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Speaker 1: Yeah, I was so hoping that's what it was going

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Speaker 1: to be.

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Speaker 2: This is all I have at this point, is this

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Speaker 2: like schmock, cha smock. That's it what happened. I was

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Speaker 2: born because I wear Cheetah, and I didn't think maybe

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Speaker 2: I should hold back on wearing the cheetah on the

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Speaker 2: podcast so much because then I don't have anything else

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Speaker 2: to wear. And I have a box of all my

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Speaker 2: stuff and I've gotta find it. I've got to go

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Speaker 2: through my garage.

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Speaker 1: And you do all is because I want not to

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Speaker 1: get duck to jump ahead to this film, but I

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Speaker 1: watched it with my wife and she kept asking about

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Speaker 1: the clothes and she's like, please tell me, Sabrina still

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Speaker 1: has that jean jacket. She's like, that's the best jean

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Speaker 1: jacket I think I've ever seen in my life. So

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Speaker 1: she's hoping, I actually.

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Speaker 2: We will have to get into the clothes because that

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Speaker 2: is such a big thing. I at this point, we

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Speaker 2: were so we were doing Cheatah stuff so much that

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Speaker 2: I had like my specific stuff that I knew I liked.

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Speaker 2: It was my character Like at this point, like the characters,

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Speaker 2: like you know, styles of all of us were so

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Speaker 2: well developed that I brought a lot of my stuff

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Speaker 2: and then I never got and they were like my

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Speaker 2: favorite jeans, like and you'll see, I'll I'll point them out.

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Speaker 2: They were my favorite gene.

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Speaker 1: The ones with all the stuff going down the side.

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Speaker 2: Uh not the first set, the second, like the different

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Speaker 2: later on in the movie when we're already in Spain

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Speaker 2: and I let them patch it up and I was like,

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Speaker 2: I don't care, I will wear them like this like

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Speaker 2: later on, like these are my favorite jeans. And he

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Speaker 2: would not give them.

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Speaker 1: Back to oh he wanted.

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Speaker 2: To pay me for them. I'm like, they I can't

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Speaker 2: find them again, Like I can't.

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Speaker 1: Ah, you know.

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Speaker 2: So, But that that there's a lot of backstage kind

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Speaker 2: or behind the scenes like fashion stuff that happened within

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Speaker 2: this movie because it was so important to everyone on

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Speaker 2: board as far as where the development.

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Speaker 1: It was huge. Even I noticed it. And when I noticed,

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Speaker 1: like the costumes or just the wardrobe, you know, it's

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Speaker 1: important because I never see stuff like that. But all right,

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Speaker 1: well let's hop into it. Welcome back to Magical Rewind,

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Speaker 1: the show that makes you want to grab your friends,

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Speaker 1: your PJS, and your popcorn and go back to time

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Speaker 1: when all the houses are smart. The wave Tsunamis and

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Speaker 1: Sabrina was making out on camera. Oh man, we're gonna

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Speaker 1: get into that. I will Fordell and.

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Speaker 2: I'm Sabrina Brian.

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Speaker 1: Yes, here we go, Yes, Here we Go. A sequel

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Speaker 1: is always a big deal here on Magical Rewind. But today, people,

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Speaker 1: today it is almost a national holiday. Yes, it's time

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Speaker 1: to strut and do your own thing. We're watching two

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Speaker 1: thousand and six is The Cheetah Girls Too, a follow

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Speaker 1: up that not only became one of the channel's biggest

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Speaker 1: movies ever, it stars our beloved co host and my friend.

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Speaker 1: Are you excited?

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Speaker 2: I am excited and nervous. I just went to the

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Speaker 2: rest of you. But I feel like I gotta go again.

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Speaker 2: I'm so nervous of how you're gonna react to this one,

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Speaker 2: because again, oh no pressure. But this was one of

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Speaker 2: This was an amazing night last night rewatching this because

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Speaker 2: I just was going down a trip like I can't imagine.

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Speaker 2: This was one of our favorite things that we had

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Speaker 2: ever done. It was just amazing and it was it

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Speaker 2: was just so fun.

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Speaker 1: Okay, well, you know I can't watch it as your friend.

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Speaker 1: I have to watch it as the guy watching movies

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Speaker 1: for that's.

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Speaker 2: All I want. I want it, I want it. I'm ready.

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Speaker 1: I gotta be real as I'm watching these things. That's

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Speaker 1: all I can do. Well. First of all, you've made

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Speaker 1: it no secret that Cheetah Girls Too is your favorite

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Speaker 1: of the series. Now, did you do you remember when

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Speaker 1: you heard you were making a second one? Is it

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Speaker 1: was this when you were making the first movie. Were

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Speaker 1: they already talking about what you were going to do

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Speaker 1: the second one? Or did this come later? How did

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Speaker 1: all this work?

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Speaker 2: The first movie was going to be just another one

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Speaker 2: of the dcoms that we've seen one and done. That

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Speaker 2: was it. Six weeks out in Toronto, two weeks here

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Speaker 2: in La rehearsing, bing bang boom, got it done in

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Speaker 2: that and that was it. We didn't have a premiere

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Speaker 2: or anything like that. We I mean, we went to

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Speaker 2: like a special event and it was like exciting to

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Speaker 2: see Raven and Adrian and Keighley again when we got

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Speaker 2: to when we were at the upfronts for before the

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Speaker 2: movie came, and that was kind of it. So I

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Speaker 2: kept in touch with them, saw them here and there.

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Speaker 2: Then we were asked to do a disney Mania song.

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Speaker 2: That led into us doing a Christmas album, and then

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Speaker 2: that led us into doing a Christmas tour. And while

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Speaker 2: we were on the Christmas tour is when we started

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Speaker 2: hearing the rumblings of they want to do a Cheetah

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Speaker 2: Girls too. Wow' yes. And I remember I was I

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Speaker 2: was in college and I was working out a tanning

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Speaker 2: saloon and on my phone Deborah Martin Chase, the producer

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Speaker 2: of the movie, called was calling me and I looked

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Speaker 2: at my manager and was like, I have to take this,

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Speaker 2: Like this is the Cheetah Girls producer. I have to

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Speaker 2: take this. And she's like okay. So I go outside

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Speaker 2: and she's like, what do you think about going to Barcelona?

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Speaker 2: And I was like, oh, are you serious?

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Speaker 1: Like I have a show on tomorrow.

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Speaker 2: She goes, they want to shoot it? And I found

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Speaker 2: out they want to. They want they're trying to expand

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Speaker 2: into Spain, so we're using this opportunity to take Cheater

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Speaker 2: Girls this Barcelona.

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Speaker 1: Wow.

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Speaker 2: And I just probably, I mean, my knees went weak.

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Speaker 2: I was an Orange County girl, just like doing here

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Speaker 2: here and their things. I was not big that. I

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Speaker 2: was not expecting this. I was excited to be a

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Speaker 2: part of the channel, but this was like Holy crap,

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Speaker 2: like this is becoming something.

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Speaker 1: Bigger, big, Yeah, this is okay, So that's cool. So

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Speaker 1: for everybody out there, you have to remember the first

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Speaker 1: Cheatagirl's debut to six point five million viewers, which was

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Speaker 1: a new gold standard for any decom moving forward. So

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Speaker 1: it was a no brainer to everybody else anyway that

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Speaker 1: it would get a sequel and become a franchise, because

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Speaker 1: at this point it was like it aired, it became huge.

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Speaker 1: They knew they had to do something, and boy did

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Speaker 1: it become huge. With the tagline the Parties just begun,

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Speaker 1: this second movie went above and beyond expectations by breaking

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Speaker 1: Disney Channel's all time record for a movie with the

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Speaker 1: whopping eight point one million viewers for its premiere, dethroning

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Speaker 1: a little movie called High School Musical from the top spot,

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Speaker 1: and becoming the most watched movie in the Cheetah Girls pantheon,

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Speaker 1: which for the record, it still is today. Cheatah Girls

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Speaker 1: Too was entirely shot on location in a Barcelona Yes, Toto,

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Speaker 1: we are not in Utah anymore. Even the shots that

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Speaker 1: were supposed to take place in New York were in

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Speaker 1: fact shot in Barcelona, and it had a working title

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Speaker 1: to prove. It referred to during filming as the Cheetah

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Speaker 1: Girls when in Spain. Do you remember that Sabrina, that

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Speaker 1: being the working title of the film.

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Speaker 2: Yes, yeah, I love that's Bretta.

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Speaker 1: Barcelona. This is not Salt Lake. So, I mean, was

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Speaker 1: it just every day waking up going I can't believe

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Speaker 1: I'm sitting. Had you been there before?

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Speaker 2: Never? No, I had not been at that point. I

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Speaker 2: don't think i'd been anywhere in Europe. Okay, the farthest

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Speaker 2: i'd gone was like Cabo, like I think Cabo and Toronto,

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Speaker 2: like i'd been overseas at all.

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Speaker 1: So your first time in Europe is why you're there

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Speaker 1: starring in a major motion picture. Yeah.

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Speaker 2: And it was wild. I mean, just like stepping off

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Speaker 2: of it. It's Barcelona is just such a magical city.

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Speaker 2: There's just so many influences of Goudy and I mean

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Speaker 2: like the architecture like everything. You're just walking around these

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Speaker 2: just huge cathedral buildings and you're just going, holy cow,

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Speaker 2: like this is so different than the OC. Yeah.

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Speaker 1: I'll say, were you all like that or were some

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Speaker 1: of you like kind of jaded, like, oh, I've done

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Speaker 1: this a thousand times. Were you all like, oh, man,

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Speaker 1: this is the greatest thing in the world.

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Speaker 2: We all were, and then it abruptly got a little

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Speaker 2: oh god, this isn't happening. We went to what they

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Speaker 2: thought was a brand new hotel and it was and

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Speaker 2: it was a really pretty hotel, but it was under construction, okay,

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Speaker 2: And we were set next to an elementary playground. So

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Speaker 2: we walk in the rooms that were there. I mean,

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Speaker 2: I'm not long enough, but Keeley's pretty a lot longer

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Speaker 2: than me, and she could touch her toe from one

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Speaker 2: side of the room to the next. And we had

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Speaker 2: all this luggage because we were planning on being there

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Speaker 2: for like two and a half months. This was going

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Speaker 2: to be a longer shoot. Yeah, yeah, And the closet

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Speaker 2: space was like this, but it was like a place

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Speaker 2: in New York, like it was like a hotel room.

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Speaker 2: And the worst part was the playground. And we were

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Speaker 2: there for like a couple hours and the kids were

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Speaker 2: out there just in shifts, right, just that recess. We're

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Speaker 2: going we have to do night shoots. How are we

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Speaker 2: going to sleep during the day, like, you know? And

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Speaker 2: so Deborah Martin Chase, she just man, she was our warrior.

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Speaker 2: She was so awesome. She came over and was like,

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Speaker 2: oh no, no, no, this won't do. Why don't you

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Speaker 2: guys come to our hotel? And we went to a

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Speaker 2: hotel Central and oh then I just started living.

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Speaker 1: Is this like a super fat hotel that everybody knows about?

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Speaker 2: I don't know, but yeah, even so much. I love

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Speaker 2: this hotel so much that when Jordan and I went

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Speaker 2: on our honeymoon, we started in Barcelona and ended in Barcelona,

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Speaker 2: and first night he surprised me with staying at hotels

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Speaker 2: because I had been talking about it for so long.

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Speaker 1: Oh, that's awesome.

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Speaker 2: The same, it was just amazing.

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Speaker 1: It's awesome right back there. Oh that's great. Well, obviously

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Speaker 1: this movie had a soundtrack, duh.

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Speaker 2: Yes.

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Speaker 1: It was released a week before the movie premiere and

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Speaker 1: debuted at number five on the Billboard charts. It also

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Speaker 1: sold over one point four million copies to date. The

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Speaker 1: album features tracks by the Cheata Girls duh, but also

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Speaker 1: solo songs from Raven and as always, Drew Sealey because

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Speaker 1: he legally must have one song on every Disney musical

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Speaker 1: soundtrack there is, so this absolutely tracks. I think it's

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Speaker 1: part of its contract. Did you get like a golden

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Speaker 1: platinum record? Do you actually have one of those records

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Speaker 1: like I do, Oh, that's so cool. I do.

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Speaker 2: My my parents have it, they have them up in

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Speaker 2: their house.

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Speaker 1: That is so so cool. Uh Okay, So you know

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Speaker 1: there's all these things about the Cheata Girls out there.

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Speaker 1: Are they coming back? Are they together? Why there were

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Speaker 1: not all four of you together in the last movie

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Speaker 1: at this point in the Cheetah Girls. Were you all

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Speaker 1: getting along? Was everything cool? Where you just happy to

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Speaker 1: be shooting? Had any of the stuff started? Or was

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Speaker 1: everybody just happy to be a Cheata girl at this point?

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Speaker 2: I think, well, at this point, to remember, we've already

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Speaker 2: now done a album together. So and A Raven was

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Speaker 2: a solo artist, so she and she was doing imagine

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Speaker 2: her schedule too with That's so Raven. So she had

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Speaker 2: a ton on her play and it was always offered

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Speaker 2: to the four of us, and she, you know, would decide, no,

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Speaker 2: I'm gonna go ahead and do like Disney Mania, she

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Speaker 2: did a solo a solo solo a song on that album.

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Speaker 2: And then I think it was probably scheduling or for

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Speaker 2: whatever reason, she didn't join us for the Christmas soundtrack

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Speaker 2: or this Christmas album. And then when she decided that

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Speaker 2: then obviously when we went on tour, she wasn't on

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Speaker 2: tour with us for that album as well. So the

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Speaker 2: three of us had now spent a long time together,

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Speaker 2: the album making and all of that, so our bond

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Speaker 2: was really tight, and I know we were all kind

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Speaker 2: of a little nervous, Like Adrian had had gone on

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Speaker 2: to That's so Raven and did some guest starring stuff, right,

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Speaker 2: and we'd seen her here and there. But I think

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Speaker 2: we were all a little nervous going it's been like

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Speaker 2: we've had all this time together and we haven't had

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Speaker 2: it with Raven, Like, how's that gonna be? Are we

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Speaker 2: gonna have the same chemistry? But like the second we

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Speaker 2: would get together and start rehearsing or for sure, by

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Speaker 2: the time we were on camera, it was like the

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Speaker 2: chemistry of the four of us being this great.

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Speaker 1: Group, right, that's where you started.

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Speaker 2: It just clicked. I mean it was all professional, It

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Speaker 2: was all great and hello, we were in Barcelona, like

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Speaker 2: who cares about anything? Yes, exactly, Like I mean, think

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Speaker 2: about it, We're in our early twenties, Like it's like

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Speaker 2: this is this is the Like.

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Speaker 1: Yeah, it really is.

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Speaker 2: No one's gonna take me off of this cloud. Because

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Speaker 2: we were just so excited and we were on our own.

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Speaker 2: This movie, I will say, which is different from the

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Speaker 2: third movie. We had a lot of freedom. If we weren't,

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Speaker 2: you know, working that day or rehearsing, they'd allow us

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Speaker 2: to kind of just have the day like any other

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Speaker 2: place where we got to go out and do lunches

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Speaker 2: and shop and and go on excursions and do things

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Speaker 2: like that, like on our own and we had no limits.

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Speaker 1: It was like, that's awesome for nothing like that kind

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Speaker 1: of freedom totally. So when you're recording, then you're the

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Speaker 1: four of you, Like, what's the recording process? Like, are

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Speaker 1: the four of you recording for this movie together? Do

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Speaker 1: you record everything surrounding microphones? Do you do your parts

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Speaker 1: one at a time? Like how does it work? So?

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Speaker 2: Yeah, so this movie again was we definitely had more

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Speaker 2: of like fuller songs. If you listen to the first album,

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Speaker 2: those are very short songs, right, these are full blown, yeah, long,

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Speaker 2: you know, normal length songs with you know, two to

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Speaker 2: three versus the chorus, the bridges like and so I

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Speaker 2: think for this album we definitely had a lot more

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Speaker 2: work to do than we did probably on the first album.

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Speaker 2: The first album, the songs are so short and so

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Speaker 2: that process though they do pull us in, but like

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Speaker 2: we're like, so we're kind of passing by. Like so

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Speaker 2: Keili and Adrian, because they lived together, they would always

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Speaker 2: kind of probably be there together, and then at the

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Speaker 2: end of their set is like when I would come

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Speaker 2: in and start doing my parts for the song, and

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Speaker 2: then as I was done, that's when they would know

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Speaker 2: how much time we had. That's when Raven would come.

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Speaker 2: So we definitely were We weren't because we weren't like

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Speaker 2: really writing on this soundtrack. It was it wasn't really

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Speaker 2: that important for us to be.

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Speaker 1: There together right separately, gotcha.

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Speaker 2: And you know it's a soundtrack, so the songs and

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Speaker 2: everything are going within what's happening in the movie in

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Speaker 2: the script. So yeah, it's a little bit different than

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Speaker 2: like fast forward to what was next for us the

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Speaker 2: three of us as we did our own album that

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Speaker 2: we were working in day and day, night till all

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Speaker 2: hours in the morning, starting at all hours, you know,

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Speaker 2: constantly just there with the producers, writing and producing and

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Speaker 2: doing everything.

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Speaker 1: So man, that's cool. Well I'm not even gonna ask

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Speaker 1: if we knew this movie existed before we started the podcast.

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Speaker 1: Because we knew this movie existed, some of us more

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Speaker 1: intimately than others. Of course, it would have been difficult

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Speaker 1: to avoid Cheetah Girls mania at the time anyway, But

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Speaker 1: as everyone out there knows, this is the first time

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Speaker 1: I've ever seen it, and yes, so if you don't know,

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Speaker 1: by the way, you can also watch The Cheetah Girls

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Speaker 1: too this time. It's personal right now on Disney Plus

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Speaker 1: or later also on Disney Plus. Basically, anytime you decide

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Speaker 1: to watch it, it it'll be on Disney Plus. I

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Speaker 1: even tried at four am to make sure it's still there.

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Speaker 1: It might not have a family, is what I'm thinking.

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Speaker 1: It's just working all night long. I actually feel bad

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Speaker 1: for the movie. Now, maybe do it as solid and

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Speaker 1: watch it now, don't wait till four am. That seems

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Speaker 1: mean in retrospective. All right, if your mom's dating a billionaire,

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Speaker 1: go spend a summer with him and bring your friends.

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Speaker 1: Because it's time for the synopsis, The Dynamic Girls group

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Speaker 1: returns to embark on an exciting journey to Spain and

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Speaker 1: an international music festival. The adventure will test their friendship

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Speaker 1: and careers as they navigate and dance through a totally

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Speaker 1: new country. No surprise here, but this was directed again

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Speaker 1: by the legend Kenny Ortega, a Disney Hall of famer

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Speaker 1: who were hoping to get on the show, who directed

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Speaker 1: the first movie Before movies, Kenny was an iconic choreographer,

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Speaker 1: working with names like Madonna, Olivia Newton, John and Michael Jackson.

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Speaker 1: He then transitioned behind the camera for hocus Pocus, a

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Speaker 1: Disney Halloween classic, followed by Little dcom called High School

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Speaker 1: musicale I think is how it's pronounced. He ran that

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Speaker 1: entire franchise and now is the brains behind the massive

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Speaker 1: Descendants movie at the Channel, and when all of a

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Speaker 1: sudden done, he will be considered one of the goats.

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Speaker 1: What was it like working with Kenny and Spain You've

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Speaker 1: talked a little bit about it. Was it just incredible? Ugh,

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Speaker 1: it was.

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Speaker 2: Literally a dream. I mean, this guy was behind Newsy's

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Speaker 2: so many of the I mean, Michael Jackson, hocus Pocus,

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Speaker 2: there was so many things that I already knew that

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Speaker 2: he was behind and had already known about him, the

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Speaker 2: idea that he was going to be directing, and I

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Speaker 2: knew he was obviously going to be behind all of

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Speaker 2: our musical productions. I was just like for a dancer, right,

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Speaker 2: this was the dream. And so the day that I

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Speaker 2: met him, I mean tried to hold it together, keep

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Speaker 2: it together. I'm here with Kenny Ortega. Luckily his assistant choreographer,

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Speaker 2: Chuckie Claypout. We were on Spark Kids, the dance troupe

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Speaker 2: that that dances at the Sparks Games, you know, years before.

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Speaker 2: And I had known Chucky because he was a big

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Speaker 2: dancer in the industry as well. I mean, luckily I

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Speaker 2: knew that, so that I already had like an inn

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Speaker 2: of like, oh, I know Chucky, like I've worked with him.

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Speaker 2: He's great, He's awesome. And so I felt a little

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Speaker 2: bit more comfortable, like I would not get get in

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Speaker 2: the place where I just like didn't have any words

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Speaker 2: to say right exact, my tongue won't let me go

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Speaker 2: like anywhere. So it was great that I had, I

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Speaker 2: had something a little bit more comfortable already. Man, even

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Speaker 2: from the first table read the way he would, you know,

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Speaker 2: read through it, he would he would already you could

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Speaker 2: see in his eyes when he would talk about it.

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Speaker 2: He had visualized it even before getting to Spain, you

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Speaker 2: know what I mean. It was awesome, and I know

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Speaker 2: they did trips to Spain before we ever got there

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Speaker 2: as well. But he just you could see his vision.

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Speaker 2: His brain was working. He had just gotten done with

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Speaker 2: high school musical one, so he was like he was

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Speaker 2: he was his steam.

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Speaker 1: It was like full yeah, he was in it.

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Speaker 2: He was in it, and it was like so magical

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Speaker 2: to watch this just incredible creator, just like do his magic.

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Speaker 1: Wow, that's awesome. Well. The movie stars a child acting legend,

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Speaker 1: one of the premieer faces for the channel, Raven Simone,

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Speaker 1: reprising her role as Galleria. She began her career as

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Speaker 1: the adorable Olivia on The Cosby Show, then joined Hanging

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Speaker 1: with Mister Cooper and started movies like Doctor Doolittle and

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Speaker 1: a dcom We Loved xenon Girl of the twenty first Century.

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Speaker 1: She'd also become the face of That So Raven, a

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Speaker 1: tent pole for Disney in the two thousands. She'd later

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Speaker 1: return to the character for a reboot Raven's Home and

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Speaker 1: is more than just an actress now. She's hosting the

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Speaker 1: view for a while, and she is currently the face

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Speaker 1: of the scrabble game show. Cheetah Girls two marks her

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Speaker 1: last appearance in a Cheahirls movie. And I'm very excited

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Speaker 1: to see how the next movie deals with that. So

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Speaker 1: I don't know how that'll happen, but we'll see Adrian

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Speaker 1: by Loan is Chanelle, an original member of the girl

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Speaker 1: group three l W. We saw Adrian just a few

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Speaker 1: weeks ago as the radio DJ inserted into Buffalo Dreams,

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Speaker 1: but she has her own solo pop career and TV

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Speaker 1: appearances on that So Raven the movie Coach Carter and

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Speaker 1: the Sweet Life of Zach and Cody and Our Sweet

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Speaker 1: Little Little Pee, Our Sweet Pea, Sabrina Bryan returns as

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Speaker 1: Derinda Sabrina. During the research, we saw that you were

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Speaker 1: also uncredited in the incredible movie Matilda. Where should we

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Speaker 1: be looking for you? In that movie? Pointed out, where

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Speaker 1: where are you? You know what?

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Speaker 2: I just saw something on Instagram on it and it's

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Speaker 2: during oh what's his name? When he eats that big

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Speaker 2: chocolate cake.

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Speaker 1: Okay, I've never seen any of any of them. Oh okay,

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Speaker 1: he I know the story though, because Ryder's strong son

396
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Speaker 1: plays that part.

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Speaker 2: You can do it and he oh he plays.

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Speaker 1: Up in not in the movie, in the play.

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Speaker 2: Now, yeah, he's there's a giant, massive chocolate cake and

400
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Speaker 2: we're all in the auditorium because she miss Miss Trunch

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Speaker 2: or Miss trunch Bowl knows he ate it, and so

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Speaker 2: he then eats the whole cake and then she smashed

403
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Speaker 2: the plate on him. That's the main one where you

404
00:20:02,400 --> 00:20:04,760
Speaker 2: can really see my face. And then anytime when we're

405
00:20:04,800 --> 00:20:08,280
Speaker 2: in I was an extra. Anytime we're in the playground area,

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00:20:08,760 --> 00:20:11,359
Speaker 2: like we were basically wore the same thing over and

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00:20:11,400 --> 00:20:13,320
Speaker 2: over again, so you can see, Like I had my

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00:20:13,440 --> 00:20:15,520
Speaker 2: vans on, so I could see those and you could

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Speaker 2: see the back of my head or the front of me.

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Speaker 2: It was like it's like, you know, like that typical

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Speaker 2: background there I am. Of course, right, was so fun.

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Speaker 2: I did that when I was like in sixth grade,

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Speaker 2: and it was like summer camp.

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Speaker 1: Maybe we'll have to recap it. Maybe we'll have to

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Speaker 1: recap it.

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Speaker 2: Just it's a good movie, a good movie.

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Speaker 1: And then of course Pale the Show. Killy Williams is

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Speaker 1: AquaNet Kille is also part of Three l W and

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Speaker 1: appears in the House Bunny, Sisterhood of the Traveling Pants

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Speaker 1: and Stomp the Yard too. Also this time it's personal

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Speaker 1: and we meet Marisol played by Belinda the Mexican singer

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00:20:52,480 --> 00:20:54,320
Speaker 1: and actress was a child star in her home country,

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Speaker 1: starring in the telenovela Amigos e Sempre I Think it

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Speaker 1: Is what it Is or Amigos ex Sempre. She has

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Speaker 1: been nominated for two Latin Grammy Awards and has sold

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Speaker 1: over three million albums, singles and soundtracks, making her the

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Speaker 1: third best selling Mexican female act of all time geez.

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Speaker 1: She also appeared in the twenty seventeen version of Baywatch,

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Speaker 1: which was the movie version Okay with the Rock and

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Speaker 1: zac Efron, and she is now one of the judges

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Speaker 1: of the Mexican version of The Voice. What was Belinda like?

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Speaker 1: I've obviously I had never heard of this person. I

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Speaker 1: don't know who they are.

434
00:21:24,359 --> 00:21:26,160
Speaker 2: But cutie pie.

435
00:21:26,640 --> 00:21:28,119
Speaker 1: Was she cool to work with? Oh?

436
00:21:28,200 --> 00:21:30,840
Speaker 2: She was so sweet. She there was a little bit

437
00:21:31,000 --> 00:21:36,520
Speaker 2: of you know, uh, language barriers you're in there, but

438
00:21:36,600 --> 00:21:38,720
Speaker 2: she really loved being around us because she was really

439
00:21:38,760 --> 00:21:40,960
Speaker 2: wanting to work on it. You know, at some point

440
00:21:41,000 --> 00:21:42,560
Speaker 2: there might have been like she wanted to do a

441
00:21:42,600 --> 00:21:43,600
Speaker 2: little bit more crossover.

442
00:21:44,200 --> 00:21:45,520
Speaker 1: Did she know the Cheetah Girls?

443
00:21:46,520 --> 00:21:49,080
Speaker 2: I don't know. I don't think I ever I don't

444
00:21:49,080 --> 00:21:50,000
Speaker 2: think I ever asked her that.

445
00:21:50,000 --> 00:21:52,359
Speaker 1: Okay, I'm curious if she if she knew the Cheetah Girls.

446
00:21:52,400 --> 00:21:55,760
Speaker 2: First so sweet and then weirdly enough, probably a year

447
00:21:55,800 --> 00:22:01,400
Speaker 2: after this movie, I was visiting someone in Texas and

448
00:22:01,520 --> 00:22:03,439
Speaker 2: she did an appearance at like a club I just

449
00:22:03,480 --> 00:22:06,920
Speaker 2: happened to be at. And when I tell you, this

450
00:22:07,000 --> 00:22:13,159
Speaker 2: crowd went bananas over her and I've somehow found my

451
00:22:13,240 --> 00:22:19,040
Speaker 2: way backstage. I was with Selena's brother who was like

452
00:22:19,680 --> 00:22:21,320
Speaker 2: hosting the table that I was sitting at, and I

453
00:22:21,359 --> 00:22:22,720
Speaker 2: was like, I know her, and he's like, do you

454
00:22:22,760 --> 00:22:24,920
Speaker 2: want to go see her? And I was like yes,

455
00:22:25,119 --> 00:22:27,000
Speaker 2: So we went back and we got to like reunite

456
00:22:27,040 --> 00:22:27,600
Speaker 2: like a year later.

457
00:22:27,840 --> 00:22:29,040
Speaker 1: Oh, that's really cool.

458
00:22:29,160 --> 00:22:31,440
Speaker 2: It was so awesome to watch her like in her

459
00:22:31,520 --> 00:22:34,040
Speaker 2: element because I felt she did really good when she

460
00:22:34,080 --> 00:22:36,399
Speaker 2: had her stage moments. Yes, And I was like, this

461
00:22:36,440 --> 00:22:37,600
Speaker 2: girl's a freaking rock styf.

462
00:22:37,680 --> 00:22:40,440
Speaker 1: Yeah awesome, Yeah that was it was. Yeah, I'd never

463
00:22:40,440 --> 00:22:43,080
Speaker 1: heard of her, but that's got third highest selling of

464
00:22:43,119 --> 00:22:43,440
Speaker 1: all time.

465
00:22:43,480 --> 00:22:44,680
Speaker 2: It's crazy, I know.

466
00:22:45,320 --> 00:22:50,760
Speaker 1: And Cheetah Girls two is Oh, it's ninety seven minutes long.

467
00:22:50,840 --> 00:22:52,399
Speaker 1: I hate to tell you this because I know this

468
00:22:52,400 --> 00:22:54,639
Speaker 1: one's important to you, but it's seven minutes past the

469
00:22:54,680 --> 00:22:56,879
Speaker 1: target and you know what that means, Sabrina. This movie

470
00:22:56,960 --> 00:22:58,640
Speaker 1: is too too.

471
00:22:58,600 --> 00:23:00,640
Speaker 2: Long long, and I can tell you where I want

472
00:23:00,680 --> 00:23:01,080
Speaker 2: to cut it.

473
00:23:01,160 --> 00:23:02,600
Speaker 1: I can tell you where I want to cut it too.

474
00:23:02,680 --> 00:23:05,080
Speaker 1: There's one song I did not like that was on me.

475
00:23:05,520 --> 00:23:05,680
Speaker 3: But.

476
00:23:08,320 --> 00:23:12,480
Speaker 1: Just one for me. We'll get into. We'll get into.

477
00:23:12,560 --> 00:23:15,000
Speaker 1: But that hurt me as much as it hurts you.

478
00:23:15,000 --> 00:23:16,840
Speaker 1: Trust me to say that it's too long, but it is.

479
00:23:16,960 --> 00:23:17,359
Speaker 2: It's okay.

480
00:23:17,600 --> 00:23:20,280
Speaker 1: Producers Deborah Martin Chase and Whitney Houston have returned to

481
00:23:20,320 --> 00:23:22,520
Speaker 1: work on the follow up, and Raven is also once

482
00:23:22,520 --> 00:23:25,359
Speaker 1: again an executive producer on the film. Three writers split

483
00:23:25,400 --> 00:23:27,680
Speaker 1: the credit on this one. Bethesda Brown gets her one

484
00:23:27,720 --> 00:23:30,359
Speaker 1: and only screen credit here. She also has a story

485
00:23:30,359 --> 00:23:33,160
Speaker 1: by credit on the twenty fourteen TV show The Divide,

486
00:23:33,320 --> 00:23:36,119
Speaker 1: but that's it. She's paired with Alison Taylor, a season

487
00:23:36,200 --> 00:23:39,040
Speaker 1: television writer with credits on Claristic explains at All married

488
00:23:39,040 --> 00:23:41,960
Speaker 1: with children, Lizzie Maguire, Just Jordan, and the first Cheatah

489
00:23:41,960 --> 00:23:44,960
Speaker 1: Girls movie. And finally we've got Deborah Gregory. She is

490
00:23:44,960 --> 00:23:46,919
Speaker 1: the author behind the Cheah Girls books and she will

491
00:23:46,960 --> 00:23:50,160
Speaker 1: always get a writing credit because they're her characters. Okay,

492
00:23:50,440 --> 00:23:53,120
Speaker 1: don't forget to practice because we're winning this contest. Let's

493
00:23:53,160 --> 00:23:56,760
Speaker 1: get in to Cheetah Girls too. The movie opens in

494
00:23:56,800 --> 00:24:00,840
Speaker 1: New York. It's really Barcelona with chance of Cheetah Cheetah

495
00:24:00,880 --> 00:24:04,160
Speaker 1: faintly heard in the distance. It's at Manhattan Magnet High's

496
00:24:04,280 --> 00:24:06,600
Speaker 1: grad night party, and the students are waiting to catch

497
00:24:06,600 --> 00:24:08,680
Speaker 1: a glimpse of their favorite pop group. This is also

498
00:24:08,760 --> 00:24:12,359
Speaker 1: comprised of their classmates. The Cheetah Girls are announced in

499
00:24:12,400 --> 00:24:16,520
Speaker 1: out pops Galleria Chanelle, Derinda and Ida. I'm kidding, there's

500
00:24:16,560 --> 00:24:18,159
Speaker 1: no idea seeing if you're still on board with me,

501
00:24:18,240 --> 00:24:24,600
Speaker 1: it's Aquineta, of course, the Aquanetta, Aquanetta, Sorry, Aquanetta, it's Aqua.

502
00:24:24,640 --> 00:24:26,000
Speaker 1: Which is I know are well enough to call her

503
00:24:26,000 --> 00:24:28,960
Speaker 1: Aqua at this point? Yeah. The crowd is hyped while

504
00:24:28,960 --> 00:24:32,560
Speaker 1: the girls, dressed in the jungle tiger print theme perform

505
00:24:32,720 --> 00:24:35,480
Speaker 1: the R and B Diddy the Party's just begun. Great song.

506
00:24:35,840 --> 00:24:37,400
Speaker 1: I think even if you don't have a real ear

507
00:24:37,400 --> 00:24:39,720
Speaker 1: for music, you can tell the production has been elevated

508
00:24:39,760 --> 00:24:42,640
Speaker 1: for the sequel. You already talked about how the songs

509
00:24:42,680 --> 00:24:44,320
Speaker 1: were longer, but did you just get a whole sense

510
00:24:44,320 --> 00:24:46,440
Speaker 1: on this entire movie? Forget that you're just in Barcelona,

511
00:24:46,440 --> 00:24:48,640
Speaker 1: but just with everything that, they're like, all right, they're

512
00:24:48,640 --> 00:24:51,400
Speaker 1: throwing everything at us now, oh yeah, you could just tell.

513
00:24:51,440 --> 00:24:53,760
Speaker 2: And honestly, it wasn't like they didn't want to do

514
00:24:53,800 --> 00:24:58,040
Speaker 2: it the first round. It's like they didn't realize how

515
00:24:58,080 --> 00:24:58,879
Speaker 2: big this could be.

516
00:24:59,200 --> 00:24:59,600
Speaker 1: Exactly.

517
00:24:59,600 --> 00:25:02,399
Speaker 2: We're like put in their best foot forward type of things.

518
00:25:02,520 --> 00:25:07,479
Speaker 2: So I think it's like everything just clicked. Yes, they

519
00:25:07,520 --> 00:25:10,119
Speaker 2: all every and again. This is after a lot of

520
00:25:10,160 --> 00:25:13,639
Speaker 2: the same writers and producers work on high school musical

521
00:25:13,680 --> 00:25:15,639
Speaker 2: and they're going, oh my god, this is a banger,

522
00:25:15,680 --> 00:25:17,240
Speaker 2: this is a bag, this is bringing in money, this

523
00:25:17,280 --> 00:25:18,080
Speaker 2: is bringing in money.

524
00:25:18,160 --> 00:25:19,280
Speaker 1: Yep, let me do the best.

525
00:25:19,359 --> 00:25:20,399
Speaker 2: So it was awesome.

526
00:25:20,440 --> 00:25:22,600
Speaker 1: Eight point one million people. It was lightning in a

527
00:25:22,680 --> 00:25:26,240
Speaker 1: cheeta printed bottle is actually absolutely what it was. Eventually,

528
00:25:26,280 --> 00:25:28,040
Speaker 1: near the end of the song, Galleria brings up a

529
00:25:28,040 --> 00:25:30,280
Speaker 1: dozen or so audience members to dance a long closing

530
00:25:30,280 --> 00:25:33,200
Speaker 1: out the track to big applause. Who were the kids

531
00:25:33,240 --> 00:25:36,960
Speaker 1: in the audience? Would you just dancers from from Barcelona?

532
00:25:37,119 --> 00:25:40,680
Speaker 2: They yes, yeah, we had you could tell as you see,

533
00:25:40,760 --> 00:25:43,480
Speaker 2: you'll see. I mean it's like the same little group

534
00:25:43,520 --> 00:25:46,399
Speaker 2: of I saw that yeah, of extras over and over it.

535
00:25:46,480 --> 00:25:47,639
Speaker 1: Yeah, but they were great.

536
00:25:48,040 --> 00:25:49,960
Speaker 2: They were good, They were good. Yeah.

537
00:25:50,040 --> 00:25:52,360
Speaker 1: We're now backstage. The girls are happy with their performance,

538
00:25:52,359 --> 00:25:55,000
Speaker 1: announcing junior year is finally over. Very smart to say,

539
00:25:55,000 --> 00:25:56,760
Speaker 1: they weren't senior, so you can get one more year

540
00:25:56,760 --> 00:25:59,680
Speaker 1: in if they wanted to. Chanelle casually drops that she

541
00:25:59,720 --> 00:26:02,640
Speaker 1: got a sixteen hundred on her SATs No Biggie. Now

542
00:26:02,680 --> 00:26:04,760
Speaker 1: that it's summer, Drenda looks forward to a break, but

543
00:26:04,880 --> 00:26:08,480
Speaker 1: no rest for the Cheetahs. Galeria has plans back out.

544
00:26:08,480 --> 00:26:10,639
Speaker 1: In the grad party, Galeria and Chanell meet up with

545
00:26:10,720 --> 00:26:14,360
Speaker 1: their moms because apparently both their chaperones control freak. Galleria

546
00:26:14,400 --> 00:26:17,479
Speaker 1: reminds Chanel about their summer rehearsal schedule. But truth is,

547
00:26:18,160 --> 00:26:20,919
Speaker 1: Galeria is going with her family to Martha's vineyard and

548
00:26:21,040 --> 00:26:24,520
Speaker 1: Chanell's family is going to Barcelona, which is a surprise

549
00:26:24,640 --> 00:26:27,800
Speaker 1: that was just ruined for Chanelle. Whoops. Chanelle storms off

550
00:26:27,840 --> 00:26:30,680
Speaker 1: with Galleria close behind. We are now at Chanelle's house.

551
00:26:30,680 --> 00:26:33,000
Speaker 1: Galleria can't believe she's spending her summer in Barcelona with

552
00:26:33,000 --> 00:26:36,359
Speaker 1: her mom's long term foreign boyfriend. She even Betsy's gonna

553
00:26:36,359 --> 00:26:38,439
Speaker 1: ask her to marry him, and she's scared that if

554
00:26:38,440 --> 00:26:40,439
Speaker 1: her mom does get married, they'll have to move to

555
00:26:40,440 --> 00:26:42,800
Speaker 1: Barcelona and she'll be taken away from her Cheetah Girls,

556
00:26:43,080 --> 00:26:45,680
Speaker 1: her friends since they were divas in diapers.

557
00:26:46,160 --> 00:26:50,480
Speaker 2: Galleria promises, oh, we got our first, we got cheatah, No,

558
00:26:50,560 --> 00:26:54,679
Speaker 2: our first cheatah cheatah chatta. Oh yeah, and diapers.

559
00:26:54,840 --> 00:26:59,360
Speaker 1: I am basically fluent now. I didn't even I knew

560
00:26:59,400 --> 00:27:00,720
Speaker 1: it was up the entire time. It was like, I

561
00:27:00,720 --> 00:27:02,639
Speaker 1: don't even need translation. I know what they're talking about.

562
00:27:03,840 --> 00:27:06,280
Speaker 1: Galleria promises her if that's the case, they'll figure it

563
00:27:06,280 --> 00:27:08,960
Speaker 1: out because no one can tear them apart. In the

564
00:27:09,000 --> 00:27:12,080
Speaker 1: next room, their mothers, Dorothea and Juanita are talking about

565
00:27:12,080 --> 00:27:15,359
Speaker 1: wedding dresses and Chanelle's mom is very stressed about getting

566
00:27:15,400 --> 00:27:18,200
Speaker 1: that ring. Eventually, Chanelle's pushed into a room by Galeria,

567
00:27:18,240 --> 00:27:20,239
Speaker 1: who appears to have a plan. Shenell tells her mom

568
00:27:20,320 --> 00:27:22,040
Speaker 1: she's ready to go to Spain and spend some time

569
00:27:22,040 --> 00:27:23,960
Speaker 1: with Luke. She knows it's important to her, so she's

570
00:27:24,000 --> 00:27:27,280
Speaker 1: willing to make it work. But she has an idea,

571
00:27:27,359 --> 00:27:29,639
Speaker 1: what if the Cheetah Girls come with them. It doesn't

572
00:27:29,640 --> 00:27:32,800
Speaker 1: get much thought because they leave in three days and

573
00:27:32,880 --> 00:27:35,480
Speaker 1: Luke can't host more people, so that is a big strikeout.

574
00:27:35,920 --> 00:27:38,040
Speaker 1: The two girls move over to Galeria's house, now joined

575
00:27:38,040 --> 00:27:40,919
Speaker 1: by the other two Cheetahs. They're eating Chinese food in

576
00:27:40,920 --> 00:27:43,840
Speaker 1: their pajamas, depressed they won't be going to Barcelona, something

577
00:27:43,920 --> 00:27:47,679
Speaker 1: they just found out was even a possibility. Sabrina. Okay,

578
00:27:47,720 --> 00:27:50,760
Speaker 1: so when you watch this, do the lines come right

579
00:27:50,840 --> 00:27:52,320
Speaker 1: back to you? I mean do you remember, like, could

580
00:27:52,359 --> 00:27:55,159
Speaker 1: you start doing your dialogue writer as you're watching the scenes?

581
00:27:55,640 --> 00:27:59,000
Speaker 2: Yes, some of them, or just like what we were

582
00:27:59,040 --> 00:28:03,920
Speaker 2: doing on on like camera, like like what was happening

583
00:28:04,000 --> 00:28:05,680
Speaker 2: around us type of things happen?

584
00:28:05,920 --> 00:28:08,280
Speaker 1: Well, stop me if there's stuff that I'm missing that

585
00:28:08,359 --> 00:28:10,760
Speaker 1: you're like, Okay, so while we're eating Chinese food, it's

586
00:28:10,800 --> 00:28:11,760
Speaker 1: really this or whatever.

587
00:28:12,000 --> 00:28:15,840
Speaker 2: Yes, there was a big At one point, someone gave

588
00:28:15,920 --> 00:28:19,199
Speaker 2: me the hottest Chinese food, like they heated it up,

589
00:28:19,200 --> 00:28:20,359
Speaker 2: and I was like, oh.

590
00:28:20,280 --> 00:28:22,280
Speaker 1: I not spicy, you mean like burn your mouth hot?

591
00:28:22,440 --> 00:28:25,200
Speaker 2: Like yes, And I was like, I am so sorry

592
00:28:25,240 --> 00:28:27,600
Speaker 2: because I couldn't even hold it. And I was at

593
00:28:27,600 --> 00:28:29,960
Speaker 2: first because I don't like to complain, So at first

594
00:28:30,040 --> 00:28:33,639
Speaker 2: I'm like and then like Kenny's like, what's wrong, and

595
00:28:33,680 --> 00:28:37,080
Speaker 2: I'm like my cock poal chicken is so hot. So

596
00:28:38,240 --> 00:28:40,520
Speaker 2: someone got it down and he's like, why did you

597
00:28:40,560 --> 00:28:43,080
Speaker 2: say something. I'm like, I'm the person out of nail

598
00:28:43,120 --> 00:28:45,520
Speaker 2: salon that won't tell the nail artists that she did

599
00:28:45,560 --> 00:28:47,960
Speaker 2: the wrong color. Like, I'll just walk out and live

600
00:28:48,040 --> 00:28:49,520
Speaker 2: with it for the two weeks that I have to.

601
00:28:50,680 --> 00:28:52,360
Speaker 2: I can't do that.

602
00:28:52,360 --> 00:28:54,040
Speaker 1: That's like me. I'm unfortunately the same way. I'm trying

603
00:28:54,040 --> 00:28:54,680
Speaker 1: to get better though.

604
00:28:54,760 --> 00:28:56,880
Speaker 2: I'm trying to too, but he's just like, you know.

605
00:28:56,960 --> 00:28:59,760
Speaker 2: And then this was the first. Also I put in

606
00:28:59,760 --> 00:29:01,760
Speaker 2: my bris. I'll just do my sabrinacs as we go.

607
00:29:02,040 --> 00:29:03,920
Speaker 1: Yes, perfect, And if there's anything we.

608
00:29:03,840 --> 00:29:06,160
Speaker 2: Don't do, I love it, try to hit it. But

609
00:29:06,280 --> 00:29:11,400
Speaker 2: that blanket that Keeley had that was like her comfort blanket.

610
00:29:11,400 --> 00:29:15,040
Speaker 2: It was her baby sister's blanket that she brought to

611
00:29:15,080 --> 00:29:17,400
Speaker 2: Barcelona because they had to be apart for so long,

612
00:29:17,440 --> 00:29:19,720
Speaker 2: and so she told her baby sister, I will she

613
00:29:19,800 --> 00:29:23,280
Speaker 2: told Tia, I'll bring it to Barcelona. So and then

614
00:29:23,400 --> 00:29:25,240
Speaker 2: she she was like, can I bring it into the

615
00:29:25,320 --> 00:29:28,160
Speaker 2: camera shot? And Kenny's like, for sure, that sounds great.

616
00:29:28,240 --> 00:29:30,920
Speaker 2: So that's the all around set.

617
00:29:31,040 --> 00:29:42,160
Speaker 1: Yeah, I love that old blanket. Okay, So now that

618
00:29:42,160 --> 00:29:44,800
Speaker 1: they're really moping. They see a shooting star at the window, which,

619
00:29:44,800 --> 00:29:46,480
Speaker 1: for the record, is the longest shooting star in history

620
00:29:46,480 --> 00:29:48,280
Speaker 1: because normally, by the time you see a shooting star,

621
00:29:48,440 --> 00:29:54,040
Speaker 1: it's gone, but this one is. It takes our right

622
00:29:54,080 --> 00:29:56,680
Speaker 1: under the window and watch it. This time, they make

623
00:29:56,680 --> 00:29:58,120
Speaker 1: a wish and each of them is at the same time,

624
00:29:58,200 --> 00:30:02,240
Speaker 1: they say Barcelona. With that, a nearby magazine flings open

625
00:30:02,240 --> 00:30:04,320
Speaker 1: from a gust of wind, stopping on an ad for

626
00:30:04,440 --> 00:30:09,080
Speaker 1: Barcelona Music Festival and its new Voice competition for undiscovered talent.

627
00:30:09,160 --> 00:30:11,480
Speaker 1: That's it, that's the way to get to Barcelona. The

628
00:30:11,520 --> 00:30:14,760
Speaker 1: Shooting Star worked quick wish for a million dollars twenty

629
00:30:14,760 --> 00:30:17,400
Speaker 1: million dollars, one hundred million dollars or fifty more wishes,

630
00:30:17,920 --> 00:30:22,040
Speaker 1: but unfortunately the deadline to apply was last week. Galleria

631
00:30:22,040 --> 00:30:24,320
Speaker 1: thinks she can convince them to include the Cheetah Girls,

632
00:30:24,320 --> 00:30:26,920
Speaker 1: so she plans on calling later because she puts together

633
00:30:27,000 --> 00:30:30,400
Speaker 1: that it's four am their QuickTime zone transition. Galeria, it's

634
00:30:30,480 --> 00:30:33,640
Speaker 1: very impressive. I know, I was like, wow, even where

635
00:30:33,640 --> 00:30:35,360
Speaker 1: you are in Orange County, I'm not sure we're in

636
00:30:35,400 --> 00:30:38,200
Speaker 1: the same time zone right now, so it's very impressive.

637
00:30:38,640 --> 00:30:40,560
Speaker 1: Later that night, while the girls are sleeping, their alarm

638
00:30:40,600 --> 00:30:42,640
Speaker 1: goes off, time for Galleria to call and to be

639
00:30:42,680 --> 00:30:45,120
Speaker 1: a real Karen about the cut off date, so she

640
00:30:45,320 --> 00:30:47,360
Speaker 1: wakes up the other three girls, mostly because she needs

641
00:30:47,400 --> 00:30:49,720
Speaker 1: she now to speaks Spanish. But immediately they're shut down

642
00:30:49,720 --> 00:30:53,239
Speaker 1: by the organizer and told to apply next year. Galeria, though,

643
00:30:53,280 --> 00:30:55,240
Speaker 1: doesn't take no for an answer and forces the Cheetahs

644
00:30:55,280 --> 00:30:58,200
Speaker 1: to start singing over the phone and magically they now

645
00:30:58,240 --> 00:31:00,280
Speaker 1: just have to download the application and meet with the

646
00:31:00,280 --> 00:31:03,120
Speaker 1: festival director next week to be included. They are all

647
00:31:03,160 --> 00:31:05,520
Speaker 1: so excited about the prospect and promise each other they're

648
00:31:05,520 --> 00:31:07,560
Speaker 1: going to do whatever they can to win and nothing

649
00:31:08,480 --> 00:31:10,880
Speaker 1: will break them apart. You remember this, people, Nothing's going

650
00:31:10,920 --> 00:31:14,280
Speaker 1: to break them apart? Or is it? This is a

651
00:31:14,320 --> 00:31:16,400
Speaker 1: good plan now though, because now they have to tell

652
00:31:16,440 --> 00:31:19,880
Speaker 1: Galeria and Chanell's mom. Okay, Galeria argues, this is just

653
00:31:19,960 --> 00:31:21,760
Speaker 1: the work of the universe and you don't want to

654
00:31:21,800 --> 00:31:23,960
Speaker 1: mess with the universe. All they have to do is

655
00:31:24,040 --> 00:31:26,400
Speaker 1: just get there. And Galeria already talk to her dad,

656
00:31:26,480 --> 00:31:28,680
Speaker 1: currently traveling in Hong Kong, and he's willing to give

657
00:31:28,760 --> 00:31:31,680
Speaker 1: up his airline miles because Dozna need them as well.

658
00:31:31,960 --> 00:31:33,960
Speaker 1: Dorinda says her foster mom is cool with it, and

659
00:31:34,000 --> 00:31:36,520
Speaker 1: Aqua says her dad has also approved the trip, but

660
00:31:36,760 --> 00:31:39,120
Speaker 1: Chanell's mom isn't sold. It's too much work traveling with

661
00:31:39,120 --> 00:31:44,000
Speaker 1: four girls on her own. So what if Dorothea Gallery's

662
00:31:44,040 --> 00:31:46,880
Speaker 1: mom comes to and just like that, the trip is set.

663
00:31:47,000 --> 00:31:50,080
Speaker 1: Everyone's ecstatic, but Galleria's mom warns her daughter she'll be

664
00:31:50,120 --> 00:31:52,320
Speaker 1: sent right back home if anything goes wrong, because this

665
00:31:52,440 --> 00:31:55,600
Speaker 1: is a crucial trip for Janita. But for now, it's

666
00:31:55,600 --> 00:31:59,480
Speaker 1: time to pack. The Cheetah girls with Wanita and Dorothea.

667
00:31:59,480 --> 00:32:03,320
Speaker 1: As they're ad guys arrive at the airport, Derinda is

668
00:32:03,400 --> 00:32:08,960
Speaker 1: already filming everything with their amazing two thousand's handycam. Oh yes,

669
00:32:10,560 --> 00:32:12,080
Speaker 1: was it on? Was it ever on? Or you're just

670
00:32:12,080 --> 00:32:12,960
Speaker 1: looking at a blank screen?

671
00:32:15,000 --> 00:32:17,720
Speaker 2: I think I did film a little bit of it. Okay,

672
00:32:17,720 --> 00:32:18,560
Speaker 2: we're in there, but.

673
00:32:18,920 --> 00:32:21,720
Speaker 1: Can you imagine finding those tapes? I know, how cool

674
00:32:21,760 --> 00:32:24,080
Speaker 1: would that be? Galeria warns them though they're no longer

675
00:32:24,200 --> 00:32:28,320
Speaker 1: just American divas in training, they're international superstars in training.

676
00:32:28,560 --> 00:32:32,200
Speaker 1: And before you know it, bam, they're in Spain, which

677
00:32:32,200 --> 00:32:33,880
Speaker 1: they've been there the whole time. Just for the record,

678
00:32:34,280 --> 00:32:36,840
Speaker 1: the girls are already sightseeing, planning on checking everything out

679
00:32:37,000 --> 00:32:39,560
Speaker 1: one day, but first they have to shop. We get

680
00:32:39,560 --> 00:32:41,880
Speaker 1: a graphic of postcards over a map of Barcelona. One

681
00:32:41,880 --> 00:32:46,040
Speaker 1: says cheat delicious, the next says growlicious, which doesn't really

682
00:32:46,080 --> 00:32:49,720
Speaker 1: seem that different, and then growl and snap and finally

683
00:32:49,840 --> 00:32:54,040
Speaker 1: just Barcelona. Apparently this means they saw everything before lunch,

684
00:32:54,320 --> 00:32:56,280
Speaker 1: because they're now in a restaurant for lunch, ready to

685
00:32:56,320 --> 00:32:59,040
Speaker 1: call it a day. Then the girls this, and this

686
00:32:59,080 --> 00:33:01,400
Speaker 1: is where I was like, Yes, this is the best

687
00:33:01,400 --> 00:33:04,240
Speaker 1: movie I've ever seen in my life. The girls here,

688
00:33:04,240 --> 00:33:06,800
Speaker 1: some beautiful guitar playing, and it's a young man with

689
00:33:06,880 --> 00:33:10,600
Speaker 1: long hair walking down the steps, just strumming away.

690
00:33:11,920 --> 00:33:12,280
Speaker 2: Oh.

691
00:33:12,360 --> 00:33:14,680
Speaker 1: I was like, yes, this is the.

692
00:33:15,600 --> 00:33:18,560
Speaker 2: I'm not I'm not going god here. We're about to

693
00:33:18,600 --> 00:33:20,840
Speaker 2: lose will I Lily turned to Jordan. I said, we're

694
00:33:20,840 --> 00:33:21,600
Speaker 2: about to lose will.

695
00:33:21,840 --> 00:33:30,200
Speaker 1: It was because it's it's so cheesy. Yes that it's awesome.

696
00:33:30,760 --> 00:33:32,960
Speaker 1: I mean he just he constantly like.

697
00:33:32,920 --> 00:33:34,480
Speaker 2: Even and it's his whisper.

698
00:33:34,760 --> 00:33:37,120
Speaker 1: It's made the whisper the entire time, but to the

699
00:33:37,160 --> 00:33:42,200
Speaker 1: point where when Raven later goes, I love him, He's everywhere.

700
00:33:42,600 --> 00:33:45,000
Speaker 1: It's like they they play with the joke that he

701
00:33:45,160 --> 00:33:47,200
Speaker 1: just will occasionally just here like no, no, no, and

702
00:33:47,240 --> 00:33:54,960
Speaker 1: he's up in the rafter. Oh here, hell angel, and

703
00:33:55,040 --> 00:33:59,520
Speaker 1: he's always at the top. I am unheldcome to like, yes,

704
00:33:59,800 --> 00:34:03,280
Speaker 1: hell yeah, that's the part I wanted to play. So yeah,

705
00:34:03,320 --> 00:34:06,200
Speaker 1: they're would have been crazy. I oh god, it would

706
00:34:06,200 --> 00:34:08,239
Speaker 1: have been the best. So the Cheeah girls are instantly

707
00:34:08,239 --> 00:34:10,200
Speaker 1: all goofy for the guy, as he says in Spanish,

708
00:34:10,239 --> 00:34:13,759
Speaker 1: welcome to the whisper of dreams. Hell yes, which is

709
00:34:13,800 --> 00:34:15,440
Speaker 1: also a great way to tell somebody you're gonna kill

710
00:34:15,480 --> 00:34:18,319
Speaker 1: them by the way. Anyway, on Kel, which we don't

711
00:34:18,320 --> 00:34:20,120
Speaker 1: know this name yet though, breaks into a song which

712
00:34:20,160 --> 00:34:23,160
Speaker 1: is a love song discovering Barcelona and don't want the

713
00:34:23,239 --> 00:34:26,239
Speaker 1: day to end. And when that's okay, this is when

714
00:34:26,239 --> 00:34:28,200
Speaker 1: they break into song and this is where I'm like, okay,

715
00:34:28,200 --> 00:34:30,879
Speaker 1: here we go. Now they're accompanied by their new honky

716
00:34:30,920 --> 00:34:33,760
Speaker 1: guitar player. The song is Strut, which is a great

717
00:34:33,840 --> 00:34:36,080
Speaker 1: song which starts as a ballad then speeds up into

718
00:34:36,120 --> 00:34:38,239
Speaker 1: a rock track. The girls and the new dude, who

719
00:34:38,280 --> 00:34:40,120
Speaker 1: again we now know it's on Hill, but they don't

720
00:34:40,120 --> 00:34:42,920
Speaker 1: even know his name, now perform in the streets. Now

721
00:34:44,000 --> 00:34:45,879
Speaker 1: just I know you said you weren't on the handicamel lot,

722
00:34:45,920 --> 00:34:49,759
Speaker 1: but what is. Here's the thing about this movie. This

723
00:34:49,960 --> 00:34:55,760
Speaker 1: was like a hybrid of Sometimes the songs were sung

724
00:34:55,880 --> 00:34:57,960
Speaker 1: because you're in a concert and that's the way you're

725
00:34:58,000 --> 00:35:00,680
Speaker 1: supposed to sing now, and then some times you did

726
00:35:00,719 --> 00:35:02,719
Speaker 1: the high school musical thing where you just broke right

727
00:35:02,760 --> 00:35:08,840
Speaker 1: and frankly, it was almost like transitioning, like like slowly

728
00:35:08,880 --> 00:35:10,560
Speaker 1: getting me into a musical, you know what I mean.

729
00:35:10,600 --> 00:35:13,520
Speaker 1: Like it was a good, a good gateway musical for me.

730
00:35:14,239 --> 00:35:17,840
Speaker 2: Yes, because the majority of it we are on stage

731
00:35:18,040 --> 00:35:20,839
Speaker 2: or we are rehearsing, like, yes, more of that, but

732
00:35:20,880 --> 00:35:24,920
Speaker 2: there's a couple of the like almost like interlude songs

733
00:35:24,960 --> 00:35:27,920
Speaker 2: that kind of just bring us a little throughout the storyline,

734
00:35:28,120 --> 00:35:31,040
Speaker 2: or like brighten up a spot like Strutt was all

735
00:35:31,080 --> 00:35:36,040
Speaker 2: about showing off the absolutely gorgeous city of Barcelona.

736
00:35:36,120 --> 00:35:38,440
Speaker 1: And that's why it worked perfectly because it was like

737
00:35:38,520 --> 00:35:43,040
Speaker 1: a rock it was you're dancing to show this beautiful city.

738
00:35:43,200 --> 00:35:45,200
Speaker 1: And so I was like, oh, Okay, you're not in

739
00:35:45,239 --> 00:35:47,600
Speaker 1: your high school. You're not walking down the aisle like yeah,

740
00:35:47,600 --> 00:35:49,759
Speaker 1: in your hallway, you're going through Barcelona.

741
00:35:50,000 --> 00:35:52,000
Speaker 2: I mean, we do get there. We do do you do?

742
00:35:52,760 --> 00:35:55,479
Speaker 1: You do? But it works out.

743
00:35:55,840 --> 00:35:59,319
Speaker 2: And this one is and especially because you do get

744
00:35:59,360 --> 00:36:02,120
Speaker 2: to see so many of the big sights in this song,

745
00:36:03,360 --> 00:36:07,200
Speaker 2: like Parkway. When we do the we kind of going

746
00:36:07,280 --> 00:36:12,160
Speaker 2: through in and out where it's like everybody knows that

747
00:36:12,239 --> 00:36:14,480
Speaker 2: something good is going on and it's that thing where

748
00:36:14,480 --> 00:36:17,920
Speaker 2: we like like just lounge into it. That is something

749
00:36:17,960 --> 00:36:20,520
Speaker 2: that gets done, like talk about like those memes and

750
00:36:20,560 --> 00:36:24,160
Speaker 2: those talks and yes, and when people are there in

751
00:36:24,800 --> 00:36:28,080
Speaker 2: park Way, they love filming because it's easy to find,

752
00:36:28,160 --> 00:36:30,759
Speaker 2: it's not hard, it's it's right there, all all of

753
00:36:30,800 --> 00:36:34,440
Speaker 2: that stuff, and they do their they'll redo it. And

754
00:36:34,520 --> 00:36:36,960
Speaker 2: I did it actually on my honeymoon. I did do

755
00:36:37,239 --> 00:36:40,320
Speaker 2: the same thing, react it and I never posted it

756
00:36:40,360 --> 00:36:43,279
Speaker 2: because that's what I do. I film things and never should.

757
00:36:43,160 --> 00:36:44,600
Speaker 1: Do you still have it? I do?

758
00:36:44,719 --> 00:36:48,200
Speaker 2: Yeah, We've got to post it. It's so cool because

759
00:36:48,239 --> 00:36:50,080
Speaker 2: what I love about it is when people go and

760
00:36:50,200 --> 00:36:53,520
Speaker 2: visit this place, there's a huge part of like them

761
00:36:53,600 --> 00:36:56,400
Speaker 2: remembering and first of all, even wanting to go to

762
00:36:56,480 --> 00:36:59,279
Speaker 2: this place because of the movie. And then when they're there,

763
00:36:59,680 --> 00:37:02,160
Speaker 2: we offer a musical that they could go ahead and

764
00:37:02,239 --> 00:37:03,000
Speaker 2: just re do.

765
00:37:03,360 --> 00:37:05,279
Speaker 1: But it's also I mean, think of the fans of

766
00:37:05,320 --> 00:37:07,839
Speaker 1: this movie. You know, you're a twelve thirteen year old girl.

767
00:37:07,880 --> 00:37:10,360
Speaker 1: Most of the time, most kids that age aren't traveling

768
00:37:10,400 --> 00:37:12,560
Speaker 1: the world yet. So by the time you're then in

769
00:37:12,600 --> 00:37:14,960
Speaker 1: your twenties or whatever, in your thirties, and now you're

770
00:37:15,000 --> 00:37:17,000
Speaker 1: going and oh my god, this is from the Cheeah Girls.

771
00:37:17,120 --> 00:37:18,600
Speaker 1: Is the first time I saw it. Of course you're

772
00:37:18,600 --> 00:37:20,120
Speaker 1: going to reenact it. That's the best.

773
00:37:20,480 --> 00:37:25,319
Speaker 2: Oh it's so cool again. I mean, I there's things

774
00:37:25,320 --> 00:37:29,080
Speaker 2: about Strut. I love it. If you notice in the

775
00:37:29,480 --> 00:37:33,600
Speaker 2: airport leading into going to Barcelona, I had these giant,

776
00:37:34,360 --> 00:37:38,279
Speaker 2: chunky platform shoes on. I did not have huge wedges.

777
00:37:38,840 --> 00:37:42,280
Speaker 2: And then by the time they're like so when we started,

778
00:37:42,320 --> 00:37:44,520
Speaker 2: like that was like the intro to get to Spain

779
00:37:44,560 --> 00:37:46,040
Speaker 2: and then they're like, oh yeah, they did like a

780
00:37:46,080 --> 00:37:48,360
Speaker 2: rewrite of some sort to where we were going straight

781
00:37:48,480 --> 00:37:52,080
Speaker 2: into Strut that I was like, can I get some

782
00:37:52,160 --> 00:37:54,879
Speaker 2: tennis shoes because we're going to be filming this for

783
00:37:54,920 --> 00:37:57,799
Speaker 2: like thirteen days, like in and out, and I'm not

784
00:37:57,880 --> 00:38:02,400
Speaker 2: wearing these platforms skin being and dancing and jumping on

785
00:38:02,560 --> 00:38:05,319
Speaker 2: the bencher, yeah, jumping off the benches, Like can I

786
00:38:05,320 --> 00:38:06,839
Speaker 2: get tet of shoes and they're like yeah, And then

787
00:38:06,880 --> 00:38:08,560
Speaker 2: they asked Raven. They're like, do you want to switch?

788
00:38:08,560 --> 00:38:10,280
Speaker 2: And Raymons like no, I want to do my heels,

789
00:38:10,320 --> 00:38:14,240
Speaker 2: and she did. She wore those freaking boots the whole time,

790
00:38:14,640 --> 00:38:17,920
Speaker 2: and I was like, props, props, props. I mean she

791
00:38:17,920 --> 00:38:19,919
Speaker 2: she did at some point start going my feet are dying.

792
00:38:20,320 --> 00:38:24,480
Speaker 2: Of course, my god, who cares. She thugged it through.

793
00:38:24,560 --> 00:38:27,200
Speaker 2: That was so hard. I couldn't imagine having to wear

794
00:38:27,360 --> 00:38:30,520
Speaker 2: those crazy boots for so many days. And she killed it.

795
00:38:30,600 --> 00:38:32,440
Speaker 2: She killed it, didn't it didn't stop her performance.

796
00:38:32,560 --> 00:38:35,480
Speaker 1: That's all a bit well. The song Struck brags about

797
00:38:35,480 --> 00:38:37,840
Speaker 1: the ability to walk through Barcelona while freeing your mind

798
00:38:37,880 --> 00:38:40,960
Speaker 1: and bothering street performers. There's a very cool routine here

799
00:38:41,000 --> 00:38:42,480
Speaker 1: where you all dance in front of what looks like

800
00:38:42,520 --> 00:38:45,719
Speaker 1: a temple and we just see this beautiful city all

801
00:38:45,760 --> 00:38:48,520
Speaker 1: the way. Yeah, it's incredible. The Cheeah girls are still

802
00:38:48,520 --> 00:38:51,080
Speaker 1: flanked by this total guitar playing stranger. Then he reveals

803
00:38:51,080 --> 00:38:56,279
Speaker 1: his name, un Hill, I am on hell Angel, which

804
00:38:56,280 --> 00:38:58,799
Speaker 1: is why he always shows up the hearing it in air.

805
00:38:58,880 --> 00:39:02,759
Speaker 1: I love it, which, by the way, for our producers

806
00:39:02,760 --> 00:39:05,279
Speaker 1: listening every time. I say the name angel or on hill.

807
00:39:05,360 --> 00:39:08,000
Speaker 1: I'd like it to be followed by a Spanish guitar rift.

808
00:39:08,000 --> 00:39:11,640
Speaker 1: Please thank you. Later, the Cheetah girls, now being driven

809
00:39:11,680 --> 00:39:14,840
Speaker 1: in a rolls Royce, arrived to Luke's estate, Ville Soule,

810
00:39:15,280 --> 00:39:17,440
Speaker 1: which is the size of a small city and filled

811
00:39:17,440 --> 00:39:20,319
Speaker 1: with employees. My god, what a stunning place. They get

812
00:39:20,360 --> 00:39:22,640
Speaker 1: a tour of the nineteenth century house and are informed

813
00:39:22,680 --> 00:39:26,360
Speaker 1: of their bedrooms. I mean, talk about hitting the jackpot

814
00:39:26,480 --> 00:39:28,879
Speaker 1: or I guess one, Needa did. It's and I'm gonna

815
00:39:28,920 --> 00:39:30,560
Speaker 1: say this and I'm gonna meet it. I mean this

816
00:39:30,600 --> 00:39:32,680
Speaker 1: all the way around. It's cheet delicious. It really is

817
00:39:33,480 --> 00:39:36,160
Speaker 1: no wonder When he's is stressing about the ring, I'd

818
00:39:36,160 --> 00:39:39,600
Speaker 1: marry this guy too. And then Luke arrives. The girls

819
00:39:39,719 --> 00:39:41,960
Speaker 1: thank the swab Man for housing them. He seems great,

820
00:39:42,040 --> 00:39:44,240
Speaker 1: even though Shanelle is still cold to him and incorrectly

821
00:39:44,320 --> 00:39:46,720
Speaker 1: finds him controlling, which is not at all. The girls

822
00:39:46,840 --> 00:39:49,080
Speaker 1: unpack and get some rests. Tomorrow they're gonna meet with

823
00:39:49,120 --> 00:39:52,080
Speaker 1: the festival director. The next morning. Everyone's eating breakfast on

824
00:39:52,080 --> 00:39:55,279
Speaker 1: the enormous grounds, waited on by numerous maids. Luke says

825
00:39:55,320 --> 00:39:58,160
Speaker 1: he's asked one of his friends, the Count of Tobar,

826
00:39:58,640 --> 00:40:01,879
Speaker 1: to assist them. I'm bo and I went, oh, there's

827
00:40:01,920 --> 00:40:04,080
Speaker 1: gonna be a cute boy showing up. I can tell.

828
00:40:04,760 --> 00:40:06,680
Speaker 1: So they're gonna meet him later on, and with that,

829
00:40:06,719 --> 00:40:10,200
Speaker 1: the girls are off to the festival headquarters. The girls

830
00:40:10,280 --> 00:40:14,320
Speaker 1: arrived to a stunning theater. It looks like the Phantom

831
00:40:14,320 --> 00:40:16,560
Speaker 1: of the Opera would haunt it. I mean, just incredible.

832
00:40:16,760 --> 00:40:19,960
Speaker 1: They're startled by a very Spanish man who asks them

833
00:40:20,160 --> 00:40:23,400
Speaker 1: what they've prepared for their audition. Galleria lets them know

834
00:40:23,440 --> 00:40:26,000
Speaker 1: that they actually brought a CD, but demands they perform

835
00:40:26,120 --> 00:40:28,399
Speaker 1: live now. I love that. They're like, oh, now, okay,

836
00:40:28,400 --> 00:40:30,279
Speaker 1: all right, but okay, well I guess that means now

837
00:40:30,320 --> 00:40:33,320
Speaker 1: let's go. The girls scurry to the cavern of stage

838
00:40:33,360 --> 00:40:36,240
Speaker 1: and they sing about Sisters a cappella, and once they finish,

839
00:40:36,320 --> 00:40:39,040
Speaker 1: the director quickly sends them out. That'll be all for today,

840
00:40:39,239 --> 00:40:41,440
Speaker 1: though it felt weird, and assistant quickly walks in and

841
00:40:41,480 --> 00:40:44,160
Speaker 1: lets them know they've made it. They'll be performing in

842
00:40:44,200 --> 00:40:48,320
Speaker 1: the New Voices competition. Congratulations, we're not back At Luke's Castle.

843
00:40:48,360 --> 00:40:50,400
Speaker 1: The Cheetahs are relaxing, but Galleria is trying to get

844
00:40:50,440 --> 00:40:53,479
Speaker 1: the girls to take a look at the practice schedule. Uh,

845
00:40:53,520 --> 00:40:56,480
Speaker 1: there's no rest. Now it's the time when the cute

846
00:40:56,480 --> 00:41:03,200
Speaker 1: boys arriving. Luke's friends slash summer intern Joaquin arrives. He's

847
00:41:03,200 --> 00:41:05,360
Speaker 1: not even it's not even a moped. It's a really

848
00:41:05,400 --> 00:41:08,879
Speaker 1: really cool scooter, like those Italian scooters of Vespa. He's

849
00:41:08,920 --> 00:41:12,120
Speaker 1: talking about the Dancing Cat, a teen club that possibly

850
00:41:12,160 --> 00:41:15,759
Speaker 1: New Voices competition performers will be performing at. It's like

851
00:41:15,760 --> 00:41:18,120
Speaker 1: the club they all go to. But tomorrow night is

852
00:41:18,200 --> 00:41:20,359
Speaker 1: open mic night, and he wants to sign them up.

853
00:41:20,840 --> 00:41:27,320
Speaker 1: But Joaquin seems most interested in Derinda Oh, immediately kissing

854
00:41:27,320 --> 00:41:31,759
Speaker 1: her hands. Sabrina, what's the deal? Good chemistry with this actor? What?

855
00:41:31,840 --> 00:41:34,120
Speaker 1: How did how did it feel to be with this guy?

856
00:41:34,200 --> 00:41:36,600
Speaker 1: They really paired you up, walk us through. It turned

857
00:41:36,680 --> 00:41:38,480
Speaker 1: ten shades of red as you tell me about.

858
00:41:38,239 --> 00:41:41,160
Speaker 2: This guy, because I just know you're gonna I.

859
00:41:41,040 --> 00:41:43,479
Speaker 1: Have a question from my wife that I'm gonna ask later,

860
00:41:43,600 --> 00:41:44,200
Speaker 1: but go ahead.

861
00:41:46,000 --> 00:41:50,960
Speaker 2: D Yeah. So we got to meet, you know, already,

862
00:41:51,040 --> 00:41:54,200
Speaker 2: because we had rehearsed together, because we had our you know,

863
00:41:54,200 --> 00:41:56,160
Speaker 2: our dances that we were going to be doing together.

864
00:41:56,239 --> 00:41:59,439
Speaker 2: He's in a couple of them, so we'd already met

865
00:42:00,239 --> 00:42:03,399
Speaker 2: he actually, I mean right away him and I did

866
00:42:03,400 --> 00:42:06,520
Speaker 2: click because we instantly started getting into dance, like convos,

867
00:42:06,560 --> 00:42:08,360
Speaker 2: because he is an actual dancer.

868
00:42:08,360 --> 00:42:09,920
Speaker 1: He was in sure you could tell.

869
00:42:09,800 --> 00:42:13,520
Speaker 2: A contemporary dance program. And that's when he told me

870
00:42:13,560 --> 00:42:15,520
Speaker 2: that they were actually going to be having a performance

871
00:42:15,640 --> 00:42:17,319
Speaker 2: during the time we were gonna be their shooting. So

872
00:42:17,640 --> 00:42:20,040
Speaker 2: are like most of us all went to go to

873
00:42:20,160 --> 00:42:23,040
Speaker 2: his performance and and see him do his thing, which

874
00:42:23,120 --> 00:42:26,759
Speaker 2: was very contemporary and not what I was thinking.

875
00:42:26,520 --> 00:42:28,000
Speaker 1: At all, like modern dance.

876
00:42:28,080 --> 00:42:31,680
Speaker 2: Kind of yes, like they it was really artistic and

877
00:42:31,840 --> 00:42:34,840
Speaker 2: super cool, but like the guys were in like these

878
00:42:35,040 --> 00:42:38,239
Speaker 2: team tiny like little nude shorts, and that was it and.

879
00:42:38,200 --> 00:42:40,360
Speaker 1: We were like wow.

880
00:42:40,320 --> 00:42:42,520
Speaker 2: What And then the girls were in like these like

881
00:42:42,640 --> 00:42:45,120
Speaker 2: just barely could see they're like nude, like they were

882
00:42:45,160 --> 00:42:48,480
Speaker 2: supposed to be completely nude, but they weren't nude nude,

883
00:42:48,719 --> 00:42:51,840
Speaker 2: so we just like hit it off right away. We

884
00:42:51,880 --> 00:42:55,120
Speaker 2: instantly both got into talking about dance. He had places

885
00:42:55,160 --> 00:42:58,759
Speaker 2: that like he recommended. He didn't live in Barcelona, he

886
00:42:58,880 --> 00:43:00,800
Speaker 2: wasn't from there. He was from somewhere else, so he

887
00:43:01,000 --> 00:43:03,000
Speaker 2: was like, oh, when I first got here, here's some

888
00:43:03,040 --> 00:43:06,040
Speaker 2: places you guys should check out cool. He spoke like

889
00:43:06,040 --> 00:43:09,760
Speaker 2: three different languages, and he would it was so fun

890
00:43:09,800 --> 00:43:14,080
Speaker 2: going out with him because so many people, like Barcelona's

891
00:43:14,160 --> 00:43:16,080
Speaker 2: kind of like a It's like New York. It's like

892
00:43:16,080 --> 00:43:18,480
Speaker 2: a melting pot of like all different people, a lot

893
00:43:18,480 --> 00:43:20,399
Speaker 2: of different cultures and stuff. So he would go from

894
00:43:20,440 --> 00:43:22,040
Speaker 2: like speaking French to German.

895
00:43:22,080 --> 00:43:24,759
Speaker 1: To yeah, most Europeans can do that, it's crazy, and.

896
00:43:24,800 --> 00:43:27,200
Speaker 2: To Spanish and like just anyone that was around and

897
00:43:27,239 --> 00:43:29,200
Speaker 2: me could talk and I was like, I don't understand

898
00:43:29,200 --> 00:43:29,640
Speaker 2: any of them.

899
00:43:29,800 --> 00:43:32,520
Speaker 1: Yep, so were Americans. We can only have one language

900
00:43:32,520 --> 00:43:33,000
Speaker 1: and ahead at.

901
00:43:32,920 --> 00:43:35,640
Speaker 2: The time where we get so crazy. It's so crazy

902
00:43:35,680 --> 00:43:38,279
Speaker 2: to know. He said he started speaking other languages when

903
00:43:38,280 --> 00:43:40,799
Speaker 2: he was like three or four. Yeah, Like I was like, yeah,

904
00:43:40,840 --> 00:43:42,960
Speaker 2: I don't even think he spoke real English when I

905
00:43:43,000 --> 00:43:44,160
Speaker 2: was three year exactly.

906
00:43:44,680 --> 00:43:47,880
Speaker 1: Luke arrives and confirms this young stud is a count

907
00:43:48,040 --> 00:43:52,239
Speaker 1: and is his dancing godson. As a result, Joaquin gives

908
00:43:52,239 --> 00:43:54,360
Speaker 1: Dough his studio addressed. The possible couple are going to

909
00:43:54,440 --> 00:43:59,440
Speaker 1: hang out and do a little dancing later at Galeria

910
00:43:59,480 --> 00:44:01,960
Speaker 1: Aqua and Galeria's mom or doing a little shopping when

911
00:44:01,960 --> 00:44:05,160
Speaker 1: they spot some incredible dresses. While admiring the designer, they're

912
00:44:05,200 --> 00:44:08,600
Speaker 1: interrupted by a man who knows Dorothea. His name is

913
00:44:08,800 --> 00:44:11,920
Speaker 1: Randolph Hunter and they apparently go way back. He owns

914
00:44:11,920 --> 00:44:15,640
Speaker 1: the boutique with the famous designer Aramet. Question from a

915
00:44:15,640 --> 00:44:18,200
Speaker 1: guy who knows nothing, is this completely and totally made up?

916
00:44:18,280 --> 00:44:20,360
Speaker 1: Or is Aramet a real designer in person? Like this

917
00:44:20,440 --> 00:44:21,560
Speaker 1: was somebody I was supposed to know?

918
00:44:22,160 --> 00:44:23,799
Speaker 2: No, I think it's it's fake.

919
00:44:23,840 --> 00:44:26,000
Speaker 1: Okay, Guys again, I was like, oh, is this am

920
00:44:26,040 --> 00:44:27,399
Speaker 1: I supposed to know who this is? Because I don't

921
00:44:27,400 --> 00:44:28,719
Speaker 1: know anything about design I didn't.

922
00:44:28,480 --> 00:44:32,600
Speaker 2: Know if this was supposed to be somebody Dorothia. Dorothea's

923
00:44:32,640 --> 00:44:35,760
Speaker 2: like whole backstory, is that right? She was the designer group,

924
00:44:35,800 --> 00:44:38,080
Speaker 2: but then she was she was a designer and all that.

925
00:44:38,280 --> 00:44:40,520
Speaker 1: I just didn't know if they brought in somebody famous

926
00:44:40,560 --> 00:44:42,560
Speaker 1: and I just didn't know who it was. Okay, So

927
00:44:42,600 --> 00:44:44,319
Speaker 1: the Aramet is made up? Gotcha?

928
00:44:44,160 --> 00:44:44,359
Speaker 2: Yeah?

929
00:44:44,600 --> 00:44:46,480
Speaker 1: And he invites them in to see her. After a

930
00:44:46,480 --> 00:44:48,920
Speaker 1: big reunion with Dorothea, Aqua wants to spend time with

931
00:44:48,920 --> 00:44:51,399
Speaker 1: one of her favorite clothing designers, but Galeria is still

932
00:44:51,480 --> 00:44:55,400
Speaker 1: very frustrated about the rehearsals because they just aren't happening.

933
00:44:55,440 --> 00:44:58,480
Speaker 1: And this is when I started going, thank you, Galeria,

934
00:44:58,640 --> 00:45:02,200
Speaker 1: you're there for a reason. Is nobody else rehearsing? And

935
00:45:02,200 --> 00:45:03,880
Speaker 1: I was starting to laggravated.

936
00:45:04,200 --> 00:45:04,600
Speaker 2: I know.

937
00:45:05,000 --> 00:45:08,360
Speaker 1: Meanwhile, I would have been to exactly, that's you. You

938
00:45:08,400 --> 00:45:10,520
Speaker 1: would have been like, let's rehearse.

939
00:45:10,200 --> 00:45:14,319
Speaker 2: Please for vacation, thank you a business, thank you.

940
00:45:14,719 --> 00:45:17,360
Speaker 1: Meanwhile, Derinda has arrived at the Que Boys dancing studio,

941
00:45:17,520 --> 00:45:20,560
Speaker 1: where he seductively grinds with a large group. Derinda is

942
00:45:20,600 --> 00:45:22,560
Speaker 1: invited to join them, borrowing clothes and shoes from some

943
00:45:22,680 --> 00:45:24,480
Speaker 1: random lady who is three feet taller than you but

944
00:45:24,520 --> 00:45:27,200
Speaker 1: apparently you fit into her shoes anyway, and jumping in

945
00:45:27,239 --> 00:45:30,600
Speaker 1: to do some tango, salsa and ballroom. Right, did I

946
00:45:30,600 --> 00:45:31,880
Speaker 1: get those rights? Yes?

947
00:45:32,160 --> 00:45:35,960
Speaker 2: So my Tay, which they actually I didn't realize last night.

948
00:45:36,000 --> 00:45:37,600
Speaker 2: I was like, oh my gosh, they used her real name.

949
00:45:37,680 --> 00:45:41,839
Speaker 2: So my te who helps us was actually our on

950
00:45:42,000 --> 00:45:47,359
Speaker 2: site Spanish dancing assistant to help with language barrier situations

951
00:45:47,360 --> 00:45:53,240
Speaker 2: like translation. She also she is an incredible like salsa

952
00:45:53,520 --> 00:45:57,080
Speaker 2: Latin dancer who is like best friends with Shakira, so

953
00:45:57,239 --> 00:45:59,439
Speaker 2: like she was like really cool to have on set.

954
00:45:59,800 --> 00:46:01,520
Speaker 2: And then they asked her to go ahead and be

955
00:46:01,600 --> 00:46:04,080
Speaker 2: in some of the scenes. Oh that was like, so

956
00:46:04,120 --> 00:46:05,920
Speaker 2: we already knew her for a long time because she

957
00:46:05,960 --> 00:46:07,000
Speaker 2: was within all the rehearsals.

958
00:46:07,200 --> 00:46:09,680
Speaker 1: Okay, well, that's really really cool and I'm glad that

959
00:46:09,719 --> 00:46:13,560
Speaker 1: I got it. So I also to say I never

960
00:46:13,600 --> 00:46:15,480
Speaker 1: watched Dance with the Stars. I've never seen a single

961
00:46:15,560 --> 00:46:19,040
Speaker 1: single episode, so I've never seen you dance other than

962
00:46:19,120 --> 00:46:22,440
Speaker 1: the cheetah girl stuff on stage, and to watch you

963
00:46:23,360 --> 00:46:25,879
Speaker 1: dance dance is phenomenal. You kill it.

964
00:46:26,440 --> 00:46:29,239
Speaker 2: This actually is really not the great I kind of

965
00:46:29,320 --> 00:46:33,879
Speaker 2: cringe at my youth. Don't like this really the way

966
00:46:34,400 --> 00:46:36,880
Speaker 2: it's okay, it's hard. This is like one of my

967
00:46:36,920 --> 00:46:40,400
Speaker 2: most proud scenes that I've ever done. It was so stunny.

968
00:46:40,440 --> 00:46:43,840
Speaker 2: This is why I was fucking excited to work with

969
00:46:43,920 --> 00:46:46,920
Speaker 2: Kenny Ortega. And I knew, especially when I saw in

970
00:46:46,960 --> 00:46:49,440
Speaker 2: the script I had like a specific dance scene and

971
00:46:49,440 --> 00:46:51,680
Speaker 2: it was a partner dance scene, I knew he was

972
00:46:51,719 --> 00:46:54,799
Speaker 2: going to kill it. But when I look at like then,

973
00:46:54,880 --> 00:46:56,880
Speaker 2: because I hadn't done Dancing with the Stars at this

974
00:46:57,000 --> 00:46:59,680
Speaker 2: point yet. So then when I went and did Dancing

975
00:46:59,719 --> 00:47:01,960
Speaker 2: with This Stars, and I learned more about the actual

976
00:47:02,000 --> 00:47:04,560
Speaker 2: technique because they didn't really they taught me the moves,

977
00:47:04,560 --> 00:47:06,600
Speaker 2: but they didn't teach the technique. We had like a

978
00:47:06,640 --> 00:47:11,319
Speaker 2: full blown, real amazing like Latin and ballroom choreographer come

979
00:47:11,360 --> 00:47:14,080
Speaker 2: in to do to help out with this, but he

980
00:47:14,080 --> 00:47:16,759
Speaker 2: didn't teach me because they wanted me to not look like,

981
00:47:16,960 --> 00:47:20,160
Speaker 2: oh I just picked Yeah, I wasn't supposed to look.

982
00:47:20,320 --> 00:47:24,080
Speaker 1: Had you done this kind of dancing at all before? No? Oh?

983
00:47:24,400 --> 00:47:26,880
Speaker 2: Okay, wow, I mean I did like a tap duet,

984
00:47:26,960 --> 00:47:29,000
Speaker 2: like I hadn't even done partner work. I did a

985
00:47:29,040 --> 00:47:31,040
Speaker 2: tap duet with a boy when I was when I

986
00:47:31,040 --> 00:47:32,880
Speaker 2: was growing up, and we did a few lifts, but

987
00:47:33,000 --> 00:47:36,560
Speaker 2: like lists were very uncomfortable for me, Like this was not.

988
00:47:36,680 --> 00:47:39,640
Speaker 1: Like a god you hit that so well because it

989
00:47:39,680 --> 00:47:41,919
Speaker 1: looked great. It really looked great.

990
00:47:42,200 --> 00:47:45,719
Speaker 2: It shot so gorgeous. The whole choreography is really good, and.

991
00:47:46,239 --> 00:47:48,240
Speaker 1: You look like you're getting along and you have almost

992
00:47:48,280 --> 00:47:50,680
Speaker 1: that dirty dancing moment where you're kind of like you

993
00:47:50,680 --> 00:47:53,040
Speaker 1: break and smile and you do all that. It was.

994
00:47:53,120 --> 00:47:53,919
Speaker 1: It was a great scene.

995
00:47:54,000 --> 00:47:57,000
Speaker 2: He told my manager Melissa. I was like, I'm gonna

996
00:47:57,040 --> 00:47:58,120
Speaker 2: get a dirty dude.

997
00:47:57,960 --> 00:47:58,360
Speaker 1: Dude.

998
00:48:00,080 --> 00:48:02,640
Speaker 2: Because Kenny did. Kenny did dirty Dan scene, I know.

999
00:48:03,040 --> 00:48:04,440
Speaker 2: So it was like, oh.

1000
00:48:04,320 --> 00:48:06,360
Speaker 1: My god, no, this is so amazing.

1001
00:48:06,480 --> 00:48:09,240
Speaker 2: It was a scene favorite days.

1002
00:48:09,080 --> 00:48:11,080
Speaker 1: On How long did it take? It only took one day?

1003
00:48:11,320 --> 00:48:13,719
Speaker 2: No, I think we probably did two days because we

1004
00:48:13,800 --> 00:48:17,160
Speaker 2: had a couple, like we did everything within two days

1005
00:48:17,200 --> 00:48:21,279
Speaker 2: in that one location. Gotchaight, So but it was like

1006
00:48:21,480 --> 00:48:23,919
Speaker 2: amazing and just it was just you could just tell

1007
00:48:23,920 --> 00:48:28,279
Speaker 2: how gorgeous it was going to be the life. Oh yeah, yeah,

1008
00:48:28,320 --> 00:48:30,680
Speaker 2: are you kid? This was like what I was the

1009
00:48:30,719 --> 00:48:32,920
Speaker 2: most scared of is like getting something like this with

1010
00:48:33,320 --> 00:48:35,759
Speaker 2: as as excited as I was, I was scared I

1011
00:48:35,800 --> 00:48:36,520
Speaker 2: was going to screw.

1012
00:48:36,320 --> 00:48:38,520
Speaker 1: This up for Kenny or h Well, I'm sorry. I

1013
00:48:38,560 --> 00:48:40,799
Speaker 1: know very little about it, but you looked like you killed.

1014
00:48:40,800 --> 00:48:41,520
Speaker 1: It looked amazing.

1015
00:48:41,680 --> 00:48:43,759
Speaker 2: I think it was so fun. It was fun, and

1016
00:48:43,840 --> 00:48:46,759
Speaker 2: I thought the chemistry was like a real vibe. But

1017
00:48:46,840 --> 00:48:50,080
Speaker 2: it was great. We were both like excited and like,

1018
00:48:50,200 --> 00:48:53,440
Speaker 2: you know, he wasn't necessarily like a Latin dancer either, right,

1019
00:48:53,520 --> 00:48:56,040
Speaker 2: he was not a contemporary dancer. So we were both

1020
00:48:56,120 --> 00:48:57,960
Speaker 2: learning and both of us were looking at it like

1021
00:48:58,400 --> 00:49:00,640
Speaker 2: we're doing it like this is good, this is awesome,

1022
00:49:00,719 --> 00:49:01,000
Speaker 2: you know.

1023
00:49:01,239 --> 00:49:04,040
Speaker 1: And again not bashing your Cheetah Girl sisters at all,

1024
00:49:04,040 --> 00:49:07,319
Speaker 1: but knowing very little about dance, it's pretty easy to

1025
00:49:07,320 --> 00:49:10,000
Speaker 1: see that you're the best dancer of the four. Well,

1026
00:49:10,480 --> 00:49:13,319
Speaker 1: I mean, but you can I mean, it's just you

1027
00:49:13,360 --> 00:49:14,840
Speaker 1: just can tell that you're a dancer.

1028
00:49:14,880 --> 00:49:17,799
Speaker 2: I mean, yeah, I've had so much training.

1029
00:49:17,560 --> 00:49:19,520
Speaker 1: Right, That's what I mean. But you can really tell

1030
00:49:19,560 --> 00:49:21,399
Speaker 1: that that you're the best dancer of the four. Again,

1031
00:49:21,440 --> 00:49:24,000
Speaker 1: no offense to the other three. So this dance finishes,

1032
00:49:24,040 --> 00:49:26,560
Speaker 1: and even though Drenda seems entranced by his moves, she

1033
00:49:26,640 --> 00:49:29,239
Speaker 1: realizes she's late. She's got to go. He invites her

1034
00:49:29,280 --> 00:49:31,000
Speaker 1: to be his date for a beach party tomorrow. She

1035
00:49:31,040 --> 00:49:33,480
Speaker 1: says she can't, she has rehearsal mm hmm, So now

1036
00:49:33,480 --> 00:49:37,440
Speaker 1: she cares about rehearsal, but eventually says maybe and leaves.

1037
00:49:37,680 --> 00:49:41,200
Speaker 1: But tonight he'll see her at the Dancing Cat. He

1038
00:49:41,320 --> 00:49:44,359
Speaker 1: is very smitten by this American. We cut to that

1039
00:49:44,520 --> 00:49:46,440
Speaker 1: night outside the Dancing Cat, where tons of people have

1040
00:49:46,480 --> 00:49:48,920
Speaker 1: lined up to get in and celebrities are rushed inside.

1041
00:49:49,120 --> 00:49:51,480
Speaker 1: Galeria tells the door guy that they're the Cheetah Girls,

1042
00:49:51,480 --> 00:49:54,239
Speaker 1: and they're led right in and brought to Joaquin and

1043
00:49:54,280 --> 00:49:57,640
Speaker 1: some other bros. Galeria remarks, the club is off the chain,

1044
00:49:57,719 --> 00:49:59,960
Speaker 1: which of course it is. I know nothing of this chain.

1045
00:50:00,160 --> 00:50:01,560
Speaker 1: I can tell that this club is off of it.

1046
00:50:02,160 --> 00:50:05,279
Speaker 1: Before they can even get comfortable, though, a singer, Marisol,

1047
00:50:05,440 --> 00:50:08,520
Speaker 1: Barcelona's best chance to win the New Voices competition, takes

1048
00:50:08,560 --> 00:50:12,359
Speaker 1: the stage. She sings why Wait, a bilingual track about

1049
00:50:12,360 --> 00:50:15,360
Speaker 1: season the day the club goers love her. She eventually

1050
00:50:15,400 --> 00:50:18,240
Speaker 1: stage dives, and the Cheetah Girls know their growl pals

1051
00:50:18,280 --> 00:50:22,919
Speaker 1: in some stiff competition. Joaquin offers them some stage time,

1052
00:50:22,960 --> 00:50:25,480
Speaker 1: but the intimidated girl say they'll try another night. The

1053
00:50:25,560 --> 00:50:28,400
Speaker 1: next act takes the stage and it's that long haired,

1054
00:50:28,480 --> 00:50:33,360
Speaker 1: rised up Angelle from that lunch. He says he's gonna

1055
00:50:33,360 --> 00:50:36,319
Speaker 1: slow things down with an old acoustic lullaby and it's

1056
00:50:36,360 --> 00:50:39,719
Speaker 1: called a la Nanita Nana. I hope I got that right,

1057
00:50:40,640 --> 00:50:44,879
Speaker 1: Nana A la nita nana okay. Chanelle immediately recognizes the song.

1058
00:50:44,960 --> 00:50:47,160
Speaker 1: Her grandmother used to sing it to her, so she

1059
00:50:47,239 --> 00:50:49,480
Speaker 1: decides to just sing along as he plays, and is

1060
00:50:49,520 --> 00:50:52,320
Speaker 1: eventually joined by Marisol. Then the rest of the Cheetah

1061
00:50:52,320 --> 00:50:54,120
Speaker 1: Girls give each other a little head nod and join

1062
00:50:54,160 --> 00:50:56,120
Speaker 1: in with the harmonies. You know, like we all do,

1063
00:50:56,160 --> 00:50:59,040
Speaker 1: and we're just hanging out at clubs or whatever. The

1064
00:50:59,200 --> 00:51:02,680
Speaker 1: song ends, and everyone loves what they've heard, especially Marisol

1065
00:51:02,800 --> 00:51:07,600
Speaker 1: and Lola Duran, who's Marisol's mamager. They've heard all about

1066
00:51:07,640 --> 00:51:09,480
Speaker 1: the Cheetah Girls and want to know if they've traveled

1067
00:51:09,480 --> 00:51:11,920
Speaker 1: to Spain alone. Gallerya explains they came with her mom,

1068
00:51:11,960 --> 00:51:14,359
Speaker 1: who was also a mamager. Lola can't wait to meet

1069
00:51:14,360 --> 00:51:16,520
Speaker 1: her and they exchange phone numbers with Chanelle to eventually

1070
00:51:16,520 --> 00:51:20,720
Speaker 1: set up another get together. Right away. I didn't trust

1071
00:51:20,719 --> 00:51:25,000
Speaker 1: this lady, oh right away. I didn't trust this lady.

1072
00:51:25,239 --> 00:51:27,320
Speaker 2: Also, that's the song I woant to cut.

1073
00:51:27,480 --> 00:51:31,520
Speaker 1: It was really so long. Although it looks really.

1074
00:51:31,320 --> 00:51:35,080
Speaker 2: Pretty, well, that's only one of two this this song.

1075
00:51:35,680 --> 00:51:37,840
Speaker 2: It was it was a very long song, and I

1076
00:51:37,880 --> 00:51:41,640
Speaker 2: get it. It's the way that we introduced the sure

1077
00:51:41,719 --> 00:51:45,240
Speaker 2: starting to join Force's type situation with Marisol and Chanel.

1078
00:51:45,719 --> 00:51:49,440
Speaker 2: But it just was like so long and it's not

1079
00:51:49,560 --> 00:51:52,600
Speaker 2: just pretty though it was pretty to me. I'm like,

1080
00:51:52,719 --> 00:51:55,880
Speaker 2: oh man, you know, here we go, here we go,

1081
00:51:55,960 --> 00:51:59,319
Speaker 2: and you get the then we start getting into the

1082
00:51:59,600 --> 00:52:02,680
Speaker 2: things Kiley and Kiley. This is a time where Kiehi

1083
00:52:02,800 --> 00:52:05,319
Speaker 2: always goes. Remember when you got caught on I have

1084
00:52:05,400 --> 00:52:07,880
Speaker 2: like a couple times caught on camera where I'm giving Keey,

1085
00:52:08,000 --> 00:52:13,080
Speaker 2: like actual real eye rolls from Sabrina are you and

1086
00:52:14,600 --> 00:52:17,360
Speaker 2: I go, we get it, we get it, Aqua, And

1087
00:52:17,360 --> 00:52:19,719
Speaker 2: then I like give her like the most ds. I

1088
00:52:19,800 --> 00:52:22,080
Speaker 2: have these ridiculous eye rolls that I do, and I

1089
00:52:22,320 --> 00:52:24,640
Speaker 2: like She's like, oh man, you let me.

1090
00:52:24,719 --> 00:52:27,960
Speaker 1: Have it on this Oh yeah, oh I've got okay.

1091
00:52:28,880 --> 00:52:31,640
Speaker 2: Really irritated her at her in real life. I'm not

1092
00:52:31,640 --> 00:52:34,160
Speaker 2: saying that I'm not. It's it's an eye roll that

1093
00:52:34,239 --> 00:52:37,600
Speaker 2: when I am irritated, I will do and it's so funny.

1094
00:52:37,640 --> 00:52:40,799
Speaker 1: Oh it's the best. Oh, I love that. Yes, they

1095
00:52:41,200 --> 00:52:43,719
Speaker 1: on the way out, Lola get again. Didn't trust this woman.

1096
00:52:43,719 --> 00:52:45,560
Speaker 1: But on the way Lola gives them a little advice.

1097
00:52:45,640 --> 00:52:47,799
Speaker 1: It's difficult to win the competition on your first try.

1098
00:52:47,840 --> 00:52:51,759
Speaker 1: It's actually Marisol's third attempt. Lola suggests they need to

1099
00:52:51,800 --> 00:52:53,200
Speaker 1: meet all the right people. They need to go to

1100
00:52:53,239 --> 00:52:54,920
Speaker 1: the right parties and sing the right songs to make

1101
00:52:54,920 --> 00:52:57,759
Speaker 1: a splash in Spain, which she can help with. The

1102
00:52:57,800 --> 00:53:00,000
Speaker 1: Next day, while Lola and Marisol out for a walk,

1103
00:53:00,160 --> 00:53:02,880
Speaker 1: Marisol's mom suggests that Lola stay with Chanel, so they

1104
00:53:02,920 --> 00:53:05,600
Speaker 1: can grow closer and Chanell can help her learn some English,

1105
00:53:05,760 --> 00:53:08,200
Speaker 1: and Marisol can return the favor by teaching Chanelle her

1106
00:53:08,200 --> 00:53:11,719
Speaker 1: contest song and choreography. So Marisol wonders if her mom

1107
00:53:11,800 --> 00:53:13,520
Speaker 1: is trying to breakup the Chetah Girls, and she says no,

1108
00:53:13,920 --> 00:53:16,319
Speaker 1: But when Marisol sang with Chanelle at the Dancing Cat,

1109
00:53:16,400 --> 00:53:18,960
Speaker 1: she got an idea. Marisol knows where this is going

1110
00:53:18,960 --> 00:53:20,600
Speaker 1: and she doesn't like it. She wants to win on

1111
00:53:20,640 --> 00:53:24,080
Speaker 1: her own, but Lola says she's already lost twice Yike's mom.

1112
00:53:24,400 --> 00:53:26,719
Speaker 1: They need something new and this can be the thing

1113
00:53:26,760 --> 00:53:31,439
Speaker 1: that puts her over the edge. Ooh vibes yes, and

1114
00:53:31,520 --> 00:53:34,720
Speaker 1: so the plan begins. The Cheetah girls, now with Dorothea,

1115
00:53:34,800 --> 00:53:36,440
Speaker 1: are on their way to meet Marisol and her mom

1116
00:53:36,480 --> 00:53:39,200
Speaker 1: for the beach party. Dorothea thinks it's a little weird

1117
00:53:39,200 --> 00:53:41,640
Speaker 1: that this woman wants to help, so did I, so

1118
00:53:41,680 --> 00:53:44,000
Speaker 1: she suggests they keep an eye on her, but the

1119
00:53:44,040 --> 00:53:46,840
Speaker 1: girls aren't worried about it, and they meet on what

1120
00:53:46,880 --> 00:53:49,360
Speaker 1: appears to be the top of a mountain, which was amazing.

1121
00:53:49,480 --> 00:53:52,680
Speaker 1: Lola kindly welcomes the girl and introduces herself to Dorothea.

1122
00:53:52,920 --> 00:53:54,520
Speaker 1: So now the crew will make their way to the

1123
00:53:54,520 --> 00:53:58,560
Speaker 1: beach party, where they already see Joaquin, who has some tapis.

1124
00:53:59,040 --> 00:54:01,680
Speaker 1: Durinda seems very happy about seeing her new love interest,

1125
00:54:01,760 --> 00:54:04,360
Speaker 1: but Galeria is freaking out that they aren't practicing for

1126
00:54:04,400 --> 00:54:08,480
Speaker 1: the contest at all. Thank you, Galeria. Everybody's out there.

1127
00:54:08,840 --> 00:54:13,080
Speaker 1: Galeria ain't gallivant, and well everybody else is. Maybe let's

1128
00:54:13,080 --> 00:54:15,279
Speaker 1: get some practice in for this thing we flew here for.

1129
00:54:16,000 --> 00:54:18,399
Speaker 1: But before they can even talk about it, Marisol pull

1130
00:54:18,480 --> 00:54:21,399
Speaker 1: Chanel away to meet her local friends. Yikes. Okay, let's

1131
00:54:21,440 --> 00:54:23,239
Speaker 1: talk about the beach party for a second, if we can.

1132
00:54:25,000 --> 00:54:30,600
Speaker 1: A choreographer obviously choreographs. I completely understand that. Yes, for

1133
00:54:30,719 --> 00:54:33,359
Speaker 1: the big long shot where you see the two kind

1134
00:54:33,400 --> 00:54:36,239
Speaker 1: of stories of the beach party, Uh huh, there's like

1135
00:54:36,280 --> 00:54:38,000
Speaker 1: the bottom row and the top row and it's all

1136
00:54:38,040 --> 00:54:41,439
Speaker 1: by the ocean. It's gorgeous. Is every one of those

1137
00:54:41,560 --> 00:54:44,480
Speaker 1: dances choreographed or do they just go dance like all right,

1138
00:54:44,480 --> 00:54:46,640
Speaker 1: everybody just dance for the background and go from there.

1139
00:54:46,800 --> 00:54:48,480
Speaker 1: Or is he going no, I want the top to

1140
00:54:48,480 --> 00:54:50,200
Speaker 1: look like this, I want the bottom to look like this.

1141
00:54:50,320 --> 00:54:53,319
Speaker 2: Yes, I think probably like the way he's doing it

1142
00:54:53,360 --> 00:54:56,359
Speaker 2: is I don't think it's necessarily choreographed unless he has

1143
00:54:56,400 --> 00:54:57,960
Speaker 2: to go in and say, no, I need you guys

1144
00:54:58,000 --> 00:55:00,160
Speaker 2: to like I need you to twirl her here, and

1145
00:55:00,239 --> 00:55:04,200
Speaker 2: like he's kind of placing it. But for the most part,

1146
00:55:04,280 --> 00:55:07,720
Speaker 2: like that wasn't like a choreographed set. Okay, he did

1147
00:55:07,760 --> 00:55:11,360
Speaker 2: have what's great as him and Chucky and then also

1148
00:55:13,000 --> 00:55:15,840
Speaker 2: my take came in and they were they would split

1149
00:55:15,960 --> 00:55:18,880
Speaker 2: up and kind of help the people that were on

1150
00:55:19,120 --> 00:55:21,680
Speaker 2: camera of what they need to do and just what

1151
00:55:21,880 --> 00:55:25,040
Speaker 2: they're looking for. But it wasn't like they didn't have

1152
00:55:25,080 --> 00:55:26,160
Speaker 2: like rehearsals for sech.

1153
00:55:26,080 --> 00:55:28,359
Speaker 1: Okay, that's what I was wondering. Okay, got it.

1154
00:55:28,600 --> 00:55:30,600
Speaker 2: But they definitely they were a great team where they

1155
00:55:30,600 --> 00:55:33,720
Speaker 2: would like kind of just like split up, like Kenny

1156
00:55:33,719 --> 00:55:35,640
Speaker 2: would say, like I want this group to kind of

1157
00:55:35,680 --> 00:55:38,799
Speaker 2: do this stuff, you know and whirling yeah, and he

1158
00:55:38,920 --> 00:55:41,279
Speaker 2: like he loves to have it expanded so you see

1159
00:55:41,320 --> 00:55:44,239
Speaker 2: it kind of on a broad gape and stuff. One

1160
00:55:44,239 --> 00:55:47,600
Speaker 2: part about this was this was in Seeches is where

1161
00:55:47,600 --> 00:55:50,600
Speaker 2: we filmed this, and there was a nude beach like

1162
00:55:50,719 --> 00:55:53,080
Speaker 2: just over the like balcony.

1163
00:55:53,200 --> 00:55:58,839
Speaker 1: Yeah heck yeah, welcome to Spain. But it wasn't like.

1164
00:55:58,800 --> 00:56:01,040
Speaker 2: A nude beach with a bunch of sexy people. It

1165
00:56:01,080 --> 00:56:02,239
Speaker 2: was like old men.

1166
00:56:02,680 --> 00:56:06,120
Speaker 1: Yeah, I've seen nude beaches in Europe. They're not what

1167
00:56:06,160 --> 00:56:07,439
Speaker 1: you think they are most of the time.

1168
00:56:07,680 --> 00:56:09,840
Speaker 2: They're not the sexy one that you think that you

1169
00:56:09,880 --> 00:56:12,279
Speaker 2: would ever want to see. Like you kind of went

1170
00:56:12,320 --> 00:56:14,080
Speaker 2: there's a nude beach and you're like what you went

1171
00:56:14,120 --> 00:56:14,840
Speaker 2: over there and you're.

1172
00:56:14,719 --> 00:56:17,640
Speaker 1: Like, oh, yes, it's not Love Island nude beach. It's

1173
00:56:17,719 --> 00:56:20,480
Speaker 1: oh old man nude beach. Yeah, yes it is, Yes

1174
00:56:20,480 --> 00:56:20,759
Speaker 1: it is.

1175
00:56:20,800 --> 00:56:22,000
Speaker 2: But that was really fun to.

1176
00:56:22,040 --> 00:56:24,200
Speaker 1: Hit a certain age to be that comfortable naked.

1177
00:56:24,440 --> 00:56:27,040
Speaker 2: Yeah, we were shooting shooting like that. A Disney channel

1178
00:56:27,160 --> 00:56:29,600
Speaker 2: was movies shooting nude beach.

1179
00:56:30,320 --> 00:56:33,400
Speaker 1: Later on, Derinda is hanging out and flirting with Joaquin.

1180
00:56:33,520 --> 00:56:36,399
Speaker 1: They're talking about dancing and his family's expectations that will

1181
00:56:36,400 --> 00:56:40,000
Speaker 1: go to Oxford. Derinda admits her home life is also complicated.

1182
00:56:40,000 --> 00:56:42,000
Speaker 1: I like how the two characters kept saying complicated, but

1183
00:56:42,080 --> 00:56:44,920
Speaker 1: keeps the whole orphan thing a secret. For now. We're

1184
00:56:44,920 --> 00:56:46,480
Speaker 1: back at Luke's resort, which is the only thing it

1185
00:56:46,480 --> 00:56:49,120
Speaker 1: could be called. Dorothya is telling Juanita something isn't right

1186
00:56:49,200 --> 00:56:51,600
Speaker 1: with this. Lola and Janita is still just focusing on

1187
00:56:51,680 --> 00:56:55,400
Speaker 1: Luke's possible proposal. Spain sure is confusing all the way around.

1188
00:56:55,600 --> 00:56:58,520
Speaker 1: And in another room, the Cheetah girls are finally practicing.

1189
00:56:58,840 --> 00:57:00,839
Speaker 1: Galeria is at the piano, but the others just want

1190
00:57:00,840 --> 00:57:03,840
Speaker 1: to nap after the party. Chanelle is already bringing up advice.

1191
00:57:03,920 --> 00:57:06,960
Speaker 1: Lola told her to sing a little something something in Spanish,

1192
00:57:07,280 --> 00:57:10,000
Speaker 1: but Galleria doesn't get it. They don't speak Spanish. Before

1193
00:57:10,040 --> 00:57:12,240
Speaker 1: any argument can occur, they're saved by the bell because

1194
00:57:12,280 --> 00:57:14,480
Speaker 1: Direnda gets a call from Joaquin to teach a hip

1195
00:57:14,480 --> 00:57:16,960
Speaker 1: hop class. Chanell needs to get ready for Luke's family,

1196
00:57:16,960 --> 00:57:19,120
Speaker 1: who are coming over for lunch, and Aqua is going

1197
00:57:19,120 --> 00:57:22,960
Speaker 1: back with Dorothea to Aramet's studio. Yikes, nobody's practicing here.

1198
00:57:23,320 --> 00:57:26,320
Speaker 1: The band practice ended less than thirty minutes since it began,

1199
00:57:26,720 --> 00:57:30,520
Speaker 1: and now they're only six days left before the competition. Galleria, who'

1200
00:57:30,520 --> 00:57:32,600
Speaker 1: found herself alone, knows there's no way they can even

1201
00:57:32,720 --> 00:57:37,600
Speaker 1: learn a Spanish song in time. Obviously, let's rehearse a

1202
00:57:37,600 --> 00:57:40,720
Speaker 1: little bit here, people, And soon after, Luke's rambunctious and

1203
00:57:40,800 --> 00:57:43,280
Speaker 1: casual family arrives at the compound, greeted by a very

1204
00:57:43,320 --> 00:57:46,600
Speaker 1: fancily dressed Chanelle and her mom, while Derinda is smack

1205
00:57:46,640 --> 00:57:48,840
Speaker 1: dab in the middle of teaching a hardcore dance class

1206
00:57:48,840 --> 00:57:50,160
Speaker 1: like hip hop and and everything. It was so cool,

1207
00:57:50,200 --> 00:57:52,600
Speaker 1: I'm going to sign up for one myself. Aqua's getting

1208
00:57:52,600 --> 00:57:55,240
Speaker 1: a design lesson for the Cheeah Girls outfits, and Galeria

1209
00:57:55,280 --> 00:57:58,200
Speaker 1: is told to piano practicing by herself writing music like

1210
00:57:58,240 --> 00:57:59,720
Speaker 1: a mad woman, and they did make her look like

1211
00:57:59,760 --> 00:58:01,240
Speaker 1: she a little bit of a mad woman as she

1212
00:58:01,280 --> 00:58:04,880
Speaker 1: was writing that music. The girls all finally meet back

1213
00:58:04,880 --> 00:58:07,000
Speaker 1: at Luke's, filling each other in on their big days,

1214
00:58:07,000 --> 00:58:09,040
Speaker 1: but Chanell is nowhere to be found. Galleria wants to

1215
00:58:09,080 --> 00:58:10,919
Speaker 1: play her her new song Idea, but they are all

1216
00:58:10,920 --> 00:58:14,480
Speaker 1: focused on breakfast instead, and Dorinda wants to go to

1217
00:58:14,560 --> 00:58:16,720
Speaker 1: lunch with Joaquin, spending an awful lot of time with

1218
00:58:16,760 --> 00:58:20,280
Speaker 1: this Joaquin chap I know. Galeria knows they won't have

1219
00:58:20,360 --> 00:58:23,160
Speaker 1: a chance at winning this thing if they never practice, obviously,

1220
00:58:23,240 --> 00:58:25,479
Speaker 1: but no one seems to care as much as she does.

1221
00:58:33,840 --> 00:58:37,440
Speaker 1: Now again alone, Galeria phils deserted. But here's some laughing outside.

1222
00:58:37,560 --> 00:58:41,560
Speaker 1: It's Chanelle writing a Spanish song with Marisol. What a

1223
00:58:41,640 --> 00:58:45,280
Speaker 1: two timer, Chanelle says, they're just fooling around. Uh huh,

1224
00:58:45,280 --> 00:58:47,320
Speaker 1: but we know better than that. Galleria doesn't get it.

1225
00:58:47,320 --> 00:58:49,760
Speaker 1: The Cheetah girls need to rehearse. She doesn't have to

1226
00:58:49,760 --> 00:58:52,640
Speaker 1: rehearse with Marisol, but Marisol says she didn't just stop by,

1227
00:58:52,720 --> 00:58:53,880
Speaker 1: she was invited to come over.

1228
00:58:54,320 --> 00:58:55,280
Speaker 3: Ooh.

1229
00:58:55,320 --> 00:58:57,320
Speaker 1: Also, Chanell doesn't like being told with the dow. This

1230
00:58:57,360 --> 00:58:59,960
Speaker 1: turns into a fight. Galeria is accused of being too

1231
00:59:00,120 --> 00:59:03,040
Speaker 1: controlling and Chanell is supposedly turning her back on the Cheetahs.

1232
00:59:03,560 --> 00:59:05,360
Speaker 1: Things aren't looking good. Did they not see the beginning

1233
00:59:05,360 --> 00:59:07,520
Speaker 1: of the movie, Nothing's Gonna split us apart? So about

1234
00:59:07,520 --> 00:59:09,200
Speaker 1: half the songs are about it's being friends for every

1235
00:59:09,360 --> 00:59:12,040
Speaker 1: So what the hell is happening? You're throwing me here?

1236
00:59:12,160 --> 00:59:12,720
Speaker 1: And I don't like it.

1237
00:59:12,960 --> 00:59:15,600
Speaker 2: Gallery is being bossy, and that's the same thing that

1238
00:59:15,680 --> 00:59:17,840
Speaker 2: happened in the first movie. It was like, he hasn't

1239
00:59:17,880 --> 00:59:21,080
Speaker 2: learned your lesson. None of us like being bossed around.

1240
00:59:21,440 --> 00:59:25,280
Speaker 1: Hey, y'all, maybe we should rehearse for this international competition.

1241
00:59:25,400 --> 00:59:29,840
Speaker 1: Is now being bossy. Yikes. I believed it in the

1242
00:59:29,840 --> 00:59:31,640
Speaker 1: first one. I don't believe it in the second one.

1243
00:59:31,720 --> 00:59:34,840
Speaker 2: No, this is such a teenager thing, Like, yes, I

1244
00:59:34,880 --> 00:59:36,720
Speaker 2: want to. I want to compete, but I don't really

1245
00:59:36,760 --> 00:59:37,800
Speaker 2: want to practice right.

1246
00:59:38,160 --> 00:59:40,120
Speaker 1: And there's a cute boy, and there's this, and there's that.

1247
00:59:40,120 --> 00:59:41,440
Speaker 1: There's other things to distract me.

1248
00:59:41,480 --> 00:59:43,560
Speaker 2: I get, well, Spain's got a lot to offer.

1249
00:59:43,600 --> 00:59:45,920
Speaker 1: It's not even Spain. I see shiny keys, and I'm

1250
00:59:45,920 --> 00:59:49,880
Speaker 1: still distracted. Derinda returns to the dance studio and it's

1251
00:59:49,880 --> 00:59:53,080
Speaker 1: surprised when Joaquin arrives with a group of high class coworkers,

1252
00:59:53,120 --> 00:59:56,680
Speaker 1: including a girl, all in suits. He awkwardly sends him off,

1253
00:59:56,720 --> 00:59:58,440
Speaker 1: and Derinda is worded out, why did he make his

1254
00:59:58,440 --> 01:00:01,200
Speaker 1: friends leave without even introducing this to her? She's offended.

1255
01:00:01,360 --> 01:00:03,360
Speaker 1: She's afraid they're just from different worlds. And I thought

1256
01:00:03,400 --> 01:00:06,120
Speaker 1: Derinda jumped to this conclusion a little fast.

1257
01:00:05,960 --> 01:00:09,120
Speaker 2: Right, Like, why don't you take a step back, girlfriend,

1258
01:00:09,240 --> 01:00:10,480
Speaker 2: chill out for a second.

1259
01:00:10,520 --> 01:00:13,080
Speaker 1: She saw she saw a three piece suit and was like,

1260
01:00:13,160 --> 01:00:14,360
Speaker 1: we're from different worlds.

1261
01:00:14,360 --> 01:00:14,880
Speaker 2: Like, wait a.

1262
01:00:14,840 --> 01:00:17,000
Speaker 1: Second, you could have found that suit on the street,

1263
01:00:17,680 --> 01:00:21,080
Speaker 1: Like my god, you got instantly offended. Yeah, different world.

1264
01:00:20,920 --> 01:00:23,600
Speaker 2: Oh, it was hilarious to watch so fast.

1265
01:00:23,880 --> 01:00:27,640
Speaker 1: It's like, wow, no red flag, there though no red

1266
01:00:27,640 --> 01:00:30,320
Speaker 1: flag there at all. Yikes, waving it.

1267
01:00:30,240 --> 01:00:33,000
Speaker 2: Waving it I know. God.

1268
01:00:33,160 --> 01:00:36,960
Speaker 1: Well, yeah, she thinks he's royalty basically, and she reveels

1269
01:00:37,040 --> 01:00:40,240
Speaker 1: she's a foster kid. During the dances for her future,

1270
01:00:40,320 --> 01:00:42,680
Speaker 1: he dances as a hobby. Oh in the dance world,

1271
01:00:42,760 --> 01:00:45,880
Speaker 1: that's a that's a big cut. Joaquin wants to talk

1272
01:00:45,920 --> 01:00:48,800
Speaker 1: this out like a human, but it's just too complicated

1273
01:00:48,840 --> 01:00:54,040
Speaker 1: for Derenda. This is a big us. This is a

1274
01:00:54,040 --> 01:00:55,720
Speaker 1: big in ted scene. Do you remember filming this and

1275
01:00:55,760 --> 01:01:00,120
Speaker 1: ever thinking maybe I should back off a little. Oh

1276
01:01:00,120 --> 01:01:00,600
Speaker 1: my god.

1277
01:01:04,040 --> 01:01:07,400
Speaker 2: They wanted it intense. They wanted it like you know,

1278
01:01:07,560 --> 01:01:11,600
Speaker 2: she's hurt. She put herself out there a tie.

1279
01:01:11,920 --> 01:01:13,160
Speaker 1: They never getting together.

1280
01:01:13,560 --> 01:01:16,560
Speaker 2: I know he wore tie. It's over.

1281
01:01:17,080 --> 01:01:22,480
Speaker 1: Yeah that was wow. Yikes. Yeah. Dorothea is still sketching

1282
01:01:22,480 --> 01:01:24,800
Speaker 1: out clothing ideas, a passion from her past that Spain

1283
01:01:24,800 --> 01:01:27,760
Speaker 1: has reignited. She says that Aram and Randolph loved her

1284
01:01:27,760 --> 01:01:29,680
Speaker 1: design so much they want to make a sample of

1285
01:01:29,720 --> 01:01:33,440
Speaker 1: one of her pieces for their spring collection. Galleria has

1286
01:01:33,480 --> 01:01:36,680
Speaker 1: some news too. She's going home. Sheanelle has abandoned her

1287
01:01:36,680 --> 01:01:38,360
Speaker 1: for Marisol, and she doesn't want to lose her as

1288
01:01:38,360 --> 01:01:43,680
Speaker 1: a friend. Now, Okay, this could so easily have been

1289
01:01:43,720 --> 01:01:47,120
Speaker 1: written I'm going home I'm a little bratty. I don't

1290
01:01:47,120 --> 01:01:50,040
Speaker 1: want to blah blah blah. But they didn't. They really

1291
01:01:50,080 --> 01:01:52,000
Speaker 1: did write it in such a way where she's like,

1292
01:01:52,320 --> 01:01:55,120
Speaker 1: I'm gonna lose her as a friend if I push. Yeah,

1293
01:01:55,160 --> 01:01:59,680
Speaker 1: I'm fine with that. We're not gonna win. Nobody's practicing,

1294
01:01:59,720 --> 01:02:00,960
Speaker 1: so no chance of winning.

1295
01:02:01,240 --> 01:02:02,080
Speaker 2: Nobody cares at this.

1296
01:02:02,240 --> 01:02:04,600
Speaker 1: Nobody cares. I'm the only one that does, and I

1297
01:02:04,640 --> 01:02:06,520
Speaker 1: am not going to lose my friend over this, so

1298
01:02:06,640 --> 01:02:09,520
Speaker 1: it's best if I leave. It was really written in

1299
01:02:09,520 --> 01:02:11,560
Speaker 1: a way where I was like, Wow, I like how

1300
01:02:11,600 --> 01:02:14,160
Speaker 1: they did that. They did make her very mature, yes,

1301
01:02:14,360 --> 01:02:14,920
Speaker 1: and it was.

1302
01:02:14,880 --> 01:02:17,680
Speaker 2: A good huge That was one of the things that

1303
01:02:17,720 --> 01:02:21,360
Speaker 2: I loved that Kenny really dove into was developing the

1304
01:02:21,480 --> 01:02:23,920
Speaker 2: character and the maturity level of where it should have

1305
01:02:24,000 --> 01:02:27,560
Speaker 2: been like. He did it in different ways, like Aqua

1306
01:02:28,280 --> 01:02:32,080
Speaker 2: using hers was like the evolution of her designing and

1307
01:02:32,120 --> 01:02:35,360
Speaker 2: her designing love for designing. He did a lot of

1308
01:02:35,400 --> 01:02:38,200
Speaker 2: me where I was like tomboy in the first one,

1309
01:02:38,240 --> 01:02:40,560
Speaker 2: and he wanted me to look a lot like more

1310
01:02:40,560 --> 01:02:43,200
Speaker 2: of like you know, like feminine that I had grown into,

1311
01:02:43,280 --> 01:02:46,080
Speaker 2: like my body and I'd grown into like my love

1312
01:02:46,120 --> 01:02:49,959
Speaker 2: of dance, and like more of having a softer side

1313
01:02:50,040 --> 01:02:52,320
Speaker 2: because I had these great friends around me that I

1314
01:02:52,320 --> 01:02:54,560
Speaker 2: could I didn't need to be so crazy. Although this

1315
01:02:54,680 --> 01:02:57,520
Speaker 2: lasting didn't show my growth, A.

1316
01:02:57,880 --> 01:03:01,240
Speaker 1: Little bit of growth, but yikes, Yeah, I'm texting my

1317
01:03:01,320 --> 01:03:03,480
Speaker 1: boys going, I got a red flag in front of me. Boys,

1318
01:03:03,520 --> 01:03:04,840
Speaker 1: I got a red flag in front of me.

1319
01:03:05,760 --> 01:03:08,400
Speaker 2: So very sick. But that was what he was wanting

1320
01:03:08,440 --> 01:03:11,360
Speaker 2: to do. And a big thing for Galeria's character was

1321
01:03:11,400 --> 01:03:14,920
Speaker 2: her growth of learning when to step back and allow

1322
01:03:14,960 --> 01:03:17,720
Speaker 2: people to take their own journeys. And I loved this

1323
01:03:18,040 --> 01:03:22,560
Speaker 2: and I thought, raz she killed it was incredible. She is.

1324
01:03:22,720 --> 01:03:25,240
Speaker 1: You're all good as actors in this movie. You're all

1325
01:03:25,240 --> 01:03:28,720
Speaker 1: good as actors in this movie. But she's phenomenal. It's

1326
01:03:28,760 --> 01:03:33,000
Speaker 1: like she's like watching It's like watching Shia, you know,

1327
01:03:33,040 --> 01:03:34,720
Speaker 1: you watch somebody who's just kind of working at a

1328
01:03:34,720 --> 01:03:36,920
Speaker 1: different level than you know. When I worked with kids

1329
01:03:36,920 --> 01:03:38,880
Speaker 1: like that, I was like, I'm just not on that level.

1330
01:03:38,920 --> 01:03:41,520
Speaker 1: There's just some kids that are, and it's a handful

1331
01:03:41,680 --> 01:03:43,720
Speaker 1: in every generation, and she's one of them. She really

1332
01:03:43,760 --> 01:03:43,960
Speaker 1: is one.

1333
01:03:44,160 --> 01:03:46,520
Speaker 2: Yeah. I mean the scenes, I love the scene when

1334
01:03:46,800 --> 01:03:49,120
Speaker 2: and she's not afraid to go there either. I love

1335
01:03:49,200 --> 01:03:51,680
Speaker 2: this scene when she was trying to talk the moms

1336
01:03:51,720 --> 01:03:55,240
Speaker 2: into us all going and like her facials and she's

1337
01:03:55,320 --> 01:03:55,760
Speaker 2: like dotor.

1338
01:03:55,800 --> 01:03:58,200
Speaker 1: Her facial expressions are so funny where she catches you

1339
01:03:58,200 --> 01:04:00,560
Speaker 1: guys kissing and all. It's yes, she.

1340
01:04:01,760 --> 01:04:04,960
Speaker 2: Goes from being like like a Lucille ball to like

1341
01:04:05,080 --> 01:04:07,880
Speaker 2: this like in depth care. I mean, she's just phenomenal.

1342
01:04:08,040 --> 01:04:11,600
Speaker 1: No, she really is very very again all great acting

1343
01:04:11,680 --> 01:04:13,640
Speaker 1: is very strong in this movie. But she's she's a star.

1344
01:04:13,720 --> 01:04:14,880
Speaker 1: She really is. She's phenomenal.

1345
01:04:14,840 --> 01:04:15,320
Speaker 2: It really is.

1346
01:04:16,040 --> 01:04:19,360
Speaker 1: Yeah. So anyway, Galeria says she doesn't think they can

1347
01:04:19,360 --> 01:04:22,400
Speaker 1: win the competition because they haven't practiced or rehearsed. Dorothea

1348
01:04:22,440 --> 01:04:24,680
Speaker 1: says she'll leave tomorrow then, but Galeria doesn't want her

1349
01:04:24,720 --> 01:04:26,920
Speaker 1: mom to ditch her big big two. So she's going

1350
01:04:26,960 --> 01:04:28,640
Speaker 1: to take a train to Paris to meet her dad

1351
01:04:28,800 --> 01:04:31,120
Speaker 1: and during the layoverarth they'll fly home together. She seems

1352
01:04:31,120 --> 01:04:32,800
Speaker 1: at peace about it, and her mom is impressed with

1353
01:04:32,800 --> 01:04:35,840
Speaker 1: their maturity and rightfully so. And so that night, Dorothea

1354
01:04:35,880 --> 01:04:38,520
Speaker 1: and Juanita break the news to the Cheetah girls. Chanel

1355
01:04:38,560 --> 01:04:41,360
Speaker 1: wants to talk to Galeria, but she's apparently sleeping. Derinda

1356
01:04:41,360 --> 01:04:43,480
Speaker 1: and Akwer realized they've been distracted the whole trip, but

1357
01:04:43,560 --> 01:04:46,160
Speaker 1: Chanelle gets defensive about it. They decide to give Galeria

1358
01:04:46,240 --> 01:04:48,919
Speaker 1: some space, but you know what that means. It's time

1359
01:04:48,960 --> 01:04:51,680
Speaker 1: for a song. We see Galeria packing her things, not sleeping,

1360
01:04:51,720 --> 01:04:55,560
Speaker 1: when she breaks into It's over, a song about how

1361
01:04:55,600 --> 01:04:58,720
Speaker 1: the trip is well is over. Chanelle jumps in and

1362
01:04:58,720 --> 01:05:00,600
Speaker 1: while they're moping and half dancing, were on the ground,

1363
01:05:00,680 --> 01:05:03,920
Speaker 1: same with Aqua and Derinda Sabrina. This is the one

1364
01:05:03,920 --> 01:05:09,240
Speaker 1: I would have cut. Uh, it's it's it's this one's

1365
01:05:09,280 --> 01:05:13,440
Speaker 1: pretty cheesy. This first of all, how many wind machines

1366
01:05:13,440 --> 01:05:16,000
Speaker 1: are actually on you as you're trying to sit down.

1367
01:05:20,080 --> 01:05:22,479
Speaker 2: And that's not even all of the shots. They didn't

1368
01:05:22,600 --> 01:05:24,360
Speaker 2: use all the shots that we had. And that wind

1369
01:05:24,440 --> 01:05:28,120
Speaker 2: machine went with me everywhere, everywhere.

1370
01:05:28,800 --> 01:05:31,200
Speaker 1: And this, this.

1371
01:05:30,960 --> 01:05:34,120
Speaker 2: Is the this is okay. Two things to say about this.

1372
01:05:34,720 --> 01:05:39,120
Speaker 2: I remember filming this, and I remember not enjoying it.

1373
01:05:39,240 --> 01:05:42,040
Speaker 2: I felt that it felt too.

1374
01:05:41,840 --> 01:05:43,680
Speaker 1: Over the top top.

1375
01:05:43,920 --> 01:05:47,920
Speaker 2: I was there as you know, Raven was shooting her scenes.

1376
01:05:48,000 --> 01:05:51,680
Speaker 2: I watched Adrian, I watched Keeley. I thought actually looked

1377
01:05:51,760 --> 01:05:53,360
Speaker 2: the most normal out of all of us.

1378
01:05:54,000 --> 01:05:57,720
Speaker 1: It's not it's not a high bar and I just remember.

1379
01:05:57,920 --> 01:06:01,440
Speaker 2: I just remember thinking like this, this isn't it because

1380
01:06:01,600 --> 01:06:04,560
Speaker 2: this is the thing. This is the thing with a musical,

1381
01:06:05,000 --> 01:06:10,840
Speaker 2: it's not like a music video type idea, right, Like

1382
01:06:10,960 --> 01:06:13,840
Speaker 2: it's a musical, so it's different. And it just for

1383
01:06:13,960 --> 01:06:19,520
Speaker 2: me felt so unnatural. It was just it was so

1384
01:06:19,680 --> 01:06:24,800
Speaker 2: dramatic and just like I remember not thinking I was

1385
01:06:24,840 --> 01:06:26,840
Speaker 2: gonna at least at least me was not gonna look

1386
01:06:26,840 --> 01:06:29,439
Speaker 2: great doing this. I was uncomfortable. And then it took

1387
01:06:29,480 --> 01:06:31,480
Speaker 2: me back when we were this is the scene. I

1388
01:06:31,520 --> 01:06:34,640
Speaker 2: remember thinking when we looked at Vanessa Hudgens in her

1389
01:06:35,200 --> 01:06:39,960
Speaker 2: yes always scene, and I felt like I recognized that

1390
01:06:39,960 --> 01:06:43,240
Speaker 2: that that body language of like you don't really feel

1391
01:06:43,240 --> 01:06:46,320
Speaker 2: comfortable doing this. And I'm not saying she did it,

1392
01:06:46,640 --> 01:06:48,120
Speaker 2: and I'm not saying she didn't do a great job,

1393
01:06:48,160 --> 01:06:51,080
Speaker 2: but I'm just saying like that, like the movements and

1394
01:06:51,120 --> 01:06:54,439
Speaker 2: the throwing the hair, and it's like we're like, this

1395
01:06:54,520 --> 01:06:55,720
Speaker 2: is just I don't know. It was.

1396
01:06:56,880 --> 01:06:59,560
Speaker 1: It also wasn't my favorite song. And I really liked

1397
01:06:59,760 --> 01:07:01,440
Speaker 1: the US in this movie. I really did, like I

1398
01:07:01,520 --> 01:07:03,120
Speaker 1: genuinely I looked at you at one point, I'm like,

1399
01:07:03,160 --> 01:07:04,360
Speaker 1: these are the songs are good?

1400
01:07:04,840 --> 01:07:07,120
Speaker 2: This is when though, like I was like taking my

1401
01:07:07,200 --> 01:07:11,640
Speaker 2: blanket master Jordan and Monroe and going, I can't believe

1402
01:07:11,920 --> 01:07:17,760
Speaker 2: my magical Rewind family is going to watch this for

1403
01:07:17,960 --> 01:07:20,680
Speaker 2: all of them again the first.

1404
01:07:20,520 --> 01:07:24,160
Speaker 1: Time, the first time. And I'll bet you our Magical

1405
01:07:24,200 --> 01:07:29,640
Speaker 1: Rewind producers knew every line, every word, every dance, everything.

1406
01:07:30,080 --> 01:07:33,360
Speaker 2: It just only and it might not be as bad

1407
01:07:33,400 --> 01:07:37,160
Speaker 2: as I think it is because I again, I was

1408
01:07:37,200 --> 01:07:39,600
Speaker 2: in my own head when we filmed it. So then,

1409
01:07:39,640 --> 01:07:41,560
Speaker 2: of course it's a little cheesy back there.

1410
01:07:41,800 --> 01:07:44,760
Speaker 1: It's a little cheesy. It's also as weird as they

1411
01:07:45,040 --> 01:07:47,520
Speaker 1: break the fourth wall. I mean, at one point, Raven's

1412
01:07:47,520 --> 01:07:49,480
Speaker 1: looking right into the camera and I'm going, yeah, why

1413
01:07:50,000 --> 01:07:50,919
Speaker 1: looking right into the lens.

1414
01:07:51,240 --> 01:07:54,240
Speaker 2: It just was, it was, this is the.

1415
01:07:54,160 --> 01:07:55,560
Speaker 1: One I would have cut. Is it the worst thing

1416
01:07:55,600 --> 01:07:58,400
Speaker 1: I've ever seen in my life? Of course not, it's not.

1417
01:07:58,720 --> 01:08:03,320
Speaker 2: It's a yes exactly, but it just wasn't. I just

1418
01:08:03,400 --> 01:08:04,480
Speaker 2: it just didn't need to be that.

1419
01:08:04,840 --> 01:08:07,800
Speaker 1: I agree. I agree, and you know why because the

1420
01:08:07,840 --> 01:08:09,760
Speaker 1: rest of the songs, the rest of the dances, and

1421
01:08:09,760 --> 01:08:11,360
Speaker 1: the rest of the movies were specific The rest of

1422
01:08:11,360 --> 01:08:14,919
Speaker 1: the movie was specifically not this, yes, And that's why

1423
01:08:14,960 --> 01:08:16,680
Speaker 1: I think it was so jarring. If most of the

1424
01:08:16,680 --> 01:08:18,240
Speaker 1: movie was like this, it would have just been another

1425
01:08:18,280 --> 01:08:20,200
Speaker 1: one of those things. But this seemed like it was

1426
01:08:20,240 --> 01:08:23,680
Speaker 1: almost from a different movie, you know, So this is

1427
01:08:23,680 --> 01:08:24,519
Speaker 1: the one I would have cut.

1428
01:08:24,600 --> 01:08:31,800
Speaker 2: That I will say, is something that like the kids like, oh,

1429
01:08:31,800 --> 01:08:35,040
Speaker 2: they must love it. They do, like the fans love this.

1430
01:08:35,040 --> 01:08:36,880
Speaker 1: This is Zachron on the golf course.

1431
01:08:37,439 --> 01:08:40,519
Speaker 2: Is course, And that's what I'm saying, Like, it's one

1432
01:08:40,520 --> 01:08:43,080
Speaker 2: of those things for me that I look back and

1433
01:08:43,120 --> 01:08:46,320
Speaker 2: go not my proudest moment, but.

1434
01:08:46,120 --> 01:08:48,479
Speaker 1: It's again you you guys were fine. You were doing

1435
01:08:48,520 --> 01:08:50,479
Speaker 1: what you were doing. I just this would another one

1436
01:08:50,479 --> 01:08:52,960
Speaker 1: that I would have cut. But anyway, it's that thing.

1437
01:08:53,120 --> 01:08:55,760
Speaker 1: They're still in it. I'm still in it. I'm still here.

1438
01:08:56,680 --> 01:08:58,000
Speaker 1: The next morning, leave.

1439
01:08:57,880 --> 01:08:58,720
Speaker 2: It on the cutting room.

1440
01:08:58,840 --> 01:09:05,600
Speaker 1: Oh you didn't more wind? Yes, I was waiting for

1441
01:09:05,640 --> 01:09:08,000
Speaker 1: like leaves to be blown in ad in the face,

1442
01:09:08,160 --> 01:09:12,280
Speaker 1: like more wind. Yeah. The next morning, Sheel wakes up

1443
01:09:12,320 --> 01:09:14,360
Speaker 1: and goes right to Galeria's room to talk, but she's

1444
01:09:14,439 --> 01:09:16,920
Speaker 1: already gone. She left the sheet music for her new

1445
01:09:16,920 --> 01:09:19,639
Speaker 1: song in the bed, and right then Marisol calls for Chanel,

1446
01:09:20,200 --> 01:09:26,200
Speaker 1: which why would Marisol be calling that room anyway? Yes,

1447
01:09:26,840 --> 01:09:28,800
Speaker 1: yes again, but she says she'll call.

1448
01:09:28,720 --> 01:09:30,920
Speaker 2: Her back the notice. Then I'm just gonna say this

1449
01:09:30,960 --> 01:09:32,960
Speaker 2: because it's not that big of a deal, but how

1450
01:09:33,000 --> 01:09:37,720
Speaker 2: did Galeria or whoever get that giant poster of the

1451
01:09:37,760 --> 01:09:39,680
Speaker 2: festival which is.

1452
01:09:39,760 --> 01:09:42,240
Speaker 1: That's on kill? Is it not? Isn't that angel on

1453
01:09:42,240 --> 01:09:46,559
Speaker 1: the poster? That's what I thought? Okay, So yes, gallery

1454
01:09:46,680 --> 01:09:48,439
Speaker 1: is gone. We're now at the trade station, which is

1455
01:09:48,479 --> 01:09:52,080
Speaker 1: another massively gorgeous building. Galeria wheels her bag and to

1456
01:09:52,120 --> 01:09:55,559
Speaker 1: find her platform when she hears singing it's the Cheetah

1457
01:09:55,560 --> 01:09:58,240
Speaker 1: girls still in their pajamas singing the song she wrote.

1458
01:09:58,640 --> 01:10:00,800
Speaker 1: And I think the more important question is how did

1459
01:10:00,800 --> 01:10:03,240
Speaker 1: you invent a machine to get you there so quickly?

1460
01:10:03,280 --> 01:10:06,439
Speaker 1: And why haven't you patented that? Because she obviously left

1461
01:10:06,439 --> 01:10:08,679
Speaker 1: first thing in the morning to get to the train station,

1462
01:10:09,360 --> 01:10:11,040
Speaker 1: and you beat her there.

1463
01:10:11,120 --> 01:10:15,759
Speaker 2: Essentially, I'm assuming she was like waiting in the lobby

1464
01:10:15,800 --> 01:10:17,200
Speaker 2: her train was about to come.

1465
01:10:17,439 --> 01:10:18,880
Speaker 1: No, they show her walk in.

1466
01:10:20,720 --> 01:10:23,519
Speaker 2: Into the train station. Yes, well, though she was in

1467
01:10:23,600 --> 01:10:25,280
Speaker 2: like a lobby of some sort. She walked to where

1468
01:10:25,320 --> 01:10:25,960
Speaker 2: the trains were.

1469
01:10:26,240 --> 01:10:28,439
Speaker 1: Oh so you imagine she had been sitting there for

1470
01:10:28,439 --> 01:10:30,519
Speaker 1: a while. And then they they yeah, well, because they

1471
01:10:31,680 --> 01:10:34,599
Speaker 1: train station and then all of a sudden, you guys

1472
01:10:34,640 --> 01:10:36,000
Speaker 1: are there, like you magic snaw.

1473
01:10:36,640 --> 01:10:39,040
Speaker 2: Maybe she would have had a shot of her like

1474
01:10:39,040 --> 01:10:41,720
Speaker 2: like where we were actually sitting while everything was being

1475
01:10:41,720 --> 01:10:44,080
Speaker 2: fair there I go something like that lobby because it

1476
01:10:44,120 --> 01:10:46,840
Speaker 2: was that was that was that was pretty pretty fast.

1477
01:10:47,400 --> 01:10:49,240
Speaker 1: But anyway, it's the Cheeah girls. They're still in their

1478
01:10:49,280 --> 01:10:51,920
Speaker 1: pajama singing the song she wrote. This scene is truly amazing.

1479
01:10:52,000 --> 01:10:54,160
Speaker 1: They love what she wrote and it's four part harmony,

1480
01:10:54,240 --> 01:10:56,640
Speaker 1: so they need her. She now asked her forgiveness in

1481
01:10:56,640 --> 01:10:59,599
Speaker 1: her pink poodle slippers, and Gallery accepts. The Cheetah girls

1482
01:10:59,680 --> 01:11:03,720
Speaker 1: hug and now it's time to rehearse. Finally, they race

1483
01:11:03,760 --> 01:11:05,799
Speaker 1: back to Luke's and get to the piano. Mid rehearsal,

1484
01:11:05,880 --> 01:11:08,880
Speaker 1: Lola calls to apologize bout Galeria, not knowing the newest

1485
01:11:08,880 --> 01:11:11,760
Speaker 1: series of events, but learns quickly the Cheetahs are back

1486
01:11:11,840 --> 01:11:15,360
Speaker 1: and ready to be fierce. Lola, quick on her toes,

1487
01:11:15,360 --> 01:11:17,360
Speaker 1: pretends to be happy about this and books them for

1488
01:11:17,439 --> 01:11:19,760
Speaker 1: Wednesday at the Dancing Cat for a warm up gig.

1489
01:11:19,800 --> 01:11:22,800
Speaker 1: And I knew exactly where this was going to be going.

1490
01:11:22,800 --> 01:11:24,280
Speaker 1: I was like, oh, I don't trust her. Still don't

1491
01:11:24,280 --> 01:11:26,719
Speaker 1: trust her. We're now back at Luke's. Wanita is still

1492
01:11:26,760 --> 01:11:29,680
Speaker 1: complaining to Dorothea about not being engaged. His family was

1493
01:11:29,720 --> 01:11:32,200
Speaker 1: wonderful to her in Chanelle and the relationship is great.

1494
01:11:32,360 --> 01:11:34,040
Speaker 1: While she's having a bit of a little panic attack.

1495
01:11:34,040 --> 01:11:36,720
Speaker 1: Wanted to worries that her daughter is the reason he

1496
01:11:36,760 --> 01:11:41,200
Speaker 1: hasn't popped the question and Chanell overhears from the other room. Womp, womp.

1497
01:11:41,640 --> 01:11:45,320
Speaker 1: So Chanelle races to Luke's room and apologizes. She says

1498
01:11:45,320 --> 01:11:47,160
Speaker 1: she's been acting like a spoiled brat and is just

1499
01:11:47,200 --> 01:11:49,280
Speaker 1: nervous to her mom get hurt again. He says he

1500
01:11:49,320 --> 01:11:51,679
Speaker 1: loves her mom and would never hurt her. Chanelle thanks

1501
01:11:51,720 --> 01:11:54,200
Speaker 1: him for his generosity. She'd be very proud to be

1502
01:11:54,280 --> 01:11:56,559
Speaker 1: part of his family. Luke kisses her hand in response.

1503
01:11:56,600 --> 01:11:59,040
Speaker 1: It's a very sweet scene. Next thing we know, and

1504
01:11:59,080 --> 01:12:00,960
Speaker 1: here's what gets a little weird. All of the weight

1505
01:12:01,000 --> 01:12:02,920
Speaker 1: staff and the Cheetah crew have gathered at the front

1506
01:12:02,920 --> 01:12:06,120
Speaker 1: door to watch. Luke asked one needed to marry him.

1507
01:12:06,240 --> 01:12:11,759
Speaker 1: So it really was Chanelle's fault?

1508
01:12:12,080 --> 01:12:16,920
Speaker 2: I mean, I I think no. I think he just

1509
01:12:17,080 --> 01:12:20,000
Speaker 2: at some point wasn't sure when he was gonna do it.

1510
01:12:20,040 --> 01:12:23,320
Speaker 2: Within the trip and then her coming and giving her

1511
01:12:23,360 --> 01:12:27,599
Speaker 2: like blessing. Yeah, it seemed like the timings wearing.

1512
01:12:29,360 --> 01:12:31,240
Speaker 1: This was this quick writing thing where it was like

1513
01:12:31,280 --> 01:12:33,559
Speaker 1: they really made it look like, oh my god, it

1514
01:12:33,720 --> 01:12:36,960
Speaker 1: was her fault. Yeah, that that he hadn't proposed and

1515
01:12:37,080 --> 01:12:39,719
Speaker 1: until she went and apologized, then he went and proposed.

1516
01:12:39,760 --> 01:12:41,880
Speaker 1: It was a weird like because he was like, it

1517
01:12:41,880 --> 01:12:43,360
Speaker 1: has nothing to do with you, but then I'm going

1518
01:12:43,400 --> 01:12:45,840
Speaker 1: to go propose. So yeah, it made it seem a

1519
01:12:45,840 --> 01:12:46,840
Speaker 1: little bit like fault.

1520
01:12:47,479 --> 01:12:49,720
Speaker 2: I mean I took it, especially when you see it

1521
01:12:49,840 --> 01:12:55,639
Speaker 2: again like world's worst proposal. Zero zero thought of that

1522
01:12:55,960 --> 01:12:59,760
Speaker 2: and like, geez, come on, looke. With all that money, homie,

1523
01:13:00,040 --> 01:13:03,920
Speaker 2: there's no like blimp or sky in, like sky riding

1524
01:13:04,320 --> 01:13:05,920
Speaker 2: or like doves being thrown.

1525
01:13:06,600 --> 01:13:08,960
Speaker 1: Do you think with all that money, you think with

1526
01:13:09,000 --> 01:13:10,840
Speaker 1: all that money, a single woman in the world would

1527
01:13:10,840 --> 01:13:13,040
Speaker 1: have been like, I didn't like your proposal. I'm gonna

1528
01:13:13,040 --> 01:13:14,600
Speaker 1: say no it could They could have been in a

1529
01:13:14,680 --> 01:13:17,240
Speaker 1: dumpster and they would be like, I love you, Luke.

1530
01:13:17,520 --> 01:13:20,439
Speaker 2: Not with the rock he pulled out. Holy cow, that

1531
01:13:20,479 --> 01:13:23,559
Speaker 2: thing was giant. But the proposal in general was just

1532
01:13:23,600 --> 01:13:25,800
Speaker 2: like she just happens to be sitting.

1533
01:13:25,520 --> 01:13:27,639
Speaker 1: There, That's what I mean, which is a weird place

1534
01:13:27,720 --> 01:13:30,200
Speaker 1: to sit and read a book. That's the other thing, Like,

1535
01:13:30,240 --> 01:13:31,200
Speaker 1: what are you doing.

1536
01:13:31,040 --> 01:13:34,680
Speaker 2: When before we've seen that shot many times with the

1537
01:13:34,720 --> 01:13:35,599
Speaker 2: table and chairs.

1538
01:13:35,840 --> 01:13:37,880
Speaker 1: Yes, there was a table there like a like a

1539
01:13:37,920 --> 01:13:39,320
Speaker 1: little while ago.

1540
01:13:38,960 --> 01:13:42,479
Speaker 2: Why aren't you sitting over next door where we've seen

1541
01:13:42,840 --> 01:13:45,320
Speaker 2: gallery and her mom in a lounge area.

1542
01:13:45,720 --> 01:13:47,960
Speaker 1: Yeah, it didn't make any sense, but she does have

1543
01:13:48,040 --> 01:13:50,400
Speaker 1: a huge rock and they push in on it. You

1544
01:13:50,400 --> 01:13:53,559
Speaker 1: could barely see where the Titanic hit it. Yeah, so yes,

1545
01:13:55,240 --> 01:13:58,240
Speaker 1: then that was it. They're engaged when he says yes,

1546
01:13:58,280 --> 01:13:59,840
Speaker 1: and we get a big celebration in the front yard.

1547
01:14:08,000 --> 01:14:10,360
Speaker 1: We're now back at the dance studio. Dorinda has come

1548
01:14:10,400 --> 01:14:13,320
Speaker 1: to see Joaquin. Oh that's never weird when you do

1549
01:14:13,439 --> 01:14:16,160
Speaker 1: that and you're giant red flag, then you come back.

1550
01:14:16,600 --> 01:14:18,960
Speaker 1: She hasn't been returning his calls for days. She thanks

1551
01:14:19,040 --> 01:14:20,920
Speaker 1: him for letting her use his dance studio, but he

1552
01:14:20,960 --> 01:14:23,920
Speaker 1: admits Luke is the one who owns it. Joaquin just

1553
01:14:23,960 --> 01:14:27,200
Speaker 1: gets to use it if he teaches here. He's actually poor,

1554
01:14:27,600 --> 01:14:29,320
Speaker 1: which he would have told her had she not run

1555
01:14:29,360 --> 01:14:31,439
Speaker 1: out and not said all the I don't want to

1556
01:14:31,479 --> 01:14:33,360
Speaker 1: be with you, and then that was it. He didn't

1557
01:14:33,360 --> 01:14:35,599
Speaker 1: introduce her to his rich friends because he couldn't afford

1558
01:14:35,680 --> 01:14:37,880
Speaker 1: to go where they were eating. He his account, but

1559
01:14:37,920 --> 01:14:40,400
Speaker 1: he's also broke his family lost her money years ago.

1560
01:14:40,479 --> 01:14:42,639
Speaker 1: And then the Cheetah girls arrived for dance practice, sort

1561
01:14:42,680 --> 01:14:45,840
Speaker 1: of ruining the moment. Drinda apologizes and Woaquin reveals he'll

1562
01:14:45,880 --> 01:14:47,759
Speaker 1: be in New York in the fall for the dance

1563
01:14:47,760 --> 01:14:49,920
Speaker 1: competition and he wants to Renda to be his partner.

1564
01:14:50,439 --> 01:14:58,680
Speaker 1: And then oh and then people they kiss. Woooo Sabrina

1565
01:14:59,160 --> 01:15:02,000
Speaker 1: walk us through the kiss. Did you talk about it before?

1566
01:15:02,240 --> 01:15:03,880
Speaker 1: Was there gonna be tongue? Was there gonna be no tongue?

1567
01:15:03,880 --> 01:15:05,840
Speaker 1: Who discussed it? What happened? Is this your first on

1568
01:15:05,880 --> 01:15:07,360
Speaker 1: screen kiss? So many questions?

1569
01:15:08,040 --> 01:15:11,360
Speaker 2: This is my first on screen kiss. Okay, we didn't

1570
01:15:11,600 --> 01:15:13,960
Speaker 2: talk about it. It was his first on screen kiss

1571
01:15:13,960 --> 01:15:17,000
Speaker 2: as well, so we didn't know to talk about it.

1572
01:15:17,280 --> 01:15:21,519
Speaker 2: And but we also, I mean, for me, it's like, hello,

1573
01:15:21,560 --> 01:15:23,719
Speaker 2: we're on the channel. We're not doing tongue, that's like.

1574
01:15:23,680 --> 01:15:26,880
Speaker 1: And so there was no tongue, no, okay, just.

1575
01:15:26,800 --> 01:15:29,559
Speaker 2: Like a big, like you know, open mouth smooch. It

1576
01:15:29,600 --> 01:15:31,960
Speaker 2: wasn't like a clothes, like you know, it.

1577
01:15:31,880 --> 01:15:33,439
Speaker 1: Was It wasn't Christy Carlson.

1578
01:15:34,120 --> 01:15:38,240
Speaker 2: It was not Christy Carlson macking down on that was

1579
01:15:39,800 --> 01:15:44,599
Speaker 2: not happening. I was so you you know me well

1580
01:15:44,720 --> 01:15:47,400
Speaker 2: enough to know how uncomfortable I would have been in

1581
01:15:47,439 --> 01:15:48,400
Speaker 2: a situation like that.

1582
01:15:49,360 --> 01:15:51,400
Speaker 1: Everybody who's like, oh, you get to kiss all these

1583
01:15:51,400 --> 01:15:53,280
Speaker 1: people on camera, you get to do a sex scene,

1584
01:15:53,280 --> 01:15:56,920
Speaker 1: they're usually the worst. Yeah they are. It's hot, there's

1585
01:15:56,960 --> 01:15:59,840
Speaker 1: people watching you. It's yeah, it's weird, you know.

1586
01:16:00,120 --> 01:16:03,680
Speaker 2: And it's like even still like we're you know, you know,

1587
01:16:03,760 --> 01:16:07,559
Speaker 2: trying to keep the like the the energy and the

1588
01:16:07,680 --> 01:16:10,080
Speaker 2: vibe between us, like we're trying not to go too

1589
01:16:10,120 --> 01:16:13,200
Speaker 2: far into the friend zone so that it looks, you know,

1590
01:16:13,280 --> 01:16:15,680
Speaker 2: it's believable that we've got this great, like kind of

1591
01:16:15,760 --> 01:16:19,200
Speaker 2: romantic chemistry. So we're you know, and then it's like

1592
01:16:19,360 --> 01:16:21,560
Speaker 2: just like looking around like okay, and then it's like

1593
01:16:21,600 --> 01:16:24,120
Speaker 2: the next shot, and then Kenny's like all right, we're

1594
01:16:24,120 --> 01:16:25,920
Speaker 2: going to do one more, and I'm looking at Kenny

1595
01:16:26,000 --> 01:16:27,240
Speaker 2: like how many times are you?

1596
01:16:27,640 --> 01:16:28,000
Speaker 1: Yeah?

1597
01:16:28,760 --> 01:16:31,200
Speaker 2: Yeah, when you know I hated Kenny.

1598
01:16:31,040 --> 01:16:32,800
Speaker 1: Do you now did you have a boyfriend in real life?

1599
01:16:32,800 --> 01:16:34,200
Speaker 1: At the time, I.

1600
01:16:34,240 --> 01:16:37,360
Speaker 2: Was kind of at the end, I had a real boyfriend.

1601
01:16:37,360 --> 01:16:39,960
Speaker 2: There was one that came to Spain. Yeah, that was

1602
01:16:40,000 --> 01:16:42,439
Speaker 2: my long term boyfriend. So yeah, but we were kind

1603
01:16:42,439 --> 01:16:43,920
Speaker 2: of in a weird spot.

1604
01:16:44,080 --> 01:16:46,280
Speaker 1: So it's so weird though you're like in a relationship.

1605
01:16:46,360 --> 01:16:49,800
Speaker 1: It's like legal cheating when you're doing yes any strange and.

1606
01:16:49,760 --> 01:16:52,879
Speaker 2: I don't think, you know, being in my early twenties

1607
01:16:52,920 --> 01:16:55,920
Speaker 2: and not really thinking too much into it. I don't

1608
01:16:55,960 --> 01:16:57,639
Speaker 2: think I even told him that I had a kiss

1609
01:16:57,640 --> 01:16:59,880
Speaker 2: in the movie, like because I didn't want to bring

1610
01:17:00,040 --> 01:17:02,360
Speaker 2: it up right, I didn't want it, you know. It's

1611
01:17:02,400 --> 01:17:05,479
Speaker 2: like that weird thing. And you know, God, I don't

1612
01:17:05,479 --> 01:17:09,120
Speaker 2: even know that that was just such an awkward heart

1613
01:17:09,240 --> 01:17:12,799
Speaker 2: And then lurs Keeley, Adrian and Raven were not helping.

1614
01:17:12,920 --> 01:17:16,880
Speaker 2: They were totally coally making it. How they performed it

1615
01:17:16,920 --> 01:17:20,040
Speaker 2: on camera is exactly how they treated me day of

1616
01:17:20,360 --> 01:17:23,320
Speaker 2: all day today, the kissing day. How are we gonna

1617
01:17:23,320 --> 01:17:25,080
Speaker 2: do it, Sabrina? Are you gonna go like this? Are

1618
01:17:25,080 --> 01:17:26,320
Speaker 2: you gonna go like this? How's it gonna be? Are

1619
01:17:26,360 --> 01:17:28,960
Speaker 2: gonna let him get cop a feel? I'm like, cut

1620
01:17:29,000 --> 01:17:33,160
Speaker 2: it out. I love us amping up the anxiety for

1621
01:17:33,200 --> 01:17:38,680
Speaker 2: these are there the awesome friends exactly sure it is.

1622
01:17:38,720 --> 01:17:41,400
Speaker 1: Now, after this incredible kiss time, for which I'm sure

1623
01:17:41,439 --> 01:17:43,080
Speaker 1: there was some tongue that You're just not admitting to,

1624
01:17:43,200 --> 01:17:46,400
Speaker 1: it's time for Cheetah Girls dance practice, and now they're

1625
01:17:46,400 --> 01:17:49,000
Speaker 1: finally focused. We get a new song step up, all

1626
01:17:49,000 --> 01:17:51,320
Speaker 1: about how it's time to work. Now, it's time to

1627
01:17:51,360 --> 01:17:53,679
Speaker 1: work for real. The girls have gotten it all together,

1628
01:17:53,760 --> 01:17:56,160
Speaker 1: and just in time for the dance cap warm up show,

1629
01:17:56,320 --> 01:17:58,360
Speaker 1: we're thrown right into the performance of The girls look great.

1630
01:17:58,439 --> 01:18:01,839
Speaker 1: Lolo's in the audience and looks impressed. After the show, however,

1631
01:18:01,960 --> 01:18:04,320
Speaker 1: Lola introduces the Cheetah Girls to the owner of the club,

1632
01:18:04,320 --> 01:18:07,120
Speaker 1: who surprisingly pays them for the performances. And I knew

1633
01:18:07,160 --> 01:18:09,080
Speaker 1: right then. I was like, it's an amateur competition. You

1634
01:18:09,080 --> 01:18:11,639
Speaker 1: can't take money. With only two days left before the performance,

1635
01:18:11,680 --> 01:18:14,559
Speaker 1: Lola warns them lights out early because tomorrow is sound check,

1636
01:18:14,920 --> 01:18:16,800
Speaker 1: and so the next day, the Cheetah Girls finally see

1637
01:18:16,800 --> 01:18:19,800
Speaker 1: the festival outdoor stage. But get this, their dressing room

1638
01:18:19,840 --> 01:18:22,000
Speaker 1: is in the small corner of a huge, beautiful little building.

1639
01:18:22,120 --> 01:18:26,080
Speaker 1: Did you expect anything else? Excited about Aqua and Dorothea's

1640
01:18:26,080 --> 01:18:28,680
Speaker 1: proposed outfits, the Cheater Girls celebrate, but are interrupted by

1641
01:18:28,720 --> 01:18:32,200
Speaker 1: the festival director. Unfortunately, because the girls took money from

1642
01:18:32,200 --> 01:18:35,439
Speaker 1: the dancing cat owner, this makes them professional singers. The

1643
01:18:35,479 --> 01:18:38,760
Speaker 1: competition is only for amateurs. They've been kicked off of

1644
01:18:38,840 --> 01:18:41,920
Speaker 1: the show. Lola has an idea though, Wow, thanks Lola

1645
01:18:41,960 --> 01:18:44,320
Speaker 1: for coming up with a great idea. Marisol can join

1646
01:18:44,360 --> 01:18:47,080
Speaker 1: the group and they won't be I know what it's

1647
01:18:47,080 --> 01:18:48,800
Speaker 1: like they have. She had a plan. They won't be

1648
01:18:48,800 --> 01:18:52,360
Speaker 1: the Cheetah Girls anymore. They'll be amateurs again. Galeria isn't sold.

1649
01:18:52,600 --> 01:18:54,280
Speaker 1: Marisol doesn't know any of the songs that she sings

1650
01:18:54,320 --> 01:18:58,479
Speaker 1: in Spanish, but Marisol reminds them Chanelle does know some

1651
01:18:58,560 --> 01:19:01,960
Speaker 1: of her songs, says she isn't performing without her girls,

1652
01:19:02,000 --> 01:19:04,160
Speaker 1: thank you, But Galeria doesn't want them to have gone

1653
01:19:04,200 --> 01:19:06,360
Speaker 1: all the way to Barcelona for nothing. The Cheetah Girls

1654
01:19:06,360 --> 01:19:09,479
Speaker 1: should have some representation on that stage. The girls all agree,

1655
01:19:09,520 --> 01:19:13,240
Speaker 1: and Chanelle's whisked away now an official duo with Marisol

1656
01:19:14,040 --> 01:19:16,719
Speaker 1: back at Luke's. Dorothea reminds the girl she knew Lola

1657
01:19:16,800 --> 01:19:19,519
Speaker 1: was trouble this entire time, as did. I wanted to

1658
01:19:19,520 --> 01:19:21,400
Speaker 1: ask Luke if there's anything he can do, you know,

1659
01:19:21,520 --> 01:19:23,680
Speaker 1: as a very rich person, but he says no. The

1660
01:19:23,720 --> 01:19:26,400
Speaker 1: girls still want everyone there to support Chanelle. But some

1661
01:19:26,520 --> 01:19:29,120
Speaker 1: good news. Luke reveals that he and Juanita will be

1662
01:19:29,120 --> 01:19:31,559
Speaker 1: living in New York, so Chanelle doesn't have to move

1663
01:19:31,600 --> 01:19:34,120
Speaker 1: and she won't miss her senior year and possibly a

1664
01:19:34,160 --> 01:19:37,519
Speaker 1: third film. But most importantly, the Cheetah Girls can stay together.

1665
01:19:37,840 --> 01:19:40,479
Speaker 1: And with that, Galeria says, there's only one thing left

1666
01:19:40,479 --> 01:19:42,719
Speaker 1: to do. They go to the Dancing Cat and return

1667
01:19:42,760 --> 01:19:45,160
Speaker 1: the money to the owner over the principle of it

1668
01:19:45,479 --> 01:19:49,080
Speaker 1: and hiding in the shadows. Boooo is that huge little

1669
01:19:49,120 --> 01:19:51,960
Speaker 1: flirt on Kel and his guitar. He sees them leave.

1670
01:19:53,000 --> 01:19:55,000
Speaker 1: Now it's the night of the competition and Channel is

1671
01:19:55,040 --> 01:19:58,000
Speaker 1: practicing with Marisol as the Cheetahs watch on. Then the

1672
01:19:58,040 --> 01:20:00,360
Speaker 1: festival director returns. He wants to know what the Cheetah

1673
01:20:00,360 --> 01:20:02,639
Speaker 1: girls are even doing here. They're about to see themselves

1674
01:20:02,640 --> 01:20:05,040
Speaker 1: out when he reveals a reliable source told them that

1675
01:20:05,160 --> 01:20:08,559
Speaker 1: Lola was the one who arranged for the Dancing Cat

1676
01:20:08,640 --> 01:20:10,840
Speaker 1: to pay the girls. She of course denies it, but

1677
01:20:10,880 --> 01:20:13,759
Speaker 1: he says his nephew told him, and his secret nephew

1678
01:20:13,880 --> 01:20:18,599
Speaker 1: is and because of this, the Cheetah Girls are allowed

1679
01:20:18,600 --> 01:20:21,240
Speaker 1: to perform. Marisol has also had enough of her conniving

1680
01:20:21,240 --> 01:20:25,160
Speaker 1: mom and storms off, leaving her future completely and totally murky.

1681
01:20:25,680 --> 01:20:27,800
Speaker 1: And that's time for the big contest. The Princess of

1682
01:20:27,840 --> 01:20:30,519
Speaker 1: Barcelona is announced, but Marisol never comes out on stage.

1683
01:20:30,560 --> 01:20:33,240
Speaker 1: She's at the catering eating what looks like an amazing

1684
01:20:33,320 --> 01:20:38,160
Speaker 1: looks like it's a whole churro, bars, chocol Oh, that's

1685
01:20:38,160 --> 01:20:41,760
Speaker 1: where I would have been too. I don't know, well,

1686
01:20:41,760 --> 01:20:43,680
Speaker 1: that's where I would have been to. I don't need

1687
01:20:43,720 --> 01:20:45,479
Speaker 1: to perform. Just give me a big thing at chiros

1688
01:20:45,520 --> 01:20:48,479
Speaker 1: and chocolate and I am absolutely fine. And that's a

1689
01:20:48,479 --> 01:20:50,519
Speaker 1: good thing because her mom never lets her enjoy these things.

1690
01:20:50,800 --> 01:20:52,920
Speaker 1: That leaves only the final act. Straight from New York

1691
01:20:52,920 --> 01:20:56,559
Speaker 1: City and Texas, it's the Cheetah Girls. Angel Galleria's new

1692
01:20:56,560 --> 01:20:58,920
Speaker 1: boy toy has joined them with his guitar, and the

1693
01:20:58,960 --> 01:21:01,799
Speaker 1: sketches have come to life now, ranging from festive Matador

1694
01:21:01,840 --> 01:21:04,280
Speaker 1: to bright kind of Carmen San Diego. The girls are

1695
01:21:04,280 --> 01:21:07,120
Speaker 1: performing a new song, Amiga's Cheetahs, the perfect way to

1696
01:21:07,120 --> 01:21:10,320
Speaker 1: celebrate in Spain. It's an anthem about friendship and overcoming

1697
01:21:10,360 --> 01:21:13,600
Speaker 1: obstacles together. This is a big number now. Sabrina Was

1698
01:21:13,640 --> 01:21:16,240
Speaker 1: this the hardest one to do in the movie?

1699
01:21:16,680 --> 01:21:20,360
Speaker 2: I mean, dance wise, no, but this was a night shoot,

1700
01:21:20,400 --> 01:21:25,040
Speaker 2: so we were filming really late, I mean literally trying

1701
01:21:25,080 --> 01:21:28,960
Speaker 2: to beat out the sun coming up like it was.

1702
01:21:28,960 --> 01:21:30,360
Speaker 1: Was this one night or did you do it over

1703
01:21:30,439 --> 01:21:31,080
Speaker 1: multiple nights?

1704
01:21:31,200 --> 01:21:33,000
Speaker 2: We did it a couple nights. We had a couple

1705
01:21:33,000 --> 01:21:34,800
Speaker 2: I think it was probably like three or four nights

1706
01:21:34,800 --> 01:21:39,120
Speaker 2: that we had when we did any of the night stuff. Well,

1707
01:21:39,240 --> 01:21:41,360
Speaker 2: this was no because when we were in Sieches is

1708
01:21:41,360 --> 01:21:43,240
Speaker 2: when we did It's Over, which is obviously a night

1709
01:21:43,240 --> 01:21:47,720
Speaker 2: shoot as well. But this one was tough because it

1710
01:21:47,800 --> 01:21:50,240
Speaker 2: was I mean, it was doing it over and over

1711
01:21:50,360 --> 01:21:52,080
Speaker 2: and over. This is a big number, you know, and

1712
01:21:52,160 --> 01:21:57,080
Speaker 2: Kenny was in full blast, like I'm sure just creator

1713
01:21:57,200 --> 01:22:00,559
Speaker 2: just insane mode of just wanting his visuals everything he

1714
01:22:00,600 --> 01:22:03,040
Speaker 2: was doing. He was like again again again, you know,

1715
01:22:03,080 --> 01:22:05,640
Speaker 2: and we're like, all right, all right, here we go. Man.

1716
01:22:05,760 --> 01:22:07,680
Speaker 2: It was just it was it was hard because we

1717
01:22:07,720 --> 01:22:09,840
Speaker 2: wanted to make sure Kenny got everything that he felt

1718
01:22:09,880 --> 01:22:11,479
Speaker 2: he needed before the sun came up.

1719
01:22:11,560 --> 01:22:14,240
Speaker 1: Yeah, it makes sense. And then there's a big surprise.

1720
01:22:14,439 --> 01:22:17,520
Speaker 1: The Cheetahs are joined on stage by their new Amiga Marisol.

1721
01:22:17,920 --> 01:22:20,080
Speaker 1: The crowd goes nuts for their hometown hero, and we

1722
01:22:20,120 --> 01:22:23,040
Speaker 1: have a fifth honorary cheetaht well sixth if you count me.

1723
01:22:23,680 --> 01:22:26,400
Speaker 1: They're also joined by honky drummers and the festival director

1724
01:22:26,439 --> 01:22:28,799
Speaker 1: who's wailing on a trumpet for absolutely no reason whatsoever.

1725
01:22:29,160 --> 01:22:32,439
Speaker 1: Durinda's dance partner is Jaquen at cender stage, and even

1726
01:22:32,520 --> 01:22:34,720
Speaker 1: Lola is feeling it in the audience. All of our

1727
01:22:34,760 --> 01:22:36,719
Speaker 1: main characters take a bout, with the Cheetah Girls dancing

1728
01:22:36,720 --> 01:22:38,280
Speaker 1: into the crowd. A lot of extras here, then the

1729
01:22:38,320 --> 01:22:44,760
Speaker 1: credits roll. Hold the on, I've now been here for

1730
01:22:45,280 --> 01:22:55,280
Speaker 1: ninety seven minutes. Who won the contest? I watched all

1731
01:22:55,320 --> 01:22:59,280
Speaker 1: the credits. I'm like, they're obviously gonna show us something.

1732
01:22:59,640 --> 01:23:03,600
Speaker 2: I'm so sorry. That's not even art because in the

1733
01:23:03,680 --> 01:23:07,160
Speaker 2: DVD at that time, the d coms had a DVD

1734
01:23:08,240 --> 01:23:10,559
Speaker 2: exclusive like extra scene.

1735
01:23:10,840 --> 01:23:13,320
Speaker 1: Sure wasn't explaining the whole film.

1736
01:23:16,400 --> 01:23:17,280
Speaker 2: It was the wedding.

1737
01:23:17,720 --> 01:23:19,719
Speaker 1: I was just gonna say, okay, so we found online,

1738
01:23:19,720 --> 01:23:22,240
Speaker 1: you have to you just confirmed an alternate ending exists,

1739
01:23:22,240 --> 01:23:25,160
Speaker 1: not including the main broadcast. It features Janeda and Luke's

1740
01:23:25,160 --> 01:23:27,599
Speaker 1: wedding with the Cheetah Girls singing cherish the moment during

1741
01:23:27,600 --> 01:23:30,120
Speaker 1: the summer during the ceremony, not really.

1742
01:23:29,920 --> 01:23:33,000
Speaker 2: An alternate it was like an additional extra scene.

1743
01:23:33,160 --> 01:23:36,600
Speaker 1: Were they singing it as the winners of the contest,

1744
01:23:36,760 --> 01:23:41,120
Speaker 1: because I still don't know, God.

1745
01:23:41,120 --> 01:23:44,559
Speaker 2: We were, I know, I thought the same thing as like, wait,

1746
01:23:45,720 --> 01:23:49,880
Speaker 2: we didn't even know, Like they didn't even say if

1747
01:23:49,920 --> 01:23:52,280
Speaker 2: we want or not? No, I mean, no idea we did.

1748
01:23:52,520 --> 01:23:54,240
Speaker 1: I don't think that's clear. I think the first guy

1749
01:23:54,280 --> 01:23:57,160
Speaker 1: with the DJ who was doing the singing, that's the

1750
01:23:57,200 --> 01:24:00,519
Speaker 1: guy who won DJ. That's the guy who won DJ.

1751
01:24:00,640 --> 01:24:02,760
Speaker 1: Whatever the hell. Oh, I couldn't believe it. I was

1752
01:24:02,800 --> 01:24:04,720
Speaker 1: like ninety seven minutes and I still don't know who

1753
01:24:04,760 --> 01:24:10,639
Speaker 1: won the damn contest. Anyway. That is Cheetah Girls too.

1754
01:24:10,760 --> 01:24:13,519
Speaker 1: And it's time for real reviews and I get the

1755
01:24:13,560 --> 01:24:16,400
Speaker 1: five star review. I'm very excited. This is from little

1756
01:24:16,479 --> 01:24:20,280
Speaker 1: Miss Pink, Little Miss Pink, and here we go five

1757
01:24:20,320 --> 01:24:23,160
Speaker 1: star review. Anyone who wants to be incredibly rude about

1758
01:24:23,160 --> 01:24:25,759
Speaker 1: this movie can just be quiet. I am a twelve

1759
01:24:25,800 --> 01:24:27,920
Speaker 1: going on thirteen year old girl and I loved it.

1760
01:24:28,360 --> 01:24:31,360
Speaker 1: People being incredibly rude about this movie are forty seven

1761
01:24:31,680 --> 01:24:34,040
Speaker 1: and too old to be watching it. Anyway, I have

1762
01:24:34,120 --> 01:24:36,479
Speaker 1: a projector, and I dance and sing along with this

1763
01:24:36,560 --> 01:24:39,559
Speaker 1: movie every day. I am a smart twelve going on

1764
01:24:39,640 --> 01:24:42,320
Speaker 1: thirteen year old girl, So as far as I'm concerned,

1765
01:24:42,439 --> 01:24:45,800
Speaker 1: you can be quiet from a very annoyed twelve going

1766
01:24:45,840 --> 01:24:48,920
Speaker 1: on thirteen year old. I just wonder how old she was.

1767
01:24:49,160 --> 01:24:52,000
Speaker 1: I know, I'm not sure that's five stars, Sabrina, You've

1768
01:24:52,040 --> 01:24:53,519
Speaker 1: got the one star, which I think is.

1769
01:24:53,640 --> 01:24:56,080
Speaker 2: I I'm gonna Nita. Is that feces?

1770
01:24:56,240 --> 01:24:57,960
Speaker 1: It is? It? Absolutely is?

1771
01:24:58,200 --> 01:25:02,800
Speaker 2: I was hoping not, but okay, Uh, this one star

1772
01:25:03,080 --> 01:25:11,200
Speaker 2: coming from walking maybe walking chin woke wo chin it FECs, dude,

1773
01:25:11,680 --> 01:25:14,440
Speaker 2: It feces, dude.

1774
01:25:15,800 --> 01:25:23,639
Speaker 1: That's it. That's literally walk in. Uh for our feature today,

1775
01:25:24,400 --> 01:25:27,439
Speaker 1: Sabrina's favorite part of the program. Uh. For the big sequel.

1776
01:25:27,479 --> 01:25:29,160
Speaker 1: Here the Cheetah girls traveling.

1777
01:25:28,720 --> 01:25:31,719
Speaker 2: To get a break, not get no damn not.

1778
01:25:31,600 --> 01:25:34,280
Speaker 1: Even not even on your own movie, not even on

1779
01:25:34,320 --> 01:25:36,960
Speaker 1: your own movie the Cheetahs. The Cheetah travel to Spain

1780
01:25:37,000 --> 01:25:39,200
Speaker 1: to compete in the talent show. No nobody knows who wins,

1781
01:25:39,240 --> 01:25:41,479
Speaker 1: but they do. To honor their travels, we will be

1782
01:25:41,560 --> 01:25:44,040
Speaker 1: given five cities and have to decide whether they're in

1783
01:25:44,160 --> 01:25:49,440
Speaker 1: Spain or the last name of a major League baseball player. Oh,

1784
01:25:49,520 --> 01:25:52,360
Speaker 1: I don't know cities in Spain or baseball. So here

1785
01:25:52,800 --> 01:25:56,519
Speaker 1: we go. Number one, Morella.

1786
01:25:59,200 --> 01:26:01,680
Speaker 2: I'm gonna, I'm gonna that's a city because I feel like,

1787
01:26:02,240 --> 01:26:03,759
Speaker 2: isn't there like a cheese brand?

1788
01:26:04,160 --> 01:26:05,240
Speaker 1: Well that's mozzarella.

1789
01:26:05,720 --> 01:26:07,479
Speaker 2: No, no, there's like a brand.

1790
01:26:07,680 --> 01:26:10,320
Speaker 1: Oh I'm gonna I'm going to do something really stupid

1791
01:26:10,320 --> 01:26:13,240
Speaker 1: and stick with you though and say it's also from Spain.

1792
01:26:13,680 --> 01:26:16,759
Speaker 2: Yeah, it is a city in the Valencia region.

1793
01:26:17,240 --> 01:26:19,960
Speaker 1: Ha, so we got it. Wow, Producer Jensen, you sound

1794
01:26:19,960 --> 01:26:25,800
Speaker 1: different today. Number two. I think it's pronounced bisa be

1795
01:26:26,080 --> 01:26:29,320
Speaker 1: a easy a b Yeah, b a easy a.

1796
01:26:29,479 --> 01:26:33,080
Speaker 2: Besa thinking instantly a biza, which is right?

1797
01:26:33,280 --> 01:26:35,960
Speaker 1: Which is different? I think he's doing this one to

1798
01:26:36,000 --> 01:26:36,320
Speaker 1: throw us.

1799
01:26:36,360 --> 01:26:38,639
Speaker 2: I'm gonna say baseball player, baseball player.

1800
01:26:38,720 --> 01:26:43,160
Speaker 1: Yeah, nope, it's a city, a one in one okay,

1801
01:26:43,960 --> 01:26:47,200
Speaker 1: Quintana baseball player. I'm gonna say baseball player, gotta be

1802
01:26:48,200 --> 01:26:50,519
Speaker 1: What do you think with will baseball.

1803
01:26:51,800 --> 01:26:56,240
Speaker 4: You're both correct of the Milwaukee Brewers.

1804
01:26:56,520 --> 01:27:01,720
Speaker 1: Okay, Uh, Dubon do you be o n Dubon.

1805
01:27:03,360 --> 01:27:03,679
Speaker 2: City?

1806
01:27:03,760 --> 01:27:04,759
Speaker 1: City city?

1807
01:27:05,439 --> 01:27:06,519
Speaker 2: That's a baseball player?

1808
01:27:06,760 --> 01:27:13,240
Speaker 1: Ah? ASTs Okay, so we're what we're two, right, one. Wrong, No,

1809
01:27:14,320 --> 01:27:16,719
Speaker 1: two and two. We're two and two. So here here's

1810
01:27:16,760 --> 01:27:20,880
Speaker 1: our last one. De Roka City, I'm going with City.

1811
01:27:21,479 --> 01:27:24,839
Speaker 2: I'm gonna go with baseball player. Will wins this one.

1812
01:27:27,000 --> 01:27:31,080
Speaker 1: So close, so close? All right, now we are going

1813
01:27:31,160 --> 01:27:34,920
Speaker 1: to be doing some more. Do you have more? Sabrina sees.

1814
01:27:38,120 --> 01:27:40,639
Speaker 2: I think just like kind of highlighting a little bit

1815
01:27:40,640 --> 01:27:45,280
Speaker 2: on list please. We talked about it in the beginning,

1816
01:27:45,320 --> 01:27:50,040
Speaker 2: like the fashion, Like I really loved that. Deborah Martin,

1817
01:27:50,120 --> 01:27:55,479
Speaker 2: Chase and Kenny We're just really adamant on because the

1818
01:27:55,600 --> 01:27:59,200
Speaker 2: channel was really wanting to introduce this new culture, you know,

1819
01:27:59,320 --> 01:28:04,679
Speaker 2: to to the fans. They weren't out in Spain yet

1820
01:28:04,720 --> 01:28:06,960
Speaker 2: Disney Channels, so this was like a big deal of

1821
01:28:07,000 --> 01:28:10,839
Speaker 2: really wanting to bring smart so much more stuff, the food,

1822
01:28:11,080 --> 01:28:15,760
Speaker 2: you know, and but mainly wanting to look and show

1823
01:28:15,920 --> 01:28:19,000
Speaker 2: that the fashion. And I loved that, like the end

1824
01:28:19,120 --> 01:28:22,439
Speaker 2: routines that what we end up wearing shows a lot

1825
01:28:22,439 --> 01:28:26,080
Speaker 2: of that Spanish fashion, but it's also in like kimono

1826
01:28:26,200 --> 01:28:29,000
Speaker 2: and like the fabrics that you see throughout the movie.

1827
01:28:29,080 --> 01:28:31,920
Speaker 2: It's like it's it's everywhere, and I loved it. Even

1828
01:28:32,320 --> 01:28:36,080
Speaker 2: for me. I saw the little bag that I had

1829
01:28:36,560 --> 01:28:40,599
Speaker 2: it's literally like a mini sweatshirt with long arms that

1830
01:28:40,640 --> 01:28:42,760
Speaker 2: you tie at the top. But that's what like all

1831
01:28:42,800 --> 01:28:45,040
Speaker 2: the girls were using. It's a bat in the hoodie

1832
01:28:45,360 --> 01:28:47,400
Speaker 2: is the top part that goes over your bag?

1833
01:28:47,520 --> 01:28:48,240
Speaker 1: Do you still have that?

1834
01:28:49,120 --> 01:28:52,559
Speaker 2: No, it got trashed. I used it so much in

1835
01:28:52,600 --> 01:28:55,080
Speaker 2: the movie and then also brought it home and used it,

1836
01:28:55,720 --> 01:28:59,080
Speaker 2: and but yeah, that was like something that all the

1837
01:28:59,080 --> 01:29:02,679
Speaker 2: girls were wearing. So we really like tried to start

1838
01:29:02,720 --> 01:29:05,400
Speaker 2: embracing and using a lot of that stuff within the movie,

1839
01:29:05,400 --> 01:29:10,120
Speaker 2: which I really loved. And even just our final outfits obviously,

1840
01:29:10,200 --> 01:29:13,639
Speaker 2: like not just Ravens who had her big long train,

1841
01:29:13,840 --> 01:29:17,760
Speaker 2: but like the delicate, like the ballero looking outfits that

1842
01:29:17,800 --> 01:29:19,639
Speaker 2: we wore and tried to have them like as a

1843
01:29:19,720 --> 01:29:22,519
Speaker 2: mix and a hybrid of the outfits that we would

1844
01:29:22,560 --> 01:29:27,200
Speaker 2: wear normally. And then of course obviously the dancing. I

1845
01:29:27,280 --> 01:29:30,080
Speaker 2: loved that. Kenny really wanted to do the mash of

1846
01:29:30,680 --> 01:29:32,800
Speaker 2: seeing what we did as like kind of hip hop

1847
01:29:32,880 --> 01:29:36,680
Speaker 2: dancers along with the Latin style and migas Cheetahs did it.

1848
01:29:36,720 --> 01:29:38,960
Speaker 2: But you actually get a first look at it in

1849
01:29:39,120 --> 01:29:42,040
Speaker 2: when it's me and walking dancing and we're doing, you know,

1850
01:29:42,120 --> 01:29:45,240
Speaker 2: our tango, but yeah, like it breaks into me teaching

1851
01:29:45,360 --> 01:29:48,920
Speaker 2: him some hip hop dancing. So I just I loved

1852
01:29:48,960 --> 01:29:52,280
Speaker 2: that I watching this movie back, it like kept going.

1853
01:29:53,040 --> 01:29:56,280
Speaker 2: I kept seeing like and remembering all of the talks,

1854
01:29:56,360 --> 01:29:58,760
Speaker 2: all of the development, all of the things that like,

1855
01:29:58,840 --> 01:30:01,519
Speaker 2: this was not a movie in which I feel like

1856
01:30:01,720 --> 01:30:03,920
Speaker 2: compared to the first movie, of course, it was more

1857
01:30:03,960 --> 01:30:06,400
Speaker 2: so about just kind of laying a foundation of the

1858
01:30:06,479 --> 01:30:11,200
Speaker 2: Cheetah the girl power essence through this girl group where

1859
01:30:11,280 --> 01:30:14,800
Speaker 2: the Cheetahs came from, you know, building that who are

1860
01:30:14,880 --> 01:30:17,120
Speaker 2: all of our different backgrounds, We all come from different

1861
01:30:17,120 --> 01:30:20,519
Speaker 2: places and have different storylines versus. This one was really

1862
01:30:20,600 --> 01:30:24,320
Speaker 2: about like the evolution of our characters, but also like

1863
01:30:24,520 --> 01:30:27,640
Speaker 2: really developing like and bringing in this new culture. And

1864
01:30:27,680 --> 01:30:32,320
Speaker 2: I just remembered like everything about this movie was picked through,

1865
01:30:32,640 --> 01:30:36,040
Speaker 2: thought about, over many talks, and I just I was

1866
01:30:36,120 --> 01:30:38,479
Speaker 2: so proud of like what it ended up being now

1867
01:30:38,479 --> 01:30:42,400
Speaker 2: that I've seen so many other D coms, Like for me,

1868
01:30:42,479 --> 01:30:47,320
Speaker 2: it was just like, Wow, all of those conversations kept

1869
01:30:47,360 --> 01:30:49,479
Speaker 2: coming back to me and going we didn't just like

1870
01:30:49,720 --> 01:30:52,040
Speaker 2: throw a movie, oh a second movie and just throw

1871
01:30:52,040 --> 01:30:54,800
Speaker 2: it out. It was so intricately thought of and it

1872
01:30:54,840 --> 01:30:57,000
Speaker 2: was really fun to see and then my last one

1873
01:30:57,040 --> 01:31:00,280
Speaker 2: is everyone for all of my High School Musical of

1874
01:31:00,479 --> 01:31:04,040
Speaker 2: fans out there who know Chucky see him in you know,

1875
01:31:04,080 --> 01:31:07,080
Speaker 2: he helped choreograph and do everything with High School Musical,

1876
01:31:07,080 --> 01:31:09,519
Speaker 2: but he was in a lot of those major dance scenes.

1877
01:31:09,880 --> 01:31:13,080
Speaker 2: Chucky wasn't in any anything for us. However, he does

1878
01:31:13,120 --> 01:31:15,920
Speaker 2: make a cameo when we first go into the Dancing

1879
01:31:16,000 --> 01:31:18,759
Speaker 2: cat He's like, he looked like when we get stopped

1880
01:31:18,840 --> 01:31:21,040
Speaker 2: kind of for us to check get checked, and there's

1881
01:31:21,040 --> 01:31:23,400
Speaker 2: like a vip that goes, yeah, you see Chucky with

1882
01:31:23,439 --> 01:31:26,840
Speaker 2: the fedora and that's him walking. Okay, little celebrity, and

1883
01:31:26,880 --> 01:31:29,679
Speaker 2: that's the little kind of I love that, Like Chucky

1884
01:31:29,760 --> 01:31:32,800
Speaker 2: did make his little cameo because he definitely deserved it.

1885
01:31:32,840 --> 01:31:35,080
Speaker 2: He worked his butt off on this movie, and so

1886
01:31:35,200 --> 01:31:38,559
Speaker 2: much of the choreography was a mix of him and Kenny,

1887
01:31:38,560 --> 01:31:42,200
Speaker 2: and I loved seeing all of Chucky's work again just

1888
01:31:42,280 --> 01:31:43,320
Speaker 2: kind of come to life.

1889
01:31:43,640 --> 01:31:45,599
Speaker 1: That's sweet. Well, thank you very much. Now, of course

1890
01:31:45,600 --> 01:31:47,120
Speaker 1: we come to the part of our program where we

1891
01:31:47,200 --> 01:31:49,759
Speaker 1: have to rate the film. We just saw.

1892
01:31:51,040 --> 01:31:51,639
Speaker 2: The options.

1893
01:31:51,680 --> 01:31:53,360
Speaker 1: One of the options. This week we're gonna do one

1894
01:31:53,360 --> 01:31:56,680
Speaker 1: out of ten Divas and Diapers again, one out of ten.

1895
01:31:56,720 --> 01:31:57,880
Speaker 1: I think is the best way to do it. Let's

1896
01:31:57,880 --> 01:32:00,200
Speaker 1: do that for this one for sure. One ten and

1897
01:32:00,240 --> 01:32:04,160
Speaker 1: diapers one out of ten. Barcelona's in a day, Spanish mamas,

1898
01:32:04,840 --> 01:32:10,080
Speaker 1: mountaintop meetings, Luke tapas one out of ten, huge beautiful buildings,

1899
01:32:10,520 --> 01:32:13,120
Speaker 1: one at a ten, Chanel's faults, one out of ten,

1900
01:32:13,240 --> 01:32:16,559
Speaker 1: secret nephews, one out of ten festive matadors, or one

1901
01:32:16,600 --> 01:32:20,600
Speaker 1: out of ten trumpet playing festival directors. I'd also like

1902
01:32:20,640 --> 01:32:22,880
Speaker 1: to add one out of ten. We never find out

1903
01:32:22,880 --> 01:32:25,800
Speaker 1: who actually wins the competition. I'm gonna let you pick,

1904
01:32:25,840 --> 01:32:27,479
Speaker 1: since this is your movie and I have to pick first.

1905
01:32:27,520 --> 01:32:28,479
Speaker 1: What do you want? Big?

1906
01:32:28,600 --> 01:32:36,439
Speaker 2: Oh gosh, I think I'm gonna do one out of ten?

1907
01:32:36,520 --> 01:32:37,559
Speaker 2: Strut like you mean it?

1908
01:32:38,080 --> 01:32:41,519
Speaker 1: Yeah, yes, you mean one of ten, strut like you

1909
01:32:41,560 --> 01:32:45,519
Speaker 1: mean it. Well, okay, it is my turn to rate. Yes, okay, Sabrina.

1910
01:32:45,600 --> 01:32:49,800
Speaker 1: Now you know I have to watch this as just

1911
01:32:49,840 --> 01:32:51,519
Speaker 1: a person watching a movie. I can't watch it as

1912
01:32:51,560 --> 01:32:53,640
Speaker 1: your friend or any of that kind of stuff. I

1913
01:32:53,640 --> 01:32:55,479
Speaker 1: have to watch it as a person watching the movie. Okay,

1914
01:32:56,600 --> 01:32:59,280
Speaker 1: that one, the one song with the wind in your

1915
01:32:59,320 --> 01:33:02,080
Speaker 1: hair much, it's too much. I would have cut that

1916
01:33:02,080 --> 01:33:05,599
Speaker 1: song not knowing who won. That's not good.

1917
01:33:06,120 --> 01:33:06,800
Speaker 2: That's not good.

1918
01:33:07,560 --> 01:33:10,800
Speaker 1: That being said, I loved this movie. I did. I

1919
01:33:10,880 --> 01:33:13,320
Speaker 1: loved this movie. Sue and I had so much fun

1920
01:33:13,360 --> 01:33:17,559
Speaker 1: watching this last night. The city is beautiful, the music

1921
01:33:17,720 --> 01:33:23,880
Speaker 1: is great, you're all engaging, Raven is hysterical, You're all.

1922
01:33:24,320 --> 01:33:27,360
Speaker 1: We loved it. Seriously, I loved this movie. I really did. Wow,

1923
01:33:27,520 --> 01:33:30,400
Speaker 1: this could have been another close to ten if not

1924
01:33:30,520 --> 01:33:34,280
Speaker 1: for those two things. Because its per It's Disney Channel elevated,

1925
01:33:34,280 --> 01:33:36,000
Speaker 1: which is what we love. It's they didn't just do

1926
01:33:36,040 --> 01:33:40,559
Speaker 1: a regular Disney channel. Even with its faults. I'm still

1927
01:33:40,600 --> 01:33:45,080
Speaker 1: gonna give Cheetah Girls two nine strut like is a

1928
01:33:45,120 --> 01:33:47,479
Speaker 1: strut like you mean it? Y nine strut like you

1929
01:33:47,520 --> 01:33:49,400
Speaker 1: mean it? And I don't think I'm being biased because

1930
01:33:49,400 --> 01:33:52,240
Speaker 1: you're my friend again. Sat there watched Us with my

1931
01:33:52,280 --> 01:33:55,920
Speaker 1: wife last night, and we both had a blast. We

1932
01:33:55,920 --> 01:33:58,200
Speaker 1: were like every time the guy on Hell showed up,

1933
01:33:58,200 --> 01:34:00,800
Speaker 1: it was funny and it was like not supposed to be,

1934
01:34:00,800 --> 01:34:03,759
Speaker 1: but we still we had We fully enjoyed the ninety

1935
01:34:03,760 --> 01:34:06,280
Speaker 1: seven minutes. It was seven minutes too long, that one song,

1936
01:34:06,360 --> 01:34:08,720
Speaker 1: but it was a great dcom it really was, and

1937
01:34:08,760 --> 01:34:10,200
Speaker 1: you're right, it was better than the first one, and

1938
01:34:10,240 --> 01:34:12,679
Speaker 1: I liked the first one, So this is a great movie.

1939
01:34:12,720 --> 01:34:16,880
Speaker 1: I'm very very confident in giving this nine strut, like, wow,

1940
01:34:18,200 --> 01:34:18,800
Speaker 1: this is a great one.

1941
01:34:19,560 --> 01:34:23,360
Speaker 2: That is unreal. I wasn't expecting that, Well, this is

1942
01:34:23,360 --> 01:34:23,840
Speaker 2: a great movie.

1943
01:34:23,920 --> 01:34:25,320
Speaker 1: Had a ton of fun watching this film.

1944
01:34:25,960 --> 01:34:30,479
Speaker 2: Like I said, I this again, this is my favorite movie.

1945
01:34:30,520 --> 01:34:34,559
Speaker 2: But it wasn't that because I of the movie comparing

1946
01:34:34,600 --> 01:34:37,679
Speaker 2: the actual movies. It was my experience in of course

1947
01:34:37,800 --> 01:34:41,040
Speaker 2: in Barcelona that was like what I think most people

1948
01:34:41,120 --> 01:34:44,759
Speaker 2: can like go like they're they're semester of studying abroad,

1949
01:34:45,000 --> 01:34:48,320
Speaker 2: or they're like awesome summer trip they took with their

1950
01:34:48,439 --> 01:34:51,719
Speaker 2: college girlfriends, and like this was it for me because

1951
01:34:51,760 --> 01:34:54,400
Speaker 2: I didn't get that because I was working. This was

1952
01:34:54,439 --> 01:34:57,640
Speaker 2: really it for me, and so I already knew I

1953
01:34:57,720 --> 01:35:01,200
Speaker 2: loved like just I was excited to like have a

1954
01:35:01,400 --> 01:35:03,599
Speaker 2: trip through memory lane of like all of our fun

1955
01:35:03,640 --> 01:35:06,479
Speaker 2: trips and stuff that we did. But now that I've

1956
01:35:06,520 --> 01:35:10,960
Speaker 2: watched so many dcoms and have seen you know the

1957
01:35:11,040 --> 01:35:13,280
Speaker 2: ones that are just kind of you know, take it

1958
01:35:13,400 --> 01:35:14,960
Speaker 2: or leave it, you know, the ones that are just

1959
01:35:15,080 --> 01:35:17,880
Speaker 2: a movie, like how we say, not bad, just a movie,

1960
01:35:18,320 --> 01:35:20,160
Speaker 2: And then the ones that have blown my mind, like

1961
01:35:20,200 --> 01:35:24,200
Speaker 2: the Descendants, the the you know, the movies, the zombies. Like,

1962
01:35:24,880 --> 01:35:29,360
Speaker 2: now that I've seen that, I really was imagining I

1963
01:35:29,439 --> 01:35:31,519
Speaker 2: was going to be picking this apart, and I just

1964
01:35:31,600 --> 01:35:34,519
Speaker 2: kept going, this was done so well.

1965
01:35:34,560 --> 01:35:35,639
Speaker 1: It is, It's good.

1966
01:35:36,000 --> 01:35:41,200
Speaker 2: The movie was great. The our our artistic director and

1967
01:35:41,680 --> 01:35:45,360
Speaker 2: like our ad was just unreal. He was so good

1968
01:35:45,479 --> 01:35:50,160
Speaker 2: and so mediculous. Kenny did his thing. Deborah, I swear

1969
01:35:50,280 --> 01:35:54,439
Speaker 2: she was just I couldn't imagine having anyone better than

1970
01:35:54,439 --> 01:35:57,040
Speaker 2: Deborah Martin Chase because she was such a warrior for

1971
01:35:57,200 --> 01:36:00,240
Speaker 2: us as as as artists for what we were wanting

1972
01:36:00,280 --> 01:36:02,000
Speaker 2: to do in the future with the Cheetah girls, Like

1973
01:36:02,040 --> 01:36:05,040
Speaker 2: she just had a big picture the whole time, and

1974
01:36:05,320 --> 01:36:08,439
Speaker 2: it was like finally developing. We were hitting our stride

1975
01:36:08,560 --> 01:36:10,640
Speaker 2: and you can see it in this movie. Everything was

1976
01:36:10,680 --> 01:36:13,680
Speaker 2: elevated and it was really I was really proud to

1977
01:36:13,720 --> 01:36:16,000
Speaker 2: watch it last night. I couldn't believe it have been

1978
01:36:16,280 --> 01:36:18,720
Speaker 2: were because I was thinking, now that I've seen Descendance

1979
01:36:18,760 --> 01:36:21,559
Speaker 2: like all these like new gen D coms, that it

1980
01:36:21,600 --> 01:36:24,000
Speaker 2: wasn't gonna hold up, and I feel like it did,

1981
01:36:24,080 --> 01:36:27,120
Speaker 2: and I'm kind of like, well, that's probably not the

1982
01:36:27,160 --> 01:36:29,280
Speaker 2: greatest thing to say. But because I was in it,

1983
01:36:29,320 --> 01:36:31,920
Speaker 2: but I felt like it really held up and I

1984
01:36:32,000 --> 01:36:34,439
Speaker 2: was proud of it. I'm gonna go ahead and also

1985
01:36:34,479 --> 01:36:38,920
Speaker 2: give it a nine. Yeahh like you mean it, because wow,

1986
01:36:39,040 --> 01:36:42,360
Speaker 2: it was so such a gorgeous movie and it was

1987
01:36:42,640 --> 01:36:45,400
Speaker 2: where we were and everything. It just it was. It

1988
01:36:45,479 --> 01:36:48,160
Speaker 2: was awesome. I felt like this was Cheetahs at its fineness.

1989
01:36:48,240 --> 01:36:48,960
Speaker 2: It was so great.

1990
01:36:49,200 --> 01:36:52,320
Speaker 1: Well, I thoroughly enjoyed it. Thank you so much. We'll

1991
01:36:52,320 --> 01:36:54,320
Speaker 1: see about if we enjoy our next movie. Because our

1992
01:36:54,320 --> 01:36:56,479
Speaker 1: next movie is one I've also been waiting for. It's

1993
01:36:56,520 --> 01:36:59,120
Speaker 1: nineteen ninety nine's comedy drama starring two of my pals

1994
01:36:59,120 --> 01:37:02,320
Speaker 1: and two pals from the show, Oh Joey and Andy Lawrence.

1995
01:37:02,600 --> 01:37:04,960
Speaker 1: The movie is called Horse Sense. It's currently available to

1996
01:37:04,960 --> 01:37:07,679
Speaker 1: stream on Disney Plus. Check it out and gallop past

1997
01:37:07,800 --> 01:37:10,000
Speaker 1: us in preparation for our next recap That was a

1998
01:37:10,160 --> 01:37:12,400
Speaker 1: horse pun. But before we get into that, we have

1999
01:37:12,400 --> 01:37:15,360
Speaker 1: a park Opper episode. This week. We're completing the trifecta

2000
01:37:15,400 --> 01:37:19,000
Speaker 1: by talking to Amy Hallerin, who played Ronnie in Go Figure.

2001
01:37:19,040 --> 01:37:22,080
Speaker 1: It's the third and final hockey player for Magical Rewind,

2002
01:37:22,400 --> 01:37:25,439
Speaker 1: joining our talks with Tanya Gunati and Jordan Danger. So

2003
01:37:25,640 --> 01:37:27,800
Speaker 1: let's hit the ice one last time and get a

2004
01:37:27,840 --> 01:37:32,200
Speaker 1: little preview of what you can expect.

2005
01:37:32,760 --> 01:37:35,720
Speaker 4: I hadn't seen it in years, and I have two

2006
01:37:35,800 --> 01:37:39,759
Speaker 4: nephews and they had really never I haven't done TV

2007
01:37:39,840 --> 01:37:42,439
Speaker 4: in like a long time, so they have not really

2008
01:37:42,479 --> 01:37:43,799
Speaker 4: seen me on screen.

2009
01:37:44,280 --> 01:37:45,360
Speaker 2: So when I was home.

2010
01:37:45,200 --> 01:37:47,240
Speaker 4: This fall, I was like, would you guys want to

2011
01:37:47,280 --> 01:37:49,280
Speaker 4: watch this hockey movie that Aunt Amy's in?

2012
01:37:49,320 --> 01:37:51,080
Speaker 2: And they're like, oh, Amy's in a movie and I

2013
01:37:51,120 --> 01:37:52,120
Speaker 2: was like yeah.

2014
01:37:52,160 --> 01:37:55,479
Speaker 3: So we watched it together and it was so fun

2015
01:37:55,560 --> 01:37:58,160
Speaker 3: to watch them watch it, and like, especially the little

2016
01:37:58,200 --> 01:38:04,240
Speaker 3: one was like Amy, that's you want Amy, That's that's you.

2017
01:38:03,600 --> 01:38:05,720
Speaker 1: Don't miss our very own little hat trick. Amy was

2018
01:38:05,800 --> 01:38:08,559
Speaker 1: awesome And you can hear it all by searching Magical

2019
01:38:08,640 --> 01:38:10,880
Speaker 1: Rewind wherever you get your podcasts and check out our

2020
01:38:10,960 --> 01:38:13,479
Speaker 1: other episodes. I promise you won't regret ith you regret

2021
01:38:13,520 --> 01:38:16,360
Speaker 1: some And for more info, you can follows that Magical

2022
01:38:16,400 --> 01:38:20,720
Speaker 1: Rewind pod on the Instagram Machine. Now, oh, Sabrina, I

2023
01:38:20,760 --> 01:38:22,160
Speaker 1: still think you slipped that guy of the tongue.

2024
01:38:22,840 --> 01:38:40,640
Speaker 2: Bye Cheetah.