.800 --> 1:24:04.720
<v Speaker 1>like ninety seven minutes and I still don't know who

1:24:04.760 --> 1:24:10.639
<v Speaker 1>won the damn contest. Anyway. That is Cheetah Girls too.

1:24:10.760 --> 1:24:13.519
<v Speaker 1>And it's time for real reviews and I get the

1:24:13.560 --> 1:24:16.400
<v Speaker 1>five star review. I'm very excited. This is from little

1:24:16.479 --> 1:24:20.280
<v Speaker 1>Miss Pink, Little Miss Pink, and here we go five

1:24:20.320 --> 1:24:23.160
<v Speaker 1>star review. Anyone who wants to be incredibly rude about

1:24:23.160 --> 1:24:25.759
<v Speaker 1>this movie can just be quiet. I am a twelve

1:24:25.800 --> 1:24:27.920
<v Speaker 1>going on thirteen year old girl and I loved it.

1:24:28.360 --> 1:24:31.360
<v Speaker 1>People being incredibly rude about this movie are forty seven

1:24:31.680 --> 1:24:34.040
<v Speaker 1>and too old to be watching it. Anyway, I have

1:24:34.120 --> 1:24:36.479
<v Speaker 1>a projector, and I dance and sing along with this

1:24:36.560 --> 1:24:39.559
<v Speaker 1>movie every day. I am a smart twelve going on

1:24:39.640 --> 1:24:42.320
<v Speaker 1>thirteen year old girl, So as far as I'm concerned,

1:24:42.439 --> 1:24:45.800
<v Speaker 1>you can be quiet from a very annoyed twelve going

1:24:45.840 --> 1:24:48.920
<v Speaker 1>on thirteen year old. I just wonder how old she was.

1:24:49.160 --> 1:24:52.000
<v Speaker 1>I know, I'm not sure that's five stars, Sabrina, You've

1:24:52.040 --> 1:24:53.519
<v Speaker 1>got the one star, which I think is.

1:24:53.640 --> 1:24:56.080
<v Speaker 2>I I'm gonna Nita. Is that feces?

1:24:56.240 --> 1:24:57.960
<v Speaker 1>It is? It? Absolutely is?

1:24:58.200 --> 1:25:02.800
<v Speaker 2>I was hoping not, but okay, Uh, this one star

1:25:03.080 --> 1:25:11.200
<v Speaker 2>coming from walking maybe walking chin woke wo chin it FECs, dude,

1:25:11.680 --> 1:25:14.440
<v Speaker 2>It feces, dude.

1:25:15.800 --> 1:25:23.639
<v Speaker 1>That's it. That's literally walk in. Uh for our feature today,

1:25:24.400 --> 1:25:27.439
<v Speaker 1>Sabrina's favorite part of the program. Uh. For the big sequel.

1:25:27.479 --> 1:25:29.160
<v Speaker 1>Here the Cheetah girls traveling.

1:25:28.720 --> 1:25:31.719
<v Speaker 2>To get a break, not get no damn not.

1:25:31.600 --> 1:25:34.280
<v Speaker 1>Even not even on your own movie, not even on

1:25:34.320 --> 1:25:36.960
<v Speaker 1>your own movie the Cheetahs. The Cheetah travel to Spain

1:25:37.000 --> 1:25:39.200
<v Speaker 1>to compete in the talent show. No nobody knows who wins,

1:25:39.240 --> 1:25:41.479
<v Speaker 1>but they do. To honor their travels, we will be

1:25:41.560 --> 1:25:44.040
<v Speaker 1>given five cities and have to decide whether they're in

1:25:44.160 --> 1:25:49.440
<v Speaker 1>Spain or the last name of a major League baseball player. Oh,

1:25:49.520 --> 1:25:52.360
<v Speaker 1>I don't know cities in Spain or baseball. So here

1:25:52.800 --> 1:25:56.519
<v Speaker 1>we go. Number one, Morella.

1:25:59.200 --> 1:26:01.680
<v Speaker 2>I'm gonna, I'm gonna that's a city because I feel like,

1:26:02.240 --> 1:26:03.759
<v Speaker 2>isn't there like a cheese brand?

1:26:04.160 --> 1:26:05.240
<v Speaker 1>Well that's mozzarella.

1:26:05.720 --> 1:26:07.479
<v Speaker 2>No, no, there's like a brand.

1:26:07.680 --> 1:26:10.320
<v Speaker 1>Oh I'm gonna I'm going to do something really stupid

1:26:10.320 --> 1:26:13.240
<v Speaker 1>and stick with you though and say it's also from Spain.

1:26:13.680 --> 1:26:16.759
<v Speaker 2>Yeah, it is a city in the Valencia region.

1:26:17.240 --> 1:26:19.960
<v Speaker 1>Ha, so we got it. Wow, Producer Jensen, you sound

1:26:19.960 --> 1:26:25.800
<v Speaker 1>different today. Number two. I think it's pronounced bisa be

1:26:26.080 --> 1:26:29.320
<v Speaker 1>a easy a b Yeah, b a easy a.

1:26:29.479 --> 1:26:33.080
<v Speaker 2>Besa thinking instantly a biza, which is right?

1:26:33.280 --> 1:26:35.960
<v Speaker 1>Which is different? I think he's doing this one to

1:26:36.000 --> 1:26:36.320
<v Speaker 1>throw us.

1:26:36.360 --> 1:26:38.639
<v Speaker 2>I'm gonna say baseball player, baseball player.

1:26:38.720 --> 1:26:43.160
<v Speaker 1>Yeah, nope, it's a city, a one in one okay,

1:26:43.960 --> 1:26:47.200
<v Speaker 1>Quintana baseball player. I'm gonna say baseball player, gotta be

1:26:48.200 --> 1:26:50.519
<v Speaker 1>What do you think with will baseball.

1:26:51.800 --> 1:26:56.240
<v Speaker 4>You're both correct of the Milwaukee Brewers.

1:26:56.520 --> 1:27:01.720
<v Speaker 1>Okay, Uh, Dubon do you be o n Dubon.

1:27:03.360 --> 1:27:03.679
<v Speaker 2>City?

1:27:03.760 --> 1:27:04.759
<v Speaker 1>City city?

1:27:05.439 --> 1:27:06.519
<v Speaker 2>That's a baseball player?

1:27:06.760 --> 1:27:13.240
<v Speaker 1>Ah? ASTs Okay, so we're what we're two, right, one. Wrong, No,

1:27:14.320 --> 1:27:16.719
<v Speaker 1>two and two. We're two and two. So here here's

1:27:16.760 --> 1:27:20.880
<v Speaker 1>our last one. De Roka City, I'm going with City.

1:27:21.479 --> 1:27:24.839
<v Speaker 2>I'm gonna go with baseball player. Will wins this one.

1:27:27.000 --> 1:27:31.080
<v Speaker 1>So close, so close? All right, now we are going

1:27:31.160 --> 1:27:34.920
<v Speaker 1>to be doing some more. Do you have more? Sabrina sees.

1:27:38.120 --> 1:27:40.639
<v Speaker 2>I think just like kind of highlighting a little bit

1:27:40.640 --> 1:27:45.280
<v Speaker 2>on list please. We talked about it in the beginning,

1:27:45.320 --> 1:27:50.040
<v Speaker 2>like the fashion, Like I really loved that. Deborah Martin,

1:27:50.120 --> 1:27:55.479
<v Speaker 2>Chase and Kenny We're just really adamant on because the

1:27:55.600 --> 1:27:59.200
<v Speaker 2>channel was really wanting to introduce this new culture, you know,

1:27:59.320 --> 1:28:04.679
<v Speaker 2>to to the fans. They weren't out in Spain yet

1:28:04.720 --> 1:28:06.960
<v Speaker 2>Disney Channels, so this was like a big deal of

1:28:07.000 --> 1:28:10.839
<v Speaker 2>really wanting to bring smart so much more stuff, the food,

1:28:11.080 --> 1:28:15.760
<v Speaker 2>you know, and but mainly wanting to look and show

1:28:15.920 --> 1:28:19.000
<v Speaker 2>that the fashion. And I loved that, like the end

1:28:19.120 --> 1:28:22.439
<v Speaker 2>routines that what we end up wearing shows a lot

1:28:22.439 --> 1:28:26.080
<v Speaker 2>of that Spanish fashion, but it's also in like kimono

1:28:26.200 --> 1:28:29.000
<v Speaker 2>and like the fabrics that you see throughout the movie.

1:28:29.080 --> 1:28:31.920
<v Speaker 2>It's like it's it's everywhere, and I loved it. Even

1:28:32.320 --> 1:28:36.080
<v Speaker 2>for me. I saw the little bag that I had

1:28:36.560 --> 1:28:40.599
<v Speaker 2>it's literally like a mini sweatshirt with long arms that

1:28:40.640 --> 1:28:42.760
<v Speaker 2>you tie at the top. But that's what like all

1:28:42.800 --> 1:28:45.040
<v Speaker 2>the girls were using. It's a bat in the hoodie

1:28:45.360 --> 1:28:47.400
<v Speaker 2>is the top part that goes over your bag?

1:28:47.520 --> 1:28:48.240
<v Speaker 1>Do you still have that?

1:28:49.120 --> 1:28:52.559
<v Speaker 2>No, it got trashed. I used it so much in

1:28:52.600 --> 1:28:55.080
<v Speaker 2>the movie and then also brought it home and used it,

1:28:55.720 --> 1:28:59.080
<v Speaker 2>and but yeah, that was like something that all the

1:28:59.080 --> 1:29:02.679
<v Speaker 2>girls were wearing. So we really like tried to start

1:29:02.720 --> 1:29:05.400
<v Speaker 2>embracing and using a lot of that stuff within the movie,

1:29:05.400 --> 1:29:10.120
<v Speaker 2>which I really loved. And even just our final outfits obviously,

1:29:10.200 --> 1:29:13.639
<v Speaker 2>like not just Ravens who had her big long train,

1:29:13.840 --> 1:29:17.760
<v Speaker 2>but like the delicate, like the ballero looking outfits that

1:29:17.800 --> 1:29:19.639
<v Speaker 2>we wore and tried to have them like as a

1:29:19.720 --> 1:29:22.519
<v Speaker 2>mix and a hybrid of the outfits that we would

1:29:22.560 --> 1:29:27.200
<v Speaker 2>wear normally. And then of course obviously the dancing. I

1:29:27.280 --> 1:29:30.080
<v Speaker 2>loved that. Kenny really wanted to do the mash of

1:29:30.680 --> 1:29:32.800
<v Speaker 2>seeing what we did as like kind of hip hop

1:29:32.880 --> 1:29:36.680
<v Speaker 2>dancers along with the Latin style and migas Cheetahs did it.

1:29:36.720 --> 1:29:38.960
<v Speaker 2>But you actually get a first look at it in

1:29:39.120 --> 1:29:42.040
<v Speaker 2>when it's me and walking dancing and we're doing, you know,

1:29:42.120 --> 1:29:45.240
<v Speaker 2>our tango, but yeah, like it breaks into me teaching

1:29:45.360 --> 1:29:48.920
<v Speaker 2>him some hip hop dancing. So I just I loved

1:29:48.960 --> 1:29:52.280
<v Speaker 2>that I watching this movie back, it like kept going.

1:29:53.040 --> 1:29:56.280
<v Speaker 2>I kept seeing like and remembering all of the talks,

1:29:56.360 --> 1:29:58.760
<v Speaker 2>all of the development, all of the things that like,

1:29:58.840 --> 1:30:01.519
<v Speaker 2>this was not a movie in which I feel like

1:30:01.720 --> 1:30:03.920
<v Speaker 2>compared to the first movie, of course, it was more

1:30:03.960 --> 1:30:06.400
<v Speaker 2>so about just kind of laying a foundation of the

1:30:06.479 --> 1:30:11.200
<v Speaker 2>Cheetah the girl power essence through this girl group where

1:30:11.280 --> 1:30:14.800
<v Speaker 2>the Cheetahs came from, you know, building that who are

1:30:14.880 --> 1:30:17.120
<v Speaker 2>all of our different backgrounds, We all come from different

1:30:17.120 --> 1:30:20.519
<v Speaker 2>places and have different storylines versus. This one was really

1:30:20.600 --> 1:30:24.320
<v Speaker 2>about like the evolution of our characters, but also like

1:30:24.520 --> 1:30:27.640
<v Speaker 2>really developing like and bringing in this new culture. And

1:30:27.680 --> 1:30:32.320
<v Speaker 2>I just remembered like everything about this movie was picked through,

1:30:32.640 --> 1:30:36.040
<v Speaker 2>thought about, over many talks, and I just I was

1:30:36.120 --> 1:30:38.479
<v Speaker 2>so proud of like what it ended up being now

1:30:38.479 --> 1:30:42.400
<v Speaker 2>that I've seen so many other D coms, Like for me,

1:30:42.479 --> 1:30:47.320
<v Speaker 2>it was just like, Wow, all of those conversations kept

1:30:47.360 --> 1:30:49.479
<v Speaker 2>coming back to me and going we didn't just like

1:30:49.720 --> 1:30:52.040
<v Speaker 2>throw a movie, oh a second movie and just throw

1:30:52.040 --> 1:30:54.800
<v Speaker 2>it out. It was so intricately thought of and it

1:30:54.840 --> 1:30:57.000
<v Speaker 2>was really fun to see and then my last one

1:30:57.040 --> 1:31:00.280
<v Speaker 2>is everyone for all of my High School Musical of

1:31:00.479 --> 1:31:04.040
<v Speaker 2>fans out there who know Chucky see him in you know,

1:31:04.080 --> 1:31:07.080
<v Speaker 2>he helped choreograph and do everything with High School Musical,

1:31:07.080 --> 1:31:09.519
<v Speaker 2>but he was in a lot of those major dance scenes.

1:31:09.880 --> 1:31:13.080
<v Speaker 2>Chucky wasn't in any anything for us. However, he does

1:31:13.120 --> 1:31:15.920
<v Speaker 2>make a cameo when we first go into the Dancing

1:31:16.000 --> 1:31:18.759
<v Speaker 2>cat He's like, he looked like when we get stopped

1:31:18.840 --> 1:31:21.040
<v Speaker 2>kind of for us to check get checked, and there's

1:31:21.040 --> 1:31:23.400
<v Speaker 2>like a vip that goes, yeah, you see Chucky with

1:31:23.439 --> 1:31:26.840
<v Speaker 2>the fedora and that's him walking. Okay, little celebrity, and

1:31:26.880 --> 1:31:29.679
<v Speaker 2>that's the little kind of I love that, Like Chucky

1:31:29.760 --> 1:31:32.800
<v Speaker 2>did make his little cameo because he definitely deserved it.

1:31:32.840 --> 1:31:35.080
<v Speaker 2>He worked his butt off on this movie, and so

1:31:35.200 --> 1:31:38.559
<v Speaker 2>much of the choreography was a mix of him and Kenny,

1:31:38.560 --> 1:31:42.200
<v Speaker 2>and I loved seeing all of Chucky's work again just

1:31:42.280 --> 1:31:43.320
<v Speaker 2>kind of come to life.

1:31:43.640 --> 1:31:45.599
<v Speaker 1>That's sweet. Well, thank you very much. Now, of course

1:31:45.600 --> 1:31:47.120
<v Speaker 1>we come to the part of our program where we

1:31:47.200 --> 1:31:49.759
<v Speaker 1>have to rate the film. We just saw.

1:31:51.040 --> 1:31:51.639
<v Speaker 2>The options.

1:31:51.680 --> 1:31:53.360
<v Speaker 1>One of the options. This week we're gonna do one

1:31:53.360 --> 1:31:56.680
<v Speaker 1>out of ten Divas and Diapers again, one out of ten.

1:31:56.720 --> 1:31:57.880
<v Speaker 1>I think is the best way to do it. Let's

1:31:57.880 --> 1:32:00.200
<v Speaker 1>do that for this one for sure. One ten and

1:32:00.240 --> 1:32:04.160
<v Speaker 1>diapers one out of ten. Barcelona's in a day, Spanish mamas,

1:32:04.840 --> 1:32:10.080
<v Speaker 1>mountaintop meetings, Luke tapas one out of ten, huge beautiful buildings,

1:32:10.520 --> 1:32:13.120
<v Speaker 1>one at a ten, Chanel's faults, one out of ten,

1:32:13.240 --> 1:32:16.559
<v Speaker 1>secret nephews, one out of ten festive matadors, or one

1:32:16.600 --> 1:32:20.600
<v Speaker 1>out of ten trumpet playing festival directors. I'd also like

1:32:20.640 --> 1:32:22.880
<v Speaker 1>to add one out of ten. We never find out

1:32:22.880 --> 1:32:25.800
<v Speaker 1>who actually wins the competition. I'm gonna let you pick,

1:32:25.840 --> 1:32:27.479
<v Speaker 1>since this is your movie and I have to pick first.

1:32:27.520 --> 1:32:28.479
<v Speaker 1>What do you want? Big?

1:32:28.600 --> 1:32:36.439
<v Speaker 2>Oh gosh, I think I'm gonna do one out of ten?

1:32:36.520 --> 1:32:37.559
<v Speaker 2>Strut like you mean it?

1:32:38.080 --> 1:32:41.519
<v Speaker 1>Yeah, yes, you mean one of ten, strut like you

1:32:41.560 --> 1:32:45.519
<v Speaker 1>mean it. Well, okay, it is my turn to rate. Yes, okay, Sabrina.

1:32:45.600 --> 1:32:49.800
<v Speaker 1>Now you know I have to watch this as just

1:32:49.840 --> 1:32:51.519
<v Speaker 1>a person watching a movie. I can't watch it as

1:32:51.560 --> 1:32:53.640
<v Speaker 1>your friend or any of that kind of stuff. I

1:32:53.640 --> 1:32:55.479
<v Speaker 1>have to watch it as a person watching the movie. Okay,

1:32:56.600 --> 1:32:59.280
<v Speaker 1>that one, the one song with the wind in your

1:32:59.320 --> 1:33:02.080
<v Speaker 1>hair much, it's too much. I would have cut that

1:33:02.080 --> 1:33:05.599
<v Speaker 1>song not knowing who won. That's not good.

1:33:06.120 --> 1:33:06.800
<v Speaker 2>That's not good.

1:33:07.560 --> 1:33:10.800
<v Speaker 1>That being said, I loved this movie. I did. I

1:33:10.880 --> 1:33:13.320
<v Speaker 1>loved this movie. Sue and I had so much fun

1:33:13.360 --> 1:33:17.559
<v Speaker 1>watching this last night. The city is beautiful, the music

1:33:17.720 --> 1:33:23.880
<v Speaker 1>is great, you're all engaging, Raven is hysterical, You're all.

1:33:24.320 --> 1:33:27.360
<v Speaker 1>We loved it. Seriously, I loved this movie. I really did. Wow,

1:33:27.520 --> 1:33:30.400
<v Speaker 1>this could have been another close to ten if not

1:33:30.520 --> 1:33:34.280
<v Speaker 1>for those two things. Because its per It's Disney Channel elevated,

1:33:34.280 --> 1:33:36.000
<v Speaker 1>which is what we love. It's they didn't just do

1:33:36.040 --> 1:33:40.559
<v Speaker 1>a regular Disney channel. Even with its faults. I'm still

1:33:40.600 --> 1:33:45.080
<v Speaker 1>gonna give Cheetah Girls two nine strut like is a

1:33:45.120 --> 1:33:47.479
<v Speaker 1>strut like you mean it? Y nine strut like you

1:33:47.520 --> 1:33:49.400
<v Speaker 1>mean it? And I don't think I'm being biased because

1:33:49.400 --> 1:33:52.240
<v Speaker 1>you're my friend again. Sat there watched Us with my

1:33:52.280 --> 1:33:55.920
<v Speaker 1>wife last night, and we both had a blast. We

1:33:55.920 --> 1:33:58.200
<v Speaker 1>were like every time the guy on Hell showed up,

1:33:58.200 --> 1:34:00.800
<v Speaker 1>it was funny and it was like not supposed to be,

1:34:00.800 --> 1:34:03.759
<v Speaker 1>but we still we had We fully enjoyed the ninety

1:34:03.760 --> 1:34:06.280
<v Speaker 1>seven minutes. It was seven minutes too long, that one song,

1:34:06.360 --> 1:34:08.720
<v Speaker 1>but it was a great dcom it really was, and

1:34:08.760 --> 1:34:10.200
<v Speaker 1>you're right, it was better than the first one, and

1:34:10.240 --> 1:34:12.679
<v Speaker 1>I liked the first one, So this is a great movie.

1:34:12.720 --> 1:34:16.880
<v Speaker 1>I'm very very confident in giving this nine strut, like, wow,

1:34:18.200 --> 1:34:18.800
<v Speaker 1>this is a great one.

1:34:19.560 --> 1:34:23.360
<v Speaker 2>That is unreal. I wasn't expecting that, Well, this is

1:34:23.360 --> 1:34:23.840
<v Speaker 2>a great movie.

1:34:23.920 --> 1:34:25.320
<v Speaker 1>Had a ton of fun watching this film.

1:34:25.960 --> 1:34:30.479
<v Speaker 2>Like I said, I this again, this is my favorite movie.

1:34:30.520 --> 1:34:34.559
<v Speaker 2>But it wasn't that because I of the movie comparing

1:34:34.600 --> 1:34:37.679
<v Speaker 2>the actual movies. It was my experience in of course

1:34:37.800 --> 1:34:41.040
<v Speaker 2>in Barcelona that was like what I think most people

1:34:41.120 --> 1:34:44.759
<v Speaker 2>can like go like they're they're semester of studying abroad,

1:34:45.000 --> 1:34:48.320
<v Speaker 2>or they're like awesome summer trip they took with their

1:34:48.439 --> 1:34:51.719
<v Speaker 2>college girlfriends, and like this was it for me because

1:34:51.760 --> 1:34:54.400
<v Speaker 2>I didn't get that because I was working. This was

1:34:54.439 --> 1:34:57.640
<v Speaker 2>really it for me, and so I already knew I

1:34:57.720 --> 1:35:01.200
<v Speaker 2>loved like just I was excited to like have a

1:35:01.400 --> 1:35:03.599
<v Speaker 2>trip through memory lane of like all of our fun

1:35:03.640 --> 1:35:06.479
<v Speaker 2>trips and stuff that we did. But now that I've

1:35:06.520 --> 1:35:10.960
<v Speaker 2>watched so many dcoms and have seen you know the

1:35:11.040 --> 1:35:13.280
<v Speaker 2>ones that are just kind of you know, take it

1:35:13.400 --> 1:35:14.960
<v Speaker 2>or leave it, you know, the ones that are just

1:35:15.080 --> 1:35:17.880
<v Speaker 2>a movie, like how we say, not bad, just a movie,

1:35:18.320 --> 1:35:20.160
<v Speaker 2>And then the ones that have blown my mind, like

1:35:20.200 --> 1:35:24.200
<v Speaker 2>the Descendants, the the you know, the movies, the zombies. Like,

1:35:24.880 --> 1:35:29.360
<v Speaker 2>now that I've seen that, I really was imagining I

1:35:29.439 --> 1:35:31.519
<v Speaker 2>was going to be picking this apart, and I just

1:35:31.600 --> 1:35:34.519
<v Speaker 2>kept going, this was done so well.

1:35:34.560 --> 1:35:35.639
<v Speaker 1>It is, It's good.

1:35:36.000 --> 1:35:41.200
<v Speaker 2>The movie was great. The our our artistic director and

1:35:41.680 --> 1:35:45.360
<v Speaker 2>like our ad was just unreal. He was so good

1:35:45.479 --> 1:35:50.160
<v Speaker 2>and so mediculous. Kenny did his thing. Deborah, I swear

1:35:50.280 --> 1:35:54.439
<v Speaker 2>she was just I couldn't imagine having anyone better than

1:35:54.439 --> 1:35:57.040
<v Speaker 2>Deborah Martin Chase because she was such a warrior for

1:35:57.200 --> 1:36:00.240
<v Speaker 2>us as as as artists for what we were wanting

1:36:00.280 --> 1:36:02.000
<v Speaker 2>to do in the future with the Cheetah girls, Like

1:36:02.040 --> 1:36:05.040
<v Speaker 2>she just had a big picture the whole time, and

1:36:05.320 --> 1:36:08.439
<v Speaker 2>it was like finally developing. We were hitting our stride

1:36:08.560 --> 1:36:10.640
<v Speaker 2>and you can see it in this movie. Everything was

1:36:10.680 --> 1:36:13.680
<v Speaker 2>elevated and it was really I was really proud to

1:36:13.720 --> 1:36:16.000
<v Speaker 2>watch it last night. I couldn't believe it have been

1:36:16.280 --> 1:36:18.720
<v Speaker 2>were because I was thinking, now that I've seen Descendance

1:36:18.760 --> 1:36:21.559
<v Speaker 2>like all these like new gen D coms, that it

1:36:21.600 --> 1:36:24.000
<v Speaker 2>wasn't gonna hold up, and I feel like it did,

1:36:24.080 --> 1:36:27.120
<v Speaker 2>and I'm kind of like, well, that's probably not the

1:36:27.160 --> 1:36:29.280
<v Speaker 2>greatest thing to say. But because I was in it,

1:36:29.320 --> 1:36:31.920
<v Speaker 2>but I felt like it really held up and I

1:36:32.000 --> 1:36:34.439
<v Speaker 2>was proud of it. I'm gonna go ahead and also

1:36:34.479 --> 1:36:38.920
<v Speaker 2>give it a nine. Yeahh like you mean it, because wow,

1:36:39.040 --> 1:36:42.360
<v Speaker 2>it was so such a gorgeous movie and it was

1:36:42.640 --> 1:36:45.400
<v Speaker 2>where we were and everything. It just it was. It

1:36:45.479 --> 1:36:48.160
<v Speaker 2>was awesome. I felt like this was Cheetahs at its fineness.

1:36:48.240 --> 1:36:48.960
<v Speaker 2>It was so great.

1:36:49.200 --> 1:36:52.320
<v Speaker 1>Well, I thoroughly enjoyed it. Thank you so much. We'll

1:36:52.320 --> 1:36:54.320
<v Speaker 1>see about if we enjoy our next movie. Because our

1:36:54.320 --> 1:36:56.479
<v Speaker 1>next movie is one I've also been waiting for. It's

1:36:56.520 --> 1:36:59.120
<v Speaker 1>nineteen ninety nine's comedy drama starring two of my pals

1:36:59.120 --> 1:37:02.320
<v Speaker 1>and two pals from the show, Oh Joey and Andy Lawrence.

1:37:02.600 --> 1:37:04.960
<v Speaker 1>The movie is called Horse Sense. It's currently available to

1:37:04.960 --> 1:37:07.679
<v Speaker 1>stream on Disney Plus. Check it out and gallop past

1:37:07.800 --> 1:37:10.000
<v Speaker 1>us in preparation for our next recap That was a

1:37:10.160 --> 1:37:12.400
<v Speaker 1>horse pun. But before we get into that, we have

1:37:12.400 --> 1:37:15.360
<v Speaker 1>a park Opper episode. This week. We're completing the trifecta

1:37:15.400 --> 1:37:19.000
<v Speaker 1>by talking to Amy Hallerin, who played Ronnie in Go Figure.

1:37:19.040 --> 1:37:22.080
<v Speaker 1>It's the third and final hockey player for Magical Rewind,

1:37:22.400 --> 1:37:25.439
<v Speaker 1>joining our talks with Tanya Gunati and Jordan Danger. So

1:37:25.640 --> 1:37:27.800
<v Speaker 1>let's hit the ice one last time and get a

1:37:27.840 --> 1:37:32.200
<v Speaker 1>little preview of what you can expect.

1:37:32.760 --> 1:37:35.720
<v Speaker 4>I hadn't seen it in years, and I have two

1:37:35.800 --> 1:37:39.759
<v Speaker 4>nephews and they had really never I haven't done TV

1:37:39.840 --> 1:37:42.439
<v Speaker 4>in like a long time, so they have not really

1:37:42.479 --> 1:37:43.799
<v Speaker 4>seen me on screen.

1:37:44.280 --> 1:37:45.360
<v Speaker 2>So when I was home.

1:37:45.200 --> 1:37:47.240
<v Speaker 4>This fall, I was like, would you guys want to

1:37:47.280 --> 1:37:49.280
<v Speaker 4>watch this hockey movie that Aunt Amy's in?

1:37:49.320 --> 1:37:51.080
<v Speaker 2>And they're like, oh, Amy's in a movie and I

1:37:51.120 --> 1:37:52.120
<v Speaker 2>was like yeah.

1:37:52.160 --> 1:37:55.479
<v Speaker 3>So we watched it together and it was so fun

1:37:55.560 --> 1:37:58.160
<v Speaker 3>to watch them watch it, and like, especially the little

1:37:58.200 --> 1:38:04.240
<v Speaker 3>one was like Amy, that's you want Amy, That's that's you.

1:38:03.600 --> 1:38:05.720
<v Speaker 1>Don't miss our very own little hat trick. Amy was

1:38:05.800 --> 1:38:08.559
<v Speaker 1>awesome And you can hear it all by searching Magical

1:38:08.640 --> 1:38:10.880
<v Speaker 1>Rewind wherever you get your podcasts and check out our

1:38:10.960 --> 1:38:13.479
<v Speaker 1>other episodes. I promise you won't regret ith you regret

1:38:13.520 --> 1:38:16.360
<v Speaker 1>some And for more info, you can follows that Magical

1:38:16.400 --> 1:38:20.720
<v Speaker 1>Rewind pod on the Instagram Machine. Now, oh, Sabrina, I

1:38:20.760 --> 1:38:22.160
<v Speaker 1>still think you slipped that guy of the tongue.

1:38:22.840 --> 1:38:40.640
<v Speaker 2>Bye Cheetah.