1 00:00:02,880 --> 00:00:05,040 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,360 --> 00:00:19,599 Speaker 1: presents show there it is the first Yep, it's from Garante. 3 00:00:19,760 --> 00:00:22,639 Speaker 1: No one wants to say a word. We'll stop trying stuff. 4 00:00:22,720 --> 00:00:25,120 Speaker 1: I'm just laying back. Well, we all do. It's it's 5 00:00:25,160 --> 00:00:27,040 Speaker 1: like that dance. It's like the high school dance where 6 00:00:27,040 --> 00:00:30,000 Speaker 1: the dance floor is empty, music is playing. No one 7 00:00:30,040 --> 00:00:31,680 Speaker 1: wants to be the first one on the dance always 8 00:00:31,680 --> 00:00:34,040 Speaker 1: the first one on the dance floor and his party starting. Yeah, 9 00:00:34,400 --> 00:00:36,760 Speaker 1: dance floor, of course, that's true. Drinks to get me 10 00:00:36,800 --> 00:00:39,360 Speaker 1: out there. I don't see dancing much when we go 11 00:00:39,400 --> 00:00:42,760 Speaker 1: out though I don't dance. No, he does them, and 12 00:00:42,800 --> 00:00:46,400 Speaker 1: I do the bounce. He bounces, bounce. He sometimes bounces 13 00:00:46,400 --> 00:00:48,560 Speaker 1: his head forward and back a little bit, but that's 14 00:00:48,600 --> 00:00:51,280 Speaker 1: after a few drinks though, you start bouncing on the outside. 15 00:00:51,280 --> 00:00:53,600 Speaker 1: Then he stares his drink and he looks around. Brodie, 16 00:00:53,640 --> 00:00:56,400 Speaker 1: do you dance? Didn't? I look for every excuse not that. 17 00:00:57,160 --> 00:01:01,080 Speaker 1: In fact, at weddings, I actually try and get out 18 00:01:01,120 --> 00:01:03,640 Speaker 1: of the room for the garter throw and I don't. 19 00:01:03,720 --> 00:01:05,760 Speaker 1: Not only do I not dance, but I get out 20 00:01:05,760 --> 00:01:07,319 Speaker 1: of the room. I make it a point to go 21 00:01:07,360 --> 00:01:08,760 Speaker 1: to the bathroom even if I don't have to go, 22 00:01:08,840 --> 00:01:10,200 Speaker 1: but you just don't have to catch it. I p 23 00:01:10,360 --> 00:01:14,880 Speaker 1: invisible p. I'm like, nope, I'm just before they say 24 00:01:14,959 --> 00:01:18,160 Speaker 1: all the single guys come up to the dance, no, 25 00:01:18,520 --> 00:01:19,880 Speaker 1: thank you. I don't want to be a guy that 26 00:01:19,920 --> 00:01:21,759 Speaker 1: catches a gardener and have to put it on whoever 27 00:01:21,760 --> 00:01:23,640 Speaker 1: caught the bouquet. Oh, it's so it's it's such a 28 00:01:23,720 --> 00:01:26,720 Speaker 1: cheesy tradition. It makes me so uncomfortable. I don't like 29 00:01:26,760 --> 00:01:29,360 Speaker 1: it either. But I'll go out there for the bouquet 30 00:01:29,400 --> 00:01:32,240 Speaker 1: toss and I've never ever even raised my arm to 31 00:01:32,280 --> 00:01:33,800 Speaker 1: catch it, and if it comes my way, I'll elbow 32 00:01:33,800 --> 00:01:36,240 Speaker 1: it to someone else. Yeah. I love that. Nope, not 33 00:01:36,240 --> 00:01:39,040 Speaker 1: getting caught with that thing. So yeah, so we all 34 00:01:39,120 --> 00:01:41,039 Speaker 1: so when we play this song here at the opening 35 00:01:41,080 --> 00:01:44,200 Speaker 1: to the podcast, people's eyes darted around and everybody looks, 36 00:01:44,280 --> 00:01:49,120 Speaker 1: who's gonna so yeah? So now now Garrett talk first. 37 00:01:49,160 --> 00:01:51,920 Speaker 1: He said, yeah, don't you introduced? Since you're running the board, 38 00:01:51,920 --> 00:01:53,960 Speaker 1: why don't you introduce the room? Okay, So I'm standing 39 00:01:53,960 --> 00:01:56,480 Speaker 1: in front of Elvis's gold microphone. I'm scary. There's Gandhi 40 00:01:56,520 --> 00:01:59,480 Speaker 1: to my left, followed by David Brody around the table 41 00:01:59,520 --> 00:02:02,320 Speaker 1: City and great teath chair is Garrett, and then web 42 00:02:02,320 --> 00:02:05,720 Speaker 1: girl Kathleen is sitting in Danielle spot, and then Greg 43 00:02:05,760 --> 00:02:08,520 Speaker 1: t is in position he's also in the guest spot. 44 00:02:08,760 --> 00:02:10,680 Speaker 1: Why are you over there and not in your own 45 00:02:10,760 --> 00:02:12,640 Speaker 1: I just wanted a new perspective on the room. I 46 00:02:12,639 --> 00:02:14,400 Speaker 1: wanted to be able to see you guys differently and 47 00:02:14,480 --> 00:02:16,960 Speaker 1: just kind of, like, you know, re channel some new thoughts, 48 00:02:17,040 --> 00:02:20,600 Speaker 1: like yeah, it's all right, it's not bad because if 49 00:02:20,600 --> 00:02:22,320 Speaker 1: you like us, because you don't what you normally say. 50 00:02:22,480 --> 00:02:25,360 Speaker 1: I do like all of you. I do not not 51 00:02:25,520 --> 00:02:27,519 Speaker 1: like you guys. I like all of you guys. Switching 52 00:02:27,560 --> 00:02:30,120 Speaker 1: my positions, you actually get a different perspective on life, 53 00:02:30,320 --> 00:02:32,200 Speaker 1: I think. So, yeah, I could see things a little differently, 54 00:02:32,240 --> 00:02:35,120 Speaker 1: a little clearer. Man. Okay, so sitting over there, do 55 00:02:35,160 --> 00:02:38,200 Speaker 1: you believe people landed on the moon? Okay? This is 56 00:02:38,240 --> 00:02:40,120 Speaker 1: a man that walks to the same door at the 57 00:02:40,160 --> 00:02:42,920 Speaker 1: exact same time every day. So what he's doing right 58 00:02:42,960 --> 00:02:45,640 Speaker 1: now is a big move. This huge You're a creature 59 00:02:45,639 --> 00:02:49,720 Speaker 1: of habit. Yeah, I'm just kind of like black trying 60 00:02:49,760 --> 00:02:53,840 Speaker 1: something new. Sitting over there? Am I still on your list? Yeah? 61 00:02:55,240 --> 00:02:58,440 Speaker 1: About my list? Gone? Do you tell him the other day, 62 00:02:58,919 --> 00:03:01,480 Speaker 1: he gets in here first up at like two in 63 00:03:01,520 --> 00:03:03,200 Speaker 1: the morning. I don't know why, but he gets in 64 00:03:03,240 --> 00:03:05,480 Speaker 1: here first, and then I get in here second at 65 00:03:05,480 --> 00:03:08,360 Speaker 1: about four. I gives you a lot of credit, Like 66 00:03:08,400 --> 00:03:11,519 Speaker 1: you really are consistent when when you get here very early. 67 00:03:11,800 --> 00:03:14,080 Speaker 1: Like that's what I don't think anybody here knows. But 68 00:03:14,160 --> 00:03:17,360 Speaker 1: like Gandie gets here way early before the show even begins, 69 00:03:17,560 --> 00:03:20,400 Speaker 1: gets all of her work done. She's totally prepared. So 70 00:03:20,440 --> 00:03:22,320 Speaker 1: when the show goes off at six, like she is 71 00:03:22,440 --> 00:03:24,400 Speaker 1: on the money, I need to go. Yeah. It was 72 00:03:24,440 --> 00:03:27,200 Speaker 1: also like that which I discovered is our brand new 73 00:03:27,919 --> 00:03:32,600 Speaker 1: edition diamond. She gets, Yeah, she doesn't have to be 74 00:03:32,639 --> 00:03:34,920 Speaker 1: here till like close to six o'clock. She says. She 75 00:03:34,920 --> 00:03:37,200 Speaker 1: gets here at five o'clock in the morning. She runs 76 00:03:37,200 --> 00:03:39,560 Speaker 1: out for coffee, and she says that she takes that 77 00:03:39,600 --> 00:03:42,760 Speaker 1: hour to get to become awake and become more responsive, 78 00:03:43,880 --> 00:03:45,800 Speaker 1: as I think t likes that time to himself to 79 00:03:45,840 --> 00:03:48,800 Speaker 1: just kind of like get your stuff together. She asked 80 00:03:48,840 --> 00:03:49,920 Speaker 1: me what time did I need to be here? I 81 00:03:49,960 --> 00:03:53,320 Speaker 1: said that five forty. She's coming in five. That's that's 82 00:03:53,320 --> 00:03:55,160 Speaker 1: she's making us all. Look, that's because you guys are 83 00:03:55,200 --> 00:03:57,360 Speaker 1: the new people, like, just give it a little bit 84 00:03:57,360 --> 00:04:02,040 Speaker 1: of Kathleen rolls in around a quarter of the seventh 85 00:04:02,760 --> 00:04:09,800 Speaker 1: mening and make up until eight. It gets so crazy. 86 00:04:09,880 --> 00:04:12,880 Speaker 1: You're so loud, and uh, there's always things going on 87 00:04:13,280 --> 00:04:15,800 Speaker 1: that to have like an hour to yourself just to like, 88 00:04:16,040 --> 00:04:18,760 Speaker 1: you know, just going to like zen, it's like kind 89 00:04:18,760 --> 00:04:21,640 Speaker 1: of nice. It is nice. So te rolls in here 90 00:04:21,760 --> 00:04:24,159 Speaker 1: and then I roll in here. And he told me 91 00:04:24,200 --> 00:04:26,120 Speaker 1: one day he can tell who's coming down the hallway 92 00:04:26,160 --> 00:04:28,880 Speaker 1: based on the sound of their ships and the cadence 93 00:04:28,880 --> 00:04:32,599 Speaker 1: of their steps. So I assume he can hear me 94 00:04:32,640 --> 00:04:35,520 Speaker 1: coming every single time. Yesterday I walked in, walked and 95 00:04:35,560 --> 00:04:37,640 Speaker 1: I go, what up Tea? And all I heard was 96 00:04:37,680 --> 00:04:40,920 Speaker 1: a screen, Yes, that one, and then like this little 97 00:04:40,920 --> 00:04:46,839 Speaker 1: sound like running in place? Is that like a seconds? 98 00:04:47,200 --> 00:04:50,320 Speaker 1: I actually moved. Everybody knows if someone's going to kill you, 99 00:04:50,360 --> 00:04:53,960 Speaker 1: they yelled what up tea? Before, but I heard nobody, 100 00:04:54,000 --> 00:04:55,799 Speaker 1: and I was so like, I was, I was really 101 00:04:56,040 --> 00:04:58,159 Speaker 1: piping out my notes and I was I was really 102 00:04:58,160 --> 00:05:03,360 Speaker 1: really into it, sound very hard on the keyboard, and 103 00:05:03,400 --> 00:05:06,200 Speaker 1: he was like, that's it. You're dead on my list, 104 00:05:06,320 --> 00:05:08,480 Speaker 1: You're on my list. I was like, why what did 105 00:05:08,480 --> 00:05:10,359 Speaker 1: I do? She's like, you're scared shit out of me, 106 00:05:10,680 --> 00:05:12,640 Speaker 1: and now you're on my list and I'm coming for you. 107 00:05:12,800 --> 00:05:15,280 Speaker 1: I told him, T I understand the sentiment, but you 108 00:05:15,279 --> 00:05:16,920 Speaker 1: don't want no smoke. You don't want to get into 109 00:05:16,960 --> 00:05:22,040 Speaker 1: this world, you know what. I understand the security and 110 00:05:22,080 --> 00:05:25,080 Speaker 1: recognizing sounds because my husband and I used to sleep 111 00:05:25,120 --> 00:05:27,400 Speaker 1: with a sal machine on and then one day it broke. 112 00:05:27,560 --> 00:05:30,480 Speaker 1: And you know what, I actually sleep much better now 113 00:05:30,480 --> 00:05:33,160 Speaker 1: because I can actually hear what's going on in the apartment. 114 00:05:33,200 --> 00:05:35,479 Speaker 1: So if somebody's going to break in on the other side, 115 00:05:35,640 --> 00:05:37,599 Speaker 1: I can I could hear it now I supposed it before. 116 00:05:37,800 --> 00:05:39,599 Speaker 1: They could do whatever. They can take out everything in 117 00:05:39,600 --> 00:05:42,279 Speaker 1: my apartment. And that damn sound machine may keep me asleep. 118 00:05:43,000 --> 00:05:45,920 Speaker 1: What does the machine do? It's just a very low 119 00:05:46,000 --> 00:05:49,640 Speaker 1: like it's like static. Really, yeah, it's kind of nice. 120 00:05:49,680 --> 00:05:52,040 Speaker 1: Some people, really they have like ringing in their ears 121 00:05:52,080 --> 00:05:53,760 Speaker 1: and they can't sleep if they don't have it on. 122 00:05:54,279 --> 00:05:57,119 Speaker 1: The gentleman that I'm currently dating sleeps with ocean waves 123 00:05:58,760 --> 00:06:01,440 Speaker 1: to the sound of you. Yeah, probably I snore like 124 00:06:01,480 --> 00:06:06,160 Speaker 1: a murderer doesn't break into his house because he won't 125 00:06:06,160 --> 00:06:15,680 Speaker 1: hear it. I have a mental list. Yeah, if you, 126 00:06:16,160 --> 00:06:17,800 Speaker 1: if you, if you do something to me, I have 127 00:06:17,920 --> 00:06:21,279 Speaker 1: you on my list. So Gandhi scared to living crap 128 00:06:21,320 --> 00:06:23,840 Speaker 1: out of me. So I now put Gandhi on my 129 00:06:23,920 --> 00:06:25,640 Speaker 1: list to get her back. And I thought it was 130 00:06:25,680 --> 00:06:28,080 Speaker 1: fun that you did that, Gandhi. So after Great Tea 131 00:06:28,200 --> 00:06:30,359 Speaker 1: called in to talk about this. As he was on 132 00:06:30,400 --> 00:06:33,240 Speaker 1: the air, I hid right behind him and he was 133 00:06:33,360 --> 00:06:35,839 Speaker 1: He didn't see me good four minutes. He put the 134 00:06:35,839 --> 00:06:38,560 Speaker 1: phone down, rubbed his eyes, looked at his computer, started 135 00:06:38,560 --> 00:06:44,200 Speaker 1: typing again. Tad right over him, like this turns around, 136 00:06:44,120 --> 00:06:48,040 Speaker 1: Garrett is on my list. Adhi was also on your 137 00:06:48,080 --> 00:06:50,719 Speaker 1: list for rooting for the Patriots against the Patriots. Well, 138 00:06:50,920 --> 00:06:52,960 Speaker 1: you're on my list. Were rooting for the Patriots? Were 139 00:06:53,000 --> 00:06:55,440 Speaker 1: probably me out, but hear me out. I'm not a 140 00:06:55,480 --> 00:06:59,359 Speaker 1: Patriot fan. I just don't believe that the Rams should 141 00:06:59,440 --> 00:07:01,960 Speaker 1: have any kind of like deservance to be in the 142 00:07:02,000 --> 00:07:05,760 Speaker 1: superservance that's a good word. Don't deserve to win the 143 00:07:05,760 --> 00:07:10,600 Speaker 1: Super Bowl at all, neither the Patriots. Let's go. Let's 144 00:07:10,600 --> 00:07:13,280 Speaker 1: go to the best analysts in the room on this one. Kathleen, Well, 145 00:07:13,440 --> 00:07:15,840 Speaker 1: you guys are all on my list for prioritizing sports 146 00:07:15,840 --> 00:07:21,800 Speaker 1: over awards season. I literally don't know anything about anything. 147 00:07:21,840 --> 00:07:24,400 Speaker 1: I mean, I know people are mad about some game 148 00:07:24,480 --> 00:07:34,080 Speaker 1: that how the awards the host seeing Roma Roma is 149 00:07:34,120 --> 00:07:36,160 Speaker 1: an excellent hold on. I understand that it might be 150 00:07:36,200 --> 00:07:38,120 Speaker 1: an excellent film, But the point of a film, the 151 00:07:38,160 --> 00:07:40,400 Speaker 1: way I was I was raised is to entertain people. 152 00:07:41,160 --> 00:07:43,840 Speaker 1: And if nobody sees it, it's not a great film. 153 00:07:43,880 --> 00:07:46,880 Speaker 1: It's like a tree falling in the forest. So I 154 00:07:46,920 --> 00:07:49,600 Speaker 1: think if the job is to sell tickets and entertain 155 00:07:49,680 --> 00:07:54,040 Speaker 1: people of all ages, and you have to subtitles, right, yes, yeah, 156 00:07:54,920 --> 00:07:58,560 Speaker 1: I don't. I'm not working. I go to the movies 157 00:07:58,600 --> 00:08:01,840 Speaker 1: to relax, not to work. I love subtitles. I love, 158 00:08:02,240 --> 00:08:04,320 Speaker 1: but dropped the pause sometimes to catch up to the 159 00:08:04,320 --> 00:08:08,080 Speaker 1: reading too much. There's too much to read to the movies. 160 00:08:08,160 --> 00:08:10,200 Speaker 1: But he'll watch him home so you can pause and 161 00:08:10,200 --> 00:08:12,360 Speaker 1: read the captions. You know, the best use of subtitles 162 00:08:12,480 --> 00:08:14,600 Speaker 1: is to put on like your favorite old TV show 163 00:08:14,640 --> 00:08:17,800 Speaker 1: from the nineties or something. Put on those subtitles. They 164 00:08:17,800 --> 00:08:19,800 Speaker 1: are saying words that you didn't even know that they 165 00:08:19,800 --> 00:08:24,640 Speaker 1: were saying. Keep in mind, closed captioning is not official script. 166 00:08:24,920 --> 00:08:29,360 Speaker 1: It's somebody's interpretation or the or like voice text, it's 167 00:08:29,360 --> 00:08:31,280 Speaker 1: close enough, but they don't always say those things like 168 00:08:31,280 --> 00:08:34,360 Speaker 1: oh my god, it's not always accurate. Not always. Um. 169 00:08:34,400 --> 00:08:38,560 Speaker 1: I did get screwed by um um subtitles once. My 170 00:08:38,559 --> 00:08:43,439 Speaker 1: My mom was nice hurt the first couple of minutes, 171 00:08:43,440 --> 00:08:46,320 Speaker 1: but of understandable. So my mom was in the hospital 172 00:08:46,640 --> 00:08:48,280 Speaker 1: for a procedure that was gonna be a couple of hours. 173 00:08:48,280 --> 00:08:50,480 Speaker 1: So they're like, oh, you'll be back in like five hours. 174 00:08:50,679 --> 00:08:53,000 Speaker 1: It's like it's on the operaty side in Manhattan. So 175 00:08:53,040 --> 00:08:54,720 Speaker 1: I'm like, oh, I'll walk around find a movie theater. 176 00:08:54,880 --> 00:08:56,640 Speaker 1: I'll go see a movie. And there was a movie 177 00:08:56,679 --> 00:08:59,480 Speaker 1: called Chefs that I wanted to see. It was a comedy. 178 00:08:59,559 --> 00:09:03,080 Speaker 1: Are you with this story right? Right? Chefs? Right? Hilarious? 179 00:09:03,200 --> 00:09:04,800 Speaker 1: So I go to this theater on the Upper East 180 00:09:04,800 --> 00:09:06,280 Speaker 1: Side and they have like a two theater, not a 181 00:09:06,280 --> 00:09:09,160 Speaker 1: big multiplex, just two movies. And Ellen on the billboard 182 00:09:09,200 --> 00:09:11,440 Speaker 1: and said Chefs. So I was like, I'm going this 183 00:09:11,480 --> 00:09:13,280 Speaker 1: is a great timing. I go out by my ticket, 184 00:09:13,440 --> 00:09:15,560 Speaker 1: I got my popcorn, I had brought some lunch at me, 185 00:09:15,640 --> 00:09:17,760 Speaker 1: and I settled in by myself for this movie. And 186 00:09:17,800 --> 00:09:19,719 Speaker 1: the first scene is in a restaurant and it's like 187 00:09:19,760 --> 00:09:22,160 Speaker 1: a French restaurant and speaking French and the subtitles. Then 188 00:09:22,200 --> 00:09:24,200 Speaker 1: the main character walks out of the restaurant. I'm like, oh, 189 00:09:24,280 --> 00:09:26,760 Speaker 1: that'll be there for the French. It didn't end, okay, 190 00:09:27,000 --> 00:09:29,120 Speaker 1: and it didn't end. It didn't end. So I'm looking 191 00:09:29,160 --> 00:09:30,760 Speaker 1: at my phone going this is this is like Seth 192 00:09:30,840 --> 00:09:33,120 Speaker 1: Rogan like whatever. It was like a comedy, no, no, no. 193 00:09:33,400 --> 00:09:36,840 Speaker 1: I walked into a movie called The Chef and I 194 00:09:36,880 --> 00:09:39,800 Speaker 1: wanted to see chefs, so here I was. I wasn't 195 00:09:39,800 --> 00:09:43,199 Speaker 1: expecting subtitles and was forced into it because I paid 196 00:09:43,200 --> 00:09:49,160 Speaker 1: my twelve dollars the movie another movie. The other movie 197 00:09:49,200 --> 00:09:51,800 Speaker 1: was sometimes also it's an Artsie FARTZI Upper east Side movie. 198 00:09:51,840 --> 00:09:54,160 Speaker 1: You know Brody, once he pays for something, if he 199 00:09:54,200 --> 00:09:56,560 Speaker 1: doesn't get the full refund, he's going to try to 200 00:09:56,840 --> 00:10:00,520 Speaker 1: enjoy at the best are by. You're the king of 201 00:10:00,520 --> 00:10:02,480 Speaker 1: getting your money back. Well, what do I say? I 202 00:10:02,559 --> 00:10:04,679 Speaker 1: made the mistake? Though this is my fault. I was 203 00:10:04,679 --> 00:10:08,720 Speaker 1: going to say, this movie have a named similar like 204 00:10:08,760 --> 00:10:12,840 Speaker 1: you do have. Perhaps I was concerned about my mom. 205 00:10:12,920 --> 00:10:15,040 Speaker 1: I was distracted and I let it slide that one time. 206 00:10:15,920 --> 00:10:18,840 Speaker 1: But they owe me this French for it. It was 207 00:10:18,880 --> 00:10:21,080 Speaker 1: like you want to go see Star Wars and you 208 00:10:21,120 --> 00:10:23,479 Speaker 1: walk into Star War and it was a French film. 209 00:10:23,520 --> 00:10:25,480 Speaker 1: That's what happened. Actually, that would be like the greatest 210 00:10:25,520 --> 00:10:28,400 Speaker 1: blessing for me personally. But you know, I wanted to 211 00:10:28,480 --> 00:10:31,240 Speaker 1: usually the girl is in the midst and I walked 212 00:10:31,280 --> 00:10:37,480 Speaker 1: into Mystic Pizza. You still benefited from it. I drove 213 00:10:37,520 --> 00:10:39,720 Speaker 1: to the town in Connecticut because I do love that movie. 214 00:10:39,840 --> 00:10:43,680 Speaker 1: And the pizza at Mystic Pizza is terrible, really terrible. 215 00:10:44,320 --> 00:10:47,400 Speaker 1: Step at New Haven, I said, it's really like have 216 00:10:47,480 --> 00:10:50,440 Speaker 1: you walked out of a movie ever? Oh? Yeah, which ones? Well? 217 00:10:50,679 --> 00:10:53,199 Speaker 1: Gung ho? I don't even know what that is. Oh, 218 00:10:53,280 --> 00:10:57,120 Speaker 1: it was Ron Howard film, Pat Marita film. It was 219 00:10:57,160 --> 00:11:01,560 Speaker 1: with Michael Keaton, who I believe it's an old, old film. 220 00:11:01,600 --> 00:11:06,240 Speaker 1: Then I wasn't in the theater four it was anyway, 221 00:11:06,320 --> 00:11:08,360 Speaker 1: what was the what was the Michael Sarah movie where 222 00:11:08,400 --> 00:11:11,880 Speaker 1: he was in high school and it was about no 223 00:11:12,000 --> 00:11:19,200 Speaker 1: no no teen pregnancy. Oh do you know, ju, here's why, 224 00:11:19,240 --> 00:11:21,800 Speaker 1: here's why I walked out bag listened to the whole 225 00:11:21,840 --> 00:11:24,320 Speaker 1: story and don't judge the book by its cover. So 226 00:11:24,559 --> 00:11:28,080 Speaker 1: I want to go see Juno with friends, teenagers who 227 00:11:28,120 --> 00:11:32,000 Speaker 1: thought Michael Sarah was going to be Michael Sarah from 228 00:11:32,000 --> 00:11:35,280 Speaker 1: from all the comedies like Bad, like super Bad, and 229 00:11:35,520 --> 00:11:40,560 Speaker 1: they started they were like teen pregnancy. I got so 230 00:11:40,640 --> 00:11:42,480 Speaker 1: piste off that I had to sit behind a bunch 231 00:11:42,480 --> 00:11:44,640 Speaker 1: of immature a holes that I go, you know what, 232 00:11:44,760 --> 00:11:47,400 Speaker 1: I'm not paying for this. I walked out and as 233 00:11:47,440 --> 00:11:49,600 Speaker 1: did any other adult that want to go see Juno, 234 00:11:49,880 --> 00:11:51,880 Speaker 1: and I got my money back. I did that once. 235 00:11:52,440 --> 00:11:57,000 Speaker 1: There was a movie called Bad Romance with a terrible film. 236 00:11:57,120 --> 00:11:59,520 Speaker 1: Terrible film. But here's the thing. The movie is a flashback, 237 00:11:59,679 --> 00:12:02,520 Speaker 1: so spoilers, but the three or four characters who are 238 00:12:02,520 --> 00:12:05,040 Speaker 1: telling telling a story about what happened to get them 239 00:12:05,040 --> 00:12:07,240 Speaker 1: to this point, like how they got shot, how they 240 00:12:07,240 --> 00:12:10,400 Speaker 1: get stand. It's a flashback. So these idiots behind us 241 00:12:10,440 --> 00:12:13,360 Speaker 1: the whole movie, they're going, oh, she's gonna Oh she's dead. 242 00:12:13,559 --> 00:12:16,080 Speaker 1: Oh he's not getting out of this, and the whole movie. 243 00:12:16,080 --> 00:12:19,800 Speaker 1: So it's somebody turn. It's a flashback. They're all alive. 244 00:12:21,679 --> 00:12:23,959 Speaker 1: Oh you're all you're talking about? Shut up? Man, Like 245 00:12:24,400 --> 00:12:26,680 Speaker 1: the guy telling the story isn't gonna die in the movie. 246 00:12:26,880 --> 00:12:28,679 Speaker 1: He's telling the story. So we had to go out 247 00:12:28,720 --> 00:12:31,719 Speaker 1: and get our money back. Yeah, don't. People don't die 248 00:12:31,720 --> 00:12:34,720 Speaker 1: when it's a flashback, thank you. You You know, Bad Romance, 249 00:12:34,840 --> 00:12:37,440 Speaker 1: Gung Ho. I don't think I've ever walked out of 250 00:12:37,440 --> 00:12:39,080 Speaker 1: a movie. I think I've just you know, stayed there 251 00:12:39,120 --> 00:12:41,439 Speaker 1: and just watched it even it was bad. Yeah, Kathleen, Yeah, 252 00:12:41,440 --> 00:12:44,080 Speaker 1: I've never walked out. I always want my money's worth. Yeah. 253 00:12:44,640 --> 00:12:51,200 Speaker 1: Knocked Out a Pootie Tang Come Again. Was it a 254 00:12:51,200 --> 00:12:53,600 Speaker 1: fantastic movie. But at the time I didn't really get it. 255 00:12:53,640 --> 00:12:55,320 Speaker 1: I was way too young to even be seeing it. 256 00:12:55,360 --> 00:12:57,520 Speaker 1: So it's just like they're speaking this weird language. It's 257 00:12:57,559 --> 00:12:59,839 Speaker 1: not tell you what. I didn't get it, so I left, 258 00:13:00,000 --> 00:13:01,719 Speaker 1: I got my money back, and then when I saw 259 00:13:01,720 --> 00:13:02,960 Speaker 1: it as an adult, I was like, all right, this 260 00:13:03,040 --> 00:13:05,320 Speaker 1: is hilarious. Did you guys ever go to a movie 261 00:13:05,360 --> 00:13:07,680 Speaker 1: theater and something happened with the with the film and 262 00:13:07,720 --> 00:13:10,360 Speaker 1: it stopped because we had gone as my wife and 263 00:13:10,440 --> 00:13:13,000 Speaker 1: I had went gone to see um one of the 264 00:13:13,080 --> 00:13:15,880 Speaker 1: Nightmare on Elm Street Movies maybe three, and in the 265 00:13:15,880 --> 00:13:20,040 Speaker 1: middle it went from the film rip the last track 266 00:13:20,120 --> 00:13:21,920 Speaker 1: and the power went out or whatever, and there was 267 00:13:21,960 --> 00:13:24,480 Speaker 1: no movie and they turned the lights on. We're sorry, 268 00:13:24,480 --> 00:13:27,240 Speaker 1: technical difficulties. They didn't have a backup screen and a 269 00:13:27,280 --> 00:13:29,520 Speaker 1: backup movie. They didn't have that problem anymore, but back 270 00:13:29,520 --> 00:13:32,760 Speaker 1: in the day the films were on, so we never 271 00:13:32,800 --> 00:13:34,480 Speaker 1: we've never seen the second half of the movie. How 272 00:13:34,520 --> 00:13:36,880 Speaker 1: many million mare in Elm streets have you seen? I 273 00:13:36,920 --> 00:13:39,840 Speaker 1: saw the first two and a half. Yeah, I saw 274 00:13:39,920 --> 00:13:41,760 Speaker 1: maybe like half the first one, and then that was it. 275 00:13:41,880 --> 00:13:45,760 Speaker 1: I'm your girlfriend. Now, were we going to talk about 276 00:13:45,760 --> 00:13:47,640 Speaker 1: something on this podcast that we didn't get to? We were? 277 00:13:47,679 --> 00:13:49,640 Speaker 1: We used to do it tomorrow. Wanted to vote people 278 00:13:49,640 --> 00:13:51,720 Speaker 1: off the island. I wanted to vote people off the island. 279 00:13:51,760 --> 00:13:53,800 Speaker 1: And then I also wanted to know which inanimate object 280 00:13:53,800 --> 00:13:55,640 Speaker 1: you would marry. We can do that Monday because tomorrow 281 00:13:55,679 --> 00:13:57,440 Speaker 1: is no podcast, but we have one minute left on 282 00:13:57,480 --> 00:13:59,439 Speaker 1: this one. Well, you know, want to talk about GANI 283 00:13:59,520 --> 00:14:02,120 Speaker 1: was talking about seeing Putti Tang at a very early age. 284 00:14:02,160 --> 00:14:04,480 Speaker 1: And you posted a tweet or a d M that 285 00:14:04,520 --> 00:14:06,400 Speaker 1: you got like last week because you were talking about 286 00:14:06,559 --> 00:14:10,320 Speaker 1: an ex boyfriend. Yeah, and tell people about Okay, so 287 00:14:10,440 --> 00:14:12,559 Speaker 1: last last week I said that it was a sad 288 00:14:12,640 --> 00:14:14,040 Speaker 1: day when I broke up with my boyfriend because it 289 00:14:14,040 --> 00:14:16,040 Speaker 1: was a day that Biggie Smalls died and everyone started 290 00:14:16,160 --> 00:14:17,480 Speaker 1: doing the math and they were like, what are you 291 00:14:17,559 --> 00:14:20,640 Speaker 1: fifty two? Because I've been living with him and when 292 00:14:20,640 --> 00:14:22,680 Speaker 1: we broke up because I missed a very important word, 293 00:14:22,720 --> 00:14:25,680 Speaker 1: which was we broke up on the anniversary of the 294 00:14:25,760 --> 00:14:29,880 Speaker 1: day Biggie Smallest die right, or the date people thought 295 00:14:29,880 --> 00:14:32,120 Speaker 1: you were eleven years old living with a guy, with 296 00:14:32,160 --> 00:14:34,280 Speaker 1: my boyfriend for like six years. It was like, no, no, 297 00:14:34,400 --> 00:14:36,800 Speaker 1: this was two thousand fifteen. Was one of the mistake 298 00:14:36,800 --> 00:14:39,680 Speaker 1: textures you a mistake, Yes, a mistake I had handserved 299 00:14:39,760 --> 00:14:44,040 Speaker 1: so many. Do you think Tupac is a live yes? Really, yes, 300 00:14:44,280 --> 00:14:47,440 Speaker 1: I don't remember. I think he lives on the moon. 301 00:14:47,480 --> 00:14:59,880 Speaker 1: Remember Inaysia, sell Backwards is put fifteen minute morning show