Speaker 1: He is drink chess, motherfucking podcast man.
Speaker 2: He's a legendary queen's rapper. He ain't agreed that your
Speaker 2: boy in O R E D's a Miami hip hop
Speaker 2: pioneer p up as DJ.
Speaker 1: E f N. Together they drink it up with some
Speaker 1: of the biggest players, you know what I mean, and.
Speaker 2: The most professional, unprofessional podcast and your number one source
Speaker 2: for drunk d chansy days New Year.
Speaker 1: C that's it's time for drink champions. Drink up, mother,
Speaker 1: would it gonna be? Hope? Swishing me? Your boy n
Speaker 1: A O N A A.
Speaker 3: What up is d J e f N like through
Speaker 3: the Spanish real quick a little bit. We gotta arguably
Speaker 3: one of the best producer of all times. These guys have,
Speaker 3: both of them, have controlled Summers, has controlled my summer,
Speaker 3: Summers Summer, Harriet.
Speaker 1: This guy's got a hot hand.
Speaker 4: They head together making I think they making an album.
Speaker 1: We're not sure they making from the time. It's about
Speaker 1: goddamn time because New York City have been waiting for it.
Speaker 3: The motherfucker mag Limmerson Dynamic Duo Right now, motherfucker brow.
Speaker 1: Now, I gotta off top. We gotta give y'all bottle
Speaker 1: on Champagne. You know what I'm saying. Yeah, let's get
Speaker 1: let's give him the cold ones you want. You wanna
Speaker 1: start with Champagne, even though I feel like you want
Speaker 1: to Killer Guy, Bahamas, Bahamas, but you proper Champagne. I'm
Speaker 1: doing what you're doing, okay, all right? Cool?
Speaker 2: Cool, cool?
Speaker 1: You sure? I feel like you avaka guy. I'm doing
Speaker 1: what you're doing, all right? Cool on whatever you do,
Speaker 1: Popper Champagne.
Speaker 3: So let me ask you because that's that record right there,
Speaker 3: that's one of my favorite records of all times.
Speaker 1: It's one of the rec is that I hear.
Speaker 3: You know here, you always you there's always a record
Speaker 3: that you hear and be like, man, I wish I.
Speaker 1: Made that ship.
Speaker 3: That's one of those records for me because I really
Speaker 3: Pop Champagne. You just had uh the homie on the phone,
Speaker 3: and you know that's That's what our section of Queen's
Speaker 3: is about. It's about Pop and Champagne. Bring all three.
Speaker 3: We're giving them all their own bottle. Oh yeah, yeah,
Speaker 3: yeah yeah. Don't don't waste my ship.
Speaker 1: Don't waste my ship.
Speaker 3: So so let's let's let's describe that real quick brows.
Speaker 4: That record was yours at first. Yeah, okay, so how
Speaker 4: does happen? Uh, you know, trying to learn auto tune? Okay,
Speaker 4: I created it was in the crib creating this beat,
Speaker 4: and I didn't really know how to work the auto
Speaker 4: tune like that. So that's why I'm pop Champagne. You
Speaker 4: hear the clear out of the drums. I didn't really
Speaker 4: know how to people. You know, I don't know how
Speaker 4: to work the auto tune and.
Speaker 5: How early what years is? Because Way was just really
Speaker 5: getting big at the time. Yeah.
Speaker 4: Yeah, I kind of actually heard fifty cent I'm a rider,
Speaker 4: That's who I got the idea for. I'm like, yo,
Speaker 4: I'm gonna do a party record like that, okay, And people.
Speaker 1: Were picking the talking about the pop campaign part.
Speaker 4: I'm telling you the orderto P because that's what okay, okay,
Speaker 4: that's how pop. People were picking dark beats from me.
Speaker 4: So I'm like, I gotta.
Speaker 3: Do it because yeah, we'll get back to that.
Speaker 4: Yeah, you a party beat because they was picking dark
Speaker 4: beats for me, I'm like, I need a single, you
Speaker 4: know what I mean. I was getting the h like
Speaker 4: the album cuts, so you know, I created that record
Speaker 4: a couple couple of my dudes was like, Yo, that's fire.
Speaker 4: Brung it up to DJ Enough and he was like, Yo,
Speaker 4: this joint is crazy.
Speaker 1: Wait a minute, so you bring into enoughing Enough play
Speaker 1: that on the radio. Yeah, I was your version. Yeah,
Speaker 1: it was just by myself. Continue and yeah it was.
Speaker 4: It was just by myself because I was bringing the
Speaker 4: records and he was like, nah, it ain't it.
Speaker 1: Dang't it. Then when I brung that joint, he was like, Yo,
Speaker 1: that's it.
Speaker 4: And then uh, I've seen gym outside No, no, just
Speaker 4: like outside New York when the clubs.
Speaker 1: Yeah.
Speaker 4: Yeah, he was like, y'all heard that joint. That's like
Speaker 4: you want to get on the remix? He was like, yeah,
Speaker 4: that's how we went to the studio and got it done.
Speaker 1: Yeah.
Speaker 3: Just give everybody their own bottle. Yeah, you get everybody
Speaker 3: their own bottle. This is you know what I mean?
Speaker 1: Yeah? Yeah, yeah, yeah, absolutely, yes, yes, yes, solo sold
Speaker 1: sold So we don't know if you know, but our
Speaker 1: show was about giving people their flowers. Give you all
Speaker 1: your motherfucker flowers while y'all can smell them, while you
Speaker 1: can think them and you drink or you can drink them.
Speaker 3: So let'st's just start it off early, man, Let's give
Speaker 3: them these more buckers. They flowers.
Speaker 1: God damn it. Hell yeah hell yea.
Speaker 2: Fire, yes, yes, thank you.
Speaker 3: But fine website. You you are island DJ Opera. Yes,
Speaker 3: you'll be everywhere. I ran to see you a few times. Yes,
Speaker 3: I can't go to the like the Risk Islands.
Speaker 4: You go to, okay, because every week hey man, hey man,
Speaker 4: hey man.
Speaker 1: That's photo shop. Photo shop. But how did you well,
Speaker 1: you're a DJ Pryor. I mean, I know it's DJ WebStar,
Speaker 1: but you know a lot of people have that DJ
Speaker 1: name and and really wasn't Djail you know what I'm.
Speaker 4: Saying, Like doctor Drake is not really a doctor.
Speaker 1: You know what I mean. I don't know if you don't. Yeah,
Speaker 1: but you was, so he was the DJ before you was.
Speaker 4: Yeah.
Speaker 1: So I come home with the bottles that's in there.
Speaker 3: Yeah, okay, all right, cool, I shouldn't put those bottles
Speaker 3: here because I want I want them to have their bottles.
Speaker 1: Next to them. You know what I'm saying. I'm sorry. Yeah.
Speaker 2: So I come from a block horse Spiller Hill Scriller
Speaker 2: in Harlem, and okay, DJ s Ands was like living
Speaker 2: in the next building. Yeah, Like so I grew up
Speaker 2: watching him through the parties, and and you know he
Speaker 2: used to giveaways. He used to give away fifty four
Speaker 2: elevens so boxy.
Speaker 1: He do team party.
Speaker 2: So when I became of age, I started doing the
Speaker 2: same kind of thing I used to be, like products
Speaker 2: and different things like Nikeople and all that.
Speaker 1: And I started DJing my own party. I knew it
Speaker 1: was coming. I still yeah, yeah, I started DJing good in.
Speaker 2: About my twelfth grade in hospital, about two thousand and
Speaker 2: two thousand and one, okay, And then from me, I
Speaker 2: just started breaking my own records at my party. I
Speaker 2: just started feeding records and smart and then and then,
Speaker 2: you know, since I had the crowd coming to see me,
Speaker 2: I said, you know, I broke chicken new soups at
Speaker 2: one of my team parties, and and the rest.
Speaker 1: Is like history.
Speaker 2: From there, I started getting too music from I because
Speaker 2: I wasn't really even doing music.
Speaker 1: You know, it's funny. I thought about you the other day,
Speaker 1: and it's crazy you hit me, but I was going
Speaker 1: to hit you. This is cool called Real Crew.
Speaker 3: Uh we run uptown right, and how they how they
Speaker 3: stretch It's the chicken noodle soup they do.
Speaker 1: The dance, but they stretch it. It's like the most
Speaker 1: amazing ship loads. Yeah yeah, yeah, yes, yeah, yes, yeah,
Speaker 1: yeah yeah. I have your bottles. You know what I'm saying.
Speaker 1: Three people from we got over here.
Speaker 4: Yeah, you know, flaps bottles when you drinking it low.
Speaker 3: She'll come over here, said, you know what I mean.
Speaker 3: That's Jamie Man. She went the show demonstration.
Speaker 1: Thank you, Jami, so ahead. Yeah.
Speaker 2: So, like I started at the top of the year,
Speaker 2: I started, I was going one hundred days right with
Speaker 2: no alcohol.
Speaker 1: Top of the year. He was doing dry January. That's
Speaker 1: what somebody said, dr January. Yeah, I was doing that,
Speaker 1: and then.
Speaker 2: You know, we were talking about doing this for a
Speaker 2: minute and then as soon as I go on my
Speaker 2: one hundred day detos coming you.
Speaker 1: Want to do this?
Speaker 3: So so what do you now? Let's be clear, you
Speaker 3: produced ticket in the soup.
Speaker 1: Right, Yeah, so I held right in I produced it. Yeah, okay,
Speaker 1: So it's.
Speaker 2: Kind of similar. Like my staff back then was pretty
Speaker 2: much the same thing, like like how Cali does it?
Speaker 2: You know, I had like tea on the tail, I
Speaker 2: had Bianca, I had you know, t rexsmen move wrong
Speaker 2: brown help me producers. Right, So I just I got
Speaker 2: all my friends together that what's what's.
Speaker 3: The girl from Queen's Girl from Queen Oh Beautyty she came.
Speaker 2: She came a little bit after I started Chickenoso because
Speaker 2: you know me, Bonca had that little fallout, so I
Speaker 2: had to find another female artist.
Speaker 1: So so she hat to be Brutie. She to.
Speaker 2: We're all good, we're all family now and all that.
Speaker 2: But yeah, so I pretty much put a compilation not
Speaker 2: together for my first album, just just highlighting all the
Speaker 2: people in all them who had talent, who I was
Speaker 2: friends with, and then you know, that's what it.
Speaker 1: So I produced all the records and.
Speaker 2: Got Browns help me to produce some of them, and yeah,
Speaker 2: that's pretty much it.
Speaker 3: So let me ask a million dollar question. It's female
Speaker 3: artists harder to work with.
Speaker 1: Absolutely. You know, you got to think about it.
Speaker 2: How many record labels you know got more than one
Speaker 2: female artists on it, or how many female artists you
Speaker 2: have ever seen break another female artist?
Speaker 1: It's just don't happen, think about it. That's a that's
Speaker 1: a good point.
Speaker 3: The first point is because a lot of them can't
Speaker 3: afford heir makeup.
Speaker 1: Yeah.
Speaker 4: The second is, like you know, talking about regulation yeah,
Speaker 4: but that's a part of the process.
Speaker 1: Yeah, yeah.
Speaker 3: But the second one, how many female artists put on
Speaker 3: another female artist.
Speaker 1: I'm trying to think it don't happen. I've seen Foxy
Speaker 1: put on he was under about it, think about it.
Speaker 2: But sweat all the famous, rich female artists we have,
Speaker 2: and none of them ever said I'm gonna put out
Speaker 2: another female artist on my leg.
Speaker 1: Directly under that right here, this is my artist, right yeah,
Speaker 1: I haven't really And if you.
Speaker 2: Think about it, like business wise, that'd be that'd be
Speaker 2: a small business move because you're already inhaerited your fan
Speaker 2: base if you put somebody younger.
Speaker 1: But females don't like to work with other females.
Speaker 3: It's just respectfully to women, right, respectfully, there's something certain
Speaker 3: male artists that you work with and be like, I
Speaker 3: don't want to work with artists periody.
Speaker 1: So is it really just a ladies thing or is
Speaker 1: it more of a diva a diva dawn thing, don
Speaker 1: diva thing? How about that? I'm the honest with you.
Speaker 2: I think it's the ladiest thing because we never seen it, right,
Speaker 2: you know what I'm saying, We never seen it. Like
Speaker 2: even if you don't like, you know, we see males
Speaker 2: pulling on all the males, see males putting on females, but.
Speaker 3: Didn't Beyonce put on Halle Berry, Helly Bailey, Chloe, and
Speaker 3: Chloe Chloe Chloe.
Speaker 1: Yeah, I didn't be one. I don't know you co signed.
Speaker 1: The more I mean, you could go back for help,
Speaker 1: money love put money.
Speaker 2: Yeah yeah, okay, I mean but look after you gotta
Speaker 2: go back the game is ring, the game is ring,
Speaker 2: go back to be like you gotta give credit.
Speaker 1: To you right to That's that's like my that's like
Speaker 1: my mom. Yeah, but yeah, yeah, it just don't happen
Speaker 1: that way, you know what I'm saying.
Speaker 2: So it's just like I just feel like, you know,
Speaker 2: when the female get the lights, she wants the light
Speaker 2: for herself most of the time. But I would love
Speaker 2: to see some female artists get together and bring out
Speaker 2: some younger female artists and like bridge the gap between
Speaker 2: the young and Oh that's why. So it's a gap
Speaker 2: between either it's two ratchet or too old. There's never
Speaker 2: no medium for the female.
Speaker 5: Like glow Riller with MC light, the way you put
Speaker 5: that together doesn't make sense.
Speaker 1: She makes it.
Speaker 4: Like something like that. So so brows. What are you prefer.
Speaker 3: Being an artist, be in the front of the camera
Speaker 3: or being behind the camera.
Speaker 4: Well, in front of the camera got me to be
Speaker 4: able to tour and see the world. And I just
Speaker 4: like the creative process of making an artist sound hot.
Speaker 4: So I like that part. But being an artist, man,
Speaker 4: you get to travel, you get all.
Speaker 1: The perks, right, So you want to be an artist.
Speaker 4: Yeah, so you had a chance to pick one, you
Speaker 4: would pick the artist.
Speaker 1: Yeah, okay, you get to see more.
Speaker 2: Man, this nigga did the most of the most legendary
Speaker 2: beasts of all time.
Speaker 1: Niggas did the bondis for for.
Speaker 4: Yeah, I'm doing that from the crib though, Like I
Speaker 4: get as an artist, I got to go to Japan,
Speaker 4: go to Africa, I went to I've seen a lot
Speaker 4: of places. So yeah, as a producer, you get you
Speaker 4: just staying in crib and create.
Speaker 1: With the place you have the most pussy act.
Speaker 6: New York Okay, but you know I love overseas though, Yeah,
Speaker 6: over seas overseas with Japan, long time, like France, France, Okay,
Speaker 6: you know cons and all that.
Speaker 3: Okay, yeah that water France. Parents don't wear them. I
Speaker 3: don't mind my niggas.
Speaker 4: You know what I'm stand Yeah, like some at some
Speaker 4: point I think I'm gonna stop wearing. I'm like I
Speaker 4: want that other ship cargo.
Speaker 1: Yes, I see the s car go, Yes I do.
Speaker 3: So what's your favorite place to perform at?
Speaker 1: Bahamas? Bahamas?
Speaker 2: Okay, yeah, yeah, I love the Bahamas. I got a
Speaker 2: residency out there, so I'm out there like talk to
Speaker 2: you like like eight times a year.
Speaker 1: Okay. It was matter of fact, when.
Speaker 2: I raned you, it was like the anniversary of drink Sham.
Speaker 1: That's right. Yeah, we had a good time.
Speaker 2: You actually extended your state so you can come to
Speaker 2: I appreciate that. Yeah, yeah, Muhamads.
Speaker 3: Who's an artist you got to work with and and
Speaker 3: you were kind of like disappointed or they didn't they
Speaker 3: didn't meet the standards.
Speaker 4: No, I feel like every artist I work with this
Speaker 4: document Nas Nikki hey By, they all them drinks?
Speaker 1: Was was his? Okay, So like I was gonna wait
Speaker 1: for it, but it all right. You get this call
Speaker 1: from Nas.
Speaker 3: Is this your first big call or you had you
Speaker 3: had already did the Bonyx. So what was your biggest
Speaker 3: record besides that before that?
Speaker 7: He bony Yeah, yeah, this is ak so you can
Speaker 7: just call from Nas.
Speaker 1: Yeah, what does he say to you? Yeah, I want
Speaker 1: you to come here. What I did to the record? Okay, okay, wait,
Speaker 1: you got the record too, right the way I love it? Okay,
Speaker 1: hold on, So.
Speaker 4: You got to get the record to him first? How
Speaker 4: does the record get to him? At that time in
Speaker 4: New York City? You had to be a known producer.
Speaker 4: Swiss was running it, Timberland, Pharrell shout out to Greece.
Speaker 4: They were they were getting busy, so when I was
Speaker 4: making my rounds, you had to kind of give it
Speaker 4: to somebody's uh yeah. And also we kind of me
Speaker 4: and my manager at the time for us snugget to
Speaker 4: his travel agent. Oh wow, travel agent you know, delivered
Speaker 4: the CD. It's about thirty joints on it went through
Speaker 4: the whole thirty joints like this, Where was.
Speaker 1: Where was that joint? On place? On on a CD seventeen?
Speaker 1: He had to go joint legend seventeen. I still got
Speaker 1: to see that.
Speaker 3: So so so he calls you or someone else's.
Speaker 4: Cause you I think his labels A and RNA is
Speaker 4: in the studio. Come to the studio. Okay, Yeah, So
Speaker 4: I get there and Nas is eating fruit. It's just
Speaker 4: him and the engineer. So I'm thinking, I'm just thinking
Speaker 4: he's gonna play me a regular street record, like YO
Speaker 4: play the record for him and I hit a f
Speaker 4: jay Z at the ball.
Speaker 1: I'm like, what is happening right now? What's happening? I've
Speaker 1: never really heard your side. Yeah, I'm like, all right, So,
Speaker 1: because you already know who you're not working with. Had
Speaker 1: you work with Rocketfeller prior to that.
Speaker 4: You know what's crazy? Before that, my man kind of knew.
Speaker 4: Shout to my man Doug, he knew hip hop. Okay,
Speaker 4: and I went to Baseline to play Stay Property Beats
Speaker 4: and Beanie was dubbing my ship, which.
Speaker 1: Is dubbing me next one next Okay.
Speaker 4: I got a thirty clip on this beast like next one,
Speaker 4: next one.
Speaker 1: Here's here's the boss back.
Speaker 3: But here's the craziest question on the d out of
Speaker 3: that thirty clip was one that was Ether in one
Speaker 3: of them.
Speaker 4: Possibly I don't oh.
Speaker 1: Wait wait wait wait.
Speaker 4: But hip hop came to my crib and I gave him.
Speaker 4: I gave him the bea CD with Ether on there,
Speaker 4: and I was like, give it to j because he
Speaker 4: was getting beasts for JA.
Speaker 1: But he never gave it to him. That's crazy. Yeah,
Speaker 1: so it was there was a chance jay Z could
Speaker 1: have got you. Yeah, you could have got hold on,
Speaker 1: hold on. I'm sorry, I was distracted. Wait what you said?
Speaker 4: Hip Hop came to my crib huh and I gave
Speaker 4: him beats for jay Z and one of the beats
Speaker 4: was there. Yeah, so jay Z had to eat the beat.
Speaker 1: He could add it. Yeah, he physically had it. No
Speaker 1: hip hop had it.
Speaker 3: Hip hop had it, so hip hop could have gave
Speaker 3: that close enough. You know how crazy life is, Holy ship,
Speaker 3: imagine that.
Speaker 1: I don't know what he did with the CD man
Speaker 1: where he left the building. Okay, So so all right listen,
Speaker 1: So now what studio over there? I feel like it's
Speaker 1: on the right track, right track, okay, forty eighth Street,
Speaker 1: forty eighth Street, Okay, a gold door. Yeah so I
Speaker 1: did super Thug.
Speaker 3: Okay, So you walk in, he says, you hear the intro,
Speaker 3: he says, chilling.
Speaker 1: You hear the intro?
Speaker 4: He said, funk jay Z. You say to yourself, what's happening?
Speaker 4: What's happening?
Speaker 1: I don't know if this is good or bad? Right? Right? Right?
Speaker 4: And you're a fan of jay Z smoking at the time, like, Yo,
Speaker 4: what's happening?
Speaker 1: Like, I ain't getting no, he's going to beat this
Speaker 1: and jay Z on this. You're okay with that?
Speaker 4: It was one of the calls like that, right, So
Speaker 4: he play it. He's like, what do you think, m bro?
Speaker 4: But you know I'm trying to I'm trying to get
Speaker 4: to the back. So I'm like, guy, I gotta roll
Speaker 4: with the punches.
Speaker 1: But is it true? It was a different version. It
Speaker 1: was the worst version.
Speaker 4: I never heard the version, okay, but you heard yeah,
Speaker 4: I heard them. Okay, I heard about it too.
Speaker 1: I heard yeah. I didn't hear that version. I just
Speaker 1: heard the version everybody else. Okay, all right, cool, I'm sorry.
Speaker 3: I'm supposed to build up to this, but I just
Speaker 3: got to just go straight in.
Speaker 1: So Battle of the Beats happened.
Speaker 4: Yeah, they playing the JA version, then they playing the
Speaker 4: NAS versions is refutably winning.
Speaker 1: Yeah. How does that feel for you? Man?
Speaker 4: I'm getting so many phone calls because people know you
Speaker 4: did it.
Speaker 1: No, like internally, like nobody don't really know. I was new.
Speaker 1: Nobody don't really know. But you know, my.
Speaker 4: Friends, this is just crazy. And you know that they
Speaker 4: stopped the radio just to play those two records.
Speaker 1: That was you know what I'm saying.
Speaker 3: You know how they say pull over New York City.
Speaker 3: I actually think I was pulled over. Shout out the case,
Speaker 3: you know, making sure the vote when even because they
Speaker 3: felt like God, bless Angie, I just God, bless you too.
Speaker 1: I did that was it was a tumble, you know
Speaker 1: what I'm saying.
Speaker 3: Blessed Angie and blessed everybody, but a lot of them
Speaker 3: was like more on jay Z side, but they were
Speaker 3: calculating the vote. So Casel actually went up there to
Speaker 3: make sure of his which is crazy. Case together, you
Speaker 3: and Case have a relationship. Was that okay? So he
Speaker 3: just did that on the street. Okay, right, so you
Speaker 3: hear this.
Speaker 1: You hear this.
Speaker 3: Definatively, Nasa is winning like from from Afar, Like I'm
Speaker 3: just looking back, you know, from Queens. So you know
Speaker 3: what I'm saying, Like I got a relationship with Jay,
Speaker 3: but I'm you know, nas person. I grew up with
Speaker 3: this person I looked up to. You know what I'm saying, Okay,
Speaker 3: he's the feelinity winning. Now it's the record labels. How
Speaker 3: does this process work?
Speaker 1: Because you just made a tight cool helped the tight
Speaker 1: cool defeat another ty coon. Yeah, now's just work coming
Speaker 1: for you at abundance or is it gonna come and slow? Pause?
Speaker 1: It's it's slow because nobody don't know who did it.
Speaker 4: Nobody don't know who did it. It wasn't it. I ain't
Speaker 4: have no tag.
Speaker 1: Attack. Yeah.
Speaker 4: So my managed like, we gotta go outside. Nobody don't
Speaker 4: know you did the record. So then I start going
Speaker 4: outside and clubbing, and it's like yo, oh yo, let
Speaker 4: me get one. You get it, yo, let me and then.
Speaker 1: Y'll let me get that something like ether.
Speaker 4: Let me get something that sound like that, and then
Speaker 4: that trickle down like that. But then that's what I'm saying.
Speaker 4: I was only getting street records because they wanted a
Speaker 4: the Beat.
Speaker 1: Yeah. Yeah, at that time, people were coming up to
Speaker 1: you saying, can I get a like can I get
Speaker 1: a eight the beat? Te? You know, just I guess
Speaker 1: they mean a beat aggression, you know, and what you're
Speaker 1: getting tired of trying to make it?
Speaker 4: Yeah, because I was just getting album cut, you know,
Speaker 4: I did. I did I whoop your head boy for
Speaker 4: fifty cents. Yeah, so that kind of had like that
Speaker 4: aggressiveness too. But you know that was on the soundtrack,
Speaker 4: but it wasn't like a radio racket, so I was opposed.
Speaker 1: To check it was great.
Speaker 4: So I'm like, yo, I gotta make a commercial commercial beat.
Speaker 4: And that's how pop Champione came. Okay, you don't know
Speaker 4: whaty no?
Speaker 1: Hold?
Speaker 3: Actually both a question quick, and I want you all
Speaker 3: to answer this because I'm not qualified to answer at all.
Speaker 1: I am not what's happening in Harlem right now.
Speaker 4: So I think it's it's brothers that's having, you know, mean,
Speaker 4: some internal problems.
Speaker 1: And I think it's no O g.
Speaker 4: To be like yo, yeah, shouldn't handle that off.
Speaker 2: Like I was telling J like we ain't got no ogs,
Speaker 2: you know what I'm saying, Like you gotta remember like
Speaker 2: like the levels of hip hop from Harlem, like like
Speaker 2: the ogs would from from from dim Set would be
Speaker 2: like a.
Speaker 1: Like a Dougie Fresh all. You know what I'm saying.
Speaker 1: I don't.
Speaker 2: I don't know if they even had a connection or
Speaker 2: Dougie was like in the streets with them like that.
Speaker 1: It's like that's how.
Speaker 2: Holl the niggas do, like we snap on each other
Speaker 2: the worst time you bumpass nigga did it. So it's
Speaker 2: just translating onto what niggas get serious like he like,
Speaker 2: remember the time you got Jollim, the time you ran them.
Speaker 2: They just teasing each other. But at the end of
Speaker 2: the day, them niggas always get back together. Every time
Speaker 2: they have something, they get back together, even even Cam
Speaker 2: and Mace. So that's just just the dynamics of how
Speaker 2: hallowed people do. Like it's just it's a weird thing, like, well,
Speaker 2: humiliate each other and they can forget each other. They yeah, yeah, jesus, Yeah,
Speaker 2: I don't know.
Speaker 1: If we clap for that or not. I don't think.
Speaker 4: To this DJ enough you who just said DJ no,
Speaker 4: holy shit, Hello, damn.
Speaker 1: I got you locked in. I love I'm live on
Speaker 1: the podcast. We just said your name.
Speaker 3: I was gonna put you, I was gonna put you
Speaker 3: on the on the speaker phone. But I don't like
Speaker 3: setting people up like that. What well, I you sure
Speaker 3: you want to say it?
Speaker 1: All right? Hit me back? Cool? Cool, got nothing.
Speaker 3: Yeah, but that's the Yeah, man, I'll tell you this,
Speaker 3: that's what I would would do say. I know them both.
Speaker 3: I know all parties. I love all parties, and I
Speaker 3: hope they work it out.
Speaker 2: Yeah at that point, yeah, I mean especially for hip hop.
Speaker 2: You know what I'm saying, Like them them niggas is
Speaker 2: they did like just groundbreaking ship just to you know,
Speaker 2: just to move the culture.
Speaker 1: You know what I'm saying.
Speaker 2: Like the movie they had, like the whole Discent movement
Speaker 2: is like I've never seen a movement like that before.
Speaker 1: You know what I'm saying.
Speaker 2: They like like you know, maybe Wu Tang and this
Speaker 2: like like like like the influence was just like out
Speaker 2: of this world. So I hope they can get.
Speaker 3: And so let me ask you, well, did you actually
Speaker 3: give Jim Jones that record that it wound up actually
Speaker 3: be because that we did.
Speaker 1: We did some business. Okay, okay, you know what I mean?
Speaker 4: The money was right and uh we did some business
Speaker 4: and a shout out to Jim, you know what I mean.
Speaker 4: He understood with the with the record need as far
Speaker 4: as the visual and he just understood where I was
Speaker 4: at with it, and you know, we did some business.
Speaker 4: I think the streets got it kind of messed up,
Speaker 4: but you know, we got some money to what you
Speaker 4: mean what you mean because like you said, he was like,
Speaker 4: oh is your record is his?
Speaker 1: And his record?
Speaker 4: So he just kind of once the record, you know,
Speaker 4: got you know took off. We just kind of did
Speaker 4: some business, you know what I mean. It ain't nothing
Speaker 4: wrong doing no business.
Speaker 3: Now, it was a rumor that you and Jim were
Speaker 3: supposed to do the whole joint album together.
Speaker 1: No, no, I heard that wrong. Yeah, you heard that wrong.
Speaker 1: We spoke, I mean we spoke about that in recent Yeah,
Speaker 1: like we need to go back to Champagne. No, no, no, Jesus, Okay,
Speaker 1: go ahead.
Speaker 2: Well, so he tells a story about about the Pop
Speaker 2: Champagne and it's kind of like it kind of my
Speaker 2: story because he don't tell that story quite how I
Speaker 2: remember it. Browns right, because I remember me and Browns
Speaker 2: was working on the album. Were working on the album
Speaker 2: called two for the Money, right, And I think for
Speaker 2: like a week, I can't go to the studio. So
Speaker 2: Browns called me like, you're web I want you to
Speaker 2: hit his joint going downtown. Were in front of club
Speaker 2: like Temple on fiftieth Street. He played me Pop Champagne Magic.
Speaker 2: We me and him working on the albums. I'm like,
Speaker 2: oh shit, I can't wait to do my verse to this.
Speaker 2: He goes, you ain't getting a person, So boom he
Speaker 2: does the record. We worked the record like he said.
Speaker 1: Enough broke it. Boom boom boom.
Speaker 2: We went him out to like every record label to
Speaker 2: try to get the record, like and everybody passed on that.
Speaker 1: I mean we was going, remember what the city saying,
Speaker 1: how are you feeling it?
Speaker 3: So boom before was popping up right now is getting this?
Speaker 1: Is it getting started?
Speaker 2: So me, I was a little mad because I wasn't
Speaker 2: on the record, but I was happy he had the record.
Speaker 2: So my so like my thing was, I'm gonna go
Speaker 2: on my own Browns hold and break the record once
Speaker 2: he Once he got on, I was able to double
Speaker 2: back and do dancing on me and I used the
Speaker 2: same formula.
Speaker 1: The auto tune put jim and Jewel's on the record.
Speaker 2: And I was able to go and get a deal
Speaker 2: from there. But the crazy thing about that is the
Speaker 2: same thing happened with the record. I was on the
Speaker 2: record by myself. DJ Enough is playing on the radio.
Speaker 2: I think the nigga had to go to the bathroom
Speaker 2: of son because the nigga played this shit like three
Speaker 2: times in a row, not even he just played it.
Speaker 1: I get a call from Yandy.
Speaker 2: Yandy like web, Jimmy and Jewels want to get on
Speaker 2: the record.
Speaker 1: So mindule, I'm.
Speaker 2: Watching what they just deal with pop shap but the
Speaker 2: record is already out. Dancing on Me came right after
Speaker 2: pop Shampaign, like by yourself myself. So now I'm all
Speaker 2: the way to the studio to meet Jimmy and Juels.
Speaker 2: Now mind you, I' from Hallan, but I'm younger, so
Speaker 2: I didn't really know like that, Like I knew where
Speaker 2: he was, they knew we wasn't friends. On the way
Speaker 2: to the studio, this store, he's math funny. On the
Speaker 2: way to the studio, I get a call from Akon.
Speaker 2: I don't know a Kon, but Red Cafe was signedtown,
Speaker 2: so Red Cafe heard the shit on the radio too.
Speaker 2: He's like, yo, A can't want to talk to you.
Speaker 2: A can't get on the phone and say yo, way,
Speaker 2: I want to make you the next ta pay and
Speaker 2: I want to put the record on my album.
Speaker 1: Da Da Da Da Da. So now I'm like, oh,
Speaker 1: ship a car call me.
Speaker 2: I get to the studios to talk to gym.
Speaker 1: And On about the record. So you know me, I don't.
Speaker 2: I don't know nothing about the business. I'm thinking I'm
Speaker 2: going down there. I'm gonna name drop, get some levers
Speaker 2: on whatever they want to do. So I'm like, I
Speaker 2: get to the studio, Jim is there. This is the
Speaker 2: first time I ever met Dame dash By the way.
Speaker 1: Did he rank on you? Yes? Okay, this is this
Speaker 1: is this is so me. So I get to the studio,
Speaker 1: I see Dame. Somebodys. I'm a homncker.
Speaker 2: I grew up like idalyzing, like all the Lesson's Dame
Speaker 2: and all that, So I'm happy to be there. He's
Speaker 2: talking me about the record. I'm like, yeah, man, a
Speaker 2: con just call me. I've been thinking about doing the
Speaker 2: ship with him, because theyre trying to get me to
Speaker 2: do the record with them and you know, put it
Speaker 2: out through cons and then going to do another deal
Speaker 2: with Steve Riurkins. So as soon as I say a
Speaker 2: call wanted to get on the record with me, they
Speaker 2: start screaming, Oh, this thing don't want to go to jail,
Speaker 2: this thing.
Speaker 1: Wanna be a content.
Speaker 2: He just started snapping over me right there in the studio,
Speaker 2: right me and him, going back and forth.
Speaker 1: He just he up. He kept telling me I want
Speaker 1: to go to jail. I won't be a corvid because
Speaker 1: I don't put a call on the record. He was
Speaker 1: just be a fuddy though. That's when all of the ship.
Speaker 2: Long story, Sure, I ended up not doing the A
Speaker 2: con version with it was like a it was a
Speaker 2: car Red Cafe and five. They did their own version.
Speaker 2: I ended up doing a version with with Jim j
Speaker 2: Okay and I ended up doing a version with Jim
Speaker 2: and Juels in the record Who you.
Speaker 1: Said, another version of it acon Red Cafe and five?
Speaker 2: Okay, Yeah, it never came out though, But so that
Speaker 2: was that story there. But I always blame Browns for
Speaker 2: this too, because you was you was no, I'm gonna
Speaker 2: tell you what else? Well, because you ain't say, I
Speaker 2: just gonna say it. Nor so when you know he
Speaker 2: did he did the ether joint. His name is Ethan Boy,
Speaker 2: so boom.
Speaker 1: As soon as we so, as soon as we come
Speaker 1: out with these autotoone records.
Speaker 2: He got a number one record, I got a top
Speaker 2: five record. We running around going crazy. Jay Z come
Speaker 2: with death a auto tune. So now I'm like, what's that?
Speaker 1: This ain't my beef brown Wait?
Speaker 4: Wait, wait, wait a minute, hold on, but he said
Speaker 4: too much t painting.
Speaker 2: No, so you missing it? So Boom, I don't think
Speaker 2: you've seen this Norriy.
Speaker 1: So it was a time. It was about two.
Speaker 2: Thousand and eight, and I we made the Autotoo records, right,
Speaker 2: And what what people don't know about our.
Speaker 4: Deals is I'm sorry say that against two thousand and
Speaker 4: so he made he made he made prop Champaign in
Speaker 4: two thousand and eight.
Speaker 2: I made Dance with Me two thousand and nine at Aginning, right.
Speaker 2: So around that time, that's fresh off of than Jim
Speaker 2: Jones jay Z Beef. Remember he had their balling. I
Speaker 2: remember he dissing the ball in Jim. We did this
Speaker 2: shit to bailing over there. So now jay Z and
Speaker 2: then you got Dan Dash fresh off the leaving the
Speaker 2: rocket for the thing that's with Jim. So Dan Dash
Speaker 2: helped facilitate my deal. I don't know if help facilitation
Speaker 2: do too, but I know he was in a lot
Speaker 2: of the meetings with you was selling here, right, So
Speaker 2: Dan was like behind the scenes with a lot of
Speaker 2: the things that me and Browns was doing just just
Speaker 2: for the particular record.
Speaker 1: So it wasn't a.
Speaker 2: Coincidence that he made the defaultal turn around that time.
Speaker 2: Now here's anybody was talking about t pain. But when
Speaker 2: we did Summer Jam that year, I don't know. I
Speaker 2: don't know if you remember this. Whenever Dip said this
Speaker 2: summer Jam, they always have to go last because they
Speaker 2: came with three thousand niggas. So they were like, let's
Speaker 2: put these niggas last. Nothing to do, they said, So
Speaker 2: we about to come out. So about about about three
Speaker 2: weeks before Summer Jam, for Messer Flex and God basit
Speaker 2: that MISSISSIPI.
Speaker 1: They going the radio going crazy. I'm in Vigia. I
Speaker 1: forget I may call me on the phone, he said.
Speaker 8: For Flex is like Webster ron Brows finished out here
Speaker 8: all on to his dad, Flex going crazy, right, and
Speaker 8: mister C coming in with the finishing.
Speaker 1: They trained the ship. I was trading.
Speaker 2: Hey good over and over again.
Speaker 1: Right, I'm getting humiliated business calling him snormy.
Speaker 2: So now I'm I'm a Virginia.
Speaker 1: Right. I never forget this.
Speaker 2: I made a tweet, I said, Yo, y'all hear old
Speaker 2: ass jay Z hating a forty year old billionaire can't
Speaker 2: relate to. I'm just drunk. I'm tweeting some bump ship.
Speaker 2: I ain't know how powerful Twitter was.
Speaker 1: Mand some more a yeah, drink some more shot.
Speaker 9: Whatever you're doing, give me a shot.
Speaker 1: You got you act for the shot. Okay, you give vodka.
Speaker 1: Used to be wanting to shout the vacca two shoots
Speaker 1: of vacca, tell something you want dripping boom so boom.
Speaker 1: So now I made these tweets right, all right, So
Speaker 1: what did you say to your tweets? Exactly?
Speaker 2: I could pull the shit up, but I said, I said,
Speaker 2: I said, a forty year old, a forty year old,
Speaker 2: a forty year old rapper, you can never relate to
Speaker 2: an at old k in the hood.
Speaker 1: And but I said, do you see old ash jay
Speaker 1: Z hating? Right? So it was crazy because every interview jay.
Speaker 2: Z was going to on the radio, they was asking him, like,
Speaker 2: you can't be taking this young kid webstace there is
Speaker 2: And Jays was.
Speaker 1: Like, not he a young kid. He don't know no better.
Speaker 1: If he knew better, he'd do.
Speaker 2: But I was just so happy that nigga knew he was.
Speaker 2: I was like, all right, put it. So now I
Speaker 2: get a phone call from Diddy. Now around this time,
Speaker 2: I'm running around with him, like two thousand and nine
Speaker 2: all that, so Food called me and I'm running around
Speaker 2: with public every day at this point, so I guess
Speaker 2: you know, he like he telling me like I'm like
Speaker 2: a representation at him.
Speaker 1: Come.
Speaker 2: He cold signed, I'm like, you run around me, you
Speaker 2: know how puff talk, and then he cursed me the
Speaker 2: fuck out, like he said, you want to you want
Speaker 2: to jump in the swimming pool, or you want to
Speaker 2: play with the sharks.
Speaker 1: That's what you told him.
Speaker 2: So what he meant was what he meant by that
Speaker 2: was pauls. What you meant by that was like, Nigga,
Speaker 2: don't be playing with the shops.
Speaker 1: Don't don't funk with don't say nothing about Jay, especially
Speaker 1: when you're wenning around with me. You know what I'm saying.
Speaker 2: So everybody was like everybody was hitting me, like blow
Speaker 2: made a tweet.
Speaker 1: I was on tour abo about the time.
Speaker 2: He made a tweet like yo, yo, yo bro, I
Speaker 2: wish you would have I wish you would have higher
Speaker 2: at me before you before you seriously, I want to say, yo,
Speaker 2: wish you would how he tweeting me, I was on
Speaker 2: the price of fame, showing him he's like yo yo,
Speaker 2: he said, yo, private planes no, but.
Speaker 1: I was on the price of fame. So I was.
Speaker 2: So boom, so ball wall goes and goes, he goes, Yo,
Speaker 2: I wish you to high at me before you.
Speaker 1: Said something to and I just rolle him back. I'm like, man,
Speaker 1: I ain't never.
Speaker 2: Hear Biwall jay Z record right, and the nigga blocked me.
Speaker 1: I'm walking tour and ship anyway. Wait wait wait wait
Speaker 1: wait wait wait time just say there where he blocked you? Yeah,
Speaker 1: he blocked me on Twitter? Okay?
Speaker 3: So boom oh okay, and didn't I didn't kick you
Speaker 3: up a tour for real, for real or like that's
Speaker 3: spot dings just okay.
Speaker 2: I just didn't get caught on No More days day Okay.
Speaker 2: So so everybody kind of like here you ever go,
Speaker 2: Like like jay Z's indercry is different.
Speaker 1: So back to Summer Jam. I'm hype.
Speaker 2: I'm like, we got the hottest records in the city.
Speaker 2: Social Boy got an Autoto touring record called hop Up
Speaker 2: on My Beds on My Swag.
Speaker 1: So we was gonna close this now.
Speaker 2: If you look at the Dancing on Me video, right,
Speaker 2: A lot of people don't know this, right, uh. Jim
Speaker 2: Jones took the girls from the Beyonce video from the
Speaker 2: single Lady's video with the Leo Toads and he put
Speaker 2: them in the video in the same leads while he
Speaker 2: did a scene like like the jay Z video. So
Speaker 2: he was doing like little subliminal shots that Jay in
Speaker 2: the video. I didn't really understand him at that time.
Speaker 2: So now we got Summer Jam and we said, Yo, listen,
Speaker 2: we're gonna do a funeral for Auto Tune Brows will
Speaker 2: do pop she in pain? You gonna do dancing on me?
Speaker 2: So gonna do We're gonna go crazy. But more we
Speaker 2: was talking kind of go make like a mockery of the.
Speaker 1: Jay Z ship.
Speaker 2: So jay Z ain't go to the Summer gam for
Speaker 2: god knows how many years.
Speaker 1: We backstage about an.
Speaker 2: Hour before we come out, my manager Fish come back
Speaker 2: and say a board mission you ever seen you ever seen? Yeah,
Speaker 2: yeah you have seen leaning on me? He's like cold
Speaker 2: til yeah, that's it. He came back there, the whole
Speaker 2: crowd going crazy. Now jay Z is so powerful, Like
Speaker 2: you could watch the screen of the show from backstage
Speaker 2: when whenever it's someone on the screens with black so
Speaker 2: were looking like what's springsle? But we can't even watch
Speaker 2: the showhim of the backs. More be like, yo, what
Speaker 2: the chievs went off this ship?
Speaker 1: I'm like, I don't know. He go out there jay
Speaker 1: Z on stage, but who he came on stage with.
Speaker 1: He came on by itself. Okay, no one broke him out.
Speaker 1: He's doing Devil Auto to him by itself.
Speaker 3: Right, that's this record was had already been out prior
Speaker 3: to that. It was only off for like a month, okay,
Speaker 3: or like two days maybe two days okay, yeah, because I.
Speaker 1: Remember you dropped on the Monday. The rumor was he
Speaker 1: dropped it like a Monday. Yeah. Yeah, it was right
Speaker 1: after I made the tweets. It was like everything crowd record.
Speaker 1: It was like two weeks.
Speaker 2: He goes on stage right now, mind you we know that, well,
Speaker 2: I don't know. We're thinking the record is about what
Speaker 2: we're doing because of the whole thing dashed Joe's affiliation
Speaker 2: right at the time.
Speaker 1: But the rest of the world don't know that.
Speaker 2: They think he talked about T Pain because paying the
Speaker 2: biggest nigga.
Speaker 1: Doing to him.
Speaker 2: In the middle of his performance, T Paint come out
Speaker 2: on stage and he bumped them give him a chest bump,
Speaker 2: and he came back off stairs.
Speaker 1: I said, who gave who the chess bump?
Speaker 4: So?
Speaker 1: Remember gave Paint talked about it on the show, came out.
Speaker 2: Te Paint came out of nowhere and just came on
Speaker 2: stage with I felt like he was trying to say, Nah,
Speaker 2: this saying about me, like all the I'm good, you
Speaker 2: know what I'm saying.
Speaker 1: So now I'm looking at the figure.
Speaker 2: Yeah, so I'm looking at the thing like I told
Speaker 2: you that it wasn't about paint.
Speaker 1: So that's forgive. I told you niggas it was it
Speaker 1: wasn't a bottom him. So I never forget you want
Speaker 1: is at a birthday party? Noriy You ever see like
Speaker 1: going to club and just see.
Speaker 2: Niggas laughing or see people laughing somewhere and you feel
Speaker 2: like they laughing at you. Your conspiracy off the Seriously,
Speaker 2: I never forget this man, and you want is at
Speaker 2: a birthday party. I go to the birthday party right,
Speaker 2: and it was like a VIP section in southe the
Speaker 2: VIP section. It was another VIP section. So Minju I
Speaker 2: made these comments. It was a VIP in the south
Speaker 2: of VIP. So Mijo I made these comments. I'm standing
Speaker 2: on it.
Speaker 1: You know what I'm saying.
Speaker 2: I'm losing friends, you know, you know, not speaking to me.
Speaker 1: So no, seriously, so I go listen.
Speaker 2: So I go to the club and inside the club
Speaker 2: it's jay Z, Beyonce, it's Lennarys, It's Clue, and it's
Speaker 2: like a couple of you know, you know, like it's
Speaker 2: like the rich Friends Circle, like you know, the Wealthy.
Speaker 1: Show after you made it tweet, this is like after
Speaker 1: so much gam and all life.
Speaker 2: So now they in a VIP section, but they VP
Speaker 2: section that that's out to v so you can get
Speaker 2: into vi P, but you can't get any sections.
Speaker 1: I don't know. I lost my mind.
Speaker 2: Off you'll come in, I come into the know.
Speaker 1: I just sound worse than that.
Speaker 4: Right, so I'm not ready ready, I'm ready.
Speaker 2: So so I lost my mind, right, you know, I'm
Speaker 2: I said some stupid shi about Jay, which I should know,
Speaker 2: motherfucker said tweet.
Speaker 1: The tweet said, I should have never said that to
Speaker 1: that man. I'm sorry, j I said it sorry before.
Speaker 2: When I'm saying it again, I apologize. So so now
Speaker 2: when I get there, I'm still a poorse I'm still
Speaker 2: I'm still feeling myself. I got a new one racking.
Speaker 2: I'm running around and have a fun. You never had
Speaker 2: woman before. I come in the club, like I was
Speaker 2: always scared that No I went to the story telling you.
Speaker 1: Showing me away ready, So I didn't have a shot.
Speaker 1: They think, give me a baby shot. Yeah, it's gonna
Speaker 1: be a long take, a little You don't know this
Speaker 1: what we do? You tell him? Yeah, I know, I know,
Speaker 1: I know, but your story. So now, so I walk
Speaker 1: in the club, I got two white women with me. Okay,
Speaker 1: I gotta know. It was bad at the time. Okay,
Speaker 1: I got two white women me. I got a big shape,
Speaker 1: I got a red coat, red shade. I needed to
Speaker 1: look crazy. I woke it up the v I.
Speaker 3: P I got shave.
Speaker 1: I don't see when I see them, them niggas is.
Speaker 2: Just I don't know if they was laughing at me
Speaker 2: or not, but they were laughing terply like they was
Speaker 2: like if you see somebody laughing, they just can't breathe.
Speaker 1: These niggas was laughing. So all right, I never forget my.
Speaker 2: Manager to fish got mad at me because I just
Speaker 2: left the club. I left the girl on the faim.
Speaker 2: I just got the fun out. Yeah, I'm serious, I
Speaker 2: got him. No, It's like I felt like jay Z
Speaker 2: wait to me.
Speaker 1: I don't know. I got felt like he waited me.
Speaker 1: He's that serious. Yeah, but after that, like after I
Speaker 1: did that, he said he he waked in me. You
Speaker 1: mean he waked design me, design me. So it's like
Speaker 1: after that, you know, I staw.
Speaker 2: Seeing the effects of it, like when you when you
Speaker 2: say ship about especially at that time with the radio
Speaker 2: being so powerful, but you can't say nothing about the niggas.
Speaker 1: Man, the niggas. Everybody stop sucking with you.
Speaker 2: It's like Nigga started playing my records and all that
Speaker 2: he was. I had that to have to go through.
Speaker 2: I have to apologize behind the scene. Tell everybody calling
Speaker 2: niggas cause it's like I ain't mean to tell sorry,
Speaker 2: call the niggas because everybody I'm trying to get the hose.
Speaker 1: Okay, So back to you.
Speaker 3: You make arguably the only Dan and Hoose wreck record,
Speaker 3: So I'm called for a Queen's God.
Speaker 1: This is Deuce by Harlem guy. Why uh have you
Speaker 1: ever met jay Z after that?
Speaker 4: No, you've never met The only time I seen him
Speaker 4: was at the that baseline when I went to base.
Speaker 1: No, no, okay, they weren't. I would yeah, okay, so
Speaker 1: Kanye did takeover, not's the whole album with him? Damn.
Speaker 1: I never looked at it like that, So why would
Speaker 1: why would I be like I just did the beat.
Speaker 3: It's them, Yeah, but but Kanye arguably was down with them.
Speaker 3: You looked like you were down with nas Real. I
Speaker 3: mean I would think so like you did you did. Okay,
Speaker 3: so you've never actually physically seen that, man.
Speaker 1: No, okay, let me slow it down. How about Dame Dash.
Speaker 1: Yeah yeah, I'm in Dash after. I'm saying this is yeah, yeah, after,
Speaker 1: this is this is a after yeah yeah yeah yeah, okay, yeah.
Speaker 1: So you and with the Dame Dany said, good one, buddy, Nah,
Speaker 1: like no, he was.
Speaker 4: It was with I met him when he was hanging
Speaker 4: around I mean around Jim, around Pop Champagne.
Speaker 1: Oh you guys were shopping. Yeah yeah, yeah, yeah, yeah,
Speaker 1: I did see Jay.
Speaker 2: I didn't see him physically seen him after the break
Speaker 2: I run.
Speaker 4: I did see him that day he's told about that
Speaker 4: summer Jam. I seen him willing Jay and you know,
Speaker 4: like the gold card thing to get him to the
Speaker 4: front of the stage.
Speaker 1: No, j oh, somebody else willing j to get to
Speaker 1: the front, you know, like the gold card things, like
Speaker 1: the golf car thing. They so you need him bring them? Yeah?
Speaker 1: They I seen him bringing him to the stage.
Speaker 4: Yeah, okay, to do d o A Okay, Okay, now
Speaker 4: I know this sound like conspiracy theories.
Speaker 1: Yes, I know you. You said it earlier.
Speaker 3: You think the O had anything in the kind of
Speaker 3: do with you because of you, You and your participation
Speaker 3: in East the only din on one of the r
Speaker 3: you believe one of the biggest persons in hip hop's.
Speaker 1: I didn't think so. I didn't think about that until
Speaker 1: the day.
Speaker 4: He's talking about when Flex and mister c God bless you.
Speaker 4: What's playing on the radio and they say anything and
Speaker 4: I got a hundred phone call, yo J, this is
Speaker 4: you right now, yo J.
Speaker 1: D you right now on radio? Turn it on. Let's
Speaker 1: be clear. He's not said he didn't say your name.
Speaker 1: He said he paid name.
Speaker 5: But but he's also because of dang being around the
Speaker 5: moment the time, I have an auto tune record.
Speaker 3: But when Flex is saying it's over for you, who's.
Speaker 1: Names because I know you were my name? Is he
Speaker 1: saying he paid name? No? No, he's not saying.
Speaker 4: Yes, He's like, yeah, my guys got my guys.
Speaker 2: But finished over, man, like I just did a cation
Speaker 2: for you, like.
Speaker 9: Listen.
Speaker 2: Brow was just like I was like the car on
Speaker 2: but I was like, cool, let's think about this.
Speaker 1: Ship before we say it. I'm like, man, funk that
Speaker 1: any shot at us bro? He was going glory.
Speaker 2: I mean, he played the record for about an hour straight,
Speaker 2: like great.
Speaker 1: And he kept saying, just finished out here. I'm like,
Speaker 1: why you waiting?
Speaker 9: We shot?
Speaker 4: I went my whole life in this recre You're gonna
Speaker 4: do this now? Ye'all got a hundred phone calls that day.
Speaker 4: Ye they like jay Cy now turn the radio on.
Speaker 4: I'm like, wait, what's happening the okay? We they made
Speaker 4: it seem like that.
Speaker 1: Okay, you know what I'm saying. So what was the
Speaker 1: better phone calls that you got when Death of the
Speaker 1: Oh and he did? Was it d O A?
Speaker 3: Or when Easy came out and each actually was critically
Speaker 3: acclaimed the winner.
Speaker 1: What's the difference between between those two phone calls? Yeah,
Speaker 1: that's the bid in the suite right there. Okay, the
Speaker 1: same amount of course.
Speaker 4: No, I feel like people knew you when you did Yeah, yeah,
Speaker 4: more people knew pop Champagne. I was you know, yeah,
Speaker 4: it was math on course because they and people are
Speaker 4: telling you he's this and you.
Speaker 3: I think that was a part of it too, is
Speaker 3: that he kind of was him and Jim Jones was
Speaker 3: kind of going at it.
Speaker 1: I've heard conspiracy.
Speaker 4: I caught it straight listen here.
Speaker 2: Yeah, yeah, it was a combination that Jim is damn
Speaker 2: and then he didn't eat like jay Z is the master.
Speaker 1: So you feel like you caught the straight. I caught
Speaker 1: the straight. You should started.
Speaker 4: I'm like, yeah, but I just did the beat, So
Speaker 4: I ain't feel like na it was you got some
Speaker 4: So for if a producer produced a disregd on you, yeah,
Speaker 4: you don't feel away with Yeah what DJ must have
Speaker 4: right now with you know what, I know the process.
Speaker 1: I know the process it takes to release a record.
Speaker 3: I know you gotta sign off, you gotta mix it.
Speaker 3: I know you gotta fucking you master it. I know
Speaker 3: you gotta fuck it. You know I know all that.
Speaker 3: So I know I know that if you a part
Speaker 3: of a dis record of me, a part of the
Speaker 3: disrecd here.
Speaker 1: So that guilty a position. At this time he was
Speaker 1: bing new, so he didn't even have that. I don't
Speaker 1: given about that brand new. You you're a part of
Speaker 1: the disrecord this to.
Speaker 3: Me, you are the this to yeah man, you lie
Speaker 3: so you never did a Rockefellow record since no, rightfully?
Speaker 1: So God that.
Speaker 4: Throw.
Speaker 1: You know, I know, I know, I know some of
Speaker 1: the you know, the street guys. So it's so good.
Speaker 1: So how about how about nas Have you worked with
Speaker 1: him since?
Speaker 4: Yeah, I did last real Nigga live pronounced okay yeah, yeah,
Speaker 4: has he ever like came to you.
Speaker 1: It's like a good looking man giving me no man,
Speaker 1: hey man, put me involved this year. Okay.
Speaker 3: So what you to start taking to the suit was
Speaker 3: that the start of Harlem start dancing again, absolutely without
Speaker 3: a shadow of a doubt.
Speaker 2: Like you gotta think about it before before that record
Speaker 2: came out O six, when the last time Niggas was
Speaker 2: dancing the hallom was when g Depp came out.
Speaker 1: That was the last time they did it.
Speaker 2: And you gotta remember when g Depp and It was
Speaker 2: doing it. They ship wasn't even for the kids. They
Speaker 2: ship was like more of an adult record with kids dancing,
Speaker 2: and my ship was like the streets making a record
Speaker 2: for the streets.
Speaker 1: Yeah.
Speaker 2: So I think I felt like that started, you know,
Speaker 2: I started moving called life you movie and that, Like
Speaker 2: I said, I don't like to say I discovered anybody,
Speaker 2: because I felt like only gods discovered people.
Speaker 1: But if you look on my first album.
Speaker 2: That's the first time you've seen a lot of people
Speaker 2: who have great careers now, like you know Beyoncas the Ta,
Speaker 2: Taylors and you know, like I said, the moves and
Speaker 2: the rectors and all that. So I felt like that
Speaker 2: was the start of the dance, right. I'm not understanding
Speaker 2: you said you claiming to tail. No, I'm just saying
Speaker 2: the first time you heard her or like seeing her
Speaker 2: in any video or it was on my album.
Speaker 1: That's like fam did all that. I thought this first
Speaker 1: time we saw was on that teen sixteen. Yeah, that
Speaker 1: was after after.
Speaker 2: So what happened was you know how the record labels
Speaker 2: working nor read once once like look at the drill
Speaker 2: like once once one person made drill record, they weren't
Speaker 2: looking for everybody doing drill. So once I made the
Speaker 2: lightly music, that's how like Little Mama Way and got
Speaker 2: her deal, and then you know, Forrell snatched up Siana
Speaker 2: Taylor and and you know, Jason Foster Gott snatched up
Speaker 2: Botle like I think Jermaine U Prix because they was
Speaker 2: looking for the sound that I.
Speaker 1: Was creating, you know what I'm saying.
Speaker 2: So a lot of people went and got deals because
Speaker 2: of the movement that I started. I just I wasn't
Speaker 2: just smart enough. I wasn't a smart enough, smart enough
Speaker 2: business man at the time to say, you know what,
Speaker 2: let me sound a bunch of these people and put
Speaker 2: them out through.
Speaker 1: I was just like nigga, I'm hong on me. Everybody
Speaker 1: got to eat.
Speaker 2: Everybody on the album, everybody get paid, everybody make they
Speaker 2: make their way through their careers. Then, you know, so,
Speaker 2: I like to say I helped start a lot of
Speaker 2: people career. I played the intricate part in and started
Speaker 2: career name once again. I'm Sianna Taylor. Let's go Young Bad,
Speaker 2: which just me uncle. If you listen my first album,
Speaker 2: Browns was producing on it.
Speaker 1: I'm just saying no.
Speaker 2: I'm saying that toast, saying no, you the reason I
Speaker 2: started doing music. But you know, like like even though
Speaker 2: Rex and Moves Battle and stuff like that, like those
Speaker 2: are my brothers, everybody was ronding. I was like, listen,
Speaker 2: we all get then no, we're gonna split this money
Speaker 2: up together. We going boom boom boom, boom boom and
Speaker 2: whatever goes goes like that's the roo We'll ever get
Speaker 2: in first, bring everybody in and then pooll pause well
Speaker 2: we get in first, bring everybody in, pause, and then
Speaker 2: we all go from there. But sometimes it don't work
Speaker 2: that way. Sometimes you gotta just do everybody.
Speaker 3: But nah, all right, So y'all ready for quick Thomas.
Speaker 1: Slane, y'all sends up.
Speaker 10: Yeah, we got a we got a older two records? Yeah, yeah,
Speaker 10: Dan Greece, Oh ship, what's you damn to?
Speaker 1: So many records? Which one? What's the name of it's
Speaker 1: so hot? Okay? Yeah, it ain't work.
Speaker 11: Try it ain't worked out, keeping it will?
Speaker 1: Yeah? Okay.
Speaker 5: So the rule, We're gonna give you two choices. You
Speaker 5: pick one. We don't drink. You say both, and neither
Speaker 5: of them were all drinking. Okay, got it? And give
Speaker 5: us any stories with anybody you want to give. You
Speaker 5: got the first one. Nope, Cam or Jim.
Speaker 1: We said this on the plane. Well I got money
Speaker 1: with Jim and I don't really know Cam like that. Jim.
Speaker 2: Yeah, I mean, I mean it depends. What can't you
Speaker 2: talk about when Jim you talking about? Nah, neither one.
Speaker 1: I never heard it. They cancel each other. I feel
Speaker 1: like you gotta take a shot. You gotta take a shot.
Speaker 2: You said we got to pick one, right, Yeah, we
Speaker 2: don't pick one at might take.
Speaker 1: A shot, right, Yeah, I got problem. I'm ready to
Speaker 1: take a shot.
Speaker 4: Yeah, hella take a shot, nigga, answer that that way?
Speaker 1: Okay, you got your shots?
Speaker 4: Yeah, gotta take a shot on his unfortunately, because you
Speaker 4: can't win this, nigga, y'all together.
Speaker 2: I'm trying to stop the bee from looking normal starting
Speaker 2: this ship.
Speaker 1: I'm out of it. My name is Bennett, and I
Speaker 1: surely ain't in it.
Speaker 11: I'll tell you that.
Speaker 1: Who don't got a shot though, I don't want But
Speaker 1: they got shots. You ain't got shot. I got my
Speaker 1: oh ship?
Speaker 4: All right, wait, Jamie, that's the same shot fus absolutely,
Speaker 4: Oh you okay, ship you baby siting, that's what that call?
Speaker 1: Okay, all right, you want the next one to gonna
Speaker 1: leave you? You're gonna leave you in Harlem. Let's go. Oh,
Speaker 1: let's take the shot first. Oh yeah, out for solute
Speaker 1: the thing. I couldn't use that one.
Speaker 4: Un that's not the way this works, okay, rules, Well,
Speaker 4: get your ship together, man cheers.
Speaker 12: Yeah, we got a shot. Yeah shot, we're doing one. Yeah,
Speaker 12: maybe I got the rules.
Speaker 2: I thought we don't pick neither one because you didn't
Speaker 2: want to pick out the aybody shot.
Speaker 1: If you don't pick we drinking. If you say both
Speaker 1: of neither, that's that's we're not saying. That's what we did.
Speaker 4: A shot a rock your ecept for except yeah, yeah,
Speaker 4: shoutut to for you know, we got some music. We
Speaker 4: got records with firm, so yeah, good yeah, Dave Easter,
Speaker 4: Oh what's it going? Yeah, shout out the battle. We
Speaker 4: we got a lot of music together too, and you
Speaker 4: know we we show up for each other. So I'm
Speaker 4: gonna say neither again.
Speaker 1: I'm just so polled. I'm gonna say one. Jamie, you
Speaker 1: needs something over here.
Speaker 4: I have the same one by the way, hey man, yeah,
Speaker 4: I'm gonna let you have all hallm pause.
Speaker 1: We gotta take this shot still. I shot my shot.
Speaker 1: Frank Lucas Now, yeah, man, you gotta take two. Oh
Speaker 1: there you go being dangerous territories man, Yeah we are.
Speaker 1: Yeah yeah, Big l Or Black Rob rest in piece
Speaker 1: of bol I know who you're going. All right, you
Speaker 1: gotta take you gotta say both, you know what I mean?
Speaker 1: That was a harsh one.
Speaker 3: Yeah yeah, yo, you just me and the king in
Speaker 3: the Columbia writes the questions over there.
Speaker 1: Yeah yeah, so just see he's a love town. He's
Speaker 1: from Haller. Just to be clear, when I said neither,
Speaker 1: I'm in both. That's what. Yeah, we get. It doesn't
Speaker 1: get it's good. I want to make sure. I mean yeah, yeah,
Speaker 1: I mean just just for you to say it happened
Speaker 1: to answer these questions.
Speaker 4: I prefer you say both. But what I keep saying neither,
Speaker 4: I'm I'm gonna drinking anything. I'm like, I get it,
Speaker 4: I understand. Yeah, And well we he were Big Old.
Speaker 4: How did that he Bonics record come about? H Well,
Speaker 4: I was outside cut to school one day and Big
Speaker 4: Ol just happened to walk through the box and I
Speaker 4: was like, he was looking for what block? This twenty
Speaker 4: seven LIX seven some linux. He just popped up out
Speaker 4: of nowhere. And he's the guy in Harlem at this time. Yeah,
Speaker 4: he was looking for some stuff. And I'm like, hey, bro,
Speaker 4: we I got some beats man, and uh he came
Speaker 4: upstairs and the first beat I played was at this
Speaker 4: time you know who he was. So I'm like, yo,
Speaker 4: I got some He was asking for some other things,
Speaker 4: but I was like, yo, I got some beats, and
Speaker 4: he was like, yo, let me hear in the first
Speaker 4: beat I played for him was the Bonyx And.
Speaker 1: Did he start rapping to it?
Speaker 4: No, he said, yo, put it on tape, because at
Speaker 4: that time it was you know, tape. He put it
Speaker 4: on tape.
Speaker 1: He said, what what was you playing it on? He
Speaker 1: had to put it on the drum machine. What the fuck?
Speaker 1: You had a drum machine walking around? No? No, I'm like.
Speaker 4: And he was like, I played it for me. He's like,
Speaker 4: let me get that on tape, and then he came
Speaker 4: back and let me how it sound. So, you know,
Speaker 4: I ain't have pro twos at the time, so he
Speaker 4: had to do a straight run on the tape. We
Speaker 4: did that, and he said, Yo, we're gonna go to
Speaker 4: D and D and do it for real. So we
Speaker 4: went to D and D and we did that best
Speaker 4: time in the real studio.
Speaker 1: Yeah. Yeah, he killed us and I think that was
Speaker 1: my first one. Is no your first time? No?
Speaker 5: No?
Speaker 1: No, no, no, So you knew how to operate it? Yeah, yeah.
Speaker 2: Yeah.
Speaker 1: I've been in the game since ninety two. Okay, oh
Speaker 1: so damn you just producing them Before that, after I.
Speaker 4: Was rapping, I was a label called Big Boss Records.
Speaker 4: Kevin Chiles okay, well signed him Kevin Child.
Speaker 1: Yeah, yeah. Oh really that's a big bro. Yeah, I
Speaker 1: didn't know that. That's that's a big time. Let's take
Speaker 1: a shot for ribbit and big, he said, both a
Speaker 1: hold on, this is a game. Yeah down, you got
Speaker 1: plenty of you gonna take me a long time?
Speaker 4: Boys, Okay, go ahead, I'm gonna let okay, I'll take
Speaker 4: this gun cool mod.
Speaker 1: Or Curtis blow? Oh cool?
Speaker 4: D I feel like you know both they disagree with
Speaker 4: my mom. I want to be here if it wasn't
Speaker 4: for he always has the big last year. I always
Speaker 4: always had to be with my mom, so he always
Speaker 4: had what was your mom?
Speaker 1: Come on, bro, you're just gonna throw your mama. I
Speaker 1: got scared. Let's take a shot. I love you. Shout
Speaker 1: up too. He was supposed to get shot for that one.
Speaker 1: Both okay, all right? Cool? Yeah, oh go ahead, goead
Speaker 1: yeah j r RD J Mills. Oh that's a good one.
Speaker 1: That's a good one of my guys. Both both my guys.
Speaker 1: All right, shout he got his shot. He got shot.
Speaker 1: Just been chilling shot one. You're not invisible, remember the
Speaker 1: mhm man? Okay on you uh I got this one?
Speaker 1: Got it? Oh no, I don't okay, Mace kiss, Mason
Speaker 1: Kiss Mason Jada kiss or murder Mace, I mean Jadakiss
Speaker 1: both both?
Speaker 2: Yeah, yeah, yeah, shot there like three different though shout
Speaker 2: alive as sistency is like accolate, like Jada kiss is
Speaker 2: like Mace. Mace kind of change the yeah you know,
Speaker 2: uh the trajectory of how we look.
Speaker 1: Yeah yeah, yeah. Man, his impact was it was crazy.
Speaker 2: But Jada Kiss, he's been consistent for like twenty five
Speaker 2: thirty years straight to this day.
Speaker 4: You know, when Mace was on that screen, it was
Speaker 4: like if he was in Harlem. He was like, that's us.
Speaker 4: That's how we are, Like you know what I mean,
Speaker 4: you picked from it from He's spaking both, you know,
Speaker 4: shout out the kids.
Speaker 1: That's my guy. So take a shot, all right. I
Speaker 1: got the slowest shot taking over. Hey, she want us
Speaker 1: to do not be great? All right, you gotta catch up.
Speaker 1: I'll catch up. Don't worry about it. Kay, Okay, I
Speaker 1: got this one. Biz Markey or O D B. Damn.
Speaker 1: That's a good one. And rest in peace of both
Speaker 1: well both both solo all night. So you go over.
Speaker 2: There's not a drinking like that, you know, it's more
Speaker 2: of a well he knew he was coming today.
Speaker 5: I feel like he's playing that game where you can't
Speaker 5: see where the shut is at.
Speaker 1: I love it.
Speaker 4: Yeah, switch through analog or digital, both of y'all analog
Speaker 4: handalog okay and good good choice.
Speaker 5: It's crazy y'all say that, being the you capitalize off
Speaker 5: of auto tunes, you know.
Speaker 1: Yeah, but the roots from analog sounds way better. Yeah,
Speaker 1: max O, Biggie rest in Peace ship the.
Speaker 4: Yeah.
Speaker 1: Yeah.
Speaker 4: Sometimes I'd be feeling like I wish I did a
Speaker 4: beat on Ready to Die or Life After Death.
Speaker 1: Yeah, yeah, definitely, But I still feel like that's that's that's.
Speaker 4: Like the that's like biggest, like the blueprint, if how
Speaker 4: you should structure your album, did the range, the b picking,
Speaker 4: the you know the flow. I feel like, I like,
Speaker 4: if if your if your your level of artistry is
Speaker 4: not on that type, on that level, I'll just be like,
Speaker 4: I can't you know what I mean you.
Speaker 1: Biggie, Okay, I'm in Okay, went to the next one.
Speaker 1: Tupac are easy, pot Tupac. I got Tupac story too.
Speaker 1: Let's go so on to get chicken and little soup. No, okay,
Speaker 1: not bad, you went too far with that.
Speaker 2: I've never been told this story before. Okay, So, so
Speaker 2: my block is like a legenday block in Harlem. They
Speaker 2: filmed like movies like uh, like sugar Hill and New
Speaker 2: Jack City and Juice was all filling on my block.
Speaker 2: So like when they killed all men killers, that's that's
Speaker 2: like my grandmother's store. When when when the roof, that's
Speaker 2: my great room, this building. When you're elevated shooting a lot.
Speaker 2: So I'm like this it has to be like ninety one.
Speaker 2: I was like, I was in elementary school, so they
Speaker 2: trailers was parked in front of my school. So I
Speaker 2: knew all the older niggas from my hood. Because my
Speaker 2: cousin who I got my name from.
Speaker 1: Her name is Webb. I just kind of hijacked his name.
Speaker 1: That's my cousin.
Speaker 2: So that's so so Pac brung so my mayor Chuck
Speaker 2: Black who used to man Is and that song if
Speaker 2: you know. He he brung me and like four all
Speaker 2: my other friends. It's on the trailer to me Pop
Speaker 2: and Parker was like what's your names and all that?
Speaker 2: He was like, y, this is a little web He said,
Speaker 2: well what that means? What we get that from?
Speaker 1: I'm like Webster and he was like, yo, you kind
Speaker 1: of look like Webster, right serious? Yeah you said you
Speaker 1: look like Yeah.
Speaker 2: He was just like, nah, you're a star. Your name
Speaker 2: is WebStar, a star. Don't let nobody tell you can't
Speaker 2: be nothing. And then I just ran with the name
Speaker 2: ever since.
Speaker 1: I was that's crazy. So let's do's you're trying to
Speaker 1: say to us, right, you your name? I gain my name? Okay? Yeah?
Speaker 5: And he has nice to Harlem as well through his
Speaker 5: mom and running the Black Panther chapter.
Speaker 1: You think that you've been saving this story, I mean
Speaker 1: deepen seven drinks, I mean niggas from my block. No,
Speaker 1: but like I ain't even I ain't never.
Speaker 2: I haven't done an interview like this in the one
Speaker 2: that's That's dope, No seriously dead series ninety one, bro, Like,
Speaker 2: if you do the knowledge, if you look at skill,
Speaker 2: the hell that the whole movie is talking about, whole block,
Speaker 2: the park, the basement with Q's DJ, that's my grandma,
Speaker 2: Oh that's my block.
Speaker 1: It was ninety one. I was like here probably like
Speaker 1: a probably like the fourth or fifth grade. It was
Speaker 1: a little nigga. I don't got no those story like that. Hey,
Speaker 1: oh hey this think it crazy? I said, came he
Speaker 1: gonna he's gonna take a deepen because I'm like that
Speaker 1: story that's more than the story straight, Hey, how you
Speaker 1: gonna lie?
Speaker 9: That was like what.
Speaker 1: You got a story that's like that's like have a
Speaker 1: Prince story and be like trying to out Prince. I've
Speaker 1: really seen Prince LEVI take too long out Prince my story.
Speaker 1: So I ain't even got a Tupac story. So you
Speaker 1: killed that Holy ship. I don't even know what the
Speaker 1: next one is. Go ahead, let's go. We gotta change it.
Speaker 1: Because of what you said.
Speaker 4: New Jack City or Juice Juice New Jack City, they
Speaker 4: both they both at Harlem, right, Yeah, yeah, yeah yeah,
Speaker 4: New Jack City.
Speaker 1: That's that's what's down for me. Yeah yeah, it influenced
Speaker 1: a lot of the Harlem hustlers. Is that Is that
Speaker 1: building really exist? Yeah? Yeah, that's the fact. Yeah, A
Speaker 1: Dame Greece or large pro James gree shot Grease Grease.
Speaker 1: You know Greece.
Speaker 4: I don't know if a lot of people know, but
Speaker 4: Greece created like he had a sound, you know what
Speaker 4: I mean. And you know a lot of a lot
Speaker 4: of producers now like they be like creating like like
Speaker 4: a snare drum or a pattern or something.
Speaker 1: But Greece had this snare that he used to use
Speaker 1: and that was that was just five. Let's the question
Speaker 1: real quick. Then Dame Grease or Swiss beats? Oh?
Speaker 4: Both both because both of them created shot.
Speaker 1: We got more shots.
Speaker 4: Yeah, I mean this is with this list, this is
Speaker 4: this is beautiful along list man, That's why I told
Speaker 4: you slow down.
Speaker 1: Yeah, that's why the baby shots. Shout out to Swiss.
Speaker 1: That's my guy. He got Saudi Bronx. Yeah yeah, yeah,
Speaker 1: yeah yeah. I like that ship too. Heat Makers and
Speaker 1: track masters, track masters. I ain't gonna both because track
Speaker 1: I say both. Man, hold on, you know what's going
Speaker 1: home with you? You know I love to make us
Speaker 1: heat makers. I'm sorry. Come on, you never told this story.
Speaker 1: He never told the story. You never told the story.
Speaker 1: Tell the story. I just told your story. You ain't here, No, no,
Speaker 1: I need to hear. I'm not gonna I'm gonna tell
Speaker 1: you the storyline. I'm gonna save everything paused, all right,
Speaker 1: So so what happens. It's nothing happen. Everything is beautiful.
Speaker 1: Nothing happens. I'm a therapist. I don't know.
Speaker 4: I even know that he make it shout the awesome
Speaker 4: this man. You know he created that sound for dipset. Okay, yeah,
Speaker 4: really yeah. We grew up off the track masters, and
Speaker 4: I used to be like, yo, I need my beast
Speaker 4: to sound like track masters, like the clarity the production,
Speaker 4: how would sound. I was like, I need to get
Speaker 4: that that sound.
Speaker 2: Yeah, if you ain't figuring it out your browsers. The
Speaker 2: technical you know, he knows all, he knows everything. The lingo,
Speaker 2: the binnacular is amazing thing. Okay, yeah, I've seen your face.
Speaker 2: Oh no, it's a fifty cent.
Speaker 1: See when you work with both of them, yeah, I
Speaker 1: work with both of them.
Speaker 4: So when I get money with people, it's different because
Speaker 4: you know, me allows you to feed your family. So Sean,
Speaker 4: I got a lot of money with fifty cent you know,
Speaker 4: from producing that would help for Lloyd Banks, playboy for
Speaker 4: the banks with your head boy for banks.
Speaker 1: So yeah, I mean, but started, uh, don't lead the
Speaker 1: witness what I said? So, who are you picking? Not
Speaker 1: both both? Okay?
Speaker 4: If we're not, we don't we don't care.
Speaker 1: Said yes, yes, yeah, I'm not even saying queen queens
Speaker 1: owe me a check. Look, I want you. I feel
Speaker 1: like I want you. They work, they bring you up
Speaker 1: during the next Queen's delegation. Yeah, solo solid I don't
Speaker 1: never go to that meeting no more. Though I'm being.
Speaker 3: Honest, is really a Queen's delegation means come on, man,
Speaker 3: it's like the Black delegation. God damn, did we really
Speaker 3: beat up and talk about black issues? No, exactly, we should,
Speaker 3: don't we should about you know what, that's.
Speaker 1: A fucking great idea. Yeah, you know what I mean.
Speaker 1: Kate Slayer, Clark Kent rest in peace both both. You
Speaker 1: ain't got thinking about that one. Yeah, man, this is
Speaker 1: a hell of a game. Shout out to Kase Sway. Yeah,
Speaker 1: case from all of them. You know what's crazy?
Speaker 3: I want to say this real quick. I believe the
Speaker 3: first time they all three was in the room was
Speaker 3: with Clark Kent, that Clark Kent funeral. That's the last
Speaker 3: time Jay, Dame and Biggs was all in the same room.
Speaker 1: Wow.
Speaker 3: Yeah, they were all in our They didn't speak to
Speaker 3: each other. I mean, Biggs and Jay was together, but
Speaker 3: Dame was there, and that was the last time. And
Speaker 3: it's crazy because Clark brought him back together for one
Speaker 3: last you know what I mean. So that that at
Speaker 3: his funerals.
Speaker 1: So we got yeah all right, yeah, and you're holding
Speaker 1: it down. God damn you might as well. I'll just
Speaker 1: just keep it going. Dougie Fresher Rob Bass.
Speaker 4: Fresh Yeah yeah, that's from Yeah, okay, thank you Fresh
Speaker 4: at Dougie Fresh Studio. I made the beat CD at
Speaker 4: his house that had ether on it because I ain't
Speaker 4: had the equipment at the time, so I went to
Speaker 4: doug Fresh Studio and made the b CD that actually
Speaker 4: had ether on it.
Speaker 1: So shout to doug Freshman. Can't take no away from
Speaker 1: broad basing easy nothing. It takes one of the h
Speaker 1: you have the next one to You got all the
Speaker 1: harm questions Joel's or Max b oh uh. The relationship
Speaker 1: with not personal, but you know, gonna say both is cool.
Speaker 2: Free the wave but it's all Harlem and so yeah
Speaker 2: both yeah, oh ship shot, shout the clock all over
Speaker 2: the place, hurry up as fast more alright, ain't connor
Speaker 2: T Pain.
Speaker 1: That was for me, So go ahead, it was for you.
Speaker 1: You got all the HALLM T Pain. Yeah, shout out
Speaker 1: the T pain. He's like he's like the birth order. Ye,
Speaker 1: the Godfather order tone. I'm gonna say T Paint is
Speaker 1: like Godfather.
Speaker 5: Order to.
Speaker 1: Know you gotta give them his respect.
Speaker 3: I mean, he definitely, I believe, but he deserves his
Speaker 3: now asking y'all two brothers that used orto tone?
Speaker 1: Is t Pain the godfather order tune? Hip hop shout
Speaker 1: because we know George Clinton and.
Speaker 5: What's the Roger Trupan Roger Trup that was an auto
Speaker 5: tunes Auto tunes is as appropriate.
Speaker 1: That's his order tool is cussing though, right right? That
Speaker 1: was that was organic natural They was using the.
Speaker 4: Key Shout out to Akon because you know at the
Speaker 4: time t Paint ain't like how I was using an
Speaker 4: auto tune, and I guess, yeah, he went on an
Speaker 4: interview must to say he didn't like.
Speaker 1: How I was using. You ain't tell me that.
Speaker 4: Akon called me and was like, yo, y'all don't need
Speaker 4: to be beefing like like on some O G ship Like, Yo,
Speaker 4: y'all don't need to be beefing like that.
Speaker 1: It's all love and why you responded to him?
Speaker 4: I didn't respond, but what she was going to most
Speaker 4: likely I was getting amped up from so it comes like, yeah,
Speaker 4: we ain't on that type of time. You know, it
Speaker 4: ain't no problem. So we kind of kind of that
Speaker 4: at the end. Whatever energy it was and uh yeah
Speaker 4: me and ended up doing a record together. Shout to
Speaker 4: akno together yet absolutely wondering to uh your m TV
Speaker 4: raps or video music box, video music box?
Speaker 1: Yeah, I think I think video music blocks influenced me. Yeah,
Speaker 1: without video probably wouldn't you know. You know, I respect
Speaker 1: that's shocking me. Dane shout around. Yeah, man, we had
Speaker 1: them on. Check it out. Pete Rock or Primo both
Speaker 1: reminiscences one of the best beats in the world. I
Speaker 1: ain't got no more. Not that version, that's the same version.
Speaker 1: This is a sparfed version almost Classic Records. Yeah, yeah,
Speaker 1: thank you, Absolutely it is.
Speaker 4: And look Primo got so many ship crazy just the
Speaker 4: premo Yeah yeah, yeah, well love Heathen.
Speaker 1: Just schools, Yeah, I just I just yeah, okay all
Speaker 1: dre Rizza.
Speaker 4: Both oh thirty six Chambers man, yeah, all right, we're
Speaker 4: gonna spoke that one day.
Speaker 1: He said, both, Mama, this is dreams champces Broth. All right, cool,
Speaker 1: I got you with the I know how it became
Speaker 1: from Champagne to just only shots. This is the game.
Speaker 1: This is the game. Yeah, okay, it's only twenty more
Speaker 1: year now. You we got like five moster.
Speaker 4: Or eminems all right, but don't forget the shot.
Speaker 1: We had a comma. You know the fuck solid most
Speaker 1: of them.
Speaker 4: All right, I just want to tell you wrap money, man.
Speaker 4: You know you don't have to you can we wind
Speaker 4: time Boris tell them about the box. But Buster actually, uh,
Speaker 4: he was like, yo, we.
Speaker 1: We we get into that. Hold on, calm down.
Speaker 7: I'm relaxed. I thought it was almost all no, no, no,
Speaker 7: just just just this part. Bull tang or n W
Speaker 7: A wait? Did we answered? Buster Eminem both said fast?
Speaker 7: They both got money with a Buster.
Speaker 4: You can tell absolutely. Let's rich, my brother, let's go.
Speaker 4: You said you tang or n W A tank?
Speaker 1: Okay.
Speaker 2: I knew that that was gonna be easy, real funk
Speaker 2: fluck yeah both, I man, yeah, I mean we know
Speaker 2: the apozan of the DJ relationships.
Speaker 1: You champagne shot. Yeah, listen, this is this is the
Speaker 1: way the game goes man, this is twenty twenty five.
Speaker 1: I twisted ship twists and turn the way I want
Speaker 1: to go. Fall pause. I'm gonna hold it down. I
Speaker 1: guess man, yeah, poor, excuse me, but uh kicking pree
Speaker 1: it's probably the illis DJ live ever Yeah he can
Speaker 1: rock any crowd. Answer the phone. Fuck, No, that's you
Speaker 1: did it on purpose. That's an alarm. Okay, that's the alarm. No,
Speaker 1: that's actually got a different type of alarm. Yeah, that
Speaker 1: was supposed to be make be on hand on time.
Speaker 3: And funk Flex is the best radio DJ of all time.
Speaker 3: Yes one, and he gets busy in the clubs too.
Speaker 3: I swear to God, but I kid you not. I
Speaker 3: don't know how many times I missed my flight because
Speaker 3: he said pull over, and I pulled over and he said,
Speaker 3: he said, like, go on the register.
Speaker 1: I don't fall for that part, but he account when
Speaker 1: he like a record gorack? What do you think about?
Speaker 1: This is no? We got one more question one. This
Speaker 1: is the last question. I'm not gonna say nothing. Loyalty
Speaker 1: or respect. Wow. Yeah, I'm going to pick one of these.
Speaker 1: Loyalty respect, Kay. Yeah, I think if you respect me,
Speaker 1: you're going to be loyal to me. Yeah. So he's
Speaker 1: saying both, Yeah, that's what that's Yeah. That's the only
Speaker 1: time me and him agree that you always should say both.
Speaker 1: It's both. Man. I guess you going done. Man, I
Speaker 1: ain't got no more. That's why you blew it up.
Speaker 3: She's supposed to take pull my shots over there.
Speaker 1: Yeah, she's like ginger real shots.
Speaker 5: You know what I mean.
Speaker 1: You know, but look at she in pain in there.
Speaker 3: We don't from the fast with the fans see this ship.
Speaker 3: So uh, y'all coming out with an album together? Now,
Speaker 3: how the funk is this working? I mean, me and
Speaker 3: Brown's always worked the same way. Okay, brows is like
Speaker 3: he works around the clock. Browsers should be up all
Speaker 3: around the clock in the house, is making beats, beat, beat, beat,
Speaker 3: and then.
Speaker 2: I wake up in the morning. He got the idea
Speaker 2: already done. I'm just and I'll come and just add
Speaker 2: to this ship.
Speaker 1: Like, how did you guys originally connect though? T Rex? Yeah,
Speaker 1: so it's a it's a bad rapin t Rex everybody. Yeah, that's.
Speaker 5: So.
Speaker 2: Rex was signed his record before money as Rex was
Speaker 2: one of my.
Speaker 1: Friends growing up, and.
Speaker 2: Honestly, I'm won't give him his flowers because he's one
Speaker 2: of the reasons that him and him and TX is
Speaker 2: one of the reasons I started doing music. She's going
Speaker 2: to the studio watching him. I didn't know nothing about music,
Speaker 2: watching their process, seeing everything he did, and then all
Speaker 2: the girls liked him because they had records.
Speaker 1: So I was like, fuck, it I need a record, yeah,
Speaker 1: because he had a record.
Speaker 2: Yeah yeah, And so Rex introduced that that'd be like
Speaker 2: the eighty two thousands and this is like he you know,
Speaker 2: this is after Ether and all that, Like this is
Speaker 2: like this, this is like Ron Brows, wrong Brows. And
Speaker 2: I met him and he treated me like a brother
Speaker 2: ever since, and then we've just been rocking ever since.
Speaker 1: Then. God damn y'all was supposed to do an album
Speaker 1: that he got high and he changed on you. He changed.
Speaker 1: He was just you know, like that's what you know.
Speaker 1: He changed was like it was more like a lesson.
Speaker 1: He was like, nise me. I used to get distracted,
Speaker 1: I got hot.
Speaker 4: And started wearing sunglasses on you, and then now you
Speaker 4: started wearing well, I'm I think the reason the reason
Speaker 4: I got my second deal. So yeah, yeah, but but
Speaker 4: I ain't gonna lie brow.
Speaker 10: Hm.
Speaker 1: There was a time. It's like, you know, it's certain errors.
Speaker 1: It tight William Raors.
Speaker 3: You know the Scotts Starch errors, for Ral errors, Timberland errors, Swiss.
Speaker 4: Beats era, that Ron Boles error. It's different, it's different.
Speaker 4: It was a super different party.
Speaker 1: It was party.
Speaker 3: But you like, God bless me for you know, anybody
Speaker 3: else from the city to have had that same era.
Speaker 3: But you were staying in the city like you were,
Speaker 3: you were, you were giving everybody from the city from
Speaker 3: I'm sorry I say in the city, I should say
Speaker 3: New York.
Speaker 1: You know what I forgot? I like, just kick it
Speaker 1: in to the five barrels. I'm sorry, I got this
Speaker 1: is a global thing. Okay, yeah, but you but this
Speaker 1: is the time where if you if you, if you
Speaker 1: had them hits in New York, you ran the actual world. Yes, yes,
Speaker 1: you had a piece of that era, yes all the time. Yeah, man,
Speaker 1: I just felt like I was the point guard. But
Speaker 1: where did it start from?
Speaker 3: Because I know it's ether, right, that's put you in
Speaker 3: the game, Pop Champagne. It was the first time you
Speaker 3: on a record, right, and uh, actually you start when?
Speaker 3: When when did you have that cheese line? Whatever I
Speaker 3: mean by line is people lining up pop Champagne Pop.
Speaker 3: I was able to control the temperature because I could
Speaker 3: put a hook on it and be like, you have
Speaker 3: the formula, the formula, yeah, this this to.
Speaker 1: Be just a hook and artist would be like, that's
Speaker 1: how we created rotate right right right right, shut out,
Speaker 1: give your flowers.
Speaker 4: Yeah, but I was able to control the temperature because
Speaker 4: I was able to do the hook and do the
Speaker 4: beat and all this. I get it, and I just
Speaker 4: felt like I was the point gone for New York,
Speaker 4: Like I'm just throwing alleys across the fire.
Speaker 1: Yeah yeah, yeah. So Pop Champagne at the Pop Champagne?
Speaker 1: What was the next record? Hey, Ram Money? Okay, how
Speaker 1: does this happen? Bus called you right after Pop Champagne? Yo,
Speaker 1: I need something now. I don't care what you're doing
Speaker 1: to immediately.
Speaker 4: Wake up now, Bus, I'm sleeping now, now wake up.
Speaker 4: I'm in the studio senate right now, Bus, I'd be
Speaker 4: like driving.
Speaker 1: All right. So what was the initial conversation your first hand? Yo,
Speaker 1: I need something right now, something like not something like
Speaker 1: pop shap something with that. And after Popham Pat No, okay,
Speaker 1: after Pop I need something right now? I said, I
Speaker 1: seen you.
Speaker 4: You know it's crazy rap Money. I thought it was
Speaker 4: too weird and I put it like in the back
Speaker 4: of the CD for real. I was like, Yo, people
Speaker 4: don't think I'm bugged out, but is.
Speaker 1: This face to face me? No, No, this is on
Speaker 1: the phone. Okay. So he's like, send me, send me
Speaker 1: some money.
Speaker 4: Gives him your number yes, and then he calls you yes,
Speaker 4: and then he says, I'm busting.
Speaker 1: I don't know how busted got my numbers. It's very weird.
Speaker 1: But when he says this is bust the bust, you know,
Speaker 1: no one's imitating. Yes, this is a okay, continue and he's.
Speaker 4: Like, you I need something like that, like what pop
Speaker 4: Champagne or something with.
Speaker 1: That energy he said he referenced pop cham Yeah, yeah, yeah,
Speaker 1: I need but I don't know if he read I
Speaker 1: just need something you knew what it was? Energy? Yeah?
Speaker 4: Yeah, I seen you some joints and then I had
Speaker 4: Pop Champagne on there. I mean a rap money and
Speaker 4: was it called money Yeah?
Speaker 1: Yeah, yeah, okay.
Speaker 4: I said I'm gonna put it in the back because
Speaker 4: I say, people gonna think I'm weird when they hit
Speaker 4: it's like yo. He bugged up as soon as he
Speaker 4: heard that. He's like, Yo, this is my single. I
Speaker 4: don't care what you're saying on the hook. This is
Speaker 4: my single.
Speaker 1: Wait, okay, what are you saying? This was already the
Speaker 1: hook was he was on it, and we definitely don't
Speaker 1: know what then you're saying.
Speaker 4: I was saying nothing at all. It's sounds like you
Speaker 4: spoke something. But let's let's see the hook real quick.
Speaker 1: How does it go? She got a lie? Anybody lie?
Speaker 1: Anybody lie? Did you ever get any back last or
Speaker 1: any niggative?
Speaker 4: I was in Lebanon. I got booked in Lebanon and
Speaker 4: it was like different, there's scared Leon.
Speaker 1: He's like.
Speaker 4: They was like, are you scared? I said, scared of what?
Speaker 4: It was like what you're saying on the song and
Speaker 4: now like y'all y'all locked me up because bo it
Speaker 4: might have seemed like it was blasphemous, like y'all booked.
Speaker 1: Me to be like yeah, we just mounched you up.
Speaker 4: But it's like, yo, we take that offensive. I'm like, no,
Speaker 4: they thought what I was saying we getting era money? Mean,
Speaker 4: like are we taking I was like, no, we're getting
Speaker 4: like that's what they got to fight. I thought you
Speaker 4: were saying in the No, No, it was we're getting around.
Speaker 4: They thought I was saying taking like money from them
Speaker 4: or something like that.
Speaker 1: But then you performed yes, because.
Speaker 4: Yes, but I remember, I remember I was at the airport.
Speaker 4: It's like we're gonna bomb this up, like I'm want
Speaker 4: to fight the flight out anyway, So good luck because
Speaker 4: there was just you know, that's the the you know,
Speaker 4: the Instagram and comment.
Speaker 1: Shot no no bombs. You know, I don't get was
Speaker 1: getting bomb threats. Yeah, actually you're a different type. I
Speaker 1: take another shot Champagne that.
Speaker 4: Yeah.
Speaker 1: But it was like, Yo, this is my single.
Speaker 4: I don't care what you're saying on the hook, but
Speaker 4: bust to say you're not saying nothing on the hook.
Speaker 1: We have to make it a real hook. Then he
Speaker 1: put he linked with Q tip and they said the
Speaker 1: real actual prayer. Oh so then it does say something.
Speaker 4: No, they switched into the actual so when you were
Speaker 4: saying that you weren't saying shot, switched it out and
Speaker 4: then they got backlash from the prayer. So you were
Speaker 4: like the demo version, the remix, they went to the
Speaker 4: real You were like the demo I was the original,
Speaker 4: you know what I'm saying, so but they used your version.
Speaker 1: Yeah, my version.
Speaker 4: First that was what does he say it ain't I'm like,
Speaker 4: I'm not saying nothing really, so then he's like, we
Speaker 4: got to make you say something. They did the actual
Speaker 4: prayer on the remix though, and then they were saying no,
Speaker 4: that's from the backlash.
Speaker 1: I would imagine from the prayer.
Speaker 4: We got to switch you back, switch you back to
Speaker 4: the original, which was my original hook.
Speaker 1: So that happened.
Speaker 4: Yeah, but Bust will be out there every almost every
Speaker 4: every other week.
Speaker 1: What wearing saudy like buying stuff? Yea, Like now you're good.
Speaker 1: I mean, I'm sure you do. You think he's doing
Speaker 1: a rap money out there? It's crazy. I remember.
Speaker 4: I remember Gym was like, you should have kept that
Speaker 4: wreaking for yourself. I was like, I should have, but
Speaker 4: I don't think I would have had the same Like.
Speaker 1: He rap money for your son, you should not. Ye
Speaker 1: he had the whole vision. Yeah, I mean definitely I
Speaker 1: agree with YEA.
Speaker 3: Other than that and Pop Champagne, is there any other
Speaker 3: record that you gave away that you felt like you
Speaker 3: should have kept for yourself?
Speaker 1: Uh?
Speaker 4: Man, I get crazy for Nicki Minaj. That beat is
Speaker 4: like the beat is virable by tell so I'd be like, damn,
Speaker 4: I don't I wish I would have kept that one.
Speaker 1: Mm hmm. Yeah, shout out to Nicki Mina. God damn
Speaker 1: she killed that. Yeah, yeah, she killt that. Big queens.
Speaker 1: Big queens, get a check for me. Hey man, listen,
Speaker 1: it's not like that. So what's the next record after
Speaker 1: a rap money, what's the next one that goes pop champagne? Yeah,
Speaker 1: I want to do my day like Universe and put
Speaker 1: out jumping out the window for sure. So all right,
Speaker 1: so so Universe all coming to you?
Speaker 4: Yeah, they give you that bad Yeah yeah, you ain't
Speaker 4: gotta say yeah, but it's like, yeah it is it
Speaker 4: like like like change your number. But what happened was,
Speaker 4: you know, I caught a check with Universal. I caught
Speaker 4: the check with Jim. I caught the video check. Jim
Speaker 4: was making sure like yo, you're gonna be right. So
Speaker 4: not like it makes sense, let's go, you know what
Speaker 4: I'm saying. So yeah, yeah, shout out to Sylvia. Sylvia
Speaker 4: gave me my Sylvia Wrong gave me my first deal.
Speaker 1: I know, I'm just I'm smoking come on, So Sylvia Wrong.
Speaker 4: Yeah she's still in the music business. Yeah yeah, yeah,
Speaker 4: I think she said, Sony, I believe.
Speaker 2: Okay, what do you think about the music business now?
Speaker 2: Both of you guys, like, uh, I just feel like
Speaker 2: it's no, it's like a free fall. Whoever come up
Speaker 2: with the fastest gimmick, fastest record.
Speaker 1: It's like it's not like.
Speaker 2: It's like effortless almost to me, I mean social media
Speaker 2: and anybody. Anybody can do a record now, Like you
Speaker 2: don't have to put the work into create a record,
Speaker 2: and you don't have to put the work at the
Speaker 2: break a record. All you need is this, which is
Speaker 2: a gifting the curse because it give it gives more
Speaker 2: people opportunity to make money, which is great, but it
Speaker 2: brings the quality of music.
Speaker 5: Now, that's the thing is quite You can make a
Speaker 5: million records easy and then put out a million records easy.
Speaker 1: And yeah, I feel like if you're a dreamer, it's
Speaker 1: amazing for you right now.
Speaker 4: Like you know, you could wake up and be like,
Speaker 4: y'all want to do a video like this and like this,
Speaker 4: and it's possible, and you could put it on your
Speaker 4: dsp an. It's no one saying, you know, I don't
Speaker 4: like that record. You could be like, no, I like
Speaker 4: this record and put it on Friday. I'm shooting video
Speaker 4: on Saturday. It's endless for the dreamers, you know what
Speaker 4: I mean. And because we didn't have that back in
Speaker 4: the day, you know, yeah, all that and then if
Speaker 4: the label didn't like it, it's like, nah, we're dubbing that.
Speaker 1: That's not happening. You know what I mean. So if
Speaker 1: you're a dreamer, is endless for you right now?
Speaker 4: You know what I mean?
Speaker 5: Upheld battle because oversaturation is. But if you nice and
Speaker 5: you get busy and you you got to cut through
Speaker 5: the clutter. You got to cut through the clutters.
Speaker 4: A lot of that's why you got to make them
Speaker 4: records that stand out, that touch people.
Speaker 1: You know. Pause, So what are y'all doing with your album?
Speaker 1: Let's let's let's let's let's let's take it full circle.
Speaker 1: What is the name of y'all? Y'all filming the video right? Oh?
Speaker 4: Shut, Yeah, we got a record called Let's Get Rich
Speaker 4: with Me WebStar mister Cheeks, mister Cheeks.
Speaker 1: The Hardest Mac. Yeah, so yeah, you know what I mean.
Speaker 2: And we just like right now the game is so crazy.
Speaker 2: We just create records, playing records out and just seeing
Speaker 2: where it goes. It's not it's not well throught our
Speaker 2: process like back in the.
Speaker 1: Days when you well that's the luxury of now. Yeah, yeah,
Speaker 1: pressure ain't there.
Speaker 2: We're not going in with the pressure of doing the
Speaker 2: whole album, say we gotta have this, this and this
Speaker 2: and records and then when something started picking up, seeing
Speaker 2: then we'll just go from there.
Speaker 1: You guys living out here. Now, I've seen in Miami.
Speaker 1: I've seen you not that long ago out here man
Speaker 1: that come out to them. And it's crazy. I came
Speaker 1: to the last timer you do another one. That was
Speaker 1: our anniversary. I'll do it again this year. Yeah, but
Speaker 1: I show y'all was out here with my god nepht
Speaker 1: the directing that my god.
Speaker 3: So what's something that you regret in this game? That
Speaker 3: that that you had the opportunity to do necessarily?
Speaker 4: And then you was like, man, maybe not like a mistake, yeah,
Speaker 4: a mistake or maybe even something that you you.
Speaker 2: You spending money stupidly when I got it, not saving it,
Speaker 2: not investing the first time around, like you know, you
Speaker 2: when you come from nothing and you and you and
Speaker 2: you get money for the first time, like you don't
Speaker 2: if you don't got to white people, right, you're gonna
Speaker 2: do the wrong things with the money. So it was like,
Speaker 2: you got a lifestyle, you gotta keep up with you
Speaker 2: on TV, people see you everywhere. You got to keep
Speaker 2: your image up. You might not have no money. I
Speaker 2: was like, when I phrased up my record, I was
Speaker 2: I was broken ship. I spent all my money doing
Speaker 2: some dumb stuff going to strip clubs, buying Jurry Coles carts,
Speaker 2: stuff like that, and I ain't have nothing really to
Speaker 2: show for it. So if I would, if I could
Speaker 2: do anything, I would probably save my money and invest
Speaker 2: it and probably trying to surround myself with people who
Speaker 2: knew the business and how minutes money better?
Speaker 1: Right? How about you bro.
Speaker 4: Being stern on your vision because I came from being
Speaker 4: independent and then getting a deal. Then when you get
Speaker 4: a deal, they kind of at your universal university would
Speaker 4: have gave you a motown, a song deal for you,
Speaker 4: album deal?
Speaker 1: Yeah, as an artist, dost okay, okay.
Speaker 4: Yeah, so you'll start bumping heads with what a label
Speaker 4: for as your vision, you know what I'm saying. So
Speaker 4: there have a vision for you, but you have your
Speaker 4: own vision, and sometimes you kind of play the you
Speaker 4: don't want to ruffle the you know, the feathers. I
Speaker 4: don't know if that's a pause. Yeah, ruffle the feathers
Speaker 4: as far as your their vision and your vision. So
Speaker 4: you'll kind of be like, all right, whatever, y'all. I
Speaker 4: think is that instead of being stern like, nah, this
Speaker 4: is what I'm doing, this is the vision, this is
Speaker 4: how I see it rolling out, So I just kind
Speaker 4: of regret just being stern on my vision when I
Speaker 4: was signed.
Speaker 3: All right, so before y'all get up out of there,
Speaker 3: before they recovered everything.
Speaker 1: If he did covered more than everything, please please let
Speaker 1: us know at the fucking time. But let me just
Speaker 1: tell ya something. Both of y'all controlled New York City summers.
Speaker 4: Yeah, absolutely, when New York City summers meant something.
Speaker 1: And that's what I mean by that. You know, God
Speaker 1: bless y'all the rest of the country, Big Gip.
Speaker 3: I look at Big Gip everything that Big Gip ever says,
Speaker 3: and he has a bigger burden about New York than
Speaker 3: even you.
Speaker 1: Don't burden, bro, it's not the right word. I think
Speaker 1: it's just chip is. We're not hating. We're telling you
Speaker 1: historical facts. I know I'm hating that. You're you're hating it.
Speaker 1: The facts are facts. Nope, that's what I'm hating that, y'all.
Speaker 4: Y'all just remember when we just pre doominated everybody, And
Speaker 4: I don't It doesn't have to do the time that
Speaker 4: he's talking about maybe going back ebonics.
Speaker 1: Maybe he third that that's still that era.
Speaker 3: But okay, let me get back to my point both
Speaker 3: for your brothers controlled. When you control the summer in
Speaker 3: New York, it's like controlling the summer in all nine planets.
Speaker 1: At least at that time.
Speaker 4: Now, it doesn't matter if you control you know, summer anywhere,
Speaker 4: it doesn't matter, you know what I mean.
Speaker 1: But right back then, yeah, not like that guy in
Speaker 1: my day, I mean where that is?
Speaker 3: Yeah, definitely it but chicken little suit destroyed. And then
Speaker 3: what's dancing army? And then you guys with all of
Speaker 3: your records, y'all Controy controlled new York, controlled New York,
Speaker 3: summers New York at that time, or controlling the world. Yeah,
Speaker 3: how does it feel to be that number one producer
Speaker 3: slash you know, uh influencer, that's the first influencer.
Speaker 1: How does it feel? I'll start with you first.
Speaker 2: Honestly, like you know, we don't really think I mean
Speaker 2: coming from I'm gonna speak for you a little bit too,
Speaker 2: like like like the neighborhoods we come from, Like nobody
Speaker 2: makes it from where we come from. Like it's like
Speaker 2: he's either like like like say, you know you staying
Speaker 2: crackrock you we can jump shot. It ain't nobody you
Speaker 2: don't believe you can do it, So I believe we
Speaker 2: was doing it. We wasn't even thinking about that. We
Speaker 2: was just living in a moment and it kind of
Speaker 2: just happened organically. We was able to have our moment
Speaker 2: because we never got a chance to really imagine that
Speaker 2: something that this could happen. This is why I was
Speaker 2: going back to saying, like, this is why when you're
Speaker 2: living in the moment, you're not thinking about you can't
Speaker 2: prepare for it. You can't like there's no preparation for
Speaker 2: its expect before, or you got somebody with you that
Speaker 2: you love that's did it before.
Speaker 1: So it's the best feeling in the world.
Speaker 2: It's like, there's nothing like New York in the world,
Speaker 2: and it's the hardest market of conquer during that time, especially,
Speaker 2: you know what I'm saying.
Speaker 1: So I feel like it's just an amazing feeling. Do
Speaker 1: you still know how to do the chicken roo stew?
Speaker 1: I never knew how to do it. You never knew
Speaker 1: how to I can't do a little bit. I can't
Speaker 1: because that rain and I can clear it out. That's
Speaker 1: why nigga trying to be this. This is these niggas.
Speaker 1: Now is the biggest moment in your life. Got to
Speaker 1: do it together with me. We gotta letter rate and
Speaker 1: then we gotta clear it out.
Speaker 3: We gotta we gotta see you demonstrate it first. I
Speaker 3: just tell you it's like it's like it's like the
Speaker 3: electric side. Somebody gotta started off.
Speaker 1: Yeah, yeah, yeah yeah, and then we you know what
Speaker 1: I mean, come on, started off? So show shows? How
Speaker 1: did how did Chicken to the Soup? Start? What you mean?
Speaker 1: How was you know? The dance and some of the stuff.
Speaker 1: You know, I can just let it ready, man, millions
Speaker 1: of dollars.
Speaker 9: You don't you know what the only little kids was
Speaker 9: out here?
Speaker 1: The chicken new the suit, I don't take the suit
Speaker 1: with a soda on the side. Do everything. I don't
Speaker 1: know how you didn't dance.
Speaker 9: We should make annoyse that, like, come, you know how
Speaker 9: to do the dance?
Speaker 1: Somebody do sit down and do the dance. Come on,
Speaker 1: he just did. I just did the sons Manny my money.
Speaker 1: That got damning with you. I'm fucking with you. I'm
Speaker 1: with you. I mean a money dance. Yeah that's very easy. Yeah,
Speaker 1: that's very easy. I know how to do that too.
Speaker 4: We all did it in the in the remix video.
Speaker 4: God damn before we get out rotate Rota. Yes, thank
Speaker 4: you very much, my brother very much.
Speaker 5: No, before you, I do want to say something that
Speaker 5: about that record. That And I don't know if Nor
Speaker 5: would say it the way I would say, but this
Speaker 5: is when you kind of were coming out of hip
Speaker 5: hop purgatory.
Speaker 1: It's purgatory. It's purgatory.
Speaker 5: And he was working with This is like the beginnings
Speaker 5: of when the drink Champs was manifesting.
Speaker 1: We were down South and South Miami and Kendall.
Speaker 5: To be exact, and you you were burning hot yep,
Speaker 5: and you facilitated that record.
Speaker 1: To your buster.
Speaker 4: Buster came to me, He's like, we got come home
Speaker 4: something for Nor and that's dope. Yeah for real, that's
Speaker 4: not a different idea. Yes, He's like like the fire
Speaker 4: trucks is coming to sun No. And I said, let
Speaker 4: me let me do the houg bus. Yes, yes, and
Speaker 4: I came up with rot that's it. Yeah, thank you
Speaker 4: very much.
Speaker 1: I know you think you Let me say you thank you.
Speaker 1: Let me tell you thank you too.
Speaker 2: We got yo, I got fournishing you okayiously, No, I
Speaker 2: want to say this shot you get a shot, you
Speaker 2: get a shot, get a shot ahead, give me quickly
Speaker 2: and I want to say that I'm working right now
Speaker 2: on the documentary with uh when mons let Man, Mike
Speaker 2: Willing and and pedigation on another tunnel, working on documentary
Speaker 2: with a tunnel.
Speaker 1: I heard about this. Actually, yeah, I got footage. If
Speaker 1: you want stage performing in the tunnel, that's not me
Speaker 1: to jumbo stage. No, it's no, no, it's not sure.
Speaker 1: It's compone.
Speaker 7: Yeah.
Speaker 2: Somebody through shim pain over and he's jumping and crowd.
Speaker 1: You have to be kept performing. Yeah you did, yeah, no, no, no, no,
Speaker 1: that's not what you did. I got to put out
Speaker 1: watching it. What do you do? Somebody through somebody, somebody
Speaker 1: through ship pain on.
Speaker 2: The composers jumped in, the crowd started trying. Then they
Speaker 2: got through something on them and nobody saying, you know.
Speaker 1: We had about five thousand niggas on stage. He said
Speaker 1: go get them and did get you. Yeah, niggas win
Speaker 1: the crowd and then I can pull back on stage
Speaker 1: and then they finished for me. That's dope. I ain't
Speaker 1: know you was that powerful side. I don't remember, not one.
Speaker 1: Go get out here with I remember that version here
Speaker 1: with Lego a lego, now you know what I mean?
Speaker 1: Like I don't know what you're talking about, you know,
Speaker 1: you know, let you man think a picture before you
Speaker 1: get about it. Here man, you get your your flowers,
Speaker 1: but we wanted to make sure is anything that you'll
Speaker 1: forgot that you want to tell y'all fast before we
Speaker 1: get up.
Speaker 4: Oh yeah, yeah, man, I got to Eat the Gang
Speaker 4: Volume one coming this summer with my guy mag Double
Speaker 4: Low Wolf and shout out to the guy. So Eat
Speaker 4: the Gang Volume one.
Speaker 1: Yeah, okay, yeah, and Max your artists because yeah, yeah
Speaker 1: you're ma ma man. Okay, yeah.
Speaker 2: I just want to just first I want to thank
Speaker 2: both of you guys for embrace every Timmer kind of Miami.
Speaker 2: I see you embrace me always like you took care
Speaker 2: of me with your family, and I want to thank
Speaker 2: you for that.
Speaker 1: Let's go.
Speaker 2: I just want to say the Tunnel documentary. I'm working
Speaker 2: on another called Batty Gang, and I'm working.
Speaker 1: With Hello bat What's up about what happened? Thank you?
Speaker 1: It's a reality show about female babs.
Speaker 2: Just here the Gumbos Luca Lex we're working on. Yeah, yeah, yeah,
Speaker 2: we're going on the show to give us well with
Speaker 2: them and then yeah we had That's it.
Speaker 1: That's pretty much it. Just thank you out you know
Speaker 1: I'm coming through. I appreciate absolutely. Let's take it.
Speaker 7: Oh we did a shout already, Yeah we did.
Speaker 1: Let's do another one.
Speaker 5: Drink Champs is a drink Champs ll C production hosts
Speaker 5: and executive producers n O r E and d j
Speaker 5: e f FN.
Speaker 1: Listen to Drink.
Speaker 5: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you
Speaker 5: get your podcasts. Thanks for joining us for another episode
Speaker 5: of drink Champs hosted by yours truly, d j e
Speaker 5: f N and n O r E. Please make sure
Speaker 5: to follow us on all our socials that's at drink
Speaker 5: Champs across all platforms, at the Real nor Reagon, I
Speaker 5: g at Noriega on Twitter, mineus at Who's Crazy on
Speaker 5: I g at dj e f N on Twitter, and
Speaker 5: most importantly, stay up to date with the latest releases,
Speaker 5: news and merch by going to drink champs dot com