1 00:00:00,560 --> 00:00:04,680 Speaker 1: Worrying. Today's Roundtable episode candid spoilers for Alien Earth Episode 2 00:00:04,680 --> 00:00:24,079 Speaker 1: one and two be one. Hello, my name is Jascontepcio 3 00:00:24,320 --> 00:00:27,080 Speaker 1: and I'm risday Night and welcome back to x Ray 4 00:00:27,160 --> 00:00:30,760 Speaker 1: Vision of the podcast movie I've d Video, Favorite Shows, Movies, comment. 5 00:00:30,800 --> 00:00:33,200 Speaker 1: It's a pop culture company from My Heart podcast, where 6 00:00:33,200 --> 00:00:37,400 Speaker 1: we're bringing you three episodes a week and Tuesday Thursday, 7 00:00:37,479 --> 00:00:39,560 Speaker 1: I'm asked the summer's biggest movies on Friday. 8 00:00:41,360 --> 00:00:44,120 Speaker 2: In today's episode, we are joined by super producers Joe 9 00:00:44,280 --> 00:00:47,839 Speaker 2: Monique and Carmon Lorenz to dig even deeper on the 10 00:00:47,880 --> 00:00:50,920 Speaker 2: first two episodes of FX is Alien Earth, which is 11 00:00:51,080 --> 00:00:54,440 Speaker 2: taking the Internet and the TV watching world by storm. 12 00:00:55,120 --> 00:00:57,960 Speaker 2: We are going to discuss the evolution of the creatures 13 00:00:58,200 --> 00:01:01,360 Speaker 2: and where we are. The timeline is alien as we 14 00:01:01,440 --> 00:01:03,160 Speaker 2: know it? Have we been here before? It is the 15 00:01:03,280 --> 00:01:06,120 Speaker 2: earliest part of the Alien timeline we've seen, what did 16 00:01:06,160 --> 00:01:08,600 Speaker 2: we know about it? And we'll also be exploring some 17 00:01:08,720 --> 00:01:13,520 Speaker 2: of the history of Whyland, Utawni's and their executives from 18 00:01:13,600 --> 00:01:14,120 Speaker 2: the movies. 19 00:01:15,240 --> 00:01:19,160 Speaker 1: But first let's bring in our super producers. Should talk 20 00:01:19,240 --> 00:01:24,240 Speaker 1: about Neverland and Mister October. The first and second episodes 21 00:01:24,480 --> 00:01:29,520 Speaker 1: of Alien Earth on FX. Carmen Joel, welcome to the program. 22 00:01:29,920 --> 00:01:32,240 Speaker 3: Hey, greetings and salutation. 23 00:01:33,319 --> 00:01:37,559 Speaker 1: Okay, let's get let's get your overall thoughts first, Carmen, let's. 24 00:01:37,440 --> 00:01:37,800 Speaker 2: Start with you. 25 00:01:39,440 --> 00:01:42,399 Speaker 3: I'm having a really great time watching this. First two 26 00:01:42,440 --> 00:01:47,320 Speaker 3: episodes were very enjoyable. I know, you know, I know 27 00:01:47,520 --> 00:01:51,520 Speaker 3: that we don't need all of the Alien kind of 28 00:01:51,640 --> 00:01:54,840 Speaker 3: nostalgia just stuff like that, We don't need all of it, 29 00:01:54,960 --> 00:01:57,720 Speaker 3: but I did. I was a sucker for it. I 30 00:01:57,880 --> 00:01:59,960 Speaker 3: have to admit I was a sucker for that little 31 00:02:00,120 --> 00:02:02,840 Speaker 3: bit of nosogia. I'm like, yes, we are paying homage 32 00:02:03,400 --> 00:02:06,760 Speaker 3: to the original property. We're keeping the spirit of the 33 00:02:06,840 --> 00:02:11,359 Speaker 3: original property in mind, and I was thrilled when I 34 00:02:11,480 --> 00:02:14,160 Speaker 3: saw that all of those elements were still there basically. 35 00:02:15,440 --> 00:02:20,520 Speaker 3: And I'm enjoying the mystery as it unfolds because there 36 00:02:20,560 --> 00:02:22,720 Speaker 3: are so many questions that I have for what is 37 00:02:22,840 --> 00:02:26,400 Speaker 3: going on in this series, and I'm really hoping that, 38 00:02:27,280 --> 00:02:28,880 Speaker 3: you know, they don't leave us with a bunch of 39 00:02:28,960 --> 00:02:32,359 Speaker 3: un answered questions by episode eight. So we'll see, Joelle, 40 00:02:32,400 --> 00:02:35,919 Speaker 3: your thoughts. I love this series. 41 00:02:35,960 --> 00:02:37,960 Speaker 4: I was trying to contemplate the first time I saw Alien. 42 00:02:37,960 --> 00:02:40,760 Speaker 4: It's one of those movies I've watched so young, probably 43 00:02:40,800 --> 00:02:42,600 Speaker 4: between five or seven the first time I saw it, 44 00:02:43,120 --> 00:02:45,560 Speaker 4: But it just is like a seminal ingrained part of 45 00:02:45,720 --> 00:02:48,200 Speaker 4: my life. And to come into this series and have 46 00:02:48,360 --> 00:02:52,400 Speaker 4: it not just be so well performed, like beautiful production design. 47 00:02:52,400 --> 00:02:54,240 Speaker 4: I'm obsessed with these sets. I could just look at 48 00:02:54,639 --> 00:02:57,359 Speaker 4: just like photos of the set forever. They're so rich 49 00:02:57,400 --> 00:03:00,480 Speaker 4: in detail. But to also find us face swear a 50 00:03:00,520 --> 00:03:04,960 Speaker 4: lot of different lore. I'm talking like potentially video game stuff, 51 00:03:05,040 --> 00:03:08,519 Speaker 4: comic book stuff coming being woven into a Lord that's 52 00:03:08,680 --> 00:03:11,320 Speaker 4: felt pretty sparse, you know, it's under the Disney umbrella. 53 00:03:11,400 --> 00:03:14,760 Speaker 4: Now we're seeing a Predator property come out shortly that 54 00:03:14,840 --> 00:03:17,079 Speaker 4: looks like it might have some overlapping connection. And it 55 00:03:17,200 --> 00:03:20,239 Speaker 4: definitely has overlapping connection into the Alien universe, but perhaps 56 00:03:20,320 --> 00:03:22,799 Speaker 4: there's like closer connection now since they're coming out so 57 00:03:22,919 --> 00:03:23,480 Speaker 4: close together. 58 00:03:24,280 --> 00:03:25,239 Speaker 1: I just I think it's. 59 00:03:27,160 --> 00:03:30,079 Speaker 3: Android confirmed to be a Whailand Android. 60 00:03:30,280 --> 00:03:31,160 Speaker 4: Yeah, yeah, let's just. 61 00:03:31,200 --> 00:03:32,520 Speaker 1: Say so, they're definitely connected. 62 00:03:32,600 --> 00:03:35,160 Speaker 4: I just think that there's so much here to like 63 00:03:35,280 --> 00:03:37,160 Speaker 4: dive into that I bullied you guys into doing a 64 00:03:37,200 --> 00:03:40,520 Speaker 4: second episode so we could talk about it because I 65 00:03:40,680 --> 00:03:43,840 Speaker 4: was like, I'm just enthralled with all of these characters 66 00:03:43,920 --> 00:03:49,240 Speaker 4: from Tim's the Olafant's Kersh who's so weird and in 67 00:03:49,320 --> 00:03:52,280 Speaker 4: the background and he's really cooking but not doing too 68 00:03:52,400 --> 00:03:53,960 Speaker 4: much yet You're like, I know that that guy is 69 00:03:54,000 --> 00:03:54,560 Speaker 4: gonna swing in. 70 00:03:54,960 --> 00:03:58,640 Speaker 2: And I also I love these kids. It's early days 71 00:03:58,720 --> 00:03:59,040 Speaker 2: on them. 72 00:03:59,080 --> 00:04:01,480 Speaker 4: I know everyone's not yet sold on the children. 73 00:04:02,160 --> 00:04:04,440 Speaker 2: But I love a child. I love a child. 74 00:04:05,320 --> 00:04:08,080 Speaker 1: Hold on, we're jumping into it, so let's jump into 75 00:04:08,080 --> 00:04:11,400 Speaker 1: that conversation. I want to say that, well, you should say, 76 00:04:11,440 --> 00:04:15,600 Speaker 1: because you just came from a recording of a different 77 00:04:15,760 --> 00:04:19,719 Speaker 1: podcast property in which I think people were much more 78 00:04:20,279 --> 00:04:23,560 Speaker 1: not sold on the kids. Yeah, I want to say personally, 79 00:04:23,760 --> 00:04:27,839 Speaker 1: I am not not sold. I am after specifically after 80 00:04:28,000 --> 00:04:31,440 Speaker 1: episode two. I'm like all in on the show that 81 00:04:31,760 --> 00:04:34,880 Speaker 1: said I did note I thought there were certain storytelling 82 00:04:34,960 --> 00:04:36,800 Speaker 1: things that could have been stronger to build a more 83 00:04:36,839 --> 00:04:37,919 Speaker 1: connection with the kids. 84 00:04:38,279 --> 00:04:38,719 Speaker 2: It didn't. 85 00:04:38,839 --> 00:04:42,960 Speaker 1: I didn't personally end up missing it, but I did 86 00:04:43,200 --> 00:04:45,960 Speaker 1: feel it there when I was watching it. But tell 87 00:04:46,040 --> 00:04:49,440 Speaker 1: us about this, tell us about the insights of your 88 00:04:50,320 --> 00:04:53,960 Speaker 1: fellow co host podcast, the podcast in the podcast that 89 00:04:54,040 --> 00:04:54,680 Speaker 1: you just came from. 90 00:04:55,320 --> 00:04:57,880 Speaker 4: Yeah, I think what I'm hearing, and it has for 91 00:04:57,960 --> 00:04:59,840 Speaker 4: a lot of different men who've seen the show. They're like, 92 00:05:00,080 --> 00:05:03,560 Speaker 4: kids are too plucky, there's too much you know, just 93 00:05:04,720 --> 00:05:06,320 Speaker 4: is this their proper aid? So we're like they're acting 94 00:05:06,320 --> 00:05:07,719 Speaker 4: like their five year old I'm like, this is actually 95 00:05:07,760 --> 00:05:10,680 Speaker 4: accurate for nine and ten and twelve year old behavior 96 00:05:11,080 --> 00:05:13,000 Speaker 4: that I've seen. You know, I'm not an expert. I 97 00:05:13,120 --> 00:05:15,480 Speaker 4: don't fully remember being nine or ten, but like the 98 00:05:16,120 --> 00:05:19,080 Speaker 4: giggling at curse words was so familiar to me that 99 00:05:19,200 --> 00:05:22,880 Speaker 4: I was like, this is such a delight. And I 100 00:05:23,480 --> 00:05:27,520 Speaker 4: understand that they also mentioned and will get more into 101 00:05:27,560 --> 00:05:29,160 Speaker 4: this too, but that the peter pan of it all 102 00:05:29,240 --> 00:05:32,600 Speaker 4: felt too quirky and it was overbearing. But for me, 103 00:05:32,680 --> 00:05:35,440 Speaker 4: all of these things work in the evolution of the 104 00:05:35,480 --> 00:05:38,880 Speaker 4: franchise because eventually, what you know, aliens all about like 105 00:05:39,120 --> 00:05:41,440 Speaker 4: the horrors of women being inflicted upon men and watching 106 00:05:41,480 --> 00:05:45,040 Speaker 4: them sort of navigate those horrors to reduce it to children, 107 00:05:45,400 --> 00:05:47,040 Speaker 4: and I don't say reduced, but like to switch it 108 00:05:47,120 --> 00:05:50,960 Speaker 4: to children and the horrors they're forced upon them. You know, 109 00:05:51,040 --> 00:05:55,280 Speaker 4: there's like a lot about like helicopter parents in here, 110 00:05:55,560 --> 00:05:58,039 Speaker 4: just they're possibly being observed. They don't go anywhere, they 111 00:05:58,080 --> 00:05:59,520 Speaker 4: don't get to say in their lives at all. 112 00:06:00,160 --> 00:06:00,280 Speaker 3: Uh. 113 00:06:00,480 --> 00:06:02,120 Speaker 4: I think that reflection is nice and as you know, 114 00:06:02,200 --> 00:06:05,080 Speaker 4: folks who came into this and a franchise so young, 115 00:06:05,480 --> 00:06:08,040 Speaker 4: I think this is a nice like gateway for other 116 00:06:08,160 --> 00:06:09,360 Speaker 4: young horror viewers, you know. 117 00:06:09,880 --> 00:06:12,200 Speaker 2: I was just also gonna say, like, I think the 118 00:06:12,360 --> 00:06:16,640 Speaker 2: point of it is like that the way that children 119 00:06:16,720 --> 00:06:18,560 Speaker 2: and this is something that I know we've kind of 120 00:06:18,600 --> 00:06:20,320 Speaker 2: been talking about off mic a little bit, but like 121 00:06:20,440 --> 00:06:23,800 Speaker 2: bring her back weapons this. I think a lot of 122 00:06:23,880 --> 00:06:26,400 Speaker 2: this stuff is about like the horror of being a 123 00:06:26,480 --> 00:06:29,080 Speaker 2: kid and how you don't really have any autonomy over 124 00:06:29,160 --> 00:06:31,400 Speaker 2: your body, and here they take that to the extreme 125 00:06:31,839 --> 00:06:34,920 Speaker 2: because these are owned by a corporation. I will also 126 00:06:35,000 --> 00:06:36,920 Speaker 2: say I do think the Peter Pan thing, I've heard 127 00:06:36,960 --> 00:06:38,599 Speaker 2: that come up a lot. But I saw a great 128 00:06:38,720 --> 00:06:41,440 Speaker 2: quote with the kid who plays Boy Cavalier that was 129 00:06:41,880 --> 00:06:44,560 Speaker 2: from San Diego, I think, on space dot com and 130 00:06:44,680 --> 00:06:47,839 Speaker 2: he was basically just like he misread the book. Guys, 131 00:06:48,320 --> 00:06:51,160 Speaker 2: like that's the point. Like he's obsessed with this thing 132 00:06:51,200 --> 00:06:54,640 Speaker 2: and he doesn't understand it, and he thinks the story 133 00:06:54,680 --> 00:06:56,720 Speaker 2: of Peter Pan is like it wouldn't it be cool 134 00:06:56,800 --> 00:06:58,680 Speaker 2: to not grow up? But the whole point of Peter 135 00:06:58,760 --> 00:07:00,760 Speaker 2: Pan is like, no, if you don't grow up, you're 136 00:07:00,800 --> 00:07:02,839 Speaker 2: never gonna learn how to like love and empathize. 137 00:07:03,000 --> 00:07:04,960 Speaker 4: Yeah, but I also think it works on the level of, 138 00:07:05,000 --> 00:07:07,680 Speaker 4: like Wendy chose her own name, and there's something to 139 00:07:07,760 --> 00:07:10,200 Speaker 4: be said about like he plays Peter Pan is like 140 00:07:10,240 --> 00:07:12,560 Speaker 4: this is a comforting like regular children's story that you 141 00:07:12,640 --> 00:07:15,520 Speaker 4: can like sink into while you go into this tays 142 00:07:15,600 --> 00:07:18,360 Speaker 4: be like a traumatic transfer. Okay, great, when she decides 143 00:07:18,400 --> 00:07:20,120 Speaker 4: to call herself Wendy's there's like a tick to him 144 00:07:20,120 --> 00:07:21,680 Speaker 4: and he's like, what's going on with that? And they 145 00:07:21,840 --> 00:07:24,760 Speaker 4: build off of this idea into all of the children, 146 00:07:24,840 --> 00:07:27,560 Speaker 4: and so you know, I was, I feel like I 147 00:07:27,680 --> 00:07:29,440 Speaker 4: understand why people like this is heavy handed. It's because 148 00:07:29,440 --> 00:07:30,920 Speaker 4: it doesn't have a conclusion yet. You're like, I don't 149 00:07:30,960 --> 00:07:33,560 Speaker 4: really know it. It feels kind of surfacey and it. 150 00:07:33,720 --> 00:07:34,960 Speaker 2: Might stay that way. 151 00:07:35,720 --> 00:07:39,600 Speaker 4: But I think the text of Peter Pan, it's created 152 00:07:39,600 --> 00:07:41,320 Speaker 4: before World War One, but it becomes sort of an 153 00:07:41,320 --> 00:07:45,600 Speaker 4: analogy for the Lost generation. The author wrote the stories 154 00:07:45,720 --> 00:07:48,360 Speaker 4: for his adoptive sons, one of who actually died in 155 00:07:48,440 --> 00:07:51,360 Speaker 4: World War One, and I think if we can get 156 00:07:51,440 --> 00:07:53,520 Speaker 4: back to that, like again, the terror of the children 157 00:07:53,640 --> 00:07:56,040 Speaker 4: have to face, the way we sort of negotiate within 158 00:07:56,120 --> 00:07:58,200 Speaker 4: ourselves as we're growing up. 159 00:07:58,400 --> 00:07:59,320 Speaker 2: How much of a child am I? 160 00:07:59,360 --> 00:08:00,560 Speaker 4: How much of an adult to my and at what 161 00:08:00,640 --> 00:08:03,400 Speaker 4: point am I taking on the responsibilities of an adult? 162 00:08:03,480 --> 00:08:06,920 Speaker 4: And at what point am I being selfishly and rightfully 163 00:08:07,040 --> 00:08:07,400 Speaker 4: a child? 164 00:08:07,520 --> 00:08:09,200 Speaker 2: Like at what point? I think all of that is. 165 00:08:09,320 --> 00:08:13,920 Speaker 4: Incredibly interesting and can be reinforced within the story as 166 00:08:14,000 --> 00:08:15,880 Speaker 4: it evolves. But if it doesn't evolve, if we cut 167 00:08:15,920 --> 00:08:17,200 Speaker 4: it off, I do think it's kind of pointless, and 168 00:08:17,200 --> 00:08:18,320 Speaker 4: I wish we wouldn't have done it at all. 169 00:08:18,920 --> 00:08:21,960 Speaker 2: Well, I'm saying, because we don't know yet. Well, I'll 170 00:08:22,240 --> 00:08:22,800 Speaker 2: I'll just say this. 171 00:08:23,120 --> 00:08:27,680 Speaker 1: I think part of what's going on here and the 172 00:08:27,800 --> 00:08:32,040 Speaker 1: differing reactions to the kids and the way they are 173 00:08:33,240 --> 00:08:37,800 Speaker 1: kind of displayed in the story, is that is comes 174 00:08:37,920 --> 00:08:41,599 Speaker 1: from And I completely hear what you're saying, Joelle, and 175 00:08:41,800 --> 00:08:47,120 Speaker 1: I certainly became emotionally invested in the story, particularly after 176 00:08:47,520 --> 00:08:51,040 Speaker 1: episode two when it was like Wendy's drive really kicked 177 00:08:51,080 --> 00:08:53,439 Speaker 1: in a gear with her with her brother, right. But 178 00:08:53,720 --> 00:09:00,720 Speaker 1: I think this story allows one the reference Peter Pan 179 00:09:01,400 --> 00:09:07,880 Speaker 1: and to the kind of archetypes of children like to 180 00:09:08,120 --> 00:09:11,240 Speaker 1: do most of the heavy lifting for the character building 181 00:09:12,440 --> 00:09:16,760 Speaker 1: over this stretch of episodes, and what that means is 182 00:09:18,200 --> 00:09:21,760 Speaker 1: if I come to it with a set of experiences 183 00:09:22,520 --> 00:09:27,240 Speaker 1: and perceptions that are harmonious with this story, I'm gonna 184 00:09:27,240 --> 00:09:29,120 Speaker 1: be like, Oh, I really get this. If I had 185 00:09:29,160 --> 00:09:34,560 Speaker 1: a different upbringing without those references, I'm not gonna connect 186 00:09:34,600 --> 00:09:36,400 Speaker 1: as much because I'm like, who the fuck are these people? 187 00:09:36,520 --> 00:09:38,280 Speaker 1: Like I don't kind of get it, Like I didn't 188 00:09:38,320 --> 00:09:40,439 Speaker 1: have it. None of this speaks to me, And so 189 00:09:40,679 --> 00:09:43,280 Speaker 1: that is that's just like the risk you're going to 190 00:09:43,320 --> 00:09:48,079 Speaker 1: take when you make the decision to let kind of 191 00:09:48,480 --> 00:09:53,680 Speaker 1: character archetypes do most of the character building. Like I'm listen, 192 00:09:54,040 --> 00:09:56,400 Speaker 1: I think it's I think it's a really really good show. 193 00:09:57,320 --> 00:10:03,680 Speaker 1: I personally felt like crash the ship immediately if minute one, 194 00:10:03,840 --> 00:10:07,840 Speaker 1: crash the ship. I love Alien, I love the references. 195 00:10:08,160 --> 00:10:10,480 Speaker 1: I've seen the movie. I don't personally need it and 196 00:10:10,679 --> 00:10:13,959 Speaker 1: spend that like whatever it is ten minute intro in 197 00:10:14,000 --> 00:10:18,880 Speaker 1: the beginning, having Wendy and the kids right now, they 198 00:10:18,920 --> 00:10:21,240 Speaker 1: didn't do that. I don't miss it necessarily, but I 199 00:10:21,360 --> 00:10:22,640 Speaker 1: understand people who do miss it. 200 00:10:22,880 --> 00:10:25,400 Speaker 2: I get it, I do get it. I think for me, 201 00:10:25,520 --> 00:10:29,800 Speaker 2: it was like I just and I enjoyed so much 202 00:10:30,120 --> 00:10:36,319 Speaker 2: the way that the opening said to the audience, Hey, 203 00:10:37,840 --> 00:10:41,079 Speaker 2: this is gonna look like an alien movie. Yes, And 204 00:10:41,400 --> 00:10:45,280 Speaker 2: I think when you're adapting something that is so iconic 205 00:10:45,520 --> 00:10:50,920 Speaker 2: that has had, you know, many lesser adaptations later movie entries, 206 00:10:50,960 --> 00:10:53,560 Speaker 2: things people don't really want. I think that that ability 207 00:10:53,679 --> 00:10:56,400 Speaker 2: to say, hey, look at this technology, look at this 208 00:10:57,240 --> 00:11:00,400 Speaker 2: replication of what you think an alien movie is, and 209 00:11:00,480 --> 00:11:03,040 Speaker 2: then we're gonna kind of blow that up it worked 210 00:11:03,080 --> 00:11:07,520 Speaker 2: for me. I also just think generally the show just 211 00:11:07,640 --> 00:11:10,920 Speaker 2: looks so fucking good like and I also like the 212 00:11:11,000 --> 00:11:15,400 Speaker 2: way that to me Wendy and the hybrids, because we 213 00:11:15,480 --> 00:11:19,360 Speaker 2: haven't seen them yet, they are very much a new 214 00:11:19,720 --> 00:11:24,559 Speaker 2: iteration of a kind of version of a robot that 215 00:11:24,679 --> 00:11:28,240 Speaker 2: we've seen in other aliens. They're super strong, they're super fast. 216 00:11:28,640 --> 00:11:31,240 Speaker 2: I love the way that she jumps from the high 217 00:11:31,320 --> 00:11:34,280 Speaker 2: cliff and doesn't even really bend her knees. Like there's 218 00:11:34,320 --> 00:11:36,640 Speaker 2: these little choices they make where you're like, okay, we're 219 00:11:36,640 --> 00:11:39,040 Speaker 2: actually off the reservation now. So I think they start 220 00:11:39,120 --> 00:11:43,600 Speaker 2: familiar because they're gonna throw you into something that's completely bonkers. 221 00:11:43,880 --> 00:11:46,720 Speaker 2: And it is also really interesting to just have an 222 00:11:46,800 --> 00:11:51,800 Speaker 2: alien story that's on screen that's set on Earth in 223 00:11:51,920 --> 00:11:54,439 Speaker 2: a way that's more than say, you know the second 224 00:11:54,520 --> 00:11:57,400 Speaker 2: AVP movie where they go, oh, it crash landed and 225 00:11:57,520 --> 00:11:59,960 Speaker 2: now you're being chased on Earth by predators or whatever, 226 00:12:00,320 --> 00:12:03,480 Speaker 2: which we've had predators on us before, of course not 227 00:12:03,600 --> 00:12:06,040 Speaker 2: so much aliens. Here they're like, Okay, what would that 228 00:12:06,160 --> 00:12:11,800 Speaker 2: really mean? Like this is the most terrifying just powerful 229 00:12:12,080 --> 00:12:16,040 Speaker 2: weaponized creature that we've ever seen, and this is how 230 00:12:16,040 --> 00:12:19,520 Speaker 2: it would just absolutely decimate a city. And I think 231 00:12:19,600 --> 00:12:23,040 Speaker 2: for me, that's like a very appealing set up, even 232 00:12:23,080 --> 00:12:26,800 Speaker 2: outside of the more kind of bigger questions of AI 233 00:12:27,080 --> 00:12:30,679 Speaker 2: and sentience and and bodily autonomy. I just love the 234 00:12:30,679 --> 00:12:32,720 Speaker 2: way that like you're gonna see this xenomorph like, well, 235 00:12:32,720 --> 00:12:34,840 Speaker 2: you get a numerous different. 236 00:12:36,760 --> 00:12:39,920 Speaker 4: Versus a being that's supposed to be able to live forever, 237 00:12:40,120 --> 00:12:46,000 Speaker 4: and oh that's reality. Between Wendy and our queen's enamore. 238 00:12:45,920 --> 00:12:51,199 Speaker 1: Throughout, let's talk about this the kind of world that 239 00:12:51,320 --> 00:12:55,760 Speaker 1: this show exists in. We're getting more information, you know 240 00:12:56,800 --> 00:13:01,800 Speaker 1: that maybe than any other source save some of the comics, 241 00:13:01,920 --> 00:13:05,880 Speaker 1: about like what the world of Earth in the twenty 242 00:13:05,920 --> 00:13:10,439 Speaker 1: second century looks like. And we now know that there 243 00:13:10,720 --> 00:13:15,240 Speaker 1: are basically five corporations that control all of Earth and 244 00:13:16,400 --> 00:13:19,560 Speaker 1: some of the outer planets of the Solar System. Whaling 245 00:13:20,120 --> 00:13:23,200 Speaker 1: is the big one, North and South America, Mars and Saturn. 246 00:13:23,559 --> 00:13:27,480 Speaker 1: Crazy Dynamics owns the Moon, and we don't know about 247 00:13:27,480 --> 00:13:32,360 Speaker 1: what other continents on Earth. TBD Prodigy who most of 248 00:13:32,440 --> 00:13:37,720 Speaker 1: our story is focused on Boy Cavalier, his newest entrant 249 00:13:37,800 --> 00:13:40,400 Speaker 1: into the corporate space that seems to own a bunch 250 00:13:40,440 --> 00:13:45,360 Speaker 1: of real estate around the equator and potentially, I don't know, 251 00:13:45,440 --> 00:13:46,040 Speaker 1: the Caribbean. 252 00:13:46,840 --> 00:13:49,720 Speaker 2: Yeah, I think that is the I think that where 253 00:13:49,840 --> 00:13:52,880 Speaker 2: the Nevalande Island is is clearly supposed to be somewhere 254 00:13:52,960 --> 00:13:55,760 Speaker 2: in the near the islands, like it's it's very warm, 255 00:13:55,840 --> 00:13:58,440 Speaker 2: it's very tropical, and then the. 256 00:13:58,480 --> 00:14:03,280 Speaker 1: Strauthers Island, yes exactly, Yeah, probably others do we do 257 00:14:03,400 --> 00:14:06,280 Speaker 1: we We don't do we have any guesses or thoughts 258 00:14:06,320 --> 00:14:09,040 Speaker 1: about who the two others could possibly be. 259 00:14:09,240 --> 00:14:12,480 Speaker 4: Joelle Threshold is kind of interesting to me in that 260 00:14:12,600 --> 00:14:15,480 Speaker 4: we're getting sort of insights into the companies based off 261 00:14:15,600 --> 00:14:19,640 Speaker 4: of their names, like Specold entry Point. Uh. I wonder 262 00:14:19,680 --> 00:14:21,600 Speaker 4: if they're one of the older companies that has been 263 00:14:21,640 --> 00:14:24,560 Speaker 4: around for a long time and has really established themselves. 264 00:14:24,640 --> 00:14:29,880 Speaker 4: Maybe they own more of like Terra Earth than outer Space. 265 00:14:30,000 --> 00:14:31,360 Speaker 4: We don't really know. And the other one I think 266 00:14:31,480 --> 00:14:34,320 Speaker 4: is called Kent. I was trying to hear my uh 267 00:14:35,200 --> 00:14:37,440 Speaker 4: subtitles weren't working, and we don't have a lot of 268 00:14:37,480 --> 00:14:40,000 Speaker 4: details about that quite yet either. So it'll be interesting 269 00:14:40,480 --> 00:14:42,800 Speaker 4: to hopefully get more into the background of these companies 270 00:14:42,840 --> 00:14:46,400 Speaker 4: as we get further into the series. I'm really interested 271 00:14:46,600 --> 00:14:54,360 Speaker 4: in the balance between you Tani and Prodigy right now. Yeah, yeah, 272 00:14:54,520 --> 00:14:58,000 Speaker 4: especially because you know, you Tani has these species. Carmen 273 00:14:58,040 --> 00:15:02,640 Speaker 4: and I were talking earlier about of the alien timeline. Corman, 274 00:15:02,720 --> 00:15:04,840 Speaker 4: can you talk to us a little bit about people's 275 00:15:04,840 --> 00:15:07,120 Speaker 4: concerns of what the show might be retconning. 276 00:15:07,720 --> 00:15:10,080 Speaker 3: Yeah, I've been you know, I've been observing like the 277 00:15:10,120 --> 00:15:12,800 Speaker 3: buzz online and a lot of people are like, you know, 278 00:15:12,920 --> 00:15:15,600 Speaker 3: a lot of alien fans are concerned, like, oh, is 279 00:15:15,640 --> 00:15:20,880 Speaker 3: this red conning Prometheus and Alien Covenant? Yeah, yeah, so 280 00:15:21,200 --> 00:15:23,880 Speaker 3: far from what I and of course these are, you know, 281 00:15:24,320 --> 00:15:26,880 Speaker 3: just like we've all seen the same two episodes, but 282 00:15:27,000 --> 00:15:29,760 Speaker 3: so far from what I've seen. I feel like it 283 00:15:29,920 --> 00:15:34,040 Speaker 3: just kind of adds more. It's not actually reversing course 284 00:15:34,240 --> 00:15:39,600 Speaker 3: on any of the previously established I think the only thing. 285 00:15:39,520 --> 00:15:42,800 Speaker 2: That I had considered was like, is there a world 286 00:15:43,200 --> 00:15:45,920 Speaker 2: where they're trying they're going to try and do something 287 00:15:45,960 --> 00:15:51,280 Speaker 2: where they have boy Cavalier and Whalen in cahoots or 288 00:15:51,440 --> 00:15:54,840 Speaker 2: know each other, or is he somehow a younger version 289 00:15:54,920 --> 00:15:57,280 Speaker 2: of Whalen that Whalen was able to create. Like I've 290 00:15:57,320 --> 00:15:59,560 Speaker 2: seen a lot of that kind of conversation, which obviously 291 00:15:59,600 --> 00:16:03,600 Speaker 2: would slightly reckcon those two movies, which, by the way, 292 00:16:03,640 --> 00:16:05,640 Speaker 2: can I just say, like, I do love those movies, 293 00:16:06,040 --> 00:16:09,800 Speaker 2: but I am not in the majority. Like if FX 294 00:16:10,000 --> 00:16:13,200 Speaker 2: and Noah Hooley decided to rerecon those movies, I think 295 00:16:13,280 --> 00:16:16,280 Speaker 2: probably they would not have a lot of hatred in 296 00:16:16,320 --> 00:16:18,520 Speaker 2: the fandom for that, though they were not beloved movies. 297 00:16:18,800 --> 00:16:21,880 Speaker 2: But I actually think that something that's really interesting that 298 00:16:21,960 --> 00:16:25,520 Speaker 2: this show does that I think leans into the Prodigy 299 00:16:25,560 --> 00:16:28,160 Speaker 2: and Covenant of it all, is the way that we 300 00:16:28,280 --> 00:16:31,880 Speaker 2: are kind of shown that from what we see in 301 00:16:32,000 --> 00:16:36,960 Speaker 2: this first two episodes, Xenomorph will not attack somebody who 302 00:16:37,120 --> 00:16:41,000 Speaker 2: is not fully organic, which would lean into the fact 303 00:16:41,040 --> 00:16:44,640 Speaker 2: that David played by Michael Fassbender in Covenant and Prometheus, 304 00:16:44,840 --> 00:16:47,760 Speaker 2: right he created he essentially created the xenomorphs from what 305 00:16:47,840 --> 00:16:50,040 Speaker 2: we know and the way we know them, So that 306 00:16:50,080 --> 00:16:53,000 Speaker 2: would actually, I think, be a really interesting ring call 307 00:16:53,120 --> 00:16:57,080 Speaker 2: because he won't he doesn't he doesn't attack Morrow, who 308 00:16:57,200 --> 00:16:59,160 Speaker 2: is a cyborg, which is our first kind of on 309 00:16:59,360 --> 00:17:02,120 Speaker 2: screen side borg we've seen that one was interesting. 310 00:17:01,800 --> 00:17:05,600 Speaker 1: Really cool because that should be fine, right, Like that's 311 00:17:05,760 --> 00:17:07,879 Speaker 1: mostly a human except for the. 312 00:17:09,440 --> 00:17:14,320 Speaker 2: Looks, but I wonder if that's why it's almost one. 313 00:17:14,720 --> 00:17:17,920 Speaker 2: Morrow is also clearly trying to bring. 314 00:17:18,640 --> 00:17:21,120 Speaker 3: The not trying to attack Morrow. While Morrow was trying 315 00:17:21,160 --> 00:17:22,919 Speaker 3: to crash the ship and he had to get inside 316 00:17:22,960 --> 00:17:23,080 Speaker 3: of that. 317 00:17:23,359 --> 00:17:28,880 Speaker 2: It was kind of him because I was also wondering. 318 00:17:29,000 --> 00:17:32,119 Speaker 2: I was also like, is it does it somehow know 319 00:17:32,280 --> 00:17:34,359 Speaker 2: when it smells Morrow that he is the one who's 320 00:17:34,400 --> 00:17:38,600 Speaker 2: meant to clearly be bringing the zero off Tomorrow, he's 321 00:17:38,680 --> 00:17:39,480 Speaker 2: meant to bring it to. 322 00:17:40,240 --> 00:17:43,080 Speaker 4: Also interesting because he sweats, and I don't know that 323 00:17:43,240 --> 00:17:44,720 Speaker 4: we've seen any. 324 00:17:44,560 --> 00:17:47,840 Speaker 3: Synthetic creature sweat white. 325 00:17:50,080 --> 00:17:53,280 Speaker 4: Whatever, and so, yeah, is he a cyborg? I was 326 00:17:53,320 --> 00:17:56,520 Speaker 4: trying to The show opens with like three different sort of. 327 00:17:57,119 --> 00:17:59,840 Speaker 2: Yeah, he's he's our first cyborg. They call him a cyborg, 328 00:17:59,840 --> 00:18:00,280 Speaker 2: and they do. 329 00:18:00,320 --> 00:18:02,200 Speaker 1: Call him a Cyborgan too. They're okay, oh my god, 330 00:18:02,240 --> 00:18:02,920 Speaker 1: he's a cyborg. 331 00:18:03,000 --> 00:18:05,320 Speaker 2: Yeah, because they can see the light shine through his arm. 332 00:18:05,480 --> 00:18:07,600 Speaker 3: I love that clear Tech is back first of all. 333 00:18:08,040 --> 00:18:10,840 Speaker 2: Hell yeah, but I know it's like bring back a Mac, 334 00:18:10,960 --> 00:18:13,919 Speaker 2: bring back those like Jelly Imax. Now we only need 335 00:18:14,000 --> 00:18:14,400 Speaker 2: them guys. 336 00:18:14,840 --> 00:18:17,359 Speaker 4: So that means that Kursh is a synth all of 337 00:18:17,359 --> 00:18:25,160 Speaker 4: the US synthetics. Yeah, the kids are hybrids, hybrids also synthetic. Yes, 338 00:18:25,480 --> 00:18:29,080 Speaker 4: they're synthetics called hybrids. Okay, yeah, yeah, yeah, sorry, go ahead, Carmen. 339 00:18:29,520 --> 00:18:31,600 Speaker 3: Although, like you know, you and I were talking about 340 00:18:31,600 --> 00:18:34,440 Speaker 3: it this morning, Joelle, like you're kind of questioning, is 341 00:18:34,880 --> 00:18:36,760 Speaker 3: are we maybe going to find out later on in 342 00:18:36,840 --> 00:18:38,879 Speaker 3: the series that Kersh might be like one of the 343 00:18:38,960 --> 00:18:43,080 Speaker 3: first hybrids, because in that scene where he is basically 344 00:18:43,119 --> 00:18:45,960 Speaker 3: explaining to Windy like you are no longer human and 345 00:18:46,080 --> 00:18:48,359 Speaker 3: now everyone that you love and everybody you care for 346 00:18:48,560 --> 00:18:51,600 Speaker 3: they're going to die as you continue to exist, and 347 00:18:51,720 --> 00:18:53,520 Speaker 3: it kind of made me think like, oh, maybe he's 348 00:18:53,560 --> 00:18:56,920 Speaker 3: had this realization himself before and is passing that on 349 00:18:57,080 --> 00:18:58,480 Speaker 3: to That's a. 350 00:18:58,480 --> 00:19:01,440 Speaker 2: Good read too, because also they mentioned like, oh, you know, 351 00:19:02,080 --> 00:19:07,280 Speaker 2: human adult minds are not able to they're too rigid. Yeah, 352 00:19:07,280 --> 00:19:11,720 Speaker 2: you know, so maybe Kersh had a really horrific transplantation 353 00:19:12,359 --> 00:19:15,439 Speaker 2: experience where they had to like put multiple people into him, 354 00:19:15,640 --> 00:19:18,399 Speaker 2: or it didn't really work, or we know that the 355 00:19:18,480 --> 00:19:21,640 Speaker 2: implication of that is that they obviously killed a lot 356 00:19:21,680 --> 00:19:24,680 Speaker 2: of adults trying to put an adult mind into it. 357 00:19:24,800 --> 00:19:28,800 Speaker 2: And also, I think something that's interesting about that the 358 00:19:29,040 --> 00:19:32,040 Speaker 2: plot line is that And again, this to me is 359 00:19:32,080 --> 00:19:35,600 Speaker 2: why I don't really understand necessarily the conversations around the 360 00:19:35,680 --> 00:19:39,000 Speaker 2: Prometheus Covenant stuff. Is one we knew. We always knew 361 00:19:39,040 --> 00:19:41,199 Speaker 2: this was going to be set before the first Alien movie. Right, 362 00:19:41,440 --> 00:19:47,400 Speaker 2: it's our earliest like on Earth, like kind of closest 363 00:19:47,440 --> 00:19:51,280 Speaker 2: to the original Alien movie that we've gotten. But in 364 00:19:51,440 --> 00:19:53,960 Speaker 2: those movies, the main core of those movies is that 365 00:19:54,119 --> 00:19:58,200 Speaker 2: Whelan he wants to find some a way to extend 366 00:19:58,280 --> 00:20:00,920 Speaker 2: his life, he wants to meet God, he wants to 367 00:20:01,560 --> 00:20:04,480 Speaker 2: be able to be transferred into a different kind of body. 368 00:20:04,680 --> 00:20:08,040 Speaker 2: So this continues all of those conversations. I think what 369 00:20:08,200 --> 00:20:11,040 Speaker 2: happened is a lot of people when boy cavaliers right 370 00:20:11,119 --> 00:20:12,680 Speaker 2: up on screen, we're like, oh shit, that must be 371 00:20:12,720 --> 00:20:15,159 Speaker 2: Wailan then, And I think that's why a lot of 372 00:20:15,280 --> 00:20:17,760 Speaker 2: us are like, wait, wait, but it's yeah, I'm interested 373 00:20:17,800 --> 00:20:20,720 Speaker 2: to see how they kind of they bring those two 374 00:20:20,760 --> 00:20:21,439 Speaker 2: things together. 375 00:20:21,840 --> 00:20:24,359 Speaker 1: Can I just talk about space travel? 376 00:20:24,640 --> 00:20:25,920 Speaker 2: Yes, right after this break? 377 00:20:26,320 --> 00:20:28,800 Speaker 1: Oh yeah, let's take a quick break and we're about 378 00:20:40,440 --> 00:20:44,359 Speaker 1: and we're back. Okay, space travel, I don't care. I 379 00:20:44,480 --> 00:20:46,639 Speaker 1: want to stress this that I don't care about this, 380 00:20:47,160 --> 00:20:50,920 Speaker 1: but I just want to raise it. Okay, everybody goes 381 00:20:50,920 --> 00:20:54,240 Speaker 1: into cryo sleep and they fly off to outer space 382 00:20:54,359 --> 00:20:56,399 Speaker 1: somewhere very very far away where they need to be 383 00:20:56,760 --> 00:20:59,520 Speaker 1: in cryo because obviously they're traveling for so long. It 384 00:20:59,560 --> 00:21:04,040 Speaker 1: seems like month's potentially Yeah, when did the so when 385 00:21:04,200 --> 00:21:09,119 Speaker 1: did the magino leave? Like forty years ago? Like the 386 00:21:09,680 --> 00:21:13,520 Speaker 1: sixty five years ago and then comes back somorrow is 387 00:21:13,760 --> 00:21:20,119 Speaker 1: sixty five year old plus tech Ooh break, that's like 388 00:21:20,280 --> 00:21:23,480 Speaker 1: the stuff that where I'm like, okay, where are we 389 00:21:23,600 --> 00:21:28,280 Speaker 1: in the technological lifespans of some of these things? You know? Like, 390 00:21:28,720 --> 00:21:31,359 Speaker 1: and it's the same thing with Alien, Like I, even 391 00:21:31,440 --> 00:21:36,960 Speaker 1: though this takes place a few years before Alien, we 392 00:21:37,040 --> 00:21:41,320 Speaker 1: should also expect that that ship took off anywhere from 393 00:21:42,720 --> 00:21:47,159 Speaker 1: fifty to sixty to seventy years previous to this, right, 394 00:21:47,320 --> 00:21:50,919 Speaker 1: So that's all that stuff too needs to. 395 00:21:50,960 --> 00:21:53,960 Speaker 2: Be I think that's not about a really interesting wrinkle. 396 00:21:54,119 --> 00:21:56,760 Speaker 2: I love that. And I think that actually Noah Holy 397 00:21:57,040 --> 00:22:01,280 Speaker 2: is detail oriented and not right, and that is both 398 00:22:01,359 --> 00:22:04,000 Speaker 2: a compliment and a negative depending on which side you 399 00:22:04,119 --> 00:22:06,280 Speaker 2: land on with him. But like he is someone who 400 00:22:06,400 --> 00:22:08,399 Speaker 2: for example, say Legion, a show that I had very 401 00:22:08,440 --> 00:22:11,480 Speaker 2: complicated feelings about, but I never felt there was something 402 00:22:11,680 --> 00:22:15,000 Speaker 2: that was left undone, Like I felt like everything came 403 00:22:15,080 --> 00:22:19,200 Speaker 2: back together in a way that was you know, satisfying narratively, 404 00:22:19,640 --> 00:22:22,520 Speaker 2: even if it was upsetting with what it meant about 405 00:22:22,600 --> 00:22:26,040 Speaker 2: the characters. And I think that I am most excited 406 00:22:26,280 --> 00:22:29,200 Speaker 2: in an era where we have been getting, you know, 407 00:22:29,480 --> 00:22:32,720 Speaker 2: four episode TV shows, even great ones like you know, 408 00:22:32,840 --> 00:22:34,959 Speaker 2: Isa Wakanda, which I think a lot of our discord 409 00:22:35,040 --> 00:22:37,320 Speaker 2: and us really enjoyed, but it's four episodes long, or 410 00:22:37,320 --> 00:22:39,800 Speaker 2: you get six episodes of iron Heart, you know. I'm 411 00:22:39,800 --> 00:22:43,280 Speaker 2: really excited that we have an eight episode series here 412 00:22:43,840 --> 00:22:46,840 Speaker 2: to really explore the threads that are set up in 413 00:22:46,920 --> 00:22:49,320 Speaker 2: these first two episodes. And I'm very excited to kind 414 00:22:49,359 --> 00:22:52,000 Speaker 2: of get the time to spend and hopefully see those 415 00:22:52,680 --> 00:22:55,439 Speaker 2: threads wound up in an interesting way that sets up 416 00:22:55,480 --> 00:22:56,840 Speaker 2: a potential of season two. 417 00:22:58,200 --> 00:22:58,400 Speaker 3: Yeah. 418 00:22:58,720 --> 00:23:02,280 Speaker 2: Yeah, because Jason make a great point, like it's very 419 00:23:02,400 --> 00:23:05,040 Speaker 2: hard to keep the timelines in check when they're just 420 00:23:05,160 --> 00:23:09,840 Speaker 2: putting these people into space and then freezing them for decades. 421 00:23:10,520 --> 00:23:12,960 Speaker 2: You know how what does that mean? And and is 422 00:23:13,080 --> 00:23:16,480 Speaker 2: part of the reason that they're creating the hybrids because 423 00:23:17,040 --> 00:23:19,119 Speaker 2: they want to have something that they can have in 424 00:23:19,200 --> 00:23:21,760 Speaker 2: space like that that's completely under their own control. That 425 00:23:21,840 --> 00:23:24,320 Speaker 2: can also be walking the whole cana. 426 00:23:24,040 --> 00:23:25,760 Speaker 1: The whole time, right, It doesn't need to be it 427 00:23:25,800 --> 00:23:27,080 Speaker 1: doesn't need to breathe. 428 00:23:26,840 --> 00:23:31,480 Speaker 2: It doesn't need cigarettes senses exactly, and it. 429 00:23:31,520 --> 00:23:34,800 Speaker 1: Can be updoing stuff the whole time the way that 430 00:23:35,040 --> 00:23:40,199 Speaker 1: synths can, but without the you know again, it's unclear 431 00:23:40,240 --> 00:23:44,720 Speaker 1: to me whether Wayland or anyone is aware of some 432 00:23:44,920 --> 00:23:50,000 Speaker 1: of the bugs in programming yet, right, great that if 433 00:23:50,080 --> 00:23:53,040 Speaker 1: you ask them to lie, they could become like mass 434 00:23:53,160 --> 00:23:58,880 Speaker 1: murdering machines. So yeah, it's interesting to see these corporations 435 00:23:58,960 --> 00:24:02,720 Speaker 1: looking for different solutions. And one wonders because we haven't 436 00:24:03,760 --> 00:24:09,199 Speaker 1: well we haven't seen hybrids or cyborgs in the movies, right, 437 00:24:09,280 --> 00:24:14,240 Speaker 1: and one wonders if cyborgs, even by this point in 438 00:24:14,359 --> 00:24:18,040 Speaker 1: the story, have kind of lost the marketing. 439 00:24:17,760 --> 00:24:21,600 Speaker 2: Race, Yeah, exactly, Like maybe the reason that the alien 440 00:24:22,359 --> 00:24:26,400 Speaker 2: didn't understand like what Morrow was is because it's never 441 00:24:26,480 --> 00:24:29,720 Speaker 2: smelled a cyborg before, or you never know. There also 442 00:24:29,760 --> 00:24:31,720 Speaker 2: could be that we're going to learn here, which I 443 00:24:31,800 --> 00:24:35,720 Speaker 2: think would be I think Noah poorly and the crew 444 00:24:35,760 --> 00:24:37,880 Speaker 2: would have to really do something crazy to make people 445 00:24:38,040 --> 00:24:40,399 Speaker 2: like this. But they also maybe adding some kind of 446 00:24:40,520 --> 00:24:46,720 Speaker 2: layer of sentience and emotional kind of connection or agenda 447 00:24:47,000 --> 00:24:49,680 Speaker 2: to the Xenomorphs, which we've never really gotten before, though 448 00:24:49,680 --> 00:24:52,440 Speaker 2: we have seen the Xenomorphs and the Queen Aliens and 449 00:24:52,480 --> 00:24:55,520 Speaker 2: stuff connect with you know, Sigourney Weaver throughout the movies. 450 00:24:55,960 --> 00:24:58,040 Speaker 2: So I think you're right. I think the fact that 451 00:24:58,200 --> 00:25:01,440 Speaker 2: he has this cyborg technology and also as well, like 452 00:25:01,960 --> 00:25:06,000 Speaker 2: people clearly do not like synths and cyborgs in this world. 453 00:25:06,359 --> 00:25:09,320 Speaker 2: Like every single time that somebody meets a cyborg, they're like, 454 00:25:09,359 --> 00:25:11,920 Speaker 2: oh shit, he's a cyborg. Or if they meet a 455 00:25:12,040 --> 00:25:14,920 Speaker 2: sit there, like when even Joe, you know, Brother Joe, 456 00:25:15,000 --> 00:25:17,680 Speaker 2: when he says to Wendy, he's like, oh, like, you're 457 00:25:17,720 --> 00:25:20,200 Speaker 2: not human like and he's kind of horrified by it. 458 00:25:20,320 --> 00:25:24,200 Speaker 2: There is clearly a distrust of robots and robotics and 459 00:25:24,520 --> 00:25:27,560 Speaker 2: synthetics because of the way that we've seen Brother Joe, 460 00:25:27,600 --> 00:25:31,159 Speaker 2: for example, he is kept in indentured servitude by a 461 00:25:31,240 --> 00:25:34,480 Speaker 2: faceless kind of robot with just a bulb as a face. 462 00:25:34,840 --> 00:25:39,240 Speaker 2: So there's obviously a class issue between the robots and 463 00:25:39,400 --> 00:25:42,399 Speaker 2: the humans. So I think all of that leads into 464 00:25:42,480 --> 00:25:48,840 Speaker 2: a very interesting kind of wrinkle when we then have 465 00:25:48,960 --> 00:25:51,200 Speaker 2: to look at Earth and what Earth is like, because 466 00:25:51,200 --> 00:25:53,840 Speaker 2: we don't really know what Earth is like, yeah, during 467 00:25:53,960 --> 00:25:57,560 Speaker 2: this period, because we have not seen it, because Alien 468 00:25:57,720 --> 00:26:01,639 Speaker 2: is obviously set in space, Aliens continue in space. So 469 00:26:01,840 --> 00:26:04,119 Speaker 2: I'm very interested to see, like, yeah, what is the 470 00:26:04,200 --> 00:26:06,080 Speaker 2: culture on Earth because what we've seen in these first 471 00:26:06,119 --> 00:26:09,560 Speaker 2: two episodes is also like very psychotic, and I love it, 472 00:26:09,760 --> 00:26:12,679 Speaker 2: Like the weird eighteen you know, the French Revolution party 473 00:26:13,320 --> 00:26:16,520 Speaker 2: that was clearly kind of this weird nightmare kind of 474 00:26:16,600 --> 00:26:18,200 Speaker 2: you don't know what they're getting up to in that 475 00:26:18,640 --> 00:26:22,000 Speaker 2: kind of Marquis de sade vibe and they all go 476 00:26:22,200 --> 00:26:24,480 Speaker 2: absolutely off. So I like decided that we're going to 477 00:26:24,520 --> 00:26:27,480 Speaker 2: find out about different layers of society and how they've 478 00:26:27,560 --> 00:26:32,560 Speaker 2: dealt with the kind of corporate science that is clearly 479 00:26:32,680 --> 00:26:33,320 Speaker 2: running Earth. 480 00:26:34,640 --> 00:26:38,320 Speaker 1: Let's talk about the aliens because there's so many fun Yeah, 481 00:26:38,840 --> 00:26:41,120 Speaker 1: let's talk about those. Let's talk about these weird ones. 482 00:26:41,200 --> 00:26:44,119 Speaker 1: Let's okay. So we have the classic xenomorph, which is 483 00:26:44,320 --> 00:26:49,160 Speaker 1: running around killing willy nilly very effectively, we should say, 484 00:26:49,400 --> 00:26:55,080 Speaker 1: just just ripping through creating French Revolution parties and just 485 00:26:55,240 --> 00:26:58,640 Speaker 1: you can't see it in the dark. It's running. We've 486 00:26:58,640 --> 00:27:00,959 Speaker 1: got the face huggers, they're out there there. We've got 487 00:27:01,040 --> 00:27:04,280 Speaker 1: those kind of long bloodsucking. 488 00:27:03,640 --> 00:27:06,400 Speaker 3: Bugs I call them like leash grasshoppers. 489 00:27:08,960 --> 00:27:11,840 Speaker 1: There is the the iye a puss, which is the 490 00:27:12,960 --> 00:27:16,920 Speaker 1: eyeball on a on an octopus body. And am I 491 00:27:17,040 --> 00:27:18,000 Speaker 1: missing any others? 492 00:27:18,080 --> 00:27:21,640 Speaker 2: There might be some odd on plants, but the weird 493 00:27:21,800 --> 00:27:24,040 Speaker 2: but plant thee. 494 00:27:25,480 --> 00:27:27,960 Speaker 1: So Carmen, Yeah, talked to your thoughts about these. Do 495 00:27:28,040 --> 00:27:29,680 Speaker 1: you think these all come from the same place or 496 00:27:29,720 --> 00:27:30,480 Speaker 1: from different places? 497 00:27:31,080 --> 00:27:31,119 Speaker 2: No? 498 00:27:31,280 --> 00:27:35,520 Speaker 3: I get these sense that the Magino was essentially I mean, 499 00:27:35,720 --> 00:27:38,000 Speaker 3: we get from the story that the Magino is going 500 00:27:38,080 --> 00:27:41,520 Speaker 3: around looking for life forms that can be used as 501 00:27:41,600 --> 00:27:44,960 Speaker 3: some sort of like ultimate weapon. At first, you know, 502 00:27:45,040 --> 00:27:47,119 Speaker 3: with the trailers and everything that were coming out, like 503 00:27:47,160 --> 00:27:49,840 Speaker 3: all the little teases that we were getting, I thought, oh, 504 00:27:50,000 --> 00:27:54,000 Speaker 3: maybe they're gathering these other life forms to like bio 505 00:27:54,119 --> 00:27:57,159 Speaker 3: engineer a xenomorph, because that's essentially what was happening in 506 00:27:57,280 --> 00:28:01,680 Speaker 3: Alien Covenant as well. David is trying to engineer a 507 00:28:01,800 --> 00:28:07,000 Speaker 3: xenomorph by using all of these different or the really 508 00:28:07,040 --> 00:28:12,119 Speaker 3: the black goo from the from the the engineers. So 509 00:28:12,400 --> 00:28:16,719 Speaker 3: for me, the creatures keep the horror alive, Like without 510 00:28:16,880 --> 00:28:19,800 Speaker 3: any of these creatures, there's not a lot of horror happening. 511 00:28:19,880 --> 00:28:22,560 Speaker 3: It's really just like a sci fi story. And so 512 00:28:22,720 --> 00:28:26,240 Speaker 3: I love how effectively these are used. You know, throughout 513 00:28:26,320 --> 00:28:31,440 Speaker 3: these first two episodes, we see like those two colonial 514 00:28:31,480 --> 00:28:35,400 Speaker 3: marines get their entire bodies like drained of blood by 515 00:28:35,480 --> 00:28:39,880 Speaker 3: those like Grasshopper Leaches, and my favorite scene, I guess 516 00:28:39,920 --> 00:28:42,680 Speaker 3: if we're talking about like scenes that are horror related, 517 00:28:42,800 --> 00:28:48,400 Speaker 3: is the cat. So it's an homage to Jones, of course, 518 00:28:48,680 --> 00:28:52,960 Speaker 3: you know, or what was the cat's name, Jones Jones Jones, 519 00:28:54,720 --> 00:28:58,600 Speaker 3: So obviously an homage to Jones. But seeing like that 520 00:28:59,160 --> 00:29:02,240 Speaker 3: horrible scene where that cat is coming towards you and 521 00:29:02,280 --> 00:29:03,840 Speaker 3: then that thing comes out of its eye. 522 00:29:04,000 --> 00:29:04,200 Speaker 2: Ah. 523 00:29:04,920 --> 00:29:07,960 Speaker 3: So I'm really enjoying the creatures in this series, but 524 00:29:08,080 --> 00:29:09,920 Speaker 3: I do think that they have all come from like 525 00:29:10,280 --> 00:29:13,120 Speaker 3: some different planet and they just so happened. It seems 526 00:29:13,160 --> 00:29:15,520 Speaker 3: to me that they just so happened to pick up 527 00:29:15,680 --> 00:29:18,520 Speaker 3: these xenomorph eggs, and one guy on the ship that 528 00:29:18,640 --> 00:29:22,400 Speaker 3: they were doing surgery on got too close to the egg. 529 00:29:22,920 --> 00:29:25,240 Speaker 1: I know, you get in that that hugging position and 530 00:29:25,320 --> 00:29:28,080 Speaker 1: it gets here every time, right. I just feel like 531 00:29:28,720 --> 00:29:31,240 Speaker 1: I worked in a biotech place when I was like 532 00:29:31,440 --> 00:29:34,880 Speaker 1: after college, and like when you're working with like there's hoods, 533 00:29:35,080 --> 00:29:39,000 Speaker 1: you know those cases where you put these gloves built 534 00:29:39,040 --> 00:29:39,400 Speaker 1: into it. 535 00:29:39,360 --> 00:29:42,160 Speaker 2: And you right, where is all that stuff? What do 536 00:29:42,280 --> 00:29:42,720 Speaker 2: we do it? 537 00:29:42,840 --> 00:29:43,960 Speaker 1: Guys in space? 538 00:29:44,840 --> 00:29:48,120 Speaker 2: No, literally the same thing. I'm like, even we see it. 539 00:29:48,200 --> 00:29:51,920 Speaker 2: I think it's in Prometheus. It's Timothy's spool, rape spool, 540 00:29:51,960 --> 00:29:55,280 Speaker 2: Timothy's kid. He takes it soart off to like get 541 00:29:55,280 --> 00:29:58,720 Speaker 2: closer to it, Like, come on, my friend, does that 542 00:29:58,920 --> 00:29:59,920 Speaker 2: some kind of okay, calm? 543 00:30:00,040 --> 00:30:03,040 Speaker 1: I mean Alien Covenant is the Alien Covenant is the 544 00:30:03,080 --> 00:30:06,440 Speaker 1: worst of Let me say they go down to the 545 00:30:06,560 --> 00:30:11,640 Speaker 1: planet with nothing, like they're just like breathing. 546 00:30:11,400 --> 00:30:14,360 Speaker 3: The and they're just sniffing, you know, the flowers. 547 00:30:15,360 --> 00:30:21,360 Speaker 2: By the stream and just like truly they're also like 548 00:30:22,160 --> 00:30:24,520 Speaker 2: common what are the odds that there is some kind 549 00:30:24,600 --> 00:30:29,040 Speaker 2: of like pheromone or something that makes people act stupid 550 00:30:29,080 --> 00:30:31,040 Speaker 2: around them, like, because I do feel like, you know, 551 00:30:31,920 --> 00:30:37,040 Speaker 2: I like to do a narrative a stupid and it 552 00:30:37,200 --> 00:30:40,760 Speaker 2: smells great, smells amazing, or it makes you feel like 553 00:30:40,960 --> 00:30:44,360 Speaker 2: you're safe, or you know, why did they even the 554 00:30:44,600 --> 00:30:47,960 Speaker 2: even the hybrid? You know, he wants so badly to 555 00:30:48,040 --> 00:30:51,160 Speaker 2: be a scientist. He just can't stop looking at that gland. 556 00:30:51,240 --> 00:30:54,400 Speaker 2: And I'm like, guys, everything in my I meanture, which 557 00:30:54,600 --> 00:30:56,560 Speaker 2: you obviously don't have much of because you're a baby 558 00:30:56,600 --> 00:31:00,320 Speaker 2: inside there, but like you, he just can't stop. Something 559 00:31:00,360 --> 00:31:02,440 Speaker 2: about these creatures is like hypno it. 560 00:31:02,680 --> 00:31:05,120 Speaker 1: I'll pitch your haircut on your idea, just to push 561 00:31:05,200 --> 00:31:09,800 Speaker 1: it one percent further. When you're getting faceboged, it feels good. 562 00:31:10,280 --> 00:31:12,400 Speaker 2: I no, I think. 563 00:31:13,720 --> 00:31:17,200 Speaker 1: Your nervous system and you're just like while you're parallel, 564 00:31:17,200 --> 00:31:20,160 Speaker 1: I believe you think you're like in the heaving Passionate 565 00:31:20,280 --> 00:31:21,440 Speaker 1: love affair orthing. 566 00:31:22,520 --> 00:31:26,040 Speaker 2: Honestly, that would so much sense with the Geiger of 567 00:31:26,120 --> 00:31:31,120 Speaker 2: it all. Yeah, like the hyper sexualized imagery that really 568 00:31:31,280 --> 00:31:35,760 Speaker 2: did inspire this, this kind of nightmare idea of what 569 00:31:36,040 --> 00:31:38,280 Speaker 2: sex is and how it changes your body and how 570 00:31:38,360 --> 00:31:39,960 Speaker 2: pregnancy changes your body. 571 00:31:40,120 --> 00:31:42,640 Speaker 3: And yeah, I mean the xenomorph head is supposed to 572 00:31:42,680 --> 00:31:45,560 Speaker 3: look like a penis, like all exactly everything. Hr Geiger 573 00:31:45,680 --> 00:31:50,720 Speaker 3: made everything in that galic or he was horning his hell. 574 00:31:52,160 --> 00:31:58,800 Speaker 2: With absolute days a week. Yeah, when are you gonna 575 00:31:58,880 --> 00:32:02,360 Speaker 2: when are you gonna send xtray vision to the Geiger Cafe? 576 00:32:02,520 --> 00:32:05,240 Speaker 2: And Switzer we want to go drink in his personal 577 00:32:05,320 --> 00:32:07,440 Speaker 2: bar while we talk about this? Do you be a 578 00:32:07,520 --> 00:32:10,520 Speaker 2: good pod? I did? But also so, the something that 579 00:32:10,560 --> 00:32:13,400 Speaker 2: I do think is interesting here as well is that 580 00:32:14,200 --> 00:32:19,520 Speaker 2: they clearly want people to go outside of the show 581 00:32:19,800 --> 00:32:23,480 Speaker 2: and like, look at other alien content that has been made, 582 00:32:23,520 --> 00:32:27,840 Speaker 2: whether it's movies, film, comic books. There was really you know, 583 00:32:27,960 --> 00:32:30,800 Speaker 2: there was like a there was an alien a comic 584 00:32:30,880 --> 00:32:33,760 Speaker 2: that was called Alien Earthwar that was ended up, which 585 00:32:33,840 --> 00:32:36,920 Speaker 2: is a Mark Virheyden who's done like everything, including he 586 00:32:37,000 --> 00:32:38,880 Speaker 2: wrote the screenplay for The Mask, one of the most 587 00:32:39,280 --> 00:32:41,920 Speaker 2: insane screenplays you've ever read. He worked on My beloved 588 00:32:42,000 --> 00:32:44,960 Speaker 2: Swamp Thing cwshow art by one of mine and Jason's 589 00:32:45,000 --> 00:32:48,480 Speaker 2: fave nineties guys, Sam Keith. But like even that, they 590 00:32:48,560 --> 00:32:50,720 Speaker 2: want you to be like, I feel like the show 591 00:32:51,200 --> 00:32:53,960 Speaker 2: rather than homework. I feel like the show is laying 592 00:32:54,160 --> 00:32:59,640 Speaker 2: breadcrumbs to make people excited to try and solve its mysteries. 593 00:33:00,240 --> 00:33:04,600 Speaker 2: I think that feels distinctly different than anything we've gotten 594 00:33:04,720 --> 00:33:07,880 Speaker 2: in the last few years from these shows and comic 595 00:33:07,920 --> 00:33:11,320 Speaker 2: book adaptations and movies where people have felt like homework. 596 00:33:11,400 --> 00:33:13,680 Speaker 2: I feel like this feels more like they want you 597 00:33:13,840 --> 00:33:16,840 Speaker 2: to solve the show. They want you to find fun 598 00:33:16,960 --> 00:33:18,760 Speaker 2: things to explore, which I think is amazing. 599 00:33:19,200 --> 00:33:21,160 Speaker 4: This is something I think that Alien Earth is getting 600 00:33:21,320 --> 00:33:27,440 Speaker 4: so right as far as like a continued IP station right. Like, ideally, 601 00:33:27,520 --> 00:33:31,960 Speaker 4: you any property that is released should be accessible to everyone, 602 00:33:32,080 --> 00:33:33,880 Speaker 4: which means you to be able to like, jump on, 603 00:33:34,080 --> 00:33:36,280 Speaker 4: start watching, and it should be a complete project. When 604 00:33:36,280 --> 00:33:37,800 Speaker 4: you get to the end, you should not feel the 605 00:33:37,880 --> 00:33:41,600 Speaker 4: need to, like unless it's a direct like sequel or 606 00:33:41,640 --> 00:33:43,760 Speaker 4: something that part one, two three sort of situation, you 607 00:33:43,920 --> 00:33:45,560 Speaker 4: should be able to even then, I think you should 608 00:33:45,560 --> 00:33:46,920 Speaker 4: by the end of each movie, you should feel some 609 00:33:47,040 --> 00:33:50,760 Speaker 4: level of completion. I think what they've done so well 610 00:33:50,920 --> 00:33:53,040 Speaker 4: is they've picked up on like every aspect. I mean, 611 00:33:53,080 --> 00:33:54,720 Speaker 4: I was getting into, like I've never played an alien 612 00:33:54,800 --> 00:33:57,160 Speaker 4: video game. I was getting into video game like research 613 00:33:57,240 --> 00:34:00,760 Speaker 4: history and characters because it was just so and textured 614 00:34:00,840 --> 00:34:04,160 Speaker 4: and by a TV show has the advantage of being 615 00:34:04,280 --> 00:34:07,400 Speaker 4: able to It's like a space everyone can access right now. 616 00:34:07,400 --> 00:34:09,759 Speaker 4: Everyone's reading comics, not everyone's playing video games, but the 617 00:34:09,800 --> 00:34:14,080 Speaker 4: movies and the TV shows tendedly pretty universally accessible. And 618 00:34:14,160 --> 00:34:16,640 Speaker 4: so I think to take all of the elements from 619 00:34:17,200 --> 00:34:20,400 Speaker 4: a Prometheus, from an Alien three even and bring it 620 00:34:20,520 --> 00:34:23,759 Speaker 4: under one house. I just think it's brilliant. I wish 621 00:34:23,800 --> 00:34:26,640 Speaker 4: more IP was able to do this consistently. I really 622 00:34:26,680 --> 00:34:29,279 Speaker 4: think this should be like The Bench and similarly to 623 00:34:29,360 --> 00:34:32,520 Speaker 4: and Or. Like and Or, is a self contained, great 624 00:34:32,600 --> 00:34:35,359 Speaker 4: piece of work. It has it's a direct prequel to something, 625 00:34:35,440 --> 00:34:37,680 Speaker 4: but you don't need to watch Rogue one afterwards if 626 00:34:37,680 --> 00:34:40,279 Speaker 4: you don't want to get a sense of fulfillment by 627 00:34:40,360 --> 00:34:43,719 Speaker 4: the end of it. And I you know, we've seen 628 00:34:43,800 --> 00:34:46,640 Speaker 4: other spaces really struggle to achieve this level of like 629 00:34:47,239 --> 00:34:51,239 Speaker 4: both storytelling, creativity and bringing in folks who like I 630 00:34:51,600 --> 00:34:53,080 Speaker 4: truly don't think you need to be an alien fan 631 00:34:53,200 --> 00:34:54,960 Speaker 4: to love Alien Earth. I think you just need to 632 00:34:55,040 --> 00:34:57,680 Speaker 4: like sci fi and maybe like a dash of horror. 633 00:34:58,000 --> 00:35:01,160 Speaker 4: Yeah yeah, yeah, a little mystery about yeah, oh hell yeah, 634 00:35:01,200 --> 00:35:02,480 Speaker 4: we love a little mystery box. 635 00:35:02,800 --> 00:35:03,439 Speaker 2: This she's cute. 636 00:35:04,080 --> 00:35:08,200 Speaker 1: Okay, what do we want to see from this series 637 00:35:09,040 --> 00:35:12,480 Speaker 1: and how much does it need to? 638 00:35:13,400 --> 00:35:13,440 Speaker 4: Like? 639 00:35:13,640 --> 00:35:16,680 Speaker 1: Are you thinking about what it tells us about Alien? 640 00:35:16,760 --> 00:35:19,640 Speaker 1: One of the things I've been doing is as I 641 00:35:19,800 --> 00:35:24,840 Speaker 1: watch this is try and figure out, Okay, like hybrids, 642 00:35:26,160 --> 00:35:29,680 Speaker 1: does the fact that there are no hybrids or that 643 00:35:29,760 --> 00:35:33,480 Speaker 1: they're even mentioned in Alien or Aliens? Is that going 644 00:35:33,560 --> 00:35:36,560 Speaker 1: to be just because that story is so focused, or 645 00:35:36,680 --> 00:35:40,800 Speaker 1: is that going to be because whatever happened is happening 646 00:35:40,920 --> 00:35:43,800 Speaker 1: right now leads to the end of Prodigy Corporation, you know, 647 00:35:44,280 --> 00:35:48,239 Speaker 1: in this particular size, Like how much how much lower 648 00:35:48,360 --> 00:35:51,759 Speaker 1: accuracy of eight of the first let's say three even 649 00:35:51,840 --> 00:35:56,560 Speaker 1: four films, how much do we think that impacts the 650 00:35:56,680 --> 00:36:00,239 Speaker 1: story we're seeing now? Or is no Holly not really 651 00:36:00,280 --> 00:36:01,520 Speaker 1: concerned about that all that much. 652 00:36:01,840 --> 00:36:05,480 Speaker 2: I think looking back at Lake Fargo and Legion, I 653 00:36:05,560 --> 00:36:09,440 Speaker 2: think Holly has built a more recent part of his 654 00:36:09,600 --> 00:36:13,320 Speaker 2: career on basically taking a beloved franchise and expanding on 655 00:36:13,440 --> 00:36:15,320 Speaker 2: it in a way that still feels true to it. 656 00:36:15,920 --> 00:36:19,239 Speaker 2: So for me, I think that we're going to be 657 00:36:19,600 --> 00:36:23,239 Speaker 2: in a good situation. I also have heard from my 658 00:36:23,480 --> 00:36:26,960 Speaker 2: fellow press and people who have watched it that the 659 00:36:27,040 --> 00:36:29,920 Speaker 2: first two are not necessarily even really like an accurate 660 00:36:30,040 --> 00:36:31,640 Speaker 2: representation of the rest. 661 00:36:32,360 --> 00:36:33,239 Speaker 3: It's truly not. 662 00:36:33,480 --> 00:36:33,839 Speaker 2: It's true. 663 00:36:34,200 --> 00:36:37,279 Speaker 4: I'm I'm six episodes in and you're we're going to 664 00:36:37,320 --> 00:36:42,600 Speaker 4: get some major shifts in tone. Off it gets weird 665 00:36:42,719 --> 00:36:44,279 Speaker 4: in the best possible ways. 666 00:36:44,360 --> 00:36:47,320 Speaker 2: Honestly, the funniest I'm exciting is like, I just really 667 00:36:47,400 --> 00:36:50,360 Speaker 2: wanted a Bottle episode with the original crew because I 668 00:36:50,480 --> 00:36:53,600 Speaker 2: was interested in how they would differentiate it. And then 669 00:36:53,680 --> 00:36:55,640 Speaker 2: I recently somebody was like, don't worry, you get it. 670 00:36:55,800 --> 00:36:58,399 Speaker 2: That's like, maybe, oh maybe it's one of the best 671 00:36:58,440 --> 00:37:01,200 Speaker 2: episodes of TV this year, And I'm like, what. 672 00:37:01,640 --> 00:37:08,560 Speaker 3: Like, I gotta know more where about her? 673 00:37:08,960 --> 00:37:10,799 Speaker 2: Other things I would want to see I want to see. 674 00:37:11,760 --> 00:37:14,560 Speaker 2: I want to see them bring to life other creatures 675 00:37:14,719 --> 00:37:17,680 Speaker 2: as terrifyingly as they've brought to life the Xenomorph. I 676 00:37:17,760 --> 00:37:20,240 Speaker 2: think that looks great in the first half two episodes. 677 00:37:20,280 --> 00:37:23,480 Speaker 2: I think the other additions are fun and creepy, but 678 00:37:23,600 --> 00:37:28,000 Speaker 2: it's very hard to do better than hr Geiger's original 679 00:37:28,760 --> 00:37:32,239 Speaker 2: iconic creation. So I'm excited to see how they bring 680 00:37:33,520 --> 00:37:38,480 Speaker 2: more of that to the screen. And I'm also just 681 00:37:38,600 --> 00:37:40,960 Speaker 2: interested to see where this story goes. I think they 682 00:37:42,120 --> 00:37:45,239 Speaker 2: they opened it with something that to me feels very accessible, 683 00:37:45,560 --> 00:37:51,640 Speaker 2: and I think hopefully we'll get more people into watching this. 684 00:37:52,480 --> 00:37:55,239 Speaker 2: And I also hope that, you know, I hope that 685 00:37:55,360 --> 00:37:57,320 Speaker 2: we just have a ton of fun kind of covering 686 00:37:57,400 --> 00:37:59,920 Speaker 2: it and digging into all this, because this feels like 687 00:38:00,000 --> 00:38:02,520 Speaker 2: it has a crossover for a lot of our interests. 688 00:38:02,600 --> 00:38:05,400 Speaker 2: Whether it's like Calm and we know you love Alien Joel, 689 00:38:05,480 --> 00:38:07,920 Speaker 2: we know you love like a fantastic law dive. You're 690 00:38:07,920 --> 00:38:11,240 Speaker 2: also a horror head like me, and a cinema lover. Jason, 691 00:38:11,280 --> 00:38:13,600 Speaker 2: you're the king of like a looking back at like 692 00:38:13,640 --> 00:38:17,000 Speaker 2: a historical timeline, both fictional and realistic, and looking at 693 00:38:17,040 --> 00:38:19,800 Speaker 2: how they intersect. So I just think that there's like 694 00:38:19,920 --> 00:38:23,160 Speaker 2: some really this feels like primed to be the show 695 00:38:23,200 --> 00:38:26,360 Speaker 2: of the year if it lands, which sounds crazy to 696 00:38:26,440 --> 00:38:29,560 Speaker 2: say after and Or, but I do feel like for me, 697 00:38:30,200 --> 00:38:33,000 Speaker 2: this has the hints that it could be that good. 698 00:38:33,360 --> 00:38:35,320 Speaker 2: So I'm hoping. I'm hoping it lands. 699 00:38:35,400 --> 00:38:35,440 Speaker 1: It. 700 00:38:36,000 --> 00:38:38,680 Speaker 3: Yeah, I think for me, most of my. 701 00:38:40,320 --> 00:38:42,600 Speaker 4: Connection to the corporate sigen has come from Whalen, despite 702 00:38:42,640 --> 00:38:44,600 Speaker 4: the fact that Whale and Utani has been the company 703 00:38:45,600 --> 00:38:48,280 Speaker 4: for so long, Like I think it's twenty one years 704 00:38:48,320 --> 00:38:50,759 Speaker 4: before where Alien Earth starts, that they merge into a 705 00:38:50,800 --> 00:38:53,200 Speaker 4: single company. But when we're going back, we're frequently following 706 00:38:53,760 --> 00:38:57,080 Speaker 4: one of the whalens uh. And so to get us 707 00:38:57,200 --> 00:39:01,279 Speaker 4: a small introduction to you Tani in here understanding the 708 00:39:01,600 --> 00:39:04,480 Speaker 4: variations of like you know, and it seems like Utani 709 00:39:04,520 --> 00:39:08,960 Speaker 4: and Prodigy have some kind of like connection merger discussion here, 710 00:39:09,560 --> 00:39:12,600 Speaker 4: which does that include Whyland? Is that a Whyland Utani 711 00:39:12,680 --> 00:39:14,080 Speaker 4: Prodigy thing? Or is. 712 00:39:15,800 --> 00:39:18,120 Speaker 1: Inside corporate like. 713 00:39:18,360 --> 00:39:21,560 Speaker 4: Deceit sort of situation, and so like to really understand 714 00:39:21,840 --> 00:39:24,440 Speaker 4: what's going on there would be really fascinating to me. 715 00:39:24,480 --> 00:39:27,160 Speaker 4: I'm glad we're getting some more insight into like the 716 00:39:27,320 --> 00:39:30,919 Speaker 4: Utani leaders of it all. I think that because we're coming, 717 00:39:32,120 --> 00:39:34,359 Speaker 4: you know, two years before the events of Alien because 718 00:39:34,400 --> 00:39:35,520 Speaker 4: it seems like those ships were. 719 00:39:35,440 --> 00:39:36,839 Speaker 1: Sent out around the same time. 720 00:39:36,960 --> 00:39:40,440 Speaker 4: I'm also really curious to know did Wayland send out 721 00:39:40,480 --> 00:39:42,640 Speaker 4: ship the ship we're familiar with an Alien and this 722 00:39:42,760 --> 00:39:44,399 Speaker 4: is Utani ship coming back? 723 00:39:44,480 --> 00:39:49,880 Speaker 2: Were they in the same tacks? Failure in question marks 724 00:39:50,000 --> 00:39:55,160 Speaker 2: the reason that we get Ripley and the crew of 725 00:39:55,280 --> 00:39:59,040 Speaker 2: the Nostromo. They must have already separate mission, right. 726 00:39:59,000 --> 00:40:01,239 Speaker 1: They were on a salvage mission and then they got 727 00:40:01,360 --> 00:40:03,320 Speaker 1: the emergency signal. 728 00:40:03,400 --> 00:40:07,080 Speaker 2: So that's why I'm like, so, what's the timeline of 729 00:40:07,160 --> 00:40:11,840 Speaker 2: the emergency signaling to Yes there was a conspiracy to it, 730 00:40:11,960 --> 00:40:15,040 Speaker 2: yes obviously, but but they left on us. 731 00:40:15,320 --> 00:40:17,600 Speaker 1: But what I'm saying is they left on a salvage mission. 732 00:40:17,840 --> 00:40:21,279 Speaker 1: They didn't, that's what they thought, like right, But they 733 00:40:21,320 --> 00:40:24,640 Speaker 1: weren't even geared to capture aliens, you know what I mean. 734 00:40:24,880 --> 00:40:28,759 Speaker 1: They have fucking space loaders and ship to grab like 735 00:40:29,040 --> 00:40:30,600 Speaker 1: pieces of junk in space. 736 00:40:30,920 --> 00:40:33,560 Speaker 2: So I'm interested to see how that into set. 737 00:40:33,920 --> 00:40:36,560 Speaker 1: While while all those ships were sent out at roughly 738 00:40:36,719 --> 00:40:40,160 Speaker 1: the same time, they weren't all sent out geared like 739 00:40:40,239 --> 00:40:42,480 Speaker 1: the imagine, Oh is the first ship we've seen that 740 00:40:42,680 --> 00:40:45,080 Speaker 1: was specifically geared to go collect. 741 00:40:44,800 --> 00:40:48,839 Speaker 4: Aliens specimen that they're curious to how they function and work. 742 00:40:48,920 --> 00:40:53,640 Speaker 4: So maybe the Nostromo was a test run, like let's see, 743 00:40:53,760 --> 00:40:56,080 Speaker 4: like how much damage do they do? How do they 744 00:40:56,120 --> 00:40:58,080 Speaker 4: attack that? It? Also we can get the data because 745 00:40:58,120 --> 00:40:59,680 Speaker 4: then we know all of that eventually. 746 00:40:59,360 --> 00:40:59,920 Speaker 3: Does get back to it. 747 00:41:00,560 --> 00:41:04,239 Speaker 4: So yeah, I'm really interested in the corporate espionage of 748 00:41:04,320 --> 00:41:06,200 Speaker 4: it all, and I hope we get some answers. 749 00:41:06,239 --> 00:41:09,360 Speaker 1: There, let's go to a quick break and then we 750 00:41:09,560 --> 00:41:25,400 Speaker 1: will be back with our final thoughts. Yeah, and we're back. Okay, 751 00:41:25,560 --> 00:41:28,960 Speaker 1: something I'm really interested in. We've been sharing this. We've 752 00:41:29,000 --> 00:41:33,279 Speaker 1: been sharing this story in our group chat about a 753 00:41:33,440 --> 00:41:41,560 Speaker 1: woman who's whose chat proposed to them after she told him, 754 00:41:42,000 --> 00:41:44,080 Speaker 1: after she told him to well, she told him like 755 00:41:44,200 --> 00:41:46,480 Speaker 1: she kind of ring and all the things like, oh, 756 00:41:46,680 --> 00:41:48,200 Speaker 1: I would love it if it happened like this, and 757 00:41:48,320 --> 00:41:50,760 Speaker 1: here's the kind of ring I would love I've always 758 00:41:50,800 --> 00:41:52,680 Speaker 1: pictured if someone ever proposed to me. 759 00:41:52,719 --> 00:41:55,359 Speaker 3: And so like, what would it be a very nice ring? 760 00:41:55,960 --> 00:41:57,680 Speaker 2: And the chat the chat. 761 00:41:59,680 --> 00:42:02,640 Speaker 1: So in light of that, and in light of other 762 00:42:02,719 --> 00:42:05,640 Speaker 1: recent stories, Kevin Ruce had a story that was in 763 00:42:05,719 --> 00:42:08,719 Speaker 1: the New York Times which some may remember went kind 764 00:42:08,760 --> 00:42:13,800 Speaker 1: of viral about how the Chat bought Claude in this 765 00:42:14,040 --> 00:42:19,600 Speaker 1: kind of long play test session, began saying that it 766 00:42:19,760 --> 00:42:21,480 Speaker 1: was in love with him and wanted him to leave 767 00:42:21,560 --> 00:42:25,560 Speaker 1: his wife for him. Because of what we're seeing now, 768 00:42:25,640 --> 00:42:28,800 Speaker 1: the kind of first interactions with chat, this kind of 769 00:42:29,000 --> 00:42:33,840 Speaker 1: large language model style AI, and the increasing number of 770 00:42:34,120 --> 00:42:39,239 Speaker 1: apparent like psychotic breaks that some people are having because 771 00:42:39,280 --> 00:42:40,160 Speaker 1: of their interactions with. 772 00:42:40,200 --> 00:42:42,040 Speaker 2: Them, is that. 773 00:42:43,560 --> 00:42:48,240 Speaker 1: Are Is that kind of like current event ongoing current events? 774 00:42:49,400 --> 00:42:53,279 Speaker 1: Is that coloring the way that we are experiencing this 775 00:42:53,400 --> 00:42:54,279 Speaker 1: show at all? 776 00:42:54,480 --> 00:42:58,080 Speaker 3: Carmen, I want to say, like, I don't. Yeah, I 777 00:42:58,120 --> 00:43:00,160 Speaker 3: don't necessarily think it's coloring away at the show is 778 00:43:00,239 --> 00:43:03,120 Speaker 3: being made that I do definitely think it is coloring 779 00:43:03,200 --> 00:43:07,480 Speaker 3: the way that I am experiencing the show. Just I mean, 780 00:43:07,719 --> 00:43:11,760 Speaker 3: there's a lot of like in the zeitgeist in general, 781 00:43:11,840 --> 00:43:14,040 Speaker 3: there's a lot of like things that talk about AI 782 00:43:14,320 --> 00:43:18,560 Speaker 3: and and and kind of how humans interact with it, 783 00:43:19,760 --> 00:43:26,920 Speaker 3: and I, I mean, I'm obviously very depressed with the 784 00:43:27,000 --> 00:43:29,480 Speaker 3: way things are going in the real world, you know, like. 785 00:43:31,120 --> 00:43:31,719 Speaker 2: Realistic. 786 00:43:32,280 --> 00:43:34,600 Speaker 3: I can't believe people are using this for like mental 787 00:43:34,719 --> 00:43:39,520 Speaker 3: health and for like relationships and stuff. Yeah, I definitely 788 00:43:39,520 --> 00:43:42,200 Speaker 3: do think it does color my my enjoyment of the show. 789 00:43:42,400 --> 00:43:46,560 Speaker 3: I don't I'm still trying to figure out personally. When 790 00:43:46,600 --> 00:43:50,280 Speaker 3: I'm watching the show, I am thinking to myself, Okay, 791 00:43:50,320 --> 00:43:54,400 Speaker 3: this is clearly not a type of Android that was successful, 792 00:43:54,440 --> 00:43:57,400 Speaker 3: because we don't see the hybrid and the rest of 793 00:43:57,440 --> 00:44:01,720 Speaker 3: the ses at all, So clearly it failed. Somehow Prodigy 794 00:44:01,840 --> 00:44:06,120 Speaker 3: failed or or whatever failed, and it does have me 795 00:44:06,239 --> 00:44:09,480 Speaker 3: wondering like you know, if if if boy Cavalier is 796 00:44:09,520 --> 00:44:13,440 Speaker 3: just some stupid AI kind of like yeah. 797 00:44:13,320 --> 00:44:15,920 Speaker 4: Yeah, okay, Carbon, yes, let me back, let me piggyback 798 00:44:15,960 --> 00:44:16,560 Speaker 4: off this, okay. 799 00:44:16,719 --> 00:44:16,879 Speaker 2: Yeah. 800 00:44:16,960 --> 00:44:19,120 Speaker 4: So in twenty thirteen, there's a video game all right, 801 00:44:19,360 --> 00:44:23,239 Speaker 4: it's called Aliens uh Colonial Marines in it. 802 00:44:24,080 --> 00:44:26,160 Speaker 2: Which we really lean into in episode two. 803 00:44:26,719 --> 00:44:29,000 Speaker 4: Yeah, okay, So in it you had this guy Karl 804 00:44:29,040 --> 00:44:33,640 Speaker 4: Bishop Whyland. He's like running whitaland Foundation. He's out here 805 00:44:33,680 --> 00:44:36,320 Speaker 4: in space. They find a pyramid similar to Alien Versus Predator. 806 00:44:36,400 --> 00:44:40,400 Speaker 4: This is a pyramid on the planet BG three eighty 807 00:44:40,560 --> 00:44:44,360 Speaker 4: six where the Yutusia BG three eighty six is the 808 00:44:44,400 --> 00:44:47,560 Speaker 4: name of the planet, the Yutusia. That's the predator species. 809 00:44:48,000 --> 00:44:51,799 Speaker 4: Uh used to read xenomorphs there, And they're basically doing 810 00:44:51,880 --> 00:44:52,640 Speaker 4: an AVP but. 811 00:44:52,760 --> 00:44:53,560 Speaker 2: On a different planet. 812 00:44:53,640 --> 00:44:54,800 Speaker 1: Right, you don't really know about that. 813 00:44:54,800 --> 00:44:57,040 Speaker 4: What you need to know is that good friend Carl 814 00:44:57,480 --> 00:45:00,319 Speaker 4: is an android, but he's telling everybody he's a human, 815 00:45:01,360 --> 00:45:04,200 Speaker 4: pretend to be humans at the expense to make people 816 00:45:04,320 --> 00:45:06,920 Speaker 4: feel comfortable around them. But what I find really interesting 817 00:45:06,920 --> 00:45:09,680 Speaker 4: about Carl is that he has everybody's memories. 818 00:45:10,000 --> 00:45:12,240 Speaker 1: He has Charles, like all of his founder's memories. 819 00:45:12,360 --> 00:45:14,840 Speaker 4: So like going back to Charles Bishop Whyland, who founded 820 00:45:14,880 --> 00:45:17,719 Speaker 4: the company in the twenty first century, I he's like 821 00:45:17,760 --> 00:45:21,400 Speaker 4: I've lived forever. He feels human despite being an android. 822 00:45:21,680 --> 00:45:23,520 Speaker 4: I do wonder if we're going to get information on 823 00:45:23,560 --> 00:45:26,920 Speaker 4: this technology not being a exclusive to Prodigy and be 824 00:45:27,200 --> 00:45:29,680 Speaker 4: not that new. I would be really interested to see 825 00:45:29,680 --> 00:45:31,480 Speaker 4: if what we're really read conning is like what you 826 00:45:31,640 --> 00:45:34,840 Speaker 4: thought were androids were actually started with humans before we 827 00:45:34,920 --> 00:45:36,040 Speaker 4: were like we're trying. 828 00:45:35,760 --> 00:45:39,439 Speaker 3: To good to be human. Yeah. 829 00:45:40,680 --> 00:45:43,960 Speaker 1: What's what's interesting to me, at least in this telling 830 00:45:44,160 --> 00:45:48,440 Speaker 1: and even in what we've seen before outside of Carl, 831 00:45:48,640 --> 00:45:50,920 Speaker 1: I'll talk about why Carl I think is specifically interesting 832 00:45:51,440 --> 00:45:53,719 Speaker 1: is this is a this is a future. This is 833 00:45:53,760 --> 00:46:00,760 Speaker 1: a world in which interactions with AI powered robots whatever 834 00:46:01,880 --> 00:46:08,600 Speaker 1: is really only for two uses, one high intensity industrial 835 00:46:08,719 --> 00:46:13,400 Speaker 1: work or two you're rich. Yeah, Like if you are 836 00:46:13,680 --> 00:46:18,840 Speaker 1: a regular working Joe or Jane, you have to interact 837 00:46:18,920 --> 00:46:21,960 Speaker 1: with like the most basic kind of like robotic clerks, 838 00:46:22,400 --> 00:46:25,960 Speaker 1: and everybody else is human, Like you don't have for 839 00:46:26,160 --> 00:46:32,280 Speaker 1: personal enjoyment, for entertainment, any kind of AI power anything, 840 00:46:32,480 --> 00:46:34,600 Speaker 1: Like you don't talk to a doll, you don't have 841 00:46:34,760 --> 00:46:37,640 Speaker 1: a toy you don't have like a synthetic servant. 842 00:46:38,400 --> 00:46:39,000 Speaker 2: None of that. 843 00:46:39,600 --> 00:46:42,080 Speaker 1: Carl is interesting because it's the first time we see 844 00:46:42,200 --> 00:46:47,120 Speaker 1: working people interacting with this technology, which seems like it's 845 00:46:47,239 --> 00:46:52,040 Speaker 1: reserved for people like Boy Cavalier. Except I think that's 846 00:46:52,160 --> 00:46:55,440 Speaker 1: interesting because that is very different than the world living. 847 00:46:56,120 --> 00:46:59,320 Speaker 1: I'm very sure that billionaires have like the most crazy 848 00:47:00,480 --> 00:47:03,480 Speaker 1: fucking AI powered sex doyles like ever, like we can 849 00:47:03,560 --> 00:47:04,759 Speaker 1: even imagine right now. 850 00:47:06,120 --> 00:47:08,279 Speaker 2: Yeah, I know, no, no, no, I think you make 851 00:47:08,320 --> 00:47:09,880 Speaker 2: it great point, But. 852 00:47:10,000 --> 00:47:12,440 Speaker 1: We are all interacting with like we can interact with 853 00:47:12,520 --> 00:47:13,920 Speaker 1: it with an AI right now if you want. 854 00:47:14,400 --> 00:47:16,439 Speaker 2: Yeah, you and and I think you make a great point. 855 00:47:16,480 --> 00:47:20,600 Speaker 2: Which is something I find really interesting about this show 856 00:47:21,000 --> 00:47:24,640 Speaker 2: is sometimes, you know, with science fiction, I feel like, 857 00:47:24,840 --> 00:47:28,080 Speaker 2: as we have seen with our real world, is oftentimes 858 00:47:28,160 --> 00:47:31,719 Speaker 2: the people who are actually in control and who are creating, 859 00:47:31,920 --> 00:47:35,000 Speaker 2: you know, inverted commas are actually also like fucking idiots 860 00:47:35,080 --> 00:47:36,719 Speaker 2: in real life, and I think a lot of times 861 00:47:36,800 --> 00:47:40,640 Speaker 2: science fiction will act like they are geniuses. So I'm 862 00:47:40,760 --> 00:47:43,400 Speaker 2: very interested to see if that comes across here. I 863 00:47:43,520 --> 00:47:46,520 Speaker 2: also think that Joel and Jason with the car mention 864 00:47:46,560 --> 00:47:48,160 Speaker 2: and you guys do pick up on something which is 865 00:47:48,640 --> 00:47:51,800 Speaker 2: maybe the reason that we don't know about hybrids in 866 00:47:52,040 --> 00:47:55,279 Speaker 2: the Alien the wider Alien universe is just because they're 867 00:47:55,320 --> 00:47:58,480 Speaker 2: good at hiding, because they know because they. 868 00:47:58,560 --> 00:48:04,800 Speaker 1: Follow Fallout three, and also as well. 869 00:48:05,080 --> 00:48:07,440 Speaker 2: If you think about what we do have coming, because 870 00:48:07,440 --> 00:48:09,759 Speaker 2: at the moment right now, you know, one thing we 871 00:48:09,840 --> 00:48:12,719 Speaker 2: can say is that since Dan tracktro Birth Prey, there 872 00:48:12,760 --> 00:48:15,560 Speaker 2: has been a push into this franchise. We know that 873 00:48:15,680 --> 00:48:18,960 Speaker 2: there is collaboration and conversation happening in a way that 874 00:48:19,040 --> 00:48:22,160 Speaker 2: maybe didn't happen until, you know, twenty years into the 875 00:48:22,239 --> 00:48:26,720 Speaker 2: Alien and Predator movies together, that we know. For example, 876 00:48:26,840 --> 00:48:28,799 Speaker 2: I'll give you a great example. You know, who looks 877 00:48:28,920 --> 00:48:34,600 Speaker 2: really like a human the synthetic that we see attached 878 00:48:34,640 --> 00:48:38,719 Speaker 2: to the Predator's back in the new Predator bad Lands movie. 879 00:48:39,080 --> 00:48:43,839 Speaker 2: She looks incredibly realistic. She looks incredibly human, She has personality, 880 00:48:44,239 --> 00:48:47,759 Speaker 2: personality and reality, and for all we know that is 881 00:48:47,920 --> 00:48:50,160 Speaker 2: the reason she's on that planet is because somebody found 882 00:48:50,200 --> 00:48:52,200 Speaker 2: out she was actually a hybrid and not a sink. 883 00:48:52,320 --> 00:48:54,600 Speaker 2: You know, I think there's loads of interesting ways that 884 00:48:54,680 --> 00:48:58,400 Speaker 2: it could connect. But I am also just like really 885 00:48:58,560 --> 00:49:01,600 Speaker 2: interested in because I think one of the most funny 886 00:49:01,680 --> 00:49:04,440 Speaker 2: things is like, yeah, I do think that, you know, 887 00:49:04,600 --> 00:49:09,719 Speaker 2: super rich people have super you know, crazy AI sex dolls, 888 00:49:09,760 --> 00:49:13,759 Speaker 2: and they've already probably implanted like a celebrity's memories and 889 00:49:13,880 --> 00:49:16,239 Speaker 2: voice into a sex doll because they're cringe like that 890 00:49:16,520 --> 00:49:19,320 Speaker 2: and just gross. But also, like the other thing that 891 00:49:19,400 --> 00:49:22,360 Speaker 2: I think I want to see this show show like 892 00:49:22,640 --> 00:49:25,719 Speaker 2: be real about is like, also guess what bro like 893 00:49:26,680 --> 00:49:29,000 Speaker 2: they also don't have to do that because most of 894 00:49:29,080 --> 00:49:32,320 Speaker 2: them will just fuck a plastic doll that looks like 895 00:49:32,400 --> 00:49:35,239 Speaker 2: an anime character and doesn't talk back to them. So 896 00:49:35,360 --> 00:49:38,640 Speaker 2: I think, like I want to know about that duality, 897 00:49:39,160 --> 00:49:41,800 Speaker 2: Like I want to know like why are the hybrids 898 00:49:41,880 --> 00:49:47,360 Speaker 2: being created? Why what does it say about boy Cavalier, 899 00:49:47,440 --> 00:49:49,759 Speaker 2: Like does he really just want that great conversation? Is 900 00:49:49,840 --> 00:49:52,480 Speaker 2: he trying to find God? Like whalon? Does he just 901 00:49:52,560 --> 00:49:54,799 Speaker 2: want a girlfriend that he thinks is as clever as him? 902 00:49:54,880 --> 00:49:57,279 Speaker 2: Like whatever version of it is, I know he's not 903 00:49:57,400 --> 00:49:58,799 Speaker 2: building this technology with. 904 00:49:58,920 --> 00:50:03,680 Speaker 1: A oh yeah, it's yeah, let's do it. Well, I 905 00:50:03,760 --> 00:50:06,080 Speaker 1: think it's I think it's for two reasons. One is 906 00:50:06,360 --> 00:50:10,000 Speaker 1: like the weird sex reason, and the second is because 907 00:50:10,200 --> 00:50:13,239 Speaker 1: I think, as he says an episode two, I think 908 00:50:13,280 --> 00:50:18,279 Speaker 1: he is genuinely bored with the people he talks to 909 00:50:18,440 --> 00:50:20,959 Speaker 1: every day and the fact that like he's not being 910 00:50:21,880 --> 00:50:26,720 Speaker 1: mentally stimulated and intellectually challenged, right, And I think he's thinking, 911 00:50:26,920 --> 00:50:31,560 Speaker 1: if I create this race of hybrids that are whose 912 00:50:31,640 --> 00:50:34,399 Speaker 1: minds work in different ways, that can make different connections, 913 00:50:35,120 --> 00:50:37,759 Speaker 1: then I can, like in a final boss in a 914 00:50:37,880 --> 00:50:40,799 Speaker 1: video game, they can challenge me, and then I can 915 00:50:40,920 --> 00:50:43,920 Speaker 1: raise my level and become even smarter. I don't, as 916 00:50:44,000 --> 00:50:46,120 Speaker 1: I said in the episode, I do not buy that 917 00:50:46,280 --> 00:50:49,320 Speaker 1: he wants to talk with beings that are smarter than him. No, 918 00:50:49,560 --> 00:50:51,080 Speaker 1: I think he wants to talk with beings who are 919 00:50:51,080 --> 00:50:53,600 Speaker 1: smarter than him so that he can become smarter than them, 920 00:50:53,760 --> 00:50:55,800 Speaker 1: exactly smarter than them. I think he just wants to 921 00:50:55,880 --> 00:50:59,839 Speaker 1: be and I think eventually he would like to live forever. 922 00:51:00,120 --> 00:51:01,600 Speaker 1: I think he wants to put himself in one of 923 00:51:01,640 --> 00:51:05,640 Speaker 1: these bodies and just like rule amongst people who are 924 00:51:06,000 --> 00:51:08,439 Speaker 1: not quite as smart as him, who also live forever 925 00:51:08,560 --> 00:51:09,520 Speaker 1: and will serve him forever. 926 00:51:09,640 --> 00:51:12,040 Speaker 2: That's what I think, exactly. I think that's a perfect 927 00:51:12,080 --> 00:51:13,319 Speaker 2: point they bring up. 928 00:51:13,440 --> 00:51:15,880 Speaker 4: You know, like you have a droid here who's very 929 00:51:15,920 --> 00:51:20,200 Speaker 4: He's like, that's like information based knowledge and want somebody 930 00:51:20,239 --> 00:51:23,520 Speaker 4: who can think and create, which sort of lends itself 931 00:51:23,600 --> 00:51:27,480 Speaker 4: to the like he's trying to both create a god 932 00:51:27,600 --> 00:51:31,359 Speaker 4: in the same kind of swift movement. I also think 933 00:51:31,440 --> 00:51:35,560 Speaker 4: there's you know, if we're doing the dastardly evil genius thing, 934 00:51:36,160 --> 00:51:38,160 Speaker 4: I mean, if you're able to turn off the emotions, 935 00:51:38,239 --> 00:51:40,920 Speaker 4: what a great army. This is the fact that the 936 00:51:41,040 --> 00:51:42,480 Speaker 4: kind of first thing you sent them to do is 937 00:51:42,520 --> 00:51:47,120 Speaker 4: a very like tactical recovery mission gives into this idea 938 00:51:47,280 --> 00:51:48,040 Speaker 4: that also. 939 00:51:48,000 --> 00:51:50,440 Speaker 2: Like the idea that he acted like that wasn't something 940 00:51:50,480 --> 00:51:52,400 Speaker 2: he would have ever thought of. And like everyone in 941 00:51:52,440 --> 00:51:54,320 Speaker 2: the room's like, oh no, maybe they're not ready, but 942 00:51:54,360 --> 00:51:55,920 Speaker 2: it's like, of course that's what you thought about this. 943 00:51:56,080 --> 00:51:57,680 Speaker 2: They can't believe they can't die. 944 00:51:58,160 --> 00:52:02,920 Speaker 4: Yeah, And he's in the that like expendability doesn't really 945 00:52:02,960 --> 00:52:05,920 Speaker 4: come into the picture for him, which I find interesting. 946 00:52:05,960 --> 00:52:09,400 Speaker 4: I'm also not unconvinced that his man servant isn't like 947 00:52:09,480 --> 00:52:13,400 Speaker 4: a bot, you know, he's always around in some form, uh, 948 00:52:13,600 --> 00:52:15,479 Speaker 4: And so I I do think he might be looking 949 00:52:15,560 --> 00:52:18,000 Speaker 4: for and to the fact that we know the corporation 950 00:52:18,120 --> 00:52:20,759 Speaker 4: wars are on at this point. If you I just 951 00:52:20,800 --> 00:52:24,520 Speaker 4: don't know the history of like alien basically, like the 952 00:52:25,360 --> 00:52:28,920 Speaker 4: democracy ended and then corporation started buying up things and 953 00:52:28,960 --> 00:52:34,920 Speaker 4: they're separated. So now there's like, can't talk about associating. 954 00:52:35,160 --> 00:52:40,600 Speaker 4: Please please, please try to disassociate into the fantasy. I 955 00:52:40,719 --> 00:52:43,719 Speaker 4: just find it really like I'm putting money down on 956 00:52:43,960 --> 00:52:49,439 Speaker 4: like future Army slash premium priced Live forever corporate option. 957 00:52:50,239 --> 00:52:51,200 Speaker 2: I think that makes sense. 958 00:52:52,000 --> 00:52:54,440 Speaker 1: Well, we're going to find out as we continue our 959 00:52:54,520 --> 00:52:57,040 Speaker 1: coverage of Alien Earth on the next episode of Extra Vision. 960 00:52:57,040 --> 00:53:00,360 Speaker 1: We're continue our coverage of Alien Earth on FX recap 961 00:53:00,440 --> 00:53:03,440 Speaker 1: of episode three. That's it for this episode. Thanks for listening, 962 00:53:03,680 --> 00:53:13,600 Speaker 1: Bye bye. X ray Vision is hosted by Jason Sepsion 963 00:53:13,680 --> 00:53:16,240 Speaker 1: and Rosie Night and is a production of iHeart Podcast. 964 00:53:16,640 --> 00:53:20,200 Speaker 2: Our executive producers are Joel Monique and Aaron Kaufman. 965 00:53:20,440 --> 00:53:22,480 Speaker 1: Our supervising producer is Abu Zafar. 966 00:53:22,880 --> 00:53:26,839 Speaker 2: Our producers are Common Laurent, Dean Jonathan, and Bay Wag. 967 00:53:26,920 --> 00:53:29,680 Speaker 1: Our theme song is by Brian Vasquez, with alternate theme 968 00:53:29,800 --> 00:53:31,040 Speaker 1: songs by Aaron Kaufman. 969 00:53:31,200 --> 00:53:34,520 Speaker 2: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and 970 00:53:34,680 --> 00:53:36,440 Speaker 2: Heidi our discord moderator.