WEBVTT - Masters Presser Reactions and an Alternative History of Augusta National's Design

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<v Speaker 1>I miss a green, for example, I'm already upset. When

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<v Speaker 1>I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my ball in.

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<v Speaker 2>A bride Egg Friday Egg, the dreaded Frida Egg, Frida Egg,

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<v Speaker 2>Frida Egg, bri Egg, Frida Egg, Bride egg Lie.

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<v Speaker 1>I'm about ready to run off of the.

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<v Speaker 3>Welcome to the Frida Egg podcast. I'm Garrett Morrison and

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<v Speaker 3>this is a Midweek Masters episode. Two different segments. Today,

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<v Speaker 3>I'm going to talk to Bob Crosby, the great golf historian,

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<v Speaker 3>about the history behind four particular holes at Augusta National.

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<v Speaker 3>We're going to talk about how they've evolved and what

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<v Speaker 3>those evolutions mean. But first I want to give some

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<v Speaker 3>reflections on the pre master's press conferences we've heard over

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<v Speaker 3>the past past few days. People said a lot of

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<v Speaker 3>interesting and potentially significant stuff, so I thought i'd zero

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<v Speaker 3>in on a few specific topics. First of all, the

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<v Speaker 3>chairman of Augusta National, Fred Ridley, gave his very anticipated

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<v Speaker 3>press conference on Wednesday, and there were a couple of

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<v Speaker 3>highlights that I wanted to focus on. His first big

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<v Speaker 3>announcement had to do with Augusta Municipal Golf course, known

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<v Speaker 3>locally as the Patch. Augusta National is, according to Chairman Ridley,

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<v Speaker 3>supporting a joint partnership with the Patch, Augusta Technical College

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<v Speaker 3>and the First Tea of Augusta to quote usher in

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<v Speaker 3>a new era for public golf in our city. There

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<v Speaker 3>are three basic objectives here. First, Augusta Tech will start

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<v Speaker 3>educational programs for future workers in the golf industry, and

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<v Speaker 3>those programs will be linked with the Patch and the

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<v Speaker 3>First Tea of Augusta. Second, the partnership will create what

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<v Speaker 3>Ridley called an affordable pathway for anyone who wants to

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<v Speaker 3>learn the game. And third, Augusta National will assist in

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<v Speaker 3>renovating the Patch and the First te facility. This is

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<v Speaker 3>really exciting news, not only for Augusta, but I think

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<v Speaker 3>potentially for the golf world more broadly. Everything that Augusta

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<v Speaker 3>National does ends up serving as a model for other clubs, courses,

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<v Speaker 3>and organizations in the golf world, and that dynamic has

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<v Speaker 3>not always been healthy. Just look at the influence Augusta

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<v Speaker 3>Nationals has had on golfer's expectations for maintenance and agronomy.

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<v Speaker 3>That hasn't been a positive influence, I would say on

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<v Speaker 3>the sustainability or the environmental reputation of the game. But

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<v Speaker 3>this partnership with Augusta Municipal, the first he and Augusta Tech,

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<v Speaker 3>could be an enormously beneficial model for other wealthy, powerful

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<v Speaker 3>organizations to follow, and I really hope they do. Either way.

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<v Speaker 3>What happens with the patch should be a great story

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<v Speaker 3>to track in the coming years, and we'll definitely keep

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<v Speaker 3>up with it at the Frida Egg, all right. The

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<v Speaker 3>second part of Ridley's press conference that I wanted to

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<v Speaker 3>pick out is his comments on the Model Local rule

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<v Speaker 3>for the golf ball that the USGA and RNA recently proposed. Basically,

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<v Speaker 3>this rule would allow individual tournaments like the Masters to

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<v Speaker 3>implement a reduced flight golf ball. As you are no

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<v Speaker 3>doubt aware, Augusta National has had to make a tremendous

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<v Speaker 3>number of changes over the past twenty five years to

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<v Speaker 3>keep up with distance gains at the elite male competitive level.

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<v Speaker 3>The most recent of those changes was moving back the

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<v Speaker 3>thirteenth t thirty five yards to restore some decision making

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<v Speaker 3>to that famous par five. So I think almost everyone

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<v Speaker 3>expects Ridley and Augusta National to support the Model Local

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<v Speaker 3>rule and adopt the MLR ball when it comes out.

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<v Speaker 3>But of course we were waiting to see what exactly

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<v Speaker 3>Ridley would say about the matter, because what Augusta National

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<v Speaker 3>does on this issue will be hugely, hugely consequential. And

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<v Speaker 3>here's what he said. As the comment period remains open,

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<v Speaker 3>we will be respectful of the process as the USGA

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<v Speaker 3>and the RNA consider this important issue. We have been

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<v Speaker 3>consistent in our support of the governing bodies and we

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<v Speaker 3>restate our desire to see distance addressed. Very simple, kind

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<v Speaker 3>of vague, but he did get more explicit in answering

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<v Speaker 3>a question from the press. He said, our position has

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<v Speaker 3>always been that we support the governing bodies. I think

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<v Speaker 3>in a general sense we do support the proposal, but

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<v Speaker 3>because it's in the middle of the comment period, it

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<v Speaker 3>could change. The whole purpose of the comment period is

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<v Speaker 3>to take the input from the industry, so we will

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<v Speaker 3>look at the final product and make a decision. But

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<v Speaker 3>generally we have always been supportive of the governing bodies.

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<v Speaker 3>I've stated that we believe distance needs to be addressed.

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<v Speaker 3>I think the natural conclusion is, yes, we will be supportive.

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<v Speaker 3>Ridley also made a comment later on about how when

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<v Speaker 3>he first played in the Masters himself. In the late

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<v Speaker 3>nineteen seventies, the course was about sixty nine hundred yards

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<v Speaker 3>and it was still around that distance when Tiger Woods

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<v Speaker 3>won in nineteen ninety seven. Now the course is over

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<v Speaker 3>seventy five hundred yards long, and he is aware of

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<v Speaker 3>that problem. Undoubtedly. My takeaway here is that Augusta National

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<v Speaker 3>will do what the USGA and RNA want to do

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<v Speaker 3>with regard to the rules of golf. Ridley's most important

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<v Speaker 3>talking point was we are and have always been supportive

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<v Speaker 3>of the governing bodies. That I think is the north

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<v Speaker 3>star for them. So if the Model Local Rule comes

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<v Speaker 3>through the comment period, intact, I would assume that the

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<v Speaker 3>Masters will implement the new ball. To me, that means

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<v Speaker 3>that the opponents of the rollback, most significantly the major

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<v Speaker 3>equipment companies and the players on the PGA tour who

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<v Speaker 3>get paid by those companies. Those opponents of the MLR

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<v Speaker 3>will try to put their thumbs on the scale now

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<v Speaker 3>and in the coming months. They don't want the MLR

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<v Speaker 3>to go through because they know if it does, it

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<v Speaker 3>will be put into effect by the Open, the US Open,

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<v Speaker 3>and the Masters, and if those three tournaments go with

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<v Speaker 3>the MLR, the PGA of America and the PGA Tour

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<v Speaker 3>are going to fall in line. I don't think they

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<v Speaker 3>have the clout to stand up to the USGA and

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<v Speaker 3>r and A when those organizations have the backing of

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<v Speaker 3>Augusta National Golf Club. I may be wrong about that,

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<v Speaker 3>but I think that's just how things are in the

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<v Speaker 3>golf world. That's where the real power is. Okay, moving

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<v Speaker 3>on from Ridley's press conference. The other set of comments

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<v Speaker 3>from the pre tournament interviews that I wanted to address

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<v Speaker 3>are from players about the newly lengthened thirteenth hole. I

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<v Speaker 3>thought a lot of these were really interesting, especially the

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<v Speaker 3>ones from Dustin Johnson and John Rahm. DJ's comments, which

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<v Speaker 3>he made on Monday, got a fair amount of traction.

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<v Speaker 3>I would say the key quote was this. He said, yeah,

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<v Speaker 3>most likely I'll be laying up all four days. The

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<v Speaker 3>tea was moved back thirty five yards, and DJ says

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<v Speaker 3>that that's going to cause him to default to laying

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<v Speaker 3>up on the hole. This prompted a lot of people

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<v Speaker 3>to complain. It was like, oh man, they took all

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<v Speaker 3>the excitement out of the hole. We want to see birdies,

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<v Speaker 3>we want to see eagles, we want to see people

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<v Speaker 3>going for the green, and if if DJ doesn't go

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<v Speaker 3>for the green, then who will. But I think it's

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<v Speaker 3>important to pay attention to the rest of what DJ

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<v Speaker 3>actually said. He said, I don't like to turn the

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<v Speaker 3>ball over. It's not really my forte with the driver

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<v Speaker 3>hitting a draw. To explain what he's saying here, he

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<v Speaker 3>prefers to hit a fade off the tee like a

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<v Speaker 3>lot of players today. He hits that big knuckle fade

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<v Speaker 3>with a driver. It's a stock shot. For the past

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<v Speaker 3>number of years, the thirteenth hole did still demand a

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<v Speaker 3>draw off the tee for the best results, but most

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<v Speaker 3>of the top players were long enough to get around

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<v Speaker 3>the corner on the hole with a threewood. It's a

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<v Speaker 3>lot easier to hit a draw with a modern three

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<v Speaker 3>wood than it is with a driver. They're reasons for

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<v Speaker 3>that that I wouldn't be the best person to answer,

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<v Speaker 3>but basically it has to do a lot, at least

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<v Speaker 3>with spin. The modern driver doesn't spin very much, and

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<v Speaker 3>so a fade, which has generally more spin than a draw,

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<v Speaker 3>is a little bit easier to keep in the air,

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<v Speaker 3>whereas a draw is always in danger of kind of

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<v Speaker 3>diving out of the air and turning into a snap

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<v Speaker 3>hook with the modern spin model that the driver and

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<v Speaker 3>that the ball have for the top players. So the

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<v Speaker 3>thirteenth hole was still sort of counter to that tendency.

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<v Speaker 3>But because players could get around that corner with a

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<v Speaker 3>three wood, that was a go to shot for a

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<v Speaker 3>lot of them, and it was Dustin Johnson's go to shot.

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<v Speaker 3>I believe he'd take a three wood and turn it

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<v Speaker 3>over a bit. The threewood has more loft, it produces

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<v Speaker 3>a little more spin. A draw with a three wood

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<v Speaker 3>for these players is a little bit more reliable. Well,

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<v Speaker 3>now the thirteenth hole is long enough so that guys

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<v Speaker 3>can't take that show. To get around the corner and

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<v Speaker 3>give yourself a good chance of hitting the green in two,

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<v Speaker 3>you need to hit a driver and you need to

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<v Speaker 3>draw it. So guess what, DJ can't hit that shot.

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<v Speaker 3>You should be rewarded for being able to hit a

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<v Speaker 3>variety of shots. You can't just expect to hit one

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<v Speaker 3>shape off the tee and be able to go for

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<v Speaker 3>every par five green in two. So the criticism of

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<v Speaker 3>the lengthening of the hole based on DJ's comments today

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<v Speaker 3>is blogoney. What he's really saying is I don't have

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<v Speaker 3>that shot, and this is one of the rare occasions

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<v Speaker 3>where not being able to work the ball both ways

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<v Speaker 3>with the driver is going to cost him. And to

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<v Speaker 3>be clear, I'm not criticizing DJ. I don't get the

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<v Speaker 3>impression that he was complaining about this state of affairs.

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<v Speaker 3>I'm more addressing the comments about what DJ said. He

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<v Speaker 3>shouldn't be able to necessarily attack this hole if he

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<v Speaker 3>can't hit that shot with the driver, and he's maybe

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<v Speaker 3>fine with that right in general, that power fade works

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<v Speaker 3>just fine for him, but in this case he can't

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<v Speaker 3>get around that unless he draws it with a driver,

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<v Speaker 3>and since he can't hit that shot, that's coming back

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<v Speaker 3>to bite them in this case. The other comments on

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<v Speaker 3>thirteen that I found really interesting were from John Rahm.

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<v Speaker 3>Now Ram is another guy, by the way, who plays

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<v Speaker 3>a stock fade off the tee and has a hard

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<v Speaker 3>time hitting a draw with the driver. I've seen him

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<v Speaker 3>struggle a fair amount on thirteen in the past, but

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<v Speaker 3>as usual, he had really interesting things to say on

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<v Speaker 3>the subject that weren't necessarily just from his own selfish

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<v Speaker 3>point of view. He said this, I'm not opposed to

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<v Speaker 3>the change. I think you're going to see a lot

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<v Speaker 3>more layups. Obviously, if you don't quite hug the left side,

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<v Speaker 3>you're going to have such a long iron in that

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<v Speaker 3>a lot of people will choose to lay up. But

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<v Speaker 3>there's still going to be more so a risk reward

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<v Speaker 3>aspect to it, because if you hit the green and

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<v Speaker 3>give yourself an eagle chance, it's going to matter a

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<v Speaker 3>lot more maybe than it did in the past. This

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<v Speaker 3>is all music to my ears, but especially the part

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<v Speaker 3>about maybe needing to hug the left side of the

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<v Speaker 3>hole in order to have a less terrifying chance of

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<v Speaker 3>going for the green. In two, the left side of

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<v Speaker 3>the thirteenth hole is guarded by the tributary of Raysed Creek,

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<v Speaker 3>and that hazard has basically become irrelevant in the twenty

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<v Speaker 3>first century. In the original design, the whole idea was

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<v Speaker 3>that if you challenge the water, you could cut off

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<v Speaker 3>some distance on the hole and give yourself a flattered

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<v Speaker 3>lie and a real chance of hitting the green with

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<v Speaker 3>your second shot. If you bailed out to the right,

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<v Speaker 3>you would have a long way in and you'd have

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<v Speaker 3>a very scary side hill lie that would make your

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<v Speaker 3>ball move right to left, which is not the shape

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<v Speaker 3>you want going into this green. But starting with equipment

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<v Speaker 3>advances about twenty five years ago, that strategy started to

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<v Speaker 3>go away. Players could just blast it up the right

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<v Speaker 3>and they could hit it so far that they would

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<v Speaker 3>still have a short second shot into the green. The

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<v Speaker 3>angle no longer mattered. Augusta tried to address that problem

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<v Speaker 3>by planting a bunch of trees on the right side

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<v Speaker 3>and making the hole narrower, but the strategic spirit of

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<v Speaker 3>the hole was gone. Now what John Ram is saying

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<v Speaker 3>is that the value of hugging that left side near

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<v Speaker 3>the hazard might be back, And as a big time

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<v Speaker 3>golf nerd, that is very exciting to me. Speaking of

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<v Speaker 3>big time golf nerdery, I'm going to talk to Bob

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<v Speaker 3>Crosby about how a few specific holes at Augusta National

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<v Speaker 3>have evolved over the years and how those changes represent

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<v Speaker 3>a tricky philosophical balance that the club has had to

0:12:31.040 --> 0:12:34.360
<v Speaker 3>strike as the host of the Masters. That's right after

0:12:34.640 --> 0:12:49.760
<v Speaker 3>this break. This episode of the Friday Podcast is brought

0:12:49.760 --> 0:12:52.920
<v Speaker 3>to you by Club Champion. Club Champion helps golfers of

0:12:53.000 --> 0:12:56.120
<v Speaker 3>any skill level play better golf through custom fitted and

0:12:56.200 --> 0:13:01.480
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0:13:01.640 --> 0:13:05.120
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0:13:08.280 --> 0:13:12.239
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0:13:12.320 --> 0:13:15.280
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0:13:19.280 --> 0:13:22.600
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0:13:22.600 --> 0:13:25.679
<v Speaker 3>of twenty two yard increases off the tee and an

0:13:25.720 --> 0:13:29.559
<v Speaker 3>average of ten yard improvements in dispersion. I've gone through

0:13:29.559 --> 0:13:32.600
<v Speaker 3>Club Champion fittings myself, and I can tell you that

0:13:32.679 --> 0:13:35.280
<v Speaker 3>one of the big benefits of a fitting like this

0:13:35.600 --> 0:13:38.720
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0:13:39.240 --> 0:13:41.480
<v Speaker 3>If you're anything like me, you're a bit of a tinker,

0:13:41.840 --> 0:13:44.440
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0:13:44.480 --> 0:13:47.280
<v Speaker 3>it on your equipment and you start looking for other options.

0:13:47.320 --> 0:13:50.120
<v Speaker 3>You look for a new putter head shape, You look

0:13:50.160 --> 0:13:53.600
<v Speaker 3>for a new shaft for your driver or for your irons.

0:13:53.720 --> 0:13:57.720
<v Speaker 3>You maybe even go looking through eBay for something that

0:13:57.760 --> 0:14:01.000
<v Speaker 3>you played when you were thirteen years old in search

0:14:01.080 --> 0:14:04.000
<v Speaker 3>of some kind of you know, lost skill that you

0:14:04.120 --> 0:14:07.600
<v Speaker 3>had back then, with a particular really small headed three

0:14:07.600 --> 0:14:10.240
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0:14:10.320 --> 0:14:13.920
<v Speaker 3>Champion fitting sort of stops that process because you know

0:14:14.160 --> 0:14:17.640
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0:14:17.679 --> 0:14:21.760
<v Speaker 3>that confidence really means everything. You know that if you're

0:14:21.760 --> 0:14:24.240
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0:14:24.240 --> 0:14:28.080
<v Speaker 3>not the equipment, because this equipment is perfectly suited for

0:14:28.160 --> 0:14:30.200
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0:14:36.640 --> 0:14:39.640
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0:14:39.680 --> 0:14:42.760
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0:14:43.080 --> 0:14:46.680
<v Speaker 3>that's code fried egg. All one word, all right, back

0:14:46.720 --> 0:14:51.760
<v Speaker 3>to the episode. All right, Bob Crosby, welcome back to

0:14:51.800 --> 0:14:52.440
<v Speaker 3>the podcast.

0:14:52.880 --> 0:14:54.240
<v Speaker 2>Thanks great to be here.

0:14:55.160 --> 0:14:57.840
<v Speaker 3>So I'm excited to talk to you today because, first

0:14:57.840 --> 0:15:01.000
<v Speaker 3>of all, it's been too long and I always enjoy

0:15:01.040 --> 0:15:04.640
<v Speaker 3>our conversations, and second of all, because we're discussing one

0:15:04.640 --> 0:15:07.920
<v Speaker 3>of my favorite topics, which is the architectural history of

0:15:08.000 --> 0:15:12.280
<v Speaker 3>Augusta National. What this golf course was originally and how

0:15:12.280 --> 0:15:16.320
<v Speaker 3>it has evolved are so fascinating to me, and I

0:15:16.360 --> 0:15:19.120
<v Speaker 3>thought a good way to bring that across to listeners

0:15:19.720 --> 0:15:22.680
<v Speaker 3>would be to select a few different holes and dig

0:15:22.720 --> 0:15:25.440
<v Speaker 3>into the history of each of them. So you and

0:15:25.480 --> 0:15:27.640
<v Speaker 3>I talked a little before this. We chose four holes

0:15:27.680 --> 0:15:32.000
<v Speaker 3>to focus on, and those are three, seven, eight, and ten.

0:15:32.800 --> 0:15:36.600
<v Speaker 3>And we chose those holes not because they're famous, but

0:15:37.240 --> 0:15:40.400
<v Speaker 3>because each of them represents something about the evolution of

0:15:40.480 --> 0:15:45.840
<v Speaker 3>the course, about the philosophy of architecture and renovation that

0:15:45.920 --> 0:15:50.320
<v Speaker 3>has defined what the course has become overall. So why

0:15:50.320 --> 0:15:53.360
<v Speaker 3>don't we start with the par four third, which is

0:15:53.400 --> 0:15:56.920
<v Speaker 3>one of my favorite holes on the golf course. Could

0:15:56.920 --> 0:15:59.200
<v Speaker 3>you just describe the hole for me, just to kick

0:15:59.240 --> 0:16:01.360
<v Speaker 3>things off if people aren't super familiar with that. You know,

0:16:01.400 --> 0:16:05.440
<v Speaker 3>it doesn't necessarily always star on the coverage of the Masters.

0:16:05.440 --> 0:16:07.080
<v Speaker 3>So what is this hole? Basically?

0:16:07.600 --> 0:16:13.080
<v Speaker 2>Yeah, the third hole is the least changed hole at

0:16:13.120 --> 0:16:17.960
<v Speaker 2>Augusta National, and I think the reasons why it is

0:16:18.080 --> 0:16:21.080
<v Speaker 2>the least changed are as interesting as the reason why

0:16:21.120 --> 0:16:25.240
<v Speaker 2>other souls have been changed. It is a short par

0:16:25.400 --> 0:16:28.920
<v Speaker 2>forwards everyone knows, even from the members teas. You're hitting

0:16:29.440 --> 0:16:32.960
<v Speaker 2>lofted approach shots into it to a very small but

0:16:33.240 --> 0:16:40.000
<v Speaker 2>crowned green, which offers terrifying chances at a birdie and

0:16:40.480 --> 0:16:43.640
<v Speaker 2>the likelihood for those of us less talented of a bogie.

0:16:44.400 --> 0:16:46.160
<v Speaker 2>One of the things that I think that strikes me

0:16:46.200 --> 0:16:50.520
<v Speaker 2>about why that hole has survived in its current state

0:16:50.560 --> 0:16:54.240
<v Speaker 2>for so long as something that Tom Dope mentioned recently

0:16:54.320 --> 0:16:58.160
<v Speaker 2>about the changes he made to his memorial course in Houston,

0:16:58.480 --> 0:17:01.080
<v Speaker 2>which is that he tried very hard hard to make

0:17:01.160 --> 0:17:03.600
<v Speaker 2>sure that the middle of the greens, that is to say,

0:17:03.680 --> 0:17:07.919
<v Speaker 2>the safe shot areas had some sort of undulation or

0:17:08.000 --> 0:17:12.040
<v Speaker 2>contour in them that made them less safe. And I

0:17:12.080 --> 0:17:14.880
<v Speaker 2>think that's why the third hole works so well. It's

0:17:14.880 --> 0:17:19.639
<v Speaker 2>slightly crowned. You're putting downhill to most pen locations, which

0:17:19.720 --> 0:17:23.600
<v Speaker 2>is scary and lightning fast. Trying to hit at the

0:17:23.680 --> 0:17:27.840
<v Speaker 2>pins is probably not a good idea because of the

0:17:27.840 --> 0:17:31.240
<v Speaker 2>the size of the green. Just a wonderful hole all around,

0:17:32.000 --> 0:17:34.840
<v Speaker 2>and there are good reasons for why it is not

0:17:35.200 --> 0:17:39.320
<v Speaker 2>undergone or at least very few changes. I think Fazio

0:17:39.400 --> 0:17:41.200
<v Speaker 2>we did some of the fairway bunkers and O two,

0:17:41.359 --> 0:17:44.800
<v Speaker 2>but other than that, essentially it's the hole that Mackenzie

0:17:44.880 --> 0:17:46.840
<v Speaker 2>and Jones put on the put on the ground in

0:17:48.240 --> 0:17:51.200
<v Speaker 2>nineteen thirty two. Three. The other hole I would like

0:17:51.280 --> 0:17:55.040
<v Speaker 2>to talk about. I think it has a wonderful end

0:17:55.160 --> 0:17:57.760
<v Speaker 2>story to it, and that is the a Toll, one

0:17:57.800 --> 0:18:01.120
<v Speaker 2>of my favorite par fives in the world. Cliff Roberts,

0:18:03.240 --> 0:18:07.000
<v Speaker 2>in the mid nineteen fifties, because of line of sight

0:18:07.119 --> 0:18:11.240
<v Speaker 2>issues with galleries and also gallery flow around the green,

0:18:12.240 --> 0:18:15.520
<v Speaker 2>decided to take out a lot of the Mackenzie features,

0:18:15.600 --> 0:18:20.560
<v Speaker 2>which were essentially several mounds running upside of both sides

0:18:20.600 --> 0:18:23.040
<v Speaker 2>of the green, including a large mound in the front

0:18:23.040 --> 0:18:26.000
<v Speaker 2>of the green front left of the green, and replaced

0:18:26.080 --> 0:18:31.040
<v Speaker 2>those mounds with this awful, awful circular green, sort of

0:18:31.080 --> 0:18:35.880
<v Speaker 2>a saucer shaped green that shocks the offenses every time

0:18:35.880 --> 0:18:38.919
<v Speaker 2>you see even a picture of it. One of the

0:18:38.920 --> 0:18:42.560
<v Speaker 2>great stories of Augusta National and this was not a coincidence.

0:18:42.640 --> 0:18:47.359
<v Speaker 2>Not long after Cliff Roberts passing in nineteen seventy seven six.

0:18:47.359 --> 0:18:50.800
<v Speaker 3>Seven I think seventy seven, yes, seventy seven.

0:18:51.160 --> 0:18:56.600
<v Speaker 2>Byron Nelson and Joe Finger were retained to restore the

0:18:56.640 --> 0:19:01.080
<v Speaker 2>green to the original Mackenzie design. As far as I know,

0:19:01.920 --> 0:19:05.560
<v Speaker 2>that is the first instance of someone restoring a green

0:19:05.680 --> 0:19:10.480
<v Speaker 2>to its historical initial form, at least on any important

0:19:10.520 --> 0:19:14.800
<v Speaker 2>course I know of in America, which was I think

0:19:15.840 --> 0:19:19.000
<v Speaker 2>both bold and courageous on the part of Augusta National,

0:19:19.119 --> 0:19:23.760
<v Speaker 2>and I think it has paid enormous dividends since it

0:19:23.840 --> 0:19:28.720
<v Speaker 2>was restored in the late nineteen seventies. So great news

0:19:28.760 --> 0:19:30.560
<v Speaker 2>there on the eighth.

0:19:30.280 --> 0:19:33.560
<v Speaker 3>Holl, Well, why don't we talk about the third hole

0:19:33.680 --> 0:19:36.879
<v Speaker 3>a little bit more and then get to some details

0:19:36.920 --> 0:19:39.800
<v Speaker 3>on the eighth hole as well. I think there's probably

0:19:39.840 --> 0:19:42.480
<v Speaker 3>more to explore on each hole. You've given us a

0:19:42.520 --> 0:19:46.439
<v Speaker 3>basic shape of the history of each hole. Now, the

0:19:46.480 --> 0:19:50.720
<v Speaker 3>third hole today is a short part four. To some

0:19:51.040 --> 0:19:56.000
<v Speaker 3>of the modern professionals. It's almost drivable, but very few

0:19:56.200 --> 0:19:59.480
<v Speaker 3>choose to attempt to drive it for a variety of reasons.

0:19:59.520 --> 0:20:03.359
<v Speaker 3>But basically, this hole is a two valley hole. You

0:20:03.760 --> 0:20:06.719
<v Speaker 3>hit your drive over a valley, and if you are

0:20:06.800 --> 0:20:08.520
<v Speaker 3>at the top of the hill in the middle of

0:20:08.520 --> 0:20:11.959
<v Speaker 3>the fairway, then you hit your approach over a valley.

0:20:12.440 --> 0:20:14.520
<v Speaker 3>You mentioned that the bunkers have been changed. I actually

0:20:14.600 --> 0:20:18.879
<v Speaker 3>looked this up, and the cluster of bunkers replaced a

0:20:18.960 --> 0:20:21.240
<v Speaker 3>big bunker that used to be in the same location.

0:20:22.040 --> 0:20:25.119
<v Speaker 3>And it was actually Jack Nicholas who suggested that in

0:20:25.160 --> 0:20:30.520
<v Speaker 3>the early eighties, and then Bob Cupp, Nicholas's design partner

0:20:30.640 --> 0:20:34.119
<v Speaker 3>at the time. I believe executed the work and was

0:20:34.160 --> 0:20:37.800
<v Speaker 3>the architect of record for that work. Fasio did make

0:20:37.840 --> 0:20:41.320
<v Speaker 3>some changes, as you mentioned later on in the early

0:20:41.359 --> 0:20:43.960
<v Speaker 3>two thousands, but they were a little more subtle. But

0:20:44.040 --> 0:20:47.400
<v Speaker 3>that's basically all that has changed about the hole. And

0:20:48.000 --> 0:20:50.160
<v Speaker 3>it's fascinating to me to walk around the course today

0:20:50.200 --> 0:20:54.600
<v Speaker 3>and look at the members tees and the championship tees

0:20:55.160 --> 0:20:58.760
<v Speaker 3>and see how different they are on every other hole

0:20:59.200 --> 0:21:03.280
<v Speaker 3>on the golf court except for three where they are

0:21:03.320 --> 0:21:06.320
<v Speaker 3>not different. This hole was three hundred and fifty yards

0:21:06.440 --> 0:21:09.280
<v Speaker 3>in nineteen thirty four and it's three hundred and fifty

0:21:09.320 --> 0:21:13.600
<v Speaker 3>yards today. So what do you think allowed this hole

0:21:13.680 --> 0:21:15.800
<v Speaker 3>to stand the test of time in this way?

0:21:15.880 --> 0:21:16.120
<v Speaker 1>Bob?

0:21:16.960 --> 0:21:19.320
<v Speaker 2>I think it's the green. I mean, I think, as

0:21:19.400 --> 0:21:24.920
<v Speaker 2>I mentioned, the place where you want to play safe,

0:21:25.240 --> 0:21:27.560
<v Speaker 2>i e. Hit a wed shot to the middle of

0:21:27.600 --> 0:21:32.000
<v Speaker 2>the green doesn't leave you. It leaves you essentially downhill

0:21:32.040 --> 0:21:36.200
<v Speaker 2>putts on a lightning fast green. Trying to play for

0:21:36.480 --> 0:21:41.480
<v Speaker 2>pins is a fool's errand they are very hard to reach.

0:21:41.640 --> 0:21:44.920
<v Speaker 2>And if you were off the green, recovery shots under

0:21:44.960 --> 0:21:49.280
<v Speaker 2>some Philly it's fairly steep hills and one bunker are

0:21:49.440 --> 0:21:55.159
<v Speaker 2>enormously difficult. It has withstood the new power Game beautifully

0:21:55.200 --> 0:21:57.919
<v Speaker 2>and in many respects, I think Dope probably feels this

0:21:58.000 --> 0:22:01.040
<v Speaker 2>way is something of a template for or how to

0:22:01.119 --> 0:22:04.800
<v Speaker 2>attack the power game today with shorter holes.

0:22:05.040 --> 0:22:07.720
<v Speaker 3>Yeah, very interesting and you know, and part of it.

0:22:07.880 --> 0:22:11.720
<v Speaker 3>In addition to the green, which is obviously defended the

0:22:11.760 --> 0:22:15.600
<v Speaker 3>hole very well from the beginning, there's also the factor

0:22:15.720 --> 0:22:20.560
<v Speaker 3>of that valley in front of the green where depending

0:22:20.600 --> 0:22:24.159
<v Speaker 3>on pin position, you really don't want to be. So

0:22:24.280 --> 0:22:26.720
<v Speaker 3>if you're trying to drive the green, you have to

0:22:26.760 --> 0:22:28.520
<v Speaker 3>really think about it because you don't want to be

0:22:28.600 --> 0:22:32.400
<v Speaker 3>long of this green, and you also in many cases

0:22:32.840 --> 0:22:35.439
<v Speaker 3>do not want to be in that valley short of

0:22:35.480 --> 0:22:39.399
<v Speaker 3>the green left where your ball will end up if

0:22:39.440 --> 0:22:44.679
<v Speaker 3>it's not exactly precise rolling perfectly onto the green, and

0:22:44.760 --> 0:22:48.160
<v Speaker 3>so it motivates I think some more cautious play where

0:22:48.160 --> 0:22:51.720
<v Speaker 3>you do see players in the Masters laying up to

0:22:52.680 --> 0:22:55.200
<v Speaker 3>the top of that hill in the fair way with

0:22:55.640 --> 0:22:58.200
<v Speaker 3>long iron or something like that and taking that full

0:22:58.280 --> 0:23:00.840
<v Speaker 3>wedge into the green because because they just don't like

0:23:00.960 --> 0:23:04.240
<v Speaker 3>anything that will happen if they miss the green, sort

0:23:04.240 --> 0:23:05.720
<v Speaker 3>of pin high or pass the pin.

0:23:06.320 --> 0:23:09.920
<v Speaker 2>I agree the two choices off the tee for pro

0:23:10.040 --> 0:23:13.000
<v Speaker 2>type players. There's one lay back at the top of

0:23:13.040 --> 0:23:15.320
<v Speaker 2>that ridge, but the second and that people of trying

0:23:15.400 --> 0:23:19.159
<v Speaker 2>this or vombit to the right and then come in

0:23:19.280 --> 0:23:21.960
<v Speaker 2>and avoid the worst of the little valley in front

0:23:21.960 --> 0:23:24.480
<v Speaker 2>of the green that way. Now. I think Tiger tried

0:23:24.520 --> 0:23:26.480
<v Speaker 2>that a couple three years ago, and others have too,

0:23:26.520 --> 0:23:29.600
<v Speaker 2>and he ended up in the woods on the right,

0:23:29.680 --> 0:23:34.679
<v Speaker 2>which all undid his strategy. But still that is But

0:23:34.720 --> 0:23:38.479
<v Speaker 2>it's that you're even thinking that way makes it a

0:23:38.600 --> 0:23:39.560
<v Speaker 2>very interesting hole.

0:23:40.119 --> 0:23:42.520
<v Speaker 3>You mentioned that the eighth hole is one of your

0:23:42.560 --> 0:23:45.000
<v Speaker 3>favorite par fives in the world.

0:23:45.560 --> 0:23:50.400
<v Speaker 2>Why is that it is almost well, it is classically strategic.

0:23:50.440 --> 0:23:54.399
<v Speaker 2>It's almost elegantly strategic in the sense that there is

0:23:54.440 --> 0:23:58.280
<v Speaker 2>a very very large bunker in the landing area. I

0:23:58.320 --> 0:24:00.600
<v Speaker 2>know some of the players these days here over it,

0:24:01.359 --> 0:24:04.479
<v Speaker 2>but there's a very large bunker right center of the

0:24:04.520 --> 0:24:09.760
<v Speaker 2>fairway because of the massive mound left front of the green.

0:24:10.520 --> 0:24:13.320
<v Speaker 2>The place you want to leave your drive ideally is

0:24:13.359 --> 0:24:16.400
<v Speaker 2>as close to that right side bunker as you can

0:24:16.520 --> 0:24:21.159
<v Speaker 2>if you aren't able to fly it, which narrows what

0:24:21.359 --> 0:24:24.240
<v Speaker 2>might appear to be a fairly wide driving area to

0:24:24.280 --> 0:24:26.080
<v Speaker 2>a fairly narrow one in the sense that if you

0:24:26.160 --> 0:24:28.359
<v Speaker 2>want to go for the green in your next shot,

0:24:28.480 --> 0:24:31.239
<v Speaker 2>you've got to play around to the right of that

0:24:31.359 --> 0:24:36.960
<v Speaker 2>massive mound front of the green. It's just a beautifully elegant,

0:24:37.240 --> 0:24:41.120
<v Speaker 2>little strategic hole, not little, a big, hard uphill hole

0:24:42.119 --> 0:24:44.240
<v Speaker 2>at which I have come to respect the more I've

0:24:44.240 --> 0:24:44.639
<v Speaker 2>seen it.

0:24:45.080 --> 0:24:50.240
<v Speaker 3>And then the green design is so daring weird, even

0:24:50.680 --> 0:24:53.040
<v Speaker 3>especially if you look at the original green and it

0:24:53.119 --> 0:24:56.280
<v Speaker 3>surrounds which I think were probably a little bit more

0:24:56.400 --> 0:25:00.679
<v Speaker 3>abrupt than they are today, or have been sent Byron

0:25:00.720 --> 0:25:04.240
<v Speaker 3>Nelson and Joe Finger restored the green from memory and

0:25:04.359 --> 0:25:08.239
<v Speaker 3>with a few photos. It's just strange, isn't it. I mean,

0:25:08.320 --> 0:25:10.520
<v Speaker 3>those big mounds on either side of the green, they

0:25:10.600 --> 0:25:15.080
<v Speaker 3>just sort of jut out of the land.

0:25:13.880 --> 0:25:17.320
<v Speaker 2>They do, and they're very very hard to chip from.

0:25:17.760 --> 0:25:21.640
<v Speaker 2>The green itself is remarkably narrow. It's deep and very narrow.

0:25:22.000 --> 0:25:24.840
<v Speaker 2>And if I might just make a comment about Mackenzie's

0:25:24.880 --> 0:25:30.000
<v Speaker 2>original greens, a lot of his greens originally had these

0:25:30.160 --> 0:25:34.320
<v Speaker 2>long fingers. Any number of them had that. They had

0:25:34.320 --> 0:25:37.719
<v Speaker 2>these odd bizarre shapes, but they all seem to involve

0:25:37.760 --> 0:25:43.000
<v Speaker 2>these long tongues and fingers, and if you put pins

0:25:43.040 --> 0:25:46.560
<v Speaker 2>in these fingers and eight is nothing but one long finger.

0:25:46.960 --> 0:25:49.840
<v Speaker 2>There's very little leeway for bailing out left or right.

0:25:49.960 --> 0:25:53.440
<v Speaker 2>You've got to go right at it. And there's a

0:25:53.480 --> 0:25:57.119
<v Speaker 2>big debate these days about whether angles matter in strategic

0:25:57.160 --> 0:26:00.000
<v Speaker 2>golf architecture. If the idea is that you should bail

0:26:00.160 --> 0:26:02.359
<v Speaker 2>out to the middle of the green and take your

0:26:02.400 --> 0:26:05.639
<v Speaker 2>two putts from there as a long term strategy for

0:26:05.760 --> 0:26:11.400
<v Speaker 2>lower scoring, McKenzie's original greens, like Doak's idea at Memorial

0:26:11.440 --> 0:26:14.119
<v Speaker 2>Golf Courps, sort of defeat that idea. In some greens,

0:26:14.160 --> 0:26:16.320
<v Speaker 2>I'm not sure where the middle of the green is

0:26:17.520 --> 0:26:20.639
<v Speaker 2>because of the odd shapes, for example, the ninth Green,

0:26:20.680 --> 0:26:25.520
<v Speaker 2>the fourth Green, other greens that just with these sort

0:26:25.520 --> 0:26:29.440
<v Speaker 2>of odd shaped where you could tuck pins in places

0:26:29.840 --> 0:26:33.439
<v Speaker 2>where you shouldn't expect a two putt two if you're

0:26:33.480 --> 0:26:36.920
<v Speaker 2>in the wrong part of the green. So the eighth

0:26:37.640 --> 0:26:41.280
<v Speaker 2>is a nice representative of that long, narrow finger type

0:26:41.359 --> 0:26:45.480
<v Speaker 2>green that I think featured either alone or in combination

0:26:45.600 --> 0:26:47.360
<v Speaker 2>with other features and other greens.

0:26:47.760 --> 0:26:51.119
<v Speaker 3>And this was something that mackenzie sort of moved toward

0:26:51.800 --> 0:26:55.040
<v Speaker 3>at the very end of his career, because if you

0:26:55.119 --> 0:26:58.600
<v Speaker 3>look at some of his earlier greens at say Metal

0:26:58.640 --> 0:27:02.280
<v Speaker 3>Club or Cypress Port Point. They are simpler. There are

0:27:02.320 --> 0:27:05.800
<v Speaker 3>some complexities to those greens, but they're very much simpler

0:27:05.840 --> 0:27:09.320
<v Speaker 3>than the greens that he built later at Pasa Tiempo

0:27:09.960 --> 0:27:13.240
<v Speaker 3>and Augusta National, where his greens started to take on

0:27:13.400 --> 0:27:19.840
<v Speaker 3>these really weird amoeba shapes with these little fingers that

0:27:19.960 --> 0:27:23.800
<v Speaker 3>went out between bunkers and just kind of wandered in

0:27:23.960 --> 0:27:27.080
<v Speaker 3>unexpected directions. And in fact, on the third hole, the

0:27:27.119 --> 0:27:30.199
<v Speaker 3>original third hole, one of the subtle changes that was

0:27:30.200 --> 0:27:33.280
<v Speaker 3>made early on is that one of these fingers that

0:27:33.400 --> 0:27:36.040
<v Speaker 3>used to be there on the front right portion of

0:27:36.080 --> 0:27:40.440
<v Speaker 3>that green got pushed back by I believe, Perry Maxwell,

0:27:40.920 --> 0:27:43.960
<v Speaker 3>and so a lot of the greens, including the seventh

0:27:43.960 --> 0:27:48.000
<v Speaker 3>which we'll talk about later, just have these little jutting

0:27:48.080 --> 0:27:51.520
<v Speaker 3>portions that went out in unexpected directions and they're just

0:27:52.119 --> 0:27:54.400
<v Speaker 3>I don't know, you know, that seems to be something

0:27:54.880 --> 0:27:57.439
<v Speaker 3>that he was looking at at the end of his

0:27:57.520 --> 0:28:02.720
<v Speaker 3>career as maybe a way to push his design experimentation,

0:28:03.359 --> 0:28:06.200
<v Speaker 3>just trying these different green shapes. Do you think do

0:28:06.240 --> 0:28:07.000
<v Speaker 3>you think that's valid?

0:28:07.760 --> 0:28:09.960
<v Speaker 2>I think, I mean, I think of it in slightly

0:28:10.000 --> 0:28:12.720
<v Speaker 2>different terms. I think of it in terms of him

0:28:13.000 --> 0:28:18.720
<v Speaker 2>forcing players to choose angles into greens, to position themselves

0:28:18.720 --> 0:28:22.640
<v Speaker 2>for the right angles into greens, because pens could be

0:28:22.680 --> 0:28:28.000
<v Speaker 2>put in places that were so unbelievably unforgiving, and unless

0:28:28.040 --> 0:28:31.400
<v Speaker 2>you hit the perfect shot, you could be, you know,

0:28:32.200 --> 0:28:34.159
<v Speaker 2>put in a position where you just can't get up

0:28:34.200 --> 0:28:36.760
<v Speaker 2>and down, which is, by the way, sort of true

0:28:36.800 --> 0:28:39.160
<v Speaker 2>of eight. I mean, if you miss wide left or

0:28:39.240 --> 0:28:43.320
<v Speaker 2>right on eight, getting up and down from those mounds

0:28:43.400 --> 0:28:47.560
<v Speaker 2>that run up both sides of that green is very

0:28:47.640 --> 0:28:48.360
<v Speaker 2>very difficult.

0:28:48.960 --> 0:28:51.880
<v Speaker 3>Now, to be more specific about the change that Clifford

0:28:51.960 --> 0:28:55.080
<v Speaker 3>Roberts made to the eighth Green, he took out the

0:28:55.080 --> 0:28:59.480
<v Speaker 3>big mounds, and those mounds are massive, and so it

0:28:59.640 --> 0:29:03.800
<v Speaker 3>was an incredibly dramatic change to just take out those

0:29:03.840 --> 0:29:07.880
<v Speaker 3>mounds and essentially turn the green into a pancake. And

0:29:07.920 --> 0:29:12.960
<v Speaker 3>the story goes that the change was so ungainly looking

0:29:13.720 --> 0:29:17.480
<v Speaker 3>that at the nineteen fifty seven Masters Augusta National actually

0:29:17.520 --> 0:29:21.479
<v Speaker 3>put up a sign saying, this change is temporary. You

0:29:21.520 --> 0:29:24.760
<v Speaker 3>know what this looks like right now is temporary, And

0:29:24.800 --> 0:29:26.800
<v Speaker 3>so it's kind of silly looking, but I believe he

0:29:26.920 --> 0:29:30.640
<v Speaker 3>did it to enhance spectator views. Am I right about that?

0:29:31.960 --> 0:29:37.000
<v Speaker 2>Sidelines? And also a fan flow around the green. The

0:29:37.120 --> 0:29:41.640
<v Speaker 2>green is up fairly close to the ninth tee, and

0:29:41.760 --> 0:29:44.480
<v Speaker 2>I think that there were some issues then and made

0:29:44.600 --> 0:29:47.760
<v Speaker 2>still to some extent now in terms of getting people

0:29:48.200 --> 0:29:50.920
<v Speaker 2>through that area down the ninth fair away.

0:29:51.560 --> 0:29:56.360
<v Speaker 3>I think this represents something that Augusta National has battled

0:29:56.440 --> 0:29:59.680
<v Speaker 3>with or tried to thread the needle of from the

0:29:59.720 --> 0:30:03.840
<v Speaker 3>begin You have, on the one hand the responsibility to

0:30:03.920 --> 0:30:07.720
<v Speaker 3>preserve this great architecture by Alistair Mackenzie and Bobby Jones,

0:30:08.120 --> 0:30:11.320
<v Speaker 3>and you have on the other hand, the responsibility to

0:30:11.400 --> 0:30:14.960
<v Speaker 3>put on the Master's tournament and allow it to be

0:30:15.160 --> 0:30:18.200
<v Speaker 3>a great patron experience as they would put it, and

0:30:18.280 --> 0:30:23.640
<v Speaker 3>to be a significant championship golf test. And so I

0:30:23.680 --> 0:30:26.640
<v Speaker 3>think that this represents some of that tension. Right Clifford

0:30:26.720 --> 0:30:31.080
<v Speaker 3>Roberts was looking to enhance the spectator experience here, but

0:30:31.600 --> 0:30:35.120
<v Speaker 3>it came at the cost of the architecture. So it's

0:30:35.120 --> 0:30:37.520
<v Speaker 3>an interesting change in that way. But what I find

0:30:37.600 --> 0:30:41.240
<v Speaker 3>really fascinating about what you're saying about the eighth whole

0:30:41.760 --> 0:30:46.000
<v Speaker 3>work that happened after Roberts's death is that it was

0:30:46.080 --> 0:30:50.720
<v Speaker 3>one of the first instances of true restoration, and so

0:30:51.200 --> 0:30:54.160
<v Speaker 3>you really haven't found any earlier instances of.

0:30:54.800 --> 0:30:59.040
<v Speaker 2>I will confess I haven't looked hard, but I don't know.

0:30:59.600 --> 0:31:04.080
<v Speaker 2>The whole idea of restoring historic golf courses is not

0:31:04.200 --> 0:31:06.800
<v Speaker 2>that old. I mean, it dates maybe to the nineteen

0:31:06.920 --> 0:31:09.840
<v Speaker 2>nineties or something. I don't you know. Doak was one

0:31:09.840 --> 0:31:11.960
<v Speaker 2>of the first to do it, I think at Garden City,

0:31:12.000 --> 0:31:14.760
<v Speaker 2>but maybe there's some of that are earlier. But it

0:31:14.880 --> 0:31:19.280
<v Speaker 2>is not that old an idea. What the motives were

0:31:19.320 --> 0:31:22.320
<v Speaker 2>for Augusta National to do it on eight, I really

0:31:22.320 --> 0:31:25.360
<v Speaker 2>don't know, but I'm certainly happy they did what they did.

0:31:26.200 --> 0:31:30.800
<v Speaker 2>Augusta is unique. You're right, Augusta is trying to thread

0:31:30.840 --> 0:31:35.960
<v Speaker 2>a very small needle between hosting a major golf tournament

0:31:36.440 --> 0:31:41.840
<v Speaker 2>and preserving McKenzie's and jones intent for the design on

0:31:41.880 --> 0:31:45.240
<v Speaker 2>the golf course. And it is a It is a

0:31:45.720 --> 0:31:51.760
<v Speaker 2>It is a source for ongoing arguments every spring, and

0:31:52.720 --> 0:31:55.000
<v Speaker 2>I have to admit I find that I enjoy them

0:31:55.120 --> 0:31:59.040
<v Speaker 2>very much. But you're right, and I you know, we

0:31:59.080 --> 0:32:04.800
<v Speaker 2>can quibble with decisions made, but those are tough calls.

0:32:05.160 --> 0:32:06.560
<v Speaker 2>Those are tough calls.

0:32:06.800 --> 0:32:09.920
<v Speaker 3>And it's easy to critique some of the changes that

0:32:09.960 --> 0:32:12.640
<v Speaker 3>have been made to the original architecture for the sake

0:32:12.720 --> 0:32:18.320
<v Speaker 3>of championship golf and patron desires. But one thing that

0:32:18.400 --> 0:32:20.760
<v Speaker 3>struck me when I was walking around Augusta National this

0:32:20.800 --> 0:32:24.840
<v Speaker 3>past week is that a great deal of the great

0:32:24.960 --> 0:32:29.959
<v Speaker 3>architecture is still intact, has been preserved. It doesn't have

0:32:30.080 --> 0:32:32.120
<v Speaker 3>to be that way. I think that they could have

0:32:32.280 --> 0:32:35.640
<v Speaker 3>eliminated a lot more of it and not come in

0:32:35.760 --> 0:32:39.120
<v Speaker 3>for a whole lot of mainstream criticism. But there's still

0:32:39.240 --> 0:32:42.560
<v Speaker 3>quite a bit of pretty radical stuff out there, and

0:32:42.640 --> 0:32:46.200
<v Speaker 3>so it's tantalizing in that way where the club has clearly,

0:32:46.760 --> 0:32:52.160
<v Speaker 3>you know, put some resources into preserving certain features, but

0:32:52.240 --> 0:32:55.360
<v Speaker 3>at the same time has also been willing to change

0:32:55.440 --> 0:32:59.920
<v Speaker 3>other features for the sake of some of these modern imperatives.

0:33:00.360 --> 0:33:03.280
<v Speaker 2>It's for that reason that Augusta nashvill can both be

0:33:03.520 --> 0:33:06.640
<v Speaker 2>my favorite golf course and the course that infuriates me

0:33:06.720 --> 0:33:12.960
<v Speaker 2>the most. Jones and we could talk about this in

0:33:12.960 --> 0:33:15.680
<v Speaker 2>a minute. But Jones and Mackenzie saw them well. At

0:33:15.720 --> 0:33:19.360
<v Speaker 2>least Jones I think saw himself as conducting an experiment

0:33:19.600 --> 0:33:22.760
<v Speaker 2>at Augusta Nashville that they were going to push the envelope,

0:33:23.280 --> 0:33:27.560
<v Speaker 2>and that envelope pushed up against and still is pushing

0:33:27.640 --> 0:33:32.200
<v Speaker 2>up against many of the expectations that professional golfers have

0:33:32.400 --> 0:33:37.520
<v Speaker 2>of a golf course. Fighting that fight since nineteen thirty

0:33:37.560 --> 0:33:40.560
<v Speaker 2>four has been I think one of the central themes

0:33:40.560 --> 0:33:41.640
<v Speaker 2>of Augusta National.

0:33:42.280 --> 0:33:44.760
<v Speaker 3>That's well said, and let's get into sort of an

0:33:44.840 --> 0:33:49.320
<v Speaker 3>instance of that, the seventh and tenth holes at Augusta.

0:33:49.840 --> 0:33:51.880
<v Speaker 3>Maybe you could just tell me about those holes what

0:33:51.920 --> 0:33:55.840
<v Speaker 3>they originally were, and assumed that people don't know or

0:33:55.920 --> 0:33:59.760
<v Speaker 3>haven't seen the pictures of those original greens, because I

0:33:59.800 --> 0:34:03.160
<v Speaker 3>think think that if everybody saw those pictures that they

0:34:03.160 --> 0:34:06.480
<v Speaker 3>would sort of be shocked at how different those holes

0:34:06.520 --> 0:34:10.360
<v Speaker 3>were in nineteen thirty four. So seven and ten, what

0:34:10.520 --> 0:34:12.680
<v Speaker 3>were those holes in the early thirties?

0:34:13.920 --> 0:34:16.120
<v Speaker 2>Seven rich was still as well. Now it's not a

0:34:16.120 --> 0:34:17.640
<v Speaker 2>short part four now I think it's four hundred and

0:34:17.680 --> 0:34:21.160
<v Speaker 2>sixty something yards. Seven was designed to be a short

0:34:21.200 --> 0:34:25.799
<v Speaker 2>part four. It was supposed to imitate some of the

0:34:25.840 --> 0:34:29.239
<v Speaker 2>playing features of the eighteenth hole at Saint Andrew's, the

0:34:29.280 --> 0:34:32.799
<v Speaker 2>home hole, including a small sort of valley of sin.

0:34:33.440 --> 0:34:36.239
<v Speaker 2>It had a large tongue on the right of the

0:34:36.280 --> 0:34:39.840
<v Speaker 2>green that went up to a small plateau and carried

0:34:39.880 --> 0:34:43.560
<v Speaker 2>across perpendicular to the line of play. Based on the

0:34:43.560 --> 0:34:46.399
<v Speaker 2>photos I've seen, it looks like the green fell off

0:34:46.600 --> 0:34:49.960
<v Speaker 2>fairly severely from right to left. But it was a

0:34:50.000 --> 0:34:52.920
<v Speaker 2>hole that even in the thirties a lot of players

0:34:52.920 --> 0:34:55.840
<v Speaker 2>could come close to driving, which was the motivation I

0:34:55.920 --> 0:34:59.160
<v Speaker 2>think for changing it. Horton Smith, who won the first

0:34:59.239 --> 0:35:04.279
<v Speaker 2>Masters Lodge, complaints with Cliff Roberts and Bob Jones that

0:35:04.400 --> 0:35:07.439
<v Speaker 2>he and other players were driving the green in some

0:35:07.560 --> 0:35:10.319
<v Speaker 2>cases and that something ought to be done about it.

0:35:10.320 --> 0:35:13.560
<v Speaker 2>So it was complaints from the pros that I think

0:35:13.719 --> 0:35:18.520
<v Speaker 2>motivated changes to seven. As to ten, I mean, some

0:35:18.560 --> 0:35:22.840
<v Speaker 2>of the similar notions apply there too. Ten was also

0:35:22.920 --> 0:35:28.879
<v Speaker 2>a fairly short part for straight downhill, a large, magnificent

0:35:28.920 --> 0:35:31.440
<v Speaker 2>bunker to the left of the green, which is still

0:35:31.480 --> 0:35:36.640
<v Speaker 2>mostly there, but there it was maybe forty yards ahead

0:35:37.000 --> 0:35:39.279
<v Speaker 2>back towards the tee where it is now in a

0:35:39.360 --> 0:35:43.120
<v Speaker 2>small valley. The strategy on the whole would have been

0:35:43.719 --> 0:35:46.120
<v Speaker 2>to keep the ball up on the right to the

0:35:46.160 --> 0:35:50.280
<v Speaker 2>extent you could to open the green up. That's very

0:35:50.320 --> 0:35:54.400
<v Speaker 2>hard to do on that sloping downhill fairway which wants

0:35:54.400 --> 0:35:58.600
<v Speaker 2>to feed balls down into the left. So it was

0:35:58.640 --> 0:36:03.440
<v Speaker 2>again kind of a l against strategic golf hole. Also

0:36:03.560 --> 0:36:08.360
<v Speaker 2>beautiful to boot that I think, although I don't have

0:36:08.360 --> 0:36:12.840
<v Speaker 2>any specific documentation or that I'm guessing seen to be

0:36:13.000 --> 0:36:16.160
<v Speaker 2>too short and too easy for professional players.

0:36:16.640 --> 0:36:19.600
<v Speaker 3>I think that the green also had a hard time

0:36:19.719 --> 0:36:23.200
<v Speaker 3>draining because it really was in a saddle next to

0:36:23.239 --> 0:36:26.640
<v Speaker 3>that famous bunker that is still there on the tenth hole.

0:36:27.000 --> 0:36:29.080
<v Speaker 3>But what's interesting about what you're saying is that this

0:36:29.200 --> 0:36:32.400
<v Speaker 3>strategy of the hole was basically the opposite of what

0:36:32.440 --> 0:36:35.640
<v Speaker 3>it is today. Today, players are trying to get their

0:36:35.640 --> 0:36:39.279
<v Speaker 3>hole to get their ball, rather to run down to

0:36:39.360 --> 0:36:42.960
<v Speaker 3>the left and give them a better angle into that

0:36:43.120 --> 0:36:46.640
<v Speaker 3>green and cut off some of the distance of that approach.

0:36:47.280 --> 0:36:53.080
<v Speaker 3>But back in the early thirties, that hole was about

0:36:53.360 --> 0:36:55.880
<v Speaker 3>trying to stay to the right, and if you caught

0:36:55.880 --> 0:36:57.879
<v Speaker 3>that little speed slot to the left, you would find

0:36:57.880 --> 0:37:03.160
<v Speaker 3>yourself hitting this pitch over the famous bunker to a

0:37:03.200 --> 0:37:05.520
<v Speaker 3>green in a saddle on the other side, which must

0:37:05.520 --> 0:37:09.480
<v Speaker 3>have been a very very difficult shot. So kind of

0:37:09.480 --> 0:37:12.480
<v Speaker 3>a funky hole and quite different from what it is today.

0:37:12.640 --> 0:37:15.239
<v Speaker 2>Yeah, there is a little plateau on the right side

0:37:15.239 --> 0:37:17.440
<v Speaker 2>of the ferryway before it falls off down to the

0:37:17.520 --> 0:37:22.160
<v Speaker 2>left where I've always thought would be the ideal place

0:37:22.200 --> 0:37:24.480
<v Speaker 2>to leave a drive or a layup shot of some

0:37:24.520 --> 0:37:28.240
<v Speaker 2>sort to approach the old green from there.

0:37:28.960 --> 0:37:32.160
<v Speaker 3>So in both cases Perry Maxwell came in in the

0:37:32.239 --> 0:37:38.160
<v Speaker 3>late thirties and moved the seventh and tenth greens back

0:37:38.200 --> 0:37:42.080
<v Speaker 3>to a hillside on the other side of a little valley,

0:37:42.280 --> 0:37:45.600
<v Speaker 3>I guess in the case of ten and a hillside

0:37:46.120 --> 0:37:50.799
<v Speaker 3>just behind the original green on seven. But essentially in

0:37:50.840 --> 0:37:55.480
<v Speaker 3>both cases he was creating a naturally elevated green on

0:37:55.560 --> 0:38:00.360
<v Speaker 3>a little hillside and lengthening the holes, and the holes

0:38:00.360 --> 0:38:03.479
<v Speaker 3>are what they are today today. Seven is this green

0:38:03.520 --> 0:38:07.839
<v Speaker 3>that's kind of benched in to a hillside with bunkers

0:38:08.000 --> 0:38:11.960
<v Speaker 3>all around the green, sort of a shallow green and

0:38:12.000 --> 0:38:14.520
<v Speaker 3>one of the smaller ones on the course. And then

0:38:14.680 --> 0:38:19.759
<v Speaker 3>on ten the green is perched sort of on this

0:38:19.920 --> 0:38:24.919
<v Speaker 3>hill that falls off severely to the left. So elevated

0:38:25.400 --> 0:38:29.399
<v Speaker 3>Perry Maxwell greens for both of these holes that made

0:38:29.440 --> 0:38:32.920
<v Speaker 3>them longer, made them sort of stout par fours, which

0:38:32.960 --> 0:38:36.000
<v Speaker 3>they are today. So what do you think was the

0:38:36.040 --> 0:38:40.800
<v Speaker 3>idea or the philosophy behind those changes.

0:38:41.400 --> 0:38:43.440
<v Speaker 2>There is not a lot There has not been a

0:38:43.480 --> 0:38:48.800
<v Speaker 2>lot written about what motivated Maxwell to make the changes.

0:38:49.760 --> 0:38:55.759
<v Speaker 2>I've dug into some of the newspaper accounts and it

0:38:56.960 --> 0:39:00.959
<v Speaker 2>there's a lot of interesting stuff going on. I think

0:39:01.960 --> 0:39:05.160
<v Speaker 2>Maxwell felt, and I don't know he must have gotten

0:39:05.200 --> 0:39:10.000
<v Speaker 2>this from people at Augusta National that the attempt to

0:39:10.080 --> 0:39:14.840
<v Speaker 2>make Augusta National a Lynxy type golf course just simply

0:39:14.920 --> 0:39:18.880
<v Speaker 2>didn't work, not only for the pros playing the Masters,

0:39:18.960 --> 0:39:23.000
<v Speaker 2>but as you noted, for some drainage reasons and other reasons.

0:39:23.680 --> 0:39:29.280
<v Speaker 2>Georgia red clay does not percolate its sheet drains, and

0:39:29.360 --> 0:39:33.440
<v Speaker 2>mackenzie didn't have a lot of experience on that sort

0:39:33.480 --> 0:39:37.879
<v Speaker 2>of turf and soil, so that might have been part

0:39:37.920 --> 0:39:39.759
<v Speaker 2>of it. But I think there was also a very

0:39:39.800 --> 0:39:46.000
<v Speaker 2>clear attempt by Maxwell to unlinksify a lot of those

0:39:46.080 --> 0:39:51.319
<v Speaker 2>holes there are. And I've always been curious about Jones's

0:39:51.760 --> 0:39:55.359
<v Speaker 2>reaction to that. And I found something the other day

0:39:55.520 --> 0:39:58.960
<v Speaker 2>which both sort of confirmed and troubled me at the

0:39:58.960 --> 0:40:03.600
<v Speaker 2>same time, where Jones and this is from nineteen thirty eight,

0:40:04.000 --> 0:40:06.279
<v Speaker 2>and this is a newspaper account of what was going

0:40:06.280 --> 0:40:10.040
<v Speaker 2>on with Maxwell at Augustine nashvill and they count reads

0:40:10.200 --> 0:40:14.920
<v Speaker 2>as follows. Although Bob Jones felt that the original job

0:40:15.040 --> 0:40:19.799
<v Speaker 2>done by the late Alistair McKenzie was beyond reproach, he

0:40:19.920 --> 0:40:23.520
<v Speaker 2>has yielded to the wishes of others, and the changes

0:40:23.560 --> 0:40:26.760
<v Speaker 2>made in nineteen thirty seven and this summer nineteen thirty

0:40:26.800 --> 0:40:31.719
<v Speaker 2>eight by Perry Maxwell have eliminated a number of original features.

0:40:33.160 --> 0:40:35.799
<v Speaker 2>I think the importance of the Masters by the late

0:40:35.920 --> 0:40:40.720
<v Speaker 2>nineteen thirties was importance in the sense that the club

0:40:41.280 --> 0:40:45.360
<v Speaker 2>club's financial future depended on the revenues from the Masters,

0:40:45.400 --> 0:40:48.480
<v Speaker 2>at least during the Great Depression. I think the importance

0:40:48.520 --> 0:40:51.520
<v Speaker 2>of that event for the viability of the club was

0:40:51.600 --> 0:40:57.839
<v Speaker 2>such that I think Jones, notwithstanding his conviction that Mackenzie's

0:40:57.880 --> 0:41:04.359
<v Speaker 2>design was beyond I think he realized to continue to

0:41:04.560 --> 0:41:08.359
<v Speaker 2>make the tournament appealing to professional players, the changes had

0:41:08.360 --> 0:41:11.759
<v Speaker 2>to be made, and there's a bit of tragedy in that.

0:41:11.960 --> 0:41:15.640
<v Speaker 2>I think Jones was fully aware that a lot of

0:41:15.640 --> 0:41:18.600
<v Speaker 2>the things that he and Mackenzie had thought were important

0:41:19.320 --> 0:41:22.839
<v Speaker 2>had to be subsumed to those higher goals for the

0:41:22.840 --> 0:41:27.319
<v Speaker 2>golf course. I think, for example, his shock at the

0:41:27.440 --> 0:41:30.600
<v Speaker 2>changes that were made to the a toll. He was

0:41:30.640 --> 0:41:35.319
<v Speaker 2>appalled by them, but ended up living with them. I

0:41:35.360 --> 0:41:39.800
<v Speaker 2>think Maxwell's changes in thirty seven and thirty eight set

0:41:39.840 --> 0:41:43.360
<v Speaker 2>the tone for further changes made by Robert Trent Jones

0:41:43.560 --> 0:41:48.600
<v Speaker 2>ten years later. I think the idea was to preserve

0:41:48.760 --> 0:41:53.240
<v Speaker 2>the course as a challenging site for a major golf tournament,

0:41:54.320 --> 0:41:57.960
<v Speaker 2>and part of that was because at least in the

0:41:58.000 --> 0:42:02.319
<v Speaker 2>first ten years or so, club needed to have that

0:42:02.960 --> 0:42:07.840
<v Speaker 2>tournament conducted there as a revenue source. Later on they didn't.

0:42:08.040 --> 0:42:11.560
<v Speaker 2>The revenue source was, I guess irrelevant. They had other

0:42:11.600 --> 0:42:15.040
<v Speaker 2>sources of revenue. One of the things that I hope

0:42:15.120 --> 0:42:18.120
<v Speaker 2>historians do it better, and I maybe should try to

0:42:18.160 --> 0:42:22.920
<v Speaker 2>do it, is that Maxwell, in several newspaper accounts, talks

0:42:22.960 --> 0:42:26.560
<v Speaker 2>about in thirty seven and thirty eight reducing a lot

0:42:26.600 --> 0:42:29.000
<v Speaker 2>of the mounding on the golf course, which had been

0:42:29.040 --> 0:42:32.600
<v Speaker 2>an attempt to make it feel more lenksy. That was

0:42:32.680 --> 0:42:38.560
<v Speaker 2>certainly the case on seven, it was certainly the case

0:42:38.600 --> 0:42:43.080
<v Speaker 2>to some extent on ten. What is interesting is that

0:42:43.160 --> 0:42:46.920
<v Speaker 2>you compare old photos from the thirties with photos from

0:42:46.920 --> 0:42:50.560
<v Speaker 2>the fifties or sixties, and clearly mounting in any number

0:42:50.560 --> 0:42:55.200
<v Speaker 2>of spots is lower and less dramatic. The record of

0:42:55.239 --> 0:42:59.560
<v Speaker 2>what exactly Maxwell did with all that mounding is at

0:42:59.600 --> 0:43:05.040
<v Speaker 2>best unclear, but I suspect that he made changes. His

0:43:05.120 --> 0:43:08.880
<v Speaker 2>exchanges to Augusta National were in many cases small, subtle

0:43:08.920 --> 0:43:13.520
<v Speaker 2>and unrecorded, unlesser things than the Augusta National Archives I'm

0:43:13.560 --> 0:43:18.080
<v Speaker 2>unaware of, but it was a big change, and I

0:43:18.120 --> 0:43:21.239
<v Speaker 2>think the changes since then, with the exception again of

0:43:21.320 --> 0:43:25.280
<v Speaker 2>Byron Nelson and Joe Fingers restoration of the Eighth Green,

0:43:25.920 --> 0:43:28.200
<v Speaker 2>that have continued more or less a pay since.

0:43:29.280 --> 0:43:34.120
<v Speaker 3>Something that's so curious about the identity of Augusta National

0:43:34.360 --> 0:43:38.080
<v Speaker 3>as a work of architecture overall is that it started

0:43:38.080 --> 0:43:41.520
<v Speaker 3>out as this is what Jones and Mackenzie intended at

0:43:41.600 --> 0:43:47.240
<v Speaker 3>least as an inland links as an experiment with trying

0:43:47.320 --> 0:43:53.400
<v Speaker 3>to create a real links course on an inland site. Today,

0:43:53.840 --> 0:43:58.400
<v Speaker 3>I think Augusta National is known and comes across as

0:43:59.160 --> 0:44:04.080
<v Speaker 3>the ultimate parkland course. And so I wonder if these

0:44:04.200 --> 0:44:07.360
<v Speaker 3>changes by Perry Maxwell in the late nineteen thirties. And

0:44:07.400 --> 0:44:09.320
<v Speaker 3>by the way, one of the iron news here is

0:44:09.360 --> 0:44:12.800
<v Speaker 3>that Perry Maxwell created one of the most authentic links

0:44:12.840 --> 0:44:16.719
<v Speaker 3>golf courses inland in America in prairie dunes, and so

0:44:16.760 --> 0:44:19.960
<v Speaker 3>it's not as if he was the sort of Parkland

0:44:20.360 --> 0:44:23.239
<v Speaker 3>hack job ban coming in and taking out all the

0:44:23.280 --> 0:44:24.920
<v Speaker 3>link stuff. He was asked to do this and he

0:44:24.960 --> 0:44:28.320
<v Speaker 3>did it. But do you think that the late thirties

0:44:28.360 --> 0:44:30.920
<v Speaker 3>is sort of the time when Augusta National started that

0:44:31.040 --> 0:44:35.920
<v Speaker 3>slow transition away from its original vision as the ultimate

0:44:36.000 --> 0:44:41.280
<v Speaker 3>inland links course and toward the Parkland Major Championship Test

0:44:41.440 --> 0:44:42.520
<v Speaker 3>that it's known as today.

0:44:43.640 --> 0:44:46.160
<v Speaker 2>I couldn't agree more. I think that Maxwell set the

0:44:46.239 --> 0:44:51.200
<v Speaker 2>direction for subsequent changes. By the way, speaking of Prairie Dunes,

0:44:51.360 --> 0:44:54.000
<v Speaker 2>Maxwell is quoted in a couple of newspaper articles in

0:44:54.080 --> 0:44:58.800
<v Speaker 2>nineteen thirty seven is saying the land and the terrain

0:44:59.000 --> 0:45:03.200
<v Speaker 2>at Augusta is not suitable as a setting for a

0:45:03.280 --> 0:45:10.120
<v Speaker 2>links course. However, the course I designed Prairie Dunes is

0:45:10.200 --> 0:45:15.160
<v Speaker 2>suitable as a Lynx venue. So he made a clear

0:45:15.160 --> 0:45:17.640
<v Speaker 2>distinction there. And I think this has to do again

0:45:17.680 --> 0:45:20.719
<v Speaker 2>with the turf in the terrain at Augusta, that it

0:45:20.920 --> 0:45:24.120
<v Speaker 2>just didn't work very well there, and that Jones is

0:45:24.160 --> 0:45:28.840
<v Speaker 2>in McKenzie's grand experiment maybe was conducted in the wrong locale.

0:45:29.560 --> 0:45:31.520
<v Speaker 3>Do you think it's possible he was right about that?

0:45:31.880 --> 0:45:35.520
<v Speaker 3>I feel like I'm playing Devil's advocate here, But do

0:45:35.560 --> 0:45:39.000
<v Speaker 3>you think it's possible that the idea of building an

0:45:39.040 --> 0:45:43.960
<v Speaker 3>inland links on this property was just somewhat wrong headed

0:45:43.960 --> 0:45:44.640
<v Speaker 3>from the beginning.

0:45:45.960 --> 0:45:49.240
<v Speaker 2>I want to defend Jones and Mackenzie. In this sense,

0:45:50.040 --> 0:45:53.840
<v Speaker 2>replicating the old course of Saint Andrew's or Mirfield or

0:45:53.920 --> 0:45:59.240
<v Speaker 2>other links courses, I think was probably unachievable in any event,

0:45:59.560 --> 0:46:04.200
<v Speaker 2>given the nature of the terrain at Augusta National. However,

0:46:05.400 --> 0:46:10.799
<v Speaker 2>I think that their ambitions extended beyond that. I think

0:46:10.840 --> 0:46:14.840
<v Speaker 2>they were actually trying to push the concepts of strategic

0:46:14.840 --> 0:46:18.240
<v Speaker 2>golf architecture to a place they had never been before.

0:46:18.760 --> 0:46:22.000
<v Speaker 2>As I think I've said before, it's sort of strategic

0:46:22.040 --> 0:46:25.120
<v Speaker 2>golf course architecture, as we used to say in the sixties,

0:46:25.520 --> 0:46:31.000
<v Speaker 2>on acid and some of the green contours, the green shapes,

0:46:31.280 --> 0:46:34.759
<v Speaker 2>some of the shots he's asking players to hit to

0:46:35.080 --> 0:46:39.520
<v Speaker 2>very very narrow pinnable areas are nuts. I mean, we

0:46:39.560 --> 0:46:42.640
<v Speaker 2>think of them as nuts today. But I think that

0:46:42.640 --> 0:46:45.840
<v Speaker 2>it was part of a larger part of this experiment.

0:46:46.640 --> 0:46:49.440
<v Speaker 2>Jones was very clear he thought this was an experiment

0:46:49.960 --> 0:46:53.600
<v Speaker 2>that might have but for the intervention of the Great Depression,

0:46:54.280 --> 0:46:57.879
<v Speaker 2>World War two. We can think of other counterfactuals might

0:46:57.920 --> 0:47:03.280
<v Speaker 2>have set golf architecture in a very direction. And that's

0:47:03.680 --> 0:47:10.680
<v Speaker 2>my regret about Augusta National, because following on in the

0:47:10.719 --> 0:47:14.800
<v Speaker 2>forties is Robert Trent Jones, Dick Wilson, and some others.

0:47:15.600 --> 0:47:19.080
<v Speaker 2>To some extent, we didn't start reverting back to some

0:47:19.120 --> 0:47:22.040
<v Speaker 2>of the ideas that Mackenzie and Jones were trying to

0:47:22.040 --> 0:47:24.880
<v Speaker 2>do at Augustin National until sometime in the nineteen nineties,

0:47:24.920 --> 0:47:28.600
<v Speaker 2>maybe even later with Dope Core Crenshaw and some others,

0:47:29.080 --> 0:47:32.239
<v Speaker 2>And I'm not sure even they were prepared to be

0:47:32.320 --> 0:47:37.000
<v Speaker 2>as radical as Mackenzie was at Augusta National. He had

0:47:37.000 --> 0:47:43.000
<v Speaker 2>the ideal owner at that point, Jones, to try to

0:47:43.040 --> 0:47:45.839
<v Speaker 2>carry out some of those experiments. A lot of them

0:47:45.880 --> 0:47:50.480
<v Speaker 2>have been domesticated. Greens now are very oblong and consistent.

0:47:51.520 --> 0:47:55.400
<v Speaker 2>The contours that sort of leveled out and undulations are muted.

0:47:55.520 --> 0:48:00.319
<v Speaker 2>Now it is much more a parkland course. But God,

0:48:00.360 --> 0:48:03.960
<v Speaker 2>it's sad to see the experiment go away, because at

0:48:03.960 --> 0:48:10.640
<v Speaker 2>one point in time it was a remarkable, remarkable effort.

0:48:11.719 --> 0:48:14.879
<v Speaker 2>The thing I wonder, and maybe there's just no good

0:48:14.920 --> 0:48:17.800
<v Speaker 2>answer to this, is that a lot of the modern

0:48:17.880 --> 0:48:23.160
<v Speaker 2>designs by living golf architects and trying to figure out

0:48:23.239 --> 0:48:26.840
<v Speaker 2>how to design shorter courses i e. Less than seventy

0:48:26.840 --> 0:48:30.200
<v Speaker 2>four hundred yard courses that will also stand up to

0:48:30.239 --> 0:48:33.000
<v Speaker 2>the pros. It strikes me that a lot of the

0:48:33.040 --> 0:48:36.800
<v Speaker 2>ideas that are experimenting with are ones that Mackenzie tried

0:48:37.400 --> 0:48:41.520
<v Speaker 2>at Augusta, Nashvial. These little fingerlets on the greens, odd shapes,

0:48:41.640 --> 0:48:45.040
<v Speaker 2>bumps and humps, undulations. One thing pros hate to do

0:48:45.120 --> 0:48:50.719
<v Speaker 2>is hit off uneven lies. All of that are all

0:48:50.760 --> 0:48:54.000
<v Speaker 2>those things are being tried, and I think somewhat successfully

0:48:54.440 --> 0:48:57.760
<v Speaker 2>in trying to combat the power game of the pros.

0:48:58.600 --> 0:49:01.840
<v Speaker 2>So I wonder, I wonder maybe we've come full circle.

0:49:01.920 --> 0:49:04.680
<v Speaker 2>Maybe some of the things, maybe some of the features

0:49:04.680 --> 0:49:08.399
<v Speaker 2>that Mackenzie had built at Augusta really do work. Now

0:49:08.440 --> 0:49:11.080
<v Speaker 2>the pros will hate him, and they said they hated

0:49:11.120 --> 0:49:16.279
<v Speaker 2>him back in nineteen thirty seven. There is a persistent,

0:49:17.120 --> 0:49:22.759
<v Speaker 2>enduring conflict in the evolution of golf, not just in architecture,

0:49:22.760 --> 0:49:26.160
<v Speaker 2>but frankly also the rules between a group who want

0:49:26.200 --> 0:49:31.160
<v Speaker 2>to see golf become a fair more rational game i e.

0:49:31.400 --> 0:49:35.080
<v Speaker 2>That's usually professional players, and those who want to see

0:49:35.120 --> 0:49:40.919
<v Speaker 2>golf as a more interesting, difficult game that involves luck

0:49:41.239 --> 0:49:45.359
<v Speaker 2>and randomness that one has to learn to deal with.

0:49:46.360 --> 0:49:49.440
<v Speaker 2>Mackenzie and Jones I think came down the side of

0:49:50.320 --> 0:49:55.520
<v Speaker 2>more interesting, unpredictable golf courses, less predictable golf courses, I

0:49:55.520 --> 0:49:58.239
<v Speaker 2>guess is a better way to put it. And they

0:49:58.280 --> 0:50:02.399
<v Speaker 2>were I think, at some point along the way overrun

0:50:02.520 --> 0:50:06.080
<v Speaker 2>by the professional perspective, which is they need to be

0:50:06.120 --> 0:50:11.719
<v Speaker 2>more free, fair and rational. And that evolution begins at

0:50:11.719 --> 0:50:16.000
<v Speaker 2>Augustine National with the arrival of Perry Maxwell on the scene.

0:50:17.320 --> 0:50:24.600
<v Speaker 2>But but that clash continues today with modern architects clashing

0:50:24.680 --> 0:50:28.120
<v Speaker 2>against people who want fair golf courses, that sort of thing.

0:50:28.920 --> 0:50:33.200
<v Speaker 2>And it's it's, uh, it's a clash that I think

0:50:33.239 --> 0:50:37.120
<v Speaker 2>will always be with golf, and God blessed both sides

0:50:37.120 --> 0:50:40.120
<v Speaker 2>of that. It's you know there, it's it's uh, it's

0:50:40.120 --> 0:50:44.719
<v Speaker 2>a wonderful, energetic thing to follow as things play out.

0:50:45.520 --> 0:50:47.960
<v Speaker 3>Well, Bob, thank you for coming back on the podcast.

0:50:48.360 --> 0:50:52.479
<v Speaker 3>Really appreciate talking to you as always, and enjoy Masters week.

0:50:52.880 --> 0:50:53.640
<v Speaker 2>Thanks very much.

0:51:04.239 --> 0:51:06.920
<v Speaker 3>This episode of the Frida Egg Podcast was produced and

0:51:07.080 --> 0:51:10.800
<v Speaker 3>edited by Matt Rushius. Thank you, Matt. One quick note

0:51:10.840 --> 0:51:13.360
<v Speaker 3>if you haven't visited the Frida Egg pro shop lately,

0:51:13.880 --> 0:51:15.920
<v Speaker 3>we have a lot of new stuff in there. We

0:51:16.040 --> 0:51:21.759
<v Speaker 3>have in particular some seasonal perhaps green hued merchandise on

0:51:22.040 --> 0:51:24.799
<v Speaker 3>a theme that might be relevant to this particular time

0:51:24.840 --> 0:51:29.320
<v Speaker 3>of year, including a Potter headcover with a certain bunker

0:51:29.400 --> 0:51:32.960
<v Speaker 3>design that is just really really cool looking. A lot

0:51:33.000 --> 0:51:35.879
<v Speaker 3>of this stuff is going pretty quick. It's flying off

0:51:35.920 --> 0:51:38.600
<v Speaker 3>the shelves or flying out of the house where we

0:51:38.640 --> 0:51:42.160
<v Speaker 3>store all our merchandise, to put it more specifically. So

0:51:42.480 --> 0:51:44.799
<v Speaker 3>if you're interested in any of that and you want

0:51:44.840 --> 0:51:48.120
<v Speaker 3>to support the Friday Egg with a pro shop purchase,

0:51:48.200 --> 0:51:52.560
<v Speaker 3>then go to pro shop Dotthfrida egg dot com and

0:51:52.960 --> 0:51:55.680
<v Speaker 3>check out what we have in there. It's a full

0:51:56.200 --> 0:51:58.480
<v Speaker 3>range of stuff. You know, you can get your usual

0:51:58.880 --> 0:52:02.200
<v Speaker 3>T shirts and shirts and all that kind of stuff,

0:52:02.600 --> 0:52:05.880
<v Speaker 3>as well as headcovers. We also have an extensive print

0:52:05.920 --> 0:52:09.680
<v Speaker 3>shop with some beautiful photography from Andy Johnson and Cameron

0:52:09.719 --> 0:52:13.239
<v Speaker 3>heard us of various great courses that we love, so

0:52:13.280 --> 0:52:17.320
<v Speaker 3>again proshop Dotthfrida egg dot com. Thank you for listening,

0:52:17.560 --> 0:52:20.480
<v Speaker 3>and we'll be back with a master's recap pod at

0:52:20.480 --> 0:52:37.960
<v Speaker 3>the beginning of next week.