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Speaker 1: Dang dang, everybody coming to breakfast club. I called this

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Speaker 1: the hot seat. Your around werena, you are control. I

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Speaker 1: can't even dealing with you. So pe rio are yo

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Speaker 1: so Patty the world's most dant this morning, jos tej

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Speaker 1: capin on this bitch, ANGELI, I stay in everybody's business,

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Speaker 1: but in a good ray. Charlomagne, the God, the ruler,

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Speaker 1: rubbing you the wrong way. The breakfast club ain't for everybody.

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Speaker 1: Good morning usc yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo yo.

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Speaker 1: Good morning ANGELI dam money, he's amvy. Charlomagne the God

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Speaker 1: Peace did up planet in this Friday the drama's why

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Speaker 1: Bay sounds so low? Why are you so low? Holo?

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Speaker 1: Let me turn myself out? What about now? No? Better?

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Speaker 1: A little better? Now? Come at? Oh no, what about now?

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Speaker 1: Let's shut up? Man? Yeah? Good right there, Yeah, you're good. Bro,

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Speaker 1: you're good. Bro. Stop with man mount in Atlanta. Stop

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Speaker 1: it's Friday about Atlanta? My hands already four? This is Friday? Baby?

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Speaker 1: What's happening? How will? What is up? Yeah? Shout out

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Speaker 1: to everybody out in Atlanta. UM, you know, I love Atlanta.

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Speaker 1: I'm doing a lot in Atlanta. In the last year

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Speaker 1: or so, I picked up a lot of real estate.

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Speaker 1: I'm actually doing my next real estate seminar in Atlanta

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Speaker 1: next Sunday. UM, And I just love Atlanta. Atlanta is

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Speaker 1: Black excellence, and I love Atlanta. I was out last

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Speaker 1: night eating at Copper Cove Dinner and I just got

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Speaker 1: to chop it up with so many different brothers, brothers

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Speaker 1: in the NBA. Covie. Copper Covie is a great name

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Speaker 1: for a restaurant in Atlanta, right now, Cove Restaurant. You

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Speaker 1: said Copper Covie, Like you go? You go there to

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Speaker 1: cops from COVID get some nice food and Okay, no

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Speaker 1: Copper Cove. So I was out there last night just

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Speaker 1: chopping it up with brothers about different things that they're

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Speaker 1: doing in different event smith that they're doing. I was

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Speaker 1: talking to one brother yesterday's plays in the NBA, and

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Speaker 1: he owns a cannabis license out in in the South,

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Speaker 1: and he was telling me how he got it and

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Speaker 1: what he does and the whole procedure of doing it.

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Speaker 1: Because I'm trying to get run in Jersey, and he

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Speaker 1: was just telling it like it's It's just great because

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Speaker 1: there's so much black excellence in Atlanta. So you get

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Speaker 1: to chopped up with so many different people doing so

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Speaker 1: many different things that you don't really get to see

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Speaker 1: whether you're chopping it up with brothers that work at

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Speaker 1: different stores and different businesses. So I really really enjoyed that.

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Speaker 1: To shout out to everybody in Atlanta. I'm here, I'm sure,

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Speaker 1: but part of Atlanta. Are you investing in a little

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Speaker 1: bit of everything? But not just Atlanta, but George as well.

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Speaker 1: So houses in Fayetteville. Then we're buying houses. I don't

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Speaker 1: I'm not particularly I don't know the areas of Atlanta,

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Speaker 1: but different houses that pop up on auction dot Com.

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Speaker 1: We're looking at a couple of buildings, a couple of

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Speaker 1: multi units down here, and I'm doing my car show,

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Speaker 1: so we're setting all that up while we're here. So

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Speaker 1: I just love Atlanta. Man. Yeah, it's a very cultural

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Speaker 1: weekend too, by the way. I mean, you got NBA

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Speaker 1: All Star Weekend this weekend, but you got a couple

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Speaker 1: the movies. Send Yo Hall because he's a talk show god,

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Speaker 1: and I'll send ya Hall show inspired me so much.

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Speaker 1: And you know, I've gotten a chance to talk to

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Speaker 1: us send you quite a few times, you know, off

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Speaker 1: the air, but this is our first public conversation on

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Speaker 1: the air, so you know, coming to America's out on

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Speaker 1: Amazon Prime Video right now, so definitely. Yeah. You know,

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Speaker 1: one of the conversations we were having in Copacod, which

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Speaker 1: is so funny, we were talking about hold and you know,

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Speaker 1: it's good to talk about a brother that's doing so

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Speaker 1: much and investing in this that and even how much

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Speaker 1: he is and what he turned it to where he

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Speaker 1: came from. But we're all in there, like, Yo, what

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Speaker 1: you think Hole was gonna buy next football team? Were like,

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Speaker 1: I don't know if there's a football team for sale

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Speaker 1: right now, like we really know, like we never like

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Speaker 1: we like, we ain't at price right but like, yo,

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Speaker 1: you know what he's selling the Cowboys right now? Like

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Speaker 1: we don't know, but we know you would you would

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Speaker 1: never know what he's doing. He know, he is literally

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Speaker 1: the epitome of stay low and keep firing. And I

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Speaker 1: love it. As the late great Christopher Wallace once said,

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Speaker 1: stay low and keep firing. I love it. Let's get

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Speaker 1: the show crack the front page Knews. What we're talking about?

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Speaker 1: He asked, Well, Joe Biden had some things to say

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Speaker 1: about these masks. Man's being removed, and now people are

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Speaker 1: offended that he used the word Neanderthal. Okay, I know

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Speaker 1: another nd word he could have used that with fifty

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Speaker 1: word is that Charlemagne. I better be happy. All right,

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Speaker 1: we'll get to the next. It's the breakfast call that Drake. Oh,

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Speaker 1: we'll Drake be playing right now. We got what hey, drama,

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Speaker 1: Drama stopped everything for the Drake. We got that Drake.

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Speaker 1: You know, we got that Drake. It's new Drake. It

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Speaker 1: came out today. It's called What's Next. He's spitting on this.

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Speaker 1: It's the Breakfast Club, Good morning morning. Everybody is DJ

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Speaker 1: Envy angela Ye, Charlemagne the guy. We are the Breakfast Club.

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Speaker 1: That was Drake, New Drake with What's Next? Drake a

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Speaker 1: three song. I don't even know what you call it,

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Speaker 1: y'all guess it's just a three pack three three pack,

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Speaker 1: three pack. None of y'all say Drake better than Soldier boy.

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Speaker 1: I don't know why we don't be having drops that

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Speaker 1: say new music from Drake. But I'm not a producer.

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Speaker 1: All right, Well, let's get in some front page news

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Speaker 1: where we starting you. Well, let's start with these mask

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Speaker 1: mandates and have five states Texas, Mississippi, Iowa, Montana, and

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Speaker 1: North Dakota have ended or will soon end statewide mask mandates.

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Speaker 1: Now there's eleven states that never actually required face covering statewide,

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Speaker 1: and that's Alaska, Arizona, Florida, Georgia, Idahoa, Missouri, Nebraska, Oklahoma,

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Speaker 1: South Carolina, South Dakota, and Tennessee. So of course Joe

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Speaker 1: Biden had some things to say about that, and we

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Speaker 1: discussed this yesterday. I hope it would realized by now,

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Speaker 1: make it different. We are on the cust for being

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Speaker 1: able to fundamentally change the nature of this disease, because

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Speaker 1: the way we did would get vaccines and people farms.

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Speaker 1: The lost thing we need is leanderthal thinking that and

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Speaker 1: the name thoughts. Take off your mask, forget it, It's

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Speaker 1: still matters. I might be a little dumb. What's wrong

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Speaker 1: with that word? All right? Well? Senator Marco Rubio went

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Speaker 1: on Twitter and he said President Biden's use of an

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Speaker 1: old stereotype is hurtful to modern Europeans, Asians and Americans

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Speaker 1: who inherit about two percent of their genes from Neanderthal ancestors.

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Speaker 1: She should apologize for his insensitive comments and seek training

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Speaker 1: on unconscious bias. And then they link to a CNN

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Speaker 1: article that reported on Princeton University research finding some Neanderthal

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Speaker 1: DNA among Africans. Oh my god, middle finger to all

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Speaker 1: of that rhetoric listening. People aren't Neanderthals. But it's just

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Speaker 1: socially irresponsible. It's ass backwards. That's what Joe Biden should

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Speaker 1: have said. This ass backwards. Either we want to slow

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Speaker 1: down coronavirus cases all we don't. If mask were proven

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Speaker 1: to work, and you know you see coronavirus cases going

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Speaker 1: down all across the country, wear your mask, simple as that.

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Speaker 1: Why would you tell people not to wear a mask?

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Speaker 1: Not say anything because here's a part of a party

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Speaker 1: where they use a whole other n word to describe

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Speaker 1: people with African DNA. All right, what word is there? Nigger?

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Speaker 1: All right now. In the meantime, the House displayed the

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Speaker 1: final tally for a vote on the George Floyd Police

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Speaker 1: Reform Bill. There was only one Republican that voted in

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Speaker 1: favor of it. The George Floyd Justice and Policing Act

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Speaker 1: with bandcho cold and it would change of the police

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Speaker 1: policies as well. The only person that was a Republican

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Speaker 1: who voted for it was a lands to Good and

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Speaker 1: he's a conservative and he has expressed enthusiastic support for

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Speaker 1: Donald Trump. But he did vote for it by accident.

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Speaker 1: After the vote, he admitted that it was a mistake.

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Speaker 1: He said, I accidentally pressed the wrong voting button and

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Speaker 1: realized it too late. That's God. That's God, that's God

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Speaker 1: controlling your stuff for you, sir, whenever you get on

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Speaker 1: your knees and you pray for God, to God your steps.

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Speaker 1: That's what that was. Just now goodness. Well, the bill

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Speaker 1: did still pass two twenty to one twelve, so his

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Speaker 1: vote didn't really matter, but he didn't make sure that

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Speaker 1: he went officially on record to reveal what his two

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Speaker 1: thoughts were. Now, I gotta gotta pass through the Senate

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Speaker 1: now right, M Yeah, that's just the house, all right.

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Speaker 1: Well that is your front page news, all right. Get

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Speaker 1: it off your chest eight five one oh five one.

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Speaker 1: If you need to vent, hit him up right now,

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Speaker 1: full lines oh wide open again eight D five eight

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Speaker 1: five one o five one is to Breakfast Club Morning.

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Speaker 1: The Breakfast Club This is your time to get it

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Speaker 1: off your chest, whether your man than from you on

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Speaker 1: the breakfast clubs. You got something on your mind, let

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Speaker 1: it out. Hello. Who's this? My name is Kim. Hey Kim,

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Speaker 1: come morning, good morning. How you doing your day? I'm

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Speaker 1: doing well. What are you calling from? I'm calling for

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Speaker 1: from Susannah, Georgia. Okay, George, you get it off your chests.

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Speaker 1: I don't like how the news, the radio stations and

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Speaker 1: everybody is just saying that the teacher needs the teachers

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Speaker 1: need this. The teachers on frontline teachers because we get

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Speaker 1: involved with the kids. No, we are the bus drivers,

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Speaker 1: the monitors, and the food nutritions that deals with the kids. First.

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Speaker 1: We've been on front line from day one when the

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Speaker 1: corona happened, and we never get taught good saying bop

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Speaker 1: to the bus robbers, pop to the monitors, the food

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Speaker 1: nutritions for doing what they're doing. You're right. The teachers

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Speaker 1: just started coming back to school, been on with the kids.

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Speaker 1: They've been on virtual learning with the kids for us forever.

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Speaker 1: If they were virtual learning, that means the bus drivers

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Speaker 1: learning in school, you know right, That's that's all we

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Speaker 1: didn't think about. He was taking lunches out to the

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Speaker 1: kids at the school at stop going virtual learning. Well,

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Speaker 1: shout to all the bus drivers out there, Shout to

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Speaker 1: all the janitors, the maintenance people, the food people of

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Speaker 1: people cook the chefs and all. Yeah, we appreciate you too,

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Speaker 1: and you're right, y'all, since you workers too, you should

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Speaker 1: be on if you want the vaccine, y'all should be

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Speaker 1: number one, you know, up there with the teachers on

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Speaker 1: that list. I agree, Yeah, yea be the ones up

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Speaker 1: there too, because there's always you here, the teachers, just

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Speaker 1: the teachers that know. Teachers just started coming back to school,

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Speaker 1: it being from day one, the bus drivers, the monitors

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Speaker 1: has been going out to these bus stops, giving feet

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Speaker 1: of these kids, face to face with these kids and

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Speaker 1: the parents. Not why would the kids be at the

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Speaker 1: bus stop, no dropping off school lunch, you know, because

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Speaker 1: they gonna drop off school unches. So that probably just

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Speaker 1: dropped off at the bus stop and the kids could

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Speaker 1: pick them up at the bus stop, so that way

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Speaker 1: the kids can still eat kind of like you know what,

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Speaker 1: the free lunch and everything. I never I never heard that.

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Speaker 1: It's the first I'm hearing on me too. Yes, we've

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Speaker 1: been doing that from day one and since since actually started.

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Speaker 1: But thank you. We appreciate it. We appreciate every everybody

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Speaker 1: who's been working so hard throughout this pandemic, but everybody

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Speaker 1: who's been dealing with the lunches, with nutrition, with dripping.

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Speaker 1: This buses. Yes, Hello, who's this? Uh? This is James

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Speaker 1: from North Carolina. I had, of course the problem of

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Speaker 1: being at a speaky Friday. Whoa okay, freaky freaky freaky Friday.

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Speaker 1: So I've been wanting a long time, man, did you

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Speaker 1: link up this old? But she disturbed dramas. Liz is

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Speaker 1: a beautiful woman. She's just, you know, not each other's type. Yo,

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Speaker 1: shut up? What's your type? I never heard type? F boy.

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Speaker 1: Lizzo did not want you in no way, shape or form.

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Speaker 1: She was fun. I'm not so how do you tell?

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Speaker 1: How do you know you're not her type? She told him,

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Speaker 1: talking about maybe that's her type? Oh please? She said

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Speaker 1: she hates that boy. She called him an F boy.

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Speaker 1: But let's be honest, because he was rude. That's let's

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Speaker 1: be honest. You all know dram Moost was into Jason

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Speaker 1: Lee from Hollywood on. I don't like this narrative there

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Speaker 1: that was due that was the connection. That was the connection, Yes,

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Speaker 1: like a snack lately, when didn't you say no, I

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Speaker 1: wouldn't say that. You can't tell it. Man, he was

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Speaker 1: looking good. Jason is looking good, Jason, I lost a

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Speaker 1: lot of weights. You can't say that, man, look good. Bro,

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Speaker 1: just tween saying looking good and looking like a snack. Guys.

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Speaker 1: All right, but we gotta wrap up here now. You

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Speaker 1: want to want to wrap up? Yeah, I wrap up

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Speaker 1: my snacks too, especially when I want to eat them later.

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Speaker 1: Get it off your chest. Eight hundred five eight five

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Speaker 1: one o five one. If you need to vent, it's

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Speaker 1: up now. It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 1: Wake up, wake up way, you're time to get it

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Speaker 1: off your chest. We want to hear from you on

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Speaker 1: the Breakfast Club. I want to get some things off

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Speaker 1: my chest. Right first, I want to say that I

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Speaker 1: don't f with Charlemagne. Lennard McKelvey yesterday did something that

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Speaker 1: made it seem like there was a security breach and

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Speaker 1: had me nervous and upset. Let me, let me, let

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Speaker 1: me tell you what I was told. Okay, I'm sitting

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Speaker 1: in the studio minding my business. Whenever it's suspicious or

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Speaker 1: screene activity downstairs. Security calls up. We get a call.

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Speaker 1: The call says, there's a guy down here looking for

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Speaker 1: DJ Envy. He's like, well, Envy's not here today. The

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Speaker 1: guy said, I refuse to leave until I get a

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Speaker 1: kiss from dj Envy. Right So he tells me to

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Speaker 1: the story and says that the guy has to be

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Speaker 1: because this guy wanted to give me a kiss right now.

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Speaker 1: I'm like, Wow, somebody's at the station and they won't

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Speaker 1: leave because they're trying to get in touch with me

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Speaker 1: or at some way much I kiss you now, mind you.

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Speaker 1: We have security up here, so I called a security.

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Speaker 1: Security goes Envy, what are you talking about? And I'm

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Speaker 1: like Charlemagne said this, and Whack said this, And we

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Speaker 1: have two three security guards up here. I called each

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Speaker 1: one of them, and any calls me back, Envy. They're

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Speaker 1: playing with you. Nobody came up there looking for you.

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Speaker 1: So I just think that I just want to tell

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Speaker 1: you that's foul. I just want to tell you that

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Speaker 1: that's not funny. I think they just didn't want to

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Speaker 1: concern you, sir. That's all it was, you know, I mean,

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Speaker 1: they handled this situation. The thread of the kids was

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Speaker 1: taken down. Okay, shut up, man, the thread of the

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Speaker 1: kiss is gone. I hate you. Took one for the team.

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Speaker 1: Good bye. Hello. Who's this Hey? This is Cayrone. How

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Speaker 1: are you doing this morning? Oh boy? What's that right? Right?

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Speaker 1: Getting off your chests? Hey, I want to get off

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Speaker 1: my chest. Yesterday I came home after working all day

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Speaker 1: and I caught my wife with my best friend who

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Speaker 1: she ended up leaving and leaving me with my boys,

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Speaker 1: which is fine. My boys are four, three and seven

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Speaker 1: months and that's not the bad part. The bad part

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Speaker 1: was I got a phone call for my mom, my

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Speaker 1: father and Tallahassee got caught in a house fire and

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Speaker 1: he didn't make it out. Yeah. So now I'm gonna

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Speaker 1: have to call in the work and try to get

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Speaker 1: myself together my boys, and we gotta make a road

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Speaker 1: from Chicago, well ROCKFORDO on the way all the way

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Speaker 1: down to Tallahassee. B Yeah. And then you love and

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Speaker 1: life and healing energy. Thank you so much, man, Love

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Speaker 1: you guys. I listened to you guys every morning before

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Speaker 1: I hit in the work and everything, and um, you guys,

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Speaker 1: keep sweating a positivity man and Charlotte Maagne Man got

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Speaker 1: so much love and respect for you bros. Usually I

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Speaker 1: would be so much hype, but right now I'm just

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Speaker 1: I don't have anything to be hyped for you, understand, man,

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Speaker 1: I got I got love for you too, King, and

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Speaker 1: I wish I could do something to make you feel better,

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Speaker 1: but it's one of those moments where you just gotta

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Speaker 1: fee your feels like you're going through it right now

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Speaker 1: and it's okay. Only I can tell you is that

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Speaker 1: trouble really don't last always. I know that sound cliche, man,

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Speaker 1: but you know it may not be to mar It

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Speaker 1: may not be a year from that, may not be

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Speaker 1: two years from now, but you can definitely you know,

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Speaker 1: heal from this, not get over. He'll not completely hell either,

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Speaker 1: but he'll somewhat. You can be read better than you

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Speaker 1: are to day. Are you an avid reader? Bro? No, sir,

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Speaker 1: you have Charlemagne's books. Bro, the man just say he

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Speaker 1: don't read. I don't have no I can read. I

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Speaker 1: just I'm an actual meat man or dry cutting meat.

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Speaker 1: I've been cutting meat for time. About what you say?

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Speaker 1: You're just excited to draw. Most interview, you said he's

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Speaker 1: a meat manager, he manages meet You're a meeting. Yeah,

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Speaker 1: I'm cutting meeting for a loving at a grocery or

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Speaker 1: I've been doing that since umen eighteen years old. Just

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Speaker 1: you know, gold and everything and um yeah, it's a

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Speaker 1: promising job, you know. All right, Well send send us

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Speaker 1: your address and draw Mooso drop off Charlemagne's book to

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Speaker 1: you say that way you have his book. Uh, it's

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Speaker 1: it's so much to discuss. This one is tell us

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Speaker 1: about the story. One dives into mental health. And if

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Speaker 1: you just hold on your address and meat manager and

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Speaker 1: drop off and the drama starts talking to you about

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Speaker 1: you know, getting you to managers meet, just just run, man,

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Speaker 1: I love. We got to laugh out of you this morning.

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Speaker 1: All right, we're trying to get you to laugh. Man,

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Speaker 1: I know you're going through it. King, thank you so much,

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Speaker 1: appreciate that you hold on, all right, dramas you get

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Speaker 1: his address right and you do the right thing. You know,

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Speaker 1: when somebody tell you something so horrible and it's like

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Speaker 1: you can't lie to him. What what can we say

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Speaker 1: to to make that brother feel But nothing right? That's

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Speaker 1: your best friend going and your woman going. Lord have mercy.

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Speaker 1: I don't think making fun of his job was the

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Speaker 1: right I ain't on that one either that we weren't.

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Speaker 1: We weren't making fun of his job dramas. We were

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Speaker 1: just you know, that's just Scott me. Come on, meat

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Speaker 1: manager coming. I can't avoid that one. Come on, that

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Speaker 1: comes one to the blood. We couldn't let you manage me.

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Speaker 1: King just saying I hate this show, all right, get

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Speaker 1: it off your chest. Eight hundred five eight five one

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Speaker 1: oh five one. If you need to vent hit this

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Speaker 1: up now. We got rooms on the way. Yes, And

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Speaker 1: Dwyane Wade's daughter Ziyawaite, had the opportunity to talk to

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Speaker 1: Michelle Obama about her book Becoming And here's a little

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Speaker 1: snippet coming up next of what their conversation sounded like.

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Speaker 1: It was really beautiful. All right, we'll get into that next.

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Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. It's

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Speaker 1: about Angela Yee on the Breakfast Club. All right. Well,

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Speaker 1: Takashi six nine made a homophobic comment on Instagram regarding

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Speaker 1: Little nas X. So Little nas X went ahead and

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Speaker 1: aired out some dms on TikTok and according to um

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Speaker 1: Little nas X, I guess Takashi was trying to slide

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Speaker 1: in his dms, so dancing along to one of his

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Speaker 1: own songs. Little nas X addressed the comment by asking

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Speaker 1: this you and then share the screenshot up his DNS

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Speaker 1: A six nine with two separate messages YO in October

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Speaker 1: of last year and then going to be in your

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Speaker 1: city soon. What you're doing lol? And that was from

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Speaker 1: last month. Well. Takashi then responded saying this forty s

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Speaker 1: even start. We're gonna nip the small Graham right here

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Speaker 1: six times to small count Look, stop playing with me.

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Speaker 1: So so he's trying to prove that he didn't actually

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Speaker 1: reach out to him. I know, I believe what will

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Speaker 1: be the problem if you reached out to him nothing.

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Speaker 1: I won't say this the Lord nas X, don't give

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Speaker 1: an f I like that, guys, and now he's great.

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Speaker 1: But also if you're Takashi, you can't be homophobic when

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Speaker 1: your rap name is sixty nine sixty nine. All right, now,

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Speaker 1: let's move on to some positivity. Zayre Wade has met

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Speaker 1: Michelle Obama virtually. They did a Q and A session

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Speaker 1: yesterday and Zaya Wade then shared that on Instagram, and

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Speaker 1: so before they discussing becoming, they did talk about advice

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Speaker 1: for teen readers. They did talk about how Ziah was

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Speaker 1: nervous to meet Michelle Obama, and she said that's her idol.

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Speaker 1: What advice do you have for teens who want to

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Speaker 1: be themselves and thrive well like you have and currently are.

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Speaker 1: I am just so proud of you being just an

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Speaker 1: amazing role model and embracing your truth. You're already doing this,

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Speaker 1: so maybe this is for some other young people that

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Speaker 1: are listening. It does take time to know what your

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Speaker 1: self is, you know for young people. So my first

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Speaker 1: piece of advice is be patient with yourself. Now. Michelle

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Speaker 1: Obama also as Zaiah what advice she had for young

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Speaker 1: people trying to find themselves, and Zia Wade said, well,

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Speaker 1: y'all think that we thrive with people who are just

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Speaker 1: like us. But I think getting a different perspective from

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Speaker 1: someone else who isn't like you really helps. That definitely

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Speaker 1: helped me in becoming me and defining my truth. I

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Speaker 1: think she's great. I love with Gabriel Union and the

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Speaker 1: way Wade how they're raising her. I just love it, man,

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Speaker 1: I really really love it all right. Eddie Murphy has

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Speaker 1: explained how Arnold Schwarzenegger is the person who inspired him

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Speaker 1: to do coming to America. He was talking to yeah,

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Speaker 1: who Entertainment. And here's what he said. You know what

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Speaker 1: happened I was watching. I think it was one of

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Speaker 1: those movies with Schwarzenegger, is that when they used that

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Speaker 1: terminated movies and they used a special effect, but it

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Speaker 1: made him really young. And I was like, hey, if

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Speaker 1: you did that scene, we could do a scene where

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Speaker 1: we're young and can that scene when we're in the club.

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Speaker 1: We could connect it. Then this happened and he and

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Speaker 1: then that was the piece that made it all kind

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Speaker 1: of fall into place. Okay, I mean, I don't know, man.

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Speaker 1: I think it might have been Ryan Coogl and Aaron

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Speaker 1: McGruder that inspired Coming to America too, because you know, yeah,

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Speaker 1: but they didn't direct it all. They didn't direct it though. Yeah,

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Speaker 1: but I read a treatment. I read a treatment that

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Speaker 1: they wrote back in the day, and I know Eddie

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Speaker 1: said he didn't like, uh, he didn't like Ryan's idea

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Speaker 1: for coming to America. But the treatment I saw that

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Speaker 1: they presented as a lot of similarities to the movie

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Speaker 1: that's currently screaming on Amazon Prime Video. Now, ye have

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Speaker 1: you seen the movie yet? No, it's out today. I

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Speaker 1: know a lot of people I've seen it already. I've

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Speaker 1: been dy've been hit me in my d MS and leaving.

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Speaker 1: I've been getting a lot of packages though from them

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Speaker 1: is great dope. Yeah, we've been getting a lot of

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Speaker 1: promo materials for coming to America. He sent us some

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Speaker 1: soul Golo. I'm trying to figure out if that's real

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Speaker 1: activated or not. It is, it's real activated. I read

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Speaker 1: the box, I read the ball. That's from Browner Brothers.

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Speaker 1: I got some sexual chocolates. Yeah, we're talking on hall

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Speaker 1: next hour, next how I'm talking on CEN your hall

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Speaker 1: all right? Well, and they've been doing a lot of

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Speaker 1: press lately because Eddie Murphy also did Kevin hart Sirius

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Speaker 1: XM podcast comedy gold Mines with Kevin Hart, and he

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Speaker 1: talked about how he had actually planned to start doing

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Speaker 1: stand up again and then the pandemic. My plan was

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Speaker 1: to do the Dolomite Saturday Night Live, Coming to America

421
00:21:50,600 --> 00:21:53,399
Speaker 1: and then do stand up, and then the pandemic hit.

422
00:21:53,600 --> 00:21:55,560
Speaker 1: To shut the whole damn that I was going. I

423
00:21:55,560 --> 00:21:57,800
Speaker 1: would the whole time last year. I would have been

424
00:21:57,840 --> 00:22:00,600
Speaker 1: out working on my act, trying to get my Hey,

425
00:22:00,720 --> 00:22:03,200
Speaker 1: when the pandemic is over and it's safe for everybody,

426
00:22:03,240 --> 00:22:05,399
Speaker 1: to go out and do it. Then the plan is

427
00:22:05,720 --> 00:22:12,480
Speaker 1: to do it? What what should Eddie Murphy do stand up? Yeah? Yeah,

428
00:22:12,760 --> 00:22:14,200
Speaker 1: you know what? Oh my god, you know what. I'd

429
00:22:14,200 --> 00:22:15,480
Speaker 1: like what you see Eddie Doude. I would like to

430
00:22:15,520 --> 00:22:18,159
Speaker 1: see Eddie dude Mike Tyson did. When Mike Tyson did

431
00:22:18,280 --> 00:22:21,080
Speaker 1: his um his one man show and he came out

432
00:22:21,119 --> 00:22:23,520
Speaker 1: there and he just told stories about his time in Hollywood.

433
00:22:23,520 --> 00:22:25,600
Speaker 1: I think I think Eddie should do that because the

434
00:22:25,720 --> 00:22:28,280
Speaker 1: bar for Eddie Murphy stand up is so high and

435
00:22:28,480 --> 00:22:31,320
Speaker 1: it's almost like you can't, you can't, you can't get

436
00:22:31,320 --> 00:22:33,560
Speaker 1: to that level again. You just didn't. You remember he

437
00:22:33,680 --> 00:22:35,600
Speaker 1: was a couple of years ago he was negotiating a

438
00:22:35,680 --> 00:22:38,720
Speaker 1: deal with Netflix and that was for an undisclosed number

439
00:22:38,760 --> 00:22:40,800
Speaker 1: of stand ups. Remember they were saying he was gonna

440
00:22:40,800 --> 00:22:43,639
Speaker 1: get about seventy million. Yeah, well, Eddie, I'd come out

441
00:22:43,680 --> 00:22:45,040
Speaker 1: in the throne and I'd be like, I'm gonna sit

442
00:22:45,119 --> 00:22:47,119
Speaker 1: down because I don't want y'all here trying to you know,

443
00:22:47,200 --> 00:22:50,000
Speaker 1: say say saying Eddie Murphy's doing stand up again. I

444
00:22:50,040 --> 00:22:51,399
Speaker 1: would come out in the throne and I would just

445
00:22:51,560 --> 00:22:53,479
Speaker 1: do the one man's show like Mike Tyson did. It's

446
00:22:53,520 --> 00:22:56,440
Speaker 1: funny that you said that because watching Coming to America, Sue,

447
00:22:57,000 --> 00:22:59,760
Speaker 1: my bar is so high from the original one, because

448
00:23:01,040 --> 00:23:04,520
Speaker 1: favorite movie that I don't think it can't compare, and

449
00:23:04,600 --> 00:23:06,440
Speaker 1: I try to compare it and it just can't. It

450
00:23:06,560 --> 00:23:08,720
Speaker 1: didn't be the same thing. Whatever you got raw, you

451
00:23:08,800 --> 00:23:11,640
Speaker 1: got delirious, Like people would compare it to that. I would.

452
00:23:11,680 --> 00:23:13,040
Speaker 1: I would if I was I would just come out

453
00:23:13,040 --> 00:23:14,600
Speaker 1: and do a one man show because whenever you hear him,

454
00:23:14,640 --> 00:23:17,160
Speaker 1: just tell stories about his time in Hollywood and things

455
00:23:17,200 --> 00:23:19,680
Speaker 1: that he's experienced there. Hilarious. I would just do that

456
00:23:19,840 --> 00:23:23,200
Speaker 1: same way Mike Tyson did All Right Now. Nas recently

457
00:23:23,240 --> 00:23:25,840
Speaker 1: did an interview with Financial Times, and he was saying

458
00:23:25,920 --> 00:23:28,040
Speaker 1: that he doesn't feel like he's in competition with any

459
00:23:28,080 --> 00:23:30,760
Speaker 1: of the younger rappers. He said, I appreciate what's out there,

460
00:23:30,800 --> 00:23:32,639
Speaker 1: but there's no one keeping me up at night. I

461
00:23:32,760 --> 00:23:34,359
Speaker 1: hear a new rap record, I think it's great, but

462
00:23:34,480 --> 00:23:36,680
Speaker 1: I don't listen to it the next week. And he

463
00:23:36,800 --> 00:23:38,760
Speaker 1: did say that Pop Smoke did catches out. He said,

464
00:23:38,800 --> 00:23:40,600
Speaker 1: we were happy to see that young king come up.

465
00:23:40,840 --> 00:23:42,800
Speaker 1: He was a breath of fresh air. The drill movement

466
00:23:42,840 --> 00:23:45,720
Speaker 1: in London, Chicago and New York is really exciting. He

467
00:23:45,960 --> 00:23:48,440
Speaker 1: also says that he has some plans to turn his

468
00:23:48,600 --> 00:23:51,040
Speaker 1: track from Elmattock New York State of Mind into a film.

469
00:23:51,560 --> 00:23:54,520
Speaker 1: That's dope. That's interesting on me because Nas is a

470
00:23:54,560 --> 00:23:56,639
Speaker 1: god MC right like, like I mean, Nas is in

471
00:23:57,000 --> 00:23:59,200
Speaker 1: you know, my top seven favorite rappers of all time.

472
00:23:59,240 --> 00:24:01,480
Speaker 1: So I always to how people like that do see

473
00:24:02,280 --> 00:24:04,000
Speaker 1: the game because their artists, you know what I mean,

474
00:24:04,080 --> 00:24:07,960
Speaker 1: So their their pallet is different than ours. All right,

475
00:24:08,040 --> 00:24:10,280
Speaker 1: well that is your rumor reports, all right, thank you,

476
00:24:10,359 --> 00:24:12,000
Speaker 1: miss y. But you know this, all of the greats

477
00:24:12,040 --> 00:24:15,240
Speaker 1: they love, they love the new artists. You know, it's

478
00:24:15,240 --> 00:24:17,200
Speaker 1: sometimes it be to B level and C level artists.

479
00:24:17,200 --> 00:24:18,600
Speaker 1: I like, oh here you dopo up right now. But

480
00:24:18,720 --> 00:24:21,960
Speaker 1: all the god mcs, whether it's Whole or Nas or

481
00:24:22,400 --> 00:24:24,320
Speaker 1: wherever else you put in that category, they love the

482
00:24:24,400 --> 00:24:26,880
Speaker 1: new m season and love to work with him, you know. Yeah,

483
00:24:26,880 --> 00:24:28,639
Speaker 1: that's why I mean, that's why it's interesting to hear.

484
00:24:28,680 --> 00:24:30,399
Speaker 1: And now I say, nobody keeps him up at night.

485
00:24:30,480 --> 00:24:33,359
Speaker 1: Like he said, he appreciates it and he can enjoy it,

486
00:24:33,480 --> 00:24:36,520
Speaker 1: but he's just not up at night. Yeah, I get it.

487
00:24:36,520 --> 00:24:38,119
Speaker 1: All right, Well, we got front page news next. What

488
00:24:38,200 --> 00:24:40,840
Speaker 1: we're talking about, Well, let's talk about All Star Weekend.

489
00:24:40,880 --> 00:24:44,719
Speaker 1: It's going down this weekend, and but you're in Atlanta, alretty, right, ye,

490
00:24:45,640 --> 00:24:48,040
Speaker 1: all right, so let's discuss what's happening. All right, we'll

491
00:24:48,040 --> 00:24:49,959
Speaker 1: do that when we come back. It's the Breakfast club going.

492
00:24:51,040 --> 00:24:57,560
Speaker 1: That's new Drake little baby that if you just waking up,

493
00:24:58,080 --> 00:25:01,720
Speaker 1: Drake dropped a three pack last night of songs. One

494
00:25:01,880 --> 00:25:05,119
Speaker 1: is uh, what's next? That joint in I think it's

495
00:25:05,200 --> 00:25:08,280
Speaker 1: the I was gonna say, Lemon Pepper, wings freestyle, right

496
00:25:09,280 --> 00:25:12,120
Speaker 1: wing freestyle with Ross. All right, well, let's get into

497
00:25:12,160 --> 00:25:15,200
Speaker 1: Front page News where we start. Well, let's start with

498
00:25:15,359 --> 00:25:17,840
Speaker 1: All Star Weekend. You out there and being now because

499
00:25:17,880 --> 00:25:19,479
Speaker 1: of COVID, of course you know this is in Atlanta.

500
00:25:19,520 --> 00:25:21,239
Speaker 1: But everything is going to be in a single night.

501
00:25:21,320 --> 00:25:24,359
Speaker 1: The Skills Challenge three point Contest will be pregame. The

502
00:25:24,520 --> 00:25:28,520
Speaker 1: Dunk Contest will act as the halftime show. Team Lebron

503
00:25:28,720 --> 00:25:32,480
Speaker 1: First round starters Gianna Sante to Kompos, Stephen, Steph Curry,

504
00:25:33,160 --> 00:25:39,359
Speaker 1: Luca Dantek and I can't say this right, Nikola. They

505
00:25:39,400 --> 00:25:42,160
Speaker 1: are doing the Slam Dunk Contest and all that. Yes,

506
00:25:42,320 --> 00:25:44,200
Speaker 1: it's all in one night, though, one of the two nights.

507
00:25:45,000 --> 00:25:49,280
Speaker 1: Kevin Team Kevin Durant, Kylie Irving, Joel and b Kawai, Lana,

508
00:25:49,320 --> 00:25:51,879
Speaker 1: Bradley Bill, and Jason Tatum are the starters. That's silly.

509
00:25:51,960 --> 00:25:53,760
Speaker 1: I mean, you're already down there in Atlanta. You're not

510
00:25:53,800 --> 00:25:55,680
Speaker 1: gonna have fans in the stands. You might as watch

511
00:25:56,720 --> 00:25:59,560
Speaker 1: contest on Saturdays like you normally do, and then do

512
00:25:59,640 --> 00:26:01,840
Speaker 1: the game on Sunday. You're already there. It's gonna be

513
00:26:01,880 --> 00:26:03,879
Speaker 1: a long day for all those players and people. And

514
00:26:04,000 --> 00:26:06,760
Speaker 1: who you got Team duran and Team Lebron. I don't care.

515
00:26:06,800 --> 00:26:09,680
Speaker 1: I got Team Covid. Okay, Team Covid gonna win the weekend.

516
00:26:09,840 --> 00:26:11,680
Speaker 1: Nobody gonna be there. I'm asking who you got? You

517
00:26:11,800 --> 00:26:14,520
Speaker 1: got you got Kevin Durant's team, or you got Lebron?

518
00:26:14,560 --> 00:26:17,359
Speaker 1: Who got? All? Right? When I said, you got Steph Curry?

519
00:26:17,359 --> 00:26:20,440
Speaker 1: I don't care. I'm gonna go with Team Durant. Yeah,

520
00:26:20,880 --> 00:26:24,080
Speaker 1: I'm going with Team Lebron. Okay. None of them want

521
00:26:24,119 --> 00:26:25,600
Speaker 1: to be there. Not further of all, none of them

522
00:26:25,640 --> 00:26:27,320
Speaker 1: wanted to be there. They barely take the au Star

523
00:26:27,440 --> 00:26:29,440
Speaker 1: game series as it is, and none of them really

524
00:26:29,480 --> 00:26:30,960
Speaker 1: want to be there. This weekend. I don't think they're

525
00:26:30,960 --> 00:26:32,800
Speaker 1: gonna be playing hard at all. It's you know, they

526
00:26:32,880 --> 00:26:34,960
Speaker 1: still they still competitive, They still going to w All right, now,

527
00:26:35,040 --> 00:26:37,159
Speaker 1: let's talk about Charlotte Bennett. She's the second woman to

528
00:26:37,200 --> 00:26:40,920
Speaker 1: go public with sexual harassment allegations against Governor Andrew Crommel

529
00:26:41,040 --> 00:26:43,000
Speaker 1: in New York. And she did say she thought the

530
00:26:43,040 --> 00:26:45,359
Speaker 1: governor was trying to sleep with her and she was uncomfortable.

531
00:26:45,480 --> 00:26:49,199
Speaker 1: She told CBS Evening News anchor Nora O'Donnell what happened,

532
00:26:49,240 --> 00:26:54,080
Speaker 1: and here's what she said about their conversations. He explains

533
00:26:54,560 --> 00:26:57,480
Speaker 1: at that point that he is looking for a girlfriend,

534
00:26:57,960 --> 00:27:04,040
Speaker 1: he's lonely, he's tired. He asked if I had trouble

535
00:27:04,800 --> 00:27:09,919
Speaker 1: enjoying being with someone because of my drama. The governor

536
00:27:09,960 --> 00:27:14,640
Speaker 1: asked me if I was sensitive to intimacy in his office, Yes,

537
00:27:15,359 --> 00:27:21,879
Speaker 1: during the work day, that already, right, he was. What

538
00:27:22,000 --> 00:27:25,520
Speaker 1: he said was that she took the conversation the wrong way,

539
00:27:25,560 --> 00:27:28,320
Speaker 1: that he wasn't trying to do anything, but he understands

540
00:27:28,359 --> 00:27:32,040
Speaker 1: that it was uncomfortable for her now or something like that,

541
00:27:32,520 --> 00:27:34,520
Speaker 1: all right. Now. In addition to that, she talked about

542
00:27:34,760 --> 00:27:37,760
Speaker 1: another part of the conversation where he was discussing ages

543
00:27:37,840 --> 00:27:40,199
Speaker 1: and how he would date women if she was over

544
00:27:40,320 --> 00:27:42,879
Speaker 1: twenty two. You have been quoted as saying that He

545
00:27:43,040 --> 00:27:45,760
Speaker 1: also asked you about if you'd ever been with an

546
00:27:45,760 --> 00:27:50,159
Speaker 1: older man. Yeah, he asked me if age difference mattered.

547
00:27:50,440 --> 00:27:55,320
Speaker 1: He also explained that he was fine with anyone over

548
00:27:55,960 --> 00:27:59,240
Speaker 1: twenty two and how old are you? Twenty five? What

549
00:27:59,400 --> 00:28:03,760
Speaker 1: were you thinking as he's asking you these questions. I

550
00:28:03,880 --> 00:28:07,040
Speaker 1: thought he's trying to sleep with me, and I'm deeply

551
00:28:07,160 --> 00:28:09,560
Speaker 1: uncomfortable and I have to get out of this room

552
00:28:09,680 --> 00:28:14,040
Speaker 1: as soon as possible. Damn, It's all right, and I

553
00:28:14,080 --> 00:28:17,440
Speaker 1: wouldn't tell you Colmo's response. Now. Initially, he had said

554
00:28:17,520 --> 00:28:20,080
Speaker 1: last week that he never made advances towards miss Bennett,

555
00:28:20,080 --> 00:28:21,800
Speaker 1: nor did I ever intend to act in any way

556
00:28:21,840 --> 00:28:24,520
Speaker 1: that was inappropriate. But then on Wednesday he did a

557
00:28:24,680 --> 00:28:28,080
Speaker 1: more direct apology. He said, I now understand that I

558
00:28:28,160 --> 00:28:30,240
Speaker 1: acted in a way that made people feel uncomfortable. It

559
00:28:30,359 --> 00:28:33,080
Speaker 1: was unintentional, and I truly and deeply apologize for it.

560
00:28:33,160 --> 00:28:36,000
Speaker 1: I felt awful about it, and frankly, I am embarrassed

561
00:28:36,040 --> 00:28:37,720
Speaker 1: by it. And that's not easy to say, but that's

562
00:28:37,800 --> 00:28:40,120
Speaker 1: the truth. Yeah, I mean, it's nuts at any man,

563
00:28:40,400 --> 00:28:43,240
Speaker 1: but especially someone in his position, would still be, you know,

564
00:28:43,560 --> 00:28:45,600
Speaker 1: talking like that and making those same kind of mistakes

565
00:28:45,640 --> 00:28:47,960
Speaker 1: after me two times up movement, like you have to

566
00:28:48,000 --> 00:28:52,160
Speaker 1: be super arrogant to feel like you are untouchable, you know,

567
00:28:52,320 --> 00:28:53,960
Speaker 1: to still be making those same kind of mistakes. I

568
00:28:53,960 --> 00:28:55,960
Speaker 1: don't care how much Greece Governor Cuomo has in his head.

569
00:28:56,000 --> 00:28:58,280
Speaker 1: He is not an untouchable mob boss. And me two

570
00:28:58,320 --> 00:29:00,320
Speaker 1: times up should have caused a lot of self direction,

571
00:29:00,400 --> 00:29:02,520
Speaker 1: right and if you don't, you did himself correct yourself,

572
00:29:02,520 --> 00:29:04,520
Speaker 1: you head of yourself destruction. Or maybe he's been at

573
00:29:04,560 --> 00:29:07,160
Speaker 1: it for so long he just can't stop. That's that's true,

574
00:29:07,200 --> 00:29:08,400
Speaker 1: But that's what I mean. You got And I think

575
00:29:08,840 --> 00:29:11,080
Speaker 1: also and his head feels like because he didn't touch

576
00:29:11,160 --> 00:29:14,320
Speaker 1: her or touch anybody, that he didn't do anything wrong.

577
00:29:14,960 --> 00:29:18,800
Speaker 1: But the conversation can also be manipulative and uncomfortable and

578
00:29:19,240 --> 00:29:21,360
Speaker 1: wrong as well, especially when you're a man with that

579
00:29:21,520 --> 00:29:25,200
Speaker 1: kind of power. And right, well that is your front

580
00:29:25,200 --> 00:29:28,280
Speaker 1: page news all right now, when we come back, Charlomagne

581
00:29:28,320 --> 00:29:30,920
Speaker 1: got a chance to kick it with our Cineo. Oh man,

582
00:29:31,080 --> 00:29:33,440
Speaker 1: Ursineo is one of my inspirations, man, you know, talk

583
00:29:33,520 --> 00:29:36,280
Speaker 1: show host Goat. I've had the opportunity to have quite

584
00:29:36,280 --> 00:29:38,959
Speaker 1: a few conversations with our Cineo, but this is our

585
00:29:39,000 --> 00:29:42,080
Speaker 1: first public conversation and coming to America. Tools out right

586
00:29:42,120 --> 00:29:45,160
Speaker 1: now screaming on Amazon Prime Video. So we talk about

587
00:29:45,160 --> 00:29:46,640
Speaker 1: a whole bunch of stuff. We sat down for like

588
00:29:46,680 --> 00:29:49,000
Speaker 1: an hour, but you're about to hear it, all right,

589
00:29:49,080 --> 00:29:51,000
Speaker 1: We'll get into that next keeping lock this to Breakfast

590
00:29:51,000 --> 00:29:54,320
Speaker 1: Club comorning. You're kicking out the world's most dangerous morning show.

591
00:29:54,640 --> 00:29:58,800
Speaker 1: Morning Everybody is cj Envy, Angela Yee, Charlomagne the guy

592
00:29:58,880 --> 00:30:02,320
Speaker 1: we are the Breakfast Love Good Morning Now Charlemagnet got

593
00:30:02,320 --> 00:30:05,280
Speaker 1: a chance to chop it up with our Cineo Hall. Yes,

594
00:30:05,880 --> 00:30:07,920
Speaker 1: you know it's funny because this interview has been under

595
00:30:07,960 --> 00:30:11,320
Speaker 1: embargo for a while because you know, they was keeping

596
00:30:11,320 --> 00:30:14,200
Speaker 1: a top secret for whatever reason, because of the movie,

597
00:30:14,520 --> 00:30:17,280
Speaker 1: right and the stuff that we talked about. But yeah,

598
00:30:17,320 --> 00:30:19,480
Speaker 1: I got the chance to sit down one of my inspirations,

599
00:30:19,600 --> 00:30:22,959
Speaker 1: man mis star Ciny Hall Talk show Goat. This man

600
00:30:23,040 --> 00:30:25,160
Speaker 1: has inspired me on so many different levels in that

601
00:30:25,280 --> 00:30:27,920
Speaker 1: I've been blessed to have several conversations with him throughout

602
00:30:27,960 --> 00:30:30,080
Speaker 1: my life. But this one is public for the people.

603
00:30:30,400 --> 00:30:33,560
Speaker 1: So alright, you look good, my brother, Thank you man,

604
00:30:33,640 --> 00:30:36,480
Speaker 1: and God bless you. You look great. I love that you.

605
00:30:37,000 --> 00:30:39,520
Speaker 1: You did something about Paul Mooney this morning on Instagram.

606
00:30:39,680 --> 00:30:42,520
Speaker 1: Many God bless you, because me and Eddie were talking

607
00:30:42,520 --> 00:30:45,120
Speaker 1: about him yesterday. I was like shocked. It was like

608
00:30:45,200 --> 00:30:47,600
Speaker 1: you were hearing us. I always think about y'all man,

609
00:30:47,640 --> 00:30:50,320
Speaker 1: because from the outside looking in, it always seemed like

610
00:30:50,560 --> 00:30:53,960
Speaker 1: unity and group operation has been a thing for y'all

611
00:30:54,040 --> 00:30:57,040
Speaker 1: generation to comedians, well, at least with the Black Pack. Yeah,

612
00:30:57,080 --> 00:31:01,040
Speaker 1: with theself and Eddie, Robert Towns and I win. Paul

613
00:31:01,120 --> 00:31:04,120
Speaker 1: Mooney was part of that as well. Right, absolutely, there

614
00:31:04,240 --> 00:31:07,400
Speaker 1: is an early picture where Paul Mooney is in that

615
00:31:07,560 --> 00:31:10,600
Speaker 1: photo with me and Keenan and Eddie. I joked about

616
00:31:10,680 --> 00:31:14,640
Speaker 1: this in Chappelle in Chris Rock's dressing room, and it

617
00:31:14,840 --> 00:31:18,520
Speaker 1: was on Instagram. It's interesting, you know, Prince, you know

618
00:31:18,640 --> 00:31:21,680
Speaker 1: the famous situation at the Beverly Theater where James Brown

619
00:31:21,840 --> 00:31:24,840
Speaker 1: is performing in Prince and Michael Jackson both showed up. Well, No,

620
00:31:24,920 --> 00:31:28,360
Speaker 1: I thought that on the BT, the one where Prince

621
00:31:28,480 --> 00:31:31,840
Speaker 1: grabbed a light pole and fell an audience. No, okay,

622
00:31:31,840 --> 00:31:34,840
Speaker 1: I have to send you this, but because it's too

623
00:31:34,880 --> 00:31:37,560
Speaker 1: long to story. But my point was that legends and

624
00:31:37,720 --> 00:31:42,200
Speaker 1: goats haven't always gotten along. And I love that Chris

625
00:31:42,320 --> 00:31:45,400
Speaker 1: and Chappelle, as good as they are, they don't compete.

626
00:31:45,640 --> 00:31:48,800
Speaker 1: They drive each other higher. And that's the way Richard

627
00:31:49,520 --> 00:31:52,200
Speaker 1: and Eddie were. And one time he had this little

628
00:31:52,280 --> 00:31:56,240
Speaker 1: cart right and he said, I hear Eddie Murphy house

629
00:31:56,280 --> 00:31:59,680
Speaker 1: a movie out and I said yeah. He said, can't

630
00:31:59,720 --> 00:32:02,080
Speaker 1: we go see it? And he was willing to leave

631
00:32:02,120 --> 00:32:04,000
Speaker 1: the house. I put his little cart in the back

632
00:32:04,040 --> 00:32:07,280
Speaker 1: of my rover and I rented a theater at Paramount.

633
00:32:07,680 --> 00:32:10,040
Speaker 1: Me and Richard sat and watched the Eddie movie. They

634
00:32:11,200 --> 00:32:14,479
Speaker 1: it was a sequel to cop Okay, okay, it's one

635
00:32:14,520 --> 00:32:17,640
Speaker 1: of those. And he loved Eddie. And I love when

636
00:32:17,720 --> 00:32:22,800
Speaker 1: the goats are talented and confident enough to hang out

637
00:32:22,960 --> 00:32:25,680
Speaker 1: and drive each other higher. And that's like I went

638
00:32:25,720 --> 00:32:27,560
Speaker 1: on the road, did a couple of dates with Chappelle

639
00:32:27,600 --> 00:32:30,479
Speaker 1: and Chris rocket I loved their relationship. You know, there

640
00:32:30,560 --> 00:32:33,600
Speaker 1: was never jealousy. Nobody was ever hating on the other

641
00:32:33,680 --> 00:32:36,200
Speaker 1: and falling off light poles at the Beverly Theater and

642
00:32:36,280 --> 00:32:38,720
Speaker 1: stuff like that. So the Richard wanted to meet Steve,

643
00:32:38,760 --> 00:32:41,240
Speaker 1: because that's his illegitimate son. Because Steve and Richard got it.

644
00:32:41,320 --> 00:32:46,440
Speaker 1: They look they didn't look alike. Why you wanted to

645
00:32:46,480 --> 00:32:49,960
Speaker 1: see Steve, Well, you know, it probably was some kind

646
00:32:50,000 --> 00:32:53,240
Speaker 1: of synchronicity and looking at a mustache and saying I

647
00:32:53,440 --> 00:32:56,280
Speaker 1: like him. And by the way, he had met Steve

648
00:32:56,360 --> 00:32:58,320
Speaker 1: one other time too. I think Steve told me they

649
00:32:58,360 --> 00:33:01,360
Speaker 1: had met someplace. You know, it might have been some

650
00:33:01,680 --> 00:33:05,360
Speaker 1: visual connection, but with Richard it was probably because Steve

651
00:33:05,520 --> 00:33:07,840
Speaker 1: was funny. And in those times when you're in your

652
00:33:07,880 --> 00:33:09,880
Speaker 1: bed and that's all you do is sit with your

653
00:33:09,920 --> 00:33:14,440
Speaker 1: friend and watch TV, laughter is healing. Laughter is the

654
00:33:14,520 --> 00:33:17,160
Speaker 1: greatest thing ever, and it's why I'm happy this movie

655
00:33:17,280 --> 00:33:19,600
Speaker 1: is coming on March fifth. I know it's not much

656
00:33:20,040 --> 00:33:23,520
Speaker 1: in times like this, when we have food lines and

657
00:33:24,000 --> 00:33:27,080
Speaker 1: people dying, but I'm sure glad that on March fifth,

658
00:33:27,600 --> 00:33:29,720
Speaker 1: I can take people away for an hour and a

659
00:33:29,760 --> 00:33:31,960
Speaker 1: half and make them laugh. That's why I wanted to

660
00:33:31,960 --> 00:33:34,440
Speaker 1: ask you about the Black Packers, You and Edie's relationship.

661
00:33:34,480 --> 00:33:37,280
Speaker 1: The chemistry has always there. Why is that unity so

662
00:33:37,520 --> 00:33:40,520
Speaker 1: important then? And how have y'all helped each other over

663
00:33:40,600 --> 00:33:44,360
Speaker 1: the year. While it's interesting, you know, he's a rich guy.

664
00:33:44,440 --> 00:33:47,680
Speaker 1: He don't need no help. But I think we've all

665
00:33:47,800 --> 00:33:51,200
Speaker 1: had we know what the other does. Stand ups are

666
00:33:51,320 --> 00:33:54,680
Speaker 1: very cliquish. There's this thing we think we're the most

667
00:33:55,240 --> 00:33:58,080
Speaker 1: the most talented people on the planet. We think stand

668
00:33:58,160 --> 00:33:59,680
Speaker 1: up is the hardest thing in the world to do,

669
00:34:00,120 --> 00:34:03,520
Speaker 1: and there's a tremendous respect. Don't get me wrong. There's

670
00:34:03,520 --> 00:34:05,320
Speaker 1: some comics are standing in the back of the comedy

671
00:34:05,360 --> 00:34:07,600
Speaker 1: store and they hate on you. But for the most part,

672
00:34:07,680 --> 00:34:11,960
Speaker 1: we're very cliquish. And I think Eddie and I met,

673
00:34:12,440 --> 00:34:15,239
Speaker 1: we understood each other, and it's kind of cool that

674
00:34:15,840 --> 00:34:21,600
Speaker 1: we're still friends, because friendships, you know, don't last sometimes

675
00:34:21,640 --> 00:34:25,240
Speaker 1: when there's money and competition and that kind of stuff

676
00:34:25,239 --> 00:34:27,640
Speaker 1: in the mix. How did you and Eddie even become

677
00:34:27,760 --> 00:34:31,840
Speaker 1: the friend? Eddie and I met through Keenan Lands We

678
00:34:32,040 --> 00:34:35,040
Speaker 1: were Keenan called me back in the days when you

679
00:34:35,080 --> 00:34:37,799
Speaker 1: didn't have a cell phone. You call somebody at home

680
00:34:38,080 --> 00:34:42,960
Speaker 1: if they don't answer. But you know, I got a call.

681
00:34:43,080 --> 00:34:46,840
Speaker 1: It was Keenan. He said, come to the improv about nine,

682
00:34:47,239 --> 00:34:49,160
Speaker 1: and he said, Eddie's gonna work out because he's in

683
00:34:49,239 --> 00:34:51,200
Speaker 1: town to do the tonight show, so he needed to

684
00:34:51,280 --> 00:34:53,840
Speaker 1: work out his set and I got there and we

685
00:34:53,920 --> 00:34:55,880
Speaker 1: were standing in front waiting for Eddie to arrive, and

686
00:34:56,040 --> 00:34:59,799
Speaker 1: Keenan introduced me to Eddie and Eddie said, I wanted

687
00:34:59,840 --> 00:35:02,200
Speaker 1: to meet you in person because my mother thinks we're

688
00:35:02,239 --> 00:35:06,839
Speaker 1: looking like nig You don't look like me and looking Yeah.

689
00:35:07,000 --> 00:35:09,560
Speaker 1: The second sentence Eddie said to me was you don't

690
00:35:09,640 --> 00:35:15,040
Speaker 1: look like me. And and Damon Waans was parking his car.

691
00:35:15,480 --> 00:35:18,320
Speaker 1: This is this is a great story. Damon starts walking

692
00:35:18,360 --> 00:35:22,359
Speaker 1: down the street and he's walking a little offeminine, very

693
00:35:22,440 --> 00:35:26,920
Speaker 1: effeminine and like men on film. Yes, okay, okay, And

694
00:35:27,000 --> 00:35:29,200
Speaker 1: so I hadn't met him, and so we should. He

695
00:35:29,360 --> 00:35:31,560
Speaker 1: put his hand out and he shook my hand, and

696
00:35:31,800 --> 00:35:34,840
Speaker 1: you know, if somebody is really acting like that, you

697
00:35:34,920 --> 00:35:38,120
Speaker 1: don't laugh because that's who they are, you know. So

698
00:35:38,280 --> 00:35:40,960
Speaker 1: I didn't know. I had never met Keenan's brother. And

699
00:35:41,239 --> 00:35:44,440
Speaker 1: finally he came out of the character and I realized,

700
00:35:45,080 --> 00:35:48,480
Speaker 1: this guy is a funny mother and he can lock

701
00:35:48,560 --> 00:35:52,480
Speaker 1: into a character, and that character, because Eddie's standing there,

702
00:35:52,760 --> 00:35:56,640
Speaker 1: that character ended up a valet parking guy in Beverly Hills. Cop. Wow,

703
00:35:57,760 --> 00:36:00,560
Speaker 1: you know, I'm wondering, like, were you hesitant in any

704
00:36:00,640 --> 00:36:03,160
Speaker 1: way to do a sequel to a classic like Coming

705
00:36:03,200 --> 00:36:08,359
Speaker 1: to America. Oh, yes, because there are gods that walk

706
00:36:08,440 --> 00:36:12,680
Speaker 1: the earth. You're afraid of criticism, you know, from Charallemagne

707
00:36:12,760 --> 00:36:17,160
Speaker 1: to somebody on Twitter. I've been buying a coffee and

708
00:36:17,320 --> 00:36:20,200
Speaker 1: the barista said to me, I heard y'all gonna redo

709
00:36:20,320 --> 00:36:22,720
Speaker 1: that movie. Don't fit up. That's my movie. My family

710
00:36:22,800 --> 00:36:25,480
Speaker 1: watched that movie once a year together. And you realize

711
00:36:25,520 --> 00:36:27,960
Speaker 1: there are people who are afraid for you to go

712
00:36:28,040 --> 00:36:30,759
Speaker 1: to work. They don't want you to do it, they

713
00:36:30,800 --> 00:36:33,040
Speaker 1: don't want you to do with it, And you start thinking,

714
00:36:33,080 --> 00:36:36,600
Speaker 1: I'm like, wow, if the barista is nervous, what's Challemagne

715
00:36:36,719 --> 00:36:38,960
Speaker 1: gonna say? What? You know? I mean, there are a

716
00:36:39,040 --> 00:36:41,680
Speaker 1: lot of people who see it as this cult film

717
00:36:42,160 --> 00:36:44,319
Speaker 1: that they grew up with and they loved, And there

718
00:36:44,400 --> 00:36:46,800
Speaker 1: were people who really didn't want us to do the sequel.

719
00:36:47,120 --> 00:36:50,400
Speaker 1: But I think we did it, and I think the

720
00:36:50,520 --> 00:36:52,560
Speaker 1: people who are truly fans of it are gonna like

721
00:36:52,760 --> 00:36:56,160
Speaker 1: what we did. Now, if people don't like the sequel

722
00:36:56,200 --> 00:36:58,160
Speaker 1: to come into America, do you think it will affect

723
00:36:58,200 --> 00:37:01,480
Speaker 1: the legacy of the first film. I think the second

724
00:37:01,520 --> 00:37:04,160
Speaker 1: one will stand on its own as just a statement

725
00:37:04,320 --> 00:37:07,839
Speaker 1: like I loved the first one. You know, I don't

726
00:37:07,920 --> 00:37:10,960
Speaker 1: think it'll hurt the legacy, but I also think they'll

727
00:37:11,000 --> 00:37:14,640
Speaker 1: love it because you know, it's like a great Michael

728
00:37:14,800 --> 00:37:17,800
Speaker 1: Eric Dyson book. You're like chapter one, and it's the

729
00:37:17,920 --> 00:37:21,360
Speaker 1: same dude talking to chapter two, continuing his thoughts and

730
00:37:21,560 --> 00:37:25,360
Speaker 1: his flowery language. Is this is a these two things

731
00:37:25,480 --> 00:37:28,800
Speaker 1: work together, Like I love the fact that your kids

732
00:37:28,880 --> 00:37:31,360
Speaker 1: and my kid will be able to watch this and

733
00:37:31,480 --> 00:37:34,719
Speaker 1: within this movie, even if they haven't seen the first one,

734
00:37:35,000 --> 00:37:37,680
Speaker 1: it will be explained that there was more that happened

735
00:37:37,760 --> 00:37:39,840
Speaker 1: that night when I said I'm gonna tell you a

736
00:37:39,920 --> 00:37:43,120
Speaker 1: part and you're friend, dude, you know that entire night

737
00:37:43,640 --> 00:37:47,400
Speaker 1: evolved and morphed into something else, and through the magic

738
00:37:47,560 --> 00:37:51,279
Speaker 1: of film technology, Like there's this movie that I was

739
00:37:51,360 --> 00:37:53,839
Speaker 1: watching and I'm looking and I'm like, that young dude

740
00:37:53,960 --> 00:37:58,400
Speaker 1: right then looked like DeNiro, and I realized it was DeNiro,

741
00:37:58,560 --> 00:38:00,480
Speaker 1: And they have this process by what they can make

742
00:38:00,520 --> 00:38:02,960
Speaker 1: you look younger these days. So me and Eddie were

743
00:38:03,000 --> 00:38:05,719
Speaker 1: talking about it and he said, yes, he said they

744
00:38:05,800 --> 00:38:07,759
Speaker 1: did that with Arnold And he said, you know, with

745
00:38:07,920 --> 00:38:11,040
Speaker 1: that idea, we can go back and we can have

746
00:38:11,160 --> 00:38:13,839
Speaker 1: a reprieve of what happened that night, and we can

747
00:38:13,920 --> 00:38:16,239
Speaker 1: go from there into a sequel. And I think it

748
00:38:16,400 --> 00:38:19,120
Speaker 1: was Arnold's young makeup in that process that gave him

749
00:38:19,400 --> 00:38:22,319
Speaker 1: part of the idea for this or to so long

750
00:38:22,360 --> 00:38:23,759
Speaker 1: for us for the film to come out, because I've

751
00:38:23,760 --> 00:38:26,759
Speaker 1: been hearing about this sequel for at least it seemed

752
00:38:26,800 --> 00:38:30,880
Speaker 1: like fifteen years. Honestly. Yeah, And here's the crazy thing, Charlemagne.

753
00:38:31,239 --> 00:38:34,000
Speaker 1: And it's why I love when you ask those kind

754
00:38:34,040 --> 00:38:37,839
Speaker 1: of questions. None of that stuff was ever true. There

755
00:38:37,960 --> 00:38:41,600
Speaker 1: was never a talk. We had actually decided we're fans

756
00:38:41,640 --> 00:38:44,200
Speaker 1: of the movie too. It was great, we did it well,

757
00:38:44,440 --> 00:38:46,480
Speaker 1: we're gonna leave it where it is. And trust me,

758
00:38:46,960 --> 00:38:50,000
Speaker 1: I'm not papered up like Eddie. If he said let's

759
00:38:50,000 --> 00:38:52,960
Speaker 1: do Coming to America too, and it's about us going

760
00:38:53,360 --> 00:38:57,200
Speaker 1: to Wakonda with R Kelly, I would sign up and

761
00:38:57,280 --> 00:39:00,560
Speaker 1: I would do it. You know, it's like whatever my life.

762
00:39:00,800 --> 00:39:04,360
Speaker 1: It's like the plane smells like this, you know, whatever

763
00:39:04,480 --> 00:39:09,479
Speaker 1: the I would handle it. But we loved the first

764
00:39:09,520 --> 00:39:13,200
Speaker 1: one and had decided to never do a sequel, and

765
00:39:13,480 --> 00:39:16,759
Speaker 1: then he heard the idea, and that idea went through

766
00:39:16,800 --> 00:39:20,319
Speaker 1: a lot of incarnations. Like for instance, when he first

767
00:39:20,360 --> 00:39:22,759
Speaker 1: told me the idea, I said, I kind of like that.

768
00:39:22,880 --> 00:39:24,640
Speaker 1: And he went to the original writers and wanted them

769
00:39:24,719 --> 00:39:28,920
Speaker 1: to craft just the format and get the technical stuff

770
00:39:29,000 --> 00:39:31,560
Speaker 1: right and then go to Kenya and modernize it and

771
00:39:31,680 --> 00:39:36,160
Speaker 1: make it funny. So he had a process. And I said,

772
00:39:36,520 --> 00:39:39,719
Speaker 1: we're gonna have to cast a son for you, and

773
00:39:39,840 --> 00:39:42,120
Speaker 1: he said, I got that. I got that. And I said, oh,

774
00:39:42,360 --> 00:39:48,960
Speaker 1: he says Tracy Morgan and I said no, no, Tracy

775
00:39:49,080 --> 00:39:51,880
Speaker 1: Morgan is funny every day he wakes up, but you

776
00:39:52,000 --> 00:39:55,400
Speaker 1: all look about the same age he can't. It's like

777
00:39:55,480 --> 00:39:57,680
Speaker 1: we cany have comeing to America with Morgan Freeman as

778
00:39:57,719 --> 00:40:00,279
Speaker 1: your son found in America. You know it's a that

779
00:40:00,600 --> 00:40:04,000
Speaker 1: doesn't work. But we knew that whatever he did, he

780
00:40:04,080 --> 00:40:06,440
Speaker 1: wanted Tracey Innits. So he made him the uncle and

781
00:40:06,560 --> 00:40:09,440
Speaker 1: they did a casting call and Jermaine came in. Jermaine

782
00:40:09,480 --> 00:40:13,400
Speaker 1: Foller came in and crushed it on his audition. From

783
00:40:13,440 --> 00:40:15,719
Speaker 1: what Craig Brewer told me, the day he came in,

784
00:40:16,040 --> 00:40:19,680
Speaker 1: it was over because they loved Jermaine. So the bottom

785
00:40:19,719 --> 00:40:22,399
Speaker 1: line is it took four more years after that day

786
00:40:22,840 --> 00:40:24,719
Speaker 1: that he let me read the draft. It took four

787
00:40:24,760 --> 00:40:26,560
Speaker 1: more years to get it right. All right, Now we

788
00:40:26,640 --> 00:40:28,799
Speaker 1: got more with our Cineo Hall. When we come back,

789
00:40:28,880 --> 00:40:32,640
Speaker 1: don't move. It's to breakfast Club. Come morning, everybody in

790
00:40:32,760 --> 00:40:36,360
Speaker 1: stej Envy Angela yee. Charlomagne the guy we are the

791
00:40:36,440 --> 00:40:39,240
Speaker 1: breakfast club. You know, Coming to America comes out today

792
00:40:39,680 --> 00:40:41,360
Speaker 1: and Charlomagne got a chance to chop it up with

793
00:40:41,440 --> 00:40:43,839
Speaker 1: our Cineo Yeah, Coming to America's actually out. I got

794
00:40:43,920 --> 00:40:45,400
Speaker 1: the chance to sit down and chop it up. One

795
00:40:45,440 --> 00:40:48,640
Speaker 1: of my inspirations. Misto, our Cineo Hall. Visit y'all all comedians,

796
00:40:48,840 --> 00:40:50,480
Speaker 1: you know what I'm saying, y'all, don't bite your tongue.

797
00:40:50,480 --> 00:40:53,520
Speaker 1: But things have changed drastically from the first film. Did

798
00:40:53,680 --> 00:40:57,279
Speaker 1: being politically correct and out having to be politically correct

799
00:40:57,320 --> 00:41:01,040
Speaker 1: a certain moment impact the comedy and absolutely league Just

800
00:41:01,239 --> 00:41:04,600
Speaker 1: like when I do stand up, sometimes you're nervous. I

801
00:41:04,800 --> 00:41:07,880
Speaker 1: was doing stand up one night before COVID and this

802
00:41:08,080 --> 00:41:11,040
Speaker 1: dude was sitting he was sitting watching me like this

803
00:41:11,440 --> 00:41:15,160
Speaker 1: Charlemagne and he had he was just recording it all

804
00:41:15,560 --> 00:41:17,759
Speaker 1: and we got him to pull it down off the YouTube.

805
00:41:18,120 --> 00:41:21,439
Speaker 1: But the problem is when I'm in a little club

806
00:41:21,520 --> 00:41:25,440
Speaker 1: working out the jokes ain't finished yet. Um I learned

807
00:41:25,520 --> 00:41:27,880
Speaker 1: what's wrong and what's right, and you adjust things. I

808
00:41:28,000 --> 00:41:31,520
Speaker 1: hate people to tape it then, because you know you can,

809
00:41:31,719 --> 00:41:34,960
Speaker 1: you can get in some trouble. But political correctness it

810
00:41:35,239 --> 00:41:37,520
Speaker 1: makes you think about it a lot. When I don't

811
00:41:37,600 --> 00:41:39,759
Speaker 1: like to think, I just like to do it, like

812
00:41:40,040 --> 00:41:41,800
Speaker 1: like coming to America. I remember when I saw the

813
00:41:41,880 --> 00:41:48,000
Speaker 1: line where my barber addresses breast in Africa. I think

814
00:41:48,080 --> 00:41:52,759
Speaker 1: his term was them long slopping it is. And you know,

815
00:41:53,000 --> 00:41:55,640
Speaker 1: I'm like, oh man, I'm gonna come back and do

816
00:41:55,760 --> 00:41:58,400
Speaker 1: this sequel and and I was like, well, I'm just

817
00:41:58,480 --> 00:42:02,360
Speaker 1: gonna blame it on Kenyon. That's it. That's it. You

818
00:42:02,440 --> 00:42:05,239
Speaker 1: know you talked about a being like rich and there

819
00:42:05,320 --> 00:42:08,800
Speaker 1: was a time when Eddie was one of the biggest

820
00:42:08,800 --> 00:42:10,719
Speaker 1: stars in the world. I mean he's still he's an

821
00:42:10,920 --> 00:42:13,040
Speaker 1: icon now, but I'm just talking about like just a

822
00:42:13,120 --> 00:42:16,200
Speaker 1: red hot superstar. That was that ever a moment where

823
00:42:16,239 --> 00:42:17,759
Speaker 1: you had to check him because he might have been

824
00:42:17,800 --> 00:42:21,640
Speaker 1: getting big in front and on you. Wow, I'll tell

825
00:42:21,680 --> 00:42:24,600
Speaker 1: you something about Eddie. Eddie will say something to me

826
00:42:25,480 --> 00:42:30,439
Speaker 1: and we'll be boys doing what guys do. But I've

827
00:42:30,520 --> 00:42:34,960
Speaker 1: seen someone say something about me too, Eddie, and it's like, hey,

828
00:42:36,000 --> 00:42:38,960
Speaker 1: you know, that's my brother. And so we we say

829
00:42:38,960 --> 00:42:41,600
Speaker 1: a lot of crazies to each other, and we argue

830
00:42:41,680 --> 00:42:45,400
Speaker 1: just like friends do. But when our backs are against

831
00:42:45,440 --> 00:42:48,640
Speaker 1: the wall, you know, we ride or die when it

832
00:42:48,680 --> 00:42:51,640
Speaker 1: comes to that friendship. I've always looked up for you

833
00:42:51,719 --> 00:42:53,520
Speaker 1: in the talk show space man. You know that. You

834
00:42:53,600 --> 00:42:55,760
Speaker 1: know I'm saying that a million times had the pleasure

835
00:42:55,760 --> 00:42:59,239
Speaker 1: of telling you that. And you know what I think

836
00:42:59,320 --> 00:43:01,920
Speaker 1: of your work. I mean when people ask me about this,

837
00:43:03,200 --> 00:43:06,640
Speaker 1: you know, like during the election, I'm like, it looks

838
00:43:06,680 --> 00:43:10,080
Speaker 1: like they don't need me on the planet because Charlemagne

839
00:43:10,800 --> 00:43:14,440
Speaker 1: is taking everything I dreamed of doing and tried to

840
00:43:14,600 --> 00:43:21,080
Speaker 1: do to the next plateau. And um with with you

841
00:43:21,320 --> 00:43:26,040
Speaker 1: on the planet, I can stay home. You know. I

842
00:43:26,239 --> 00:43:28,319
Speaker 1: reference you all the time, Man, you you even You're

843
00:43:28,400 --> 00:43:30,279
Speaker 1: one of the reasons I even want to do a

844
00:43:30,400 --> 00:43:32,480
Speaker 1: talk show when I when I hosted while I was

845
00:43:32,520 --> 00:43:34,560
Speaker 1: a guest on Stephen Kobet show one time and he

846
00:43:34,680 --> 00:43:37,520
Speaker 1: let me sit behind the desk and I made the audience.

847
00:43:37,600 --> 00:43:43,000
Speaker 1: Do you know what I'm saying? Hey, yo, dog, I

848
00:43:43,200 --> 00:43:45,440
Speaker 1: just had some shoulder surgery from all the years of

849
00:43:45,560 --> 00:43:52,520
Speaker 1: doing that replaced serious. I'm like old quarterbacks like people.

850
00:43:53,360 --> 00:43:54,920
Speaker 1: People do that to me now and I go to

851
00:43:55,000 --> 00:44:00,320
Speaker 1: the other homes. What what was your experience as a

852
00:44:00,400 --> 00:44:03,719
Speaker 1: black mail talk show host in the nineties. It was

853
00:44:03,800 --> 00:44:07,520
Speaker 1: hard because well, first of all, hard hard is what

854
00:44:07,640 --> 00:44:10,320
Speaker 1: my uncle did at Jones and locked with Steel, or

855
00:44:10,360 --> 00:44:13,960
Speaker 1: what my other uncle did at Chevrolet. But there were times,

856
00:44:14,000 --> 00:44:17,279
Speaker 1: you know, I remember one time of reviewer referring to

857
00:44:17,440 --> 00:44:20,560
Speaker 1: me as a monkey. I mean, you could imagine back

858
00:44:20,600 --> 00:44:23,799
Speaker 1: then it was different, and we've become a little more

859
00:44:23,840 --> 00:44:28,560
Speaker 1: politically correct, but h but it was hard, you hun

860
00:44:28,719 --> 00:44:33,520
Speaker 1: in the context he was talking about my movement on stage,

861
00:44:34,080 --> 00:44:37,120
Speaker 1: you know, because I'm not I don't stand you know,

862
00:44:37,160 --> 00:44:39,239
Speaker 1: I was a stand up and I move a lot.

863
00:44:40,280 --> 00:44:44,080
Speaker 1: It's crazy, Chalomigne. It's the things like I could tell you.

864
00:44:44,360 --> 00:44:47,120
Speaker 1: But you know what was the hardest. Sometimes I had

865
00:44:47,160 --> 00:44:50,440
Speaker 1: a desire to leave the business different than I found it.

866
00:44:50,880 --> 00:44:53,880
Speaker 1: I wanted to bring black people into it. I remember

867
00:44:54,000 --> 00:44:58,160
Speaker 1: asking the president of Paramount for an intern program because

868
00:44:58,640 --> 00:45:01,960
Speaker 1: there weren't enough black and there had never been any

869
00:45:02,040 --> 00:45:05,719
Speaker 1: in late night who write jokes every night. So I

870
00:45:05,840 --> 00:45:09,040
Speaker 1: started an intern program. My first intern was John Singleton,

871
00:45:09,480 --> 00:45:12,400
Speaker 1: and he wanted to direct, And the coolest thing in

872
00:45:12,480 --> 00:45:16,440
Speaker 1: the world was this guy on my set. Sometimes I

873
00:45:16,440 --> 00:45:19,680
Speaker 1: would say, weis John Singleton in the hallway where talent is,

874
00:45:20,360 --> 00:45:24,160
Speaker 1: and he would always wander away from the interns and

875
00:45:24,360 --> 00:45:27,120
Speaker 1: go say hello to a guest like Cuba Gooding Junior.

876
00:45:27,600 --> 00:45:31,520
Speaker 1: And it's weird that so much of the prep for

877
00:45:31,640 --> 00:45:34,160
Speaker 1: that movie, in his mind and in his heart and

878
00:45:34,320 --> 00:45:37,840
Speaker 1: meeting people in networking was done on the show. And

879
00:45:38,040 --> 00:45:40,280
Speaker 1: at that time it was like, hey, man, you're supposed

880
00:45:40,280 --> 00:45:42,840
Speaker 1: to be zero rox in the paper that they gave you.

881
00:45:43,560 --> 00:45:46,040
Speaker 1: But now I look back and I'm glad he said,

882
00:45:46,120 --> 00:45:48,560
Speaker 1: fuck off, sir, I don't want to do that. You know.

883
00:45:50,360 --> 00:45:53,040
Speaker 1: Well he did say no, he didn't know he didn't.

884
00:45:53,880 --> 00:45:56,840
Speaker 1: But but I love that that that he didn't do

885
00:45:56,920 --> 00:45:59,200
Speaker 1: what I said all the time, Like there were times

886
00:45:59,400 --> 00:46:01,880
Speaker 1: the intern weren't allowed on the stage, and there were

887
00:46:01,920 --> 00:46:05,040
Speaker 1: times I would walk into the booth and John Singleton

888
00:46:05,160 --> 00:46:08,000
Speaker 1: was watching the director, And now I look back, and

889
00:46:08,080 --> 00:46:10,919
Speaker 1: I'm so glad that he didn't do what I said, dude,

890
00:46:11,520 --> 00:46:15,200
Speaker 1: you know. And so we had young writers and interns,

891
00:46:15,280 --> 00:46:17,440
Speaker 1: and I was able to put a lot of hip

892
00:46:17,480 --> 00:46:20,480
Speaker 1: hop on. I was able to try to do anything

893
00:46:20,840 --> 00:46:24,320
Speaker 1: that Oprah and Johnny weren't doing, and Oprah wasn't crazy

894
00:46:24,320 --> 00:46:26,520
Speaker 1: about hip hop back then. So I got to have

895
00:46:26,719 --> 00:46:30,120
Speaker 1: this lane in this world all to myself. But one

896
00:46:30,160 --> 00:46:33,280
Speaker 1: of the hard parts was in starting that. I remember

897
00:46:33,320 --> 00:46:36,600
Speaker 1: going to Paramount and saying, I want to book this group,

898
00:46:36,719 --> 00:46:38,920
Speaker 1: and I knew that I was gonna have a hard time.

899
00:46:38,920 --> 00:46:41,719
Speaker 1: I had to approve all the bookings early on, and

900
00:46:41,840 --> 00:46:45,799
Speaker 1: I wanted to do NWA and one of the people

901
00:46:45,840 --> 00:46:47,800
Speaker 1: in the meeting knew who it was. I had a

902
00:46:47,880 --> 00:46:51,440
Speaker 1: cassette tape that ice Cube hand delivered to me. He

903
00:46:51,520 --> 00:46:54,200
Speaker 1: brought it to the set. Because ice Cube hated me

904
00:46:54,320 --> 00:46:58,120
Speaker 1: for many years, I wasn't able to pull it off.

905
00:46:58,480 --> 00:47:01,840
Speaker 1: It was early on. I wasn't able to get Paramount

906
00:47:01,880 --> 00:47:05,600
Speaker 1: to He wanted to do the police and I was

907
00:47:05,719 --> 00:47:09,120
Speaker 1: the president of I was the national ambassador of Dare

908
00:47:09,640 --> 00:47:11,520
Speaker 1: and all kinds of stuff, which meant I went to

909
00:47:11,800 --> 00:47:15,719
Speaker 1: schools with cops, and so Paramount wouldn't let me do it.

910
00:47:16,320 --> 00:47:19,120
Speaker 1: I remember finally when they started letting me do stuff.

911
00:47:19,400 --> 00:47:22,040
Speaker 1: One hey, I wanted to do Bobby Brown. Bobby Brown

912
00:47:22,160 --> 00:47:25,320
Speaker 1: played me two songs. He played me my prerogative and

913
00:47:25,480 --> 00:47:28,759
Speaker 1: don't be cruel. And I said, I want to break

914
00:47:28,840 --> 00:47:30,600
Speaker 1: both of them up, and he said, no, just one.

915
00:47:30,920 --> 00:47:32,960
Speaker 1: I want both of them, Bob. It's not like the

916
00:47:33,080 --> 00:47:36,279
Speaker 1: Tonight Show won't let you break it. So I went

917
00:47:36,400 --> 00:47:38,440
Speaker 1: to Paramount and I said, I want to do two

918
00:47:38,560 --> 00:47:40,680
Speaker 1: songs in one night. I'm gonna do it on a

919
00:47:40,760 --> 00:47:42,640
Speaker 1: Friday night and I'm gonna do one in the early

920
00:47:42,719 --> 00:47:44,320
Speaker 1: part of the show and one at the end of

921
00:47:44,360 --> 00:47:46,919
Speaker 1: the show. I'm gonna do Prerogative last. And they didn't

922
00:47:46,920 --> 00:47:48,719
Speaker 1: want me to do it. And it was interesting. They

923
00:47:48,719 --> 00:47:51,799
Speaker 1: didn't even like when I said Bobby Brown. They said, look,

924
00:47:51,880 --> 00:47:54,440
Speaker 1: I'm sure she's very talented, but and I said, wa

925
00:47:54,640 --> 00:47:57,400
Speaker 1: wa wa woa she And they said, Bobby Brown is

926
00:47:57,640 --> 00:48:03,200
Speaker 1: She was a spokesmodel on Star Search, right, No, Bobby

927
00:48:03,280 --> 00:48:07,600
Speaker 1: Brown is a man, and Bobby Brown was a new addition.

928
00:48:08,239 --> 00:48:10,360
Speaker 1: And so I realized they were turning me down on

929
00:48:10,440 --> 00:48:13,160
Speaker 1: stuff they didn't understand. And you have to you have

930
00:48:13,239 --> 00:48:16,320
Speaker 1: to realize that in those times when I'm saying Bobby

931
00:48:16,400 --> 00:48:18,839
Speaker 1: Brown and when I'm saying pute tip, and when I'm

932
00:48:18,880 --> 00:48:22,600
Speaker 1: saying um, you know, you know how people sit in

933
00:48:22,680 --> 00:48:26,840
Speaker 1: the band at the Tonight Show or David Sanborn sits

934
00:48:26,880 --> 00:48:31,200
Speaker 1: in with Paul Shaeffer. I want to have some hip

935
00:48:31,239 --> 00:48:34,560
Speaker 1: hop guys with my posse, and I wanted to do

936
00:48:34,680 --> 00:48:37,239
Speaker 1: stuff differently, and I had to fight for a lot

937
00:48:37,320 --> 00:48:39,080
Speaker 1: of that. All right. We got more with us, Seneo

938
00:48:39,160 --> 00:48:41,279
Speaker 1: Hall when we come back, No moves to Breakfast Club.

939
00:48:41,320 --> 00:48:46,400
Speaker 1: Good morning, j Envy Angela Yee. Charlomagne the guy. We

940
00:48:46,480 --> 00:48:50,160
Speaker 1: are the Breakfast Club now. Charlomagne kicked it with Arseneo

941
00:48:50,200 --> 00:48:54,399
Speaker 1: Hall about how long? About a week ago? Two weeks ago? Yeah,

942
00:48:54,520 --> 00:48:56,600
Speaker 1: longer than that, but it's dope. You know. I got

943
00:48:56,680 --> 00:48:57,960
Speaker 1: to sit down with him and chop it up for

944
00:48:58,000 --> 00:49:00,920
Speaker 1: an hour. He's one of my inspirations. I always say

945
00:49:01,080 --> 00:49:03,879
Speaker 1: six degrees of Arsenio. There's nobody that you can meet

946
00:49:03,920 --> 00:49:06,640
Speaker 1: in the industry from a certain era that Arsino doesn't

947
00:49:06,640 --> 00:49:09,040
Speaker 1: have a story about. But we'll talk to him. Man.

948
00:49:09,120 --> 00:49:14,880
Speaker 1: It shows me how much value one black person in

949
00:49:15,000 --> 00:49:18,040
Speaker 1: the right position can have because one thing that you

950
00:49:18,200 --> 00:49:20,600
Speaker 1: always showed us, it was so much value in us.

951
00:49:20,640 --> 00:49:22,520
Speaker 1: And that's one thing I love about the Ustino whole show.

952
00:49:22,760 --> 00:49:24,239
Speaker 1: There was the time when there was a need to

953
00:49:24,360 --> 00:49:27,360
Speaker 1: highlight hip hop and black stars. Do you think that

954
00:49:27,520 --> 00:49:32,839
Speaker 1: black talent is adequately adequately represented in highlighted? Now? Well,

955
00:49:33,520 --> 00:49:37,319
Speaker 1: not to keep kissing your ass, but you know, when

956
00:49:37,400 --> 00:49:40,440
Speaker 1: I listen to you or watch you, I hear about

957
00:49:40,480 --> 00:49:44,120
Speaker 1: the stuff I don't know about, and I think that's important.

958
00:49:44,440 --> 00:49:48,719
Speaker 1: You know, you go deep into hip hop, and you

959
00:49:48,840 --> 00:49:52,080
Speaker 1: know you're an envy. You know, y'all know some folks.

960
00:49:52,719 --> 00:49:55,520
Speaker 1: And I love going that deep. I love going deeper

961
00:49:55,640 --> 00:49:58,200
Speaker 1: than Ryan and Kelly will go with hip hop, you know,

962
00:50:00,000 --> 00:50:04,720
Speaker 1: and you do that. Um. I love Trevor Noah's position

963
00:50:05,040 --> 00:50:08,520
Speaker 1: in the business because he's brilliant and he deals with

964
00:50:08,640 --> 00:50:12,200
Speaker 1: an area of show business that Soul Train didn't deal with.

965
00:50:12,400 --> 00:50:16,440
Speaker 1: He deals with an area of society that we've never

966
00:50:16,560 --> 00:50:19,719
Speaker 1: seen a brother deal with. I would love to see

967
00:50:19,800 --> 00:50:22,080
Speaker 1: more people so we have more variety, because there's a

968
00:50:22,280 --> 00:50:26,920
Speaker 1: huge space between Charlemagne and Trevor. Trevor, by the way,

969
00:50:26,920 --> 00:50:31,120
Speaker 1: who's in coming to America. Yeah, I won't even I

970
00:50:31,160 --> 00:50:33,120
Speaker 1: won't even tell what he does, but you can imagine,

971
00:50:33,400 --> 00:50:36,120
Speaker 1: you know. But but bottom line is there's something in

972
00:50:36,200 --> 00:50:42,560
Speaker 1: the middle. And I know there's Jesus and Morrow guy, yeah,

973
00:50:42,840 --> 00:50:46,560
Speaker 1: and and so, but but the bottom line is like

974
00:50:46,760 --> 00:50:51,520
Speaker 1: the NBA. I don't mind having five people in late night,

975
00:50:51,960 --> 00:50:53,919
Speaker 1: you know, and a white boy coming off the bench.

976
00:50:54,080 --> 00:50:55,920
Speaker 1: We can flip it up a little bit, you know.

977
00:50:57,000 --> 00:50:58,839
Speaker 1: You know, I'm so happy this movie is coming out

978
00:50:58,920 --> 00:51:02,880
Speaker 1: coming to America two March fifth because really for you

979
00:51:03,040 --> 00:51:05,680
Speaker 1: in a lot of ways, because I've told you this before.

980
00:51:05,800 --> 00:51:11,319
Speaker 1: What is our Cineo Hall waiting on to tell his story? Wow?

981
00:51:11,560 --> 00:51:15,200
Speaker 1: See now now you've been friends with Wendy makes this

982
00:51:15,360 --> 00:51:19,440
Speaker 1: real relevant. We all the world just saw her documentary.

983
00:51:21,200 --> 00:51:25,239
Speaker 1: There's no Calvins and then Calvin Calvin. Yeah, yeah, yeah,

984
00:51:25,280 --> 00:51:29,120
Speaker 1: there's nobody like that in my life. Yeah, so you

985
00:51:30,760 --> 00:51:34,800
Speaker 1: have a feeling, you know, none of my women have

986
00:51:34,960 --> 00:51:38,600
Speaker 1: ever had down the street in a house that I bought.

987
00:51:38,800 --> 00:51:42,799
Speaker 1: You know. But that stuff makes good television, that makes

988
00:51:42,880 --> 00:51:47,000
Speaker 1: good storytelling. I'll be honest with you, man, I think

989
00:51:47,120 --> 00:51:50,400
Speaker 1: a documentary on me might be boring. I mean, stop,

990
00:51:51,400 --> 00:51:54,880
Speaker 1: there's but there's no there's no drug problem, you know

991
00:51:56,200 --> 00:51:59,279
Speaker 1: unless hey, by the way, weed has gotten me through

992
00:51:59,680 --> 00:52:02,360
Speaker 1: to twenty in part of twenty twenty one. You know,

993
00:52:02,440 --> 00:52:07,000
Speaker 1: I'm yeah, I'm a smoker. I'm I'm a big weed smoker.

994
00:52:07,120 --> 00:52:10,880
Speaker 1: But I think, but you need a cocaine problem, or

995
00:52:11,080 --> 00:52:14,200
Speaker 1: you know, you need to have a scene where where

996
00:52:14,280 --> 00:52:18,279
Speaker 1: you put heroin in your ass at some point. For

997
00:52:18,560 --> 00:52:22,279
Speaker 1: a good documentary, documentary would be a guy who came

998
00:52:22,320 --> 00:52:25,000
Speaker 1: from Cleveland and did very well and then wrote a

999
00:52:25,080 --> 00:52:27,160
Speaker 1: letter to Paramount and said, I want to move on.

1000
00:52:27,520 --> 00:52:28,960
Speaker 1: I think I want a family and I want to

1001
00:52:29,000 --> 00:52:32,279
Speaker 1: do more acting. You know that's not a good documentary.

1002
00:52:32,600 --> 00:52:36,360
Speaker 1: You had so many legendary people in moments on our

1003
00:52:36,440 --> 00:52:39,200
Speaker 1: City or Hall show, and you kind of answered this already.

1004
00:52:39,480 --> 00:52:42,440
Speaker 1: Do you even factor those moments into your own personal

1005
00:52:42,600 --> 00:52:46,520
Speaker 1: measurement of value? I guess I do. But as many

1006
00:52:46,680 --> 00:52:50,520
Speaker 1: things that I did right, You know, there are a

1007
00:52:50,560 --> 00:52:54,360
Speaker 1: lot of people who hate me because they feel only

1008
00:52:54,560 --> 00:52:59,120
Speaker 1: Barbara Walters should interview fair Con and I shouldn't have

1009
00:52:59,160 --> 00:53:01,920
Speaker 1: done it. So I got things from that era and

1010
00:53:02,160 --> 00:53:04,839
Speaker 1: moments in that era that people hate me for it too.

1011
00:53:04,880 --> 00:53:07,040
Speaker 1: And you gotta take the good with the bad. But

1012
00:53:07,200 --> 00:53:09,520
Speaker 1: that's who I was. I was mister Curious, and I

1013
00:53:09,680 --> 00:53:11,680
Speaker 1: remember meeting him and he told me about the million

1014
00:53:11,719 --> 00:53:14,719
Speaker 1: Man March, and he also said to me that I

1015
00:53:14,840 --> 00:53:17,160
Speaker 1: had never heard this, and I thought it was important

1016
00:53:17,200 --> 00:53:19,359
Speaker 1: to the black community. He looked at me, and he said,

1017
00:53:19,719 --> 00:53:22,000
Speaker 1: because I asked him about Malcolm. And I said, I

1018
00:53:22,080 --> 00:53:24,120
Speaker 1: think the question that black people want to know is

1019
00:53:24,160 --> 00:53:26,840
Speaker 1: your relationship with Malcolm in the end, and he said,

1020
00:53:27,520 --> 00:53:32,320
Speaker 1: I think I may have contributed to an atmosphere that

1021
00:53:32,640 --> 00:53:35,960
Speaker 1: killed Malcolm. And when he said that, I'm like, I

1022
00:53:36,120 --> 00:53:39,160
Speaker 1: gotta do this interview and I already resigned from the show.

1023
00:53:39,200 --> 00:53:43,640
Speaker 1: I'd sent a letter to carry McCluggage and they let

1024
00:53:43,719 --> 00:53:46,200
Speaker 1: me do it. But a lot of people didn't like it.

1025
00:53:46,480 --> 00:53:51,279
Speaker 1: And I get that. I'm sure there are people who

1026
00:53:51,680 --> 00:53:55,000
Speaker 1: didn't like my interview with other people too, but but

1027
00:53:55,880 --> 00:53:58,440
Speaker 1: so you resigned from last in l Allstel like the

1028
00:53:58,520 --> 00:54:01,480
Speaker 1: rumor has always been. Senio Hall got canceled because he

1029
00:54:01,560 --> 00:54:04,719
Speaker 1: interviewed the honorable Minutes the Lewis Firecum. Yeah, I had

1030
00:54:04,760 --> 00:54:07,680
Speaker 1: sent a letter of resignation to the guy who was

1031
00:54:07,760 --> 00:54:10,960
Speaker 1: running Paramount prior to that. Paramount didn't have to let

1032
00:54:11,000 --> 00:54:13,359
Speaker 1: me do that, but they thought it was good TV

1033
00:54:13,440 --> 00:54:14,880
Speaker 1: to ask him these questions. And by the way, I

1034
00:54:14,960 --> 00:54:18,120
Speaker 1: brought in a man back then named IRV Rubin, who

1035
00:54:18,280 --> 00:54:21,479
Speaker 1: was head of the JDL, because I wanted to ask

1036
00:54:21,640 --> 00:54:24,120
Speaker 1: those questions too, not just the things that black people

1037
00:54:24,160 --> 00:54:26,520
Speaker 1: were concerned about it, so you know I tried to

1038
00:54:26,680 --> 00:54:28,560
Speaker 1: do it in that way. But yes, I had sent

1039
00:54:28,640 --> 00:54:32,480
Speaker 1: a letter in and resigned, and because they had to

1040
00:54:32,520 --> 00:54:33,960
Speaker 1: figure out what they were going to do with the show,

1041
00:54:34,200 --> 00:54:37,600
Speaker 1: they let me continue to do more shows while they

1042
00:54:37,640 --> 00:54:40,200
Speaker 1: figured it out, because I remember the conversation they came

1043
00:54:40,239 --> 00:54:42,360
Speaker 1: to me. They said, what would you do? We have

1044
00:54:43,120 --> 00:54:46,359
Speaker 1: Bill Bellamy under contract. Do you think he'd be good?

1045
00:54:46,800 --> 00:54:51,200
Speaker 1: And that was their conversation. They also brought up John Stewart,

1046
00:54:51,560 --> 00:54:54,640
Speaker 1: who they eventually gave the show to. John Stewart had

1047
00:54:54,640 --> 00:54:56,239
Speaker 1: a couple of bites at the Apple. He did a

1048
00:54:56,320 --> 00:54:58,879
Speaker 1: show back then after me because they went with him

1049
00:54:58,880 --> 00:55:01,520
Speaker 1: instead of Bellamy, and then of course got You know,

1050
00:55:02,160 --> 00:55:05,600
Speaker 1: there's no timing greater in show business than God's timing.

1051
00:55:06,120 --> 00:55:07,920
Speaker 1: It ain't about when you want it, It's about when

1052
00:55:07,960 --> 00:55:10,080
Speaker 1: He want to give it to you. Because John Stewart

1053
00:55:10,239 --> 00:55:13,759
Speaker 1: changed the game, but not that night. Later on they

1054
00:55:13,800 --> 00:55:16,200
Speaker 1: put him in the right place in front of where

1055
00:55:16,560 --> 00:55:20,439
Speaker 1: you know, Trevor's life is now and he was groundbreaking

1056
00:55:20,480 --> 00:55:23,600
Speaker 1: and change the business, but back then it wasn't his time.

1057
00:55:23,880 --> 00:55:27,640
Speaker 1: But he replaced me. Why are resign though I wanted,

1058
00:55:28,200 --> 00:55:30,960
Speaker 1: like when you're doing a talk show, it might be

1059
00:55:31,040 --> 00:55:34,400
Speaker 1: similar to what you're doing every night. I'm watching somebody's movie.

1060
00:55:34,719 --> 00:55:38,040
Speaker 1: I'm reading someone's book. There was no link. Back then,

1061
00:55:38,520 --> 00:55:40,920
Speaker 1: you had to go to a theater or someplace and

1062
00:55:41,000 --> 00:55:44,719
Speaker 1: watch somebody's movie. You know. There was no laptop. There

1063
00:55:44,840 --> 00:55:47,920
Speaker 1: was no like sometimes I can hit my laptop the

1064
00:55:48,000 --> 00:55:51,239
Speaker 1: words speak and it'll read somebody's book to me and

1065
00:55:51,360 --> 00:55:53,760
Speaker 1: I just sit and listen. But back then you actually

1066
00:55:53,840 --> 00:55:58,279
Speaker 1: had to sit with Judith Light's autobiography and read it

1067
00:55:58,400 --> 00:56:01,440
Speaker 1: before the interview the next day. And there was a

1068
00:56:01,520 --> 00:56:04,480
Speaker 1: point where I wanted to act more. I did Harlem

1069
00:56:04,640 --> 00:56:08,520
Speaker 1: Knights in the nighttime. I would do my show all

1070
00:56:08,640 --> 00:56:12,400
Speaker 1: day and then shoot Harlem Knights at night and Charlomagne

1071
00:56:12,440 --> 00:56:14,680
Speaker 1: I love to act, man, I love to act. I

1072
00:56:14,840 --> 00:56:18,080
Speaker 1: wanted more time to pursue that people like people would

1073
00:56:18,120 --> 00:56:21,239
Speaker 1: put me in movies as the talk show hosts, or

1074
00:56:21,320 --> 00:56:24,040
Speaker 1: they would use clips. And they still do that, like

1075
00:56:24,600 --> 00:56:29,879
Speaker 1: like recently there's a there's a mister mister Rogers movie

1076
00:56:30,440 --> 00:56:33,080
Speaker 1: and they erased mister Rogers when I interviewed them back

1077
00:56:33,120 --> 00:56:35,480
Speaker 1: in the day, and they put Tom Hanks in. They

1078
00:56:35,520 --> 00:56:38,320
Speaker 1: can do stuff like that now, so my old interview

1079
00:56:38,719 --> 00:56:41,400
Speaker 1: is in the movie, so I guess you could call

1080
00:56:41,440 --> 00:56:45,040
Speaker 1: it typecasting. I wanted to act more and something else

1081
00:56:45,800 --> 00:56:48,400
Speaker 1: that's really important for a man when it hits you.

1082
00:56:49,239 --> 00:56:53,279
Speaker 1: I felt that every day doing this, I wanted a

1083
00:56:53,440 --> 00:56:56,160
Speaker 1: kid man. I wanted to be a dad. I remember,

1084
00:56:56,480 --> 00:57:00,759
Speaker 1: I remember the moment too. Magic had started coach and

1085
00:57:00,880 --> 00:57:05,160
Speaker 1: he was coaching the Lakers, and Cookie Johnson let me

1086
00:57:05,600 --> 00:57:09,759
Speaker 1: babysit EJ and take him to a game between the

1087
00:57:09,880 --> 00:57:13,560
Speaker 1: Lakers and the Clippers. And EJ is watching the game

1088
00:57:13,640 --> 00:57:16,480
Speaker 1: with me, and during halftime, I took EJ in the

1089
00:57:16,520 --> 00:57:18,880
Speaker 1: back just to let him just give dad a hug.

1090
00:57:19,680 --> 00:57:24,240
Speaker 1: And when I leaned over so he could kiss Irvin.

1091
00:57:24,840 --> 00:57:27,280
Speaker 1: You know how a water balloon, you can't hold it

1092
00:57:27,400 --> 00:57:29,040
Speaker 1: and go down on this side and go down on

1093
00:57:29,080 --> 00:57:31,320
Speaker 1: that side of you know how a water balloon does.

1094
00:57:31,640 --> 00:57:34,040
Speaker 1: That's how EJ start doing to get to his daddy

1095
00:57:34,240 --> 00:57:36,640
Speaker 1: and to kiss his daddy and hold his daddy. And

1096
00:57:36,640 --> 00:57:38,360
Speaker 1: he didn't want to let him coach the second half,

1097
00:57:39,000 --> 00:57:41,440
Speaker 1: and there was a moment that I don't know how

1098
00:57:41,480 --> 00:57:43,600
Speaker 1: to describe whether in the way I'm doing it, I

1099
00:57:43,800 --> 00:57:47,080
Speaker 1: was that there's no love like the love of a

1100
00:57:47,320 --> 00:57:51,560
Speaker 1: father and his son, a father and his daughter. That moment,

1101
00:57:51,640 --> 00:57:54,120
Speaker 1: I was like, I didn't want kids as a matter

1102
00:57:54,120 --> 00:57:55,520
Speaker 1: of fact. To be I'm gonna be honest with you.

1103
00:57:55,520 --> 00:57:57,440
Speaker 1: I'm not gonna even say I didn't want kids. You

1104
00:57:57,520 --> 00:58:00,880
Speaker 1: know how, when you don't make mistakes and you get

1105
00:58:00,920 --> 00:58:05,520
Speaker 1: around and you haven't gotten somebody pregnant, you're worried. And

1106
00:58:05,600 --> 00:58:09,400
Speaker 1: I went to a doctor. You know, I was like,

1107
00:58:09,760 --> 00:58:11,880
Speaker 1: I ain't never got nobody to pregnant. And I mean

1108
00:58:11,960 --> 00:58:15,320
Speaker 1: I used condoms and everything, but you suppose it slips

1109
00:58:15,400 --> 00:58:18,040
Speaker 1: sometimes and I never had one of those situations. And

1110
00:58:18,160 --> 00:58:20,520
Speaker 1: I went to a doctor and he said, I remember

1111
00:58:20,560 --> 00:58:23,080
Speaker 1: the term. He said, I had slow swimmers. And I

1112
00:58:23,160 --> 00:58:25,000
Speaker 1: didn't even ask him for more information because I was

1113
00:58:25,040 --> 00:58:27,680
Speaker 1: just too embarrassing. I couldn't. I said, okay, whatever, because

1114
00:58:27,680 --> 00:58:30,480
Speaker 1: I think that mean you're broke, you got slow swimmers,

1115
00:58:30,800 --> 00:58:34,000
Speaker 1: And uh, it's all about God dog, not you, but

1116
00:58:34,120 --> 00:58:37,720
Speaker 1: the other one. And and the bottom line is eventually

1117
00:58:38,360 --> 00:58:41,440
Speaker 1: my girl got pregnant and my son was born, and

1118
00:58:41,640 --> 00:58:44,680
Speaker 1: I spent the next twenty one years, you know, I

1119
00:58:44,840 --> 00:58:48,920
Speaker 1: was that dad at every game, at every play, and

1120
00:58:49,040 --> 00:58:51,840
Speaker 1: I tried to slide in and do work here and there,

1121
00:58:52,240 --> 00:58:56,440
Speaker 1: but you can't do Hollywood part time. Hey, Austino, I

1122
00:58:56,520 --> 00:58:58,480
Speaker 1: just want to tell you man, you loved, you, valued,

1123
00:58:58,680 --> 00:59:01,480
Speaker 1: you appreciated, and I'm just happy that you exist on

1124
00:59:01,560 --> 00:59:03,680
Speaker 1: this planet man, and don't want everybody to go out

1125
00:59:03,760 --> 00:59:07,240
Speaker 1: in and check out Coming to America continued success, brus

1126
00:59:07,360 --> 00:59:09,520
Speaker 1: Say hello to the duo that sits in the studio

1127
00:59:09,600 --> 00:59:12,479
Speaker 1: with you every morning. I love you all and God

1128
00:59:12,560 --> 00:59:16,080
Speaker 1: bless you. Ej Envy, Angela Yee, Charlomagne, the guy. We

1129
00:59:16,160 --> 00:59:18,200
Speaker 1: are the Breakfast Club. Good morning. Hey, make sure you

1130
00:59:18,280 --> 00:59:20,880
Speaker 1: go check out my conversation with our send your hall

1131
00:59:21,200 --> 00:59:24,040
Speaker 1: on the Breakfast Clubs YouTube page. It should be should

1132
00:59:24,080 --> 00:59:28,680
Speaker 1: be up now, that's right, that's all YouTube Breadfast Club.

1133
00:59:28,760 --> 00:59:32,000
Speaker 1: Am No, that's not it. Breakfast Club. I'm not in

1134
00:59:32,080 --> 00:59:33,720
Speaker 1: the studio. Is hanging up in the studio. I don't

1135
00:59:33,720 --> 00:59:37,680
Speaker 1: know what is it? Dramas? What is our YouTube? Yes,

1136
00:59:37,920 --> 00:59:43,080
Speaker 1: breakfast No, it is it? Yes, Breakfast Club power one

1137
00:59:43,240 --> 00:59:51,000
Speaker 1: five one exactly. Just search breakfast ye y'all, wipe that

1138
00:59:51,040 --> 00:59:54,840
Speaker 1: cream out your bid and go to breath room report intro. Wow, Okay,

1139
00:59:58,760 --> 01:00:01,600
Speaker 1: she's filling the team. This is the rum of rapport

1140
01:00:01,840 --> 01:00:08,680
Speaker 1: with Angela Yee on the Breakfast Club. Well, Obio Sound

1141
01:00:08,760 --> 01:00:13,400
Speaker 1: or Radio is back now. Drake made that announcement on Twitter. Yes,

1142
01:00:13,520 --> 01:00:15,960
Speaker 1: he posted yesterday going live tonight at ten thirty pm

1143
01:00:16,040 --> 01:00:18,080
Speaker 1: Eastern with the return of Obio Sound Radio on the

1144
01:00:18,160 --> 01:00:21,040
Speaker 1: launch of our twenty four hours station Sound forty two,

1145
01:00:21,080 --> 01:00:24,840
Speaker 1: a new experience on Serious XM. He also shared three

1146
01:00:24,920 --> 01:00:28,520
Speaker 1: new songs on the Scary Hours to EP now. Here's

1147
01:00:28,520 --> 01:00:30,680
Speaker 1: what Drake had to say about Certified Lover Boy and

1148
01:00:30,920 --> 01:00:34,920
Speaker 1: Scary Hours Too. I'm back in tip top form, so

1149
01:00:35,600 --> 01:00:40,520
Speaker 1: you know that's a blessing, and CLB is currently being

1150
01:00:40,640 --> 01:00:45,520
Speaker 1: cheft in every way possible, and I'm just I'm just

1151
01:00:45,640 --> 01:00:48,680
Speaker 1: really excited about the music that we're making. I don't

1152
01:00:48,720 --> 01:00:50,880
Speaker 1: have an exact date, but just no, it's it's it's

1153
01:00:50,920 --> 01:00:53,760
Speaker 1: in a pot and it's coming soon. I wonder if

1154
01:00:53,800 --> 01:00:56,160
Speaker 1: it's easier or harder for Drake to make music now.

1155
01:00:56,240 --> 01:00:58,160
Speaker 1: You would think, you know, it'd be easier because he's

1156
01:00:58,160 --> 01:01:00,200
Speaker 1: playing with house money, because he's Drake. But sometime times

1157
01:01:00,200 --> 01:01:01,720
Speaker 1: you set the ball so high that when you fall

1158
01:01:01,800 --> 01:01:05,000
Speaker 1: short of what we're used to, you know, people critique harder.

1159
01:01:05,200 --> 01:01:07,040
Speaker 1: That's what I've been doing. So it's also it's good

1160
01:01:07,080 --> 01:01:09,480
Speaker 1: to see him return to form. It's also inspirational. You

1161
01:01:09,520 --> 01:01:11,600
Speaker 1: know a lot of times you get inspiration from different things.

1162
01:01:11,720 --> 01:01:13,640
Speaker 1: You trying to grow, you trying to get to that

1163
01:01:13,720 --> 01:01:16,440
Speaker 1: next level. But when you're on that level, yeah, yeah, yeah,

1164
01:01:16,440 --> 01:01:17,800
Speaker 1: what do you rap about? I mean, it's good to

1165
01:01:17,840 --> 01:01:19,920
Speaker 1: see him return the form on the three pack you dropped,

1166
01:01:19,920 --> 01:01:21,280
Speaker 1: like when he raps, he's one of the best. And

1167
01:01:21,320 --> 01:01:23,720
Speaker 1: he's snapping on that Lemon Pepper freestyle and he said,

1168
01:01:23,760 --> 01:01:27,080
Speaker 1: these days famous disconnected from excellence. After time, I gotta

1169
01:01:27,080 --> 01:01:30,040
Speaker 1: ask these is what their profession is, Jesus Christ usher

1170
01:01:30,120 --> 01:01:33,400
Speaker 1: the generation and these it where my confessions live bars. Yeah,

1171
01:01:33,400 --> 01:01:36,400
Speaker 1: he's spitting all right. Well, the songs he put out

1172
01:01:36,440 --> 01:01:38,920
Speaker 1: are What's Next once and Needs and Lemon Pepper freestyle.

1173
01:01:39,760 --> 01:01:42,840
Speaker 1: All right now music that you're hearing a hotel lobby

1174
01:01:42,880 --> 01:01:47,280
Speaker 1: in La though. Huh, Well, I always gotta have something

1175
01:01:47,400 --> 01:01:49,600
Speaker 1: to say about you. Just let him, let him live

1176
01:01:51,360 --> 01:01:54,680
Speaker 1: and then you and then you gotta go left. And

1177
01:01:54,680 --> 01:01:56,280
Speaker 1: when I when I when I gave him propers you'll

1178
01:01:56,280 --> 01:01:57,760
Speaker 1: ain't saying nothing. But as soon as I say something

1179
01:01:57,760 --> 01:02:00,280
Speaker 1: that y'all might perceive is negative, you look at y'all

1180
01:02:01,480 --> 01:02:03,920
Speaker 1: necessary all right now, too Short has explained why his

1181
01:02:04,000 --> 01:02:05,800
Speaker 1: song with Drake never came out. He was talking with

1182
01:02:05,880 --> 01:02:08,160
Speaker 1: E forty for Hip Hop DX and here's what he

1183
01:02:08,240 --> 01:02:10,160
Speaker 1: had to say. I was just about to do a

1184
01:02:10,240 --> 01:02:12,240
Speaker 1: song with Drake. I feel like it might have happened.

1185
01:02:12,320 --> 01:02:15,240
Speaker 1: And then he got the thirteen Billboard Awards and nobody

1186
01:02:15,320 --> 01:02:18,040
Speaker 1: answered the phone anymore. I was like that, just you know,

1187
01:02:18,040 --> 01:02:19,720
Speaker 1: I don't call it too many times. I just fell

1188
01:02:19,800 --> 01:02:24,920
Speaker 1: back like damns the window. Drake old though, Drake. A

1189
01:02:24,960 --> 01:02:26,840
Speaker 1: lot of Drake sound came from the Bay Area. Man,

1190
01:02:26,920 --> 01:02:30,480
Speaker 1: so Drake, old man man, he got busy right all

1191
01:02:30,560 --> 01:02:33,240
Speaker 1: right now. Space Jam a new legacy, according to the

1192
01:02:33,320 --> 01:02:36,240
Speaker 1: director Malcolm Deeley. He says this new one will be

1193
01:02:36,400 --> 01:02:39,040
Speaker 1: even better than the nineteen ninety six original. He said,

1194
01:02:39,040 --> 01:02:41,280
Speaker 1: it's a better movie than Space Jam. He told Entertainment

1195
01:02:41,320 --> 01:02:44,360
Speaker 1: Weekly lebron has that has got that going for him.

1196
01:02:44,680 --> 01:02:47,560
Speaker 1: He said, if you say theatrical movie Space Jam is it?

1197
01:02:48,080 --> 01:02:50,640
Speaker 1: You know he just whacked that movie out right, you know,

1198
01:02:50,920 --> 01:02:54,479
Speaker 1: he literally just made the movie whack. We gotta stop

1199
01:02:54,600 --> 01:02:57,960
Speaker 1: doing that. When you compare something to the original, people

1200
01:02:58,040 --> 01:02:59,840
Speaker 1: go win. Thinking, Okay, I'm waiting for this to be

1201
01:03:00,000 --> 01:03:02,160
Speaker 1: better than the first Space Jam and when it's not

1202
01:03:02,480 --> 01:03:04,120
Speaker 1: the nail say things like, oh, the movie is why

1203
01:03:04,200 --> 01:03:05,440
Speaker 1: you know what I call that? I call that minth

1204
01:03:05,480 --> 01:03:07,920
Speaker 1: Bleak in somebody sleuthor Bleak. I love Bleak. But when

1205
01:03:08,000 --> 01:03:11,240
Speaker 1: jay Z said mith Bleak is the new improved with me,

1206
01:03:12,240 --> 01:03:14,439
Speaker 1: he said bleak up for failure because Bleak is good,

1207
01:03:14,560 --> 01:03:16,840
Speaker 1: but he not whole. I mean, nobody's whole. But what

1208
01:03:17,000 --> 01:03:18,640
Speaker 1: part twos are better? Though? There has to be a

1209
01:03:18,720 --> 01:03:20,800
Speaker 1: part two that was better than the part one? Boy

1210
01:03:22,040 --> 01:03:27,800
Speaker 1: Bad Boys Bad was Bad Boys. I mean, yeah, are

1211
01:03:27,920 --> 01:03:31,960
Speaker 1: equally as good? Yeah, I would say equally as good. Equally.

1212
01:03:32,120 --> 01:03:34,320
Speaker 1: I think Nightmare and three Part three was really good.

1213
01:03:34,440 --> 01:03:37,120
Speaker 1: I liked it better than the first. I see, I

1214
01:03:37,200 --> 01:03:41,880
Speaker 1: don't do hard movie. I don't pay people. Which sequel

1215
01:03:41,960 --> 01:03:43,480
Speaker 1: was better than the first? I gotta think about though.

1216
01:03:44,440 --> 01:03:48,360
Speaker 1: All right, well that is your rumor report what you

1217
01:03:48,560 --> 01:03:55,440
Speaker 1: keep thinking anymore? We gotta go, guys, rumor report Charlotte.

1218
01:03:55,480 --> 01:03:57,840
Speaker 1: We're giving that dog two. Oh man, we need uh

1219
01:03:58,160 --> 01:04:01,240
Speaker 1: Tampa Bay Police Department to come to the front of

1220
01:04:01,280 --> 01:04:03,800
Speaker 1: the congregation. Tampa Police Department in Tampa, y'all need to

1221
01:04:03,800 --> 01:04:05,560
Speaker 1: come to the front of the congregation. We would like

1222
01:04:05,640 --> 01:04:08,400
Speaker 1: to have a word with you. Okay, okay, all right,

1223
01:04:08,840 --> 01:04:10,800
Speaker 1: we'll get to that. Next though move is to breakfast club.

1224
01:04:10,840 --> 01:04:13,480
Speaker 1: Come on, make sure you're telling the watch out for Florida.

1225
01:04:16,320 --> 01:04:18,680
Speaker 1: The craziest people in America come from the Bronx in

1226
01:04:18,960 --> 01:04:23,880
Speaker 1: all of Florida. Yes, you are a donkey. The Florida

1227
01:04:23,920 --> 01:04:26,960
Speaker 1: man a chap and atm for a very strange reason.

1228
01:04:27,080 --> 01:04:29,360
Speaker 1: It gave him too much money. Florida man is arrested.

1229
01:04:29,400 --> 01:04:31,200
Speaker 1: I can definitely say he rigged the door to his

1230
01:04:31,280 --> 01:04:33,040
Speaker 1: home and an attempt to let you hit his partment.

1231
01:04:33,160 --> 01:04:36,360
Speaker 1: Life police arrested in Orlando man for talking a Flamenia

1232
01:04:36,680 --> 01:04:39,800
Speaker 1: to breakfast club. Bitchy Donkey of the day with Charlamagne,

1233
01:04:39,840 --> 01:04:41,560
Speaker 1: a guy. I don't know why y'all keeping him. Get

1234
01:04:41,600 --> 01:04:45,520
Speaker 1: y'all elected, because it's Florida. Little duvall donkey today for

1235
01:04:45,600 --> 01:04:48,960
Speaker 1: Friday in March fifth goes to the Tampa Police Department. Now,

1236
01:04:49,000 --> 01:04:51,480
Speaker 1: what does your uncle Sharla always say about the great

1237
01:04:51,520 --> 01:04:54,440
Speaker 1: state of Florida. The craziest people in America come from

1238
01:04:54,480 --> 01:04:56,480
Speaker 1: the Bronx and all of Florida. I love the state

1239
01:04:56,520 --> 01:04:59,080
Speaker 1: of Florida, but we would be playing ourselves if we

1240
01:04:59,160 --> 01:05:02,080
Speaker 1: didn't recognize that the state of Florida is operating on

1241
01:05:02,200 --> 01:05:04,920
Speaker 1: a different frequency than the rest of the world. Not

1242
01:05:05,080 --> 01:05:08,120
Speaker 1: too many things in Florida makes sense, well, at least

1243
01:05:08,160 --> 01:05:10,000
Speaker 1: not to the rest of us on the outside looking in.

1244
01:05:10,280 --> 01:05:12,240
Speaker 1: And this is one of those times. See the Tampa

1245
01:05:12,320 --> 01:05:17,720
Speaker 1: Police Department fired Delvin White key word White for violations

1246
01:05:17,760 --> 01:05:22,720
Speaker 1: of policy that prohibit discriminatory conduct. So Delvin White key

1247
01:05:22,800 --> 01:05:27,439
Speaker 1: word White clearly did something to discriminate against someone. Well,

1248
01:05:27,880 --> 01:05:32,120
Speaker 1: what did Delvin White keyword White do. Let's go to

1249
01:05:32,280 --> 01:05:35,920
Speaker 1: WTSPCBS team for the report. Police Tampa's police union is

1250
01:05:36,000 --> 01:05:39,080
Speaker 1: fighting to reinstate a police officer fired for using the

1251
01:05:39,240 --> 01:05:41,880
Speaker 1: N word on the job. The union says the punishment

1252
01:05:42,280 --> 01:05:46,000
Speaker 1: was too harsh. Police say the language violates community trust

1253
01:05:46,120 --> 01:05:49,000
Speaker 1: and was enough to fire eight year vet Devlin White,

1254
01:05:49,120 --> 01:05:53,200
Speaker 1: who worked as a school resource officer at Middleton. Devin

1255
01:05:53,280 --> 01:05:58,120
Speaker 1: White keyword White was fired for being caught on body

1256
01:05:58,200 --> 01:06:01,200
Speaker 1: camera saying on a phone call to a young woman

1257
01:06:02,000 --> 01:06:05,160
Speaker 1: the N word, and they're fighting to get his job back.

1258
01:06:05,200 --> 01:06:07,360
Speaker 1: I know what you're saying, Well, Uncle Charlotte, that absolutely

1259
01:06:07,360 --> 01:06:09,640
Speaker 1: deserves donkey the day. He deserves the biggest. He had

1260
01:06:09,880 --> 01:06:13,000
Speaker 1: no no police officer named Devin White key word white

1261
01:06:13,160 --> 01:06:16,600
Speaker 1: should be uh, you know, using that N word, okay,

1262
01:06:16,600 --> 01:06:19,680
Speaker 1: and they shouldn't be fighting to get his job back. Yes, well,

1263
01:06:19,760 --> 01:06:25,439
Speaker 1: let's play a game of Jess what Rice today? All right? Now,

1264
01:06:26,280 --> 01:06:29,560
Speaker 1: Angelie ye, this should be very obvious to all of us, now,

1265
01:06:29,640 --> 01:06:34,000
Speaker 1: angeli ye. Devin last named White, key word white, okay,

1266
01:06:34,400 --> 01:06:36,560
Speaker 1: was fired by the Tampa Police Department because he was

1267
01:06:36,640 --> 01:06:40,160
Speaker 1: caught on body camera saying that his job is to ensure. Well,

1268
01:06:40,160 --> 01:06:41,520
Speaker 1: I'm not gonna say what he said. His job was

1269
01:06:41,560 --> 01:06:44,160
Speaker 1: the insure, but he used the N word. Jess what

1270
01:06:44,720 --> 01:06:53,040
Speaker 1: Rice todays? I'm gonna say Caucasian? But what gave it away?

1271
01:06:53,080 --> 01:06:57,560
Speaker 1: His last name? Now? Devin White, key word white, Tampa,

1272
01:06:57,600 --> 01:07:00,240
Speaker 1: Florida was fired by the Tampa Police Department. He was

1273
01:07:00,280 --> 01:07:03,920
Speaker 1: caught on body camera saying the N word nv Yes

1274
01:07:04,360 --> 01:07:08,800
Speaker 1: what Rice it as? This is a tough word, but

1275
01:07:08,920 --> 01:07:14,840
Speaker 1: I gotta go with white. Okay. Well, let's go back

1276
01:07:14,880 --> 01:07:18,160
Speaker 1: to wts SPCBs ten for the report, please and find

1277
01:07:18,200 --> 01:07:21,320
Speaker 1: out the police union is fighting to reinstate a black

1278
01:07:21,360 --> 01:07:24,280
Speaker 1: police officer fired for using the N word on the job.

1279
01:07:24,600 --> 01:07:28,840
Speaker 1: Hold on, play it again, WTSP CBS ten. I think

1280
01:07:29,040 --> 01:07:31,840
Speaker 1: v and Angelie, you were wrong playing again. Tampa's police

1281
01:07:31,920 --> 01:07:35,400
Speaker 1: union is fighting to reinstate a black police officer fired

1282
01:07:35,640 --> 01:07:38,520
Speaker 1: for using the N word on the job. Y'all were wrong.

1283
01:07:39,280 --> 01:07:43,520
Speaker 1: That was too easy. Delvin White is black and he

1284
01:07:43,680 --> 01:07:47,480
Speaker 1: was fired for using the N word. Now can we

1285
01:07:47,840 --> 01:07:52,520
Speaker 1: hear how he used the N word in context? Please?

1286
01:07:56,240 --> 01:07:58,880
Speaker 1: You think you're going to jail now? Nigga? Now let's say. Now,

1287
01:07:59,040 --> 01:08:01,520
Speaker 1: let's discuss. I play it one more time, Play it

1288
01:08:01,600 --> 01:08:06,760
Speaker 1: one more time. You're going to jail? Downing Listen. The

1289
01:08:06,880 --> 01:08:10,880
Speaker 1: Tampa Police Benevolent Association said yesterday that they are standing

1290
01:08:10,960 --> 01:08:14,000
Speaker 1: with Devin White in fighting the department's firing. Let me

1291
01:08:14,080 --> 01:08:17,959
Speaker 1: read the statement from Tampa Police Benevolent Association spokesman Danny Alvarez.

1292
01:08:18,040 --> 01:08:19,960
Speaker 1: He said, we stand with the City of Tampa and

1293
01:08:20,080 --> 01:08:22,559
Speaker 1: the Tampa Police Department in their efforts to stamp out

1294
01:08:22,680 --> 01:08:25,600
Speaker 1: racism in every form and condemn any and all derogatory

1295
01:08:25,680 --> 01:08:29,600
Speaker 1: statements in our out of uniform. But the facts in

1296
01:08:29,680 --> 01:08:32,439
Speaker 1: the Delvin White matter do not reflect and act are

1297
01:08:32,520 --> 01:08:36,040
Speaker 1: any intent that larrants the punishment he received for his

1298
01:08:36,200 --> 01:08:40,160
Speaker 1: alleged transgression. Charlottagne and to god Leonardo mckelvy, Uncle Sharla

1299
01:08:40,280 --> 01:08:42,560
Speaker 1: absolutely agrees. Let me tell you something. We live in

1300
01:08:42,600 --> 01:08:44,599
Speaker 1: a country while a black person is three times more

1301
01:08:44,640 --> 01:08:46,559
Speaker 1: likely to be killed by police during the police accounted

1302
01:08:46,560 --> 01:08:48,080
Speaker 1: than a white person. We live in a country where

1303
01:08:48,080 --> 01:08:49,640
Speaker 1: black people are more likely to be arrested and more

1304
01:08:49,680 --> 01:08:51,240
Speaker 1: likely to receive a longer prison sent this than a

1305
01:08:51,240 --> 01:08:53,360
Speaker 1: white person convicted of the same crime. We are more

1306
01:08:53,479 --> 01:08:56,400
Speaker 1: likely to be profiled than white people. Police historically do

1307
01:08:56,520 --> 01:08:59,240
Speaker 1: whatever the hell they want with us in this country,

1308
01:08:59,360 --> 01:09:01,120
Speaker 1: and now all of a sudden, you want to fire

1309
01:09:01,200 --> 01:09:04,840
Speaker 1: a black man for using the N word in context.

1310
01:09:05,200 --> 01:09:09,600
Speaker 1: Let me tell you something. There's a thing called cultural competency,

1311
01:09:09,920 --> 01:09:12,200
Speaker 1: and when you're from a certain environment, you speak the

1312
01:09:12,360 --> 01:09:15,799
Speaker 1: language of that environment. Of course, a black police officer

1313
01:09:15,920 --> 01:09:18,639
Speaker 1: in Tampa is going to use the N word. Devin

1314
01:09:18,760 --> 01:09:23,160
Speaker 1: White keyword White was raised in the East Tampa community,

1315
01:09:23,479 --> 01:09:26,680
Speaker 1: had nasty environment that he chose to protect every day.

1316
01:09:26,880 --> 01:09:28,920
Speaker 1: Don't nobody know how to talk the language of the

1317
01:09:28,960 --> 01:09:31,479
Speaker 1: community better than a person who's from that. By the way,

1318
01:09:31,640 --> 01:09:33,960
Speaker 1: that's what we need. That's what we want. We need

1319
01:09:34,080 --> 01:09:36,600
Speaker 1: policing that is for us and by us. Do you know,

1320
01:09:36,840 --> 01:09:40,720
Speaker 1: Devin White also told investigators, yeah, I use the N word.

1321
01:09:40,880 --> 01:09:42,920
Speaker 1: And he used the N word while making an arrest

1322
01:09:43,000 --> 01:09:44,880
Speaker 1: in November, and he used the N word twice while

1323
01:09:45,000 --> 01:09:48,800
Speaker 1: arresting an uncooperative mail for trust passing. Let me hear

1324
01:09:48,840 --> 01:09:50,599
Speaker 1: that little clip again of him on the body, can

1325
01:09:51,360 --> 01:09:55,160
Speaker 1: my head you're gonna tell my nigga. Yes, he probably

1326
01:09:55,200 --> 01:09:58,080
Speaker 1: put handcuffs on a brother when he was being uncooperative

1327
01:09:58,240 --> 01:10:00,760
Speaker 1: because he knows him, probably even the property he was

1328
01:10:00,760 --> 01:10:02,960
Speaker 1: trust passing on and was given the dude the stern

1329
01:10:03,080 --> 01:10:06,519
Speaker 1: talking to and telling him you're going to jail now, nigga. Okay,

1330
01:10:06,800 --> 01:10:10,760
Speaker 1: I can guarantee you, with no facts our evidence to

1331
01:10:10,920 --> 01:10:13,439
Speaker 1: back this up, that a white person in the Tampa

1332
01:10:13,520 --> 01:10:16,479
Speaker 1: Police Department called the black person the N word before

1333
01:10:16,760 --> 01:10:20,000
Speaker 1: are displayed some other form of racism, because the whole

1334
01:10:20,040 --> 01:10:23,160
Speaker 1: law enforcement system is one of the most racist systems

1335
01:10:23,640 --> 01:10:27,519
Speaker 1: you know, period. The two most racist systems in America

1336
01:10:27,520 --> 01:10:31,080
Speaker 1: are probably law enforcement in the medical system. I guarantee

1337
01:10:31,160 --> 01:10:34,839
Speaker 1: you some police officer use those words or was racist

1338
01:10:34,880 --> 01:10:38,840
Speaker 1: in worse ways and nothing happened to them. Okay, Tampa

1339
01:10:38,880 --> 01:10:41,320
Speaker 1: Bay Police Department. I don't know who you're trying to fool,

1340
01:10:41,520 --> 01:10:44,120
Speaker 1: but You didn't fire Devin White because he used the

1341
01:10:44,160 --> 01:10:46,800
Speaker 1: word nigga. You're fired Devin White because in your eyes,

1342
01:10:46,920 --> 01:10:50,880
Speaker 1: he is a nigga. Okay, Tampa Bay Police Department, give

1343
01:10:50,960 --> 01:10:54,400
Speaker 1: this man, Devin White, his job back. Okay, all right,

1344
01:10:54,600 --> 01:10:56,600
Speaker 1: give the man his job back. All Right, y'all know,

1345
01:10:56,680 --> 01:10:59,080
Speaker 1: good and damn well, that man was not using the

1346
01:10:59,240 --> 01:11:02,080
Speaker 1: N word in whatever context y'all thought he was using

1347
01:11:02,120 --> 01:11:04,280
Speaker 1: it in. Okay, Devin White was using it, you know,

1348
01:11:04,760 --> 01:11:07,599
Speaker 1: the way you use it when you have folks from

1349
01:11:07,640 --> 01:11:10,160
Speaker 1: the community, police in the community. All Right, You're just

1350
01:11:10,240 --> 01:11:12,720
Speaker 1: gonna have to understand there as a language barrier that

1351
01:11:13,520 --> 01:11:16,800
Speaker 1: y'all gonna have to overcome. And it's simple. We use

1352
01:11:16,880 --> 01:11:18,920
Speaker 1: the N word, y'all don't and we shouldn't use the

1353
01:11:19,000 --> 01:11:20,439
Speaker 1: N word either. But that's a conversation we need to

1354
01:11:20,479 --> 01:11:22,439
Speaker 1: have in private at the next secret Black people meeting.

1355
01:11:22,560 --> 01:11:25,200
Speaker 1: In the meantime, please let him give the Tampa Police

1356
01:11:25,200 --> 01:11:28,760
Speaker 1: Department the biggest he haw he haw, he ha. You

1357
01:11:29,040 --> 01:11:32,479
Speaker 1: stupid motherfuck? Are you dumb? I just want you to

1358
01:11:32,560 --> 01:11:34,599
Speaker 1: know that you're over your nigga quota for the day.

1359
01:11:34,720 --> 01:11:36,560
Speaker 1: That's what you want you to know that you just

1360
01:11:36,680 --> 01:11:39,280
Speaker 1: said it so you made me go over. I made

1361
01:11:39,320 --> 01:11:41,599
Speaker 1: you go over, you made me go up. I was fine, allow,

1362
01:11:41,880 --> 01:11:47,800
Speaker 1: I'm allowed ten per every five minutes. White man, just contract.

1363
01:11:48,080 --> 01:11:50,479
Speaker 1: That was not well. Guess what I need a white

1364
01:11:50,560 --> 01:11:53,479
Speaker 1: man to tell me that I can't use still word

1365
01:11:54,000 --> 01:11:57,960
Speaker 1: and you gotta say it. He can't. So you can't

1366
01:11:58,000 --> 01:12:00,439
Speaker 1: say that word? What word? Say what word? And I'll say,

1367
01:12:00,479 --> 01:12:02,360
Speaker 1: I don't know exactly because if you say any word,

1368
01:12:02,400 --> 01:12:07,200
Speaker 1: I'm gonna say Nancy noodles, nutmeg, Okay, naughty by nature?

1369
01:12:09,320 --> 01:12:11,240
Speaker 1: All right, man, shout to that cop man too. Man,

1370
01:12:11,320 --> 01:12:12,840
Speaker 1: he's doing this thing. That's what that's what we want.

1371
01:12:12,880 --> 01:12:15,559
Speaker 1: We want somebody from our community to police us, that's

1372
01:12:15,600 --> 01:12:18,120
Speaker 1: going to talk to us and be from our community.

1373
01:12:18,240 --> 01:12:20,080
Speaker 1: Right if he'd have been like, excuse me, sir, you

1374
01:12:20,120 --> 01:12:22,599
Speaker 1: know you're going to jail. No, No, you wanted somebody

1375
01:12:22,640 --> 01:12:24,320
Speaker 1: that that we know that's from our community. That's what

1376
01:12:24,360 --> 01:12:25,960
Speaker 1: we've been saying, right, that's what we've been screaming for,

1377
01:12:26,080 --> 01:12:28,840
Speaker 1: we've been crying for. Right, give Devin White his job back.

1378
01:12:29,720 --> 01:12:33,080
Speaker 1: Absolutely all right now when we come back, Anderson Pack

1379
01:12:33,160 --> 01:12:35,720
Speaker 1: and Bruno Mars will be joining us. Never heard of no,

1380
01:12:36,000 --> 01:12:38,519
Speaker 1: not at all. They started a group. What's it called

1381
01:12:38,560 --> 01:12:47,559
Speaker 1: Silk City Sonic Silk, what's it called Silk Sonic? Guy Man,

1382
01:12:47,760 --> 01:12:49,320
Speaker 1: We're gonna get you with him when we come back.

1383
01:12:49,360 --> 01:12:55,280
Speaker 1: It's a breakfast club for morning, The breakfast club wanting

1384
01:12:55,360 --> 01:12:59,439
Speaker 1: everybody is DJ Envy and Lauye Charlomagne the guy. We

1385
01:12:59,560 --> 01:13:02,040
Speaker 1: are the breakfast Club. We got some special guests in

1386
01:13:02,120 --> 01:13:05,720
Speaker 1: the building this morning. We have Bruno Mars and Anderson Hat.

1387
01:13:05,840 --> 01:13:11,040
Speaker 1: What up, guys? What's going on? Yes, how y'a feeing favor?

1388
01:13:11,120 --> 01:13:15,080
Speaker 1: How y'all feeling great? Man? Bless blast? You guys are

1389
01:13:15,120 --> 01:13:17,719
Speaker 1: doing an album together? Now? How did this come about

1390
01:13:17,920 --> 01:13:20,120
Speaker 1: with y'all together? I mean, I think y'all were together.

1391
01:13:20,120 --> 01:13:22,120
Speaker 1: Since y'all together? Now, did y'all record it together? Or

1392
01:13:22,280 --> 01:13:25,200
Speaker 1: was this a pandemic studio session? Let's be careful about

1393
01:13:25,200 --> 01:13:29,320
Speaker 1: how we say it together. Where did some honest musicians

1394
01:13:29,400 --> 01:13:32,880
Speaker 1: that still play instruments, still listen to Marvin Gay, Stevie

1395
01:13:32,920 --> 01:13:35,200
Speaker 1: Wanner and stuff? And there's only a few people like that.

1396
01:13:35,320 --> 01:13:37,439
Speaker 1: So when you find it, you just you just gotta

1397
01:13:37,479 --> 01:13:40,360
Speaker 1: link up. What does the name Silk Sonic mean? Where

1398
01:13:40,400 --> 01:13:43,080
Speaker 1: did that come from? Bot named us? Oh? Tell her?

1399
01:13:43,120 --> 01:13:45,400
Speaker 1: You gotta tell us that story. That's that's come on, now,

1400
01:13:45,439 --> 01:13:47,880
Speaker 1: that's incredible. He heard the song. He heard the song,

1401
01:13:48,320 --> 01:13:50,200
Speaker 1: and so we need a name, you know, Bootsy Collins

1402
01:13:50,320 --> 01:13:53,200
Speaker 1: name baby Face. I didn't know that whole baby Face

1403
01:13:53,240 --> 01:13:54,839
Speaker 1: on mind if you don't mind, if I tell her Bude.

1404
01:13:55,640 --> 01:13:59,799
Speaker 1: Baby Face was in the studio and Bootsy Collins walks

1405
01:13:59,840 --> 01:14:01,000
Speaker 1: in and he's in the studio with a bunch of

1406
01:14:01,040 --> 01:14:02,880
Speaker 1: his friends. He looks at he looks at the time,

1407
01:14:02,920 --> 01:14:06,040
Speaker 1: he's Kenny Edmonds. Boots He looks at him and says,

1408
01:14:06,160 --> 01:14:09,120
Speaker 1: what's up a baby face? And the whole studio starts laughing.

1409
01:14:09,880 --> 01:14:13,400
Speaker 1: The next day they have a show and the guy

1410
01:14:13,479 --> 01:14:15,960
Speaker 1: introduces him as Kenny Edmonds and he got the golf

1411
01:14:16,040 --> 01:14:20,640
Speaker 1: clap and as a joke, the very next night he

1412
01:14:20,760 --> 01:14:24,000
Speaker 1: goes ladies and gentlemen baby Face and the girls start

1413
01:14:24,080 --> 01:14:27,120
Speaker 1: freaking out. And I hope I didn't box that story. Face,

1414
01:14:27,280 --> 01:14:30,040
Speaker 1: But that's that's the story. The way do you walk

1415
01:14:30,080 --> 01:14:33,320
Speaker 1: in the studio and say, hey, Silk Sonic, No, no, no,

1416
01:14:33,680 --> 01:14:35,559
Speaker 1: we played him the song. We sent them the record.

1417
01:14:35,880 --> 01:14:39,120
Speaker 1: And when that's hosted by Bootsy Collins, what other involvement

1418
01:14:39,200 --> 01:14:42,200
Speaker 1: does he have in the album. He's gonna be narrating

1419
01:14:42,240 --> 01:14:45,000
Speaker 1: this whole album. Try to put a show together, and

1420
01:14:45,080 --> 01:14:47,760
Speaker 1: we call it the set list of Doom. Okay, well,

1421
01:14:47,840 --> 01:14:49,479
Speaker 1: let me ask all the pluck to him when he said,

1422
01:14:49,560 --> 01:14:51,599
Speaker 1: y'all a silk toning, y'all didn't ask what that means.

1423
01:14:51,720 --> 01:14:56,120
Speaker 1: Y'all just you can't really question the ogez, you know,

1424
01:14:56,240 --> 01:14:58,519
Speaker 1: like you only get a few, you know, moments with them.

1425
01:14:58,560 --> 01:15:00,160
Speaker 1: So he kind of just have to run with that.

1426
01:15:00,439 --> 01:15:02,720
Speaker 1: And uh, I liked it. I think it fit with

1427
01:15:02,800 --> 01:15:05,640
Speaker 1: the music, and you know, it sounded cool when he

1428
01:15:05,720 --> 01:15:09,200
Speaker 1: said it, so it was like, that's what it seems like,

1429
01:15:09,280 --> 01:15:11,560
Speaker 1: a five heartbeats type of vibe or something like that.

1430
01:15:11,720 --> 01:15:16,960
Speaker 1: I got nothing but for you, hey either. Hey, we

1431
01:15:17,120 --> 01:15:18,560
Speaker 1: was arguing this morning, which one of y'all is a

1432
01:15:18,600 --> 01:15:21,360
Speaker 1: better pure thing? Come on, we ain't gotta argue, damn,

1433
01:15:21,560 --> 01:15:28,000
Speaker 1: you know what I'm saying. Argue you say you It's like,

1434
01:15:28,240 --> 01:15:31,600
Speaker 1: you know, I'm a drummer first, so I know how

1435
01:15:31,640 --> 01:15:36,400
Speaker 1: to support no, you know, dye higher than Bruno kind

1436
01:15:36,400 --> 01:15:38,640
Speaker 1: of nobody sing clearly, you guys are gonna hear and

1437
01:15:39,080 --> 01:15:41,040
Speaker 1: you guys are gonna hear Anderson singing his ass off

1438
01:15:41,120 --> 01:15:43,160
Speaker 1: on this album. So you think Anderson is a better

1439
01:15:43,200 --> 01:15:45,799
Speaker 1: pure thinger than you, bruntal, I didn't say that, Charlotte

1440
01:15:45,840 --> 01:15:49,920
Speaker 1: Mane Charomagne, you and I would never say that. Yeah,

1441
01:15:50,560 --> 01:15:54,560
Speaker 1: we can edit that part autum, right, they gotta you

1442
01:15:54,600 --> 01:15:58,599
Speaker 1: guys watch versus? Y'all fans of verses? Yeah, yeah yeah,

1443
01:15:58,760 --> 01:16:00,840
Speaker 1: would y'all ever do a verse? Well, it was either

1444
01:16:00,920 --> 01:16:03,280
Speaker 1: gonna be a versus or make an album, So and

1445
01:16:03,439 --> 01:16:10,000
Speaker 1: Anderson chose the right. Now. I love the verses that

1446
01:16:10,320 --> 01:16:13,679
Speaker 1: I don't know. Would you doing versus? Yeah? Who would

1447
01:16:13,680 --> 01:16:19,559
Speaker 1: your battle? You? And face that up next? And that's

1448
01:16:19,600 --> 01:16:21,559
Speaker 1: really a great way to fill That's gonna be great.

1449
01:16:22,080 --> 01:16:24,560
Speaker 1: I'm happy. I think what Swizz and Timberland did with

1450
01:16:24,600 --> 01:16:27,720
Speaker 1: that is an awesome a text Swizz congratulating because I

1451
01:16:27,800 --> 01:16:31,000
Speaker 1: think that that did a lot for the pandemic. Absolutely

1452
01:16:31,160 --> 01:16:34,840
Speaker 1: besides Anderson, pack who would you? Who would you battle? Bruto?

1453
01:16:35,240 --> 01:16:37,160
Speaker 1: If there's anybody out there, I'll go toe to toe

1454
01:16:37,240 --> 01:16:41,600
Speaker 1: with anybody. I like that. Told to Chalk, I like that.

1455
01:16:42,000 --> 01:16:43,120
Speaker 1: I don't want to. I don't know, but I don't.

1456
01:16:43,120 --> 01:16:46,120
Speaker 1: I don't want no problems. I don't want to collum Now.

1457
01:16:46,160 --> 01:16:49,120
Speaker 1: I think Bruno as you also got yourself an alter ego, right,

1458
01:16:49,320 --> 01:16:52,160
Speaker 1: you're designing class Ye. I don't wants calling it an

1459
01:16:52,200 --> 01:16:56,240
Speaker 1: altar ego. It's kind of it's weird. But fashion designer

1460
01:16:56,560 --> 01:17:03,200
Speaker 1: slash mystery man. Yeah, no, um riquet, what do you

1461
01:17:03,280 --> 01:17:06,760
Speaker 1: call it? La Cost approached me. I've been fortunate to

1462
01:17:06,840 --> 01:17:09,680
Speaker 1: have been asked to do collaborations before with other companies,

1463
01:17:10,000 --> 01:17:12,360
Speaker 1: but it always came with like guidelines. La Cost was

1464
01:17:12,400 --> 01:17:15,080
Speaker 1: the only company that was, like Bruno, you could do

1465
01:17:15,120 --> 01:17:18,200
Speaker 1: whatever you want. So, you know, Bruno Mars like, that's

1466
01:17:18,240 --> 01:17:21,639
Speaker 1: like tour merch and that's who that's that's me on stage.

1467
01:17:21,680 --> 01:17:24,679
Speaker 1: I gotta be a designer. And that's where Ricky Rigo

1468
01:17:24,760 --> 01:17:26,719
Speaker 1: came up. Because I don't want to wear the clothes.

1469
01:17:26,760 --> 01:17:28,599
Speaker 1: I don't want to wear clothes. That says Bruno Mars

1470
01:17:28,680 --> 01:17:31,680
Speaker 1: on it now now, Bruno, the other barbershop debate we

1471
01:17:31,800 --> 01:17:33,640
Speaker 1: was having was if you did do it versus and

1472
01:17:33,720 --> 01:17:39,240
Speaker 1: you battled the weekend. Oh, I said to Charlomagne. You

1473
01:17:39,360 --> 01:17:43,360
Speaker 1: heard me the first time I said Bruno over the weekend.

1474
01:17:43,400 --> 01:17:46,439
Speaker 1: I said that, Oh, come on, what do you think say?

1475
01:17:47,560 --> 01:17:50,599
Speaker 1: I mean, I think that's no branding. I'm not to say,

1476
01:17:51,200 --> 01:17:55,639
Speaker 1: come on, don't do that, Charlemagne, don't do that. Don't

1477
01:17:55,720 --> 01:17:58,600
Speaker 1: do that. You know, we know what you're doing. We

1478
01:17:58,760 --> 01:18:03,400
Speaker 1: know what you're doing. I don't, can't anybody to the toe.

1479
01:18:04,320 --> 01:18:07,320
Speaker 1: But then I backed out immediately. That was me. I

1480
01:18:07,439 --> 01:18:10,559
Speaker 1: got the shop, but then I backed out immediately. Now, Bruno,

1481
01:18:10,760 --> 01:18:12,840
Speaker 1: question why you came that woman out of one hundred

1482
01:18:12,840 --> 01:18:16,840
Speaker 1: thousand dollars? Damn? Why are you doing that? Bruno? You

1483
01:18:16,920 --> 01:18:19,280
Speaker 1: got that board during the pandemic making the album with

1484
01:18:19,360 --> 01:18:23,519
Speaker 1: Andrewhon wasn't another I was some money man. I had

1485
01:18:23,560 --> 01:18:26,639
Speaker 1: to skip down to pass it. I put a lot

1486
01:18:26,720 --> 01:18:29,840
Speaker 1: on the on the spurs that night. It didn't really

1487
01:18:29,880 --> 01:18:34,479
Speaker 1: come through for me. He was over extended. You know. Listen,

1488
01:18:35,160 --> 01:18:37,200
Speaker 1: do you know her name? Yeah? I don't think they

1489
01:18:37,240 --> 01:18:39,479
Speaker 1: put her name out there. But all right, well, whoever

1490
01:18:39,600 --> 01:18:42,719
Speaker 1: you are, I'm so sorry. And stay off the internet.

1491
01:18:44,000 --> 01:18:47,759
Speaker 1: That's all you come on, Bruno, Stay off the internet.

1492
01:18:49,240 --> 01:18:52,360
Speaker 1: It's treacherous, it's treacherous. Out of the game. But Bruno,

1493
01:18:52,400 --> 01:18:54,000
Speaker 1: what do you think when you heard that story? Though?

1494
01:18:54,479 --> 01:18:58,519
Speaker 1: I mean, look, I have family members that thought I

1495
01:18:58,720 --> 01:19:02,760
Speaker 1: was actually talking to them on Facebook, and you know,

1496
01:19:03,160 --> 01:19:05,680
Speaker 1: like this is my uncle's and my aunts. He's like

1497
01:19:06,040 --> 01:19:09,519
Speaker 1: they really thought it was me talking to them, So

1498
01:19:10,240 --> 01:19:13,519
Speaker 1: I don't blame her. I just I just say to

1499
01:19:13,760 --> 01:19:17,120
Speaker 1: everyone out there and be careful because that's a different world.

1500
01:19:17,200 --> 01:19:20,360
Speaker 1: It ain't the real world out there. Don't send money nobody,

1501
01:19:20,520 --> 01:19:23,479
Speaker 1: but there's nobody's sending money and it's in pac or Bruno.

1502
01:19:23,520 --> 01:19:29,720
Speaker 1: Mars is so sonic. Now have you ever had a situation,

1503
01:19:29,880 --> 01:19:32,120
Speaker 1: either one of you, where you thought you were talking

1504
01:19:32,160 --> 01:19:35,160
Speaker 1: to somebody online and you got catfish, like maybe a

1505
01:19:35,240 --> 01:19:37,760
Speaker 1: collaboration you were trying to pig and it was not

1506
01:19:37,880 --> 01:19:40,040
Speaker 1: the person you thought it was. Well, it happens all

1507
01:19:40,040 --> 01:19:42,080
Speaker 1: the time. I called the same person like with the

1508
01:19:42,160 --> 01:19:45,120
Speaker 1: same you know, first name, and as you realize thirty

1509
01:19:45,160 --> 01:19:48,160
Speaker 1: minutes in the Saint, this ain't the earl that I wanted.

1510
01:19:49,439 --> 01:19:53,639
Speaker 1: I got a chance rich all right, I'll let you later. Yeah, yeah,

1511
01:19:53,880 --> 01:19:57,280
Speaker 1: stuff like that. But I always know who I'm talking to. Now,

1512
01:19:57,640 --> 01:20:00,680
Speaker 1: you know, y'all think the tweet outs that y'all was,

1513
01:20:00,760 --> 01:20:03,760
Speaker 1: you know, doing an album, doing a song. Everybody's talking

1514
01:20:03,760 --> 01:20:07,000
Speaker 1: about it. There's marketing and promotion from record labels. Even

1515
01:20:07,080 --> 01:20:09,000
Speaker 1: matter when you get to a certain point in your career,

1516
01:20:09,080 --> 01:20:12,519
Speaker 1: does it still matter? Yeah, because we hope that the

1517
01:20:12,560 --> 01:20:15,439
Speaker 1: Breakfast Club is gonna champion for the song. That's why

1518
01:20:15,520 --> 01:20:17,120
Speaker 1: we want to sit down and talk to y'all. Make

1519
01:20:17,160 --> 01:20:20,480
Speaker 1: sure that you guys champion for these out of work musicians.

1520
01:20:21,160 --> 01:20:24,080
Speaker 1: Brand that y'all gonna play his record. But this didn't

1521
01:20:24,160 --> 01:20:25,680
Speaker 1: is like an easy way to do it. I mean,

1522
01:20:25,760 --> 01:20:28,000
Speaker 1: you stay here for a day, you do twenty interviews.

1523
01:20:28,040 --> 01:20:31,160
Speaker 1: You ain't. You ain't gonna go to Oh no, it's

1524
01:20:31,200 --> 01:20:34,200
Speaker 1: different though, a lot much rather be there with y'all

1525
01:20:34,280 --> 01:20:36,920
Speaker 1: and you know, doing it like that. The zoom thing.

1526
01:20:37,200 --> 01:20:39,320
Speaker 1: This is just like the third time I've ever done.

1527
01:20:39,800 --> 01:20:46,640
Speaker 1: It's a zoom kind of skype. Yeah, this is like

1528
01:20:46,760 --> 01:20:50,599
Speaker 1: my third zoom in history. Not too good with technology?

1529
01:20:50,760 --> 01:20:53,080
Speaker 1: A tech guy, Yes guy, How do y'all keep in

1530
01:20:53,160 --> 01:20:57,759
Speaker 1: touch with your lady friends during quarantine? Lady France is married.

1531
01:20:58,080 --> 01:21:02,280
Speaker 1: I got a wife, you gotta really, I didn't know

1532
01:21:04,280 --> 01:21:09,120
Speaker 1: you're trying. That's what he does. That's this whole thing,

1533
01:21:14,240 --> 01:21:15,760
Speaker 1: the pictures of his wife and kids when he was

1534
01:21:16,800 --> 01:21:19,840
Speaker 1: You understand me, well, now it makes sense, Bruno, why

1535
01:21:19,920 --> 01:21:23,240
Speaker 1: you seem so level headed and so like just humble,

1536
01:21:23,560 --> 01:21:25,480
Speaker 1: you know what I mean? Because you got that stability.

1537
01:21:25,800 --> 01:21:29,120
Speaker 1: Appreciate that all we got more with Silk Sonic when

1538
01:21:29,160 --> 01:21:32,360
Speaker 1: we come back as Anderson Pack and Bruno Mars. Now

1539
01:21:32,439 --> 01:21:34,040
Speaker 1: what his name is, John Charleman. I thought it was

1540
01:21:34,080 --> 01:21:37,439
Speaker 1: called I think it's called Keep the Jar Open. Oh,

1541
01:21:37,560 --> 01:21:39,320
Speaker 1: so why they talk? I guess they told us it

1542
01:21:39,360 --> 01:21:41,080
Speaker 1: was Bruce Leroy because they were trying to They didn't

1543
01:21:41,080 --> 01:21:42,759
Speaker 1: want the name of the song to go out. Maybe

1544
01:21:42,800 --> 01:21:44,920
Speaker 1: all right, well let's get into it. It's the Breakfast Club.

1545
01:21:45,000 --> 01:21:55,360
Speaker 1: Good Morning. That was leave the Door Open, Bruno Mars,

1546
01:21:55,400 --> 01:21:57,840
Speaker 1: Anderson pact. They are Heim good Morning, we are the

1547
01:21:57,960 --> 01:22:00,160
Speaker 1: Breakfast Club. Now let's get back to the off you

1548
01:22:00,240 --> 01:22:03,080
Speaker 1: sell them me and what's something? Uh? You know Bruno

1549
01:22:03,240 --> 01:22:06,000
Speaker 1: was stronger than you at and vites A versus Bruno.

1550
01:22:06,040 --> 01:22:09,400
Speaker 1: What's something? Can I take this one? Let me just

1551
01:22:09,479 --> 01:22:14,320
Speaker 1: take this one when I'm stronger than him at boy

1552
01:22:14,520 --> 01:22:16,760
Speaker 1: know how to bed man? I'm telling you man, he

1553
01:22:16,840 --> 01:22:19,519
Speaker 1: got like, you know, you know what's gonna hit? What's

1554
01:22:19,520 --> 01:22:21,360
Speaker 1: going on? He got like a sixth sense. You know.

1555
01:22:22,040 --> 01:22:23,840
Speaker 1: I'm more like, oh, let me see, I don't know

1556
01:22:23,920 --> 01:22:26,479
Speaker 1: it could go this way? Feeling it out there. He

1557
01:22:26,600 --> 01:22:29,280
Speaker 1: got like a spidy sense like nah, we gotta hit this. No,

1558
01:22:29,439 --> 01:22:32,000
Speaker 1: we gotta do this progression. You know what I'm saying.

1559
01:22:32,040 --> 01:22:34,439
Speaker 1: This is gonna get us to this money in that.

1560
01:22:34,600 --> 01:22:36,720
Speaker 1: There's some magic in that. This that's his favorite thing.

1561
01:22:36,800 --> 01:22:39,559
Speaker 1: You know. This is the math on that. What about you, Bruno?

1562
01:22:39,600 --> 01:22:42,599
Speaker 1: What's something Anderson stronger than you? At the exact opposite

1563
01:22:42,600 --> 01:22:45,000
Speaker 1: of what he said. I grew up with some old

1564
01:22:45,120 --> 01:22:49,840
Speaker 1: school producers that was really hard in the studio to

1565
01:22:49,920 --> 01:22:53,000
Speaker 1: work with because they understand how to get to a

1566
01:22:53,080 --> 01:22:56,400
Speaker 1: certain place that they want to go. And I grew

1567
01:22:56,479 --> 01:22:58,720
Speaker 1: up watching that and seeing that, and I've seen some

1568
01:22:59,600 --> 01:23:02,880
Speaker 1: horrible things, but I've seen them that turn into magic.

1569
01:23:03,520 --> 01:23:08,120
Speaker 1: Anderson is give me the drumsticks, you know, turn on

1570
01:23:08,200 --> 01:23:11,479
Speaker 1: the mic. So he's got this freedom. That's how he

1571
01:23:11,640 --> 01:23:14,160
Speaker 1: finds his groove. And I'm a little and I'm a

1572
01:23:14,200 --> 01:23:16,840
Speaker 1: little more like, all right, well maybe if I play

1573
01:23:16,920 --> 01:23:19,479
Speaker 1: this chord and then I do this, and then I

1574
01:23:19,640 --> 01:23:22,880
Speaker 1: do that. Yeah, I also like to like bounce around

1575
01:23:22,960 --> 01:23:25,160
Speaker 1: like we're gonna do the song. You know, we work

1576
01:23:25,240 --> 01:23:27,080
Speaker 1: on it for four or five hours, and then let's

1577
01:23:27,160 --> 01:23:29,400
Speaker 1: let's jump to something else, you know, or let's let's

1578
01:23:29,479 --> 01:23:31,800
Speaker 1: let's touch on this. This dude is obsessed. He's gonna

1579
01:23:31,800 --> 01:23:33,880
Speaker 1: be working on the same damn song for two years

1580
01:23:34,920 --> 01:23:38,160
Speaker 1: just because there's magic in the hook. He knows that,

1581
01:23:38,680 --> 01:23:41,400
Speaker 1: and it's like an obsession, bro, And like we can

1582
01:23:41,479 --> 01:23:44,160
Speaker 1: work on something all day and we come back, you know,

1583
01:23:44,160 --> 01:23:46,360
Speaker 1: I'll be like, man, it's a sicky like, nah, it

1584
01:23:46,439 --> 01:23:48,640
Speaker 1: ain't good. We went we made a left turn here,

1585
01:23:48,680 --> 01:23:51,000
Speaker 1: we need to go right right here, And yeah, we

1586
01:23:51,120 --> 01:23:53,160
Speaker 1: work all day on it. Again. It's crazy work. I

1587
01:23:53,280 --> 01:23:55,080
Speaker 1: thick and I told her Andy, it's like it's nothing

1588
01:23:55,120 --> 01:23:57,519
Speaker 1: to brag about. I wish I could just go and

1589
01:23:57,720 --> 01:23:59,920
Speaker 1: just have you know, some ansors, but it just takes up.

1590
01:24:00,040 --> 01:24:01,720
Speaker 1: It takes, like I said, it takes a lot for

1591
01:24:01,840 --> 01:24:04,240
Speaker 1: me to feel like, all right, it's done. In this

1592
01:24:04,400 --> 01:24:07,719
Speaker 1: first single. That took a lot. Yeah, and we couldn't

1593
01:24:07,720 --> 01:24:10,080
Speaker 1: be prouder. I want to ask Bruno. You know, Bruno,

1594
01:24:10,120 --> 01:24:13,320
Speaker 1: you know people love to accuse you of being a

1595
01:24:13,439 --> 01:24:16,400
Speaker 1: cultural thief, which I find interesting because you are a

1596
01:24:16,479 --> 01:24:18,679
Speaker 1: person of color. What would you say to those people?

1597
01:24:19,400 --> 01:24:22,160
Speaker 1: I would say, you can't look at an interview. You

1598
01:24:22,240 --> 01:24:26,479
Speaker 1: can't find an interview where I am not talking about

1599
01:24:26,560 --> 01:24:29,599
Speaker 1: the entertainers that have come before me. And the only

1600
01:24:29,680 --> 01:24:33,160
Speaker 1: reason why I'm here is because of James Brown is

1601
01:24:33,200 --> 01:24:36,559
Speaker 1: because of Prince Michael. That's the only reason why I'm here.

1602
01:24:37,040 --> 01:24:40,800
Speaker 1: I'm growing up as a kid watching Bobby Brown saying, Okay,

1603
01:24:40,840 --> 01:24:42,720
Speaker 1: if that's what it takes to make it, then I

1604
01:24:42,800 --> 01:24:45,439
Speaker 1: gotta learn how to do the running, man. I gotta

1605
01:24:45,520 --> 01:24:48,160
Speaker 1: learn how to do the moonwalk. I said, And this

1606
01:24:48,320 --> 01:24:51,000
Speaker 1: music comes from love. If you can't hear that, then

1607
01:24:51,040 --> 01:24:52,680
Speaker 1: I don't know what to tell you. Yeah. When I

1608
01:24:52,760 --> 01:24:55,839
Speaker 1: saw you shout out Teddy Riley and the New Jack's

1609
01:24:56,160 --> 01:24:58,280
Speaker 1: Swing movement at the Grammys, I was like, all right,

1610
01:24:58,720 --> 01:25:00,640
Speaker 1: that's homage, you know what I mean? When you won

1611
01:25:00,760 --> 01:25:03,160
Speaker 1: that the award, I was like, Okay, here, it's the truth.

1612
01:25:03,520 --> 01:25:06,920
Speaker 1: There's no it's like, it's not a it's not a secret.

1613
01:25:07,040 --> 01:25:09,559
Speaker 1: Like I said, we were in the inspiration on a sleeve.

1614
01:25:09,800 --> 01:25:12,759
Speaker 1: What is the point if we If us as musicians

1615
01:25:12,840 --> 01:25:14,800
Speaker 1: can't learn from the guys that have come before us,

1616
01:25:14,840 --> 01:25:17,280
Speaker 1: why did they do it? And I hope later on

1617
01:25:17,439 --> 01:25:20,599
Speaker 1: down the road there's gonna be a band that's taking

1618
01:25:20,800 --> 01:25:23,400
Speaker 1: what we did and flipping that and freaking that and

1619
01:25:23,840 --> 01:25:26,320
Speaker 1: putting their own spin on it. Because if they don't,

1620
01:25:28,160 --> 01:25:30,680
Speaker 1: then what was the point of us doing this? If

1621
01:25:30,720 --> 01:25:33,719
Speaker 1: we playing basketball. If you can't learn from Michael Jordan,

1622
01:25:34,120 --> 01:25:36,200
Speaker 1: what was the point of him doing that? Why can't

1623
01:25:36,200 --> 01:25:38,120
Speaker 1: you take oh, why can't you learn all these tricks

1624
01:25:38,160 --> 01:25:40,720
Speaker 1: that this man did the greatest of all time and

1625
01:25:40,880 --> 01:25:44,200
Speaker 1: learn how he did uh this three point or this

1626
01:25:44,520 --> 01:25:51,320
Speaker 1: uh fade away, which Kobe did exactly exactly and as

1627
01:25:51,400 --> 01:25:54,920
Speaker 1: he should, because that's the blueprint. This man showed you

1628
01:25:55,040 --> 01:25:58,080
Speaker 1: how to do it. Does that criticism pish you off? Now?

1629
01:25:58,120 --> 01:26:00,240
Speaker 1: It comes with the gig and I and this this

1630
01:26:00,360 --> 01:26:05,800
Speaker 1: real merit to what people are saying about black entertainer's

1631
01:26:05,840 --> 01:26:08,160
Speaker 1: not getting their flowers, you know, and and I'm I'm

1632
01:26:08,240 --> 01:26:11,519
Speaker 1: I'm I'm champion with that. I'm with that. But it's

1633
01:26:11,600 --> 01:26:15,639
Speaker 1: more so I guess at the time when it kind

1634
01:26:15,680 --> 01:26:17,880
Speaker 1: of popped off on the Internet, I was looking in

1635
01:26:17,920 --> 01:26:19,880
Speaker 1: the manor like, what am I not seeing? Where is this?

1636
01:26:20,760 --> 01:26:22,760
Speaker 1: Where is this pass that I that I do? I

1637
01:26:22,840 --> 01:26:24,600
Speaker 1: have to see ass that I don't know about it?

1638
01:26:25,320 --> 01:26:28,200
Speaker 1: And where can I get this pass? Because like I

1639
01:26:28,360 --> 01:26:31,040
Speaker 1: use something for me and my friends. You know, at

1640
01:26:31,080 --> 01:26:35,320
Speaker 1: the time, it was that was it, But I understand

1641
01:26:35,680 --> 01:26:39,400
Speaker 1: and it's just it's just it's Twitter. Yeah, have you

1642
01:26:39,479 --> 01:26:45,040
Speaker 1: adjusted to being a superstar man. Nah, it's not because

1643
01:26:45,080 --> 01:26:47,200
Speaker 1: I don't. I just do music, that's all since I

1644
01:26:47,320 --> 01:26:49,680
Speaker 1: was a baby, and I don't look at myself as

1645
01:26:49,720 --> 01:26:52,400
Speaker 1: a superstar. So all I want to do is doing music.

1646
01:26:52,479 --> 01:26:54,600
Speaker 1: And to me, success is doing what you love. And

1647
01:26:54,720 --> 01:26:57,400
Speaker 1: I love doing music and I love being able to

1648
01:26:57,479 --> 01:27:00,360
Speaker 1: provide for my family doing what I love. Where's the

1649
01:27:00,400 --> 01:27:02,160
Speaker 1: last time you've been to a strip club? Show him?

1650
01:27:02,280 --> 01:27:03,880
Speaker 1: You know, he came to Jersey Girls with me one day.

1651
01:27:04,400 --> 01:27:09,400
Speaker 1: That was a long time, definitely right. I was surprised

1652
01:27:09,439 --> 01:27:10,880
Speaker 1: he woke in there. I don't even think I was.

1653
01:27:11,120 --> 01:27:14,240
Speaker 1: I don't think I was of age. I think I

1654
01:27:14,280 --> 01:27:16,280
Speaker 1: showed him a Blockbuster car and guy was a yeah,

1655
01:27:16,280 --> 01:27:21,200
Speaker 1: you're good. Come on. You know it has been a

1656
01:27:21,280 --> 01:27:23,439
Speaker 1: pandemic and I know you guys have been ripping and

1657
01:27:23,760 --> 01:27:25,880
Speaker 1: running for years now, and I really had a chance

1658
01:27:25,920 --> 01:27:29,479
Speaker 1: to sit down. Was there an upside to actually having

1659
01:27:29,560 --> 01:27:32,719
Speaker 1: some time to maybe not have to be on tour

1660
01:27:33,080 --> 01:27:34,960
Speaker 1: and doing all of that? Did you learn anything new

1661
01:27:35,000 --> 01:27:38,000
Speaker 1: about yourselves? Slowing down with special because you get to

1662
01:27:38,080 --> 01:27:40,639
Speaker 1: hold onto this energy and we're in the world that's

1663
01:27:40,680 --> 01:27:44,280
Speaker 1: going so fast, so fast that this, uh, sometimes you

1664
01:27:44,320 --> 01:27:47,320
Speaker 1: gotta take a break and I think Quarantine forced everybody

1665
01:27:47,360 --> 01:27:50,360
Speaker 1: to unplug a little bit and reevaluate what's important in life.

1666
01:27:50,920 --> 01:27:54,040
Speaker 1: And I think it's why we're rolling out this album

1667
01:27:54,120 --> 01:27:56,160
Speaker 1: the way we're rolling it out. We don't want one

1668
01:27:56,240 --> 01:28:00,200
Speaker 1: week of trending on Twitter and you know we've we

1669
01:28:00,280 --> 01:28:02,360
Speaker 1: worked too hard for that. We want to drop these

1670
01:28:02,400 --> 01:28:05,080
Speaker 1: songs one at a time and read the room. Yeah.

1671
01:28:05,120 --> 01:28:07,760
Speaker 1: I like this energy, man. I like the energy between y'all.

1672
01:28:08,000 --> 01:28:10,960
Speaker 1: I really do. It's like a cool buddy cop like, yeah,

1673
01:28:12,479 --> 01:28:14,760
Speaker 1: it's something there. Man. Why do y'all name the first

1674
01:28:14,800 --> 01:28:22,560
Speaker 1: single Bruce Lee Roy? We see we still sign me,

1675
01:28:22,600 --> 01:28:25,080
Speaker 1: but we couldn't name the fan Bruce Lee and whooping

1676
01:28:25,160 --> 01:28:29,360
Speaker 1: your ass? Whooping your ass. I now shout to Bruno

1677
01:28:29,479 --> 01:28:31,880
Speaker 1: Mars and Anderson Pack for joining us today. Make sure

1678
01:28:31,920 --> 01:28:34,040
Speaker 1: you stream and pick up the joint that new single,

1679
01:28:34,240 --> 01:28:36,680
Speaker 1: leave the Door Open. Now, we got rumors on the way, yes,

1680
01:28:36,720 --> 01:28:39,080
Speaker 1: and let's talk about new music. There's a lot happening

1681
01:28:39,439 --> 01:28:41,479
Speaker 1: this Friday, all right, we'll get into that next. It's

1682
01:28:41,520 --> 01:28:49,439
Speaker 1: the Breakfast Club, Go Mornings, the Breakfast Club Husband, you

1683
01:28:49,560 --> 01:28:54,719
Speaker 1: know coming up next on the Breakfast Club. Now, before

1684
01:28:54,760 --> 01:28:56,599
Speaker 1: we even get into that, I just want to point

1685
01:28:56,640 --> 01:28:59,639
Speaker 1: out that now Facebook streams of music videos will officially

1686
01:28:59,720 --> 01:29:02,600
Speaker 1: count toward the Billboard charts. Well, that's something new, and

1687
01:29:02,640 --> 01:29:05,120
Speaker 1: it's a big deal. Artists deserve recognition and music charts

1688
01:29:05,200 --> 01:29:07,959
Speaker 1: for the social capital they drive and the social discovery

1689
01:29:08,000 --> 01:29:10,080
Speaker 1: they fuel. That's with the VP of Business Development and

1690
01:29:10,120 --> 01:29:13,400
Speaker 1: Partnerships at Facebook had to say so, adding music video

1691
01:29:13,439 --> 01:29:15,839
Speaker 1: plays on Facebook to the Billboard charts is an important

1692
01:29:15,840 --> 01:29:19,679
Speaker 1: step in the right direction. I concurd you too already

1693
01:29:19,720 --> 01:29:22,240
Speaker 1: does there? Right? Ye? All right, Now, let's discuss some

1694
01:29:22,360 --> 01:29:24,960
Speaker 1: new music. We already talked about Drake a whole lot

1695
01:29:25,040 --> 01:29:28,200
Speaker 1: in his three pack that came out. But let's play

1696
01:29:28,320 --> 01:29:30,040
Speaker 1: the one time we haven't been playing on the radio,

1697
01:29:30,080 --> 01:29:32,519
Speaker 1: and that is a Lemon Pepper freestyle featuring Rick Ross.

1698
01:29:32,960 --> 01:29:35,200
Speaker 1: Dropped them off in school, big day for my little

1699
01:29:35,240 --> 01:29:38,800
Speaker 1: man recess. His daddy probably made another hymn school bell

1700
01:29:38,880 --> 01:29:43,000
Speaker 1: Rings and I'm out there and get him again. Yeah,

1701
01:29:43,479 --> 01:29:46,680
Speaker 1: teach a pair of media's wilds g Willia, regardless of

1702
01:29:46,720 --> 01:29:49,200
Speaker 1: what their husbands do to provide asking if I know

1703
01:29:49,320 --> 01:29:54,400
Speaker 1: Beyonce and Nicki Minaj, of course, pull up to the

1704
01:29:54,479 --> 01:29:57,479
Speaker 1: front and a fleet of suburbans flooded French emergiment with

1705
01:29:57,560 --> 01:30:00,880
Speaker 1: the Secret Service. This so obviously to treat the purpose.

1706
01:30:01,320 --> 01:30:03,519
Speaker 1: I'm telling you, when Drake raps, he's one of the best.

1707
01:30:03,640 --> 01:30:04,840
Speaker 1: You know what I mean, that's what I want. I

1708
01:30:04,920 --> 01:30:06,920
Speaker 1: want to I want an album you know, full of

1709
01:30:07,000 --> 01:30:08,880
Speaker 1: Drake rapping. I mean, he can do that now, Like

1710
01:30:09,000 --> 01:30:11,680
Speaker 1: you know, he's already Drake, he's home already, like me,

1711
01:30:11,800 --> 01:30:13,920
Speaker 1: let me hit him bars. People don't matter what you want,

1712
01:30:14,000 --> 01:30:15,640
Speaker 1: it matter what he wants to do. Well, I'm just

1713
01:30:15,720 --> 01:30:18,840
Speaker 1: telling what I want. I mean, I like. I like

1714
01:30:18,960 --> 01:30:22,320
Speaker 1: that versatility though, because you know, as a consumer as well.

1715
01:30:22,360 --> 01:30:25,240
Speaker 1: I like when he sings too. I like those songs also,

1716
01:30:25,600 --> 01:30:27,680
Speaker 1: it's a mood, so I like a variety of it.

1717
01:30:27,840 --> 01:30:29,479
Speaker 1: I like how like Lauren. We were just talking about

1718
01:30:29,520 --> 01:30:33,040
Speaker 1: Lauren hill Um. I had this conversation with Danielle Smith

1719
01:30:33,080 --> 01:30:35,360
Speaker 1: about how she was singing Anna rapping, how dope that was,

1720
01:30:36,160 --> 01:30:38,040
Speaker 1: And I feel like he does the same thing. I

1721
01:30:38,080 --> 01:30:40,840
Speaker 1: could write a whole thesis on that one line. These days,

1722
01:30:41,000 --> 01:30:43,759
Speaker 1: fame is disconnected from excellence half the time, I gotta

1723
01:30:43,760 --> 01:30:46,000
Speaker 1: ask the thinking what their profession is like. That is

1724
01:30:46,320 --> 01:30:49,519
Speaker 1: very true, favoring excellent excellence and not synonymous with each

1725
01:30:49,520 --> 01:30:51,760
Speaker 1: other at all. Now, as we just pointed out to

1726
01:30:52,000 --> 01:30:54,639
Speaker 1: Sonic put out their first song leave the Door Open.

1727
01:30:54,680 --> 01:30:57,840
Speaker 1: That's Bruno Mars and Anderson Pack Tyler the creator tell

1728
01:30:57,880 --> 01:31:00,479
Speaker 1: me how it's Coca Cola commercial. Also Clever Her featuring

1729
01:31:00,560 --> 01:31:03,760
Speaker 1: Juice World and Post Malone. Life's a Mess. Sweetie put

1730
01:31:03,800 --> 01:31:06,800
Speaker 1: out the Best Friend's Remix with Doja Cat and stephlon Don.

1731
01:31:06,920 --> 01:31:09,360
Speaker 1: I like that song. She's also giving away a Tesla

1732
01:31:09,479 --> 01:31:11,360
Speaker 1: by the way, so there's a whole thing going on.

1733
01:31:11,520 --> 01:31:13,960
Speaker 1: I think you have like a month, a little month

1734
01:31:14,000 --> 01:31:15,160
Speaker 1: and a half left if you want to win a

1735
01:31:15,200 --> 01:31:19,240
Speaker 1: free Tesla from Sweetie Young Dolphin key Glock ask Benji Herbo,

1736
01:31:19,800 --> 01:31:22,479
Speaker 1: I really like that and break yourself, Baby Kim, this

1737
01:31:22,640 --> 01:31:31,160
Speaker 1: is dope, no sense you do you celebrate? What's your

1738
01:31:31,200 --> 01:31:37,920
Speaker 1: friendsty what's your friend style? What's your man? Stop? They

1739
01:31:37,960 --> 01:31:40,360
Speaker 1: don't let me catch your mama hands Doyle, it's a

1740
01:31:40,479 --> 01:31:43,719
Speaker 1: thousand always a miss, understand up, it's a thousand always

1741
01:31:43,760 --> 01:31:45,680
Speaker 1: that we can make a man stop and drop on

1742
01:31:45,720 --> 01:31:47,720
Speaker 1: a clues boss with Baby Kane, Baby Kame, so dope.

1743
01:31:47,760 --> 01:31:50,360
Speaker 1: We don't put me on Baby Kam Actually little Dickey,

1744
01:31:51,520 --> 01:31:54,680
Speaker 1: Little Dickey, puby old baby Kam some years ago. He

1745
01:31:54,840 --> 01:31:56,360
Speaker 1: was just like, are you should listening to Baby Keene

1746
01:31:56,400 --> 01:31:57,880
Speaker 1: Baby Kames. I was like, Kendrick if he was doing

1747
01:31:57,920 --> 01:32:00,280
Speaker 1: trap music, Baby ki Yea and they're related to, right,

1748
01:32:00,400 --> 01:32:02,280
Speaker 1: isn't that his cousin or something? And I think I

1749
01:32:02,360 --> 01:32:04,400
Speaker 1: think he's signed to Kendrick now, Kendrick and Dave Free.

1750
01:32:04,439 --> 01:32:06,760
Speaker 1: I think on quote Baby keeping it low, you know,

1751
01:32:06,960 --> 01:32:09,880
Speaker 1: and Pop Smoke Fashion featuring Polo g from the Boogie

1752
01:32:09,960 --> 01:32:13,080
Speaker 1: soundtrack and Pop Smokes No Cap featuring M twenty four

1753
01:32:13,120 --> 01:32:15,759
Speaker 1: of the remix from the Boogie soundtrack. Also a new album,

1754
01:32:15,960 --> 01:32:19,920
Speaker 1: Some Little Dirk from OTF and K Camp's Crew, which

1755
01:32:20,000 --> 01:32:22,599
Speaker 1: is rare sound squad. They did like a deluxe album,

1756
01:32:22,720 --> 01:32:26,200
Speaker 1: a deluxe edition of their album Tory Lane's Playboy, a

1757
01:32:26,280 --> 01:32:27,920
Speaker 1: whole lot of new music. I can't even get to

1758
01:32:27,960 --> 01:32:29,280
Speaker 1: all of it, but I just wanted to give you

1759
01:32:29,360 --> 01:32:33,960
Speaker 1: guys just some previews of what's happening. I want to

1760
01:32:34,000 --> 01:32:36,160
Speaker 1: salute the Tink too man. Tink put out a record

1761
01:32:36,200 --> 01:32:39,240
Speaker 1: called Bottom oh Man that sounds so dope. Yes, Tink

1762
01:32:39,280 --> 01:32:41,800
Speaker 1: bottom Bitch. I love tanks music. Yeah. I love like

1763
01:32:41,920 --> 01:32:45,439
Speaker 1: how she's early early early. Her music sounds way different

1764
01:32:45,479 --> 01:32:48,479
Speaker 1: now though not really. She's just gotten better. Like Tink,

1765
01:32:48,520 --> 01:32:50,960
Speaker 1: been one of my favorite artists since Timberland introduced me

1766
01:32:51,000 --> 01:32:53,080
Speaker 1: to it, and she never stops working and she's just

1767
01:32:53,200 --> 01:32:56,120
Speaker 1: only gotten better. Her sound is just evolved. But it's

1768
01:32:56,120 --> 01:32:57,720
Speaker 1: just a matter of time for Tink to pop off.

1769
01:32:57,760 --> 01:33:00,160
Speaker 1: I saw JT from the City Girls shot in the

1770
01:33:00,280 --> 01:33:02,560
Speaker 1: Rocks and she can't wait to collaborate with her on

1771
01:33:02,640 --> 01:33:04,479
Speaker 1: the next project. And Cardi was big in her up

1772
01:33:04,560 --> 01:33:06,439
Speaker 1: last week, so it's only a matter. Yeah, I think

1773
01:33:06,720 --> 01:33:09,000
Speaker 1: this is Tin Sierra. I believe, I hope. So she's

1774
01:33:09,000 --> 01:33:12,800
Speaker 1: still so sure. No, she didn't part of it to me.

1775
01:33:13,000 --> 01:33:14,640
Speaker 1: All right now, Envy, this story is for you. We

1776
01:33:14,760 --> 01:33:16,800
Speaker 1: had to make sure we get to this. So Chris

1777
01:33:16,920 --> 01:33:20,439
Speaker 1: Harrison from The Bachelor, he wants to go back to

1778
01:33:20,560 --> 01:33:24,160
Speaker 1: hosting The Bachelor franchise, and he had to backtrack on

1779
01:33:24,240 --> 01:33:26,959
Speaker 1: some remarks that he made. He had to take a hiatus.

1780
01:33:27,080 --> 01:33:29,400
Speaker 1: He made a mistake talking to Rachel Lindsay about some

1781
01:33:29,479 --> 01:33:33,400
Speaker 1: photos that surface of another Bachelor contestant Rachel at a

1782
01:33:33,640 --> 01:33:37,200
Speaker 1: twenty eighteen Antebellum South party. Here's what the original audio was.

1783
01:33:37,640 --> 01:33:39,240
Speaker 1: We all need to have a little grace, a little

1784
01:33:39,320 --> 01:33:42,960
Speaker 1: understanding a little compassionate. It's not a good well, Rachel,

1785
01:33:43,200 --> 01:33:44,920
Speaker 1: is it a good look in twenty eighteen or is

1786
01:33:44,960 --> 01:33:47,160
Speaker 1: it not a good look in twenty twenty one. Who

1787
01:33:47,280 --> 01:33:49,000
Speaker 1: how'd you feel when you heard that envy? I mean

1788
01:33:49,040 --> 01:33:50,760
Speaker 1: it was foul. I mean, this is the thing with

1789
01:33:51,200 --> 01:33:53,679
Speaker 1: people like that. When he first made a death statement,

1790
01:33:53,720 --> 01:33:55,840
Speaker 1: he doubled down, and he tripled down on what he said,

1791
01:33:56,280 --> 01:33:58,360
Speaker 1: and when he got the backlash, then all of a sudden,

1792
01:33:58,360 --> 01:34:00,479
Speaker 1: oh my gosh, I was wrong. That was foul. Like

1793
01:34:00,960 --> 01:34:02,599
Speaker 1: it is what it is. That's what you believe, that's

1794
01:34:02,600 --> 01:34:05,080
Speaker 1: what you honestly believe. Stick with you. Well, he was

1795
01:34:05,120 --> 01:34:09,720
Speaker 1: on Good Morning America, and here he is taking accountability.

1796
01:34:10,120 --> 01:34:14,479
Speaker 1: I am saddened and shocked at how insensitive I was

1797
01:34:14,560 --> 01:34:17,519
Speaker 1: in that interview with Rachel Lindsay. And I didn't speak

1798
01:34:17,600 --> 01:34:20,439
Speaker 1: from my heart, and that is to say, I stand

1799
01:34:20,600 --> 01:34:24,800
Speaker 1: against all forms of racism, and I am deeply sorry.

1800
01:34:25,160 --> 01:34:28,599
Speaker 1: I am not a victim here. I made a mistake

1801
01:34:29,080 --> 01:34:31,720
Speaker 1: and I own that. Yeah, he takes accountability because he

1802
01:34:31,760 --> 01:34:33,920
Speaker 1: got all the backlash and almost lost his job. That's

1803
01:34:33,920 --> 01:34:35,560
Speaker 1: the reason why he's taking the back of you know,

1804
01:34:35,600 --> 01:34:37,920
Speaker 1: the accountability. But he doubled the people down when he

1805
01:34:38,000 --> 01:34:40,840
Speaker 1: did that. Innyview, well, Rachel Lindsay is saying she does

1806
01:34:40,920 --> 01:34:43,320
Speaker 1: accept his apology because it's what she needs to do

1807
01:34:43,439 --> 01:34:45,479
Speaker 1: to move forward with her life. She said she has

1808
01:34:45,520 --> 01:34:48,719
Speaker 1: not spoken to Chris directly since his Good Morning America interview,

1809
01:34:48,760 --> 01:34:50,680
Speaker 1: but she did watch it, and she did tell less

1810
01:34:50,680 --> 01:34:52,960
Speaker 1: they spoke about three weeks ago when it first happened,

1811
01:34:53,200 --> 01:34:55,800
Speaker 1: and he apologized directly then too, So that's what she

1812
01:34:55,880 --> 01:34:58,160
Speaker 1: told TMZ. And I feel bad for Rachel Man because

1813
01:34:58,160 --> 01:35:01,000
Speaker 1: they've been attacking her. They've been, you know, they have

1814
01:35:01,240 --> 01:35:03,519
Speaker 1: threatening her, they've been sending her death threats and all that.

1815
01:35:03,600 --> 01:35:05,240
Speaker 1: And all she did was did all she did was

1816
01:35:05,280 --> 01:35:07,920
Speaker 1: do a great interview. So shout to Rachel. I don't

1817
01:35:07,960 --> 01:35:09,760
Speaker 1: know anything about what you're talking about, but I think

1818
01:35:09,800 --> 01:35:12,439
Speaker 1: it's hilarious when people don't accept other people's apologies. I

1819
01:35:12,520 --> 01:35:16,320
Speaker 1: think it's incredible because there's nothing funnier than watching the

1820
01:35:16,400 --> 01:35:19,280
Speaker 1: person who apologized. Do you accept my apologies? And process? No,

1821
01:35:21,400 --> 01:35:24,160
Speaker 1: what do you do? But when you apologize, you got

1822
01:35:24,479 --> 01:35:25,920
Speaker 1: it got to be from the heart, like you really

1823
01:35:25,960 --> 01:35:28,680
Speaker 1: got to understand it. You can't just apologize because you're

1824
01:35:28,720 --> 01:35:32,559
Speaker 1: getting backlash and party is it Rachel Lindsay Van Lathan's

1825
01:35:32,600 --> 01:35:36,559
Speaker 1: co host Yes on his podcast, Yes Higher Learning Podcast,

1826
01:35:36,960 --> 01:35:39,559
Speaker 1: because I saw him talking about them attacking her shout

1827
01:35:39,640 --> 01:35:41,320
Speaker 1: the Van Van stood up for her. Man. I appreciate

1828
01:35:41,400 --> 01:35:43,599
Speaker 1: that he really held it down. Man, you care about

1829
01:35:43,640 --> 01:35:46,120
Speaker 1: the Bachelor. You don't care about no damn Rachel, No,

1830
01:35:46,320 --> 01:35:48,200
Speaker 1: I do. I mean, I love my people and I

1831
01:35:48,280 --> 01:35:49,840
Speaker 1: want my people to win. And I love the fact

1832
01:35:49,840 --> 01:35:51,960
Speaker 1: that you did try to get Chris Harrison's job too.

1833
01:35:52,600 --> 01:35:56,080
Speaker 1: Oh you did? You did? You? I was joking serious,

1834
01:35:57,120 --> 01:35:59,280
Speaker 1: you was dead serious. I know you send some emails

1835
01:35:59,280 --> 01:36:02,120
Speaker 1: to the networking everything. Well, salute the Rachel. I don't

1836
01:36:02,160 --> 01:36:03,920
Speaker 1: know what's going on. I have no idea, but I

1837
01:36:04,000 --> 01:36:09,680
Speaker 1: stand with you. All right, Well that is your well,

1838
01:36:09,720 --> 01:36:11,840
Speaker 1: you must have really send some emails. I was kidding,

1839
01:36:11,920 --> 01:36:15,000
Speaker 1: but your reaction lets me know you did hold on email.

1840
01:36:15,680 --> 01:36:17,559
Speaker 1: You don't know this, nigga. You think he didn't really

1841
01:36:17,600 --> 01:36:20,840
Speaker 1: send me. He definitely did because he wasn't sure if

1842
01:36:20,920 --> 01:36:25,559
Speaker 1: I knew or not. You told you think Rashawn Casey

1843
01:36:25,600 --> 01:36:28,160
Speaker 1: didn't send emails for real, for real. When Rashawn said

1844
01:36:28,200 --> 01:36:30,759
Speaker 1: he wants something, he going to try to get something. Okay,

1845
01:36:30,840 --> 01:36:34,360
Speaker 1: trust me, I know Bobby sent a demo and everything.

1846
01:36:34,720 --> 01:36:36,439
Speaker 1: I just want you to know he was on the

1847
01:36:36,479 --> 01:36:41,320
Speaker 1: Breakfast club like this. I'm going to human resources right now.

1848
01:36:42,280 --> 01:36:45,559
Speaker 1: If you're listening to human resources, letting mckelvy just call

1849
01:36:45,640 --> 01:36:48,240
Speaker 1: me the N word and I am hurt by are you?

1850
01:36:48,600 --> 01:36:50,960
Speaker 1: Are you pronouncing his name wrong, just like people pronounce

1851
01:36:51,040 --> 01:36:56,599
Speaker 1: Kamala's name wrong on purpose. Try tocredit him first of all, opportunity,

1852
01:36:56,800 --> 01:36:59,000
Speaker 1: just use the N word. I'm sorry, but anyone checked

1853
01:36:59,040 --> 01:37:00,960
Speaker 1: you yesterday when that man came up here. Yesterday we

1854
01:37:01,000 --> 01:37:02,800
Speaker 1: had a security breacher. Man came up here and said

1855
01:37:02,800 --> 01:37:04,320
Speaker 1: he would not leave until he got a kiss from

1856
01:37:04,400 --> 01:37:08,640
Speaker 1: dj NV you a rose? I protected you? How'd you

1857
01:37:08,680 --> 01:37:10,840
Speaker 1: protect me? I called down and I told him you

1858
01:37:10,960 --> 01:37:13,120
Speaker 1: let him know that VY has a cold chore or

1859
01:37:13,160 --> 01:37:16,439
Speaker 1: you don't want right now. I hate y'all, man, I

1860
01:37:16,479 --> 01:37:18,320
Speaker 1: hate y'all. I hate y'all. I hate y'all. All. Right, well,

1861
01:37:18,360 --> 01:37:21,800
Speaker 1: it's time to get email you sent revoked. We'll see

1862
01:37:21,840 --> 01:37:24,840
Speaker 1: you guys tomorrow or monday, I should say everybody else.

1863
01:37:24,920 --> 01:37:26,640
Speaker 1: He probably at tapped a picture with a rose in

1864
01:37:26,720 --> 01:37:30,120
Speaker 1: his mouth. Now. He did a video for Sure, the

1865
01:37:30,200 --> 01:37:33,719
Speaker 1: People's Choice mixing I'm your next host of the Bachelor.

1866
01:37:34,080 --> 01:37:37,559
Speaker 1: Now tonight, Hey, what's good? Not only do I flip roses,

1867
01:37:38,880 --> 01:37:42,639
Speaker 1: not only gonna flip houses? Up, I hate y'all now tonight.

1868
01:37:42,960 --> 01:37:44,880
Speaker 1: I'm in Atlanta this whole weekend. Tonight, I'm gonna be

1869
01:37:44,920 --> 01:37:48,280
Speaker 1: at Slush. Will come join me this weekend b QE.

1870
01:37:48,479 --> 01:37:51,280
Speaker 1: Of course, I'm also gonna be at Sweet Shout to Daryl,

1871
01:37:51,320 --> 01:37:53,280
Speaker 1: shout to Tory, shout to everybody in Atlanta. Man, shout

1872
01:37:53,320 --> 01:37:55,280
Speaker 1: the rugs and had a good time at Copper Cove

1873
01:37:55,439 --> 01:37:58,679
Speaker 1: last night. I'm gonna be at Monte Cello and Rose Balls.

1874
01:37:58,720 --> 01:38:01,160
Speaker 1: A lot going on the follow me on Instagram and

1875
01:38:01,520 --> 01:38:04,000
Speaker 1: party with me safely, so we'll be having our mask

1876
01:38:04,080 --> 01:38:11,360
Speaker 1: on it. You're right, I'm going to even resuce and

1877
01:38:11,400 --> 01:38:13,479
Speaker 1: you calling me any worry, she's bullying me. I'm definitely

1878
01:38:13,520 --> 01:38:16,280
Speaker 1: gonna even me any sauces today. Man, listens up next.

1879
01:38:17,240 --> 01:38:20,200
Speaker 1: I didn't hear nothing else. It's the breakfast cell all right. Well,

1880
01:38:20,280 --> 01:38:22,720
Speaker 1: it's Women's History month. So who we rerapping today? Well, yes,

1881
01:38:22,880 --> 01:38:26,400
Speaker 1: so this weekend. Nicki Walton, she's a licensed psychotherapist. He's

1882
01:38:26,400 --> 01:38:29,880
Speaker 1: a TV personality. She has curly Nicki dot Com. She's

1883
01:38:29,880 --> 01:38:33,600
Speaker 1: a best selling author Better than Good Hair, and she

1884
01:38:33,760 --> 01:38:35,680
Speaker 1: has a b her summit that she put together that

1885
01:38:35,840 --> 01:38:39,479
Speaker 1: is happening this weekend that is to empower and celebrate women.

1886
01:38:39,920 --> 01:38:45,760
Speaker 1: So listen to this. It's Women's History Month and we're

1887
01:38:45,800 --> 01:38:48,400
Speaker 1: celebrating the most influential women in history. Check out this

1888
01:38:48,520 --> 01:38:52,160
Speaker 1: phenomenal walk. So, as you know, this is Women's History

1889
01:38:52,240 --> 01:38:55,040
Speaker 1: Month and I'm highlighting powerful women all month. And one

1890
01:38:55,080 --> 01:38:59,080
Speaker 1: person I wanted to bring to the front is Nicky Walton,

1891
01:38:59,520 --> 01:39:01,720
Speaker 1: a kid Curly Nikki, And as she does have a

1892
01:39:01,760 --> 01:39:04,320
Speaker 1: semit happening this weekend, we'll talk about that, but first

1893
01:39:04,600 --> 01:39:06,320
Speaker 1: I want Nikki to just talk about who she is,

1894
01:39:06,360 --> 01:39:09,760
Speaker 1: a best selling author, license psychotherapist, all of that. Yes, Yes,

1895
01:39:09,840 --> 01:39:11,800
Speaker 1: So I started curly nikki dot com back in two

1896
01:39:11,840 --> 01:39:14,560
Speaker 1: thousand and eight. I managed to get myself on the

1897
01:39:14,640 --> 01:39:18,160
Speaker 1: Tyra Banks Show and this website took off tremendously in

1898
01:39:18,240 --> 01:39:20,760
Speaker 1: a very short time. I was sharing my story, my

1899
01:39:20,960 --> 01:39:23,439
Speaker 1: journey to self love from self hate. I didn't like

1900
01:39:23,600 --> 01:39:26,280
Speaker 1: my hair, I didn't like my skin, and I just

1901
01:39:26,640 --> 01:39:29,200
Speaker 1: I wanted to learn to love myself for who I

1902
01:39:29,280 --> 01:39:32,000
Speaker 1: really was. And as I continued that journey and continued

1903
01:39:32,080 --> 01:39:35,920
Speaker 1: sharing it became a phenomenon, and I wrote a best

1904
01:39:35,960 --> 01:39:39,120
Speaker 1: selling book with HarperCollins. In twenty thirteen, I began working

1905
01:39:39,200 --> 01:39:42,439
Speaker 1: with Steve Harvey with Doctor Oz. I continue to work

1906
01:39:42,479 --> 01:39:45,519
Speaker 1: with Doctor Oz to this day, sharing about outer beauty.

1907
01:39:45,800 --> 01:39:48,479
Speaker 1: But during that whole time, during that rise, during my

1908
01:39:48,760 --> 01:39:51,679
Speaker 1: peak of success with Curly Nikki dot Com, I wasn't happy.

1909
01:39:51,800 --> 01:39:54,400
Speaker 1: I had everything that they told me I was supposed

1910
01:39:54,439 --> 01:39:57,519
Speaker 1: to have to be happy, but I wasn't. Family, house,

1911
01:39:57,680 --> 01:40:01,680
Speaker 1: nice car, the career, the success, bestseller's list, but I

1912
01:40:01,800 --> 01:40:04,360
Speaker 1: didn't feel fulfilled, and every day kind of felt the same.

1913
01:40:04,400 --> 01:40:07,479
Speaker 1: I felt stuck, I felt stagnant, and I actually I

1914
01:40:07,560 --> 01:40:10,880
Speaker 1: called Tracy Ellis Ross sobbing weeping one day because I'm like,

1915
01:40:10,960 --> 01:40:13,000
Speaker 1: there must be more, there has to be more to

1916
01:40:13,120 --> 01:40:16,040
Speaker 1: life than just this, and She's like, you can't just

1917
01:40:16,439 --> 01:40:18,920
Speaker 1: wad like in the kiddie pool. You have to go

1918
01:40:19,080 --> 01:40:21,599
Speaker 1: deeper in your journey, your true journey, your inner journey. Yes,

1919
01:40:21,960 --> 01:40:24,360
Speaker 1: you love yourself more, your physical self more, but you

1920
01:40:24,439 --> 01:40:26,840
Speaker 1: have to find out what is also there. So it

1921
01:40:27,040 --> 01:40:29,519
Speaker 1: was like mid twenty thirteen when I went deeper and

1922
01:40:29,640 --> 01:40:33,559
Speaker 1: I started reading at Cartole, Power of Now and Michael

1923
01:40:33,600 --> 01:40:37,080
Speaker 1: Singer and then about six hundred more books, six hundred

1924
01:40:37,160 --> 01:40:40,200
Speaker 1: more authors. I traveled the world, Yeah, traveled the world,

1925
01:40:40,439 --> 01:40:43,200
Speaker 1: all over the world, from Brazil to Africa to Spain,

1926
01:40:43,320 --> 01:40:47,639
Speaker 1: trying to find happiness, true peace inside, and I finally did,

1927
01:40:47,760 --> 01:40:49,840
Speaker 1: and I could see that no matter what temple I

1928
01:40:49,960 --> 01:40:51,800
Speaker 1: was in, what plane, I was on, what street I

1929
01:40:52,000 --> 01:40:55,760
Speaker 1: was walking down, that peace was already always here. And

1930
01:40:56,080 --> 01:40:59,280
Speaker 1: so I started sharing about that on Instagram and on

1931
01:40:59,320 --> 01:41:02,240
Speaker 1: curly Nikki dot com, this hair blog that never really

1932
01:41:02,439 --> 01:41:04,759
Speaker 1: was just about hair and was always an inner journey

1933
01:41:04,800 --> 01:41:08,639
Speaker 1: to freedom. But I began sharing reluctantly this piece because

1934
01:41:08,640 --> 01:41:10,680
Speaker 1: I wanted to help the women that look like me

1935
01:41:10,960 --> 01:41:13,840
Speaker 1: find the same freedom that I was finding. And I

1936
01:41:13,960 --> 01:41:16,800
Speaker 1: knew I was free for real when I was with

1937
01:41:17,120 --> 01:41:19,160
Speaker 1: my grandmother, who was my best friend in the whole

1938
01:41:19,200 --> 01:41:22,000
Speaker 1: white world, and she was taking her last breath, and

1939
01:41:22,240 --> 01:41:24,040
Speaker 1: that was like the moment that I had dreaded my

1940
01:41:24,120 --> 01:41:26,400
Speaker 1: whole life. And so I'm there in that moment, and

1941
01:41:26,520 --> 01:41:28,800
Speaker 1: the piece was there too, even though there was grief,

1942
01:41:29,720 --> 01:41:31,720
Speaker 1: I could fill that piece in the background. And so

1943
01:41:32,000 --> 01:41:34,880
Speaker 1: I began sharing and under the hashtag be her Now,

1944
01:41:35,479 --> 01:41:40,040
Speaker 1: and it became a very powerful hashtag. Many women got

1945
01:41:40,080 --> 01:41:43,360
Speaker 1: it tattooed on them thousands of dms, where these very

1946
01:41:43,439 --> 01:41:47,240
Speaker 1: successful entrepreneurial women CEOs of companies are messaging me like

1947
01:41:47,320 --> 01:41:49,759
Speaker 1: I'm not happy. How can I find this piece inside?

1948
01:41:50,200 --> 01:41:54,080
Speaker 1: And yeah, that is my journey, and it's the journey

1949
01:41:54,439 --> 01:41:56,400
Speaker 1: that I know. We all have our different paths, but

1950
01:41:56,520 --> 01:42:00,439
Speaker 1: we're going to the same destination, which is recognizing that

1951
01:42:00,840 --> 01:42:03,680
Speaker 1: we have everything we need in us already and that

1952
01:42:03,800 --> 01:42:07,360
Speaker 1: this piece is always already here. So first, let's start

1953
01:42:07,439 --> 01:42:11,240
Speaker 1: with hair, right as a representation, because I think so

1954
01:42:11,400 --> 01:42:14,640
Speaker 1: many women, especially black women, we have issues with our hair.

1955
01:42:14,760 --> 01:42:16,400
Speaker 1: I know, growing up, I used to hate that my

1956
01:42:16,479 --> 01:42:18,880
Speaker 1: hair was curly. It was crazy all the time. I

1957
01:42:18,920 --> 01:42:20,800
Speaker 1: didn't know what to do with it. And so I

1958
01:42:20,920 --> 01:42:23,000
Speaker 1: do want to talk about how hair is a representation

1959
01:42:23,080 --> 01:42:26,240
Speaker 1: of not just something superficial like people might think, because

1960
01:42:26,240 --> 01:42:27,840
Speaker 1: people have a lot of things to say about our hair.

1961
01:42:27,920 --> 01:42:32,000
Speaker 1: It's of course, you know, yeah, just culturally how we're viewed.

1962
01:42:32,120 --> 01:42:34,519
Speaker 1: How you have to even have the crown act right,

1963
01:42:34,600 --> 01:42:36,839
Speaker 1: because women are looked a different way in the workspace

1964
01:42:36,920 --> 01:42:39,280
Speaker 1: if you have a certain type of hair. Ado, So

1965
01:42:39,479 --> 01:42:41,400
Speaker 1: let's talk about that a little bit and just how

1966
01:42:41,439 --> 01:42:43,160
Speaker 1: you got to that journey where you were able to

1967
01:42:43,240 --> 01:42:46,320
Speaker 1: embrace your hair because your hair is amazing and beautiful.

1968
01:42:46,320 --> 01:42:48,600
Speaker 1: I love it. Thank you, thank you. Yeah, I did not,

1969
01:42:48,800 --> 01:42:50,840
Speaker 1: and I actually never had a relax or growing up.

1970
01:42:50,880 --> 01:42:53,160
Speaker 1: It was always present curl, but it was always wait.

1971
01:42:53,240 --> 01:42:55,240
Speaker 1: It was always present curled until I got to college.

1972
01:42:55,479 --> 01:42:57,320
Speaker 1: But it was an all white school. There were no

1973
01:42:57,520 --> 01:42:59,679
Speaker 1: black stylus up there, and I was left on my own.

1974
01:42:59,800 --> 01:43:01,799
Speaker 1: But I didn't like the fact that I was always

1975
01:43:01,880 --> 01:43:05,800
Speaker 1: concerned about my hair. So knowing that I knew I

1976
01:43:05,920 --> 01:43:08,479
Speaker 1: had to take control of learning about it because we

1977
01:43:08,600 --> 01:43:10,960
Speaker 1: weren't taught how to care for our hair. But to

1978
01:43:11,120 --> 01:43:13,400
Speaker 1: be able to feel just as confident and comfortable and

1979
01:43:13,439 --> 01:43:15,759
Speaker 1: beautiful with your own hair, no matter if it's pulled

1980
01:43:15,800 --> 01:43:18,360
Speaker 1: back or out and curly or you have it straightened,

1981
01:43:18,640 --> 01:43:21,439
Speaker 1: that's a powerful place to be. Now, let's discuss you

1982
01:43:21,720 --> 01:43:24,280
Speaker 1: and how you felt like you were unhappy, and I

1983
01:43:24,400 --> 01:43:26,080
Speaker 1: feel you on that right. You had a best selling

1984
01:43:26,400 --> 01:43:28,800
Speaker 1: better than Good Hair girl. You got everything, you got

1985
01:43:28,880 --> 01:43:31,439
Speaker 1: this going on, and you feel like you should be happy,

1986
01:43:31,439 --> 01:43:33,560
Speaker 1: and then you feel a little ungrateful that you're not,

1987
01:43:33,800 --> 01:43:36,360
Speaker 1: and you're like, like there's people who aren't doing what

1988
01:43:36,439 --> 01:43:38,439
Speaker 1: they want to do. There's people who are out there struggling.

1989
01:43:38,479 --> 01:43:41,080
Speaker 1: How dare I be ungrateful? So talk about how you

1990
01:43:41,200 --> 01:43:43,720
Speaker 1: came to that realization and what you did to kind

1991
01:43:43,760 --> 01:43:45,960
Speaker 1: of overcome that. Yeah, you know, I love that you

1992
01:43:46,080 --> 01:43:49,200
Speaker 1: touched on like that ungratefulness, because for me, I would

1993
01:43:49,280 --> 01:43:52,360
Speaker 1: hear like, okay, practice gratitude, practice gratitude. I had a journal,

1994
01:43:52,600 --> 01:43:57,160
Speaker 1: and I never felt grateful, like genuine gratitude. It always

1995
01:43:57,240 --> 01:43:59,920
Speaker 1: felt forced, and I knew that that was a major problem.

1996
01:44:00,560 --> 01:44:02,800
Speaker 1: And as I went deeper and would sit, I would

1997
01:44:02,840 --> 01:44:05,439
Speaker 1: meditate girl for like two three hours a day, and

1998
01:44:05,520 --> 01:44:07,280
Speaker 1: I was blessed enough to have a lifestyle to be

1999
01:44:07,360 --> 01:44:09,280
Speaker 1: able to read all the time and meditate all the time.

2000
01:44:09,520 --> 01:44:12,280
Speaker 1: And I started seeing that true gratitude is not a

2001
01:44:12,400 --> 01:44:15,320
Speaker 1: human quality, it's a soul quality, It's a God quality.

2002
01:44:15,520 --> 01:44:17,400
Speaker 1: So the more I got quiet and tapped into that

2003
01:44:17,840 --> 01:44:23,080
Speaker 1: more quiet place within that natural gratitude, that natural compassion,

2004
01:44:23,160 --> 01:44:26,840
Speaker 1: like true love, God love, just started coming from that place.

2005
01:44:27,200 --> 01:44:29,400
Speaker 1: And so all of a sudden, it wasn't like I

2006
01:44:29,520 --> 01:44:32,800
Speaker 1: was forcing myself to be grateful for the beautiful opportunities

2007
01:44:32,840 --> 01:44:36,040
Speaker 1: that had been given. It was I'm grateful in this

2008
01:44:36,320 --> 01:44:39,280
Speaker 1: moment for goodwifi to be able to speak with you.

2009
01:44:39,400 --> 01:44:42,000
Speaker 1: I'm grateful for you know this microphone, you know that's

2010
01:44:42,040 --> 01:44:44,880
Speaker 1: delivering my voice in you know this chair that's supporting me.

2011
01:44:45,000 --> 01:44:48,439
Speaker 1: So like coming into the present moment is what helped me.

2012
01:44:48,840 --> 01:44:51,920
Speaker 1: I just had to recognize it and practice it in

2013
01:44:52,200 --> 01:44:54,920
Speaker 1: every moment and then it becomes your lifestyle. And it's

2014
01:44:54,960 --> 01:44:57,280
Speaker 1: just as natural now for me to feel grateful as

2015
01:44:57,320 --> 01:44:59,599
Speaker 1: it was for me to feel ungrateful ten years ago.

2016
01:45:00,040 --> 01:45:02,519
Speaker 1: So right now, there are so many people going through

2017
01:45:02,600 --> 01:45:05,000
Speaker 1: so many different things, and it has been hard for

2018
01:45:05,000 --> 01:45:06,519
Speaker 1: people to take care of themselves. We have a lot

2019
01:45:06,600 --> 01:45:10,439
Speaker 1: of stress in our minds. So let's talk about why

2020
01:45:10,560 --> 01:45:13,360
Speaker 1: this summit it will be beneficial and what's happening at

2021
01:45:13,400 --> 01:45:15,840
Speaker 1: this be Her Summit. And so the be Her Summit

2022
01:45:16,160 --> 01:45:21,320
Speaker 1: is shifting, helping women shift into this and staying here,

2023
01:45:21,720 --> 01:45:25,040
Speaker 1: staying her the best version, the whole version of yourself,

2024
01:45:25,240 --> 01:45:27,840
Speaker 1: and the summit is going to take five entry points,

2025
01:45:27,880 --> 01:45:33,240
Speaker 1: recovering creativity, spirituality, entrepreneurship, beauty and wellness, meeting people wherever

2026
01:45:33,400 --> 01:45:37,040
Speaker 1: they are, wherever their passions lie. But the threat that's

2027
01:45:37,080 --> 01:45:40,080
Speaker 1: tying it all together is that you are recognizing your

2028
01:45:40,200 --> 01:45:43,120
Speaker 1: wholeness and that you have everything you need within you already.

2029
01:45:43,360 --> 01:45:46,040
Speaker 1: You're just opening out a way for it to get

2030
01:45:46,040 --> 01:45:49,360
Speaker 1: out here in the world. And I would love, I

2031
01:45:49,360 --> 01:45:52,400
Speaker 1: would absolutely love for every woman that comes to the

2032
01:45:52,520 --> 01:45:56,559
Speaker 1: Summit to recognize that she is already free and it's

2033
01:45:56,640 --> 01:45:59,720
Speaker 1: just our thoughts that keep us feeling trapped, that keep

2034
01:45:59,800 --> 01:46:02,559
Speaker 1: us feeling small, and so stepping out of that box.

2035
01:46:02,720 --> 01:46:05,880
Speaker 1: That's what we're doing on Saturday, March sixth, All day

2036
01:46:06,040 --> 01:46:08,720
Speaker 1: we're practicing. It's a mini retreat where we're practicing all

2037
01:46:08,840 --> 01:46:12,800
Speaker 1: day being our best selves in private together at home

2038
01:46:12,920 --> 01:46:14,800
Speaker 1: so that we can be and show up as our

2039
01:46:14,880 --> 01:46:18,360
Speaker 1: whole selves in public on Monday. And where can people

2040
01:46:18,439 --> 01:46:20,760
Speaker 1: sign up so they can get more information so they

2041
01:46:20,800 --> 01:46:22,559
Speaker 1: can attend. And I see a lot of my friends

2042
01:46:22,960 --> 01:46:25,000
Speaker 1: around the pane of my girl you, Gelanda Williams, some

2043
01:46:25,120 --> 01:46:30,320
Speaker 1: cream Blands that she's on there, Jasmine Celano and a

2044
01:46:30,360 --> 01:46:33,200
Speaker 1: lot of amazing women be her summit dot com. It's

2045
01:46:33,320 --> 01:46:36,160
Speaker 1: virtual and it's going on all day on Saturday, from

2046
01:46:36,200 --> 01:46:38,920
Speaker 1: ten am Eastern until the night. But it'll be beautiful.

2047
01:46:39,000 --> 01:46:41,280
Speaker 1: And I'm so appreciative to you for helping me get

2048
01:46:41,320 --> 01:46:43,439
Speaker 1: the word out. Thank you so much, Nikki. I can't

2049
01:46:43,439 --> 01:46:45,400
Speaker 1: wait for us to continue doing some work with you.

2050
01:46:45,640 --> 01:46:48,439
Speaker 1: We appreciate you be here simmit all day Saturday. May

2051
01:46:48,479 --> 01:46:50,760
Speaker 1: shall y'all sign up for that. It's the Breakfast Club

2052
01:46:55,720 --> 01:46:59,080
Speaker 1: and that was another phenomenal woman in history. Morning everybody

2053
01:46:59,120 --> 01:47:02,400
Speaker 1: is tg Envy Angela Ye Charlomagne the guy. We are

2054
01:47:02,439 --> 01:47:05,280
Speaker 1: the Breakfast Club. Now, today is the last day to

2055
01:47:05,479 --> 01:47:08,360
Speaker 1: vote for the winner of our How Do I Get On? Contest?

2056
01:47:08,680 --> 01:47:10,800
Speaker 1: That's this ultimate search for the next big artist in

2057
01:47:10,880 --> 01:47:13,320
Speaker 1: hip hop or R and B. Now Facebook groups helps

2058
01:47:13,360 --> 01:47:15,760
Speaker 1: you find and grow your passions and want you to

2059
01:47:15,840 --> 01:47:18,800
Speaker 1: grow your pocket too, So vote for your favorite artists

2060
01:47:18,880 --> 01:47:20,280
Speaker 1: right now and you have a chance to win a

2061
01:47:20,320 --> 01:47:22,800
Speaker 1: five hundred dollars gift card. Yeah, it was really dope.

2062
01:47:22,840 --> 01:47:24,920
Speaker 1: We had a chance to meet some of the people

2063
01:47:25,000 --> 01:47:27,720
Speaker 1: who are competing to win the How Do I Get

2064
01:47:27,760 --> 01:47:30,320
Speaker 1: On contests. It's gonna be your hard decision for you guys,

2065
01:47:30,360 --> 01:47:31,720
Speaker 1: so make sure you go on there and vote. Plus

2066
01:47:31,720 --> 01:47:33,280
Speaker 1: you can get that five hundred dollars gift cards. So

2067
01:47:33,400 --> 01:47:36,720
Speaker 1: check out iHeartRadio dot com slash how Can I Get on?

2068
01:47:36,880 --> 01:47:40,320
Speaker 1: And vote? Because you decide who gets on? All right,

2069
01:47:40,360 --> 01:47:41,840
Speaker 1: now it's time to get up out of here again.

2070
01:47:41,880 --> 01:47:44,519
Speaker 1: Shout to everybody in Atlanta. I'm out here all weekend long,

2071
01:47:44,600 --> 01:47:47,400
Speaker 1: so hopefully I's to get to see you guys. Next

2072
01:47:47,479 --> 01:47:50,000
Speaker 1: week I'll be back in Atlanta for my real estate seminar.

2073
01:47:50,160 --> 01:47:51,680
Speaker 1: So I know, I think we have less than one

2074
01:47:51,760 --> 01:47:54,160
Speaker 1: hundred tickets left. It pretty It sucks because usually when

2075
01:47:54,160 --> 01:47:56,439
Speaker 1: we come to Atlanta, we have two, three, four thousand people,

2076
01:47:56,720 --> 01:47:59,240
Speaker 1: but because of COVID, they're only they're limited it to

2077
01:47:59,360 --> 01:48:02,439
Speaker 1: thirty per sin. So some more information, just click the

2078
01:48:02,520 --> 01:48:04,800
Speaker 1: link in my bio. Now, Charlemagne, you've got a positive note.

2079
01:48:05,200 --> 01:48:07,320
Speaker 1: What you do makes a difference, and you have to

2080
01:48:07,400 --> 01:48:09,519
Speaker 1: decide what kind of difference you want to make. Breakfast

2081
01:48:09,560 --> 01:48:11,720
Speaker 1: club pitches, you know. I'm finish it, y'all due