WEBVTT - Pop Culture Minisode (S2, E16 “There’s the Rub”)

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I Heart Radio Podcast. Are everybody hi, Scott Patterson,

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<v Speaker 1>I'm all in. Minisod pop Culture with Riley Pelusis. We

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<v Speaker 1>are going to break down What are we going to

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<v Speaker 1>break down? Riley take it away. We're going to break

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<v Speaker 1>down Episode sixteen. There's the rub pop culture wonderful. Let's

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<v Speaker 1>get a cracking. Let's down. Let's just gentlemen and ladies

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<v Speaker 1>start your injuries. We interrupt this program to bring you

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<v Speaker 1>a special report. We go now to Walter Cronkite in

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<v Speaker 1>New York. Walter Cronkite a special report. There's been a

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<v Speaker 1>triple clown fellow sighting taken out of Los Angeles, California.

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<v Speaker 1>Daniel Romo standing by the clown pillow. You could have

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<v Speaker 1>seen it when Roy was on the phone and a

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<v Speaker 1>side side clown pillow at So check them out and

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<v Speaker 1>don't miss clown pillow. Can we add a little bit

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<v Speaker 1>to the clown pillow hunt? The Grandma cookie jar. Has

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<v Speaker 1>everybody been noticing the We'll put a photo up on

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<v Speaker 1>the Instagram the grandma on that phone. This is something

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<v Speaker 1>that Walter Cronkite and his team are already investigating, so

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<v Speaker 1>there will be special reports. I'm I'm thrilled to say it. So, yes,

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<v Speaker 1>we need to make sure we are hunting for the clompolla,

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<v Speaker 1>the Grandma cookie jar, and occasionally the weird painting at

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<v Speaker 1>the entry way of the house, but that's not as

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<v Speaker 1>important as the Gramma cookie jar and content. You look,

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<v Speaker 1>you confirm these sightings, and I'll get Walter to cover it.

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<v Speaker 1>It's it's tough, it's tough, but I'll get them to

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<v Speaker 1>do it. According to NASA scientists, theonds of a triple

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<v Speaker 1>clown pillow sighting our five hundred billion, thirty seven to one.

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<v Speaker 1>And that's the way it is, is Walter Cronkite, Good evening.

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<v Speaker 1>This has been a special report from New York. We

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<v Speaker 1>now return you to your regularly scheduled program. Not Riley.

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<v Speaker 1>Do you even know who Walter Cronkite is? They don't know?

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<v Speaker 1>Do they know? I don't don't you don't know? I mean,

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<v Speaker 1>Walter Cronkite was the anchor of all anchors in the fifties, sixties,

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<v Speaker 1>and I think maybe part of the seventies. Here's two

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<v Speaker 1>YouTube videos you need to look at and you will

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<v Speaker 1>understand who Walter cronk had is one you're gonna have

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<v Speaker 1>to google when JFK was assassinated and watch Walter corn

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<v Speaker 1>And then I need you to also google the moon

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<v Speaker 1>landing and watch. Do you agree, Walter? Yes, Walter Cronkite

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<v Speaker 1>was the most trusted man in America for decades because

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<v Speaker 1>of the quality of his delivery and his his journalism.

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<v Speaker 1>He never gave his opinion. It was a different era

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<v Speaker 1>back then. He just reported the news. When I was

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<v Speaker 1>growing up, nobody, no news organizations did not give their

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<v Speaker 1>opinions when I was growing up. All you need to

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<v Speaker 1>see him take those glasses and you're right, and you're like, right,

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<v Speaker 1>it's amazing that I think that was the moonland No,

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<v Speaker 1>that was the Kennedy was assassinated when he took the

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<v Speaker 1>glasses off because he looked up at the clock to

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<v Speaker 1>see what the time was. It was devast It was

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<v Speaker 1>a devastating piece of historical footage. Better than cs I

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<v Speaker 1>Classes taking off was that SI Miami, David Caruso. The

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<v Speaker 1>sunglasses were a character of their own. Uh you know what,

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<v Speaker 1>David Caruso's as legendary. I actually did an episode of

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<v Speaker 1>c s I Miami with him. He's a he's a

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<v Speaker 1>terrific guy. Yeah, he's a terrific guy. It's called killer Regrets.

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<v Speaker 1>I still get residuals from it. I mean, so many

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<v Speaker 1>years later that show paid so well. It's amazing. And no,

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<v Speaker 1>and you know, David Caruso and I here's another story.

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<v Speaker 1>We're up four NYPD Blue at the same time, and

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<v Speaker 1>it came down to the top five and he was

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<v Speaker 1>going to get it because he was did Jimmy Smith's part. Yeah,

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<v Speaker 1>it was the day Vin Caruso. It was originally David Caruso.

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<v Speaker 1>And David Caruso did a year or two and then

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<v Speaker 1>he became kind of a movie star and he left

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<v Speaker 1>to do movies. Yeah, because remember he's famous for quitting

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<v Speaker 1>that show and then having sort of a failed movie career.

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<v Speaker 1>He should have stuck around on NYPD Blue. I don't

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<v Speaker 1>know if he had a failed movie career. I think,

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<v Speaker 1>you know, he did what, you know, he made his

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<v Speaker 1>choices and then he came but a terrific actor. I mean,

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<v Speaker 1>he's just such a remarkably talented guy. Um Miami Viginia.

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<v Speaker 1>So yeah, I would put Caruso in the category of

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<v Speaker 1>a cron kite. Uh. He took his glasses off. He

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<v Speaker 1>didn't flip his sunglasses off, but I get you know,

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<v Speaker 1>the gesture. I get it. So experience. Yeah, oh god,

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<v Speaker 1>we're off to a quite a start. You want to

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<v Speaker 1>take a break and towel off, We'll come back. No, no,

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<v Speaker 1>go ahead, now let's do it. Let's rock this. Speaking

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<v Speaker 1>of toweling off, okay, so for this off this one,

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<v Speaker 1>you let us know if this is a pop culture reference.

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<v Speaker 1>Not really sure. So first up, we have the Moonies.

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<v Speaker 1>So Emily said, grabs cucumber water from the spot and

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<v Speaker 1>she said, Lord, LIS's careful, mom. That's how they got

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<v Speaker 1>you in the Moonies. So the Moonies was found in

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<v Speaker 1>nineteen fifty four. It's called the Unification Church and is

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<v Speaker 1>classified as a new religious movement and labeled as a cult.

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<v Speaker 1>So they have an emphasis on marriage and the reason

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<v Speaker 1>for Moon's infamous mass weddings. A blessing ceremony in two

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<v Speaker 1>thousand nine included twenty thousand couples from around the world

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<v Speaker 1>getting married at the same time. Neil Bush is a

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<v Speaker 1>famous for promoting Moon in Asia and around the United

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<v Speaker 1>States too out nine and it currently has one to

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<v Speaker 1>two million members. Who's Who's Neil Bush Part of the

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<v Speaker 1>Bush family. Oh, he's part of the one of the Bushes,

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<v Speaker 1>you know, the Moonies, which is Reverend Sun Young Moon

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<v Speaker 1>by the way, the doctors. I think he called himself

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<v Speaker 1>a doctor. That was my generations kids growing up, introduction

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<v Speaker 1>into cults. That's the first cult we ever heard about.

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<v Speaker 1>I've ever really heard of them until this, and I

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<v Speaker 1>kind of looked culticionato. I enjoyed those documentaries, but this one,

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<v Speaker 1>I was not aware. They were very much part of

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<v Speaker 1>the news cycle for a long time. When I was

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<v Speaker 1>growing up, all you heard about was the Mooneys, this

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<v Speaker 1>Mooney's that I know, mooning as something else. So we'll

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<v Speaker 1>give you that as pop culture. It's borders on history,

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<v Speaker 1>but we'll give it to you. It's definitely part of

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<v Speaker 1>pop culture. It was, it was ingrained into the fabric

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<v Speaker 1>of America. What's next? So next, next up, we have

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<v Speaker 1>Emily and Laura Lai check in once they're having at

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<v Speaker 1>the spa, and Bobby at the front desk says, ah, yes,

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<v Speaker 1>welcome to Birch Grove. My name is Bobby. I have

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<v Speaker 1>everything all set for you. Do you have luggage? Lorelie

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<v Speaker 1>says yes, it's in Luca Brazzie's mobile out front. Um,

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<v Speaker 1>So Laura Lai is referring to Luca Brazzie over my head. Sorry,

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<v Speaker 1>it was totally over my head guy film Godfather, god

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<v Speaker 1>got it. So lou Go Brazzi was portrayed by Lenny

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<v Speaker 1>Montana and was Don Corleone's quote unquote personal enforcer. We

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<v Speaker 1>know what that means. Um. The Godfather filming face pushed

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<v Speaker 1>back from the Italian American Civil Rights League, which was

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<v Speaker 1>run by Joe Colombo and Frank not Frank Sinatra, but

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<v Speaker 1>they agreed to back the film if they took the

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<v Speaker 1>word mafia out, so that meant some members were on

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<v Speaker 1>set while filming. This is why Lenny Montana was on

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<v Speaker 1>set and cast as Luca Brazzi. So he was just cast.

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<v Speaker 1>He had like a real dude. Oh yeah. And and

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<v Speaker 1>do you know why do you know why Frank Sinatra

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<v Speaker 1>was so opposed to using the word mafia. Um? Because

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<v Speaker 1>in the Godfather they do tell the story of how

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<v Speaker 1>Frank Sinatra got out of his original band contract because

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<v Speaker 1>I think Tommy Dorsey wanted to sign him and make

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<v Speaker 1>him hugely famous. And that was that was mom. And

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<v Speaker 1>the scene is with the studio head out here and

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<v Speaker 1>Robert Duvals comes out to say, give Frank's Johnny Fontaine

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<v Speaker 1>the part, which really Frank Sinatra the part, and the

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<v Speaker 1>studio head is like, Johnny Fontaine never gets that picture,

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<v Speaker 1>and I'm gonna tell you what you know, and he

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<v Speaker 1>goes into that big speech and then he says, no,

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<v Speaker 1>get the hell out of here. You know, I don't

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<v Speaker 1>care if it's Don Corleone. You can't muscle me. You know,

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<v Speaker 1>this kind of thing. And then Robert Duval has his

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<v Speaker 1>spoons cut his prize horse's head off and put it

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<v Speaker 1>in his bed. So the guy wakes up. The studio

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<v Speaker 1>head wakes up covered in horse blood, and then then

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<v Speaker 1>he sees the horse's head and then all of a sudden,

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<v Speaker 1>Frank Sinatra, I mean, Johnny Fontaine has the picture. So

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<v Speaker 1>I think, uh, Frank Sinatra was justifiably a little perturbed

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<v Speaker 1>that this story was being told um life. Yeah that's

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<v Speaker 1>that's in The Godfather, but it's a story that came

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<v Speaker 1>out of real life. Yeah. Yeah, I'm going to have

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<v Speaker 1>to watch this Godfather in one of these I mean,

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<v Speaker 1>I don't know if the details are exact. Maybe you know,

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<v Speaker 1>somebody can email and who knows more about it than I.

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<v Speaker 1>But that's that's the rumor that Frank Sinatra that that

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<v Speaker 1>the some muscles never put a gun to the head

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<v Speaker 1>of the band leader and said, either your brains are

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<v Speaker 1>going to be on that contract or that release or

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<v Speaker 1>your signature. Make your choice. How many of us have

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<v Speaker 1>seen The Godfather? Just one? Oh, you've seen it? To

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<v Speaker 1>Riley seen it, I've seen I've seen it hundreds of times.

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<v Speaker 1>Gives a whole new meaning to getting a Charlie horse

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<v Speaker 1>in bed. You don't know that iconic scene where the

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<v Speaker 1>studio head wakes up and he's like like in his

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<v Speaker 1>satin sheets and they're kind of wet, and he like

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<v Speaker 1>peels them back and there's like blood and he's like, what,

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<v Speaker 1>what the heck is this? And then he peels it

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<v Speaker 1>covers back and he sees the horse's head and he

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<v Speaker 1>goes and he screams, and they cut to a wide

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<v Speaker 1>shot of his mansion and you just hear these screams.

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<v Speaker 1>Nothing next thing, you know, there was sort of a

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<v Speaker 1>horse and animal house. That's the only there's a horse

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<v Speaker 1>that kind of a different situation. But yeah, there was

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<v Speaker 1>a horse and a different films, different types, different type

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<v Speaker 1>of film. Yeah, super secret compression, but that's an interest.

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<v Speaker 1>I mean, if you could do the remake of The

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<v Speaker 1>Godfather in the spirit of the Animal House, that would

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<v Speaker 1>be interesting, would be interesting. Yeah. Continuing with the front desk,

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<v Speaker 1>Emily says, well, we intend to leave your completely different people.

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<v Speaker 1>Lord Lie says, yes, I'm going to be Ted Nugent.

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<v Speaker 1>Ted Nugent is a rock musician and guitar showmen, responsible

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<v Speaker 1>for a few memorable tunes such as cat Scrush Fever

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<v Speaker 1>and Stranglehold. His early band, The Lords, were given the

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<v Speaker 1>chance to open for The Supremes with Diana Ross in

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<v Speaker 1>nineteen sixty two after they won a local Battle of

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<v Speaker 1>the Band's contest. Ted was only thirteen years old. I

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<v Speaker 1>was just laughing because Scott, when Riley and I were

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<v Speaker 1>like reviewing this last night, I'm like, can you name

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<v Speaker 1>some Ted Nugent hits? And She's like I just did,

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<v Speaker 1>And I was like, oh, I literally don't think I've

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<v Speaker 1>ever heard of Ted. You you know you've heard these songs,

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<v Speaker 1>you just don't know they're his. That's how big. These

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<v Speaker 1>like Stranglehold and cat Scratch Fever, You've heard them many times.

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<v Speaker 1>There's my soundtracks of Super Bad, Entourage, and Friday Night Okay,

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<v Speaker 1>they have some jam and songs. I just remember in

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<v Speaker 1>Ocean's eleven Brad Pitt and George Clooney saying something like

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<v Speaker 1>Ted Nugent wants his shirt back or something like that.

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<v Speaker 1>There was a Ted Nugent joke that was solid well,

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<v Speaker 1>and he never wore a shirt when he performed. He

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<v Speaker 1>wore a loincloth. Yes, a joke wrong them because he

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<v Speaker 1>was always you know, you know, he was a ripped

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<v Speaker 1>rock star and a great guitar player. Great, forgive me

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<v Speaker 1>that if I got the joke wrong, but I feel

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<v Speaker 1>like I got it anyway, Continue right. By two thousand

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<v Speaker 1>nine he had played over six thousand concerts, and like

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<v Speaker 1>you said, spending a deal time and winecloth on stage,

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<v Speaker 1>you don't want to be in the front row for

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<v Speaker 1>that one. Ry is talking about having a Friday night

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<v Speaker 1>alone with her mom was at the SPA. Roy says, actually,

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<v Speaker 1>I was thinking of pulling a kind of Hermit thing tonight.

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<v Speaker 1>Dan says why. Roy says, I don't know. JD. Salinger

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<v Speaker 1>seems to dig it. JD. Salinger is the writer of

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<v Speaker 1>The Catcher and the Rye. Roy's referring to the author's reclusive,

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<v Speaker 1>light rife style after he published Catcher in the rye Um.

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<v Speaker 1>There's a whole mystery behind Salinger that he was a hermit,

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<v Speaker 1>but he was seen out in different places with Vogue models,

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<v Speaker 1>partying with Vivian Lee and more so, it's not really reclusive.

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<v Speaker 1>I definitely read it, but I have no memory of

0:13:39.559 --> 0:13:42.360
<v Speaker 1>Catcher in the rye I definitely read it. I know

0:13:42.640 --> 0:13:45.520
<v Speaker 1>I read it in school, and that nothing. I couldn't

0:13:45.520 --> 0:13:51.240
<v Speaker 1>even tell you the plot, nothing, no, no retention of

0:13:51.280 --> 0:13:54.400
<v Speaker 1>it whatsoever. I know I read it. Nothing there, it's

0:13:54.400 --> 0:13:58.400
<v Speaker 1>a blank space in there. I think they're starting to

0:13:58.440 --> 0:14:01.600
<v Speaker 1>ban it now in lot of schools, and that's so

0:14:01.640 --> 0:14:08.000
<v Speaker 1>sad to hear they're banning that. Soulder once dated the

0:14:08.040 --> 0:14:10.959
<v Speaker 1>daughter of play right Eugene O'Neill, but she left him

0:14:10.960 --> 0:14:14.719
<v Speaker 1>for Charlie chap lanaging getting dumped for Charlie Chaplin. It's

0:14:14.760 --> 0:14:17.840
<v Speaker 1>like I fatally did a deep dive on Charlie Chaplin

0:14:17.920 --> 0:14:19.800
<v Speaker 1>the other day for some reason, Like I just went

0:14:19.920 --> 0:14:22.280
<v Speaker 1>to town on Wikipedia because I wanted to know, like

0:14:22.880 --> 0:14:25.880
<v Speaker 1>are any of his heir still alive? Like how old

0:14:26.000 --> 0:14:28.720
<v Speaker 1>was he? I don't know what inspired this may I

0:14:28.760 --> 0:14:32.480
<v Speaker 1>don't know why I did that. Is Geraldine Chaplin still alive. Yeah,

0:14:32.520 --> 0:14:35.120
<v Speaker 1>there's a ton of children and grandchildren, and the Chaplain

0:14:35.360 --> 0:14:38.640
<v Speaker 1>name continued. I think I wanted to know what Charlie

0:14:38.680 --> 0:14:41.840
<v Speaker 1>Chaplin looks like like when he wasn't with that, you know,

0:14:42.000 --> 0:14:48.080
<v Speaker 1>Charlie Chaplin look and did you find out normal average dude,

0:14:48.680 --> 0:14:52.880
<v Speaker 1>your regular old chail, old black and white dude, because

0:14:52.880 --> 0:14:58.960
<v Speaker 1>there's only black and white photo, ordinary black and white dude,

0:15:00.120 --> 0:15:03.480
<v Speaker 1>no color, the most gifted physical comedian and the history

0:15:03.520 --> 0:15:06.680
<v Speaker 1>of the world, but just their normal dude. That's why

0:15:07.600 --> 0:15:10.800
<v Speaker 1>he was then assuming. So Jess runs into Dean as

0:15:10.840 --> 0:15:14.760
<v Speaker 1>he's leaving. Jesse's oops, you're doing that towering over thing. Huh.

0:15:14.920 --> 0:15:17.200
<v Speaker 1>I tell you you really got that down. It helps

0:15:17.200 --> 0:15:20.040
<v Speaker 1>that you're twelve feet tall. But this Frankenstein scale really

0:15:20.080 --> 0:15:23.880
<v Speaker 1>adds to the whole where he says Jess, Jes says, Okay,

0:15:23.920 --> 0:15:26.600
<v Speaker 1>I'm going look, man, I really just droppings off some food.

0:15:26.600 --> 0:15:30.960
<v Speaker 1>So don't get all west Side story on me. Okay, Frankenstein.

0:15:31.120 --> 0:15:33.320
<v Speaker 1>First of all, the fact that we discovered something about

0:15:33.320 --> 0:15:38.000
<v Speaker 1>Frankenstein has blown my mind. Reveal reveal it It It blew

0:15:38.040 --> 0:15:43.960
<v Speaker 1>our mind. Okay, so this is crazy. Frankenstein isn't the creature.

0:15:44.280 --> 0:15:52.800
<v Speaker 1>It's the doctor. It's like Dr Victor Frankenstein, isn't it Frankenstein? Probably?

0:15:53.000 --> 0:15:55.320
<v Speaker 1>But the fact that, like any time I've ever seen

0:15:55.320 --> 0:15:59.200
<v Speaker 1>a picture of the monster, I was like, oh, there's Frankenstein.

0:15:59.520 --> 0:16:03.480
<v Speaker 1>But no, that's not correct. That is correct. It's called

0:16:03.480 --> 0:16:10.840
<v Speaker 1>the Frankenstein monster. That is correct. That's Frankenstein is associated with.

0:16:11.040 --> 0:16:16.760
<v Speaker 1>That's the monster's name. It's Frankenstein. I don't know you're saying, well, then,

0:16:16.800 --> 0:16:20.680
<v Speaker 1>what is the monster's name? How creature didn't receive a name?

0:16:21.200 --> 0:16:23.680
<v Speaker 1>No name. The creature didn't receive a name because after

0:16:23.760 --> 0:16:26.960
<v Speaker 1>sparking it into life, Frankenstein realized that creating it was

0:16:27.000 --> 0:16:31.720
<v Speaker 1>a mistake. So it's just referred to as creature. No names,

0:16:31.760 --> 0:16:36.080
<v Speaker 1>just John Frankenstein. We've all been blowing it for like

0:16:36.160 --> 0:16:38.440
<v Speaker 1>John Doe. Yeah, we've been blowing it for a really

0:16:38.440 --> 0:16:41.280
<v Speaker 1>long time. Fact, you had no name. His name is

0:16:41.320 --> 0:16:44.480
<v Speaker 1>not Frankenstein from what we researched and learned last night.

0:16:44.800 --> 0:16:49.480
<v Speaker 1>That is fascinating. So finds tell somebody Frankenstein. I have

0:16:49.560 --> 0:16:52.920
<v Speaker 1>to correct them now. It's not the monster. Correct. If

0:16:52.920 --> 0:16:57.240
<v Speaker 1>you google Frankenstein, you get a photo of Dr Frankenstein

0:16:57.320 --> 0:17:00.840
<v Speaker 1>from like the original movie or whatever. Can you give me, uh,

0:17:01.120 --> 0:17:03.480
<v Speaker 1>it's alive? Can you give me one of those it's alive?

0:17:05.680 --> 0:17:09.679
<v Speaker 1>Can Eastern? Can you find that clip from from the

0:17:09.760 --> 0:17:15.600
<v Speaker 1>Gene Wilder the mel Brooks film Frankenstein Young Frankensteine. No, No,

0:17:15.720 --> 0:17:18.800
<v Speaker 1>the original film has a great it's alive, which based

0:17:18.880 --> 0:17:22.600
<v Speaker 1>It's alive? You know? Can we get one from everybody? Amy?

0:17:22.600 --> 0:17:25.240
<v Speaker 1>Can you do one? Just a matt Way minute. Let

0:17:25.280 --> 0:17:30.440
<v Speaker 1>me let me help you imagine the monster animating. He's animating,

0:17:30.480 --> 0:17:33.680
<v Speaker 1>he's coming to life. He's you know, and then you

0:17:33.760 --> 0:17:37.560
<v Speaker 1>see it and your dr Frankenstein. What do you say? Wow?

0:17:37.600 --> 0:17:42.240
<v Speaker 1>Good Riley, give me it's a live it's a look

0:17:42.320 --> 0:17:50.840
<v Speaker 1>at Wow. You dug deep on that one, Sisters. Now

0:17:50.880 --> 0:17:55.480
<v Speaker 1>I'm getting flashbacks of Berkeley and I took film classes,

0:17:55.480 --> 0:18:01.360
<v Speaker 1>which going too another day. But about it. Oh, yeah,

0:18:02.840 --> 0:18:05.639
<v Speaker 1>that's a vampire. That's a vampire. Yeah, like Dracula. I

0:18:05.640 --> 0:18:11.160
<v Speaker 1>think I had to watch that movie time and I

0:18:11.200 --> 0:18:16.000
<v Speaker 1>didn't like it any of the time. Just also hard

0:18:16.000 --> 0:18:18.320
<v Speaker 1>to keep my eyes open. It was kind of boring. Yeah,

0:18:18.359 --> 0:18:20.480
<v Speaker 1>it's not the kind of thing you invite the girls over.

0:18:20.560 --> 0:18:22.160
<v Speaker 1>And you know, I have John food and so that's

0:18:22.200 --> 0:18:28.680
<v Speaker 1>watching it was no Poulter Guy, there was no Nightmare. So.

0:18:28.880 --> 0:18:33.439
<v Speaker 1>Other films featuring Frankenstein include Young Frankenstein, which we mentioned

0:18:33.520 --> 0:18:37.600
<v Speaker 1>last week, Scooby Doo direct Reluctant Werewolf Van Helsing Frank

0:18:37.640 --> 0:18:42.960
<v Speaker 1>and Weene, and the Beatles movie Yellow Submarine featured a

0:18:43.040 --> 0:18:50.440
<v Speaker 1>scene with the Frankenstein monster drinking a potion becoming John Lennon. Wow,

0:18:51.200 --> 0:18:57.800
<v Speaker 1>I know, Wow, it's alive. I said that every time

0:18:57.800 --> 0:19:00.720
<v Speaker 1>I wake up West Side Story. So now with the

0:19:00.720 --> 0:19:03.639
<v Speaker 1>West Side Story musical from nineteen fifty seven that was

0:19:03.680 --> 0:19:06.639
<v Speaker 1>adapted into a film in nineteen sixty one, and then recently,

0:19:06.680 --> 0:19:11.119
<v Speaker 1>Redone just got an Oscar nomination for he did for

0:19:11.160 --> 0:19:16.560
<v Speaker 1>directing one of the he's got a few nominations. One

0:19:16.600 --> 0:19:22.560
<v Speaker 1>of the supporting actress, I forget her name, and right, yeah,

0:19:22.880 --> 0:19:25.920
<v Speaker 1>the supporting actress. Yeah, she's she's been getting a lot

0:19:26.000 --> 0:19:30.320
<v Speaker 1>of attention, a lot of awards. Nomination is good for her.

0:19:30.880 --> 0:19:33.480
<v Speaker 1>I've never seen West Side Story, either of them. Right,

0:19:33.720 --> 0:19:35.520
<v Speaker 1>you know what, let's get her name. We should say

0:19:35.560 --> 0:19:39.680
<v Speaker 1>her name. She deserves she deserves name recognition at this point.

0:19:39.720 --> 0:19:41.919
<v Speaker 1>For god, she just got nominated and she's the one

0:19:41.960 --> 0:19:45.679
<v Speaker 1>who hosted SNL. She definitely hosted SNL. I wonder who

0:19:46.920 --> 0:19:50.480
<v Speaker 1>while Scott looks that up. I've never seen West Side Story,

0:19:50.560 --> 0:19:54.560
<v Speaker 1>have you writed? I've never seen any of them. I

0:19:54.560 --> 0:19:56.600
<v Speaker 1>have not seen West Side Story. I've been you've never

0:19:56.600 --> 0:20:00.480
<v Speaker 1>seen the original West Side Story Goods. I just TV

0:20:00.680 --> 0:20:02.520
<v Speaker 1>so much more than movies. So for me, I'm just

0:20:02.560 --> 0:20:07.280
<v Speaker 1>like so much on the opposite, on the opposite. The

0:20:07.359 --> 0:20:12.320
<v Speaker 1>film was dedicated to Steven Spielberg's dad, Arnold Spielberg, who

0:20:12.359 --> 0:20:17.639
<v Speaker 1>died at a hundred three. Scott, I've seen all the

0:20:17.680 --> 0:20:25.359
<v Speaker 1>song movie you cultured slab you look at you for?

0:20:26.320 --> 0:20:30.119
<v Speaker 1>She saw all the songs, even the Chris Rock. I

0:20:30.160 --> 0:20:34.240
<v Speaker 1>thought that, how was that? How was that? Yeah? You

0:20:34.280 --> 0:20:39.280
<v Speaker 1>know I heard it was not that he tried because

0:20:39.280 --> 0:20:40.879
<v Speaker 1>he was such a fan of the movies. But no,

0:20:41.560 --> 0:20:44.120
<v Speaker 1>and the producers are milking that thing for all they can.

0:20:45.800 --> 0:20:49.320
<v Speaker 1>Sorry back on something important West Side Story. What is

0:20:49.359 --> 0:20:54.679
<v Speaker 1>her name? And my favorite person in the whole wide world?

0:20:55.240 --> 0:20:59.880
<v Speaker 1>Audrey Hepburn, the star of Funny Phase and Breakfast at Tiffany's,

0:20:59.920 --> 0:21:02.320
<v Speaker 1>was originally asked to play the lead character of Maria,

0:21:02.520 --> 0:21:07.000
<v Speaker 1>but Natalie Wood ended up starring as Maria. What really

0:21:07.400 --> 0:21:10.600
<v Speaker 1>Natalie Wood was so great in that I can't imagine

0:21:10.640 --> 0:21:13.720
<v Speaker 1>anyone else playing that role, even Audrey Hepburn. I think

0:21:13.720 --> 0:21:16.480
<v Speaker 1>Audrey Hepburn was just too I don't know, just she

0:21:16.600 --> 0:21:20.480
<v Speaker 1>just seemed too sophisticated and almost royal for that role.

0:21:20.960 --> 0:21:25.040
<v Speaker 1>Natalie Wood was perfect for that role because she seemed

0:21:25.080 --> 0:21:27.120
<v Speaker 1>like she was of the people. She had that kind

0:21:27.160 --> 0:21:30.000
<v Speaker 1>of beauty, but she wasn't you know, there was no

0:21:30.119 --> 0:21:37.160
<v Speaker 1>air of well, I'm sorry, what what's what's the word

0:21:37.160 --> 0:21:40.919
<v Speaker 1>I'm looking for? She just seemed more more accessible than

0:21:40.960 --> 0:21:44.240
<v Speaker 1>Audrey Hepburn, you know what I'm saying. Yeah, like the

0:21:44.280 --> 0:21:50.919
<v Speaker 1>opposite of hippo lutant standard earth. I don't know what

0:21:51.040 --> 0:21:53.720
<v Speaker 1>is the woman's name that was nominated for the Oscar

0:21:53.760 --> 0:21:57.680
<v Speaker 1>for West Side Story. I've got a listen, oh, Arianna.

0:22:00.080 --> 0:22:08.359
<v Speaker 1>That's right, ye, Arianna Depose has landed an Academy Award nomination. Man,

0:22:08.800 --> 0:22:12.840
<v Speaker 1>she must be over the moon. Good for her, Good

0:22:12.840 --> 0:22:15.199
<v Speaker 1>for I love these stories where people just you know,

0:22:15.240 --> 0:22:18.560
<v Speaker 1>they they get in these great films and get nominated.

0:22:18.640 --> 0:22:23.199
<v Speaker 1>Wonderful Dune, Dune did Big, Big two, Power of the Dog. Anyway,

0:22:23.200 --> 0:22:26.600
<v Speaker 1>go ahead, We're going to the Academy Awards. You'll probably

0:22:26.600 --> 0:22:29.240
<v Speaker 1>take a limo, which takes us to our next pop

0:22:29.280 --> 0:22:33.560
<v Speaker 1>culture fence. Let's go, and we should get on the

0:22:33.600 --> 0:22:38.920
<v Speaker 1>red carpet. I can't get no, you know, we gotta

0:22:38.960 --> 0:22:42.119
<v Speaker 1>take a limo, but we should go to the front.

0:22:42.280 --> 0:22:45.760
<v Speaker 1>And then does Seacrest? Does Seacrest do the red carpet

0:22:45.800 --> 0:22:52.120
<v Speaker 1>anymore on at the Oscar? Nope? But Sam Rubin does

0:22:52.200 --> 0:22:55.640
<v Speaker 1>from KTL a channel. That's our connection, that's my guy.

0:22:56.240 --> 0:22:57.959
<v Speaker 1>He's not going to say who the hell are you

0:22:57.960 --> 0:23:00.160
<v Speaker 1>and what are you doing here and call security out.

0:23:00.240 --> 0:23:05.720
<v Speaker 1>He's gonna interview us happy, let's go. Let's go, only

0:23:05.760 --> 0:23:09.720
<v Speaker 1>if Scott Silly walks in. I'd literally rather watched ten

0:23:09.760 --> 0:23:13.040
<v Speaker 1>episodes of Gilmore Girls than watch the Oscar. No, no,

0:23:13.080 --> 0:23:16.240
<v Speaker 1>not watch go to the Oscars. I'd rather watch ten

0:23:16.240 --> 0:23:18.439
<v Speaker 1>episodes of Gilmore Girls in my bed than I know.

0:23:18.480 --> 0:23:20.359
<v Speaker 1>The way you do it as you go to the

0:23:20.600 --> 0:23:22.800
<v Speaker 1>you go and then you stay for a couple of minutes,

0:23:22.840 --> 0:23:25.320
<v Speaker 1>and then you leave, and then you just go to

0:23:25.320 --> 0:23:27.919
<v Speaker 1>the parties. Afterwards, you hit the Vanity Fair party. I

0:23:27.920 --> 0:23:30.080
<v Speaker 1>gotta get myself an invite to that. There you go,

0:23:30.280 --> 0:23:33.679
<v Speaker 1>let's go, let's all go. Were the I heart you

0:23:33.680 --> 0:23:37.080
<v Speaker 1>know where the the I am all in team, and

0:23:37.119 --> 0:23:39.720
<v Speaker 1>I think we're gonna look fabulous. We're gonna look good

0:23:40.640 --> 0:23:43.280
<v Speaker 1>in a movie theater again, Riley, have you gone in

0:23:43.320 --> 0:23:46.440
<v Speaker 1>a movie theater in the last two years? I did

0:23:46.480 --> 0:23:49.960
<v Speaker 1>actually go into a movie theater. What did you see? Um?

0:23:50.440 --> 0:23:52.720
<v Speaker 1>It was like the Wife of the Bodyguard or the

0:23:52.720 --> 0:23:57.000
<v Speaker 1>Bodyguards Ryan Reynolds thing. Yeah. I have not been in

0:23:57.000 --> 0:24:00.639
<v Speaker 1>a movie in two years, almost to the day. The

0:24:00.760 --> 0:24:04.119
<v Speaker 1>last movie I saw was and I love Ben Affleck,

0:24:04.200 --> 0:24:07.040
<v Speaker 1>but this is a bad Ben Affleck movie. It's like

0:24:07.080 --> 0:24:11.840
<v Speaker 1>a basketball coach. Oh god, yep, that was my last movie.

0:24:11.920 --> 0:24:13.639
<v Speaker 1>I can't wait to go back to the movie theater.

0:24:13.680 --> 0:24:17.080
<v Speaker 1>I love the movie theater. Yeah, that was That was

0:24:17.119 --> 0:24:19.600
<v Speaker 1>not a good film. It's not a good movie. The

0:24:19.680 --> 0:24:22.639
<v Speaker 1>way way back or just something back? What were just

0:24:22.680 --> 0:24:27.560
<v Speaker 1>talking about? What we're just talking about? Who? Who are

0:24:27.560 --> 0:24:30.840
<v Speaker 1>you mentioning? Before we got on this? Ben Affleck, Ryan Reynolds,

0:24:30.880 --> 0:24:33.720
<v Speaker 1>Ryan Reynolds, you know that guy? You just never see him.

0:24:34.160 --> 0:24:41.040
<v Speaker 1>You never see him around. He's just the radar. He

0:24:41.080 --> 0:24:43.480
<v Speaker 1>should come out, he should come out more, and he

0:24:43.520 --> 0:24:45.680
<v Speaker 1>should do more things, you know, because you never see

0:24:45.720 --> 0:24:47.879
<v Speaker 1>the guy did where it was like a computer game

0:24:48.040 --> 0:24:53.639
<v Speaker 1>was actually totally entertaining. Every time I turn around, you know,

0:24:53.880 --> 0:24:57.160
<v Speaker 1>I see Ryan Reynolds on a commercial for like I mean,

0:24:57.200 --> 0:25:01.440
<v Speaker 1>it's just it's endless. It's like him. It's okay, it's him,

0:25:01.520 --> 0:25:05.240
<v Speaker 1>the Rock. The Rock is always taking people into his gym,

0:25:05.320 --> 0:25:07.680
<v Speaker 1>and this is how I pumped my arms. When is

0:25:07.720 --> 0:25:10.199
<v Speaker 1>Anthony Hopkins going to take us around his gym and

0:25:10.280 --> 0:25:14.879
<v Speaker 1>show us how he pumps? When is this going to happen?

0:25:15.600 --> 0:25:18.040
<v Speaker 1>I also have some bad news. I've never seen driving

0:25:18.040 --> 0:25:22.639
<v Speaker 1>this Daisy. Oh, really excellent film, excellent, It was it

0:25:22.800 --> 0:25:26.359
<v Speaker 1>Morgan Freeman and Jessica Tandy that Jessica Tandy and weirdly

0:25:26.440 --> 0:25:29.920
<v Speaker 1>Dan Akrod's in there. Dan Echward was an excellent thespian.

0:25:30.000 --> 0:25:34.520
<v Speaker 1>He's excellent everything he does, He's the whole thing. Really

0:25:34.520 --> 0:25:36.919
<v Speaker 1>great actor, that guy, very versa. What do you what

0:25:36.960 --> 0:25:38.359
<v Speaker 1>do you got about it? Riley? What do you what

0:25:38.440 --> 0:25:41.919
<v Speaker 1>you got? What do you got for us? Well? You

0:25:42.000 --> 0:25:44.200
<v Speaker 1>got over there with the driving miss Davises? Are you

0:25:44.320 --> 0:25:49.120
<v Speaker 1>talking about it? Let's go so convinced that she would

0:25:49.119 --> 0:25:51.719
<v Speaker 1>lose out we were talking about Jessica Tandy. Um she

0:25:51.880 --> 0:25:53.960
<v Speaker 1>made a hundred dollar bet with her manager that she

0:25:54.000 --> 0:25:56.240
<v Speaker 1>would not win the Oscar that night, and she did

0:25:56.280 --> 0:25:59.280
<v Speaker 1>in fact win the Oscar that night. Morgan Freeman sadly

0:25:59.320 --> 0:26:01.439
<v Speaker 1>did not win, but he did win a Golden Globe

0:26:01.440 --> 0:26:04.000
<v Speaker 1>for his his performance, and it's said to kind of

0:26:04.000 --> 0:26:08.880
<v Speaker 1>like skyrocket his career after that. I love Morgan Freeman

0:26:09.400 --> 0:26:12.679
<v Speaker 1>mm hmm. I love when he played the president in

0:26:12.760 --> 0:26:16.400
<v Speaker 1>Deep Impact. That's how I love my Morgan Freeman. He's

0:26:16.440 --> 0:26:19.200
<v Speaker 1>so and he sacrifices himself in that movie. I think,

0:26:19.480 --> 0:26:24.840
<v Speaker 1>very commanding present presence, very commanding presence and an easy presence.

0:26:25.160 --> 0:26:27.840
<v Speaker 1>You know it's not He's not like forcing himself on people,

0:26:28.000 --> 0:26:31.960
<v Speaker 1>isn't it right? He's yeah, that's right. So understated. He

0:26:32.080 --> 0:26:35.359
<v Speaker 1>just opens his mouth and outcomes that voice and there

0:26:35.359 --> 0:26:41.280
<v Speaker 1>you go. So a little quote from Driving. Miss Daisy

0:26:41.400 --> 0:26:44.320
<v Speaker 1>thought this was funny. Uh ms. Daisy says, did you

0:26:44.359 --> 0:26:46.400
<v Speaker 1>have air conditioning checked? I told you to have your

0:26:46.440 --> 0:26:49.560
<v Speaker 1>conditioning checked? And Hook says I had the air conditioning checked.

0:26:49.600 --> 0:26:51.480
<v Speaker 1>I don't know what for. You never allowed me to

0:26:51.520 --> 0:27:01.919
<v Speaker 1>turn it on. Next up, we have Loura explains to

0:27:01.920 --> 0:27:04.879
<v Speaker 1>her plans for the Spall weekend. Rory louras Rory, you

0:27:05.000 --> 0:27:07.040
<v Speaker 1>have to do something bad when Mommy's out of town.

0:27:08.240 --> 0:27:11.440
<v Speaker 1>You've seen Risky Business right now. I'm not asking for

0:27:11.520 --> 0:27:15.639
<v Speaker 1>prostitution ring, but somehow floating crafts game or something so.

0:27:15.800 --> 0:27:20.040
<v Speaker 1>Risky Business is film starring Tom Cruise f. Tom plays Joel,

0:27:20.359 --> 0:27:22.480
<v Speaker 1>who's at home alone and gets into trouble when a

0:27:22.600 --> 0:27:29.760
<v Speaker 1>lady of the night Rebecca day Mornay, Rebecca Morner, good morning,

0:27:30.119 --> 0:27:35.560
<v Speaker 1>good morning. You said day morning, yes, day morning. You're

0:27:35.680 --> 0:27:40.160
<v Speaker 1>fine with how you said it, good morning, day morning,

0:27:41.280 --> 0:27:49.640
<v Speaker 1>good morning, day morning morning. He was amazing in hand

0:27:49.680 --> 0:27:52.040
<v Speaker 1>the Rocks the Cradle, but I've also seen he does.

0:27:52.840 --> 0:27:55.439
<v Speaker 1>I saw her at a restaurant once, sitting with a

0:27:55.480 --> 0:27:58.440
<v Speaker 1>bunch of people and everybody was wearing black turtlenecks. They

0:27:58.480 --> 0:28:03.399
<v Speaker 1>looked so cool. Really, I love the black turtle next wetter.

0:28:03.680 --> 0:28:06.560
<v Speaker 1>I don't love a black turtle. That it was wintertime

0:28:06.640 --> 0:28:08.919
<v Speaker 1>and they were so sleek and so cool that it

0:28:09.000 --> 0:28:12.760
<v Speaker 1>was just like I think everybody in the restaurant was

0:28:12.800 --> 0:28:14.760
<v Speaker 1>just staring at them the entire time, and they didn't

0:28:14.800 --> 0:28:18.760
<v Speaker 1>notice anybody. They were too cool. Notice, Risky Business was

0:28:20.359 --> 0:28:24.320
<v Speaker 1>a good movie. That it was a great movie. It's

0:28:24.359 --> 0:28:31.240
<v Speaker 1>a good movie. But I love pop gunop Gun. I

0:28:31.320 --> 0:28:35.280
<v Speaker 1>will definitely be in a movie theater to watch Top Gun,

0:28:35.320 --> 0:28:39.040
<v Speaker 1>Maverick and the New Jurassic Park. I gotta do it.

0:28:39.760 --> 0:28:41.920
<v Speaker 1>Wait wait, wait minute. So Risky Business was such a

0:28:41.920 --> 0:28:48.000
<v Speaker 1>beautifully cast film. Every role was perfectly cast and what

0:28:48.160 --> 0:28:52.760
<v Speaker 1>a script. Oh my goodness. And then the iconic scene

0:28:52.800 --> 0:28:55.240
<v Speaker 1>where he slides in with his underwear and his shirt

0:28:55.280 --> 0:28:58.640
<v Speaker 1>and his ray bands. Um, that's been like, you know,

0:28:58.680 --> 0:29:01.440
<v Speaker 1>the inspiration for so many for Halloween costumes over the years,

0:29:01.480 --> 0:29:04.240
<v Speaker 1>like David Arquette dressed as Jewel and never been kissed.

0:29:04.680 --> 0:29:08.080
<v Speaker 1>And actually the sunglasses jewel wears are ray Ban wayfarers.

0:29:08.160 --> 0:29:10.920
<v Speaker 1>Those are the model. The annual sales for them skyrocket

0:29:11.000 --> 0:29:14.120
<v Speaker 1>two thousand percent after the movie release. And I think

0:29:14.120 --> 0:29:16.880
<v Speaker 1>the same thing when they did Top Gun the ray

0:29:16.920 --> 0:29:22.360
<v Speaker 1>band aviator right right, Yeah, I remember when those wayfairs

0:29:22.360 --> 0:29:25.600
<v Speaker 1>are the hottest things ever. You remember when Joe Pantalon

0:29:25.920 --> 0:29:28.440
<v Speaker 1>Joe panto Leone is the pimp in this film, Guido

0:29:28.520 --> 0:29:37.240
<v Speaker 1>the Killer Pimp. Oh my god, just fantastic performance. Kind

0:29:37.240 --> 0:29:39.760
<v Speaker 1>of cool. If you zoom in childhood, photographs of Tom

0:29:39.800 --> 0:29:42.960
<v Speaker 1>Cruise can be seen in the living room. I like,

0:29:43.040 --> 0:29:47.040
<v Speaker 1>I enjoy that touch. Yeah. So next up we have

0:29:47.120 --> 0:29:49.240
<v Speaker 1>Laura Line Emily go out to dinner outside of the spa.

0:29:49.440 --> 0:29:52.680
<v Speaker 1>Loorla says, I just love the idea of shrimp cocktail

0:29:52.680 --> 0:29:55.320
<v Speaker 1>with a steak dinner. You know, it's so casino, Big Joe,

0:29:55.400 --> 0:29:58.120
<v Speaker 1>steak and shrimp. Hey save some for the winner. There.

0:29:58.400 --> 0:30:02.040
<v Speaker 1>Casino is a film from five directed by Martin Sorcese

0:30:02.800 --> 0:30:06.840
<v Speaker 1>about monsters who moved to Las Vegas to make their mark. Um,

0:30:06.880 --> 0:30:10.240
<v Speaker 1>it's very much about the casinos and mobs in nineteen

0:30:10.320 --> 0:30:14.280
<v Speaker 1>seventies and eighties, starring Robert de Niro, Joe Pesci, and

0:30:14.320 --> 0:30:18.800
<v Speaker 1>Sharon Stone. Jaron Stone's fashion in that movie is so epic.

0:30:19.880 --> 0:30:23.160
<v Speaker 1>So the costume budget for the film was a million dollars.

0:30:23.640 --> 0:30:27.080
<v Speaker 1>Robert de Niro had seventy different costumes throughout the film

0:30:27.360 --> 0:30:30.320
<v Speaker 1>and Sharon Stone had forty, and both were able to

0:30:30.400 --> 0:30:35.440
<v Speaker 1>keep the costumes afterwards. Her clothes worth so cool. Were

0:30:35.520 --> 0:30:37.480
<v Speaker 1>you were you? Were you? Screw? Did you see the film?

0:30:37.520 --> 0:30:41.560
<v Speaker 1>Did anybody see the film? Were you you? Didn't? Okay,

0:30:41.720 --> 0:30:44.600
<v Speaker 1>because I was screaming. I was screaming at the screen.

0:30:45.360 --> 0:30:53.800
<v Speaker 1>Do not marry that woman, Bobby, don't do it, and

0:30:53.880 --> 0:30:58.000
<v Speaker 1>he did it. Didn't take my advice. I apologize for

0:30:58.120 --> 0:31:01.720
<v Speaker 1>my lack of seeing film. You said, you're not a

0:31:01.720 --> 0:31:06.000
<v Speaker 1>film person or TV spending my life watching television. Then

0:31:06.360 --> 0:31:10.200
<v Speaker 1>nineteen seventy four. That's nobody's holding that against you. Yeah,

0:31:10.280 --> 0:31:14.240
<v Speaker 1>I've seen a lot of TV though. It's okay, all right,

0:31:14.320 --> 0:31:16.560
<v Speaker 1>we're going to get into that. Yeah, we'll get there.

0:31:16.640 --> 0:31:20.080
<v Speaker 1>Keep going, ready, So the last little fact. In Casino,

0:31:20.200 --> 0:31:23.400
<v Speaker 1>the F word is said four hundred and thirty five times,

0:31:23.440 --> 0:31:26.760
<v Speaker 1>including in the narration, two point four times per minute

0:31:26.760 --> 0:31:30.000
<v Speaker 1>on average. The record was later broken by The Wolf

0:31:30.000 --> 0:31:32.040
<v Speaker 1>of Wall Street in two thousands, their team, which had

0:31:32.080 --> 0:31:36.479
<v Speaker 1>close to six hundred years of the word. I just

0:31:36.520 --> 0:31:42.720
<v Speaker 1>saw that again the other night. Really six hundred six said,

0:31:42.840 --> 0:31:45.040
<v Speaker 1>I believe zero times on the show. We don't we

0:31:45.080 --> 0:31:48.000
<v Speaker 1>don't know, We're not over here. I think I said that.

0:31:48.320 --> 0:31:50.240
<v Speaker 1>I think maybe said the B word, and I've said

0:31:50.240 --> 0:31:53.440
<v Speaker 1>the say word. Maybe you've you you know what I say.

0:31:53.560 --> 0:31:56.240
<v Speaker 1>You need a little mouth. Watched that a little bit.

0:31:59.040 --> 0:32:03.000
<v Speaker 1>You're the one moms still do that is that's the

0:32:03.000 --> 0:32:06.000
<v Speaker 1>little thing. Oh my gosh, my mom did that. She

0:32:06.040 --> 0:32:08.840
<v Speaker 1>would do that and she'd be like, ready, you're washed

0:32:08.880 --> 0:32:10.360
<v Speaker 1>her mouth that was up and I was so rude.

0:32:10.360 --> 0:32:18.440
<v Speaker 1>I would just go do it? Do it anyways? Fun time? Um,

0:32:18.480 --> 0:32:22.240
<v Speaker 1>so that's it for your pop culture. Wonderful but obvious.

0:32:25.240 --> 0:32:29.000
<v Speaker 1>This is kind of becoming a thing, right, it's so fun. Hey,

0:32:29.200 --> 0:32:32.120
<v Speaker 1>what do you think You're happy? Yeah? I give it,

0:32:34.360 --> 0:32:37.400
<v Speaker 1>but I mean, I mean, does the fan base seem

0:32:37.480 --> 0:32:41.840
<v Speaker 1>to like this? Separate many things? Get right? Yeah, because

0:32:41.840 --> 0:32:44.120
<v Speaker 1>it's just we were going on too long. We're going

0:32:44.120 --> 0:32:50.520
<v Speaker 1>on too long. It's easier to yeah. Yeah. You know

0:32:50.640 --> 0:32:54.040
<v Speaker 1>when they forced when they forced John Rockefeller to break

0:32:54.080 --> 0:32:56.040
<v Speaker 1>up Standard Oil, he broke it up into twenty four

0:32:56.040 --> 0:32:57.920
<v Speaker 1>different pieces and it was the best thing I ever did.

0:32:58.400 --> 0:33:01.400
<v Speaker 1>That's when we broke it up into three pieces until

0:33:01.560 --> 0:33:04.800
<v Speaker 1>next time. All Right, everybody, thank you. That's gonna do

0:33:04.880 --> 0:33:11.320
<v Speaker 1>it for pop culture. Riley, Yes, thank you? Thank me?

0:33:16.680 --> 0:33:21.760
<v Speaker 1>Are you? I'm on my phone today and I'm not

0:33:21.800 --> 0:33:23.719
<v Speaker 1>on my computer. I'll be back on my computer, but

0:33:23.840 --> 0:33:27.800
<v Speaker 1>I have two words for you. Strawberry Dakri. Is that

0:33:27.840 --> 0:33:30.200
<v Speaker 1>what's going on over there? By pull the pulside your

0:33:30.200 --> 0:33:33.280
<v Speaker 1>pool side. This entire thing just in in my yard.

0:33:33.680 --> 0:33:35.760
<v Speaker 1>And there's like a leaf in my screen because I

0:33:35.800 --> 0:33:38.200
<v Speaker 1>had to prop it up on a toolip. You look

0:33:38.280 --> 0:33:41.240
<v Speaker 1>like you're on vacation. It's fantastic. I look like I'm

0:33:41.280 --> 0:33:47.200
<v Speaker 1>in Jurassic Park right alright. Anyway, um so that's going

0:33:47.240 --> 0:33:52.640
<v Speaker 1>to do it for another minisode of our wonderful new band.

0:33:52.840 --> 0:33:56.760
<v Speaker 1>Riley Pellucis in the minisotes the pop cultures. All right,

0:33:57.560 --> 0:33:59.680
<v Speaker 1>that was fun. Best fans on the planet, thanks for

0:33:59.720 --> 0:34:02.440
<v Speaker 1>down loading. Thank you Riley, thank you Amy, and we

0:34:02.480 --> 0:34:33.960
<v Speaker 1>will see you next time, honest one. Hey everybody, and

0:34:34.000 --> 0:34:37.520
<v Speaker 1>don't forget follow us on Instagram at I Am all

0:34:37.640 --> 0:34:42.240
<v Speaker 1>In podcast and emailis at Gilmore at I heart radio

0:34:42.600 --> 0:34:45.120
<v Speaker 1>dot com. Oh you Gilmore fans. If you're looking for

0:34:45.120 --> 0:34:46.960
<v Speaker 1>the best cup of coffee in the world, go to

0:34:47.160 --> 0:34:50.840
<v Speaker 1>my website for my company scott EP dot com s

0:34:50.880 --> 0:34:53.120
<v Speaker 1>C O T T y P dot com, scott ep

0:34:53.320 --> 0:35:03.719
<v Speaker 1>dot com Grade one Specialty Coffee