Speaker 1: Watch up and welcome back to another episode of No
Speaker 1: Sealer's podcast with your hosts now fuck that with your
Speaker 1: low glasses malone heat dog, what's happening? I was worried
Speaker 1: about you, dog. I ain't know if you just pulling up.
Speaker 2: Of course I'm pulling up.
Speaker 3: If you ain't steal your name is not norm Steel.
Speaker 4: I had to pull I had to rearrange, uh, the
Speaker 4: inn apartment studio because.
Speaker 3: Well, move some shit around. So now we've got a
Speaker 3: whole new layout. Tell me about it. Would you have
Speaker 3: to move around?
Speaker 4: Well, frankly, I just realized after six months of residence
Speaker 4: that downstairs, at the bottom of the parking structure there's
Speaker 4: like an enclosed, secure place.
Speaker 2: To keep a bicycle.
Speaker 4: So rather than my bike taking up a bunch of
Speaker 4: and serving to hold up one half of my echo
Speaker 4: proof chamber that concocted here, I took it downstairs to
Speaker 4: clear ups of flour space.
Speaker 2: And then I had to move this into a corner spots.
Speaker 4: A wall and a chair could hold up the thing,
Speaker 4: so it's not super echoey.
Speaker 3: And that thought.
Speaker 2: Here we are, but we got the Mini mark so
Speaker 2: we're rolling.
Speaker 1: So you got the Martinez the Mini Martina is exactly.
Speaker 1: I really like that masking approach to a Martini, the
Speaker 1: Martinez with this a little twists on it. Oh yeah,
Speaker 1: it's I need to get that Joey induced to make
Speaker 1: sure they make a Martina is Son so they can
Speaker 1: we can make a Martinez drink.
Speaker 4: Now you're talking, we could really do the La version
Speaker 4: of the cafe and oil with the cinnamon. It's like,
Speaker 4: really like put an La stamp on it, just like
Speaker 4: how just east side the fuck out of it?
Speaker 3: Did you read that lawsuit? I know it was eighty
Speaker 3: one thing.
Speaker 4: I'm not reading an eighty page lawsuit about Drake's his complaint.
Speaker 1: You know what, it's not really about the complaint. That's
Speaker 1: not why I wanted you to read it. I think
Speaker 1: see your mind would have been able to see what
Speaker 1: I'm saying. So now I'm stuck by myself thinking about it.
Speaker 1: What are we talking about here this day? Well, I
Speaker 1: thought about it a lot, right, and I'm like, I'm
Speaker 1: looking at it and it's most likely not a great
Speaker 1: chance for him to particularly win this lawsuit, right, the
Speaker 1: lyrics are really hitting. Well, it's a battle I think
Speaker 1: common sense would prevail. But I thought about, like what
Speaker 1: happens if he was to win it, Like, how does
Speaker 1: the label have to react at that point when it
Speaker 1: comes to lyrics and records?
Speaker 3: You know what I'm saying, Like.
Speaker 1: Do they start to scrub all of the records? You
Speaker 1: get what I'm saying. It's almost like this could single
Speaker 1: handedly ruin hip hop.
Speaker 4: Potentially it does create a civiliability for that. It could
Speaker 4: also decentralize it a lot. I don't think that it
Speaker 4: And also like even with that, like there's enough precedent
Speaker 4: to where the Supreme Court was very generous in its
Speaker 4: assessment of public figures and how you're able to talk
Speaker 4: about them satirically or whatever else.
Speaker 2: And I haven't seen a whole lot of viable.
Speaker 4: Cases where like where I don't mean just somebody said
Speaker 4: some stuff and like nothing happened, or a kind of
Speaker 4: thing happened, but where there was actually like a person
Speaker 4: that was shot for sure and claimed that, oh, this
Speaker 4: is the result of political rhetoric. Steve Scalise comes to mind,
Speaker 4: the Lady from Arizona so many years ago. It's not
Speaker 4: something I've seen the courts be willing to take up.
Speaker 4: I think, if anything, it's a matter of do you
Speaker 4: really want to open up discovery into this weird theoretical
Speaker 4: manufacturing of consent model that's being used here. This pick
Speaker 4: kind of likes to say, oh, you don't really know
Speaker 4: what you like. We're picking winners and losers for you
Speaker 4: and telling you what you like. Kind of thing which
Speaker 4: we throw into credibility. You know a lot of music
Speaker 4: stardom to some degree.
Speaker 1: Yeah, I mean, I think the legal proceedings is one thing.
Speaker 1: No Senters Live Lunch hour every Monday, Wednesday and Friday
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Speaker 3: It's time to go in. We do this stream to
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Speaker 3: the fourth season.
Speaker 5: Below.
Speaker 1: We have a really great conversation dropping tomorrow. It's The
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Speaker 1: your podcasts. No Sellings Podcasts Executive produced by Charlottagne da God.
Speaker 6: Black Effect podcast Network and iHeartRadio. There you go that
Speaker 6: part right there. Shout out to everybody at the lunch table. Already,
Speaker 6: what Upduce Baltimore? Fact, what's hadding?
Speaker 3: Happy? See day?
Speaker 7: Jay?
Speaker 3: What's the deal?
Speaker 1: Sporading much love, Brody, Glad to see you at the
Speaker 1: lunch all in brand, squish, what's heaving to thank you
Speaker 1: for moderating, Appreciate that a lot. I ain't a football guy,
Speaker 1: so shout out to the name brand. He was saying,
Speaker 1: the Eagles and the Rams. I'm not a football guy.
Speaker 1: I'm a basketball guy. So all of our stuff been
Speaker 1: ruined for a while with the Lakers. You know, they
Speaker 1: making their money. So I ain't got no complaints.
Speaker 3: What was your weekend like mine?
Speaker 6: Yeah, and field real goods lay all the whole time.
Speaker 2: I went to the gym, cook some food.
Speaker 5: That was it.
Speaker 1: I just I really spent a lot of time. I
Speaker 1: came to the studio every day. One day I didn't
Speaker 1: want to come, but I came anyway. But I was
Speaker 1: just thinking about this when I was reading that lawsuit.
Speaker 1: And again, like I said, it was a It was
Speaker 1: a lot of pages. You didn't have to read a
Speaker 1: lot of rhetoric, just simple things. But I just thought about, like, damn,
Speaker 1: like even from the beginning of it, how it's framed.
Speaker 1: This frame it's framed as to say, like the reason
Speaker 1: like violence is happening to him is because of this song.
Speaker 1: And I just thought that was so disingenuous. Like you know,
Speaker 1: I spend a lot of time on Twitter. I spent
Speaker 1: a lot of time on Twitter just really thinking and
Speaker 1: reading you know what I'm saying, Like I I'm always enjoying,
Speaker 1: you know what I mean, different people's thoughts, So a
Speaker 1: lot of times I laugh at different thoughts. But just
Speaker 1: reading through that lawsuit man, like how it starts, bro,
Speaker 1: It's like the craziest thing I ever saw in my
Speaker 1: life from a hip hop perspective, you know what I mean,
Speaker 1: and rap or anything that has to do with it.
Speaker 3: And it just blew me away. Dog, that somebody could
Speaker 3: be that disingenuous.
Speaker 1: Like every time I spend like when I go on Twitter,
Speaker 1: when I go to these spaces to have conversations, when
Speaker 1: I go do podcasts, radio shows, any of that. I'm
Speaker 1: always always speaking in good faith. When I talk to
Speaker 1: my friends, I always speak in good faith, like I
Speaker 1: always conduct myself Like I got some sense and to
Speaker 1: watch somebody say right, to watch somebody say like, oh,
Speaker 1: this is why this is happening, Like that's what I
Speaker 1: say that if you would have opened it up. The
Speaker 1: lawsuit opens up with in the middle of the night.
Speaker 1: On May seven, twenty twenty four, and other reviews of slings, Yes,
Speaker 1: an our group of assailants drove to Toronto to the
Speaker 1: Toronto house in which Drake and his family resided. Drake
Speaker 1: was inside. The car stopped in front of the residents.
Speaker 1: Someone yelled, fucked Drake, and at least one gunman began
Speaker 1: to open fire. One bullet went through the security gate
Speaker 1: and hit Drake's front door. Another bullet struck and wounded
Speaker 1: a security guard was also one of Drake's friends.
Speaker 3: While the car drove away, Drake.
Speaker 1: And others in the house someing help for the security
Speaker 1: guard and did everything possible to keep him alive. During
Speaker 1: the nearly thirty minutes it took for the ambulance to arrive,
Speaker 1: Drake and others labored to keep the man alive by
Speaker 1: applying pressure to the gunshot.
Speaker 3: Wound with tiles. Love was everywhere.
Speaker 1: After the security guard arrived at the hospital, surgeons worked
Speaker 1: quickly to remove the bullet stopped the bleeding and saved
Speaker 1: his life, though it took days for his condition to stabilize.
Speaker 3: Thankfully, the security guard survived.
Speaker 1: The very next day, May twenty twenty four, a different
Speaker 1: intruder used his bare hands to dig a hole under
Speaker 1: security fence surrounding Drake's Toronto house. He managed to dig
Speaker 1: deep enough to squeeze through and enter Drake's property. Fortunately,
Speaker 1: Drake's home security guards caught him before he was able
Speaker 1: to cause any physical harm, although the trespasser managed to
Speaker 1: yield racist slurs and threats against Drake before being escorted
Speaker 1: off the property.
Speaker 2: What were the racist slurs?
Speaker 4: I'm curious, were they sure anti Semitic tropes or were
Speaker 4: they anti black racial slurs? And no, I'm fascinated in
Speaker 4: part also by the difference between a slur and a
Speaker 4: trope depending on the target recipient.
Speaker 1: Right then, it says on May ninth, twenty twenty four.
Speaker 1: The very next day, another break in attempt happened. In
Speaker 1: the two decades leading up to the May of twenty
Speaker 1: twenty four, although Drake was constantly in the public eye,
Speaker 1: nothing remotely like these events had ever happened to him
Speaker 1: or his family. But these events were not coincidental. They
Speaker 1: immediately followed and were approximately caused by UMG's actions leading
Speaker 1: up to and on May fourth, twenty twenty four. UMG
Speaker 1: is the world's largest music company and also the music
Speaker 1: company that has represented Drake for more than a decade.
Speaker 1: Yet on May fourth of twenty twenty four, UMG approved
Speaker 1: published and launched a campaign to create a viral hit
Speaker 1: out of a rap track, out of a rap track
Speaker 1: that falsely accuses Drake of being a pedophile and cost
Speaker 1: for violent retribution against him.
Speaker 5: Bro.
Speaker 1: They are saying this song, not like us, caused his
Speaker 1: house to be shot up.
Speaker 5: That's crazy.
Speaker 4: This is why the first question I had for you
Speaker 4: when I read the first paragraph.
Speaker 2: Wasn't a joke.
Speaker 4: This is I don't see how this doesn't get thrown
Speaker 4: out based off of the actions damage has occurred in
Speaker 4: the jurisdiction of the Canadian courts.
Speaker 2: He's suing in the US courts.
Speaker 1: I mean, minus the possibilities of him winning the lawsuit. Right,
Speaker 1: the sheer audacity of this motherfucker to act like.
Speaker 3: This song is why his house got shot up.
Speaker 5: That's crazy. Why do you think.
Speaker 1: We all in the streets know why his house got
Speaker 1: shot up. He knows why his house got shot up.
Speaker 1: I'm not these other YouTubers or streamers, so I'm not
Speaker 1: gonna talk about street business on this thing.
Speaker 3: Butte he knows why. He knows why.
Speaker 1: It's like out there, if you look, you could put
Speaker 1: it together real fast, right. But it's it's so disingenuous,
Speaker 1: you know what I'm saying. It's so disingenuous for him
Speaker 1: to act like this song caused that.
Speaker 3: Type of confusion.
Speaker 1: And you know, I don't mind going back and forth
Speaker 1: with people on Twitter, you know, every now and then,
Speaker 1: I'll take my time and really just get into somebody's
Speaker 1: you know, debate or conversation. I'll allow that space with them.
Speaker 1: You know, I'll have the human experience with most people
Speaker 1: as a human. But I whenever I see things that
Speaker 1: are disingenuous, they immediately rub my spirit in a very
Speaker 1: awful way. It's in a very awful way, like it
Speaker 1: bothers me, Pete in a way that's not normal, you
Speaker 1: know what I'm saying.
Speaker 3: So it's like.
Speaker 1: People keep talking about the depth of this lawsuits about
Speaker 1: how they marketed this song or they marketed it incorrectly
Speaker 1: and illegally, and it's not it's about this song causing
Speaker 1: him damage. And he's saying the person who you know,
Speaker 1: the company that marketed this song, should have went in
Speaker 1: and edited the song.
Speaker 3: That shit is just cowardly, because that shit is just cowardly.
Speaker 1: That's chicken shit from a chicken shit ass motherfucker. You
Speaker 1: put out your records, you do all of this shit,
Speaker 1: you compete all the shit you've been doing, you feel me,
Speaker 1: and then you take a cowards route. I don't know
Speaker 1: how any fucking man or any human being reads that.
Speaker 1: I don't care who you are a fan of, bro,
Speaker 1: I don't care who you're a fan of.
Speaker 3: You know this is chicken shit, and just reading.
Speaker 1: Your dog is like the most saddest, disingenuous, dishonest thing
Speaker 1: I've ever saw in mine. I've never saw nothing like this,
Speaker 1: not alone in this space that we call hip hop
Speaker 1: or even rap music.
Speaker 5: What's your thoughts on people saying.
Speaker 7: That this is this is not him, this is I'm
Speaker 7: trying to stick it to the man, you know what
Speaker 7: I'm saying.
Speaker 5: What's your thoughts on that? Right there?
Speaker 1: Then there's a million reasons to stick it to the man.
Speaker 1: Why are you sticking it to the man based off
Speaker 1: a song where you're dissing somebody in there dissing you.
Speaker 3: Yeah, that's a disingenuous take.
Speaker 1: Him suing you, Like, do you know the type of
Speaker 1: damage that could cause to a hip hop artist like
Speaker 1: me or any hip hop artist like to where now
Speaker 1: they have to send to everything you're saying not.
Speaker 3: Just a battle.
Speaker 1: Like if it's possible for somebody to see a record
Speaker 1: company because an artist says something about you, why you
Speaker 1: feel me? That's permanent damage to this specific thing.
Speaker 3: Why would a why would a billion dollar company invest
Speaker 3: into somebody that they can get pseudo?
Speaker 1: Mm hmm sure, And it's just it's just punk ass
Speaker 1: punk shit.
Speaker 4: This actually is the closest thing I've seen, or not
Speaker 4: the close thing I've seen.
Speaker 2: This structurally.
Speaker 4: Is the most similar I would I could say in
Speaker 4: this regard to when Ozzy Osbourne got sued for liability
Speaker 4: on a couple of teenager suicides.
Speaker 2: But they sued him, not the distributor.
Speaker 4: But you're still talking about lyrical influence of audience action.
Speaker 2: In that sense, you know, no.
Speaker 1: What even that's a little different. That's some punk shit too.
Speaker 1: But bro, you're suing the record company because they didn't
Speaker 1: edit a record where you're competing with another artist in
Speaker 1: hip hop.
Speaker 7: Yeah, you said the realist pot though, what they're saying
Speaker 7: that this should go open the floodgates up, man.
Speaker 1: And why would you invest and why would you invest
Speaker 1: in the artistic merits of this culture if you could
Speaker 1: be sued for what somebody says artistically?
Speaker 2: Yeah, what will ultimately happen?
Speaker 4: I would guess with this, like, let's say hypothetically it
Speaker 4: really gains a lot of traction, You'll probably see something
Speaker 4: happen really shortly thereafter.
Speaker 2: That's very similar to.
Speaker 4: God, I forgot the name of the law, the law
Speaker 4: that protects social media companies from anything that's transmitted over
Speaker 4: their platform message wise, it kind of holds them not
Speaker 4: responsible the same way like AT and T is not
Speaker 4: responsible for any phone conversations that happens over the course
Speaker 4: of their.
Speaker 2: You know, infrastructure.
Speaker 3: In that sense.
Speaker 5: You got to bring the other up though too, this
Speaker 5: shit about the show in Australia.
Speaker 1: So I don't I hope that's not true. I don't
Speaker 1: want to believe that because what it might be true. Bro,
Speaker 1: it might be true because even for this lawsuit to
Speaker 1: be like again, shout out to ALLUZ fans who really
Speaker 1: just think this is about Payola, or think this is
Speaker 1: about him trying to get out of a record deal.
Speaker 1: You know what I mean, Like I totally get the
Speaker 1: gist of it. But bro, you need to read the lawsuit.
Speaker 1: You will realize real fast. That's a paragraph. It's not
Speaker 1: about people talking about lawyers. Shout out to P.
Speaker 3: He said one that assumes micro management.
Speaker 1: The lawyer's job is to try to win, so they
Speaker 1: are going to write everything in a way to show
Speaker 1: their client's best case. P. That's disingenuous and it's cowardly,
Speaker 1: it's irresponsible.
Speaker 3: Like one thing you.
Speaker 2: Got might be but it's a fact.
Speaker 4: See who it might be those things, but it is
Speaker 4: a fact of how that game works.
Speaker 1: But again, it's not about the game, right. It's like,
Speaker 1: I understand how chicken shit you could be to win
Speaker 1: a game, but this is supposed to be the ultimate
Speaker 1: game of masculinity, and accountability comes in that space, if
Speaker 1: that makes sense, Like Pete, Like, it's one thing if
Speaker 1: you see somebody because they kick your ass. It's another
Speaker 1: thing if you get into a fight with somebody and
Speaker 1: they kick your ass after you hit him and you
Speaker 1: saw him, Like, I couldn't really respect a man that
Speaker 1: does that.
Speaker 2: Sure, I get that.
Speaker 1: I could see if it's something that he has nothing
Speaker 1: to do with and it's happening to him. So I
Speaker 1: don't think this. I hope this is not real, but
Speaker 1: this would probably fit. So the security firm that does
Speaker 1: all of his security things, and for Australia it's called
Speaker 1: CVEM Security Group. It was supposed to be a message
Speaker 1: that lead and it's not a regular message.
Speaker 3: It said.
Speaker 1: Please note the artist also has additional restrictions on items
Speaker 1: that can be bought and used in the arenas, such
Speaker 1: as PG LANG merchandise, clothing, hats, or any items associated
Speaker 1: with Kendrick Lamar brands inclusive. If any merch acquired during
Speaker 1: Kendrick Lamar's previous tours is a no go. Please view
Speaker 1: the next page displaying some of the merchandise mentioned.
Speaker 3: Signing Screaming policy.
Speaker 1: All signs must be checked by venue staff at entry points.
Speaker 1: Any signs containing offensive language, derogatory, this shit is really small.
Speaker 1: Derogatory remarks or dis is towards Drake or his teens
Speaker 1: will be confiscated immediately. This includes, but is not limited to,
Speaker 1: phrases like not like us or any other negative references
Speaker 1: to Drake's music, image or associates. Moreover, any of that
Speaker 1: promote any other artists or brands PG Lang or Dreamville
Speaker 1: can yes containing political or controversial statements unrelated to the event,
Speaker 1: include memes or Droke or jokes. At Drake's expense. You
Speaker 1: are encouraged to arrive with a less It's best practice. However,
Speaker 1: if you have items cloak, they can be cloak for
Speaker 1: a ten dollars feet with all proceeds going directly to
Speaker 1: one of our chosen charity partners, like the.
Speaker 2: Drake Legal Fund.
Speaker 4: I'm not a big fan of Australia, so I think
Speaker 4: that not like US a US is a great concept
Speaker 4: for me.
Speaker 3: Bro, this is crazy, man, this seems real.
Speaker 5: Bro. I can't be real man.
Speaker 1: Doing this whole thing. Bro, I never said nothing bad
Speaker 1: about Cuz. Like, I'm getting there, Bro, I'm getting there.
Speaker 1: Like I'm getting there. I'm getting there. I can't lie
Speaker 1: to getting there. Bro, Like I'm getting there. It's gonna
Speaker 1: go bad.
Speaker 3: Bro.
Speaker 4: Like, the question is do you have it in you
Speaker 4: to do a sequel track entitled Drake Must Die?
Speaker 5: Man?
Speaker 3: It's coming. You know it's funny, Like it's one thing.
Speaker 1: To laugh at it it's one thing to joke, like,
Speaker 1: you know, we all joke on Twitter, we all joke
Speaker 1: in these social media's, but none of us actually think
Speaker 1: dude is touching for your old girls or five year
Speaker 1: old girls, like you know what I mean, that's not
Speaker 1: the thought, that's not a real thought. So for him
Speaker 1: to parade in front of the legal system, like that's
Speaker 1: really the thought versus him just being embarrassed, it's.
Speaker 2: Crazy unless maybe it.
Speaker 1: Is, yes, but it's it's it's just odd to believe
Speaker 1: somebody could be that successful though dog and be a
Speaker 1: piece of ship, and it's it's just it's just it's
Speaker 1: irritating my soul, like expressed to.
Speaker 2: You, it doesn't.
Speaker 4: I mean, I feel like maybe outside of like the
Speaker 4: real hip hop world, like actors, a lot of singers,
Speaker 4: I mean, these are trite, insecure, low class people. I mean,
Speaker 4: like like like the the Barbour Streys had house phenomenon.
Speaker 4: Somebody posted a picture of the roof of her house
Speaker 4: on the Internet and she sued everybody in the world
Speaker 4: and it and it was like a small amount of
Speaker 4: people had seen the picture and then like the firestorm
Speaker 4: of media blowback.
Speaker 2: They're not blowback, but just coverage that her.
Speaker 4: You know, shotgun spray of lawsuits as a result of
Speaker 4: that led to her house's drone imagery being shown like
Speaker 4: a thousand times greater than whatever there wives have been.
Speaker 4: They're just like I think a lot of those people
Speaker 4: are just kind of like that. Shout out to me
Speaker 4: and me Angel, welcome to the lunch table. They got
Speaker 4: seen you once or twice. Great point.
Speaker 1: This lawsuit will suppress free speech for artists. It will
Speaker 1: set a precedent record, labels will need to vet lyrics
Speaker 1: and cover art.
Speaker 3: It's exactly what I've been thinking. What stops all of this?
Speaker 1: And for people that could support it, man, Like, I
Speaker 1: don't even know what to think about people who support it,
Speaker 1: Like I don't care how much you love one artist, Like,
Speaker 1: how could you support that?
Speaker 3: How can you supported.
Speaker 7: I've seen one thing that said that said this battle
Speaker 7: now now we have to.
Speaker 5: Now we have the.
Speaker 7: Spot where it's basically hip hop culture versus Drake fans.
Speaker 7: You know what I'm saying, because they like the only
Speaker 7: ones who's sitting back and fucking and signing with him
Speaker 7: when it comes to this ship and fucking find some
Speaker 7: type of reason and for for him doing some ship
Speaker 7: like that.
Speaker 5: It's crazy though.
Speaker 4: I think, really this is a battle that comes down
Speaker 4: to and it's the way it's playing out.
Speaker 2: Universal is not.
Speaker 4: Being made to look bad on this mm hmm. In
Speaker 4: the greater scheme. I think it was probably concocted in
Speaker 4: a way. Two there's there's no merit to this. There
Speaker 4: really isn't. There's nothing.
Speaker 1: I don't I don't think for two seconds he has
Speaker 1: a chance to win the case.
Speaker 2: Yeah, I think it was concocted for a settlement.
Speaker 3: I means, yeah, they're not gonna settle.
Speaker 4: It has done Universal any damage. I think the goal
Speaker 4: was we're gonna put this out there. It's gonna do
Speaker 4: potential damage Universal. They're gonna run from it and the
Speaker 4: bad pr They're gonna settle. But it blew back and
Speaker 4: reverse and gave him bad prs. Now they have no
Speaker 4: it's set up to settle. It's just gonna get tossed.
Speaker 5: You know.
Speaker 3: It's funny, man.
Speaker 1: I usually pray for most human beings, bro pretty much
Speaker 1: all of them. This is the first time where I'm thinking, like, yeah,
Speaker 1: whatever happened to him is worthy of happening to him.
Speaker 3: You know what I'm saying, Like, I.
Speaker 1: Know that sounds crazy, but whatever happens to him is
Speaker 1: worthy of happening to him.
Speaker 3: It's cowardly, it's chicken shit.
Speaker 1: It's not about defending his name or his brand, It's
Speaker 1: not about none of that. It's a tantrum by somebody
Speaker 1: that this motherfucking culture has empowered.
Speaker 3: It's a tantrum alive and it's a bunch of shit.
Speaker 1: Like I couldn't when I was talking to Charlemagne and
Speaker 1: Van because I'm asking him, I'm like, how could he
Speaker 1: be this disconnected? Like how could Couz be this disconnected
Speaker 1: to where? It's like, I know what j Prince is saying,
Speaker 1: I know what Birdman is saying, I know what they
Speaker 1: telling him, I know what they saying, don't do this.
Speaker 1: How could you be this disconnected to where it's like
Speaker 1: you could threaten how motherfuckers really do their thing? How
Speaker 1: they make it out of their circumstances because you chose
Speaker 1: to engage into a battle that somebody got the better
Speaker 1: of you on.
Speaker 2: He was never connected in the first place.
Speaker 1: I know I've said it, but it's just like, even
Speaker 1: as a man, bro like, I'm not saying the culture
Speaker 1: or morality we grow up in, Like I'm not saying that.
Speaker 1: I'm telling you, just being a man, it's a standard
Speaker 1: piek for you. I don't think you would sue anybody
Speaker 1: Pete if you if you got into a fight, you
Speaker 1: start fighting and somebody got the better. I don't think
Speaker 1: it's street urban culture that says, hey, you know what
Speaker 1: you need to be a man and be accountable for actions.
Speaker 4: But this is the problem with the slippery slope principles
Speaker 4: that a lot of people have been complaining about for
Speaker 4: twenty thirty years. This is where slim And falls to
Speaker 4: Like I personally, I don't believe in the concept of
Speaker 4: wrongful termination.
Speaker 2: You didn't start the company. If the company doesn't want you there,
Speaker 2: see it.
Speaker 4: I've been wrongfully terminated flagrantly, and I knew its places
Speaker 4: are trying to get rid of me for months.
Speaker 2: They finally had the Stells that con cox some scheme
Speaker 2: to fire me.
Speaker 4: I said, idiots, you could have just told me to
Speaker 4: get the fuck out of here four months ago, and
Speaker 4: that's when you wanted me to leave.
Speaker 2: They' I'm gonna sue you over this shit. I didn't
Speaker 2: start this thing.
Speaker 4: But you know, when you create an expectation that facilitates
Speaker 4: victim compensation, culturally, which is what has happened for a
Speaker 4: third of a century a minimum. This is what people think,
Speaker 4: I've been wronged. I should be compensated for this, whether
Speaker 4: they've been wronged or whether they just think they took
Speaker 4: a loss. Either way on their own books, they think
Speaker 4: somebody owes them something. And I'm telling you, if not
Speaker 4: a near majority, probably a majority of the country views
Speaker 4: the world that way.
Speaker 2: I don't agree with it. Thanks the truth.
Speaker 1: Good shout out to Earn's Maybe he's trying to get
Speaker 1: out of his deal and go independent. If that was
Speaker 1: the case, he could just release the last album of
Speaker 1: his deal and go independent.
Speaker 3: Yeah, it doesn't make sense and move on.
Speaker 1: He has one album left he could have turned into
Speaker 1: party album and then went anywhere.
Speaker 3: This is not going to get him out of his deal.
Speaker 1: Like, why do you guys keep contriving, Like why are
Speaker 1: you contriving this weirdness of an idea.
Speaker 3: That's not how you get out of a deal.
Speaker 2: And he has the money to buy himself out of
Speaker 2: the rest of that deal, Go do it, yo, Gotti.
Speaker 1: Shit, it's not even that don't make sense, And it's
Speaker 1: hard to have this conversation with people not in the
Speaker 1: music business, because so much of it is built on fluff.
Speaker 1: If that was the case, Cauz could just turn in
Speaker 1: the last album and get out of his deal.
Speaker 2: He doesn't owe them a platinum album, he owes them
Speaker 2: twelve socks.
Speaker 3: And he has an album on cue. Don't make sense.
Speaker 1: None of the things, none of the things try to
Speaker 1: forgive me. None of the things people are talking about
Speaker 1: makes sense. None of the things, even the concept of
Speaker 1: lowering his value and brand. Your value and brand is
Speaker 1: all it's all built on exactly how many albums you
Speaker 1: could stream, or how many songs, how many streams you
Speaker 1: can get, how great.
Speaker 3: Can your records be.
Speaker 1: None of this makes sense because it didn't stop his
Speaker 1: last album from streaming. It didn't stop any of these
Speaker 1: things happening. So I don't get how anybody, I guess
Speaker 1: if you ignorant to how the music business works, you
Speaker 1: know what I mean, you wouldn't get it. But being
Speaker 1: on the inside of it and being a part of
Speaker 1: it for over a decade, like none of it makes sense.
Speaker 5: Trapped Yeah, but no, no.
Speaker 7: It makes sense because we don't know Jack what it is.
Speaker 7: He can't foolish from what it is. You can say
Speaker 7: all that shit right there, you're trying to stop the
Speaker 7: super Bowl. Man, he's embarrassed. You know what I'm saying.
Speaker 7: It's fucking you started a fight and now you got
Speaker 7: your ass. We know what I'm saying.
Speaker 5: We all know what it is.
Speaker 7: You know what I'm saying. You can't try to figure
Speaker 7: out what I'm saying if he has some other type
Speaker 7: of shit, you know what I'm saying.
Speaker 5: So that's all it is. Really, You know I was
Speaker 5: gonna say, was this is all in his text of
Speaker 5: this is? This is where he come from? Though?
Speaker 7: Was you in the that thing when we found out
Speaker 7: that the motherfuckers try to suit the fucking TV company?
Speaker 3: I told you all read it to you.
Speaker 7: Yeah, yeah, yeah, he tried to be you heard about
Speaker 7: that ship, Pete. He tried to sue that he was
Speaker 7: on the game.
Speaker 1: So he was a part of the Grassy. It was
Speaker 1: about three years ago, four years ago, and the Grassy
Speaker 1: executive for it, you know what I'm saying. They reported
Speaker 1: on the story three or four years ago. The Grassy
Speaker 1: executives came forward and said that Drake was trying to
Speaker 1: sue them right because they threatened a lawsuit because he
Speaker 1: felt being in a wheelchair. His threat was being in
Speaker 1: a wheelchair actually hurt his chances to be successful in
Speaker 1: hip hop, and he would pull out of the show
Speaker 1: if they didn't get him out of the wheelchair. And
Speaker 1: the executives brought him into the office and they talked
Speaker 1: to him and they said, hey, man, like, what's the problem.
Speaker 1: He said, well, no, we didn't send that, and they're like,
Speaker 1: but this came from your representative. He's like, oh, well,
Speaker 1: you know, we didn't. He said, well, do you have
Speaker 1: a problem with Jimmy being in a wheelchair? And he
Speaker 1: kind of said, yeah, I don't. I don't really like that,
Speaker 1: Like I don't like that. I don't think it's good
Speaker 1: for my brand. And they like, bro, you got shot.
Speaker 1: You're in a wheelchair, Like there's nothing more hip hop
Speaker 1: than that. And it was crazy to listen to these
Speaker 1: executives from this TV show understand exactly how you know
Speaker 1: what I'm saying, Like it still kind of carried the
Speaker 1: same energy of of you know, overcoming something, and he didn't.
Speaker 1: He thought it would be a bad idea.
Speaker 5: Yeah, yeah, well that's what It's just a stango. That's
Speaker 5: what we do what I was saying.
Speaker 4: Then the actor who was in the Wheelchair and Boys
Speaker 4: in the Hoods sue John Singleton, though, isn't it just
Speaker 4: based off of that?
Speaker 3: Finally, I don't know did he? Oh Man, Chris.
Speaker 8: Like, what the fuck? I heard that?
Speaker 5: And that was crazy though, So I just showed me that.
Speaker 5: That's that's what he do. He that's that.
Speaker 7: It's the Jewish side of him right there. Man's I
Speaker 7: don't get my way, I'm a suit. Yeah, that's that's
Speaker 7: what it is.
Speaker 4: That's starting with money side. I mean, like, like, I
Speaker 4: come from lawsuit Heaven. It's not just Jewish people doing that.
Speaker 4: I don't want to knock Jewish people for that. It's
Speaker 4: it's like I told you, like, the worst punch I
Speaker 4: ever seen landed in high school in my life resulted
Speaker 4: in the sixth figure lawsuit because some dude threw his
Speaker 4: books down and stunted at the guy like this, and
Speaker 4: the other guy was like ship and clocked him, and
Speaker 4: the parents sued the other.
Speaker 8: Six figures.
Speaker 3: Jew shout out to the goat, Welcome to the lunch table, Brody,
Speaker 3: I never saw you. Welcome.
Speaker 1: UMG about to block everything he does, he might not
Speaker 1: be able to release the last album.
Speaker 3: One of them did that for.
Speaker 1: Sure that's guaranteed, Like he's not gonna be able to
Speaker 1: release it at this point. I mean, they're gonna give
Speaker 1: him shit. And if they even did let him, they
Speaker 1: for sure wouldn't support it. They're not gonna let him
Speaker 1: release it on another label. They have exclusive rights to
Speaker 1: his music. That's why I'm saying that the business part
Speaker 1: of it that everybody's talking about doesn't make sense.
Speaker 3: And it's hard for me.
Speaker 5: Now.
Speaker 3: Maybe it's the humble beginnings.
Speaker 1: Maybe it's growing up in continent wise, I don't know
Speaker 1: what it is that makes me think nobody's ego could
Speaker 1: be that fractured in big.
Speaker 2: Rategically, Like, look, this clocked my career.
Speaker 4: That was on borrowed time. Anyway, I need to get
Speaker 4: a check on the way out the door. That kind
Speaker 4: of stuff happens.
Speaker 1: But that don't make sense. He wouldn't he wasn't going
Speaker 1: to not be able to make money in the business
Speaker 1: like it wasn't like because he lost the battle, his
Speaker 1: career was over. That's just not how hip hop worked,
Speaker 1: That's not how rap music works. Like jah Ruth still
Speaker 1: had a couple platinum albums and hit singles before you
Speaker 1: know what really caused the end of murder inc we've
Speaker 1: talked about it is when the FEDS came after IRV Gotti.
Speaker 1: If that was truth, and Joah would have got signed
Speaker 1: someplace else. Yeah, but it's more to that, right that
Speaker 1: he was trying to hold out with his men. They
Speaker 1: remember the Feds, they wouldn't do business with IRV Gotti.
Speaker 1: He signed the IRV Gotti so they couldn't do business
Speaker 1: anywhere else. And he just rolled it with his homeboy,
Speaker 1: just rolled it out. It wouldn't have been like jah
Speaker 1: Ru couldn't have got signed at another label. This is
Speaker 1: not true, Like it's not the battle. No battle has
Speaker 1: ever ended a rapper's career. What they do after the
Speaker 1: battle determines what happens to their career. It's just a
Speaker 1: rap battle. There's a there's a whole league of people
Speaker 1: rap battling every week and they lose and win, and
Speaker 1: people come back and back again, like you didn't lose.
Speaker 1: If that was the case when he lost to Push
Speaker 1: a T that would have been the end of his career,
Speaker 1: or when jay Z lost to Nas that would have
Speaker 1: been the end.
Speaker 3: Of his career. It don't work that way.
Speaker 2: But it was the pr battle.
Speaker 1: But I'm saying he didn't lose the PR battle. He's
Speaker 1: making the PR worse. Like everything he's doing post the
Speaker 1: battle is making the PR worse. The battle would have
Speaker 1: just been over. Like, yes, we would have talked about
Speaker 1: the day we saw that fight. You know, we saw
Speaker 1: you know, a sugar Ray Leonard lose to Duran, But
Speaker 1: he came back and he won the next fight. Now
Speaker 1: when he fought him again, like it's normal, you can lose.
Speaker 1: Losing is not the end of life. That's funny listening,
Speaker 1: it was sunny listening. Came back and won after that.
Speaker 1: After he lost still, George came back.
Speaker 3: George Foreman lost and came back twenty years later and
Speaker 3: did something no other fighter in the history of the
Speaker 3: heavyweight division has ever done.
Speaker 2: It did he He went into hibernation for two decades
Speaker 2: and came back and a reunion tour.
Speaker 3: Yeah, that's more about his own thing.
Speaker 1: Shout out to a thank you for the five dollars
Speaker 1: man feeding us some months at this lunch table, Yo, glasses,
Speaker 1: I gotta ask what you think about Drake not along
Speaker 1: PG Lane outfits at this new concert out of concern.
Speaker 3: We just mentioned that A much love. Welcome to the
Speaker 3: lunch Table.
Speaker 2: Bullies might like whipped you with a T shirt like
Speaker 2: in a locker room style.
Speaker 4: You could get hurt by one of those shirts more
Speaker 4: than say another shirt like a hand shirt.
Speaker 2: Nah throwing out there.
Speaker 7: I think I think he's trying to. I think he
Speaker 7: felt like he's already been getting trolled for the past
Speaker 7: eight months and he's like, yo, listen, I know they
Speaker 7: gonna probably around and pull up to the fucking show
Speaker 7: and troll me in the front row with nothing but
Speaker 7: PG Lane shirts and ship like that. Let's let's let's
Speaker 7: bought it for coming in the stadium. You know what
Speaker 7: I'm saying. You can't avoid the troll though.
Speaker 4: I think it it's interesting that he is performing that
Speaker 4: far away from Compton. I mean, it doesn't get you
Speaker 4: further in Australia.
Speaker 1: Shout out to the name brand, thank you for the comments.
Speaker 1: My boyther is lunch Table. The artist formally known as
Speaker 1: Drake come in.
Speaker 5: You know.
Speaker 3: It's funny.
Speaker 1: When I first got my record deals with Cash Money Records,
Speaker 1: and I was in with my attorney, Bob Lieberman, and
Speaker 1: I was reading through the contract, the final contract that
Speaker 1: they sent me that I had to sign, and it
Speaker 1: said it started with the artists and his likeness. Yeah,
Speaker 1: And I remember asking Bob, like, what the hell is
Speaker 1: the artist in his likeness? And he goes through this story.
Speaker 1: He said, there was an artist in the late seventies
Speaker 1: and eighties that was signed to Warner Brothers. He didn't
Speaker 1: like how things was going with his contract or they
Speaker 1: were supposed to change I think the royalty rate of
Speaker 1: his contract and they didn't, and he started to release
Speaker 1: music under a symbol. And he said after that they
Speaker 1: added the concept of likeness. He said that artist was prince,
Speaker 1: so they actually did things to actually combat that.
Speaker 3: But do you think that.
Speaker 4: Drake, instead of writing slave on the side of his face,
Speaker 4: could write plaintiffs on the side.
Speaker 2: Of his face as a brand revival principle?
Speaker 3: I think so.
Speaker 1: Shout out to Memi Angel, thank you for being at
Speaker 1: the Lynch tapele one contributing. Appreciate that glasses. You are
Speaker 1: trying to rationalize something that is root and emotions. He
Speaker 1: is throwing a tempered tension. He hired lawyers to fight
Speaker 1: this fight for him, You know what, It seems that way,
Speaker 1: But I just cannot believe, like this is just unfucking believable.
Speaker 3: This is a grown ass man.
Speaker 4: This is what happens when you grow up in a
Speaker 4: different ecosystem and then exist in a compensated echo chamber
Speaker 4: for twenty years. I mean, like you see weird, like
Speaker 4: super eccentric, you know, like like weird famous white people
Speaker 4: to get into like bizarre circles. This is that playing
Speaker 4: out in a different way. You're a weird, anti social person.
Speaker 4: You're you're not a mainstream personality. You're some sort of
Speaker 4: you know, savantage type individual. And then you exist in
Speaker 4: this tiny circle of people that happened to be on
Speaker 4: the payroll for twenty years, and your perspective is warped.
Speaker 4: Imagine you didn't start off regular, Like I know.
Speaker 3: I said seven years ago that Due wasn't hip hop,
Speaker 3: and I didn't think he was this far away from
Speaker 3: the culture. Like I didn't think he was this far
Speaker 3: away from in the culture.
Speaker 4: I don't know what street it is like in Long Beach.
Speaker 4: It's like you either on one side of Cherry or
Speaker 4: the other.
Speaker 1: Shout out to p regardless if you believe his business
Speaker 1: was hurt or not. What option does a business have
Speaker 1: because it's kind of like it's kind of sounding like
Speaker 1: you're saying lay down. What do you mean lay down?
Speaker 1: There's no fight to fight, pee Like. All you have
Speaker 1: to do is release music. All he has to do.
Speaker 3: What are you doing?
Speaker 4: It's tantamount to General Motors suing Tesla for eating up
Speaker 4: market share of their ev division or something else, or
Speaker 4: suing a governing body at the Department of Energy and saying, oh,
Speaker 4: Department of Energy, you allowed for Tesla to gobble up
Speaker 4: all of our market share from the Chevy Vault, which sucked.
Speaker 1: Like I could see if this battle stopped him from
Speaker 1: being able to release music.
Speaker 3: It didn't.
Speaker 1: I can see if this battle stopped him from like
Speaker 1: if they was like this not like a song is
Speaker 1: so good. We don't want to release your music Drake anymore.
Speaker 1: You're you're we're letting you go off the label, and
Speaker 1: then you know, other labels like, you know what the
Speaker 1: way you lost that battle, we.
Speaker 3: Don't want to sign you. That's not what's happening.
Speaker 1: I can see if he put out not like us,
Speaker 1: and then Australia said, you know what, we're going to
Speaker 1: cancel these concerts. We don't want to lose the money
Speaker 1: on you because people don't want to see you anymore.
Speaker 1: They don't want to come to your concerts because of
Speaker 1: this not like Us song, like nothing has changed or
Speaker 1: what the fuck are y'all talking about? Bro, what are
Speaker 1: y'all talking about? He didn't lose any Nike. He did
Speaker 1: not release a press release. Well you know what, these
Speaker 1: new facts and this not like Us says we need
Speaker 1: to actually disassociate our business with Drake because of Kendrick's allegations,
Speaker 1: and we know they're true. We're cutting off your business.
Speaker 1: That's not what's happening. So he didn't need to do
Speaker 1: anything for his business but do business. He didn't need
Speaker 1: to do He didn't need to do anything for his
Speaker 1: business but do business.
Speaker 4: After the battle, didn't the Raptors revoke his season tickets?
Speaker 1: Though, No, what no, Wow, nothing happened like he is.
Speaker 1: I was telling somebody on Twitter like they was like,
Speaker 1: you know, man, you know Kendrick killed him. I said, no,
Speaker 1: that didn't kill him. We're not watching a murder, we're
Speaker 1: watching a suicide.
Speaker 5: Yeah, gave him though.
Speaker 2: It's like, it's like how online bullying leads to a suicide.
Speaker 1: It's not shout out to Todd. Nike wouldn't announce something
Speaker 1: like that unless it was true. They didn't separ they
Speaker 1: didn't sever their business. Todd Nike didn't say, hey, we're
Speaker 1: severing our business. He didn't lose any contracts because of
Speaker 1: a battle. People don't lose contracts because of a battle.
Speaker 4: Yeah, I mean, there's teeth to contracts, and you have
Speaker 4: to say he's he's in breach of contract. Is there
Speaker 4: a don't lose battle clause in the contract?
Speaker 1: Man, that's a good contract clause. If you lose a battle,
Speaker 1: we don't owe you any more money. You know what
Speaker 1: I'm saying that he'd be.
Speaker 2: Suing to argue that he actually won technically I won.
Speaker 3: Because it's just unbelievable. Would have believed somebody mind could
Speaker 3: be this messed up, Like I'm struggling to believe a
Speaker 3: man's mind could be this messed up.
Speaker 1: That's a struggle for me. Hmm, suplain, I cannot believe
Speaker 1: he could be this emotionally bothered by losing a bat Like.
Speaker 3: Don't get me wrong, I've lost things.
Speaker 1: My mother passed away, the federal government took everything I
Speaker 1: had twice in my life. Right, I've lost things, but
Speaker 1: I've never let them completely compromise my whole journey. Shout
Speaker 1: out to Todd Man. I got a big hypothetical. What
Speaker 1: happens to the industry if UMG loses this case, if
Speaker 1: it's the end of hip hop in the record business.
Speaker 1: If UMG lost this case, it's the end of hip hop.
Speaker 1: At that point, they will start to censor every last
Speaker 1: thing an artists. If one artist or if a person
Speaker 1: can sue a record company because of what an artist says,
Speaker 1: why the hell they would have to censor everything, and
Speaker 1: immediately they would scrub everything cultured from it, because that's
Speaker 1: the whole point of it, right the conversation. So it
Speaker 1: would be the end of hip hop. If he won,
Speaker 1: hip hop would forever be done. It would go into
Speaker 1: a space where it's nothing but clean people doing it,
Speaker 1: saying clean and regular things that nobody care about. Shout
Speaker 1: out to Lucky Lawrence Glasses. Do you think the creative
Speaker 1: thing to do here is remixed to not like us
Speaker 1: addressing other artists like Joey Badass. Nah, you could just
Speaker 1: leave that alone. That's just what it is. Shout out
Speaker 1: to Squishy. No matter the color or creed, glasses, I
Speaker 1: think men are men. I don't care what creed of color.
Speaker 1: I think this is like a standard amongst men. Shout
Speaker 1: out to earns. So what is the ultimate outcome after
Speaker 1: this lawsuit? Drake and his lawyers know exactly what they
Speaker 1: are doing. Nothing happened for no reason. There's a purpose
Speaker 1: behind all this. I don't think that's true. See, Like
Speaker 1: I thought to myself just like that initially, Like I've
Speaker 1: always gave Drake entirely too much credit for being intelligent.
Speaker 1: I've always gave him too much credit for being like
Speaker 1: his success. And the reality is it's a lot more
Speaker 1: into that than he is. Defamation amount they want the
Speaker 1: court to name it, gotcha, No, I mean like they're there.
Speaker 4: Yeah, it's legally too much, very close to a ongoing
Speaker 4: lawsuit that is having active mediation happening as we speak
Speaker 4: right now. The distance between parties is so vast. It
Speaker 4: reflects the subjectivity of perspective and interpretation of reality and
Speaker 4: how distorted that can be between parties.
Speaker 2: The idea that, yeah, you can't.
Speaker 4: Have somebody who's highly talented as a litigator, believe, push
Speaker 4: comes to shove. I think I can win this thing
Speaker 4: based off of ABCDFG. Another guy goes based off of
Speaker 4: my ability and my track records. You don't see the
Speaker 4: chance in hell based off of x y Z. That's
Speaker 4: like every lawsuit, you know, that's half of every lawsuit
Speaker 4: in a courtroom today.
Speaker 2: So I mean, never be amazed.
Speaker 3: Shout out to P. His whole claim is things have
Speaker 3: happened business and safety wise.
Speaker 1: I'll take his word like I take your word hate
Speaker 1: speculating what reebs could be affected.
Speaker 3: It's just not true. P. That's just not true.
Speaker 1: Doesn't say that he's only claiming things have happened safety wise.
Speaker 3: Nothing. They're not claiming in the lawsuit nothing has happened
Speaker 3: business wise, saying hey, you know what Universal went from
Speaker 3: offering us, you know, six hundred million to two hundred million.
Speaker 3: That's not what's saying.
Speaker 1: He hasn't said one thing has happened business wise in
Speaker 1: this whole Yes, it's probably why he's going to move
Speaker 1: the lawsuit.
Speaker 2: A season desist order he's looking for in some sort
Speaker 2: of a statement.
Speaker 1: Yeah, he wanted he wanted Universal to pull the record
Speaker 1: down in July am out May fourth. He wanted them
Speaker 1: to pull it down roughly sixty days later, so he
Speaker 1: reached out to UMG and said, hey, you know what,
Speaker 1: this song right here is causing harm to my safety
Speaker 1: and Universal, you know they not the most street people
Speaker 1: in the world, but they also ain't stupid. If me
Speaker 1: and Trapp know what happened in Wise House got shot up,
Speaker 1: then they know Wise House got shot up. They're not crazy.
Speaker 1: So they didn't give any credence to what he was
Speaker 1: talking about. So he was saying like he was threatening
Speaker 1: the lawsuit in the UMG said, you would look stupid
Speaker 1: trying to sue us over a battle that you were
Speaker 1: in with another rapper where you're insulting him and he's
Speaker 1: insulting you. And he just went through it anyway because
Speaker 1: he didn't get them to do what he wanted them
Speaker 1: to do. He wanted them to take down He wanted
Speaker 1: them to censor Kendrick Lamar's record, and it's weird because
Speaker 1: he didn't censor his own record.
Speaker 3: And that's yeah, exactly.
Speaker 4: The bottom line is it's like closing the door after
Speaker 4: the horses have already left.
Speaker 3: The barn at that point, shout out the trees, my lord,
Speaker 3: much love, bro, thank you for the five dollars, Appreciate
Speaker 3: you feeding us that lunch on me, Bruce.
Speaker 1: Egos can lead to your own death. That's what happened
Speaker 1: right now with Drake. It looks like that you guys
Speaker 1: are all right, shout out to Todd Glasses. We can't
Speaker 1: speak too soon. We don't know what proof of whatever
Speaker 1: it is he allegedly have.
Speaker 3: Yes, we do.
Speaker 1: It's not soon. He just doesn't have he knows why
Speaker 1: his house got shut up. That's just not true. Dude,
Speaker 1: probably could pull something out that exposes UMG for unethical practices.
Speaker 3: That's not what he's suing for. He's not suing you
Speaker 3: and fun of unethical practices.
Speaker 1: He's saying he's swing them because they put out a
Speaker 1: dish record and marketed a dish record that was disrespecting him.
Speaker 1: It's not about unethical practices. You guys kind of keep
Speaker 1: trying to really guide the narrative into something that that's
Speaker 1: not the lawsuit. The lawsuit is over specifically what Kendrick
Speaker 1: Lamar said to him and UMG promoting the record, or
Speaker 1: Kendrick Lamar said those things about him. It's not anything else.
Speaker 1: Like I can read this lawsuit to you. We could
Speaker 1: go through all of those lyrics, you feel me and
Speaker 1: at the end of the day, you know what I mean,
Speaker 1: You would have to know that's about the lyrics. And
Speaker 1: he said that would be a huge plot twist. Nothing,
Speaker 1: Todd is gonna make a huge plot twist. This can't
Speaker 1: go anywhere but bad. And you can't say this is
Speaker 1: not true because only the courts know what's going on,
Speaker 1: the courts don't know what's going on.
Speaker 7: Todd.
Speaker 2: That's probably the last person that knows, because they're.
Speaker 1: Like and Todd like, look, man, this is not a
Speaker 1: This is not a battle, Like you're not in a battle.
Speaker 1: I'm like, this is a regular thing. Back to that point, Glasses,
Speaker 1: we can't speak too soon. We don't know what proof
Speaker 1: or whatever he's allegedly have.
Speaker 3: Yes, we do. We do know what proof. We do
Speaker 3: know the proof.
Speaker 1: He doesn't have proof that nobody shot up his house
Speaker 1: because Kendrick Lamar dropping out like us. That's ridiculous. He
Speaker 1: could pull out a huge UMG for unethical practices. He's
Speaker 1: not suing them for unethical practices. He's suing them because
Speaker 1: they marketed a record dissing him. It's no plot twist.
Speaker 1: That's the actual lawsuit. It's a defamation lawsuit. He couldn't
Speaker 1: sue them for anything else. He couldn't sue them for
Speaker 1: Paola on another record. He couldn't sue them for anything else.
Speaker 1: He's suing them because they marketed a record where somebody
Speaker 1: had inflamma said inflammatory material about him on a record
Speaker 1: they promoted it.
Speaker 3: That's what he's sawing them for.
Speaker 1: Toad like, you gotta you gotta kind of stay focused,
Speaker 1: like it's not one of those things glasses. You are
Speaker 1: being super biased.
Speaker 8: Bro.
Speaker 1: The suit mentions Paola and Box also, which is unethical practice.
Speaker 1: If that's true, you gotta stop being biased. That's not
Speaker 1: the point. He's not swing them because they marketed Payola bots.
Speaker 1: He's suing them based off of the other seventy paragraphs
Speaker 1: where he's talking about the lyrics of the song come
Speaker 1: On Man like you got that, And it wasn't a
Speaker 1: laws to he was trying to petition them. He was
Speaker 1: trying to bring criminal charges. He wanted the federal government
Speaker 1: to bring criminal charges on them for these things. That's
Speaker 1: why he called it a corporate rico. M you know,
Speaker 1: I mean, it wasn't That wasn't what he was trying
Speaker 1: to do. He dropped that case because it was ridiculous
Speaker 1: and went straight for defamation, saying they're marketing a record
Speaker 1: that Kendrick Lamar has said.
Speaker 3: The unsavory things about him, like listen to the stuff.
Speaker 3: I'll read some more of it here it is. Here's
Speaker 3: more lyrics.
Speaker 2: Do the record label for defamation and not the artist himself.
Speaker 1: Because they convinced him. You know what I'm saying. They
Speaker 1: convinced him that it would make him look bad, he said.
Speaker 1: Within the first minute, the recording identifies Drake by name
Speaker 1: and states that Lamar has heard that Drake as a
Speaker 1: pre unde say Drake, I hear you like them young
Speaker 1: in quotation marks. The next line is a thinly veiled
Speaker 1: threat that Drake should be careful that he never ends
Speaker 1: up in prison, a place where child predators are notoriously
Speaker 1: the target of violence. You better not ever go to
Speaker 1: sell block one. The recording continues to say that any
Speaker 1: woman who falls in love with Drake should be careful
Speaker 1: to hide her little sister from him. Next, in a
Speaker 1: perverse reference to Drake's twenty twenty one album Certified lover Boy,
Speaker 1: Certified lover Boy, Certified Pedophiles. In a play on the
Speaker 1: dual meaning of minor a person under the age eighteen
Speaker 1: and a musical skill, the recording says that Drake is
Speaker 1: trying to strike a chord and it's probably a minor.
Speaker 1: Later in the recording, Lamar describes Drake as Malibu's most wanted.
Speaker 3: The recording continues.
Speaker 2: To see because he doesn't own a home, is cal.
Speaker 3: This is unbelievable. The recording continues to say that Drake
Speaker 3: and people in the circle need to be served with
Speaker 3: a subpoena because a predator moves in flocks and as
Speaker 3: search that Drake's name gotta be registered and placed on
Speaker 3: neighborhood watch, Like, y'all gotta get this.
Speaker 5: This is in a lawsuit.
Speaker 3: Me, that's in the long suit. Bro, that's in paragraph
Speaker 3: that's in paragraph fifty four to paragraph sixty three. They
Speaker 3: just go through the lyrics. Listen.
Speaker 1: The recording also repeatedly suggests that violence should be used
Speaker 1: against Drake because he is a pedophile. Like the sound
Speaker 1: of someone being beaten up. The recording repeats wa wa,
Speaker 1: and then says Lamar will fuck him up. Later, the
Speaker 1: recording threatens that if Drake comes to Oakland, where Lamar
Speaker 1: grew up, he will make it out. He won't make
Speaker 1: it out alive. I think that Oakland show going be
Speaker 1: your last stop.
Speaker 2: Did he grow up in Oakland?
Speaker 3: No, Kendrick, did I grew up in Oakland, he.
Speaker 2: Should sue him for defamation.
Speaker 1: Like fuck a caption but through physical islands want action,
Speaker 1: no accident and I'm hands on he fuck around and
Speaker 1: get polished. At the end of the recording, the lyrics
Speaker 1: threatenedly repeat, hey hey, hey, hey, run for your life.
Speaker 1: Hey hey, hey, hey, run for your life. Which that
Speaker 1: is not even about Drake. That's about people running away
Speaker 1: from Drake. The recording contains. The recording contains numerous additional
Speaker 1: statements that imply the existence of evidence to support the
Speaker 1: allegations against Drake. The recording threatens that Lamar could reveal
Speaker 1: more secrets about Drake. Rabbit hole is still deep. I
Speaker 1: can go further, I promise, and that the public will
Speaker 1: believe him. The audience is not dumb. Shape the stories
Speaker 1: how you want, Hey, Drake, They're not slow. The recording
Speaker 1: continues by making reference to several Drake songs and accusing
Speaker 1: Drake of being a liar for denying pedophile, denying allegations
Speaker 1: of criminality, the family matter, the truth of the matter.
Speaker 1: It was God's plan to show y'all the liar.
Speaker 5: I want to hear him break down. That did they break?
Speaker 5: The comedy that the COEs apart.
Speaker 1: Down to yes, furthering okay, let me. The recording also
Speaker 1: makes a Voger attack on Drake's brand. Oh v oh
Speaker 1: what o v O foe the other vaginal option pussy
Speaker 1: and let me hear you say O v ho O
Speaker 1: v ho say o v ho rantasies ov ho. Furthering,
Speaker 1: the recordings refrained that that Drake is not like us.
Speaker 1: The recording alludes to Drake's Jewish heritage, saying that Drake
Speaker 1: is not a colleague but a fucking colonizer.
Speaker 7: Bro, that's crazy, that's good heat.
Speaker 3: I can't you can't make this ship up, bro, Like
Speaker 3: you can't make this up.
Speaker 7: When this story gets told twenty years from now, like
Speaker 7: some fucking some Hollywood story should be Oh my god,
Speaker 7: like this is crazy.
Speaker 5: This is a movie, man, it's a bad movie at that.
Speaker 5: But it's a movie. Though. This is like a fucking
Speaker 5: lifetime some shit like that. This is a fucking bird.
Speaker 1: It's just crazy, shout out to tide. Yeah, but people
Speaker 1: go flip the narrative and be like Kendrick sue too.
Speaker 3: Law is law.
Speaker 1: You gotta stand on business. I don't know, y'all gotta
Speaker 1: stop using that term. I don't know what the hell
Speaker 1: business that that. That's not what that means, like going
Speaker 1: to if you work at McDonald's and you flipping Hamburger.
Speaker 3: That's not what they mean when they say standing on business.
Speaker 3: It's not.
Speaker 1: It's cool, bro, but that's not what they mean. Shout
Speaker 1: out to trees. Trees is really feedings. That's fifteen dollars
Speaker 1: from you. Thank you for the five dollars. I think
Speaker 1: Drake not dropping music because he don't know what to
Speaker 1: rap about anymore. He can't rap about being number one anymore,
Speaker 1: or women in the same light. In my opinion, that's
Speaker 1: not true. Trees like Drake can rap about number one.
Speaker 1: He was still the number one most streamed artist last year,
Speaker 1: whether it's his catalog or whatever. Like, he's not some
Speaker 1: run of the meal artists where he can't drop songs.
Speaker 4: Or women in this country that would love to hear
Speaker 4: a song about how they should be given a bunch
Speaker 4: of expensive things for free.
Speaker 2: That market will never dry up nor die I.
Speaker 3: Think again, it goes to the people in this at
Speaker 3: the lunch table that's saying Drake is not dropping music
Speaker 3: because he's throwing a tantrum. It's not like I.
Speaker 1: Can't logically, you know, I would love to believe somebody
Speaker 1: that's more successful like Drake. You know, somebody that's achieved
Speaker 1: more in the music business like Drake is smarter than
Speaker 1: I am. But that don't actually or more intelligent. That
Speaker 1: actually doesn't make mean it's true, like somebody even as
Speaker 1: successful as that, can make dumb ass moves like dumb. Yeah,
Speaker 1: absolutely dumb moves. And I cannot help but to understand
Speaker 1: and be aware of how dumb of a move this is.
Speaker 3: It's just dumb.
Speaker 2: He's turned himself into the Antonio Brown of hip hop.
Speaker 1: I think he could shout out to the homie Kelvin Kell,
Speaker 1: what's up baby? He ain't gonna be at a popp
Speaker 1: it like he used to. Of course he can now
Speaker 1: are we gonna believe it?
Speaker 3: Is different? But trust me, it's enough people in this
Speaker 3: world that will believe it.
Speaker 1: None of it makes sense to me, Kelvin because like
Speaker 1: I don't get like it's not like he lost anything
Speaker 1: on his brand. Like, yeah, there're gonna there gonna be
Speaker 1: some people that's gonna make you work harder to get
Speaker 1: their attention, right, they get to bring credence to what
Speaker 1: you're saying. But he is in a position where he
Speaker 1: had the greatest companies in music history supporting what he does.
Speaker 1: So it doesn't make sense. There's no way, there's no
Speaker 1: way possible that any of this makes sense. He can
Speaker 1: get on the mic and say anything, He can get
Speaker 1: on the mic and make records like all you would
Speaker 1: have to do is work harder. But it's Drake, So
Speaker 1: none of this makes sense to me at all. Shout
Speaker 1: out to uh not for sale man. We appreciate the
Speaker 1: five dollars, bro much love to the two six, you
Speaker 1: know what I mean? The Northwest Drake should have stuck
Speaker 1: his comeback season so far gone persona. I feel like
Speaker 1: the industry empowered is fake tough image. Possibly I'm not
Speaker 1: mad at that, I mean, but I also think again,
Speaker 1: even when I'm listening to him, even when I'm listening
Speaker 1: to him talk, you know, like it's almost like he
Speaker 1: actually believes not like us really changed his career.
Speaker 7: I cannot believe eleven songs ain't dropped eleven song and
Speaker 7: ain't not one of them cracked?
Speaker 9: What as normal?
Speaker 7: You know what I'm saying projections that he was doing.
Speaker 7: It was like eleven thirteen songs ain't through shit.
Speaker 3: You think he saw that. It was like, I'm over
Speaker 3: like this one song, and it's true because he is.
Speaker 4: It's different when you're not substantive and he's not. Okay,
Speaker 4: let's put that to bed. A lot of his ship
Speaker 4: is predicated on the idea that he's cool. Thereby anything
Speaker 4: comes out of his mouth is cool enough or whatever.
Speaker 3: You take that out and now you're just a shitty
Speaker 3: rapper cultural cachet.
Speaker 1: But he's good as he's a great record maker still
Speaker 1: even if he.
Speaker 3: Lost of cultural cachet.
Speaker 4: But if you got a scarlet letter next to your name,
Speaker 4: that's really really damaging.
Speaker 7: Yo. I think this ship all comes down to you
Speaker 7: know what I'm saying, Like he needed to just take
Speaker 7: a break. Be people was tired of that nigga man.
Speaker 7: I mean man, that's excuse the name work, but people
Speaker 7: was tired of him though, man like, like he needed
Speaker 7: he needed to just sit back and relax, you know
Speaker 7: what I'm saying. Even after the battle he took the
Speaker 7: l sat back, relaxed. Let us see you next October. Bro, Like,
Speaker 7: come on, you ain't giving nobody your break's how you know?
Speaker 7: They were just trying to milk that cow for a
Speaker 7: much tiger out of him. Be for real, for real,
Speaker 7: you know what I'm saying, Because it's like it's like
Speaker 7: he couldn't take a break. It's like they wouldn't let him.
Speaker 5: Take a break.
Speaker 3: I don't think it's him.
Speaker 5: I think it was him keep wanting to go out
Speaker 5: there and put them heels on?
Speaker 3: Why not?
Speaker 1: Like you gotta understand what it's like. I was saying
Speaker 1: to y'all the other day and on clubhouse at ADHD.
Speaker 3: It's like he wanted to do this.
Speaker 1: He realized not only would this change his fortune, but
Speaker 1: it also would change his cultural cachet. Like I'm starting
Speaker 1: to realize how valuable this street urban culture is.
Speaker 3: Like it's on.
Speaker 1: Another level because like he was ready to sue the
Speaker 1: company that pretty much changed his life. Right, you're gonna sue.
Speaker 1: You're threatening to leave the job. Right, you're threatening to
Speaker 1: leave the job of this Nickelodeon show. Let you tell it.
Speaker 1: Let you tell it that put you in your mom
Speaker 1: in a better position, that got you to buy a car,
Speaker 1: a nicer place, And you're gonna leave it because you're
Speaker 1: worried about your reputation when it comes to making records.
Speaker 1: You feel me, that's showing me again. This culture. The
Speaker 1: thing that I defend so vehemianly is important. Like it's
Speaker 1: if everybody else sees the value, even if us in
Speaker 1: the center of it don't truly get it. Oh like
Speaker 1: they like when I first thought Drake wasn't hip hop
Speaker 1: based off of the studies, I knew, you know what
Speaker 1: I'm saying, it was different. Like I was like, oh,
Speaker 1: this is different, Like this is special. You know, these
Speaker 1: New York brothers really gave us something special. And then
Speaker 1: at that point I knew that how I felt about
Speaker 1: it and how I was gonna stand up for it.
Speaker 1: But man, when I watch Vlad or Adam or anybody
Speaker 1: else truly become millionaires because of it, just listening to
Speaker 1: some brothers, you know, from the same country that all
Speaker 1: these other people from. But like this story specifically is
Speaker 1: that valuable. Shout out to Mimi Angel, thanks for the
Speaker 1: comment at the lunch table.
Speaker 3: Sate you.
Speaker 1: What's crazy is the anti Semitic aspect putting his lawsuit
Speaker 1: regarding the song ironic because the boss of you and
Speaker 1: G is Jewish. They don't even think it's They know
Speaker 1: how this rap battle stuff go. They've been around this
Speaker 1: business so long and they actually try to get you
Speaker 1: not to get into rap battles because they really be
Speaker 1: like they don't really matter, but people gonna do what
Speaker 1: they do.
Speaker 3: Shout out to RUFFI and tv A g mark my words.
Speaker 3: Kate is gonna end up in court.
Speaker 1: He's gonna realize it makes no difference in the eyes
Speaker 1: of the community whether you sue the company or the
Speaker 1: person for a song.
Speaker 2: Understand that sense almost juxtaposed.
Speaker 3: I mean maybe, but I think he'll lose every lawsuit.
Speaker 1: I think he's gonna lose every Like all he's doing
Speaker 1: is digging himself a deeper hole. You mean, after he
Speaker 1: loses the you, he's gonna try to sue, but he's
Speaker 1: gonna lose every lawsuit. Like that's the problem. Like you're
Speaker 1: gonna keep losing because that's not This.
Speaker 3: Is not true. This is not real.
Speaker 2: And let's say loses on the standing issue, it's not
Speaker 2: gonna matter what he won't so it won't.
Speaker 1: Shout out to Cam, thank you for the five dollars, brother.
Speaker 1: I am praying for Kendrick. I wish Drake would go away.
Speaker 1: You know, I don't want him to go away. I
Speaker 1: just want the man to get back to making some
Speaker 1: damn music and stop with this done shit.
Speaker 2: I don't want him to make any more music. I
Speaker 2: want him to go away.
Speaker 4: He's he is a massive amplifier of pussy interest rates
Speaker 4: and find it disgusting.
Speaker 1: Shout out to p So are you saying if he
Speaker 1: was in a different position, you'll believe he took damage.
Speaker 1: He didn't take damage because battle rap doesn't damage you.
Speaker 1: What you do after a battle will mess you up.
Speaker 1: Like what battle is, it's what's damaged is his ego.
Speaker 1: His business is not damage. Universal Like, listen, if let's
Speaker 1: say all of those numbers were true. Let's say he
Speaker 1: was on the verge of getting six hundred million this time,
Speaker 1: right that all those numbers are true, and Universe was like,
Speaker 1: you know what, you lost that battle. We're not gonna
Speaker 1: give you six hundred million. Warner will give you six
Speaker 1: hundred million. Like you like you still have negotiating power,
Speaker 1: You're still drake. If you put out the If you
Speaker 1: put out the album, will party and that album sells
Speaker 1: two three billion streams. You know it does two to
Speaker 1: three billion streams. You can go to Warner Brothers and say, hey,
Speaker 1: they sleeping, let's do this for the money.
Speaker 7: Can't go to warn up they said, old boy, old
Speaker 7: boy centers over at. Warner said, on the you can
Speaker 7: probably in upon it.
Speaker 3: I mean wherever you can go, anywhere you I mean
Speaker 3: you you have the keys to the castle.
Speaker 2: Yeah, there's all there's all kinds of ways you could sell.
Speaker 3: Warrior.
Speaker 1: This is past a rap battle. Gee, it's war. Anything go,
Speaker 1: it's not war. Only people who never been in war
Speaker 1: think this is war.
Speaker 3: This is not war. This is just a rap battle.
Speaker 7: So this be my question though, right, so so he
Speaker 7: could do that suit right there, right so now can
Speaker 7: Kendrick come back around and do a suit and say yo?
Speaker 7: He said I was a wife. He said I beat
Speaker 7: my wife or his wife could do that or yeah
Speaker 7: or say or say yo yo. He said, my best
Speaker 7: friend is the is the real father of my of
Speaker 7: my chat like bro, like, come on, man, this shit
Speaker 7: is getting wicked me like it.
Speaker 5: It's take the ad with it.
Speaker 7: And I'm saying, I think after February ninth, that's when
Speaker 7: Super Bowl is that she's gonna be thrown out.
Speaker 1: He's just trying to shout out to Don Dubb. I
Speaker 1: think we're overlooking his team. He is being talking. He
Speaker 1: is being oh he has been talking with a team,
Speaker 1: and these are moves being made. I don't think it's
Speaker 1: his team. Don like knowing the team and the guys.
Speaker 1: That's not his team. Just that's not how they would
Speaker 1: do things.
Speaker 2: And this is like another thing also that.
Speaker 3: Like shout out to Mark. Go ahead and read Mark's comment.
Speaker 4: Yeah, every once in a month, every month or so,
Speaker 4: I get into I guess somebody agrees with me.
Speaker 2: Mark, you the best.
Speaker 4: I agree with Pete obviously the smartest guy in the room,
Speaker 4: not me Mark. The Drake brand is about being the
Speaker 4: top guy for ten years. His fans live and die
Speaker 4: by him being the winner. Neither party knows what to do.
Speaker 2: With the loss.
Speaker 1: Shout out to Soukla, what's going on, Sue Tray, Soca,
Speaker 1: what's going on on? My brother, Michael love Man, Welcome
Speaker 1: back from Mexico. Thank you for the gifted ten digital
Speaker 1: soal Box network memberships. I still don't know what that is,
Speaker 1: but we great. It's pretty cool.
Speaker 3: Whatever it is. I need to get figure out what
Speaker 3: it is.
Speaker 5: Thank you for that.
Speaker 4: Man.
Speaker 2: We got to call steal and ask about that.
Speaker 3: Yeah, I know.
Speaker 1: Shout out to black black Eye too, do you think
Speaker 1: he is suing to protect interest? He got in other
Speaker 1: brand deals. He got contracts with Disney's. That's a partnership.
Speaker 1: You don't want a PDF sting with deals like that.
Speaker 1: They didn't pull out of the deals. He doesn't need
Speaker 1: to sue them. Disney understands it's a rap battle. Like
Speaker 1: the fact that y'all think there's American brands that don't
Speaker 1: understand what just happened. Like people, White people are not
Speaker 1: as clueless as you guys would like to give it
Speaker 1: to believe they are. They're not that clueless. Nike knows
Speaker 1: it was a rap battle. Disney knows it was a
Speaker 1: rap battle. Toronto raptors know it was a rap battle.
Speaker 1: Nobody left the battle thinking to themselves, know what, Drake
Speaker 1: just might be a pedophile.
Speaker 3: That's not at all.
Speaker 2: How did Ketric coup this information? And if we all
Speaker 2: missed it?
Speaker 3: Yes, oh you know what, shout out to Kendrick Lamar
Speaker 3: because we had no idea, Like, that's not what's happening
Speaker 3: though it don't make sense, shout out to shout out
Speaker 3: to them me Todd oh g that's speed.
Speaker 1: He making more sense than the whole Twitter world. What
Speaker 1: he said, true, people was just tired of Drake winning.
Speaker 1: When you win like he did all the years. Only
Speaker 1: thing left for people to do is see if you
Speaker 1: get to your your head.
Speaker 3: To that could be true.
Speaker 4: Too.
Speaker 8: You know.
Speaker 3: Again, people get tired of people winning that standard, but
Speaker 3: that still is no reason to behave this way.
Speaker 1: This is just ridiculous. I'm not reading that soon. I'm
Speaker 1: not reading that, Sue. No, no, no, no, no, what's up.
Speaker 3: Drake is pissed.
Speaker 1: He refuses to believe he lost to Dot any other
Speaker 1: rapper but died you could tell. I think he always
Speaker 1: been scared at that. He's so pissed, he like, how
Speaker 1: dare you? His ego is going to get the best
Speaker 1: of him. You know what's funny? Like knowing knowing knowing
Speaker 1: Dot right, and and he's matured obviously a million but
Speaker 1: the core of him, I really truly believe I always
Speaker 1: will know who he is, no matter if I hang
Speaker 1: with him all the time like I used to, or
Speaker 1: I don't see him often like I do now, and
Speaker 1: I talk to him sometimes.
Speaker 3: I think.
Speaker 1: So there's a there's a there's a reality that Drake.
Speaker 1: Drake took him on tour, right, Drake took him on tour,
Speaker 1: and that was solid, But how he treated him on
Speaker 1: tour is the problem. If you don't create that camaraderie
Speaker 1: with somebody and you think that they should just be
Speaker 1: grateful that.
Speaker 3: You put him on tour. Everybody is now.
Speaker 1: I was telling my niece this, everybody is not light
Speaker 1: glasses Malone, Like, here's a real story.
Speaker 3: I don't want to tell it, but I'm gonna tell
Speaker 3: it anyway. When I first got signed to.
Speaker 1: Black Wall Street, right shout out to facing g Ride,
Speaker 1: don't tell a story.
Speaker 4: Are you sure you can tell the story without getting sued? Man,
Speaker 4: I don't want to allow you to, you know, be
Speaker 4: subjective legal exposure.
Speaker 3: I'll be fine. I don't think Chuck is gonna suit me.
Speaker 3: Oh okay.
Speaker 2: I thought this had to do with Trake.
Speaker 3: Everybody, no, no.
Speaker 1: So when I first start fucking with Black Wall Street,
Speaker 1: Fox sent Rest in Peace for the most part, brought
Speaker 1: me to Most people don't know this, but for faux
Speaker 1: Bent or Billboard as they call him as a rapper,
Speaker 1: brought me to Black Wall Street. Now, I knew g
Speaker 1: Ride before. G ry was a hustler, and everybody around
Speaker 1: the way knew who g Ryd was. I didn't know game.
Speaker 1: I mean, I've seen Jay before it because he played
Speaker 1: at com High School and we would go there and
Speaker 1: our low Riders and watch the game. But I didn't
Speaker 1: really know him. His brother Face is a legend. Big
Speaker 1: Face was a legend amongst the generation. That's my generation,
Speaker 1: his homeboy, his young homie, little Face and Whack who
Speaker 1: you see in the red car that be with Game.
Speaker 1: Not Whack from Pacoima Pou, not his manager, but Whack
Speaker 1: from Fruit Town. Those were guys I knew from the streets.
Speaker 1: They used to come to the neighborhood and I'd be
Speaker 1: hustling and they be politicking, and we just had a
Speaker 1: good time. We had a great relationlationship. But Fox sent
Speaker 1: is the guy that took me to g Ride facing Game.
Speaker 1: So they thought I had talent and they decided that
Speaker 1: that I could rock with they movement. And that's where
Speaker 1: Black Wall Street Blue Division came from. Fast Forward Game
Speaker 1: is figuring his way out. Shout out to Jim Jones
Speaker 1: because Jim Jones brought a lot of extra validity. I
Speaker 1: you know, I hope Chuck wouldn't get upset fitting me
Speaker 1: for saying this, but what with Jim Jones was able
Speaker 1: to help secure for Game on the East Coast, You know,
Speaker 1: just like Game gave a lot more credence to Jim
Speaker 1: Jones being a blood, you know, being out the West.
Speaker 1: In this connection, it benefited both of them and it
Speaker 1: really took him, gave him his first hit record. Shout
Speaker 1: out to Jim forgiving Chuck, you know, a certified gangsters.
Speaker 1: That's a smash and it really made me have this
Speaker 1: different respect from Jim Jones from that day forward.
Speaker 3: But long story short, Game is starting to take off.
Speaker 1: He builds this relationship with fifty cent, He's getting these
Speaker 1: records and now it's bubbling. You can see the storm.
Speaker 1: You can see the wave is coming. That's about to
Speaker 1: be Game, which actually makes twenty years yesterday or this weekend.
Speaker 1: It came out January eighteenth, so shout out to the documentary.
Speaker 1: It went gold in the first week, but rewind that back,
Speaker 1: so it's blowing up. It's blowing up. It takes off
Speaker 1: boom and drops gold in the first week, five to seventy.
Speaker 1: That's incredible. Game is about to go on tour. You know,
Speaker 1: he's high demand him and Stupid's going on tour. He's
Speaker 1: getting thirty thousand dollars a night to start his career.
Speaker 1: In two thousand and five.
Speaker 7: Right.
Speaker 1: He bought everybody chains on Black Wall Street, everybody except Glasses, right,
Speaker 1: And that bothered me. That emotionally bothered me. I felt
Speaker 1: some kind of way because I'm like, damn bro, like
Speaker 1: I'm kicking up all of dust. But again, me and
Speaker 1: Chuck didn't have this super tough relationship. Me and Face
Speaker 1: had this relationship, Me and g Rie, Me and Folk
Speaker 1: sent rest in peace at that relationship. Me and Chuck
Speaker 1: had his great relationship even though he accepted me as
Speaker 1: a part of Black Wall Street. And I always felt
Speaker 1: some kind of way, And I told this story before,
Speaker 1: but I always felt some kind of way about that
Speaker 1: maybe one day he'll be like, I'm gonna get you
Speaker 1: your black Wall chain. But he didn't give me one.
Speaker 1: And I watched Face have to give chains away, knowing
Speaker 1: that he couldn't give me a chain. Now I remembered that.
Speaker 1: But I was so grateful, you know what I'm saying,
Speaker 1: that he still allowed me to be a part of
Speaker 1: Black Wall Street. You know what I'm saying. I was
Speaker 1: still so grateful for him allowing me to be a
Speaker 1: part of Black Wall Street. That's the only thing that
Speaker 1: mattered to me, right, So I never triped and to
Speaker 1: this day, I'm always uber.
Speaker 3: Grateful for game. But that's not everybody.
Speaker 1: Everybody, you can't give them crumbs and they'll thank you
Speaker 1: like you gave them a loaf or everybody don't understand
Speaker 1: the value of crumbs. So if he's on tour right
Speaker 1: and you're not treating him like family, Kendrick is a
Speaker 1: Gemini bro.
Speaker 8: That dude.
Speaker 1: You really gotta fuck with him to fuck with him.
Speaker 1: If you have fun with him, that's not cool. He
Speaker 1: not that kind of guy, not that kind of guy.
Speaker 1: If you have fuck with him, y'all don't fuck with
Speaker 1: each other at all. And that's who he is. Everybody,
Speaker 1: you can't give the minimal things too. Some people going
Speaker 1: to demand more. Shout out to revenge. People did lead
Speaker 1: a battle thinking here PDF people are generally not smart.
Speaker 1: They still didn't think he was a PDF bro. That
Speaker 1: was a very minute, ridiculous group of the population. Most
Speaker 1: of us understood it was a joke. Shout out to
Speaker 1: Michael Love. Thank you for the five dollars, my boy.
Speaker 1: If a like is a platinum record, a membership is
Speaker 1: a platinum album, My man, thank you for the Gameland.
Speaker 1: I really look forward to see how Kendrick orchestrates his
Speaker 1: Super Bowl performance. I think it would be one of
Speaker 1: the ultimate moments in hip hop history. It's looking really crazy,
Speaker 1: That's what I'm saying. He's he's just promoting Kendrick. Listen,
Speaker 1: this is this is free promotion right now them and
Speaker 1: thank Drake.
Speaker 5: Thank you Drake.
Speaker 3: What crazy is? What's crazy is?
Speaker 5: Bro?
Speaker 3: What's crazy is.
Speaker 5: You see that? You see that? I got to hear
Speaker 5: that right there? But did you did you see what it?
Speaker 5: What's that? Right now?
Speaker 3: What's that?
Speaker 5: Joey respond to your boy?
Speaker 3: That's good. That's good. I'mnna check it out out there.
Speaker 5: They have got on that right there.
Speaker 1: Well, you shout out my mic works niece. You always
Speaker 1: got the back door link. It's one link, so you
Speaker 1: could always come in Me and Peter Hosh. It ain't
Speaker 1: no thing anytime. Shout out to Black October, So glasses.
Speaker 1: Do you believe that Drake and Dot talked before this battle?
Speaker 1: Like Joe Budden said, Sure, I believe it, but I
Speaker 1: don't know what they said. You the difference if I
Speaker 1: know what they say, because I know what Doc didn't say.
Speaker 1: Shout out to Nick. I always thought that too, just
Speaker 1: by that little speech Dre gave out on tour on stage,
Speaker 1: I was looking like, Oh, he's trying the son dot.
Speaker 1: That's to me where the thing really comes from. Just
Speaker 1: because you took him out on tour when he was hot,
Speaker 1: you know, if you didn't really embrace him and treat
Speaker 1: him like you got some sense. Again, I keep telling y'all,
Speaker 1: the black experiences is how people treat black people. Culture
Speaker 1: is how you treat each other. So if you didn't
Speaker 1: culturally bond with him and treat him in a certain way,
Speaker 1: it's not gonna Really, you're not gonna get the result
Speaker 1: you was looking for. Obviously, shout out to Pete. I
Speaker 1: don't think they are clueless. I do believe business will
Speaker 1: use any anything for leverage. And as far as believability
Speaker 1: of the claims, I've heard wishes of harm on the
Speaker 1: man on multipleccasions. That's just height the universal. Can't you
Speaker 1: what can universal? How could Universal say, hey, you know what,
Speaker 1: we're not gonna pay you more because you lost a battle.
Speaker 1: That don't make sense. And if that was the case,
Speaker 1: he could just walk off and do a deal somewhere else.
Speaker 1: He could drop his project and walk off and do
Speaker 1: a deal somewhere else.
Speaker 4: I mean, the other unspoken reality of all this is
Speaker 4: he had a song or two in this battle that
Speaker 4: he put out. It wasn't for lack of access.
Speaker 5: It wasn't barred in.
Speaker 4: Any way, shape or form from being able to respond,
Speaker 4: you know, symmetrically.
Speaker 1: Yeah, I don't know, man, that ship is really really,
Speaker 1: really disappointing. Unless, like Christopher Drake has quite a few
Speaker 1: fans who identify with MAGA. I think Drake needs to
Speaker 1: come out and fully condemned trump standing on social issues
Speaker 1: to be legit. Listen, let me say something about.
Speaker 8: Let me.
Speaker 1: I don't think back of people like Drake at all.
Speaker 1: There is no cultural vote happening when it comes to politics.
Speaker 1: There was only one time in history that there was
Speaker 1: a cultural sway, one time in history, this whole time.
Speaker 1: Some black people have like Trump, some street people especially
Speaker 1: have like Trump. You are not not black if you
Speaker 1: vote for Trump. Trump is not anymore anti black than Biden.
Speaker 1: They are all presidents. It's your choice. Choose who you want.
Speaker 1: Choose who you want. It don't make you not black
Speaker 1: if you vote for Trump or Biden. None of it matters,
Speaker 1: I don't. If you don't vote for him, you ain't black.
Speaker 3: He did say that. He didn't say that that was crazy.
Speaker 3: That was some hella. He shout out said, shout out
Speaker 3: to the homie Kelvin.
Speaker 1: God, stop looking at the lebs and rappers for your
Speaker 1: political ideas.
Speaker 3: Learn history and tunes for yourself.
Speaker 1: Exactly, dog Like, why do y'all keep trying to mention
Speaker 1: presidents as something that's it asking people to learn and choose.
Speaker 2: We need a more realistic approach.
Speaker 3: Shout out to revenge. I think he wants out of
Speaker 3: the deal.
Speaker 1: It's the single thing that makes sense that doesn't make
Speaker 1: sense revenge because he could have gave them the P
Speaker 1: and D album and walked out of the deal.
Speaker 2: The thing that makes sense.
Speaker 4: Is parties involved realized the more Drake bitches, the more
Speaker 4: universal makes and there's gonna be a NDA settlement where
Speaker 4: they compensate him handsomely for the bitching and the back
Speaker 4: door because it's made them so much money. They said,
Speaker 4: just keep bitching, final loss or whatever. Six months will
Speaker 4: have an NDA undisclosed settlement. We'll make sure you're taken
Speaker 4: care of.
Speaker 3: Yeah, it's not.
Speaker 1: You can't give You can't get out of the deal.
Speaker 1: You can't get out of the deal. You can't sue
Speaker 1: yourself out of a deal.
Speaker 3: Nothing.
Speaker 1: That is not how you get out of a deal.
Speaker 1: That's not it's not if you want to give them
Speaker 1: the album, you don't want out of the deal. Why
Speaker 1: the hell would you want out of the deal with
Speaker 1: the best company period? That don't make sense this. I
Speaker 1: think people are trying to pull logic to this, and
Speaker 1: that was my mistake, right. It's not logics. Nothing about
Speaker 1: this is logical. And I know it's hard because we're
Speaker 1: looking at someone uber successful in this one specific business
Speaker 1: and we're like, well, he gotta be logical because he's
Speaker 1: been successful.
Speaker 3: It's not true.
Speaker 1: Shout out to Christopher. I'm surprised you and g didn't
Speaker 1: end Drake's career.
Speaker 3: Stay tuned yea watch Stay Tuned. That's over, say tuned.
Speaker 1: Thog like easily he could have turned in the Party
Speaker 1: next Door album, did the business, walked out and did
Speaker 1: a deal with anybody else. That's not what the contract
Speaker 1: is saying. The contract is not even asking, hey, you
Speaker 1: know what I want to get out of this deal.
Speaker 1: They could have negotiated to get out of the deal.
Speaker 1: They wouldn't let him go. They own this whole prior
Speaker 1: catalog it doesn't make sense. Shout out to Nick. I
Speaker 1: think he wants more money. Drake knows he is not
Speaker 1: going to get a bigger deal anywhere else. He just
Speaker 1: wants people to believe he's trying to get out of
Speaker 1: the deal.
Speaker 3: Drake.
Speaker 1: And it can't be more money. That don't make sense.
Speaker 1: It can't be more money. He can win the same
Speaker 1: deal with any record label.
Speaker 3: UMG.
Speaker 1: Don't have more money than nobody else in the record business.
Speaker 1: They all got They all going to the same wells
Speaker 1: to get the same money.
Speaker 4: Unless he's not seeing it as he wants more last
Speaker 4: money because he realizes this was an appraisal nightmare and
Speaker 4: he needs to get money by hook or by crook
Speaker 4: now because the damage is so significant that he could
Speaker 4: put out an album that's gonna flop and as market
Speaker 4: value goes from X to zero point two X.
Speaker 5: Yeah.
Speaker 3: But I'm gonna tell you why.
Speaker 1: I don't believe that, Because why would you sue Spotify
Speaker 1: or I Heart iHeart pretty much owns ninety percent of
Speaker 1: the radio stations worth talking about in the country. Why
Speaker 1: would you file a petition and move to sue them
Speaker 1: and get their business under investigation?
Speaker 3: That doesn't make sense.
Speaker 2: I think it's almost conceding.
Speaker 4: Career devastation and saying the only way I'm gonna continue
Speaker 4: with some you know.
Speaker 2: Farewell.
Speaker 4: Retirement comp deal is through this lawsuit because I'm not
Speaker 4: going to get another deal after this, because I'm worth
Speaker 4: twenty cents of dollar when I was last year because
Speaker 4: of this, Like he needs a severance package, is what
Speaker 4: I'm saying. I think this is a severance package from
Speaker 4: the industry in his mind. I'm not saying he's right.
Speaker 4: I'm saying I think that's how he's looking at it.
Speaker 1: Shout out to Peek. Around the time of Scorpion or Views,
Speaker 1: I was ubering at the time in the city of
Speaker 1: San Francisco. I was playing the album The Convoy of
Speaker 1: the Passengers was how they would beat up Drake because
Speaker 1: he saw they five eight white boys and flip flops.
Speaker 1: The narratives can make sentiments that can be dangerous. That's
Speaker 1: that's just standard with anything. That's standard with being popular.
Speaker 1: Everybody thinks I sell drugs right now. Everybody thinks a
Speaker 1: million things of me right now. They could do a
Speaker 1: thousand things. None of it matters, Like that's not a
Speaker 1: reason to Narratives don't even matter. Narratives of can they
Speaker 1: whoop us? Can those five eight white boys really whoop
Speaker 1: his ass? That just don't make no sense. Man shout
Speaker 1: out to revenge. This is what the industry people are saying.
Speaker 1: Those people don't know. Birdman definitely is not saying he's
Speaker 1: trying to get out his deal, and he would know
Speaker 1: it's a long term play to get out of his deal.
Speaker 3: That's not a long term play.
Speaker 1: I'm just saying that's the only thing people can come
Speaker 1: to bat with that's anything close to make sense. That
Speaker 1: don't make sense revenge because if you had a goal,
Speaker 1: if your goal was to get out of a deal
Speaker 1: you feel me and still be in the music industry,
Speaker 1: you wouldn't sue the number one person who promotes your records,
Speaker 1: that's iHeart. You wouldn't sue the number one distributor of
Speaker 1: your record in Spotify. Those are people now that cannot
Speaker 1: offer you any extra opportunities. Like that don't make sense.
Speaker 1: Got that doesn't really make sense. Revenge like that don't
Speaker 1: make sense. It's not a long term play. I don't
Speaker 1: know which industry person, but I make sure I have
Speaker 1: a loan to have that conversation with them. He doesn't
Speaker 1: make sense as a long term play to get out
Speaker 1: of his deal. That don't make sense, because then you
Speaker 1: wouldn't sue iHeart, You wouldn't sue the radio stations that
Speaker 1: you're gonna need to put market your records anyway. That
Speaker 1: just don't make sense. You wouldn't sue Spotify. You're gonna
Speaker 1: need them to help you market the record. That don't
Speaker 1: make sense neither. That's if you need them, Joe Budden,
Speaker 1: then he's saying he's going to Kanye route. That don't
Speaker 1: make sense. Kanye needed them. Kanye couldn't make it happen.
Speaker 1: Kanye had to sneak in the back door of one
Speaker 1: company so we can get label services.
Speaker 3: He didn't just go independent. He had to go to
Speaker 3: a company that wasn't gonna fuck with him.
Speaker 4: Kanye.
Speaker 1: Shit is really going through a lot right now, whether
Speaker 1: people know it or not. You know what I'm saying,
Speaker 1: It's a lot going on with that. Like they put
Speaker 1: him out of the door Dog. He put out a
Speaker 1: record the first week, the record win number one. The
Speaker 1: company kicked him out the next week and he didn't
Speaker 1: even charted the fire Revenge.
Speaker 3: It's a lot to this shit.
Speaker 1: Brous me dog like this don't make sense even if
Speaker 1: he thought to go independent, and he wouldn't be trying
Speaker 1: to go to Kanye Wrout like there's no I mean,
Speaker 1: like Kanye rout is no artist wants to go to
Speaker 1: Kanye didn't want to go to Kanye Rout. Kanye didn't
Speaker 1: want to go independent. Kanye talks about how he went
Speaker 1: to every label and no label would give him a deal.
Speaker 1: Y'all didn't see that before he put out that album,
Speaker 1: like he was trying to get another deal. They all
Speaker 1: turned their back on him. He did not want to
Speaker 1: go independent. Kanye did not nothing about Kanye. He don't
Speaker 1: want to have to do this. You have to if
Speaker 1: you piss off a group of people, Yeah, shout out
Speaker 1: to Christopher. Exhibit explained that Drake underestimated Kendrick. All true,
Speaker 1: Drake believed that he was invincible because he was carried
Speaker 1: by Wayne, was welcome by the industry, but he didn't
Speaker 1: really rap.
Speaker 3: I think Drake really raps.
Speaker 1: Well, that's probably not true, but I think he overestimated himself.
Speaker 3: I don't estimated Kendrick.
Speaker 4: And I think that other part where like he did
Speaker 4: get a really manicured path to stardom. Like hyper accelerated.
Speaker 4: And it might not be that he can't wrap, but
Speaker 4: it's more so like I don't think he appreciated the
Speaker 4: degree to which, like, like how distinctly an outsider he was.
Speaker 2: Relative to everybody else there.
Speaker 1: I don't know this whole time is just so disappointed, man,
Speaker 1: I like, it really messed me up spiritually. I mean,
Speaker 1: just watching somebody do this like just this. I hate
Speaker 1: when I see disingenuous people.
Speaker 7: You gotta see what Jim Jones said about this. Jim said,
Speaker 7: some gym sets some I don't agree with him though,
Speaker 7: but some people are seeing this in a whole other way.
Speaker 5: Man.
Speaker 7: What he's saying, I mean, he basically said, like like
Speaker 7: I said earlier, but we started, we started the partum,
Speaker 7: We started to stream off that People looking at that
Speaker 7: ship like, yo, he ain't like he's suing Kendrick. He's swing.
Speaker 7: He's swing a billion dollar company right now, and he's
Speaker 7: trying to walk away with a bill. I'm saying, how
Speaker 7: you're gonna be mad at him?
Speaker 5: He say? People?
Speaker 7: You know, honey, people you know that got lawsuits in
Speaker 7: the hood. People got I got He said, he ain't
Speaker 7: doing nothing but doing a lawsuit. He said he ain't
Speaker 7: put it on. Kendrick went on for a long run
Speaker 7: though too. I couldn't get with it though.
Speaker 4: I mean, he's he's doing the equivalent of, rather than
Speaker 4: suing the other driver that hit you, I'll sue General
Speaker 4: Motors because they have a due check book.
Speaker 1: Yeah, but even that, even that concept and shout out
Speaker 1: to Gym and all the dip Set brothers were staying
Speaker 1: loyal to somebody that they feel like he's loyal to
Speaker 1: them and showed them love cheap love, you know what
Speaker 1: I mean, cheap love. So it's like they want to
Speaker 1: make sense of it, but everybody knows that this is wrong.
Speaker 1: Cam knows is wrong, Jim knows is wrong. And I
Speaker 1: respect that they're trying to stay loyal to you know,
Speaker 1: he made the Dipset song and brought him out, and
Speaker 1: they're trying to stay loyal. But you know, this probably
Speaker 1: ain't the time because it's more devastating the people that
Speaker 1: come from your community that need to come through the
Speaker 1: same hallways after you. Well, I don't know if that's wise.
Speaker 1: I mean, sometimes you got to stand up and be like, hey,
Speaker 1: that's wrong. If that's really your partner, if that's really
Speaker 1: your partner. You feel me, then you know he gonna understand,
Speaker 1: he gonna respect you. But if you got to just
Speaker 1: be blind and just agree with people doing things, that's
Speaker 1: more harmful in the long run. It's ridiculous. Shout out
Speaker 1: to p If everything you say is true, then his
Speaker 1: teammate's solid. They voting and Jessic greing or not working
Speaker 1: in his interest. That's what's happening. That's what I've been saying.
Speaker 1: This is the problem of living in an echo chamber
Speaker 1: of people on payroll. They are on payroll. You don't
Speaker 1: get great integrity from your neutral confidants when you're paying them.
Speaker 1: Shout out to revenge Glasses. What is the endplay? What's
Speaker 1: the positive for Drake? I don't believe he's doing this
Speaker 1: to double down on being a loser. What's the silver
Speaker 1: lining for him? There's something somewhere. Okay, the route he's
Speaker 1: going is only bad. The route he's going can only
Speaker 1: end badly. Like it's not like he's not going to
Speaker 1: win his lawsuit, right, He's not going to win his lawsuit.
Speaker 3: So everything they start to drag out in court.
Speaker 1: Right, What I'm hoping is he's doing this as a
Speaker 1: goal to try to stop Kendrick from doing not like
Speaker 1: us at the super Bowl, trying to get people to
Speaker 1: disassociate from the song. But what he doesn't understand is
Speaker 1: American business is in business with Americans. So there's no
Speaker 1: way to label right who you are suing. Right, You're
Speaker 1: not going to scare them. They have way deeper pockets
Speaker 1: than you. They have way deeper connections in this court
Speaker 1: system than you. They have everything that you don't have.
Speaker 1: They're in business with the NFL, who's in business with Spotify,
Speaker 1: who's in business with iHeart right, So you're not.
Speaker 2: Going to move the NFL.
Speaker 4: By the way, it's undefeated in the courtrooms in this country.
Speaker 4: You see who The NFL does not lose court cases
Speaker 4: in this country.
Speaker 2: They don't. Right, even when they.
Speaker 4: Lose emphatically, they believe me, they win an appeal I
Speaker 4: could pull up, I could cite examples from here Sunday.
Speaker 1: They do not lose in court in this country. So again,
Speaker 1: it's one of those things where it's like the song
Speaker 1: is going to happen. So what I'm hoping is once
Speaker 1: the song happened, he moves off of it. Once the
Speaker 1: Grammy's happened, he moves off of it. But the reality
Speaker 1: is he's done so much damage to the reputation and
Speaker 1: the relationship between him and U MG. So it's like
Speaker 1: when you asking me specifically, like you know, what is
Speaker 1: the endplay for Drake? I don't think. I think this
Speaker 1: wasn't thought out. Like I know for sure a birdman
Speaker 1: told him no, and I know for sure J Prince
Speaker 1: said no. I know they said no. I know that
Speaker 1: for a fact. But what's the endplay is?
Speaker 3: You know what I mean?
Speaker 1: All he's doing is digging a deeper hole where it's
Speaker 1: like how do you climb out of the hole? Like
Speaker 1: in real life, all of this stuff needs to be dropped.
Speaker 1: All of this stuff needs to be dropped. You need
Speaker 1: to focus on dropping a P and D album. You
Speaker 1: need to go apologize Universal for being ridiculous. He need
Speaker 1: to make a song that comes out the same day
Speaker 1: the super Bowl happens. Stay in this case, be dope,
Speaker 1: do his thing. But if you keep going down this
Speaker 1: path that you're going, it's a different kind of suicide.
Speaker 2: You say, who it's it's a severance package settlement.
Speaker 3: Gasp.
Speaker 8: I agree.
Speaker 4: I think he looks at it as this is this,
Speaker 4: this is a retirement package. I'm trying to sue for
Speaker 4: before this thing goes to trial, and hopes that this
Speaker 4: group just wants to get the hell out of this
Speaker 4: situation because I'm done, I think so.
Speaker 3: Yeah.
Speaker 1: But but even even if that's the case, So y'are
Speaker 1: saying he's conceding of being a musician at this point, Yes, yes, look.
Speaker 2: At the cycle he.
Speaker 4: It takes once you once your star burns out in
Speaker 4: that genre, it takes about ten years.
Speaker 2: Before now you're throwback. You know, now you're.
Speaker 4: You go from being cool to being like nostalgic. So
Speaker 4: you know there's going to be a drought window. He
Speaker 4: wants a big settlement, can negotiate for now to compensate
Speaker 4: through that before seven eight years from now, people, let
Speaker 4: you know, forget about this. Who cares, you know what.
Speaker 4: I used to love those songs. I used to you know,
Speaker 4: hook up with girls of those songs. Yeah, that would
Speaker 4: be fun. Mean so, and so we'll go, we'll go
Speaker 4: see the live show.
Speaker 8: I think hip hop was just a phase. Well, rapper
Speaker 8: was just a phase for him, I really think so.
Speaker 3: I think y'all both are completely wrong because.
Speaker 1: I think y'all watching him doing he's not making decisions
Speaker 1: based off what's the smartest thing.
Speaker 3: He's making decisions based off how he feels.
Speaker 8: I think y'all keep trying to make him like I
Speaker 8: want to still be here, But I really think that
Speaker 8: he just doesn't want to be here anymore because it's
Speaker 8: not benefiting him anymore.
Speaker 3: I don't think there's nothing that he could do could benefit.
Speaker 8: Him going back to acting that Oh well, I.
Speaker 2: Haven't seen him dabbling and acting in a long time.
Speaker 1: I'm telling of y'all. He's having There's no logical stands
Speaker 1: for this. It's not even like, oh, you know what,
Speaker 1: I'm gonna get some money. It's like, oh, I'm mad,
Speaker 1: there's nothing I can do but this versus like, I
Speaker 1: don't think he's conceding on being a rapper.
Speaker 8: Why don't you think that his music that he's dropped
Speaker 8: since the battle?
Speaker 3: But he's dropping, but he's dropping, but he's dropping music.
Speaker 8: From the outside, so.
Speaker 1: Like so then so then he can't not just want
Speaker 1: to give up music because he's dropping music. I can
Speaker 1: see from the drops.
Speaker 2: The more it fails, the more yeah reality.
Speaker 1: Yeah, so then that means so then he still hasn't
Speaker 1: gave up on dropping music.
Speaker 3: He has because he.
Speaker 2: Also and then he filed this suit.
Speaker 3: No, he put out so so so you're saying he
Speaker 3: won't put out any more music. That's what you think
Speaker 3: with you, I think as soon as I think, as
Speaker 3: soon as he I think as soon as he them.
Speaker 3: So it's not like he's he's trying to pay the debt.
Speaker 3: Then why is he still dropping music if he doesn't
Speaker 3: want to rap.
Speaker 7: I think as soon as he knew he was going
Speaker 7: to put this law suit out, I think he knew
Speaker 7: his musical career was done.
Speaker 3: Yeah.
Speaker 4: I don't think he doesn't rap so much as I
Speaker 4: think he realizes it's over for me.
Speaker 7: Similar It's almost some man I hate do the comparison
Speaker 7: of it though, but like but like when the kind
Speaker 7: of Capetts with the NFL.
Speaker 5: You know what career was done after that?
Speaker 3: No, he did nothing.
Speaker 5: Off trying. Did you think did you think it was
Speaker 5: done after that?
Speaker 8: No? I didn't.
Speaker 3: I knew that. I knew it was.
Speaker 10: The podcast we ever did was in Englewood with head
Speaker 10: and you and me and I said this was the
Speaker 10: response to the fact that he was on the cut
Speaker 10: block the week before the first knee.
Speaker 1: Yeah, but it wasn't he wasn't given into playing football, Like,
Speaker 1: y'all gotta stop giving people this credit.
Speaker 2: For he didn't.
Speaker 4: He was setting up tryouts for PR and then not
Speaker 4: showing up at the tryouts.
Speaker 3: He was showing then why would he set up the
Speaker 3: PR for the tryouts because the.
Speaker 2: For the exactly because he was doing them for the
Speaker 2: PR to maintain the relevance.
Speaker 5: That don't well, so he sold the NFL. It was over.
Speaker 8: After, got to stop.
Speaker 9: Stop his talent wise, like.
Speaker 7: Like I always said, like that though, wait, he could
Speaker 7: have been a third straight on second string somewhere though,
Speaker 7: and I'm saying like that, that could have happened right there.
Speaker 5: He didn't want that though. As soon as he sw.
Speaker 7: The NFL, he wasn't gonna get that man, no job,
Speaker 7: no more. That's the same thing with Drake right now.
Speaker 2: But that was a ninety million dollar pay cut he
Speaker 2: was poised to take to.
Speaker 9: Do that, to go Secon, to go Thirsdt, right, he
Speaker 9: would have had to have killed.
Speaker 4: That contract to get picked up off of a different
Speaker 4: waiver stream to be able to come back and get
Speaker 4: paid like a third string quarterback. He was like the
Speaker 4: third or fourth highest paid contract in the NFL. And
Speaker 4: they realized this is a terrible deal.
Speaker 3: I don't think he was done with football when he
Speaker 3: did that.
Speaker 1: I think he is something I thought that he thought
Speaker 1: was going to matter, and he thought he would find
Speaker 1: his way back to the stootball. Like I think Drake
Speaker 1: is doing the same thing from an emotional place, but
Speaker 1: he think he gonna find his way back to music.
Speaker 5: What would you do if one of your employees sued
Speaker 5: you as they was.
Speaker 9: Working for you.
Speaker 7: The worst thing in the world, Like what even though,
Speaker 7: even though I'm not gonna lie, even though my cousin
Speaker 7: worked at the hospital, he got hit in the head.
Speaker 7: He got hit in the head with some ship like
Speaker 7: again a certainty room with some ship like that. You know,
Speaker 7: it had like a gash and some ship Sue. Sue
Speaker 7: was stayed out on fucking sickly because of the injury
Speaker 7: and ship like that. Sue the hospital got his money
Speaker 7: and then went back to work.
Speaker 4: And tell the reason why there's laws against like retributive termination,
Speaker 4: you know over that I'm telling y'all again.
Speaker 8: Man, Okay, So where does he go after this? With
Speaker 8: all the bad decisions? What's next?
Speaker 3: I don't think he really made a bunch of bad decisions.
Speaker 3: He just lost the battle this is the first bad decision.
Speaker 5: You don't think, you don't think fucking you know? They
Speaker 5: telling me it's a bad decision.
Speaker 1: That's creatively a bad decision, that's not a bad like,
Speaker 1: this is the first bad business decision I've seen him
Speaker 1: make that's bad creatively for a battle, this is like
Speaker 1: almost career suicide. But I think again, I think he's
Speaker 1: either you know what, it's the same thing. He's over
Speaker 1: rating himself. He don't quite realize what's happening. And I
Speaker 1: know it seemed like he should because he made, you know,
Speaker 1: hundreds and millions of dollars off of this.
Speaker 8: Shit at this point, So he didn't realize that he
Speaker 8: was just the product. He thought he was the No,
Speaker 8: we don't.
Speaker 4: He do not think he just the product, of course
Speaker 4: not nobody wants to ever believe that sort of wherewithal.
Speaker 1: Yes, there you go, that's the word. Wherewith the I think,
Speaker 1: shout out to Amblewall. She said, just what I thought.
Speaker 1: It's just his feelings are extremely hurt and confused about
Speaker 1: not being like us. His last drop was dissing Lebron
Speaker 1: For Christ's sake. He's but hurt, spiraling out of control.
Speaker 1: It's all emotional.
Speaker 3: I agree.
Speaker 1: I think we're looking at somebody whose feelings are so
Speaker 1: hurt that they just need to try to get their
Speaker 1: lick back.
Speaker 3: You ever been in a fight with somebody.
Speaker 1: You ever been in a fight with somebody and they
Speaker 1: fight you and they can't whoop you, but they just
Speaker 1: want to hit you so bad, so it allows you
Speaker 1: to hit him like twelve times because they just keep
Speaker 1: trying to hit you.
Speaker 3: And it's like, like I've had my shout out to
Speaker 3: my little brother. He used to be like that. He
Speaker 3: couldn't whoop me.
Speaker 1: To save his life, Vince and Uncle Vince, and he
Speaker 1: couldn't whoop me. Ever, because I was good at fighting.
Speaker 1: I was taller, longer, more coordinated, and he would try
Speaker 1: to hit me and I would be whooping him, and
Speaker 1: every time he'd just get so he wanted to lay
Speaker 1: in one lick and it made him just become vulnerable
Speaker 1: to every punch.
Speaker 3: This is homeboys in the hood, like different homies, like
Speaker 3: you know, like they get so mad they can't win
Speaker 3: that they just start running forward at you and it's
Speaker 3: like now you're wide open. Here's a jab, here's a right,
Speaker 3: here's a upper cut hook. Because you really not focused.
Speaker 3: He's doing that right now corporately like he's like, he's
Speaker 3: so I think this has to be the truth. He's
Speaker 3: so fucked up and he's just running in like, ah,
Speaker 3: believe it because he's rich or he's successful, or he's famous,
Speaker 3: and it's like that still doesn't matter, Like he's just
Speaker 3: that was.
Speaker 4: The thirteen tracks he put out that all flopped. I
Speaker 4: think this is okay.
Speaker 3: I did that.
Speaker 2: Now I'm done.
Speaker 1: Look, we'll see, we'll see if he tries to put
Speaker 1: out a song or a freestyle in the middle of this.
Speaker 3: I don't think he's done. I think he's been doing
Speaker 3: it too long to be done.
Speaker 8: So you think he just don't know where to just
Speaker 8: don't know where to from here.
Speaker 1: He just don't know what to do, like he don't
Speaker 1: like like it seems like it's so simple for us,
Speaker 1: but it's not simple for him, you know what I mean? Like,
Speaker 1: how do you tell the motherfucker that's been winning all
Speaker 1: of this time that, hey, you know what, be okay
Speaker 1: with losing?
Speaker 3: How remember remind you he got pushing.
Speaker 8: Okay, but he don't go against the system that's helping
Speaker 8: you in.
Speaker 3: Like ye, but you he's suing them because they're marketing
Speaker 3: a song in a battle with him, Like.
Speaker 8: You don't like if that's the case, if you're trying
Speaker 8: to get like the lawsuit is just super stupid now,
Speaker 8: Like it just that analogy makes it even more though,
Speaker 8: But think about the laws, would you?
Speaker 3: Why would you think about the lawsuit?
Speaker 1: It's dumb already, like he's saying, like, he tried to
Speaker 1: get them to take down the song in July.
Speaker 3: It came out in me and you know what, this
Speaker 3: song is causing me danger.
Speaker 8: Universe was like, what, yeah, but I heard that he
Speaker 8: said it was anti semitic and some other stuff.
Speaker 1: No, but I'm saying, way before this lawsuit, he reached
Speaker 1: out to them, like look at how he's thinking. In May,
Speaker 1: fourth the song comes out in July, he has his
Speaker 1: counsel reach out like, hey, y'all need to get rid
Speaker 1: of that song.
Speaker 3: It's causing me danger. They like, man, this song is
Speaker 3: a smash hit record.
Speaker 1: Remember it's on the song every day at this point,
Speaker 1: it's on the radio every day in Canada, not just
Speaker 1: here in Canada.
Speaker 3: It's the number one song. So he's like, hey, you
Speaker 3: know it's causing me harm.
Speaker 1: It's causing me mental stress and danger is coming to
Speaker 1: my house because of this song.
Speaker 8: And they looking at the same system popular.
Speaker 3: But that doesn't even make every system. It makes everybody popular.
Speaker 3: But she's still like this. They like, you want us
Speaker 3: to do what they looking at him. This is a
Speaker 3: huge record for them. This is their biggest record of
Speaker 3: last year. They like, what we told you, don't go
Speaker 3: into this battle. We told you go into this battle.
Speaker 3: Now we got a smash hit record out of this battle.
Speaker 3: Oh we're finn sell this motherfuck all this they money
Speaker 3: last year. The record is gonna be diamond. And this
Speaker 3: is what I was saying Friday. The record is going
Speaker 3: to be diamond in less than a year. Universal is
Speaker 3: not bailing out.
Speaker 8: Yeah, this coin.
Speaker 3: Money, This is real coin right here. They got an album.
Speaker 3: They're like, oh hell yeah.
Speaker 8: But okay, so is he saying that that record that
Speaker 8: he can still make up that money from that record
Speaker 8: like him being who he is at the top.
Speaker 1: No, because the hit record is a hit record. This
Speaker 1: is a once in a once in a decade type
Speaker 1: of record. These records don't come often like that, you
Speaker 1: know what I mean? Maybe the last one UMG had
Speaker 1: from a rap perspective is probably like God's plan.
Speaker 8: You know what I mean.
Speaker 1: They don't have a lot of these records. A lot
Speaker 1: of records they fluff up and build them all.
Speaker 3: Up, you know what I mean.
Speaker 1: They have to over promote them and overmarket them. You
Speaker 1: know what I'm saying, Like they got a lot of stuff.
Speaker 7: I just realized, right we are. We've been so focused
Speaker 7: on him trying to stop the super Bowl. No, he
Speaker 7: don't want this nigga that want to Grammy being off
Speaker 7: this ship. Yeah, but this does nothing but super Bowl. No,
Speaker 7: the Grammy, the Grammy Academy was not. If he's by
Speaker 7: him pushing this ship about the deformation and ship, the
Speaker 7: GM Academy gonna.
Speaker 5: Be like, bro, nah, we can't get this man a gray.
Speaker 3: They're not going to listen. They're not going to do that.
Speaker 1: Like I get the thought. I'm not mad at aught,
Speaker 1: but they're not going to not do that right now.
Speaker 1: They're going to rebel against his tyranny, like he's coming
Speaker 1: across tyrannical, you get what I'm saying.
Speaker 8: Think he thinks because of the numbers and because where
Speaker 8: he's being on his last fifteen year run, and he
Speaker 8: is he he thinks he the industry. He like I
Speaker 8: made all this money.
Speaker 3: That's how he's talking. He's tyrannically looking at him letting UMG.
Speaker 3: They looking at him talk shit about um G. They
Speaker 3: looking at him talk shit about Lebron James Spotify. They're like, oh,
Speaker 3: you think you really tyrannical? You're gonna just tell us
Speaker 3: what to do and watch America buck. America is notoriously
Speaker 3: good at bucking. If you play with them, they will
Speaker 3: come together and buck. And that's what you see happening.
Speaker 3: Nothing he's doing is going to stop this on. It's
Speaker 3: actually only marketing what's happening. Yeah, the song is going
Speaker 3: to be back in the top ten. I told y'all
Speaker 3: this like something is going to happen to make this
Speaker 3: song pop up every year for us.
Speaker 8: Did you did y'all record already about the the thing
Speaker 8: said I sent you last night? You said you didn't
Speaker 8: watch it because I was gonna record. Did you already record? No?
Speaker 3: No, we're supposed to do it after.
Speaker 8: Okay, Dang, I want you to watch it because they
Speaker 8: speak do it after the thing that you're saying. It
Speaker 8: was kind of like, I'm like, I don't know, it's
Speaker 8: crazy to hear it.
Speaker 1: It was crazy to hear it shout out to p
Speaker 1: if your business partner turned on you, what you're supposed
Speaker 1: to do.
Speaker 3: They didn't turn on you, pee.
Speaker 8: But is that his business partner or is that his boss?
Speaker 3: No that listen, they didn't turn on you. The rapper
Speaker 3: turned on you. Their job is to market record. You're
Speaker 3: not the only person signed to the record label.
Speaker 8: So I said that his business partner his boss.
Speaker 3: I'm saying it could be his business partner, whatever you want,
Speaker 3: but you are not their only partner. They have multiple partnerships.
Speaker 3: Like it don't stop with you, like, and what do
Speaker 3: you want them to do? What do you really expect
Speaker 3: Universal to do? You know what, Kendrick, you know what?
Speaker 5: This is too far.
Speaker 3: You just said this about his wife, his kids, and
Speaker 3: it's this but this right here is too far.
Speaker 5: You need to f went too far?
Speaker 4: Is effectively his customer. They're a wholesaler. Essentially, he's a producer.
Speaker 4: He creates, and he has an exclusive contract with a
Speaker 4: wholesaler in the form of Universal that then puts stuff
Speaker 4: out to retail distributors of the like in the form
Speaker 4: of Spotify and whatever else.
Speaker 2: He just can't sell to anybody else.
Speaker 4: It'd be like some manufacturer of mufflers having an exclusive
Speaker 4: deal with Chrysler, only Chrysler can buy their mufflers.
Speaker 1: Shut out to revenge. This is called a conflict of interest.
Speaker 1: Glasses he out of it. It's not a conflict of interest.
Speaker 1: It's artistic, creative like, it's not a conflict. The NFL
Speaker 1: don't work that way. They don't route, they don't root
Speaker 1: for nobody. They push all the records. Whichever record jumps out,
Speaker 1: that's what they market. That's like, because somebody else has
Speaker 1: a number one song or your record is number nine,
Speaker 1: you're like, well, they ain't push your minds. That's what
Speaker 1: what are you talking about. That's not a conflict of interest.
Speaker 1: That's why you don't get into battles. If you don't
Speaker 1: want a battle, don't get into battles. You can't blame
Speaker 1: you and for your dumb ass shit.
Speaker 8: True true, true, true true.
Speaker 3: They put his stuff out too, They put everybody's stuff out.
Speaker 3: They just put out Snoop album. They don't fucking care.
Speaker 3: Just they ship. They don't care about that.
Speaker 8: Well, a lot of people are thinking that Universal is
Speaker 8: working off of feelings, and Universal is just business straight
Speaker 8: business will makes sense for the business.
Speaker 3: It's crazy like that shit just weird, like like they
Speaker 3: were supposed to go to him and say, hey, you
Speaker 3: know what you need to take. We're gonna let you
Speaker 3: say what you said in your record. But see what
Speaker 3: we're gonna do for him is we're gonna stop what
Speaker 3: he's saiding his record. It's just you, what are you doing?
Speaker 3: That's why you don't battle with pt.
Speaker 8: Like he feels like maybe that he brings in the
Speaker 8: most money, the most, the most ad. I broke all
Speaker 8: the records, I did everything, like he feels like they
Speaker 8: owe him. Maybe I don't know.
Speaker 7: I said, somebody says have a day that Drake is
Speaker 7: like responsible for singer and the league, like getting streaming
Speaker 7: off the ground. You know what I'm saying, it's a
Speaker 7: real ship. No that And then like when they were
Speaker 7: saying it though it kind of made sense though too.
Speaker 7: It was like he was like the he was the
Speaker 7: one that is why Apple, That's why Apple gave him
Speaker 7: a dail and all that ship. Like he was he
Speaker 7: was launching, like like he made people like I want
Speaker 7: to go over to streaming and leaven Hard copies a loan.
Speaker 7: He was he was one of the front, like the
Speaker 7: like the person who like they used his face as
Speaker 7: the ship thought like that, and I kind of agree
Speaker 7: with it, though too.
Speaker 3: This is not true. It don't matter.
Speaker 1: They are supposed to promote everyone's record and it's not
Speaker 1: an unless. It don't matter if it's detrimental to your
Speaker 1: business partnership, it's not detrimental. Their job is they're a
Speaker 1: record company. Their sole job is to promote records. They
Speaker 1: cannot say we're not gonna promote this record. If you're
Speaker 1: signed to a record company, what the fuck are y'all?
Speaker 1: That's simple. The Big Mac is not more special than
Speaker 1: a chicken nugget. The Big Mac is not more special
Speaker 1: than the cheeseburger. They all McDonald's products. The Big Mac
Speaker 1: can't get mad that it's the Chicken Nuggets week. To
Speaker 1: make it happen, it's the chicken nuggets this week. They
Speaker 1: carrying the show. Big Mac is late, the original. The
Speaker 1: cheeseburger is the original bell of the ball, the simple cheeseburger.
Speaker 1: It can't get mad that the Big Mac took over.
Speaker 1: Big Man can't get mad that the cheeseburger took over.
Speaker 1: When it's the micrib time of year. It's the McRib
Speaker 1: time of year. You can't get upset that it's somebody
Speaker 1: else's time.
Speaker 3: Don't fuck around if you don't want to fuck around,
Speaker 3: don't fuck around, bro, don't fuck around.
Speaker 8: So do you think this is going to go to trial?
Speaker 5: Hell?
Speaker 3: No, I mean a no. I can't ship.
Speaker 5: I don't know.
Speaker 3: These white folks surprised me every time he says it's
Speaker 3: gonna be really tough.
Speaker 8: What does it look like?
Speaker 3: All right, let me go through these super chats before
Speaker 3: we bounce out of here on more time. Shout out
Speaker 3: to Age, thank you for the five dollars, Yo, glasses,
Speaker 3: I gotta ask what you think about Drake not allowing
Speaker 3: PG lang outfits at his new concert out of concern
Speaker 3: for safety.
Speaker 1: I hope that's all. Don't seem like it's a lie.
Speaker 1: It seemed like it's an official thing. But again it
Speaker 1: goes into his ego being really messed up. This brings
Speaker 1: me to the next super chat. Thank you, Trees, thank
Speaker 1: you for the five dollars. My boy, bruse egos can
Speaker 1: lead to your own death. That's what happened right now.
Speaker 1: That's what's happening right now with Drake. And you're right,
Speaker 1: it's true. It looks like that. Shout out the tree
Speaker 1: He's Lord again for the five dollars. I think Drake
Speaker 1: not dropping music because he doesn't know what to rap
Speaker 1: about anymore. He can't rap about being number one anymore
Speaker 1: or women in the same light. Of course he can't.
Speaker 1: It was number one last year. He could come out
Speaker 1: with a song right now and say I was a
Speaker 1: number one stream artist in rap music for twenty twenty four.
Speaker 3: Of course he can shout out to na for sale
Speaker 3: two six the Northwest.
Speaker 1: What's up brother? Thank you for that five dollars. Drake
Speaker 1: should have stuck to his comeback season so far gone persona.
Speaker 1: I feel like the industry empowered is faked tough image.
Speaker 8: No.
Speaker 1: I think hip hop grants people access into culture that
Speaker 1: they wouldn't have without it. And I think he loved
Speaker 1: the camaraderie of it all, the respect of it all,
Speaker 1: and he just was greedy. Now he got too deep
Speaker 1: and it's tough. Shout out to cam thank you for
Speaker 1: the five dollars. I am praying for Kendrick. I wish
Speaker 1: Drake would go away. I'm praying for Kendrick too, but
Speaker 1: I don't care if Drake go anywhere. He don't got
Speaker 1: to go anywhere. I don't care Shout out to Michael Love.
Speaker 1: Thank you for the ten Digital soap Box Network members.
Speaker 1: We appreciate those ten. My boy always Love. Shout out
Speaker 1: to Michael Love again, thank you for that five dollars.
Speaker 1: If a like is a platinum record, a membership is
Speaker 1: a platinum album.
Speaker 3: My man.
Speaker 1: Shout out to p UMG stay out of it. Distribute,
Speaker 1: but don't promote. We call this a sport. Lot a lot,
Speaker 1: third party and one of one shouldn't be acceptable. What
Speaker 1: are you talking about? So then then, what do you
Speaker 1: feel about the record they promoted for him?
Speaker 8: Oh?
Speaker 5: Man, he's Drake fans man.
Speaker 1: I'm telling you, man, tell shout out to revenge. At
Speaker 1: some point we can't be so biased. I am not
Speaker 1: biased that you think Drake is only committing suicide. I'm
Speaker 1: not being biased. That's just logically in the history of
Speaker 1: the move he's pulling that says it's suicide.
Speaker 3: That's not what's happening. There's an end go.
Speaker 1: I'm not saying I'm on Drake's side or agreed with it,
Speaker 1: but be fit for real critical thinking. I am critical
Speaker 1: thinking with knowledge of the music business. Michael Jackson did it.
Speaker 1: It was suicide. Prince did it it was suicide. They
Speaker 1: don't come back, and they did it.
Speaker 3: For real reasons, reasons you you're not going to win this.
Speaker 3: They don't.
Speaker 1: They're not cheating anybody like they can. You can only
Speaker 1: win if they cheat you out of money. You can't
Speaker 1: win because somebody else that you're competing with that's going
Speaker 1: to pop up in court.
Speaker 3: It's saying, hey, this is how we're competing. Like again,
Speaker 3: if it was a logical point, I'd be in like,
Speaker 3: it don't make sense to me, Like, oh, don't promote
Speaker 3: this one record, just distribute the records.
Speaker 1: What are you talking about? It's a smashy record. What
Speaker 1: are they in the business of just distributing music for free?
Speaker 1: Now they're trying to make records huge? Like what are
Speaker 1: y'all thinking?
Speaker 8: Dog?
Speaker 1: Like, this ain't the first time two people that were
Speaker 1: signed to major distribution companies or record companies Beef before.
Speaker 3: Beef same record company. Death Jam was with Island. Island
Speaker 3: was with U m G. That was with fifty Like
Speaker 3: what are y'all doing? This ain't something new? This ain't
Speaker 3: something new.
Speaker 1: Last one Revenge, watch how this shake out? Drake gonna
Speaker 1: close out of court with a win?
Speaker 3: Zero time? This is zero, I gotta stop.
Speaker 5: Stop.
Speaker 1: Yeah, like you, I want I want the best for him,
Speaker 1: but I also want him to do what's best for him.
Speaker 8: The worst thing for Drake because you know they coming
Speaker 8: with you, about to come with every single last spot,
Speaker 8: about to come with everything.
Speaker 3: And the worst part is if they start to investigate
Speaker 3: what actually happened, like your house get shot up, like
Speaker 3: you could turn on some people. That can create a problem,
Speaker 3: like stop doing it because you're playing that. Stop.
Speaker 4: That's why I think this is settlement oriented, because discovery
Speaker 4: cuts both ways once you get started.
Speaker 8: Yeah, mm hmm.
Speaker 1: Man, it's gonna keep marketing this song, like imagine reading it.
Speaker 1: Imagine they playing this whole civil court on TV and
Speaker 1: they reading those lyrics out loud. That shit gonna keep
Speaker 1: that song so popped in. That song will be two
Speaker 1: times down by the end of the year.
Speaker 8: Somebody said, Trap, what's your Twitter handle? Where can they
Speaker 8: find you?
Speaker 9: Trap? Brash short, Trap, Do you have a Twitter?
Speaker 4: I still haven't been able to get signed into the
Speaker 4: one Squish made. I've tried all the passwords, like fifty
Speaker 4: times a piece, maybe twenty times, but I can't get
Speaker 4: signed in. I don't know how it's going multiple devices,
Speaker 4: multiple browsers, multiple app stores.
Speaker 3: No luck.
Speaker 2: How is that They can't just block you out if
Speaker 2: you don't think it's blocked something.
Speaker 4: Either the password, things got said, the mattresses, something didn't.
Speaker 3: Work out there, or what I need to do is
Speaker 3: send you a phone that already got your Twitter hand
Speaker 3: doing it.
Speaker 2: I just got a brand new phone that's not linked
Speaker 2: to anything, but it's new.
Speaker 4: Everything like it's new, brand new, out the box, different profile,
Speaker 4: different everything, no number attached to it, nothing. It is
Speaker 4: clean as a whistle. It's something something didn't match with
Speaker 4: the password or something like that, two.
Speaker 8: Steps back or whatever. Because that's what got me locked out.
Speaker 8: I can't get in.
Speaker 1: Shout shout out to revenge. I'm the only guy in
Speaker 1: the room who doesn't feel the ones no revenge. You're hopeful,
Speaker 1: and I think that's great to be hopeful, but it's
Speaker 1: it's he's not gonna win his lawsuiter.
Speaker 8: Man.
Speaker 3: It's not that I don't want him to.
Speaker 1: That could be one thing, but he's not gonna win
Speaker 1: it because they're gonna look at what's happening.
Speaker 3: The evidence is not going to give him credits. It's
Speaker 3: just not gonna work that way. I'm not biased.
Speaker 2: I'm not a fan of either.
Speaker 1: He don't even want to talk about it, but uh anyway,
Speaker 1: No Sinners live every Monday, Wednesday, and Friday noon's Pacific
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Speaker 5: Yeah