WEBVTT - BONUS EP*More Conversations About Drake's Lawsuit

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealer's podcast with your hosts now fuck that with your

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<v Speaker 1>low glasses malone heat dog, what's happening? I was worried

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<v Speaker 1>about you, dog. I ain't know if you just pulling up.

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<v Speaker 2>Of course I'm pulling up.

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<v Speaker 3>If you ain't steal your name is not norm Steel.

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<v Speaker 4>I had to pull I had to rearrange, uh, the

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<v Speaker 4>inn apartment studio because.

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<v Speaker 3>Well, move some shit around. So now we've got a

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<v Speaker 3>whole new layout. Tell me about it. Would you have

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<v Speaker 3>to move around?

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<v Speaker 4>Well, frankly, I just realized after six months of residence

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<v Speaker 4>that downstairs, at the bottom of the parking structure there's

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<v Speaker 4>like an enclosed, secure place.

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<v Speaker 2>To keep a bicycle.

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<v Speaker 4>So rather than my bike taking up a bunch of

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<v Speaker 4>and serving to hold up one half of my echo

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<v Speaker 4>proof chamber that concocted here, I took it downstairs to

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<v Speaker 4>clear ups of flour space.

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<v Speaker 2>And then I had to move this into a corner spots.

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<v Speaker 4>A wall and a chair could hold up the thing,

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<v Speaker 4>so it's not super echoey.

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<v Speaker 3>And that thought.

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<v Speaker 2>Here we are, but we got the Mini mark so

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<v Speaker 2>we're rolling.

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<v Speaker 1>So you got the Martinez the Mini Martina is exactly.

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<v Speaker 1>I really like that masking approach to a Martini, the

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<v Speaker 1>Martinez with this a little twists on it. Oh yeah,

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<v Speaker 1>it's I need to get that Joey induced to make

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<v Speaker 1>sure they make a Martina is Son so they can

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<v Speaker 1>we can make a Martinez drink.

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<v Speaker 4>Now you're talking, we could really do the La version

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<v Speaker 4>of the cafe and oil with the cinnamon. It's like,

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<v Speaker 4>really like put an La stamp on it, just like

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<v Speaker 4>how just east side the fuck out of it?

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<v Speaker 3>Did you read that lawsuit? I know it was eighty

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<v Speaker 3>one thing.

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<v Speaker 4>I'm not reading an eighty page lawsuit about Drake's his complaint.

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<v Speaker 1>You know what, it's not really about the complaint. That's

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<v Speaker 1>not why I wanted you to read it. I think

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<v Speaker 1>see your mind would have been able to see what

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<v Speaker 1>I'm saying. So now I'm stuck by myself thinking about it.

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<v Speaker 1>What are we talking about here this day? Well, I

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<v Speaker 1>thought about it a lot, right, and I'm like, I'm

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<v Speaker 1>looking at it and it's most likely not a great

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<v Speaker 1>chance for him to particularly win this lawsuit, right, the

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<v Speaker 1>lyrics are really hitting. Well, it's a battle I think

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<v Speaker 1>common sense would prevail. But I thought about, like what

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<v Speaker 1>happens if he was to win it, Like, how does

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<v Speaker 1>the label have to react at that point when it

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<v Speaker 1>comes to lyrics and records?

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<v Speaker 3>You know what I'm saying, Like.

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<v Speaker 1>Do they start to scrub all of the records? You

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<v Speaker 1>get what I'm saying. It's almost like this could single

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<v Speaker 1>handedly ruin hip hop.

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<v Speaker 4>Potentially it does create a civiliability for that. It could

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<v Speaker 4>also decentralize it a lot. I don't think that it

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<v Speaker 4>And also like even with that, like there's enough precedent

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<v Speaker 4>to where the Supreme Court was very generous in its

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<v Speaker 4>assessment of public figures and how you're able to talk

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<v Speaker 4>about them satirically or whatever else.

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<v Speaker 2>And I haven't seen a whole lot of viable.

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<v Speaker 4>Cases where like where I don't mean just somebody said

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<v Speaker 4>some stuff and like nothing happened, or a kind of

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<v Speaker 4>thing happened, but where there was actually like a person

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<v Speaker 4>that was shot for sure and claimed that, oh, this

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<v Speaker 4>is the result of political rhetoric. Steve Scalise comes to mind,

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<v Speaker 4>the Lady from Arizona so many years ago. It's not

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<v Speaker 4>something I've seen the courts be willing to take up.

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<v Speaker 4>I think, if anything, it's a matter of do you

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<v Speaker 4>really want to open up discovery into this weird theoretical

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<v Speaker 4>manufacturing of consent model that's being used here. This pick

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<v Speaker 4>kind of likes to say, oh, you don't really know

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<v Speaker 4>what you like. We're picking winners and losers for you

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<v Speaker 4>and telling you what you like. Kind of thing which

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<v Speaker 4>we throw into credibility. You know a lot of music

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<v Speaker 4>stardom to some degree.

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<v Speaker 1>Yeah, I mean, I think the legal proceedings is one thing.

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<v Speaker 1>No Senters Live Lunch hour every Monday, Wednesday and Friday

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<v Speaker 1>at noon Pacific Standard time right here on Digital Soapbox.

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<v Speaker 3>Do me as soilid.

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<v Speaker 1>tagging a couple partners and all that good stuff.

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<v Speaker 3>It's time to go in. We do this stream to

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<v Speaker 3>support the No Sellans podcast. It releases every Tuesday. It's

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<v Speaker 3>the fourth season.

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<v Speaker 5>Below.

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<v Speaker 1>We have a really great conversation dropping tomorrow. It's The

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<v Speaker 1>link is below. You can listen to the No Sellings

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<v Speaker 1>podcast on Apple Podcasts, iHeart Podcasts, or anywhere you get

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<v Speaker 1>your podcasts. No Sellings Podcasts Executive produced by Charlottagne da God.

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<v Speaker 6>Black Effect podcast Network and iHeartRadio. There you go that

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<v Speaker 6>part right there. Shout out to everybody at the lunch table. Already,

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<v Speaker 6>what Upduce Baltimore? Fact, what's hadding?

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<v Speaker 3>Happy? See day?

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<v Speaker 7>Jay?

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<v Speaker 3>What's the deal?

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<v Speaker 1>Sporading much love, Brody, Glad to see you at the

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<v Speaker 1>lunch all in brand, squish, what's heaving to thank you

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<v Speaker 1>for moderating, Appreciate that a lot. I ain't a football guy,

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<v Speaker 1>so shout out to the name brand. He was saying,

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<v Speaker 1>the Eagles and the Rams. I'm not a football guy.

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<v Speaker 1>I'm a basketball guy. So all of our stuff been

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<v Speaker 1>ruined for a while with the Lakers. You know, they

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<v Speaker 1>making their money. So I ain't got no complaints.

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<v Speaker 3>What was your weekend like mine?

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<v Speaker 6>Yeah, and field real goods lay all the whole time.

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<v Speaker 2>I went to the gym, cook some food.

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<v Speaker 5>That was it.

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<v Speaker 1>I just I really spent a lot of time. I

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<v Speaker 1>came to the studio every day. One day I didn't

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<v Speaker 1>want to come, but I came anyway. But I was

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<v Speaker 1>just thinking about this when I was reading that lawsuit.

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<v Speaker 1>And again, like I said, it was a It was

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<v Speaker 1>a lot of pages. You didn't have to read a

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<v Speaker 1>lot of rhetoric, just simple things. But I just thought about, like, damn,

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<v Speaker 1>like even from the beginning of it, how it's framed.

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<v Speaker 1>This frame it's framed as to say, like the reason

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<v Speaker 1>like violence is happening to him is because of this song.

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<v Speaker 1>And I just thought that was so disingenuous. Like you know,

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<v Speaker 1>I spend a lot of time on Twitter. I spent

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<v Speaker 1>a lot of time on Twitter just really thinking and

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<v Speaker 1>reading you know what I'm saying, Like I I'm always enjoying,

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<v Speaker 1>you know what I mean, different people's thoughts, So a

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<v Speaker 1>lot of times I laugh at different thoughts. But just

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<v Speaker 1>reading through that lawsuit man, like how it starts, bro,

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<v Speaker 1>It's like the craziest thing I ever saw in my

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<v Speaker 1>life from a hip hop perspective, you know what I mean,

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<v Speaker 1>and rap or anything that has to do with it.

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<v Speaker 3>And it just blew me away. Dog, that somebody could

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<v Speaker 3>be that disingenuous.

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<v Speaker 1>Like every time I spend like when I go on Twitter,

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<v Speaker 1>when I go to these spaces to have conversations, when

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<v Speaker 1>I go do podcasts, radio shows, any of that. I'm

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<v Speaker 1>always always speaking in good faith. When I talk to

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<v Speaker 1>my friends, I always speak in good faith, like I

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<v Speaker 1>always conduct myself Like I got some sense and to

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<v Speaker 1>watch somebody say right, to watch somebody say like, oh,

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<v Speaker 1>this is why this is happening, Like that's what I

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<v Speaker 1>say that if you would have opened it up. The

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<v Speaker 1>lawsuit opens up with in the middle of the night.

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<v Speaker 1>On May seven, twenty twenty four, and other reviews of slings, Yes,

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<v Speaker 1>an our group of assailants drove to Toronto to the

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<v Speaker 1>Toronto house in which Drake and his family resided. Drake

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<v Speaker 1>was inside. The car stopped in front of the residents.

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<v Speaker 1>Someone yelled, fucked Drake, and at least one gunman began

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<v Speaker 1>to open fire. One bullet went through the security gate

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<v Speaker 1>and hit Drake's front door. Another bullet struck and wounded

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<v Speaker 1>a security guard was also one of Drake's friends.

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<v Speaker 3>While the car drove away, Drake.

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<v Speaker 1>And others in the house someing help for the security

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<v Speaker 1>guard and did everything possible to keep him alive. During

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<v Speaker 1>the nearly thirty minutes it took for the ambulance to arrive,

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<v Speaker 1>Drake and others labored to keep the man alive by

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<v Speaker 1>applying pressure to the gunshot.

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<v Speaker 3>Wound with tiles. Love was everywhere.

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<v Speaker 1>After the security guard arrived at the hospital, surgeons worked

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<v Speaker 1>quickly to remove the bullet stopped the bleeding and saved

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<v Speaker 1>his life, though it took days for his condition to stabilize.

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<v Speaker 3>Thankfully, the security guard survived.

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<v Speaker 1>The very next day, May twenty twenty four, a different

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<v Speaker 1>intruder used his bare hands to dig a hole under

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<v Speaker 1>security fence surrounding Drake's Toronto house. He managed to dig

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<v Speaker 1>deep enough to squeeze through and enter Drake's property. Fortunately,

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<v Speaker 1>Drake's home security guards caught him before he was able

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<v Speaker 1>to cause any physical harm, although the trespasser managed to

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<v Speaker 1>yield racist slurs and threats against Drake before being escorted

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<v Speaker 1>off the property.

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<v Speaker 2>What were the racist slurs?

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<v Speaker 4>I'm curious, were they sure anti Semitic tropes or were

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<v Speaker 4>they anti black racial slurs? And no, I'm fascinated in

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<v Speaker 4>part also by the difference between a slur and a

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<v Speaker 4>trope depending on the target recipient.

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<v Speaker 1>Right then, it says on May ninth, twenty twenty four.

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<v Speaker 1>The very next day, another break in attempt happened. In

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<v Speaker 1>the two decades leading up to the May of twenty

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<v Speaker 1>twenty four, although Drake was constantly in the public eye,

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<v Speaker 1>nothing remotely like these events had ever happened to him

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<v Speaker 1>or his family. But these events were not coincidental. They

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<v Speaker 1>immediately followed and were approximately caused by UMG's actions leading

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<v Speaker 1>up to and on May fourth, twenty twenty four. UMG

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<v Speaker 1>is the world's largest music company and also the music

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<v Speaker 1>company that has represented Drake for more than a decade.

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<v Speaker 1>Yet on May fourth of twenty twenty four, UMG approved

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<v Speaker 1>published and launched a campaign to create a viral hit

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<v Speaker 1>out of a rap track, out of a rap track

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<v Speaker 1>that falsely accuses Drake of being a pedophile and cost

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<v Speaker 1>for violent retribution against him.

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<v Speaker 5>Bro.

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<v Speaker 1>They are saying this song, not like us, caused his

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<v Speaker 1>house to be shot up.

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<v Speaker 5>That's crazy.

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<v Speaker 4>This is why the first question I had for you

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<v Speaker 4>when I read the first paragraph.

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<v Speaker 2>Wasn't a joke.

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<v Speaker 4>This is I don't see how this doesn't get thrown

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<v Speaker 4>out based off of the actions damage has occurred in

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<v Speaker 4>the jurisdiction of the Canadian courts.

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<v Speaker 2>He's suing in the US courts.

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<v Speaker 1>I mean, minus the possibilities of him winning the lawsuit. Right,

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<v Speaker 1>the sheer audacity of this motherfucker to act like.

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<v Speaker 3>This song is why his house got shot up.

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<v Speaker 5>That's crazy. Why do you think.

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<v Speaker 1>We all in the streets know why his house got

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<v Speaker 1>shot up. He knows why his house got shot up.

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<v Speaker 1>I'm not these other YouTubers or streamers, so I'm not

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<v Speaker 1>gonna talk about street business on this thing.

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<v Speaker 3>Butte he knows why. He knows why.

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<v Speaker 1>It's like out there, if you look, you could put

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<v Speaker 1>it together real fast, right. But it's it's so disingenuous,

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<v Speaker 1>you know what I'm saying. It's so disingenuous for him

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<v Speaker 1>to act like this song caused that.

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<v Speaker 3>Type of confusion.

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<v Speaker 1>And you know, I don't mind going back and forth

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<v Speaker 1>with people on Twitter, you know, every now and then,

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<v Speaker 1>I'll take my time and really just get into somebody's

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<v Speaker 1>you know, debate or conversation. I'll allow that space with them.

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<v Speaker 1>You know, I'll have the human experience with most people

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<v Speaker 1>as a human. But I whenever I see things that

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<v Speaker 1>are disingenuous, they immediately rub my spirit in a very

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<v Speaker 1>awful way. It's in a very awful way, like it

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<v Speaker 1>bothers me, Pete in a way that's not normal, you

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<v Speaker 1>know what I'm saying.

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<v Speaker 3>So it's like.

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<v Speaker 1>People keep talking about the depth of this lawsuits about

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<v Speaker 1>how they marketed this song or they marketed it incorrectly

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<v Speaker 1>and illegally, and it's not it's about this song causing

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<v Speaker 1>him damage. And he's saying the person who you know,

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<v Speaker 1>the company that marketed this song, should have went in

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<v Speaker 1>and edited the song.

0:14:19.560 --> 0:14:25.080
<v Speaker 3>That shit is just cowardly, because that shit is just cowardly.

0:14:27.400 --> 0:14:34.880
<v Speaker 1>That's chicken shit from a chicken shit ass motherfucker. You

0:14:34.920 --> 0:14:37.520
<v Speaker 1>put out your records, you do all of this shit,

0:14:37.800 --> 0:14:41.200
<v Speaker 1>you compete all the shit you've been doing, you feel me,

0:14:41.680 --> 0:14:45.440
<v Speaker 1>and then you take a cowards route. I don't know

0:14:45.480 --> 0:14:50.320
<v Speaker 1>how any fucking man or any human being reads that.

0:14:50.520 --> 0:14:53.200
<v Speaker 1>I don't care who you are a fan of, bro,

0:14:53.880 --> 0:14:55.560
<v Speaker 1>I don't care who you're a fan of.

0:14:58.160 --> 0:15:04.320
<v Speaker 3>You know this is chicken shit, and just reading.

0:15:04.000 --> 0:15:08.840
<v Speaker 1>Your dog is like the most saddest, disingenuous, dishonest thing

0:15:08.920 --> 0:15:12.040
<v Speaker 1>I've ever saw in mine. I've never saw nothing like this,

0:15:13.160 --> 0:15:15.920
<v Speaker 1>not alone in this space that we call hip hop

0:15:16.040 --> 0:15:17.280
<v Speaker 1>or even rap music.

0:15:18.960 --> 0:15:20.960
<v Speaker 5>What's your thoughts on people saying.

0:15:22.560 --> 0:15:25.320
<v Speaker 7>That this is this is not him, this is I'm

0:15:25.320 --> 0:15:27.720
<v Speaker 7>trying to stick it to the man, you know what

0:15:27.760 --> 0:15:28.200
<v Speaker 7>I'm saying.

0:15:28.640 --> 0:15:30.080
<v Speaker 5>What's your thoughts on that? Right there?

0:15:31.680 --> 0:15:34.640
<v Speaker 1>Then there's a million reasons to stick it to the man.

0:15:35.800 --> 0:15:38.360
<v Speaker 1>Why are you sticking it to the man based off

0:15:38.440 --> 0:15:42.040
<v Speaker 1>a song where you're dissing somebody in there dissing you.

0:15:42.840 --> 0:15:48.840
<v Speaker 3>Yeah, that's a disingenuous take.

0:15:50.640 --> 0:15:53.040
<v Speaker 1>Him suing you, Like, do you know the type of

0:15:53.120 --> 0:15:55.480
<v Speaker 1>damage that could cause to a hip hop artist like

0:15:55.600 --> 0:15:58.920
<v Speaker 1>me or any hip hop artist like to where now

0:15:58.960 --> 0:16:02.160
<v Speaker 1>they have to send to everything you're saying not.

0:16:02.320 --> 0:16:03.080
<v Speaker 3>Just a battle.

0:16:03.360 --> 0:16:06.240
<v Speaker 1>Like if it's possible for somebody to see a record

0:16:06.240 --> 0:16:11.760
<v Speaker 1>company because an artist says something about you, why you

0:16:11.840 --> 0:16:16.080
<v Speaker 1>feel me? That's permanent damage to this specific thing.

0:16:16.440 --> 0:16:19.920
<v Speaker 3>Why would a why would a billion dollar company invest

0:16:20.720 --> 0:16:23.040
<v Speaker 3>into somebody that they can get pseudo?

0:16:24.000 --> 0:16:29.960
<v Speaker 1>Mm hmm sure, And it's just it's just punk ass

0:16:30.160 --> 0:16:30.800
<v Speaker 1>punk shit.

0:16:33.920 --> 0:16:40.080
<v Speaker 4>This actually is the closest thing I've seen, or not

0:16:40.160 --> 0:16:41.000
<v Speaker 4>the close thing I've seen.

0:16:41.680 --> 0:16:44.240
<v Speaker 2>This structurally.

0:16:46.520 --> 0:16:49.480
<v Speaker 4>Is the most similar I would I could say in

0:16:49.520 --> 0:16:57.480
<v Speaker 4>this regard to when Ozzy Osbourne got sued for liability

0:16:57.480 --> 0:16:59.479
<v Speaker 4>on a couple of teenager suicides.

0:17:00.120 --> 0:17:02.560
<v Speaker 2>But they sued him, not the distributor.

0:17:03.360 --> 0:17:08.520
<v Speaker 4>But you're still talking about lyrical influence of audience action.

0:17:11.040 --> 0:17:14.360
<v Speaker 2>In that sense, you know, no.

0:17:14.160 --> 0:17:21.440
<v Speaker 1>What even that's a little different. That's some punk shit too.

0:17:22.359 --> 0:17:26.480
<v Speaker 1>But bro, you're suing the record company because they didn't

0:17:26.960 --> 0:17:31.119
<v Speaker 1>edit a record where you're competing with another artist in

0:17:31.240 --> 0:17:31.760
<v Speaker 1>hip hop.

0:17:32.320 --> 0:17:35.800
<v Speaker 7>Yeah, you said the realist pot though, what they're saying

0:17:35.840 --> 0:17:42.720
<v Speaker 7>that this should go open the floodgates up, man.

0:17:40.920 --> 0:17:43.800
<v Speaker 1>And why would you invest and why would you invest

0:17:44.560 --> 0:17:48.320
<v Speaker 1>in the artistic merits of this culture if you could

0:17:48.359 --> 0:17:50.800
<v Speaker 1>be sued for what somebody says artistically?

0:17:51.440 --> 0:17:53.680
<v Speaker 2>Yeah, what will ultimately happen?

0:17:53.720 --> 0:17:55.800
<v Speaker 4>I would guess with this, like, let's say hypothetically it

0:17:55.880 --> 0:17:59.240
<v Speaker 4>really gains a lot of traction, You'll probably see something

0:17:59.280 --> 0:18:01.200
<v Speaker 4>happen really shortly thereafter.

0:18:01.280 --> 0:18:02.440
<v Speaker 2>That's very similar to.

0:18:04.200 --> 0:18:05.800
<v Speaker 4>God, I forgot the name of the law, the law

0:18:05.840 --> 0:18:10.280
<v Speaker 4>that protects social media companies from anything that's transmitted over

0:18:10.320 --> 0:18:13.439
<v Speaker 4>their platform message wise, it kind of holds them not

0:18:13.560 --> 0:18:16.760
<v Speaker 4>responsible the same way like AT and T is not

0:18:16.800 --> 0:18:20.320
<v Speaker 4>responsible for any phone conversations that happens over the course

0:18:20.359 --> 0:18:20.880
<v Speaker 4>of their.

0:18:23.240 --> 0:18:24.240
<v Speaker 2>You know, infrastructure.

0:18:24.800 --> 0:18:25.440
<v Speaker 3>In that sense.

0:18:27.359 --> 0:18:31.320
<v Speaker 5>You got to bring the other up though too, this

0:18:31.400 --> 0:18:33.280
<v Speaker 5>shit about the show in Australia.

0:18:35.200 --> 0:18:37.640
<v Speaker 1>So I don't I hope that's not true. I don't

0:18:37.680 --> 0:18:43.960
<v Speaker 1>want to believe that because what it might be true. Bro,

0:18:44.280 --> 0:18:47.600
<v Speaker 1>it might be true because even for this lawsuit to

0:18:47.720 --> 0:18:53.959
<v Speaker 1>be like again, shout out to ALLUZ fans who really

0:18:54.119 --> 0:18:56.919
<v Speaker 1>just think this is about Payola, or think this is

0:18:56.960 --> 0:18:59.280
<v Speaker 1>about him trying to get out of a record deal.

0:18:59.840 --> 0:19:02.879
<v Speaker 1>You know what I mean, Like I totally get the

0:19:03.040 --> 0:19:05.680
<v Speaker 1>gist of it. But bro, you need to read the lawsuit.

0:19:07.240 --> 0:19:13.439
<v Speaker 1>You will realize real fast. That's a paragraph. It's not

0:19:13.600 --> 0:19:17.600
<v Speaker 1>about people talking about lawyers. Shout out to P.

0:19:18.520 --> 0:19:23.920
<v Speaker 3>He said one that assumes micro management.

0:19:24.040 --> 0:19:26.399
<v Speaker 1>The lawyer's job is to try to win, so they

0:19:26.440 --> 0:19:28.400
<v Speaker 1>are going to write everything in a way to show

0:19:28.440 --> 0:19:32.920
<v Speaker 1>their client's best case. P. That's disingenuous and it's cowardly,

0:19:35.119 --> 0:19:36.359
<v Speaker 1>it's irresponsible.

0:19:36.800 --> 0:19:39.000
<v Speaker 3>Like one thing you.

0:19:38.960 --> 0:19:40.480
<v Speaker 2>Got might be but it's a fact.

0:19:41.840 --> 0:19:44.600
<v Speaker 4>See who it might be those things, but it is

0:19:44.640 --> 0:19:46.679
<v Speaker 4>a fact of how that game works.

0:19:47.280 --> 0:19:49.960
<v Speaker 1>But again, it's not about the game, right. It's like,

0:19:51.119 --> 0:19:53.480
<v Speaker 1>I understand how chicken shit you could be to win

0:19:53.520 --> 0:19:57.200
<v Speaker 1>a game, but this is supposed to be the ultimate

0:19:57.280 --> 0:20:03.440
<v Speaker 1>game of masculinity, and accountability comes in that space, if

0:20:03.480 --> 0:20:06.520
<v Speaker 1>that makes sense, Like Pete, Like, it's one thing if

0:20:06.560 --> 0:20:09.440
<v Speaker 1>you see somebody because they kick your ass. It's another

0:20:09.520 --> 0:20:11.679
<v Speaker 1>thing if you get into a fight with somebody and

0:20:11.680 --> 0:20:13.600
<v Speaker 1>they kick your ass after you hit him and you

0:20:13.680 --> 0:20:16.840
<v Speaker 1>saw him, Like, I couldn't really respect a man that

0:20:16.960 --> 0:20:17.400
<v Speaker 1>does that.

0:20:18.960 --> 0:20:20.280
<v Speaker 2>Sure, I get that.

0:20:21.240 --> 0:20:23.359
<v Speaker 1>I could see if it's something that he has nothing

0:20:23.359 --> 0:20:27.000
<v Speaker 1>to do with and it's happening to him. So I

0:20:27.040 --> 0:20:29.040
<v Speaker 1>don't think this. I hope this is not real, but

0:20:29.119 --> 0:20:32.399
<v Speaker 1>this would probably fit. So the security firm that does

0:20:33.160 --> 0:20:39.119
<v Speaker 1>all of his security things, and for Australia it's called

0:20:39.560 --> 0:20:43.960
<v Speaker 1>CVEM Security Group. It was supposed to be a message

0:20:44.000 --> 0:20:46.199
<v Speaker 1>that lead and it's not a regular message.

0:20:46.600 --> 0:20:46.960
<v Speaker 3>It said.

0:20:47.000 --> 0:20:51.119
<v Speaker 1>Please note the artist also has additional restrictions on items

0:20:51.119 --> 0:20:53.480
<v Speaker 1>that can be bought and used in the arenas, such

0:20:53.520 --> 0:20:59.120
<v Speaker 1>as PG LANG merchandise, clothing, hats, or any items associated

0:20:59.119 --> 0:21:04.119
<v Speaker 1>with Kendrick Lamar brands inclusive. If any merch acquired during

0:21:04.240 --> 0:21:09.160
<v Speaker 1>Kendrick Lamar's previous tours is a no go. Please view

0:21:09.240 --> 0:21:12.400
<v Speaker 1>the next page displaying some of the merchandise mentioned.

0:21:15.359 --> 0:21:16.840
<v Speaker 3>Signing Screaming policy.

0:21:17.400 --> 0:21:21.000
<v Speaker 1>All signs must be checked by venue staff at entry points.

0:21:23.880 --> 0:21:31.560
<v Speaker 1>Any signs containing offensive language, derogatory, this shit is really small.

0:21:31.960 --> 0:21:35.200
<v Speaker 1>Derogatory remarks or dis is towards Drake or his teens

0:21:35.200 --> 0:21:40.320
<v Speaker 1>will be confiscated immediately. This includes, but is not limited to,

0:21:40.440 --> 0:21:46.000
<v Speaker 1>phrases like not like us or any other negative references

0:21:46.040 --> 0:21:53.000
<v Speaker 1>to Drake's music, image or associates. Moreover, any of that

0:21:53.080 --> 0:21:59.280
<v Speaker 1>promote any other artists or brands PG Lang or Dreamville

0:21:59.680 --> 0:22:07.199
<v Speaker 1>can yes containing political or controversial statements unrelated to the event,

0:22:08.160 --> 0:22:14.159
<v Speaker 1>include memes or Droke or jokes. At Drake's expense. You

0:22:14.200 --> 0:22:17.800
<v Speaker 1>are encouraged to arrive with a less It's best practice. However,

0:22:18.240 --> 0:22:22.119
<v Speaker 1>if you have items cloak, they can be cloak for

0:22:22.119 --> 0:22:26.000
<v Speaker 1>a ten dollars feet with all proceeds going directly to

0:22:26.040 --> 0:22:29.359
<v Speaker 1>one of our chosen charity partners, like the.

0:22:29.400 --> 0:22:30.320
<v Speaker 2>Drake Legal Fund.

0:22:32.200 --> 0:22:34.680
<v Speaker 4>I'm not a big fan of Australia, so I think

0:22:34.720 --> 0:22:40.000
<v Speaker 4>that not like US a US is a great concept

0:22:40.440 --> 0:22:40.720
<v Speaker 4>for me.

0:22:43.200 --> 0:22:48.040
<v Speaker 3>Bro, this is crazy, man, this seems real.

0:22:48.160 --> 0:22:50.960
<v Speaker 5>Bro. I can't be real man.

0:22:54.160 --> 0:22:57.359
<v Speaker 1>Doing this whole thing. Bro, I never said nothing bad

0:22:57.440 --> 0:23:04.280
<v Speaker 1>about Cuz. Like, I'm getting there, Bro, I'm getting there.

0:23:04.400 --> 0:23:09.119
<v Speaker 1>Like I'm getting there. I'm getting there. I can't lie

0:23:09.200 --> 0:23:12.600
<v Speaker 1>to getting there. Bro, Like I'm getting there. It's gonna

0:23:12.640 --> 0:23:13.080
<v Speaker 1>go bad.

0:23:13.160 --> 0:23:13.360
<v Speaker 3>Bro.

0:23:14.400 --> 0:23:18.199
<v Speaker 4>Like, the question is do you have it in you

0:23:19.640 --> 0:23:24.679
<v Speaker 4>to do a sequel track entitled Drake Must Die?

0:23:26.720 --> 0:23:26.960
<v Speaker 5>Man?

0:23:27.119 --> 0:23:32.000
<v Speaker 3>It's coming. You know it's funny, Like it's one thing.

0:23:31.880 --> 0:23:35.159
<v Speaker 1>To laugh at it it's one thing to joke, like,

0:23:35.200 --> 0:23:37.160
<v Speaker 1>you know, we all joke on Twitter, we all joke

0:23:37.200 --> 0:23:39.720
<v Speaker 1>in these social media's, but none of us actually think

0:23:39.800 --> 0:23:42.560
<v Speaker 1>dude is touching for your old girls or five year

0:23:42.560 --> 0:23:45.159
<v Speaker 1>old girls, like you know what I mean, that's not

0:23:45.280 --> 0:23:48.240
<v Speaker 1>the thought, that's not a real thought. So for him

0:23:48.280 --> 0:23:50.600
<v Speaker 1>to parade in front of the legal system, like that's

0:23:50.680 --> 0:23:53.720
<v Speaker 1>really the thought versus him just being embarrassed, it's.

0:23:53.560 --> 0:23:58.560
<v Speaker 2>Crazy unless maybe it.

0:23:58.400 --> 0:24:02.879
<v Speaker 1>Is, yes, but it's it's it's just odd to believe

0:24:02.960 --> 0:24:06.840
<v Speaker 1>somebody could be that successful though dog and be a

0:24:06.880 --> 0:24:14.280
<v Speaker 1>piece of ship, and it's it's just it's just it's

0:24:14.520 --> 0:24:20.359
<v Speaker 1>irritating my soul, like expressed to.

0:24:20.280 --> 0:24:23.240
<v Speaker 2>You, it doesn't.

0:24:23.240 --> 0:24:27.600
<v Speaker 4>I mean, I feel like maybe outside of like the

0:24:27.680 --> 0:24:32.560
<v Speaker 4>real hip hop world, like actors, a lot of singers,

0:24:32.640 --> 0:24:38.680
<v Speaker 4>I mean, these are trite, insecure, low class people. I mean,

0:24:38.760 --> 0:24:43.040
<v Speaker 4>like like like the the Barbour Streys had house phenomenon.

0:24:43.119 --> 0:24:45.399
<v Speaker 4>Somebody posted a picture of the roof of her house

0:24:45.440 --> 0:24:48.160
<v Speaker 4>on the Internet and she sued everybody in the world

0:24:48.640 --> 0:24:50.840
<v Speaker 4>and it and it was like a small amount of

0:24:50.880 --> 0:24:54.120
<v Speaker 4>people had seen the picture and then like the firestorm

0:24:54.160 --> 0:24:55.400
<v Speaker 4>of media blowback.

0:24:55.480 --> 0:24:58.240
<v Speaker 2>They're not blowback, but just coverage that her.

0:25:00.080 --> 0:25:03.439
<v Speaker 4>You know, shotgun spray of lawsuits as a result of

0:25:03.480 --> 0:25:07.000
<v Speaker 4>that led to her house's drone imagery being shown like

0:25:07.400 --> 0:25:09.800
<v Speaker 4>a thousand times greater than whatever there wives have been.

0:25:09.840 --> 0:25:13.560
<v Speaker 4>They're just like I think a lot of those people

0:25:13.560 --> 0:25:16.440
<v Speaker 4>are just kind of like that. Shout out to me

0:25:16.480 --> 0:25:19.160
<v Speaker 4>and me Angel, welcome to the lunch table. They got

0:25:19.200 --> 0:25:22.760
<v Speaker 4>seen you once or twice. Great point.

0:25:23.040 --> 0:25:26.200
<v Speaker 1>This lawsuit will suppress free speech for artists. It will

0:25:26.200 --> 0:25:29.200
<v Speaker 1>set a precedent record, labels will need to vet lyrics

0:25:29.240 --> 0:25:29.960
<v Speaker 1>and cover art.

0:25:30.880 --> 0:25:36.080
<v Speaker 3>It's exactly what I've been thinking. What stops all of this?

0:25:36.880 --> 0:25:41.240
<v Speaker 1>And for people that could support it, man, Like, I

0:25:41.280 --> 0:25:45.000
<v Speaker 1>don't even know what to think about people who support it,

0:25:45.160 --> 0:25:48.800
<v Speaker 1>Like I don't care how much you love one artist, Like,

0:25:49.119 --> 0:25:50.399
<v Speaker 1>how could you support that?

0:25:53.440 --> 0:25:56.440
<v Speaker 3>How can you supported.

0:25:57.000 --> 0:26:02.119
<v Speaker 7>I've seen one thing that said that said this battle

0:26:02.720 --> 0:26:03.840
<v Speaker 7>now now we have to.

0:26:03.960 --> 0:26:04.520
<v Speaker 5>Now we have the.

0:26:04.440 --> 0:26:09.000
<v Speaker 7>Spot where it's basically hip hop culture versus Drake fans.

0:26:09.760 --> 0:26:11.160
<v Speaker 7>You know what I'm saying, because they like the only

0:26:11.200 --> 0:26:14.520
<v Speaker 7>ones who's sitting back and fucking and signing with him

0:26:14.520 --> 0:26:17.280
<v Speaker 7>when it comes to this ship and fucking find some

0:26:17.359 --> 0:26:19.680
<v Speaker 7>type of reason and for for him doing some ship

0:26:19.760 --> 0:26:23.800
<v Speaker 7>like that.

0:26:22.040 --> 0:26:22.760
<v Speaker 5>It's crazy though.

0:26:24.560 --> 0:26:26.520
<v Speaker 4>I think, really this is a battle that comes down

0:26:26.560 --> 0:26:31.440
<v Speaker 4>to and it's the way it's playing out.

0:26:32.560 --> 0:26:33.320
<v Speaker 2>Universal is not.

0:26:33.240 --> 0:26:37.600
<v Speaker 4>Being made to look bad on this mm hmm. In

0:26:37.680 --> 0:26:41.840
<v Speaker 4>the greater scheme. I think it was probably concocted in

0:26:41.920 --> 0:26:47.000
<v Speaker 4>a way. Two there's there's no merit to this. There

0:26:47.000 --> 0:26:48.399
<v Speaker 4>really isn't. There's nothing.

0:26:49.359 --> 0:26:51.760
<v Speaker 1>I don't I don't think for two seconds he has

0:26:51.800 --> 0:26:54.200
<v Speaker 1>a chance to win the case.

0:26:55.080 --> 0:26:58.040
<v Speaker 2>Yeah, I think it was concocted for a settlement.

0:26:59.280 --> 0:27:01.600
<v Speaker 3>I means, yeah, they're not gonna settle.

0:27:02.920 --> 0:27:05.560
<v Speaker 4>It has done Universal any damage. I think the goal

0:27:05.600 --> 0:27:07.960
<v Speaker 4>was we're gonna put this out there. It's gonna do

0:27:08.080 --> 0:27:11.159
<v Speaker 4>potential damage Universal. They're gonna run from it and the

0:27:11.200 --> 0:27:14.440
<v Speaker 4>bad pr They're gonna settle. But it blew back and

0:27:14.520 --> 0:27:17.000
<v Speaker 4>reverse and gave him bad prs. Now they have no

0:27:17.040 --> 0:27:19.120
<v Speaker 4>it's set up to settle. It's just gonna get tossed.

0:27:20.480 --> 0:27:20.679
<v Speaker 5>You know.

0:27:20.760 --> 0:27:21.520
<v Speaker 3>It's funny, man.

0:27:22.600 --> 0:27:25.400
<v Speaker 1>I usually pray for most human beings, bro pretty much

0:27:25.440 --> 0:27:29.560
<v Speaker 1>all of them. This is the first time where I'm thinking, like, yeah,

0:27:29.560 --> 0:27:35.280
<v Speaker 1>whatever happened to him is worthy of happening to him.

0:27:35.440 --> 0:27:36.800
<v Speaker 3>You know what I'm saying, Like, I.

0:27:36.720 --> 0:27:40.359
<v Speaker 1>Know that sounds crazy, but whatever happens to him is

0:27:40.440 --> 0:27:43.159
<v Speaker 1>worthy of happening to him.

0:27:43.320 --> 0:27:45.800
<v Speaker 3>It's cowardly, it's chicken shit.

0:27:46.680 --> 0:27:50.080
<v Speaker 1>It's not about defending his name or his brand, It's

0:27:50.119 --> 0:27:53.600
<v Speaker 1>not about none of that. It's a tantrum by somebody

0:27:53.640 --> 0:27:56.080
<v Speaker 1>that this motherfucking culture has empowered.

0:27:59.040 --> 0:28:02.160
<v Speaker 3>It's a tantrum alive and it's a bunch of shit.

0:28:02.280 --> 0:28:04.639
<v Speaker 1>Like I couldn't when I was talking to Charlemagne and

0:28:04.720 --> 0:28:08.359
<v Speaker 1>Van because I'm asking him, I'm like, how could he

0:28:08.440 --> 0:28:14.159
<v Speaker 1>be this disconnected? Like how could Couz be this disconnected

0:28:14.240 --> 0:28:17.680
<v Speaker 1>to where? It's like, I know what j Prince is saying,

0:28:17.960 --> 0:28:21.600
<v Speaker 1>I know what Birdman is saying, I know what they

0:28:21.680 --> 0:28:23.600
<v Speaker 1>telling him, I know what they saying, don't do this.

0:28:24.840 --> 0:28:27.840
<v Speaker 1>How could you be this disconnected to where it's like

0:28:27.960 --> 0:28:31.920
<v Speaker 1>you could threaten how motherfuckers really do their thing? How

0:28:31.960 --> 0:28:35.119
<v Speaker 1>they make it out of their circumstances because you chose

0:28:35.200 --> 0:28:37.960
<v Speaker 1>to engage into a battle that somebody got the better

0:28:38.040 --> 0:28:38.560
<v Speaker 1>of you on.

0:28:39.400 --> 0:28:41.400
<v Speaker 2>He was never connected in the first place.

0:28:43.440 --> 0:28:46.080
<v Speaker 1>I know I've said it, but it's just like, even

0:28:46.120 --> 0:28:50.280
<v Speaker 1>as a man, bro like, I'm not saying the culture

0:28:50.400 --> 0:28:55.120
<v Speaker 1>or morality we grow up in, Like I'm not saying that.

0:28:55.200 --> 0:28:59.160
<v Speaker 1>I'm telling you, just being a man, it's a standard

0:28:59.200 --> 0:29:01.800
<v Speaker 1>piek for you. I don't think you would sue anybody

0:29:01.840 --> 0:29:04.680
<v Speaker 1>Pete if you if you got into a fight, you

0:29:04.720 --> 0:29:07.000
<v Speaker 1>start fighting and somebody got the better. I don't think

0:29:07.080 --> 0:29:11.000
<v Speaker 1>it's street urban culture that says, hey, you know what

0:29:11.320 --> 0:29:14.240
<v Speaker 1>you need to be a man and be accountable for actions.

0:29:14.440 --> 0:29:18.520
<v Speaker 4>But this is the problem with the slippery slope principles

0:29:18.520 --> 0:29:21.280
<v Speaker 4>that a lot of people have been complaining about for

0:29:21.600 --> 0:29:25.320
<v Speaker 4>twenty thirty years. This is where slim And falls to

0:29:25.480 --> 0:29:29.280
<v Speaker 4>Like I personally, I don't believe in the concept of

0:29:29.280 --> 0:29:30.160
<v Speaker 4>wrongful termination.

0:29:30.520 --> 0:29:32.600
<v Speaker 2>You didn't start the company. If the company doesn't want you there,

0:29:32.880 --> 0:29:33.160
<v Speaker 2>see it.

0:29:33.480 --> 0:29:38.160
<v Speaker 4>I've been wrongfully terminated flagrantly, and I knew its places

0:29:38.200 --> 0:29:39.560
<v Speaker 4>are trying to get rid of me for months.

0:29:40.000 --> 0:29:42.120
<v Speaker 2>They finally had the Stells that con cox some scheme

0:29:42.200 --> 0:29:42.680
<v Speaker 2>to fire me.

0:29:42.720 --> 0:29:44.440
<v Speaker 4>I said, idiots, you could have just told me to

0:29:44.680 --> 0:29:46.160
<v Speaker 4>get the fuck out of here four months ago, and

0:29:46.200 --> 0:29:47.200
<v Speaker 4>that's when you wanted me to leave.

0:29:47.880 --> 0:29:49.520
<v Speaker 2>They' I'm gonna sue you over this shit. I didn't

0:29:49.520 --> 0:29:50.080
<v Speaker 2>start this thing.

0:29:50.920 --> 0:29:57.800
<v Speaker 4>But you know, when you create an expectation that facilitates

0:30:00.280 --> 0:30:05.120
<v Speaker 4>victim compensation, culturally, which is what has happened for a

0:30:05.240 --> 0:30:09.360
<v Speaker 4>third of a century a minimum. This is what people think,

0:30:09.520 --> 0:30:13.000
<v Speaker 4>I've been wronged. I should be compensated for this, whether

0:30:13.240 --> 0:30:15.160
<v Speaker 4>they've been wronged or whether they just think they took

0:30:15.200 --> 0:30:20.240
<v Speaker 4>a loss. Either way on their own books, they think

0:30:20.320 --> 0:30:24.200
<v Speaker 4>somebody owes them something. And I'm telling you, if not

0:30:25.280 --> 0:30:29.400
<v Speaker 4>a near majority, probably a majority of the country views

0:30:29.480 --> 0:30:30.280
<v Speaker 4>the world that way.

0:30:31.360 --> 0:30:33.440
<v Speaker 2>I don't agree with it. Thanks the truth.

0:30:37.240 --> 0:30:41.560
<v Speaker 1>Good shout out to Earn's Maybe he's trying to get

0:30:41.600 --> 0:30:45.360
<v Speaker 1>out of his deal and go independent. If that was

0:30:45.440 --> 0:30:47.960
<v Speaker 1>the case, he could just release the last album of

0:30:48.120 --> 0:30:49.880
<v Speaker 1>his deal and go independent.

0:30:50.880 --> 0:30:52.520
<v Speaker 3>Yeah, it doesn't make sense and move on.

0:30:53.200 --> 0:30:55.400
<v Speaker 1>He has one album left he could have turned into

0:30:55.480 --> 0:30:57.520
<v Speaker 1>party album and then went anywhere.

0:30:59.080 --> 0:31:01.240
<v Speaker 3>This is not going to get him out of his deal.

0:31:01.560 --> 0:31:05.360
<v Speaker 1>Like, why do you guys keep contriving, Like why are

0:31:05.400 --> 0:31:07.680
<v Speaker 1>you contriving this weirdness of an idea.

0:31:07.840 --> 0:31:09.520
<v Speaker 3>That's not how you get out of a deal.

0:31:13.640 --> 0:31:15.400
<v Speaker 2>And he has the money to buy himself out of

0:31:15.440 --> 0:31:17.160
<v Speaker 2>the rest of that deal, Go do it, yo, Gotti.

0:31:17.200 --> 0:31:21.920
<v Speaker 1>Shit, it's not even that don't make sense, And it's

0:31:22.000 --> 0:31:24.360
<v Speaker 1>hard to have this conversation with people not in the

0:31:24.480 --> 0:31:27.520
<v Speaker 1>music business, because so much of it is built on fluff.

0:31:28.160 --> 0:31:30.440
<v Speaker 1>If that was the case, Cauz could just turn in

0:31:30.520 --> 0:31:32.280
<v Speaker 1>the last album and get out of his deal.

0:31:33.480 --> 0:31:35.640
<v Speaker 2>He doesn't owe them a platinum album, he owes them

0:31:35.800 --> 0:31:36.840
<v Speaker 2>twelve socks.

0:31:38.000 --> 0:31:40.920
<v Speaker 3>And he has an album on cue. Don't make sense.

0:31:41.040 --> 0:31:43.360
<v Speaker 1>None of the things, none of the things try to

0:31:43.400 --> 0:31:46.040
<v Speaker 1>forgive me. None of the things people are talking about

0:31:46.560 --> 0:31:50.840
<v Speaker 1>makes sense. None of the things, even the concept of

0:31:51.000 --> 0:31:54.440
<v Speaker 1>lowering his value and brand. Your value and brand is

0:31:54.560 --> 0:31:58.000
<v Speaker 1>all it's all built on exactly how many albums you

0:31:58.080 --> 0:32:00.920
<v Speaker 1>could stream, or how many songs, how many streams you

0:32:00.960 --> 0:32:02.760
<v Speaker 1>can get, how great.

0:32:02.560 --> 0:32:03.320
<v Speaker 3>Can your records be.

0:32:05.000 --> 0:32:08.040
<v Speaker 1>None of this makes sense because it didn't stop his

0:32:08.200 --> 0:32:12.280
<v Speaker 1>last album from streaming. It didn't stop any of these

0:32:12.360 --> 0:32:16.160
<v Speaker 1>things happening. So I don't get how anybody, I guess

0:32:16.200 --> 0:32:19.120
<v Speaker 1>if you ignorant to how the music business works, you

0:32:19.160 --> 0:32:21.360
<v Speaker 1>know what I mean, you wouldn't get it. But being

0:32:21.440 --> 0:32:23.960
<v Speaker 1>on the inside of it and being a part of

0:32:24.000 --> 0:32:27.160
<v Speaker 1>it for over a decade, like none of it makes sense.

0:32:27.320 --> 0:32:31.320
<v Speaker 5>Trapped Yeah, but no, no.

0:32:31.400 --> 0:32:33.280
<v Speaker 7>It makes sense because we don't know Jack what it is.

0:32:33.880 --> 0:32:35.760
<v Speaker 7>He can't foolish from what it is. You can say

0:32:35.800 --> 0:32:39.120
<v Speaker 7>all that shit right there, you're trying to stop the

0:32:39.160 --> 0:32:42.040
<v Speaker 7>super Bowl. Man, he's embarrassed. You know what I'm saying.

0:32:42.640 --> 0:32:45.160
<v Speaker 7>It's fucking you started a fight and now you got

0:32:45.200 --> 0:32:46.400
<v Speaker 7>your ass. We know what I'm saying.

0:32:46.440 --> 0:32:47.280
<v Speaker 5>We all know what it is.

0:32:47.400 --> 0:32:50.280
<v Speaker 7>You know what I'm saying. You can't try to figure

0:32:50.280 --> 0:32:52.680
<v Speaker 7>out what I'm saying if he has some other type

0:32:52.680 --> 0:32:53.600
<v Speaker 7>of shit, you know what I'm saying.

0:32:54.000 --> 0:32:57.080
<v Speaker 5>So that's all it is. Really, You know I was

0:32:57.120 --> 0:32:59.880
<v Speaker 5>gonna say, was this is all in his text of

0:33:00.000 --> 0:33:01.520
<v Speaker 5>this is? This is where he come from? Though?

0:33:02.000 --> 0:33:03.479
<v Speaker 7>Was you in the that thing when we found out

0:33:03.520 --> 0:33:05.920
<v Speaker 7>that the motherfuckers try to suit the fucking TV company?

0:33:06.680 --> 0:33:07.800
<v Speaker 3>I told you all read it to you.

0:33:08.080 --> 0:33:10.680
<v Speaker 7>Yeah, yeah, yeah, he tried to be you heard about

0:33:10.680 --> 0:33:14.280
<v Speaker 7>that ship, Pete. He tried to sue that he was

0:33:14.320 --> 0:33:14.720
<v Speaker 7>on the game.

0:33:16.160 --> 0:33:18.080
<v Speaker 1>So he was a part of the Grassy. It was

0:33:18.120 --> 0:33:22.400
<v Speaker 1>about three years ago, four years ago, and the Grassy

0:33:22.920 --> 0:33:26.719
<v Speaker 1>executive for it, you know what I'm saying. They reported

0:33:26.800 --> 0:33:30.080
<v Speaker 1>on the story three or four years ago. The Grassy

0:33:30.240 --> 0:33:33.560
<v Speaker 1>executives came forward and said that Drake was trying to

0:33:33.760 --> 0:33:39.080
<v Speaker 1>sue them right because they threatened a lawsuit because he

0:33:39.280 --> 0:33:42.680
<v Speaker 1>felt being in a wheelchair. His threat was being in

0:33:42.760 --> 0:33:46.600
<v Speaker 1>a wheelchair actually hurt his chances to be successful in

0:33:46.720 --> 0:33:49.360
<v Speaker 1>hip hop, and he would pull out of the show

0:33:49.440 --> 0:33:51.800
<v Speaker 1>if they didn't get him out of the wheelchair. And

0:33:52.000 --> 0:33:54.960
<v Speaker 1>the executives brought him into the office and they talked

0:33:55.000 --> 0:33:57.760
<v Speaker 1>to him and they said, hey, man, like, what's the problem.

0:33:57.840 --> 0:33:59.720
<v Speaker 1>He said, well, no, we didn't send that, and they're like,

0:33:59.760 --> 0:34:03.080
<v Speaker 1>but this came from your representative. He's like, oh, well,

0:34:03.160 --> 0:34:04.920
<v Speaker 1>you know, we didn't. He said, well, do you have

0:34:05.040 --> 0:34:08.960
<v Speaker 1>a problem with Jimmy being in a wheelchair? And he

0:34:09.160 --> 0:34:12.160
<v Speaker 1>kind of said, yeah, I don't. I don't really like that,

0:34:12.400 --> 0:34:14.080
<v Speaker 1>Like I don't like that. I don't think it's good

0:34:14.120 --> 0:34:16.480
<v Speaker 1>for my brand. And they like, bro, you got shot.

0:34:17.040 --> 0:34:20.000
<v Speaker 1>You're in a wheelchair, Like there's nothing more hip hop

0:34:20.080 --> 0:34:23.080
<v Speaker 1>than that. And it was crazy to listen to these

0:34:23.239 --> 0:34:28.719
<v Speaker 1>executives from this TV show understand exactly how you know

0:34:28.760 --> 0:34:31.160
<v Speaker 1>what I'm saying, Like it still kind of carried the

0:34:31.239 --> 0:34:35.640
<v Speaker 1>same energy of of you know, overcoming something, and he didn't.

0:34:36.000 --> 0:34:37.760
<v Speaker 1>He thought it would be a bad idea.

0:34:38.960 --> 0:34:44.120
<v Speaker 5>Yeah, yeah, well that's what It's just a stango. That's

0:34:44.160 --> 0:34:45.799
<v Speaker 5>what we do what I was saying.

0:34:46.640 --> 0:34:49.279
<v Speaker 4>Then the actor who was in the Wheelchair and Boys

0:34:49.360 --> 0:34:51.400
<v Speaker 4>in the Hoods sue John Singleton, though, isn't it just

0:34:51.480 --> 0:34:52.080
<v Speaker 4>based off of that?

0:34:52.480 --> 0:34:59.640
<v Speaker 3>Finally, I don't know did he? Oh Man, Chris.

0:35:02.200 --> 0:35:05.279
<v Speaker 8>Like, what the fuck? I heard that?

0:35:05.920 --> 0:35:07.840
<v Speaker 5>And that was crazy though, So I just showed me that.

0:35:07.920 --> 0:35:09.719
<v Speaker 5>That's that's what he do. He that's that.

0:35:10.440 --> 0:35:12.520
<v Speaker 7>It's the Jewish side of him right there. Man's I

0:35:12.520 --> 0:35:15.480
<v Speaker 7>don't get my way, I'm a suit. Yeah, that's that's

0:35:15.520 --> 0:35:15.880
<v Speaker 7>what it is.

0:35:17.320 --> 0:35:20.719
<v Speaker 4>That's starting with money side. I mean, like, like, I

0:35:20.840 --> 0:35:26.400
<v Speaker 4>come from lawsuit Heaven. It's not just Jewish people doing that.

0:35:26.480 --> 0:35:29.000
<v Speaker 4>I don't want to knock Jewish people for that. It's

0:35:29.120 --> 0:35:32.440
<v Speaker 4>it's like I told you, like, the worst punch I

0:35:32.560 --> 0:35:35.160
<v Speaker 4>ever seen landed in high school in my life resulted

0:35:35.200 --> 0:35:38.239
<v Speaker 4>in the sixth figure lawsuit because some dude threw his

0:35:38.320 --> 0:35:40.480
<v Speaker 4>books down and stunted at the guy like this, and

0:35:40.520 --> 0:35:43.360
<v Speaker 4>the other guy was like ship and clocked him, and

0:35:43.480 --> 0:35:44.719
<v Speaker 4>the parents sued the other.

0:35:46.600 --> 0:35:47.320
<v Speaker 8>Six figures.

0:35:49.719 --> 0:35:55.120
<v Speaker 3>Jew shout out to the goat, Welcome to the lunch table, Brody,

0:35:55.160 --> 0:35:57.080
<v Speaker 3>I never saw you. Welcome.

0:35:57.840 --> 0:36:00.360
<v Speaker 1>UMG about to block everything he does, he might not

0:36:00.440 --> 0:36:01.960
<v Speaker 1>be able to release the last album.

0:36:02.239 --> 0:36:03.279
<v Speaker 3>One of them did that for.

0:36:04.920 --> 0:36:10.480
<v Speaker 1>Sure that's guaranteed, Like he's not gonna be able to

0:36:10.520 --> 0:36:12.719
<v Speaker 1>release it at this point. I mean, they're gonna give

0:36:12.760 --> 0:36:15.560
<v Speaker 1>him shit. And if they even did let him, they

0:36:15.640 --> 0:36:18.239
<v Speaker 1>for sure wouldn't support it. They're not gonna let him

0:36:18.239 --> 0:36:21.239
<v Speaker 1>release it on another label. They have exclusive rights to

0:36:21.320 --> 0:36:24.480
<v Speaker 1>his music. That's why I'm saying that the business part

0:36:24.560 --> 0:36:27.160
<v Speaker 1>of it that everybody's talking about doesn't make sense.

0:36:28.560 --> 0:36:30.960
<v Speaker 3>And it's hard for me.

0:36:31.360 --> 0:36:31.480
<v Speaker 5>Now.

0:36:31.600 --> 0:36:33.200
<v Speaker 3>Maybe it's the humble beginnings.

0:36:33.640 --> 0:36:35.800
<v Speaker 1>Maybe it's growing up in continent wise, I don't know

0:36:35.920 --> 0:36:39.799
<v Speaker 1>what it is that makes me think nobody's ego could

0:36:39.840 --> 0:36:41.360
<v Speaker 1>be that fractured in big.

0:36:43.200 --> 0:36:47.160
<v Speaker 2>Rategically, Like, look, this clocked my career.

0:36:47.239 --> 0:36:49.200
<v Speaker 4>That was on borrowed time. Anyway, I need to get

0:36:49.239 --> 0:36:51.560
<v Speaker 4>a check on the way out the door. That kind

0:36:51.600 --> 0:36:52.280
<v Speaker 4>of stuff happens.

0:36:52.920 --> 0:36:55.279
<v Speaker 1>But that don't make sense. He wouldn't he wasn't going

0:36:55.400 --> 0:36:57.960
<v Speaker 1>to not be able to make money in the business

0:37:00.080 --> 0:37:02.320
<v Speaker 1>like it wasn't like because he lost the battle, his

0:37:02.440 --> 0:37:05.439
<v Speaker 1>career was over. That's just not how hip hop worked,

0:37:05.480 --> 0:37:08.920
<v Speaker 1>That's not how rap music works. Like jah Ruth still

0:37:09.000 --> 0:37:12.680
<v Speaker 1>had a couple platinum albums and hit singles before you

0:37:12.760 --> 0:37:14.839
<v Speaker 1>know what really caused the end of murder inc we've

0:37:14.880 --> 0:37:17.440
<v Speaker 1>talked about it is when the FEDS came after IRV Gotti.

0:37:17.640 --> 0:37:19.680
<v Speaker 1>If that was truth, and Joah would have got signed

0:37:19.719 --> 0:37:23.080
<v Speaker 1>someplace else. Yeah, but it's more to that, right that

0:37:23.239 --> 0:37:25.920
<v Speaker 1>he was trying to hold out with his men. They

0:37:26.080 --> 0:37:28.720
<v Speaker 1>remember the Feds, they wouldn't do business with IRV Gotti.

0:37:28.800 --> 0:37:32.600
<v Speaker 1>He signed the IRV Gotti so they couldn't do business

0:37:32.680 --> 0:37:34.960
<v Speaker 1>anywhere else. And he just rolled it with his homeboy,

0:37:35.880 --> 0:37:38.080
<v Speaker 1>just rolled it out. It wouldn't have been like jah

0:37:38.160 --> 0:37:41.600
<v Speaker 1>Ru couldn't have got signed at another label. This is

0:37:41.760 --> 0:37:44.680
<v Speaker 1>not true, Like it's not the battle. No battle has

0:37:44.800 --> 0:37:48.440
<v Speaker 1>ever ended a rapper's career. What they do after the

0:37:48.520 --> 0:37:52.920
<v Speaker 1>battle determines what happens to their career. It's just a

0:37:53.080 --> 0:37:56.120
<v Speaker 1>rap battle. There's a there's a whole league of people

0:37:56.680 --> 0:37:59.000
<v Speaker 1>rap battling every week and they lose and win, and

0:37:59.080 --> 0:38:02.239
<v Speaker 1>people come back and back again, like you didn't lose.

0:38:02.320 --> 0:38:03.919
<v Speaker 1>If that was the case when he lost to Push

0:38:03.960 --> 0:38:05.719
<v Speaker 1>a T that would have been the end of his career,

0:38:05.840 --> 0:38:08.160
<v Speaker 1>or when jay Z lost to Nas that would have

0:38:08.239 --> 0:38:08.719
<v Speaker 1>been the end.

0:38:08.640 --> 0:38:10.399
<v Speaker 3>Of his career. It don't work that way.

0:38:10.800 --> 0:38:12.080
<v Speaker 2>But it was the pr battle.

0:38:13.480 --> 0:38:16.279
<v Speaker 1>But I'm saying he didn't lose the PR battle. He's

0:38:16.400 --> 0:38:20.320
<v Speaker 1>making the PR worse. Like everything he's doing post the

0:38:20.400 --> 0:38:23.279
<v Speaker 1>battle is making the PR worse. The battle would have

0:38:23.360 --> 0:38:27.520
<v Speaker 1>just been over. Like, yes, we would have talked about

0:38:27.560 --> 0:38:29.919
<v Speaker 1>the day we saw that fight. You know, we saw

0:38:30.640 --> 0:38:33.920
<v Speaker 1>you know, a sugar Ray Leonard lose to Duran, But

0:38:34.000 --> 0:38:36.200
<v Speaker 1>he came back and he won the next fight. Now

0:38:36.239 --> 0:38:38.920
<v Speaker 1>when he fought him again, like it's normal, you can lose.

0:38:39.880 --> 0:38:43.800
<v Speaker 1>Losing is not the end of life. That's funny listening,

0:38:45.040 --> 0:38:47.480
<v Speaker 1>it was sunny listening. Came back and won after that.

0:38:47.719 --> 0:38:50.960
<v Speaker 1>After he lost still, George came back.

0:38:51.320 --> 0:38:54.440
<v Speaker 3>George Foreman lost and came back twenty years later and

0:38:54.719 --> 0:38:56.680
<v Speaker 3>did something no other fighter in the history of the

0:38:56.719 --> 0:38:58.200
<v Speaker 3>heavyweight division has ever done.

0:38:58.640 --> 0:39:02.440
<v Speaker 2>It did he He went into hibernation for two decades

0:39:02.480 --> 0:39:03.960
<v Speaker 2>and came back and a reunion tour.

0:39:04.520 --> 0:39:07.399
<v Speaker 3>Yeah, that's more about his own thing.

0:39:08.120 --> 0:39:10.080
<v Speaker 1>Shout out to a thank you for the five dollars

0:39:10.160 --> 0:39:13.240
<v Speaker 1>man feeding us some months at this lunch table, Yo, glasses,

0:39:13.280 --> 0:39:15.399
<v Speaker 1>I gotta ask what you think about Drake not along

0:39:15.480 --> 0:39:18.600
<v Speaker 1>PG Lane outfits at this new concert out of concern.

0:39:19.760 --> 0:39:22.320
<v Speaker 3>We just mentioned that A much love. Welcome to the

0:39:22.400 --> 0:39:23.200
<v Speaker 3>lunch Table.

0:39:24.400 --> 0:39:27.320
<v Speaker 2>Bullies might like whipped you with a T shirt like

0:39:27.360 --> 0:39:28.400
<v Speaker 2>in a locker room style.

0:39:28.480 --> 0:39:30.359
<v Speaker 4>You could get hurt by one of those shirts more

0:39:30.440 --> 0:39:32.480
<v Speaker 4>than say another shirt like a hand shirt.

0:39:34.800 --> 0:39:38.239
<v Speaker 2>Nah throwing out there.

0:39:39.400 --> 0:39:41.440
<v Speaker 7>I think I think he's trying to. I think he

0:39:41.560 --> 0:39:44.080
<v Speaker 7>felt like he's already been getting trolled for the past

0:39:44.160 --> 0:39:46.560
<v Speaker 7>eight months and he's like, yo, listen, I know they

0:39:46.600 --> 0:39:48.799
<v Speaker 7>gonna probably around and pull up to the fucking show

0:39:49.320 --> 0:39:51.320
<v Speaker 7>and troll me in the front row with nothing but

0:39:51.680 --> 0:39:54.319
<v Speaker 7>PG Lane shirts and ship like that. Let's let's let's

0:39:54.360 --> 0:39:56.880
<v Speaker 7>bought it for coming in the stadium. You know what

0:39:56.880 --> 0:39:59.000
<v Speaker 7>I'm saying. You can't avoid the troll though.

0:39:59.520 --> 0:40:01.800
<v Speaker 4>I think it it's interesting that he is performing that

0:40:02.040 --> 0:40:04.440
<v Speaker 4>far away from Compton. I mean, it doesn't get you

0:40:04.480 --> 0:40:05.320
<v Speaker 4>further in Australia.

0:40:07.280 --> 0:40:10.840
<v Speaker 1>Shout out to the name brand, thank you for the comments.

0:40:10.920 --> 0:40:13.799
<v Speaker 1>My boyther is lunch Table. The artist formally known as

0:40:13.880 --> 0:40:14.560
<v Speaker 1>Drake come in.

0:40:14.880 --> 0:40:15.080
<v Speaker 5>You know.

0:40:15.160 --> 0:40:15.680
<v Speaker 3>It's funny.

0:40:16.480 --> 0:40:20.360
<v Speaker 1>When I first got my record deals with Cash Money Records,

0:40:20.600 --> 0:40:23.600
<v Speaker 1>and I was in with my attorney, Bob Lieberman, and

0:40:23.719 --> 0:40:26.160
<v Speaker 1>I was reading through the contract, the final contract that

0:40:26.239 --> 0:40:28.560
<v Speaker 1>they sent me that I had to sign, and it

0:40:28.680 --> 0:40:35.120
<v Speaker 1>said it started with the artists and his likeness. Yeah,

0:40:35.440 --> 0:40:38.440
<v Speaker 1>And I remember asking Bob, like, what the hell is

0:40:38.520 --> 0:40:41.440
<v Speaker 1>the artist in his likeness? And he goes through this story.

0:40:41.440 --> 0:40:43.880
<v Speaker 1>He said, there was an artist in the late seventies

0:40:43.960 --> 0:40:47.240
<v Speaker 1>and eighties that was signed to Warner Brothers. He didn't

0:40:47.320 --> 0:40:49.680
<v Speaker 1>like how things was going with his contract or they

0:40:49.719 --> 0:40:52.440
<v Speaker 1>were supposed to change I think the royalty rate of

0:40:52.480 --> 0:40:55.600
<v Speaker 1>his contract and they didn't, and he started to release

0:40:55.760 --> 0:41:00.400
<v Speaker 1>music under a symbol. And he said after that they

0:41:00.480 --> 0:41:03.760
<v Speaker 1>added the concept of likeness. He said that artist was prince,

0:41:05.000 --> 0:41:08.000
<v Speaker 1>so they actually did things to actually combat that.

0:41:09.200 --> 0:41:11.319
<v Speaker 3>But do you think that.

0:41:12.880 --> 0:41:15.920
<v Speaker 4>Drake, instead of writing slave on the side of his face,

0:41:16.360 --> 0:41:18.720
<v Speaker 4>could write plaintiffs on the side.

0:41:18.520 --> 0:41:23.360
<v Speaker 2>Of his face as a brand revival principle?

0:41:25.880 --> 0:41:26.400
<v Speaker 3>I think so.

0:41:27.880 --> 0:41:30.200
<v Speaker 1>Shout out to Memi Angel, thank you for being at

0:41:30.239 --> 0:41:33.839
<v Speaker 1>the Lynch tapele one contributing. Appreciate that glasses. You are

0:41:33.880 --> 0:41:36.719
<v Speaker 1>trying to rationalize something that is root and emotions. He

0:41:36.840 --> 0:41:39.279
<v Speaker 1>is throwing a tempered tension. He hired lawyers to fight

0:41:39.400 --> 0:41:43.440
<v Speaker 1>this fight for him, You know what, It seems that way,

0:41:43.520 --> 0:41:49.520
<v Speaker 1>But I just cannot believe, like this is just unfucking believable.

0:41:49.600 --> 0:41:51.120
<v Speaker 3>This is a grown ass man.

0:41:53.160 --> 0:41:57.040
<v Speaker 4>This is what happens when you grow up in a

0:41:57.160 --> 0:42:03.920
<v Speaker 4>different ecosystem and then exist in a compensated echo chamber

0:42:04.440 --> 0:42:10.520
<v Speaker 4>for twenty years. I mean, like you see weird, like

0:42:11.239 --> 0:42:15.200
<v Speaker 4>super eccentric, you know, like like weird famous white people

0:42:15.239 --> 0:42:18.880
<v Speaker 4>to get into like bizarre circles. This is that playing

0:42:18.920 --> 0:42:23.800
<v Speaker 4>out in a different way. You're a weird, anti social person.

0:42:24.400 --> 0:42:28.640
<v Speaker 4>You're you're not a mainstream personality. You're some sort of

0:42:29.640 --> 0:42:32.840
<v Speaker 4>you know, savantage type individual. And then you exist in

0:42:32.920 --> 0:42:37.520
<v Speaker 4>this tiny circle of people that happened to be on

0:42:37.760 --> 0:42:41.800
<v Speaker 4>the payroll for twenty years, and your perspective is warped.

0:42:42.760 --> 0:42:49.040
<v Speaker 4>Imagine you didn't start off regular, Like I know.

0:42:49.160 --> 0:42:51.480
<v Speaker 3>I said seven years ago that Due wasn't hip hop,

0:42:52.160 --> 0:42:54.359
<v Speaker 3>and I didn't think he was this far away from

0:42:54.400 --> 0:42:59.560
<v Speaker 3>the culture. Like I didn't think he was this far

0:42:59.640 --> 0:43:00.640
<v Speaker 3>away from in the culture.

0:43:01.560 --> 0:43:04.480
<v Speaker 4>I don't know what street it is like in Long Beach.

0:43:04.480 --> 0:43:06.279
<v Speaker 4>It's like you either on one side of Cherry or

0:43:06.320 --> 0:43:06.880
<v Speaker 4>the other.

0:43:08.080 --> 0:43:11.480
<v Speaker 1>Shout out to p regardless if you believe his business

0:43:11.600 --> 0:43:14.160
<v Speaker 1>was hurt or not. What option does a business have

0:43:14.840 --> 0:43:18.239
<v Speaker 1>because it's kind of like it's kind of sounding like

0:43:18.360 --> 0:43:21.839
<v Speaker 1>you're saying lay down. What do you mean lay down?

0:43:22.160 --> 0:43:25.279
<v Speaker 1>There's no fight to fight, pee Like. All you have

0:43:25.440 --> 0:43:31.000
<v Speaker 1>to do is release music. All he has to do.

0:43:32.560 --> 0:43:33.399
<v Speaker 3>What are you doing?

0:43:34.080 --> 0:43:40.440
<v Speaker 4>It's tantamount to General Motors suing Tesla for eating up

0:43:40.520 --> 0:43:44.279
<v Speaker 4>market share of their ev division or something else, or

0:43:44.760 --> 0:43:48.080
<v Speaker 4>suing a governing body at the Department of Energy and saying, oh,

0:43:48.120 --> 0:43:52.239
<v Speaker 4>Department of Energy, you allowed for Tesla to gobble up

0:43:52.239 --> 0:43:54.720
<v Speaker 4>all of our market share from the Chevy Vault, which sucked.

0:43:56.600 --> 0:44:00.319
<v Speaker 1>Like I could see if this battle stopped him from

0:44:00.360 --> 0:44:01.720
<v Speaker 1>being able to release music.

0:44:02.320 --> 0:44:02.840
<v Speaker 3>It didn't.

0:44:03.640 --> 0:44:05.960
<v Speaker 1>I can see if this battle stopped him from like

0:44:06.040 --> 0:44:08.400
<v Speaker 1>if they was like this not like a song is

0:44:08.480 --> 0:44:11.240
<v Speaker 1>so good. We don't want to release your music Drake anymore.

0:44:11.360 --> 0:44:15.040
<v Speaker 1>You're you're we're letting you go off the label, and

0:44:15.160 --> 0:44:17.320
<v Speaker 1>then you know, other labels like, you know what the

0:44:17.400 --> 0:44:18.719
<v Speaker 1>way you lost that battle, we.

0:44:18.760 --> 0:44:21.920
<v Speaker 3>Don't want to sign you. That's not what's happening.

0:44:22.080 --> 0:44:23.960
<v Speaker 1>I can see if he put out not like us,

0:44:24.520 --> 0:44:26.920
<v Speaker 1>and then Australia said, you know what, we're going to

0:44:27.000 --> 0:44:29.520
<v Speaker 1>cancel these concerts. We don't want to lose the money

0:44:29.600 --> 0:44:31.840
<v Speaker 1>on you because people don't want to see you anymore.

0:44:32.480 --> 0:44:34.400
<v Speaker 1>They don't want to come to your concerts because of

0:44:34.480 --> 0:44:40.440
<v Speaker 1>this not like Us song, like nothing has changed or

0:44:40.560 --> 0:44:43.880
<v Speaker 1>what the fuck are y'all talking about? Bro, what are

0:44:43.960 --> 0:44:47.480
<v Speaker 1>y'all talking about? He didn't lose any Nike. He did

0:44:47.600 --> 0:44:50.520
<v Speaker 1>not release a press release. Well you know what, these

0:44:50.640 --> 0:44:52.719
<v Speaker 1>new facts and this not like Us says we need

0:44:52.840 --> 0:44:58.200
<v Speaker 1>to actually disassociate our business with Drake because of Kendrick's allegations,

0:44:58.239 --> 0:45:00.960
<v Speaker 1>and we know they're true. We're cutting off your business.

0:45:01.840 --> 0:45:04.600
<v Speaker 1>That's not what's happening. So he didn't need to do

0:45:04.800 --> 0:45:10.600
<v Speaker 1>anything for his business but do business. He didn't need

0:45:10.719 --> 0:45:12.880
<v Speaker 1>to do He didn't need to do anything for his

0:45:13.120 --> 0:45:15.280
<v Speaker 1>business but do business.

0:45:18.080 --> 0:45:24.880
<v Speaker 4>After the battle, didn't the Raptors revoke his season tickets?

0:45:24.920 --> 0:45:33.560
<v Speaker 1>Though, No, what no, Wow, nothing happened like he is.

0:45:34.120 --> 0:45:37.040
<v Speaker 1>I was telling somebody on Twitter like they was like,

0:45:37.160 --> 0:45:40.640
<v Speaker 1>you know, man, you know Kendrick killed him. I said, no,

0:45:41.719 --> 0:45:45.279
<v Speaker 1>that didn't kill him. We're not watching a murder, we're

0:45:45.320 --> 0:45:46.560
<v Speaker 1>watching a suicide.

0:45:47.440 --> 0:45:48.680
<v Speaker 5>Yeah, gave him though.

0:45:49.880 --> 0:45:52.960
<v Speaker 2>It's like, it's like how online bullying leads to a suicide.

0:45:56.560 --> 0:46:01.279
<v Speaker 1>It's not shout out to Todd. Nike wouldn't announce something

0:46:01.400 --> 0:46:04.279
<v Speaker 1>like that unless it was true. They didn't separ they

0:46:04.320 --> 0:46:08.000
<v Speaker 1>didn't sever their business. Todd Nike didn't say, hey, we're

0:46:08.040 --> 0:46:12.440
<v Speaker 1>severing our business. He didn't lose any contracts because of

0:46:12.520 --> 0:46:17.200
<v Speaker 1>a battle. People don't lose contracts because of a battle.

0:46:20.960 --> 0:46:23.000
<v Speaker 4>Yeah, I mean, there's teeth to contracts, and you have

0:46:23.080 --> 0:46:25.279
<v Speaker 4>to say he's he's in breach of contract. Is there

0:46:25.280 --> 0:46:27.480
<v Speaker 4>a don't lose battle clause in the contract?

0:46:29.200 --> 0:46:33.840
<v Speaker 1>Man, that's a good contract clause. If you lose a battle,

0:46:34.280 --> 0:46:38.400
<v Speaker 1>we don't owe you any more money. You know what

0:46:38.440 --> 0:46:40.040
<v Speaker 1>I'm saying that he'd be.

0:46:40.080 --> 0:46:42.760
<v Speaker 2>Suing to argue that he actually won technically I won.

0:46:42.760 --> 0:46:52.080
<v Speaker 3>Because it's just unbelievable. Would have believed somebody mind could

0:46:52.160 --> 0:46:55.920
<v Speaker 3>be this messed up, Like I'm struggling to believe a

0:46:56.120 --> 0:46:59.040
<v Speaker 3>man's mind could be this messed up.

0:46:59.600 --> 0:47:05.000
<v Speaker 1>That's a struggle for me. Hmm, suplain, I cannot believe

0:47:05.719 --> 0:47:09.680
<v Speaker 1>he could be this emotionally bothered by losing a bat Like.

0:47:09.760 --> 0:47:11.520
<v Speaker 3>Don't get me wrong, I've lost things.

0:47:11.600 --> 0:47:14.960
<v Speaker 1>My mother passed away, the federal government took everything I

0:47:15.040 --> 0:47:19.520
<v Speaker 1>had twice in my life. Right, I've lost things, but

0:47:19.680 --> 0:47:29.720
<v Speaker 1>I've never let them completely compromise my whole journey. Shout

0:47:29.760 --> 0:47:32.800
<v Speaker 1>out to Todd Man. I got a big hypothetical. What

0:47:33.000 --> 0:47:36.080
<v Speaker 1>happens to the industry if UMG loses this case, if

0:47:36.800 --> 0:47:39.520
<v Speaker 1>it's the end of hip hop in the record business.

0:47:39.920 --> 0:47:45.680
<v Speaker 1>If UMG lost this case, it's the end of hip hop.

0:47:46.880 --> 0:47:49.680
<v Speaker 1>At that point, they will start to censor every last

0:47:49.760 --> 0:47:54.040
<v Speaker 1>thing an artists. If one artist or if a person

0:47:54.320 --> 0:47:57.520
<v Speaker 1>can sue a record company because of what an artist says,

0:47:58.480 --> 0:48:01.680
<v Speaker 1>why the hell they would have to censor everything, and

0:48:01.840 --> 0:48:06.319
<v Speaker 1>immediately they would scrub everything cultured from it, because that's

0:48:06.400 --> 0:48:10.040
<v Speaker 1>the whole point of it, right the conversation. So it

0:48:10.120 --> 0:48:12.399
<v Speaker 1>would be the end of hip hop. If he won,

0:48:12.920 --> 0:48:15.799
<v Speaker 1>hip hop would forever be done. It would go into

0:48:15.880 --> 0:48:18.640
<v Speaker 1>a space where it's nothing but clean people doing it,

0:48:18.800 --> 0:48:24.279
<v Speaker 1>saying clean and regular things that nobody care about. Shout

0:48:24.320 --> 0:48:26.920
<v Speaker 1>out to Lucky Lawrence Glasses. Do you think the creative

0:48:27.160 --> 0:48:29.520
<v Speaker 1>thing to do here is remixed to not like us

0:48:29.600 --> 0:48:33.800
<v Speaker 1>addressing other artists like Joey Badass. Nah, you could just

0:48:33.880 --> 0:48:39.799
<v Speaker 1>leave that alone. That's just what it is. Shout out

0:48:39.840 --> 0:48:42.759
<v Speaker 1>to Squishy. No matter the color or creed, glasses, I

0:48:42.840 --> 0:48:45.560
<v Speaker 1>think men are men. I don't care what creed of color.

0:48:47.200 --> 0:48:55.240
<v Speaker 1>I think this is like a standard amongst men. Shout

0:48:55.280 --> 0:48:58.080
<v Speaker 1>out to earns. So what is the ultimate outcome after

0:48:58.160 --> 0:49:00.839
<v Speaker 1>this lawsuit? Drake and his lawyers know exactly what they

0:49:00.920 --> 0:49:04.000
<v Speaker 1>are doing. Nothing happened for no reason. There's a purpose

0:49:04.080 --> 0:49:07.640
<v Speaker 1>behind all this. I don't think that's true. See, Like

0:49:07.760 --> 0:49:11.000
<v Speaker 1>I thought to myself just like that initially, Like I've

0:49:11.080 --> 0:49:14.799
<v Speaker 1>always gave Drake entirely too much credit for being intelligent.

0:49:14.960 --> 0:49:18.480
<v Speaker 1>I've always gave him too much credit for being like

0:49:18.680 --> 0:49:22.560
<v Speaker 1>his success. And the reality is it's a lot more

0:49:22.680 --> 0:49:30.279
<v Speaker 1>into that than he is. Defamation amount they want the

0:49:30.320 --> 0:49:34.560
<v Speaker 1>court to name it, gotcha, No, I mean like they're there.

0:49:38.640 --> 0:49:43.280
<v Speaker 4>Yeah, it's legally too much, very close to a ongoing

0:49:43.400 --> 0:49:47.480
<v Speaker 4>lawsuit that is having active mediation happening as we speak

0:49:47.600 --> 0:49:55.320
<v Speaker 4>right now. The distance between parties is so vast. It

0:49:55.480 --> 0:49:59.600
<v Speaker 4>reflects the subjectivity of perspective and interpretation of reality and

0:49:59.719 --> 0:50:02.760
<v Speaker 4>how distorted that can be between parties.

0:50:04.040 --> 0:50:08.360
<v Speaker 2>The idea that, yeah, you can't.

0:50:08.280 --> 0:50:13.680
<v Speaker 4>Have somebody who's highly talented as a litigator, believe, push

0:50:13.800 --> 0:50:15.480
<v Speaker 4>comes to shove. I think I can win this thing

0:50:16.040 --> 0:50:20.000
<v Speaker 4>based off of ABCDFG. Another guy goes based off of

0:50:20.040 --> 0:50:22.080
<v Speaker 4>my ability and my track records. You don't see the

0:50:22.160 --> 0:50:27.080
<v Speaker 4>chance in hell based off of x y Z. That's

0:50:27.200 --> 0:50:30.480
<v Speaker 4>like every lawsuit, you know, that's half of every lawsuit

0:50:30.760 --> 0:50:31.640
<v Speaker 4>in a courtroom today.

0:50:32.880 --> 0:50:36.960
<v Speaker 2>So I mean, never be amazed.

0:50:38.320 --> 0:50:41.000
<v Speaker 3>Shout out to P. His whole claim is things have

0:50:41.120 --> 0:50:42.880
<v Speaker 3>happened business and safety wise.

0:50:43.000 --> 0:50:45.720
<v Speaker 1>I'll take his word like I take your word hate

0:50:45.719 --> 0:50:47.760
<v Speaker 1>speculating what reebs could be affected.

0:50:47.840 --> 0:50:50.480
<v Speaker 3>It's just not true. P. That's just not true.

0:50:51.400 --> 0:50:55.560
<v Speaker 1>Doesn't say that he's only claiming things have happened safety wise.

0:50:55.760 --> 0:50:58.240
<v Speaker 3>Nothing. They're not claiming in the lawsuit nothing has happened

0:50:58.280 --> 0:51:01.879
<v Speaker 3>business wise, saying hey, you know what Universal went from

0:51:02.000 --> 0:51:05.960
<v Speaker 3>offering us, you know, six hundred million to two hundred million.

0:51:06.080 --> 0:51:06.919
<v Speaker 3>That's not what's saying.

0:51:07.000 --> 0:51:09.880
<v Speaker 1>He hasn't said one thing has happened business wise in

0:51:10.000 --> 0:51:12.719
<v Speaker 1>this whole Yes, it's probably why he's going to move

0:51:12.760 --> 0:51:13.840
<v Speaker 1>the lawsuit.

0:51:13.600 --> 0:51:16.440
<v Speaker 2>A season desist order he's looking for in some sort

0:51:16.480 --> 0:51:17.040
<v Speaker 2>of a statement.

0:51:17.480 --> 0:51:21.840
<v Speaker 1>Yeah, he wanted he wanted Universal to pull the record

0:51:21.920 --> 0:51:25.560
<v Speaker 1>down in July am out May fourth. He wanted them

0:51:25.600 --> 0:51:28.680
<v Speaker 1>to pull it down roughly sixty days later, so he

0:51:28.760 --> 0:51:30.640
<v Speaker 1>reached out to UMG and said, hey, you know what,

0:51:31.200 --> 0:51:34.000
<v Speaker 1>this song right here is causing harm to my safety

0:51:34.040 --> 0:51:37.359
<v Speaker 1>and Universal, you know they not the most street people

0:51:37.400 --> 0:51:39.600
<v Speaker 1>in the world, but they also ain't stupid. If me

0:51:39.640 --> 0:51:41.920
<v Speaker 1>and Trapp know what happened in Wise House got shot up,

0:51:42.000 --> 0:51:44.720
<v Speaker 1>then they know Wise House got shot up. They're not crazy.

0:51:45.400 --> 0:51:47.600
<v Speaker 1>So they didn't give any credence to what he was

0:51:47.680 --> 0:51:50.400
<v Speaker 1>talking about. So he was saying like he was threatening

0:51:50.440 --> 0:51:52.680
<v Speaker 1>the lawsuit in the UMG said, you would look stupid

0:51:52.840 --> 0:51:56.040
<v Speaker 1>trying to sue us over a battle that you were

0:51:56.080 --> 0:51:58.919
<v Speaker 1>in with another rapper where you're insulting him and he's

0:51:58.960 --> 0:52:02.560
<v Speaker 1>insulting you. And he just went through it anyway because

0:52:02.560 --> 0:52:04.440
<v Speaker 1>he didn't get them to do what he wanted them

0:52:04.480 --> 0:52:08.240
<v Speaker 1>to do. He wanted them to take down He wanted

0:52:08.239 --> 0:52:12.120
<v Speaker 1>them to censor Kendrick Lamar's record, and it's weird because

0:52:12.160 --> 0:52:13.520
<v Speaker 1>he didn't censor his own record.

0:52:13.600 --> 0:52:15.760
<v Speaker 3>And that's yeah, exactly.

0:52:16.160 --> 0:52:20.839
<v Speaker 4>The bottom line is it's like closing the door after

0:52:20.920 --> 0:52:22.400
<v Speaker 4>the horses have already left.

0:52:22.239 --> 0:52:26.400
<v Speaker 3>The barn at that point, shout out the trees, my lord,

0:52:26.640 --> 0:52:29.160
<v Speaker 3>much love, bro, thank you for the five dollars, Appreciate

0:52:29.200 --> 0:52:31.520
<v Speaker 3>you feeding us that lunch on me, Bruce.

0:52:31.600 --> 0:52:34.240
<v Speaker 1>Egos can lead to your own death. That's what happened

0:52:34.320 --> 0:52:37.000
<v Speaker 1>right now with Drake. It looks like that you guys

0:52:37.040 --> 0:52:41.160
<v Speaker 1>are all right, shout out to Todd Glasses. We can't

0:52:41.200 --> 0:52:43.800
<v Speaker 1>speak too soon. We don't know what proof of whatever

0:52:44.040 --> 0:52:45.279
<v Speaker 1>it is he allegedly have.

0:52:45.680 --> 0:52:46.120
<v Speaker 3>Yes, we do.

0:52:46.920 --> 0:52:50.319
<v Speaker 1>It's not soon. He just doesn't have he knows why

0:52:50.360 --> 0:52:53.279
<v Speaker 1>his house got shut up. That's just not true. Dude,

0:52:53.360 --> 0:52:57.200
<v Speaker 1>probably could pull something out that exposes UMG for unethical practices.

0:52:57.320 --> 0:52:59.680
<v Speaker 3>That's not what he's suing for. He's not suing you

0:52:59.760 --> 0:53:01.560
<v Speaker 3>and fun of unethical practices.

0:53:02.080 --> 0:53:04.200
<v Speaker 1>He's saying he's swing them because they put out a

0:53:04.280 --> 0:53:07.879
<v Speaker 1>dish record and marketed a dish record that was disrespecting him.

0:53:08.920 --> 0:53:12.480
<v Speaker 1>It's not about unethical practices. You guys kind of keep

0:53:12.600 --> 0:53:15.080
<v Speaker 1>trying to really guide the narrative into something that that's

0:53:15.160 --> 0:53:19.440
<v Speaker 1>not the lawsuit. The lawsuit is over specifically what Kendrick

0:53:19.520 --> 0:53:22.600
<v Speaker 1>Lamar said to him and UMG promoting the record, or

0:53:22.719 --> 0:53:27.439
<v Speaker 1>Kendrick Lamar said those things about him. It's not anything else.

0:53:27.520 --> 0:53:30.239
<v Speaker 1>Like I can read this lawsuit to you. We could

0:53:30.280 --> 0:53:33.120
<v Speaker 1>go through all of those lyrics, you feel me and

0:53:33.280 --> 0:53:35.520
<v Speaker 1>at the end of the day, you know what I mean,

0:53:35.560 --> 0:53:38.520
<v Speaker 1>You would have to know that's about the lyrics. And

0:53:38.600 --> 0:53:41.080
<v Speaker 1>he said that would be a huge plot twist. Nothing,

0:53:41.200 --> 0:53:43.520
<v Speaker 1>Todd is gonna make a huge plot twist. This can't

0:53:43.560 --> 0:53:46.719
<v Speaker 1>go anywhere but bad. And you can't say this is

0:53:46.800 --> 0:53:48.840
<v Speaker 1>not true because only the courts know what's going on,

0:53:49.000 --> 0:53:50.400
<v Speaker 1>the courts don't know what's going on.

0:53:50.640 --> 0:53:50.839
<v Speaker 7>Todd.

0:53:51.200 --> 0:53:54.280
<v Speaker 2>That's probably the last person that knows, because they're.

0:53:54.440 --> 0:53:58.440
<v Speaker 1>Like and Todd like, look, man, this is not a

0:53:58.760 --> 0:54:02.200
<v Speaker 1>This is not a battle, Like you're not in a battle.

0:54:02.840 --> 0:54:08.160
<v Speaker 1>I'm like, this is a regular thing. Back to that point, Glasses,

0:54:08.239 --> 0:54:10.239
<v Speaker 1>we can't speak too soon. We don't know what proof

0:54:10.360 --> 0:54:11.759
<v Speaker 1>or whatever he's allegedly have.

0:54:12.120 --> 0:54:15.759
<v Speaker 3>Yes, we do. We do know what proof. We do

0:54:16.000 --> 0:54:16.600
<v Speaker 3>know the proof.

0:54:16.800 --> 0:54:19.439
<v Speaker 1>He doesn't have proof that nobody shot up his house

0:54:19.760 --> 0:54:24.360
<v Speaker 1>because Kendrick Lamar dropping out like us. That's ridiculous. He

0:54:24.440 --> 0:54:28.799
<v Speaker 1>could pull out a huge UMG for unethical practices. He's

0:54:28.880 --> 0:54:33.400
<v Speaker 1>not suing them for unethical practices. He's suing them because

0:54:33.440 --> 0:54:38.920
<v Speaker 1>they marketed a record dissing him. It's no plot twist.

0:54:39.239 --> 0:54:43.240
<v Speaker 1>That's the actual lawsuit. It's a defamation lawsuit. He couldn't

0:54:43.280 --> 0:54:46.680
<v Speaker 1>sue them for anything else. He couldn't sue them for

0:54:46.840 --> 0:54:50.160
<v Speaker 1>Paola on another record. He couldn't sue them for anything else.

0:54:50.200 --> 0:54:54.160
<v Speaker 1>He's suing them because they marketed a record where somebody

0:54:54.320 --> 0:54:58.720
<v Speaker 1>had inflamma said inflammatory material about him on a record

0:54:58.920 --> 0:54:59.719
<v Speaker 1>they promoted it.

0:55:00.120 --> 0:55:01.239
<v Speaker 3>That's what he's sawing them for.

0:55:01.480 --> 0:55:05.480
<v Speaker 1>Toad like, you gotta you gotta kind of stay focused,

0:55:05.600 --> 0:55:09.319
<v Speaker 1>like it's not one of those things glasses. You are

0:55:09.400 --> 0:55:10.320
<v Speaker 1>being super biased.

0:55:10.320 --> 0:55:10.440
<v Speaker 8>Bro.

0:55:10.600 --> 0:55:14.360
<v Speaker 1>The suit mentions Paola and Box also, which is unethical practice.

0:55:14.400 --> 0:55:16.560
<v Speaker 1>If that's true, you gotta stop being biased. That's not

0:55:16.719 --> 0:55:21.960
<v Speaker 1>the point. He's not swing them because they marketed Payola bots.

0:55:22.040 --> 0:55:26.440
<v Speaker 1>He's suing them based off of the other seventy paragraphs

0:55:26.480 --> 0:55:30.319
<v Speaker 1>where he's talking about the lyrics of the song come

0:55:30.360 --> 0:55:34.960
<v Speaker 1>On Man like you got that, And it wasn't a

0:55:35.080 --> 0:55:38.719
<v Speaker 1>laws to he was trying to petition them. He was

0:55:38.880 --> 0:55:41.800
<v Speaker 1>trying to bring criminal charges. He wanted the federal government

0:55:41.880 --> 0:55:45.319
<v Speaker 1>to bring criminal charges on them for these things. That's

0:55:45.360 --> 0:55:49.279
<v Speaker 1>why he called it a corporate rico. M you know,

0:55:49.320 --> 0:55:51.359
<v Speaker 1>I mean, it wasn't That wasn't what he was trying

0:55:51.400 --> 0:55:53.840
<v Speaker 1>to do. He dropped that case because it was ridiculous

0:55:53.920 --> 0:55:57.480
<v Speaker 1>and went straight for defamation, saying they're marketing a record

0:55:58.000 --> 0:56:00.040
<v Speaker 1>that Kendrick Lamar has said.

0:55:59.840 --> 0:56:03.680
<v Speaker 3>The unsavory things about him, like listen to the stuff.

0:56:04.200 --> 0:56:09.240
<v Speaker 3>I'll read some more of it here it is. Here's

0:56:09.320 --> 0:56:09.960
<v Speaker 3>more lyrics.

0:56:12.560 --> 0:56:18.200
<v Speaker 2>Do the record label for defamation and not the artist himself.

0:56:18.200 --> 0:56:21.040
<v Speaker 1>Because they convinced him. You know what I'm saying. They

0:56:21.160 --> 0:56:25.279
<v Speaker 1>convinced him that it would make him look bad, he said.

0:56:25.320 --> 0:56:28.440
<v Speaker 1>Within the first minute, the recording identifies Drake by name

0:56:28.560 --> 0:56:30.800
<v Speaker 1>and states that Lamar has heard that Drake as a

0:56:33.160 --> 0:56:37.879
<v Speaker 1>pre unde say Drake, I hear you like them young

0:56:38.200 --> 0:56:43.160
<v Speaker 1>in quotation marks. The next line is a thinly veiled

0:56:43.239 --> 0:56:46.160
<v Speaker 1>threat that Drake should be careful that he never ends

0:56:46.239 --> 0:56:49.600
<v Speaker 1>up in prison, a place where child predators are notoriously

0:56:49.840 --> 0:56:52.759
<v Speaker 1>the target of violence. You better not ever go to

0:56:52.880 --> 0:56:57.399
<v Speaker 1>sell block one. The recording continues to say that any

0:56:57.480 --> 0:56:59.800
<v Speaker 1>woman who falls in love with Drake should be careful

0:56:59.840 --> 0:57:04.880
<v Speaker 1>to hide her little sister from him. Next, in a

0:57:05.040 --> 0:57:09.120
<v Speaker 1>perverse reference to Drake's twenty twenty one album Certified lover Boy,

0:57:09.960 --> 0:57:15.600
<v Speaker 1>Certified lover Boy, Certified Pedophiles. In a play on the

0:57:15.680 --> 0:57:19.320
<v Speaker 1>dual meaning of minor a person under the age eighteen

0:57:19.480 --> 0:57:22.600
<v Speaker 1>and a musical skill, the recording says that Drake is

0:57:22.720 --> 0:57:25.720
<v Speaker 1>trying to strike a chord and it's probably a minor.

0:57:27.720 --> 0:57:32.120
<v Speaker 1>Later in the recording, Lamar describes Drake as Malibu's most wanted.

0:57:33.520 --> 0:57:35.240
<v Speaker 3>The recording continues.

0:57:34.840 --> 0:57:38.680
<v Speaker 2>To see because he doesn't own a home, is cal.

0:57:40.120 --> 0:57:43.560
<v Speaker 3>This is unbelievable. The recording continues to say that Drake

0:57:43.640 --> 0:57:45.680
<v Speaker 3>and people in the circle need to be served with

0:57:45.760 --> 0:57:50.120
<v Speaker 3>a subpoena because a predator moves in flocks and as

0:57:50.160 --> 0:57:53.520
<v Speaker 3>search that Drake's name gotta be registered and placed on

0:57:53.640 --> 0:57:57.200
<v Speaker 3>neighborhood watch, Like, y'all gotta get this.

0:57:58.240 --> 0:57:59.320
<v Speaker 5>This is in a lawsuit.

0:57:59.400 --> 0:58:04.160
<v Speaker 3>Me, that's in the long suit. Bro, that's in paragraph

0:58:05.040 --> 0:58:12.800
<v Speaker 3>that's in paragraph fifty four to paragraph sixty three. They

0:58:12.920 --> 0:58:15.400
<v Speaker 3>just go through the lyrics. Listen.

0:58:17.120 --> 0:58:21.959
<v Speaker 1>The recording also repeatedly suggests that violence should be used

0:58:21.960 --> 0:58:25.160
<v Speaker 1>against Drake because he is a pedophile. Like the sound

0:58:25.280 --> 0:58:29.120
<v Speaker 1>of someone being beaten up. The recording repeats wa wa,

0:58:30.880 --> 0:58:34.680
<v Speaker 1>and then says Lamar will fuck him up. Later, the

0:58:34.800 --> 0:58:37.840
<v Speaker 1>recording threatens that if Drake comes to Oakland, where Lamar

0:58:38.000 --> 0:58:41.040
<v Speaker 1>grew up, he will make it out. He won't make

0:58:41.080 --> 0:58:43.960
<v Speaker 1>it out alive. I think that Oakland show going be

0:58:44.040 --> 0:58:44.880
<v Speaker 1>your last stop.

0:58:47.240 --> 0:58:48.240
<v Speaker 2>Did he grow up in Oakland?

0:58:48.760 --> 0:58:50.960
<v Speaker 3>No, Kendrick, did I grew up in Oakland, he.

0:58:51.000 --> 0:58:52.880
<v Speaker 2>Should sue him for defamation.

0:58:55.840 --> 0:59:01.560
<v Speaker 1>Like fuck a caption but through physical islands want action,

0:59:01.920 --> 0:59:05.120
<v Speaker 1>no accident and I'm hands on he fuck around and

0:59:05.160 --> 0:59:08.800
<v Speaker 1>get polished. At the end of the recording, the lyrics

0:59:08.920 --> 0:59:12.480
<v Speaker 1>threatenedly repeat, hey hey, hey, hey, run for your life.

0:59:12.920 --> 0:59:15.320
<v Speaker 1>Hey hey, hey, hey, run for your life. Which that

0:59:15.520 --> 0:59:18.000
<v Speaker 1>is not even about Drake. That's about people running away

0:59:18.000 --> 0:59:24.920
<v Speaker 1>from Drake. The recording contains. The recording contains numerous additional

0:59:25.000 --> 0:59:28.840
<v Speaker 1>statements that imply the existence of evidence to support the

0:59:28.920 --> 0:59:33.000
<v Speaker 1>allegations against Drake. The recording threatens that Lamar could reveal

0:59:33.080 --> 0:59:36.800
<v Speaker 1>more secrets about Drake. Rabbit hole is still deep. I

0:59:36.920 --> 0:59:40.120
<v Speaker 1>can go further, I promise, and that the public will

0:59:40.200 --> 0:59:43.560
<v Speaker 1>believe him. The audience is not dumb. Shape the stories

0:59:43.600 --> 0:59:48.280
<v Speaker 1>how you want, Hey, Drake, They're not slow. The recording

0:59:48.400 --> 0:59:53.240
<v Speaker 1>continues by making reference to several Drake songs and accusing

0:59:53.320 --> 0:59:58.840
<v Speaker 1>Drake of being a liar for denying pedophile, denying allegations

0:59:58.840 --> 1:00:02.400
<v Speaker 1>of criminality, the family matter, the truth of the matter.

1:00:02.760 --> 1:00:04.840
<v Speaker 1>It was God's plan to show y'all the liar.

1:00:05.800 --> 1:00:07.680
<v Speaker 5>I want to hear him break down. That did they break?

1:00:07.720 --> 1:00:09.560
<v Speaker 5>The comedy that the COEs apart.

1:00:09.440 --> 1:00:16.479
<v Speaker 1>Down to yes, furthering okay, let me. The recording also

1:00:16.640 --> 1:00:19.600
<v Speaker 1>makes a Voger attack on Drake's brand. Oh v oh

1:00:20.560 --> 1:00:24.040
<v Speaker 1>what o v O foe the other vaginal option pussy

1:00:24.800 --> 1:00:28.040
<v Speaker 1>and let me hear you say O v ho O

1:00:28.240 --> 1:00:33.200
<v Speaker 1>v ho say o v ho rantasies ov ho. Furthering,

1:00:33.320 --> 1:00:37.320
<v Speaker 1>the recordings refrained that that Drake is not like us.

1:00:37.800 --> 1:00:41.520
<v Speaker 1>The recording alludes to Drake's Jewish heritage, saying that Drake

1:00:41.720 --> 1:00:44.240
<v Speaker 1>is not a colleague but a fucking colonizer.

1:00:54.880 --> 1:01:01.439
<v Speaker 7>Bro, that's crazy, that's good heat.

1:01:01.600 --> 1:01:05.520
<v Speaker 3>I can't you can't make this ship up, bro, Like

1:01:05.680 --> 1:01:07.120
<v Speaker 3>you can't make this up.

1:01:07.720 --> 1:01:11.160
<v Speaker 7>When this story gets told twenty years from now, like

1:01:11.320 --> 1:01:15.200
<v Speaker 7>some fucking some Hollywood story should be Oh my god,

1:01:15.720 --> 1:01:16.960
<v Speaker 7>like this is crazy.

1:01:17.080 --> 1:01:20.320
<v Speaker 5>This is a movie, man, it's a bad movie at that.

1:01:20.560 --> 1:01:22.880
<v Speaker 5>But it's a movie. Though. This is like a fucking

1:01:23.040 --> 1:01:26.920
<v Speaker 5>lifetime some shit like that. This is a fucking bird.

1:01:27.880 --> 1:01:31.320
<v Speaker 1>It's just crazy, shout out to tide. Yeah, but people

1:01:31.400 --> 1:01:33.760
<v Speaker 1>go flip the narrative and be like Kendrick sue too.

1:01:33.960 --> 1:01:34.600
<v Speaker 3>Law is law.

1:01:34.640 --> 1:01:37.600
<v Speaker 1>You gotta stand on business. I don't know, y'all gotta

1:01:37.600 --> 1:01:41.680
<v Speaker 1>stop using that term. I don't know what the hell

1:01:41.840 --> 1:01:44.439
<v Speaker 1>business that that. That's not what that means, like going

1:01:44.480 --> 1:01:46.840
<v Speaker 1>to if you work at McDonald's and you flipping Hamburger.

1:01:46.880 --> 1:01:49.000
<v Speaker 3>That's not what they mean when they say standing on business.

1:01:49.880 --> 1:01:50.160
<v Speaker 3>It's not.

1:01:50.880 --> 1:01:55.560
<v Speaker 1>It's cool, bro, but that's not what they mean. Shout

1:01:55.600 --> 1:01:58.160
<v Speaker 1>out to trees. Trees is really feedings. That's fifteen dollars

1:01:58.200 --> 1:02:01.080
<v Speaker 1>from you. Thank you for the five dollars. I think

1:02:01.240 --> 1:02:03.840
<v Speaker 1>Drake not dropping music because he don't know what to

1:02:04.000 --> 1:02:07.920
<v Speaker 1>rap about anymore. He can't rap about being number one anymore,

1:02:08.040 --> 1:02:10.640
<v Speaker 1>or women in the same light. In my opinion, that's

1:02:10.720 --> 1:02:13.760
<v Speaker 1>not true. Trees like Drake can rap about number one.

1:02:13.800 --> 1:02:16.400
<v Speaker 1>He was still the number one most streamed artist last year,

1:02:16.520 --> 1:02:19.480
<v Speaker 1>whether it's his catalog or whatever. Like, he's not some

1:02:19.720 --> 1:02:22.320
<v Speaker 1>run of the meal artists where he can't drop songs.

1:02:23.120 --> 1:02:26.280
<v Speaker 4>Or women in this country that would love to hear

1:02:26.320 --> 1:02:28.760
<v Speaker 4>a song about how they should be given a bunch

1:02:28.800 --> 1:02:30.120
<v Speaker 4>of expensive things for free.

1:02:30.440 --> 1:02:34.200
<v Speaker 2>That market will never dry up nor die I.

1:02:34.280 --> 1:02:37.120
<v Speaker 3>Think again, it goes to the people in this at

1:02:37.160 --> 1:02:39.960
<v Speaker 3>the lunch table that's saying Drake is not dropping music

1:02:40.080 --> 1:02:45.560
<v Speaker 3>because he's throwing a tantrum. It's not like I.

1:02:45.600 --> 1:02:49.280
<v Speaker 1>Can't logically, you know, I would love to believe somebody

1:02:49.360 --> 1:02:53.520
<v Speaker 1>that's more successful like Drake. You know, somebody that's achieved

1:02:53.520 --> 1:02:55.880
<v Speaker 1>more in the music business like Drake is smarter than

1:02:55.920 --> 1:02:59.560
<v Speaker 1>I am. But that don't actually or more intelligent. That

1:02:59.800 --> 1:03:06.480
<v Speaker 1>actually doesn't make mean it's true, like somebody even as

1:03:06.560 --> 1:03:12.760
<v Speaker 1>successful as that, can make dumb ass moves like dumb. Yeah,

1:03:13.920 --> 1:03:20.960
<v Speaker 1>absolutely dumb moves. And I cannot help but to understand

1:03:21.600 --> 1:03:24.480
<v Speaker 1>and be aware of how dumb of a move this is.

1:03:26.960 --> 1:03:28.000
<v Speaker 3>It's just dumb.

1:03:28.840 --> 1:03:32.760
<v Speaker 2>He's turned himself into the Antonio Brown of hip hop.

1:03:34.880 --> 1:03:37.760
<v Speaker 1>I think he could shout out to the homie Kelvin Kell,

1:03:37.840 --> 1:03:40.360
<v Speaker 1>what's up baby? He ain't gonna be at a popp

1:03:40.360 --> 1:03:42.880
<v Speaker 1>it like he used to. Of course he can now

1:03:42.920 --> 1:03:43.800
<v Speaker 1>are we gonna believe it?

1:03:43.920 --> 1:03:46.160
<v Speaker 3>Is different? But trust me, it's enough people in this

1:03:46.280 --> 1:03:47.440
<v Speaker 3>world that will believe it.

1:03:49.160 --> 1:03:51.360
<v Speaker 1>None of it makes sense to me, Kelvin because like

1:03:51.520 --> 1:03:54.760
<v Speaker 1>I don't get like it's not like he lost anything

1:03:54.880 --> 1:03:57.920
<v Speaker 1>on his brand. Like, yeah, there're gonna there gonna be

1:03:57.960 --> 1:04:00.720
<v Speaker 1>some people that's gonna make you work harder to get

1:04:00.800 --> 1:04:03.960
<v Speaker 1>their attention, right, they get to bring credence to what

1:04:04.080 --> 1:04:06.600
<v Speaker 1>you're saying. But he is in a position where he

1:04:06.720 --> 1:04:11.520
<v Speaker 1>had the greatest companies in music history supporting what he does.

1:04:12.320 --> 1:04:20.520
<v Speaker 1>So it doesn't make sense. There's no way, there's no

1:04:20.680 --> 1:04:23.960
<v Speaker 1>way possible that any of this makes sense. He can

1:04:24.000 --> 1:04:26.080
<v Speaker 1>get on the mic and say anything, He can get

1:04:26.080 --> 1:04:29.800
<v Speaker 1>on the mic and make records like all you would

1:04:29.840 --> 1:04:32.680
<v Speaker 1>have to do is work harder. But it's Drake, So

1:04:33.040 --> 1:04:37.560
<v Speaker 1>none of this makes sense to me at all. Shout

1:04:37.600 --> 1:04:40.040
<v Speaker 1>out to uh not for sale man. We appreciate the

1:04:40.120 --> 1:04:42.400
<v Speaker 1>five dollars, bro much love to the two six, you

1:04:42.440 --> 1:04:45.560
<v Speaker 1>know what I mean? The Northwest Drake should have stuck

1:04:45.640 --> 1:04:48.680
<v Speaker 1>his comeback season so far gone persona. I feel like

1:04:48.760 --> 1:04:52.640
<v Speaker 1>the industry empowered is fake tough image. Possibly I'm not

1:04:52.760 --> 1:04:55.880
<v Speaker 1>mad at that, I mean, but I also think again,

1:04:55.960 --> 1:04:59.160
<v Speaker 1>even when I'm listening to him, even when I'm listening

1:04:59.200 --> 1:05:05.200
<v Speaker 1>to him talk, you know, like it's almost like he

1:05:05.480 --> 1:05:09.400
<v Speaker 1>actually believes not like us really changed his career.

1:05:12.280 --> 1:05:17.240
<v Speaker 7>I cannot believe eleven songs ain't dropped eleven song and

1:05:17.240 --> 1:05:18.880
<v Speaker 7>ain't not one of them cracked?

1:05:19.360 --> 1:05:20.200
<v Speaker 9>What as normal?

1:05:20.840 --> 1:05:22.400
<v Speaker 7>You know what I'm saying projections that he was doing.

1:05:22.480 --> 1:05:24.640
<v Speaker 7>It was like eleven thirteen songs ain't through shit.

1:05:26.080 --> 1:05:28.280
<v Speaker 3>You think he saw that. It was like, I'm over

1:05:28.640 --> 1:05:31.760
<v Speaker 3>like this one song, and it's true because he is.

1:05:33.640 --> 1:05:37.360
<v Speaker 4>It's different when you're not substantive and he's not. Okay,

1:05:37.600 --> 1:05:41.240
<v Speaker 4>let's put that to bed. A lot of his ship

1:05:41.440 --> 1:05:45.560
<v Speaker 4>is predicated on the idea that he's cool. Thereby anything

1:05:45.600 --> 1:05:48.280
<v Speaker 4>comes out of his mouth is cool enough or whatever.

1:05:48.800 --> 1:05:52.800
<v Speaker 3>You take that out and now you're just a shitty

1:05:52.920 --> 1:05:54.560
<v Speaker 3>rapper cultural cachet.

1:05:54.640 --> 1:05:57.680
<v Speaker 1>But he's good as he's a great record maker still

1:05:57.840 --> 1:05:58.680
<v Speaker 1>even if he.

1:05:58.840 --> 1:06:01.040
<v Speaker 3>Lost of cultural cachet.

1:06:01.240 --> 1:06:05.040
<v Speaker 4>But if you got a scarlet letter next to your name,

1:06:06.440 --> 1:06:09.240
<v Speaker 4>that's really really damaging.

1:06:11.840 --> 1:06:14.920
<v Speaker 7>Yo. I think this ship all comes down to you

1:06:15.000 --> 1:06:16.920
<v Speaker 7>know what I'm saying, Like he needed to just take

1:06:16.960 --> 1:06:19.000
<v Speaker 7>a break. Be people was tired of that nigga man.

1:06:19.280 --> 1:06:21.880
<v Speaker 7>I mean man, that's excuse the name work, but people

1:06:22.000 --> 1:06:23.840
<v Speaker 7>was tired of him though, man like, like he needed

1:06:23.960 --> 1:06:26.200
<v Speaker 7>he needed to just sit back and relax, you know

1:06:26.200 --> 1:06:28.200
<v Speaker 7>what I'm saying. Even after the battle he took the

1:06:28.400 --> 1:06:33.240
<v Speaker 7>l sat back, relaxed. Let us see you next October. Bro, Like,

1:06:33.400 --> 1:06:35.280
<v Speaker 7>come on, you ain't giving nobody your break's how you know?

1:06:35.360 --> 1:06:36.880
<v Speaker 7>They were just trying to milk that cow for a

1:06:36.960 --> 1:06:38.720
<v Speaker 7>much tiger out of him. Be for real, for real,

1:06:38.840 --> 1:06:40.400
<v Speaker 7>you know what I'm saying, Because it's like it's like

1:06:40.440 --> 1:06:42.760
<v Speaker 7>he couldn't take a break. It's like they wouldn't let him.

1:06:42.600 --> 1:06:43.040
<v Speaker 5>Take a break.

1:06:43.480 --> 1:06:44.480
<v Speaker 3>I don't think it's him.

1:06:46.040 --> 1:06:47.840
<v Speaker 5>I think it was him keep wanting to go out

1:06:47.880 --> 1:06:48.720
<v Speaker 5>there and put them heels on?

1:06:49.480 --> 1:06:49.800
<v Speaker 3>Why not?

1:06:53.800 --> 1:06:56.040
<v Speaker 1>Like you gotta understand what it's like. I was saying

1:06:56.080 --> 1:06:59.680
<v Speaker 1>to y'all the other day and on clubhouse at ADHD.

1:07:00.680 --> 1:07:06.280
<v Speaker 3>It's like he wanted to do this.

1:07:06.920 --> 1:07:10.200
<v Speaker 1>He realized not only would this change his fortune, but

1:07:10.320 --> 1:07:13.680
<v Speaker 1>it also would change his cultural cachet. Like I'm starting

1:07:13.720 --> 1:07:17.520
<v Speaker 1>to realize how valuable this street urban culture is.

1:07:19.120 --> 1:07:19.640
<v Speaker 3>Like it's on.

1:07:19.720 --> 1:07:24.200
<v Speaker 1>Another level because like he was ready to sue the

1:07:24.360 --> 1:07:29.439
<v Speaker 1>company that pretty much changed his life. Right, you're gonna sue.

1:07:30.760 --> 1:07:34.680
<v Speaker 1>You're threatening to leave the job. Right, you're threatening to

1:07:34.840 --> 1:07:40.240
<v Speaker 1>leave the job of this Nickelodeon show. Let you tell it.

1:07:41.320 --> 1:07:44.960
<v Speaker 1>Let you tell it that put you in your mom

1:07:45.040 --> 1:07:47.800
<v Speaker 1>in a better position, that got you to buy a car,

1:07:48.640 --> 1:07:52.080
<v Speaker 1>a nicer place, And you're gonna leave it because you're

1:07:52.120 --> 1:07:55.600
<v Speaker 1>worried about your reputation when it comes to making records.

1:07:57.960 --> 1:08:02.520
<v Speaker 1>You feel me, that's showing me again. This culture. The

1:08:02.640 --> 1:08:08.000
<v Speaker 1>thing that I defend so vehemianly is important. Like it's

1:08:08.080 --> 1:08:10.720
<v Speaker 1>if everybody else sees the value, even if us in

1:08:10.800 --> 1:08:14.480
<v Speaker 1>the center of it don't truly get it. Oh like

1:08:14.720 --> 1:08:18.320
<v Speaker 1>they like when I first thought Drake wasn't hip hop

1:08:18.400 --> 1:08:21.680
<v Speaker 1>based off of the studies, I knew, you know what

1:08:21.680 --> 1:08:23.360
<v Speaker 1>I'm saying, it was different. Like I was like, oh,

1:08:23.439 --> 1:08:25.920
<v Speaker 1>this is different, Like this is special. You know, these

1:08:26.040 --> 1:08:28.920
<v Speaker 1>New York brothers really gave us something special. And then

1:08:29.080 --> 1:08:31.120
<v Speaker 1>at that point I knew that how I felt about

1:08:31.160 --> 1:08:32.680
<v Speaker 1>it and how I was gonna stand up for it.

1:08:33.320 --> 1:08:39.960
<v Speaker 1>But man, when I watch Vlad or Adam or anybody

1:08:40.040 --> 1:08:46.280
<v Speaker 1>else truly become millionaires because of it, just listening to

1:08:46.439 --> 1:08:49.240
<v Speaker 1>some brothers, you know, from the same country that all

1:08:49.280 --> 1:08:53.120
<v Speaker 1>these other people from. But like this story specifically is

1:08:53.240 --> 1:08:58.600
<v Speaker 1>that valuable. Shout out to Mimi Angel, thanks for the

1:08:58.880 --> 1:08:59.800
<v Speaker 1>comment at the lunch table.

1:09:00.120 --> 1:09:00.439
<v Speaker 3>Sate you.

1:09:01.080 --> 1:09:04.200
<v Speaker 1>What's crazy is the anti Semitic aspect putting his lawsuit

1:09:04.240 --> 1:09:07.200
<v Speaker 1>regarding the song ironic because the boss of you and

1:09:07.280 --> 1:09:10.280
<v Speaker 1>G is Jewish. They don't even think it's They know

1:09:10.400 --> 1:09:12.479
<v Speaker 1>how this rap battle stuff go. They've been around this

1:09:12.600 --> 1:09:15.200
<v Speaker 1>business so long and they actually try to get you

1:09:15.360 --> 1:09:17.479
<v Speaker 1>not to get into rap battles because they really be

1:09:17.680 --> 1:09:20.640
<v Speaker 1>like they don't really matter, but people gonna do what

1:09:20.760 --> 1:09:21.000
<v Speaker 1>they do.

1:09:21.920 --> 1:09:24.759
<v Speaker 3>Shout out to RUFFI and tv A g mark my words.

1:09:24.880 --> 1:09:26.360
<v Speaker 3>Kate is gonna end up in court.

1:09:26.560 --> 1:09:28.920
<v Speaker 1>He's gonna realize it makes no difference in the eyes

1:09:28.960 --> 1:09:30.800
<v Speaker 1>of the community whether you sue the company or the

1:09:30.840 --> 1:09:31.679
<v Speaker 1>person for a song.

1:09:33.000 --> 1:09:35.840
<v Speaker 2>Understand that sense almost juxtaposed.

1:09:37.320 --> 1:09:40.040
<v Speaker 3>I mean maybe, but I think he'll lose every lawsuit.

1:09:40.400 --> 1:09:42.840
<v Speaker 1>I think he's gonna lose every Like all he's doing

1:09:43.040 --> 1:09:48.200
<v Speaker 1>is digging himself a deeper hole. You mean, after he

1:09:48.320 --> 1:09:52.880
<v Speaker 1>loses the you, he's gonna try to sue, but he's

1:09:52.920 --> 1:09:57.000
<v Speaker 1>gonna lose every lawsuit. Like that's the problem. Like you're

1:09:57.040 --> 1:09:59.160
<v Speaker 1>gonna keep losing because that's not This.

1:09:59.320 --> 1:10:01.320
<v Speaker 3>Is not true. This is not real.

1:10:01.760 --> 1:10:03.920
<v Speaker 2>And let's say loses on the standing issue, it's not

1:10:03.960 --> 1:10:06.200
<v Speaker 2>gonna matter what he won't so it won't.

1:10:08.160 --> 1:10:10.599
<v Speaker 1>Shout out to Cam, thank you for the five dollars, brother.

1:10:10.920 --> 1:10:13.360
<v Speaker 1>I am praying for Kendrick. I wish Drake would go away.

1:10:14.479 --> 1:10:15.960
<v Speaker 1>You know, I don't want him to go away. I

1:10:16.120 --> 1:10:17.640
<v Speaker 1>just want the man to get back to making some

1:10:17.760 --> 1:10:19.719
<v Speaker 1>damn music and stop with this done shit.

1:10:20.760 --> 1:10:22.640
<v Speaker 2>I don't want him to make any more music. I

1:10:22.840 --> 1:10:23.719
<v Speaker 2>want him to go away.

1:10:24.080 --> 1:10:30.040
<v Speaker 4>He's he is a massive amplifier of pussy interest rates

1:10:31.120 --> 1:10:33.200
<v Speaker 4>and find it disgusting.

1:10:34.280 --> 1:10:36.519
<v Speaker 1>Shout out to p So are you saying if he

1:10:36.640 --> 1:10:38.920
<v Speaker 1>was in a different position, you'll believe he took damage.

1:10:39.920 --> 1:10:43.040
<v Speaker 1>He didn't take damage because battle rap doesn't damage you.

1:10:43.960 --> 1:10:46.920
<v Speaker 1>What you do after a battle will mess you up.

1:10:48.160 --> 1:10:51.160
<v Speaker 1>Like what battle is, it's what's damaged is his ego.

1:10:51.320 --> 1:10:56.639
<v Speaker 1>His business is not damage. Universal Like, listen, if let's

1:10:56.680 --> 1:10:59.000
<v Speaker 1>say all of those numbers were true. Let's say he

1:10:59.120 --> 1:11:01.519
<v Speaker 1>was on the verge of getting six hundred million this time,

1:11:02.040 --> 1:11:05.080
<v Speaker 1>right that all those numbers are true, and Universe was like,

1:11:05.160 --> 1:11:06.840
<v Speaker 1>you know what, you lost that battle. We're not gonna

1:11:06.840 --> 1:11:09.599
<v Speaker 1>give you six hundred million. Warner will give you six

1:11:09.720 --> 1:11:14.759
<v Speaker 1>hundred million. Like you like you still have negotiating power,

1:11:14.800 --> 1:11:17.160
<v Speaker 1>You're still drake. If you put out the If you

1:11:17.280 --> 1:11:20.040
<v Speaker 1>put out the album, will party and that album sells

1:11:20.120 --> 1:11:22.200
<v Speaker 1>two three billion streams. You know it does two to

1:11:22.280 --> 1:11:25.040
<v Speaker 1>three billion streams. You can go to Warner Brothers and say, hey,

1:11:25.479 --> 1:11:27.840
<v Speaker 1>they sleeping, let's do this for the money.

1:11:28.600 --> 1:11:31.200
<v Speaker 7>Can't go to warn up they said, old boy, old

1:11:31.280 --> 1:11:34.880
<v Speaker 7>boy centers over at. Warner said, on the you can

1:11:34.920 --> 1:11:35.680
<v Speaker 7>probably in upon it.

1:11:37.040 --> 1:11:39.960
<v Speaker 3>I mean wherever you can go, anywhere you I mean

1:11:40.120 --> 1:11:42.160
<v Speaker 3>you you have the keys to the castle.

1:11:42.600 --> 1:11:45.080
<v Speaker 2>Yeah, there's all there's all kinds of ways you could sell.

1:11:48.439 --> 1:11:48.799
<v Speaker 3>Warrior.

1:11:48.960 --> 1:11:51.560
<v Speaker 1>This is past a rap battle. Gee, it's war. Anything go,

1:11:51.760 --> 1:11:54.920
<v Speaker 1>it's not war. Only people who never been in war

1:11:55.040 --> 1:11:55.880
<v Speaker 1>think this is war.

1:11:56.000 --> 1:11:59.479
<v Speaker 3>This is not war. This is just a rap battle.

1:12:00.240 --> 1:12:04.240
<v Speaker 7>So this be my question though, right, so so he

1:12:04.320 --> 1:12:07.040
<v Speaker 7>could do that suit right there, right so now can

1:12:07.160 --> 1:12:09.240
<v Speaker 7>Kendrick come back around and do a suit and say yo?

1:12:11.080 --> 1:12:12.639
<v Speaker 7>He said I was a wife. He said I beat

1:12:12.680 --> 1:12:15.880
<v Speaker 7>my wife or his wife could do that or yeah

1:12:18.320 --> 1:12:22.360
<v Speaker 7>or say or say yo yo. He said, my best

1:12:22.439 --> 1:12:25.479
<v Speaker 7>friend is the is the real father of my of

1:12:25.560 --> 1:12:30.120
<v Speaker 7>my chat like bro, like, come on, man, this shit

1:12:30.200 --> 1:12:31.519
<v Speaker 7>is getting wicked me like it.

1:12:32.640 --> 1:12:35.120
<v Speaker 5>It's take the ad with it.

1:12:35.120 --> 1:12:37.800
<v Speaker 7>And I'm saying, I think after February ninth, that's when

1:12:37.840 --> 1:12:39.960
<v Speaker 7>Super Bowl is that she's gonna be thrown out.

1:12:40.600 --> 1:12:43.800
<v Speaker 1>He's just trying to shout out to Don Dubb. I

1:12:43.880 --> 1:12:46.880
<v Speaker 1>think we're overlooking his team. He is being talking. He

1:12:47.240 --> 1:12:50.439
<v Speaker 1>is being oh he has been talking with a team,

1:12:50.520 --> 1:12:53.000
<v Speaker 1>and these are moves being made. I don't think it's

1:12:53.040 --> 1:12:55.599
<v Speaker 1>his team. Don like knowing the team and the guys.

1:12:55.920 --> 1:12:59.240
<v Speaker 1>That's not his team. Just that's not how they would

1:12:59.240 --> 1:12:59.679
<v Speaker 1>do things.

1:13:01.960 --> 1:13:03.680
<v Speaker 2>And this is like another thing also that.

1:13:03.880 --> 1:13:06.840
<v Speaker 3>Like shout out to Mark. Go ahead and read Mark's comment.

1:13:07.800 --> 1:13:10.320
<v Speaker 4>Yeah, every once in a month, every month or so,

1:13:10.439 --> 1:13:12.360
<v Speaker 4>I get into I guess somebody agrees with me.

1:13:13.000 --> 1:13:13.719
<v Speaker 2>Mark, you the best.

1:13:13.760 --> 1:13:16.639
<v Speaker 4>I agree with Pete obviously the smartest guy in the room,

1:13:16.880 --> 1:13:20.240
<v Speaker 4>not me Mark. The Drake brand is about being the

1:13:20.320 --> 1:13:22.599
<v Speaker 4>top guy for ten years. His fans live and die

1:13:22.680 --> 1:13:24.960
<v Speaker 4>by him being the winner. Neither party knows what to do.

1:13:25.040 --> 1:13:25.559
<v Speaker 2>With the loss.

1:13:30.280 --> 1:13:35.240
<v Speaker 1>Shout out to Soukla, what's going on, Sue Tray, Soca,

1:13:36.040 --> 1:13:40.840
<v Speaker 1>what's going on on? My brother, Michael love Man, Welcome

1:13:40.880 --> 1:13:43.960
<v Speaker 1>back from Mexico. Thank you for the gifted ten digital

1:13:44.000 --> 1:13:46.680
<v Speaker 1>soal Box network memberships. I still don't know what that is,

1:13:46.760 --> 1:13:48.760
<v Speaker 1>but we great. It's pretty cool.

1:13:49.560 --> 1:13:51.160
<v Speaker 3>Whatever it is. I need to get figure out what

1:13:51.240 --> 1:13:51.479
<v Speaker 3>it is.

1:13:51.800 --> 1:13:52.439
<v Speaker 5>Thank you for that.

1:13:52.640 --> 1:13:52.840
<v Speaker 4>Man.

1:13:54.479 --> 1:13:56.080
<v Speaker 2>We got to call steal and ask about that.

1:13:56.520 --> 1:13:56.920
<v Speaker 3>Yeah, I know.

1:13:58.080 --> 1:14:01.120
<v Speaker 1>Shout out to black black Eye too, do you think

1:14:01.200 --> 1:14:04.200
<v Speaker 1>he is suing to protect interest? He got in other

1:14:04.280 --> 1:14:07.440
<v Speaker 1>brand deals. He got contracts with Disney's. That's a partnership.

1:14:07.720 --> 1:14:09.720
<v Speaker 1>You don't want a PDF sting with deals like that.

1:14:10.280 --> 1:14:13.640
<v Speaker 1>They didn't pull out of the deals. He doesn't need

1:14:13.760 --> 1:14:18.000
<v Speaker 1>to sue them. Disney understands it's a rap battle. Like

1:14:18.080 --> 1:14:20.960
<v Speaker 1>the fact that y'all think there's American brands that don't

1:14:21.040 --> 1:14:25.120
<v Speaker 1>understand what just happened. Like people, White people are not

1:14:25.280 --> 1:14:27.479
<v Speaker 1>as clueless as you guys would like to give it

1:14:27.680 --> 1:14:30.760
<v Speaker 1>to believe they are. They're not that clueless. Nike knows

1:14:30.840 --> 1:14:33.720
<v Speaker 1>it was a rap battle. Disney knows it was a

1:14:33.840 --> 1:14:36.719
<v Speaker 1>rap battle. Toronto raptors know it was a rap battle.

1:14:37.120 --> 1:14:40.760
<v Speaker 1>Nobody left the battle thinking to themselves, know what, Drake

1:14:41.080 --> 1:14:42.400
<v Speaker 1>just might be a pedophile.

1:14:42.560 --> 1:14:43.639
<v Speaker 3>That's not at all.

1:14:44.280 --> 1:14:46.439
<v Speaker 2>How did Ketric coup this information? And if we all

1:14:46.520 --> 1:14:46.800
<v Speaker 2>missed it?

1:14:47.320 --> 1:14:50.400
<v Speaker 3>Yes, oh you know what, shout out to Kendrick Lamar

1:14:50.439 --> 1:14:53.719
<v Speaker 3>because we had no idea, Like, that's not what's happening

1:14:53.800 --> 1:14:58.360
<v Speaker 3>though it don't make sense, shout out to shout out

1:14:58.400 --> 1:14:59.920
<v Speaker 3>to them me Todd oh g that's speed.

1:15:00.080 --> 1:15:03.240
<v Speaker 1>He making more sense than the whole Twitter world. What

1:15:03.360 --> 1:15:06.719
<v Speaker 1>he said, true, people was just tired of Drake winning.

1:15:07.040 --> 1:15:09.320
<v Speaker 1>When you win like he did all the years. Only

1:15:09.400 --> 1:15:11.000
<v Speaker 1>thing left for people to do is see if you

1:15:11.160 --> 1:15:12.360
<v Speaker 1>get to your your head.

1:15:12.240 --> 1:15:13.800
<v Speaker 3>To that could be true.

1:15:15.360 --> 1:15:15.479
<v Speaker 4>Too.

1:15:15.720 --> 1:15:15.840
<v Speaker 8>You know.

1:15:16.080 --> 1:15:19.080
<v Speaker 3>Again, people get tired of people winning that standard, but

1:15:19.439 --> 1:15:21.920
<v Speaker 3>that still is no reason to behave this way.

1:15:22.080 --> 1:15:27.040
<v Speaker 1>This is just ridiculous. I'm not reading that soon. I'm

1:15:27.080 --> 1:15:38.160
<v Speaker 1>not reading that, Sue. No, no, no, no, no, what's up.

1:15:39.120 --> 1:15:39.960
<v Speaker 3>Drake is pissed.

1:15:40.040 --> 1:15:43.280
<v Speaker 1>He refuses to believe he lost to Dot any other

1:15:43.400 --> 1:15:46.400
<v Speaker 1>rapper but died you could tell. I think he always

1:15:46.520 --> 1:15:49.360
<v Speaker 1>been scared at that. He's so pissed, he like, how

1:15:49.479 --> 1:15:51.519
<v Speaker 1>dare you? His ego is going to get the best

1:15:51.600 --> 1:15:56.920
<v Speaker 1>of him. You know what's funny? Like knowing knowing knowing

1:15:57.040 --> 1:16:00.400
<v Speaker 1>Dot right, and and he's matured obviously a million but

1:16:00.720 --> 1:16:03.240
<v Speaker 1>the core of him, I really truly believe I always

1:16:03.400 --> 1:16:05.639
<v Speaker 1>will know who he is, no matter if I hang

1:16:05.720 --> 1:16:07.320
<v Speaker 1>with him all the time like I used to, or

1:16:07.360 --> 1:16:09.240
<v Speaker 1>I don't see him often like I do now, and

1:16:09.320 --> 1:16:10.519
<v Speaker 1>I talk to him sometimes.

1:16:11.880 --> 1:16:12.240
<v Speaker 3>I think.

1:16:12.400 --> 1:16:14.840
<v Speaker 1>So there's a there's a there's a reality that Drake.

1:16:14.960 --> 1:16:18.040
<v Speaker 1>Drake took him on tour, right, Drake took him on tour,

1:16:18.120 --> 1:16:21.439
<v Speaker 1>and that was solid, But how he treated him on

1:16:21.600 --> 1:16:27.640
<v Speaker 1>tour is the problem. If you don't create that camaraderie

1:16:27.720 --> 1:16:29.800
<v Speaker 1>with somebody and you think that they should just be

1:16:29.920 --> 1:16:30.400
<v Speaker 1>grateful that.

1:16:30.479 --> 1:16:32.400
<v Speaker 3>You put him on tour. Everybody is now.

1:16:32.439 --> 1:16:34.920
<v Speaker 1>I was telling my niece this, everybody is not light

1:16:35.000 --> 1:16:37.880
<v Speaker 1>glasses Malone, Like, here's a real story.

1:16:38.080 --> 1:16:39.439
<v Speaker 3>I don't want to tell it, but I'm gonna tell

1:16:39.479 --> 1:16:41.640
<v Speaker 3>it anyway. When I first got signed to.

1:16:41.640 --> 1:16:44.240
<v Speaker 1>Black Wall Street, right shout out to facing g Ride,

1:16:44.320 --> 1:16:45.040
<v Speaker 1>don't tell a story.

1:16:46.240 --> 1:16:49.840
<v Speaker 4>Are you sure you can tell the story without getting sued? Man,

1:16:49.960 --> 1:16:53.880
<v Speaker 4>I don't want to allow you to, you know, be

1:16:54.200 --> 1:16:55.759
<v Speaker 4>subjective legal exposure.

1:16:58.120 --> 1:16:59.960
<v Speaker 3>I'll be fine. I don't think Chuck is gonna suit me.

1:17:00.600 --> 1:17:01.200
<v Speaker 3>Oh okay.

1:17:01.240 --> 1:17:02.400
<v Speaker 2>I thought this had to do with Trake.

1:17:02.520 --> 1:17:03.479
<v Speaker 3>Everybody, no, no.

1:17:03.800 --> 1:17:07.080
<v Speaker 1>So when I first start fucking with Black Wall Street,

1:17:07.320 --> 1:17:09.439
<v Speaker 1>Fox sent Rest in Peace for the most part, brought

1:17:09.520 --> 1:17:12.240
<v Speaker 1>me to Most people don't know this, but for faux

1:17:12.320 --> 1:17:14.639
<v Speaker 1>Bent or Billboard as they call him as a rapper,

1:17:15.160 --> 1:17:17.800
<v Speaker 1>brought me to Black Wall Street. Now, I knew g

1:17:18.000 --> 1:17:20.880
<v Speaker 1>Ride before. G ry was a hustler, and everybody around

1:17:20.920 --> 1:17:24.800
<v Speaker 1>the way knew who g Ryd was. I didn't know game.

1:17:25.080 --> 1:17:28.120
<v Speaker 1>I mean, I've seen Jay before it because he played

1:17:28.160 --> 1:17:29.680
<v Speaker 1>at com High School and we would go there and

1:17:29.720 --> 1:17:32.080
<v Speaker 1>our low Riders and watch the game. But I didn't

1:17:32.120 --> 1:17:35.240
<v Speaker 1>really know him. His brother Face is a legend. Big

1:17:35.360 --> 1:17:39.320
<v Speaker 1>Face was a legend amongst the generation. That's my generation,

1:17:40.080 --> 1:17:43.280
<v Speaker 1>his homeboy, his young homie, little Face and Whack who

1:17:43.360 --> 1:17:45.200
<v Speaker 1>you see in the red car that be with Game.

1:17:45.280 --> 1:17:50.120
<v Speaker 1>Not Whack from Pacoima Pou, not his manager, but Whack

1:17:50.400 --> 1:17:53.840
<v Speaker 1>from Fruit Town. Those were guys I knew from the streets.

1:17:53.880 --> 1:17:56.479
<v Speaker 1>They used to come to the neighborhood and I'd be

1:17:56.560 --> 1:17:58.600
<v Speaker 1>hustling and they be politicking, and we just had a

1:17:58.640 --> 1:18:02.000
<v Speaker 1>good time. We had a great relationlationship. But Fox sent

1:18:02.200 --> 1:18:05.559
<v Speaker 1>is the guy that took me to g Ride facing Game.

1:18:06.200 --> 1:18:09.000
<v Speaker 1>So they thought I had talent and they decided that

1:18:09.120 --> 1:18:11.439
<v Speaker 1>that I could rock with they movement. And that's where

1:18:11.600 --> 1:18:16.639
<v Speaker 1>Black Wall Street Blue Division came from. Fast Forward Game

1:18:17.000 --> 1:18:19.360
<v Speaker 1>is figuring his way out. Shout out to Jim Jones

1:18:19.400 --> 1:18:22.000
<v Speaker 1>because Jim Jones brought a lot of extra validity. I

1:18:22.520 --> 1:18:24.320
<v Speaker 1>you know, I hope Chuck wouldn't get upset fitting me

1:18:24.439 --> 1:18:26.920
<v Speaker 1>for saying this, but what with Jim Jones was able

1:18:26.960 --> 1:18:30.000
<v Speaker 1>to help secure for Game on the East Coast, You know,

1:18:30.280 --> 1:18:32.639
<v Speaker 1>just like Game gave a lot more credence to Jim

1:18:32.720 --> 1:18:35.599
<v Speaker 1>Jones being a blood, you know, being out the West.

1:18:35.640 --> 1:18:38.760
<v Speaker 1>In this connection, it benefited both of them and it

1:18:38.960 --> 1:18:41.439
<v Speaker 1>really took him, gave him his first hit record. Shout

1:18:41.479 --> 1:18:44.519
<v Speaker 1>out to Jim forgiving Chuck, you know, a certified gangsters.

1:18:44.560 --> 1:18:48.080
<v Speaker 1>That's a smash and it really made me have this

1:18:48.120 --> 1:18:50.280
<v Speaker 1>different respect from Jim Jones from that day forward.

1:18:52.280 --> 1:18:54.519
<v Speaker 3>But long story short, Game is starting to take off.

1:18:54.640 --> 1:18:57.640
<v Speaker 1>He builds this relationship with fifty cent, He's getting these

1:18:57.720 --> 1:19:00.519
<v Speaker 1>records and now it's bubbling. You can see the storm.

1:19:00.600 --> 1:19:02.600
<v Speaker 1>You can see the wave is coming. That's about to

1:19:02.640 --> 1:19:06.599
<v Speaker 1>be Game, which actually makes twenty years yesterday or this weekend.

1:19:07.040 --> 1:19:11.440
<v Speaker 1>It came out January eighteenth, so shout out to the documentary.

1:19:11.800 --> 1:19:14.360
<v Speaker 1>It went gold in the first week, but rewind that back,

1:19:15.280 --> 1:19:17.960
<v Speaker 1>so it's blowing up. It's blowing up. It takes off

1:19:18.000 --> 1:19:20.400
<v Speaker 1>boom and drops gold in the first week, five to seventy.

1:19:20.439 --> 1:19:23.920
<v Speaker 1>That's incredible. Game is about to go on tour. You know,

1:19:24.040 --> 1:19:26.479
<v Speaker 1>he's high demand him and Stupid's going on tour. He's

1:19:26.520 --> 1:19:28.880
<v Speaker 1>getting thirty thousand dollars a night to start his career.

1:19:29.080 --> 1:19:30.120
<v Speaker 1>In two thousand and five.

1:19:30.960 --> 1:19:31.080
<v Speaker 7>Right.

1:19:31.560 --> 1:19:40.680
<v Speaker 1>He bought everybody chains on Black Wall Street, everybody except Glasses, right,

1:19:42.000 --> 1:19:46.120
<v Speaker 1>And that bothered me. That emotionally bothered me. I felt

1:19:46.160 --> 1:19:48.040
<v Speaker 1>some kind of way because I'm like, damn bro, like

1:19:48.120 --> 1:19:50.479
<v Speaker 1>I'm kicking up all of dust. But again, me and

1:19:50.600 --> 1:19:54.120
<v Speaker 1>Chuck didn't have this super tough relationship. Me and Face

1:19:54.479 --> 1:19:57.120
<v Speaker 1>had this relationship, Me and g Rie, Me and Folk

1:19:57.160 --> 1:19:59.360
<v Speaker 1>sent rest in peace at that relationship. Me and Chuck

1:20:00.160 --> 1:20:02.519
<v Speaker 1>had his great relationship even though he accepted me as

1:20:02.560 --> 1:20:06.200
<v Speaker 1>a part of Black Wall Street. And I always felt

1:20:06.200 --> 1:20:07.880
<v Speaker 1>some kind of way, And I told this story before,

1:20:07.960 --> 1:20:10.120
<v Speaker 1>but I always felt some kind of way about that

1:20:10.320 --> 1:20:11.760
<v Speaker 1>maybe one day he'll be like, I'm gonna get you

1:20:11.800 --> 1:20:13.960
<v Speaker 1>your black Wall chain. But he didn't give me one.

1:20:14.400 --> 1:20:16.880
<v Speaker 1>And I watched Face have to give chains away, knowing

1:20:17.280 --> 1:20:21.479
<v Speaker 1>that he couldn't give me a chain. Now I remembered that.

1:20:21.920 --> 1:20:25.200
<v Speaker 1>But I was so grateful, you know what I'm saying,

1:20:25.280 --> 1:20:27.920
<v Speaker 1>that he still allowed me to be a part of

1:20:28.000 --> 1:20:31.439
<v Speaker 1>Black Wall Street. You know what I'm saying. I was

1:20:31.479 --> 1:20:34.760
<v Speaker 1>still so grateful for him allowing me to be a

1:20:34.840 --> 1:20:37.160
<v Speaker 1>part of Black Wall Street. That's the only thing that

1:20:37.320 --> 1:20:40.600
<v Speaker 1>mattered to me, right, So I never triped and to

1:20:40.720 --> 1:20:42.639
<v Speaker 1>this day, I'm always uber.

1:20:42.520 --> 1:20:45.280
<v Speaker 3>Grateful for game. But that's not everybody.

1:20:46.880 --> 1:20:50.680
<v Speaker 1>Everybody, you can't give them crumbs and they'll thank you

1:20:50.840 --> 1:20:53.400
<v Speaker 1>like you gave them a loaf or everybody don't understand

1:20:53.439 --> 1:20:57.559
<v Speaker 1>the value of crumbs. So if he's on tour right

1:20:57.600 --> 1:21:01.240
<v Speaker 1>and you're not treating him like family, Kendrick is a

1:21:01.320 --> 1:21:02.000
<v Speaker 1>Gemini bro.

1:21:02.479 --> 1:21:02.960
<v Speaker 8>That dude.

1:21:03.720 --> 1:21:05.760
<v Speaker 1>You really gotta fuck with him to fuck with him.

1:21:05.920 --> 1:21:09.200
<v Speaker 1>If you have fun with him, that's not cool. He

1:21:09.360 --> 1:21:11.840
<v Speaker 1>not that kind of guy, not that kind of guy.

1:21:11.840 --> 1:21:13.920
<v Speaker 1>If you have fuck with him, y'all don't fuck with

1:21:13.960 --> 1:21:18.240
<v Speaker 1>each other at all. And that's who he is. Everybody,

1:21:18.360 --> 1:21:22.240
<v Speaker 1>you can't give the minimal things too. Some people going

1:21:22.280 --> 1:21:28.240
<v Speaker 1>to demand more. Shout out to revenge. People did lead

1:21:28.280 --> 1:21:31.280
<v Speaker 1>a battle thinking here PDF people are generally not smart.

1:21:31.320 --> 1:21:33.720
<v Speaker 1>They still didn't think he was a PDF bro. That

1:21:33.840 --> 1:21:38.080
<v Speaker 1>was a very minute, ridiculous group of the population. Most

1:21:38.120 --> 1:21:40.600
<v Speaker 1>of us understood it was a joke. Shout out to

1:21:40.680 --> 1:21:43.000
<v Speaker 1>Michael Love. Thank you for the five dollars, my boy.

1:21:43.760 --> 1:21:46.720
<v Speaker 1>If a like is a platinum record, a membership is

1:21:46.760 --> 1:21:55.479
<v Speaker 1>a platinum album, My man, thank you for the Gameland.

1:21:55.800 --> 1:21:58.519
<v Speaker 1>I really look forward to see how Kendrick orchestrates his

1:21:58.600 --> 1:22:00.920
<v Speaker 1>Super Bowl performance. I think it would be one of

1:22:00.960 --> 1:22:05.280
<v Speaker 1>the ultimate moments in hip hop history. It's looking really crazy,

1:22:05.880 --> 1:22:09.280
<v Speaker 1>That's what I'm saying. He's he's just promoting Kendrick. Listen,

1:22:09.360 --> 1:22:13.280
<v Speaker 1>this is this is free promotion right now them and

1:22:14.160 --> 1:22:14.720
<v Speaker 1>thank Drake.

1:22:14.880 --> 1:22:15.439
<v Speaker 5>Thank you Drake.

1:22:17.080 --> 1:22:18.680
<v Speaker 3>What crazy is? What's crazy is?

1:22:18.760 --> 1:22:18.880
<v Speaker 5>Bro?

1:22:19.720 --> 1:22:20.519
<v Speaker 3>What's crazy is.

1:22:24.600 --> 1:22:26.800
<v Speaker 5>You see that? You see that? I got to hear

1:22:26.840 --> 1:22:28.640
<v Speaker 5>that right there? But did you did you see what it?

1:22:29.200 --> 1:22:30.000
<v Speaker 5>What's that? Right now?

1:22:30.479 --> 1:22:30.800
<v Speaker 3>What's that?

1:22:31.720 --> 1:22:33.160
<v Speaker 5>Joey respond to your boy?

1:22:33.880 --> 1:22:35.680
<v Speaker 3>That's good. That's good. I'mnna check it out out there.

1:22:36.160 --> 1:22:38.160
<v Speaker 5>They have got on that right there.

1:22:39.120 --> 1:22:44.479
<v Speaker 1>Well, you shout out my mic works niece. You always

1:22:44.560 --> 1:22:46.519
<v Speaker 1>got the back door link. It's one link, so you

1:22:46.560 --> 1:22:48.559
<v Speaker 1>could always come in Me and Peter Hosh. It ain't

1:22:48.600 --> 1:22:52.719
<v Speaker 1>no thing anytime. Shout out to Black October, So glasses.

1:22:52.760 --> 1:22:55.040
<v Speaker 1>Do you believe that Drake and Dot talked before this battle?

1:22:55.120 --> 1:22:58.519
<v Speaker 1>Like Joe Budden said, Sure, I believe it, but I

1:22:58.560 --> 1:23:01.000
<v Speaker 1>don't know what they said. You the difference if I

1:23:01.160 --> 1:23:03.080
<v Speaker 1>know what they say, because I know what Doc didn't say.

1:23:04.920 --> 1:23:07.400
<v Speaker 1>Shout out to Nick. I always thought that too, just

1:23:07.560 --> 1:23:10.280
<v Speaker 1>by that little speech Dre gave out on tour on stage,

1:23:10.360 --> 1:23:12.120
<v Speaker 1>I was looking like, Oh, he's trying the son dot.

1:23:12.760 --> 1:23:15.519
<v Speaker 1>That's to me where the thing really comes from. Just

1:23:15.600 --> 1:23:18.000
<v Speaker 1>because you took him out on tour when he was hot,

1:23:19.120 --> 1:23:21.240
<v Speaker 1>you know, if you didn't really embrace him and treat

1:23:21.360 --> 1:23:23.960
<v Speaker 1>him like you got some sense. Again, I keep telling y'all,

1:23:24.400 --> 1:23:27.839
<v Speaker 1>the black experiences is how people treat black people. Culture

1:23:27.920 --> 1:23:29.800
<v Speaker 1>is how you treat each other. So if you didn't

1:23:29.840 --> 1:23:32.280
<v Speaker 1>culturally bond with him and treat him in a certain way,

1:23:33.160 --> 1:23:35.639
<v Speaker 1>it's not gonna Really, you're not gonna get the result

1:23:35.720 --> 1:23:39.200
<v Speaker 1>you was looking for. Obviously, shout out to Pete. I

1:23:39.280 --> 1:23:41.960
<v Speaker 1>don't think they are clueless. I do believe business will

1:23:42.080 --> 1:23:45.720
<v Speaker 1>use any anything for leverage. And as far as believability

1:23:45.800 --> 1:23:47.640
<v Speaker 1>of the claims, I've heard wishes of harm on the

1:23:47.680 --> 1:23:51.760
<v Speaker 1>man on multipleccasions. That's just height the universal. Can't you

1:23:51.880 --> 1:23:55.479
<v Speaker 1>what can universal? How could Universal say, hey, you know what,

1:23:55.840 --> 1:23:58.439
<v Speaker 1>we're not gonna pay you more because you lost a battle.

1:23:58.560 --> 1:24:00.599
<v Speaker 1>That don't make sense. And if that was the case,

1:24:00.640 --> 1:24:02.720
<v Speaker 1>he could just walk off and do a deal somewhere else.

1:24:03.640 --> 1:24:05.479
<v Speaker 1>He could drop his project and walk off and do

1:24:05.560 --> 1:24:06.439
<v Speaker 1>a deal somewhere else.

1:24:08.600 --> 1:24:11.080
<v Speaker 4>I mean, the other unspoken reality of all this is

1:24:13.360 --> 1:24:17.640
<v Speaker 4>he had a song or two in this battle that

1:24:17.800 --> 1:24:22.080
<v Speaker 4>he put out. It wasn't for lack of access.

1:24:22.120 --> 1:24:23.720
<v Speaker 5>It wasn't barred in.

1:24:23.760 --> 1:24:27.040
<v Speaker 4>Any way, shape or form from being able to respond,

1:24:28.120 --> 1:24:29.160
<v Speaker 4>you know, symmetrically.

1:24:31.920 --> 1:24:34.960
<v Speaker 1>Yeah, I don't know, man, that ship is really really,

1:24:35.120 --> 1:24:42.439
<v Speaker 1>really disappointing. Unless, like Christopher Drake has quite a few

1:24:42.520 --> 1:24:45.320
<v Speaker 1>fans who identify with MAGA. I think Drake needs to

1:24:45.360 --> 1:24:48.040
<v Speaker 1>come out and fully condemned trump standing on social issues

1:24:48.080 --> 1:24:51.599
<v Speaker 1>to be legit. Listen, let me say something about.

1:24:53.040 --> 1:24:53.280
<v Speaker 8>Let me.

1:24:56.320 --> 1:24:58.720
<v Speaker 1>I don't think back of people like Drake at all.

1:25:03.200 --> 1:25:07.520
<v Speaker 1>There is no cultural vote happening when it comes to politics.

1:25:08.160 --> 1:25:10.960
<v Speaker 1>There was only one time in history that there was

1:25:11.000 --> 1:25:16.080
<v Speaker 1>a cultural sway, one time in history, this whole time.

1:25:16.520 --> 1:25:21.040
<v Speaker 1>Some black people have like Trump, some street people especially

1:25:21.400 --> 1:25:25.519
<v Speaker 1>have like Trump. You are not not black if you

1:25:25.680 --> 1:25:30.639
<v Speaker 1>vote for Trump. Trump is not anymore anti black than Biden.

1:25:32.280 --> 1:25:36.479
<v Speaker 1>They are all presidents. It's your choice. Choose who you want.

1:25:37.760 --> 1:25:40.719
<v Speaker 1>Choose who you want. It don't make you not black

1:25:41.120 --> 1:25:44.479
<v Speaker 1>if you vote for Trump or Biden. None of it matters,

1:25:44.800 --> 1:25:48.120
<v Speaker 1>I don't. If you don't vote for him, you ain't black.

1:25:48.400 --> 1:25:51.479
<v Speaker 3>He did say that. He didn't say that that was crazy.

1:25:51.520 --> 1:25:58.120
<v Speaker 3>That was some hella. He shout out said, shout out

1:25:58.160 --> 1:25:59.160
<v Speaker 3>to the homie Kelvin.

1:25:59.720 --> 1:26:02.360
<v Speaker 1>God, stop looking at the lebs and rappers for your

1:26:02.439 --> 1:26:03.439
<v Speaker 1>political ideas.

1:26:03.600 --> 1:26:05.200
<v Speaker 3>Learn history and tunes for yourself.

1:26:05.840 --> 1:26:09.080
<v Speaker 1>Exactly, dog Like, why do y'all keep trying to mention

1:26:09.720 --> 1:26:14.360
<v Speaker 1>presidents as something that's it asking people to learn and choose.

1:26:15.640 --> 1:26:17.160
<v Speaker 2>We need a more realistic approach.

1:26:18.080 --> 1:26:21.400
<v Speaker 3>Shout out to revenge. I think he wants out of

1:26:21.479 --> 1:26:21.760
<v Speaker 3>the deal.

1:26:21.920 --> 1:26:24.280
<v Speaker 1>It's the single thing that makes sense that doesn't make

1:26:24.360 --> 1:26:26.760
<v Speaker 1>sense revenge because he could have gave them the P

1:26:26.920 --> 1:26:28.679
<v Speaker 1>and D album and walked out of the deal.

1:26:29.160 --> 1:26:30.520
<v Speaker 2>The thing that makes sense.

1:26:31.880 --> 1:26:39.760
<v Speaker 4>Is parties involved realized the more Drake bitches, the more

1:26:39.960 --> 1:26:45.559
<v Speaker 4>universal makes and there's gonna be a NDA settlement where

1:26:45.600 --> 1:26:49.720
<v Speaker 4>they compensate him handsomely for the bitching and the back

1:26:49.800 --> 1:26:53.280
<v Speaker 4>door because it's made them so much money. They said,

1:26:53.320 --> 1:26:56.080
<v Speaker 4>just keep bitching, final loss or whatever. Six months will

1:26:56.240 --> 1:27:00.360
<v Speaker 4>have an NDA undisclosed settlement. We'll make sure you're taken

1:27:00.360 --> 1:27:00.600
<v Speaker 4>care of.

1:27:01.680 --> 1:27:02.760
<v Speaker 3>Yeah, it's not.

1:27:03.280 --> 1:27:05.880
<v Speaker 1>You can't give You can't get out of the deal.

1:27:06.920 --> 1:27:09.040
<v Speaker 1>You can't get out of the deal. You can't sue

1:27:09.120 --> 1:27:10.240
<v Speaker 1>yourself out of a deal.

1:27:10.640 --> 1:27:11.000
<v Speaker 3>Nothing.

1:27:11.560 --> 1:27:13.679
<v Speaker 1>That is not how you get out of a deal.

1:27:14.760 --> 1:27:17.439
<v Speaker 1>That's not it's not if you want to give them

1:27:17.479 --> 1:27:19.479
<v Speaker 1>the album, you don't want out of the deal. Why

1:27:19.560 --> 1:27:21.120
<v Speaker 1>the hell would you want out of the deal with

1:27:21.240 --> 1:27:25.519
<v Speaker 1>the best company period? That don't make sense this. I

1:27:25.680 --> 1:27:28.720
<v Speaker 1>think people are trying to pull logic to this, and

1:27:28.840 --> 1:27:33.040
<v Speaker 1>that was my mistake, right. It's not logics. Nothing about

1:27:33.120 --> 1:27:35.639
<v Speaker 1>this is logical. And I know it's hard because we're

1:27:35.680 --> 1:27:39.479
<v Speaker 1>looking at someone uber successful in this one specific business

1:27:39.520 --> 1:27:41.720
<v Speaker 1>and we're like, well, he gotta be logical because he's

1:27:41.760 --> 1:27:42.560
<v Speaker 1>been successful.

1:27:43.040 --> 1:27:43.800
<v Speaker 3>It's not true.

1:27:46.680 --> 1:27:50.200
<v Speaker 1>Shout out to Christopher. I'm surprised you and g didn't

1:27:50.360 --> 1:27:51.160
<v Speaker 1>end Drake's career.

1:27:51.479 --> 1:28:04.200
<v Speaker 3>Stay tuned yea watch Stay Tuned. That's over, say tuned.

1:28:03.920 --> 1:28:07.559
<v Speaker 1>Thog like easily he could have turned in the Party

1:28:07.640 --> 1:28:10.800
<v Speaker 1>next Door album, did the business, walked out and did

1:28:10.840 --> 1:28:13.559
<v Speaker 1>a deal with anybody else. That's not what the contract

1:28:13.640 --> 1:28:16.600
<v Speaker 1>is saying. The contract is not even asking, hey, you

1:28:16.640 --> 1:28:18.040
<v Speaker 1>know what I want to get out of this deal.

1:28:18.080 --> 1:28:20.000
<v Speaker 1>They could have negotiated to get out of the deal.

1:28:21.760 --> 1:28:23.800
<v Speaker 1>They wouldn't let him go. They own this whole prior

1:28:23.920 --> 1:28:30.479
<v Speaker 1>catalog it doesn't make sense. Shout out to Nick. I

1:28:30.600 --> 1:28:32.720
<v Speaker 1>think he wants more money. Drake knows he is not

1:28:32.840 --> 1:28:34.800
<v Speaker 1>going to get a bigger deal anywhere else. He just

1:28:34.840 --> 1:28:37.040
<v Speaker 1>wants people to believe he's trying to get out of

1:28:37.080 --> 1:28:37.360
<v Speaker 1>the deal.

1:28:37.439 --> 1:28:37.639
<v Speaker 3>Drake.

1:28:37.680 --> 1:28:40.559
<v Speaker 1>And it can't be more money. That don't make sense.

1:28:43.160 --> 1:28:46.720
<v Speaker 1>It can't be more money. He can win the same

1:28:46.800 --> 1:28:47.960
<v Speaker 1>deal with any record label.

1:28:48.080 --> 1:28:48.280
<v Speaker 3>UMG.

1:28:48.439 --> 1:28:50.799
<v Speaker 1>Don't have more money than nobody else in the record business.

1:28:51.800 --> 1:28:53.880
<v Speaker 1>They all got They all going to the same wells

1:28:53.920 --> 1:28:54.800
<v Speaker 1>to get the same money.

1:28:55.800 --> 1:28:58.080
<v Speaker 4>Unless he's not seeing it as he wants more last

1:28:58.160 --> 1:29:04.439
<v Speaker 4>money because he realizes this was an appraisal nightmare and

1:29:05.439 --> 1:29:07.759
<v Speaker 4>he needs to get money by hook or by crook

1:29:07.840 --> 1:29:14.400
<v Speaker 4>now because the damage is so significant that he could

1:29:14.400 --> 1:29:17.000
<v Speaker 4>put out an album that's gonna flop and as market

1:29:17.120 --> 1:29:19.840
<v Speaker 4>value goes from X to zero point two X.

1:29:21.720 --> 1:29:21.920
<v Speaker 5>Yeah.

1:29:21.960 --> 1:29:23.120
<v Speaker 3>But I'm gonna tell you why.

1:29:23.120 --> 1:29:25.880
<v Speaker 1>I don't believe that, Because why would you sue Spotify

1:29:26.120 --> 1:29:28.720
<v Speaker 1>or I Heart iHeart pretty much owns ninety percent of

1:29:28.760 --> 1:29:32.080
<v Speaker 1>the radio stations worth talking about in the country. Why

1:29:32.120 --> 1:29:34.599
<v Speaker 1>would you file a petition and move to sue them

1:29:34.680 --> 1:29:36.360
<v Speaker 1>and get their business under investigation?

1:29:37.600 --> 1:29:38.800
<v Speaker 3>That doesn't make sense.

1:29:40.880 --> 1:29:42.840
<v Speaker 2>I think it's almost conceding.

1:29:44.360 --> 1:29:47.479
<v Speaker 4>Career devastation and saying the only way I'm gonna continue

1:29:47.720 --> 1:29:49.640
<v Speaker 4>with some you know.

1:29:50.960 --> 1:29:52.000
<v Speaker 2>Farewell.

1:29:53.800 --> 1:29:57.280
<v Speaker 4>Retirement comp deal is through this lawsuit because I'm not

1:29:57.320 --> 1:29:59.160
<v Speaker 4>going to get another deal after this, because I'm worth

1:29:59.240 --> 1:30:01.760
<v Speaker 4>twenty cents of dollar when I was last year because

1:30:01.800 --> 1:30:06.720
<v Speaker 4>of this, Like he needs a severance package, is what

1:30:06.760 --> 1:30:09.080
<v Speaker 4>I'm saying. I think this is a severance package from

1:30:09.120 --> 1:30:11.360
<v Speaker 4>the industry in his mind. I'm not saying he's right.

1:30:11.400 --> 1:30:13.000
<v Speaker 4>I'm saying I think that's how he's looking at it.

1:30:14.360 --> 1:30:17.120
<v Speaker 1>Shout out to Peek. Around the time of Scorpion or Views,

1:30:17.240 --> 1:30:19.080
<v Speaker 1>I was ubering at the time in the city of

1:30:19.160 --> 1:30:22.720
<v Speaker 1>San Francisco. I was playing the album The Convoy of

1:30:22.760 --> 1:30:25.120
<v Speaker 1>the Passengers was how they would beat up Drake because

1:30:25.120 --> 1:30:29.679
<v Speaker 1>he saw they five eight white boys and flip flops.

1:30:29.960 --> 1:30:34.639
<v Speaker 1>The narratives can make sentiments that can be dangerous. That's

1:30:34.800 --> 1:30:37.839
<v Speaker 1>that's just standard with anything. That's standard with being popular.

1:30:38.920 --> 1:30:42.000
<v Speaker 1>Everybody thinks I sell drugs right now. Everybody thinks a

1:30:42.080 --> 1:30:44.519
<v Speaker 1>million things of me right now. They could do a

1:30:44.640 --> 1:30:48.160
<v Speaker 1>thousand things. None of it matters, Like that's not a

1:30:48.320 --> 1:30:52.479
<v Speaker 1>reason to Narratives don't even matter. Narratives of can they

1:30:52.479 --> 1:30:54.880
<v Speaker 1>whoop us? Can those five eight white boys really whoop

1:30:54.920 --> 1:31:04.320
<v Speaker 1>his ass? That just don't make no sense. Man shout

1:31:04.360 --> 1:31:07.240
<v Speaker 1>out to revenge. This is what the industry people are saying.

1:31:07.720 --> 1:31:10.800
<v Speaker 1>Those people don't know. Birdman definitely is not saying he's

1:31:10.800 --> 1:31:12.120
<v Speaker 1>trying to get out his deal, and he would know

1:31:12.520 --> 1:31:14.360
<v Speaker 1>it's a long term play to get out of his deal.

1:31:14.479 --> 1:31:15.920
<v Speaker 3>That's not a long term play.

1:31:16.840 --> 1:31:18.920
<v Speaker 1>I'm just saying that's the only thing people can come

1:31:18.960 --> 1:31:21.320
<v Speaker 1>to bat with that's anything close to make sense. That

1:31:21.439 --> 1:31:24.400
<v Speaker 1>don't make sense revenge because if you had a goal,

1:31:24.560 --> 1:31:26.479
<v Speaker 1>if your goal was to get out of a deal

1:31:27.080 --> 1:31:29.120
<v Speaker 1>you feel me and still be in the music industry,

1:31:29.200 --> 1:31:32.160
<v Speaker 1>you wouldn't sue the number one person who promotes your records,

1:31:33.000 --> 1:31:36.200
<v Speaker 1>that's iHeart. You wouldn't sue the number one distributor of

1:31:36.320 --> 1:31:39.759
<v Speaker 1>your record in Spotify. Those are people now that cannot

1:31:39.840 --> 1:31:44.200
<v Speaker 1>offer you any extra opportunities. Like that don't make sense.

1:31:47.439 --> 1:31:52.519
<v Speaker 1>Got that doesn't really make sense. Revenge like that don't

1:31:52.600 --> 1:31:55.320
<v Speaker 1>make sense. It's not a long term play. I don't

1:31:55.360 --> 1:31:57.400
<v Speaker 1>know which industry person, but I make sure I have

1:31:57.479 --> 1:32:00.400
<v Speaker 1>a loan to have that conversation with them. He doesn't

1:32:00.439 --> 1:32:02.400
<v Speaker 1>make sense as a long term play to get out

1:32:02.439 --> 1:32:06.120
<v Speaker 1>of his deal. That don't make sense, because then you

1:32:06.160 --> 1:32:08.800
<v Speaker 1>wouldn't sue iHeart, You wouldn't sue the radio stations that

1:32:08.880 --> 1:32:12.040
<v Speaker 1>you're gonna need to put market your records anyway. That

1:32:12.240 --> 1:32:15.280
<v Speaker 1>just don't make sense. You wouldn't sue Spotify. You're gonna

1:32:15.360 --> 1:32:20.280
<v Speaker 1>need them to help you market the record. That don't

1:32:20.320 --> 1:32:23.360
<v Speaker 1>make sense neither. That's if you need them, Joe Budden,

1:32:23.479 --> 1:32:25.599
<v Speaker 1>then he's saying he's going to Kanye route. That don't

1:32:25.600 --> 1:32:28.920
<v Speaker 1>make sense. Kanye needed them. Kanye couldn't make it happen.

1:32:29.000 --> 1:32:31.240
<v Speaker 1>Kanye had to sneak in the back door of one

1:32:31.360 --> 1:32:33.520
<v Speaker 1>company so we can get label services.

1:32:34.600 --> 1:32:37.000
<v Speaker 3>He didn't just go independent. He had to go to

1:32:37.120 --> 1:32:38.800
<v Speaker 3>a company that wasn't gonna fuck with him.

1:32:39.280 --> 1:32:39.599
<v Speaker 4>Kanye.

1:32:39.720 --> 1:32:42.120
<v Speaker 1>Shit is really going through a lot right now, whether

1:32:42.200 --> 1:32:45.719
<v Speaker 1>people know it or not. You know what I'm saying,

1:32:45.880 --> 1:32:48.439
<v Speaker 1>It's a lot going on with that. Like they put

1:32:48.560 --> 1:32:50.400
<v Speaker 1>him out of the door Dog. He put out a

1:32:50.479 --> 1:32:52.640
<v Speaker 1>record the first week, the record win number one. The

1:32:52.760 --> 1:32:55.320
<v Speaker 1>company kicked him out the next week and he didn't

1:32:55.320 --> 1:32:58.080
<v Speaker 1>even charted the fire Revenge.

1:32:58.120 --> 1:32:59.240
<v Speaker 3>It's a lot to this shit.

1:32:59.320 --> 1:33:03.439
<v Speaker 1>Brous me dog like this don't make sense even if

1:33:03.479 --> 1:33:06.080
<v Speaker 1>he thought to go independent, and he wouldn't be trying

1:33:06.080 --> 1:33:10.840
<v Speaker 1>to go to Kanye Wrout like there's no I mean,

1:33:11.040 --> 1:33:13.760
<v Speaker 1>like Kanye rout is no artist wants to go to

1:33:14.040 --> 1:33:17.240
<v Speaker 1>Kanye didn't want to go to Kanye Rout. Kanye didn't

1:33:17.240 --> 1:33:20.200
<v Speaker 1>want to go independent. Kanye talks about how he went

1:33:20.280 --> 1:33:22.360
<v Speaker 1>to every label and no label would give him a deal.

1:33:22.439 --> 1:33:25.000
<v Speaker 1>Y'all didn't see that before he put out that album,

1:33:25.520 --> 1:33:27.599
<v Speaker 1>like he was trying to get another deal. They all

1:33:27.720 --> 1:33:31.360
<v Speaker 1>turned their back on him. He did not want to

1:33:31.439 --> 1:33:34.960
<v Speaker 1>go independent. Kanye did not nothing about Kanye. He don't

1:33:35.000 --> 1:33:37.599
<v Speaker 1>want to have to do this. You have to if

1:33:37.640 --> 1:33:45.920
<v Speaker 1>you piss off a group of people, Yeah, shout out

1:33:45.960 --> 1:33:50.240
<v Speaker 1>to Christopher. Exhibit explained that Drake underestimated Kendrick. All true,

1:33:50.640 --> 1:33:53.040
<v Speaker 1>Drake believed that he was invincible because he was carried

1:33:53.080 --> 1:33:55.519
<v Speaker 1>by Wayne, was welcome by the industry, but he didn't

1:33:55.560 --> 1:33:56.120
<v Speaker 1>really rap.

1:33:56.800 --> 1:33:58.200
<v Speaker 3>I think Drake really raps.

1:33:58.280 --> 1:34:01.519
<v Speaker 1>Well, that's probably not true, but I think he overestimated himself.

1:34:01.800 --> 1:34:03.599
<v Speaker 3>I don't estimated Kendrick.

1:34:03.920 --> 1:34:06.559
<v Speaker 4>And I think that other part where like he did

1:34:06.760 --> 1:34:12.600
<v Speaker 4>get a really manicured path to stardom. Like hyper accelerated.

1:34:13.880 --> 1:34:17.519
<v Speaker 4>And it might not be that he can't wrap, but

1:34:17.640 --> 1:34:23.120
<v Speaker 4>it's more so like I don't think he appreciated the

1:34:23.280 --> 1:34:28.760
<v Speaker 4>degree to which, like, like how distinctly an outsider he was.

1:34:30.880 --> 1:34:32.400
<v Speaker 2>Relative to everybody else there.

1:34:37.160 --> 1:34:41.000
<v Speaker 1>I don't know this whole time is just so disappointed, man,

1:34:41.200 --> 1:34:45.400
<v Speaker 1>I like, it really messed me up spiritually. I mean,

1:34:45.560 --> 1:34:48.800
<v Speaker 1>just watching somebody do this like just this. I hate

1:34:48.880 --> 1:34:51.400
<v Speaker 1>when I see disingenuous people.

1:34:57.040 --> 1:35:00.000
<v Speaker 7>You gotta see what Jim Jones said about this. Jim said,

1:35:00.120 --> 1:35:03.880
<v Speaker 7>some gym sets some I don't agree with him though,

1:35:03.960 --> 1:35:06.519
<v Speaker 7>but some people are seeing this in a whole other way.

1:35:06.640 --> 1:35:06.800
<v Speaker 5>Man.

1:35:07.400 --> 1:35:10.400
<v Speaker 7>What he's saying, I mean, he basically said, like like

1:35:10.479 --> 1:35:12.559
<v Speaker 7>I said earlier, but we started, we started the partum,

1:35:12.600 --> 1:35:15.040
<v Speaker 7>We started to stream off that People looking at that

1:35:15.120 --> 1:35:18.040
<v Speaker 7>ship like, yo, he ain't like he's suing Kendrick. He's swing.

1:35:18.200 --> 1:35:21.800
<v Speaker 7>He's swing a billion dollar company right now, and he's

1:35:21.800 --> 1:35:24.120
<v Speaker 7>trying to walk away with a bill. I'm saying, how

1:35:24.160 --> 1:35:25.000
<v Speaker 7>you're gonna be mad at him?

1:35:25.000 --> 1:35:25.599
<v Speaker 5>He say? People?

1:35:25.640 --> 1:35:27.360
<v Speaker 7>You know, honey, people you know that got lawsuits in

1:35:27.400 --> 1:35:30.000
<v Speaker 7>the hood. People got I got He said, he ain't

1:35:30.040 --> 1:35:33.080
<v Speaker 7>doing nothing but doing a lawsuit. He said he ain't

1:35:33.120 --> 1:35:35.439
<v Speaker 7>put it on. Kendrick went on for a long run

1:35:35.560 --> 1:35:37.519
<v Speaker 7>though too. I couldn't get with it though.

1:35:38.760 --> 1:35:42.200
<v Speaker 4>I mean, he's he's doing the equivalent of, rather than

1:35:44.120 --> 1:35:47.719
<v Speaker 4>suing the other driver that hit you, I'll sue General

1:35:47.800 --> 1:35:49.639
<v Speaker 4>Motors because they have a due check book.

1:35:50.640 --> 1:35:53.680
<v Speaker 1>Yeah, but even that, even that concept and shout out

1:35:53.720 --> 1:35:55.679
<v Speaker 1>to Gym and all the dip Set brothers were staying

1:35:55.760 --> 1:35:57.720
<v Speaker 1>loyal to somebody that they feel like he's loyal to

1:35:57.800 --> 1:36:00.920
<v Speaker 1>them and showed them love cheap love, you know what

1:36:00.920 --> 1:36:04.760
<v Speaker 1>I mean, cheap love. So it's like they want to

1:36:04.840 --> 1:36:08.320
<v Speaker 1>make sense of it, but everybody knows that this is wrong.

1:36:08.640 --> 1:36:11.720
<v Speaker 1>Cam knows is wrong, Jim knows is wrong. And I

1:36:11.840 --> 1:36:15.600
<v Speaker 1>respect that they're trying to stay loyal to you know,

1:36:15.680 --> 1:36:17.720
<v Speaker 1>he made the Dipset song and brought him out, and

1:36:17.840 --> 1:36:20.639
<v Speaker 1>they're trying to stay loyal. But you know, this probably

1:36:20.680 --> 1:36:23.040
<v Speaker 1>ain't the time because it's more devastating the people that

1:36:23.120 --> 1:36:25.080
<v Speaker 1>come from your community that need to come through the

1:36:25.680 --> 1:36:28.840
<v Speaker 1>same hallways after you. Well, I don't know if that's wise.

1:36:29.080 --> 1:36:31.200
<v Speaker 1>I mean, sometimes you got to stand up and be like, hey,

1:36:31.240 --> 1:36:35.280
<v Speaker 1>that's wrong. If that's really your partner, if that's really

1:36:35.360 --> 1:36:38.839
<v Speaker 1>your partner. You feel me, then you know he gonna understand,

1:36:38.880 --> 1:36:40.920
<v Speaker 1>he gonna respect you. But if you got to just

1:36:41.520 --> 1:36:44.320
<v Speaker 1>be blind and just agree with people doing things, that's

1:36:44.400 --> 1:36:50.920
<v Speaker 1>more harmful in the long run. It's ridiculous. Shout out

1:36:50.960 --> 1:36:53.240
<v Speaker 1>to p If everything you say is true, then his

1:36:53.360 --> 1:36:56.200
<v Speaker 1>teammate's solid. They voting and Jessic greing or not working

1:36:56.280 --> 1:36:58.920
<v Speaker 1>in his interest. That's what's happening. That's what I've been saying.

1:36:58.960 --> 1:37:01.000
<v Speaker 1>This is the problem of living in an echo chamber

1:37:01.040 --> 1:37:05.200
<v Speaker 1>of people on payroll. They are on payroll. You don't

1:37:05.280 --> 1:37:11.360
<v Speaker 1>get great integrity from your neutral confidants when you're paying them.

1:37:13.400 --> 1:37:17.559
<v Speaker 1>Shout out to revenge Glasses. What is the endplay? What's

1:37:17.600 --> 1:37:20.000
<v Speaker 1>the positive for Drake? I don't believe he's doing this

1:37:20.160 --> 1:37:23.000
<v Speaker 1>to double down on being a loser. What's the silver

1:37:23.120 --> 1:37:29.280
<v Speaker 1>lining for him? There's something somewhere. Okay, the route he's

1:37:29.360 --> 1:37:35.120
<v Speaker 1>going is only bad. The route he's going can only

1:37:35.400 --> 1:37:40.640
<v Speaker 1>end badly. Like it's not like he's not going to

1:37:40.720 --> 1:37:44.080
<v Speaker 1>win his lawsuit, right, He's not going to win his lawsuit.

1:37:44.640 --> 1:37:47.040
<v Speaker 3>So everything they start to drag out in court.

1:37:47.600 --> 1:37:51.000
<v Speaker 1>Right, What I'm hoping is he's doing this as a

1:37:51.120 --> 1:37:53.720
<v Speaker 1>goal to try to stop Kendrick from doing not like

1:37:53.880 --> 1:37:56.400
<v Speaker 1>us at the super Bowl, trying to get people to

1:37:56.479 --> 1:37:59.920
<v Speaker 1>disassociate from the song. But what he doesn't understand is

1:38:00.240 --> 1:38:05.960
<v Speaker 1>American business is in business with Americans. So there's no

1:38:06.160 --> 1:38:09.439
<v Speaker 1>way to label right who you are suing. Right, You're

1:38:09.479 --> 1:38:12.040
<v Speaker 1>not going to scare them. They have way deeper pockets

1:38:12.080 --> 1:38:15.160
<v Speaker 1>than you. They have way deeper connections in this court

1:38:15.560 --> 1:38:18.320
<v Speaker 1>system than you. They have everything that you don't have.

1:38:18.520 --> 1:38:21.680
<v Speaker 1>They're in business with the NFL, who's in business with Spotify,

1:38:22.000 --> 1:38:24.920
<v Speaker 1>who's in business with iHeart right, So you're not.

1:38:25.080 --> 1:38:26.679
<v Speaker 2>Going to move the NFL.

1:38:27.000 --> 1:38:30.280
<v Speaker 4>By the way, it's undefeated in the courtrooms in this country.

1:38:30.960 --> 1:38:34.559
<v Speaker 4>You see who The NFL does not lose court cases

1:38:34.680 --> 1:38:35.360
<v Speaker 4>in this country.

1:38:35.680 --> 1:38:38.840
<v Speaker 2>They don't. Right, even when they.

1:38:38.800 --> 1:38:41.840
<v Speaker 4>Lose emphatically, they believe me, they win an appeal I

1:38:41.880 --> 1:38:45.679
<v Speaker 4>could pull up, I could cite examples from here Sunday.

1:38:46.080 --> 1:38:49.800
<v Speaker 1>They do not lose in court in this country. So again,

1:38:49.880 --> 1:38:53.519
<v Speaker 1>it's one of those things where it's like the song

1:38:53.680 --> 1:38:56.639
<v Speaker 1>is going to happen. So what I'm hoping is once

1:38:56.720 --> 1:38:58.720
<v Speaker 1>the song happened, he moves off of it. Once the

1:38:58.800 --> 1:39:01.800
<v Speaker 1>Grammy's happened, he moves off of it. But the reality

1:39:02.000 --> 1:39:06.160
<v Speaker 1>is he's done so much damage to the reputation and

1:39:06.760 --> 1:39:10.040
<v Speaker 1>the relationship between him and U MG. So it's like

1:39:10.160 --> 1:39:13.600
<v Speaker 1>when you asking me specifically, like you know, what is

1:39:13.680 --> 1:39:16.680
<v Speaker 1>the endplay for Drake? I don't think. I think this

1:39:16.960 --> 1:39:20.160
<v Speaker 1>wasn't thought out. Like I know for sure a birdman

1:39:20.240 --> 1:39:21.920
<v Speaker 1>told him no, and I know for sure J Prince

1:39:21.960 --> 1:39:24.640
<v Speaker 1>said no. I know they said no. I know that

1:39:24.760 --> 1:39:28.200
<v Speaker 1>for a fact. But what's the endplay is?

1:39:28.880 --> 1:39:29.439
<v Speaker 3>You know what I mean?

1:39:29.800 --> 1:39:33.559
<v Speaker 1>All he's doing is digging a deeper hole where it's

1:39:33.680 --> 1:39:36.640
<v Speaker 1>like how do you climb out of the hole? Like

1:39:37.000 --> 1:39:39.799
<v Speaker 1>in real life, all of this stuff needs to be dropped.

1:39:40.640 --> 1:39:42.519
<v Speaker 1>All of this stuff needs to be dropped. You need

1:39:42.600 --> 1:39:44.840
<v Speaker 1>to focus on dropping a P and D album. You

1:39:44.920 --> 1:39:48.439
<v Speaker 1>need to go apologize Universal for being ridiculous. He need

1:39:48.560 --> 1:39:50.519
<v Speaker 1>to make a song that comes out the same day

1:39:50.560 --> 1:39:53.559
<v Speaker 1>the super Bowl happens. Stay in this case, be dope,

1:39:53.920 --> 1:39:57.000
<v Speaker 1>do his thing. But if you keep going down this

1:39:57.280 --> 1:40:01.880
<v Speaker 1>path that you're going, it's a different kind of suicide.

1:40:05.280 --> 1:40:10.520
<v Speaker 2>You say, who it's it's a severance package settlement.

1:40:11.720 --> 1:40:12.080
<v Speaker 3>Gasp.

1:40:15.320 --> 1:40:15.839
<v Speaker 8>I agree.

1:40:16.800 --> 1:40:18.320
<v Speaker 4>I think he looks at it as this is this,

1:40:18.520 --> 1:40:22.760
<v Speaker 4>this is a retirement package. I'm trying to sue for

1:40:22.880 --> 1:40:25.120
<v Speaker 4>before this thing goes to trial, and hopes that this

1:40:25.240 --> 1:40:26.960
<v Speaker 4>group just wants to get the hell out of this

1:40:27.040 --> 1:40:30.479
<v Speaker 4>situation because I'm done, I think so.

1:40:30.760 --> 1:40:30.960
<v Speaker 3>Yeah.

1:40:31.000 --> 1:40:33.320
<v Speaker 1>But but even even if that's the case, So y'are

1:40:33.400 --> 1:40:39.880
<v Speaker 1>saying he's conceding of being a musician at this point, Yes, yes, look.

1:40:39.760 --> 1:40:40.880
<v Speaker 2>At the cycle he.

1:40:42.360 --> 1:40:45.519
<v Speaker 4>It takes once you once your star burns out in

1:40:45.600 --> 1:40:47.640
<v Speaker 4>that genre, it takes about ten years.

1:40:47.439 --> 1:40:51.679
<v Speaker 2>Before now you're throwback. You know, now you're.

1:40:53.160 --> 1:40:57.000
<v Speaker 4>You go from being cool to being like nostalgic. So

1:40:57.120 --> 1:40:59.360
<v Speaker 4>you know there's going to be a drought window. He

1:40:59.479 --> 1:41:02.719
<v Speaker 4>wants a big settlement, can negotiate for now to compensate

1:41:02.800 --> 1:41:05.040
<v Speaker 4>through that before seven eight years from now, people, let

1:41:05.200 --> 1:41:06.880
<v Speaker 4>you know, forget about this. Who cares, you know what.

1:41:07.080 --> 1:41:08.960
<v Speaker 4>I used to love those songs. I used to you know,

1:41:09.400 --> 1:41:11.160
<v Speaker 4>hook up with girls of those songs. Yeah, that would

1:41:11.200 --> 1:41:13.040
<v Speaker 4>be fun. Mean so, and so we'll go, we'll go

1:41:13.120 --> 1:41:13.920
<v Speaker 4>see the live show.

1:41:14.520 --> 1:41:17.000
<v Speaker 8>I think hip hop was just a phase. Well, rapper

1:41:17.160 --> 1:41:19.560
<v Speaker 8>was just a phase for him, I really think so.

1:41:20.760 --> 1:41:24.280
<v Speaker 3>I think y'all both are completely wrong because.

1:41:26.479 --> 1:41:30.640
<v Speaker 1>I think y'all watching him doing he's not making decisions

1:41:30.680 --> 1:41:32.320
<v Speaker 1>based off what's the smartest thing.

1:41:32.880 --> 1:41:35.360
<v Speaker 3>He's making decisions based off how he feels.

1:41:36.000 --> 1:41:40.080
<v Speaker 8>I think y'all keep trying to make him like I

1:41:40.280 --> 1:41:41.840
<v Speaker 8>want to still be here, But I really think that

1:41:41.920 --> 1:41:43.760
<v Speaker 8>he just doesn't want to be here anymore because it's

1:41:43.800 --> 1:41:45.000
<v Speaker 8>not benefiting him anymore.

1:41:46.520 --> 1:41:49.160
<v Speaker 3>I don't think there's nothing that he could do could benefit.

1:41:48.960 --> 1:41:55.240
<v Speaker 8>Him going back to acting that Oh well, I.

1:41:55.280 --> 1:41:58.040
<v Speaker 2>Haven't seen him dabbling and acting in a long time.

1:41:59.520 --> 1:42:04.160
<v Speaker 1>I'm telling of y'all. He's having There's no logical stands

1:42:04.240 --> 1:42:06.160
<v Speaker 1>for this. It's not even like, oh, you know what,

1:42:06.200 --> 1:42:08.400
<v Speaker 1>I'm gonna get some money. It's like, oh, I'm mad,

1:42:08.840 --> 1:42:14.000
<v Speaker 1>there's nothing I can do but this versus like, I

1:42:14.080 --> 1:42:16.080
<v Speaker 1>don't think he's conceding on being a rapper.

1:42:17.320 --> 1:42:19.639
<v Speaker 8>Why don't you think that his music that he's dropped

1:42:19.640 --> 1:42:20.320
<v Speaker 8>since the battle?

1:42:22.000 --> 1:42:28.560
<v Speaker 3>But he's dropping, but he's dropping, but he's dropping music.

1:42:29.800 --> 1:42:32.280
<v Speaker 8>From the outside, so.

1:42:32.680 --> 1:42:36.080
<v Speaker 1>Like so then so then he can't not just want

1:42:36.120 --> 1:42:38.559
<v Speaker 1>to give up music because he's dropping music. I can

1:42:38.600 --> 1:42:40.599
<v Speaker 1>see from the drops.

1:42:40.800 --> 1:42:49.400
<v Speaker 2>The more it fails, the more yeah reality.

1:42:50.080 --> 1:42:53.880
<v Speaker 1>Yeah, so then that means so then he still hasn't

1:42:53.960 --> 1:42:56.160
<v Speaker 1>gave up on dropping music.

1:42:56.520 --> 1:42:58.360
<v Speaker 3>He has because he.

1:43:00.200 --> 1:43:02.439
<v Speaker 2>Also and then he filed this suit.

1:43:03.360 --> 1:43:05.479
<v Speaker 3>No, he put out so so so you're saying he

1:43:05.520 --> 1:43:07.800
<v Speaker 3>won't put out any more music. That's what you think

1:43:07.840 --> 1:43:09.760
<v Speaker 3>with you, I think as soon as I think, as

1:43:09.840 --> 1:43:14.680
<v Speaker 3>soon as he I think as soon as he them.

1:43:14.760 --> 1:43:17.160
<v Speaker 3>So it's not like he's he's trying to pay the debt.

1:43:17.600 --> 1:43:20.920
<v Speaker 3>Then why is he still dropping music if he doesn't

1:43:21.000 --> 1:43:21.519
<v Speaker 3>want to rap.

1:43:23.360 --> 1:43:25.000
<v Speaker 7>I think as soon as he knew he was going

1:43:25.040 --> 1:43:27.639
<v Speaker 7>to put this law suit out, I think he knew

1:43:27.680 --> 1:43:28.920
<v Speaker 7>his musical career was done.

1:43:29.600 --> 1:43:29.800
<v Speaker 3>Yeah.

1:43:29.880 --> 1:43:33.080
<v Speaker 4>I don't think he doesn't rap so much as I

1:43:33.200 --> 1:43:36.040
<v Speaker 4>think he realizes it's over for me.

1:43:38.600 --> 1:43:43.120
<v Speaker 7>Similar It's almost some man I hate do the comparison

1:43:43.200 --> 1:43:46.920
<v Speaker 7>of it though, but like but like when the kind

1:43:46.920 --> 1:43:48.360
<v Speaker 7>of Capetts with the NFL.

1:43:48.479 --> 1:43:49.640
<v Speaker 5>You know what career was done after that?

1:43:53.280 --> 1:43:54.360
<v Speaker 3>No, he did nothing.

1:43:56.240 --> 1:43:58.920
<v Speaker 5>Off trying. Did you think did you think it was

1:43:58.960 --> 1:43:59.439
<v Speaker 5>done after that?

1:44:00.280 --> 1:44:00.960
<v Speaker 8>No? I didn't.

1:44:01.479 --> 1:44:03.880
<v Speaker 3>I knew that. I knew it was.

1:44:03.960 --> 1:44:07.080
<v Speaker 10>The podcast we ever did was in Englewood with head

1:44:07.360 --> 1:44:10.760
<v Speaker 10>and you and me and I said this was the

1:44:10.840 --> 1:44:12.760
<v Speaker 10>response to the fact that he was on the cut

1:44:12.880 --> 1:44:15.479
<v Speaker 10>block the week before the first knee.

1:44:17.160 --> 1:44:22.400
<v Speaker 1>Yeah, but it wasn't he wasn't given into playing football, Like,

1:44:22.520 --> 1:44:24.439
<v Speaker 1>y'all gotta stop giving people this credit.

1:44:24.280 --> 1:44:25.559
<v Speaker 2>For he didn't.

1:44:25.600 --> 1:44:28.120
<v Speaker 4>He was setting up tryouts for PR and then not

1:44:28.240 --> 1:44:29.320
<v Speaker 4>showing up at the tryouts.

1:44:30.280 --> 1:44:32.640
<v Speaker 3>He was showing then why would he set up the

1:44:32.680 --> 1:44:34.920
<v Speaker 3>PR for the tryouts because the.

1:44:36.720 --> 1:44:39.080
<v Speaker 2>For the exactly because he was doing them for the

1:44:39.120 --> 1:44:40.639
<v Speaker 2>PR to maintain the relevance.

1:44:42.240 --> 1:44:47.280
<v Speaker 5>That don't well, so he sold the NFL. It was over.

1:44:49.240 --> 1:44:50.720
<v Speaker 8>After, got to stop.

1:44:52.439 --> 1:44:56.559
<v Speaker 9>Stop his talent wise, like.

1:44:56.760 --> 1:44:59.120
<v Speaker 7>Like I always said, like that though, wait, he could

1:44:59.120 --> 1:45:01.240
<v Speaker 7>have been a third straight on second string somewhere though,

1:45:01.280 --> 1:45:03.160
<v Speaker 7>and I'm saying like that, that could have happened right there.

1:45:03.160 --> 1:45:05.160
<v Speaker 5>He didn't want that though. As soon as he sw.

1:45:05.080 --> 1:45:07.479
<v Speaker 7>The NFL, he wasn't gonna get that man, no job,

1:45:07.560 --> 1:45:09.599
<v Speaker 7>no more. That's the same thing with Drake right now.

1:45:09.840 --> 1:45:12.000
<v Speaker 2>But that was a ninety million dollar pay cut he

1:45:12.080 --> 1:45:12.880
<v Speaker 2>was poised to take to.

1:45:12.960 --> 1:45:16.920
<v Speaker 9>Do that, to go Secon, to go Thirsdt, right, he

1:45:16.920 --> 1:45:19.440
<v Speaker 9>would have had to have killed.

1:45:19.240 --> 1:45:21.639
<v Speaker 4>That contract to get picked up off of a different

1:45:21.680 --> 1:45:23.439
<v Speaker 4>waiver stream to be able to come back and get

1:45:23.479 --> 1:45:25.479
<v Speaker 4>paid like a third string quarterback. He was like the

1:45:26.400 --> 1:45:28.800
<v Speaker 4>third or fourth highest paid contract in the NFL. And

1:45:28.800 --> 1:45:30.760
<v Speaker 4>they realized this is a terrible deal.

1:45:32.280 --> 1:45:34.080
<v Speaker 3>I don't think he was done with football when he

1:45:34.160 --> 1:45:34.400
<v Speaker 3>did that.

1:45:34.600 --> 1:45:36.920
<v Speaker 1>I think he is something I thought that he thought

1:45:37.040 --> 1:45:38.760
<v Speaker 1>was going to matter, and he thought he would find

1:45:38.800 --> 1:45:41.000
<v Speaker 1>his way back to the stootball. Like I think Drake

1:45:41.160 --> 1:45:43.640
<v Speaker 1>is doing the same thing from an emotional place, but

1:45:43.760 --> 1:45:45.559
<v Speaker 1>he think he gonna find his way back to music.

1:45:48.520 --> 1:45:52.160
<v Speaker 5>What would you do if one of your employees sued

1:45:52.240 --> 1:45:53.840
<v Speaker 5>you as they was.

1:45:53.840 --> 1:45:54.400
<v Speaker 9>Working for you.

1:45:57.040 --> 1:46:01.920
<v Speaker 7>The worst thing in the world, Like what even though,

1:46:02.040 --> 1:46:05.240
<v Speaker 7>even though I'm not gonna lie, even though my cousin

1:46:05.320 --> 1:46:08.479
<v Speaker 7>worked at the hospital, he got hit in the head.

1:46:08.520 --> 1:46:10.080
<v Speaker 7>He got hit in the head with some ship like

1:46:10.920 --> 1:46:13.720
<v Speaker 7>again a certainty room with some ship like that. You know,

1:46:14.080 --> 1:46:17.000
<v Speaker 7>it had like a gash and some ship Sue. Sue

1:46:17.240 --> 1:46:19.799
<v Speaker 7>was stayed out on fucking sickly because of the injury

1:46:19.840 --> 1:46:23.160
<v Speaker 7>and ship like that. Sue the hospital got his money

1:46:23.160 --> 1:46:24.040
<v Speaker 7>and then went back to work.

1:46:25.800 --> 1:46:31.160
<v Speaker 4>And tell the reason why there's laws against like retributive termination,

1:46:32.160 --> 1:46:35.000
<v Speaker 4>you know over that I'm telling y'all again.

1:46:34.840 --> 1:46:40.680
<v Speaker 8>Man, Okay, So where does he go after this? With

1:46:40.840 --> 1:46:43.120
<v Speaker 8>all the bad decisions? What's next?

1:46:44.120 --> 1:46:46.559
<v Speaker 3>I don't think he really made a bunch of bad decisions.

1:46:46.600 --> 1:46:50.000
<v Speaker 3>He just lost the battle this is the first bad decision.

1:46:51.920 --> 1:46:53.760
<v Speaker 5>You don't think, you don't think fucking you know? They

1:46:53.880 --> 1:46:55.720
<v Speaker 5>telling me it's a bad decision.

1:46:56.560 --> 1:47:00.479
<v Speaker 1>That's creatively a bad decision, that's not a bad like,

1:47:00.600 --> 1:47:03.439
<v Speaker 1>this is the first bad business decision I've seen him

1:47:03.479 --> 1:47:07.680
<v Speaker 1>make that's bad creatively for a battle, this is like

1:47:08.280 --> 1:47:12.519
<v Speaker 1>almost career suicide. But I think again, I think he's

1:47:12.600 --> 1:47:15.920
<v Speaker 1>either you know what, it's the same thing. He's over

1:47:17.080 --> 1:47:22.000
<v Speaker 1>rating himself. He don't quite realize what's happening. And I

1:47:22.120 --> 1:47:24.400
<v Speaker 1>know it seemed like he should because he made, you know,

1:47:25.000 --> 1:47:26.519
<v Speaker 1>hundreds and millions of dollars off of this.

1:47:26.560 --> 1:47:28.760
<v Speaker 8>Shit at this point, So he didn't realize that he

1:47:28.880 --> 1:47:31.760
<v Speaker 8>was just the product. He thought he was the No,

1:47:31.920 --> 1:47:32.240
<v Speaker 8>we don't.

1:47:32.280 --> 1:47:35.559
<v Speaker 4>He do not think he just the product, of course

1:47:35.600 --> 1:47:39.680
<v Speaker 4>not nobody wants to ever believe that sort of wherewithal.

1:47:39.680 --> 1:47:43.880
<v Speaker 1>Yes, there you go, that's the word. Wherewith the I think,

1:47:44.160 --> 1:47:46.400
<v Speaker 1>shout out to Amblewall. She said, just what I thought.

1:47:47.360 --> 1:47:50.960
<v Speaker 1>It's just his feelings are extremely hurt and confused about

1:47:51.080 --> 1:47:53.920
<v Speaker 1>not being like us. His last drop was dissing Lebron

1:47:54.040 --> 1:47:57.280
<v Speaker 1>For Christ's sake. He's but hurt, spiraling out of control.

1:47:57.479 --> 1:47:58.600
<v Speaker 1>It's all emotional.

1:47:58.760 --> 1:47:59.360
<v Speaker 3>I agree.

1:48:00.040 --> 1:48:02.360
<v Speaker 1>I think we're looking at somebody whose feelings are so

1:48:02.680 --> 1:48:04.880
<v Speaker 1>hurt that they just need to try to get their

1:48:04.920 --> 1:48:05.400
<v Speaker 1>lick back.

1:48:05.640 --> 1:48:07.200
<v Speaker 3>You ever been in a fight with somebody.

1:48:09.080 --> 1:48:12.439
<v Speaker 1>You ever been in a fight with somebody and they

1:48:12.600 --> 1:48:16.439
<v Speaker 1>fight you and they can't whoop you, but they just

1:48:16.560 --> 1:48:18.720
<v Speaker 1>want to hit you so bad, so it allows you

1:48:18.800 --> 1:48:21.120
<v Speaker 1>to hit him like twelve times because they just keep

1:48:21.200 --> 1:48:21.720
<v Speaker 1>trying to hit you.

1:48:21.840 --> 1:48:24.400
<v Speaker 3>And it's like, like I've had my shout out to

1:48:24.479 --> 1:48:26.840
<v Speaker 3>my little brother. He used to be like that. He

1:48:26.960 --> 1:48:27.720
<v Speaker 3>couldn't whoop me.

1:48:27.760 --> 1:48:31.200
<v Speaker 1>To save his life, Vince and Uncle Vince, and he

1:48:31.200 --> 1:48:33.759
<v Speaker 1>couldn't whoop me. Ever, because I was good at fighting.

1:48:33.800 --> 1:48:37.840
<v Speaker 1>I was taller, longer, more coordinated, and he would try

1:48:37.920 --> 1:48:40.200
<v Speaker 1>to hit me and I would be whooping him, and

1:48:40.280 --> 1:48:42.080
<v Speaker 1>every time he'd just get so he wanted to lay

1:48:42.120 --> 1:48:45.440
<v Speaker 1>in one lick and it made him just become vulnerable

1:48:45.479 --> 1:48:46.320
<v Speaker 1>to every punch.

1:48:46.439 --> 1:48:49.200
<v Speaker 3>This is homeboys in the hood, like different homies, like

1:48:50.040 --> 1:48:52.200
<v Speaker 3>you know, like they get so mad they can't win

1:48:52.280 --> 1:48:54.840
<v Speaker 3>that they just start running forward at you and it's

1:48:54.920 --> 1:48:57.960
<v Speaker 3>like now you're wide open. Here's a jab, here's a right,

1:48:58.360 --> 1:49:02.400
<v Speaker 3>here's a upper cut hook. Because you really not focused.

1:49:02.640 --> 1:49:07.360
<v Speaker 3>He's doing that right now corporately like he's like, he's

1:49:07.560 --> 1:49:10.040
<v Speaker 3>so I think this has to be the truth. He's

1:49:10.160 --> 1:49:12.920
<v Speaker 3>so fucked up and he's just running in like, ah,

1:49:14.920 --> 1:49:18.799
<v Speaker 3>believe it because he's rich or he's successful, or he's famous,

1:49:18.880 --> 1:49:22.080
<v Speaker 3>and it's like that still doesn't matter, Like he's just

1:49:22.200 --> 1:49:22.559
<v Speaker 3>that was.

1:49:22.600 --> 1:49:25.880
<v Speaker 4>The thirteen tracks he put out that all flopped. I

1:49:26.000 --> 1:49:28.799
<v Speaker 4>think this is okay.

1:49:29.200 --> 1:49:29.760
<v Speaker 3>I did that.

1:49:31.280 --> 1:49:34.679
<v Speaker 2>Now I'm done.

1:49:38.240 --> 1:49:40.680
<v Speaker 1>Look, we'll see, we'll see if he tries to put

1:49:40.720 --> 1:49:43.200
<v Speaker 1>out a song or a freestyle in the middle of this.

1:49:43.479 --> 1:49:45.439
<v Speaker 3>I don't think he's done. I think he's been doing

1:49:45.520 --> 1:49:46.880
<v Speaker 3>it too long to be done.

1:49:48.200 --> 1:49:50.200
<v Speaker 8>So you think he just don't know where to just

1:49:50.280 --> 1:49:51.360
<v Speaker 8>don't know where to from here.

1:49:51.520 --> 1:49:54.400
<v Speaker 1>He just don't know what to do, like he don't

1:49:54.560 --> 1:49:57.400
<v Speaker 1>like like it seems like it's so simple for us,

1:49:57.760 --> 1:50:00.280
<v Speaker 1>but it's not simple for him, you know what I mean? Like,

1:50:00.320 --> 1:50:02.559
<v Speaker 1>how do you tell the motherfucker that's been winning all

1:50:02.640 --> 1:50:05.080
<v Speaker 1>of this time that, hey, you know what, be okay

1:50:05.120 --> 1:50:05.599
<v Speaker 1>with losing?

1:50:06.200 --> 1:50:09.080
<v Speaker 3>How remember remind you he got pushing.

1:50:10.080 --> 1:50:14.200
<v Speaker 8>Okay, but he don't go against the system that's helping

1:50:14.280 --> 1:50:14.519
<v Speaker 8>you in.

1:50:16.000 --> 1:50:20.479
<v Speaker 3>Like ye, but you he's suing them because they're marketing

1:50:20.680 --> 1:50:24.320
<v Speaker 3>a song in a battle with him, Like.

1:50:24.439 --> 1:50:27.120
<v Speaker 8>You don't like if that's the case, if you're trying

1:50:27.160 --> 1:50:29.720
<v Speaker 8>to get like the lawsuit is just super stupid now,

1:50:29.800 --> 1:50:32.519
<v Speaker 8>Like it just that analogy makes it even more though,

1:50:33.040 --> 1:50:35.040
<v Speaker 8>But think about the laws, would you?

1:50:35.520 --> 1:50:38.120
<v Speaker 3>Why would you think about the lawsuit?

1:50:38.240 --> 1:50:42.560
<v Speaker 1>It's dumb already, like he's saying, like, he tried to

1:50:42.600 --> 1:50:44.559
<v Speaker 1>get them to take down the song in July.

1:50:44.840 --> 1:50:47.320
<v Speaker 3>It came out in me and you know what, this

1:50:47.439 --> 1:50:48.679
<v Speaker 3>song is causing me danger.

1:50:49.160 --> 1:50:53.200
<v Speaker 8>Universe was like, what, yeah, but I heard that he

1:50:53.240 --> 1:50:55.400
<v Speaker 8>said it was anti semitic and some other stuff.

1:50:55.680 --> 1:50:58.799
<v Speaker 1>No, but I'm saying, way before this lawsuit, he reached

1:50:58.840 --> 1:51:02.160
<v Speaker 1>out to them, like look at how he's thinking. In May,

1:51:02.280 --> 1:51:04.720
<v Speaker 1>fourth the song comes out in July, he has his

1:51:04.840 --> 1:51:06.920
<v Speaker 1>counsel reach out like, hey, y'all need to get rid

1:51:06.920 --> 1:51:07.479
<v Speaker 1>of that song.

1:51:08.439 --> 1:51:11.840
<v Speaker 3>It's causing me danger. They like, man, this song is

1:51:11.920 --> 1:51:13.000
<v Speaker 3>a smash hit record.

1:51:13.120 --> 1:51:15.599
<v Speaker 1>Remember it's on the song every day at this point,

1:51:15.960 --> 1:51:18.840
<v Speaker 1>it's on the radio every day in Canada, not just

1:51:18.960 --> 1:51:19.920
<v Speaker 1>here in Canada.

1:51:20.040 --> 1:51:23.400
<v Speaker 3>It's the number one song. So he's like, hey, you

1:51:23.479 --> 1:51:24.639
<v Speaker 3>know it's causing me harm.

1:51:24.680 --> 1:51:27.200
<v Speaker 1>It's causing me mental stress and danger is coming to

1:51:27.280 --> 1:51:28.400
<v Speaker 1>my house because of this song.

1:51:28.720 --> 1:51:32.919
<v Speaker 8>And they looking at the same system popular.

1:51:34.200 --> 1:51:37.839
<v Speaker 3>But that doesn't even make every system. It makes everybody popular.

1:51:38.160 --> 1:51:40.920
<v Speaker 3>But she's still like this. They like, you want us

1:51:40.960 --> 1:51:43.960
<v Speaker 3>to do what they looking at him. This is a

1:51:44.120 --> 1:51:46.840
<v Speaker 3>huge record for them. This is their biggest record of

1:51:46.960 --> 1:51:50.760
<v Speaker 3>last year. They like, what we told you, don't go

1:51:50.880 --> 1:51:55.040
<v Speaker 3>into this battle. We told you go into this battle.

1:51:55.439 --> 1:51:58.360
<v Speaker 3>Now we got a smash hit record out of this battle.

1:51:58.840 --> 1:52:01.679
<v Speaker 3>Oh we're finn sell this motherfuck all this they money

1:52:01.760 --> 1:52:05.040
<v Speaker 3>last year. The record is gonna be diamond. And this

1:52:05.080 --> 1:52:07.639
<v Speaker 3>is what I was saying Friday. The record is going

1:52:07.720 --> 1:52:10.200
<v Speaker 3>to be diamond in less than a year. Universal is

1:52:10.360 --> 1:52:11.120
<v Speaker 3>not bailing out.

1:52:12.360 --> 1:52:14.920
<v Speaker 8>Yeah, this coin.

1:52:16.120 --> 1:52:19.920
<v Speaker 3>Money, This is real coin right here. They got an album.

1:52:20.040 --> 1:52:21.479
<v Speaker 3>They're like, oh hell yeah.

1:52:22.120 --> 1:52:25.960
<v Speaker 8>But okay, so is he saying that that record that

1:52:26.120 --> 1:52:29.639
<v Speaker 8>he can still make up that money from that record

1:52:30.040 --> 1:52:31.719
<v Speaker 8>like him being who he is at the top.

1:52:33.439 --> 1:52:35.400
<v Speaker 1>No, because the hit record is a hit record. This

1:52:35.760 --> 1:52:38.639
<v Speaker 1>is a once in a once in a decade type

1:52:38.640 --> 1:52:42.280
<v Speaker 1>of record. These records don't come often like that, you

1:52:42.320 --> 1:52:44.400
<v Speaker 1>know what I mean? Maybe the last one UMG had

1:52:44.439 --> 1:52:46.760
<v Speaker 1>from a rap perspective is probably like God's plan.

1:52:47.680 --> 1:52:48.080
<v Speaker 8>You know what I mean.

1:52:48.120 --> 1:52:50.280
<v Speaker 1>They don't have a lot of these records. A lot

1:52:50.320 --> 1:52:52.559
<v Speaker 1>of records they fluff up and build them all.

1:52:52.520 --> 1:52:53.200
<v Speaker 3>Up, you know what I mean.

1:52:53.320 --> 1:52:56.560
<v Speaker 1>They have to over promote them and overmarket them. You

1:52:56.600 --> 1:52:58.599
<v Speaker 1>know what I'm saying, Like they got a lot of stuff.

1:52:59.320 --> 1:53:04.719
<v Speaker 7>I just realized, right we are. We've been so focused

1:53:04.760 --> 1:53:09.280
<v Speaker 7>on him trying to stop the super Bowl. No, he

1:53:09.320 --> 1:53:11.559
<v Speaker 7>don't want this nigga that want to Grammy being off

1:53:11.640 --> 1:53:15.120
<v Speaker 7>this ship. Yeah, but this does nothing but super Bowl. No,

1:53:15.520 --> 1:53:19.160
<v Speaker 7>the Grammy, the Grammy Academy was not. If he's by

1:53:19.280 --> 1:53:21.840
<v Speaker 7>him pushing this ship about the deformation and ship, the

1:53:21.840 --> 1:53:23.080
<v Speaker 7>GM Academy gonna.

1:53:22.840 --> 1:53:25.080
<v Speaker 5>Be like, bro, nah, we can't get this man a gray.

1:53:25.479 --> 1:53:28.640
<v Speaker 3>They're not going to listen. They're not going to do that.

1:53:29.439 --> 1:53:32.120
<v Speaker 1>Like I get the thought. I'm not mad at aught,

1:53:32.400 --> 1:53:35.240
<v Speaker 1>but they're not going to not do that right now.

1:53:35.360 --> 1:53:38.800
<v Speaker 1>They're going to rebel against his tyranny, like he's coming

1:53:38.840 --> 1:53:41.439
<v Speaker 1>across tyrannical, you get what I'm saying.

1:53:41.840 --> 1:53:44.280
<v Speaker 8>Think he thinks because of the numbers and because where

1:53:44.280 --> 1:53:46.479
<v Speaker 8>he's being on his last fifteen year run, and he

1:53:46.920 --> 1:53:49.760
<v Speaker 8>is he he thinks he the industry. He like I

1:53:49.920 --> 1:53:50.760
<v Speaker 8>made all this money.

1:53:51.160 --> 1:53:55.880
<v Speaker 3>That's how he's talking. He's tyrannically looking at him letting UMG.

1:53:56.760 --> 1:53:59.160
<v Speaker 3>They looking at him talk shit about um G. They

1:53:59.280 --> 1:54:03.599
<v Speaker 3>looking at him talk shit about Lebron James Spotify. They're like, oh,

1:54:03.680 --> 1:54:06.840
<v Speaker 3>you think you really tyrannical? You're gonna just tell us

1:54:06.960 --> 1:54:11.720
<v Speaker 3>what to do and watch America buck. America is notoriously

1:54:11.800 --> 1:54:14.519
<v Speaker 3>good at bucking. If you play with them, they will

1:54:14.600 --> 1:54:17.960
<v Speaker 3>come together and buck. And that's what you see happening.

1:54:18.280 --> 1:54:21.439
<v Speaker 3>Nothing he's doing is going to stop this on. It's

1:54:21.560 --> 1:54:26.800
<v Speaker 3>actually only marketing what's happening. Yeah, the song is going

1:54:26.880 --> 1:54:28.519
<v Speaker 3>to be back in the top ten. I told y'all

1:54:28.560 --> 1:54:30.760
<v Speaker 3>this like something is going to happen to make this

1:54:30.880 --> 1:54:32.320
<v Speaker 3>song pop up every year for us.

1:54:34.560 --> 1:54:37.320
<v Speaker 8>Did you did y'all record already about the the thing

1:54:40.080 --> 1:54:42.320
<v Speaker 8>said I sent you last night? You said you didn't

1:54:42.320 --> 1:54:44.680
<v Speaker 8>watch it because I was gonna record. Did you already record? No?

1:54:44.800 --> 1:54:45.760
<v Speaker 3>No, we're supposed to do it after.

1:54:46.680 --> 1:54:48.520
<v Speaker 8>Okay, Dang, I want you to watch it because they

1:54:48.880 --> 1:54:54.480
<v Speaker 8>speak do it after the thing that you're saying. It

1:54:54.960 --> 1:54:58.120
<v Speaker 8>was kind of like, I'm like, I don't know, it's

1:54:58.120 --> 1:54:58.760
<v Speaker 8>crazy to hear it.

1:54:58.840 --> 1:55:01.880
<v Speaker 1>It was crazy to hear it shout out to p

1:55:02.560 --> 1:55:05.200
<v Speaker 1>if your business partner turned on you, what you're supposed

1:55:05.240 --> 1:55:05.400
<v Speaker 1>to do.

1:55:05.880 --> 1:55:07.760
<v Speaker 3>They didn't turn on you, pee.

1:55:08.960 --> 1:55:11.120
<v Speaker 8>But is that his business partner or is that his boss?

1:55:11.600 --> 1:55:17.080
<v Speaker 3>No that listen, they didn't turn on you. The rapper

1:55:17.320 --> 1:55:20.240
<v Speaker 3>turned on you. Their job is to market record. You're

1:55:20.320 --> 1:55:22.600
<v Speaker 3>not the only person signed to the record label.

1:55:23.200 --> 1:55:25.480
<v Speaker 8>So I said that his business partner his boss.

1:55:26.120 --> 1:55:28.840
<v Speaker 3>I'm saying it could be his business partner, whatever you want,

1:55:29.320 --> 1:55:32.520
<v Speaker 3>but you are not their only partner. They have multiple partnerships.

1:55:33.960 --> 1:55:36.040
<v Speaker 3>Like it don't stop with you, like, and what do

1:55:36.160 --> 1:55:38.640
<v Speaker 3>you want them to do? What do you really expect

1:55:39.080 --> 1:55:42.200
<v Speaker 3>Universal to do? You know what, Kendrick, you know what?

1:55:42.440 --> 1:55:43.360
<v Speaker 5>This is too far.

1:55:43.800 --> 1:55:47.080
<v Speaker 3>You just said this about his wife, his kids, and

1:55:47.160 --> 1:55:49.600
<v Speaker 3>it's this but this right here is too far.

1:55:49.880 --> 1:55:52.560
<v Speaker 5>You need to f went too far?

1:55:56.320 --> 1:56:01.000
<v Speaker 4>Is effectively his customer. They're a wholesaler. Essentially, he's a producer.

1:56:01.320 --> 1:56:06.360
<v Speaker 4>He creates, and he has an exclusive contract with a

1:56:06.440 --> 1:56:09.520
<v Speaker 4>wholesaler in the form of Universal that then puts stuff

1:56:09.560 --> 1:56:13.800
<v Speaker 4>out to retail distributors of the like in the form

1:56:13.880 --> 1:56:15.480
<v Speaker 4>of Spotify and whatever else.

1:56:15.560 --> 1:56:17.360
<v Speaker 2>He just can't sell to anybody else.

1:56:17.400 --> 1:56:20.640
<v Speaker 4>It'd be like some manufacturer of mufflers having an exclusive

1:56:20.680 --> 1:56:24.040
<v Speaker 4>deal with Chrysler, only Chrysler can buy their mufflers.

1:56:24.280 --> 1:56:27.120
<v Speaker 1>Shut out to revenge. This is called a conflict of interest.

1:56:27.200 --> 1:56:30.160
<v Speaker 1>Glasses he out of it. It's not a conflict of interest.

1:56:31.600 --> 1:56:35.120
<v Speaker 1>It's artistic, creative like, it's not a conflict. The NFL

1:56:36.040 --> 1:56:39.600
<v Speaker 1>don't work that way. They don't route, they don't root

1:56:39.680 --> 1:56:43.160
<v Speaker 1>for nobody. They push all the records. Whichever record jumps out,

1:56:43.280 --> 1:56:45.880
<v Speaker 1>that's what they market. That's like, because somebody else has

1:56:45.920 --> 1:56:47.760
<v Speaker 1>a number one song or your record is number nine,

1:56:47.800 --> 1:56:49.400
<v Speaker 1>you're like, well, they ain't push your minds. That's what

1:56:49.880 --> 1:56:52.920
<v Speaker 1>what are you talking about. That's not a conflict of interest.

1:56:53.320 --> 1:56:56.200
<v Speaker 1>That's why you don't get into battles. If you don't

1:56:56.240 --> 1:56:59.600
<v Speaker 1>want a battle, don't get into battles. You can't blame

1:56:59.680 --> 1:57:02.200
<v Speaker 1>you and for your dumb ass shit.

1:57:02.880 --> 1:57:06.360
<v Speaker 8>True true, true, true true.

1:57:07.000 --> 1:57:11.400
<v Speaker 3>They put his stuff out too, They put everybody's stuff out.

1:57:11.520 --> 1:57:15.560
<v Speaker 3>They just put out Snoop album. They don't fucking care.

1:57:15.680 --> 1:57:17.560
<v Speaker 3>Just they ship. They don't care about that.

1:57:18.840 --> 1:57:21.560
<v Speaker 8>Well, a lot of people are thinking that Universal is

1:57:21.600 --> 1:57:24.200
<v Speaker 8>working off of feelings, and Universal is just business straight

1:57:24.280 --> 1:57:26.200
<v Speaker 8>business will makes sense for the business.

1:57:28.520 --> 1:57:32.040
<v Speaker 3>It's crazy like that shit just weird, like like they

1:57:32.120 --> 1:57:33.680
<v Speaker 3>were supposed to go to him and say, hey, you

1:57:33.680 --> 1:57:35.120
<v Speaker 3>know what you need to take. We're gonna let you

1:57:35.200 --> 1:57:37.280
<v Speaker 3>say what you said in your record. But see what

1:57:37.400 --> 1:57:39.200
<v Speaker 3>we're gonna do for him is we're gonna stop what

1:57:39.280 --> 1:57:43.000
<v Speaker 3>he's saiding his record. It's just you, what are you doing?

1:57:43.600 --> 1:57:45.520
<v Speaker 3>That's why you don't battle with pt.

1:57:46.040 --> 1:57:48.920
<v Speaker 8>Like he feels like maybe that he brings in the

1:57:49.000 --> 1:57:52.040
<v Speaker 8>most money, the most, the most ad. I broke all

1:57:52.120 --> 1:57:56.640
<v Speaker 8>the records, I did everything, like he feels like they

1:57:56.720 --> 1:57:58.520
<v Speaker 8>owe him. Maybe I don't know.

1:57:58.680 --> 1:58:01.920
<v Speaker 7>I said, somebody says have a day that Drake is

1:58:01.960 --> 1:58:05.000
<v Speaker 7>like responsible for singer and the league, like getting streaming

1:58:05.040 --> 1:58:07.800
<v Speaker 7>off the ground. You know what I'm saying, it's a

1:58:07.880 --> 1:58:10.680
<v Speaker 7>real ship. No that And then like when they were

1:58:10.720 --> 1:58:12.440
<v Speaker 7>saying it though it kind of made sense though too.

1:58:13.040 --> 1:58:14.440
<v Speaker 7>It was like he was like the he was the

1:58:14.520 --> 1:58:16.720
<v Speaker 7>one that is why Apple, That's why Apple gave him

1:58:16.720 --> 1:58:18.120
<v Speaker 7>a dail and all that ship. Like he was he

1:58:18.240 --> 1:58:21.360
<v Speaker 7>was launching, like like he made people like I want

1:58:21.400 --> 1:58:23.960
<v Speaker 7>to go over to streaming and leaven Hard copies a loan.

1:58:24.480 --> 1:58:26.040
<v Speaker 7>He was he was one of the front, like the

1:58:26.520 --> 1:58:29.160
<v Speaker 7>like the person who like they used his face as

1:58:29.200 --> 1:58:31.640
<v Speaker 7>the ship thought like that, and I kind of agree

1:58:31.640 --> 1:58:32.160
<v Speaker 7>with it, though too.

1:58:33.280 --> 1:58:35.040
<v Speaker 3>This is not true. It don't matter.

1:58:35.240 --> 1:58:37.760
<v Speaker 1>They are supposed to promote everyone's record and it's not

1:58:37.880 --> 1:58:41.680
<v Speaker 1>an unless. It don't matter if it's detrimental to your

1:58:41.760 --> 1:58:48.720
<v Speaker 1>business partnership, it's not detrimental. Their job is they're a

1:58:48.880 --> 1:58:54.160
<v Speaker 1>record company. Their sole job is to promote records. They

1:58:54.240 --> 1:58:57.920
<v Speaker 1>cannot say we're not gonna promote this record. If you're

1:58:58.040 --> 1:59:00.320
<v Speaker 1>signed to a record company, what the fuck are y'all?

1:59:00.800 --> 1:59:05.320
<v Speaker 1>That's simple. The Big Mac is not more special than

1:59:05.360 --> 1:59:08.400
<v Speaker 1>a chicken nugget. The Big Mac is not more special

1:59:08.440 --> 1:59:12.720
<v Speaker 1>than the cheeseburger. They all McDonald's products. The Big Mac

1:59:12.760 --> 1:59:14.880
<v Speaker 1>can't get mad that it's the Chicken Nuggets week. To

1:59:15.000 --> 1:59:19.480
<v Speaker 1>make it happen, it's the chicken nuggets this week. They

1:59:19.600 --> 1:59:24.480
<v Speaker 1>carrying the show. Big Mac is late, the original. The

1:59:24.680 --> 1:59:28.800
<v Speaker 1>cheeseburger is the original bell of the ball, the simple cheeseburger.

1:59:29.200 --> 1:59:31.360
<v Speaker 1>It can't get mad that the Big Mac took over.

1:59:31.720 --> 1:59:34.160
<v Speaker 1>Big Man can't get mad that the cheeseburger took over.

1:59:34.600 --> 1:59:36.920
<v Speaker 1>When it's the micrib time of year. It's the McRib

1:59:37.040 --> 1:59:41.040
<v Speaker 1>time of year. You can't get upset that it's somebody

1:59:41.080 --> 1:59:41.760
<v Speaker 1>else's time.

1:59:42.280 --> 1:59:45.880
<v Speaker 3>Don't fuck around if you don't want to fuck around,

1:59:46.240 --> 1:59:53.800
<v Speaker 3>don't fuck around, bro, don't fuck around.

1:59:55.120 --> 1:59:56.840
<v Speaker 8>So do you think this is going to go to trial?

1:59:57.880 --> 1:59:58.120
<v Speaker 5>Hell?

1:59:58.360 --> 2:00:02.040
<v Speaker 3>No, I mean a no. I can't ship.

2:00:02.200 --> 2:00:02.560
<v Speaker 5>I don't know.

2:00:02.680 --> 2:00:09.960
<v Speaker 3>These white folks surprised me every time he says it's

2:00:09.960 --> 2:00:10.760
<v Speaker 3>gonna be really tough.

2:00:13.440 --> 2:00:14.440
<v Speaker 8>What does it look like?

2:00:16.320 --> 2:00:18.120
<v Speaker 3>All right, let me go through these super chats before

2:00:18.120 --> 2:00:20.880
<v Speaker 3>we bounce out of here on more time. Shout out

2:00:20.920 --> 2:00:25.600
<v Speaker 3>to Age, thank you for the five dollars, Yo, glasses,

2:00:25.680 --> 2:00:28.200
<v Speaker 3>I gotta ask what you think about Drake not allowing

2:00:28.240 --> 2:00:31.560
<v Speaker 3>PG lang outfits at his new concert out of concern

2:00:31.680 --> 2:00:32.240
<v Speaker 3>for safety.

2:00:32.320 --> 2:00:40.160
<v Speaker 1>I hope that's all. Don't seem like it's a lie.

2:00:40.320 --> 2:00:42.560
<v Speaker 1>It seemed like it's an official thing. But again it

2:00:42.640 --> 2:00:46.720
<v Speaker 1>goes into his ego being really messed up. This brings

2:00:46.800 --> 2:00:49.040
<v Speaker 1>me to the next super chat. Thank you, Trees, thank

2:00:49.120 --> 2:00:52.040
<v Speaker 1>you for the five dollars. My boy, bruse egos can

2:00:52.160 --> 2:00:54.680
<v Speaker 1>lead to your own death. That's what happened right now.

2:00:54.720 --> 2:00:56.920
<v Speaker 1>That's what's happening right now with Drake. And you're right,

2:00:57.240 --> 2:00:59.960
<v Speaker 1>it's true. It looks like that. Shout out the tree

2:01:00.000 --> 2:01:02.960
<v Speaker 1>He's Lord again for the five dollars. I think Drake

2:01:03.080 --> 2:01:06.120
<v Speaker 1>not dropping music because he doesn't know what to rap

2:01:06.160 --> 2:01:09.000
<v Speaker 1>about anymore. He can't rap about being number one anymore

2:01:09.120 --> 2:01:11.160
<v Speaker 1>or women in the same light. Of course he can't.

2:01:11.400 --> 2:01:13.040
<v Speaker 1>It was number one last year. He could come out

2:01:13.080 --> 2:01:14.320
<v Speaker 1>with a song right now and say I was a

2:01:14.400 --> 2:01:17.800
<v Speaker 1>number one stream artist in rap music for twenty twenty four.

2:01:17.920 --> 2:01:20.840
<v Speaker 3>Of course he can shout out to na for sale

2:01:20.880 --> 2:01:22.360
<v Speaker 3>two six the Northwest.

2:01:22.440 --> 2:01:25.040
<v Speaker 1>What's up brother? Thank you for that five dollars. Drake

2:01:25.080 --> 2:01:28.160
<v Speaker 1>should have stuck to his comeback season so far gone persona.

2:01:28.480 --> 2:01:31.240
<v Speaker 1>I feel like the industry empowered is faked tough image.

2:01:31.720 --> 2:01:31.760
<v Speaker 8>No.

2:01:31.920 --> 2:01:35.360
<v Speaker 1>I think hip hop grants people access into culture that

2:01:35.400 --> 2:01:38.440
<v Speaker 1>they wouldn't have without it. And I think he loved

2:01:38.440 --> 2:01:40.480
<v Speaker 1>the camaraderie of it all, the respect of it all,

2:01:40.600 --> 2:01:43.200
<v Speaker 1>and he just was greedy. Now he got too deep

2:01:43.280 --> 2:01:46.640
<v Speaker 1>and it's tough. Shout out to cam thank you for

2:01:46.720 --> 2:01:48.960
<v Speaker 1>the five dollars. I am praying for Kendrick. I wish

2:01:49.040 --> 2:01:51.640
<v Speaker 1>Drake would go away. I'm praying for Kendrick too, but

2:01:51.760 --> 2:01:53.480
<v Speaker 1>I don't care if Drake go anywhere. He don't got

2:01:53.560 --> 2:01:57.080
<v Speaker 1>to go anywhere. I don't care Shout out to Michael Love.

2:01:57.240 --> 2:01:59.840
<v Speaker 1>Thank you for the ten Digital soap Box Network members.

2:02:00.400 --> 2:02:04.280
<v Speaker 1>We appreciate those ten. My boy always Love. Shout out

2:02:04.320 --> 2:02:06.600
<v Speaker 1>to Michael Love again, thank you for that five dollars.

2:02:07.400 --> 2:02:10.160
<v Speaker 1>If a like is a platinum record, a membership is

2:02:10.200 --> 2:02:11.200
<v Speaker 1>a platinum album.

2:02:11.640 --> 2:02:12.160
<v Speaker 3>My man.

2:02:15.280 --> 2:02:18.360
<v Speaker 1>Shout out to p UMG stay out of it. Distribute,

2:02:18.400 --> 2:02:21.960
<v Speaker 1>but don't promote. We call this a sport. Lot a lot,

2:02:22.120 --> 2:02:25.080
<v Speaker 1>third party and one of one shouldn't be acceptable. What

2:02:25.200 --> 2:02:29.000
<v Speaker 1>are you talking about? So then then, what do you

2:02:29.080 --> 2:02:30.840
<v Speaker 1>feel about the record they promoted for him?

2:02:35.280 --> 2:02:35.520
<v Speaker 8>Oh?

2:02:35.880 --> 2:02:37.400
<v Speaker 5>Man, he's Drake fans man.

2:02:37.440 --> 2:02:41.800
<v Speaker 1>I'm telling you, man, tell shout out to revenge. At

2:02:41.840 --> 2:02:43.920
<v Speaker 1>some point we can't be so biased. I am not

2:02:44.120 --> 2:02:52.280
<v Speaker 1>biased that you think Drake is only committing suicide. I'm

2:02:52.360 --> 2:02:55.640
<v Speaker 1>not being biased. That's just logically in the history of

2:02:55.720 --> 2:02:58.120
<v Speaker 1>the move he's pulling that says it's suicide.

2:02:58.840 --> 2:03:00.600
<v Speaker 3>That's not what's happening. There's an end go.

2:03:00.840 --> 2:03:03.520
<v Speaker 1>I'm not saying I'm on Drake's side or agreed with it,

2:03:03.720 --> 2:03:06.560
<v Speaker 1>but be fit for real critical thinking. I am critical

2:03:06.640 --> 2:03:11.280
<v Speaker 1>thinking with knowledge of the music business. Michael Jackson did it.

2:03:11.440 --> 2:03:15.840
<v Speaker 1>It was suicide. Prince did it it was suicide. They

2:03:15.920 --> 2:03:18.960
<v Speaker 1>don't come back, and they did it.

2:03:19.000 --> 2:03:24.040
<v Speaker 3>For real reasons, reasons you you're not going to win this.

2:03:24.200 --> 2:03:24.680
<v Speaker 3>They don't.

2:03:24.760 --> 2:03:27.480
<v Speaker 1>They're not cheating anybody like they can. You can only

2:03:27.520 --> 2:03:29.880
<v Speaker 1>win if they cheat you out of money. You can't

2:03:29.960 --> 2:03:32.920
<v Speaker 1>win because somebody else that you're competing with that's going

2:03:33.000 --> 2:03:34.000
<v Speaker 1>to pop up in court.

2:03:34.440 --> 2:03:37.800
<v Speaker 3>It's saying, hey, this is how we're competing. Like again,

2:03:37.840 --> 2:03:41.760
<v Speaker 3>if it was a logical point, I'd be in like,

2:03:41.920 --> 2:03:47.040
<v Speaker 3>it don't make sense to me, Like, oh, don't promote

2:03:47.080 --> 2:03:49.040
<v Speaker 3>this one record, just distribute the records.

2:03:49.080 --> 2:03:51.360
<v Speaker 1>What are you talking about? It's a smashy record. What

2:03:51.400 --> 2:03:53.800
<v Speaker 1>are they in the business of just distributing music for free?

2:03:54.120 --> 2:03:58.080
<v Speaker 1>Now they're trying to make records huge? Like what are

2:03:58.160 --> 2:03:58.760
<v Speaker 1>y'all thinking?

2:03:58.880 --> 2:03:59.080
<v Speaker 8>Dog?

2:03:59.320 --> 2:04:01.360
<v Speaker 1>Like, this ain't the first time two people that were

2:04:01.440 --> 2:04:06.200
<v Speaker 1>signed to major distribution companies or record companies Beef before.

2:04:07.440 --> 2:04:10.360
<v Speaker 3>Beef same record company. Death Jam was with Island. Island

2:04:10.480 --> 2:04:12.560
<v Speaker 3>was with U m G. That was with fifty Like

2:04:12.680 --> 2:04:17.200
<v Speaker 3>what are y'all doing? This ain't something new? This ain't

2:04:17.280 --> 2:04:17.720
<v Speaker 3>something new.

2:04:19.200 --> 2:04:22.120
<v Speaker 1>Last one Revenge, watch how this shake out? Drake gonna

2:04:22.120 --> 2:04:23.360
<v Speaker 1>close out of court with a win?

2:04:23.640 --> 2:04:30.880
<v Speaker 3>Zero time? This is zero, I gotta stop.

2:04:32.720 --> 2:04:33.000
<v Speaker 5>Stop.

2:04:35.520 --> 2:04:40.480
<v Speaker 1>Yeah, like you, I want I want the best for him,

2:04:40.480 --> 2:04:42.600
<v Speaker 1>but I also want him to do what's best for him.

2:04:46.080 --> 2:04:47.880
<v Speaker 8>The worst thing for Drake because you know they coming

2:04:47.920 --> 2:04:51.840
<v Speaker 8>with you, about to come with every single last spot,

2:04:52.160 --> 2:04:53.160
<v Speaker 8>about to come with everything.

2:04:53.960 --> 2:04:56.720
<v Speaker 3>And the worst part is if they start to investigate

2:04:56.840 --> 2:05:00.720
<v Speaker 3>what actually happened, like your house get shot up, like

2:05:00.800 --> 2:05:04.040
<v Speaker 3>you could turn on some people. That can create a problem,

2:05:04.680 --> 2:05:08.920
<v Speaker 3>like stop doing it because you're playing that. Stop.

2:05:09.440 --> 2:05:12.760
<v Speaker 4>That's why I think this is settlement oriented, because discovery

2:05:12.840 --> 2:05:14.560
<v Speaker 4>cuts both ways once you get started.

2:05:15.080 --> 2:05:16.960
<v Speaker 8>Yeah, mm hmm.

2:05:21.440 --> 2:05:25.160
<v Speaker 1>Man, it's gonna keep marketing this song, like imagine reading it.

2:05:25.320 --> 2:05:27.840
<v Speaker 1>Imagine they playing this whole civil court on TV and

2:05:27.880 --> 2:05:30.200
<v Speaker 1>they reading those lyrics out loud. That shit gonna keep

2:05:30.240 --> 2:05:32.480
<v Speaker 1>that song so popped in. That song will be two

2:05:32.600 --> 2:05:34.000
<v Speaker 1>times down by the end of the year.

2:05:34.560 --> 2:05:37.040
<v Speaker 8>Somebody said, Trap, what's your Twitter handle? Where can they

2:05:37.120 --> 2:05:37.480
<v Speaker 8>find you?

2:05:38.440 --> 2:05:45.520
<v Speaker 9>Trap? Brash short, Trap, Do you have a Twitter?

2:05:46.280 --> 2:05:47.760
<v Speaker 4>I still haven't been able to get signed into the

2:05:47.800 --> 2:05:50.200
<v Speaker 4>one Squish made. I've tried all the passwords, like fifty

2:05:50.280 --> 2:05:53.480
<v Speaker 4>times a piece, maybe twenty times, but I can't get

2:05:53.520 --> 2:05:56.440
<v Speaker 4>signed in. I don't know how it's going multiple devices,

2:05:56.520 --> 2:05:58.920
<v Speaker 4>multiple browsers, multiple app stores.

2:05:59.240 --> 2:05:59.560
<v Speaker 3>No luck.

2:06:00.400 --> 2:06:02.760
<v Speaker 2>How is that They can't just block you out if

2:06:02.760 --> 2:06:04.360
<v Speaker 2>you don't think it's blocked something.

2:06:06.240 --> 2:06:09.959
<v Speaker 4>Either the password, things got said, the mattresses, something didn't.

2:06:09.760 --> 2:06:11.760
<v Speaker 3>Work out there, or what I need to do is

2:06:11.800 --> 2:06:13.680
<v Speaker 3>send you a phone that already got your Twitter hand

2:06:13.720 --> 2:06:13.920
<v Speaker 3>doing it.

2:06:14.080 --> 2:06:15.960
<v Speaker 2>I just got a brand new phone that's not linked

2:06:16.040 --> 2:06:17.000
<v Speaker 2>to anything, but it's new.

2:06:17.040 --> 2:06:20.600
<v Speaker 4>Everything like it's new, brand new, out the box, different profile,

2:06:20.720 --> 2:06:23.720
<v Speaker 4>different everything, no number attached to it, nothing. It is

2:06:23.840 --> 2:06:27.200
<v Speaker 4>clean as a whistle. It's something something didn't match with

2:06:27.240 --> 2:06:29.720
<v Speaker 4>the password or something like that, two.

2:06:29.640 --> 2:06:32.200
<v Speaker 8>Steps back or whatever. Because that's what got me locked out.

2:06:32.400 --> 2:06:33.040
<v Speaker 8>I can't get in.

2:06:35.400 --> 2:06:38.680
<v Speaker 1>Shout shout out to revenge. I'm the only guy in

2:06:38.760 --> 2:06:42.480
<v Speaker 1>the room who doesn't feel the ones no revenge. You're hopeful,

2:06:42.560 --> 2:06:44.640
<v Speaker 1>and I think that's great to be hopeful, but it's

2:06:44.760 --> 2:06:47.040
<v Speaker 1>it's he's not gonna win his lawsuiter.

2:06:47.080 --> 2:06:47.240
<v Speaker 8>Man.

2:06:47.240 --> 2:06:48.560
<v Speaker 3>It's not that I don't want him to.

2:06:48.800 --> 2:06:50.760
<v Speaker 1>That could be one thing, but he's not gonna win

2:06:50.840 --> 2:06:53.200
<v Speaker 1>it because they're gonna look at what's happening.

2:06:53.240 --> 2:06:55.400
<v Speaker 3>The evidence is not going to give him credits. It's

2:06:55.480 --> 2:06:57.960
<v Speaker 3>just not gonna work that way. I'm not biased.

2:06:57.960 --> 2:06:58.800
<v Speaker 2>I'm not a fan of either.

2:06:59.440 --> 2:07:02.600
<v Speaker 1>He don't even want to talk about it, but uh anyway,

2:07:02.680 --> 2:07:05.520
<v Speaker 1>No Sinners live every Monday, Wednesday, and Friday noon's Pacific

2:07:05.600 --> 2:07:08.680
<v Speaker 1>Standard time Pacific Standard time right here on Digital soap Box.

2:07:08.760 --> 2:07:10.600
<v Speaker 1>Click that thumbs up button one more time for you

2:07:10.720 --> 2:07:12.880
<v Speaker 1>jet up out of here again. We do the No

2:07:13.040 --> 2:07:16.880
<v Speaker 1>Silling stream and support No Seentans podcast right below in

2:07:16.920 --> 2:07:21.680
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2:07:21.720 --> 2:07:25.360
<v Speaker 1>you get your podcasts from the No Sentance Podcast executive

2:07:25.400 --> 2:07:28.120
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2:07:28.200 --> 2:07:33.080
<v Speaker 1>iHeart and we out this name but looking out for

2:07:33.160 --> 2:07:35.880
<v Speaker 1>tuning in to the No Sellans podcast. Please do us

2:07:35.920 --> 2:07:39.280
<v Speaker 1>a favorite, subscribe, rate, comment, and share. This episode was

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<v Speaker 1>recorded right here on the West coast of the USA.

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<v Speaker 1>It produced about the Black Effect Podcast Network and not

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<v Speaker 1>Heart Radio.

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<v Speaker 5>Yeah