1 00:00:00,720 --> 00:00:18,440 Speaker 1: I am all in. I am all in with Scott 2 00:00:18,440 --> 00:00:23,320 Speaker 1: Patterson and I Heart Radio Podcast. Are everybody hi, Scott Patterson, 3 00:00:23,400 --> 00:00:27,920 Speaker 1: I'm all in. Minisod pop Culture with Riley Pelusis. We 4 00:00:28,000 --> 00:00:30,280 Speaker 1: are going to break down What are we going to 5 00:00:30,360 --> 00:00:34,440 Speaker 1: break down? Riley take it away. We're going to break 6 00:00:34,479 --> 00:00:39,000 Speaker 1: down Episode sixteen. There's the rub pop culture wonderful. Let's 7 00:00:39,000 --> 00:00:43,440 Speaker 1: get a cracking. Let's down. Let's just gentlemen and ladies 8 00:00:43,840 --> 00:00:51,640 Speaker 1: start your injuries. We interrupt this program to bring you 9 00:00:51,680 --> 00:00:55,400 Speaker 1: a special report. We go now to Walter Cronkite in 10 00:00:55,440 --> 00:01:02,360 Speaker 1: New York. Walter Cronkite a special report. There's been a 11 00:01:02,400 --> 00:01:07,920 Speaker 1: triple clown fellow sighting taken out of Los Angeles, California. 12 00:01:08,440 --> 00:01:13,880 Speaker 1: Daniel Romo standing by the clown pillow. You could have 13 00:01:13,959 --> 00:01:16,920 Speaker 1: seen it when Roy was on the phone and a 14 00:01:17,000 --> 00:01:22,399 Speaker 1: side side clown pillow at So check them out and 15 00:01:23,120 --> 00:01:26,600 Speaker 1: don't miss clown pillow. Can we add a little bit 16 00:01:26,959 --> 00:01:33,840 Speaker 1: to the clown pillow hunt? The Grandma cookie jar. Has 17 00:01:33,880 --> 00:01:37,480 Speaker 1: everybody been noticing the We'll put a photo up on 18 00:01:37,520 --> 00:01:42,240 Speaker 1: the Instagram the grandma on that phone. This is something 19 00:01:42,280 --> 00:01:46,080 Speaker 1: that Walter Cronkite and his team are already investigating, so 20 00:01:46,120 --> 00:01:52,720 Speaker 1: there will be special reports. I'm I'm thrilled to say it. So, yes, 21 00:01:52,800 --> 00:01:56,400 Speaker 1: we need to make sure we are hunting for the clompolla, 22 00:01:56,840 --> 00:02:00,840 Speaker 1: the Grandma cookie jar, and occasionally the weird painting at 23 00:02:00,840 --> 00:02:04,840 Speaker 1: the entry way of the house, but that's not as 24 00:02:04,920 --> 00:02:08,960 Speaker 1: important as the Gramma cookie jar and content. You look, 25 00:02:09,080 --> 00:02:14,720 Speaker 1: you confirm these sightings, and I'll get Walter to cover it. 26 00:02:14,720 --> 00:02:17,200 Speaker 1: It's it's tough, it's tough, but I'll get them to 27 00:02:17,240 --> 00:02:22,320 Speaker 1: do it. According to NASA scientists, theonds of a triple 28 00:02:22,639 --> 00:02:27,520 Speaker 1: clown pillow sighting our five hundred billion, thirty seven to one. 29 00:02:28,680 --> 00:02:33,239 Speaker 1: And that's the way it is, is Walter Cronkite, Good evening. 30 00:02:33,840 --> 00:02:37,120 Speaker 1: This has been a special report from New York. We 31 00:02:37,200 --> 00:02:44,079 Speaker 1: now return you to your regularly scheduled program. Not Riley. 32 00:02:44,160 --> 00:02:46,760 Speaker 1: Do you even know who Walter Cronkite is? They don't know? 33 00:02:47,240 --> 00:02:52,560 Speaker 1: Do they know? I don't don't you don't know? I mean, 34 00:02:52,800 --> 00:02:59,440 Speaker 1: Walter Cronkite was the anchor of all anchors in the fifties, sixties, 35 00:02:59,480 --> 00:03:04,119 Speaker 1: and I think maybe part of the seventies. Here's two 36 00:03:04,160 --> 00:03:06,520 Speaker 1: YouTube videos you need to look at and you will 37 00:03:06,560 --> 00:03:09,320 Speaker 1: understand who Walter cronk had is one you're gonna have 38 00:03:09,400 --> 00:03:15,480 Speaker 1: to google when JFK was assassinated and watch Walter corn 39 00:03:15,919 --> 00:03:18,239 Speaker 1: And then I need you to also google the moon 40 00:03:18,360 --> 00:03:24,600 Speaker 1: landing and watch. Do you agree, Walter? Yes, Walter Cronkite 41 00:03:24,639 --> 00:03:30,000 Speaker 1: was the most trusted man in America for decades because 42 00:03:30,040 --> 00:03:34,880 Speaker 1: of the quality of his delivery and his his journalism. 43 00:03:34,920 --> 00:03:37,280 Speaker 1: He never gave his opinion. It was a different era 44 00:03:37,400 --> 00:03:40,400 Speaker 1: back then. He just reported the news. When I was 45 00:03:40,440 --> 00:03:44,240 Speaker 1: growing up, nobody, no news organizations did not give their 46 00:03:44,240 --> 00:03:46,760 Speaker 1: opinions when I was growing up. All you need to 47 00:03:46,760 --> 00:03:53,360 Speaker 1: see him take those glasses and you're right, and you're like, right, 48 00:03:54,320 --> 00:03:57,000 Speaker 1: it's amazing that I think that was the moonland No, 49 00:03:57,160 --> 00:04:00,680 Speaker 1: that was the Kennedy was assassinated when he took the 50 00:04:00,680 --> 00:04:02,880 Speaker 1: glasses off because he looked up at the clock to 51 00:04:02,960 --> 00:04:07,000 Speaker 1: see what the time was. It was devast It was 52 00:04:07,040 --> 00:04:12,560 Speaker 1: a devastating piece of historical footage. Better than cs I 53 00:04:13,080 --> 00:04:22,800 Speaker 1: Classes taking off was that SI Miami, David Caruso. The 54 00:04:22,960 --> 00:04:26,840 Speaker 1: sunglasses were a character of their own. Uh you know what, 55 00:04:27,320 --> 00:04:31,400 Speaker 1: David Caruso's as legendary. I actually did an episode of 56 00:04:31,480 --> 00:04:33,359 Speaker 1: c s I Miami with him. He's a he's a 57 00:04:33,480 --> 00:04:37,160 Speaker 1: terrific guy. Yeah, he's a terrific guy. It's called killer Regrets. 58 00:04:37,200 --> 00:04:39,320 Speaker 1: I still get residuals from it. I mean, so many 59 00:04:39,400 --> 00:04:46,640 Speaker 1: years later that show paid so well. It's amazing. And no, 60 00:04:46,839 --> 00:04:50,200 Speaker 1: and you know, David Caruso and I here's another story. 61 00:04:50,320 --> 00:04:53,039 Speaker 1: We're up four NYPD Blue at the same time, and 62 00:04:53,080 --> 00:04:55,240 Speaker 1: it came down to the top five and he was 63 00:04:55,279 --> 00:04:58,919 Speaker 1: going to get it because he was did Jimmy Smith's part. Yeah, 64 00:04:59,080 --> 00:05:02,200 Speaker 1: it was the day Vin Caruso. It was originally David Caruso. 65 00:05:02,800 --> 00:05:05,040 Speaker 1: And David Caruso did a year or two and then 66 00:05:05,080 --> 00:05:07,120 Speaker 1: he became kind of a movie star and he left 67 00:05:07,120 --> 00:05:10,120 Speaker 1: to do movies. Yeah, because remember he's famous for quitting 68 00:05:10,160 --> 00:05:13,520 Speaker 1: that show and then having sort of a failed movie career. 69 00:05:13,560 --> 00:05:16,039 Speaker 1: He should have stuck around on NYPD Blue. I don't 70 00:05:16,080 --> 00:05:18,520 Speaker 1: know if he had a failed movie career. I think, 71 00:05:19,200 --> 00:05:20,600 Speaker 1: you know, he did what, you know, he made his 72 00:05:20,680 --> 00:05:25,560 Speaker 1: choices and then he came but a terrific actor. I mean, 73 00:05:25,600 --> 00:05:31,040 Speaker 1: he's just such a remarkably talented guy. Um Miami Viginia. 74 00:05:31,200 --> 00:05:34,200 Speaker 1: So yeah, I would put Caruso in the category of 75 00:05:34,240 --> 00:05:37,160 Speaker 1: a cron kite. Uh. He took his glasses off. He 76 00:05:37,200 --> 00:05:39,800 Speaker 1: didn't flip his sunglasses off, but I get you know, 77 00:05:39,880 --> 00:05:50,679 Speaker 1: the gesture. I get it. So experience. Yeah, oh god, 78 00:05:50,720 --> 00:05:53,560 Speaker 1: we're off to a quite a start. You want to 79 00:05:53,560 --> 00:05:55,839 Speaker 1: take a break and towel off, We'll come back. No, no, 80 00:05:56,000 --> 00:06:00,800 Speaker 1: go ahead, now let's do it. Let's rock this. Speaking 81 00:06:00,839 --> 00:06:03,360 Speaker 1: of toweling off, okay, so for this off this one, 82 00:06:03,800 --> 00:06:05,840 Speaker 1: you let us know if this is a pop culture reference. 83 00:06:05,880 --> 00:06:08,080 Speaker 1: Not really sure. So first up, we have the Moonies. 84 00:06:08,320 --> 00:06:10,560 Speaker 1: So Emily said, grabs cucumber water from the spot and 85 00:06:10,600 --> 00:06:12,960 Speaker 1: she said, Lord, LIS's careful, mom. That's how they got 86 00:06:12,960 --> 00:06:15,360 Speaker 1: you in the Moonies. So the Moonies was found in 87 00:06:15,440 --> 00:06:18,560 Speaker 1: nineteen fifty four. It's called the Unification Church and is 88 00:06:18,560 --> 00:06:21,400 Speaker 1: classified as a new religious movement and labeled as a cult. 89 00:06:21,960 --> 00:06:24,000 Speaker 1: So they have an emphasis on marriage and the reason 90 00:06:24,040 --> 00:06:27,160 Speaker 1: for Moon's infamous mass weddings. A blessing ceremony in two 91 00:06:27,200 --> 00:06:30,640 Speaker 1: thousand nine included twenty thousand couples from around the world 92 00:06:31,000 --> 00:06:34,120 Speaker 1: getting married at the same time. Neil Bush is a 93 00:06:34,200 --> 00:06:36,600 Speaker 1: famous for promoting Moon in Asia and around the United 94 00:06:36,600 --> 00:06:38,839 Speaker 1: States too out nine and it currently has one to 95 00:06:38,920 --> 00:06:43,479 Speaker 1: two million members. Who's Who's Neil Bush Part of the 96 00:06:43,480 --> 00:06:45,760 Speaker 1: Bush family. Oh, he's part of the one of the Bushes, 97 00:06:46,520 --> 00:06:51,679 Speaker 1: you know, the Moonies, which is Reverend Sun Young Moon 98 00:06:52,080 --> 00:06:54,279 Speaker 1: by the way, the doctors. I think he called himself 99 00:06:54,320 --> 00:06:59,040 Speaker 1: a doctor. That was my generations kids growing up, introduction 100 00:06:59,040 --> 00:07:01,880 Speaker 1: into cults. That's the first cult we ever heard about. 101 00:07:02,200 --> 00:07:05,600 Speaker 1: I've ever really heard of them until this, and I 102 00:07:05,680 --> 00:07:09,760 Speaker 1: kind of looked culticionato. I enjoyed those documentaries, but this one, 103 00:07:09,800 --> 00:07:12,040 Speaker 1: I was not aware. They were very much part of 104 00:07:12,040 --> 00:07:14,400 Speaker 1: the news cycle for a long time. When I was 105 00:07:14,440 --> 00:07:16,360 Speaker 1: growing up, all you heard about was the Mooneys, this 106 00:07:16,480 --> 00:07:22,520 Speaker 1: Mooney's that I know, mooning as something else. So we'll 107 00:07:22,520 --> 00:07:25,560 Speaker 1: give you that as pop culture. It's borders on history, 108 00:07:25,680 --> 00:07:27,560 Speaker 1: but we'll give it to you. It's definitely part of 109 00:07:27,560 --> 00:07:30,840 Speaker 1: pop culture. It was, it was ingrained into the fabric 110 00:07:30,880 --> 00:07:34,840 Speaker 1: of America. What's next? So next, next up, we have 111 00:07:34,880 --> 00:07:37,120 Speaker 1: Emily and Laura Lai check in once they're having at 112 00:07:37,160 --> 00:07:39,640 Speaker 1: the spa, and Bobby at the front desk says, ah, yes, 113 00:07:39,720 --> 00:07:41,840 Speaker 1: welcome to Birch Grove. My name is Bobby. I have 114 00:07:41,920 --> 00:07:44,160 Speaker 1: everything all set for you. Do you have luggage? Lorelie 115 00:07:44,200 --> 00:07:48,600 Speaker 1: says yes, it's in Luca Brazzie's mobile out front. Um, 116 00:07:48,720 --> 00:07:53,120 Speaker 1: So Laura Lai is referring to Luca Brazzie over my head. Sorry, 117 00:07:53,160 --> 00:07:56,680 Speaker 1: it was totally over my head guy film Godfather, god 118 00:07:56,720 --> 00:08:01,520 Speaker 1: got it. So lou Go Brazzi was portrayed by Lenny 119 00:08:01,560 --> 00:08:06,320 Speaker 1: Montana and was Don Corleone's quote unquote personal enforcer. We 120 00:08:06,400 --> 00:08:09,800 Speaker 1: know what that means. Um. The Godfather filming face pushed 121 00:08:09,840 --> 00:08:12,480 Speaker 1: back from the Italian American Civil Rights League, which was 122 00:08:12,560 --> 00:08:16,280 Speaker 1: run by Joe Colombo and Frank not Frank Sinatra, but 123 00:08:16,360 --> 00:08:19,040 Speaker 1: they agreed to back the film if they took the 124 00:08:19,080 --> 00:08:22,480 Speaker 1: word mafia out, so that meant some members were on 125 00:08:22,520 --> 00:08:25,040 Speaker 1: set while filming. This is why Lenny Montana was on 126 00:08:25,120 --> 00:08:29,440 Speaker 1: set and cast as Luca Brazzi. So he was just cast. 127 00:08:29,840 --> 00:08:32,600 Speaker 1: He had like a real dude. Oh yeah. And and 128 00:08:32,640 --> 00:08:34,480 Speaker 1: do you know why do you know why Frank Sinatra 129 00:08:34,559 --> 00:08:39,680 Speaker 1: was so opposed to using the word mafia. Um? Because 130 00:08:39,840 --> 00:08:43,600 Speaker 1: in the Godfather they do tell the story of how 131 00:08:43,720 --> 00:08:47,880 Speaker 1: Frank Sinatra got out of his original band contract because 132 00:08:47,920 --> 00:08:49,840 Speaker 1: I think Tommy Dorsey wanted to sign him and make 133 00:08:49,880 --> 00:08:53,079 Speaker 1: him hugely famous. And that was that was mom. And 134 00:08:53,360 --> 00:08:55,760 Speaker 1: the scene is with the studio head out here and 135 00:08:55,880 --> 00:08:59,320 Speaker 1: Robert Duvals comes out to say, give Frank's Johnny Fontaine 136 00:08:59,360 --> 00:09:02,679 Speaker 1: the part, which really Frank Sinatra the part, and the 137 00:09:02,760 --> 00:09:06,600 Speaker 1: studio head is like, Johnny Fontaine never gets that picture, 138 00:09:06,800 --> 00:09:08,520 Speaker 1: and I'm gonna tell you what you know, and he 139 00:09:08,559 --> 00:09:11,080 Speaker 1: goes into that big speech and then he says, no, 140 00:09:11,240 --> 00:09:13,200 Speaker 1: get the hell out of here. You know, I don't 141 00:09:13,200 --> 00:09:16,120 Speaker 1: care if it's Don Corleone. You can't muscle me. You know, 142 00:09:16,200 --> 00:09:18,520 Speaker 1: this kind of thing. And then Robert Duval has his 143 00:09:18,559 --> 00:09:21,720 Speaker 1: spoons cut his prize horse's head off and put it 144 00:09:21,720 --> 00:09:24,280 Speaker 1: in his bed. So the guy wakes up. The studio 145 00:09:24,320 --> 00:09:26,480 Speaker 1: head wakes up covered in horse blood, and then then 146 00:09:26,520 --> 00:09:28,200 Speaker 1: he sees the horse's head and then all of a sudden, 147 00:09:28,240 --> 00:09:31,319 Speaker 1: Frank Sinatra, I mean, Johnny Fontaine has the picture. So 148 00:09:31,640 --> 00:09:36,760 Speaker 1: I think, uh, Frank Sinatra was justifiably a little perturbed 149 00:09:36,800 --> 00:09:42,800 Speaker 1: that this story was being told um life. Yeah that's 150 00:09:43,120 --> 00:09:45,840 Speaker 1: that's in The Godfather, but it's a story that came 151 00:09:45,880 --> 00:09:49,960 Speaker 1: out of real life. Yeah. Yeah, I'm going to have 152 00:09:50,040 --> 00:09:51,720 Speaker 1: to watch this Godfather in one of these I mean, 153 00:09:51,720 --> 00:09:54,080 Speaker 1: I don't know if the details are exact. Maybe you know, 154 00:09:54,120 --> 00:09:57,200 Speaker 1: somebody can email and who knows more about it than I. 155 00:09:57,280 --> 00:10:00,960 Speaker 1: But that's that's the rumor that Frank Sinatra that that 156 00:10:01,200 --> 00:10:05,079 Speaker 1: the some muscles never put a gun to the head 157 00:10:05,120 --> 00:10:07,360 Speaker 1: of the band leader and said, either your brains are 158 00:10:07,400 --> 00:10:10,520 Speaker 1: going to be on that contract or that release or 159 00:10:10,559 --> 00:10:14,440 Speaker 1: your signature. Make your choice. How many of us have 160 00:10:14,520 --> 00:10:17,640 Speaker 1: seen The Godfather? Just one? Oh, you've seen it? To 161 00:10:17,880 --> 00:10:20,640 Speaker 1: Riley seen it, I've seen I've seen it hundreds of times. 162 00:10:23,200 --> 00:10:25,600 Speaker 1: Gives a whole new meaning to getting a Charlie horse 163 00:10:25,640 --> 00:10:32,080 Speaker 1: in bed. You don't know that iconic scene where the 164 00:10:32,160 --> 00:10:35,680 Speaker 1: studio head wakes up and he's like like in his 165 00:10:35,760 --> 00:10:38,240 Speaker 1: satin sheets and they're kind of wet, and he like 166 00:10:38,440 --> 00:10:41,240 Speaker 1: peels them back and there's like blood and he's like, what, 167 00:10:41,240 --> 00:10:42,679 Speaker 1: what the heck is this? And then he peels it 168 00:10:42,760 --> 00:10:44,960 Speaker 1: covers back and he sees the horse's head and he 169 00:10:45,000 --> 00:10:47,840 Speaker 1: goes and he screams, and they cut to a wide 170 00:10:47,840 --> 00:10:50,000 Speaker 1: shot of his mansion and you just hear these screams. 171 00:10:50,480 --> 00:10:52,880 Speaker 1: Nothing next thing, you know, there was sort of a 172 00:10:52,880 --> 00:10:59,200 Speaker 1: horse and animal house. That's the only there's a horse 173 00:10:59,600 --> 00:11:03,880 Speaker 1: that kind of a different situation. But yeah, there was 174 00:11:03,880 --> 00:11:06,280 Speaker 1: a horse and a different films, different types, different type 175 00:11:06,280 --> 00:11:12,440 Speaker 1: of film. Yeah, super secret compression, but that's an interest. 176 00:11:12,520 --> 00:11:15,040 Speaker 1: I mean, if you could do the remake of The 177 00:11:15,080 --> 00:11:17,360 Speaker 1: Godfather in the spirit of the Animal House, that would 178 00:11:17,360 --> 00:11:27,160 Speaker 1: be interesting, would be interesting. Yeah. Continuing with the front desk, 179 00:11:27,240 --> 00:11:30,360 Speaker 1: Emily says, well, we intend to leave your completely different people. 180 00:11:30,480 --> 00:11:32,679 Speaker 1: Lord Lie says, yes, I'm going to be Ted Nugent. 181 00:11:33,240 --> 00:11:36,200 Speaker 1: Ted Nugent is a rock musician and guitar showmen, responsible 182 00:11:36,240 --> 00:11:38,760 Speaker 1: for a few memorable tunes such as cat Scrush Fever 183 00:11:38,880 --> 00:11:42,600 Speaker 1: and Stranglehold. His early band, The Lords, were given the 184 00:11:42,679 --> 00:11:44,839 Speaker 1: chance to open for The Supremes with Diana Ross in 185 00:11:44,920 --> 00:11:47,280 Speaker 1: nineteen sixty two after they won a local Battle of 186 00:11:47,320 --> 00:11:50,280 Speaker 1: the Band's contest. Ted was only thirteen years old. I 187 00:11:50,360 --> 00:11:52,679 Speaker 1: was just laughing because Scott, when Riley and I were 188 00:11:52,760 --> 00:11:56,439 Speaker 1: like reviewing this last night, I'm like, can you name 189 00:11:56,559 --> 00:11:59,000 Speaker 1: some Ted Nugent hits? And She's like I just did, 190 00:11:59,160 --> 00:12:01,240 Speaker 1: And I was like, oh, I literally don't think I've 191 00:12:01,240 --> 00:12:03,559 Speaker 1: ever heard of Ted. You you know you've heard these songs, 192 00:12:03,640 --> 00:12:06,560 Speaker 1: you just don't know they're his. That's how big. These 193 00:12:06,800 --> 00:12:10,720 Speaker 1: like Stranglehold and cat Scratch Fever, You've heard them many times. 194 00:12:11,880 --> 00:12:18,280 Speaker 1: There's my soundtracks of Super Bad, Entourage, and Friday Night Okay, 195 00:12:19,200 --> 00:12:22,560 Speaker 1: they have some jam and songs. I just remember in 196 00:12:22,760 --> 00:12:27,320 Speaker 1: Ocean's eleven Brad Pitt and George Clooney saying something like 197 00:12:27,640 --> 00:12:29,840 Speaker 1: Ted Nugent wants his shirt back or something like that. 198 00:12:29,840 --> 00:12:33,199 Speaker 1: There was a Ted Nugent joke that was solid well, 199 00:12:33,400 --> 00:12:36,360 Speaker 1: and he never wore a shirt when he performed. He 200 00:12:36,400 --> 00:12:41,679 Speaker 1: wore a loincloth. Yes, a joke wrong them because he 201 00:12:41,760 --> 00:12:44,280 Speaker 1: was always you know, you know, he was a ripped 202 00:12:44,880 --> 00:12:49,280 Speaker 1: rock star and a great guitar player. Great, forgive me 203 00:12:49,320 --> 00:12:51,360 Speaker 1: that if I got the joke wrong, but I feel 204 00:12:51,400 --> 00:12:55,640 Speaker 1: like I got it anyway, Continue right. By two thousand 205 00:12:55,720 --> 00:12:59,080 Speaker 1: nine he had played over six thousand concerts, and like 206 00:12:59,160 --> 00:13:02,200 Speaker 1: you said, spending a deal time and winecloth on stage, 207 00:13:02,720 --> 00:13:03,920 Speaker 1: you don't want to be in the front row for 208 00:13:03,960 --> 00:13:07,400 Speaker 1: that one. Ry is talking about having a Friday night 209 00:13:07,400 --> 00:13:10,360 Speaker 1: alone with her mom was at the SPA. Roy says, actually, 210 00:13:10,400 --> 00:13:12,839 Speaker 1: I was thinking of pulling a kind of Hermit thing tonight. 211 00:13:12,960 --> 00:13:15,840 Speaker 1: Dan says why. Roy says, I don't know. JD. Salinger 212 00:13:15,960 --> 00:13:19,000 Speaker 1: seems to dig it. JD. Salinger is the writer of 213 00:13:19,080 --> 00:13:21,840 Speaker 1: The Catcher and the Rye. Roy's referring to the author's reclusive, 214 00:13:21,920 --> 00:13:25,319 Speaker 1: light rife style after he published Catcher in the rye Um. 215 00:13:25,320 --> 00:13:28,480 Speaker 1: There's a whole mystery behind Salinger that he was a hermit, 216 00:13:28,800 --> 00:13:32,920 Speaker 1: but he was seen out in different places with Vogue models, 217 00:13:33,040 --> 00:13:37,120 Speaker 1: partying with Vivian Lee and more so, it's not really reclusive. 218 00:13:37,280 --> 00:13:39,480 Speaker 1: I definitely read it, but I have no memory of 219 00:13:39,559 --> 00:13:42,360 Speaker 1: Catcher in the rye I definitely read it. I know 220 00:13:42,640 --> 00:13:45,520 Speaker 1: I read it in school, and that nothing. I couldn't 221 00:13:45,520 --> 00:13:51,240 Speaker 1: even tell you the plot, nothing, no, no retention of 222 00:13:51,280 --> 00:13:54,400 Speaker 1: it whatsoever. I know I read it. Nothing there, it's 223 00:13:54,400 --> 00:13:58,400 Speaker 1: a blank space in there. I think they're starting to 224 00:13:58,440 --> 00:14:01,600 Speaker 1: ban it now in lot of schools, and that's so 225 00:14:01,640 --> 00:14:08,000 Speaker 1: sad to hear they're banning that. Soulder once dated the 226 00:14:08,040 --> 00:14:10,959 Speaker 1: daughter of play right Eugene O'Neill, but she left him 227 00:14:10,960 --> 00:14:14,719 Speaker 1: for Charlie chap lanaging getting dumped for Charlie Chaplin. It's 228 00:14:14,760 --> 00:14:17,840 Speaker 1: like I fatally did a deep dive on Charlie Chaplin 229 00:14:17,920 --> 00:14:19,800 Speaker 1: the other day for some reason, Like I just went 230 00:14:19,920 --> 00:14:22,280 Speaker 1: to town on Wikipedia because I wanted to know, like 231 00:14:22,880 --> 00:14:25,880 Speaker 1: are any of his heir still alive? Like how old 232 00:14:26,000 --> 00:14:28,720 Speaker 1: was he? I don't know what inspired this may I 233 00:14:28,760 --> 00:14:32,480 Speaker 1: don't know why I did that. Is Geraldine Chaplin still alive. Yeah, 234 00:14:32,520 --> 00:14:35,120 Speaker 1: there's a ton of children and grandchildren, and the Chaplain 235 00:14:35,360 --> 00:14:38,640 Speaker 1: name continued. I think I wanted to know what Charlie 236 00:14:38,680 --> 00:14:41,840 Speaker 1: Chaplin looks like like when he wasn't with that, you know, 237 00:14:42,000 --> 00:14:48,080 Speaker 1: Charlie Chaplin look and did you find out normal average dude, 238 00:14:48,680 --> 00:14:52,880 Speaker 1: your regular old chail, old black and white dude, because 239 00:14:52,880 --> 00:14:58,960 Speaker 1: there's only black and white photo, ordinary black and white dude, 240 00:15:00,120 --> 00:15:03,480 Speaker 1: no color, the most gifted physical comedian and the history 241 00:15:03,520 --> 00:15:06,680 Speaker 1: of the world, but just their normal dude. That's why 242 00:15:07,600 --> 00:15:10,800 Speaker 1: he was then assuming. So Jess runs into Dean as 243 00:15:10,840 --> 00:15:14,760 Speaker 1: he's leaving. Jesse's oops, you're doing that towering over thing. Huh. 244 00:15:14,920 --> 00:15:17,200 Speaker 1: I tell you you really got that down. It helps 245 00:15:17,200 --> 00:15:20,040 Speaker 1: that you're twelve feet tall. But this Frankenstein scale really 246 00:15:20,080 --> 00:15:23,880 Speaker 1: adds to the whole where he says Jess, Jes says, Okay, 247 00:15:23,920 --> 00:15:26,600 Speaker 1: I'm going look, man, I really just droppings off some food. 248 00:15:26,600 --> 00:15:30,960 Speaker 1: So don't get all west Side story on me. Okay, Frankenstein. 249 00:15:31,120 --> 00:15:33,320 Speaker 1: First of all, the fact that we discovered something about 250 00:15:33,320 --> 00:15:38,000 Speaker 1: Frankenstein has blown my mind. Reveal reveal it It It blew 251 00:15:38,040 --> 00:15:43,960 Speaker 1: our mind. Okay, so this is crazy. Frankenstein isn't the creature. 252 00:15:44,280 --> 00:15:52,800 Speaker 1: It's the doctor. It's like Dr Victor Frankenstein, isn't it Frankenstein? Probably? 253 00:15:53,000 --> 00:15:55,320 Speaker 1: But the fact that, like any time I've ever seen 254 00:15:55,320 --> 00:15:59,200 Speaker 1: a picture of the monster, I was like, oh, there's Frankenstein. 255 00:15:59,520 --> 00:16:03,480 Speaker 1: But no, that's not correct. That is correct. It's called 256 00:16:03,480 --> 00:16:10,840 Speaker 1: the Frankenstein monster. That is correct. That's Frankenstein is associated with. 257 00:16:11,040 --> 00:16:16,760 Speaker 1: That's the monster's name. It's Frankenstein. I don't know you're saying, well, then, 258 00:16:16,800 --> 00:16:20,680 Speaker 1: what is the monster's name? How creature didn't receive a name? 259 00:16:21,200 --> 00:16:23,680 Speaker 1: No name. The creature didn't receive a name because after 260 00:16:23,760 --> 00:16:26,960 Speaker 1: sparking it into life, Frankenstein realized that creating it was 261 00:16:27,000 --> 00:16:31,720 Speaker 1: a mistake. So it's just referred to as creature. No names, 262 00:16:31,760 --> 00:16:36,080 Speaker 1: just John Frankenstein. We've all been blowing it for like 263 00:16:36,160 --> 00:16:38,440 Speaker 1: John Doe. Yeah, we've been blowing it for a really 264 00:16:38,440 --> 00:16:41,280 Speaker 1: long time. Fact, you had no name. His name is 265 00:16:41,320 --> 00:16:44,480 Speaker 1: not Frankenstein from what we researched and learned last night. 266 00:16:44,800 --> 00:16:49,480 Speaker 1: That is fascinating. So finds tell somebody Frankenstein. I have 267 00:16:49,560 --> 00:16:52,920 Speaker 1: to correct them now. It's not the monster. Correct. If 268 00:16:52,920 --> 00:16:57,240 Speaker 1: you google Frankenstein, you get a photo of Dr Frankenstein 269 00:16:57,320 --> 00:17:00,840 Speaker 1: from like the original movie or whatever. Can you give me, uh, 270 00:17:01,120 --> 00:17:03,480 Speaker 1: it's alive? Can you give me one of those it's alive? 271 00:17:05,680 --> 00:17:09,679 Speaker 1: Can Eastern? Can you find that clip from from the 272 00:17:09,760 --> 00:17:15,600 Speaker 1: Gene Wilder the mel Brooks film Frankenstein Young Frankensteine. No, No, 273 00:17:15,720 --> 00:17:18,800 Speaker 1: the original film has a great it's alive, which based 274 00:17:18,880 --> 00:17:22,600 Speaker 1: It's alive? You know? Can we get one from everybody? Amy? 275 00:17:22,600 --> 00:17:25,240 Speaker 1: Can you do one? Just a matt Way minute. Let 276 00:17:25,280 --> 00:17:30,440 Speaker 1: me let me help you imagine the monster animating. He's animating, 277 00:17:30,480 --> 00:17:33,680 Speaker 1: he's coming to life. He's you know, and then you 278 00:17:33,760 --> 00:17:37,560 Speaker 1: see it and your dr Frankenstein. What do you say? Wow? 279 00:17:37,600 --> 00:17:42,240 Speaker 1: Good Riley, give me it's a live it's a look 280 00:17:42,320 --> 00:17:50,840 Speaker 1: at Wow. You dug deep on that one, Sisters. Now 281 00:17:50,880 --> 00:17:55,480 Speaker 1: I'm getting flashbacks of Berkeley and I took film classes, 282 00:17:55,480 --> 00:18:01,360 Speaker 1: which going too another day. But about it. Oh, yeah, 283 00:18:02,840 --> 00:18:05,639 Speaker 1: that's a vampire. That's a vampire. Yeah, like Dracula. I 284 00:18:05,640 --> 00:18:11,160 Speaker 1: think I had to watch that movie time and I 285 00:18:11,200 --> 00:18:16,000 Speaker 1: didn't like it any of the time. Just also hard 286 00:18:16,000 --> 00:18:18,320 Speaker 1: to keep my eyes open. It was kind of boring. Yeah, 287 00:18:18,359 --> 00:18:20,480 Speaker 1: it's not the kind of thing you invite the girls over. 288 00:18:20,560 --> 00:18:22,160 Speaker 1: And you know, I have John food and so that's 289 00:18:22,200 --> 00:18:28,680 Speaker 1: watching it was no Poulter Guy, there was no Nightmare. So. 290 00:18:28,880 --> 00:18:33,439 Speaker 1: Other films featuring Frankenstein include Young Frankenstein, which we mentioned 291 00:18:33,520 --> 00:18:37,600 Speaker 1: last week, Scooby Doo direct Reluctant Werewolf Van Helsing Frank 292 00:18:37,640 --> 00:18:42,960 Speaker 1: and Weene, and the Beatles movie Yellow Submarine featured a 293 00:18:43,040 --> 00:18:50,440 Speaker 1: scene with the Frankenstein monster drinking a potion becoming John Lennon. Wow, 294 00:18:51,200 --> 00:18:57,800 Speaker 1: I know, Wow, it's alive. I said that every time 295 00:18:57,800 --> 00:19:00,720 Speaker 1: I wake up West Side Story. So now with the 296 00:19:00,720 --> 00:19:03,639 Speaker 1: West Side Story musical from nineteen fifty seven that was 297 00:19:03,680 --> 00:19:06,639 Speaker 1: adapted into a film in nineteen sixty one, and then recently, 298 00:19:06,680 --> 00:19:11,119 Speaker 1: Redone just got an Oscar nomination for he did for 299 00:19:11,160 --> 00:19:16,560 Speaker 1: directing one of the he's got a few nominations. One 300 00:19:16,600 --> 00:19:22,560 Speaker 1: of the supporting actress, I forget her name, and right, yeah, 301 00:19:22,880 --> 00:19:25,920 Speaker 1: the supporting actress. Yeah, she's she's been getting a lot 302 00:19:26,000 --> 00:19:30,320 Speaker 1: of attention, a lot of awards. Nomination is good for her. 303 00:19:30,880 --> 00:19:33,480 Speaker 1: I've never seen West Side Story, either of them. Right, 304 00:19:33,720 --> 00:19:35,520 Speaker 1: you know what, let's get her name. We should say 305 00:19:35,560 --> 00:19:39,680 Speaker 1: her name. She deserves she deserves name recognition at this point. 306 00:19:39,720 --> 00:19:41,919 Speaker 1: For god, she just got nominated and she's the one 307 00:19:41,960 --> 00:19:45,679 Speaker 1: who hosted SNL. She definitely hosted SNL. I wonder who 308 00:19:46,920 --> 00:19:50,480 Speaker 1: while Scott looks that up. I've never seen West Side Story, 309 00:19:50,560 --> 00:19:54,560 Speaker 1: have you writed? I've never seen any of them. I 310 00:19:54,560 --> 00:19:56,600 Speaker 1: have not seen West Side Story. I've been you've never 311 00:19:56,600 --> 00:20:00,480 Speaker 1: seen the original West Side Story Goods. I just TV 312 00:20:00,680 --> 00:20:02,520 Speaker 1: so much more than movies. So for me, I'm just 313 00:20:02,560 --> 00:20:07,280 Speaker 1: like so much on the opposite, on the opposite. The 314 00:20:07,359 --> 00:20:12,320 Speaker 1: film was dedicated to Steven Spielberg's dad, Arnold Spielberg, who 315 00:20:12,359 --> 00:20:17,639 Speaker 1: died at a hundred three. Scott, I've seen all the 316 00:20:17,680 --> 00:20:25,359 Speaker 1: song movie you cultured slab you look at you for? 317 00:20:26,320 --> 00:20:30,119 Speaker 1: She saw all the songs, even the Chris Rock. I 318 00:20:30,160 --> 00:20:34,240 Speaker 1: thought that, how was that? How was that? Yeah? You 319 00:20:34,280 --> 00:20:39,280 Speaker 1: know I heard it was not that he tried because 320 00:20:39,280 --> 00:20:40,879 Speaker 1: he was such a fan of the movies. But no, 321 00:20:41,560 --> 00:20:44,120 Speaker 1: and the producers are milking that thing for all they can. 322 00:20:45,800 --> 00:20:49,320 Speaker 1: Sorry back on something important West Side Story. What is 323 00:20:49,359 --> 00:20:54,679 Speaker 1: her name? And my favorite person in the whole wide world? 324 00:20:55,240 --> 00:20:59,880 Speaker 1: Audrey Hepburn, the star of Funny Phase and Breakfast at Tiffany's, 325 00:20:59,920 --> 00:21:02,320 Speaker 1: was originally asked to play the lead character of Maria, 326 00:21:02,520 --> 00:21:07,000 Speaker 1: but Natalie Wood ended up starring as Maria. What really 327 00:21:07,400 --> 00:21:10,600 Speaker 1: Natalie Wood was so great in that I can't imagine 328 00:21:10,640 --> 00:21:13,720 Speaker 1: anyone else playing that role, even Audrey Hepburn. I think 329 00:21:13,720 --> 00:21:16,480 Speaker 1: Audrey Hepburn was just too I don't know, just she 330 00:21:16,600 --> 00:21:20,480 Speaker 1: just seemed too sophisticated and almost royal for that role. 331 00:21:20,960 --> 00:21:25,040 Speaker 1: Natalie Wood was perfect for that role because she seemed 332 00:21:25,080 --> 00:21:27,120 Speaker 1: like she was of the people. She had that kind 333 00:21:27,160 --> 00:21:30,000 Speaker 1: of beauty, but she wasn't you know, there was no 334 00:21:30,119 --> 00:21:37,160 Speaker 1: air of well, I'm sorry, what what's what's the word 335 00:21:37,160 --> 00:21:40,919 Speaker 1: I'm looking for? She just seemed more more accessible than 336 00:21:40,960 --> 00:21:44,240 Speaker 1: Audrey Hepburn, you know what I'm saying. Yeah, like the 337 00:21:44,280 --> 00:21:50,919 Speaker 1: opposite of hippo lutant standard earth. I don't know what 338 00:21:51,040 --> 00:21:53,720 Speaker 1: is the woman's name that was nominated for the Oscar 339 00:21:53,760 --> 00:21:57,680 Speaker 1: for West Side Story. I've got a listen, oh, Arianna. 340 00:22:00,080 --> 00:22:08,359 Speaker 1: That's right, ye, Arianna Depose has landed an Academy Award nomination. Man, 341 00:22:08,800 --> 00:22:12,840 Speaker 1: she must be over the moon. Good for her, Good 342 00:22:12,840 --> 00:22:15,199 Speaker 1: for I love these stories where people just you know, 343 00:22:15,240 --> 00:22:18,560 Speaker 1: they they get in these great films and get nominated. 344 00:22:18,640 --> 00:22:23,199 Speaker 1: Wonderful Dune, Dune did Big, Big two, Power of the Dog. Anyway, 345 00:22:23,200 --> 00:22:26,600 Speaker 1: go ahead, We're going to the Academy Awards. You'll probably 346 00:22:26,600 --> 00:22:29,240 Speaker 1: take a limo, which takes us to our next pop 347 00:22:29,280 --> 00:22:33,560 Speaker 1: culture fence. Let's go, and we should get on the 348 00:22:33,600 --> 00:22:38,920 Speaker 1: red carpet. I can't get no, you know, we gotta 349 00:22:38,960 --> 00:22:42,119 Speaker 1: take a limo, but we should go to the front. 350 00:22:42,280 --> 00:22:45,760 Speaker 1: And then does Seacrest? Does Seacrest do the red carpet 351 00:22:45,800 --> 00:22:52,120 Speaker 1: anymore on at the Oscar? Nope? But Sam Rubin does 352 00:22:52,200 --> 00:22:55,640 Speaker 1: from KTL a channel. That's our connection, that's my guy. 353 00:22:56,240 --> 00:22:57,959 Speaker 1: He's not going to say who the hell are you 354 00:22:57,960 --> 00:23:00,160 Speaker 1: and what are you doing here and call security out. 355 00:23:00,240 --> 00:23:05,720 Speaker 1: He's gonna interview us happy, let's go. Let's go, only 356 00:23:05,760 --> 00:23:09,720 Speaker 1: if Scott Silly walks in. I'd literally rather watched ten 357 00:23:09,760 --> 00:23:13,040 Speaker 1: episodes of Gilmore Girls than watch the Oscar. No, no, 358 00:23:13,080 --> 00:23:16,240 Speaker 1: not watch go to the Oscars. I'd rather watch ten 359 00:23:16,240 --> 00:23:18,439 Speaker 1: episodes of Gilmore Girls in my bed than I know. 360 00:23:18,480 --> 00:23:20,359 Speaker 1: The way you do it as you go to the 361 00:23:20,600 --> 00:23:22,800 Speaker 1: you go and then you stay for a couple of minutes, 362 00:23:22,840 --> 00:23:25,320 Speaker 1: and then you leave, and then you just go to 363 00:23:25,320 --> 00:23:27,919 Speaker 1: the parties. Afterwards, you hit the Vanity Fair party. I 364 00:23:27,920 --> 00:23:30,080 Speaker 1: gotta get myself an invite to that. There you go, 365 00:23:30,280 --> 00:23:33,679 Speaker 1: let's go, let's all go. Were the I heart you 366 00:23:33,680 --> 00:23:37,080 Speaker 1: know where the the I am all in team, and 367 00:23:37,119 --> 00:23:39,720 Speaker 1: I think we're gonna look fabulous. We're gonna look good 368 00:23:40,640 --> 00:23:43,280 Speaker 1: in a movie theater again, Riley, have you gone in 369 00:23:43,320 --> 00:23:46,440 Speaker 1: a movie theater in the last two years? I did 370 00:23:46,480 --> 00:23:49,960 Speaker 1: actually go into a movie theater. What did you see? Um? 371 00:23:50,440 --> 00:23:52,720 Speaker 1: It was like the Wife of the Bodyguard or the 372 00:23:52,720 --> 00:23:57,000 Speaker 1: Bodyguards Ryan Reynolds thing. Yeah. I have not been in 373 00:23:57,000 --> 00:24:00,639 Speaker 1: a movie in two years, almost to the day. The 374 00:24:00,760 --> 00:24:04,119 Speaker 1: last movie I saw was and I love Ben Affleck, 375 00:24:04,200 --> 00:24:07,040 Speaker 1: but this is a bad Ben Affleck movie. It's like 376 00:24:07,080 --> 00:24:11,840 Speaker 1: a basketball coach. Oh god, yep, that was my last movie. 377 00:24:11,920 --> 00:24:13,639 Speaker 1: I can't wait to go back to the movie theater. 378 00:24:13,680 --> 00:24:17,080 Speaker 1: I love the movie theater. Yeah, that was That was 379 00:24:17,119 --> 00:24:19,600 Speaker 1: not a good film. It's not a good movie. The 380 00:24:19,680 --> 00:24:22,639 Speaker 1: way way back or just something back? What were just 381 00:24:22,680 --> 00:24:27,560 Speaker 1: talking about? What we're just talking about? Who? Who are 382 00:24:27,560 --> 00:24:30,840 Speaker 1: you mentioning? Before we got on this? Ben Affleck, Ryan Reynolds, 383 00:24:30,880 --> 00:24:33,720 Speaker 1: Ryan Reynolds, you know that guy? You just never see him. 384 00:24:34,160 --> 00:24:41,040 Speaker 1: You never see him around. He's just the radar. He 385 00:24:41,080 --> 00:24:43,480 Speaker 1: should come out, he should come out more, and he 386 00:24:43,520 --> 00:24:45,680 Speaker 1: should do more things, you know, because you never see 387 00:24:45,720 --> 00:24:47,879 Speaker 1: the guy did where it was like a computer game 388 00:24:48,040 --> 00:24:53,639 Speaker 1: was actually totally entertaining. Every time I turn around, you know, 389 00:24:53,880 --> 00:24:57,160 Speaker 1: I see Ryan Reynolds on a commercial for like I mean, 390 00:24:57,200 --> 00:25:01,440 Speaker 1: it's just it's endless. It's like him. It's okay, it's him, 391 00:25:01,520 --> 00:25:05,240 Speaker 1: the Rock. The Rock is always taking people into his gym, 392 00:25:05,320 --> 00:25:07,680 Speaker 1: and this is how I pumped my arms. When is 393 00:25:07,720 --> 00:25:10,199 Speaker 1: Anthony Hopkins going to take us around his gym and 394 00:25:10,280 --> 00:25:14,879 Speaker 1: show us how he pumps? When is this going to happen? 395 00:25:15,600 --> 00:25:18,040 Speaker 1: I also have some bad news. I've never seen driving 396 00:25:18,040 --> 00:25:22,639 Speaker 1: this Daisy. Oh, really excellent film, excellent, It was it 397 00:25:22,800 --> 00:25:26,359 Speaker 1: Morgan Freeman and Jessica Tandy that Jessica Tandy and weirdly 398 00:25:26,440 --> 00:25:29,920 Speaker 1: Dan Akrod's in there. Dan Echward was an excellent thespian. 399 00:25:30,000 --> 00:25:34,520 Speaker 1: He's excellent everything he does, He's the whole thing. Really 400 00:25:34,520 --> 00:25:36,919 Speaker 1: great actor, that guy, very versa. What do you what 401 00:25:36,960 --> 00:25:38,359 Speaker 1: do you got about it? Riley? What do you what 402 00:25:38,440 --> 00:25:41,919 Speaker 1: you got? What do you got for us? Well? You 403 00:25:42,000 --> 00:25:44,200 Speaker 1: got over there with the driving miss Davises? Are you 404 00:25:44,320 --> 00:25:49,120 Speaker 1: talking about it? Let's go so convinced that she would 405 00:25:49,119 --> 00:25:51,719 Speaker 1: lose out we were talking about Jessica Tandy. Um she 406 00:25:51,880 --> 00:25:53,960 Speaker 1: made a hundred dollar bet with her manager that she 407 00:25:54,000 --> 00:25:56,240 Speaker 1: would not win the Oscar that night, and she did 408 00:25:56,280 --> 00:25:59,280 Speaker 1: in fact win the Oscar that night. Morgan Freeman sadly 409 00:25:59,320 --> 00:26:01,439 Speaker 1: did not win, but he did win a Golden Globe 410 00:26:01,440 --> 00:26:04,000 Speaker 1: for his his performance, and it's said to kind of 411 00:26:04,000 --> 00:26:08,880 Speaker 1: like skyrocket his career after that. I love Morgan Freeman 412 00:26:09,400 --> 00:26:12,679 Speaker 1: mm hmm. I love when he played the president in 413 00:26:12,760 --> 00:26:16,400 Speaker 1: Deep Impact. That's how I love my Morgan Freeman. He's 414 00:26:16,440 --> 00:26:19,200 Speaker 1: so and he sacrifices himself in that movie. I think, 415 00:26:19,480 --> 00:26:24,840 Speaker 1: very commanding present presence, very commanding presence and an easy presence. 416 00:26:25,160 --> 00:26:27,840 Speaker 1: You know it's not He's not like forcing himself on people, 417 00:26:28,000 --> 00:26:31,960 Speaker 1: isn't it right? He's yeah, that's right. So understated. He 418 00:26:32,080 --> 00:26:35,359 Speaker 1: just opens his mouth and outcomes that voice and there 419 00:26:35,359 --> 00:26:41,280 Speaker 1: you go. So a little quote from Driving. Miss Daisy 420 00:26:41,400 --> 00:26:44,320 Speaker 1: thought this was funny. Uh ms. Daisy says, did you 421 00:26:44,359 --> 00:26:46,400 Speaker 1: have air conditioning checked? I told you to have your 422 00:26:46,440 --> 00:26:49,560 Speaker 1: conditioning checked? And Hook says I had the air conditioning checked. 423 00:26:49,600 --> 00:26:51,480 Speaker 1: I don't know what for. You never allowed me to 424 00:26:51,520 --> 00:27:01,919 Speaker 1: turn it on. Next up, we have Loura explains to 425 00:27:01,920 --> 00:27:04,879 Speaker 1: her plans for the Spall weekend. Rory louras Rory, you 426 00:27:05,000 --> 00:27:07,040 Speaker 1: have to do something bad when Mommy's out of town. 427 00:27:08,240 --> 00:27:11,440 Speaker 1: You've seen Risky Business right now. I'm not asking for 428 00:27:11,520 --> 00:27:15,639 Speaker 1: prostitution ring, but somehow floating crafts game or something so. 429 00:27:15,800 --> 00:27:20,040 Speaker 1: Risky Business is film starring Tom Cruise f. Tom plays Joel, 430 00:27:20,359 --> 00:27:22,480 Speaker 1: who's at home alone and gets into trouble when a 431 00:27:22,600 --> 00:27:29,760 Speaker 1: lady of the night Rebecca day Mornay, Rebecca Morner, good morning, 432 00:27:30,119 --> 00:27:35,560 Speaker 1: good morning. You said day morning, yes, day morning. You're 433 00:27:35,680 --> 00:27:40,160 Speaker 1: fine with how you said it, good morning, day morning, 434 00:27:41,280 --> 00:27:49,640 Speaker 1: good morning, day morning morning. He was amazing in hand 435 00:27:49,680 --> 00:27:52,040 Speaker 1: the Rocks the Cradle, but I've also seen he does. 436 00:27:52,840 --> 00:27:55,439 Speaker 1: I saw her at a restaurant once, sitting with a 437 00:27:55,480 --> 00:27:58,440 Speaker 1: bunch of people and everybody was wearing black turtlenecks. They 438 00:27:58,480 --> 00:28:03,399 Speaker 1: looked so cool. Really, I love the black turtle next wetter. 439 00:28:03,680 --> 00:28:06,560 Speaker 1: I don't love a black turtle. That it was wintertime 440 00:28:06,640 --> 00:28:08,919 Speaker 1: and they were so sleek and so cool that it 441 00:28:09,000 --> 00:28:12,760 Speaker 1: was just like I think everybody in the restaurant was 442 00:28:12,800 --> 00:28:14,760 Speaker 1: just staring at them the entire time, and they didn't 443 00:28:14,800 --> 00:28:18,760 Speaker 1: notice anybody. They were too cool. Notice, Risky Business was 444 00:28:20,359 --> 00:28:24,320 Speaker 1: a good movie. That it was a great movie. It's 445 00:28:24,359 --> 00:28:31,240 Speaker 1: a good movie. But I love pop gunop Gun. I 446 00:28:31,320 --> 00:28:35,280 Speaker 1: will definitely be in a movie theater to watch Top Gun, 447 00:28:35,320 --> 00:28:39,040 Speaker 1: Maverick and the New Jurassic Park. I gotta do it. 448 00:28:39,760 --> 00:28:41,920 Speaker 1: Wait wait, wait minute. So Risky Business was such a 449 00:28:41,920 --> 00:28:48,000 Speaker 1: beautifully cast film. Every role was perfectly cast and what 450 00:28:48,160 --> 00:28:52,760 Speaker 1: a script. Oh my goodness. And then the iconic scene 451 00:28:52,800 --> 00:28:55,240 Speaker 1: where he slides in with his underwear and his shirt 452 00:28:55,280 --> 00:28:58,640 Speaker 1: and his ray bands. Um, that's been like, you know, 453 00:28:58,680 --> 00:29:01,440 Speaker 1: the inspiration for so many for Halloween costumes over the years, 454 00:29:01,480 --> 00:29:04,240 Speaker 1: like David Arquette dressed as Jewel and never been kissed. 455 00:29:04,680 --> 00:29:08,080 Speaker 1: And actually the sunglasses jewel wears are ray Ban wayfarers. 456 00:29:08,160 --> 00:29:10,920 Speaker 1: Those are the model. The annual sales for them skyrocket 457 00:29:11,000 --> 00:29:14,120 Speaker 1: two thousand percent after the movie release. And I think 458 00:29:14,120 --> 00:29:16,880 Speaker 1: the same thing when they did Top Gun the ray 459 00:29:16,920 --> 00:29:22,360 Speaker 1: band aviator right right, Yeah, I remember when those wayfairs 460 00:29:22,360 --> 00:29:25,600 Speaker 1: are the hottest things ever. You remember when Joe Pantalon 461 00:29:25,920 --> 00:29:28,440 Speaker 1: Joe panto Leone is the pimp in this film, Guido 462 00:29:28,520 --> 00:29:37,240 Speaker 1: the Killer Pimp. Oh my god, just fantastic performance. Kind 463 00:29:37,240 --> 00:29:39,760 Speaker 1: of cool. If you zoom in childhood, photographs of Tom 464 00:29:39,800 --> 00:29:42,960 Speaker 1: Cruise can be seen in the living room. I like, 465 00:29:43,040 --> 00:29:47,040 Speaker 1: I enjoy that touch. Yeah. So next up we have 466 00:29:47,120 --> 00:29:49,240 Speaker 1: Laura Line Emily go out to dinner outside of the spa. 467 00:29:49,440 --> 00:29:52,680 Speaker 1: Loorla says, I just love the idea of shrimp cocktail 468 00:29:52,680 --> 00:29:55,320 Speaker 1: with a steak dinner. You know, it's so casino, Big Joe, 469 00:29:55,400 --> 00:29:58,120 Speaker 1: steak and shrimp. Hey save some for the winner. There. 470 00:29:58,400 --> 00:30:02,040 Speaker 1: Casino is a film from five directed by Martin Sorcese 471 00:30:02,800 --> 00:30:06,840 Speaker 1: about monsters who moved to Las Vegas to make their mark. Um, 472 00:30:06,880 --> 00:30:10,240 Speaker 1: it's very much about the casinos and mobs in nineteen 473 00:30:10,320 --> 00:30:14,280 Speaker 1: seventies and eighties, starring Robert de Niro, Joe Pesci, and 474 00:30:14,320 --> 00:30:18,800 Speaker 1: Sharon Stone. Jaron Stone's fashion in that movie is so epic. 475 00:30:19,880 --> 00:30:23,160 Speaker 1: So the costume budget for the film was a million dollars. 476 00:30:23,640 --> 00:30:27,080 Speaker 1: Robert de Niro had seventy different costumes throughout the film 477 00:30:27,360 --> 00:30:30,320 Speaker 1: and Sharon Stone had forty, and both were able to 478 00:30:30,400 --> 00:30:35,440 Speaker 1: keep the costumes afterwards. Her clothes worth so cool. Were 479 00:30:35,520 --> 00:30:37,480 Speaker 1: you were you? Were you? Screw? Did you see the film? 480 00:30:37,520 --> 00:30:41,560 Speaker 1: Did anybody see the film? Were you you? Didn't? Okay, 481 00:30:41,720 --> 00:30:44,600 Speaker 1: because I was screaming. I was screaming at the screen. 482 00:30:45,360 --> 00:30:53,800 Speaker 1: Do not marry that woman, Bobby, don't do it, and 483 00:30:53,880 --> 00:30:58,000 Speaker 1: he did it. Didn't take my advice. I apologize for 484 00:30:58,120 --> 00:31:01,720 Speaker 1: my lack of seeing film. You said, you're not a 485 00:31:01,720 --> 00:31:06,000 Speaker 1: film person or TV spending my life watching television. Then 486 00:31:06,360 --> 00:31:10,200 Speaker 1: nineteen seventy four. That's nobody's holding that against you. Yeah, 487 00:31:10,280 --> 00:31:14,240 Speaker 1: I've seen a lot of TV though. It's okay, all right, 488 00:31:14,320 --> 00:31:16,560 Speaker 1: we're going to get into that. Yeah, we'll get there. 489 00:31:16,640 --> 00:31:20,080 Speaker 1: Keep going, ready, So the last little fact. In Casino, 490 00:31:20,200 --> 00:31:23,400 Speaker 1: the F word is said four hundred and thirty five times, 491 00:31:23,440 --> 00:31:26,760 Speaker 1: including in the narration, two point four times per minute 492 00:31:26,760 --> 00:31:30,000 Speaker 1: on average. The record was later broken by The Wolf 493 00:31:30,000 --> 00:31:32,040 Speaker 1: of Wall Street in two thousands, their team, which had 494 00:31:32,080 --> 00:31:36,479 Speaker 1: close to six hundred years of the word. I just 495 00:31:36,520 --> 00:31:42,720 Speaker 1: saw that again the other night. Really six hundred six said, 496 00:31:42,840 --> 00:31:45,040 Speaker 1: I believe zero times on the show. We don't we 497 00:31:45,080 --> 00:31:48,000 Speaker 1: don't know, We're not over here. I think I said that. 498 00:31:48,320 --> 00:31:50,240 Speaker 1: I think maybe said the B word, and I've said 499 00:31:50,240 --> 00:31:53,440 Speaker 1: the say word. Maybe you've you you know what I say. 500 00:31:53,560 --> 00:31:56,240 Speaker 1: You need a little mouth. Watched that a little bit. 501 00:31:59,040 --> 00:32:03,000 Speaker 1: You're the one moms still do that is that's the 502 00:32:03,000 --> 00:32:06,000 Speaker 1: little thing. Oh my gosh, my mom did that. She 503 00:32:06,040 --> 00:32:08,840 Speaker 1: would do that and she'd be like, ready, you're washed 504 00:32:08,880 --> 00:32:10,360 Speaker 1: her mouth that was up and I was so rude. 505 00:32:10,360 --> 00:32:18,440 Speaker 1: I would just go do it? Do it anyways? Fun time? Um, 506 00:32:18,480 --> 00:32:22,240 Speaker 1: so that's it for your pop culture. Wonderful but obvious. 507 00:32:25,240 --> 00:32:29,000 Speaker 1: This is kind of becoming a thing, right, it's so fun. Hey, 508 00:32:29,200 --> 00:32:32,120 Speaker 1: what do you think You're happy? Yeah? I give it, 509 00:32:34,360 --> 00:32:37,400 Speaker 1: but I mean, I mean, does the fan base seem 510 00:32:37,480 --> 00:32:41,840 Speaker 1: to like this? Separate many things? Get right? Yeah, because 511 00:32:41,840 --> 00:32:44,120 Speaker 1: it's just we were going on too long. We're going 512 00:32:44,120 --> 00:32:50,520 Speaker 1: on too long. It's easier to yeah. Yeah. You know 513 00:32:50,640 --> 00:32:54,040 Speaker 1: when they forced when they forced John Rockefeller to break 514 00:32:54,080 --> 00:32:56,040 Speaker 1: up Standard Oil, he broke it up into twenty four 515 00:32:56,040 --> 00:32:57,920 Speaker 1: different pieces and it was the best thing I ever did. 516 00:32:58,400 --> 00:33:01,400 Speaker 1: That's when we broke it up into three pieces until 517 00:33:01,560 --> 00:33:04,800 Speaker 1: next time. All Right, everybody, thank you. That's gonna do 518 00:33:04,880 --> 00:33:11,320 Speaker 1: it for pop culture. Riley, Yes, thank you? Thank me? 519 00:33:16,680 --> 00:33:21,760 Speaker 1: Are you? I'm on my phone today and I'm not 520 00:33:21,800 --> 00:33:23,719 Speaker 1: on my computer. I'll be back on my computer, but 521 00:33:23,840 --> 00:33:27,800 Speaker 1: I have two words for you. Strawberry Dakri. Is that 522 00:33:27,840 --> 00:33:30,200 Speaker 1: what's going on over there? By pull the pulside your 523 00:33:30,200 --> 00:33:33,280 Speaker 1: pool side. This entire thing just in in my yard. 524 00:33:33,680 --> 00:33:35,760 Speaker 1: And there's like a leaf in my screen because I 525 00:33:35,800 --> 00:33:38,200 Speaker 1: had to prop it up on a toolip. You look 526 00:33:38,280 --> 00:33:41,240 Speaker 1: like you're on vacation. It's fantastic. I look like I'm 527 00:33:41,280 --> 00:33:47,200 Speaker 1: in Jurassic Park right alright. Anyway, um so that's going 528 00:33:47,240 --> 00:33:52,640 Speaker 1: to do it for another minisode of our wonderful new band. 529 00:33:52,840 --> 00:33:56,760 Speaker 1: Riley Pellucis in the minisotes the pop cultures. All right, 530 00:33:57,560 --> 00:33:59,680 Speaker 1: that was fun. Best fans on the planet, thanks for 531 00:33:59,720 --> 00:34:02,440 Speaker 1: down loading. Thank you Riley, thank you Amy, and we 532 00:34:02,480 --> 00:34:33,960 Speaker 1: will see you next time, honest one. Hey everybody, and 533 00:34:34,000 --> 00:34:37,520 Speaker 1: don't forget follow us on Instagram at I Am all 534 00:34:37,640 --> 00:34:42,240 Speaker 1: In podcast and emailis at Gilmore at I heart radio 535 00:34:42,600 --> 00:34:45,120 Speaker 1: dot com. Oh you Gilmore fans. If you're looking for 536 00:34:45,120 --> 00:34:46,960 Speaker 1: the best cup of coffee in the world, go to 537 00:34:47,160 --> 00:34:50,840 Speaker 1: my website for my company scott EP dot com s 538 00:34:50,880 --> 00:34:53,120 Speaker 1: C O T T y P dot com, scott ep 539 00:34:53,320 --> 00:35:03,719 Speaker 1: dot com Grade one Specialty Coffee