WEBVTT - Bonus: In Conversation with Nora McInerny, Pt 2

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<v Speaker 1>Family Secrets is a production of I Heart Radio. I'm

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<v Speaker 1>Danny Shapiro and this is a special bonus episode of

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<v Speaker 1>Family Secrets. This summer, the wonderful Nora mcinnerney, host of

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<v Speaker 1>the podcast Terrible Thanks For Asking, joined me for a

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<v Speaker 1>live taping of Family Secrets at Rizzoli Bookstore in New

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<v Speaker 1>York City. This is part two of our conversation. So,

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<v Speaker 1>so we're going to open it up to questions, and

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<v Speaker 1>there's a mic up here. Um, so anybody who has

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<v Speaker 1>a question should come up and kind of I know,

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<v Speaker 1>it's a little My favorite part of any event is

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<v Speaker 1>just the silence and then the mercy when someone stands

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<v Speaker 1>up and then you hope she's asking a question, but

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<v Speaker 1>maybe she just wants a sparkling water. Now she's gonna

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<v Speaker 1>ask a question. What angel Um. I'm a bit more

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<v Speaker 1>familiar with Danny life now there from There was Your Life,

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<v Speaker 1>nors m very ser loss Um. I was curious a

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<v Speaker 1>few years ago. I think there was a popular book

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<v Speaker 1>Calum Breath Becomes singer Um. I guess it's kind of

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<v Speaker 1>written from the other perspective where the doctor was very sick.

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<v Speaker 1>I think he may also had a bring tumor of

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<v Speaker 1>some sort. And what I'm wondering whether you read that

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<v Speaker 1>book and how does it make you feel, because it

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<v Speaker 1>is kind of from the opposite side. Um, When Breath,

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<v Speaker 1>When Breath becomes There is by Paul Colin Eathi and

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<v Speaker 1>or Calanthi and uh. He was He was a physician,

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<v Speaker 1>and I think he had lung cancer and very he

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<v Speaker 1>had all the cancers and he wrote a beautiful memoir

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<v Speaker 1>and his wife finished it, Lucy finished it for him.

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<v Speaker 1>And I could not read it for the longest time.

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<v Speaker 1>And I got maybe a hundred of them gifted to me,

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<v Speaker 1>people You're gonna love this book, and I was like, no,

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<v Speaker 1>I won't. I'll show you, No, I won't. I did

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<v Speaker 1>read it um eventually, and it was oddly comforting. It

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<v Speaker 1>was oddly comforting. Aaron had a very different personality than Paul.

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<v Speaker 1>Aaron was just but he was also so buoyant. Aaron

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<v Speaker 1>was just so happy and alive. And he always told

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<v Speaker 1>me like, this is okay. It's okay. Even when I

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<v Speaker 1>was bawling, like no, it's not you have a brain cancer.

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<v Speaker 1>He was like, it's okay, it's okay. And Paul's book

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<v Speaker 1>made me feel like maybe it really was and in it,

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<v Speaker 1>he writes this beautiful letter to his daughter, and I

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<v Speaker 1>remember being jealous when I read that, because I had

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<v Speaker 1>asked Aaron, do you want to write a letter to

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<v Speaker 1>our son or maybe a couple of letters, like maybe

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<v Speaker 1>you write one for his like sweet sixteen. I don't

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<v Speaker 1>know if boys even have one. Also, I didn't have one.

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<v Speaker 1>I grew up in the Midwest. I was like, do

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<v Speaker 1>I get a car? My dad was like, are you

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<v Speaker 1>on drugs? Like what? I was like, well, I've been

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<v Speaker 1>watching a lot of commercials. Um. But he writes this

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<v Speaker 1>beautiful letter to his daughter, and I remember asking Aaron

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<v Speaker 1>about that and he was like what No, he was

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<v Speaker 1>so uncomfortable, like what am I gonna write? Like, Hi, son,

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<v Speaker 1>Well I'm dead? And so he didn't. He didn't do that.

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<v Speaker 1>But I do think of my first book as as

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<v Speaker 1>that for Ralph, because I couldn't do that. But when

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<v Speaker 1>Breath Becomes airs as a very incredible book. It was

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<v Speaker 1>very comforting for me, but it was very resistant to

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<v Speaker 1>reading it. And whenever somebody is around somebody who's grieving

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<v Speaker 1>and they're like what should I do? What should I do?

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<v Speaker 1>I'm like, I mean, you can give him a book Um,

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<v Speaker 1>they might not read it, but it is a really

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<v Speaker 1>nice gesture. So if you're wondering what to get the

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<v Speaker 1>grieving person who has everything, not a hot dish, they've

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<v Speaker 1>got enough of those. Give him a book or a plant.

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<v Speaker 1>Not not your question, but you know it asked another question.

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<v Speaker 1>I just interviewed a guest for season two, The Family Secrets.

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<v Speaker 1>It's launching in late August, and it's um, someone who's

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<v Speaker 1>whose wife recently passed away, and the secret involves that

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<v Speaker 1>they chose not to tell their their their children that

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<v Speaker 1>she was dying, and they're quite grown children. But she

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<v Speaker 1>talked about the way that she didn't want the casseroles,

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<v Speaker 1>like she just did not want that. She wanted to

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<v Speaker 1>be the bringer of the casseroles, not the receiver of

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<v Speaker 1>the casseroles. And um, it's funny the way I mean funny,

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<v Speaker 1>but the way that casseroles and hot dishes have become

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<v Speaker 1>like the symbol of all illness and what you know,

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<v Speaker 1>people want to do something right, they want to they

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<v Speaker 1>want to cook, they want to do they want to

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<v Speaker 1>do something, and they don't know what to do. Yeah,

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<v Speaker 1>I mean, food is helpful, but at the time I

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<v Speaker 1>was I was not eating casserole. I was eating like

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<v Speaker 1>a five pound bag of sour Patch kids, and that's

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<v Speaker 1>hard to like. It's hard to express someone that can

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<v Speaker 1>we bring something? I'm like, yeah, you can bring like, um,

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<v Speaker 1>I don't like a twelve pack of coke would be nice. Uh,

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<v Speaker 1>bag of taco bell. Actually someone did deliver taco bell.

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<v Speaker 1>That was a lovely gift. So. I just recently discovered

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<v Speaker 1>both your podcasts and I love them both. And I

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<v Speaker 1>am in complete agreement with Nora that you really should

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<v Speaker 1>if you had like a podcast where you just spoke quietly,

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<v Speaker 1>I'd probably could fall asleep to it. You have an

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<v Speaker 1>amazing SMR obviously, I was actually gonna stay in the

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<v Speaker 1>shapiro a SMR YouTube channel check it out later. I would, yes,

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<v Speaker 1>for people don't know what SMR is. It just people

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<v Speaker 1>talking really quietly and tapping and tapping their nails, and

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<v Speaker 1>you could just be like I'm Danny Shapira and I'm

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<v Speaker 1>an open a plastic selfing bag. Yeah I would. I

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<v Speaker 1>would download it. I'm already subscribed to exactly UM. So

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<v Speaker 1>I love both of your podcasts. I Uh. There are

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<v Speaker 1>certain ones though, where I see um, I see the

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<v Speaker 1>description before and I'm like, I don't know if I

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<v Speaker 1>can listen to it quite yet, because they can be

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<v Speaker 1>pretty intense. Was there one of your podcasts, one of

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<v Speaker 1>your episodes that was the hardest, really the most difficult

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<v Speaker 1>for you to do? I would I would say in

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<v Speaker 1>the first season it was the episode UM that's called

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<v Speaker 1>Band of Men. Um. I had been contacted a number

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<v Speaker 1>of years earlier by Um, a man who had gone

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<v Speaker 1>to the same high school as me. UM, and I

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<v Speaker 1>didn't know him. He was a couple of years younger

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<v Speaker 1>than than I was, so we hadn't been in each

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<v Speaker 1>other's social circles. But it had turned out that he

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<v Speaker 1>was one of a really significant number of boys who

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<v Speaker 1>was sexually abused by a very charismatic social studies teacher

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<v Speaker 1>slash boy Scouts leader slash you know, wilderness counselor in

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<v Speaker 1>the at the camp all the boys went to. He

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<v Speaker 1>was just a complete groomer of of boys of a

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<v Speaker 1>very young age, sort of ages ten to twelve. And

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<v Speaker 1>he had come to me years earlier because he knew

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<v Speaker 1>that I was a writer and that I knew a

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<v Speaker 1>lot of writers in journalists and maybe I could help

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<v Speaker 1>him get the story out. And I had tried. I

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<v Speaker 1>spoke with a friend of mine at sixty minutes. I

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<v Speaker 1>really wanted to help these guys be able to tell

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<v Speaker 1>their story. The school was behaving badly. It was just

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<v Speaker 1>a very upsetting, infuriating story, and I wasn't able to

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<v Speaker 1>because the school was like a nice private school in

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<v Speaker 1>New Jersey. But it wasn't St. Paul's, you know, it

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<v Speaker 1>wasn't horas Man. There had already been these stories. There

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<v Speaker 1>was like enough boy abuse stories out there apparently, So

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<v Speaker 1>when I was launching Family Secrets, I approached him and

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<v Speaker 1>I said, I think I do have a way of

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<v Speaker 1>getting your story out, um. But it was an extremely

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<v Speaker 1>emotional interview. That was one of the ones that I

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<v Speaker 1>did in my son's old playroom with the with the

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<v Speaker 1>stuff hippopotamus and the and there was something about seeing

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<v Speaker 1>it's actually in my introduction to that episode, being in

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<v Speaker 1>this boy's playroom, you know, as his mom and thinking

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<v Speaker 1>about this this long ago boy who had just been

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<v Speaker 1>through this horrific, horrific I mean, I think I think

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<v Speaker 1>we spent two and a half hours on that particular

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<v Speaker 1>conversation interview, you know, to ultimately kind of carve of

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<v Speaker 1>it the story that needed to be told, but it was.

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<v Speaker 1>And then the more that I knew about it, the

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<v Speaker 1>more that I realized how many of those boys I

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<v Speaker 1>had known, you know, as as a kid. So I

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<v Speaker 1>had a very it was personal. The episode that I

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<v Speaker 1>was thinking of was actually very, very similar. I interviewed

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<v Speaker 1>this woman named Rachel and she was a victim of

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<v Speaker 1>Larry Nasser's and she didn't even know it, like she

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<v Speaker 1>was one of the she was one of the girls

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<v Speaker 1>who had defended him, essentially, and was like, what are

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<v Speaker 1>you talking about? And that was also a two and

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<v Speaker 1>a half hour conversation, and then it was several hours

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<v Speaker 1>of me transcribing and like listening to it over and

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<v Speaker 1>over while I was on winter break with my kids,

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<v Speaker 1>and and then also just looking around me at just

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<v Speaker 1>all of the ways that that that girls are discredited

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<v Speaker 1>and that they're sort of hyper sexualized in ways that

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<v Speaker 1>you don't even necessarily think about. Um, yeah, that was

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<v Speaker 1>That was a really great winter break. I think I

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<v Speaker 1>sat in a room and cried for like half a day,

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<v Speaker 1>and the kids were like, is she okay? My husband

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<v Speaker 1>was like, oh, she's great, Yeah, she'll be out. And

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<v Speaker 1>then um, there's an episode in the first season called Semperify,

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<v Speaker 1>and it's about It started with with my dad. My

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<v Speaker 1>dad was a marine in Vietnam and he had left

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<v Speaker 1>a comment on like the Virtual Vietnam. While you can

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<v Speaker 1>leave a you can leave a comment on the memorial

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<v Speaker 1>for somebody. And I was trying to piece together the

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<v Speaker 1>stories that my dad had told me about his time

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<v Speaker 1>in Vietnam. There were not many, but for some reason

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<v Speaker 1>he told them to me. My brothers were like, well,

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<v Speaker 1>I didn't, so I had nobody to like compare them too.

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<v Speaker 1>And I went to the Marine Corps reunion that my

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<v Speaker 1>dad had never gone to. I got in touch with

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<v Speaker 1>all these guys that my dad was looking for. They

0:09:58.280 --> 0:10:02.480
<v Speaker 1>were looking for him, but I mean it was nine.

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<v Speaker 1>They all spelled each other's names wrong, by the way,

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<v Speaker 1>like on the back of on the back of the

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<v Speaker 1>three photos they had. And so I found these guys

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<v Speaker 1>and I went to this reunion and I figured out

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<v Speaker 1>the story that I was thinking about. And also I

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<v Speaker 1>just spent hours talking to these men that everybody had

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<v Speaker 1>told me would not talk to me. And they sat

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<v Speaker 1>in a hotel room with me and with my producer

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<v Speaker 1>Hans holding his arms up like this with a with

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<v Speaker 1>a mic he sat there for five hours silently while

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<v Speaker 1>I just wept, and they wept, not even necessarily about

0:10:35.840 --> 0:10:39.200
<v Speaker 1>the story that I was there for. And I just

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<v Speaker 1>felt like this immense sense of everything that my dad

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<v Speaker 1>had gone through and everything that he had he had

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<v Speaker 1>carried and never told us about. And I just felt

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<v Speaker 1>really heavy and wrung out. And I was also secretly

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<v Speaker 1>pregnant and um, and I just remember going back to

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<v Speaker 1>my hotel and helped my hotel room night after night.

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<v Speaker 1>We're there for four days, and just crying so hard

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<v Speaker 1>that my head hurts, and putting that episode together, crying

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<v Speaker 1>in the studio with Hans and and and crying as

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<v Speaker 1>we got a letter from the man who's at the

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<v Speaker 1>center of the story of boy who's at the center

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<v Speaker 1>of the story, the boy who died in this worthless way,

0:11:20.400 --> 0:11:23.000
<v Speaker 1>and all of these men looking at me and telling

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<v Speaker 1>me that they would go back because you have to

0:11:24.679 --> 0:11:27.120
<v Speaker 1>tell yourself it was worth it. You have to. And

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<v Speaker 1>I got a letter from his family afterwards, after the

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<v Speaker 1>episode came out that said thank you, and I will

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<v Speaker 1>go home and ball about that tonight. To put that

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<v Speaker 1>episode is just very um. That's probably the most important

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<v Speaker 1>one to me. And also the hardest to make. Yeah,

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<v Speaker 1>we're going to pause for a moment. Hey, it's really

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<v Speaker 1>cool to see you guys in person. Um So, kind

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<v Speaker 1>of on the note of what you were just talking about,

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<v Speaker 1>you both have children, Can you talk about how your

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<v Speaker 1>work and your family co exist? More like how how

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<v Speaker 1>do you make those episodes? And then turned back to

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<v Speaker 1>your kid? Oh there, you know husband? Remember should we

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<v Speaker 1>have your son? Answered this one? Yeah, hey, Jacob, where

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<v Speaker 1>are you? My son's here somewhere. Um, you can stay there,

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<v Speaker 1>It's okay. So so my my my kid is now

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<v Speaker 1>you know, a young man. Um So it feels a

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<v Speaker 1>little bit different now. But throughout my writing life, much

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<v Speaker 1>of which coincided with his childhood, I had to find

0:12:35.240 --> 0:12:41.200
<v Speaker 1>a way to go to these places that were scary, dark, painful,

0:12:41.840 --> 0:12:47.760
<v Speaker 1>and not have them enveloped me. So I found myself

0:12:47.800 --> 0:12:52.320
<v Speaker 1>almost visualizing it as a place inside of me where

0:12:52.360 --> 0:12:55.720
<v Speaker 1>I could go that was small, and that when I

0:12:55.720 --> 0:12:57.600
<v Speaker 1>would go there, it would expand and it would become

0:12:57.640 --> 0:12:59.400
<v Speaker 1>the whole world. And then I could be in that

0:12:59.480 --> 0:13:01.760
<v Speaker 1>world and swim around in that world and do whatever

0:13:01.800 --> 0:13:04.560
<v Speaker 1>I needed to do in that world. Um. But then

0:13:04.640 --> 0:13:07.600
<v Speaker 1>when I needed to leave that world, I could almost

0:13:07.600 --> 0:13:09.880
<v Speaker 1>like a deep sea diver, like just push up from

0:13:09.920 --> 0:13:12.080
<v Speaker 1>it and it would contract again and it would be

0:13:12.120 --> 0:13:15.319
<v Speaker 1>there waiting for me. And it wasn't like it wasn't

0:13:15.320 --> 0:13:17.920
<v Speaker 1>something that I was feeling all the time. But it

0:13:17.960 --> 0:13:22.679
<v Speaker 1>was kind of contained. It didn't take me over, um,

0:13:22.800 --> 0:13:28.040
<v Speaker 1>and you know, so I could be you know, me

0:13:28.080 --> 0:13:30.599
<v Speaker 1>as a mom and make lunch and put dinner on

0:13:30.679 --> 0:13:34.040
<v Speaker 1>the table, and help with homework and and be in.

0:13:34.280 --> 0:13:40.679
<v Speaker 1>I very acutely did not want to miss my family's

0:13:40.760 --> 0:13:43.840
<v Speaker 1>life as a young family. I had this feeling I'd

0:13:43.880 --> 0:13:46.920
<v Speaker 1>seen it too many times of just and and all

0:13:46.920 --> 0:13:49.160
<v Speaker 1>the truisms that people say it goes by so fast.

0:13:49.200 --> 0:13:51.199
<v Speaker 1>I mean it doesn't. It doesn't you know that the

0:13:51.880 --> 0:13:54.360
<v Speaker 1>days are long and the years are short. Um. But

0:13:54.400 --> 0:13:55.840
<v Speaker 1>I didn't. I didn't want to miss it. I didn't

0:13:55.880 --> 0:13:58.199
<v Speaker 1>want to look back. I was driven by not wanting

0:13:58.240 --> 0:14:01.120
<v Speaker 1>to look back and thinking, you know, I just I

0:14:01.280 --> 0:14:04.440
<v Speaker 1>missed it. I was too focused on, you know, my

0:14:04.440 --> 0:14:06.480
<v Speaker 1>my work, because my work is incredibly important to me

0:14:06.520 --> 0:14:09.960
<v Speaker 1>and I had big, um creative ambitions for it. But

0:14:10.040 --> 0:14:16.800
<v Speaker 1>I also had this opportunity to have this beautiful family

0:14:16.840 --> 0:14:19.120
<v Speaker 1>life that I wanted to have, So I I was

0:14:19.160 --> 0:14:22.040
<v Speaker 1>always kind of like even an example would be I

0:14:22.120 --> 0:14:25.600
<v Speaker 1>realized early on, uh, I was always a morning writer,

0:14:26.240 --> 0:14:28.520
<v Speaker 1>and if I didn't get to work first thing in

0:14:28.520 --> 0:14:30.080
<v Speaker 1>the morning, if I didn't roll out of bed and

0:14:30.080 --> 0:14:32.920
<v Speaker 1>get to work, then the work wouldn't happen. But now

0:14:32.920 --> 0:14:35.200
<v Speaker 1>I had a kid, so there was something definitely in

0:14:35.200 --> 0:14:37.080
<v Speaker 1>the way between rolling and bed and getting to work.

0:14:37.120 --> 0:14:39.080
<v Speaker 1>There was all sorts of other things that had to

0:14:39.120 --> 0:14:42.280
<v Speaker 1>happen to have his day get started. And and I

0:14:42.280 --> 0:14:44.120
<v Speaker 1>didn't want to just zone out on it and be

0:14:44.320 --> 0:14:46.680
<v Speaker 1>like the sort of did I get up? Did I

0:14:46.720 --> 0:14:50.240
<v Speaker 1>you know, like what has happened? Um? And so I

0:14:50.320 --> 0:14:54.080
<v Speaker 1>learned to like find a pause button, like to be

0:14:54.160 --> 0:14:57.120
<v Speaker 1>able to actually be like, all right, I'm I'm going

0:14:57.160 --> 0:15:00.080
<v Speaker 1>to be able to get up and be present and

0:15:00.560 --> 0:15:03.120
<v Speaker 1>you know, make the eggs and pack the lunch box

0:15:03.200 --> 0:15:06.600
<v Speaker 1>and drive to school and come back and then and

0:15:06.640 --> 0:15:10.680
<v Speaker 1>then I can stop the pause button and start and

0:15:10.760 --> 0:15:13.920
<v Speaker 1>start the day again. Um. Which was something that I

0:15:14.000 --> 0:15:16.360
<v Speaker 1>learned how to do out of necessity. Wasn't something that

0:15:16.400 --> 0:15:18.200
<v Speaker 1>I knew how to do, but I but I learned

0:15:18.200 --> 0:15:21.720
<v Speaker 1>how to do it. And I also became much more

0:15:21.760 --> 0:15:26.200
<v Speaker 1>resourceful in terms of um my time, Like, if I

0:15:26.280 --> 0:15:28.360
<v Speaker 1>had an hour, I used the hour. If I had

0:15:28.360 --> 0:15:30.600
<v Speaker 1>two hours, I used Like. The worst thing for me

0:15:30.720 --> 0:15:32.680
<v Speaker 1>was feeling like, Wow, I had that time, and I

0:15:32.840 --> 0:15:35.640
<v Speaker 1>just frittered it away because I got in my own

0:15:35.680 --> 0:15:39.800
<v Speaker 1>way and my resistance and my frustration got the better

0:15:39.840 --> 0:15:41.800
<v Speaker 1>of me. And then and then I learned that if

0:15:41.840 --> 0:15:43.920
<v Speaker 1>I did that, i'd really like be so mad at

0:15:43.920 --> 0:15:45.960
<v Speaker 1>myself at the end of the day that I wouldn't

0:15:45.960 --> 0:15:48.600
<v Speaker 1>want to be me. So I learned how to kind

0:15:48.600 --> 0:15:53.360
<v Speaker 1>of do end runs around that kind of experience. This

0:15:53.400 --> 0:15:56.080
<v Speaker 1>event was supposed to be on Wednesday night, and then

0:15:56.080 --> 0:16:01.000
<v Speaker 1>I realized that um kindergarten graduation is Wednesday, and I

0:16:01.040 --> 0:16:03.040
<v Speaker 1>don't let you know these things. They don't let you know.

0:16:03.120 --> 0:16:06.360
<v Speaker 1>I'm like, what it feels like this could have gotten

0:16:06.360 --> 0:16:08.280
<v Speaker 1>on the calendar a little sooner. Also, do I read

0:16:08.320 --> 0:16:10.800
<v Speaker 1>all the emails? No, okay, I don't. We get a

0:16:10.800 --> 0:16:13.640
<v Speaker 1>lot of them. Um, and Danny was like, we'll figure

0:16:13.640 --> 0:16:15.880
<v Speaker 1>it out. So I know that I know that you

0:16:15.920 --> 0:16:18.560
<v Speaker 1>were that kind of mom, because you were awesome about that. Well.

0:16:18.600 --> 0:16:22.760
<v Speaker 1>I remember there's a annual writer's conference called a w

0:16:22.960 --> 0:16:26.440
<v Speaker 1>P and and it was I think some year when

0:16:26.600 --> 0:16:29.560
<v Speaker 1>my son was little. It was in maybe Washington, d C.

0:16:29.680 --> 0:16:31.160
<v Speaker 1>And I was supposed to be on a panel about

0:16:31.200 --> 0:16:33.560
<v Speaker 1>motherhood and writing. And on the morning that I was

0:16:33.600 --> 0:16:35.360
<v Speaker 1>supposed to head to d C from my panel on

0:16:35.440 --> 0:16:38.280
<v Speaker 1>motherhood and writing, there was a blizzard in Connecticut and

0:16:38.360 --> 0:16:42.680
<v Speaker 1>so snow day was called and I couldn't go to

0:16:42.720 --> 0:16:45.880
<v Speaker 1>the panel on motherhood and writing, which was an object

0:16:46.000 --> 0:16:50.280
<v Speaker 1>lesson in motherhood and writing. Yeah, it really is. Um

0:16:50.480 --> 0:16:54.880
<v Speaker 1>I I've not always been that intentional and I I

0:16:54.920 --> 0:16:56.720
<v Speaker 1>mean I went to work two days after I had

0:16:56.760 --> 0:17:00.600
<v Speaker 1>a baby. Part of it that was EP D and

0:17:00.640 --> 0:17:02.440
<v Speaker 1>PP and part of it was just like, oh my gosh,

0:17:02.440 --> 0:17:04.639
<v Speaker 1>are they gonna not, you know, support this if I

0:17:04.640 --> 0:17:07.400
<v Speaker 1>don't like, get right back to work. And also part

0:17:07.440 --> 0:17:10.239
<v Speaker 1>of it was I just I felt so attached to

0:17:10.280 --> 0:17:12.119
<v Speaker 1>the thing that I was making I didn't feel like

0:17:12.160 --> 0:17:15.720
<v Speaker 1>I could stop. And we have a two year old,

0:17:15.720 --> 0:17:17.480
<v Speaker 1>a six year old, a twelve year old, and a

0:17:17.480 --> 0:17:21.520
<v Speaker 1>seventeen year old. That's a wide range of humanity. And

0:17:21.920 --> 0:17:23.960
<v Speaker 1>because the older kids are newer to me, I really

0:17:23.960 --> 0:17:26.840
<v Speaker 1>don't want to miss anything about their lives. I want

0:17:26.880 --> 0:17:28.520
<v Speaker 1>to be there for middle school, I want to be

0:17:28.560 --> 0:17:31.359
<v Speaker 1>there for for high school stuff. Also it's just frankly

0:17:31.440 --> 0:17:34.919
<v Speaker 1>more interesting than preschool stuff. I got to be honest,

0:17:35.000 --> 0:17:39.440
<v Speaker 1>I'm like, wow, so what's happening? Like, tell me everything?

0:17:39.800 --> 0:17:43.720
<v Speaker 1>Like Also, seventh graders feel like very superior to sixth

0:17:43.760 --> 0:17:46.679
<v Speaker 1>graders in a way that's fascinating to me. I'm like,

0:17:46.880 --> 0:17:48.720
<v Speaker 1>remember that was you last year? And she's like was it?

0:17:49.000 --> 0:17:52.960
<v Speaker 1>Like it was? Um so at first. And Also I'm

0:17:52.960 --> 0:17:55.720
<v Speaker 1>self employed. Everything that I do is is basically on

0:17:55.760 --> 0:17:58.280
<v Speaker 1>a freelance basis, and that means your day could end

0:17:58.440 --> 0:18:01.440
<v Speaker 1>never and my days were ever ending and I would

0:18:01.560 --> 0:18:05.480
<v Speaker 1>open my laptop at ten and the kids noticed, and

0:18:05.560 --> 0:18:08.800
<v Speaker 1>my husband definitely noticed, and that felt terrible. And now

0:18:08.880 --> 0:18:12.680
<v Speaker 1>I'm just very like I have the most strict routine

0:18:13.040 --> 0:18:15.520
<v Speaker 1>out of anybody. I go to bed so early, I

0:18:15.560 --> 0:18:17.280
<v Speaker 1>wake up early, I go to the gym with my

0:18:17.320 --> 0:18:20.200
<v Speaker 1>biggest kid. Then I write for two hours. You might

0:18:20.200 --> 0:18:23.200
<v Speaker 1>be wondering where the kids. My husband's taking care of them, Okay,

0:18:23.960 --> 0:18:26.920
<v Speaker 1>he's where a man belongs in the kitchen, making breakfast

0:18:27.000 --> 0:18:30.480
<v Speaker 1>for the kids, getting him ready for school. And then

0:18:30.520 --> 0:18:32.800
<v Speaker 1>my day ends at three, so I can be there,

0:18:33.440 --> 0:18:38.200
<v Speaker 1>um too, when I remember to pick them up, I

0:18:38.240 --> 0:18:40.920
<v Speaker 1>can be there, am I always know, but I took

0:18:40.960 --> 0:18:43.919
<v Speaker 1>I took like email off my phone. I don't. I

0:18:43.960 --> 0:18:48.200
<v Speaker 1>don't do this as much because they are so interesting

0:18:48.800 --> 0:18:52.199
<v Speaker 1>and also if it's that urgent, maybe it's um like

0:18:52.280 --> 0:18:55.320
<v Speaker 1>a better be life or death at this point, which

0:18:55.880 --> 0:18:59.560
<v Speaker 1>I love. Like younger people, all the youths who are

0:18:59.600 --> 0:19:02.280
<v Speaker 1>like in their twenties, they just won't work like that.

0:19:02.600 --> 0:19:04.920
<v Speaker 1>They just will not. They're like, oh no, I don't

0:19:05.040 --> 0:19:07.200
<v Speaker 1>I'm not going to check my email at night, Like whoa,

0:19:07.240 --> 0:19:10.840
<v Speaker 1>look at those boundaries. It's bonkers. But when I was four,

0:19:10.880 --> 0:19:12.679
<v Speaker 1>I was like, I will do whatever you want. You

0:19:12.680 --> 0:19:14.919
<v Speaker 1>want me to come to your house and feed your

0:19:14.920 --> 0:19:19.480
<v Speaker 1>hamster for no money, boss, I'm there. True story. It's

0:19:19.520 --> 0:19:20.880
<v Speaker 1>like oh yeah, no, I mean it's a two hour

0:19:20.920 --> 0:19:22.800
<v Speaker 1>train ride, but yeah, I'll do it. I'll do it.

0:19:23.119 --> 0:19:26.800
<v Speaker 1>And like kids now in their twenties, like even early thirties,

0:19:26.800 --> 0:19:29.399
<v Speaker 1>they're like, oh no, I don't do that. No, I'm sorry.

0:19:29.480 --> 0:19:32.640
<v Speaker 1>I go to yoga that night. It's amazing. It's amazing.

0:19:33.520 --> 0:19:36.600
<v Speaker 1>Be like these gen zers there, they really they got

0:19:36.600 --> 0:19:38.879
<v Speaker 1>to figure it out. It's because their their parents sent

0:19:39.000 --> 0:19:44.159
<v Speaker 1>them to therapy. So uh, I was just wondering what

0:19:44.240 --> 0:19:49.240
<v Speaker 1>podcasts you guys listened to I listened to, Okay, my

0:19:49.280 --> 0:19:53.719
<v Speaker 1>favorite podcast is Who Weekly because it is pop culture

0:19:53.760 --> 0:19:56.280
<v Speaker 1>candy for me. It's everything you need to know about

0:19:56.280 --> 0:19:58.760
<v Speaker 1>the celebrities you don't so, you know, you always pick

0:19:58.840 --> 0:20:01.240
<v Speaker 1>up like an US weekly and you're like, who what

0:20:01.400 --> 0:20:04.879
<v Speaker 1>is this about? And it's two writers who I think

0:20:04.960 --> 0:20:08.080
<v Speaker 1>used to work for New York Magazine, Lindsay Weber Bobby Finger.

0:20:08.359 --> 0:20:11.760
<v Speaker 1>They're so funny and they just it's it's basically an

0:20:11.800 --> 0:20:16.159
<v Speaker 1>analysis of the celebrity industrial complex, where like everybody is

0:20:16.200 --> 0:20:19.879
<v Speaker 1>famous now, um, and you can't figure out why. And

0:20:19.880 --> 0:20:23.359
<v Speaker 1>it's not mean, but it's very, very, very funny, and

0:20:23.359 --> 0:20:25.480
<v Speaker 1>it comes out on Tuesdays and Fridays. And I also

0:20:25.560 --> 0:20:27.560
<v Speaker 1>listened to You Call Your Girlfriend. Those are the two

0:20:27.560 --> 0:20:31.040
<v Speaker 1>that I listened to every episode every week. And also

0:20:31.520 --> 0:20:34.480
<v Speaker 1>Forever thirty five podcast about the things we do to

0:20:34.520 --> 0:20:39.639
<v Speaker 1>take care of ourselves. And I listen to I Just,

0:20:39.760 --> 0:20:42.920
<v Speaker 1>I Just We're back on the jet ski Guys. I'm

0:20:42.960 --> 0:20:47.919
<v Speaker 1>literally flipping through the on my phone. I really I

0:20:47.960 --> 0:20:50.600
<v Speaker 1>try to listen to podcasts that I would never make,

0:20:51.200 --> 0:20:54.560
<v Speaker 1>if that makes sense, because they're just so they're so

0:20:54.600 --> 0:20:56.200
<v Speaker 1>different from what I do. They like, they just sit

0:20:56.240 --> 0:20:59.080
<v Speaker 1>down and talk and just like, I don't know if

0:20:59.080 --> 0:21:00.760
<v Speaker 1>you're this way, But if I'm writing a memoir, I

0:21:00.760 --> 0:21:04.560
<v Speaker 1>can't read any memoirs. I really can't. And if I'm

0:21:04.800 --> 0:21:07.320
<v Speaker 1>uh writing a novel, of which I've I've done one

0:21:08.440 --> 0:21:10.760
<v Speaker 1>in progress, Well that's not a good example because I

0:21:10.760 --> 0:21:12.800
<v Speaker 1>guess all I read is novels right now. But if

0:21:12.840 --> 0:21:16.359
<v Speaker 1>I'm in the middle of creating podcasts a podcast, I

0:21:16.400 --> 0:21:18.359
<v Speaker 1>can't listen to podcasts that are similar to mine. But

0:21:18.400 --> 0:21:23.720
<v Speaker 1>when I'm not, then I listened to sad narrative podcasts. Yeah,

0:21:23.720 --> 0:21:25.439
<v Speaker 1>I would say that's true for me too. I actually

0:21:25.440 --> 0:21:27.560
<v Speaker 1>stopped listening to Terrible Things for Asking while I was

0:21:27.600 --> 0:21:30.159
<v Speaker 1>making Season one of Family Secrets because what is that

0:21:30.200 --> 0:21:34.720
<v Speaker 1>dip in my DNA alright down by one? Because it

0:21:34.880 --> 0:21:40.359
<v Speaker 1>felt like, um, you know, in in writing, there's you know,

0:21:40.400 --> 0:21:44.000
<v Speaker 1>we talk a lot about voice, and I stay away

0:21:44.040 --> 0:21:48.320
<v Speaker 1>from work that feels that it could sort of seep

0:21:48.359 --> 0:21:51.480
<v Speaker 1>into my voice in some way. Um, And that's usually

0:21:51.520 --> 0:21:54.960
<v Speaker 1>work that has some kind of overlap or similarity. One

0:21:54.960 --> 0:21:59.840
<v Speaker 1>podcast I've consistently listened to is Heavyweight. Um. Yes, jeez, Louise,

0:22:00.119 --> 0:22:05.440
<v Speaker 1>just it's really really good storytelling. Um. See some nodding heads. Yeah,

0:22:05.600 --> 0:22:07.160
<v Speaker 1>I can tell you also the ones that I tend

0:22:07.240 --> 0:22:11.520
<v Speaker 1>to kind of shy away from our like, you know,

0:22:12.240 --> 0:22:17.320
<v Speaker 1>two girls sitting around talking, you know, like just the

0:22:17.320 --> 0:22:21.320
<v Speaker 1>the kind of loose banter that doesn't really feel like

0:22:21.359 --> 0:22:24.480
<v Speaker 1>it's about anything. I'm not naming names, but I just

0:22:24.520 --> 0:22:27.960
<v Speaker 1>there's just a feeling of like just overhearing something that's

0:22:28.000 --> 0:22:30.240
<v Speaker 1>happening at the next table in the restaurant when you're

0:22:30.240 --> 0:22:32.159
<v Speaker 1>bored and you're waiting for your dinner companion, and just

0:22:32.359 --> 0:22:35.240
<v Speaker 1>it's just people talking. And I think it's because you

0:22:35.320 --> 0:22:38.040
<v Speaker 1>and I both spend so much time creating something that

0:22:38.080 --> 0:22:41.879
<v Speaker 1>feels that's very that's very produced, that I tend to

0:22:41.920 --> 0:22:45.600
<v Speaker 1>gravitate more towards those. But I also have been really

0:22:45.720 --> 0:22:49.639
<v Speaker 1>enjoying the limited series, you know, the I loved um

0:22:49.760 --> 0:22:53.440
<v Speaker 1>the the dropout, you know, as did a lot of people.

0:22:54.080 --> 0:23:00.440
<v Speaker 1>It was just just just I just wanted to well,

0:23:00.440 --> 0:23:03.600
<v Speaker 1>that was so completely freaky. I mean, not really a

0:23:03.640 --> 0:23:05.840
<v Speaker 1>spoiler alert if any of you haven't listened to it,

0:23:05.880 --> 0:23:10.760
<v Speaker 1>but her her voice, um, Elizabeth's Holmes. Yeah, are you

0:23:10.760 --> 0:23:14.920
<v Speaker 1>talking about my voice? Question about my voice? Is it fake?

0:23:15.080 --> 0:23:17.439
<v Speaker 1>Your voice was made up? Voice? Is made up and

0:23:17.480 --> 0:23:20.439
<v Speaker 1>it sounds it sounds like this, and it's like, how

0:23:20.520 --> 0:23:22.400
<v Speaker 1>do you not know that she was doing a voice disguise?

0:23:22.480 --> 0:23:25.160
<v Speaker 1>It sounds like when your brother's voice is not changed

0:23:25.200 --> 0:23:29.000
<v Speaker 1>and he tries to answer the phone Hello, but you're

0:23:29.480 --> 0:23:33.080
<v Speaker 1>like really hearing the pathology like in action. And I

0:23:33.200 --> 0:23:36.200
<v Speaker 1>preferred listening to it as a podcast then watching UM,

0:23:36.280 --> 0:23:39.920
<v Speaker 1>the documentary about I guess was better. That's why. And

0:23:41.440 --> 0:23:43.320
<v Speaker 1>as sort of a follow up to that, what kind

0:23:43.359 --> 0:23:45.520
<v Speaker 1>of books do you like to read while you're actually writing?

0:23:45.680 --> 0:23:48.159
<v Speaker 1>And it can be either when you're writing memoirs or

0:23:48.200 --> 0:23:51.000
<v Speaker 1>when you're writing fiction or non fiction. I have so

0:23:51.040 --> 0:23:56.159
<v Speaker 1>many piles of different books for different um for different reasons.

0:23:56.240 --> 0:23:58.840
<v Speaker 1>I mean like I'm entering a period of time right

0:23:58.920 --> 0:24:01.120
<v Speaker 1>now where I feel like I can read for pleasure

0:24:01.520 --> 0:24:02.879
<v Speaker 1>UM in a way that I haven't been able to

0:24:02.920 --> 0:24:04.520
<v Speaker 1>do in a while, Like there's just a break in

0:24:04.640 --> 0:24:07.680
<v Speaker 1>my UM. Because when you're a writer and you're on tour,

0:24:07.720 --> 0:24:10.240
<v Speaker 1>as I have been since January, I will often be

0:24:10.280 --> 0:24:12.399
<v Speaker 1>reading the books of people that I'm doing events with,

0:24:12.480 --> 0:24:14.920
<v Speaker 1>and sometimes they're really pleasurable, but they're not necessarily the

0:24:14.920 --> 0:24:16.760
<v Speaker 1>books that I would pick up and say this is

0:24:16.760 --> 0:24:20.000
<v Speaker 1>what I want to read next. I um just started

0:24:20.040 --> 0:24:23.400
<v Speaker 1>a beautiful novel, UM first novel debut called UM Disappearing

0:24:23.400 --> 0:24:27.480
<v Speaker 1>Country by Julia phillips Um. That's been getting really gorgeous reviews.

0:24:28.200 --> 0:24:31.680
<v Speaker 1>I dip into, Oh, I'm reading Sally Rooney's Normal People

0:24:31.880 --> 0:24:38.520
<v Speaker 1>so good. It's just so good. Um. I love great writing,

0:24:39.160 --> 0:24:44.040
<v Speaker 1>and I can't read for story if the writing isn't beautiful.

0:24:44.400 --> 0:24:47.000
<v Speaker 1>And I can forgive a lot when it comes to

0:24:47.080 --> 0:24:50.359
<v Speaker 1>story if the writing is beautiful and I just fall

0:24:50.400 --> 0:24:51.960
<v Speaker 1>into it and I just want to be there. I

0:24:52.000 --> 0:24:56.160
<v Speaker 1>want to kind of be in in those sentences. Um,

0:24:56.480 --> 0:25:00.080
<v Speaker 1>what else I I lose? They go like titles go

0:25:00.200 --> 0:25:02.159
<v Speaker 1>right over my head. If I'm writing memoir, then I

0:25:02.280 --> 0:25:06.119
<v Speaker 1>mainly just want to read old books that I've already read.

0:25:06.880 --> 0:25:09.400
<v Speaker 1>So The Loved One, Evelyn Wis, all these all these

0:25:09.440 --> 0:25:13.080
<v Speaker 1>books that like you read when you were seventeen or sixteen,

0:25:13.240 --> 0:25:14.840
<v Speaker 1>and you're like, I bet that was a really good

0:25:14.840 --> 0:25:16.280
<v Speaker 1>book and I was just reading it to get to

0:25:16.320 --> 0:25:21.520
<v Speaker 1>the you know, ap English final. Um. And if I'm

0:25:21.560 --> 0:25:26.439
<v Speaker 1>writing the podcast and I'm just reading novels that's all

0:25:26.440 --> 0:25:30.560
<v Speaker 1>I've been reading lately, I can forgive basically anything like,

0:25:30.720 --> 0:25:33.120
<v Speaker 1>I'm just I'm just reading just to like have fun

0:25:33.240 --> 0:25:35.760
<v Speaker 1>and be alone. And I read every single day and

0:25:35.800 --> 0:25:38.000
<v Speaker 1>I read normal People and it made me really sad.

0:25:38.040 --> 0:25:39.720
<v Speaker 1>I was like, wow, this is about how much I

0:25:39.760 --> 0:25:44.200
<v Speaker 1>hated myself in my twenties. Uh. And I just read Ghosted,

0:25:44.600 --> 0:25:50.560
<v Speaker 1>which was very absorbing. Absorbing. It's a new word, the

0:25:50.680 --> 0:25:55.639
<v Speaker 1>only here here. Um, it's a really it's a good story.

0:25:56.040 --> 0:25:58.760
<v Speaker 1>It's a really good story. And I'm reading Red White

0:25:58.760 --> 0:26:03.119
<v Speaker 1>and Royal Blue. Ah, I novel about the that the

0:26:03.280 --> 0:26:08.120
<v Speaker 1>first son falling in love with the Prince of England.

0:26:09.440 --> 0:26:13.360
<v Speaker 1>What would happen? We'll find out do they hate each other?

0:26:13.400 --> 0:26:17.080
<v Speaker 1>It's like a classic rom com, only with uh, gay

0:26:17.119 --> 0:26:21.280
<v Speaker 1>teenage boys. It's wonderful. Well, you know you're you're reminding

0:26:21.320 --> 0:26:24.479
<v Speaker 1>me too, I am. So. I've been producing season two

0:26:24.520 --> 0:26:28.240
<v Speaker 1>of Family Secrets, and and probably we should rename Season

0:26:28.280 --> 0:26:30.840
<v Speaker 1>two of Family Secrets Writers with Family Secrets, because eight

0:26:30.840 --> 0:26:34.560
<v Speaker 1>out of ten of my guests are writers. Um and um,

0:26:34.560 --> 0:26:37.520
<v Speaker 1>so I've been I've been reading their books in preparation

0:26:37.560 --> 0:26:41.639
<v Speaker 1>and uh, well, one of them, I was familiar with

0:26:41.760 --> 0:26:44.600
<v Speaker 1>his very familiar with his work, and um just thought

0:26:44.600 --> 0:26:47.280
<v Speaker 1>he would have a lot to say about shame and secrecy,

0:26:47.680 --> 0:26:50.520
<v Speaker 1>shame being the thing that's always kind of thrumming underneath

0:26:50.600 --> 0:26:52.800
<v Speaker 1>anything that's secret, and that's u. K. S. A. Lehman.

0:26:53.480 --> 0:26:56.000
<v Speaker 1>His memoir Heavy, So he's one of the guests and

0:26:56.119 --> 0:26:58.639
<v Speaker 1>is a beautiful book that he's a memoir, but he

0:26:58.680 --> 0:27:01.159
<v Speaker 1>addresses it to his mother, so it's in the in

0:27:01.200 --> 0:27:03.920
<v Speaker 1>the in the second person, in the you voice. There's

0:27:03.960 --> 0:27:07.240
<v Speaker 1>also a wonderful memoir that just came out recently, and

0:27:07.320 --> 0:27:09.000
<v Speaker 1>she's also going to be a guest on season two.

0:27:09.000 --> 0:27:12.200
<v Speaker 1>Her name is Brigette M. Davis and the books called

0:27:12.680 --> 0:27:16.439
<v Speaker 1>the World according to Fannie Davis. Her mother Fannie Davis.

0:27:16.600 --> 0:27:19.360
<v Speaker 1>Brigette was raised in Detroit in the sixties and seventies

0:27:19.400 --> 0:27:22.280
<v Speaker 1>and her mother was a numbers runner and that's how

0:27:22.280 --> 0:27:25.320
<v Speaker 1>she supported her family. And it's just this fantastic story

0:27:25.400 --> 0:27:28.919
<v Speaker 1>of like a family keeping the mother's secrets and um.

0:27:29.000 --> 0:27:30.520
<v Speaker 1>So that like I have a lot of books that

0:27:30.560 --> 0:27:33.600
<v Speaker 1>have just there's like scribbled in the margins and everywhere

0:27:33.640 --> 0:27:35.800
<v Speaker 1>with I was actually going to be on a panel

0:27:35.840 --> 0:27:37.760
<v Speaker 1>with Brigette, and so I was reading her book in

0:27:37.760 --> 0:27:39.720
<v Speaker 1>preparation for being on the panel. And as soon as

0:27:39.760 --> 0:27:42.399
<v Speaker 1>I started reading her book. I was like, oh, and

0:27:42.480 --> 0:27:45.400
<v Speaker 1>she was amazing. Hi. I want to thank you guys

0:27:45.400 --> 0:27:48.359
<v Speaker 1>so much. Um. So, I am donor conceived. I found

0:27:48.400 --> 0:27:50.440
<v Speaker 1>out via DNA testing little over a year and a

0:27:50.480 --> 0:27:53.800
<v Speaker 1>half ago. Um And I also um in my career,

0:27:53.840 --> 0:27:56.960
<v Speaker 1>I worked in Alzheimer's care and hospice. I actually had

0:27:56.960 --> 0:27:59.800
<v Speaker 1>a client who was about thirty five with young children

0:28:00.600 --> 0:28:04.280
<v Speaker 1>died of a brain cancer. UM. So, kind of my

0:28:04.400 --> 0:28:06.680
<v Speaker 1>question is is when I found out I was donor conceived,

0:28:06.720 --> 0:28:08.920
<v Speaker 1>there were other big stresses going on in my life.

0:28:08.920 --> 0:28:12.000
<v Speaker 1>There were some family mental breakdowns, there were marriage issues.

0:28:12.080 --> 0:28:14.879
<v Speaker 1>I had just had a baby, I had a toddler. Um.

0:28:14.920 --> 0:28:17.520
<v Speaker 1>You know, so there was a lot going on, a

0:28:17.600 --> 0:28:22.399
<v Speaker 1>lot um and it's very difficult for people to understand

0:28:22.520 --> 0:28:27.040
<v Speaker 1>like intense trauma. Um And so my question for both

0:28:27.119 --> 0:28:30.880
<v Speaker 1>of you having been through these kind of unimaginable thing

0:28:30.920 --> 0:28:33.359
<v Speaker 1>after saying after saying within a short period of time

0:28:33.440 --> 0:28:36.399
<v Speaker 1>where it's people don't understand it, or people are just

0:28:36.480 --> 0:28:38.520
<v Speaker 1>kind of tired of it, or people just think it's

0:28:38.560 --> 0:28:42.280
<v Speaker 1>negative when it's really like processing, what do you see

0:28:42.320 --> 0:28:47.520
<v Speaker 1>as the state of kind of empathy in our society? Like,

0:28:47.600 --> 0:28:50.920
<v Speaker 1>what do you see as maybe kind of like your

0:28:51.000 --> 0:28:55.120
<v Speaker 1>role in that um and kind of educating people, because

0:28:55.120 --> 0:28:57.400
<v Speaker 1>that's something I like to write about in my kind

0:28:57.440 --> 0:29:00.360
<v Speaker 1>of donor conception advocacy. A lot is you know, kind

0:29:00.360 --> 0:29:03.120
<v Speaker 1>of trauma recovery and how we kind of process these

0:29:03.120 --> 0:29:05.280
<v Speaker 1>things and kind of normal and how human it is.

0:29:05.640 --> 0:29:07.840
<v Speaker 1>So I'm wondering what your perspectives are having been through

0:29:07.880 --> 0:29:10.920
<v Speaker 1>those things and also being public figures who have podcasts

0:29:10.920 --> 0:29:13.200
<v Speaker 1>and books, like what you see from people in your

0:29:13.200 --> 0:29:15.800
<v Speaker 1>personal life and also what you see from from talking

0:29:15.800 --> 0:29:19.440
<v Speaker 1>with people in the general public about those things. Those

0:29:19.480 --> 0:29:23.640
<v Speaker 1>are great. Those are really great questions and um ones

0:29:23.720 --> 0:29:25.960
<v Speaker 1>that I feel like I've been grappling with really intensely

0:29:25.960 --> 0:29:27.680
<v Speaker 1>in the last and the last just in the last

0:29:27.720 --> 0:29:29.800
<v Speaker 1>few years. I Mean you'd think I would say I've

0:29:29.800 --> 0:29:32.040
<v Speaker 1>been grappling with them all my life as a writer,

0:29:32.080 --> 0:29:35.080
<v Speaker 1>but it really feels much more intense in the last

0:29:35.120 --> 0:29:39.080
<v Speaker 1>few years. And one of the things about writing Inheritance,

0:29:39.080 --> 0:29:40.680
<v Speaker 1>which was something that I knew that I had to

0:29:40.720 --> 0:29:44.920
<v Speaker 1>do almost instantly. I mean, I made this discovery and

0:29:44.960 --> 0:29:48.040
<v Speaker 1>I started thinking about how I was going to process

0:29:48.080 --> 0:29:52.000
<v Speaker 1>it in language, because that's how I process everything, and

0:29:52.040 --> 0:29:53.960
<v Speaker 1>I need to be able to find the shape and

0:29:54.000 --> 0:29:55.520
<v Speaker 1>the language for it or else I'm not going to

0:29:55.640 --> 0:29:59.560
<v Speaker 1>understand it um And but I also knew that it

0:30:00.160 --> 0:30:05.600
<v Speaker 1>was an experience that wasn't going to be a slam

0:30:05.720 --> 0:30:11.680
<v Speaker 1>dunk in terms of people's empathic response, because it was

0:30:11.760 --> 0:30:17.240
<v Speaker 1>something out side of the realm of what what people

0:30:17.320 --> 0:30:20.160
<v Speaker 1>have thought about. So I had written other books in

0:30:20.200 --> 0:30:22.080
<v Speaker 1>which you know, my son was sick as a baby, Well,

0:30:22.120 --> 0:30:24.960
<v Speaker 1>we understand that, you know, anybody's going to have some

0:30:25.000 --> 0:30:28.200
<v Speaker 1>empathy for that. My my dad died in a car accident.

0:30:28.680 --> 0:30:30.720
<v Speaker 1>We understand that we don't have to have been through

0:30:30.760 --> 0:30:33.080
<v Speaker 1>those experiences, but we think, like, wow, I know, I know,

0:30:33.480 --> 0:30:35.280
<v Speaker 1>I can imagine how I would feel if I had

0:30:35.320 --> 0:30:36.960
<v Speaker 1>a childhoo was sick, or I can imagine how I

0:30:36.960 --> 0:30:38.720
<v Speaker 1>would feel if I lost a parent in that way.

0:30:39.040 --> 0:30:41.960
<v Speaker 1>But try out, I'm fifty four years old, and I'd

0:30:41.960 --> 0:30:44.000
<v Speaker 1>take a DNA test and I discovered that the dad

0:30:44.040 --> 0:30:46.040
<v Speaker 1>who raised me wasn't my dad, and that actually I

0:30:46.120 --> 0:30:49.240
<v Speaker 1>was conceived by a sperm donor. Is like, what what

0:30:49.360 --> 0:30:51.080
<v Speaker 1>would that be? And and you know, and then there

0:30:51.080 --> 0:30:53.520
<v Speaker 1>are people like it's one of the reasons why I

0:30:53.560 --> 0:30:55.880
<v Speaker 1>don't read, like read or comments on things, because there's

0:30:55.920 --> 0:30:59.680
<v Speaker 1>like like a version of wow, wow, wow, Like what

0:30:59.840 --> 0:31:03.040
<v Speaker 1>is a big deal? I mean, so what, She's had

0:31:03.080 --> 0:31:05.360
<v Speaker 1>a great life, She's here, isn't she She should be

0:31:05.880 --> 0:31:09.280
<v Speaker 1>pleased at this terrific you know, turn of events, and

0:31:09.280 --> 0:31:12.400
<v Speaker 1>and you know who cares Like it's like get over it.

0:31:12.400 --> 0:31:15.440
<v Speaker 1>It's like one or under the bridge. And I knew

0:31:15.480 --> 0:31:18.160
<v Speaker 1>that in the writing of it that I had to

0:31:19.600 --> 0:31:24.520
<v Speaker 1>actually aim for and think about what was universal about

0:31:24.520 --> 0:31:27.280
<v Speaker 1>my experience, which is not something I've ever had to

0:31:27.320 --> 0:31:29.360
<v Speaker 1>do as a writer. It's something that I would counsel

0:31:29.400 --> 0:31:31.760
<v Speaker 1>people against doing because it makes you sort of self conscious,

0:31:31.800 --> 0:31:34.600
<v Speaker 1>like what's universal about my experience? But I had to

0:31:35.240 --> 0:31:37.000
<v Speaker 1>and I and I so I found myself thinking what

0:31:37.080 --> 0:31:40.000
<v Speaker 1>am I learning about identity? What am I learning about

0:31:40.560 --> 0:31:42.640
<v Speaker 1>what makes a father a father? What am I learning

0:31:42.680 --> 0:31:46.280
<v Speaker 1>about nature and nurture? That I can find a way

0:31:46.280 --> 0:31:49.280
<v Speaker 1>to impart so that I can connect with the reader,

0:31:49.840 --> 0:31:55.800
<v Speaker 1>um and and like push the reader toward, provoke the

0:31:55.840 --> 0:32:00.840
<v Speaker 1>reader toward a kind of understanding of Oh I see wow,

0:32:00.880 --> 0:32:06.200
<v Speaker 1>that would be really complicated to make sense, really provoking empathy,

0:32:06.240 --> 0:32:07.760
<v Speaker 1>which is what I felt like I had to be

0:32:07.840 --> 0:32:14.719
<v Speaker 1>doing in this case. Um, everything that we do is

0:32:15.640 --> 0:32:19.680
<v Speaker 1>aimed around empathy versus pity. It's a huge distinction for

0:32:19.720 --> 0:32:23.240
<v Speaker 1>the show. It's a huge distinction for uh, what we

0:32:23.320 --> 0:32:25.600
<v Speaker 1>do with Still Kicking, what we do with the Hot

0:32:25.600 --> 0:32:28.520
<v Speaker 1>Young Widows Club, which is a real group that I have,

0:32:28.720 --> 0:32:32.240
<v Speaker 1>which is that nobody needs you to feel bad for them,

0:32:32.280 --> 0:32:35.840
<v Speaker 1>but there are plenty of ways to do that, and

0:32:36.160 --> 0:32:38.760
<v Speaker 1>pity is like the cheapest emotion we have. That's why

0:32:38.800 --> 0:32:40.560
<v Speaker 1>we're so generous with it. We're just like, you can

0:32:40.600 --> 0:32:43.400
<v Speaker 1>have some you can I can feel bad for literally anyone.

0:32:43.440 --> 0:32:47.120
<v Speaker 1>I'm so good at it. But empathy does require imagination,

0:32:47.520 --> 0:32:50.480
<v Speaker 1>and most people really are not that imaginative. It takes

0:32:50.480 --> 0:32:55.240
<v Speaker 1>a lot of energy to be empathetic. So the stories

0:32:55.280 --> 0:32:59.840
<v Speaker 1>that we look at on our show are really meant

0:32:59.840 --> 0:33:03.040
<v Speaker 1>to stretch that I really meant to. We listen to

0:33:03.080 --> 0:33:05.840
<v Speaker 1>it as we're writing it, and we listen to it

0:33:05.920 --> 0:33:10.200
<v Speaker 1>as as an unempathetic person, and when we do group

0:33:10.280 --> 0:33:14.200
<v Speaker 1>listens for the draft episodes, we say like, well, okay,

0:33:14.280 --> 0:33:18.080
<v Speaker 1>so why wouldn't this be a thing. And some of

0:33:18.080 --> 0:33:22.320
<v Speaker 1>the narration is meant to cut those reflexes off from

0:33:22.360 --> 0:33:25.240
<v Speaker 1>the listener and to say, like, I know that you

0:33:25.320 --> 0:33:28.880
<v Speaker 1>might be thinking this, but think about it this way,

0:33:29.640 --> 0:33:32.320
<v Speaker 1>because I do want to create episodes that that can

0:33:32.360 --> 0:33:36.080
<v Speaker 1>be helpful for other people, and that can help other

0:33:36.160 --> 0:33:39.240
<v Speaker 1>people help the people around them stretched so that you

0:33:39.400 --> 0:33:43.760
<v Speaker 1>who feel very, very beleaguered by trying to bring everyone

0:33:43.880 --> 0:33:45.840
<v Speaker 1>in your life along with you and this thing that

0:33:45.880 --> 0:33:49.120
<v Speaker 1>they think is too sad, have something to show that's like, look,

0:33:49.120 --> 0:33:51.959
<v Speaker 1>it's not just me, Look this is this is this

0:33:52.040 --> 0:33:54.960
<v Speaker 1>is something that a lot of people feel. So listen

0:33:54.960 --> 0:33:57.719
<v Speaker 1>to this. Think of it this way. So we've had

0:33:57.760 --> 0:33:59.560
<v Speaker 1>a lot of I mean, it's easy to feel You

0:33:59.560 --> 0:34:01.760
<v Speaker 1>can feel ad for somebody who as a has a

0:34:01.960 --> 0:34:04.160
<v Speaker 1>has a dead baby. You can feel bad for somebody

0:34:04.160 --> 0:34:07.280
<v Speaker 1>who has a has a dead husband. But can you

0:34:07.400 --> 0:34:11.160
<v Speaker 1>feel for someone who has a more complicated story, Because

0:34:11.640 --> 0:34:15.080
<v Speaker 1>the thing is all of those stories are always more complicated.

0:34:16.440 --> 0:34:19.920
<v Speaker 1>But it's it's hard for you, like on the personal level,

0:34:20.239 --> 0:34:23.480
<v Speaker 1>Like it is hard when people don't get it. And

0:34:23.600 --> 0:34:25.640
<v Speaker 1>what I would say to you and to anybody here,

0:34:26.239 --> 0:34:29.120
<v Speaker 1>a lot of people in your life just won't. And

0:34:29.200 --> 0:34:30.840
<v Speaker 1>so if you can take that off your plate. You

0:34:30.840 --> 0:34:35.920
<v Speaker 1>are not here to make everybody understand absolutely everything that

0:34:35.960 --> 0:34:39.840
<v Speaker 1>you feel. It's impossible to do. That is going to

0:34:39.880 --> 0:34:43.200
<v Speaker 1>free up a lot of anguish for you. Yeah, it

0:34:43.200 --> 0:34:47.160
<v Speaker 1>strikes me to listening to you that pity is something

0:34:47.239 --> 0:34:52.200
<v Speaker 1>that separates, right Like, if I am pitying you, it

0:34:52.280 --> 0:34:55.080
<v Speaker 1>means that I'm on one side of this divide and

0:34:55.120 --> 0:34:58.000
<v Speaker 1>you're on the other side. Um, if I'm pitying, it

0:34:58.000 --> 0:35:02.719
<v Speaker 1>means you're pitiable and I'm not. And empathy has to

0:35:02.760 --> 0:35:05.120
<v Speaker 1>do us. We are all in this together. This could

0:35:05.160 --> 0:35:09.160
<v Speaker 1>be you, this could be me, this could be any

0:35:09.239 --> 0:35:11.480
<v Speaker 1>one of us at any given moment, and we are

0:35:11.600 --> 0:35:16.920
<v Speaker 1>all always, you know, always in that place. Um. And

0:35:16.960 --> 0:35:20.239
<v Speaker 1>I think empathy comes from that understanding, even when it's

0:35:20.440 --> 0:35:23.040
<v Speaker 1>and and and know there will be failures of empathy constantly.

0:35:23.080 --> 0:35:26.080
<v Speaker 1>But when you're describing what you do in the scripts

0:35:26.080 --> 0:35:29.560
<v Speaker 1>and in the voiceover in your show, is precisely what

0:35:29.600 --> 0:35:32.920
<v Speaker 1>I was talking about earlier when I when I described

0:35:33.320 --> 0:35:36.520
<v Speaker 1>trying to hold a story, it's it's you know, it's

0:35:36.560 --> 0:35:38.640
<v Speaker 1>your job, and it's my job as a host of

0:35:38.680 --> 0:35:41.880
<v Speaker 1>a show like this to say, wait a minute, Um,

0:35:41.960 --> 0:35:43.719
<v Speaker 1>We're gonna turn this a little bit here. I'm gonna

0:35:43.719 --> 0:35:46.480
<v Speaker 1>get inside of your head, listener, and I know what

0:35:46.520 --> 0:35:50.359
<v Speaker 1>you're thinking, but here's here's a pivot. Here's another way

0:35:50.360 --> 0:35:53.080
<v Speaker 1>of looking at it, And that's that's that's the holding

0:35:53.200 --> 0:35:56.359
<v Speaker 1>I think of this kind of work, and I think

0:35:56.440 --> 0:35:59.840
<v Speaker 1>a lack of empathy comes from this need to compare

0:36:00.600 --> 0:36:05.000
<v Speaker 1>your story against somebody else's, which is a really sort

0:36:05.040 --> 0:36:09.560
<v Speaker 1>of reflexive thing that people do. Right, Like, well, I mean,

0:36:09.880 --> 0:36:12.799
<v Speaker 1>at least the dad you had was pretty good, right,

0:36:12.920 --> 0:36:14.920
<v Speaker 1>so when we at least each other, when we just

0:36:15.200 --> 0:36:18.520
<v Speaker 1>each other, all of these things that sort of minimize

0:36:18.560 --> 0:36:20.319
<v Speaker 1>the experience that you don't even think that they do,

0:36:20.680 --> 0:36:25.280
<v Speaker 1>but they do. It immediately shuts off your capability for empathy.

0:36:25.360 --> 0:36:29.160
<v Speaker 1>So some of the stories that we pick, our stories

0:36:29.200 --> 0:36:33.279
<v Speaker 1>that you might not think of as that terrible, right,

0:36:33.600 --> 0:36:39.080
<v Speaker 1>um is is having a stutter that terrible? Well, if

0:36:39.120 --> 0:36:42.359
<v Speaker 1>it's the biggest thing in your life, if it has

0:36:42.440 --> 0:36:45.000
<v Speaker 1>kept you separate from the life that you want to

0:36:45.040 --> 0:36:47.840
<v Speaker 1>live and from connecting with people the way you want to, yeah,

0:36:47.920 --> 0:36:51.360
<v Speaker 1>it is. And nobody benefits from this sort of comparison

0:36:51.400 --> 0:36:54.200
<v Speaker 1>of this is better or this is worse. Nobody like

0:36:54.200 --> 0:36:56.839
<v Speaker 1>when you're the person trying to sort of hold your

0:36:57.040 --> 0:37:00.160
<v Speaker 1>terrible thing up above somebody else's, Like, does that make

0:37:00.200 --> 0:37:06.120
<v Speaker 1>you feel better? Not? Usually? Not? Usually So that concludes

0:37:06.200 --> 0:37:13.040
<v Speaker 1>my answer. Do you think of podcasting as a new

0:37:13.160 --> 0:37:17.200
<v Speaker 1>community that you're building? Because I find that we're all

0:37:17.239 --> 0:37:19.600
<v Speaker 1>creating conversations. Now it used to be like what you

0:37:19.719 --> 0:37:21.400
<v Speaker 1>heard on Oprah? And now it's like, oh, did you

0:37:21.400 --> 0:37:25.480
<v Speaker 1>hear the story on you know, such and such a podcast?

0:37:25.520 --> 0:37:29.920
<v Speaker 1>That it's creating conversation and community and conversations around grief

0:37:29.960 --> 0:37:32.680
<v Speaker 1>and empathy. Like do you do you think about that

0:37:32.719 --> 0:37:34.719
<v Speaker 1>as you're creating because I find it on the other

0:37:34.840 --> 0:37:38.480
<v Speaker 1>end as a listener that it's happening more in conversation,

0:37:38.560 --> 0:37:42.720
<v Speaker 1>that we're creating community around being able to open conversations

0:37:42.800 --> 0:37:46.239
<v Speaker 1>based on topics. I mean, I think I've come to

0:37:46.320 --> 0:37:49.919
<v Speaker 1>understand that as I've been making family secrets, and also

0:37:49.960 --> 0:37:52.080
<v Speaker 1>as I've been on tour for Inheritance, and I realized

0:37:52.120 --> 0:37:55.000
<v Speaker 1>that my events start becoming sort of de factove support

0:37:55.000 --> 0:37:57.040
<v Speaker 1>groups for people. People have come to my events and

0:37:57.040 --> 0:37:59.560
<v Speaker 1>then people help them discover their biological fathers. I mean,

0:37:59.600 --> 0:38:03.040
<v Speaker 1>all sorts of astounding things have happened because people are

0:38:03.080 --> 0:38:05.799
<v Speaker 1>gathering and we want to gather, you know, we want

0:38:05.800 --> 0:38:08.960
<v Speaker 1>to gather. We're hungry for gathering because we feel I think,

0:38:09.440 --> 0:38:11.520
<v Speaker 1>you know, so many of us so isolated by this,

0:38:11.680 --> 0:38:14.560
<v Speaker 1>you know, and by you know, being working remotely or

0:38:14.760 --> 0:38:20.439
<v Speaker 1>constantly being on our devices. UM. In this season, as

0:38:20.640 --> 0:38:24.080
<v Speaker 1>we're leading up to season two of Family Secrets, UM,

0:38:24.120 --> 0:38:28.279
<v Speaker 1>my producers made an eight hundred number especially eight eight

0:38:28.360 --> 0:38:32.439
<v Speaker 1>eight secret zero where UM where listeners can actually call

0:38:32.520 --> 0:38:35.759
<v Speaker 1>in and anonymously tell their own secrets. And I love

0:38:35.840 --> 0:38:38.320
<v Speaker 1>them too. At first, I thought, really, and and it's

0:38:38.360 --> 0:38:41.520
<v Speaker 1>it's this is fantastic thing because I think that sense

0:38:41.560 --> 0:38:46.160
<v Speaker 1>of piercing aloneness, especially when it comes to emotions that

0:38:46.239 --> 0:38:49.840
<v Speaker 1>make us feel alone. We feel alone when we grieve

0:38:50.400 --> 0:38:54.680
<v Speaker 1>so alone, we feel alone when um, we are the

0:38:54.760 --> 0:38:57.600
<v Speaker 1>keeper of a secret or a secret has been kept

0:38:57.640 --> 0:39:02.360
<v Speaker 1>from us UM and then when it gets revealed, you know,

0:39:02.520 --> 0:39:05.440
<v Speaker 1>week after week, when there's you know, these kinds of

0:39:05.480 --> 0:39:09.440
<v Speaker 1>conversations that are kind of exploding some of the shame

0:39:09.520 --> 0:39:14.080
<v Speaker 1>and isolation surrounding like these kinds of stories. I think

0:39:14.120 --> 0:39:16.480
<v Speaker 1>that that's part of what's creating community, because it's people

0:39:16.520 --> 0:39:19.120
<v Speaker 1>even if they're listening to these podcasts alone in their

0:39:19.160 --> 0:39:21.239
<v Speaker 1>cars or late at night, or you know, when they're

0:39:21.280 --> 0:39:23.640
<v Speaker 1>by themselves, there's a sense of oh, I'm not alone.

0:39:23.680 --> 0:39:26.040
<v Speaker 1>I'm not alone I'm not alone. And then and then

0:39:26.120 --> 0:39:30.920
<v Speaker 1>that I think does start to really build, um, build

0:39:31.000 --> 0:39:35.280
<v Speaker 1>something of a community. I don't know if it's unique

0:39:35.280 --> 0:39:39.840
<v Speaker 1>to podcasting. I think just the intersection of Internet and

0:39:40.080 --> 0:39:44.560
<v Speaker 1>making something just creates more opportunity for fandom and for

0:39:44.719 --> 0:39:48.280
<v Speaker 1>and for people who like something to gather around something

0:39:48.360 --> 0:39:51.839
<v Speaker 1>that that they enjoy. So I think that you kind

0:39:51.840 --> 0:39:58.120
<v Speaker 1>of find this around anything people like enough. Yeah, so um,

0:39:58.160 --> 0:40:00.799
<v Speaker 1>the compliment that we're just paid is, well, people seem

0:40:00.840 --> 0:40:03.520
<v Speaker 1>more comfortable. You're creating a language around these hard things.

0:40:03.600 --> 0:40:05.680
<v Speaker 1>And I think I'm I'm just saying a lot of

0:40:05.680 --> 0:40:07.760
<v Speaker 1>things that have been said by a lot of different people.

0:40:07.840 --> 0:40:11.480
<v Speaker 1>I don't think I've said literally anything original, um, in

0:40:11.560 --> 0:40:14.759
<v Speaker 1>my entire life. Possibly I don't want to yet I

0:40:14.800 --> 0:40:17.920
<v Speaker 1>don't think so. Um all there's nothing new under this on.

0:40:18.000 --> 0:40:21.480
<v Speaker 1>Everything has been, Everything has been said. People have always

0:40:21.520 --> 0:40:24.040
<v Speaker 1>been dying. Um, it felt like my husband was the

0:40:24.040 --> 0:40:26.799
<v Speaker 1>first to die, but in fact my mom's was I'm

0:40:26.800 --> 0:40:31.399
<v Speaker 1>just kidding. Uh and uh yeah, So I think I'm

0:40:31.440 --> 0:40:35.480
<v Speaker 1>just saying things louder and in a different way and

0:40:35.640 --> 0:40:41.000
<v Speaker 1>in a newer medium. But and and also I can't

0:40:41.000 --> 0:40:43.080
<v Speaker 1>take all the credit, and I don't think podcasting can

0:40:43.120 --> 0:40:44.839
<v Speaker 1>take all the credit for that. But I do think

0:40:44.880 --> 0:40:48.400
<v Speaker 1>that also because that question asked another question, which is,

0:40:48.480 --> 0:40:50.440
<v Speaker 1>every single time I do any events, someone's like, I

0:40:50.440 --> 0:40:52.440
<v Speaker 1>wanted to write a book about my husband dying, but

0:40:52.560 --> 0:40:54.839
<v Speaker 1>you did it. I didn't write a book about your

0:40:54.880 --> 0:40:57.520
<v Speaker 1>husband dying. Go write your own book, Go make your

0:40:57.560 --> 0:41:01.239
<v Speaker 1>own podcast, Go tell your own story, whatever it is,

0:41:01.880 --> 0:41:04.759
<v Speaker 1>because it's yours. And that's that's the difference between all

0:41:04.800 --> 0:41:07.279
<v Speaker 1>of this is like it is yours and the people

0:41:07.320 --> 0:41:10.040
<v Speaker 1>around you, strangers, they need to hear how you are

0:41:10.040 --> 0:41:14.560
<v Speaker 1>getting through, whatever you're getting through. And because every single yes,

0:41:15.920 --> 0:41:21.040
<v Speaker 1>the stories of grief, stories of war, stories of you know,

0:41:21.280 --> 0:41:24.600
<v Speaker 1>love and loss and heartbreak, um, you know they've they've

0:41:24.680 --> 0:41:27.480
<v Speaker 1>all been told. There is there is no new story

0:41:27.560 --> 0:41:30.320
<v Speaker 1>under the sun. But every single telling of a story

0:41:30.880 --> 0:41:36.120
<v Speaker 1>is its own individual snowflake of a story. Always. Otherwise

0:41:36.200 --> 0:41:38.319
<v Speaker 1>we'd be done, you know, we'd be done. We'd be

0:41:38.320 --> 0:41:40.520
<v Speaker 1>done with literature, we'd be done with art. We've been done.

0:41:40.719 --> 0:41:43.600
<v Speaker 1>You can still write that Devil's Where product book. I

0:41:43.640 --> 0:41:47.000
<v Speaker 1>am going to you because you know there's Hamster in

0:41:47.040 --> 0:41:50.000
<v Speaker 1>that book. There there is room for a whole another

0:41:50.040 --> 0:41:52.560
<v Speaker 1>boss and a whole another young woman showing up in

0:41:52.560 --> 0:41:55.239
<v Speaker 1>New York. Yeah, thank you, Maybe it will, but that

0:41:55.440 --> 0:41:57.000
<v Speaker 1>that really is I mean, I can't tell you how

0:41:57.000 --> 0:41:58.799
<v Speaker 1>often I hear that from students. It's like, Oh, it's

0:41:58.800 --> 0:42:01.919
<v Speaker 1>it's diversion of answering yourself to say, oh, that's been done,

0:42:01.960 --> 0:42:05.080
<v Speaker 1>so I can't do it. And was that. I think

0:42:05.160 --> 0:42:24.160
<v Speaker 1>that this concludes. I'd like to thank Resoli Bookstore for

0:42:24.239 --> 0:42:27.840
<v Speaker 1>hosting the live taping of Family Secrets and Derrek Clemens

0:42:27.880 --> 0:42:31.080
<v Speaker 1>for recording it. And i'd like to thank Nora mcinnerney.

0:42:31.440 --> 0:42:34.160
<v Speaker 1>If you haven't already, be sure to check out and

0:42:34.200 --> 0:42:39.720
<v Speaker 1>subscribe to her podcast, Terrible Thanks for asking. Family Secrets

0:42:39.760 --> 0:42:52.719
<v Speaker 1>is an i Heeart Media production. For more podcasts for

0:42:52.800 --> 0:42:55.920
<v Speaker 1>my Heart Radio, visit the I Heart Radio app, Apple podcast,

0:42:56.080 --> 0:42:58.120
<v Speaker 1>or wherever you listen to your favorite shows.