WEBVTT - Bond Market Inflation Signals and Paramount Drama

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<v Speaker 1>Bloomberg Audio Studios, Podcasts, radio news.

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<v Speaker 2>This is the Bloomberg Surveillance Podcast. I'm Tom Keene along

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<v Speaker 2>with Paul Sweeney. Join us each day for insight from

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<v Speaker 2>or anywhere else you listen. And always I'm Bloomberg Radio,

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<v Speaker 2>the Bloomberg Terminal, and the Bloomberg Business app. In Pimpco

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<v Speaker 2>in Newport Beach. I mean, in the old days, we're

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<v Speaker 2>Bill and Muhammad down at the wedge surfing.

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<v Speaker 3>I see Mohammad across the hall on television right now.

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<v Speaker 3>I'm exciting much.

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<v Speaker 2>Pimco Nexus here. Do you guys surf out of pimp.

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<v Speaker 3>I can't swim. I have a place in the Caribbean.

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<v Speaker 3>I have a place in the Caribbean, Turks and Caicos,

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<v Speaker 3>and I have to wear a life jacket anytime the

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<v Speaker 3>water is above five foot eleven. He's a concrete jungle.

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<v Speaker 3>Any anyone from New York's and Coca. It's all concrete.

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<v Speaker 3>I learned to swim in a fourth above ground pool

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<v Speaker 3>that's twelve feet long, so I really could.

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<v Speaker 1>Paul Saves, let's go to the bonds here.

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<v Speaker 4>I mean, for the longest time, we had no interest

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<v Speaker 4>in talking to the PIMPCO people. Interest rates were zero.

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<v Speaker 4>Now we can can't even get a phone call return

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<v Speaker 4>because everybody wants to talk about bonds here, Tony. We've

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<v Speaker 4>got real interest rates out there. There is some significant

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<v Speaker 4>carry here for a lot of people. What's kind of

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<v Speaker 4>thirty thousand foot view from your perspective at PIMCO, What

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<v Speaker 4>are you telling clients to do with their fix to

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<v Speaker 4>come investments?

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<v Speaker 3>Well, it's like a nirvana for an active bond manager.

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<v Speaker 3>It's like a global bond buffet. There's so much to do.

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<v Speaker 3>It hasn't been in a global bond market in a

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<v Speaker 3>long time because, as you said, interest rates will low,

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<v Speaker 3>and they will low everywhere in the twenty tens near zero,

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<v Speaker 3>pin near zero, so there wasn't much to do. Now

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<v Speaker 3>there's so many things moving around like butterflies. Just simply

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<v Speaker 3>take your net, try to find the good ones and

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<v Speaker 3>put them in your collection. So we'd say that drop

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<v Speaker 3>lower your fears and anxieties. First, I'd say there's three

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<v Speaker 3>things not to do. One, don't try to time the market.

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<v Speaker 3>Yields are high, they look very good, historically very good

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<v Speaker 3>versus expected inflation in the twos and versus what's typical volatility.

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<v Speaker 3>So I'd say, generally speaking, you want to be enamored

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<v Speaker 3>by the bond market opportunities today and lock in today's

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<v Speaker 3>indust rates. It's total return time. It's time to think

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<v Speaker 3>about something beyond the yield potential price gains, and that's

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<v Speaker 3>what total return strategies are. And that could be and

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<v Speaker 3>I don't mean a fund, but I mean the idea

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<v Speaker 3>of potential gains and prices is what you want. And

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<v Speaker 3>to put those yields higher, the returns higher.

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<v Speaker 4>So where do I go, Tony? I mean I could

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<v Speaker 4>just go right outside right now and get it two

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<v Speaker 4>year treasury at four point eight percent?

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<v Speaker 1>Do I do that?

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<v Speaker 4>Or do I go out and maybe take some more

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<v Speaker 4>credit risk here?

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<v Speaker 1>How are you guys thinking about?

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<v Speaker 3>Well, intermediate maturities are probably the sweet spot and the

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<v Speaker 3>Bloomberg aggregate, which is a compilation of lots of bonds.

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<v Speaker 3>It's sort of a market cap weighted index has about

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<v Speaker 3>forty percent US treasuries, twenty five percent agency mortgage backed securities,

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<v Speaker 3>and twenty five percent corporate BONDZI. The average maturity on that,

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<v Speaker 3>or duration and fancy bond language lingo, is around six

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<v Speaker 3>seven years now. I often call those maturities, especially the

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<v Speaker 3>five year, the long bond of the short end. And

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<v Speaker 3>if you think the Federal Reserve is going to be

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<v Speaker 3>lowering short term interest rates, a two year, of course

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<v Speaker 3>will rally, but not as much as the five year will,

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<v Speaker 3>and so that'll really get moving when the Fed.

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<v Speaker 2>Does my chart of the year right now, I haven't

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<v Speaker 2>decided yet, and somebody gave it to me. Thank you

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<v Speaker 2>out on Twitter. I'm stealing it from you. Is the

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<v Speaker 2>yield to worst the old Lehman Barclays now Bloomberg index

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<v Speaker 2>the global yield to worst tony it's about sevens and

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<v Speaker 2>deviations off the Voker Great Moderation. We've had this shift

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<v Speaker 2>in the bond market. Do we recover to some form

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<v Speaker 2>of trend of the Great moderation? Or are we resetting

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<v Speaker 2>a new.

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<v Speaker 3>Vector of the bond market thinks it's the new vector

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<v Speaker 3>looking at so future overnight futures, I think the likelihood

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<v Speaker 3>is that interest rates that the twenty tens is the

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<v Speaker 3>wrong analog for thinking about the future, meaning that it's

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<v Speaker 3>more likely that we go back to the yields of

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<v Speaker 3>past the past than we do the twenty tens, but

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<v Speaker 3>not as high as the market's price. The market thinks

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<v Speaker 3>the FED won't lower as possibly less than four the

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<v Speaker 3>decade Closelue.

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<v Speaker 2>The real solution here, which is iconic in your book, folks,

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<v Speaker 2>is twelve vendred pages only some of the tales Reddit Tony.

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<v Speaker 2>The loop here is the x axis solves everything. Time

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<v Speaker 2>will heal the return to wherever that yield. Yes.

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<v Speaker 3>In fact, the simple ideas that the stated yield is

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<v Speaker 3>of course the likely return. So if you see on

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<v Speaker 3>the Bloomberg aggregate five and an eighth five percent, that's

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<v Speaker 3>likely to be your return over five years, as the

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<v Speaker 3>starting yield is the major determinant of your future returns.

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<v Speaker 3>There are things that could happen, could sprinkle in some

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<v Speaker 3>outph and such, but that's the likely story. And given

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<v Speaker 3>the now, here's really the most important thing to think about.

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<v Speaker 3>Price stability and the FED credibility the ability to knock

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<v Speaker 3>the inflation rate down if you think it's going to

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<v Speaker 3>get the inflation rate into the twos. A yield of

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<v Speaker 3>five historically relative to that is very good. Now, remember

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<v Speaker 3>what Chair Powell said recently was X would you be

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<v Speaker 3>satisfied with inflation of three percent? He said, you shouldn't

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<v Speaker 3>use the word satisfied and three percent in the same sentence.

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<v Speaker 3>And you should believe. And here's the adage, don't fight

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<v Speaker 3>the Fed. Don't fight the FED means believing in its

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<v Speaker 3>eventual success it will be able to get the inflation

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<v Speaker 3>rate below three percent and keep it below. And it

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<v Speaker 3>is already for the gauge of churn.

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<v Speaker 2>We don't care. What's to pretty wild? Did you think?

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<v Speaker 2>Does she think we're going to get to two point xx?

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<v Speaker 2>Like Clarendon?

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<v Speaker 3>They the economics team does. And I give you one

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<v Speaker 3>really strong reason to think this. And I was reading

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<v Speaker 3>back at Irving Fisher nineteen thirty three, Dead Deflation Theory.

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<v Speaker 2>Of Depression Fisher, Irving Fisher, Fisher.

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<v Speaker 3>Irving Fish, trying to understand the Great Depression. The key

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<v Speaker 3>is loan growth. In the end, banks are factories. They

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<v Speaker 3>make money. They're the only entities that can private credit

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<v Speaker 3>entities slash money around that was already in the system.

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<v Speaker 3>And long growth in the United States since the bank

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<v Speaker 3>stress of twenty twenty three really meager two percent in

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<v Speaker 3>Europe flat to negative for the past year and a half.

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<v Speaker 3>You can't have strong spending in the long run with

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<v Speaker 3>note with the factories not printing money.

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<v Speaker 2>I got, I got thirty seconds. Can you put Phil

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<v Speaker 2>Knight into this or Chicago, if you're Fisher, can we

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<v Speaker 2>get Knight or Humping into this?

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<v Speaker 1>Just do it.

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<v Speaker 3>I guess invest in bonds, lock in these swimming cast

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<v Speaker 3>Please someone help me. I can't I do the doggy paddle.

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<v Speaker 3>Within seconds of reaching Lisa took.

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<v Speaker 2>Me from a beginner to an advanced.

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<v Speaker 3>Interviewing red I wear a life jackets six feet out

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<v Speaker 3>in the water.

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<v Speaker 2>We got to work on it. Anthony Crescenzi, thank you

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<v Speaker 2>so much. Thank You's with Pimco. Smart stuff there and yield,

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<v Speaker 2>and we'll get Tiffany Wilding on to straighten out the

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<v Speaker 2>Pimpko dialog. Now is our most important interview of the day.

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<v Speaker 2>Stop what you're doing, and we're going to do this

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<v Speaker 2>very carefully. Lindsay Piegs works for Stifil outlier. I'm kidding,

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<v Speaker 2>that's an economic firm out in the Midwest. And Lindsay

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<v Speaker 2>has staked the ground. If this is a FED, it's

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<v Speaker 2>gonna be higher for longer, and even raise rates. Lindsay

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<v Speaker 2>an update and your research notes it's stephel. Do you

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<v Speaker 2>still believe that your own Powell will need to raise

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<v Speaker 2>interest rates?

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<v Speaker 5>I think right now, looking at the inflationary environment, it's

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<v Speaker 5>clear that inflation is very sticky and will likely remain

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<v Speaker 5>noticeably above the two percent target for quite some time now.

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<v Speaker 5>The Committee should take that as an indication that they

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<v Speaker 5>stop short of a sufficiently restrictive level and take further action,

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<v Speaker 5>meaning re engage in rate hikes. But Tom, I'm not

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<v Speaker 5>confident that they will listening to the latest message. It

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<v Speaker 5>feels as if they'd rather remain on the sidelines, keeping

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<v Speaker 5>this current elevated level of rates in place and wait

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<v Speaker 5>for the improvement to happen more organically.

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<v Speaker 2>The real rate, the ten year real rates would I

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<v Speaker 2>use Lindsay, I'm sure you've got stuff better than me.

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<v Speaker 2>Two point zero eight percent right now, it didn't move

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<v Speaker 2>all that much off this inflation nirvana of the last

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<v Speaker 2>ten days. Where are the tip points? Where's the bracket?

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<v Speaker 2>If you will around the real rate, that will force

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<v Speaker 2>the Fed's.

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<v Speaker 5>Hand, that's a good question, because we didn't see much movement,

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<v Speaker 5>even with the market cheering that cooler than expected CPI number,

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<v Speaker 5>And given the fact that I don't see inflation moving much,

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<v Speaker 5>in fact, nominal rates I think are pretty much range

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<v Speaker 5>bound at this point. It's difficult to say what the

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<v Speaker 5>threshold of pressure will be on the Fed because the

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<v Speaker 5>Fed has been very clear that they're focused on policy easing.

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<v Speaker 5>So unless we saw a material backup in inflation, and

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<v Speaker 5>I don't mean one tens of a percentage point, it

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<v Speaker 5>would probably be in the range of half a percentage point,

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<v Speaker 5>if not more. Only then would the Fed really feel

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<v Speaker 5>as if they're backed up into a corner to take

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<v Speaker 5>further action to re engage. They're going to fight that

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<v Speaker 5>prospect as much as possible as it forces them to

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<v Speaker 5>admit a second policy error on the back end after

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<v Speaker 5>a first round policy error of holding crisis level accommodation

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<v Speaker 5>in place well passed it was appropriate waiting at those

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<v Speaker 5>low levels till March of twenty.

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<v Speaker 4>T lindsay, if the Fed does stay consistent here at

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<v Speaker 4>these levels in terms of the rates, is that going

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<v Speaker 4>to be enough to slow down inflation? Will that be

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<v Speaker 4>perhaps enough to push this economy into maybe a recession,

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<v Speaker 4>which will certainly take care of inflation.

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<v Speaker 5>Well, I do think that at these rates we're going

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<v Speaker 5>to continue to lose momentum. We've already seen the economy

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<v Speaker 5>slow from five percent to three percent let's call it

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<v Speaker 5>at year end, to sub two percent at the start

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<v Speaker 5>of the year, but quarter to quarter volatility aside. I

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<v Speaker 5>do expect the US economy to remain in positive territory

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<v Speaker 5>for twenty twenty four, bouncing around a two ish percent pace.

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<v Speaker 5>That's not enough to bring down inflation in of itself.

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<v Speaker 5>But that being said, momentum is waning. Consumers are feeling pressure,

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<v Speaker 5>businesses are feeling the weight of higher costs, higher borrowing costs. Now,

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<v Speaker 5>at this point, consumers are still spending, businesses are still investing.

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<v Speaker 5>But again it's that second derivative to client, it's that

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<v Speaker 5>loss of momentum. So the bigger question is where do

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<v Speaker 5>we go as we turn the calendar page into twenty

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<v Speaker 5>twenty five, and if we continue to see this loss

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<v Speaker 5>of momentum with growth slowing to maybe a non accelerating pace,

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<v Speaker 5>or at least falling below the bare minimum that you

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<v Speaker 5>would expect for a developed economy, while at that point,

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<v Speaker 5>if the FED is still tolerating above target inflation, my

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<v Speaker 5>bigger concern is not a recession or a downturn, but

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<v Speaker 5>a period of stagflation, slow growth, elevated prices. That's going

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<v Speaker 5>to make it very difficult for the FED to stimulate

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<v Speaker 5>the economy and get us back onto a longer term

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<v Speaker 5>trajectory of prosperity. Given this conundrum of low growth, high inflation,

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<v Speaker 5>that really leaves traditional monetary policy metrics less than robust

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<v Speaker 5>in terms of their impact on the economy.

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<v Speaker 1>He Lindzui.

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<v Speaker 4>This week, we also got a weaker than expected retail

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<v Speaker 4>sales number. Some folks are telling me, don't worry about it.

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<v Speaker 4>We had some good sales numbers out of Walmart yesterday.

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<v Speaker 4>What's your take on this consumer well?

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<v Speaker 5>Certainly exacerbating the market's optimism for nearer term rate cuts

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<v Speaker 5>was that softer than expected consumer spending report, because the

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<v Speaker 5>prospect of slower inflation is certainly more convincing when domestic

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<v Speaker 5>demand appears to be slowing in tandem. But I'm not

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<v Speaker 5>necessarily convinced that that's what we're seeing, a material slow

0:12:25.200 --> 0:12:28.720
<v Speaker 5>down in the consumer as the annual pace still remains

0:12:28.840 --> 0:12:32.080
<v Speaker 5>very solid. So yes, month to month volatility we are

0:12:32.120 --> 0:12:35.360
<v Speaker 5>seeing as consumers shift the groups of services in their basket,

0:12:35.920 --> 0:12:38.960
<v Speaker 5>but on an annual basis, three percent is still indicative

0:12:39.000 --> 0:12:41.200
<v Speaker 5>of a very solid, resilient consumer.

0:12:41.559 --> 0:12:44.800
<v Speaker 2>I agree with you completely, lindsay A really important question.

0:12:44.840 --> 0:12:47.720
<v Speaker 2>If we get a pigs in market and inflation is

0:12:47.760 --> 0:12:51.880
<v Speaker 2>sticky and we have a two part America, do they

0:12:51.920 --> 0:12:56.319
<v Speaker 2>haves the people with assets, do they benefit or are

0:12:56.360 --> 0:13:00.400
<v Speaker 2>they harmed by difficult inflation?

0:13:01.559 --> 0:13:03.800
<v Speaker 5>No, I think we continue to see a growing divide

0:13:03.800 --> 0:13:06.880
<v Speaker 5>between the asset holders and the non asset holders, because

0:13:06.920 --> 0:13:10.400
<v Speaker 5>as long as the market continues to anticipate the FED

0:13:10.520 --> 0:13:16.079
<v Speaker 5>eventually cutting rates, the market eventually focused on this easing

0:13:16.200 --> 0:13:20.120
<v Speaker 5>policy that's going to continue to fuel these asset valuations

0:13:20.160 --> 0:13:22.440
<v Speaker 5>in terms of the equity markets. And then from a

0:13:22.440 --> 0:13:25.840
<v Speaker 5>housing market standpoint, which is the other sizeable component of

0:13:25.880 --> 0:13:29.760
<v Speaker 5>growing these asset valuations, well, that comes down to a

0:13:29.760 --> 0:13:32.840
<v Speaker 5>simple supply and demand. And we came into this housing

0:13:32.880 --> 0:13:35.920
<v Speaker 5>market cycle at a multi year deficit. So just by

0:13:35.920 --> 0:13:41.800
<v Speaker 5>the nature of household formation, population growth, massive flows of immigration,

0:13:42.400 --> 0:13:45.920
<v Speaker 5>it's likely that we continue to see housing demand outpaced supply,

0:13:46.440 --> 0:13:50.560
<v Speaker 5>keeping prices elevated and again perpetuating that divide between asset

0:13:50.559 --> 0:13:51.960
<v Speaker 5>holders and non asset holders.

0:13:52.040 --> 0:13:55.439
<v Speaker 2>Lindsay, thank you so much. Just brilliant, Lindsay, pegs are congratulations.

0:13:55.480 --> 0:14:03.240
<v Speaker 2>I can't say enough, folks. Sir Paul, along with a

0:14:03.240 --> 0:14:07.720
<v Speaker 2>guy named Jackson, invented modern publishing and he was determined

0:14:08.000 --> 0:14:11.640
<v Speaker 2>his show and Mike Bloomberg was a huge participant in

0:14:11.679 --> 0:14:14.000
<v Speaker 2>the show at the National Gallery in London, and it's

0:14:14.000 --> 0:14:16.880
<v Speaker 2>down in Brooklyn right now. You can go see Paul

0:14:16.920 --> 0:14:20.880
<v Speaker 2>McCartney nineteen sixty five black and white photographs, the original.

0:14:21.120 --> 0:14:23.360
<v Speaker 2>They have the original copy of I Want to Hold

0:14:23.400 --> 0:14:29.240
<v Speaker 2>Your Hand. But Paul McCartney changed how musicians worldwide get

0:14:29.280 --> 0:14:32.240
<v Speaker 2>paid single handedly did that with a guy named Michael

0:14:32.320 --> 0:14:37.080
<v Speaker 2>Jackson at ATV Music years ago ATV Music, Yeah, sony

0:14:37.120 --> 0:14:40.520
<v Speaker 2>ATV Music. That was mister Jackson. They owned the known

0:14:40.560 --> 0:14:43.200
<v Speaker 2>world as we know it. This is a joy. Look

0:14:43.200 --> 0:14:45.200
<v Speaker 2>at Shaw darkens the door. We never speak to him

0:14:45.200 --> 0:14:47.080
<v Speaker 2>because he's in LA and gets in at three am.

0:14:47.360 --> 0:14:51.040
<v Speaker 2>You know, the whole thing. And Paul and I are

0:14:51.120 --> 0:14:53.520
<v Speaker 2>really interested in like the death of Hollywood in that

0:14:54.200 --> 0:14:56.960
<v Speaker 2>and yesterday I got a big hug from Michael McCarty

0:14:57.000 --> 0:15:01.120
<v Speaker 2>over at Michael's who's iconic in californ Fournia cuisine and

0:15:01.160 --> 0:15:03.720
<v Speaker 2>it's where you go when you're beautiful. I was supposed

0:15:03.760 --> 0:15:05.560
<v Speaker 2>to go with ger today. I know, you know, girls

0:15:05.960 --> 0:15:07.840
<v Speaker 2>has got to be I'm there with Jumana the other day,

0:15:07.920 --> 0:15:13.400
<v Speaker 2>Jamana Bertucci. Michael's is old, Hollywood is old Hollywood gone.

0:15:13.440 --> 0:15:16.600
<v Speaker 2>Is there anybody darkening the door at McCarty's place anymore?

0:15:17.200 --> 0:15:20.520
<v Speaker 1>In Los Angeles? I would say that the there was

0:15:20.560 --> 0:15:23.000
<v Speaker 1>a there was a generation of chefs that sort of

0:15:23.000 --> 0:15:26.080
<v Speaker 1>typified Hollywood in the eighties, right Michael McCarty, Wolf King, Puck.

0:15:26.120 --> 0:15:29.880
<v Speaker 1>Those people, their restaurants are still open, They're still vibrant.

0:15:29.880 --> 0:15:32.800
<v Speaker 1>They definitely appeal to an older clientele. I don't think

0:15:32.840 --> 0:15:34.960
<v Speaker 1>that if you were to Lisa wouldn't go, you know,

0:15:36.040 --> 0:15:39.200
<v Speaker 1>if you were to talk to the people running some

0:15:39.320 --> 0:15:40.960
<v Speaker 1>of the studios or maybe the new stars, because the

0:15:40.960 --> 0:15:42.720
<v Speaker 1>fact is most of the people running the studios in

0:15:42.760 --> 0:15:45.120
<v Speaker 1>Hollywood are the Michael's demographic. I mean, that's one of

0:15:45.160 --> 0:15:47.800
<v Speaker 1>the complaints in the business right now, is that Hollywood

0:15:47.840 --> 0:15:49.920
<v Speaker 1>is being run by people in their sixties and seventies,

0:15:49.920 --> 0:15:51.960
<v Speaker 1>and they're not a lot of opportunities for people in

0:15:52.000 --> 0:15:54.200
<v Speaker 1>their thirties and forties to have a chance to make

0:15:54.240 --> 0:15:54.880
<v Speaker 1>some changes.

0:15:55.080 --> 0:15:58.080
<v Speaker 2>Right, We've been talking about mister Ripley and you know

0:15:58.120 --> 0:16:00.800
<v Speaker 2>within your magnificent nos folks, look show on a high

0:16:00.880 --> 0:16:02.400
<v Speaker 2>ground Sunday once it come out.

0:16:02.280 --> 0:16:04.640
<v Speaker 1>Sunday, Sunday, three pm Pacific.

0:16:04.720 --> 0:16:06.680
<v Speaker 2>Do you have your interns type it or you know?

0:16:06.680 --> 0:16:08.080
<v Speaker 1>How's that word right? Every word?

0:16:08.240 --> 0:16:10.920
<v Speaker 2>Okay, we've been talking about I hope I'm pronouncing right,

0:16:11.000 --> 0:16:12.800
<v Speaker 2>Steven Zalien and mister Ripley.

0:16:12.920 --> 0:16:13.920
<v Speaker 1>Yeah, he did.

0:16:13.800 --> 0:16:15.440
<v Speaker 2>Shindler's List, He's done all this.

0:16:15.400 --> 0:16:16.680
<v Speaker 1>Stuff, legendary screenwriter.

0:16:16.720 --> 0:16:20.440
<v Speaker 2>Now tell us about that person in the New Hollywood

0:16:20.440 --> 0:16:22.800
<v Speaker 2>that we see dying when you look at the stock prices.

0:16:22.840 --> 0:16:25.240
<v Speaker 1>Well, if you think about that show, and I think

0:16:25.280 --> 0:16:27.480
<v Speaker 1>I'm getting this right, that show is initially set up

0:16:27.480 --> 0:16:32.880
<v Speaker 1>at Showtime and then when Paramount basically killed Showtime or

0:16:32.920 --> 0:16:36.400
<v Speaker 1>folded it into Paramount Plus, that the new boss of

0:16:36.840 --> 0:16:39.760
<v Speaker 1>Paramount Plus with Showtime, Chris McCarthy, who's now the co

0:16:39.960 --> 0:16:42.960
<v Speaker 1>CEO of Paramount, I think, decided it wasn't the best

0:16:43.000 --> 0:16:45.320
<v Speaker 1>fit for what they were trying to do. Strategically, look

0:16:46.000 --> 0:16:49.640
<v Speaker 1>black and white period piece. I get it. It doesn't

0:16:49.680 --> 0:16:53.080
<v Speaker 1>scream commercial and Netflix, Switch has more money than almost

0:16:53.120 --> 0:16:55.360
<v Speaker 1>anyone else to take some risks and pick things up.

0:16:55.440 --> 0:16:58.720
<v Speaker 1>Swooped in and took it. Look, I don't think that

0:16:58.720 --> 0:17:02.120
<v Speaker 1>show's a huge hit for that, but it certainly is

0:17:03.040 --> 0:17:05.360
<v Speaker 1>beloved artistically, and we'll see if it gets a bunch

0:17:05.359 --> 0:17:07.600
<v Speaker 1>of Emmy nominations when those come out over the summer.

0:17:08.160 --> 0:17:09.880
<v Speaker 4>So, Lucas, one of the things Tom and I talk

0:17:09.880 --> 0:17:11.840
<v Speaker 4>about a lot is just kind of where we go

0:17:11.960 --> 0:17:16.040
<v Speaker 4>here going forward from the media industry perspective, the business.

0:17:16.040 --> 0:17:19.480
<v Speaker 4>I grew up in the media business. Everybody made money,

0:17:19.560 --> 0:17:23.560
<v Speaker 4>everybody made money. Now those economics are really up.

0:17:23.400 --> 0:17:26.400
<v Speaker 1>For grad very challenged. Yeah, and do you think the.

0:17:26.359 --> 0:17:29.240
<v Speaker 4>Traditional media companies in Hollywood? You live there, you're seeing

0:17:29.240 --> 0:17:32.119
<v Speaker 4>it every day, are they prepared to make that pivot?

0:17:32.200 --> 0:17:35.439
<v Speaker 4>I'm thinking Paramount, I'm thinking Warner Brothers, Discovery. What's the

0:17:35.440 --> 0:17:37.600
<v Speaker 4>feeling in Hollywood in LA about that?

0:17:38.480 --> 0:17:42.480
<v Speaker 1>I mean, look, the mood is pretty dour at the moment,

0:17:42.600 --> 0:17:46.440
<v Speaker 1>because you see, the word for a year or two

0:17:46.480 --> 0:17:49.600
<v Speaker 1>now has been sort of efficiency and economy and trying

0:17:49.640 --> 0:17:51.520
<v Speaker 1>to cut back and save money. Right. You just had

0:17:51.560 --> 0:17:54.080
<v Speaker 1>Bob Iger come out earlier this week at an investor

0:17:54.119 --> 0:17:57.760
<v Speaker 1>conference and say we spent too much money launching Disney Plus.

0:17:57.760 --> 0:18:00.400
<v Speaker 1>Now I think that's up for debate. They probably spent

0:18:00.680 --> 0:18:03.280
<v Speaker 1>an appropriate amount of money. But there's no question that

0:18:03.320 --> 0:18:06.280
<v Speaker 1>you had a lot of companies, and especially the traditional ones,

0:18:06.320 --> 0:18:08.919
<v Speaker 1>that were seeing their cable networks shrivel, and so they

0:18:09.000 --> 0:18:11.080
<v Speaker 1>spent all this money on streaming and they haven't been

0:18:11.119 --> 0:18:13.199
<v Speaker 1>able to make it a profitable business. Then they didn't

0:18:13.240 --> 0:18:16.119
<v Speaker 1>necessarily have the right approach, and so now everyone's pulling

0:18:16.160 --> 0:18:19.440
<v Speaker 1>back and everyone is scared about that because it's much much,

0:18:19.640 --> 0:18:21.680
<v Speaker 1>much harder to get a project made than it used

0:18:21.680 --> 0:18:21.879
<v Speaker 1>to be.

0:18:22.600 --> 0:18:24.040
<v Speaker 4>Let's talk just about Powermount.

0:18:24.320 --> 0:18:26.480
<v Speaker 1>That's the number one.

0:18:25.960 --> 0:18:27.280
<v Speaker 2>What happens this weekend, Lucas.

0:18:28.240 --> 0:18:30.119
<v Speaker 4>I keep telling Tom five years ago, I could have

0:18:30.119 --> 0:18:31.560
<v Speaker 4>sold that company with three phone calls.

0:18:31.760 --> 0:18:34.320
<v Speaker 1>Now you can't give it away. Well, we will probably

0:18:34.400 --> 0:18:37.040
<v Speaker 1>have an update on that later this morning.

0:18:36.359 --> 0:18:41.320
<v Speaker 2>I listen to Lucas Wispy.

0:18:42.119 --> 0:18:45.760
<v Speaker 1>But you're correct that. Look, it's not the most attractive

0:18:45.800 --> 0:18:48.679
<v Speaker 1>business for people, right you know, it has it's the

0:18:48.720 --> 0:18:51.320
<v Speaker 1>way it still makes all of its money for the

0:18:51.320 --> 0:18:53.639
<v Speaker 1>most part is these cable networks that are getting smaller

0:18:53.680 --> 0:18:56.280
<v Speaker 1>every year. It has a streaming business that's growing but

0:18:56.359 --> 0:18:58.960
<v Speaker 1>doesn't make any money, and it has one of the

0:18:59.000 --> 0:19:02.520
<v Speaker 1>weaker film and television studios around. And so you know,

0:19:02.560 --> 0:19:06.320
<v Speaker 1>you've got David Ellison who has a lot of money

0:19:06.640 --> 0:19:09.520
<v Speaker 1>and father. His father has a lot of money. He's

0:19:09.600 --> 0:19:12.520
<v Speaker 1>now built a decent sized media business. He wants to

0:19:12.560 --> 0:19:14.400
<v Speaker 1>buy it. I think partially because it would make skuy

0:19:14.480 --> 0:19:17.200
<v Speaker 1>Dance much bigger and build in the studio, but also

0:19:17.240 --> 0:19:19.920
<v Speaker 1>because there's legacy there. Most of the other folks who'd

0:19:19.960 --> 0:19:22.160
<v Speaker 1>be interested, you'd, yeah, you'd be buying it almost because

0:19:22.160 --> 0:19:24.800
<v Speaker 1>you like the history of Paramount, not because it's a

0:19:24.800 --> 0:19:25.280
<v Speaker 1>great business.

0:19:25.600 --> 0:19:27.480
<v Speaker 2>In the crushing lack of time that we have, because

0:19:27.520 --> 0:19:30.560
<v Speaker 2>you refuse to get up at three am, Lucas Shaw.

0:19:30.880 --> 0:19:34.280
<v Speaker 2>Does Tim Cook want to be in Hollywood? Does Jesse

0:19:34.440 --> 0:19:39.040
<v Speaker 2>of Amazon want to be in Hollywood? Does Satya up

0:19:39.080 --> 0:19:42.800
<v Speaker 2>north there in Washington? Do those tech people really want

0:19:42.840 --> 0:19:45.160
<v Speaker 2>to play the Michaels lunch game.

0:19:45.320 --> 0:19:47.920
<v Speaker 1>I think it depends on how you define Hollywood. So Satya, Nadella,

0:19:47.960 --> 0:19:50.200
<v Speaker 1>and Microsoft they're in entertainment right, They're one of the

0:19:50.200 --> 0:19:52.680
<v Speaker 1>biggest video game companies in the world. I don't think

0:19:52.720 --> 0:19:56.040
<v Speaker 1>they're especially interested in the film and television business. Sort

0:19:56.040 --> 0:19:59.080
<v Speaker 1>of classic Hollywood. Amazon is in it. You know, they

0:19:59.080 --> 0:20:01.119
<v Speaker 1>have a I don't know that they're going to invest

0:20:01.200 --> 0:20:03.400
<v Speaker 1>at the same level as Netflix, but you know they

0:20:03.440 --> 0:20:05.480
<v Speaker 1>have a bunch of sports rights. They're spending billions of

0:20:05.520 --> 0:20:08.000
<v Speaker 1>dollars on programming. Their prime video business is one of

0:20:08.040 --> 0:20:10.359
<v Speaker 1>the largest in the world. Apple is sort of the

0:20:10.359 --> 0:20:13.040
<v Speaker 1>big question mark. They have invested a bunch of money,

0:20:13.359 --> 0:20:14.880
<v Speaker 1>but I don't think they're they're going to go buy

0:20:14.880 --> 0:20:15.360
<v Speaker 1>a studio.

0:20:15.440 --> 0:20:19.160
<v Speaker 2>Paul's upset is Christmas NFL football un American.

0:20:19.640 --> 0:20:21.600
<v Speaker 1>Why they have Christmas NBA basketball?

0:20:22.160 --> 0:20:22.920
<v Speaker 2>Right?

0:20:24.280 --> 0:20:30.120
<v Speaker 4>So what happens here with sports? I mean Netflix, they're

0:20:30.119 --> 0:20:33.040
<v Speaker 4>starting to go into sports. I mean, one could argue

0:20:33.160 --> 0:20:36.080
<v Speaker 4>that the future of sports revenue and the value of

0:20:36.240 --> 0:20:39.159
<v Speaker 4>all these franchises and all these big contracts, it's going to.

0:20:39.160 --> 0:20:42.480
<v Speaker 1>Be paid out of Silicon Valley, not Hollywood. Well, right now,

0:20:42.520 --> 0:20:44.720
<v Speaker 1>the leagues are sort of have the best of both worlds.

0:20:44.800 --> 0:20:47.800
<v Speaker 1>Right There was a while in scripted entertainment where you

0:20:47.880 --> 0:20:51.159
<v Speaker 1>had broadcast and cable networks and streaming services and just

0:20:51.200 --> 0:20:52.840
<v Speaker 1>all this money being spent, and that's sort of where

0:20:52.840 --> 0:20:54.800
<v Speaker 1>we are with sports right now. You look at the NFL,

0:20:55.080 --> 0:20:59.040
<v Speaker 1>they're in business with CBS, NBC, ABC, Fox, Amazon, YouTube

0:20:59.040 --> 0:21:00.919
<v Speaker 1>and Netflix. That's a pretty good place to be.

0:21:02.040 --> 0:21:04.479
<v Speaker 6>The venue sports, the venue sports that just came out.

0:21:04.560 --> 0:21:10.040
<v Speaker 1>Oh they Yeah, I'm pretty skeptical of that business.

0:21:10.520 --> 0:21:14.840
<v Speaker 2>Last question, we are a walking experiment of YouTube and

0:21:14.880 --> 0:21:18.200
<v Speaker 2>YouTube TV. What we're doing your Bloomberg surveillance? Yeah on

0:21:18.240 --> 0:21:22.720
<v Speaker 2>YouTube right now? What's the power of YouTube combined with

0:21:22.840 --> 0:21:26.000
<v Speaker 2>YouTube TV five years forward? Are we going to have

0:21:26.119 --> 0:21:27.920
<v Speaker 2>jobs in five years? Yeah?

0:21:27.920 --> 0:21:30.840
<v Speaker 1>Because you're you're you're living proof that YouTube is a

0:21:30.880 --> 0:21:34.800
<v Speaker 1>powerful medium. YouTube is the biggest media media company in

0:21:34.800 --> 0:21:36.919
<v Speaker 1>the world and the most powerful one.

0:21:37.560 --> 0:21:38.000
<v Speaker 2>Keep it up.

0:21:39.280 --> 0:21:42.040
<v Speaker 1>YouTube TV is also going to probably become the biggest

0:21:42.040 --> 0:21:44.600
<v Speaker 1>PATV distributor in this country in the next five years.

0:21:44.600 --> 0:21:46.240
<v Speaker 1>So yeah, I think you're you're in good hands if

0:21:46.280 --> 0:21:46.920
<v Speaker 1>you're in business with you.

0:21:47.160 --> 0:21:49.920
<v Speaker 2>Is it monetarizing for Google? Like, are they minting money

0:21:49.920 --> 0:21:50.680
<v Speaker 2>on it every day?

0:21:51.040 --> 0:21:53.280
<v Speaker 1>I don't know that it's profitable because they spend a

0:21:53.400 --> 0:21:56.760
<v Speaker 1>fortune on it. They only break it. They only break.

0:21:56.560 --> 0:21:58.520
<v Speaker 2>Out the Chanel dress yesterday.

0:22:00.000 --> 0:22:02.600
<v Speaker 1>Even you wise, YouTube is bigger than Netflix. You canbine

0:22:02.640 --> 0:22:05.840
<v Speaker 1>advertising and subscription. It's a massive business, just not as profitable.

0:22:05.840 --> 0:22:08.760
<v Speaker 2>Okay, so paramount we should pay attention this morning.

0:22:08.480 --> 0:22:10.399
<v Speaker 1>Is that it will be an incremental update, but it

0:22:10.400 --> 0:22:11.680
<v Speaker 1>will be an update incremental.

0:22:11.760 --> 0:22:13.120
<v Speaker 2>And did you go to the upfronts this week?

0:22:13.240 --> 0:22:14.520
<v Speaker 1>I went to a few of them yes.

0:22:14.400 --> 0:22:18.399
<v Speaker 2>Day, Lucashaw with Mark German. All I can say, folks

0:22:18.480 --> 0:22:21.520
<v Speaker 2>is we have a series of newsletters out begin with

0:22:21.680 --> 0:22:24.640
<v Speaker 2>Lucashaw and Mark German on Apple. I just can't say

0:22:24.760 --> 0:22:28.440
<v Speaker 2>enough about the legit expertise he's writing it. He's got

0:22:28.480 --> 0:22:31.560
<v Speaker 2>four interns from Pepperdine one of them one of them

0:22:31.600 --> 0:22:34.119
<v Speaker 2>is a surf stud and they're writing at Popping Up,

0:22:34.119 --> 0:22:36.639
<v Speaker 2>getting it out Saturday or Sunday. Lucashaw, thank you for

0:22:36.680 --> 0:22:50.440
<v Speaker 2>the visiting. She's got seventy seven papers at her desk,

0:22:50.480 --> 0:22:53.120
<v Speaker 2>its stacked up. You can barely see Lisa at five

0:22:53.160 --> 0:22:57.240
<v Speaker 2>am putting this together your daily look at the front pages, Lisa,

0:22:57.320 --> 0:22:57.880
<v Speaker 2>what do you got?

0:22:58.080 --> 0:23:02.040
<v Speaker 6>Okay, you're gonna like this one. Cassette ta making a comeback?

0:23:03.040 --> 0:23:03.800
<v Speaker 5>Yes, okay.

0:23:03.880 --> 0:23:06.080
<v Speaker 6>I still collection those in the music because they say

0:23:06.080 --> 0:23:08.199
<v Speaker 6>the majority is not the older generations, but it's a

0:23:08.240 --> 0:23:11.639
<v Speaker 6>younger generation. Because shows like Stranger Things, Guardians and The

0:23:11.680 --> 0:23:15.080
<v Speaker 6>Galaxy that feature cassettes like in their shows and movies

0:23:15.560 --> 0:23:19.119
<v Speaker 6>that's sparking that younger generation. Taylor Swift, she's sold twenty

0:23:19.119 --> 0:23:23.040
<v Speaker 6>one five hundred cassettes from her latest release. But you

0:23:23.080 --> 0:23:26.760
<v Speaker 6>have Billie Eilish, Dua Lipa, Kendrick Lamar. They're all going to.

0:23:26.720 --> 0:23:28.600
<v Speaker 4>Cassette cassette players stage.

0:23:28.760 --> 0:23:31.119
<v Speaker 6>That's they're finding the cassette player. But the reason why,

0:23:31.160 --> 0:23:33.960
<v Speaker 6>I'm like, so, what's the thing. So artists are saying

0:23:34.000 --> 0:23:36.880
<v Speaker 6>that lower production costs Okay, new releases on vinyl can

0:23:36.880 --> 0:23:39.920
<v Speaker 6>cost about thirty five cassettes as low as ten dollars,

0:23:40.440 --> 0:23:42.800
<v Speaker 6>But they're also saying cassette sales had a bigger impact

0:23:42.840 --> 0:23:45.760
<v Speaker 6>on chart position. I'm not sure how that plays out.

0:23:45.840 --> 0:23:48.320
<v Speaker 2>I mean, I get the vinyl thing. I mean I don't.

0:23:48.359 --> 0:23:51.600
<v Speaker 2>I don't. I'd rather listen to title or something incredibly

0:23:51.640 --> 0:23:56.879
<v Speaker 2>beautifully done digital, particularly through tubes, But I get vinyl. Paul,

0:23:57.400 --> 0:23:59.960
<v Speaker 2>remember the celebration when we got rid of cassettes.

0:24:00.160 --> 0:24:04.360
<v Speaker 4>Well, going from a track to cassettes, well that was evolution.

0:24:04.680 --> 0:24:08.600
<v Speaker 4>Tucker's still using a Trex to cassettes was like unbelievable

0:24:08.600 --> 0:24:10.800
<v Speaker 4>technological beside.

0:24:10.920 --> 0:24:15.639
<v Speaker 2>Yeah, and then Dolby d Dolby, Yes, Dolby Dolby Dolby

0:24:15.680 --> 0:24:16.840
<v Speaker 2>and the answers. It sucks.

0:24:17.200 --> 0:24:19.040
<v Speaker 6>I just hated when you had when it came out

0:24:19.080 --> 0:24:21.000
<v Speaker 6>and then you had to take your pencil and like

0:24:21.119 --> 0:24:22.160
<v Speaker 6>go like exactly.

0:24:22.440 --> 0:24:24.440
<v Speaker 2>So if I go to if I go to Brooklyn

0:24:24.480 --> 0:24:26.159
<v Speaker 2>this week and there's going to be somebody in a

0:24:26.200 --> 0:24:28.960
<v Speaker 2>two hundred dollars plaid shirt, David telling me I need

0:24:28.960 --> 0:24:29.800
<v Speaker 2>to buy cassettes.

0:24:30.080 --> 0:24:31.600
<v Speaker 1>You gotta buy Himura does this?

0:24:32.240 --> 0:24:34.720
<v Speaker 2>I think it's a big take. Comes up our low

0:24:34.840 --> 0:24:35.720
<v Speaker 2>fight with David.

0:24:36.359 --> 0:24:39.320
<v Speaker 6>Next, when you go to the airport, here's the thing

0:24:39.560 --> 0:24:41.760
<v Speaker 6>and you do you bring your car? Do you take

0:24:41.800 --> 0:24:42.640
<v Speaker 6>an Uber driver?

0:24:42.760 --> 0:24:43.600
<v Speaker 2>What do you? What do you do?

0:24:44.800 --> 0:24:46.919
<v Speaker 4>Never once have I driven to the aircraft in my

0:24:46.960 --> 0:24:47.879
<v Speaker 4>professional life?

0:24:48.720 --> 0:24:51.680
<v Speaker 2>Did I read? That? Is your story that it's.

0:24:51.560 --> 0:24:55.520
<v Speaker 6>Like parking is packed, people can't find spots. There's are

0:24:55.560 --> 0:24:59.120
<v Speaker 6>those receive flights. Well, I know when we go sometimes

0:24:59.280 --> 0:25:02.280
<v Speaker 6>will bring our are because if you factor in we

0:25:02.320 --> 0:25:04.720
<v Speaker 6>need the extra large you know, Uber. And then to

0:25:04.760 --> 0:25:06.840
<v Speaker 6>go back and forth. Let's say we're going to JFK

0:25:07.080 --> 0:25:09.920
<v Speaker 6>or somewhere really far. It's going to cause us ridiculous,

0:25:09.960 --> 0:25:12.160
<v Speaker 6>but it's cheaper to take the daily rate and leave

0:25:12.200 --> 0:25:15.719
<v Speaker 6>it really and then you can you know, kind of

0:25:16.040 --> 0:25:17.840
<v Speaker 6>leave at your will. You know, you can just kind

0:25:17.880 --> 0:25:20.000
<v Speaker 6>of go. We do it like the outside of the

0:25:20.080 --> 0:25:22.639
<v Speaker 6>airport parking, so it's a little bit even cheaper than

0:25:22.640 --> 0:25:27.520
<v Speaker 6>the actual I always wondered too, did that but.

0:25:27.400 --> 0:25:29.360
<v Speaker 2>Are they going to raise the price or build more parts?

0:25:29.520 --> 0:25:31.760
<v Speaker 6>So they're trying to build more parking, that's one of

0:25:31.800 --> 0:25:33.960
<v Speaker 6>the things the airports. They're also working to install these

0:25:33.960 --> 0:25:37.679
<v Speaker 6>guidance systems that help direct you to open spots so

0:25:37.720 --> 0:25:39.880
<v Speaker 6>that people don't wind up missing their flights because that's

0:25:39.880 --> 0:25:42.560
<v Speaker 6>the problem. And then Memorial Days around the corner, so

0:25:42.640 --> 0:25:44.920
<v Speaker 6>they're trying to put out this warning to people like, hey,

0:25:45.119 --> 0:25:47.640
<v Speaker 6>you know, you better book your spot ahead of time,

0:25:47.640 --> 0:25:48.920
<v Speaker 6>which you can also just don't get it.

0:25:48.960 --> 0:25:49.800
<v Speaker 2>I have no idea.

0:25:49.840 --> 0:25:53.560
<v Speaker 4>That's why I learned, so you don't have to do this.

0:25:54.119 --> 0:25:56.080
<v Speaker 2>I mean, I had no ideas.

0:25:57.359 --> 0:26:01.720
<v Speaker 6>Live five miles because you have your points on Southwest,

0:26:01.720 --> 0:26:03.840
<v Speaker 6>which don't getting.

0:26:03.560 --> 0:26:04.800
<v Speaker 1>Your points on United.

0:26:05.280 --> 0:26:10.000
<v Speaker 2>You know, I wonder if Charlie pell AT's surveillance Europe

0:26:10.040 --> 0:26:15.359
<v Speaker 2>on five dollars question, Ye, I wonder pellet his opinion.

0:26:15.560 --> 0:26:20.480
<v Speaker 6>Okay, TikTok is testing out sixty minute videos for its app,

0:26:20.680 --> 0:26:23.640
<v Speaker 6>so that's going to put it in competition with YouTube,

0:26:23.880 --> 0:26:26.360
<v Speaker 6>So that's the thing that they're working on now. It's

0:26:26.359 --> 0:26:29.320
<v Speaker 6>a big thing because longer video uploads means more competition

0:26:29.359 --> 0:26:31.879
<v Speaker 6>for a lot of the streaming services. But it's not

0:26:32.000 --> 0:26:34.240
<v Speaker 6>clear when or when this is going to happen. It

0:26:34.280 --> 0:26:36.159
<v Speaker 6>is kind of in this testing out phase. Is from

0:26:36.200 --> 0:26:40.000
<v Speaker 6>Business Insider, So it'll be interesting to see because you know,

0:26:40.000 --> 0:26:42.120
<v Speaker 6>we did. We've heard so much about YouTube and how

0:26:42.160 --> 0:26:43.919
<v Speaker 6>you know it's at the top of of streaming. But

0:26:43.960 --> 0:26:47.120
<v Speaker 6>now if TikTok starts putting out these sixty minute videos,

0:26:47.640 --> 0:26:49.840
<v Speaker 6>will that start to put it in competition with the

0:26:49.880 --> 0:26:51.000
<v Speaker 6>other streaming services.

0:26:51.040 --> 0:26:52.160
<v Speaker 1>I don't know why they wouldn't.

0:26:52.240 --> 0:26:54.520
<v Speaker 4>Actually, I don't know why they wouldn't because the advertising

0:26:54.560 --> 0:26:56.720
<v Speaker 4>dollars are out there. First of all, as you mentioned

0:26:56.720 --> 0:26:58.840
<v Speaker 4>from that data we saw from Nielsen earlier this week,

0:26:59.119 --> 0:27:03.480
<v Speaker 4>YouTube is a second and most visited video source in

0:27:03.560 --> 0:27:06.760
<v Speaker 4>the marketplace after the Walt Disney Company and all their channels.

0:27:06.920 --> 0:27:08.840
<v Speaker 4>So people are really spending a ton of time on

0:27:08.920 --> 0:27:13.320
<v Speaker 4>YouTube and YouTube selling advertising against that audience. I think TikTok,

0:27:13.640 --> 0:27:15.960
<v Speaker 4>assuming it could stay in its current ownership, would think

0:27:15.960 --> 0:27:16.720
<v Speaker 4>about doing the same.

0:27:17.080 --> 0:27:19.800
<v Speaker 6>Wow, would surveillance have to go on, TikTok, we could

0:27:19.800 --> 0:27:24.840
<v Speaker 6>do that.

0:27:25.119 --> 0:27:27.760
<v Speaker 2>Not gonna happen. Take a note, Rich, ain't gonna happen.

0:27:29.080 --> 0:27:29.639
<v Speaker 2>Let's move on.

0:27:30.119 --> 0:27:30.479
<v Speaker 1>Okay.

0:27:30.720 --> 0:27:33.239
<v Speaker 6>We talked about this yesterday because I was wearing this

0:27:33.359 --> 0:27:35.600
<v Speaker 6>dress when I walked in and you commented on Tommy,

0:27:35.600 --> 0:27:39.959
<v Speaker 6>you said, everybody ever got a TJ Max.

0:27:40.160 --> 0:27:41.679
<v Speaker 2>You know, she's not a Harper's Bazaar.

0:27:43.000 --> 0:27:45.439
<v Speaker 6>So the Wall Street Journal actually put out a story

0:27:45.520 --> 0:27:49.240
<v Speaker 6>about this whole thing, how tj X Hall's becoming this

0:27:49.440 --> 0:27:52.920
<v Speaker 6>badge of honors. I mean, you have people like Bethany Frankel,

0:27:53.000 --> 0:27:55.359
<v Speaker 6>you know, she's going to TJ max in there looking

0:27:55.359 --> 0:27:58.000
<v Speaker 6>for these different things. And we're talking Valentino coach goose.

0:27:59.160 --> 0:28:04.280
<v Speaker 4>Valentino prop to get the TJX it doesn't sell in Bloomingdale's,

0:28:04.760 --> 0:28:06.960
<v Speaker 4>and then it would go to TGX. Maybe they're usually

0:28:06.960 --> 0:28:09.800
<v Speaker 4>the older model the next season if it doesn't sell

0:28:09.840 --> 0:28:11.040
<v Speaker 4>in Bloomingdale.

0:28:10.560 --> 0:28:14.720
<v Speaker 6>Exactly, exactly. So that's why you got my Calvin Kleine

0:28:14.760 --> 0:28:16.000
<v Speaker 6>dress for thirty dollars.

0:28:16.080 --> 0:28:16.840
<v Speaker 4>That is amazing.

0:28:16.880 --> 0:28:20.120
<v Speaker 2>I mean, when Cavia Mateo hour.

0:28:20.080 --> 0:28:22.879
<v Speaker 4>Exactly, Calvin Clin think Lisa Mitaylo's gonna be wearing my

0:28:22.960 --> 0:28:24.280
<v Speaker 4>dress at thirty dollars.

0:28:24.280 --> 0:28:27.360
<v Speaker 2>This started in Boston, and I have the clear memory

0:28:27.440 --> 0:28:31.440
<v Speaker 2>of TJ Max being different, and they've become ever more different.

0:28:31.680 --> 0:28:35.920
<v Speaker 2>Like you say, and the pros Dana Telsey, Joe Feldman,

0:28:36.040 --> 0:28:41.960
<v Speaker 2>Oliver Chen and others. Robert Burke's who's ginormous within retail consulting,

0:28:42.000 --> 0:28:44.800
<v Speaker 2>they will tell you there's always been a halo around

0:28:44.800 --> 0:28:48.120
<v Speaker 2>TJ Max. I don't understand it. I think I was

0:28:48.160 --> 0:28:52.520
<v Speaker 2>in one when Nixon was president. But you know, all

0:28:52.560 --> 0:28:55.080
<v Speaker 2>I know is the pros say they're different.

0:28:55.160 --> 0:28:56.200
<v Speaker 1>Just big company.

0:28:56.240 --> 0:28:58.520
<v Speaker 4>It's got one hundred and twelve billion dollar market cap.

0:28:58.720 --> 0:29:00.760
<v Speaker 4>It's up five percent this year. The stock is sub

0:29:00.800 --> 0:29:03.520
<v Speaker 4>twenty seven percent over the past year. So it's done

0:29:03.520 --> 0:29:04.360
<v Speaker 4>well in a tough retail.

0:29:04.600 --> 0:29:07.160
<v Speaker 6>Yet one more, it's Marshall's, It's Home Goods. All of

0:29:07.200 --> 0:29:08.760
<v Speaker 6>them are all TJX.

0:29:08.800 --> 0:29:11.600
<v Speaker 2>Is you that one more? No?

0:29:11.600 --> 0:29:14.040
<v Speaker 6>No, I'm going to TJ maxxisque.

0:29:14.520 --> 0:29:15.600
<v Speaker 1>I'll post some pictures for you.

0:29:16.640 --> 0:29:19.320
<v Speaker 2>I think Valentino. But you know, actually I sort of

0:29:19.360 --> 0:29:21.960
<v Speaker 2>see Celene, you know, I could see Lisa, you know

0:29:22.720 --> 0:29:23.520
<v Speaker 2>Rock and Selene.

0:29:23.880 --> 0:29:27.800
<v Speaker 4>Yeah, yeah, absolutely, I mean I didn't know Lisa Mateo.

0:29:28.720 --> 0:29:33.120
<v Speaker 2>Lisa Mateo in charge of the newspapers on this Friday.

0:29:33.280 --> 0:29:36.480
<v Speaker 2>This is a Bloomberg Surveillance podcast, bringing you the best

0:29:36.480 --> 0:29:41.280
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0:29:41.320 --> 0:29:45.360
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0:29:45.480 --> 0:29:49.520
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0:29:49.560 --> 0:29:52.840
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0:29:52.920 --> 0:29:56.600
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0:29:56.960 --> 0:30:00.520
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0:30:00.720 --> 0:30:03.840
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