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Speaker 1: Transmitting America. Welcome to the show. So glad you guys

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Speaker 1: are here. Morning Studio Morning. All right, it's time for

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Speaker 1: an update on yesterday's show. At the same time, Amy

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Speaker 1: and Lunchbox got into a little tiff because Lunchbox thinks

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Speaker 1: he's gonna be the A segment on the hd TV show.

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Speaker 1: Amy thinks he's going to be the A segment on

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Speaker 1: the HGTV show Building Roots. It's her sister's show. You

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Speaker 1: guys fine about it? Yeah, but we know that the

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Speaker 1: producers like me more than Amy, and they said my

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Speaker 1: project's bigger. Amy's no chance for an A. Why do

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Speaker 1: you go so hard? No, I'm not. I'm stating facts

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Speaker 1: or not going hard. I have no idea. I know

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Speaker 1: my project isn't big enough, but I feel like because

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Speaker 1: it's my sister, will have other content. Yes, the sister

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Speaker 1: on the show. I think that makes sense. You can

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Speaker 1: get any project, but can you get a sister. No,

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Speaker 1: I think that's a big deal. So they're arguing about it. Well,

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Speaker 1: the update is someone's coming to me and said they

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Speaker 1: also want to be in the mix for the show. Oh,

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Speaker 1: here we go. Well they need to Okay, guys, I

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Speaker 1: don't want A or B because I honestly my project's

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Speaker 1: not big enough. But I got a text yesterday from

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Speaker 1: my wife said there's a hole in our roof and

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Speaker 1: it needs to be fixed. So I said, ah, perfect

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Speaker 1: timing they're casting for the show. Dude. If they can

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Speaker 1: get Amy Lunchbox and me and do work work on

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Speaker 1: our houses, that's a show. We should just hire somebody

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Speaker 1: to do our whole show's house and do our own

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Speaker 1: shows then come up about the Bible show lives and

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Speaker 1: crabby houses. Watch it tonight. That's not a bad idea, yeah,

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Speaker 1: But also like it's a design show, so they don't

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Speaker 1: It's not just like patching holes, but they can put

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Speaker 1: a cool little ornament on the whole. Are you jealous

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Speaker 1: that they're getting involved in there? Did you get up

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Speaker 1: there and cut a hole in your roof home? Hilarious?

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Speaker 1: It is up there with a saw. This has nothing

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Speaker 1: to do I mean me being left out or feeling jealous.

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Speaker 1: It's just kind of helps the value of them putting

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Speaker 1: all of us on the show, and know they it

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Speaker 1: helps the value putting you on when they're both already

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Speaker 1: on A, B and C is better than just an AB. No,

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Speaker 1: you want a C segment that doesn't even exact. That's

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Speaker 1: what I'm saying. We all need to keep in mind

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Speaker 1: that they have other applicants, like they're NFL player that applied,

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Speaker 1: like we might not make it's the three of us,

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Speaker 1: our power, within three of us. I mean, there's no

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Speaker 1: match in an NFL player, come out of here, out

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Speaker 1: of here. So the up data is Addie once in. Well,

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Speaker 1: you're not getting in, Eddie. I won't even put a

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Speaker 1: good word in for you, and you are the word giver. Yes, yeah, okay,

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Speaker 1: Well maybe when do we find something not Amy, this

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Speaker 1: is your sister. When when will we know something the

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Speaker 1: next couple of weeks, three months. Yeah, you don't even

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Speaker 1: know if they're for sure is a season two? But

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Speaker 1: I guess. Oh that's a good point too, Like there's

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Speaker 1: things that I don't know. I'm supposed to have a meeting.

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Speaker 1: I thought I would have already had it by now,

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Speaker 1: but I don't know. I even heard back. What's what's

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Speaker 1: the producer's email? Let me jump in on them, producer, producer, Yeah,

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Speaker 1: hit that up. That's not and let us know who

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Speaker 1: responds it's not it, And let's get started with the show.

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Speaker 1: It's that time. Let's open up the mail bag. You

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Speaker 1: send the game something. Ye Hello, Bobby Bones. My ten

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Speaker 1: year old daughter is determined to never fly on an

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Speaker 1: airplane because she is terrified thinking about it. We have

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Speaker 1: a family trip coming up and she tells me and

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Speaker 1: I quote, there is no way you're getting me on

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Speaker 1: that plane end quote. I remember Bobby talking about his

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Speaker 1: fear of flying. What advice would you give me that

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Speaker 1: could help my daughter? PS? Thank you for being a

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Speaker 1: family friendly show that we can all enjoy together, signed kindly.

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Speaker 1: Whose daughter doesn't want to fly? Well, I think this

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Speaker 1: is just exposure therapy. You're the mom. She's got to

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Speaker 1: do it. I think she does it a couple of times,

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Speaker 1: she'll realize she ain't gonna die. That being said, I've

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Speaker 1: done it a couple times and I still don't realize

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Speaker 1: I'm gonna die. I hate it. I hate it so

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Speaker 1: much and I have to do it all the time.

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Speaker 1: And I think had I done it much younger, I

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Speaker 1: would be better at it. Um. My wife and I

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Speaker 1: were talking about it, and she flew a lot as

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Speaker 1: a kid, and so she was like, I'm just not

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Speaker 1: scared of it because I did it a lot as

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Speaker 1: I never got on a plane until late teenage years

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Speaker 1: once or twice. And then I was in my twenties

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Speaker 1: and I was flying and I was like, how is

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Speaker 1: this big piece of metal in the air? This is

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Speaker 1: not right. Something doesn't feel good. But she's ten. You

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Speaker 1: still have time to show her also, and she's gonna

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Speaker 1: hate this. You could actually pull up a YouTube video

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Speaker 1: and teach her how an airplane works. I don't work

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Speaker 1: for me, but she's ten, she's still impressionable, and actually

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Speaker 1: show her why the science behind it. Probably not going

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Speaker 1: to worry, but all this stuff a combination of Eventually

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Speaker 1: she will be fine. She will be fine, and she'll

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Speaker 1: even be fine hating it while she does it, but

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Speaker 1: she will be fine and realize that she's not going

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Speaker 1: to die. You can even try that. Hey, look, this

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Speaker 1: is the percentage of airplane crashes versus car crashes. Again. Still,

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Speaker 1: I'm not gonna do anything, but that doesn't for me.

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Speaker 1: It's like, hardly a single airplane crashes in America like

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Speaker 1: a commercial flight. Ever, yeah, hardly ever, almost never. How

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Speaker 1: many car wrecks are there a day? People die all

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Speaker 1: the time. So we're not going to get a car. Well,

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Speaker 1: you know that's you make Yeah, it's tough because she's

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Speaker 1: ten and I also have no interest in flying. But

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Speaker 1: I think it's just even putting the carrot in front

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Speaker 1: of the horse, meaning like you put the carrot front

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Speaker 1: of the the horse and it keeps walking towards the carret

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Speaker 1: because it's got a treat coming. So the dude, anywhere

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Speaker 1: you go, you could reward her even though she hates it,

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Speaker 1: and she can still hate it, but just by doing it,

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Speaker 1: like if you we will give you this. If you

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Speaker 1: can just get through this flight without telling me you

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Speaker 1: don't like doing it, even if you hate it, you

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Speaker 1: can just if you can fake it and act, you

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Speaker 1: will get this. And I think by her acting the part,

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Speaker 1: she will start to be the part and it won't

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Speaker 1: be a part. So that is my advice for you.

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Speaker 1: It's tough. It's ten, Eddie. Your kids are what yeah, fourteen,

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Speaker 1: eight and seven. They care, No, they love flying. Actually

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Speaker 1: they love looking out the window and we take off.

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Speaker 1: But I mean anything else that we do as parents incentives,

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Speaker 1: like you said, is huge, Like you tell them, all right,

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Speaker 1: if we get this done, this will happen, or maybe hey,

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Speaker 1: next time, if you like this flight, next time we

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Speaker 1: go to Disney World will fly you there. Oh wow,

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Speaker 1: Well that's a big saying. You don't have to do it,

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Speaker 1: but just say say if you're not gonna do what

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Speaker 1: she wants to get her on the plane, would you

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Speaker 1: say that? I think though, if again, the incentive apart,

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Speaker 1: if you just say, hey, does it act like you're

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Speaker 1: not scared? If you think it the whole time, you'll

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Speaker 1: get this because again, if you act something enough times,

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Speaker 1: it then starts to be reality. I believe it. So

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Speaker 1: it's tough. Good luck with that and let us know

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Speaker 1: how it goes. But she will be fine. She has

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Speaker 1: time to not be completely neurotic. I do not. I'm done.

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Speaker 1: I'm tapped out. All right, Kylie, thank you. That's the

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Speaker 1: mail back. Close it up. We've got your Now it's

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Speaker 1: found the clothes Bobby's mail back. Ye. We love to

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Speaker 1: start fun Fact Friday with a listener. Fun Fact morning, Bobby,

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Speaker 1: You're interesting. Fact for today is did you know how

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Speaker 1: many phones the rap has? Any nick? The answer is seven.

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Speaker 1: It has the same seven bones in his nick as

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Speaker 1: you have in your knick. Enjoy your Friday. So I

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Speaker 1: would have thought it had been like a hundred. Yeah.

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Speaker 1: I also didn't know I had seven bones of my neck.

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Speaker 1: We has like three. But the fact that we had

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Speaker 1: the same as Draft. They're just taller bone. Drafts are wild.

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Speaker 1: Look at you see him on TV and you're like, oh, wow, Draft,

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Speaker 1: will you see it in person? Wow? Crazy jimp about tree.

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Speaker 1: You enjoyed And I don't like Zeus, but you enjoy

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Speaker 1: seeing wild animals more when you're older than you do

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Speaker 1: when you're a kid. Right, because you live more life

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Speaker 1: with the non wild. The wilder makes it even wilder.

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Speaker 1: We got five of them, lunchbox, I'm coming to you first.

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Speaker 1: Let's go. Farts can be visible in cold air. If

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Speaker 1: a person cuts the cheese in cold weather with their

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Speaker 1: pants down, you will see it. Just like when you

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Speaker 1: breathe in the cold air, you see your breath. A

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Speaker 1: fart will be visible in the same way. That's hilarious. Yeah,

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Speaker 1: try that. I think he just looks for fart wins

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Speaker 1: every I think it's his new Beats fun fartfact Friday. Yes, okay,

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Speaker 1: So mine's also about an animal. When howling together, wolves

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Speaker 1: harmonize rather than how the same note to create the

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Speaker 1: illusion and that there's more wolves in their pack than

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Speaker 1: there really is. So they they sing perfectly, so it

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Speaker 1: sounds like more. Yeah, they harmonize together and its echoes

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Speaker 1: off to sound like there's more of them, and that

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Speaker 1: gets them more safe, makes some people more scared harmonizing

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Speaker 1: every one doing a run eddie. Yeah. You know how

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Speaker 1: people say like, hey, use your head not your heart,

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Speaker 1: you know, or like think with your brain not your heart.

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Speaker 1: That's hard for a shrimp because the shrimp's heart is

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Speaker 1: located in their head. Isn't that crazy? So next time

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Speaker 1: you order a shrimp at the restaurant and you dhead it,

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Speaker 1: you just pulled his heart out lunchbox? Why did you

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Speaker 1: look away? I mean analogy was like, oh it's hard.

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Speaker 1: I mean wasna, that's funny? A shrimp you get it?

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Speaker 1: Just had a shrimp's hearts in their head? Yeah yeah, yeah,

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Speaker 1: I got confused. I guess sun around then. Oh yeah,

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Speaker 1: do you eat the shrimp's head when you eat a shrimp?

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Speaker 1: I don't eat, but I don't eat the tail. No, guys,

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Speaker 1: you take the head off of it. Yeah, but I

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Speaker 1: eat it? What the head? The tail? Okay, so you

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Speaker 1: don't you throw away the tails and you throw away

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Speaker 1: the head. You just eat the body. I didn't know

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Speaker 1: we weren't eating the head. I thought I will suck

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Speaker 1: the head of crawfish. And now you're sucking the heads

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Speaker 1: of the crawfish. Yes, but I don't the shrimp. Maybe

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Speaker 1: I just don't know. I mean, you're sucking the heart too,

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Speaker 1: because the heart is in the head. That's crawfish. Yeah, Eddie,

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Speaker 1: spun me around a little bit. That's not very fun.

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Speaker 1: I'm not having fun, Morgan. The ancient Romans used to

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Speaker 1: drop a piece of toast into their wine for good health. Hence,

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Speaker 1: why we raise a toast. That's amazing, no idea, that's

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Speaker 1: pretty good. So we raise a toast because they had

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Speaker 1: toast in their wine back in the day. Ye raise

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Speaker 1: a toast? Wow? All right, Finally you know what the

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Speaker 1: wigie board is? Yes, the thing put the little triangle

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Speaker 1: on it, and you act like the spirits talking to

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Speaker 1: you by going letter to letter. But it's always one

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Speaker 1: of your idiot friends who are doing it. But which

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Speaker 1: is the idiot friend? You never know. The Weiji board

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Speaker 1: got its name when the people who created it in

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Speaker 1: ninth in eighteen ninety said hey, what should the name be?

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Speaker 1: And it took him to oh you I j A,

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Speaker 1: which spells Quigi. Okay, the hair just stood up and

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Speaker 1: back of my head. No, they probably one made up

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Speaker 1: the store. No, it's creepy man, that's crazy. That's cool. No, No, guys,

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Speaker 1: you're the person they want to drink. I don't know.

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Speaker 1: Okay what that was? Never the one moving it. I

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Speaker 1: wasn't either. I did at once. I thought things so stupid,

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Speaker 1: and then I quit, And then I wondered should I

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Speaker 1: have quit? As the Luigi mad him you now fact.

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Speaker 1: The latest from Nashville in Tullywood Morgan number two thirty

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Speaker 1: second Skinny Blake Shelton brought back his iconic mullet and

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Speaker 1: released a new song called Nobody. Gary Levox released a

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Speaker 1: new solo song called get Down Like That y'all. Maddie

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Speaker 1: and Tay dropped a new song from their upcoming album,

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Speaker 1: It's called Spring Cleaning House. Marion, Morris and Z released

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Speaker 1: their second collaboration together with an artist called Bows. The

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Speaker 1: song is called Make You Say, Make You Say. I'm Morgan.

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Speaker 1: That's your skinny. It's time for the good news. So

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Speaker 1: if you see a dog locked in a hot car,

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Speaker 1: what do you do? I first go up to the

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Speaker 1: car and make sure that I'm not missing something like

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Speaker 1: on the there's a screen that goes, hey, the dog's fine,

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Speaker 1: because some of those fancy cars will say Arizon, dog's fine.

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Speaker 1: Don't break the window. I read a story about that.

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Speaker 1: I haven't actually seen it. If that's not the case.

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Speaker 1: And the dog struggling, I go, hey, whose car is this?

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Speaker 1: Nobody answers. I try to open the door. It ain't open.

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Speaker 1: I break the window. Really, well, these the dog to die.

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Speaker 1: I'll pay for somebody's window if I'm wrong, more than

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Speaker 1: I would like a dog to die. Yeah. Well, so

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Speaker 1: they didn't break the window, but they called nine one

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Speaker 1: one and officers arrived immediately and they were able to

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Speaker 1: break the window and get the dog out. This dog

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Speaker 1: was definitely in distress, and so the officer who was

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Speaker 1: a part of this whole process in New York decided

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Speaker 1: to adopt the dog because obviously the dog wouldn't stay

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Speaker 1: with that owner that was complete neglect sucks. Yeah, and

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Speaker 1: so it's so cute because she decided to rescue the

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Speaker 1: dog and says it will never be neglected again in

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Speaker 1: his name heater. Oh yeah, sea bones. I would have

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Speaker 1: done that, though, called the cops before breaking the window

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Speaker 1: to cover your time, as the dog could die while

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Speaker 1: you're doing that, if the dog's in distress, and then

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Speaker 1: you know what if I get in trouble for breaking

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Speaker 1: a window because I'm trying to save a dog, Okay,

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Speaker 1: it's worth it. Yeah, it's okay. If I'm on though,

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Speaker 1: if I'm on Country Now blog by Bones Shot, You're okay,

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Speaker 1: that's fine because I was literally I had to make

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Speaker 1: a decision. That's what I decided to do. I'll stand

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Speaker 1: by it. You know Kathy that we work with. That's

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Speaker 1: basically how she got my dog Carra Like she wasn't

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Speaker 1: she wasn't in a car, but she was in distress,

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Speaker 1: tied up somewhere, and she straight up just showed up

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Speaker 1: at their house, knocked on the door, said this dog

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Speaker 1: is being neglected and mistreated. I'm taking it. She straight

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Speaker 1: up through it in the car and then called me

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Speaker 1: that's what lady, gay dog that's happened. Hit him different,

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Speaker 1: This was neglect anyway, Thanks for the story. She did great,

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Speaker 1: that's awesome. That's what it's all about. That was tell

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Speaker 1: me something good. The easiest trivia game ever made. It's

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Speaker 1: Easy Trivia. The first category is Bobby Bone Show Amy

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Speaker 1: what member used to work for Ryan Seacrest and Doctor Phil.

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Speaker 1: That is Craig. Welcome, Amy, Hemy. You have a total

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Speaker 1: of two wins. You're trying to get to five for

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Speaker 1: the championship. Look at the crown back, lunch ball Bucks.

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Speaker 1: What show member went to the University of Kansas? Uh?

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Speaker 1: That's correct, lunchbocks. You have one win on the season, Eddie,

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Speaker 1: Come on? What show members from Waxahatchie, Texas. Oh that's

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Speaker 1: Mike d that's correct. Eddie's wearing the crown. Oh, because

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Speaker 1: I've had it? What this whole time? Eddie has four wins,

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Speaker 1: one more win. He's a champion again. He's a repeating

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Speaker 1: champe and today playing easy Trivia in place of Morgan

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Speaker 1: and four Morgan is Abby. Okay, okay, Abby, first time

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Speaker 1: I ember playing. What show member is a twin r?

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Speaker 1: That's correct? Good, good clu Abby, Welcome to the game. Now.

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Speaker 1: The goal is to get the easy trivia questions right

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Speaker 1: and move on to the next round. If you miss it,

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Speaker 1: you will hear this. You've been and you have been eliminated. Abby. Nervous, yeah,

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Speaker 1: a little yeah, And so you overthink and when you

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Speaker 1: listen to this game, sitting in there answering the phones.

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Speaker 1: Are you like, man, I have killed that game? Sometimes

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Speaker 1: not too of don't actually, so we'll see you're trying

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Speaker 1: to get more than her first one? Yes? Okay, all right,

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Speaker 1: here we go the category as classic cartoons amy at first,

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Speaker 1: Which character's life quest is to hunt down the road runner? Okay? Um,

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Speaker 1: oh my gosh, this is like Looney Tunes or something.

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Speaker 1: Which character's life quest is to hunt down the road runner? Okay?

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Speaker 1: I'm at mister Gaddy's in the cartoon room, meaning pizza

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Speaker 1: the road Runner? I, oh my gosh, you am? I

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Speaker 1: gonna get out in round one? Are you? Is it? Bugs? Bunny? Oh,

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Speaker 1: don't you've been? Did you know that? Yeah? I don't.

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Speaker 1: This wasn't round the coyote down. That's never happened. Usually

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Speaker 1: she's ADDIE's biggest competitor. Guy easy road ahead, let's go lunchbox.

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Speaker 1: Who is the main character in mat Masters of the Universe? Man? Correct?

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Speaker 1: I wouldn't dang Eddie? Come on, slow Poke Rodriguez. Oh yes,

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Speaker 1: his cousins with which cartoon mouse? That is this? Pete Gontalis.

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Speaker 1: I love slow polks. They are hard. I think I

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Speaker 1: would have got them all, but they're a little harder. Hey, Abby,

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Speaker 1: Eddie needs you to stay alive. I know he actually doesn't.

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Speaker 1: He wants you to lose. Which Nickelodeon show has cartoon

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Speaker 1: characters named Phil, Chucky, Tommy, and lil oh my gosh,

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Speaker 1: we have three people remaining. Good Eddie's on the quest

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Speaker 1: to another championship. On the category is Netflix Originals. All

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Speaker 1: these will be about original shows. Netflix's name Lunchbox. What's

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Speaker 1: the name of the comedy drama Netflix series which takes

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Speaker 1: place in a woman's prison. Orange is New Black? Oranges

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Speaker 1: A New Black is correct? Eddie. What's the name of

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Speaker 1: the post apocalyptic horror thriller starring Sandra Bullock where if

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Speaker 1: you see the Monster you die? Gird Box? Correct? Wow,

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Speaker 1: it's actually good. It's good. It was like the first

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Speaker 1: Netflix movie that I was like, that's good. Yeah. Abby.

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Speaker 1: In the category of Netflix Originals, the upside Down is

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Speaker 1: the name of the alternate dimension in what Netflix series?

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Speaker 1: I know, this is so easy. I know what this is.

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Speaker 1: Oh no, the upside down is the name of the

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Speaker 1: alternate dimension in what Netflix series? Stranger Thing? Correct? That

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Speaker 1: was a guess. It's amazing. I don't really watch many shows.

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Speaker 1: She's becoming a threat. Well, she's timidly walked into two answers.

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Speaker 1: The category of the next round is continents Lunchbox. What's

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Speaker 1: the coldest continent Antarctica? That is correct? Whoa Eddie? Come on?

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Speaker 1: What continent is Brazilian? South America? Correct? Abbey? What continent

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Speaker 1: is Spain located? Is Spain? Okay, Spain. I'm looking at

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Speaker 1: my mouth in my head right now, I know this. Okay, Spain,

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Speaker 1: South America. Oh guy, I want. I'm starting to think

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Speaker 1: it's just the Kansas education system between har MORGANA. I

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Speaker 1: think it's I used to think it was case dagause

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Speaker 1: they speak what it is. It's what Europe, Europe down,

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Speaker 1: You're down and out. Goodbye. Dang. She got a big shot.

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Speaker 1: He blew it. The category is for lunchbox and Eddie lunch.

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Speaker 1: If you win, it keeps that Eddie from change. It

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Speaker 1: seems like I'm in here all the time. The category

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Speaker 1: is horror movies. Oh, lunchbox, Pennywise, the clown is from

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Speaker 1: what horror movie based on a book by Stephen King? Correct, Eddie?

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Speaker 1: What two colors are on Freddy Krueger's iconic sweater, red

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Speaker 1: and black? Whoa whoa, how is red and black? It's

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Speaker 1: not red and white? Did you do this because you're colorblind?

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Speaker 1: I don't well, I don't watch scary movies and I'm colorblind,

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Speaker 1: so I'm all of My answer goes to probably Mike

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Speaker 1: who found it, But the answer is red and green. Oh,

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Speaker 1: get out of here? Is it A hold on a second, Mike,

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Speaker 1: would you validate it's red and green? Red and green? Wow?

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Speaker 1: I'm looking everybody. They stay there the wow. Where do

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Speaker 1: I ride into protests? I'm looking at it right now, Yes,

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Speaker 1: that it's red and black. Well, no, I'm looking at

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Speaker 1: it right now. I don't trust your eyes. No, no, no,

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Speaker 1: it's all listed as red and green sweater, like if

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Speaker 1: you're buying it a red and green Freddy's sweater for sale. Hey,

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Speaker 1: maybe I'm color blind. Maybe you're just wrong and embarrassed

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Speaker 1: because you jumped in so quick without thinking. Lunchbox, good wind.

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Speaker 1: I can't Abby? You played? Yeah, thank you, thank you?

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Speaker 1: All right, we'll be back. So this is Abby at

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Speaker 1: Children's Hospital in San Antonio, who left this boicemail. Good

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Speaker 1: morning studio, Good morning Bobby Today on Our Lives at

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Speaker 1: TV broadcast that we do out to the entire hospital.

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Speaker 1: I am hanging out with our facility dog, Marcus, and

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Speaker 1: I'm going reading Bobby Bone Stanley the Dog and the

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Speaker 1: First Day of School, and I am very excited to

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Speaker 1: read it to the whole entire hospital. I think a

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Speaker 1: lot of the kids are about to start school and

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Speaker 1: I'd be feeling nervous. So it's a good way to

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Speaker 1: get your book out there and just help the kids

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Speaker 1: feel a little bit better about the first day of school.

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Speaker 1: I appreciate that, Thank you very much. It's so cool.

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Speaker 1: You know, a lot of kindergarten, first and second grade

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Speaker 1: classes have been tagging me where they have read this

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Speaker 1: book in class, and I wrote this dog, wrote this book,

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Speaker 1: Stanley the Dog and the First Day of School just

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Speaker 1: kind of help kids relax and go all right, first

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Speaker 1: day of school a big deal. But you gotta stay

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Speaker 1: true to yourself and who you are, and if you

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Speaker 1: do that, good things will happen. So but I appreciate that,

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Speaker 1: Thank you very much. You can get the book on

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Speaker 1: Amazon if you want to get it. You're Samy's Pile

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Speaker 1: of Stories. A civil court recently ordered a thirty one

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Speaker 1: year old man to pay his ex girlfriend one thousand,

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Speaker 1: one hundred and fifty dollars because he urinated inside her

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Speaker 1: Louis Vaton handbag. Okay, so we just destroyed an expensive thing. Yeah,

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Speaker 1: just so happens. He Pete in the purse, which had

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Speaker 1: been funnier to say because of literation. Yeah, Pete and

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Speaker 1: the purse purse. Yeah, well, he tried to cover it

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Speaker 1: up by pouring deodorant all over it, like a spray

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Speaker 1: deodorant situation. And they're like, hey, buddy, forensics, we got

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Speaker 1: your urine here, it matches your DNA. You're gonna have

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Speaker 1: to pay her. They were having an argument about how

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Speaker 1: much she was spending on designer things. So that's how

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Speaker 1: he decided to handle it. You know, my dog goes

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Speaker 1: me a thousand bucks, Pete and the suit case. Oh well,

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Speaker 1: I guess it wasn't more a thousand bucks. I just

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Speaker 1: went with that. But my dog, Pete and a suit case,

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Speaker 1: And you know I did. I sprayed a much. First

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Speaker 1: of all, I scrubbed it and then I sprayed a

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Speaker 1: bunch of stuff on it. Good as a new you

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Speaker 1: wouldn't even know. I'm loan enough to friends a couple

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Speaker 1: of times too. Really as a test. As a test,

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Speaker 1: I loaned it out, and then I was like, hey,

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Speaker 1: how'd it go? That was a bad cool? Yeah, yeah,

404
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Speaker 1: no problem, I really am. I never told him no

405
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Speaker 1: because I would probably smell it even if it did

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Speaker 1: all get scrubbed away, because I would know, and I'd

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Speaker 1: be like, no, I still kind of smell it even

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Speaker 1: if it really wasn't there. So I loaned to a

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Speaker 1: couple of friends were traveling need a suitcase, and so

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Speaker 1: they came back. How the suitcase great? Right that it

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Speaker 1: was scrubbed. It's like if somebody peas in your car

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Speaker 1: and then wants to borrow your car as long as

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Speaker 1: you scrubbed, who cares? Fine? Did you go? That's right?

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Speaker 1: But my dog goes me Yeah, anyway, go ahead. I

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Speaker 1: have the top of baby names that parents google to

416
00:23:19,000 --> 00:23:26,440
Speaker 1: see if they're appropriate. No, cut didn't make it. Nirvana.

417
00:23:28,240 --> 00:23:30,680
Speaker 1: That's your favorite band, right? Named their kids Nirvana? Though no,

418
00:23:30,760 --> 00:23:32,119
Speaker 1: it's not my favorite band. But it's a band that

419
00:23:32,200 --> 00:23:34,200
Speaker 1: I like back in the nineties. But that's a dumb

420
00:23:34,320 --> 00:23:37,240
Speaker 1: name for a kid. Because also, when you reach Nirvana,

421
00:23:37,359 --> 00:23:41,200
Speaker 1: it's like when you are able to elevate inside of

422
00:23:41,520 --> 00:23:44,640
Speaker 1: you know, a mental place. Oh, is that what that means? Yeah,

423
00:23:44,840 --> 00:23:47,040
Speaker 1: if you reach the state of nirvana, right, that means

424
00:23:47,080 --> 00:23:49,840
Speaker 1: you're a higher place like you've so I always just

425
00:23:49,920 --> 00:23:51,680
Speaker 1: think of the band. But you're right, that is a word.

426
00:23:51,720 --> 00:23:53,960
Speaker 1: It's a word word. Yeah, it's a state of mind.

427
00:23:54,080 --> 00:23:59,560
Speaker 1: Didn't realize it's like nextas or kind of I mean, okay,

428
00:23:59,680 --> 00:24:04,440
Speaker 1: what Lucifer? Oh yeah, pass on that. But to counter that,

429
00:24:04,560 --> 00:24:07,520
Speaker 1: if I met a kid named Lucifer, who are your parents?

430
00:24:07,560 --> 00:24:10,480
Speaker 1: And why didn't nobody call CPS? Okay? But also people

431
00:24:10,560 --> 00:24:14,800
Speaker 1: look up Jesus, Heaven and God, Hey, Susto booms, Who's hey,

432
00:24:14,840 --> 00:24:17,119
Speaker 1: Sue's I get uber each delivers from Sou's about once

433
00:24:17,160 --> 00:24:19,040
Speaker 1: there four days? You know, the nickname for his Who's

434
00:24:19,160 --> 00:24:22,399
Speaker 1: is Chewy? Why? Really? Yeah? Most cheois are named his?

435
00:24:22,480 --> 00:24:25,560
Speaker 1: Who's Well? Why Robert and Bobby exactly? Why should be

436
00:24:25,560 --> 00:24:28,440
Speaker 1: called rob? Should be Robbie not Bobby. I just was

437
00:24:28,480 --> 00:24:31,800
Speaker 1: curious if there really was a reason why. I don't know. Also, Doctor,

438
00:24:31,920 --> 00:24:35,440
Speaker 1: Cinderella and Batman round out the list. Hold on, don't

439
00:24:35,480 --> 00:24:41,399
Speaker 1: just roll over those doctor funny Doc Doc's fine, yeah, doc, okay,

440
00:24:41,560 --> 00:24:44,120
Speaker 1: I probably wouldn't do it, but Doc Martin not a doctor.

441
00:24:44,160 --> 00:24:47,840
Speaker 1: I don't think Cinderella that's too may syllables. Even if

442
00:24:47,840 --> 00:24:49,920
Speaker 1: you like the thing that's like Cindy you go with.

443
00:24:51,119 --> 00:24:54,720
Speaker 1: Wait a second, is Cindy short for Cinderella Cynthia? I think? Oh,

444
00:24:55,240 --> 00:24:57,479
Speaker 1: you're right, I think. And one was the other one batman,

445
00:24:57,560 --> 00:25:01,160
Speaker 1: the other one rules? Yeah, all right? What else? According

446
00:25:01,240 --> 00:25:05,920
Speaker 1: to Billboard, Garth Brooks is working with Metro Nashville Police

447
00:25:06,040 --> 00:25:10,080
Speaker 1: to open up a little police station across the street

448
00:25:10,119 --> 00:25:12,719
Speaker 1: from his friends in Low Places bar. It's that way

449
00:25:12,720 --> 00:25:15,359
Speaker 1: he can help keep downtown Nashville safe. But I think

450
00:25:15,359 --> 00:25:16,800
Speaker 1: it's so he can keep the riff raff out of

451
00:25:16,840 --> 00:25:18,600
Speaker 1: his bar and be like lock them up, just put

452
00:25:18,640 --> 00:25:20,119
Speaker 1: them in there. I picture it kind of like what

453
00:25:20,200 --> 00:25:22,280
Speaker 1: do they call those things, like a drunk tank? Oh yeah,

454
00:25:22,320 --> 00:25:24,800
Speaker 1: the drunk tanks. I mean, I think that would be

455
00:25:24,880 --> 00:25:27,080
Speaker 1: good for down there. I'm down there occasionally for work.

456
00:25:27,880 --> 00:25:32,320
Speaker 1: I would like a police presence, like a central police presence,

457
00:25:32,760 --> 00:25:34,920
Speaker 1: and if Garth wants to fund that and make that happen.

458
00:25:35,320 --> 00:25:38,320
Speaker 1: Like Garth is the downtown sheriff, Garth is the warden.

459
00:25:40,000 --> 00:25:42,120
Speaker 1: He gets to make the decision. Wow. Yeah, he gets

460
00:25:42,160 --> 00:25:44,760
Speaker 1: to let people in and out right, and once they

461
00:25:45,119 --> 00:25:46,480
Speaker 1: get put in, it's like and you gruf the show

462
00:25:46,480 --> 00:25:49,280
Speaker 1: where they're it's a little jail right there. And when

463
00:25:49,320 --> 00:25:52,040
Speaker 1: you walk down Broadway you see them in the little jail.

464
00:25:52,119 --> 00:25:54,879
Speaker 1: That's cool, man that I feel like some people might

465
00:25:55,359 --> 00:25:56,960
Speaker 1: want to get in their own purpose. So I mean

466
00:25:57,040 --> 00:26:01,080
Speaker 1: that's not legit. Yeah, and you could put country music

467
00:26:01,119 --> 00:26:04,679
Speaker 1: stars in there, Oh yeah, exactly, the ones that act up.

468
00:26:04,720 --> 00:26:07,600
Speaker 1: I don't know. I just think there because on Broadway.

469
00:26:07,760 --> 00:26:10,000
Speaker 1: Didn't Kenny Chessie and Tim McGraw get in trouble on

470
00:26:10,040 --> 00:26:12,560
Speaker 1: Broadway once? Or they punched a horse that's a whole thing.

471
00:26:12,640 --> 00:26:15,680
Speaker 1: But yeah, I don't think it was a cops horse.

472
00:26:16,000 --> 00:26:18,000
Speaker 1: Oh yeah, so cops are already there. I forget that.

473
00:26:18,160 --> 00:26:21,520
Speaker 1: By the way. Uh, let's see Nirvana at transcendent state,

474
00:26:22,080 --> 00:26:24,240
Speaker 1: in which there is neither suffering, desire, nor sense of

475
00:26:24,280 --> 00:26:26,440
Speaker 1: self and the subject is released from the effects of

476
00:26:26,520 --> 00:26:28,800
Speaker 1: karma and the cycle of death and rebirth. What on earth?

477
00:26:28,960 --> 00:26:32,480
Speaker 1: Like I told you is it's elevated means yeah, yeah,

478
00:26:32,520 --> 00:26:35,359
Speaker 1: there you go. All right, Amy, that's my file. That

479
00:26:35,800 --> 00:26:39,280
Speaker 1: was Amy's pile of stories. It's time for the good news.

480
00:26:44,359 --> 00:26:47,480
Speaker 1: The terrible floods of Kentucky left breathe it high School

481
00:26:47,520 --> 00:26:50,760
Speaker 1: without any football equipment, nowhere to play football. So who's

482
00:26:50,760 --> 00:26:54,600
Speaker 1: gonna help them but their crosstown rival. That's right. The

483
00:26:54,680 --> 00:26:57,520
Speaker 1: principle at Madison found out that they had no football field,

484
00:26:57,560 --> 00:26:59,600
Speaker 1: no equipment. He was like, guys, even though there are

485
00:26:59,760 --> 00:27:01,760
Speaker 1: right and we don't like him that much, we got

486
00:27:01,880 --> 00:27:03,720
Speaker 1: to help him out. So we went to the local church.

487
00:27:03,920 --> 00:27:06,640
Speaker 1: They did donations and every kid on the football team

488
00:27:06,680 --> 00:27:08,800
Speaker 1: got six thousand dollars in gift cards so they could

489
00:27:08,800 --> 00:27:11,760
Speaker 1: go buy into equipment. And now they're practicing at Madison's

490
00:27:11,800 --> 00:27:15,359
Speaker 1: High school. And I love that for now. I definitely

491
00:27:15,400 --> 00:27:18,160
Speaker 1: can see it in a year from now, maybe two years.

492
00:27:19,400 --> 00:27:21,080
Speaker 1: One of the players hits the other knocked him down.

493
00:27:21,119 --> 00:27:22,119
Speaker 1: He's like, yeah, you know, it took care of you.

494
00:27:22,240 --> 00:27:29,840
Speaker 1: Last year. We did the rivalry friendship rules and looking

495
00:27:29,880 --> 00:27:32,199
Speaker 1: out for others. But you know that's coming up. That's

496
00:27:32,240 --> 00:27:34,040
Speaker 1: coming up in the year. All right. That's that really

497
00:27:34,160 --> 00:27:36,200
Speaker 1: is a great story. That is what it's all about.

498
00:27:36,880 --> 00:27:41,040
Speaker 1: That was tell me something good, Amy, how's your son

499
00:27:41,359 --> 00:27:44,040
Speaker 1: and his first time to ever play football? He's loving it,

500
00:27:44,480 --> 00:27:47,440
Speaker 1: But I have a lot to learn about football. We

501
00:27:47,520 --> 00:27:49,680
Speaker 1: had a parent meeting the other day and I was

502
00:27:49,760 --> 00:27:52,840
Speaker 1: so disappointed because I thought Stevenson wasn't ever going to

503
00:27:52,880 --> 00:27:55,320
Speaker 1: get to carry the ball because I heard the coach

504
00:27:55,440 --> 00:27:57,520
Speaker 1: say you have to wait at least one hundred and

505
00:27:57,600 --> 00:28:00,159
Speaker 1: twenty pounds to carry the ball, and I thought, he

506
00:28:00,320 --> 00:28:03,119
Speaker 1: weighs sixty one. We're not even halfway there. Wait, so

507
00:28:03,200 --> 00:28:05,560
Speaker 1: what do you mean? It's the opposite, like if you

508
00:28:05,720 --> 00:28:08,399
Speaker 1: weigh more than one hundred and twenty one hundred and

509
00:28:08,400 --> 00:28:10,800
Speaker 1: twenty or more, then you can't carry the ball. So

510
00:28:11,040 --> 00:28:13,280
Speaker 1: Stevenson's all in. He can carry two balls. Where yeah,

511
00:28:13,720 --> 00:28:16,879
Speaker 1: we can carry the ball means that you can handle

512
00:28:16,920 --> 00:28:19,000
Speaker 1: it and run with it, run it, catch it. Yeah.

513
00:28:19,119 --> 00:28:22,520
Speaker 1: So this age, if a kid weighs more than one twenty,

514
00:28:22,760 --> 00:28:24,639
Speaker 1: they won't let them run the ball because they're bigger

515
00:28:24,680 --> 00:28:26,840
Speaker 1: and it may hurt another kid. Yes, I never heard

516
00:28:26,880 --> 00:28:30,000
Speaker 1: of that, but listen, it's a safety thing. But I

517
00:28:30,160 --> 00:28:32,440
Speaker 1: kind of now I'm feeling all weird about it because

518
00:28:32,480 --> 00:28:35,720
Speaker 1: they have to everyone has to weigh in before every game.

519
00:28:36,160 --> 00:28:39,280
Speaker 1: And then if you weigh UFC are you to make

520
00:28:39,320 --> 00:28:42,400
Speaker 1: weight us? Yeah, they put I guess stripes on your

521
00:28:42,480 --> 00:28:45,000
Speaker 1: helmet to determine which positions you're allowed to play or not,

522
00:28:45,200 --> 00:28:48,920
Speaker 1: so then you're yes, it's tough. Yeah, I know I

523
00:28:49,000 --> 00:28:51,760
Speaker 1: don't like it. Well, but I'm sure there are reasons

524
00:28:51,840 --> 00:28:54,360
Speaker 1: that kids one hundred and thirty pounds can't run the

525
00:28:54,400 --> 00:28:56,360
Speaker 1: ball and they have to be lineman because they've probably

526
00:28:56,360 --> 00:28:58,920
Speaker 1: seen a lot of kids sixty five pounds get hurt. Right, man,

527
00:28:59,320 --> 00:29:00,920
Speaker 1: I hate to be that guy. Back in my day,

528
00:29:01,360 --> 00:29:04,080
Speaker 1: there was always like fifth graders and other teams who

529
00:29:04,120 --> 00:29:05,760
Speaker 1: I think we were like in ninth grade and they

530
00:29:05,800 --> 00:29:07,440
Speaker 1: were like one hundred and sixty balance that would just

531
00:29:07,480 --> 00:29:09,520
Speaker 1: mow us over. You know how, we got tough getting

532
00:29:09,560 --> 00:29:13,400
Speaker 1: back up after we got mowed over. So I'm sure

533
00:29:13,720 --> 00:29:15,800
Speaker 1: they know what they're doing. I'm not questioning it. But

534
00:29:15,880 --> 00:29:17,600
Speaker 1: we still also might get water in high school, like

535
00:29:17,720 --> 00:29:19,440
Speaker 1: our that was your punishment. Well, it was a put

536
00:29:19,520 --> 00:29:21,520
Speaker 1: you know, you had to work to get water. It's

537
00:29:21,560 --> 00:29:26,840
Speaker 1: crazy in two days junior seniors of high school. No,

538
00:29:27,080 --> 00:29:29,479
Speaker 1: that wasn't good enough. No water, this break thirty more

539
00:29:29,560 --> 00:29:32,040
Speaker 1: minutes and we're like we're dying. But that was like

540
00:29:32,120 --> 00:29:37,760
Speaker 1: a treat. And now oh water theirsty it's like illegal hydration. Yeah,

541
00:29:37,960 --> 00:29:42,920
Speaker 1: now you get arrested. So what position will he play?

542
00:29:43,440 --> 00:29:45,720
Speaker 1: They say, he told me, they said to him something

543
00:29:45,760 --> 00:29:49,160
Speaker 1: about safety. So he's gonna play very back in the defense. Yeah,

544
00:29:49,320 --> 00:29:51,280
Speaker 1: and then if the other team throws it, he'll but

545
00:29:51,320 --> 00:29:53,680
Speaker 1: they don't throw it a lot his age, So safety

546
00:29:53,720 --> 00:29:56,360
Speaker 1: means he's small. I listen, I played a little safety himself.

547
00:29:56,560 --> 00:29:58,080
Speaker 1: She is, he's the smallest person on the team. Yes,

548
00:29:58,120 --> 00:29:59,840
Speaker 1: but he's not gonna play like a wide receiver or anything.

549
00:30:00,280 --> 00:30:02,720
Speaker 1: Don't know yet. We're still in the beginnings. We'll see

550
00:30:02,800 --> 00:30:06,640
Speaker 1: as the season evolves. He's already improving, but he's never

551
00:30:06,720 --> 00:30:08,880
Speaker 1: played before. So the coach even came up to me

552
00:30:08,920 --> 00:30:12,400
Speaker 1: after practice last night and said, hey, just checking your

553
00:30:12,480 --> 00:30:16,880
Speaker 1: expectations for him. I said, oh, we are a family.

554
00:30:17,000 --> 00:30:21,800
Speaker 1: We don't have expectations because that breeds future resentment. So yes,

555
00:30:22,280 --> 00:30:27,440
Speaker 1: I need two targets a game. Yeah, yeah, I need

556
00:30:27,640 --> 00:30:31,120
Speaker 1: I need two targets or two carries or bus gonna

557
00:30:31,120 --> 00:30:33,760
Speaker 1: be on the fields my kid in the game. I

558
00:30:33,880 --> 00:30:36,640
Speaker 1: guess there are some parents that really have these expectations

559
00:30:36,680 --> 00:30:38,640
Speaker 1: of my kid better play this much, and you better

560
00:30:38,720 --> 00:30:41,280
Speaker 1: put them here. And my kid's quarterback him, I've been

561
00:30:41,280 --> 00:30:44,160
Speaker 1: going to therapy a hole and I said, oh, whatever

562
00:30:44,200 --> 00:30:45,400
Speaker 1: you need to do, he said, well, we want to

563
00:30:45,400 --> 00:30:49,160
Speaker 1: build his confidence. Confidence up. But he's very terrified of

564
00:30:49,240 --> 00:30:53,320
Speaker 1: being tackled and he's so he's got to get more comfortable.

565
00:30:53,360 --> 00:30:55,120
Speaker 1: And the thing is they don't want him to get hurt,

566
00:30:55,320 --> 00:30:57,240
Speaker 1: and if he's not ready for something. Back in my day,

567
00:30:57,240 --> 00:30:58,920
Speaker 1: they just do me in lines in Oh, you don't

568
00:30:58,920 --> 00:31:00,960
Speaker 1: want to get hit, everybody to hit him? Yeah, and

569
00:31:01,040 --> 00:31:02,720
Speaker 1: then I finished it was like I hated that it

570
00:31:02,800 --> 00:31:04,760
Speaker 1: did not want to be hit, so that actually hurt

571
00:31:04,760 --> 00:31:07,640
Speaker 1: me and I wish it wouldn't have happened. Well, good luck. Pumped, Yeah,

572
00:31:07,960 --> 00:31:09,720
Speaker 1: you're pumped at what I'm like. This is the first

573
00:31:09,720 --> 00:31:12,880
Speaker 1: time I've ever been excited about football season. Okay, can

574
00:31:12,960 --> 00:31:15,120
Speaker 1: I draft him my fantasy league thing? Sure? Yeah, he's

575
00:31:15,200 --> 00:31:19,320
Speaker 1: number six. I picked Stevenson. All right, thank you. Let's

576
00:31:19,320 --> 00:31:25,120
Speaker 1: go over into the morning, Corny. Go ahead, Morning Corny.

577
00:31:25,560 --> 00:31:29,320
Speaker 1: So I've started investing in stocks beef, chicken, and vegetable.

578
00:31:30,040 --> 00:31:37,120
Speaker 1: One day, I hope to be a bullionaire. Did I

579
00:31:37,200 --> 00:31:38,360
Speaker 1: not say it right? To say what it is? The

580
00:31:38,440 --> 00:31:46,800
Speaker 1: waste of my time? That was the morning Corny? All right,

581
00:31:46,840 --> 00:31:50,200
Speaker 1: hopping in the studio. He's from Tulsa, Oklahoma. His name

582
00:31:50,320 --> 00:31:53,440
Speaker 1: is Ben Rector. Maybe you've heard this song brand new

583
00:31:53,640 --> 00:32:03,920
Speaker 1: right here, he's got a new song What Makes a

584
00:32:04,000 --> 00:32:12,080
Speaker 1: Man with Thomas Rhett. He walks on the streets asking

585
00:32:12,120 --> 00:32:13,760
Speaker 1: people if they care about his music. He just played

586
00:32:13,760 --> 00:32:15,480
Speaker 1: the Grand Old Operation for the first time. Here he

587
00:32:15,680 --> 00:32:22,000
Speaker 1: is Ben Rector The Friday Morning Conversation with You played

588
00:32:22,040 --> 00:32:23,760
Speaker 1: with Tim and Faith. You did the tour with them

589
00:32:23,800 --> 00:32:25,560
Speaker 1: the sold us all back in the day. Yeah, Well,

590
00:32:25,800 --> 00:32:28,680
Speaker 1: was that the veguest thing or the real the tour

591
00:32:28,760 --> 00:32:30,600
Speaker 1: all around the country. It was a tour tour. And

592
00:32:31,040 --> 00:32:32,960
Speaker 1: on that tour they took out a few people for

593
00:32:33,040 --> 00:32:35,040
Speaker 1: really short segments, and so I was out with them

594
00:32:35,120 --> 00:32:37,720
Speaker 1: for like I think it was like one weekend is

595
00:32:37,840 --> 00:32:40,800
Speaker 1: maybe three or four shows. So did they point, do

596
00:32:40,880 --> 00:32:42,959
Speaker 1: you go on stage at all today? Is one of those?

597
00:32:43,040 --> 00:32:44,640
Speaker 1: Or is that so choreograph? I felt like that show

598
00:32:44,720 --> 00:32:47,040
Speaker 1: was so like they were doing all their things specifically

599
00:32:47,120 --> 00:32:49,400
Speaker 1: on time. Yeah, so it basically they just like had

600
00:32:49,440 --> 00:32:52,240
Speaker 1: as step into the opening slot and then honestly we

601
00:32:52,320 --> 00:32:54,720
Speaker 1: just watched the show. I was truly blown away, Like

602
00:32:54,760 --> 00:32:58,040
Speaker 1: I grew up listening to their music, but like I

603
00:32:58,160 --> 00:33:00,800
Speaker 1: was blown away by the production and the arrangements. It

604
00:33:00,960 --> 00:33:03,080
Speaker 1: was like one of the coolest shows I've ever seen. Honestly,

605
00:33:03,360 --> 00:33:05,440
Speaker 1: you just played the opery. I did, and so I

606
00:33:05,520 --> 00:33:08,000
Speaker 1: saw you. I saw the clip and you were playing piano.

607
00:33:08,160 --> 00:33:09,880
Speaker 1: I never hit the little microphone to hear what you

608
00:33:09,920 --> 00:33:12,640
Speaker 1: were playing, no offense, and I know all the songs

609
00:33:12,680 --> 00:33:14,520
Speaker 1: the story of social Media. Oh yeah, I scrolled. I

610
00:33:14,600 --> 00:33:16,360
Speaker 1: was like, oh cool, he's playing the piano at the opera. Yeah,

611
00:33:16,360 --> 00:33:17,960
Speaker 1: but what did you play at the Grand ol Opery?

612
00:33:18,120 --> 00:33:21,680
Speaker 1: So I played Old Friends, and then I played a

613
00:33:21,720 --> 00:33:24,200
Speaker 1: minute Driving Places, and then I played What Makes Him in,

614
00:33:24,680 --> 00:33:26,959
Speaker 1: which is a new song. It is with Thomas Rhett. Yes,

615
00:33:27,040 --> 00:33:29,400
Speaker 1: and so we'll get to that at one second, But first,

616
00:33:29,480 --> 00:33:33,200
Speaker 1: how and why Thomas Rhett? How did that partnership come? Yeah,

617
00:33:33,240 --> 00:33:37,200
Speaker 1: So basically I wrote What Makes a Man for the record,

618
00:33:37,680 --> 00:33:40,480
Speaker 1: and then as the record came together, started feeling a

619
00:33:40,520 --> 00:33:42,960
Speaker 1: little bit less like the other song sonically, and honestly,

620
00:33:43,120 --> 00:33:44,840
Speaker 1: I love the song so much, and I was worried

621
00:33:44,880 --> 00:33:47,200
Speaker 1: it was going to get lost because it's not, you know,

622
00:33:47,320 --> 00:33:50,080
Speaker 1: like the other songs are like piano in your face,

623
00:33:50,240 --> 00:33:51,960
Speaker 1: like drums in your face, and this is a little

624
00:33:52,000 --> 00:33:53,920
Speaker 1: more like a story song. So it's like, I'll just

625
00:33:54,000 --> 00:33:56,600
Speaker 1: save this for another project or something. And then as

626
00:33:56,640 --> 00:33:58,959
Speaker 1: the record went along and I started doing more features,

627
00:33:59,000 --> 00:34:00,800
Speaker 1: which was not on purpose. It was literally just like

628
00:34:00,960 --> 00:34:04,840
Speaker 1: this sounds fun, and people started saying yes. I started

629
00:34:04,880 --> 00:34:07,840
Speaker 1: thinking about Thomas, a friend of mine, a mutual friend

630
00:34:07,840 --> 00:34:09,480
Speaker 1: of ours, should be like, hey man, Thomas likes your

631
00:34:09,560 --> 00:34:11,120
Speaker 1: music and I'm like that's awesome. He's like you should

632
00:34:11,120 --> 00:34:13,040
Speaker 1: text him sometime, and I was like, I'm never gonna

633
00:34:13,080 --> 00:34:16,719
Speaker 1: do that, like literally not going to happen. And so

634
00:34:16,840 --> 00:34:20,840
Speaker 1: then we wrote together during the pandemic and he's a

635
00:34:20,880 --> 00:34:23,120
Speaker 1: super nice guy, and as I thought about the song,

636
00:34:23,320 --> 00:34:25,520
Speaker 1: it is the exact life stage that we're both in,

637
00:34:25,880 --> 00:34:29,080
Speaker 1: and I wasn't like I'm going to find a feature

638
00:34:29,160 --> 00:34:30,960
Speaker 1: for this song. I was kind of like, if he

639
00:34:31,080 --> 00:34:32,800
Speaker 1: wants to do this song with me, that would be awesome,

640
00:34:32,800 --> 00:34:34,880
Speaker 1: and if he doesn't, I'll just do it alone, because

641
00:34:34,880 --> 00:34:36,960
Speaker 1: I was like, I think he actually might resonate with it.

642
00:34:37,800 --> 00:34:39,560
Speaker 1: So it really was just that so I knew him

643
00:34:39,560 --> 00:34:43,040
Speaker 1: a little bit, but you know, I'm the worst at

644
00:34:43,080 --> 00:34:44,560
Speaker 1: that kind of stuff of being like, hey ma should

645
00:34:44,560 --> 00:34:46,239
Speaker 1: get in touch with this guy like cool, Never gonna

646
00:34:46,280 --> 00:34:48,600
Speaker 1: do it, like for sure, not did you text him

647
00:34:48,680 --> 00:34:51,239
Speaker 1: straight up and say well, or did you Because when

648
00:34:51,280 --> 00:34:53,040
Speaker 1: I finally asked God to PROBM, I talked about for

649
00:34:53,080 --> 00:34:54,200
Speaker 1: like an hour and a half. At the very end,

650
00:34:54,320 --> 00:34:55,160
Speaker 1: was like, do you want to go to a problem?

651
00:34:55,640 --> 00:34:58,080
Speaker 1: Was it that situation or just go straight right to it?

652
00:34:58,320 --> 00:34:59,680
Speaker 1: Hey man, I'm doing this song. Do you want to

653
00:34:59,680 --> 00:35:02,160
Speaker 1: do it? Yes? I feel like if I if that's

654
00:35:02,200 --> 00:35:04,880
Speaker 1: gonna happen, I don't want it to be like Murky.

655
00:35:05,040 --> 00:35:08,399
Speaker 1: I was just like, hey, I have this song, would

656
00:35:08,400 --> 00:35:10,080
Speaker 1: be curious if you'd be interested in singing on it.

657
00:35:10,280 --> 00:35:11,640
Speaker 1: Please say no if you don't want to do it,

658
00:35:11,760 --> 00:35:14,480
Speaker 1: because dude, you know, he's a huge deal. And I

659
00:35:14,640 --> 00:35:16,560
Speaker 1: never want to be like, hey man, like you want

660
00:35:16,560 --> 00:35:19,400
Speaker 1: to help me out. And I've extended that to him

661
00:35:19,400 --> 00:35:21,040
Speaker 1: because I thought he might actually be like, hey, I

662
00:35:21,160 --> 00:35:23,919
Speaker 1: like this song. But I was definitely like, please don't

663
00:35:24,239 --> 00:35:26,120
Speaker 1: feel like you need to do this if you don't

664
00:35:26,120 --> 00:35:27,719
Speaker 1: want to do it, totally like you're talking him out

665
00:35:27,719 --> 00:35:31,800
Speaker 1: of it now. I don't know. I mean that literally,

666
00:35:31,840 --> 00:35:33,080
Speaker 1: that was it. I sent him a voice text and

667
00:35:33,080 --> 00:35:34,640
Speaker 1: I was like, please say no to this, like you

668
00:35:34,960 --> 00:35:37,759
Speaker 1: probably shouldn't do it. But he was really great about it.

669
00:35:38,360 --> 00:35:40,960
Speaker 1: When you write something and it comes from you and

670
00:35:41,080 --> 00:35:43,600
Speaker 1: you perform it. Do you ever get emotional of what

671
00:35:43,760 --> 00:35:47,600
Speaker 1: you've written in you're performing? You know, I need to

672
00:35:47,640 --> 00:35:51,720
Speaker 1: be pretty like in the zone to do that. Um. Usually,

673
00:35:51,760 --> 00:35:53,600
Speaker 1: if I know the song well enough, like when I'm

674
00:35:53,719 --> 00:35:56,279
Speaker 1: first performing it, there's a lot of just muscle memory

675
00:35:56,320 --> 00:35:58,080
Speaker 1: that I'm trying to build, trying to remember how to

676
00:35:58,160 --> 00:36:00,680
Speaker 1: do it. But there's definitely moments with a song like

677
00:36:00,800 --> 00:36:03,600
Speaker 1: that that, you know, on tour I would kind of

678
00:36:03,640 --> 00:36:06,200
Speaker 1: be like, oh man, this is you know. I don't

679
00:36:06,200 --> 00:36:08,719
Speaker 1: think I've ever like stopped to be emotional, but there's

680
00:36:08,760 --> 00:36:10,480
Speaker 1: definitely been points where I've been like, I need to, like,

681
00:36:10,760 --> 00:36:12,439
Speaker 1: I need to focus a little bit here, I'm gonna

682
00:36:12,440 --> 00:36:14,879
Speaker 1: lose it. Um, yeah, a little bit, I mean because

683
00:36:14,920 --> 00:36:17,320
Speaker 1: I could definitely feel that, Yeah, like I want to.

684
00:36:17,320 --> 00:36:20,799
Speaker 1: I want to be a man, don't don't, y'all. Yeah,

685
00:36:20,800 --> 00:36:23,799
Speaker 1: I want to people think I'm a man. And so yeah,

686
00:36:23,840 --> 00:36:25,919
Speaker 1: because I'll you know, if I'm performing and I've done

687
00:36:25,920 --> 00:36:28,360
Speaker 1: stuff a bunch of times, I've I've figured out how

688
00:36:28,400 --> 00:36:30,680
Speaker 1: to get through it and what my little triggers are,

689
00:36:30,800 --> 00:36:33,759
Speaker 1: and so I stay. But that's just wonder if you

690
00:36:33,880 --> 00:36:36,799
Speaker 1: write it and you're performing it, like, does it still

691
00:36:36,880 --> 00:36:38,200
Speaker 1: hit you and I would imagine it could hit you

692
00:36:38,200 --> 00:36:39,560
Speaker 1: in many what you could be having a day where

693
00:36:39,640 --> 00:36:43,239
Speaker 1: something has happened earlier, and even though you're numb to

694
00:36:43,920 --> 00:36:46,920
Speaker 1: performing it, maybe it hits you hard one night because

695
00:36:46,920 --> 00:36:49,520
Speaker 1: of the day earlier. Definitely, And I think it's it's

696
00:36:49,520 --> 00:36:51,839
Speaker 1: one of those things too, where when you do something

697
00:36:51,880 --> 00:36:54,120
Speaker 1: a lot, it's easy to kind of be going through

698
00:36:54,160 --> 00:36:55,880
Speaker 1: the emotions and it's really important to me to make

699
00:36:55,920 --> 00:36:58,799
Speaker 1: sure that I'm like in in an authentic space when

700
00:36:58,800 --> 00:37:01,400
Speaker 1: I'm actually performing. So yeah, probably be any song I

701
00:37:01,440 --> 00:37:03,000
Speaker 1: mean if I mean, it could be anything that you've

702
00:37:03,040 --> 00:37:05,080
Speaker 1: written about. I just I don't know if I want

703
00:37:05,080 --> 00:37:07,200
Speaker 1: to be a man, That's all I think about the

704
00:37:07,280 --> 00:37:10,520
Speaker 1: rest of the day. Ben Rectors here the song brand

705
00:37:10,640 --> 00:37:13,800
Speaker 1: New that I looked at the streams on that, so

706
00:37:13,960 --> 00:37:16,800
Speaker 1: I have you gotta be just banking from that song alone.

707
00:37:17,000 --> 00:37:20,160
Speaker 1: Holy Crash, just just fractions of a penny at a time. Man,

708
00:37:20,560 --> 00:37:23,960
Speaker 1: It's I got like a billion streams. It's it's a lot.

709
00:37:24,040 --> 00:37:26,640
Speaker 1: I'm I'm super glad that people have enjoyed it and

710
00:37:26,760 --> 00:37:29,920
Speaker 1: that you know, the commercials that have used it and stuff.

711
00:37:29,960 --> 00:37:33,279
Speaker 1: That's it's it's it's I didn't know what commercials. Uh.

712
00:37:33,560 --> 00:37:35,600
Speaker 1: I think that's a large reason that it did better

713
00:37:35,640 --> 00:37:38,680
Speaker 1: than the other songs. Um. It was also on the radio. UM.

714
00:37:39,280 --> 00:37:41,880
Speaker 1: The big one, which sounds funny but actually was awesome

715
00:37:42,120 --> 00:37:45,200
Speaker 1: was UM when Weight Watchers did their like re launch

716
00:37:45,719 --> 00:37:48,640
Speaker 1: with Oprah Winfrey. I think it was a w W

717
00:37:48,800 --> 00:37:52,399
Speaker 1: as they say, Oh, I didn't know I got off

718
00:37:52,400 --> 00:37:54,440
Speaker 1: a microphone. You were like, well, I just didn't think

719
00:37:54,440 --> 00:37:56,759
Speaker 1: that was the brand I should have I should have

720
00:37:56,880 --> 00:37:59,120
Speaker 1: led with Oprah. Yeah, yeah, yeah, I just I thought

721
00:37:59,120 --> 00:38:01,279
Speaker 1: it was gonna be like Nike or Red Bull. And

722
00:38:01,320 --> 00:38:05,160
Speaker 1: then he was like, you know with Apple, yes, no wws, yes,

723
00:38:05,520 --> 00:38:10,160
Speaker 1: um www dot com. Um. Basically, Oprah did an ad

724
00:38:10,239 --> 00:38:12,239
Speaker 1: campaign with them and it aired for a long time,

725
00:38:12,480 --> 00:38:15,200
Speaker 1: and I was tangentially involved with Oprah for a second,

726
00:38:15,200 --> 00:38:18,400
Speaker 1: which is the highlight of micro You spent time with Oprah? No, no,

727
00:38:19,960 --> 00:38:21,919
Speaker 1: I was. I was singing while she was on TV,

728
00:38:22,080 --> 00:38:28,520
Speaker 1: so basically the same thing. Anyway, the song's awesome when

729
00:38:28,560 --> 00:38:31,239
Speaker 1: you do it live your shows too, it is and

730
00:38:31,360 --> 00:38:34,040
Speaker 1: you I think you end did you end your show? Us?

731
00:38:34,320 --> 00:38:36,000
Speaker 1: Usually I tried to how do you know what songs

732
00:38:36,000 --> 00:38:37,960
Speaker 1: to put in? Awesome? Whoa whoa, wos and oos? And

733
00:38:38,000 --> 00:38:40,000
Speaker 1: then what songs you want to avoid that can't you know,

734
00:38:40,200 --> 00:38:43,120
Speaker 1: can't have too many whoos? No? Uh, that one. The

735
00:38:43,440 --> 00:38:45,960
Speaker 1: first thing that I wrote was the whoo part. I

736
00:38:46,040 --> 00:38:48,399
Speaker 1: was in a co write and it wasn't going great

737
00:38:48,680 --> 00:38:50,719
Speaker 1: and my code we you know, we just couldn't land

738
00:38:50,719 --> 00:38:52,759
Speaker 1: on anything. My co writer was stepped outside to smoke

739
00:38:52,800 --> 00:39:00,279
Speaker 1: a cigarette and I was like, whoa, whoa. Then he

740
00:39:00,280 --> 00:39:01,560
Speaker 1: came back and I was like, hey, check this out.

741
00:39:02,000 --> 00:39:05,160
Speaker 1: He's like, that's awesome. And then you built it around that. Yeah,

742
00:39:05,200 --> 00:39:07,239
Speaker 1: but you know, it's one of those things that when

743
00:39:07,280 --> 00:39:09,239
Speaker 1: that came out, I was like, that's pretty magnetic, and

744
00:39:09,320 --> 00:39:11,759
Speaker 1: I wasn't like, let's build a song around that. But

745
00:39:11,840 --> 00:39:13,640
Speaker 1: that was kind of like the on ramp to that,

746
00:39:14,239 --> 00:39:17,600
Speaker 1: uh like vibe or space, and then the rest kind

747
00:39:17,640 --> 00:39:20,840
Speaker 1: of like came out quickly. The oos, the woe, who's

748
00:39:20,880 --> 00:39:24,640
Speaker 1: in that song, it's almost it's anthemic and that it's

749
00:39:24,760 --> 00:39:27,360
Speaker 1: that's it makes that song so big, I know, and

750
00:39:27,440 --> 00:39:29,840
Speaker 1: I forgot to sing them. It's okay, Hey we can

751
00:39:29,880 --> 00:39:48,239
Speaker 1: all do it. You hit that wait watchers. Yeah, that song.

752
00:39:48,680 --> 00:39:51,280
Speaker 1: Maybe it's like the production too, with the layered vocals,

753
00:39:51,680 --> 00:39:55,200
Speaker 1: that song sounds massive. Yeah, it feels like a song

754
00:39:55,400 --> 00:39:58,360
Speaker 1: that was written for a specific person, and the specific

755
00:39:58,480 --> 00:40:02,040
Speaker 1: feeling that feels though so much bigger than the specificity

756
00:40:02,120 --> 00:40:05,440
Speaker 1: that it was written. It's that's a hard needle to thread.

757
00:40:05,680 --> 00:40:09,040
Speaker 1: I'm glad that that that that needle was threaded. Thread

758
00:40:09,040 --> 00:40:11,440
Speaker 1: the crap out of a needle. I'll listen, Yeah, just

759
00:40:11,600 --> 00:40:14,600
Speaker 1: go right to it. Yeah, and with that song, do

760
00:40:14,680 --> 00:40:16,520
Speaker 1: you do you play that song acoustic a lot? Or

761
00:40:16,719 --> 00:40:18,200
Speaker 1: you gotta go with the whole thing, you know, No,

762
00:40:18,480 --> 00:40:21,080
Speaker 1: I'll do it acoustic. It's a little bit tricky if

763
00:40:21,120 --> 00:40:25,040
Speaker 1: it's like a proper acoustic show because people are you know, subconsciously,

764
00:40:25,080 --> 00:40:26,880
Speaker 1: people are ready for like the kick drum to come

765
00:40:26,920 --> 00:40:28,960
Speaker 1: in and stuff like that. Um. But you know, there's

766
00:40:28,960 --> 00:40:30,200
Speaker 1: a couple of tricks we try to do to make

767
00:40:30,239 --> 00:40:33,160
Speaker 1: it feel like it does, but it's really it's a

768
00:40:33,200 --> 00:40:35,120
Speaker 1: different it's a different thing. You're kind of stripping it down,

769
00:40:36,960 --> 00:40:39,640
Speaker 1: all right. Ben Rector is his name. He played a

770
00:40:39,680 --> 00:40:41,399
Speaker 1: second ago here in the studio. He's got his guitar.

771
00:40:41,719 --> 00:40:43,759
Speaker 1: You may know this song from him called brand New.

772
00:40:48,640 --> 00:40:51,080
Speaker 1: He's a massive Huey Lewis fan. He just made his

773
00:40:51,160 --> 00:40:55,240
Speaker 1: opery debut. He's been his music's been over one hundred

774
00:40:55,280 --> 00:40:57,959
Speaker 1: television and film placements. It's pretty cool. He plays pretty

775
00:40:58,000 --> 00:41:00,680
Speaker 1: much every instrument. He's great live here. He is again

776
00:41:00,760 --> 00:41:05,960
Speaker 1: Ben Rector the Friday Morning Conversation. He's got a new

777
00:41:06,000 --> 00:41:08,640
Speaker 1: song out with Thomas Rhett. It's called What Makes a Man.

778
00:41:08,800 --> 00:41:11,440
Speaker 1: We've played it earlier. You can go stream it. You're

779
00:41:11,480 --> 00:41:13,960
Speaker 1: off the road right now? Does that mean you're writing

780
00:41:14,000 --> 00:41:16,719
Speaker 1: a lot? Yeah? I mean I just got off the road,

781
00:41:16,840 --> 00:41:18,960
Speaker 1: so I feel like I'll usually try to jump right

782
00:41:19,000 --> 00:41:20,839
Speaker 1: into writing, and I usually don't have anything good to say,

783
00:41:21,480 --> 00:41:23,960
Speaker 1: so I'm kind of trying to strike the balance of

784
00:41:24,440 --> 00:41:26,920
Speaker 1: planning what I want to do next and still working

785
00:41:26,960 --> 00:41:29,400
Speaker 1: towards something. But also it's rare that I get off

786
00:41:29,440 --> 00:41:31,480
Speaker 1: the road and I'm like, here's all these great thoughts

787
00:41:31,600 --> 00:41:33,239
Speaker 1: I have. I try really hard to write and it's

788
00:41:33,280 --> 00:41:35,279
Speaker 1: not great. So I slept it though the channels and

789
00:41:35,360 --> 00:41:39,080
Speaker 1: I hear Sunday from your record and it's on every

790
00:41:39,120 --> 00:41:41,799
Speaker 1: Disney property because I think they're using it for baseball. Ye,

791
00:41:42,680 --> 00:41:46,440
Speaker 1: it's like Sunday Night Baseball. And when they so, they

792
00:41:46,520 --> 00:41:49,239
Speaker 1: came usually with a licensing thing. I just get an

793
00:41:49,239 --> 00:41:50,440
Speaker 1: email and it's like, Hey, do you want to do

794
00:41:50,520 --> 00:41:53,000
Speaker 1: this and I'm always like, yes, that's great, And this

795
00:41:53,200 --> 00:41:54,600
Speaker 1: was like they want to do a zoom with you

796
00:41:54,920 --> 00:41:56,759
Speaker 1: to talk about this, and initially I was like, we

797
00:41:56,840 --> 00:41:58,520
Speaker 1: don't need to do a zoom, like go for it,

798
00:41:58,760 --> 00:42:02,080
Speaker 1: so it's yes. So yeah, They're like, we want to

799
00:42:02,160 --> 00:42:04,759
Speaker 1: use this like for the baseball season on ESPN, and

800
00:42:04,760 --> 00:42:06,800
Speaker 1: I was like that sounds incredible. So I get on

801
00:42:06,840 --> 00:42:09,160
Speaker 1: the zoom and there's like twelve people from all different

802
00:42:09,200 --> 00:42:13,440
Speaker 1: parts of ESPN and they are like pitching me on this,

803
00:42:13,760 --> 00:42:15,759
Speaker 1: and they're like, we really feel like the song is

804
00:42:15,760 --> 00:42:17,640
Speaker 1: a good fit and we actually already worked up one

805
00:42:17,640 --> 00:42:19,000
Speaker 1: of the spots. Do you want to watch it? And

806
00:42:19,040 --> 00:42:21,239
Speaker 1: I was like yeah, sure, they show it to me.

807
00:42:21,440 --> 00:42:23,759
Speaker 1: I'm ready to run through like a brick wall. After this,

808
00:42:23,880 --> 00:42:27,560
Speaker 1: I'm like baseball uh. And I wanted to stop them,

809
00:42:27,680 --> 00:42:29,160
Speaker 1: like I don't want to waste you guys time. This

810
00:42:29,320 --> 00:42:31,640
Speaker 1: is awesome. It's not you know, it's not like a

811
00:42:31,800 --> 00:42:35,840
Speaker 1: random silly product. It's like sick baseball spots. So I

812
00:42:35,920 --> 00:42:38,320
Speaker 1: felt a little bit bad. Like the power Dynamic, I

813
00:42:38,440 --> 00:42:40,000
Speaker 1: was like, you know that I want to do this right,

814
00:42:40,040 --> 00:42:41,560
Speaker 1: you don't. You don't need to all pitch me on this.

815
00:42:41,719 --> 00:42:45,319
Speaker 1: I'm in like, I'll take less of money. You need

816
00:42:45,360 --> 00:42:48,239
Speaker 1: to use the song, you don't, Yeah, like Thomas right,

817
00:42:48,760 --> 00:42:50,920
Speaker 1: don't use it. It's not good. Would you play a

818
00:42:50,960 --> 00:42:52,719
Speaker 1: little bit of Sunday for us? Yes, I'm gonna Do

819
00:42:52,800 --> 00:42:55,040
Speaker 1: you play this acoustic because it's definitely a song on

820
00:42:55,080 --> 00:42:57,520
Speaker 1: the record that's one hundred percent. Have never done this

821
00:42:57,800 --> 00:42:59,920
Speaker 1: until this morning. So if I mess it up, Apoll,

822
00:43:00,880 --> 00:43:04,120
Speaker 1: Ben rector everybody, Hugh got me feeling, I can sign

823
00:43:04,400 --> 00:43:11,520
Speaker 1: and I shot. You know what's interesting about your planting

824
00:43:11,520 --> 00:43:13,880
Speaker 1: acoustic because I had some of those words I'd never heard,

825
00:43:14,600 --> 00:43:17,760
Speaker 1: because there's a lot going on the version on the record.

826
00:43:17,880 --> 00:43:20,879
Speaker 1: There's in snoops on the song and snoop deal double

827
00:43:20,920 --> 00:43:24,399
Speaker 1: g himself. What was the baby blue line? Uh? Because

828
00:43:24,400 --> 00:43:26,480
Speaker 1: I've never heard you got me feeling like the sky

829
00:43:26,880 --> 00:43:32,840
Speaker 1: is baby blue and my blues are gone wet. It's honestly, TBH.

830
00:43:32,960 --> 00:43:34,920
Speaker 1: Don't know if it's R or all the way you

831
00:43:35,000 --> 00:43:36,960
Speaker 1: have to sing it that high. It's kind of both. Wait,

832
00:43:37,000 --> 00:43:39,560
Speaker 1: you don't know if it's but you wrote I know,

833
00:43:39,760 --> 00:43:42,600
Speaker 1: and I couldn't tell which one felt better, So do

834
00:43:42,719 --> 00:43:44,560
Speaker 1: it do that again? But let us figure out what

835
00:43:44,640 --> 00:43:46,600
Speaker 1: it is qua Okay, well it's usually in a higher key.

836
00:43:46,680 --> 00:43:52,320
Speaker 1: So you got me feeling the sky baby blue gone

837
00:43:52,920 --> 00:43:55,439
Speaker 1: it blues it's it blues R or blues all gone away?

838
00:43:55,520 --> 00:43:58,719
Speaker 1: I don't know blues are gone We yeah, you know

839
00:43:59,080 --> 00:44:02,879
Speaker 1: that's for the person listen to define. There you go. Yeah, yeah, yeah, yeah,

840
00:44:03,600 --> 00:44:06,480
Speaker 1: a funny story. So will you tell Ammy about Snoop

841
00:44:06,520 --> 00:44:09,080
Speaker 1: sending you the track and that the alterations you had

842
00:44:09,120 --> 00:44:13,920
Speaker 1: to make? Oh man, so uh Snoop. I was like,

843
00:44:13,960 --> 00:44:15,719
Speaker 1: I want to get Snoop Dogg on this song. I'm

844
00:44:15,800 --> 00:44:18,759
Speaker 1: not an optimist. There's no reason that normal me would

845
00:44:18,760 --> 00:44:20,600
Speaker 1: think that would happen. For whatever reason, I was like,

846
00:44:20,680 --> 00:44:23,680
Speaker 1: he's gonna do it. So we found his manager. Talk

847
00:44:23,719 --> 00:44:25,520
Speaker 1: to his manager. They're like, Snoop's gotta like the song.

848
00:44:25,640 --> 00:44:27,520
Speaker 1: I was like, great, he's gonna love it again, not

849
00:44:27,680 --> 00:44:30,800
Speaker 1: like me. We figured out a compensation, which is a

850
00:44:30,840 --> 00:44:33,600
Speaker 1: bit of a saga, and then I was like, hey,

851
00:44:33,920 --> 00:44:36,000
Speaker 1: this needs to be clean. I have no illusions that

852
00:44:36,040 --> 00:44:38,719
Speaker 1: Snoop Dogg knows about my fan base. I just like

853
00:44:38,760 --> 00:44:40,600
Speaker 1: he's probably like, yeah, a cool song, whatever, and I'm

854
00:44:40,640 --> 00:44:44,160
Speaker 1: like listen, like there's some soccer moms listening. No no

855
00:44:44,280 --> 00:44:46,160
Speaker 1: swearing or anything. It's like totally, it'll be clean. But

856
00:44:46,200 --> 00:44:47,799
Speaker 1: the deal was he would only do it one time,

857
00:44:48,400 --> 00:44:50,840
Speaker 1: no reduce, which is tough for me, but I was like,

858
00:44:50,880 --> 00:44:53,680
Speaker 1: we came all this way. So it was while him

859
00:44:53,719 --> 00:44:55,759
Speaker 1: and Kevin Hart were doing the Olympics, so it took

860
00:44:55,800 --> 00:44:57,279
Speaker 1: him a little while to do it because he was

861
00:44:57,360 --> 00:45:00,759
Speaker 1: doing that in the morning. Finally I get text with

862
00:45:01,600 --> 00:45:03,160
Speaker 1: the wrap and I'm like, I don't want to listen

863
00:45:03,200 --> 00:45:05,080
Speaker 1: to it. I woke up at like seven fifteen to

864
00:45:05,200 --> 00:45:09,520
Speaker 1: this text. I go outside to my studio, listened to it,

865
00:45:09,640 --> 00:45:14,399
Speaker 1: and the second line is about him smoking weed, which

866
00:45:14,719 --> 00:45:17,440
Speaker 1: is not going to work for my fan base or me.

867
00:45:18,080 --> 00:45:20,000
Speaker 1: And I'm freaking out because I'm just like I just

868
00:45:20,080 --> 00:45:22,239
Speaker 1: paid Snoop Dogg a bunch of money to rap and

869
00:45:22,280 --> 00:45:24,840
Speaker 1: I can't use it now. So I ended up wrapping

870
00:45:24,960 --> 00:45:28,000
Speaker 1: over his part, thinking like I'll solve this, that'll be cool.

871
00:45:29,840 --> 00:45:33,200
Speaker 1: His line of mind, you got me feeling like chick

872
00:45:33,280 --> 00:45:36,160
Speaker 1: Fila was open on a Sunday, like they legalized weed

873
00:45:36,239 --> 00:45:41,000
Speaker 1: and made it the National blunt Day. Yes, good rhyme. Yeah,

874
00:45:41,560 --> 00:45:45,160
Speaker 1: and immediately and I was immediately just like no, And

875
00:45:45,320 --> 00:45:49,080
Speaker 1: so you know, I'm kind of freaking out, and I texted.

876
00:45:49,120 --> 00:45:50,759
Speaker 1: I thought just my manager was on the text, but

877
00:45:50,800 --> 00:45:52,759
Speaker 1: it was his manager. My manager. I was like, you know,

878
00:45:52,840 --> 00:45:54,640
Speaker 1: I don't remember what I said. I was like, this

879
00:45:54,880 --> 00:45:56,759
Speaker 1: isn't clean and his manager was like, what do you mean?

880
00:45:56,840 --> 00:45:58,719
Speaker 1: And I was like, oh my gosh. So I thought

881
00:45:58,760 --> 00:46:01,279
Speaker 1: we could just swap it out and my lawyer was like,

882
00:46:01,360 --> 00:46:03,680
Speaker 1: you can't do that, like, you can't change his rap.

883
00:46:03,800 --> 00:46:05,520
Speaker 1: He has to okay this. And I was like, oh

884
00:46:05,640 --> 00:46:08,520
Speaker 1: my gosh, what if Snoops like, Yo, dude, I'm Snoop Dogg.

885
00:46:08,600 --> 00:46:10,520
Speaker 1: I'm on the song. Take it or leave it. He

886
00:46:10,719 --> 00:46:12,680
Speaker 1: was not like that, thankfully. So it's me and Snoop

887
00:46:12,719 --> 00:46:16,040
Speaker 1: wrapping together NBD, but it was. It was a saga.

888
00:46:16,120 --> 00:46:18,320
Speaker 1: I felt bad for like a week and so clarify

889
00:46:18,400 --> 00:46:22,200
Speaker 1: what you wrapped over it? Uh? Uh? You got me

890
00:46:22,280 --> 00:46:24,200
Speaker 1: feeling like Chick fil A was open on a Sunday

891
00:46:24,239 --> 00:46:27,280
Speaker 1: And I said, Snoop, I know, we tried it was closed.

892
00:46:27,280 --> 00:46:29,520
Speaker 1: Wouldn't that be great? Do you want to hear it? Yeah?

893
00:46:29,680 --> 00:46:31,040
Speaker 1: Ray can you can you play a little bit of

894
00:46:31,080 --> 00:46:36,600
Speaker 1: this for any but was open on a Sunday? Snoop

895
00:46:36,640 --> 00:46:40,319
Speaker 1: by no, We tried to be fair his manager was like, dude,

896
00:46:40,440 --> 00:46:43,200
Speaker 1: it's it's it's legal, and I was like, not here,

897
00:46:43,440 --> 00:46:47,920
Speaker 1: it's still federally illegal. Didn't didn't know it to talk

898
00:46:47,920 --> 00:46:52,239
Speaker 1: about crimes. Was cool enough to do that. They were

899
00:46:52,280 --> 00:46:54,120
Speaker 1: all super cool about it. And I think, honestly it

900
00:46:54,200 --> 00:46:57,120
Speaker 1: was just a genuine misunderstanding because I think he is like, no, dude,

901
00:46:57,160 --> 00:46:59,360
Speaker 1: this is not a it's not a thing, and you

902
00:46:59,440 --> 00:47:01,719
Speaker 1: know in California it's not a thing. But I was

903
00:47:01,760 --> 00:47:04,759
Speaker 1: also just like some kind you know, person with kids

904
00:47:04,920 --> 00:47:07,040
Speaker 1: is not going to love that part of the song.

905
00:47:07,360 --> 00:47:10,120
Speaker 1: And I'm not going to be mommy. What's National Blunt Day? Right?

906
00:47:10,880 --> 00:47:12,640
Speaker 1: And I feel like it's such a curveball from me.

907
00:47:12,840 --> 00:47:15,279
Speaker 1: I was like, oh no, this is bad. Yeah, all right.

908
00:47:15,320 --> 00:47:17,919
Speaker 1: Final three questions are going to be personal. One's question

909
00:47:18,080 --> 00:47:20,319
Speaker 1: number one. In your house, what is the favorite what's

910
00:47:20,320 --> 00:47:26,719
Speaker 1: your favorite picture? There's a picture of me and Jane Actually, no,

911
00:47:26,840 --> 00:47:29,359
Speaker 1: I take that back. In Hillary and I's room, there's

912
00:47:29,360 --> 00:47:31,080
Speaker 1: a picture of her and I on one of those

913
00:47:31,200 --> 00:47:34,400
Speaker 1: like it's like swings with chains. They lift up in

914
00:47:34,440 --> 00:47:36,680
Speaker 1: the sky and spin around like at a carnival of

915
00:47:36,840 --> 00:47:39,040
Speaker 1: us doing that in France and the guy in front

916
00:47:39,040 --> 00:47:41,759
Speaker 1: of us took a picture and we're like having having

917
00:47:41,800 --> 00:47:48,200
Speaker 1: a blast. Question two, who is your hero? Oh? Wow, goodness?

918
00:47:48,280 --> 00:47:51,960
Speaker 1: Now now who's your hero? Now? Right now? I mean

919
00:47:52,560 --> 00:47:55,239
Speaker 1: I might say my dad. He's just a good man.

920
00:47:56,800 --> 00:47:59,600
Speaker 1: That's probably what I would say, shout out to my dad.

921
00:47:59,760 --> 00:48:02,080
Speaker 1: And it's in one brand with your song what makes

922
00:48:02,120 --> 00:48:04,560
Speaker 1: a man? Yeah? Right, So even if it's not, it's

923
00:48:04,560 --> 00:48:08,080
Speaker 1: a good answer right now. I'm not good at superlatives.

924
00:48:08,080 --> 00:48:10,719
Speaker 1: I don't know. And the final question, question number three,

925
00:48:10,840 --> 00:48:15,880
Speaker 1: when was the last time you felt inspired to create something? Uh?

926
00:48:16,800 --> 00:48:19,400
Speaker 1: In the last couple of days, I listened to some

927
00:48:19,640 --> 00:48:22,360
Speaker 1: good music and I felt for the first time that

928
00:48:22,480 --> 00:48:24,200
Speaker 1: like spark of like, oh man, I want to do

929
00:48:24,320 --> 00:48:26,600
Speaker 1: this again. I feel like usually at the beginning of

930
00:48:26,680 --> 00:48:28,919
Speaker 1: a writing cycle, I'm a little bit like I don't

931
00:48:28,920 --> 00:48:31,000
Speaker 1: have anything to say, and then I'll hear something that

932
00:48:31,040 --> 00:48:32,520
Speaker 1: I kind of like and to meet them, like, oh,

933
00:48:32,560 --> 00:48:34,200
Speaker 1: I want to do that. Do you want to shout

934
00:48:34,200 --> 00:48:36,600
Speaker 1: out who that was you were listening to? It was

935
00:48:36,640 --> 00:48:42,200
Speaker 1: a band called Parcels and Um. They're they kind of

936
00:48:42,280 --> 00:48:44,800
Speaker 1: like a funk They're really cool looking Australian guys that

937
00:48:44,920 --> 00:48:48,080
Speaker 1: play funk music. They have an awesome esthetic, which I don't.

938
00:48:48,120 --> 00:48:49,880
Speaker 1: I'm like, oh man, I should get some cooler clothes,

939
00:48:49,920 --> 00:48:54,440
Speaker 1: but really cool new record. It's great. Before Bend came one,

940
00:48:54,480 --> 00:48:56,680
Speaker 1: he goes, am, I gonna be on camera? Don't do

941
00:48:56,760 --> 00:48:57,919
Speaker 1: something cool? And we were like, what are you gonna

942
00:48:57,920 --> 00:48:59,279
Speaker 1: be on camera? So then you start using his hands

943
00:48:59,280 --> 00:49:01,239
Speaker 1: a lot awkward, were like, you just chill. I I

944
00:49:01,320 --> 00:49:02,920
Speaker 1: was just going to take this tuner off the guitar.

945
00:49:03,640 --> 00:49:05,440
Speaker 1: This is as cool as I can look. It's maxed out,

946
00:49:05,719 --> 00:49:09,280
Speaker 1: all right, Ben Rector, you guys follow him on Instagram,

947
00:49:09,320 --> 00:49:12,640
Speaker 1: it's been underscore Rector. What's up? What's why? What's up?

948
00:49:12,920 --> 00:49:15,920
Speaker 1: There's a British photographer that was an early adopter to Instagram,

949
00:49:16,360 --> 00:49:17,560
Speaker 1: and I kind of at this point I want to

950
00:49:17,600 --> 00:49:19,160
Speaker 1: message him and be like, hey, man, can I can

951
00:49:19,239 --> 00:49:20,800
Speaker 1: I take this from you? And I just haven't done that.

952
00:49:20,920 --> 00:49:22,960
Speaker 1: Can you buy it? I don't you know what? These

953
00:49:23,000 --> 00:49:24,960
Speaker 1: are questions that I should be asking. Yeah, I've just

954
00:49:25,120 --> 00:49:27,160
Speaker 1: I've I've given up. I've resigned to the fact that

955
00:49:27,200 --> 00:49:29,680
Speaker 1: I haven't underscore in it. I'm today I'm gonna message him.

956
00:49:29,800 --> 00:49:31,640
Speaker 1: The new song What Makes a Man with Thomas Redd

957
00:49:31,680 --> 00:49:34,440
Speaker 1: is out. You guys stream it and back on the

958
00:49:34,520 --> 00:49:37,000
Speaker 1: road spring probably next year twenty three. All right, there

959
00:49:37,080 --> 00:49:39,359
Speaker 1: you go, Ben Rector. There he is a nice job.

960
00:49:40,719 --> 00:49:44,920
Speaker 1: There is NiCoT guy. All right, it's time for the news.

961
00:49:45,680 --> 00:49:50,080
Speaker 1: Bobby's story. All right, here's the new scam. So what

962
00:49:50,200 --> 00:49:52,719
Speaker 1: they do is they go on Twitter or Instagram. They

963
00:49:52,760 --> 00:49:55,400
Speaker 1: try to find people with vacation photos and then they

964
00:49:55,920 --> 00:49:57,800
Speaker 1: find people you're connected to and call them a go.

965
00:49:57,920 --> 00:49:59,600
Speaker 1: They're in jail and we know they're here. Let's say

966
00:49:59,600 --> 00:50:01,279
Speaker 1: you went to Cabo. I don't know what Cabo is.

967
00:50:01,360 --> 00:50:03,399
Speaker 1: Where's called Mexico. Okay, let's say you got to say

968
00:50:03,400 --> 00:50:06,080
Speaker 1: you go to Cabo and they can then find your

969
00:50:06,160 --> 00:50:10,960
Speaker 1: grandma's number. Well, Eddie's in Cabo and he's been arrested.

970
00:50:12,120 --> 00:50:14,600
Speaker 1: What Yeah, he's in Cabo and he was at this.

971
00:50:14,880 --> 00:50:17,160
Speaker 1: So they have these details that a normal scammer just

972
00:50:17,200 --> 00:50:19,920
Speaker 1: wouldn't have because they've gone to your pictures and so

973
00:50:21,000 --> 00:50:23,879
Speaker 1: don't fall for that they've been arrested. Scam unless it's

974
00:50:23,880 --> 00:50:27,520
Speaker 1: somebody who gets in trouble a lot. Yeah, I don't know.

975
00:50:27,560 --> 00:50:29,680
Speaker 1: It's a roll of the dice. But that's the new scam.

976
00:50:29,800 --> 00:50:32,759
Speaker 1: That's from the Daily Mail. When dating, watch out for

977
00:50:32,880 --> 00:50:35,799
Speaker 1: these signs they can lead to a lazy marriage. We're

978
00:50:35,840 --> 00:50:37,960
Speaker 1: gonna talking to you here. Just watch for these signs. Okay.

979
00:50:38,360 --> 00:50:41,960
Speaker 1: Number one they leave a mess in a room without

980
00:50:42,040 --> 00:50:44,880
Speaker 1: picking it up when they leave the room. Two you

981
00:50:45,000 --> 00:50:47,759
Speaker 1: never see them new household chores when they're at their house.

982
00:50:48,080 --> 00:50:51,839
Speaker 1: Three they go out and sleep in a lot. Four

983
00:50:51,920 --> 00:50:54,440
Speaker 1: they work less than thirty hours a week. Five they

984
00:50:54,560 --> 00:50:57,840
Speaker 1: prioritize their social life over their job. And six they

985
00:50:57,960 --> 00:51:00,480
Speaker 1: watch more than two hours of TV every single day.

986
00:51:01,160 --> 00:51:04,080
Speaker 1: Morgan does anything red flag here. No, those are all

987
00:51:04,120 --> 00:51:07,000
Speaker 1: really full ones. That are all good for my situation.

988
00:51:07,160 --> 00:51:09,399
Speaker 1: If anyone were about to marry Lunchbox, that'd be trouble. Yeah.

989
00:51:11,080 --> 00:51:15,520
Speaker 1: All six days are right, all right. Also in the news,

990
00:51:16,960 --> 00:51:19,120
Speaker 1: the preacher said, I'm not worth your red lobster money.

991
00:51:19,520 --> 00:51:23,040
Speaker 1: A Kansas City pastor brates what he calls his cheap

992
00:51:23,160 --> 00:51:28,560
Speaker 1: congregation for not honoring him with a new watch. Dang. Yeah,

993
00:51:28,640 --> 00:51:31,520
Speaker 1: he gives other preachers a bad name. What it's a

994
00:51:31,560 --> 00:51:35,200
Speaker 1: bad one here. Yeah. So his name's Carlton funder Burke,

995
00:51:35,760 --> 00:51:38,160
Speaker 1: pastor of a church at the Well in Kansas City,

996
00:51:38,239 --> 00:51:41,040
Speaker 1: was caught on video calling his congregation poor brogue, busted

997
00:51:41,040 --> 00:51:43,640
Speaker 1: and disgusted. Although that's a funny put down. There's nothing

998
00:51:43,640 --> 00:51:47,120
Speaker 1: before brogue, busted and disgusted. Not for the church, but

999
00:51:47,200 --> 00:51:50,480
Speaker 1: that's out my real housewife or something that's good. He

1000
00:51:50,600 --> 00:51:53,640
Speaker 1: berated his church members after claiming he still had not

1001
00:51:53,800 --> 00:51:58,279
Speaker 1: received an expensive Mavado watch that he asked them to

1002
00:51:58,440 --> 00:52:02,279
Speaker 1: buy him late last year, a Mavado which I don't

1003
00:52:02,280 --> 00:52:04,439
Speaker 1: even know what this is. I may be saying it wrong.

1004
00:52:04,800 --> 00:52:07,240
Speaker 1: Rain just from four hundred bucks to almost four thousand.

1005
00:52:07,680 --> 00:52:10,799
Speaker 1: He did not indicate what specific watch he wanted. He said,

1006
00:52:10,840 --> 00:52:12,880
Speaker 1: I'm not worth your McDonald's money. I'm not worth your

1007
00:52:12,960 --> 00:52:15,200
Speaker 1: red lobster money. Let me kick down the door talk

1008
00:52:15,280 --> 00:52:17,879
Speaker 1: to my cheap sons and daughters. Funderburke has sense voice

1009
00:52:17,920 --> 00:52:20,840
Speaker 1: an apologies, saying the video clip does not reflect my

1010
00:52:20,920 --> 00:52:24,080
Speaker 1: herder sentiment toward God's people. Okay, you're right, and you

1011
00:52:24,120 --> 00:52:26,560
Speaker 1: should apologize. A red lobster. Yeah, because I'm not worth

1012
00:52:26,600 --> 00:52:28,319
Speaker 1: the red lobster money we want. Once you're red lobster,

1013
00:52:28,440 --> 00:52:32,120
Speaker 1: it was awesome. Yeah, that ain't good, Carlton Funderburke, that

1014
00:52:32,280 --> 00:52:37,439
Speaker 1: is from the Daily Mail USA Today has a story. Okay,

1015
00:52:37,520 --> 00:52:39,360
Speaker 1: they said we need to hurry these Georgia high school

1016
00:52:39,360 --> 00:52:41,920
Speaker 1: football players rescue a trapped woman in a car crash.

1017
00:52:42,280 --> 00:52:43,800
Speaker 1: You know what, if you're a car crash, you'd probably

1018
00:52:43,800 --> 00:52:45,279
Speaker 1: like of all the groups people that could show up,

1019
00:52:45,880 --> 00:52:48,040
Speaker 1: like a high school or college. Oh yeah, because you

1020
00:52:48,120 --> 00:52:50,960
Speaker 1: know they're young and strong. A group of Georgia high

1021
00:52:50,960 --> 00:52:53,640
Speaker 1: school football players and friends are being called heroes. They

1022
00:52:53,719 --> 00:52:56,840
Speaker 1: jumped into action. They saved a one from a fiery crash. Lunchbox,

1023
00:52:56,920 --> 00:52:58,520
Speaker 1: tell me about this one. So they it was like

1024
00:52:58,600 --> 00:53:00,200
Speaker 1: I think it was right and from their school were

1025
00:53:00,239 --> 00:53:02,120
Speaker 1: the first one scene and she was trapped inside and

1026
00:53:02,200 --> 00:53:04,400
Speaker 1: so the big old muscle dudes start ripping off the

1027
00:53:04,480 --> 00:53:07,400
Speaker 1: passenger door to get her out because smoke is billowing

1028
00:53:07,480 --> 00:53:09,239
Speaker 1: from the car. And they were able to do that. Yeah,

1029
00:53:09,280 --> 00:53:10,759
Speaker 1: they were able to open it up and get her out.

1030
00:53:10,840 --> 00:53:12,359
Speaker 1: I know they got her out, but like they ripped

1031
00:53:12,400 --> 00:53:13,920
Speaker 1: the door over, I don't know if they ripped it

1032
00:53:14,000 --> 00:53:23,440
Speaker 1: all the way off where Yeah, I mean anyway. So

1033
00:53:23,800 --> 00:53:27,359
Speaker 1: that's that's that story from the lad Bible experts worn

1034
00:53:28,200 --> 00:53:30,600
Speaker 1: and this does not put me on the right track. Apparently,

1035
00:53:30,719 --> 00:53:32,680
Speaker 1: to never spend longer than five minutes on the toilet.

1036
00:53:33,280 --> 00:53:39,719
Speaker 1: What five minutes? That's impossible? Five minutes like like like

1037
00:53:39,960 --> 00:53:42,880
Speaker 1: get you know, dialing in like I'm on it. Just

1038
00:53:42,960 --> 00:53:45,360
Speaker 1: kind of my dog. He's got this little bed and

1039
00:53:45,440 --> 00:53:46,920
Speaker 1: he'll go and he'll like scratch and like put a

1040
00:53:46,960 --> 00:53:48,920
Speaker 1: shoulder in and make a spot just right. That's what

1041
00:53:49,120 --> 00:53:51,839
Speaker 1: basically what I do on the toilet. But they say,

1042
00:53:52,320 --> 00:53:54,000
Speaker 1: if you spend so much time on the toilet, it's

1043
00:53:54,040 --> 00:53:56,360
Speaker 1: gonna be bad. It'll creach your risk of hemorrhoids. And

1044
00:53:56,440 --> 00:53:59,160
Speaker 1: he goes through all the already been there too, bro,

1045
00:54:00,040 --> 00:54:01,560
Speaker 1: It's probably why you were there though. I got a

1046
00:54:01,600 --> 00:54:04,480
Speaker 1: hemorrhoid from the bining over training. No, I tore my

1047
00:54:04,560 --> 00:54:10,799
Speaker 1: butt on the bike when you were doing the Trafflon movie. Yeah,

1048
00:54:12,400 --> 00:54:15,279
Speaker 1: Florida woman has the world's longest hair. It grows to

1049
00:54:15,360 --> 00:54:18,480
Speaker 1: one hundred and ten feet. Oh that's crazy. It's from

1050
00:54:18,560 --> 00:54:21,040
Speaker 1: UPI one hundred and ten Think about that, one hundred

1051
00:54:21,040 --> 00:54:23,000
Speaker 1: and ten feet long. I couldn't do that if I tried.

1052
00:54:23,160 --> 00:54:25,040
Speaker 1: The Florida woman who holds the Guinness World Record for

1053
00:54:25,080 --> 00:54:28,480
Speaker 1: the longest Locke said she now has reached over one

1054
00:54:28,600 --> 00:54:31,120
Speaker 1: tin She's sixty years old and she has the world record.

1055
00:54:31,719 --> 00:54:33,800
Speaker 1: And that's the dual. I mean, you can't wash that

1056
00:54:33,920 --> 00:54:36,360
Speaker 1: r She's probably celebrated for it, so why would she

1057
00:54:36,400 --> 00:54:38,319
Speaker 1: cut it? Like everywhere she goes people want to talk

1058
00:54:38,320 --> 00:54:40,480
Speaker 1: to her about it. That's her thing, you know, why

1059
00:54:40,520 --> 00:54:42,839
Speaker 1: would you lose your thing? I guess right, But it's

1060
00:54:42,880 --> 00:54:45,920
Speaker 1: probably so much work because my hair. Hair just breaks

1061
00:54:46,320 --> 00:54:49,359
Speaker 1: American Airlines to purchase twenty supersonic aircraft, So go double

1062
00:54:49,400 --> 00:54:51,239
Speaker 1: the speed. That sounds great. I don't want to be

1063
00:54:51,239 --> 00:54:52,960
Speaker 1: in the first couple of rides. No, it's like a

1064
00:54:53,080 --> 00:54:55,319
Speaker 1: roller coaster, like when they test use. Yeah, somebody else

1065
00:54:55,360 --> 00:54:56,640
Speaker 1: can do that. Yeah, I'm gonna be back here for

1066
00:54:56,680 --> 00:54:58,400
Speaker 1: a second. I'm gonna watch. You know. I got my

1067
00:54:58,440 --> 00:55:00,479
Speaker 1: COVID shot, but after some other people that at first,

1068
00:55:00,719 --> 00:55:03,800
Speaker 1: and I was like, all right, So that's that, and

1069
00:55:03,920 --> 00:55:08,280
Speaker 1: that's it. That's the news. Thank you, guys. Bobby's story.

1070
00:55:10,360 --> 00:55:13,160
Speaker 1: We are about to talk to Gary Lavox, lead singer

1071
00:55:13,320 --> 00:55:15,680
Speaker 1: of Rascal Flats, who you may know from one of

1072
00:55:15,719 --> 00:55:18,840
Speaker 1: their ten gabillion hits, for example, Life is a Highway

1073
00:55:21,040 --> 00:55:29,279
Speaker 1: or Bless the Broken Road, but they are no more. Yeah, no,

1074
00:55:29,400 --> 00:55:31,600
Speaker 1: that's right. He is now pursuing a solo career and

1075
00:55:31,600 --> 00:55:34,600
Speaker 1: he's got some pretty good songs and this is his

1076
00:55:34,760 --> 00:55:43,319
Speaker 1: new song called Get Down Like That Coach. By the way,

1077
00:55:43,400 --> 00:55:46,239
Speaker 1: Thomas Rhetin Hardy wrote this song things pretty cool but

1078
00:55:46,400 --> 00:55:48,879
Speaker 1: Gary Lavox lead singer Rascal Flats but they're no more,

1079
00:55:49,239 --> 00:55:51,279
Speaker 1: but he is still more. And here he is right

1080
00:55:51,320 --> 00:55:56,040
Speaker 1: now on the Bobby Bones Show. Now, Gary Levox, Gary,

1081
00:55:58,800 --> 00:56:02,279
Speaker 1: how's that? Oh? That's pretty just pretty close. The say

1082
00:56:02,360 --> 00:56:04,000
Speaker 1: a little more like Shade than me. But you know,

1083
00:56:04,920 --> 00:56:05,800
Speaker 1: you know how I do it. You know how I

1084
00:56:05,840 --> 00:56:07,840
Speaker 1: do it. I kind of hit those notes perfectly. What's up, buddy?

1085
00:56:08,840 --> 00:56:10,880
Speaker 1: I got three quick questions before we get into the

1086
00:56:11,239 --> 00:56:13,120
Speaker 1: into the mix. Here. Number one, how many pair of

1087
00:56:13,200 --> 00:56:16,920
Speaker 1: crocs do you think you own? Half a dozen at least? Yeah,

1088
00:56:16,920 --> 00:56:19,200
Speaker 1: he's got different colored on the day when I saw

1089
00:56:19,320 --> 00:56:21,720
Speaker 1: him last week. Let me say this about Grey Lavox,

1090
00:56:21,719 --> 00:56:23,840
Speaker 1: which by the way, is biggest superstar as you can be.

1091
00:56:24,360 --> 00:56:27,919
Speaker 1: Millions of hits, billions of dollars, And he was doing

1092
00:56:27,960 --> 00:56:30,239
Speaker 1: me a solid and coming out to my my you know,

1093
00:56:30,520 --> 00:56:33,080
Speaker 1: Ted Talk comedy show, and he was gonna surprise the

1094
00:56:33,120 --> 00:56:35,680
Speaker 1: people in the audience. He was there two hours early,

1095
00:56:36,160 --> 00:56:39,040
Speaker 1: mega star. It was for you. I hear you, but

1096
00:56:39,080 --> 00:56:40,880
Speaker 1: I couldn't believe are you're such a good dude, and

1097
00:56:41,000 --> 00:56:43,480
Speaker 1: crocs and basketball shorts by the by the way, Um,

1098
00:56:43,600 --> 00:56:45,640
Speaker 1: so that's you know how we do it. That's question

1099
00:56:45,719 --> 00:56:48,319
Speaker 1: one number two. What's the most expensive thing you can

1100
00:56:48,400 --> 00:56:55,959
Speaker 1: buy without having to run it by your wife? Other

1101
00:56:56,040 --> 00:56:58,200
Speaker 1: than that, I got to get approval okay, okay. And

1102
00:56:58,280 --> 00:57:00,960
Speaker 1: then finally before we get in to the real stuff here,

1103
00:57:01,320 --> 00:57:05,000
Speaker 1: what is your hardest hit to sing? Like forever, you'd

1104
00:57:05,000 --> 00:57:06,839
Speaker 1: always be like, oh, I gotta really be on if

1105
00:57:06,840 --> 00:57:09,399
Speaker 1: I'm gonna sing this one, because it's difficult. It wasn't

1106
00:57:09,440 --> 00:57:11,640
Speaker 1: even a hit. But when we would do h he

1107
00:57:11,719 --> 00:57:15,360
Speaker 1: Ain't the Leaving Kind that song because we would do

1108
00:57:15,400 --> 00:57:17,400
Speaker 1: it and bring the military out and then they would salute.

1109
00:57:17,440 --> 00:57:18,560
Speaker 1: But I knew I had to be on on that

1110
00:57:18,680 --> 00:57:21,400
Speaker 1: one because it gets up there at the end, because

1111
00:57:21,480 --> 00:57:23,240
Speaker 1: we would do he Ain't the Leaving Kind and do

1112
00:57:23,840 --> 00:57:29,400
Speaker 1: do stop beating? Is that journey? Yeah? I kind of

1113
00:57:29,440 --> 00:57:31,400
Speaker 1: had to be on for that one. He Ain't the

1114
00:57:31,560 --> 00:57:33,320
Speaker 1: Leaving Kind? It was harder to thing than journey, Don't

1115
00:57:33,320 --> 00:57:36,240
Speaker 1: Stop Believing. Yeah, it gets up there because it was

1116
00:57:36,320 --> 00:57:38,880
Speaker 1: in the same key. That's why the transition was so easy. Yeah,

1117
00:57:39,080 --> 00:57:42,280
Speaker 1: I'm stupid, duh. I shouldn't have known that listen. Gary's

1118
00:57:42,280 --> 00:57:44,200
Speaker 1: on for a couple of reasons. One because he's just

1119
00:57:44,320 --> 00:57:46,120
Speaker 1: the guy, and two he's got a brand new song

1120
00:57:46,160 --> 00:57:49,439
Speaker 1: out today called get Down Like That. And I saw

1121
00:57:49,600 --> 00:57:51,160
Speaker 1: that a couple of the writers on this thing where

1122
00:57:51,200 --> 00:57:54,760
Speaker 1: Thomas Rhett and Hardy. So how does that song, which

1123
00:57:54,840 --> 00:57:57,840
Speaker 1: these two massive superstar performers, how does that get to you?

1124
00:57:58,440 --> 00:58:01,840
Speaker 1: Rusty Gaston at Sony, I was like, man, I gotta

1125
00:58:01,840 --> 00:58:05,440
Speaker 1: have something different. I mean some up tempo. Uh, you know,

1126
00:58:05,440 --> 00:58:07,880
Speaker 1: because I've been with Sony for twenty some years and

1127
00:58:07,920 --> 00:58:09,800
Speaker 1: They're like, you know, we signed Hardy and I was

1128
00:58:09,880 --> 00:58:12,720
Speaker 1: like really, I said, what do you have any and

1129
00:58:12,840 --> 00:58:14,840
Speaker 1: he was like, I think I got something for you.

1130
00:58:15,000 --> 00:58:17,240
Speaker 1: So I was like, we'll look through your roster and

1131
00:58:17,360 --> 00:58:21,080
Speaker 1: see who's really struggling and needs a hit. The Hardy

1132
00:58:21,200 --> 00:58:24,240
Speaker 1: Turments were at Jesse Fraser and Ashley Gorley and so

1133
00:58:24,720 --> 00:58:26,520
Speaker 1: you get and then so what does that process they pitch?

1134
00:58:26,600 --> 00:58:28,480
Speaker 1: They pitch you a song and you go yep, that's it.

1135
00:58:28,600 --> 00:58:29,680
Speaker 1: Then you go cut it or do you have to

1136
00:58:29,720 --> 00:58:31,600
Speaker 1: like put a stamp on and say I now it's

1137
00:58:31,640 --> 00:58:34,160
Speaker 1: now mine? What happens there? Yeah? He pitched it and

1138
00:58:34,240 --> 00:58:36,320
Speaker 1: I was like, put it on hold, I'm cutting it

1139
00:58:36,440 --> 00:58:38,960
Speaker 1: for sure. One. I love it. I love the song

1140
00:58:41,880 --> 00:58:45,240
Speaker 1: on the Bobby Bones Show. Now, hey, so you're not

1141
00:58:45,400 --> 00:58:49,000
Speaker 1: doing shows, Gary Yep on tour and uh, I'll be

1142
00:58:49,080 --> 00:58:53,600
Speaker 1: in myn Tanna and then next week and in uh Connecticut, Washington,

1143
00:58:53,880 --> 00:58:56,880
Speaker 1: Oregon and then uh, yeah, I'm touring the rest of

1144
00:58:56,880 --> 00:58:59,920
Speaker 1: the year. So for you, was it? You hadn't done

1145
00:59:00,000 --> 00:59:02,040
Speaker 1: it and so long since the flats side of they

1146
00:59:02,040 --> 00:59:04,440
Speaker 1: were doing shows anymore, So was it pretty awesome to

1147
00:59:04,480 --> 00:59:07,600
Speaker 1: get back out there. Yeah, it's been good saying yeah,

1148
00:59:07,600 --> 00:59:09,479
Speaker 1: because I do all the you know, all the flat fits,

1149
00:59:09,520 --> 00:59:12,000
Speaker 1: and I do some of my new stuff and you know,

1150
00:59:12,080 --> 00:59:14,200
Speaker 1: I just got it was funny because I did not

1151
00:59:14,360 --> 00:59:16,400
Speaker 1: that gospel he pigs. I always want to put it

1152
00:59:16,480 --> 00:59:18,800
Speaker 1: at And so let's call one on one. I just

1153
00:59:18,880 --> 00:59:23,120
Speaker 1: got nominated yesterday for for a Double Award for Country

1154
00:59:23,360 --> 00:59:26,760
Speaker 1: Bluegrass Gospel Album of the Year. I saw Instagram with

1155
00:59:26,840 --> 00:59:28,800
Speaker 1: you and Jay DeMarcus together. I don't know what you

1156
00:59:28,880 --> 00:59:31,280
Speaker 1: guys are doing. I'm probably doing some stupid crap, but

1157
00:59:31,520 --> 00:59:32,960
Speaker 1: you know, who knows what you guys are doing, But

1158
00:59:33,080 --> 00:59:35,040
Speaker 1: you were together, and like, look at us, we're all together.

1159
00:59:35,240 --> 00:59:38,760
Speaker 1: We're together. Again, I mean what what so what does that?

1160
00:59:39,000 --> 00:59:40,800
Speaker 1: What does that mean? I mean your cousins, what does

1161
00:59:40,840 --> 00:59:42,920
Speaker 1: that mean? We were at the same place at the

1162
00:59:42,960 --> 00:59:44,960
Speaker 1: same time. So you're saying you didn't see each other

1163
00:59:45,040 --> 00:59:47,800
Speaker 1: and run away. No, no, no, no, we didn't. We

1164
00:59:47,920 --> 00:59:50,480
Speaker 1: just haven't been eating at the same place and so

1165
00:59:51,400 --> 00:59:54,440
Speaker 1: U But yeah, I mean we talked. I mean we're family,

1166
00:59:54,480 --> 00:59:57,160
Speaker 1: you know. So everything's good. He's doing his Red Street

1167
00:59:57,280 --> 00:59:59,800
Speaker 1: Records thing over there, and it is what it is.

1168
01:00:00,040 --> 01:00:03,400
Speaker 1: You know, We're just doing new stuff and moving on.

1169
01:00:03,920 --> 01:00:09,440
Speaker 1: I'm moving on everybody. Okay, So you're doing these shows,

1170
01:00:09,560 --> 01:00:11,400
Speaker 1: you know, we got the twenty nine thirtieth, second and

1171
01:00:11,440 --> 01:00:14,600
Speaker 1: the fourth in Oregon, Washington, two shows in Connecticut. But

1172
01:00:14,720 --> 01:00:16,919
Speaker 1: what's happening next year? Like you're putting out new music?

1173
01:00:17,320 --> 01:00:19,800
Speaker 1: Like are you going to like put out and consistently

1174
01:00:19,880 --> 01:00:21,240
Speaker 1: be on the road so people can see it before

1175
01:00:21,280 --> 01:00:24,280
Speaker 1: of these songs? Yea, insistently. I am back on tour.

1176
01:00:24,800 --> 01:00:26,520
Speaker 1: But does that mean like for the this yew are

1177
01:00:26,520 --> 01:00:30,120
Speaker 1: you doing more shows after September fourth? Yeah? I got

1178
01:00:30,240 --> 01:00:32,200
Speaker 1: a few in October and then I've got a bunch

1179
01:00:32,280 --> 01:00:35,000
Speaker 1: in November. Yeah, and then I'm going out next year

1180
01:00:35,040 --> 01:00:41,919
Speaker 1: with the racing idiots. So really that's funny. Hypothetically, let's

1181
01:00:42,040 --> 01:00:46,200
Speaker 1: say somebody was like, you know, I live in Maine,

1182
01:00:46,440 --> 01:00:48,400
Speaker 1: and I'd like to get Gary Levox to come and

1183
01:00:48,480 --> 01:00:52,479
Speaker 1: sing two songs as my bride walks down the aisle. Hypothetically. Okay,

1184
01:00:52,560 --> 01:00:55,120
Speaker 1: let's first of all, is that something that you would

1185
01:00:55,120 --> 01:00:59,160
Speaker 1: consider for the right price? Absolutely? And then second of all,

1186
01:00:59,360 --> 01:01:04,800
Speaker 1: what's that hypothetically? Well, if it's that, we're good like

1187
01:01:04,920 --> 01:01:08,520
Speaker 1: unlimited lobsters. Yeah, I just with so many love songs,

1188
01:01:08,840 --> 01:01:11,640
Speaker 1: I imagine that wedding market like you just own it.

1189
01:01:11,720 --> 01:01:13,440
Speaker 1: It's like you guys in Dan and Shay, you own

1190
01:01:13,480 --> 01:01:18,200
Speaker 1: the wedding market. The love market were off wedding singers.

1191
01:01:18,360 --> 01:01:20,280
Speaker 1: Do you know how many babies were made? Probably your voice?

1192
01:01:20,280 --> 01:01:22,800
Speaker 1: You ever think about that? Oh my, yeah, you know

1193
01:01:22,920 --> 01:01:30,560
Speaker 1: I do aten a lot? Okayo. Gary la Vox has

1194
01:01:30,560 --> 01:01:32,480
Speaker 1: got a brand new song out today called get Down

1195
01:01:32,600 --> 01:01:34,840
Speaker 1: like that. We just played it. I encourage you to

1196
01:01:34,960 --> 01:01:37,400
Speaker 1: go and stream the Sucker and if you love it,

1197
01:01:37,560 --> 01:01:39,880
Speaker 1: Cheryl on your story, tell your friends, and then go

1198
01:01:40,080 --> 01:01:41,800
Speaker 1: watch Gary. And you know what I feel like making

1199
01:01:41,800 --> 01:01:43,400
Speaker 1: a baby to his voice? Have at it. You won't

1200
01:01:43,440 --> 01:01:45,120
Speaker 1: be the first you won't be the last down like that.

1201
01:01:45,360 --> 01:01:48,520
Speaker 1: Oh that's right, Oh that's right. Uh that's right. Yeah,

1202
01:01:48,760 --> 01:01:51,720
Speaker 1: Gary good, just kidding, good to talk to you. Congratulate,

1203
01:01:51,800 --> 01:01:54,280
Speaker 1: congratulation on the new song and hopefully I see assume buddy.

1204
01:01:54,360 --> 01:01:57,080
Speaker 1: Absolutely thanks for having me on. All right, there is

1205
01:01:57,120 --> 01:02:05,240
Speaker 1: Gary lax down the day. This story comes to us

1206
01:02:05,280 --> 01:02:08,680
Speaker 1: from Pennsylvania. A forty five year old man had a

1207
01:02:08,800 --> 01:02:11,320
Speaker 1: gun in his waistband right behind his back, and he's

1208
01:02:11,360 --> 01:02:13,800
Speaker 1: in the parking lot and he's arguing with someone and

1209
01:02:13,920 --> 01:02:16,960
Speaker 1: he goes to pull the gun. Boom, shot himself in

1210
01:02:17,000 --> 01:02:20,160
Speaker 1: the butt. At least it was the butt. That's there's

1211
01:02:20,160 --> 01:02:21,280
Speaker 1: a lot of meat there. You don't want to get

1212
01:02:21,280 --> 01:02:23,760
Speaker 1: shot in any of your meat parts. But if I'm

1213
01:02:23,800 --> 01:02:26,400
Speaker 1: gonna pick a meat part, that's probably the meat part

1214
01:02:26,480 --> 01:02:28,360
Speaker 1: that I choose to get shot. Pick another spot like

1215
01:02:28,440 --> 01:02:29,840
Speaker 1: to be shot, go ahead, not toe. He can't do

1216
01:02:29,960 --> 01:02:33,120
Speaker 1: toe or like pinky yeah, no fingertip or toe tip

1217
01:02:33,200 --> 01:02:36,000
Speaker 1: because but like a part of your body, the butt

1218
01:02:36,560 --> 01:02:38,560
Speaker 1: forst gum got shot there. He still rob butt talks

1219
01:02:39,920 --> 01:02:44,200
Speaker 1: on the stomach because you don't die. But there's too

1220
01:02:44,280 --> 01:02:46,280
Speaker 1: much stuff down there, I know. But you know, like

1221
01:02:46,280 --> 01:02:48,560
Speaker 1: if you're gonna get caught someone to make us good. Well,

1222
01:02:48,560 --> 01:02:49,920
Speaker 1: you know I never heard someone got the stoake is

1223
01:02:49,920 --> 01:02:51,400
Speaker 1: good when someone gets shot there like, it's okay, he

1224
01:02:51,440 --> 01:02:53,600
Speaker 1: got shot in the stomach, he'll live. What I would

1225
01:02:53,640 --> 01:02:55,960
Speaker 1: choose like my shoulder, Oh I would be so painful,

1226
01:02:56,960 --> 01:02:59,400
Speaker 1: But stomach I still many organs and we pick hair.

1227
01:03:00,200 --> 01:03:02,040
Speaker 1: Just graze the Here are we tell for you? Though?

1228
01:03:03,600 --> 01:03:07,480
Speaker 1: That's rude, alight, that's your bone head story of the

1229
01:03:07,560 --> 01:03:11,720
Speaker 1: day telling for a movie review with movie Mike. All right,

1230
01:03:11,760 --> 01:03:13,960
Speaker 1: what did you watch? Mike? I watched a movie called Vengeance?

1231
01:03:14,560 --> 01:03:17,000
Speaker 1: What is that? It's a dark comedy with bj Novak.

1232
01:03:17,440 --> 01:03:19,760
Speaker 1: Can I watch Top Gun yet in my house? Not yet?

1233
01:03:20,160 --> 01:03:21,760
Speaker 1: All right, thank you? Bones, Just go to the movies.

1234
01:03:22,080 --> 01:03:24,280
Speaker 1: I'm not going to them. Still there, go not going

1235
01:03:24,320 --> 01:03:26,560
Speaker 1: to the movies. You heard me? I can't. People are

1236
01:03:26,600 --> 01:03:29,360
Speaker 1: too rude on their phones. They're lit up, they're texting

1237
01:03:29,400 --> 01:03:32,320
Speaker 1: the whole time. They're talking to their friends. It's not

1238
01:03:32,440 --> 01:03:34,160
Speaker 1: for me, Okay, I don't want to go to the movies.

1239
01:03:34,640 --> 01:03:37,040
Speaker 1: Can I watch Elvis yet of my house? No? No? Yet?

1240
01:03:37,800 --> 01:03:39,440
Speaker 1: You can go to the movies, though, watch here's the thing.

1241
01:03:39,440 --> 01:03:41,840
Speaker 1: I don't want to go their phones on, they're texting,

1242
01:03:42,120 --> 01:03:46,120
Speaker 1: they're talking to their friends. So Vengeance, can I watch

1243
01:03:46,160 --> 01:03:50,440
Speaker 1: it in my house yet? Oh my god? Okay, so

1244
01:03:50,600 --> 01:03:52,880
Speaker 1: bj Novack I like from the office, Yeah, okay, so

1245
01:03:53,120 --> 01:03:55,520
Speaker 1: what's it? What is it? So he plays this podcaster

1246
01:03:55,720 --> 01:03:58,200
Speaker 1: who he gets a call saying that this girl he

1247
01:03:58,280 --> 01:04:00,439
Speaker 1: hooked up with died. So he go is the West

1248
01:04:00,480 --> 01:04:02,840
Speaker 1: Texas to investigator murder and then he makes a podcast

1249
01:04:02,880 --> 01:04:07,439
Speaker 1: about it, m only murders in the building ish ish Yeah,

1250
01:04:07,560 --> 01:04:10,800
Speaker 1: like a movie version, just a podcast. Yeah, yeah, okay,

1251
01:04:11,000 --> 01:04:13,640
Speaker 1: Well I think we should do movie Mike's movie review

1252
01:04:13,720 --> 01:04:16,080
Speaker 1: when I can watch it in my house. So he's

1253
01:04:16,120 --> 01:04:19,240
Speaker 1: got to wait till it's like, yeah, way delay, its

1254
01:04:19,240 --> 01:04:23,720
Speaker 1: way delate. People like the I'm just not injured. Um

1255
01:04:24,080 --> 01:04:25,720
Speaker 1: what's the rating there, Mike? I give it four out

1256
01:04:25,760 --> 01:04:27,880
Speaker 1: a five podcast. Yeah, yeah, I think you'd really like it.

1257
01:04:28,400 --> 01:04:30,640
Speaker 1: Ashton Kut's also lading at and John Mayer. Do you

1258
01:04:30,760 --> 01:04:32,240
Speaker 1: think if I watch it at home though, I'd like

1259
01:04:32,320 --> 01:04:34,680
Speaker 1: it even more? Yeah? Got all wait to home though.

1260
01:04:35,160 --> 01:04:38,760
Speaker 1: I have some BUCkies you want I had those BUCkies?

1261
01:04:38,880 --> 01:04:41,840
Speaker 1: Uh nuggets? You ever had those? No uber nuggets? Yeah?

1262
01:04:42,240 --> 01:04:44,640
Speaker 1: Pretty solids. It's a real beaver no, no, oh, they're

1263
01:04:44,680 --> 01:04:47,440
Speaker 1: just called that. Yes, they're sweet yea, yeah, all right, Mike.

1264
01:04:47,720 --> 01:04:50,480
Speaker 1: Four out of five for Vengeance. And then you can

1265
01:04:50,600 --> 01:04:53,320
Speaker 1: check out movie Mike's Movie podcast wherever your podcast and

1266
01:04:53,640 --> 01:04:56,280
Speaker 1: just search for movie Mike and Mike, what's on this week?

1267
01:04:56,560 --> 01:05:00,360
Speaker 1: It is books that should be movie someday Bare Bones. Yeah,

1268
01:05:00,360 --> 01:05:02,560
Speaker 1: we would, that'd be a good movie. Mike. What was

1269
01:05:02,720 --> 01:05:04,840
Speaker 1: the book you think should be a movie? Well, my

1270
01:05:04,920 --> 01:05:06,640
Speaker 1: wife picked a bunch of books. I don't read a

1271
01:05:06,680 --> 01:05:09,240
Speaker 1: whole lot. Okay, cool, all right, there is a movie, Mike.

1272
01:05:09,560 --> 01:05:12,320
Speaker 1: Check it out a movie Mike's Movie Podcast. Ahead to

1273
01:05:12,600 --> 01:05:16,280
Speaker 1: Bobbybones dot com slash Vegas and you get a ticket

1274
01:05:16,320 --> 01:05:18,360
Speaker 1: to our daytime stage in Las Vegas and you can

1275
01:05:18,440 --> 01:05:20,680
Speaker 1: watch Chase Rice from a private viewing area with the

1276
01:05:20,720 --> 01:05:23,080
Speaker 1: Bobby Bones show Nascuba. Well, how do they do that?

1277
01:05:23,240 --> 01:05:25,200
Speaker 1: It's not anybody who gets a ticket, right, No, So

1278
01:05:25,280 --> 01:05:26,880
Speaker 1: you have to be one of the first fifty people

1279
01:05:26,960 --> 01:05:28,280
Speaker 1: to go in, and you can use one of the

1280
01:05:28,400 --> 01:05:32,800
Speaker 1: keywords of either lunchbox or Eddie. What was the second one?

1281
01:05:32,800 --> 01:05:35,720
Speaker 1: He hooed over it. Sorry, it's Amy lunchbox and Eddie

1282
01:05:35,840 --> 01:05:38,400
Speaker 1: got it. So if you put one of those words in, Yes,

1283
01:05:38,520 --> 01:05:40,400
Speaker 1: you get one of those fifty tickets while they're available.

1284
01:05:40,480 --> 01:05:41,920
Speaker 1: You have to buy it, get to buy. Yes, we're

1285
01:05:41,960 --> 01:05:44,960
Speaker 1: seventy five dollars. You get to see everybody that's performing

1286
01:05:45,080 --> 01:05:47,880
Speaker 1: that day, the daytime stage. But then chase rice with

1287
01:05:48,040 --> 01:05:52,360
Speaker 1: us Bobbybones dot com slash Vegas. Only fifty spots get

1288
01:05:52,400 --> 01:05:54,840
Speaker 1: years now and the show is Saturday set from twenty

1289
01:05:54,880 --> 01:05:56,919
Speaker 1: fourth and you go there and you put an Amy

1290
01:05:57,000 --> 01:05:59,360
Speaker 1: Lunchbox or Eddie, and then you can what if you

1291
01:05:59,400 --> 01:06:01,240
Speaker 1: don't want to go, we don't want to hang out

1292
01:06:01,240 --> 01:06:04,000
Speaker 1: with any lunchbox or can you do nobody and you

1293
01:06:04,080 --> 01:06:06,680
Speaker 1: can just go to a still get a ticket. You

1294
01:06:06,720 --> 01:06:10,280
Speaker 1: can just buy a normal tickets. Yes, of course, I'm

1295
01:06:10,320 --> 01:06:12,800
Speaker 1: just asking. That's a great question. Ask yeah, because I

1296
01:06:12,840 --> 01:06:14,560
Speaker 1: mean what if what if they sell all fifty and

1297
01:06:14,600 --> 01:06:16,240
Speaker 1: people still want to go to the daytimes? Yes, and

1298
01:06:16,280 --> 01:06:18,680
Speaker 1: you can still buy regular tickets correct, Yeah, okay, all right,

1299
01:06:18,720 --> 01:06:21,520
Speaker 1: Well check it out Bobby Bones dot com slash Vegas

1300
01:06:21,520 --> 01:06:23,680
Speaker 1: and put in Amy Lunchbox or Eddie. Is there a

1301
01:06:23,720 --> 01:06:27,920
Speaker 1: competition between these three scoobaka, I don't care about that.

1302
01:06:28,000 --> 01:06:30,920
Speaker 1: Then okay we should keep track. The company's like, well

1303
01:06:31,080 --> 01:06:32,680
Speaker 1: you should do a competition. It's other morning shows. I

1304
01:06:32,720 --> 01:06:34,920
Speaker 1: don't give a crap out of the movie said, yeah,

1305
01:06:35,000 --> 01:06:37,320
Speaker 1: that's some competition. We will just tell our listeners and

1306
01:06:37,360 --> 01:06:39,400
Speaker 1: they want to go, they can go. I'm not doing

1307
01:06:39,440 --> 01:06:42,480
Speaker 1: a competition, it's not we're selling many girls got cook

1308
01:06:42,520 --> 01:06:43,720
Speaker 1: as we can so I can get a little chair

1309
01:06:43,720 --> 01:06:47,080
Speaker 1: with the umbrella over it. What this is happening right now?

1310
01:06:47,320 --> 01:06:48,520
Speaker 1: It's like when you tell a bit you can't get

1311
01:06:48,520 --> 01:06:50,240
Speaker 1: my drink water in thirty seconds ago. That's what the

1312
01:06:50,240 --> 01:06:53,680
Speaker 1: company's doing to me. It's contest against other shows. Go yeah,

1313
01:06:53,720 --> 01:06:55,960
Speaker 1: I got your contest right here. But you can't see

1314
01:06:55,960 --> 01:06:57,960
Speaker 1: what I'm doing, right, should you? The key word Bobby,

1315
01:06:58,320 --> 01:06:59,960
Speaker 1: I won't be there. Apparently I'm not on the list here.

1316
01:07:00,120 --> 01:07:01,920
Speaker 1: Oh man, thank you. That's how you found out. I

1317
01:07:02,000 --> 01:07:03,960
Speaker 1: try to go watch Chase right, So I'm good. Yeah,

1318
01:07:04,640 --> 01:07:07,400
Speaker 1: all right, Bobby Bones dot Yes, you'll be there, Bobby

1319
01:07:07,440 --> 01:07:10,880
Speaker 1: Bones dot com slash Vegas check it out. We'll see

1320
01:07:10,880 --> 01:07:15,520
Speaker 1: you guys. That's it for today. What nothing man? Today?

1321
01:07:15,680 --> 01:07:17,760
Speaker 1: I heard there's a covered area like it's going to

1322
01:07:17,800 --> 01:07:19,720
Speaker 1: be shaded with a bar air condition. There you go,

1323
01:07:20,120 --> 01:07:22,120
Speaker 1: all right, We'll see you guys on Monday by everybody.

1324
01:07:22,720 --> 01:07:23,760
Speaker 1: Bobby Bones is on