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Speaker 1: Hello, everybody, Welcome to another episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is.

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Speaker 1: Millie to Jericho, I'm Daniel Henderson, and we're back with

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Speaker 1: you once again to talk about films and other things.

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Speaker 3: What's happening. It's hot, It is hot. This house has

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Speaker 3: no AC and I'm feeling it. I've got a mess

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Speaker 3: of fans going, but I'm all right, I'm comfortable. Yeah,

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Speaker 3: I grew up without AC, so it's not like it's

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Speaker 3: like a return to form.

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Speaker 1: Yeah.

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Speaker 2: I feel like I've.

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Speaker 3: Been blessed to have AC in the last few years,

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Speaker 3: but that was not the norm for most of my life.

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Speaker 1: Well, it's funny because you had AC at least in

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Speaker 1: your last apartment in LA and that was the first

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Speaker 1: time that I had not had AC. Yeah, except for

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Speaker 1: a time when I was in my twenties when I

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Speaker 1: read in an apartment Atlanta. I think I talked about

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Speaker 1: this on an episode where I read it a department

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Speaker 1: in Atlanta, Georgia that did not have central air, and

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Speaker 1: it was the worst. I lived there for like four years.

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Speaker 1: I should have definitely broken the lease. But but then

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Speaker 1: when I moved to LA you know, I found out

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Speaker 1: pretty quickly that most people don't have central It's mostly

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Speaker 1: just either window units and people open windows. So it's

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Speaker 1: funny that you you had it in LA but you didn't,

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Speaker 1: I guess, don't have it in New York.

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Speaker 3: No, And it would be it's gonna it would cost

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Speaker 3: Like I looked into it, and it would it would

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Speaker 3: cost so much money to put an HVAC system in

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Speaker 3: this house, Like cost prohibitive amount of money to put

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Speaker 3: h back in to have central air.

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Speaker 2: Yeah.

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Speaker 3: But the other motherfuck of all of this is that

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Speaker 3: my windows are it's a it's a bar and it's

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Speaker 3: an old barn, so the windows are all they're not egressed,

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Speaker 3: they're all like slanted hmm. So I can't put in

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Speaker 3: window units, what a bitch, because they would just be

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Speaker 3: tilted towards and then drop onto the floor.

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Speaker 1: You know, you could always pull one of those. One

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Speaker 1: of my neighbors had this, which I thought was wild.

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Speaker 1: It looks wild, But I won't begrudge anybody for getting

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Speaker 1: an AC unit that has the pipe that comes out

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Speaker 1: of the window with that big hose.

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Speaker 2: Have you Oh yeah, yeah, I've seen those. Yeah.

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Speaker 3: Someone in my first apartment in LA had that. I

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Speaker 3: had some neighbors who were Jewish, And the reason that

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Speaker 3: I knew that they had it is because on Friday

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Speaker 3: night they couldn't turn on their own appliances and stuff,

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Speaker 3: so they always I was like, oh yeah, I'm like,

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Speaker 3: if i'm home, just knock on the door and I'll

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Speaker 3: do it for you. So I'd have to go in

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Speaker 3: and turn on there. They had one in their bedroom

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Speaker 3: and I was like, oh, this is cool, Like I

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Speaker 3: turned it on.

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Speaker 2: But I was also like checking it out.

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Speaker 1: I know one of my neighbors had it coming out

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Speaker 1: of their window and it would just like spill onto

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Speaker 1: the little landing that we shared, and I'm just like,

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Speaker 1: you know what, I want you to be comfortable. But also,

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Speaker 1: this thing is fucking huge and it's taking up a

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Speaker 1: lot of precious landing space that I need to like

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Speaker 1: sustain life.

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Speaker 3: I need this space for passing out because I don't

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Speaker 3: have ac So yes, this is where I.

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Speaker 1: Laded me to leave during a fire. Please move this

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Speaker 1: giant fucking duct or whatever it was. It was like,

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Speaker 1: so big, move, You're ducked.

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Speaker 3: Just a comedy, there is that old apartment, but an

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Speaker 3: apartment with something else.

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Speaker 1: Man, oh man, the stories I could tell, But yeah.

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Speaker 2: Otherwise everything's good I'm having. I'm having a really good summer.

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Speaker 3: Surprisingly, Like I just feel like very calm and content.

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Speaker 3: And I just kind of remodeled my own kitchen, which

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Speaker 3: has been fun and you know, hot.

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Speaker 2: But I took down doors and boarded.

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Speaker 3: Up stuff in the back of cabinet and I had

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Speaker 3: to kind of saw through some tile and I've just

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Speaker 3: been been doing it, man, I've been doing it all.

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Speaker 1: So are we going to see the reno on Architectural

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Speaker 1: digest Instagram account.

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Speaker 3: You'll see the reno because I'll share it on our slack.

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Speaker 3: But I'm surprisingly very private about that stuff.

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Speaker 2: I don't know.

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Speaker 3: I feel like people are really cavalier about showing the

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Speaker 3: inside of their homes. Yes, And because I don't know,

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Speaker 3: maybe it's because I live I've always lived with myself,

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Speaker 3: you know, for the most part, I don't want anyone

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Speaker 3: to see what kind of locks I have in my

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Speaker 3: window for like what you know what I mean, Like,

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Speaker 3: I don't want anyone to see my like, oh, that's

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Speaker 3: how many doors she has in that room?

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Speaker 2: Cool easy entrance, Like I don't know. I actually wait.

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Speaker 2: I was hanging out with my grandma on Friday. I

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Speaker 2: brought it. I brought I know, it's ridiculous. Milly Brot.

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Speaker 3: I brought coffee over on Friday morning and I was

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Speaker 3: hanging out with my grandma and she was like, oh,

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Speaker 3: what are you doing today? And I told her I

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Speaker 3: was painting, you know, more painting because I'm taking down

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Speaker 3: wallpaper and painting walls and and she was like, I

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Speaker 3: can come over and help. And I was like, how

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Speaker 3: keep in mind my grandma had a stroke years ago

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Speaker 3: that basically rendered her right side useless. And she's like,

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Speaker 3: I can help. I can stand on a box and paint.

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Speaker 3: And I was like, how about just stand up right now?

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Speaker 3: Like we were pissing our pants laughing because I'm like,

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Speaker 3: how about you just stand up out of this chair.

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Speaker 3: And she started to stand up and was like kind

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Speaker 3: of wobbly, and then she started laughing and sat back

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Speaker 3: down and I.

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Speaker 2: Was like, and now try to stand on a box.

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Speaker 2: We're just crack it up. And I'm like, you can't

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Speaker 2: help me. It's okay, I can do it.

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Speaker 1: I mean honestly, I can't even stand on a box,

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Speaker 1: so right. I mean, you know what, though, I love

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Speaker 1: that she's get involved. I love that she's like want

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Speaker 1: to help. That's so cute. By the way, It's it's

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Speaker 1: incredible that you guys are going to be living together

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Speaker 1: because most people by this point have probably read your

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Speaker 1: book or at least cracked it. They've at least cracked

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Speaker 1: the book and have read all about the relationship between

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Speaker 1: you and your ground, and just this idea now that

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Speaker 1: you guys are living together, is like, so sweet. I

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Speaker 1: love it so much.

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Speaker 3: Yeah, it's it's gonna be fun, I think. I mean,

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Speaker 3: there's also the realities of living with another person and

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Speaker 3: living with an elderly person, but for the most part,

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Speaker 3: she's just a delight and it's.

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Speaker 2: Going to be a riot. Yeah, it's gonna be real fun.

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Speaker 1: Well, that's exciting.

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Speaker 3: And I'm also I don't know about you, because you've

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Speaker 3: I wanted to ask you about this because you've been

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Speaker 3: to the movies lately, and I'm still considering whether or

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Speaker 3: not I want to go into a theater. There's a

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Speaker 3: we have a drive through in my town that I

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Speaker 3: might cruise cruise through, oh Man and park at and

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Speaker 3: hang out.

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Speaker 2: But what is it like to go into a theater? Like,

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Speaker 2: what did you see? What was it? What happened?

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Speaker 1: No, it was it was actually really surprising. That I

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Speaker 1: actually went, because so first of all, I'm still in Florida.

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Speaker 1: I'm still in this like kind of small town. The

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Speaker 1: movie theaters here were always really like TVD like they

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Speaker 1: have like a multiplex, and then they used to have

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Speaker 1: like a lot these kind of like smaller theaters that

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Speaker 1: like only old people went to, AKA the shit I love.

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Speaker 2: I was gonna say, you mean your dream come true.

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Speaker 1: I know, love a two screen, little artsy, fartsy old

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Speaker 1: person movie theater. It's the best. And they used to

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Speaker 1: have some of those, like when I first started coming

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Speaker 1: down here, like twenty years ago, when my parents moved,

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Speaker 1: they had a couple of those and they were great.

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Speaker 1: But then most of those are gone now just how

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Speaker 1: they are kind of everywhere. But then also on top

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Speaker 1: of that, COVID I think shut a lot of other

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Speaker 1: stuff down. So really there's kind of one theater that

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Speaker 1: I think is open now, and from the looks of it,

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Speaker 1: like when I drove past there, I thought it was

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Speaker 1: completely shut down because there was nobody in the parking lot.

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Speaker 1: And I think I talked about how they had the

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Speaker 1: fair there, like they had this little street carnival there,

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Speaker 1: So I was like, this movie theater is fucking close.

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Speaker 1: And then I was like, actually, why are they selling

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Speaker 1: tickets to movie? It's a trap? But then like so I,

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Speaker 1: So I was like, well, shit, if they're selling tickets,

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Speaker 1: I wonder what's playing. And for some reason, they're playing

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Speaker 1: the Sparks Brother's documentary. And I was like, wow, Okay.

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Speaker 1: First of all, I didn't even realize this movie heater

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Speaker 1: was open. Second, I can't believe they're playing the Sparks

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Speaker 1: Brother's documentary because I was like, it's a multiplex in

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Speaker 1: this like you know, I don't know, beach rural, beach town.

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Speaker 1: I was very floored. But of course the movie was

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Speaker 1: only playing at like three o'clock in the afternoon, and

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Speaker 1: maybe like six o'clock. I think there was a six

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Speaker 1: o'clock showing. But I was like, again, perfect for me.

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Speaker 1: I love going to the movies during the day. So

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Speaker 1: I was like, all right, I'm fucking doing this right,

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Speaker 1: I'm gonna buy a ticket. And I bought a ticket

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Speaker 1: and it was so cheap that I audibly gassed.

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Speaker 3: Compared to like the last time you bought a ticket

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Speaker 3: for a movie in LA when it was twenty five dollars.

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Speaker 3: Also complete evidence that you belong at this kind of theater.

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Speaker 3: It was like turning around to the person behind you

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Speaker 3: in line, like, can.

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Speaker 2: You believe this ain't seventy five?

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Speaker 1: I was like getting better every fucking second, and you know, so,

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Speaker 1: so there was the idea that it was cheap, and

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Speaker 1: then I was like, it's during the day. But then

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Speaker 1: also on top of that, I was like, well, if

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Speaker 1: I'm gonna go, you know, I'm gonna definitely wear a mask.

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Speaker 1: When I walked up again, not a lot of people there.

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Speaker 1: Actually they were selling concessions, which I thought was great,

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Speaker 1: and I got to actually buy movie theater popcorn, which

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Speaker 1: I haven't had in so long, and I was like,

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Speaker 1: oh my god, I love movie theater popcorn.

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Speaker 3: I considered going to the Multiplex theater a couple of

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Speaker 3: times over, which is attached to the mall, and I

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Speaker 3: considered going in getting popcorn and leaving yes, just because

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Speaker 3: I haven't had it in forever.

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Speaker 1: I have done that before. I have literally bought movie

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Speaker 1: theater popcorn and never saw a movie, just like would

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Speaker 1: walk up and be like, give me the biggest and

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Speaker 1: then just went home.

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Speaker 2: Just snack on it at home.

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Speaker 1: Dude. It's great. No shame in that for the most part.

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Speaker 1: So I walked in and everybody there was It was

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Speaker 1: really empty. A couple of people kind of milling around,

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Speaker 1: but for the most part, there was nobody, nobody there.

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Speaker 1: And then of course, when I walked into the movie

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Speaker 1: that I was seeing, like it was three o'clock during

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Speaker 1: the week, and there was already nobody at the theater.

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Speaker 1: So when I was in there, I was like, Oh,

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Speaker 1: I might actually have this theater all to myself.

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Speaker 2: Nice.

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Speaker 1: I was like, that would be the best case scenario,

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Speaker 1: because then it's like I could take this mask off

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Speaker 1: maybe and I can like, you know, shove popcorn in

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Speaker 1: my face and watch.

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Speaker 2: You know.

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Speaker 1: The best part about it really was that I got

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Speaker 1: to like basically remove the stigma of having Cats be

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Speaker 1: the last movie that I saw.

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Speaker 3: At least you've seen one more exactly, this was going

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Speaker 3: to be the last version. If things are picking up

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Speaker 3: steam and we're going to be back in Lockdown, You're like,

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Speaker 3: I'm rectifying the situation exactly.

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Speaker 1: And the weirdest part too, was that, you know, I

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Speaker 1: talked about this about how the last movie I saw

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Speaker 1: before Lockdown was Cats, and I went to I saw

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Speaker 1: it in LA with my friend April, and the weirdest

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Speaker 1: part is that April is in the Sparks documentary. She's

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Speaker 1: like one of the people that they interview, and so

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Speaker 1: it was this weird moment where I was like, oh shit,

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Speaker 1: Like I saw the last movie in Quarantine with April

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Speaker 1: and now I'm like technically watching it with her even

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Speaker 1: though she's not with me. But it was that thing

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Speaker 1: where I was like, this is fucking crazy. So yeah,

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Speaker 1: it was. It was actually a great experience. Like I

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Speaker 1: was really freaked out before I bought the ticket, and

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Speaker 1: then I was like talking myself into it. But then

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Speaker 1: like once I was there and I was actually alone,

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Speaker 1: I was like this is so tight.

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Speaker 3: Like love this and I love going to a movie

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Speaker 3: theater and then having the theater to yourself for about

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Speaker 3: ten minutes, and then all my anxiety kicks in and

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Speaker 3: I'm like, this is the perfect scenario for me.

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Speaker 2: To get killed. Yeah, you don't buy.

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Speaker 3: If I was ever going to be a murderer, I

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Speaker 3: would look for the emptiest show on the emptiest day,

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Speaker 3: like a Wednesday at eleven o'clock. Yeah, and I would

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Speaker 3: not buy a ticket for that movie. I would just

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Speaker 3: walk in, stab someone and walk out. You'll never find

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Speaker 3: me and you do it in the winter so you

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Speaker 3: can wear like a hat and gloves and shit, ye

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Speaker 3: and then just walk out. I didn't buy a ticket.

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Speaker 3: I was never meant to be here. If it's winter,

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Speaker 3: I can have my gloves and a scarf on, I

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Speaker 3: can cover my face. Perfect murder. And that's what I

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Speaker 3: think about every time I sit down at the theater

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Speaker 3: and I'm alone. I enjoy it for about ten fucking minutes,

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Speaker 3: and then I'm like, when am I going to get killed?

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Speaker 2: Also, the worst thing.

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Speaker 3: Is when you think you've got the theater to yourself.

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Speaker 3: And this has happened to me at least three times,

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Speaker 3: where I think I'm in here by myself, this is

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Speaker 3: so great, and I'm like spread now.

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Speaker 2: Once I farted, I'm like, this is awesome.

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Speaker 3: And then at the end of the movie, lights come

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Speaker 3: up and you notice that somebody has snuck in at

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Speaker 3: some point during the viewing.

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Speaker 1: Yeah.

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Speaker 3: Yeah, like they just snuck in at some point and

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Speaker 3: watched the movie with you, and they watched all your

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Speaker 3: disgusting behavior when you thought you were alone.

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Speaker 1: See, I I know better than to get too fucking comfortable,

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Speaker 1: because I was basically like, I'm always that person too,

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Speaker 1: and In fact, I did think that somebody at one

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Speaker 1: point it might have been like an employee though they

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Speaker 1: somebody came in during the movie and I was sort

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Speaker 1: of like, all right, well there's that like and by

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Speaker 1: that time I had already finished my food, so I

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Speaker 1: just put my mask back on. But it was that

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Speaker 1: kind of thing where I was like, Okay, somebody else

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Speaker 1: is in here. But then I'm like, well then now

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Speaker 1: what like now I have to like go back to

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Speaker 1: sharing my.

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Speaker 3: Like it's this thing I swore to put my shirt on,

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Speaker 3: put my bra back on.

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Speaker 1: Well, this is also one thing that I realized, like,

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Speaker 1: is now something that I need to like talk myself

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Speaker 1: out of, which is that like now we're all returning

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Speaker 1: to public life, and it's also like it's not your

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Speaker 1: like to me, I'm sitting here going like, well, I

295
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Speaker 1: want to go back to normal, but I also don't

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Speaker 1: want to get near anyone, so like I should be

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Speaker 1: able to have the movie theater complain. I mean, it's

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Speaker 1: just like the dumbest like it's so bratty, but I'm

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Speaker 1: also just like, well, you know, I also don't want

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Speaker 1: you to be in here with me, even though I

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Speaker 1: want to be in public it's just so stupid. I

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Speaker 1: can't think that. So when the employee came in, it

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Speaker 1: was that moment, like God of God, one person who's

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Speaker 1: literally sitting in like the first seat right next to

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Speaker 1: the fucking door, and I'm like on the complete other

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Speaker 1: side of the movie theater. But I'm like, get out

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Speaker 1: of here, ruin in my fucking time. You know, it

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00:14:39,040 --> 00:14:40,320
Speaker 1: was doing their murder check.

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Speaker 3: I got to walk in and make sure that nobody

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Speaker 3: like me has come in dressed in winter gear and

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Speaker 3: stabbed the only person in there.

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Speaker 1: Somebody needs to make sure that fucking Jack Frost isn't

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Speaker 1: in the movie theater about to murder one person. An

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Speaker 1: extreme amount of effort to kill one person in a

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Speaker 1: movie theater, a tiny spree. Let me put this like

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Speaker 1: giant scarf and put these like gloves, let me dress

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Speaker 1: like Ralphie's brother from a Christmas story, just to murder

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Speaker 1: one person in a movie theater.

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Speaker 2: Just saying if you've got an enemy, well but listen.

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Speaker 1: If you're first of all, I gotta tell you go

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Speaker 1: to that drive in right now. Like if I was you,

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Speaker 1: if there was a drive in this town, I would

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Speaker 1: have been there months ago.

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Speaker 2: I'm gonna look it up.

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Speaker 3: I'm gonna see what's playing, because sometimes they're hit or

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Speaker 3: missed with the movies. It's like a lot of family stuff.

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Speaker 3: You know, they have, you know, all the minions, and

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Speaker 3: you know they kind.

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Speaker 2: Of gravitate towards families because those are the only people

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Speaker 2: who want to, like usually.

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Speaker 3: You know, pre pandemic, load everyone into a car and

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Speaker 3: go sit. But I'm taking it back for us. I'm

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Speaker 3: taking it back for those of us who are single

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Speaker 3: and childless and just don't want to be around anyone.

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Speaker 1: See, best case scenario is to sit in my car

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Speaker 1: alone watching a movie. It's great.

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00:16:01,240 --> 00:16:02,800
Speaker 2: Yeah, I'm psyched.

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Speaker 3: And I thought I tried to do it in La

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Speaker 3: during the pandemic. I thought, you know, maybe I'll go

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Speaker 3: to a drive through because I saw that a few

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Speaker 3: people were going, like on Instagram and.

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Speaker 2: Stuff, and I.

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Speaker 3: I cannot I'm not kidding when I say I could

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00:16:17,480 --> 00:16:19,200
Speaker 3: not figure out, like, well, how do you do the

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00:16:19,320 --> 00:16:21,080
Speaker 3: radio thing? Because the last time I went to the

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Speaker 3: drive in it was when they hooked the speaker.

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Speaker 2: On your window.

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Speaker 1: Oh wow.

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Speaker 3: And now it's like you tune into a radio station

350
00:16:27,720 --> 00:16:29,440
Speaker 3: or you download an app. And I was looking at

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Speaker 3: the website and look at the looking at the instructions,

352
00:16:31,520 --> 00:16:33,080
Speaker 3: and I was like, nah, I don't want to figure

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Speaker 3: this out.

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Speaker 1: Yeah, it's always like so hit or miss too, because

355
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Speaker 1: sometimes the radio station is like sketchy, like it just

356
00:16:40,640 --> 00:16:44,080
Speaker 1: sounds sketchy because it's at the very very like end

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Speaker 1: of the dial.

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Speaker 3: So it's like, oh, crackly seventy nine point two and

359
00:16:48,120 --> 00:16:49,920
Speaker 3: You're like, I didn't even know when down to the seventies.

360
00:16:50,400 --> 00:16:53,640
Speaker 1: It's past all of the weird college radio stations, and

361
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Speaker 1: it's like this the first thing that you come to,

362
00:16:56,760 --> 00:16:59,120
Speaker 1: and it's all just like it just sounds like an

363
00:16:59,160 --> 00:17:02,320
Speaker 1: old AM radio station from the nineteen seventies. Like You're

364
00:17:02,360 --> 00:17:04,679
Speaker 1: just like this sucks. The sound sucks.

365
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Speaker 2: And look, I'm not the app.

366
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Speaker 3: The app thing is what got me because I'm like,

367
00:17:08,320 --> 00:17:10,800
Speaker 3: so now I have to use my data to watch

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Speaker 3: this movie.

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00:17:14,600 --> 00:17:15,919
Speaker 2: I'm not that person, y'all.

370
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Speaker 3: I'm not using my data and I don't know how

371
00:17:18,160 --> 00:17:20,480
Speaker 3: to turn my car into a hotspot and all that shit.

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00:17:20,880 --> 00:17:22,160
Speaker 2: I was just pressed.

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Speaker 3: Before I even got there, was looking at the website

374
00:17:24,280 --> 00:17:26,199
Speaker 3: and I'm like, well, I'll just be watching a silent

375
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Speaker 3: film because I don't want to do any of this well.

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Speaker 1: And do you know what though, Like when in Atlanta

377
00:17:31,520 --> 00:17:34,159
Speaker 1: there's a drive in, a great drive in, and a

378
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Speaker 1: lot of people when it's nice outside, they sit outside

379
00:17:36,600 --> 00:17:39,440
Speaker 1: of their cars in like you know, little chairs. And

380
00:17:39,600 --> 00:17:43,040
Speaker 1: that was always like hard because you would play the

381
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Speaker 1: audio through the speakers in your car and roll the

382
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Speaker 1: windows down. And I was like, right, I can't hear shit,

383
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Speaker 1: Like I cannot hear shit. We need to figure out

384
00:17:53,359 --> 00:17:56,960
Speaker 1: like and Bluetooth speakers hadn't really they weren't really around

385
00:17:57,080 --> 00:18:00,119
Speaker 1: at the time, and I remember going like, why are

386
00:18:00,160 --> 00:18:02,880
Speaker 1: we sitting outside of a car? I can't hear shit?

387
00:18:03,320 --> 00:18:07,280
Speaker 1: Like right, I like the idea, but the sound situation

388
00:18:07,880 --> 00:18:10,359
Speaker 1: is not practicality.

389
00:18:10,640 --> 00:18:11,439
Speaker 2: I'm going to try it out.

390
00:18:11,480 --> 00:18:13,600
Speaker 3: I'm going to see what's playing, and as long as

391
00:18:13,600 --> 00:18:15,480
Speaker 3: it's not a children's movie, I'm going to go to

392
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Speaker 3: the drive through, and if I can't figure out the

393
00:18:18,520 --> 00:18:20,600
Speaker 3: sound within the first ten minutes, I'll just drive home.

394
00:18:21,400 --> 00:18:23,600
Speaker 1: Sounds good, you know, it sounds my.

395
00:18:23,520 --> 00:18:25,919
Speaker 3: Popcorn and I'll just go home. As long as I

396
00:18:26,000 --> 00:18:27,919
Speaker 3: have popcorn. It's a successful mission.

397
00:18:28,000 --> 00:18:32,400
Speaker 1: Yeah, it's completely worth the admission price to leave immediately

398
00:18:32,760 --> 00:18:34,560
Speaker 1: with popcorn. That's it.

399
00:18:34,760 --> 00:18:35,320
Speaker 2: I'm into it.

400
00:18:35,359 --> 00:18:37,199
Speaker 3: I'm gonna try it, and then I've got that like

401
00:18:37,240 --> 00:18:40,639
Speaker 3: you know, those old timey drive in kind of tactics

402
00:18:40,640 --> 00:18:44,080
Speaker 3: that kind of come back like a muscle memory. We

403
00:18:44,160 --> 00:18:46,320
Speaker 3: used to always go before the sunset so you can

404
00:18:46,320 --> 00:18:48,000
Speaker 3: get the best spot in your cars, and then you're

405
00:18:48,040 --> 00:18:50,240
Speaker 3: just kind of hanging out there for a while, watching

406
00:18:50,240 --> 00:18:52,720
Speaker 3: people pour in and the sun setting behind the screen.

407
00:18:52,920 --> 00:18:55,600
Speaker 3: And like it's not just that the length of the

408
00:18:55,600 --> 00:18:58,400
Speaker 3: movie is a part of it, but there's a whole

409
00:18:58,440 --> 00:19:01,720
Speaker 3: two or three hour prep four and after when you're

410
00:19:01,760 --> 00:19:04,240
Speaker 3: sitting in the line to leave and when you're trying

411
00:19:04,240 --> 00:19:06,800
Speaker 3: to get a spot when you awry, so you might

412
00:19:06,840 --> 00:19:09,200
Speaker 3: have to show up at four o'clock in the afternoon

413
00:19:09,200 --> 00:19:10,480
Speaker 3: and wait till eight and just like you.

414
00:19:10,480 --> 00:19:11,960
Speaker 2: Know, finish your work day at the drive in.

415
00:19:12,200 --> 00:19:15,760
Speaker 1: You got a tailgate, gotta bring some corn hole or whatever,

416
00:19:16,240 --> 00:19:19,840
Speaker 1: get some get get a cooler out there, and you.

417
00:19:19,720 --> 00:19:24,680
Speaker 3: Know me, I'm just gonna take a nap. I'll be sleeping.

418
00:19:25,040 --> 00:19:27,159
Speaker 3: Knock on my window when the movie starts.

419
00:19:27,680 --> 00:19:31,240
Speaker 1: I totally say that for you. Yes, I can't see you,

420
00:19:31,240 --> 00:19:36,359
Speaker 1: you know, cracking some fucking cores with the boys and

421
00:19:37,080 --> 00:19:39,440
Speaker 1: tailgating a drive in movie.

422
00:19:39,359 --> 00:19:46,120
Speaker 3: Seats down, sheet up, I'll put like sun block visors

423
00:19:46,119 --> 00:19:46,719
Speaker 3: in my window.

424
00:19:47,240 --> 00:19:49,639
Speaker 1: You'll be You'll be like taking a piss and a

425
00:19:49,680 --> 00:19:51,879
Speaker 1: bucket and be like, all right, when is this movie starting?

426
00:19:53,480 --> 00:19:56,320
Speaker 2: Oh lord, it's a drive in lifestyle.

427
00:19:56,560 --> 00:19:59,960
Speaker 1: But well, have a good summer everybody, whatever.

428
00:20:00,840 --> 00:20:02,800
Speaker 2: However you're seeing movies, enjoy.

429
00:20:08,640 --> 00:20:12,439
Speaker 3: But speaking of heat and summer and films, we've got

430
00:20:12,560 --> 00:20:14,359
Speaker 3: a fucking banger of a theme this week.

431
00:20:14,480 --> 00:20:17,959
Speaker 1: Dude. That's Segue Rocks, if you know what I mean.

432
00:20:18,040 --> 00:20:19,919
Speaker 2: The only one that we've ever done that is worked.

433
00:20:20,720 --> 00:20:25,320
Speaker 3: It's the only one out of what almost forty that's

434
00:20:25,400 --> 00:20:26,320
Speaker 3: the going.

435
00:20:26,040 --> 00:20:26,840
Speaker 2: Rate right now?

436
00:20:27,720 --> 00:20:31,200
Speaker 1: Oh lord, well, why don't we tell the people out

437
00:20:31,200 --> 00:20:32,639
Speaker 1: there what the theme is for this week?

438
00:20:32,840 --> 00:20:37,640
Speaker 3: The theme this week is the floor is Lava.

439
00:20:40,800 --> 00:20:42,280
Speaker 1: Right off the bat, I got to tell you about

440
00:20:42,320 --> 00:20:45,960
Speaker 1: the name the Flora's Lava, so like, I had literally

441
00:20:46,040 --> 00:20:49,439
Speaker 1: no idea what this was. This term the Flora's Lava

442
00:20:50,080 --> 00:20:53,199
Speaker 1: for me entered my mind because I've been with the

443
00:20:53,200 --> 00:20:55,879
Speaker 1: little kids for the past year and it was this

444
00:20:56,040 --> 00:20:58,159
Speaker 1: like fucking like little kid game or something that was

445
00:20:58,200 --> 00:21:00,000
Speaker 1: like some YouTube. Yeah right, well, the.

446
00:21:00,080 --> 00:21:02,000
Speaker 2: Little kid game when we were little kids too, Like

447
00:21:02,160 --> 00:21:02,960
Speaker 2: that was the game.

448
00:21:03,320 --> 00:21:07,440
Speaker 1: Yeah, I have literally never heard of this game. What

449
00:21:07,440 --> 00:21:09,919
Speaker 1: what you say? You played the Flora's Lava when you

450
00:21:09,960 --> 00:21:12,960
Speaker 1: were a kid? Yes, because we were lash Key kids.

451
00:21:12,960 --> 00:21:14,560
Speaker 3: We had a couple hours where a mom came home

452
00:21:14,560 --> 00:21:16,640
Speaker 3: and you we used to just fuck shit up and

453
00:21:16,760 --> 00:21:17,719
Speaker 3: like make up games.

454
00:21:17,760 --> 00:21:19,760
Speaker 2: And that was a game we played which was like,

455
00:21:19,840 --> 00:21:20,359
Speaker 2: you know, you can.

456
00:21:20,320 --> 00:21:22,439
Speaker 3: Stand on the chair or the couch or like you

457
00:21:22,480 --> 00:21:24,040
Speaker 3: pick a spot, you try to get to it, but

458
00:21:24,080 --> 00:21:25,040
Speaker 3: you can't touch the floor.

459
00:21:25,640 --> 00:21:28,520
Speaker 1: Damn. I never but I've never played that game where

460
00:21:28,640 --> 00:21:30,480
Speaker 1: we called it lava. I think it was just sort

461
00:21:30,480 --> 00:21:32,879
Speaker 1: of like, yo, don't fall on the river, stand on

462
00:21:32,920 --> 00:21:35,520
Speaker 1: the couch cushions or something, but I never called it.

463
00:21:35,720 --> 00:21:38,120
Speaker 1: If I had known that it was a fully formed thing.

464
00:21:38,920 --> 00:21:41,640
Speaker 3: Wait, I just love that the Georgia version is yo,

465
00:21:41,720 --> 00:21:42,560
Speaker 3: don't fall in the river.

466
00:21:45,119 --> 00:21:47,760
Speaker 1: That's so crazy because I've never I've never, literally had

467
00:21:47,760 --> 00:21:50,800
Speaker 1: never heard the phrase the Flora's Lava until I was

468
00:21:50,840 --> 00:21:54,040
Speaker 1: around my nephews and they were playing the game because

469
00:21:54,080 --> 00:21:56,359
Speaker 1: of something they had seen on YouTube, and I was like,

470
00:21:56,480 --> 00:21:59,399
Speaker 1: the Flora's Lava. The fuck? But then now it makes sense.

471
00:21:59,520 --> 00:22:01,480
Speaker 1: I just up in a weird place got it.

472
00:22:02,400 --> 00:22:04,400
Speaker 3: And it was like it's not like a Netflix TV

473
00:22:04,520 --> 00:22:07,560
Speaker 3: show or something now, and I'm like, I haven't watched

474
00:22:07,600 --> 00:22:09,880
Speaker 3: it because I cannot conceive of how that game even

475
00:22:09,920 --> 00:22:12,760
Speaker 3: works or as fun. I know, but it's fun in person.

476
00:22:13,040 --> 00:22:14,760
Speaker 3: If you try to get some kids and you want

477
00:22:14,760 --> 00:22:16,480
Speaker 3: to keep them entertained for a couple hours, just be

478
00:22:16,520 --> 00:22:20,080
Speaker 3: like you can't touch the floor. Borderline abuse, but fun.

479
00:22:20,200 --> 00:22:22,200
Speaker 1: Listen. I already told people I can't stand out a box,

480
00:22:22,240 --> 00:22:26,040
Speaker 1: so I will definitely lose in that game. But I

481
00:22:26,160 --> 00:22:28,719
Speaker 1: have to ask you, though, just in general, what like

482
00:22:29,680 --> 00:22:32,800
Speaker 1: were you all Were you like me in that you

483
00:22:32,920 --> 00:22:35,800
Speaker 1: have this like weird, irrational fear of volcanoes.

484
00:22:36,880 --> 00:22:39,400
Speaker 3: Yeah, well, because we grew up in the like eighties nineties,

485
00:22:39,560 --> 00:22:41,960
Speaker 3: and in the eighties and nineties it was quick sand

486
00:22:41,960 --> 00:22:43,600
Speaker 3: in lava, which you thought were going to be like

487
00:22:43,680 --> 00:22:47,320
Speaker 3: the biggest threats to your adult life exactly, and then

488
00:22:47,480 --> 00:22:48,160
Speaker 3: they weren't.

489
00:22:48,400 --> 00:22:51,240
Speaker 2: Like it wasn't because it was never it was never portrayed.

490
00:22:50,880 --> 00:22:54,439
Speaker 3: As if like lava is a very specific thing that

491
00:22:54,480 --> 00:22:57,879
Speaker 3: can happen in these very specific places. Even when you

492
00:22:58,040 --> 00:23:00,760
Speaker 3: Even when I started learning about volcanoes, it didn't hit

493
00:23:00,800 --> 00:23:03,359
Speaker 3: me that, like, oh, volcanos are just kind of in

494
00:23:03,440 --> 00:23:06,639
Speaker 3: certain places. The way that it was presented was like

495
00:23:07,359 --> 00:23:09,720
Speaker 3: volcanos are everywhere, kind of like the way that they're

496
00:23:10,560 --> 00:23:12,360
Speaker 3: when you know, when you moved to la or moved

497
00:23:12,359 --> 00:23:15,000
Speaker 3: to California, and they're like there are earthquakes here every day,

498
00:23:15,119 --> 00:23:17,439
Speaker 3: you just can't feel them. And that's kind of like

499
00:23:18,000 --> 00:23:21,399
Speaker 3: what I feel about volcanoes and lava is just lava

500
00:23:21,480 --> 00:23:23,320
Speaker 3: is running beneath us, just ready.

501
00:23:23,040 --> 00:23:25,440
Speaker 2: To explode at all times. That's what I thought when

502
00:23:25,440 --> 00:23:25,960
Speaker 2: I was a kid.

503
00:23:27,080 --> 00:23:29,480
Speaker 1: Well, you know, so I will say I was a

504
00:23:29,480 --> 00:23:32,760
Speaker 1: little young for Mount Saint Helen's like when that happened,

505
00:23:33,119 --> 00:23:36,760
Speaker 1: I was like, you know, barely alive. So I don't

506
00:23:36,840 --> 00:23:40,159
Speaker 1: actually remember much about when that happened like in the news,

507
00:23:40,320 --> 00:23:43,720
Speaker 1: But I do remember when we learned about volcanoes in

508
00:23:43,800 --> 00:23:46,600
Speaker 1: elementary school, because remember, everybody had to make that fucking

509
00:23:46,680 --> 00:23:50,120
Speaker 1: volcano where they poured the baking soda and the vinegar

510
00:23:50,240 --> 00:23:53,440
Speaker 1: into their little model and then you know, everything erupted,

511
00:23:54,560 --> 00:23:57,080
Speaker 1: you know, they brought to class or whatever, and so

512
00:23:57,160 --> 00:24:00,080
Speaker 1: when we were learning about volcanoes, I remember that that

513
00:24:00,200 --> 00:24:04,920
Speaker 1: was the time that we learned about POMPEII, and for

514
00:24:05,000 --> 00:24:08,679
Speaker 1: some fucking reason, I became obsessed with the idea of

515
00:24:08,720 --> 00:24:11,479
Speaker 1: Pompey happening, like I just was like, and I think

516
00:24:11,560 --> 00:24:15,200
Speaker 1: it is because or like just like the idea of like, oh,

517
00:24:15,280 --> 00:24:20,120
Speaker 1: this volcano erupts and decimates an entire civilization or town

518
00:24:20,240 --> 00:24:22,600
Speaker 1: or whatever. And I think too a lot of it

519
00:24:22,640 --> 00:24:24,720
Speaker 1: was because you know, I grew up in the South, where,

520
00:24:25,119 --> 00:24:27,600
Speaker 1: you know, we don't really have earthquakes in the South,

521
00:24:27,760 --> 00:24:31,720
Speaker 1: even though there has been earthquakes in Georgia that I've felt,

522
00:24:31,880 --> 00:24:33,840
Speaker 1: but they were very small. Now that I live in

523
00:24:33,960 --> 00:24:37,960
Speaker 1: La or now that I've lived in La I'm like, oh,

524
00:24:38,119 --> 00:24:41,720
Speaker 1: that baby, tiny Georgia earthquake was literally happening every day,

525
00:24:41,960 --> 00:24:45,719
Speaker 1: like you said. But I was always like maybe enchanted

526
00:24:45,760 --> 00:24:49,120
Speaker 1: by the idea of volcanoes because I just never thought

527
00:24:49,160 --> 00:24:51,480
Speaker 1: about them in the South because it's always like hurricanes

528
00:24:51,480 --> 00:24:58,320
Speaker 1: and tornadoes. There's no volcano natural disaster happening in Georgia.

529
00:24:58,400 --> 00:25:00,680
Speaker 1: So on top of that, when we were learning about POMPEII,

530
00:25:00,760 --> 00:25:03,560
Speaker 1: I was like, this is fucking crazy, Like this whole

531
00:25:03,600 --> 00:25:09,320
Speaker 1: town got run over by some lava and then everybody died,

532
00:25:09,560 --> 00:25:12,439
Speaker 1: and like that is scariest shit to me.

533
00:25:13,040 --> 00:25:15,000
Speaker 3: Yeah, and it's wild to see it too, because if

534
00:25:15,040 --> 00:25:18,600
Speaker 3: you look at images from POMPEII now even it's like

535
00:25:18,640 --> 00:25:22,120
Speaker 3: they have bodies, they are still that were just kind

536
00:25:22,160 --> 00:25:24,080
Speaker 3: of you know, now it's not like a theme park now,

537
00:25:24,119 --> 00:25:26,640
Speaker 3: but you can go there, yeah, and experience the history

538
00:25:26,680 --> 00:25:30,040
Speaker 3: of the place. But they have the forms and bodies

539
00:25:30,080 --> 00:25:32,720
Speaker 3: and bones of people that died in the actual fucking

540
00:25:32,800 --> 00:25:35,320
Speaker 3: volcano still preserved and like ash and shit.

541
00:25:35,640 --> 00:25:37,480
Speaker 1: Yeah, that was a big thing for me too, which

542
00:25:37,520 --> 00:25:40,800
Speaker 1: I was like, I remember my teacher was talking about

543
00:25:40,880 --> 00:25:44,960
Speaker 1: how the dogs got like the dogs and cats were

544
00:25:45,160 --> 00:25:47,520
Speaker 1: buried in ash and then they're like in the thing.

545
00:25:47,560 --> 00:25:51,440
Speaker 1: And I was always like, holy shit, that's fucked up,

546
00:25:52,840 --> 00:25:56,879
Speaker 1: and I was obsessed with it. I made, speaking of

547
00:25:56,920 --> 00:26:00,600
Speaker 1: like science projects, I made a diorama. Do you remember iramas?

548
00:26:01,040 --> 00:26:03,440
Speaker 1: Of course, I'm talking about all these like old science

549
00:26:04,040 --> 00:26:07,400
Speaker 1: classroom shit things we used to make. But I made

550
00:26:07,400 --> 00:26:12,159
Speaker 1: a diorama about POMPEII, and I was just like, just conceptually,

551
00:26:13,040 --> 00:26:15,720
Speaker 1: I just thought it was so wild. And then a

552
00:26:15,760 --> 00:26:18,040
Speaker 1: few years ago I actually went to POMPEII because I

553
00:26:18,040 --> 00:26:20,119
Speaker 1: was on vacation with my mom and dad in Italy

554
00:26:20,160 --> 00:26:22,200
Speaker 1: and we were like, well, might as well go see

555
00:26:22,200 --> 00:26:24,639
Speaker 1: this Pompeii thing, And I was like, are you fucking joking?

556
00:26:25,880 --> 00:26:28,359
Speaker 1: It's like, this is a childhood dream. So we went

557
00:26:28,840 --> 00:26:31,879
Speaker 1: and it was crazy. It was it was. It was

558
00:26:31,920 --> 00:26:34,920
Speaker 1: crazy to see all of it and just how big

559
00:26:34,960 --> 00:26:37,280
Speaker 1: it was. For whatever reason, I didn't expect it to

560
00:26:37,320 --> 00:26:39,840
Speaker 1: be like big, like as in lots and lots of

561
00:26:39,880 --> 00:26:43,960
Speaker 1: different places to look. And I was also surprised that

562
00:26:44,000 --> 00:26:46,479
Speaker 1: they got dick jokes in POMPEII. I don't know if

563
00:26:46,520 --> 00:26:47,560
Speaker 1: they got dig jokes.

564
00:26:47,840 --> 00:26:48,280
Speaker 2: They do.

565
00:26:48,400 --> 00:26:51,600
Speaker 3: I learned about this on Task Master actually, I believe

566
00:26:51,640 --> 00:26:55,560
Speaker 3: it was series six and li'sa Tarbuck brought in the

567
00:26:55,760 --> 00:26:58,920
Speaker 3: something in the first you know, the first Oh got

568
00:26:58,920 --> 00:27:00,000
Speaker 3: what they call it first.

569
00:26:59,760 --> 00:27:01,120
Speaker 2: Half and.

570
00:27:02,520 --> 00:27:06,320
Speaker 3: She said that there and I looked it up after

571
00:27:06,400 --> 00:27:08,119
Speaker 3: because she's a very smart woman, but I was like, what,

572
00:27:08,280 --> 00:27:12,120
Speaker 3: I've never heard this. Apparently they used to draw dicks

573
00:27:12,400 --> 00:27:15,800
Speaker 3: that pointed the way towards brothels and stuff, so like

574
00:27:15,840 --> 00:27:17,560
Speaker 3: if you got off the boat or whatever and you

575
00:27:17,560 --> 00:27:19,480
Speaker 3: were like I want to fuck, and they're like, here's

576
00:27:19,480 --> 00:27:19,760
Speaker 3: a dick.

577
00:27:19,800 --> 00:27:20,640
Speaker 2: Follow the dick.

578
00:27:22,560 --> 00:27:23,200
Speaker 1: Exactly.

579
00:27:23,920 --> 00:27:27,160
Speaker 2: It's a very advanced society that's an advanced.

580
00:27:26,760 --> 00:27:28,920
Speaker 3: As society where they're like, we know what you want.

581
00:27:29,320 --> 00:27:30,960
Speaker 3: Here it is We're going to give it to you

582
00:27:31,000 --> 00:27:34,160
Speaker 3: in the most rudimentary way possible, so you cannot misconstrue this.

583
00:27:36,040 --> 00:27:37,080
Speaker 2: And follow them dicks.

584
00:27:37,280 --> 00:27:40,919
Speaker 1: Let me just tell you too. So we went to

585
00:27:41,000 --> 00:27:45,560
Speaker 1: Pompeii and my dad, he's the king of like following

586
00:27:45,600 --> 00:27:48,359
Speaker 1: the tour guide around and just asking him questions, like

587
00:27:48,480 --> 00:27:50,960
Speaker 1: batting off everybody else, Like my Dad's like, oh, could

588
00:27:51,000 --> 00:27:52,560
Speaker 1: you tell me about this? Can you tell me about this?

589
00:27:52,720 --> 00:27:54,879
Speaker 1: What's all this? About? What's this? I was like, yo, Dad,

590
00:27:55,200 --> 00:27:55,800
Speaker 1: I love it.

591
00:27:55,840 --> 00:27:58,200
Speaker 2: Every tour is a personal tour for him. Oh yeah,

592
00:27:58,200 --> 00:27:59,320
Speaker 2: that's such a dad move.

593
00:27:59,560 --> 00:27:59,800
Speaker 3: I know.

594
00:28:00,119 --> 00:28:02,600
Speaker 1: Was like, Yo, my dad cannot stop asking this guy questions.

595
00:28:02,960 --> 00:28:04,760
Speaker 1: So when we get to that part of the tour

596
00:28:04,800 --> 00:28:08,040
Speaker 1: where they talk about the brothel, I was like I

597
00:28:08,080 --> 00:28:12,000
Speaker 1: saw my first dick like that, the little etching, and

598
00:28:12,040 --> 00:28:13,720
Speaker 1: I was like, oh, hell no, I am not about

599
00:28:13,760 --> 00:28:16,879
Speaker 1: to walk into the dick room with my dad and

600
00:28:16,920 --> 00:28:19,000
Speaker 1: I am not about to have him ask a bunch

601
00:28:19,000 --> 00:28:23,160
Speaker 1: of questions about this dick stuff. I'm out of here.

602
00:28:23,200 --> 00:28:26,600
Speaker 1: And I actually fucking looked down and went around the

603
00:28:26,640 --> 00:28:28,880
Speaker 1: corner because I was like, I can't handle it.

604
00:28:28,880 --> 00:28:31,640
Speaker 3: It's too weird, Like I'm going back to them cats

605
00:28:31,640 --> 00:28:33,920
Speaker 3: and dogs, I will miss you.

606
00:28:34,840 --> 00:28:37,879
Speaker 1: In the other crumbly room down the thing because I

607
00:28:37,960 --> 00:28:41,320
Speaker 1: can't be here right now. So yeah, that was like

608
00:28:41,360 --> 00:28:43,960
Speaker 1: the one thing I didn't remember about Pompeii, but it

609
00:28:44,000 --> 00:28:47,800
Speaker 1: was great. It was like a dream fulfilled So I'm so.

610
00:28:47,800 --> 00:28:49,160
Speaker 2: Glad you got to experience that.

611
00:28:49,480 --> 00:28:52,760
Speaker 3: And yeah, volcanoes are definitely they're a curiosity for me

612
00:28:52,840 --> 00:28:56,480
Speaker 3: because I don't find I don't find that they are

613
00:28:57,480 --> 00:29:01,120
Speaker 3: chill enough that I want to live near them or

614
00:29:01,400 --> 00:29:03,600
Speaker 3: kind of walk on them or explore them.

615
00:29:04,960 --> 00:29:06,280
Speaker 2: Even when they're not exploding.

616
00:29:06,320 --> 00:29:09,280
Speaker 3: But there's such a curiosity to me because they are terrifying,

617
00:29:09,760 --> 00:29:11,720
Speaker 3: and yet people act as if they're just like any

618
00:29:11,760 --> 00:29:14,080
Speaker 3: old other mountain, and I'm like, that is not the case,

619
00:29:14,160 --> 00:29:18,080
Speaker 3: as one of our movies will expertly portray that is

620
00:29:18,160 --> 00:29:19,200
Speaker 3: not the case at all.

621
00:29:19,480 --> 00:29:23,760
Speaker 1: Yeah, I think that our dual fascination with volcanoes, our

622
00:29:23,840 --> 00:29:29,000
Speaker 1: dual fear of volcanoes, was really the sort of idea

623
00:29:29,040 --> 00:29:32,360
Speaker 1: behind the theme this week. And we have two. Okay,

624
00:29:33,320 --> 00:29:37,000
Speaker 1: your movie is I would consider a classic. It was

625
00:29:37,040 --> 00:29:40,400
Speaker 1: obviously something that you wanted to talk about because we

626
00:29:40,440 --> 00:29:42,520
Speaker 1: had discussed it before about how do you watch this

627
00:29:42,640 --> 00:29:46,680
Speaker 1: movie so much? And then my movie is so different,

628
00:29:48,480 --> 00:29:51,520
Speaker 1: so different, but it would be I think this is

629
00:29:51,560 --> 00:29:54,400
Speaker 1: gonna be a fun episode. It's gonna be a great

630
00:29:54,560 --> 00:29:58,120
Speaker 1: summer episode. We're gonna talk about volcanoes. And these two

631
00:29:58,120 --> 00:29:59,320
Speaker 1: movies are are good pair.

632
00:30:00,000 --> 00:30:01,680
Speaker 2: I could not agree more.

633
00:30:01,720 --> 00:30:03,440
Speaker 3: And I'm just I'm just gonna jump right in to

634
00:30:03,760 --> 00:30:07,600
Speaker 3: the floor, going first. I'm going first. And the movie

635
00:30:07,600 --> 00:30:12,080
Speaker 3: that I chose for our theme of the floor is Lava.

636
00:30:12,760 --> 00:30:16,440
Speaker 3: Was released in nineteen ninety and it was written and

637
00:30:16,600 --> 00:30:22,160
Speaker 3: directed by John Patrick Shanley. And the film is Joe

638
00:30:22,400 --> 00:30:24,680
Speaker 3: Versus the Volcano, Tom.

639
00:30:24,440 --> 00:30:30,160
Speaker 1: Hanks, Meg Ryan, Jill, Jill, Joe Banks in the story

640
00:30:30,200 --> 00:30:38,320
Speaker 1: of a man, a mine and a miracle the volcano.

641
00:30:39,400 --> 00:30:44,080
Speaker 3: Now, this is this is a pretty upfront. Got to

642
00:30:44,120 --> 00:30:48,200
Speaker 3: mention some some chops up here. John Patrick Shanley is

643
00:30:48,920 --> 00:30:53,200
Speaker 3: he's a very prolific American playwright and a lot of

644
00:30:53,200 --> 00:30:56,080
Speaker 3: his plays have been turned into films and he's written

645
00:30:56,080 --> 00:30:59,400
Speaker 3: a lot of films. So he's most known for things

646
00:30:59,440 --> 00:31:03,640
Speaker 3: like Moon Struck, Doubt, Yea, and Congo.

647
00:31:04,880 --> 00:31:06,280
Speaker 2: Just surround out that trilogy.

648
00:31:10,040 --> 00:31:12,280
Speaker 1: That's your assignment for next week, everyone, And I'm kidding.

649
00:31:13,680 --> 00:31:20,880
Speaker 3: He's a multi talented writer. Y'all Congo, Doubt, Moonstruck, and

650
00:31:21,200 --> 00:31:23,360
Speaker 3: Joe Versus the Volcano. So right off the bat, we're

651
00:31:23,400 --> 00:31:24,480
Speaker 3: coming in with a heavy hitter.

652
00:31:25,000 --> 00:31:26,840
Speaker 2: But then we have a movie.

653
00:31:26,600 --> 00:31:30,320
Speaker 3: That stars Tom Hanks as Joe Banks, which I kind

654
00:31:30,320 --> 00:31:34,200
Speaker 3: of love. We've got Meg Ryan playing three roles, yes,

655
00:31:35,600 --> 00:31:43,240
Speaker 3: Lloyd Bridges, Robert Stack, Av Goda, Dan Hadaya, Amanda Plummer,

656
00:31:43,920 --> 00:31:46,560
Speaker 3: like this is a lot, and all of these most

657
00:31:46,600 --> 00:31:49,320
Speaker 3: of these people are playing very minor roles.

658
00:31:49,440 --> 00:31:49,880
Speaker 1: Yeah.

659
00:31:49,920 --> 00:31:53,760
Speaker 3: So you've got these great actors, like dynastic actors playing

660
00:31:53,880 --> 00:31:56,640
Speaker 3: minor roles, and just it makes the movie sing.

661
00:31:57,160 --> 00:31:59,240
Speaker 2: But I love this movie.

662
00:31:59,600 --> 00:32:04,120
Speaker 3: I have loved since I was a child, and I

663
00:32:04,160 --> 00:32:08,160
Speaker 3: think that it imprinted on me in very specific ways,

664
00:32:08,280 --> 00:32:10,800
Speaker 3: one of which is it made me never want to

665
00:32:10,800 --> 00:32:11,640
Speaker 3: work in an office.

666
00:32:11,880 --> 00:32:12,240
Speaker 1: Oh.

667
00:32:13,160 --> 00:32:15,080
Speaker 3: This was one of the first movies I saw where

668
00:32:15,120 --> 00:32:17,960
Speaker 3: I thought being an adult is gonna fucking suck.

669
00:32:18,640 --> 00:32:19,440
Speaker 1: Yeah.

670
00:32:19,640 --> 00:32:21,600
Speaker 3: So you've got the setup, and I'll give you a

671
00:32:21,640 --> 00:32:25,400
Speaker 3: brief synopsis. I'll try to do my one sentence synopsis

672
00:32:26,360 --> 00:32:29,800
Speaker 3: for Joe Versus the Volcano. So, Joe Banks, who is

673
00:32:29,880 --> 00:32:35,280
Speaker 3: a former firefighter and current office drone, is diagnosed with

674
00:32:35,360 --> 00:32:39,360
Speaker 3: a rare and deadly illness and given six months to live,

675
00:32:40,200 --> 00:32:45,000
Speaker 3: which makes him a prime candidate when a man comes

676
00:32:45,080 --> 00:32:48,760
Speaker 3: knocking on his door and basically says he will fund

677
00:32:49,600 --> 00:32:52,160
Speaker 3: the rest of his life if he throws himself into

678
00:32:52,240 --> 00:32:52,840
Speaker 3: a volcano.

679
00:32:54,000 --> 00:32:54,520
Speaker 1: So good.

680
00:32:55,960 --> 00:32:57,360
Speaker 2: So that's the synopsis.

681
00:32:57,760 --> 00:33:00,600
Speaker 3: So at the beginning of the film, which upon this

682
00:33:00,760 --> 00:33:03,840
Speaker 3: rewatch I realized it wasn't just like five minutes. It's

683
00:33:03,920 --> 00:33:05,960
Speaker 3: like the first twenty to thirty minutes of the film

684
00:33:05,960 --> 00:33:09,640
Speaker 3: where you're seeing them in his horrible office situation, which

685
00:33:09,720 --> 00:33:12,600
Speaker 3: works in the narrative structure because it really sets up

686
00:33:13,280 --> 00:33:16,240
Speaker 3: the notion of why this guy would make this decision. Right,

687
00:33:16,280 --> 00:33:18,719
Speaker 3: They show the full scope of misery of his life

688
00:33:19,080 --> 00:33:20,080
Speaker 3: to show why he would.

689
00:33:19,840 --> 00:33:21,840
Speaker 2: Make this decision. And so you've got Joe.

690
00:33:22,040 --> 00:33:25,280
Speaker 3: He lives and works in New York on Staten Island,

691
00:33:25,800 --> 00:33:29,920
Speaker 3: and he works in this factory. It works in this

692
00:33:30,160 --> 00:33:35,240
Speaker 3: factory called American Paniscope, and they are the home of

693
00:33:35,280 --> 00:33:38,720
Speaker 3: the rectal probe yes. And there's a sign as he's

694
00:33:38,760 --> 00:33:40,880
Speaker 3: walking into the like he's doing this trudge into the

695
00:33:40,880 --> 00:33:45,480
Speaker 3: office building with like everyone who works there during their credits,

696
00:33:45,800 --> 00:33:48,440
Speaker 3: and there's a sign on the wall that says American

697
00:33:48,520 --> 00:33:52,240
Speaker 3: Paniscope fifty years of petroleum jelly and I want that

698
00:33:52,280 --> 00:33:54,080
Speaker 3: turned into a T shirt so badly.

699
00:33:54,600 --> 00:33:57,400
Speaker 1: I'm sure it's out there or somebody will make it.

700
00:33:57,400 --> 00:33:59,960
Speaker 3: It is the funniest sign. And it's just those little

701
00:34:00,120 --> 00:34:03,000
Speaker 3: bit parts in the beginning. But what I really love

702
00:34:03,040 --> 00:34:06,400
Speaker 3: about the opening of this movie and setting up Joe

703
00:34:06,440 --> 00:34:10,120
Speaker 3: Banks as a character, is that it is so gray,

704
00:34:10,560 --> 00:34:14,120
Speaker 3: like the coloring of this part of the movie. It's

705
00:34:14,200 --> 00:34:18,279
Speaker 3: just completely devoid of life and liveliness and it is

706
00:34:18,480 --> 00:34:21,960
Speaker 3: gray and gross. And again, the things that stick out

707
00:34:22,000 --> 00:34:26,200
Speaker 3: of my head about the opening scene in particular is when.

708
00:34:26,080 --> 00:34:28,640
Speaker 2: He goes he goes to make.

709
00:34:28,520 --> 00:34:31,800
Speaker 3: Coffee and the creamer chunks are just kind of floating

710
00:34:31,840 --> 00:34:36,319
Speaker 3: in this dishy gray like diarrhea brown water, and I

711
00:34:36,400 --> 00:34:39,359
Speaker 3: was like, oh god, the dignity of it.

712
00:34:39,960 --> 00:34:40,200
Speaker 2: God.

713
00:34:40,400 --> 00:34:43,960
Speaker 1: Yeah, this whole the first bit of this movie, which

714
00:34:44,000 --> 00:34:47,080
Speaker 1: you said is actually pretty long, This like whole setup is.

715
00:34:47,200 --> 00:34:51,680
Speaker 1: So it's the art direction of it is so interesting

716
00:34:51,680 --> 00:34:54,120
Speaker 1: to me because it kind of feels like already you're

717
00:34:54,200 --> 00:34:58,319
Speaker 1: sort of like okay, So it's almost like an artificial

718
00:34:58,480 --> 00:35:01,200
Speaker 1: world or something where you're like, okay. So he's working

719
00:35:01,200 --> 00:35:06,200
Speaker 1: at this like Rectal Probe company and everybody it looks

720
00:35:06,480 --> 00:35:09,840
Speaker 1: very like it looks very much like an old movie.

721
00:35:09,920 --> 00:35:12,280
Speaker 1: It's like a it almost feels like a William Cameron

722
00:35:12,360 --> 00:35:14,920
Speaker 1: Menzies type of thing where it's like art deco ish

723
00:35:15,040 --> 00:35:17,600
Speaker 1: or something like that. Yeah, and it's like a lot

724
00:35:17,640 --> 00:35:21,840
Speaker 1: of shadows, a lot of like darkness. That's the way

725
00:35:21,880 --> 00:35:25,239
Speaker 1: that the sidewalk is like designed. It's kind of got

726
00:35:25,239 --> 00:35:27,960
Speaker 1: this like real jagged edge and the buildings are very tall.

727
00:35:28,280 --> 00:35:30,359
Speaker 1: So it's just it reminds me of like an old

728
00:35:30,440 --> 00:35:33,040
Speaker 1: forties movie or something. It's really interesting.

729
00:35:33,719 --> 00:35:37,680
Speaker 3: And that design in particular, that jagged design mimics the

730
00:35:38,040 --> 00:35:42,560
Speaker 3: design of the the logo for the company. Yeah, and

731
00:35:42,600 --> 00:35:46,440
Speaker 3: then you see it again later when he is walking

732
00:35:46,520 --> 00:35:48,640
Speaker 3: up to the volcano. So they're kind of using those

733
00:35:49,440 --> 00:35:53,000
Speaker 3: those images to kind of hit on the emotional point

734
00:35:53,080 --> 00:35:56,600
Speaker 3: and the emotional beats of how how dreary and grim

735
00:35:56,760 --> 00:35:59,520
Speaker 3: this is and how dreary and grim life is. Yeah, yeah,

736
00:35:59,719 --> 00:36:01,480
Speaker 3: for sure, because I think again, like the thing that

737
00:36:01,520 --> 00:36:03,759
Speaker 3: came through to me so loud and clear was just

738
00:36:03,800 --> 00:36:06,480
Speaker 3: the drudgery of it, just going every single day to

739
00:36:06,520 --> 00:36:09,560
Speaker 3: the same place and being miserable and knowing you're going

740
00:36:09,640 --> 00:36:11,520
Speaker 3: to be miserable and you have to go there anyway.

741
00:36:11,760 --> 00:36:13,320
Speaker 2: Yeah, so sad.

742
00:36:13,360 --> 00:36:15,040
Speaker 3: And then the other thing that really stuck with me

743
00:36:15,080 --> 00:36:16,919
Speaker 3: because then again, like in the beginning of the movie,

744
00:36:16,960 --> 00:36:20,640
Speaker 3: it's there's comedy, for sure, there are definitely funny moments

745
00:36:20,640 --> 00:36:23,040
Speaker 3: that are happening, but it's not like you don't get

746
00:36:23,080 --> 00:36:27,200
Speaker 3: that typical Tom Hanks kind of comedy until later on

747
00:36:27,239 --> 00:36:29,600
Speaker 3: in the movie. So this is really just watching him

748
00:36:29,640 --> 00:36:32,120
Speaker 3: with this bad haircut and just you know that he

749
00:36:32,480 --> 00:36:34,400
Speaker 3: tries to put his hat on the hat rack and

750
00:36:34,400 --> 00:36:38,000
Speaker 3: the hooks keep falling down or followers twisting around. Every

751
00:36:38,120 --> 00:36:41,279
Speaker 3: moment of this guy's life is just a misery. And

752
00:36:41,320 --> 00:36:44,520
Speaker 3: he looks up at the fluorescent lights and they're blinking

753
00:36:44,640 --> 00:36:46,920
Speaker 3: and his eyes kind of start blinking like he's having

754
00:36:47,080 --> 00:36:49,919
Speaker 3: almost a seizure. And that stuck with me too, because

755
00:36:49,920 --> 00:36:51,839
Speaker 3: I'm just like, oh my god, there's no natural light

756
00:36:51,880 --> 00:36:54,720
Speaker 3: in here, like there's no there was just no joy.

757
00:36:54,760 --> 00:36:57,239
Speaker 3: And that came through so clearly for me, even as

758
00:36:57,239 --> 00:37:00,600
Speaker 3: a kid before I had a job, and for so

759
00:37:00,719 --> 00:37:03,680
Speaker 3: clearly to me that this was a miserable place. So

760
00:37:03,719 --> 00:37:06,680
Speaker 3: you're finding him trying to find he's trying to find

761
00:37:06,719 --> 00:37:10,440
Speaker 3: some spark of joy in this office that he goes

762
00:37:10,480 --> 00:37:11,200
Speaker 3: to every day.

763
00:37:11,400 --> 00:37:11,839
Speaker 2: He has this.

764
00:37:11,800 --> 00:37:14,839
Speaker 3: Little colorful lamp that he puts on his desk, and

765
00:37:14,880 --> 00:37:18,560
Speaker 3: his boss, of course hates it. And he's also, as

766
00:37:18,560 --> 00:37:21,320
Speaker 3: we come to find out, Joe Banks is a hypochondriac.

767
00:37:21,400 --> 00:37:23,880
Speaker 3: So he's constantly going to the doctor. He's constantly like

768
00:37:23,880 --> 00:37:24,800
Speaker 3: grabbing his throat.

769
00:37:24,920 --> 00:37:25,080
Speaker 2: Like.

770
00:37:26,280 --> 00:37:28,440
Speaker 3: The feeling that also comes through loud and clear for

771
00:37:28,560 --> 00:37:31,400
Speaker 3: me is that this place has made him sick, like

772
00:37:31,440 --> 00:37:35,560
Speaker 3: it's making him physically ill to go there. Yes, So

773
00:37:36,760 --> 00:37:40,719
Speaker 3: what happens along the way is he goes to a

774
00:37:40,760 --> 00:37:45,120
Speaker 3: doctor's appointment and his doctor is Robert Stacks, doctor Ellison.

775
00:37:45,680 --> 00:37:49,880
Speaker 1: Robert Stack had a big career like in classic film obviously,

776
00:37:49,920 --> 00:37:52,400
Speaker 1: but then most people my age and your age know

777
00:37:52,520 --> 00:37:58,000
Speaker 1: him as fucking Robert Stack from Unsolved Mysteries terrifying, and

778
00:37:58,040 --> 00:38:00,360
Speaker 1: every time I hear his voice, I'm.

779
00:38:00,239 --> 00:38:01,919
Speaker 2: Trigger fucking trench coat.

780
00:38:02,320 --> 00:38:06,600
Speaker 3: I have had so many nightmares where he was a

781
00:38:06,680 --> 00:38:10,680
Speaker 3: capital figure in them because of that show. Just that leering,

782
00:38:10,840 --> 00:38:16,359
Speaker 3: fucking trench coat. I'm Robert Stuck. This is just every

783
00:38:16,480 --> 00:38:19,560
Speaker 3: like just oh my god, he just ruined lives. He

784
00:38:19,640 --> 00:38:22,040
Speaker 3: went from had he had a sterling career. He had

785
00:38:22,040 --> 00:38:24,000
Speaker 3: a career so great that he could spend the last

786
00:38:24,000 --> 00:38:26,880
Speaker 3: part of his career just ruining lives.

787
00:38:27,160 --> 00:38:30,200
Speaker 1: Oh yeah, and everything on Unsolved Mysteries was like definitely

788
00:38:30,200 --> 00:38:33,040
Speaker 1: something that it's like and now here's a story of

789
00:38:33,080 --> 00:38:35,000
Speaker 1: a woman who went to the movies alone and then

790
00:38:35,120 --> 00:38:36,919
Speaker 1: just disappeared and was never heard from again.

791
00:38:37,200 --> 00:38:37,840
Speaker 2: What the fuck?

792
00:38:39,680 --> 00:38:41,880
Speaker 1: So yeah, the minute he started talking as the doctor,

793
00:38:41,920 --> 00:38:42,160
Speaker 1: I was.

794
00:38:42,200 --> 00:38:45,680
Speaker 3: Like, oh no, oh yeah, you're like, this shit's getting real, Like,

795
00:38:45,760 --> 00:38:48,160
Speaker 3: this shit is gonna get real. And it does because

796
00:38:48,320 --> 00:38:51,520
Speaker 3: doctor Ellison diagnoses.

797
00:38:51,320 --> 00:38:54,120
Speaker 2: Joe with a brain cloud.

798
00:38:55,280 --> 00:38:58,560
Speaker 3: He says, there's like he's because he's such a hypochondriac.

799
00:38:58,600 --> 00:39:01,400
Speaker 3: They were able to figure out out that he actually

800
00:39:01,440 --> 00:39:03,440
Speaker 3: has an illness and he only has six months to

801
00:39:03,480 --> 00:39:05,960
Speaker 3: live and this brain cloud runs right through the middle

802
00:39:06,000 --> 00:39:09,040
Speaker 3: split splits those hemispheres of his brain and it's going

803
00:39:09,120 --> 00:39:09,560
Speaker 3: to kill him.

804
00:39:09,560 --> 00:39:10,560
Speaker 2: But right now he's okay.

805
00:39:10,640 --> 00:39:12,120
Speaker 3: And the Doctor's like, if I were you, I would

806
00:39:12,120 --> 00:39:14,040
Speaker 3: just you know, live life and you know, use whatever

807
00:39:14,080 --> 00:39:17,279
Speaker 3: money you have and have fun. And the most realistic

808
00:39:17,360 --> 00:39:19,600
Speaker 3: and hilarious part of that scene is when Joe's like,

809
00:39:20,239 --> 00:39:21,960
Speaker 3: I don't have any money because I spent it all

810
00:39:22,040 --> 00:39:24,480
Speaker 3: on doctors, Like welcome to fucking America.

811
00:39:24,640 --> 00:39:24,960
Speaker 2: I know.

812
00:39:25,200 --> 00:39:27,600
Speaker 1: I was like, damn, don't have any.

813
00:39:27,440 --> 00:39:30,000
Speaker 3: Money to live the last six months of my life

814
00:39:30,239 --> 00:39:33,600
Speaker 3: because I spent it getting diagnosed. So we're just kicked

815
00:39:33,600 --> 00:39:37,719
Speaker 3: into this this narrative of him quitting his job and

816
00:39:38,320 --> 00:39:41,480
Speaker 3: kind of deciding that he does want to do something

817
00:39:41,520 --> 00:39:44,040
Speaker 3: more with the rest of his life, even if he

818
00:39:44,040 --> 00:39:46,359
Speaker 3: doesn't know what that is. And one of the things

819
00:39:46,360 --> 00:39:48,760
Speaker 3: he wants to do is ask d D, this coworker

820
00:39:48,800 --> 00:39:50,600
Speaker 3: of his, out on a date. And this is a Meg,

821
00:39:50,640 --> 00:39:53,440
Speaker 3: one of Meg Ryan's characters, the first one we see,

822
00:39:53,880 --> 00:39:56,680
Speaker 3: and she is so funny in all.

823
00:39:56,560 --> 00:39:57,520
Speaker 2: Three of her roles.

824
00:39:58,000 --> 00:39:59,759
Speaker 3: This one is great because she plays this kind of

825
00:39:59,880 --> 00:40:03,719
Speaker 3: like she's kind of like this far out sort of

826
00:40:04,200 --> 00:40:06,839
Speaker 3: character where like everything is just so comical to her

827
00:40:06,960 --> 00:40:09,840
Speaker 3: and so weird and new, and it's just kind of

828
00:40:09,840 --> 00:40:12,040
Speaker 3: it's very endearing. But they go on this cute date

829
00:40:12,480 --> 00:40:14,160
Speaker 3: and then when he tells her he has six months

830
00:40:14,160 --> 00:40:16,719
Speaker 3: to live, she's like, I can't handle that and leaves.

831
00:40:17,200 --> 00:40:19,319
Speaker 1: It's it must have been a bummer considering that they

832
00:40:19,320 --> 00:40:22,880
Speaker 1: had this like unspoken office you know, flirtation, and then

833
00:40:22,920 --> 00:40:25,200
Speaker 1: he and then he like lays that kind of bummer

834
00:40:25,280 --> 00:40:27,279
Speaker 1: news on her and she's just like, well, fuck man,

835
00:40:27,400 --> 00:40:27,799
Speaker 1: what the hell?

836
00:40:27,960 --> 00:40:30,439
Speaker 3: Yeah, but that's also part of it, Like, that's part

837
00:40:30,440 --> 00:40:32,840
Speaker 3: of what's so incredible about spending that much time in

838
00:40:32,880 --> 00:40:36,520
Speaker 3: the beginning of this movie in that office, because there's

839
00:40:36,560 --> 00:40:40,760
Speaker 3: nothing more that was more powerfully conveyed than the notion

840
00:40:40,840 --> 00:40:43,319
Speaker 3: of what it is to waste your life. So even

841
00:40:43,360 --> 00:40:45,600
Speaker 3: as a kid, I was like, that absolutely sucks. If

842
00:40:45,600 --> 00:40:48,560
Speaker 3: they like work together for all these years and now

843
00:40:48,600 --> 00:40:51,360
Speaker 3: he's gonna die and they don't even get to go out.

844
00:40:51,239 --> 00:40:53,160
Speaker 2: On more than one date, Like this blows.

845
00:40:53,360 --> 00:40:56,840
Speaker 3: Yeah, like life that the notion that life is short

846
00:40:57,200 --> 00:41:00,880
Speaker 3: is just peppered throughout this movie in you know, intensely,

847
00:41:01,480 --> 00:41:04,480
Speaker 3: you know, powerful ways and in very subtle and comical ways.

848
00:41:04,960 --> 00:41:07,920
Speaker 3: But I just I love that first image of Meg

849
00:41:08,000 --> 00:41:10,839
Speaker 3: Ryan playing kind of against type because she it's very

850
00:41:10,960 --> 00:41:13,359
Speaker 3: rare to see her like playing a bit, like doing

851
00:41:13,400 --> 00:41:13,680
Speaker 3: a bit.

852
00:41:13,920 --> 00:41:16,040
Speaker 1: Oh totally. I was so surprised by that.

853
00:41:16,280 --> 00:41:18,759
Speaker 3: Yeah, yeah, she's fully doing a bit in a couple

854
00:41:18,800 --> 00:41:20,879
Speaker 3: of her roles in this film. But then we cut

855
00:41:20,920 --> 00:41:23,320
Speaker 3: to my favorite scene because you know, I love a

856
00:41:23,400 --> 00:41:29,080
Speaker 3: makeover montage, but Joe basically is h he's at home.

857
00:41:29,200 --> 00:41:30,200
Speaker 2: No, I did what He's gonna do.

858
00:41:30,800 --> 00:41:34,640
Speaker 3: And then Lloyd Bridges, who plays the character Gray and Moore,

859
00:41:35,239 --> 00:41:38,600
Speaker 3: comes to his house and just his arrival, like Lloyd

860
00:41:38,600 --> 00:41:42,880
Speaker 3: Bridges is another person who had a sterling, classic Hollywood career,

861
00:41:43,400 --> 00:41:46,440
Speaker 3: and then I always knew him as like the funny

862
00:41:46,440 --> 00:41:48,839
Speaker 3: guy from Naked Gun or from like he always did

863
00:41:48,840 --> 00:41:51,719
Speaker 3: these kind of slapsticky roles when he was older, which

864
00:41:51,719 --> 00:41:54,960
Speaker 3: I think is such a fascinating choice and so just

865
00:41:55,000 --> 00:41:57,360
Speaker 3: so lively. It's a very lively decision to be like,

866
00:41:57,360 --> 00:41:58,719
Speaker 3: I'm not gonna not only am I not going to

867
00:41:58,800 --> 00:42:01,040
Speaker 3: rest on my laurels, I'm gonna do something totally different.

868
00:42:01,480 --> 00:42:04,920
Speaker 3: So he comes into Joe's apartment in a very slapsticky way,

869
00:42:04,960 --> 00:42:07,480
Speaker 3: and he's like, you know, he's like this apartment sucks.

870
00:42:07,480 --> 00:42:11,279
Speaker 3: And he's hits his cane against the wall and like

871
00:42:11,360 --> 00:42:14,240
Speaker 3: knocks out some dry wall. He's like, this apartment blows.

872
00:42:14,560 --> 00:42:17,760
Speaker 3: I own a company that makes superconductors. There's this island

873
00:42:17,800 --> 00:42:20,640
Speaker 3: that has a particular material that I need to make

874
00:42:20,680 --> 00:42:24,560
Speaker 3: my superconductors. The only problem is there's a volcano there

875
00:42:24,960 --> 00:42:28,640
Speaker 3: and they have to sacrifice somebody every twelve years or else.

876
00:42:28,680 --> 00:42:30,279
Speaker 3: You know, they're afraid the islands and get this blow

877
00:42:30,320 --> 00:42:32,480
Speaker 3: up and sing into the sea. So that's the deal

878
00:42:32,480 --> 00:42:34,200
Speaker 3: that he's made with the island is he will give

879
00:42:34,239 --> 00:42:38,400
Speaker 3: them the person to sacrifice, and he basically proposes it

880
00:42:38,440 --> 00:42:42,120
Speaker 3: to Joe and he's like, you know, I've heard that.

881
00:42:42,719 --> 00:42:44,399
Speaker 3: You know your doctor said you only have six months

882
00:42:44,440 --> 00:42:47,200
Speaker 3: to live, and what a way to go. Essentially is

883
00:42:47,239 --> 00:42:50,680
Speaker 3: how he prepares him for it. But then he also

884
00:42:50,800 --> 00:42:52,680
Speaker 3: lays out like a bunch of credit cards, and one

885
00:42:52,719 --> 00:42:55,600
Speaker 3: of them is a diners Club card, which just cracks

886
00:42:55,640 --> 00:42:59,480
Speaker 3: me up so much, such an eighties like, here's a

887
00:42:59,560 --> 00:43:01,240
Speaker 3: Diner's Club car.

888
00:43:03,239 --> 00:43:07,239
Speaker 1: Does Diners Club still exist in the year one?

889
00:43:07,440 --> 00:43:10,080
Speaker 2: No, I do not think so it can't.

890
00:43:10,360 --> 00:43:15,040
Speaker 1: If somebody has a current Dinners Club credit card, please

891
00:43:15,120 --> 00:43:16,840
Speaker 1: email us and I saw what you did, pot ofgmail

892
00:43:16,880 --> 00:43:17,200
Speaker 1: dot com.

893
00:43:17,200 --> 00:43:20,200
Speaker 3: Email us and then use that card to buy seventeen

894
00:43:20,239 --> 00:43:22,360
Speaker 3: T shirts just so we can make sure it still

895
00:43:22,440 --> 00:43:23,480
Speaker 3: exists and works.

896
00:43:24,040 --> 00:43:25,719
Speaker 1: Send us a picture of the front in the back.

897
00:43:27,000 --> 00:43:31,080
Speaker 1: I'm kidding, holy shit, Donners Club man, what a thing, huh.

898
00:43:31,480 --> 00:43:33,439
Speaker 2: But he lays out all these cards he just fans about,

899
00:43:33,480 --> 00:43:35,760
Speaker 2: and he's like, look, you can use these cards.

900
00:43:35,800 --> 00:43:38,080
Speaker 3: Here's the deal. I've got a ticket for you to LA.

901
00:43:38,360 --> 00:43:41,279
Speaker 3: You can go shopping today and you know, have a

902
00:43:41,320 --> 00:43:44,160
Speaker 3: blast in New York. Go to LA and then hop

903
00:43:44,200 --> 00:43:46,719
Speaker 3: on this boat and you're I'm gonna take you on

904
00:43:46,760 --> 00:43:49,440
Speaker 3: this yacht to this island and then you're gonna throw

905
00:43:49,480 --> 00:43:52,800
Speaker 3: yourself in a volcano and you're you're good to go.

906
00:43:53,880 --> 00:43:56,000
Speaker 2: Like that's your life, you know what's coming.

907
00:43:56,120 --> 00:43:58,080
Speaker 3: You can live out the rest of your days in

908
00:43:58,280 --> 00:44:05,000
Speaker 3: tropical glory until you decide to commit suicide. Essentially, Joe

909
00:44:05,080 --> 00:44:06,880
Speaker 3: is like, yeah, I'll do it. Like he's just so

910
00:44:07,040 --> 00:44:09,320
Speaker 3: does not give a fuck anymore. It's like yeah, whatever.

911
00:44:10,120 --> 00:44:14,520
Speaker 3: So then we go on this beautiful there's such a

912
00:44:14,560 --> 00:44:15,400
Speaker 3: beautiful scene.

913
00:44:15,480 --> 00:44:16,359
Speaker 2: It is so.

914
00:44:16,520 --> 00:44:22,120
Speaker 3: Funny where Assi Davis again another heavy hitter in the

915
00:44:22,160 --> 00:44:26,440
Speaker 3: world of not just Hollywood, but like Black Hollywood Royalty.

916
00:44:27,320 --> 00:44:30,719
Speaker 3: If you don't know about Ossy Davis, Ruby d their activism,

917
00:44:31,080 --> 00:44:33,600
Speaker 3: I just please look them up. There incredible people and

918
00:44:33,640 --> 00:44:37,640
Speaker 3: incredible actors. So he's playing this driver because Joe's like,

919
00:44:37,719 --> 00:44:40,160
Speaker 3: I'm going to hire a limo drive me around New

920
00:44:40,239 --> 00:44:42,920
Speaker 3: York and I could do my shopping, and Ossy Davis

921
00:44:43,000 --> 00:44:45,680
Speaker 3: is basically like, what is your life?

922
00:44:45,719 --> 00:44:46,360
Speaker 2: Like, who are you?

923
00:44:46,800 --> 00:44:49,080
Speaker 3: What the fuck's going on because Joe's like, I need

924
00:44:49,080 --> 00:44:50,520
Speaker 3: to get closed. He's like, well, what kind of clothes

925
00:44:50,520 --> 00:44:51,920
Speaker 3: do you need to get? And he's like, I don't know.

926
00:44:52,160 --> 00:44:54,640
Speaker 3: So Ozzy Davis pulls over the car and he's like,

927
00:44:54,680 --> 00:44:56,680
Speaker 3: what you asked me is a serious question, Like if

928
00:44:56,680 --> 00:44:58,200
Speaker 3: you don't know what kind of clothes you want, you

929
00:44:58,200 --> 00:45:00,239
Speaker 3: don't know what kind of man you are. I can't

930
00:45:00,239 --> 00:45:02,400
Speaker 3: deal with that shit. I was like, just tired to

931
00:45:02,520 --> 00:45:03,560
Speaker 3: try exactly.

932
00:45:03,600 --> 00:45:05,600
Speaker 1: I was like, he gets out of the front seat

933
00:45:05,640 --> 00:45:07,120
Speaker 1: and get He's like, I'm coming in the back with

934
00:45:07,239 --> 00:45:10,279
Speaker 1: This is a serious combo, and I was like that shit,

935
00:45:10,400 --> 00:45:13,120
Speaker 1: that is true shit. I was like, that's some existential shit.

936
00:45:13,560 --> 00:45:16,880
Speaker 1: I'm like it. He was basically suggesting that, like if

937
00:45:16,880 --> 00:45:18,400
Speaker 1: you don't know how to dress, then you don't know

938
00:45:18,400 --> 00:45:21,040
Speaker 1: what kind of person you are, and no one can

939
00:45:21,080 --> 00:45:23,640
Speaker 1: tell you that, Like he can't recommend where to buy

940
00:45:23,640 --> 00:45:26,680
Speaker 1: clothes because it's like, well, I don't know you, I

941
00:45:26,840 --> 00:45:29,040
Speaker 1: just met you, and don't ask me that because that's

942
00:45:29,080 --> 00:45:31,719
Speaker 1: just too heavy of a scenario. And I was like,

943
00:45:31,960 --> 00:45:33,200
Speaker 1: hell yeah, exactly.

944
00:45:33,360 --> 00:45:35,359
Speaker 3: When he says like I figured out my whole life

945
00:45:35,360 --> 00:45:37,680
Speaker 3: figuring out who I am, and now I'm tired and

946
00:45:37,719 --> 00:45:39,080
Speaker 3: I don't want to figure out who you.

947
00:45:40,560 --> 00:45:42,480
Speaker 1: I absolutely knew you were going to bring that up

948
00:45:42,480 --> 00:45:44,680
Speaker 1: because when that when he said that, I was like, Oh, yeah,

949
00:45:44,680 --> 00:45:48,320
Speaker 1: that's what Danielle is gonna crash onto.

950
00:45:49,680 --> 00:45:51,479
Speaker 2: So real and so good.

951
00:45:52,080 --> 00:45:54,600
Speaker 3: I just found that whole scene delightful because then he

952
00:45:54,640 --> 00:45:56,600
Speaker 3: does kind of quiz him a little bit about like

953
00:45:56,680 --> 00:45:57,759
Speaker 3: who are you, where are you going?

954
00:45:57,800 --> 00:45:59,279
Speaker 2: What is this trip? What's going on?

955
00:45:59,640 --> 00:46:01,719
Speaker 3: And then brings them around New York City and they

956
00:46:01,719 --> 00:46:04,880
Speaker 3: have this great, you know, kind of shopping excursion and

957
00:46:05,200 --> 00:46:07,120
Speaker 3: he buys a tux and then he buys a TuS

958
00:46:07,160 --> 00:46:09,440
Speaker 3: for Marshall, you know, the Aussie Davis character.

959
00:46:09,800 --> 00:46:11,640
Speaker 2: And it's just really sweet and cute.

960
00:46:11,920 --> 00:46:13,680
Speaker 3: But at the end of that scene, we're reminded that

961
00:46:13,800 --> 00:46:16,279
Speaker 3: Joe is just alone, you know, he has no one

962
00:46:16,320 --> 00:46:18,480
Speaker 3: to share any part of his life with. Even at

963
00:46:18,480 --> 00:46:21,439
Speaker 3: the end, but he set off on his adventure. He's

964
00:46:21,440 --> 00:46:23,920
Speaker 3: got his gear, and one of the most crucial parts

965
00:46:23,920 --> 00:46:28,360
Speaker 3: of his gear is purchased from the most intense luggage

966
00:46:28,400 --> 00:46:33,279
Speaker 3: salesperson of all time. He goes into this store and

967
00:46:33,280 --> 00:46:35,759
Speaker 3: it's the kind of store that has like a suitcase

968
00:46:35,840 --> 00:46:38,799
Speaker 3: out on display, which stores like that. I already am

969
00:46:38,800 --> 00:46:40,759
Speaker 3: not a bad I cannot stand those stores where they're like,

970
00:46:40,800 --> 00:46:44,160
Speaker 3: we sell clothes. Here's a shirt, and you're like what,

971
00:46:45,600 --> 00:46:47,800
Speaker 3: like is this a drug front? How are you in business?

972
00:46:47,880 --> 00:46:50,600
Speaker 3: Who is this store for? Why is this how you're

973
00:46:50,680 --> 00:46:52,680
Speaker 3: choosing to market? Like you don't have to jam things

974
00:46:52,680 --> 00:46:56,959
Speaker 3: to the rafters like fucking Joyce Leslie, But like why

975
00:46:57,480 --> 00:46:57,960
Speaker 3: why this?

976
00:46:58,160 --> 00:47:00,680
Speaker 2: Why the singular item? Don't get it?

977
00:47:00,680 --> 00:47:04,840
Speaker 1: It was like Melrose on steroids. It was like completely

978
00:47:05,000 --> 00:47:06,759
Speaker 1: and he gives them. He gives There's like the one

979
00:47:06,840 --> 00:47:09,880
Speaker 1: room that's basically looks like a church and just like

980
00:47:09,920 --> 00:47:11,359
Speaker 1: the steamer trunk in there.

981
00:47:12,200 --> 00:47:14,200
Speaker 3: He's like, if I was gonna buy anything, I'd buy this,

982
00:47:14,280 --> 00:47:16,600
Speaker 3: and Joe's like, cool, I'll take four of them, and

983
00:47:16,640 --> 00:47:21,160
Speaker 3: so he buys these four huge, handmade, old water tight

984
00:47:21,320 --> 00:47:23,400
Speaker 3: steamer trunks.

985
00:47:23,440 --> 00:47:24,080
Speaker 1: So good.

986
00:47:24,640 --> 00:47:27,319
Speaker 3: It's so it's such a fucking funny scene because again

987
00:47:27,440 --> 00:47:30,200
Speaker 3: Joe is like he does not give a shit about anything.

988
00:47:30,320 --> 00:47:32,800
Speaker 3: So this guy being so intense, he's like, yeah, whatever,

989
00:47:32,960 --> 00:47:33,720
Speaker 3: like I don't give.

990
00:47:33,800 --> 00:47:35,320
Speaker 2: You don't even have to give me the spiel.

991
00:47:35,400 --> 00:47:37,200
Speaker 3: Just point me towards the thing and I'll get it.

992
00:47:38,040 --> 00:47:40,360
Speaker 3: But he buys these trunks. He gets on the plane.

993
00:47:40,400 --> 00:47:43,960
Speaker 3: He gets to La where he meets the second Meg

994
00:47:44,080 --> 00:47:51,960
Speaker 3: Ryan character, Angelique, and she is so fucking funny just

995
00:47:52,120 --> 00:47:54,839
Speaker 3: the way she talks in the scene. She's got this

996
00:47:54,880 --> 00:47:57,760
Speaker 3: like severe red wig on and she's like an artist

997
00:47:57,760 --> 00:48:02,080
Speaker 3: and a poet and she is Great Moore's daughter, right,

998
00:48:02,160 --> 00:48:05,520
Speaker 3: So she's like she works for her dad, and she's like,

999
00:48:05,560 --> 00:48:07,400
Speaker 3: he just told me to pick you up and you know,

1000
00:48:07,480 --> 00:48:10,600
Speaker 3: take you to the hotel and whatever. And as they're

1001
00:48:10,680 --> 00:48:14,200
Speaker 3: driving into La, she's like, have you ever been here before?

1002
00:48:14,200 --> 00:48:17,000
Speaker 2: And you know, Joe Banks is like, no, it looks fake.

1003
00:48:17,080 --> 00:48:19,160
Speaker 2: I love it. And she's like it's a great town.

1004
00:48:19,520 --> 00:48:24,120
Speaker 3: It's it sucks like it stinks, but it's great. She's

1005
00:48:24,200 --> 00:48:28,280
Speaker 3: so intense and hilarious that scene.

1006
00:48:28,000 --> 00:48:30,520
Speaker 1: Where I don't know if they were like on mulhulland

1007
00:48:30,600 --> 00:48:33,520
Speaker 1: Drive or something, but they're like they're like looking out

1008
00:48:33,520 --> 00:48:35,640
Speaker 1: on the city on the on the in the car

1009
00:48:36,160 --> 00:48:41,319
Speaker 1: and she like tells she asks Tom Hanks's character if

1010
00:48:41,360 --> 00:48:45,560
Speaker 1: he wants to listen to one of her poems. I

1011
00:48:45,680 --> 00:48:48,759
Speaker 1: laughed so hard at that, and I was like I

1012
00:48:48,840 --> 00:48:51,319
Speaker 1: was genuinely looking at Tom Hanks's face to see if

1013
00:48:51,320 --> 00:48:54,080
Speaker 1: he was actually gonna like laugh like if he was

1014
00:48:54,120 --> 00:48:57,440
Speaker 1: gonna break character because it was so hilarious the way

1015
00:48:57,480 --> 00:49:00,480
Speaker 1: she just like starts the whole like to share a

1016
00:49:00,520 --> 00:49:02,440
Speaker 1: poem with you or whatever, and then she does it twice,

1017
00:49:02,480 --> 00:49:03,800
Speaker 1: which is so fucking funny.

1018
00:49:03,800 --> 00:49:07,200
Speaker 3: Again, that whole car scene is really funny because he's like, well,

1019
00:49:07,239 --> 00:49:09,360
Speaker 3: if you're if you're not happy, you know, working for

1020
00:49:09,440 --> 00:49:12,320
Speaker 3: your dad and you know you don't have a life

1021
00:49:12,360 --> 00:49:14,640
Speaker 3: that you want to lead, like you should just go

1022
00:49:14,680 --> 00:49:16,359
Speaker 3: find out what kind of life you want to have.

1023
00:49:16,400 --> 00:49:19,120
Speaker 3: And she's like, do you mean stop taking money from

1024
00:49:19,120 --> 00:49:21,080
Speaker 3: my father and leave La?

1025
00:49:21,160 --> 00:49:23,879
Speaker 2: Like okay, this is so good.

1026
00:49:24,719 --> 00:49:29,239
Speaker 1: This might be the most accurate portrayal of a woman

1027
00:49:29,360 --> 00:49:31,399
Speaker 1: that lives in La that we've ever seen on film.

1028
00:49:31,480 --> 00:49:33,000
Speaker 1: I'm just saying, the only.

1029
00:49:32,760 --> 00:49:35,279
Speaker 3: One that's comparable, the only one that's comparable to me

1030
00:49:35,920 --> 00:49:38,560
Speaker 3: is the Sarah Jeska Parker character from La Story. Yes,

1031
00:49:38,800 --> 00:49:44,960
Speaker 3: well yes, those two characters to me are like, like.

1032
00:49:45,000 --> 00:49:46,160
Speaker 2: This is not scripted.

1033
00:49:46,200 --> 00:49:48,799
Speaker 3: I feel like they just listen to a conversation and

1034
00:49:48,960 --> 00:49:50,280
Speaker 3: he just put it into the script.

1035
00:49:50,320 --> 00:49:51,319
Speaker 1: This is a documentary.

1036
00:49:51,400 --> 00:49:56,680
Speaker 3: Yes, oh lord, it was just this character so fucking funny.

1037
00:49:57,400 --> 00:50:00,360
Speaker 3: But then you get to meet the final the final boss,

1038
00:50:00,400 --> 00:50:03,160
Speaker 3: of the Meg Ryan character is Patricia when they get

1039
00:50:03,200 --> 00:50:06,760
Speaker 3: to the boat, because she is going to be taking

1040
00:50:07,239 --> 00:50:10,560
Speaker 3: Joe to the island in the South Pacific with Pani

1041
00:50:10,640 --> 00:50:14,040
Speaker 3: Wu is the name of the island, and she is

1042
00:50:14,080 --> 00:50:17,760
Speaker 3: taking him there. She's the captain of the yacht, and

1043
00:50:18,200 --> 00:50:21,080
Speaker 3: she's just Meg Ryan again basically. But this is the

1044
00:50:21,120 --> 00:50:27,600
Speaker 3: first movie in the Meg Ryan Tom Hank's collaboration cycle

1045
00:50:28,280 --> 00:50:30,360
Speaker 3: that we will come to know and love all throughout

1046
00:50:30,360 --> 00:50:32,760
Speaker 3: the next ten years, like through most of the nineties,

1047
00:50:33,200 --> 00:50:35,160
Speaker 3: and so she's just Meg Ryan again. So it's kind

1048
00:50:35,160 --> 00:50:37,080
Speaker 3: of fun to see her in all those different roles

1049
00:50:37,120 --> 00:50:40,200
Speaker 3: knowing that the next time we see her with Tom Hank,

1050
00:50:40,280 --> 00:50:42,520
Speaker 3: she's basically going to be playing kind of the same person,

1051
00:50:42,920 --> 00:50:46,799
Speaker 3: ye like, in terms of playing off of him. Their

1052
00:50:46,800 --> 00:50:50,200
Speaker 3: relationship and their rom comms is pretty much. It's very

1053
00:50:50,200 --> 00:50:53,200
Speaker 3: similar throughout the next few films there they're in together.

1054
00:50:53,640 --> 00:50:56,759
Speaker 3: But this is you know, this is a great and

1055
00:50:56,880 --> 00:51:00,560
Speaker 3: wild and fun trip for Joe. One of the funniest

1056
00:51:00,600 --> 00:51:03,640
Speaker 3: scenes in the film is when they're fishing on the

1057
00:51:03,640 --> 00:51:04,960
Speaker 3: boat oh My, and.

1058
00:51:06,320 --> 00:51:10,080
Speaker 2: She's reeling them in one after the other, and then he.

1059
00:51:13,680 --> 00:51:17,960
Speaker 3: Finally catches something and it's like heavy on his line

1060
00:51:17,960 --> 00:51:19,880
Speaker 3: and it takes like two people to help him like

1061
00:51:19,920 --> 00:51:24,240
Speaker 3: pull it back, and when he finally when it finally

1062
00:51:24,840 --> 00:51:27,719
Speaker 3: cress the lip of the ship and he and it

1063
00:51:27,840 --> 00:51:30,800
Speaker 3: comes into view, it's just like a fucking hammerhead shark.

1064
00:51:32,560 --> 00:51:35,040
Speaker 2: Mouth is like, he is.

1065
00:51:35,200 --> 00:51:38,279
Speaker 1: So fucking fu I didn't see this movie when I

1066
00:51:38,360 --> 00:51:39,960
Speaker 1: was like a kid, I saw it. I think I

1067
00:51:40,000 --> 00:51:42,120
Speaker 1: was in high school when I saw it. But if

1068
00:51:42,160 --> 00:51:43,880
Speaker 1: I had seen this movie at like ten or eleven

1069
00:51:43,920 --> 00:51:47,200
Speaker 1: years old or whatever, that would have made the entire

1070
00:51:47,440 --> 00:51:50,359
Speaker 1: movie for me, just that, oh see that comedy of

1071
00:51:50,480 --> 00:51:54,560
Speaker 1: like seeing this like cartoon fucking hammerhead shark come up.

1072
00:51:55,000 --> 00:51:57,439
Speaker 1: I screamed when I saw that. I was like, that's

1073
00:51:57,600 --> 00:52:01,799
Speaker 1: so fucking funny, so dumb. It's like it's one of

1074
00:52:01,840 --> 00:52:04,759
Speaker 1: the like thom As jokes, but it's so good. It's

1075
00:52:04,800 --> 00:52:05,880
Speaker 1: so fucking funny.

1076
00:52:05,960 --> 00:52:09,320
Speaker 3: It's ben so well timed, and it's so nicely paced,

1077
00:52:09,880 --> 00:52:12,400
Speaker 3: even if you know it's coming, like when you actually

1078
00:52:12,480 --> 00:52:16,759
Speaker 3: see what they've created, it is fucking hilarious. And it's

1079
00:52:16,800 --> 00:52:19,520
Speaker 3: funny in that Burb's way, like that kind of classic

1080
00:52:19,560 --> 00:52:24,440
Speaker 3: Tom Hanks sort of slapsticky way where he his scream

1081
00:52:24,560 --> 00:52:26,920
Speaker 3: is almost as funny as the shark that you're seeing.

1082
00:52:27,800 --> 00:52:28,759
Speaker 2: It's just beautiful.

1083
00:52:28,960 --> 00:52:32,600
Speaker 1: We love a normal guy that loses his shit, Like

1084
00:52:32,640 --> 00:52:34,759
Speaker 1: that's always a big comedy for the two of us.

1085
00:52:35,080 --> 00:52:37,600
Speaker 1: And Tom Hanks does it so well, Like it's like

1086
00:52:37,680 --> 00:52:44,239
Speaker 1: because he's the godfather of that character, right, the absolute king.

1087
00:52:44,640 --> 00:52:46,680
Speaker 2: So that so they're, you know, they're on this yacht.

1088
00:52:46,480 --> 00:52:48,719
Speaker 3: They're doing their thing, they're kind of talking, and you know,

1089
00:52:48,760 --> 00:52:51,320
Speaker 3: he tells her that he's gonna die in six months,

1090
00:52:51,360 --> 00:52:53,879
Speaker 3: and you know, she she doesn't know why she's taking

1091
00:52:53,920 --> 00:52:55,799
Speaker 3: him to this island until he tells her that, and

1092
00:52:55,800 --> 00:52:58,239
Speaker 3: then she's kind of like, that's fucked up, Like I

1093
00:52:58,239 --> 00:52:59,800
Speaker 3: can't believe my dad is making you do this. And

1094
00:52:59,880 --> 00:53:02,280
Speaker 3: he's like, now that's cool, Like I'm gonna die anyway,

1095
00:53:02,280 --> 00:53:07,279
Speaker 3: It's fine. But then, as will happen, all hell breaks loose. Yes,

1096
00:53:07,760 --> 00:53:12,120
Speaker 3: So there's a huge storm and Patricia gets knocked overboard.

1097
00:53:12,719 --> 00:53:15,840
Speaker 3: Joe dives in after her, and as he's in the

1098
00:53:15,880 --> 00:53:19,239
Speaker 3: midst of saving her from drowning, the yacht gets hit

1099
00:53:19,400 --> 00:53:22,680
Speaker 3: struck by lightning and cracked in half, and the only

1100
00:53:22,719 --> 00:53:26,360
Speaker 3: thing that survives are his steamer trunks, so he gathers

1101
00:53:26,400 --> 00:53:28,920
Speaker 3: them up and ties them together and they're just floating

1102
00:53:29,280 --> 00:53:31,319
Speaker 3: on the sea and meg Ryan is knocked out for

1103
00:53:31,360 --> 00:53:33,760
Speaker 3: like seven days. Like you just see the sun rise

1104
00:53:33,800 --> 00:53:35,680
Speaker 3: and set like a million times.

1105
00:53:36,000 --> 00:53:37,120
Speaker 2: She's out for the whole thing.

1106
00:53:37,320 --> 00:53:39,839
Speaker 3: But it's very sweet because he takes his he has

1107
00:53:39,840 --> 00:53:42,080
Speaker 3: this little violin case that he's purchased. It's like a

1108
00:53:42,200 --> 00:53:45,120
Speaker 3: bar and has has like one bottle of water in it,

1109
00:53:45,360 --> 00:53:47,320
Speaker 3: and he just takes little capfuls and gives them to

1110
00:53:47,360 --> 00:53:49,240
Speaker 3: her and make sure she's covered up from the sun.

1111
00:53:49,719 --> 00:53:54,799
Speaker 3: Meanwhile he is sunburnt and losing his fucking mind. It

1112
00:53:54,920 --> 00:53:58,239
Speaker 3: is so great, and again you can tell what's trying

1113
00:53:58,280 --> 00:54:00,080
Speaker 3: to be conveyed here that even at the end of

1114
00:54:00,120 --> 00:54:02,360
Speaker 3: his life, and this is the kind of guy he

1115
00:54:02,440 --> 00:54:05,600
Speaker 3: is where he's always going to save someone first, which

1116
00:54:05,640 --> 00:54:06,400
Speaker 3: is very sweet.

1117
00:54:06,440 --> 00:54:07,640
Speaker 2: But there's also God.

1118
00:54:07,680 --> 00:54:11,880
Speaker 3: This movie has the most unexpectedly beautiful scene in it

1119
00:54:11,960 --> 00:54:16,040
Speaker 3: when he's watching the moon rise from the ocean, and

1120
00:54:16,200 --> 00:54:20,239
Speaker 3: again he's completely sun baked and just delirious.

1121
00:54:20,600 --> 00:54:22,880
Speaker 2: But then you watch the moon start to rise and

1122
00:54:22,920 --> 00:54:23,640
Speaker 2: it's huge.

1123
00:54:23,800 --> 00:54:27,640
Speaker 3: It's huge, and he looks at it and kind of

1124
00:54:27,640 --> 00:54:31,640
Speaker 3: with tears in his eyes, he says, Dear God, whose

1125
00:54:31,719 --> 00:54:34,520
Speaker 3: name I do not know thank you for my life,

1126
00:54:35,680 --> 00:54:39,000
Speaker 3: And it's just so heartbreaking and touching in the middle

1127
00:54:39,000 --> 00:54:41,480
Speaker 3: of this comedy like this is John Patrick Shanley can

1128
00:54:41,520 --> 00:54:43,600
Speaker 3: really write a character. He can really give you the

1129
00:54:43,640 --> 00:54:47,640
Speaker 3: full scope of a full scope of a character character's

1130
00:54:47,680 --> 00:54:51,239
Speaker 3: emotional life. And I just I loved it. But then

1131
00:54:51,280 --> 00:54:53,960
Speaker 3: you know, they get saved, they get to wapani Wu.

1132
00:54:54,040 --> 00:54:57,280
Speaker 3: After all, they're welcomed. Now here's where you have to again,

1133
00:54:57,719 --> 00:55:00,960
Speaker 3: you have to put yourself in the framework of the

1134
00:55:01,120 --> 00:55:06,240
Speaker 3: nineties because the South Pacific Islanders are played by Nathan

1135
00:55:06,360 --> 00:55:09,879
Speaker 3: Lane and Ape Vagoda, So just.

1136
00:55:09,880 --> 00:55:10,960
Speaker 2: Get in that mindset.

1137
00:55:11,440 --> 00:55:14,640
Speaker 3: Not meant to be offensive, but like we know that

1138
00:55:14,719 --> 00:55:17,920
Speaker 3: this is what was happening in the nineties. And a Vagoda,

1139
00:55:18,040 --> 00:55:20,799
Speaker 3: for his I mean, to his credit, he doesn't try

1140
00:55:20,800 --> 00:55:23,920
Speaker 3: to affect an accent or anything. He sounds like a Vagoda,

1141
00:55:24,000 --> 00:55:26,799
Speaker 3: which is the funniest fucking thing in the world. He's

1142
00:55:26,840 --> 00:55:29,880
Speaker 3: in like full headdress and makeup and he's just like, uh,

1143
00:55:29,920 --> 00:55:31,920
Speaker 3: so you're gonna jump in that volcano or what.

1144
00:55:32,280 --> 00:55:34,880
Speaker 2: He's just so flat out a pagoda.

1145
00:55:35,000 --> 00:55:35,320
Speaker 1: Yeah.

1146
00:55:35,360 --> 00:55:37,640
Speaker 3: And then Nathan Lane, who plays like the one that

1147
00:55:37,719 --> 00:55:41,319
Speaker 3: kind of welcomes them. But there's this whole really hilarious

1148
00:55:41,480 --> 00:55:44,680
Speaker 3: scene of you know, they arrive and they're like, Okay, cool,

1149
00:55:44,680 --> 00:55:46,160
Speaker 3: you're gonna jump into the volcano.

1150
00:55:45,840 --> 00:55:48,400
Speaker 2: Tonight, so they we have to get you ready.

1151
00:55:48,640 --> 00:55:52,200
Speaker 3: So Meg Ryan's being pampered and like tropical delight, like

1152
00:55:52,239 --> 00:55:54,520
Speaker 3: you know, just the softness of you know, having her

1153
00:55:54,560 --> 00:55:57,880
Speaker 3: calluses rubbed off with coral and you know, being bathed

1154
00:55:57,920 --> 00:56:02,120
Speaker 3: in flowers and oils. Meanwhile, Hanks is getting literally beaten

1155
00:56:02,200 --> 00:56:04,280
Speaker 3: with a fish, like he's just getting beat.

1156
00:56:04,200 --> 00:56:07,520
Speaker 2: Up with fish, and he's.

1157
00:56:06,680 --> 00:56:10,640
Speaker 3: At one part where it's not explained, but they cut

1158
00:56:10,760 --> 00:56:13,480
Speaker 3: between the two and when they cut back to him

1159
00:56:13,520 --> 00:56:16,120
Speaker 3: at some point, he's just like pulling a squid off

1160
00:56:16,120 --> 00:56:16,760
Speaker 3: of his face.

1161
00:56:19,600 --> 00:56:21,000
Speaker 2: Like the guys are all just.

1162
00:56:21,040 --> 00:56:24,239
Speaker 3: Totally fucking with him, and he's like all right, all right, enough,

1163
00:56:24,880 --> 00:56:29,399
Speaker 3: he goes, he gets ready. They show up, confess their

1164
00:56:29,440 --> 00:56:31,439
Speaker 3: love to each other right before they're about to jump

1165
00:56:31,440 --> 00:56:35,360
Speaker 3: into this volcano and decide to get married. And again

1166
00:56:35,640 --> 00:56:37,600
Speaker 3: Chief ape Vagoda is just like, do you want to

1167
00:56:37,640 --> 00:56:38,080
Speaker 3: marry her?

1168
00:56:38,120 --> 00:56:40,040
Speaker 2: Do you want to marry him? All right, you're married,

1169
00:56:40,320 --> 00:56:47,160
Speaker 2: jump into the volcano now, all business. So they do.

1170
00:56:47,200 --> 00:56:47,720
Speaker 2: They jump.

1171
00:56:47,760 --> 00:56:50,400
Speaker 3: They decide to jump into the volcano and Patricia decides

1172
00:56:50,440 --> 00:56:53,399
Speaker 3: to jump with him, and her whole attitude is one

1173
00:56:53,400 --> 00:56:55,680
Speaker 3: that I really love in this movie because she's very

1174
00:56:56,360 --> 00:56:59,239
Speaker 3: She's kind of antithetical to the way Joe had been

1175
00:56:59,280 --> 00:57:03,000
Speaker 3: living his life prior to this diagnosis, and her way

1176
00:57:03,040 --> 00:57:06,279
Speaker 3: of living life is just fuck it, let's find out, yeah,

1177
00:57:06,760 --> 00:57:10,040
Speaker 3: which you know comes with the privilege of being a

1178
00:57:10,120 --> 00:57:12,720
Speaker 3: rich white lady in la of course, but in general,

1179
00:57:12,920 --> 00:57:16,280
Speaker 3: I kind of like her general confidence and her general

1180
00:57:16,320 --> 00:57:19,360
Speaker 3: curiosity about life is pretty pretty cool. So they decide

1181
00:57:19,400 --> 00:57:22,960
Speaker 3: to jump in. We usually don't do spoilers, but I'm

1182
00:57:22,960 --> 00:57:25,400
Speaker 3: gonna do this one because it's not the end of

1183
00:57:25,440 --> 00:57:28,120
Speaker 3: the movie. There's a bigger spoiler that comes after this.

1184
00:57:28,760 --> 00:57:33,600
Speaker 3: So they jump into the volcano and the volcano immediately.

1185
00:57:32,920 --> 00:57:33,680
Speaker 2: Spits them out.

1186
00:57:35,120 --> 00:57:38,680
Speaker 3: They just fly through the sky into the ocean and

1187
00:57:38,800 --> 00:57:42,560
Speaker 3: land and his trunks pop back up as the island

1188
00:57:42,600 --> 00:57:44,960
Speaker 3: is like sinking into the ocean and the volcano is erupting.

1189
00:57:45,800 --> 00:57:49,720
Speaker 3: But there's a bigger twist reveal after that and another

1190
00:57:50,080 --> 00:57:51,440
Speaker 3: very beautiful.

1191
00:57:50,960 --> 00:57:53,800
Speaker 2: Moment, and it just I don't know.

1192
00:57:53,840 --> 00:57:55,720
Speaker 3: At the end of this movie, you're just left feeling

1193
00:57:56,200 --> 00:57:59,800
Speaker 3: it's a very delightful and enchanting movie. For me because,

1194
00:57:59,800 --> 00:58:02,640
Speaker 3: like I think again, like John Patrick Shanley goes so

1195
00:58:03,480 --> 00:58:07,960
Speaker 3: deftly through the misery of life to the joys of life,

1196
00:58:08,040 --> 00:58:11,880
Speaker 3: and it just very it's a strange movie to make

1197
00:58:11,880 --> 00:58:13,640
Speaker 3: you feel excited about life. But that's kind of the

1198
00:58:13,680 --> 00:58:15,480
Speaker 3: effect it still has on me, and it did when

1199
00:58:15,520 --> 00:58:16,680
Speaker 3: I was a kid, and it does now.

1200
00:58:16,880 --> 00:58:21,760
Speaker 1: Oh totally. It's a total like existential meditation that is

1201
00:58:22,960 --> 00:58:28,000
Speaker 1: being played out through like a quirky comedy. Like that's great, right,

1202
00:58:28,360 --> 00:58:31,480
Speaker 1: And again, I think when I saw it as a

1203
00:58:31,520 --> 00:58:34,000
Speaker 1: younger person, not like super young, but when I was

1204
00:58:34,000 --> 00:58:35,960
Speaker 1: a younger person, I did not pick up on the

1205
00:58:36,040 --> 00:58:37,959
Speaker 1: nuance of that at all. I just thought, oh, here's

1206
00:58:38,000 --> 00:58:40,840
Speaker 1: a weird comedy, and I love quirky things and quirky

1207
00:58:40,920 --> 00:58:43,560
Speaker 1: characters and all this stuff like that. But then like now,

1208
00:58:43,600 --> 00:58:45,920
Speaker 1: of course, as an older person, I'm like, damn, this

1209
00:58:45,960 --> 00:58:50,040
Speaker 1: shit is fucking deep, like yeah, and really does create

1210
00:58:50,160 --> 00:58:52,680
Speaker 1: like and these sort of moments too, where we talked

1211
00:58:52,720 --> 00:58:55,600
Speaker 1: about it before, where you're like, oh, these like tiny

1212
00:58:55,640 --> 00:58:59,000
Speaker 1: moments where you know a character decides or not doesn't

1213
00:58:59,040 --> 00:59:02,000
Speaker 1: decide to do something. And I was really like having

1214
00:59:02,040 --> 00:59:03,680
Speaker 1: a moment where I was like, damn, would I jump

1215
00:59:03,680 --> 00:59:05,920
Speaker 1: in a volcano with this guy that I just married,

1216
00:59:05,920 --> 00:59:09,080
Speaker 1: that I just met, you know, Like, would I even

1217
00:59:09,160 --> 00:59:11,720
Speaker 1: jump in the volcano if I was him at this point?

1218
00:59:11,760 --> 00:59:14,040
Speaker 1: Like what what are they thinking? Like I just kept

1219
00:59:14,160 --> 00:59:18,040
Speaker 1: like asking the big questions like throughout this entire movie,

1220
00:59:18,080 --> 00:59:23,840
Speaker 1: and I was like, damn, okay, now.

1221
00:59:23,880 --> 00:59:25,640
Speaker 2: Real talk. I wouldn't even have gotten on the plane.

1222
00:59:25,640 --> 00:59:27,800
Speaker 3: I'd still be in my shitty apartment in Staten Island,

1223
00:59:27,840 --> 00:59:30,800
Speaker 3: being like mad about the fact that I wasted the

1224
00:59:30,880 --> 00:59:33,800
Speaker 3: last I would waste the last the last six months

1225
00:59:33,800 --> 00:59:36,280
Speaker 3: of my life, being mad about the first forty years

1226
00:59:36,280 --> 00:59:37,760
Speaker 3: of my life and all that I didn't do.

1227
00:59:39,880 --> 00:59:43,320
Speaker 1: I would have definitely spent the fucking money. I do

1228
00:59:43,400 --> 00:59:45,440
Speaker 1: love a steamer trunk. I would have definitely bought four

1229
00:59:45,480 --> 00:59:49,040
Speaker 1: steamer trunks. And the boat seems pretty chill. But then

1230
00:59:49,200 --> 00:59:51,400
Speaker 1: I think at some point, if I was floating out

1231
00:59:51,480 --> 00:59:54,960
Speaker 1: on the ocean with no water, I would probably be

1232
00:59:55,480 --> 00:59:57,480
Speaker 1: at my wits end at that point, and I wouldn't

1233
00:59:57,480 --> 00:59:59,520
Speaker 1: have even gotten to the island. I've just been like, yeah,

1234
00:59:59,560 --> 01:00:02,000
Speaker 1: this is let's fall into this ocean and get bit

1235
01:00:02,120 --> 01:00:04,120
Speaker 1: by this hammerhead shark and call it a day.

1236
01:00:04,640 --> 01:00:05,080
Speaker 2: That's it.

1237
01:00:05,400 --> 01:00:08,080
Speaker 1: I love the best left I could. I'm baked in

1238
01:00:08,120 --> 01:00:08,479
Speaker 1: the sun.

1239
01:00:08,920 --> 01:00:09,600
Speaker 2: I tried it.

1240
01:00:10,280 --> 01:00:12,680
Speaker 1: I tried it and didn't get there.

1241
01:00:12,880 --> 01:00:15,760
Speaker 3: So also, and this is it is it's a weird

1242
01:00:15,800 --> 01:00:18,320
Speaker 3: movie about resilience too in that way, right, Yeah, Like

1243
01:00:18,400 --> 01:00:20,480
Speaker 3: he keeps going. He doesn't have to. He thinks he's

1244
01:00:20,520 --> 01:00:22,280
Speaker 3: gonna die in six months. He doesn't have to do

1245
01:00:22,320 --> 01:00:26,040
Speaker 3: any of this shit. He keeps going. And and just

1246
01:00:26,080 --> 01:00:29,560
Speaker 3: want to point out I believe and there is absolutely

1247
01:00:29,560 --> 01:00:30,840
Speaker 3: no factual basis for.

1248
01:00:30,800 --> 01:00:32,520
Speaker 2: This at all.

1249
01:00:32,680 --> 01:00:35,960
Speaker 3: This to me is where James Cameron might have gotten

1250
01:00:35,960 --> 01:00:39,280
Speaker 3: the idea in Titanic about whether or not Rose and

1251
01:00:39,440 --> 01:00:41,720
Speaker 3: Jack could both fit on that fucking door.

1252
01:00:43,920 --> 01:00:46,360
Speaker 1: I've never seen that movie, so I don't know what

1253
01:00:46,400 --> 01:00:49,120
Speaker 1: you're talking about, but I'm sure people are gonna tell

1254
01:00:49,160 --> 01:00:51,400
Speaker 1: me there's gonna be comboddy right now.

1255
01:00:51,520 --> 01:00:53,880
Speaker 2: I'm gonna save everyone's breath. And I'm gonna tell you

1256
01:00:54,000 --> 01:00:54,280
Speaker 2: right now.

1257
01:00:54,320 --> 01:00:57,080
Speaker 3: At the end of Titanic, they're floating around in the

1258
01:00:57,280 --> 01:01:02,280
Speaker 3: icy water. Okay, they're blue. Jack is in the water.

1259
01:01:03,200 --> 01:01:06,080
Speaker 3: Rose is floating on a door. He tries to get

1260
01:01:06,160 --> 01:01:09,760
Speaker 3: up there with her, and he can't, like he gets

1261
01:01:09,800 --> 01:01:12,400
Speaker 3: off because they would both like sink. So he gets

1262
01:01:12,440 --> 01:01:14,640
Speaker 3: off and kind of hangs out in the water and

1263
01:01:14,680 --> 01:01:18,560
Speaker 3: then just fucking freezes to death and then she gets rescued.

1264
01:01:19,480 --> 01:01:21,840
Speaker 3: So there's this whole argument about whether or not he

1265
01:01:21,880 --> 01:01:24,200
Speaker 3: could have fit on the door and also been rescued.

1266
01:01:25,160 --> 01:01:27,040
Speaker 1: Wait a minute, so you're telling me if they didn't

1267
01:01:27,040 --> 01:01:29,760
Speaker 1: both get on the door, the door was sinking. If

1268
01:01:29,800 --> 01:01:31,400
Speaker 1: when they both try to get on it is that

1269
01:01:31,560 --> 01:01:33,560
Speaker 1: they figured it out and they were like not no

1270
01:01:33,640 --> 01:01:36,160
Speaker 1: good yep, Okay.

1271
01:01:35,840 --> 01:01:40,000
Speaker 3: Then controversy is he could have fit. She could have

1272
01:01:40,000 --> 01:01:41,720
Speaker 3: made room. He couldn't have moved over. They could have

1273
01:01:41,760 --> 01:01:44,360
Speaker 3: worked it out. Yeah, they could. You could put fit

1274
01:01:44,400 --> 01:01:46,440
Speaker 3: two people on the door. Just have your legs dangling

1275
01:01:46,480 --> 01:01:48,000
Speaker 3: out if they have to amputatum.

1276
01:01:48,000 --> 01:01:50,840
Speaker 1: At least y'all both have your legs amputated, and that's great,

1277
01:01:52,040 --> 01:01:54,600
Speaker 1: Like y'all are still alive and together even though none

1278
01:01:54,640 --> 01:01:56,560
Speaker 1: of nobody has legs or whatever.

1279
01:01:57,440 --> 01:02:01,040
Speaker 2: Also, just take turns, man, Yeah on the door.

1280
01:02:01,520 --> 01:02:04,040
Speaker 3: We'll count it, you know, one hundred and then I'll

1281
01:02:04,040 --> 01:02:04,800
Speaker 3: hop on the door.

1282
01:02:05,080 --> 01:02:08,040
Speaker 1: Okay, I'm definitely not seeing this movie. I can't handle

1283
01:02:08,040 --> 01:02:09,479
Speaker 1: that puny shit.

1284
01:02:09,640 --> 01:02:11,360
Speaker 3: I can't handle this where you have to see it

1285
01:02:11,360 --> 01:02:13,400
Speaker 3: because the best fucking part of the movie.

1286
01:02:13,560 --> 01:02:14,360
Speaker 2: He's dead.

1287
01:02:14,560 --> 01:02:17,400
Speaker 3: He's literally frozen holding onto the door. That's how cold

1288
01:02:17,400 --> 01:02:19,600
Speaker 3: he is. So she just like cracks his hand and

1289
01:02:19,640 --> 01:02:21,200
Speaker 3: he floats back down into the sea.

1290
01:02:21,560 --> 01:02:26,320
Speaker 2: Oh shit, he sinks down like the Titanic.

1291
01:02:26,800 --> 01:02:29,240
Speaker 3: There goes Jack's life in dreams, and she just like

1292
01:02:29,320 --> 01:02:30,960
Speaker 3: cracks them off into the fucking ocean.

1293
01:02:31,440 --> 01:02:33,840
Speaker 2: It's unintentionally hilarious.

1294
01:02:36,000 --> 01:02:39,200
Speaker 1: Weirdly enough, Titanic sort of plays into my movie for

1295
01:02:39,240 --> 01:02:41,320
Speaker 1: this week. So maybe we will bring this up in

1296
01:02:41,440 --> 01:02:44,919
Speaker 1: just a moment. But I guess maybe, I guess maybe

1297
01:02:44,920 --> 01:02:45,520
Speaker 1: I will see it.

1298
01:02:46,280 --> 01:02:48,840
Speaker 3: Let's do it now, Let's let's swatch it when you

1299
01:02:49,120 --> 01:02:52,440
Speaker 3: when you come to visit, we'll watch Titanic. We'll make

1300
01:02:52,480 --> 01:02:55,960
Speaker 3: sure it is set up in the most comfortably hilarious

1301
01:02:55,960 --> 01:02:58,840
Speaker 3: way possible. So come in the winter, a fire going,

1302
01:02:59,200 --> 01:03:03,240
Speaker 3: we'll have snack, cool, we'll get some drinks going, and

1303
01:03:03,280 --> 01:03:06,720
Speaker 3: then we'll pop it on purely as like an MST

1304
01:03:06,800 --> 01:03:07,720
Speaker 3: three K experiment.

1305
01:03:07,840 --> 01:03:10,760
Speaker 1: Okay, you got a deal, my friend.

1306
01:03:10,840 --> 01:03:12,760
Speaker 3: But now I'm intrigued about your movie. I loved Jo

1307
01:03:12,880 --> 01:03:14,760
Speaker 3: Versus the Volcano. I think it's a great summer movie.

1308
01:03:15,040 --> 01:03:17,000
Speaker 3: It I still think it's a good movie for kids

1309
01:03:17,080 --> 01:03:18,240
Speaker 3: like I think kids could watch it.

1310
01:03:18,880 --> 01:03:19,720
Speaker 1: Yeah, for sure.

1311
01:03:19,840 --> 01:03:21,600
Speaker 3: It's a rarity that, you know, we have a lot

1312
01:03:21,640 --> 01:03:24,840
Speaker 3: of older movies that kids can still kind of watch nowadays.

1313
01:03:24,880 --> 01:03:27,600
Speaker 3: But I just think it's a good summer flick.

1314
01:03:28,120 --> 01:03:31,360
Speaker 1: It definitely evokes childhood. I think for people our age,

1315
01:03:32,080 --> 01:03:35,160
Speaker 1: the high Tom Hanks era, it's great. It's a great

1316
01:03:35,360 --> 01:03:39,080
Speaker 1: fun summer film, and it is such a joy to

1317
01:03:39,160 --> 01:03:43,040
Speaker 1: rewatch knowing that you picked it for this theme. So

1318
01:03:43,120 --> 01:03:48,959
Speaker 1: and then there's your movie. Can we just keep talking

1319
01:03:48,960 --> 01:03:51,400
Speaker 1: about your movie? No, I'm kidding. All right, Fine, we'll

1320
01:03:51,400 --> 01:03:52,520
Speaker 1: talk about my movie.

1321
01:03:52,920 --> 01:03:54,880
Speaker 2: I can't wait. I cannot wait.

1322
01:03:55,520 --> 01:04:04,200
Speaker 1: Holy shit. All right, So my film for the theme

1323
01:04:04,840 --> 01:04:10,680
Speaker 1: of the floor is Lava is a movie from nineteen

1324
01:04:10,760 --> 01:04:15,680
Speaker 1: ninety seven. It was directed by Roger Donaldson and it's

1325
01:04:15,720 --> 01:04:17,600
Speaker 1: called Dante's Peak.

1326
01:04:18,400 --> 01:04:25,480
Speaker 2: In the tone of Dante's Peak of volcano is turning

1327
01:04:25,600 --> 01:04:28,040
Speaker 2: nature into a nightmare.

1328
01:04:31,920 --> 01:04:34,320
Speaker 1: I want to talk about the disaster film a little

1329
01:04:34,320 --> 01:04:36,360
Speaker 1: bit because I think this is actually like a new

1330
01:04:36,440 --> 01:04:38,520
Speaker 1: genre for us. I'm not sure if we've ever talked

1331
01:04:38,560 --> 01:04:41,840
Speaker 1: about disaster films. No, Well, you know, these movies have

1332
01:04:41,880 --> 01:04:44,000
Speaker 1: actually been around for a long time. I mean, they've

1333
01:04:44,000 --> 01:04:47,520
Speaker 1: been around since the beginning the early days of cinema.

1334
01:04:47,560 --> 01:04:51,120
Speaker 1: But most people probably remember the heyday of the disaster

1335
01:04:51,200 --> 01:04:54,840
Speaker 1: film in the nineteen seventies, where you had stuff like

1336
01:04:55,080 --> 01:05:00,440
Speaker 1: the Airport movies, stuff like The Towering Inferno, the Poseidon Venture,

1337
01:05:00,720 --> 01:05:04,960
Speaker 1: and these were always these like big epic films about

1338
01:05:04,960 --> 01:05:10,640
Speaker 1: like disasters, sometimes natural disasters, sometimes other types of disasters,

1339
01:05:11,200 --> 01:05:13,280
Speaker 1: and there was always a ton of old movie stars

1340
01:05:13,280 --> 01:05:15,280
Speaker 1: in them. I mean it was just like, yeah, talk

1341
01:05:15,280 --> 01:05:17,720
Speaker 1: about the ab Vagodas and the Robert Stacks, but it

1342
01:05:17,760 --> 01:05:20,640
Speaker 1: was like all those kind of big actors, and they

1343
01:05:20,640 --> 01:05:24,760
Speaker 1: were definitely like an ensemble cast type of thing, and

1344
01:05:24,800 --> 01:05:27,480
Speaker 1: they were very popular. They made a shit ton of money.

1345
01:05:27,960 --> 01:05:30,400
Speaker 1: And you know, I've always talked about these upticks in

1346
01:05:30,840 --> 01:05:35,840
Speaker 1: like film, where there's suddenly like a proliferation of a

1347
01:05:35,840 --> 01:05:37,720
Speaker 1: certain type of movie and a certain type of genre.

1348
01:05:37,760 --> 01:05:40,600
Speaker 1: And you know, I think with the seventies disaster films,

1349
01:05:40,840 --> 01:05:42,120
Speaker 1: you know, I think they had a lot to do

1350
01:05:42,200 --> 01:05:45,880
Speaker 1: with just like the seventies as a decade, which I mean,

1351
01:05:45,920 --> 01:05:48,120
Speaker 1: there's a lot of serious shit going on in the seventies.

1352
01:05:48,160 --> 01:05:51,080
Speaker 1: There's a lot of bombings and hijackings and these kind

1353
01:05:51,080 --> 01:05:54,720
Speaker 1: of like big scary events happening right. So then you

1354
01:05:54,800 --> 01:05:57,760
Speaker 1: fast forward twenty years to the nineteen nineties, and for

1355
01:05:57,800 --> 01:06:01,400
Speaker 1: some reason there was this rent songs almost of the

1356
01:06:01,480 --> 01:06:05,600
Speaker 1: disaster film, which I think actually has more to do

1357
01:06:05,800 --> 01:06:08,080
Speaker 1: with what was going on inside the film industry at

1358
01:06:08,120 --> 01:06:10,880
Speaker 1: that time versus any kind of like political event, although

1359
01:06:11,200 --> 01:06:14,080
Speaker 1: I'm sure you can make that argument as well, but

1360
01:06:15,160 --> 01:06:17,080
Speaker 1: I think a lot of it was just this idea

1361
01:06:17,120 --> 01:06:21,760
Speaker 1: that we had advanced so far with the special effects technology,

1362
01:06:22,080 --> 01:06:24,280
Speaker 1: which we talked a little bit about in Terminator too.

1363
01:06:24,360 --> 01:06:27,360
Speaker 1: But it's also like CGI was taking off, and so

1364
01:06:27,440 --> 01:06:29,680
Speaker 1: Hollywood at the time in the nineties was making sort

1365
01:06:29,680 --> 01:06:32,520
Speaker 1: of a lot of these big, expensive films with a

1366
01:06:32,520 --> 01:06:35,520
Speaker 1: lot of special effects. So of course you have stuff

1367
01:06:35,600 --> 01:06:41,080
Speaker 1: like Deep Impact, Armageddon, Titanic, which we just talked about,

1368
01:06:41,520 --> 01:06:45,360
Speaker 1: Independence Day, Twister, like all that sort of stuff, right,

1369
01:06:46,040 --> 01:06:51,320
Speaker 1: And in fact, there was actually another volcano disaster movie

1370
01:06:51,320 --> 01:06:54,240
Speaker 1: that came out the same year that Dante's p came out,

1371
01:06:54,440 --> 01:06:57,560
Speaker 1: which was called Volcano, and I feel like it was

1372
01:06:57,600 --> 01:07:01,560
Speaker 1: like a Tommy Lee Jones movie and maybe like Anne

1373
01:07:01,600 --> 01:07:03,640
Speaker 1: Hash was in it. I don't know, I never saw it,

1374
01:07:03,680 --> 01:07:06,400
Speaker 1: but anyway, that came out the same year as Dante's Peak, right,

1375
01:07:07,200 --> 01:07:10,400
Speaker 1: but let's talk about Dante's Peak, shall we.

1376
01:07:11,160 --> 01:07:13,200
Speaker 2: This is my first viewing. I missed it.

1377
01:07:13,520 --> 01:07:17,360
Speaker 3: I didn't watch it in the nineties, and that's my

1378
01:07:17,440 --> 01:07:19,120
Speaker 3: own fault and my own problem.

1379
01:07:19,240 --> 01:07:21,200
Speaker 2: And it was a mistake. Truly, it was a mistake.

1380
01:07:21,920 --> 01:07:24,680
Speaker 1: I I'll just say right now, this might have well

1381
01:07:24,720 --> 01:07:28,200
Speaker 1: been a first viewing for me. I remember virtually nothing

1382
01:07:28,200 --> 01:07:32,320
Speaker 1: about this film. There's I called to a question whether

1383
01:07:32,840 --> 01:07:36,960
Speaker 1: I actually did see it. But whatever happened, I must

1384
01:07:36,960 --> 01:07:40,200
Speaker 1: have had my fucking brain erased by my brain cloud

1385
01:07:40,280 --> 01:07:44,320
Speaker 1: or something, because this was almost just like a new

1386
01:07:44,320 --> 01:07:47,160
Speaker 1: watch for me. I really could not believe what was

1387
01:07:47,200 --> 01:07:48,280
Speaker 1: happening in this film.

1388
01:07:48,760 --> 01:07:51,800
Speaker 3: This movie cost one hundred and sixteen million dollars to make,

1389
01:07:52,360 --> 01:07:55,800
Speaker 3: and controversial opinion, it was worth every fucking penny.

1390
01:07:57,520 --> 01:08:02,920
Speaker 1: Okay to that In just a second, I'm gonna give

1391
01:08:02,920 --> 01:08:10,800
Speaker 1: it one sentenced synopsis of this film. A volcanologist. Sorry,

1392
01:08:11,520 --> 01:08:13,439
Speaker 1: I know, I know it's a thing.

1393
01:08:13,520 --> 01:08:15,120
Speaker 2: I know it sounds so made up.

1394
01:08:15,280 --> 01:08:19,200
Speaker 1: It's I truly had to say it like five times

1395
01:08:19,240 --> 01:08:22,040
Speaker 1: in order to figure out it was real. And all

1396
01:08:22,120 --> 01:08:26,040
Speaker 1: the volcanologists who are listening right now, apologies, But you know,

1397
01:08:26,920 --> 01:08:31,400
Speaker 1: this is new territory for US. Okay. A volcanologist named

1398
01:08:31,400 --> 01:08:35,719
Speaker 1: Harry Dalton is sent to a small town in Washington State.

1399
01:08:36,920 --> 01:08:41,000
Speaker 1: He befriends the mayor, and the two discover the giant

1400
01:08:41,040 --> 01:08:47,080
Speaker 1: volcano that sits directly above them is about to explode. Okay,

1401
01:08:47,360 --> 01:08:51,280
Speaker 1: solid I will also give another one sentence synopsis of

1402
01:08:51,320 --> 01:08:55,880
Speaker 1: this film, which is this movie is basically Twister, but

1403
01:08:55,920 --> 01:09:01,080
Speaker 1: with volcanoes, which is basically Jaws with vulcan catoes. So

1404
01:09:01,120 --> 01:09:01,559
Speaker 1: there you go.

1405
01:09:02,520 --> 01:09:07,240
Speaker 3: I love this. Dante's peak is Twister with volcanoes, and

1406
01:09:07,280 --> 01:09:09,320
Speaker 3: Twister is Jaws with tornadoes.

1407
01:09:09,439 --> 01:09:11,400
Speaker 2: Yes, that's great.

1408
01:09:11,720 --> 01:09:14,920
Speaker 1: Basically fucking so okay. I, like I said, I gave

1409
01:09:14,960 --> 01:09:18,759
Speaker 1: you the historical context for this motion picture just now,

1410
01:09:19,160 --> 01:09:21,400
Speaker 1: so you'll forgive me because the rest of this is

1411
01:09:21,439 --> 01:09:23,120
Speaker 1: just going to be me explaining to you why this

1412
01:09:23,160 --> 01:09:27,880
Speaker 1: movie is absolutely fucking insane. Like I shorted out, I

1413
01:09:27,920 --> 01:09:31,120
Speaker 1: have never written my show notes with so many capital

1414
01:09:31,200 --> 01:09:34,799
Speaker 1: letters in my entire life. Excellent, and I cannot promise

1415
01:09:34,840 --> 01:09:38,479
Speaker 1: that this will be eloquent or poised from this moment on,

1416
01:09:38,680 --> 01:09:40,360
Speaker 1: So just feel feel anything.

1417
01:09:41,040 --> 01:09:43,200
Speaker 2: This movie doesn't warrant elegance for poise.

1418
01:09:43,760 --> 01:09:47,320
Speaker 3: I hate to say, if you were elegant about this,

1419
01:09:47,400 --> 01:09:49,040
Speaker 3: I would have more questions.

1420
01:09:49,479 --> 01:09:51,360
Speaker 1: Do you know there are some motherfuckers out there that

1421
01:09:51,400 --> 01:09:54,080
Speaker 1: are being like, yes, let's talk about Dante's Peak in

1422
01:09:54,120 --> 01:09:57,519
Speaker 1: a very like let's like use you know, let's use

1423
01:09:57,600 --> 01:09:58,720
Speaker 1: theory to describe me.

1424
01:09:58,800 --> 01:10:00,679
Speaker 3: No, I can't do that. I just I simply cannot

1425
01:10:00,720 --> 01:10:02,840
Speaker 3: do that this time. No, we're not partying with those people.

1426
01:10:02,960 --> 01:10:04,920
Speaker 3: That's not a podcast I would listen to or be

1427
01:10:05,040 --> 01:10:08,400
Speaker 3: part of. This is a podcast that is going to

1428
01:10:08,400 --> 01:10:13,040
Speaker 3: give Dante's Peak exactly what it fucking deserves, starting with

1429
01:10:13,360 --> 01:10:17,719
Speaker 3: because they start out so hard in this movie. First

1430
01:10:17,720 --> 01:10:21,680
Speaker 3: of all, I love any movie where a scientist refuses

1431
01:10:21,720 --> 01:10:24,320
Speaker 3: to leave a dangerous situation because they're looking at like

1432
01:10:24,439 --> 01:10:29,000
Speaker 3: their stats on a computer print out or like a machine.

1433
01:10:29,520 --> 01:10:30,160
Speaker 2: I love it.

1434
01:10:31,120 --> 01:10:34,560
Speaker 1: Well, let's let's get back to who is the volcanologist

1435
01:10:34,640 --> 01:10:38,840
Speaker 1: in this film. So the volcanologist that I spoke of

1436
01:10:38,920 --> 01:10:42,320
Speaker 1: is played by Pierce Brosnan, who I remember is Remington

1437
01:10:42,520 --> 01:10:46,320
Speaker 1: Steele but was also James Bond in the nineties and

1438
01:10:46,360 --> 01:10:48,920
Speaker 1: early two thousands. Okay, so he's like a big famous

1439
01:10:48,960 --> 01:10:52,559
Speaker 1: person in this era. And his co star in this movie,

1440
01:10:53,000 --> 01:10:56,599
Speaker 1: who plays a woman named Rachel Wanda. She's the mayor

1441
01:10:56,680 --> 01:11:00,160
Speaker 1: of the town Dante's Peak, and it's none other and

1442
01:11:00,240 --> 01:11:05,799
Speaker 1: Linda Hamilton are Sarah Connor from the Terminator movies. Okay,

1443
01:11:06,479 --> 01:11:08,960
Speaker 1: And the weirdest part too, I think, is that the

1444
01:11:09,040 --> 01:11:12,040
Speaker 1: movie was actually Dante's Peak was actually produced by Gail

1445
01:11:12,080 --> 01:11:15,400
Speaker 1: Anne Hurd, who produced the first two Terminator movies. So

1446
01:11:15,479 --> 01:11:19,519
Speaker 1: this is like her and Linda Hamilton's like third movie together.

1447
01:11:19,640 --> 01:11:21,880
Speaker 1: I mean, way to go out with a bag on

1448
01:11:21,920 --> 01:11:25,400
Speaker 1: this one. So the beginning of this movie, Pierce BRA's

1449
01:11:25,920 --> 01:11:30,640
Speaker 1: aka Harry Dalton is with his wife and they're driving

1450
01:11:30,760 --> 01:11:34,720
Speaker 1: frantically away from this like killer volcano and she basically

1451
01:11:34,760 --> 01:11:38,840
Speaker 1: gets killed by some volcano piece that like falls into

1452
01:11:38,880 --> 01:11:40,200
Speaker 1: the car when they're driving.

1453
01:11:40,920 --> 01:11:42,839
Speaker 3: Oh but we need to dig into that for a second,

1454
01:11:43,160 --> 01:11:49,880
Speaker 3: because first a gigantic boulder of like lava rock crushes

1455
01:11:50,120 --> 01:11:55,200
Speaker 3: absolutely crushes the hood of the car, no impact, Everyone's fine.

1456
01:11:55,320 --> 01:12:00,519
Speaker 3: Then the tiniese pebble melts through the roof and boks

1457
01:12:00,560 --> 01:12:03,040
Speaker 3: are on the head. She has a fucking seizure and

1458
01:12:03,080 --> 01:12:06,439
Speaker 3: she dies. I was like, it happened so.

1459
01:12:06,560 --> 01:12:09,439
Speaker 1: Fast, because literally it's the first like minute or two

1460
01:12:09,479 --> 01:12:11,160
Speaker 1: of this movie, and I'm like, wait, what's going on?

1461
01:12:11,200 --> 01:12:14,760
Speaker 1: The volcano was already happening, and who is this? Who

1462
01:12:14,800 --> 01:12:18,160
Speaker 1: are these people and what are they doing? And somebody's

1463
01:12:18,200 --> 01:12:20,880
Speaker 1: already dead within the first like two minutes of this movie.

1464
01:12:21,760 --> 01:12:24,040
Speaker 3: And then ultimate twist, that's not even the volcano we

1465
01:12:24,080 --> 01:12:25,080
Speaker 3: want you to pants engine.

1466
01:12:25,360 --> 01:12:27,720
Speaker 1: I mean, they really fucking fucked you up there, I'm

1467
01:12:27,760 --> 01:12:29,280
Speaker 1: telling you. But that's where the.

1468
01:12:29,280 --> 01:12:31,760
Speaker 3: Grief push ups come in, because the next time we

1469
01:12:31,800 --> 01:12:34,479
Speaker 3: see Harry Dalton, he's getting a call from like his

1470
01:12:34,560 --> 01:12:38,000
Speaker 3: geology buddies at work, and he's doing like fucking grief

1471
01:12:38,040 --> 01:12:41,519
Speaker 3: push ups throughout, Like he's basically traumatized to the point

1472
01:12:41,520 --> 01:12:43,240
Speaker 3: where every time he hears the word volcano, we have

1473
01:12:43,320 --> 01:12:44,200
Speaker 3: to do ten push ups.

1474
01:12:44,280 --> 01:12:47,040
Speaker 1: Yes, he has never recovered from the event of seeing

1475
01:12:47,080 --> 01:12:53,040
Speaker 1: his fiance die from a volcano. Because we've cut to suddenly,

1476
01:12:53,040 --> 01:12:56,640
Speaker 1: we've cut to four years later. His boss at the

1477
01:12:56,760 --> 01:12:59,840
Speaker 1: United States Geological Survey has sent him to check out

1478
01:12:59,880 --> 01:13:04,559
Speaker 1: this alleged seismic activity that's next to this like giant

1479
01:13:04,640 --> 01:13:09,080
Speaker 1: volcano sitting next to this small town in Washington called

1480
01:13:09,120 --> 01:13:13,400
Speaker 1: Dante's Peak. Okay, now, right off the bat, he is

1481
01:13:13,479 --> 01:13:18,719
Speaker 1: introduced to Rachel, the Linda Hamilton character, and we discover

1482
01:13:19,560 --> 01:13:23,839
Speaker 1: very quickly that she's a single mom of two preteen kids,

1483
01:13:23,880 --> 01:13:27,160
Speaker 1: a boy and a girl. And when her son is

1484
01:13:27,240 --> 01:13:30,840
Speaker 1: introduced in the film, I literally told myself, I think

1485
01:13:30,840 --> 01:13:34,120
Speaker 1: that's Joseph Gordon Levitt and he's doing cosplay of Eddie

1486
01:13:34,120 --> 01:13:36,280
Speaker 1: Furlong from Terminator to Judgment Day.

1487
01:13:36,680 --> 01:13:39,519
Speaker 2: First thought was it was Jgo. I thought the same thing.

1488
01:13:39,720 --> 01:13:41,640
Speaker 1: Definitely thought it was him. But then I was like,

1489
01:13:41,680 --> 01:13:44,679
Speaker 1: why is he dressed exactly like Eddie Furlong in T two?

1490
01:13:45,479 --> 01:13:47,800
Speaker 1: And I was like, this is fucked up Because Linda

1491
01:13:47,840 --> 01:13:50,320
Speaker 1: Hamilton is in this movie. I was like, dude, I

1492
01:13:50,400 --> 01:13:52,640
Speaker 1: am like this movie. I feel like I'm already on

1493
01:13:52,640 --> 01:13:56,160
Speaker 1: Ascid and it's been like ten minutes. Also, the kid

1494
01:13:56,240 --> 01:13:58,120
Speaker 1: is wearing a subpop T shirt, which I thought was

1495
01:13:58,120 --> 01:13:58,759
Speaker 1: a nice touch.

1496
01:13:59,000 --> 01:14:01,320
Speaker 3: I also loved it like the first five minutes. They

1497
01:14:01,360 --> 01:14:03,360
Speaker 3: go to get her son because he's hanging out in

1498
01:14:03,439 --> 01:14:07,120
Speaker 3: a mine. Yes, and he's like, where are we going?

1499
01:14:07,120 --> 01:14:09,519
Speaker 3: And she's like this, let'll take a second, knock knock,

1500
01:14:09,640 --> 01:14:11,400
Speaker 3: get out of that mine.

1501
01:14:11,640 --> 01:14:15,599
Speaker 1: Yeah. His kid's fun clubhouse is in a fucking mine

1502
01:14:16,320 --> 01:14:19,680
Speaker 1: in the middle of a mountain. It's like crazy, So

1503
01:14:20,520 --> 01:14:24,559
Speaker 1: Bro's Hams and the kids decide to roll up to

1504
01:14:24,640 --> 01:14:28,719
Speaker 1: the kid's grandma's house, who lives up on a lake

1505
01:14:29,400 --> 01:14:33,600
Speaker 1: right near the volcano. Okay, And as it turns out,

1506
01:14:33,760 --> 01:14:37,760
Speaker 1: this is the mother of her ex husband, and she

1507
01:14:37,960 --> 01:14:40,320
Speaker 1: is like living off the grid. She's like leaving me

1508
01:14:40,320 --> 01:14:43,800
Speaker 1: alone in my house, which I feel that, lady, I

1509
01:14:43,840 --> 01:14:46,880
Speaker 1: feel that. But they figure out that some shit is

1510
01:14:46,960 --> 01:14:50,760
Speaker 1: up already with this volcano when they decide to let

1511
01:14:50,840 --> 01:14:54,320
Speaker 1: the kids swim in some hot springs that are like

1512
01:14:54,439 --> 01:14:58,080
Speaker 1: right in the woods. And while they're walking up to

1513
01:14:58,200 --> 01:15:01,679
Speaker 1: this hot springs area, there seeing like dead animals everywhere,

1514
01:15:01,680 --> 01:15:05,160
Speaker 1: which already I'm like, I'm like that ain't good. But

1515
01:15:05,200 --> 01:15:10,120
Speaker 1: then even like doctor Harry is like that ain't good. Okay.

1516
01:15:10,560 --> 01:15:13,759
Speaker 1: And right about the moment that the kids are about

1517
01:15:13,840 --> 01:15:17,800
Speaker 1: to jump in with their bathing suits, they find the

1518
01:15:17,840 --> 01:15:22,400
Speaker 1: boiled remains of like a young couple that got cooked

1519
01:15:22,680 --> 01:15:27,439
Speaker 1: by these hot springs. Okay, And these two are giving

1520
01:15:27,680 --> 01:15:31,320
Speaker 1: Paul mccrane for RoboCop a run for his fucking money. Indeed,

1521
01:15:31,360 --> 01:15:34,560
Speaker 1: because they are dead, like they are just like cooked.

1522
01:15:35,120 --> 01:15:36,280
Speaker 2: They're so boiled.

1523
01:15:36,479 --> 01:15:38,759
Speaker 3: It wasn't bad enough that these kids had to see

1524
01:15:38,960 --> 01:15:41,360
Speaker 3: the like a couple of squirrels that are kind of

1525
01:15:41,400 --> 01:15:43,840
Speaker 3: blistered open like hot dogs, like you know when.

1526
01:15:43,680 --> 01:15:45,760
Speaker 2: You got a hot dog, like you cook it in.

1527
01:15:45,760 --> 01:15:47,439
Speaker 3: A frying pan or something, and all it's kind of

1528
01:15:47,479 --> 01:15:50,840
Speaker 3: blisters opening, curls up. Now they have to see the

1529
01:15:50,960 --> 01:15:53,880
Speaker 3: human version of that, just trying to go for a

1530
01:15:53,920 --> 01:15:54,960
Speaker 3: goddamn swim.

1531
01:15:55,439 --> 01:15:58,960
Speaker 1: So of course Harry and Rachel are like, okay, we've

1532
01:15:59,000 --> 01:16:01,400
Speaker 1: seen it, like dead thing and all this stuff. We're

1533
01:16:01,439 --> 01:16:04,720
Speaker 1: gonna have to alert the town. So Rachel, being the

1534
01:16:04,760 --> 01:16:07,120
Speaker 1: mayor of this town, she calls a meeting of the

1535
01:16:07,160 --> 01:16:09,839
Speaker 1: city council or whatever, and I have to say, okay,

1536
01:16:09,960 --> 01:16:13,719
Speaker 1: this part was like what the fuck? So the camera

1537
01:16:13,760 --> 01:16:18,400
Speaker 1: angles in this movie, especially in this meeting sequence, are

1538
01:16:18,560 --> 01:16:24,000
Speaker 1: totally insane. Okay, they are coming at all these boring

1539
01:16:25,160 --> 01:16:30,280
Speaker 1: townsfolk people, all cool and slanted and twisted. It's like,

1540
01:16:30,560 --> 01:16:32,200
Speaker 1: I swear to god, I was like, is this a

1541
01:16:32,240 --> 01:16:35,639
Speaker 1: color me bad video? Why are these people being shot

1542
01:16:35,800 --> 01:16:39,280
Speaker 1: at an angle and they're zooming into their faces real quick?

1543
01:16:39,280 --> 01:16:41,559
Speaker 1: I mean, it was like so weird to watch.

1544
01:16:41,720 --> 01:16:44,479
Speaker 3: It was like a sequel to National Born Killers just

1545
01:16:44,520 --> 01:16:45,160
Speaker 3: for that scene.

1546
01:16:45,439 --> 01:16:50,960
Speaker 1: Yes, it was some fucking like crazy nineties MTV style

1547
01:16:51,840 --> 01:16:54,800
Speaker 1: of a city council meeting. I was like, this is

1548
01:16:54,840 --> 01:16:57,560
Speaker 1: fucking crazy. Okay. So just as they come to a

1549
01:16:57,640 --> 01:16:59,559
Speaker 1: vote whether or not they're gonna, like, you know, shut

1550
01:16:59,560 --> 01:17:03,680
Speaker 1: down the town or whatever, Harry's boss from the geological

1551
01:17:03,720 --> 01:17:06,240
Speaker 1: survey comes in and he's like, hold on, folks, hold on,

1552
01:17:06,880 --> 01:17:09,400
Speaker 1: no need to freak these people out. And he's like,

1553
01:17:09,720 --> 01:17:11,960
Speaker 1: come on, dude, you are way too hot headed for this.

1554
01:17:12,080 --> 01:17:16,519
Speaker 1: Like the boss just like completely debases Harry in front

1555
01:17:16,560 --> 01:17:20,000
Speaker 1: of everybody and like calls into question his expertise and

1556
01:17:20,080 --> 01:17:22,200
Speaker 1: judgment all this shit. I mean, it's like I was going,

1557
01:17:22,320 --> 01:17:24,760
Speaker 1: I've been here, but damn, this boss is a dick.

1558
01:17:25,040 --> 01:17:25,559
Speaker 1: Am I right?

1559
01:17:25,600 --> 01:17:29,280
Speaker 3: He was savage. He was such a fucking savage. Also,

1560
01:17:29,760 --> 01:17:32,679
Speaker 3: I love, just as much as I love scientists who

1561
01:17:32,680 --> 01:17:35,800
Speaker 3: refuse to leave because they're looking at their instruments, I

1562
01:17:35,880 --> 01:17:38,719
Speaker 3: love a town council meeting where they're like, we can't

1563
01:17:38,920 --> 01:17:42,160
Speaker 3: actually protect people from this natural event that's going to

1564
01:17:42,200 --> 01:17:45,720
Speaker 3: happen because someone wants to give us money. Yeah, and

1565
01:17:45,760 --> 01:17:47,880
Speaker 3: if they think that something bad could happen, they won't

1566
01:17:47,920 --> 01:17:51,439
Speaker 3: give us money. Like just capitalism winning again. Yeah, Well,

1567
01:17:51,439 --> 01:17:53,160
Speaker 3: they're like, why don't we just kill everyone? Because this

1568
01:17:53,240 --> 01:17:55,000
Speaker 3: guy wants to drop some money in this town.

1569
01:17:55,360 --> 01:17:57,479
Speaker 1: Yeah, they're like, nobody will want to come here because

1570
01:17:57,479 --> 01:18:00,559
Speaker 1: it's a volcano town, and we don't want that stigma,

1571
01:18:01,000 --> 01:18:03,559
Speaker 1: so like, let's just put everyone in danger and not

1572
01:18:03,760 --> 01:18:07,240
Speaker 1: check out this fucking weird shit that's happening in the

1573
01:18:07,240 --> 01:18:09,880
Speaker 1: town with the dead animals and everything.

1574
01:18:09,880 --> 01:18:11,680
Speaker 2: And then the boss confirms it because he comes in.

1575
01:18:11,720 --> 01:18:14,360
Speaker 3: He's like, yeah, absolutely, I've seen this happen before where

1576
01:18:14,400 --> 01:18:17,400
Speaker 3: we kind of tried to evacuate a town and all

1577
01:18:17,439 --> 01:18:19,639
Speaker 3: their tourism dried up. And the guy's like, mm hmm,

1578
01:18:19,680 --> 01:18:21,639
Speaker 3: see I told you is how Yeah exactly.

1579
01:18:22,200 --> 01:18:27,320
Speaker 1: So Bras is newtered now can't do anything about the volcano.

1580
01:18:27,720 --> 01:18:31,240
Speaker 1: So he's like, fuck it, I'll just hang out all right.

1581
01:18:31,320 --> 01:18:33,920
Speaker 3: Although I gotta say, I gotta say just the backup

1582
01:18:33,960 --> 01:18:37,200
Speaker 3: for a moment. My favorite line in that whole City

1583
01:18:37,240 --> 01:18:42,519
Speaker 3: Council meeting is when the Boss Paul is like, guys,

1584
01:18:42,600 --> 01:18:44,720
Speaker 3: don't worry about it. We're gonna be here, all of

1585
01:18:44,760 --> 01:18:48,519
Speaker 3: us volcanologists and geologists. We're gonna hang out. We're gonna

1586
01:18:48,560 --> 01:18:51,080
Speaker 3: be bouncing laser beams off of that volcano. So if

1587
01:18:51,080 --> 01:18:53,320
Speaker 3: anything happens, we'll tell you right away. And I'm like, wait,

1588
01:18:53,320 --> 01:18:56,439
Speaker 3: I'm sorry, what what is the science behind that?

1589
01:18:56,960 --> 01:18:57,400
Speaker 2: Please?

1590
01:18:57,760 --> 01:19:00,719
Speaker 1: Yeah, they start saying a bunch of like he starts

1591
01:19:00,720 --> 01:19:03,280
Speaker 1: coming up with all these like well, we're not gonna

1592
01:19:03,640 --> 01:19:07,880
Speaker 1: believe or trust your expertise as a geologist, but there's

1593
01:19:07,920 --> 01:19:10,200
Speaker 1: some other shit poppin' that we'll figure it out. Well,

1594
01:19:10,200 --> 01:19:12,559
Speaker 1: we'll get it figured out, but we're just gonna make

1595
01:19:12,600 --> 01:19:15,360
Speaker 1: you look like an idiot in front of this entire town.

1596
01:19:15,800 --> 01:19:18,720
Speaker 2: Okay, you didn't mention lasers at all, Get out of here.

1597
01:19:18,800 --> 01:19:23,600
Speaker 1: Yeah, So Broz is like just hanging out in Dante's

1598
01:19:23,680 --> 01:19:25,360
Speaker 1: Peak at this point. And it was at this part

1599
01:19:25,439 --> 01:19:28,919
Speaker 1: that it really made me think, like, wow, Pierce Brosnan

1600
01:19:29,080 --> 01:19:33,920
Speaker 1: is such a weird choice to play this character, all right, Like,

1601
01:19:33,920 --> 01:19:36,719
Speaker 1: like I said, he was a major star in this era,

1602
01:19:36,960 --> 01:19:40,360
Speaker 1: so of course he was in a big budget disaster film.

1603
01:19:40,400 --> 01:19:45,400
Speaker 1: And I actually don't mean any disrespect to you, mister Brosnan, sir,

1604
01:19:45,560 --> 01:19:50,559
Speaker 1: but honestly, like Harry looks more like this cool, like

1605
01:19:50,680 --> 01:19:54,679
Speaker 1: European guy vacationing in the fucking south of France instead

1606
01:19:54,680 --> 01:19:57,080
Speaker 1: of a guy that studies rocks. I'll just say that.

1607
01:19:57,320 --> 01:20:01,599
Speaker 1: And I'm sure there are hot vul canologists don't come

1608
01:20:01,600 --> 01:20:04,840
Speaker 1: into my DMS. But I was like, Pierce Brosnan is

1609
01:20:04,920 --> 01:20:09,679
Speaker 1: a little too hot to be in the rock game.

1610
01:20:09,760 --> 01:20:11,400
Speaker 1: I'm just I'm just saying, like.

1611
01:20:11,520 --> 01:20:14,400
Speaker 3: First of all, if you are a hot volcanologist, you're

1612
01:20:14,439 --> 01:20:16,200
Speaker 3: absolutely welcome in my DMS.

1613
01:20:18,360 --> 01:20:22,719
Speaker 2: And second of all.

1614
01:20:21,240 --> 01:20:25,920
Speaker 3: He's like Thomas crown Affair. Like he's like he's remating steel,

1615
01:20:26,040 --> 01:20:28,880
Speaker 3: he's bond, He's Thomas crown Affair. He has a drink

1616
01:20:28,920 --> 01:20:31,080
Speaker 3: in his hand and he's on a lounger in some

1617
01:20:31,160 --> 01:20:33,719
Speaker 3: shorts about to jump off a yacht into the ocean.

1618
01:20:34,080 --> 01:20:37,000
Speaker 3: That is what I need from Pierce Brosnan. I don't

1619
01:20:37,479 --> 01:20:39,599
Speaker 3: in the same way that I mentioned a few episodes ago.

1620
01:20:39,720 --> 01:20:42,160
Speaker 3: I don't like I haven't seen Terminator with Matt Smith

1621
01:20:42,160 --> 01:20:43,960
Speaker 3: in it because I don't like the idea of Matt

1622
01:20:44,000 --> 01:20:46,640
Speaker 3: Smith like running around and being sweaty. I do not

1623
01:20:46,840 --> 01:20:51,320
Speaker 3: like the idea of Pierce Brosnan being so fucking strapped

1624
01:20:52,400 --> 01:20:55,679
Speaker 3: and like stressed out and looking at rocks.

1625
01:20:55,840 --> 01:20:58,520
Speaker 1: Yeah, he's not supposed to wear the John Popper Bluestraffler

1626
01:20:58,640 --> 01:21:02,760
Speaker 1: vest at all, like he's to be. He's wearing Varnais

1627
01:21:03,360 --> 01:21:05,599
Speaker 1: and he's got a pop callar. You know what I'm saying.

1628
01:21:06,240 --> 01:21:08,960
Speaker 1: I'm glad you understand, because I was, like, man, he's

1629
01:21:09,000 --> 01:21:10,880
Speaker 1: wearing the fuck out of those sunglasses. He's just a

1630
01:21:10,960 --> 01:21:17,800
Speaker 1: rock guy. Okay. So predictably, everybody in this town is

1631
01:21:17,800 --> 01:21:22,519
Speaker 1: obsessed with coffee, okay, probably because it's Washington State. And

1632
01:21:22,560 --> 01:21:25,479
Speaker 1: also nobody is fucking worried about this volcano.

1633
01:21:26,120 --> 01:21:28,400
Speaker 2: Now they're not worried now.

1634
01:21:30,120 --> 01:21:33,959
Speaker 1: Just to humor him, though, Harry's boss sends a robot

1635
01:21:34,640 --> 01:21:37,599
Speaker 1: up to the volcano to find out if it's off

1636
01:21:37,640 --> 01:21:42,240
Speaker 1: and poppin'. Okay, Now, Harry and his coworker, who is

1637
01:21:42,280 --> 01:21:45,400
Speaker 1: a funny guy who does science and a Hawaiian shirt

1638
01:21:45,600 --> 01:21:49,120
Speaker 1: they go into the volcano with the robot. Okay, and

1639
01:21:49,200 --> 01:21:51,879
Speaker 1: because the guy is a Hawaiian shirt guy, he's a slob,

1640
01:21:52,160 --> 01:21:56,000
Speaker 1: and he untethers himself and starts bitching at his little

1641
01:21:56,080 --> 01:21:59,560
Speaker 1: like C three po robot thing for acting up. The

1642
01:22:00,080 --> 01:22:04,360
Speaker 1: robot is acting up, And wouldn't you know, while this

1643
01:22:04,400 --> 01:22:07,560
Speaker 1: is happening, at the exact same time, there's a readout

1644
01:22:07,760 --> 01:22:11,400
Speaker 1: at home base that says that there's seismic activity happening,

1645
01:22:12,680 --> 01:22:15,519
Speaker 1: and when't you know, Harry has to go down and

1646
01:22:15,600 --> 01:22:19,840
Speaker 1: rescue this guy and the robot and they almost die,

1647
01:22:20,080 --> 01:22:22,360
Speaker 1: but then they get rescued by a helicopter. And even

1648
01:22:22,400 --> 01:22:26,680
Speaker 1: after that shit, the boss is still like, there was

1649
01:22:26,840 --> 01:22:30,679
Speaker 1: absolutely no volcano. We are not fucking checking it out

1650
01:22:30,880 --> 01:22:32,360
Speaker 1: the end of story.

1651
01:22:32,400 --> 01:22:35,559
Speaker 3: You you just broke your leg for nothing, you fucking idiot.

1652
01:22:35,840 --> 01:22:41,320
Speaker 1: It's fine, nothing's happening. Meanwhile, they're coworkers at home base

1653
01:22:41,680 --> 01:22:45,400
Speaker 1: who are all like perfectly quirky in their own unique ways.

1654
01:22:46,120 --> 01:22:48,880
Speaker 1: They just saw a readout of seismic activity and they're

1655
01:22:48,920 --> 01:22:53,120
Speaker 1: also like, dude, it's nothing. And I was just like, wow, Okay,

1656
01:22:53,280 --> 01:22:55,320
Speaker 1: no one has given a shit about this volcano. There's

1657
01:22:55,320 --> 01:22:59,080
Speaker 1: all this evidence that's pointing and whatever. They're Honestly, they're

1658
01:22:59,120 --> 01:23:01,439
Speaker 1: all really annoying and they should definitely stop drinking so

1659
01:23:01,479 --> 01:23:05,720
Speaker 1: much coffee. But that's the situation. This is all to

1660
01:23:05,800 --> 01:23:09,719
Speaker 1: say that, really, this is the perfect setup for Pierce

1661
01:23:09,760 --> 01:23:13,320
Speaker 1: Brosen's character to be absolutely right about some shit. Don't

1662
01:23:13,360 --> 01:23:15,599
Speaker 1: you think like this is all all coming together for him?

1663
01:23:16,680 --> 01:23:19,639
Speaker 1: Cut to Hams and Bras are going out on their

1664
01:23:19,640 --> 01:23:23,400
Speaker 1: first date, and let me tell you that volcano ate

1665
01:23:23,479 --> 01:23:26,519
Speaker 1: the only thing that's hot, because, as we figured out

1666
01:23:26,520 --> 01:23:28,960
Speaker 1: from the first ten minutes of this movie, the mayor

1667
01:23:29,040 --> 01:23:32,000
Speaker 1: is so horny, and everybody in a tower is so horny,

1668
01:23:32,040 --> 01:23:34,360
Speaker 1: and I'm like, yo, our mayor is always this horny

1669
01:23:34,360 --> 01:23:38,240
Speaker 1: because honestly, like what is going on? Like oh good,

1670
01:23:38,800 --> 01:23:41,800
Speaker 1: you know, and like they start talking about like Pierce bros.

1671
01:23:41,840 --> 01:23:44,040
Speaker 1: And sex wife how she died in the volcano thing

1672
01:23:44,160 --> 01:23:46,040
Speaker 1: from a few years ago, and it's like, oh, it's

1673
01:23:46,080 --> 01:23:48,800
Speaker 1: like two single, middle aged people that are being pushed

1674
01:23:48,800 --> 01:23:53,120
Speaker 1: together by mutual tragedy. Okay. And so while they're hanging

1675
01:23:53,200 --> 01:23:56,160
Speaker 1: out someone I think it's Linda Hamilton's character, she goes

1676
01:23:56,160 --> 01:23:57,640
Speaker 1: over to the sink and she gets a glass of

1677
01:23:57,680 --> 01:24:01,960
Speaker 1: water and out comes is like gross sludge. And it's

1678
01:24:02,000 --> 01:24:04,880
Speaker 1: at that moment that it's like, yo, the volcano is

1679
01:24:04,920 --> 01:24:07,120
Speaker 1: about to pop. Okay, it is just.

1680
01:24:07,080 --> 01:24:08,400
Speaker 2: A brown slurry.

1681
01:24:09,200 --> 01:24:15,479
Speaker 1: It's beautiful, disgusting sulfuric acid mixed with sewage. Okay. From

1682
01:24:15,479 --> 01:24:18,080
Speaker 1: this point on, I swear to god, this movie goes

1683
01:24:18,120 --> 01:24:23,160
Speaker 1: from zero to two hundred episode quickly. Okay.

1684
01:24:23,240 --> 01:24:27,759
Speaker 3: And the kickoff, the kickoff of when it truly goes

1685
01:24:28,320 --> 01:24:31,479
Speaker 3: ape shit. They're in the car looking at the volcano.

1686
01:24:31,600 --> 01:24:36,439
Speaker 3: A little smoke's coming out Piers brosenin dead pan says

1687
01:24:37,360 --> 01:24:44,000
Speaker 3: she's blowing, She's going, and it's goes to two point

1688
01:24:44,000 --> 01:24:47,000
Speaker 3: fifty from there, she's blowing, she's going.

1689
01:24:47,720 --> 01:24:49,560
Speaker 2: So the first thirty.

1690
01:24:49,280 --> 01:24:51,360
Speaker 1: Minutes of this movie that I just explained is like

1691
01:24:51,400 --> 01:24:55,400
Speaker 1: a total fucking snooze compared to anything that happens beyond

1692
01:24:55,439 --> 01:24:55,880
Speaker 1: this point.

1693
01:24:55,960 --> 01:24:59,320
Speaker 3: Okay, the rest of this is like a fucking Stefan sketch.

1694
01:24:59,479 --> 01:25:03,400
Speaker 1: Oh my god. So the two of them, the mayor

1695
01:25:03,640 --> 01:25:07,960
Speaker 1: and the volcanologists, decide to call the town meeting and

1696
01:25:08,080 --> 01:25:10,560
Speaker 1: get all the residents and they're like, we're having a

1697
01:25:10,600 --> 01:25:13,720
Speaker 1: press conference. We got to evacuate this shit, okay. And

1698
01:25:13,760 --> 01:25:15,639
Speaker 1: the two of them are sitting in front of people

1699
01:25:15,960 --> 01:25:19,240
Speaker 1: on the you know, at this press conference table, and

1700
01:25:19,439 --> 01:25:23,080
Speaker 1: suddenly there's a picture of water on the table, which

1701
01:25:23,120 --> 01:25:26,160
Speaker 1: is somehow not from the gross water that they just

1702
01:25:26,200 --> 01:25:29,879
Speaker 1: got from the town. This picture of water starts moving,

1703
01:25:30,600 --> 01:25:34,679
Speaker 1: just like in Jurassic Park. And as this happens, as

1704
01:25:34,720 --> 01:25:37,559
Speaker 1: this meeting is happening, the water shakes, and this fucking

1705
01:25:37,640 --> 01:25:41,520
Speaker 1: volcano blows right as this is happening.

1706
01:25:41,320 --> 01:25:43,960
Speaker 2: Instantly goes from a little bit of shaky water too.

1707
01:25:46,120 --> 01:25:50,879
Speaker 1: Let me tell you from here it's literal pandemonium. Okay,

1708
01:25:52,920 --> 01:25:55,519
Speaker 1: there is a stampede to get out of this town.

1709
01:25:55,600 --> 01:25:55,800
Speaker 3: Hall.

1710
01:25:56,280 --> 01:25:58,920
Speaker 1: Okay, everyone's putting to the doors.

1711
01:25:59,280 --> 01:26:01,439
Speaker 3: And it's the heels of this one lady in the

1712
01:26:01,479 --> 01:26:03,880
Speaker 3: meeting saying do we have to wait to leave, and

1713
01:26:03,880 --> 01:26:06,200
Speaker 3: she's like, no, you can leave whenever you want. Volcano

1714
01:26:06,280 --> 01:26:08,160
Speaker 3: goes off. Nobody's getting the fuck out of there. It

1715
01:26:08,280 --> 01:26:09,360
Speaker 3: is a stampede.

1716
01:26:09,400 --> 01:26:12,519
Speaker 1: It is people literally climbing all over each other to

1717
01:26:12,560 --> 01:26:15,599
Speaker 1: get out. The people that make it outside, the fucking

1718
01:26:15,640 --> 01:26:19,599
Speaker 1: buildings in the town will start crumbling and toppling. Somebody

1719
01:26:19,640 --> 01:26:21,280
Speaker 1: wrecks a car in front of a bunch of people,

1720
01:26:21,920 --> 01:26:25,599
Speaker 1: and then you start seeing everything just fucking go ape

1721
01:26:25,600 --> 01:26:28,839
Speaker 1: shit in this town. Like everyone that's driving a car

1722
01:26:29,000 --> 01:26:31,240
Speaker 1: is trying to get on the freeway and the overpass

1723
01:26:31,360 --> 01:26:35,879
Speaker 1: just fucking collapses. So there's like people running on foot

1724
01:26:36,439 --> 01:26:38,320
Speaker 1: out of town. I mean, it looks like when you

1725
01:26:38,400 --> 01:26:41,000
Speaker 1: watch like old footage of the original Woodstock. It's like

1726
01:26:41,080 --> 01:26:44,519
Speaker 1: people fucking driving and like walking and running out of

1727
01:26:44,560 --> 01:26:50,080
Speaker 1: this town on this one road. And meanwhile Bro's and

1728
01:26:50,200 --> 01:26:55,439
Speaker 1: Hams escape the stampede miraculously and then they remember, oh shit,

1729
01:26:55,479 --> 01:26:57,840
Speaker 1: we gotta go back and get my kids this.

1730
01:26:58,160 --> 01:26:59,720
Speaker 3: Okay, we gotta stop and talk about this for a

1731
01:26:59,760 --> 01:27:04,320
Speaker 3: secon because this is the mayor of the town who

1732
01:27:04,360 --> 01:27:06,439
Speaker 3: was about to go to a town hall meeting to

1733
01:27:06,479 --> 01:27:08,479
Speaker 3: talk about the fact that this volcano is going to

1734
01:27:08,640 --> 01:27:11,519
Speaker 3: erupt and she intentionally left her kids at home.

1735
01:27:11,880 --> 01:27:13,840
Speaker 2: Okay, She's like, I'm gonna go to.

1736
01:27:13,800 --> 01:27:15,680
Speaker 3: This town hall meeting to talk about how this thing

1737
01:27:15,680 --> 01:27:17,280
Speaker 3: can go at any fucking minute.

1738
01:27:17,360 --> 01:27:18,320
Speaker 2: You guys stay.

1739
01:27:18,080 --> 01:27:20,360
Speaker 3: Here, don't stay with me by all means, just stay

1740
01:27:20,360 --> 01:27:24,320
Speaker 3: at home. Well, keep trying to call your grandma, who

1741
01:27:24,360 --> 01:27:27,599
Speaker 3: is a bitch from hell. Keep trying to get your

1742
01:27:27,600 --> 01:27:29,960
Speaker 3: bitch grandma on the phone and try to get her

1743
01:27:30,000 --> 01:27:32,360
Speaker 3: out of her fucking tinderbox house on the mountain.

1744
01:27:32,680 --> 01:27:33,920
Speaker 2: I'm gonna go do this meeting.

1745
01:27:34,800 --> 01:27:37,040
Speaker 1: Well, as it turns out, they try to go to

1746
01:27:37,080 --> 01:27:39,720
Speaker 1: the kids, and the kids have decided to steal a

1747
01:27:39,760 --> 01:27:44,360
Speaker 1: car and drive to get their grandma. Ps. They're both

1748
01:27:44,400 --> 01:27:46,080
Speaker 1: like twelve years old.

1749
01:27:46,320 --> 01:27:48,200
Speaker 3: That might be my favorite part where they pull up

1750
01:27:48,200 --> 01:27:49,960
Speaker 3: as she goes my truck, isn't there?

1751
01:27:53,640 --> 01:27:55,679
Speaker 2: Those kids piece the fuck out.

1752
01:27:55,840 --> 01:27:59,120
Speaker 1: These preteen children have stolen a car to drive up

1753
01:27:59,160 --> 01:28:03,040
Speaker 1: to a volcano to get their grandma. Okay. And now

1754
01:28:03,439 --> 01:28:06,559
Speaker 1: Harry and Rachel have realized this is happening, so they've

1755
01:28:07,280 --> 01:28:11,479
Speaker 1: they started driving to the grandma's house and it is this scene.

1756
01:28:12,240 --> 01:28:13,560
Speaker 1: Oh my god, I don't know if I'm gonna be

1757
01:28:13,600 --> 01:28:19,559
Speaker 1: able to say this. They try to drive their car

1758
01:28:19,760 --> 01:28:26,559
Speaker 1: across a river okay that has suddenly flash flooded. Okay,

1759
01:28:27,479 --> 01:28:31,080
Speaker 1: And while this is happening, another.

1760
01:28:31,080 --> 01:28:35,439
Speaker 4: Fucking car from the other direction, who is also driving

1761
01:28:35,520 --> 01:28:39,840
Speaker 4: through the river okay, crashes into them in the water,

1762
01:28:40,400 --> 01:28:43,600
Speaker 4: and they get into a river car accident.

1763
01:28:44,640 --> 01:28:45,679
Speaker 2: In a slow motion.

1764
01:28:46,320 --> 01:28:49,360
Speaker 3: They see the car coming for like twenty five minutes,

1765
01:28:50,360 --> 01:28:52,559
Speaker 3: and the whole time he's like, nah, it's cool, Like

1766
01:28:53,160 --> 01:28:56,679
Speaker 3: my engine has a snorkel. We'll get out of here.

1767
01:28:56,760 --> 01:28:59,200
Speaker 3: And then this car is like jaws coming at them

1768
01:28:59,240 --> 01:29:00,719
Speaker 3: for like twenty five fucking minutes.

1769
01:29:02,800 --> 01:29:06,519
Speaker 1: It's like total like, oh, it's coming, it's coming. It's

1770
01:29:06,560 --> 01:29:10,280
Speaker 1: coming in like car crashes into them in the river.

1771
01:29:10,479 --> 01:29:14,680
Speaker 1: So they've got into a car accident in water. And

1772
01:29:14,800 --> 01:29:18,640
Speaker 1: what I tell you, like, we already know it's pandemonium,

1773
01:29:19,200 --> 01:29:24,280
Speaker 1: but it has reached a favored pitch to the degree

1774
01:29:24,360 --> 01:29:28,800
Speaker 1: which there's like panic price gouging going on, where this

1775
01:29:28,920 --> 01:29:33,559
Speaker 1: fucking helicopter pilot is charging fifteen thousand dollars to fly

1776
01:29:33,720 --> 01:29:37,040
Speaker 1: people out of Dante's Peak. Okay, and already I'm like,

1777
01:29:37,439 --> 01:29:42,040
Speaker 1: where are people getting fifteen thousand dollars in cash? As

1778
01:29:42,080 --> 01:29:45,479
Speaker 1: they're running in front of exploding buildings? Like who's like, yo,

1779
01:29:45,560 --> 01:29:47,799
Speaker 1: I gotta go to the ATM and get out fifteen

1780
01:29:47,880 --> 01:29:51,160
Speaker 1: k Wait a minute, the bank has toppled over because

1781
01:29:51,160 --> 01:29:51,600
Speaker 1: this is like.

1782
01:29:51,720 --> 01:29:55,120
Speaker 3: Bank facide of the bank has literally slid to the ground,

1783
01:29:55,160 --> 01:29:57,360
Speaker 3: because that's how every building collapses.

1784
01:29:57,400 --> 01:29:59,680
Speaker 2: It doesn't like fall down every every like the.

1785
01:29:59,680 --> 01:30:02,560
Speaker 3: Church just kind of slides like the bill of the

1786
01:30:02,640 --> 01:30:05,000
Speaker 3: church is kind of slides off, and then the gas

1787
01:30:05,000 --> 01:30:06,880
Speaker 3: station kind of slides off.

1788
01:30:07,080 --> 01:30:09,000
Speaker 2: The pie plae kind of slides down.

1789
01:30:09,120 --> 01:30:13,439
Speaker 1: There's no there's no chill when it comes to this volcano, okay.

1790
01:30:13,640 --> 01:30:18,080
Speaker 1: And of course the helicopter takes off, it's raining ash

1791
01:30:18,120 --> 01:30:22,480
Speaker 1: so the helicopter can't see and the whole fucking thing crashes.

1792
01:30:22,600 --> 01:30:25,320
Speaker 1: It explodes right in front of Harry and Rachel's car.

1793
01:30:27,680 --> 01:30:30,680
Speaker 1: So I'm like, yo, what the fuck right?

1794
01:30:31,320 --> 01:30:32,599
Speaker 2: It does that thing where.

1795
01:30:32,439 --> 01:30:36,400
Speaker 3: It's like fucking perpendicular like coming at them blades first?

1796
01:30:37,000 --> 01:30:40,519
Speaker 1: Yes, I was like, not only did they just survive

1797
01:30:40,600 --> 01:30:43,400
Speaker 1: a flash flood and a river car accident, but now

1798
01:30:43,560 --> 01:30:46,040
Speaker 1: a fucking helicopter is exploding in their faces.

1799
01:30:46,479 --> 01:30:50,400
Speaker 3: Okay now, and there's like forty five more challenges to go.

1800
01:30:50,560 --> 01:30:53,439
Speaker 1: Oh my god, you don't even know. Cut to the

1801
01:30:53,560 --> 01:30:57,840
Speaker 1: kids who have miraculously made it to their grandma's house,

1802
01:30:58,479 --> 01:31:01,800
Speaker 1: and of course she's like, I ain't leaving. I'm dying

1803
01:31:01,840 --> 01:31:03,840
Speaker 1: in here. You can't get me out of here. But

1804
01:31:04,000 --> 01:31:09,120
Speaker 1: then literally lava comes through her living room walls.

1805
01:31:13,080 --> 01:31:16,839
Speaker 3: So it's like she's like reminissing over an old picture.

1806
01:31:17,160 --> 01:31:19,360
Speaker 3: She's like looking at her a picture of her husband

1807
01:31:19,400 --> 01:31:20,800
Speaker 3: and her son, and she's like, oh, I remember when

1808
01:31:20,840 --> 01:31:21,599
Speaker 3: we built this place.

1809
01:31:21,600 --> 01:31:24,800
Speaker 2: And Linda Hamilton's like, not now, bitch, like we got

1810
01:31:24,920 --> 01:31:25,120
Speaker 2: to go.

1811
01:31:25,240 --> 01:31:29,240
Speaker 3: And then a lava, like a lava slurya starts coming

1812
01:31:29,479 --> 01:31:30,479
Speaker 3: out of the walls.

1813
01:31:30,640 --> 01:31:32,559
Speaker 2: It is fucking great.

1814
01:31:32,800 --> 01:31:37,160
Speaker 1: It's immediately like new planned, Grandma, lava just fucking came

1815
01:31:37,240 --> 01:31:40,400
Speaker 1: barely through your old photos and your fucking cracker barrel

1816
01:31:40,479 --> 01:31:44,160
Speaker 1: rocking chair. We gotta get out of here, okay. So

1817
01:31:44,320 --> 01:31:47,719
Speaker 1: then Harry, Rachel, the kids, Harry and Rachel have arrived.

1818
01:31:47,920 --> 01:31:50,800
Speaker 1: The kids are there with Grandma. The lava comes through

1819
01:31:50,840 --> 01:31:53,880
Speaker 1: the fucking cabin. So they decide that they're gonna get

1820
01:31:53,880 --> 01:31:56,600
Speaker 1: into a speedboat and drive across the lake as the

1821
01:31:56,720 --> 01:32:00,400
Speaker 1: lava is literally coming at them, like get in this boat, okay,

1822
01:32:00,600 --> 01:32:03,280
Speaker 1: And let me just tell you, the water in this

1823
01:32:03,400 --> 01:32:07,320
Speaker 1: lake rivals the shit from the Saltan Sea. There are

1824
01:32:07,400 --> 01:32:10,200
Speaker 1: dead fish everywhere you look, and the whole thing is

1825
01:32:10,240 --> 01:32:11,880
Speaker 1: just like this acid lake.

1826
01:32:12,400 --> 01:32:15,439
Speaker 3: Right, Grandma's dog has taken off, And I thought the

1827
01:32:15,479 --> 01:32:17,719
Speaker 3: only way that scene could have been better is if

1828
01:32:17,960 --> 01:32:19,880
Speaker 3: as they're looking at all the dead fish, they just

1829
01:32:19,920 --> 01:32:21,200
Speaker 3: see the dog floating by.

1830
01:32:21,280 --> 01:32:21,479
Speaker 2: I know.

1831
01:32:23,000 --> 01:32:25,919
Speaker 1: More about that dog in just a sec. But okay,

1832
01:32:26,000 --> 01:32:30,639
Speaker 1: they're in this acid lake, which is eating this boat

1833
01:32:30,680 --> 01:32:33,160
Speaker 1: that they're in. I mean, now I have question whether

1834
01:32:33,240 --> 01:32:36,120
Speaker 1: or not they would have even had five seconds in

1835
01:32:36,200 --> 01:32:38,639
Speaker 1: this boat before they were just like it was just

1836
01:32:39,400 --> 01:32:42,840
Speaker 1: destroyed by the acid in this lake. Okay, But they're

1837
01:32:42,880 --> 01:32:46,760
Speaker 1: in the boat. They're like getting there, They're getting there.

1838
01:32:46,800 --> 01:32:50,760
Speaker 1: They're singing fucking like rounds of like what is it? Like,

1839
01:32:51,840 --> 01:32:54,920
Speaker 1: I'm like, what the fuck? So suddenly the boat motor

1840
01:32:55,160 --> 01:32:59,320
Speaker 1: gets eaten okay by the acid, and the boat's just

1841
01:32:59,360 --> 01:33:02,160
Speaker 1: sitting in the room and they're like yards from the dock,

1842
01:33:02,280 --> 01:33:04,800
Speaker 1: and they can see it there, almost there, And in

1843
01:33:04,920 --> 01:33:12,000
Speaker 1: a truly stunning fucking moment, the grandma jumps in the

1844
01:33:12,080 --> 01:33:23,120
Speaker 1: fucking lake and pulls the boat to safety. And I screamed.

1845
01:33:23,600 --> 01:33:26,080
Speaker 1: I screamed when this was happening.

1846
01:33:26,640 --> 01:33:30,840
Speaker 3: Especially because the whole time she's been so obstinate, and

1847
01:33:30,880 --> 01:33:34,799
Speaker 3: she's the reason that they're in taking a metal boat

1848
01:33:34,880 --> 01:33:39,280
Speaker 3: across an acid lake. So I'm like, yeah, jump in

1849
01:33:39,320 --> 01:33:41,960
Speaker 3: that fucking water and save your family. You're the reason

1850
01:33:41,960 --> 01:33:43,360
Speaker 3: they're here, asshole.

1851
01:33:44,240 --> 01:33:48,800
Speaker 1: And let me just tell you, she is sizling when

1852
01:33:48,800 --> 01:33:53,040
Speaker 1: they pull her out, Okay, Like I legit screamed, she

1853
01:33:53,280 --> 01:34:00,599
Speaker 1: is sizzling. Okay, So oh good. The Nash Guard shows

1854
01:34:00,640 --> 01:34:05,000
Speaker 1: up the next morning, right, and it's only now that

1855
01:34:05,080 --> 01:34:08,719
Speaker 1: the rest of Pierce Broston's coworkers are finally like, oh shit,

1856
01:34:08,840 --> 01:34:09,960
Speaker 1: let's dip okay.

1857
01:34:10,240 --> 01:34:12,519
Speaker 2: So they get into a bunch of jeeps.

1858
01:34:12,720 --> 01:34:14,599
Speaker 1: Okay, and I don't even know if I can say

1859
01:34:14,640 --> 01:34:18,000
Speaker 1: this part. So they get to a bunch of jeeps

1860
01:34:18,000 --> 01:34:20,840
Speaker 1: and they drive out of town and it's across this

1861
01:34:20,920 --> 01:34:26,559
Speaker 1: like giant, roaring rapid river that has literal trees and

1862
01:34:26,640 --> 01:34:30,599
Speaker 1: to bris and house pieces in the river, and I

1863
01:34:30,640 --> 01:34:35,200
Speaker 1: was sitting there going like, why did these professional volcano

1864
01:34:35,280 --> 01:34:42,840
Speaker 1: people drive across that bridge all nonchalantly? Okay, because predictably

1865
01:34:43,680 --> 01:34:48,240
Speaker 1: the bridge that they're driving over is finally compromised by

1866
01:34:48,280 --> 01:34:53,559
Speaker 1: these giant chunks of like tree trunk and housing and

1867
01:34:53,600 --> 01:34:57,920
Speaker 1: shit that's in this water. And of course, since the

1868
01:34:58,000 --> 01:35:01,800
Speaker 1: Boss was a dick early in the film, he and

1869
01:35:01,880 --> 01:35:07,120
Speaker 1: his car get swept away in this river. And even

1870
01:35:07,200 --> 01:35:10,120
Speaker 1: though everybody else made it across, literally everybody made it across,

1871
01:35:10,120 --> 01:35:12,040
Speaker 1: he's the last guy. He gets swept away from the river.

1872
01:35:12,120 --> 01:35:17,680
Speaker 1: And then there's this there's a ship. His employees and

1873
01:35:17,880 --> 01:35:20,880
Speaker 1: the National Guard, by the way, are just sitting there

1874
01:35:21,840 --> 01:35:25,439
Speaker 1: watching him float away. Like the national Guard guys are

1875
01:35:25,479 --> 01:35:29,799
Speaker 1: like see you later. Can't literally do anything.

1876
01:35:31,120 --> 01:35:32,840
Speaker 2: Here's the thing, here's the thing.

1877
01:35:33,360 --> 01:35:36,479
Speaker 3: Why was he the only one in a fucking conversion van.

1878
01:35:36,840 --> 01:35:40,080
Speaker 3: Everyone else was in like a humbye, And he's like,

1879
01:35:40,200 --> 01:35:44,559
Speaker 3: let me hop in my fucking ecado line and try

1880
01:35:44,600 --> 01:35:49,479
Speaker 3: to outrun this godsham volcano. And then the look on

1881
01:35:49,560 --> 01:35:51,200
Speaker 3: his face because they're like, you have to get out,

1882
01:35:51,240 --> 01:35:52,800
Speaker 3: you have to get out of the of the truck.

1883
01:35:52,840 --> 01:35:55,439
Speaker 3: And he finally gets out and he's holding onto a

1884
01:35:55,479 --> 01:35:58,559
Speaker 3: pole as the bridge is like tipping back, and look

1885
01:35:58,640 --> 01:36:02,080
Speaker 3: on his face is just like, uhh shit, you sons

1886
01:36:02,080 --> 01:36:04,280
Speaker 3: of bitches gave me a fucking ecando line.

1887
01:36:04,439 --> 01:36:06,439
Speaker 2: And then he just dies. He just goes into the

1888
01:36:06,479 --> 01:36:10,680
Speaker 2: fucking see and the National.

1889
01:36:10,360 --> 01:36:15,040
Speaker 1: Guard is literally sitting there like, oh shit, like like

1890
01:36:15,240 --> 01:36:16,960
Speaker 1: I don't know, I guess we just gotta watch this

1891
01:36:17,000 --> 01:36:20,320
Speaker 1: guy fucking float to his death. We can't do a

1892
01:36:20,320 --> 01:36:22,559
Speaker 1: goddamn thing about it. I mean it is literally like

1893
01:36:23,479 --> 01:36:26,320
Speaker 1: in that moment, I think everybody was like real like sad,

1894
01:36:26,479 --> 01:36:29,600
Speaker 1: but I was probably laughing, Like I was just like,

1895
01:36:29,680 --> 01:36:34,080
Speaker 1: this is insane. This is totally insane. So at this point, okay,

1896
01:36:34,120 --> 01:36:37,599
Speaker 1: the grandma is just simply too cooked by that acidly

1897
01:36:39,840 --> 01:36:42,400
Speaker 1: she passes away in front of the kids, which is

1898
01:36:42,439 --> 01:36:47,120
Speaker 1: harrowing enough. Okay, but then the family finds a jeep

1899
01:36:48,360 --> 01:36:52,160
Speaker 1: and isn't at this moment which is maybe the most

1900
01:36:52,160 --> 01:36:55,800
Speaker 1: outrageous part of this film for my money, certainly, which

1901
01:36:55,880 --> 01:37:06,120
Speaker 1: is that they drive this truck over actual lava. Okay, now,

1902
01:37:06,360 --> 01:37:08,160
Speaker 1: I'm not sure how that's even possible.

1903
01:37:09,080 --> 01:37:15,479
Speaker 3: Oh, the tires are on fire. It's like ghost Rider style,

1904
01:37:15,520 --> 01:37:20,120
Speaker 3: like they are on fucking fire. I died at this.

1905
01:37:20,360 --> 01:37:22,680
Speaker 3: But then and you know what part I'm gonna laugh at.

1906
01:37:22,720 --> 01:37:25,439
Speaker 3: I laughed at the hardest negs because I texted you

1907
01:37:25,560 --> 01:37:30,400
Speaker 3: immediately they drive over this. They're the process of driving

1908
01:37:30,479 --> 01:37:34,080
Speaker 3: over a field of lava in a regular ass car,

1909
01:37:35,840 --> 01:37:36,840
Speaker 3: tires on fire.

1910
01:37:36,920 --> 01:37:38,880
Speaker 2: The kids are like, Mom, the car's on fire. What

1911
01:37:38,920 --> 01:37:39,439
Speaker 2: are we gonna do?

1912
01:37:39,479 --> 01:37:42,080
Speaker 3: And she's like, it's okay, it's okay. It's not okay

1913
01:37:42,160 --> 01:37:45,040
Speaker 3: at all, driving through lava. Then all of a sudden,

1914
01:37:45,120 --> 01:37:48,920
Speaker 3: one of the kids goes, hey, there's roughy and it's

1915
01:37:48,920 --> 01:37:52,080
Speaker 3: the fucking dog. And the dog is like soot covered

1916
01:37:52,479 --> 01:37:54,080
Speaker 3: and bugged out and like what And.

1917
01:37:54,040 --> 01:37:55,320
Speaker 2: They're like, we gotta go get it.

1918
01:37:55,640 --> 01:37:58,479
Speaker 3: She literally says, while the car's on fire and they've

1919
01:37:58,520 --> 01:38:00,160
Speaker 3: just driven over lava and they.

1920
01:38:00,120 --> 01:38:01,040
Speaker 1: Can't even get out.

1921
01:38:01,200 --> 01:38:04,559
Speaker 3: She's like, I gotta get that dog, and bros Is like, yeah,

1922
01:38:04,680 --> 01:38:08,559
Speaker 3: you do. It is the whitest moment ever committed to film,

1923
01:38:08,640 --> 01:38:10,840
Speaker 3: and I fucking lost it.

1924
01:38:10,760 --> 01:38:11,720
Speaker 2: And I love it.

1925
01:38:12,000 --> 01:38:17,439
Speaker 1: And the dog jumps over lava into the truck and

1926
01:38:17,600 --> 01:38:22,760
Speaker 1: makes it, and you're just like standing ovation like you're

1927
01:38:22,840 --> 01:38:25,839
Speaker 1: just like this dog jumped over lava and is safe

1928
01:38:26,320 --> 01:38:31,639
Speaker 1: somehow safe. It made it through the acid Lake. It

1929
01:38:31,400 --> 01:38:34,719
Speaker 1: made it, made it over Loava and I was back

1930
01:38:34,720 --> 01:38:35,960
Speaker 1: in this truck with these people.

1931
01:38:36,040 --> 01:38:38,320
Speaker 3: It made it through the wilderness somehow, it made it through.

1932
01:38:40,200 --> 01:38:42,439
Speaker 3: If you and I had seen this film in a

1933
01:38:42,560 --> 01:38:45,439
Speaker 3: theater in nineteen ninety seven, we would have stood up

1934
01:38:45,439 --> 01:38:47,320
Speaker 3: in clap. Oh my god, I knew, I know it.

1935
01:38:47,360 --> 01:38:49,800
Speaker 3: We would have stood up and clapped at that moment.

1936
01:38:49,960 --> 01:38:52,559
Speaker 1: It was such a triumph for this fucking dog.

1937
01:38:52,760 --> 01:38:55,760
Speaker 3: This fucking dog is like covered in soot, like it

1938
01:38:55,800 --> 01:38:58,559
Speaker 3: was white or kind of brownish gray. It is like

1939
01:38:58,680 --> 01:39:02,320
Speaker 3: in blackface. At this point, it has been through so much.

1940
01:39:05,240 --> 01:39:08,200
Speaker 1: This entire family now with the dog, they all end

1941
01:39:08,280 --> 01:39:10,519
Speaker 1: up as you do when you're trying to speed away

1942
01:39:10,520 --> 01:39:12,559
Speaker 1: from a volcano blast, which is that they end up

1943
01:39:12,600 --> 01:39:15,639
Speaker 1: in the mind shaft. They drive into the mine shaft

1944
01:39:15,640 --> 01:39:19,559
Speaker 1: where the kid had his clubhouse. Okay, and I'm assuming

1945
01:39:19,560 --> 01:39:22,200
Speaker 1: that all his friends have passed, this poor kid, because

1946
01:39:22,240 --> 01:39:26,439
Speaker 1: it's like this entire town is fucking dead. Okay. Now,

1947
01:39:27,200 --> 01:39:29,720
Speaker 1: the funniest thing is that they get into the mind

1948
01:39:29,760 --> 01:39:32,920
Speaker 1: shaft and Harry is trying to make this scenario as

1949
01:39:33,000 --> 01:39:36,080
Speaker 1: chill as possible, so he is already like he's telling

1950
01:39:36,120 --> 01:39:40,120
Speaker 1: this random woman's kids. He's like, we've been through a lot,

1951
01:39:40,360 --> 01:39:42,519
Speaker 1: so how about we all go on vacation when this

1952
01:39:42,600 --> 01:39:46,120
Speaker 1: is all over. And I'm like, is no one going

1953
01:39:46,160 --> 01:39:51,040
Speaker 1: to unpack the idea that you just drove over Lava?

1954
01:39:51,560 --> 01:39:54,000
Speaker 3: I guess that your grandma was just cooked like a

1955
01:39:54,000 --> 01:39:59,080
Speaker 3: piece of bacon. That You've seen so many boiled dead

1956
01:39:59,120 --> 01:40:01,439
Speaker 3: bodies today, more then anyone else will ever see in

1957
01:40:01,439 --> 01:40:02,800
Speaker 3: their entire lifetime.

1958
01:40:03,439 --> 01:40:04,960
Speaker 2: I'd be worried about their trauma.

1959
01:40:05,000 --> 01:40:06,519
Speaker 3: I was thinking about it when I was watching the movie,

1960
01:40:06,560 --> 01:40:08,280
Speaker 3: and I'm like, man, they're gonna be so traumatized.

1961
01:40:08,560 --> 01:40:11,320
Speaker 2: And then I thought, Nah, those kids have sucked.

1962
01:40:11,000 --> 01:40:14,960
Speaker 3: In so much ash and smoke and sewage and chemicals.

1963
01:40:15,000 --> 01:40:18,599
Speaker 3: There's no way anyone who survived this lived beyond five years.

1964
01:40:19,280 --> 01:40:23,400
Speaker 1: So true. I was like, this is absolute chaos and

1965
01:40:23,439 --> 01:40:25,679
Speaker 1: destruction on a level that we've never seen before.

1966
01:40:26,200 --> 01:40:28,880
Speaker 3: Okay, and then the little kid, Graham, the little boy,

1967
01:40:28,920 --> 01:40:31,479
Speaker 3: he starts acting like the consummate host. He's like, yes,

1968
01:40:31,520 --> 01:40:33,839
Speaker 3: I have some water, i have soda, I've got snacks,

1969
01:40:33,880 --> 01:40:38,000
Speaker 3: I've got like my mind shaft clubhouse has everything.

1970
01:40:38,600 --> 01:40:40,760
Speaker 1: I mean, it is wild how they went from like

1971
01:40:41,320 --> 01:40:43,920
Speaker 1: fighting for their survival to like, Oh, this is a

1972
01:40:44,000 --> 01:40:46,120
Speaker 1: chill spot. Y'all want to just hang in here for

1973
01:40:46,160 --> 01:40:49,559
Speaker 1: a while and eat some crackers and talk about vacation plans.

1974
01:40:50,160 --> 01:40:52,400
Speaker 2: I was like, oh, it's not chill for everyone. It's

1975
01:40:52,439 --> 01:40:53,519
Speaker 2: not chill for everyone.

1976
01:40:53,760 --> 01:40:57,920
Speaker 1: Shit. So here's what happens to wrap this up, piis

1977
01:40:58,000 --> 01:41:01,320
Speaker 1: Brosdon goes back to the car for his satellite phone

1978
01:41:01,800 --> 01:41:04,519
Speaker 1: because he's like, let's call the people. We're in a

1979
01:41:04,560 --> 01:41:08,080
Speaker 1: mine shaft. And of course, wouldn't you know, the mind

1980
01:41:08,200 --> 01:41:12,880
Speaker 1: starts collapsing and now Harry is smashed into the back

1981
01:41:12,920 --> 01:41:19,599
Speaker 1: of his own fucking jeep. Okay, and he's like totally fucked.

1982
01:41:20,680 --> 01:41:24,920
Speaker 1: But somehow the NASA phone sends a signal and like

1983
01:41:25,040 --> 01:41:29,480
Speaker 1: a few days later, his bonehead fucking coworkers figure out

1984
01:41:29,720 --> 01:41:34,520
Speaker 1: that his phone is going off and he is eventually rescued,

1985
01:41:34,600 --> 01:41:38,040
Speaker 1: and he has somehow survived with just a broken arm,

1986
01:41:38,080 --> 01:41:42,200
Speaker 1: and he hasn't pooped or pete himself at all or anything.

1987
01:41:42,320 --> 01:41:45,439
Speaker 1: It's incredible, Like you're like, Wow, way to go, dude.

1988
01:41:45,560 --> 01:41:48,479
Speaker 1: You're smashed in a mine amongst all these other things,

1989
01:41:48,600 --> 01:41:51,920
Speaker 1: and you are only hobbling out with a broken arm.

1990
01:41:52,640 --> 01:41:55,560
Speaker 1: And just when he's thinking, did everyone else in the

1991
01:41:55,600 --> 01:41:58,880
Speaker 1: family come out of that fucking mind collapse. How about

1992
01:41:59,000 --> 01:42:01,720
Speaker 1: the rest of the game comes waltzed out of the

1993
01:42:01,840 --> 01:42:07,240
Speaker 1: mine completely unharmed, with the damn dog and everything and everyone,

1994
01:42:07,400 --> 01:42:11,320
Speaker 1: all the workers, all the newspeople are cheering, and it's

1995
01:42:11,360 --> 01:42:14,920
Speaker 1: simply too much. I screamed. I was like, this can't

1996
01:42:14,960 --> 01:42:16,160
Speaker 1: be how this ends. Oh.

1997
01:42:16,160 --> 01:42:19,040
Speaker 2: They weren't even hungry. They just came out. They weren't

1998
01:42:19,080 --> 01:42:21,320
Speaker 2: even like mad or hungrier. Like, if I'm.

1999
01:42:21,400 --> 01:42:24,120
Speaker 3: Stuck anywhere with my family for three days, I'm gonna

2000
01:42:24,120 --> 01:42:25,400
Speaker 3: be fighting when I come out of that.

2001
01:42:25,439 --> 01:42:28,600
Speaker 2: Please, And the best.

2002
01:42:28,280 --> 01:42:30,599
Speaker 1: Part of this, I'm sorry I gave it with the ending,

2003
01:42:30,640 --> 01:42:32,880
Speaker 1: but fuck it, you know, this is just how it

2004
01:42:33,240 --> 01:42:37,400
Speaker 1: went today. The final shot is of this family, now

2005
01:42:37,720 --> 01:42:41,400
Speaker 1: this trauma bonded volcano unit. They fly off in a

2006
01:42:41,400 --> 01:42:43,479
Speaker 1: helicopter and they look down at the town and it

2007
01:42:43,560 --> 01:42:47,800
Speaker 1: literally looks like Judgment Day happened. Like there's mud and

2008
01:42:47,960 --> 01:42:52,000
Speaker 1: skulls and darkness, and I'm just like, damn, this volcano

2009
01:42:52,120 --> 01:42:55,800
Speaker 1: fucking hit it right. And this is the fucking movie

2010
01:42:55,840 --> 01:43:01,560
Speaker 1: we just watched. This is just this absolutely insane. I

2011
01:43:01,600 --> 01:43:04,360
Speaker 1: haven't laughed this hard in a movie in so long,

2012
01:43:04,800 --> 01:43:10,160
Speaker 1: and I again, couldn't even remember any of this stuff

2013
01:43:10,200 --> 01:43:13,479
Speaker 1: happening when I first saw it, which basically means I

2014
01:43:13,479 --> 01:43:15,240
Speaker 1: didn't see it. I only really saw it for the

2015
01:43:15,240 --> 01:43:19,679
Speaker 1: first time for this episode. And damn, what a fucking

2016
01:43:19,760 --> 01:43:20,680
Speaker 1: treat man.

2017
01:43:21,200 --> 01:43:23,400
Speaker 2: This I said it before, and I'm doubling down.

2018
01:43:23,439 --> 01:43:27,160
Speaker 3: This movie was worth every fucking penny because it is

2019
01:43:27,439 --> 01:43:31,040
Speaker 3: so entertaining, and that is Sometimes you just want a

2020
01:43:31,080 --> 01:43:34,160
Speaker 3: movie that is going to entertain you, and this movie

2021
01:43:34,200 --> 01:43:40,840
Speaker 3: delivers it in spades. It is absolutely fucking great for

2022
01:43:40,880 --> 01:43:41,559
Speaker 3: a summer film.

2023
01:43:41,840 --> 01:43:47,840
Speaker 1: Oh my god, perfect blockbuster disaster summer movie. Go and

2024
01:43:47,920 --> 01:43:51,439
Speaker 1: watch it. I mean honestly, like, for my money, it

2025
01:43:51,560 --> 01:43:53,920
Speaker 1: is literally like one of the funniest watches. Like I

2026
01:43:54,080 --> 01:43:57,320
Speaker 1: just could not stop laughing. The best part about watching

2027
01:43:57,320 --> 01:44:01,200
Speaker 1: of a disaster movie is just it's the epic nature

2028
01:44:01,240 --> 01:44:03,960
Speaker 1: of it, just like the fucked up shit, Like it

2029
01:44:04,040 --> 01:44:06,479
Speaker 1: must be so fun to write a disaster movie, honestly,

2030
01:44:06,479 --> 01:44:09,080
Speaker 1: because I you could just cook up any kind of

2031
01:44:09,120 --> 01:44:13,240
Speaker 1: fucking scenario, like science doesn't matter. Everything is outrageous, and

2032
01:44:13,280 --> 01:44:15,639
Speaker 1: those are the funniest movies to me, like anything that's

2033
01:44:15,720 --> 01:44:18,880
Speaker 1: just over the top. That's why we keep watching shit

2034
01:44:18,960 --> 01:44:22,599
Speaker 1: like San Andreas and like the meg and like shit

2035
01:44:22,720 --> 01:44:25,920
Speaker 1: like that because it's so outrageous and it's just it's

2036
01:44:25,920 --> 01:44:27,960
Speaker 1: so fun to watch something like this, you know, it

2037
01:44:28,200 --> 01:44:28,840
Speaker 1: truly is.

2038
01:44:28,960 --> 01:44:33,200
Speaker 3: I had an absolute blast. I laughed so much, but

2039
01:44:33,280 --> 01:44:36,960
Speaker 3: I was still also again like deeply entertained. Yeah, I

2040
01:44:37,000 --> 01:44:39,519
Speaker 3: didn't know what was coming next. I'm like, I don't know, man,

2041
01:44:40,240 --> 01:44:42,519
Speaker 3: the volcano's going. But who's to say that there isn't

2042
01:44:42,520 --> 01:44:45,320
Speaker 3: gonna be a fucking tidal wave. I don't know, Like

2043
01:44:45,520 --> 01:44:48,960
Speaker 3: nothing is off limits and it's great.

2044
01:44:49,200 --> 01:44:51,880
Speaker 1: Yeah, and this movie really hits home. I mean to

2045
01:44:51,960 --> 01:44:53,519
Speaker 1: go back to the idea of what the theme is

2046
01:44:53,560 --> 01:44:56,360
Speaker 1: for this week, just the fear, the volcano fear that

2047
01:44:56,400 --> 01:44:58,240
Speaker 1: we both you know, talked about at the beginning of

2048
01:44:58,240 --> 01:45:01,800
Speaker 1: the episode. This this movie really hits home because you're

2049
01:45:01,840 --> 01:45:04,160
Speaker 1: just like, wow, there's so many ways to dine a volcano,

2050
01:45:04,400 --> 01:45:08,120
Speaker 1: like all this this animal, this one dog experience, like

2051
01:45:08,240 --> 01:45:10,639
Speaker 1: five of them. It's just it's just insane.

2052
01:45:11,640 --> 01:45:13,880
Speaker 3: The squirrels were just walking on rocks and they just

2053
01:45:14,160 --> 01:45:20,160
Speaker 3: kicked it. Like, there's so many earthquake, sewage, lava, there's

2054
01:45:20,200 --> 01:45:23,599
Speaker 3: so many ways that a volcano can kill you before

2055
01:45:23,640 --> 01:45:26,760
Speaker 3: it even blows up. We have every right to still

2056
01:45:26,760 --> 01:45:30,519
Speaker 3: fear them. I don't know how there's not a federal

2057
01:45:30,560 --> 01:45:33,120
Speaker 3: statute at least in the US, like you cannot build

2058
01:45:33,200 --> 01:45:36,120
Speaker 3: a town within a hundred square miles of a volcano.

2059
01:45:36,920 --> 01:45:37,599
Speaker 2: Just don't do it.

2060
01:45:37,680 --> 01:45:40,120
Speaker 1: Oh my god, I mean truly, I mean, it's just

2061
01:45:40,160 --> 01:45:42,320
Speaker 1: it to me. It just made me think, wow, like

2062
01:45:43,040 --> 01:45:45,479
Speaker 1: it must take balls to live in Dante's Peak. I mean,

2063
01:45:45,479 --> 01:45:46,880
Speaker 1: it's just really must truly.

2064
01:45:47,120 --> 01:45:49,600
Speaker 2: The only thing that this movie was missing was a

2065
01:45:49,640 --> 01:45:50,160
Speaker 2: theme song.

2066
01:45:50,320 --> 01:45:54,360
Speaker 1: Oh no, I know. Had we had Aerosmith do a

2067
01:45:54,400 --> 01:45:57,640
Speaker 1: fucking rock and ballad for this shit, this would be

2068
01:45:57,720 --> 01:46:00,360
Speaker 1: like a top five for me maybe. I mean, honestly,

2069
01:46:00,880 --> 01:46:05,280
Speaker 1: so much crazy shit, so enjoyable, such a fun summer movie,

2070
01:46:05,479 --> 01:46:09,240
Speaker 1: and such a good volcano movie. The floor is definitely lava,

2071
01:46:09,320 --> 01:46:12,559
Speaker 1: and we just drove over it somehow.

2072
01:46:12,560 --> 01:46:13,720
Speaker 2: Everything is lava.

2073
01:46:13,760 --> 01:46:17,880
Speaker 3: Everything is, your life is lava, your emotions are lava.

2074
01:46:19,120 --> 01:46:23,760
Speaker 3: There's no escaping Dante's Peak. This is a great week.

2075
01:46:23,840 --> 01:46:26,519
Speaker 3: Thank you so much for picking this movie. I loved

2076
01:46:26,520 --> 01:46:26,960
Speaker 3: watching it.

2077
01:46:27,000 --> 01:46:29,880
Speaker 1: Oh my god, so fun this week. Thanks for hanging

2078
01:46:29,920 --> 01:46:32,720
Speaker 1: out with us, guys. If you want to email us

2079
01:46:34,720 --> 01:46:38,040
Speaker 1: for anything we talked about this week, please do at

2080
01:46:38,200 --> 01:46:39,759
Speaker 1: I Saw what you did pot at Gmail.

2081
01:46:40,120 --> 01:46:42,599
Speaker 3: If you're a hot volcanologist, you can find us on

2082
01:46:42,800 --> 01:46:44,839
Speaker 3: I Saw pod on Instagram and Twitter.

2083
01:46:45,439 --> 01:46:48,320
Speaker 1: And we also have merch if you want to get

2084
01:46:48,320 --> 01:46:52,040
Speaker 1: into some you know, T shirts, sweatpants, if you want

2085
01:46:52,040 --> 01:46:54,120
Speaker 1: to mug for all the coffee that you drink in

2086
01:46:54,240 --> 01:46:58,600
Speaker 1: Dante's Peak, it's in the Exactly Right shop at Exactlyrightmedia

2087
01:46:58,640 --> 01:46:59,240
Speaker 1: dot com.

2088
01:46:59,439 --> 01:47:02,400
Speaker 3: And look, this is if you're not driving or otherwise

2089
01:47:02,680 --> 01:47:05,439
Speaker 3: doing something dangerous right now, it's a perfect time to stop.

2090
01:47:05,600 --> 01:47:09,320
Speaker 3: Go to Apple Podcasts, do a little rate review, make

2091
01:47:09,360 --> 01:47:13,599
Speaker 3: sure you subscribe, And we also have bonus episodes up

2092
01:47:13,760 --> 01:47:17,080
Speaker 3: on Stitcher Premium. You can use the promo code SAW

2093
01:47:17,160 --> 01:47:18,559
Speaker 3: for a free month.

2094
01:47:18,880 --> 01:47:20,920
Speaker 1: Yes, we actually have a bonus episode that's going up

2095
01:47:20,960 --> 01:47:25,000
Speaker 1: this Thursday, actually, so look for that in your Stitcher

2096
01:47:25,080 --> 01:47:27,879
Speaker 1: Premium feeds. And do you want to tell the folks

2097
01:47:28,080 --> 01:47:31,000
Speaker 1: what the movies are for next week?

2098
01:47:31,680 --> 01:47:32,600
Speaker 2: Oh? I sure do?

2099
01:47:33,080 --> 01:47:33,800
Speaker 1: Huh.

2100
01:47:34,000 --> 01:47:38,400
Speaker 3: Next week's movies are Road to Perdition from two thousand

2101
01:47:38,400 --> 01:47:42,160
Speaker 3: and two and add Astra from twenty nineteen.

2102
01:47:42,920 --> 01:47:47,000
Speaker 1: Wow, literally, what could it be? What could the theme be?

2103
01:47:47,479 --> 01:47:49,240
Speaker 1: Two new movies? Newish movies?

2104
01:47:49,840 --> 01:47:51,280
Speaker 2: Wow, Newish movies.

2105
01:47:51,479 --> 01:47:54,920
Speaker 1: Having said, any of that Yeah. I again, such a blast.

2106
01:47:54,960 --> 01:47:57,559
Speaker 1: Thanks for hanging out with us, see you next time.

2107
01:47:58,160 --> 01:48:05,080
Speaker 2: Bye, everybody.

2108
01:48:05,479 --> 01:48:09,000
Speaker 3: This has been an exactly right production. Our producers Alexisamrossi,

2109
01:48:09,160 --> 01:48:12,719
Speaker 3: our engineers Annalise Nelson. Our theme songs by Tom bry Foegel,

2110
01:48:13,080 --> 01:48:16,719
Speaker 3: artwork by Garrett Ross. Our executive producers are Georgia hart Stark,

2111
01:48:16,800 --> 01:48:20,000
Speaker 3: Karen Till, Gareth and Danielle Kramer. Follow us on Instagram

2112
01:48:20,040 --> 01:48:22,800
Speaker 3: and Twitter at I saw pod email us at I

2113
01:48:22,840 --> 01:48:25,439
Speaker 3: saw you did pod at Gmail and please don't forget

2114
01:48:25,439 --> 01:48:28,639
Speaker 3: to listen, subscribe, leave us a review on Apple Podcast,

2115
01:48:28,680 --> 01:48:30,280
Speaker 3: Stitcher or wherever you listen.

2116
01:48:44,880 --> 01:48:45,639
Speaker 2: There's ruffi