WEBVTT - 308: Vermont Is For Lovers, Too w/ Shonda Rhimes

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with iHeartRadio.

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<v Speaker 2>The sand Watch, Yaz and Katie Wells.

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<v Speaker 1>We do this stream of consciousness thing sometimes randomly for

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<v Speaker 1>episodes of Unpacking the Toolbox. We learned it from the

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<v Speaker 1>lovely Hanna Simone because we did a crossover episode on

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<v Speaker 1>her New Girl podcast and she did ours, and she

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<v Speaker 1>did this freaking fun ass thing where she just she

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<v Speaker 1>was like, I did a stream of consciouness consciousness while

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<v Speaker 1>I was watching the episode, and she just wrote down

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<v Speaker 1>what popped into her head while she was watching the episode,

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<v Speaker 1>and me and Katie fell in love with it. And

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<v Speaker 1>this is the first time I'm doing it about a

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<v Speaker 1>person and not an episode. So but also like reading

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<v Speaker 1>it back Katie, I was like, this is giving me poem.

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<v Speaker 1>Also like I did stream of consciousness. But then there's like,

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<v Speaker 1>are you a poem?

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<v Speaker 3>Who?

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<v Speaker 1>I was like, what am I doing? You're upsella Alan Ginsberg? Yeah?

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<v Speaker 4>Look at all right?

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<v Speaker 1>So here goes Shonda Rhimes. A collector, an observer, a

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<v Speaker 1>watcher of lives, of minds, of things good and bad,

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<v Speaker 1>A quiet human, a quiet soul. I have never met

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<v Speaker 1>a more quiet woman with the loudest mind and the

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<v Speaker 1>loudest brain, and with the bestest skill to weave those

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<v Speaker 1>collections she collects into stories that mesmerize us, that move us,

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<v Speaker 1>that make us stand by the coolers at work and

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<v Speaker 1>chatter with our friends and even foes about what we

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<v Speaker 1>watched the night before and what we'll watch on Thursday

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<v Speaker 1>at night after four That Thursday stuff changed my life.

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<v Speaker 1>She took a chance on me and shined the light

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<v Speaker 1>on my quietness, on my weirdness, and turned it into

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<v Speaker 1>a character. Or rather, she created this character and then

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<v Speaker 1>chose me to play it, and I melted into him. Shonda,

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<v Speaker 1>I have never felt more intimidated by someone in my life.

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<v Speaker 1>But that is only because I want to do good

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<v Speaker 1>by you, by your brilliance, your words, from miks see

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<v Speaker 1>Me and McDreamy to Olitz and o'lake and finally, with

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<v Speaker 1>the win of Huckleberry Quinn, from you, so much more

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<v Speaker 1>to come out there for the take.

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<v Speaker 4>That's it, my godde hotter.

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<v Speaker 5>As if you couldn't be cooler or hotter, or more

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<v Speaker 5>interesting or more just the best human I've ever known.

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<v Speaker 5>You're also a brilliant poet. Is everyone losing their minds.

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<v Speaker 4>I'm losing my mind right now.

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<v Speaker 5>Also, Seawanna is definitely listening to this episode and you

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<v Speaker 5>will definitely hear it.

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<v Speaker 1>Yeah, so good, good, good good.

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<v Speaker 5>That was so beautiful. I mean, our listeners are Yesterday.

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<v Speaker 5>Is the one and only Shonda Rhymes.

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<v Speaker 1>The queen, the one and only, and she is.

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<v Speaker 5>The creator of Huckleberry Quinn, the creator of Our Baby

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<v Speaker 5>or Hawk like the Hook is one of the best

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<v Speaker 5>care in all of television history.

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<v Speaker 1>In my opinion, I'm so lucky. We're so lucky to

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<v Speaker 1>play these characters. She's also the queen of like all

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<v Speaker 1>these stands right like oh late golits like mc steemy, McDreamy,

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<v Speaker 1>all like all these like oh my nicknames that we've

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<v Speaker 1>given these characters because people deeply fall in love with them.

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<v Speaker 1>This is the woman that created these people, like these

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<v Speaker 1>these stories.

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<v Speaker 5>And these relationships that people are just like obsessed with.

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<v Speaker 5>It's just so and season three, you know, I'm so

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<v Speaker 5>glad she's coming on because season three was so pivotal.

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<v Speaker 5>I feel like this was where scandal is scandal, you

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<v Speaker 5>know what I mean. Like one was one two we

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<v Speaker 5>were like kind of getting out to the races and

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<v Speaker 5>by season three, we were just like a fucking winning horse.

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<v Speaker 4>Just do you like my horse metaphor? Right now? I

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<v Speaker 4>don't know where working, but you know what I mean?

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<v Speaker 1>Yeah, this is this is the season where you felt like,

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<v Speaker 1>oh shit, one of us is gonna get struck by lightning,

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<v Speaker 1>one of us is gonna be off, and one of

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<v Speaker 1>us was a few of.

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<v Speaker 4>Us were dead.

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<v Speaker 5>Jerry Graham dead, fucking James Novak dead dead. Oh that

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<v Speaker 5>hot girl that looks like Marika dead dead?

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<v Speaker 1>Also dead, like, oh oh.

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<v Speaker 5>The guy I killed at the beginning dead, Sanhan dead?

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<v Speaker 1>That's right? Yo? Did we We should have asked got

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<v Speaker 1>about that, but we had him on the podcast before

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<v Speaker 1>we did that episode.

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<v Speaker 5>Next time him on again. We have to be like,

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<v Speaker 5>remember that hot B six thirteen girl? She looked just

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<v Speaker 5>like Marika?

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<v Speaker 1>Was that intentional?

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<v Speaker 3>Supposed to be?

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<v Speaker 4>They could be sisters or something?

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<v Speaker 5>Yeah, okay, everyone, this episode is so great. But before

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<v Speaker 5>G and I break down episode three eight, which is

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<v Speaker 5>a personal fave of mine, we have an amazing, amazing guest.

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<v Speaker 5>She's Bridgerton, She's Queen Charlotte, she is Gray's Anatomy, she's

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<v Speaker 5>private practice, she's how to get and she's Scandal.

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<v Speaker 4>You guys know who it is the one to know.

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<v Speaker 1>That Shonda wh our Queen Bee.

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<v Speaker 4>It's seander Ess.

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<v Speaker 5>But we are at the time of this recording talking

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<v Speaker 5>to her the day of the Bridgerton season three release.

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<v Speaker 5>How is it feeling? Are we excited talk to us

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<v Speaker 5>about Bridgerton?

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<v Speaker 3>It's feeling good, you know what I was thinking, like,

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<v Speaker 3>this is the season three release and I'm here to

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<v Speaker 3>talk about season three Scandal.

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<v Speaker 1>Oh that's right, yes, yes, So.

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<v Speaker 5>Shaanna doesn't do short shows like just so everyone knows,

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<v Speaker 5>even though it's funny, like Queen Charlotte was obviously a

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<v Speaker 5>mini series. Inventing Anna was a miniseriies that I got

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<v Speaker 5>to be on, and I remember when you walked in,

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<v Speaker 5>you were like, this is really weird, Like I only

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<v Speaker 5>do shows that laughed like forever.

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<v Speaker 3>Seven years yeah, or more.

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<v Speaker 4>So Bridgerton in season three? Does it feel new still?

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<v Speaker 1>You know?

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<v Speaker 3>It does feel new because we have Jess Brown l

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<v Speaker 3>now from Scandal when our Scandal writer's running the show,

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<v Speaker 3>and so it's got like a fresh take and it's

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<v Speaker 3>been really fun.

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<v Speaker 1>That's so exciting.

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<v Speaker 5>What can we can you tease anything as a massive

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<v Speaker 5>step from you, I'm a freaking massive Bridgerton fan.

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<v Speaker 3>I could see nothing except you're really gonna love it.

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<v Speaker 3>It's a very sexy season and Lady Whistledown gets her due.

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<v Speaker 3>I love Lady whistle Down.

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<v Speaker 5>Oh you know what I'll be doing all weekend, We'll

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<v Speaker 5>just be not leaving my house and just watching that. Okay,

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<v Speaker 5>So take us through season three of Scandal. Gladiators was

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<v Speaker 5>the Juggernaut season.

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<v Speaker 3>It was like, I know because I went back to

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<v Speaker 3>look at all the episode names, so like refresh myself,

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<v Speaker 3>and I was like, oh my god, this is the season.

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<v Speaker 3>This happened, and that happened, and this happened was my

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<v Speaker 3>favorite seasons. Really me too.

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<v Speaker 1>It's such a great season. I mean, major characters die,

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<v Speaker 1>major characters murder. I mean it's a wild, wild season.

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<v Speaker 1>And we were sort of we were in our groove, right.

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<v Speaker 1>I think people really started to scan yeah and the characters,

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<v Speaker 1>and it was such an exciting time.

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<v Speaker 5>Do you remember, Seana, Like, what did your days at

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<v Speaker 5>this point? Like, okay, Gray's is obviously the Juggernaut. Now

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<v Speaker 5>you've got two oh my massive juggernauts happening at one time.

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<v Speaker 3>Well, we also had we also had had to get

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<v Speaker 3>away with Murder.

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<v Speaker 4>Oh my god, that was all this, I think.

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<v Speaker 1>Yeah, yeah, it was like the very beginning of it.

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<v Speaker 5>I think, right, yeah, my gosh, what was your day

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<v Speaker 5>to day like at this point? Are you sitting in

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<v Speaker 5>the Scandal writer's room all day? Or are you like

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<v Speaker 5>hiding in your office? Like what was a day to

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<v Speaker 5>day like in Shonda Rhime's life at this moment in time.

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<v Speaker 3>I feel like I was running around, like running around

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<v Speaker 3>like a crazy person because I was popping in the

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<v Speaker 3>Scandal's writer's room to talk about what we're going to

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<v Speaker 3>do next and to hear all their ideas and pitches.

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<v Speaker 3>I was in my office rewriting whatever script was coming up.

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<v Speaker 3>I was also in my office editing whichever the next

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<v Speaker 3>cut was to get on the air in like four days,

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<v Speaker 3>and then I was going to like prep meetings and

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<v Speaker 3>talking to Tom like it was crazy.

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<v Speaker 1>It was.

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<v Speaker 3>You always wonder why I was never like sitting on set.

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<v Speaker 3>I was like, do you I didn't have time for

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<v Speaker 3>that because I was also editing every episode to Gray's

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<v Speaker 3>Anatomy at that point too.

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<v Speaker 1>Oh my god, I remember you. You sat on set

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<v Speaker 1>with Betsy Beers during the pilot and that was probably

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<v Speaker 1>the only time that you had time to eat that

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<v Speaker 1>I was.

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<v Speaker 3>Until me did the finale, until he did the final episode.

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<v Speaker 5>You came down a few times and we would be like,

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<v Speaker 5>which is the right move? I think also like you

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<v Speaker 5>came down, I think for our seven fifty two monologues

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<v Speaker 5>in season yes, like there were a cop like a

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<v Speaker 5>handful in seven or eight years that you came down.

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<v Speaker 3>I wanted to see in person myself, you know what

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<v Speaker 3>I mean?

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<v Speaker 5>Yes, yes, And also I think what you're what I've

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<v Speaker 5>picked up on is there is this sort of at

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<v Speaker 5>this point, which was already happening, there's like a real

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<v Speaker 5>Shonda effect, which is people can't really and I love

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<v Speaker 5>you so much, you know, I love you, but people

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<v Speaker 5>can't do their jobs when Shonda comes to set because

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<v Speaker 5>everyone is literally shaking in their shoes. I want to

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<v Speaker 5>meet you and scared and intimidated and all this stuff.

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<v Speaker 4>So it's better, Yeah, you know, it's better.

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<v Speaker 3>I learned that, and I got to tell you like

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<v Speaker 3>I learned it early on. I mean like maybe season

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<v Speaker 3>six on grades, I would go to set and everything

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<v Speaker 3>would stop and I'd go down to scandal and everybody.

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<v Speaker 3>By then it was even worse because I had three nights,

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<v Speaker 3>you know, three whole episodes of TG I T and

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<v Speaker 3>people would be so nervous and like and I would comment.

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<v Speaker 3>I would say like, oh nice wall, and they'd be

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<v Speaker 3>like you hate them all, Like oh my god, We've

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<v Speaker 3>got to you know, you know what I mean. They

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<v Speaker 3>were trying so hard to please, and I was like,

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<v Speaker 3>I'm basically messing up work here, so I'm not coming.

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<v Speaker 5>Yes, yes, I remember you came down to inventing Anna

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<v Speaker 5>one day and everyone was like, oh my god.

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<v Speaker 4>Everyone who'd worked on the show with.

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<v Speaker 5>You and at exchange a million emails on like clothing

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<v Speaker 5>choices and.

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<v Speaker 4>Were like, do you think I can get a photo?

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<v Speaker 5>Like production stopped because everyone needed to get their picture

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<v Speaker 5>for their family.

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<v Speaker 3>It was nerve wracking, and I always feel so bad

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<v Speaker 3>because honestly, I feel like I'm interrupting people having been

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<v Speaker 3>able to do their creative process their way. So I'm like,

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<v Speaker 3>I'm not going down there unless it's an emergency.

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<v Speaker 1>You need to go through like special effects like make

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<v Speaker 1>up before you go to chests again and just go

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<v Speaker 1>incognitiugno so people don't know what's you yeah, and they'll

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<v Speaker 1>be there. I might try that, Yeah, you should seandy,

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<v Speaker 1>didn't you You were also you were working on these shows,

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<v Speaker 1>and then you were also raising kids at this time, right,

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<v Speaker 1>did you already have your daughter?

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<v Speaker 3>No, I was working on these shows. Emerson was two

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<v Speaker 3>in season three, Beckett was one in season three. Yeah,

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<v Speaker 3>Harper was like a like, it's starting to be a teenager.

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<v Speaker 1>It was crazy, which is not an easy phase for kids.

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<v Speaker 3>I would bring you know what, Emmy was amazing because

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<v Speaker 3>I could tuck Emmy under my arm bring her to

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<v Speaker 3>the office because she was was this like silent observant baby,

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<v Speaker 3>and we would sit in the writer's room. She could

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<v Speaker 3>sit in the writer's room like all.

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<v Speaker 1>Day really and be perfectly fine and not make a peep.

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<v Speaker 3>Right.

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<v Speaker 5>I remember her being at a table read, like you know,

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<v Speaker 5>at the beginning of one and she just was so

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<v Speaker 5>observiing and like.

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<v Speaker 4>She would come to disablery and start of Buddha feeling.

0:10:59.640 --> 0:11:01.280
<v Speaker 3>I remember remember one day I took her from a

0:11:01.280 --> 0:11:03.440
<v Speaker 3>Gray's Anatomy table read in the car straight to a

0:11:03.440 --> 0:11:05.839
<v Speaker 3>Scandal table read and she just sat there the whole time,

0:11:05.960 --> 0:11:08.760
<v Speaker 3>was like, this is so interesting. Beckett, on the other hand,

0:11:08.840 --> 0:11:10.880
<v Speaker 3>was like I got a scream right now, So she

0:11:10.880 --> 0:11:12.040
<v Speaker 3>didn't get to jump much.

0:11:14.120 --> 0:11:19.920
<v Speaker 1>Beer. I was just gonna say, those kids hearing Betsy

0:11:19.960 --> 0:11:25.240
<v Speaker 1>Beers do the the stage directions probably low them into asleep. Right,

0:11:25.240 --> 0:11:27.800
<v Speaker 1>It was like a lullab them.

0:11:27.840 --> 0:11:29.360
<v Speaker 3>Yeah we should have. It was one of my most

0:11:29.520 --> 0:11:31.840
<v Speaker 3>favorite thing ever, Betsy doing this the stage directions.

0:11:31.880 --> 0:11:34.720
<v Speaker 5>I love that stage directions. Oh, she's the most. I've

0:11:34.760 --> 0:11:37.720
<v Speaker 5>done so many table reads in my life, and there

0:11:37.800 --> 0:11:40.439
<v Speaker 5>is nothing like a table.

0:11:43.400 --> 0:11:47.079
<v Speaker 3>Okay. So I called season three the come hell or

0:11:47.160 --> 0:11:50.720
<v Speaker 3>high Water season because it starts with saying that, and

0:11:50.760 --> 0:11:52.679
<v Speaker 3>it basically ends with Papa Pope saying that.

0:11:53.000 --> 0:11:54.240
<v Speaker 1>Yeah, that's right.

0:11:54.840 --> 0:11:58.840
<v Speaker 5>And season three is where Carrie also was pregnant. In

0:11:58.920 --> 0:12:02.520
<v Speaker 5>this season, Carrie was pregnant, Yeah, and I mean, bless

0:12:02.559 --> 0:12:05.080
<v Speaker 5>her and completely different than me. I feel like I

0:12:05.160 --> 0:12:07.080
<v Speaker 5>watched this season and I mean, you can you know

0:12:07.160 --> 0:12:11.880
<v Speaker 5>she's in some lovely, incredible jackets with some incredible purses

0:12:11.880 --> 0:12:12.439
<v Speaker 5>and stuff like that.

0:12:12.800 --> 0:12:14.760
<v Speaker 3>Handbags in the world, Yeah.

0:12:14.440 --> 0:12:15.800
<v Speaker 4>The biggest handbags in the world.

0:12:15.800 --> 0:12:18.079
<v Speaker 5>And she's behind a lamp or she's behind it whatever,

0:12:18.160 --> 0:12:21.000
<v Speaker 5>which I mean only Kerrie Washington, like Quinn, you could

0:12:21.000 --> 0:12:23.840
<v Speaker 5>have never hidden a freaking day of my pregnancy. But

0:12:24.400 --> 0:12:29.040
<v Speaker 5>what what was like, do you remember making a decision.

0:12:29.120 --> 0:12:32.560
<v Speaker 5>I'm just curious, like where Olivia like was not going

0:12:32.640 --> 0:12:34.240
<v Speaker 5>to be pregnant, Like how did that?

0:12:34.520 --> 0:12:34.760
<v Speaker 2>Well?

0:12:34.920 --> 0:12:37.120
<v Speaker 3>I knew from the beginning that Olivia Pope was not

0:12:37.200 --> 0:12:39.120
<v Speaker 3>a person who wanted to have kids, do you know

0:12:39.200 --> 0:12:41.160
<v Speaker 3>what I mean? I feel like she had been so

0:12:41.240 --> 0:12:44.280
<v Speaker 3>traumatized by her childhood, and I was like, we certainly

0:12:44.320 --> 0:12:46.680
<v Speaker 3>can't be doing the season with Papa Pope and her pregnant,

0:12:46.679 --> 0:12:49.400
<v Speaker 3>Like it was just two. It didn't make sense psychologically,

0:12:49.880 --> 0:12:52.000
<v Speaker 3>and so I was like, we got to hide it.

0:12:52.040 --> 0:12:54.559
<v Speaker 3>I was thrilled she was pregnant, celebrated it every time

0:12:54.600 --> 0:12:55.559
<v Speaker 3>anybody got pregnant.

0:12:55.600 --> 0:12:57.080
<v Speaker 4>But I was like, I know you did, and I

0:12:57.120 --> 0:12:57.840
<v Speaker 4>was like, I don't.

0:12:57.679 --> 0:12:59.280
<v Speaker 3>Care if she kind of looks like we just don't

0:12:59.280 --> 0:13:02.480
<v Speaker 3>figure out how high and Tom Barica was amazing and

0:13:02.600 --> 0:13:03.559
<v Speaker 3>hiding that pregnancy.

0:13:04.240 --> 0:13:07.840
<v Speaker 5>Wow, I remember that that Olivia Pope, even in her creation,

0:13:08.000 --> 0:13:09.680
<v Speaker 5>was someone that was that was not going to be

0:13:10.040 --> 0:13:11.800
<v Speaker 5>That's not a character trait of her. She was not

0:13:11.840 --> 0:13:14.400
<v Speaker 5>going to have a kid, which like, thankfully for Quinn,

0:13:14.440 --> 0:13:16.000
<v Speaker 5>that was not the case for you.

0:13:16.240 --> 0:13:18.640
<v Speaker 3>Quinn was very normal, which is so funny considering who

0:13:18.720 --> 0:13:21.280
<v Speaker 3>Quinn sort of turns into but Quinn was very normal.

0:13:21.160 --> 0:13:27.720
<v Speaker 5>But white picket fence kids the whole and this crazy

0:13:27.800 --> 0:13:32.520
<v Speaker 5>job of pencil skirts. Okay, also in season three, I

0:13:32.559 --> 0:13:36.400
<v Speaker 5>think for me it is the greatest guest starring cast.

0:13:36.840 --> 0:13:40.640
<v Speaker 5>Like we have Leo Bergen in full effect, we have

0:13:40.760 --> 0:13:47.280
<v Speaker 5>the Daniel Douglas murder. We have Lisaudre Andrew, we have Lisa,

0:13:48.040 --> 0:13:51.360
<v Speaker 5>we have Sally Langston, we have Hollis Doyle back. Like

0:13:51.800 --> 0:13:56.000
<v Speaker 5>it is like which guest star could get an Emmy

0:13:56.080 --> 0:13:58.960
<v Speaker 5>because they were all just bringing their a game and

0:13:59.000 --> 0:14:02.160
<v Speaker 5>were written the most credible characters. This is the season

0:14:02.200 --> 0:14:08.240
<v Speaker 5>where James dies. Can you tell us anything about this

0:14:08.360 --> 0:14:10.880
<v Speaker 5>was where we all realized, oh shit, none of us

0:14:10.920 --> 0:14:11.920
<v Speaker 5>are safe and this is.

0:14:11.840 --> 0:14:12.600
<v Speaker 3>The greatest job.

0:14:13.840 --> 0:14:16.360
<v Speaker 1>But also he died in I mean he got the Emmy, right,

0:14:17.480 --> 0:14:18.800
<v Speaker 1>maybe you want to get killed off?

0:14:19.000 --> 0:14:19.800
<v Speaker 3>Yes? Yeah? No?

0:14:19.920 --> 0:14:23.680
<v Speaker 5>Never How do you know, like, how do you know

0:14:24.160 --> 0:14:26.920
<v Speaker 5>that this is something that happens? I remember you saying

0:14:26.920 --> 0:14:29.520
<v Speaker 5>something like I'm the protector of the story and the

0:14:29.600 --> 0:14:31.840
<v Speaker 5>keeper of like the characters, Like how do you know

0:14:31.960 --> 0:14:34.960
<v Speaker 5>when something like that is gonna is the right move?

0:14:35.320 --> 0:14:37.120
<v Speaker 3>I just know, I mean I don't know how to

0:14:37.160 --> 0:14:38.880
<v Speaker 3>tell you why I know, I just know. Like I

0:14:38.920 --> 0:14:41.640
<v Speaker 3>would go into the room and be like, okay, so

0:14:41.840 --> 0:14:44.080
<v Speaker 3>James is going to die, and they the room was

0:14:44.120 --> 0:14:46.360
<v Speaker 3>like what is wrong with you? Like Cyrus and James

0:14:46.400 --> 0:14:47.960
<v Speaker 3>and Lovelah and they were going on, and I was like,

0:14:48.120 --> 0:14:50.520
<v Speaker 3>it's the story, Like we're there now, like that's where

0:14:50.560 --> 0:14:53.560
<v Speaker 3>we are in the story. Also, you know, I was

0:14:53.600 --> 0:14:56.000
<v Speaker 3>actually with Dan Bukatinski this weekend.

0:14:56.640 --> 0:14:59.760
<v Speaker 1>Oh yeah, right, I saw a picture on Instagram.

0:15:00.040 --> 0:15:02.800
<v Speaker 4>Yes, the world is crazy, okay, But we were.

0:15:02.720 --> 0:15:05.160
<v Speaker 3>Talking, like Dan was talking to me and we ended

0:15:05.200 --> 0:15:07.360
<v Speaker 3>up talking about the episode where he dies, and he

0:15:07.400 --> 0:15:10.640
<v Speaker 3>talked about how emotional it made him just listening to

0:15:11.080 --> 0:15:13.560
<v Speaker 3>Scott Fuley's speech, the whole thing, you know, where he

0:15:13.600 --> 0:15:15.800
<v Speaker 3>sits next to him. It was it was great.

0:15:15.920 --> 0:15:20.880
<v Speaker 5>Oh that ending is I mean, there are so many

0:15:20.960 --> 0:15:25.560
<v Speaker 5>this season between Sally Langston's like yum yum, Piggy Yum yum. Chris,

0:15:26.120 --> 0:15:29.640
<v Speaker 5>She's losing her mind, like the devil has taken over her.

0:15:29.680 --> 0:15:31.720
<v Speaker 5>She feels like God isn't talking to her anymore because

0:15:31.720 --> 0:15:36.560
<v Speaker 5>she's a murderer. Scott Jake Ballard is next to next

0:15:36.560 --> 0:15:39.320
<v Speaker 5>to James as he's gurgling these last gurgles and he's like,

0:15:39.360 --> 0:15:41.240
<v Speaker 5>I'm so sorry, this had to be so painful, but

0:15:41.440 --> 0:15:44.160
<v Speaker 5>we had to make it look like it was, you know,

0:15:44.240 --> 0:15:46.520
<v Speaker 5>a murder, and then I wasn't involved. I mean, it

0:15:46.640 --> 0:15:50.240
<v Speaker 5>was just like yeah, oh h.

0:15:50.480 --> 0:15:51.680
<v Speaker 4>But you just know when you know.

0:15:51.640 --> 0:15:55.000
<v Speaker 5>You're like, nope, James is gonna die. That's it. It's

0:15:55.080 --> 0:15:56.840
<v Speaker 5>the way that it has to go. And I and

0:15:56.880 --> 0:15:59.200
<v Speaker 5>you have to how hard that is as your job

0:15:59.240 --> 0:16:01.480
<v Speaker 5>that you have to make it not personal like you're

0:16:01.560 --> 0:16:02.680
<v Speaker 5>friends with Dan.

0:16:03.000 --> 0:16:04.920
<v Speaker 3>But that's why I'm the keeper of the story. Like

0:16:05.000 --> 0:16:07.640
<v Speaker 3>I'm like, I can't like, I can't take any of

0:16:07.720 --> 0:16:10.680
<v Speaker 3>that in account because the world I'm protecting is the

0:16:10.720 --> 0:16:12.880
<v Speaker 3>story world and I'm the only one protecting at one.

0:16:13.520 --> 0:16:16.560
<v Speaker 3>That's my job. So I feel like you make these

0:16:16.600 --> 0:16:20.280
<v Speaker 3>decisions and you make them completely outside of what you're doing.

0:16:20.320 --> 0:16:21.760
<v Speaker 3>It's really hard. Let me tell you.

0:16:22.600 --> 0:16:24.960
<v Speaker 1>It's cutthroat. It's it's savage.

0:16:25.120 --> 0:16:27.080
<v Speaker 3>It feels savage, but you have.

0:16:27.040 --> 0:16:29.960
<v Speaker 1>To do it. But but you know, it makes the show.

0:16:30.080 --> 0:16:33.000
<v Speaker 1>It made the show so much more exciting when that happened.

0:16:33.120 --> 0:16:34.800
<v Speaker 1>I love when Dan was telling us the story that

0:16:34.840 --> 0:16:38.840
<v Speaker 1>he was trying to pitch to you. A world where

0:16:39.320 --> 0:16:41.240
<v Speaker 1>James would come back. He was like, well, if you

0:16:41.240 --> 0:16:41.840
<v Speaker 1>don't see the.

0:16:41.800 --> 0:16:47.360
<v Speaker 3>Body like we see it, it all happens, our life

0:16:47.400 --> 0:16:48.280
<v Speaker 3>go out. It's bad.

0:16:48.400 --> 0:16:48.640
<v Speaker 5>Yeah.

0:16:49.040 --> 0:16:50.840
<v Speaker 3>He did a beautiful job with that. He did a

0:16:50.840 --> 0:16:51.760
<v Speaker 3>beautiful job with that.

0:16:53.000 --> 0:16:55.880
<v Speaker 5>He made me sob and it also gave you such

0:16:56.000 --> 0:16:58.560
<v Speaker 5>juice to be like, you know, the following episode, we

0:16:58.600 --> 0:17:01.320
<v Speaker 5>get to go back in time and we see why

0:17:01.600 --> 0:17:05.080
<v Speaker 5>James and Cyrus fell in love and in all of

0:17:05.119 --> 0:17:05.520
<v Speaker 5>these things.

0:17:05.560 --> 0:17:06.560
<v Speaker 3>I love that episode.

0:17:06.640 --> 0:17:07.720
<v Speaker 4>Yeah, it's beautiful.

0:17:07.840 --> 0:17:15.280
<v Speaker 5>Yeah, we will be back with more after the break.

0:17:16.160 --> 0:17:19.240
<v Speaker 5>When you are working on a season, for your process,

0:17:20.080 --> 0:17:22.600
<v Speaker 5>is it the kind of thing where, like the beginning

0:17:22.600 --> 0:17:25.560
<v Speaker 5>of the season, you mapped out the season three arc,

0:17:25.920 --> 0:17:28.840
<v Speaker 5>or you're still completely open to taking a total left

0:17:28.840 --> 0:17:31.080
<v Speaker 5>turn when we're in episode nine, like.

0:17:31.320 --> 0:17:33.680
<v Speaker 3>Okay, I want to tell you we never knew anything,

0:17:34.000 --> 0:17:38.399
<v Speaker 3>but but I mean, you never knew to But one

0:17:38.440 --> 0:17:40.560
<v Speaker 3>of the things was is I when I wrote and

0:17:40.560 --> 0:17:43.680
<v Speaker 3>I'm literally like when I wrote the speech for Papa

0:17:43.720 --> 0:17:45.840
<v Speaker 3>Pope in that first episode where he's like you will

0:17:45.840 --> 0:17:47.399
<v Speaker 3>get on that plane come hell and eye water and

0:17:47.440 --> 0:17:50.440
<v Speaker 3>I'm the hell and high water. I wrote that and

0:17:50.880 --> 0:17:53.359
<v Speaker 3>I knew in my head from that moment. I was like,

0:17:53.400 --> 0:17:54.720
<v Speaker 3>so at the end of the season, she's getting on

0:17:54.720 --> 0:17:56.399
<v Speaker 3>that plane, Like that was the one thing. I was like,

0:17:56.440 --> 0:17:58.760
<v Speaker 3>that is the point of the season, So.

0:17:58.760 --> 0:18:00.720
<v Speaker 5>You might have an end mark you had like an

0:18:00.880 --> 0:18:02.440
<v Speaker 5>end I knew everything in.

0:18:02.359 --> 0:18:04.919
<v Speaker 3>The Middlening too, Yeah, but like I didn't know we

0:18:04.920 --> 0:18:09.040
<v Speaker 3>were gonna kill Jerry. I didn't know. I didn't know

0:18:09.080 --> 0:18:10.720
<v Speaker 3>any of that stuff till till I knew it, you

0:18:10.760 --> 0:18:11.879
<v Speaker 3>know what I mean. I was like, what's going to

0:18:11.920 --> 0:18:14.120
<v Speaker 3>get him elected? And it was that stuff, you.

0:18:14.040 --> 0:18:18.080
<v Speaker 1>Know, savage, sad, brilliage, child, savage.

0:18:18.160 --> 0:18:20.240
<v Speaker 3>But the room was so great because they by this

0:18:20.400 --> 0:18:23.320
<v Speaker 3>time they had learned that, like that's what we were doing,

0:18:23.359 --> 0:18:26.760
<v Speaker 3>like we were there was nothing too special, and so

0:18:27.080 --> 0:18:28.480
<v Speaker 3>they would come in. I'd come in and they would

0:18:28.520 --> 0:18:32.080
<v Speaker 3>pitch me like amazing crap, Like I don't remember who

0:18:32.119 --> 0:18:34.720
<v Speaker 3>wrote Yung Young Chrispy Piggy Young Mum, but it's still

0:18:34.760 --> 0:18:36.679
<v Speaker 3>one of the favorite things that someone wrote, and it

0:18:36.720 --> 0:18:37.720
<v Speaker 3>was amazing.

0:18:38.160 --> 0:18:38.680
<v Speaker 1>So good.

0:18:38.920 --> 0:18:42.359
<v Speaker 4>It's so amazing. But that's how I think it also, Lend,

0:18:42.520 --> 0:18:42.960
<v Speaker 4>And I'm.

0:18:42.840 --> 0:18:45.119
<v Speaker 5>Not sure if that's how your process has been with

0:18:45.160 --> 0:18:47.800
<v Speaker 5>your other shows and the stories you tell, but I

0:18:47.960 --> 0:18:50.640
<v Speaker 5>feel like you can feel that in Scandal, I think,

0:18:50.720 --> 0:18:54.439
<v Speaker 5>what what lends itself to the to the OMG and

0:18:54.480 --> 0:18:57.119
<v Speaker 5>the oh my god, and there is no there's no

0:18:57.240 --> 0:18:59.560
<v Speaker 5>too far you can go in there and it is

0:18:59.640 --> 0:19:03.359
<v Speaker 5>because you all, it wasn't so premeditated, you know what

0:19:03.400 --> 0:19:03.680
<v Speaker 5>I mean.

0:19:03.760 --> 0:19:05.480
<v Speaker 4>It wasn't so pre planned that.

0:19:05.440 --> 0:19:09.120
<v Speaker 5>You feel the like like this stress you feel it.

0:19:09.160 --> 0:19:11.440
<v Speaker 3>But also I feel like it's so important to say

0:19:11.680 --> 0:19:14.840
<v Speaker 3>a lot of that came from like you guys. I

0:19:14.880 --> 0:19:17.280
<v Speaker 3>would write it. We would write it. You guys would

0:19:17.280 --> 0:19:19.280
<v Speaker 3>perform it. Then I would watch it and I would

0:19:19.320 --> 0:19:20.840
<v Speaker 3>go to the room and go, Okay, so here's what's

0:19:20.840 --> 0:19:22.800
<v Speaker 3>going to happen next based on what I watched, not

0:19:23.000 --> 0:19:26.440
<v Speaker 3>necessarily from anything else. It was how like I remember

0:19:27.160 --> 0:19:30.800
<v Speaker 3>episode one, three oh one, he Joe Morton gives that

0:19:30.840 --> 0:19:33.080
<v Speaker 3>amazing pop up Pope speech, you know where he talks

0:19:33.119 --> 0:19:35.000
<v Speaker 3>about you know, being twice as good in that whole thing,

0:19:35.480 --> 0:19:37.160
<v Speaker 3>and I didn't know how it was going to play

0:19:37.640 --> 0:19:40.439
<v Speaker 3>the first time I saw it was on film, and

0:19:40.520 --> 0:19:42.720
<v Speaker 3>I remember like one of the writers coming to the

0:19:42.800 --> 0:19:45.080
<v Speaker 3>room and being like he just overacted that whole thing

0:19:45.119 --> 0:19:47.320
<v Speaker 3>like you should. It's just crazy. It's like so overacted

0:19:47.480 --> 0:19:48.840
<v Speaker 3>and then you see it on film and you're like, no,

0:19:48.960 --> 0:19:51.679
<v Speaker 3>this is perfect, Like that's who that man is, and

0:19:51.760 --> 0:19:53.920
<v Speaker 3>that he performed so much the rest of the season

0:19:53.920 --> 0:19:56.440
<v Speaker 3>because that's the first time we saw him as a dad.

0:19:57.160 --> 0:19:59.959
<v Speaker 5>When the first time I saw Joe Morton do that speech,

0:20:00.119 --> 0:20:04.400
<v Speaker 5>I was like, what the hell, because it is you're

0:20:04.440 --> 0:20:07.359
<v Speaker 5>not used to in TV. You're so used to like

0:20:07.400 --> 0:20:10.320
<v Speaker 5>make everything really small. Yeah, and the camera is a

0:20:10.400 --> 0:20:13.400
<v Speaker 5>the camera is a microscope, so everything needs to be

0:20:13.480 --> 0:20:16.119
<v Speaker 5>subtle and like nuanced, and it's just behind the eyes.

0:20:16.160 --> 0:20:18.960
<v Speaker 5>And then you see Joe Morton, one of the greatest

0:20:18.960 --> 0:20:24.159
<v Speaker 5>actors in American history, just do a television scene like

0:20:24.240 --> 0:20:27.879
<v Speaker 5>he's reaching a three thousand seat Broadway house and you're like,

0:20:28.720 --> 0:20:30.640
<v Speaker 5>the writing could hold it, Like it was.

0:20:30.760 --> 0:20:33.959
<v Speaker 4>That was what you could do it. It was like what, like,

0:20:34.040 --> 0:20:37.120
<v Speaker 4>we're breaking all the rules that I was taught right

0:20:37.240 --> 0:20:40.239
<v Speaker 4>exactly to do a television drama. Like it was like,

0:20:40.359 --> 0:20:40.800
<v Speaker 4>let's just.

0:20:40.800 --> 0:20:43.160
<v Speaker 3>Let everybody monologue. Yeah, we stuff.

0:20:43.480 --> 0:20:48.600
<v Speaker 5>Yeah, having monologues at all is not a traditional television thing.

0:20:48.880 --> 0:20:51.280
<v Speaker 4>Like I even seen that. It was crazy.

0:20:51.480 --> 0:20:53.200
<v Speaker 3>I loved it. I was having so much fun. Season

0:20:53.240 --> 0:20:55.000
<v Speaker 3>three is one of my favorites. It just it is.

0:20:55.040 --> 0:20:56.600
<v Speaker 3>It's absolutely one of my favorite seasons.

0:20:56.960 --> 0:20:58.880
<v Speaker 4>How did you know to kill a kid?

0:20:59.160 --> 0:21:02.560
<v Speaker 5>Like what wasn't happening like the killing of Jerry When

0:21:02.600 --> 0:21:04.840
<v Speaker 5>we get to the end of this season, I am like,

0:21:06.280 --> 0:21:11.480
<v Speaker 5>what this is un incredible. It was incredible and it

0:21:11.520 --> 0:21:13.720
<v Speaker 5>was the only thing that would work to get him elected.

0:21:13.800 --> 0:21:15.919
<v Speaker 3>That was how he started. Like in my head, the

0:21:16.000 --> 0:21:18.919
<v Speaker 3>thing I thought about that season was like that that

0:21:19.280 --> 0:21:22.720
<v Speaker 3>amazing scene where Olivia and Cyrus are sitting on that

0:21:22.760 --> 0:21:26.160
<v Speaker 3>bench in the hospital and Olivia says, he's gonna win now,

0:21:26.200 --> 0:21:28.480
<v Speaker 3>He's absolutely gonna win, and Cyrus is like, I thought

0:21:28.520 --> 0:21:31.280
<v Speaker 3>that too, and I was like, that to me was

0:21:31.320 --> 0:21:34.919
<v Speaker 3>the ultimate political animal moment and really started from that,

0:21:35.000 --> 0:21:36.600
<v Speaker 3>and also getting to have the kids on in the

0:21:36.600 --> 0:21:38.399
<v Speaker 3>first place and seeing like what they meant in the

0:21:38.400 --> 0:21:40.320
<v Speaker 3>world in their lives. It was it was cool.

0:21:40.400 --> 0:21:42.560
<v Speaker 4>Oh, it was so so cool.

0:21:42.840 --> 0:21:44.760
<v Speaker 1>You do something, which I love, Shonda, You'll let the

0:21:44.840 --> 0:21:47.640
<v Speaker 1>actor know, like, oh my god, one else knows that

0:21:47.840 --> 0:21:48.880
<v Speaker 1>you're going to kill them off.

0:21:49.800 --> 0:21:51.800
<v Speaker 3>Whole thing to like just have some come to a table. Raad.

0:21:52.040 --> 0:21:55.000
<v Speaker 3>We tried to trick Josh Moline into thinking he was

0:21:55.000 --> 0:21:56.600
<v Speaker 3>going to die, but that that was the only time.

0:21:56.680 --> 0:21:59.640
<v Speaker 1>Yes, and he freaking so fast. He caught it, right,

0:21:59.760 --> 0:22:03.160
<v Speaker 1>he even get spooked. Yeah, he caught it. He's annoying,

0:22:03.280 --> 0:22:04.200
<v Speaker 1>so annoying.

0:22:03.840 --> 0:22:06.760
<v Speaker 5>And I love him, which brings me to one of

0:22:06.800 --> 0:22:11.520
<v Speaker 5>our first questions. Of course, Ronia Diles wrote, my question

0:22:12.160 --> 0:22:14.480
<v Speaker 5>is will there ever be a scandal movie or reboot

0:22:14.520 --> 0:22:17.560
<v Speaker 5>of some sort. Many of us, myself included, feel like

0:22:17.680 --> 0:22:19.840
<v Speaker 5>we need closure on olitz.

0:22:20.160 --> 0:22:20.800
<v Speaker 4>Ah.

0:22:20.800 --> 0:22:24.720
<v Speaker 1>This is a question that everyone asks, Like I'm constantly

0:22:24.720 --> 0:22:26.720
<v Speaker 1>being asked. I'm like, asked, Sean, I don't know.

0:22:27.040 --> 0:22:29.800
<v Speaker 3>I know the story's over, but I would reboot this

0:22:29.840 --> 0:22:31.720
<v Speaker 3>show in a minute, because we had so much fun

0:22:31.720 --> 0:22:33.240
<v Speaker 3>and it was so much fun to work with everybody,

0:22:33.280 --> 0:22:34.920
<v Speaker 3>just to get the band back together. Like, I would

0:22:34.920 --> 0:22:38.560
<v Speaker 3>reboot the show. But I don't know. I don't know

0:22:38.560 --> 0:22:40.439
<v Speaker 3>if you're ever going to get closure on Olitz, Like

0:22:40.480 --> 0:22:42.880
<v Speaker 3>what kind of closure do you think you want? I know,

0:22:43.040 --> 0:22:46.080
<v Speaker 3>because there's no fairy tale happy ending. We made that

0:22:46.240 --> 0:22:48.919
<v Speaker 3>very clear from the very beginning, and I think people

0:22:49.359 --> 0:22:51.440
<v Speaker 3>want their fairy tale. It's part of why I thought

0:22:51.480 --> 0:22:53.560
<v Speaker 3>about Bridgton. I was like, in Bridgerston, everybody gets a

0:22:53.560 --> 0:22:55.919
<v Speaker 3>happy ending, Like let's let's say it's all wonderful. But

0:22:56.080 --> 0:22:58.800
<v Speaker 3>in Scandal, I was like, no, this is not that world.

0:22:59.400 --> 0:23:03.040
<v Speaker 4>No, it's a tragedy. I mean, Scandal really is like

0:23:03.680 --> 0:23:05.520
<v Speaker 4>it's it's tough, but it is what it is.

0:23:05.640 --> 0:23:08.520
<v Speaker 5>Speaking of getting their happy ending in season three is

0:23:08.520 --> 0:23:10.280
<v Speaker 5>where we get the Vermont House.

0:23:10.640 --> 0:23:12.320
<v Speaker 1>Yeah, it's such a beautiful house.

0:23:12.480 --> 0:23:15.480
<v Speaker 5>That house was so beautiful and that scene was so hot.

0:23:16.000 --> 0:23:19.479
<v Speaker 5>I'm so uncomfortable. The only time I'm uncomfortable watching this

0:23:19.560 --> 0:23:22.640
<v Speaker 5>show is like how close we all are and how

0:23:23.200 --> 0:23:25.199
<v Speaker 5>I'll be watching the show and I'm like, damn, this

0:23:25.280 --> 0:23:27.120
<v Speaker 5>is the hottest shit I've ever seen in my entire life.

0:23:27.160 --> 0:23:31.000
<v Speaker 5>Like there's Fits and Olivia just going at it on

0:23:31.080 --> 0:23:34.399
<v Speaker 5>the rug of this beautiful violin and the fireplace is

0:23:34.440 --> 0:23:38.439
<v Speaker 5>going and how does Fitz's body look like that? And

0:23:38.560 --> 0:23:40.679
<v Speaker 5>how does look And then I'm like, these are my friends.

0:23:40.760 --> 0:23:42.399
<v Speaker 5>I'm like, this is Irry and this is Tony. These

0:23:42.400 --> 0:23:44.199
<v Speaker 5>are people I know very well and I know their

0:23:44.280 --> 0:23:46.840
<v Speaker 5>significant others, and this is like weird.

0:23:46.640 --> 0:23:48.480
<v Speaker 4>Weird, so bizarre.

0:23:49.800 --> 0:23:51.840
<v Speaker 3>Episode. That's the episode that Avid Verney directed.

0:23:51.920 --> 0:23:54.960
<v Speaker 1>Oh that's right. She was amazing.

0:23:54.119 --> 0:23:56.800
<v Speaker 4>She did an amazing job.

0:23:56.800 --> 0:23:59.920
<v Speaker 5>And before she had I remember sitting with her and

0:24:00.040 --> 0:24:01.280
<v Speaker 5>talking to her Selma.

0:24:01.440 --> 0:24:04.879
<v Speaker 3>It was before anything, it was before anything. No, they

0:24:04.920 --> 0:24:06.879
<v Speaker 3>wouldn't let her, No, they would let her direct an

0:24:06.880 --> 0:24:09.280
<v Speaker 3>episode of television. She'd want all these film festivals. A

0:24:09.280 --> 0:24:11.320
<v Speaker 3>guy would have gotten one hundred million dollar picture off

0:24:11.320 --> 0:24:13.600
<v Speaker 3>of it, but they were like, we don't know, we

0:24:13.640 --> 0:24:16.320
<v Speaker 3>don't know. And scandal. We had this thing where we

0:24:16.400 --> 0:24:18.040
<v Speaker 3>hired the directors we wanted to, and I was like,

0:24:18.080 --> 0:24:21.040
<v Speaker 3>Tom's here. If there's anything goes around, Tom's here. And

0:24:21.080 --> 0:24:23.239
<v Speaker 3>so they wouldn't tell us and we couldn't, could't, coudn't hire,

0:24:23.280 --> 0:24:24.840
<v Speaker 3>which is how we got a lot of women directors

0:24:24.840 --> 0:24:25.320
<v Speaker 3>on that show.

0:24:25.400 --> 0:24:26.320
<v Speaker 4>Oh it was the best.

0:24:26.920 --> 0:24:29.840
<v Speaker 3>Love, that was the best. I'm the proudest of that.

0:24:30.560 --> 0:24:32.520
<v Speaker 1>I wish I would have gotten to work with her more.

0:24:32.560 --> 0:24:34.359
<v Speaker 1>I think we worked with her just a couple of days, right,

0:24:34.440 --> 0:24:34.959
<v Speaker 1>Katie like it.

0:24:35.080 --> 0:24:37.480
<v Speaker 5>Yeah, we didn't have big storylines during her episode, but

0:24:37.520 --> 0:24:40.440
<v Speaker 5>I'll never forget sitting there she was and her being like.

0:24:40.680 --> 0:24:43.240
<v Speaker 4>Yeah, I was a publicist for a while.

0:24:43.040 --> 0:24:45.040
<v Speaker 5>And then I made this movie and it did really

0:24:45.080 --> 0:24:46.919
<v Speaker 5>well at sun Dance, and I'm a filmmaker and da

0:24:47.000 --> 0:24:47.440
<v Speaker 5>da da dah.

0:24:47.440 --> 0:24:48.720
<v Speaker 4>But this is the first time I ever done TV.

0:24:48.800 --> 0:24:50.800
<v Speaker 4>And I'm going to do this movie called.

0:24:50.640 --> 0:24:54.159
<v Speaker 5>Selma, And I was like, I am catching this woman

0:24:54.359 --> 0:24:58.480
<v Speaker 5>on the upswing of of changing the world.

0:24:58.200 --> 0:24:59.240
<v Speaker 4>Like she is going to.

0:25:00.960 --> 0:25:01.720
<v Speaker 3>She's incredible.

0:25:02.200 --> 0:25:03.320
<v Speaker 4>Yeah, incredible.

0:25:03.440 --> 0:25:07.720
<v Speaker 1>So there's another We have another question, a question from Mariah, Yes,

0:25:07.760 --> 0:25:10.600
<v Speaker 1>a burning from Mariah Smith, and she says, what was

0:25:10.640 --> 0:25:13.080
<v Speaker 1>your thought process in bringing in a character that most

0:25:13.160 --> 0:25:16.080
<v Speaker 1>believe was supposed to come in between O lists?

0:25:16.080 --> 0:25:20.119
<v Speaker 3>He was we're talking about Scott right, Yeah, yeah, I

0:25:20.119 --> 0:25:23.080
<v Speaker 3>was gonna say, yeah, yeah. My thought process was simple,

0:25:23.240 --> 0:25:27.439
<v Speaker 3>like I we needed somebody like that, you know, we

0:25:27.520 --> 0:25:30.040
<v Speaker 3>needed that sort of spookiness, and I thought that that

0:25:30.320 --> 0:25:33.919
<v Speaker 3>was powerful and important to have, Like you wanted this

0:25:33.960 --> 0:25:37.000
<v Speaker 3>guy who the audience was like, no, yes, no, is

0:25:37.040 --> 0:25:39.040
<v Speaker 3>he evil? Is he not evil? And I remember scoffing,

0:25:39.160 --> 0:25:42.160
<v Speaker 3>like everybody hates me. Everybody hates my character.

0:25:43.080 --> 0:25:44.080
<v Speaker 1>Because it's good.

0:25:44.400 --> 0:25:46.560
<v Speaker 3>It's really good. And then just if you skip back,

0:25:46.600 --> 0:25:49.160
<v Speaker 3>I wrote a monologue for him in season four which

0:25:49.160 --> 0:25:51.280
<v Speaker 3>we sat together and watched while live tweeting, and I

0:25:51.320 --> 0:25:54.120
<v Speaker 3>was like, just watch the tweets because once this monologue

0:25:54.160 --> 0:25:56.399
<v Speaker 3>is over, the audience is going to turn. And we

0:25:56.480 --> 0:25:59.840
<v Speaker 3>literally watched the audience turn from hating him to loving

0:25:59.840 --> 0:26:01.520
<v Speaker 3>it in like a monologue.

0:26:01.600 --> 0:26:03.400
<v Speaker 1>Yeah, no way, no way.

0:26:03.600 --> 0:26:04.879
<v Speaker 3>It was the one where he thought he was going

0:26:04.960 --> 0:26:06.639
<v Speaker 3>to die and he's sitting in that prison he's been

0:26:06.680 --> 0:26:07.680
<v Speaker 3>beaten up by Fits.

0:26:07.920 --> 0:26:09.760
<v Speaker 1>Yeah, so good.

0:26:10.080 --> 0:26:12.160
<v Speaker 4>Oh my god, I guess.

0:26:12.320 --> 0:26:14.840
<v Speaker 5>I guess the audience was like, how how dare you

0:26:14.880 --> 0:26:17.880
<v Speaker 5>bring in somebody that would ever come between Olivia.

0:26:18.040 --> 0:26:19.040
<v Speaker 4>Well, they were guys.

0:26:19.160 --> 0:26:21.320
<v Speaker 3>They were very loyal, and I love that they were

0:26:21.400 --> 0:26:23.240
<v Speaker 3>very loyal to Fits in Olivia. But I was like,

0:26:23.280 --> 0:26:26.160
<v Speaker 3>we have taken time to deconstruct Fits in Olivia for you.

0:26:26.160 --> 0:26:27.560
<v Speaker 3>You got to fall in love with him the way

0:26:27.600 --> 0:26:29.320
<v Speaker 3>she did, and then you got to learn the realities

0:26:29.320 --> 0:26:32.760
<v Speaker 3>of him, and yeah, you know, he's a complicated personal love.

0:26:33.000 --> 0:26:35.199
<v Speaker 3>But I also just wanted her to have some choice

0:26:35.440 --> 0:26:37.800
<v Speaker 3>and I wanted Fits. I wanted Fits to have like

0:26:38.000 --> 0:26:39.280
<v Speaker 3>somebody to be up against too.

0:26:39.760 --> 0:26:42.439
<v Speaker 4>Oh hell yeah, oh we all do.

0:26:42.280 --> 0:26:46.560
<v Speaker 5>I does love that, right, Like, yeah, I love love triangle.

0:26:46.760 --> 0:26:48.359
<v Speaker 4>When there's one woman and two men, I.

0:26:50.200 --> 0:26:52.840
<v Speaker 1>Think it keeps everybody.

0:26:53.400 --> 0:26:56.040
<v Speaker 3>It was this weird expansion of Papa Pope's family because

0:26:56.080 --> 0:27:00.240
<v Speaker 3>you know, you know, Jake was one of his sons. Yeah,

0:27:01.320 --> 0:27:03.080
<v Speaker 3>his sons, and so we needed this weird it was

0:27:03.119 --> 0:27:04.760
<v Speaker 3>a weird brother sister relationship too.

0:27:04.880 --> 0:27:06.440
<v Speaker 5>Before we get to our last question, and then I

0:27:06.520 --> 0:27:07.960
<v Speaker 5>know you have to go because we've got bridgert In

0:27:08.000 --> 0:27:09.440
<v Speaker 5>coming out and there's a lot of press to be done.

0:27:10.240 --> 0:27:12.800
<v Speaker 5>When did you guys decide? Because it's in this season

0:27:12.800 --> 0:27:17.360
<v Speaker 5>also that Huck and Quinn romantically get involved.

0:27:18.040 --> 0:27:20.280
<v Speaker 3>They weren't interesting. I mean, like I talked about you

0:27:20.280 --> 0:27:22.440
<v Speaker 3>like you're not here, but those characters were so interesting

0:27:22.480 --> 0:27:28.560
<v Speaker 3>to watch yolo is that episode with the with the

0:27:28.560 --> 0:27:31.920
<v Speaker 3>teeth pulling and all that. I just I just loved

0:27:31.960 --> 0:27:35.000
<v Speaker 3>it so much and I and getting those characters together

0:27:35.160 --> 0:27:38.639
<v Speaker 3>was this weird function of that dysfunction, you know what

0:27:38.640 --> 0:27:41.400
<v Speaker 3>I mean. Like it was also how they became sort

0:27:41.440 --> 0:27:44.959
<v Speaker 3>of equals because before that Quinn had been like his puppy,

0:27:45.040 --> 0:27:49.320
<v Speaker 3>right yeah, and after that they they were really unequal

0:27:49.359 --> 0:27:51.320
<v Speaker 3>footing so much the time, so much that Quinn could

0:27:51.400 --> 0:27:53.480
<v Speaker 3>challenge Hawk, which I thought was great.

0:27:53.320 --> 0:27:55.920
<v Speaker 5>Yeah, who is nasty enough in the writer's room. You

0:27:55.920 --> 0:27:57.840
<v Speaker 5>don't have to doubt them to be like this is

0:27:57.880 --> 0:28:00.439
<v Speaker 5>when he licks her cheek and this is when she

0:28:00.600 --> 0:28:04.160
<v Speaker 5>licks his face, Like what is even going on? I'm

0:28:04.200 --> 0:28:07.840
<v Speaker 5>watching it and I and I don't really remember doing it.

0:28:07.880 --> 0:28:10.880
<v Speaker 4>I'm so into it and I'm just like, wow.

0:28:10.720 --> 0:28:13.240
<v Speaker 1>Well, I remember, I remember the day you licked me.

0:28:13.400 --> 0:28:15.840
<v Speaker 1>I remember that because we were shooting at Hollywood Cemetery.

0:28:16.000 --> 0:28:17.239
<v Speaker 4>Remember that.

0:28:17.440 --> 0:28:19.800
<v Speaker 5>Yeah, yeah, we just watched that and we had Debbie Allen.

0:28:19.880 --> 0:28:22.760
<v Speaker 5>Debbie Allen, she directed the episode where we have sex

0:28:22.800 --> 0:28:23.200
<v Speaker 5>on a car.

0:28:23.320 --> 0:28:27.680
<v Speaker 4>Oh yeah, and I was so complimented.

0:28:27.920 --> 0:28:30.840
<v Speaker 5>She is one of my all time favorite directors of

0:28:30.880 --> 0:28:33.800
<v Speaker 5>all time. But I just she made me feel so

0:28:33.880 --> 0:28:36.760
<v Speaker 5>comfortable and confident because Quinn has to be really sexy,

0:28:36.840 --> 0:28:39.520
<v Speaker 5>and I'm that's probably the one thing I am as

0:28:39.560 --> 0:28:41.360
<v Speaker 5>an actress. Just like, oh god, oh god, I want

0:28:41.400 --> 0:28:42.040
<v Speaker 5>to crawl on my skin.

0:28:42.080 --> 0:28:43.400
<v Speaker 4>I'm suf ear those scenes.

0:28:43.480 --> 0:28:46.240
<v Speaker 3>Those scenes were so sexy. And here's the deal, Like,

0:28:46.440 --> 0:28:49.440
<v Speaker 3>I remember the one sex scene I wrote other you know,

0:28:49.520 --> 0:28:52.400
<v Speaker 3>like between characters who weren't fits and live. The one

0:28:52.440 --> 0:28:54.560
<v Speaker 3>sex scene I wrote was the one where Abby sticks

0:28:54.560 --> 0:28:59.240
<v Speaker 3>her fingers and oh so good and I and I

0:28:59.280 --> 0:29:00.960
<v Speaker 3>wrote it. I was like, I just wrote it because

0:29:00.960 --> 0:29:02.760
<v Speaker 3>it felt weird and it felt like what Abby would do.

0:29:03.280 --> 0:29:06.120
<v Speaker 3>I don't know who wrote the licking. I don't, but

0:29:06.200 --> 0:29:08.560
<v Speaker 3>I loved it and I was like, let's let's see

0:29:08.640 --> 0:29:10.760
<v Speaker 3>and you know me, I'm never gonna be like the

0:29:10.840 --> 0:29:12.800
<v Speaker 3>characters have to band clothed, like you guys could have

0:29:12.800 --> 0:29:15.920
<v Speaker 3>done that scene fully clothed. And the licking itself, what's

0:29:15.960 --> 0:29:18.600
<v Speaker 3>the sexy part? That's what was interesting. He didn't require

0:29:18.600 --> 0:29:20.400
<v Speaker 3>any nudity, It didn't require any anything.

0:29:20.720 --> 0:29:25.360
<v Speaker 5>No, no, he just we were fully closed, which we

0:29:25.400 --> 0:29:31.160
<v Speaker 5>were very appreciative about. We also had long conversation Shanda,

0:29:31.200 --> 0:29:33.560
<v Speaker 5>which the people know about we've talked about it before

0:29:33.560 --> 0:29:35.520
<v Speaker 5>in the podcast, but G and I had long conversations

0:29:35.560 --> 0:29:39.360
<v Speaker 5>where we were like, we will not make out like

0:29:39.840 --> 0:29:44.560
<v Speaker 5>fits and Olivia. We are not movie stars. We are weirdos.

0:29:44.960 --> 0:29:48.760
<v Speaker 5>And the pain and pleasure threshold is very confused. Yes,

0:29:48.960 --> 0:29:52.479
<v Speaker 5>and so you know, there weren't intimacy coordinators at the time,

0:29:52.520 --> 0:29:54.080
<v Speaker 5>but it would have been like, Okay, there's probably gonna

0:29:54.080 --> 0:29:59.480
<v Speaker 5>be like tongue, which is like not really allowed in Hollywood.

0:29:58.240 --> 0:30:03.200
<v Speaker 3>And god, we were like best It helped that you

0:30:03.240 --> 0:30:07.480
<v Speaker 3>guys were best friends and it made it okay. But yeah, coordinators.

0:30:07.560 --> 0:30:11.040
<v Speaker 3>Intimacy coordinators came later, and then once we had them,

0:30:11.240 --> 0:30:13.520
<v Speaker 3>that's when I started being like I remember Carrie saying,

0:30:13.840 --> 0:30:16.600
<v Speaker 3>like can can Scott and I just choreographed this this

0:30:16.640 --> 0:30:19.680
<v Speaker 3>sex scene ourselves with the intimacy coordinator. I was like, great,

0:30:19.800 --> 0:30:22.320
<v Speaker 3>Like here's what I want from it, knock yourselves out.

0:30:22.360 --> 0:30:24.680
<v Speaker 3>And so that's when we started letting you guys choreograph

0:30:24.760 --> 0:30:27.520
<v Speaker 3>your own sex scenes with the coordinator. So that I

0:30:27.640 --> 0:30:31.880
<v Speaker 3>was like, this is perfect because then everybody really feels comfortable, right.

0:30:31.360 --> 0:30:33.600
<v Speaker 5>Right, Yeah, we felt so taken care of it.

0:30:33.640 --> 0:30:37.840
<v Speaker 4>Again. I mean, Debbie was She's like, yeah, she's the best.

0:30:37.920 --> 0:30:40.320
<v Speaker 5>And she just made me feel like she was just

0:30:40.360 --> 0:30:42.760
<v Speaker 5>like you look good, Like she just was like really complimentary,

0:30:42.800 --> 0:30:44.160
<v Speaker 5>and I was like, oh my god, I feel kind

0:30:44.160 --> 0:30:47.080
<v Speaker 5>of cute, Like, thank god for Debbie Allen Lucky.

0:30:47.120 --> 0:30:47.640
<v Speaker 3>You are cute.

0:30:47.680 --> 0:30:51.200
<v Speaker 4>Okay, Gene, thank you Okay gee. Last question?

0:30:52.200 --> 0:30:52.720
<v Speaker 3>Is this really?

0:30:52.720 --> 0:30:52.880
<v Speaker 2>It?

0:30:53.040 --> 0:30:55.480
<v Speaker 3>Is this really it? We're like, this is a fast conversation. Wow,

0:30:56.000 --> 0:30:56.600
<v Speaker 3>I know.

0:30:56.760 --> 0:30:59.320
<v Speaker 1>This is go go g This is a question. This

0:30:59.400 --> 0:31:03.680
<v Speaker 1>is from Denise Steine. Another burning question. She says, I've

0:31:03.720 --> 0:31:06.000
<v Speaker 1>been curious for years who was the funniest to write

0:31:06.080 --> 0:31:09.960
<v Speaker 1>dialogue for? Sally or Hollis. Both such interesting characters in

0:31:10.000 --> 0:31:12.640
<v Speaker 1>their own ways and have great one line.

0:31:12.680 --> 0:31:15.000
<v Speaker 3>You know, Hollis was really fun to write for, but

0:31:15.120 --> 0:31:18.240
<v Speaker 3>for me, Uh, it was Sally. And the reason why

0:31:18.240 --> 0:31:21.360
<v Speaker 3>it was Sally was she took herself so seriously, like

0:31:21.640 --> 0:31:23.960
<v Speaker 3>Hollis was always like in on the joke, you know

0:31:24.000 --> 0:31:27.560
<v Speaker 3>what I mean, But she took herself so seriously, and

0:31:27.560 --> 0:31:29.760
<v Speaker 3>then to give her these lines like it's not in

0:31:29.800 --> 0:31:32.360
<v Speaker 3>God's plan that I lose Ohio, like those kinds of things.

0:31:33.040 --> 0:31:35.680
<v Speaker 3>She was so serious. I mean even when she was

0:31:35.680 --> 0:31:38.080
<v Speaker 3>spitting young young Chrispy Piking like she's She was so

0:31:38.160 --> 0:31:40.920
<v Speaker 3>much fun to write for because she was deeply committed

0:31:40.960 --> 0:31:44.520
<v Speaker 3>and shook everything. Like her idea of politics was that

0:31:44.600 --> 0:31:47.280
<v Speaker 3>it was like the foundation of life. So she took

0:31:47.320 --> 0:31:49.400
<v Speaker 3>it all so so seriously was great.

0:31:49.240 --> 0:31:50.360
<v Speaker 1>Which is so scary.

0:31:50.600 --> 0:31:53.040
<v Speaker 5>It was almost like she was like God had told her,

0:31:53.080 --> 0:31:54.680
<v Speaker 5>you know, like she was supposed to be there like

0:31:54.680 --> 0:31:57.560
<v Speaker 5>a king or queen, you know, like really right.

0:31:57.640 --> 0:32:00.239
<v Speaker 3>She played it that way, like literally like I am

0:32:00.280 --> 0:32:02.680
<v Speaker 3>here because God says this is where I'm supposed to be.

0:32:02.920 --> 0:32:05.840
<v Speaker 3>And so she played it so brilliantly crazy.

0:32:06.120 --> 0:32:06.960
<v Speaker 4>Oh she did.

0:32:07.000 --> 0:32:09.760
<v Speaker 5>And Leo Bergen is one of my all time favorite characters.

0:32:09.880 --> 0:32:11.320
<v Speaker 4>Oh my god, the entire.

0:32:11.200 --> 0:32:14.480
<v Speaker 5>Scandal verse, and this is the season where the church

0:32:14.600 --> 0:32:19.000
<v Speaker 5>blows up and he rips Sally's shirt off and rubs

0:32:19.000 --> 0:32:19.560
<v Speaker 5>some dirt.

0:32:21.680 --> 0:32:22.160
<v Speaker 4>Go go.

0:32:22.280 --> 0:32:25.000
<v Speaker 3>He's like, be Jesus, Sally, go be Jesus. That he

0:32:25.120 --> 0:32:26.840
<v Speaker 3>was also great to write for, but you know, he

0:32:26.920 --> 0:32:29.320
<v Speaker 3>was from private practice, so I've been writing for him

0:32:29.360 --> 0:32:32.040
<v Speaker 3>forever and love working with him. So but it was

0:32:32.160 --> 0:32:33.680
<v Speaker 3>really fun to see him come in as this like

0:32:33.720 --> 0:32:36.720
<v Speaker 3>totally different guy, and he played it so hard and

0:32:36.760 --> 0:32:38.760
<v Speaker 3>like so seriously. It was fantastic.

0:32:38.960 --> 0:32:39.680
<v Speaker 1>He's so good.

0:32:39.880 --> 0:32:43.600
<v Speaker 5>Oh, Shanda, you are the Is there anything else we

0:32:43.720 --> 0:32:44.560
<v Speaker 5>have not talked about?

0:32:44.640 --> 0:32:47.120
<v Speaker 4>In season three? Before you have to go to your bridge,

0:32:47.280 --> 0:32:47.920
<v Speaker 4>you didn't.

0:32:47.640 --> 0:32:50.080
<v Speaker 3>Talk about the fact that this is the this is

0:32:50.120 --> 0:32:52.960
<v Speaker 3>the episode. This is the season where you introduced to

0:32:53.040 --> 0:32:53.640
<v Speaker 3>his family.

0:32:54.120 --> 0:32:59.680
<v Speaker 4>At the end, Oh, Quinn, do that you were so mad?

0:33:00.240 --> 0:33:04.320
<v Speaker 3>Yep? That season was also that final episode is also

0:33:04.400 --> 0:33:07.200
<v Speaker 3>Columbus shorts last episode, remember, because he was the one

0:33:07.200 --> 0:33:08.880
<v Speaker 3>who figured it all out. He was the one who

0:33:08.880 --> 0:33:11.040
<v Speaker 3>went to po and figured it all out. So it

0:33:11.080 --> 0:33:12.880
<v Speaker 3>was there were a lot of big things that happened

0:33:12.920 --> 0:33:15.719
<v Speaker 3>this season. That season was filled with these very very

0:33:15.800 --> 0:33:16.480
<v Speaker 3>big moments.

0:33:16.640 --> 0:33:19.880
<v Speaker 5>And speaking of Harrison, right, I think this is actually

0:33:19.880 --> 0:33:23.520
<v Speaker 5>a really good time to share some very special news

0:33:23.680 --> 0:33:27.040
<v Speaker 5>with the listeners. Yeah, g and I, we had a

0:33:27.080 --> 0:33:30.920
<v Speaker 5>beautiful reunion with Columbus Short and we recorded an entire

0:33:30.960 --> 0:33:31.680
<v Speaker 5>episode together.

0:33:31.840 --> 0:33:35.400
<v Speaker 4>That really just it covers a lot.

0:33:35.240 --> 0:33:37.720
<v Speaker 5>Of ground about his time on the show, and we're

0:33:37.720 --> 0:33:40.120
<v Speaker 5>going to be dropping that conversation in a few weeks,

0:33:40.280 --> 0:33:43.760
<v Speaker 5>So definitely, gladiators and listeners keep an eye out on

0:33:43.800 --> 0:33:47.280
<v Speaker 5>our socials for the official release date of that episode.

0:33:47.360 --> 0:33:49.640
<v Speaker 1>So Seanda, of course, you know that we had Columbus

0:33:49.680 --> 0:33:52.160
<v Speaker 1>on the podcast. How what did you think? How was it?

0:33:52.440 --> 0:33:56.600
<v Speaker 3>I absolutely loved hearing it. I mean, honestly, you guys

0:33:56.600 --> 0:33:58.240
<v Speaker 3>spend a lot more time talking about Britney spirits than

0:33:58.240 --> 0:33:59.440
<v Speaker 3>you should have, but it was amazing.

0:34:01.720 --> 0:34:03.680
<v Speaker 1>Well, that's something we all have in common.

0:34:04.720 --> 0:34:06.640
<v Speaker 3>Yeah, it is. He's something we all have in common.

0:34:06.720 --> 0:34:10.880
<v Speaker 3>But what I really loved was just hearing him be

0:34:11.080 --> 0:34:14.920
<v Speaker 3>so open and brutally honest about that period of time

0:34:14.960 --> 0:34:16.759
<v Speaker 3>in his life. It was really beautiful to hear. And

0:34:16.920 --> 0:34:19.160
<v Speaker 3>I always have a special love for Columbus, you know,

0:34:20.120 --> 0:34:23.800
<v Speaker 3>because he's such a talented actor and it hurts so much,

0:34:24.160 --> 0:34:26.719
<v Speaker 3>but it was so brilliant. His time on the show

0:34:26.760 --> 0:34:27.400
<v Speaker 3>is so brilliant.

0:34:27.440 --> 0:34:30.080
<v Speaker 4>Oh my god, Harrison is unforgettable.

0:34:30.080 --> 0:34:32.960
<v Speaker 5>He's unforgettable, and he's like always how I feel when

0:34:32.960 --> 0:34:35.399
<v Speaker 5>I watch the show back. I'm like, he's like the gladiator,

0:34:35.520 --> 0:34:38.000
<v Speaker 5>Like that's how I feel, like a gladiator in a suit.

0:34:38.200 --> 0:34:38.560
<v Speaker 4>He's that.

0:34:38.840 --> 0:34:40.520
<v Speaker 3>He was that, he was the gladiator in a suit

0:34:40.520 --> 0:34:42.560
<v Speaker 3>who taught everybody else, like you know, he's teaching Quinn

0:34:42.600 --> 0:34:45.120
<v Speaker 3>the ropes. It was he was great and I thought,

0:34:45.239 --> 0:34:48.160
<v Speaker 3>like his his podcast, it's one to listen to because

0:34:48.160 --> 0:34:49.040
<v Speaker 3>it's just amazing.

0:34:49.680 --> 0:34:51.000
<v Speaker 1>Good yeah, good good.

0:34:51.080 --> 0:34:52.000
<v Speaker 2>It was Yeah.

0:34:52.320 --> 0:34:55.800
<v Speaker 5>Yeah, your support means the world, and I mean we

0:34:55.920 --> 0:34:58.200
<v Speaker 5>were really happy to have the platform to do it

0:34:58.280 --> 0:34:59.480
<v Speaker 5>and that he was game and.

0:34:59.600 --> 0:35:02.759
<v Speaker 3>That was an amazing and I'm really proud of him circle. Yeah,

0:35:02.760 --> 0:35:05.680
<v Speaker 3>I'm proud of him for taking that opportunity to me too.

0:35:05.920 --> 0:35:08.879
<v Speaker 3>You guys are bold, but he was brave, yes, yeah.

0:35:09.000 --> 0:35:11.600
<v Speaker 1>And he came in with humility, yes, Like he was

0:35:11.719 --> 0:35:15.120
<v Speaker 1>open and it was just lovely. Yeah. It was really

0:35:15.200 --> 0:35:16.279
<v Speaker 1>nice to see him like that.

0:35:17.160 --> 0:35:21.279
<v Speaker 4>Season three was gonna bug you. For season four, we are.

0:35:23.360 --> 0:35:25.040
<v Speaker 3>Whenever you want to. I love talking about the show

0:35:25.040 --> 0:35:26.799
<v Speaker 3>and I love talking to you guys. Seriously, you can

0:35:26.880 --> 0:35:28.600
<v Speaker 3>just be like something I'm happy to do.

0:35:29.200 --> 0:35:32.520
<v Speaker 4>Oh, thank you so much. I love you so much.

0:35:32.760 --> 0:35:33.520
<v Speaker 4>Best of luck.

0:35:33.719 --> 0:35:35.759
<v Speaker 5>I will I know what I'm doing this weekend, and

0:35:35.880 --> 0:35:38.120
<v Speaker 5>at the time that this airs, everyone will have already

0:35:38.120 --> 0:35:40.759
<v Speaker 5>seen Bridgerton and is obsessed with it, and the Bridgerton

0:35:40.920 --> 0:35:44.719
<v Speaker 5>fandom will continue on. But we love you and thank

0:35:44.760 --> 0:35:45.799
<v Speaker 5>you so much for coming on.

0:35:45.880 --> 0:35:49.080
<v Speaker 1>To the podcast. We'll be right back, guys.

0:35:55.239 --> 0:35:57.360
<v Speaker 4>So it was awesome to have Shonda.

0:35:57.080 --> 0:35:58.320
<v Speaker 1>On so great.

0:35:58.440 --> 0:36:01.040
<v Speaker 4>We love you, Shonda, We you Shonda Rhimes.

0:36:01.160 --> 0:36:04.200
<v Speaker 5>And now we're gonna break break break down this episode

0:36:04.200 --> 0:36:05.879
<v Speaker 5>three oh eight, Vermon Is for Lovers Too.

0:36:06.680 --> 0:36:08.160
<v Speaker 1>You better tell somebody, you.

0:36:08.280 --> 0:36:12.080
<v Speaker 4>Better tell somebody, you better don't tell you. I love

0:36:12.280 --> 0:36:13.080
<v Speaker 4>this episode.

0:36:13.280 --> 0:36:13.640
<v Speaker 2>It is a.

0:36:13.920 --> 0:36:20.520
<v Speaker 5>Steamy, steamy, steamy episode. Yes, sex o rama. Okay, this

0:36:20.719 --> 0:36:23.880
<v Speaker 5>episode really was special for me. It's episode three oh

0:36:23.960 --> 0:36:26.560
<v Speaker 5>eight called Vermont Is for Lovers Too. It aired on

0:36:26.600 --> 0:36:28.560
<v Speaker 5>November twenty first, twenty thirteen, and it.

0:36:28.600 --> 0:36:32.120
<v Speaker 1>Was written by Mark Wilding and directed by the wonderful

0:36:32.200 --> 0:36:33.680
<v Speaker 1>Ava DuVernay.

0:36:33.640 --> 0:36:37.120
<v Speaker 5>Guest starring Candy Alexander Asmya Lewis, Lisa Kudro is Congresswoman

0:36:37.280 --> 0:36:40.200
<v Speaker 5>Josie Marcus, Jack Coleman is, Daniel Douglas Langston.

0:36:40.040 --> 0:36:44.280
<v Speaker 1>Brian Lesher is Tom Sally Pressman as Candace Marcus, Sharmila

0:36:44.360 --> 0:36:48.200
<v Speaker 1>Davar is Lauren Wellman, and Ivar Broger as Doctor.

0:36:48.040 --> 0:36:50.680
<v Speaker 5>The synopsis to remind you, the OPA team gets closer

0:36:50.760 --> 0:36:53.000
<v Speaker 5>to nailing down the security guard killer as Fits and

0:36:53.040 --> 0:36:55.399
<v Speaker 5>Olivia do a little nailing of their own.

0:36:56.600 --> 0:36:59.520
<v Speaker 1>Meanwhile, Cyrus has a plan to take down Sally Langston.

0:36:59.840 --> 0:37:02.840
<v Speaker 1>All it involves is pimping out his own husband to

0:37:02.960 --> 0:37:06.439
<v Speaker 1>Daniel Douglass. Things comes to an epic climax after Maya

0:37:06.480 --> 0:37:10.200
<v Speaker 1>Pope escapes from her cell and shows up at Olivia's doorstep.

0:37:10.360 --> 0:37:12.920
<v Speaker 5>Okay, so many things in this episode. First, you're all

0:37:13.000 --> 0:37:18.839
<v Speaker 5>gonna remember this, Maya choose her own fucking risk.

0:37:18.920 --> 0:37:23.759
<v Speaker 1>That's my fist disgusting, disgusting, even for me, who is

0:37:23.800 --> 0:37:29.000
<v Speaker 1>a huge horror fan. Disgusting and savage, Who the fuck

0:37:31.000 --> 0:37:33.719
<v Speaker 1>she chewed her wrists off?

0:37:34.200 --> 0:37:34.800
<v Speaker 3>Who wrote this?

0:37:35.360 --> 0:37:36.040
<v Speaker 1>Mark Wilding?

0:37:36.280 --> 0:37:39.160
<v Speaker 5>She's been in jail for twenty years and it's on

0:37:39.360 --> 0:37:43.360
<v Speaker 5>her back, thank god. And you just hear blood and

0:37:43.719 --> 0:37:49.400
<v Speaker 5>gnawing and bone and snapping blood and snapping of ligaments

0:37:49.440 --> 0:37:52.600
<v Speaker 5>and disgusting sounds, and you realize what she's doing is

0:37:52.719 --> 0:37:54.759
<v Speaker 5>that she's chewing her own wrist off. So that she

0:37:54.880 --> 0:37:58.600
<v Speaker 5>can essentially try to commit suicide to get her out

0:37:58.600 --> 0:38:02.279
<v Speaker 5>of the cell, and the doctor so grossly says, yeah,

0:38:02.640 --> 0:38:03.640
<v Speaker 5>this girl's.

0:38:03.440 --> 0:38:04.000
<v Speaker 4>Out of her mind.

0:38:04.040 --> 0:38:05.759
<v Speaker 5>Because we've had people be able to make it to

0:38:05.880 --> 0:38:09.399
<v Speaker 5>like level one on your own wrists off and pass out.

0:38:09.760 --> 0:38:11.799
<v Speaker 4>She'd made it all the way through to the most

0:38:11.920 --> 0:38:15.280
<v Speaker 4>major arteries, Like this bitch is correct.

0:38:16.080 --> 0:38:17.800
<v Speaker 1>She is a Maya pope.

0:38:18.000 --> 0:38:18.960
<v Speaker 4>That was disgusting.

0:38:20.840 --> 0:38:25.880
<v Speaker 5>The other huge, huge, like winning scenes of this episode,

0:38:26.239 --> 0:38:29.920
<v Speaker 5>I mean the biggest. I must have written one thousand

0:38:30.000 --> 0:38:31.560
<v Speaker 5>notes about Tony Goldwin's.

0:38:31.200 --> 0:38:33.919
<v Speaker 1>But I know, listen and one of the I feel

0:38:33.960 --> 0:38:38.000
<v Speaker 1>like there's a character that is not a human in

0:38:38.120 --> 0:38:41.320
<v Speaker 1>this episode that is such a standout and so beautiful

0:38:41.760 --> 0:38:45.160
<v Speaker 1>and so epic, And it's the Vermont Home. Oh when

0:38:45.239 --> 0:38:46.759
<v Speaker 1>we see this episode is.

0:38:46.800 --> 0:38:51.919
<v Speaker 5>Where Fits says, please, I needed time, and she gets

0:38:51.960 --> 0:38:54.799
<v Speaker 5>in this private plane and I guess it takes one second.

0:38:54.560 --> 0:38:58.759
<v Speaker 4>To fly from DC to Vermont. And he walks into

0:38:58.840 --> 0:39:01.520
<v Speaker 4>this house and there's like, you know, sheets.

0:39:01.280 --> 0:39:05.480
<v Speaker 6>On furniture, furniture, but the fires going into the most

0:39:05.520 --> 0:39:10.000
<v Speaker 6>beautiful laid stonework fireplace in these vaulted wooden ceilings and

0:39:10.080 --> 0:39:13.920
<v Speaker 6>it looks like they're in the most bucolic landscape scene,

0:39:13.960 --> 0:39:15.440
<v Speaker 6>and he says, I bought it for us.

0:39:15.480 --> 0:39:17.120
<v Speaker 4>I wanted you to see it one time before I

0:39:17.280 --> 0:39:17.600
<v Speaker 4>sell it.

0:39:17.840 --> 0:39:21.080
<v Speaker 1>I kind of broke down in that part when he

0:39:21.120 --> 0:39:26.080
<v Speaker 1>says that and that love scene, the way that love

0:39:26.160 --> 0:39:31.760
<v Speaker 1>scene was shot beautiful killed that ava.

0:39:31.719 --> 0:39:36.239
<v Speaker 5>The sex scene and Tony Goldwin's bad, that's unheard of.

0:39:36.360 --> 0:39:40.920
<v Speaker 5>I don't understand his watch the man thick placement of

0:39:41.160 --> 0:39:43.080
<v Speaker 5>the manscaping.

0:39:42.400 --> 0:39:46.120
<v Speaker 1>Hand, yes, and just the waist and that that sort

0:39:46.120 --> 0:39:49.320
<v Speaker 1>of like V shape down such.

0:39:49.200 --> 0:39:52.600
<v Speaker 5>A V shape that is something genetic. And he's eating

0:39:52.760 --> 0:39:53.880
<v Speaker 5>baby's blood.

0:39:54.239 --> 0:39:59.400
<v Speaker 1>Vampire ship in the middles blood. I think that's what

0:39:59.560 --> 0:39:59.800
<v Speaker 1>it is.

0:40:00.440 --> 0:40:03.480
<v Speaker 4>It's the most epic sex scene. It's so beautiful.

0:40:03.719 --> 0:40:05.680
<v Speaker 5>They're just like on the floor. They're all over this

0:40:05.880 --> 0:40:08.360
<v Speaker 5>Vermont house. And where did you hear where this house

0:40:08.480 --> 0:40:11.200
<v Speaker 5>was shot? Because I loved like where in La Ladies?

0:40:11.640 --> 0:40:12.520
<v Speaker 5>And how much does it come?

0:40:12.600 --> 0:40:14.920
<v Speaker 1>I've shot in this house. I have a scene in

0:40:14.960 --> 0:40:17.640
<v Speaker 1>front of that fireplace with Darby, and I have a

0:40:17.680 --> 0:40:19.920
<v Speaker 1>scene on the chair. You weren't there for that.

0:40:20.600 --> 0:40:21.239
<v Speaker 4>I don't think.

0:40:21.360 --> 0:40:22.399
<v Speaker 1>Yeah, it's a watch.

0:40:22.480 --> 0:40:23.560
<v Speaker 4>Let's get to that season.

0:40:23.600 --> 0:40:28.000
<v Speaker 1>In that episode, Yeah, there was a I remember Carrie

0:40:28.280 --> 0:40:32.640
<v Speaker 1>telling me that, oh my god, Jamie Fox lived like

0:40:32.920 --> 0:40:34.520
<v Speaker 1>right up the hill, and there was a day that

0:40:34.560 --> 0:40:36.879
<v Speaker 1>they were shooting in the house and Jamie was having

0:40:36.960 --> 0:40:40.320
<v Speaker 1>like a big old party and Carrie called Jamie to

0:40:40.400 --> 0:40:42.200
<v Speaker 1>be like, Jamie, can you just turn down music a

0:40:42.200 --> 0:40:45.000
<v Speaker 1>little bit because we're filming? And he totally did. Isn't

0:40:45.000 --> 0:40:46.120
<v Speaker 1>that creepy? Oh my ye.

0:40:47.680 --> 0:40:52.040
<v Speaker 4>A good yes, that is absolutely hilarious, And so Hollywood.

0:40:51.719 --> 0:40:53.960
<v Speaker 1>I was just gonna say that Candy Alexander is is

0:40:54.239 --> 0:40:56.520
<v Speaker 1>very much in this episode, and obviously she has that

0:40:56.680 --> 0:40:59.280
<v Speaker 1>crazy scene chewing off at risk. She has the wonderful

0:40:59.320 --> 0:41:02.279
<v Speaker 1>scenes with in the hospital where Eli Pope is showing

0:41:02.280 --> 0:41:05.040
<v Speaker 1>her pictures of Olivia because she, again, like Katie said,

0:41:05.040 --> 0:41:07.360
<v Speaker 1>she's been in prison for twenty years, right, so she

0:41:07.400 --> 0:41:10.320
<v Speaker 1>doesn't even know what her daughter looks like when she

0:41:10.440 --> 0:41:13.480
<v Speaker 1>was a teenager and as an adult. But a fun

0:41:13.560 --> 0:41:16.439
<v Speaker 1>fact about Candy Alexander is that she was a choreographer

0:41:17.000 --> 0:41:22.320
<v Speaker 1>and she choreographed Whitney Houston's world tours from like nineteen

0:41:22.400 --> 0:41:26.600
<v Speaker 1>eighty eight to nineteen ninety two. Gosh, which I had

0:41:26.680 --> 0:41:28.759
<v Speaker 1>no idea. I didn't know that about her.

0:41:29.040 --> 0:41:33.240
<v Speaker 4>Are you like I need to YouTube videos of Candy Alexander.

0:41:32.840 --> 0:41:36.160
<v Speaker 1>Dance like, I'm sure you can. I'm sure you can.

0:41:37.120 --> 0:41:37.520
<v Speaker 1>Oh man.

0:41:37.680 --> 0:41:40.920
<v Speaker 5>Somebody definitely says QR five facial recognition software in this

0:41:41.000 --> 0:41:42.800
<v Speaker 5>episode it's Jake, and I love it so much, Like

0:41:42.920 --> 0:41:46.080
<v Speaker 5>what is QR five facial recognition software? And how many

0:41:46.120 --> 0:41:47.960
<v Speaker 5>times did you say it on Scandal? Because I think

0:41:48.080 --> 0:41:50.279
<v Speaker 5>I said it seventy five hundred times.

0:41:50.400 --> 0:41:53.600
<v Speaker 1>I'm sure, I'm sure I've said it a ton. Something

0:41:53.640 --> 0:41:55.640
<v Speaker 1>else that's stuck out for me in this episode is

0:41:55.719 --> 0:42:01.120
<v Speaker 1>when James mentions Ella's Ella's poop law and I was like,

0:42:01.400 --> 0:42:05.239
<v Speaker 1>is this laz, That's some straight hell bullshit. Y'all keep

0:42:05.320 --> 0:42:06.480
<v Speaker 1>flogs of your babies.

0:42:06.760 --> 0:42:07.560
<v Speaker 4>That's poop blog?

0:42:07.640 --> 0:42:09.000
<v Speaker 1>Is that a real thing? Just to be like her

0:42:09.080 --> 0:42:12.000
<v Speaker 1>poop today was like solid and sort of like brown.

0:42:13.160 --> 0:42:14.319
<v Speaker 4>Yeah, you right down.

0:42:14.440 --> 0:42:16.920
<v Speaker 5>Well, because if the baby is really little, when you

0:42:17.000 --> 0:42:20.799
<v Speaker 5>go to the pediatrician, they ask you like how many

0:42:20.880 --> 0:42:22.799
<v Speaker 5>times have they pooped impede in the day, because it's

0:42:22.800 --> 0:42:25.920
<v Speaker 5>the only way to tell are they getting enough calories?

0:42:26.080 --> 0:42:26.879
<v Speaker 4>Are they hating weight?

0:42:26.960 --> 0:42:30.120
<v Speaker 5>And are they not like dehydrated? And is their body

0:42:30.239 --> 0:42:32.680
<v Speaker 5>like up online? Also, I used to have a pooplog

0:42:33.200 --> 0:42:34.080
<v Speaker 5>because yourself.

0:42:34.480 --> 0:42:35.320
<v Speaker 2>Not for Adam.

0:42:37.840 --> 0:42:40.040
<v Speaker 1>Adam, you had a pooplog for Adam.

0:42:40.239 --> 0:42:41.760
<v Speaker 4>Could you imagine Adam.

0:42:42.120 --> 0:42:44.799
<v Speaker 5>No for my baby, because if you had child's care,

0:42:46.160 --> 0:42:48.239
<v Speaker 5>you would keep a log so that she could, like,

0:42:48.280 --> 0:42:49.600
<v Speaker 5>when I got home from the end of the day,

0:42:50.320 --> 0:42:51.960
<v Speaker 5>it would be written down if the kid went to

0:42:52.040 --> 0:42:54.960
<v Speaker 5>the bathroom, because I could get home. She might have left,

0:42:55.440 --> 0:42:57.640
<v Speaker 5>and the baby could be super cranky and you might

0:42:57.719 --> 0:42:59.359
<v Speaker 5>not know why. You like, look at the poop log

0:42:59.360 --> 0:43:00.719
<v Speaker 5>and you're like, oh my god, she hasn't gone to

0:43:00.760 --> 0:43:02.239
<v Speaker 5>the bathroom, but all today she might have a really

0:43:02.280 --> 0:43:04.720
<v Speaker 5>bad gas and maybe she needs medicine or like whatever.

0:43:05.400 --> 0:43:08.640
<v Speaker 5>So that's that straight ass poop blog bullshit.

0:43:10.640 --> 0:43:11.759
<v Speaker 4>I wrote that down to you though.

0:43:12.000 --> 0:43:16.200
<v Speaker 5>This is also the episode where Cyrus sets has been

0:43:16.280 --> 0:43:19.759
<v Speaker 5>setting up, setting up, setting up for Daniel Douglas and

0:43:20.560 --> 0:43:24.280
<v Speaker 5>James to have an affair. Yes, Cyrus is so convinced

0:43:24.320 --> 0:43:26.640
<v Speaker 5>that when it when push comes to shove, James won't

0:43:26.680 --> 0:43:30.319
<v Speaker 5>do it because he's not like fits, and it ends

0:43:30.400 --> 0:43:33.360
<v Speaker 5>up happening. He goes to Daniel Douglas's house and he

0:43:33.560 --> 0:43:36.359
<v Speaker 5>starts to realize and put together that Cyrus has set

0:43:36.440 --> 0:43:38.880
<v Speaker 5>this whole thing up, and he's so upset and James,

0:43:38.960 --> 0:43:41.040
<v Speaker 5>Oh my god, Dan m does such an amazing job,

0:43:41.640 --> 0:43:44.560
<v Speaker 5>and they end up hooking up and having sex, and

0:43:44.680 --> 0:43:47.520
<v Speaker 5>then Cyrus is waiting at home for them, and and

0:43:47.840 --> 0:43:50.400
<v Speaker 5>then James has all these lines that are like, you know,

0:43:50.560 --> 0:43:53.600
<v Speaker 5>innuendos that he did it on the.

0:43:53.680 --> 0:43:59.320
<v Speaker 1>Saddle, Well, I'm just back on the saddle again to

0:43:59.800 --> 0:44:01.120
<v Speaker 1>this ally it does.

0:44:01.520 --> 0:44:03.440
<v Speaker 4>And then he said something like yeah, you really opened

0:44:03.440 --> 0:44:03.680
<v Speaker 4>me up.

0:44:03.719 --> 0:44:05.560
<v Speaker 1>Yes, I really opened him up.

0:44:06.040 --> 0:44:06.759
<v Speaker 4>Or something like that.

0:44:06.960 --> 0:44:08.960
<v Speaker 5>And then he's like, Okay, come to bed, honey, and

0:44:09.000 --> 0:44:11.560
<v Speaker 5>he's like, no, I'm going to take a shower. Don't wait,

0:44:11.600 --> 0:44:13.480
<v Speaker 5>and he says, I love don't wait up for you,

0:44:13.520 --> 0:44:15.520
<v Speaker 5>and he says, I love you. And then we see

0:44:15.560 --> 0:44:18.840
<v Speaker 5>Cyrus open up his cell phone and he gets the document,

0:44:19.080 --> 0:44:21.600
<v Speaker 5>like the actual proof of photos of them.

0:44:21.760 --> 0:44:23.759
<v Speaker 4>He's mortifies and hooking up.

0:44:24.520 --> 0:44:24.719
<v Speaker 3>Yes.

0:44:25.320 --> 0:44:28.120
<v Speaker 5>And what's so crazy is that at this time when

0:44:28.160 --> 0:44:31.200
<v Speaker 5>we were making this episode, I didn't know, none of

0:44:31.280 --> 0:44:32.759
<v Speaker 5>us knew that this was going to be the thing

0:44:33.760 --> 0:44:35.200
<v Speaker 5>that leads James.

0:44:34.920 --> 0:44:39.200
<v Speaker 1>To his death. Oh my god, yeah, and Daniel Douglas and.

0:44:39.360 --> 0:44:46.239
<v Speaker 5>Daniel Douglas, everybody dies, Cyrus fall so good, so good.

0:44:46.320 --> 0:44:50.480
<v Speaker 1>I love I love the moment where between Quinn and

0:44:50.560 --> 0:44:54.040
<v Speaker 1>Huck were Huck and this I love that this In

0:44:54.160 --> 0:44:57.120
<v Speaker 1>this episode, Quinn is trying to hide the fact that

0:44:57.320 --> 0:45:00.480
<v Speaker 1>she killed that security guard. Right, Oh, yeah, she killed

0:45:00.480 --> 0:45:02.239
<v Speaker 1>the security guard, but she's trying to hide that end.

0:45:02.320 --> 0:45:05.040
<v Speaker 5>This is the episode where she's trying to get the

0:45:05.360 --> 0:45:07.480
<v Speaker 5>information before you do.

0:45:07.680 --> 0:45:10.240
<v Speaker 1>Yes, Yes, and the whole Opia team is like working

0:45:10.320 --> 0:45:12.719
<v Speaker 1>hard to get the picture of that woman with that

0:45:12.880 --> 0:45:14.960
<v Speaker 1>pencil and killed the security guard.

0:45:15.000 --> 0:45:18.600
<v Speaker 5>And Quinn's like shit happy says that shitty pencils, skirt

0:45:18.640 --> 0:45:19.880
<v Speaker 5>and those dumpy heels.

0:45:21.239 --> 0:45:24.200
<v Speaker 1>But there's a moment where Quinn goes into Huck's office

0:45:24.320 --> 0:45:27.480
<v Speaker 1>and Huck is like, hey, you do a really good job.

0:45:27.600 --> 0:45:28.920
<v Speaker 1>You do a really good job at what you do,

0:45:29.040 --> 0:45:31.080
<v Speaker 1>or something like that, and I don't tell you enough

0:45:31.960 --> 0:45:34.520
<v Speaker 1>and I love that. I love that. But then Quinn

0:45:34.640 --> 0:45:35.840
<v Speaker 1>is like then.

0:45:35.880 --> 0:45:39.759
<v Speaker 5>The episode is and Quinn comes into her apartment and

0:45:39.840 --> 0:45:41.799
<v Speaker 5>she has her spiding senses up and she's like Huck

0:45:42.000 --> 0:45:44.399
<v Speaker 5>and he's waiting, Oh, there's a folder on the floor,

0:45:44.400 --> 0:45:45.879
<v Speaker 5>and she picks up the folder and it's a close

0:45:45.960 --> 0:45:49.520
<v Speaker 5>up shot of her in the building that killed the

0:45:49.560 --> 0:45:51.960
<v Speaker 5>security office and Huck is waiting there with the tarp

0:45:52.120 --> 0:45:53.160
<v Speaker 5>and the tool.

0:45:53.000 --> 0:45:53.920
<v Speaker 1>And the tool.

0:45:55.280 --> 0:45:55.760
<v Speaker 4>Row.

0:45:57.239 --> 0:45:59.920
<v Speaker 1>I remember shooting in that, in that in Quinn's apartment.

0:46:00.239 --> 0:46:02.680
<v Speaker 1>Whenever we shot in Quinn's apartment, it was always like

0:46:02.760 --> 0:46:06.880
<v Speaker 1>a really intense scene, like a really good, juicy, intense

0:46:07.080 --> 0:46:09.759
<v Speaker 1>dark scene. It was always exciting shooting there. And it

0:46:09.840 --> 0:46:12.080
<v Speaker 1>was on the stages at Centic Hour.

0:46:12.640 --> 0:46:14.960
<v Speaker 4>Yeah, it was on the stages. Okay, Giirmo. Six Degrees

0:46:15.040 --> 0:46:15.520
<v Speaker 4>of Horror?

0:46:16.520 --> 0:46:18.600
<v Speaker 5>Was there anything in this app If you look on

0:46:18.880 --> 0:46:20.800
<v Speaker 5>your notes, I don't know these movies.

0:46:21.040 --> 0:46:23.520
<v Speaker 1>Well listen, Yeah, there was a lot of horror, and

0:46:23.600 --> 0:46:24.920
<v Speaker 1>it was in the beginning of the episode.

0:46:24.960 --> 0:46:27.680
<v Speaker 5>Yeah, Kenny Alexander was in Firstborn in two thousand and seven.

0:46:27.760 --> 0:46:30.440
<v Speaker 5>A pregnant couple buys a mansion and moves out of NYC.

0:46:31.239 --> 0:46:35.239
<v Speaker 5>Strange things start happening to the c sectioned anxious new moment.

0:46:35.480 --> 0:46:36.480
<v Speaker 3>Have you ever seen Firstborn?

0:46:36.680 --> 0:46:38.759
<v Speaker 1>I have not seen that. Can you believe it?

0:46:39.000 --> 0:46:39.160
<v Speaker 5>Now?

0:46:39.200 --> 0:46:42.200
<v Speaker 4>A horror movie exists that Giermo Diaz has not seen?

0:46:42.280 --> 0:46:43.000
<v Speaker 1>And then Terminal.

0:46:43.080 --> 0:46:44.280
<v Speaker 4>Also I will never.

0:46:44.239 --> 0:46:46.239
<v Speaker 5>Watch these movies, but also I kind of love it.

0:46:46.320 --> 0:46:48.160
<v Speaker 5>And also this episode was a horror thing in and

0:46:48.280 --> 0:46:49.920
<v Speaker 5>of its own. We had to watch a woman eat

0:46:49.960 --> 0:46:52.680
<v Speaker 5>her own wrist off, which was absolutely yeah, okay.

0:46:52.520 --> 0:46:55.160
<v Speaker 4>Fun fact for this episode, it's like, this is a lot.

0:46:55.320 --> 0:46:58.799
<v Speaker 5>But the compound that's in Quinn's syringe, which they name,

0:46:58.840 --> 0:47:03.080
<v Speaker 5>it's called bachelor and toxin, the effective dose that actually

0:47:03.120 --> 0:47:05.799
<v Speaker 5>would kill someone around that dude's weight would have had

0:47:05.800 --> 0:47:09.680
<v Speaker 5>to have been three pounds of liquid shit. So there's

0:47:09.880 --> 0:47:12.920
<v Speaker 5>no way that that that they named in the episode

0:47:12.960 --> 0:47:16.160
<v Speaker 5>could have killed that guy. But like whatever, oh my god,

0:47:19.440 --> 0:47:21.600
<v Speaker 5>Scandal tweets at the time, this one's.

0:47:21.320 --> 0:47:22.560
<v Speaker 4>Away at Luck.

0:47:22.640 --> 0:47:26.839
<v Speaker 5>You mean it, wrote Quinn, You dumb bitch. Why would

0:47:26.920 --> 0:47:28.200
<v Speaker 5>you ever trust Charlie?

0:47:28.320 --> 0:47:31.480
<v Speaker 1>Hashtags game, love it go dogs tweeted back at back

0:47:31.920 --> 0:47:34.799
<v Speaker 1>at Mo. Miriam She tweeted, oh my god, just saw

0:47:34.880 --> 0:47:37.799
<v Speaker 1>last night's Scandal episode. Quinn finally about to die? Get

0:47:37.840 --> 0:47:42.279
<v Speaker 1>her ass, Huck? Oh shit, what all this drama with Quinn?

0:47:42.440 --> 0:47:42.680
<v Speaker 2>All this?

0:47:42.880 --> 0:47:44.399
<v Speaker 1>Like all this Quinn?

0:47:44.600 --> 0:47:47.120
<v Speaker 5>I love it at far dus of ninety two tweeted,

0:47:47.160 --> 0:47:49.160
<v Speaker 5>you believe he's killed your mother, but you forgive him

0:47:49.160 --> 0:47:50.320
<v Speaker 5>because he got you a house.

0:47:50.480 --> 0:47:54.800
<v Speaker 4>Olivia is something else so true?

0:47:55.200 --> 0:47:59.880
<v Speaker 1>Tait potait Ho tweeted, are you a side chick if

0:47:59.920 --> 0:48:01.719
<v Speaker 1>you get picked up by a helicopter to stay in

0:48:01.920 --> 0:48:05.920
<v Speaker 1>a posh mansion. Hashtag scandal. Olivia Pope got me wanting

0:48:06.040 --> 0:48:07.040
<v Speaker 1>to be a side chick.

0:48:08.520 --> 0:48:10.600
<v Speaker 4>I agree, I agree.

0:48:11.400 --> 0:48:14.759
<v Speaker 5>At Angel Rene thirteen tweeted, Melly is the side chick

0:48:14.840 --> 0:48:17.240
<v Speaker 5>and she knows it hashtag scandal.

0:48:17.480 --> 0:48:18.000
<v Speaker 4>I'm not true.

0:48:18.080 --> 0:48:21.880
<v Speaker 1>Scandal Possessed tweeted hashtag scandal. A Scandal crew can have

0:48:22.160 --> 0:48:25.880
<v Speaker 1>just one well lit, oh litz love scene before the

0:48:25.960 --> 0:48:28.880
<v Speaker 1>show is over. It's hard out here for a fangirl

0:48:29.440 --> 0:48:32.480
<v Speaker 1>editing pics. Oh my god, so she's saying she wants

0:48:32.560 --> 0:48:35.120
<v Speaker 1>to flighting to be brighter so she could edit a

0:48:35.200 --> 0:48:36.160
<v Speaker 1>good fucking picture.

0:48:36.560 --> 0:48:39.880
<v Speaker 4>Just really focus on Tony Goldwin's yes. Oh look at

0:48:39.920 --> 0:48:40.440
<v Speaker 4>this shot.

0:48:41.320 --> 0:48:44.800
<v Speaker 5>This is with a picture at ohso brand New tweeted,

0:48:44.880 --> 0:48:48.040
<v Speaker 5>Olivia Pope be like, oh, I thought you said throw

0:48:48.120 --> 0:48:51.759
<v Speaker 5>it back Thursday hashtag scandal. And it's definitely a very

0:48:51.920 --> 0:48:55.640
<v Speaker 5>saucy photo of Fitzgerald Grant behind Olivia Pope without their

0:48:55.840 --> 0:48:56.520
<v Speaker 5>clothing on.

0:48:57.280 --> 0:49:00.040
<v Speaker 1>And it looks like there's some on panky panky.

0:49:00.680 --> 0:49:03.400
<v Speaker 4>Hanky panky back position going okay.

0:49:04.440 --> 0:49:07.839
<v Speaker 1>Felicia tweeted, why y'all ain't warm me about this lady

0:49:07.920 --> 0:49:13.799
<v Speaker 1>eating her arms on Scandal. I was eating sorry about that, Felicia, I.

0:49:13.880 --> 0:49:16.920
<v Speaker 5>Know same at Smiley Stylist tweeted, I just had a

0:49:16.920 --> 0:49:19.799
<v Speaker 5>whole body shaking flashback to last night's hashtag scandal at

0:49:19.840 --> 0:49:22.680
<v Speaker 5>ave et cetera. Plus shonder rhymes have me shook. I

0:49:22.840 --> 0:49:27.239
<v Speaker 5>still hear the chewy And guess what next episode is?

0:49:28.360 --> 0:49:30.799
<v Speaker 5>All y'all who our Quinn haters are going to get

0:49:30.800 --> 0:49:35.000
<v Speaker 5>what you need because the next episode is three o

0:49:35.160 --> 0:49:37.960
<v Speaker 5>nine and it's called Yola Yolo Yolo.

0:49:38.160 --> 0:49:41.600
<v Speaker 4>Quinn's about to Quin's about tua.

0:49:41.920 --> 0:49:45.040
<v Speaker 1>Quinn's about to go to the dentist. She about to

0:49:45.120 --> 0:49:46.200
<v Speaker 1>go to the dentist.

0:49:46.400 --> 0:49:46.640
<v Speaker 2>Y'all.

0:49:47.719 --> 0:49:50.120
<v Speaker 5>So, if you guys want to hear all about how

0:49:50.200 --> 0:49:53.600
<v Speaker 5>much you hated Quinn and make sure that she gets

0:49:53.680 --> 0:49:57.240
<v Speaker 5>her shit tortured real bad, come listen to next week's

0:49:57.239 --> 0:50:00.120
<v Speaker 5>episode of Unpacking the Toolbox, a Scanalal rewatch podcast for

0:50:00.200 --> 0:50:01.839
<v Speaker 5>episode three oh nine titled.

0:50:01.600 --> 0:50:06.759
<v Speaker 1>Yo Quinn's gonna check her yuck mouth. Maybe she just

0:50:06.800 --> 0:50:07.560
<v Speaker 1>got a yuck mouth.

0:50:07.840 --> 0:50:10.200
<v Speaker 4>Thank you guys so much for listening. We love you.

0:50:10.480 --> 0:50:13.480
<v Speaker 5>Tell your friends, Hey, if you like the scandal Rewatch podcast,

0:50:14.000 --> 0:50:16.279
<v Speaker 5>tell a friend to subscribe to it.

0:50:16.920 --> 0:50:19.239
<v Speaker 1>Yes, we need you guys. Listen if you guys want

0:50:19.280 --> 0:50:22.680
<v Speaker 1>to show this podcast to continue on. We need your

0:50:22.719 --> 0:50:25.000
<v Speaker 1>help and we need your love. So please, yeah, find

0:50:25.200 --> 0:50:28.840
<v Speaker 1>another Scandal obsessed friend or someone on social media and

0:50:29.000 --> 0:50:31.160
<v Speaker 1>just send them a link to the podcast because it

0:50:31.160 --> 0:50:33.160
<v Speaker 1>would help us a lot, and we would love to

0:50:33.239 --> 0:50:35.359
<v Speaker 1>keep doing this for you, guys and for us.

0:50:35.719 --> 0:50:36.000
<v Speaker 4>Bye.

0:50:36.120 --> 0:50:43.239
<v Speaker 1>We love you, Thank you, bye everybody. Thank you, Thank

0:50:43.320 --> 0:50:46.879
<v Speaker 1>you guys for joining us on Unpacking the Toolbox. If

0:50:46.920 --> 0:50:50.279
<v Speaker 1>you enjoyed the show, please subscribe, share with your friends, rate,

0:50:50.480 --> 0:50:51.360
<v Speaker 1>or leave us a review.

0:50:51.600 --> 0:50:55.520
<v Speaker 5>Scandal is executive produced by Sandy Bailey, Alex Alce, Lauren Homan,

0:50:55.840 --> 0:50:59.560
<v Speaker 5>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:50:59.640 --> 0:51:02.400
<v Speaker 5>Vince Johnny, with music by Chad Fisher.

0:51:02.680 --> 0:51:05.600
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:51:05.640 --> 0:51:07.720
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:51:08.080 --> 0:51:10.480
<v Speaker 5>Unpacking the Toolbox is a production of Shondaland Audio in

0:51:10.560 --> 0:51:14.839
<v Speaker 5>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:51:14.920 --> 0:51:18.040
<v Speaker 5>the iHeartRadio app or anywhere you subscribe to your favorite shows.