1 00:00:00,920 --> 00:00:04,960 Speaker 1: Fucking Nico Blizz don't want to go to Detroit by scared. 2 00:00:05,080 --> 00:00:09,959 Speaker 1: We own the motherfucking bootleg. We own a motherfuck If 3 00:00:09,960 --> 00:00:13,280 Speaker 1: you're seven mile, there's all the miles there right, all right, 4 00:00:13,280 --> 00:00:16,480 Speaker 1: Well listen, motherfucker, we're here. Boulet Cap podcast. We checked in. Man, 5 00:00:18,760 --> 00:00:21,119 Speaker 1: So we went to Atlanta last month and shot a 6 00:00:21,120 --> 00:00:23,280 Speaker 1: bunch of shit. One of the interviews we did, we're 7 00:00:23,280 --> 00:00:27,040 Speaker 1: about to run today with a young man named Seti Hendrix. 8 00:00:27,120 --> 00:00:30,520 Speaker 1: Seti Hendrix is somebody who signed to DJ Drama Lake 9 00:00:30,880 --> 00:00:35,040 Speaker 1: and Don Kannon's label Generation Now and he's fire as 10 00:00:35,040 --> 00:00:40,720 Speaker 1: a motherfuck dope young artist, got dope projects out, been 11 00:00:40,720 --> 00:00:43,680 Speaker 1: putting in work the last couple of years. So we 12 00:00:43,760 --> 00:00:46,800 Speaker 1: got to speak with Seti Hendricks. I suggest you tap 13 00:00:46,840 --> 00:00:50,159 Speaker 1: in with His music is catalog. Let's go to Spotify, 14 00:00:50,240 --> 00:00:52,080 Speaker 1: go to YouTube. Type of shit and Man and vibe. 15 00:00:52,600 --> 00:00:54,280 Speaker 1: Shout out to Drama though, shout out to Lake. Shout 16 00:00:54,280 --> 00:00:56,400 Speaker 1: out to all those guys for showing us love while 17 00:00:56,400 --> 00:00:59,120 Speaker 1: we were in Atlanta. Uh, shout out to our sponsors 18 00:00:59,120 --> 00:01:01,760 Speaker 1: as well. Man. Go to sosofficial dot com. Man are 19 00:01:01,800 --> 00:01:04,479 Speaker 1: are presenting sponsor odd Socks. We just reupt with them. 20 00:01:04,480 --> 00:01:07,200 Speaker 1: We're excited about it. So shout out to odd socks. 21 00:01:07,360 --> 00:01:09,920 Speaker 1: When you support them, you support the podcast, you support me, 22 00:01:10,000 --> 00:01:12,040 Speaker 1: you even support Nico Blitz's bit jazz man, you know 23 00:01:12,040 --> 00:01:14,000 Speaker 1: what I mean. And Nico Blitz has just got his 24 00:01:14,000 --> 00:01:18,360 Speaker 1: girlfriend pregnant, so he's expecting a child, and you know 25 00:01:18,760 --> 00:01:21,280 Speaker 1: he's got to support that baby. So go to odd 26 00:01:21,280 --> 00:01:26,319 Speaker 1: sooxofficial dot com and support Nico's unborn child. Niko three 27 00:01:26,319 --> 00:01:29,600 Speaker 1: months in, two months, two months in. She's been pregnant 28 00:01:29,600 --> 00:01:32,160 Speaker 1: for two months. Yep. I hope his parents hear this 29 00:01:32,200 --> 00:01:33,920 Speaker 1: and freak the fuck out because he's really he's really 30 00:01:33,959 --> 00:01:36,800 Speaker 1: not expecting a child. That'd be hilarious. Dude, are your 31 00:01:36,840 --> 00:01:39,039 Speaker 1: is your mom on Facebook? I'm gonna just send her 32 00:01:39,040 --> 00:01:45,520 Speaker 1: this audio. Sweetheart, you're having a baby anyway. Go to 33 00:01:45,560 --> 00:01:47,880 Speaker 1: odd socksofficial dot com. They got the most comfortable socks 34 00:01:47,880 --> 00:01:51,240 Speaker 1: in the world. They also just launched their underwear, their masks, 35 00:01:51,240 --> 00:01:56,800 Speaker 1: they got slippers, all that. The craziest licenses WWE Nickelodeon, Shit, SpongeBob, 36 00:01:57,280 --> 00:02:02,840 Speaker 1: breaking bad, Mike Tyson, p see Mac dre He shout 37 00:02:02,840 --> 00:02:04,920 Speaker 1: out to that was for Niko. Shout out to fucking 38 00:02:05,160 --> 00:02:07,040 Speaker 1: mac Drake. Go to odd Socks Official dot com get 39 00:02:07,040 --> 00:02:09,679 Speaker 1: you some mac dre sox, use the keyword bootleg CAV 40 00:02:09,720 --> 00:02:12,800 Speaker 1: and save twenty percent off at checkout. Also, go to 41 00:02:12,840 --> 00:02:17,200 Speaker 1: vapincbd dot com and uh support our other sponsor on 42 00:02:17,280 --> 00:02:20,400 Speaker 1: the cb CBD side. Man. You know you could get 43 00:02:20,440 --> 00:02:22,240 Speaker 1: you some lotion, to get you some cartridges, some gummies 44 00:02:22,240 --> 00:02:25,400 Speaker 1: if you need some help, you know, some anti inflammat inflammentation. 45 00:02:25,919 --> 00:02:28,799 Speaker 1: That's not even a word that means, you know what 46 00:02:28,840 --> 00:02:31,000 Speaker 1: I'm talking about. Go to vapancbd dot com and use 47 00:02:31,040 --> 00:02:33,400 Speaker 1: the keyword bootleg CAV and save twenty percent. Let's get 48 00:02:33,400 --> 00:02:36,840 Speaker 1: into this live from Atlanta from the Generation Now Studios. 49 00:02:37,040 --> 00:02:40,520 Speaker 1: It's Seti Hendrix Yo. Butlet CAV podcast Boutlet CAV show Man. 50 00:02:40,520 --> 00:02:44,240 Speaker 1: We got a special guest, the homie Seti Hendrix Yo 51 00:02:44,360 --> 00:02:47,120 Speaker 1: Yo yo yo yo yo. What's up? Man? What's had? 52 00:02:47,480 --> 00:02:50,359 Speaker 1: What you're smoking on? Uh? What this is? I don't 53 00:02:50,360 --> 00:02:51,919 Speaker 1: even know what? This is? Some gas? But I got 54 00:02:51,919 --> 00:02:58,640 Speaker 1: it from late Okay, Yeah, strictly backwards. MM we can 55 00:02:58,720 --> 00:03:01,600 Speaker 1: smoke papers, smoking me some papers. I just was talking 56 00:03:01,600 --> 00:03:03,239 Speaker 1: about that, like I need to get off backwoods. I 57 00:03:03,240 --> 00:03:04,640 Speaker 1: was gonna say, would you ever make this like the 58 00:03:04,680 --> 00:03:07,080 Speaker 1: full time switch. I'm ready for it. I'm really ready. 59 00:03:07,120 --> 00:03:08,920 Speaker 1: I just got to learn this stuff. Him en roll 60 00:03:09,000 --> 00:03:11,880 Speaker 1: them how fat? I like my backwoods? Yeah yeah, yeah, 61 00:03:11,919 --> 00:03:13,640 Speaker 1: yeah yeah, because you get those you get those king 62 00:03:13,720 --> 00:03:16,840 Speaker 1: sized cones though, yeah, stuff the stuff them up many 63 00:03:17,320 --> 00:03:18,920 Speaker 1: low key. It's a lot easier too if you just 64 00:03:18,919 --> 00:03:21,400 Speaker 1: get the cone, because growing a backwards is a process, 65 00:03:21,919 --> 00:03:23,840 Speaker 1: to be honest, it's a process. But I've grown to 66 00:03:24,000 --> 00:03:27,040 Speaker 1: like it. You know. It's like art form. Yeah, it's art. 67 00:03:27,320 --> 00:03:30,760 Speaker 1: I feel you sticking and you just look at that 68 00:03:30,800 --> 00:03:35,480 Speaker 1: motherfucker like it's well, yo, you you obviously you're making 69 00:03:35,520 --> 00:03:37,720 Speaker 1: a lot of noise. Man. You know I've been checking 70 00:03:37,720 --> 00:03:39,480 Speaker 1: your shit out for I want to say, like a year, 71 00:03:39,600 --> 00:03:41,720 Speaker 1: year and a half now, really, I think ever since, 72 00:03:41,720 --> 00:03:45,839 Speaker 1: Like I like, I saw drawn post about you. How 73 00:03:45,840 --> 00:03:47,320 Speaker 1: long have you been making music? Give us like a 74 00:03:47,360 --> 00:03:49,480 Speaker 1: background where you're from. How long you've been making music? 75 00:03:49,560 --> 00:03:52,520 Speaker 1: Kind of? You know, I've been making music by four years. 76 00:03:52,720 --> 00:03:58,960 Speaker 1: I'm from Jasonville, Florida, and yeah that's how long I've 77 00:03:58,960 --> 00:04:02,280 Speaker 1: been doing music before years not very long, nah, I've 78 00:04:02,280 --> 00:04:06,320 Speaker 1: been with them two years. So so you you just 79 00:04:06,360 --> 00:04:08,480 Speaker 1: picked it up and got signed, right almost right away. 80 00:04:08,560 --> 00:04:10,920 Speaker 1: Damn there. Yeah, what was the what was like the 81 00:04:10,960 --> 00:04:13,920 Speaker 1: thing that like kind of was on the radar of 82 00:04:14,280 --> 00:04:19,680 Speaker 1: of drama then? Uh nothing draum ain't no nothing about me. 83 00:04:19,800 --> 00:04:23,640 Speaker 1: He got introduced through me through my manager now Willie Joe. Okay, 84 00:04:23,800 --> 00:04:26,719 Speaker 1: and before with the Joe, it was me and my label, 85 00:04:26,800 --> 00:04:29,600 Speaker 1: my uncle, Florida Boy Florida Boy Music. You know what 86 00:04:29,600 --> 00:04:31,279 Speaker 1: I'm saying. We kind of came at them with you 87 00:04:31,279 --> 00:04:32,359 Speaker 1: know what I'm saying, this is what we got the 88 00:04:32,400 --> 00:04:35,839 Speaker 1: offer of j Now. I snuck in the studio too. 89 00:04:36,680 --> 00:04:39,640 Speaker 1: You snuck in, Yeah, I snuck before you. Yeah, I 90 00:04:39,680 --> 00:04:42,280 Speaker 1: snuck in me street and I tried to get signed 91 00:04:42,520 --> 00:04:45,000 Speaker 1: our Chris Chris Laundry, he was an A and R 92 00:04:45,240 --> 00:04:50,599 Speaker 1: for Atlantic at the time. Wow, And uh he gave 93 00:04:50,640 --> 00:04:53,279 Speaker 1: me a run around, you know what I'm saying. Yeah, man, 94 00:04:53,279 --> 00:04:56,000 Speaker 1: come on back, get my car. All that I snuck 95 00:04:56,040 --> 00:04:58,400 Speaker 1: back in here, heard my music. Willie Joe heard my music, 96 00:04:58,839 --> 00:05:01,640 Speaker 1: introduced me to drum and then it just went drum 97 00:05:01,720 --> 00:05:04,840 Speaker 1: hurt me. It was like can you do it again? 98 00:05:05,720 --> 00:05:07,640 Speaker 1: Then got me in the studio for like two three 99 00:05:07,720 --> 00:05:10,840 Speaker 1: days and I came up with Ruth's two. Wow, like 100 00:05:10,960 --> 00:05:13,640 Speaker 1: too big man in the rest is history. You know, 101 00:05:13,640 --> 00:05:18,040 Speaker 1: I lived in Tampa for a few years and Jacksonville 102 00:05:18,160 --> 00:05:23,520 Speaker 1: is very much so its own thing. Yeah, it's his 103 00:05:23,560 --> 00:05:25,720 Speaker 1: own world. It's his own jungle. Like I don't know, 104 00:05:25,839 --> 00:05:29,279 Speaker 1: like you know, living in Tampa, that's central Florida. Everybody 105 00:05:29,360 --> 00:05:32,320 Speaker 1: goes to Orlando, or they go to Miami, or they 106 00:05:32,320 --> 00:05:35,160 Speaker 1: go to Fort Myers or whatever. Right, nobody goes to 107 00:05:35,240 --> 00:05:37,760 Speaker 1: jackson Yeah. We over here. We just all a little 108 00:05:37,800 --> 00:05:40,680 Speaker 1: world doing our own little thing. But it's there's definitely 109 00:05:40,760 --> 00:05:44,040 Speaker 1: like like like it's a very distinct place because and 110 00:05:44,160 --> 00:05:47,039 Speaker 1: also people from you know, someone from Jacksonville, because they're 111 00:05:47,040 --> 00:05:50,360 Speaker 1: so fucking proud of it all the screen for show 112 00:05:50,480 --> 00:05:54,520 Speaker 1: for Facts, man, like talk about coming up in Jacksonville. 113 00:05:54,520 --> 00:05:57,560 Speaker 1: Because you know, I think that there's a you know, 114 00:05:57,600 --> 00:06:00,800 Speaker 1: there's the city has been kind of on fire, key lady, Yeah, 115 00:06:01,640 --> 00:06:04,000 Speaker 1: young and age from Jacksonville. Right, Yeah, there's some like 116 00:06:04,080 --> 00:06:09,000 Speaker 1: dope artists coming out of the city, Osiers, Yeah, yeah, 117 00:06:09,720 --> 00:06:12,560 Speaker 1: and you know Gil Jets. Yeah, man, I think it's 118 00:06:12,560 --> 00:06:15,760 Speaker 1: dope because like Jada, it's a couple. Yeah. Man, you guys, 119 00:06:15,839 --> 00:06:18,159 Speaker 1: I feel like Florida as a state got its way. 120 00:06:18,200 --> 00:06:22,159 Speaker 1: But the fact Jacksonville. You know, it's kind of what 121 00:06:22,320 --> 00:06:24,120 Speaker 1: is it about the city that you think kind of 122 00:06:24,120 --> 00:06:27,240 Speaker 1: makes it special from everywhere else in Florida. Man, my 123 00:06:27,320 --> 00:06:30,400 Speaker 1: city hungry, to be honest, Jacksonville hungry. We've been hungry 124 00:06:30,400 --> 00:06:33,440 Speaker 1: for a long time. We've been overlooked for a long time. 125 00:06:34,680 --> 00:06:37,599 Speaker 1: Certain certain people and certain things from the city done 126 00:06:37,640 --> 00:06:41,840 Speaker 1: broke away and done scattered off, and we just felt 127 00:06:41,920 --> 00:06:44,640 Speaker 1: like it's our time to shine for everybody. Always get 128 00:06:44,720 --> 00:06:47,240 Speaker 1: like you say, nobody don't be worried about Duval. We 129 00:06:47,360 --> 00:06:49,520 Speaker 1: know about the city, but we've known for the wrong reasons. 130 00:06:49,600 --> 00:06:52,960 Speaker 1: You feel me, So it's like we're all hungry. Man, 131 00:06:53,000 --> 00:06:54,960 Speaker 1: I feel like it's a melting pot down there. It's 132 00:06:55,000 --> 00:06:57,560 Speaker 1: different coaches down there's different music down there's different type 133 00:06:57,560 --> 00:07:00,440 Speaker 1: of people down there. Like it's it's just it's a 134 00:07:00,440 --> 00:07:02,440 Speaker 1: lot you gotta get brought to the light though. We 135 00:07:02,520 --> 00:07:04,239 Speaker 1: on the way. We got to get our head focused 136 00:07:04,240 --> 00:07:07,560 Speaker 1: on It Also feels like I always have people like 137 00:07:07,680 --> 00:07:11,280 Speaker 1: people will joke that Jacksonville is just South Georgia because 138 00:07:11,320 --> 00:07:13,840 Speaker 1: it's right there. I don't know why people will say that, 139 00:07:13,880 --> 00:07:17,120 Speaker 1: if anything, South Georgia is Florida fair enough, If anything 140 00:07:17,240 --> 00:07:19,680 Speaker 1: fair enough. How we go up? Like, how we how 141 00:07:19,720 --> 00:07:22,640 Speaker 1: we do that? If y'all made no sense? You're not 142 00:07:22,800 --> 00:07:24,720 Speaker 1: just think like I think that it's it's definitely like 143 00:07:24,760 --> 00:07:27,400 Speaker 1: a it's got to you know, every everyone who I 144 00:07:27,400 --> 00:07:29,200 Speaker 1: know from jackson was very solid. But like I think, 145 00:07:29,400 --> 00:07:31,240 Speaker 1: you know, like you said, there's a certain hunger that 146 00:07:31,320 --> 00:07:35,320 Speaker 1: a certain like attitude coming out of that area. Yeah, 147 00:07:35,440 --> 00:07:37,920 Speaker 1: shout out to uh you guys just got Urban Myers 148 00:07:37,960 --> 00:07:42,080 Speaker 1: the coach of the Jaguars, which and the number one pick. 149 00:07:42,520 --> 00:07:46,320 Speaker 1: We always get number one picks. Man, It's always the 150 00:07:46,400 --> 00:07:47,960 Speaker 1: year to get the number one pick. Yeah, this is 151 00:07:48,000 --> 00:07:50,640 Speaker 1: the year. But believe it or not, you can look bad. Bro. 152 00:07:50,680 --> 00:07:55,840 Speaker 1: We always get raw people like everybody be wrong. We 153 00:07:55,960 --> 00:07:57,840 Speaker 1: getting peaks and all the time. We just need to 154 00:07:57,840 --> 00:07:59,120 Speaker 1: know what to do with it. And I feel like 155 00:07:59,120 --> 00:08:01,920 Speaker 1: we was cheated out our last year before We're supposed 156 00:08:02,160 --> 00:08:04,640 Speaker 1: with the Patriots. Oh yeah, when they were slapping hands 157 00:08:04,640 --> 00:08:07,520 Speaker 1: with the referee and yeah, we were supposed to go 158 00:08:07,560 --> 00:08:10,000 Speaker 1: to the super Bowl. We was supposed to go to that. 159 00:08:10,040 --> 00:08:11,840 Speaker 1: We was up the whole game. I was gonna say, 160 00:08:11,880 --> 00:08:14,160 Speaker 1: what is it like growing up a Jacksonville Jaguars fan? 161 00:08:14,240 --> 00:08:16,679 Speaker 1: Because I'm a Cardinals fan, and it's rough. I'm for Phoenix, 162 00:08:16,720 --> 00:08:20,520 Speaker 1: So it's it's like an abusive relationship. I can imagine 163 00:08:20,520 --> 00:08:23,080 Speaker 1: it's even more abusive to be a Jaguars fan. Yeah, 164 00:08:23,240 --> 00:08:27,360 Speaker 1: it's just we just hope we're hungry them. Nigga's hungry too. 165 00:08:27,400 --> 00:08:29,600 Speaker 1: The boys would it too, Like you can tell they hungry, 166 00:08:29,680 --> 00:08:32,200 Speaker 1: Like we just want it real bad man, growing up 167 00:08:32,280 --> 00:08:35,760 Speaker 1: with that Jacksonville team, like we are so capable of 168 00:08:35,800 --> 00:08:38,360 Speaker 1: getting the super Bowl. Were just hard hited and we 169 00:08:38,520 --> 00:08:42,560 Speaker 1: so duval. Like it's to the point they be believing 170 00:08:42,600 --> 00:08:45,000 Speaker 1: they from the city for real, like the players like 171 00:08:45,559 --> 00:08:48,360 Speaker 1: for real, for real, they get embraced for show for 172 00:08:48,480 --> 00:08:51,160 Speaker 1: show for show. Talk about some of your influences, man, 173 00:08:51,160 --> 00:08:53,760 Speaker 1: because I feel like your style is very you can 174 00:08:53,800 --> 00:08:56,760 Speaker 1: do you could rap, you could do this, the melody ship, 175 00:08:57,120 --> 00:08:58,920 Speaker 1: you know, it's it's it's very much. You got a 176 00:08:58,960 --> 00:09:01,320 Speaker 1: lot of arrange. Man. Who are some of your early 177 00:09:01,360 --> 00:09:09,480 Speaker 1: influences Lauren Hill, Andre three thousand, t I, jay Z, Trick, 178 00:09:09,600 --> 00:09:15,680 Speaker 1: Daddy Jeezy Trick, Daddy, don't get enough love man, Ericabadu uh, 179 00:09:16,160 --> 00:09:19,880 Speaker 1: and I grew up on a lot of elderbars, Marvin Gaye. Uh. 180 00:09:20,160 --> 00:09:22,360 Speaker 1: You know what I'm saying Oldish Reddy. You know what 181 00:09:22,400 --> 00:09:26,560 Speaker 1: I'm saying. The Five Blond Boys Alabama. My mama had 182 00:09:26,600 --> 00:09:29,720 Speaker 1: a whole variety of music. She never kept me, she 183 00:09:29,840 --> 00:09:31,839 Speaker 1: never kept us in closed when it came to music. 184 00:09:31,880 --> 00:09:33,960 Speaker 1: It just made us feel better. It was his music. 185 00:09:34,160 --> 00:09:36,760 Speaker 1: It makes sense though, the way you the way you 186 00:09:36,760 --> 00:09:38,480 Speaker 1: you know, the way you make your ship man. Yeah 187 00:09:38,559 --> 00:09:41,959 Speaker 1: for s So that's Have you ever been starstruck meeting 188 00:09:41,960 --> 00:09:45,880 Speaker 1: somebody U or somebody who you were just kind of 189 00:09:45,920 --> 00:09:49,920 Speaker 1: like maybe because you mentioned I'm assuming you met Yeah. Yeah, yeah, yeah, 190 00:09:49,920 --> 00:09:52,959 Speaker 1: I ain't been starstrar though I haven't been excited. I 191 00:09:54,160 --> 00:09:57,680 Speaker 1: oh yeah, excited struck sounds like some whole ship. Yeah, 192 00:09:58,200 --> 00:10:00,480 Speaker 1: I ain't start. I don't been excited when I met 193 00:10:00,559 --> 00:10:03,280 Speaker 1: when I met HERB, I was excited when I met 194 00:10:03,280 --> 00:10:09,600 Speaker 1: t I. I was excited. I was excited when I 195 00:10:09,640 --> 00:10:18,040 Speaker 1: met Future. Okay uh nah yeah yeah, yeah, it's it's more. 196 00:10:18,160 --> 00:10:21,000 Speaker 1: It's more, but I don't really see it stopstruck though, 197 00:10:21,200 --> 00:10:23,680 Speaker 1: it's chilling. Nah, I feel you. I feel the same way. 198 00:10:23,720 --> 00:10:26,400 Speaker 1: It's like you meet somebody like Damn who like I 199 00:10:26,840 --> 00:10:29,120 Speaker 1: was excited to be an outcast studio the other night, 200 00:10:29,520 --> 00:10:31,880 Speaker 1: just being just shot me this show. That was this 201 00:10:31,960 --> 00:10:34,719 Speaker 1: your first time? And another man, bro was I was 202 00:10:34,760 --> 00:10:36,480 Speaker 1: shot when I went there too. I ain't never even 203 00:10:36,520 --> 00:10:39,000 Speaker 1: met Big Boy. He walked through and it's like, oh 204 00:10:39,120 --> 00:10:42,120 Speaker 1: my god, history he sat here. Remember my first time 205 00:10:42,480 --> 00:10:44,360 Speaker 1: going up this before I even got signed, my first 206 00:10:44,360 --> 00:10:50,920 Speaker 1: time going to Florida. Boy Change took me there and uh, 207 00:10:51,120 --> 00:10:54,160 Speaker 1: I walk in and they was like, yeah, Bro, that's 208 00:10:54,200 --> 00:10:56,600 Speaker 1: the pillow he used he passed out on, and that's 209 00:10:56,640 --> 00:10:58,320 Speaker 1: the couch and this ship and then I'm grabbing this 210 00:10:58,360 --> 00:11:01,000 Speaker 1: ship like damn, this ship this old. No. I already 211 00:11:01,000 --> 00:11:02,880 Speaker 1: love history, you feel me? So to be in there 212 00:11:02,960 --> 00:11:05,080 Speaker 1: like damn looking up that with the niggas, who I 213 00:11:05,120 --> 00:11:07,400 Speaker 1: really and my when to come to the music ship? 214 00:11:07,760 --> 00:11:10,520 Speaker 1: That was fine? Yeah. Outcast is my They're my favorite. 215 00:11:10,920 --> 00:11:14,680 Speaker 1: They're like Andred's top three for me. And Cast is 216 00:11:14,800 --> 00:11:16,920 Speaker 1: the greatest rap group. He represented for the people in 217 00:11:16,960 --> 00:11:18,679 Speaker 1: the South, showing them that we more than just shoot 218 00:11:18,720 --> 00:11:22,480 Speaker 1: them up. Bang Bang Dunk's riding like and you feel me? Yeah, 219 00:11:22,480 --> 00:11:24,400 Speaker 1: I think too. I think it's dope that Yeah, Like 220 00:11:24,440 --> 00:11:27,600 Speaker 1: you said, like Outcasts, I kind of look at the 221 00:11:27,600 --> 00:11:30,559 Speaker 1: way like TD and Kendrick is to la there you go. 222 00:11:30,880 --> 00:11:32,600 Speaker 1: You know what I'm saying, you go. That's what Outcast 223 00:11:32,600 --> 00:11:35,440 Speaker 1: did for the South first, you know, so so yeah, 224 00:11:35,520 --> 00:11:39,319 Speaker 1: I think you know what? Tell me, like, what what? What? 225 00:11:39,320 --> 00:11:40,880 Speaker 1: What are you doing in your spare time? And the 226 00:11:40,920 --> 00:11:45,480 Speaker 1: pandemics happening? There's so much fucking There's been so much 227 00:11:45,559 --> 00:11:47,480 Speaker 1: random shit going on in the world, man, But there's 228 00:11:47,520 --> 00:11:48,920 Speaker 1: definitely a lot more time at the crib. What are 229 00:11:48,920 --> 00:11:51,719 Speaker 1: you doing in your free time? Bro? I'm praying, meditating, 230 00:11:51,840 --> 00:11:56,160 Speaker 1: I'm playing basketball, I'm getting high, I'm trying to work 231 00:11:56,200 --> 00:11:59,400 Speaker 1: on my relationship, talking to my mama a lot more. 232 00:12:00,200 --> 00:12:03,960 Speaker 1: Just staying grounded. You're you're in a relationship, yeah, okay, Yeah, 233 00:12:04,240 --> 00:12:10,320 Speaker 1: just staying grounded and really just staying in tune with 234 00:12:10,440 --> 00:12:12,520 Speaker 1: the person that I that I am and the person 235 00:12:12,559 --> 00:12:15,280 Speaker 1: I'm trying to grow into. Because twenty twenty, that's really 236 00:12:15,280 --> 00:12:17,800 Speaker 1: what I feel like. That year was a lot about. Yeah, 237 00:12:17,880 --> 00:12:20,520 Speaker 1: man's so many distractions, it was so much shit going on, 238 00:12:20,720 --> 00:12:22,480 Speaker 1: to the point where you had to stay in tune 239 00:12:22,480 --> 00:12:25,000 Speaker 1: with who you are and the people that actually care 240 00:12:25,080 --> 00:12:27,080 Speaker 1: and genuinely love you feel me, because that was the 241 00:12:27,160 --> 00:12:30,640 Speaker 1: year to actually show what it is everybody true hand 242 00:12:30,679 --> 00:12:34,319 Speaker 1: was shown everything with some real ship. You talked about meditating. 243 00:12:34,559 --> 00:12:37,920 Speaker 1: I feel like there's like a very weird stigma about meditating. 244 00:12:37,920 --> 00:12:39,120 Speaker 1: First of all, I don't think a lot of people 245 00:12:39,200 --> 00:12:46,040 Speaker 1: understand what it is. Yeah, Like I feel like I 246 00:12:46,240 --> 00:12:48,240 Speaker 1: know what it is to meditate, but I feel like 247 00:12:48,280 --> 00:12:50,760 Speaker 1: a lot of people don't understand like the process of 248 00:12:50,760 --> 00:12:54,920 Speaker 1: what meditates right exactly, Like you gotta be like with 249 00:12:55,040 --> 00:12:58,880 Speaker 1: some fucking with bongs and all that, and I don't 250 00:12:58,880 --> 00:13:02,160 Speaker 1: get me wrong, ship and ship, I fucked with that shit, right. 251 00:13:02,280 --> 00:13:06,600 Speaker 1: But at the same time, people get meditated wrong because 252 00:13:06,600 --> 00:13:08,240 Speaker 1: of their point of view of what they've been raised 253 00:13:08,280 --> 00:13:11,160 Speaker 1: on to what they see on TV. That's it, that's 254 00:13:11,200 --> 00:13:13,240 Speaker 1: just what they to be honest, nigga, don't even watch it. 255 00:13:13,320 --> 00:13:16,000 Speaker 1: I don't watch TV at all. I don't. I really 256 00:13:16,040 --> 00:13:19,760 Speaker 1: don't watch TV. You don't binge watch nothing. I mean, 257 00:13:19,760 --> 00:13:21,200 Speaker 1: you may catch because I'm in a a relations you may 258 00:13:21,240 --> 00:13:24,280 Speaker 1: catch me on the Netflix, right this ship like that 259 00:13:24,360 --> 00:13:26,839 Speaker 1: you feeling, But I'm not watching TV. How I used 260 00:13:26,880 --> 00:13:28,760 Speaker 1: to watch TV, you know what I'm saying. So a 261 00:13:28,760 --> 00:13:31,480 Speaker 1: lot of people shouldn't even be appointed to meditate like that. 262 00:13:31,520 --> 00:13:33,920 Speaker 1: This should be real life experience. You know you're going 263 00:13:33,960 --> 00:13:36,280 Speaker 1: through to even want to meditate. It's too much shit 264 00:13:36,360 --> 00:13:38,760 Speaker 1: in the world going on right now for people not 265 00:13:38,840 --> 00:13:41,000 Speaker 1: to genuinely want to just get some type of peace 266 00:13:41,040 --> 00:13:44,240 Speaker 1: of mind because obviously what you're doing ain't working. It's 267 00:13:44,320 --> 00:13:48,120 Speaker 1: just making sure everything's silent. Yeah, and then just closing 268 00:13:48,160 --> 00:13:52,640 Speaker 1: your eyes and just relax. Bro breathe, breathe, relax, breathe, 269 00:13:52,640 --> 00:13:57,920 Speaker 1: and just inhale, exhale, and appreciate inhale exhale and appreciate 270 00:13:57,960 --> 00:14:00,520 Speaker 1: that you breathing. That's fine. That's that. That's a start 271 00:14:00,520 --> 00:14:04,680 Speaker 1: of meditation. That's the first start right there. Your Yeah, 272 00:14:05,000 --> 00:14:06,600 Speaker 1: you ain't eve gotta do the instance and all that. 273 00:14:06,640 --> 00:14:09,319 Speaker 1: You can start it from right there, baby steps Yo. 274 00:14:09,400 --> 00:14:12,079 Speaker 1: You talked about working on your relationship, which I think 275 00:14:12,200 --> 00:14:14,199 Speaker 1: is dope because I don't feel I'm married, but I 276 00:14:14,200 --> 00:14:16,880 Speaker 1: don't feel like we hear enough artists talking about we 277 00:14:16,920 --> 00:14:21,480 Speaker 1: either like see the really good parts on Instagram, yeah, 278 00:14:21,640 --> 00:14:25,160 Speaker 1: or it's the quiet. It's still polar opposite. But every 279 00:14:25,160 --> 00:14:28,360 Speaker 1: relationship is worse. This ship, real, man, this ship, and 280 00:14:28,560 --> 00:14:32,000 Speaker 1: I been on my girl. My girl came along like 281 00:14:32,280 --> 00:14:36,160 Speaker 1: right like a year before I got signed, and I'm 282 00:14:36,160 --> 00:14:39,160 Speaker 1: fresh out of jail. Okay, So she got the right 283 00:14:39,200 --> 00:14:41,520 Speaker 1: to say, like seat it was double before you right 284 00:14:41,960 --> 00:14:44,160 Speaker 1: right right, and being in this, being in a relationship 285 00:14:44,200 --> 00:14:47,200 Speaker 1: and coming up in the industry, especially in me catering 286 00:14:47,560 --> 00:14:50,640 Speaker 1: to women. You feel me, rhythmic gangster. I could go everywhere, 287 00:14:50,680 --> 00:14:53,680 Speaker 1: but my song low Key came out towards women and 288 00:14:53,720 --> 00:14:56,120 Speaker 1: to be dating you feel me. So it's just like 289 00:14:56,240 --> 00:14:58,960 Speaker 1: damn man, but you gotta grow with it, Sert shit. 290 00:14:59,000 --> 00:15:00,920 Speaker 1: You just gotta grow with You gotta stick and move 291 00:15:01,000 --> 00:15:03,560 Speaker 1: and hope that you understand what you're signing up for 292 00:15:04,760 --> 00:15:08,720 Speaker 1: and give them a whole idea and lay everything out. Man. 293 00:15:08,760 --> 00:15:12,120 Speaker 1: That'd be the problem with shit and nobody telling what 294 00:15:12,160 --> 00:15:15,200 Speaker 1: you finished signed up like. I've always tried to take 295 00:15:15,240 --> 00:15:17,960 Speaker 1: the approach of like because I've been through so many 296 00:15:18,040 --> 00:15:20,440 Speaker 1: bullshit relationships. It's like you you never want to stop 297 00:15:20,520 --> 00:15:24,160 Speaker 1: dating your girl. You never want to stop dating her, 298 00:15:24,440 --> 00:15:29,360 Speaker 1: if that makes sense. Like the energy that you guys 299 00:15:29,440 --> 00:15:31,600 Speaker 1: have when y'all are dating, you know what I'm saying, 300 00:15:32,120 --> 00:15:33,800 Speaker 1: Or when you guys first started talking to each other, 301 00:15:33,800 --> 00:15:36,640 Speaker 1: you kind of like you like always want to you 302 00:15:36,680 --> 00:15:39,040 Speaker 1: gotta be kept because I don't I feel when you 303 00:15:39,200 --> 00:15:42,760 Speaker 1: were talking we dating. I grew up like I don't 304 00:15:42,800 --> 00:15:44,760 Speaker 1: even mean like, I don't even mean like going on dates. 305 00:15:44,800 --> 00:15:47,640 Speaker 1: I just mean like that energy like dates. What I'm saying, 306 00:15:47,680 --> 00:15:50,600 Speaker 1: like the moment we the moment me and you say, 307 00:15:50,600 --> 00:15:52,920 Speaker 1: oh yo, were talking, we tasting all that? Yeah? Yeah, 308 00:15:52,960 --> 00:15:56,040 Speaker 1: everybody else cut off on your Yeah yeah we in 309 00:15:56,160 --> 00:15:58,400 Speaker 1: this hey man, not a lot of people share that 310 00:15:58,480 --> 00:16:01,760 Speaker 1: sentiment for show. I don't even be playing like that. 311 00:16:02,120 --> 00:16:03,760 Speaker 1: It's like, yo, if I'm taking this time out to 312 00:16:03,760 --> 00:16:07,440 Speaker 1: give you my energy, Yeah, it's special. Yeah that's fair. 313 00:16:07,800 --> 00:16:09,160 Speaker 1: You said you mentioned you went to jail. What you 314 00:16:09,160 --> 00:16:12,920 Speaker 1: get locked up for? You don't talking about? Oh what time? 315 00:16:12,960 --> 00:16:16,800 Speaker 1: Which time? How about the longest time? Longest time was 316 00:16:16,840 --> 00:16:19,920 Speaker 1: the last time I sat? Possession of about judicated Lincoln, 317 00:16:20,920 --> 00:16:26,080 Speaker 1: possession of more than twenty eight girls? Uh, all that 318 00:16:26,160 --> 00:16:28,120 Speaker 1: extra shit? Drive with our license. I've never in my 319 00:16:28,200 --> 00:16:32,040 Speaker 1: life ever had a license, you know, So I went 320 00:16:32,080 --> 00:16:35,560 Speaker 1: through all of my twenties with no car insurance. Yeah, 321 00:16:35,880 --> 00:16:40,240 Speaker 1: just slide you get the ticket, you know, go pay 322 00:16:40,240 --> 00:16:42,680 Speaker 1: for the month, you know, get the ticket squashed, and 323 00:16:43,080 --> 00:16:45,360 Speaker 1: it's like that ship run. I ain't never in my 324 00:16:45,400 --> 00:16:47,560 Speaker 1: life had a license. Man, you still don't have a 325 00:16:47,600 --> 00:16:51,880 Speaker 1: car driver's license? Is there like, is it just you 326 00:16:51,920 --> 00:16:54,640 Speaker 1: don't want to go to the DMV. I've been too busy, 327 00:16:55,160 --> 00:16:57,200 Speaker 1: And I know that means like niggain't never too busy, 328 00:16:57,280 --> 00:17:02,240 Speaker 1: sit you down someone, But man, listen, i'd be too busy. 329 00:17:02,480 --> 00:17:04,880 Speaker 1: I'd be having other ship to do. I need an assistant. 330 00:17:06,400 --> 00:17:08,800 Speaker 1: There's no reason why I don't got my license right now, down, 331 00:17:08,840 --> 00:17:11,120 Speaker 1: you're right, yeah, like right, Like how old are you? 332 00:17:11,520 --> 00:17:14,240 Speaker 1: I'll be twenty five. Yeah, you gotta you know, Yeah, 333 00:17:14,280 --> 00:17:16,200 Speaker 1: I gotta get them. I gotta get him. I'm bullshit. 334 00:17:16,440 --> 00:17:18,480 Speaker 1: It's just a peace of mind. You know, if you're whipping, 335 00:17:18,600 --> 00:17:20,119 Speaker 1: you know, even if you even if you're hitting the 336 00:17:20,160 --> 00:17:23,119 Speaker 1: quick trip, so you might get pulled over, you got 337 00:17:23,160 --> 00:17:25,520 Speaker 1: your lights like ah, And that's the main reason why 338 00:17:25,560 --> 00:17:27,480 Speaker 1: I got sucked up so many times, pulled over and 339 00:17:27,520 --> 00:17:29,160 Speaker 1: all the other ship because I ain't got no license. 340 00:17:29,200 --> 00:17:30,760 Speaker 1: So now that get them folks to write the search 341 00:17:30,840 --> 00:17:33,560 Speaker 1: and weed and all that extra shit. Yeah, it's crazy 342 00:17:33,600 --> 00:17:36,920 Speaker 1: because in Florida, and you know, being in La, I'm 343 00:17:36,920 --> 00:17:41,680 Speaker 1: so used to like marijuana just being it's just like cigarettes. Yeah, 344 00:17:41,960 --> 00:17:44,600 Speaker 1: And like I was, I was about to just light 345 00:17:44,680 --> 00:17:46,280 Speaker 1: up in the club the other night out here, and 346 00:17:46,320 --> 00:17:48,439 Speaker 1: my boy was like, no, no, no, no, light up 347 00:17:48,440 --> 00:17:49,720 Speaker 1: in the club. You can light up in the club. 348 00:17:49,800 --> 00:17:52,639 Speaker 1: Now where we was at we was at we were 349 00:17:52,680 --> 00:17:55,240 Speaker 1: at one of the more whacker strip clubs. It was 350 00:17:55,240 --> 00:17:58,520 Speaker 1: called Pink Pony a strip club. Pink You ain't smoking? Yeah, 351 00:17:58,520 --> 00:18:00,960 Speaker 1: I don't know. We were to place big trip. Yeah, 352 00:18:01,000 --> 00:18:02,600 Speaker 1: but yeah, they were like he was like no, no, no, 353 00:18:02,640 --> 00:18:04,480 Speaker 1: He's like, this ain't l a. I was like, what 354 00:18:04,560 --> 00:18:07,720 Speaker 1: the fuck? Man? That was crazy? Yeah. I think, like, 355 00:18:08,320 --> 00:18:10,840 Speaker 1: you know, hopefully everything's federally anyway. I can't smoke. I 356 00:18:10,920 --> 00:18:14,639 Speaker 1: try not to go. That's fair. Man. Where's the craziest 357 00:18:14,640 --> 00:18:20,600 Speaker 1: place you smoked? Uh? What's them little things that you 358 00:18:20,680 --> 00:18:22,800 Speaker 1: when you snowboard that you go up on? Oh? The 359 00:18:23,280 --> 00:18:26,040 Speaker 1: ski lift? That is crazy. So far, that's been the craziest. 360 00:18:26,200 --> 00:18:29,360 Speaker 1: My man went on the ski lift. Yeah all right, 361 00:18:29,400 --> 00:18:33,040 Speaker 1: So say lass is out going up? You got some 362 00:18:33,119 --> 00:18:38,920 Speaker 1: crazy features? Gee, Herbo Gunner obviously the home team jack 363 00:18:40,440 --> 00:18:44,679 Speaker 1: a Buggy. Which one of those records or which one 364 00:18:44,720 --> 00:18:48,760 Speaker 1: of those features? What's the funnest to make because you 365 00:18:48,800 --> 00:18:50,760 Speaker 1: know nowadays and I don't know if any of them were, 366 00:18:51,080 --> 00:18:53,640 Speaker 1: like were you in person with with the only only 367 00:18:53,680 --> 00:18:56,520 Speaker 1: ones I went in person with was herb and Gunner 368 00:18:56,600 --> 00:18:59,399 Speaker 1: every every other feature I had already a year prior, 369 00:18:59,480 --> 00:19:02,200 Speaker 1: Like I've been here, so so which ones were you in, 370 00:19:02,680 --> 00:19:05,960 Speaker 1: like in the studio with Boogie two in it fold 371 00:19:06,160 --> 00:19:08,800 Speaker 1: so all the other ones, all the others Okay, okay, yeah, 372 00:19:08,840 --> 00:19:10,280 Speaker 1: I was gonna say, like, like like, what was the best 373 00:19:10,280 --> 00:19:17,960 Speaker 1: studio session for first? For say, let's m the best 374 00:19:18,000 --> 00:19:21,879 Speaker 1: one I have to say was with men. They have 375 00:19:21,920 --> 00:19:26,359 Speaker 1: to say me and Boogie? Yeah, ay, Boogie is very 376 00:19:26,480 --> 00:19:30,040 Speaker 1: uh and you know he's he's he's crazy with these melodies. 377 00:19:30,040 --> 00:19:31,760 Speaker 1: I'll be telling people, you know, I mean, he's so 378 00:19:31,840 --> 00:19:35,080 Speaker 1: big on this side, Michael Jackson crazy. Michael Jackson with 379 00:19:35,119 --> 00:19:39,679 Speaker 1: the melodies is crazy, man, Yeah, he's crazy. Who's Like? 380 00:19:39,720 --> 00:19:41,560 Speaker 1: What do you listen to right now? When we talked 381 00:19:41,560 --> 00:19:43,639 Speaker 1: about your influences, but like, who are the artists that 382 00:19:43,720 --> 00:19:49,520 Speaker 1: like that are in your regular rotation? Hm? Hmm, Well 383 00:19:49,520 --> 00:19:56,800 Speaker 1: I listened to on the regular Uh right, Nah, damn. 384 00:19:56,840 --> 00:19:58,879 Speaker 1: I don't want to sound vis but I really be 385 00:19:58,960 --> 00:20:01,680 Speaker 1: listening to me jack all but Jack Hurles album is 386 00:20:01,680 --> 00:20:11,080 Speaker 1: fucking incredible, just crazy Highway two thousand and nine. Uh, 387 00:20:11,440 --> 00:20:14,280 Speaker 1: who else? And I've been listening to a lot of 388 00:20:14,320 --> 00:20:17,439 Speaker 1: old school music to old school ship, like I didn't 389 00:20:17,480 --> 00:20:20,399 Speaker 1: dab in the new music. That's I feel like if 390 00:20:20,440 --> 00:20:22,119 Speaker 1: you listen to too much of the new ship as 391 00:20:22,119 --> 00:20:24,160 Speaker 1: an artist, you can't help being I really it really 392 00:20:24,160 --> 00:20:25,720 Speaker 1: got to get put in my face while be in 393 00:20:25,720 --> 00:20:27,280 Speaker 1: the club, or I really got to catch it for me. 394 00:20:27,520 --> 00:20:29,560 Speaker 1: Have you ever call yourself like listening to some ship 395 00:20:29,640 --> 00:20:33,560 Speaker 1: too much and then like you almost subconsciously become influenced 396 00:20:33,560 --> 00:20:36,040 Speaker 1: by it. Yeah, of course all the time. With a 397 00:20:36,040 --> 00:20:37,479 Speaker 1: lot of music, that's how they do it out here, 398 00:20:37,520 --> 00:20:38,960 Speaker 1: that's how they that's how they push it in the 399 00:20:38,960 --> 00:20:41,560 Speaker 1: world now, Like it's a lot of music nowadays, there's 400 00:20:41,560 --> 00:20:43,919 Speaker 1: so much met of music. You're not manually just clicking 401 00:20:44,080 --> 00:20:45,960 Speaker 1: going to go like, oh, I'm feeling this ship. I 402 00:20:46,000 --> 00:20:47,760 Speaker 1: heard this, let me go, na let me it just 403 00:20:47,800 --> 00:20:49,600 Speaker 1: comes on. It just comes on and you hear you 404 00:20:49,760 --> 00:20:52,159 Speaker 1: be like, damn, bro, what's that song I heard? Or 405 00:20:52,200 --> 00:20:55,560 Speaker 1: what's that song? We was you feeling? I hear that 406 00:20:55,600 --> 00:20:58,760 Speaker 1: all the time, you know, being signed the Generation now 407 00:21:00,040 --> 00:21:04,399 Speaker 1: one of the hottest labels obviously, you know, Drama and 408 00:21:04,840 --> 00:21:09,960 Speaker 1: Cannon and Lake are legends for sure, gatekeepers, gatekeepers for sure, 409 00:21:11,560 --> 00:21:14,840 Speaker 1: and like what I appreciate about everybody, even you know, 410 00:21:14,880 --> 00:21:17,320 Speaker 1: going back to UZI is just the groundwork every artist 411 00:21:17,359 --> 00:21:19,240 Speaker 1: is put in, like Jack, Like people act like Jack 412 00:21:19,280 --> 00:21:21,200 Speaker 1: Harlow's a new arts. Hate when they hate when they 413 00:21:21,600 --> 00:21:23,880 Speaker 1: like this was overnight, Like my man's got so many 414 00:21:23,880 --> 00:21:26,760 Speaker 1: projects out, he's been hitting every freestyle and radio shit 415 00:21:26,800 --> 00:21:29,000 Speaker 1: like this guy's been doing this thing for three three years, 416 00:21:29,000 --> 00:21:31,120 Speaker 1: you know what I'm saying. And the same thing with you, 417 00:21:31,240 --> 00:21:33,720 Speaker 1: like you've been putting in work like it's not there's 418 00:21:33,800 --> 00:21:36,000 Speaker 1: not a magic switch that gets hit over here. I 419 00:21:36,040 --> 00:21:38,080 Speaker 1: love that and I love that. I love the fact 420 00:21:38,119 --> 00:21:40,560 Speaker 1: that they actually let us grind and put in as 421 00:21:40,600 --> 00:21:42,439 Speaker 1: bad as we come over here and they be on 422 00:21:42,560 --> 00:21:44,400 Speaker 1: the what's up high it's gonna work, and you think 423 00:21:44,440 --> 00:21:46,800 Speaker 1: it's finna be a magical switch because of who they are, 424 00:21:47,119 --> 00:21:49,480 Speaker 1: and you get over here and you go through boot 425 00:21:49,480 --> 00:21:51,560 Speaker 1: camping and be like, damn Jen, now really on some 426 00:21:51,640 --> 00:21:53,919 Speaker 1: old I see how they make stars. I see how 427 00:21:53,960 --> 00:21:57,240 Speaker 1: it happens because you really finn to put this work in. Yeah, 428 00:21:57,240 --> 00:21:59,080 Speaker 1: we the gate keepers, but you're finna make this key. 429 00:21:59,119 --> 00:22:01,520 Speaker 1: It's about yeah, about the work. I was gonna say, 430 00:22:01,560 --> 00:22:04,719 Speaker 1: like what is what what? What's what's like, you know, 431 00:22:05,720 --> 00:22:08,200 Speaker 1: you have a relationship with guys like Drama and Don 432 00:22:08,240 --> 00:22:10,879 Speaker 1: Cannon and not a lot of people have. What is 433 00:22:10,920 --> 00:22:13,399 Speaker 1: it like, you know, being signed to them and having 434 00:22:13,400 --> 00:22:16,760 Speaker 1: them as mentors and people that are like helping guide 435 00:22:16,760 --> 00:22:21,399 Speaker 1: your career. It's great. It's great, man, It's an awesome feeling. 436 00:22:21,400 --> 00:22:25,399 Speaker 1: Because I called it, I manifested, I had jail have 437 00:22:25,520 --> 00:22:27,960 Speaker 1: stories on this. I was when I was in jail, 438 00:22:28,040 --> 00:22:30,800 Speaker 1: I told I told niggas. I was like, man, when 439 00:22:30,840 --> 00:22:32,800 Speaker 1: I get out, bro, I'm gonna sign the drama, Drama 440 00:22:32,800 --> 00:22:35,679 Speaker 1: gonna sign and I'm gonna go on tour and this 441 00:22:35,760 --> 00:22:37,760 Speaker 1: and all that. And I actually end up getting out 442 00:22:37,760 --> 00:22:41,440 Speaker 1: of jail, you know what I'm saying, and making a 443 00:22:41,560 --> 00:22:44,600 Speaker 1: move happen. Get shoot to my mama house, break my 444 00:22:44,640 --> 00:22:46,280 Speaker 1: mom off something, I slide to the A and I 445 00:22:46,320 --> 00:22:49,159 Speaker 1: actually make this happen. I mean, yeah, you snuck in, bro, 446 00:22:49,440 --> 00:22:52,199 Speaker 1: Yeah you literally made it. Heavily made it happen. It 447 00:22:52,200 --> 00:22:54,560 Speaker 1: could it could have win less work working with them 448 00:22:54,600 --> 00:22:56,480 Speaker 1: and being with them and having a relationship with the 449 00:22:56,480 --> 00:22:58,879 Speaker 1: people that some people die to have, but some people 450 00:22:58,920 --> 00:23:01,399 Speaker 1: only dream and have. It's like, I don't take it 451 00:23:01,400 --> 00:23:04,000 Speaker 1: for advantage at all, it's a blessing. Yeah, I think, 452 00:23:04,080 --> 00:23:11,440 Speaker 1: Like I said this on Twitter Instagram when the Gucci 453 00:23:11,520 --> 00:23:16,280 Speaker 1: and Jeez versus happened, I was dramas that I look 454 00:23:16,320 --> 00:23:20,280 Speaker 1: at Drama as the most influential, greatest hip hop DJ 455 00:23:20,359 --> 00:23:23,399 Speaker 1: to ever live. Like I'm not saying he's the best 456 00:23:23,400 --> 00:23:27,080 Speaker 1: at scratching and tricks and all that. We're talking about influence, yeah, 457 00:23:27,160 --> 00:23:30,080 Speaker 1: and touching the culture. We talking about what matters. That's all. 458 00:23:30,280 --> 00:23:33,720 Speaker 1: Like he's the greatest, Like nobody can even hold a 459 00:23:33,720 --> 00:23:36,320 Speaker 1: flame to him. And I'm that's over jam Master Jay, 460 00:23:36,400 --> 00:23:39,320 Speaker 1: That's over everybody. Like, so you're right, you're right, man. 461 00:23:39,400 --> 00:23:41,639 Speaker 1: You got to think about this man, like just me 462 00:23:41,720 --> 00:23:44,639 Speaker 1: growing for a person to stay in this loan, well 463 00:23:44,720 --> 00:23:49,119 Speaker 1: ten fifteen years to last that long in the game, 464 00:23:49,960 --> 00:23:51,760 Speaker 1: Like you ain't got nothing to talk about. You gotta 465 00:23:51,800 --> 00:23:53,879 Speaker 1: know this man the best. This man is still blowing 466 00:23:53,920 --> 00:23:56,840 Speaker 1: people that we listen to right now. Yeah, to this day. 467 00:23:57,840 --> 00:24:01,120 Speaker 1: Do you have any relationship with Uzzi at all? No, 468 00:24:03,520 --> 00:24:07,160 Speaker 1: not at all. But the crazy thing about it, it's 469 00:24:07,240 --> 00:24:10,240 Speaker 1: this clip that I got on my Instagram. It's in 470 00:24:10,320 --> 00:24:12,480 Speaker 1: my archive. I ain't gonna post it yet. I don't 471 00:24:12,480 --> 00:24:16,280 Speaker 1: know if I'm ever posted again, but he was in 472 00:24:16,280 --> 00:24:18,639 Speaker 1: the b room. That's when he had Purple health. Yep. 473 00:24:18,800 --> 00:24:21,440 Speaker 1: I'm in Jacksonville now right. I had a song called 474 00:24:21,520 --> 00:24:24,160 Speaker 1: Uber Everywhere, shout out twenty four hours. It's on my tape. 475 00:24:24,160 --> 00:24:27,960 Speaker 1: His brother made it. I didn't know none of this 476 00:24:28,200 --> 00:24:33,160 Speaker 1: at the time. He ended up. I ended up him 477 00:24:33,240 --> 00:24:37,119 Speaker 1: too white? Is this white boy? My boy Slim and 478 00:24:37,240 --> 00:24:41,600 Speaker 1: my boy Tom. They end up sliding up here to 479 00:24:41,680 --> 00:24:47,159 Speaker 1: Atlanta trying to make something happen. They UZZI end up 480 00:24:47,160 --> 00:24:50,840 Speaker 1: playing my song, the Uber Everywhere, like putting. I don't 481 00:24:50,840 --> 00:24:52,919 Speaker 1: know Slim put it on or or UZI put it on, 482 00:24:53,280 --> 00:24:54,919 Speaker 1: but they play it and I got the video. They 483 00:24:55,119 --> 00:24:57,000 Speaker 1: they in the studio vibe and listening to it. It's 484 00:24:57,040 --> 00:25:01,840 Speaker 1: in the b room now wow and uh. Fast forward. 485 00:25:01,920 --> 00:25:05,520 Speaker 1: Later he come to the city and performed with HERD, 486 00:25:06,119 --> 00:25:09,879 Speaker 1: My Squad No and Woozy DJ Shapad brought him to 487 00:25:09,920 --> 00:25:14,520 Speaker 1: the brought him to Florida Theater and then from there. 488 00:25:15,480 --> 00:25:17,600 Speaker 1: Fast forward. Now I'm in the same building, signed to 489 00:25:17,640 --> 00:25:19,639 Speaker 1: the same label. Like you know what I'm saying, Like 490 00:25:19,880 --> 00:25:21,679 Speaker 1: that's crazy, you know what I'm saying. So, No, I 491 00:25:21,680 --> 00:25:24,240 Speaker 1: don't have a relationship with him, but to have that 492 00:25:24,320 --> 00:25:26,720 Speaker 1: moment right there when they get brought back up to 493 00:25:26,800 --> 00:25:29,960 Speaker 1: light with this interview get out. However, I just wonder 494 00:25:30,000 --> 00:25:32,120 Speaker 1: how that's gonna play back when everything's said and done. 495 00:25:32,400 --> 00:25:36,240 Speaker 1: That's fire, that's crazy, that's big man. Yeah, that's ah. 496 00:25:37,119 --> 00:25:39,800 Speaker 1: Everything went full a show circle, right, everything been going. 497 00:25:39,960 --> 00:25:41,440 Speaker 1: So you saw I mean, did you? Yeah, you saw 498 00:25:41,440 --> 00:25:44,080 Speaker 1: that video then when it happened, Yeah, it went on Twitter. 499 00:25:44,119 --> 00:25:45,920 Speaker 1: This ship was gonna crazy. I ain't have a toil 500 00:25:45,960 --> 00:25:47,840 Speaker 1: at the time. I ain't know nothing about that. Like, yeah, 501 00:25:47,920 --> 00:25:49,320 Speaker 1: I didn't get it. I didn't get him to the 502 00:25:49,320 --> 00:25:51,760 Speaker 1: internet till twenty fifteen. I ain't know how to work 503 00:25:51,800 --> 00:25:54,200 Speaker 1: at Gmail. Nothing to this man. We're gonna get you 504 00:25:54,200 --> 00:25:58,480 Speaker 1: a license with man I phone, Yeah, I gotta. I 505 00:25:58,920 --> 00:26:00,960 Speaker 1: got to enjoy it. I promise I got I phone. 506 00:26:01,200 --> 00:26:03,600 Speaker 1: I just you know, I'm just I don't know. You 507 00:26:03,640 --> 00:26:06,280 Speaker 1: can't legally drive a car, so I gotta ask you 508 00:26:06,320 --> 00:26:08,640 Speaker 1: know what I'm saying. Anyway, Well, look, man, I appreciate 509 00:26:08,680 --> 00:26:11,320 Speaker 1: you checking in. What is next for you because obviously 510 00:26:11,320 --> 00:26:13,439 Speaker 1: it's a new year. The project is out, but like 511 00:26:13,480 --> 00:26:17,320 Speaker 1: what's what's on the horizon. We're finna drop these visuals, man, 512 00:26:17,359 --> 00:26:20,280 Speaker 1: be prepared for these big, big, big, big visuals. That's 513 00:26:20,320 --> 00:26:22,200 Speaker 1: all I got to say. We finish dry, say listen 514 00:26:22,280 --> 00:26:24,399 Speaker 1: to the ground. And then I got Rhythm and Gangster, 515 00:26:24,520 --> 00:26:27,040 Speaker 1: and I got the album coming Rhythm and Gangster. Yeah, 516 00:26:27,359 --> 00:26:28,919 Speaker 1: you know there was a Snoop Dogg album. I know 517 00:26:29,000 --> 00:26:35,000 Speaker 1: that rhythm and it's either gonna be called Rhythm and 518 00:26:35,000 --> 00:26:40,480 Speaker 1: Gangster or therapy therapy, Okay, I like that. This year, 519 00:26:41,040 --> 00:26:43,960 Speaker 1: yees yeah, this year Boom Sedie Hendrix, Man buo Let 520 00:26:44,000 --> 00:26:45,080 Speaker 1: cav Let's get