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Speaker 1: He is drink chess, motherfucking podcast man.

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Speaker 2: He's a legendary queen's rapper. He ain't agreed that your

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Speaker 2: boy in O R E D's a Miami hip hop

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Speaker 2: pioneer p up as DJ.

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Speaker 1: E f N. Together they drink it up with some

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Speaker 1: of the biggest players, you know what I mean, and.

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Speaker 2: The most professional, unprofessional podcast and your number one source

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Speaker 2: for drunk d chansy days New Year.

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Speaker 1: C that's it's time for drink champions. Drink up, mother,

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Speaker 1: would it gonna be? Hope? Swishing me? Your boy n

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Speaker 1: A O N A A.

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Speaker 3: What up is d J e f N like through

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Speaker 3: the Spanish real quick a little bit. We gotta arguably

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Speaker 3: one of the best producer of all times. These guys have,

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Speaker 3: both of them, have controlled Summers, has controlled my summer,

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Speaker 3: Summers Summer, Harriet.

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Speaker 1: This guy's got a hot hand.

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Speaker 4: They head together making I think they making an album.

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Speaker 1: We're not sure they making from the time. It's about

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Speaker 1: goddamn time because New York City have been waiting for it.

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Speaker 3: The motherfucker mag Limmerson Dynamic Duo Right now, motherfucker brow.

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Speaker 1: Now, I gotta off top. We gotta give y'all bottle

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Speaker 1: on Champagne. You know what I'm saying. Yeah, let's get

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Speaker 1: let's give him the cold ones you want. You wanna

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Speaker 1: start with Champagne, even though I feel like you want

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Speaker 1: to Killer Guy, Bahamas, Bahamas, but you proper Champagne. I'm

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Speaker 1: doing what you're doing, okay, all right? Cool?

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Speaker 2: Cool, cool?

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Speaker 1: You sure? I feel like you avaka guy. I'm doing

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Speaker 1: what you're doing, all right? Cool on whatever you do,

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Speaker 1: Popper Champagne.

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Speaker 3: So let me ask you because that's that record right there,

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Speaker 3: that's one of my favorite records of all times.

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Speaker 1: It's one of the rec is that I hear.

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Speaker 3: You know here, you always you there's always a record

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Speaker 3: that you hear and be like, man, I wish I.

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Speaker 1: Made that ship.

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Speaker 3: That's one of those records for me because I really

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Speaker 3: Pop Champagne. You just had uh the homie on the phone,

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Speaker 3: and you know that's That's what our section of Queen's

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Speaker 3: is about. It's about Pop and Champagne. Bring all three.

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Speaker 3: We're giving them all their own bottle. Oh yeah, yeah,

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Speaker 3: yeah yeah. Don't don't waste my ship.

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Speaker 1: Don't waste my ship.

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Speaker 3: So so let's let's let's describe that real quick brows.

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Speaker 4: That record was yours at first. Yeah, okay, so how

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Speaker 4: does happen? Uh, you know, trying to learn auto tune? Okay,

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Speaker 4: I created it was in the crib creating this beat,

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Speaker 4: and I didn't really know how to work the auto

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Speaker 4: tune like that. So that's why I'm pop Champagne. You

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Speaker 4: hear the clear out of the drums. I didn't really

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Speaker 4: know how to people. You know, I don't know how

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Speaker 4: to work the auto tune and.

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Speaker 5: How early what years is? Because Way was just really

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Speaker 5: getting big at the time. Yeah.

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Speaker 4: Yeah, I kind of actually heard fifty cent I'm a rider,

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Speaker 4: That's who I got the idea for. I'm like, yo,

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Speaker 4: I'm gonna do a party record like that, okay, And people.

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Speaker 1: Were picking the talking about the pop campaign part.

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Speaker 4: I'm telling you the orderto P because that's what okay, okay,

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Speaker 4: that's how pop. People were picking dark beats from me.

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Speaker 4: So I'm like, I gotta.

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Speaker 3: Do it because yeah, we'll get back to that.

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Speaker 4: Yeah, you a party beat because they was picking dark

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Speaker 4: beats for me, I'm like, I need a single, you

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Speaker 4: know what I mean. I was getting the h like

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Speaker 4: the album cuts, so you know, I created that record

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Speaker 4: a couple couple of my dudes was like, Yo, that's fire.

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Speaker 4: Brung it up to DJ Enough and he was like, Yo,

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Speaker 4: this joint is crazy.

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Speaker 1: Wait a minute, so you bring into enoughing Enough play

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Speaker 1: that on the radio. Yeah, I was your version. Yeah,

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Speaker 1: it was just by myself. Continue and yeah it was.

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Speaker 4: It was just by myself because I was bringing the

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Speaker 4: records and he was like, nah, it ain't it.

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Speaker 1: Dang't it. Then when I brung that joint, he was like, Yo,

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Speaker 1: that's it.

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Speaker 4: And then uh, I've seen gym outside No, no, just

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Speaker 4: like outside New York when the clubs.

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Speaker 1: Yeah.

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Speaker 4: Yeah, he was like, y'all heard that joint. That's like

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Speaker 4: you want to get on the remix? He was like, yeah,

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Speaker 4: that's how we went to the studio and got it done.

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Speaker 1: Yeah.

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Speaker 3: Just give everybody their own bottle. Yeah, you get everybody

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Speaker 3: their own bottle. This is you know what I mean?

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Speaker 1: Yeah? Yeah, yeah, yeah, absolutely, yes, yes, yes, solo sold

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Speaker 1: sold So we don't know if you know, but our

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Speaker 1: show was about giving people their flowers. Give you all

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Speaker 1: your motherfucker flowers while y'all can smell them, while you

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Speaker 1: can think them and you drink or you can drink them.

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Speaker 3: So let'st's just start it off early, man, Let's give

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Speaker 3: them these more buckers. They flowers.

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Speaker 1: God damn it. Hell yeah hell yea.

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Speaker 2: Fire, yes, yes, thank you.

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Speaker 3: But fine website. You you are island DJ Opera. Yes,

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Speaker 3: you'll be everywhere. I ran to see you a few times. Yes,

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Speaker 3: I can't go to the like the Risk Islands.

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Speaker 4: You go to, okay, because every week hey man, hey man,

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Speaker 4: hey man.

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Speaker 1: That's photo shop. Photo shop. But how did you well,

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Speaker 1: you're a DJ Pryor. I mean, I know it's DJ WebStar,

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Speaker 1: but you know a lot of people have that DJ

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Speaker 1: name and and really wasn't Djail you know what I'm.

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Speaker 4: Saying, Like doctor Drake is not really a doctor.

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Speaker 1: You know what I mean. I don't know if you don't. Yeah,

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Speaker 1: but you was, so he was the DJ before you was.

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Speaker 4: Yeah.

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Speaker 1: So I come home with the bottles that's in there.

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Speaker 3: Yeah, okay, all right, cool, I shouldn't put those bottles

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Speaker 3: here because I want I want them to have their bottles.

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Speaker 1: Next to them. You know what I'm saying. I'm sorry. Yeah.

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Speaker 2: So I come from a block horse Spiller Hill Scriller

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Speaker 2: in Harlem, and okay, DJ s Ands was like living

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Speaker 2: in the next building. Yeah, Like so I grew up

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Speaker 2: watching him through the parties, and and you know he

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Speaker 2: used to giveaways. He used to give away fifty four

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Speaker 2: elevens so boxy.

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Speaker 1: He do team party.

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Speaker 2: So when I became of age, I started doing the

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Speaker 2: same kind of thing I used to be, like products

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Speaker 2: and different things like Nikeople and all that.

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Speaker 1: And I started DJing my own party. I knew it

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Speaker 1: was coming. I still yeah, yeah, I started DJing good in.

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Speaker 2: About my twelfth grade in hospital, about two thousand and

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Speaker 2: two thousand and one, okay, And then from me, I

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Speaker 2: just started breaking my own records at my party. I

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Speaker 2: just started feeding records and smart and then and then,

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Speaker 2: you know, since I had the crowd coming to see me,

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Speaker 2: I said, you know, I broke chicken new soups at

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Speaker 2: one of my team parties, and and the rest.

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Speaker 1: Is like history.

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Speaker 2: From there, I started getting too music from I because

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Speaker 2: I wasn't really even doing music.

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Speaker 1: You know, it's funny. I thought about you the other day,

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Speaker 1: and it's crazy you hit me, but I was going

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Speaker 1: to hit you. This is cool called Real Crew.

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Speaker 3: Uh we run uptown right, and how they how they

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Speaker 3: stretch It's the chicken noodle soup they do.

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Speaker 1: The dance, but they stretch it. It's like the most

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Speaker 1: amazing ship loads. Yeah yeah, yeah, yes, yeah, yes, yeah,

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Speaker 1: yeah yeah. I have your bottles. You know what I'm saying.

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Speaker 1: Three people from we got over here.

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Speaker 4: Yeah, you know, flaps bottles when you drinking it low.

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Speaker 3: She'll come over here, said, you know what I mean.

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Speaker 3: That's Jamie Man. She went the show demonstration.

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Speaker 1: Thank you, Jami, so ahead. Yeah.

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Speaker 2: So, like I started at the top of the year,

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Speaker 2: I started, I was going one hundred days right with

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Speaker 2: no alcohol.

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Speaker 1: Top of the year. He was doing dry January. That's

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Speaker 1: what somebody said, dr January. Yeah, I was doing that,

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Speaker 1: and then.

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Speaker 2: You know, we were talking about doing this for a

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Speaker 2: minute and then as soon as I go on my

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Speaker 2: one hundred day detos coming you.

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Speaker 1: Want to do this?

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Speaker 3: So so what do you now? Let's be clear, you

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Speaker 3: produced ticket in the soup.

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Speaker 1: Right, Yeah, so I held right in I produced it. Yeah, okay,

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Speaker 1: So it's.

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Speaker 2: Kind of similar. Like my staff back then was pretty

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Speaker 2: much the same thing, like like how Cali does it?

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Speaker 2: You know, I had like tea on the tail, I

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Speaker 2: had Bianca, I had you know, t rexsmen move wrong

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Speaker 2: brown help me producers. Right, So I just I got

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Speaker 2: all my friends together that what's what's.

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Speaker 3: The girl from Queen's Girl from Queen Oh Beautyty she came.

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Speaker 2: She came a little bit after I started Chickenoso because

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Speaker 2: you know me, Bonca had that little fallout, so I

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Speaker 2: had to find another female artist.

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Speaker 1: So so she hat to be Brutie. She to.

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Speaker 2: We're all good, we're all family now and all that.

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Speaker 2: But yeah, so I pretty much put a compilation not

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Speaker 2: together for my first album, just just highlighting all the

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Speaker 2: people in all them who had talent, who I was

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Speaker 2: friends with, and then you know, that's what it.

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Speaker 1: So I produced all the records and.

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Speaker 2: Got Browns help me to produce some of them, and yeah,

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Speaker 2: that's pretty much it.

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Speaker 3: So let me ask a million dollar question. It's female

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Speaker 3: artists harder to work with.

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Speaker 1: Absolutely. You know, you got to think about it.

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Speaker 2: How many record labels you know got more than one

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Speaker 2: female artists on it, or how many female artists you

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Speaker 2: have ever seen break another female artist?

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Speaker 1: It's just don't happen, think about it. That's a that's

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Speaker 1: a good point.

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Speaker 3: The first point is because a lot of them can't

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Speaker 3: afford heir makeup.

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Speaker 1: Yeah.

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Speaker 4: The second is, like you know, talking about regulation yeah,

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Speaker 4: but that's a part of the process.

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Speaker 1: Yeah, yeah.

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Speaker 3: But the second one, how many female artists put on

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Speaker 3: another female artist.

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Speaker 1: I'm trying to think it don't happen. I've seen Foxy

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Speaker 1: put on he was under about it, think about it.

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Speaker 2: But sweat all the famous, rich female artists we have,

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Speaker 2: and none of them ever said I'm gonna put out

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Speaker 2: another female artist on my leg.

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Speaker 1: Directly under that right here, this is my artist, right yeah,

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Speaker 1: I haven't really And if you.

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Speaker 2: Think about it, like business wise, that'd be that'd be

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Speaker 2: a small business move because you're already inhaerited your fan

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Speaker 2: base if you put somebody younger.

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Speaker 1: But females don't like to work with other females.

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Speaker 3: It's just respectfully to women, right, respectfully, there's something certain

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Speaker 3: male artists that you work with and be like, I

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Speaker 3: don't want to work with artists periody.

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Speaker 1: So is it really just a ladies thing or is

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Speaker 1: it more of a diva a diva dawn thing, don

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Speaker 1: diva thing? How about that? I'm the honest with you.

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Speaker 2: I think it's the ladiest thing because we never seen it, right,

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Speaker 2: you know what I'm saying, We never seen it. Like

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Speaker 2: even if you don't like, you know, we see males

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Speaker 2: pulling on all the males, see males putting on females, but.

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Speaker 3: Didn't Beyonce put on Halle Berry, Helly Bailey, Chloe, and

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Speaker 3: Chloe Chloe Chloe.

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Speaker 1: Yeah, I didn't be one. I don't know you co signed.

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Speaker 1: The more I mean, you could go back for help,

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Speaker 1: money love put money.

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Speaker 2: Yeah yeah, okay, I mean but look after you gotta

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Speaker 2: go back the game is ring, the game is ring,

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Speaker 2: go back to be like you gotta give credit.

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Speaker 1: To you right to That's that's like my that's like

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Speaker 1: my mom. Yeah, but yeah, yeah, it just don't happen

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Speaker 1: that way, you know what I'm saying.

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Speaker 2: So it's just like I just feel like, you know,

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Speaker 2: when the female get the lights, she wants the light

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Speaker 2: for herself most of the time. But I would love

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Speaker 2: to see some female artists get together and bring out

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Speaker 2: some younger female artists and like bridge the gap between

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Speaker 2: the young and Oh that's why. So it's a gap

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Speaker 2: between either it's two ratchet or too old. There's never

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Speaker 2: no medium for the female.

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Speaker 5: Like glow Riller with MC light, the way you put

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Speaker 5: that together doesn't make sense.

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Speaker 1: She makes it.

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Speaker 4: Like something like that. So so brows. What are you prefer.

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Speaker 3: Being an artist, be in the front of the camera

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Speaker 3: or being behind the camera.

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Speaker 4: Well, in front of the camera got me to be

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Speaker 4: able to tour and see the world. And I just

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Speaker 4: like the creative process of making an artist sound hot.

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Speaker 4: So I like that part. But being an artist, man,

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Speaker 4: you get to travel, you get all.

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Speaker 1: The perks, right, So you want to be an artist.

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Speaker 4: Yeah, so you had a chance to pick one, you

250
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Speaker 4: would pick the artist.

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Speaker 1: Yeah, okay, you get to see more.

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Speaker 2: Man, this nigga did the most of the most legendary

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Speaker 2: beasts of all time.

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Speaker 1: Niggas did the bondis for for.

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Speaker 4: Yeah, I'm doing that from the crib though, Like I

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Speaker 4: get as an artist, I got to go to Japan,

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Speaker 4: go to Africa, I went to I've seen a lot

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Speaker 4: of places. So yeah, as a producer, you get you

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Speaker 4: just staying in crib and create.

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Speaker 1: With the place you have the most pussy act.

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Speaker 6: New York Okay, but you know I love overseas though, Yeah,

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Speaker 6: over seas overseas with Japan, long time, like France, France, Okay,

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Speaker 6: you know cons and all that.

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Speaker 3: Okay, yeah that water France. Parents don't wear them. I

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Speaker 3: don't mind my niggas.

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Speaker 4: You know what I'm stand Yeah, like some at some

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Speaker 4: point I think I'm gonna stop wearing. I'm like I

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Speaker 4: want that other ship cargo.

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Speaker 1: Yes, I see the s car go, Yes I do.

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Speaker 3: So what's your favorite place to perform at?

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Speaker 1: Bahamas? Bahamas?

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Speaker 2: Okay, yeah, yeah, I love the Bahamas. I got a

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Speaker 2: residency out there, so I'm out there like talk to

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Speaker 2: you like like eight times a year.

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Speaker 1: Okay. It was matter of fact, when.

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Speaker 2: I raned you, it was like the anniversary of drink Sham.

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Speaker 1: That's right. Yeah, we had a good time.

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Speaker 2: You actually extended your state so you can come to

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Speaker 2: I appreciate that. Yeah, yeah, Muhamads.

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Speaker 3: Who's an artist you got to work with and and

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Speaker 3: you were kind of like disappointed or they didn't they

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Speaker 3: didn't meet the standards.

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Speaker 4: No, I feel like every artist I work with this

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Speaker 4: document Nas Nikki hey By, they all them drinks?

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Speaker 1: Was was his? Okay, So like I was gonna wait

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Speaker 1: for it, but it all right. You get this call

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Speaker 1: from Nas.

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Speaker 3: Is this your first big call or you had you

289
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Speaker 3: had already did the Bonyx. So what was your biggest

290
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Speaker 3: record besides that before that?

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Speaker 7: He bony Yeah, yeah, this is ak so you can

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Speaker 7: just call from Nas.

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Speaker 1: Yeah, what does he say to you? Yeah, I want

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Speaker 1: you to come here. What I did to the record? Okay, okay, wait,

295
00:14:12,320 --> 00:14:18,800
Speaker 1: you got the record too, right the way I love it? Okay,

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Speaker 1: hold on, So.

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Speaker 4: You got to get the record to him first? How

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Speaker 4: does the record get to him? At that time in

299
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Speaker 4: New York City? You had to be a known producer.

300
00:14:26,520 --> 00:14:31,720
Speaker 4: Swiss was running it, Timberland, Pharrell shout out to Greece.

301
00:14:31,760 --> 00:14:34,040
Speaker 4: They were they were getting busy, so when I was

302
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Speaker 4: making my rounds, you had to kind of give it

303
00:14:37,120 --> 00:14:41,080
Speaker 4: to somebody's uh yeah. And also we kind of me

304
00:14:41,120 --> 00:14:43,160
Speaker 4: and my manager at the time for us snugget to

305
00:14:43,360 --> 00:14:47,840
Speaker 4: his travel agent. Oh wow, travel agent you know, delivered

306
00:14:47,840 --> 00:14:51,800
Speaker 4: the CD. It's about thirty joints on it went through

307
00:14:51,800 --> 00:14:53,800
Speaker 4: the whole thirty joints like this, Where was.

308
00:14:53,960 --> 00:14:57,640
Speaker 1: Where was that joint? On place? On on a CD seventeen?

309
00:14:57,920 --> 00:15:04,800
Speaker 1: He had to go joint legend seventeen. I still got

310
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Speaker 1: to see that.

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Speaker 3: So so so he calls you or someone else's.

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Speaker 4: Cause you I think his labels A and RNA is

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Speaker 4: in the studio. Come to the studio. Okay, Yeah, So

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Speaker 4: I get there and Nas is eating fruit. It's just

315
00:15:19,640 --> 00:15:24,720
Speaker 4: him and the engineer. So I'm thinking, I'm just thinking

316
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Speaker 4: he's gonna play me a regular street record, like YO

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Speaker 4: play the record for him and I hit a f

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Speaker 4: jay Z at the ball.

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Speaker 1: I'm like, what is happening right now? What's happening? I've

320
00:15:39,520 --> 00:15:42,720
Speaker 1: never really heard your side. Yeah, I'm like, all right, So,

321
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Speaker 1: because you already know who you're not working with. Had

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Speaker 1: you work with Rocketfeller prior to that.

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Speaker 4: You know what's crazy? Before that, my man kind of knew.

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Speaker 4: Shout to my man Doug, he knew hip hop. Okay,

325
00:15:59,000 --> 00:16:02,760
Speaker 4: and I went to Baseline to play Stay Property Beats

326
00:16:03,360 --> 00:16:06,320
Speaker 4: and Beanie was dubbing my ship, which.

327
00:16:06,160 --> 00:16:10,800
Speaker 1: Is dubbing me next one next Okay.

328
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Speaker 4: I got a thirty clip on this beast like next one,

329
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Speaker 4: next one.

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Speaker 1: Here's here's the boss back.

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Speaker 3: But here's the craziest question on the d out of

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00:16:24,200 --> 00:16:26,360
Speaker 3: that thirty clip was one that was Ether in one

333
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Speaker 3: of them.

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Speaker 4: Possibly I don't oh.

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Speaker 1: Wait wait wait wait.

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Speaker 4: But hip hop came to my crib and I gave him.

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00:16:38,880 --> 00:16:40,760
Speaker 4: I gave him the bea CD with Ether on there,

338
00:16:41,760 --> 00:16:44,040
Speaker 4: and I was like, give it to j because he

339
00:16:44,120 --> 00:16:46,080
Speaker 4: was getting beasts for JA.

340
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Speaker 1: But he never gave it to him. That's crazy. Yeah,

341
00:16:50,360 --> 00:16:52,480
Speaker 1: so it was there was a chance jay Z could

342
00:16:52,480 --> 00:16:55,880
Speaker 1: have got you. Yeah, you could have got hold on,

343
00:16:55,920 --> 00:16:58,360
Speaker 1: hold on. I'm sorry, I was distracted. Wait what you said?

344
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Speaker 4: Hip Hop came to my crib huh and I gave

345
00:17:01,400 --> 00:17:04,000
Speaker 4: him beats for jay Z and one of the beats

346
00:17:04,200 --> 00:17:07,160
Speaker 4: was there. Yeah, so jay Z had to eat the beat.

347
00:17:07,400 --> 00:17:10,600
Speaker 1: He could add it. Yeah, he physically had it. No

348
00:17:10,720 --> 00:17:11,399
Speaker 1: hip hop had it.

349
00:17:11,480 --> 00:17:14,200
Speaker 3: Hip hop had it, so hip hop could have gave

350
00:17:14,400 --> 00:17:19,280
Speaker 3: that close enough. You know how crazy life is, Holy ship,

351
00:17:19,400 --> 00:17:20,000
Speaker 3: imagine that.

352
00:17:21,600 --> 00:17:23,080
Speaker 1: I don't know what he did with the CD man

353
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Speaker 1: where he left the building. Okay, So so all right listen,

354
00:17:25,840 --> 00:17:27,320
Speaker 1: So now what studio over there? I feel like it's

355
00:17:27,359 --> 00:17:29,520
Speaker 1: on the right track, right track, okay, forty eighth Street,

356
00:17:29,840 --> 00:17:32,520
Speaker 1: forty eighth Street, Okay, a gold door. Yeah so I

357
00:17:32,560 --> 00:17:33,240
Speaker 1: did super Thug.

358
00:17:33,400 --> 00:17:36,320
Speaker 3: Okay, So you walk in, he says, you hear the intro,

359
00:17:36,440 --> 00:17:37,200
Speaker 3: he says, chilling.

360
00:17:37,240 --> 00:17:37,760
Speaker 1: You hear the intro?

361
00:17:37,840 --> 00:17:40,760
Speaker 4: He said, funk jay Z. You say to yourself, what's happening?

362
00:17:40,800 --> 00:17:41,400
Speaker 4: What's happening?

363
00:17:42,520 --> 00:17:45,719
Speaker 1: I don't know if this is good or bad? Right? Right? Right?

364
00:17:46,119 --> 00:17:50,880
Speaker 4: And you're a fan of jay Z smoking at the time, like, Yo,

365
00:17:51,600 --> 00:17:52,320
Speaker 4: what's happening?

366
00:17:52,520 --> 00:17:55,520
Speaker 1: Like, I ain't getting no, he's going to beat this

367
00:17:55,680 --> 00:17:57,600
Speaker 1: and jay Z on this. You're okay with that?

368
00:17:57,640 --> 00:17:59,800
Speaker 4: It was one of the calls like that, right, So

369
00:18:00,200 --> 00:18:03,600
Speaker 4: he play it. He's like, what do you think, m bro?

370
00:18:04,680 --> 00:18:07,239
Speaker 4: But you know I'm trying to I'm trying to get

371
00:18:07,280 --> 00:18:09,200
Speaker 4: to the back. So I'm like, guy, I gotta roll

372
00:18:09,240 --> 00:18:09,800
Speaker 4: with the punches.

373
00:18:10,040 --> 00:18:12,320
Speaker 1: But is it true? It was a different version. It

374
00:18:12,359 --> 00:18:13,159
Speaker 1: was the worst version.

375
00:18:13,359 --> 00:18:15,960
Speaker 4: I never heard the version, okay, but you heard yeah,

376
00:18:15,960 --> 00:18:17,399
Speaker 4: I heard them. Okay, I heard about it too.

377
00:18:17,400 --> 00:18:19,560
Speaker 1: I heard yeah. I didn't hear that version. I just

378
00:18:19,560 --> 00:18:22,800
Speaker 1: heard the version everybody else. Okay, all right, cool, I'm sorry.

379
00:18:23,160 --> 00:18:24,960
Speaker 3: I'm supposed to build up to this, but I just

380
00:18:24,960 --> 00:18:26,119
Speaker 3: got to just go straight in.

381
00:18:27,240 --> 00:18:29,879
Speaker 1: So Battle of the Beats happened.

382
00:18:30,480 --> 00:18:34,439
Speaker 4: Yeah, they playing the JA version, then they playing the

383
00:18:34,520 --> 00:18:38,359
Speaker 4: NAS versions is refutably winning.

384
00:18:38,560 --> 00:18:43,000
Speaker 1: Yeah. How does that feel for you? Man?

385
00:18:43,640 --> 00:18:46,479
Speaker 4: I'm getting so many phone calls because people know you

386
00:18:46,520 --> 00:18:46,760
Speaker 4: did it.

387
00:18:47,080 --> 00:18:52,920
Speaker 1: No, like internally, like nobody don't really know. I was new.

388
00:18:53,520 --> 00:18:55,480
Speaker 1: Nobody don't really know. But you know, my.

389
00:18:55,480 --> 00:19:00,199
Speaker 4: Friends, this is just crazy. And you know that they

390
00:19:00,240 --> 00:19:03,119
Speaker 4: stopped the radio just to play those two records.

391
00:19:03,119 --> 00:19:04,800
Speaker 1: That was you know what I'm saying.

392
00:19:05,640 --> 00:19:07,320
Speaker 3: You know how they say pull over New York City.

393
00:19:07,359 --> 00:19:09,920
Speaker 3: I actually think I was pulled over. Shout out the case,

394
00:19:10,080 --> 00:19:14,080
Speaker 3: you know, making sure the vote when even because they

395
00:19:14,119 --> 00:19:17,879
Speaker 3: felt like God, bless Angie, I just God, bless you too.

396
00:19:18,440 --> 00:19:20,680
Speaker 1: I did that was it was a tumble, you know

397
00:19:20,680 --> 00:19:21,159
Speaker 1: what I'm saying.

398
00:19:24,119 --> 00:19:26,919
Speaker 3: Blessed Angie and blessed everybody, but a lot of them

399
00:19:27,040 --> 00:19:29,720
Speaker 3: was like more on jay Z side, but they were

400
00:19:30,280 --> 00:19:32,840
Speaker 3: calculating the vote. So Casel actually went up there to

401
00:19:32,840 --> 00:19:37,359
Speaker 3: make sure of his which is crazy. Case together, you

402
00:19:37,400 --> 00:19:40,960
Speaker 3: and Case have a relationship. Was that okay? So he

403
00:19:41,040 --> 00:19:43,680
Speaker 3: just did that on the street. Okay, right, so you

404
00:19:43,760 --> 00:19:44,080
Speaker 3: hear this.

405
00:19:44,280 --> 00:19:44,840
Speaker 1: You hear this.

406
00:19:46,280 --> 00:19:50,120
Speaker 3: Definatively, Nasa is winning like from from Afar, Like I'm

407
00:19:50,160 --> 00:19:52,399
Speaker 3: just looking back, you know, from Queens. So you know

408
00:19:52,400 --> 00:19:54,120
Speaker 3: what I'm saying, Like I got a relationship with Jay,

409
00:19:54,160 --> 00:19:56,760
Speaker 3: but I'm you know, nas person. I grew up with

410
00:19:56,800 --> 00:19:59,800
Speaker 3: this person I looked up to. You know what I'm saying, Okay,

411
00:20:01,119 --> 00:20:04,639
Speaker 3: he's the feelinity winning. Now it's the record labels. How

412
00:20:04,680 --> 00:20:05,680
Speaker 3: does this process work?

413
00:20:05,720 --> 00:20:09,360
Speaker 1: Because you just made a tight cool helped the tight

414
00:20:09,480 --> 00:20:14,200
Speaker 1: cool defeat another ty coon. Yeah, now's just work coming

415
00:20:14,200 --> 00:20:17,200
Speaker 1: for you at abundance or is it gonna come and slow? Pause?

416
00:20:17,400 --> 00:20:19,439
Speaker 1: It's it's slow because nobody don't know who did it.

417
00:20:19,440 --> 00:20:21,520
Speaker 4: Nobody don't know who did it. It wasn't it. I ain't

418
00:20:21,520 --> 00:20:22,560
Speaker 4: have no tag.

419
00:20:24,760 --> 00:20:25,400
Speaker 1: Attack. Yeah.

420
00:20:25,480 --> 00:20:29,760
Speaker 4: So my managed like, we gotta go outside. Nobody don't

421
00:20:29,760 --> 00:20:32,920
Speaker 4: know you did the record. So then I start going

422
00:20:32,920 --> 00:20:36,239
Speaker 4: outside and clubbing, and it's like yo, oh yo, let

423
00:20:36,280 --> 00:20:39,399
Speaker 4: me get one. You get it, yo, let me and then.

424
00:20:39,280 --> 00:20:40,800
Speaker 1: Y'll let me get that something like ether.

425
00:20:40,880 --> 00:20:42,439
Speaker 4: Let me get something that sound like that, and then

426
00:20:42,920 --> 00:20:46,119
Speaker 4: that trickle down like that. But then that's what I'm saying.

427
00:20:46,240 --> 00:20:48,920
Speaker 4: I was only getting street records because they wanted a

428
00:20:49,280 --> 00:20:49,640
Speaker 4: the Beat.

429
00:20:49,760 --> 00:20:52,119
Speaker 1: Yeah. Yeah, at that time, people were coming up to

430
00:20:52,200 --> 00:20:55,880
Speaker 1: you saying, can I get a like can I get

431
00:20:55,880 --> 00:20:58,240
Speaker 1: a eight the beat? Te? You know, just I guess

432
00:20:58,240 --> 00:21:02,600
Speaker 1: they mean a beat aggression, you know, and what you're

433
00:21:02,600 --> 00:21:03,760
Speaker 1: getting tired of trying to make it?

434
00:21:03,840 --> 00:21:06,359
Speaker 4: Yeah, because I was just getting album cut, you know,

435
00:21:06,320 --> 00:21:09,080
Speaker 4: I did. I did I whoop your head boy for

436
00:21:09,160 --> 00:21:11,399
Speaker 4: fifty cents. Yeah, so that kind of had like that

437
00:21:11,520 --> 00:21:14,400
Speaker 4: aggressiveness too. But you know that was on the soundtrack,

438
00:21:14,440 --> 00:21:18,119
Speaker 4: but it wasn't like a radio racket, so I was opposed.

439
00:21:17,760 --> 00:21:18,960
Speaker 1: To check it was great.

440
00:21:20,320 --> 00:21:24,600
Speaker 4: So I'm like, yo, I gotta make a commercial commercial beat.

441
00:21:24,640 --> 00:21:27,600
Speaker 4: And that's how pop Champione came. Okay, you don't know

442
00:21:27,640 --> 00:21:28,840
Speaker 4: whaty no?

443
00:21:28,960 --> 00:21:29,120
Speaker 1: Hold?

444
00:21:29,359 --> 00:21:32,080
Speaker 3: Actually both a question quick, and I want you all

445
00:21:32,080 --> 00:21:35,960
Speaker 3: to answer this because I'm not qualified to answer at all.

446
00:21:36,000 --> 00:21:38,720
Speaker 1: I am not what's happening in Harlem right now.

447
00:21:43,119 --> 00:21:48,440
Speaker 4: So I think it's it's brothers that's having, you know, mean,

448
00:21:48,520 --> 00:21:49,600
Speaker 4: some internal problems.

449
00:21:49,920 --> 00:21:52,919
Speaker 1: And I think it's no O g.

450
00:21:53,119 --> 00:21:57,040
Speaker 4: To be like yo, yeah, shouldn't handle that off.

451
00:21:57,640 --> 00:22:01,560
Speaker 2: Like I was telling J like we ain't got no ogs,

452
00:22:01,600 --> 00:22:03,800
Speaker 2: you know what I'm saying, Like you gotta remember like

453
00:22:03,800 --> 00:22:05,879
Speaker 2: like the levels of hip hop from Harlem, like like

454
00:22:05,920 --> 00:22:08,879
Speaker 2: the ogs would from from from dim Set would be

455
00:22:09,000 --> 00:22:09,199
Speaker 2: like a.

456
00:22:09,520 --> 00:22:11,640
Speaker 1: Like a Dougie Fresh all. You know what I'm saying.

457
00:22:11,960 --> 00:22:12,280
Speaker 1: I don't.

458
00:22:12,320 --> 00:22:13,639
Speaker 2: I don't know if they even had a connection or

459
00:22:13,720 --> 00:22:15,040
Speaker 2: Dougie was like in the streets with them like that.

460
00:22:15,240 --> 00:22:16,680
Speaker 1: It's like that's how.

461
00:22:16,640 --> 00:22:18,440
Speaker 2: Holl the niggas do, like we snap on each other

462
00:22:18,920 --> 00:22:21,280
Speaker 2: the worst time you bumpass nigga did it. So it's

463
00:22:21,320 --> 00:22:23,639
Speaker 2: just translating onto what niggas get serious like he like,

464
00:22:23,800 --> 00:22:25,800
Speaker 2: remember the time you got Jollim, the time you ran them.

465
00:22:26,119 --> 00:22:27,680
Speaker 2: They just teasing each other. But at the end of

466
00:22:27,720 --> 00:22:29,880
Speaker 2: the day, them niggas always get back together. Every time

467
00:22:30,240 --> 00:22:32,360
Speaker 2: they have something, they get back together, even even Cam

468
00:22:32,440 --> 00:22:35,240
Speaker 2: and Mace. So that's just just the dynamics of how

469
00:22:35,280 --> 00:22:38,400
Speaker 2: hallowed people do. Like it's just it's a weird thing, like, well,

470
00:22:38,480 --> 00:22:45,520
Speaker 2: humiliate each other and they can forget each other. They yeah, yeah, jesus, Yeah,

471
00:22:45,680 --> 00:22:46,040
Speaker 2: I don't know.

472
00:22:46,040 --> 00:22:47,760
Speaker 1: If we clap for that or not. I don't think.

473
00:22:47,640 --> 00:22:54,280
Speaker 4: To this DJ enough you who just said DJ no,

474
00:22:54,920 --> 00:23:00,200
Speaker 4: holy shit, Hello, damn.

475
00:23:00,080 --> 00:23:04,040
Speaker 1: I got you locked in. I love I'm live on

476
00:23:04,119 --> 00:23:05,440
Speaker 1: the podcast. We just said your name.

477
00:23:05,640 --> 00:23:07,119
Speaker 3: I was gonna put you, I was gonna put you

478
00:23:07,160 --> 00:23:09,159
Speaker 3: on the on the speaker phone. But I don't like

479
00:23:09,160 --> 00:23:13,720
Speaker 3: setting people up like that. What well, I you sure

480
00:23:13,760 --> 00:23:14,280
Speaker 3: you want to say it?

481
00:23:14,560 --> 00:23:19,119
Speaker 1: All right? Hit me back? Cool? Cool, got nothing.

482
00:23:24,000 --> 00:23:27,199
Speaker 3: Yeah, but that's the Yeah, man, I'll tell you this,

483
00:23:27,440 --> 00:23:30,520
Speaker 3: that's what I would would do say. I know them both.

484
00:23:30,600 --> 00:23:33,560
Speaker 3: I know all parties. I love all parties, and I

485
00:23:33,600 --> 00:23:34,359
Speaker 3: hope they work it out.

486
00:23:34,440 --> 00:23:38,159
Speaker 2: Yeah at that point, yeah, I mean especially for hip hop.

487
00:23:38,200 --> 00:23:39,680
Speaker 2: You know what I'm saying, Like them them niggas is

488
00:23:40,200 --> 00:23:44,199
Speaker 2: they did like just groundbreaking ship just to you know,

489
00:23:44,359 --> 00:23:45,159
Speaker 2: just to move the culture.

490
00:23:45,160 --> 00:23:45,720
Speaker 1: You know what I'm saying.

491
00:23:45,880 --> 00:23:47,800
Speaker 2: Like the movie they had, like the whole Discent movement

492
00:23:47,880 --> 00:23:49,800
Speaker 2: is like I've never seen a movement like that before.

493
00:23:49,840 --> 00:23:50,280
Speaker 1: You know what I'm saying.

494
00:23:50,320 --> 00:23:52,520
Speaker 2: They like like you know, maybe Wu Tang and this

495
00:23:52,840 --> 00:23:55,440
Speaker 2: like like like like the influence was just like out

496
00:23:55,440 --> 00:23:59,520
Speaker 2: of this world. So I hope they can get.

497
00:23:58,200 --> 00:24:01,200
Speaker 3: And so let me ask you, well, did you actually

498
00:24:01,240 --> 00:24:03,560
Speaker 3: give Jim Jones that record that it wound up actually

499
00:24:03,880 --> 00:24:06,480
Speaker 3: be because that we did.

500
00:24:06,359 --> 00:24:08,520
Speaker 1: We did some business. Okay, okay, you know what I mean?

501
00:24:09,920 --> 00:24:13,200
Speaker 4: The money was right and uh we did some business

502
00:24:13,840 --> 00:24:15,200
Speaker 4: and a shout out to Jim, you know what I mean.

503
00:24:15,200 --> 00:24:17,520
Speaker 4: He understood with the with the record need as far

504
00:24:17,560 --> 00:24:21,199
Speaker 4: as the visual and he just understood where I was

505
00:24:21,200 --> 00:24:22,800
Speaker 4: at with it, and you know, we did some business.

506
00:24:23,000 --> 00:24:25,480
Speaker 4: I think the streets got it kind of messed up,

507
00:24:25,520 --> 00:24:27,000
Speaker 4: but you know, we got some money to what you

508
00:24:27,040 --> 00:24:29,240
Speaker 4: mean what you mean because like you said, he was like,

509
00:24:29,280 --> 00:24:31,600
Speaker 4: oh is your record is his?

510
00:24:31,480 --> 00:24:32,080
Speaker 1: And his record?

511
00:24:32,160 --> 00:24:35,280
Speaker 4: So he just kind of once the record, you know,

512
00:24:35,400 --> 00:24:38,479
Speaker 4: got you know took off. We just kind of did

513
00:24:38,520 --> 00:24:39,880
Speaker 4: some business, you know what I mean. It ain't nothing

514
00:24:39,880 --> 00:24:40,840
Speaker 4: wrong doing no business.

515
00:24:40,880 --> 00:24:42,480
Speaker 3: Now, it was a rumor that you and Jim were

516
00:24:42,520 --> 00:24:45,000
Speaker 3: supposed to do the whole joint album together.

517
00:24:46,080 --> 00:24:49,000
Speaker 1: No, no, I heard that wrong. Yeah, you heard that wrong.

518
00:24:49,080 --> 00:24:53,360
Speaker 1: We spoke, I mean we spoke about that in recent Yeah,

519
00:24:53,400 --> 00:24:58,919
Speaker 1: like we need to go back to Champagne. No, no, no, Jesus, Okay,

520
00:25:00,040 --> 00:25:00,359
Speaker 1: go ahead.

521
00:25:00,640 --> 00:25:04,520
Speaker 2: Well, so he tells a story about about the Pop

522
00:25:04,600 --> 00:25:07,119
Speaker 2: Champagne and it's kind of like it kind of my

523
00:25:07,119 --> 00:25:09,080
Speaker 2: story because he don't tell that story quite how I

524
00:25:09,200 --> 00:25:12,160
Speaker 2: remember it. Browns right, because I remember me and Browns

525
00:25:12,240 --> 00:25:16,200
Speaker 2: was working on the album. Were working on the album

526
00:25:16,320 --> 00:25:18,679
Speaker 2: called two for the Money, right, And I think for

527
00:25:18,720 --> 00:25:20,840
Speaker 2: like a week, I can't go to the studio. So

528
00:25:20,880 --> 00:25:23,560
Speaker 2: Browns called me like, you're web I want you to

529
00:25:23,600 --> 00:25:26,399
Speaker 2: hit his joint going downtown. Were in front of club

530
00:25:26,760 --> 00:25:30,760
Speaker 2: like Temple on fiftieth Street. He played me Pop Champagne Magic.

531
00:25:30,840 --> 00:25:32,959
Speaker 2: We me and him working on the albums. I'm like,

532
00:25:32,960 --> 00:25:34,479
Speaker 2: oh shit, I can't wait to do my verse to this.

533
00:25:34,480 --> 00:25:40,159
Speaker 2: He goes, you ain't getting a person, So boom he

534
00:25:40,240 --> 00:25:42,360
Speaker 2: does the record. We worked the record like he said.

535
00:25:42,200 --> 00:25:43,600
Speaker 1: Enough broke it. Boom boom boom.

536
00:25:44,119 --> 00:25:46,119
Speaker 2: We went him out to like every record label to

537
00:25:46,119 --> 00:25:50,000
Speaker 2: try to get the record, like and everybody passed on that.

538
00:25:50,119 --> 00:25:52,280
Speaker 1: I mean we was going, remember what the city saying,

539
00:25:52,760 --> 00:25:53,600
Speaker 1: how are you feeling it?

540
00:25:55,160 --> 00:25:59,280
Speaker 3: So boom before was popping up right now is getting this?

541
00:25:59,600 --> 00:26:01,000
Speaker 1: Is it getting started?

542
00:26:01,040 --> 00:26:03,800
Speaker 2: So me, I was a little mad because I wasn't

543
00:26:03,800 --> 00:26:05,760
Speaker 2: on the record, but I was happy he had the record.

544
00:26:05,920 --> 00:26:08,159
Speaker 2: So my so like my thing was, I'm gonna go

545
00:26:08,200 --> 00:26:10,400
Speaker 2: on my own Browns hold and break the record once

546
00:26:10,440 --> 00:26:13,800
Speaker 2: he Once he got on, I was able to double

547
00:26:13,880 --> 00:26:16,280
Speaker 2: back and do dancing on me and I used the

548
00:26:16,280 --> 00:26:17,120
Speaker 2: same formula.

549
00:26:16,920 --> 00:26:19,720
Speaker 1: The auto tune put jim and Jewel's on the record.

550
00:26:20,080 --> 00:26:22,080
Speaker 2: And I was able to go and get a deal

551
00:26:22,119 --> 00:26:26,080
Speaker 2: from there. But the crazy thing about that is the

552
00:26:26,160 --> 00:26:29,480
Speaker 2: same thing happened with the record. I was on the

553
00:26:29,480 --> 00:26:32,440
Speaker 2: record by myself. DJ Enough is playing on the radio.

554
00:26:33,000 --> 00:26:34,439
Speaker 2: I think the nigga had to go to the bathroom

555
00:26:34,440 --> 00:26:35,960
Speaker 2: of son because the nigga played this shit like three

556
00:26:35,960 --> 00:26:38,120
Speaker 2: times in a row, not even he just played it.

557
00:26:38,480 --> 00:26:39,800
Speaker 1: I get a call from Yandy.

558
00:26:39,880 --> 00:26:42,960
Speaker 2: Yandy like web, Jimmy and Jewels want to get on

559
00:26:43,000 --> 00:26:43,399
Speaker 2: the record.

560
00:26:43,680 --> 00:26:44,800
Speaker 1: So mindule, I'm.

561
00:26:44,640 --> 00:26:47,359
Speaker 2: Watching what they just deal with pop shap but the

562
00:26:47,480 --> 00:26:49,400
Speaker 2: record is already out. Dancing on Me came right after

563
00:26:49,400 --> 00:26:55,879
Speaker 2: pop Shampaign, like by yourself myself. So now I'm all

564
00:26:55,920 --> 00:26:57,639
Speaker 2: the way to the studio to meet Jimmy and Juels.

565
00:26:57,640 --> 00:26:59,280
Speaker 2: Now mind you, I' from Hallan, but I'm younger, so

566
00:26:59,320 --> 00:27:00,920
Speaker 2: I didn't really know like that, Like I knew where

567
00:27:00,920 --> 00:27:03,240
Speaker 2: he was, they knew we wasn't friends. On the way

568
00:27:03,280 --> 00:27:06,480
Speaker 2: to the studio, this store, he's math funny. On the

569
00:27:06,480 --> 00:27:08,119
Speaker 2: way to the studio, I get a call from Akon.

570
00:27:08,320 --> 00:27:10,680
Speaker 2: I don't know a Kon, but Red Cafe was signedtown,

571
00:27:11,119 --> 00:27:12,800
Speaker 2: so Red Cafe heard the shit on the radio too.

572
00:27:12,800 --> 00:27:14,679
Speaker 2: He's like, yo, A can't want to talk to you.

573
00:27:15,200 --> 00:27:16,680
Speaker 2: A can't get on the phone and say yo, way,

574
00:27:17,119 --> 00:27:18,399
Speaker 2: I want to make you the next ta pay and

575
00:27:18,400 --> 00:27:19,680
Speaker 2: I want to put the record on my album.

576
00:27:19,800 --> 00:27:22,400
Speaker 1: Da Da Da Da Da. So now I'm like, oh,

577
00:27:22,440 --> 00:27:23,480
Speaker 1: ship a car call me.

578
00:27:23,880 --> 00:27:26,360
Speaker 2: I get to the studios to talk to gym.

579
00:27:26,160 --> 00:27:28,800
Speaker 1: And On about the record. So you know me, I don't.

580
00:27:28,920 --> 00:27:30,880
Speaker 2: I don't know nothing about the business. I'm thinking I'm

581
00:27:30,880 --> 00:27:33,119
Speaker 2: going down there. I'm gonna name drop, get some levers

582
00:27:33,119 --> 00:27:35,280
Speaker 2: on whatever they want to do. So I'm like, I

583
00:27:35,359 --> 00:27:37,639
Speaker 2: get to the studio, Jim is there. This is the

584
00:27:37,640 --> 00:27:43,840
Speaker 2: first time I ever met Dame dash By the way.

585
00:27:41,880 --> 00:27:43,879
Speaker 1: Did he rank on you? Yes? Okay, this is this

586
00:27:43,920 --> 00:27:47,359
Speaker 1: is this is so me. So I get to the studio,

587
00:27:47,480 --> 00:27:49,840
Speaker 1: I see Dame. Somebodys. I'm a homncker.

588
00:27:49,840 --> 00:27:52,000
Speaker 2: I grew up like idalyzing, like all the Lesson's Dame

589
00:27:52,040 --> 00:27:53,880
Speaker 2: and all that, So I'm happy to be there. He's

590
00:27:53,880 --> 00:27:55,280
Speaker 2: talking me about the record. I'm like, yeah, man, a

591
00:27:55,400 --> 00:27:57,359
Speaker 2: con just call me. I've been thinking about doing the

592
00:27:57,359 --> 00:27:58,720
Speaker 2: ship with him, because theyre trying to get me to

593
00:27:58,720 --> 00:28:00,639
Speaker 2: do the record with them and you know, put it

594
00:28:00,640 --> 00:28:02,280
Speaker 2: out through cons and then going to do another deal

595
00:28:02,560 --> 00:28:06,280
Speaker 2: with Steve Riurkins. So as soon as I say a

596
00:28:06,359 --> 00:28:08,840
Speaker 2: call wanted to get on the record with me, they

597
00:28:09,560 --> 00:28:11,880
Speaker 2: start screaming, Oh, this thing don't want to go to jail,

598
00:28:12,000 --> 00:28:12,359
Speaker 2: this thing.

599
00:28:12,400 --> 00:28:13,119
Speaker 1: Wanna be a content.

600
00:28:14,920 --> 00:28:16,960
Speaker 2: He just started snapping over me right there in the studio,

601
00:28:17,440 --> 00:28:18,840
Speaker 2: right me and him, going back and forth.

602
00:28:18,880 --> 00:28:20,680
Speaker 1: He just he up. He kept telling me I want

603
00:28:20,680 --> 00:28:22,240
Speaker 1: to go to jail. I won't be a corvid because

604
00:28:22,280 --> 00:28:23,480
Speaker 1: I don't put a call on the record. He was

605
00:28:23,480 --> 00:28:24,840
Speaker 1: just be a fuddy though. That's when all of the ship.

606
00:28:25,240 --> 00:28:27,199
Speaker 2: Long story, Sure, I ended up not doing the A

607
00:28:27,280 --> 00:28:29,560
Speaker 2: con version with it was like a it was a

608
00:28:29,680 --> 00:28:31,960
Speaker 2: car Red Cafe and five. They did their own version.

609
00:28:32,040 --> 00:28:34,480
Speaker 2: I ended up doing a version with with Jim j

610
00:28:35,920 --> 00:28:38,120
Speaker 2: Okay and I ended up doing a version with Jim

611
00:28:38,120 --> 00:28:39,800
Speaker 2: and Juels in the record Who you.

612
00:28:39,720 --> 00:28:43,160
Speaker 1: Said, another version of it acon Red Cafe and five?

613
00:28:43,280 --> 00:28:46,720
Speaker 2: Okay, Yeah, it never came out though, But so that

614
00:28:46,840 --> 00:28:49,000
Speaker 2: was that story there. But I always blame Browns for

615
00:28:49,040 --> 00:28:51,360
Speaker 2: this too, because you was you was no, I'm gonna

616
00:28:51,360 --> 00:28:53,440
Speaker 2: tell you what else? Well, because you ain't say, I

617
00:28:53,760 --> 00:28:59,440
Speaker 2: just gonna say it. Nor so when you know he

618
00:28:59,520 --> 00:29:03,040
Speaker 2: did he did the ether joint. His name is Ethan Boy,

619
00:29:05,240 --> 00:29:05,720
Speaker 2: so boom.

620
00:29:05,760 --> 00:29:07,880
Speaker 1: As soon as we so, as soon as we come

621
00:29:07,920 --> 00:29:09,240
Speaker 1: out with these autotoone records.

622
00:29:09,520 --> 00:29:10,880
Speaker 2: He got a number one record, I got a top

623
00:29:10,920 --> 00:29:13,840
Speaker 2: five record. We running around going crazy. Jay Z come

624
00:29:13,880 --> 00:29:17,640
Speaker 2: with death a auto tune. So now I'm like, what's that?

625
00:29:19,120 --> 00:29:23,400
Speaker 1: This ain't my beef brown Wait?

626
00:29:23,440 --> 00:29:27,000
Speaker 4: Wait, wait, wait a minute, hold on, but he said

627
00:29:27,040 --> 00:29:28,160
Speaker 4: too much t painting.

628
00:29:28,400 --> 00:29:34,040
Speaker 2: No, so you missing it? So Boom, I don't think

629
00:29:34,040 --> 00:29:35,240
Speaker 2: you've seen this Norriy.

630
00:29:35,680 --> 00:29:38,800
Speaker 1: So it was a time. It was about two.

631
00:29:38,640 --> 00:29:40,800
Speaker 2: Thousand and eight, and I we made the Autotoo records, right,

632
00:29:41,320 --> 00:29:43,880
Speaker 2: And what what people don't know about our.

633
00:29:43,800 --> 00:29:46,200
Speaker 4: Deals is I'm sorry say that against two thousand and

634
00:29:46,240 --> 00:29:48,640
Speaker 4: so he made he made he made prop Champaign in

635
00:29:48,680 --> 00:29:49,240
Speaker 4: two thousand and eight.

636
00:29:49,320 --> 00:29:51,720
Speaker 2: I made Dance with Me two thousand and nine at Aginning, right.

637
00:29:52,080 --> 00:29:54,520
Speaker 2: So around that time, that's fresh off of than Jim

638
00:29:54,600 --> 00:29:58,640
Speaker 2: Jones jay Z Beef. Remember he had their balling. I

639
00:29:58,720 --> 00:30:00,400
Speaker 2: remember he dissing the ball in Jim. We did this

640
00:30:00,400 --> 00:30:02,880
Speaker 2: shit to bailing over there. So now jay Z and

641
00:30:04,120 --> 00:30:06,320
Speaker 2: then you got Dan Dash fresh off the leaving the

642
00:30:06,360 --> 00:30:10,400
Speaker 2: rocket for the thing that's with Jim. So Dan Dash

643
00:30:10,440 --> 00:30:12,800
Speaker 2: helped facilitate my deal. I don't know if help facilitation

644
00:30:13,040 --> 00:30:14,080
Speaker 2: do too, but I know he was in a lot

645
00:30:14,080 --> 00:30:15,600
Speaker 2: of the meetings with you was selling here, right, So

646
00:30:16,120 --> 00:30:18,480
Speaker 2: Dan was like behind the scenes with a lot of

647
00:30:18,520 --> 00:30:21,360
Speaker 2: the things that me and Browns was doing just just

648
00:30:21,400 --> 00:30:22,400
Speaker 2: for the particular record.

649
00:30:22,520 --> 00:30:23,560
Speaker 1: So it wasn't a.

650
00:30:23,520 --> 00:30:27,600
Speaker 2: Coincidence that he made the defaultal turn around that time.

651
00:30:27,680 --> 00:30:31,160
Speaker 2: Now here's anybody was talking about t pain. But when

652
00:30:31,160 --> 00:30:32,720
Speaker 2: we did Summer Jam that year, I don't know. I

653
00:30:32,760 --> 00:30:36,840
Speaker 2: don't know if you remember this. Whenever Dip said this

654
00:30:36,920 --> 00:30:39,200
Speaker 2: summer Jam, they always have to go last because they

655
00:30:39,200 --> 00:30:40,880
Speaker 2: came with three thousand niggas. So they were like, let's

656
00:30:40,880 --> 00:30:43,080
Speaker 2: put these niggas last. Nothing to do, they said, So

657
00:30:43,240 --> 00:30:48,240
Speaker 2: we about to come out. So about about about three

658
00:30:48,240 --> 00:30:51,680
Speaker 2: weeks before Summer Jam, for Messer Flex and God basit

659
00:30:51,720 --> 00:30:52,360
Speaker 2: that MISSISSIPI.

660
00:30:52,560 --> 00:30:55,520
Speaker 1: They going the radio going crazy. I'm in Vigia. I

661
00:30:55,640 --> 00:30:57,040
Speaker 1: forget I may call me on the phone, he said.

662
00:30:57,320 --> 00:31:00,760
Speaker 8: For Flex is like Webster ron Brows finished out here

663
00:31:00,960 --> 00:31:05,080
Speaker 8: all on to his dad, Flex going crazy, right, and

664
00:31:05,160 --> 00:31:07,520
Speaker 8: mister C coming in with the finishing.

665
00:31:07,720 --> 00:31:10,480
Speaker 1: They trained the ship. I was trading.

666
00:31:12,000 --> 00:31:15,080
Speaker 2: Hey good over and over again.

667
00:31:15,160 --> 00:31:21,400
Speaker 1: Right, I'm getting humiliated business calling him snormy.

668
00:31:21,720 --> 00:31:25,000
Speaker 2: So now I'm I'm a Virginia.

669
00:31:25,120 --> 00:31:26,360
Speaker 1: Right. I never forget this.

670
00:31:27,040 --> 00:31:30,280
Speaker 2: I made a tweet, I said, Yo, y'all hear old

671
00:31:30,360 --> 00:31:33,640
Speaker 2: ass jay Z hating a forty year old billionaire can't

672
00:31:33,640 --> 00:31:35,720
Speaker 2: relate to. I'm just drunk. I'm tweeting some bump ship.

673
00:31:36,080 --> 00:31:37,560
Speaker 2: I ain't know how powerful Twitter was.

674
00:31:37,640 --> 00:31:41,800
Speaker 1: Mand some more a yeah, drink some more shot.

675
00:31:46,440 --> 00:31:49,320
Speaker 9: Whatever you're doing, give me a shot.

676
00:31:49,880 --> 00:31:53,120
Speaker 1: You got you act for the shot. Okay, you give vodka.

677
00:31:53,200 --> 00:31:55,520
Speaker 1: Used to be wanting to shout the vacca two shoots

678
00:31:55,520 --> 00:31:59,960
Speaker 1: of vacca, tell something you want dripping boom so boom.

679
00:32:00,720 --> 00:32:03,320
Speaker 1: So now I made these tweets right, all right, So

680
00:32:03,360 --> 00:32:04,800
Speaker 1: what did you say to your tweets? Exactly?

681
00:32:05,560 --> 00:32:07,200
Speaker 2: I could pull the shit up, but I said, I said,

682
00:32:07,240 --> 00:32:09,880
Speaker 2: I said, a forty year old, a forty year old,

683
00:32:10,600 --> 00:32:13,440
Speaker 2: a forty year old rapper, you can never relate to

684
00:32:13,440 --> 00:32:14,640
Speaker 2: an at old k in the hood.

685
00:32:15,200 --> 00:32:17,160
Speaker 1: And but I said, do you see old ash jay

686
00:32:17,200 --> 00:32:21,200
Speaker 1: Z hating? Right? So it was crazy because every interview jay.

687
00:32:21,120 --> 00:32:24,880
Speaker 2: Z was going to on the radio, they was asking him, like,

688
00:32:24,880 --> 00:32:26,720
Speaker 2: you can't be taking this young kid webstace there is

689
00:32:26,720 --> 00:32:27,360
Speaker 2: And Jays was.

690
00:32:27,400 --> 00:32:29,320
Speaker 1: Like, not he a young kid. He don't know no better.

691
00:32:29,320 --> 00:32:30,120
Speaker 1: If he knew better, he'd do.

692
00:32:30,200 --> 00:32:31,960
Speaker 2: But I was just so happy that nigga knew he was.

693
00:32:32,000 --> 00:32:36,160
Speaker 2: I was like, all right, put it. So now I

694
00:32:36,200 --> 00:32:39,320
Speaker 2: get a phone call from Diddy. Now around this time,

695
00:32:39,680 --> 00:32:41,520
Speaker 2: I'm running around with him, like two thousand and nine

696
00:32:41,520 --> 00:32:46,160
Speaker 2: all that, so Food called me and I'm running around

697
00:32:46,160 --> 00:32:47,800
Speaker 2: with public every day at this point, so I guess

698
00:32:47,880 --> 00:32:49,560
Speaker 2: you know, he like he telling me like I'm like

699
00:32:49,600 --> 00:32:50,520
Speaker 2: a representation at him.

700
00:32:50,560 --> 00:32:50,720
Speaker 1: Come.

701
00:32:50,880 --> 00:32:52,360
Speaker 2: He cold signed, I'm like, you run around me, you

702
00:32:52,400 --> 00:32:54,640
Speaker 2: know how puff talk, and then he cursed me the

703
00:32:54,640 --> 00:32:56,720
Speaker 2: fuck out, like he said, you want to you want

704
00:32:56,720 --> 00:32:58,520
Speaker 2: to jump in the swimming pool, or you want to

705
00:32:58,560 --> 00:32:59,440
Speaker 2: play with the sharks.

706
00:33:00,560 --> 00:33:01,480
Speaker 1: That's what you told him.

707
00:33:01,520 --> 00:33:03,280
Speaker 2: So what he meant was what he meant by that

708
00:33:03,560 --> 00:33:06,080
Speaker 2: was pauls. What you meant by that was like, Nigga,

709
00:33:06,080 --> 00:33:07,120
Speaker 2: don't be playing with the shops.

710
00:33:07,160 --> 00:33:09,520
Speaker 1: Don't don't funk with don't say nothing about Jay, especially

711
00:33:09,520 --> 00:33:11,120
Speaker 1: when you're wenning around with me. You know what I'm saying.

712
00:33:11,560 --> 00:33:16,360
Speaker 2: So everybody was like everybody was hitting me, like blow

713
00:33:16,400 --> 00:33:17,000
Speaker 2: made a tweet.

714
00:33:17,520 --> 00:33:18,920
Speaker 1: I was on tour abo about the time.

715
00:33:19,240 --> 00:33:21,640
Speaker 2: He made a tweet like yo, yo, yo bro, I

716
00:33:21,640 --> 00:33:23,000
Speaker 2: wish you would have I wish you would have higher

717
00:33:23,040 --> 00:33:28,640
Speaker 2: at me before you before you seriously, I want to say, yo,

718
00:33:28,680 --> 00:33:33,480
Speaker 2: wish you would how he tweeting me, I was on

719
00:33:33,600 --> 00:33:35,920
Speaker 2: the price of fame, showing him he's like yo yo,

720
00:33:36,000 --> 00:33:38,200
Speaker 2: he said, yo, private planes no, but.

721
00:33:38,240 --> 00:33:40,200
Speaker 1: I was on the price of fame. So I was.

722
00:33:45,400 --> 00:33:48,800
Speaker 2: So boom, so ball wall goes and goes, he goes, Yo,

723
00:33:49,480 --> 00:33:50,800
Speaker 2: I wish you to high at me before you.

724
00:33:50,720 --> 00:33:53,640
Speaker 1: Said something to and I just rolle him back. I'm like, man,

725
00:33:53,640 --> 00:33:54,160
Speaker 1: I ain't never.

726
00:33:54,080 --> 00:33:56,520
Speaker 2: Hear Biwall jay Z record right, and the nigga blocked me.

727
00:33:56,560 --> 00:33:58,960
Speaker 1: I'm walking tour and ship anyway. Wait wait wait wait

728
00:33:58,960 --> 00:34:02,640
Speaker 1: wait wait wait time just say there where he blocked you? Yeah,

729
00:34:02,680 --> 00:34:04,280
Speaker 1: he blocked me on Twitter? Okay?

730
00:34:04,400 --> 00:34:06,880
Speaker 3: So boom oh okay, and didn't I didn't kick you

731
00:34:06,960 --> 00:34:08,719
Speaker 3: up a tour for real, for real or like that's

732
00:34:09,440 --> 00:34:10,520
Speaker 3: spot dings just okay.

733
00:34:10,680 --> 00:34:12,920
Speaker 2: I just didn't get caught on No More days day Okay.

734
00:34:13,000 --> 00:34:15,920
Speaker 2: So so everybody kind of like here you ever go,

735
00:34:16,040 --> 00:34:18,080
Speaker 2: Like like jay Z's indercry is different.

736
00:34:18,160 --> 00:34:21,720
Speaker 1: So back to Summer Jam. I'm hype.

737
00:34:21,840 --> 00:34:23,800
Speaker 2: I'm like, we got the hottest records in the city.

738
00:34:24,320 --> 00:34:27,440
Speaker 2: Social Boy got an Autoto touring record called hop Up

739
00:34:27,440 --> 00:34:29,000
Speaker 2: on My Beds on My Swag.

740
00:34:29,920 --> 00:34:31,640
Speaker 1: So we was gonna close this now.

741
00:34:31,680 --> 00:34:34,440
Speaker 2: If you look at the Dancing on Me video, right,

742
00:34:34,480 --> 00:34:37,080
Speaker 2: A lot of people don't know this, right, uh. Jim

743
00:34:37,160 --> 00:34:39,400
Speaker 2: Jones took the girls from the Beyonce video from the

744
00:34:39,400 --> 00:34:42,040
Speaker 2: single Lady's video with the Leo Toads and he put

745
00:34:42,040 --> 00:34:43,640
Speaker 2: them in the video in the same leads while he

746
00:34:43,640 --> 00:34:46,239
Speaker 2: did a scene like like the jay Z video. So

747
00:34:46,280 --> 00:34:48,680
Speaker 2: he was doing like little subliminal shots that Jay in

748
00:34:48,719 --> 00:34:51,239
Speaker 2: the video. I didn't really understand him at that time.

749
00:34:51,840 --> 00:34:55,120
Speaker 2: So now we got Summer Jam and we said, Yo, listen,

750
00:34:55,160 --> 00:34:57,359
Speaker 2: we're gonna do a funeral for Auto Tune Brows will

751
00:34:57,400 --> 00:34:59,480
Speaker 2: do pop she in pain? You gonna do dancing on me?

752
00:34:59,560 --> 00:35:02,120
Speaker 2: So gonna do We're gonna go crazy. But more we

753
00:35:02,120 --> 00:35:04,200
Speaker 2: was talking kind of go make like a mockery of the.

754
00:35:04,160 --> 00:35:04,680
Speaker 1: Jay Z ship.

755
00:35:05,200 --> 00:35:07,480
Speaker 2: So jay Z ain't go to the Summer gam for

756
00:35:08,280 --> 00:35:09,520
Speaker 2: god knows how many years.

757
00:35:10,239 --> 00:35:12,000
Speaker 1: We backstage about an.

758
00:35:11,840 --> 00:35:15,160
Speaker 2: Hour before we come out, my manager Fish come back

759
00:35:15,200 --> 00:35:21,600
Speaker 2: and say a board mission you ever seen you ever seen? Yeah,

760
00:35:21,960 --> 00:35:23,799
Speaker 2: yeah you have seen leaning on me? He's like cold

761
00:35:23,800 --> 00:35:27,719
Speaker 2: til yeah, that's it. He came back there, the whole

762
00:35:27,719 --> 00:35:29,719
Speaker 2: crowd going crazy. Now jay Z is so powerful, Like

763
00:35:29,920 --> 00:35:33,120
Speaker 2: you could watch the screen of the show from backstage

764
00:35:33,480 --> 00:35:36,200
Speaker 2: when whenever it's someone on the screens with black so

765
00:35:36,239 --> 00:35:38,359
Speaker 2: were looking like what's springsle? But we can't even watch

766
00:35:38,360 --> 00:35:40,120
Speaker 2: the showhim of the backs. More be like, yo, what

767
00:35:40,200 --> 00:35:41,279
Speaker 2: the chievs went off this ship?

768
00:35:41,280 --> 00:35:43,279
Speaker 1: I'm like, I don't know. He go out there jay

769
00:35:43,360 --> 00:35:45,440
Speaker 1: Z on stage, but who he came on stage with.

770
00:35:45,880 --> 00:35:48,160
Speaker 1: He came on by itself. Okay, no one broke him out.

771
00:35:48,200 --> 00:35:50,399
Speaker 1: He's doing Devil Auto to him by itself.

772
00:35:50,200 --> 00:35:52,879
Speaker 3: Right, that's this record was had already been out prior

773
00:35:52,920 --> 00:35:55,520
Speaker 3: to that. It was only off for like a month, okay,

774
00:35:56,000 --> 00:35:59,279
Speaker 3: or like two days maybe two days okay, yeah, because I.

775
00:35:59,239 --> 00:36:01,440
Speaker 1: Remember you dropped on the Monday. The rumor was he

776
00:36:01,520 --> 00:36:05,719
Speaker 1: dropped it like a Monday. Yeah. Yeah, it was right

777
00:36:05,719 --> 00:36:09,000
Speaker 1: after I made the tweets. It was like everything crowd record.

778
00:36:09,040 --> 00:36:09,880
Speaker 1: It was like two weeks.

779
00:36:09,960 --> 00:36:14,759
Speaker 2: He goes on stage right now, mind you we know that, well,

780
00:36:14,800 --> 00:36:17,239
Speaker 2: I don't know. We're thinking the record is about what

781
00:36:17,239 --> 00:36:20,279
Speaker 2: we're doing because of the whole thing dashed Joe's affiliation

782
00:36:20,400 --> 00:36:21,359
Speaker 2: right at the time.

783
00:36:21,880 --> 00:36:23,680
Speaker 1: But the rest of the world don't know that.

784
00:36:23,719 --> 00:36:25,680
Speaker 2: They think he talked about T Pain because paying the

785
00:36:25,719 --> 00:36:26,560
Speaker 2: biggest nigga.

786
00:36:26,360 --> 00:36:26,960
Speaker 1: Doing to him.

787
00:36:27,239 --> 00:36:29,319
Speaker 2: In the middle of his performance, T Paint come out

788
00:36:29,719 --> 00:36:32,680
Speaker 2: on stage and he bumped them give him a chest bump,

789
00:36:33,000 --> 00:36:34,360
Speaker 2: and he came back off stairs.

790
00:36:34,880 --> 00:36:36,839
Speaker 1: I said, who gave who the chess bump?

791
00:36:36,960 --> 00:36:37,040
Speaker 4: So?

792
00:36:37,520 --> 00:36:42,840
Speaker 1: Remember gave Paint talked about it on the show, came out.

793
00:36:43,440 --> 00:36:45,319
Speaker 2: Te Paint came out of nowhere and just came on

794
00:36:45,360 --> 00:36:48,439
Speaker 2: stage with I felt like he was trying to say, Nah,

795
00:36:48,719 --> 00:36:50,800
Speaker 2: this saying about me, like all the I'm good, you

796
00:36:50,800 --> 00:36:51,319
Speaker 2: know what I'm saying.

797
00:36:51,640 --> 00:36:53,799
Speaker 1: So now I'm looking at the figure.

798
00:36:54,920 --> 00:36:56,759
Speaker 2: Yeah, so I'm looking at the thing like I told

799
00:36:56,760 --> 00:36:58,160
Speaker 2: you that it wasn't about paint.

800
00:36:58,440 --> 00:37:01,400
Speaker 1: So that's forgive. I told you niggas it was it

801
00:37:01,440 --> 00:37:04,359
Speaker 1: wasn't a bottom him. So I never forget you want

802
00:37:04,640 --> 00:37:07,360
Speaker 1: is at a birthday party? Noriy You ever see like

803
00:37:07,400 --> 00:37:08,680
Speaker 1: going to club and just see.

804
00:37:08,600 --> 00:37:10,919
Speaker 2: Niggas laughing or see people laughing somewhere and you feel

805
00:37:10,960 --> 00:37:14,880
Speaker 2: like they laughing at you. Your conspiracy off the Seriously,

806
00:37:15,760 --> 00:37:18,360
Speaker 2: I never forget this man, and you want is at

807
00:37:18,400 --> 00:37:20,560
Speaker 2: a birthday party. I go to the birthday party right,

808
00:37:21,320 --> 00:37:23,799
Speaker 2: and it was like a VIP section in southe the

809
00:37:23,880 --> 00:37:27,319
Speaker 2: VIP section. It was another VIP section. So Minju I

810
00:37:27,400 --> 00:37:30,120
Speaker 2: made these comments. It was a VIP in the south

811
00:37:30,160 --> 00:37:32,760
Speaker 2: of VIP. So Mijo I made these comments. I'm standing

812
00:37:32,800 --> 00:37:33,000
Speaker 2: on it.

813
00:37:33,080 --> 00:37:33,680
Speaker 1: You know what I'm saying.

814
00:37:33,840 --> 00:37:37,560
Speaker 2: I'm losing friends, you know, you know, not speaking to me.

815
00:37:38,320 --> 00:37:42,760
Speaker 1: So no, seriously, so I go listen.

816
00:37:42,760 --> 00:37:45,120
Speaker 2: So I go to the club and inside the club

817
00:37:45,120 --> 00:37:48,920
Speaker 2: it's jay Z, Beyonce, it's Lennarys, It's Clue, and it's

818
00:37:48,920 --> 00:37:51,040
Speaker 2: like a couple of you know, you know, like it's

819
00:37:51,040 --> 00:37:53,600
Speaker 2: like the rich Friends Circle, like you know, the Wealthy.

820
00:37:53,280 --> 00:37:55,759
Speaker 1: Show after you made it tweet, this is like after

821
00:37:55,800 --> 00:37:56,680
Speaker 1: so much gam and all life.

822
00:37:56,760 --> 00:37:59,879
Speaker 2: So now they in a VIP section, but they VP

823
00:38:00,000 --> 00:38:01,719
Speaker 2: section that that's out to v so you can get

824
00:38:01,719 --> 00:38:03,360
Speaker 2: into vi P, but you can't get any sections.

825
00:38:03,880 --> 00:38:04,960
Speaker 1: I don't know. I lost my mind.

826
00:38:04,960 --> 00:38:08,480
Speaker 2: Off you'll come in, I come into the know.

827
00:38:08,719 --> 00:38:09,680
Speaker 1: I just sound worse than that.

828
00:38:09,719 --> 00:38:15,640
Speaker 4: Right, so I'm not ready ready, I'm ready.

829
00:38:15,800 --> 00:38:19,920
Speaker 2: So so I lost my mind, right, you know, I'm

830
00:38:20,320 --> 00:38:22,239
Speaker 2: I said some stupid shi about Jay, which I should know,

831
00:38:22,400 --> 00:38:23,560
Speaker 2: motherfucker said tweet.

832
00:38:24,160 --> 00:38:26,080
Speaker 1: The tweet said, I should have never said that to

833
00:38:26,120 --> 00:38:29,399
Speaker 1: that man. I'm sorry, j I said it sorry before.

834
00:38:29,400 --> 00:38:34,480
Speaker 2: When I'm saying it again, I apologize. So so now

835
00:38:34,600 --> 00:38:36,399
Speaker 2: when I get there, I'm still a poorse I'm still

836
00:38:36,400 --> 00:38:38,319
Speaker 2: I'm still feeling myself. I got a new one racking.

837
00:38:38,320 --> 00:38:40,000
Speaker 2: I'm running around and have a fun. You never had

838
00:38:40,040 --> 00:38:46,279
Speaker 2: woman before. I come in the club, like I was

839
00:38:46,320 --> 00:38:54,680
Speaker 2: always scared that No I went to the story telling you.

840
00:38:53,880 --> 00:39:05,200
Speaker 1: Showing me away ready, So I didn't have a shot.

841
00:39:05,360 --> 00:39:07,520
Speaker 1: They think, give me a baby shot. Yeah, it's gonna

842
00:39:07,520 --> 00:39:11,680
Speaker 1: be a long take, a little You don't know this

843
00:39:11,719 --> 00:39:13,400
Speaker 1: what we do? You tell him? Yeah, I know, I know,

844
00:39:13,440 --> 00:39:19,960
Speaker 1: I know, but your story. So now, so I walk

845
00:39:20,040 --> 00:39:22,480
Speaker 1: in the club, I got two white women with me. Okay,

846
00:39:22,800 --> 00:39:28,880
Speaker 1: I gotta know. It was bad at the time. Okay,

847
00:39:28,239 --> 00:39:31,399
Speaker 1: I got two white women me. I got a big shape,

848
00:39:31,400 --> 00:39:33,640
Speaker 1: I got a red coat, red shade. I needed to

849
00:39:33,680 --> 00:39:35,840
Speaker 1: look crazy. I woke it up the v I.

850
00:39:35,880 --> 00:39:36,520
Speaker 3: P I got shave.

851
00:39:36,640 --> 00:39:39,239
Speaker 1: I don't see when I see them, them niggas is.

852
00:39:39,320 --> 00:39:40,600
Speaker 2: Just I don't know if they was laughing at me

853
00:39:40,680 --> 00:39:43,600
Speaker 2: or not, but they were laughing terply like they was

854
00:39:43,640 --> 00:39:45,640
Speaker 2: like if you see somebody laughing, they just can't breathe.

855
00:39:45,960 --> 00:39:50,000
Speaker 1: These niggas was laughing. So all right, I never forget my.

856
00:39:49,920 --> 00:39:51,680
Speaker 2: Manager to fish got mad at me because I just

857
00:39:51,719 --> 00:39:53,399
Speaker 2: left the club. I left the girl on the faim.

858
00:39:53,440 --> 00:39:56,160
Speaker 2: I just got the fun out. Yeah, I'm serious, I

859
00:39:56,280 --> 00:39:58,120
Speaker 2: got him. No, It's like I felt like jay Z

860
00:39:58,239 --> 00:39:58,680
Speaker 2: wait to me.

861
00:39:58,680 --> 00:40:00,799
Speaker 1: I don't know. I got felt like he waited me.

862
00:40:01,040 --> 00:40:03,719
Speaker 1: He's that serious. Yeah, but after that, like after I

863
00:40:03,760 --> 00:40:07,120
Speaker 1: did that, he said he he waked in me. You

864
00:40:07,120 --> 00:40:12,799
Speaker 1: mean he waked design me, design me. So it's like

865
00:40:13,560 --> 00:40:15,400
Speaker 1: after that, you know, I staw.

866
00:40:15,280 --> 00:40:17,080
Speaker 2: Seeing the effects of it, like when you when you

867
00:40:17,080 --> 00:40:19,720
Speaker 2: say ship about especially at that time with the radio

868
00:40:19,760 --> 00:40:22,720
Speaker 2: being so powerful, but you can't say nothing about the niggas.

869
00:40:22,760 --> 00:40:24,239
Speaker 1: Man, the niggas. Everybody stop sucking with you.

870
00:40:24,320 --> 00:40:26,200
Speaker 2: It's like Nigga started playing my records and all that

871
00:40:26,640 --> 00:40:28,359
Speaker 2: he was. I had that to have to go through.

872
00:40:28,360 --> 00:40:30,759
Speaker 2: I have to apologize behind the scene. Tell everybody calling

873
00:40:30,800 --> 00:40:35,440
Speaker 2: niggas cause it's like I ain't mean to tell sorry,

874
00:40:35,640 --> 00:40:40,160
Speaker 2: call the niggas because everybody I'm trying to get the hose.

875
00:40:40,920 --> 00:40:44,040
Speaker 1: Okay, So back to you.

876
00:40:44,040 --> 00:40:49,400
Speaker 3: You make arguably the only Dan and Hoose wreck record,

877
00:40:50,520 --> 00:40:52,799
Speaker 3: So I'm called for a Queen's God.

878
00:40:52,880 --> 00:40:58,200
Speaker 1: This is Deuce by Harlem guy. Why uh have you

879
00:40:58,200 --> 00:40:59,880
Speaker 1: ever met jay Z after that?

880
00:41:00,400 --> 00:41:02,759
Speaker 4: No, you've never met The only time I seen him

881
00:41:02,800 --> 00:41:07,600
Speaker 4: was at the that baseline when I went to base.

882
00:41:09,280 --> 00:41:17,600
Speaker 1: No, no, okay, they weren't. I would yeah, okay, so

883
00:41:17,840 --> 00:41:22,080
Speaker 1: Kanye did takeover, not's the whole album with him? Damn.

884
00:41:22,120 --> 00:41:23,759
Speaker 1: I never looked at it like that, So why would

885
00:41:24,120 --> 00:41:26,520
Speaker 1: why would I be like I just did the beat.

886
00:41:26,600 --> 00:41:30,279
Speaker 3: It's them, Yeah, but but Kanye arguably was down with them.

887
00:41:31,000 --> 00:41:33,440
Speaker 3: You looked like you were down with nas Real. I

888
00:41:33,480 --> 00:41:37,760
Speaker 3: mean I would think so like you did you did. Okay,

889
00:41:38,000 --> 00:41:40,560
Speaker 3: so you've never actually physically seen that, man.

890
00:41:40,880 --> 00:41:46,880
Speaker 1: No, okay, let me slow it down. How about Dame Dash.

891
00:41:47,320 --> 00:41:50,960
Speaker 1: Yeah yeah, I'm in Dash after. I'm saying this is yeah, yeah, after,

892
00:41:51,200 --> 00:41:54,879
Speaker 1: this is this is a after yeah yeah yeah yeah, okay, yeah.

893
00:41:54,920 --> 00:41:58,319
Speaker 1: So you and with the Dame Dany said, good one, buddy, Nah,

894
00:42:00,160 --> 00:42:01,960
Speaker 1: like no, he was.

895
00:42:02,239 --> 00:42:05,080
Speaker 4: It was with I met him when he was hanging

896
00:42:05,080 --> 00:42:07,960
Speaker 4: around I mean around Jim, around Pop Champagne.

897
00:42:08,000 --> 00:42:11,120
Speaker 1: Oh you guys were shopping. Yeah yeah, yeah, yeah, yeah,

898
00:42:11,840 --> 00:42:12,759
Speaker 1: I did see Jay.

899
00:42:12,840 --> 00:42:14,919
Speaker 2: I didn't see him physically seen him after the break

900
00:42:14,920 --> 00:42:15,479
Speaker 2: I run.

901
00:42:15,880 --> 00:42:17,680
Speaker 4: I did see him that day he's told about that

902
00:42:17,719 --> 00:42:21,160
Speaker 4: summer Jam. I seen him willing Jay and you know,

903
00:42:21,280 --> 00:42:22,840
Speaker 4: like the gold card thing to get him to the

904
00:42:22,880 --> 00:42:23,680
Speaker 4: front of the stage.

905
00:42:24,640 --> 00:42:27,759
Speaker 1: No, j oh, somebody else willing j to get to

906
00:42:27,760 --> 00:42:29,799
Speaker 1: the front, you know, like the gold card things, like

907
00:42:29,920 --> 00:42:34,200
Speaker 1: the golf car thing. They so you need him bring them? Yeah?

908
00:42:34,200 --> 00:42:35,800
Speaker 1: They I seen him bringing him to the stage.

909
00:42:37,080 --> 00:42:44,879
Speaker 4: Yeah, okay, to do d o A Okay, Okay, now

910
00:42:44,880 --> 00:42:47,000
Speaker 4: I know this sound like conspiracy theories.

911
00:42:47,120 --> 00:42:49,160
Speaker 1: Yes, I know you. You said it earlier.

912
00:42:49,920 --> 00:42:52,320
Speaker 3: You think the O had anything in the kind of

913
00:42:52,400 --> 00:42:56,520
Speaker 3: do with you because of you, You and your participation

914
00:42:56,680 --> 00:42:59,920
Speaker 3: in East the only din on one of the r

915
00:43:00,080 --> 00:43:02,440
Speaker 3: you believe one of the biggest persons in hip hop's.

916
00:43:02,680 --> 00:43:04,680
Speaker 1: I didn't think so. I didn't think about that until

917
00:43:04,719 --> 00:43:05,400
Speaker 1: the day.

918
00:43:06,080 --> 00:43:08,920
Speaker 4: He's talking about when Flex and mister c God bless you.

919
00:43:08,960 --> 00:43:11,920
Speaker 4: What's playing on the radio and they say anything and

920
00:43:11,960 --> 00:43:14,600
Speaker 4: I got a hundred phone call, yo J, this is

921
00:43:14,719 --> 00:43:17,640
Speaker 4: you right now, yo J.

922
00:43:17,840 --> 00:43:21,319
Speaker 1: D you right now on radio? Turn it on. Let's

923
00:43:21,360 --> 00:43:23,160
Speaker 1: be clear. He's not said he didn't say your name.

924
00:43:23,200 --> 00:43:24,120
Speaker 1: He said he paid name.

925
00:43:24,600 --> 00:43:27,520
Speaker 5: But but he's also because of dang being around the

926
00:43:27,560 --> 00:43:30,880
Speaker 5: moment the time, I have an auto tune record.

927
00:43:31,920 --> 00:43:35,359
Speaker 3: But when Flex is saying it's over for you, who's.

928
00:43:34,920 --> 00:43:37,880
Speaker 1: Names because I know you were my name? Is he

929
00:43:37,920 --> 00:43:41,560
Speaker 1: saying he paid name? No? No, he's not saying.

930
00:43:44,160 --> 00:43:47,960
Speaker 4: Yes, He's like, yeah, my guys got my guys.

931
00:43:48,000 --> 00:43:54,080
Speaker 2: But finished over, man, like I just did a cation

932
00:43:54,280 --> 00:44:00,719
Speaker 2: for you, like.

933
00:44:03,680 --> 00:44:04,000
Speaker 9: Listen.

934
00:44:04,600 --> 00:44:06,520
Speaker 2: Brow was just like I was like the car on

935
00:44:06,680 --> 00:44:08,640
Speaker 2: but I was like, cool, let's think about this.

936
00:44:08,680 --> 00:44:10,400
Speaker 1: Ship before we say it. I'm like, man, funk that

937
00:44:10,480 --> 00:44:13,560
Speaker 1: any shot at us bro? He was going glory.

938
00:44:13,680 --> 00:44:17,360
Speaker 2: I mean, he played the record for about an hour straight,

939
00:44:17,520 --> 00:44:18,960
Speaker 2: like great.

940
00:44:18,880 --> 00:44:22,319
Speaker 1: And he kept saying, just finished out here. I'm like,

941
00:44:23,000 --> 00:44:23,560
Speaker 1: why you waiting?

942
00:44:23,680 --> 00:44:24,520
Speaker 9: We shot?

943
00:44:25,440 --> 00:44:28,279
Speaker 4: I went my whole life in this recre You're gonna

944
00:44:28,280 --> 00:44:31,239
Speaker 4: do this now? Ye'all got a hundred phone calls that day.

945
00:44:31,200 --> 00:44:35,120
Speaker 4: Ye they like jay Cy now turn the radio on.

946
00:44:35,200 --> 00:44:37,600
Speaker 4: I'm like, wait, what's happening the okay? We they made

947
00:44:37,600 --> 00:44:38,640
Speaker 4: it seem like that.

948
00:44:38,840 --> 00:44:41,759
Speaker 1: Okay, you know what I'm saying. So what was the

949
00:44:41,800 --> 00:44:44,520
Speaker 1: better phone calls that you got when Death of the

950
00:44:45,480 --> 00:44:48,279
Speaker 1: Oh and he did? Was it d O A?

951
00:44:49,160 --> 00:44:52,440
Speaker 3: Or when Easy came out and each actually was critically

952
00:44:52,480 --> 00:44:53,440
Speaker 3: acclaimed the winner.

953
00:44:54,040 --> 00:44:57,600
Speaker 1: What's the difference between between those two phone calls? Yeah,

954
00:44:57,640 --> 00:45:00,040
Speaker 1: that's the bid in the suite right there. Okay, the

955
00:45:00,160 --> 00:45:01,080
Speaker 1: same amount of course.

956
00:45:01,200 --> 00:45:04,000
Speaker 4: No, I feel like people knew you when you did Yeah, yeah,

957
00:45:04,080 --> 00:45:07,319
Speaker 4: more people knew pop Champagne. I was you know, yeah,

958
00:45:07,320 --> 00:45:09,680
Speaker 4: it was math on course because they and people are

959
00:45:09,719 --> 00:45:10,759
Speaker 4: telling you he's this and you.

960
00:45:10,960 --> 00:45:12,440
Speaker 3: I think that was a part of it too, is

961
00:45:12,440 --> 00:45:15,160
Speaker 3: that he kind of was him and Jim Jones was

962
00:45:15,200 --> 00:45:16,000
Speaker 3: kind of going at it.

963
00:45:16,600 --> 00:45:19,120
Speaker 1: I've heard conspiracy.

964
00:45:22,000 --> 00:45:26,439
Speaker 4: I caught it straight listen here.

965
00:45:24,440 --> 00:45:29,359
Speaker 2: Yeah, yeah, it was a combination that Jim is damn

966
00:45:29,360 --> 00:45:31,879
Speaker 2: and then he didn't eat like jay Z is the master.

967
00:45:32,080 --> 00:45:33,799
Speaker 1: So you feel like you caught the straight. I caught

968
00:45:33,800 --> 00:45:38,399
Speaker 1: the straight. You should started.

969
00:45:40,520 --> 00:45:43,560
Speaker 4: I'm like, yeah, but I just did the beat, So

970
00:45:43,600 --> 00:45:47,200
Speaker 4: I ain't feel like na it was you got some

971
00:45:47,600 --> 00:45:52,120
Speaker 4: So for if a producer produced a disregd on you, yeah,

972
00:45:52,280 --> 00:45:55,440
Speaker 4: you don't feel away with Yeah what DJ must have

973
00:45:55,520 --> 00:45:57,920
Speaker 4: right now with you know what, I know the process.

974
00:45:58,040 --> 00:46:00,960
Speaker 1: I know the process it takes to release a record.

975
00:46:01,040 --> 00:46:03,319
Speaker 3: I know you gotta sign off, you gotta mix it.

976
00:46:03,440 --> 00:46:05,960
Speaker 3: I know you gotta fucking you master it. I know

977
00:46:06,000 --> 00:46:07,960
Speaker 3: you gotta fuck it. You know I know all that.

978
00:46:08,080 --> 00:46:10,000
Speaker 3: So I know I know that if you a part

979
00:46:10,000 --> 00:46:12,200
Speaker 3: of a dis record of me, a part of the

980
00:46:12,280 --> 00:46:13,000
Speaker 3: disrecd here.

981
00:46:13,120 --> 00:46:17,719
Speaker 1: So that guilty a position. At this time he was

982
00:46:17,760 --> 00:46:19,399
Speaker 1: bing new, so he didn't even have that. I don't

983
00:46:19,400 --> 00:46:22,759
Speaker 1: given about that brand new. You you're a part of

984
00:46:22,760 --> 00:46:23,640
Speaker 1: the disrecord this to.

985
00:46:23,719 --> 00:46:27,640
Speaker 3: Me, you are the this to yeah man, you lie

986
00:46:27,880 --> 00:46:31,080
Speaker 3: so you never did a Rockefellow record since no, rightfully?

987
00:46:31,120 --> 00:46:31,640
Speaker 1: So God that.

988
00:46:34,800 --> 00:46:35,000
Speaker 4: Throw.

989
00:46:35,480 --> 00:46:38,360
Speaker 1: You know, I know, I know, I know some of

990
00:46:38,400 --> 00:46:40,839
Speaker 1: the you know, the street guys. So it's so good.

991
00:46:41,040 --> 00:46:42,799
Speaker 1: So how about how about nas Have you worked with

992
00:46:42,880 --> 00:46:43,239
Speaker 1: him since?

993
00:46:43,280 --> 00:46:47,480
Speaker 4: Yeah, I did last real Nigga live pronounced okay yeah, yeah,

994
00:46:47,640 --> 00:46:48,759
Speaker 4: has he ever like came to you.

995
00:46:48,800 --> 00:46:51,879
Speaker 1: It's like a good looking man giving me no man,

996
00:46:54,360 --> 00:47:03,840
Speaker 1: hey man, put me involved this year. Okay.

997
00:47:03,920 --> 00:47:10,440
Speaker 3: So what you to start taking to the suit was

998
00:47:10,480 --> 00:47:14,919
Speaker 3: that the start of Harlem start dancing again, absolutely without

999
00:47:14,920 --> 00:47:15,719
Speaker 3: a shadow of a doubt.

1000
00:47:17,040 --> 00:47:19,080
Speaker 2: Like you gotta think about it before before that record

1001
00:47:19,120 --> 00:47:21,640
Speaker 2: came out O six, when the last time Niggas was

1002
00:47:21,719 --> 00:47:24,120
Speaker 2: dancing the hallom was when g Depp came out.

1003
00:47:24,960 --> 00:47:26,120
Speaker 1: That was the last time they did it.

1004
00:47:27,680 --> 00:47:29,719
Speaker 2: And you gotta remember when g Depp and It was

1005
00:47:29,760 --> 00:47:32,120
Speaker 2: doing it. They ship wasn't even for the kids. They

1006
00:47:32,120 --> 00:47:34,520
Speaker 2: ship was like more of an adult record with kids dancing,

1007
00:47:34,560 --> 00:47:36,799
Speaker 2: and my ship was like the streets making a record

1008
00:47:36,880 --> 00:47:37,680
Speaker 2: for the streets.

1009
00:47:38,400 --> 00:47:38,680
Speaker 1: Yeah.

1010
00:47:38,719 --> 00:47:40,480
Speaker 2: So I think I felt like that started, you know,

1011
00:47:40,520 --> 00:47:42,799
Speaker 2: I started moving called life you movie and that, Like

1012
00:47:42,840 --> 00:47:44,760
Speaker 2: I said, I don't like to say I discovered anybody,

1013
00:47:44,800 --> 00:47:46,640
Speaker 2: because I felt like only gods discovered people.

1014
00:47:46,680 --> 00:47:48,160
Speaker 1: But if you look on my first album.

1015
00:47:48,200 --> 00:47:49,680
Speaker 2: That's the first time you've seen a lot of people

1016
00:47:49,719 --> 00:47:52,440
Speaker 2: who have great careers now, like you know Beyoncas the Ta,

1017
00:47:52,480 --> 00:47:54,360
Speaker 2: Taylors and you know, like I said, the moves and

1018
00:47:54,360 --> 00:47:56,319
Speaker 2: the rectors and all that. So I felt like that

1019
00:47:56,440 --> 00:47:58,760
Speaker 2: was the start of the dance, right. I'm not understanding

1020
00:47:58,760 --> 00:48:01,000
Speaker 2: you said you claiming to tail. No, I'm just saying

1021
00:48:01,000 --> 00:48:03,440
Speaker 2: the first time you heard her or like seeing her

1022
00:48:03,640 --> 00:48:06,000
Speaker 2: in any video or it was on my album.

1023
00:48:06,080 --> 00:48:07,960
Speaker 1: That's like fam did all that. I thought this first

1024
00:48:07,960 --> 00:48:10,200
Speaker 1: time we saw was on that teen sixteen. Yeah, that

1025
00:48:10,280 --> 00:48:11,400
Speaker 1: was after after.

1026
00:48:11,600 --> 00:48:14,160
Speaker 2: So what happened was you know how the record labels

1027
00:48:14,160 --> 00:48:16,879
Speaker 2: working nor read once once like look at the drill

1028
00:48:17,040 --> 00:48:19,080
Speaker 2: like once once one person made drill record, they weren't

1029
00:48:19,080 --> 00:48:21,640
Speaker 2: looking for everybody doing drill. So once I made the

1030
00:48:21,719 --> 00:48:24,239
Speaker 2: lightly music, that's how like Little Mama Way and got

1031
00:48:24,280 --> 00:48:26,960
Speaker 2: her deal, and then you know, Forrell snatched up Siana

1032
00:48:27,000 --> 00:48:29,239
Speaker 2: Taylor and and you know, Jason Foster Gott snatched up

1033
00:48:29,239 --> 00:48:31,360
Speaker 2: Botle like I think Jermaine U Prix because they was

1034
00:48:31,360 --> 00:48:32,239
Speaker 2: looking for the sound that I.

1035
00:48:32,280 --> 00:48:33,160
Speaker 1: Was creating, you know what I'm saying.

1036
00:48:33,239 --> 00:48:35,160
Speaker 2: So a lot of people went and got deals because

1037
00:48:35,160 --> 00:48:37,399
Speaker 2: of the movement that I started. I just I wasn't

1038
00:48:37,400 --> 00:48:39,480
Speaker 2: just smart enough. I wasn't a smart enough, smart enough

1039
00:48:39,480 --> 00:48:41,279
Speaker 2: business man at the time to say, you know what,

1040
00:48:41,400 --> 00:48:43,120
Speaker 2: let me sound a bunch of these people and put

1041
00:48:43,120 --> 00:48:43,600
Speaker 2: them out through.

1042
00:48:43,640 --> 00:48:46,120
Speaker 1: I was just like nigga, I'm hong on me. Everybody

1043
00:48:46,120 --> 00:48:46,560
Speaker 1: got to eat.

1044
00:48:46,680 --> 00:48:49,040
Speaker 2: Everybody on the album, everybody get paid, everybody make they

1045
00:48:49,200 --> 00:48:50,960
Speaker 2: make their way through their careers. Then, you know, so,

1046
00:48:51,080 --> 00:48:52,719
Speaker 2: I like to say I helped start a lot of

1047
00:48:52,719 --> 00:48:55,479
Speaker 2: people career. I played the intricate part in and started

1048
00:48:55,840 --> 00:49:00,799
Speaker 2: career name once again. I'm Sianna Taylor. Let's go Young Bad,

1049
00:49:00,800 --> 00:49:03,160
Speaker 2: which just me uncle. If you listen my first album,

1050
00:49:03,200 --> 00:49:05,279
Speaker 2: Browns was producing on it.

1051
00:49:04,600 --> 00:49:09,160
Speaker 1: I'm just saying no.

1052
00:49:09,239 --> 00:49:12,480
Speaker 2: I'm saying that toast, saying no, you the reason I

1053
00:49:12,520 --> 00:49:17,120
Speaker 2: started doing music. But you know, like like even though

1054
00:49:17,320 --> 00:49:19,080
Speaker 2: Rex and Moves Battle and stuff like that, like those

1055
00:49:19,080 --> 00:49:21,560
Speaker 2: are my brothers, everybody was ronding. I was like, listen,

1056
00:49:21,560 --> 00:49:22,960
Speaker 2: we all get then no, we're gonna split this money

1057
00:49:23,000 --> 00:49:24,799
Speaker 2: up together. We going boom boom boom, boom boom and

1058
00:49:24,840 --> 00:49:26,600
Speaker 2: whatever goes goes like that's the roo We'll ever get

1059
00:49:26,640 --> 00:49:30,319
Speaker 2: in first, bring everybody in and then pooll pause well

1060
00:49:30,320 --> 00:49:32,399
Speaker 2: we get in first, bring everybody in, pause, and then

1061
00:49:32,400 --> 00:49:34,200
Speaker 2: we all go from there. But sometimes it don't work

1062
00:49:34,200 --> 00:49:38,920
Speaker 2: that way. Sometimes you gotta just do everybody.

1063
00:49:39,160 --> 00:49:45,320
Speaker 3: But nah, all right, So y'all ready for quick Thomas.

1064
00:49:45,080 --> 00:49:47,440
Speaker 1: Slane, y'all sends up.

1065
00:49:47,960 --> 00:49:56,759
Speaker 10: Yeah, we got a we got a older two records? Yeah, yeah,

1066
00:49:57,280 --> 00:49:59,560
Speaker 10: Dan Greece, Oh ship, what's you damn to?

1067
00:49:59,640 --> 00:50:04,640
Speaker 1: So many records? Which one? What's the name of it's

1068
00:50:04,880 --> 00:50:08,800
Speaker 1: so hot? Okay? Yeah, it ain't work.

1069
00:50:12,760 --> 00:50:23,320
Speaker 11: Try it ain't worked out, keeping it will?

1070
00:50:23,440 --> 00:50:25,800
Speaker 1: Yeah? Okay.

1071
00:50:25,960 --> 00:50:29,279
Speaker 5: So the rule, We're gonna give you two choices. You

1072
00:50:29,400 --> 00:50:32,040
Speaker 5: pick one. We don't drink. You say both, and neither

1073
00:50:32,040 --> 00:50:36,319
Speaker 5: of them were all drinking. Okay, got it? And give

1074
00:50:36,400 --> 00:50:38,960
Speaker 5: us any stories with anybody you want to give. You

1075
00:50:39,040 --> 00:50:42,640
Speaker 5: got the first one. Nope, Cam or Jim.

1076
00:50:44,239 --> 00:50:47,359
Speaker 1: We said this on the plane. Well I got money

1077
00:50:47,400 --> 00:50:51,520
Speaker 1: with Jim and I don't really know Cam like that. Jim.

1078
00:50:52,480 --> 00:50:56,480
Speaker 2: Yeah, I mean, I mean it depends. What can't you

1079
00:50:56,520 --> 00:50:59,799
Speaker 2: talk about when Jim you talking about? Nah, neither one.

1080
00:51:01,840 --> 00:51:05,759
Speaker 1: I never heard it. They cancel each other. I feel

1081
00:51:05,760 --> 00:51:08,719
Speaker 1: like you gotta take a shot. You gotta take a shot.

1082
00:51:09,360 --> 00:51:11,120
Speaker 2: You said we got to pick one, right, Yeah, we

1083
00:51:11,160 --> 00:51:12,239
Speaker 2: don't pick one at might take.

1084
00:51:12,160 --> 00:51:14,880
Speaker 1: A shot, right, Yeah, I got problem. I'm ready to

1085
00:51:14,920 --> 00:51:15,359
Speaker 1: take a shot.

1086
00:51:16,200 --> 00:51:19,799
Speaker 4: Yeah, hella take a shot, nigga, answer that that way?

1087
00:51:20,080 --> 00:51:21,239
Speaker 1: Okay, you got your shots?

1088
00:51:21,760 --> 00:51:25,719
Speaker 4: Yeah, gotta take a shot on his unfortunately, because you

1089
00:51:25,760 --> 00:51:27,160
Speaker 4: can't win this, nigga, y'all together.

1090
00:51:28,080 --> 00:51:29,879
Speaker 2: I'm trying to stop the bee from looking normal starting

1091
00:51:29,880 --> 00:51:30,160
Speaker 2: this ship.

1092
00:51:32,280 --> 00:51:33,840
Speaker 1: I'm out of it. My name is Bennett, and I

1093
00:51:33,960 --> 00:51:34,880
Speaker 1: surely ain't in it.

1094
00:51:35,400 --> 00:51:36,000
Speaker 11: I'll tell you that.

1095
00:51:36,719 --> 00:51:38,800
Speaker 1: Who don't got a shot though, I don't want But

1096
00:51:38,880 --> 00:51:41,440
Speaker 1: they got shots. You ain't got shot. I got my

1097
00:51:42,120 --> 00:51:42,560
Speaker 1: oh ship?

1098
00:51:42,560 --> 00:51:46,360
Speaker 4: All right, wait, Jamie, that's the same shot fus absolutely,

1099
00:51:46,719 --> 00:51:49,759
Speaker 4: Oh you okay, ship you baby siting, that's what that call?

1100
00:51:50,360 --> 00:51:54,600
Speaker 1: Okay, all right, you want the next one to gonna

1101
00:51:54,640 --> 00:51:58,040
Speaker 1: leave you? You're gonna leave you in Harlem. Let's go. Oh,

1102
00:51:58,160 --> 00:52:01,920
Speaker 1: let's take the shot first. Oh yeah, out for solute

1103
00:52:01,960 --> 00:52:03,560
Speaker 1: the thing. I couldn't use that one.

1104
00:52:04,080 --> 00:52:07,040
Speaker 4: Un that's not the way this works, okay, rules, Well,

1105
00:52:07,160 --> 00:52:09,280
Speaker 4: get your ship together, man cheers.

1106
00:52:10,239 --> 00:52:19,239
Speaker 12: Yeah, we got a shot. Yeah shot, we're doing one. Yeah,

1107
00:52:21,200 --> 00:52:21,879
Speaker 12: maybe I got the rules.

1108
00:52:22,000 --> 00:52:23,600
Speaker 2: I thought we don't pick neither one because you didn't

1109
00:52:23,640 --> 00:52:24,799
Speaker 2: want to pick out the aybody shot.

1110
00:52:25,160 --> 00:52:27,359
Speaker 1: If you don't pick we drinking. If you say both

1111
00:52:27,400 --> 00:52:30,440
Speaker 1: of neither, that's that's we're not saying. That's what we did.

1112
00:52:30,480 --> 00:52:35,160
Speaker 4: A shot a rock your ecept for except yeah, yeah,

1113
00:52:35,160 --> 00:52:38,000
Speaker 4: shoutut to for you know, we got some music. We

1114
00:52:38,040 --> 00:52:42,439
Speaker 4: got records with firm, so yeah, good yeah, Dave Easter,

1115
00:52:43,760 --> 00:52:48,000
Speaker 4: Oh what's it going? Yeah, shout out the battle. We

1116
00:52:48,239 --> 00:52:50,160
Speaker 4: we got a lot of music together too, and you

1117
00:52:50,239 --> 00:52:52,759
Speaker 4: know we we show up for each other. So I'm

1118
00:52:52,760 --> 00:52:53,640
Speaker 4: gonna say neither again.

1119
00:52:58,520 --> 00:53:01,680
Speaker 1: I'm just so polled. I'm gonna say one. Jamie, you

1120
00:53:01,760 --> 00:53:02,600
Speaker 1: needs something over here.

1121
00:53:04,440 --> 00:53:09,279
Speaker 4: I have the same one by the way, hey man, yeah,

1122
00:53:09,680 --> 00:53:11,720
Speaker 4: I'm gonna let you have all hallm pause.

1123
00:53:13,560 --> 00:53:16,319
Speaker 1: We gotta take this shot still. I shot my shot.

1124
00:53:17,440 --> 00:53:22,520
Speaker 1: Frank Lucas Now, yeah, man, you gotta take two. Oh

1125
00:53:22,600 --> 00:53:29,440
Speaker 1: there you go being dangerous territories man, Yeah we are.

1126
00:53:29,640 --> 00:53:33,560
Speaker 1: Yeah yeah, Big l Or Black Rob rest in piece

1127
00:53:33,600 --> 00:53:39,560
Speaker 1: of bol I know who you're going. All right, you

1128
00:53:39,680 --> 00:53:42,040
Speaker 1: gotta take you gotta say both, you know what I mean?

1129
00:53:44,640 --> 00:53:45,520
Speaker 1: That was a harsh one.

1130
00:53:45,719 --> 00:53:48,560
Speaker 3: Yeah yeah, yo, you just me and the king in

1131
00:53:48,600 --> 00:53:50,200
Speaker 3: the Columbia writes the questions over there.

1132
00:53:50,880 --> 00:53:53,960
Speaker 1: Yeah yeah, so just see he's a love town. He's

1133
00:53:53,960 --> 00:53:55,680
Speaker 1: from Haller. Just to be clear, when I said neither,

1134
00:53:55,719 --> 00:54:00,320
Speaker 1: I'm in both. That's what. Yeah, we get. It doesn't

1135
00:54:00,320 --> 00:54:04,439
Speaker 1: get it's good. I want to make sure. I mean yeah, yeah,

1136
00:54:04,440 --> 00:54:06,680
Speaker 1: I mean just just for you to say it happened

1137
00:54:06,680 --> 00:54:07,720
Speaker 1: to answer these questions.

1138
00:54:07,760 --> 00:54:10,160
Speaker 4: I prefer you say both. But what I keep saying neither,

1139
00:54:10,200 --> 00:54:13,040
Speaker 4: I'm I'm gonna drinking anything. I'm like, I get it,

1140
00:54:13,080 --> 00:54:15,600
Speaker 4: I understand. Yeah, And well we he were Big Old.

1141
00:54:15,719 --> 00:54:17,960
Speaker 4: How did that he Bonics record come about? H Well,

1142
00:54:18,719 --> 00:54:22,080
Speaker 4: I was outside cut to school one day and Big

1143
00:54:22,160 --> 00:54:24,600
Speaker 4: Ol just happened to walk through the box and I

1144
00:54:24,800 --> 00:54:27,839
Speaker 4: was like, he was looking for what block? This twenty

1145
00:54:27,880 --> 00:54:31,680
Speaker 4: seven LIX seven some linux. He just popped up out

1146
00:54:31,680 --> 00:54:34,680
Speaker 4: of nowhere. And he's the guy in Harlem at this time. Yeah,

1147
00:54:35,840 --> 00:54:43,480
Speaker 4: he was looking for some stuff. And I'm like, hey, bro,

1148
00:54:43,680 --> 00:54:47,239
Speaker 4: we I got some beats man, and uh he came

1149
00:54:47,360 --> 00:54:50,520
Speaker 4: upstairs and the first beat I played was at this

1150
00:54:50,600 --> 00:54:52,799
Speaker 4: time you know who he was. So I'm like, yo,

1151
00:54:52,880 --> 00:54:54,839
Speaker 4: I got some He was asking for some other things,

1152
00:54:54,880 --> 00:54:57,360
Speaker 4: but I was like, yo, I got some beats, and

1153
00:54:57,480 --> 00:55:00,960
Speaker 4: he was like, yo, let me hear in the first

1154
00:55:01,000 --> 00:55:03,560
Speaker 4: beat I played for him was the Bonyx And.

1155
00:55:05,040 --> 00:55:06,040
Speaker 1: Did he start rapping to it?

1156
00:55:06,239 --> 00:55:07,920
Speaker 4: No, he said, yo, put it on tape, because at

1157
00:55:07,960 --> 00:55:09,600
Speaker 4: that time it was you know, tape. He put it

1158
00:55:09,640 --> 00:55:10,000
Speaker 4: on tape.

1159
00:55:10,120 --> 00:55:12,040
Speaker 1: He said, what what was you playing it on? He

1160
00:55:12,120 --> 00:55:14,560
Speaker 1: had to put it on the drum machine. What the fuck?

1161
00:55:14,600 --> 00:55:19,120
Speaker 1: You had a drum machine walking around? No? No, I'm like.

1162
00:55:21,840 --> 00:55:23,560
Speaker 4: And he was like, I played it for me. He's like,

1163
00:55:23,719 --> 00:55:25,640
Speaker 4: let me get that on tape, and then he came

1164
00:55:25,719 --> 00:55:27,880
Speaker 4: back and let me how it sound. So, you know,

1165
00:55:27,920 --> 00:55:30,160
Speaker 4: I ain't have pro twos at the time, so he

1166
00:55:30,280 --> 00:55:33,040
Speaker 4: had to do a straight run on the tape. We

1167
00:55:33,120 --> 00:55:34,360
Speaker 4: did that, and he said, Yo, we're gonna go to

1168
00:55:34,480 --> 00:55:35,800
Speaker 4: D and D and do it for real. So we

1169
00:55:35,880 --> 00:55:38,399
Speaker 4: went to D and D and we did that best

1170
00:55:38,440 --> 00:55:39,240
Speaker 4: time in the real studio.

1171
00:55:39,280 --> 00:55:41,440
Speaker 1: Yeah. Yeah, he killed us and I think that was

1172
00:55:41,560 --> 00:55:43,840
Speaker 1: my first one. Is no your first time? No?

1173
00:55:44,000 --> 00:55:44,040
Speaker 5: No?

1174
00:55:44,160 --> 00:55:47,239
Speaker 1: No, no, no, So you knew how to operate it? Yeah, yeah.

1175
00:55:47,600 --> 00:55:47,759
Speaker 2: Yeah.

1176
00:55:47,840 --> 00:55:50,120
Speaker 1: I've been in the game since ninety two. Okay, oh

1177
00:55:50,239 --> 00:55:52,160
Speaker 1: so damn you just producing them Before that, after I.

1178
00:55:52,239 --> 00:55:55,480
Speaker 4: Was rapping, I was a label called Big Boss Records.

1179
00:55:56,200 --> 00:55:59,879
Speaker 4: Kevin Chiles okay, well signed him Kevin Child.

1180
00:56:00,040 --> 00:56:03,440
Speaker 1: Yeah, yeah. Oh really that's a big bro. Yeah, I

1181
00:56:03,440 --> 00:56:06,279
Speaker 1: didn't know that. That's that's a big time. Let's take

1182
00:56:06,280 --> 00:56:08,800
Speaker 1: a shot for ribbit and big, he said, both a

1183
00:56:08,960 --> 00:56:15,200
Speaker 1: hold on, this is a game. Yeah down, you got

1184
00:56:15,320 --> 00:56:17,600
Speaker 1: plenty of you gonna take me a long time?

1185
00:56:17,880 --> 00:56:20,600
Speaker 4: Boys, Okay, go ahead, I'm gonna let okay, I'll take

1186
00:56:20,640 --> 00:56:22,480
Speaker 4: this gun cool mod.

1187
00:56:22,560 --> 00:56:24,560
Speaker 1: Or Curtis blow? Oh cool?

1188
00:56:24,680 --> 00:56:31,440
Speaker 4: D I feel like you know both they disagree with

1189
00:56:32,400 --> 00:56:34,439
Speaker 4: my mom. I want to be here if it wasn't

1190
00:56:34,480 --> 00:56:36,600
Speaker 4: for he always has the big last year. I always

1191
00:56:36,960 --> 00:56:39,080
Speaker 4: always had to be with my mom, so he always

1192
00:56:39,120 --> 00:56:40,200
Speaker 4: had what was your mom?

1193
00:56:44,160 --> 00:56:50,520
Speaker 1: Come on, bro, you're just gonna throw your mama. I

1194
00:56:51,480 --> 00:56:56,759
Speaker 1: got scared. Let's take a shot. I love you. Shout

1195
00:56:56,840 --> 00:57:02,719
Speaker 1: up too. He was supposed to get shot for that one.

1196
00:57:03,400 --> 00:57:06,320
Speaker 1: Both okay, all right? Cool? Yeah, oh go ahead, goead

1197
00:57:06,360 --> 00:57:10,359
Speaker 1: yeah j r RD J Mills. Oh that's a good one.

1198
00:57:11,320 --> 00:57:15,440
Speaker 1: That's a good one of my guys. Both both my guys.

1199
00:57:15,880 --> 00:57:20,439
Speaker 1: All right, shout he got his shot. He got shot.

1200
00:57:20,600 --> 00:57:27,440
Speaker 1: Just been chilling shot one. You're not invisible, remember the

1201
00:57:30,640 --> 00:57:37,480
Speaker 1: mhm man? Okay on you uh I got this one?

1202
00:57:37,560 --> 00:57:41,600
Speaker 1: Got it? Oh no, I don't okay, Mace kiss, Mason

1203
00:57:41,680 --> 00:57:47,760
Speaker 1: Kiss Mason Jada kiss or murder Mace, I mean Jadakiss

1204
00:57:50,560 --> 00:57:52,000
Speaker 1: both both?

1205
00:57:52,640 --> 00:57:57,000
Speaker 2: Yeah, yeah, yeah, shot there like three different though shout

1206
00:57:57,480 --> 00:58:01,200
Speaker 2: alive as sistency is like accolate, like Jada kiss is

1207
00:58:01,280 --> 00:58:04,600
Speaker 2: like Mace. Mace kind of change the yeah you know,

1208
00:58:05,040 --> 00:58:07,240
Speaker 2: uh the trajectory of how we look.

1209
00:58:07,320 --> 00:58:10,200
Speaker 1: Yeah yeah, yeah. Man, his impact was it was crazy.

1210
00:58:10,240 --> 00:58:13,360
Speaker 2: But Jada Kiss, he's been consistent for like twenty five

1211
00:58:13,400 --> 00:58:15,080
Speaker 2: thirty years straight to this day.

1212
00:58:15,160 --> 00:58:18,040
Speaker 4: You know, when Mace was on that screen, it was

1213
00:58:18,120 --> 00:58:20,520
Speaker 4: like if he was in Harlem. He was like, that's us.

1214
00:58:20,640 --> 00:58:23,280
Speaker 4: That's how we are, Like you know what I mean,

1215
00:58:23,760 --> 00:58:26,480
Speaker 4: you picked from it from He's spaking both, you know,

1216
00:58:26,520 --> 00:58:27,120
Speaker 4: shout out the kids.

1217
00:58:27,160 --> 00:58:29,800
Speaker 1: That's my guy. So take a shot, all right. I

1218
00:58:30,000 --> 00:58:33,640
Speaker 1: got the slowest shot taking over. Hey, she want us

1219
00:58:33,680 --> 00:58:36,960
Speaker 1: to do not be great? All right, you gotta catch up.

1220
00:58:36,960 --> 00:58:43,880
Speaker 1: I'll catch up. Don't worry about it. Kay, Okay, I

1221
00:58:43,960 --> 00:58:48,560
Speaker 1: got this one. Biz Markey or O D B. Damn.

1222
00:58:48,640 --> 00:58:54,200
Speaker 1: That's a good one. And rest in peace of both

1223
00:58:54,400 --> 00:59:00,560
Speaker 1: well both both solo all night. So you go over.

1224
00:59:00,600 --> 00:59:04,360
Speaker 2: There's not a drinking like that, you know, it's more

1225
00:59:04,360 --> 00:59:06,560
Speaker 2: of a well he knew he was coming today.

1226
00:59:07,280 --> 00:59:08,840
Speaker 5: I feel like he's playing that game where you can't

1227
00:59:08,960 --> 00:59:09,920
Speaker 5: see where the shut is at.

1228
00:59:10,080 --> 00:59:10,480
Speaker 1: I love it.

1229
00:59:11,080 --> 00:59:15,880
Speaker 4: Yeah, switch through analog or digital, both of y'all analog

1230
00:59:16,080 --> 00:59:19,240
Speaker 4: handalog okay and good good choice.

1231
00:59:21,240 --> 00:59:23,880
Speaker 5: It's crazy y'all say that, being the you capitalize off

1232
00:59:23,920 --> 00:59:24,720
Speaker 5: of auto tunes, you know.

1233
00:59:25,000 --> 00:59:32,040
Speaker 1: Yeah, but the roots from analog sounds way better. Yeah,

1234
00:59:32,160 --> 00:59:36,480
Speaker 1: max O, Biggie rest in Peace ship the.

1235
00:59:40,520 --> 00:59:40,680
Speaker 4: Yeah.

1236
00:59:40,760 --> 00:59:40,920
Speaker 1: Yeah.

1237
00:59:41,400 --> 00:59:44,480
Speaker 4: Sometimes I'd be feeling like I wish I did a

1238
00:59:44,560 --> 00:59:47,880
Speaker 4: beat on Ready to Die or Life After Death.

1239
00:59:49,440 --> 00:59:53,000
Speaker 1: Yeah, yeah, definitely, But I still feel like that's that's that's.

1240
00:59:52,960 --> 00:59:57,680
Speaker 4: Like the that's like biggest, like the blueprint, if how

1241
00:59:57,800 --> 01:00:02,880
Speaker 4: you should structure your album, did the range, the b picking,

1242
01:00:03,040 --> 01:00:06,680
Speaker 4: the you know the flow. I feel like, I like,

1243
01:00:06,920 --> 01:00:09,960
Speaker 4: if if your if your your level of artistry is

1244
01:00:10,040 --> 01:00:12,080
Speaker 4: not on that type, on that level, I'll just be like,

1245
01:00:12,880 --> 01:00:15,120
Speaker 4: I can't you know what I mean you.

1246
01:00:20,640 --> 01:00:24,000
Speaker 1: Biggie, Okay, I'm in Okay, went to the next one.

1247
01:00:24,720 --> 01:00:31,200
Speaker 1: Tupac are easy, pot Tupac. I got Tupac story too.

1248
01:00:31,320 --> 01:00:35,880
Speaker 1: Let's go so on to get chicken and little soup. No, okay,

1249
01:00:36,040 --> 01:00:39,160
Speaker 1: not bad, you went too far with that.

1250
01:00:40,560 --> 01:00:45,280
Speaker 2: I've never been told this story before. Okay, So, so

1251
01:00:45,440 --> 01:00:47,520
Speaker 2: my block is like a legenday block in Harlem. They

1252
01:00:47,600 --> 01:00:50,760
Speaker 2: filmed like movies like uh, like sugar Hill and New

1253
01:00:50,840 --> 01:00:53,479
Speaker 2: Jack City and Juice was all filling on my block.

1254
01:00:53,560 --> 01:00:55,880
Speaker 2: So like when they killed all men killers, that's that's

1255
01:00:55,920 --> 01:00:59,520
Speaker 2: like my grandmother's store. When when when the roof, that's

1256
01:00:59,520 --> 01:01:01,720
Speaker 2: my great room, this building. When you're elevated shooting a lot.

1257
01:01:02,080 --> 01:01:04,760
Speaker 2: So I'm like this it has to be like ninety one.

1258
01:01:04,800 --> 01:01:07,360
Speaker 2: I was like, I was in elementary school, so they

1259
01:01:07,440 --> 01:01:12,120
Speaker 2: trailers was parked in front of my school. So I

1260
01:01:12,240 --> 01:01:14,040
Speaker 2: knew all the older niggas from my hood. Because my

1261
01:01:14,120 --> 01:01:15,520
Speaker 2: cousin who I got my name from.

1262
01:01:15,720 --> 01:01:18,280
Speaker 1: Her name is Webb. I just kind of hijacked his name.

1263
01:01:18,320 --> 01:01:18,880
Speaker 1: That's my cousin.

1264
01:01:19,200 --> 01:01:23,120
Speaker 2: So that's so so Pac brung so my mayor Chuck

1265
01:01:23,200 --> 01:01:25,320
Speaker 2: Black who used to man Is and that song if

1266
01:01:25,360 --> 01:01:28,480
Speaker 2: you know. He he brung me and like four all

1267
01:01:28,520 --> 01:01:32,040
Speaker 2: my other friends. It's on the trailer to me Pop

1268
01:01:32,280 --> 01:01:34,440
Speaker 2: and Parker was like what's your names and all that?

1269
01:01:34,560 --> 01:01:36,160
Speaker 2: He was like, y, this is a little web He said,

1270
01:01:36,160 --> 01:01:37,800
Speaker 2: well what that means? What we get that from?

1271
01:01:38,000 --> 01:01:40,000
Speaker 1: I'm like Webster and he was like, yo, you kind

1272
01:01:40,000 --> 01:01:46,120
Speaker 1: of look like Webster, right serious? Yeah you said you

1273
01:01:46,160 --> 01:01:47,720
Speaker 1: look like Yeah.

1274
01:01:47,880 --> 01:01:49,520
Speaker 2: He was just like, nah, you're a star. Your name

1275
01:01:49,560 --> 01:01:52,120
Speaker 2: is WebStar, a star. Don't let nobody tell you can't

1276
01:01:52,120 --> 01:01:54,160
Speaker 2: be nothing. And then I just ran with the name

1277
01:01:54,200 --> 01:01:54,640
Speaker 2: ever since.

1278
01:01:54,640 --> 01:02:00,560
Speaker 1: I was that's crazy. So let's do's you're trying to

1279
01:02:00,600 --> 01:02:07,320
Speaker 1: say to us, right, you your name? I gain my name? Okay? Yeah?

1280
01:02:08,440 --> 01:02:10,440
Speaker 5: And he has nice to Harlem as well through his

1281
01:02:10,560 --> 01:02:12,840
Speaker 5: mom and running the Black Panther chapter.

1282
01:02:12,920 --> 01:02:19,960
Speaker 1: You think that you've been saving this story, I mean

1283
01:02:20,120 --> 01:02:22,320
Speaker 1: deepen seven drinks, I mean niggas from my block. No,

1284
01:02:22,480 --> 01:02:23,560
Speaker 1: but like I ain't even I ain't never.

1285
01:02:23,840 --> 01:02:25,360
Speaker 2: I haven't done an interview like this in the one

1286
01:02:25,400 --> 01:02:29,400
Speaker 2: that's That's dope, No seriously dead series ninety one, bro, Like,

1287
01:02:29,480 --> 01:02:30,880
Speaker 2: if you do the knowledge, if you look at skill,

1288
01:02:30,920 --> 01:02:32,760
Speaker 2: the hell that the whole movie is talking about, whole block,

1289
01:02:32,920 --> 01:02:35,480
Speaker 2: the park, the basement with Q's DJ, that's my grandma,

1290
01:02:35,520 --> 01:02:36,520
Speaker 2: Oh that's my block.

1291
01:02:36,760 --> 01:02:38,320
Speaker 1: It was ninety one. I was like here probably like

1292
01:02:38,360 --> 01:02:40,600
Speaker 1: a probably like the fourth or fifth grade. It was

1293
01:02:40,600 --> 01:02:44,840
Speaker 1: a little nigga. I don't got no those story like that. Hey,

1294
01:02:46,720 --> 01:02:50,520
Speaker 1: oh hey this think it crazy? I said, came he

1295
01:02:50,560 --> 01:03:01,040
Speaker 1: gonna he's gonna take a deepen because I'm like that

1296
01:03:02,440 --> 01:03:06,800
Speaker 1: story that's more than the story straight, Hey, how you

1297
01:03:06,920 --> 01:03:07,280
Speaker 1: gonna lie?

1298
01:03:08,640 --> 01:03:09,400
Speaker 9: That was like what.

1299
01:03:11,320 --> 01:03:15,640
Speaker 1: You got a story that's like that's like have a

1300
01:03:15,800 --> 01:03:20,439
Speaker 1: Prince story and be like trying to out Prince. I've

1301
01:03:20,520 --> 01:03:26,000
Speaker 1: really seen Prince LEVI take too long out Prince my story.

1302
01:03:27,280 --> 01:03:29,400
Speaker 1: So I ain't even got a Tupac story. So you

1303
01:03:29,560 --> 01:03:31,640
Speaker 1: killed that Holy ship. I don't even know what the

1304
01:03:31,680 --> 01:03:33,440
Speaker 1: next one is. Go ahead, let's go. We gotta change it.

1305
01:03:33,440 --> 01:03:34,280
Speaker 1: Because of what you said.

1306
01:03:34,880 --> 01:03:40,800
Speaker 4: New Jack City or Juice Juice New Jack City, they

1307
01:03:40,920 --> 01:03:42,960
Speaker 4: both they both at Harlem, right, Yeah, yeah, yeah yeah,

1308
01:03:44,120 --> 01:03:44,800
Speaker 4: New Jack City.

1309
01:03:44,880 --> 01:03:51,040
Speaker 1: That's that's what's down for me. Yeah yeah, it influenced

1310
01:03:51,040 --> 01:03:53,880
Speaker 1: a lot of the Harlem hustlers. Is that Is that

1311
01:03:53,960 --> 01:03:59,800
Speaker 1: building really exist? Yeah? Yeah, that's the fact. Yeah, A

1312
01:04:00,160 --> 01:04:04,520
Speaker 1: Dame Greece or large pro James gree shot Grease Grease.

1313
01:04:05,080 --> 01:04:05,800
Speaker 1: You know Greece.

1314
01:04:06,080 --> 01:04:07,320
Speaker 4: I don't know if a lot of people know, but

1315
01:04:07,720 --> 01:04:11,200
Speaker 4: Greece created like he had a sound, you know what

1316
01:04:11,240 --> 01:04:13,440
Speaker 4: I mean. And you know a lot of a lot

1317
01:04:13,480 --> 01:04:16,440
Speaker 4: of producers now like they be like creating like like

1318
01:04:16,560 --> 01:04:19,320
Speaker 4: a snare drum or a pattern or something.

1319
01:04:19,400 --> 01:04:22,400
Speaker 1: But Greece had this snare that he used to use

1320
01:04:23,160 --> 01:04:26,439
Speaker 1: and that was that was just five. Let's the question

1321
01:04:26,520 --> 01:04:30,200
Speaker 1: real quick. Then Dame Grease or Swiss beats? Oh?

1322
01:04:33,280 --> 01:04:39,040
Speaker 4: Both both because both of them created shot.

1323
01:04:39,280 --> 01:04:40,040
Speaker 1: We got more shots.

1324
01:04:40,120 --> 01:04:43,000
Speaker 4: Yeah, I mean this is with this list, this is

1325
01:04:43,120 --> 01:04:46,440
Speaker 4: this is beautiful along list man, That's why I told

1326
01:04:46,440 --> 01:04:46,960
Speaker 4: you slow down.

1327
01:04:47,040 --> 01:04:50,160
Speaker 1: Yeah, that's why the baby shots. Shout out to Swiss.

1328
01:04:50,200 --> 01:04:54,960
Speaker 1: That's my guy. He got Saudi Bronx. Yeah yeah, yeah,

1329
01:04:55,000 --> 01:05:00,800
Speaker 1: yeah yeah. I like that ship too. Heat Makers and

1330
01:05:00,880 --> 01:05:27,000
Speaker 1: track masters, track masters. I ain't gonna both because track

1331
01:05:29,760 --> 01:05:32,360
Speaker 1: I say both. Man, hold on, you know what's going

1332
01:05:32,440 --> 01:05:36,320
Speaker 1: home with you? You know I love to make us

1333
01:05:37,320 --> 01:05:42,160
Speaker 1: heat makers. I'm sorry. Come on, you never told this story.

1334
01:05:42,200 --> 01:05:43,680
Speaker 1: He never told the story. You never told the story.

1335
01:05:43,760 --> 01:05:46,640
Speaker 1: Tell the story. I just told your story. You ain't here, No, no,

1336
01:05:46,760 --> 01:05:48,600
Speaker 1: I need to hear. I'm not gonna I'm gonna tell

1337
01:05:48,600 --> 01:05:50,720
Speaker 1: you the storyline. I'm gonna save everything paused, all right,

1338
01:05:50,840 --> 01:05:54,120
Speaker 1: So so what happens. It's nothing happen. Everything is beautiful.

1339
01:05:54,880 --> 01:05:56,600
Speaker 1: Nothing happens. I'm a therapist. I don't know.

1340
01:05:59,800 --> 01:06:02,200
Speaker 4: I even know that he make it shout the awesome

1341
01:06:02,280 --> 01:06:05,600
Speaker 4: this man. You know he created that sound for dipset. Okay, yeah,

1342
01:06:06,360 --> 01:06:09,400
Speaker 4: really yeah. We grew up off the track masters, and

1343
01:06:09,480 --> 01:06:11,280
Speaker 4: I used to be like, yo, I need my beast

1344
01:06:11,320 --> 01:06:15,480
Speaker 4: to sound like track masters, like the clarity the production,

1345
01:06:15,640 --> 01:06:17,280
Speaker 4: how would sound. I was like, I need to get

1346
01:06:17,360 --> 01:06:18,640
Speaker 4: that that sound.

1347
01:06:19,200 --> 01:06:21,000
Speaker 2: Yeah, if you ain't figuring it out your browsers. The

1348
01:06:21,040 --> 01:06:24,600
Speaker 2: technical you know, he knows all, he knows everything. The lingo,

1349
01:06:24,760 --> 01:06:31,200
Speaker 2: the binnacular is amazing thing. Okay, yeah, I've seen your face.

1350
01:06:34,520 --> 01:06:37,000
Speaker 2: Oh no, it's a fifty cent.

1351
01:06:39,160 --> 01:06:41,040
Speaker 1: See when you work with both of them, yeah, I

1352
01:06:41,040 --> 01:06:41,760
Speaker 1: work with both of them.

1353
01:06:41,840 --> 01:06:45,160
Speaker 4: So when I get money with people, it's different because

1354
01:06:45,200 --> 01:06:47,960
Speaker 4: you know, me allows you to feed your family. So Sean,

1355
01:06:48,080 --> 01:06:50,360
Speaker 4: I got a lot of money with fifty cent you know,

1356
01:06:50,480 --> 01:06:54,320
Speaker 4: from producing that would help for Lloyd Banks, playboy for

1357
01:06:54,400 --> 01:06:56,560
Speaker 4: the banks with your head boy for banks.

1358
01:06:58,040 --> 01:07:02,440
Speaker 1: So yeah, I mean, but started, uh, don't lead the

1359
01:07:02,520 --> 01:07:06,160
Speaker 1: witness what I said? So, who are you picking? Not

1360
01:07:06,320 --> 01:07:07,479
Speaker 1: both both? Okay?

1361
01:07:07,680 --> 01:07:11,120
Speaker 4: If we're not, we don't we don't care.

1362
01:07:11,200 --> 01:07:15,960
Speaker 1: Said yes, yes, yeah, I'm not even saying queen queens

1363
01:07:16,000 --> 01:07:18,680
Speaker 1: owe me a check. Look, I want you. I feel

1364
01:07:18,720 --> 01:07:24,000
Speaker 1: like I want you. They work, they bring you up

1365
01:07:24,080 --> 01:07:28,760
Speaker 1: during the next Queen's delegation. Yeah, solo solid I don't

1366
01:07:28,800 --> 01:07:30,479
Speaker 1: never go to that meeting no more. Though I'm being.

1367
01:07:30,400 --> 01:07:35,480
Speaker 3: Honest, is really a Queen's delegation means come on, man,

1368
01:07:37,080 --> 01:07:39,760
Speaker 3: it's like the Black delegation. God damn, did we really

1369
01:07:39,840 --> 01:07:43,800
Speaker 3: beat up and talk about black issues? No, exactly, we should,

1370
01:07:43,840 --> 01:07:47,240
Speaker 3: don't we should about you know what, that's.

1371
01:07:47,080 --> 01:07:49,000
Speaker 1: A fucking great idea. Yeah, you know what I mean.

1372
01:07:49,440 --> 01:07:52,920
Speaker 1: Kate Slayer, Clark Kent rest in peace both both. You

1373
01:07:52,960 --> 01:07:56,080
Speaker 1: ain't got thinking about that one. Yeah, man, this is

1374
01:07:56,160 --> 01:07:59,440
Speaker 1: a hell of a game. Shout out to Kase Sway. Yeah,

1375
01:07:59,640 --> 01:08:02,400
Speaker 1: case from all of them. You know what's crazy?

1376
01:08:04,680 --> 01:08:09,120
Speaker 3: I want to say this real quick. I believe the

1377
01:08:09,200 --> 01:08:12,600
Speaker 3: first time they all three was in the room was

1378
01:08:12,680 --> 01:08:15,840
Speaker 3: with Clark Kent, that Clark Kent funeral. That's the last

1379
01:08:15,880 --> 01:08:19,360
Speaker 3: time Jay, Dame and Biggs was all in the same room.

1380
01:08:19,479 --> 01:08:19,719
Speaker 1: Wow.

1381
01:08:20,000 --> 01:08:21,680
Speaker 3: Yeah, they were all in our They didn't speak to

1382
01:08:21,760 --> 01:08:25,200
Speaker 3: each other. I mean, Biggs and Jay was together, but

1383
01:08:25,880 --> 01:08:28,439
Speaker 3: Dame was there, and that was the last time. And

1384
01:08:28,520 --> 01:08:31,320
Speaker 3: it's crazy because Clark brought him back together for one

1385
01:08:31,439 --> 01:08:34,280
Speaker 3: last you know what I mean. So that that at

1386
01:08:34,320 --> 01:08:34,960
Speaker 3: his funerals.

1387
01:08:34,960 --> 01:08:40,320
Speaker 1: So we got yeah all right, yeah, and you're holding

1388
01:08:40,360 --> 01:08:41,920
Speaker 1: it down. God damn you might as well. I'll just

1389
01:08:42,040 --> 01:08:44,799
Speaker 1: just keep it going. Dougie Fresher Rob Bass.

1390
01:08:45,360 --> 01:08:50,080
Speaker 4: Fresh Yeah yeah, that's from Yeah, okay, thank you Fresh

1391
01:08:50,360 --> 01:08:52,920
Speaker 4: at Dougie Fresh Studio. I made the beat CD at

1392
01:08:53,000 --> 01:08:55,720
Speaker 4: his house that had ether on it because I ain't

1393
01:08:55,760 --> 01:08:58,160
Speaker 4: had the equipment at the time, so I went to

1394
01:08:58,240 --> 01:09:01,960
Speaker 4: doug Fresh Studio and made the b CD that actually

1395
01:09:02,040 --> 01:09:02,920
Speaker 4: had ether on it.

1396
01:09:03,280 --> 01:09:06,880
Speaker 1: So shout to doug Freshman. Can't take no away from

1397
01:09:07,240 --> 01:09:12,320
Speaker 1: broad basing easy nothing. It takes one of the h

1398
01:09:12,360 --> 01:09:13,960
Speaker 1: you have the next one to You got all the

1399
01:09:14,000 --> 01:09:22,520
Speaker 1: harm questions Joel's or Max b oh uh. The relationship

1400
01:09:22,560 --> 01:09:28,360
Speaker 1: with not personal, but you know, gonna say both is cool.

1401
01:09:28,640 --> 01:09:31,160
Speaker 2: Free the wave but it's all Harlem and so yeah

1402
01:09:31,200 --> 01:09:37,400
Speaker 2: both yeah, oh ship shot, shout the clock all over

1403
01:09:37,439 --> 01:09:50,840
Speaker 2: the place, hurry up as fast more alright, ain't connor

1404
01:09:50,920 --> 01:09:51,360
Speaker 2: T Pain.

1405
01:09:52,479 --> 01:09:55,120
Speaker 1: That was for me, So go ahead, it was for you.

1406
01:09:56,880 --> 01:10:00,760
Speaker 1: You got all the HALLM T Pain. Yeah, shout out

1407
01:10:00,800 --> 01:10:05,600
Speaker 1: the T pain. He's like he's like the birth order. Ye,

1408
01:10:07,280 --> 01:10:10,600
Speaker 1: the Godfather order tone. I'm gonna say T Paint is

1409
01:10:10,600 --> 01:10:11,440
Speaker 1: like Godfather.

1410
01:10:13,200 --> 01:10:13,519
Speaker 5: Order to.

1411
01:10:15,560 --> 01:10:16,679
Speaker 1: Know you gotta give them his respect.

1412
01:10:16,720 --> 01:10:19,640
Speaker 3: I mean, he definitely, I believe, but he deserves his

1413
01:10:20,800 --> 01:10:23,360
Speaker 3: now asking y'all two brothers that used orto tone?

1414
01:10:23,479 --> 01:10:28,320
Speaker 1: Is t Pain the godfather order tune? Hip hop shout

1415
01:10:28,479 --> 01:10:29,880
Speaker 1: because we know George Clinton and.

1416
01:10:30,160 --> 01:10:32,960
Speaker 5: What's the Roger Trupan Roger Trup that was an auto

1417
01:10:33,000 --> 01:10:34,880
Speaker 5: tunes Auto tunes is as appropriate.

1418
01:10:34,920 --> 01:10:37,280
Speaker 1: That's his order tool is cussing though, right right? That

1419
01:10:37,400 --> 01:10:40,000
Speaker 1: was that was organic natural They was using the.

1420
01:10:40,040 --> 01:10:42,560
Speaker 4: Key Shout out to Akon because you know at the

1421
01:10:42,640 --> 01:10:45,120
Speaker 4: time t Paint ain't like how I was using an

1422
01:10:45,160 --> 01:10:48,160
Speaker 4: auto tune, and I guess, yeah, he went on an

1423
01:10:48,200 --> 01:10:49,439
Speaker 4: interview must to say he didn't like.

1424
01:10:49,479 --> 01:10:51,040
Speaker 1: How I was using. You ain't tell me that.

1425
01:10:51,200 --> 01:10:54,080
Speaker 4: Akon called me and was like, yo, y'all don't need

1426
01:10:54,200 --> 01:10:56,680
Speaker 4: to be beefing like like on some O G ship Like, Yo,

1427
01:10:56,760 --> 01:10:57,920
Speaker 4: y'all don't need to be beefing like that.

1428
01:10:58,040 --> 01:11:00,000
Speaker 1: It's all love and why you responded to him?

1429
01:11:00,600 --> 01:11:03,679
Speaker 4: I didn't respond, but what she was going to most

1430
01:11:03,800 --> 01:11:11,519
Speaker 4: likely I was getting amped up from so it comes like, yeah,

1431
01:11:11,520 --> 01:11:13,280
Speaker 4: we ain't on that type of time. You know, it

1432
01:11:13,560 --> 01:11:17,160
Speaker 4: ain't no problem. So we kind of kind of that

1433
01:11:17,320 --> 01:11:20,479
Speaker 4: at the end. Whatever energy it was and uh yeah

1434
01:11:20,520 --> 01:11:23,960
Speaker 4: me and ended up doing a record together. Shout to

1435
01:11:24,040 --> 01:11:36,160
Speaker 4: akno together yet absolutely wondering to uh your m TV

1436
01:11:36,320 --> 01:11:40,240
Speaker 4: raps or video music box, video music box?

1437
01:11:40,960 --> 01:11:43,920
Speaker 1: Yeah, I think I think video music blocks influenced me. Yeah,

1438
01:11:44,200 --> 01:11:49,360
Speaker 1: without video probably wouldn't you know. You know, I respect

1439
01:11:49,360 --> 01:11:52,240
Speaker 1: that's shocking me. Dane shout around. Yeah, man, we had

1440
01:11:52,320 --> 01:11:55,840
Speaker 1: them on. Check it out. Pete Rock or Primo both

1441
01:11:57,360 --> 01:12:00,080
Speaker 1: reminiscences one of the best beats in the world. I

1442
01:12:00,080 --> 01:12:07,360
Speaker 1: ain't got no more. Not that version, that's the same version.

1443
01:12:09,040 --> 01:12:15,920
Speaker 1: This is a sparfed version almost Classic Records. Yeah, yeah,

1444
01:12:16,160 --> 01:12:17,320
Speaker 1: thank you, Absolutely it is.

1445
01:12:17,560 --> 01:12:20,880
Speaker 4: And look Primo got so many ship crazy just the

1446
01:12:20,920 --> 01:12:26,200
Speaker 4: premo Yeah yeah, yeah, well love Heathen.

1447
01:12:26,040 --> 01:12:32,280
Speaker 1: Just schools, Yeah, I just I just yeah, okay all

1448
01:12:32,600 --> 01:12:33,640
Speaker 1: dre Rizza.

1449
01:12:35,520 --> 01:12:41,400
Speaker 4: Both oh thirty six Chambers man, yeah, all right, we're

1450
01:12:41,439 --> 01:12:42,360
Speaker 4: gonna spoke that one day.

1451
01:12:42,600 --> 01:12:47,920
Speaker 1: He said, both, Mama, this is dreams champces Broth. All right, cool,

1452
01:12:48,960 --> 01:12:52,840
Speaker 1: I got you with the I know how it became

1453
01:12:52,880 --> 01:12:56,160
Speaker 1: from Champagne to just only shots. This is the game.

1454
01:12:56,240 --> 01:12:59,559
Speaker 1: This is the game. Yeah, okay, it's only twenty more

1455
01:12:59,640 --> 01:13:03,240
Speaker 1: year now. You we got like five moster.

1456
01:13:03,400 --> 01:13:07,200
Speaker 4: Or eminems all right, but don't forget the shot.

1457
01:13:07,240 --> 01:13:13,120
Speaker 1: We had a comma. You know the fuck solid most

1458
01:13:13,120 --> 01:13:13,360
Speaker 1: of them.

1459
01:13:16,080 --> 01:13:19,120
Speaker 4: All right, I just want to tell you wrap money, man.

1460
01:13:19,479 --> 01:13:22,120
Speaker 4: You know you don't have to you can we wind

1461
01:13:22,320 --> 01:13:26,599
Speaker 4: time Boris tell them about the box. But Buster actually, uh,

1462
01:13:27,760 --> 01:13:28,400
Speaker 4: he was like, yo, we.

1463
01:13:28,439 --> 01:13:31,120
Speaker 1: We we get into that. Hold on, calm down.

1464
01:13:32,240 --> 01:13:35,680
Speaker 7: I'm relaxed. I thought it was almost all no, no, no,

1465
01:13:36,080 --> 01:13:39,200
Speaker 7: just just just this part. Bull tang or n W

1466
01:13:39,360 --> 01:13:44,080
Speaker 7: A wait? Did we answered? Buster Eminem both said fast?

1467
01:13:46,600 --> 01:13:47,920
Speaker 7: They both got money with a Buster.

1468
01:13:48,040 --> 01:13:50,800
Speaker 4: You can tell absolutely. Let's rich, my brother, let's go.

1469
01:13:52,680 --> 01:13:56,320
Speaker 4: You said you tang or n W A tank?

1470
01:13:57,400 --> 01:13:57,639
Speaker 1: Okay.

1471
01:13:57,720 --> 01:14:00,439
Speaker 2: I knew that that was gonna be easy, real funk

1472
01:14:00,479 --> 01:14:07,040
Speaker 2: fluck yeah both, I man, yeah, I mean we know

1473
01:14:07,080 --> 01:14:09,000
Speaker 2: the apozan of the DJ relationships.

1474
01:14:14,040 --> 01:14:16,880
Speaker 1: You champagne shot. Yeah, listen, this is this is the

1475
01:14:16,920 --> 01:14:21,200
Speaker 1: way the game goes man, this is twenty twenty five.

1476
01:14:21,800 --> 01:14:24,280
Speaker 1: I twisted ship twists and turn the way I want

1477
01:14:24,320 --> 01:14:27,439
Speaker 1: to go. Fall pause. I'm gonna hold it down. I

1478
01:14:27,479 --> 01:14:33,720
Speaker 1: guess man, yeah, poor, excuse me, but uh kicking pree

1479
01:14:35,439 --> 01:14:41,280
Speaker 1: it's probably the illis DJ live ever Yeah he can

1480
01:14:41,520 --> 01:14:45,400
Speaker 1: rock any crowd. Answer the phone. Fuck, No, that's you

1481
01:14:45,479 --> 01:14:48,519
Speaker 1: did it on purpose. That's an alarm. Okay, that's the alarm. No,

1482
01:14:48,800 --> 01:14:52,760
Speaker 1: that's actually got a different type of alarm. Yeah, that

1483
01:14:52,880 --> 01:14:55,200
Speaker 1: was supposed to be make be on hand on time.

1484
01:14:56,080 --> 01:14:59,920
Speaker 3: And funk Flex is the best radio DJ of all time.

1485
01:15:00,080 --> 01:15:03,559
Speaker 3: Yes one, and he gets busy in the clubs too.

1486
01:15:03,600 --> 01:15:05,960
Speaker 3: I swear to God, but I kid you not. I

1487
01:15:06,040 --> 01:15:08,000
Speaker 3: don't know how many times I missed my flight because

1488
01:15:08,000 --> 01:15:13,599
Speaker 3: he said pull over, and I pulled over and he said,

1489
01:15:14,320 --> 01:15:16,479
Speaker 3: he said, like, go on the register.

1490
01:15:17,920 --> 01:15:22,760
Speaker 1: I don't fall for that part, but he account when

1491
01:15:22,800 --> 01:15:25,599
Speaker 1: he like a record gorack? What do you think about?

1492
01:15:26,520 --> 01:15:29,000
Speaker 1: This is no? We got one more question one. This

1493
01:15:29,040 --> 01:15:33,479
Speaker 1: is the last question. I'm not gonna say nothing. Loyalty

1494
01:15:33,720 --> 01:15:41,040
Speaker 1: or respect. Wow. Yeah, I'm going to pick one of these.

1495
01:15:41,439 --> 01:15:47,000
Speaker 1: Loyalty respect, Kay. Yeah, I think if you respect me,

1496
01:15:47,040 --> 01:15:49,160
Speaker 1: you're going to be loyal to me. Yeah. So he's

1497
01:15:49,160 --> 01:15:51,920
Speaker 1: saying both, Yeah, that's what that's Yeah. That's the only

1498
01:15:52,040 --> 01:15:55,000
Speaker 1: time me and him agree that you always should say both.

1499
01:15:55,160 --> 01:16:00,920
Speaker 1: It's both. Man. I guess you going done. Man, I

1500
01:16:00,960 --> 01:16:03,000
Speaker 1: ain't got no more. That's why you blew it up.

1501
01:16:03,120 --> 01:16:05,320
Speaker 3: She's supposed to take pull my shots over there.

1502
01:16:05,560 --> 01:16:11,840
Speaker 1: Yeah, she's like ginger real shots.

1503
01:16:11,880 --> 01:16:12,360
Speaker 5: You know what I mean.

1504
01:16:12,960 --> 01:16:17,479
Speaker 1: You know, but look at she in pain in there.

1505
01:16:20,400 --> 01:16:22,960
Speaker 3: We don't from the fast with the fans see this ship.

1506
01:16:23,439 --> 01:16:29,519
Speaker 3: So uh, y'all coming out with an album together? Now,

1507
01:16:31,080 --> 01:16:34,640
Speaker 3: how the funk is this working? I mean, me and

1508
01:16:34,720 --> 01:16:38,000
Speaker 3: Brown's always worked the same way. Okay, brows is like

1509
01:16:38,479 --> 01:16:40,960
Speaker 3: he works around the clock. Browsers should be up all

1510
01:16:41,040 --> 01:16:43,639
Speaker 3: around the clock in the house, is making beats, beat, beat, beat,

1511
01:16:43,920 --> 01:16:44,160
Speaker 3: and then.

1512
01:16:44,080 --> 01:16:45,479
Speaker 2: I wake up in the morning. He got the idea

1513
01:16:45,520 --> 01:16:47,280
Speaker 2: already done. I'm just and I'll come and just add

1514
01:16:47,280 --> 01:16:47,760
Speaker 2: to this ship.

1515
01:16:47,840 --> 01:16:51,080
Speaker 1: Like, how did you guys originally connect though? T Rex? Yeah,

1516
01:16:51,160 --> 01:16:54,000
Speaker 1: so it's a it's a bad rapin t Rex everybody. Yeah, that's.

1517
01:16:56,080 --> 01:16:56,120
Speaker 5: So.

1518
01:16:56,400 --> 01:16:59,600
Speaker 2: Rex was signed his record before money as Rex was

1519
01:16:59,600 --> 01:16:59,880
Speaker 2: one of my.

1520
01:17:00,120 --> 01:17:01,479
Speaker 1: Friends growing up, and.

1521
01:17:02,960 --> 01:17:05,400
Speaker 2: Honestly, I'm won't give him his flowers because he's one

1522
01:17:05,439 --> 01:17:07,960
Speaker 2: of the reasons that him and him and TX is

1523
01:17:07,960 --> 01:17:09,800
Speaker 2: one of the reasons I started doing music. She's going

1524
01:17:09,840 --> 01:17:12,400
Speaker 2: to the studio watching him. I didn't know nothing about music,

1525
01:17:12,479 --> 01:17:16,080
Speaker 2: watching their process, seeing everything he did, and then all

1526
01:17:16,080 --> 01:17:17,439
Speaker 2: the girls liked him because they had records.

1527
01:17:17,439 --> 01:17:22,880
Speaker 1: So I was like, fuck, it I need a record, yeah,

1528
01:17:23,080 --> 01:17:23,880
Speaker 1: because he had a record.

1529
01:17:23,960 --> 01:17:26,320
Speaker 2: Yeah yeah, And so Rex introduced that that'd be like

1530
01:17:26,360 --> 01:17:28,840
Speaker 2: the eighty two thousands and this is like he you know,

1531
01:17:28,920 --> 01:17:30,519
Speaker 2: this is after Ether and all that, Like this is

1532
01:17:30,640 --> 01:17:34,160
Speaker 2: like this, this is like Ron Brows, wrong Brows. And

1533
01:17:34,280 --> 01:17:35,920
Speaker 2: I met him and he treated me like a brother

1534
01:17:35,960 --> 01:17:38,040
Speaker 2: ever since, and then we've just been rocking ever since.

1535
01:17:38,080 --> 01:17:44,240
Speaker 1: Then. God damn y'all was supposed to do an album

1536
01:17:44,320 --> 01:17:47,080
Speaker 1: that he got high and he changed on you. He changed.

1537
01:17:47,120 --> 01:17:49,000
Speaker 1: He was just you know, like that's what you know.

1538
01:17:49,160 --> 01:17:53,400
Speaker 1: He changed was like it was more like a lesson.

1539
01:17:53,400 --> 01:17:55,400
Speaker 1: He was like, nise me. I used to get distracted,

1540
01:17:55,439 --> 01:17:56,240
Speaker 1: I got hot.

1541
01:17:56,120 --> 01:17:58,640
Speaker 4: And started wearing sunglasses on you, and then now you

1542
01:17:58,720 --> 01:18:04,479
Speaker 4: started wearing well, I'm I think the reason the reason

1543
01:18:04,520 --> 01:18:07,040
Speaker 4: I got my second deal. So yeah, yeah, but but

1544
01:18:07,360 --> 01:18:08,799
Speaker 4: I ain't gonna lie brow.

1545
01:18:12,560 --> 01:18:12,720
Speaker 10: Hm.

1546
01:18:13,160 --> 01:18:18,759
Speaker 1: There was a time. It's like, you know, it's certain errors.

1547
01:18:19,120 --> 01:18:20,320
Speaker 1: It tight William Raors.

1548
01:18:20,360 --> 01:18:30,280
Speaker 3: You know the Scotts Starch errors, for Ral errors, Timberland errors, Swiss.

1549
01:18:30,000 --> 01:18:35,479
Speaker 4: Beats era, that Ron Boles error. It's different, it's different.

1550
01:18:37,000 --> 01:18:38,400
Speaker 4: It was a super different party.

1551
01:18:39,200 --> 01:18:40,040
Speaker 1: It was party.

1552
01:18:41,200 --> 01:18:44,200
Speaker 3: But you like, God bless me for you know, anybody

1553
01:18:44,240 --> 01:18:46,240
Speaker 3: else from the city to have had that same era.

1554
01:18:46,960 --> 01:18:49,400
Speaker 3: But you were staying in the city like you were,

1555
01:18:49,560 --> 01:18:52,400
Speaker 3: you were, you were giving everybody from the city from

1556
01:18:53,080 --> 01:18:55,080
Speaker 3: I'm sorry I say in the city, I should say

1557
01:18:55,160 --> 01:18:55,479
Speaker 3: New York.

1558
01:18:55,920 --> 01:19:00,479
Speaker 1: You know what I forgot? I like, just kick it

1559
01:19:00,520 --> 01:19:05,800
Speaker 1: in to the five barrels. I'm sorry, I got this

1560
01:19:06,000 --> 01:19:09,439
Speaker 1: is a global thing. Okay, yeah, but you but this

1561
01:19:09,560 --> 01:19:12,600
Speaker 1: is the time where if you if you, if you

1562
01:19:12,800 --> 01:19:17,720
Speaker 1: had them hits in New York, you ran the actual world. Yes, yes,

1563
01:19:18,720 --> 01:19:24,680
Speaker 1: you had a piece of that era, yes all the time. Yeah, man,

1564
01:19:25,320 --> 01:19:28,320
Speaker 1: I just felt like I was the point guard. But

1565
01:19:28,520 --> 01:19:29,519
Speaker 1: where did it start from?

1566
01:19:29,760 --> 01:19:32,760
Speaker 3: Because I know it's ether, right, that's put you in

1567
01:19:32,920 --> 01:19:35,479
Speaker 3: the game, Pop Champagne. It was the first time you

1568
01:19:35,600 --> 01:19:40,400
Speaker 3: on a record, right, and uh, actually you start when?

1569
01:19:40,600 --> 01:19:43,120
Speaker 3: When when did you have that cheese line? Whatever I

1570
01:19:43,200 --> 01:19:47,840
Speaker 3: mean by line is people lining up pop Champagne Pop.

1571
01:19:49,040 --> 01:19:51,519
Speaker 3: I was able to control the temperature because I could

1572
01:19:51,520 --> 01:19:54,640
Speaker 3: put a hook on it and be like, you have

1573
01:19:54,720 --> 01:19:57,120
Speaker 3: the formula, the formula, yeah, this this to.

1574
01:19:57,160 --> 01:20:00,200
Speaker 1: Be just a hook and artist would be like, that's

1575
01:20:00,240 --> 01:20:03,280
Speaker 1: how we created rotate right right right right, shut out,

1576
01:20:04,880 --> 01:20:05,599
Speaker 1: give your flowers.

1577
01:20:06,760 --> 01:20:09,040
Speaker 4: Yeah, but I was able to control the temperature because

1578
01:20:09,040 --> 01:20:11,160
Speaker 4: I was able to do the hook and do the

1579
01:20:11,240 --> 01:20:14,120
Speaker 4: beat and all this. I get it, and I just

1580
01:20:14,160 --> 01:20:15,800
Speaker 4: felt like I was the point gone for New York,

1581
01:20:15,920 --> 01:20:20,000
Speaker 4: Like I'm just throwing alleys across the fire.

1582
01:20:20,360 --> 01:20:23,080
Speaker 1: Yeah yeah, yeah. So Pop Champagne at the Pop Champagne?

1583
01:20:23,120 --> 01:20:26,120
Speaker 1: What was the next record? Hey, Ram Money? Okay, how

1584
01:20:26,120 --> 01:20:30,640
Speaker 1: does this happen? Bus called you right after Pop Champagne? Yo,

1585
01:20:31,479 --> 01:20:35,080
Speaker 1: I need something now. I don't care what you're doing

1586
01:20:35,160 --> 01:20:37,240
Speaker 1: to immediately.

1587
01:20:36,880 --> 01:20:42,280
Speaker 4: Wake up now, Bus, I'm sleeping now, now wake up.

1588
01:20:42,439 --> 01:20:45,400
Speaker 4: I'm in the studio senate right now, Bus, I'd be

1589
01:20:45,479 --> 01:20:46,480
Speaker 4: like driving.

1590
01:20:52,080 --> 01:20:57,160
Speaker 1: All right. So what was the initial conversation your first hand? Yo,

1591
01:20:57,400 --> 01:20:59,400
Speaker 1: I need something right now, something like not something like

1592
01:20:59,479 --> 01:21:03,800
Speaker 1: pop shap something with that. And after Popham Pat No, okay,

1593
01:21:03,880 --> 01:21:08,240
Speaker 1: after Pop I need something right now? I said, I

1594
01:21:08,720 --> 01:21:09,000
Speaker 1: seen you.

1595
01:21:09,840 --> 01:21:12,439
Speaker 4: You know it's crazy rap Money. I thought it was

1596
01:21:12,520 --> 01:21:14,559
Speaker 4: too weird and I put it like in the back

1597
01:21:14,640 --> 01:21:17,439
Speaker 4: of the CD for real. I was like, Yo, people

1598
01:21:17,479 --> 01:21:19,080
Speaker 4: don't think I'm bugged out, but is.

1599
01:21:19,120 --> 01:21:21,360
Speaker 1: This face to face me? No, No, this is on

1600
01:21:21,439 --> 01:21:23,360
Speaker 1: the phone. Okay. So he's like, send me, send me

1601
01:21:23,520 --> 01:21:23,840
Speaker 1: some money.

1602
01:21:23,920 --> 01:21:26,840
Speaker 4: Gives him your number yes, and then he calls you yes,

1603
01:21:27,280 --> 01:21:28,320
Speaker 4: and then he says, I'm busting.

1604
01:21:28,439 --> 01:21:31,760
Speaker 1: I don't know how busted got my numbers. It's very weird.

1605
01:21:33,640 --> 01:21:35,560
Speaker 1: But when he says this is bust the bust, you know,

1606
01:21:35,800 --> 01:21:40,799
Speaker 1: no one's imitating. Yes, this is a okay, continue and he's.

1607
01:21:40,680 --> 01:21:44,519
Speaker 4: Like, you I need something like that, like what pop

1608
01:21:44,640 --> 01:21:46,479
Speaker 4: Champagne or something with.

1609
01:21:46,520 --> 01:21:49,120
Speaker 1: That energy he said he referenced pop cham Yeah, yeah, yeah,

1610
01:21:49,120 --> 01:21:50,760
Speaker 1: I need but I don't know if he read I

1611
01:21:50,840 --> 01:21:53,519
Speaker 1: just need something you knew what it was? Energy? Yeah?

1612
01:21:53,600 --> 01:21:56,760
Speaker 4: Yeah, I seen you some joints and then I had

1613
01:21:56,840 --> 01:21:59,040
Speaker 4: Pop Champagne on there. I mean a rap money and

1614
01:21:59,320 --> 01:22:00,639
Speaker 4: was it called money Yeah?

1615
01:22:00,720 --> 01:22:01,439
Speaker 1: Yeah, yeah, okay.

1616
01:22:01,880 --> 01:22:03,519
Speaker 4: I said I'm gonna put it in the back because

1617
01:22:03,560 --> 01:22:05,800
Speaker 4: I say, people gonna think I'm weird when they hit

1618
01:22:05,840 --> 01:22:08,080
Speaker 4: it's like yo. He bugged up as soon as he

1619
01:22:08,200 --> 01:22:09,760
Speaker 4: heard that. He's like, Yo, this is my single. I

1620
01:22:09,760 --> 01:22:12,000
Speaker 4: don't care what you're saying on the hook. This is

1621
01:22:12,120 --> 01:22:12,639
Speaker 4: my single.

1622
01:22:12,800 --> 01:22:16,960
Speaker 1: Wait, okay, what are you saying? This was already the

1623
01:22:17,040 --> 01:22:20,320
Speaker 1: hook was he was on it, and we definitely don't

1624
01:22:20,320 --> 01:22:21,320
Speaker 1: know what then you're saying.

1625
01:22:21,200 --> 01:22:29,600
Speaker 4: I was saying nothing at all. It's sounds like you

1626
01:22:29,640 --> 01:22:32,880
Speaker 4: spoke something. But let's let's see the hook real quick.

1627
01:22:33,360 --> 01:22:39,040
Speaker 1: How does it go? She got a lie? Anybody lie?

1628
01:22:39,439 --> 01:22:53,240
Speaker 1: Anybody lie? Did you ever get any back last or

1629
01:22:53,240 --> 01:22:53,799
Speaker 1: any niggative?

1630
01:22:55,320 --> 01:22:58,479
Speaker 4: I was in Lebanon. I got booked in Lebanon and

1631
01:22:58,600 --> 01:23:02,240
Speaker 4: it was like different, there's scared Leon.

1632
01:23:02,760 --> 01:23:03,040
Speaker 1: He's like.

1633
01:23:03,240 --> 01:23:05,080
Speaker 4: They was like, are you scared? I said, scared of what?

1634
01:23:05,720 --> 01:23:07,880
Speaker 4: It was like what you're saying on the song and

1635
01:23:08,000 --> 01:23:11,080
Speaker 4: now like y'all y'all locked me up because bo it

1636
01:23:11,200 --> 01:23:14,120
Speaker 4: might have seemed like it was blasphemous, like y'all booked.

1637
01:23:13,880 --> 01:23:15,559
Speaker 1: Me to be like yeah, we just mounched you up.

1638
01:23:16,240 --> 01:23:18,760
Speaker 4: But it's like, yo, we take that offensive. I'm like, no,

1639
01:23:18,960 --> 01:23:20,960
Speaker 4: they thought what I was saying we getting era money? Mean,

1640
01:23:21,000 --> 01:23:23,799
Speaker 4: like are we taking I was like, no, we're getting

1641
01:23:24,040 --> 01:23:27,479
Speaker 4: like that's what they got to fight. I thought you

1642
01:23:27,560 --> 01:23:31,400
Speaker 4: were saying in the No, No, it was we're getting around.

1643
01:23:31,400 --> 01:23:33,920
Speaker 4: They thought I was saying taking like money from them

1644
01:23:34,040 --> 01:23:34,560
Speaker 4: or something like that.

1645
01:23:37,240 --> 01:23:40,280
Speaker 1: But then you performed yes, because.

1646
01:23:41,760 --> 01:23:44,599
Speaker 4: Yes, but I remember, I remember I was at the airport.

1647
01:23:44,680 --> 01:23:47,920
Speaker 4: It's like we're gonna bomb this up, like I'm want

1648
01:23:47,960 --> 01:23:51,880
Speaker 4: to fight the flight out anyway, So good luck because

1649
01:23:52,960 --> 01:23:54,680
Speaker 4: there was just you know, that's the the you know,

1650
01:23:54,800 --> 01:23:58,440
Speaker 4: the Instagram and comment.

1651
01:24:00,080 --> 01:24:08,040
Speaker 1: Shot no no bombs. You know, I don't get was

1652
01:24:08,080 --> 01:24:18,080
Speaker 1: getting bomb threats. Yeah, actually you're a different type. I

1653
01:24:18,200 --> 01:24:22,120
Speaker 1: take another shot Champagne that.

1654
01:24:22,240 --> 01:24:22,400
Speaker 4: Yeah.

1655
01:24:22,439 --> 01:24:23,800
Speaker 1: But it was like, Yo, this is my single.

1656
01:24:23,880 --> 01:24:26,200
Speaker 4: I don't care what you're saying on the hook, but

1657
01:24:26,640 --> 01:24:29,599
Speaker 4: bust to say you're not saying nothing on the hook.

1658
01:24:29,760 --> 01:24:32,320
Speaker 1: We have to make it a real hook. Then he

1659
01:24:32,439 --> 01:24:35,280
Speaker 1: put he linked with Q tip and they said the

1660
01:24:35,400 --> 01:24:38,800
Speaker 1: real actual prayer. Oh so then it does say something.

1661
01:24:39,040 --> 01:24:42,000
Speaker 4: No, they switched into the actual so when you were

1662
01:24:42,040 --> 01:24:44,920
Speaker 4: saying that you weren't saying shot, switched it out and

1663
01:24:45,040 --> 01:24:48,640
Speaker 4: then they got backlash from the prayer. So you were

1664
01:24:48,720 --> 01:24:51,240
Speaker 4: like the demo version, the remix, they went to the

1665
01:24:51,320 --> 01:24:54,959
Speaker 4: real You were like the demo I was the original,

1666
01:24:55,080 --> 01:24:57,040
Speaker 4: you know what I'm saying, so but they used your version.

1667
01:24:57,120 --> 01:24:57,719
Speaker 1: Yeah, my version.

1668
01:24:57,880 --> 01:25:01,040
Speaker 4: First that was what does he say it ain't I'm like,

1669
01:25:01,120 --> 01:25:03,519
Speaker 4: I'm not saying nothing really, so then he's like, we

1670
01:25:03,560 --> 01:25:05,679
Speaker 4: got to make you say something. They did the actual

1671
01:25:05,840 --> 01:25:10,120
Speaker 4: prayer on the remix though, and then they were saying no,

1672
01:25:10,520 --> 01:25:11,520
Speaker 4: that's from the backlash.

1673
01:25:11,600 --> 01:25:13,320
Speaker 1: I would imagine from the prayer.

1674
01:25:14,160 --> 01:25:15,880
Speaker 4: We got to switch you back, switch you back to

1675
01:25:15,920 --> 01:25:17,920
Speaker 4: the original, which was my original hook.

1676
01:25:18,439 --> 01:25:19,160
Speaker 1: So that happened.

1677
01:25:19,640 --> 01:25:22,720
Speaker 4: Yeah, but Bust will be out there every almost every

1678
01:25:22,880 --> 01:25:23,639
Speaker 4: every other week.

1679
01:25:23,760 --> 01:25:28,720
Speaker 1: What wearing saudy like buying stuff? Yea, Like now you're good.

1680
01:25:28,920 --> 01:25:30,639
Speaker 1: I mean, I'm sure you do. You think he's doing

1681
01:25:30,720 --> 01:25:42,400
Speaker 1: a rap money out there? It's crazy. I remember.

1682
01:25:42,439 --> 01:25:44,600
Speaker 4: I remember Gym was like, you should have kept that

1683
01:25:44,640 --> 01:25:48,120
Speaker 4: wreaking for yourself. I was like, I should have, but

1684
01:25:48,160 --> 01:25:49,640
Speaker 4: I don't think I would have had the same Like.

1685
01:25:50,320 --> 01:25:54,439
Speaker 1: He rap money for your son, you should not. Ye

1686
01:25:55,160 --> 01:25:57,800
Speaker 1: he had the whole vision. Yeah, I mean definitely I

1687
01:25:57,840 --> 01:25:58,840
Speaker 1: agree with YEA.

1688
01:25:59,240 --> 01:26:02,200
Speaker 3: Other than that and Pop Champagne, is there any other

1689
01:26:02,280 --> 01:26:04,439
Speaker 3: record that you gave away that you felt like you

1690
01:26:04,479 --> 01:26:05,559
Speaker 3: should have kept for yourself?

1691
01:26:07,000 --> 01:26:07,120
Speaker 1: Uh?

1692
01:26:09,520 --> 01:26:13,160
Speaker 4: Man, I get crazy for Nicki Minaj. That beat is

1693
01:26:13,240 --> 01:26:17,720
Speaker 4: like the beat is virable by tell so I'd be like, damn,

1694
01:26:17,720 --> 01:26:19,240
Speaker 4: I don't I wish I would have kept that one.

1695
01:26:19,840 --> 01:26:23,120
Speaker 1: Mm hmm. Yeah, shout out to Nicki Mina. God damn

1696
01:26:23,240 --> 01:26:26,080
Speaker 1: she killed that. Yeah, yeah, she killt that. Big queens.

1697
01:26:26,640 --> 01:26:31,280
Speaker 1: Big queens, get a check for me. Hey man, listen,

1698
01:26:31,320 --> 01:26:35,000
Speaker 1: it's not like that. So what's the next record after

1699
01:26:35,040 --> 01:26:40,479
Speaker 1: a rap money, what's the next one that goes pop champagne? Yeah,

1700
01:26:44,000 --> 01:26:46,280
Speaker 1: I want to do my day like Universe and put

1701
01:26:46,320 --> 01:26:49,599
Speaker 1: out jumping out the window for sure. So all right,

1702
01:26:49,680 --> 01:26:51,040
Speaker 1: so so Universe all coming to you?

1703
01:26:51,320 --> 01:26:55,880
Speaker 4: Yeah, they give you that bad Yeah yeah, you ain't

1704
01:26:55,920 --> 01:26:59,760
Speaker 4: gotta say yeah, but it's like, yeah it is it

1705
01:26:59,880 --> 01:27:03,400
Speaker 4: like like like change your number. But what happened was,

1706
01:27:03,720 --> 01:27:06,120
Speaker 4: you know, I caught a check with Universal. I caught

1707
01:27:06,160 --> 01:27:08,599
Speaker 4: the check with Jim. I caught the video check. Jim

1708
01:27:08,800 --> 01:27:13,280
Speaker 4: was making sure like yo, you're gonna be right. So

1709
01:27:13,320 --> 01:27:16,160
Speaker 4: not like it makes sense, let's go, you know what

1710
01:27:16,160 --> 01:27:19,600
Speaker 4: I'm saying. So yeah, yeah, shout out to Sylvia. Sylvia

1711
01:27:19,640 --> 01:27:22,240
Speaker 4: gave me my Sylvia Wrong gave me my first deal.

1712
01:27:24,800 --> 01:27:37,280
Speaker 1: I know, I'm just I'm smoking come on, So Sylvia Wrong.

1713
01:27:37,600 --> 01:27:42,160
Speaker 4: Yeah she's still in the music business. Yeah yeah, yeah,

1714
01:27:42,160 --> 01:27:43,599
Speaker 4: I think she said, Sony, I believe.

1715
01:27:43,760 --> 01:27:47,439
Speaker 2: Okay, what do you think about the music business now?

1716
01:27:47,479 --> 01:27:51,680
Speaker 2: Both of you guys, like, uh, I just feel like

1717
01:27:51,720 --> 01:27:56,040
Speaker 2: it's no, it's like a free fall. Whoever come up

1718
01:27:56,040 --> 01:27:58,280
Speaker 2: with the fastest gimmick, fastest record.

1719
01:27:58,880 --> 01:27:59,920
Speaker 1: It's like it's not like.

1720
01:28:01,120 --> 01:28:06,639
Speaker 2: It's like effortless almost to me, I mean social media

1721
01:28:06,680 --> 01:28:09,560
Speaker 2: and anybody. Anybody can do a record now, Like you

1722
01:28:09,600 --> 01:28:11,719
Speaker 2: don't have to put the work into create a record,

1723
01:28:11,760 --> 01:28:12,800
Speaker 2: and you don't have to put the work at the

1724
01:28:12,840 --> 01:28:15,320
Speaker 2: break a record. All you need is this, which is

1725
01:28:15,320 --> 01:28:17,360
Speaker 2: a gifting the curse because it give it gives more

1726
01:28:17,400 --> 01:28:20,519
Speaker 2: people opportunity to make money, which is great, but it

1727
01:28:20,600 --> 01:28:21,719
Speaker 2: brings the quality of music.

1728
01:28:21,800 --> 01:28:23,240
Speaker 5: Now, that's the thing is quite You can make a

1729
01:28:23,280 --> 01:28:26,480
Speaker 5: million records easy and then put out a million records easy.

1730
01:28:26,240 --> 01:28:28,840
Speaker 1: And yeah, I feel like if you're a dreamer, it's

1731
01:28:28,920 --> 01:28:30,120
Speaker 1: amazing for you right now.

1732
01:28:30,840 --> 01:28:32,519
Speaker 4: Like you know, you could wake up and be like,

1733
01:28:32,600 --> 01:28:34,360
Speaker 4: y'all want to do a video like this and like this,

1734
01:28:34,720 --> 01:28:38,240
Speaker 4: and it's possible, and you could put it on your

1735
01:28:38,320 --> 01:28:42,000
Speaker 4: dsp an. It's no one saying, you know, I don't

1736
01:28:42,080 --> 01:28:43,320
Speaker 4: like that record. You could be like, no, I like

1737
01:28:43,400 --> 01:28:45,880
Speaker 4: this record and put it on Friday. I'm shooting video

1738
01:28:45,920 --> 01:28:49,640
Speaker 4: on Saturday. It's endless for the dreamers, you know what

1739
01:28:49,640 --> 01:28:52,600
Speaker 4: I mean. And because we didn't have that back in

1740
01:28:52,680 --> 01:28:55,880
Speaker 4: the day, you know, yeah, all that and then if

1741
01:28:55,880 --> 01:28:57,880
Speaker 4: the label didn't like it, it's like, nah, we're dubbing that.

1742
01:28:58,439 --> 01:29:00,880
Speaker 1: That's not happening. You know what I mean. So if

1743
01:29:00,920 --> 01:29:02,920
Speaker 1: you're a dreamer, is endless for you right now?

1744
01:29:03,040 --> 01:29:03,519
Speaker 4: You know what I mean?

1745
01:29:05,000 --> 01:29:08,600
Speaker 5: Upheld battle because oversaturation is. But if you nice and

1746
01:29:08,720 --> 01:29:10,960
Speaker 5: you get busy and you you got to cut through

1747
01:29:11,000 --> 01:29:13,720
Speaker 5: the clutter. You got to cut through the clutters.

1748
01:29:13,120 --> 01:29:15,040
Speaker 4: A lot of that's why you got to make them

1749
01:29:15,080 --> 01:29:18,120
Speaker 4: records that stand out, that touch people.

1750
01:29:18,200 --> 01:29:21,920
Speaker 1: You know. Pause, So what are y'all doing with your album?

1751
01:29:22,040 --> 01:29:25,080
Speaker 1: Let's let's let's let's let's let's take it full circle.

1752
01:29:25,720 --> 01:29:29,240
Speaker 1: What is the name of y'all? Y'all filming the video right? Oh?

1753
01:29:29,320 --> 01:29:32,120
Speaker 4: Shut, Yeah, we got a record called Let's Get Rich

1754
01:29:33,040 --> 01:29:38,840
Speaker 4: with Me WebStar mister Cheeks, mister Cheeks.

1755
01:29:38,960 --> 01:29:42,040
Speaker 1: The Hardest Mac. Yeah, so yeah, you know what I mean.

1756
01:29:42,280 --> 01:29:45,240
Speaker 2: And we just like right now the game is so crazy.

1757
01:29:45,320 --> 01:29:48,320
Speaker 2: We just create records, playing records out and just seeing

1758
01:29:48,320 --> 01:29:50,840
Speaker 2: where it goes. It's not it's not well throught our

1759
01:29:50,880 --> 01:29:52,080
Speaker 2: process like back in the.

1760
01:29:52,120 --> 01:29:54,960
Speaker 1: Days when you well that's the luxury of now. Yeah, yeah,

1761
01:29:55,400 --> 01:29:56,120
Speaker 1: pressure ain't there.

1762
01:29:56,240 --> 01:29:57,600
Speaker 2: We're not going in with the pressure of doing the

1763
01:29:57,640 --> 01:29:59,200
Speaker 2: whole album, say we gotta have this, this and this

1764
01:30:00,040 --> 01:30:03,400
Speaker 2: and records and then when something started picking up, seeing

1765
01:30:03,400 --> 01:30:04,240
Speaker 2: then we'll just go from there.

1766
01:30:04,320 --> 01:30:07,479
Speaker 1: You guys living out here. Now, I've seen in Miami.

1767
01:30:07,600 --> 01:30:11,360
Speaker 1: I've seen you not that long ago out here man

1768
01:30:12,840 --> 01:30:14,920
Speaker 1: that come out to them. And it's crazy. I came

1769
01:30:14,920 --> 01:30:17,360
Speaker 1: to the last timer you do another one. That was

1770
01:30:17,400 --> 01:30:19,640
Speaker 1: our anniversary. I'll do it again this year. Yeah, but

1771
01:30:19,680 --> 01:30:22,240
Speaker 1: I show y'all was out here with my god nepht

1772
01:30:22,439 --> 01:30:23,800
Speaker 1: the directing that my god.

1773
01:30:31,160 --> 01:30:36,360
Speaker 3: So what's something that you regret in this game? That

1774
01:30:36,640 --> 01:30:39,480
Speaker 3: that that you had the opportunity to do necessarily?

1775
01:30:39,880 --> 01:30:44,200
Speaker 4: And then you was like, man, maybe not like a mistake, yeah,

1776
01:30:44,439 --> 01:30:46,760
Speaker 4: a mistake or maybe even something that you you.

1777
01:30:46,880 --> 01:30:51,360
Speaker 2: You spending money stupidly when I got it, not saving it,

1778
01:30:51,439 --> 01:30:53,880
Speaker 2: not investing the first time around, like you know, you

1779
01:30:54,200 --> 01:30:56,400
Speaker 2: when you come from nothing and you and you and

1780
01:30:56,439 --> 01:30:58,920
Speaker 2: you get money for the first time, like you don't

1781
01:30:58,920 --> 01:31:00,360
Speaker 2: if you don't got to white people, right, you're gonna

1782
01:31:00,360 --> 01:31:02,519
Speaker 2: do the wrong things with the money. So it was like,

1783
01:31:02,600 --> 01:31:04,439
Speaker 2: you got a lifestyle, you gotta keep up with you

1784
01:31:04,600 --> 01:31:07,160
Speaker 2: on TV, people see you everywhere. You got to keep

1785
01:31:07,200 --> 01:31:09,080
Speaker 2: your image up. You might not have no money. I

1786
01:31:09,200 --> 01:31:10,960
Speaker 2: was like, when I phrased up my record, I was

1787
01:31:11,080 --> 01:31:13,000
Speaker 2: I was broken ship. I spent all my money doing

1788
01:31:13,040 --> 01:31:16,320
Speaker 2: some dumb stuff going to strip clubs, buying Jurry Coles carts,

1789
01:31:16,560 --> 01:31:18,680
Speaker 2: stuff like that, and I ain't have nothing really to

1790
01:31:18,720 --> 01:31:20,479
Speaker 2: show for it. So if I would, if I could

1791
01:31:20,520 --> 01:31:22,200
Speaker 2: do anything, I would probably save my money and invest

1792
01:31:22,280 --> 01:31:24,599
Speaker 2: it and probably trying to surround myself with people who

1793
01:31:24,720 --> 01:31:26,400
Speaker 2: knew the business and how minutes money better?

1794
01:31:26,760 --> 01:31:28,120
Speaker 1: Right? How about you bro.

1795
01:31:30,479 --> 01:31:36,439
Speaker 4: Being stern on your vision because I came from being

1796
01:31:36,479 --> 01:31:39,559
Speaker 4: independent and then getting a deal. Then when you get

1797
01:31:39,600 --> 01:31:44,080
Speaker 4: a deal, they kind of at your universal university would

1798
01:31:44,080 --> 01:31:46,760
Speaker 4: have gave you a motown, a song deal for you,

1799
01:31:46,960 --> 01:31:47,479
Speaker 4: album deal?

1800
01:31:47,560 --> 01:31:50,679
Speaker 1: Yeah, as an artist, dost okay, okay.

1801
01:31:51,080 --> 01:31:54,960
Speaker 4: Yeah, so you'll start bumping heads with what a label

1802
01:31:55,000 --> 01:31:57,560
Speaker 4: for as your vision, you know what I'm saying. So

1803
01:31:59,120 --> 01:32:00,920
Speaker 4: there have a vision for you, but you have your

1804
01:32:01,000 --> 01:32:04,800
Speaker 4: own vision, and sometimes you kind of play the you

1805
01:32:04,840 --> 01:32:08,840
Speaker 4: don't want to ruffle the you know, the feathers. I

1806
01:32:08,880 --> 01:32:12,519
Speaker 4: don't know if that's a pause. Yeah, ruffle the feathers

1807
01:32:12,800 --> 01:32:15,640
Speaker 4: as far as your their vision and your vision. So

1808
01:32:15,800 --> 01:32:19,200
Speaker 4: you'll kind of be like, all right, whatever, y'all. I

1809
01:32:19,320 --> 01:32:21,800
Speaker 4: think is that instead of being stern like, nah, this

1810
01:32:21,960 --> 01:32:23,680
Speaker 4: is what I'm doing, this is the vision, this is

1811
01:32:23,760 --> 01:32:26,360
Speaker 4: how I see it rolling out, So I just kind

1812
01:32:26,400 --> 01:32:30,120
Speaker 4: of regret just being stern on my vision when I

1813
01:32:30,280 --> 01:32:31,240
Speaker 4: was signed.

1814
01:32:31,720 --> 01:32:33,360
Speaker 3: All right, so before y'all get up out of there,

1815
01:32:34,800 --> 01:32:36,200
Speaker 3: before they recovered everything.

1816
01:32:35,960 --> 01:32:39,000
Speaker 1: If he did covered more than everything, please please let

1817
01:32:39,080 --> 01:32:46,720
Speaker 1: us know at the fucking time. But let me just

1818
01:32:46,800 --> 01:32:50,759
Speaker 1: tell ya something. Both of y'all controlled New York City summers.

1819
01:32:51,200 --> 01:32:54,240
Speaker 4: Yeah, absolutely, when New York City summers meant something.

1820
01:32:54,560 --> 01:32:57,000
Speaker 1: And that's what I mean by that. You know, God

1821
01:32:57,080 --> 01:33:01,360
Speaker 1: bless y'all the rest of the country, Big Gip.

1822
01:33:01,560 --> 01:33:04,920
Speaker 3: I look at Big Gip everything that Big Gip ever says,

1823
01:33:05,560 --> 01:33:08,800
Speaker 3: and he has a bigger burden about New York than

1824
01:33:08,880 --> 01:33:09,240
Speaker 3: even you.

1825
01:33:09,760 --> 01:33:12,479
Speaker 1: Don't burden, bro, it's not the right word. I think

1826
01:33:12,520 --> 01:33:15,439
Speaker 1: it's just chip is. We're not hating. We're telling you

1827
01:33:15,640 --> 01:33:19,080
Speaker 1: historical facts. I know I'm hating that. You're you're hating it.

1828
01:33:19,160 --> 01:33:22,160
Speaker 1: The facts are facts. Nope, that's what I'm hating that, y'all.

1829
01:33:22,280 --> 01:33:25,800
Speaker 4: Y'all just remember when we just pre doominated everybody, And

1830
01:33:25,960 --> 01:33:28,160
Speaker 4: I don't It doesn't have to do the time that

1831
01:33:28,240 --> 01:33:31,040
Speaker 4: he's talking about maybe going back ebonics.

1832
01:33:31,240 --> 01:33:34,280
Speaker 1: Maybe he third that that's still that era.

1833
01:33:35,080 --> 01:33:37,519
Speaker 3: But okay, let me get back to my point both

1834
01:33:37,560 --> 01:33:40,280
Speaker 3: for your brothers controlled. When you control the summer in

1835
01:33:40,400 --> 01:33:48,200
Speaker 3: New York, it's like controlling the summer in all nine planets.

1836
01:33:49,439 --> 01:33:50,479
Speaker 1: At least at that time.

1837
01:33:50,960 --> 01:33:54,719
Speaker 4: Now, it doesn't matter if you control you know, summer anywhere,

1838
01:33:54,760 --> 01:33:56,400
Speaker 4: it doesn't matter, you know what I mean.

1839
01:33:56,880 --> 01:34:01,200
Speaker 1: But right back then, yeah, not like that guy in

1840
01:34:01,360 --> 01:34:03,400
Speaker 1: my day, I mean where that is?

1841
01:34:04,040 --> 01:34:10,880
Speaker 3: Yeah, definitely it but chicken little suit destroyed. And then

1842
01:34:10,920 --> 01:34:14,720
Speaker 3: what's dancing army? And then you guys with all of

1843
01:34:14,760 --> 01:34:20,360
Speaker 3: your records, y'all Controy controlled new York, controlled New York,

1844
01:34:20,560 --> 01:34:26,519
Speaker 3: summers New York at that time, or controlling the world. Yeah,

1845
01:34:27,760 --> 01:34:30,160
Speaker 3: how does it feel to be that number one producer

1846
01:34:30,320 --> 01:34:35,800
Speaker 3: slash you know, uh influencer, that's the first influencer.

1847
01:34:36,280 --> 01:34:39,680
Speaker 1: How does it feel? I'll start with you first.

1848
01:34:40,840 --> 01:34:44,439
Speaker 2: Honestly, like you know, we don't really think I mean

1849
01:34:44,520 --> 01:34:46,680
Speaker 2: coming from I'm gonna speak for you a little bit too,

1850
01:34:47,000 --> 01:34:50,559
Speaker 2: like like like the neighborhoods we come from, Like nobody

1851
01:34:50,640 --> 01:34:52,360
Speaker 2: makes it from where we come from. Like it's like

1852
01:34:52,840 --> 01:34:56,160
Speaker 2: he's either like like like say, you know you staying

1853
01:34:56,240 --> 01:34:58,840
Speaker 2: crackrock you we can jump shot. It ain't nobody you

1854
01:34:58,880 --> 01:35:01,439
Speaker 2: don't believe you can do it, So I believe we

1855
01:35:01,600 --> 01:35:03,320
Speaker 2: was doing it. We wasn't even thinking about that. We

1856
01:35:03,439 --> 01:35:05,160
Speaker 2: was just living in a moment and it kind of

1857
01:35:05,200 --> 01:35:07,559
Speaker 2: just happened organically. We was able to have our moment

1858
01:35:07,600 --> 01:35:10,600
Speaker 2: because we never got a chance to really imagine that

1859
01:35:10,720 --> 01:35:12,360
Speaker 2: something that this could happen. This is why I was

1860
01:35:12,400 --> 01:35:14,200
Speaker 2: going back to saying, like, this is why when you're

1861
01:35:14,200 --> 01:35:16,040
Speaker 2: living in the moment, you're not thinking about you can't

1862
01:35:16,080 --> 01:35:18,720
Speaker 2: prepare for it. You can't like there's no preparation for

1863
01:35:18,800 --> 01:35:21,040
Speaker 2: its expect before, or you got somebody with you that

1864
01:35:21,120 --> 01:35:22,400
Speaker 2: you love that's did it before.

1865
01:35:22,560 --> 01:35:23,720
Speaker 1: So it's the best feeling in the world.

1866
01:35:23,800 --> 01:35:25,840
Speaker 2: It's like, there's nothing like New York in the world,

1867
01:35:25,880 --> 01:35:28,679
Speaker 2: and it's the hardest market of conquer during that time, especially,

1868
01:35:28,680 --> 01:35:29,200
Speaker 2: you know what I'm saying.

1869
01:35:29,520 --> 01:35:31,840
Speaker 1: So I feel like it's just an amazing feeling. Do

1870
01:35:31,920 --> 01:35:33,599
Speaker 1: you still know how to do the chicken roo stew?

1871
01:35:34,160 --> 01:35:35,720
Speaker 1: I never knew how to do it. You never knew

1872
01:35:35,760 --> 01:35:38,400
Speaker 1: how to I can't do a little bit. I can't

1873
01:35:38,560 --> 01:35:40,200
Speaker 1: because that rain and I can clear it out. That's

1874
01:35:43,120 --> 01:35:46,280
Speaker 1: why nigga trying to be this. This is these niggas.

1875
01:35:46,320 --> 01:35:53,160
Speaker 1: Now is the biggest moment in your life. Got to

1876
01:35:53,160 --> 01:35:54,680
Speaker 1: do it together with me. We gotta letter rate and

1877
01:35:54,720 --> 01:35:55,640
Speaker 1: then we gotta clear it out.

1878
01:35:56,439 --> 01:35:59,080
Speaker 3: We gotta we gotta see you demonstrate it first. I

1879
01:35:59,240 --> 01:36:00,800
Speaker 3: just tell you it's like it's like it's like the

1880
01:36:00,840 --> 01:36:03,160
Speaker 3: electric side. Somebody gotta started off.

1881
01:36:03,600 --> 01:36:06,320
Speaker 1: Yeah, yeah, yeah yeah, and then we you know what

1882
01:36:06,360 --> 01:36:09,360
Speaker 1: I mean, come on, started off? So show shows? How

1883
01:36:09,360 --> 01:36:12,200
Speaker 1: did how did Chicken to the Soup? Start? What you mean?

1884
01:36:12,240 --> 01:36:17,719
Speaker 1: How was you know? The dance and some of the stuff.

1885
01:36:19,200 --> 01:36:21,559
Speaker 1: You know, I can just let it ready, man, millions

1886
01:36:21,600 --> 01:36:21,920
Speaker 1: of dollars.

1887
01:36:26,720 --> 01:36:30,120
Speaker 9: You don't you know what the only little kids was

1888
01:36:30,160 --> 01:36:30,519
Speaker 9: out here?

1889
01:36:30,600 --> 01:36:32,720
Speaker 1: The chicken new the suit, I don't take the suit

1890
01:36:32,760 --> 01:36:35,439
Speaker 1: with a soda on the side. Do everything. I don't

1891
01:36:35,479 --> 01:36:37,200
Speaker 1: know how you didn't dance.

1892
01:36:37,320 --> 01:36:45,920
Speaker 9: We should make annoyse that, like, come, you know how

1893
01:36:45,920 --> 01:36:46,439
Speaker 9: to do the dance?

1894
01:36:46,520 --> 01:36:49,720
Speaker 1: Somebody do sit down and do the dance. Come on,

1895
01:36:49,960 --> 01:36:58,280
Speaker 1: he just did. I just did the sons Manny my money.

1896
01:36:58,520 --> 01:37:05,760
Speaker 1: That got damning with you. I'm fucking with you. I'm

1897
01:37:06,800 --> 01:37:14,519
Speaker 1: with you. I mean a money dance. Yeah that's very easy. Yeah,

1898
01:37:14,840 --> 01:37:17,080
Speaker 1: that's very easy. I know how to do that too.

1899
01:37:19,280 --> 01:37:21,200
Speaker 4: We all did it in the in the remix video.

1900
01:37:22,160 --> 01:37:27,160
Speaker 4: God damn before we get out rotate Rota. Yes, thank

1901
01:37:27,240 --> 01:37:29,920
Speaker 4: you very much, my brother very much.

1902
01:37:30,000 --> 01:37:35,200
Speaker 5: No, before you, I do want to say something that

1903
01:37:35,479 --> 01:37:38,000
Speaker 5: about that record. That And I don't know if Nor

1904
01:37:38,080 --> 01:37:39,400
Speaker 5: would say it the way I would say, but this

1905
01:37:39,439 --> 01:37:41,519
Speaker 5: is when you kind of were coming out of hip

1906
01:37:41,560 --> 01:37:42,280
Speaker 5: hop purgatory.

1907
01:37:42,400 --> 01:37:43,879
Speaker 1: It's purgatory. It's purgatory.

1908
01:37:43,960 --> 01:37:45,920
Speaker 5: And he was working with This is like the beginnings

1909
01:37:45,960 --> 01:37:49,320
Speaker 5: of when the drink Champs was manifesting.

1910
01:37:49,479 --> 01:37:51,840
Speaker 1: We were down South and South Miami and Kendall.

1911
01:37:51,600 --> 01:37:55,679
Speaker 5: To be exact, and you you were burning hot yep,

1912
01:37:56,160 --> 01:37:57,879
Speaker 5: and you facilitated that record.

1913
01:37:57,680 --> 01:37:58,479
Speaker 1: To your buster.

1914
01:37:58,640 --> 01:38:00,280
Speaker 4: Buster came to me, He's like, we got come home

1915
01:38:00,360 --> 01:38:07,400
Speaker 4: something for Nor and that's dope. Yeah for real, that's

1916
01:38:07,439 --> 01:38:11,960
Speaker 4: not a different idea. Yes, He's like like the fire

1917
01:38:12,000 --> 01:38:17,479
Speaker 4: trucks is coming to sun No. And I said, let

1918
01:38:17,560 --> 01:38:19,920
Speaker 4: me let me do the houg bus. Yes, yes, and

1919
01:38:20,280 --> 01:38:24,400
Speaker 4: I came up with rot that's it. Yeah, thank you

1920
01:38:24,560 --> 01:38:24,880
Speaker 4: very much.

1921
01:38:26,040 --> 01:38:28,640
Speaker 1: I know you think you Let me say you thank you.

1922
01:38:28,920 --> 01:38:30,080
Speaker 1: Let me tell you thank you too.

1923
01:38:33,400 --> 01:38:43,640
Speaker 2: We got yo, I got fournishing you okayiously, No, I

1924
01:38:43,760 --> 01:38:45,880
Speaker 2: want to say this shot you get a shot, you

1925
01:38:45,880 --> 01:38:49,280
Speaker 2: get a shot, get a shot ahead, give me quickly

1926
01:38:49,360 --> 01:38:52,160
Speaker 2: and I want to say that I'm working right now

1927
01:38:52,640 --> 01:38:56,000
Speaker 2: on the documentary with uh when mons let Man, Mike

1928
01:38:56,040 --> 01:39:00,479
Speaker 2: Willing and and pedigation on another tunnel, working on documentary

1929
01:39:00,520 --> 01:39:01,000
Speaker 2: with a tunnel.

1930
01:39:01,160 --> 01:39:04,040
Speaker 1: I heard about this. Actually, yeah, I got footage. If

1931
01:39:04,080 --> 01:39:06,040
Speaker 1: you want stage performing in the tunnel, that's not me

1932
01:39:06,120 --> 01:39:09,280
Speaker 1: to jumbo stage. No, it's no, no, it's not sure.

1933
01:39:09,360 --> 01:39:10,000
Speaker 1: It's compone.

1934
01:39:10,120 --> 01:39:10,320
Speaker 7: Yeah.

1935
01:39:10,560 --> 01:39:13,400
Speaker 2: Somebody through shim pain over and he's jumping and crowd.

1936
01:39:13,400 --> 01:39:16,680
Speaker 1: You have to be kept performing. Yeah you did, yeah, no, no, no, no,

1937
01:39:17,320 --> 01:39:18,840
Speaker 1: that's not what you did. I got to put out

1938
01:39:18,880 --> 01:39:24,759
Speaker 1: watching it. What do you do? Somebody through somebody, somebody

1939
01:39:24,800 --> 01:39:25,560
Speaker 1: through ship pain on.

1940
01:39:25,640 --> 01:39:29,320
Speaker 2: The composers jumped in, the crowd started trying. Then they

1941
01:39:29,360 --> 01:39:31,400
Speaker 2: got through something on them and nobody saying, you know.

1942
01:39:31,479 --> 01:39:34,000
Speaker 1: We had about five thousand niggas on stage. He said

1943
01:39:34,000 --> 01:39:40,519
Speaker 1: go get them and did get you. Yeah, niggas win

1944
01:39:40,600 --> 01:39:42,639
Speaker 1: the crowd and then I can pull back on stage

1945
01:39:42,640 --> 01:39:45,080
Speaker 1: and then they finished for me. That's dope. I ain't

1946
01:39:45,080 --> 01:39:52,040
Speaker 1: know you was that powerful side. I don't remember, not one.

1947
01:39:54,600 --> 01:39:56,680
Speaker 1: Go get out here with I remember that version here

1948
01:39:56,720 --> 01:39:59,360
Speaker 1: with Lego a lego, now you know what I mean?

1949
01:39:59,560 --> 01:40:01,360
Speaker 1: Like I don't know what you're talking about, you know,

1950
01:40:01,640 --> 01:40:07,920
Speaker 1: you know, let you man think a picture before you

1951
01:40:08,080 --> 01:40:10,439
Speaker 1: get about it. Here man, you get your your flowers,

1952
01:40:10,439 --> 01:40:12,639
Speaker 1: but we wanted to make sure is anything that you'll

1953
01:40:12,640 --> 01:40:14,320
Speaker 1: forgot that you want to tell y'all fast before we

1954
01:40:14,360 --> 01:40:14,640
Speaker 1: get up.

1955
01:40:14,640 --> 01:40:17,280
Speaker 4: Oh yeah, yeah, man, I got to Eat the Gang

1956
01:40:17,400 --> 01:40:21,679
Speaker 4: Volume one coming this summer with my guy mag Double

1957
01:40:21,760 --> 01:40:24,280
Speaker 4: Low Wolf and shout out to the guy. So Eat

1958
01:40:24,320 --> 01:40:25,240
Speaker 4: the Gang Volume one.

1959
01:40:26,320 --> 01:40:29,400
Speaker 1: Yeah, okay, yeah, and Max your artists because yeah, yeah

1960
01:40:29,400 --> 01:40:31,160
Speaker 1: you're ma ma man. Okay, yeah.

1961
01:40:31,160 --> 01:40:32,599
Speaker 2: I just want to just first I want to thank

1962
01:40:32,680 --> 01:40:35,320
Speaker 2: both of you guys for embrace every Timmer kind of Miami.

1963
01:40:35,439 --> 01:40:39,040
Speaker 2: I see you embrace me always like you took care

1964
01:40:39,040 --> 01:40:40,720
Speaker 2: of me with your family, and I want to thank

1965
01:40:40,720 --> 01:40:41,000
Speaker 2: you for that.

1966
01:40:41,200 --> 01:40:41,479
Speaker 1: Let's go.

1967
01:40:42,120 --> 01:40:44,840
Speaker 2: I just want to say the Tunnel documentary. I'm working

1968
01:40:44,880 --> 01:40:47,839
Speaker 2: on another called Batty Gang, and I'm working.

1969
01:40:47,640 --> 01:40:54,160
Speaker 1: With Hello bat What's up about what happened? Thank you?

1970
01:41:00,640 --> 01:41:04,960
Speaker 1: It's a reality show about female babs.

1971
01:41:05,040 --> 01:41:09,599
Speaker 2: Just here the Gumbos Luca Lex we're working on. Yeah, yeah, yeah,

1972
01:41:09,600 --> 01:41:10,760
Speaker 2: we're going on the show to give us well with

1973
01:41:10,840 --> 01:41:12,600
Speaker 2: them and then yeah we had That's it.

1974
01:41:12,760 --> 01:41:14,840
Speaker 1: That's pretty much it. Just thank you out you know

1975
01:41:15,760 --> 01:41:19,240
Speaker 1: I'm coming through. I appreciate absolutely. Let's take it.

1976
01:41:19,280 --> 01:41:25,160
Speaker 7: Oh we did a shout already, Yeah we did.

1977
01:41:26,400 --> 01:41:27,000
Speaker 1: Let's do another one.

1978
01:41:28,439 --> 01:41:31,759
Speaker 5: Drink Champs is a drink Champs ll C production hosts

1979
01:41:31,800 --> 01:41:34,640
Speaker 5: and executive producers n O r E and d j

1980
01:41:34,840 --> 01:41:35,400
Speaker 5: e f FN.

1981
01:41:36,560 --> 01:41:37,360
Speaker 1: Listen to Drink.

1982
01:41:37,240 --> 01:41:41,519
Speaker 5: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1983
01:41:41,680 --> 01:41:45,439
Speaker 5: get your podcasts. Thanks for joining us for another episode

1984
01:41:45,479 --> 01:41:47,840
Speaker 5: of drink Champs hosted by yours truly, d j e

1985
01:41:48,080 --> 01:41:50,320
Speaker 5: f N and n O r E. Please make sure

1986
01:41:50,360 --> 01:41:52,639
Speaker 5: to follow us on all our socials that's at drink

1987
01:41:52,720 --> 01:41:55,960
Speaker 5: Champs across all platforms, at the Real nor Reagon, I

1988
01:41:56,120 --> 01:42:00,080
Speaker 5: g at Noriega on Twitter, mineus at Who's Crazy on

1989
01:42:00,200 --> 01:42:03,280
Speaker 5: I g at dj e f N on Twitter, and

1990
01:42:03,400 --> 01:42:05,799
Speaker 5: most importantly, stay up to date with the latest releases,

1991
01:42:06,200 --> 01:42:09,360
Speaker 5: news and merch by going to drink champs dot com