1 00:00:00,720 --> 00:00:18,040 Speaker 1: I am all in you, I am all in with 2 00:00:18,120 --> 00:00:22,000 Speaker 1: Scott Patterson and I Hurt Radio podcast. All right, everybody, 3 00:00:22,040 --> 00:00:26,520 Speaker 1: we're here with Billy Burke, uh, who is so far 4 00:00:27,080 --> 00:00:35,919 Speaker 1: my favorite uh guy for lorli um. And I don't 5 00:00:35,960 --> 00:00:40,520 Speaker 1: know how you can possibly say that, but thanks, because 6 00:00:40,560 --> 00:00:43,480 Speaker 1: I think you're You're just You're just a very cool cat. 7 00:00:43,640 --> 00:00:46,960 Speaker 1: You know, You're a mellow kind of kind of cool guy, 8 00:00:47,240 --> 00:00:51,240 Speaker 1: and you seem very confident and comfortable in your own skin. 9 00:00:51,680 --> 00:00:54,600 Speaker 1: And I just it's just a nice balance between the 10 00:00:54,600 --> 00:00:58,640 Speaker 1: two of you, and I enjoy watching it. Thank you, 11 00:00:58,680 --> 00:01:00,920 Speaker 1: and I think you're a terrific act. During you you 12 00:01:01,040 --> 00:01:04,560 Speaker 1: really underplay everything and just but everything is h you know, 13 00:01:04,600 --> 00:01:08,280 Speaker 1: it was louder because of it, So it's it's it's 14 00:01:08,360 --> 00:01:12,000 Speaker 1: it's a great relief actually because I U, I take 15 00:01:12,040 --> 00:01:18,440 Speaker 1: exception with most of her um potential love interests, but 16 00:01:18,520 --> 00:01:21,440 Speaker 1: not here. I I like, I like how this feels, 17 00:01:21,440 --> 00:01:23,280 Speaker 1: and I like you just dropped her off and gave 18 00:01:23,319 --> 00:01:25,160 Speaker 1: her a kiss and she was hungry. You did your 19 00:01:25,160 --> 00:01:29,600 Speaker 1: weekend in New York City, and uh, I like probably 20 00:01:29,600 --> 00:01:32,240 Speaker 1: because that probably has mostly to do with the fact 21 00:01:32,240 --> 00:01:35,040 Speaker 1: that I had zero idea what I was walking into 22 00:01:35,120 --> 00:01:42,120 Speaker 1: and I came on the show, I know, right, Yeah, 23 00:01:42,360 --> 00:01:46,679 Speaker 1: it was. I mean, I as far as I recollect 24 00:01:46,840 --> 00:01:51,440 Speaker 1: I you know, Lauren and I had done um, this 25 00:01:51,480 --> 00:01:55,080 Speaker 1: little independent movie together a couple of years prior called 26 00:01:55,120 --> 00:01:57,880 Speaker 1: deal Scallion, and it was a fake documentary about a 27 00:01:57,880 --> 00:01:59,880 Speaker 1: country singer, and so I played this country singer and 28 00:02:00,000 --> 00:02:02,040 Speaker 1: go on the road and I meet her and she 29 00:02:02,120 --> 00:02:07,200 Speaker 1: becomes my girlfriend and um, and so within that process, 30 00:02:07,240 --> 00:02:09,200 Speaker 1: I mean, we had the greatest time making that movie. 31 00:02:09,240 --> 00:02:11,640 Speaker 1: But Laura and I just became really good friends during that. 32 00:02:11,720 --> 00:02:14,520 Speaker 1: So I had always assumed that it was a couple 33 00:02:14,520 --> 00:02:17,800 Speaker 1: of years later that when we got the call to 34 00:02:17,840 --> 00:02:21,040 Speaker 1: come and do Gilmore Girls. I had just assumed that 35 00:02:21,320 --> 00:02:23,720 Speaker 1: maybe she had made a request or something like that. 36 00:02:24,440 --> 00:02:26,600 Speaker 1: But I don't know if that's the case or not. 37 00:02:26,680 --> 00:02:28,760 Speaker 1: It never got discussed between here Kerr and I or 38 00:02:28,760 --> 00:02:31,200 Speaker 1: anybody else. So it could have been could have been 39 00:02:31,240 --> 00:02:32,840 Speaker 1: just an accident, It could have been could have been 40 00:02:32,880 --> 00:02:38,720 Speaker 1: against her will for all I know. Yeah, I think 41 00:02:38,760 --> 00:02:41,000 Speaker 1: she was so busy they didn't consult her on much, 42 00:02:41,040 --> 00:02:44,480 Speaker 1: but she probably gave them a list, you know, I know, 43 00:02:44,520 --> 00:02:46,640 Speaker 1: people she did want to work with and people she 44 00:02:46,680 --> 00:02:49,680 Speaker 1: didn't want to work with and you know, absolute nos 45 00:02:50,160 --> 00:02:59,440 Speaker 1: and um. Yeah, So so tell us about you know, 46 00:02:59,600 --> 00:03:01,720 Speaker 1: how you got the job. Was it just a straight offer? 47 00:03:01,720 --> 00:03:04,400 Speaker 1: Did you audition first day on the set, that kind 48 00:03:04,400 --> 00:03:09,480 Speaker 1: of thing? Reunited It came in as an offer they 49 00:03:09,520 --> 00:03:13,920 Speaker 1: I think it probably was one of those situations where 50 00:03:13,960 --> 00:03:17,280 Speaker 1: they asked if you want to come do one episode 51 00:03:17,280 --> 00:03:21,160 Speaker 1: with the potential for for more. But uh, I think 52 00:03:21,160 --> 00:03:23,760 Speaker 1: it was always supposed to be a one to three 53 00:03:24,000 --> 00:03:28,600 Speaker 1: episode arc. I believe I ended up doing three. Um. 54 00:03:28,680 --> 00:03:31,000 Speaker 1: But yeah, like I said, it just kind of came in. 55 00:03:31,120 --> 00:03:34,920 Speaker 1: So my assumption was, oh, you know, my friend Lauren 56 00:03:35,160 --> 00:03:38,920 Speaker 1: probably just trying to see if I want to come 57 00:03:38,960 --> 00:03:41,680 Speaker 1: and do some of the show, and I'd be more 58 00:03:41,720 --> 00:03:46,720 Speaker 1: than happy to obviously, so I said yes immediately, right right, 59 00:03:46,920 --> 00:03:51,200 Speaker 1: Um again, not having any idea have I mean, had 60 00:03:51,240 --> 00:03:55,920 Speaker 1: not seen it prior to that, had not experienced the 61 00:03:55,960 --> 00:04:00,400 Speaker 1: tone and tempo and um all that up, which is 62 00:04:00,520 --> 00:04:05,840 Speaker 1: very specific to that shown, very specific to to a 63 00:04:05,920 --> 00:04:10,760 Speaker 1: lot of I think what Amy Paladino does. Yeah. Yeah, 64 00:04:11,000 --> 00:04:14,920 Speaker 1: that's why That's why I particularly like what you did 65 00:04:14,960 --> 00:04:19,200 Speaker 1: with that character, because you didn't allow yourself to get 66 00:04:19,240 --> 00:04:22,560 Speaker 1: caught up in their rhythm and their speed. You had 67 00:04:22,600 --> 00:04:26,200 Speaker 1: your own yet it was so smooth and it didn't 68 00:04:26,240 --> 00:04:28,360 Speaker 1: throw anybody off. It just kept feeding and feeding it, 69 00:04:28,520 --> 00:04:32,360 Speaker 1: feeding it because you know, they're going a mile a minute, um, 70 00:04:32,400 --> 00:04:36,280 Speaker 1: but you provided this real i don't know, not an 71 00:04:36,440 --> 00:04:39,480 Speaker 1: escape from it, but it relaxed the scenes and they 72 00:04:39,720 --> 00:04:43,000 Speaker 1: just seemed more real as a result, so, you know, 73 00:04:43,279 --> 00:04:45,760 Speaker 1: as as an actor and that and that was my 74 00:04:45,920 --> 00:04:49,159 Speaker 1: challenge too, because Luke was a whole different you know, 75 00:04:49,279 --> 00:04:54,520 Speaker 1: he was a whole different vibe. But sometimes you couldn't 76 00:04:54,520 --> 00:04:57,120 Speaker 1: help but get caught in, caught up in the speed 77 00:04:57,320 --> 00:04:59,280 Speaker 1: what was going on, and it was you. You were 78 00:04:59,600 --> 00:05:01,440 Speaker 1: you were the cool, relaxed guy on the show. If 79 00:05:01,480 --> 00:05:04,640 Speaker 1: I recall, oh no, no, no, no no. Well sometimes 80 00:05:04,720 --> 00:05:06,960 Speaker 1: and then you came along and it was like, okay, 81 00:05:07,080 --> 00:05:12,479 Speaker 1: that's what it's supposed to be. No, that's really that's 82 00:05:12,520 --> 00:05:15,600 Speaker 1: exactly what I was trying to achieve is what you achieved. 83 00:05:15,680 --> 00:05:18,039 Speaker 1: And I was like, that's how I saw Luke. But 84 00:05:18,720 --> 00:05:21,640 Speaker 1: they kept whipping me to go faster, so I guess 85 00:05:21,640 --> 00:05:25,880 Speaker 1: I go faster. Yeah, I'm always I mean, I'm you know, 86 00:05:26,320 --> 00:05:31,720 Speaker 1: I'm I'm confined to what's on the page in terms 87 00:05:31,760 --> 00:05:37,240 Speaker 1: of in terms of bourbage and uh sentiment and dynamic 88 00:05:37,279 --> 00:05:41,240 Speaker 1: and all that kind of stuff. Um, but I just 89 00:05:41,880 --> 00:05:44,479 Speaker 1: I probably just didn't know what else to do but 90 00:05:44,560 --> 00:05:49,880 Speaker 1: settle into into how I saw it. You know, if 91 00:05:49,920 --> 00:05:51,840 Speaker 1: I were going to reach beyond that and try to 92 00:05:52,000 --> 00:05:57,640 Speaker 1: attain there, um, you know, their tempo, it would have 93 00:05:57,640 --> 00:06:05,840 Speaker 1: been a disaster. Yeah. And that's and when I and 94 00:06:05,960 --> 00:06:08,679 Speaker 1: when it happened to me. And I'm now I'm saying 95 00:06:08,680 --> 00:06:11,120 Speaker 1: because I never saw it before, I cringe. God, I 96 00:06:11,240 --> 00:06:15,679 Speaker 1: cringe uh at being at being duped into their tempo. 97 00:06:16,160 --> 00:06:21,360 Speaker 1: And it's like, okay, yeah, damn it. Um, but that's 98 00:06:21,400 --> 00:06:24,520 Speaker 1: I guess all those people were so good at it, 99 00:06:24,680 --> 00:06:28,920 Speaker 1: right right. I mean you know I include you on 100 00:06:28,960 --> 00:06:30,480 Speaker 1: this too. I mean you you were on the show 101 00:06:30,480 --> 00:06:34,279 Speaker 1: for a long time. I mean that's whatever whatever everybody 102 00:06:34,360 --> 00:06:39,720 Speaker 1: was doing was was obviously working. Hey man, Hey, I 103 00:06:39,800 --> 00:06:43,680 Speaker 1: had to learn to go that fast. I didn't like it. 104 00:06:44,480 --> 00:06:48,080 Speaker 1: I struggled with it. I never felt comfortable going that fast. 105 00:06:49,279 --> 00:06:51,360 Speaker 1: They were great at it. I mean, Lauren, it's just 106 00:06:51,440 --> 00:06:55,679 Speaker 1: like you know, she's that that's just another brain, that's 107 00:06:55,720 --> 00:06:59,880 Speaker 1: another level there. She's always had it since I since 108 00:07:00,120 --> 00:07:02,360 Speaker 1: right knowing her. I mean, she's just she's a rocket ship. 109 00:07:02,440 --> 00:07:08,080 Speaker 1: She just she's yeah, yeah, it's it's why she can 110 00:07:08,160 --> 00:07:11,640 Speaker 1: do those uh And where I think she really is 111 00:07:11,720 --> 00:07:16,120 Speaker 1: best with with her comedy is in those moments where 112 00:07:16,160 --> 00:07:19,880 Speaker 1: she's got a stumble and fumble and and she does 113 00:07:19,920 --> 00:07:24,239 Speaker 1: it so she does it so quickly and with while 114 00:07:24,320 --> 00:07:27,800 Speaker 1: also delaying things, and I it's amazing how she can 115 00:07:27,800 --> 00:07:29,400 Speaker 1: do it. She did it in this episode in the 116 00:07:29,440 --> 00:07:32,840 Speaker 1: scene with with the band in her kitchen and she 117 00:07:33,040 --> 00:07:34,840 Speaker 1: kind of let the cat out of the bag about 118 00:07:34,880 --> 00:07:39,320 Speaker 1: how uh Lane and Dave were dating, and she tried 119 00:07:39,360 --> 00:07:43,680 Speaker 1: to take it back, and I really laughed out loud. 120 00:07:43,760 --> 00:07:46,640 Speaker 1: I mean, she's very, very fun, she's very gifted, she's 121 00:07:46,720 --> 00:07:49,160 Speaker 1: very yeah. And it's and I think it comes from 122 00:07:49,400 --> 00:07:53,080 Speaker 1: she's got an old school heart when it comes to 123 00:07:53,600 --> 00:07:58,400 Speaker 1: when it comes to television and that kind of comedy. 124 00:07:58,640 --> 00:08:01,480 Speaker 1: I mean I liken it to kind the like the 125 00:08:01,640 --> 00:08:05,000 Speaker 1: Bob new Hearts of the Right, you know what I mean, 126 00:08:05,440 --> 00:08:08,680 Speaker 1: where Bob Newhart was like he wasn't it didn't feel 127 00:08:08,680 --> 00:08:11,720 Speaker 1: like he was doing something perfect or precious, because but 128 00:08:11,840 --> 00:08:16,400 Speaker 1: he was. It just felt so natural for him, right, 129 00:08:16,440 --> 00:08:20,080 Speaker 1: I feel the same way. Yeah, just as as quick 130 00:08:20,120 --> 00:08:26,400 Speaker 1: as lightning, that one unbelievable. Um. Um, So look the fans, 131 00:08:26,640 --> 00:08:30,600 Speaker 1: they they they email questions and they want to know. 132 00:08:31,400 --> 00:08:36,160 Speaker 1: They're very excited about you being on the show. Um aside, 133 00:08:37,000 --> 00:08:40,920 Speaker 1: and they want to know. Okay, here's here's uh, Jennifer 134 00:08:41,080 --> 00:08:49,000 Speaker 1: from God, I I hope I can answer this, Okay, Um, well, okay, 135 00:08:49,040 --> 00:08:52,120 Speaker 1: you can probably answer this. Uh from from Houston, Texas. 136 00:08:52,160 --> 00:08:57,080 Speaker 1: Jennifer from Houston, Texas. Uh, Billy Park is so cool. 137 00:08:57,600 --> 00:09:01,840 Speaker 1: I agree, Jennifer, h what do you think? What? What 138 00:09:01,960 --> 00:09:05,160 Speaker 1: did you think of your character Alex? Are you anything 139 00:09:05,679 --> 00:09:13,280 Speaker 1: like him? Huh? Again? I mean I really don't remember 140 00:09:13,320 --> 00:09:16,840 Speaker 1: the character that well. I mean I probably should have. 141 00:09:17,679 --> 00:09:20,600 Speaker 1: I probably should have done some research and gone back 142 00:09:20,640 --> 00:09:23,280 Speaker 1: and taken a look. But then again, and then I'd 143 00:09:23,280 --> 00:09:25,079 Speaker 1: be in your shoes, cringing it stuff, and I don't 144 00:09:25,080 --> 00:09:30,240 Speaker 1: want to do that. So, um, let let me help 145 00:09:30,600 --> 00:09:34,640 Speaker 1: let me. I doubt I doubt it. I doubt there 146 00:09:34,679 --> 00:09:38,800 Speaker 1: was anything familiar to me about what he was supposed 147 00:09:38,880 --> 00:09:42,599 Speaker 1: to be. I probably was just doing my best to 148 00:09:43,360 --> 00:09:50,240 Speaker 1: you know, not offend anybody. Well that's that's it. Why 149 00:09:50,360 --> 00:09:54,080 Speaker 1: strategy that was easy to do? Um? Um, all right, 150 00:09:54,120 --> 00:09:58,320 Speaker 1: here's here's one hang on, uh This is from Robert 151 00:09:58,520 --> 00:10:05,720 Speaker 1: from Seattle. I thank you yours. Yeah, you're close, right, Okay, 152 00:10:06,760 --> 00:10:09,679 Speaker 1: I spent all my formative years in downtown Seattle, from 153 00:10:09,760 --> 00:10:19,120 Speaker 1: okay to uh. He wants to know any favorite memories 154 00:10:19,160 --> 00:10:27,440 Speaker 1: working with Lauren or Melissa McCarthy. Did I have scenes 155 00:10:27,440 --> 00:10:32,320 Speaker 1: with Melissa hum just outside when you went to see 156 00:10:32,320 --> 00:10:35,360 Speaker 1: the Broadway show that everybody hated and she was there 157 00:10:35,360 --> 00:10:42,640 Speaker 1: with Jackson out theater after the theater. I'm sure it was. 158 00:10:43,040 --> 00:10:46,280 Speaker 1: I'm sure it was beyond pleasant. Um. Everybody on the 159 00:10:46,280 --> 00:10:50,520 Speaker 1: show was obviously, I mean, given my sort of fish 160 00:10:50,559 --> 00:10:57,280 Speaker 1: out of water feeling about myself, everybody was was so kind. Um. 161 00:10:57,320 --> 00:11:00,079 Speaker 1: I don't have any specific recollections about that. Laura and 162 00:11:00,360 --> 00:11:05,000 Speaker 1: I have always I mean, as I was saying before, 163 00:11:05,080 --> 00:11:08,280 Speaker 1: we we did a little independent movie beforehand a few 164 00:11:08,360 --> 00:11:12,840 Speaker 1: years prior, and we had we had what I would 165 00:11:12,880 --> 00:11:17,240 Speaker 1: consider to be one of those sort of automatic oh 166 00:11:17,280 --> 00:11:20,680 Speaker 1: I get you, I get what you're doing. Um, And 167 00:11:20,760 --> 00:11:23,040 Speaker 1: so we had one of those kind of friendships, and 168 00:11:23,040 --> 00:11:28,760 Speaker 1: I think that translated, hopefully translated into into the stuff 169 00:11:28,760 --> 00:11:35,000 Speaker 1: on screen. Every every moment working with Lauren is always 170 00:11:35,160 --> 00:11:44,400 Speaker 1: a joy, right, Okay, So let's change gears. Talk about 171 00:11:44,400 --> 00:11:49,160 Speaker 1: a little bit Twilight. There's so many Twilight, uh questions, emails? 172 00:11:49,240 --> 00:11:52,000 Speaker 1: Good god, there were so many. So you're about to 173 00:11:52,040 --> 00:11:57,080 Speaker 1: say there's so many Twilight movies, which there are? Good god, 174 00:11:57,679 --> 00:12:05,840 Speaker 1: how many of them? Uh? Uh? Um, okay, who this is? Uh? 175 00:12:05,920 --> 00:12:11,520 Speaker 1: This is Robert Roberta from Albuquerque. You've worked steady since 176 00:12:11,520 --> 00:12:14,640 Speaker 1: the nineties, but many fans no use Charlotte Swan, Bella's 177 00:12:14,679 --> 00:12:20,000 Speaker 1: dad and Twilight. Ah, in those five years the franchise, 178 00:12:20,120 --> 00:12:26,160 Speaker 1: was it hard to walk outside without being recognized. Um 179 00:12:26,200 --> 00:12:32,840 Speaker 1: those five years were probably my most recognizable. Um I 180 00:12:34,320 --> 00:12:43,760 Speaker 1: without without just the the Charlie Swan porn stash, without 181 00:12:44,679 --> 00:12:48,319 Speaker 1: just that on my face. Um, I kind of disappear 182 00:12:48,440 --> 00:12:51,640 Speaker 1: into myself most of the time. So it depends on 183 00:12:51,720 --> 00:12:54,520 Speaker 1: what facial hair I have at the time, going on 184 00:12:54,960 --> 00:12:59,040 Speaker 1: how recognized, how recognizable I am. But but yeah, during 185 00:12:59,080 --> 00:13:03,280 Speaker 1: those five years, um, look, it was it was just 186 00:13:03,360 --> 00:13:05,280 Speaker 1: nice to be a part of something that people were 187 00:13:05,280 --> 00:13:09,240 Speaker 1: paying attention to, you know, as as she said herself, 188 00:13:09,240 --> 00:13:12,440 Speaker 1: I've been working since the early nineties, and you know, 189 00:13:12,480 --> 00:13:15,880 Speaker 1: I had a lot of good successes and and some 190 00:13:15,960 --> 00:13:20,280 Speaker 1: dips and and as all careers do, and uh and 191 00:13:20,360 --> 00:13:23,160 Speaker 1: so Yeah, it was. It was nice to be a 192 00:13:23,200 --> 00:13:29,600 Speaker 1: part of that, UM, but I don't necessarily love not 193 00:13:29,679 --> 00:13:34,720 Speaker 1: having an unim anonymity. However, you say that word, you know, 194 00:13:35,559 --> 00:13:40,840 Speaker 1: um right, uh? And so did it what you were 195 00:13:40,880 --> 00:13:46,199 Speaker 1: doing the music? Then you were pretty serious about recording 196 00:13:46,320 --> 00:13:51,400 Speaker 1: and releasing songs and was at that time I used 197 00:13:51,840 --> 00:13:55,760 Speaker 1: that around that time when the first Twilight came out, 198 00:13:55,840 --> 00:14:00,480 Speaker 1: That's when Twitter was still kind of burgeoning. Uh. I 199 00:14:00,520 --> 00:14:04,480 Speaker 1: didn't get the concept, still kind of don't um. But 200 00:14:04,640 --> 00:14:08,000 Speaker 1: somebody approached me saying, UM, this is gonna be a 201 00:14:08,040 --> 00:14:10,520 Speaker 1: necessary tool for you. You're gonna you're gonna want to 202 00:14:10,559 --> 00:14:14,120 Speaker 1: have this. I said, I don't know that, I am. 203 00:14:14,320 --> 00:14:16,120 Speaker 1: I don't know that I will ever use it. And 204 00:14:16,160 --> 00:14:19,440 Speaker 1: then I started thinking, oh, because I was in the 205 00:14:19,440 --> 00:14:23,480 Speaker 1: throes of kind of putting together an album for myself 206 00:14:23,600 --> 00:14:25,520 Speaker 1: of just stuff that I've been running over the years, 207 00:14:25,520 --> 00:14:30,680 Speaker 1: and so I figured, h, I will use that for 208 00:14:30,760 --> 00:14:32,560 Speaker 1: what I can and what I can do is use 209 00:14:32,600 --> 00:14:38,760 Speaker 1: it as a promotional tool for that. UM. And so yes, 210 00:14:38,840 --> 00:14:43,080 Speaker 1: during that time, I put out a record and we did, 211 00:14:43,760 --> 00:14:47,840 Speaker 1: and probably only because of Twilight fans, we did. We 212 00:14:47,920 --> 00:14:52,040 Speaker 1: released it on a format called CD Baby, and we 213 00:14:52,160 --> 00:14:56,320 Speaker 1: had their biggest single day day opening sales record of 214 00:14:56,360 --> 00:15:01,560 Speaker 1: all time at the time, which was great. Um So 215 00:15:02,040 --> 00:15:06,160 Speaker 1: in those cases, social media pretty useful. But did you 216 00:15:06,480 --> 00:15:09,440 Speaker 1: did you get music? Did you get did you get into? 217 00:15:09,560 --> 00:15:12,640 Speaker 1: We did? We did one? We did one album released 218 00:15:12,680 --> 00:15:17,240 Speaker 1: show in Los Angeles at the House of Blues which 219 00:15:17,280 --> 00:15:21,000 Speaker 1: people came from being everywhere to come and see, which 220 00:15:21,040 --> 00:15:27,200 Speaker 1: was was really great. Um but no, no tour. I can't. 221 00:15:29,760 --> 00:15:33,480 Speaker 1: It's impossible to keep a band together if you're if 222 00:15:33,520 --> 00:15:36,320 Speaker 1: your main career is is moving in television. You just 223 00:15:36,320 --> 00:15:39,000 Speaker 1: can't do. I mean, I know some guys do, but 224 00:15:40,600 --> 00:15:43,040 Speaker 1: we don't. We don't see him very often the way 225 00:15:43,640 --> 00:15:52,080 Speaker 1: h m hm. Did A did a label step up? Oh? No, no, 226 00:15:52,400 --> 00:15:55,400 Speaker 1: And I didn't expect that to happen. I mean, my 227 00:15:55,640 --> 00:15:59,480 Speaker 1: music was very sort of eclectic and kind of specific 228 00:15:59,560 --> 00:16:03,840 Speaker 1: to myself els and my thought patterns, And I mean, 229 00:16:04,080 --> 00:16:07,600 Speaker 1: I think it's couched in really good melodic music, American 230 00:16:07,720 --> 00:16:11,800 Speaker 1: style music, but it's but content wise and lyrically, it's 231 00:16:11,880 --> 00:16:15,320 Speaker 1: I don't know that that's gonna identify with the masses. 232 00:16:15,440 --> 00:16:18,560 Speaker 1: So if I were the record label, I know I 233 00:16:18,640 --> 00:16:23,480 Speaker 1: might enjoy the momentary popularity for a second and say, oh, 234 00:16:23,520 --> 00:16:25,280 Speaker 1: we can make something out of this, but long run. 235 00:16:26,560 --> 00:16:29,320 Speaker 1: H So, who are who are some of your big 236 00:16:29,440 --> 00:16:35,240 Speaker 1: musical influences growing up and currently what informs your writing? 237 00:16:36,120 --> 00:16:39,960 Speaker 1: I grew up with mostly my mother's music, which was 238 00:16:40,480 --> 00:16:45,040 Speaker 1: a lot of singer songwriters, um, the Jim Croaches and 239 00:16:45,360 --> 00:16:52,520 Speaker 1: in James Taylor's uh early early Billy Joel early Elton 240 00:16:52,600 --> 00:16:59,480 Speaker 1: John was a huge influence. Um Bowie Um always sort 241 00:16:59,480 --> 00:17:03,960 Speaker 1: of all the sort of artisans of that period. Yeah. 242 00:17:04,000 --> 00:17:07,080 Speaker 1: What always amazed me about Bowie is his very early 243 00:17:07,200 --> 00:17:11,679 Speaker 1: career and his his his right. The songwriting in his 244 00:17:11,800 --> 00:17:17,760 Speaker 1: teens was so vulnerable, it was so odd even. It 245 00:17:17,840 --> 00:17:22,879 Speaker 1: was just all of these very childlike, delicate little songs 246 00:17:22,920 --> 00:17:26,720 Speaker 1: that where he created this very safe world for those 247 00:17:26,800 --> 00:17:31,639 Speaker 1: characters to an habit. And then he writes what was 248 00:17:31,680 --> 00:17:34,480 Speaker 1: his big breakthrough a song? It was was it space 249 00:17:34,480 --> 00:17:38,120 Speaker 1: Oddity or was it um? I think space Ody put 250 00:17:38,240 --> 00:17:43,439 Speaker 1: him on the the big map right right right, But 251 00:17:43,480 --> 00:17:48,720 Speaker 1: there was one before that It was like wow, um, yeah, 252 00:17:49,200 --> 00:17:52,760 Speaker 1: you know I was, I was, really I was. I 253 00:17:52,800 --> 00:17:56,040 Speaker 1: mean I was born in sixty six, so uh so 254 00:17:56,240 --> 00:18:00,199 Speaker 1: that was that kind of knowledge was was beyond at 255 00:18:00,240 --> 00:18:02,479 Speaker 1: that point. I didn't get into Bowie Bowie until I 256 00:18:02,520 --> 00:18:07,680 Speaker 1: was you know, early teens, right. Um, So I'm no scholar. 257 00:18:08,200 --> 00:18:10,720 Speaker 1: I can't answer your question about when something came out 258 00:18:12,040 --> 00:18:18,240 Speaker 1: damn it. Um, but yeah, that early stuff. You're absolutely 259 00:18:18,320 --> 00:18:20,879 Speaker 1: right what he was doing. I just don't know that 260 00:18:20,920 --> 00:18:24,600 Speaker 1: there's any parallel to it whatsoever. I mean, not only 261 00:18:24,680 --> 00:18:30,160 Speaker 1: was it vulnerable, but it was so just weirdly insightful 262 00:18:30,280 --> 00:18:35,119 Speaker 1: and and uh and communicated to so many people in 263 00:18:35,200 --> 00:18:40,000 Speaker 1: so many different ways, in such specific ways. Um. Yeah, 264 00:18:40,040 --> 00:18:45,160 Speaker 1: I mean he's the the ultimate uh, the ultimate outsider, 265 00:18:46,080 --> 00:18:51,800 Speaker 1: absolutely who made somehow everybody go like that's probably the 266 00:18:51,800 --> 00:18:56,560 Speaker 1: coolest guy in the world. And yeah, yeah, for his 267 00:18:56,760 --> 00:19:01,199 Speaker 1: entire life or his entire A pony just he just 268 00:19:01,280 --> 00:19:04,040 Speaker 1: kept doing it. He just kept he kept changing until 269 00:19:04,160 --> 00:19:08,080 Speaker 1: until the day he died. He was kept doing his thing. Yeah, 270 00:19:07,880 --> 00:19:13,480 Speaker 1: Oh my god, I still watch He was on Jules 271 00:19:13,520 --> 00:19:16,600 Speaker 1: Holland in two thousand and God, what was it, two 272 00:19:16,600 --> 00:19:20,800 Speaker 1: thousand and two. I may have seen this on YouTube. 273 00:19:21,160 --> 00:19:25,159 Speaker 1: He does you know he did? Well, maybe it was 274 00:19:26,040 --> 00:19:28,520 Speaker 1: maybe it was two thousand and ten, but I'm thinking 275 00:19:28,560 --> 00:19:33,199 Speaker 1: two tho. Jules Holland. Oh jeez, what just happened? I 276 00:19:33,240 --> 00:19:37,800 Speaker 1: don't know oh good. Sorry, Um, he did Rebel Rebel 277 00:19:38,160 --> 00:19:40,560 Speaker 1: uh in the studio and travel live audience, and it 278 00:19:40,640 --> 00:19:44,600 Speaker 1: was just I don't know, every time I listened to 279 00:19:44,640 --> 00:19:47,600 Speaker 1: it, it it brings a tear. It's just it's such a 280 00:19:47,680 --> 00:19:51,560 Speaker 1: huge song. It's such a great range. It's just such 281 00:19:51,560 --> 00:19:54,959 Speaker 1: a big moment, you know. It's just the audience was 282 00:19:55,119 --> 00:20:01,880 Speaker 1: so happy. Yeah. They were just and quintessential rock and roll. 283 00:20:03,600 --> 00:20:07,520 Speaker 1: That's yeah, wherever you are, and he placed time that 284 00:20:07,640 --> 00:20:11,120 Speaker 1: riff starts you know where you're back again? Yeah, yeah, 285 00:20:11,400 --> 00:20:13,920 Speaker 1: and the and the vocal he laid down on that 286 00:20:14,000 --> 00:20:17,040 Speaker 1: with such ease, and it's just like, God, damn, this 287 00:20:17,040 --> 00:20:21,520 Speaker 1: guy was magic. Yeah, he made he made everything look easy. 288 00:20:21,680 --> 00:20:26,280 Speaker 1: It was part of it, you know, the movement, yes, 289 00:20:26,400 --> 00:20:31,600 Speaker 1: you know everything. The phenomenal musicianship that he put into everything. 290 00:20:31,760 --> 00:20:35,359 Speaker 1: I mean, he played so many instruments and was so 291 00:20:35,920 --> 00:20:44,840 Speaker 1: knowledgeable about notes. I mean, yeah, there will never be another. Yea. 292 00:20:45,760 --> 00:20:50,160 Speaker 1: I share your your fascination and respect with it with 293 00:20:50,160 --> 00:20:54,720 Speaker 1: with that artist. My god, he's my probably my favorite 294 00:20:56,160 --> 00:20:58,960 Speaker 1: artist of all time, at least in the last sixty years, 295 00:20:59,000 --> 00:21:05,520 Speaker 1: seventy years. Um, I can't think of anybody Desert Island wise, 296 00:21:05,600 --> 00:21:07,560 Speaker 1: if you're gonna bring somebody's music with you, and you 297 00:21:07,600 --> 00:21:13,040 Speaker 1: only have one. I can't. I can't think of anybody else. Yeah, 298 00:21:13,520 --> 00:21:18,800 Speaker 1: there's one that, there's one of them for me. There's 299 00:21:18,880 --> 00:21:22,639 Speaker 1: one that that is sort of competing right now. And 300 00:21:22,720 --> 00:21:25,720 Speaker 1: I'm not even gonna say it because I'm I'll be 301 00:21:25,760 --> 00:21:32,120 Speaker 1: embarrassed to say it. But somebody, somebody present day Yah, yeah, yeah, 302 00:21:32,760 --> 00:21:40,200 Speaker 1: who's extraordinary in every way? I mean just master songwriter, singer, performer, 303 00:21:40,320 --> 00:21:44,960 Speaker 1: it's just the whole thing. But anyway, male or female female? 304 00:21:47,880 --> 00:21:49,639 Speaker 1: Do I have an idea of who you're talking about? 305 00:21:50,280 --> 00:21:56,480 Speaker 1: I don't know. Maybe think about it for me when 306 00:21:56,480 --> 00:21:58,879 Speaker 1: you say all those things, Phoebe Bridges comes to mind 307 00:21:59,080 --> 00:22:04,600 Speaker 1: for me. Oh, you know what I'm gonna. I'm gonna. 308 00:22:04,680 --> 00:22:07,320 Speaker 1: I'm gonna check her stuff out. I'm not really versed 309 00:22:07,480 --> 00:22:10,000 Speaker 1: within her, so, but I will because I've heard great 310 00:22:11,359 --> 00:22:15,680 Speaker 1: I've heard yl songwriter Okay, right, okay, So I'm gonna 311 00:22:15,760 --> 00:22:19,320 Speaker 1: check it out because I love songwriters above and beyond everybody. 312 00:22:19,320 --> 00:22:22,080 Speaker 1: I love songwriters. And you can tell me who you're 313 00:22:22,080 --> 00:22:23,879 Speaker 1: talking about when we when we get off this thing. 314 00:22:27,840 --> 00:22:35,760 Speaker 1: You're not gonna believe it. You're just gonna laugh Okay, 315 00:22:35,800 --> 00:22:42,240 Speaker 1: here's here's another question. But you have a daughter. Do 316 00:22:42,240 --> 00:22:44,200 Speaker 1: you wanna Do you want to talk about your daughter 317 00:22:44,440 --> 00:22:46,159 Speaker 1: at all? Or we don't have to, But if if 318 00:22:46,200 --> 00:22:49,280 Speaker 1: you don't want to, that's fine. But I'm okay talking 319 00:22:49,960 --> 00:22:53,879 Speaker 1: about her. I don't think that I'll be revealing any secrets, 320 00:22:53,920 --> 00:22:58,120 Speaker 1: but she wouldn't want me to. Okay. So here's uh, 321 00:22:58,600 --> 00:23:05,879 Speaker 1: Mary Anne from New York, New York. That's where I am. 322 00:23:05,920 --> 00:23:09,280 Speaker 1: Five five huge films and five years and your daughter 323 00:23:09,359 --> 00:23:12,120 Speaker 1: was born during the first one. How did you manage 324 00:23:12,160 --> 00:23:19,640 Speaker 1: that work schedule? Did you ever get a break? Uh? 325 00:23:20,000 --> 00:23:28,040 Speaker 1: Those five years were a kind of a blur. Um. Yeah, 326 00:23:28,119 --> 00:23:31,720 Speaker 1: it was go go go all the time. Her mother 327 00:23:31,720 --> 00:23:34,080 Speaker 1: and I were still married at the time, of course, 328 00:23:34,119 --> 00:23:37,479 Speaker 1: and so that made it a lot easier. She Uh, 329 00:23:37,760 --> 00:23:39,399 Speaker 1: she had to do a lot of work in terms 330 00:23:39,440 --> 00:23:43,040 Speaker 1: of you know, just the day to day while I 331 00:23:43,119 --> 00:23:50,240 Speaker 1: was off, you know, playing Make Belief, and uh, it 332 00:23:50,359 --> 00:23:52,320 Speaker 1: was it was busy, but yeah, it was. I mean, 333 00:23:53,080 --> 00:23:56,280 Speaker 1: those were some of my favorite years with my with 334 00:23:56,320 --> 00:24:00,000 Speaker 1: my kid because we traveled a bit in like different places. 335 00:24:00,320 --> 00:24:02,680 Speaker 1: She'd come to the set m once in a while, 336 00:24:02,720 --> 00:24:08,119 Speaker 1: and and uh it was it was good times. But 337 00:24:08,800 --> 00:24:16,680 Speaker 1: it wasn't under onelm right. She now, um though, speaking 338 00:24:16,680 --> 00:24:21,199 Speaker 1: of the sunch a good hand. Although she hasn't uh 339 00:24:22,040 --> 00:24:27,600 Speaker 1: seen more girls, apparently it's repopularized with a lot of 340 00:24:27,680 --> 00:24:30,720 Speaker 1: kids age now as friends and all these things that 341 00:24:30,840 --> 00:24:36,320 Speaker 1: had resurgences and so so she did like sometime last 342 00:24:36,400 --> 00:24:39,000 Speaker 1: year I think it was, came home and said, do 343 00:24:39,119 --> 00:24:44,400 Speaker 1: you want the Gilmore Girls? Oh? Yeah, I was. She's like, yeah, 344 00:24:44,440 --> 00:24:49,880 Speaker 1: my friends were watching it, they said they. I said, okay, Well, um, yeah, 345 00:24:49,960 --> 00:24:53,680 Speaker 1: I've been around a while. Have you kept in touch 346 00:24:53,720 --> 00:24:59,199 Speaker 1: with any of the Twilight cast? And that's uh Eva 347 00:24:59,520 --> 00:25:02,880 Speaker 1: from Los Angeles. You must to know that. Yeah, I 348 00:25:02,920 --> 00:25:08,919 Speaker 1: wouldn't say Captain Touch. I have run into one or 349 00:25:08,960 --> 00:25:11,560 Speaker 1: two or six of them from time to time over 350 00:25:11,600 --> 00:25:16,960 Speaker 1: the years, and uh it's always a pleasant sight. Um Again, 351 00:25:17,560 --> 00:25:22,480 Speaker 1: not one objectionable person in that castor crew that I 352 00:25:22,520 --> 00:25:26,719 Speaker 1: can remember either all really and and you know, at 353 00:25:26,760 --> 00:25:31,520 Speaker 1: the time, I could tell I can tell some stuff 354 00:25:31,560 --> 00:25:35,480 Speaker 1: that was going on with some of those people, Um, 355 00:25:35,520 --> 00:25:37,520 Speaker 1: a few in particular. I'm not going to name any names, 356 00:25:37,560 --> 00:25:41,399 Speaker 1: but but I could see that there was gonna be 357 00:25:42,160 --> 00:25:45,199 Speaker 1: some great stuff beyond what we were doing at present 358 00:25:45,240 --> 00:25:52,320 Speaker 1: as well. For some of those people. Um, okay, I 359 00:25:52,440 --> 00:25:56,719 Speaker 1: have a question for this form me. You worked with 360 00:25:56,760 --> 00:26:01,879 Speaker 1: Anthony Hopkins, I did the right Anthony Hopkins the the 361 00:26:03,400 --> 00:26:09,159 Speaker 1: Is there anything that he does that you that just 362 00:26:09,200 --> 00:26:13,280 Speaker 1: set you back on your heels because it's unlike other 363 00:26:13,320 --> 00:26:17,160 Speaker 1: actors are doing it? What makes him so great? While 364 00:26:17,240 --> 00:26:20,280 Speaker 1: you got a chance because you worked with him a lot. 365 00:26:20,320 --> 00:26:22,399 Speaker 1: Actually in that film? What was it? What was the 366 00:26:22,440 --> 00:26:24,480 Speaker 1: name of that film you were having in a fan 367 00:26:24,560 --> 00:26:29,080 Speaker 1: of his wife? You were a detective, right, it was 368 00:26:29,359 --> 00:26:34,000 Speaker 1: it was him and Gosling, Right, I was the foil 369 00:26:35,440 --> 00:26:40,360 Speaker 1: um And it was called why are you asking me this? Now? Now? 370 00:26:40,400 --> 00:26:46,080 Speaker 1: I mean now, I'm gonna blank on the on the title. Um, 371 00:26:46,119 --> 00:26:49,600 Speaker 1: it was one of those you know titles. It was 372 00:26:49,640 --> 00:27:02,000 Speaker 1: like a yes, yes, yes, yes, you know look you guys, 373 00:27:02,200 --> 00:27:05,800 Speaker 1: Figger than the film that's understandable, the best, the best 374 00:27:05,840 --> 00:27:11,800 Speaker 1: time in my life? What was the film called? Uh? So, 375 00:27:12,200 --> 00:27:17,280 Speaker 1: that's a great question because what was what turned out 376 00:27:17,280 --> 00:27:20,480 Speaker 1: to be shocking was the opposite of what you just said. 377 00:27:20,520 --> 00:27:25,320 Speaker 1: There was nothing that he did, um, that I looked 378 00:27:25,359 --> 00:27:29,679 Speaker 1: at and watched and experienced and uh there was really 379 00:27:29,720 --> 00:27:33,120 Speaker 1: anything different than I do myself. He's one of those 380 00:27:33,119 --> 00:27:39,040 Speaker 1: guys that and you know, in between scenes we'll you know, 381 00:27:39,160 --> 00:27:41,240 Speaker 1: we'll go back and sit in our chairs, and you know, 382 00:27:41,760 --> 00:27:44,359 Speaker 1: she'd a little bit just talk about nothing, this and 383 00:27:44,480 --> 00:27:47,919 Speaker 1: that and and then he's the guy who's reading the 384 00:27:48,040 --> 00:27:52,280 Speaker 1: l A times da Dad, Mr Hopkins, were ready for you? Okay, 385 00:27:52,960 --> 00:27:56,199 Speaker 1: hold up the paper, goes to work, right. There's not 386 00:27:56,240 --> 00:27:58,480 Speaker 1: a lot of there's not a lot of extraneous thought 387 00:27:58,560 --> 00:28:00,800 Speaker 1: that's put into it. He's he knows what he's he 388 00:28:00,840 --> 00:28:04,400 Speaker 1: knows what he's doing before he gets thereright, And and 389 00:28:04,640 --> 00:28:07,399 Speaker 1: that's what I saw. What's what's it? What's he like? 390 00:28:07,520 --> 00:28:14,160 Speaker 1: In rehearsal um? We didn't really as far as I remember, 391 00:28:14,240 --> 00:28:18,719 Speaker 1: we didn't rehearse a lot. We um. We set up 392 00:28:18,720 --> 00:28:23,800 Speaker 1: the scenes. We uh, you know, maybe ran the dialogue 393 00:28:23,880 --> 00:28:27,959 Speaker 1: for for blocking and placement a little bit um, but 394 00:28:28,000 --> 00:28:33,119 Speaker 1: we never did any hardcore rehearsal um. I think we 395 00:28:33,200 --> 00:28:35,680 Speaker 1: did a little bit before. I remember doing a little 396 00:28:35,680 --> 00:28:40,040 Speaker 1: bit beforehand with with the director and with with Gosling, 397 00:28:40,320 --> 00:28:44,760 Speaker 1: but uh not with uh not with Hopkins. And on 398 00:28:44,800 --> 00:28:47,480 Speaker 1: set we didn't do much rehearsal either. I mean, I 399 00:28:47,480 --> 00:28:51,160 Speaker 1: I think again, I'm assuming he's he's like me when 400 00:28:51,240 --> 00:28:55,160 Speaker 1: it comes to that as well, I kind of come, uh, 401 00:28:55,360 --> 00:28:59,880 Speaker 1: you know, having thoughts and ideas already kind of built in, 402 00:29:00,000 --> 00:29:03,520 Speaker 1: and I don't really want to. I'd rather shake him 403 00:29:03,520 --> 00:29:06,760 Speaker 1: out on camera and and fix it from there, because 404 00:29:06,760 --> 00:29:11,080 Speaker 1: if we get me happy accidents along the way, that's 405 00:29:11,120 --> 00:29:16,080 Speaker 1: what we like, right, that's what we like. Yeah, absolutely, yeah, 406 00:29:16,120 --> 00:29:20,480 Speaker 1: absolutely let it you know, just you know, doing a 407 00:29:20,560 --> 00:29:23,960 Speaker 1: rehearsal by the numbers for camera and then just let 408 00:29:23,960 --> 00:29:29,240 Speaker 1: it fly. Yep, absolutely, Okay, here we go. Uh. This 409 00:29:29,320 --> 00:29:36,480 Speaker 1: is from Benizio. Benizio from Boston, Massachusets as steady working 410 00:29:36,520 --> 00:29:40,959 Speaker 1: actors since the nineties. What advice would you give someone 411 00:29:41,160 --> 00:29:46,680 Speaker 1: just starting out? It is a whole different business today. 412 00:29:46,880 --> 00:29:50,040 Speaker 1: Can you agree it is a full different business? Yeah? 413 00:29:50,320 --> 00:29:53,320 Speaker 1: Nothing like Yeah, I wouldn't be. I mean, I would 414 00:29:53,320 --> 00:29:58,200 Speaker 1: be the last person to ask for advice because somebody, 415 00:29:58,280 --> 00:30:02,040 Speaker 1: somebody who's having some successes starting out right now, would 416 00:30:02,040 --> 00:30:05,440 Speaker 1: have some way better answers than I would. I'm I 417 00:30:05,520 --> 00:30:08,760 Speaker 1: get confused every day. I'm about to go back to 418 00:30:08,800 --> 00:30:13,640 Speaker 1: work here, I'm leaving after tomorrow as a matter of factum, 419 00:30:14,680 --> 00:30:21,160 Speaker 1: and to start another TV series and I what it 420 00:30:21,400 --> 00:30:24,440 Speaker 1: is now and how it works now and with all 421 00:30:24,480 --> 00:30:29,840 Speaker 1: the bump reguards and safety rails and uh and uh 422 00:30:30,400 --> 00:30:34,400 Speaker 1: politics that has to go on just to get something made. 423 00:30:36,800 --> 00:30:42,080 Speaker 1: As an actor, Well, here's one thing I would say, 424 00:30:44,640 --> 00:30:49,719 Speaker 1: get some ownership not only of what you do and 425 00:30:49,720 --> 00:30:53,200 Speaker 1: what you bring with your personal part of the of 426 00:30:53,240 --> 00:30:59,040 Speaker 1: the puzzle when you're put together a story piece of drama, um, 427 00:30:59,040 --> 00:31:03,280 Speaker 1: business wise, find a way to navigate the system and 428 00:31:03,440 --> 00:31:07,720 Speaker 1: get in there on getting some ownership because you will 429 00:31:07,800 --> 00:31:13,640 Speaker 1: not want to be just a hired hand actor forever. Yes, 430 00:31:13,880 --> 00:31:18,520 Speaker 1: well said, great, that's great advice because look what happened 431 00:31:18,560 --> 00:31:22,680 Speaker 1: with Goodwill Hunting but those two guys, look what happened 432 00:31:22,720 --> 00:31:27,920 Speaker 1: with Swingers with Vince Vaughn and Jon Favro. You know, yeah, 433 00:31:28,080 --> 00:31:32,000 Speaker 1: if you can write and and produce a small, classy 434 00:31:32,120 --> 00:31:35,520 Speaker 1: indie film that doesn't have to do huge numbers, but 435 00:31:35,920 --> 00:31:39,440 Speaker 1: you've proved, you've shown the industry that you've got some knowledge, 436 00:31:39,520 --> 00:31:43,959 Speaker 1: that's right, some credit, get yourself some Yeah, that'll give 437 00:31:44,000 --> 00:31:46,200 Speaker 1: you a lot of credit. So that's that's very very 438 00:31:46,200 --> 00:31:47,680 Speaker 1: good advice. What are you so, what are you doing? 439 00:31:47,680 --> 00:31:49,360 Speaker 1: What are you getting ready to do? What pilot you're 440 00:31:49,360 --> 00:31:51,720 Speaker 1: doing a pilot or is it picked up already. It's 441 00:31:52,200 --> 00:31:56,000 Speaker 1: it's uh, it's coming out this fall on CBS. It's 442 00:31:56,040 --> 00:32:03,120 Speaker 1: called Fire Country, and it is based around, um, sort 443 00:32:03,120 --> 00:32:06,320 Speaker 1: of a family that lives and has always lived in 444 00:32:06,680 --> 00:32:09,680 Speaker 1: this northern California area where uh, you know, they worked 445 00:32:09,680 --> 00:32:14,480 Speaker 1: for cal Fire and they and and um and you 446 00:32:14,520 --> 00:32:17,640 Speaker 1: know they that's what they do every day. Um. But 447 00:32:18,160 --> 00:32:23,800 Speaker 1: we couple that with their there's a program with prisons 448 00:32:23,960 --> 00:32:28,680 Speaker 1: where um, you can sort of get some benefits and 449 00:32:29,240 --> 00:32:31,480 Speaker 1: possibly even shorten your sentence if you go out and 450 00:32:31,920 --> 00:32:34,880 Speaker 1: fight fires with Califire. Oh yeah, right, sure, that's the 451 00:32:34,960 --> 00:32:38,600 Speaker 1: real thing. That's that's what our story is based on. 452 00:32:38,800 --> 00:32:45,280 Speaker 1: The interesting Um yeah, my yeah, it comes out. It 453 00:32:45,480 --> 00:32:47,360 Speaker 1: comes out this fall. I can't I mean, I don't 454 00:32:47,400 --> 00:32:49,840 Speaker 1: want to say too much about it obviously because I 455 00:32:49,840 --> 00:32:52,960 Speaker 1: don't know what I'm supposed to say. And nothing but 456 00:32:53,480 --> 00:32:58,400 Speaker 1: CBS this fall, I think, Right, Okay, yeah, well you're 457 00:32:58,400 --> 00:33:02,800 Speaker 1: gonna Are you gonna shoot it in northern California? Well 458 00:33:02,840 --> 00:33:05,800 Speaker 1: you would think, wouldn't you? But but but no, are 459 00:33:05,800 --> 00:33:10,080 Speaker 1: you going to Canada? You're going to Canada? Oh yeah? 460 00:33:10,520 --> 00:33:14,400 Speaker 1: Are you going to Vaca, Yes, one of Vancouver, where 461 00:33:14,440 --> 00:33:19,040 Speaker 1: I've spent I don't know. I mean probably a good 462 00:33:19,120 --> 00:33:23,480 Speaker 1: third of my career. I guess where I am and 463 00:33:23,560 --> 00:33:27,080 Speaker 1: right now I'm in I'm in Nova, Scotia. Are you Yeah, 464 00:33:27,120 --> 00:33:29,640 Speaker 1: I'm shooting something up here. Yeah. It's beautiful. It's I've 465 00:33:29,640 --> 00:33:33,120 Speaker 1: never been here before. It's gorgeous. I've never been there. Yeah, 466 00:33:33,200 --> 00:33:37,400 Speaker 1: I've heard it's great up there. I'm doing a show 467 00:33:37,480 --> 00:33:43,560 Speaker 1: called Sullivan's Crossing. Uh. It's like Fremantle and Bell Media 468 00:33:43,760 --> 00:33:47,760 Speaker 1: up here and SEETV. So it's uh one of these 469 00:33:47,800 --> 00:33:50,720 Speaker 1: shows that they're gonna sell all over the world. Um, 470 00:33:50,960 --> 00:33:54,160 Speaker 1: are you a Canadian national? No? No, no no, No, I'm 471 00:33:54,160 --> 00:34:01,600 Speaker 1: from I'm from New Jersey. Yeah that's not Canadian no. 472 00:34:05,480 --> 00:34:09,200 Speaker 1: Um So anyway, so when that when's that come out? Oh? God, 473 00:34:09,239 --> 00:34:12,680 Speaker 1: I don't know. I mean we're we're on what don't 474 00:34:12,680 --> 00:34:15,200 Speaker 1: We shot two or three episodes so far? We got 475 00:34:15,400 --> 00:34:20,440 Speaker 1: we're shooting ten. Uh so we're done like mid September, 476 00:34:20,600 --> 00:34:24,040 Speaker 1: third week in September. I don't know when it's coming out. 477 00:34:24,040 --> 00:34:27,920 Speaker 1: I guess I guess it would come out early. I 478 00:34:27,960 --> 00:34:30,400 Speaker 1: mean they'd want to pump it up, right, so probably 479 00:34:30,440 --> 00:34:36,080 Speaker 1: early three. I don't know. I don't know, right, Maybe 480 00:34:36,080 --> 00:34:41,360 Speaker 1: I don't Yeah, I don't know. Um anyway, look, um 481 00:34:41,560 --> 00:34:43,239 Speaker 1: damn it, you're working because I was gonna try to 482 00:34:43,239 --> 00:34:44,839 Speaker 1: get you up here because I want to. I want 483 00:34:44,840 --> 00:34:48,920 Speaker 1: to work with you. I will, dude, just you know 484 00:34:49,080 --> 00:34:56,319 Speaker 1: all you gotta do, Billy, You're you're available. I like 485 00:34:56,480 --> 00:35:01,640 Speaker 1: to work. You're the coolest guy in the business. You're 486 00:35:01,680 --> 00:35:05,279 Speaker 1: You're like one of those guys. So it's like, I 487 00:35:05,400 --> 00:35:07,560 Speaker 1: got to get this guy's vibe up here, man, because 488 00:35:07,560 --> 00:35:11,560 Speaker 1: he's cool as hell, and you're I'm not sure I 489 00:35:11,600 --> 00:35:16,320 Speaker 1: have anybody to, you know, make that comparison with for myself. 490 00:35:16,400 --> 00:35:20,239 Speaker 1: So but thanks. I appreciate it because you're because you're 491 00:35:20,239 --> 00:35:22,440 Speaker 1: the coolest guy and there's nobody else and that's it. 492 00:35:22,560 --> 00:35:24,880 Speaker 1: You know, You're you're like the eldest of actors. You know, 493 00:35:24,960 --> 00:35:27,920 Speaker 1: you're just like it's like you do your thing and 494 00:35:27,960 --> 00:35:31,919 Speaker 1: it's like that's enough, Billy, just laid it down. Let's 495 00:35:31,960 --> 00:35:39,399 Speaker 1: walk away. Right, We're done. We're done the scene. Drop listen. Good. 496 00:35:39,840 --> 00:35:43,239 Speaker 1: It was good. Uh, finally getting a chance to meet 497 00:35:43,280 --> 00:35:45,400 Speaker 1: you officially and talk to you. I didn't get the 498 00:35:45,480 --> 00:35:50,480 Speaker 1: chance to meet you when you we're on the set. Um, 499 00:35:52,520 --> 00:35:57,319 Speaker 1: it really was And come back anytime, um uh and 500 00:35:57,360 --> 00:35:59,920 Speaker 1: tell us how it's going up there in Vancouver, and 501 00:36:00,000 --> 00:36:03,280 Speaker 1: and uh we'll keep in touch and and be well. Okay, 502 00:36:03,400 --> 00:36:07,240 Speaker 1: have a great shoot and and really nice talking to you. Okay, 503 00:36:07,520 --> 00:36:40,800 Speaker 1: you too appreciate all right, but take care of hey everybody, 504 00:36:40,800 --> 00:36:44,120 Speaker 1: and don't forget follow us on Instagram at I Am 505 00:36:44,200 --> 00:36:48,200 Speaker 1: all In podcast and email us at Gilmore at I 506 00:36:48,400 --> 00:36:51,600 Speaker 1: heart radio dot com. Oh you gil More fans. If 507 00:36:51,600 --> 00:36:53,600 Speaker 1: you're looking for the best cup of coffee in the world, 508 00:36:53,640 --> 00:36:57,560 Speaker 1: go to my website for my company scott ep dot com, 509 00:36:57,680 --> 00:36:59,880 Speaker 1: s c O T t y P dot com, scotty 510 00:37:00,000 --> 00:37:12,719 Speaker 1: p dot com Grade one especially coffee. Yeah h