WEBVTT - Arsenio Hall and Anderson Paak + Bruno Mars Interview

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<v Speaker 1>Dang dang, everybody coming to breakfast club. I called this

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<v Speaker 1>the hot seat. Your around werena, you are control. I

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<v Speaker 1>can't even dealing with you. So pe rio are yo

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<v Speaker 1>so Patty the world's most dant this morning, jos tej

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<v Speaker 1>capin on this bitch, ANGELI, I stay in everybody's business,

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<v Speaker 1>but in a good ray. Charlomagne, the God, the ruler,

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<v Speaker 1>rubbing you the wrong way. The breakfast club ain't for everybody.

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<v Speaker 1>Good morning usc yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo yo.

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<v Speaker 1>Good morning ANGELI dam money, he's amvy. Charlomagne the God

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<v Speaker 1>Peace did up planet in this Friday the drama's why

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<v Speaker 1>Bay sounds so low? Why are you so low? Holo?

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<v Speaker 1>Let me turn myself out? What about now? No? Better?

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<v Speaker 1>A little better? Now? Come at? Oh no, what about now?

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<v Speaker 1>Let's shut up? Man? Yeah? Good right there, Yeah, you're good. Bro,

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<v Speaker 1>you're good. Bro. Stop with man mount in Atlanta. Stop

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<v Speaker 1>it's Friday about Atlanta? My hands already four? This is Friday? Baby?

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<v Speaker 1>What's happening? How will? What is up? Yeah? Shout out

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<v Speaker 1>to everybody out in Atlanta. UM, you know, I love Atlanta.

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<v Speaker 1>I'm doing a lot in Atlanta. In the last year

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<v Speaker 1>or so, I picked up a lot of real estate.

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<v Speaker 1>I'm actually doing my next real estate seminar in Atlanta

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<v Speaker 1>next Sunday. UM, And I just love Atlanta. Atlanta is

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<v Speaker 1>Black excellence, and I love Atlanta. I was out last

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<v Speaker 1>night eating at Copper Cove Dinner and I just got

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<v Speaker 1>to chop it up with so many different brothers, brothers

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<v Speaker 1>in the NBA. Covie. Copper Covie is a great name

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<v Speaker 1>for a restaurant in Atlanta, right now, Cove Restaurant. You

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<v Speaker 1>said Copper Covie, Like you go? You go there to

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<v Speaker 1>cops from COVID get some nice food and Okay, no

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<v Speaker 1>Copper Cove. So I was out there last night just

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<v Speaker 1>chopping it up with brothers about different things that they're

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<v Speaker 1>doing in different event smith that they're doing. I was

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<v Speaker 1>talking to one brother yesterday's plays in the NBA, and

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<v Speaker 1>he owns a cannabis license out in in the South,

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<v Speaker 1>and he was telling me how he got it and

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<v Speaker 1>what he does and the whole procedure of doing it.

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<v Speaker 1>Because I'm trying to get run in Jersey, and he

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<v Speaker 1>was just telling it like it's It's just great because

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<v Speaker 1>there's so much black excellence in Atlanta. So you get

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<v Speaker 1>to chopped up with so many different people doing so

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<v Speaker 1>many different things that you don't really get to see

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<v Speaker 1>whether you're chopping it up with brothers that work at

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<v Speaker 1>different stores and different businesses. So I really really enjoyed that.

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<v Speaker 1>To shout out to everybody in Atlanta. I'm here, I'm sure,

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<v Speaker 1>but part of Atlanta. Are you investing in a little

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<v Speaker 1>bit of everything? But not just Atlanta, but George as well.

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<v Speaker 1>So houses in Fayetteville. Then we're buying houses. I don't

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<v Speaker 1>I'm not particularly I don't know the areas of Atlanta,

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<v Speaker 1>but different houses that pop up on auction dot Com.

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<v Speaker 1>We're looking at a couple of buildings, a couple of

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<v Speaker 1>multi units down here, and I'm doing my car show,

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<v Speaker 1>so we're setting all that up while we're here. So

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<v Speaker 1>I just love Atlanta. Man. Yeah, it's a very cultural

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<v Speaker 1>weekend too, by the way. I mean, you got NBA

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<v Speaker 1>All Star Weekend this weekend, but you got a couple

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<v Speaker 1>the movies. Send Yo Hall because he's a talk show god,

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<v Speaker 1>and I'll send ya Hall show inspired me so much.

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<v Speaker 1>And you know, I've gotten a chance to talk to

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<v Speaker 1>us send you quite a few times, you know, off

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<v Speaker 1>the air, but this is our first public conversation on

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<v Speaker 1>the air, so you know, coming to America's out on

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<v Speaker 1>Amazon Prime Video right now, so definitely. Yeah. You know,

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<v Speaker 1>one of the conversations we were having in Copacod, which

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<v Speaker 1>is so funny, we were talking about hold and you know,

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<v Speaker 1>it's good to talk about a brother that's doing so

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<v Speaker 1>much and investing in this that and even how much

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<v Speaker 1>he is and what he turned it to where he

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<v Speaker 1>came from. But we're all in there, like, Yo, what

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<v Speaker 1>you think Hole was gonna buy next football team? Were like,

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<v Speaker 1>I don't know if there's a football team for sale

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<v Speaker 1>right now, like we really know, like we never like

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<v Speaker 1>we like, we ain't at price right but like, yo,

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<v Speaker 1>you know what he's selling the Cowboys right now? Like

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<v Speaker 1>we don't know, but we know you would you would

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<v Speaker 1>never know what he's doing. He know, he is literally

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<v Speaker 1>the epitome of stay low and keep firing. And I

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<v Speaker 1>love it. As the late great Christopher Wallace once said,

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<v Speaker 1>stay low and keep firing. I love it. Let's get

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<v Speaker 1>the show crack the front page Knews. What we're talking about?

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<v Speaker 1>He asked, Well, Joe Biden had some things to say

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<v Speaker 1>about these masks. Man's being removed, and now people are

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<v Speaker 1>offended that he used the word Neanderthal. Okay, I know

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<v Speaker 1>another nd word he could have used that with fifty

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<v Speaker 1>word is that Charlemagne. I better be happy. All right,

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<v Speaker 1>we'll get to the next. It's the breakfast call that Drake. Oh,

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<v Speaker 1>we'll Drake be playing right now. We got what hey, drama,

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<v Speaker 1>Drama stopped everything for the Drake. We got that Drake.

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<v Speaker 1>You know, we got that Drake. It's new Drake. It

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<v Speaker 1>came out today. It's called What's Next. He's spitting on this.

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<v Speaker 1>It's the Breakfast Club, Good morning morning. Everybody is DJ

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<v Speaker 1>Envy angela Ye, Charlemagne the guy. We are the Breakfast Club.

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<v Speaker 1>That was Drake, New Drake with What's Next? Drake a

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<v Speaker 1>three song. I don't even know what you call it,

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<v Speaker 1>y'all guess it's just a three pack three three pack,

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<v Speaker 1>three pack. None of y'all say Drake better than Soldier boy.

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<v Speaker 1>I don't know why we don't be having drops that

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<v Speaker 1>say new music from Drake. But I'm not a producer.

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<v Speaker 1>All right, Well, let's get in some front page news

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<v Speaker 1>where we starting you. Well, let's start with these mask

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<v Speaker 1>mandates and have five states Texas, Mississippi, Iowa, Montana, and

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<v Speaker 1>North Dakota have ended or will soon end statewide mask mandates.

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<v Speaker 1>Now there's eleven states that never actually required face covering statewide,

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<v Speaker 1>and that's Alaska, Arizona, Florida, Georgia, Idahoa, Missouri, Nebraska, Oklahoma,

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<v Speaker 1>South Carolina, South Dakota, and Tennessee. So of course Joe

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<v Speaker 1>Biden had some things to say about that, and we

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<v Speaker 1>discussed this yesterday. I hope it would realized by now,

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<v Speaker 1>make it different. We are on the cust for being

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<v Speaker 1>able to fundamentally change the nature of this disease, because

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<v Speaker 1>the way we did would get vaccines and people farms.

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<v Speaker 1>The lost thing we need is leanderthal thinking that and

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<v Speaker 1>the name thoughts. Take off your mask, forget it, It's

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<v Speaker 1>still matters. I might be a little dumb. What's wrong

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<v Speaker 1>with that word? All right? Well? Senator Marco Rubio went

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<v Speaker 1>on Twitter and he said President Biden's use of an

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<v Speaker 1>old stereotype is hurtful to modern Europeans, Asians and Americans

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<v Speaker 1>who inherit about two percent of their genes from Neanderthal ancestors.

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<v Speaker 1>She should apologize for his insensitive comments and seek training

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<v Speaker 1>on unconscious bias. And then they link to a CNN

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<v Speaker 1>article that reported on Princeton University research finding some Neanderthal

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<v Speaker 1>DNA among Africans. Oh my god, middle finger to all

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<v Speaker 1>of that rhetoric listening. People aren't Neanderthals. But it's just

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<v Speaker 1>socially irresponsible. It's ass backwards. That's what Joe Biden should

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<v Speaker 1>have said. This ass backwards. Either we want to slow

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<v Speaker 1>down coronavirus cases all we don't. If mask were proven

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<v Speaker 1>to work, and you know you see coronavirus cases going

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<v Speaker 1>down all across the country, wear your mask, simple as that.

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<v Speaker 1>Why would you tell people not to wear a mask?

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<v Speaker 1>Not say anything because here's a part of a party

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<v Speaker 1>where they use a whole other n word to describe

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<v Speaker 1>people with African DNA. All right, what word is there? Nigger?

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<v Speaker 1>All right now. In the meantime, the House displayed the

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<v Speaker 1>final tally for a vote on the George Floyd Police

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<v Speaker 1>Reform Bill. There was only one Republican that voted in

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<v Speaker 1>favor of it. The George Floyd Justice and Policing Act

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<v Speaker 1>with bandcho cold and it would change of the police

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<v Speaker 1>policies as well. The only person that was a Republican

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<v Speaker 1>who voted for it was a lands to Good and

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<v Speaker 1>he's a conservative and he has expressed enthusiastic support for

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<v Speaker 1>Donald Trump. But he did vote for it by accident.

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<v Speaker 1>After the vote, he admitted that it was a mistake.

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<v Speaker 1>He said, I accidentally pressed the wrong voting button and

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<v Speaker 1>realized it too late. That's God. That's God, that's God

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<v Speaker 1>controlling your stuff for you, sir, whenever you get on

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<v Speaker 1>your knees and you pray for God, to God your steps.

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<v Speaker 1>That's what that was. Just now goodness. Well, the bill

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<v Speaker 1>did still pass two twenty to one twelve, so his

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<v Speaker 1>vote didn't really matter, but he didn't make sure that

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<v Speaker 1>he went officially on record to reveal what his two

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<v Speaker 1>thoughts were. Now, I gotta gotta pass through the Senate

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<v Speaker 1>now right, M Yeah, that's just the house, all right.

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<v Speaker 1>Well that is your front page news, all right. Get

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<v Speaker 1>it off your chest eight five one oh five one.

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<v Speaker 1>If you need to vent, hit him up right now,

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<v Speaker 1>full lines oh wide open again eight D five eight

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<v Speaker 1>five one o five one is to Breakfast Club Morning.

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<v Speaker 1>The Breakfast Club This is your time to get it

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<v Speaker 1>off your chest, whether your man than from you on

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<v Speaker 1>the breakfast clubs. You got something on your mind, let

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<v Speaker 1>it out. Hello. Who's this? My name is Kim. Hey Kim,

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<v Speaker 1>come morning, good morning. How you doing your day? I'm

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<v Speaker 1>doing well. What are you calling from? I'm calling for

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<v Speaker 1>from Susannah, Georgia. Okay, George, you get it off your chests.

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<v Speaker 1>I don't like how the news, the radio stations and

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<v Speaker 1>everybody is just saying that the teacher needs the teachers

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<v Speaker 1>need this. The teachers on frontline teachers because we get

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<v Speaker 1>involved with the kids. No, we are the bus drivers,

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<v Speaker 1>the monitors, and the food nutritions that deals with the kids. First.

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<v Speaker 1>We've been on front line from day one when the

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<v Speaker 1>corona happened, and we never get taught good saying bop

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<v Speaker 1>to the bus robbers, pop to the monitors, the food

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<v Speaker 1>nutritions for doing what they're doing. You're right. The teachers

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<v Speaker 1>just started coming back to school, been on with the kids.

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<v Speaker 1>They've been on virtual learning with the kids for us forever.

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<v Speaker 1>If they were virtual learning, that means the bus drivers

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<v Speaker 1>learning in school, you know right, That's that's all we

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<v Speaker 1>didn't think about. He was taking lunches out to the

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<v Speaker 1>kids at the school at stop going virtual learning. Well,

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<v Speaker 1>shout to all the bus drivers out there, Shout to

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<v Speaker 1>all the janitors, the maintenance people, the food people of

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<v Speaker 1>people cook the chefs and all. Yeah, we appreciate you too,

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<v Speaker 1>and you're right, y'all, since you workers too, you should

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<v Speaker 1>be on if you want the vaccine, y'all should be

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<v Speaker 1>number one, you know, up there with the teachers on

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<v Speaker 1>that list. I agree, Yeah, yea be the ones up

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<v Speaker 1>there too, because there's always you here, the teachers, just

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<v Speaker 1>the teachers that know. Teachers just started coming back to school,

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<v Speaker 1>it being from day one, the bus drivers, the monitors

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<v Speaker 1>has been going out to these bus stops, giving feet

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<v Speaker 1>of these kids, face to face with these kids and

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<v Speaker 1>the parents. Not why would the kids be at the

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<v Speaker 1>bus stop, no dropping off school lunch, you know, because

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<v Speaker 1>they gonna drop off school unches. So that probably just

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<v Speaker 1>dropped off at the bus stop and the kids could

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<v Speaker 1>pick them up at the bus stop, so that way

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<v Speaker 1>the kids can still eat kind of like you know what,

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<v Speaker 1>the free lunch and everything. I never I never heard that.

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<v Speaker 1>It's the first I'm hearing on me too. Yes, we've

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<v Speaker 1>been doing that from day one and since since actually started.

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<v Speaker 1>But thank you. We appreciate it. We appreciate every everybody

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<v Speaker 1>who's been working so hard throughout this pandemic, but everybody

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<v Speaker 1>who's been dealing with the lunches, with nutrition, with dripping.

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<v Speaker 1>This buses. Yes, Hello, who's this? Uh? This is James

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<v Speaker 1>from North Carolina. I had, of course the problem of

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<v Speaker 1>being at a speaky Friday. Whoa okay, freaky freaky freaky Friday.

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<v Speaker 1>So I've been wanting a long time, man, did you

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<v Speaker 1>link up this old? But she disturbed dramas. Liz is

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<v Speaker 1>a beautiful woman. She's just, you know, not each other's type. Yo,

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<v Speaker 1>shut up? What's your type? I never heard type? F boy.

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<v Speaker 1>Lizzo did not want you in no way, shape or form.

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<v Speaker 1>She was fun. I'm not so how do you tell?

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<v Speaker 1>How do you know you're not her type? She told him,

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<v Speaker 1>talking about maybe that's her type? Oh please? She said

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<v Speaker 1>she hates that boy. She called him an F boy.

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<v Speaker 1>But let's be honest, because he was rude. That's let's

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<v Speaker 1>be honest. You all know dram Moost was into Jason

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<v Speaker 1>Lee from Hollywood on. I don't like this narrative there

0:11:20.880 --> 0:11:23.480
<v Speaker 1>that was due that was the connection. That was the connection, Yes,

0:11:24.760 --> 0:11:27.079
<v Speaker 1>like a snack lately, when didn't you say no, I

0:11:27.080 --> 0:11:31.679
<v Speaker 1>wouldn't say that. You can't tell it. Man, he was

0:11:31.800 --> 0:11:33.800
<v Speaker 1>looking good. Jason is looking good, Jason, I lost a

0:11:33.840 --> 0:11:36.760
<v Speaker 1>lot of weights. You can't say that, man, look good. Bro,

0:11:37.120 --> 0:11:39.480
<v Speaker 1>just tween saying looking good and looking like a snack. Guys.

0:11:39.520 --> 0:11:41.439
<v Speaker 1>All right, but we gotta wrap up here now. You

0:11:41.480 --> 0:11:43.000
<v Speaker 1>want to want to wrap up? Yeah, I wrap up

0:11:43.000 --> 0:11:44.960
<v Speaker 1>my snacks too, especially when I want to eat them later.

0:11:47.320 --> 0:11:49.920
<v Speaker 1>Get it off your chest. Eight hundred five eight five

0:11:49.960 --> 0:11:51.920
<v Speaker 1>one o five one. If you need to vent, it's

0:11:52.000 --> 0:11:55.160
<v Speaker 1>up now. It's the Breakfast Club. Good morning, the Breakfast Club.

0:11:58.360 --> 0:12:02.319
<v Speaker 1>Wake up, wake up way, you're time to get it

0:12:02.360 --> 0:12:06.599
<v Speaker 1>off your chest. We want to hear from you on

0:12:06.679 --> 0:12:08.679
<v Speaker 1>the Breakfast Club. I want to get some things off

0:12:08.800 --> 0:12:11.959
<v Speaker 1>my chest. Right first, I want to say that I

0:12:12.080 --> 0:12:16.199
<v Speaker 1>don't f with Charlemagne. Lennard McKelvey yesterday did something that

0:12:16.320 --> 0:12:18.719
<v Speaker 1>made it seem like there was a security breach and

0:12:18.920 --> 0:12:23.280
<v Speaker 1>had me nervous and upset. Let me, let me, let

0:12:23.320 --> 0:12:26.280
<v Speaker 1>me tell you what I was told. Okay, I'm sitting

0:12:26.320 --> 0:12:29.160
<v Speaker 1>in the studio minding my business. Whenever it's suspicious or

0:12:29.160 --> 0:12:33.280
<v Speaker 1>screene activity downstairs. Security calls up. We get a call.

0:12:33.640 --> 0:12:36.360
<v Speaker 1>The call says, there's a guy down here looking for

0:12:36.559 --> 0:12:39.760
<v Speaker 1>DJ Envy. He's like, well, Envy's not here today. The

0:12:39.920 --> 0:12:43.599
<v Speaker 1>guy said, I refuse to leave until I get a

0:12:43.800 --> 0:12:47.160
<v Speaker 1>kiss from dj Envy. Right So he tells me to

0:12:47.240 --> 0:12:48.760
<v Speaker 1>the story and says that the guy has to be

0:12:50.120 --> 0:12:53.240
<v Speaker 1>because this guy wanted to give me a kiss right now.

0:12:53.679 --> 0:12:56.400
<v Speaker 1>I'm like, Wow, somebody's at the station and they won't

0:12:56.480 --> 0:12:58.599
<v Speaker 1>leave because they're trying to get in touch with me

0:12:58.920 --> 0:13:02.280
<v Speaker 1>or at some way much I kiss you now, mind you.

0:13:02.360 --> 0:13:04.600
<v Speaker 1>We have security up here, so I called a security.

0:13:04.679 --> 0:13:07.040
<v Speaker 1>Security goes Envy, what are you talking about? And I'm

0:13:07.080 --> 0:13:09.800
<v Speaker 1>like Charlemagne said this, and Whack said this, And we

0:13:09.920 --> 0:13:12.079
<v Speaker 1>have two three security guards up here. I called each

0:13:12.120 --> 0:13:13.679
<v Speaker 1>one of them, and any calls me back, Envy. They're

0:13:13.720 --> 0:13:15.599
<v Speaker 1>playing with you. Nobody came up there looking for you.

0:13:15.720 --> 0:13:16.800
<v Speaker 1>So I just think that I just want to tell

0:13:16.800 --> 0:13:17.839
<v Speaker 1>you that's foul. I just want to tell you that

0:13:17.880 --> 0:13:19.520
<v Speaker 1>that's not funny. I think they just didn't want to

0:13:19.520 --> 0:13:21.720
<v Speaker 1>concern you, sir. That's all it was, you know, I mean,

0:13:21.800 --> 0:13:24.360
<v Speaker 1>they handled this situation. The thread of the kids was

0:13:24.440 --> 0:13:28.319
<v Speaker 1>taken down. Okay, shut up, man, the thread of the

0:13:28.440 --> 0:13:31.080
<v Speaker 1>kiss is gone. I hate you. Took one for the team.

0:13:31.840 --> 0:13:35.920
<v Speaker 1>Good bye. Hello. Who's this Hey? This is Cayrone. How

0:13:35.960 --> 0:13:38.640
<v Speaker 1>are you doing this morning? Oh boy? What's that right? Right?

0:13:38.920 --> 0:13:41.679
<v Speaker 1>Getting off your chests? Hey, I want to get off

0:13:41.760 --> 0:13:45.440
<v Speaker 1>my chest. Yesterday I came home after working all day

0:13:45.559 --> 0:13:48.920
<v Speaker 1>and I caught my wife with my best friend who

0:13:49.280 --> 0:13:54.199
<v Speaker 1>she ended up leaving and leaving me with my boys,

0:13:54.720 --> 0:13:58.680
<v Speaker 1>which is fine. My boys are four, three and seven

0:13:58.800 --> 0:14:02.760
<v Speaker 1>months and that's not the bad part. The bad part

0:14:02.960 --> 0:14:06.120
<v Speaker 1>was I got a phone call for my mom, my

0:14:06.600 --> 0:14:09.920
<v Speaker 1>father and Tallahassee got caught in a house fire and

0:14:10.000 --> 0:14:14.400
<v Speaker 1>he didn't make it out. Yeah. So now I'm gonna

0:14:14.440 --> 0:14:16.000
<v Speaker 1>have to call in the work and try to get

0:14:16.040 --> 0:14:18.800
<v Speaker 1>myself together my boys, and we gotta make a road

0:14:19.160 --> 0:14:22.480
<v Speaker 1>from Chicago, well ROCKFORDO on the way all the way

0:14:22.480 --> 0:14:29.760
<v Speaker 1>down to Tallahassee. B Yeah. And then you love and

0:14:29.840 --> 0:14:35.080
<v Speaker 1>life and healing energy. Thank you so much, man, Love

0:14:35.160 --> 0:14:37.320
<v Speaker 1>you guys. I listened to you guys every morning before

0:14:37.360 --> 0:14:40.200
<v Speaker 1>I hit in the work and everything, and um, you guys,

0:14:40.320 --> 0:14:44.200
<v Speaker 1>keep sweating a positivity man and Charlotte Maagne Man got

0:14:44.280 --> 0:14:47.280
<v Speaker 1>so much love and respect for you bros. Usually I

0:14:47.320 --> 0:14:49.520
<v Speaker 1>would be so much hype, but right now I'm just

0:14:49.760 --> 0:14:52.640
<v Speaker 1>I don't have anything to be hyped for you, understand, man,

0:14:52.800 --> 0:14:54.680
<v Speaker 1>I got I got love for you too, King, and

0:14:54.720 --> 0:14:57.640
<v Speaker 1>I wish I could do something to make you feel better,

0:14:57.760 --> 0:14:59.800
<v Speaker 1>but it's one of those moments where you just gotta

0:14:59.800 --> 0:15:01.800
<v Speaker 1>fee your feels like you're going through it right now

0:15:02.080 --> 0:15:04.280
<v Speaker 1>and it's okay. Only I can tell you is that

0:15:04.400 --> 0:15:07.160
<v Speaker 1>trouble really don't last always. I know that sound cliche, man,

0:15:07.600 --> 0:15:08.960
<v Speaker 1>but you know it may not be to mar It

0:15:09.000 --> 0:15:10.320
<v Speaker 1>may not be a year from that, may not be

0:15:10.360 --> 0:15:12.520
<v Speaker 1>two years from now, but you can definitely you know,

0:15:12.680 --> 0:15:16.320
<v Speaker 1>heal from this, not get over. He'll not completely hell either,

0:15:16.400 --> 0:15:18.640
<v Speaker 1>but he'll somewhat. You can be read better than you

0:15:18.680 --> 0:15:21.240
<v Speaker 1>are to day. Are you an avid reader? Bro? No, sir,

0:15:21.600 --> 0:15:23.680
<v Speaker 1>you have Charlemagne's books. Bro, the man just say he

0:15:23.680 --> 0:15:26.760
<v Speaker 1>don't read. I don't have no I can read. I

0:15:26.880 --> 0:15:29.960
<v Speaker 1>just I'm an actual meat man or dry cutting meat.

0:15:30.000 --> 0:15:34.600
<v Speaker 1>I've been cutting meat for time. About what you say?

0:15:34.680 --> 0:15:37.320
<v Speaker 1>You're just excited to draw. Most interview, you said he's

0:15:37.360 --> 0:15:39.920
<v Speaker 1>a meat manager, he manages meet You're a meeting. Yeah,

0:15:40.720 --> 0:15:43.240
<v Speaker 1>I'm cutting meeting for a loving at a grocery or

0:15:43.960 --> 0:15:47.360
<v Speaker 1>I've been doing that since umen eighteen years old. Just

0:15:48.000 --> 0:15:51.400
<v Speaker 1>you know, gold and everything and um yeah, it's a

0:15:51.800 --> 0:15:54.360
<v Speaker 1>promising job, you know. All right, Well send send us

0:15:54.400 --> 0:15:56.960
<v Speaker 1>your address and draw Mooso drop off Charlemagne's book to

0:15:57.000 --> 0:15:59.760
<v Speaker 1>you say that way you have his book. Uh, it's

0:16:00.000 --> 0:16:02.000
<v Speaker 1>it's so much to discuss. This one is tell us

0:16:02.000 --> 0:16:05.360
<v Speaker 1>about the story. One dives into mental health. And if

0:16:05.400 --> 0:16:08.400
<v Speaker 1>you just hold on your address and meat manager and

0:16:09.240 --> 0:16:11.360
<v Speaker 1>drop off and the drama starts talking to you about

0:16:11.440 --> 0:16:17.400
<v Speaker 1>you know, getting you to managers meet, just just run, man,

0:16:17.680 --> 0:16:20.440
<v Speaker 1>I love. We got to laugh out of you this morning.

0:16:20.480 --> 0:16:22.120
<v Speaker 1>All right, we're trying to get you to laugh. Man,

0:16:22.200 --> 0:16:24.720
<v Speaker 1>I know you're going through it. King, thank you so much,

0:16:24.720 --> 0:16:28.440
<v Speaker 1>appreciate that you hold on, all right, dramas you get

0:16:28.480 --> 0:16:31.360
<v Speaker 1>his address right and you do the right thing. You know,

0:16:31.400 --> 0:16:34.680
<v Speaker 1>when somebody tell you something so horrible and it's like

0:16:34.760 --> 0:16:37.440
<v Speaker 1>you can't lie to him. What what can we say

0:16:37.480 --> 0:16:39.720
<v Speaker 1>to to make that brother feel But nothing right? That's

0:16:39.720 --> 0:16:42.600
<v Speaker 1>your best friend going and your woman going. Lord have mercy.

0:16:42.640 --> 0:16:44.160
<v Speaker 1>I don't think making fun of his job was the

0:16:44.360 --> 0:16:46.680
<v Speaker 1>right I ain't on that one either that we weren't.

0:16:46.680 --> 0:16:48.800
<v Speaker 1>We weren't making fun of his job dramas. We were

0:16:48.840 --> 0:16:55.040
<v Speaker 1>just you know, that's just Scott me. Come on, meat

0:16:55.120 --> 0:16:58.640
<v Speaker 1>manager coming. I can't avoid that one. Come on, that

0:16:58.720 --> 0:17:00.960
<v Speaker 1>comes one to the blood. We couldn't let you manage me.

0:17:01.160 --> 0:17:07.000
<v Speaker 1>King just saying I hate this show, all right, get

0:17:07.040 --> 0:17:09.359
<v Speaker 1>it off your chest. Eight hundred five eight five one

0:17:09.440 --> 0:17:10.760
<v Speaker 1>oh five one. If you need to vent hit this

0:17:10.840 --> 0:17:12.600
<v Speaker 1>up now. We got rooms on the way. Yes, And

0:17:12.720 --> 0:17:15.520
<v Speaker 1>Dwyane Wade's daughter Ziyawaite, had the opportunity to talk to

0:17:15.640 --> 0:17:19.600
<v Speaker 1>Michelle Obama about her book Becoming And here's a little

0:17:19.640 --> 0:17:22.399
<v Speaker 1>snippet coming up next of what their conversation sounded like.

0:17:22.480 --> 0:17:24.880
<v Speaker 1>It was really beautiful. All right, we'll get into that next.

0:17:24.880 --> 0:17:31.400
<v Speaker 1>It's the Breakfast Club. Good morning, the Breakfast Club. It's

0:17:31.480 --> 0:17:43.760
<v Speaker 1>about Angela Yee on the Breakfast Club. All right. Well,

0:17:43.840 --> 0:17:46.919
<v Speaker 1>Takashi six nine made a homophobic comment on Instagram regarding

0:17:46.960 --> 0:17:49.879
<v Speaker 1>Little nas X. So Little nas X went ahead and

0:17:50.040 --> 0:17:54.320
<v Speaker 1>aired out some dms on TikTok and according to um

0:17:55.200 --> 0:17:58.360
<v Speaker 1>Little nas X, I guess Takashi was trying to slide

0:17:58.520 --> 0:18:01.159
<v Speaker 1>in his dms, so dancing along to one of his

0:18:01.240 --> 0:18:04.399
<v Speaker 1>own songs. Little nas X addressed the comment by asking

0:18:04.560 --> 0:18:06.480
<v Speaker 1>this you and then share the screenshot up his DNS

0:18:06.520 --> 0:18:10.160
<v Speaker 1>A six nine with two separate messages YO in October

0:18:10.200 --> 0:18:11.600
<v Speaker 1>of last year and then going to be in your

0:18:11.640 --> 0:18:14.879
<v Speaker 1>city soon. What you're doing lol? And that was from

0:18:14.960 --> 0:18:18.840
<v Speaker 1>last month. Well. Takashi then responded saying this forty s

0:18:19.080 --> 0:18:22.240
<v Speaker 1>even start. We're gonna nip the small Graham right here

0:18:22.960 --> 0:18:26.240
<v Speaker 1>six times to small count Look, stop playing with me.

0:18:26.359 --> 0:18:29.520
<v Speaker 1>So so he's trying to prove that he didn't actually

0:18:29.640 --> 0:18:32.720
<v Speaker 1>reach out to him. I know, I believe what will

0:18:32.760 --> 0:18:35.080
<v Speaker 1>be the problem if you reached out to him nothing.

0:18:35.400 --> 0:18:37.520
<v Speaker 1>I won't say this the Lord nas X, don't give

0:18:37.520 --> 0:18:39.520
<v Speaker 1>an f I like that, guys, and now he's great.

0:18:39.840 --> 0:18:43.320
<v Speaker 1>But also if you're Takashi, you can't be homophobic when

0:18:43.359 --> 0:18:49.040
<v Speaker 1>your rap name is sixty nine sixty nine. All right, now,

0:18:49.119 --> 0:18:52.080
<v Speaker 1>let's move on to some positivity. Zayre Wade has met

0:18:52.160 --> 0:18:55.040
<v Speaker 1>Michelle Obama virtually. They did a Q and A session

0:18:55.200 --> 0:18:58.680
<v Speaker 1>yesterday and Zaya Wade then shared that on Instagram, and

0:18:58.840 --> 0:19:03.720
<v Speaker 1>so before they discussing becoming, they did talk about advice

0:19:03.800 --> 0:19:06.680
<v Speaker 1>for teen readers. They did talk about how Ziah was

0:19:06.960 --> 0:19:10.399
<v Speaker 1>nervous to meet Michelle Obama, and she said that's her idol.

0:19:10.880 --> 0:19:12.760
<v Speaker 1>What advice do you have for teens who want to

0:19:12.800 --> 0:19:16.520
<v Speaker 1>be themselves and thrive well like you have and currently are.

0:19:16.880 --> 0:19:19.959
<v Speaker 1>I am just so proud of you being just an

0:19:20.000 --> 0:19:25.320
<v Speaker 1>amazing role model and embracing your truth. You're already doing this,

0:19:25.640 --> 0:19:27.879
<v Speaker 1>so maybe this is for some other young people that

0:19:28.000 --> 0:19:32.880
<v Speaker 1>are listening. It does take time to know what your

0:19:33.280 --> 0:19:36.360
<v Speaker 1>self is, you know for young people. So my first

0:19:36.400 --> 0:19:42.080
<v Speaker 1>piece of advice is be patient with yourself. Now. Michelle

0:19:42.080 --> 0:19:44.320
<v Speaker 1>Obama also as Zaiah what advice she had for young

0:19:44.400 --> 0:19:47.080
<v Speaker 1>people trying to find themselves, and Zia Wade said, well,

0:19:47.119 --> 0:19:48.760
<v Speaker 1>y'all think that we thrive with people who are just

0:19:48.880 --> 0:19:50.919
<v Speaker 1>like us. But I think getting a different perspective from

0:19:50.960 --> 0:19:53.240
<v Speaker 1>someone else who isn't like you really helps. That definitely

0:19:53.240 --> 0:19:55.720
<v Speaker 1>helped me in becoming me and defining my truth. I

0:19:55.800 --> 0:19:58.040
<v Speaker 1>think she's great. I love with Gabriel Union and the

0:19:58.119 --> 0:20:00.919
<v Speaker 1>way Wade how they're raising her. I just love it, man,

0:20:01.400 --> 0:20:04.880
<v Speaker 1>I really really love it all right. Eddie Murphy has

0:20:04.960 --> 0:20:08.080
<v Speaker 1>explained how Arnold Schwarzenegger is the person who inspired him

0:20:08.119 --> 0:20:11.440
<v Speaker 1>to do coming to America. He was talking to yeah,

0:20:11.480 --> 0:20:13.440
<v Speaker 1>who Entertainment. And here's what he said. You know what

0:20:13.520 --> 0:20:15.760
<v Speaker 1>happened I was watching. I think it was one of

0:20:15.800 --> 0:20:18.399
<v Speaker 1>those movies with Schwarzenegger, is that when they used that

0:20:18.760 --> 0:20:21.119
<v Speaker 1>terminated movies and they used a special effect, but it

0:20:21.200 --> 0:20:24.160
<v Speaker 1>made him really young. And I was like, hey, if

0:20:24.200 --> 0:20:27.359
<v Speaker 1>you did that scene, we could do a scene where

0:20:27.480 --> 0:20:30.720
<v Speaker 1>we're young and can that scene when we're in the club.

0:20:30.840 --> 0:20:33.119
<v Speaker 1>We could connect it. Then this happened and he and

0:20:33.320 --> 0:20:35.600
<v Speaker 1>then that was the piece that made it all kind

0:20:35.640 --> 0:20:39.440
<v Speaker 1>of fall into place. Okay, I mean, I don't know, man.

0:20:39.560 --> 0:20:41.600
<v Speaker 1>I think it might have been Ryan Coogl and Aaron

0:20:41.640 --> 0:20:45.800
<v Speaker 1>McGruder that inspired Coming to America too, because you know, yeah,

0:20:45.800 --> 0:20:48.160
<v Speaker 1>but they didn't direct it all. They didn't direct it though. Yeah,

0:20:48.240 --> 0:20:50.280
<v Speaker 1>but I read a treatment. I read a treatment that

0:20:50.400 --> 0:20:52.000
<v Speaker 1>they wrote back in the day, and I know Eddie

0:20:52.000 --> 0:20:54.560
<v Speaker 1>said he didn't like, uh, he didn't like Ryan's idea

0:20:54.640 --> 0:20:57.200
<v Speaker 1>for coming to America. But the treatment I saw that

0:20:57.320 --> 0:20:59.480
<v Speaker 1>they presented as a lot of similarities to the movie

0:20:59.480 --> 0:21:02.000
<v Speaker 1>that's currently screaming on Amazon Prime Video. Now, ye have

0:21:02.080 --> 0:21:05.040
<v Speaker 1>you seen the movie yet? No, it's out today. I

0:21:05.200 --> 0:21:06.600
<v Speaker 1>know a lot of people I've seen it already. I've

0:21:06.600 --> 0:21:08.480
<v Speaker 1>been dy've been hit me in my d MS and leaving.

0:21:08.680 --> 0:21:10.680
<v Speaker 1>I've been getting a lot of packages though from them

0:21:12.840 --> 0:21:14.960
<v Speaker 1>is great dope. Yeah, we've been getting a lot of

0:21:15.040 --> 0:21:17.600
<v Speaker 1>promo materials for coming to America. He sent us some

0:21:17.680 --> 0:21:19.159
<v Speaker 1>soul Golo. I'm trying to figure out if that's real

0:21:19.200 --> 0:21:21.200
<v Speaker 1>activated or not. It is, it's real activated. I read

0:21:21.240 --> 0:21:23.320
<v Speaker 1>the box, I read the ball. That's from Browner Brothers.

0:21:25.240 --> 0:21:29.080
<v Speaker 1>I got some sexual chocolates. Yeah, we're talking on hall

0:21:29.200 --> 0:21:31.320
<v Speaker 1>next hour, next how I'm talking on CEN your hall

0:21:32.240 --> 0:21:33.720
<v Speaker 1>all right? Well, and they've been doing a lot of

0:21:33.800 --> 0:21:36.560
<v Speaker 1>press lately because Eddie Murphy also did Kevin hart Sirius

0:21:36.760 --> 0:21:39.920
<v Speaker 1>XM podcast comedy gold Mines with Kevin Hart, and he

0:21:40.040 --> 0:21:42.520
<v Speaker 1>talked about how he had actually planned to start doing

0:21:42.640 --> 0:21:45.879
<v Speaker 1>stand up again and then the pandemic. My plan was

0:21:46.080 --> 0:21:50.560
<v Speaker 1>to do the Dolomite Saturday Night Live, Coming to America

0:21:50.600 --> 0:21:53.399
<v Speaker 1>and then do stand up, and then the pandemic hit.

0:21:53.600 --> 0:21:55.560
<v Speaker 1>To shut the whole damn that I was going. I

0:21:55.560 --> 0:21:57.800
<v Speaker 1>would the whole time last year. I would have been

0:21:57.840 --> 0:22:00.600
<v Speaker 1>out working on my act, trying to get my Hey,

0:22:00.720 --> 0:22:03.200
<v Speaker 1>when the pandemic is over and it's safe for everybody,

0:22:03.240 --> 0:22:05.399
<v Speaker 1>to go out and do it. Then the plan is

0:22:05.720 --> 0:22:12.480
<v Speaker 1>to do it? What what should Eddie Murphy do stand up? Yeah? Yeah,

0:22:12.760 --> 0:22:14.200
<v Speaker 1>you know what? Oh my god, you know what. I'd

0:22:14.200 --> 0:22:15.480
<v Speaker 1>like what you see Eddie Doude. I would like to

0:22:15.520 --> 0:22:18.159
<v Speaker 1>see Eddie dude Mike Tyson did. When Mike Tyson did

0:22:18.280 --> 0:22:21.080
<v Speaker 1>his um his one man show and he came out

0:22:21.119 --> 0:22:23.520
<v Speaker 1>there and he just told stories about his time in Hollywood.

0:22:23.520 --> 0:22:25.600
<v Speaker 1>I think I think Eddie should do that because the

0:22:25.720 --> 0:22:28.280
<v Speaker 1>bar for Eddie Murphy stand up is so high and

0:22:28.480 --> 0:22:31.320
<v Speaker 1>it's almost like you can't, you can't, you can't get

0:22:31.320 --> 0:22:33.560
<v Speaker 1>to that level again. You just didn't. You remember he

0:22:33.680 --> 0:22:35.600
<v Speaker 1>was a couple of years ago he was negotiating a

0:22:35.680 --> 0:22:38.720
<v Speaker 1>deal with Netflix and that was for an undisclosed number

0:22:38.760 --> 0:22:40.800
<v Speaker 1>of stand ups. Remember they were saying he was gonna

0:22:40.800 --> 0:22:43.639
<v Speaker 1>get about seventy million. Yeah, well, Eddie, I'd come out

0:22:43.680 --> 0:22:45.040
<v Speaker 1>in the throne and I'd be like, I'm gonna sit

0:22:45.119 --> 0:22:47.119
<v Speaker 1>down because I don't want y'all here trying to you know,

0:22:47.200 --> 0:22:50.000
<v Speaker 1>say say saying Eddie Murphy's doing stand up again. I

0:22:50.040 --> 0:22:51.399
<v Speaker 1>would come out in the throne and I would just

0:22:51.560 --> 0:22:53.479
<v Speaker 1>do the one man's show like Mike Tyson did. It's

0:22:53.520 --> 0:22:56.440
<v Speaker 1>funny that you said that because watching Coming to America, Sue,

0:22:57.000 --> 0:22:59.760
<v Speaker 1>my bar is so high from the original one, because

0:23:01.040 --> 0:23:04.520
<v Speaker 1>favorite movie that I don't think it can't compare, and

0:23:04.600 --> 0:23:06.440
<v Speaker 1>I try to compare it and it just can't. It

0:23:06.560 --> 0:23:08.720
<v Speaker 1>didn't be the same thing. Whatever you got raw, you

0:23:08.800 --> 0:23:11.640
<v Speaker 1>got delirious, Like people would compare it to that. I would.

0:23:11.680 --> 0:23:13.040
<v Speaker 1>I would if I was I would just come out

0:23:13.040 --> 0:23:14.600
<v Speaker 1>and do a one man show because whenever you hear him,

0:23:14.640 --> 0:23:17.160
<v Speaker 1>just tell stories about his time in Hollywood and things

0:23:17.200 --> 0:23:19.680
<v Speaker 1>that he's experienced there. Hilarious. I would just do that

0:23:19.840 --> 0:23:23.200
<v Speaker 1>same way Mike Tyson did All Right Now. Nas recently

0:23:23.240 --> 0:23:25.840
<v Speaker 1>did an interview with Financial Times, and he was saying

0:23:25.920 --> 0:23:28.040
<v Speaker 1>that he doesn't feel like he's in competition with any

0:23:28.080 --> 0:23:30.760
<v Speaker 1>of the younger rappers. He said, I appreciate what's out there,

0:23:30.800 --> 0:23:32.639
<v Speaker 1>but there's no one keeping me up at night. I

0:23:32.760 --> 0:23:34.359
<v Speaker 1>hear a new rap record, I think it's great, but

0:23:34.480 --> 0:23:36.680
<v Speaker 1>I don't listen to it the next week. And he

0:23:36.800 --> 0:23:38.760
<v Speaker 1>did say that Pop Smoke did catches out. He said,

0:23:38.800 --> 0:23:40.600
<v Speaker 1>we were happy to see that young king come up.

0:23:40.840 --> 0:23:42.800
<v Speaker 1>He was a breath of fresh air. The drill movement

0:23:42.840 --> 0:23:45.720
<v Speaker 1>in London, Chicago and New York is really exciting. He

0:23:45.960 --> 0:23:48.440
<v Speaker 1>also says that he has some plans to turn his

0:23:48.600 --> 0:23:51.040
<v Speaker 1>track from Elmattock New York State of Mind into a film.

0:23:51.560 --> 0:23:54.520
<v Speaker 1>That's dope. That's interesting on me because Nas is a

0:23:54.560 --> 0:23:56.639
<v Speaker 1>god MC right like, like I mean, Nas is in

0:23:57.000 --> 0:23:59.200
<v Speaker 1>you know, my top seven favorite rappers of all time.

0:23:59.240 --> 0:24:01.480
<v Speaker 1>So I always to how people like that do see

0:24:02.280 --> 0:24:04.000
<v Speaker 1>the game because their artists, you know what I mean,

0:24:04.080 --> 0:24:07.960
<v Speaker 1>So their their pallet is different than ours. All right,

0:24:08.040 --> 0:24:10.280
<v Speaker 1>well that is your rumor reports, all right, thank you,

0:24:10.359 --> 0:24:12.000
<v Speaker 1>miss y. But you know this, all of the greats

0:24:12.040 --> 0:24:15.240
<v Speaker 1>they love, they love the new artists. You know, it's

0:24:15.240 --> 0:24:17.200
<v Speaker 1>sometimes it be to B level and C level artists.

0:24:17.200 --> 0:24:18.600
<v Speaker 1>I like, oh here you dopo up right now. But

0:24:18.720 --> 0:24:21.960
<v Speaker 1>all the god mcs, whether it's Whole or Nas or

0:24:22.400 --> 0:24:24.320
<v Speaker 1>wherever else you put in that category, they love the

0:24:24.400 --> 0:24:26.880
<v Speaker 1>new m season and love to work with him, you know. Yeah,

0:24:26.880 --> 0:24:28.639
<v Speaker 1>that's why I mean, that's why it's interesting to hear.

0:24:28.680 --> 0:24:30.399
<v Speaker 1>And now I say, nobody keeps him up at night.

0:24:30.480 --> 0:24:33.359
<v Speaker 1>Like he said, he appreciates it and he can enjoy it,

0:24:33.480 --> 0:24:36.520
<v Speaker 1>but he's just not up at night. Yeah, I get it.

0:24:36.520 --> 0:24:38.119
<v Speaker 1>All right, Well, we got front page news next. What

0:24:38.200 --> 0:24:40.840
<v Speaker 1>we're talking about, Well, let's talk about All Star Weekend.

0:24:40.880 --> 0:24:44.719
<v Speaker 1>It's going down this weekend, and but you're in Atlanta, alretty, right, ye,

0:24:45.640 --> 0:24:48.040
<v Speaker 1>all right, so let's discuss what's happening. All right, we'll

0:24:48.040 --> 0:24:49.959
<v Speaker 1>do that when we come back. It's the Breakfast club going.

0:24:51.040 --> 0:24:57.560
<v Speaker 1>That's new Drake little baby that if you just waking up,

0:24:58.080 --> 0:25:01.720
<v Speaker 1>Drake dropped a three pack last night of songs. One

0:25:01.880 --> 0:25:05.119
<v Speaker 1>is uh, what's next? That joint in I think it's

0:25:05.200 --> 0:25:08.280
<v Speaker 1>the I was gonna say, Lemon Pepper, wings freestyle, right

0:25:09.280 --> 0:25:12.120
<v Speaker 1>wing freestyle with Ross. All right, well, let's get into

0:25:12.160 --> 0:25:15.200
<v Speaker 1>Front page News where we start. Well, let's start with

0:25:15.359 --> 0:25:17.840
<v Speaker 1>All Star Weekend. You out there and being now because

0:25:17.880 --> 0:25:19.479
<v Speaker 1>of COVID, of course you know this is in Atlanta.

0:25:19.520 --> 0:25:21.239
<v Speaker 1>But everything is going to be in a single night.

0:25:21.320 --> 0:25:24.359
<v Speaker 1>The Skills Challenge three point Contest will be pregame. The

0:25:24.520 --> 0:25:28.520
<v Speaker 1>Dunk Contest will act as the halftime show. Team Lebron

0:25:28.720 --> 0:25:32.480
<v Speaker 1>First round starters Gianna Sante to Kompos, Stephen, Steph Curry,

0:25:33.160 --> 0:25:39.359
<v Speaker 1>Luca Dantek and I can't say this right, Nikola. They

0:25:39.400 --> 0:25:42.160
<v Speaker 1>are doing the Slam Dunk Contest and all that. Yes,

0:25:42.320 --> 0:25:44.200
<v Speaker 1>it's all in one night, though, one of the two nights.

0:25:45.000 --> 0:25:49.280
<v Speaker 1>Kevin Team Kevin Durant, Kylie Irving, Joel and b Kawai, Lana,

0:25:49.320 --> 0:25:51.879
<v Speaker 1>Bradley Bill, and Jason Tatum are the starters. That's silly.

0:25:51.960 --> 0:25:53.760
<v Speaker 1>I mean, you're already down there in Atlanta. You're not

0:25:53.800 --> 0:25:55.680
<v Speaker 1>gonna have fans in the stands. You might as watch

0:25:56.720 --> 0:25:59.560
<v Speaker 1>contest on Saturdays like you normally do, and then do

0:25:59.640 --> 0:26:01.840
<v Speaker 1>the game on Sunday. You're already there. It's gonna be

0:26:01.880 --> 0:26:03.879
<v Speaker 1>a long day for all those players and people. And

0:26:04.000 --> 0:26:06.760
<v Speaker 1>who you got Team duran and Team Lebron. I don't care.

0:26:06.800 --> 0:26:09.680
<v Speaker 1>I got Team Covid. Okay, Team Covid gonna win the weekend.

0:26:09.840 --> 0:26:11.680
<v Speaker 1>Nobody gonna be there. I'm asking who you got? You

0:26:11.800 --> 0:26:14.520
<v Speaker 1>got you got Kevin Durant's team, or you got Lebron?

0:26:14.560 --> 0:26:17.359
<v Speaker 1>Who got? All? Right? When I said, you got Steph Curry?

0:26:17.359 --> 0:26:20.440
<v Speaker 1>I don't care. I'm gonna go with Team Durant. Yeah,

0:26:20.880 --> 0:26:24.080
<v Speaker 1>I'm going with Team Lebron. Okay. None of them want

0:26:24.119 --> 0:26:25.600
<v Speaker 1>to be there. Not further of all, none of them

0:26:25.640 --> 0:26:27.320
<v Speaker 1>wanted to be there. They barely take the au Star

0:26:27.440 --> 0:26:29.440
<v Speaker 1>game series as it is, and none of them really

0:26:29.480 --> 0:26:30.960
<v Speaker 1>want to be there. This weekend. I don't think they're

0:26:30.960 --> 0:26:32.800
<v Speaker 1>gonna be playing hard at all. It's you know, they

0:26:32.880 --> 0:26:34.960
<v Speaker 1>still they still competitive, They still going to w All right, now,

0:26:35.040 --> 0:26:37.159
<v Speaker 1>let's talk about Charlotte Bennett. She's the second woman to

0:26:37.200 --> 0:26:40.920
<v Speaker 1>go public with sexual harassment allegations against Governor Andrew Crommel

0:26:41.040 --> 0:26:43.000
<v Speaker 1>in New York. And she did say she thought the

0:26:43.040 --> 0:26:45.359
<v Speaker 1>governor was trying to sleep with her and she was uncomfortable.

0:26:45.480 --> 0:26:49.199
<v Speaker 1>She told CBS Evening News anchor Nora O'Donnell what happened,

0:26:49.240 --> 0:26:54.080
<v Speaker 1>and here's what she said about their conversations. He explains

0:26:54.560 --> 0:26:57.480
<v Speaker 1>at that point that he is looking for a girlfriend,

0:26:57.960 --> 0:27:04.040
<v Speaker 1>he's lonely, he's tired. He asked if I had trouble

0:27:04.800 --> 0:27:09.919
<v Speaker 1>enjoying being with someone because of my drama. The governor

0:27:09.960 --> 0:27:14.640
<v Speaker 1>asked me if I was sensitive to intimacy in his office, Yes,

0:27:15.359 --> 0:27:21.879
<v Speaker 1>during the work day, that already, right, he was. What

0:27:22.000 --> 0:27:25.520
<v Speaker 1>he said was that she took the conversation the wrong way,

0:27:25.560 --> 0:27:28.320
<v Speaker 1>that he wasn't trying to do anything, but he understands

0:27:28.359 --> 0:27:32.040
<v Speaker 1>that it was uncomfortable for her now or something like that,

0:27:32.520 --> 0:27:34.520
<v Speaker 1>all right. Now. In addition to that, she talked about

0:27:34.760 --> 0:27:37.760
<v Speaker 1>another part of the conversation where he was discussing ages

0:27:37.840 --> 0:27:40.199
<v Speaker 1>and how he would date women if she was over

0:27:40.320 --> 0:27:42.879
<v Speaker 1>twenty two. You have been quoted as saying that He

0:27:43.040 --> 0:27:45.760
<v Speaker 1>also asked you about if you'd ever been with an

0:27:45.760 --> 0:27:50.159
<v Speaker 1>older man. Yeah, he asked me if age difference mattered.

0:27:50.440 --> 0:27:55.320
<v Speaker 1>He also explained that he was fine with anyone over

0:27:55.960 --> 0:27:59.240
<v Speaker 1>twenty two and how old are you? Twenty five? What

0:27:59.400 --> 0:28:03.760
<v Speaker 1>were you thinking as he's asking you these questions. I

0:28:03.880 --> 0:28:07.040
<v Speaker 1>thought he's trying to sleep with me, and I'm deeply

0:28:07.160 --> 0:28:09.560
<v Speaker 1>uncomfortable and I have to get out of this room

0:28:09.680 --> 0:28:14.040
<v Speaker 1>as soon as possible. Damn, It's all right, and I

0:28:14.080 --> 0:28:17.440
<v Speaker 1>wouldn't tell you Colmo's response. Now. Initially, he had said

0:28:17.520 --> 0:28:20.080
<v Speaker 1>last week that he never made advances towards miss Bennett,

0:28:20.080 --> 0:28:21.800
<v Speaker 1>nor did I ever intend to act in any way

0:28:21.840 --> 0:28:24.520
<v Speaker 1>that was inappropriate. But then on Wednesday he did a

0:28:24.680 --> 0:28:28.080
<v Speaker 1>more direct apology. He said, I now understand that I

0:28:28.160 --> 0:28:30.240
<v Speaker 1>acted in a way that made people feel uncomfortable. It

0:28:30.359 --> 0:28:33.080
<v Speaker 1>was unintentional, and I truly and deeply apologize for it.

0:28:33.160 --> 0:28:36.000
<v Speaker 1>I felt awful about it, and frankly, I am embarrassed

0:28:36.040 --> 0:28:37.720
<v Speaker 1>by it. And that's not easy to say, but that's

0:28:37.800 --> 0:28:40.120
<v Speaker 1>the truth. Yeah, I mean, it's nuts at any man,

0:28:40.400 --> 0:28:43.240
<v Speaker 1>but especially someone in his position, would still be, you know,

0:28:43.560 --> 0:28:45.600
<v Speaker 1>talking like that and making those same kind of mistakes

0:28:45.640 --> 0:28:47.960
<v Speaker 1>after me two times up movement, like you have to

0:28:48.000 --> 0:28:52.160
<v Speaker 1>be super arrogant to feel like you are untouchable, you know,

0:28:52.320 --> 0:28:53.960
<v Speaker 1>to still be making those same kind of mistakes. I

0:28:53.960 --> 0:28:55.960
<v Speaker 1>don't care how much Greece Governor Cuomo has in his head.

0:28:56.000 --> 0:28:58.280
<v Speaker 1>He is not an untouchable mob boss. And me two

0:28:58.320 --> 0:29:00.320
<v Speaker 1>times up should have caused a lot of self direction,

0:29:00.400 --> 0:29:02.520
<v Speaker 1>right and if you don't, you did himself correct yourself,

0:29:02.520 --> 0:29:04.520
<v Speaker 1>you head of yourself destruction. Or maybe he's been at

0:29:04.560 --> 0:29:07.160
<v Speaker 1>it for so long he just can't stop. That's that's true,

0:29:07.200 --> 0:29:08.400
<v Speaker 1>But that's what I mean. You got And I think

0:29:08.840 --> 0:29:11.080
<v Speaker 1>also and his head feels like because he didn't touch

0:29:11.160 --> 0:29:14.320
<v Speaker 1>her or touch anybody, that he didn't do anything wrong.

0:29:14.960 --> 0:29:18.800
<v Speaker 1>But the conversation can also be manipulative and uncomfortable and

0:29:19.240 --> 0:29:21.360
<v Speaker 1>wrong as well, especially when you're a man with that

0:29:21.520 --> 0:29:25.200
<v Speaker 1>kind of power. And right, well that is your front

0:29:25.200 --> 0:29:28.280
<v Speaker 1>page news all right now, when we come back, Charlomagne

0:29:28.320 --> 0:29:30.920
<v Speaker 1>got a chance to kick it with our Cineo. Oh man,

0:29:31.080 --> 0:29:33.440
<v Speaker 1>Ursineo is one of my inspirations, man, you know, talk

0:29:33.520 --> 0:29:36.280
<v Speaker 1>show host Goat. I've had the opportunity to have quite

0:29:36.280 --> 0:29:38.959
<v Speaker 1>a few conversations with our Cineo, but this is our

0:29:39.000 --> 0:29:42.080
<v Speaker 1>first public conversation and coming to America. Tools out right

0:29:42.120 --> 0:29:45.160
<v Speaker 1>now screaming on Amazon Prime Video. So we talk about

0:29:45.160 --> 0:29:46.640
<v Speaker 1>a whole bunch of stuff. We sat down for like

0:29:46.680 --> 0:29:49.000
<v Speaker 1>an hour, but you're about to hear it, all right,

0:29:49.080 --> 0:29:51.000
<v Speaker 1>We'll get into that next keeping lock this to Breakfast

0:29:51.000 --> 0:29:54.320
<v Speaker 1>Club comorning. You're kicking out the world's most dangerous morning show.

0:29:54.640 --> 0:29:58.800
<v Speaker 1>Morning Everybody is cj Envy, Angela Yee, Charlomagne the guy

0:29:58.880 --> 0:30:02.320
<v Speaker 1>we are the Breakfast Love Good Morning Now Charlemagnet got

0:30:02.320 --> 0:30:05.280
<v Speaker 1>a chance to chop it up with our Cineo Hall. Yes,

0:30:05.880 --> 0:30:07.920
<v Speaker 1>you know it's funny because this interview has been under

0:30:07.960 --> 0:30:11.320
<v Speaker 1>embargo for a while because you know, they was keeping

0:30:11.320 --> 0:30:14.200
<v Speaker 1>a top secret for whatever reason, because of the movie,

0:30:14.520 --> 0:30:17.280
<v Speaker 1>right and the stuff that we talked about. But yeah,

0:30:17.320 --> 0:30:19.480
<v Speaker 1>I got the chance to sit down one of my inspirations,

0:30:19.600 --> 0:30:22.959
<v Speaker 1>man mis star Ciny Hall Talk show Goat. This man

0:30:23.040 --> 0:30:25.160
<v Speaker 1>has inspired me on so many different levels in that

0:30:25.280 --> 0:30:27.920
<v Speaker 1>I've been blessed to have several conversations with him throughout

0:30:27.960 --> 0:30:30.080
<v Speaker 1>my life. But this one is public for the people.

0:30:30.400 --> 0:30:33.560
<v Speaker 1>So alright, you look good, my brother, Thank you man,

0:30:33.640 --> 0:30:36.480
<v Speaker 1>and God bless you. You look great. I love that you.

0:30:37.000 --> 0:30:39.520
<v Speaker 1>You did something about Paul Mooney this morning on Instagram.

0:30:39.680 --> 0:30:42.520
<v Speaker 1>Many God bless you, because me and Eddie were talking

0:30:42.520 --> 0:30:45.120
<v Speaker 1>about him yesterday. I was like shocked. It was like

0:30:45.200 --> 0:30:47.600
<v Speaker 1>you were hearing us. I always think about y'all man,

0:30:47.640 --> 0:30:50.320
<v Speaker 1>because from the outside looking in, it always seemed like

0:30:50.560 --> 0:30:53.960
<v Speaker 1>unity and group operation has been a thing for y'all

0:30:54.040 --> 0:30:57.040
<v Speaker 1>generation to comedians, well, at least with the Black Pack. Yeah,

0:30:57.080 --> 0:31:01.040
<v Speaker 1>with theself and Eddie, Robert Towns and I win. Paul

0:31:01.120 --> 0:31:04.120
<v Speaker 1>Mooney was part of that as well. Right, absolutely, there

0:31:04.240 --> 0:31:07.400
<v Speaker 1>is an early picture where Paul Mooney is in that

0:31:07.560 --> 0:31:10.600
<v Speaker 1>photo with me and Keenan and Eddie. I joked about

0:31:10.680 --> 0:31:14.640
<v Speaker 1>this in Chappelle in Chris Rock's dressing room, and it

0:31:14.840 --> 0:31:18.520
<v Speaker 1>was on Instagram. It's interesting, you know, Prince, you know

0:31:18.640 --> 0:31:21.680
<v Speaker 1>the famous situation at the Beverly Theater where James Brown

0:31:21.840 --> 0:31:24.840
<v Speaker 1>is performing in Prince and Michael Jackson both showed up. Well, No,

0:31:24.920 --> 0:31:28.360
<v Speaker 1>I thought that on the BT, the one where Prince

0:31:28.480 --> 0:31:31.840
<v Speaker 1>grabbed a light pole and fell an audience. No, okay,

0:31:31.840 --> 0:31:34.840
<v Speaker 1>I have to send you this, but because it's too

0:31:34.880 --> 0:31:37.560
<v Speaker 1>long to story. But my point was that legends and

0:31:37.720 --> 0:31:42.200
<v Speaker 1>goats haven't always gotten along. And I love that Chris

0:31:42.320 --> 0:31:45.400
<v Speaker 1>and Chappelle, as good as they are, they don't compete.

0:31:45.640 --> 0:31:48.800
<v Speaker 1>They drive each other higher. And that's the way Richard

0:31:49.520 --> 0:31:52.200
<v Speaker 1>and Eddie were. And one time he had this little

0:31:52.280 --> 0:31:56.240
<v Speaker 1>cart right and he said, I hear Eddie Murphy house

0:31:56.280 --> 0:31:59.680
<v Speaker 1>a movie out and I said yeah. He said, can't

0:31:59.720 --> 0:32:02.080
<v Speaker 1>we go see it? And he was willing to leave

0:32:02.120 --> 0:32:04.000
<v Speaker 1>the house. I put his little cart in the back

0:32:04.040 --> 0:32:07.280
<v Speaker 1>of my rover and I rented a theater at Paramount.

0:32:07.680 --> 0:32:10.040
<v Speaker 1>Me and Richard sat and watched the Eddie movie. They

0:32:11.200 --> 0:32:14.479
<v Speaker 1>it was a sequel to cop Okay, okay, it's one

0:32:14.520 --> 0:32:17.640
<v Speaker 1>of those. And he loved Eddie. And I love when

0:32:17.720 --> 0:32:22.800
<v Speaker 1>the goats are talented and confident enough to hang out

0:32:22.960 --> 0:32:25.680
<v Speaker 1>and drive each other higher. And that's like I went

0:32:25.720 --> 0:32:27.560
<v Speaker 1>on the road, did a couple of dates with Chappelle

0:32:27.600 --> 0:32:30.479
<v Speaker 1>and Chris rocket I loved their relationship. You know, there

0:32:30.560 --> 0:32:33.600
<v Speaker 1>was never jealousy. Nobody was ever hating on the other

0:32:33.680 --> 0:32:36.200
<v Speaker 1>and falling off light poles at the Beverly Theater and

0:32:36.280 --> 0:32:38.720
<v Speaker 1>stuff like that. So the Richard wanted to meet Steve,

0:32:38.760 --> 0:32:41.240
<v Speaker 1>because that's his illegitimate son. Because Steve and Richard got it.

0:32:41.320 --> 0:32:46.440
<v Speaker 1>They look they didn't look alike. Why you wanted to

0:32:46.480 --> 0:32:49.960
<v Speaker 1>see Steve, Well, you know, it probably was some kind

0:32:50.000 --> 0:32:53.240
<v Speaker 1>of synchronicity and looking at a mustache and saying I

0:32:53.440 --> 0:32:56.280
<v Speaker 1>like him. And by the way, he had met Steve

0:32:56.360 --> 0:32:58.320
<v Speaker 1>one other time too. I think Steve told me they

0:32:58.360 --> 0:33:01.360
<v Speaker 1>had met someplace. You know, it might have been some

0:33:01.680 --> 0:33:05.360
<v Speaker 1>visual connection, but with Richard it was probably because Steve

0:33:05.520 --> 0:33:07.840
<v Speaker 1>was funny. And in those times when you're in your

0:33:07.880 --> 0:33:09.880
<v Speaker 1>bed and that's all you do is sit with your

0:33:09.920 --> 0:33:14.440
<v Speaker 1>friend and watch TV, laughter is healing. Laughter is the

0:33:14.520 --> 0:33:17.160
<v Speaker 1>greatest thing ever, and it's why I'm happy this movie

0:33:17.280 --> 0:33:19.600
<v Speaker 1>is coming on March fifth. I know it's not much

0:33:20.040 --> 0:33:23.520
<v Speaker 1>in times like this, when we have food lines and

0:33:24.000 --> 0:33:27.080
<v Speaker 1>people dying, but I'm sure glad that on March fifth,

0:33:27.600 --> 0:33:29.720
<v Speaker 1>I can take people away for an hour and a

0:33:29.760 --> 0:33:31.960
<v Speaker 1>half and make them laugh. That's why I wanted to

0:33:31.960 --> 0:33:34.440
<v Speaker 1>ask you about the Black Packers, You and Edie's relationship.

0:33:34.480 --> 0:33:37.280
<v Speaker 1>The chemistry has always there. Why is that unity so

0:33:37.520 --> 0:33:40.520
<v Speaker 1>important then? And how have y'all helped each other over

0:33:40.600 --> 0:33:44.360
<v Speaker 1>the year. While it's interesting, you know, he's a rich guy.

0:33:44.440 --> 0:33:47.680
<v Speaker 1>He don't need no help. But I think we've all

0:33:47.800 --> 0:33:51.200
<v Speaker 1>had we know what the other does. Stand ups are

0:33:51.320 --> 0:33:54.680
<v Speaker 1>very cliquish. There's this thing we think we're the most

0:33:55.240 --> 0:33:58.080
<v Speaker 1>the most talented people on the planet. We think stand

0:33:58.160 --> 0:33:59.680
<v Speaker 1>up is the hardest thing in the world to do,

0:34:00.120 --> 0:34:03.520
<v Speaker 1>and there's a tremendous respect. Don't get me wrong. There's

0:34:03.520 --> 0:34:05.320
<v Speaker 1>some comics are standing in the back of the comedy

0:34:05.360 --> 0:34:07.600
<v Speaker 1>store and they hate on you. But for the most part,

0:34:07.680 --> 0:34:11.960
<v Speaker 1>we're very cliquish. And I think Eddie and I met,

0:34:12.440 --> 0:34:15.239
<v Speaker 1>we understood each other, and it's kind of cool that

0:34:15.840 --> 0:34:21.600
<v Speaker 1>we're still friends, because friendships, you know, don't last sometimes

0:34:21.640 --> 0:34:25.240
<v Speaker 1>when there's money and competition and that kind of stuff

0:34:25.239 --> 0:34:27.640
<v Speaker 1>in the mix. How did you and Eddie even become

0:34:27.760 --> 0:34:31.840
<v Speaker 1>the friend? Eddie and I met through Keenan Lands We

0:34:32.040 --> 0:34:35.040
<v Speaker 1>were Keenan called me back in the days when you

0:34:35.080 --> 0:34:37.799
<v Speaker 1>didn't have a cell phone. You call somebody at home

0:34:38.080 --> 0:34:42.960
<v Speaker 1>if they don't answer. But you know, I got a call.

0:34:43.080 --> 0:34:46.840
<v Speaker 1>It was Keenan. He said, come to the improv about nine,

0:34:47.239 --> 0:34:49.160
<v Speaker 1>and he said, Eddie's gonna work out because he's in

0:34:49.239 --> 0:34:51.200
<v Speaker 1>town to do the tonight show, so he needed to

0:34:51.280 --> 0:34:53.840
<v Speaker 1>work out his set and I got there and we

0:34:53.920 --> 0:34:55.880
<v Speaker 1>were standing in front waiting for Eddie to arrive, and

0:34:56.040 --> 0:34:59.799
<v Speaker 1>Keenan introduced me to Eddie and Eddie said, I wanted

0:34:59.840 --> 0:35:02.200
<v Speaker 1>to meet you in person because my mother thinks we're

0:35:02.239 --> 0:35:06.839
<v Speaker 1>looking like nig You don't look like me and looking Yeah.

0:35:07.000 --> 0:35:09.560
<v Speaker 1>The second sentence Eddie said to me was you don't

0:35:09.640 --> 0:35:15.040
<v Speaker 1>look like me. And and Damon Waans was parking his car.

0:35:15.480 --> 0:35:18.320
<v Speaker 1>This is this is a great story. Damon starts walking

0:35:18.360 --> 0:35:22.359
<v Speaker 1>down the street and he's walking a little offeminine, very

0:35:22.440 --> 0:35:26.920
<v Speaker 1>effeminine and like men on film. Yes, okay, okay, And

0:35:27.000 --> 0:35:29.200
<v Speaker 1>so I hadn't met him, and so we should. He

0:35:29.360 --> 0:35:31.560
<v Speaker 1>put his hand out and he shook my hand, and

0:35:31.800 --> 0:35:34.840
<v Speaker 1>you know, if somebody is really acting like that, you

0:35:34.920 --> 0:35:38.120
<v Speaker 1>don't laugh because that's who they are, you know. So

0:35:38.280 --> 0:35:40.960
<v Speaker 1>I didn't know. I had never met Keenan's brother. And

0:35:41.239 --> 0:35:44.440
<v Speaker 1>finally he came out of the character and I realized,

0:35:45.080 --> 0:35:48.480
<v Speaker 1>this guy is a funny mother and he can lock

0:35:48.560 --> 0:35:52.480
<v Speaker 1>into a character, and that character, because Eddie's standing there,

0:35:52.760 --> 0:35:56.640
<v Speaker 1>that character ended up a valet parking guy in Beverly Hills. Cop. Wow,

0:35:57.760 --> 0:36:00.560
<v Speaker 1>you know, I'm wondering, like, were you hesitant in any

0:36:00.640 --> 0:36:03.160
<v Speaker 1>way to do a sequel to a classic like Coming

0:36:03.200 --> 0:36:08.359
<v Speaker 1>to America. Oh, yes, because there are gods that walk

0:36:08.440 --> 0:36:12.680
<v Speaker 1>the earth. You're afraid of criticism, you know, from Charallemagne

0:36:12.760 --> 0:36:17.160
<v Speaker 1>to somebody on Twitter. I've been buying a coffee and

0:36:17.320 --> 0:36:20.200
<v Speaker 1>the barista said to me, I heard y'all gonna redo

0:36:20.320 --> 0:36:22.720
<v Speaker 1>that movie. Don't fit up. That's my movie. My family

0:36:22.800 --> 0:36:25.480
<v Speaker 1>watched that movie once a year together. And you realize

0:36:25.520 --> 0:36:27.960
<v Speaker 1>there are people who are afraid for you to go

0:36:28.040 --> 0:36:30.759
<v Speaker 1>to work. They don't want you to do it, they

0:36:30.800 --> 0:36:33.040
<v Speaker 1>don't want you to do with it, And you start thinking,

0:36:33.080 --> 0:36:36.600
<v Speaker 1>I'm like, wow, if the barista is nervous, what's Challemagne

0:36:36.719 --> 0:36:38.960
<v Speaker 1>gonna say? What? You know? I mean, there are a

0:36:39.040 --> 0:36:41.680
<v Speaker 1>lot of people who see it as this cult film

0:36:42.160 --> 0:36:44.319
<v Speaker 1>that they grew up with and they loved, And there

0:36:44.400 --> 0:36:46.800
<v Speaker 1>were people who really didn't want us to do the sequel.

0:36:47.120 --> 0:36:50.400
<v Speaker 1>But I think we did it, and I think the

0:36:50.520 --> 0:36:52.560
<v Speaker 1>people who are truly fans of it are gonna like

0:36:52.760 --> 0:36:56.160
<v Speaker 1>what we did. Now, if people don't like the sequel

0:36:56.200 --> 0:36:58.160
<v Speaker 1>to come into America, do you think it will affect

0:36:58.200 --> 0:37:01.480
<v Speaker 1>the legacy of the first film. I think the second

0:37:01.520 --> 0:37:04.160
<v Speaker 1>one will stand on its own as just a statement

0:37:04.320 --> 0:37:07.839
<v Speaker 1>like I loved the first one. You know, I don't

0:37:07.920 --> 0:37:10.960
<v Speaker 1>think it'll hurt the legacy, but I also think they'll

0:37:11.000 --> 0:37:14.640
<v Speaker 1>love it because you know, it's like a great Michael

0:37:14.800 --> 0:37:17.800
<v Speaker 1>Eric Dyson book. You're like chapter one, and it's the

0:37:17.920 --> 0:37:21.360
<v Speaker 1>same dude talking to chapter two, continuing his thoughts and

0:37:21.560 --> 0:37:25.360
<v Speaker 1>his flowery language. Is this is a these two things

0:37:25.480 --> 0:37:28.800
<v Speaker 1>work together, Like I love the fact that your kids

0:37:28.880 --> 0:37:31.360
<v Speaker 1>and my kid will be able to watch this and

0:37:31.480 --> 0:37:34.719
<v Speaker 1>within this movie, even if they haven't seen the first one,

0:37:35.000 --> 0:37:37.680
<v Speaker 1>it will be explained that there was more that happened

0:37:37.760 --> 0:37:39.840
<v Speaker 1>that night when I said I'm gonna tell you a

0:37:39.920 --> 0:37:43.120
<v Speaker 1>part and you're friend, dude, you know that entire night

0:37:43.640 --> 0:37:47.400
<v Speaker 1>evolved and morphed into something else, and through the magic

0:37:47.560 --> 0:37:51.279
<v Speaker 1>of film technology, Like there's this movie that I was

0:37:51.360 --> 0:37:53.839
<v Speaker 1>watching and I'm looking and I'm like, that young dude

0:37:53.960 --> 0:37:58.400
<v Speaker 1>right then looked like DeNiro, and I realized it was DeNiro,

0:37:58.560 --> 0:38:00.480
<v Speaker 1>And they have this process by what they can make

0:38:00.520 --> 0:38:02.960
<v Speaker 1>you look younger these days. So me and Eddie were

0:38:03.000 --> 0:38:05.719
<v Speaker 1>talking about it and he said, yes, he said they

0:38:05.800 --> 0:38:07.759
<v Speaker 1>did that with Arnold And he said, you know, with

0:38:07.920 --> 0:38:11.040
<v Speaker 1>that idea, we can go back and we can have

0:38:11.160 --> 0:38:13.839
<v Speaker 1>a reprieve of what happened that night, and we can

0:38:13.920 --> 0:38:16.239
<v Speaker 1>go from there into a sequel. And I think it

0:38:16.400 --> 0:38:19.120
<v Speaker 1>was Arnold's young makeup in that process that gave him

0:38:19.400 --> 0:38:22.319
<v Speaker 1>part of the idea for this or to so long

0:38:22.360 --> 0:38:23.759
<v Speaker 1>for us for the film to come out, because I've

0:38:23.760 --> 0:38:26.759
<v Speaker 1>been hearing about this sequel for at least it seemed

0:38:26.800 --> 0:38:30.880
<v Speaker 1>like fifteen years. Honestly. Yeah, And here's the crazy thing, Charlemagne.

0:38:31.239 --> 0:38:34.000
<v Speaker 1>And it's why I love when you ask those kind

0:38:34.040 --> 0:38:37.839
<v Speaker 1>of questions. None of that stuff was ever true. There

0:38:37.960 --> 0:38:41.600
<v Speaker 1>was never a talk. We had actually decided we're fans

0:38:41.640 --> 0:38:44.200
<v Speaker 1>of the movie too. It was great, we did it well,

0:38:44.440 --> 0:38:46.480
<v Speaker 1>we're gonna leave it where it is. And trust me,

0:38:46.960 --> 0:38:50.000
<v Speaker 1>I'm not papered up like Eddie. If he said let's

0:38:50.000 --> 0:38:52.960
<v Speaker 1>do Coming to America too, and it's about us going

0:38:53.360 --> 0:38:57.200
<v Speaker 1>to Wakonda with R Kelly, I would sign up and

0:38:57.280 --> 0:39:00.560
<v Speaker 1>I would do it. You know, it's like whatever my life.

0:39:00.800 --> 0:39:04.360
<v Speaker 1>It's like the plane smells like this, you know, whatever

0:39:04.480 --> 0:39:09.479
<v Speaker 1>the I would handle it. But we loved the first

0:39:09.520 --> 0:39:13.200
<v Speaker 1>one and had decided to never do a sequel, and

0:39:13.480 --> 0:39:16.759
<v Speaker 1>then he heard the idea, and that idea went through

0:39:16.800 --> 0:39:20.319
<v Speaker 1>a lot of incarnations. Like for instance, when he first

0:39:20.360 --> 0:39:22.759
<v Speaker 1>told me the idea, I said, I kind of like that.

0:39:22.880 --> 0:39:24.640
<v Speaker 1>And he went to the original writers and wanted them

0:39:24.719 --> 0:39:28.920
<v Speaker 1>to craft just the format and get the technical stuff

0:39:29.000 --> 0:39:31.560
<v Speaker 1>right and then go to Kenya and modernize it and

0:39:31.680 --> 0:39:36.160
<v Speaker 1>make it funny. So he had a process. And I said,

0:39:36.520 --> 0:39:39.719
<v Speaker 1>we're gonna have to cast a son for you, and

0:39:39.840 --> 0:39:42.120
<v Speaker 1>he said, I got that. I got that. And I said, oh,

0:39:42.360 --> 0:39:48.960
<v Speaker 1>he says Tracy Morgan and I said no, no, Tracy

0:39:49.080 --> 0:39:51.880
<v Speaker 1>Morgan is funny every day he wakes up, but you

0:39:52.000 --> 0:39:55.400
<v Speaker 1>all look about the same age he can't. It's like

0:39:55.480 --> 0:39:57.680
<v Speaker 1>we cany have comeing to America with Morgan Freeman as

0:39:57.719 --> 0:40:00.279
<v Speaker 1>your son found in America. You know it's a that

0:40:00.600 --> 0:40:04.000
<v Speaker 1>doesn't work. But we knew that whatever he did, he

0:40:04.080 --> 0:40:06.440
<v Speaker 1>wanted Tracey Innits. So he made him the uncle and

0:40:06.560 --> 0:40:09.440
<v Speaker 1>they did a casting call and Jermaine came in. Jermaine

0:40:09.480 --> 0:40:13.400
<v Speaker 1>Foller came in and crushed it on his audition. From

0:40:13.440 --> 0:40:15.719
<v Speaker 1>what Craig Brewer told me, the day he came in,

0:40:16.040 --> 0:40:19.680
<v Speaker 1>it was over because they loved Jermaine. So the bottom

0:40:19.719 --> 0:40:22.399
<v Speaker 1>line is it took four more years after that day

0:40:22.840 --> 0:40:24.719
<v Speaker 1>that he let me read the draft. It took four

0:40:24.760 --> 0:40:26.560
<v Speaker 1>more years to get it right. All right, Now we

0:40:26.640 --> 0:40:28.799
<v Speaker 1>got more with our Cineo Hall. When we come back,

0:40:28.880 --> 0:40:32.640
<v Speaker 1>don't move. It's to breakfast Club. Come morning, everybody in

0:40:32.760 --> 0:40:36.360
<v Speaker 1>stej Envy Angela yee. Charlomagne the guy we are the

0:40:36.440 --> 0:40:39.240
<v Speaker 1>breakfast club. You know, Coming to America comes out today

0:40:39.680 --> 0:40:41.360
<v Speaker 1>and Charlomagne got a chance to chop it up with

0:40:41.440 --> 0:40:43.839
<v Speaker 1>our Cineo Yeah, Coming to America's actually out. I got

0:40:43.920 --> 0:40:45.400
<v Speaker 1>the chance to sit down and chop it up. One

0:40:45.440 --> 0:40:48.640
<v Speaker 1>of my inspirations. Misto, our Cineo Hall. Visit y'all all comedians,

0:40:48.840 --> 0:40:50.480
<v Speaker 1>you know what I'm saying, y'all, don't bite your tongue.

0:40:50.480 --> 0:40:53.520
<v Speaker 1>But things have changed drastically from the first film. Did

0:40:53.680 --> 0:40:57.279
<v Speaker 1>being politically correct and out having to be politically correct

0:40:57.320 --> 0:41:01.040
<v Speaker 1>a certain moment impact the comedy and absolutely league Just

0:41:01.239 --> 0:41:04.600
<v Speaker 1>like when I do stand up, sometimes you're nervous. I

0:41:04.800 --> 0:41:07.880
<v Speaker 1>was doing stand up one night before COVID and this

0:41:08.080 --> 0:41:11.040
<v Speaker 1>dude was sitting he was sitting watching me like this

0:41:11.440 --> 0:41:15.160
<v Speaker 1>Charlemagne and he had he was just recording it all

0:41:15.560 --> 0:41:17.759
<v Speaker 1>and we got him to pull it down off the YouTube.

0:41:18.120 --> 0:41:21.439
<v Speaker 1>But the problem is when I'm in a little club

0:41:21.520 --> 0:41:25.440
<v Speaker 1>working out the jokes ain't finished yet. Um I learned

0:41:25.520 --> 0:41:27.880
<v Speaker 1>what's wrong and what's right, and you adjust things. I

0:41:28.000 --> 0:41:31.520
<v Speaker 1>hate people to tape it then, because you know you can,

0:41:31.719 --> 0:41:34.960
<v Speaker 1>you can get in some trouble. But political correctness it

0:41:35.239 --> 0:41:37.520
<v Speaker 1>makes you think about it a lot. When I don't

0:41:37.600 --> 0:41:39.759
<v Speaker 1>like to think, I just like to do it, like

0:41:40.040 --> 0:41:41.800
<v Speaker 1>like coming to America. I remember when I saw the

0:41:41.880 --> 0:41:48.000
<v Speaker 1>line where my barber addresses breast in Africa. I think

0:41:48.080 --> 0:41:52.759
<v Speaker 1>his term was them long slopping it is. And you know,

0:41:53.000 --> 0:41:55.640
<v Speaker 1>I'm like, oh man, I'm gonna come back and do

0:41:55.760 --> 0:41:58.400
<v Speaker 1>this sequel and and I was like, well, I'm just

0:41:58.480 --> 0:42:02.360
<v Speaker 1>gonna blame it on Kenyon. That's it. That's it. You

0:42:02.440 --> 0:42:05.239
<v Speaker 1>know you talked about a being like rich and there

0:42:05.320 --> 0:42:08.800
<v Speaker 1>was a time when Eddie was one of the biggest

0:42:08.800 --> 0:42:10.719
<v Speaker 1>stars in the world. I mean he's still he's an

0:42:10.920 --> 0:42:13.040
<v Speaker 1>icon now, but I'm just talking about like just a

0:42:13.120 --> 0:42:16.200
<v Speaker 1>red hot superstar. That was that ever a moment where

0:42:16.239 --> 0:42:17.759
<v Speaker 1>you had to check him because he might have been

0:42:17.800 --> 0:42:21.640
<v Speaker 1>getting big in front and on you. Wow, I'll tell

0:42:21.680 --> 0:42:24.600
<v Speaker 1>you something about Eddie. Eddie will say something to me

0:42:25.480 --> 0:42:30.439
<v Speaker 1>and we'll be boys doing what guys do. But I've

0:42:30.520 --> 0:42:34.960
<v Speaker 1>seen someone say something about me too, Eddie, and it's like, hey,

0:42:36.000 --> 0:42:38.960
<v Speaker 1>you know, that's my brother. And so we we say

0:42:38.960 --> 0:42:41.600
<v Speaker 1>a lot of crazies to each other, and we argue

0:42:41.680 --> 0:42:45.400
<v Speaker 1>just like friends do. But when our backs are against

0:42:45.440 --> 0:42:48.640
<v Speaker 1>the wall, you know, we ride or die when it

0:42:48.680 --> 0:42:51.640
<v Speaker 1>comes to that friendship. I've always looked up for you

0:42:51.719 --> 0:42:53.520
<v Speaker 1>in the talk show space man. You know that. You

0:42:53.600 --> 0:42:55.760
<v Speaker 1>know I'm saying that a million times had the pleasure

0:42:55.760 --> 0:42:59.239
<v Speaker 1>of telling you that. And you know what I think

0:42:59.320 --> 0:43:01.920
<v Speaker 1>of your work. I mean when people ask me about this,

0:43:03.200 --> 0:43:06.640
<v Speaker 1>you know, like during the election, I'm like, it looks

0:43:06.680 --> 0:43:10.080
<v Speaker 1>like they don't need me on the planet because Charlemagne

0:43:10.800 --> 0:43:14.440
<v Speaker 1>is taking everything I dreamed of doing and tried to

0:43:14.600 --> 0:43:21.080
<v Speaker 1>do to the next plateau. And um with with you

0:43:21.320 --> 0:43:26.040
<v Speaker 1>on the planet, I can stay home. You know. I

0:43:26.239 --> 0:43:28.319
<v Speaker 1>reference you all the time, Man, you you even You're

0:43:28.400 --> 0:43:30.279
<v Speaker 1>one of the reasons I even want to do a

0:43:30.400 --> 0:43:32.480
<v Speaker 1>talk show when I when I hosted while I was

0:43:32.520 --> 0:43:34.560
<v Speaker 1>a guest on Stephen Kobet show one time and he

0:43:34.680 --> 0:43:37.520
<v Speaker 1>let me sit behind the desk and I made the audience.

0:43:37.600 --> 0:43:43.000
<v Speaker 1>Do you know what I'm saying? Hey, yo, dog, I

0:43:43.200 --> 0:43:45.440
<v Speaker 1>just had some shoulder surgery from all the years of

0:43:45.560 --> 0:43:52.520
<v Speaker 1>doing that replaced serious. I'm like old quarterbacks like people.

0:43:53.360 --> 0:43:54.920
<v Speaker 1>People do that to me now and I go to

0:43:55.000 --> 0:44:00.320
<v Speaker 1>the other homes. What what was your experience as a

0:44:00.400 --> 0:44:03.719
<v Speaker 1>black mail talk show host in the nineties. It was

0:44:03.800 --> 0:44:07.520
<v Speaker 1>hard because well, first of all, hard hard is what

0:44:07.640 --> 0:44:10.320
<v Speaker 1>my uncle did at Jones and locked with Steel, or

0:44:10.360 --> 0:44:13.960
<v Speaker 1>what my other uncle did at Chevrolet. But there were times,

0:44:14.000 --> 0:44:17.279
<v Speaker 1>you know, I remember one time of reviewer referring to

0:44:17.440 --> 0:44:20.560
<v Speaker 1>me as a monkey. I mean, you could imagine back

0:44:20.600 --> 0:44:23.799
<v Speaker 1>then it was different, and we've become a little more

0:44:23.840 --> 0:44:28.560
<v Speaker 1>politically correct, but h but it was hard, you hun

0:44:28.719 --> 0:44:33.520
<v Speaker 1>in the context he was talking about my movement on stage,

0:44:34.080 --> 0:44:37.120
<v Speaker 1>you know, because I'm not I don't stand you know,

0:44:37.160 --> 0:44:39.239
<v Speaker 1>I was a stand up and I move a lot.

0:44:40.280 --> 0:44:44.080
<v Speaker 1>It's crazy, Chalomigne. It's the things like I could tell you.

0:44:44.360 --> 0:44:47.120
<v Speaker 1>But you know what was the hardest. Sometimes I had

0:44:47.160 --> 0:44:50.440
<v Speaker 1>a desire to leave the business different than I found it.

0:44:50.880 --> 0:44:53.880
<v Speaker 1>I wanted to bring black people into it. I remember

0:44:54.000 --> 0:44:58.160
<v Speaker 1>asking the president of Paramount for an intern program because

0:44:58.640 --> 0:45:01.960
<v Speaker 1>there weren't enough black and there had never been any

0:45:02.040 --> 0:45:05.719
<v Speaker 1>in late night who write jokes every night. So I

0:45:05.840 --> 0:45:09.040
<v Speaker 1>started an intern program. My first intern was John Singleton,

0:45:09.480 --> 0:45:12.400
<v Speaker 1>and he wanted to direct, And the coolest thing in

0:45:12.480 --> 0:45:16.440
<v Speaker 1>the world was this guy on my set. Sometimes I

0:45:16.440 --> 0:45:19.680
<v Speaker 1>would say, weis John Singleton in the hallway where talent is,

0:45:20.360 --> 0:45:24.160
<v Speaker 1>and he would always wander away from the interns and

0:45:24.360 --> 0:45:27.120
<v Speaker 1>go say hello to a guest like Cuba Gooding Junior.

0:45:27.600 --> 0:45:31.520
<v Speaker 1>And it's weird that so much of the prep for

0:45:31.640 --> 0:45:34.160
<v Speaker 1>that movie, in his mind and in his heart and

0:45:34.320 --> 0:45:37.840
<v Speaker 1>meeting people in networking was done on the show. And

0:45:38.040 --> 0:45:40.280
<v Speaker 1>at that time it was like, hey, man, you're supposed

0:45:40.280 --> 0:45:42.840
<v Speaker 1>to be zero rox in the paper that they gave you.

0:45:43.560 --> 0:45:46.040
<v Speaker 1>But now I look back and I'm glad he said,

0:45:46.120 --> 0:45:48.560
<v Speaker 1>fuck off, sir, I don't want to do that. You know.

0:45:50.360 --> 0:45:53.040
<v Speaker 1>Well he did say no, he didn't know he didn't.

0:45:53.880 --> 0:45:56.840
<v Speaker 1>But but I love that that that he didn't do

0:45:56.920 --> 0:45:59.200
<v Speaker 1>what I said all the time, Like there were times

0:45:59.400 --> 0:46:01.880
<v Speaker 1>the intern weren't allowed on the stage, and there were

0:46:01.920 --> 0:46:05.040
<v Speaker 1>times I would walk into the booth and John Singleton

0:46:05.160 --> 0:46:08.000
<v Speaker 1>was watching the director, And now I look back, and

0:46:08.080 --> 0:46:10.919
<v Speaker 1>I'm so glad that he didn't do what I said, dude,

0:46:11.520 --> 0:46:15.200
<v Speaker 1>you know. And so we had young writers and interns,

0:46:15.280 --> 0:46:17.440
<v Speaker 1>and I was able to put a lot of hip

0:46:17.480 --> 0:46:20.480
<v Speaker 1>hop on. I was able to try to do anything

0:46:20.840 --> 0:46:24.320
<v Speaker 1>that Oprah and Johnny weren't doing, and Oprah wasn't crazy

0:46:24.320 --> 0:46:26.520
<v Speaker 1>about hip hop back then. So I got to have

0:46:26.719 --> 0:46:30.120
<v Speaker 1>this lane in this world all to myself. But one

0:46:30.160 --> 0:46:33.280
<v Speaker 1>of the hard parts was in starting that. I remember

0:46:33.320 --> 0:46:36.600
<v Speaker 1>going to Paramount and saying, I want to book this group,

0:46:36.719 --> 0:46:38.920
<v Speaker 1>and I knew that I was gonna have a hard time.

0:46:38.920 --> 0:46:41.719
<v Speaker 1>I had to approve all the bookings early on, and

0:46:41.840 --> 0:46:45.799
<v Speaker 1>I wanted to do NWA and one of the people

0:46:45.840 --> 0:46:47.800
<v Speaker 1>in the meeting knew who it was. I had a

0:46:47.880 --> 0:46:51.440
<v Speaker 1>cassette tape that ice Cube hand delivered to me. He

0:46:51.520 --> 0:46:54.200
<v Speaker 1>brought it to the set. Because ice Cube hated me

0:46:54.320 --> 0:46:58.120
<v Speaker 1>for many years, I wasn't able to pull it off.

0:46:58.480 --> 0:47:01.840
<v Speaker 1>It was early on. I wasn't able to get Paramount

0:47:01.880 --> 0:47:05.600
<v Speaker 1>to He wanted to do the police and I was

0:47:05.719 --> 0:47:09.120
<v Speaker 1>the president of I was the national ambassador of Dare

0:47:09.640 --> 0:47:11.520
<v Speaker 1>and all kinds of stuff, which meant I went to

0:47:11.800 --> 0:47:15.719
<v Speaker 1>schools with cops, and so Paramount wouldn't let me do it.

0:47:16.320 --> 0:47:19.120
<v Speaker 1>I remember finally when they started letting me do stuff.

0:47:19.400 --> 0:47:22.040
<v Speaker 1>One hey, I wanted to do Bobby Brown. Bobby Brown

0:47:22.160 --> 0:47:25.320
<v Speaker 1>played me two songs. He played me my prerogative and

0:47:25.480 --> 0:47:28.759
<v Speaker 1>don't be cruel. And I said, I want to break

0:47:28.840 --> 0:47:30.600
<v Speaker 1>both of them up, and he said, no, just one.

0:47:30.920 --> 0:47:32.960
<v Speaker 1>I want both of them, Bob. It's not like the

0:47:33.080 --> 0:47:36.279
<v Speaker 1>Tonight Show won't let you break it. So I went

0:47:36.400 --> 0:47:38.440
<v Speaker 1>to Paramount and I said, I want to do two

0:47:38.560 --> 0:47:40.680
<v Speaker 1>songs in one night. I'm gonna do it on a

0:47:40.760 --> 0:47:42.640
<v Speaker 1>Friday night and I'm gonna do one in the early

0:47:42.719 --> 0:47:44.320
<v Speaker 1>part of the show and one at the end of

0:47:44.360 --> 0:47:46.919
<v Speaker 1>the show. I'm gonna do Prerogative last. And they didn't

0:47:46.920 --> 0:47:48.719
<v Speaker 1>want me to do it. And it was interesting. They

0:47:48.719 --> 0:47:51.799
<v Speaker 1>didn't even like when I said Bobby Brown. They said, look,

0:47:51.880 --> 0:47:54.440
<v Speaker 1>I'm sure she's very talented, but and I said, wa

0:47:54.640 --> 0:47:57.400
<v Speaker 1>wa wa woa she And they said, Bobby Brown is

0:47:57.640 --> 0:48:03.200
<v Speaker 1>She was a spokesmodel on Star Search, right, No, Bobby

0:48:03.280 --> 0:48:07.600
<v Speaker 1>Brown is a man, and Bobby Brown was a new addition.

0:48:08.239 --> 0:48:10.360
<v Speaker 1>And so I realized they were turning me down on

0:48:10.440 --> 0:48:13.160
<v Speaker 1>stuff they didn't understand. And you have to you have

0:48:13.239 --> 0:48:16.320
<v Speaker 1>to realize that in those times when I'm saying Bobby

0:48:16.400 --> 0:48:18.839
<v Speaker 1>Brown and when I'm saying pute tip, and when I'm

0:48:18.880 --> 0:48:22.600
<v Speaker 1>saying um, you know, you know how people sit in

0:48:22.680 --> 0:48:26.840
<v Speaker 1>the band at the Tonight Show or David Sanborn sits

0:48:26.880 --> 0:48:31.200
<v Speaker 1>in with Paul Shaeffer. I want to have some hip

0:48:31.239 --> 0:48:34.560
<v Speaker 1>hop guys with my posse, and I wanted to do

0:48:34.680 --> 0:48:37.239
<v Speaker 1>stuff differently, and I had to fight for a lot

0:48:37.320 --> 0:48:39.080
<v Speaker 1>of that. All right. We got more with us, Seneo

0:48:39.160 --> 0:48:41.279
<v Speaker 1>Hall when we come back, No moves to Breakfast Club.

0:48:41.320 --> 0:48:46.400
<v Speaker 1>Good morning, j Envy Angela Yee. Charlomagne the guy. We

0:48:46.480 --> 0:48:50.160
<v Speaker 1>are the Breakfast Club now. Charlomagne kicked it with Arseneo

0:48:50.200 --> 0:48:54.399
<v Speaker 1>Hall about how long? About a week ago? Two weeks ago? Yeah,

0:48:54.520 --> 0:48:56.600
<v Speaker 1>longer than that, but it's dope. You know. I got

0:48:56.680 --> 0:48:57.960
<v Speaker 1>to sit down with him and chop it up for

0:48:58.000 --> 0:49:00.920
<v Speaker 1>an hour. He's one of my inspirations. I always say

0:49:01.080 --> 0:49:03.879
<v Speaker 1>six degrees of Arsenio. There's nobody that you can meet

0:49:03.920 --> 0:49:06.640
<v Speaker 1>in the industry from a certain era that Arsino doesn't

0:49:06.640 --> 0:49:09.040
<v Speaker 1>have a story about. But we'll talk to him. Man.

0:49:09.120 --> 0:49:14.880
<v Speaker 1>It shows me how much value one black person in

0:49:15.000 --> 0:49:18.040
<v Speaker 1>the right position can have because one thing that you

0:49:18.200 --> 0:49:20.600
<v Speaker 1>always showed us, it was so much value in us.

0:49:20.640 --> 0:49:22.520
<v Speaker 1>And that's one thing I love about the Ustino whole show.

0:49:22.760 --> 0:49:24.239
<v Speaker 1>There was the time when there was a need to

0:49:24.360 --> 0:49:27.360
<v Speaker 1>highlight hip hop and black stars. Do you think that

0:49:27.520 --> 0:49:32.839
<v Speaker 1>black talent is adequately adequately represented in highlighted? Now? Well,

0:49:33.520 --> 0:49:37.319
<v Speaker 1>not to keep kissing your ass, but you know, when

0:49:37.400 --> 0:49:40.440
<v Speaker 1>I listen to you or watch you, I hear about

0:49:40.480 --> 0:49:44.120
<v Speaker 1>the stuff I don't know about, and I think that's important.

0:49:44.440 --> 0:49:48.719
<v Speaker 1>You know, you go deep into hip hop, and you

0:49:48.840 --> 0:49:52.080
<v Speaker 1>know you're an envy. You know, y'all know some folks.

0:49:52.719 --> 0:49:55.520
<v Speaker 1>And I love going that deep. I love going deeper

0:49:55.640 --> 0:49:58.200
<v Speaker 1>than Ryan and Kelly will go with hip hop, you know,

0:50:00.000 --> 0:50:04.720
<v Speaker 1>and you do that. Um. I love Trevor Noah's position

0:50:05.040 --> 0:50:08.520
<v Speaker 1>in the business because he's brilliant and he deals with

0:50:08.640 --> 0:50:12.200
<v Speaker 1>an area of show business that Soul Train didn't deal with.

0:50:12.400 --> 0:50:16.440
<v Speaker 1>He deals with an area of society that we've never

0:50:16.560 --> 0:50:19.719
<v Speaker 1>seen a brother deal with. I would love to see

0:50:19.800 --> 0:50:22.080
<v Speaker 1>more people so we have more variety, because there's a

0:50:22.280 --> 0:50:26.920
<v Speaker 1>huge space between Charlemagne and Trevor. Trevor, by the way,

0:50:26.920 --> 0:50:31.120
<v Speaker 1>who's in coming to America. Yeah, I won't even I

0:50:31.160 --> 0:50:33.120
<v Speaker 1>won't even tell what he does, but you can imagine,

0:50:33.400 --> 0:50:36.120
<v Speaker 1>you know. But but bottom line is there's something in

0:50:36.200 --> 0:50:42.560
<v Speaker 1>the middle. And I know there's Jesus and Morrow guy, yeah,

0:50:42.840 --> 0:50:46.560
<v Speaker 1>and and so, but but the bottom line is like

0:50:46.760 --> 0:50:51.520
<v Speaker 1>the NBA. I don't mind having five people in late night,

0:50:51.960 --> 0:50:53.919
<v Speaker 1>you know, and a white boy coming off the bench.

0:50:54.080 --> 0:50:55.920
<v Speaker 1>We can flip it up a little bit, you know.

0:50:57.000 --> 0:50:58.839
<v Speaker 1>You know, I'm so happy this movie is coming out

0:50:58.920 --> 0:51:02.880
<v Speaker 1>coming to America two March fifth because really for you

0:51:03.040 --> 0:51:05.680
<v Speaker 1>in a lot of ways, because I've told you this before.

0:51:05.800 --> 0:51:11.319
<v Speaker 1>What is our Cineo Hall waiting on to tell his story? Wow?

0:51:11.560 --> 0:51:15.200
<v Speaker 1>See now now you've been friends with Wendy makes this

0:51:15.360 --> 0:51:19.440
<v Speaker 1>real relevant. We all the world just saw her documentary.

0:51:21.200 --> 0:51:25.239
<v Speaker 1>There's no Calvins and then Calvin Calvin. Yeah, yeah, yeah,

0:51:25.280 --> 0:51:29.120
<v Speaker 1>there's nobody like that in my life. Yeah, so you

0:51:30.760 --> 0:51:34.800
<v Speaker 1>have a feeling, you know, none of my women have

0:51:34.960 --> 0:51:38.600
<v Speaker 1>ever had down the street in a house that I bought.

0:51:38.800 --> 0:51:42.799
<v Speaker 1>You know. But that stuff makes good television, that makes

0:51:42.880 --> 0:51:47.000
<v Speaker 1>good storytelling. I'll be honest with you, man, I think

0:51:47.120 --> 0:51:50.400
<v Speaker 1>a documentary on me might be boring. I mean, stop,

0:51:51.400 --> 0:51:54.880
<v Speaker 1>there's but there's no there's no drug problem, you know

0:51:56.200 --> 0:51:59.279
<v Speaker 1>unless hey, by the way, weed has gotten me through

0:51:59.680 --> 0:52:02.360
<v Speaker 1>to twenty in part of twenty twenty one. You know,

0:52:02.440 --> 0:52:07.000
<v Speaker 1>I'm yeah, I'm a smoker. I'm I'm a big weed smoker.

0:52:07.120 --> 0:52:10.880
<v Speaker 1>But I think, but you need a cocaine problem, or

0:52:11.080 --> 0:52:14.200
<v Speaker 1>you know, you need to have a scene where where

0:52:14.280 --> 0:52:18.279
<v Speaker 1>you put heroin in your ass at some point. For

0:52:18.560 --> 0:52:22.279
<v Speaker 1>a good documentary, documentary would be a guy who came

0:52:22.320 --> 0:52:25.000
<v Speaker 1>from Cleveland and did very well and then wrote a

0:52:25.080 --> 0:52:27.160
<v Speaker 1>letter to Paramount and said, I want to move on.

0:52:27.520 --> 0:52:28.960
<v Speaker 1>I think I want a family and I want to

0:52:29.000 --> 0:52:32.279
<v Speaker 1>do more acting. You know that's not a good documentary.

0:52:32.600 --> 0:52:36.360
<v Speaker 1>You had so many legendary people in moments on our

0:52:36.440 --> 0:52:39.200
<v Speaker 1>City or Hall show, and you kind of answered this already.

0:52:39.480 --> 0:52:42.440
<v Speaker 1>Do you even factor those moments into your own personal

0:52:42.600 --> 0:52:46.520
<v Speaker 1>measurement of value? I guess I do. But as many

0:52:46.680 --> 0:52:50.520
<v Speaker 1>things that I did right, You know, there are a

0:52:50.560 --> 0:52:54.360
<v Speaker 1>lot of people who hate me because they feel only

0:52:54.560 --> 0:52:59.120
<v Speaker 1>Barbara Walters should interview fair Con and I shouldn't have

0:52:59.160 --> 0:53:01.920
<v Speaker 1>done it. So I got things from that era and

0:53:02.160 --> 0:53:04.839
<v Speaker 1>moments in that era that people hate me for it too.

0:53:04.880 --> 0:53:07.040
<v Speaker 1>And you gotta take the good with the bad. But

0:53:07.200 --> 0:53:09.520
<v Speaker 1>that's who I was. I was mister Curious, and I

0:53:09.680 --> 0:53:11.680
<v Speaker 1>remember meeting him and he told me about the million

0:53:11.719 --> 0:53:14.719
<v Speaker 1>Man March, and he also said to me that I

0:53:14.840 --> 0:53:17.160
<v Speaker 1>had never heard this, and I thought it was important

0:53:17.200 --> 0:53:19.359
<v Speaker 1>to the black community. He looked at me, and he said,

0:53:19.719 --> 0:53:22.000
<v Speaker 1>because I asked him about Malcolm. And I said, I

0:53:22.080 --> 0:53:24.120
<v Speaker 1>think the question that black people want to know is

0:53:24.160 --> 0:53:26.840
<v Speaker 1>your relationship with Malcolm in the end, and he said,

0:53:27.520 --> 0:53:32.320
<v Speaker 1>I think I may have contributed to an atmosphere that

0:53:32.640 --> 0:53:35.960
<v Speaker 1>killed Malcolm. And when he said that, I'm like, I

0:53:36.120 --> 0:53:39.160
<v Speaker 1>gotta do this interview and I already resigned from the show.

0:53:39.200 --> 0:53:43.640
<v Speaker 1>I'd sent a letter to carry McCluggage and they let

0:53:43.719 --> 0:53:46.200
<v Speaker 1>me do it. But a lot of people didn't like it.

0:53:46.480 --> 0:53:51.279
<v Speaker 1>And I get that. I'm sure there are people who

0:53:51.680 --> 0:53:55.000
<v Speaker 1>didn't like my interview with other people too, but but

0:53:55.880 --> 0:53:58.440
<v Speaker 1>so you resigned from last in l Allstel like the

0:53:58.520 --> 0:54:01.480
<v Speaker 1>rumor has always been. Senio Hall got canceled because he

0:54:01.560 --> 0:54:04.719
<v Speaker 1>interviewed the honorable Minutes the Lewis Firecum. Yeah, I had

0:54:04.760 --> 0:54:07.680
<v Speaker 1>sent a letter of resignation to the guy who was

0:54:07.760 --> 0:54:10.960
<v Speaker 1>running Paramount prior to that. Paramount didn't have to let

0:54:11.000 --> 0:54:13.359
<v Speaker 1>me do that, but they thought it was good TV

0:54:13.440 --> 0:54:14.880
<v Speaker 1>to ask him these questions. And by the way, I

0:54:14.960 --> 0:54:18.120
<v Speaker 1>brought in a man back then named IRV Rubin, who

0:54:18.280 --> 0:54:21.479
<v Speaker 1>was head of the JDL, because I wanted to ask

0:54:21.640 --> 0:54:24.120
<v Speaker 1>those questions too, not just the things that black people

0:54:24.160 --> 0:54:26.520
<v Speaker 1>were concerned about it, so you know I tried to

0:54:26.680 --> 0:54:28.560
<v Speaker 1>do it in that way. But yes, I had sent

0:54:28.640 --> 0:54:32.480
<v Speaker 1>a letter in and resigned, and because they had to

0:54:32.520 --> 0:54:33.960
<v Speaker 1>figure out what they were going to do with the show,

0:54:34.200 --> 0:54:37.600
<v Speaker 1>they let me continue to do more shows while they

0:54:37.640 --> 0:54:40.200
<v Speaker 1>figured it out, because I remember the conversation they came

0:54:40.239 --> 0:54:42.360
<v Speaker 1>to me. They said, what would you do? We have

0:54:43.120 --> 0:54:46.359
<v Speaker 1>Bill Bellamy under contract. Do you think he'd be good?

0:54:46.800 --> 0:54:51.200
<v Speaker 1>And that was their conversation. They also brought up John Stewart,

0:54:51.560 --> 0:54:54.640
<v Speaker 1>who they eventually gave the show to. John Stewart had

0:54:54.640 --> 0:54:56.239
<v Speaker 1>a couple of bites at the Apple. He did a

0:54:56.320 --> 0:54:58.879
<v Speaker 1>show back then after me because they went with him

0:54:58.880 --> 0:55:01.520
<v Speaker 1>instead of Bellamy, and then of course got You know,

0:55:02.160 --> 0:55:05.600
<v Speaker 1>there's no timing greater in show business than God's timing.

0:55:06.120 --> 0:55:07.920
<v Speaker 1>It ain't about when you want it, It's about when

0:55:07.960 --> 0:55:10.080
<v Speaker 1>He want to give it to you. Because John Stewart

0:55:10.239 --> 0:55:13.759
<v Speaker 1>changed the game, but not that night. Later on they

0:55:13.800 --> 0:55:16.200
<v Speaker 1>put him in the right place in front of where

0:55:16.560 --> 0:55:20.439
<v Speaker 1>you know, Trevor's life is now and he was groundbreaking

0:55:20.480 --> 0:55:23.600
<v Speaker 1>and change the business, but back then it wasn't his time.

0:55:23.880 --> 0:55:27.640
<v Speaker 1>But he replaced me. Why are resign though I wanted,

0:55:28.200 --> 0:55:30.960
<v Speaker 1>like when you're doing a talk show, it might be

0:55:31.040 --> 0:55:34.400
<v Speaker 1>similar to what you're doing every night. I'm watching somebody's movie.

0:55:34.719 --> 0:55:38.040
<v Speaker 1>I'm reading someone's book. There was no link. Back then,

0:55:38.520 --> 0:55:40.920
<v Speaker 1>you had to go to a theater or someplace and

0:55:41.000 --> 0:55:44.719
<v Speaker 1>watch somebody's movie. You know. There was no laptop. There

0:55:44.840 --> 0:55:47.920
<v Speaker 1>was no like sometimes I can hit my laptop the

0:55:48.000 --> 0:55:51.239
<v Speaker 1>words speak and it'll read somebody's book to me and

0:55:51.360 --> 0:55:53.760
<v Speaker 1>I just sit and listen. But back then you actually

0:55:53.840 --> 0:55:58.279
<v Speaker 1>had to sit with Judith Light's autobiography and read it

0:55:58.400 --> 0:56:01.440
<v Speaker 1>before the interview the next day. And there was a

0:56:01.520 --> 0:56:04.480
<v Speaker 1>point where I wanted to act more. I did Harlem

0:56:04.640 --> 0:56:08.520
<v Speaker 1>Knights in the nighttime. I would do my show all

0:56:08.640 --> 0:56:12.400
<v Speaker 1>day and then shoot Harlem Knights at night and Charlomagne

0:56:12.440 --> 0:56:14.680
<v Speaker 1>I love to act, man, I love to act. I

0:56:14.840 --> 0:56:18.080
<v Speaker 1>wanted more time to pursue that people like people would

0:56:18.120 --> 0:56:21.239
<v Speaker 1>put me in movies as the talk show hosts, or

0:56:21.320 --> 0:56:24.040
<v Speaker 1>they would use clips. And they still do that, like

0:56:24.600 --> 0:56:29.879
<v Speaker 1>like recently there's a there's a mister mister Rogers movie

0:56:30.440 --> 0:56:33.080
<v Speaker 1>and they erased mister Rogers when I interviewed them back

0:56:33.120 --> 0:56:35.480
<v Speaker 1>in the day, and they put Tom Hanks in. They

0:56:35.520 --> 0:56:38.320
<v Speaker 1>can do stuff like that now, so my old interview

0:56:38.719 --> 0:56:41.400
<v Speaker 1>is in the movie, so I guess you could call

0:56:41.440 --> 0:56:45.040
<v Speaker 1>it typecasting. I wanted to act more and something else

0:56:45.800 --> 0:56:48.400
<v Speaker 1>that's really important for a man when it hits you.

0:56:49.239 --> 0:56:53.279
<v Speaker 1>I felt that every day doing this, I wanted a

0:56:53.440 --> 0:56:56.160
<v Speaker 1>kid man. I wanted to be a dad. I remember,

0:56:56.480 --> 0:57:00.759
<v Speaker 1>I remember the moment too. Magic had started coach and

0:57:00.880 --> 0:57:05.160
<v Speaker 1>he was coaching the Lakers, and Cookie Johnson let me

0:57:05.600 --> 0:57:09.759
<v Speaker 1>babysit EJ and take him to a game between the

0:57:09.880 --> 0:57:13.560
<v Speaker 1>Lakers and the Clippers. And EJ is watching the game

0:57:13.640 --> 0:57:16.480
<v Speaker 1>with me, and during halftime, I took EJ in the

0:57:16.520 --> 0:57:18.880
<v Speaker 1>back just to let him just give dad a hug.

0:57:19.680 --> 0:57:24.240
<v Speaker 1>And when I leaned over so he could kiss Irvin.

0:57:24.840 --> 0:57:27.280
<v Speaker 1>You know how a water balloon, you can't hold it

0:57:27.400 --> 0:57:29.040
<v Speaker 1>and go down on this side and go down on

0:57:29.080 --> 0:57:31.320
<v Speaker 1>that side of you know how a water balloon does.

0:57:31.640 --> 0:57:34.040
<v Speaker 1>That's how EJ start doing to get to his daddy

0:57:34.240 --> 0:57:36.640
<v Speaker 1>and to kiss his daddy and hold his daddy. And

0:57:36.640 --> 0:57:38.360
<v Speaker 1>he didn't want to let him coach the second half,

0:57:39.000 --> 0:57:41.440
<v Speaker 1>and there was a moment that I don't know how

0:57:41.480 --> 0:57:43.600
<v Speaker 1>to describe whether in the way I'm doing it, I

0:57:43.800 --> 0:57:47.080
<v Speaker 1>was that there's no love like the love of a

0:57:47.320 --> 0:57:51.560
<v Speaker 1>father and his son, a father and his daughter. That moment,

0:57:51.640 --> 0:57:54.120
<v Speaker 1>I was like, I didn't want kids as a matter

0:57:54.120 --> 0:57:55.520
<v Speaker 1>of fact. To be I'm gonna be honest with you.

0:57:55.520 --> 0:57:57.440
<v Speaker 1>I'm not gonna even say I didn't want kids. You

0:57:57.520 --> 0:58:00.880
<v Speaker 1>know how, when you don't make mistakes and you get

0:58:00.920 --> 0:58:05.520
<v Speaker 1>around and you haven't gotten somebody pregnant, you're worried. And

0:58:05.600 --> 0:58:09.400
<v Speaker 1>I went to a doctor. You know, I was like,

0:58:09.760 --> 0:58:11.880
<v Speaker 1>I ain't never got nobody to pregnant. And I mean

0:58:11.960 --> 0:58:15.320
<v Speaker 1>I used condoms and everything, but you suppose it slips

0:58:15.400 --> 0:58:18.040
<v Speaker 1>sometimes and I never had one of those situations. And

0:58:18.160 --> 0:58:20.520
<v Speaker 1>I went to a doctor and he said, I remember

0:58:20.560 --> 0:58:23.080
<v Speaker 1>the term. He said, I had slow swimmers. And I

0:58:23.160 --> 0:58:25.000
<v Speaker 1>didn't even ask him for more information because I was

0:58:25.040 --> 0:58:27.680
<v Speaker 1>just too embarrassing. I couldn't. I said, okay, whatever, because

0:58:27.680 --> 0:58:30.480
<v Speaker 1>I think that mean you're broke, you got slow swimmers,

0:58:30.800 --> 0:58:34.000
<v Speaker 1>And uh, it's all about God dog, not you, but

0:58:34.120 --> 0:58:37.720
<v Speaker 1>the other one. And and the bottom line is eventually

0:58:38.360 --> 0:58:41.440
<v Speaker 1>my girl got pregnant and my son was born, and

0:58:41.640 --> 0:58:44.680
<v Speaker 1>I spent the next twenty one years, you know, I

0:58:44.840 --> 0:58:48.920
<v Speaker 1>was that dad at every game, at every play, and

0:58:49.040 --> 0:58:51.840
<v Speaker 1>I tried to slide in and do work here and there,

0:58:52.240 --> 0:58:56.440
<v Speaker 1>but you can't do Hollywood part time. Hey, Austino, I

0:58:56.520 --> 0:58:58.480
<v Speaker 1>just want to tell you man, you loved, you, valued,

0:58:58.680 --> 0:59:01.480
<v Speaker 1>you appreciated, and I'm just happy that you exist on

0:59:01.560 --> 0:59:03.680
<v Speaker 1>this planet man, and don't want everybody to go out

0:59:03.760 --> 0:59:07.240
<v Speaker 1>in and check out Coming to America continued success, brus

0:59:07.360 --> 0:59:09.520
<v Speaker 1>Say hello to the duo that sits in the studio

0:59:09.600 --> 0:59:12.479
<v Speaker 1>with you every morning. I love you all and God

0:59:12.560 --> 0:59:16.080
<v Speaker 1>bless you. Ej Envy, Angela Yee, Charlomagne, the guy. We

0:59:16.160 --> 0:59:18.200
<v Speaker 1>are the Breakfast Club. Good morning. Hey, make sure you

0:59:18.280 --> 0:59:20.880
<v Speaker 1>go check out my conversation with our send your hall

0:59:21.200 --> 0:59:24.040
<v Speaker 1>on the Breakfast Clubs YouTube page. It should be should

0:59:24.080 --> 0:59:28.680
<v Speaker 1>be up now, that's right, that's all YouTube Breadfast Club.

0:59:28.760 --> 0:59:32.000
<v Speaker 1>Am No, that's not it. Breakfast Club. I'm not in

0:59:32.080 --> 0:59:33.720
<v Speaker 1>the studio. Is hanging up in the studio. I don't

0:59:33.720 --> 0:59:37.680
<v Speaker 1>know what is it? Dramas? What is our YouTube? Yes,

0:59:37.920 --> 0:59:43.080
<v Speaker 1>breakfast No, it is it? Yes, Breakfast Club power one

0:59:43.240 --> 0:59:51.000
<v Speaker 1>five one exactly. Just search breakfast ye y'all, wipe that

0:59:51.040 --> 0:59:54.840
<v Speaker 1>cream out your bid and go to breath room report intro. Wow, Okay,

0:59:58.760 --> 1:00:01.600
<v Speaker 1>she's filling the team. This is the rum of rapport

1:00:01.840 --> 1:00:08.680
<v Speaker 1>with Angela Yee on the Breakfast Club. Well, Obio Sound

1:00:08.760 --> 1:00:13.400
<v Speaker 1>or Radio is back now. Drake made that announcement on Twitter. Yes,

1:00:13.520 --> 1:00:15.960
<v Speaker 1>he posted yesterday going live tonight at ten thirty pm

1:00:16.040 --> 1:00:18.080
<v Speaker 1>Eastern with the return of Obio Sound Radio on the

1:00:18.160 --> 1:00:21.040
<v Speaker 1>launch of our twenty four hours station Sound forty two,

1:00:21.080 --> 1:00:24.840
<v Speaker 1>a new experience on Serious XM. He also shared three

1:00:24.920 --> 1:00:28.520
<v Speaker 1>new songs on the Scary Hours to EP now. Here's

1:00:28.520 --> 1:00:30.680
<v Speaker 1>what Drake had to say about Certified Lover Boy and

1:00:30.920 --> 1:00:34.920
<v Speaker 1>Scary Hours Too. I'm back in tip top form, so

1:00:35.600 --> 1:00:40.520
<v Speaker 1>you know that's a blessing, and CLB is currently being

1:00:40.640 --> 1:00:45.520
<v Speaker 1>cheft in every way possible, and I'm just I'm just

1:00:45.640 --> 1:00:48.680
<v Speaker 1>really excited about the music that we're making. I don't

1:00:48.720 --> 1:00:50.880
<v Speaker 1>have an exact date, but just no, it's it's it's

1:00:50.920 --> 1:00:53.760
<v Speaker 1>in a pot and it's coming soon. I wonder if

1:00:53.800 --> 1:00:56.160
<v Speaker 1>it's easier or harder for Drake to make music now.

1:00:56.240 --> 1:00:58.160
<v Speaker 1>You would think, you know, it'd be easier because he's

1:00:58.160 --> 1:01:00.200
<v Speaker 1>playing with house money, because he's Drake. But sometime times

1:01:00.200 --> 1:01:01.720
<v Speaker 1>you set the ball so high that when you fall

1:01:01.800 --> 1:01:05.000
<v Speaker 1>short of what we're used to, you know, people critique harder.

1:01:05.200 --> 1:01:07.040
<v Speaker 1>That's what I've been doing. So it's also it's good

1:01:07.080 --> 1:01:09.480
<v Speaker 1>to see him return to form. It's also inspirational. You

1:01:09.520 --> 1:01:11.600
<v Speaker 1>know a lot of times you get inspiration from different things.

1:01:11.720 --> 1:01:13.640
<v Speaker 1>You trying to grow, you trying to get to that

1:01:13.720 --> 1:01:16.440
<v Speaker 1>next level. But when you're on that level, yeah, yeah, yeah,

1:01:16.440 --> 1:01:17.800
<v Speaker 1>what do you rap about? I mean, it's good to

1:01:17.840 --> 1:01:19.920
<v Speaker 1>see him return the form on the three pack you dropped,

1:01:19.920 --> 1:01:21.280
<v Speaker 1>like when he raps, he's one of the best. And

1:01:21.320 --> 1:01:23.720
<v Speaker 1>he's snapping on that Lemon Pepper freestyle and he said,

1:01:23.760 --> 1:01:27.080
<v Speaker 1>these days famous disconnected from excellence. After time, I gotta

1:01:27.080 --> 1:01:30.040
<v Speaker 1>ask these is what their profession is, Jesus Christ usher

1:01:30.120 --> 1:01:33.400
<v Speaker 1>the generation and these it where my confessions live bars. Yeah,

1:01:33.400 --> 1:01:36.400
<v Speaker 1>he's spitting all right. Well, the songs he put out

1:01:36.440 --> 1:01:38.920
<v Speaker 1>are What's Next once and Needs and Lemon Pepper freestyle.

1:01:39.760 --> 1:01:42.840
<v Speaker 1>All right now music that you're hearing a hotel lobby

1:01:42.880 --> 1:01:47.280
<v Speaker 1>in La though. Huh, Well, I always gotta have something

1:01:47.400 --> 1:01:49.600
<v Speaker 1>to say about you. Just let him, let him live

1:01:51.360 --> 1:01:54.680
<v Speaker 1>and then you and then you gotta go left. And

1:01:54.680 --> 1:01:56.280
<v Speaker 1>when I when I when I gave him propers you'll

1:01:56.280 --> 1:01:57.760
<v Speaker 1>ain't saying nothing. But as soon as I say something

1:01:57.760 --> 1:02:00.280
<v Speaker 1>that y'all might perceive is negative, you look at y'all

1:02:01.480 --> 1:02:03.920
<v Speaker 1>necessary all right now, too Short has explained why his

1:02:04.000 --> 1:02:05.800
<v Speaker 1>song with Drake never came out. He was talking with

1:02:05.880 --> 1:02:08.160
<v Speaker 1>E forty for Hip Hop DX and here's what he

1:02:08.240 --> 1:02:10.160
<v Speaker 1>had to say. I was just about to do a

1:02:10.240 --> 1:02:12.240
<v Speaker 1>song with Drake. I feel like it might have happened.

1:02:12.320 --> 1:02:15.240
<v Speaker 1>And then he got the thirteen Billboard Awards and nobody

1:02:15.320 --> 1:02:18.040
<v Speaker 1>answered the phone anymore. I was like that, just you know,

1:02:18.040 --> 1:02:19.720
<v Speaker 1>I don't call it too many times. I just fell

1:02:19.800 --> 1:02:24.920
<v Speaker 1>back like damns the window. Drake old though, Drake. A

1:02:24.960 --> 1:02:26.840
<v Speaker 1>lot of Drake sound came from the Bay Area. Man,

1:02:26.920 --> 1:02:30.480
<v Speaker 1>so Drake, old man man, he got busy right all

1:02:30.560 --> 1:02:33.240
<v Speaker 1>right now. Space Jam a new legacy, according to the

1:02:33.320 --> 1:02:36.240
<v Speaker 1>director Malcolm Deeley. He says this new one will be

1:02:36.400 --> 1:02:39.040
<v Speaker 1>even better than the nineteen ninety six original. He said,

1:02:39.040 --> 1:02:41.280
<v Speaker 1>it's a better movie than Space Jam. He told Entertainment

1:02:41.320 --> 1:02:44.360
<v Speaker 1>Weekly lebron has that has got that going for him.

1:02:44.680 --> 1:02:47.560
<v Speaker 1>He said, if you say theatrical movie Space Jam is it?

1:02:48.080 --> 1:02:50.640
<v Speaker 1>You know he just whacked that movie out right, you know,

1:02:50.920 --> 1:02:54.479
<v Speaker 1>he literally just made the movie whack. We gotta stop

1:02:54.600 --> 1:02:57.960
<v Speaker 1>doing that. When you compare something to the original, people

1:02:58.040 --> 1:02:59.840
<v Speaker 1>go win. Thinking, Okay, I'm waiting for this to be

1:03:00.000 --> 1:03:02.160
<v Speaker 1>better than the first Space Jam and when it's not

1:03:02.480 --> 1:03:04.120
<v Speaker 1>the nail say things like, oh, the movie is why

1:03:04.200 --> 1:03:05.440
<v Speaker 1>you know what I call that? I call that minth

1:03:05.480 --> 1:03:07.920
<v Speaker 1>Bleak in somebody sleuthor Bleak. I love Bleak. But when

1:03:08.000 --> 1:03:11.240
<v Speaker 1>jay Z said mith Bleak is the new improved with me,

1:03:12.240 --> 1:03:14.439
<v Speaker 1>he said bleak up for failure because Bleak is good,

1:03:14.560 --> 1:03:16.840
<v Speaker 1>but he not whole. I mean, nobody's whole. But what

1:03:17.000 --> 1:03:18.640
<v Speaker 1>part twos are better? Though? There has to be a

1:03:18.720 --> 1:03:20.800
<v Speaker 1>part two that was better than the part one? Boy

1:03:22.040 --> 1:03:27.800
<v Speaker 1>Bad Boys Bad was Bad Boys. I mean, yeah, are

1:03:27.920 --> 1:03:31.960
<v Speaker 1>equally as good? Yeah, I would say equally as good. Equally.

1:03:32.120 --> 1:03:34.320
<v Speaker 1>I think Nightmare and three Part three was really good.

1:03:34.440 --> 1:03:37.120
<v Speaker 1>I liked it better than the first. I see, I

1:03:37.200 --> 1:03:41.880
<v Speaker 1>don't do hard movie. I don't pay people. Which sequel

1:03:41.960 --> 1:03:43.480
<v Speaker 1>was better than the first? I gotta think about though.

1:03:44.440 --> 1:03:48.360
<v Speaker 1>All right, well that is your rumor report what you

1:03:48.560 --> 1:03:55.440
<v Speaker 1>keep thinking anymore? We gotta go, guys, rumor report Charlotte.

1:03:55.480 --> 1:03:57.840
<v Speaker 1>We're giving that dog two. Oh man, we need uh

1:03:58.160 --> 1:04:01.240
<v Speaker 1>Tampa Bay Police Department to come to the front of

1:04:01.280 --> 1:04:03.800
<v Speaker 1>the congregation. Tampa Police Department in Tampa, y'all need to

1:04:03.800 --> 1:04:05.560
<v Speaker 1>come to the front of the congregation. We would like

1:04:05.640 --> 1:04:08.400
<v Speaker 1>to have a word with you. Okay, okay, all right,

1:04:08.840 --> 1:04:10.800
<v Speaker 1>we'll get to that. Next though move is to breakfast club.

1:04:10.840 --> 1:04:13.480
<v Speaker 1>Come on, make sure you're telling the watch out for Florida.

1:04:16.320 --> 1:04:18.680
<v Speaker 1>The craziest people in America come from the Bronx in

1:04:18.960 --> 1:04:23.880
<v Speaker 1>all of Florida. Yes, you are a donkey. The Florida

1:04:23.920 --> 1:04:26.960
<v Speaker 1>man a chap and atm for a very strange reason.

1:04:27.080 --> 1:04:29.360
<v Speaker 1>It gave him too much money. Florida man is arrested.

1:04:29.400 --> 1:04:31.200
<v Speaker 1>I can definitely say he rigged the door to his

1:04:31.280 --> 1:04:33.040
<v Speaker 1>home and an attempt to let you hit his partment.

1:04:33.160 --> 1:04:36.360
<v Speaker 1>Life police arrested in Orlando man for talking a Flamenia

1:04:36.680 --> 1:04:39.800
<v Speaker 1>to breakfast club. Bitchy Donkey of the day with Charlamagne,

1:04:39.840 --> 1:04:41.560
<v Speaker 1>a guy. I don't know why y'all keeping him. Get

1:04:41.600 --> 1:04:45.520
<v Speaker 1>y'all elected, because it's Florida. Little duvall donkey today for

1:04:45.600 --> 1:04:48.960
<v Speaker 1>Friday in March fifth goes to the Tampa Police Department. Now,

1:04:49.000 --> 1:04:51.480
<v Speaker 1>what does your uncle Sharla always say about the great

1:04:51.520 --> 1:04:54.440
<v Speaker 1>state of Florida. The craziest people in America come from

1:04:54.480 --> 1:04:56.480
<v Speaker 1>the Bronx and all of Florida. I love the state

1:04:56.520 --> 1:04:59.080
<v Speaker 1>of Florida, but we would be playing ourselves if we

1:04:59.160 --> 1:05:02.080
<v Speaker 1>didn't recognize that the state of Florida is operating on

1:05:02.200 --> 1:05:04.920
<v Speaker 1>a different frequency than the rest of the world. Not

1:05:05.080 --> 1:05:08.120
<v Speaker 1>too many things in Florida makes sense, well, at least

1:05:08.160 --> 1:05:10.000
<v Speaker 1>not to the rest of us on the outside looking in.

1:05:10.280 --> 1:05:12.240
<v Speaker 1>And this is one of those times. See the Tampa

1:05:12.320 --> 1:05:17.720
<v Speaker 1>Police Department fired Delvin White key word White for violations

1:05:17.760 --> 1:05:22.720
<v Speaker 1>of policy that prohibit discriminatory conduct. So Delvin White key

1:05:22.800 --> 1:05:27.439
<v Speaker 1>word White clearly did something to discriminate against someone. Well,

1:05:27.880 --> 1:05:32.120
<v Speaker 1>what did Delvin White keyword White do. Let's go to

1:05:32.280 --> 1:05:35.920
<v Speaker 1>WTSPCBS team for the report. Police Tampa's police union is

1:05:36.000 --> 1:05:39.080
<v Speaker 1>fighting to reinstate a police officer fired for using the

1:05:39.240 --> 1:05:41.880
<v Speaker 1>N word on the job. The union says the punishment

1:05:42.280 --> 1:05:46.000
<v Speaker 1>was too harsh. Police say the language violates community trust

1:05:46.120 --> 1:05:49.000
<v Speaker 1>and was enough to fire eight year vet Devlin White,

1:05:49.120 --> 1:05:53.200
<v Speaker 1>who worked as a school resource officer at Middleton. Devin

1:05:53.280 --> 1:05:58.120
<v Speaker 1>White keyword White was fired for being caught on body

1:05:58.200 --> 1:06:01.200
<v Speaker 1>camera saying on a phone call to a young woman

1:06:02.000 --> 1:06:05.160
<v Speaker 1>the N word, and they're fighting to get his job back.

1:06:05.200 --> 1:06:07.360
<v Speaker 1>I know what you're saying, Well, Uncle Charlotte, that absolutely

1:06:07.360 --> 1:06:09.640
<v Speaker 1>deserves donkey the day. He deserves the biggest. He had

1:06:09.880 --> 1:06:13.000
<v Speaker 1>no no police officer named Devin White key word white

1:06:13.160 --> 1:06:16.600
<v Speaker 1>should be uh, you know, using that N word, okay,

1:06:16.600 --> 1:06:19.680
<v Speaker 1>and they shouldn't be fighting to get his job back. Yes, well,

1:06:19.760 --> 1:06:25.439
<v Speaker 1>let's play a game of Jess what Rice today? All right? Now,

1:06:26.280 --> 1:06:29.560
<v Speaker 1>Angelie ye, this should be very obvious to all of us, now,

1:06:29.640 --> 1:06:34.000
<v Speaker 1>angeli ye. Devin last named White, key word white, okay,

1:06:34.400 --> 1:06:36.560
<v Speaker 1>was fired by the Tampa Police Department because he was

1:06:36.640 --> 1:06:40.160
<v Speaker 1>caught on body camera saying that his job is to ensure. Well,

1:06:40.160 --> 1:06:41.520
<v Speaker 1>I'm not gonna say what he said. His job was

1:06:41.560 --> 1:06:44.160
<v Speaker 1>the insure, but he used the N word. Jess what

1:06:44.720 --> 1:06:53.040
<v Speaker 1>Rice todays? I'm gonna say Caucasian? But what gave it away?

1:06:53.080 --> 1:06:57.560
<v Speaker 1>His last name? Now? Devin White, key word white, Tampa,

1:06:57.600 --> 1:07:00.240
<v Speaker 1>Florida was fired by the Tampa Police Department. He was

1:07:00.280 --> 1:07:03.920
<v Speaker 1>caught on body camera saying the N word nv Yes

1:07:04.360 --> 1:07:08.800
<v Speaker 1>what Rice it as? This is a tough word, but

1:07:08.920 --> 1:07:14.840
<v Speaker 1>I gotta go with white. Okay. Well, let's go back

1:07:14.880 --> 1:07:18.160
<v Speaker 1>to wts SPCBs ten for the report, please and find

1:07:18.200 --> 1:07:21.320
<v Speaker 1>out the police union is fighting to reinstate a black

1:07:21.360 --> 1:07:24.280
<v Speaker 1>police officer fired for using the N word on the job.

1:07:24.600 --> 1:07:28.840
<v Speaker 1>Hold on, play it again, WTSP CBS ten. I think

1:07:29.040 --> 1:07:31.840
<v Speaker 1>v and Angelie, you were wrong playing again. Tampa's police

1:07:31.920 --> 1:07:35.400
<v Speaker 1>union is fighting to reinstate a black police officer fired

1:07:35.640 --> 1:07:38.520
<v Speaker 1>for using the N word on the job. Y'all were wrong.

1:07:39.280 --> 1:07:43.520
<v Speaker 1>That was too easy. Delvin White is black and he

1:07:43.680 --> 1:07:47.480
<v Speaker 1>was fired for using the N word. Now can we

1:07:47.840 --> 1:07:52.520
<v Speaker 1>hear how he used the N word in context? Please?

1:07:56.240 --> 1:07:58.880
<v Speaker 1>You think you're going to jail now? Nigga? Now let's say. Now,

1:07:59.040 --> 1:08:01.520
<v Speaker 1>let's discuss. I play it one more time, Play it

1:08:01.600 --> 1:08:06.760
<v Speaker 1>one more time. You're going to jail? Downing Listen. The

1:08:06.880 --> 1:08:10.880
<v Speaker 1>Tampa Police Benevolent Association said yesterday that they are standing

1:08:10.960 --> 1:08:14.000
<v Speaker 1>with Devin White in fighting the department's firing. Let me

1:08:14.080 --> 1:08:17.959
<v Speaker 1>read the statement from Tampa Police Benevolent Association spokesman Danny Alvarez.

1:08:18.040 --> 1:08:19.960
<v Speaker 1>He said, we stand with the City of Tampa and

1:08:20.080 --> 1:08:22.559
<v Speaker 1>the Tampa Police Department in their efforts to stamp out

1:08:22.680 --> 1:08:25.600
<v Speaker 1>racism in every form and condemn any and all derogatory

1:08:25.680 --> 1:08:29.600
<v Speaker 1>statements in our out of uniform. But the facts in

1:08:29.680 --> 1:08:32.439
<v Speaker 1>the Delvin White matter do not reflect and act are

1:08:32.520 --> 1:08:36.040
<v Speaker 1>any intent that larrants the punishment he received for his

1:08:36.200 --> 1:08:40.160
<v Speaker 1>alleged transgression. Charlottagne and to god Leonardo mckelvy, Uncle Sharla

1:08:40.280 --> 1:08:42.560
<v Speaker 1>absolutely agrees. Let me tell you something. We live in

1:08:42.600 --> 1:08:44.599
<v Speaker 1>a country while a black person is three times more

1:08:44.640 --> 1:08:46.559
<v Speaker 1>likely to be killed by police during the police accounted

1:08:46.560 --> 1:08:48.080
<v Speaker 1>than a white person. We live in a country where

1:08:48.080 --> 1:08:49.640
<v Speaker 1>black people are more likely to be arrested and more

1:08:49.680 --> 1:08:51.240
<v Speaker 1>likely to receive a longer prison sent this than a

1:08:51.240 --> 1:08:53.360
<v Speaker 1>white person convicted of the same crime. We are more

1:08:53.479 --> 1:08:56.400
<v Speaker 1>likely to be profiled than white people. Police historically do

1:08:56.520 --> 1:08:59.240
<v Speaker 1>whatever the hell they want with us in this country,

1:08:59.360 --> 1:09:01.120
<v Speaker 1>and now all of a sudden, you want to fire

1:09:01.200 --> 1:09:04.840
<v Speaker 1>a black man for using the N word in context.

1:09:05.200 --> 1:09:09.600
<v Speaker 1>Let me tell you something. There's a thing called cultural competency,

1:09:09.920 --> 1:09:12.200
<v Speaker 1>and when you're from a certain environment, you speak the

1:09:12.360 --> 1:09:15.799
<v Speaker 1>language of that environment. Of course, a black police officer

1:09:15.920 --> 1:09:18.639
<v Speaker 1>in Tampa is going to use the N word. Devin

1:09:18.760 --> 1:09:23.160
<v Speaker 1>White keyword White was raised in the East Tampa community,

1:09:23.479 --> 1:09:26.680
<v Speaker 1>had nasty environment that he chose to protect every day.

1:09:26.880 --> 1:09:28.920
<v Speaker 1>Don't nobody know how to talk the language of the

1:09:28.960 --> 1:09:31.479
<v Speaker 1>community better than a person who's from that. By the way,

1:09:31.640 --> 1:09:33.960
<v Speaker 1>that's what we need. That's what we want. We need

1:09:34.080 --> 1:09:36.600
<v Speaker 1>policing that is for us and by us. Do you know,

1:09:36.840 --> 1:09:40.720
<v Speaker 1>Devin White also told investigators, yeah, I use the N word.

1:09:40.880 --> 1:09:42.920
<v Speaker 1>And he used the N word while making an arrest

1:09:43.000 --> 1:09:44.880
<v Speaker 1>in November, and he used the N word twice while

1:09:45.000 --> 1:09:48.800
<v Speaker 1>arresting an uncooperative mail for trust passing. Let me hear

1:09:48.840 --> 1:09:50.599
<v Speaker 1>that little clip again of him on the body, can

1:09:51.360 --> 1:09:55.160
<v Speaker 1>my head you're gonna tell my nigga. Yes, he probably

1:09:55.200 --> 1:09:58.080
<v Speaker 1>put handcuffs on a brother when he was being uncooperative

1:09:58.240 --> 1:10:00.760
<v Speaker 1>because he knows him, probably even the property he was

1:10:00.760 --> 1:10:02.960
<v Speaker 1>trust passing on and was given the dude the stern

1:10:03.080 --> 1:10:06.519
<v Speaker 1>talking to and telling him you're going to jail now, nigga. Okay,

1:10:06.800 --> 1:10:10.760
<v Speaker 1>I can guarantee you, with no facts our evidence to

1:10:10.920 --> 1:10:13.439
<v Speaker 1>back this up, that a white person in the Tampa

1:10:13.520 --> 1:10:16.479
<v Speaker 1>Police Department called the black person the N word before

1:10:16.760 --> 1:10:20.000
<v Speaker 1>are displayed some other form of racism, because the whole

1:10:20.040 --> 1:10:23.160
<v Speaker 1>law enforcement system is one of the most racist systems

1:10:23.640 --> 1:10:27.519
<v Speaker 1>you know, period. The two most racist systems in America

1:10:27.520 --> 1:10:31.080
<v Speaker 1>are probably law enforcement in the medical system. I guarantee

1:10:31.160 --> 1:10:34.839
<v Speaker 1>you some police officer use those words or was racist

1:10:34.880 --> 1:10:38.840
<v Speaker 1>in worse ways and nothing happened to them. Okay, Tampa

1:10:38.880 --> 1:10:41.320
<v Speaker 1>Bay Police Department. I don't know who you're trying to fool,

1:10:41.520 --> 1:10:44.120
<v Speaker 1>but You didn't fire Devin White because he used the

1:10:44.160 --> 1:10:46.800
<v Speaker 1>word nigga. You're fired Devin White because in your eyes,

1:10:46.920 --> 1:10:50.880
<v Speaker 1>he is a nigga. Okay, Tampa Bay Police Department, give

1:10:50.960 --> 1:10:54.400
<v Speaker 1>this man, Devin White, his job back. Okay, all right,

1:10:54.600 --> 1:10:56.600
<v Speaker 1>give the man his job back. All Right, y'all know,

1:10:56.680 --> 1:10:59.080
<v Speaker 1>good and damn well, that man was not using the

1:10:59.240 --> 1:11:02.080
<v Speaker 1>N word in whatever context y'all thought he was using

1:11:02.120 --> 1:11:04.280
<v Speaker 1>it in. Okay, Devin White was using it, you know,

1:11:04.760 --> 1:11:07.599
<v Speaker 1>the way you use it when you have folks from

1:11:07.640 --> 1:11:10.160
<v Speaker 1>the community, police in the community. All Right, You're just

1:11:10.240 --> 1:11:12.720
<v Speaker 1>gonna have to understand there as a language barrier that

1:11:13.520 --> 1:11:16.800
<v Speaker 1>y'all gonna have to overcome. And it's simple. We use

1:11:16.880 --> 1:11:18.920
<v Speaker 1>the N word, y'all don't and we shouldn't use the

1:11:19.000 --> 1:11:20.439
<v Speaker 1>N word either. But that's a conversation we need to

1:11:20.479 --> 1:11:22.439
<v Speaker 1>have in private at the next secret Black people meeting.

1:11:22.560 --> 1:11:25.200
<v Speaker 1>In the meantime, please let him give the Tampa Police

1:11:25.200 --> 1:11:28.760
<v Speaker 1>Department the biggest he haw he haw, he ha. You

1:11:29.040 --> 1:11:32.479
<v Speaker 1>stupid motherfuck? Are you dumb? I just want you to

1:11:32.560 --> 1:11:34.599
<v Speaker 1>know that you're over your nigga quota for the day.

1:11:34.720 --> 1:11:36.560
<v Speaker 1>That's what you want you to know that you just

1:11:36.680 --> 1:11:39.280
<v Speaker 1>said it so you made me go over. I made

1:11:39.320 --> 1:11:41.599
<v Speaker 1>you go over, you made me go up. I was fine, allow,

1:11:41.880 --> 1:11:47.800
<v Speaker 1>I'm allowed ten per every five minutes. White man, just contract.

1:11:48.080 --> 1:11:50.479
<v Speaker 1>That was not well. Guess what I need a white

1:11:50.560 --> 1:11:53.479
<v Speaker 1>man to tell me that I can't use still word

1:11:54.000 --> 1:11:57.960
<v Speaker 1>and you gotta say it. He can't. So you can't

1:11:58.000 --> 1:12:00.439
<v Speaker 1>say that word? What word? Say what word? And I'll say,

1:12:00.479 --> 1:12:02.360
<v Speaker 1>I don't know exactly because if you say any word,

1:12:02.400 --> 1:12:07.200
<v Speaker 1>I'm gonna say Nancy noodles, nutmeg, Okay, naughty by nature?

1:12:09.320 --> 1:12:11.240
<v Speaker 1>All right, man, shout to that cop man too. Man,

1:12:11.320 --> 1:12:12.840
<v Speaker 1>he's doing this thing. That's what that's what we want.

1:12:12.880 --> 1:12:15.559
<v Speaker 1>We want somebody from our community to police us, that's

1:12:15.600 --> 1:12:18.120
<v Speaker 1>going to talk to us and be from our community.

1:12:18.240 --> 1:12:20.080
<v Speaker 1>Right if he'd have been like, excuse me, sir, you

1:12:20.120 --> 1:12:22.599
<v Speaker 1>know you're going to jail. No, No, you wanted somebody

1:12:22.640 --> 1:12:24.320
<v Speaker 1>that that we know that's from our community. That's what

1:12:24.360 --> 1:12:25.960
<v Speaker 1>we've been saying, right, that's what we've been screaming for,

1:12:26.080 --> 1:12:28.840
<v Speaker 1>we've been crying for. Right, give Devin White his job back.

1:12:29.720 --> 1:12:33.080
<v Speaker 1>Absolutely all right now when we come back, Anderson Pack

1:12:33.160 --> 1:12:35.720
<v Speaker 1>and Bruno Mars will be joining us. Never heard of no,

1:12:36.000 --> 1:12:38.519
<v Speaker 1>not at all. They started a group. What's it called

1:12:38.560 --> 1:12:47.559
<v Speaker 1>Silk City Sonic Silk, what's it called Silk Sonic? Guy Man,

1:12:47.760 --> 1:12:49.320
<v Speaker 1>We're gonna get you with him when we come back.

1:12:49.360 --> 1:12:55.280
<v Speaker 1>It's a breakfast club for morning, The breakfast club wanting

1:12:55.360 --> 1:12:59.439
<v Speaker 1>everybody is DJ Envy and Lauye Charlomagne the guy. We

1:12:59.560 --> 1:13:02.040
<v Speaker 1>are the breakfast Club. We got some special guests in

1:13:02.120 --> 1:13:05.720
<v Speaker 1>the building this morning. We have Bruno Mars and Anderson Hat.

1:13:05.840 --> 1:13:11.040
<v Speaker 1>What up, guys? What's going on? Yes, how y'a feeing favor?

1:13:11.120 --> 1:13:15.080
<v Speaker 1>How y'all feeling great? Man? Bless blast? You guys are

1:13:15.120 --> 1:13:17.719
<v Speaker 1>doing an album together? Now? How did this come about

1:13:17.920 --> 1:13:20.120
<v Speaker 1>with y'all together? I mean, I think y'all were together.

1:13:20.120 --> 1:13:22.120
<v Speaker 1>Since y'all together? Now, did y'all record it together? Or

1:13:22.280 --> 1:13:25.200
<v Speaker 1>was this a pandemic studio session? Let's be careful about

1:13:25.200 --> 1:13:29.320
<v Speaker 1>how we say it together. Where did some honest musicians

1:13:29.400 --> 1:13:32.880
<v Speaker 1>that still play instruments, still listen to Marvin Gay, Stevie

1:13:32.920 --> 1:13:35.200
<v Speaker 1>Wanner and stuff? And there's only a few people like that.

1:13:35.320 --> 1:13:37.439
<v Speaker 1>So when you find it, you just you just gotta

1:13:37.479 --> 1:13:40.360
<v Speaker 1>link up. What does the name Silk Sonic mean? Where

1:13:40.400 --> 1:13:43.080
<v Speaker 1>did that come from? Bot named us? Oh? Tell her?

1:13:43.120 --> 1:13:45.400
<v Speaker 1>You gotta tell us that story. That's that's come on, now,

1:13:45.439 --> 1:13:47.880
<v Speaker 1>that's incredible. He heard the song. He heard the song,

1:13:48.320 --> 1:13:50.200
<v Speaker 1>and so we need a name, you know, Bootsy Collins

1:13:50.320 --> 1:13:53.200
<v Speaker 1>name baby Face. I didn't know that whole baby Face

1:13:53.240 --> 1:13:54.839
<v Speaker 1>on mind if you don't mind, if I tell her Bude.

1:13:55.640 --> 1:13:59.799
<v Speaker 1>Baby Face was in the studio and Bootsy Collins walks

1:13:59.840 --> 1:14:01.000
<v Speaker 1>in and he's in the studio with a bunch of

1:14:01.040 --> 1:14:02.880
<v Speaker 1>his friends. He looks at he looks at the time,

1:14:02.920 --> 1:14:06.040
<v Speaker 1>he's Kenny Edmonds. Boots He looks at him and says,

1:14:06.160 --> 1:14:09.120
<v Speaker 1>what's up a baby face? And the whole studio starts laughing.

1:14:09.880 --> 1:14:13.400
<v Speaker 1>The next day they have a show and the guy

1:14:13.479 --> 1:14:15.960
<v Speaker 1>introduces him as Kenny Edmonds and he got the golf

1:14:16.040 --> 1:14:20.640
<v Speaker 1>clap and as a joke, the very next night he

1:14:20.760 --> 1:14:24.000
<v Speaker 1>goes ladies and gentlemen baby Face and the girls start

1:14:24.080 --> 1:14:27.120
<v Speaker 1>freaking out. And I hope I didn't box that story. Face,

1:14:27.280 --> 1:14:30.040
<v Speaker 1>But that's that's the story. The way do you walk

1:14:30.080 --> 1:14:33.320
<v Speaker 1>in the studio and say, hey, Silk Sonic, No, no, no,

1:14:33.680 --> 1:14:35.559
<v Speaker 1>we played him the song. We sent them the record.

1:14:35.880 --> 1:14:39.120
<v Speaker 1>And when that's hosted by Bootsy Collins, what other involvement

1:14:39.200 --> 1:14:42.200
<v Speaker 1>does he have in the album. He's gonna be narrating

1:14:42.240 --> 1:14:45.000
<v Speaker 1>this whole album. Try to put a show together, and

1:14:45.080 --> 1:14:47.760
<v Speaker 1>we call it the set list of Doom. Okay, well,

1:14:47.840 --> 1:14:49.479
<v Speaker 1>let me ask all the pluck to him when he said,

1:14:49.560 --> 1:14:51.599
<v Speaker 1>y'all a silk toning, y'all didn't ask what that means.

1:14:51.720 --> 1:14:56.120
<v Speaker 1>Y'all just you can't really question the ogez, you know,

1:14:56.240 --> 1:14:58.519
<v Speaker 1>like you only get a few, you know, moments with them.

1:14:58.560 --> 1:15:00.160
<v Speaker 1>So he kind of just have to run with that.

1:15:00.439 --> 1:15:02.720
<v Speaker 1>And uh, I liked it. I think it fit with

1:15:02.800 --> 1:15:05.640
<v Speaker 1>the music, and you know, it sounded cool when he

1:15:05.720 --> 1:15:09.200
<v Speaker 1>said it, so it was like, that's what it seems like,

1:15:09.280 --> 1:15:11.560
<v Speaker 1>a five heartbeats type of vibe or something like that.

1:15:11.720 --> 1:15:16.960
<v Speaker 1>I got nothing but for you, hey either. Hey, we

1:15:17.120 --> 1:15:18.560
<v Speaker 1>was arguing this morning, which one of y'all is a

1:15:18.600 --> 1:15:21.360
<v Speaker 1>better pure thing? Come on, we ain't gotta argue, damn,

1:15:21.560 --> 1:15:28.000
<v Speaker 1>you know what I'm saying. Argue you say you It's like,

1:15:28.240 --> 1:15:31.600
<v Speaker 1>you know, I'm a drummer first, so I know how

1:15:31.640 --> 1:15:36.400
<v Speaker 1>to support no, you know, dye higher than Bruno kind

1:15:36.400 --> 1:15:38.640
<v Speaker 1>of nobody sing clearly, you guys are gonna hear and

1:15:39.080 --> 1:15:41.040
<v Speaker 1>you guys are gonna hear Anderson singing his ass off

1:15:41.120 --> 1:15:43.160
<v Speaker 1>on this album. So you think Anderson is a better

1:15:43.200 --> 1:15:45.799
<v Speaker 1>pure thinger than you, bruntal, I didn't say that, Charlotte

1:15:45.840 --> 1:15:49.920
<v Speaker 1>Mane Charomagne, you and I would never say that. Yeah,

1:15:50.560 --> 1:15:54.560
<v Speaker 1>we can edit that part autum, right, they gotta you

1:15:54.600 --> 1:15:58.599
<v Speaker 1>guys watch versus? Y'all fans of verses? Yeah, yeah yeah,

1:15:58.760 --> 1:16:00.840
<v Speaker 1>would y'all ever do a verse? Well, it was either

1:16:00.920 --> 1:16:03.280
<v Speaker 1>gonna be a versus or make an album, So and

1:16:03.439 --> 1:16:10.000
<v Speaker 1>Anderson chose the right. Now. I love the verses that

1:16:10.320 --> 1:16:13.679
<v Speaker 1>I don't know. Would you doing versus? Yeah? Who would

1:16:13.680 --> 1:16:19.559
<v Speaker 1>your battle? You? And face that up next? And that's

1:16:19.600 --> 1:16:21.559
<v Speaker 1>really a great way to fill That's gonna be great.

1:16:22.080 --> 1:16:24.560
<v Speaker 1>I'm happy. I think what Swizz and Timberland did with

1:16:24.600 --> 1:16:27.720
<v Speaker 1>that is an awesome a text Swizz congratulating because I

1:16:27.800 --> 1:16:31.000
<v Speaker 1>think that that did a lot for the pandemic. Absolutely

1:16:31.160 --> 1:16:34.840
<v Speaker 1>besides Anderson, pack who would you? Who would you battle? Bruto?

1:16:35.240 --> 1:16:37.160
<v Speaker 1>If there's anybody out there, I'll go toe to toe

1:16:37.240 --> 1:16:41.600
<v Speaker 1>with anybody. I like that. Told to Chalk, I like that.

1:16:42.000 --> 1:16:43.120
<v Speaker 1>I don't want to. I don't know, but I don't.

1:16:43.120 --> 1:16:46.120
<v Speaker 1>I don't want no problems. I don't want to collum Now.

1:16:46.160 --> 1:16:49.120
<v Speaker 1>I think Bruno as you also got yourself an alter ego, right,

1:16:49.320 --> 1:16:52.160
<v Speaker 1>you're designing class Ye. I don't wants calling it an

1:16:52.200 --> 1:16:56.240
<v Speaker 1>altar ego. It's kind of it's weird. But fashion designer

1:16:56.560 --> 1:17:03.200
<v Speaker 1>slash mystery man. Yeah, no, um riquet, what do you

1:17:03.280 --> 1:17:06.760
<v Speaker 1>call it? La Cost approached me. I've been fortunate to

1:17:06.840 --> 1:17:09.680
<v Speaker 1>have been asked to do collaborations before with other companies,

1:17:10.000 --> 1:17:12.360
<v Speaker 1>but it always came with like guidelines. La Cost was

1:17:12.400 --> 1:17:15.080
<v Speaker 1>the only company that was, like Bruno, you could do

1:17:15.120 --> 1:17:18.200
<v Speaker 1>whatever you want. So, you know, Bruno Mars like, that's

1:17:18.240 --> 1:17:21.639
<v Speaker 1>like tour merch and that's who that's that's me on stage.

1:17:21.680 --> 1:17:24.679
<v Speaker 1>I gotta be a designer. And that's where Ricky Rigo

1:17:24.760 --> 1:17:26.719
<v Speaker 1>came up. Because I don't want to wear the clothes.

1:17:26.760 --> 1:17:28.599
<v Speaker 1>I don't want to wear clothes. That says Bruno Mars

1:17:28.680 --> 1:17:31.680
<v Speaker 1>on it now now, Bruno, the other barbershop debate we

1:17:31.800 --> 1:17:33.640
<v Speaker 1>was having was if you did do it versus and

1:17:33.720 --> 1:17:39.240
<v Speaker 1>you battled the weekend. Oh, I said to Charlomagne. You

1:17:39.360 --> 1:17:43.360
<v Speaker 1>heard me the first time I said Bruno over the weekend.

1:17:43.400 --> 1:17:46.439
<v Speaker 1>I said that, Oh, come on, what do you think say?

1:17:47.560 --> 1:17:50.599
<v Speaker 1>I mean, I think that's no branding. I'm not to say,

1:17:51.200 --> 1:17:55.639
<v Speaker 1>come on, don't do that, Charlemagne, don't do that. Don't

1:17:55.720 --> 1:17:58.600
<v Speaker 1>do that. You know, we know what you're doing. We

1:17:58.760 --> 1:18:03.400
<v Speaker 1>know what you're doing. I don't, can't anybody to the toe.

1:18:04.320 --> 1:18:07.320
<v Speaker 1>But then I backed out immediately. That was me. I

1:18:07.439 --> 1:18:10.559
<v Speaker 1>got the shop, but then I backed out immediately. Now, Bruno,

1:18:10.760 --> 1:18:12.840
<v Speaker 1>question why you came that woman out of one hundred

1:18:12.840 --> 1:18:16.840
<v Speaker 1>thousand dollars? Damn? Why are you doing that? Bruno? You

1:18:16.920 --> 1:18:19.280
<v Speaker 1>got that board during the pandemic making the album with

1:18:19.360 --> 1:18:23.519
<v Speaker 1>Andrewhon wasn't another I was some money man. I had

1:18:23.560 --> 1:18:26.639
<v Speaker 1>to skip down to pass it. I put a lot

1:18:26.720 --> 1:18:29.840
<v Speaker 1>on the on the spurs that night. It didn't really

1:18:29.880 --> 1:18:34.479
<v Speaker 1>come through for me. He was over extended. You know. Listen,

1:18:35.160 --> 1:18:37.200
<v Speaker 1>do you know her name? Yeah? I don't think they

1:18:37.240 --> 1:18:39.479
<v Speaker 1>put her name out there. But all right, well, whoever

1:18:39.600 --> 1:18:42.719
<v Speaker 1>you are, I'm so sorry. And stay off the internet.

1:18:44.000 --> 1:18:47.759
<v Speaker 1>That's all you come on, Bruno, Stay off the internet.

1:18:49.240 --> 1:18:52.360
<v Speaker 1>It's treacherous, it's treacherous. Out of the game. But Bruno,

1:18:52.400 --> 1:18:54.000
<v Speaker 1>what do you think when you heard that story? Though?

1:18:54.479 --> 1:18:58.519
<v Speaker 1>I mean, look, I have family members that thought I

1:18:58.720 --> 1:19:02.760
<v Speaker 1>was actually talking to them on Facebook, and you know,

1:19:03.160 --> 1:19:05.680
<v Speaker 1>like this is my uncle's and my aunts. He's like

1:19:06.040 --> 1:19:09.519
<v Speaker 1>they really thought it was me talking to them, So

1:19:10.240 --> 1:19:13.519
<v Speaker 1>I don't blame her. I just I just say to

1:19:13.760 --> 1:19:17.120
<v Speaker 1>everyone out there and be careful because that's a different world.

1:19:17.200 --> 1:19:20.360
<v Speaker 1>It ain't the real world out there. Don't send money nobody,

1:19:20.520 --> 1:19:23.479
<v Speaker 1>but there's nobody's sending money and it's in pac or Bruno.

1:19:23.520 --> 1:19:29.720
<v Speaker 1>Mars is so sonic. Now have you ever had a situation,

1:19:29.880 --> 1:19:32.120
<v Speaker 1>either one of you, where you thought you were talking

1:19:32.160 --> 1:19:35.160
<v Speaker 1>to somebody online and you got catfish, like maybe a

1:19:35.240 --> 1:19:37.760
<v Speaker 1>collaboration you were trying to pig and it was not

1:19:37.880 --> 1:19:40.040
<v Speaker 1>the person you thought it was. Well, it happens all

1:19:40.040 --> 1:19:42.080
<v Speaker 1>the time. I called the same person like with the

1:19:42.160 --> 1:19:45.120
<v Speaker 1>same you know, first name, and as you realize thirty

1:19:45.160 --> 1:19:48.160
<v Speaker 1>minutes in the Saint, this ain't the earl that I wanted.

1:19:49.439 --> 1:19:53.639
<v Speaker 1>I got a chance rich all right, I'll let you later. Yeah, yeah,

1:19:53.880 --> 1:19:57.280
<v Speaker 1>stuff like that. But I always know who I'm talking to. Now,

1:19:57.640 --> 1:20:00.680
<v Speaker 1>you know, y'all think the tweet outs that y'all was,

1:20:00.760 --> 1:20:03.760
<v Speaker 1>you know, doing an album, doing a song. Everybody's talking

1:20:03.760 --> 1:20:07.000
<v Speaker 1>about it. There's marketing and promotion from record labels. Even

1:20:07.080 --> 1:20:09.000
<v Speaker 1>matter when you get to a certain point in your career,

1:20:09.080 --> 1:20:12.519
<v Speaker 1>does it still matter? Yeah, because we hope that the

1:20:12.560 --> 1:20:15.439
<v Speaker 1>Breakfast Club is gonna champion for the song. That's why

1:20:15.520 --> 1:20:17.120
<v Speaker 1>we want to sit down and talk to y'all. Make

1:20:17.160 --> 1:20:20.480
<v Speaker 1>sure that you guys champion for these out of work musicians.

1:20:21.160 --> 1:20:24.080
<v Speaker 1>Brand that y'all gonna play his record. But this didn't

1:20:24.160 --> 1:20:25.680
<v Speaker 1>is like an easy way to do it. I mean,

1:20:25.760 --> 1:20:28.000
<v Speaker 1>you stay here for a day, you do twenty interviews.

1:20:28.040 --> 1:20:31.160
<v Speaker 1>You ain't. You ain't gonna go to Oh no, it's

1:20:31.200 --> 1:20:34.200
<v Speaker 1>different though, a lot much rather be there with y'all

1:20:34.280 --> 1:20:36.920
<v Speaker 1>and you know, doing it like that. The zoom thing.

1:20:37.200 --> 1:20:39.320
<v Speaker 1>This is just like the third time I've ever done.

1:20:39.800 --> 1:20:46.640
<v Speaker 1>It's a zoom kind of skype. Yeah, this is like

1:20:46.760 --> 1:20:50.599
<v Speaker 1>my third zoom in history. Not too good with technology?

1:20:50.760 --> 1:20:53.080
<v Speaker 1>A tech guy, Yes guy, How do y'all keep in

1:20:53.160 --> 1:20:57.759
<v Speaker 1>touch with your lady friends during quarantine? Lady France is married.

1:20:58.080 --> 1:21:02.280
<v Speaker 1>I got a wife, you gotta really, I didn't know

1:21:04.280 --> 1:21:09.120
<v Speaker 1>you're trying. That's what he does. That's this whole thing,

1:21:14.240 --> 1:21:15.760
<v Speaker 1>the pictures of his wife and kids when he was

1:21:16.800 --> 1:21:19.840
<v Speaker 1>You understand me, well, now it makes sense, Bruno, why

1:21:19.920 --> 1:21:23.240
<v Speaker 1>you seem so level headed and so like just humble,

1:21:23.560 --> 1:21:25.480
<v Speaker 1>you know what I mean? Because you got that stability.

1:21:25.800 --> 1:21:29.120
<v Speaker 1>Appreciate that all we got more with Silk Sonic when

1:21:29.160 --> 1:21:32.360
<v Speaker 1>we come back as Anderson Pack and Bruno Mars. Now

1:21:32.439 --> 1:21:34.040
<v Speaker 1>what his name is, John Charleman. I thought it was

1:21:34.080 --> 1:21:37.439
<v Speaker 1>called I think it's called Keep the Jar Open. Oh,

1:21:37.560 --> 1:21:39.320
<v Speaker 1>so why they talk? I guess they told us it

1:21:39.360 --> 1:21:41.080
<v Speaker 1>was Bruce Leroy because they were trying to They didn't

1:21:41.080 --> 1:21:42.759
<v Speaker 1>want the name of the song to go out. Maybe

1:21:42.800 --> 1:21:44.920
<v Speaker 1>all right, well let's get into it. It's the Breakfast Club.

1:21:45.000 --> 1:21:55.360
<v Speaker 1>Good Morning. That was leave the Door Open, Bruno Mars,

1:21:55.400 --> 1:21:57.840
<v Speaker 1>Anderson pact. They are Heim good Morning, we are the

1:21:57.960 --> 1:22:00.160
<v Speaker 1>Breakfast Club. Now let's get back to the off you

1:22:00.240 --> 1:22:03.080
<v Speaker 1>sell them me and what's something? Uh? You know Bruno

1:22:03.240 --> 1:22:06.000
<v Speaker 1>was stronger than you at and vites A versus Bruno.

1:22:06.040 --> 1:22:09.400
<v Speaker 1>What's something? Can I take this one? Let me just

1:22:09.479 --> 1:22:14.320
<v Speaker 1>take this one when I'm stronger than him at boy

1:22:14.520 --> 1:22:16.760
<v Speaker 1>know how to bed man? I'm telling you man, he

1:22:16.840 --> 1:22:19.519
<v Speaker 1>got like, you know, you know what's gonna hit? What's

1:22:19.520 --> 1:22:21.360
<v Speaker 1>going on? He got like a sixth sense. You know.

1:22:22.040 --> 1:22:23.840
<v Speaker 1>I'm more like, oh, let me see, I don't know

1:22:23.920 --> 1:22:26.479
<v Speaker 1>it could go this way? Feeling it out there. He

1:22:26.600 --> 1:22:29.280
<v Speaker 1>got like a spidy sense like nah, we gotta hit this. No,

1:22:29.439 --> 1:22:32.000
<v Speaker 1>we gotta do this progression. You know what I'm saying.

1:22:32.040 --> 1:22:34.439
<v Speaker 1>This is gonna get us to this money in that.

1:22:34.600 --> 1:22:36.720
<v Speaker 1>There's some magic in that. This that's his favorite thing.

1:22:36.800 --> 1:22:39.559
<v Speaker 1>You know. This is the math on that. What about you, Bruno?

1:22:39.600 --> 1:22:42.599
<v Speaker 1>What's something Anderson stronger than you? At the exact opposite

1:22:42.600 --> 1:22:45.000
<v Speaker 1>of what he said. I grew up with some old

1:22:45.120 --> 1:22:49.840
<v Speaker 1>school producers that was really hard in the studio to

1:22:49.920 --> 1:22:53.000
<v Speaker 1>work with because they understand how to get to a

1:22:53.080 --> 1:22:56.400
<v Speaker 1>certain place that they want to go. And I grew

1:22:56.479 --> 1:22:58.720
<v Speaker 1>up watching that and seeing that, and I've seen some

1:22:59.600 --> 1:23:02.880
<v Speaker 1>horrible things, but I've seen them that turn into magic.

1:23:03.520 --> 1:23:08.120
<v Speaker 1>Anderson is give me the drumsticks, you know, turn on

1:23:08.200 --> 1:23:11.479
<v Speaker 1>the mic. So he's got this freedom. That's how he

1:23:11.640 --> 1:23:14.160
<v Speaker 1>finds his groove. And I'm a little and I'm a

1:23:14.200 --> 1:23:16.840
<v Speaker 1>little more like, all right, well maybe if I play

1:23:16.920 --> 1:23:19.479
<v Speaker 1>this chord and then I do this, and then I

1:23:19.640 --> 1:23:22.880
<v Speaker 1>do that. Yeah, I also like to like bounce around

1:23:22.960 --> 1:23:25.160
<v Speaker 1>like we're gonna do the song. You know, we work

1:23:25.240 --> 1:23:27.080
<v Speaker 1>on it for four or five hours, and then let's

1:23:27.160 --> 1:23:29.400
<v Speaker 1>let's jump to something else, you know, or let's let's

1:23:29.479 --> 1:23:31.800
<v Speaker 1>let's touch on this. This dude is obsessed. He's gonna

1:23:31.800 --> 1:23:33.880
<v Speaker 1>be working on the same damn song for two years

1:23:34.920 --> 1:23:38.160
<v Speaker 1>just because there's magic in the hook. He knows that,

1:23:38.680 --> 1:23:41.400
<v Speaker 1>and it's like an obsession, bro, And like we can

1:23:41.479 --> 1:23:44.160
<v Speaker 1>work on something all day and we come back, you know,

1:23:44.160 --> 1:23:46.360
<v Speaker 1>I'll be like, man, it's a sicky like, nah, it

1:23:46.439 --> 1:23:48.640
<v Speaker 1>ain't good. We went we made a left turn here,

1:23:48.680 --> 1:23:51.000
<v Speaker 1>we need to go right right here, And yeah, we

1:23:51.120 --> 1:23:53.160
<v Speaker 1>work all day on it. Again. It's crazy work. I

1:23:53.280 --> 1:23:55.080
<v Speaker 1>thick and I told her Andy, it's like it's nothing

1:23:55.120 --> 1:23:57.519
<v Speaker 1>to brag about. I wish I could just go and

1:23:57.720 --> 1:23:59.920
<v Speaker 1>just have you know, some ansors, but it just takes up.

1:24:00.040 --> 1:24:01.720
<v Speaker 1>It takes, like I said, it takes a lot for

1:24:01.840 --> 1:24:04.240
<v Speaker 1>me to feel like, all right, it's done. In this

1:24:04.400 --> 1:24:07.719
<v Speaker 1>first single. That took a lot. Yeah, and we couldn't

1:24:07.720 --> 1:24:10.080
<v Speaker 1>be prouder. I want to ask Bruno. You know, Bruno,

1:24:10.120 --> 1:24:13.320
<v Speaker 1>you know people love to accuse you of being a

1:24:13.439 --> 1:24:16.400
<v Speaker 1>cultural thief, which I find interesting because you are a

1:24:16.479 --> 1:24:18.679
<v Speaker 1>person of color. What would you say to those people?

1:24:19.400 --> 1:24:22.160
<v Speaker 1>I would say, you can't look at an interview. You

1:24:22.240 --> 1:24:26.479
<v Speaker 1>can't find an interview where I am not talking about

1:24:26.560 --> 1:24:29.599
<v Speaker 1>the entertainers that have come before me. And the only

1:24:29.680 --> 1:24:33.160
<v Speaker 1>reason why I'm here is because of James Brown is

1:24:33.200 --> 1:24:36.559
<v Speaker 1>because of Prince Michael. That's the only reason why I'm here.

1:24:37.040 --> 1:24:40.800
<v Speaker 1>I'm growing up as a kid watching Bobby Brown saying, Okay,

1:24:40.840 --> 1:24:42.720
<v Speaker 1>if that's what it takes to make it, then I

1:24:42.800 --> 1:24:45.439
<v Speaker 1>gotta learn how to do the running, man. I gotta

1:24:45.520 --> 1:24:48.160
<v Speaker 1>learn how to do the moonwalk. I said, And this

1:24:48.320 --> 1:24:51.000
<v Speaker 1>music comes from love. If you can't hear that, then

1:24:51.040 --> 1:24:52.680
<v Speaker 1>I don't know what to tell you. Yeah. When I

1:24:52.760 --> 1:24:55.839
<v Speaker 1>saw you shout out Teddy Riley and the New Jack's

1:24:56.160 --> 1:24:58.280
<v Speaker 1>Swing movement at the Grammys, I was like, all right,

1:24:58.720 --> 1:25:00.640
<v Speaker 1>that's homage, you know what I mean? When you won

1:25:00.760 --> 1:25:03.160
<v Speaker 1>that the award, I was like, Okay, here, it's the truth.

1:25:03.520 --> 1:25:06.920
<v Speaker 1>There's no it's like, it's not a it's not a secret.

1:25:07.040 --> 1:25:09.559
<v Speaker 1>Like I said, we were in the inspiration on a sleeve.

1:25:09.800 --> 1:25:12.759
<v Speaker 1>What is the point if we If us as musicians

1:25:12.840 --> 1:25:14.800
<v Speaker 1>can't learn from the guys that have come before us,

1:25:14.840 --> 1:25:17.280
<v Speaker 1>why did they do it? And I hope later on

1:25:17.439 --> 1:25:20.599
<v Speaker 1>down the road there's gonna be a band that's taking

1:25:20.800 --> 1:25:23.400
<v Speaker 1>what we did and flipping that and freaking that and

1:25:23.840 --> 1:25:26.320
<v Speaker 1>putting their own spin on it. Because if they don't,

1:25:28.160 --> 1:25:30.680
<v Speaker 1>then what was the point of us doing this? If

1:25:30.720 --> 1:25:33.719
<v Speaker 1>we playing basketball. If you can't learn from Michael Jordan,

1:25:34.120 --> 1:25:36.200
<v Speaker 1>what was the point of him doing that? Why can't

1:25:36.200 --> 1:25:38.120
<v Speaker 1>you take oh, why can't you learn all these tricks

1:25:38.160 --> 1:25:40.720
<v Speaker 1>that this man did the greatest of all time and

1:25:40.880 --> 1:25:44.200
<v Speaker 1>learn how he did uh this three point or this

1:25:44.520 --> 1:25:51.320
<v Speaker 1>uh fade away, which Kobe did exactly exactly and as

1:25:51.400 --> 1:25:54.920
<v Speaker 1>he should, because that's the blueprint. This man showed you

1:25:55.040 --> 1:25:58.080
<v Speaker 1>how to do it. Does that criticism pish you off? Now?

1:25:58.120 --> 1:26:00.240
<v Speaker 1>It comes with the gig and I and this this

1:26:00.360 --> 1:26:05.800
<v Speaker 1>real merit to what people are saying about black entertainer's

1:26:05.840 --> 1:26:08.160
<v Speaker 1>not getting their flowers, you know, and and I'm I'm

1:26:08.240 --> 1:26:11.519
<v Speaker 1>I'm I'm champion with that. I'm with that. But it's

1:26:11.600 --> 1:26:15.639
<v Speaker 1>more so I guess at the time when it kind

1:26:15.680 --> 1:26:17.880
<v Speaker 1>of popped off on the Internet, I was looking in

1:26:17.920 --> 1:26:19.880
<v Speaker 1>the manor like, what am I not seeing? Where is this?

1:26:20.760 --> 1:26:22.760
<v Speaker 1>Where is this pass that I that I do? I

1:26:22.840 --> 1:26:24.600
<v Speaker 1>have to see ass that I don't know about it?

1:26:25.320 --> 1:26:28.200
<v Speaker 1>And where can I get this pass? Because like I

1:26:28.360 --> 1:26:31.040
<v Speaker 1>use something for me and my friends. You know, at

1:26:31.080 --> 1:26:35.320
<v Speaker 1>the time, it was that was it, But I understand

1:26:35.680 --> 1:26:39.400
<v Speaker 1>and it's just it's just it's Twitter. Yeah, have you

1:26:39.479 --> 1:26:45.040
<v Speaker 1>adjusted to being a superstar man. Nah, it's not because

1:26:45.080 --> 1:26:47.200
<v Speaker 1>I don't. I just do music, that's all since I

1:26:47.320 --> 1:26:49.680
<v Speaker 1>was a baby, and I don't look at myself as

1:26:49.720 --> 1:26:52.400
<v Speaker 1>a superstar. So all I want to do is doing music.

1:26:52.479 --> 1:26:54.600
<v Speaker 1>And to me, success is doing what you love. And

1:26:54.720 --> 1:26:57.400
<v Speaker 1>I love doing music and I love being able to

1:26:57.479 --> 1:27:00.360
<v Speaker 1>provide for my family doing what I love. Where's the

1:27:00.400 --> 1:27:02.160
<v Speaker 1>last time you've been to a strip club? Show him?

1:27:02.280 --> 1:27:03.880
<v Speaker 1>You know, he came to Jersey Girls with me one day.

1:27:04.400 --> 1:27:09.400
<v Speaker 1>That was a long time, definitely right. I was surprised

1:27:09.439 --> 1:27:10.880
<v Speaker 1>he woke in there. I don't even think I was.

1:27:11.120 --> 1:27:14.240
<v Speaker 1>I don't think I was of age. I think I

1:27:14.280 --> 1:27:16.280
<v Speaker 1>showed him a Blockbuster car and guy was a yeah,

1:27:16.280 --> 1:27:21.200
<v Speaker 1>you're good. Come on. You know it has been a

1:27:21.280 --> 1:27:23.439
<v Speaker 1>pandemic and I know you guys have been ripping and

1:27:23.760 --> 1:27:25.880
<v Speaker 1>running for years now, and I really had a chance

1:27:25.920 --> 1:27:29.479
<v Speaker 1>to sit down. Was there an upside to actually having

1:27:29.560 --> 1:27:32.719
<v Speaker 1>some time to maybe not have to be on tour

1:27:33.080 --> 1:27:34.960
<v Speaker 1>and doing all of that? Did you learn anything new

1:27:35.000 --> 1:27:38.000
<v Speaker 1>about yourselves? Slowing down with special because you get to

1:27:38.080 --> 1:27:40.639
<v Speaker 1>hold onto this energy and we're in the world that's

1:27:40.680 --> 1:27:44.280
<v Speaker 1>going so fast, so fast that this, uh, sometimes you

1:27:44.320 --> 1:27:47.320
<v Speaker 1>gotta take a break and I think Quarantine forced everybody

1:27:47.360 --> 1:27:50.360
<v Speaker 1>to unplug a little bit and reevaluate what's important in life.

1:27:50.920 --> 1:27:54.040
<v Speaker 1>And I think it's why we're rolling out this album

1:27:54.120 --> 1:27:56.160
<v Speaker 1>the way we're rolling it out. We don't want one

1:27:56.240 --> 1:28:00.200
<v Speaker 1>week of trending on Twitter and you know we've we

1:28:00.280 --> 1:28:02.360
<v Speaker 1>worked too hard for that. We want to drop these

1:28:02.400 --> 1:28:05.080
<v Speaker 1>songs one at a time and read the room. Yeah.

1:28:05.120 --> 1:28:07.760
<v Speaker 1>I like this energy, man. I like the energy between y'all.

1:28:08.000 --> 1:28:10.960
<v Speaker 1>I really do. It's like a cool buddy cop like, yeah,

1:28:12.479 --> 1:28:14.760
<v Speaker 1>it's something there. Man. Why do y'all name the first

1:28:14.800 --> 1:28:22.560
<v Speaker 1>single Bruce Lee Roy? We see we still sign me,

1:28:22.600 --> 1:28:25.080
<v Speaker 1>but we couldn't name the fan Bruce Lee and whooping

1:28:25.160 --> 1:28:29.360
<v Speaker 1>your ass? Whooping your ass. I now shout to Bruno

1:28:29.479 --> 1:28:31.880
<v Speaker 1>Mars and Anderson Pack for joining us today. Make sure

1:28:31.920 --> 1:28:34.040
<v Speaker 1>you stream and pick up the joint that new single,

1:28:34.240 --> 1:28:36.680
<v Speaker 1>leave the Door Open. Now, we got rumors on the way, yes,

1:28:36.720 --> 1:28:39.080
<v Speaker 1>and let's talk about new music. There's a lot happening

1:28:39.439 --> 1:28:41.479
<v Speaker 1>this Friday, all right, we'll get into that next. It's

1:28:41.520 --> 1:28:49.439
<v Speaker 1>the Breakfast Club, Go Mornings, the Breakfast Club Husband, you

1:28:49.560 --> 1:28:54.719
<v Speaker 1>know coming up next on the Breakfast Club. Now, before

1:28:54.760 --> 1:28:56.599
<v Speaker 1>we even get into that, I just want to point

1:28:56.640 --> 1:28:59.639
<v Speaker 1>out that now Facebook streams of music videos will officially

1:28:59.720 --> 1:29:02.600
<v Speaker 1>count toward the Billboard charts. Well, that's something new, and

1:29:02.640 --> 1:29:05.120
<v Speaker 1>it's a big deal. Artists deserve recognition and music charts

1:29:05.200 --> 1:29:07.959
<v Speaker 1>for the social capital they drive and the social discovery

1:29:08.000 --> 1:29:10.080
<v Speaker 1>they fuel. That's with the VP of Business Development and

1:29:10.120 --> 1:29:13.400
<v Speaker 1>Partnerships at Facebook had to say so, adding music video

1:29:13.439 --> 1:29:15.839
<v Speaker 1>plays on Facebook to the Billboard charts is an important

1:29:15.840 --> 1:29:19.679
<v Speaker 1>step in the right direction. I concurd you too already

1:29:19.720 --> 1:29:22.240
<v Speaker 1>does there? Right? Ye? All right, Now, let's discuss some

1:29:22.360 --> 1:29:24.960
<v Speaker 1>new music. We already talked about Drake a whole lot

1:29:25.040 --> 1:29:28.200
<v Speaker 1>in his three pack that came out. But let's play

1:29:28.320 --> 1:29:30.040
<v Speaker 1>the one time we haven't been playing on the radio,

1:29:30.080 --> 1:29:32.519
<v Speaker 1>and that is a Lemon Pepper freestyle featuring Rick Ross.

1:29:32.960 --> 1:29:35.200
<v Speaker 1>Dropped them off in school, big day for my little

1:29:35.240 --> 1:29:38.800
<v Speaker 1>man recess. His daddy probably made another hymn school bell

1:29:38.880 --> 1:29:43.000
<v Speaker 1>Rings and I'm out there and get him again. Yeah,

1:29:43.479 --> 1:29:46.680
<v Speaker 1>teach a pair of media's wilds g Willia, regardless of

1:29:46.720 --> 1:29:49.200
<v Speaker 1>what their husbands do to provide asking if I know

1:29:49.320 --> 1:29:54.400
<v Speaker 1>Beyonce and Nicki Minaj, of course, pull up to the

1:29:54.479 --> 1:29:57.479
<v Speaker 1>front and a fleet of suburbans flooded French emergiment with

1:29:57.560 --> 1:30:00.880
<v Speaker 1>the Secret Service. This so obviously to treat the purpose.

1:30:01.320 --> 1:30:03.519
<v Speaker 1>I'm telling you, when Drake raps, he's one of the best.

1:30:03.640 --> 1:30:04.840
<v Speaker 1>You know what I mean, that's what I want. I

1:30:04.920 --> 1:30:06.920
<v Speaker 1>want to I want an album you know, full of

1:30:07.000 --> 1:30:08.880
<v Speaker 1>Drake rapping. I mean, he can do that now, Like

1:30:09.000 --> 1:30:11.680
<v Speaker 1>you know, he's already Drake, he's home already, like me,

1:30:11.800 --> 1:30:13.920
<v Speaker 1>let me hit him bars. People don't matter what you want,

1:30:14.000 --> 1:30:15.640
<v Speaker 1>it matter what he wants to do. Well, I'm just

1:30:15.720 --> 1:30:18.840
<v Speaker 1>telling what I want. I mean, I like. I like

1:30:18.960 --> 1:30:22.320
<v Speaker 1>that versatility though, because you know, as a consumer as well.

1:30:22.360 --> 1:30:25.240
<v Speaker 1>I like when he sings too. I like those songs also,

1:30:25.600 --> 1:30:27.680
<v Speaker 1>it's a mood, so I like a variety of it.

1:30:27.840 --> 1:30:29.479
<v Speaker 1>I like how like Lauren. We were just talking about

1:30:29.520 --> 1:30:33.040
<v Speaker 1>Lauren hill Um. I had this conversation with Danielle Smith

1:30:33.080 --> 1:30:35.360
<v Speaker 1>about how she was singing Anna rapping, how dope that was,

1:30:36.160 --> 1:30:38.040
<v Speaker 1>And I feel like he does the same thing. I

1:30:38.080 --> 1:30:40.840
<v Speaker 1>could write a whole thesis on that one line. These days,

1:30:41.000 --> 1:30:43.759
<v Speaker 1>fame is disconnected from excellence half the time, I gotta

1:30:43.760 --> 1:30:46.000
<v Speaker 1>ask the thinking what their profession is like. That is

1:30:46.320 --> 1:30:49.519
<v Speaker 1>very true, favoring excellent excellence and not synonymous with each

1:30:49.520 --> 1:30:51.760
<v Speaker 1>other at all. Now, as we just pointed out to

1:30:52.000 --> 1:30:54.639
<v Speaker 1>Sonic put out their first song leave the Door Open.

1:30:54.680 --> 1:30:57.840
<v Speaker 1>That's Bruno Mars and Anderson Pack Tyler the creator tell

1:30:57.880 --> 1:31:00.479
<v Speaker 1>me how it's Coca Cola commercial. Also Clever Her featuring

1:31:00.560 --> 1:31:03.760
<v Speaker 1>Juice World and Post Malone. Life's a Mess. Sweetie put

1:31:03.800 --> 1:31:06.800
<v Speaker 1>out the Best Friend's Remix with Doja Cat and stephlon Don.

1:31:06.920 --> 1:31:09.360
<v Speaker 1>I like that song. She's also giving away a Tesla

1:31:09.479 --> 1:31:11.360
<v Speaker 1>by the way, so there's a whole thing going on.

1:31:11.520 --> 1:31:13.960
<v Speaker 1>I think you have like a month, a little month

1:31:14.000 --> 1:31:15.160
<v Speaker 1>and a half left if you want to win a

1:31:15.200 --> 1:31:19.240
<v Speaker 1>free Tesla from Sweetie Young Dolphin key Glock ask Benji Herbo,

1:31:19.800 --> 1:31:22.479
<v Speaker 1>I really like that and break yourself, Baby Kim, this

1:31:22.640 --> 1:31:31.160
<v Speaker 1>is dope, no sense you do you celebrate? What's your

1:31:31.200 --> 1:31:37.920
<v Speaker 1>friendsty what's your friend style? What's your man? Stop? They

1:31:37.960 --> 1:31:40.360
<v Speaker 1>don't let me catch your mama hands Doyle, it's a

1:31:40.479 --> 1:31:43.719
<v Speaker 1>thousand always a miss, understand up, it's a thousand always

1:31:43.760 --> 1:31:45.680
<v Speaker 1>that we can make a man stop and drop on

1:31:45.720 --> 1:31:47.720
<v Speaker 1>a clues boss with Baby Kane, Baby Kame, so dope.

1:31:47.760 --> 1:31:50.360
<v Speaker 1>We don't put me on Baby Kam Actually little Dickey,

1:31:51.520 --> 1:31:54.680
<v Speaker 1>Little Dickey, puby old baby Kam some years ago. He

1:31:54.840 --> 1:31:56.360
<v Speaker 1>was just like, are you should listening to Baby Keene

1:31:56.400 --> 1:31:57.880
<v Speaker 1>Baby Kames. I was like, Kendrick if he was doing

1:31:57.920 --> 1:32:00.280
<v Speaker 1>trap music, Baby ki Yea and they're related to, right,

1:32:00.400 --> 1:32:02.280
<v Speaker 1>isn't that his cousin or something? And I think I

1:32:02.360 --> 1:32:04.400
<v Speaker 1>think he's signed to Kendrick now, Kendrick and Dave Free.

1:32:04.439 --> 1:32:06.760
<v Speaker 1>I think on quote Baby keeping it low, you know,

1:32:06.960 --> 1:32:09.880
<v Speaker 1>and Pop Smoke Fashion featuring Polo g from the Boogie

1:32:09.960 --> 1:32:13.080
<v Speaker 1>soundtrack and Pop Smokes No Cap featuring M twenty four

1:32:13.120 --> 1:32:15.759
<v Speaker 1>of the remix from the Boogie soundtrack. Also a new album,

1:32:15.960 --> 1:32:19.920
<v Speaker 1>Some Little Dirk from OTF and K Camp's Crew, which

1:32:20.000 --> 1:32:22.599
<v Speaker 1>is rare sound squad. They did like a deluxe album,

1:32:22.720 --> 1:32:26.200
<v Speaker 1>a deluxe edition of their album Tory Lane's Playboy, a

1:32:26.280 --> 1:32:27.920
<v Speaker 1>whole lot of new music. I can't even get to

1:32:27.960 --> 1:32:29.280
<v Speaker 1>all of it, but I just wanted to give you

1:32:29.360 --> 1:32:33.960
<v Speaker 1>guys just some previews of what's happening. I want to

1:32:34.000 --> 1:32:36.160
<v Speaker 1>salute the Tink too man. Tink put out a record

1:32:36.200 --> 1:32:39.240
<v Speaker 1>called Bottom oh Man that sounds so dope. Yes, Tink

1:32:39.280 --> 1:32:41.800
<v Speaker 1>bottom Bitch. I love tanks music. Yeah. I love like

1:32:41.920 --> 1:32:45.439
<v Speaker 1>how she's early early early. Her music sounds way different

1:32:45.479 --> 1:32:48.479
<v Speaker 1>now though not really. She's just gotten better. Like Tink,

1:32:48.520 --> 1:32:50.960
<v Speaker 1>been one of my favorite artists since Timberland introduced me

1:32:51.000 --> 1:32:53.080
<v Speaker 1>to it, and she never stops working and she's just

1:32:53.200 --> 1:32:56.120
<v Speaker 1>only gotten better. Her sound is just evolved. But it's

1:32:56.120 --> 1:32:57.720
<v Speaker 1>just a matter of time for Tink to pop off.

1:32:57.760 --> 1:33:00.160
<v Speaker 1>I saw JT from the City Girls shot in the

1:33:00.280 --> 1:33:02.560
<v Speaker 1>Rocks and she can't wait to collaborate with her on

1:33:02.640 --> 1:33:04.479
<v Speaker 1>the next project. And Cardi was big in her up

1:33:04.560 --> 1:33:06.439
<v Speaker 1>last week, so it's only a matter. Yeah, I think

1:33:06.720 --> 1:33:09.000
<v Speaker 1>this is Tin Sierra. I believe, I hope. So she's

1:33:09.000 --> 1:33:12.800
<v Speaker 1>still so sure. No, she didn't part of it to me.

1:33:13.000 --> 1:33:14.640
<v Speaker 1>All right now, Envy, this story is for you. We

1:33:14.760 --> 1:33:16.800
<v Speaker 1>had to make sure we get to this. So Chris

1:33:16.920 --> 1:33:20.439
<v Speaker 1>Harrison from The Bachelor, he wants to go back to

1:33:20.560 --> 1:33:24.160
<v Speaker 1>hosting The Bachelor franchise, and he had to backtrack on

1:33:24.240 --> 1:33:26.959
<v Speaker 1>some remarks that he made. He had to take a hiatus.

1:33:27.080 --> 1:33:29.400
<v Speaker 1>He made a mistake talking to Rachel Lindsay about some

1:33:29.479 --> 1:33:33.400
<v Speaker 1>photos that surface of another Bachelor contestant Rachel at a

1:33:33.640 --> 1:33:37.200
<v Speaker 1>twenty eighteen Antebellum South party. Here's what the original audio was.

1:33:37.640 --> 1:33:39.240
<v Speaker 1>We all need to have a little grace, a little

1:33:39.320 --> 1:33:42.960
<v Speaker 1>understanding a little compassionate. It's not a good well, Rachel,

1:33:43.200 --> 1:33:44.920
<v Speaker 1>is it a good look in twenty eighteen or is

1:33:44.960 --> 1:33:47.160
<v Speaker 1>it not a good look in twenty twenty one. Who

1:33:47.280 --> 1:33:49.000
<v Speaker 1>how'd you feel when you heard that envy? I mean

1:33:49.040 --> 1:33:50.760
<v Speaker 1>it was foul. I mean, this is the thing with

1:33:51.200 --> 1:33:53.679
<v Speaker 1>people like that. When he first made a death statement,

1:33:53.720 --> 1:33:55.840
<v Speaker 1>he doubled down, and he tripled down on what he said,

1:33:56.280 --> 1:33:58.360
<v Speaker 1>and when he got the backlash, then all of a sudden,

1:33:58.360 --> 1:34:00.479
<v Speaker 1>oh my gosh, I was wrong. That was foul. Like

1:34:00.960 --> 1:34:02.599
<v Speaker 1>it is what it is. That's what you believe, that's

1:34:02.600 --> 1:34:05.080
<v Speaker 1>what you honestly believe. Stick with you. Well, he was

1:34:05.120 --> 1:34:09.720
<v Speaker 1>on Good Morning America, and here he is taking accountability.

1:34:10.120 --> 1:34:14.479
<v Speaker 1>I am saddened and shocked at how insensitive I was

1:34:14.560 --> 1:34:17.519
<v Speaker 1>in that interview with Rachel Lindsay. And I didn't speak

1:34:17.600 --> 1:34:20.439
<v Speaker 1>from my heart, and that is to say, I stand

1:34:20.600 --> 1:34:24.800
<v Speaker 1>against all forms of racism, and I am deeply sorry.

1:34:25.160 --> 1:34:28.599
<v Speaker 1>I am not a victim here. I made a mistake

1:34:29.080 --> 1:34:31.720
<v Speaker 1>and I own that. Yeah, he takes accountability because he

1:34:31.760 --> 1:34:33.920
<v Speaker 1>got all the backlash and almost lost his job. That's

1:34:33.920 --> 1:34:35.560
<v Speaker 1>the reason why he's taking the back of you know,

1:34:35.600 --> 1:34:37.920
<v Speaker 1>the accountability. But he doubled the people down when he

1:34:38.000 --> 1:34:40.840
<v Speaker 1>did that. Innyview, well, Rachel Lindsay is saying she does

1:34:40.920 --> 1:34:43.320
<v Speaker 1>accept his apology because it's what she needs to do

1:34:43.439 --> 1:34:45.479
<v Speaker 1>to move forward with her life. She said she has

1:34:45.520 --> 1:34:48.719
<v Speaker 1>not spoken to Chris directly since his Good Morning America interview,

1:34:48.760 --> 1:34:50.680
<v Speaker 1>but she did watch it, and she did tell less

1:34:50.680 --> 1:34:52.960
<v Speaker 1>they spoke about three weeks ago when it first happened,

1:34:53.200 --> 1:34:55.800
<v Speaker 1>and he apologized directly then too, So that's what she

1:34:55.880 --> 1:34:58.160
<v Speaker 1>told TMZ. And I feel bad for Rachel Man because

1:34:58.160 --> 1:35:01.000
<v Speaker 1>they've been attacking her. They've been, you know, they have

1:35:01.240 --> 1:35:03.519
<v Speaker 1>threatening her, they've been sending her death threats and all that.

1:35:03.600 --> 1:35:05.240
<v Speaker 1>And all she did was did all she did was

1:35:05.280 --> 1:35:07.920
<v Speaker 1>do a great interview. So shout to Rachel. I don't

1:35:07.960 --> 1:35:09.760
<v Speaker 1>know anything about what you're talking about, but I think

1:35:09.800 --> 1:35:12.439
<v Speaker 1>it's hilarious when people don't accept other people's apologies. I

1:35:12.520 --> 1:35:16.320
<v Speaker 1>think it's incredible because there's nothing funnier than watching the

1:35:16.400 --> 1:35:19.280
<v Speaker 1>person who apologized. Do you accept my apologies? And process? No,

1:35:21.400 --> 1:35:24.160
<v Speaker 1>what do you do? But when you apologize, you got

1:35:24.479 --> 1:35:25.920
<v Speaker 1>it got to be from the heart, like you really

1:35:25.960 --> 1:35:28.680
<v Speaker 1>got to understand it. You can't just apologize because you're

1:35:28.720 --> 1:35:32.559
<v Speaker 1>getting backlash and party is it Rachel Lindsay Van Lathan's

1:35:32.600 --> 1:35:36.559
<v Speaker 1>co host Yes on his podcast, Yes Higher Learning Podcast,

1:35:36.960 --> 1:35:39.559
<v Speaker 1>because I saw him talking about them attacking her shout

1:35:39.640 --> 1:35:41.320
<v Speaker 1>the Van Van stood up for her. Man. I appreciate

1:35:41.400 --> 1:35:43.599
<v Speaker 1>that he really held it down. Man, you care about

1:35:43.640 --> 1:35:46.120
<v Speaker 1>the Bachelor. You don't care about no damn Rachel, No,

1:35:46.320 --> 1:35:48.200
<v Speaker 1>I do. I mean, I love my people and I

1:35:48.280 --> 1:35:49.840
<v Speaker 1>want my people to win. And I love the fact

1:35:49.840 --> 1:35:51.960
<v Speaker 1>that you did try to get Chris Harrison's job too.

1:35:52.600 --> 1:35:56.080
<v Speaker 1>Oh you did? You did? You? I was joking serious,

1:35:57.120 --> 1:35:59.280
<v Speaker 1>you was dead serious. I know you send some emails

1:35:59.280 --> 1:36:02.120
<v Speaker 1>to the networking everything. Well, salute the Rachel. I don't

1:36:02.160 --> 1:36:03.920
<v Speaker 1>know what's going on. I have no idea, but I

1:36:04.000 --> 1:36:09.680
<v Speaker 1>stand with you. All right, Well that is your well,

1:36:09.720 --> 1:36:11.840
<v Speaker 1>you must have really send some emails. I was kidding,

1:36:11.920 --> 1:36:15.000
<v Speaker 1>but your reaction lets me know you did hold on email.

1:36:15.680 --> 1:36:17.559
<v Speaker 1>You don't know this, nigga. You think he didn't really

1:36:17.600 --> 1:36:20.840
<v Speaker 1>send me. He definitely did because he wasn't sure if

1:36:20.920 --> 1:36:25.559
<v Speaker 1>I knew or not. You told you think Rashawn Casey

1:36:25.600 --> 1:36:28.160
<v Speaker 1>didn't send emails for real, for real. When Rashawn said

1:36:28.200 --> 1:36:30.759
<v Speaker 1>he wants something, he going to try to get something. Okay,

1:36:30.840 --> 1:36:34.360
<v Speaker 1>trust me, I know Bobby sent a demo and everything.

1:36:34.720 --> 1:36:36.439
<v Speaker 1>I just want you to know he was on the

1:36:36.479 --> 1:36:41.320
<v Speaker 1>Breakfast club like this. I'm going to human resources right now.

1:36:42.280 --> 1:36:45.559
<v Speaker 1>If you're listening to human resources, letting mckelvy just call

1:36:45.640 --> 1:36:48.240
<v Speaker 1>me the N word and I am hurt by are you?

1:36:48.600 --> 1:36:50.960
<v Speaker 1>Are you pronouncing his name wrong, just like people pronounce

1:36:51.040 --> 1:36:56.599
<v Speaker 1>Kamala's name wrong on purpose. Try tocredit him first of all, opportunity,

1:36:56.800 --> 1:36:59.000
<v Speaker 1>just use the N word. I'm sorry, but anyone checked

1:36:59.040 --> 1:37:00.960
<v Speaker 1>you yesterday when that man came up here. Yesterday we

1:37:01.000 --> 1:37:02.800
<v Speaker 1>had a security breacher. Man came up here and said

1:37:02.800 --> 1:37:04.320
<v Speaker 1>he would not leave until he got a kiss from

1:37:04.400 --> 1:37:08.640
<v Speaker 1>dj NV you a rose? I protected you? How'd you

1:37:08.680 --> 1:37:10.840
<v Speaker 1>protect me? I called down and I told him you

1:37:10.960 --> 1:37:13.120
<v Speaker 1>let him know that VY has a cold chore or

1:37:13.160 --> 1:37:16.439
<v Speaker 1>you don't want right now. I hate y'all, man, I

1:37:16.479 --> 1:37:18.320
<v Speaker 1>hate y'all. I hate y'all. I hate y'all. All. Right, well,

1:37:18.360 --> 1:37:21.800
<v Speaker 1>it's time to get email you sent revoked. We'll see

1:37:21.840 --> 1:37:24.840
<v Speaker 1>you guys tomorrow or monday, I should say everybody else.

1:37:24.920 --> 1:37:26.640
<v Speaker 1>He probably at tapped a picture with a rose in

1:37:26.720 --> 1:37:30.120
<v Speaker 1>his mouth. Now. He did a video for Sure, the

1:37:30.200 --> 1:37:33.719
<v Speaker 1>People's Choice mixing I'm your next host of the Bachelor.

1:37:34.080 --> 1:37:37.559
<v Speaker 1>Now tonight, Hey, what's good? Not only do I flip roses,

1:37:38.880 --> 1:37:42.639
<v Speaker 1>not only gonna flip houses? Up, I hate y'all now tonight.

1:37:42.960 --> 1:37:44.880
<v Speaker 1>I'm in Atlanta this whole weekend. Tonight, I'm gonna be

1:37:44.920 --> 1:37:48.280
<v Speaker 1>at Slush. Will come join me this weekend b QE.

1:37:48.479 --> 1:37:51.280
<v Speaker 1>Of course, I'm also gonna be at Sweet Shout to Daryl,

1:37:51.320 --> 1:37:53.280
<v Speaker 1>shout to Tory, shout to everybody in Atlanta. Man, shout

1:37:53.320 --> 1:37:55.280
<v Speaker 1>the rugs and had a good time at Copper Cove

1:37:55.439 --> 1:37:58.679
<v Speaker 1>last night. I'm gonna be at Monte Cello and Rose Balls.

1:37:58.720 --> 1:38:01.160
<v Speaker 1>A lot going on the follow me on Instagram and

1:38:01.520 --> 1:38:04.000
<v Speaker 1>party with me safely, so we'll be having our mask

1:38:04.080 --> 1:38:11.360
<v Speaker 1>on it. You're right, I'm going to even resuce and

1:38:11.400 --> 1:38:13.479
<v Speaker 1>you calling me any worry, she's bullying me. I'm definitely

1:38:13.520 --> 1:38:16.280
<v Speaker 1>gonna even me any sauces today. Man, listens up next.

1:38:17.240 --> 1:38:20.200
<v Speaker 1>I didn't hear nothing else. It's the breakfast cell all right. Well,

1:38:20.280 --> 1:38:22.720
<v Speaker 1>it's Women's History month. So who we rerapping today? Well, yes,

1:38:22.880 --> 1:38:26.400
<v Speaker 1>so this weekend. Nicki Walton, she's a licensed psychotherapist. He's

1:38:26.400 --> 1:38:29.880
<v Speaker 1>a TV personality. She has curly Nicki dot Com. She's

1:38:29.880 --> 1:38:33.600
<v Speaker 1>a best selling author Better than Good Hair, and she

1:38:33.760 --> 1:38:35.680
<v Speaker 1>has a b her summit that she put together that

1:38:35.840 --> 1:38:39.479
<v Speaker 1>is happening this weekend that is to empower and celebrate women.

1:38:39.920 --> 1:38:45.760
<v Speaker 1>So listen to this. It's Women's History Month and we're

1:38:45.800 --> 1:38:48.400
<v Speaker 1>celebrating the most influential women in history. Check out this

1:38:48.520 --> 1:38:52.160
<v Speaker 1>phenomenal walk. So, as you know, this is Women's History

1:38:52.240 --> 1:38:55.040
<v Speaker 1>Month and I'm highlighting powerful women all month. And one

1:38:55.080 --> 1:38:59.080
<v Speaker 1>person I wanted to bring to the front is Nicky Walton,

1:38:59.520 --> 1:39:01.720
<v Speaker 1>a kid Curly Nikki, And as she does have a

1:39:01.760 --> 1:39:04.320
<v Speaker 1>semit happening this weekend, we'll talk about that, but first

1:39:04.600 --> 1:39:06.320
<v Speaker 1>I want Nikki to just talk about who she is,

1:39:06.360 --> 1:39:09.760
<v Speaker 1>a best selling author, license psychotherapist, all of that. Yes, Yes,

1:39:09.840 --> 1:39:11.800
<v Speaker 1>So I started curly nikki dot com back in two

1:39:11.840 --> 1:39:14.560
<v Speaker 1>thousand and eight. I managed to get myself on the

1:39:14.640 --> 1:39:18.160
<v Speaker 1>Tyra Banks Show and this website took off tremendously in

1:39:18.240 --> 1:39:20.760
<v Speaker 1>a very short time. I was sharing my story, my

1:39:20.960 --> 1:39:23.439
<v Speaker 1>journey to self love from self hate. I didn't like

1:39:23.600 --> 1:39:26.280
<v Speaker 1>my hair, I didn't like my skin, and I just

1:39:26.640 --> 1:39:29.200
<v Speaker 1>I wanted to learn to love myself for who I

1:39:29.280 --> 1:39:32.000
<v Speaker 1>really was. And as I continued that journey and continued

1:39:32.080 --> 1:39:35.920
<v Speaker 1>sharing it became a phenomenon, and I wrote a best

1:39:35.960 --> 1:39:39.120
<v Speaker 1>selling book with HarperCollins. In twenty thirteen, I began working

1:39:39.200 --> 1:39:42.439
<v Speaker 1>with Steve Harvey with Doctor Oz. I continue to work

1:39:42.479 --> 1:39:45.519
<v Speaker 1>with Doctor Oz to this day, sharing about outer beauty.

1:39:45.800 --> 1:39:48.479
<v Speaker 1>But during that whole time, during that rise, during my

1:39:48.760 --> 1:39:51.679
<v Speaker 1>peak of success with Curly Nikki dot Com, I wasn't happy.

1:39:51.800 --> 1:39:54.400
<v Speaker 1>I had everything that they told me I was supposed

1:39:54.439 --> 1:39:57.519
<v Speaker 1>to have to be happy, but I wasn't. Family, house,

1:39:57.680 --> 1:40:01.680
<v Speaker 1>nice car, the career, the success, bestseller's list, but I

1:40:01.800 --> 1:40:04.360
<v Speaker 1>didn't feel fulfilled, and every day kind of felt the same.

1:40:04.400 --> 1:40:07.479
<v Speaker 1>I felt stuck, I felt stagnant, and I actually I

1:40:07.560 --> 1:40:10.880
<v Speaker 1>called Tracy Ellis Ross sobbing weeping one day because I'm like,

1:40:10.960 --> 1:40:13.000
<v Speaker 1>there must be more, there has to be more to

1:40:13.120 --> 1:40:16.040
<v Speaker 1>life than just this, and She's like, you can't just

1:40:16.439 --> 1:40:18.920
<v Speaker 1>wad like in the kiddie pool. You have to go

1:40:19.080 --> 1:40:21.599
<v Speaker 1>deeper in your journey, your true journey, your inner journey. Yes,

1:40:21.960 --> 1:40:24.360
<v Speaker 1>you love yourself more, your physical self more, but you

1:40:24.439 --> 1:40:26.840
<v Speaker 1>have to find out what is also there. So it

1:40:27.040 --> 1:40:29.519
<v Speaker 1>was like mid twenty thirteen when I went deeper and

1:40:29.640 --> 1:40:33.559
<v Speaker 1>I started reading at Cartole, Power of Now and Michael

1:40:33.600 --> 1:40:37.080
<v Speaker 1>Singer and then about six hundred more books, six hundred

1:40:37.160 --> 1:40:40.200
<v Speaker 1>more authors. I traveled the world, Yeah, traveled the world,

1:40:40.439 --> 1:40:43.200
<v Speaker 1>all over the world, from Brazil to Africa to Spain,

1:40:43.320 --> 1:40:47.639
<v Speaker 1>trying to find happiness, true peace inside, and I finally did,

1:40:47.760 --> 1:40:49.840
<v Speaker 1>and I could see that no matter what temple I

1:40:49.960 --> 1:40:51.800
<v Speaker 1>was in, what plane, I was on, what street I

1:40:52.000 --> 1:40:55.760
<v Speaker 1>was walking down, that peace was already always here. And

1:40:56.080 --> 1:40:59.280
<v Speaker 1>so I started sharing about that on Instagram and on

1:40:59.320 --> 1:41:02.240
<v Speaker 1>curly Nikki dot com, this hair blog that never really

1:41:02.439 --> 1:41:04.759
<v Speaker 1>was just about hair and was always an inner journey

1:41:04.800 --> 1:41:08.639
<v Speaker 1>to freedom. But I began sharing reluctantly this piece because

1:41:08.640 --> 1:41:10.680
<v Speaker 1>I wanted to help the women that look like me

1:41:10.960 --> 1:41:13.840
<v Speaker 1>find the same freedom that I was finding. And I

1:41:13.960 --> 1:41:16.800
<v Speaker 1>knew I was free for real when I was with

1:41:17.120 --> 1:41:19.160
<v Speaker 1>my grandmother, who was my best friend in the whole

1:41:19.200 --> 1:41:22.000
<v Speaker 1>white world, and she was taking her last breath, and

1:41:22.240 --> 1:41:24.040
<v Speaker 1>that was like the moment that I had dreaded my

1:41:24.120 --> 1:41:26.400
<v Speaker 1>whole life. And so I'm there in that moment, and

1:41:26.520 --> 1:41:28.800
<v Speaker 1>the piece was there too, even though there was grief,

1:41:29.720 --> 1:41:31.720
<v Speaker 1>I could fill that piece in the background. And so

1:41:32.000 --> 1:41:34.880
<v Speaker 1>I began sharing and under the hashtag be her Now,

1:41:35.479 --> 1:41:40.040
<v Speaker 1>and it became a very powerful hashtag. Many women got

1:41:40.080 --> 1:41:43.360
<v Speaker 1>it tattooed on them thousands of dms, where these very

1:41:43.439 --> 1:41:47.240
<v Speaker 1>successful entrepreneurial women CEOs of companies are messaging me like

1:41:47.320 --> 1:41:49.759
<v Speaker 1>I'm not happy. How can I find this piece inside?

1:41:50.200 --> 1:41:54.080
<v Speaker 1>And yeah, that is my journey, and it's the journey

1:41:54.439 --> 1:41:56.400
<v Speaker 1>that I know. We all have our different paths, but

1:41:56.520 --> 1:42:00.439
<v Speaker 1>we're going to the same destination, which is recognizing that

1:42:00.840 --> 1:42:03.680
<v Speaker 1>we have everything we need in us already and that

1:42:03.800 --> 1:42:07.360
<v Speaker 1>this piece is always already here. So first, let's start

1:42:07.439 --> 1:42:11.240
<v Speaker 1>with hair, right as a representation, because I think so

1:42:11.400 --> 1:42:14.640
<v Speaker 1>many women, especially black women, we have issues with our hair.

1:42:14.760 --> 1:42:16.400
<v Speaker 1>I know, growing up, I used to hate that my

1:42:16.479 --> 1:42:18.880
<v Speaker 1>hair was curly. It was crazy all the time. I

1:42:18.920 --> 1:42:20.800
<v Speaker 1>didn't know what to do with it. And so I

1:42:20.920 --> 1:42:23.000
<v Speaker 1>do want to talk about how hair is a representation

1:42:23.080 --> 1:42:26.240
<v Speaker 1>of not just something superficial like people might think, because

1:42:26.240 --> 1:42:27.840
<v Speaker 1>people have a lot of things to say about our hair.

1:42:27.920 --> 1:42:32.000
<v Speaker 1>It's of course, you know, yeah, just culturally how we're viewed.

1:42:32.120 --> 1:42:34.519
<v Speaker 1>How you have to even have the crown act right,

1:42:34.600 --> 1:42:36.839
<v Speaker 1>because women are looked a different way in the workspace

1:42:36.920 --> 1:42:39.280
<v Speaker 1>if you have a certain type of hair. Ado, So

1:42:39.479 --> 1:42:41.400
<v Speaker 1>let's talk about that a little bit and just how

1:42:41.439 --> 1:42:43.160
<v Speaker 1>you got to that journey where you were able to

1:42:43.240 --> 1:42:46.320
<v Speaker 1>embrace your hair because your hair is amazing and beautiful.

1:42:46.320 --> 1:42:48.600
<v Speaker 1>I love it. Thank you, thank you. Yeah, I did not,

1:42:48.800 --> 1:42:50.840
<v Speaker 1>and I actually never had a relax or growing up.

1:42:50.880 --> 1:42:53.160
<v Speaker 1>It was always present curl, but it was always wait.

1:42:53.240 --> 1:42:55.240
<v Speaker 1>It was always present curled until I got to college.

1:42:55.479 --> 1:42:57.320
<v Speaker 1>But it was an all white school. There were no

1:42:57.520 --> 1:42:59.679
<v Speaker 1>black stylus up there, and I was left on my own.

1:42:59.800 --> 1:43:01.799
<v Speaker 1>But I didn't like the fact that I was always

1:43:01.880 --> 1:43:05.800
<v Speaker 1>concerned about my hair. So knowing that I knew I

1:43:05.920 --> 1:43:08.479
<v Speaker 1>had to take control of learning about it because we

1:43:08.600 --> 1:43:10.960
<v Speaker 1>weren't taught how to care for our hair. But to

1:43:11.120 --> 1:43:13.400
<v Speaker 1>be able to feel just as confident and comfortable and

1:43:13.439 --> 1:43:15.759
<v Speaker 1>beautiful with your own hair, no matter if it's pulled

1:43:15.800 --> 1:43:18.360
<v Speaker 1>back or out and curly or you have it straightened,

1:43:18.640 --> 1:43:21.439
<v Speaker 1>that's a powerful place to be. Now, let's discuss you

1:43:21.720 --> 1:43:24.280
<v Speaker 1>and how you felt like you were unhappy, and I

1:43:24.400 --> 1:43:26.080
<v Speaker 1>feel you on that right. You had a best selling

1:43:26.400 --> 1:43:28.800
<v Speaker 1>better than Good Hair girl. You got everything, you got

1:43:28.880 --> 1:43:31.439
<v Speaker 1>this going on, and you feel like you should be happy,

1:43:31.439 --> 1:43:33.560
<v Speaker 1>and then you feel a little ungrateful that you're not,

1:43:33.800 --> 1:43:36.360
<v Speaker 1>and you're like, like there's people who aren't doing what

1:43:36.439 --> 1:43:38.439
<v Speaker 1>they want to do. There's people who are out there struggling.

1:43:38.479 --> 1:43:41.080
<v Speaker 1>How dare I be ungrateful? So talk about how you

1:43:41.200 --> 1:43:43.720
<v Speaker 1>came to that realization and what you did to kind

1:43:43.760 --> 1:43:45.960
<v Speaker 1>of overcome that. Yeah, you know, I love that you

1:43:46.080 --> 1:43:49.200
<v Speaker 1>touched on like that ungratefulness, because for me, I would

1:43:49.280 --> 1:43:52.360
<v Speaker 1>hear like, okay, practice gratitude, practice gratitude. I had a journal,

1:43:52.600 --> 1:43:57.160
<v Speaker 1>and I never felt grateful, like genuine gratitude. It always

1:43:57.240 --> 1:43:59.920
<v Speaker 1>felt forced, and I knew that that was a major problem.

1:44:00.560 --> 1:44:02.800
<v Speaker 1>And as I went deeper and would sit, I would

1:44:02.840 --> 1:44:05.439
<v Speaker 1>meditate girl for like two three hours a day, and

1:44:05.520 --> 1:44:07.280
<v Speaker 1>I was blessed enough to have a lifestyle to be

1:44:07.360 --> 1:44:09.280
<v Speaker 1>able to read all the time and meditate all the time.

1:44:09.520 --> 1:44:12.280
<v Speaker 1>And I started seeing that true gratitude is not a

1:44:12.400 --> 1:44:15.320
<v Speaker 1>human quality, it's a soul quality, It's a God quality.

1:44:15.520 --> 1:44:17.400
<v Speaker 1>So the more I got quiet and tapped into that

1:44:17.840 --> 1:44:23.080
<v Speaker 1>more quiet place within that natural gratitude, that natural compassion,

1:44:23.160 --> 1:44:26.840
<v Speaker 1>like true love, God love, just started coming from that place.

1:44:27.200 --> 1:44:29.400
<v Speaker 1>And so all of a sudden, it wasn't like I

1:44:29.520 --> 1:44:32.800
<v Speaker 1>was forcing myself to be grateful for the beautiful opportunities

1:44:32.840 --> 1:44:36.040
<v Speaker 1>that had been given. It was I'm grateful in this

1:44:36.320 --> 1:44:39.280
<v Speaker 1>moment for goodwifi to be able to speak with you.

1:44:39.400 --> 1:44:42.000
<v Speaker 1>I'm grateful for you know this microphone, you know that's

1:44:42.040 --> 1:44:44.880
<v Speaker 1>delivering my voice in you know this chair that's supporting me.

1:44:45.000 --> 1:44:48.439
<v Speaker 1>So like coming into the present moment is what helped me.

1:44:48.840 --> 1:44:51.920
<v Speaker 1>I just had to recognize it and practice it in

1:44:52.200 --> 1:44:54.920
<v Speaker 1>every moment and then it becomes your lifestyle. And it's

1:44:54.960 --> 1:44:57.280
<v Speaker 1>just as natural now for me to feel grateful as

1:44:57.320 --> 1:44:59.599
<v Speaker 1>it was for me to feel ungrateful ten years ago.

1:45:00.040 --> 1:45:02.519
<v Speaker 1>So right now, there are so many people going through

1:45:02.600 --> 1:45:05.000
<v Speaker 1>so many different things, and it has been hard for

1:45:05.000 --> 1:45:06.519
<v Speaker 1>people to take care of themselves. We have a lot

1:45:06.600 --> 1:45:10.439
<v Speaker 1>of stress in our minds. So let's talk about why

1:45:10.560 --> 1:45:13.360
<v Speaker 1>this summit it will be beneficial and what's happening at

1:45:13.400 --> 1:45:15.840
<v Speaker 1>this be Her Summit. And so the be Her Summit

1:45:16.160 --> 1:45:21.320
<v Speaker 1>is shifting, helping women shift into this and staying here,

1:45:21.720 --> 1:45:25.040
<v Speaker 1>staying her the best version, the whole version of yourself,

1:45:25.240 --> 1:45:27.840
<v Speaker 1>and the summit is going to take five entry points,

1:45:27.880 --> 1:45:33.240
<v Speaker 1>recovering creativity, spirituality, entrepreneurship, beauty and wellness, meeting people wherever

1:45:33.400 --> 1:45:37.040
<v Speaker 1>they are, wherever their passions lie. But the threat that's

1:45:37.080 --> 1:45:40.080
<v Speaker 1>tying it all together is that you are recognizing your

1:45:40.200 --> 1:45:43.120
<v Speaker 1>wholeness and that you have everything you need within you already.

1:45:43.360 --> 1:45:46.040
<v Speaker 1>You're just opening out a way for it to get

1:45:46.040 --> 1:45:49.360
<v Speaker 1>out here in the world. And I would love, I

1:45:49.360 --> 1:45:52.400
<v Speaker 1>would absolutely love for every woman that comes to the

1:45:52.520 --> 1:45:56.559
<v Speaker 1>Summit to recognize that she is already free and it's

1:45:56.640 --> 1:45:59.720
<v Speaker 1>just our thoughts that keep us feeling trapped, that keep

1:45:59.800 --> 1:46:02.559
<v Speaker 1>us feeling small, and so stepping out of that box.

1:46:02.720 --> 1:46:05.880
<v Speaker 1>That's what we're doing on Saturday, March sixth, All day

1:46:06.040 --> 1:46:08.720
<v Speaker 1>we're practicing. It's a mini retreat where we're practicing all

1:46:08.840 --> 1:46:12.800
<v Speaker 1>day being our best selves in private together at home

1:46:12.920 --> 1:46:14.800
<v Speaker 1>so that we can be and show up as our

1:46:14.880 --> 1:46:18.360
<v Speaker 1>whole selves in public on Monday. And where can people

1:46:18.439 --> 1:46:20.760
<v Speaker 1>sign up so they can get more information so they

1:46:20.800 --> 1:46:22.559
<v Speaker 1>can attend. And I see a lot of my friends

1:46:22.960 --> 1:46:25.000
<v Speaker 1>around the pane of my girl you, Gelanda Williams, some

1:46:25.120 --> 1:46:30.320
<v Speaker 1>cream Blands that she's on there, Jasmine Celano and a

1:46:30.360 --> 1:46:33.200
<v Speaker 1>lot of amazing women be her summit dot com. It's

1:46:33.320 --> 1:46:36.160
<v Speaker 1>virtual and it's going on all day on Saturday, from

1:46:36.200 --> 1:46:38.920
<v Speaker 1>ten am Eastern until the night. But it'll be beautiful.

1:46:39.000 --> 1:46:41.280
<v Speaker 1>And I'm so appreciative to you for helping me get

1:46:41.320 --> 1:46:43.439
<v Speaker 1>the word out. Thank you so much, Nikki. I can't

1:46:43.439 --> 1:46:45.400
<v Speaker 1>wait for us to continue doing some work with you.

1:46:45.640 --> 1:46:48.439
<v Speaker 1>We appreciate you be here simmit all day Saturday. May

1:46:48.479 --> 1:46:50.760
<v Speaker 1>shall y'all sign up for that. It's the Breakfast Club

1:46:55.720 --> 1:46:59.080
<v Speaker 1>and that was another phenomenal woman in history. Morning everybody

1:46:59.120 --> 1:47:02.400
<v Speaker 1>is tg Envy Angela Ye Charlomagne the guy. We are

1:47:02.439 --> 1:47:05.280
<v Speaker 1>the Breakfast Club. Now, today is the last day to

1:47:05.479 --> 1:47:08.360
<v Speaker 1>vote for the winner of our How Do I Get On? Contest?

1:47:08.680 --> 1:47:10.800
<v Speaker 1>That's this ultimate search for the next big artist in

1:47:10.880 --> 1:47:13.320
<v Speaker 1>hip hop or R and B. Now Facebook groups helps

1:47:13.360 --> 1:47:15.760
<v Speaker 1>you find and grow your passions and want you to

1:47:15.840 --> 1:47:18.800
<v Speaker 1>grow your pocket too, So vote for your favorite artists

1:47:18.880 --> 1:47:20.280
<v Speaker 1>right now and you have a chance to win a

1:47:20.320 --> 1:47:22.800
<v Speaker 1>five hundred dollars gift card. Yeah, it was really dope.

1:47:22.840 --> 1:47:24.920
<v Speaker 1>We had a chance to meet some of the people

1:47:25.000 --> 1:47:27.720
<v Speaker 1>who are competing to win the How Do I Get

1:47:27.760 --> 1:47:30.320
<v Speaker 1>On contests. It's gonna be your hard decision for you guys,

1:47:30.360 --> 1:47:31.720
<v Speaker 1>so make sure you go on there and vote. Plus

1:47:31.720 --> 1:47:33.280
<v Speaker 1>you can get that five hundred dollars gift cards. So

1:47:33.400 --> 1:47:36.720
<v Speaker 1>check out iHeartRadio dot com slash how Can I Get on?

1:47:36.880 --> 1:47:40.320
<v Speaker 1>And vote? Because you decide who gets on? All right,

1:47:40.360 --> 1:47:41.840
<v Speaker 1>now it's time to get up out of here again.

1:47:41.880 --> 1:47:44.519
<v Speaker 1>Shout to everybody in Atlanta. I'm out here all weekend long,

1:47:44.600 --> 1:47:47.400
<v Speaker 1>so hopefully I's to get to see you guys. Next

1:47:47.479 --> 1:47:50.000
<v Speaker 1>week I'll be back in Atlanta for my real estate seminar.

1:47:50.160 --> 1:47:51.680
<v Speaker 1>So I know, I think we have less than one

1:47:51.760 --> 1:47:54.160
<v Speaker 1>hundred tickets left. It pretty It sucks because usually when

1:47:54.160 --> 1:47:56.439
<v Speaker 1>we come to Atlanta, we have two, three, four thousand people,

1:47:56.720 --> 1:47:59.240
<v Speaker 1>but because of COVID, they're only they're limited it to

1:47:59.360 --> 1:48:02.439
<v Speaker 1>thirty per sin. So some more information, just click the

1:48:02.520 --> 1:48:04.800
<v Speaker 1>link in my bio. Now, Charlemagne, you've got a positive note.

1:48:05.200 --> 1:48:07.320
<v Speaker 1>What you do makes a difference, and you have to

1:48:07.400 --> 1:48:09.519
<v Speaker 1>decide what kind of difference you want to make. Breakfast

1:48:09.560 --> 1:48:11.720
<v Speaker 1>club pitches, you know. I'm finish it, y'all due