WEBVTT - Episode 445 w/ Ron Browz & DJ Webstar

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<v Speaker 1>He is drink chess, motherfucking podcast man.

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<v Speaker 2>He's a legendary queen's rapper. He ain't agreed that your

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<v Speaker 2>boy in O R E D's a Miami hip hop

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<v Speaker 2>pioneer p up as DJ.

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<v Speaker 1>E f N. Together they drink it up with some

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<v Speaker 1>of the biggest players, you know what I mean, and.

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<v Speaker 2>The most professional, unprofessional podcast and your number one source

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<v Speaker 2>for drunk d chansy days New Year.

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<v Speaker 1>C that's it's time for drink champions. Drink up, mother,

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<v Speaker 1>would it gonna be? Hope? Swishing me? Your boy n

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<v Speaker 1>A O N A A.

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<v Speaker 3>What up is d J e f N like through

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<v Speaker 3>the Spanish real quick a little bit. We gotta arguably

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<v Speaker 3>one of the best producer of all times. These guys have,

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<v Speaker 3>both of them, have controlled Summers, has controlled my summer,

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<v Speaker 3>Summers Summer, Harriet.

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<v Speaker 1>This guy's got a hot hand.

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<v Speaker 4>They head together making I think they making an album.

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<v Speaker 1>We're not sure they making from the time. It's about

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<v Speaker 1>goddamn time because New York City have been waiting for it.

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<v Speaker 3>The motherfucker mag Limmerson Dynamic Duo Right now, motherfucker brow.

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<v Speaker 1>Now, I gotta off top. We gotta give y'all bottle

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<v Speaker 1>on Champagne. You know what I'm saying. Yeah, let's get

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<v Speaker 1>let's give him the cold ones you want. You wanna

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<v Speaker 1>start with Champagne, even though I feel like you want

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<v Speaker 1>to Killer Guy, Bahamas, Bahamas, but you proper Champagne. I'm

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<v Speaker 1>doing what you're doing, okay, all right? Cool?

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<v Speaker 2>Cool, cool?

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<v Speaker 1>You sure? I feel like you avaka guy. I'm doing

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<v Speaker 1>what you're doing, all right? Cool on whatever you do,

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<v Speaker 1>Popper Champagne.

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<v Speaker 3>So let me ask you because that's that record right there,

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<v Speaker 3>that's one of my favorite records of all times.

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<v Speaker 1>It's one of the rec is that I hear.

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<v Speaker 3>You know here, you always you there's always a record

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<v Speaker 3>that you hear and be like, man, I wish I.

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<v Speaker 1>Made that ship.

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<v Speaker 3>That's one of those records for me because I really

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<v Speaker 3>Pop Champagne. You just had uh the homie on the phone,

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<v Speaker 3>and you know that's That's what our section of Queen's

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<v Speaker 3>is about. It's about Pop and Champagne. Bring all three.

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<v Speaker 3>We're giving them all their own bottle. Oh yeah, yeah,

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<v Speaker 3>yeah yeah. Don't don't waste my ship.

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<v Speaker 1>Don't waste my ship.

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<v Speaker 3>So so let's let's let's describe that real quick brows.

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<v Speaker 4>That record was yours at first. Yeah, okay, so how

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<v Speaker 4>does happen? Uh, you know, trying to learn auto tune? Okay,

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<v Speaker 4>I created it was in the crib creating this beat,

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<v Speaker 4>and I didn't really know how to work the auto

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<v Speaker 4>tune like that. So that's why I'm pop Champagne. You

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<v Speaker 4>hear the clear out of the drums. I didn't really

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<v Speaker 4>know how to people. You know, I don't know how

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<v Speaker 4>to work the auto tune and.

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<v Speaker 5>How early what years is? Because Way was just really

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<v Speaker 5>getting big at the time. Yeah.

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<v Speaker 4>Yeah, I kind of actually heard fifty cent I'm a rider,

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<v Speaker 4>That's who I got the idea for. I'm like, yo,

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<v Speaker 4>I'm gonna do a party record like that, okay, And people.

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<v Speaker 1>Were picking the talking about the pop campaign part.

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<v Speaker 4>I'm telling you the orderto P because that's what okay, okay,

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<v Speaker 4>that's how pop. People were picking dark beats from me.

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<v Speaker 4>So I'm like, I gotta.

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<v Speaker 3>Do it because yeah, we'll get back to that.

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<v Speaker 4>Yeah, you a party beat because they was picking dark

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<v Speaker 4>beats for me, I'm like, I need a single, you

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<v Speaker 4>know what I mean. I was getting the h like

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<v Speaker 4>the album cuts, so you know, I created that record

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<v Speaker 4>a couple couple of my dudes was like, Yo, that's fire.

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<v Speaker 4>Brung it up to DJ Enough and he was like, Yo,

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<v Speaker 4>this joint is crazy.

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<v Speaker 1>Wait a minute, so you bring into enoughing Enough play

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<v Speaker 1>that on the radio. Yeah, I was your version. Yeah,

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<v Speaker 1>it was just by myself. Continue and yeah it was.

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<v Speaker 4>It was just by myself because I was bringing the

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<v Speaker 4>records and he was like, nah, it ain't it.

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<v Speaker 1>Dang't it. Then when I brung that joint, he was like, Yo,

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<v Speaker 1>that's it.

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<v Speaker 4>And then uh, I've seen gym outside No, no, just

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<v Speaker 4>like outside New York when the clubs.

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<v Speaker 1>Yeah.

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<v Speaker 4>Yeah, he was like, y'all heard that joint. That's like

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<v Speaker 4>you want to get on the remix? He was like, yeah,

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<v Speaker 4>that's how we went to the studio and got it done.

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<v Speaker 1>Yeah.

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<v Speaker 3>Just give everybody their own bottle. Yeah, you get everybody

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<v Speaker 3>their own bottle. This is you know what I mean?

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<v Speaker 1>Yeah? Yeah, yeah, yeah, absolutely, yes, yes, yes, solo sold

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<v Speaker 1>sold So we don't know if you know, but our

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<v Speaker 1>show was about giving people their flowers. Give you all

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<v Speaker 1>your motherfucker flowers while y'all can smell them, while you

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<v Speaker 1>can think them and you drink or you can drink them.

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<v Speaker 3>So let'st's just start it off early, man, Let's give

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<v Speaker 3>them these more buckers. They flowers.

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<v Speaker 1>God damn it. Hell yeah hell yea.

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<v Speaker 2>Fire, yes, yes, thank you.

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<v Speaker 3>But fine website. You you are island DJ Opera. Yes,

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<v Speaker 3>you'll be everywhere. I ran to see you a few times. Yes,

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<v Speaker 3>I can't go to the like the Risk Islands.

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<v Speaker 4>You go to, okay, because every week hey man, hey man,

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<v Speaker 4>hey man.

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<v Speaker 1>That's photo shop. Photo shop. But how did you well,

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<v Speaker 1>you're a DJ Pryor. I mean, I know it's DJ WebStar,

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<v Speaker 1>but you know a lot of people have that DJ

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<v Speaker 1>name and and really wasn't Djail you know what I'm.

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<v Speaker 4>Saying, Like doctor Drake is not really a doctor.

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<v Speaker 1>You know what I mean. I don't know if you don't. Yeah,

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<v Speaker 1>but you was, so he was the DJ before you was.

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<v Speaker 4>Yeah.

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<v Speaker 1>So I come home with the bottles that's in there.

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<v Speaker 3>Yeah, okay, all right, cool, I shouldn't put those bottles

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<v Speaker 3>here because I want I want them to have their bottles.

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<v Speaker 1>Next to them. You know what I'm saying. I'm sorry. Yeah.

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<v Speaker 2>So I come from a block horse Spiller Hill Scriller

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<v Speaker 2>in Harlem, and okay, DJ s Ands was like living

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<v Speaker 2>in the next building. Yeah, Like so I grew up

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<v Speaker 2>watching him through the parties, and and you know he

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<v Speaker 2>used to giveaways. He used to give away fifty four

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<v Speaker 2>elevens so boxy.

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<v Speaker 1>He do team party.

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<v Speaker 2>So when I became of age, I started doing the

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<v Speaker 2>same kind of thing I used to be, like products

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<v Speaker 2>and different things like Nikeople and all that.

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<v Speaker 1>And I started DJing my own party. I knew it

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<v Speaker 1>was coming. I still yeah, yeah, I started DJing good in.

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<v Speaker 2>About my twelfth grade in hospital, about two thousand and

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<v Speaker 2>two thousand and one, okay, And then from me, I

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<v Speaker 2>just started breaking my own records at my party. I

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<v Speaker 2>just started feeding records and smart and then and then,

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<v Speaker 2>you know, since I had the crowd coming to see me,

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<v Speaker 2>I said, you know, I broke chicken new soups at

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<v Speaker 2>one of my team parties, and and the rest.

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<v Speaker 1>Is like history.

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<v Speaker 2>From there, I started getting too music from I because

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<v Speaker 2>I wasn't really even doing music.

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<v Speaker 1>You know, it's funny. I thought about you the other day,

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<v Speaker 1>and it's crazy you hit me, but I was going

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<v Speaker 1>to hit you. This is cool called Real Crew.

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<v Speaker 3>Uh we run uptown right, and how they how they

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<v Speaker 3>stretch It's the chicken noodle soup they do.

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<v Speaker 1>The dance, but they stretch it. It's like the most

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<v Speaker 1>amazing ship loads. Yeah yeah, yeah, yes, yeah, yes, yeah,

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<v Speaker 1>yeah yeah. I have your bottles. You know what I'm saying.

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<v Speaker 1>Three people from we got over here.

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<v Speaker 4>Yeah, you know, flaps bottles when you drinking it low.

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<v Speaker 3>She'll come over here, said, you know what I mean.

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<v Speaker 3>That's Jamie Man. She went the show demonstration.

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<v Speaker 1>Thank you, Jami, so ahead. Yeah.

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<v Speaker 2>So, like I started at the top of the year,

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<v Speaker 2>I started, I was going one hundred days right with

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<v Speaker 2>no alcohol.

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<v Speaker 1>Top of the year. He was doing dry January. That's

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<v Speaker 1>what somebody said, dr January. Yeah, I was doing that,

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<v Speaker 1>and then.

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<v Speaker 2>You know, we were talking about doing this for a

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<v Speaker 2>minute and then as soon as I go on my

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<v Speaker 2>one hundred day detos coming you.

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<v Speaker 1>Want to do this?

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<v Speaker 3>So so what do you now? Let's be clear, you

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<v Speaker 3>produced ticket in the soup.

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<v Speaker 1>Right, Yeah, so I held right in I produced it. Yeah, okay,

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<v Speaker 1>So it's.

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<v Speaker 2>Kind of similar. Like my staff back then was pretty

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<v Speaker 2>much the same thing, like like how Cali does it?

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<v Speaker 2>You know, I had like tea on the tail, I

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<v Speaker 2>had Bianca, I had you know, t rexsmen move wrong

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<v Speaker 2>brown help me producers. Right, So I just I got

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<v Speaker 2>all my friends together that what's what's.

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<v Speaker 3>The girl from Queen's Girl from Queen Oh Beautyty she came.

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<v Speaker 2>She came a little bit after I started Chickenoso because

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<v Speaker 2>you know me, Bonca had that little fallout, so I

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<v Speaker 2>had to find another female artist.

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<v Speaker 1>So so she hat to be Brutie. She to.

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<v Speaker 2>We're all good, we're all family now and all that.

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<v Speaker 2>But yeah, so I pretty much put a compilation not

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<v Speaker 2>together for my first album, just just highlighting all the

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<v Speaker 2>people in all them who had talent, who I was

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<v Speaker 2>friends with, and then you know, that's what it.

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<v Speaker 1>So I produced all the records and.

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<v Speaker 2>Got Browns help me to produce some of them, and yeah,

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<v Speaker 2>that's pretty much it.

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<v Speaker 3>So let me ask a million dollar question. It's female

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<v Speaker 3>artists harder to work with.

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<v Speaker 1>Absolutely. You know, you got to think about it.

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<v Speaker 2>How many record labels you know got more than one

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<v Speaker 2>female artists on it, or how many female artists you

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<v Speaker 2>have ever seen break another female artist?

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<v Speaker 1>It's just don't happen, think about it. That's a that's

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<v Speaker 1>a good point.

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<v Speaker 3>The first point is because a lot of them can't

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<v Speaker 3>afford heir makeup.

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<v Speaker 1>Yeah.

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<v Speaker 4>The second is, like you know, talking about regulation yeah,

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<v Speaker 4>but that's a part of the process.

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<v Speaker 1>Yeah, yeah.

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<v Speaker 3>But the second one, how many female artists put on

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<v Speaker 3>another female artist.

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<v Speaker 1>I'm trying to think it don't happen. I've seen Foxy

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<v Speaker 1>put on he was under about it, think about it.

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<v Speaker 2>But sweat all the famous, rich female artists we have,

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<v Speaker 2>and none of them ever said I'm gonna put out

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<v Speaker 2>another female artist on my leg.

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<v Speaker 1>Directly under that right here, this is my artist, right yeah,

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<v Speaker 1>I haven't really And if you.

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<v Speaker 2>Think about it, like business wise, that'd be that'd be

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<v Speaker 2>a small business move because you're already inhaerited your fan

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<v Speaker 2>base if you put somebody younger.

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<v Speaker 1>But females don't like to work with other females.

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<v Speaker 3>It's just respectfully to women, right, respectfully, there's something certain

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<v Speaker 3>male artists that you work with and be like, I

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<v Speaker 3>don't want to work with artists periody.

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<v Speaker 1>So is it really just a ladies thing or is

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<v Speaker 1>it more of a diva a diva dawn thing, don

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<v Speaker 1>diva thing? How about that? I'm the honest with you.

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<v Speaker 2>I think it's the ladiest thing because we never seen it, right,

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<v Speaker 2>you know what I'm saying, We never seen it. Like

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<v Speaker 2>even if you don't like, you know, we see males

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<v Speaker 2>pulling on all the males, see males putting on females, but.

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<v Speaker 3>Didn't Beyonce put on Halle Berry, Helly Bailey, Chloe, and

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<v Speaker 3>Chloe Chloe Chloe.

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<v Speaker 1>Yeah, I didn't be one. I don't know you co signed.

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<v Speaker 1>The more I mean, you could go back for help,

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<v Speaker 1>money love put money.

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<v Speaker 2>Yeah yeah, okay, I mean but look after you gotta

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<v Speaker 2>go back the game is ring, the game is ring,

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<v Speaker 2>go back to be like you gotta give credit.

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<v Speaker 1>To you right to That's that's like my that's like

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<v Speaker 1>my mom. Yeah, but yeah, yeah, it just don't happen

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<v Speaker 1>that way, you know what I'm saying.

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<v Speaker 2>So it's just like I just feel like, you know,

0:10:39.520 --> 0:10:41.040
<v Speaker 2>when the female get the lights, she wants the light

0:10:41.080 --> 0:10:42.800
<v Speaker 2>for herself most of the time. But I would love

0:10:42.800 --> 0:10:44.600
<v Speaker 2>to see some female artists get together and bring out

0:10:44.600 --> 0:10:46.840
<v Speaker 2>some younger female artists and like bridge the gap between

0:10:46.880 --> 0:10:48.719
<v Speaker 2>the young and Oh that's why. So it's a gap

0:10:48.760 --> 0:10:51.199
<v Speaker 2>between either it's two ratchet or too old. There's never

0:10:51.320 --> 0:10:52.280
<v Speaker 2>no medium for the female.

0:10:52.640 --> 0:10:56.640
<v Speaker 5>Like glow Riller with MC light, the way you put

0:10:56.640 --> 0:10:57.720
<v Speaker 5>that together doesn't make sense.

0:10:59.480 --> 0:10:59.960
<v Speaker 1>She makes it.

0:11:03.960 --> 0:11:10.000
<v Speaker 4>Like something like that. So so brows. What are you prefer.

0:11:11.760 --> 0:11:13.360
<v Speaker 3>Being an artist, be in the front of the camera

0:11:13.640 --> 0:11:14.760
<v Speaker 3>or being behind the camera.

0:11:15.840 --> 0:11:19.520
<v Speaker 4>Well, in front of the camera got me to be

0:11:19.559 --> 0:11:22.320
<v Speaker 4>able to tour and see the world. And I just

0:11:22.400 --> 0:11:25.360
<v Speaker 4>like the creative process of making an artist sound hot.

0:11:26.320 --> 0:11:28.920
<v Speaker 4>So I like that part. But being an artist, man,

0:11:28.920 --> 0:11:30.600
<v Speaker 4>you get to travel, you get all.

0:11:30.440 --> 0:11:33.400
<v Speaker 1>The perks, right, So you want to be an artist.

0:11:33.600 --> 0:11:35.880
<v Speaker 4>Yeah, so you had a chance to pick one, you

0:11:35.880 --> 0:11:36.760
<v Speaker 4>would pick the artist.

0:11:37.200 --> 0:11:38.800
<v Speaker 1>Yeah, okay, you get to see more.

0:11:39.760 --> 0:11:42.920
<v Speaker 2>Man, this nigga did the most of the most legendary

0:11:42.920 --> 0:11:43.680
<v Speaker 2>beasts of all time.

0:11:44.400 --> 0:11:45.760
<v Speaker 1>Niggas did the bondis for for.

0:11:52.800 --> 0:11:55.880
<v Speaker 4>Yeah, I'm doing that from the crib though, Like I

0:11:55.920 --> 0:11:58.400
<v Speaker 4>get as an artist, I got to go to Japan,

0:11:58.520 --> 0:12:01.360
<v Speaker 4>go to Africa, I went to I've seen a lot

0:12:01.400 --> 0:12:04.800
<v Speaker 4>of places. So yeah, as a producer, you get you

0:12:04.880 --> 0:12:06.439
<v Speaker 4>just staying in crib and create.

0:12:06.440 --> 0:12:07.960
<v Speaker 1>With the place you have the most pussy act.

0:12:09.320 --> 0:12:19.120
<v Speaker 6>New York Okay, but you know I love overseas though, Yeah,

0:12:19.120 --> 0:12:24.560
<v Speaker 6>over seas overseas with Japan, long time, like France, France, Okay,

0:12:24.720 --> 0:12:25.880
<v Speaker 6>you know cons and all that.

0:12:25.960 --> 0:12:30.360
<v Speaker 3>Okay, yeah that water France. Parents don't wear them. I

0:12:31.480 --> 0:12:32.520
<v Speaker 3>don't mind my niggas.

0:12:32.559 --> 0:12:36.320
<v Speaker 4>You know what I'm stand Yeah, like some at some

0:12:36.400 --> 0:12:44.120
<v Speaker 4>point I think I'm gonna stop wearing. I'm like I

0:12:44.160 --> 0:12:46.560
<v Speaker 4>want that other ship cargo.

0:12:46.679 --> 0:12:49.120
<v Speaker 1>Yes, I see the s car go, Yes I do.

0:12:49.640 --> 0:12:52.880
<v Speaker 3>So what's your favorite place to perform at?

0:12:53.160 --> 0:12:54.439
<v Speaker 1>Bahamas? Bahamas?

0:12:54.679 --> 0:12:57.400
<v Speaker 2>Okay, yeah, yeah, I love the Bahamas. I got a

0:12:57.400 --> 0:12:59.520
<v Speaker 2>residency out there, so I'm out there like talk to

0:12:59.679 --> 0:13:01.240
<v Speaker 2>you like like eight times a year.

0:13:01.400 --> 0:13:03.080
<v Speaker 1>Okay. It was matter of fact, when.

0:13:02.960 --> 0:13:05.120
<v Speaker 2>I raned you, it was like the anniversary of drink Sham.

0:13:05.760 --> 0:13:08.240
<v Speaker 1>That's right. Yeah, we had a good time.

0:13:08.480 --> 0:13:11.439
<v Speaker 2>You actually extended your state so you can come to

0:13:12.920 --> 0:13:18.080
<v Speaker 2>I appreciate that. Yeah, yeah, Muhamads.

0:13:22.200 --> 0:13:24.480
<v Speaker 3>Who's an artist you got to work with and and

0:13:24.640 --> 0:13:27.280
<v Speaker 3>you were kind of like disappointed or they didn't they

0:13:27.280 --> 0:13:28.400
<v Speaker 3>didn't meet the standards.

0:13:30.000 --> 0:13:37.599
<v Speaker 4>No, I feel like every artist I work with this

0:13:37.800 --> 0:13:43.760
<v Speaker 4>document Nas Nikki hey By, they all them drinks?

0:13:43.920 --> 0:13:47.160
<v Speaker 1>Was was his? Okay, So like I was gonna wait

0:13:47.200 --> 0:13:51.959
<v Speaker 1>for it, but it all right. You get this call

0:13:52.040 --> 0:13:52.679
<v Speaker 1>from Nas.

0:13:53.240 --> 0:13:55.880
<v Speaker 3>Is this your first big call or you had you

0:13:55.960 --> 0:13:59.040
<v Speaker 3>had already did the Bonyx. So what was your biggest

0:13:59.040 --> 0:14:01.000
<v Speaker 3>record besides that before that?

0:14:01.240 --> 0:14:04.280
<v Speaker 7>He bony Yeah, yeah, this is ak so you can

0:14:04.320 --> 0:14:05.320
<v Speaker 7>just call from Nas.

0:14:05.480 --> 0:14:08.800
<v Speaker 1>Yeah, what does he say to you? Yeah, I want

0:14:08.840 --> 0:14:11.679
<v Speaker 1>you to come here. What I did to the record? Okay, okay, wait,

0:14:12.320 --> 0:14:18.800
<v Speaker 1>you got the record too, right the way I love it? Okay,

0:14:19.080 --> 0:14:20.200
<v Speaker 1>hold on, So.

0:14:20.160 --> 0:14:22.280
<v Speaker 4>You got to get the record to him first? How

0:14:22.280 --> 0:14:24.480
<v Speaker 4>does the record get to him? At that time in

0:14:24.560 --> 0:14:26.440
<v Speaker 4>New York City? You had to be a known producer.

0:14:26.520 --> 0:14:31.720
<v Speaker 4>Swiss was running it, Timberland, Pharrell shout out to Greece.

0:14:31.760 --> 0:14:34.040
<v Speaker 4>They were they were getting busy, so when I was

0:14:34.040 --> 0:14:37.120
<v Speaker 4>making my rounds, you had to kind of give it

0:14:37.120 --> 0:14:41.080
<v Speaker 4>to somebody's uh yeah. And also we kind of me

0:14:41.120 --> 0:14:43.160
<v Speaker 4>and my manager at the time for us snugget to

0:14:43.360 --> 0:14:47.840
<v Speaker 4>his travel agent. Oh wow, travel agent you know, delivered

0:14:47.840 --> 0:14:51.800
<v Speaker 4>the CD. It's about thirty joints on it went through

0:14:51.800 --> 0:14:53.800
<v Speaker 4>the whole thirty joints like this, Where was.

0:14:53.960 --> 0:14:57.640
<v Speaker 1>Where was that joint? On place? On on a CD seventeen?

0:14:57.920 --> 0:15:04.800
<v Speaker 1>He had to go joint legend seventeen. I still got

0:15:04.800 --> 0:15:05.160
<v Speaker 1>to see that.

0:15:06.520 --> 0:15:09.520
<v Speaker 3>So so so he calls you or someone else's.

0:15:09.160 --> 0:15:14.200
<v Speaker 4>Cause you I think his labels A and RNA is

0:15:14.200 --> 0:15:17.080
<v Speaker 4>in the studio. Come to the studio. Okay, Yeah, So

0:15:17.160 --> 0:15:19.560
<v Speaker 4>I get there and Nas is eating fruit. It's just

0:15:19.640 --> 0:15:24.720
<v Speaker 4>him and the engineer. So I'm thinking, I'm just thinking

0:15:24.800 --> 0:15:27.520
<v Speaker 4>he's gonna play me a regular street record, like YO

0:15:27.600 --> 0:15:31.160
<v Speaker 4>play the record for him and I hit a f

0:15:31.240 --> 0:15:32.200
<v Speaker 4>jay Z at the ball.

0:15:33.400 --> 0:15:39.480
<v Speaker 1>I'm like, what is happening right now? What's happening? I've

0:15:39.520 --> 0:15:42.720
<v Speaker 1>never really heard your side. Yeah, I'm like, all right, So,

0:15:42.920 --> 0:15:49.560
<v Speaker 1>because you already know who you're not working with. Had

0:15:49.600 --> 0:15:51.280
<v Speaker 1>you work with Rocketfeller prior to that.

0:15:51.520 --> 0:15:55.520
<v Speaker 4>You know what's crazy? Before that, my man kind of knew.

0:15:55.760 --> 0:15:58.800
<v Speaker 4>Shout to my man Doug, he knew hip hop. Okay,

0:15:59.000 --> 0:16:02.760
<v Speaker 4>and I went to Baseline to play Stay Property Beats

0:16:03.360 --> 0:16:06.320
<v Speaker 4>and Beanie was dubbing my ship, which.

0:16:06.160 --> 0:16:10.800
<v Speaker 1>Is dubbing me next one next Okay.

0:16:10.960 --> 0:16:14.480
<v Speaker 4>I got a thirty clip on this beast like next one,

0:16:15.280 --> 0:16:15.840
<v Speaker 4>next one.

0:16:16.800 --> 0:16:20.320
<v Speaker 1>Here's here's the boss back.

0:16:20.520 --> 0:16:24.160
<v Speaker 3>But here's the craziest question on the d out of

0:16:24.200 --> 0:16:26.360
<v Speaker 3>that thirty clip was one that was Ether in one

0:16:26.400 --> 0:16:28.000
<v Speaker 3>of them.

0:16:28.040 --> 0:16:32.640
<v Speaker 4>Possibly I don't oh.

0:16:33.880 --> 0:16:34.680
<v Speaker 1>Wait wait wait wait.

0:16:34.800 --> 0:16:38.600
<v Speaker 4>But hip hop came to my crib and I gave him.

0:16:38.880 --> 0:16:40.760
<v Speaker 4>I gave him the bea CD with Ether on there,

0:16:41.760 --> 0:16:44.040
<v Speaker 4>and I was like, give it to j because he

0:16:44.120 --> 0:16:46.080
<v Speaker 4>was getting beasts for JA.

0:16:46.240 --> 0:16:49.800
<v Speaker 1>But he never gave it to him. That's crazy. Yeah,

0:16:50.360 --> 0:16:52.480
<v Speaker 1>so it was there was a chance jay Z could

0:16:52.480 --> 0:16:55.880
<v Speaker 1>have got you. Yeah, you could have got hold on,

0:16:55.920 --> 0:16:58.360
<v Speaker 1>hold on. I'm sorry, I was distracted. Wait what you said?

0:16:58.720 --> 0:17:01.320
<v Speaker 4>Hip Hop came to my crib huh and I gave

0:17:01.400 --> 0:17:04.000
<v Speaker 4>him beats for jay Z and one of the beats

0:17:04.200 --> 0:17:07.160
<v Speaker 4>was there. Yeah, so jay Z had to eat the beat.

0:17:07.400 --> 0:17:10.600
<v Speaker 1>He could add it. Yeah, he physically had it. No

0:17:10.720 --> 0:17:11.399
<v Speaker 1>hip hop had it.

0:17:11.480 --> 0:17:14.200
<v Speaker 3>Hip hop had it, so hip hop could have gave

0:17:14.400 --> 0:17:19.280
<v Speaker 3>that close enough. You know how crazy life is, Holy ship,

0:17:19.400 --> 0:17:20.000
<v Speaker 3>imagine that.

0:17:21.600 --> 0:17:23.080
<v Speaker 1>I don't know what he did with the CD man

0:17:23.080 --> 0:17:25.840
<v Speaker 1>where he left the building. Okay, So so all right listen,

0:17:25.840 --> 0:17:27.320
<v Speaker 1>So now what studio over there? I feel like it's

0:17:27.359 --> 0:17:29.520
<v Speaker 1>on the right track, right track, okay, forty eighth Street,

0:17:29.840 --> 0:17:32.520
<v Speaker 1>forty eighth Street, Okay, a gold door. Yeah so I

0:17:32.560 --> 0:17:33.240
<v Speaker 1>did super Thug.

0:17:33.400 --> 0:17:36.320
<v Speaker 3>Okay, So you walk in, he says, you hear the intro,

0:17:36.440 --> 0:17:37.200
<v Speaker 3>he says, chilling.

0:17:37.240 --> 0:17:37.760
<v Speaker 1>You hear the intro?

0:17:37.840 --> 0:17:40.760
<v Speaker 4>He said, funk jay Z. You say to yourself, what's happening?

0:17:40.800 --> 0:17:41.400
<v Speaker 4>What's happening?

0:17:42.520 --> 0:17:45.719
<v Speaker 1>I don't know if this is good or bad? Right? Right? Right?

0:17:46.119 --> 0:17:50.880
<v Speaker 4>And you're a fan of jay Z smoking at the time, like, Yo,

0:17:51.600 --> 0:17:52.320
<v Speaker 4>what's happening?

0:17:52.520 --> 0:17:55.520
<v Speaker 1>Like, I ain't getting no, he's going to beat this

0:17:55.680 --> 0:17:57.600
<v Speaker 1>and jay Z on this. You're okay with that?

0:17:57.640 --> 0:17:59.800
<v Speaker 4>It was one of the calls like that, right, So

0:18:00.200 --> 0:18:03.600
<v Speaker 4>he play it. He's like, what do you think, m bro?

0:18:04.680 --> 0:18:07.239
<v Speaker 4>But you know I'm trying to I'm trying to get

0:18:07.280 --> 0:18:09.200
<v Speaker 4>to the back. So I'm like, guy, I gotta roll

0:18:09.240 --> 0:18:09.800
<v Speaker 4>with the punches.

0:18:10.040 --> 0:18:12.320
<v Speaker 1>But is it true? It was a different version. It

0:18:12.359 --> 0:18:13.159
<v Speaker 1>was the worst version.

0:18:13.359 --> 0:18:15.960
<v Speaker 4>I never heard the version, okay, but you heard yeah,

0:18:15.960 --> 0:18:17.399
<v Speaker 4>I heard them. Okay, I heard about it too.

0:18:17.400 --> 0:18:19.560
<v Speaker 1>I heard yeah. I didn't hear that version. I just

0:18:19.560 --> 0:18:22.800
<v Speaker 1>heard the version everybody else. Okay, all right, cool, I'm sorry.

0:18:23.160 --> 0:18:24.960
<v Speaker 3>I'm supposed to build up to this, but I just

0:18:24.960 --> 0:18:26.119
<v Speaker 3>got to just go straight in.

0:18:27.240 --> 0:18:29.879
<v Speaker 1>So Battle of the Beats happened.

0:18:30.480 --> 0:18:34.439
<v Speaker 4>Yeah, they playing the JA version, then they playing the

0:18:34.520 --> 0:18:38.359
<v Speaker 4>NAS versions is refutably winning.

0:18:38.560 --> 0:18:43.000
<v Speaker 1>Yeah. How does that feel for you? Man?

0:18:43.640 --> 0:18:46.479
<v Speaker 4>I'm getting so many phone calls because people know you

0:18:46.520 --> 0:18:46.760
<v Speaker 4>did it.

0:18:47.080 --> 0:18:52.920
<v Speaker 1>No, like internally, like nobody don't really know. I was new.

0:18:53.520 --> 0:18:55.480
<v Speaker 1>Nobody don't really know. But you know, my.

0:18:55.480 --> 0:19:00.199
<v Speaker 4>Friends, this is just crazy. And you know that they

0:19:00.240 --> 0:19:03.119
<v Speaker 4>stopped the radio just to play those two records.

0:19:03.119 --> 0:19:04.800
<v Speaker 1>That was you know what I'm saying.

0:19:05.640 --> 0:19:07.320
<v Speaker 3>You know how they say pull over New York City.

0:19:07.359 --> 0:19:09.920
<v Speaker 3>I actually think I was pulled over. Shout out the case,

0:19:10.080 --> 0:19:14.080
<v Speaker 3>you know, making sure the vote when even because they

0:19:14.119 --> 0:19:17.879
<v Speaker 3>felt like God, bless Angie, I just God, bless you too.

0:19:18.440 --> 0:19:20.680
<v Speaker 1>I did that was it was a tumble, you know

0:19:20.680 --> 0:19:21.159
<v Speaker 1>what I'm saying.

0:19:24.119 --> 0:19:26.919
<v Speaker 3>Blessed Angie and blessed everybody, but a lot of them

0:19:27.040 --> 0:19:29.720
<v Speaker 3>was like more on jay Z side, but they were

0:19:30.280 --> 0:19:32.840
<v Speaker 3>calculating the vote. So Casel actually went up there to

0:19:32.840 --> 0:19:37.359
<v Speaker 3>make sure of his which is crazy. Case together, you

0:19:37.400 --> 0:19:40.960
<v Speaker 3>and Case have a relationship. Was that okay? So he

0:19:41.040 --> 0:19:43.680
<v Speaker 3>just did that on the street. Okay, right, so you

0:19:43.760 --> 0:19:44.080
<v Speaker 3>hear this.

0:19:44.280 --> 0:19:44.840
<v Speaker 1>You hear this.

0:19:46.280 --> 0:19:50.120
<v Speaker 3>Definatively, Nasa is winning like from from Afar, Like I'm

0:19:50.160 --> 0:19:52.399
<v Speaker 3>just looking back, you know, from Queens. So you know

0:19:52.400 --> 0:19:54.120
<v Speaker 3>what I'm saying, Like I got a relationship with Jay,

0:19:54.160 --> 0:19:56.760
<v Speaker 3>but I'm you know, nas person. I grew up with

0:19:56.800 --> 0:19:59.800
<v Speaker 3>this person I looked up to. You know what I'm saying, Okay,

0:20:01.119 --> 0:20:04.639
<v Speaker 3>he's the feelinity winning. Now it's the record labels. How

0:20:04.680 --> 0:20:05.680
<v Speaker 3>does this process work?

0:20:05.720 --> 0:20:09.360
<v Speaker 1>Because you just made a tight cool helped the tight

0:20:09.480 --> 0:20:14.200
<v Speaker 1>cool defeat another ty coon. Yeah, now's just work coming

0:20:14.200 --> 0:20:17.200
<v Speaker 1>for you at abundance or is it gonna come and slow? Pause?

0:20:17.400 --> 0:20:19.439
<v Speaker 1>It's it's slow because nobody don't know who did it.

0:20:19.440 --> 0:20:21.520
<v Speaker 4>Nobody don't know who did it. It wasn't it. I ain't

0:20:21.520 --> 0:20:22.560
<v Speaker 4>have no tag.

0:20:24.760 --> 0:20:25.400
<v Speaker 1>Attack. Yeah.

0:20:25.480 --> 0:20:29.760
<v Speaker 4>So my managed like, we gotta go outside. Nobody don't

0:20:29.760 --> 0:20:32.920
<v Speaker 4>know you did the record. So then I start going

0:20:32.920 --> 0:20:36.239
<v Speaker 4>outside and clubbing, and it's like yo, oh yo, let

0:20:36.280 --> 0:20:39.399
<v Speaker 4>me get one. You get it, yo, let me and then.

0:20:39.280 --> 0:20:40.800
<v Speaker 1>Y'll let me get that something like ether.

0:20:40.880 --> 0:20:42.439
<v Speaker 4>Let me get something that sound like that, and then

0:20:42.920 --> 0:20:46.119
<v Speaker 4>that trickle down like that. But then that's what I'm saying.

0:20:46.240 --> 0:20:48.920
<v Speaker 4>I was only getting street records because they wanted a

0:20:49.280 --> 0:20:49.640
<v Speaker 4>the Beat.

0:20:49.760 --> 0:20:52.119
<v Speaker 1>Yeah. Yeah, at that time, people were coming up to

0:20:52.200 --> 0:20:55.880
<v Speaker 1>you saying, can I get a like can I get

0:20:55.880 --> 0:20:58.240
<v Speaker 1>a eight the beat? Te? You know, just I guess

0:20:58.240 --> 0:21:02.600
<v Speaker 1>they mean a beat aggression, you know, and what you're

0:21:02.600 --> 0:21:03.760
<v Speaker 1>getting tired of trying to make it?

0:21:03.840 --> 0:21:06.359
<v Speaker 4>Yeah, because I was just getting album cut, you know,

0:21:06.320 --> 0:21:09.080
<v Speaker 4>I did. I did I whoop your head boy for

0:21:09.160 --> 0:21:11.399
<v Speaker 4>fifty cents. Yeah, so that kind of had like that

0:21:11.520 --> 0:21:14.400
<v Speaker 4>aggressiveness too. But you know that was on the soundtrack,

0:21:14.440 --> 0:21:18.119
<v Speaker 4>but it wasn't like a radio racket, so I was opposed.

0:21:17.760 --> 0:21:18.960
<v Speaker 1>To check it was great.

0:21:20.320 --> 0:21:24.600
<v Speaker 4>So I'm like, yo, I gotta make a commercial commercial beat.

0:21:24.640 --> 0:21:27.600
<v Speaker 4>And that's how pop Champione came. Okay, you don't know

0:21:27.640 --> 0:21:28.840
<v Speaker 4>whaty no?

0:21:28.960 --> 0:21:29.120
<v Speaker 1>Hold?

0:21:29.359 --> 0:21:32.080
<v Speaker 3>Actually both a question quick, and I want you all

0:21:32.080 --> 0:21:35.960
<v Speaker 3>to answer this because I'm not qualified to answer at all.

0:21:36.000 --> 0:21:38.720
<v Speaker 1>I am not what's happening in Harlem right now.

0:21:43.119 --> 0:21:48.440
<v Speaker 4>So I think it's it's brothers that's having, you know, mean,

0:21:48.520 --> 0:21:49.600
<v Speaker 4>some internal problems.

0:21:49.920 --> 0:21:52.919
<v Speaker 1>And I think it's no O g.

0:21:53.119 --> 0:21:57.040
<v Speaker 4>To be like yo, yeah, shouldn't handle that off.

0:21:57.640 --> 0:22:01.560
<v Speaker 2>Like I was telling J like we ain't got no ogs,

0:22:01.600 --> 0:22:03.800
<v Speaker 2>you know what I'm saying, Like you gotta remember like

0:22:03.800 --> 0:22:05.879
<v Speaker 2>like the levels of hip hop from Harlem, like like

0:22:05.920 --> 0:22:08.879
<v Speaker 2>the ogs would from from from dim Set would be

0:22:09.000 --> 0:22:09.199
<v Speaker 2>like a.

0:22:09.520 --> 0:22:11.640
<v Speaker 1>Like a Dougie Fresh all. You know what I'm saying.

0:22:11.960 --> 0:22:12.280
<v Speaker 1>I don't.

0:22:12.320 --> 0:22:13.639
<v Speaker 2>I don't know if they even had a connection or

0:22:13.720 --> 0:22:15.040
<v Speaker 2>Dougie was like in the streets with them like that.

0:22:15.240 --> 0:22:16.680
<v Speaker 1>It's like that's how.

0:22:16.640 --> 0:22:18.440
<v Speaker 2>Holl the niggas do, like we snap on each other

0:22:18.920 --> 0:22:21.280
<v Speaker 2>the worst time you bumpass nigga did it. So it's

0:22:21.320 --> 0:22:23.639
<v Speaker 2>just translating onto what niggas get serious like he like,

0:22:23.800 --> 0:22:25.800
<v Speaker 2>remember the time you got Jollim, the time you ran them.

0:22:26.119 --> 0:22:27.680
<v Speaker 2>They just teasing each other. But at the end of

0:22:27.720 --> 0:22:29.880
<v Speaker 2>the day, them niggas always get back together. Every time

0:22:30.240 --> 0:22:32.360
<v Speaker 2>they have something, they get back together, even even Cam

0:22:32.440 --> 0:22:35.240
<v Speaker 2>and Mace. So that's just just the dynamics of how

0:22:35.280 --> 0:22:38.400
<v Speaker 2>hallowed people do. Like it's just it's a weird thing, like, well,

0:22:38.480 --> 0:22:45.520
<v Speaker 2>humiliate each other and they can forget each other. They yeah, yeah, jesus, Yeah,

0:22:45.680 --> 0:22:46.040
<v Speaker 2>I don't know.

0:22:46.040 --> 0:22:47.760
<v Speaker 1>If we clap for that or not. I don't think.

0:22:47.640 --> 0:22:54.280
<v Speaker 4>To this DJ enough you who just said DJ no,

0:22:54.920 --> 0:23:00.200
<v Speaker 4>holy shit, Hello, damn.

0:23:00.080 --> 0:23:04.040
<v Speaker 1>I got you locked in. I love I'm live on

0:23:04.119 --> 0:23:05.440
<v Speaker 1>the podcast. We just said your name.

0:23:05.640 --> 0:23:07.119
<v Speaker 3>I was gonna put you, I was gonna put you

0:23:07.160 --> 0:23:09.159
<v Speaker 3>on the on the speaker phone. But I don't like

0:23:09.160 --> 0:23:13.720
<v Speaker 3>setting people up like that. What well, I you sure

0:23:13.760 --> 0:23:14.280
<v Speaker 3>you want to say it?

0:23:14.560 --> 0:23:19.119
<v Speaker 1>All right? Hit me back? Cool? Cool, got nothing.

0:23:24.000 --> 0:23:27.199
<v Speaker 3>Yeah, but that's the Yeah, man, I'll tell you this,

0:23:27.440 --> 0:23:30.520
<v Speaker 3>that's what I would would do say. I know them both.

0:23:30.600 --> 0:23:33.560
<v Speaker 3>I know all parties. I love all parties, and I

0:23:33.600 --> 0:23:34.359
<v Speaker 3>hope they work it out.

0:23:34.440 --> 0:23:38.159
<v Speaker 2>Yeah at that point, yeah, I mean especially for hip hop.

0:23:38.200 --> 0:23:39.680
<v Speaker 2>You know what I'm saying, Like them them niggas is

0:23:40.200 --> 0:23:44.199
<v Speaker 2>they did like just groundbreaking ship just to you know,

0:23:44.359 --> 0:23:45.159
<v Speaker 2>just to move the culture.

0:23:45.160 --> 0:23:45.720
<v Speaker 1>You know what I'm saying.

0:23:45.880 --> 0:23:47.800
<v Speaker 2>Like the movie they had, like the whole Discent movement

0:23:47.880 --> 0:23:49.800
<v Speaker 2>is like I've never seen a movement like that before.

0:23:49.840 --> 0:23:50.280
<v Speaker 1>You know what I'm saying.

0:23:50.320 --> 0:23:52.520
<v Speaker 2>They like like you know, maybe Wu Tang and this

0:23:52.840 --> 0:23:55.440
<v Speaker 2>like like like like the influence was just like out

0:23:55.440 --> 0:23:59.520
<v Speaker 2>of this world. So I hope they can get.

0:23:58.200 --> 0:24:01.200
<v Speaker 3>And so let me ask you, well, did you actually

0:24:01.240 --> 0:24:03.560
<v Speaker 3>give Jim Jones that record that it wound up actually

0:24:03.880 --> 0:24:06.480
<v Speaker 3>be because that we did.

0:24:06.359 --> 0:24:08.520
<v Speaker 1>We did some business. Okay, okay, you know what I mean?

0:24:09.920 --> 0:24:13.200
<v Speaker 4>The money was right and uh we did some business

0:24:13.840 --> 0:24:15.200
<v Speaker 4>and a shout out to Jim, you know what I mean.

0:24:15.200 --> 0:24:17.520
<v Speaker 4>He understood with the with the record need as far

0:24:17.560 --> 0:24:21.199
<v Speaker 4>as the visual and he just understood where I was

0:24:21.200 --> 0:24:22.800
<v Speaker 4>at with it, and you know, we did some business.

0:24:23.000 --> 0:24:25.480
<v Speaker 4>I think the streets got it kind of messed up,

0:24:25.520 --> 0:24:27.000
<v Speaker 4>but you know, we got some money to what you

0:24:27.040 --> 0:24:29.240
<v Speaker 4>mean what you mean because like you said, he was like,

0:24:29.280 --> 0:24:31.600
<v Speaker 4>oh is your record is his?

0:24:31.480 --> 0:24:32.080
<v Speaker 1>And his record?

0:24:32.160 --> 0:24:35.280
<v Speaker 4>So he just kind of once the record, you know,

0:24:35.400 --> 0:24:38.479
<v Speaker 4>got you know took off. We just kind of did

0:24:38.520 --> 0:24:39.880
<v Speaker 4>some business, you know what I mean. It ain't nothing

0:24:39.880 --> 0:24:40.840
<v Speaker 4>wrong doing no business.

0:24:40.880 --> 0:24:42.480
<v Speaker 3>Now, it was a rumor that you and Jim were

0:24:42.520 --> 0:24:45.000
<v Speaker 3>supposed to do the whole joint album together.

0:24:46.080 --> 0:24:49.000
<v Speaker 1>No, no, I heard that wrong. Yeah, you heard that wrong.

0:24:49.080 --> 0:24:53.360
<v Speaker 1>We spoke, I mean we spoke about that in recent Yeah,

0:24:53.400 --> 0:24:58.919
<v Speaker 1>like we need to go back to Champagne. No, no, no, Jesus, Okay,

0:25:00.040 --> 0:25:00.359
<v Speaker 1>go ahead.

0:25:00.640 --> 0:25:04.520
<v Speaker 2>Well, so he tells a story about about the Pop

0:25:04.600 --> 0:25:07.119
<v Speaker 2>Champagne and it's kind of like it kind of my

0:25:07.119 --> 0:25:09.080
<v Speaker 2>story because he don't tell that story quite how I

0:25:09.200 --> 0:25:12.160
<v Speaker 2>remember it. Browns right, because I remember me and Browns

0:25:12.240 --> 0:25:16.200
<v Speaker 2>was working on the album. Were working on the album

0:25:16.320 --> 0:25:18.679
<v Speaker 2>called two for the Money, right, And I think for

0:25:18.720 --> 0:25:20.840
<v Speaker 2>like a week, I can't go to the studio. So

0:25:20.880 --> 0:25:23.560
<v Speaker 2>Browns called me like, you're web I want you to

0:25:23.600 --> 0:25:26.399
<v Speaker 2>hit his joint going downtown. Were in front of club

0:25:26.760 --> 0:25:30.760
<v Speaker 2>like Temple on fiftieth Street. He played me Pop Champagne Magic.

0:25:30.840 --> 0:25:32.959
<v Speaker 2>We me and him working on the albums. I'm like,

0:25:32.960 --> 0:25:34.479
<v Speaker 2>oh shit, I can't wait to do my verse to this.

0:25:34.480 --> 0:25:40.159
<v Speaker 2>He goes, you ain't getting a person, So boom he

0:25:40.240 --> 0:25:42.360
<v Speaker 2>does the record. We worked the record like he said.

0:25:42.200 --> 0:25:43.600
<v Speaker 1>Enough broke it. Boom boom boom.

0:25:44.119 --> 0:25:46.119
<v Speaker 2>We went him out to like every record label to

0:25:46.119 --> 0:25:50.000
<v Speaker 2>try to get the record, like and everybody passed on that.

0:25:50.119 --> 0:25:52.280
<v Speaker 1>I mean we was going, remember what the city saying,

0:25:52.760 --> 0:25:53.600
<v Speaker 1>how are you feeling it?

0:25:55.160 --> 0:25:59.280
<v Speaker 3>So boom before was popping up right now is getting this?

0:25:59.600 --> 0:26:01.000
<v Speaker 1>Is it getting started?

0:26:01.040 --> 0:26:03.800
<v Speaker 2>So me, I was a little mad because I wasn't

0:26:03.800 --> 0:26:05.760
<v Speaker 2>on the record, but I was happy he had the record.

0:26:05.920 --> 0:26:08.159
<v Speaker 2>So my so like my thing was, I'm gonna go

0:26:08.200 --> 0:26:10.400
<v Speaker 2>on my own Browns hold and break the record once

0:26:10.440 --> 0:26:13.800
<v Speaker 2>he Once he got on, I was able to double

0:26:13.880 --> 0:26:16.280
<v Speaker 2>back and do dancing on me and I used the

0:26:16.280 --> 0:26:17.120
<v Speaker 2>same formula.

0:26:16.920 --> 0:26:19.720
<v Speaker 1>The auto tune put jim and Jewel's on the record.

0:26:20.080 --> 0:26:22.080
<v Speaker 2>And I was able to go and get a deal

0:26:22.119 --> 0:26:26.080
<v Speaker 2>from there. But the crazy thing about that is the

0:26:26.160 --> 0:26:29.480
<v Speaker 2>same thing happened with the record. I was on the

0:26:29.480 --> 0:26:32.440
<v Speaker 2>record by myself. DJ Enough is playing on the radio.

0:26:33.000 --> 0:26:34.439
<v Speaker 2>I think the nigga had to go to the bathroom

0:26:34.440 --> 0:26:35.960
<v Speaker 2>of son because the nigga played this shit like three

0:26:35.960 --> 0:26:38.120
<v Speaker 2>times in a row, not even he just played it.

0:26:38.480 --> 0:26:39.800
<v Speaker 1>I get a call from Yandy.

0:26:39.880 --> 0:26:42.960
<v Speaker 2>Yandy like web, Jimmy and Jewels want to get on

0:26:43.000 --> 0:26:43.399
<v Speaker 2>the record.

0:26:43.680 --> 0:26:44.800
<v Speaker 1>So mindule, I'm.

0:26:44.640 --> 0:26:47.359
<v Speaker 2>Watching what they just deal with pop shap but the

0:26:47.480 --> 0:26:49.400
<v Speaker 2>record is already out. Dancing on Me came right after

0:26:49.400 --> 0:26:55.879
<v Speaker 2>pop Shampaign, like by yourself myself. So now I'm all

0:26:55.920 --> 0:26:57.639
<v Speaker 2>the way to the studio to meet Jimmy and Juels.

0:26:57.640 --> 0:26:59.280
<v Speaker 2>Now mind you, I' from Hallan, but I'm younger, so

0:26:59.320 --> 0:27:00.920
<v Speaker 2>I didn't really know like that, Like I knew where

0:27:00.920 --> 0:27:03.240
<v Speaker 2>he was, they knew we wasn't friends. On the way

0:27:03.280 --> 0:27:06.480
<v Speaker 2>to the studio, this store, he's math funny. On the

0:27:06.480 --> 0:27:08.119
<v Speaker 2>way to the studio, I get a call from Akon.

0:27:08.320 --> 0:27:10.680
<v Speaker 2>I don't know a Kon, but Red Cafe was signedtown,

0:27:11.119 --> 0:27:12.800
<v Speaker 2>so Red Cafe heard the shit on the radio too.

0:27:12.800 --> 0:27:14.679
<v Speaker 2>He's like, yo, A can't want to talk to you.

0:27:15.200 --> 0:27:16.680
<v Speaker 2>A can't get on the phone and say yo, way,

0:27:17.119 --> 0:27:18.399
<v Speaker 2>I want to make you the next ta pay and

0:27:18.400 --> 0:27:19.680
<v Speaker 2>I want to put the record on my album.

0:27:19.800 --> 0:27:22.400
<v Speaker 1>Da Da Da Da Da. So now I'm like, oh,

0:27:22.440 --> 0:27:23.480
<v Speaker 1>ship a car call me.

0:27:23.880 --> 0:27:26.360
<v Speaker 2>I get to the studios to talk to gym.

0:27:26.160 --> 0:27:28.800
<v Speaker 1>And On about the record. So you know me, I don't.

0:27:28.920 --> 0:27:30.880
<v Speaker 2>I don't know nothing about the business. I'm thinking I'm

0:27:30.880 --> 0:27:33.119
<v Speaker 2>going down there. I'm gonna name drop, get some levers

0:27:33.119 --> 0:27:35.280
<v Speaker 2>on whatever they want to do. So I'm like, I

0:27:35.359 --> 0:27:37.639
<v Speaker 2>get to the studio, Jim is there. This is the

0:27:37.640 --> 0:27:43.840
<v Speaker 2>first time I ever met Dame dash By the way.

0:27:41.880 --> 0:27:43.879
<v Speaker 1>Did he rank on you? Yes? Okay, this is this

0:27:43.920 --> 0:27:47.359
<v Speaker 1>is this is so me. So I get to the studio,

0:27:47.480 --> 0:27:49.840
<v Speaker 1>I see Dame. Somebodys. I'm a homncker.

0:27:49.840 --> 0:27:52.000
<v Speaker 2>I grew up like idalyzing, like all the Lesson's Dame

0:27:52.040 --> 0:27:53.880
<v Speaker 2>and all that, So I'm happy to be there. He's

0:27:53.880 --> 0:27:55.280
<v Speaker 2>talking me about the record. I'm like, yeah, man, a

0:27:55.400 --> 0:27:57.359
<v Speaker 2>con just call me. I've been thinking about doing the

0:27:57.359 --> 0:27:58.720
<v Speaker 2>ship with him, because theyre trying to get me to

0:27:58.720 --> 0:28:00.639
<v Speaker 2>do the record with them and you know, put it

0:28:00.640 --> 0:28:02.280
<v Speaker 2>out through cons and then going to do another deal

0:28:02.560 --> 0:28:06.280
<v Speaker 2>with Steve Riurkins. So as soon as I say a

0:28:06.359 --> 0:28:08.840
<v Speaker 2>call wanted to get on the record with me, they

0:28:09.560 --> 0:28:11.880
<v Speaker 2>start screaming, Oh, this thing don't want to go to jail,

0:28:12.000 --> 0:28:12.359
<v Speaker 2>this thing.

0:28:12.400 --> 0:28:13.119
<v Speaker 1>Wanna be a content.

0:28:14.920 --> 0:28:16.960
<v Speaker 2>He just started snapping over me right there in the studio,

0:28:17.440 --> 0:28:18.840
<v Speaker 2>right me and him, going back and forth.

0:28:18.880 --> 0:28:20.680
<v Speaker 1>He just he up. He kept telling me I want

0:28:20.680 --> 0:28:22.240
<v Speaker 1>to go to jail. I won't be a corvid because

0:28:22.280 --> 0:28:23.480
<v Speaker 1>I don't put a call on the record. He was

0:28:23.480 --> 0:28:24.840
<v Speaker 1>just be a fuddy though. That's when all of the ship.

0:28:25.240 --> 0:28:27.199
<v Speaker 2>Long story, Sure, I ended up not doing the A

0:28:27.280 --> 0:28:29.560
<v Speaker 2>con version with it was like a it was a

0:28:29.680 --> 0:28:31.960
<v Speaker 2>car Red Cafe and five. They did their own version.

0:28:32.040 --> 0:28:34.480
<v Speaker 2>I ended up doing a version with with Jim j

0:28:35.920 --> 0:28:38.120
<v Speaker 2>Okay and I ended up doing a version with Jim

0:28:38.120 --> 0:28:39.800
<v Speaker 2>and Juels in the record Who you.

0:28:39.720 --> 0:28:43.160
<v Speaker 1>Said, another version of it acon Red Cafe and five?

0:28:43.280 --> 0:28:46.720
<v Speaker 2>Okay, Yeah, it never came out though, But so that

0:28:46.840 --> 0:28:49.000
<v Speaker 2>was that story there. But I always blame Browns for

0:28:49.040 --> 0:28:51.360
<v Speaker 2>this too, because you was you was no, I'm gonna

0:28:51.360 --> 0:28:53.440
<v Speaker 2>tell you what else? Well, because you ain't say, I

0:28:53.760 --> 0:28:59.440
<v Speaker 2>just gonna say it. Nor so when you know he

0:28:59.520 --> 0:29:03.040
<v Speaker 2>did he did the ether joint. His name is Ethan Boy,

0:29:05.240 --> 0:29:05.720
<v Speaker 2>so boom.

0:29:05.760 --> 0:29:07.880
<v Speaker 1>As soon as we so, as soon as we come

0:29:07.920 --> 0:29:09.240
<v Speaker 1>out with these autotoone records.

0:29:09.520 --> 0:29:10.880
<v Speaker 2>He got a number one record, I got a top

0:29:10.920 --> 0:29:13.840
<v Speaker 2>five record. We running around going crazy. Jay Z come

0:29:13.880 --> 0:29:17.640
<v Speaker 2>with death a auto tune. So now I'm like, what's that?

0:29:19.120 --> 0:29:23.400
<v Speaker 1>This ain't my beef brown Wait?

0:29:23.440 --> 0:29:27.000
<v Speaker 4>Wait, wait, wait a minute, hold on, but he said

0:29:27.040 --> 0:29:28.160
<v Speaker 4>too much t painting.

0:29:28.400 --> 0:29:34.040
<v Speaker 2>No, so you missing it? So Boom, I don't think

0:29:34.040 --> 0:29:35.240
<v Speaker 2>you've seen this Norriy.

0:29:35.680 --> 0:29:38.800
<v Speaker 1>So it was a time. It was about two.

0:29:38.640 --> 0:29:40.800
<v Speaker 2>Thousand and eight, and I we made the Autotoo records, right,

0:29:41.320 --> 0:29:43.880
<v Speaker 2>And what what people don't know about our.

0:29:43.800 --> 0:29:46.200
<v Speaker 4>Deals is I'm sorry say that against two thousand and

0:29:46.240 --> 0:29:48.640
<v Speaker 4>so he made he made he made prop Champaign in

0:29:48.680 --> 0:29:49.240
<v Speaker 4>two thousand and eight.

0:29:49.320 --> 0:29:51.720
<v Speaker 2>I made Dance with Me two thousand and nine at Aginning, right.

0:29:52.080 --> 0:29:54.520
<v Speaker 2>So around that time, that's fresh off of than Jim

0:29:54.600 --> 0:29:58.640
<v Speaker 2>Jones jay Z Beef. Remember he had their balling. I

0:29:58.720 --> 0:30:00.400
<v Speaker 2>remember he dissing the ball in Jim. We did this

0:30:00.400 --> 0:30:02.880
<v Speaker 2>shit to bailing over there. So now jay Z and

0:30:04.120 --> 0:30:06.320
<v Speaker 2>then you got Dan Dash fresh off the leaving the

0:30:06.360 --> 0:30:10.400
<v Speaker 2>rocket for the thing that's with Jim. So Dan Dash

0:30:10.440 --> 0:30:12.800
<v Speaker 2>helped facilitate my deal. I don't know if help facilitation

0:30:13.040 --> 0:30:14.080
<v Speaker 2>do too, but I know he was in a lot

0:30:14.080 --> 0:30:15.600
<v Speaker 2>of the meetings with you was selling here, right, So

0:30:16.120 --> 0:30:18.480
<v Speaker 2>Dan was like behind the scenes with a lot of

0:30:18.520 --> 0:30:21.360
<v Speaker 2>the things that me and Browns was doing just just

0:30:21.400 --> 0:30:22.400
<v Speaker 2>for the particular record.

0:30:22.520 --> 0:30:23.560
<v Speaker 1>So it wasn't a.

0:30:23.520 --> 0:30:27.600
<v Speaker 2>Coincidence that he made the defaultal turn around that time.

0:30:27.680 --> 0:30:31.160
<v Speaker 2>Now here's anybody was talking about t pain. But when

0:30:31.160 --> 0:30:32.720
<v Speaker 2>we did Summer Jam that year, I don't know. I

0:30:32.760 --> 0:30:36.840
<v Speaker 2>don't know if you remember this. Whenever Dip said this

0:30:36.920 --> 0:30:39.200
<v Speaker 2>summer Jam, they always have to go last because they

0:30:39.200 --> 0:30:40.880
<v Speaker 2>came with three thousand niggas. So they were like, let's

0:30:40.880 --> 0:30:43.080
<v Speaker 2>put these niggas last. Nothing to do, they said, So

0:30:43.240 --> 0:30:48.240
<v Speaker 2>we about to come out. So about about about three

0:30:48.240 --> 0:30:51.680
<v Speaker 2>weeks before Summer Jam, for Messer Flex and God basit

0:30:51.720 --> 0:30:52.360
<v Speaker 2>that MISSISSIPI.

0:30:52.560 --> 0:30:55.520
<v Speaker 1>They going the radio going crazy. I'm in Vigia. I

0:30:55.640 --> 0:30:57.040
<v Speaker 1>forget I may call me on the phone, he said.

0:30:57.320 --> 0:31:00.760
<v Speaker 8>For Flex is like Webster ron Brows finished out here

0:31:00.960 --> 0:31:05.080
<v Speaker 8>all on to his dad, Flex going crazy, right, and

0:31:05.160 --> 0:31:07.520
<v Speaker 8>mister C coming in with the finishing.

0:31:07.720 --> 0:31:10.480
<v Speaker 1>They trained the ship. I was trading.

0:31:12.000 --> 0:31:15.080
<v Speaker 2>Hey good over and over again.

0:31:15.160 --> 0:31:21.400
<v Speaker 1>Right, I'm getting humiliated business calling him snormy.

0:31:21.720 --> 0:31:25.000
<v Speaker 2>So now I'm I'm a Virginia.

0:31:25.120 --> 0:31:26.360
<v Speaker 1>Right. I never forget this.

0:31:27.040 --> 0:31:30.280
<v Speaker 2>I made a tweet, I said, Yo, y'all hear old

0:31:30.360 --> 0:31:33.640
<v Speaker 2>ass jay Z hating a forty year old billionaire can't

0:31:33.640 --> 0:31:35.720
<v Speaker 2>relate to. I'm just drunk. I'm tweeting some bump ship.

0:31:36.080 --> 0:31:37.560
<v Speaker 2>I ain't know how powerful Twitter was.

0:31:37.640 --> 0:31:41.800
<v Speaker 1>Mand some more a yeah, drink some more shot.

0:31:46.440 --> 0:31:49.320
<v Speaker 9>Whatever you're doing, give me a shot.

0:31:49.880 --> 0:31:53.120
<v Speaker 1>You got you act for the shot. Okay, you give vodka.

0:31:53.200 --> 0:31:55.520
<v Speaker 1>Used to be wanting to shout the vacca two shoots

0:31:55.520 --> 0:31:59.960
<v Speaker 1>of vacca, tell something you want dripping boom so boom.

0:32:00.720 --> 0:32:03.320
<v Speaker 1>So now I made these tweets right, all right, So

0:32:03.360 --> 0:32:04.800
<v Speaker 1>what did you say to your tweets? Exactly?

0:32:05.560 --> 0:32:07.200
<v Speaker 2>I could pull the shit up, but I said, I said,

0:32:07.240 --> 0:32:09.880
<v Speaker 2>I said, a forty year old, a forty year old,

0:32:10.600 --> 0:32:13.440
<v Speaker 2>a forty year old rapper, you can never relate to

0:32:13.440 --> 0:32:14.640
<v Speaker 2>an at old k in the hood.

0:32:15.200 --> 0:32:17.160
<v Speaker 1>And but I said, do you see old ash jay

0:32:17.200 --> 0:32:21.200
<v Speaker 1>Z hating? Right? So it was crazy because every interview jay.

0:32:21.120 --> 0:32:24.880
<v Speaker 2>Z was going to on the radio, they was asking him, like,

0:32:24.880 --> 0:32:26.720
<v Speaker 2>you can't be taking this young kid webstace there is

0:32:26.720 --> 0:32:27.360
<v Speaker 2>And Jays was.

0:32:27.400 --> 0:32:29.320
<v Speaker 1>Like, not he a young kid. He don't know no better.

0:32:29.320 --> 0:32:30.120
<v Speaker 1>If he knew better, he'd do.

0:32:30.200 --> 0:32:31.960
<v Speaker 2>But I was just so happy that nigga knew he was.

0:32:32.000 --> 0:32:36.160
<v Speaker 2>I was like, all right, put it. So now I

0:32:36.200 --> 0:32:39.320
<v Speaker 2>get a phone call from Diddy. Now around this time,

0:32:39.680 --> 0:32:41.520
<v Speaker 2>I'm running around with him, like two thousand and nine

0:32:41.520 --> 0:32:46.160
<v Speaker 2>all that, so Food called me and I'm running around

0:32:46.160 --> 0:32:47.800
<v Speaker 2>with public every day at this point, so I guess

0:32:47.880 --> 0:32:49.560
<v Speaker 2>you know, he like he telling me like I'm like

0:32:49.600 --> 0:32:50.520
<v Speaker 2>a representation at him.

0:32:50.560 --> 0:32:50.720
<v Speaker 1>Come.

0:32:50.880 --> 0:32:52.360
<v Speaker 2>He cold signed, I'm like, you run around me, you

0:32:52.400 --> 0:32:54.640
<v Speaker 2>know how puff talk, and then he cursed me the

0:32:54.640 --> 0:32:56.720
<v Speaker 2>fuck out, like he said, you want to you want

0:32:56.720 --> 0:32:58.520
<v Speaker 2>to jump in the swimming pool, or you want to

0:32:58.560 --> 0:32:59.440
<v Speaker 2>play with the sharks.

0:33:00.560 --> 0:33:01.480
<v Speaker 1>That's what you told him.

0:33:01.520 --> 0:33:03.280
<v Speaker 2>So what he meant was what he meant by that

0:33:03.560 --> 0:33:06.080
<v Speaker 2>was pauls. What you meant by that was like, Nigga,

0:33:06.080 --> 0:33:07.120
<v Speaker 2>don't be playing with the shops.

0:33:07.160 --> 0:33:09.520
<v Speaker 1>Don't don't funk with don't say nothing about Jay, especially

0:33:09.520 --> 0:33:11.120
<v Speaker 1>when you're wenning around with me. You know what I'm saying.

0:33:11.560 --> 0:33:16.360
<v Speaker 2>So everybody was like everybody was hitting me, like blow

0:33:16.400 --> 0:33:17.000
<v Speaker 2>made a tweet.

0:33:17.520 --> 0:33:18.920
<v Speaker 1>I was on tour abo about the time.

0:33:19.240 --> 0:33:21.640
<v Speaker 2>He made a tweet like yo, yo, yo bro, I

0:33:21.640 --> 0:33:23.000
<v Speaker 2>wish you would have I wish you would have higher

0:33:23.040 --> 0:33:28.640
<v Speaker 2>at me before you before you seriously, I want to say, yo,

0:33:28.680 --> 0:33:33.480
<v Speaker 2>wish you would how he tweeting me, I was on

0:33:33.600 --> 0:33:35.920
<v Speaker 2>the price of fame, showing him he's like yo yo,

0:33:36.000 --> 0:33:38.200
<v Speaker 2>he said, yo, private planes no, but.

0:33:38.240 --> 0:33:40.200
<v Speaker 1>I was on the price of fame. So I was.

0:33:45.400 --> 0:33:48.800
<v Speaker 2>So boom, so ball wall goes and goes, he goes, Yo,

0:33:49.480 --> 0:33:50.800
<v Speaker 2>I wish you to high at me before you.

0:33:50.720 --> 0:33:53.640
<v Speaker 1>Said something to and I just rolle him back. I'm like, man,

0:33:53.640 --> 0:33:54.160
<v Speaker 1>I ain't never.

0:33:54.080 --> 0:33:56.520
<v Speaker 2>Hear Biwall jay Z record right, and the nigga blocked me.

0:33:56.560 --> 0:33:58.960
<v Speaker 1>I'm walking tour and ship anyway. Wait wait wait wait

0:33:58.960 --> 0:34:02.640
<v Speaker 1>wait wait wait time just say there where he blocked you? Yeah,

0:34:02.680 --> 0:34:04.280
<v Speaker 1>he blocked me on Twitter? Okay?

0:34:04.400 --> 0:34:06.880
<v Speaker 3>So boom oh okay, and didn't I didn't kick you

0:34:06.960 --> 0:34:08.719
<v Speaker 3>up a tour for real, for real or like that's

0:34:09.440 --> 0:34:10.520
<v Speaker 3>spot dings just okay.

0:34:10.680 --> 0:34:12.920
<v Speaker 2>I just didn't get caught on No More days day Okay.

0:34:13.000 --> 0:34:15.920
<v Speaker 2>So so everybody kind of like here you ever go,

0:34:16.040 --> 0:34:18.080
<v Speaker 2>Like like jay Z's indercry is different.

0:34:18.160 --> 0:34:21.720
<v Speaker 1>So back to Summer Jam. I'm hype.

0:34:21.840 --> 0:34:23.800
<v Speaker 2>I'm like, we got the hottest records in the city.

0:34:24.320 --> 0:34:27.440
<v Speaker 2>Social Boy got an Autoto touring record called hop Up

0:34:27.440 --> 0:34:29.000
<v Speaker 2>on My Beds on My Swag.

0:34:29.920 --> 0:34:31.640
<v Speaker 1>So we was gonna close this now.

0:34:31.680 --> 0:34:34.440
<v Speaker 2>If you look at the Dancing on Me video, right,

0:34:34.480 --> 0:34:37.080
<v Speaker 2>A lot of people don't know this, right, uh. Jim

0:34:37.160 --> 0:34:39.400
<v Speaker 2>Jones took the girls from the Beyonce video from the

0:34:39.400 --> 0:34:42.040
<v Speaker 2>single Lady's video with the Leo Toads and he put

0:34:42.040 --> 0:34:43.640
<v Speaker 2>them in the video in the same leads while he

0:34:43.640 --> 0:34:46.239
<v Speaker 2>did a scene like like the jay Z video. So

0:34:46.280 --> 0:34:48.680
<v Speaker 2>he was doing like little subliminal shots that Jay in

0:34:48.719 --> 0:34:51.239
<v Speaker 2>the video. I didn't really understand him at that time.

0:34:51.840 --> 0:34:55.120
<v Speaker 2>So now we got Summer Jam and we said, Yo, listen,

0:34:55.160 --> 0:34:57.359
<v Speaker 2>we're gonna do a funeral for Auto Tune Brows will

0:34:57.400 --> 0:34:59.480
<v Speaker 2>do pop she in pain? You gonna do dancing on me?

0:34:59.560 --> 0:35:02.120
<v Speaker 2>So gonna do We're gonna go crazy. But more we

0:35:02.120 --> 0:35:04.200
<v Speaker 2>was talking kind of go make like a mockery of the.

0:35:04.160 --> 0:35:04.680
<v Speaker 1>Jay Z ship.

0:35:05.200 --> 0:35:07.480
<v Speaker 2>So jay Z ain't go to the Summer gam for

0:35:08.280 --> 0:35:09.520
<v Speaker 2>god knows how many years.

0:35:10.239 --> 0:35:12.000
<v Speaker 1>We backstage about an.

0:35:11.840 --> 0:35:15.160
<v Speaker 2>Hour before we come out, my manager Fish come back

0:35:15.200 --> 0:35:21.600
<v Speaker 2>and say a board mission you ever seen you ever seen? Yeah,

0:35:21.960 --> 0:35:23.799
<v Speaker 2>yeah you have seen leaning on me? He's like cold

0:35:23.800 --> 0:35:27.719
<v Speaker 2>til yeah, that's it. He came back there, the whole

0:35:27.719 --> 0:35:29.719
<v Speaker 2>crowd going crazy. Now jay Z is so powerful, Like

0:35:29.920 --> 0:35:33.120
<v Speaker 2>you could watch the screen of the show from backstage

0:35:33.480 --> 0:35:36.200
<v Speaker 2>when whenever it's someone on the screens with black so

0:35:36.239 --> 0:35:38.359
<v Speaker 2>were looking like what's springsle? But we can't even watch

0:35:38.360 --> 0:35:40.120
<v Speaker 2>the showhim of the backs. More be like, yo, what

0:35:40.200 --> 0:35:41.279
<v Speaker 2>the chievs went off this ship?

0:35:41.280 --> 0:35:43.279
<v Speaker 1>I'm like, I don't know. He go out there jay

0:35:43.360 --> 0:35:45.440
<v Speaker 1>Z on stage, but who he came on stage with.

0:35:45.880 --> 0:35:48.160
<v Speaker 1>He came on by itself. Okay, no one broke him out.

0:35:48.200 --> 0:35:50.399
<v Speaker 1>He's doing Devil Auto to him by itself.

0:35:50.200 --> 0:35:52.879
<v Speaker 3>Right, that's this record was had already been out prior

0:35:52.920 --> 0:35:55.520
<v Speaker 3>to that. It was only off for like a month, okay,

0:35:56.000 --> 0:35:59.279
<v Speaker 3>or like two days maybe two days okay, yeah, because I.

0:35:59.239 --> 0:36:01.440
<v Speaker 1>Remember you dropped on the Monday. The rumor was he

0:36:01.520 --> 0:36:05.719
<v Speaker 1>dropped it like a Monday. Yeah. Yeah, it was right

0:36:05.719 --> 0:36:09.000
<v Speaker 1>after I made the tweets. It was like everything crowd record.

0:36:09.040 --> 0:36:09.880
<v Speaker 1>It was like two weeks.

0:36:09.960 --> 0:36:14.759
<v Speaker 2>He goes on stage right now, mind you we know that, well,

0:36:14.800 --> 0:36:17.239
<v Speaker 2>I don't know. We're thinking the record is about what

0:36:17.239 --> 0:36:20.279
<v Speaker 2>we're doing because of the whole thing dashed Joe's affiliation

0:36:20.400 --> 0:36:21.359
<v Speaker 2>right at the time.

0:36:21.880 --> 0:36:23.680
<v Speaker 1>But the rest of the world don't know that.

0:36:23.719 --> 0:36:25.680
<v Speaker 2>They think he talked about T Pain because paying the

0:36:25.719 --> 0:36:26.560
<v Speaker 2>biggest nigga.

0:36:26.360 --> 0:36:26.960
<v Speaker 1>Doing to him.

0:36:27.239 --> 0:36:29.319
<v Speaker 2>In the middle of his performance, T Paint come out

0:36:29.719 --> 0:36:32.680
<v Speaker 2>on stage and he bumped them give him a chest bump,

0:36:33.000 --> 0:36:34.360
<v Speaker 2>and he came back off stairs.

0:36:34.880 --> 0:36:36.839
<v Speaker 1>I said, who gave who the chess bump?

0:36:36.960 --> 0:36:37.040
<v Speaker 4>So?

0:36:37.520 --> 0:36:42.840
<v Speaker 1>Remember gave Paint talked about it on the show, came out.

0:36:43.440 --> 0:36:45.319
<v Speaker 2>Te Paint came out of nowhere and just came on

0:36:45.360 --> 0:36:48.439
<v Speaker 2>stage with I felt like he was trying to say, Nah,

0:36:48.719 --> 0:36:50.800
<v Speaker 2>this saying about me, like all the I'm good, you

0:36:50.800 --> 0:36:51.319
<v Speaker 2>know what I'm saying.

0:36:51.640 --> 0:36:53.799
<v Speaker 1>So now I'm looking at the figure.

0:36:54.920 --> 0:36:56.759
<v Speaker 2>Yeah, so I'm looking at the thing like I told

0:36:56.760 --> 0:36:58.160
<v Speaker 2>you that it wasn't about paint.

0:36:58.440 --> 0:37:01.400
<v Speaker 1>So that's forgive. I told you niggas it was it

0:37:01.440 --> 0:37:04.359
<v Speaker 1>wasn't a bottom him. So I never forget you want

0:37:04.640 --> 0:37:07.360
<v Speaker 1>is at a birthday party? Noriy You ever see like

0:37:07.400 --> 0:37:08.680
<v Speaker 1>going to club and just see.

0:37:08.600 --> 0:37:10.919
<v Speaker 2>Niggas laughing or see people laughing somewhere and you feel

0:37:10.960 --> 0:37:14.880
<v Speaker 2>like they laughing at you. Your conspiracy off the Seriously,

0:37:15.760 --> 0:37:18.360
<v Speaker 2>I never forget this man, and you want is at

0:37:18.400 --> 0:37:20.560
<v Speaker 2>a birthday party. I go to the birthday party right,

0:37:21.320 --> 0:37:23.799
<v Speaker 2>and it was like a VIP section in southe the

0:37:23.880 --> 0:37:27.319
<v Speaker 2>VIP section. It was another VIP section. So Minju I

0:37:27.400 --> 0:37:30.120
<v Speaker 2>made these comments. It was a VIP in the south

0:37:30.160 --> 0:37:32.760
<v Speaker 2>of VIP. So Mijo I made these comments. I'm standing

0:37:32.800 --> 0:37:33.000
<v Speaker 2>on it.

0:37:33.080 --> 0:37:33.680
<v Speaker 1>You know what I'm saying.

0:37:33.840 --> 0:37:37.560
<v Speaker 2>I'm losing friends, you know, you know, not speaking to me.

0:37:38.320 --> 0:37:42.760
<v Speaker 1>So no, seriously, so I go listen.

0:37:42.760 --> 0:37:45.120
<v Speaker 2>So I go to the club and inside the club

0:37:45.120 --> 0:37:48.920
<v Speaker 2>it's jay Z, Beyonce, it's Lennarys, It's Clue, and it's

0:37:48.920 --> 0:37:51.040
<v Speaker 2>like a couple of you know, you know, like it's

0:37:51.040 --> 0:37:53.600
<v Speaker 2>like the rich Friends Circle, like you know, the Wealthy.

0:37:53.280 --> 0:37:55.759
<v Speaker 1>Show after you made it tweet, this is like after

0:37:55.800 --> 0:37:56.680
<v Speaker 1>so much gam and all life.

0:37:56.760 --> 0:37:59.879
<v Speaker 2>So now they in a VIP section, but they VP

0:38:00.000 --> 0:38:01.719
<v Speaker 2>section that that's out to v so you can get

0:38:01.719 --> 0:38:03.360
<v Speaker 2>into vi P, but you can't get any sections.

0:38:03.880 --> 0:38:04.960
<v Speaker 1>I don't know. I lost my mind.

0:38:04.960 --> 0:38:08.480
<v Speaker 2>Off you'll come in, I come into the know.

0:38:08.719 --> 0:38:09.680
<v Speaker 1>I just sound worse than that.

0:38:09.719 --> 0:38:15.640
<v Speaker 4>Right, so I'm not ready ready, I'm ready.

0:38:15.800 --> 0:38:19.920
<v Speaker 2>So so I lost my mind, right, you know, I'm

0:38:20.320 --> 0:38:22.239
<v Speaker 2>I said some stupid shi about Jay, which I should know,

0:38:22.400 --> 0:38:23.560
<v Speaker 2>motherfucker said tweet.

0:38:24.160 --> 0:38:26.080
<v Speaker 1>The tweet said, I should have never said that to

0:38:26.120 --> 0:38:29.399
<v Speaker 1>that man. I'm sorry, j I said it sorry before.

0:38:29.400 --> 0:38:34.480
<v Speaker 2>When I'm saying it again, I apologize. So so now

0:38:34.600 --> 0:38:36.399
<v Speaker 2>when I get there, I'm still a poorse I'm still

0:38:36.400 --> 0:38:38.319
<v Speaker 2>I'm still feeling myself. I got a new one racking.

0:38:38.320 --> 0:38:40.000
<v Speaker 2>I'm running around and have a fun. You never had

0:38:40.040 --> 0:38:46.279
<v Speaker 2>woman before. I come in the club, like I was

0:38:46.320 --> 0:38:54.680
<v Speaker 2>always scared that No I went to the story telling you.

0:38:53.880 --> 0:39:05.200
<v Speaker 1>Showing me away ready, So I didn't have a shot.

0:39:05.360 --> 0:39:07.520
<v Speaker 1>They think, give me a baby shot. Yeah, it's gonna

0:39:07.520 --> 0:39:11.680
<v Speaker 1>be a long take, a little You don't know this

0:39:11.719 --> 0:39:13.400
<v Speaker 1>what we do? You tell him? Yeah, I know, I know,

0:39:13.440 --> 0:39:19.960
<v Speaker 1>I know, but your story. So now, so I walk

0:39:20.040 --> 0:39:22.480
<v Speaker 1>in the club, I got two white women with me. Okay,

0:39:22.800 --> 0:39:28.880
<v Speaker 1>I gotta know. It was bad at the time. Okay,

0:39:28.239 --> 0:39:31.399
<v Speaker 1>I got two white women me. I got a big shape,

0:39:31.400 --> 0:39:33.640
<v Speaker 1>I got a red coat, red shade. I needed to

0:39:33.680 --> 0:39:35.840
<v Speaker 1>look crazy. I woke it up the v I.

0:39:35.880 --> 0:39:36.520
<v Speaker 3>P I got shave.

0:39:36.640 --> 0:39:39.239
<v Speaker 1>I don't see when I see them, them niggas is.

0:39:39.320 --> 0:39:40.600
<v Speaker 2>Just I don't know if they was laughing at me

0:39:40.680 --> 0:39:43.600
<v Speaker 2>or not, but they were laughing terply like they was

0:39:43.640 --> 0:39:45.640
<v Speaker 2>like if you see somebody laughing, they just can't breathe.

0:39:45.960 --> 0:39:50.000
<v Speaker 1>These niggas was laughing. So all right, I never forget my.

0:39:49.920 --> 0:39:51.680
<v Speaker 2>Manager to fish got mad at me because I just

0:39:51.719 --> 0:39:53.399
<v Speaker 2>left the club. I left the girl on the faim.

0:39:53.440 --> 0:39:56.160
<v Speaker 2>I just got the fun out. Yeah, I'm serious, I

0:39:56.280 --> 0:39:58.120
<v Speaker 2>got him. No, It's like I felt like jay Z

0:39:58.239 --> 0:39:58.680
<v Speaker 2>wait to me.

0:39:58.680 --> 0:40:00.799
<v Speaker 1>I don't know. I got felt like he waited me.

0:40:01.040 --> 0:40:03.719
<v Speaker 1>He's that serious. Yeah, but after that, like after I

0:40:03.760 --> 0:40:07.120
<v Speaker 1>did that, he said he he waked in me. You

0:40:07.120 --> 0:40:12.799
<v Speaker 1>mean he waked design me, design me. So it's like

0:40:13.560 --> 0:40:15.400
<v Speaker 1>after that, you know, I staw.

0:40:15.280 --> 0:40:17.080
<v Speaker 2>Seeing the effects of it, like when you when you

0:40:17.080 --> 0:40:19.720
<v Speaker 2>say ship about especially at that time with the radio

0:40:19.760 --> 0:40:22.720
<v Speaker 2>being so powerful, but you can't say nothing about the niggas.

0:40:22.760 --> 0:40:24.239
<v Speaker 1>Man, the niggas. Everybody stop sucking with you.

0:40:24.320 --> 0:40:26.200
<v Speaker 2>It's like Nigga started playing my records and all that

0:40:26.640 --> 0:40:28.359
<v Speaker 2>he was. I had that to have to go through.

0:40:28.360 --> 0:40:30.759
<v Speaker 2>I have to apologize behind the scene. Tell everybody calling

0:40:30.800 --> 0:40:35.440
<v Speaker 2>niggas cause it's like I ain't mean to tell sorry,

0:40:35.640 --> 0:40:40.160
<v Speaker 2>call the niggas because everybody I'm trying to get the hose.

0:40:40.920 --> 0:40:44.040
<v Speaker 1>Okay, So back to you.

0:40:44.040 --> 0:40:49.400
<v Speaker 3>You make arguably the only Dan and Hoose wreck record,

0:40:50.520 --> 0:40:52.799
<v Speaker 3>So I'm called for a Queen's God.

0:40:52.880 --> 0:40:58.200
<v Speaker 1>This is Deuce by Harlem guy. Why uh have you

0:40:58.200 --> 0:40:59.880
<v Speaker 1>ever met jay Z after that?

0:41:00.400 --> 0:41:02.759
<v Speaker 4>No, you've never met The only time I seen him

0:41:02.800 --> 0:41:07.600
<v Speaker 4>was at the that baseline when I went to base.

0:41:09.280 --> 0:41:17.600
<v Speaker 1>No, no, okay, they weren't. I would yeah, okay, so

0:41:17.840 --> 0:41:22.080
<v Speaker 1>Kanye did takeover, not's the whole album with him? Damn.

0:41:22.120 --> 0:41:23.759
<v Speaker 1>I never looked at it like that, So why would

0:41:24.120 --> 0:41:26.520
<v Speaker 1>why would I be like I just did the beat.

0:41:26.600 --> 0:41:30.279
<v Speaker 3>It's them, Yeah, but but Kanye arguably was down with them.

0:41:31.000 --> 0:41:33.440
<v Speaker 3>You looked like you were down with nas Real. I

0:41:33.480 --> 0:41:37.760
<v Speaker 3>mean I would think so like you did you did. Okay,

0:41:38.000 --> 0:41:40.560
<v Speaker 3>so you've never actually physically seen that, man.

0:41:40.880 --> 0:41:46.880
<v Speaker 1>No, okay, let me slow it down. How about Dame Dash.

0:41:47.320 --> 0:41:50.960
<v Speaker 1>Yeah yeah, I'm in Dash after. I'm saying this is yeah, yeah, after,

0:41:51.200 --> 0:41:54.879
<v Speaker 1>this is this is a after yeah yeah yeah yeah, okay, yeah.

0:41:54.920 --> 0:41:58.319
<v Speaker 1>So you and with the Dame Dany said, good one, buddy, Nah,

0:42:00.160 --> 0:42:01.960
<v Speaker 1>like no, he was.

0:42:02.239 --> 0:42:05.080
<v Speaker 4>It was with I met him when he was hanging

0:42:05.080 --> 0:42:07.960
<v Speaker 4>around I mean around Jim, around Pop Champagne.

0:42:08.000 --> 0:42:11.120
<v Speaker 1>Oh you guys were shopping. Yeah yeah, yeah, yeah, yeah,

0:42:11.840 --> 0:42:12.759
<v Speaker 1>I did see Jay.

0:42:12.840 --> 0:42:14.919
<v Speaker 2>I didn't see him physically seen him after the break

0:42:14.920 --> 0:42:15.479
<v Speaker 2>I run.

0:42:15.880 --> 0:42:17.680
<v Speaker 4>I did see him that day he's told about that

0:42:17.719 --> 0:42:21.160
<v Speaker 4>summer Jam. I seen him willing Jay and you know,

0:42:21.280 --> 0:42:22.840
<v Speaker 4>like the gold card thing to get him to the

0:42:22.880 --> 0:42:23.680
<v Speaker 4>front of the stage.

0:42:24.640 --> 0:42:27.759
<v Speaker 1>No, j oh, somebody else willing j to get to

0:42:27.760 --> 0:42:29.799
<v Speaker 1>the front, you know, like the gold card things, like

0:42:29.920 --> 0:42:34.200
<v Speaker 1>the golf car thing. They so you need him bring them? Yeah?

0:42:34.200 --> 0:42:35.800
<v Speaker 1>They I seen him bringing him to the stage.

0:42:37.080 --> 0:42:44.879
<v Speaker 4>Yeah, okay, to do d o A Okay, Okay, now

0:42:44.880 --> 0:42:47.000
<v Speaker 4>I know this sound like conspiracy theories.

0:42:47.120 --> 0:42:49.160
<v Speaker 1>Yes, I know you. You said it earlier.

0:42:49.920 --> 0:42:52.320
<v Speaker 3>You think the O had anything in the kind of

0:42:52.400 --> 0:42:56.520
<v Speaker 3>do with you because of you, You and your participation

0:42:56.680 --> 0:42:59.920
<v Speaker 3>in East the only din on one of the r

0:43:00.080 --> 0:43:02.440
<v Speaker 3>you believe one of the biggest persons in hip hop's.

0:43:02.680 --> 0:43:04.680
<v Speaker 1>I didn't think so. I didn't think about that until

0:43:04.719 --> 0:43:05.400
<v Speaker 1>the day.

0:43:06.080 --> 0:43:08.920
<v Speaker 4>He's talking about when Flex and mister c God bless you.

0:43:08.960 --> 0:43:11.920
<v Speaker 4>What's playing on the radio and they say anything and

0:43:11.960 --> 0:43:14.600
<v Speaker 4>I got a hundred phone call, yo J, this is

0:43:14.719 --> 0:43:17.640
<v Speaker 4>you right now, yo J.

0:43:17.840 --> 0:43:21.319
<v Speaker 1>D you right now on radio? Turn it on. Let's

0:43:21.360 --> 0:43:23.160
<v Speaker 1>be clear. He's not said he didn't say your name.

0:43:23.200 --> 0:43:24.120
<v Speaker 1>He said he paid name.

0:43:24.600 --> 0:43:27.520
<v Speaker 5>But but he's also because of dang being around the

0:43:27.560 --> 0:43:30.880
<v Speaker 5>moment the time, I have an auto tune record.

0:43:31.920 --> 0:43:35.359
<v Speaker 3>But when Flex is saying it's over for you, who's.

0:43:34.920 --> 0:43:37.880
<v Speaker 1>Names because I know you were my name? Is he

0:43:37.920 --> 0:43:41.560
<v Speaker 1>saying he paid name? No? No, he's not saying.

0:43:44.160 --> 0:43:47.960
<v Speaker 4>Yes, He's like, yeah, my guys got my guys.

0:43:48.000 --> 0:43:54.080
<v Speaker 2>But finished over, man, like I just did a cation

0:43:54.280 --> 0:44:00.719
<v Speaker 2>for you, like.

0:44:03.680 --> 0:44:04.000
<v Speaker 9>Listen.

0:44:04.600 --> 0:44:06.520
<v Speaker 2>Brow was just like I was like the car on

0:44:06.680 --> 0:44:08.640
<v Speaker 2>but I was like, cool, let's think about this.

0:44:08.680 --> 0:44:10.400
<v Speaker 1>Ship before we say it. I'm like, man, funk that

0:44:10.480 --> 0:44:13.560
<v Speaker 1>any shot at us bro? He was going glory.

0:44:13.680 --> 0:44:17.360
<v Speaker 2>I mean, he played the record for about an hour straight,

0:44:17.520 --> 0:44:18.960
<v Speaker 2>like great.

0:44:18.880 --> 0:44:22.319
<v Speaker 1>And he kept saying, just finished out here. I'm like,

0:44:23.000 --> 0:44:23.560
<v Speaker 1>why you waiting?

0:44:23.680 --> 0:44:24.520
<v Speaker 9>We shot?

0:44:25.440 --> 0:44:28.279
<v Speaker 4>I went my whole life in this recre You're gonna

0:44:28.280 --> 0:44:31.239
<v Speaker 4>do this now? Ye'all got a hundred phone calls that day.

0:44:31.200 --> 0:44:35.120
<v Speaker 4>Ye they like jay Cy now turn the radio on.

0:44:35.200 --> 0:44:37.600
<v Speaker 4>I'm like, wait, what's happening the okay? We they made

0:44:37.600 --> 0:44:38.640
<v Speaker 4>it seem like that.

0:44:38.840 --> 0:44:41.759
<v Speaker 1>Okay, you know what I'm saying. So what was the

0:44:41.800 --> 0:44:44.520
<v Speaker 1>better phone calls that you got when Death of the

0:44:45.480 --> 0:44:48.279
<v Speaker 1>Oh and he did? Was it d O A?

0:44:49.160 --> 0:44:52.440
<v Speaker 3>Or when Easy came out and each actually was critically

0:44:52.480 --> 0:44:53.440
<v Speaker 3>acclaimed the winner.

0:44:54.040 --> 0:44:57.600
<v Speaker 1>What's the difference between between those two phone calls? Yeah,

0:44:57.640 --> 0:45:00.040
<v Speaker 1>that's the bid in the suite right there. Okay, the

0:45:00.160 --> 0:45:01.080
<v Speaker 1>same amount of course.

0:45:01.200 --> 0:45:04.000
<v Speaker 4>No, I feel like people knew you when you did Yeah, yeah,

0:45:04.080 --> 0:45:07.319
<v Speaker 4>more people knew pop Champagne. I was you know, yeah,

0:45:07.320 --> 0:45:09.680
<v Speaker 4>it was math on course because they and people are

0:45:09.719 --> 0:45:10.759
<v Speaker 4>telling you he's this and you.

0:45:10.960 --> 0:45:12.440
<v Speaker 3>I think that was a part of it too, is

0:45:12.440 --> 0:45:15.160
<v Speaker 3>that he kind of was him and Jim Jones was

0:45:15.200 --> 0:45:16.000
<v Speaker 3>kind of going at it.

0:45:16.600 --> 0:45:19.120
<v Speaker 1>I've heard conspiracy.

0:45:22.000 --> 0:45:26.439
<v Speaker 4>I caught it straight listen here.

0:45:24.440 --> 0:45:29.359
<v Speaker 2>Yeah, yeah, it was a combination that Jim is damn

0:45:29.360 --> 0:45:31.879
<v Speaker 2>and then he didn't eat like jay Z is the master.

0:45:32.080 --> 0:45:33.799
<v Speaker 1>So you feel like you caught the straight. I caught

0:45:33.800 --> 0:45:38.399
<v Speaker 1>the straight. You should started.

0:45:40.520 --> 0:45:43.560
<v Speaker 4>I'm like, yeah, but I just did the beat, So

0:45:43.600 --> 0:45:47.200
<v Speaker 4>I ain't feel like na it was you got some

0:45:47.600 --> 0:45:52.120
<v Speaker 4>So for if a producer produced a disregd on you, yeah,

0:45:52.280 --> 0:45:55.440
<v Speaker 4>you don't feel away with Yeah what DJ must have

0:45:55.520 --> 0:45:57.920
<v Speaker 4>right now with you know what, I know the process.

0:45:58.040 --> 0:46:00.960
<v Speaker 1>I know the process it takes to release a record.

0:46:01.040 --> 0:46:03.319
<v Speaker 3>I know you gotta sign off, you gotta mix it.

0:46:03.440 --> 0:46:05.960
<v Speaker 3>I know you gotta fucking you master it. I know

0:46:06.000 --> 0:46:07.960
<v Speaker 3>you gotta fuck it. You know I know all that.

0:46:08.080 --> 0:46:10.000
<v Speaker 3>So I know I know that if you a part

0:46:10.000 --> 0:46:12.200
<v Speaker 3>of a dis record of me, a part of the

0:46:12.280 --> 0:46:13.000
<v Speaker 3>disrecd here.

0:46:13.120 --> 0:46:17.719
<v Speaker 1>So that guilty a position. At this time he was

0:46:17.760 --> 0:46:19.399
<v Speaker 1>bing new, so he didn't even have that. I don't

0:46:19.400 --> 0:46:22.759
<v Speaker 1>given about that brand new. You you're a part of

0:46:22.760 --> 0:46:23.640
<v Speaker 1>the disrecord this to.

0:46:23.719 --> 0:46:27.640
<v Speaker 3>Me, you are the this to yeah man, you lie

0:46:27.880 --> 0:46:31.080
<v Speaker 3>so you never did a Rockefellow record since no, rightfully?

0:46:31.120 --> 0:46:31.640
<v Speaker 1>So God that.

0:46:34.800 --> 0:46:35.000
<v Speaker 4>Throw.

0:46:35.480 --> 0:46:38.360
<v Speaker 1>You know, I know, I know, I know some of

0:46:38.400 --> 0:46:40.839
<v Speaker 1>the you know, the street guys. So it's so good.

0:46:41.040 --> 0:46:42.799
<v Speaker 1>So how about how about nas Have you worked with

0:46:42.880 --> 0:46:43.239
<v Speaker 1>him since?

0:46:43.280 --> 0:46:47.480
<v Speaker 4>Yeah, I did last real Nigga live pronounced okay yeah, yeah,

0:46:47.640 --> 0:46:48.759
<v Speaker 4>has he ever like came to you.

0:46:48.800 --> 0:46:51.879
<v Speaker 1>It's like a good looking man giving me no man,

0:46:54.360 --> 0:47:03.840
<v Speaker 1>hey man, put me involved this year. Okay.

0:47:03.920 --> 0:47:10.440
<v Speaker 3>So what you to start taking to the suit was

0:47:10.480 --> 0:47:14.919
<v Speaker 3>that the start of Harlem start dancing again, absolutely without

0:47:14.920 --> 0:47:15.719
<v Speaker 3>a shadow of a doubt.

0:47:17.040 --> 0:47:19.080
<v Speaker 2>Like you gotta think about it before before that record

0:47:19.120 --> 0:47:21.640
<v Speaker 2>came out O six, when the last time Niggas was

0:47:21.719 --> 0:47:24.120
<v Speaker 2>dancing the hallom was when g Depp came out.

0:47:24.960 --> 0:47:26.120
<v Speaker 1>That was the last time they did it.

0:47:27.680 --> 0:47:29.719
<v Speaker 2>And you gotta remember when g Depp and It was

0:47:29.760 --> 0:47:32.120
<v Speaker 2>doing it. They ship wasn't even for the kids. They

0:47:32.120 --> 0:47:34.520
<v Speaker 2>ship was like more of an adult record with kids dancing,

0:47:34.560 --> 0:47:36.799
<v Speaker 2>and my ship was like the streets making a record

0:47:36.880 --> 0:47:37.680
<v Speaker 2>for the streets.

0:47:38.400 --> 0:47:38.680
<v Speaker 1>Yeah.

0:47:38.719 --> 0:47:40.480
<v Speaker 2>So I think I felt like that started, you know,

0:47:40.520 --> 0:47:42.799
<v Speaker 2>I started moving called life you movie and that, Like

0:47:42.840 --> 0:47:44.760
<v Speaker 2>I said, I don't like to say I discovered anybody,

0:47:44.800 --> 0:47:46.640
<v Speaker 2>because I felt like only gods discovered people.

0:47:46.680 --> 0:47:48.160
<v Speaker 1>But if you look on my first album.

0:47:48.200 --> 0:47:49.680
<v Speaker 2>That's the first time you've seen a lot of people

0:47:49.719 --> 0:47:52.440
<v Speaker 2>who have great careers now, like you know Beyoncas the Ta,

0:47:52.480 --> 0:47:54.360
<v Speaker 2>Taylors and you know, like I said, the moves and

0:47:54.360 --> 0:47:56.319
<v Speaker 2>the rectors and all that. So I felt like that

0:47:56.440 --> 0:47:58.760
<v Speaker 2>was the start of the dance, right. I'm not understanding

0:47:58.760 --> 0:48:01.000
<v Speaker 2>you said you claiming to tail. No, I'm just saying

0:48:01.000 --> 0:48:03.440
<v Speaker 2>the first time you heard her or like seeing her

0:48:03.640 --> 0:48:06.000
<v Speaker 2>in any video or it was on my album.

0:48:06.080 --> 0:48:07.960
<v Speaker 1>That's like fam did all that. I thought this first

0:48:07.960 --> 0:48:10.200
<v Speaker 1>time we saw was on that teen sixteen. Yeah, that

0:48:10.280 --> 0:48:11.400
<v Speaker 1>was after after.

0:48:11.600 --> 0:48:14.160
<v Speaker 2>So what happened was you know how the record labels

0:48:14.160 --> 0:48:16.879
<v Speaker 2>working nor read once once like look at the drill

0:48:17.040 --> 0:48:19.080
<v Speaker 2>like once once one person made drill record, they weren't

0:48:19.080 --> 0:48:21.640
<v Speaker 2>looking for everybody doing drill. So once I made the

0:48:21.719 --> 0:48:24.239
<v Speaker 2>lightly music, that's how like Little Mama Way and got

0:48:24.280 --> 0:48:26.960
<v Speaker 2>her deal, and then you know, Forrell snatched up Siana

0:48:27.000 --> 0:48:29.239
<v Speaker 2>Taylor and and you know, Jason Foster Gott snatched up

0:48:29.239 --> 0:48:31.360
<v Speaker 2>Botle like I think Jermaine U Prix because they was

0:48:31.360 --> 0:48:32.239
<v Speaker 2>looking for the sound that I.

0:48:32.280 --> 0:48:33.160
<v Speaker 1>Was creating, you know what I'm saying.

0:48:33.239 --> 0:48:35.160
<v Speaker 2>So a lot of people went and got deals because

0:48:35.160 --> 0:48:37.399
<v Speaker 2>of the movement that I started. I just I wasn't

0:48:37.400 --> 0:48:39.480
<v Speaker 2>just smart enough. I wasn't a smart enough, smart enough

0:48:39.480 --> 0:48:41.279
<v Speaker 2>business man at the time to say, you know what,

0:48:41.400 --> 0:48:43.120
<v Speaker 2>let me sound a bunch of these people and put

0:48:43.120 --> 0:48:43.600
<v Speaker 2>them out through.

0:48:43.640 --> 0:48:46.120
<v Speaker 1>I was just like nigga, I'm hong on me. Everybody

0:48:46.120 --> 0:48:46.560
<v Speaker 1>got to eat.

0:48:46.680 --> 0:48:49.040
<v Speaker 2>Everybody on the album, everybody get paid, everybody make they

0:48:49.200 --> 0:48:50.960
<v Speaker 2>make their way through their careers. Then, you know, so,

0:48:51.080 --> 0:48:52.719
<v Speaker 2>I like to say I helped start a lot of

0:48:52.719 --> 0:48:55.479
<v Speaker 2>people career. I played the intricate part in and started

0:48:55.840 --> 0:49:00.799
<v Speaker 2>career name once again. I'm Sianna Taylor. Let's go Young Bad,

0:49:00.800 --> 0:49:03.160
<v Speaker 2>which just me uncle. If you listen my first album,

0:49:03.200 --> 0:49:05.279
<v Speaker 2>Browns was producing on it.

0:49:04.600 --> 0:49:09.160
<v Speaker 1>I'm just saying no.

0:49:09.239 --> 0:49:12.480
<v Speaker 2>I'm saying that toast, saying no, you the reason I

0:49:12.520 --> 0:49:17.120
<v Speaker 2>started doing music. But you know, like like even though

0:49:17.320 --> 0:49:19.080
<v Speaker 2>Rex and Moves Battle and stuff like that, like those

0:49:19.080 --> 0:49:21.560
<v Speaker 2>are my brothers, everybody was ronding. I was like, listen,

0:49:21.560 --> 0:49:22.960
<v Speaker 2>we all get then no, we're gonna split this money

0:49:23.000 --> 0:49:24.799
<v Speaker 2>up together. We going boom boom boom, boom boom and

0:49:24.840 --> 0:49:26.600
<v Speaker 2>whatever goes goes like that's the roo We'll ever get

0:49:26.640 --> 0:49:30.319
<v Speaker 2>in first, bring everybody in and then pooll pause well

0:49:30.320 --> 0:49:32.399
<v Speaker 2>we get in first, bring everybody in, pause, and then

0:49:32.400 --> 0:49:34.200
<v Speaker 2>we all go from there. But sometimes it don't work

0:49:34.200 --> 0:49:38.920
<v Speaker 2>that way. Sometimes you gotta just do everybody.

0:49:39.160 --> 0:49:45.320
<v Speaker 3>But nah, all right, So y'all ready for quick Thomas.

0:49:45.080 --> 0:49:47.440
<v Speaker 1>Slane, y'all sends up.

0:49:47.960 --> 0:49:56.759
<v Speaker 10>Yeah, we got a we got a older two records? Yeah, yeah,

0:49:57.280 --> 0:49:59.560
<v Speaker 10>Dan Greece, Oh ship, what's you damn to?

0:49:59.640 --> 0:50:04.640
<v Speaker 1>So many records? Which one? What's the name of it's

0:50:04.880 --> 0:50:08.800
<v Speaker 1>so hot? Okay? Yeah, it ain't work.

0:50:12.760 --> 0:50:23.320
<v Speaker 11>Try it ain't worked out, keeping it will?

0:50:23.440 --> 0:50:25.800
<v Speaker 1>Yeah? Okay.

0:50:25.960 --> 0:50:29.279
<v Speaker 5>So the rule, We're gonna give you two choices. You

0:50:29.400 --> 0:50:32.040
<v Speaker 5>pick one. We don't drink. You say both, and neither

0:50:32.040 --> 0:50:36.319
<v Speaker 5>of them were all drinking. Okay, got it? And give

0:50:36.400 --> 0:50:38.960
<v Speaker 5>us any stories with anybody you want to give. You

0:50:39.040 --> 0:50:42.640
<v Speaker 5>got the first one. Nope, Cam or Jim.

0:50:44.239 --> 0:50:47.359
<v Speaker 1>We said this on the plane. Well I got money

0:50:47.400 --> 0:50:51.520
<v Speaker 1>with Jim and I don't really know Cam like that. Jim.

0:50:52.480 --> 0:50:56.480
<v Speaker 2>Yeah, I mean, I mean it depends. What can't you

0:50:56.520 --> 0:50:59.799
<v Speaker 2>talk about when Jim you talking about? Nah, neither one.

0:51:01.840 --> 0:51:05.759
<v Speaker 1>I never heard it. They cancel each other. I feel

0:51:05.760 --> 0:51:08.719
<v Speaker 1>like you gotta take a shot. You gotta take a shot.

0:51:09.360 --> 0:51:11.120
<v Speaker 2>You said we got to pick one, right, Yeah, we

0:51:11.160 --> 0:51:12.239
<v Speaker 2>don't pick one at might take.

0:51:12.160 --> 0:51:14.880
<v Speaker 1>A shot, right, Yeah, I got problem. I'm ready to

0:51:14.920 --> 0:51:15.359
<v Speaker 1>take a shot.

0:51:16.200 --> 0:51:19.799
<v Speaker 4>Yeah, hella take a shot, nigga, answer that that way?

0:51:20.080 --> 0:51:21.239
<v Speaker 1>Okay, you got your shots?

0:51:21.760 --> 0:51:25.719
<v Speaker 4>Yeah, gotta take a shot on his unfortunately, because you

0:51:25.760 --> 0:51:27.160
<v Speaker 4>can't win this, nigga, y'all together.

0:51:28.080 --> 0:51:29.879
<v Speaker 2>I'm trying to stop the bee from looking normal starting

0:51:29.880 --> 0:51:30.160
<v Speaker 2>this ship.

0:51:32.280 --> 0:51:33.840
<v Speaker 1>I'm out of it. My name is Bennett, and I

0:51:33.960 --> 0:51:34.880
<v Speaker 1>surely ain't in it.

0:51:35.400 --> 0:51:36.000
<v Speaker 11>I'll tell you that.

0:51:36.719 --> 0:51:38.800
<v Speaker 1>Who don't got a shot though, I don't want But

0:51:38.880 --> 0:51:41.440
<v Speaker 1>they got shots. You ain't got shot. I got my

0:51:42.120 --> 0:51:42.560
<v Speaker 1>oh ship?

0:51:42.560 --> 0:51:46.360
<v Speaker 4>All right, wait, Jamie, that's the same shot fus absolutely,

0:51:46.719 --> 0:51:49.759
<v Speaker 4>Oh you okay, ship you baby siting, that's what that call?

0:51:50.360 --> 0:51:54.600
<v Speaker 1>Okay, all right, you want the next one to gonna

0:51:54.640 --> 0:51:58.040
<v Speaker 1>leave you? You're gonna leave you in Harlem. Let's go. Oh,

0:51:58.160 --> 0:52:01.920
<v Speaker 1>let's take the shot first. Oh yeah, out for solute

0:52:01.960 --> 0:52:03.560
<v Speaker 1>the thing. I couldn't use that one.

0:52:04.080 --> 0:52:07.040
<v Speaker 4>Un that's not the way this works, okay, rules, Well,

0:52:07.160 --> 0:52:09.280
<v Speaker 4>get your ship together, man cheers.

0:52:10.239 --> 0:52:19.239
<v Speaker 12>Yeah, we got a shot. Yeah shot, we're doing one. Yeah,

0:52:21.200 --> 0:52:21.879
<v Speaker 12>maybe I got the rules.

0:52:22.000 --> 0:52:23.600
<v Speaker 2>I thought we don't pick neither one because you didn't

0:52:23.640 --> 0:52:24.799
<v Speaker 2>want to pick out the aybody shot.

0:52:25.160 --> 0:52:27.359
<v Speaker 1>If you don't pick we drinking. If you say both

0:52:27.400 --> 0:52:30.440
<v Speaker 1>of neither, that's that's we're not saying. That's what we did.

0:52:30.480 --> 0:52:35.160
<v Speaker 4>A shot a rock your ecept for except yeah, yeah,

0:52:35.160 --> 0:52:38.000
<v Speaker 4>shoutut to for you know, we got some music. We

0:52:38.040 --> 0:52:42.439
<v Speaker 4>got records with firm, so yeah, good yeah, Dave Easter,

0:52:43.760 --> 0:52:48.000
<v Speaker 4>Oh what's it going? Yeah, shout out the battle. We

0:52:48.239 --> 0:52:50.160
<v Speaker 4>we got a lot of music together too, and you

0:52:50.239 --> 0:52:52.759
<v Speaker 4>know we we show up for each other. So I'm

0:52:52.760 --> 0:52:53.640
<v Speaker 4>gonna say neither again.

0:52:58.520 --> 0:53:01.680
<v Speaker 1>I'm just so polled. I'm gonna say one. Jamie, you

0:53:01.760 --> 0:53:02.600
<v Speaker 1>needs something over here.

0:53:04.440 --> 0:53:09.279
<v Speaker 4>I have the same one by the way, hey man, yeah,

0:53:09.680 --> 0:53:11.720
<v Speaker 4>I'm gonna let you have all hallm pause.

0:53:13.560 --> 0:53:16.319
<v Speaker 1>We gotta take this shot still. I shot my shot.

0:53:17.440 --> 0:53:22.520
<v Speaker 1>Frank Lucas Now, yeah, man, you gotta take two. Oh

0:53:22.600 --> 0:53:29.440
<v Speaker 1>there you go being dangerous territories man, Yeah we are.

0:53:29.640 --> 0:53:33.560
<v Speaker 1>Yeah yeah, Big l Or Black Rob rest in piece

0:53:33.600 --> 0:53:39.560
<v Speaker 1>of bol I know who you're going. All right, you

0:53:39.680 --> 0:53:42.040
<v Speaker 1>gotta take you gotta say both, you know what I mean?

0:53:44.640 --> 0:53:45.520
<v Speaker 1>That was a harsh one.

0:53:45.719 --> 0:53:48.560
<v Speaker 3>Yeah yeah, yo, you just me and the king in

0:53:48.600 --> 0:53:50.200
<v Speaker 3>the Columbia writes the questions over there.

0:53:50.880 --> 0:53:53.960
<v Speaker 1>Yeah yeah, so just see he's a love town. He's

0:53:53.960 --> 0:53:55.680
<v Speaker 1>from Haller. Just to be clear, when I said neither,

0:53:55.719 --> 0:54:00.320
<v Speaker 1>I'm in both. That's what. Yeah, we get. It doesn't

0:54:00.320 --> 0:54:04.439
<v Speaker 1>get it's good. I want to make sure. I mean yeah, yeah,

0:54:04.440 --> 0:54:06.680
<v Speaker 1>I mean just just for you to say it happened

0:54:06.680 --> 0:54:07.720
<v Speaker 1>to answer these questions.

0:54:07.760 --> 0:54:10.160
<v Speaker 4>I prefer you say both. But what I keep saying neither,

0:54:10.200 --> 0:54:13.040
<v Speaker 4>I'm I'm gonna drinking anything. I'm like, I get it,

0:54:13.080 --> 0:54:15.600
<v Speaker 4>I understand. Yeah, And well we he were Big Old.

0:54:15.719 --> 0:54:17.960
<v Speaker 4>How did that he Bonics record come about? H Well,

0:54:18.719 --> 0:54:22.080
<v Speaker 4>I was outside cut to school one day and Big

0:54:22.160 --> 0:54:24.600
<v Speaker 4>Ol just happened to walk through the box and I

0:54:24.800 --> 0:54:27.839
<v Speaker 4>was like, he was looking for what block? This twenty

0:54:27.880 --> 0:54:31.680
<v Speaker 4>seven LIX seven some linux. He just popped up out

0:54:31.680 --> 0:54:34.680
<v Speaker 4>of nowhere. And he's the guy in Harlem at this time. Yeah,

0:54:35.840 --> 0:54:43.480
<v Speaker 4>he was looking for some stuff. And I'm like, hey, bro,

0:54:43.680 --> 0:54:47.239
<v Speaker 4>we I got some beats man, and uh he came

0:54:47.360 --> 0:54:50.520
<v Speaker 4>upstairs and the first beat I played was at this

0:54:50.600 --> 0:54:52.799
<v Speaker 4>time you know who he was. So I'm like, yo,

0:54:52.880 --> 0:54:54.839
<v Speaker 4>I got some He was asking for some other things,

0:54:54.880 --> 0:54:57.360
<v Speaker 4>but I was like, yo, I got some beats, and

0:54:57.480 --> 0:55:00.960
<v Speaker 4>he was like, yo, let me hear in the first

0:55:01.000 --> 0:55:03.560
<v Speaker 4>beat I played for him was the Bonyx And.

0:55:05.040 --> 0:55:06.040
<v Speaker 1>Did he start rapping to it?

0:55:06.239 --> 0:55:07.920
<v Speaker 4>No, he said, yo, put it on tape, because at

0:55:07.960 --> 0:55:09.600
<v Speaker 4>that time it was you know, tape. He put it

0:55:09.640 --> 0:55:10.000
<v Speaker 4>on tape.

0:55:10.120 --> 0:55:12.040
<v Speaker 1>He said, what what was you playing it on? He

0:55:12.120 --> 0:55:14.560
<v Speaker 1>had to put it on the drum machine. What the fuck?

0:55:14.600 --> 0:55:19.120
<v Speaker 1>You had a drum machine walking around? No? No, I'm like.

0:55:21.840 --> 0:55:23.560
<v Speaker 4>And he was like, I played it for me. He's like,

0:55:23.719 --> 0:55:25.640
<v Speaker 4>let me get that on tape, and then he came

0:55:25.719 --> 0:55:27.880
<v Speaker 4>back and let me how it sound. So, you know,

0:55:27.920 --> 0:55:30.160
<v Speaker 4>I ain't have pro twos at the time, so he

0:55:30.280 --> 0:55:33.040
<v Speaker 4>had to do a straight run on the tape. We

0:55:33.120 --> 0:55:34.360
<v Speaker 4>did that, and he said, Yo, we're gonna go to

0:55:34.480 --> 0:55:35.800
<v Speaker 4>D and D and do it for real. So we

0:55:35.880 --> 0:55:38.399
<v Speaker 4>went to D and D and we did that best

0:55:38.440 --> 0:55:39.240
<v Speaker 4>time in the real studio.

0:55:39.280 --> 0:55:41.440
<v Speaker 1>Yeah. Yeah, he killed us and I think that was

0:55:41.560 --> 0:55:43.840
<v Speaker 1>my first one. Is no your first time? No?

0:55:44.000 --> 0:55:44.040
<v Speaker 5>No?

0:55:44.160 --> 0:55:47.239
<v Speaker 1>No, no, no, So you knew how to operate it? Yeah, yeah.

0:55:47.600 --> 0:55:47.759
<v Speaker 2>Yeah.

0:55:47.840 --> 0:55:50.120
<v Speaker 1>I've been in the game since ninety two. Okay, oh

0:55:50.239 --> 0:55:52.160
<v Speaker 1>so damn you just producing them Before that, after I.

0:55:52.239 --> 0:55:55.480
<v Speaker 4>Was rapping, I was a label called Big Boss Records.

0:55:56.200 --> 0:55:59.879
<v Speaker 4>Kevin Chiles okay, well signed him Kevin Child.

0:56:00.040 --> 0:56:03.440
<v Speaker 1>Yeah, yeah. Oh really that's a big bro. Yeah, I

0:56:03.440 --> 0:56:06.279
<v Speaker 1>didn't know that. That's that's a big time. Let's take

0:56:06.280 --> 0:56:08.800
<v Speaker 1>a shot for ribbit and big, he said, both a

0:56:08.960 --> 0:56:15.200
<v Speaker 1>hold on, this is a game. Yeah down, you got

0:56:15.320 --> 0:56:17.600
<v Speaker 1>plenty of you gonna take me a long time?

0:56:17.880 --> 0:56:20.600
<v Speaker 4>Boys, Okay, go ahead, I'm gonna let okay, I'll take

0:56:20.640 --> 0:56:22.480
<v Speaker 4>this gun cool mod.

0:56:22.560 --> 0:56:24.560
<v Speaker 1>Or Curtis blow? Oh cool?

0:56:24.680 --> 0:56:31.440
<v Speaker 4>D I feel like you know both they disagree with

0:56:32.400 --> 0:56:34.439
<v Speaker 4>my mom. I want to be here if it wasn't

0:56:34.480 --> 0:56:36.600
<v Speaker 4>for he always has the big last year. I always

0:56:36.960 --> 0:56:39.080
<v Speaker 4>always had to be with my mom, so he always

0:56:39.120 --> 0:56:40.200
<v Speaker 4>had what was your mom?

0:56:44.160 --> 0:56:50.520
<v Speaker 1>Come on, bro, you're just gonna throw your mama. I

0:56:51.480 --> 0:56:56.759
<v Speaker 1>got scared. Let's take a shot. I love you. Shout

0:56:56.840 --> 0:57:02.719
<v Speaker 1>up too. He was supposed to get shot for that one.

0:57:03.400 --> 0:57:06.320
<v Speaker 1>Both okay, all right? Cool? Yeah, oh go ahead, goead

0:57:06.360 --> 0:57:10.359
<v Speaker 1>yeah j r RD J Mills. Oh that's a good one.

0:57:11.320 --> 0:57:15.440
<v Speaker 1>That's a good one of my guys. Both both my guys.

0:57:15.880 --> 0:57:20.439
<v Speaker 1>All right, shout he got his shot. He got shot.

0:57:20.600 --> 0:57:27.440
<v Speaker 1>Just been chilling shot one. You're not invisible, remember the

0:57:30.640 --> 0:57:37.480
<v Speaker 1>mhm man? Okay on you uh I got this one?

0:57:37.560 --> 0:57:41.600
<v Speaker 1>Got it? Oh no, I don't okay, Mace kiss, Mason

0:57:41.680 --> 0:57:47.760
<v Speaker 1>Kiss Mason Jada kiss or murder Mace, I mean Jadakiss

0:57:50.560 --> 0:57:52.000
<v Speaker 1>both both?

0:57:52.640 --> 0:57:57.000
<v Speaker 2>Yeah, yeah, yeah, shot there like three different though shout

0:57:57.480 --> 0:58:01.200
<v Speaker 2>alive as sistency is like accolate, like Jada kiss is

0:58:01.280 --> 0:58:04.600
<v Speaker 2>like Mace. Mace kind of change the yeah you know,

0:58:05.040 --> 0:58:07.240
<v Speaker 2>uh the trajectory of how we look.

0:58:07.320 --> 0:58:10.200
<v Speaker 1>Yeah yeah, yeah. Man, his impact was it was crazy.

0:58:10.240 --> 0:58:13.360
<v Speaker 2>But Jada Kiss, he's been consistent for like twenty five

0:58:13.400 --> 0:58:15.080
<v Speaker 2>thirty years straight to this day.

0:58:15.160 --> 0:58:18.040
<v Speaker 4>You know, when Mace was on that screen, it was

0:58:18.120 --> 0:58:20.520
<v Speaker 4>like if he was in Harlem. He was like, that's us.

0:58:20.640 --> 0:58:23.280
<v Speaker 4>That's how we are, Like you know what I mean,

0:58:23.760 --> 0:58:26.480
<v Speaker 4>you picked from it from He's spaking both, you know,

0:58:26.520 --> 0:58:27.120
<v Speaker 4>shout out the kids.

0:58:27.160 --> 0:58:29.800
<v Speaker 1>That's my guy. So take a shot, all right. I

0:58:30.000 --> 0:58:33.640
<v Speaker 1>got the slowest shot taking over. Hey, she want us

0:58:33.680 --> 0:58:36.960
<v Speaker 1>to do not be great? All right, you gotta catch up.

0:58:36.960 --> 0:58:43.880
<v Speaker 1>I'll catch up. Don't worry about it. Kay, Okay, I

0:58:43.960 --> 0:58:48.560
<v Speaker 1>got this one. Biz Markey or O D B. Damn.

0:58:48.640 --> 0:58:54.200
<v Speaker 1>That's a good one. And rest in peace of both

0:58:54.400 --> 0:59:00.560
<v Speaker 1>well both both solo all night. So you go over.

0:59:00.600 --> 0:59:04.360
<v Speaker 2>There's not a drinking like that, you know, it's more

0:59:04.360 --> 0:59:06.560
<v Speaker 2>of a well he knew he was coming today.

0:59:07.280 --> 0:59:08.840
<v Speaker 5>I feel like he's playing that game where you can't

0:59:08.960 --> 0:59:09.920
<v Speaker 5>see where the shut is at.

0:59:10.080 --> 0:59:10.480
<v Speaker 1>I love it.

0:59:11.080 --> 0:59:15.880
<v Speaker 4>Yeah, switch through analog or digital, both of y'all analog

0:59:16.080 --> 0:59:19.240
<v Speaker 4>handalog okay and good good choice.

0:59:21.240 --> 0:59:23.880
<v Speaker 5>It's crazy y'all say that, being the you capitalize off

0:59:23.920 --> 0:59:24.720
<v Speaker 5>of auto tunes, you know.

0:59:25.000 --> 0:59:32.040
<v Speaker 1>Yeah, but the roots from analog sounds way better. Yeah,

0:59:32.160 --> 0:59:36.480
<v Speaker 1>max O, Biggie rest in Peace ship the.

0:59:40.520 --> 0:59:40.680
<v Speaker 4>Yeah.

0:59:40.760 --> 0:59:40.920
<v Speaker 1>Yeah.

0:59:41.400 --> 0:59:44.480
<v Speaker 4>Sometimes I'd be feeling like I wish I did a

0:59:44.560 --> 0:59:47.880
<v Speaker 4>beat on Ready to Die or Life After Death.

0:59:49.440 --> 0:59:53.000
<v Speaker 1>Yeah, yeah, definitely, But I still feel like that's that's that's.

0:59:52.960 --> 0:59:57.680
<v Speaker 4>Like the that's like biggest, like the blueprint, if how

0:59:57.800 --> 1:00:02.880
<v Speaker 4>you should structure your album, did the range, the b picking,

1:00:03.040 --> 1:00:06.680
<v Speaker 4>the you know the flow. I feel like, I like,

1:00:06.920 --> 1:00:09.960
<v Speaker 4>if if your if your your level of artistry is

1:00:10.040 --> 1:00:12.080
<v Speaker 4>not on that type, on that level, I'll just be like,

1:00:12.880 --> 1:00:15.120
<v Speaker 4>I can't you know what I mean you.

1:00:20.640 --> 1:00:24.000
<v Speaker 1>Biggie, Okay, I'm in Okay, went to the next one.

1:00:24.720 --> 1:00:31.200
<v Speaker 1>Tupac are easy, pot Tupac. I got Tupac story too.

1:00:31.320 --> 1:00:35.880
<v Speaker 1>Let's go so on to get chicken and little soup. No, okay,

1:00:36.040 --> 1:00:39.160
<v Speaker 1>not bad, you went too far with that.

1:00:40.560 --> 1:00:45.280
<v Speaker 2>I've never been told this story before. Okay, So, so

1:00:45.440 --> 1:00:47.520
<v Speaker 2>my block is like a legenday block in Harlem. They

1:00:47.600 --> 1:00:50.760
<v Speaker 2>filmed like movies like uh, like sugar Hill and New

1:00:50.840 --> 1:00:53.479
<v Speaker 2>Jack City and Juice was all filling on my block.

1:00:53.560 --> 1:00:55.880
<v Speaker 2>So like when they killed all men killers, that's that's

1:00:55.920 --> 1:00:59.520
<v Speaker 2>like my grandmother's store. When when when the roof, that's

1:00:59.520 --> 1:01:01.720
<v Speaker 2>my great room, this building. When you're elevated shooting a lot.

1:01:02.080 --> 1:01:04.760
<v Speaker 2>So I'm like this it has to be like ninety one.

1:01:04.800 --> 1:01:07.360
<v Speaker 2>I was like, I was in elementary school, so they

1:01:07.440 --> 1:01:12.120
<v Speaker 2>trailers was parked in front of my school. So I

1:01:12.240 --> 1:01:14.040
<v Speaker 2>knew all the older niggas from my hood. Because my

1:01:14.120 --> 1:01:15.520
<v Speaker 2>cousin who I got my name from.

1:01:15.720 --> 1:01:18.280
<v Speaker 1>Her name is Webb. I just kind of hijacked his name.

1:01:18.320 --> 1:01:18.880
<v Speaker 1>That's my cousin.

1:01:19.200 --> 1:01:23.120
<v Speaker 2>So that's so so Pac brung so my mayor Chuck

1:01:23.200 --> 1:01:25.320
<v Speaker 2>Black who used to man Is and that song if

1:01:25.360 --> 1:01:28.480
<v Speaker 2>you know. He he brung me and like four all

1:01:28.520 --> 1:01:32.040
<v Speaker 2>my other friends. It's on the trailer to me Pop

1:01:32.280 --> 1:01:34.440
<v Speaker 2>and Parker was like what's your names and all that?

1:01:34.560 --> 1:01:36.160
<v Speaker 2>He was like, y, this is a little web He said,

1:01:36.160 --> 1:01:37.800
<v Speaker 2>well what that means? What we get that from?

1:01:38.000 --> 1:01:40.000
<v Speaker 1>I'm like Webster and he was like, yo, you kind

1:01:40.000 --> 1:01:46.120
<v Speaker 1>of look like Webster, right serious? Yeah you said you

1:01:46.160 --> 1:01:47.720
<v Speaker 1>look like Yeah.

1:01:47.880 --> 1:01:49.520
<v Speaker 2>He was just like, nah, you're a star. Your name

1:01:49.560 --> 1:01:52.120
<v Speaker 2>is WebStar, a star. Don't let nobody tell you can't

1:01:52.120 --> 1:01:54.160
<v Speaker 2>be nothing. And then I just ran with the name

1:01:54.200 --> 1:01:54.640
<v Speaker 2>ever since.

1:01:54.640 --> 1:02:00.560
<v Speaker 1>I was that's crazy. So let's do's you're trying to

1:02:00.600 --> 1:02:07.320
<v Speaker 1>say to us, right, you your name? I gain my name? Okay? Yeah?

1:02:08.440 --> 1:02:10.440
<v Speaker 5>And he has nice to Harlem as well through his

1:02:10.560 --> 1:02:12.840
<v Speaker 5>mom and running the Black Panther chapter.

1:02:12.920 --> 1:02:19.960
<v Speaker 1>You think that you've been saving this story, I mean

1:02:20.120 --> 1:02:22.320
<v Speaker 1>deepen seven drinks, I mean niggas from my block. No,

1:02:22.480 --> 1:02:23.560
<v Speaker 1>but like I ain't even I ain't never.

1:02:23.840 --> 1:02:25.360
<v Speaker 2>I haven't done an interview like this in the one

1:02:25.400 --> 1:02:29.400
<v Speaker 2>that's That's dope, No seriously dead series ninety one, bro, Like,

1:02:29.480 --> 1:02:30.880
<v Speaker 2>if you do the knowledge, if you look at skill,

1:02:30.920 --> 1:02:32.760
<v Speaker 2>the hell that the whole movie is talking about, whole block,

1:02:32.920 --> 1:02:35.480
<v Speaker 2>the park, the basement with Q's DJ, that's my grandma,

1:02:35.520 --> 1:02:36.520
<v Speaker 2>Oh that's my block.

1:02:36.760 --> 1:02:38.320
<v Speaker 1>It was ninety one. I was like here probably like

1:02:38.360 --> 1:02:40.600
<v Speaker 1>a probably like the fourth or fifth grade. It was

1:02:40.600 --> 1:02:44.840
<v Speaker 1>a little nigga. I don't got no those story like that. Hey,

1:02:46.720 --> 1:02:50.520
<v Speaker 1>oh hey this think it crazy? I said, came he

1:02:50.560 --> 1:03:01.040
<v Speaker 1>gonna he's gonna take a deepen because I'm like that

1:03:02.440 --> 1:03:06.800
<v Speaker 1>story that's more than the story straight, Hey, how you

1:03:06.920 --> 1:03:07.280
<v Speaker 1>gonna lie?

1:03:08.640 --> 1:03:09.400
<v Speaker 9>That was like what.

1:03:11.320 --> 1:03:15.640
<v Speaker 1>You got a story that's like that's like have a

1:03:15.800 --> 1:03:20.439
<v Speaker 1>Prince story and be like trying to out Prince. I've

1:03:20.520 --> 1:03:26.000
<v Speaker 1>really seen Prince LEVI take too long out Prince my story.

1:03:27.280 --> 1:03:29.400
<v Speaker 1>So I ain't even got a Tupac story. So you

1:03:29.560 --> 1:03:31.640
<v Speaker 1>killed that Holy ship. I don't even know what the

1:03:31.680 --> 1:03:33.440
<v Speaker 1>next one is. Go ahead, let's go. We gotta change it.

1:03:33.440 --> 1:03:34.280
<v Speaker 1>Because of what you said.

1:03:34.880 --> 1:03:40.800
<v Speaker 4>New Jack City or Juice Juice New Jack City, they

1:03:40.920 --> 1:03:42.960
<v Speaker 4>both they both at Harlem, right, Yeah, yeah, yeah yeah,

1:03:44.120 --> 1:03:44.800
<v Speaker 4>New Jack City.

1:03:44.880 --> 1:03:51.040
<v Speaker 1>That's that's what's down for me. Yeah yeah, it influenced

1:03:51.040 --> 1:03:53.880
<v Speaker 1>a lot of the Harlem hustlers. Is that Is that

1:03:53.960 --> 1:03:59.800
<v Speaker 1>building really exist? Yeah? Yeah, that's the fact. Yeah, A

1:04:00.160 --> 1:04:04.520
<v Speaker 1>Dame Greece or large pro James gree shot Grease Grease.

1:04:05.080 --> 1:04:05.800
<v Speaker 1>You know Greece.

1:04:06.080 --> 1:04:07.320
<v Speaker 4>I don't know if a lot of people know, but

1:04:07.720 --> 1:04:11.200
<v Speaker 4>Greece created like he had a sound, you know what

1:04:11.240 --> 1:04:13.440
<v Speaker 4>I mean. And you know a lot of a lot

1:04:13.480 --> 1:04:16.440
<v Speaker 4>of producers now like they be like creating like like

1:04:16.560 --> 1:04:19.320
<v Speaker 4>a snare drum or a pattern or something.

1:04:19.400 --> 1:04:22.400
<v Speaker 1>But Greece had this snare that he used to use

1:04:23.160 --> 1:04:26.439
<v Speaker 1>and that was that was just five. Let's the question

1:04:26.520 --> 1:04:30.200
<v Speaker 1>real quick. Then Dame Grease or Swiss beats? Oh?

1:04:33.280 --> 1:04:39.040
<v Speaker 4>Both both because both of them created shot.

1:04:39.280 --> 1:04:40.040
<v Speaker 1>We got more shots.

1:04:40.120 --> 1:04:43.000
<v Speaker 4>Yeah, I mean this is with this list, this is

1:04:43.120 --> 1:04:46.440
<v Speaker 4>this is beautiful along list man, That's why I told

1:04:46.440 --> 1:04:46.960
<v Speaker 4>you slow down.

1:04:47.040 --> 1:04:50.160
<v Speaker 1>Yeah, that's why the baby shots. Shout out to Swiss.

1:04:50.200 --> 1:04:54.960
<v Speaker 1>That's my guy. He got Saudi Bronx. Yeah yeah, yeah,

1:04:55.000 --> 1:05:00.800
<v Speaker 1>yeah yeah. I like that ship too. Heat Makers and

1:05:00.880 --> 1:05:27.000
<v Speaker 1>track masters, track masters. I ain't gonna both because track

1:05:29.760 --> 1:05:32.360
<v Speaker 1>I say both. Man, hold on, you know what's going

1:05:32.440 --> 1:05:36.320
<v Speaker 1>home with you? You know I love to make us

1:05:37.320 --> 1:05:42.160
<v Speaker 1>heat makers. I'm sorry. Come on, you never told this story.

1:05:42.200 --> 1:05:43.680
<v Speaker 1>He never told the story. You never told the story.

1:05:43.760 --> 1:05:46.640
<v Speaker 1>Tell the story. I just told your story. You ain't here, No, no,

1:05:46.760 --> 1:05:48.600
<v Speaker 1>I need to hear. I'm not gonna I'm gonna tell

1:05:48.600 --> 1:05:50.720
<v Speaker 1>you the storyline. I'm gonna save everything paused, all right,

1:05:50.840 --> 1:05:54.120
<v Speaker 1>So so what happens. It's nothing happen. Everything is beautiful.

1:05:54.880 --> 1:05:56.600
<v Speaker 1>Nothing happens. I'm a therapist. I don't know.

1:05:59.800 --> 1:06:02.200
<v Speaker 4>I even know that he make it shout the awesome

1:06:02.280 --> 1:06:05.600
<v Speaker 4>this man. You know he created that sound for dipset. Okay, yeah,

1:06:06.360 --> 1:06:09.400
<v Speaker 4>really yeah. We grew up off the track masters, and

1:06:09.480 --> 1:06:11.280
<v Speaker 4>I used to be like, yo, I need my beast

1:06:11.320 --> 1:06:15.480
<v Speaker 4>to sound like track masters, like the clarity the production,

1:06:15.640 --> 1:06:17.280
<v Speaker 4>how would sound. I was like, I need to get

1:06:17.360 --> 1:06:18.640
<v Speaker 4>that that sound.

1:06:19.200 --> 1:06:21.000
<v Speaker 2>Yeah, if you ain't figuring it out your browsers. The

1:06:21.040 --> 1:06:24.600
<v Speaker 2>technical you know, he knows all, he knows everything. The lingo,

1:06:24.760 --> 1:06:31.200
<v Speaker 2>the binnacular is amazing thing. Okay, yeah, I've seen your face.

1:06:34.520 --> 1:06:37.000
<v Speaker 2>Oh no, it's a fifty cent.

1:06:39.160 --> 1:06:41.040
<v Speaker 1>See when you work with both of them, yeah, I

1:06:41.040 --> 1:06:41.760
<v Speaker 1>work with both of them.

1:06:41.840 --> 1:06:45.160
<v Speaker 4>So when I get money with people, it's different because

1:06:45.200 --> 1:06:47.960
<v Speaker 4>you know, me allows you to feed your family. So Sean,

1:06:48.080 --> 1:06:50.360
<v Speaker 4>I got a lot of money with fifty cent you know,

1:06:50.480 --> 1:06:54.320
<v Speaker 4>from producing that would help for Lloyd Banks, playboy for

1:06:54.400 --> 1:06:56.560
<v Speaker 4>the banks with your head boy for banks.

1:06:58.040 --> 1:07:02.440
<v Speaker 1>So yeah, I mean, but started, uh, don't lead the

1:07:02.520 --> 1:07:06.160
<v Speaker 1>witness what I said? So, who are you picking? Not

1:07:06.320 --> 1:07:07.479
<v Speaker 1>both both? Okay?

1:07:07.680 --> 1:07:11.120
<v Speaker 4>If we're not, we don't we don't care.

1:07:11.200 --> 1:07:15.960
<v Speaker 1>Said yes, yes, yeah, I'm not even saying queen queens

1:07:16.000 --> 1:07:18.680
<v Speaker 1>owe me a check. Look, I want you. I feel

1:07:18.720 --> 1:07:24.000
<v Speaker 1>like I want you. They work, they bring you up

1:07:24.080 --> 1:07:28.760
<v Speaker 1>during the next Queen's delegation. Yeah, solo solid I don't

1:07:28.800 --> 1:07:30.479
<v Speaker 1>never go to that meeting no more. Though I'm being.

1:07:30.400 --> 1:07:35.480
<v Speaker 3>Honest, is really a Queen's delegation means come on, man,

1:07:37.080 --> 1:07:39.760
<v Speaker 3>it's like the Black delegation. God damn, did we really

1:07:39.840 --> 1:07:43.800
<v Speaker 3>beat up and talk about black issues? No, exactly, we should,

1:07:43.840 --> 1:07:47.240
<v Speaker 3>don't we should about you know what, that's.

1:07:47.080 --> 1:07:49.000
<v Speaker 1>A fucking great idea. Yeah, you know what I mean.

1:07:49.440 --> 1:07:52.920
<v Speaker 1>Kate Slayer, Clark Kent rest in peace both both. You

1:07:52.960 --> 1:07:56.080
<v Speaker 1>ain't got thinking about that one. Yeah, man, this is

1:07:56.160 --> 1:07:59.440
<v Speaker 1>a hell of a game. Shout out to Kase Sway. Yeah,

1:07:59.640 --> 1:08:02.400
<v Speaker 1>case from all of them. You know what's crazy?

1:08:04.680 --> 1:08:09.120
<v Speaker 3>I want to say this real quick. I believe the

1:08:09.200 --> 1:08:12.600
<v Speaker 3>first time they all three was in the room was

1:08:12.680 --> 1:08:15.840
<v Speaker 3>with Clark Kent, that Clark Kent funeral. That's the last

1:08:15.880 --> 1:08:19.360
<v Speaker 3>time Jay, Dame and Biggs was all in the same room.

1:08:19.479 --> 1:08:19.719
<v Speaker 1>Wow.

1:08:20.000 --> 1:08:21.680
<v Speaker 3>Yeah, they were all in our They didn't speak to

1:08:21.760 --> 1:08:25.200
<v Speaker 3>each other. I mean, Biggs and Jay was together, but

1:08:25.880 --> 1:08:28.439
<v Speaker 3>Dame was there, and that was the last time. And

1:08:28.520 --> 1:08:31.320
<v Speaker 3>it's crazy because Clark brought him back together for one

1:08:31.439 --> 1:08:34.280
<v Speaker 3>last you know what I mean. So that that at

1:08:34.320 --> 1:08:34.960
<v Speaker 3>his funerals.

1:08:34.960 --> 1:08:40.320
<v Speaker 1>So we got yeah all right, yeah, and you're holding

1:08:40.360 --> 1:08:41.920
<v Speaker 1>it down. God damn you might as well. I'll just

1:08:42.040 --> 1:08:44.799
<v Speaker 1>just keep it going. Dougie Fresher Rob Bass.

1:08:45.360 --> 1:08:50.080
<v Speaker 4>Fresh Yeah yeah, that's from Yeah, okay, thank you Fresh

1:08:50.360 --> 1:08:52.920
<v Speaker 4>at Dougie Fresh Studio. I made the beat CD at

1:08:53.000 --> 1:08:55.720
<v Speaker 4>his house that had ether on it because I ain't

1:08:55.760 --> 1:08:58.160
<v Speaker 4>had the equipment at the time, so I went to

1:08:58.240 --> 1:09:01.960
<v Speaker 4>doug Fresh Studio and made the b CD that actually

1:09:02.040 --> 1:09:02.920
<v Speaker 4>had ether on it.

1:09:03.280 --> 1:09:06.880
<v Speaker 1>So shout to doug Freshman. Can't take no away from

1:09:07.240 --> 1:09:12.320
<v Speaker 1>broad basing easy nothing. It takes one of the h

1:09:12.360 --> 1:09:13.960
<v Speaker 1>you have the next one to You got all the

1:09:14.000 --> 1:09:22.520
<v Speaker 1>harm questions Joel's or Max b oh uh. The relationship

1:09:22.560 --> 1:09:28.360
<v Speaker 1>with not personal, but you know, gonna say both is cool.

1:09:28.640 --> 1:09:31.160
<v Speaker 2>Free the wave but it's all Harlem and so yeah

1:09:31.200 --> 1:09:37.400
<v Speaker 2>both yeah, oh ship shot, shout the clock all over

1:09:37.439 --> 1:09:50.840
<v Speaker 2>the place, hurry up as fast more alright, ain't connor

1:09:50.920 --> 1:09:51.360
<v Speaker 2>T Pain.

1:09:52.479 --> 1:09:55.120
<v Speaker 1>That was for me, So go ahead, it was for you.

1:09:56.880 --> 1:10:00.760
<v Speaker 1>You got all the HALLM T Pain. Yeah, shout out

1:10:00.800 --> 1:10:05.600
<v Speaker 1>the T pain. He's like he's like the birth order. Ye,

1:10:07.280 --> 1:10:10.600
<v Speaker 1>the Godfather order tone. I'm gonna say T Paint is

1:10:10.600 --> 1:10:11.440
<v Speaker 1>like Godfather.

1:10:13.200 --> 1:10:13.519
<v Speaker 5>Order to.

1:10:15.560 --> 1:10:16.679
<v Speaker 1>Know you gotta give them his respect.

1:10:16.720 --> 1:10:19.640
<v Speaker 3>I mean, he definitely, I believe, but he deserves his

1:10:20.800 --> 1:10:23.360
<v Speaker 3>now asking y'all two brothers that used orto tone?

1:10:23.479 --> 1:10:28.320
<v Speaker 1>Is t Pain the godfather order tune? Hip hop shout

1:10:28.479 --> 1:10:29.880
<v Speaker 1>because we know George Clinton and.

1:10:30.160 --> 1:10:32.960
<v Speaker 5>What's the Roger Trupan Roger Trup that was an auto

1:10:33.000 --> 1:10:34.880
<v Speaker 5>tunes Auto tunes is as appropriate.

1:10:34.920 --> 1:10:37.280
<v Speaker 1>That's his order tool is cussing though, right right? That

1:10:37.400 --> 1:10:40.000
<v Speaker 1>was that was organic natural They was using the.

1:10:40.040 --> 1:10:42.560
<v Speaker 4>Key Shout out to Akon because you know at the

1:10:42.640 --> 1:10:45.120
<v Speaker 4>time t Paint ain't like how I was using an

1:10:45.160 --> 1:10:48.160
<v Speaker 4>auto tune, and I guess, yeah, he went on an

1:10:48.200 --> 1:10:49.439
<v Speaker 4>interview must to say he didn't like.

1:10:49.479 --> 1:10:51.040
<v Speaker 1>How I was using. You ain't tell me that.

1:10:51.200 --> 1:10:54.080
<v Speaker 4>Akon called me and was like, yo, y'all don't need

1:10:54.200 --> 1:10:56.680
<v Speaker 4>to be beefing like like on some O G ship Like, Yo,

1:10:56.760 --> 1:10:57.920
<v Speaker 4>y'all don't need to be beefing like that.

1:10:58.040 --> 1:11:00.000
<v Speaker 1>It's all love and why you responded to him?

1:11:00.600 --> 1:11:03.679
<v Speaker 4>I didn't respond, but what she was going to most

1:11:03.800 --> 1:11:11.519
<v Speaker 4>likely I was getting amped up from so it comes like, yeah,

1:11:11.520 --> 1:11:13.280
<v Speaker 4>we ain't on that type of time. You know, it

1:11:13.560 --> 1:11:17.160
<v Speaker 4>ain't no problem. So we kind of kind of that

1:11:17.320 --> 1:11:20.479
<v Speaker 4>at the end. Whatever energy it was and uh yeah

1:11:20.520 --> 1:11:23.960
<v Speaker 4>me and ended up doing a record together. Shout to

1:11:24.040 --> 1:11:36.160
<v Speaker 4>akno together yet absolutely wondering to uh your m TV

1:11:36.320 --> 1:11:40.240
<v Speaker 4>raps or video music box, video music box?

1:11:40.960 --> 1:11:43.920
<v Speaker 1>Yeah, I think I think video music blocks influenced me. Yeah,

1:11:44.200 --> 1:11:49.360
<v Speaker 1>without video probably wouldn't you know. You know, I respect

1:11:49.360 --> 1:11:52.240
<v Speaker 1>that's shocking me. Dane shout around. Yeah, man, we had

1:11:52.320 --> 1:11:55.840
<v Speaker 1>them on. Check it out. Pete Rock or Primo both

1:11:57.360 --> 1:12:00.080
<v Speaker 1>reminiscences one of the best beats in the world. I

1:12:00.080 --> 1:12:07.360
<v Speaker 1>ain't got no more. Not that version, that's the same version.

1:12:09.040 --> 1:12:15.920
<v Speaker 1>This is a sparfed version almost Classic Records. Yeah, yeah,

1:12:16.160 --> 1:12:17.320
<v Speaker 1>thank you, Absolutely it is.

1:12:17.560 --> 1:12:20.880
<v Speaker 4>And look Primo got so many ship crazy just the

1:12:20.920 --> 1:12:26.200
<v Speaker 4>premo Yeah yeah, yeah, well love Heathen.

1:12:26.040 --> 1:12:32.280
<v Speaker 1>Just schools, Yeah, I just I just yeah, okay all

1:12:32.600 --> 1:12:33.640
<v Speaker 1>dre Rizza.

1:12:35.520 --> 1:12:41.400
<v Speaker 4>Both oh thirty six Chambers man, yeah, all right, we're

1:12:41.439 --> 1:12:42.360
<v Speaker 4>gonna spoke that one day.

1:12:42.600 --> 1:12:47.920
<v Speaker 1>He said, both, Mama, this is dreams champces Broth. All right, cool,

1:12:48.960 --> 1:12:52.840
<v Speaker 1>I got you with the I know how it became

1:12:52.880 --> 1:12:56.160
<v Speaker 1>from Champagne to just only shots. This is the game.

1:12:56.240 --> 1:12:59.559
<v Speaker 1>This is the game. Yeah, okay, it's only twenty more

1:12:59.640 --> 1:13:03.240
<v Speaker 1>year now. You we got like five moster.

1:13:03.400 --> 1:13:07.200
<v Speaker 4>Or eminems all right, but don't forget the shot.

1:13:07.240 --> 1:13:13.120
<v Speaker 1>We had a comma. You know the fuck solid most

1:13:13.120 --> 1:13:13.360
<v Speaker 1>of them.

1:13:16.080 --> 1:13:19.120
<v Speaker 4>All right, I just want to tell you wrap money, man.

1:13:19.479 --> 1:13:22.120
<v Speaker 4>You know you don't have to you can we wind

1:13:22.320 --> 1:13:26.599
<v Speaker 4>time Boris tell them about the box. But Buster actually, uh,

1:13:27.760 --> 1:13:28.400
<v Speaker 4>he was like, yo, we.

1:13:28.439 --> 1:13:31.120
<v Speaker 1>We we get into that. Hold on, calm down.

1:13:32.240 --> 1:13:35.680
<v Speaker 7>I'm relaxed. I thought it was almost all no, no, no,

1:13:36.080 --> 1:13:39.200
<v Speaker 7>just just just this part. Bull tang or n W

1:13:39.360 --> 1:13:44.080
<v Speaker 7>A wait? Did we answered? Buster Eminem both said fast?

1:13:46.600 --> 1:13:47.920
<v Speaker 7>They both got money with a Buster.

1:13:48.040 --> 1:13:50.800
<v Speaker 4>You can tell absolutely. Let's rich, my brother, let's go.

1:13:52.680 --> 1:13:56.320
<v Speaker 4>You said you tang or n W A tank?

1:13:57.400 --> 1:13:57.639
<v Speaker 1>Okay.

1:13:57.720 --> 1:14:00.439
<v Speaker 2>I knew that that was gonna be easy, real funk

1:14:00.479 --> 1:14:07.040
<v Speaker 2>fluck yeah both, I man, yeah, I mean we know

1:14:07.080 --> 1:14:09.000
<v Speaker 2>the apozan of the DJ relationships.

1:14:14.040 --> 1:14:16.880
<v Speaker 1>You champagne shot. Yeah, listen, this is this is the

1:14:16.920 --> 1:14:21.200
<v Speaker 1>way the game goes man, this is twenty twenty five.

1:14:21.800 --> 1:14:24.280
<v Speaker 1>I twisted ship twists and turn the way I want

1:14:24.320 --> 1:14:27.439
<v Speaker 1>to go. Fall pause. I'm gonna hold it down. I

1:14:27.479 --> 1:14:33.720
<v Speaker 1>guess man, yeah, poor, excuse me, but uh kicking pree

1:14:35.439 --> 1:14:41.280
<v Speaker 1>it's probably the illis DJ live ever Yeah he can

1:14:41.520 --> 1:14:45.400
<v Speaker 1>rock any crowd. Answer the phone. Fuck, No, that's you

1:14:45.479 --> 1:14:48.519
<v Speaker 1>did it on purpose. That's an alarm. Okay, that's the alarm. No,

1:14:48.800 --> 1:14:52.760
<v Speaker 1>that's actually got a different type of alarm. Yeah, that

1:14:52.880 --> 1:14:55.200
<v Speaker 1>was supposed to be make be on hand on time.

1:14:56.080 --> 1:14:59.920
<v Speaker 3>And funk Flex is the best radio DJ of all time.

1:15:00.080 --> 1:15:03.559
<v Speaker 3>Yes one, and he gets busy in the clubs too.

1:15:03.600 --> 1:15:05.960
<v Speaker 3>I swear to God, but I kid you not. I

1:15:06.040 --> 1:15:08.000
<v Speaker 3>don't know how many times I missed my flight because

1:15:08.000 --> 1:15:13.599
<v Speaker 3>he said pull over, and I pulled over and he said,

1:15:14.320 --> 1:15:16.479
<v Speaker 3>he said, like, go on the register.

1:15:17.920 --> 1:15:22.760
<v Speaker 1>I don't fall for that part, but he account when

1:15:22.800 --> 1:15:25.599
<v Speaker 1>he like a record gorack? What do you think about?

1:15:26.520 --> 1:15:29.000
<v Speaker 1>This is no? We got one more question one. This

1:15:29.040 --> 1:15:33.479
<v Speaker 1>is the last question. I'm not gonna say nothing. Loyalty

1:15:33.720 --> 1:15:41.040
<v Speaker 1>or respect. Wow. Yeah, I'm going to pick one of these.

1:15:41.439 --> 1:15:47.000
<v Speaker 1>Loyalty respect, Kay. Yeah, I think if you respect me,

1:15:47.040 --> 1:15:49.160
<v Speaker 1>you're going to be loyal to me. Yeah. So he's

1:15:49.160 --> 1:15:51.920
<v Speaker 1>saying both, Yeah, that's what that's Yeah. That's the only

1:15:52.040 --> 1:15:55.000
<v Speaker 1>time me and him agree that you always should say both.

1:15:55.160 --> 1:16:00.920
<v Speaker 1>It's both. Man. I guess you going done. Man, I

1:16:00.960 --> 1:16:03.000
<v Speaker 1>ain't got no more. That's why you blew it up.

1:16:03.120 --> 1:16:05.320
<v Speaker 3>She's supposed to take pull my shots over there.

1:16:05.560 --> 1:16:11.840
<v Speaker 1>Yeah, she's like ginger real shots.

1:16:11.880 --> 1:16:12.360
<v Speaker 5>You know what I mean.

1:16:12.960 --> 1:16:17.479
<v Speaker 1>You know, but look at she in pain in there.

1:16:20.400 --> 1:16:22.960
<v Speaker 3>We don't from the fast with the fans see this ship.

1:16:23.439 --> 1:16:29.519
<v Speaker 3>So uh, y'all coming out with an album together? Now,

1:16:31.080 --> 1:16:34.640
<v Speaker 3>how the funk is this working? I mean, me and

1:16:34.720 --> 1:16:38.000
<v Speaker 3>Brown's always worked the same way. Okay, brows is like

1:16:38.479 --> 1:16:40.960
<v Speaker 3>he works around the clock. Browsers should be up all

1:16:41.040 --> 1:16:43.639
<v Speaker 3>around the clock in the house, is making beats, beat, beat, beat,

1:16:43.920 --> 1:16:44.160
<v Speaker 3>and then.

1:16:44.080 --> 1:16:45.479
<v Speaker 2>I wake up in the morning. He got the idea

1:16:45.520 --> 1:16:47.280
<v Speaker 2>already done. I'm just and I'll come and just add

1:16:47.280 --> 1:16:47.760
<v Speaker 2>to this ship.

1:16:47.840 --> 1:16:51.080
<v Speaker 1>Like, how did you guys originally connect though? T Rex? Yeah,

1:16:51.160 --> 1:16:54.000
<v Speaker 1>so it's a it's a bad rapin t Rex everybody. Yeah, that's.

1:16:56.080 --> 1:16:56.120
<v Speaker 5>So.

1:16:56.400 --> 1:16:59.600
<v Speaker 2>Rex was signed his record before money as Rex was

1:16:59.600 --> 1:16:59.880
<v Speaker 2>one of my.

1:17:00.120 --> 1:17:01.479
<v Speaker 1>Friends growing up, and.

1:17:02.960 --> 1:17:05.400
<v Speaker 2>Honestly, I'm won't give him his flowers because he's one

1:17:05.439 --> 1:17:07.960
<v Speaker 2>of the reasons that him and him and TX is

1:17:07.960 --> 1:17:09.800
<v Speaker 2>one of the reasons I started doing music. She's going

1:17:09.840 --> 1:17:12.400
<v Speaker 2>to the studio watching him. I didn't know nothing about music,

1:17:12.479 --> 1:17:16.080
<v Speaker 2>watching their process, seeing everything he did, and then all

1:17:16.080 --> 1:17:17.439
<v Speaker 2>the girls liked him because they had records.

1:17:17.439 --> 1:17:22.880
<v Speaker 1>So I was like, fuck, it I need a record, yeah,

1:17:23.080 --> 1:17:23.880
<v Speaker 1>because he had a record.

1:17:23.960 --> 1:17:26.320
<v Speaker 2>Yeah yeah, And so Rex introduced that that'd be like

1:17:26.360 --> 1:17:28.840
<v Speaker 2>the eighty two thousands and this is like he you know,

1:17:28.920 --> 1:17:30.519
<v Speaker 2>this is after Ether and all that, Like this is

1:17:30.640 --> 1:17:34.160
<v Speaker 2>like this, this is like Ron Brows, wrong Brows. And

1:17:34.280 --> 1:17:35.920
<v Speaker 2>I met him and he treated me like a brother

1:17:35.960 --> 1:17:38.040
<v Speaker 2>ever since, and then we've just been rocking ever since.

1:17:38.080 --> 1:17:44.240
<v Speaker 1>Then. God damn y'all was supposed to do an album

1:17:44.320 --> 1:17:47.080
<v Speaker 1>that he got high and he changed on you. He changed.

1:17:47.120 --> 1:17:49.000
<v Speaker 1>He was just you know, like that's what you know.

1:17:49.160 --> 1:17:53.400
<v Speaker 1>He changed was like it was more like a lesson.

1:17:53.400 --> 1:17:55.400
<v Speaker 1>He was like, nise me. I used to get distracted,

1:17:55.439 --> 1:17:56.240
<v Speaker 1>I got hot.

1:17:56.120 --> 1:17:58.640
<v Speaker 4>And started wearing sunglasses on you, and then now you

1:17:58.720 --> 1:18:04.479
<v Speaker 4>started wearing well, I'm I think the reason the reason

1:18:04.520 --> 1:18:07.040
<v Speaker 4>I got my second deal. So yeah, yeah, but but

1:18:07.360 --> 1:18:08.799
<v Speaker 4>I ain't gonna lie brow.

1:18:12.560 --> 1:18:12.720
<v Speaker 10>Hm.

1:18:13.160 --> 1:18:18.759
<v Speaker 1>There was a time. It's like, you know, it's certain errors.

1:18:19.120 --> 1:18:20.320
<v Speaker 1>It tight William Raors.

1:18:20.360 --> 1:18:30.280
<v Speaker 3>You know the Scotts Starch errors, for Ral errors, Timberland errors, Swiss.

1:18:30.000 --> 1:18:35.479
<v Speaker 4>Beats era, that Ron Boles error. It's different, it's different.

1:18:37.000 --> 1:18:38.400
<v Speaker 4>It was a super different party.

1:18:39.200 --> 1:18:40.040
<v Speaker 1>It was party.

1:18:41.200 --> 1:18:44.200
<v Speaker 3>But you like, God bless me for you know, anybody

1:18:44.240 --> 1:18:46.240
<v Speaker 3>else from the city to have had that same era.

1:18:46.960 --> 1:18:49.400
<v Speaker 3>But you were staying in the city like you were,

1:18:49.560 --> 1:18:52.400
<v Speaker 3>you were, you were giving everybody from the city from

1:18:53.080 --> 1:18:55.080
<v Speaker 3>I'm sorry I say in the city, I should say

1:18:55.160 --> 1:18:55.479
<v Speaker 3>New York.

1:18:55.920 --> 1:19:00.479
<v Speaker 1>You know what I forgot? I like, just kick it

1:19:00.520 --> 1:19:05.800
<v Speaker 1>in to the five barrels. I'm sorry, I got this

1:19:06.000 --> 1:19:09.439
<v Speaker 1>is a global thing. Okay, yeah, but you but this

1:19:09.560 --> 1:19:12.600
<v Speaker 1>is the time where if you if you, if you

1:19:12.800 --> 1:19:17.720
<v Speaker 1>had them hits in New York, you ran the actual world. Yes, yes,

1:19:18.720 --> 1:19:24.680
<v Speaker 1>you had a piece of that era, yes all the time. Yeah, man,

1:19:25.320 --> 1:19:28.320
<v Speaker 1>I just felt like I was the point guard. But

1:19:28.520 --> 1:19:29.519
<v Speaker 1>where did it start from?

1:19:29.760 --> 1:19:32.760
<v Speaker 3>Because I know it's ether, right, that's put you in

1:19:32.920 --> 1:19:35.479
<v Speaker 3>the game, Pop Champagne. It was the first time you

1:19:35.600 --> 1:19:40.400
<v Speaker 3>on a record, right, and uh, actually you start when?

1:19:40.600 --> 1:19:43.120
<v Speaker 3>When when did you have that cheese line? Whatever I

1:19:43.200 --> 1:19:47.840
<v Speaker 3>mean by line is people lining up pop Champagne Pop.

1:19:49.040 --> 1:19:51.519
<v Speaker 3>I was able to control the temperature because I could

1:19:51.520 --> 1:19:54.640
<v Speaker 3>put a hook on it and be like, you have

1:19:54.720 --> 1:19:57.120
<v Speaker 3>the formula, the formula, yeah, this this to.

1:19:57.160 --> 1:20:00.200
<v Speaker 1>Be just a hook and artist would be like, that's

1:20:00.240 --> 1:20:03.280
<v Speaker 1>how we created rotate right right right right, shut out,

1:20:04.880 --> 1:20:05.599
<v Speaker 1>give your flowers.

1:20:06.760 --> 1:20:09.040
<v Speaker 4>Yeah, but I was able to control the temperature because

1:20:09.040 --> 1:20:11.160
<v Speaker 4>I was able to do the hook and do the

1:20:11.240 --> 1:20:14.120
<v Speaker 4>beat and all this. I get it, and I just

1:20:14.160 --> 1:20:15.800
<v Speaker 4>felt like I was the point gone for New York,

1:20:15.920 --> 1:20:20.000
<v Speaker 4>Like I'm just throwing alleys across the fire.

1:20:20.360 --> 1:20:23.080
<v Speaker 1>Yeah yeah, yeah. So Pop Champagne at the Pop Champagne?

1:20:23.120 --> 1:20:26.120
<v Speaker 1>What was the next record? Hey, Ram Money? Okay, how

1:20:26.120 --> 1:20:30.640
<v Speaker 1>does this happen? Bus called you right after Pop Champagne? Yo,

1:20:31.479 --> 1:20:35.080
<v Speaker 1>I need something now. I don't care what you're doing

1:20:35.160 --> 1:20:37.240
<v Speaker 1>to immediately.

1:20:36.880 --> 1:20:42.280
<v Speaker 4>Wake up now, Bus, I'm sleeping now, now wake up.

1:20:42.439 --> 1:20:45.400
<v Speaker 4>I'm in the studio senate right now, Bus, I'd be

1:20:45.479 --> 1:20:46.480
<v Speaker 4>like driving.

1:20:52.080 --> 1:20:57.160
<v Speaker 1>All right. So what was the initial conversation your first hand? Yo,

1:20:57.400 --> 1:20:59.400
<v Speaker 1>I need something right now, something like not something like

1:20:59.479 --> 1:21:03.800
<v Speaker 1>pop shap something with that. And after Popham Pat No, okay,

1:21:03.880 --> 1:21:08.240
<v Speaker 1>after Pop I need something right now? I said, I

1:21:08.720 --> 1:21:09.000
<v Speaker 1>seen you.

1:21:09.840 --> 1:21:12.439
<v Speaker 4>You know it's crazy rap Money. I thought it was

1:21:12.520 --> 1:21:14.559
<v Speaker 4>too weird and I put it like in the back

1:21:14.640 --> 1:21:17.439
<v Speaker 4>of the CD for real. I was like, Yo, people

1:21:17.479 --> 1:21:19.080
<v Speaker 4>don't think I'm bugged out, but is.

1:21:19.120 --> 1:21:21.360
<v Speaker 1>This face to face me? No, No, this is on

1:21:21.439 --> 1:21:23.360
<v Speaker 1>the phone. Okay. So he's like, send me, send me

1:21:23.520 --> 1:21:23.840
<v Speaker 1>some money.

1:21:23.920 --> 1:21:26.840
<v Speaker 4>Gives him your number yes, and then he calls you yes,

1:21:27.280 --> 1:21:28.320
<v Speaker 4>and then he says, I'm busting.

1:21:28.439 --> 1:21:31.760
<v Speaker 1>I don't know how busted got my numbers. It's very weird.

1:21:33.640 --> 1:21:35.560
<v Speaker 1>But when he says this is bust the bust, you know,

1:21:35.800 --> 1:21:40.799
<v Speaker 1>no one's imitating. Yes, this is a okay, continue and he's.

1:21:40.680 --> 1:21:44.519
<v Speaker 4>Like, you I need something like that, like what pop

1:21:44.640 --> 1:21:46.479
<v Speaker 4>Champagne or something with.

1:21:46.520 --> 1:21:49.120
<v Speaker 1>That energy he said he referenced pop cham Yeah, yeah, yeah,

1:21:49.120 --> 1:21:50.760
<v Speaker 1>I need but I don't know if he read I

1:21:50.840 --> 1:21:53.519
<v Speaker 1>just need something you knew what it was? Energy? Yeah?

1:21:53.600 --> 1:21:56.760
<v Speaker 4>Yeah, I seen you some joints and then I had

1:21:56.840 --> 1:21:59.040
<v Speaker 4>Pop Champagne on there. I mean a rap money and

1:21:59.320 --> 1:22:00.639
<v Speaker 4>was it called money Yeah?

1:22:00.720 --> 1:22:01.439
<v Speaker 1>Yeah, yeah, okay.

1:22:01.880 --> 1:22:03.519
<v Speaker 4>I said I'm gonna put it in the back because

1:22:03.560 --> 1:22:05.800
<v Speaker 4>I say, people gonna think I'm weird when they hit

1:22:05.840 --> 1:22:08.080
<v Speaker 4>it's like yo. He bugged up as soon as he

1:22:08.200 --> 1:22:09.760
<v Speaker 4>heard that. He's like, Yo, this is my single. I

1:22:09.760 --> 1:22:12.000
<v Speaker 4>don't care what you're saying on the hook. This is

1:22:12.120 --> 1:22:12.639
<v Speaker 4>my single.

1:22:12.800 --> 1:22:16.960
<v Speaker 1>Wait, okay, what are you saying? This was already the

1:22:17.040 --> 1:22:20.320
<v Speaker 1>hook was he was on it, and we definitely don't

1:22:20.320 --> 1:22:21.320
<v Speaker 1>know what then you're saying.

1:22:21.200 --> 1:22:29.600
<v Speaker 4>I was saying nothing at all. It's sounds like you

1:22:29.640 --> 1:22:32.880
<v Speaker 4>spoke something. But let's let's see the hook real quick.

1:22:33.360 --> 1:22:39.040
<v Speaker 1>How does it go? She got a lie? Anybody lie?

1:22:39.439 --> 1:22:53.240
<v Speaker 1>Anybody lie? Did you ever get any back last or

1:22:53.240 --> 1:22:53.799
<v Speaker 1>any niggative?

1:22:55.320 --> 1:22:58.479
<v Speaker 4>I was in Lebanon. I got booked in Lebanon and

1:22:58.600 --> 1:23:02.240
<v Speaker 4>it was like different, there's scared Leon.

1:23:02.760 --> 1:23:03.040
<v Speaker 1>He's like.

1:23:03.240 --> 1:23:05.080
<v Speaker 4>They was like, are you scared? I said, scared of what?

1:23:05.720 --> 1:23:07.880
<v Speaker 4>It was like what you're saying on the song and

1:23:08.000 --> 1:23:11.080
<v Speaker 4>now like y'all y'all locked me up because bo it

1:23:11.200 --> 1:23:14.120
<v Speaker 4>might have seemed like it was blasphemous, like y'all booked.

1:23:13.880 --> 1:23:15.559
<v Speaker 1>Me to be like yeah, we just mounched you up.

1:23:16.240 --> 1:23:18.760
<v Speaker 4>But it's like, yo, we take that offensive. I'm like, no,

1:23:18.960 --> 1:23:20.960
<v Speaker 4>they thought what I was saying we getting era money? Mean,

1:23:21.000 --> 1:23:23.799
<v Speaker 4>like are we taking I was like, no, we're getting

1:23:24.040 --> 1:23:27.479
<v Speaker 4>like that's what they got to fight. I thought you

1:23:27.560 --> 1:23:31.400
<v Speaker 4>were saying in the No, No, it was we're getting around.

1:23:31.400 --> 1:23:33.920
<v Speaker 4>They thought I was saying taking like money from them

1:23:34.040 --> 1:23:34.560
<v Speaker 4>or something like that.

1:23:37.240 --> 1:23:40.280
<v Speaker 1>But then you performed yes, because.

1:23:41.760 --> 1:23:44.599
<v Speaker 4>Yes, but I remember, I remember I was at the airport.

1:23:44.680 --> 1:23:47.920
<v Speaker 4>It's like we're gonna bomb this up, like I'm want

1:23:47.960 --> 1:23:51.880
<v Speaker 4>to fight the flight out anyway, So good luck because

1:23:52.960 --> 1:23:54.680
<v Speaker 4>there was just you know, that's the the you know,

1:23:54.800 --> 1:23:58.440
<v Speaker 4>the Instagram and comment.

1:24:00.080 --> 1:24:08.040
<v Speaker 1>Shot no no bombs. You know, I don't get was

1:24:08.080 --> 1:24:18.080
<v Speaker 1>getting bomb threats. Yeah, actually you're a different type. I

1:24:18.200 --> 1:24:22.120
<v Speaker 1>take another shot Champagne that.

1:24:22.240 --> 1:24:22.400
<v Speaker 4>Yeah.

1:24:22.439 --> 1:24:23.800
<v Speaker 1>But it was like, Yo, this is my single.

1:24:23.880 --> 1:24:26.200
<v Speaker 4>I don't care what you're saying on the hook, but

1:24:26.640 --> 1:24:29.599
<v Speaker 4>bust to say you're not saying nothing on the hook.

1:24:29.760 --> 1:24:32.320
<v Speaker 1>We have to make it a real hook. Then he

1:24:32.439 --> 1:24:35.280
<v Speaker 1>put he linked with Q tip and they said the

1:24:35.400 --> 1:24:38.800
<v Speaker 1>real actual prayer. Oh so then it does say something.

1:24:39.040 --> 1:24:42.000
<v Speaker 4>No, they switched into the actual so when you were

1:24:42.040 --> 1:24:44.920
<v Speaker 4>saying that you weren't saying shot, switched it out and

1:24:45.040 --> 1:24:48.640
<v Speaker 4>then they got backlash from the prayer. So you were

1:24:48.720 --> 1:24:51.240
<v Speaker 4>like the demo version, the remix, they went to the

1:24:51.320 --> 1:24:54.959
<v Speaker 4>real You were like the demo I was the original,

1:24:55.080 --> 1:24:57.040
<v Speaker 4>you know what I'm saying, so but they used your version.

1:24:57.120 --> 1:24:57.719
<v Speaker 1>Yeah, my version.

1:24:57.880 --> 1:25:01.040
<v Speaker 4>First that was what does he say it ain't I'm like,

1:25:01.120 --> 1:25:03.519
<v Speaker 4>I'm not saying nothing really, so then he's like, we

1:25:03.560 --> 1:25:05.679
<v Speaker 4>got to make you say something. They did the actual

1:25:05.840 --> 1:25:10.120
<v Speaker 4>prayer on the remix though, and then they were saying no,

1:25:10.520 --> 1:25:11.520
<v Speaker 4>that's from the backlash.

1:25:11.600 --> 1:25:13.320
<v Speaker 1>I would imagine from the prayer.

1:25:14.160 --> 1:25:15.880
<v Speaker 4>We got to switch you back, switch you back to

1:25:15.920 --> 1:25:17.920
<v Speaker 4>the original, which was my original hook.

1:25:18.439 --> 1:25:19.160
<v Speaker 1>So that happened.

1:25:19.640 --> 1:25:22.720
<v Speaker 4>Yeah, but Bust will be out there every almost every

1:25:22.880 --> 1:25:23.639
<v Speaker 4>every other week.

1:25:23.760 --> 1:25:28.720
<v Speaker 1>What wearing saudy like buying stuff? Yea, Like now you're good.

1:25:28.920 --> 1:25:30.639
<v Speaker 1>I mean, I'm sure you do. You think he's doing

1:25:30.720 --> 1:25:42.400
<v Speaker 1>a rap money out there? It's crazy. I remember.

1:25:42.439 --> 1:25:44.600
<v Speaker 4>I remember Gym was like, you should have kept that

1:25:44.640 --> 1:25:48.120
<v Speaker 4>wreaking for yourself. I was like, I should have, but

1:25:48.160 --> 1:25:49.640
<v Speaker 4>I don't think I would have had the same Like.

1:25:50.320 --> 1:25:54.439
<v Speaker 1>He rap money for your son, you should not. Ye

1:25:55.160 --> 1:25:57.800
<v Speaker 1>he had the whole vision. Yeah, I mean definitely I

1:25:57.840 --> 1:25:58.840
<v Speaker 1>agree with YEA.

1:25:59.240 --> 1:26:02.200
<v Speaker 3>Other than that and Pop Champagne, is there any other

1:26:02.280 --> 1:26:04.439
<v Speaker 3>record that you gave away that you felt like you

1:26:04.479 --> 1:26:05.559
<v Speaker 3>should have kept for yourself?

1:26:07.000 --> 1:26:07.120
<v Speaker 1>Uh?

1:26:09.520 --> 1:26:13.160
<v Speaker 4>Man, I get crazy for Nicki Minaj. That beat is

1:26:13.240 --> 1:26:17.720
<v Speaker 4>like the beat is virable by tell so I'd be like, damn,

1:26:17.720 --> 1:26:19.240
<v Speaker 4>I don't I wish I would have kept that one.

1:26:19.840 --> 1:26:23.120
<v Speaker 1>Mm hmm. Yeah, shout out to Nicki Mina. God damn

1:26:23.240 --> 1:26:26.080
<v Speaker 1>she killed that. Yeah, yeah, she killt that. Big queens.

1:26:26.640 --> 1:26:31.280
<v Speaker 1>Big queens, get a check for me. Hey man, listen,

1:26:31.320 --> 1:26:35.000
<v Speaker 1>it's not like that. So what's the next record after

1:26:35.040 --> 1:26:40.479
<v Speaker 1>a rap money, what's the next one that goes pop champagne? Yeah,

1:26:44.000 --> 1:26:46.280
<v Speaker 1>I want to do my day like Universe and put

1:26:46.320 --> 1:26:49.599
<v Speaker 1>out jumping out the window for sure. So all right,

1:26:49.680 --> 1:26:51.040
<v Speaker 1>so so Universe all coming to you?

1:26:51.320 --> 1:26:55.880
<v Speaker 4>Yeah, they give you that bad Yeah yeah, you ain't

1:26:55.920 --> 1:26:59.760
<v Speaker 4>gotta say yeah, but it's like, yeah it is it

1:26:59.880 --> 1:27:03.400
<v Speaker 4>like like like change your number. But what happened was,

1:27:03.720 --> 1:27:06.120
<v Speaker 4>you know, I caught a check with Universal. I caught

1:27:06.160 --> 1:27:08.599
<v Speaker 4>the check with Jim. I caught the video check. Jim

1:27:08.800 --> 1:27:13.280
<v Speaker 4>was making sure like yo, you're gonna be right. So

1:27:13.320 --> 1:27:16.160
<v Speaker 4>not like it makes sense, let's go, you know what

1:27:16.160 --> 1:27:19.600
<v Speaker 4>I'm saying. So yeah, yeah, shout out to Sylvia. Sylvia

1:27:19.640 --> 1:27:22.240
<v Speaker 4>gave me my Sylvia Wrong gave me my first deal.

1:27:24.800 --> 1:27:37.280
<v Speaker 1>I know, I'm just I'm smoking come on, So Sylvia Wrong.

1:27:37.600 --> 1:27:42.160
<v Speaker 4>Yeah she's still in the music business. Yeah yeah, yeah,

1:27:42.160 --> 1:27:43.599
<v Speaker 4>I think she said, Sony, I believe.

1:27:43.760 --> 1:27:47.439
<v Speaker 2>Okay, what do you think about the music business now?

1:27:47.479 --> 1:27:51.680
<v Speaker 2>Both of you guys, like, uh, I just feel like

1:27:51.720 --> 1:27:56.040
<v Speaker 2>it's no, it's like a free fall. Whoever come up

1:27:56.040 --> 1:27:58.280
<v Speaker 2>with the fastest gimmick, fastest record.

1:27:58.880 --> 1:27:59.920
<v Speaker 1>It's like it's not like.

1:28:01.120 --> 1:28:06.639
<v Speaker 2>It's like effortless almost to me, I mean social media

1:28:06.680 --> 1:28:09.560
<v Speaker 2>and anybody. Anybody can do a record now, Like you

1:28:09.600 --> 1:28:11.719
<v Speaker 2>don't have to put the work into create a record,

1:28:11.760 --> 1:28:12.800
<v Speaker 2>and you don't have to put the work at the

1:28:12.840 --> 1:28:15.320
<v Speaker 2>break a record. All you need is this, which is

1:28:15.320 --> 1:28:17.360
<v Speaker 2>a gifting the curse because it give it gives more

1:28:17.400 --> 1:28:20.519
<v Speaker 2>people opportunity to make money, which is great, but it

1:28:20.600 --> 1:28:21.719
<v Speaker 2>brings the quality of music.

1:28:21.800 --> 1:28:23.240
<v Speaker 5>Now, that's the thing is quite You can make a

1:28:23.280 --> 1:28:26.480
<v Speaker 5>million records easy and then put out a million records easy.

1:28:26.240 --> 1:28:28.840
<v Speaker 1>And yeah, I feel like if you're a dreamer, it's

1:28:28.920 --> 1:28:30.120
<v Speaker 1>amazing for you right now.

1:28:30.840 --> 1:28:32.519
<v Speaker 4>Like you know, you could wake up and be like,

1:28:32.600 --> 1:28:34.360
<v Speaker 4>y'all want to do a video like this and like this,

1:28:34.720 --> 1:28:38.240
<v Speaker 4>and it's possible, and you could put it on your

1:28:38.320 --> 1:28:42.000
<v Speaker 4>dsp an. It's no one saying, you know, I don't

1:28:42.080 --> 1:28:43.320
<v Speaker 4>like that record. You could be like, no, I like

1:28:43.400 --> 1:28:45.880
<v Speaker 4>this record and put it on Friday. I'm shooting video

1:28:45.920 --> 1:28:49.640
<v Speaker 4>on Saturday. It's endless for the dreamers, you know what

1:28:49.640 --> 1:28:52.600
<v Speaker 4>I mean. And because we didn't have that back in

1:28:52.680 --> 1:28:55.880
<v Speaker 4>the day, you know, yeah, all that and then if

1:28:55.880 --> 1:28:57.880
<v Speaker 4>the label didn't like it, it's like, nah, we're dubbing that.

1:28:58.439 --> 1:29:00.880
<v Speaker 1>That's not happening. You know what I mean. So if

1:29:00.920 --> 1:29:02.920
<v Speaker 1>you're a dreamer, is endless for you right now?

1:29:03.040 --> 1:29:03.519
<v Speaker 4>You know what I mean?

1:29:05.000 --> 1:29:08.600
<v Speaker 5>Upheld battle because oversaturation is. But if you nice and

1:29:08.720 --> 1:29:10.960
<v Speaker 5>you get busy and you you got to cut through

1:29:11.000 --> 1:29:13.720
<v Speaker 5>the clutter. You got to cut through the clutters.

1:29:13.120 --> 1:29:15.040
<v Speaker 4>A lot of that's why you got to make them

1:29:15.080 --> 1:29:18.120
<v Speaker 4>records that stand out, that touch people.

1:29:18.200 --> 1:29:21.920
<v Speaker 1>You know. Pause, So what are y'all doing with your album?

1:29:22.040 --> 1:29:25.080
<v Speaker 1>Let's let's let's let's let's let's take it full circle.

1:29:25.720 --> 1:29:29.240
<v Speaker 1>What is the name of y'all? Y'all filming the video right? Oh?

1:29:29.320 --> 1:29:32.120
<v Speaker 4>Shut, Yeah, we got a record called Let's Get Rich

1:29:33.040 --> 1:29:38.840
<v Speaker 4>with Me WebStar mister Cheeks, mister Cheeks.

1:29:38.960 --> 1:29:42.040
<v Speaker 1>The Hardest Mac. Yeah, so yeah, you know what I mean.

1:29:42.280 --> 1:29:45.240
<v Speaker 2>And we just like right now the game is so crazy.

1:29:45.320 --> 1:29:48.320
<v Speaker 2>We just create records, playing records out and just seeing

1:29:48.320 --> 1:29:50.840
<v Speaker 2>where it goes. It's not it's not well throught our

1:29:50.880 --> 1:29:52.080
<v Speaker 2>process like back in the.

1:29:52.120 --> 1:29:54.960
<v Speaker 1>Days when you well that's the luxury of now. Yeah, yeah,

1:29:55.400 --> 1:29:56.120
<v Speaker 1>pressure ain't there.

1:29:56.240 --> 1:29:57.600
<v Speaker 2>We're not going in with the pressure of doing the

1:29:57.640 --> 1:29:59.200
<v Speaker 2>whole album, say we gotta have this, this and this

1:30:00.040 --> 1:30:03.400
<v Speaker 2>and records and then when something started picking up, seeing

1:30:03.400 --> 1:30:04.240
<v Speaker 2>then we'll just go from there.

1:30:04.320 --> 1:30:07.479
<v Speaker 1>You guys living out here. Now, I've seen in Miami.

1:30:07.600 --> 1:30:11.360
<v Speaker 1>I've seen you not that long ago out here man

1:30:12.840 --> 1:30:14.920
<v Speaker 1>that come out to them. And it's crazy. I came

1:30:14.920 --> 1:30:17.360
<v Speaker 1>to the last timer you do another one. That was

1:30:17.400 --> 1:30:19.640
<v Speaker 1>our anniversary. I'll do it again this year. Yeah, but

1:30:19.680 --> 1:30:22.240
<v Speaker 1>I show y'all was out here with my god nepht

1:30:22.439 --> 1:30:23.800
<v Speaker 1>the directing that my god.

1:30:31.160 --> 1:30:36.360
<v Speaker 3>So what's something that you regret in this game? That

1:30:36.640 --> 1:30:39.480
<v Speaker 3>that that you had the opportunity to do necessarily?

1:30:39.880 --> 1:30:44.200
<v Speaker 4>And then you was like, man, maybe not like a mistake, yeah,

1:30:44.439 --> 1:30:46.760
<v Speaker 4>a mistake or maybe even something that you you.

1:30:46.880 --> 1:30:51.360
<v Speaker 2>You spending money stupidly when I got it, not saving it,

1:30:51.439 --> 1:30:53.880
<v Speaker 2>not investing the first time around, like you know, you

1:30:54.200 --> 1:30:56.400
<v Speaker 2>when you come from nothing and you and you and

1:30:56.439 --> 1:30:58.920
<v Speaker 2>you get money for the first time, like you don't

1:30:58.920 --> 1:31:00.360
<v Speaker 2>if you don't got to white people, right, you're gonna

1:31:00.360 --> 1:31:02.519
<v Speaker 2>do the wrong things with the money. So it was like,

1:31:02.600 --> 1:31:04.439
<v Speaker 2>you got a lifestyle, you gotta keep up with you

1:31:04.600 --> 1:31:07.160
<v Speaker 2>on TV, people see you everywhere. You got to keep

1:31:07.200 --> 1:31:09.080
<v Speaker 2>your image up. You might not have no money. I

1:31:09.200 --> 1:31:10.960
<v Speaker 2>was like, when I phrased up my record, I was

1:31:11.080 --> 1:31:13.000
<v Speaker 2>I was broken ship. I spent all my money doing

1:31:13.040 --> 1:31:16.320
<v Speaker 2>some dumb stuff going to strip clubs, buying Jurry Coles carts,

1:31:16.560 --> 1:31:18.680
<v Speaker 2>stuff like that, and I ain't have nothing really to

1:31:18.720 --> 1:31:20.479
<v Speaker 2>show for it. So if I would, if I could

1:31:20.520 --> 1:31:22.200
<v Speaker 2>do anything, I would probably save my money and invest

1:31:22.280 --> 1:31:24.599
<v Speaker 2>it and probably trying to surround myself with people who

1:31:24.720 --> 1:31:26.400
<v Speaker 2>knew the business and how minutes money better?

1:31:26.760 --> 1:31:28.120
<v Speaker 1>Right? How about you bro.

1:31:30.479 --> 1:31:36.439
<v Speaker 4>Being stern on your vision because I came from being

1:31:36.479 --> 1:31:39.559
<v Speaker 4>independent and then getting a deal. Then when you get

1:31:39.600 --> 1:31:44.080
<v Speaker 4>a deal, they kind of at your universal university would

1:31:44.080 --> 1:31:46.760
<v Speaker 4>have gave you a motown, a song deal for you,

1:31:46.960 --> 1:31:47.479
<v Speaker 4>album deal?

1:31:47.560 --> 1:31:50.679
<v Speaker 1>Yeah, as an artist, dost okay, okay.

1:31:51.080 --> 1:31:54.960
<v Speaker 4>Yeah, so you'll start bumping heads with what a label

1:31:55.000 --> 1:31:57.560
<v Speaker 4>for as your vision, you know what I'm saying. So

1:31:59.120 --> 1:32:00.920
<v Speaker 4>there have a vision for you, but you have your

1:32:01.000 --> 1:32:04.800
<v Speaker 4>own vision, and sometimes you kind of play the you

1:32:04.840 --> 1:32:08.840
<v Speaker 4>don't want to ruffle the you know, the feathers. I

1:32:08.880 --> 1:32:12.519
<v Speaker 4>don't know if that's a pause. Yeah, ruffle the feathers

1:32:12.800 --> 1:32:15.640
<v Speaker 4>as far as your their vision and your vision. So

1:32:15.800 --> 1:32:19.200
<v Speaker 4>you'll kind of be like, all right, whatever, y'all. I

1:32:19.320 --> 1:32:21.800
<v Speaker 4>think is that instead of being stern like, nah, this

1:32:21.960 --> 1:32:23.680
<v Speaker 4>is what I'm doing, this is the vision, this is

1:32:23.760 --> 1:32:26.360
<v Speaker 4>how I see it rolling out, So I just kind

1:32:26.400 --> 1:32:30.120
<v Speaker 4>of regret just being stern on my vision when I

1:32:30.280 --> 1:32:31.240
<v Speaker 4>was signed.

1:32:31.720 --> 1:32:33.360
<v Speaker 3>All right, so before y'all get up out of there,

1:32:34.800 --> 1:32:36.200
<v Speaker 3>before they recovered everything.

1:32:35.960 --> 1:32:39.000
<v Speaker 1>If he did covered more than everything, please please let

1:32:39.080 --> 1:32:46.720
<v Speaker 1>us know at the fucking time. But let me just

1:32:46.800 --> 1:32:50.759
<v Speaker 1>tell ya something. Both of y'all controlled New York City summers.

1:32:51.200 --> 1:32:54.240
<v Speaker 4>Yeah, absolutely, when New York City summers meant something.

1:32:54.560 --> 1:32:57.000
<v Speaker 1>And that's what I mean by that. You know, God

1:32:57.080 --> 1:33:01.360
<v Speaker 1>bless y'all the rest of the country, Big Gip.

1:33:01.560 --> 1:33:04.920
<v Speaker 3>I look at Big Gip everything that Big Gip ever says,

1:33:05.560 --> 1:33:08.800
<v Speaker 3>and he has a bigger burden about New York than

1:33:08.880 --> 1:33:09.240
<v Speaker 3>even you.

1:33:09.760 --> 1:33:12.479
<v Speaker 1>Don't burden, bro, it's not the right word. I think

1:33:12.520 --> 1:33:15.439
<v Speaker 1>it's just chip is. We're not hating. We're telling you

1:33:15.640 --> 1:33:19.080
<v Speaker 1>historical facts. I know I'm hating that. You're you're hating it.

1:33:19.160 --> 1:33:22.160
<v Speaker 1>The facts are facts. Nope, that's what I'm hating that, y'all.

1:33:22.280 --> 1:33:25.800
<v Speaker 4>Y'all just remember when we just pre doominated everybody, And

1:33:25.960 --> 1:33:28.160
<v Speaker 4>I don't It doesn't have to do the time that

1:33:28.240 --> 1:33:31.040
<v Speaker 4>he's talking about maybe going back ebonics.

1:33:31.240 --> 1:33:34.280
<v Speaker 1>Maybe he third that that's still that era.

1:33:35.080 --> 1:33:37.519
<v Speaker 3>But okay, let me get back to my point both

1:33:37.560 --> 1:33:40.280
<v Speaker 3>for your brothers controlled. When you control the summer in

1:33:40.400 --> 1:33:48.200
<v Speaker 3>New York, it's like controlling the summer in all nine planets.

1:33:49.439 --> 1:33:50.479
<v Speaker 1>At least at that time.

1:33:50.960 --> 1:33:54.719
<v Speaker 4>Now, it doesn't matter if you control you know, summer anywhere,

1:33:54.760 --> 1:33:56.400
<v Speaker 4>it doesn't matter, you know what I mean.

1:33:56.880 --> 1:34:01.200
<v Speaker 1>But right back then, yeah, not like that guy in

1:34:01.360 --> 1:34:03.400
<v Speaker 1>my day, I mean where that is?

1:34:04.040 --> 1:34:10.880
<v Speaker 3>Yeah, definitely it but chicken little suit destroyed. And then

1:34:10.920 --> 1:34:14.720
<v Speaker 3>what's dancing army? And then you guys with all of

1:34:14.760 --> 1:34:20.360
<v Speaker 3>your records, y'all Controy controlled new York, controlled New York,

1:34:20.560 --> 1:34:26.519
<v Speaker 3>summers New York at that time, or controlling the world. Yeah,

1:34:27.760 --> 1:34:30.160
<v Speaker 3>how does it feel to be that number one producer

1:34:30.320 --> 1:34:35.800
<v Speaker 3>slash you know, uh influencer, that's the first influencer.

1:34:36.280 --> 1:34:39.680
<v Speaker 1>How does it feel? I'll start with you first.

1:34:40.840 --> 1:34:44.439
<v Speaker 2>Honestly, like you know, we don't really think I mean

1:34:44.520 --> 1:34:46.680
<v Speaker 2>coming from I'm gonna speak for you a little bit too,

1:34:47.000 --> 1:34:50.559
<v Speaker 2>like like like the neighborhoods we come from, Like nobody

1:34:50.640 --> 1:34:52.360
<v Speaker 2>makes it from where we come from. Like it's like

1:34:52.840 --> 1:34:56.160
<v Speaker 2>he's either like like like say, you know you staying

1:34:56.240 --> 1:34:58.840
<v Speaker 2>crackrock you we can jump shot. It ain't nobody you

1:34:58.880 --> 1:35:01.439
<v Speaker 2>don't believe you can do it, So I believe we

1:35:01.600 --> 1:35:03.320
<v Speaker 2>was doing it. We wasn't even thinking about that. We

1:35:03.439 --> 1:35:05.160
<v Speaker 2>was just living in a moment and it kind of

1:35:05.200 --> 1:35:07.559
<v Speaker 2>just happened organically. We was able to have our moment

1:35:07.600 --> 1:35:10.600
<v Speaker 2>because we never got a chance to really imagine that

1:35:10.720 --> 1:35:12.360
<v Speaker 2>something that this could happen. This is why I was

1:35:12.400 --> 1:35:14.200
<v Speaker 2>going back to saying, like, this is why when you're

1:35:14.200 --> 1:35:16.040
<v Speaker 2>living in the moment, you're not thinking about you can't

1:35:16.080 --> 1:35:18.720
<v Speaker 2>prepare for it. You can't like there's no preparation for

1:35:18.800 --> 1:35:21.040
<v Speaker 2>its expect before, or you got somebody with you that

1:35:21.120 --> 1:35:22.400
<v Speaker 2>you love that's did it before.

1:35:22.560 --> 1:35:23.720
<v Speaker 1>So it's the best feeling in the world.

1:35:23.800 --> 1:35:25.840
<v Speaker 2>It's like, there's nothing like New York in the world,

1:35:25.880 --> 1:35:28.679
<v Speaker 2>and it's the hardest market of conquer during that time, especially,

1:35:28.680 --> 1:35:29.200
<v Speaker 2>you know what I'm saying.

1:35:29.520 --> 1:35:31.840
<v Speaker 1>So I feel like it's just an amazing feeling. Do

1:35:31.920 --> 1:35:33.599
<v Speaker 1>you still know how to do the chicken roo stew?

1:35:34.160 --> 1:35:35.720
<v Speaker 1>I never knew how to do it. You never knew

1:35:35.760 --> 1:35:38.400
<v Speaker 1>how to I can't do a little bit. I can't

1:35:38.560 --> 1:35:40.200
<v Speaker 1>because that rain and I can clear it out. That's

1:35:43.120 --> 1:35:46.280
<v Speaker 1>why nigga trying to be this. This is these niggas.

1:35:46.320 --> 1:35:53.160
<v Speaker 1>Now is the biggest moment in your life. Got to

1:35:53.160 --> 1:35:54.680
<v Speaker 1>do it together with me. We gotta letter rate and

1:35:54.720 --> 1:35:55.640
<v Speaker 1>then we gotta clear it out.

1:35:56.439 --> 1:35:59.080
<v Speaker 3>We gotta we gotta see you demonstrate it first. I

1:35:59.240 --> 1:36:00.800
<v Speaker 3>just tell you it's like it's like it's like the

1:36:00.840 --> 1:36:03.160
<v Speaker 3>electric side. Somebody gotta started off.

1:36:03.600 --> 1:36:06.320
<v Speaker 1>Yeah, yeah, yeah yeah, and then we you know what

1:36:06.360 --> 1:36:09.360
<v Speaker 1>I mean, come on, started off? So show shows? How

1:36:09.360 --> 1:36:12.200
<v Speaker 1>did how did Chicken to the Soup? Start? What you mean?

1:36:12.240 --> 1:36:17.719
<v Speaker 1>How was you know? The dance and some of the stuff.

1:36:19.200 --> 1:36:21.559
<v Speaker 1>You know, I can just let it ready, man, millions

1:36:21.600 --> 1:36:21.920
<v Speaker 1>of dollars.

1:36:26.720 --> 1:36:30.120
<v Speaker 9>You don't you know what the only little kids was

1:36:30.160 --> 1:36:30.519
<v Speaker 9>out here?

1:36:30.600 --> 1:36:32.720
<v Speaker 1>The chicken new the suit, I don't take the suit

1:36:32.760 --> 1:36:35.439
<v Speaker 1>with a soda on the side. Do everything. I don't

1:36:35.479 --> 1:36:37.200
<v Speaker 1>know how you didn't dance.

1:36:37.320 --> 1:36:45.920
<v Speaker 9>We should make annoyse that, like, come, you know how

1:36:45.920 --> 1:36:46.439
<v Speaker 9>to do the dance?

1:36:46.520 --> 1:36:49.720
<v Speaker 1>Somebody do sit down and do the dance. Come on,

1:36:49.960 --> 1:36:58.280
<v Speaker 1>he just did. I just did the sons Manny my money.

1:36:58.520 --> 1:37:05.760
<v Speaker 1>That got damning with you. I'm fucking with you. I'm

1:37:06.800 --> 1:37:14.519
<v Speaker 1>with you. I mean a money dance. Yeah that's very easy. Yeah,

1:37:14.840 --> 1:37:17.080
<v Speaker 1>that's very easy. I know how to do that too.

1:37:19.280 --> 1:37:21.200
<v Speaker 4>We all did it in the in the remix video.

1:37:22.160 --> 1:37:27.160
<v Speaker 4>God damn before we get out rotate Rota. Yes, thank

1:37:27.240 --> 1:37:29.920
<v Speaker 4>you very much, my brother very much.

1:37:30.000 --> 1:37:35.200
<v Speaker 5>No, before you, I do want to say something that

1:37:35.479 --> 1:37:38.000
<v Speaker 5>about that record. That And I don't know if Nor

1:37:38.080 --> 1:37:39.400
<v Speaker 5>would say it the way I would say, but this

1:37:39.439 --> 1:37:41.519
<v Speaker 5>is when you kind of were coming out of hip

1:37:41.560 --> 1:37:42.280
<v Speaker 5>hop purgatory.

1:37:42.400 --> 1:37:43.879
<v Speaker 1>It's purgatory. It's purgatory.

1:37:43.960 --> 1:37:45.920
<v Speaker 5>And he was working with This is like the beginnings

1:37:45.960 --> 1:37:49.320
<v Speaker 5>of when the drink Champs was manifesting.

1:37:49.479 --> 1:37:51.840
<v Speaker 1>We were down South and South Miami and Kendall.

1:37:51.600 --> 1:37:55.679
<v Speaker 5>To be exact, and you you were burning hot yep,

1:37:56.160 --> 1:37:57.879
<v Speaker 5>and you facilitated that record.

1:37:57.680 --> 1:37:58.479
<v Speaker 1>To your buster.

1:37:58.640 --> 1:38:00.280
<v Speaker 4>Buster came to me, He's like, we got come home

1:38:00.360 --> 1:38:07.400
<v Speaker 4>something for Nor and that's dope. Yeah for real, that's

1:38:07.439 --> 1:38:11.960
<v Speaker 4>not a different idea. Yes, He's like like the fire

1:38:12.000 --> 1:38:17.479
<v Speaker 4>trucks is coming to sun No. And I said, let

1:38:17.560 --> 1:38:19.920
<v Speaker 4>me let me do the houg bus. Yes, yes, and

1:38:20.280 --> 1:38:24.400
<v Speaker 4>I came up with rot that's it. Yeah, thank you

1:38:24.560 --> 1:38:24.880
<v Speaker 4>very much.

1:38:26.040 --> 1:38:28.640
<v Speaker 1>I know you think you Let me say you thank you.

1:38:28.920 --> 1:38:30.080
<v Speaker 1>Let me tell you thank you too.

1:38:33.400 --> 1:38:43.640
<v Speaker 2>We got yo, I got fournishing you okayiously, No, I

1:38:43.760 --> 1:38:45.880
<v Speaker 2>want to say this shot you get a shot, you

1:38:45.880 --> 1:38:49.280
<v Speaker 2>get a shot, get a shot ahead, give me quickly

1:38:49.360 --> 1:38:52.160
<v Speaker 2>and I want to say that I'm working right now

1:38:52.640 --> 1:38:56.000
<v Speaker 2>on the documentary with uh when mons let Man, Mike

1:38:56.040 --> 1:39:00.479
<v Speaker 2>Willing and and pedigation on another tunnel, working on documentary

1:39:00.520 --> 1:39:01.000
<v Speaker 2>with a tunnel.

1:39:01.160 --> 1:39:04.040
<v Speaker 1>I heard about this. Actually, yeah, I got footage. If

1:39:04.080 --> 1:39:06.040
<v Speaker 1>you want stage performing in the tunnel, that's not me

1:39:06.120 --> 1:39:09.280
<v Speaker 1>to jumbo stage. No, it's no, no, it's not sure.

1:39:09.360 --> 1:39:10.000
<v Speaker 1>It's compone.

1:39:10.120 --> 1:39:10.320
<v Speaker 7>Yeah.

1:39:10.560 --> 1:39:13.400
<v Speaker 2>Somebody through shim pain over and he's jumping and crowd.

1:39:13.400 --> 1:39:16.680
<v Speaker 1>You have to be kept performing. Yeah you did, yeah, no, no, no, no,

1:39:17.320 --> 1:39:18.840
<v Speaker 1>that's not what you did. I got to put out

1:39:18.880 --> 1:39:24.759
<v Speaker 1>watching it. What do you do? Somebody through somebody, somebody

1:39:24.800 --> 1:39:25.560
<v Speaker 1>through ship pain on.

1:39:25.640 --> 1:39:29.320
<v Speaker 2>The composers jumped in, the crowd started trying. Then they

1:39:29.360 --> 1:39:31.400
<v Speaker 2>got through something on them and nobody saying, you know.

1:39:31.479 --> 1:39:34.000
<v Speaker 1>We had about five thousand niggas on stage. He said

1:39:34.000 --> 1:39:40.519
<v Speaker 1>go get them and did get you. Yeah, niggas win

1:39:40.600 --> 1:39:42.639
<v Speaker 1>the crowd and then I can pull back on stage

1:39:42.640 --> 1:39:45.080
<v Speaker 1>and then they finished for me. That's dope. I ain't

1:39:45.080 --> 1:39:52.040
<v Speaker 1>know you was that powerful side. I don't remember, not one.

1:39:54.600 --> 1:39:56.680
<v Speaker 1>Go get out here with I remember that version here

1:39:56.720 --> 1:39:59.360
<v Speaker 1>with Lego a lego, now you know what I mean?

1:39:59.560 --> 1:40:01.360
<v Speaker 1>Like I don't know what you're talking about, you know,

1:40:01.640 --> 1:40:07.920
<v Speaker 1>you know, let you man think a picture before you

1:40:08.080 --> 1:40:10.439
<v Speaker 1>get about it. Here man, you get your your flowers,

1:40:10.439 --> 1:40:12.639
<v Speaker 1>but we wanted to make sure is anything that you'll

1:40:12.640 --> 1:40:14.320
<v Speaker 1>forgot that you want to tell y'all fast before we

1:40:14.360 --> 1:40:14.640
<v Speaker 1>get up.

1:40:14.640 --> 1:40:17.280
<v Speaker 4>Oh yeah, yeah, man, I got to Eat the Gang

1:40:17.400 --> 1:40:21.679
<v Speaker 4>Volume one coming this summer with my guy mag Double

1:40:21.760 --> 1:40:24.280
<v Speaker 4>Low Wolf and shout out to the guy. So Eat

1:40:24.320 --> 1:40:25.240
<v Speaker 4>the Gang Volume one.

1:40:26.320 --> 1:40:29.400
<v Speaker 1>Yeah, okay, yeah, and Max your artists because yeah, yeah

1:40:29.400 --> 1:40:31.160
<v Speaker 1>you're ma ma man. Okay, yeah.

1:40:31.160 --> 1:40:32.599
<v Speaker 2>I just want to just first I want to thank

1:40:32.680 --> 1:40:35.320
<v Speaker 2>both of you guys for embrace every Timmer kind of Miami.

1:40:35.439 --> 1:40:39.040
<v Speaker 2>I see you embrace me always like you took care

1:40:39.040 --> 1:40:40.720
<v Speaker 2>of me with your family, and I want to thank

1:40:40.720 --> 1:40:41.000
<v Speaker 2>you for that.

1:40:41.200 --> 1:40:41.479
<v Speaker 1>Let's go.

1:40:42.120 --> 1:40:44.840
<v Speaker 2>I just want to say the Tunnel documentary. I'm working

1:40:44.880 --> 1:40:47.839
<v Speaker 2>on another called Batty Gang, and I'm working.

1:40:47.640 --> 1:40:54.160
<v Speaker 1>With Hello bat What's up about what happened? Thank you?

1:41:00.640 --> 1:41:04.960
<v Speaker 1>It's a reality show about female babs.

1:41:05.040 --> 1:41:09.599
<v Speaker 2>Just here the Gumbos Luca Lex we're working on. Yeah, yeah, yeah,

1:41:09.600 --> 1:41:10.760
<v Speaker 2>we're going on the show to give us well with

1:41:10.840 --> 1:41:12.600
<v Speaker 2>them and then yeah we had That's it.

1:41:12.760 --> 1:41:14.840
<v Speaker 1>That's pretty much it. Just thank you out you know

1:41:15.760 --> 1:41:19.240
<v Speaker 1>I'm coming through. I appreciate absolutely. Let's take it.

1:41:19.280 --> 1:41:25.160
<v Speaker 7>Oh we did a shout already, Yeah we did.

1:41:26.400 --> 1:41:27.000
<v Speaker 1>Let's do another one.

1:41:28.439 --> 1:41:31.759
<v Speaker 5>Drink Champs is a drink Champs ll C production hosts

1:41:31.800 --> 1:41:34.640
<v Speaker 5>and executive producers n O r E and d j

1:41:34.840 --> 1:41:35.400
<v Speaker 5>e f FN.

1:41:36.560 --> 1:41:37.360
<v Speaker 1>Listen to Drink.

1:41:37.240 --> 1:41:41.519
<v Speaker 5>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1:41:41.680 --> 1:41:45.439
<v Speaker 5>get your podcasts. Thanks for joining us for another episode

1:41:45.479 --> 1:41:47.840
<v Speaker 5>of drink Champs hosted by yours truly, d j e

1:41:48.080 --> 1:41:50.320
<v Speaker 5>f N and n O r E. Please make sure

1:41:50.360 --> 1:41:52.639
<v Speaker 5>to follow us on all our socials that's at drink

1:41:52.720 --> 1:41:55.960
<v Speaker 5>Champs across all platforms, at the Real nor Reagon, I

1:41:56.120 --> 1:42:00.080
<v Speaker 5>g at Noriega on Twitter, mineus at Who's Crazy on

1:42:00.200 --> 1:42:03.280
<v Speaker 5>I g at dj e f N on Twitter, and

1:42:03.400 --> 1:42:05.799
<v Speaker 5>most importantly, stay up to date with the latest releases,

1:42:06.200 --> 1:42:09.360
<v Speaker 5>news and merch by going to drink champs dot com