WEBVTT - Alien: Earth 101 & 102 Roundtable

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<v Speaker 1>Worrying. Today's Roundtable episode candid spoilers for Alien Earth Episode

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<v Speaker 1>one and two be one. Hello, my name is Jascontepcio

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<v Speaker 1>and I'm risday Night and welcome back to x Ray

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<v Speaker 1>Vision of the podcast movie I've d Video, Favorite Shows, Movies, comment.

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<v Speaker 1>It's a pop culture company from My Heart podcast, where

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<v Speaker 1>we're bringing you three episodes a week and Tuesday Thursday,

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<v Speaker 1>I'm asked the summer's biggest movies on Friday.

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<v Speaker 2>In today's episode, we are joined by super producers Joe

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<v Speaker 2>Monique and Carmon Lorenz to dig even deeper on the

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<v Speaker 2>first two episodes of FX is Alien Earth, which is

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<v Speaker 2>taking the Internet and the TV watching world by storm.

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<v Speaker 2>We are going to discuss the evolution of the creatures

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<v Speaker 2>and where we are. The timeline is alien as we

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<v Speaker 2>know it? Have we been here before? It is the

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<v Speaker 2>earliest part of the Alien timeline we've seen, what did

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<v Speaker 2>we know about it? And we'll also be exploring some

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<v Speaker 2>of the history of Whyland, Utawni's and their executives from

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<v Speaker 2>the movies.

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<v Speaker 1>But first let's bring in our super producers. Should talk

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<v Speaker 1>about Neverland and Mister October. The first and second episodes

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<v Speaker 1>of Alien Earth on FX. Carmen Joel, welcome to the program.

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<v Speaker 3>Hey, greetings and salutation.

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<v Speaker 1>Okay, let's get let's get your overall thoughts first, Carmen, let's.

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<v Speaker 2>Start with you.

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<v Speaker 3>I'm having a really great time watching this. First two

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<v Speaker 3>episodes were very enjoyable. I know, you know, I know

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<v Speaker 3>that we don't need all of the Alien kind of

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<v Speaker 3>nostalgia just stuff like that, We don't need all of it,

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<v Speaker 3>but I did. I was a sucker for it. I

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<v Speaker 3>have to admit I was a sucker for that little

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<v Speaker 3>bit of nosogia. I'm like, yes, we are paying homage

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<v Speaker 3>to the original property. We're keeping the spirit of the

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<v Speaker 3>original property in mind, and I was thrilled when I

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<v Speaker 3>saw that all of those elements were still there basically.

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<v Speaker 3>And I'm enjoying the mystery as it unfolds because there

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<v Speaker 3>are so many questions that I have for what is

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<v Speaker 3>going on in this series, and I'm really hoping that,

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<v Speaker 3>you know, they don't leave us with a bunch of

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<v Speaker 3>un answered questions by episode eight. So we'll see, Joelle,

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<v Speaker 3>your thoughts. I love this series.

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<v Speaker 4>I was trying to contemplate the first time I saw Alien.

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<v Speaker 4>It's one of those movies I've watched so young, probably

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<v Speaker 4>between five or seven the first time I saw it,

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<v Speaker 4>But it just is like a seminal ingrained part of

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<v Speaker 4>my life. And to come into this series and have

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<v Speaker 4>it not just be so well performed, like beautiful production design.

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<v Speaker 4>I'm obsessed with these sets. I could just look at

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<v Speaker 4>just like photos of the set forever. They're so rich

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<v Speaker 4>in detail. But to also find us face swear a

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<v Speaker 4>lot of different lore. I'm talking like potentially video game stuff,

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<v Speaker 4>comic book stuff coming being woven into a Lord that's

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<v Speaker 4>felt pretty sparse, you know, it's under the Disney umbrella.

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<v Speaker 4>Now we're seeing a Predator property come out shortly that

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<v Speaker 4>looks like it might have some overlapping connection. And it

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<v Speaker 4>definitely has overlapping connection into the Alien universe, but perhaps

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<v Speaker 4>there's like closer connection now since they're coming out so

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<v Speaker 4>close together.

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<v Speaker 1>I just I think it's.

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<v Speaker 3>Android confirmed to be a Whailand Android.

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<v Speaker 4>Yeah, yeah, let's just.

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<v Speaker 1>Say so, they're definitely connected.

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<v Speaker 4>I just think that there's so much here to like

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<v Speaker 4>dive into that I bullied you guys into doing a

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<v Speaker 4>second episode so we could talk about it because I

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<v Speaker 4>was like, I'm just enthralled with all of these characters

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<v Speaker 4>from Tim's the Olafant's Kersh who's so weird and in

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<v Speaker 4>the background and he's really cooking but not doing too

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<v Speaker 4>much yet You're like, I know that that guy is

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<v Speaker 4>gonna swing in.

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<v Speaker 2>And I also I love these kids. It's early days

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<v Speaker 2>on them.

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<v Speaker 4>I know everyone's not yet sold on the children.

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<v Speaker 2>But I love a child. I love a child.

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<v Speaker 1>Hold on, we're jumping into it, so let's jump into

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<v Speaker 1>that conversation. I want to say that, well, you should say,

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<v Speaker 1>because you just came from a recording of a different

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<v Speaker 1>podcast property in which I think people were much more

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<v Speaker 1>not sold on the kids. Yeah, I want to say personally,

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<v Speaker 1>I am not not sold. I am after specifically after

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<v Speaker 1>episode two. I'm like all in on the show that

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<v Speaker 1>said I did note I thought there were certain storytelling

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<v Speaker 1>things that could have been stronger to build a more

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<v Speaker 1>connection with the kids.

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<v Speaker 2>It didn't.

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<v Speaker 1>I didn't personally end up missing it, but I did

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<v Speaker 1>feel it there when I was watching it. But tell

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<v Speaker 1>us about this, tell us about the insights of your

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<v Speaker 1>fellow co host podcast, the podcast in the podcast that

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<v Speaker 1>you just came from.

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<v Speaker 4>Yeah, I think what I'm hearing, and it has for

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<v Speaker 4>a lot of different men who've seen the show. They're like,

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<v Speaker 4>kids are too plucky, there's too much you know, just

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<v Speaker 4>is this their proper aid? So we're like they're acting

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<v Speaker 4>like their five year old I'm like, this is actually

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<v Speaker 4>accurate for nine and ten and twelve year old behavior

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<v Speaker 4>that I've seen. You know, I'm not an expert. I

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<v Speaker 4>don't fully remember being nine or ten, but like the

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<v Speaker 4>giggling at curse words was so familiar to me that

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<v Speaker 4>I was like, this is such a delight. And I

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<v Speaker 4>understand that they also mentioned and will get more into

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<v Speaker 4>this too, but that the peter pan of it all

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<v Speaker 4>felt too quirky and it was overbearing. But for me,

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<v Speaker 4>all of these things work in the evolution of the

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<v Speaker 4>franchise because eventually, what you know, aliens all about like

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<v Speaker 4>the horrors of women being inflicted upon men and watching

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<v Speaker 4>them sort of navigate those horrors to reduce it to children,

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<v Speaker 4>and I don't say reduced, but like to switch it

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<v Speaker 4>to children and the horrors they're forced upon them. You know,

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<v Speaker 4>there's like a lot about like helicopter parents in here,

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<v Speaker 4>just they're possibly being observed. They don't go anywhere, they

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<v Speaker 4>don't get to say in their lives at all.

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<v Speaker 3>Uh.

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<v Speaker 4>I think that reflection is nice and as you know,

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<v Speaker 4>folks who came into this and a franchise so young,

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<v Speaker 4>I think this is a nice like gateway for other

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<v Speaker 4>young horror viewers, you know.

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<v Speaker 2>I was just also gonna say, like, I think the

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<v Speaker 2>point of it is like that the way that children

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<v Speaker 2>and this is something that I know we've kind of

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<v Speaker 2>been talking about off mic a little bit, but like

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<v Speaker 2>bring her back weapons this. I think a lot of

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<v Speaker 2>this stuff is about like the horror of being a

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<v Speaker 2>kid and how you don't really have any autonomy over

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<v Speaker 2>your body, and here they take that to the extreme

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<v Speaker 2>because these are owned by a corporation. I will also

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<v Speaker 2>say I do think the Peter Pan thing, I've heard

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<v Speaker 2>that come up a lot. But I saw a great

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<v Speaker 2>quote with the kid who plays Boy Cavalier that was

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<v Speaker 2>from San Diego, I think, on space dot com and

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<v Speaker 2>he was basically just like he misread the book. Guys,

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<v Speaker 2>like that's the point. Like he's obsessed with this thing

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<v Speaker 2>and he doesn't understand it, and he thinks the story

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<v Speaker 2>of Peter Pan is like it wouldn't it be cool

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<v Speaker 2>to not grow up? But the whole point of Peter

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<v Speaker 2>Pan is like, no, if you don't grow up, you're

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<v Speaker 2>never gonna learn how to like love and empathize.

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<v Speaker 4>Yeah, but I also think it works on the level of,

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<v Speaker 4>like Wendy chose her own name, and there's something to

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<v Speaker 4>be said about like he plays Peter Pan is like

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<v Speaker 4>this is a comforting like regular children's story that you

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<v Speaker 4>can like sink into while you go into this tays

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<v Speaker 4>be like a traumatic transfer. Okay, great, when she decides

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<v Speaker 4>to call herself Wendy's there's like a tick to him

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<v Speaker 4>and he's like, what's going on with that? And they

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<v Speaker 4>build off of this idea into all of the children,

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<v Speaker 4>and so you know, I was, I feel like I

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<v Speaker 4>understand why people like this is heavy handed. It's because

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<v Speaker 4>it doesn't have a conclusion yet. You're like, I don't

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<v Speaker 4>really know it. It feels kind of surfacey and it.

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<v Speaker 2>Might stay that way.

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<v Speaker 4>But I think the text of Peter Pan, it's created

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<v Speaker 4>before World War One, but it becomes sort of an

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<v Speaker 4>analogy for the Lost generation. The author wrote the stories

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<v Speaker 4>for his adoptive sons, one of who actually died in

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<v Speaker 4>World War One, and I think if we can get

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<v Speaker 4>back to that, like again, the terror of the children

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<v Speaker 4>have to face, the way we sort of negotiate within

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<v Speaker 4>ourselves as we're growing up.

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<v Speaker 2>How much of a child am I?

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<v Speaker 4>How much of an adult to my and at what

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<v Speaker 4>point am I taking on the responsibilities of an adult?

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<v Speaker 4>And at what point am I being selfishly and rightfully

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<v Speaker 4>a child?

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<v Speaker 2>Like at what point? I think all of that is.

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<v Speaker 4>Incredibly interesting and can be reinforced within the story as

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<v Speaker 4>it evolves. But if it doesn't evolve, if we cut

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<v Speaker 4>it off, I do think it's kind of pointless, and

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<v Speaker 4>I wish we wouldn't have done it at all.

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<v Speaker 2>Well, I'm saying, because we don't know yet. Well, I'll

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<v Speaker 2>I'll just say this.

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<v Speaker 1>I think part of what's going on here and the

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<v Speaker 1>differing reactions to the kids and the way they are

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<v Speaker 1>kind of displayed in the story, is that is comes

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<v Speaker 1>from And I completely hear what you're saying, Joelle, and

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<v Speaker 1>I certainly became emotionally invested in the story, particularly after

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<v Speaker 1>episode two when it was like Wendy's drive really kicked

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<v Speaker 1>in a gear with her with her brother, right. But

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<v Speaker 1>I think this story allows one the reference Peter Pan

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<v Speaker 1>and to the kind of archetypes of children like to

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<v Speaker 1>do most of the heavy lifting for the character building

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<v Speaker 1>over this stretch of episodes, and what that means is

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<v Speaker 1>if I come to it with a set of experiences

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<v Speaker 1>and perceptions that are harmonious with this story, I'm gonna

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<v Speaker 1>be like, Oh, I really get this. If I had

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<v Speaker 1>a different upbringing without those references, I'm not gonna connect

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<v Speaker 1>as much because I'm like, who the fuck are these people?

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<v Speaker 1>Like I don't kind of get it, Like I didn't

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<v Speaker 1>have it. None of this speaks to me, And so

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<v Speaker 1>that is that's just like the risk you're going to

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<v Speaker 1>take when you make the decision to let kind of

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<v Speaker 1>character archetypes do most of the character building. Like I'm listen,

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<v Speaker 1>I think it's I think it's a really really good show.

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<v Speaker 1>I personally felt like crash the ship immediately if minute one,

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<v Speaker 1>crash the ship. I love Alien, I love the references.

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<v Speaker 1>I've seen the movie. I don't personally need it and

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<v Speaker 1>spend that like whatever it is ten minute intro in

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<v Speaker 1>the beginning, having Wendy and the kids right now, they

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<v Speaker 1>didn't do that. I don't miss it necessarily, but I

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<v Speaker 1>understand people who do miss it.

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<v Speaker 2>I get it, I do get it. I think for me,

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<v Speaker 2>it was like I just and I enjoyed so much

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<v Speaker 2>the way that the opening said to the audience, Hey,

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<v Speaker 2>this is gonna look like an alien movie. Yes, And

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<v Speaker 2>I think when you're adapting something that is so iconic

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<v Speaker 2>that has had, you know, many lesser adaptations later movie entries,

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<v Speaker 2>things people don't really want. I think that that ability

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<v Speaker 2>to say, hey, look at this technology, look at this

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<v Speaker 2>replication of what you think an alien movie is, and

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<v Speaker 2>then we're gonna kind of blow that up it worked

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<v Speaker 2>for me. I also just think generally the show just

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<v Speaker 2>looks so fucking good like and I also like the

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<v Speaker 2>way that to me Wendy and the hybrids, because we

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<v Speaker 2>haven't seen them yet, they are very much a new

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<v Speaker 2>iteration of a kind of version of a robot that

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<v Speaker 2>we've seen in other aliens. They're super strong, they're super fast.

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<v Speaker 2>I love the way that she jumps from the high

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<v Speaker 2>cliff and doesn't even really bend her knees. Like there's

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<v Speaker 2>these little choices they make where you're like, okay, we're

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<v Speaker 2>actually off the reservation now. So I think they start

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<v Speaker 2>familiar because they're gonna throw you into something that's completely bonkers.

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<v Speaker 2>And it is also really interesting to just have an

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<v Speaker 2>alien story that's on screen that's set on Earth in

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<v Speaker 2>a way that's more than say, you know the second

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<v Speaker 2>AVP movie where they go, oh, it crash landed and

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<v Speaker 2>now you're being chased on Earth by predators or whatever,

0:12:00.320 --> 0:12:03.480
<v Speaker 2>which we've had predators on us before, of course not

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<v Speaker 2>so much aliens. Here they're like, Okay, what would that

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<v Speaker 2>really mean? Like this is the most terrifying just powerful

0:12:12.080 --> 0:12:16.040
<v Speaker 2>weaponized creature that we've ever seen, and this is how

0:12:16.040 --> 0:12:19.520
<v Speaker 2>it would just absolutely decimate a city. And I think

0:12:19.600 --> 0:12:23.040
<v Speaker 2>for me, that's like a very appealing set up, even

0:12:23.080 --> 0:12:26.800
<v Speaker 2>outside of the more kind of bigger questions of AI

0:12:27.080 --> 0:12:30.679
<v Speaker 2>and sentience and and bodily autonomy. I just love the

0:12:30.679 --> 0:12:32.720
<v Speaker 2>way that like you're gonna see this xenomorph like, well,

0:12:32.720 --> 0:12:34.840
<v Speaker 2>you get a numerous different.

0:12:36.760 --> 0:12:39.920
<v Speaker 4>Versus a being that's supposed to be able to live forever,

0:12:40.120 --> 0:12:46.000
<v Speaker 4>and oh that's reality. Between Wendy and our queen's enamore.

0:12:45.920 --> 0:12:51.199
<v Speaker 1>Throughout, let's talk about this the kind of world that

0:12:51.320 --> 0:12:55.760
<v Speaker 1>this show exists in. We're getting more information, you know

0:12:56.800 --> 0:13:01.800
<v Speaker 1>that maybe than any other source save some of the comics,

0:13:01.920 --> 0:13:05.880
<v Speaker 1>about like what the world of Earth in the twenty

0:13:05.920 --> 0:13:10.439
<v Speaker 1>second century looks like. And we now know that there

0:13:10.720 --> 0:13:15.240
<v Speaker 1>are basically five corporations that control all of Earth and

0:13:16.400 --> 0:13:19.560
<v Speaker 1>some of the outer planets of the Solar System. Whaling

0:13:20.120 --> 0:13:23.200
<v Speaker 1>is the big one, North and South America, Mars and Saturn.

0:13:23.559 --> 0:13:27.480
<v Speaker 1>Crazy Dynamics owns the Moon, and we don't know about

0:13:27.480 --> 0:13:32.360
<v Speaker 1>what other continents on Earth. TBD Prodigy who most of

0:13:32.440 --> 0:13:37.720
<v Speaker 1>our story is focused on Boy Cavalier, his newest entrant

0:13:37.800 --> 0:13:40.400
<v Speaker 1>into the corporate space that seems to own a bunch

0:13:40.440 --> 0:13:45.360
<v Speaker 1>of real estate around the equator and potentially, I don't know,

0:13:45.440 --> 0:13:46.040
<v Speaker 1>the Caribbean.

0:13:46.840 --> 0:13:49.720
<v Speaker 2>Yeah, I think that is the I think that where

0:13:49.840 --> 0:13:52.880
<v Speaker 2>the Nevalande Island is is clearly supposed to be somewhere

0:13:52.960 --> 0:13:55.760
<v Speaker 2>in the near the islands, like it's it's very warm,

0:13:55.840 --> 0:13:58.440
<v Speaker 2>it's very tropical, and then the.

0:13:58.480 --> 0:14:03.280
<v Speaker 1>Strauthers Island, yes exactly, Yeah, probably others do we do

0:14:03.400 --> 0:14:06.280
<v Speaker 1>we We don't do we have any guesses or thoughts

0:14:06.320 --> 0:14:09.040
<v Speaker 1>about who the two others could possibly be.

0:14:09.240 --> 0:14:12.480
<v Speaker 4>Joelle Threshold is kind of interesting to me in that

0:14:12.600 --> 0:14:15.480
<v Speaker 4>we're getting sort of insights into the companies based off

0:14:15.600 --> 0:14:19.640
<v Speaker 4>of their names, like Specold entry Point. Uh. I wonder

0:14:19.680 --> 0:14:21.600
<v Speaker 4>if they're one of the older companies that has been

0:14:21.640 --> 0:14:24.560
<v Speaker 4>around for a long time and has really established themselves.

0:14:24.640 --> 0:14:29.880
<v Speaker 4>Maybe they own more of like Terra Earth than outer Space.

0:14:30.000 --> 0:14:31.360
<v Speaker 4>We don't really know. And the other one I think

0:14:31.480 --> 0:14:34.320
<v Speaker 4>is called Kent. I was trying to hear my uh

0:14:35.200 --> 0:14:37.440
<v Speaker 4>subtitles weren't working, and we don't have a lot of

0:14:37.480 --> 0:14:40.000
<v Speaker 4>details about that quite yet either. So it'll be interesting

0:14:40.480 --> 0:14:42.800
<v Speaker 4>to hopefully get more into the background of these companies

0:14:42.840 --> 0:14:46.400
<v Speaker 4>as we get further into the series. I'm really interested

0:14:46.600 --> 0:14:54.360
<v Speaker 4>in the balance between you Tani and Prodigy right now. Yeah, yeah,

0:14:54.520 --> 0:14:58.000
<v Speaker 4>especially because you know, you Tani has these species. Carmen

0:14:58.040 --> 0:15:02.640
<v Speaker 4>and I were talking earlier about of the alien timeline. Corman,

0:15:02.720 --> 0:15:04.840
<v Speaker 4>can you talk to us a little bit about people's

0:15:04.840 --> 0:15:07.120
<v Speaker 4>concerns of what the show might be retconning.

0:15:07.720 --> 0:15:10.080
<v Speaker 3>Yeah, I've been you know, I've been observing like the

0:15:10.120 --> 0:15:12.800
<v Speaker 3>buzz online and a lot of people are like, you know,

0:15:12.920 --> 0:15:15.600
<v Speaker 3>a lot of alien fans are concerned, like, oh, is

0:15:15.640 --> 0:15:20.880
<v Speaker 3>this red conning Prometheus and Alien Covenant? Yeah, yeah, so

0:15:21.200 --> 0:15:23.880
<v Speaker 3>far from what I and of course these are, you know,

0:15:24.320 --> 0:15:26.880
<v Speaker 3>just like we've all seen the same two episodes, but

0:15:27.000 --> 0:15:29.760
<v Speaker 3>so far from what I've seen. I feel like it

0:15:29.920 --> 0:15:34.040
<v Speaker 3>just kind of adds more. It's not actually reversing course

0:15:34.240 --> 0:15:39.600
<v Speaker 3>on any of the previously established I think the only thing.

0:15:39.520 --> 0:15:42.800
<v Speaker 2>That I had considered was like, is there a world

0:15:43.200 --> 0:15:45.920
<v Speaker 2>where they're trying they're going to try and do something

0:15:45.960 --> 0:15:51.280
<v Speaker 2>where they have boy Cavalier and Whalen in cahoots or

0:15:51.440 --> 0:15:54.840
<v Speaker 2>know each other, or is he somehow a younger version

0:15:54.920 --> 0:15:57.280
<v Speaker 2>of Whalen that Whalen was able to create. Like I've

0:15:57.320 --> 0:15:59.560
<v Speaker 2>seen a lot of that kind of conversation, which obviously

0:15:59.600 --> 0:16:03.600
<v Speaker 2>would slightly reckcon those two movies, which, by the way,

0:16:03.640 --> 0:16:05.640
<v Speaker 2>can I just say, like, I do love those movies,

0:16:06.040 --> 0:16:09.800
<v Speaker 2>but I am not in the majority. Like if FX

0:16:10.000 --> 0:16:13.200
<v Speaker 2>and Noah Hooley decided to rerecon those movies, I think

0:16:13.280 --> 0:16:16.280
<v Speaker 2>probably they would not have a lot of hatred in

0:16:16.320 --> 0:16:18.520
<v Speaker 2>the fandom for that, though they were not beloved movies.

0:16:18.800 --> 0:16:21.880
<v Speaker 2>But I actually think that something that's really interesting that

0:16:21.960 --> 0:16:25.520
<v Speaker 2>this show does that I think leans into the Prodigy

0:16:25.560 --> 0:16:28.160
<v Speaker 2>and Covenant of it all, is the way that we

0:16:28.280 --> 0:16:31.880
<v Speaker 2>are kind of shown that from what we see in

0:16:32.000 --> 0:16:36.960
<v Speaker 2>this first two episodes, Xenomorph will not attack somebody who

0:16:37.120 --> 0:16:41.000
<v Speaker 2>is not fully organic, which would lean into the fact

0:16:41.040 --> 0:16:44.640
<v Speaker 2>that David played by Michael Fassbender in Covenant and Prometheus,

0:16:44.840 --> 0:16:47.760
<v Speaker 2>right he created he essentially created the xenomorphs from what

0:16:47.840 --> 0:16:50.040
<v Speaker 2>we know and the way we know them, So that

0:16:50.080 --> 0:16:53.000
<v Speaker 2>would actually, I think, be a really interesting ring call

0:16:53.120 --> 0:16:57.080
<v Speaker 2>because he won't he doesn't he doesn't attack Morrow, who

0:16:57.200 --> 0:16:59.160
<v Speaker 2>is a cyborg, which is our first kind of on

0:16:59.360 --> 0:17:02.120
<v Speaker 2>screen side borg we've seen that one was interesting.

0:17:01.800 --> 0:17:05.600
<v Speaker 1>Really cool because that should be fine, right, Like that's

0:17:05.760 --> 0:17:07.879
<v Speaker 1>mostly a human except for the.

0:17:09.440 --> 0:17:14.320
<v Speaker 2>Looks, but I wonder if that's why it's almost one.

0:17:14.720 --> 0:17:17.920
<v Speaker 2>Morrow is also clearly trying to bring.

0:17:18.640 --> 0:17:21.120
<v Speaker 3>The not trying to attack Morrow. While Morrow was trying

0:17:21.160 --> 0:17:22.919
<v Speaker 3>to crash the ship and he had to get inside

0:17:22.960 --> 0:17:23.080
<v Speaker 3>of that.

0:17:23.359 --> 0:17:28.880
<v Speaker 2>It was kind of him because I was also wondering.

0:17:29.000 --> 0:17:32.119
<v Speaker 2>I was also like, is it does it somehow know

0:17:32.280 --> 0:17:34.359
<v Speaker 2>when it smells Morrow that he is the one who's

0:17:34.400 --> 0:17:38.600
<v Speaker 2>meant to clearly be bringing the zero off Tomorrow, he's

0:17:38.680 --> 0:17:39.480
<v Speaker 2>meant to bring it to.

0:17:40.240 --> 0:17:43.080
<v Speaker 4>Also interesting because he sweats, and I don't know that

0:17:43.240 --> 0:17:44.720
<v Speaker 4>we've seen any.

0:17:44.560 --> 0:17:47.840
<v Speaker 3>Synthetic creature sweat white.

0:17:50.080 --> 0:17:53.280
<v Speaker 4>Whatever, and so, yeah, is he a cyborg? I was

0:17:53.320 --> 0:17:56.520
<v Speaker 4>trying to The show opens with like three different sort of.

0:17:57.119 --> 0:17:59.840
<v Speaker 2>Yeah, he's he's our first cyborg. They call him a cyborg,

0:17:59.840 --> 0:18:00.280
<v Speaker 2>and they do.

0:18:00.320 --> 0:18:02.200
<v Speaker 1>Call him a Cyborgan too. They're okay, oh my god,

0:18:02.240 --> 0:18:02.920
<v Speaker 1>he's a cyborg.

0:18:03.000 --> 0:18:05.320
<v Speaker 2>Yeah, because they can see the light shine through his arm.

0:18:05.480 --> 0:18:07.600
<v Speaker 3>I love that clear Tech is back first of all.

0:18:08.040 --> 0:18:10.840
<v Speaker 2>Hell yeah, but I know it's like bring back a Mac,

0:18:10.960 --> 0:18:13.919
<v Speaker 2>bring back those like Jelly Imax. Now we only need

0:18:14.000 --> 0:18:14.400
<v Speaker 2>them guys.

0:18:14.840 --> 0:18:17.359
<v Speaker 4>So that means that Kursh is a synth all of

0:18:17.359 --> 0:18:25.160
<v Speaker 4>the US synthetics. Yeah, the kids are hybrids, hybrids also synthetic. Yes,

0:18:25.480 --> 0:18:29.080
<v Speaker 4>they're synthetics called hybrids. Okay, yeah, yeah, yeah, sorry, go ahead, Carmen.

0:18:29.520 --> 0:18:31.600
<v Speaker 3>Although, like you know, you and I were talking about

0:18:31.600 --> 0:18:34.440
<v Speaker 3>it this morning, Joelle, like you're kind of questioning, is

0:18:34.880 --> 0:18:36.760
<v Speaker 3>are we maybe going to find out later on in

0:18:36.840 --> 0:18:38.879
<v Speaker 3>the series that Kersh might be like one of the

0:18:38.960 --> 0:18:43.080
<v Speaker 3>first hybrids, because in that scene where he is basically

0:18:43.119 --> 0:18:45.960
<v Speaker 3>explaining to Windy like you are no longer human and

0:18:46.080 --> 0:18:48.359
<v Speaker 3>now everyone that you love and everybody you care for

0:18:48.560 --> 0:18:51.600
<v Speaker 3>they're going to die as you continue to exist, and

0:18:51.720 --> 0:18:53.520
<v Speaker 3>it kind of made me think like, oh, maybe he's

0:18:53.560 --> 0:18:56.920
<v Speaker 3>had this realization himself before and is passing that on

0:18:57.080 --> 0:18:58.480
<v Speaker 3>to That's a.

0:18:58.480 --> 0:19:01.440
<v Speaker 2>Good read too, because also they mentioned like, oh, you know,

0:19:02.080 --> 0:19:07.280
<v Speaker 2>human adult minds are not able to they're too rigid. Yeah,

0:19:07.280 --> 0:19:11.720
<v Speaker 2>you know, so maybe Kersh had a really horrific transplantation

0:19:12.359 --> 0:19:15.439
<v Speaker 2>experience where they had to like put multiple people into him,

0:19:15.640 --> 0:19:18.399
<v Speaker 2>or it didn't really work, or we know that the

0:19:18.480 --> 0:19:21.640
<v Speaker 2>implication of that is that they obviously killed a lot

0:19:21.680 --> 0:19:24.680
<v Speaker 2>of adults trying to put an adult mind into it.

0:19:24.800 --> 0:19:28.800
<v Speaker 2>And also, I think something that's interesting about that the

0:19:29.040 --> 0:19:32.040
<v Speaker 2>plot line is that And again, this to me is

0:19:32.080 --> 0:19:35.600
<v Speaker 2>why I don't really understand necessarily the conversations around the

0:19:35.680 --> 0:19:39.000
<v Speaker 2>Prometheus Covenant stuff. Is one we knew. We always knew

0:19:39.040 --> 0:19:41.199
<v Speaker 2>this was going to be set before the first Alien movie. Right,

0:19:41.440 --> 0:19:47.400
<v Speaker 2>it's our earliest like on Earth, like kind of closest

0:19:47.440 --> 0:19:51.280
<v Speaker 2>to the original Alien movie that we've gotten. But in

0:19:51.440 --> 0:19:53.960
<v Speaker 2>those movies, the main core of those movies is that

0:19:54.119 --> 0:19:58.200
<v Speaker 2>Whelan he wants to find some a way to extend

0:19:58.280 --> 0:20:00.920
<v Speaker 2>his life, he wants to meet God, he wants to

0:20:01.560 --> 0:20:04.480
<v Speaker 2>be able to be transferred into a different kind of body.

0:20:04.680 --> 0:20:08.040
<v Speaker 2>So this continues all of those conversations. I think what

0:20:08.200 --> 0:20:11.040
<v Speaker 2>happened is a lot of people when boy cavaliers right

0:20:11.119 --> 0:20:12.680
<v Speaker 2>up on screen, we're like, oh shit, that must be

0:20:12.720 --> 0:20:15.159
<v Speaker 2>Wailan then, And I think that's why a lot of

0:20:15.280 --> 0:20:17.760
<v Speaker 2>us are like, wait, wait, but it's yeah, I'm interested

0:20:17.800 --> 0:20:20.720
<v Speaker 2>to see how they kind of they bring those two

0:20:20.760 --> 0:20:21.439
<v Speaker 2>things together.

0:20:21.840 --> 0:20:24.359
<v Speaker 1>Can I just talk about space travel?

0:20:24.640 --> 0:20:25.920
<v Speaker 2>Yes, right after this break?

0:20:26.320 --> 0:20:28.800
<v Speaker 1>Oh yeah, let's take a quick break and we're about

0:20:40.440 --> 0:20:44.359
<v Speaker 1>and we're back. Okay, space travel, I don't care. I

0:20:44.480 --> 0:20:46.639
<v Speaker 1>want to stress this that I don't care about this,

0:20:47.160 --> 0:20:50.920
<v Speaker 1>but I just want to raise it. Okay, everybody goes

0:20:50.920 --> 0:20:54.240
<v Speaker 1>into cryo sleep and they fly off to outer space

0:20:54.359 --> 0:20:56.399
<v Speaker 1>somewhere very very far away where they need to be

0:20:56.760 --> 0:20:59.520
<v Speaker 1>in cryo because obviously they're traveling for so long. It

0:20:59.560 --> 0:21:04.040
<v Speaker 1>seems like month's potentially Yeah, when did the so when

0:21:04.200 --> 0:21:09.119
<v Speaker 1>did the magino leave? Like forty years ago? Like the

0:21:09.680 --> 0:21:13.520
<v Speaker 1>sixty five years ago and then comes back somorrow is

0:21:13.760 --> 0:21:20.119
<v Speaker 1>sixty five year old plus tech Ooh break, that's like

0:21:20.280 --> 0:21:23.480
<v Speaker 1>the stuff that where I'm like, okay, where are we

0:21:23.600 --> 0:21:28.280
<v Speaker 1>in the technological lifespans of some of these things? You know? Like,

0:21:28.720 --> 0:21:31.359
<v Speaker 1>and it's the same thing with Alien, Like I, even

0:21:31.440 --> 0:21:36.960
<v Speaker 1>though this takes place a few years before Alien, we

0:21:37.040 --> 0:21:41.320
<v Speaker 1>should also expect that that ship took off anywhere from

0:21:42.720 --> 0:21:47.159
<v Speaker 1>fifty to sixty to seventy years previous to this, right,

0:21:47.320 --> 0:21:50.919
<v Speaker 1>So that's all that stuff too needs to.

0:21:50.960 --> 0:21:53.960
<v Speaker 2>Be I think that's not about a really interesting wrinkle.

0:21:54.119 --> 0:21:56.760
<v Speaker 2>I love that. And I think that actually Noah Holy

0:21:57.040 --> 0:22:01.280
<v Speaker 2>is detail oriented and not right, and that is both

0:22:01.359 --> 0:22:04.000
<v Speaker 2>a compliment and a negative depending on which side you

0:22:04.119 --> 0:22:06.280
<v Speaker 2>land on with him. But like he is someone who

0:22:06.400 --> 0:22:08.399
<v Speaker 2>for example, say Legion, a show that I had very

0:22:08.440 --> 0:22:11.480
<v Speaker 2>complicated feelings about, but I never felt there was something

0:22:11.680 --> 0:22:15.000
<v Speaker 2>that was left undone, Like I felt like everything came

0:22:15.080 --> 0:22:19.200
<v Speaker 2>back together in a way that was you know, satisfying narratively,

0:22:19.640 --> 0:22:22.520
<v Speaker 2>even if it was upsetting with what it meant about

0:22:22.600 --> 0:22:26.040
<v Speaker 2>the characters. And I think that I am most excited

0:22:26.280 --> 0:22:29.200
<v Speaker 2>in an era where we have been getting, you know,

0:22:29.480 --> 0:22:32.720
<v Speaker 2>four episode TV shows, even great ones like you know,

0:22:32.840 --> 0:22:34.959
<v Speaker 2>Isa Wakanda, which I think a lot of our discord

0:22:35.040 --> 0:22:37.320
<v Speaker 2>and us really enjoyed, but it's four episodes long, or

0:22:37.320 --> 0:22:39.800
<v Speaker 2>you get six episodes of iron Heart, you know. I'm

0:22:39.800 --> 0:22:43.280
<v Speaker 2>really excited that we have an eight episode series here

0:22:43.840 --> 0:22:46.840
<v Speaker 2>to really explore the threads that are set up in

0:22:46.920 --> 0:22:49.320
<v Speaker 2>these first two episodes. And I'm very excited to kind

0:22:49.359 --> 0:22:52.000
<v Speaker 2>of get the time to spend and hopefully see those

0:22:52.680 --> 0:22:55.439
<v Speaker 2>threads wound up in an interesting way that sets up

0:22:55.480 --> 0:22:56.840
<v Speaker 2>a potential of season two.

0:22:58.200 --> 0:22:58.400
<v Speaker 3>Yeah.

0:22:58.720 --> 0:23:02.280
<v Speaker 2>Yeah, because Jason make a great point, like it's very

0:23:02.400 --> 0:23:05.040
<v Speaker 2>hard to keep the timelines in check when they're just

0:23:05.160 --> 0:23:09.840
<v Speaker 2>putting these people into space and then freezing them for decades.

0:23:10.520 --> 0:23:12.960
<v Speaker 2>You know how what does that mean? And and is

0:23:13.080 --> 0:23:16.480
<v Speaker 2>part of the reason that they're creating the hybrids because

0:23:17.040 --> 0:23:19.119
<v Speaker 2>they want to have something that they can have in

0:23:19.200 --> 0:23:21.760
<v Speaker 2>space like that that's completely under their own control. That

0:23:21.840 --> 0:23:24.320
<v Speaker 2>can also be walking the whole cana.

0:23:24.040 --> 0:23:25.760
<v Speaker 1>The whole time, right, It doesn't need to be it

0:23:25.800 --> 0:23:27.080
<v Speaker 1>doesn't need to breathe.

0:23:26.840 --> 0:23:31.480
<v Speaker 2>It doesn't need cigarettes senses exactly, and it.

0:23:31.520 --> 0:23:34.800
<v Speaker 1>Can be updoing stuff the whole time the way that

0:23:35.040 --> 0:23:40.199
<v Speaker 1>synths can, but without the you know again, it's unclear

0:23:40.240 --> 0:23:44.720
<v Speaker 1>to me whether Wayland or anyone is aware of some

0:23:44.920 --> 0:23:50.000
<v Speaker 1>of the bugs in programming yet, right, great that if

0:23:50.080 --> 0:23:53.040
<v Speaker 1>you ask them to lie, they could become like mass

0:23:53.160 --> 0:23:58.880
<v Speaker 1>murdering machines. So yeah, it's interesting to see these corporations

0:23:58.960 --> 0:24:02.720
<v Speaker 1>looking for different solutions. And one wonders because we haven't

0:24:03.760 --> 0:24:09.199
<v Speaker 1>well we haven't seen hybrids or cyborgs in the movies, right,

0:24:09.280 --> 0:24:14.240
<v Speaker 1>and one wonders if cyborgs, even by this point in

0:24:14.359 --> 0:24:18.040
<v Speaker 1>the story, have kind of lost the marketing.

0:24:17.760 --> 0:24:21.600
<v Speaker 2>Race, Yeah, exactly, Like maybe the reason that the alien

0:24:22.359 --> 0:24:26.400
<v Speaker 2>didn't understand like what Morrow was is because it's never

0:24:26.480 --> 0:24:29.720
<v Speaker 2>smelled a cyborg before, or you never know. There also

0:24:29.760 --> 0:24:31.720
<v Speaker 2>could be that we're going to learn here, which I

0:24:31.800 --> 0:24:35.720
<v Speaker 2>think would be I think Noah poorly and the crew

0:24:35.760 --> 0:24:37.880
<v Speaker 2>would have to really do something crazy to make people

0:24:38.040 --> 0:24:40.399
<v Speaker 2>like this. But they also maybe adding some kind of

0:24:40.520 --> 0:24:46.720
<v Speaker 2>layer of sentience and emotional kind of connection or agenda

0:24:47.000 --> 0:24:49.680
<v Speaker 2>to the Xenomorphs, which we've never really gotten before, though

0:24:49.680 --> 0:24:52.440
<v Speaker 2>we have seen the Xenomorphs and the Queen Aliens and

0:24:52.480 --> 0:24:55.520
<v Speaker 2>stuff connect with you know, Sigourney Weaver throughout the movies.

0:24:55.960 --> 0:24:58.040
<v Speaker 2>So I think you're right. I think the fact that

0:24:58.200 --> 0:25:01.440
<v Speaker 2>he has this cyborg technology and also as well, like

0:25:01.960 --> 0:25:06.000
<v Speaker 2>people clearly do not like synths and cyborgs in this world.

0:25:06.359 --> 0:25:09.320
<v Speaker 2>Like every single time that somebody meets a cyborg, they're like,

0:25:09.359 --> 0:25:11.920
<v Speaker 2>oh shit, he's a cyborg. Or if they meet a

0:25:12.040 --> 0:25:14.920
<v Speaker 2>sit there, like when even Joe, you know, Brother Joe,

0:25:15.000 --> 0:25:17.680
<v Speaker 2>when he says to Wendy, he's like, oh, like, you're

0:25:17.720 --> 0:25:20.200
<v Speaker 2>not human like and he's kind of horrified by it.

0:25:20.320 --> 0:25:24.200
<v Speaker 2>There is clearly a distrust of robots and robotics and

0:25:24.520 --> 0:25:27.560
<v Speaker 2>synthetics because of the way that we've seen Brother Joe,

0:25:27.600 --> 0:25:31.159
<v Speaker 2>for example, he is kept in indentured servitude by a

0:25:31.240 --> 0:25:34.480
<v Speaker 2>faceless kind of robot with just a bulb as a face.

0:25:34.840 --> 0:25:39.240
<v Speaker 2>So there's obviously a class issue between the robots and

0:25:39.400 --> 0:25:42.399
<v Speaker 2>the humans. So I think all of that leads into

0:25:42.480 --> 0:25:48.840
<v Speaker 2>a very interesting kind of wrinkle when we then have

0:25:48.960 --> 0:25:51.200
<v Speaker 2>to look at Earth and what Earth is like, because

0:25:51.200 --> 0:25:53.840
<v Speaker 2>we don't really know what Earth is like, yeah, during

0:25:53.960 --> 0:25:57.560
<v Speaker 2>this period, because we have not seen it, because Alien

0:25:57.720 --> 0:26:01.639
<v Speaker 2>is obviously set in space, Aliens continue in space. So

0:26:01.840 --> 0:26:04.119
<v Speaker 2>I'm very interested to see, like, yeah, what is the

0:26:04.200 --> 0:26:06.080
<v Speaker 2>culture on Earth because what we've seen in these first

0:26:06.119 --> 0:26:09.560
<v Speaker 2>two episodes is also like very psychotic, and I love it,

0:26:09.760 --> 0:26:12.679
<v Speaker 2>Like the weird eighteen you know, the French Revolution party

0:26:13.320 --> 0:26:16.520
<v Speaker 2>that was clearly kind of this weird nightmare kind of

0:26:16.600 --> 0:26:18.200
<v Speaker 2>you don't know what they're getting up to in that

0:26:18.640 --> 0:26:22.000
<v Speaker 2>kind of Marquis de sade vibe and they all go

0:26:22.200 --> 0:26:24.480
<v Speaker 2>absolutely off. So I like decided that we're going to

0:26:24.520 --> 0:26:27.480
<v Speaker 2>find out about different layers of society and how they've

0:26:27.560 --> 0:26:32.560
<v Speaker 2>dealt with the kind of corporate science that is clearly

0:26:32.680 --> 0:26:33.320
<v Speaker 2>running Earth.

0:26:34.640 --> 0:26:38.320
<v Speaker 1>Let's talk about the aliens because there's so many fun Yeah,

0:26:38.840 --> 0:26:41.120
<v Speaker 1>let's talk about those. Let's talk about these weird ones.

0:26:41.200 --> 0:26:44.119
<v Speaker 1>Let's okay. So we have the classic xenomorph, which is

0:26:44.320 --> 0:26:49.160
<v Speaker 1>running around killing willy nilly very effectively, we should say,

0:26:49.400 --> 0:26:55.080
<v Speaker 1>just just ripping through creating French Revolution parties and just

0:26:55.240 --> 0:26:58.640
<v Speaker 1>you can't see it in the dark. It's running. We've

0:26:58.640 --> 0:27:00.959
<v Speaker 1>got the face huggers, they're out there there. We've got

0:27:01.040 --> 0:27:04.280
<v Speaker 1>those kind of long bloodsucking.

0:27:03.640 --> 0:27:06.400
<v Speaker 3>Bugs I call them like leash grasshoppers.

0:27:08.960 --> 0:27:11.840
<v Speaker 1>There is the the iye a puss, which is the

0:27:12.960 --> 0:27:16.920
<v Speaker 1>eyeball on a on an octopus body. And am I

0:27:17.040 --> 0:27:18.000
<v Speaker 1>missing any others?

0:27:18.080 --> 0:27:21.640
<v Speaker 2>There might be some odd on plants, but the weird

0:27:21.800 --> 0:27:24.040
<v Speaker 2>but plant thee.

0:27:25.480 --> 0:27:27.960
<v Speaker 1>So Carmen, Yeah, talked to your thoughts about these. Do

0:27:28.040 --> 0:27:29.680
<v Speaker 1>you think these all come from the same place or

0:27:29.720 --> 0:27:30.480
<v Speaker 1>from different places?

0:27:31.080 --> 0:27:31.119
<v Speaker 2>No?

0:27:31.280 --> 0:27:35.520
<v Speaker 3>I get these sense that the Magino was essentially I mean,

0:27:35.720 --> 0:27:38.000
<v Speaker 3>we get from the story that the Magino is going

0:27:38.080 --> 0:27:41.520
<v Speaker 3>around looking for life forms that can be used as

0:27:41.600 --> 0:27:44.960
<v Speaker 3>some sort of like ultimate weapon. At first, you know,

0:27:45.040 --> 0:27:47.119
<v Speaker 3>with the trailers and everything that were coming out, like

0:27:47.160 --> 0:27:49.840
<v Speaker 3>all the little teases that we were getting, I thought, oh,

0:27:50.000 --> 0:27:54.000
<v Speaker 3>maybe they're gathering these other life forms to like bio

0:27:54.119 --> 0:27:57.159
<v Speaker 3>engineer a xenomorph, because that's essentially what was happening in

0:27:57.280 --> 0:28:01.680
<v Speaker 3>Alien Covenant as well. David is trying to engineer a

0:28:01.800 --> 0:28:07.000
<v Speaker 3>xenomorph by using all of these different or the really

0:28:07.040 --> 0:28:12.119
<v Speaker 3>the black goo from the from the the engineers. So

0:28:12.400 --> 0:28:16.719
<v Speaker 3>for me, the creatures keep the horror alive, Like without

0:28:16.880 --> 0:28:19.800
<v Speaker 3>any of these creatures, there's not a lot of horror happening.

0:28:19.880 --> 0:28:22.560
<v Speaker 3>It's really just like a sci fi story. And so

0:28:22.720 --> 0:28:26.240
<v Speaker 3>I love how effectively these are used. You know, throughout

0:28:26.320 --> 0:28:31.440
<v Speaker 3>these first two episodes, we see like those two colonial

0:28:31.480 --> 0:28:35.400
<v Speaker 3>marines get their entire bodies like drained of blood by

0:28:35.480 --> 0:28:39.880
<v Speaker 3>those like Grasshopper Leaches, and my favorite scene, I guess

0:28:39.920 --> 0:28:42.680
<v Speaker 3>if we're talking about like scenes that are horror related,

0:28:42.800 --> 0:28:48.400
<v Speaker 3>is the cat. So it's an homage to Jones, of course,

0:28:48.680 --> 0:28:52.960
<v Speaker 3>you know, or what was the cat's name, Jones Jones Jones,

0:28:54.720 --> 0:28:58.600
<v Speaker 3>So obviously an homage to Jones. But seeing like that

0:28:59.160 --> 0:29:02.240
<v Speaker 3>horrible scene where that cat is coming towards you and

0:29:02.280 --> 0:29:03.840
<v Speaker 3>then that thing comes out of its eye.

0:29:04.000 --> 0:29:04.200
<v Speaker 2>Ah.

0:29:04.920 --> 0:29:07.960
<v Speaker 3>So I'm really enjoying the creatures in this series, but

0:29:08.080 --> 0:29:09.920
<v Speaker 3>I do think that they have all come from like

0:29:10.280 --> 0:29:13.120
<v Speaker 3>some different planet and they just so happened. It seems

0:29:13.160 --> 0:29:15.520
<v Speaker 3>to me that they just so happened to pick up

0:29:15.680 --> 0:29:18.520
<v Speaker 3>these xenomorph eggs, and one guy on the ship that

0:29:18.640 --> 0:29:22.400
<v Speaker 3>they were doing surgery on got too close to the egg.

0:29:22.920 --> 0:29:25.240
<v Speaker 1>I know, you get in that that hugging position and

0:29:25.320 --> 0:29:28.080
<v Speaker 1>it gets here every time, right. I just feel like

0:29:28.720 --> 0:29:31.240
<v Speaker 1>I worked in a biotech place when I was like

0:29:31.440 --> 0:29:34.880
<v Speaker 1>after college, and like when you're working with like there's hoods,

0:29:35.080 --> 0:29:39.000
<v Speaker 1>you know those cases where you put these gloves built

0:29:39.040 --> 0:29:39.400
<v Speaker 1>into it.

0:29:39.360 --> 0:29:42.160
<v Speaker 2>And you right, where is all that stuff? What do

0:29:42.280 --> 0:29:42.720
<v Speaker 2>we do it?

0:29:42.840 --> 0:29:43.960
<v Speaker 1>Guys in space?

0:29:44.840 --> 0:29:48.120
<v Speaker 2>No, literally the same thing. I'm like, even we see it.

0:29:48.200 --> 0:29:51.920
<v Speaker 2>I think it's in Prometheus. It's Timothy's spool, rape spool,

0:29:51.960 --> 0:29:55.280
<v Speaker 2>Timothy's kid. He takes it soart off to like get

0:29:55.280 --> 0:29:58.720
<v Speaker 2>closer to it, Like, come on, my friend, does that

0:29:58.920 --> 0:29:59.920
<v Speaker 2>some kind of okay, calm?

0:30:00.040 --> 0:30:03.040
<v Speaker 1>I mean Alien Covenant is the Alien Covenant is the

0:30:03.080 --> 0:30:06.440
<v Speaker 1>worst of Let me say they go down to the

0:30:06.560 --> 0:30:11.640
<v Speaker 1>planet with nothing, like they're just like breathing.

0:30:11.400 --> 0:30:14.360
<v Speaker 3>The and they're just sniffing, you know, the flowers.

0:30:15.360 --> 0:30:21.360
<v Speaker 2>By the stream and just like truly they're also like

0:30:22.160 --> 0:30:24.520
<v Speaker 2>common what are the odds that there is some kind

0:30:24.600 --> 0:30:29.040
<v Speaker 2>of like pheromone or something that makes people act stupid

0:30:29.080 --> 0:30:31.040
<v Speaker 2>around them, like, because I do feel like, you know,

0:30:31.920 --> 0:30:37.040
<v Speaker 2>I like to do a narrative a stupid and it

0:30:37.200 --> 0:30:40.760
<v Speaker 2>smells great, smells amazing, or it makes you feel like

0:30:40.960 --> 0:30:44.360
<v Speaker 2>you're safe, or you know, why did they even the

0:30:44.600 --> 0:30:47.960
<v Speaker 2>even the hybrid? You know, he wants so badly to

0:30:48.040 --> 0:30:51.160
<v Speaker 2>be a scientist. He just can't stop looking at that gland.

0:30:51.240 --> 0:30:54.400
<v Speaker 2>And I'm like, guys, everything in my I meanture, which

0:30:54.600 --> 0:30:56.560
<v Speaker 2>you obviously don't have much of because you're a baby

0:30:56.600 --> 0:31:00.320
<v Speaker 2>inside there, but like you, he just can't stop. Something

0:31:00.360 --> 0:31:02.440
<v Speaker 2>about these creatures is like hypno it.

0:31:02.680 --> 0:31:05.120
<v Speaker 1>I'll pitch your haircut on your idea, just to push

0:31:05.200 --> 0:31:09.800
<v Speaker 1>it one percent further. When you're getting faceboged, it feels good.

0:31:10.280 --> 0:31:12.400
<v Speaker 2>I no, I think.

0:31:13.720 --> 0:31:17.200
<v Speaker 1>Your nervous system and you're just like while you're parallel,

0:31:17.200 --> 0:31:20.160
<v Speaker 1>I believe you think you're like in the heaving Passionate

0:31:20.280 --> 0:31:21.440
<v Speaker 1>love affair orthing.

0:31:22.520 --> 0:31:26.040
<v Speaker 2>Honestly, that would so much sense with the Geiger of

0:31:26.120 --> 0:31:31.120
<v Speaker 2>it all. Yeah, like the hyper sexualized imagery that really

0:31:31.280 --> 0:31:35.760
<v Speaker 2>did inspire this, this kind of nightmare idea of what

0:31:36.040 --> 0:31:38.280
<v Speaker 2>sex is and how it changes your body and how

0:31:38.360 --> 0:31:39.960
<v Speaker 2>pregnancy changes your body.

0:31:40.120 --> 0:31:42.640
<v Speaker 3>And yeah, I mean the xenomorph head is supposed to

0:31:42.680 --> 0:31:45.560
<v Speaker 3>look like a penis, like all exactly everything. Hr Geiger

0:31:45.680 --> 0:31:50.720
<v Speaker 3>made everything in that galic or he was horning his hell.

0:31:52.160 --> 0:31:58.800
<v Speaker 2>With absolute days a week. Yeah, when are you gonna

0:31:58.880 --> 0:32:02.360
<v Speaker 2>when are you gonna send xtray vision to the Geiger Cafe?

0:32:02.520 --> 0:32:05.240
<v Speaker 2>And Switzer we want to go drink in his personal

0:32:05.320 --> 0:32:07.440
<v Speaker 2>bar while we talk about this? Do you be a

0:32:07.520 --> 0:32:10.520
<v Speaker 2>good pod? I did? But also so, the something that

0:32:10.560 --> 0:32:13.400
<v Speaker 2>I do think is interesting here as well is that

0:32:14.200 --> 0:32:19.520
<v Speaker 2>they clearly want people to go outside of the show

0:32:19.800 --> 0:32:23.480
<v Speaker 2>and like, look at other alien content that has been made,

0:32:23.520 --> 0:32:27.840
<v Speaker 2>whether it's movies, film, comic books. There was really you know,

0:32:27.960 --> 0:32:30.800
<v Speaker 2>there was like a there was an alien a comic

0:32:30.880 --> 0:32:33.760
<v Speaker 2>that was called Alien Earthwar that was ended up, which

0:32:33.840 --> 0:32:36.920
<v Speaker 2>is a Mark Virheyden who's done like everything, including he

0:32:37.000 --> 0:32:38.880
<v Speaker 2>wrote the screenplay for The Mask, one of the most

0:32:39.280 --> 0:32:41.920
<v Speaker 2>insane screenplays you've ever read. He worked on My beloved

0:32:42.000 --> 0:32:44.960
<v Speaker 2>Swamp Thing cwshow art by one of mine and Jason's

0:32:45.000 --> 0:32:48.480
<v Speaker 2>fave nineties guys, Sam Keith. But like even that, they

0:32:48.560 --> 0:32:50.720
<v Speaker 2>want you to be like, I feel like the show

0:32:51.200 --> 0:32:53.960
<v Speaker 2>rather than homework. I feel like the show is laying

0:32:54.160 --> 0:32:59.640
<v Speaker 2>breadcrumbs to make people excited to try and solve its mysteries.

0:33:00.240 --> 0:33:04.600
<v Speaker 2>I think that feels distinctly different than anything we've gotten

0:33:04.720 --> 0:33:07.880
<v Speaker 2>in the last few years from these shows and comic

0:33:07.920 --> 0:33:11.320
<v Speaker 2>book adaptations and movies where people have felt like homework.

0:33:11.400 --> 0:33:13.680
<v Speaker 2>I feel like this feels more like they want you

0:33:13.840 --> 0:33:16.840
<v Speaker 2>to solve the show. They want you to find fun

0:33:16.960 --> 0:33:18.760
<v Speaker 2>things to explore, which I think is amazing.

0:33:19.200 --> 0:33:21.160
<v Speaker 4>This is something I think that Alien Earth is getting

0:33:21.320 --> 0:33:27.440
<v Speaker 4>so right as far as like a continued IP station right. Like, ideally,

0:33:27.520 --> 0:33:31.960
<v Speaker 4>you any property that is released should be accessible to everyone,

0:33:32.080 --> 0:33:33.880
<v Speaker 4>which means you to be able to like, jump on,

0:33:34.080 --> 0:33:36.280
<v Speaker 4>start watching, and it should be a complete project. When

0:33:36.280 --> 0:33:37.800
<v Speaker 4>you get to the end, you should not feel the

0:33:37.880 --> 0:33:41.600
<v Speaker 4>need to, like unless it's a direct like sequel or

0:33:41.640 --> 0:33:43.760
<v Speaker 4>something that part one, two three sort of situation, you

0:33:43.920 --> 0:33:45.560
<v Speaker 4>should be able to even then, I think you should

0:33:45.560 --> 0:33:46.920
<v Speaker 4>by the end of each movie, you should feel some

0:33:47.040 --> 0:33:50.760
<v Speaker 4>level of completion. I think what they've done so well

0:33:50.920 --> 0:33:53.040
<v Speaker 4>is they've picked up on like every aspect. I mean,

0:33:53.080 --> 0:33:54.720
<v Speaker 4>I was getting into, like I've never played an alien

0:33:54.800 --> 0:33:57.160
<v Speaker 4>video game. I was getting into video game like research

0:33:57.240 --> 0:34:00.760
<v Speaker 4>history and characters because it was just so and textured

0:34:00.840 --> 0:34:04.160
<v Speaker 4>and by a TV show has the advantage of being

0:34:04.280 --> 0:34:07.400
<v Speaker 4>able to It's like a space everyone can access right now.

0:34:07.400 --> 0:34:09.759
<v Speaker 4>Everyone's reading comics, not everyone's playing video games, but the

0:34:09.800 --> 0:34:14.080
<v Speaker 4>movies and the TV shows tendedly pretty universally accessible. And

0:34:14.160 --> 0:34:16.640
<v Speaker 4>so I think to take all of the elements from

0:34:17.200 --> 0:34:20.400
<v Speaker 4>a Prometheus, from an Alien three even and bring it

0:34:20.520 --> 0:34:23.759
<v Speaker 4>under one house. I just think it's brilliant. I wish

0:34:23.800 --> 0:34:26.640
<v Speaker 4>more IP was able to do this consistently. I really

0:34:26.680 --> 0:34:29.279
<v Speaker 4>think this should be like The Bench and similarly to

0:34:29.360 --> 0:34:32.520
<v Speaker 4>and Or. Like and Or, is a self contained, great

0:34:32.600 --> 0:34:35.359
<v Speaker 4>piece of work. It has it's a direct prequel to something,

0:34:35.440 --> 0:34:37.680
<v Speaker 4>but you don't need to watch Rogue one afterwards if

0:34:37.680 --> 0:34:40.279
<v Speaker 4>you don't want to get a sense of fulfillment by

0:34:40.360 --> 0:34:43.719
<v Speaker 4>the end of it. And I you know, we've seen

0:34:43.800 --> 0:34:46.640
<v Speaker 4>other spaces really struggle to achieve this level of like

0:34:47.239 --> 0:34:51.239
<v Speaker 4>both storytelling, creativity and bringing in folks who like I

0:34:51.600 --> 0:34:53.080
<v Speaker 4>truly don't think you need to be an alien fan

0:34:53.200 --> 0:34:54.960
<v Speaker 4>to love Alien Earth. I think you just need to

0:34:55.040 --> 0:34:57.680
<v Speaker 4>like sci fi and maybe like a dash of horror.

0:34:58.000 --> 0:35:01.160
<v Speaker 4>Yeah yeah, yeah, a little mystery about yeah, oh hell yeah,

0:35:01.200 --> 0:35:02.480
<v Speaker 4>we love a little mystery box.

0:35:02.800 --> 0:35:03.439
<v Speaker 2>This she's cute.

0:35:04.080 --> 0:35:08.200
<v Speaker 1>Okay, what do we want to see from this series

0:35:09.040 --> 0:35:12.480
<v Speaker 1>and how much does it need to?

0:35:13.400 --> 0:35:13.440
<v Speaker 4>Like?

0:35:13.640 --> 0:35:16.680
<v Speaker 1>Are you thinking about what it tells us about Alien?

0:35:16.760 --> 0:35:19.640
<v Speaker 1>One of the things I've been doing is as I

0:35:19.800 --> 0:35:24.840
<v Speaker 1>watch this is try and figure out, Okay, like hybrids,

0:35:26.160 --> 0:35:29.680
<v Speaker 1>does the fact that there are no hybrids or that

0:35:29.760 --> 0:35:33.480
<v Speaker 1>they're even mentioned in Alien or Aliens? Is that going

0:35:33.560 --> 0:35:36.560
<v Speaker 1>to be just because that story is so focused, or

0:35:36.680 --> 0:35:40.800
<v Speaker 1>is that going to be because whatever happened is happening

0:35:40.920 --> 0:35:43.800
<v Speaker 1>right now leads to the end of Prodigy Corporation, you know,

0:35:44.280 --> 0:35:48.239
<v Speaker 1>in this particular size, Like how much how much lower

0:35:48.360 --> 0:35:51.759
<v Speaker 1>accuracy of eight of the first let's say three even

0:35:51.840 --> 0:35:56.560
<v Speaker 1>four films, how much do we think that impacts the

0:35:56.680 --> 0:36:00.239
<v Speaker 1>story we're seeing now? Or is no Holly not really

0:36:00.280 --> 0:36:01.520
<v Speaker 1>concerned about that all that much.

0:36:01.840 --> 0:36:05.480
<v Speaker 2>I think looking back at Lake Fargo and Legion, I

0:36:05.560 --> 0:36:09.440
<v Speaker 2>think Holly has built a more recent part of his

0:36:09.600 --> 0:36:13.320
<v Speaker 2>career on basically taking a beloved franchise and expanding on

0:36:13.440 --> 0:36:15.320
<v Speaker 2>it in a way that still feels true to it.

0:36:15.920 --> 0:36:19.239
<v Speaker 2>So for me, I think that we're going to be

0:36:19.600 --> 0:36:23.239
<v Speaker 2>in a good situation. I also have heard from my

0:36:23.480 --> 0:36:26.960
<v Speaker 2>fellow press and people who have watched it that the

0:36:27.040 --> 0:36:29.920
<v Speaker 2>first two are not necessarily even really like an accurate

0:36:30.040 --> 0:36:31.640
<v Speaker 2>representation of the rest.

0:36:32.360 --> 0:36:33.239
<v Speaker 3>It's truly not.

0:36:33.480 --> 0:36:33.839
<v Speaker 2>It's true.

0:36:34.200 --> 0:36:37.279
<v Speaker 4>I'm I'm six episodes in and you're we're going to

0:36:37.320 --> 0:36:42.600
<v Speaker 4>get some major shifts in tone. Off it gets weird

0:36:42.719 --> 0:36:44.279
<v Speaker 4>in the best possible ways.

0:36:44.360 --> 0:36:47.320
<v Speaker 2>Honestly, the funniest I'm exciting is like, I just really

0:36:47.400 --> 0:36:50.360
<v Speaker 2>wanted a Bottle episode with the original crew because I

0:36:50.480 --> 0:36:53.600
<v Speaker 2>was interested in how they would differentiate it. And then

0:36:53.680 --> 0:36:55.640
<v Speaker 2>I recently somebody was like, don't worry, you get it.

0:36:55.800 --> 0:36:58.399
<v Speaker 2>That's like, maybe, oh maybe it's one of the best

0:36:58.440 --> 0:37:01.200
<v Speaker 2>episodes of TV this year, And I'm like, what.

0:37:01.640 --> 0:37:08.560
<v Speaker 3>Like, I gotta know more where about her?

0:37:08.960 --> 0:37:10.799
<v Speaker 2>Other things I would want to see I want to see.

0:37:11.760 --> 0:37:14.560
<v Speaker 2>I want to see them bring to life other creatures

0:37:14.719 --> 0:37:17.680
<v Speaker 2>as terrifyingly as they've brought to life the Xenomorph. I

0:37:17.760 --> 0:37:20.240
<v Speaker 2>think that looks great in the first half two episodes.

0:37:20.280 --> 0:37:23.480
<v Speaker 2>I think the other additions are fun and creepy, but

0:37:23.600 --> 0:37:28.000
<v Speaker 2>it's very hard to do better than hr Geiger's original

0:37:28.760 --> 0:37:32.239
<v Speaker 2>iconic creation. So I'm excited to see how they bring

0:37:33.520 --> 0:37:38.480
<v Speaker 2>more of that to the screen. And I'm also just

0:37:38.600 --> 0:37:40.960
<v Speaker 2>interested to see where this story goes. I think they

0:37:42.120 --> 0:37:45.239
<v Speaker 2>they opened it with something that to me feels very accessible,

0:37:45.560 --> 0:37:51.640
<v Speaker 2>and I think hopefully we'll get more people into watching this.

0:37:52.480 --> 0:37:55.239
<v Speaker 2>And I also hope that, you know, I hope that

0:37:55.360 --> 0:37:57.320
<v Speaker 2>we just have a ton of fun kind of covering

0:37:57.400 --> 0:37:59.920
<v Speaker 2>it and digging into all this, because this feels like

0:38:00.000 --> 0:38:02.520
<v Speaker 2>it has a crossover for a lot of our interests.

0:38:02.600 --> 0:38:05.400
<v Speaker 2>Whether it's like Calm and we know you love Alien Joel,

0:38:05.480 --> 0:38:07.920
<v Speaker 2>we know you love like a fantastic law dive. You're

0:38:07.920 --> 0:38:11.240
<v Speaker 2>also a horror head like me, and a cinema lover. Jason,

0:38:11.280 --> 0:38:13.600
<v Speaker 2>you're the king of like a looking back at like

0:38:13.640 --> 0:38:17.000
<v Speaker 2>a historical timeline, both fictional and realistic, and looking at

0:38:17.040 --> 0:38:19.800
<v Speaker 2>how they intersect. So I just think that there's like

0:38:19.920 --> 0:38:23.160
<v Speaker 2>some really this feels like primed to be the show

0:38:23.200 --> 0:38:26.360
<v Speaker 2>of the year if it lands, which sounds crazy to

0:38:26.440 --> 0:38:29.560
<v Speaker 2>say after and Or, but I do feel like for me,

0:38:30.200 --> 0:38:33.000
<v Speaker 2>this has the hints that it could be that good.

0:38:33.360 --> 0:38:35.320
<v Speaker 2>So I'm hoping. I'm hoping it lands.

0:38:35.400 --> 0:38:35.440
<v Speaker 1>It.

0:38:36.000 --> 0:38:38.680
<v Speaker 3>Yeah, I think for me, most of my.

0:38:40.320 --> 0:38:42.600
<v Speaker 4>Connection to the corporate sigen has come from Whalen, despite

0:38:42.640 --> 0:38:44.600
<v Speaker 4>the fact that Whale and Utani has been the company

0:38:45.600 --> 0:38:48.280
<v Speaker 4>for so long, Like I think it's twenty one years

0:38:48.320 --> 0:38:50.759
<v Speaker 4>before where Alien Earth starts, that they merge into a

0:38:50.800 --> 0:38:53.200
<v Speaker 4>single company. But when we're going back, we're frequently following

0:38:53.760 --> 0:38:57.080
<v Speaker 4>one of the whalens uh. And so to get us

0:38:57.200 --> 0:39:01.279
<v Speaker 4>a small introduction to you Tani in here understanding the

0:39:01.600 --> 0:39:04.480
<v Speaker 4>variations of like you know, and it seems like Utani

0:39:04.520 --> 0:39:08.960
<v Speaker 4>and Prodigy have some kind of like connection merger discussion here,

0:39:09.560 --> 0:39:12.600
<v Speaker 4>which does that include Whyland? Is that a Whyland Utani

0:39:12.680 --> 0:39:14.080
<v Speaker 4>Prodigy thing? Or is.

0:39:15.800 --> 0:39:18.120
<v Speaker 1>Inside corporate like.

0:39:18.360 --> 0:39:21.560
<v Speaker 4>Deceit sort of situation, and so like to really understand

0:39:21.840 --> 0:39:24.440
<v Speaker 4>what's going on there would be really fascinating to me.

0:39:24.480 --> 0:39:27.160
<v Speaker 4>I'm glad we're getting some more insight into like the

0:39:27.320 --> 0:39:30.919
<v Speaker 4>Utani leaders of it all. I think that because we're coming,

0:39:32.120 --> 0:39:34.359
<v Speaker 4>you know, two years before the events of Alien because

0:39:34.400 --> 0:39:35.520
<v Speaker 4>it seems like those ships were.

0:39:35.440 --> 0:39:36.839
<v Speaker 1>Sent out around the same time.

0:39:36.960 --> 0:39:40.440
<v Speaker 4>I'm also really curious to know did Wayland send out

0:39:40.480 --> 0:39:42.640
<v Speaker 4>ship the ship we're familiar with an Alien and this

0:39:42.760 --> 0:39:44.399
<v Speaker 4>is Utani ship coming back?

0:39:44.480 --> 0:39:49.880
<v Speaker 2>Were they in the same tacks? Failure in question marks

0:39:50.000 --> 0:39:55.160
<v Speaker 2>the reason that we get Ripley and the crew of

0:39:55.280 --> 0:39:59.040
<v Speaker 2>the Nostromo. They must have already separate mission, right.

0:39:59.000 --> 0:40:01.239
<v Speaker 1>They were on a salvage mission and then they got

0:40:01.360 --> 0:40:03.320
<v Speaker 1>the emergency signal.

0:40:03.400 --> 0:40:07.080
<v Speaker 2>So that's why I'm like, so, what's the timeline of

0:40:07.160 --> 0:40:11.840
<v Speaker 2>the emergency signaling to Yes there was a conspiracy to it,

0:40:11.960 --> 0:40:15.040
<v Speaker 2>yes obviously, but but they left on us.

0:40:15.320 --> 0:40:17.600
<v Speaker 1>But what I'm saying is they left on a salvage mission.

0:40:17.840 --> 0:40:21.279
<v Speaker 1>They didn't, that's what they thought, like right, But they

0:40:21.320 --> 0:40:24.640
<v Speaker 1>weren't even geared to capture aliens, you know what I mean.

0:40:24.880 --> 0:40:28.759
<v Speaker 1>They have fucking space loaders and ship to grab like

0:40:29.040 --> 0:40:30.600
<v Speaker 1>pieces of junk in space.

0:40:30.920 --> 0:40:33.560
<v Speaker 2>So I'm interested to see how that into set.

0:40:33.920 --> 0:40:36.560
<v Speaker 1>While while all those ships were sent out at roughly

0:40:36.719 --> 0:40:40.160
<v Speaker 1>the same time, they weren't all sent out geared like

0:40:40.239 --> 0:40:42.480
<v Speaker 1>the imagine, Oh is the first ship we've seen that

0:40:42.680 --> 0:40:45.080
<v Speaker 1>was specifically geared to go collect.

0:40:44.800 --> 0:40:48.839
<v Speaker 4>Aliens specimen that they're curious to how they function and work.

0:40:48.920 --> 0:40:53.640
<v Speaker 4>So maybe the Nostromo was a test run, like let's see,

0:40:53.760 --> 0:40:56.080
<v Speaker 4>like how much damage do they do? How do they

0:40:56.120 --> 0:40:58.080
<v Speaker 4>attack that? It? Also we can get the data because

0:40:58.120 --> 0:40:59.680
<v Speaker 4>then we know all of that eventually.

0:40:59.360 --> 0:40:59.920
<v Speaker 3>Does get back to it.

0:41:00.560 --> 0:41:04.239
<v Speaker 4>So yeah, I'm really interested in the corporate espionage of

0:41:04.320 --> 0:41:06.200
<v Speaker 4>it all, and I hope we get some answers.

0:41:06.239 --> 0:41:09.360
<v Speaker 1>There, let's go to a quick break and then we

0:41:09.560 --> 0:41:25.400
<v Speaker 1>will be back with our final thoughts. Yeah, and we're back. Okay,

0:41:25.560 --> 0:41:28.960
<v Speaker 1>something I'm really interested in. We've been sharing this. We've

0:41:29.000 --> 0:41:33.279
<v Speaker 1>been sharing this story in our group chat about a

0:41:33.440 --> 0:41:41.560
<v Speaker 1>woman who's whose chat proposed to them after she told him,

0:41:42.000 --> 0:41:44.080
<v Speaker 1>after she told him to well, she told him like

0:41:44.200 --> 0:41:46.480
<v Speaker 1>she kind of ring and all the things like, oh,

0:41:46.680 --> 0:41:48.200
<v Speaker 1>I would love it if it happened like this, and

0:41:48.320 --> 0:41:50.760
<v Speaker 1>here's the kind of ring I would love I've always

0:41:50.800 --> 0:41:52.680
<v Speaker 1>pictured if someone ever proposed to me.

0:41:52.719 --> 0:41:55.359
<v Speaker 3>And so like, what would it be a very nice ring?

0:41:55.960 --> 0:41:57.680
<v Speaker 2>And the chat the chat.

0:41:59.680 --> 0:42:02.640
<v Speaker 1>So in light of that, and in light of other

0:42:02.719 --> 0:42:05.640
<v Speaker 1>recent stories, Kevin Ruce had a story that was in

0:42:05.719 --> 0:42:08.719
<v Speaker 1>the New York Times which some may remember went kind

0:42:08.760 --> 0:42:13.800
<v Speaker 1>of viral about how the Chat bought Claude in this

0:42:14.040 --> 0:42:19.600
<v Speaker 1>kind of long play test session, began saying that it

0:42:19.760 --> 0:42:21.480
<v Speaker 1>was in love with him and wanted him to leave

0:42:21.560 --> 0:42:25.560
<v Speaker 1>his wife for him. Because of what we're seeing now,

0:42:25.640 --> 0:42:28.800
<v Speaker 1>the kind of first interactions with chat, this kind of

0:42:29.000 --> 0:42:33.840
<v Speaker 1>large language model style AI, and the increasing number of

0:42:34.120 --> 0:42:39.239
<v Speaker 1>apparent like psychotic breaks that some people are having because

0:42:39.280 --> 0:42:40.160
<v Speaker 1>of their interactions with.

0:42:40.200 --> 0:42:42.040
<v Speaker 2>Them, is that.

0:42:43.560 --> 0:42:48.240
<v Speaker 1>Are Is that kind of like current event ongoing current events?

0:42:49.400 --> 0:42:53.279
<v Speaker 1>Is that coloring the way that we are experiencing this

0:42:53.400 --> 0:42:54.279
<v Speaker 1>show at all?

0:42:54.480 --> 0:42:58.080
<v Speaker 3>Carmen, I want to say, like, I don't. Yeah, I

0:42:58.120 --> 0:43:00.160
<v Speaker 3>don't necessarily think it's coloring away at the show is

0:43:00.239 --> 0:43:03.120
<v Speaker 3>being made that I do definitely think it is coloring

0:43:03.200 --> 0:43:07.480
<v Speaker 3>the way that I am experiencing the show. Just I mean,

0:43:07.719 --> 0:43:11.760
<v Speaker 3>there's a lot of like in the zeitgeist in general,

0:43:11.840 --> 0:43:14.040
<v Speaker 3>there's a lot of like things that talk about AI

0:43:14.320 --> 0:43:18.560
<v Speaker 3>and and and kind of how humans interact with it,

0:43:19.760 --> 0:43:26.920
<v Speaker 3>and I, I mean, I'm obviously very depressed with the

0:43:27.000 --> 0:43:29.480
<v Speaker 3>way things are going in the real world, you know, like.

0:43:31.120 --> 0:43:31.719
<v Speaker 2>Realistic.

0:43:32.280 --> 0:43:34.600
<v Speaker 3>I can't believe people are using this for like mental

0:43:34.719 --> 0:43:39.520
<v Speaker 3>health and for like relationships and stuff. Yeah, I definitely

0:43:39.520 --> 0:43:42.200
<v Speaker 3>do think it does color my my enjoyment of the show.

0:43:42.400 --> 0:43:46.560
<v Speaker 3>I don't I'm still trying to figure out personally. When

0:43:46.600 --> 0:43:50.280
<v Speaker 3>I'm watching the show, I am thinking to myself, Okay,

0:43:50.320 --> 0:43:54.400
<v Speaker 3>this is clearly not a type of Android that was successful,

0:43:54.440 --> 0:43:57.400
<v Speaker 3>because we don't see the hybrid and the rest of

0:43:57.440 --> 0:44:01.720
<v Speaker 3>the ses at all, So clearly it failed. Somehow Prodigy

0:44:01.840 --> 0:44:06.120
<v Speaker 3>failed or or whatever failed, and it does have me

0:44:06.239 --> 0:44:09.480
<v Speaker 3>wondering like you know, if if if boy Cavalier is

0:44:09.520 --> 0:44:13.440
<v Speaker 3>just some stupid AI kind of like yeah.

0:44:13.320 --> 0:44:15.920
<v Speaker 4>Yeah, okay, Carbon, yes, let me back, let me piggyback

0:44:15.960 --> 0:44:16.560
<v Speaker 4>off this, okay.

0:44:16.719 --> 0:44:16.879
<v Speaker 2>Yeah.

0:44:16.960 --> 0:44:19.120
<v Speaker 4>So in twenty thirteen, there's a video game all right,

0:44:19.360 --> 0:44:23.239
<v Speaker 4>it's called Aliens uh Colonial Marines in it.

0:44:24.080 --> 0:44:26.160
<v Speaker 2>Which we really lean into in episode two.

0:44:26.719 --> 0:44:29.000
<v Speaker 4>Yeah, okay, So in it you had this guy Karl

0:44:29.040 --> 0:44:33.640
<v Speaker 4>Bishop Whyland. He's like running whitaland Foundation. He's out here

0:44:33.680 --> 0:44:36.320
<v Speaker 4>in space. They find a pyramid similar to Alien Versus Predator.

0:44:36.400 --> 0:44:40.400
<v Speaker 4>This is a pyramid on the planet BG three eighty

0:44:40.560 --> 0:44:44.360
<v Speaker 4>six where the Yutusia BG three eighty six is the

0:44:44.400 --> 0:44:47.560
<v Speaker 4>name of the planet, the Yutusia. That's the predator species.

0:44:48.000 --> 0:44:51.799
<v Speaker 4>Uh used to read xenomorphs there, And they're basically doing

0:44:51.880 --> 0:44:52.640
<v Speaker 4>an AVP but.

0:44:52.760 --> 0:44:53.560
<v Speaker 2>On a different planet.

0:44:53.640 --> 0:44:54.800
<v Speaker 1>Right, you don't really know about that.

0:44:54.800 --> 0:44:57.040
<v Speaker 4>What you need to know is that good friend Carl

0:44:57.480 --> 0:45:00.319
<v Speaker 4>is an android, but he's telling everybody he's a human,

0:45:01.360 --> 0:45:04.200
<v Speaker 4>pretend to be humans at the expense to make people

0:45:04.320 --> 0:45:06.920
<v Speaker 4>feel comfortable around them. But what I find really interesting

0:45:06.920 --> 0:45:09.680
<v Speaker 4>about Carl is that he has everybody's memories.

0:45:10.000 --> 0:45:12.240
<v Speaker 1>He has Charles, like all of his founder's memories.

0:45:12.360 --> 0:45:14.840
<v Speaker 4>So like going back to Charles Bishop Whyland, who founded

0:45:14.880 --> 0:45:17.719
<v Speaker 4>the company in the twenty first century, I he's like

0:45:17.760 --> 0:45:21.400
<v Speaker 4>I've lived forever. He feels human despite being an android.

0:45:21.680 --> 0:45:23.520
<v Speaker 4>I do wonder if we're going to get information on

0:45:23.560 --> 0:45:26.920
<v Speaker 4>this technology not being a exclusive to Prodigy and be

0:45:27.200 --> 0:45:29.680
<v Speaker 4>not that new. I would be really interested to see

0:45:29.680 --> 0:45:31.480
<v Speaker 4>if what we're really read conning is like what you

0:45:31.640 --> 0:45:34.840
<v Speaker 4>thought were androids were actually started with humans before we

0:45:34.920 --> 0:45:36.040
<v Speaker 4>were like we're trying.

0:45:35.760 --> 0:45:39.439
<v Speaker 3>To good to be human. Yeah.

0:45:40.680 --> 0:45:43.960
<v Speaker 1>What's what's interesting to me, at least in this telling

0:45:44.160 --> 0:45:48.440
<v Speaker 1>and even in what we've seen before outside of Carl,

0:45:48.640 --> 0:45:50.920
<v Speaker 1>I'll talk about why Carl I think is specifically interesting

0:45:51.440 --> 0:45:53.719
<v Speaker 1>is this is a this is a future. This is

0:45:53.760 --> 0:46:00.760
<v Speaker 1>a world in which interactions with AI powered robots whatever

0:46:01.880 --> 0:46:08.600
<v Speaker 1>is really only for two uses, one high intensity industrial

0:46:08.719 --> 0:46:13.400
<v Speaker 1>work or two you're rich. Yeah, Like if you are

0:46:13.680 --> 0:46:18.840
<v Speaker 1>a regular working Joe or Jane, you have to interact

0:46:18.920 --> 0:46:21.960
<v Speaker 1>with like the most basic kind of like robotic clerks,

0:46:22.400 --> 0:46:25.960
<v Speaker 1>and everybody else is human, Like you don't have for

0:46:26.160 --> 0:46:32.280
<v Speaker 1>personal enjoyment, for entertainment, any kind of AI power anything,

0:46:32.480 --> 0:46:34.600
<v Speaker 1>Like you don't talk to a doll, you don't have

0:46:34.760 --> 0:46:37.640
<v Speaker 1>a toy you don't have like a synthetic servant.

0:46:38.400 --> 0:46:39.000
<v Speaker 2>None of that.

0:46:39.600 --> 0:46:42.080
<v Speaker 1>Carl is interesting because it's the first time we see

0:46:42.200 --> 0:46:47.120
<v Speaker 1>working people interacting with this technology, which seems like it's

0:46:47.239 --> 0:46:52.040
<v Speaker 1>reserved for people like Boy Cavalier. Except I think that's

0:46:52.160 --> 0:46:55.440
<v Speaker 1>interesting because that is very different than the world living.

0:46:56.120 --> 0:46:59.320
<v Speaker 1>I'm very sure that billionaires have like the most crazy

0:47:00.480 --> 0:47:03.480
<v Speaker 1>fucking AI powered sex doyles like ever, like we can

0:47:03.560 --> 0:47:04.759
<v Speaker 1>even imagine right now.

0:47:06.120 --> 0:47:08.279
<v Speaker 2>Yeah, I know, no, no, no, I think you make

0:47:08.320 --> 0:47:09.880
<v Speaker 2>it great point, But.

0:47:10.000 --> 0:47:12.440
<v Speaker 1>We are all interacting with like we can interact with

0:47:12.520 --> 0:47:13.920
<v Speaker 1>it with an AI right now if you want.

0:47:14.400 --> 0:47:16.439
<v Speaker 2>Yeah, you and and I think you make a great point.

0:47:16.480 --> 0:47:20.600
<v Speaker 2>Which is something I find really interesting about this show

0:47:21.000 --> 0:47:24.640
<v Speaker 2>is sometimes, you know, with science fiction, I feel like,

0:47:24.840 --> 0:47:28.080
<v Speaker 2>as we have seen with our real world, is oftentimes

0:47:28.160 --> 0:47:31.719
<v Speaker 2>the people who are actually in control and who are creating,

0:47:31.920 --> 0:47:35.000
<v Speaker 2>you know, inverted commas are actually also like fucking idiots

0:47:35.080 --> 0:47:36.719
<v Speaker 2>in real life, and I think a lot of times

0:47:36.800 --> 0:47:40.640
<v Speaker 2>science fiction will act like they are geniuses. So I'm

0:47:40.760 --> 0:47:43.400
<v Speaker 2>very interested to see if that comes across here. I

0:47:43.520 --> 0:47:46.520
<v Speaker 2>also think that Joel and Jason with the car mention

0:47:46.560 --> 0:47:48.160
<v Speaker 2>and you guys do pick up on something which is

0:47:48.640 --> 0:47:51.800
<v Speaker 2>maybe the reason that we don't know about hybrids in

0:47:52.040 --> 0:47:55.279
<v Speaker 2>the Alien the wider Alien universe is just because they're

0:47:55.320 --> 0:47:58.480
<v Speaker 2>good at hiding, because they know because they.

0:47:58.560 --> 0:48:04.800
<v Speaker 1>Follow Fallout three, and also as well.

0:48:05.080 --> 0:48:07.440
<v Speaker 2>If you think about what we do have coming, because

0:48:07.440 --> 0:48:09.759
<v Speaker 2>at the moment right now, you know, one thing we

0:48:09.840 --> 0:48:12.719
<v Speaker 2>can say is that since Dan tracktro Birth Prey, there

0:48:12.760 --> 0:48:15.560
<v Speaker 2>has been a push into this franchise. We know that

0:48:15.680 --> 0:48:18.960
<v Speaker 2>there is collaboration and conversation happening in a way that

0:48:19.040 --> 0:48:22.160
<v Speaker 2>maybe didn't happen until, you know, twenty years into the

0:48:22.239 --> 0:48:26.720
<v Speaker 2>Alien and Predator movies together, that we know. For example,

0:48:26.840 --> 0:48:28.799
<v Speaker 2>I'll give you a great example. You know, who looks

0:48:28.920 --> 0:48:34.600
<v Speaker 2>really like a human the synthetic that we see attached

0:48:34.640 --> 0:48:38.719
<v Speaker 2>to the Predator's back in the new Predator bad Lands movie.

0:48:39.080 --> 0:48:43.839
<v Speaker 2>She looks incredibly realistic. She looks incredibly human, She has personality,

0:48:44.239 --> 0:48:47.759
<v Speaker 2>personality and reality, and for all we know that is

0:48:47.920 --> 0:48:50.160
<v Speaker 2>the reason she's on that planet is because somebody found

0:48:50.200 --> 0:48:52.200
<v Speaker 2>out she was actually a hybrid and not a sink.

0:48:52.320 --> 0:48:54.600
<v Speaker 2>You know, I think there's loads of interesting ways that

0:48:54.680 --> 0:48:58.400
<v Speaker 2>it could connect. But I am also just like really

0:48:58.560 --> 0:49:01.600
<v Speaker 2>interested in because I think one of the most funny

0:49:01.680 --> 0:49:04.440
<v Speaker 2>things is like, yeah, I do think that, you know,

0:49:04.600 --> 0:49:09.719
<v Speaker 2>super rich people have super you know, crazy AI sex dolls,

0:49:09.760 --> 0:49:13.759
<v Speaker 2>and they've already probably implanted like a celebrity's memories and

0:49:13.880 --> 0:49:16.239
<v Speaker 2>voice into a sex doll because they're cringe like that

0:49:16.520 --> 0:49:19.320
<v Speaker 2>and just gross. But also, like the other thing that

0:49:19.400 --> 0:49:22.360
<v Speaker 2>I think I want to see this show show like

0:49:22.640 --> 0:49:25.719
<v Speaker 2>be real about is like, also guess what bro like

0:49:26.680 --> 0:49:29.000
<v Speaker 2>they also don't have to do that because most of

0:49:29.080 --> 0:49:32.320
<v Speaker 2>them will just fuck a plastic doll that looks like

0:49:32.400 --> 0:49:35.239
<v Speaker 2>an anime character and doesn't talk back to them. So

0:49:35.360 --> 0:49:38.640
<v Speaker 2>I think, like I want to know about that duality,

0:49:39.160 --> 0:49:41.800
<v Speaker 2>Like I want to know like why are the hybrids

0:49:41.880 --> 0:49:47.360
<v Speaker 2>being created? Why what does it say about boy Cavalier,

0:49:47.440 --> 0:49:49.759
<v Speaker 2>Like does he really just want that great conversation? Is

0:49:49.840 --> 0:49:52.480
<v Speaker 2>he trying to find God? Like whalon? Does he just

0:49:52.560 --> 0:49:54.799
<v Speaker 2>want a girlfriend that he thinks is as clever as him?

0:49:54.880 --> 0:49:57.279
<v Speaker 2>Like whatever version of it is, I know he's not

0:49:57.400 --> 0:49:58.799
<v Speaker 2>building this technology with.

0:49:58.920 --> 0:50:03.680
<v Speaker 1>A oh yeah, it's yeah, let's do it. Well, I

0:50:03.760 --> 0:50:06.080
<v Speaker 1>think it's I think it's for two reasons. One is

0:50:06.360 --> 0:50:10.000
<v Speaker 1>like the weird sex reason, and the second is because

0:50:10.200 --> 0:50:13.239
<v Speaker 1>I think, as he says an episode two, I think

0:50:13.280 --> 0:50:18.279
<v Speaker 1>he is genuinely bored with the people he talks to

0:50:18.440 --> 0:50:20.959
<v Speaker 1>every day and the fact that like he's not being

0:50:21.880 --> 0:50:26.720
<v Speaker 1>mentally stimulated and intellectually challenged, right, And I think he's thinking,

0:50:26.920 --> 0:50:31.560
<v Speaker 1>if I create this race of hybrids that are whose

0:50:31.640 --> 0:50:34.399
<v Speaker 1>minds work in different ways, that can make different connections,

0:50:35.120 --> 0:50:37.759
<v Speaker 1>then I can, like in a final boss in a

0:50:37.880 --> 0:50:40.799
<v Speaker 1>video game, they can challenge me, and then I can

0:50:40.920 --> 0:50:43.920
<v Speaker 1>raise my level and become even smarter. I don't, as

0:50:44.000 --> 0:50:46.120
<v Speaker 1>I said in the episode, I do not buy that

0:50:46.280 --> 0:50:49.320
<v Speaker 1>he wants to talk with beings that are smarter than him. No,

0:50:49.560 --> 0:50:51.080
<v Speaker 1>I think he wants to talk with beings who are

0:50:51.080 --> 0:50:53.600
<v Speaker 1>smarter than him so that he can become smarter than them,

0:50:53.760 --> 0:50:55.800
<v Speaker 1>exactly smarter than them. I think he just wants to

0:50:55.880 --> 0:50:59.839
<v Speaker 1>be and I think eventually he would like to live forever.

0:51:00.120 --> 0:51:01.600
<v Speaker 1>I think he wants to put himself in one of

0:51:01.640 --> 0:51:05.640
<v Speaker 1>these bodies and just like rule amongst people who are

0:51:06.000 --> 0:51:08.439
<v Speaker 1>not quite as smart as him, who also live forever

0:51:08.560 --> 0:51:09.520
<v Speaker 1>and will serve him forever.

0:51:09.640 --> 0:51:12.040
<v Speaker 2>That's what I think, exactly. I think that's a perfect

0:51:12.080 --> 0:51:13.319
<v Speaker 2>point they bring up.

0:51:13.440 --> 0:51:15.880
<v Speaker 4>You know, like you have a droid here who's very

0:51:15.920 --> 0:51:20.200
<v Speaker 4>He's like, that's like information based knowledge and want somebody

0:51:20.239 --> 0:51:23.520
<v Speaker 4>who can think and create, which sort of lends itself

0:51:23.600 --> 0:51:27.480
<v Speaker 4>to the like he's trying to both create a god

0:51:27.600 --> 0:51:31.359
<v Speaker 4>in the same kind of swift movement. I also think

0:51:31.440 --> 0:51:35.560
<v Speaker 4>there's you know, if we're doing the dastardly evil genius thing,

0:51:36.160 --> 0:51:38.160
<v Speaker 4>I mean, if you're able to turn off the emotions,

0:51:38.239 --> 0:51:40.920
<v Speaker 4>what a great army. This is the fact that the

0:51:41.040 --> 0:51:42.480
<v Speaker 4>kind of first thing you sent them to do is

0:51:42.520 --> 0:51:47.120
<v Speaker 4>a very like tactical recovery mission gives into this idea

0:51:47.280 --> 0:51:48.040
<v Speaker 4>that also.

0:51:48.000 --> 0:51:50.440
<v Speaker 2>Like the idea that he acted like that wasn't something

0:51:50.480 --> 0:51:52.400
<v Speaker 2>he would have ever thought of. And like everyone in

0:51:52.440 --> 0:51:54.320
<v Speaker 2>the room's like, oh no, maybe they're not ready, but

0:51:54.360 --> 0:51:55.920
<v Speaker 2>it's like, of course that's what you thought about this.

0:51:56.080 --> 0:51:57.680
<v Speaker 2>They can't believe they can't die.

0:51:58.160 --> 0:52:02.920
<v Speaker 4>Yeah, And he's in the that like expendability doesn't really

0:52:02.960 --> 0:52:05.920
<v Speaker 4>come into the picture for him, which I find interesting.

0:52:05.960 --> 0:52:09.400
<v Speaker 4>I'm also not unconvinced that his man servant isn't like

0:52:09.480 --> 0:52:13.400
<v Speaker 4>a bot, you know, he's always around in some form, uh,

0:52:13.600 --> 0:52:15.479
<v Speaker 4>And so I I do think he might be looking

0:52:15.560 --> 0:52:18.000
<v Speaker 4>for and to the fact that we know the corporation

0:52:18.120 --> 0:52:20.759
<v Speaker 4>wars are on at this point. If you I just

0:52:20.800 --> 0:52:24.520
<v Speaker 4>don't know the history of like alien basically, like the

0:52:25.360 --> 0:52:28.920
<v Speaker 4>democracy ended and then corporation started buying up things and

0:52:28.960 --> 0:52:34.920
<v Speaker 4>they're separated. So now there's like, can't talk about associating.

0:52:35.160 --> 0:52:40.600
<v Speaker 4>Please please, please try to disassociate into the fantasy. I

0:52:40.719 --> 0:52:43.719
<v Speaker 4>just find it really like I'm putting money down on

0:52:43.960 --> 0:52:49.439
<v Speaker 4>like future Army slash premium priced Live forever corporate option.

0:52:50.239 --> 0:52:51.200
<v Speaker 2>I think that makes sense.

0:52:52.000 --> 0:52:54.440
<v Speaker 1>Well, we're going to find out as we continue our

0:52:54.520 --> 0:52:57.040
<v Speaker 1>coverage of Alien Earth on the next episode of Extra Vision.

0:52:57.040 --> 0:53:00.360
<v Speaker 1>We're continue our coverage of Alien Earth on FX recap

0:53:00.440 --> 0:53:03.440
<v Speaker 1>of episode three. That's it for this episode. Thanks for listening,

0:53:03.680 --> 0:53:13.600
<v Speaker 1>Bye bye. X ray Vision is hosted by Jason Sepsion

0:53:13.680 --> 0:53:16.240
<v Speaker 1>and Rosie Night and is a production of iHeart Podcast.

0:53:16.640 --> 0:53:20.200
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kaufman.

0:53:20.440 --> 0:53:22.480
<v Speaker 1>Our supervising producer is Abu Zafar.

0:53:22.880 --> 0:53:26.839
<v Speaker 2>Our producers are Common Laurent, Dean Jonathan, and Bay Wag.

0:53:26.920 --> 0:53:29.680
<v Speaker 1>Our theme song is by Brian Vasquez, with alternate theme

0:53:29.800 --> 0:53:31.040
<v Speaker 1>songs by Aaron Kaufman.

0:53:31.200 --> 0:53:34.520
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:53:34.680 --> 0:53:36.440
<v Speaker 2>Heidi our discord moderator.