WEBVTT - Session 461: New-Age Black Rom-Coms

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<v Speaker 1>Welcome to the Therapy for Black Girls Podcast, a weekly

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<v Speaker 1>conversation about mental health, personal development, and all the small

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<v Speaker 1>decisions we can make to become the best possible versions

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<v Speaker 1>of ourselves. I'm your host, doctor Joy hard and Bradford,

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<v Speaker 1>a licensed psychologist in Atlanta, Georgia. For more information or

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<v Speaker 1>to find a therapist in your area, visit our website

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<v Speaker 1>at Therapy for Blackgirls dot com. While I hope you

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<v Speaker 1>love listening to and learning from the podcast, it is

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<v Speaker 1>not meant to be a substitute for a relationship with

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<v Speaker 1>a licensed mental health professional. Hey, y'all, thanks so much

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<v Speaker 1>for joining me for session four sixty one of the

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<v Speaker 1>Therapy for Black Girls Podcast. We'll get right into our

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<v Speaker 1>conversation after word from our sponsors. Y'all know, I'd love

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<v Speaker 1>to chat with our producer team about the latest in

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<v Speaker 1>pop culture, and this week we're talking all things the

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<v Speaker 1>Drama and You, Me and Tuscany. For different reasons, both

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<v Speaker 1>of these films starring beloved black women have taken over

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<v Speaker 1>the conversations we're having on social and in our own circles.

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<v Speaker 1>What do these new age black rom coms say about

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<v Speaker 1>how we currently look at love and relationships and who

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<v Speaker 1>gets to tell those stories. We get into all of

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<v Speaker 1>that and more in today's episode, but first we are

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<v Speaker 1>desperately in need of an emergency pop culture check in

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<v Speaker 1>a lot, maybe even too much has occurred. And as

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<v Speaker 1>a therapist but also someone who appreciates and loves pop culture,

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<v Speaker 1>it wouldn't be me if I didn't dig into the

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<v Speaker 1>mental health aspect of all of this. There are spoilers ahead,

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<v Speaker 1>so if you haven't seen the movie, make sure you

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<v Speaker 1>do before you listen to today's episode, and if you

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<v Speaker 1>want to share your thoughts on them, please do so

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<v Speaker 1>on social media using the hashtag TVG in session, or

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<v Speaker 1>join us over in Patreon to talk more about the episode.

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<v Speaker 1>You can join us at community dot therapy for Blackgirls

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<v Speaker 1>dot com. Thank you for indulging in my pop culture musings.

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<v Speaker 1>Now let's get into our conversation. So I am very

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<v Speaker 1>excited to be here with Bria, our production assistant, for

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<v Speaker 1>our to be named in the future segment all about

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<v Speaker 1>pop culture. It just feels like there's always so much

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<v Speaker 1>going on around pop culture that I have some thoughts about,

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<v Speaker 1>particularly this week, and so Bria and I slid into

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<v Speaker 1>the booths, so to speak, for an emergency recording to

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<v Speaker 1>kind of get some things off of our chest and

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<v Speaker 1>to weigh in on some of the topics that we

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<v Speaker 1>know that you are talking about, but of course with

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<v Speaker 1>a psychology standpoint. So, Brio, what do we have on

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<v Speaker 1>the list to chat about today?

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<v Speaker 2>For sure is a lot to talk about. First things First,

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<v Speaker 2>is the Michael Jackson movie. So, the new Michael Jackson

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<v Speaker 2>movie premiered this weekend. It revisits his rise to fame

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<v Speaker 2>and notably the complicated relationship with his father, Joe Jackson.

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<v Speaker 2>The film specifically highlights how Joe's intensity and his push

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<v Speaker 2>for perfection helped create a global icon, but might have

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<v Speaker 2>come at the cost of Michael's childhood and emotional well being. So,

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<v Speaker 2>from your perspective, how do we distinguish between healthy encouragement

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<v Speaker 2>as parents in causing emotional and psychological damage? oOoOO, that's a.

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<v Speaker 3>Big question, Brian.

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<v Speaker 1>So first of all, have you seen the movie?

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<v Speaker 2>Yes?

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<v Speaker 1>I talked, Okay, okay, so I haven't seen it yet,

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<v Speaker 1>but my kids really want to see it. Do you

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<v Speaker 1>feel like it is PG friendly?

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<v Speaker 3>Like, is it kid friendly?

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<v Speaker 4>I would say so, I would say so.

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<v Speaker 2>They didn't touch on a lot of the scandals and

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<v Speaker 2>the things that he was accused of. I think they

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<v Speaker 2>had to actually cut that out, so it took a

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<v Speaker 2>lot of money and time to do that.

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<v Speaker 1>But oh, that was initially included in an estate.

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<v Speaker 2>Cut it out, so including that so it really was

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<v Speaker 2>just like him as a child, like how he kind

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<v Speaker 2>of stepped to his father and stuff like that eventually.

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<v Speaker 1>Okay, Okay, So the question is what's the line from

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<v Speaker 1>like encouraging your child to be great and kind of

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<v Speaker 1>be a star versus like psychological damage. Yes, exactly, And

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<v Speaker 1>I feel like that's probably a pretty well, I don't

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<v Speaker 1>know if it's a pretty clear line. I mean, because

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<v Speaker 1>I think when you listen to stories or when I've

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<v Speaker 1>heard accounts of people who go on to have kids

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<v Speaker 1>who are like stars, right like Michael Jackson and Serena

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<v Speaker 1>Williams and you know, Tiger Woods, like I feel like

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<v Speaker 1>we've heard accounts from their parents who talked about recognizing

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<v Speaker 1>that there was something special there very early on, and

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<v Speaker 1>that always feels like a struggle for me, because yes,

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<v Speaker 1>you may recognize that, like your kid has some particular

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<v Speaker 1>skill or talent, but it feels like what happens when

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<v Speaker 1>we push them to this level is that they lose

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<v Speaker 1>like all sense of childhood, right, And so I feel like,

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<v Speaker 1>for me, the line as a psychologist feels very different

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<v Speaker 1>given what I know about child stardom and you know,

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<v Speaker 1>just like the things that I think are important for

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<v Speaker 1>kids to develop, I don't know that in good conscious

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<v Speaker 1>I feel like I could make that decision to kind

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<v Speaker 1>of say, Okay, we're going to forego a more classic

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<v Speaker 1>childhood to kind of lean into like this, this talent.

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<v Speaker 1>But on the other hand, like these these people may

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<v Speaker 1>not have developed into who they were going to be

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<v Speaker 1>without this. But I feel like there has to be

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<v Speaker 1>a line of Okay, we can lean into their greatness,

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<v Speaker 1>but it doesn't have to teeter then onto psychological damage, right,

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<v Speaker 1>Like yeah, kay, we sign up for the extra practices,

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<v Speaker 1>we let them do the singing classes, we let them

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<v Speaker 1>perform or whatever. I think Joe Jackson is a special

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<v Speaker 1>kind of for sure, you know, outlier, right, because I

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<v Speaker 1>think it wasn't just about like leaning into his greatness,

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<v Speaker 1>Like there was also like accounts of abuse and like

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<v Speaker 1>you know, really went to far. So I think there's

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<v Speaker 1>a way to kind of lean into your child's special

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<v Speaker 1>talent and gifts and kind of allow them to share

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<v Speaker 1>that without it becoming an abusive situation. But I think

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<v Speaker 1>the greater question is what is the line around leaning

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<v Speaker 1>into a talent and then how much of their traditional

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<v Speaker 1>childhood is robbed by always being in a practice, always performing,

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<v Speaker 1>always doing those kinds of things. And as somebody who

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<v Speaker 1>knows enough about mental health to kind of know where

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<v Speaker 1>that line is, it feels like it would be a

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<v Speaker 1>no for me. But I am curious to hear about

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<v Speaker 1>from other parents maybe who have recognized that your childlike

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<v Speaker 1>is great at something. What is the line for too

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<v Speaker 1>much for you? I'd love to hear because I don't

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<v Speaker 1>necessarily have a definitive answer just what I think I

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<v Speaker 1>might do for myself.

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<v Speaker 3>Yeah.

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<v Speaker 2>No, that's great, and I think it kind of opens

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<v Speaker 2>a broader question also because in that same vein, what

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<v Speaker 2>are some of those long term emotional effects where you're

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<v Speaker 2>growing up in an environment where the love might feel conditional,

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<v Speaker 2>or on achievement of how well you two, whether in

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<v Speaker 2>school or events or with your talents too.

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<v Speaker 3>That is such a good point.

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<v Speaker 1>I hadn't even thought about that, right, I mean, you know,

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<v Speaker 1>because I think we know the stuff around kind of

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<v Speaker 1>people feeling like their childhood is arrested.

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<v Speaker 3>So this arrested.

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<v Speaker 1>Development kind of thing, right, like you almost stay the

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<v Speaker 1>age that you were before, like all this stardom happened,

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<v Speaker 1>And so we know that there tends to be difficulty

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<v Speaker 1>connecting with peers because maybe they have not been able

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<v Speaker 1>to develop like those kinds of relationships skills with their peers.

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<v Speaker 1>But I hadn't even thought about the idea that once

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<v Speaker 1>your child is maybe like bringing in a stream of

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<v Speaker 1>income and if the family is dependent on this income,

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<v Speaker 1>then how does that change your relationship to your child.

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<v Speaker 3>That's a very different kind of thing.

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<v Speaker 1>And I think that's a part of the conversation people

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<v Speaker 1>are often having with like child influencers or like children online, right,

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<v Speaker 1>like should your child and like who they are and

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<v Speaker 1>their interests be the thing that keeps the lights on

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<v Speaker 1>for the house. And I think that that probably is

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<v Speaker 1>a very unhealthy kind of dynamic because now you have

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<v Speaker 1>moved into an employer employee relationship as opposed to like

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<v Speaker 1>parent child, which is very different.

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<v Speaker 2>Yeah, no, that makes a ton of sense. Yeah, all right,

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<v Speaker 2>let's move on to our next topic.

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<v Speaker 5>We had to touch.

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<v Speaker 4>On Meg Thee Stallion and Clay Thompson.

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<v Speaker 2>So Meg the Stallion shared your Instagram this weekend that

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<v Speaker 2>she was cheated on by Clay Thompson. Now, this comes

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<v Speaker 2>after several challenging years for Meg. She lost her mother

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<v Speaker 2>a few years ago. She went through a very highly

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<v Speaker 2>publicized dramatic event with Tory Lanes as well. It's honestly

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<v Speaker 2>sparked a lot of conversations about emotional resilience when life

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<v Speaker 2>just keeps delivering setbacks, because it seems like one thing

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<v Speaker 2>after another with her. From your perspective, what happens psychologically

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<v Speaker 2>when someone experiences repeated emotional hits back to back.

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<v Speaker 1>So can I just start by saying I was so

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<v Speaker 1>heartbroken by this news crush, not necessarily because relationship goals

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<v Speaker 1>or anything, but just because it felt like Meg genuinely

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<v Speaker 1>was happy, yeah, and finally felt like she had some peace.

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<v Speaker 1>He introduced her to his family, and you know, like

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<v Speaker 1>you mentioned, like we all know the story of her

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<v Speaker 1>parents dying very early, and it did kind of feel

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<v Speaker 1>like she was getting the support system and like the

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<v Speaker 1>kind of sarrogate family so to speak, that she no

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<v Speaker 1>longer had with her. And so I think, just given

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<v Speaker 1>all of the things we know, even publicly right like

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<v Speaker 1>there's probably still tons that we don't know, but with

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<v Speaker 1>the Tory Lanez case and her family members dying, like

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<v Speaker 1>she has had an incredibly difficult several past couple of years, right,

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<v Speaker 1>and so to have this now a heartbreak on top

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<v Speaker 1>of all of the things when it finally felt like

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<v Speaker 1>maybe things were turning her corner, just it just was

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<v Speaker 1>heartbreaking because she just seems like such a sweet spirit

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<v Speaker 1>and like so fun and like just a sweet person,

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<v Speaker 1>and so have something like this happened so publicly, I

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<v Speaker 1>think it's awful. Not that private would have made it better,

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<v Speaker 1>but publicly definitely does not help. And so I think

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<v Speaker 1>when you think about like resilience, I feel like, at

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<v Speaker 1>a certain point, like we've developed it enough, right, like

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<v Speaker 1>repeated awful things happening, Like I feel like, at some point,

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<v Speaker 1>like your bounce back factor, which is what resilience is, like,

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<v Speaker 1>you've had enough, and I feel like Meg has had enough.

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<v Speaker 1>And so when you think about what happens after you've

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<v Speaker 1>had repeated traumatic experiences, I think it is very easy

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<v Speaker 1>to like withdraw, especially in romantic relationships. Who would want

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<v Speaker 1>to sign up for something like that again?

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<v Speaker 4>Right?

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<v Speaker 1>So I think it probably changes the way you relate

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<v Speaker 1>in terms of romantic partners or even interest in doing that.

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<v Speaker 1>I think that that it also could be a questioning

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<v Speaker 1>of like am I doing something to continue to end

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<v Speaker 1>up in this case, and Meg, if you happen to

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<v Speaker 1>listen to this, there is nothing that you are doing

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<v Speaker 1>in anybody, right, Like, when awful things happen, it can

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<v Speaker 1>be really easy to turn inward because we don't often

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<v Speaker 1>have a lot of other answers, right, and so a

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<v Speaker 1>lot of times we turn to the easiest, most accessible thing,

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<v Speaker 1>which is picking apart our own behavior. And so I

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<v Speaker 1>think you can sometimes see some damage to self esteem,

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<v Speaker 1>to feelings of worth and worthiness, some feelings of there's

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<v Speaker 1>something that I'm doing like I'm broken or I'm defective,

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<v Speaker 1>which is often not the case, right, Like we can't

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<v Speaker 1>internalize other people's bad decisions and poor behavior. That's what

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<v Speaker 1>comes to mind for me with this case is that

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<v Speaker 1>I hope that she does not think that this is

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<v Speaker 1>something about her or something that she did that would

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<v Speaker 1>result in this person also not being honest and not

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<v Speaker 1>being maybe who he presented to be to her.

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<v Speaker 2>He touched on it on a little bit already. But

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<v Speaker 2>if you could call Meg on the phone right now?

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<v Speaker 2>What would you tell her? Because I think that when

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<v Speaker 2>you're trying to give advice, how do people build resilient

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<v Speaker 2>or stay strong when they're constantly in this mode of survival?

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<v Speaker 1>Yeah, I think I would start by just saying I'm

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<v Speaker 1>so sorry that this happened, and feel awful that you

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<v Speaker 1>find yourself in this situation again, but that there also

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<v Speaker 1>is no pressure to be strong, because when you have

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<v Speaker 1>had awful things happen repeatedly like this, then I think

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<v Speaker 1>most people would find themselves falling apart, which is totally okay.

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<v Speaker 1>It's okay for us have human reactions to human experiences,

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<v Speaker 1>and this is a very sadly human experience, especially given

0:12:06.679 --> 0:12:09.480
<v Speaker 1>all the things that Meg has experienced. If you don't

0:12:09.520 --> 0:12:11.600
<v Speaker 1>feel like you want to be strong, I think that

0:12:11.600 --> 0:12:14.320
<v Speaker 1>that is okay, and strength actually probably is not going

0:12:14.400 --> 0:12:16.480
<v Speaker 1>to be doing you any favors right now, right Like,

0:12:16.480 --> 0:12:19.240
<v Speaker 1>it's okay to just feel the weight of how awful

0:12:19.280 --> 0:12:22.480
<v Speaker 1>and sucky it is to have a heartbreak, to lose

0:12:22.520 --> 0:12:25.480
<v Speaker 1>somebody who you felt connected to both him and his family,

0:12:25.920 --> 0:12:28.800
<v Speaker 1>and to maybe feel maybe embarrassed, like whatever it is

0:12:28.880 --> 0:12:31.679
<v Speaker 1>you are feeling, it is completely okay to feel that

0:12:32.200 --> 0:12:34.520
<v Speaker 1>and to just allow yourself to feel that, but also

0:12:34.559 --> 0:12:36.760
<v Speaker 1>hope that you have a support system who can rally

0:12:36.880 --> 0:12:39.760
<v Speaker 1>around you and give you the space to grieve and

0:12:39.840 --> 0:12:42.120
<v Speaker 1>to do what you need to do to move through this.

0:12:42.840 --> 0:12:44.840
<v Speaker 4>I agree, Yeah, I hope she takes a break soon

0:12:45.000 --> 0:12:46.920
<v Speaker 4>because she was performing I'm.

0:12:46.800 --> 0:12:49.160
<v Speaker 2>Broad away like yesterday, I was like, you should take

0:12:49.200 --> 0:12:49.640
<v Speaker 2>some time.

0:12:50.120 --> 0:12:51.040
<v Speaker 4>Yeah, definitely.

0:12:51.520 --> 0:12:55.080
<v Speaker 2>Well, our last topic of the day is all about

0:12:55.360 --> 0:12:57.960
<v Speaker 2>Summer House, So we're entering Bravo Land.

0:12:57.800 --> 0:12:58.400
<v Speaker 5>For this one.

0:12:59.000 --> 0:13:02.160
<v Speaker 2>For a little bit of con text, someone named Sierra

0:13:02.280 --> 0:13:06.439
<v Speaker 2>Miller and Amanda Batula. They were on this show called Summerhouse.

0:13:06.679 --> 0:13:09.880
<v Speaker 2>There is a situation where Sierra was dating a man

0:13:10.480 --> 0:13:13.720
<v Speaker 2>and they decided it wasn't working. She ended up cutting

0:13:13.720 --> 0:13:17.360
<v Speaker 2>it off, and then now a couple of years later, Amanda,

0:13:17.480 --> 0:13:19.920
<v Speaker 2>who is very close friends with Sierra by the way,

0:13:20.440 --> 0:13:23.560
<v Speaker 2>is now dating the same set man. It sparked a

0:13:23.600 --> 0:13:28.880
<v Speaker 2>lot of conversation around the tensions of loyalty and boundaries

0:13:28.960 --> 0:13:31.959
<v Speaker 2>and how friendships can even survive fallouts like this.

0:13:32.480 --> 0:13:34.840
<v Speaker 4>So, how do you get to a place.

0:13:34.600 --> 0:13:38.600
<v Speaker 2>Of honoring your emotions and healing when any opinions of

0:13:38.640 --> 0:13:40.160
<v Speaker 2>others you don't deserve it?

0:13:40.600 --> 0:13:43.000
<v Speaker 1>Well, why wouldn't she deserve it? First of all, So

0:13:43.160 --> 0:13:45.079
<v Speaker 1>I do not watch the show. Though I'm a fan

0:13:45.160 --> 0:13:47.160
<v Speaker 1>of some Bravo shows, I have not seen this season

0:13:47.200 --> 0:13:51.640
<v Speaker 1>of Bravo Summer House. So did Sierra and Amanda? Did

0:13:51.720 --> 0:13:54.640
<v Speaker 1>Amanda start dating this guy when Sierra and the guy

0:13:54.679 --> 0:13:56.800
<v Speaker 1>were still dating? Like, is this a cheating kind of thing?

0:13:56.880 --> 0:13:58.640
<v Speaker 1>Or is it like, oh, we've been broken up for

0:13:58.679 --> 0:14:01.120
<v Speaker 1>two years and now she's dating him they.

0:14:00.960 --> 0:14:02.640
<v Speaker 2>Were broken up for a few years, and let me

0:14:02.720 --> 0:14:06.560
<v Speaker 2>like reword the question. So essentially Amanda has come forward

0:14:06.679 --> 0:14:06.920
<v Speaker 2>or no.

0:14:06.960 --> 0:14:08.120
<v Speaker 5>There was some leaked.

0:14:07.840 --> 0:14:11.200
<v Speaker 2>Audio of the reunion and there's been like a lot

0:14:11.200 --> 0:14:14.880
<v Speaker 2>of conversation that Amanda has been like, oh, well, you know,

0:14:15.200 --> 0:14:17.720
<v Speaker 2>this is just like what the heart wanted and I'm

0:14:17.720 --> 0:14:20.640
<v Speaker 2>in love. How can you even deny that? I think

0:14:20.880 --> 0:14:22.520
<v Speaker 2>paraphrasing paraphrasing.

0:14:22.080 --> 0:14:24.400
<v Speaker 4>But that's essentially what the gist is giving.

0:14:25.000 --> 0:14:28.280
<v Speaker 2>So I think it's more so like honoring your emotions

0:14:28.320 --> 0:14:31.720
<v Speaker 2>of this is how you feel, versus do you actually

0:14:31.760 --> 0:14:33.800
<v Speaker 2>deserve to feel that way? Because that's your friend, right

0:14:34.600 --> 0:14:37.960
<v Speaker 2>from this woman, this white woman's perspective, Well.

0:14:38.080 --> 0:14:41.320
<v Speaker 1>Right, because that's the other nuance to this, right is yes,

0:14:41.400 --> 0:14:43.600
<v Speaker 1>heah as a black woman and Amanda.

0:14:43.280 --> 0:14:43.960
<v Speaker 3>Is a white woman.

0:14:44.320 --> 0:14:47.000
<v Speaker 1>Feelings are valid, right, Like, so if you feel like

0:14:47.200 --> 0:14:50.360
<v Speaker 1>you were in love with this man or whatever, okay,

0:14:50.560 --> 0:14:53.880
<v Speaker 1>Like we can acknowledge that maybe the feelings existed, but

0:14:54.000 --> 0:14:56.040
<v Speaker 1>do we need to act on all of our feelings?

0:14:56.080 --> 0:14:57.920
<v Speaker 1>And I think that that is the question. And so

0:14:58.440 --> 0:15:00.640
<v Speaker 1>when I think about like being a girl girl and

0:15:00.720 --> 0:15:04.640
<v Speaker 1>like girl code, like anybody who my friend who has

0:15:04.760 --> 0:15:08.320
<v Speaker 1>dated like you basically don't exist to me anymore, like

0:15:08.360 --> 0:15:11.240
<v Speaker 1>after that relationship is over, and so you know, like

0:15:11.280 --> 0:15:13.360
<v Speaker 1>I guess I could see a situation where maybe you

0:15:13.440 --> 0:15:15.720
<v Speaker 1>develop feelings, but I feel like the friendship has to

0:15:15.720 --> 0:15:17.360
<v Speaker 1>be stronger.

0:15:16.920 --> 0:15:17.800
<v Speaker 3>And is it worth it?

0:15:17.920 --> 0:15:20.480
<v Speaker 1>Right, Like there are no shortage of random men you

0:15:20.480 --> 0:15:22.800
<v Speaker 1>could be dating. So I do think it questions the

0:15:22.920 --> 0:15:26.720
<v Speaker 1>loyalty and the like, where does your allegiance lie if

0:15:26.920 --> 0:15:30.200
<v Speaker 1>a couple of years after the breakup? Now, especially if

0:15:30.200 --> 0:15:32.600
<v Speaker 1>this was a significant relationship. This wasn't like a one

0:15:32.680 --> 0:15:34.600
<v Speaker 1>time like oh, we went to dinner and got some

0:15:35.040 --> 0:15:37.480
<v Speaker 1>appetizers and you know it was a loose kind of

0:15:37.560 --> 0:15:39.760
<v Speaker 1>thing Like this sounds like we have a significant relationship

0:15:39.760 --> 0:15:42.480
<v Speaker 1>that she probably cried to her friend about and like

0:15:42.560 --> 0:15:46.480
<v Speaker 1>she knew intimate details, and so to me, a pre

0:15:46.560 --> 0:15:51.160
<v Speaker 1>existing relationship with a girlfriend supersedes any kind of like,

0:15:51.280 --> 0:15:55.120
<v Speaker 1>oh I got feelings for this person because my girlfriend

0:15:55.200 --> 0:15:57.840
<v Speaker 1>was there first. So I think it is like, yeah,

0:15:57.880 --> 0:16:01.000
<v Speaker 1>you can be loyal to your feelings, acknowledge that maybe

0:16:01.040 --> 0:16:03.200
<v Speaker 1>you have some feelings, but I don't think we have

0:16:03.280 --> 0:16:05.440
<v Speaker 1>to act on all of our feelings. And in the

0:16:05.480 --> 0:16:09.440
<v Speaker 1>situation of dating a friend's X, I just don't think

0:16:09.480 --> 0:16:10.960
<v Speaker 1>that that's aligned that should.

0:16:10.680 --> 0:16:11.440
<v Speaker 3>Ever be crossed.

0:16:11.720 --> 0:16:14.800
<v Speaker 2>Absolutely, and you touched on the nuance a little bit already.

0:16:14.920 --> 0:16:18.640
<v Speaker 2>But Sierra is a black woman and Amanda is a

0:16:18.680 --> 0:16:21.840
<v Speaker 2>white woman, and I think from the leaved audio there's

0:16:21.880 --> 0:16:25.480
<v Speaker 2>been a lot of conversation on is she actually responsible

0:16:25.560 --> 0:16:29.040
<v Speaker 2>for concealing those feelings? But I feel like that same

0:16:29.080 --> 0:16:32.560
<v Speaker 2>grace isn't really being extended to Sierra. It's almost an

0:16:32.560 --> 0:16:35.440
<v Speaker 2>expectation that like, Okay, if that was really your friend,

0:16:35.480 --> 0:16:38.240
<v Speaker 2>you should be glad that she's happy now, Like there's

0:16:38.240 --> 0:16:40.280
<v Speaker 2>been a lot of conversation on social media that isn't

0:16:40.600 --> 0:16:43.400
<v Speaker 2>exactly aligned like with what I risally.

0:16:43.200 --> 0:16:47.000
<v Speaker 4>Would feel about it. But from your perspective, how do

0:16:47.080 --> 0:16:48.240
<v Speaker 4>you release.

0:16:47.960 --> 0:16:50.960
<v Speaker 2>That expectation to take everything on the chin, especially when

0:16:51.000 --> 0:16:54.440
<v Speaker 2>you're experiencing a lot of hur I think from Sierra's

0:16:54.440 --> 0:16:57.160
<v Speaker 2>point of view, I think everyone's kind of picking sides

0:16:57.240 --> 0:17:00.360
<v Speaker 2>right now, and there's almost this expectation as a women

0:17:00.480 --> 0:17:03.680
<v Speaker 2>that like, your feelings don't matter, Like maybe this person's

0:17:03.720 --> 0:17:04.880
<v Speaker 2>feelings take priority.

0:17:05.240 --> 0:17:06.879
<v Speaker 4>So how would you naviget that?

0:17:07.359 --> 0:17:09.439
<v Speaker 1>Yeah, I don't think she needs to take anything on

0:17:09.440 --> 0:17:11.760
<v Speaker 1>the chin, right, I think historically black women have had

0:17:11.800 --> 0:17:13.520
<v Speaker 1>to take a lot on the chin. And something that

0:17:13.720 --> 0:17:17.200
<v Speaker 1>is such a personal attack or is such a personal experience,

0:17:17.240 --> 0:17:20.359
<v Speaker 1>like your friend dating your ex, Like, who wouldn't be

0:17:20.560 --> 0:17:22.800
<v Speaker 1>upset about that? I mean, I guess maybe some people

0:17:23.119 --> 0:17:26.240
<v Speaker 1>wouldn't be, but I think most people would feel some

0:17:26.440 --> 0:17:29.680
<v Speaker 1>kind of way about it. Now, some people might eventually

0:17:29.720 --> 0:17:32.639
<v Speaker 1>get to a place where they're like, oh, you know, okay, fine,

0:17:32.680 --> 0:17:34.560
<v Speaker 1>like we are done and it's okay for you to

0:17:34.600 --> 0:17:37.960
<v Speaker 1>do that. But I think most of us would feel

0:17:38.000 --> 0:17:40.159
<v Speaker 1>some kind of way about a friend dating an ex.

0:17:40.520 --> 0:17:42.560
<v Speaker 1>And so again, you know, just like we talked about

0:17:42.560 --> 0:17:44.600
<v Speaker 1>with Meg, like it's okay to have a human reaction

0:17:44.640 --> 0:17:46.919
<v Speaker 1>to a human experience, and so if you are hurt,

0:17:47.440 --> 0:17:49.920
<v Speaker 1>you don't do yourself any favors and you're healing any

0:17:49.960 --> 0:17:51.800
<v Speaker 1>favors by like trying to suck it up and like

0:17:52.160 --> 0:17:55.040
<v Speaker 1>pretend like it's okay. Or I understand why she might

0:17:55.040 --> 0:17:57.240
<v Speaker 1>not want to be super vulnerable on the internet, and

0:17:57.280 --> 0:17:59.760
<v Speaker 1>you know, social media definitely doesn't deserve that. But in

0:17:59.760 --> 0:18:02.639
<v Speaker 1>her private circles, I hope that she is able to

0:18:02.880 --> 0:18:04.840
<v Speaker 1>talk about how much it sucks and that she's.

0:18:04.680 --> 0:18:05.480
<v Speaker 3>Not okay with it.

0:18:05.640 --> 0:18:09.000
<v Speaker 1>And I don't think that she should lean into the like, oh,

0:18:09.040 --> 0:18:11.560
<v Speaker 1>I'm okay with it if she actually isn't, just so

0:18:11.640 --> 0:18:14.240
<v Speaker 1>that like people won't paint her as a villain, because

0:18:14.240 --> 0:18:16.440
<v Speaker 1>it's likely people are doing that anyway, just because she's

0:18:16.440 --> 0:18:19.320
<v Speaker 1>a black woman. Yeah, Like you know that, people and like,

0:18:19.520 --> 0:18:22.480
<v Speaker 1>narratives are often fun to make black women the villains

0:18:22.520 --> 0:18:25.200
<v Speaker 1>in a story, and in this case, I don't think

0:18:25.240 --> 0:18:26.800
<v Speaker 1>she is, and so I don't think that there's a

0:18:26.840 --> 0:18:29.320
<v Speaker 1>reason for her to kind of lean into that or

0:18:29.400 --> 0:18:32.239
<v Speaker 1>leaning into forgiving her moving past it if she is

0:18:32.280 --> 0:18:33.560
<v Speaker 1>not actually ready.

0:18:33.320 --> 0:18:33.679
<v Speaker 3>To do that.

0:18:34.040 --> 0:18:36.720
<v Speaker 2>Definitely, I could talk all day about how black women

0:18:36.760 --> 0:18:46.159
<v Speaker 2>are treated on reality TV, but the conversation.

0:18:43.040 --> 0:18:45.119
<v Speaker 1>A couple of episodes, so we maybe do for another

0:18:45.160 --> 0:18:47.840
<v Speaker 1>one soon. So thank you so much for sharing Thoseria.

0:18:48.000 --> 0:18:50.600
<v Speaker 1>I definitely had some thoughts and clearly have lots of

0:18:50.640 --> 0:18:52.120
<v Speaker 1>thoughts around pop culture stuff.

0:18:52.160 --> 0:18:53.200
<v Speaker 3>But if there's something that.

0:18:53.119 --> 0:18:56.240
<v Speaker 1>You see or watch in the world, then you would

0:18:56.400 --> 0:18:58.040
<v Speaker 1>like us to weigh in on for this to be

0:18:58.200 --> 0:19:01.280
<v Speaker 1>named segment of our culture to talk, please send that

0:19:01.359 --> 0:19:03.200
<v Speaker 1>to us. You can send it to us at Therapy

0:19:03.200 --> 0:19:05.840
<v Speaker 1>for Blackgirls dot com slash mailbox and let us know

0:19:05.880 --> 0:19:08.200
<v Speaker 1>what you are paying attention to and we might include

0:19:08.200 --> 0:19:11.400
<v Speaker 1>it in a future segment. Also, if you have ideas

0:19:11.400 --> 0:19:13.720
<v Speaker 1>for what we should call this segment, what name should

0:19:13.720 --> 0:19:15.240
<v Speaker 1>we give it. If you can think of a catching

0:19:15.359 --> 0:19:18.080
<v Speaker 1>name for this segment, let us know that too. Again,

0:19:18.119 --> 0:19:20.200
<v Speaker 1>you can share that in the mailbox at Therapy for

0:19:20.280 --> 0:19:22.720
<v Speaker 1>Blackgirls dot com slash mailbox, or you can leave it

0:19:22.760 --> 0:19:25.000
<v Speaker 1>in an Instagram comment send us a DM. We are

0:19:25.080 --> 0:19:30.800
<v Speaker 1>checking all of those. Oh well, I am very excited

0:19:30.840 --> 0:19:32.880
<v Speaker 1>to be back with the team today for another one

0:19:32.880 --> 0:19:35.360
<v Speaker 1>of our pop culture conversations always.

0:19:35.080 --> 0:19:36.040
<v Speaker 3>Some of my favorites.

0:19:36.320 --> 0:19:39.200
<v Speaker 1>So we will do quick introductions so that people who

0:19:39.240 --> 0:19:41.000
<v Speaker 1>have not met the team can read the team. So

0:19:41.000 --> 0:19:41.720
<v Speaker 1>we will start with you.

0:19:41.800 --> 0:19:42.480
<v Speaker 3>Bria.

0:19:42.680 --> 0:19:45.399
<v Speaker 2>Hi, everyone, my name is Bria. I am the production

0:19:45.480 --> 0:19:46.880
<v Speaker 2>assistant for TVG.

0:19:47.359 --> 0:19:51.760
<v Speaker 6>Hi everyone, my name is Elise. I'm our director of podcast.

0:19:52.280 --> 0:19:54.679
<v Speaker 6>Fancy way to say like senior producer, but you know

0:19:54.880 --> 0:19:56.720
<v Speaker 6>I'm always excited for from I.

0:19:56.720 --> 0:19:58.560
<v Speaker 3>Love end Day Same.

0:19:59.080 --> 0:20:01.840
<v Speaker 5>Hi everyone, I'm happy to be back here with our

0:20:01.840 --> 0:20:02.479
<v Speaker 5>little group.

0:20:02.920 --> 0:20:05.920
<v Speaker 6>I'm in Day and I'm a producer. I'm the podcast

0:20:05.920 --> 0:20:07.440
<v Speaker 6>sking here at TVG A.

0:20:07.359 --> 0:20:11.439
<v Speaker 7>Tari I am the resident he him at TBG and

0:20:11.480 --> 0:20:13.840
<v Speaker 7>a podcast producer for both the podcasts.

0:20:13.440 --> 0:20:15.040
<v Speaker 5>And tbgu perfect.

0:20:15.200 --> 0:20:18.080
<v Speaker 1>So the team has taken the opportunity to start off

0:20:18.080 --> 0:20:21.359
<v Speaker 1>the summer with some movie watching. You know, that's one

0:20:21.400 --> 0:20:23.159
<v Speaker 1>of my favorite topics to talk about, and so we

0:20:23.200 --> 0:20:25.040
<v Speaker 1>are going to be talking today about some of the

0:20:25.160 --> 0:20:29.280
<v Speaker 1>new age rom coms and the two latest introductions to

0:20:29.359 --> 0:20:32.639
<v Speaker 1>this genre, I guess are The Drama and You Me

0:20:32.880 --> 0:20:36.520
<v Speaker 1>and Tuscany. So we will start with the Drama. So

0:20:36.800 --> 0:20:38.879
<v Speaker 1>I will admit that I did not complete out my

0:20:38.920 --> 0:20:39.720
<v Speaker 1>homework assignment.

0:20:39.840 --> 0:20:42.080
<v Speaker 3>I did not get a chance to actually watch the drama.

0:20:42.160 --> 0:20:44.240
<v Speaker 1>I did see You Me and Tuscany, So I'm probably

0:20:44.240 --> 0:20:46.240
<v Speaker 1>going to be more on the just facilitating this part

0:20:46.240 --> 0:20:49.040
<v Speaker 1>of the conversation, but everybody else on the team watched it.

0:20:49.320 --> 0:20:52.159
<v Speaker 1>So how would you rate the film on a scale

0:20:52.160 --> 0:20:53.720
<v Speaker 1>of one to ten and day.

0:20:53.760 --> 0:20:56.680
<v Speaker 6>We will start with you first. I'll say we will

0:20:56.720 --> 0:20:59.440
<v Speaker 6>be spoiling. There's nothing to talk about these movies without spoiling.

0:20:59.480 --> 0:21:01.960
<v Speaker 6>So if you haven't seeing them, then just come back,

0:21:02.280 --> 0:21:03.040
<v Speaker 6>come back and listen.

0:21:03.359 --> 0:21:06.600
<v Speaker 5>I'm gonna give the drama. I'll give it an eight.

0:21:06.680 --> 0:21:07.640
<v Speaker 5>I'll give it a solid eight.

0:21:08.160 --> 0:21:10.280
<v Speaker 1>It's pretty high. What about you at least?

0:21:10.840 --> 0:21:13.160
<v Speaker 6>Yeah, I'm gonna have to agree. I'm given an eight

0:21:13.400 --> 0:21:16.400
<v Speaker 6>eight and a half. It was big, it was messy,

0:21:16.600 --> 0:21:19.800
<v Speaker 6>it was fine. It was controversial, like this is why

0:21:20.119 --> 0:21:21.760
<v Speaker 6>I literally feel like you add for the AMC. But

0:21:21.800 --> 0:21:25.359
<v Speaker 6>this is why people go, oh, okay, yeah, I have

0:21:25.400 --> 0:21:25.920
<v Speaker 6>a good time.

0:21:25.960 --> 0:21:27.040
<v Speaker 5>It's like it was like a ride.

0:21:27.240 --> 0:21:30.000
<v Speaker 7>It was I'm gonna go seven point five. I think

0:21:30.040 --> 0:21:34.399
<v Speaker 7>that it was strong performances from the cast. It definitely

0:21:34.440 --> 0:21:40.440
<v Speaker 7>approached a subject matter that is under discussed, and it's

0:21:40.480 --> 0:21:43.439
<v Speaker 7>certainly like an interesting, I think way of doing getting

0:21:43.520 --> 0:21:46.879
<v Speaker 7>like this modern context. It just didn't have the like

0:21:46.960 --> 0:21:50.240
<v Speaker 7>extrao that I think makes a film like a plus

0:21:50.280 --> 0:21:52.320
<v Speaker 7>to me. But it was really solid and I would

0:21:52.320 --> 0:21:54.680
<v Speaker 7>rewatch it, okay, And.

0:21:54.640 --> 0:21:55.520
<v Speaker 3>What about you, Riya?

0:21:56.119 --> 0:21:58.520
<v Speaker 2>I was gonna say eight too. I really liked the

0:21:58.560 --> 0:22:05.359
<v Speaker 2>performances from the car. I just did not like the end.

0:22:07.000 --> 0:22:07.400
<v Speaker 3>He will.

0:22:08.080 --> 0:22:10.560
<v Speaker 1>I feel like this is a very strong rating from

0:22:10.600 --> 0:22:15.679
<v Speaker 1>this group, in particular because y'all notoriously do not like

0:22:15.840 --> 0:22:18.439
<v Speaker 1>very many things, and so to have it be like

0:22:18.480 --> 0:22:21.800
<v Speaker 1>a seven to eight range is very impressive. So I

0:22:21.840 --> 0:22:23.520
<v Speaker 1>feel like at some point I'm definitely going to have

0:22:23.560 --> 0:22:26.560
<v Speaker 1>to see it. Somebody give me a quick synopsis, just

0:22:26.600 --> 0:22:29.680
<v Speaker 1>so that I can be a little bit informed without

0:22:30.520 --> 0:22:31.239
<v Speaker 1>what's the log line?

0:22:31.359 --> 0:22:40.159
<v Speaker 7>Y'all heavy are engaged, and over the course of their engagement,

0:22:40.280 --> 0:22:44.919
<v Speaker 7>they have a group discussion with friends around deeply unlikable

0:22:44.960 --> 0:22:48.960
<v Speaker 7>things about them, and the revelation from Zundeia's character about

0:22:49.160 --> 0:22:52.520
<v Speaker 7>a deeply unlikable thing for her puts her at odds

0:22:52.520 --> 0:22:56.159
<v Speaker 7>with not only her friend group.

0:22:56.880 --> 0:22:58.240
<v Speaker 4>Oh no, we can spoil it.

0:22:58.600 --> 0:23:03.560
<v Speaker 6>Yes, they are at so a week before, a week before,

0:23:03.760 --> 0:23:05.359
<v Speaker 6>a week before, they.

0:23:05.200 --> 0:23:06.960
<v Speaker 4>Are at their menu tasting.

0:23:07.480 --> 0:23:11.840
<v Speaker 2>Everyone is tipsy, leaning on drunk, and one of the couples,

0:23:11.880 --> 0:23:15.360
<v Speaker 2>who's also in an interracial couple, says, what something we

0:23:15.440 --> 0:23:18.919
<v Speaker 2>did before we got married was shared the worst thing

0:23:18.920 --> 0:23:20.600
<v Speaker 2>we've ever done. So they all go around and share

0:23:20.640 --> 0:23:24.880
<v Speaker 2>it and zendayas is that she planned a school shooting.

0:23:25.960 --> 0:23:29.080
<v Speaker 2>It's not funny, but the movie is like supposed to

0:23:29.160 --> 0:23:33.240
<v Speaker 2>just but it's very interesting because everything else.

0:23:33.040 --> 0:23:35.960
<v Speaker 6>That like, she didn't do the school shooting obviously, but

0:23:36.000 --> 0:23:40.080
<v Speaker 6>everything else that everyone shares is terrible. Like the things

0:23:40.119 --> 0:23:42.919
<v Speaker 6>that they did are also I mean, and you might

0:23:42.960 --> 0:23:44.000
<v Speaker 6>think of it in a small way.

0:23:44.080 --> 0:23:46.000
<v Speaker 4>Like one of the one woman.

0:23:46.200 --> 0:23:50.800
<v Speaker 2>She literally lost what you're supposed to like was like

0:23:51.359 --> 0:23:54.919
<v Speaker 2>a disabled kid in a closet and abandoned him and

0:23:54.960 --> 0:23:56.240
<v Speaker 2>he like there was a search for.

0:23:56.240 --> 0:24:01.280
<v Speaker 6>Him, like and she said he was found. You don't know,

0:24:01.600 --> 0:24:04.480
<v Speaker 6>you can't say anything about it. The other guy, a

0:24:04.560 --> 0:24:06.679
<v Speaker 6>dog was attacking him and his girlfriend. He used his

0:24:06.720 --> 0:24:09.199
<v Speaker 6>girlfriend as a human shield and then knew that he

0:24:09.240 --> 0:24:12.440
<v Speaker 6>was going to break up with her, like doing that.

0:24:12.800 --> 0:24:17.359
<v Speaker 2>And then Robert Pattinson, Zendia's fiance, cyberbullied the kids so

0:24:17.520 --> 0:24:19.440
<v Speaker 2>bad that like he had to leave Tom.

0:24:20.280 --> 0:24:22.240
<v Speaker 6>They are all, yeah, they all actually did those things,

0:24:22.440 --> 0:24:25.400
<v Speaker 6>but of course yeah, when Zendia shared that, they were

0:24:25.440 --> 0:24:28.119
<v Speaker 6>like and so the whole movie is about like the

0:24:28.240 --> 0:24:32.959
<v Speaker 6>reaction to that leading up to the wedding, and then

0:24:32.960 --> 0:24:35.639
<v Speaker 6>there's a whole bunch of drama at the wedding in

0:24:35.680 --> 0:24:40.000
<v Speaker 6>the film in that's really And so this.

0:24:39.600 --> 0:24:42.840
<v Speaker 1>Movie was billed as a rom came because because I

0:24:43.320 --> 0:24:46.120
<v Speaker 1>think I was very confused about what this movie was,

0:24:46.680 --> 0:24:48.600
<v Speaker 1>even like in the promo and I was.

0:24:48.600 --> 0:24:50.520
<v Speaker 4>Like, what, you knew it was gonna have levity?

0:24:50.680 --> 0:24:53.480
<v Speaker 2>Like I knew it was going there was because the

0:24:53.520 --> 0:24:56.160
<v Speaker 2>way people talk about like that there was some shocking

0:24:56.200 --> 0:24:58.239
<v Speaker 2>twist it's a twenty four.

0:24:58.280 --> 0:24:59.480
<v Speaker 4>I was like, Oh, I feel like it's gonna be

0:24:59.480 --> 0:24:59.880
<v Speaker 4>on the darker.

0:25:00.240 --> 0:25:02.800
<v Speaker 2>There have been rumors on like Reddit and stuff that

0:25:02.840 --> 0:25:05.359
<v Speaker 2>it was a school shooting, and then like the week

0:25:05.440 --> 0:25:10.119
<v Speaker 2>before a parent, like a Columbine parent made a comment

0:25:10.160 --> 0:25:11.679
<v Speaker 2>about it, and so it was like okay.

0:25:12.240 --> 0:25:14.040
<v Speaker 4>But from the jump, I.

0:25:14.080 --> 0:25:15.920
<v Speaker 6>Kind of knew that it was gonna have some type

0:25:15.920 --> 0:25:17.800
<v Speaker 6>of like quirkiness or levity to it.

0:25:18.400 --> 0:25:20.520
<v Speaker 4>So I don't think it was built as a traditional wrongcom.

0:25:20.560 --> 0:25:22.440
<v Speaker 2>But when you pick apart the elements of the film,

0:25:22.560 --> 0:25:26.720
<v Speaker 2>like it's romantic, it's drama, is romantic because there's a wedding,

0:25:26.840 --> 0:25:27.280
<v Speaker 2>there's like.

0:25:27.200 --> 0:25:31.280
<v Speaker 7>A but it is funny all the way through.

0:25:31.880 --> 0:25:34.879
<v Speaker 2>I do think there are romantic parts to the film

0:25:34.960 --> 0:25:39.040
<v Speaker 2>though for sure. Yeah, when you see like their story

0:25:39.960 --> 0:25:42.119
<v Speaker 2>of like how they met and things like that, Like

0:25:42.200 --> 0:25:44.480
<v Speaker 2>in the beginning, I'm like, Okay, this is cute.

0:25:44.720 --> 0:25:47.600
<v Speaker 5>Yeah, at the beginning, I'm really stuck here, y'all.

0:25:47.640 --> 0:25:54.120
<v Speaker 1>Like I I I feel like this would be I'm

0:25:54.160 --> 0:25:57.800
<v Speaker 1>struck by this being like a plot line in something

0:25:57.840 --> 0:26:01.720
<v Speaker 1>that I mean, I guess in some ways it is

0:26:01.760 --> 0:26:06.200
<v Speaker 1>a very sad reality of like our life. But like,

0:26:07.680 --> 0:26:11.080
<v Speaker 1>clearly I gotta see the movie. Yeah, but but it

0:26:11.119 --> 0:26:13.800
<v Speaker 1>feels like I would have trouble moving past the fact

0:26:13.800 --> 0:26:16.280
<v Speaker 1>that she has planned this school shooting and like all

0:26:16.320 --> 0:26:18.600
<v Speaker 1>of these other awful things been done.

0:26:20.160 --> 0:26:25.320
<v Speaker 2>I think, Yeah, the film, yeah, he does not treat

0:26:25.440 --> 0:26:28.400
<v Speaker 2>any of it likely you see like a younger version

0:26:28.440 --> 0:26:30.200
<v Speaker 2>of today, which is probably like some of the funniest

0:26:30.240 --> 0:26:30.960
<v Speaker 2>parts of the film.

0:26:32.760 --> 0:26:33.440
<v Speaker 4>It implied that.

0:26:33.440 --> 0:26:37.160
<v Speaker 2>Like she was kind of like abandoned as a kid,

0:26:37.240 --> 0:26:41.600
<v Speaker 2>like parents not around, bullied in school. There's like a

0:26:41.680 --> 0:26:44.720
<v Speaker 2>racial aspect to that, like like I had.

0:26:44.640 --> 0:26:48.560
<v Speaker 5>Say, too much internet access, like yeah, controls.

0:26:48.320 --> 0:26:50.720
<v Speaker 2>Well, rental controls. Her dad was in the military. She's

0:26:50.760 --> 0:26:53.960
<v Speaker 2>clearly like radicalized online. She has like posters of like

0:26:54.000 --> 0:26:55.600
<v Speaker 2>little Wayne toning guns in.

0:26:55.520 --> 0:26:57.040
<v Speaker 4>Her room, like you.

0:26:57.760 --> 0:26:59.639
<v Speaker 2>I think they do a good job at explaining like

0:26:59.640 --> 0:27:02.040
<v Speaker 2>how did someone even get to this point?

0:27:02.119 --> 0:27:05.480
<v Speaker 4>And then she doesn't do it, and she.

0:27:05.480 --> 0:27:09.280
<v Speaker 6>Also becomes like a gun from activist or just crazy.

0:27:09.920 --> 0:27:11.480
<v Speaker 4>It's not like Oh.

0:27:11.680 --> 0:27:13.439
<v Speaker 2>I think the film does a good job of like

0:27:13.520 --> 0:27:17.159
<v Speaker 2>easing you into it throughout, so it does feel like

0:27:17.640 --> 0:27:20.159
<v Speaker 2>now that you know what happened, it doesn't move on

0:27:20.880 --> 0:27:21.320
<v Speaker 2>at all.

0:27:21.600 --> 0:27:23.520
<v Speaker 6>Yeah, and it just continues to bring up points that

0:27:23.600 --> 0:27:26.520
<v Speaker 6>ask the question, like if our feet were held to

0:27:26.560 --> 0:27:29.960
<v Speaker 6>the fire for like the things that we like almost

0:27:30.200 --> 0:27:32.640
<v Speaker 6>it's like what is the line of almost and like

0:27:32.720 --> 0:27:36.600
<v Speaker 6>it's almost a thought like at what point does it

0:27:36.600 --> 0:27:41.880
<v Speaker 6>become something to be like charged for almost or like

0:27:41.880 --> 0:27:46.520
<v Speaker 6>like like publicly shamed for. I think it brings up

0:27:46.560 --> 0:27:51.119
<v Speaker 6>a lot of points about that and how we just

0:27:51.200 --> 0:27:55.000
<v Speaker 6>kind of shape our own morality, especially now when everything

0:27:55.040 --> 0:27:58.280
<v Speaker 6>is your opinion is either a or it's and like

0:27:58.480 --> 0:27:58.880
<v Speaker 6>that's it.

0:27:59.320 --> 0:28:01.399
<v Speaker 3>Yeah, you bring up a good point.

0:28:01.760 --> 0:28:03.719
<v Speaker 7>I think one of the things that stuck out to

0:28:03.720 --> 0:28:06.679
<v Speaker 7>me about even that whole scene where they're admitting to

0:28:06.720 --> 0:28:08.960
<v Speaker 7>their like the most terrible things is that all of

0:28:09.000 --> 0:28:13.359
<v Speaker 7>them the size Indaya harmed a marginalized community and then

0:28:13.400 --> 0:28:16.320
<v Speaker 7>they were all also outraged by a woman of color

0:28:16.600 --> 0:28:19.080
<v Speaker 7>even having the thought of farming back. So there's like

0:28:19.160 --> 0:28:23.040
<v Speaker 7>a lot of conversation and context around like feminine rage

0:28:23.200 --> 0:28:27.480
<v Speaker 7>and black women being outraged or be reactionary to the

0:28:27.520 --> 0:28:31.439
<v Speaker 7>harm that's performed. It gets them. That doesn't necessarily it

0:28:31.480 --> 0:28:34.239
<v Speaker 7>isn't overtly spoken about in the movie, but I do

0:28:34.280 --> 0:28:35.640
<v Speaker 7>think it's hard to ignore when you.

0:28:35.520 --> 0:28:38.840
<v Speaker 6>Watch totally, Like you know, it's like hard to have

0:28:38.920 --> 0:28:42.120
<v Speaker 6>the conversation without acknowledging that she was bullied. And I

0:28:42.120 --> 0:28:44.160
<v Speaker 6>saw some people online saying like, well, she wasn't bullied

0:28:44.160 --> 0:28:46.160
<v Speaker 6>that bad, but when you're bullied that, I don't know,

0:28:46.200 --> 0:28:47.240
<v Speaker 6>how was she thirteen?

0:28:47.440 --> 0:28:49.280
<v Speaker 5>Like it doesn't take.

0:28:49.280 --> 0:28:54.120
<v Speaker 2>Much in other because you look different, Yeah, I know,

0:28:54.240 --> 0:28:58.520
<v Speaker 2>like Zendaya presence is has more like I'm going to

0:28:58.520 --> 0:29:01.640
<v Speaker 2>say she's white passing, but she's more like convinole might

0:29:01.640 --> 0:29:04.160
<v Speaker 2>not be automatical that like she was like a black woman,

0:29:04.200 --> 0:29:05.600
<v Speaker 2>like they may not read her that way, but the

0:29:05.680 --> 0:29:11.280
<v Speaker 2>younger character is undeniable. I think that's where when we

0:29:11.320 --> 0:29:14.600
<v Speaker 2>think of like school shooters, we do have this like, oh,

0:29:14.640 --> 0:29:17.360
<v Speaker 2>they're in other they're an outcast. And I think what

0:29:17.440 --> 0:29:19.800
<v Speaker 2>I did enjoy about the film is in a very

0:29:19.800 --> 0:29:22.680
<v Speaker 2>subtle way, it explored like how a black person could

0:29:22.720 --> 0:29:25.959
<v Speaker 2>also feel that way. And I don't think when we

0:29:26.040 --> 0:29:28.840
<v Speaker 2>talk about like bullying and then like the bullying to

0:29:28.920 --> 0:29:31.560
<v Speaker 2>like violent rage pipelon, it's not saying like, oh, we

0:29:31.600 --> 0:29:34.440
<v Speaker 2>don't get represented that way because like, but I'm like,

0:29:35.080 --> 0:29:36.760
<v Speaker 2>I think it's fair to say, like maybe people have

0:29:36.800 --> 0:29:40.920
<v Speaker 2>felt that way before. And I thought it was almost

0:29:41.080 --> 0:29:44.040
<v Speaker 2>like it was interesting that they explort that, and I

0:29:44.080 --> 0:29:46.680
<v Speaker 2>appreciated it because I don't think, yeah, we don't see

0:29:46.680 --> 0:29:48.880
<v Speaker 2>black people do school shootings, but who's to say that

0:29:49.080 --> 0:29:51.400
<v Speaker 2>people have not felt that kind of like level of

0:29:51.440 --> 0:29:54.840
<v Speaker 2>isolation before. Yeah. I also thought it was interesting that

0:29:55.280 --> 0:29:57.680
<v Speaker 2>when they explored like why she didn't go through with it,

0:29:57.680 --> 0:30:00.760
<v Speaker 2>it wasn't that she had a moral like oh I

0:30:00.800 --> 0:30:03.200
<v Speaker 2>can't do this. It was because someone did the school

0:30:03.240 --> 0:30:05.680
<v Speaker 2>shooting first, and she was like, well I guess it.

0:30:05.440 --> 0:30:07.040
<v Speaker 5>Or it was like at all or something.

0:30:07.200 --> 0:30:09.840
<v Speaker 2>Yeah, so I'm saying so it's like she just I

0:30:09.840 --> 0:30:13.120
<v Speaker 2>think it was like a double It was a double

0:30:13.160 --> 0:30:15.520
<v Speaker 2>thing where someone did it first.

0:30:16.480 --> 0:30:18.240
<v Speaker 4>But also she saw.

0:30:18.040 --> 0:30:21.480
<v Speaker 6>How like repulsed people were the client and was like, well,

0:30:21.520 --> 0:30:26.160
<v Speaker 6>this would other me further. And then her school has

0:30:26.280 --> 0:30:29.280
<v Speaker 6>her like group therapy and like healing circles and things

0:30:29.360 --> 0:30:32.640
<v Speaker 6>like that, and through that you see her become more

0:30:32.680 --> 0:30:36.560
<v Speaker 6>connected to people in her school community. She starts like

0:30:36.920 --> 0:30:39.840
<v Speaker 6>organized around like gun reform, and people like her and

0:30:39.840 --> 0:30:43.240
<v Speaker 6>they're like complimenting her. And I think it also shows

0:30:43.240 --> 0:30:44.480
<v Speaker 6>you the power.

0:30:44.280 --> 0:30:49.000
<v Speaker 2>Of community and feeling included in seen because it totally

0:30:49.120 --> 0:30:50.960
<v Speaker 2>changed the trajectory of her life.

0:30:51.360 --> 0:30:53.000
<v Speaker 4>So I thought that was really interesting too.

0:30:54.200 --> 0:30:58.280
<v Speaker 2>But I like it looked funny because she's just like, yeah,

0:30:58.280 --> 0:31:01.480
<v Speaker 2>I'm not gonna do it someone, and then.

0:31:01.320 --> 0:31:04.480
<v Speaker 6>Her excitatehood and then when she shared that when they

0:31:04.520 --> 0:31:06.480
<v Speaker 6>were when she or I don't know if she shared

0:31:06.520 --> 0:31:08.680
<v Speaker 6>it in that moment or if she shared it later

0:31:08.720 --> 0:31:11.840
<v Speaker 6>with Robert Pattinson, Like why she didn't end up going through.

0:31:11.680 --> 0:31:14.120
<v Speaker 4>With it, it.

0:31:12.800 --> 0:31:17.280
<v Speaker 6>Was like even more of a reason to be like wait,

0:31:17.400 --> 0:31:20.040
<v Speaker 6>so like it was like a thing that she didn't

0:31:20.080 --> 0:31:23.640
<v Speaker 6>have this moral come around And then I don't know,

0:31:23.640 --> 0:31:26.360
<v Speaker 6>it's just interesting because the high girl, I don't know

0:31:26.400 --> 0:31:31.000
<v Speaker 6>her real name alone, Alana. Yes, she's like, well, my

0:31:31.200 --> 0:31:34.959
<v Speaker 6>cousin is paralyzed from a school shooting, and so it

0:31:35.000 --> 0:31:37.880
<v Speaker 6>became like a personal thing for her. We can we'll

0:31:37.920 --> 0:31:40.320
<v Speaker 6>talk more about like the down the line of it all,

0:31:40.360 --> 0:31:44.480
<v Speaker 6>But I think it's interesting to see like where everybody

0:31:44.520 --> 0:31:47.520
<v Speaker 6>pulled from when it came to like talking about what was

0:31:47.520 --> 0:31:51.080
<v Speaker 6>z India like almost did or ide eated or you

0:31:51.120 --> 0:31:53.560
<v Speaker 6>know whatever, and then like why she decided not to

0:31:53.600 --> 0:31:54.200
<v Speaker 6>do it.

0:31:54.200 --> 0:31:56.520
<v Speaker 7>It's a little off base now that to what Elise

0:31:56.680 --> 0:31:59.840
<v Speaker 7>was bringing up about school shootings, because when I watched

0:31:59.840 --> 0:32:03.240
<v Speaker 7>the initially, and as I think about Zendaya in every

0:32:03.240 --> 0:32:05.200
<v Speaker 7>world that she plays, I go, oh, this isn't meant

0:32:05.200 --> 0:32:08.000
<v Speaker 7>to be a black woman, so because obviously we think

0:32:08.080 --> 0:32:10.160
<v Speaker 7>black people don't do school shootings. But then I did

0:32:10.160 --> 0:32:12.840
<v Speaker 7>some research afterwards, and there's not so much that black

0:32:12.840 --> 0:32:14.720
<v Speaker 7>people don't do school shootings. It's just the way that

0:32:14.880 --> 0:32:17.440
<v Speaker 7>we report on them once they happen. So it's never

0:32:17.480 --> 0:32:21.280
<v Speaker 7>a school shooting. It's it's gang violence, or it's reframed.

0:32:21.280 --> 0:32:24.560
<v Speaker 7>That's something that wouldn't offer you a sympathetic you point

0:32:24.600 --> 0:32:27.440
<v Speaker 7>for the shooter, which is a whole other thing that

0:32:27.560 --> 0:32:29.040
<v Speaker 7>kind of definitely applies to the movie.

0:32:30.640 --> 0:32:36.040
<v Speaker 1>More from our conversation after the break.

0:32:42.040 --> 0:32:44.280
<v Speaker 4>I'm curious that your joy I have a question for you.

0:32:44.360 --> 0:32:47.960
<v Speaker 2>So the movie brings up to me an interesting question

0:32:48.040 --> 0:32:51.480
<v Speaker 2>around how much would you be sharing. I mean, you're

0:32:51.480 --> 0:32:54.720
<v Speaker 2>not a marriage counselor, but like with your partner before

0:32:55.200 --> 0:32:58.480
<v Speaker 2>you get married, and like what is the line between

0:32:59.040 --> 0:33:02.680
<v Speaker 2>withholding something or something just like it hasn't come up before,

0:33:03.000 --> 0:33:04.040
<v Speaker 2>Like this is a big thing.

0:33:04.680 --> 0:33:06.680
<v Speaker 4>But honestly, if I was so ashamed of it have

0:33:06.800 --> 0:33:08.560
<v Speaker 4>like buried it, I would.

0:33:08.440 --> 0:33:13.720
<v Speaker 6>Just be like I should tell you this because it's

0:33:13.760 --> 0:33:18.080
<v Speaker 6>also like I was young and full of rage, Like

0:33:18.360 --> 0:33:19.400
<v Speaker 6>haven't we all been young?

0:33:19.440 --> 0:33:23.880
<v Speaker 5>And maybe not to that point, but I do think it.

0:33:24.040 --> 0:33:26.240
<v Speaker 6>I think I do think it matters that it wasn't

0:33:26.360 --> 0:33:28.800
<v Speaker 6>done and then you and then if that's what we're

0:33:28.840 --> 0:33:31.360
<v Speaker 6>talking about, then that just like widens the pool of

0:33:31.440 --> 0:33:35.480
<v Speaker 6>like who else has been in that same position anyways,

0:33:35.480 --> 0:33:37.040
<v Speaker 6>But that was your question, doctor Joyce.

0:33:37.800 --> 0:33:39.760
<v Speaker 1>Yeah, I mean I feel like this is a tough

0:33:39.840 --> 0:33:42.400
<v Speaker 1>question because this feels like something I would definitely want

0:33:42.440 --> 0:33:46.120
<v Speaker 1>to know of my potential partner. I do think, like

0:33:46.160 --> 0:33:48.440
<v Speaker 1>you said, like it counts for something that it didn't

0:33:48.480 --> 0:33:51.720
<v Speaker 1>actually happen, but what was the after fact? Right, Like,

0:33:52.120 --> 0:33:54.280
<v Speaker 1>because to me, if you get to the point of

0:33:54.360 --> 0:33:56.680
<v Speaker 1>planning something like this, then that does speak to a

0:33:56.720 --> 0:33:59.360
<v Speaker 1>lot of rage and like the need to be talking

0:33:59.360 --> 0:34:02.000
<v Speaker 1>to somebody about how we got to that place and

0:34:02.040 --> 0:34:04.040
<v Speaker 1>what other things can happen, right, And it sounds like

0:34:04.080 --> 0:34:07.480
<v Speaker 1>she did by getting involved with like gun reform and

0:34:07.520 --> 0:34:10.440
<v Speaker 1>you know, like a lobbying against the thing that she

0:34:10.680 --> 0:34:12.880
<v Speaker 1>was going to do, which is where she found her

0:34:12.920 --> 0:34:15.000
<v Speaker 1>sense of belonging. And I think for a lot of

0:34:15.239 --> 0:34:17.600
<v Speaker 1>these cases, that's what you hear, right, like that these

0:34:17.640 --> 0:34:21.799
<v Speaker 1>people feel very outcast and really othered and need some

0:34:21.840 --> 0:34:25.080
<v Speaker 1>sense of community in a place to be seen. So

0:34:25.120 --> 0:34:26.960
<v Speaker 1>I think it's good that she got to that place.

0:34:27.000 --> 0:34:28.959
<v Speaker 1>But I think that that is definitely something I would

0:34:29.000 --> 0:34:32.440
<v Speaker 1>want to know. And so I think there isn't really

0:34:32.760 --> 0:34:35.400
<v Speaker 1>any like hard and fast rules about the kinds of

0:34:35.440 --> 0:34:38.360
<v Speaker 1>things that you feel like you have to share with

0:34:38.440 --> 0:34:41.600
<v Speaker 1>a potential partner. But I think in the idea of

0:34:41.680 --> 0:34:44.880
<v Speaker 1>like people making informed decisions, like if that would make

0:34:44.920 --> 0:34:48.760
<v Speaker 1>a difference but about whether you would marry this person

0:34:48.880 --> 0:34:50.799
<v Speaker 1>or not, then that may be an indication that it

0:34:50.880 --> 0:34:53.920
<v Speaker 1>is something that needs to be shared, right like that.

0:34:54.080 --> 0:34:55.279
<v Speaker 3>I don't feel proud of this.

0:34:55.400 --> 0:34:57.880
<v Speaker 1>Here's how I turned my life around after this, but

0:34:57.960 --> 0:35:00.520
<v Speaker 1>this is something I feel like you should know in

0:35:00.600 --> 0:35:03.319
<v Speaker 1>the interest of like making a decision about who you

0:35:03.360 --> 0:35:04.440
<v Speaker 1>want to build a life with.

0:35:04.920 --> 0:35:06.839
<v Speaker 6>Well, they all need to be asking those questions then,

0:35:06.920 --> 0:35:10.439
<v Speaker 6>because I think locking a human being in a class, yeah,

0:35:10.640 --> 0:35:12.200
<v Speaker 6>like maybe pretty awful.

0:35:12.480 --> 0:35:14.080
<v Speaker 5>Example, even during the.

0:35:14.000 --> 0:35:15.040
<v Speaker 4>Movie, I was like what would I say?

0:35:15.080 --> 0:35:18.840
<v Speaker 2>And I think I was like just thinking about the

0:35:18.880 --> 0:35:21.799
<v Speaker 2>things that they sound like these are rejectively bad.

0:35:21.880 --> 0:35:24.359
<v Speaker 5>Like yeah, I don't have anything that touches up.

0:35:24.400 --> 0:35:27.600
<v Speaker 2>Like two things I would bring up and be like okay,

0:35:27.640 --> 0:35:28.160
<v Speaker 2>like it's.

0:35:28.040 --> 0:35:31.600
<v Speaker 7>Not that bad, but there's certainly a question of when

0:35:31.680 --> 0:35:35.040
<v Speaker 7>and how all. So, Doctor Lloyd, a platform that you

0:35:35.040 --> 0:35:38.200
<v Speaker 7>should know is today's character is death in one eared

0:35:38.320 --> 0:35:40.440
<v Speaker 7>and this is as a result of her practicing the

0:35:40.480 --> 0:35:42.719
<v Speaker 7>school shooting. One of the bullets went off and made

0:35:42.719 --> 0:35:46.080
<v Speaker 7>her death. So a whole part of her development with

0:35:46.160 --> 0:35:48.759
<v Speaker 7>Robert Patterson romantically is that he tries to speak game

0:35:48.800 --> 0:35:50.399
<v Speaker 7>em her but she can't hear any of it because

0:35:50.440 --> 0:35:52.640
<v Speaker 7>she's deaf. So he's kind of embarrassed behind that. But

0:35:52.680 --> 0:35:54.680
<v Speaker 7>he knows that she's deaf, he just doesn't know why,

0:35:55.440 --> 0:35:57.760
<v Speaker 7>and so had he ever inquired as to the why,

0:35:58.239 --> 0:36:00.920
<v Speaker 7>uh huh, that he would know this then much earlier.

0:36:01.080 --> 0:36:02.920
<v Speaker 7>But it is so much that you know this has

0:36:02.920 --> 0:36:05.160
<v Speaker 7>impacted your life in such a way that literally you

0:36:05.200 --> 0:36:08.640
<v Speaker 7>are physically impaired because of it. Why does it not

0:36:08.840 --> 0:36:10.800
<v Speaker 7>come up in your relationship discussion?

0:36:10.960 --> 0:36:14.360
<v Speaker 6>Mm hmm, okay, that's yeah, that's the point of like

0:36:14.400 --> 0:36:19.040
<v Speaker 6>maybe it did, Like maybe maybe outside of this, like

0:36:19.080 --> 0:36:20.200
<v Speaker 6>that's not something we'll ever know.

0:36:21.480 --> 0:36:25.000
<v Speaker 5>I know, like, well, maybe what's the world that we

0:36:25.040 --> 0:36:26.960
<v Speaker 5>don't know about? But then we can only do with

0:36:27.000 --> 0:36:27.680
<v Speaker 5>what we're seeing.

0:36:28.200 --> 0:36:31.600
<v Speaker 6>I wanted to say, I think we started to talk

0:36:31.640 --> 0:36:34.080
<v Speaker 6>about like Zenda being black in the movie, or like

0:36:34.120 --> 0:36:36.160
<v Speaker 6>Issu black in the movie, or anyone could have been

0:36:36.160 --> 0:36:40.879
<v Speaker 6>in this role. But I'm wondering if, Okay, sure, yes,

0:36:40.960 --> 0:36:42.440
<v Speaker 6>she wants in data to be a lead in your

0:36:42.440 --> 0:36:45.319
<v Speaker 6>movie because she is who she is. I think the

0:36:45.320 --> 0:36:48.840
<v Speaker 6>blackness might come secondary or tertiary. I wonder the director

0:36:49.560 --> 0:36:52.600
<v Speaker 6>is a Norwegian guy, and I think as I was

0:36:52.680 --> 0:36:57.720
<v Speaker 6>watching it, I was like, hmmm, I wonder if maybe

0:36:57.719 --> 0:37:00.120
<v Speaker 6>going into it he wasn't really thinking about like the

0:37:00.200 --> 0:37:03.439
<v Speaker 6>racial implications of her being black. But then as he's

0:37:03.480 --> 0:37:05.759
<v Speaker 6>watching it, he's like, oh, this kind of plays in

0:37:05.760 --> 0:37:08.239
<v Speaker 6>my favor because even like there's a moment in the

0:37:08.280 --> 0:37:12.320
<v Speaker 6>movie after she drops this bomb, so to speak, where

0:37:12.360 --> 0:37:15.280
<v Speaker 6>she's like making a smoothie. She's chopping up some fruit.

0:37:15.360 --> 0:37:17.680
<v Speaker 6>She and Robert Pattinson are in the house and she

0:37:17.800 --> 0:37:19.520
<v Speaker 6>goes to the room to ask him something and she

0:37:19.560 --> 0:37:21.520
<v Speaker 6>has this big knife in her hand and.

0:37:21.440 --> 0:37:24.279
<v Speaker 5>He's like, oh, like he's shook, like, oh, I thought

0:37:24.280 --> 0:37:25.840
<v Speaker 5>you were gonna, I don't know, get.

0:37:25.680 --> 0:37:26.200
<v Speaker 3>Me or whatever.

0:37:26.239 --> 0:37:27.799
<v Speaker 6>And she's just like, why are you acting like that?

0:37:27.840 --> 0:37:30.160
<v Speaker 6>Like why are you acting like I'm this harmful person?

0:37:30.719 --> 0:37:33.120
<v Speaker 6>And I think us.

0:37:33.040 --> 0:37:34.640
<v Speaker 5>Knowing like then Day.

0:37:34.680 --> 0:37:36.279
<v Speaker 6>I don't know if other people when they watch The Day,

0:37:36.280 --> 0:37:39.640
<v Speaker 6>they're like, that's a black woman, But me watching I'm like, oh, okay,

0:37:39.640 --> 0:37:45.640
<v Speaker 6>I'm thinking about how her like potential to harm is

0:37:45.760 --> 0:37:49.960
<v Speaker 6>being received in a way. And I just was wondering, like,

0:37:50.200 --> 0:37:52.200
<v Speaker 6>if that was a black woman, would we all be

0:37:52.280 --> 0:37:53.160
<v Speaker 6>receiving it the same way?

0:37:53.160 --> 0:37:55.080
<v Speaker 5>And I don't think so. And so I feel like

0:37:55.120 --> 0:37:56.200
<v Speaker 5>there's a fall off.

0:37:56.719 --> 0:37:58.400
<v Speaker 6>I don't know if it's a benefit, but there's a

0:37:58.440 --> 0:38:03.280
<v Speaker 6>fall off of like how her horror potential to harm

0:38:03.520 --> 0:38:06.000
<v Speaker 6>is maybe perceived because she is black, And I just

0:38:06.000 --> 0:38:08.920
<v Speaker 6>don't know if that was the intention going into the movie.

0:38:09.960 --> 0:38:13.200
<v Speaker 2>I think it's interesting because there's a scene towards the

0:38:13.280 --> 0:38:16.080
<v Speaker 2>end of the movie when she kind of walks out

0:38:16.200 --> 0:38:20.400
<v Speaker 2>the bathroom and and her own wedding. She's like freaking

0:38:20.400 --> 0:38:23.800
<v Speaker 2>out because people I think she's hearing people whisper about

0:38:23.960 --> 0:38:26.520
<v Speaker 2>this and yes, oh so.

0:38:26.560 --> 0:38:28.520
<v Speaker 1>The secret has also left the circle.

0:38:29.000 --> 0:38:32.439
<v Speaker 6>Oh yeah, yeah, yeah, Okay, there's a whole.

0:38:32.520 --> 0:38:33.000
<v Speaker 5>There's a hole.

0:38:33.400 --> 0:38:36.560
<v Speaker 3>You're okay, but it does yeh, got it? Okay.

0:38:36.920 --> 0:38:41.120
<v Speaker 2>And the woman who like is whispering is outside and

0:38:41.160 --> 0:38:44.799
<v Speaker 2>she's like taken aback. And it's a question that I

0:38:44.960 --> 0:38:48.719
<v Speaker 2>asked him, like would someone be like objectively, it's a

0:38:48.800 --> 0:38:52.080
<v Speaker 2>terrible thing to idea and plan, but if it was

0:38:52.120 --> 0:38:55.800
<v Speaker 2>a white woman, would there be so much fear around

0:38:55.880 --> 0:38:57.280
<v Speaker 2>like who is this person?

0:38:57.440 --> 0:39:00.319
<v Speaker 4>Actually? And it just made me.

0:39:00.280 --> 0:39:04.520
<v Speaker 2>Think about like when I had met people like first

0:39:04.560 --> 0:39:06.920
<v Speaker 2>interactions and then years later they would say something like, oh,

0:39:06.920 --> 0:39:08.920
<v Speaker 2>when I first met you, I was intimidated by you

0:39:09.200 --> 0:39:13.640
<v Speaker 2>like me, That's.

0:39:13.600 --> 0:39:15.920
<v Speaker 3>What I mean, Yarah.

0:39:15.960 --> 0:39:20.799
<v Speaker 2>And it's very interesting because the character Alanaheim her name

0:39:20.840 --> 0:39:23.239
<v Speaker 2>is Rachel in the film, who's the most punitive on her.

0:39:23.560 --> 0:39:25.520
<v Speaker 2>You can see from the beginning of the film, even

0:39:25.560 --> 0:39:27.840
<v Speaker 2>before the secret is revealed, that like she just didn't

0:39:27.880 --> 0:39:30.080
<v Speaker 2>like her or was like jellous of her and like

0:39:30.320 --> 0:39:32.640
<v Speaker 2>saying little things to try to like put her down,

0:39:33.320 --> 0:39:38.400
<v Speaker 2>and to me that all felt like very racialized too.

0:39:38.920 --> 0:39:41.400
<v Speaker 2>It was interesting because I'm like, yes, you once a

0:39:41.480 --> 0:39:44.200
<v Speaker 2>day in your film. I think she's like legible to

0:39:44.280 --> 0:39:48.960
<v Speaker 2>so many like races. But I kind of appreciated that

0:39:49.320 --> 0:39:52.359
<v Speaker 2>she is a multi racial black woman because I think

0:39:52.920 --> 0:39:55.279
<v Speaker 2>it made the film more complicated in a way that

0:39:55.800 --> 0:39:58.480
<v Speaker 2>was entertaining and allowed people to like talk about it.

0:39:58.840 --> 0:40:02.080
<v Speaker 2>I feel like there should have been one like small

0:40:02.239 --> 0:40:04.440
<v Speaker 2>racial joke just to like acknowledge it.

0:40:04.360 --> 0:40:09.680
<v Speaker 6>Okay, especially because the other part, Yeah, yeah, like the

0:40:09.719 --> 0:40:11.160
<v Speaker 6>other couple was incial.

0:40:11.719 --> 0:40:13.480
<v Speaker 4>Yeah, I thought it was interesting.

0:40:13.920 --> 0:40:17.520
<v Speaker 6>I think I also appreciated, as we're looking at Rachel

0:40:17.640 --> 0:40:21.520
<v Speaker 6>in the movie him and how she's interacting with Zendeya.

0:40:21.680 --> 0:40:22.239
<v Speaker 5>I think I.

0:40:22.280 --> 0:40:27.400
<v Speaker 6>Appreciated being able to relate to coming into contact with

0:40:27.520 --> 0:40:31.960
<v Speaker 6>that type of like white feminine like rage where they're like,

0:40:32.040 --> 0:40:35.080
<v Speaker 6>I feel really justified in this, and I am grandstanding

0:40:35.840 --> 0:40:38.960
<v Speaker 6>in my like full morality because you did this and

0:40:39.000 --> 0:40:43.040
<v Speaker 6>that's bad. My misstep or my bad thing that I've

0:40:43.040 --> 0:40:47.560
<v Speaker 6>done is forgivable or understandable because X I think like

0:40:47.960 --> 0:40:50.640
<v Speaker 6>most black women have come into contact with that type

0:40:50.680 --> 0:40:56.520
<v Speaker 6>of white woman, and so I think I was like, oh, okay,

0:40:56.719 --> 0:40:59.440
<v Speaker 6>I know exactly what this is, and I think like

0:40:59.480 --> 0:41:02.120
<v Speaker 6>most black women watching movie would probably understand that too.

0:41:02.560 --> 0:41:06.080
<v Speaker 2>Before we switch films, I do have a quick question

0:41:06.280 --> 0:41:09.040
<v Speaker 2>for everyone, what will you answer to the worst thing

0:41:09.040 --> 0:41:09.879
<v Speaker 2>that you've ever done?

0:41:20.040 --> 0:41:22.120
<v Speaker 3>Leah, I don't know that we're gonna do that.

0:41:22.400 --> 0:41:24.239
<v Speaker 5>Then this feels like it.

0:41:24.200 --> 0:41:26.360
<v Speaker 3>Could be an hr violation of these I don't know

0:41:26.440 --> 0:41:27.000
<v Speaker 3>we uh.

0:41:29.600 --> 0:41:32.200
<v Speaker 1>Things like I mean, I don't even know what mine

0:41:32.200 --> 0:41:34.120
<v Speaker 1>would be. I feel like like you, I'm like, oh,

0:41:34.280 --> 0:41:36.840
<v Speaker 1>I think I stole like a pack of gum baby

0:41:37.120 --> 0:41:37.560
<v Speaker 1>out of a.

0:41:37.600 --> 0:41:38.640
<v Speaker 3>Drug store or something.

0:41:39.880 --> 0:41:41.600
<v Speaker 4>First time, Mike, I stole like a pack of.

0:41:41.560 --> 0:41:44.160
<v Speaker 2>Gum and I was as I felt so guilty.

0:41:44.680 --> 0:41:45.759
<v Speaker 5>This was the first time you stole.

0:41:46.080 --> 0:41:47.560
<v Speaker 6>I stole a lot of the beauty supply store when

0:41:47.600 --> 0:41:51.480
<v Speaker 6>I was very for sale. I think it was someone

0:41:51.600 --> 0:41:53.239
<v Speaker 6>was eating it and we went around the back and

0:41:53.239 --> 0:41:53.560
<v Speaker 6>I was.

0:41:53.520 --> 0:41:59.040
<v Speaker 2>Like mine, I simply remember mine was a lip gloss

0:41:59.040 --> 0:42:02.719
<v Speaker 2>from Target when I was like set in remember so swissly.

0:42:02.800 --> 0:42:04.560
<v Speaker 5>It's like a part of development.

0:42:06.000 --> 0:42:06.359
<v Speaker 7>Right now.

0:42:06.640 --> 0:42:09.960
<v Speaker 5>I never stolen, not playing there, I.

0:42:10.160 --> 0:42:12.880
<v Speaker 3>Was stolen you anything.

0:42:14.360 --> 0:42:17.839
<v Speaker 7>I think about it all the time now, like when

0:42:17.840 --> 0:42:19.840
<v Speaker 7>I see how high season this is in the grocery

0:42:19.840 --> 0:42:23.120
<v Speaker 7>store and stuff checkout. But I haven't stolen.

0:42:23.040 --> 0:42:28.879
<v Speaker 4>No, maybe even that episode of the show.

0:42:28.920 --> 0:42:30.960
<v Speaker 2>But I feel like so many young girls, not me,

0:42:31.320 --> 0:42:33.600
<v Speaker 2>but so many young girls go through stealing phases.

0:42:33.719 --> 0:42:36.200
<v Speaker 4>And I remember being in middle.

0:42:35.920 --> 0:42:39.480
<v Speaker 6>School and like people were stealing from like urban outfitters,

0:42:39.520 --> 0:42:43.400
<v Speaker 6>and I was like, I remember my freshman year in college,

0:42:43.440 --> 0:42:45.160
<v Speaker 6>and mind you, I stole that one time when I

0:42:45.160 --> 0:42:46.640
<v Speaker 6>was young, but I wasn't like a thief.

0:42:46.960 --> 0:42:48.920
<v Speaker 5>My freshman year in college, I had this white friend.

0:42:49.320 --> 0:42:52.279
<v Speaker 6>We would go to brandy Melville, and I remember the

0:42:52.280 --> 0:42:53.960
<v Speaker 6>first time we went to brandy Meilville. We're on the

0:42:54.000 --> 0:42:56.680
<v Speaker 6>train back and she's pulling stuff out of her jack.

0:42:56.960 --> 0:42:58.600
<v Speaker 5>I was like, girl, you stole.

0:42:58.360 --> 0:43:00.000
<v Speaker 6>That, yeah.

0:43:02.160 --> 0:43:03.480
<v Speaker 5>On her like big corporation.

0:43:03.960 --> 0:43:07.640
<v Speaker 6>I'm like, girl, I'm not stealing with you. We are different,

0:43:07.840 --> 0:43:10.120
<v Speaker 6>but she was still all the time.

0:43:13.280 --> 0:43:17.560
<v Speaker 1>That doesn't feel like maybe it could be a potential episode,

0:43:17.600 --> 0:43:19.560
<v Speaker 1>because I mean, just like a lot of things, right,

0:43:19.600 --> 0:43:22.759
<v Speaker 1>like kleptomania, which is the obsession with stealing, isn't of

0:43:22.800 --> 0:43:24.960
<v Speaker 1>course about like not being able to afford the thing, right,

0:43:25.000 --> 0:43:28.200
<v Speaker 1>It is mostly about can I get exactly get.

0:43:28.040 --> 0:43:28.560
<v Speaker 3>Away with it.

0:43:30.640 --> 0:43:34.759
<v Speaker 1>Yeah, that may be an interesting, interesting conversation, But I'm

0:43:34.840 --> 0:43:38.560
<v Speaker 1>curious because all of you did react, it feels like,

0:43:38.600 --> 0:43:41.759
<v Speaker 1>so positively to the film. How do you think your

0:43:41.800 --> 0:43:44.640
<v Speaker 1>reaction to the number you gave the film would have

0:43:44.640 --> 0:43:48.880
<v Speaker 1>been different if, like Sidney Sweeney was the lead actress

0:43:49.000 --> 0:43:52.560
<v Speaker 1>versus Zindia, Like, if this were not an interracial cast,

0:43:52.600 --> 0:43:54.360
<v Speaker 1>if it were just an all white cast, do you

0:43:54.360 --> 0:43:56.360
<v Speaker 1>feel like you would have liked it as much?

0:43:56.520 --> 0:43:58.120
<v Speaker 4>It wouldn't have been as fun.

0:43:58.880 --> 0:44:02.360
<v Speaker 2>It wouldn't have That's like the number one thing, because

0:44:02.440 --> 0:44:05.520
<v Speaker 2>part of film is like you project your own fantasies

0:44:05.520 --> 0:44:06.560
<v Speaker 2>and understandings on it.

0:44:06.680 --> 0:44:09.279
<v Speaker 4>And I think with like an all white a.

0:44:09.239 --> 0:44:13.200
<v Speaker 7>Little more like a drug addiction or something like, it

0:44:13.200 --> 0:44:14.680
<v Speaker 7>wouldn't have made sense by itself.

0:44:14.800 --> 0:44:16.360
<v Speaker 4>Yeah.

0:44:16.520 --> 0:44:19.759
<v Speaker 2>I also think so many shows, like when I think

0:44:19.760 --> 0:44:23.640
<v Speaker 2>about like big Little Lies, and even like this Imperfect

0:44:23.719 --> 0:44:27.400
<v Speaker 2>women that's on Apple are like obsessed with the tragic

0:44:27.560 --> 0:44:28.320
<v Speaker 2>white woman.

0:44:29.719 --> 0:44:32.240
<v Speaker 4>We're like, we're sad.

0:44:32.080 --> 0:44:33.759
<v Speaker 5>Too, and so I tragic too.

0:44:34.480 --> 0:44:38.279
<v Speaker 2>Yeah, and I'm like feeling violent even that's like I'm

0:44:38.280 --> 0:44:40.080
<v Speaker 2>not interested in that anymore. I think it's been done

0:44:40.360 --> 0:44:43.239
<v Speaker 2>so many times on television or in films, so I

0:44:43.280 --> 0:44:45.680
<v Speaker 2>thought this was even Robert Pattinson was in a movie

0:44:45.760 --> 0:44:50.600
<v Speaker 2>last year, I'll Die My Love about like a tragic.

0:44:50.320 --> 0:44:52.360
<v Speaker 4>White woman in like early in their marriage.

0:44:52.400 --> 0:44:54.239
<v Speaker 2>So I think we've seen that so many times, So

0:44:54.280 --> 0:44:58.719
<v Speaker 2>I do think the interracial aspect we've bened it up.

0:44:59.680 --> 0:45:00.000
<v Speaker 4>Yeah.

0:45:00.040 --> 0:45:02.600
<v Speaker 2>And I think also the fact that Zindea was the

0:45:02.640 --> 0:45:04.799
<v Speaker 2>black woman who had planned the school shooting. I think

0:45:04.800 --> 0:45:06.799
<v Speaker 2>that like added a layer of depth to it that

0:45:06.880 --> 0:45:09.840
<v Speaker 2>made it a little bit different than something that we might.

0:45:09.920 --> 0:45:14.240
<v Speaker 7>Expect to swing forever twenty one sting.

0:45:14.280 --> 0:45:15.680
<v Speaker 5>I don't want to say Sweene no.

0:45:15.800 --> 0:45:18.279
<v Speaker 3>Yeah, I mean she's just who I thought of.

0:45:18.440 --> 0:45:20.760
<v Speaker 1>I can't take up any other like popular white actress

0:45:20.800 --> 0:45:22.640
<v Speaker 1>right now, so that's just who I see it.

0:45:23.000 --> 0:45:26.560
<v Speaker 5>Yeah, should we move on to Yeah.

0:45:26.320 --> 0:45:30.200
<v Speaker 1>So switching gears to you Me and Tuscany, so we

0:45:30.239 --> 0:45:31.640
<v Speaker 1>will also rate this one.

0:45:31.800 --> 0:45:35.040
<v Speaker 3>So what was your rating for this film, Bryo.

0:45:36.440 --> 0:45:41.480
<v Speaker 2>Mine, I would say like a six and a half seven.

0:45:42.200 --> 0:45:45.360
<v Speaker 2>I think that I go into movies. Unfortunately, I'm just

0:45:45.440 --> 0:45:48.000
<v Speaker 2>like a very realist person and some of the things

0:45:48.000 --> 0:45:49.879
<v Speaker 2>and it just didn't feel realistic. I know it wasn't

0:45:49.920 --> 0:45:52.560
<v Speaker 2>supposed to, so I had to like separate that, but

0:45:52.920 --> 0:45:54.080
<v Speaker 2>that would be my rating.

0:45:54.440 --> 0:45:57.400
<v Speaker 3>Okay, what about you? At least I'm gonna.

0:45:57.239 --> 0:45:59.920
<v Speaker 4>Have to give it a five and a half. Sick,

0:46:00.719 --> 0:46:04.239
<v Speaker 4>but it was an entertaining watch. Like it was I

0:46:04.320 --> 0:46:04.880
<v Speaker 4>was laughing.

0:46:05.680 --> 0:46:08.400
<v Speaker 2>There were definitely like some unrealistic part that took me

0:46:08.680 --> 0:46:11.600
<v Speaker 2>out of it. And I do think the movie felt dated,

0:46:12.200 --> 0:46:15.360
<v Speaker 2>like not every movie has to be of the A

0:46:15.560 --> 0:46:20.319
<v Speaker 2>twenty four sensibility, but it did feel like, oh, this

0:46:20.400 --> 0:46:23.040
<v Speaker 2>may have been written and I love Will Packard, but

0:46:23.080 --> 0:46:26.320
<v Speaker 2>even his sensibilities are very much like two thousand and

0:46:26.400 --> 0:46:29.440
<v Speaker 2>nine through like twenty sixteen, and so I think that

0:46:29.520 --> 0:46:32.279
<v Speaker 2>was very obvious in the movie, and I think that

0:46:32.400 --> 0:46:33.160
<v Speaker 2>took me out of it.

0:46:33.400 --> 0:46:36.000
<v Speaker 6>Okay, what about you, Indy, I'm gonna give it a six.

0:46:36.480 --> 0:46:39.480
<v Speaker 6>And that pains me because I do love Halle Bailey.

0:46:39.680 --> 0:46:42.440
<v Speaker 6>I love the Bailey sisters, and so I was happy

0:46:42.480 --> 0:46:44.759
<v Speaker 6>to see her on screen. But I agree as soon

0:46:44.800 --> 0:46:46.400
<v Speaker 6>as the movie came on, I was like, oh, this

0:46:46.520 --> 0:46:49.400
<v Speaker 6>is giving me early two thousands. Even the way it looks,

0:46:49.440 --> 0:46:52.000
<v Speaker 6>it's like I don't want to be in so harsh

0:46:52.040 --> 0:46:55.600
<v Speaker 6>to say like it didn't look stylistic, but it's like

0:46:55.600 --> 0:46:59.640
<v Speaker 6>liked the actor and make the camera clear like it

0:46:59.719 --> 0:47:02.120
<v Speaker 6>wasn't like giving me like any mood.

0:47:02.200 --> 0:47:04.800
<v Speaker 5>It's just like a Erry on the nose. It was

0:47:04.840 --> 0:47:06.160
<v Speaker 5>just a very on the nose.

0:47:06.000 --> 0:47:07.520
<v Speaker 6>Movie, and like what you see is what you get,

0:47:07.560 --> 0:47:10.600
<v Speaker 6>and you could probably predict half of it.

0:47:10.680 --> 0:47:12.440
<v Speaker 5>But it was like, I don't regret watching it.

0:47:12.719 --> 0:47:15.080
<v Speaker 7>I'm gonna give it a six as well. It feels

0:47:15.120 --> 0:47:18.279
<v Speaker 7>like if Attica Locke and Nasty Meers came together in

0:47:18.320 --> 0:47:20.399
<v Speaker 7>the most like filtered down way.

0:47:21.000 --> 0:47:22.000
<v Speaker 3>But I thought it was.

0:47:21.960 --> 0:47:24.000
<v Speaker 7>Really fun, like a fun watch, and I think that

0:47:24.040 --> 0:47:26.880
<v Speaker 7>I we'll talk about it more. It's certainly a portrayal

0:47:26.880 --> 0:47:28.960
<v Speaker 7>of a black woman in romance that we haven't seen before,

0:47:29.000 --> 0:47:30.600
<v Speaker 7>which is what takes it up for me.

0:47:30.920 --> 0:47:31.680
<v Speaker 3>M m hm.

0:47:32.280 --> 0:47:35.560
<v Speaker 1>I also gave it a six, and I also, like you,

0:47:35.719 --> 0:47:39.040
<v Speaker 1>inn Day, was thrown by something about like the lighting

0:47:39.160 --> 0:47:40.760
<v Speaker 1>and like it felt hyper real.

0:47:41.000 --> 0:47:42.600
<v Speaker 5>It felt like.

0:47:41.960 --> 0:47:44.800
<v Speaker 1>Like a no, it felt like a three D almost

0:47:44.880 --> 0:47:46.880
<v Speaker 1>and I was like, is this just my screen? Like

0:47:46.960 --> 0:47:50.400
<v Speaker 1>why does it feel so bright? And so I was

0:47:50.520 --> 0:47:52.839
<v Speaker 1>very confused by that. I also thought it was just

0:47:52.840 --> 0:47:54.640
<v Speaker 1>fun though, right, and so I think I went into

0:47:54.680 --> 0:47:56.359
<v Speaker 1>it thinking like, oh, this will just be like a

0:47:56.360 --> 0:47:59.120
<v Speaker 1>fun rom com and it was that. But to your point,

0:47:59.160 --> 0:48:01.160
<v Speaker 1>at least it all so did make me think of

0:48:01.280 --> 0:48:04.120
<v Speaker 1>like some of the black rom coms we had in

0:48:04.160 --> 0:48:07.520
<v Speaker 1>like the nineties early two thousands, like A Half Plenty

0:48:07.719 --> 0:48:09.759
<v Speaker 1>or not Love Jones, because I feel like that is

0:48:09.800 --> 0:48:10.760
<v Speaker 1>a separate.

0:48:10.480 --> 0:48:13.480
<v Speaker 3>Genre of At least I don't think you love Love Jones.

0:48:13.520 --> 0:48:15.120
<v Speaker 3>We haven't had that conversation on the podcast.

0:48:15.400 --> 0:48:18.080
<v Speaker 1>But it didn't feel like that because Love Jones felt

0:48:18.120 --> 0:48:20.719
<v Speaker 1>a little like grittier and moodier to me, and to

0:48:20.800 --> 0:48:23.080
<v Speaker 1>your point in day, this did not. But it felt

0:48:23.160 --> 0:48:25.200
<v Speaker 1>like something I would have seen in like the nineties

0:48:25.200 --> 0:48:28.360
<v Speaker 1>of two thousand in like that collection of rom coms

0:48:28.400 --> 0:48:30.879
<v Speaker 1>that you could see on Lifetime or whatever, and you're like, oh,

0:48:31.000 --> 0:48:34.400
<v Speaker 1>this was just a fun movie. So I know, before

0:48:34.440 --> 0:48:37.520
<v Speaker 1>all of us saw the film, we talked about like, Okay,

0:48:37.600 --> 0:48:38.040
<v Speaker 1>how do we.

0:48:38.000 --> 0:48:40.120
<v Speaker 3>Feel about this the leads.

0:48:40.239 --> 0:48:42.360
<v Speaker 1>I think I've seen a lot of conversation around like

0:48:42.400 --> 0:48:43.480
<v Speaker 1>the chemistry.

0:48:43.040 --> 0:48:44.080
<v Speaker 3>Between the leads.

0:48:44.280 --> 0:48:47.200
<v Speaker 1>What were your thoughts after watching the film in terms

0:48:47.200 --> 0:48:54.960
<v Speaker 1>of chemistry between reggae, reggae, reggae, joan reggae.

0:48:55.480 --> 0:48:59.560
<v Speaker 6>Yes, they had more chemistry than I anticipated. It did

0:48:59.640 --> 0:49:04.480
<v Speaker 6>seem a little slow to connect for me, But for

0:49:04.520 --> 0:49:07.560
<v Speaker 6>what it's worth if I'm like ignoring everything, all of

0:49:07.560 --> 0:49:09.360
<v Speaker 6>the things that don't feel real about the movie.

0:49:09.600 --> 0:49:11.960
<v Speaker 5>I thought they were cutish. I thought they were cute.

0:49:12.080 --> 0:49:15.480
<v Speaker 5>They're working with the script that they have, and so

0:49:15.680 --> 0:49:17.960
<v Speaker 5>I didn't think I wasn't like not seeing it for

0:49:18.080 --> 0:49:20.240
<v Speaker 5>them in the movie. I was like, Okay, it's cute.

0:49:20.719 --> 0:49:22.759
<v Speaker 6>You know, they had like a little meet cute, a

0:49:22.840 --> 0:49:24.440
<v Speaker 6>little dissonance in their meet cute.

0:49:24.520 --> 0:49:27.560
<v Speaker 5>Sure, and at the end I was like, okay, they're

0:49:27.600 --> 0:49:28.400
<v Speaker 5>cute together.

0:49:30.840 --> 0:49:42.839
<v Speaker 1>More from our conversation after the break, did anybody feel

0:49:42.880 --> 0:49:44.040
<v Speaker 1>one way about their chemistry?

0:49:44.120 --> 0:49:46.600
<v Speaker 3>And You're mine was changed after the film.

0:49:47.560 --> 0:49:49.360
<v Speaker 4>Okay, So as.

0:49:50.640 --> 0:49:54.960
<v Speaker 2>The age gap, for sure, like, yeah, he appears younger

0:49:55.120 --> 0:49:59.120
<v Speaker 2>on screen, which is good, but in the press tour

0:49:59.160 --> 0:50:01.480
<v Speaker 2>of it all that kind of made me nervous. Also

0:50:01.560 --> 0:50:04.000
<v Speaker 2>the messy person to me, the girls on Reddit are

0:50:04.040 --> 0:50:05.759
<v Speaker 2>like they don't like even like each other in real life,

0:50:05.760 --> 0:50:08.239
<v Speaker 2>and I'm like, no, I don't know that. That is

0:50:08.280 --> 0:50:11.240
<v Speaker 2>how I went into the film, being on Reddit and

0:50:11.640 --> 0:50:13.160
<v Speaker 2>being in doctrine.

0:50:12.800 --> 0:50:13.680
<v Speaker 4>I to hear that true.

0:50:14.000 --> 0:50:15.720
<v Speaker 2>So then I watched the film, I was like, actually,

0:50:15.760 --> 0:50:20.520
<v Speaker 2>I thought they had really good chemistry. I think, like

0:50:20.680 --> 0:50:22.640
<v Speaker 2>you said in it was kind of like slow to burn,

0:50:22.719 --> 0:50:25.799
<v Speaker 2>but not in a like a slow burn way, slow

0:50:25.840 --> 0:50:27.480
<v Speaker 2>to connect, which I think part of it is like

0:50:27.560 --> 0:50:31.160
<v Speaker 2>the point of the film, given that like this is

0:50:31.480 --> 0:50:39.000
<v Speaker 2>who she's allegedly engaged his cousin brothers. I think I

0:50:39.040 --> 0:50:41.560
<v Speaker 2>was like, but I think I need one or two

0:50:41.640 --> 0:50:44.919
<v Speaker 2>more beats of like, why do you guys like each other?

0:50:45.080 --> 0:50:47.200
<v Speaker 4>I think that's what was mittley for me.

0:50:48.520 --> 0:50:50.640
<v Speaker 6>At the end when they're in the vineyard and it's

0:50:50.760 --> 0:50:53.160
<v Speaker 6>raining and she's like, I want to give us a chance.

0:50:53.280 --> 0:50:56.279
<v Speaker 5>I'm like, what you think language language, like give us

0:50:56.280 --> 0:50:56.760
<v Speaker 5>a chance?

0:50:56.760 --> 0:50:59.200
<v Speaker 6>It just feels early, like I understand it's over the

0:50:59.200 --> 0:51:01.640
<v Speaker 6>course of what five six days, but I'm like, give

0:51:01.760 --> 0:51:04.600
<v Speaker 6>us a chance. This is like the first real life

0:51:04.600 --> 0:51:08.279
<v Speaker 6>conversation y'all are having about a nonpolatonic relationship, and give

0:51:08.360 --> 0:51:10.600
<v Speaker 6>us a chance just felt like the jump. I understand

0:51:10.640 --> 0:51:14.080
<v Speaker 6>we got a tile loose ends, so just like the

0:51:14.880 --> 0:51:17.200
<v Speaker 6>give us a few more beats. But it was crazy

0:51:17.239 --> 0:51:18.880
<v Speaker 6>because I do feel like they were heavy handed with

0:51:18.920 --> 0:51:20.080
<v Speaker 6>like the energy between them.

0:51:20.080 --> 0:51:20.560
<v Speaker 3>At the beginning.

0:51:20.600 --> 0:51:22.160
<v Speaker 5>I'm like, okay, we get it, y'all like each other,

0:51:23.000 --> 0:51:24.640
<v Speaker 5>And then it was from that, yes.

0:51:24.600 --> 0:51:26.960
<v Speaker 4>That's what I'm saying. I was like a chance here.

0:51:27.640 --> 0:51:32.000
<v Speaker 2>Also, like this movie really stretched my tolerance of cringe

0:51:32.640 --> 0:51:36.560
<v Speaker 2>because of what of cringe. Like there were times in

0:51:36.600 --> 0:51:39.200
<v Speaker 2>the theater I was like, whoa, Like the secondhand embarrassment

0:51:39.280 --> 0:51:42.840
<v Speaker 2>is bally weighing on you right now. I think typically

0:51:42.920 --> 0:51:45.560
<v Speaker 2>like I can not go to the bathroom, but I think,

0:51:45.719 --> 0:51:47.759
<v Speaker 2>pardon me going to the bathroom during the film, like

0:51:47.880 --> 0:51:48.800
<v Speaker 2>I cannot hit.

0:51:50.400 --> 0:51:52.520
<v Speaker 1>What felt particularly cringey to you.

0:51:52.680 --> 0:51:58.359
<v Speaker 8>There are some jokes that people would laugh and I

0:51:58.560 --> 0:52:00.520
<v Speaker 8>wasn't laughing, not because I was try on a state

0:52:00.600 --> 0:52:03.120
<v Speaker 8>tight lick, but I was like, oh dang, maybe I'm

0:52:03.239 --> 0:52:05.960
<v Speaker 8>just like I don't know, I'm strict.

0:52:07.320 --> 0:52:10.120
<v Speaker 2>My theater was like mostly white women. They were having

0:52:10.160 --> 0:52:13.440
<v Speaker 2>a time in there.

0:52:16.120 --> 0:52:19.280
<v Speaker 4>I mean the singing, like singing of Neo.

0:52:19.480 --> 0:52:22.080
<v Speaker 3>I was like Mario, Mario.

0:52:22.040 --> 0:52:28.719
<v Speaker 6>Yes, the taxi driver, the sister in law, Oh yeah,

0:52:28.760 --> 0:52:30.719
<v Speaker 6>this is I'll say, the sister in law. I love

0:52:30.760 --> 0:52:35.160
<v Speaker 6>when a supporting character gives it their all okay character,

0:52:35.520 --> 0:52:36.560
<v Speaker 6>I gotta give it to her.

0:52:38.080 --> 0:52:42.719
<v Speaker 2>The supporting characters made the film, Yeah, they definitely did

0:52:43.080 --> 0:52:46.279
<v Speaker 2>make the film without them.

0:52:49.800 --> 0:52:55.200
<v Speaker 7>Yeah, I do agree that the supporting characters made the film.

0:52:55.600 --> 0:52:58.880
<v Speaker 7>There's something in my just like heart of hearts, militant

0:52:58.920 --> 0:53:03.480
<v Speaker 7>black soul that goes two orphans having to like find

0:53:03.560 --> 0:53:07.560
<v Speaker 7>love through the devices of white people feel so spiritually wrong.

0:53:08.520 --> 0:53:11.520
<v Speaker 7>It's like, is there a commentary about breaking generational curses?

0:53:11.640 --> 0:53:14.200
<v Speaker 7>I don't know it just I didn't like that part

0:53:14.239 --> 0:53:16.440
<v Speaker 7>of it, but I liked the feelm.

0:53:16.400 --> 0:53:18.520
<v Speaker 1>Yeah, I was gonna say, like that is the part

0:53:18.600 --> 0:53:21.480
<v Speaker 1>that I think I appreciated probably the most, was like

0:53:21.520 --> 0:53:24.120
<v Speaker 1>the grief conversations, and I feel like I would have

0:53:24.239 --> 0:53:25.040
<v Speaker 1>liked to see more of that.

0:53:25.080 --> 0:53:26.680
<v Speaker 3>To your point, at least right like, it feels like

0:53:26.719 --> 0:53:27.840
<v Speaker 3>that was probably.

0:53:27.480 --> 0:53:29.719
<v Speaker 1>A large part of the foundation of what made them

0:53:29.719 --> 0:53:31.800
<v Speaker 1>so attractive to each other. But I don't feel like

0:53:31.840 --> 0:53:33.880
<v Speaker 1>we got a ton of that, Not that we needed

0:53:33.960 --> 0:53:36.160
<v Speaker 1>half the film, but I would have liked to see

0:53:36.160 --> 0:53:37.840
<v Speaker 1>more of that. And I thought it was an interesting

0:53:37.880 --> 0:53:41.080
<v Speaker 1>commentary on different responses to grief. Right he kind of

0:53:41.120 --> 0:53:43.799
<v Speaker 1>threw himself into work and like went all in there,

0:53:43.840 --> 0:53:46.160
<v Speaker 1>and like she ran away from it because it felt

0:53:46.200 --> 0:53:48.680
<v Speaker 1>too painful, which I think is true to life. So

0:53:49.040 --> 0:53:51.359
<v Speaker 1>I could have stanned to see a little bit more

0:53:51.360 --> 0:53:54.440
<v Speaker 1>of how they connected around their grief if we wanted to.

0:53:54.480 --> 0:53:57.600
<v Speaker 6>Talk about like connective tissue between this is I'm about

0:53:57.640 --> 0:54:01.080
<v Speaker 6>to reach right now, connective tissue between the drama and you,

0:54:01.200 --> 0:54:04.520
<v Speaker 6>me and Tuscany. I think it's in the field of

0:54:05.400 --> 0:54:09.799
<v Speaker 6>black female representation, like underrepresentation of a black woman in

0:54:09.840 --> 0:54:12.680
<v Speaker 6>an area, And for this movie, I think it's the

0:54:12.880 --> 0:54:17.520
<v Speaker 6>underrepresentation of the black female hobosexual, because for the first

0:54:18.040 --> 0:54:20.680
<v Speaker 6>thirty minutes, I was like, Oh, this is a hobosexual.

0:54:20.760 --> 0:54:23.800
<v Speaker 6>She's just finding the next man, the next person whose

0:54:24.000 --> 0:54:27.480
<v Speaker 6>hotel room she can stay in. She's flying across the

0:54:27.520 --> 0:54:29.520
<v Speaker 6>world to stay in a house that she knows she

0:54:29.680 --> 0:54:32.279
<v Speaker 6>had no business being in, And I was just like,

0:54:32.360 --> 0:54:36.319
<v Speaker 6>you know, you don't see black women on screen doing this.

0:54:36.360 --> 0:54:39.000
<v Speaker 5>Type of foolishes is that often? So I mean I

0:54:39.040 --> 0:54:40.879
<v Speaker 5>appreciated the difference in there in.

0:54:40.760 --> 0:54:44.279
<v Speaker 7>That I mean, I think to your point. And then

0:54:44.480 --> 0:54:47.919
<v Speaker 7>it's like the connectedition for me was that and why

0:54:48.000 --> 0:54:51.400
<v Speaker 7>I think both kind of are subversive Walm comms. We

0:54:51.440 --> 0:54:53.680
<v Speaker 7>don't get to see black women on screen not have

0:54:53.840 --> 0:54:56.800
<v Speaker 7>it together. Like usually when you see a black woman

0:54:57.040 --> 0:55:00.680
<v Speaker 7>in a Walm calm, she is uber six and if

0:55:00.680 --> 0:55:03.319
<v Speaker 7>she's not uper successful, she's a matriarch. And if she's

0:55:03.320 --> 0:55:06.880
<v Speaker 7>not a matriarch. She's something that's like respectable and dignified,

0:55:07.280 --> 0:55:09.560
<v Speaker 7>and it's almost like, well, why doesn't she have love?

0:55:09.719 --> 0:55:12.560
<v Speaker 7>And then the whole plot of the movie has to

0:55:12.640 --> 0:55:16.799
<v Speaker 7>humble this almost perfect person in order to justify them

0:55:16.800 --> 0:55:18.919
<v Speaker 7>having like love. And I thought that it was great

0:55:18.960 --> 0:55:20.760
<v Speaker 7>that in both of these films that they're like dealing

0:55:20.760 --> 0:55:23.400
<v Speaker 7>with something and don't really have their shit together and

0:55:23.440 --> 0:55:25.040
<v Speaker 7>they get to find love anyway.

0:55:24.880 --> 0:55:27.160
<v Speaker 1>Which I think brings me to my next question is

0:55:27.239 --> 0:55:30.440
<v Speaker 1>there has been so much conversation around this film needing

0:55:30.480 --> 0:55:34.160
<v Speaker 1>to be successful for other people's films to be made,

0:55:34.239 --> 0:55:37.279
<v Speaker 1>and like, do you think that there is room for

0:55:37.719 --> 0:55:42.160
<v Speaker 1>there to be just these mediocre black women rom coms

0:55:42.200 --> 0:55:45.359
<v Speaker 1>are led by a black women cas or does it

0:55:45.400 --> 0:55:48.600
<v Speaker 1>always need to strive for like black excellence, Like where

0:55:48.640 --> 0:55:51.200
<v Speaker 1>are we in the stage of what our films can

0:55:51.239 --> 0:55:52.560
<v Speaker 1>look like at this point?

0:55:52.719 --> 0:55:54.799
<v Speaker 6>I think there fully needs to be a room for

0:55:54.880 --> 0:55:58.280
<v Speaker 6>like black mediocrity, And like I don't think the phrase

0:55:58.360 --> 0:56:02.200
<v Speaker 6>black mediocrity is doraga because as long as we have multiples,

0:56:02.239 --> 0:56:04.600
<v Speaker 6>like there's going to be a spectrum and.

0:56:04.640 --> 0:56:08.919
<v Speaker 5>There is white mediocrity north, south, east and west, and so.

0:56:08.880 --> 0:56:12.560
<v Speaker 6>It's just like it's only it's really only natural, like

0:56:12.640 --> 0:56:16.279
<v Speaker 6>everyone's not going to hit the mark for everyone, and

0:56:16.360 --> 0:56:18.640
<v Speaker 6>I think it's realistic to be like, Okay, this is

0:56:18.680 --> 0:56:21.799
<v Speaker 6>just a regular black movie and some regular movie where

0:56:21.800 --> 0:56:24.120
<v Speaker 6>black people are by black people, and sometimes you just

0:56:24.160 --> 0:56:27.279
<v Speaker 6>want like the regular version, like and not everything needs

0:56:27.320 --> 0:56:30.320
<v Speaker 6>to be high art, like it's like an entertaining little

0:56:30.320 --> 0:56:33.520
<v Speaker 6>girl's night fun movie, and sometimes I think that's all

0:56:33.600 --> 0:56:35.120
<v Speaker 6>things need to be.

0:56:35.600 --> 0:56:36.680
<v Speaker 4>I'm gonna have to agree.

0:56:36.680 --> 0:56:38.880
<v Speaker 2>I also think what I appreciate about the film, like

0:56:39.200 --> 0:56:42.719
<v Speaker 2>obviously like race was a factor, but something I haven't.

0:56:42.480 --> 0:56:45.480
<v Speaker 4>Loved is let's tie in.

0:56:46.160 --> 0:56:48.080
<v Speaker 2>I'm gonna be shading a movie, but like, let's tie

0:56:48.080 --> 0:56:51.080
<v Speaker 2>in the story about gentrification with black love, and I'm like,

0:56:51.719 --> 0:56:54.480
<v Speaker 2>this feels really heavy, Like is.

0:56:54.440 --> 0:56:55.720
<v Speaker 3>The gentrification angle?

0:56:56.280 --> 0:56:58.719
<v Speaker 4>No, I'm saying, what's this? We love Brooklyn that.

0:56:58.920 --> 0:57:00.880
<v Speaker 5>Yeah, I got it.

0:57:01.080 --> 0:57:01.480
<v Speaker 3>Okay.

0:57:01.640 --> 0:57:05.360
<v Speaker 2>I didn't like that movie. It just felt too heavy

0:57:05.400 --> 0:57:08.120
<v Speaker 2>handed with some of the themes. And I do think

0:57:08.239 --> 0:57:11.799
<v Speaker 2>that is what puts pressure on black films to be

0:57:11.960 --> 0:57:15.320
<v Speaker 2>like excellent, because yes, it is a movie about romance

0:57:15.320 --> 0:57:18.040
<v Speaker 2>in love, but it's also a vehicle to do this

0:57:18.160 --> 0:57:21.680
<v Speaker 2>other type of storytelling that is about like social issues,

0:57:22.240 --> 0:57:25.840
<v Speaker 2>and I think that's where people start to expect a

0:57:25.840 --> 0:57:26.240
<v Speaker 2>lot of it.

0:57:26.280 --> 0:57:27.680
<v Speaker 4>And it's not a bad thing and it can be

0:57:27.760 --> 0:57:28.600
<v Speaker 4>done really well.

0:57:29.040 --> 0:57:31.160
<v Speaker 2>But I think we've had so much of that type

0:57:31.160 --> 0:57:34.360
<v Speaker 2>of film that something like this were like, wasn't that good.

0:57:34.360 --> 0:57:38.480
<v Speaker 4>I'm like, guys, it's for shits and giggles, Like we literally.

0:57:40.080 --> 0:57:40.360
<v Speaker 3>Something.

0:57:40.520 --> 0:57:43.800
<v Speaker 1>What is the expectation of a rom com other than

0:57:43.880 --> 0:57:46.200
<v Speaker 1>like I leave feeling good right like that?

0:57:46.200 --> 0:57:46.280
<v Speaker 2>That?

0:57:46.800 --> 0:57:48.520
<v Speaker 3>Yeah, like that is the expectation.

0:57:50.000 --> 0:57:52.760
<v Speaker 2>It's unfortunate though, because I feel like the expectation beyond

0:57:52.840 --> 0:57:55.400
<v Speaker 2>us is like it needs to make back the money

0:57:55.520 --> 0:57:58.640
<v Speaker 2>and more. Yeah, And it's just kind of like even

0:57:58.880 --> 0:58:01.160
<v Speaker 2>looking at like some of the top like black TV

0:58:01.280 --> 0:58:04.440
<v Speaker 2>shows and films, it's going to target a particular audience.

0:58:04.480 --> 0:58:07.200
<v Speaker 2>It's going to overserve them, but it might not serve

0:58:07.240 --> 0:58:09.400
<v Speaker 2>the other audiences. And then from there they're not making

0:58:09.440 --> 0:58:11.360
<v Speaker 2>the money and now it's like not a success, which

0:58:11.400 --> 0:58:14.200
<v Speaker 2>is unfortunate and like not fair because to Enda's point,

0:58:14.720 --> 0:58:17.640
<v Speaker 2>there is white mediocrity everywhere, especially in the TV and

0:58:17.680 --> 0:58:21.080
<v Speaker 2>film industry. So it's interesting how we're like held to

0:58:21.080 --> 0:58:21.920
<v Speaker 2>this different standard.

0:58:21.960 --> 0:58:22.800
<v Speaker 4>But we knew this.

0:58:23.080 --> 0:58:25.720
<v Speaker 6>Yeah, I thought about the movie when I was thinking

0:58:25.720 --> 0:58:28.960
<v Speaker 6>about this and like black mediocrity whatever I thought about

0:58:28.960 --> 0:58:32.360
<v Speaker 6>that movie speaking of Sidney Sweeney with Sidney Sweeney and

0:58:32.440 --> 0:58:33.440
<v Speaker 6>Glenn what's his name?

0:58:35.400 --> 0:58:36.480
<v Speaker 4>Any anyone but you?

0:58:36.600 --> 0:58:43.160
<v Speaker 6>Any Yes, yes, anyone but you and I mediocre, mediocre, mediocre.

0:58:42.680 --> 0:58:46.160
<v Speaker 5>And but You're like oe, yeah, literally the same.

0:58:46.200 --> 0:58:48.120
<v Speaker 6>And I'm like, Okay, this movie is silly. But I

0:58:48.120 --> 0:58:51.040
<v Speaker 6>think that movie made a lot of money, Like people

0:58:51.720 --> 0:58:54.440
<v Speaker 6>loved that movie. So it's like a cheeky little movie.

0:58:54.880 --> 0:58:56.640
<v Speaker 6>And so yeah, I agree. I think like we just

0:58:57.400 --> 0:59:00.160
<v Speaker 6>deserve the same room to just do a cheeky little movie.

0:59:00.320 --> 0:59:04.400
<v Speaker 5>There's no message. It's not that deep because it's like

0:59:04.480 --> 0:59:08.920
<v Speaker 5>everything cannot be that deep. It's exhausting. Yeah, and I wonder.

0:59:08.960 --> 0:59:10.920
<v Speaker 1>I mean, I'm sure this is the case, but I

0:59:10.920 --> 0:59:15.160
<v Speaker 1>haven't seen anything to like echo this is when like

0:59:15.240 --> 0:59:19.400
<v Speaker 1>white audiences see Halle and re je do they automatically

0:59:19.480 --> 0:59:21.720
<v Speaker 1>assume this is not for me, right, like that this

0:59:21.800 --> 0:59:24.320
<v Speaker 1>is a black rom com as opposed to like, oh,

0:59:24.400 --> 0:59:26.479
<v Speaker 1>this is just a rom com with like attractive people,

0:59:26.520 --> 0:59:29.400
<v Speaker 1>which is what rom coms typically are, right. And so

0:59:29.440 --> 0:59:31.640
<v Speaker 1>I think that is already like a large part of

0:59:31.640 --> 0:59:33.760
<v Speaker 1>the audience that we are not going to get right,

0:59:33.760 --> 0:59:35.720
<v Speaker 1>like the dollars are not going to come from them,

0:59:36.080 --> 0:59:38.320
<v Speaker 1>which then puts all this pressure I think on the

0:59:38.360 --> 0:59:40.479
<v Speaker 1>black community, like, oh, we got to go make sure

0:59:40.480 --> 0:59:43.400
<v Speaker 1>that this film is successful because we want to continue

0:59:43.440 --> 0:59:45.160
<v Speaker 1>to see these projects being made.

0:59:45.360 --> 0:59:46.960
<v Speaker 3>So we talked briefly a.

0:59:46.960 --> 0:59:49.400
<v Speaker 1>Little earlier about Love Jones, and so I want to

0:59:49.440 --> 0:59:52.080
<v Speaker 1>wrap up now that this has to be anybody to answer.

0:59:52.080 --> 0:59:55.320
<v Speaker 1>But when you think about like your foundational rom coms

0:59:55.320 --> 0:59:58.120
<v Speaker 1>and like this genre for you, what film has.

0:59:58.000 --> 0:59:59.000
<v Speaker 3>To be on this list for you?

1:00:00.080 --> 1:00:02.680
<v Speaker 4>Obviously Love Jones. It's so good.

1:00:03.560 --> 1:00:08.240
<v Speaker 2>I feel like that movie like very messy relationship, but

1:00:08.440 --> 1:00:12.360
<v Speaker 2>the tone insensibilities and like, oh men, who read that

1:00:12.560 --> 1:00:20.680
<v Speaker 2>was like my ners, So definitely also like throwing it

1:00:20.760 --> 1:00:25.200
<v Speaker 2>way back. Pretty Woman like again a movie that the

1:00:25.240 --> 1:00:28.480
<v Speaker 2>premise is very questionable, like she is a hooker, but

1:00:28.840 --> 1:00:32.880
<v Speaker 2>it is able to like explore way further than that

1:00:33.000 --> 1:00:36.520
<v Speaker 2>and has like really good social commentary without being very

1:00:36.600 --> 1:00:38.520
<v Speaker 2>heavy handed and is hilarious.

1:00:39.080 --> 1:00:41.560
<v Speaker 6>And then like without Pretty Women, you don't have like

1:00:41.720 --> 1:00:44.080
<v Speaker 6>the Princess Diaries. If you've seen the movie, there's like

1:00:44.440 --> 1:00:47.120
<v Speaker 6>characters in like multiple characters in Pretty Women are in

1:00:47.120 --> 1:00:48.280
<v Speaker 6>the Prince's Diaries and they kind.

1:00:48.160 --> 1:00:48.960
<v Speaker 4>Of play off each other.

1:00:49.640 --> 1:00:53.160
<v Speaker 2>So those are really great and I have one more,

1:00:53.440 --> 1:00:54.280
<v Speaker 2>but someone else go.

1:00:54.640 --> 1:00:58.040
<v Speaker 5>I think in terms of black rom coms.

1:00:57.720 --> 1:01:01.160
<v Speaker 6>I'm a big fan of The Last Holiday with Queen Latifa.

1:01:01.600 --> 1:01:03.280
<v Speaker 5>I think love that movie.

1:01:03.400 --> 1:01:07.800
<v Speaker 6>Speaking of Halle, Halle plays Halle and Chloe play like

1:01:08.200 --> 1:01:09.400
<v Speaker 6>her nieces or something.

1:01:09.400 --> 1:01:12.400
<v Speaker 5>There's like a quick cut o there in that movie.

1:01:12.560 --> 1:01:14.720
<v Speaker 5>Fun fact. But yes, I'm a big fan of The

1:01:14.760 --> 1:01:15.320
<v Speaker 5>Last Holiday.

1:01:15.320 --> 1:01:18.480
<v Speaker 6>And honestly, when I was watching this movie, it reminded

1:01:18.520 --> 1:01:20.520
<v Speaker 6>me of The Last Holiday because she goes across the world.

1:01:20.560 --> 1:01:22.640
<v Speaker 6>She's just chilling and then she ends up meeting a

1:01:22.680 --> 1:01:24.560
<v Speaker 6>guy and the blah blah, they fall in love. So

1:01:25.040 --> 1:01:28.360
<v Speaker 6>I also this may be more controversial because I know

1:01:28.400 --> 1:01:31.920
<v Speaker 6>people really hated this movie when it came out. I

1:01:32.000 --> 1:01:35.560
<v Speaker 6>one of my comfort black rom com or yeah kind

1:01:35.560 --> 1:01:38.680
<v Speaker 6>of is the photograph not It's like.

1:01:39.160 --> 1:01:40.920
<v Speaker 5>I know, I know, I know, I know.

1:01:41.000 --> 1:01:43.520
<v Speaker 3>I love the photography. I know I thought it was in.

1:01:43.480 --> 1:01:48.320
<v Speaker 8>The theater, y'all I turn up when I'm like, I

1:01:48.360 --> 1:01:49.680
<v Speaker 8>will turn on that movie.

1:01:50.120 --> 1:01:53.840
<v Speaker 5>I also love the score Robert Glasper, but no fantastic.

1:01:53.840 --> 1:01:56.200
<v Speaker 6>The score is great, but I really do enjoy the

1:01:56.200 --> 1:01:58.640
<v Speaker 6>photograph and all of its flaws. I just take it

1:01:58.680 --> 1:02:01.880
<v Speaker 6>as it is if we're just speaking rom coms in general.

1:02:02.400 --> 1:02:05.560
<v Speaker 6>Five Hundred Days of Summer with Zoe Dachel and Joseph

1:02:05.640 --> 1:02:08.439
<v Speaker 6>or and Levitt. Loved that movie also when Harry met

1:02:08.480 --> 1:02:12.200
<v Speaker 6>Sally because I love our friends to lovers, like plotline.

1:02:11.760 --> 1:02:14.880
<v Speaker 4>Huge, so you know those Circreduce also loved Jones.

1:02:14.920 --> 1:02:18.400
<v Speaker 2>On my end, I feel like growing up, obviously I've

1:02:19.040 --> 1:02:21.280
<v Speaker 2>changed and developed and we've grown. I would have told

1:02:21.320 --> 1:02:23.840
<v Speaker 2>you it was loving Basketball when I was growing up,

1:02:24.040 --> 1:02:26.320
<v Speaker 2>because I feel like everyone in that film is not good.

1:02:26.440 --> 1:02:29.480
<v Speaker 4>Right, No, it's not great, and I'm feel like growing up,

1:02:29.520 --> 1:02:31.120
<v Speaker 4>it's like, oh my gosh, so cute. And now I

1:02:31.200 --> 1:02:31.400
<v Speaker 4>was an.

1:02:31.360 --> 1:02:36.320
<v Speaker 2>Adult, I'm like, oh this is poor by Night but

1:02:36.520 --> 1:02:39.280
<v Speaker 2>maybe also controversial. But one of my favorite rom coms

1:02:39.360 --> 1:02:42.200
<v Speaker 2>is too Can Play That Game. I actually wrote the movie.

1:02:42.760 --> 1:02:43.720
<v Speaker 4>I love that movie.

1:02:44.240 --> 1:02:48.920
<v Speaker 2>I also want to shout out about Last Night and Jumping.

1:02:50.400 --> 1:02:53.640
<v Speaker 4>Oh that like Stretch of Black Coms.

1:02:54.040 --> 1:02:57.320
<v Speaker 2>Yeah, even what's the film with like Kevin Hard and

1:02:57.360 --> 1:02:58.880
<v Speaker 2>TROGI Phmson.

1:03:01.040 --> 1:03:03.840
<v Speaker 4>Like, say what you want? That is a good movie.

1:03:05.560 --> 1:03:07.439
<v Speaker 5>Heavy Lifting first, I need the second one.

1:03:08.040 --> 1:03:11.480
<v Speaker 6>My mom was like, you need to read Steve Harvey's

1:03:11.600 --> 1:03:14.720
<v Speaker 6>act like a lady and even like at a young age,

1:03:14.720 --> 1:03:17.720
<v Speaker 6>I was like, Okay, I'm not reading that, and I

1:03:17.840 --> 1:03:19.640
<v Speaker 6>just something in me was just like I'm not reading

1:03:19.640 --> 1:03:21.720
<v Speaker 6>that book. I never read it, but she was, She's like,

1:03:22.000 --> 1:03:23.480
<v Speaker 6>you really need to read that book.

1:03:23.520 --> 1:03:24.760
<v Speaker 5>I'm like, I'm not reading that.

1:03:25.320 --> 1:03:28.800
<v Speaker 6>But what's also so interesting is like the movie is

1:03:29.280 --> 1:03:31.800
<v Speaker 6>a promotion of the book, but it's also like telling you, like,

1:03:31.840 --> 1:03:38.280
<v Speaker 6>the book does not work bs.

1:03:36.800 --> 1:03:43.880
<v Speaker 1>Literal bs several arguments against them literally, I think for me,

1:03:43.920 --> 1:03:45.920
<v Speaker 1>in addition to Love Jones being on the list, the

1:03:45.960 --> 1:03:50.280
<v Speaker 1>Best Man is also on that list. Yeah, there's a

1:03:50.280 --> 1:03:52.480
<v Speaker 1>lot of mess there, but it feels like it comes

1:03:52.520 --> 1:03:54.680
<v Speaker 1>together in the end. And then like the whole trio

1:03:54.880 --> 1:03:58.240
<v Speaker 1>of films, right, I think make for just great roalm,

1:03:58.360 --> 1:03:59.120
<v Speaker 1>calm energy.

1:03:59.360 --> 1:04:01.680
<v Speaker 5>So that was my answer is The Wood.

1:04:01.960 --> 1:04:05.360
<v Speaker 6>The Wood is a rom com, right, It's the was

1:04:05.440 --> 1:04:06.280
<v Speaker 6>more like Brotherhood.

1:04:06.600 --> 1:04:08.760
<v Speaker 1>I don't remember what happened in the Wood. I remember

1:04:08.760 --> 1:04:10.640
<v Speaker 1>them playing basketball in the park, but I don't mean

1:04:10.680 --> 1:04:11.600
<v Speaker 1>I want to say.

1:04:11.480 --> 1:04:15.040
<v Speaker 4>Like friendship is romantic, we can follow.

1:04:15.240 --> 1:04:20.120
<v Speaker 6>Yeah, yeah, yeah, there's like twinkles of romance in there,

1:04:20.160 --> 1:04:24.000
<v Speaker 6>of course, but yeah, yeah, well lots of fun with

1:04:24.040 --> 1:04:24.680
<v Speaker 6>this conversation.

1:04:24.840 --> 1:04:27.400
<v Speaker 1>As always, thank y'all so much for joining me again.

1:04:27.600 --> 1:04:30.560
<v Speaker 1>Please share with us where people can find you on

1:04:30.640 --> 1:04:32.919
<v Speaker 1>social We'll start with you, Bria, So.

1:04:33.000 --> 1:04:35.960
<v Speaker 4>I am as the Fabria everywhere.

1:04:36.200 --> 1:04:38.880
<v Speaker 2>I also have a pop culture page where I'm going

1:04:38.920 --> 1:04:42.320
<v Speaker 2>to more this aid what Bria said too perfect.

1:04:42.600 --> 1:04:45.280
<v Speaker 3>Elise, I am.

1:04:45.320 --> 1:04:46.320
<v Speaker 4>On Instagram and TikTok.

1:04:46.360 --> 1:04:50.120
<v Speaker 5>It's my first and last name, Elise, Elis and Indie.

1:04:50.800 --> 1:04:55.520
<v Speaker 6>I'm on Instagram at day Las soul in the E

1:04:55.640 --> 1:04:58.840
<v Speaker 6>y E l as you well, and I'm also on TikTok.

1:04:58.960 --> 1:05:00.720
<v Speaker 6>It's just in day with a lot of It might

1:05:00.720 --> 1:05:03.920
<v Speaker 6>be five, it might be six. Try and find me.

1:05:05.440 --> 1:05:08.080
<v Speaker 1>Just look for the link. Well, thank y'all so much

1:05:08.080 --> 1:05:09.000
<v Speaker 1>for joining me again.

1:05:09.240 --> 1:05:10.520
<v Speaker 4>Thank you, I thank you.

1:05:14.160 --> 1:05:16.360
<v Speaker 1>I always love when I get to chat with the producers.

1:05:16.400 --> 1:05:19.400
<v Speaker 1>I hope you enjoyed our conversation to learn more about

1:05:19.400 --> 1:05:22.120
<v Speaker 1>their work and to weigh in on your thoughts about

1:05:22.120 --> 1:05:25.080
<v Speaker 1>the drama and you, me and Tuscany. Be sure to

1:05:25.160 --> 1:05:27.560
<v Speaker 1>visit the show notes at Therapy for Blackgirls dot com,

1:05:27.560 --> 1:05:30.560
<v Speaker 1>slash session for sixty one, or join us over in

1:05:30.560 --> 1:05:33.360
<v Speaker 1>our Patreon. You can join us at community dot Therapy

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<v Speaker 1>for Blackgirls dot com. Did you know that you could

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<v Speaker 1>leave us a voicemail with your questions or suggestions for

1:05:38.680 --> 1:05:41.960
<v Speaker 1>the podcast. Drop us a message at mimmo dot fm

1:05:42.000 --> 1:05:44.160
<v Speaker 1>slash Therapy for Black Girls and let us know what's

1:05:44.200 --> 1:05:47.000
<v Speaker 1>on your mind. We just might feature it on the podcast.

1:05:47.680 --> 1:05:49.960
<v Speaker 1>If you're looking for a therapist in your area, visit

1:05:50.040 --> 1:05:53.920
<v Speaker 1>our therapist directory at Therapy for Blackgirls dot com slash directory.

1:05:54.200 --> 1:05:58.280
<v Speaker 1>This episode was produced by Elise Ellis, Indietubu and Tyree Rush.

1:05:58.440 --> 1:06:00.960
<v Speaker 1>Editing was done by Dennis and Bradford. Thank y'all so

1:06:01.040 --> 1:06:03.160
<v Speaker 1>much for joining me again this week. I look forward

1:06:03.200 --> 1:06:05.880
<v Speaker 1>to continuing this conversation with you all real soon.

1:06:06.240 --> 1:06:06.880
<v Speaker 5>Take it care