WEBVTT - Valerie Solanas Was Just Writing What She Knew

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<v Speaker 1>It's five fifty one am on Madison Avenue and you're

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<v Speaker 1>listening to Night Call. Hello, Hello, and welcome to Night Call.

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<v Speaker 1>I am Molly Lambert and I am in New York,

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<v Speaker 1>New York City, sitting next to Emily Oshida in real

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<v Speaker 1>life and talking to us from Los Angeles in a

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<v Speaker 1>shed where do we keep the aliens when we find

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<v Speaker 1>them and then we take them out to feed them

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<v Speaker 1>Reese's Pieces because we can't get the rights to Eminem's

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<v Speaker 1>test Lynch. Hello, please feed me. It's so strange. It's

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<v Speaker 1>like you're It's like you're our imaginary friend that we

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<v Speaker 1>you know, we have. There's like a secret number that

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<v Speaker 1>only works at certain times of the day and we

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<v Speaker 1>can access the line. Speaking of secret numbers and hotlines,

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<v Speaker 1>you should give us a call at one four six

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<v Speaker 1>night and email us at night Call pod cast Night

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<v Speaker 1>Called podcast gmail dot gmail dot com and ask us

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<v Speaker 1>here questions, share your share your spooky stories. Um, yeah,

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<v Speaker 1>just drop us a line. Tell us what's on your

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<v Speaker 1>mind about the shadow people. Tell us about how Art

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<v Speaker 1>Bell changed your life, Molly. Before we get into Art Bell,

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<v Speaker 1>which we will, I know the people want it. Um

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<v Speaker 1>tell us about New York city and how it's changing

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<v Speaker 1>your life. I'm in New York City, New York, Citay

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<v Speaker 1>and and you're on you were So the intro is

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<v Speaker 1>actually accurate for the first time. We are actually on

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<v Speaker 1>Madison Avenue, but we've always been on Madison Avenue, and

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<v Speaker 1>I did not lie in because I didn't know where

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<v Speaker 1>the studio was until now. Molly was telling me as

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<v Speaker 1>we were walking into the building. Was like Molly noted,

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<v Speaker 1>if not most noted mad Men recapper in the history

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<v Speaker 1>of the show told me, I didn't even know it

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<v Speaker 1>was named after Madison Avenue until like the fifth season.

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<v Speaker 1>It's just incredible. It was like a pun on ad Men,

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<v Speaker 1>which is but I didn't realize that mad Men was

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<v Speaker 1>like a thing, you know, it's slang for ad guys.

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<v Speaker 1>It's all come together. This is why you have to

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<v Speaker 1>come to New York so you can get the well

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<v Speaker 1>this building it's also super mad Men. We walked inside

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<v Speaker 1>and it has like a crazy Art deco lobby, like

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<v Speaker 1>it's like first or second season mad Men before they

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<v Speaker 1>move into their their fancy mid century place. And I

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<v Speaker 1>am a sleek sucker for the Art deco glamour right

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<v Speaker 1>by the Empire State building. I was saying, whenever I

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<v Speaker 1>come to New York, I go full Kimmy Schmidt, where

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<v Speaker 1>I just like walk around like delighted by everything, just

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<v Speaker 1>like amidst all the jaded New Yorkers and I'm like,

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<v Speaker 1>look that was me the first tall building. The first

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<v Speaker 1>year I was here. I would just walk around with

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<v Speaker 1>my head up, you know, like looking around because it

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<v Speaker 1>was all kind of new to me, and people would

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<v Speaker 1>be giving me the weirdest looks, like why you have

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<v Speaker 1>the sense of wonder in your eyes. They don't even

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<v Speaker 1>really look at you. They just kind of like shake

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<v Speaker 1>their heads. They're like, what are you doing? Yeah? My

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<v Speaker 1>my brother and I were on the subway that was

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<v Speaker 1>like above ground and there was a part where we

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<v Speaker 1>were like so excited that it was above ground. And

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<v Speaker 1>then we were like, look the statue of Liberal Get

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<v Speaker 1>up out of your seat and you run to the window.

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<v Speaker 1>Did We were like standing by the window with our

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<v Speaker 1>faces pressed against the glass. It was just a magical,

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<v Speaker 1>magical time. Molly, when you visit New York, what what

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<v Speaker 1>are your must does? Um? You know, what's what's Molly

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<v Speaker 1>Lambert's New York and eating an authentic New York bagel?

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<v Speaker 1>From Duncan Donuts across the street. Right now, I see

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<v Speaker 1>the evidence of it right in front of me. It's true. Um,

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<v Speaker 1>I don't know. I mean I'm usually here for like

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<v Speaker 1>family visit reason, so I it's not like full freedom

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<v Speaker 1>that you do a lot of Queens. I do a

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<v Speaker 1>lot of Queens today. This was the first trip of

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<v Speaker 1>my brother and I explored Queens. We went to Forest

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<v Speaker 1>Hills and walked around, and I was enchanted by Forest Hills. Um,

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<v Speaker 1>I love Queens because it's like the valley. Yeah, oh,

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<v Speaker 1>it totally is. You know, like, uh, we're out near

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<v Speaker 1>like Jamaica, which I love, which you know, it's the suburbs,

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<v Speaker 1>so it's far away from everything. So it's also hard

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<v Speaker 1>to get into the city proper. But my brother and

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<v Speaker 1>I went to the Met. I love the Met. I

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<v Speaker 1>love the ancient Egyptian my favorite place in the world.

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<v Speaker 1>Had the realization that my dream home is like an

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<v Speaker 1>Egyptian tomb, you know, you you can have that be

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<v Speaker 1>your final resting place. They were like those like little

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<v Speaker 1>like darkened rooms that you walk in where they have

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<v Speaker 1>the panels on the wall. I was just like, okay,

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<v Speaker 1>just like a bed, like right here, my brother and

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<v Speaker 1>I talked about Mixed of files and Mrs Baisley Frankweiler

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<v Speaker 1>a lot, because you know that's the dream dream is

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<v Speaker 1>to find a way to stay the night in the

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<v Speaker 1>night or the Natural History Museum. Well I did get

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<v Speaker 1>to go in Natural History Museum after hours the last

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<v Speaker 1>time I was here. Oh yeah, that's right. My friend

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<v Speaker 1>Brianna works at the Natural History Museum. And you know,

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<v Speaker 1>she was like helping them close. It was amazing. It

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<v Speaker 1>was so cool, and they're all there's like offices and stuff.

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<v Speaker 1>You know. I love to seeing the backstage of anything,

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<v Speaker 1>so like the backstage of the Natural History Museum, Like

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<v Speaker 1>I was just as excited about, like, look, this door

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<v Speaker 1>leads to a mundane hallway, isn't that crazy? Uh? So

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<v Speaker 1>when do you do? You leave tomorrow? I leave tomorrow.

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<v Speaker 1>So well, you know it's going to be hard to

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<v Speaker 1>top going to see a screening if I feel pretty Yeah,

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<v Speaker 1>Emily and I was like, hey, want to go to

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<v Speaker 1>a free screening? And I was like, do I a

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<v Speaker 1>press screening? Again? I'm just do you know thinks that

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<v Speaker 1>everyone else's is has done a lot. I will be

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<v Speaker 1>quickly de glamorous new to me, uh and then I'll

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<v Speaker 1>go back to l A and I can be jaded

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<v Speaker 1>about all the beautiful sunsets there and it'll be chill. Guys.

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<v Speaker 1>How are you? I'm good? Uh? We lost an icon

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<v Speaker 1>this week? Did we lost probably the single biggest inspiration

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<v Speaker 1>on the podcast, saying god Father of Night called Godfather

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<v Speaker 1>of Night call Art Bell R I P R I

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<v Speaker 1>P died on Friday, but also or did he? Right? Right? Well?

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<v Speaker 1>Right now? The number one search if you look for

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<v Speaker 1>our bell is cause of death. So I'm glad that

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<v Speaker 1>there's already some well I was saying. I was like,

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<v Speaker 1>I'll just put it out there that the Lizard people

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<v Speaker 1>got to them. Today's podcast is sponsored by Hello Fresh,

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<v Speaker 1>an enter promo code call thirty and tell him night

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<v Speaker 1>call sent you. Um, do you guys have any good art?

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<v Speaker 1>Bell memories are good coast to coast am memories? I mean,

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<v Speaker 1>it's something it's interesting thing to talk about just because

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<v Speaker 1>of like what it kind of became. But I still

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<v Speaker 1>feel like I'm possible to be nostalgic for what it was. Yeah.

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<v Speaker 1>Well it also like started as like a regular like

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<v Speaker 1>right wing talk radio show. Yeah. So the fact that

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<v Speaker 1>he also his politics were interesting though. I mean he

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<v Speaker 1>was technically a libertarian. Yeah, technically a libertarian. Such a

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<v Speaker 1>terrible friend. It's interesting to think about like what those

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<v Speaker 1>alignments meant. Yeah, nineties theory people, you know, the idea

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<v Speaker 1>of the conspiracy theory libertarian is such a thing obviously,

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<v Speaker 1>but it's interesting to think about Art Bell versus Alex Jones. Right. Well,

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<v Speaker 1>I mean I remember we had a neighbor who was

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<v Speaker 1>really into Art Bell and um, even before I really

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<v Speaker 1>knew what it was to be like a paranoid like,

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<v Speaker 1>you know, conspiracy the theorist guy. My mom would always

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<v Speaker 1>be like that guys. You know, he's like, he'sn't a

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<v Speaker 1>conspiracy theories and but we were friends with him. He

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<v Speaker 1>was like our you know, funny neighbor. Uh. He was

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<v Speaker 1>like harmless. And you know a lot of people are

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<v Speaker 1>into conspiracy theory. Yeah, and you know, I think we're

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<v Speaker 1>all of the mine that like some of them are true,

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<v Speaker 1>you know, some some of the big ones, especially you know,

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<v Speaker 1>like the government did a lot of shady stuff. Uh,

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<v Speaker 1>and some of them are not true, and the not

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<v Speaker 1>two ones are the most fun. Can I tell you

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<v Speaker 1>a nine eleven conspiracy that somebody just told me that

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<v Speaker 1>I've never heard before, just to get right into it

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<v Speaker 1>because we're you know, honoring, honoring the legacy, say um uh.

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<v Speaker 1>There was an episode of The Lone Gunmen, apparently the

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<v Speaker 1>X Files spin off in the year like that showed

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<v Speaker 1>something about like people doing a terrorist attack on the

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<v Speaker 1>Twin Towers or something, and then people after nine eleven

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<v Speaker 1>were like Fox, like that's proof that, like it was

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<v Speaker 1>an inside job because like Fox, the channel that The

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<v Speaker 1>Lone Gunman was on, you knew it was going to happen,

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<v Speaker 1>and so they aired that episode so that it would

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<v Speaker 1>seem like too much of a coincidence. If it did happen,

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<v Speaker 1>what would possibly be the game coincidence conspiracy? So I

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<v Speaker 1>think I'm confused. We're saying, like, what's so great about

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<v Speaker 1>it doesn't matter? Yeah, no, no, no. What's so great

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<v Speaker 1>about Art Bell is that, yeah, it didn't matter if

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<v Speaker 1>you really believe in the conspiracies or not, because it's

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<v Speaker 1>about just sort of going to those weird places of

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<v Speaker 1>the mind of like what if all you know, I

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<v Speaker 1>think to most people it's like satisfying to make connections

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<v Speaker 1>where there are none, you know, because like, wouldn't it

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<v Speaker 1>make more sense if everything did have all these weird

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<v Speaker 1>interconnections and the world all was a universal theory of

0:11:01.040 --> 0:11:05.000
<v Speaker 1>lizard people. Um, it can just get politicized so easily.

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<v Speaker 1>But when it's just like I wonder why that is

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<v Speaker 1>the way it was, is just like a weird like

0:11:10.720 --> 0:11:14.520
<v Speaker 1>imaginary playground kind of. Caleb Horton wrote a really great

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<v Speaker 1>thing about art Bell that he reposted on his Twitter

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<v Speaker 1>uh that he wrote a while ago, but it was

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<v Speaker 1>just about art Bell and about how like art Bell

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<v Speaker 1>is the perfect thing to drive long distances to. Yes, no,

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<v Speaker 1>that's my that's my relationship with you saying it's also

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<v Speaker 1>because it's like that's when you really have time to

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<v Speaker 1>meditate on like what are those lights in the distance?

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<v Speaker 1>Like what's that weird grain silo? I just passed? And

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<v Speaker 1>that art Bell really just you know, creates this environment

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<v Speaker 1>where you're allowed to just like indulge in wondering about

0:11:45.240 --> 0:11:47.800
<v Speaker 1>those things like what if it was planted there by

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<v Speaker 1>the aliens? And just the colin aspect to is I

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<v Speaker 1>mean it just creates this sort of It kind of

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<v Speaker 1>feels like the radio equivalent of like, you know, the

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<v Speaker 1>kind of Internet that we talk a lot about that

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<v Speaker 1>I've lost, the kind of ungentrified weirdos only and a

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<v Speaker 1>message board. Yeah yeah, totally, Like it is a message

0:12:07.960 --> 0:12:10.600
<v Speaker 1>board radio show people who care about aliens and who

0:12:10.600 --> 0:12:13.360
<v Speaker 1>aren't like trying to get the biggest audience possible, but

0:12:13.400 --> 0:12:15.600
<v Speaker 1>are just like I have to find all the other people.

0:12:16.200 --> 0:12:18.320
<v Speaker 1>I need to leave my freak flag so that I

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<v Speaker 1>can find my people. So that was a big reason

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<v Speaker 1>we wanted this to be a call in show. Yeah yeah.

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<v Speaker 1>And the other thing is like I think that the

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<v Speaker 1>the long drive thing is totally I mean that is

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<v Speaker 1>like that is my It's not like I listened to

0:12:34.320 --> 0:12:36.679
<v Speaker 1>Coast to Coast all the time, but definitely if I

0:12:36.720 --> 0:12:39.160
<v Speaker 1>was on a road trip, I did. And the other

0:12:39.360 --> 0:12:42.480
<v Speaker 1>the other inspiration point for this podcast, the Delilah Show,

0:12:42.600 --> 0:12:45.839
<v Speaker 1>is like another one like that and like friend friend

0:12:45.880 --> 0:12:48.120
<v Speaker 1>of the podcast. Remember Brown was talking to me about

0:12:48.120 --> 0:12:51.240
<v Speaker 1>like how he has such a relationship with Delilah because

0:12:51.800 --> 0:12:53.319
<v Speaker 1>you know, you just if you're if you have to

0:12:53.360 --> 0:12:56.320
<v Speaker 1>do a long drive at now, what's Delilah? Oh man?

0:12:56.480 --> 0:13:00.360
<v Speaker 1>Oh my god, she's like the advice Colin um Adie.

0:13:00.400 --> 0:13:06.439
<v Speaker 1>She's like, she's amazing, She's the advice. Yeah, she's it's

0:13:06.440 --> 0:13:10.880
<v Speaker 1>like a syndicated show and it's night. Um. I you

0:13:10.920 --> 0:13:14.160
<v Speaker 1>know Tess and I grew up on Love Line for sure, Yeah,

0:13:14.200 --> 0:13:17.240
<v Speaker 1>which I also enjoyed a lot. Delilah is much more

0:13:17.240 --> 0:13:19.960
<v Speaker 1>than like she'll do a dedication of a song for somebody.

0:13:20.440 --> 0:13:23.920
<v Speaker 1>And Art le Beau, these are all like our favorite

0:13:23.920 --> 0:13:27.480
<v Speaker 1>people are the radio personalities where you're like, you know,

0:13:27.559 --> 0:13:30.520
<v Speaker 1>they're always there for you. It's that weird para social

0:13:30.559 --> 0:13:33.440
<v Speaker 1>thing where you're like, that's my friend. Yeah, And it

0:13:33.600 --> 0:13:36.520
<v Speaker 1>is like a little more. It's not just like a celebrity,

0:13:36.559 --> 0:13:39.400
<v Speaker 1>like there is a kind of communication line going back

0:13:39.440 --> 0:13:42.240
<v Speaker 1>and forth, which does you know Art le Beau, especially

0:13:42.240 --> 0:13:44.480
<v Speaker 1>because he's taking a lot of dedications from people that

0:13:44.520 --> 0:13:47.240
<v Speaker 1>are like incarcerated, where it's just like it goes like

0:13:48.000 --> 0:13:52.679
<v Speaker 1>about like above physical space, you know, it's like into

0:13:52.840 --> 0:13:55.800
<v Speaker 1>the metaphysical space that is like the radio and the

0:13:55.840 --> 0:13:59.280
<v Speaker 1>air waves. Did you guys ever hear Art Bells show

0:13:59.320 --> 0:14:02.400
<v Speaker 1>that he started like after midnight in the Desert, Yeah,

0:14:02.559 --> 0:14:04.760
<v Speaker 1>I mean it has the greatest name of all time. Yeah,

0:14:05.440 --> 0:14:07.320
<v Speaker 1>I mean we should that should just be our permanent

0:14:07.320 --> 0:14:10.200
<v Speaker 1>sign on you shouldn't stand back and done that. Um.

0:14:10.240 --> 0:14:12.800
<v Speaker 1>I was surprised, actually, Molly, that you didn't do midnight

0:14:12.840 --> 0:14:18.120
<v Speaker 1>in the deserted in the morning that morning, you know.

0:14:20.680 --> 0:14:24.400
<v Speaker 1>Um yeah, it's I mean, it's sort of interesting. I

0:14:24.440 --> 0:14:26.520
<v Speaker 1>am kind of curious about his politics, which is something

0:14:26.560 --> 0:14:28.320
<v Speaker 1>I was never thinking of at the time. But I

0:14:28.440 --> 0:14:31.520
<v Speaker 1>was telling you, Emily, because I printed out my note,

0:14:31.760 --> 0:14:39.320
<v Speaker 1>yes notes, way to call back to the songbird sun Finch. Um.

0:14:39.400 --> 0:14:42.800
<v Speaker 1>So this is from the Washington Post obituary that posted today.

0:14:42.800 --> 0:14:45.640
<v Speaker 1>It's it's full of good stuff. It has like just

0:14:45.680 --> 0:14:49.800
<v Speaker 1>everything you want, but it says, regarding his politics quote,

0:14:50.080 --> 0:14:53.200
<v Speaker 1>his politics were all over the map. A self described libertarian,

0:14:53.280 --> 0:14:56.960
<v Speaker 1>he opposed abortion, supported same sex marriage, and was skeptical

0:14:57.120 --> 0:15:00.640
<v Speaker 1>skeptical of the science behind global warming. He lamed Richard

0:15:00.720 --> 0:15:04.240
<v Speaker 1>Nixon for spawning a nation of cynics, supported Barry Goldwater

0:15:04.280 --> 0:15:08.240
<v Speaker 1>in nineteen sixty four, and Ross Pero came to consider

0:15:08.280 --> 0:15:10.520
<v Speaker 1>Bill Clinton a great president and said he voted for

0:15:10.560 --> 0:15:13.680
<v Speaker 1>Barack Obama in two thousand eight. What a free spirit

0:15:18.440 --> 0:15:23.480
<v Speaker 1>like a white guy reaction, Jim, It's kind of it's

0:15:23.480 --> 0:15:27.880
<v Speaker 1>a little more like those puppies that turn their heads

0:15:27.920 --> 0:15:31.720
<v Speaker 1>from side to side, like huh, twist, there's some good

0:15:31.800 --> 0:15:35.360
<v Speaker 1>and bad comes. Next said I like this. Mr Bell

0:15:35.440 --> 0:15:37.960
<v Speaker 1>had no stomach for haters. He had a white supremacist

0:15:38.040 --> 0:15:40.480
<v Speaker 1>on as a guest, made him uncomfortable, made him comfortable

0:15:40.560 --> 0:15:43.240
<v Speaker 1>enough for him to spout racist views. And then Mr

0:15:43.280 --> 0:15:45.560
<v Speaker 1>Bell informed the guests that quote, I am married to

0:15:45.600 --> 0:15:50.400
<v Speaker 1>a brown skinned Asian woman. Well, there was this whole

0:15:50.440 --> 0:15:53.760
<v Speaker 1>crazy thing I guess where he he like moved to

0:15:53.800 --> 0:15:56.800
<v Speaker 1>the Philippines. He married a Filipino woman and then moved

0:15:56.840 --> 0:16:01.160
<v Speaker 1>to the Philippines, and then there was oaks against him

0:16:01.160 --> 0:16:03.720
<v Speaker 1>where it was like a letter that they you know,

0:16:03.760 --> 0:16:06.240
<v Speaker 1>somebody sent to a newspaper and said, like Art Bell

0:16:06.760 --> 0:16:09.080
<v Speaker 1>wrote this and it was a bunch of terrible things

0:16:09.120 --> 0:16:11.960
<v Speaker 1>about Filipino people. And then it was proven to be

0:16:12.000 --> 0:16:15.320
<v Speaker 1>a hoax. Um, but it's still kind of came back

0:16:15.360 --> 0:16:17.760
<v Speaker 1>to bite him a few times. It would like recirculate,

0:16:17.800 --> 0:16:20.160
<v Speaker 1>So I think it was something that he kind of

0:16:20.200 --> 0:16:23.520
<v Speaker 1>had to address. I knew he moved to par ump

0:16:23.600 --> 0:16:26.880
<v Speaker 1>Nevada because he thought that like somebody was out to

0:16:26.920 --> 0:16:30.600
<v Speaker 1>get him. Uh. That is also where Heidi flies moved

0:16:30.880 --> 0:16:35.000
<v Speaker 1>when she was fleeing. Yeah, that's where that great documentary

0:16:35.040 --> 0:16:37.560
<v Speaker 1>about her takes place where she has all the parents.

0:16:39.240 --> 0:16:43.960
<v Speaker 1>Is the place that's our next field trip. Didn't he

0:16:44.040 --> 0:16:47.920
<v Speaker 1>stop broadcasting too because he thought like somebody was, you know,

0:16:47.960 --> 0:16:50.880
<v Speaker 1>trying to get him, and there are people like perty.

0:16:51.560 --> 0:16:53.640
<v Speaker 1>What also is interesting about art Bell is obviously the

0:16:53.640 --> 0:16:55.800
<v Speaker 1>ways it overlaps with like Philip K. Dick and people

0:16:55.840 --> 0:16:57.960
<v Speaker 1>like that, where you're like, how much of this might

0:16:58.000 --> 0:17:00.840
<v Speaker 1>even just be in your head? Yeah, but also like

0:17:00.920 --> 0:17:03.160
<v Speaker 1>it's very interesting in your head and I want to know,

0:17:03.240 --> 0:17:05.040
<v Speaker 1>but it might be scary in there. Seems a little

0:17:05.040 --> 0:17:07.399
<v Speaker 1>scary in there. Sometimes it's like what are you experience? Like,

0:17:07.520 --> 0:17:09.240
<v Speaker 1>you know, there's enough to make you feel paranoid, but

0:17:09.280 --> 0:17:13.119
<v Speaker 1>to actually like uproot your life and take action and

0:17:13.200 --> 0:17:15.239
<v Speaker 1>that Well, that also shows that maybe it's not like

0:17:15.320 --> 0:17:18.919
<v Speaker 1>just a character, because obviously some radio personas are No,

0:17:19.000 --> 0:17:22.000
<v Speaker 1>I don't think character. But the voice, it's like, it's

0:17:23.520 --> 0:17:26.040
<v Speaker 1>such a good voice he has. I mean, he's so

0:17:26.080 --> 0:17:29.520
<v Speaker 1>great at what he does that, you know. George Nori

0:17:30.080 --> 0:17:32.800
<v Speaker 1>sort of demonstrates what is so great about Art Bell

0:17:33.160 --> 0:17:38.560
<v Speaker 1>that is not just immediately replicable by anyone else. Um,

0:17:38.640 --> 0:17:41.480
<v Speaker 1>and I you know, I don't hate Alex Jones. I mean,

0:17:41.520 --> 0:17:44.320
<v Speaker 1>I hate him, but I don't you should hate I

0:17:44.400 --> 0:17:47.520
<v Speaker 1>hate him, but I but I thought, but I think

0:17:47.520 --> 0:17:50.119
<v Speaker 1>he has like an interest, Like his voice is so weird.

0:17:50.359 --> 0:17:54.040
<v Speaker 1>You know, he's got a bizarre but he got it. Yeah,

0:17:54.119 --> 0:17:58.720
<v Speaker 1>like over yeah exactly, like I understand like why there's

0:17:58.720 --> 0:18:02.280
<v Speaker 1>a cult of personality or you know, well and he yeah,

0:18:02.359 --> 0:18:09.840
<v Speaker 1>he gets very animated. Yes, he's like he's chaotic, evil, charismatic. Yeah,

0:18:10.080 --> 0:18:12.920
<v Speaker 1>as opposed to and also he lets the white supremacists

0:18:12.920 --> 0:18:15.800
<v Speaker 1>on his show, which is what you know, if we're

0:18:15.840 --> 0:18:19.040
<v Speaker 1>if we're keeping for our Bell, we're gonna go with

0:18:19.080 --> 0:18:22.400
<v Speaker 1>the narrative that but at least our Bell shut them down. Yeah,

0:18:22.400 --> 0:18:24.400
<v Speaker 1>because that's what I'm saying. It's a lot of conspiracy

0:18:24.480 --> 0:18:29.040
<v Speaker 1>theories lead to lead over to white supremacy. Uh. A

0:18:29.080 --> 0:18:32.600
<v Speaker 1>lot of the more recent conspiracy theories like Berthers and

0:18:32.640 --> 0:18:36.800
<v Speaker 1>people like that are just straight up straight up racism.

0:18:36.880 --> 0:18:39.760
<v Speaker 1>So it's interesting to talk We talked about this. This

0:18:39.840 --> 0:18:42.360
<v Speaker 1>is what the podcast is. It's like we're like leftist

0:18:42.400 --> 0:18:49.359
<v Speaker 1>conspiracy theorists and pat unite radical feminist conspiracy theories, but

0:18:49.480 --> 0:18:54.280
<v Speaker 1>also like radical feminist conspiracy theories you know are real,

0:18:54.400 --> 0:19:04.520
<v Speaker 1>are real, They're all true. Valerie Salanist what she knew? Yeah,

0:19:04.920 --> 0:19:10.359
<v Speaker 1>please make that the title Hot Pod today. M Well, rest,

0:19:10.480 --> 0:19:14.800
<v Speaker 1>rest and rest and recipes if you are one of

0:19:14.840 --> 0:19:18.359
<v Speaker 1>today's episode sponsors. Is care dot com, the world's largest

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<v Speaker 1>premium membership when you subscribe. Can I say one more

0:21:23.160 --> 0:21:26.760
<v Speaker 1>thing about but he had a really really good um.

0:21:26.920 --> 0:21:29.760
<v Speaker 1>I think he actually addressed this a few times. Shadow people.

0:21:30.000 --> 0:21:34.320
<v Speaker 1>Oh yeah, I was listening to a two hour long Uh.

0:21:34.600 --> 0:21:36.280
<v Speaker 1>I was going to call it a podcast, but it's

0:21:36.320 --> 0:21:39.679
<v Speaker 1>not a podcast, guys, it's a radio podcast. You just

0:21:39.800 --> 0:21:42.080
<v Speaker 1>radio shows. It was a proto It was a proto

0:21:42.119 --> 0:21:46.959
<v Speaker 1>podcast um where he had on a Native American and

0:21:47.040 --> 0:21:51.160
<v Speaker 1>he said shaman, and the shaman corrected him and said, shaman,

0:21:51.440 --> 0:21:55.159
<v Speaker 1>there's no shame, and he was like, all right. But

0:21:55.240 --> 0:21:59.040
<v Speaker 1>it was such it was such an interesting conversation. But

0:21:59.160 --> 0:22:01.880
<v Speaker 1>art Bell had received of I think more than four

0:22:01.960 --> 0:22:05.520
<v Speaker 1>thousand emails from people from callers, you know, an emailers,

0:22:05.560 --> 0:22:09.000
<v Speaker 1>saying that they've had experiences with shadow people. And here

0:22:09.040 --> 0:22:13.000
<v Speaker 1>at nightcall we have received a couple of emails about

0:22:13.040 --> 0:22:19.360
<v Speaker 1>shadow people who Hey, nightcallers, this is John in Chicago.

0:22:19.520 --> 0:22:22.760
<v Speaker 1>And I don't have a ghost story per se, but

0:22:22.840 --> 0:22:27.240
<v Speaker 1>I do have a shadow person story, and I'm curious

0:22:27.680 --> 0:22:31.680
<v Speaker 1>if others have shadow people stories. To share as well. Um.

0:22:31.760 --> 0:22:35.040
<v Speaker 1>But this happened when I was living in Minneapolis when

0:22:35.080 --> 0:22:38.520
<v Speaker 1>I was in college, and my girlfriend at the time

0:22:38.520 --> 0:22:41.880
<v Speaker 1>and I were out for a walk, um really late

0:22:41.880 --> 0:22:46.960
<v Speaker 1>at night, and there was nobody around, and um in

0:22:47.040 --> 0:22:50.600
<v Speaker 1>the distance up on a hill, we could see a

0:22:50.720 --> 0:22:54.800
<v Speaker 1>sort of silhouetted figure that was clearly wearing a top

0:22:54.840 --> 0:23:00.639
<v Speaker 1>hat and Victorian garb of like a cape and a cane.

0:23:01.160 --> 0:23:03.920
<v Speaker 1>And I didn't think that much of it. I thought,

0:23:03.960 --> 0:23:08.480
<v Speaker 1>perhaps it was an eccentric actor out from a show

0:23:08.680 --> 0:23:11.760
<v Speaker 1>or a costume party or something. Maybe a little odd

0:23:11.760 --> 0:23:14.120
<v Speaker 1>that he was walking alone that late at night. But

0:23:14.680 --> 0:23:16.439
<v Speaker 1>I didn't really want to mention it either because I

0:23:16.440 --> 0:23:19.360
<v Speaker 1>didn't want to call attention to it and scare my girlfriend.

0:23:19.400 --> 0:23:22.040
<v Speaker 1>But I could tell that she was noticing it too,

0:23:22.119 --> 0:23:24.760
<v Speaker 1>And this is the part that's hardest to explain. So

0:23:24.800 --> 0:23:27.919
<v Speaker 1>he started walking toward us from the hill, kind of

0:23:27.960 --> 0:23:30.760
<v Speaker 1>coming in and out of these um street lights, but

0:23:30.840 --> 0:23:34.080
<v Speaker 1>he would move at these intervals where he would skip

0:23:34.440 --> 0:23:37.640
<v Speaker 1>several feet at a time, kind of coming at us

0:23:37.680 --> 0:23:42.960
<v Speaker 1>like shuddering lee. And I was noticing it, but I

0:23:42.960 --> 0:23:46.080
<v Speaker 1>didn't want to acknowledge it. But then she eventually said

0:23:46.119 --> 0:23:51.040
<v Speaker 1>she was getting scared, so she suggested we run, and

0:23:51.160 --> 0:23:53.399
<v Speaker 1>we started running toward her house, which was around the corner,

0:23:53.520 --> 0:23:55.600
<v Speaker 1>and as we started running, he started moving at us

0:23:55.840 --> 0:23:58.840
<v Speaker 1>much quicker, so we ran into her house closed the door.

0:23:59.680 --> 0:24:02.000
<v Speaker 1>She was very worked up. She was the daughter of

0:24:02.040 --> 0:24:04.840
<v Speaker 1>an episcopal priest, so she suggested that we pray, which

0:24:04.840 --> 0:24:08.800
<v Speaker 1>I found like a little much, but we did and

0:24:08.840 --> 0:24:13.600
<v Speaker 1>then didn't encounter him ever again. At the time, I

0:24:13.600 --> 0:24:15.520
<v Speaker 1>didn't really know how to classify it, but later I

0:24:15.520 --> 0:24:19.239
<v Speaker 1>would look it up online years later and realize not

0:24:19.320 --> 0:24:22.240
<v Speaker 1>only did it match the shadow person description, but it

0:24:22.280 --> 0:24:25.960
<v Speaker 1>matched a specific shadow person who's the hat man, and

0:24:26.080 --> 0:24:28.600
<v Speaker 1>people see this hat man a solid black silouette. We

0:24:28.680 --> 0:24:30.680
<v Speaker 1>never saw any facial features, which at the time I

0:24:30.720 --> 0:24:32.320
<v Speaker 1>thought was just because it was late and it was

0:24:32.560 --> 0:24:36.000
<v Speaker 1>at night moving out of streetlights. But that's an attribute

0:24:36.000 --> 0:24:40.200
<v Speaker 1>of shadow people, and um they usually portend something bad happening,

0:24:40.240 --> 0:24:43.720
<v Speaker 1>like usually people see them indoors, and usually they're by themselves,

0:24:43.800 --> 0:24:46.840
<v Speaker 1>and usually it means someone close to the person will die,

0:24:47.000 --> 0:24:50.160
<v Speaker 1>and that didn't necessarily happen for us. The only thing

0:24:50.160 --> 0:24:52.240
<v Speaker 1>I can think is that within the next year or two,

0:24:52.320 --> 0:24:57.480
<v Speaker 1>both of our parents each set's got divorced and her

0:24:57.520 --> 0:25:00.760
<v Speaker 1>brother did die but years later. So I don't know

0:25:01.359 --> 0:25:04.040
<v Speaker 1>exactly what it was that we saw what we experienced,

0:25:04.680 --> 0:25:08.800
<v Speaker 1>but it was certainly otherworldly, and it's it's the description

0:25:08.840 --> 0:25:11.600
<v Speaker 1>of shadow people in Hatman very closely. So I'm curious

0:25:11.720 --> 0:25:14.880
<v Speaker 1>here what other people have seen. Thanks for the great show.

0:25:15.000 --> 0:25:20.280
<v Speaker 1>Keep it up. That is so scary. I got chills

0:25:21.080 --> 0:25:29.000
<v Speaker 1>listening to that. I'm looking up the hat Man. Yeah,

0:25:29.080 --> 0:25:31.399
<v Speaker 1>look up the hat Man. I love that he was like,

0:25:31.440 --> 0:25:37.359
<v Speaker 1>maybe it was just a wandering lesbian. Um that the

0:25:37.400 --> 0:25:41.400
<v Speaker 1>fact that you saw it with your girlfriend and that

0:25:41.480 --> 0:25:46.480
<v Speaker 1>you both noticed the movement and everything is really freaky.

0:25:46.640 --> 0:25:48.560
<v Speaker 1>That's always the thing that I have a hard time

0:25:48.560 --> 0:25:52.480
<v Speaker 1>explaining when two people see the same thing. Are yeah,

0:25:52.560 --> 0:25:56.199
<v Speaker 1>you're with somebody else or I don't know, Um, I'm not.

0:25:56.280 --> 0:25:58.920
<v Speaker 1>I don't really know that much about shadow people are

0:25:58.960 --> 0:26:02.840
<v Speaker 1>like what makes them differ from ghosts? Um? Or Like,

0:26:03.080 --> 0:26:06.280
<v Speaker 1>does Babba Duke wear a hat? Y'all? Yeah, I think

0:26:06.320 --> 0:26:08.800
<v Speaker 1>that Baba Duke wears a hat. Yeah, Like the idea

0:26:08.840 --> 0:26:11.159
<v Speaker 1>of like the hat but you can't see the face

0:26:11.280 --> 0:26:15.120
<v Speaker 1>is like very scary. Slenderman doesn't wear a hat, right

0:26:16.840 --> 0:26:19.600
<v Speaker 1>though he did? He seems like the type to wear

0:26:19.640 --> 0:26:26.040
<v Speaker 1>a hat Slenderman some people. So I'm looking at the

0:26:26.080 --> 0:26:29.280
<v Speaker 1>Wikipedia and it says that sometimes like people who suffer

0:26:29.400 --> 0:26:33.920
<v Speaker 1>sleep paralysis. Um, it's tied in with sleep paralysis for sure.

0:26:34.000 --> 0:26:36.760
<v Speaker 1>That's like, yeah, the Wikipedia really makes a point of that.

0:26:36.800 --> 0:26:39.520
<v Speaker 1>But then it's I saw a shadow person out and

0:26:39.560 --> 0:26:46.640
<v Speaker 1>about and I've never had sleep paralysis. Shadow very talk

0:26:46.720 --> 0:26:51.520
<v Speaker 1>about this. Oh my god? When and it so okay.

0:26:51.560 --> 0:26:54.280
<v Speaker 1>I went to Boston. Um, I think it was actually

0:26:54.280 --> 0:26:58.200
<v Speaker 1>over winter break of my I was in two thousand three,

0:26:58.240 --> 0:27:02.440
<v Speaker 1>so you know, maybe like sophomore or junior year of college.

0:27:02.480 --> 0:27:05.679
<v Speaker 1>And I went with my friend Rachel. We stayed at

0:27:05.680 --> 0:27:08.000
<v Speaker 1>a hotel and we went out to see Something's Gotta

0:27:08.040 --> 0:27:15.840
<v Speaker 1>Give and ladies, nice context for you. We're leaving the

0:27:15.840 --> 0:27:18.920
<v Speaker 1>theater and it's cold, like really cold, and we are

0:27:19.000 --> 0:27:21.480
<v Speaker 1>walking out of the theater to our hotel and we

0:27:21.560 --> 0:27:25.040
<v Speaker 1>see a figure walking towards us from very far away,

0:27:25.200 --> 0:27:29.359
<v Speaker 1>and Rachel looked at me and was like, that person

0:27:29.440 --> 0:27:31.960
<v Speaker 1>has no face and I was like, no, there, I

0:27:32.040 --> 0:27:33.880
<v Speaker 1>think that's a scarf. And she was like, I'm really

0:27:33.920 --> 0:27:36.840
<v Speaker 1>freaked out. That person has no face. And so we

0:27:36.840 --> 0:27:39.679
<v Speaker 1>were going to pass each other, and as they get closer,

0:27:40.080 --> 0:27:42.520
<v Speaker 1>I see that they have like a hood and a

0:27:42.600 --> 0:27:44.600
<v Speaker 1>big I don't know if it was like a parka

0:27:45.040 --> 0:27:48.760
<v Speaker 1>or like a heavy coat. But their face was like

0:27:49.080 --> 0:27:52.000
<v Speaker 1>a void and I didn't see there were no eyes,

0:27:52.040 --> 0:27:55.119
<v Speaker 1>no facial features. And it turned it as we like

0:27:55.280 --> 0:27:57.560
<v Speaker 1>passed it. We couldn't tell if it was a man

0:27:57.680 --> 0:28:00.720
<v Speaker 1>or a woman or what. It turned and just kind

0:28:00.720 --> 0:28:03.199
<v Speaker 1>of stopped and turned and stared at us, and we

0:28:03.359 --> 0:28:07.040
<v Speaker 1>just ran with its no face. It had no face,

0:28:08.640 --> 0:28:11.600
<v Speaker 1>It had no eyes that it looked like just blankness.

0:28:11.640 --> 0:28:14.560
<v Speaker 1>Like it was just like blackness. So was the features?

0:28:14.920 --> 0:28:17.760
<v Speaker 1>Was the parka like did that look more or less normal?

0:28:17.920 --> 0:28:19.679
<v Speaker 1>Was it just the place where the face should have

0:28:19.720 --> 0:28:21.800
<v Speaker 1>been that was dark? It was the place the place

0:28:21.800 --> 0:28:24.040
<v Speaker 1>where the face should have been in the parka looked north,

0:28:24.080 --> 0:28:26.239
<v Speaker 1>it looked I mean, it looked I don't want to

0:28:26.240 --> 0:28:28.800
<v Speaker 1>like add any you know, I'm sure in retrospect, I'm

0:28:28.840 --> 0:28:34.119
<v Speaker 1>like it was a creepy parka about the park it was.

0:28:34.440 --> 0:28:37.399
<v Speaker 1>It was garb it was a cloak um. But it

0:28:38.080 --> 0:28:40.600
<v Speaker 1>was weird because it was all alone. It was late

0:28:40.600 --> 0:28:42.600
<v Speaker 1>at night, like you know, we were coming out of

0:28:42.640 --> 0:28:44.840
<v Speaker 1>the movie. But other than that there wasn't much there.

0:28:45.400 --> 0:28:47.280
<v Speaker 1>I think it was actually a week night too, and

0:28:47.320 --> 0:28:49.560
<v Speaker 1>it was cold, So I mean, when you see someone

0:28:49.680 --> 0:28:52.960
<v Speaker 1>bundled up, it's not like that's strange. But what was

0:28:53.040 --> 0:28:54.960
<v Speaker 1>weird is at the point that we would have been

0:28:54.960 --> 0:28:58.000
<v Speaker 1>able to see facial features, there was nothing. And then

0:28:58.000 --> 0:29:00.440
<v Speaker 1>when we were like right up on them, there was

0:29:00.720 --> 0:29:04.360
<v Speaker 1>just nothing. There was no face. And you both worked

0:29:04.360 --> 0:29:08.480
<v Speaker 1>about it for years after that. Yeah, And so how

0:29:08.480 --> 0:29:11.760
<v Speaker 1>close were you when it passed? We were like we

0:29:11.760 --> 0:29:13.800
<v Speaker 1>were walking down the same side of the street, so

0:29:13.840 --> 0:29:16.640
<v Speaker 1>we were probably like a foot away and you were

0:29:16.680 --> 0:29:18.960
<v Speaker 1>in and there was nothing that we were in Boston.

0:29:19.960 --> 0:29:23.600
<v Speaker 1>Something had to give. So both you and our collar.

0:29:25.000 --> 0:29:27.240
<v Speaker 1>But if you and our collar saw them outside, which

0:29:27.280 --> 0:29:30.080
<v Speaker 1>this Wikipedia is also telling me, they usually appear inside.

0:29:30.080 --> 0:29:33.040
<v Speaker 1>He yeah, he mentioned that too, that they like typically

0:29:33.360 --> 0:29:35.440
<v Speaker 1>appear inside to people, which I feel like if I

0:29:35.480 --> 0:29:37.760
<v Speaker 1>saw something like that inside, it would be like so

0:29:37.800 --> 0:29:41.320
<v Speaker 1>obvious that you wouldn't like, there'd be no question, you'd

0:29:41.360 --> 0:29:44.800
<v Speaker 1>be like, oh, that's a terrifying shadow person, an intruder

0:29:44.840 --> 0:29:46.840
<v Speaker 1>in my home point. Yeah, and also with art Bell,

0:29:46.920 --> 0:29:48.520
<v Speaker 1>I think a lot of the people who were calling

0:29:48.680 --> 0:29:51.200
<v Speaker 1>and writing in about it we're saying that. It was

0:29:51.600 --> 0:29:53.280
<v Speaker 1>like you wake up in the middle of the night

0:29:53.400 --> 0:29:56.239
<v Speaker 1>and there's this and sometimes a group of them just

0:29:56.400 --> 0:29:59.920
<v Speaker 1>around you. Um, and I let the red eyes Sarah

0:30:00.000 --> 0:30:02.400
<v Speaker 1>at you, and it's like plus your sweep paralysis. It

0:30:02.560 --> 0:30:06.880
<v Speaker 1>like what a fun time. But you wake up from

0:30:06.880 --> 0:30:09.680
<v Speaker 1>your sleep paralysis and you see shadow people. I knew

0:30:09.760 --> 0:30:11.840
<v Speaker 1>that sounds like the worst thing in the world. It's

0:30:11.880 --> 0:30:14.840
<v Speaker 1>like you entered the level, the between level that always

0:30:14.880 --> 0:30:18.240
<v Speaker 1>exists that you're sometimes accessing when you see the shadow people.

0:30:18.480 --> 0:30:21.920
<v Speaker 1>But then it's like sleep paralysis. You're there. He was

0:30:22.040 --> 0:30:26.440
<v Speaker 1>trapped there. Oh that was awful. Um. Wow. Made me

0:30:26.440 --> 0:30:29.280
<v Speaker 1>think about the no faces from Spirited Away. Also, yeah,

0:30:29.400 --> 0:30:32.360
<v Speaker 1>well there's there's there's but one no face, but it

0:30:32.480 --> 0:30:34.320
<v Speaker 1>is the it was the best no face, not to

0:30:34.360 --> 0:30:36.760
<v Speaker 1>be nothing nerd out about. Maybe those no faces are

0:30:36.880 --> 0:30:41.160
<v Speaker 1>are like shadow people cousins. I wonder what they want.

0:30:42.200 --> 0:30:46.120
<v Speaker 1>I mean that they like what the shadow people want. Like, yeah,

0:30:46.200 --> 0:30:47.840
<v Speaker 1>I guess that's the thing I can't understand, Like, what's

0:30:47.880 --> 0:30:49.959
<v Speaker 1>the thought about what what makes them different? Are they

0:30:49.960 --> 0:30:52.360
<v Speaker 1>a ghost? Are they a dead person like a spirit

0:30:52.520 --> 0:30:57.680
<v Speaker 1>of a dead person, or are wandering printer? Uh? I

0:30:57.760 --> 0:31:00.240
<v Speaker 1>think The two theories are that they either come to

0:31:00.400 --> 0:31:03.440
<v Speaker 1>kind of like be the opening act for some terrible

0:31:03.480 --> 0:31:05.840
<v Speaker 1>thing that's gonna happen to you, or else they're like

0:31:05.960 --> 0:31:08.440
<v Speaker 1>benevolent and they're just trying to make you aware of

0:31:08.480 --> 0:31:11.960
<v Speaker 1>the spirit realm to like open your third eye, et cetera.

0:31:15.080 --> 0:31:18.200
<v Speaker 1>Open test. I don't think it is, and I don't

0:31:18.240 --> 0:31:22.440
<v Speaker 1>think it ever has been. You never saw another shadow person? No,

0:31:22.560 --> 0:31:24.440
<v Speaker 1>I never saw another shadow person. That was the only

0:31:24.480 --> 0:31:28.479
<v Speaker 1>time it's happened. Nothing like terrible happened. I mean like

0:31:28.680 --> 0:31:32.040
<v Speaker 1>medium terrible things happened, like I mean it was it

0:31:32.080 --> 0:31:35.240
<v Speaker 1>was not a great year, but nothing catastrophic happened. I

0:31:35.280 --> 0:31:41.280
<v Speaker 1>mean definitely. I was like, Okay, we're about to die. Man,

0:31:42.560 --> 0:31:45.360
<v Speaker 1>this stuff is so scary. We should have like a

0:31:45.520 --> 0:31:49.680
<v Speaker 1>caution to spooky warning on this week's your warning ghost

0:31:49.920 --> 0:31:56.600
<v Speaker 1>is ghost warning. Just see the ghost emoji. Yeah, um,

0:31:57.360 --> 0:32:02.040
<v Speaker 1>thanks for the call um that. Yeah, I'm gonna have

0:32:02.160 --> 0:32:04.160
<v Speaker 1>nightmares now for real. And I usually don't get scared

0:32:04.200 --> 0:32:06.000
<v Speaker 1>by that kind of thing. And I gotta I gotta

0:32:06.080 --> 0:32:09.160
<v Speaker 1>chill though. Oh I have another ghost story you guys.

0:32:10.240 --> 0:32:12.560
<v Speaker 1>I know I was telling you that parenting boards often

0:32:12.600 --> 0:32:15.600
<v Speaker 1>have the best ghost stories, and one of them, um

0:32:15.640 --> 0:32:19.080
<v Speaker 1>that I read earlier today was a woman whose daughter

0:32:19.200 --> 0:32:21.360
<v Speaker 1>said she looked at her and she said, you remind

0:32:21.400 --> 0:32:24.080
<v Speaker 1>me of my other mommy. She had long blonde hair

0:32:24.160 --> 0:32:26.840
<v Speaker 1>and long eyelashes. She put me in the bath with

0:32:26.880 --> 0:32:34.640
<v Speaker 1>all my clothes on, and I stayed there forever? Is

0:32:34.640 --> 0:32:38.560
<v Speaker 1>that like a ghost children? Why are children so terrifying?

0:32:39.080 --> 0:32:42.480
<v Speaker 1>Ghost children? Are you know they're ghost children? Have you

0:32:42.480 --> 0:32:44.560
<v Speaker 1>ever heard something on the news and wondered if there

0:32:44.640 --> 0:32:47.400
<v Speaker 1>was more to the story. Have you ever yearned for

0:32:47.480 --> 0:32:50.400
<v Speaker 1>a peek behind the curtain, into the murky hidden world

0:32:50.520 --> 0:32:54.960
<v Speaker 1>just past the edges of those official statements from UFOs

0:32:55.040 --> 0:32:57.800
<v Speaker 1>to stories of ghosts and government cover ups. History is

0:32:57.880 --> 0:33:01.880
<v Speaker 1>riddled with unexplained events. You can turn back now or

0:33:02.720 --> 0:33:05.080
<v Speaker 1>join Ben, Matt and Noel as they dive head first

0:33:05.080 --> 0:33:07.959
<v Speaker 1>into the world strangest rabbit holes, separating fact from fiction,

0:33:08.160 --> 0:33:12.120
<v Speaker 1>asking questions like what exactly is sleep paralysis? Have we

0:33:12.200 --> 0:33:15.720
<v Speaker 1>finally discovered the science behind ghosts? Did the CIA really

0:33:15.760 --> 0:33:19.600
<v Speaker 1>experiment on US citizens? Why do we eat bacon for breakfast?

0:33:20.000 --> 0:33:23.880
<v Speaker 1>How long has the Pentagon been hunting UFOs? Did people

0:33:23.920 --> 0:33:28.040
<v Speaker 1>really find a mass grave at Benjamin Franklin's house that

0:33:28.120 --> 0:33:30.840
<v Speaker 1>one's new to me tune in each week is the

0:33:30.840 --> 0:33:33.800
<v Speaker 1>guys will play critical thinking to conspiracy theories, allegations of

0:33:33.840 --> 0:33:37.440
<v Speaker 1>the paranormal government cover ups, and more in stuff they

0:33:37.480 --> 0:33:43.200
<v Speaker 1>don't want you to know. Guys, speaking of terrifying Thanks,

0:33:44.760 --> 0:33:49.440
<v Speaker 1>who wants to be horrified by a little song on

0:33:49.440 --> 0:33:54.120
<v Speaker 1>the radio right now called Freaky Friday? Haunt your ears?

0:33:56.040 --> 0:33:59.480
<v Speaker 1>We're gonna put Emily through an audio haunted house right now.

0:34:01.000 --> 0:34:06.000
<v Speaker 1>To preface, we were talking about this in between pauses

0:34:06.360 --> 0:34:10.040
<v Speaker 1>during last week's recording, and you guys were freaking out

0:34:10.080 --> 0:34:13.960
<v Speaker 1>over so to speak about this song Freaky Friday. And

0:34:14.239 --> 0:34:15.920
<v Speaker 1>I was like, I've never heard this because I live

0:34:15.960 --> 0:34:17.239
<v Speaker 1>in New York now and I never listened to the

0:34:17.320 --> 0:34:20.960
<v Speaker 1>radio because I don't drive. Uh. And then I started

0:34:20.960 --> 0:34:22.799
<v Speaker 1>to look up the lyrics and then I felt it

0:34:22.800 --> 0:34:25.520
<v Speaker 1>and I but I never listened to it. I listening

0:34:25.560 --> 0:34:30.359
<v Speaker 1>to it will be an immersive haunt experience for your

0:34:30.360 --> 0:34:33.600
<v Speaker 1>ears because it should this be a listen along. Yeah,

0:34:33.880 --> 0:34:35.879
<v Speaker 1>so it's the worst song I have of all time?

0:34:36.640 --> 0:34:41.880
<v Speaker 1>But is it the worst? But it's also a catchy songs,

0:34:41.880 --> 0:34:46.000
<v Speaker 1>A very catchy song. Let's very freaky Friday for Emily

0:34:46.080 --> 0:34:48.080
<v Speaker 1>I got an open mind right now. My third eye

0:34:48.120 --> 0:34:55.800
<v Speaker 1>is open for freaky open mind and open ears. Okay,

0:34:55.800 --> 0:34:57.840
<v Speaker 1>So Kendall get Jenner just showed up and that's the

0:34:57.920 --> 0:34:59.600
<v Speaker 1>end of the song. That's the end of the song.

0:35:00.000 --> 0:35:02.320
<v Speaker 1>Play this song on the radio, the last the last

0:35:02.440 --> 0:35:04.839
<v Speaker 1>lyric and the song is I've Got a Vagina, I'm

0:35:04.840 --> 0:35:06.920
<v Speaker 1>going to learn the inner workings of a woman. And

0:35:06.920 --> 0:35:09.520
<v Speaker 1>it's Kendall Jenner singing it, and then the song just ends.

0:35:10.040 --> 0:35:11.839
<v Speaker 1>They play this on the radio like a hundred times

0:35:11.880 --> 0:35:14.040
<v Speaker 1>a day. You know what, do you know what my

0:35:14.080 --> 0:35:15.920
<v Speaker 1>takeaway from this? I don't know who Little Dickie is.

0:35:16.000 --> 0:35:17.560
<v Speaker 1>I sound like a grandma right now. I know I

0:35:17.600 --> 0:35:20.160
<v Speaker 1>know who everybody else knows. I know I know who

0:35:20.200 --> 0:35:23.840
<v Speaker 1>everybody Little Dickey guy, little Dickie, little Nikki. Is that

0:35:23.920 --> 0:35:27.759
<v Speaker 1>his name, Little Dick Dick, little little little Dick nicks

0:35:27.760 --> 0:35:32.680
<v Speaker 1>from Pennsylvania? Okay, sure, Pennsylvania. He's gott knows ring Does

0:35:32.719 --> 0:35:36.279
<v Speaker 1>he look like g easy? He looks like the guy

0:35:36.360 --> 0:35:39.680
<v Speaker 1>that freestyle raps at like the cafeteria. See, I know

0:35:39.680 --> 0:35:43.800
<v Speaker 1>who Gezy is, But can you know who Geez he's dating?

0:35:44.640 --> 0:35:48.120
<v Speaker 1>Is he still laying Laana? No? He dumped Laana for Halsey.

0:35:48.320 --> 0:35:52.080
<v Speaker 1>Was it wha It was a scandal, but also good

0:35:52.080 --> 0:35:54.799
<v Speaker 1>for a lot of get away from serious crash man

0:35:55.040 --> 0:35:57.680
<v Speaker 1>that that made me I had my doubts about okay,

0:35:57.719 --> 0:36:00.520
<v Speaker 1>so um, so I just wanna I just want to

0:36:00.560 --> 0:36:03.960
<v Speaker 1>say my gut take away from this song, which is that, Okay, So,

0:36:03.960 --> 0:36:05.160
<v Speaker 1>I don't know who this guy is, but I know

0:36:05.160 --> 0:36:09.879
<v Speaker 1>who everybody else is. These are all pretty at least

0:36:09.880 --> 0:36:13.480
<v Speaker 1>among an under crowd. I would say that these are

0:36:13.480 --> 0:36:16.880
<v Speaker 1>A listers, right, Yeah, everyone knows who had Cheering is.

0:36:16.920 --> 0:36:19.279
<v Speaker 1>Everybody knows who cheer and had the biggest song of

0:36:19.480 --> 0:36:22.640
<v Speaker 1>the year last year. And Kendall Jenner is a popular

0:36:22.800 --> 0:36:25.839
<v Speaker 1>model and a Kardashian and DJ Kalett is a walking meme.

0:36:26.040 --> 0:36:29.360
<v Speaker 1>Everybody knows who these people are. This makes the people

0:36:29.480 --> 0:36:33.279
<v Speaker 1>that are popular, This makes young people fucking stupid like that.

0:36:33.280 --> 0:36:35.920
<v Speaker 1>That is my that is my takeaway is a two

0:36:36.000 --> 0:36:40.319
<v Speaker 1>year old now. I just I feel bad that these

0:36:40.360 --> 0:36:45.200
<v Speaker 1>are like the like these are the like hot celebs

0:36:45.800 --> 0:36:49.160
<v Speaker 1>that they have, like they all sound like idiots for

0:36:49.280 --> 0:36:52.960
<v Speaker 1>even walking into the studio for this thing. I'm I'm

0:36:53.000 --> 0:36:56.360
<v Speaker 1>embarrassed for them. Do you feel like the song requires

0:36:56.400 --> 0:36:59.400
<v Speaker 1>too much world building. There's a I mean the fact

0:36:59.400 --> 0:37:01.840
<v Speaker 1>that you're blaming the premise in the chorus, it's like

0:37:01.880 --> 0:37:04.160
<v Speaker 1>a it's like a Huey Lewis song. It's like it's

0:37:04.160 --> 0:37:07.920
<v Speaker 1>like a movie theme. Don't uh, don't you dare to

0:37:08.040 --> 0:37:13.080
<v Speaker 1>same Huey Lewis on this podcast this is a pro

0:37:14.280 --> 0:37:16.520
<v Speaker 1>Lewis podcast. But I'm saying that it's talking about the

0:37:16.520 --> 0:37:19.360
<v Speaker 1>Pineapple Express song. Yes, I'm saying like explaining the premise

0:37:19.400 --> 0:37:22.200
<v Speaker 1>of the song, but especially doing it in the chorus,

0:37:22.239 --> 0:37:24.359
<v Speaker 1>like I understand, like in the first verse you need

0:37:24.400 --> 0:37:27.200
<v Speaker 1>to do some set up. Fine, sure, whatever, When you

0:37:27.239 --> 0:37:29.400
<v Speaker 1>are actually saying I'm in Chris Brown's body in the

0:37:29.480 --> 0:37:31.960
<v Speaker 1>chorus of the song, it feels like you maybe had

0:37:31.960 --> 0:37:35.560
<v Speaker 1>too much to explain. It's also the weirdest person to

0:37:35.640 --> 0:37:38.239
<v Speaker 1>pick of anyone to do this song, well, because it

0:37:38.280 --> 0:37:40.279
<v Speaker 1>wouldn't be that weird if it wasn't Chris Brown. But

0:37:40.320 --> 0:37:46.120
<v Speaker 1>there's literally one reference to my controversial right, and that's like,

0:37:46.320 --> 0:37:48.960
<v Speaker 1>but you're like, I don't think it would be great

0:37:49.000 --> 0:37:51.640
<v Speaker 1>to be Chris Brown like at all. No, No, if

0:37:51.680 --> 0:37:54.000
<v Speaker 1>you could, if you got to choose, like do you

0:37:54.000 --> 0:37:56.440
<v Speaker 1>think he wrote it? Like I woke up in Kanye's body,

0:37:56.520 --> 0:37:58.840
<v Speaker 1>and then Kanye was like hell no, and he was like, okay,

0:37:58.920 --> 0:38:01.719
<v Speaker 1>Chris Brown, know, third down the list of people. I

0:38:01.719 --> 0:38:04.520
<v Speaker 1>wonder how many people had to be asked before before

0:38:04.520 --> 0:38:06.480
<v Speaker 1>they got to Chris Brown. But it's also it's such

0:38:06.520 --> 0:38:08.759
<v Speaker 1>a Chris Brown song, and what it does sort of

0:38:09.360 --> 0:38:12.080
<v Speaker 1>well is remind you that there are some good Chris

0:38:12.160 --> 0:38:14.760
<v Speaker 1>Brown songs and that they are very catchy. Oh look,

0:38:14.920 --> 0:38:17.359
<v Speaker 1>you know what, like before all that should happen. I

0:38:17.400 --> 0:38:19.360
<v Speaker 1>love No, we all loved Chris Brown. That's why it

0:38:19.440 --> 0:38:22.640
<v Speaker 1>was so heartbreak. It was horrible. I mean and also

0:38:22.800 --> 0:38:27.680
<v Speaker 1>like you know, he I don't know, he hasn't done

0:38:27.680 --> 0:38:29.680
<v Speaker 1>the things you would need to do to get back

0:38:29.719 --> 0:38:32.279
<v Speaker 1>to a place where people are absolutely muding for you.

0:38:32.480 --> 0:38:35.880
<v Speaker 1>He's done nothing to anybody. So it's weird that this

0:38:35.920 --> 0:38:39.919
<v Speaker 1>would be his like his new hit, because uh, well

0:38:39.960 --> 0:38:43.240
<v Speaker 1>it's just it's it's it's totally baffling as a career

0:38:43.320 --> 0:38:46.640
<v Speaker 1>move for him at this point in his career, like

0:38:46.719 --> 0:38:48.839
<v Speaker 1>what and then and then the fact that it's being

0:38:48.840 --> 0:38:50.640
<v Speaker 1>played on the radio. I mean, I would almost more

0:38:50.719 --> 0:38:53.960
<v Speaker 1>understand if if he did it and nobody cared, like

0:38:54.000 --> 0:38:55.520
<v Speaker 1>it would just be like, oh, he's lost his mind.

0:38:55.719 --> 0:38:58.520
<v Speaker 1>There's a hit. It's a hit. It's insane. It's insane

0:38:58.520 --> 0:39:02.439
<v Speaker 1>to me. God, people are fucking washed. I don't care.

0:39:02.800 --> 0:39:06.440
<v Speaker 1>Like I am so glad to be in my fucking thirties. Dude.

0:39:06.480 --> 0:39:08.920
<v Speaker 1>My parents have been going out like every night in

0:39:08.960 --> 0:39:12.440
<v Speaker 1>New York. I stay out later than they see that

0:39:12.520 --> 0:39:15.759
<v Speaker 1>later than me and my brother every night. What are

0:39:15.760 --> 0:39:20.200
<v Speaker 1>they doing clubbing? Where do they go clubbing? Can we

0:39:20.239 --> 0:39:24.279
<v Speaker 1>go with? They went to like Randy Weston's birthday jazz show.

0:39:24.760 --> 0:39:27.800
<v Speaker 1>That sounds you know. I like the idea of a

0:39:27.840 --> 0:39:29.799
<v Speaker 1>ninety two year old just being like the coolest person

0:39:29.840 --> 0:39:31.680
<v Speaker 1>in the world, which she is. Oh, for some reason,

0:39:31.719 --> 0:39:33.240
<v Speaker 1>I thought you were saying it was like on ninety

0:39:33.280 --> 0:39:38.560
<v Speaker 1>two Street. For some times it was also chill. That

0:39:38.600 --> 0:39:41.720
<v Speaker 1>sounds amazing. I so, yeah, none of us are allowed

0:39:41.760 --> 0:39:45.480
<v Speaker 1>to get washed? Is what is? You know? Well, I

0:39:45.520 --> 0:39:47.840
<v Speaker 1>mean I think it's I think it's it's okay to

0:39:49.320 --> 0:39:51.960
<v Speaker 1>look okay? Are we talking about this a lot? Like

0:39:52.120 --> 0:39:56.320
<v Speaker 1>none of us, none of us have any fomo about

0:39:56.360 --> 0:40:00.239
<v Speaker 1>being a teenager right now, because it seems like a

0:40:00.400 --> 0:40:04.200
<v Speaker 1>horrible hellscape. Did you have any phone? This is this

0:40:04.239 --> 0:40:06.640
<v Speaker 1>is the big phono question. Did you have any phono

0:40:06.640 --> 0:40:09.680
<v Speaker 1>about Coachella about you know why because I just watched

0:40:09.680 --> 0:40:14.120
<v Speaker 1>Tom Sandoval from vander Pump's Rules entire Instagram story, which

0:40:14.160 --> 0:40:16.920
<v Speaker 1>was like three posts about Coachella, and it was great.

0:40:17.160 --> 0:40:18.640
<v Speaker 1>I felt like I was there. Oh, I thought you

0:40:18.680 --> 0:40:20.520
<v Speaker 1>were going to say it looked exhausting, and I was like,

0:40:20.520 --> 0:40:22.719
<v Speaker 1>I'm so glad I'm not doing it. Did look exhausting,

0:40:22.760 --> 0:40:24.919
<v Speaker 1>but I was like, I want to ingust this because

0:40:24.920 --> 0:40:27.479
<v Speaker 1>it's like they go to every promo party, so they're

0:40:27.520 --> 0:40:30.960
<v Speaker 1>like the all that stuff and they're like enjoying it,

0:40:31.080 --> 0:40:33.320
<v Speaker 1>so it's like fun to watch. I mean, I watched

0:40:33.360 --> 0:40:37.040
<v Speaker 1>Bachella on YouTube. I haven't even watched I watched it

0:40:37.080 --> 0:40:38.600
<v Speaker 1>live and I stayed up and I was like, this

0:40:38.680 --> 0:40:41.640
<v Speaker 1>is exhausting for people on the East Coast. So yeah,

0:40:41.680 --> 0:40:43.360
<v Speaker 1>you were out here. I mean, I was that happened

0:40:43.400 --> 0:40:45.719
<v Speaker 1>when I was fast asleep. I was not. I mean,

0:40:45.719 --> 0:40:47.680
<v Speaker 1>I'd love to watch it at some point. It's great.

0:40:47.719 --> 0:40:50.800
<v Speaker 1>It was amazing, And then Cardi B was amazing. Yeah,

0:40:51.120 --> 0:40:53.680
<v Speaker 1>she um got booked in a slot that was like

0:40:53.719 --> 0:40:55.839
<v Speaker 1>not a headlining slot because it was before like her

0:40:55.880 --> 0:40:57.839
<v Speaker 1>album came out. She got booked a long time ago.

0:40:58.400 --> 0:41:00.800
<v Speaker 1>But then obviously she became a much, a much bigger

0:41:00.800 --> 0:41:03.919
<v Speaker 1>deal by the time it happened, and she looked great.

0:41:03.960 --> 0:41:06.960
<v Speaker 1>She wore this outfit that was like a tribute to

0:41:07.080 --> 0:41:12.080
<v Speaker 1>Left Eye. She twerked pregnant. It was great. Cool. Yeah,

0:41:12.200 --> 0:41:14.080
<v Speaker 1>it was a really fun show. I mean I did

0:41:14.200 --> 0:41:17.960
<v Speaker 1>kind of wish I was at this year's obviously, Um,

0:41:18.000 --> 0:41:21.879
<v Speaker 1>but there's no way I'm gonna There's no way I'm

0:41:21.880 --> 0:41:23.960
<v Speaker 1>going to get my body out there. What if you

0:41:24.000 --> 0:41:33.879
<v Speaker 1>woke up and cats, well, I'm pregnant. Uh yeah, there's

0:41:33.880 --> 0:41:40.400
<v Speaker 1>already someone, So there's no meme for you. Occupy. I

0:41:40.440 --> 0:41:43.520
<v Speaker 1>want the party V remix a Freaky Friday with her

0:41:43.560 --> 0:41:47.920
<v Speaker 1>and her unborn child. That would be amazing. Yeah, I'm

0:41:47.920 --> 0:41:50.239
<v Speaker 1>sure there's a million parody songs of this. I mean,

0:41:50.280 --> 0:41:51.880
<v Speaker 1>that's the thing is, it's like when a song is

0:41:51.920 --> 0:41:55.080
<v Speaker 1>constructed to be a meme like that, it just feels

0:41:55.200 --> 0:41:59.239
<v Speaker 1>cynical because you're like, the best memes aren't constructed though,

0:41:59.600 --> 0:42:03.040
<v Speaker 1>like right, because like, look, if you want to feel depressed,

0:42:03.080 --> 0:42:06.040
<v Speaker 1>you should just read about how Little Dickey wanted to

0:42:06.120 --> 0:42:10.040
<v Speaker 1>raise like seventy thousand dollars to produce his sophomore I

0:42:10.080 --> 0:42:13.400
<v Speaker 1>think album and instead raised like a hundred and twenty

0:42:13.400 --> 0:42:16.560
<v Speaker 1>thousand dollars or something, and he wants to be a comedian.

0:42:16.920 --> 0:42:19.120
<v Speaker 1>Is he a YouTuber? I was like really wanting to

0:42:19.120 --> 0:42:22.200
<v Speaker 1>hate a little Dickie and the song you love Him,

0:42:22.280 --> 0:42:25.040
<v Speaker 1>And also the song was really catchy and t singing

0:42:25.960 --> 0:42:31.520
<v Speaker 1>Mustard putt. I like it on some level. And then

0:42:31.600 --> 0:42:34.120
<v Speaker 1>also you just aart like walking around going man, cruis

0:42:34.200 --> 0:42:37.440
<v Speaker 1>bounds bod. It's not the thing you want to be

0:42:37.480 --> 0:42:42.560
<v Speaker 1>walking around. But and yet this is why I'm washed,

0:42:42.560 --> 0:42:45.000
<v Speaker 1>because my my music right now, I'm like, I haven't

0:42:45.040 --> 0:42:48.640
<v Speaker 1>heard Freaky Friday. I've just been rediscovering Magnetic Fields and

0:42:48.640 --> 0:42:53.040
<v Speaker 1>all the Magnetic Field side projects and uh, you know,

0:42:53.800 --> 0:42:56.840
<v Speaker 1>human humming sad songs to myself all day. The songs

0:42:56.840 --> 0:43:00.239
<v Speaker 1>are also catchy. Yeah, well that I'm washed, And don't

0:43:00.400 --> 0:43:02.080
<v Speaker 1>I don't. I don't give a funk. I'll take the

0:43:02.120 --> 0:43:06.160
<v Speaker 1>Stephen Merritt cover a Freaky Friday. You're gonna hear it.

0:43:06.160 --> 0:43:09.800
<v Speaker 1>It writes itself, that is a melody. That is a

0:43:09.840 --> 0:43:21.200
<v Speaker 1>Stephen Merritt melody. Ule It's a Stephen Merriton. Good job. Well, Well,

0:43:21.239 --> 0:43:24.360
<v Speaker 1>if you guys want to make Friday you're freaky Friday,

0:43:24.400 --> 0:43:27.759
<v Speaker 1>a little spooky or spooky Saturday. Perhaps we have time

0:43:27.840 --> 0:43:31.319
<v Speaker 1>for one more ghostly night call. This night call comes

0:43:31.320 --> 0:43:32.880
<v Speaker 1>to us from Kate, and I'm just gonna kind of

0:43:32.920 --> 0:43:35.040
<v Speaker 1>summarize the beginning because it's a little long. But she's

0:43:35.080 --> 0:43:39.000
<v Speaker 1>a librarian and uh at a museum, and she says

0:43:39.040 --> 0:43:43.200
<v Speaker 1>that her workplace is haunted, and uh she has seen

0:43:43.239 --> 0:43:46.680
<v Speaker 1>three separate ghosts kind of off and on throughout her

0:43:46.680 --> 0:43:49.520
<v Speaker 1>time her time working in there. So she says, the

0:43:49.560 --> 0:43:53.640
<v Speaker 1>first ghost is a woman dressed in late early nineteenth

0:43:53.640 --> 0:43:56.719
<v Speaker 1>early twentieth century clothing, and she carries a rifle. I'm

0:43:56.760 --> 0:43:59.040
<v Speaker 1>located in the Southwest, so this isn't too much of

0:43:59.040 --> 0:44:01.960
<v Speaker 1>a surprise. She was a former head librarian and according

0:44:02.000 --> 0:44:04.520
<v Speaker 1>to the staff, she keeps guard over the collections. She

0:44:04.600 --> 0:44:07.319
<v Speaker 1>resides in a specific area in the stacks in reading room,

0:44:07.400 --> 0:44:08.880
<v Speaker 1>and if things get out of order, she will get

0:44:08.920 --> 0:44:10.959
<v Speaker 1>annoyed and make it more difficult for you to find

0:44:10.960 --> 0:44:13.760
<v Speaker 1>what you need until you clean the area up. For example,

0:44:13.880 --> 0:44:16.160
<v Speaker 1>I was looking for a folder of photos I know

0:44:16.280 --> 0:44:18.000
<v Speaker 1>was in a specific box because I saw it the

0:44:18.080 --> 0:44:21.239
<v Speaker 1>day before, but the next day it had disappeared. Sure enough,

0:44:21.320 --> 0:44:23.879
<v Speaker 1>when I spent some time reshelving and checked the box

0:44:23.960 --> 0:44:26.120
<v Speaker 1>later in the day. The folder was where it should

0:44:26.120 --> 0:44:28.920
<v Speaker 1>have been. The second ghost is a man who haunts

0:44:28.920 --> 0:44:31.960
<v Speaker 1>as somewhat somewhat deserted area of the stacks that used

0:44:32.000 --> 0:44:34.680
<v Speaker 1>to house offices when we had much a much larger staff.

0:44:35.120 --> 0:44:36.759
<v Speaker 1>I don't know much about him, but he seems the

0:44:36.760 --> 0:44:39.359
<v Speaker 1>most aggressive of the three. When I was walking up

0:44:39.360 --> 0:44:41.400
<v Speaker 1>the stairs to that area one time, I felt a

0:44:41.400 --> 0:44:43.160
<v Speaker 1>hard bop on the top of my head, like a

0:44:43.280 --> 0:44:46.080
<v Speaker 1>hand hitting it. I looked around, but there was nothing there,

0:44:46.480 --> 0:44:48.279
<v Speaker 1>and there's no way any part of the ceiling could

0:44:48.280 --> 0:44:51.040
<v Speaker 1>have fallen on me. I mentioned the incident to a colleague,

0:44:51.040 --> 0:44:53.120
<v Speaker 1>who then said she was coming down those stairs one

0:44:53.120 --> 0:44:55.280
<v Speaker 1>time and she felt two hands on her back, almost

0:44:55.320 --> 0:44:57.719
<v Speaker 1>as if she was being pushed. She didn't fall, but

0:44:57.760 --> 0:45:00.440
<v Speaker 1>it was a strong sensation. I'm not sure what her

0:45:00.600 --> 0:45:02.560
<v Speaker 1>what his deal is, but I'm always a little careful

0:45:02.600 --> 0:45:05.360
<v Speaker 1>when I go up or down those stairs. The last

0:45:05.440 --> 0:45:07.920
<v Speaker 1>is another woman who haunts another area of the stacks.

0:45:07.960 --> 0:45:10.200
<v Speaker 1>She's dressed in all white and also in early twentieth

0:45:10.239 --> 0:45:12.760
<v Speaker 1>century close. I've only seen her out of the corner

0:45:12.800 --> 0:45:14.839
<v Speaker 1>of my eye, but she haunts the area where her

0:45:14.840 --> 0:45:17.600
<v Speaker 1>personal collection sits on the shelf. We have a lot

0:45:17.640 --> 0:45:20.120
<v Speaker 1>of personal artifacts that people have donated over the years

0:45:20.120 --> 0:45:22.600
<v Speaker 1>that have sentimental value, so I'm not surprised the owner's

0:45:22.719 --> 0:45:25.920
<v Speaker 1>energy may be tied up to those objects. And then

0:45:25.920 --> 0:45:28.160
<v Speaker 1>she says that she has a volunteer who's seen things

0:45:28.200 --> 0:45:32.200
<v Speaker 1>like pencils being thrown and and uh, cobwebs have have

0:45:32.719 --> 0:45:36.840
<v Speaker 1>had some movement in them and stuff. But yeah, that's uh,

0:45:36.880 --> 0:45:39.960
<v Speaker 1>that's three, three ghosts haunting a library. I feel like

0:45:40.040 --> 0:45:43.040
<v Speaker 1>ghosts are a ghost in libraries. I feel like are

0:45:43.040 --> 0:45:50.040
<v Speaker 1>now They feel so appropriate, I think just because of Ghostbusters,

0:45:47.160 --> 0:45:52.720
<v Speaker 1>but because it's like spooky down in the stacks. Yeah,

0:45:53.040 --> 0:45:54.640
<v Speaker 1>if you were a ghost, wouldn't you want to be

0:45:54.640 --> 0:45:58.960
<v Speaker 1>in a library? Yeah? Well, there's always that feeling of

0:45:59.000 --> 0:46:01.280
<v Speaker 1>like cool or even if you're not in a basement

0:46:01.400 --> 0:46:03.879
<v Speaker 1>or something, but like in in some stacks, so there's

0:46:03.880 --> 0:46:05.680
<v Speaker 1>nobody walking around, or you feel like you're in some

0:46:05.800 --> 0:46:07.960
<v Speaker 1>in a really big library, you feel like nobody's been

0:46:08.000 --> 0:46:11.520
<v Speaker 1>down this this corridor for a while, and that that

0:46:11.600 --> 0:46:14.160
<v Speaker 1>kind of like chilly energy. I think. Also you're like

0:46:14.200 --> 0:46:18.680
<v Speaker 1>surrounded by ideas and words and stuff and it's it's

0:46:18.920 --> 0:46:22.600
<v Speaker 1>it's a charged area. Books are a lot discover the

0:46:22.600 --> 0:46:25.880
<v Speaker 1>power of books. Um, they come out of the books

0:46:25.880 --> 0:46:28.480
<v Speaker 1>and then they eat soule. Would you be afraid to

0:46:28.560 --> 0:46:30.640
<v Speaker 1>be a librarian who had like a night shift if

0:46:30.719 --> 0:46:32.560
<v Speaker 1>you lived in if you worked in a in a

0:46:32.600 --> 0:46:34.680
<v Speaker 1>big old library, in a museum library like that, I

0:46:34.719 --> 0:46:40.120
<v Speaker 1>would welcome my ghost friends. Great, I think, yeah, maybe

0:46:40.120 --> 0:46:42.799
<v Speaker 1>it's also just like to break up the break up

0:46:42.840 --> 0:46:47.640
<v Speaker 1>the workflow you have some ghosts around. Well, thank you

0:46:47.760 --> 0:46:51.520
<v Speaker 1>very much, Kate for your for your email. Scary at

0:46:51.520 --> 0:46:56.160
<v Speaker 1>a library than like a meat packing facility, Yeah, you know, yeah,

0:46:56.200 --> 0:47:00.600
<v Speaker 1>I mean there are a lot of literally places I

0:47:00.680 --> 0:47:04.360
<v Speaker 1>might be the night watchman. I think in me, I

0:47:04.400 --> 0:47:07.480
<v Speaker 1>think your your position as the night watchman as a

0:47:07.560 --> 0:47:10.080
<v Speaker 1>meat at a n meat factory happened like many alternate

0:47:10.120 --> 0:47:17.799
<v Speaker 1>lives ago already the shadow person version of my life. Well, well,

0:47:17.840 --> 0:47:20.919
<v Speaker 1>thanks everybody for listening to this week's Nightcall are very

0:47:21.000 --> 0:47:26.080
<v Speaker 1>special New York edition for Molly at least if you

0:47:26.120 --> 0:47:29.520
<v Speaker 1>haven't already, you should subscribe to us on Apple Podcasts

0:47:29.520 --> 0:47:31.640
<v Speaker 1>and leave us a review in a rating. We love

0:47:31.680 --> 0:47:33.920
<v Speaker 1>to see what you think of the podcast, especially if

0:47:33.920 --> 0:47:37.360
<v Speaker 1>it's nice You can also follow us on Twitter, at

0:47:37.440 --> 0:47:41.279
<v Speaker 1>Nightcall Pod, Instagram, at Nightcall podcast, and on Facebook at

0:47:41.400 --> 0:47:46.840
<v Speaker 1>Nightcall Podcast. But if you're a shadow person, don't follow

0:47:46.960 --> 0:47:50.320
<v Speaker 1>us anywhere anywhere. Don't follow us down a dark alley,

0:47:50.440 --> 0:47:53.279
<v Speaker 1>don't follow us out of the movies, even if it's

0:47:53.280 --> 0:47:56.439
<v Speaker 1>a revival screening. If something's got to give, just don't

0:47:56.440 --> 0:47:59.400
<v Speaker 1>follow us anywhere. Yeah, maybe the shadow person was related

0:47:59.440 --> 0:48:01.919
<v Speaker 1>to something out a gift. It had to have been.

0:48:01.960 --> 0:48:04.719
<v Speaker 1>It was. It was a judgmental shadow person that was like,

0:48:04.840 --> 0:48:11.000
<v Speaker 1>do it again. You'll be sorry, You'll be so sorry. Anyway,

0:48:11.480 --> 0:48:13.880
<v Speaker 1>thanks for living. Listen you next week, R I, P

0:48:14.280 --> 0:48:17.200
<v Speaker 1>R R, bel and thank you so much to this

0:48:17.239 --> 0:48:21.480
<v Speaker 1>week's sponsors, Hello Fresh Carrot dot com and stuff they

0:48:21.520 --> 0:48:22.400
<v Speaker 1>don't want you to know.