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Speaker 1: So Jason mused as like he doesn't believe me, and I, yeah,

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Speaker 1: I'm like no, I was confused too for a long time.

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Speaker 1: But that guy, the director that is Silent Bob, they're

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Speaker 1: like this, they are the same person. And I watching

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Speaker 1: him figure it out and like really piecing it together.

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Speaker 1: It's tough. It's tough. It was tough on him because

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Speaker 1: he's been sort of living in this illusion for such

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Speaker 1: a long time.

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Speaker 2: And also that's a friend.

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Speaker 1: Of his, yes, who was tricking him.

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Speaker 2: Yeah, yeah, that's hard to go to work backwards through

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Speaker 2: that relationship and go like all those times that he

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Speaker 2: was filming me that I didn't know it that I

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Speaker 2: was interacting with this other guy, Silent Bob I thought

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Speaker 2: was another friend of mine. And now I know why

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Speaker 2: I never saw them together, or why one would go

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Speaker 2: to the bathroom and then Silent Bob come out. It

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Speaker 2: was just him putting on a trench coat and a backwards.

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Speaker 1: Hat and I bring out Kevin in the out in

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Speaker 1: the Silent Bob outfit and have him stand there and

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Speaker 1: say hello Jason. Yeah, and we all cried like it

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Speaker 1: was it was cathartic.

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Speaker 2: Well, it's a release, it is a release, and after

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Speaker 2: and Kevin didn't want to live in that reality anymore either.

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Speaker 2: Both He was being silent Bob to protect Jason because

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Speaker 2: it had gone on so much further than he'd ever Yes, well,

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Speaker 2: snoogans to both of them, and I I couldn't be happier,

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Speaker 2: and snoop.

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Speaker 1: The bo to both of those men. Hey, welcome to

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Speaker 1: Hollywood Handbook and Insider's Guide to kicking button dropping names

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Speaker 1: in the red carpet lineback hallways of this industry we

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Speaker 1: call showbiz. What up?

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Speaker 2: What up?

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Speaker 1: You know? This week it's been a good week, a

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Speaker 1: cold week. This ice bucket so friggin challenge.

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Speaker 2: Kissed the people who've been tagging us in these ice

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Speaker 2: bucket challenges.

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Speaker 1: Carl Urban tagged me this morning, and it's so freaking cold.

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Speaker 2: It's like, do you not know how cold?

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Speaker 1: It is? So cold? And people think like, oh, it's

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Speaker 1: like this summer, it's nice in the summertime. That's ice.

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Speaker 2: That's that's nice. Okay, water, Okay, it's water so cold

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Speaker 2: that it froze an ice bucket. Philip Roth tagged me

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Speaker 2: yesterday and I was like, look, I loved exit Ghost

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Speaker 2: Love plot against America. There's some ones in the middle

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Speaker 2: that are kind of boring to me. Okay, the baseball one,

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Speaker 2: I didn't totally get what you were doing. American pastoral,

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Speaker 2: I like.

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Speaker 3: Yeah, goodbye, sure, yeah, yeah, yeah, okay, a little dirty,

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Speaker 3: but also pretty well ripped.

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Speaker 2: Yes, the human stay okay, And guys, that's not about

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Speaker 2: the Monica Lewinsky scandal, the human stain on her dress.

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Speaker 2: Bill Clinton made a spooch stain Monica's dress.

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Speaker 1: Oh yes, human, yes, of course.

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Speaker 2: But I don't think that book's about that.

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Speaker 1: Well, they do actually talk a lot about Bill Clinton

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Speaker 1: in that book, and now I'm sort of making that

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Speaker 1: connection because it is taking place at the at the

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Speaker 1: same time.

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Speaker 4: Is it.

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Speaker 2: I haven't read any of it. I haven't really read

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Speaker 2: his stuff, but he tagged me in the ice bucket challenge. Yeah,

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Speaker 2: and who's freaking pissed. Yeah, It's like, Okay, I know

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Speaker 2: you can write a book, but that doesn't give you

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Speaker 2: the right to make me.

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Speaker 1: Be so fucking cold. It's like it is feeding well, yes,

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Speaker 1: but then they say like, if you do it, if

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Speaker 1: you don't do it, you have to pay like a

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Speaker 1: hundred bucks to these weirdos. And so I'm saying, bring

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Speaker 1: on the buckets.

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Speaker 2: Yes to hit me with hit me with the bucket,

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Speaker 2: because I don't want to give my money to people

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Speaker 2: who I can't totally figure out what they're out for.

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Speaker 1: Yes, and what are they gonna do with this one

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Speaker 1: hundred dollars or are they gonna go get more of

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Speaker 1: the whatever the stuff? So, you know, rather than actually

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Speaker 1: do anything monetary. I've been but yeah, getting ice on

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Speaker 1: my I'm just in a babe. I'm just going around

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Speaker 1: in a bathing suit all the time now because I'm

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Speaker 1: constantly getting bucketed.

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Speaker 2: M When I was growing up, getting iced meant that

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Speaker 2: you put a smearing off ice in your bros pocket

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Speaker 2: and you made him chug it.

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Speaker 1: Yes, and that was that and it was fun free.

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Speaker 2: And if you didn't feel like chugging it, you didn't

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Speaker 2: give up one hundred bucks. Who you don't even know

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Speaker 2: what he's gonna do with the money, So hopefully use

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Speaker 2: it for a sandwich.

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Speaker 1: That's what I like to That's what I would prefer

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Speaker 1: to do. I just buy them a bucket, you a

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Speaker 1: hundred dollars worth of soup.

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Speaker 2: We'll buy them a bucket of soup instead of a

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Speaker 2: bucket of ice, yes, and then have.

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Speaker 1: Them eat the soup and you can come with me

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Speaker 1: and I will eat the soup together. Yes, I shrundle

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Speaker 1: off into some alley way.

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Speaker 2: And this is the thing with giving money to these guys,

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Speaker 2: are any guys, is you don't know if the money

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Speaker 2: is going to do something nefarious when it leaves your pocket.

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Speaker 2: And so if you use it for something positive, soup, hamburger, sandwich,

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Speaker 2: literally anything that could be eaten or that could be worn.

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Speaker 1: Blankets, Oh yes, a shirt.

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Speaker 2: Thank you, That's exactly what I was searching for. Yeah,

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Speaker 2: a shirt. These things you buy. People know what that is.

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Speaker 2: You can see them wear it. It's not something where

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Speaker 2: they can take this money and do something with it

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Speaker 2: that is not exactly positive for society.

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Speaker 1: Anyway.

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Speaker 2: We're a little cold and we're a little ornery, as

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Speaker 2: you can tell, but we do have some exciting news.

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Speaker 2: Hayes and I are going to turn the newspaper comics

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Speaker 2: into movies.

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Speaker 1: We've signed a big deal with United Features Syndicate. We've

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Speaker 1: gotten all the big properties that are out there right now,

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Speaker 1: you know, all like God, some of these amazing characters

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Speaker 1: that we have to just play with. Oh go yeah.

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Speaker 2: Shoe, We're doing big stuff with Shoe.

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Speaker 1: Curtis trying to get. And when you get Curtis, you

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Speaker 1: don't just get Curtis the character. You get Gunk, Curtis's friends.

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Speaker 1: You get Gunther, Curtis's barber, You get his dad who

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Speaker 1: has to quit smoking. You get super Captain cool Man,

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Speaker 1: his favorite superhero. You get all the quansa guys every

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Speaker 1: time they trot out, every time they do the whole

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Speaker 1: Kwanza thing every year, and they use the old like

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Speaker 1: mythical African characters. You get all those. It's a package deal.

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Speaker 1: We have so many things to work with with an

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Speaker 1: eye on I think sort of creating a new Marvel universe. Yeah,

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Speaker 1: some of these with some of these characters.

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Speaker 2: And I'd like to single out for Better or for Worse.

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Speaker 1: Yes, yes, we have some really exciting plans for for

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Speaker 1: Better or for Worse.

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Speaker 2: Because those characters do age. We actually can make five

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Speaker 2: or six movies simultaneously with the characters at different ages.

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Speaker 1: Or do sort of a Boyhood or I guess Engineer

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Speaker 1: Cody boy now that project. We can do a version

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Speaker 1: of that.

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Speaker 2: Yes, a version of that where we have Better for

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Speaker 2: Worse Lizzie and you have Lizzie as a baby and

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Speaker 2: then she's getting older, and that's Mizzy's macimony and don't

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Speaker 2: touch Mizzy's macammony when people try to eat Lizzie's macaroni. Yes,

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Speaker 2: you can have Farley Dye. Yes, who was the lovable

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Speaker 2: dog ya died in a river and we and we're

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Speaker 2: we I know what you're thinking. We have gotten grumpy

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Speaker 2: Cat to play this dog, which is its own sort

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Speaker 2: of like in joke, because Farley was also very happy,

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Speaker 2: go lucky and sort of out going and a dog,

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Speaker 2: and so to see Grumpy Cat sort of play against

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Speaker 2: type like that, and it's yes, it's tracking great because

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Speaker 2: people are so aware of grumpy Cat and what's his

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Speaker 2: next project. It's an in joke for people who are

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Speaker 2: fans of Grumpy Cat and the comic a little bit

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Speaker 2: of backlash. Some people are so attached to the idea

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Speaker 2: of Farley as.

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Speaker 1: A pure dogs the real nerds, you know, the real

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Speaker 1: comics nerds.

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Speaker 2: But this is the same thing I say about having

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Speaker 2: a black guy play Wonder Woman, which is it's about

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Speaker 2: time m hm, you know, which I'm pretty sure they're

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Speaker 2: doing right now.

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Speaker 1: Mm hmm. It's people who they're a little scared of changing.

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Speaker 2: Well, they're close minded and I think that we're really

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Speaker 2: breaking some molds. And our primary, our first thing that

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Speaker 2: we have slated is we're doing the Fox Trot film. Yes,

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Speaker 2: and that's what we're going into right now, and we

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Speaker 2: break ground on that production tomorrow as we are building

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Speaker 2: the Fox Trot house.

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Speaker 1: Fox Trot, of course, is the Fox family. Rogers the patriarch,

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Speaker 1: Andy's the mind, Peter's the older brother, Page and sort

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Speaker 1: of the nefarious Jason.

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Speaker 2: Jason who's wise beyond his years but can't always stay

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Speaker 2: out of trouble and give you even a pretty frustrating

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Speaker 2: the page.

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Speaker 1: I think we do have McAdams to do Page, and

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Speaker 1: that kid who says apparently a lot fingers crossed for Jason,

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Speaker 1: I mean that would be a dream.

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Speaker 2: Yes, And if he doesn't do it, I'll use Dave

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Speaker 2: Franco in the studio on Dave Franco, and it's we're

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Speaker 2: fine with Dave Franco, but the kid who says apparently

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Speaker 2: a lot you know from the news from the news, yeah, right,

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Speaker 2: would really be our first, second, and third choice. And

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Speaker 2: Franco's somewhere around six or seven. And I have another

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Speaker 2: idea of someone in between.

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Speaker 1: Peter's always wearing a hat. It seems like a natural

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Speaker 1: fit for Judah Friedlander and being able to write funny

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Speaker 1: things on the hat.

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Speaker 2: Uh, just a bonus, just more jokes or just a.

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Speaker 1: Constant joke on the screen all the time, one hundred

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Speaker 1: percent joke saturation whenever the hat is present on screen.

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Speaker 1: And so when you think about that for focus group testing,

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Speaker 1: I don't know if it's like I know, actually you

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Speaker 1: don't know how it well. Focus group testing works. But

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Speaker 1: people get these dials where when they hear something they like,

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Speaker 1: I think is funny or interesting.

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Speaker 2: And before you get to gross, the dials aren't attached

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Speaker 2: to the dick. It's just a dial that you turn

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Speaker 2: to say you like it or you don't. It doesn't

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Speaker 2: like provide pleasure.

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Speaker 1: I don't want to indulge that. But you can hear

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Speaker 1: them thinking like, oh, so you turn it up and

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Speaker 1: it puts like electric shocks into your your dick.

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Speaker 2: It's like, no, that's not the kind of testing we're

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Speaker 2: talking about. That's a different though.

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Speaker 1: This is for movies. And so you turn the dial

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Speaker 1: all the way up when you like something, and the

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Speaker 1: effect you get. You wonder why Jude Freelander is like

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Speaker 1: in movies the effect you get on the dial is

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Speaker 1: when they can see the hat. The dial is turned

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Speaker 1: all the way up at all times, and it doesn't

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Speaker 1: matter what else is going on on the screen. They're

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Speaker 1: laughing at the hat.

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Speaker 2: And so you can get some cool artistic messages through

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Speaker 2: that maybe audiences wouldn't approve of as long as the

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Speaker 2: hat's on screen. Yes, So if you want to make

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Speaker 2: a statement about something it's political.

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Speaker 1: It's mixing a little broccoli and with the brownies, yes exactly.

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Speaker 2: Yes, people have to eat their vegetables and they find

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Speaker 2: that out. And when that does happen, that does feel

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Speaker 2: good on my dick. I mean that is like having

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Speaker 2: a pleasure dial for me to see that we're giving

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Speaker 2: someone an important message. Maybe it's that the Bible is

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Speaker 2: the work of fiction or anything.

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Speaker 1: And uh and seek.

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Speaker 2: I believe in how many people are, how many people

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Speaker 2: have to die behind religious fanatic beliefs. Some big man

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Speaker 2: in the sky who says, you.

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Speaker 1: Know, okay, I will give you get it all out,

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Speaker 1: get it all out. I'll give you this is your

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Speaker 1: platform right now where you can talk about your feelings

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Speaker 1: on this and get everything you want out there now.

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Speaker 1: And then we just don't have to talk about it

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Speaker 1: again on the show.

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Speaker 2: Okay, l Ron Hubbard has found a better way to live.

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Speaker 2: Dianetics tells us that we have in our DNA, in

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Speaker 2: our history these sort of almost record scratches, right, these

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Speaker 2: imprints where there's some flaw in there. And if we

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Speaker 2: can go in through through auditing, you know, with a

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Speaker 2: with a trained expert, we can actually remove these glitches

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Speaker 2: and become clear at which point we are our greatest selves.

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Speaker 2: I mean, what makes more sense to you? We're planted

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Speaker 2: here by aliens?

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Speaker 5: Okay?

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Speaker 2: Or I'm made out of dirt and my girlfriend's made

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Speaker 2: out of bones, somebody by my bones, my rib bones,

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Speaker 2: one bone? What makes more sense to you? Know in

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Speaker 2: the universe? How big it is?

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Speaker 1: Is that I'm asking, you're asking what makes more sense

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Speaker 1: to me? Yeah, I'm not obligated to participate in this.

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Speaker 1: I'm letting you say what you think.

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Speaker 2: Oh okay, And you're saying, what makes more sense to you?

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Speaker 2: Knowing the universe?

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Speaker 1: How big it is? And hey, tell me it is big? Okay,

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Speaker 1: it is? It is big. Is there anything else he

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Speaker 1: needs to know before he makes his decision? M hmm.

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Speaker 2: I guess he should know that. I guess he should

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Speaker 2: know that I care about him very much, and then

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Speaker 2: I don't always show that through my actions.

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Speaker 1: Are you holding a treat?

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Speaker 5: It's a.

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Speaker 1: Show me your hand.

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Speaker 2: It's a Reces fast break. It's a fast breaking peanut butter.

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Speaker 1: And that's not He's going to go right to you

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Speaker 1: if you're holding a treat.

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Speaker 2: Okay, but it's just a Reces fast break. It's peanut

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Speaker 2: butter and newgat.

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Speaker 1: Well, that destroys the whole ex He.

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Speaker 2: Doesn't like crunch, you know, because there's not there's no

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Speaker 2: there's no pretzel in. It doesn't have the jaw string. Right,

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Speaker 2: It's not a matter of teeth. Actually we found out

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Speaker 2: because I did take I took him to uh yeah,

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Speaker 2: doctor Ocmonic, and it's not actually a matter of teeth.

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Speaker 1: Oh I thought it was because he has flat teeth.

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Speaker 2: Yeah, well that's what I thought too, because from looking

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Speaker 2: at him, that's what it looks like. But it's actually

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Speaker 2: jaw strength and he just didn't develop. And I don't

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Speaker 2: know if it's the way the hinge works or if

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Speaker 2: it's the muscle mass. Okay, if it's the muscle mass,

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Speaker 2: we can build it up. There's a bunch of job exercises.

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Speaker 1: That's interesting because you can see it does it just

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Speaker 1: hangs open and when you choose something, he uses his.

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Speaker 2: Well, if it's a hinge malfunction, it doesn't matter how

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Speaker 2: strong and get it, because it's just never going to

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Speaker 2: you know, it's never going to properly close. So we're

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Speaker 2: doing these jo exercise and just hoping that we come

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Speaker 2: out the other side of it. But well, I showed

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Speaker 2: him the fast break. Now I have to give it

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Speaker 2: to him.

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Speaker 1: Yeah, okay, here you go send me. Oh, thank you.

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Speaker 1: Oh he likes it. Look at him enjoying that fast break.

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Speaker 2: Yeah, this is nice, just.

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Speaker 1: Sort of holding it in his mouth and letting his

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Speaker 1: saliva kind of break it down.

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Speaker 2: Slowly, the palette that slurry.

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Speaker 1: And then it's just sort of dripping down the back

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Speaker 1: of his throat.

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Speaker 2: Yeah, m hmm. I'm gonna give it here.

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Speaker 1: Take him.

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Speaker 2: Here's a little I'm going to give him a little

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Speaker 2: baggy to catch some of them, yeah drips, and he'll

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Speaker 2: drink the drips later tonight for dinner.

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Speaker 1: Anyway, So we've got Jason has his best friend Marcus,

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Speaker 1: who is uh uh. I think Chadwick Boseman is a

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Speaker 1: a great fit for something like that. You see, if

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Speaker 1: he could play Jackie and he could play James, then

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Speaker 1: he could play and he could play Marcus.

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Speaker 2: I think I still want Tavy Toavey Gevinson mm hmmmm.

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Speaker 1: I mean where you can go out to her. I

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Speaker 1: mean I still want Toavy. You want her to play

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Speaker 1: Jason's ideally whack male best friend Mark.

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Speaker 2: Yes, ideally.

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Speaker 1: M hm. Well she is a kid, she is a

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Speaker 1: little kid.

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Speaker 2: She is young. So that's half of it right there.

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Speaker 2: And I think that people will be more accepting of

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Speaker 2: the sexual undertones that exist between Jason and Marcus if it.

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Speaker 1: Was Tommy Tommy Gevinson and the kid who says apparently.

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Speaker 2: Yes, Tommy Gevinson and the kid who says apparently, and

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Speaker 2: I can just see the sparks flying between them. Sure,

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Speaker 2: and I think it's fine.

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Speaker 1: I love that.

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Speaker 2: I love that Marcus is almost definitely fucking Jason and

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Speaker 2: putting that iguana Quincy uh you know, into his uh

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Speaker 2: but butt side, yeah, part of his body. And that's

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Speaker 2: very heavily implied in the Fox Tart comics Quit America

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Speaker 2: is ready.

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Speaker 1: When you look at the expression on Quincy's face all

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Speaker 1: the time, He's never looking too pleased about what's going

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Speaker 1: on between the panels.

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Speaker 2: He's always getting used to being in the light.

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Speaker 1: It seems like his pupils, Sir, you can see them shrinking.

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Speaker 2: Yeah, he's like rapidly sort of blinking like, Okay, I mean,

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Speaker 2: is this how long is this for? That I'm actually

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Speaker 2: gonna get to sort of breathe fresh air and not

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Speaker 2: be you know, put into into Jason's butt? Bye bye, Mark,

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Speaker 2: Mark who and who ideally to me is Toapy Geffinson.

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Speaker 1: And how about the mom and dad?

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Speaker 2: Mm? Now we get to cast some real fun Oh

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Speaker 2: the folks in this business. Now, to me, Andy has

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Speaker 2: always had kind of a hang dog lovable Luke Wilson

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Speaker 2: feel yes, and she has a thing where she's like

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Speaker 2: typing a lot on the computer, which I have seen

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Speaker 2: him do. So do we cast Andy is Luke Wilson?

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Speaker 2: And then once he's on board, do we get Owen

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Speaker 2: to play her husband Roger?

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Speaker 1: Ah? Yes, because you can actually sort of tell that

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Speaker 1: Roger and Andy are fucking yes sort of on the side,

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Speaker 1: and they actually make some allusions to that in the strip.

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Speaker 1: And so then to like play that out experiment with

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Speaker 1: that with Luke and Owen, that could.

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Speaker 2: Be really Lucan Owen and seeing them sort of give

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Speaker 2: each other a big, warm kiss yeah, and for Owen

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Speaker 2: to go like, oh man, that found really good that

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Speaker 2: kiss brow you know, like and opression, Oh yeah, I

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Speaker 2: remember what I gave you that good kiss.

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Speaker 1: We have a great guest today. Johnny Pemberton is here,

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Speaker 1: stand up comedian, and he does thing and he's in

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Speaker 1: the movies, and he's gonna come on our show right

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Speaker 1: next on Hollywood Handbook. Hollywood Handbook. So I say the

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Speaker 1: Naomi jud get that away from me or I'm gonna

359
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Speaker 1: call the fucking police. Yeah, and She's like, well, it's

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Speaker 1: just my car. And I'm like, that's not a car.

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Speaker 1: That's a it's a fucking weird ass bug. It's a

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Speaker 1: smart car. It's like a smart car.

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Speaker 2: Okay, yeah, I don't know.

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Speaker 1: Hey. Welcome to Hollywood Handbookers Guide to kicking button dropping

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Speaker 1: names in the red carpet line back hallways of this

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Speaker 1: industry we call showbiz. John Pemberton is here. Twenty one Jumpstree,

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Speaker 1: twenty two Jumpstree. Stand up, Yes, comedic, all kinds of comedy.

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Speaker 2: Yes, that sure. But around croll show, yes, it's always

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Speaker 2: Sonny in the Philadelphia. Now, these are all things that

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Speaker 2: he's done. Maybe you've seen them on your screen, But

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Speaker 2: what Johnny's really known for is his generous spirit and

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Speaker 2: he does a lot of charity work, and I think

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Speaker 2: that's mainly what we wanted to talk about with you today. John.

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Speaker 4: I'm here.

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Speaker 1: Hi. John, Hey, Hey, Hi, So nice of you to

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Speaker 1: come here.

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Speaker 4: Thanks for having me. It's great to just drop in

378
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Speaker 4: and hear your credits like that. It just feels good

379
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Speaker 4: and it feels good. It feels bad, actually, but it

380
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Speaker 4: feels good.

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Speaker 1: Why does it feel bad?

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Speaker 4: Because you know, it's like a thing where that's part

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Speaker 4: of my charity stuff I'm working on, is trying to

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Speaker 4: get people who credits who have none.

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Speaker 6: Yeah.

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Speaker 1: Wow, Yeah, that's similar to ourmies and you can give

387
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Speaker 1: them a few of yours maybe.

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Speaker 4: Well, I wish I could. I've I've tried to work

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Speaker 4: that out to give credits away.

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Speaker 2: But MDB can be sticklers.

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Speaker 1: Which of your credits? Which of your credits are you're

392
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Speaker 1: trying to just give away all the.

393
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Speaker 4: Co starring roles, basically any co starring roles. I'm gonna yeah,

394
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Speaker 4: I'm gonna get rid of those coas starring rolls for sure,

395
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Speaker 4: just because now they're.

396
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Speaker 2: Kind of either they clutter it up.

397
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Speaker 4: Any web series stuff, any shorts, any kind of like

398
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Speaker 4: things that were like a quote TV movie aka Field Pilot.

399
00:22:26,280 --> 00:22:30,200
Speaker 4: Yeah yeah, yeah, those those TV movies.

400
00:22:30,480 --> 00:22:33,800
Speaker 2: Yes, yeah, wink wink.

401
00:22:34,800 --> 00:22:37,000
Speaker 4: Yeah, but that's just a little piece of it. But

402
00:22:37,400 --> 00:22:41,400
Speaker 4: otherwise it's just it's all about just trying to trying

403
00:22:41,440 --> 00:22:44,600
Speaker 4: to do things that people. I mean, people are always

404
00:22:44,680 --> 00:22:46,160
Speaker 4: doing things all the time.

405
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Speaker 2: Activities, Yes, this is part of your philosophy. Yeah, people

406
00:22:49,480 --> 00:22:54,840
Speaker 2: are always doing things, but they're not necessarily doing them

407
00:22:54,880 --> 00:22:55,960
Speaker 2: for charity.

408
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Speaker 4: Right, You have all kinds of that, like shopping at

409
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Speaker 4: a grocery store. If you do it, if sometimes, if

410
00:23:01,960 --> 00:23:03,760
Speaker 4: you if you know, if you're not being watched, you

411
00:23:03,800 --> 00:23:07,440
Speaker 4: do things differently. You do things probably faster and more

412
00:23:07,480 --> 00:23:10,399
Speaker 4: speedy because you're not being not aware of someone's watching me.

413
00:23:11,240 --> 00:23:14,720
Speaker 4: Perfectly separate these bananas the exact amount I want. Yeahs

414
00:23:14,840 --> 00:23:17,480
Speaker 4: buying the whole clumpy. So if you do that when

415
00:23:17,480 --> 00:23:20,119
Speaker 4: you're not being watched, it's you're doing it great. But

416
00:23:20,359 --> 00:23:23,280
Speaker 4: as an actor, I have the ability to do things

417
00:23:24,480 --> 00:23:28,359
Speaker 4: while being watched as though I'm not being watched, So

418
00:23:28,560 --> 00:23:31,240
Speaker 4: why not use that for charity? By doing these big,

419
00:23:31,760 --> 00:23:34,400
Speaker 4: big sort of events that you can monetize.

420
00:23:34,760 --> 00:23:37,560
Speaker 2: Sidetrack are banana clumps getting bigger?

421
00:23:39,359 --> 00:23:45,280
Speaker 1: Well, this is GMOs? Okay, you know, because something's up.

422
00:23:45,680 --> 00:23:48,920
Speaker 2: Because when I'm looking at those banana clumps, I feel

423
00:23:48,920 --> 00:23:50,960
Speaker 2: like something's not right. They're starting to look like the

424
00:23:51,080 --> 00:23:52,480
Speaker 2: clumps from the Clumps movies.

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Speaker 1: It's demos. They combine them, how big they're getting, They

426
00:23:54,640 --> 00:23:56,720
Speaker 1: combine them, they splice them with grapes.

427
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Speaker 2: You know about this, I have, I don't. I just

428
00:24:00,200 --> 00:24:02,520
Speaker 2: haven't read any sign stuff in almost a month.

429
00:24:02,720 --> 00:24:05,320
Speaker 1: And so now it's it's the shape of a banana

430
00:24:05,359 --> 00:24:07,800
Speaker 1: and the taste of it, but sort of the grouping

431
00:24:07,920 --> 00:24:10,120
Speaker 1: and the and the quantity of grapes.

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00:24:10,600 --> 00:24:14,280
Speaker 2: Okay, yeah, the plumps look very big. But I you know,

433
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Speaker 2: I'm sorry I cut you off a little bit just

434
00:24:15,960 --> 00:24:18,639
Speaker 2: because I was like, when you mentioned the banana clumps,

435
00:24:18,680 --> 00:24:20,680
Speaker 2: it really took me there to being in the store

436
00:24:20,680 --> 00:24:24,480
Speaker 2: and going like something is freaking up with this. But yes,

437
00:24:24,840 --> 00:24:29,439
Speaker 2: I think that we have seen people do these big

438
00:24:30,080 --> 00:24:34,360
Speaker 2: stunts before. I certainly celebrities, you know, made a big

439
00:24:34,400 --> 00:24:37,760
Speaker 2: event out of these stunts, but never with the frequency

440
00:24:37,880 --> 00:24:43,880
Speaker 2: and never with the sort of panash the panache. Thank you. Yeah,

441
00:24:44,000 --> 00:24:49,600
Speaker 2: that you've been Yeah, that you've been doing And you

442
00:24:49,680 --> 00:24:52,520
Speaker 2: just did something for weird kids, like a week ago, right.

443
00:24:52,680 --> 00:24:55,160
Speaker 4: Do you mean weird kids the organization are weird kids

444
00:24:55,200 --> 00:24:56,520
Speaker 4: in general, like kids who are.

445
00:24:56,680 --> 00:24:58,680
Speaker 2: Weird kids, the organization that helps weird kids.

446
00:24:58,720 --> 00:25:01,320
Speaker 4: Okay, yeah, yeah, yeah, that was that was really fun.

447
00:25:01,359 --> 00:25:03,520
Speaker 4: It was something just real simple. But that's the thing

448
00:25:03,600 --> 00:25:07,160
Speaker 4: is it's it's it's all about simplicity under the microscope.

449
00:25:07,200 --> 00:25:10,119
Speaker 4: That's what we talk about, you know. That's what we

450
00:25:10,119 --> 00:25:10,560
Speaker 4: talked about.

451
00:25:10,600 --> 00:25:13,399
Speaker 2: And and you and you're you know, big stunt that

452
00:25:13,440 --> 00:25:16,200
Speaker 2: you did, was you registered to get a new debit card?

453
00:25:17,800 --> 00:25:19,520
Speaker 4: Yeah, I did it by a bunch of I did

454
00:25:19,560 --> 00:25:22,280
Speaker 4: it in person. No one does that. Everyone calls that number.

455
00:25:22,280 --> 00:25:24,760
Speaker 4: But if you look closely, you can go in and

456
00:25:24,800 --> 00:25:27,920
Speaker 4: you can talk to somebody. And it's it's not that fun.

457
00:25:28,440 --> 00:25:30,000
Speaker 1: It's a pretty insane thing they do.

458
00:25:30,080 --> 00:25:32,320
Speaker 4: It takes a little bit of time. So because it

459
00:25:32,359 --> 00:25:35,719
Speaker 4: takes time, it's that's that's the time I take, and

460
00:25:35,760 --> 00:25:38,560
Speaker 4: that's my donation. It's the time. And you get to

461
00:25:38,600 --> 00:25:41,320
Speaker 4: see me interact with a normal person, like talking to them,

462
00:25:41,400 --> 00:25:44,840
Speaker 4: just being like hey, yeah, this is my number. Hey, uh,

463
00:25:45,680 --> 00:25:48,000
Speaker 4: how are you like that?

464
00:25:48,200 --> 00:25:50,639
Speaker 2: Okay, wow, yeah, just a man of the people kind of.

465
00:25:51,560 --> 00:25:54,119
Speaker 4: But there's always cameras trained on it, so it becomes

466
00:25:54,119 --> 00:25:57,280
Speaker 4: a becomes an event. But that's the thing for weird kids.

467
00:25:57,320 --> 00:25:59,840
Speaker 4: It's just there's there're so weird. There's so many of them,

468
00:25:59,880 --> 00:26:03,800
Speaker 4: are so weird that I'm willing to I'll register. That's

469
00:26:03,800 --> 00:26:05,720
Speaker 4: why I did that day. I registered fifteen debit cards,

470
00:26:05,720 --> 00:26:07,359
Speaker 4: which is that's a record.

471
00:26:07,640 --> 00:26:11,520
Speaker 2: Yeah, yeah, all for the same account.

472
00:26:11,840 --> 00:26:14,480
Speaker 4: Well, now you have to set up set up separate accounts. Okay,

473
00:26:14,840 --> 00:26:16,680
Speaker 4: you know that's you got to pay the piper.

474
00:26:16,880 --> 00:26:19,840
Speaker 1: Yeah, and there's a minimum I think deposit for each

475
00:26:19,840 --> 00:26:22,440
Speaker 1: of these things, and that has to come from somewhere.

476
00:26:22,160 --> 00:26:24,960
Speaker 2: You know, it comes from comes from money, It comes

477
00:26:24,960 --> 00:26:26,840
Speaker 2: from some part of the charity that would be going

478
00:26:26,840 --> 00:26:28,159
Speaker 2: to the weird kids.

479
00:26:28,680 --> 00:26:30,760
Speaker 1: Accounts would have to go to opening the account.

480
00:26:30,840 --> 00:26:34,600
Speaker 4: Well, we have a silent backer, Tevin Campbell. He's an

481
00:26:34,720 --> 00:26:37,520
Speaker 4: R and B singer songwriter, and yeah, he's been kind

482
00:26:37,520 --> 00:26:39,920
Speaker 4: of behind the scenes the last fifteen years or so,

483
00:26:39,960 --> 00:26:43,119
Speaker 4: but that's where he's he's coming in for that. We

484
00:26:42,840 --> 00:26:45,960
Speaker 4: we met at a at a function. It was just

485
00:26:46,000 --> 00:26:48,840
Speaker 4: sort of this meatballs for charity thing. It's like a

486
00:26:48,880 --> 00:26:54,440
Speaker 4: celebrity chef. What's his name, I can't remember, Paul. That's

487
00:26:54,440 --> 00:26:56,680
Speaker 4: not Paul. I think he's off the meat now. He

488
00:26:56,760 --> 00:26:57,679
Speaker 4: got too big.

489
00:26:59,560 --> 00:27:00,280
Speaker 1: For meeting meat.

490
00:27:00,400 --> 00:27:01,160
Speaker 2: Yeah.

491
00:27:01,040 --> 00:27:04,040
Speaker 1: St it's a shun Yeah.

492
00:27:05,200 --> 00:27:09,600
Speaker 4: Yeah, you get shunted because his stint blew out because

493
00:27:09,640 --> 00:27:12,320
Speaker 4: of the cholesterol.

494
00:27:11,760 --> 00:27:13,959
Speaker 2: Deposits but in his body.

495
00:27:14,119 --> 00:27:17,240
Speaker 4: Yeah, Tavin and I have been have been rolling ever since.

496
00:27:17,840 --> 00:27:19,760
Speaker 2: Yeah, from the meatball thing you went to.

497
00:27:19,960 --> 00:27:33,680
Speaker 4: Yeah, ironically enough meatballs. Yeah, it's all gravy. I will

498
00:27:33,760 --> 00:27:40,760
Speaker 4: tell Kevin, I'm sorry about that. Baby.

499
00:27:41,240 --> 00:27:43,359
Speaker 2: So, I guess you've come under a little bit of

500
00:27:43,359 --> 00:27:46,040
Speaker 2: heat lately. Is that people kind of feel like you're

501
00:27:46,240 --> 00:27:49,720
Speaker 2: just having a lot of money invested to film you

502
00:27:49,800 --> 00:27:55,480
Speaker 2: basically running your errands and then giving a pretty small

503
00:27:55,520 --> 00:27:56,320
Speaker 2: amount to charity.

504
00:27:56,359 --> 00:27:58,479
Speaker 1: At the end of the day, you're maybe getting your

505
00:27:58,480 --> 00:28:02,560
Speaker 1: life funded. The grocery store thing, you know, all the

506
00:28:02,600 --> 00:28:05,040
Speaker 1: time you spent shopping, you're spending a lot of money

507
00:28:05,040 --> 00:28:06,320
Speaker 1: on food.

508
00:28:06,720 --> 00:28:08,080
Speaker 2: Yeah, m hmm.

509
00:28:08,520 --> 00:28:13,480
Speaker 4: Yeah, well that's part of it. That teach a man

510
00:28:13,520 --> 00:28:14,960
Speaker 4: to fish, that's the thing.

511
00:28:16,000 --> 00:28:17,800
Speaker 1: Yes, yes, you have to.

512
00:28:18,119 --> 00:28:21,399
Speaker 4: You have to feed an army is the Romans. The

513
00:28:21,600 --> 00:28:26,280
Speaker 4: army wins on on food. And there's a Romans used

514
00:28:26,320 --> 00:28:28,119
Speaker 4: to have pieces of cheese that were the size of

515
00:28:28,119 --> 00:28:30,560
Speaker 4: wagon wheels sometimes.

516
00:28:30,280 --> 00:28:32,280
Speaker 1: And hide them. They'd hide him inside.

517
00:28:32,359 --> 00:28:34,760
Speaker 4: That's actually a little different. But yeah, you're on, you're

518
00:28:34,800 --> 00:28:35,080
Speaker 4: under the.

519
00:28:35,119 --> 00:28:36,040
Speaker 1: Right and they get in there.

520
00:28:36,920 --> 00:28:38,880
Speaker 2: Yeah, I haven't read any history stuff a little.

521
00:28:38,960 --> 00:28:41,360
Speaker 4: Is that a thing? Is that the Parmesan invasion where

522
00:28:41,360 --> 00:28:43,240
Speaker 4: they would have the guy inside.

523
00:28:42,840 --> 00:28:46,600
Speaker 1: The Yeah, they'd get in there and everyone would uh

524
00:28:47,240 --> 00:28:51,120
Speaker 1: go inside the closing city and then they eat him

525
00:28:51,280 --> 00:28:54,720
Speaker 1: inside the cheese. But he'd be poisoned.

526
00:28:54,240 --> 00:28:58,400
Speaker 4: Oh because he's so Yeah, that's interesting technique. But that's

527
00:28:58,400 --> 00:28:59,880
Speaker 4: that's sort of where I was gooding at. Is that

528
00:29:00,480 --> 00:29:02,920
Speaker 4: you got to feed an army, and so a charity

529
00:29:03,400 --> 00:29:07,480
Speaker 4: is expensive. You have to like I can't have you

530
00:29:07,560 --> 00:29:12,000
Speaker 4: can't have people who work for me showing up looking shabby.

531
00:29:12,720 --> 00:29:16,520
Speaker 4: You can't have people. They have to have parking, Like

532
00:29:16,640 --> 00:29:18,920
Speaker 4: I have to have people get to the office right

533
00:29:18,920 --> 00:29:22,200
Speaker 4: when they get their like valet. Everything everything's valet, always valet.

534
00:29:22,520 --> 00:29:24,800
Speaker 1: Yes, So in a place to keep all the food

535
00:29:24,840 --> 00:29:26,080
Speaker 1: that costs money, that's round.

536
00:29:26,120 --> 00:29:27,520
Speaker 4: Yeah, you got to have a house for that, and

537
00:29:27,520 --> 00:29:29,600
Speaker 4: that's that's that's the that's the charity house and we

538
00:29:29,680 --> 00:29:33,520
Speaker 4: let people sleep there at least, shoot, it must be

539
00:29:34,400 --> 00:29:36,760
Speaker 4: three or four nights a month there.

540
00:29:36,920 --> 00:29:39,280
Speaker 2: And that's generally attractive women that you're letting sleep there.

541
00:29:39,360 --> 00:29:42,200
Speaker 4: Yeah, but these attractive That's the thing about people don't

542
00:29:42,200 --> 00:29:45,760
Speaker 4: realize outside of Hollywood is attractive women have more problems than.

543
00:29:45,760 --> 00:29:46,480
Speaker 1: They get sick.

544
00:29:46,720 --> 00:29:50,120
Speaker 2: They get really sick. Yeah, and then unfortunately.

545
00:29:50,240 --> 00:29:52,040
Speaker 1: Yeah, this is what I say to people. You know,

546
00:29:52,440 --> 00:29:57,440
Speaker 1: if you don't eat food, right, you're going to die.

547
00:29:57,560 --> 00:30:01,240
Speaker 1: And if you die, then they're there's nobody to do

548
00:30:01,320 --> 00:30:04,520
Speaker 1: the stunt, you know, so you have to be eating

549
00:30:04,560 --> 00:30:07,760
Speaker 1: your favorite tj your favorite TJ's products. What are some

550
00:30:07,800 --> 00:30:09,880
Speaker 1: of your favorite Oh, Trader Joe's.

551
00:30:09,920 --> 00:30:12,360
Speaker 2: Oh yeah, yeah, I don't really go to Trader Joe's.

552
00:30:12,760 --> 00:30:13,640
Speaker 1: Oh where do you do?

553
00:30:13,840 --> 00:30:16,320
Speaker 4: I like to go Trader Joe's for I'll go to

554
00:30:16,360 --> 00:30:21,040
Speaker 4: Trade Joe's for the for like a stunt shopping stunt, like.

555
00:30:21,040 --> 00:30:23,040
Speaker 2: A sixty that's kind of a goof.

556
00:30:23,200 --> 00:30:26,160
Speaker 4: Yeah, the twenty minute one whatever divided that by second,

557
00:30:26,240 --> 00:30:28,640
Speaker 4: that's what we call it. And otherwise, you know, I

558
00:30:28,680 --> 00:30:30,520
Speaker 4: typically I don't really go shopping.

559
00:30:30,920 --> 00:30:32,560
Speaker 1: Oh okay, there's.

560
00:30:32,440 --> 00:30:36,160
Speaker 4: Not a lot of time or interest going to the

561
00:30:36,400 --> 00:30:40,200
Speaker 4: places and picking out this, you know, picking it out

562
00:30:40,240 --> 00:30:43,880
Speaker 4: and touching the stuff, because I've put stuff back a lot,

563
00:30:43,880 --> 00:30:45,480
Speaker 4: I'll pick it up and looking at it, read the label.

564
00:30:45,840 --> 00:30:48,239
Speaker 4: Sure used to at least, and who knows how many

565
00:30:48,280 --> 00:30:49,440
Speaker 4: people have done that before me.

566
00:30:50,960 --> 00:30:54,680
Speaker 2: You're doing it now, yeah, yes, now that they've seen

567
00:30:54,720 --> 00:30:58,560
Speaker 2: that big that big thing you did. Now they're all

568
00:30:58,600 --> 00:31:01,560
Speaker 2: doing it. And that is you know that you're a

569
00:31:01,560 --> 00:31:05,360
Speaker 2: person of influence. John's that's you know, that's what you

570
00:31:05,440 --> 00:31:05,800
Speaker 2: gotta do.

571
00:31:06,080 --> 00:31:07,040
Speaker 5: It's part of it.

572
00:31:07,040 --> 00:31:09,640
Speaker 1: It's part of the lifestyle. And now I guess it's

573
00:31:09,640 --> 00:31:12,640
Speaker 1: sort of become you do a lot of stunt consulting

574
00:31:12,680 --> 00:31:16,880
Speaker 1: now anytime someone needs just some like insane ship.

575
00:31:17,040 --> 00:31:19,880
Speaker 2: Just what's the craziest ship we can do for the

576
00:31:19,920 --> 00:31:20,680
Speaker 2: big movie.

577
00:31:20,960 --> 00:31:22,280
Speaker 4: Well, Brett Michaels came to me.

578
00:31:23,200 --> 00:31:26,200
Speaker 2: Okay, yes, he's great.

579
00:31:26,360 --> 00:31:29,480
Speaker 4: Yeah, he just has such a he's got a real

580
00:31:29,600 --> 00:31:33,280
Speaker 4: shining heart. They say, you know, he's just really uh

581
00:31:33,800 --> 00:31:36,480
Speaker 4: bubbles over with that. He just he just shines. He

582
00:31:36,560 --> 00:31:40,240
Speaker 4: literally shines, yes, figuratively shines as well.

583
00:31:40,280 --> 00:31:42,520
Speaker 1: And so and that heart's given him it's a little

584
00:31:42,520 --> 00:31:43,840
Speaker 1: too shiny lately.

585
00:31:43,760 --> 00:31:48,080
Speaker 4: Yeah, unfortunately, yes, Yeah, and so Brett came to me

586
00:31:48,240 --> 00:31:50,680
Speaker 4: he wanted to start something up that was real simple,

587
00:31:50,840 --> 00:31:53,920
Speaker 4: real easy to do, something that he could get everybody

588
00:31:53,960 --> 00:31:56,640
Speaker 4: on the whole team on board, and we kind of

589
00:31:56,680 --> 00:31:58,920
Speaker 4: pow wowed for a little bit. We went up to

590
00:31:59,000 --> 00:32:02,240
Speaker 4: Joshua Tree for the week and stated, it's very it's

591
00:32:02,240 --> 00:32:05,800
Speaker 4: a great place. It's just it's this place that's it's

592
00:32:05,800 --> 00:32:08,680
Speaker 4: a it's a geodesic dome that they've flattened and they

593
00:32:08,720 --> 00:32:12,000
Speaker 4: sunk underground, but then they raised. They sunk it underground,

594
00:32:12,000 --> 00:32:13,760
Speaker 4: and then they take all the ground that was around

595
00:32:13,800 --> 00:32:17,080
Speaker 4: it and excavated it, so it's basically on flat again,

596
00:32:17,240 --> 00:32:22,600
Speaker 4: but underneath it lower yeah, lower, which evidently Brett was

597
00:32:22,600 --> 00:32:25,440
Speaker 4: telling me that this is a vibrational thing. That's just

598
00:32:25,960 --> 00:32:28,600
Speaker 4: you can't. You can't beat it, right, you can't. Nature

599
00:32:28,680 --> 00:32:30,320
Speaker 4: does not have a match except for maybe if you

600
00:32:30,320 --> 00:32:32,880
Speaker 4: were able to live in the sub roots of a

601
00:32:33,040 --> 00:32:35,720
Speaker 4: of a of an elm tree. Yeah, but who wants

602
00:32:35,760 --> 00:32:37,480
Speaker 4: to do that. So we pile it up there and

603
00:32:37,520 --> 00:32:39,479
Speaker 4: we just kind of got in the same vibe as

604
00:32:39,480 --> 00:32:42,320
Speaker 4: far as like what Brett was into, and we came

605
00:32:42,400 --> 00:32:44,600
Speaker 4: up with something called bandana rama.

606
00:32:44,840 --> 00:32:49,040
Speaker 2: Which is something okay, yes, we okay, I've all right,

607
00:32:49,160 --> 00:32:52,880
Speaker 2: I read a bus. Yes, the news told me to

608
00:32:52,880 --> 00:32:54,720
Speaker 2: speak on that Bandanama.

609
00:32:54,840 --> 00:32:57,400
Speaker 4: Well, if you've seen Brett Michaels, you know he's a

610
00:32:57,440 --> 00:33:02,040
Speaker 4: bandana man. Yes, and he has been rocking those rocking

611
00:33:02,120 --> 00:33:03,120
Speaker 4: out no pun intendon.

612
00:33:04,000 --> 00:33:06,920
Speaker 2: He's a rocker. For people who don't know Bet Michaels,

613
00:33:06,920 --> 00:33:07,800
Speaker 2: he's a rocker.

614
00:33:08,080 --> 00:33:10,520
Speaker 4: He's a rocker, got it. I love That's probably my

615
00:33:10,560 --> 00:33:11,800
Speaker 4: favorite genre, definitely.

616
00:33:12,480 --> 00:33:13,640
Speaker 1: H you like rock?

617
00:33:13,840 --> 00:33:15,400
Speaker 2: Your favorite genre of guitar music?

618
00:33:15,480 --> 00:33:19,640
Speaker 4: Big rock, big ten thousand maniacs fans. Yeah, anything Natalie

619
00:33:19,720 --> 00:33:23,880
Speaker 4: Merchant touches is like whispering gold to me. Uh yeah,

620
00:33:23,920 --> 00:33:27,440
Speaker 4: So we Banarama. Bre Michaels is a big time bandana

621
00:33:27,600 --> 00:33:30,720
Speaker 4: bandana man, and he's like, well, why not make this

622
00:33:30,840 --> 00:33:34,560
Speaker 4: a charity. So he started his own brand of bandanas

623
00:33:34,720 --> 00:33:41,840
Speaker 4: called Bandana Man, and which every for every bandana sold,

624
00:33:42,200 --> 00:33:46,720
Speaker 4: two cents goes back to the factory that's made it.

625
00:33:47,360 --> 00:33:47,719
Speaker 5: Wow.

626
00:33:49,120 --> 00:33:52,680
Speaker 1: So now the people who are making these bandanas are

627
00:33:52,720 --> 00:33:56,520
Speaker 1: getting some charity money, are Yeah, and they can do

628
00:33:56,600 --> 00:33:57,720
Speaker 1: whatever they want with that.

629
00:33:57,880 --> 00:33:59,400
Speaker 4: Exactly, they can do whatever they want with it.

630
00:33:59,440 --> 00:34:01,360
Speaker 1: And some of them are in big trouble they are.

631
00:34:01,480 --> 00:34:05,160
Speaker 4: I mean, it's Malaysia's a It's a fascinating place right now.

632
00:34:05,200 --> 00:34:09,440
Speaker 4: It's a dynamic political environment. Yeah, so I don't really

633
00:34:09,520 --> 00:34:11,640
Speaker 4: we haven't been there or visited or checked it out,

634
00:34:11,640 --> 00:34:13,279
Speaker 4: but we've seen a lot of pictures and it looks like,

635
00:34:13,920 --> 00:34:15,840
Speaker 4: you know, it looks like things are going for the better.

636
00:34:16,000 --> 00:34:21,000
Speaker 2: And I, for my part on iTunes downloaded the charity

637
00:34:21,120 --> 00:34:23,560
Speaker 2: Bandana Man song that you guys recorded.

638
00:34:24,280 --> 00:34:26,440
Speaker 4: That's embarrassing me. That was I mean, I'm not a

639
00:34:26,719 --> 00:34:27,480
Speaker 4: real musician.

640
00:34:28,400 --> 00:34:29,279
Speaker 1: You could have fooled me.

641
00:34:29,840 --> 00:34:30,680
Speaker 4: You could have folded me.

642
00:34:30,920 --> 00:34:34,879
Speaker 1: Bandana man Do Do Do do? Bandana Man? Do Do

643
00:34:34,880 --> 00:34:35,239
Speaker 1: Do Do?

644
00:34:36,560 --> 00:34:40,000
Speaker 4: That's me on the upper part there. He yeah, yeah, he's.

645
00:34:39,600 --> 00:34:41,319
Speaker 1: And I thought it was just really nice. How some

646
00:34:41,400 --> 00:34:43,759
Speaker 1: of that money goes back to iTunes.

647
00:34:43,880 --> 00:34:46,120
Speaker 2: It's uh, well actually most of it does.

648
00:34:46,200 --> 00:34:48,920
Speaker 4: But you know, you gotta pay, you gotta pay the piper.

649
00:34:50,000 --> 00:34:52,240
Speaker 2: Yes, yeah, and this and it's powerful.

650
00:34:52,239 --> 00:34:54,840
Speaker 1: And I hear that iTunes guy is not doing so well.

651
00:34:55,400 --> 00:34:58,080
Speaker 2: No, I think he's got some kind of uh.

652
00:34:57,960 --> 00:35:00,919
Speaker 1: Last time I saw it, he was not looking that good.

653
00:35:01,120 --> 00:35:05,040
Speaker 4: Yeah, I think it's bad vibes honestly, uh huh. Yeah,

654
00:35:05,040 --> 00:35:06,879
Speaker 4: that's a lot of things people don't realize that it's

655
00:35:06,920 --> 00:35:08,760
Speaker 4: just how you vibe on something.

656
00:35:09,040 --> 00:35:11,600
Speaker 2: Illness is mostly vibes related.

657
00:35:11,719 --> 00:35:14,360
Speaker 4: Yes, yeah, because you know when you see someone like

658
00:35:14,400 --> 00:35:16,880
Speaker 4: on set chemistry, that's a thing that I feel like

659
00:35:17,200 --> 00:35:18,400
Speaker 4: is highly underrated.

660
00:35:18,840 --> 00:35:21,439
Speaker 2: Oh oh, I hate to get in just to get

661
00:35:21,440 --> 00:35:23,400
Speaker 2: off the charity stuff. But can you talk about some

662
00:35:23,480 --> 00:35:25,440
Speaker 2: of your onset chemistry that you've had with some of

663
00:35:25,480 --> 00:35:26,360
Speaker 2: the stars.

664
00:35:26,600 --> 00:35:29,759
Speaker 4: Yes, some of my favorite on Cat's chemistry.

665
00:35:30,200 --> 00:35:31,800
Speaker 1: Just like chemistry.

666
00:35:32,000 --> 00:35:34,720
Speaker 2: We are all we all you know, are tired today.

667
00:35:34,880 --> 00:35:38,359
Speaker 4: I get spoonerisms. I get spoonerism, nervous when I think

668
00:35:38,400 --> 00:35:39,759
Speaker 4: about some of these starlets.

669
00:35:40,960 --> 00:35:45,360
Speaker 2: Zoe Deschanel, okay, and the vibes were strong between the

670
00:35:45,400 --> 00:35:45,960
Speaker 2: two of you.

671
00:35:46,280 --> 00:35:48,600
Speaker 4: There was a strong vibe. Yeah, it was. It was

672
00:35:48,640 --> 00:35:52,800
Speaker 4: really great. We both bonded because we had both recently

673
00:35:53,280 --> 00:35:55,320
Speaker 4: read the first chapter of Watershipped Down.

674
00:35:55,320 --> 00:35:59,160
Speaker 2: And oh yeah, such a powerful story.

675
00:35:59,239 --> 00:36:02,200
Speaker 4: Right. Yeah. I didn't get any further than that just

676
00:36:02,200 --> 00:36:04,680
Speaker 4: because things came up and I had to you know,

677
00:36:04,760 --> 00:36:08,040
Speaker 4: had to fly to Sri Lanka for this other event.

678
00:36:08,120 --> 00:36:11,200
Speaker 4: But otherwise, yeah, there's there was there's like a palpable

679
00:36:11,239 --> 00:36:12,960
Speaker 4: thing there. M yeah.

680
00:36:13,719 --> 00:36:17,520
Speaker 2: Yeah. The first chapter has some of the rabbit stuff

681
00:36:17,520 --> 00:36:18,480
Speaker 2: in it, I.

682
00:36:18,400 --> 00:36:19,000
Speaker 4: Think, so I can.

683
00:36:19,160 --> 00:36:22,360
Speaker 1: Yes, that was the one thing I was not crazy about.

684
00:36:22,200 --> 00:36:23,880
Speaker 2: In that in that particular.

685
00:36:24,080 --> 00:36:28,239
Speaker 1: Yes, because you know, it shows them they're they're like

686
00:36:28,280 --> 00:36:30,279
Speaker 1: the heroes of this story, you know. But what it

687
00:36:30,320 --> 00:36:34,480
Speaker 1: doesn't show is them eating your vegetables exactly. That's the

688
00:36:34,480 --> 00:36:36,680
Speaker 1: one side of the story like that. Well, so you

689
00:36:36,719 --> 00:36:38,480
Speaker 1: give me a few minutes, I'd love to tell you

690
00:36:38,520 --> 00:36:41,040
Speaker 1: about what's happening to some of my vegetables.

691
00:36:41,320 --> 00:36:45,319
Speaker 2: Rabbits are pests, right, well, the rodents, and we treat them,

692
00:36:45,360 --> 00:36:48,400
Speaker 2: you know, it's cute or whatever. They're supposedly delivering eggs.

693
00:36:48,440 --> 00:36:52,760
Speaker 2: But you know, kidties turn off the fucking cast.

694
00:36:53,080 --> 00:36:56,279
Speaker 1: They don't do that, right, And so maybe maybe someone

695
00:36:56,280 --> 00:36:58,359
Speaker 1: comes along later in the book and is like, well

696
00:36:58,400 --> 00:36:59,279
Speaker 1: it blows.

697
00:36:58,920 --> 00:37:02,040
Speaker 2: Them away, I mean hopefully blows blasts and blows them away.

698
00:37:03,640 --> 00:37:16,400
Speaker 4: Blow you're bad. Just have a little hope for my friends,

699
00:37:18,000 --> 00:37:20,160
Speaker 4: just aile of my friends, a big.

700
00:37:20,080 --> 00:37:22,800
Speaker 1: Little little grains of friend.

701
00:37:23,840 --> 00:37:25,600
Speaker 4: That's how they say. I get high, help my hands,

702
00:37:25,640 --> 00:37:27,080
Speaker 4: I get Bible help with my friends.

703
00:37:27,320 --> 00:37:30,520
Speaker 2: It feels so fucking good to do cocaine, like it

704
00:37:30,719 --> 00:37:32,560
Speaker 2: honestly makes me feel awesome.

705
00:37:32,880 --> 00:37:33,839
Speaker 4: Yeah, it's just like.

706
00:37:34,640 --> 00:37:36,560
Speaker 1: And the culture of it is like, that's what it

707
00:37:36,600 --> 00:37:38,480
Speaker 1: is for the ritual of it is kind of like

708
00:37:38,520 --> 00:37:39,040
Speaker 1: the fun thing.

709
00:37:39,080 --> 00:37:40,760
Speaker 4: Love ritual, love ritual.

710
00:37:41,040 --> 00:37:42,880
Speaker 2: Oh, I wouldn't do it if it was just like

711
00:37:43,960 --> 00:37:46,400
Speaker 2: taking a ship of a drink, you know what I

712
00:37:46,400 --> 00:37:49,759
Speaker 2: mean to me, that's boring. But the fact the community,

713
00:37:50,200 --> 00:37:53,279
Speaker 2: the community around it. Yes, and it's the all the

714
00:37:53,480 --> 00:37:57,600
Speaker 2: you know, having your own personal straw with your initials

715
00:37:57,640 --> 00:37:58,799
Speaker 2: and uh, well.

716
00:37:58,960 --> 00:38:03,680
Speaker 4: I actually use a mante Hey straw. Oh okay, yes,

717
00:38:03,960 --> 00:38:06,640
Speaker 4: because it's similar. It's South American. It's got that sort

718
00:38:06,680 --> 00:38:10,840
Speaker 4: of that niche window of I mean, I'm doing the

719
00:38:10,880 --> 00:38:12,440
Speaker 4: thing with my head right now that you can't hear.

720
00:38:12,520 --> 00:38:14,359
Speaker 4: But it's like a thing where I'm trying to get

721
00:38:14,640 --> 00:38:15,040
Speaker 4: a vogue.

722
00:38:16,000 --> 00:38:17,960
Speaker 2: Yes, it's a little like a vogue. It's got a

723
00:38:17,960 --> 00:38:18,560
Speaker 2: little bit.

724
00:38:18,400 --> 00:38:22,200
Speaker 4: Of Alexander technique. Vogue and when you when you really

725
00:38:22,600 --> 00:38:25,919
Speaker 4: do a hot bump through that mate straw, when you're

726
00:38:25,960 --> 00:38:30,080
Speaker 4: in Machu Pichu with let's just a look a guy

727
00:38:30,160 --> 00:38:33,200
Speaker 4: named rhymes with uh pefery Shatzenburg.

728
00:38:34,000 --> 00:38:37,160
Speaker 2: Okay, yeah, I have I have a couple.

729
00:38:38,200 --> 00:38:39,160
Speaker 1: I have a couple of guests.

730
00:38:40,719 --> 00:38:43,680
Speaker 4: I have a couple of not as I will not say.

731
00:38:43,600 --> 00:38:45,480
Speaker 2: Okay, I won't. I got some guesses.

732
00:38:45,520 --> 00:38:48,880
Speaker 4: But when they close off the highest village in the

733
00:38:48,920 --> 00:38:51,839
Speaker 4: world for two hours so you and your friends can

734
00:38:52,600 --> 00:38:55,200
Speaker 4: do backflips, you know what I mean?

735
00:38:55,719 --> 00:38:57,400
Speaker 1: Do you guys like to cocaine?

736
00:38:57,840 --> 00:39:02,279
Speaker 4: Man? Uh, it's part of the Yes, I can't talk

737
00:39:02,320 --> 00:39:02,719
Speaker 4: about it.

738
00:39:02,640 --> 00:39:05,520
Speaker 2: It's and it does make me feel like a true champion,

739
00:39:06,480 --> 00:39:08,000
Speaker 2: maybe the only thing that does.

740
00:39:09,800 --> 00:39:13,319
Speaker 1: Now, we we have a thing John that we do

741
00:39:13,640 --> 00:39:16,440
Speaker 1: on the on the show where and we wish we

742
00:39:16,480 --> 00:39:17,759
Speaker 1: didn't have to do it, but we do.

743
00:39:18,600 --> 00:39:22,120
Speaker 4: We take Is this a star meter thing? Oh?

744
00:39:22,440 --> 00:39:25,759
Speaker 1: Yeah, it sort of is. It's sort of a star

745
00:39:25,880 --> 00:39:27,640
Speaker 1: meter thing. It's similar.

746
00:39:28,600 --> 00:39:30,759
Speaker 4: I don't know, No, I just I just like to

747
00:39:30,800 --> 00:39:32,040
Speaker 4: talk about that star meter thing.

748
00:39:32,760 --> 00:39:33,200
Speaker 1: Is yes?

749
00:39:33,400 --> 00:39:34,799
Speaker 2: Is that you like that?

750
00:39:35,280 --> 00:39:38,279
Speaker 4: Well? Shylene Woodley donated some of her stars to me.

751
00:39:39,640 --> 00:39:41,960
Speaker 1: Oh and you she actually broke.

752
00:39:43,800 --> 00:39:44,879
Speaker 2: How old is she now?

753
00:39:45,080 --> 00:39:46,880
Speaker 4: I don't know. I think she's going to be nineteen.

754
00:39:47,440 --> 00:39:48,759
Speaker 4: She's nineteen, that's what she is.

755
00:39:49,480 --> 00:39:49,800
Speaker 2: Great.

756
00:39:49,920 --> 00:39:53,160
Speaker 4: You can you can age her up. She'll age up

757
00:39:53,239 --> 00:39:57,120
Speaker 4: once she bumps three years over that next margin, so

758
00:39:57,200 --> 00:40:00,600
Speaker 4: she'll go from being teen to mom being a blink

759
00:40:00,640 --> 00:40:04,319
Speaker 4: of an eye and we'll just be like wow, wow, wow.

760
00:40:03,600 --> 00:40:05,840
Speaker 2: Yes, you've got you've got two years as teen, and

761
00:40:05,880 --> 00:40:08,480
Speaker 2: then you've got a good two years as mom, and

762
00:40:08,520 --> 00:40:09,759
Speaker 2: then you're out of the business.

763
00:40:09,480 --> 00:40:11,320
Speaker 1: And then you're you play a mummy.

764
00:40:11,400 --> 00:40:14,839
Speaker 2: You can play a mummy certainly, or a wicked old

765
00:40:14,960 --> 00:40:19,560
Speaker 2: hags emerging from a coffin grasp at someone's ankles.

766
00:40:20,200 --> 00:40:22,399
Speaker 4: That's a that's that's what I mean by you should

767
00:40:22,400 --> 00:40:24,360
Speaker 4: I was gonna say should disappear, But that's that's a

768
00:40:24,400 --> 00:40:28,120
Speaker 4: big way to disappear and still sure appear our mo

769
00:40:28,320 --> 00:40:32,359
Speaker 4: cap Mo cap Yeah, you live for that though.

770
00:40:32,760 --> 00:40:34,600
Speaker 1: Yes, you have to be extremely lithe.

771
00:40:34,920 --> 00:40:36,239
Speaker 2: You have to be able to do some of that

772
00:40:36,480 --> 00:40:39,520
Speaker 2: sort of head bobbing Vogue stuff that Johnny was doing before.

773
00:40:39,719 --> 00:40:40,920
Speaker 1: Are you a kinesthetic learner?

774
00:40:42,000 --> 00:40:46,920
Speaker 4: Definitely, definitely kinesthetic. Definitely synesthetic actually because I had that surgery.

775
00:40:46,520 --> 00:40:52,120
Speaker 1: Done where you can see see sounds and smells. What

776
00:40:52,200 --> 00:40:53,759
Speaker 1: kind of smells are you seeing.

777
00:40:54,600 --> 00:40:55,480
Speaker 4: A lot of squares?

778
00:40:56,360 --> 00:40:59,960
Speaker 1: That's that's probably Sam Green squares when.

779
00:40:59,840 --> 00:41:01,920
Speaker 2: You that's definitely coming from saying when.

780
00:41:01,760 --> 00:41:03,959
Speaker 1: You smell engineer Sam, you smell.

781
00:41:04,960 --> 00:41:07,160
Speaker 4: Well, I mean I can smell by looking at him, right,

782
00:41:07,320 --> 00:41:09,359
Speaker 4: I'm getting like a great it's great it's a nice

783
00:41:09,480 --> 00:41:13,000
Speaker 4: yellow ochre, sort of a real natural thing, like a.

784
00:41:13,280 --> 00:41:17,520
Speaker 1: What people used to pay freaking ochre living under a bridge.

785
00:41:17,520 --> 00:41:20,080
Speaker 2: He's an oka all right, Yeah, he's walking around with

786
00:41:20,080 --> 00:41:20,560
Speaker 2: a club.

787
00:41:22,000 --> 00:41:24,560
Speaker 1: Do you want a charity?

788
00:41:24,960 --> 00:41:26,800
Speaker 2: That would be great if we could get an engineer

789
00:41:26,920 --> 00:41:28,319
Speaker 2: Sam charity.

790
00:41:28,160 --> 00:41:30,640
Speaker 1: That would actually be Yes, he is extremely weird.

791
00:41:31,600 --> 00:41:33,400
Speaker 2: I mean maybe you could chew a piece of gum

792
00:41:33,400 --> 00:41:35,640
Speaker 2: in on of Engineer Sam. You know, yeah, well I

793
00:41:35,640 --> 00:41:36,440
Speaker 2: could really get him go.

794
00:41:36,680 --> 00:41:38,160
Speaker 1: That'd be good. Do you want to well, I guess

795
00:41:38,160 --> 00:41:39,799
Speaker 1: you don't do it longer? We have all this gum

796
00:41:39,840 --> 00:41:41,560
Speaker 1: here I can Do you want to eat a whole

797
00:41:41,600 --> 00:41:42,160
Speaker 1: pack of gum?

798
00:41:42,600 --> 00:41:42,839
Speaker 5: Sure?

799
00:41:42,880 --> 00:41:44,640
Speaker 4: Yeah, I'll do it. I have no problem. I should

800
00:41:44,719 --> 00:41:45,640
Speaker 4: I swallow gum?

801
00:41:45,680 --> 00:41:47,919
Speaker 1: Typically a great Do you want to eat a pack

802
00:41:47,960 --> 00:41:51,719
Speaker 1: of tried in strawberry twist or strawberry this is?

803
00:41:51,800 --> 00:41:55,240
Speaker 2: And this will ideally get be able to get Sam going.

804
00:41:55,400 --> 00:41:58,240
Speaker 1: I guess we can do this while we do the popcorn.

805
00:41:58,280 --> 00:42:00,160
Speaker 2: Gay, Yes, that would be good if while you're us

806
00:42:00,160 --> 00:42:02,000
Speaker 2: and the popcorn gally questions you're eating.

807
00:42:03,840 --> 00:42:08,799
Speaker 1: This is We're gonna ask questions from our fans as

808
00:42:08,880 --> 00:42:14,920
Speaker 1: you you're on the piece one right now, Well, do

809
00:42:14,960 --> 00:42:17,239
Speaker 1: you want to swallow them one at a time or

810
00:42:17,280 --> 00:42:20,560
Speaker 1: do you want to eat?

811
00:42:21,760 --> 00:42:23,080
Speaker 4: And it's called the.

812
00:42:23,000 --> 00:42:25,440
Speaker 1: Popcorn So I guess as we answer the questions, you

813
00:42:25,440 --> 00:42:27,640
Speaker 1: can just sort of at the same time narrate how

814
00:42:27,680 --> 00:42:28,680
Speaker 1: you're doing on eating this.

815
00:42:29,120 --> 00:42:30,680
Speaker 2: Yeah, what's going on with the gum? And you can

816
00:42:30,719 --> 00:42:32,680
Speaker 2: sort of deal with some of these questions.

817
00:42:32,680 --> 00:42:38,840
Speaker 4: Super chill the pop GALLOOI oh yeah.

818
00:42:39,360 --> 00:42:43,440
Speaker 1: Okay, we're going to reach into the into the popcorn bag.

819
00:42:45,400 --> 00:42:47,480
Speaker 4: Swallow the first piece is great, really good.

820
00:42:49,120 --> 00:42:50,960
Speaker 1: Okay, he liked the first piece of gum.

821
00:42:50,920 --> 00:42:53,160
Speaker 2: And he's feeling good and he looks pretty good.

822
00:42:53,360 --> 00:42:55,280
Speaker 1: It looks like he gave you a lot of energy.

823
00:42:56,400 --> 00:42:56,799
Speaker 5: Oh yeah, it.

824
00:42:56,760 --> 00:42:58,680
Speaker 4: Feels really good. It just feels good putting stuff back

825
00:42:58,719 --> 00:42:59,160
Speaker 4: in the world.

826
00:43:00,239 --> 00:43:03,879
Speaker 1: Uh, we're going to reach into the popcorn bag and saying,

827
00:43:03,920 --> 00:43:04,879
Speaker 1: will you play the sound drop?

828
00:43:09,920 --> 00:43:13,560
Speaker 2: My hand is stuck to some gum inside this popcorn bag.

829
00:43:16,040 --> 00:43:19,960
Speaker 1: He's answering, right, It doesn't it seem like he's answering

830
00:43:20,000 --> 00:43:20,640
Speaker 1: what's happening.

831
00:43:20,719 --> 00:43:25,000
Speaker 2: He's sneaking into the studio and listening to the first half.

832
00:43:24,760 --> 00:43:28,759
Speaker 1: Before recording the sound drop. Really not even the first half.

833
00:43:28,880 --> 00:43:34,640
Speaker 2: Just the emsis seconds, just the my.

834
00:43:34,760 --> 00:43:36,040
Speaker 1: Hand is stuck in some gum.

835
00:43:36,080 --> 00:43:38,799
Speaker 2: It's like, but also, my friend Mark records these sound

836
00:43:38,880 --> 00:43:42,680
Speaker 2: drops and they're becoming eerily Uh, press present.

837
00:43:43,600 --> 00:43:46,200
Speaker 4: I was gonna press pronounce it in a different way.

838
00:43:46,239 --> 00:43:48,320
Speaker 2: I was gonna say pressient, pressient.

839
00:43:48,360 --> 00:43:49,920
Speaker 4: We all said different ways.

840
00:43:50,640 --> 00:43:53,560
Speaker 1: And also not totally getting what happened in the first

841
00:43:53,600 --> 00:43:55,800
Speaker 1: half because no one was talking about their hands.

842
00:43:55,960 --> 00:43:58,120
Speaker 2: So no, it's hand is stuck in gum.

843
00:43:58,360 --> 00:44:04,360
Speaker 1: But he said my he's referencing gum. Episode is on

844
00:44:04,440 --> 00:44:04,960
Speaker 1: the hand.

845
00:44:05,840 --> 00:44:07,040
Speaker 2: Yeah, it's fair hard.

846
00:44:07,239 --> 00:44:11,080
Speaker 1: He could use the charity of his own. Well, he

847
00:44:11,160 --> 00:44:15,600
Speaker 1: has one in a way. Here's a question from Doctor Doctopus. Johnny,

848
00:44:15,680 --> 00:44:18,200
Speaker 1: no spoilers, but you had a very big surprise appearance

849
00:44:18,200 --> 00:44:20,960
Speaker 1: and the Guardians of the Galaxy after credits scene. Is

850
00:44:21,000 --> 00:44:23,239
Speaker 1: that what contracts on movies mean for when they talk

851
00:44:23,280 --> 00:44:24,640
Speaker 1: about points on the back end?

852
00:44:25,520 --> 00:44:28,600
Speaker 4: Uh no, No, that's not what that means. No, it's

853
00:44:28,600 --> 00:44:31,120
Speaker 4: not what that means. Points in the back end means

854
00:44:31,400 --> 00:44:34,120
Speaker 4: that's when you get that the big money from the

855
00:44:34,160 --> 00:44:36,400
Speaker 4: Other God. I wish it meant that, though at the

856
00:44:36,520 --> 00:44:38,680
Speaker 4: end of the movie, that would be great.

857
00:44:38,880 --> 00:44:39,960
Speaker 2: Gotta be double back.

858
00:44:40,120 --> 00:44:42,120
Speaker 1: It does in a way. It's like sort of when

859
00:44:42,160 --> 00:44:44,160
Speaker 1: people see you be funny at the end of the

860
00:44:44,200 --> 00:44:48,480
Speaker 1: movie say they say points, yeah, you know like points yes.

861
00:44:48,400 --> 00:44:50,600
Speaker 4: Yeah, that part that was in the movie. But here's

862
00:44:50,600 --> 00:44:51,160
Speaker 4: a little.

863
00:44:50,920 --> 00:44:55,279
Speaker 2: Extra yes, point yes, points yes. Ask Haz what an

864
00:44:55,320 --> 00:44:56,200
Speaker 2: overall deal is?

865
00:44:57,000 --> 00:45:01,279
Speaker 1: Okay, well, I'll tell you exactly what it is. And

866
00:45:01,520 --> 00:45:04,319
Speaker 1: also the thing that you think that I don't know

867
00:45:04,680 --> 00:45:05,680
Speaker 1: is a holding deal.

868
00:45:07,120 --> 00:45:09,680
Speaker 2: Okay, Well, yeah, I guess I can't keep track of

869
00:45:09,800 --> 00:45:12,160
Speaker 2: holding versus overall or what Hayes does.

870
00:45:12,360 --> 00:45:14,279
Speaker 1: So it's not even the right thing that you are.

871
00:45:14,600 --> 00:45:16,799
Speaker 1: Even a few weeks.

872
00:45:16,480 --> 00:45:19,880
Speaker 2: Back on the show, Hayes made a big mistake and

873
00:45:19,960 --> 00:45:22,600
Speaker 2: didn't really understand some of the contractual terms that we

874
00:45:22,680 --> 00:45:23,919
Speaker 2: deal with every day.

875
00:45:23,960 --> 00:45:27,200
Speaker 1: Actually, the really embarrassing thing is you not understanding me

876
00:45:27,400 --> 00:45:29,760
Speaker 1: when I was saying exactly the right thing.

877
00:45:30,080 --> 00:45:34,719
Speaker 2: The overall deal, a hold verrall deal. That's what Hayes

878
00:45:34,760 --> 00:45:36,520
Speaker 2: wants to talk about, right, Is it a whole ver

879
00:45:36,560 --> 00:45:38,640
Speaker 2: all deal? Hayes deal?

880
00:45:38,719 --> 00:45:42,360
Speaker 1: No, it's of course, is that what it is. I

881
00:45:42,400 --> 00:45:44,879
Speaker 1: don't I'm not gonna engage and.

882
00:45:45,320 --> 00:45:47,239
Speaker 2: He's going to go seventies tape on me.

883
00:45:48,280 --> 00:45:50,399
Speaker 1: Do you want to talk about your little scene? Your

884
00:45:50,440 --> 00:45:53,040
Speaker 1: scene lit at the end of the movie Where are

885
00:45:53,080 --> 00:45:53,600
Speaker 1: you on the gun?

886
00:45:54,040 --> 00:45:56,200
Speaker 4: I don't want to. I just swallowed the second piece.

887
00:45:56,920 --> 00:45:59,480
Speaker 4: It's pretty good. I mean it's great. I prefer a

888
00:45:59,520 --> 00:46:03,200
Speaker 4: sugar gar. What's up some all natural expeller press cane

889
00:46:03,880 --> 00:46:06,040
Speaker 4: used in there? Yes, but this is okay. I mean

890
00:46:06,080 --> 00:46:09,880
Speaker 4: it's got Phenol, Phenoltronics in there, Phenol Alien.

891
00:46:10,760 --> 00:46:13,120
Speaker 2: Is that that an a capella group? That's so big?

892
00:46:13,280 --> 00:46:16,279
Speaker 2: Pheno Alien, Phenol Keinicatronics, Phenol.

893
00:46:15,960 --> 00:46:18,920
Speaker 4: New, Phenol New Kinetronics. I don't know. I think that

894
00:46:18,960 --> 00:46:20,880
Speaker 4: may have just been a character and a part of

895
00:46:20,920 --> 00:46:24,279
Speaker 4: a film. They called them. That was what they called

896
00:46:24,400 --> 00:46:27,480
Speaker 4: bel bb Devout in that movie, but it was belbev Devo.

897
00:46:27,719 --> 00:46:29,919
Speaker 1: But they called they had to be like a fictionalized

898
00:46:29,960 --> 00:46:31,560
Speaker 1: future version of themselves.

899
00:46:31,600 --> 00:46:31,799
Speaker 4: Yeah.

900
00:46:31,840 --> 00:46:34,080
Speaker 2: Yeah, Phenolronics, Yes.

901
00:46:34,040 --> 00:46:35,120
Speaker 4: Phenol kin of Neutronics.

902
00:46:35,120 --> 00:46:36,200
Speaker 5: What's up?

903
00:46:39,080 --> 00:46:39,680
Speaker 1: Okay?

904
00:46:39,840 --> 00:46:40,200
Speaker 5: Okay?

905
00:46:40,280 --> 00:46:43,000
Speaker 2: And here a moment ago you said you weren't a musician.

906
00:46:43,239 --> 00:46:43,800
Speaker 4: Not musician.

907
00:46:43,800 --> 00:46:46,440
Speaker 1: That's my between band, damn the man and this is

908
00:46:46,440 --> 00:46:47,040
Speaker 1: a solid.

909
00:46:47,280 --> 00:46:48,920
Speaker 4: Well you know, I got you gotta stay humble in

910
00:46:48,920 --> 00:46:51,600
Speaker 4: this business, otherwise you you hit the frying pan hotter

911
00:46:51,640 --> 00:46:52,000
Speaker 4: than oil.

912
00:46:52,239 --> 00:46:52,439
Speaker 1: Yeah.

913
00:46:52,560 --> 00:46:54,080
Speaker 4: I can't really talk about that. Gardens of the Gardens

914
00:46:54,080 --> 00:46:55,840
Speaker 4: of the Galaxy thing. But I will see the points

915
00:46:55,840 --> 00:46:58,120
Speaker 4: in the back end as a reference to the money

916
00:46:58,160 --> 00:47:03,480
Speaker 4: you make from sales of tours. Ah, so anytime you

917
00:47:03,520 --> 00:47:04,440
Speaker 4: sell a toy.

918
00:47:04,280 --> 00:47:06,040
Speaker 2: Which did you get that haze?

919
00:47:06,280 --> 00:47:11,239
Speaker 1: Yeah, it's absurd, it's an absurd.

920
00:47:10,680 --> 00:47:14,240
Speaker 2: And also the Gardens of the Galaxy is a tour

921
00:47:14,320 --> 00:47:17,319
Speaker 2: that you're doing now all through here where you take

922
00:47:17,360 --> 00:47:17,840
Speaker 2: people to.

923
00:47:18,440 --> 00:47:22,640
Speaker 4: Asparagus plantations, small plantations.

924
00:47:22,239 --> 00:47:26,320
Speaker 2: Form a plantations Yeah, depends. That doesn't have to be

925
00:47:26,360 --> 00:47:27,040
Speaker 2: a dirty word.

926
00:47:27,680 --> 00:47:31,120
Speaker 1: I agree, it's plants. It just means plants, right, it's

927
00:47:31,120 --> 00:47:34,160
Speaker 1: a plant picking plants? Is that's what's is that weird?

928
00:47:34,360 --> 00:47:37,960
Speaker 2: It's just two words. It's plants and stations plant station.

929
00:47:38,320 --> 00:47:43,560
Speaker 1: Yeah, Now suddenly it's weird that people to plants are like,

930
00:47:43,600 --> 00:47:46,000
Speaker 1: how are they gonna get in the basket?

931
00:47:46,400 --> 00:47:46,880
Speaker 4: Exactly?

932
00:47:47,040 --> 00:47:48,600
Speaker 1: Yeah, they don't pick themselves.

933
00:47:48,800 --> 00:47:51,160
Speaker 4: No, if they did, we would have a we actually

934
00:47:51,160 --> 00:47:55,240
Speaker 4: have a problem on our hands if we're.

935
00:47:54,760 --> 00:47:57,279
Speaker 1: Taking over, well, yes, they'd be picking us.

936
00:47:57,400 --> 00:47:59,560
Speaker 2: You know, cauliflower starts picking itself.

937
00:47:59,600 --> 00:48:02,040
Speaker 4: What's it gonna pick next? Probably a baby's head off.

938
00:48:02,520 --> 00:48:03,600
Speaker 2: That's exactly right.

939
00:48:03,680 --> 00:48:05,799
Speaker 1: But I'm sure a lot of these people think, you know,

940
00:48:05,960 --> 00:48:08,040
Speaker 1: that was great. They would love for the plans to

941
00:48:08,080 --> 00:48:08,399
Speaker 1: take over.

942
00:48:08,880 --> 00:48:10,960
Speaker 2: Yeah, some of the yeah, some of the lib tards

943
00:48:10,960 --> 00:48:15,759
Speaker 2: and take it democraps that they really would like to

944
00:48:16,320 --> 00:48:19,080
Speaker 2: just go ahead and have the broccoli and cauliflower pick

945
00:48:19,120 --> 00:48:21,239
Speaker 2: all of our babies heads off, and would that be

946
00:48:21,400 --> 00:48:22,240
Speaker 2: fine and dandy?

947
00:48:22,400 --> 00:48:25,560
Speaker 5: Oh excuse me? Can we have the the broccoli pick itself?

948
00:48:25,760 --> 00:48:29,880
Speaker 4: Thank you? I'll just be in my prius. I'll just

949
00:48:29,920 --> 00:48:30,600
Speaker 4: be in my prius.

950
00:48:31,480 --> 00:48:34,040
Speaker 2: I'm not go for a third piece here, Okay. I

951
00:48:34,239 --> 00:48:37,000
Speaker 2: love to hear the sound of the tuning, and I love.

952
00:48:36,920 --> 00:48:39,120
Speaker 1: Do you want to do three at once? We're story

953
00:48:39,120 --> 00:48:41,759
Speaker 1: of running out of questions? Do we have another question?

954
00:48:41,800 --> 00:48:43,319
Speaker 4: There's only one question? What do you mean?

955
00:48:43,400 --> 00:48:47,080
Speaker 1: Well, we only have two more. Some of them I

956
00:48:47,120 --> 00:48:47,600
Speaker 1: don't know.

957
00:48:48,960 --> 00:48:50,120
Speaker 4: They were having been vetted.

958
00:48:50,239 --> 00:48:53,480
Speaker 2: They're not screened professional question askers the people that we're

959
00:48:53,520 --> 00:48:55,920
Speaker 2: working with. And sometimes you can really tell.

960
00:48:56,320 --> 00:48:58,279
Speaker 1: Really, let's reach back into the bag.

961
00:48:58,600 --> 00:49:07,759
Speaker 2: Dam no, man, now my hand is stuck in even

962
00:49:07,800 --> 00:49:08,400
Speaker 2: more gum?

963
00:49:09,880 --> 00:49:13,200
Speaker 4: Do you mean gum? You mean like that SoundBite? Is

964
00:49:13,600 --> 00:49:15,960
Speaker 4: it referencing like gum as the scrolled them? You know,

965
00:49:16,280 --> 00:49:20,239
Speaker 4: like I said, my skirtle sack. You know when you

966
00:49:20,280 --> 00:49:22,520
Speaker 4: know when you're playing with a bunch of guys playing baseball,

967
00:49:22,560 --> 00:49:23,960
Speaker 4: and it's like fun And.

968
00:49:24,040 --> 00:49:27,360
Speaker 2: Yeah, I think I got some gum on my past shorts.

969
00:49:28,440 --> 00:49:32,040
Speaker 4: I think I said some gum. I've only recently been

970
00:49:32,080 --> 00:49:35,239
Speaker 4: able to do that. Actually, that's funny. I struggled for

971
00:49:35,239 --> 00:49:37,920
Speaker 4: a long time not being able to do that trick myself.

972
00:49:39,480 --> 00:49:40,759
Speaker 1: Oh yeah, just.

973
00:49:40,680 --> 00:49:43,280
Speaker 4: Because I was scared I was gonna when I grabbed

974
00:49:43,320 --> 00:49:46,839
Speaker 4: the flesh of the sack that I was gonna touch

975
00:49:46,920 --> 00:49:51,560
Speaker 4: the the cable that runs underneath that goes to the balls,

976
00:49:52,280 --> 00:49:55,080
Speaker 4: what I called the not the vast deference, but the

977
00:49:55,080 --> 00:49:57,800
Speaker 4: the cable, the thing that gets tied. I thought I

978
00:49:57,840 --> 00:49:59,760
Speaker 4: was gonna grab it and break it. But it turns

979
00:49:59,760 --> 00:50:00,520
Speaker 4: out it's not that.

980
00:50:00,800 --> 00:50:01,440
Speaker 1: The tubes.

981
00:50:01,560 --> 00:50:03,400
Speaker 4: The tube. Yeah, I don't want to pull a tube

982
00:50:03,480 --> 00:50:04,799
Speaker 4: when I'm just trying to do a gum joke.

983
00:50:05,040 --> 00:50:09,120
Speaker 1: You're talking about the well known trick where you pull

984
00:50:09,160 --> 00:50:11,600
Speaker 1: a little piece of your scrutem out of your pants

985
00:50:12,040 --> 00:50:15,279
Speaker 1: and then you you show someone and say, I think

986
00:50:15,320 --> 00:50:16,360
Speaker 1: I said it's a gum.

987
00:50:16,520 --> 00:50:17,040
Speaker 4: You got it?

988
00:50:17,080 --> 00:50:19,080
Speaker 1: That famous trick, That famous trick.

989
00:50:19,200 --> 00:50:23,399
Speaker 2: Yeah, and then something of a stunt, something that comes

990
00:50:23,480 --> 00:50:25,680
Speaker 2: up so frequently in your life, but that you had

991
00:50:25,760 --> 00:50:27,520
Speaker 2: never been able to try it, but I had been.

992
00:50:27,680 --> 00:50:30,080
Speaker 2: I assume practicing in your room and then getting spooked.

993
00:50:30,239 --> 00:50:32,719
Speaker 4: Yeah, practicing in my room. But it's something where I

994
00:50:32,760 --> 00:50:34,840
Speaker 4: don't want to be alone. I don't be alone and

995
00:50:34,920 --> 00:50:37,200
Speaker 4: rip a tube. Sure, and then it's like what happened

996
00:50:37,200 --> 00:50:37,680
Speaker 4: to document?

997
00:50:37,800 --> 00:50:39,040
Speaker 2: You also don't want to do it in front of

998
00:50:39,120 --> 00:50:39,960
Speaker 2: other people.

999
00:50:40,239 --> 00:50:42,960
Speaker 4: Exactly and have that embarrassing thing happened. We're like, you know,

1000
00:50:42,960 --> 00:50:45,279
Speaker 4: when you do a joke, also, the joke becomes, oh,

1001
00:50:45,320 --> 00:50:46,840
Speaker 4: I just hurt myself on this joke. You have to

1002
00:50:46,960 --> 00:50:49,200
Speaker 4: go excuse me, I'm not joking.

1003
00:50:49,600 --> 00:50:52,360
Speaker 1: Yeah, then everyone thinks you are joking.

1004
00:50:52,520 --> 00:50:53,919
Speaker 2: Yes, then that's part of the joke.

1005
00:50:54,239 --> 00:50:55,520
Speaker 1: Meanwhile, you're leaking.

1006
00:50:55,760 --> 00:50:58,600
Speaker 2: Kubes exactly, tube juice. Yes.

1007
00:50:58,680 --> 00:51:01,160
Speaker 4: So but it's all okay, Now I'm gonna do a

1008
00:51:01,160 --> 00:51:03,840
Speaker 4: stunt coming up where it's how much gum can I

1009
00:51:03,880 --> 00:51:06,319
Speaker 4: sit in? And it's going to be tied into this

1010
00:51:06,400 --> 00:51:07,319
Speaker 4: because I'm swallowing it.

1011
00:51:07,400 --> 00:51:10,720
Speaker 1: So it's this thing where ye like.

1012
00:51:11,000 --> 00:51:15,000
Speaker 4: Didn't he swallow that gum? I don't think he.

1013
00:51:15,480 --> 00:51:17,520
Speaker 2: Yeah, he's sitting something that you swallow.

1014
00:51:17,719 --> 00:51:20,080
Speaker 4: Maybe I know, maybe maybe he holds it. Maybe he

1015
00:51:20,160 --> 00:51:21,920
Speaker 4: swallowed it. He pooped it out and he sat in it.

1016
00:51:22,400 --> 00:51:24,719
Speaker 2: I was gonna say, in a way, everything that you

1017
00:51:24,800 --> 00:51:27,319
Speaker 2: do swallow, you do ultimately end up sitting in at

1018
00:51:27,440 --> 00:51:28,280
Speaker 2: least for a moment.

1019
00:51:29,239 --> 00:51:33,080
Speaker 1: You know what I mean? Right, yeah, toilet but yeah, yeah,

1020
00:51:33,160 --> 00:51:35,120
Speaker 1: well if you're using you know, one of these new

1021
00:51:36,040 --> 00:51:37,160
Speaker 1: hard surface.

1022
00:51:36,880 --> 00:51:40,440
Speaker 2: Flat toilet toilets, yeah, all the rage. Well we're in

1023
00:51:40,480 --> 00:51:40,960
Speaker 2: the drought.

1024
00:51:41,040 --> 00:51:43,759
Speaker 1: So I sit on a flat toilet.

1025
00:51:44,600 --> 00:51:47,879
Speaker 2: Then it's almost a baking pan, essentially like a cookie sheet.

1026
00:51:48,000 --> 00:51:50,680
Speaker 4: That's a really good thing to do. It's very sustainable.

1027
00:51:50,960 --> 00:51:51,319
Speaker 2: M hm.

1028
00:51:51,960 --> 00:51:53,160
Speaker 4: Zoe d got me into that.

1029
00:51:53,960 --> 00:51:56,759
Speaker 2: Oh yes, yes, the two of you. Now she's a

1030
00:51:56,840 --> 00:51:59,600
Speaker 2: musician as well. Did you two record anything? Yes?

1031
00:52:00,200 --> 00:52:03,080
Speaker 4: No, No, we didn't get to that level just yet.

1032
00:52:03,160 --> 00:52:04,960
Speaker 4: She's uh, she's been busy.

1033
00:52:05,239 --> 00:52:06,759
Speaker 2: I'd love to see the two of you put up

1034
00:52:06,760 --> 00:52:09,320
Speaker 2: a YouTube video singing or something like that.

1035
00:52:10,120 --> 00:52:14,719
Speaker 1: That maybe playing a little instrument, a tiny drum.

1036
00:52:14,560 --> 00:52:18,200
Speaker 2: Not a full size, yes, not a size but uh micro.

1037
00:52:18,160 --> 00:52:23,120
Speaker 1: Drum, yes, just like slide two drumsticks under your fingernails

1038
00:52:23,120 --> 00:52:23,680
Speaker 1: and just go.

1039
00:52:26,200 --> 00:52:32,600
Speaker 5: I have a gift for you. I have a gift

1040
00:52:32,640 --> 00:52:39,120
Speaker 5: for you. Let's not shoot a gun. One is the

1041
00:52:39,560 --> 00:52:43,960
Speaker 5: favorite boy I want to do a movie with you

1042
00:52:44,040 --> 00:52:46,440
Speaker 5: and make points on the back end. If I'm saying

1043
00:52:46,520 --> 00:52:51,640
Speaker 5: some toys, I want to get money, and she would come.

1044
00:52:51,480 --> 00:52:57,200
Speaker 1: In with your politics. They're saying, let's not shoot a gun.

1045
00:52:57,480 --> 00:53:02,080
Speaker 2: There's politics. There's funniness with the uh. There's also some

1046
00:53:02,239 --> 00:53:04,840
Speaker 2: educational stuff for someone like hey, who doesn't necessarily know

1047
00:53:04,920 --> 00:53:06,360
Speaker 2: what points on the back end means.

1048
00:53:08,440 --> 00:53:10,080
Speaker 4: Man, my new I have an R and B album

1049
00:53:10,120 --> 00:53:11,799
Speaker 4: coming up called points in the back end, and it's

1050
00:53:11,880 --> 00:53:18,920
Speaker 4: me slapping a big piece of that ass points in the.

1051
00:53:18,080 --> 00:53:22,399
Speaker 2: Point, pointing at it points points at the back end. Yes,

1052
00:53:22,520 --> 00:53:25,919
Speaker 2: I guess so, Nicki Minajo is a big red Yeah.

1053
00:53:26,080 --> 00:53:28,839
Speaker 1: Here's that question we got out a little bit ago.

1054
00:53:28,920 --> 00:53:31,600
Speaker 1: It's from Greggie and he says, mister Pemmerson, how's the

1055
00:53:31,840 --> 00:53:32,839
Speaker 1: summer treating you?

1056
00:53:33,040 --> 00:53:34,000
Speaker 2: How did you get that question?

1057
00:53:34,200 --> 00:53:36,879
Speaker 1: And he we got it out a long time ago?

1058
00:53:37,040 --> 00:53:38,759
Speaker 2: Okay, is there more?

1059
00:53:39,160 --> 00:53:42,160
Speaker 1: Remember we got it out? I totally forgot there is more.

1060
00:53:42,560 --> 00:53:43,080
Speaker 1: I say it.

1061
00:53:43,239 --> 00:53:44,920
Speaker 4: Yeah, I'd like to hear it. I'm just having the

1062
00:53:45,000 --> 00:53:45,560
Speaker 4: piece of gum here.

1063
00:53:47,360 --> 00:53:49,120
Speaker 1: He also wants to know if it's hot enough for

1064
00:53:49,160 --> 00:53:49,759
Speaker 1: you out there?

1065
00:53:50,160 --> 00:53:55,960
Speaker 4: Oh yeah, for uh Hana is a hon o from me?

1066
00:53:56,040 --> 00:53:59,759
Speaker 4: Out there. To truth be told, it is always hot

1067
00:53:59,800 --> 00:54:02,360
Speaker 4: and from out there because it's always too hot, and

1068
00:54:02,400 --> 00:54:05,759
Speaker 4: I'm working on something good to fix that. I got

1069
00:54:05,800 --> 00:54:08,239
Speaker 4: one of those cool new sunshields for the car, and

1070
00:54:08,239 --> 00:54:11,160
Speaker 4: you put that baffled up, that reflective baffle in the

1071
00:54:11,160 --> 00:54:14,080
Speaker 4: front windshield. It really reduced the temperatures.

1072
00:54:14,560 --> 00:54:17,719
Speaker 2: Here's something that roasts my grits that this reminds me

1073
00:54:17,800 --> 00:54:20,160
Speaker 2: of because you brought up a good point when you

1074
00:54:20,200 --> 00:54:22,480
Speaker 2: actually said that it is always hot enough because it's

1075
00:54:22,520 --> 00:54:23,399
Speaker 2: always too hot.

1076
00:54:23,520 --> 00:54:23,759
Speaker 4: Yeah.

1077
00:54:23,840 --> 00:54:26,000
Speaker 2: Now I noticed when people do ask me if it's

1078
00:54:26,040 --> 00:54:30,560
Speaker 2: hot enough for me, it always is too hot. Yeah,

1079
00:54:30,640 --> 00:54:33,480
Speaker 2: nobody's ever asking that when it's right, when it's pretty

1080
00:54:33,600 --> 00:54:35,640
Speaker 2: moderate at this point.

1081
00:54:35,760 --> 00:54:38,359
Speaker 1: A lot of times it is, or if it's even

1082
00:54:38,800 --> 00:54:39,759
Speaker 1: too chilly for you.

1083
00:54:39,880 --> 00:54:44,560
Speaker 2: Well, I run hot, I run hot. Yeah, I just

1084
00:54:44,600 --> 00:54:49,200
Speaker 2: have a we have fast metabolism. Yeah, unfortunately I do sweat. Yeah,

1085
00:54:49,280 --> 00:54:52,680
Speaker 2: it's true. That's why some of that bandana man stuff

1086
00:54:52,680 --> 00:54:53,640
Speaker 2: really connected with me.

1087
00:54:54,000 --> 00:54:56,440
Speaker 4: Well, those bandanas are special to They have a sort

1088
00:54:56,440 --> 00:55:00,799
Speaker 4: of a zinc lining. Evidently that causes a cool evaporation

1089
00:55:00,880 --> 00:55:03,839
Speaker 4: effect Alzheimer's. Oh my god, you're right.

1090
00:55:03,920 --> 00:55:05,400
Speaker 2: You get Alzheimer's from that.

1091
00:55:05,120 --> 00:55:06,120
Speaker 4: There was aluminum.

1092
00:55:06,600 --> 00:55:08,000
Speaker 1: It goes through your pores.

1093
00:55:08,280 --> 00:55:09,680
Speaker 2: Yeah, and it lives in your brain.

1094
00:55:09,480 --> 00:55:10,640
Speaker 1: In the front part of your brain.

1095
00:55:10,840 --> 00:55:13,120
Speaker 2: Oh really, and then you can't draw a self portrait

1096
00:55:13,160 --> 00:55:14,399
Speaker 2: of yourself anymore. Hmm.

1097
00:55:14,680 --> 00:55:18,000
Speaker 1: Oh yeah, I don't have to trace it over the mirror.

1098
00:55:18,360 --> 00:55:21,359
Speaker 4: Yeah, well, I guess we're gonna have to. I could

1099
00:55:21,360 --> 00:55:23,400
Speaker 4: be wrong though, I could be wrong. Also, you always

1100
00:55:23,400 --> 00:55:25,960
Speaker 4: just shipping back to overseas and they can they'll find

1101
00:55:25,920 --> 00:55:26,719
Speaker 4: a use from over there.

1102
00:55:26,800 --> 00:55:27,080
Speaker 2: Mmm.

1103
00:55:27,160 --> 00:55:28,280
Speaker 1: Yeah. Oh yeah.

1104
00:55:28,400 --> 00:55:30,160
Speaker 4: It's like from those to get the jerseys. They have

1105
00:55:30,239 --> 00:55:33,439
Speaker 4: the wrong team winning on the jersey. A little place

1106
00:55:33,480 --> 00:55:35,399
Speaker 4: called the Amazon loves those.

1107
00:55:35,680 --> 00:55:37,399
Speaker 1: They can turn almost anything into food there.

1108
00:55:37,840 --> 00:55:41,040
Speaker 4: Yeah mm hmm, so it is hot enough for me.

1109
00:55:41,160 --> 00:55:43,840
Speaker 2: That's such a fail when they have the team jerseys

1110
00:55:43,880 --> 00:55:47,760
Speaker 2: printed that there's not the winners. Epic fail.

1111
00:55:47,960 --> 00:55:50,200
Speaker 4: Put that guy with the with the flip flops running

1112
00:55:50,200 --> 00:55:51,719
Speaker 4: that dugout canoe. He doesn't know.

1113
00:55:51,920 --> 00:55:55,480
Speaker 2: They should make the fucking losing team wear those jerseys,

1114
00:55:55,520 --> 00:55:56,840
Speaker 2: like in front of their dad.

1115
00:55:57,480 --> 00:55:59,920
Speaker 1: I would love to see somebody do a caption for

1116
00:56:00,080 --> 00:56:02,279
Speaker 1: that on that midnight Would that be a basy if

1117
00:56:02,280 --> 00:56:05,719
Speaker 1: they had a picture of that guy and said and

1118
00:56:05,960 --> 00:56:07,920
Speaker 1: did the caption this, and we could see maybe what

1119
00:56:08,280 --> 00:56:13,560
Speaker 1: kerk browtoler to say about something like that. Yes, captions,

1120
00:56:13,640 --> 00:56:15,320
Speaker 1: narice wicked, just wicked.

1121
00:56:15,800 --> 00:56:16,719
Speaker 4: I love captions.

1122
00:56:17,719 --> 00:56:20,040
Speaker 1: Let's get one more question out of the bag.

1123
00:56:20,160 --> 00:56:27,480
Speaker 2: Sam, Oh great, now my hand is even stuck in

1124
00:56:27,520 --> 00:56:31,040
Speaker 2: them and a whole other thing. A gum that's real

1125
00:56:31,120 --> 00:56:33,319
Speaker 2: gum this time, not the joke gum I was doing

1126
00:56:33,360 --> 00:56:40,799
Speaker 2: when I was touching my freaking sack. Okay, it's how

1127
00:56:41,000 --> 00:56:41,799
Speaker 2: is he doing this?

1128
00:56:42,080 --> 00:56:43,959
Speaker 4: Is that that's over? I wasn't sure how long.

1129
00:56:43,880 --> 00:56:47,000
Speaker 1: The SoundBite was. Oh yeah, no, we it stopped playing.

1130
00:56:47,080 --> 00:56:50,279
Speaker 2: But I honestly, my friend Mark, who records these soundbites,

1131
00:56:50,360 --> 00:56:52,840
Speaker 2: I mean, it's starting to freak me out.

1132
00:56:52,680 --> 00:56:57,880
Speaker 1: A little bit and just missing really not getting this,

1133
00:56:58,320 --> 00:57:01,880
Speaker 1: like seeming to want to to play along, yes, with

1134
00:57:02,239 --> 00:57:05,360
Speaker 1: what we're talking about, but just not knowing exactly.

1135
00:57:05,600 --> 00:57:08,400
Speaker 2: Not knowing how to focus. Well, he's not a professional.

1136
00:57:08,440 --> 00:57:10,239
Speaker 4: Now, can I get his email after we're done?

1137
00:57:10,640 --> 00:57:11,359
Speaker 2: Absolutely?

1138
00:57:11,840 --> 00:57:13,520
Speaker 4: I want to get him on board.

1139
00:57:13,719 --> 00:57:16,080
Speaker 2: I have a podcast, Oh sick?

1140
00:57:16,760 --> 00:57:18,240
Speaker 1: Do you want to play it real quick? Yeah?

1141
00:57:18,240 --> 00:57:21,280
Speaker 4: Here we go. It's called Twisting the Wind with Johnny Pemberton,

1142
00:57:21,320 --> 00:57:23,800
Speaker 4: And that's so's that's what it is, sort of a

1143
00:57:23,840 --> 00:57:24,800
Speaker 4: psychedelic ranger.

1144
00:57:26,320 --> 00:57:27,520
Speaker 2: What is the podcast?

1145
00:57:28,000 --> 00:57:34,840
Speaker 1: Yeah, this is from Andrew, he says, T. You know

1146
00:57:34,920 --> 00:57:37,080
Speaker 1: what he doesn't say, But I've actually been suspecting for

1147
00:57:37,080 --> 00:57:40,080
Speaker 1: a long time that it is Andrew T submitting questions

1148
00:57:41,000 --> 00:57:44,080
Speaker 1: and pretending to be like British. He asked kind of

1149
00:57:44,120 --> 00:57:46,920
Speaker 1: his questions and like a doing a character, so we

1150
00:57:46,960 --> 00:57:47,800
Speaker 1: won't know who it is.

1151
00:57:48,040 --> 00:57:50,640
Speaker 2: Well, he's a racial chameleon because he knows you know,

1152
00:57:50,720 --> 00:57:52,440
Speaker 2: he could pretend to be any nationality.

1153
00:57:54,280 --> 00:57:54,760
Speaker 1: Andrew T.

1154
00:57:55,920 --> 00:57:59,640
Speaker 2: No, he's a race expert, and so he has a

1155
00:57:59,680 --> 00:58:01,960
Speaker 2: pop use his knowledge and power.

1156
00:58:02,080 --> 00:58:03,200
Speaker 1: You know, is this racist?

1157
00:58:03,840 --> 00:58:04,440
Speaker 2: Isn't this race?

1158
00:58:04,520 --> 00:58:11,600
Speaker 1: Gradually he's been refining I guess his race imitation. Andrew asks, Johnny,

1159
00:58:11,960 --> 00:58:14,720
Speaker 1: you did a standing up comedy piece about hating cats.

1160
00:58:14,880 --> 00:58:16,680
Speaker 4: Standing up comedy piece.

1161
00:58:16,520 --> 00:58:19,000
Speaker 2: Well, this is what it is, like, I mean, that's yeah,

1162
00:58:19,600 --> 00:58:21,480
Speaker 2: that's the British thing, and.

1163
00:58:21,360 --> 00:58:24,680
Speaker 1: It seemed funny British. This is and now, knowing for

1164
00:58:24,720 --> 00:58:28,200
Speaker 1: sure that this is on the forum, it says location England. Yes,

1165
00:58:28,400 --> 00:58:29,920
Speaker 1: it is really trying to get me off there.

1166
00:58:29,960 --> 00:58:34,400
Speaker 2: So standing up comedy piece, yes, get.

1167
00:58:34,320 --> 00:58:37,959
Speaker 4: In a cabinet, Blue Curry.

1168
00:58:38,160 --> 00:58:41,280
Speaker 2: Well, you're an actor, of course you can do that, andrews, Yes.

1169
00:58:42,880 --> 00:58:45,240
Speaker 1: You did a stand up comediece about hating cats.

1170
00:58:45,480 --> 00:58:49,040
Speaker 4: Okay, you mean like that a nine year old video

1171
00:58:49,080 --> 00:58:52,840
Speaker 4: that was edited by some other than me, did have,

1172
00:58:52,840 --> 00:58:55,200
Speaker 4: haven't done and haven't done in nine years.

1173
00:58:55,360 --> 00:58:58,960
Speaker 1: It doesn't it seem like he did a very cursory

1174
00:58:59,000 --> 00:58:59,680
Speaker 1: Google Is that what?

1175
00:58:59,720 --> 00:59:03,560
Speaker 4: It's most cursory Google search? And even then, like, what's

1176
00:59:03,600 --> 00:59:04,720
Speaker 4: the one that's not good?

1177
00:59:06,920 --> 00:59:10,080
Speaker 2: Yeah, the first video that pops up whatever the most

1178
00:59:10,120 --> 00:59:12,280
Speaker 2: disappointing thing is. And let's just zero in on that

1179
00:59:12,400 --> 00:59:14,840
Speaker 2: and make it the focal point of the conversation.

1180
00:59:15,800 --> 00:59:15,920
Speaker 1: Now.

1181
00:59:17,040 --> 00:59:20,080
Speaker 2: Isn't this typical of Andrew te though, trying to from

1182
00:59:20,080 --> 00:59:23,960
Speaker 2: the inside take down our podcast so that his podcast

1183
00:59:24,040 --> 00:59:26,200
Speaker 2: is the only one on Earwolf. And it's a very

1184
00:59:26,240 --> 00:59:28,080
Speaker 2: good try, because what he did is he found out

1185
00:59:28,520 --> 00:59:30,960
Speaker 2: something that you wouldn't want to talk about, and he

1186
00:59:31,160 --> 00:59:32,680
Speaker 2: forced us to talk about it.

1187
00:59:33,000 --> 00:59:36,680
Speaker 4: I'll talk about it. Actually, that's a video. That's a joke,

1188
00:59:36,960 --> 00:59:38,800
Speaker 4: one of the first stand up jokes I ever did,

1189
00:59:38,840 --> 00:59:44,160
Speaker 4: and it's very funny. I've actually come around and started

1190
00:59:44,160 --> 00:59:46,480
Speaker 4: liking cats a bit more in the past five years

1191
00:59:46,560 --> 00:59:52,240
Speaker 4: or so, so they have it I'm allergic to cats,

1192
00:59:52,560 --> 00:59:53,360
Speaker 4: so that doesn't help.

1193
00:59:54,680 --> 00:59:58,120
Speaker 2: Sure, Yeah, well they're going uphill with you there.

1194
01:00:01,520 --> 01:00:02,840
Speaker 4: I'm gonna take a fifth one here.

1195
01:00:04,080 --> 01:00:05,880
Speaker 1: Well, where do you want to.

1196
01:00:08,280 --> 01:00:08,400
Speaker 2: We?

1197
01:00:08,600 --> 01:00:14,440
Speaker 1: Uh, we should probably finish that up because well both.

1198
01:00:14,200 --> 01:00:16,240
Speaker 4: Okay, was that even a question? Was that a question?

1199
01:00:16,240 --> 01:00:17,160
Speaker 4: It wasn't a question, wasn't it?

1200
01:00:17,240 --> 01:00:19,160
Speaker 1: Well, he says, what kind of sick freak are you?

1201
01:00:19,240 --> 01:00:23,000
Speaker 1: Because he's either fake or real man about sick about

1202
01:00:23,000 --> 01:00:23,440
Speaker 1: the cats?

1203
01:00:23,680 --> 01:00:27,160
Speaker 4: I mean things run off me, like like duck like

1204
01:00:27,240 --> 01:00:29,400
Speaker 4: duck fat off duck croutine.

1205
01:00:29,560 --> 01:00:31,520
Speaker 1: Yeah, so you don't even you don't even care about.

1206
01:00:31,360 --> 01:00:33,360
Speaker 4: No, I mean, try to hurt me, try to offend me,

1207
01:00:33,800 --> 01:00:37,320
Speaker 4: bring it, take send your message board, legions, fly fly

1208
01:00:37,440 --> 01:00:38,640
Speaker 4: the matt fly dicks at my.

1209
01:00:38,640 --> 01:00:41,400
Speaker 2: Face, and this will be a fun contest, is try

1210
01:00:41,400 --> 01:00:45,320
Speaker 2: to offend Johnny. And so that's the you know.

1211
01:00:46,080 --> 01:00:47,520
Speaker 1: It doesn't really seem like I've.

1212
01:00:47,400 --> 01:00:48,000
Speaker 5: Heard it all.

1213
01:00:48,680 --> 01:00:52,320
Speaker 7: I've heard it all from producers and directors and casting

1214
01:00:52,360 --> 01:00:56,720
Speaker 7: directors and casting associates and other actors in the lobby

1215
01:00:56,800 --> 01:00:59,480
Speaker 7: next to a casting associated or taller than me or

1216
01:00:59,520 --> 01:01:02,880
Speaker 7: stronger to me, who've got tyder pants on with a

1217
01:01:03,000 --> 01:01:04,040
Speaker 7: visible big dick.

1218
01:01:04,600 --> 01:01:06,960
Speaker 1: They're all trying to hurt and be a bully.

1219
01:01:07,080 --> 01:01:07,920
Speaker 4: Yeah, I've heard it all.

1220
01:01:08,080 --> 01:01:10,720
Speaker 2: Yeah, yeah, they're sitting in gum. All right, you make

1221
01:01:10,760 --> 01:01:13,600
Speaker 2: fun of the way big league too? Is what they're saying?

1222
01:01:14,600 --> 01:01:16,520
Speaker 1: What kinds of things? What kind of things do they

1223
01:01:16,560 --> 01:01:17,520
Speaker 1: say about the way you ship?

1224
01:01:18,040 --> 01:01:20,240
Speaker 4: They say it's noisy. They say it sounds like a racetrack.

1225
01:01:20,800 --> 01:01:23,040
Speaker 4: They say it sounds like a bunch of horses galloping

1226
01:01:23,040 --> 01:01:25,920
Speaker 4: through mud. They say it sounds like are you trying

1227
01:01:26,000 --> 01:01:30,080
Speaker 4: to cause a problem in our office? They say, could

1228
01:01:30,080 --> 01:01:33,160
Speaker 4: you use a different bathroom? Please? They say what did

1229
01:01:33,200 --> 01:01:36,680
Speaker 4: you eat? They say, what's wrong? Are you okay? Do

1230
01:01:36,720 --> 01:01:38,080
Speaker 4: you need help? Do you need to leave? You need

1231
01:01:38,080 --> 01:01:39,800
Speaker 4: to come back a different day and do the audition?

1232
01:01:40,240 --> 01:01:44,960
Speaker 4: They say, who hired you? They say, no, this is

1233
01:01:45,000 --> 01:01:47,560
Speaker 4: the only bathroom. I'm sorry. Do you need a special bathroom,

1234
01:01:47,600 --> 01:01:51,040
Speaker 4: mister Pemberton? They say, oh, you need lock? Oh you're

1235
01:01:51,080 --> 01:01:51,600
Speaker 4: gonna shiit.

1236
01:01:53,760 --> 01:01:56,840
Speaker 2: One thing I do like, and it is very nasty

1237
01:01:56,920 --> 01:01:58,200
Speaker 2: of than to do that, But one thing I like

1238
01:01:58,240 --> 01:02:00,439
Speaker 2: about it is they say it sounds like a face track,

1239
01:02:00,480 --> 01:02:04,760
Speaker 2: and I'm going in what way? And then they clarify

1240
01:02:03,520 --> 01:02:07,760
Speaker 2: the horses galloping through mud was the next thing you said? Oh?

1241
01:02:07,800 --> 01:02:09,880
Speaker 2: So they say it sounds like a NASCAR racetrack and

1242
01:02:09,920 --> 01:02:11,000
Speaker 2: then they do the horse.

1243
01:02:11,840 --> 01:02:14,439
Speaker 4: Sir, are you okay? Are you vomiting and shooting? What's

1244
01:02:14,480 --> 01:02:15,040
Speaker 4: going on there?

1245
01:02:15,240 --> 01:02:15,400
Speaker 2: Sir?

1246
01:02:15,480 --> 01:02:16,520
Speaker 4: Do you have do you have?

1247
01:02:16,640 --> 01:02:17,600
Speaker 5: Do you have? Ibs?

1248
01:02:17,760 --> 01:02:18,480
Speaker 2: Do ibs?

1249
01:02:18,520 --> 01:02:20,400
Speaker 4: Ibs two? I can eat eggs?

1250
01:02:21,320 --> 01:02:21,720
Speaker 2: Mmmm.

1251
01:02:22,880 --> 01:02:28,040
Speaker 1: Well, well, thanks for coming, Johnny, Thanks for being here, Johnny.

1252
01:02:28,160 --> 01:02:29,520
Speaker 4: Well, thanks for having me.

1253
01:02:29,840 --> 01:02:33,320
Speaker 1: Rate us on iTunes and like us on the forums

1254
01:02:33,320 --> 01:02:33,640
Speaker 1: and the.

1255
01:02:33,760 --> 01:02:38,080
Speaker 2: Subscribe like our Facebook page, talk to us, Yeah, subscribe.

1256
01:02:37,480 --> 01:02:40,880
Speaker 1: Yeah, thank you. Now said that this whole time.

1257
01:02:40,720 --> 01:02:43,480
Speaker 2: Please subscribe on iTunes. That might be why we're not

1258
01:02:43,600 --> 01:02:45,640
Speaker 2: doing the subscription numbers that we need.

1259
01:02:45,760 --> 01:02:46,800
Speaker 1: Google how to do it.

1260
01:02:46,960 --> 01:02:49,560
Speaker 4: I recently started saying, subscribe to Twisting the Wind and

1261
01:02:49,600 --> 01:02:50,160
Speaker 4: it helps.

1262
01:02:50,920 --> 01:02:53,200
Speaker 2: Okay, well, subscribe to both while you're on there and

1263
01:02:53,320 --> 01:02:57,240
Speaker 2: doing the one, do the oh and then sorry, one

1264
01:02:57,280 --> 01:03:02,560
Speaker 2: more thing? Uh we Rob Campbell gave a hundred bucks

1265
01:03:02,600 --> 01:03:09,240
Speaker 2: to Earwolfwe he fucking do? Rob Campbell from Milwaukee, Oregon, which,

1266
01:03:09,280 --> 01:03:13,520
Speaker 2: first of all, Milwaukee's in Wisconsin, stupid give one hundred

1267
01:03:13,520 --> 01:03:16,280
Speaker 2: bucks to Earwolf and wants a fucking prize.

1268
01:03:18,040 --> 01:03:20,840
Speaker 1: Here. The guy who bought the pro version this week

1269
01:03:20,960 --> 01:03:22,480
Speaker 1: is a newbie by nature.

1270
01:03:23,160 --> 01:03:24,840
Speaker 4: Does he have a question for me, I'm ready.

1271
01:03:25,080 --> 01:03:28,880
Speaker 1: No, he bought the pro version of the podcast, and

1272
01:03:29,240 --> 01:03:31,880
Speaker 1: I guess he can get I guess the gum money.

1273
01:03:32,840 --> 01:03:35,040
Speaker 2: Yeah, so the gum money is not going to engineer

1274
01:03:35,120 --> 01:03:38,280
Speaker 2: Sam anymore, especially after this stunt he just pulled, and

1275
01:03:38,520 --> 01:03:40,480
Speaker 2: it's going to go to Newby by Nature instead.

1276
01:03:40,800 --> 01:03:42,440
Speaker 4: What does that mean the pro version?

1277
01:03:43,520 --> 01:03:47,640
Speaker 1: Well, by the pro version they get extra.

1278
01:03:48,600 --> 01:03:52,439
Speaker 2: Goodies and yes, they get a prize and yeah, so yeah,

1279
01:03:52,480 --> 01:03:54,560
Speaker 2: you get the pro version. You know, it's a little

1280
01:03:54,560 --> 01:03:55,760
Speaker 2: more expensive.

1281
01:03:55,440 --> 01:03:57,840
Speaker 4: Like IMDb pro Oh did they do that?

1282
01:03:58,520 --> 01:04:02,480
Speaker 1: Yeah, and they get to hear sometimes, I guess a

1283
01:04:02,520 --> 01:04:04,919
Speaker 1: famous person say their name if you just want to say,

1284
01:04:04,960 --> 01:04:07,240
Speaker 1: like Nuby by Nature. If you just say it gives

1285
01:04:07,240 --> 01:04:10,160
Speaker 1: them a feeling when you just like when they hear

1286
01:04:10,280 --> 01:04:11,760
Speaker 1: somebody like you say their name.

1287
01:04:12,160 --> 01:04:16,480
Speaker 4: Here we go. I'm a voiceover artist primarily, so this

1288
01:04:16,600 --> 01:04:21,200
Speaker 4: is no problem. Nuby by Nature.

1289
01:04:21,520 --> 01:04:23,680
Speaker 2: And so okay, yeah, that really shook me.

1290
01:04:24,000 --> 01:04:25,600
Speaker 4: I can of do a thing, actually, if you want to,

1291
01:04:25,640 --> 01:04:28,400
Speaker 4: I can just say anything. I can inflect any part

1292
01:04:28,440 --> 01:04:29,480
Speaker 4: any word in a sentence, so.

1293
01:04:29,480 --> 01:04:31,560
Speaker 1: I could do to mean different things.

1294
01:04:31,640 --> 01:04:34,000
Speaker 4: Yeah, yeah, sen Nubie by Nature's three words. I can

1295
01:04:34,040 --> 01:04:39,120
Speaker 4: go Nubie by Nature, Nubi by Nature, Nube by Nature.

1296
01:04:39,440 --> 01:04:42,240
Speaker 4: See those are It's all different.

1297
01:04:41,960 --> 01:04:42,720
Speaker 2: All three of them.

1298
01:04:42,840 --> 01:04:48,720
Speaker 1: Yeah, yeah bye.

1299
01:04:52,840 --> 01:04:55,840
Speaker 6: This has been an Earwolf Media production. Executive producers Jeff

1300
01:04:55,880 --> 01:05:08,200
Speaker 6: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1301
01:05:00,200 --> 01:05:00,280
Speaker 2: H.

1302
01:05:03,600 --> 01:05:14,240
Speaker 1: Ear warf Radio Boom dot com The Worf Dead