WEBVTT - Xtras: Dune Prophecy Episode 1

0:00:00.120 --> 0:00:04.400
<v Speaker 1>Warning. Today's episode contains spoilers for the first episode of

0:00:04.559 --> 0:00:09.639
<v Speaker 1>Dune Prophecy on Max and HBO and the Wider Dune Cannon,

0:00:09.840 --> 0:00:10.520
<v Speaker 1>so be warned.

0:00:10.640 --> 0:00:12.400
<v Speaker 2>Wild Cannon guys, Wild Cannon.

0:00:29.200 --> 0:00:32.080
<v Speaker 1>Hello, my name is Jason Concepsiode.

0:00:31.480 --> 0:00:33.559
<v Speaker 2>And I am Mersey Nights of the Benny Jesuit.

0:00:34.200 --> 0:00:36.920
<v Speaker 1>They're not called that yet and welcome back to ext

0:00:36.960 --> 0:00:40.440
<v Speaker 1>revision of the podcast when we Dive dee Vinny your

0:00:40.440 --> 0:00:43.040
<v Speaker 1>favorite shows, movies, comics and pop culture coming from my

0:00:43.200 --> 0:00:46.519
<v Speaker 1>art podcast. We're bringing you three episodes a week every

0:00:46.560 --> 0:00:49.160
<v Speaker 1>Tuesday Thursday, with an extra episode every Wednesday.

0:00:49.600 --> 0:00:52.599
<v Speaker 2>In today's episode, we are joined by super producer and

0:00:52.920 --> 0:00:56.240
<v Speaker 2>dune expert Aboo. How's it going.

0:00:56.480 --> 0:00:57.400
<v Speaker 3>It's going super well.

0:00:57.560 --> 0:00:58.240
<v Speaker 2>I love to hear it.

0:00:58.320 --> 0:01:01.840
<v Speaker 3>I'm your local mentet. If you're our BENI Jess, that's right, and.

0:01:01.920 --> 0:01:07.280
<v Speaker 2>Jason is obviously are chosen one. In the airlock. We

0:01:07.319 --> 0:01:10.120
<v Speaker 2>will be deep diving into that recap of Doom Prophecy

0:01:10.160 --> 0:01:12.760
<v Speaker 2>episode one, and boy does a lot of has stuff happened.

0:01:12.760 --> 0:01:15.480
<v Speaker 2>I'm glad Aboo is here to help us through so much.

0:01:15.560 --> 0:01:18.600
<v Speaker 2>Law the kids love law and HBO delivered with the

0:01:18.720 --> 0:01:22.160
<v Speaker 2>Law in the omnibus Aboo's gonna take us through some

0:01:22.240 --> 0:01:25.160
<v Speaker 2>of the Toms Easter Eggs references that you may have

0:01:25.280 --> 0:01:28.920
<v Speaker 2>missed in this very dense, dense first episode of the

0:01:29.120 --> 0:01:31.040
<v Speaker 2>Dune Prophecy Program.

0:01:31.200 --> 0:01:33.200
<v Speaker 1>In the words of the Great British Breaking Show, it's

0:01:33.280 --> 0:01:36.520
<v Speaker 1>quite stodgy this episode. Let's step out of the air

0:01:36.560 --> 0:01:43.160
<v Speaker 1>lock and talk about it. We open with narration in

0:01:43.240 --> 0:01:46.440
<v Speaker 1>the wake of the human victory over Ai and the

0:01:46.480 --> 0:01:50.200
<v Speaker 1>great but Lerian Jihad, when the humans have overthrown the

0:01:50.200 --> 0:01:50.840
<v Speaker 1>Thinking Machine.

0:01:50.880 --> 0:01:53.000
<v Speaker 2>Pretty crazy to see that according.

0:01:52.520 --> 0:01:56.200
<v Speaker 1>To legend or history. Why don't we have any history?

0:01:56.400 --> 0:01:59.040
<v Speaker 1>Nobody wrote anything down. We're not here anyway. According to

0:01:59.080 --> 0:02:02.560
<v Speaker 1>the propaganda that it exists, it was in a tradese

0:02:03.040 --> 0:02:07.480
<v Speaker 1>who led human forces to victory in this wonderful grand

0:02:07.600 --> 0:02:12.520
<v Speaker 1>victory over the Thinking Machines Akaai. The Harconans, who we

0:02:12.639 --> 0:02:15.359
<v Speaker 1>have to admit are kind of scumbags and a lot

0:02:15.400 --> 0:02:18.400
<v Speaker 1>of the stories that we know from the Dune universe,

0:02:18.880 --> 0:02:23.600
<v Speaker 1>were somehow branded as cowards for their behavior during this

0:02:23.720 --> 0:02:28.840
<v Speaker 1>war and were exiled to a planet that sucks. Valia

0:02:29.000 --> 0:02:32.880
<v Speaker 1>harconin one of these spends these years in the wake

0:02:33.120 --> 0:02:37.400
<v Speaker 1>of the war helping to build an organization of women

0:02:37.919 --> 0:02:42.560
<v Speaker 1>who task themselves with guiding political events in the galaxy.

0:02:43.000 --> 0:02:47.080
<v Speaker 1>They are trained as soothsayers. Basically, they're human light detectors,

0:02:47.720 --> 0:02:50.840
<v Speaker 1>and through a marketing campaign, which we do not see,

0:02:51.400 --> 0:02:52.800
<v Speaker 1>get themselves assigned.

0:02:53.040 --> 0:02:54.760
<v Speaker 2>Let's see the marketing campaign, guy, we.

0:02:55.080 --> 0:02:57.840
<v Speaker 1>Need to see the marketing campaign of their early benage,

0:02:57.840 --> 0:03:00.600
<v Speaker 1>of their years of like, you got it. Have one

0:03:00.639 --> 0:03:04.360
<v Speaker 1>of these soothsayers. Wow, I just got a soothsayer, and

0:03:04.440 --> 0:03:05.359
<v Speaker 1>I know the truth you.

0:03:05.360 --> 0:03:07.520
<v Speaker 2>Need in your house.

0:03:07.760 --> 0:03:08.560
<v Speaker 1>Yeah, no one.

0:03:08.440 --> 0:03:11.440
<v Speaker 2>Will ever trick you again. That will be a cool

0:03:11.480 --> 0:03:14.239
<v Speaker 2>woman wearing a spooky uniform, and she will tell if

0:03:14.280 --> 0:03:15.560
<v Speaker 2>everybody is telling them, we.

0:03:15.560 --> 0:03:19.480
<v Speaker 1>Need that marketing cafe. Anyway. By the time that our

0:03:19.520 --> 0:03:24.040
<v Speaker 1>story commences, these women are already being placed with various

0:03:24.480 --> 0:03:28.840
<v Speaker 1>important houses throughout the galaxy. The word lands rat is

0:03:28.880 --> 0:03:31.600
<v Speaker 1>not used, but I think we can assume that this

0:03:31.720 --> 0:03:36.320
<v Speaker 1>collection of great houses probably exists. Yes, Mother Riquella is

0:03:36.400 --> 0:03:41.160
<v Speaker 1>the first mother superior of this organization, and it is

0:03:41.320 --> 0:03:45.280
<v Speaker 1>her mission. She creates the mission of this group to

0:03:45.480 --> 0:03:50.480
<v Speaker 1>curate the genetics of the various royal houses so that

0:03:50.560 --> 0:03:55.120
<v Speaker 1>they can put in force a kind of eugenics program.

0:03:55.200 --> 0:03:57.640
<v Speaker 2>Yeah, Messiah, eugenics program to.

0:03:57.720 --> 0:04:03.920
<v Speaker 1>Create future royal who are in obviously influential and powerful positions,

0:04:03.960 --> 0:04:09.920
<v Speaker 1>but are also pliable in some way I guess, genetically suggestible,

0:04:10.600 --> 0:04:13.480
<v Speaker 1>so that the Sisters can wield influence. Do I have

0:04:13.520 --> 0:04:14.640
<v Speaker 1>it write aboo so far?

0:04:15.040 --> 0:04:17.680
<v Speaker 3>Yeah, that's a pretty good summary of it. I think

0:04:17.680 --> 0:04:20.880
<v Speaker 3>the show itself really glosses over and rushes past a

0:04:20.880 --> 0:04:23.720
<v Speaker 3>lot of this Mother Raquella stuff because this is from

0:04:23.800 --> 0:04:26.039
<v Speaker 3>the book from Sisterhod of Dune, written by Brian Herbert

0:04:26.120 --> 0:04:29.480
<v Speaker 3>Kevin J. Anderson. And the important point that the show

0:04:29.520 --> 0:04:32.359
<v Speaker 3>doesn't hit on is that Mother Raquella is so important

0:04:32.440 --> 0:04:36.039
<v Speaker 3>and her legacy overshadows the Sisterhood so much because she

0:04:36.160 --> 0:04:40.240
<v Speaker 3>is the first ever Reverend Mother, as in, she has

0:04:40.360 --> 0:04:43.640
<v Speaker 3>taken Spice, just like Jessica does in the movie right,

0:04:43.839 --> 0:04:47.480
<v Speaker 3>and she has survived that ordeal, the Spice agony quote unquote,

0:04:47.880 --> 0:04:50.240
<v Speaker 3>and has come out the other side with abilities, with

0:04:50.279 --> 0:04:53.560
<v Speaker 3>access to her other memories, with all of those Reverend

0:04:53.640 --> 0:04:56.520
<v Speaker 3>mother abilities that we know, and she's the first to

0:04:56.520 --> 0:04:59.880
<v Speaker 3>ever achieve it. I the show never mentions that I wouldn't.

0:04:59.480 --> 0:05:01.599
<v Speaker 2>Like to spend it an hour with her an opening

0:05:01.640 --> 0:05:04.760
<v Speaker 2>episode about her and yeah and her journey.

0:05:04.440 --> 0:05:08.159
<v Speaker 1>So Abu does she not have. So she has genetic

0:05:08.279 --> 0:05:12.039
<v Speaker 1>memories from that extend beyond her own memories, but they're

0:05:12.080 --> 0:05:14.800
<v Speaker 1>probably not that extensive because this hasn't been going on

0:05:14.839 --> 0:05:15.400
<v Speaker 1>that long.

0:05:15.360 --> 0:05:18.279
<v Speaker 3>Right, that's correct? Yeah, I mean she presumably has genetic

0:05:18.320 --> 0:05:21.240
<v Speaker 3>memories down her female line, like every Reverend mother who

0:05:21.279 --> 0:05:22.880
<v Speaker 3>has gone through the agony.

0:05:22.640 --> 0:05:25.560
<v Speaker 1>Right, but not the collected memories.

0:05:25.320 --> 0:05:28.320
<v Speaker 3>Not the collective Benny jesret right, So that is like

0:05:28.400 --> 0:05:31.560
<v Speaker 3>Rickella is the start of that. She initiates that program

0:05:31.640 --> 0:05:34.760
<v Speaker 3>and spends most of the book. The show doesn't address

0:05:34.800 --> 0:05:37.440
<v Speaker 3>this at all and just assumes we're past it, but

0:05:37.520 --> 0:05:39.520
<v Speaker 3>spends most of the book trying to figure out how

0:05:39.520 --> 0:05:42.279
<v Speaker 3>the fuck do I make more Reverend Mothers because everyone

0:05:42.279 --> 0:05:44.080
<v Speaker 3>I keep giving spice to keeps dying.

0:05:44.160 --> 0:05:45.600
<v Speaker 1>Got to drink ato spice, right.

0:05:45.560 --> 0:05:47.640
<v Speaker 3>And they keep dying. So they're trying to figure out

0:05:47.640 --> 0:05:50.440
<v Speaker 3>the right formula and dosage. And I see, by the

0:05:50.480 --> 0:05:53.720
<v Speaker 3>time we get to where this show picks up, Valia

0:05:53.800 --> 0:05:56.720
<v Speaker 3>herself has been only the second to ever survive it.

0:05:57.000 --> 0:05:59.680
<v Speaker 2>I think, Oh, and we haven't learned that yet. That

0:05:59.760 --> 0:06:00.760
<v Speaker 2>might be a flashback.

0:06:00.839 --> 0:06:01.800
<v Speaker 3>That might be a flashback.

0:06:01.920 --> 0:06:05.720
<v Speaker 1>So Mother Raquella as she is dying calls for Valia,

0:06:05.760 --> 0:06:09.480
<v Speaker 1>who appears to be her favorite of the sisters.

0:06:09.160 --> 0:06:10.200
<v Speaker 2>Over her own door.

0:06:10.400 --> 0:06:15.039
<v Speaker 1>That's right, yes, tough, look the sister. Valia shares Mother

0:06:15.160 --> 0:06:20.960
<v Speaker 1>Superior's dedication to this genetic project. Raquella tells Valia that

0:06:21.160 --> 0:06:25.280
<v Speaker 1>tyran erfl It's coming end quote, and then she has

0:06:25.360 --> 0:06:28.520
<v Speaker 1>these various dying visions of like a huge sandworm swallowing

0:06:28.560 --> 0:06:32.320
<v Speaker 1>the city and glowing eyes in space that speak in

0:06:32.360 --> 0:06:37.760
<v Speaker 1>a kind of garbled language. She comes back to reality

0:06:38.000 --> 0:06:41.240
<v Speaker 1>and grips Valia's hand and asks her to grow the

0:06:41.279 --> 0:06:45.120
<v Speaker 1>sister its power and to protect it as it goes forward.

0:06:45.760 --> 0:06:49.760
<v Speaker 1>Apparently tyran erfl is some kind of prophecy of holy judgment,

0:06:50.520 --> 0:06:54.240
<v Speaker 1>a reckoning, and a tyrant who will rule the galaxy.

0:06:54.480 --> 0:06:56.719
<v Speaker 2>Can I just interject him? Because I think this is

0:06:56.720 --> 0:06:59.880
<v Speaker 2>one of the funniest things about making a show like this. Personally,

0:06:59.880 --> 0:07:01.479
<v Speaker 2>I liked this episode a lot, and I felt like

0:07:01.520 --> 0:07:04.520
<v Speaker 2>they do hold up the suspense, mostly due to density

0:07:04.560 --> 0:07:07.800
<v Speaker 2>and confusion. But I do think it's really funny that

0:07:07.880 --> 0:07:10.840
<v Speaker 2>they basically just tell you, like Pola Tredees is the

0:07:10.880 --> 0:07:13.960
<v Speaker 2>bad thing that's coming, so early on in the show.

0:07:14.000 --> 0:07:16.200
<v Speaker 2>It's like, we know where Dune is going, and if

0:07:16.240 --> 0:07:18.800
<v Speaker 2>you've read the books, you know, so basically we're just

0:07:18.880 --> 0:07:21.760
<v Speaker 2>going to be having the dramatic irony of watching them

0:07:21.880 --> 0:07:24.760
<v Speaker 2>create their own downfall, which I think is like an

0:07:24.760 --> 0:07:27.000
<v Speaker 2>interesting thing to lay out so early on.

0:07:27.320 --> 0:07:30.119
<v Speaker 1>I agree with you, and I will say that part

0:07:30.120 --> 0:07:32.360
<v Speaker 1>of my I think that there's a good show that

0:07:32.400 --> 0:07:34.640
<v Speaker 1>will emerge here, and I think this first episode is

0:07:34.640 --> 0:07:36.679
<v Speaker 1>a bit of a mess, but I did really enjoy

0:07:36.920 --> 0:07:37.520
<v Speaker 1>the vibes.

0:07:37.680 --> 0:07:39.040
<v Speaker 2>It's a good vibe show, and I think the.

0:07:39.080 --> 0:07:42.160
<v Speaker 1>Vibes will grow. That said, I think there's a lot

0:07:42.200 --> 0:07:45.640
<v Speaker 1>of suspense building by like dropping these little clues and

0:07:45.680 --> 0:07:47.360
<v Speaker 1>it's like, oh, you can find out why this is

0:07:47.560 --> 0:07:50.360
<v Speaker 1>such a big deal. Yeah, And I think that is,

0:07:50.600 --> 0:07:54.239
<v Speaker 1>in my opinion, a mistake. I think they should have said,

0:07:54.640 --> 0:07:58.960
<v Speaker 1>here's what the big thing they're worried about is, so

0:07:59.040 --> 0:08:01.080
<v Speaker 1>you can share in that. Because there's a there's so

0:08:01.320 --> 0:08:04.280
<v Speaker 1>much download that you're like, does that matter? Does that matter?

0:08:04.320 --> 0:08:06.640
<v Speaker 1>What is that? There is a lot of vagary ching

0:08:06.680 --> 0:08:09.040
<v Speaker 1>around to try and understand what's important, what's not, what

0:08:09.080 --> 0:08:10.960
<v Speaker 1>are they freaking out about? And I think they needed

0:08:11.000 --> 0:08:13.760
<v Speaker 1>to set that stage early. And then there's also the

0:08:13.800 --> 0:08:16.400
<v Speaker 1>other thing of ladies. It's gonna be ten thousand years

0:08:16.400 --> 0:08:18.640
<v Speaker 1>from now. Don't don't worry about it, stress that far,

0:08:19.720 --> 0:08:23.520
<v Speaker 1>you know what I mean, Like, let's trump the break somebody.

0:08:23.040 --> 0:08:25.920
<v Speaker 2>Else in your order. She is gonna just take it

0:08:26.000 --> 0:08:28.680
<v Speaker 2>upon ourself to do it anyway, So don't worry about it.

0:08:28.680 --> 0:08:29.800
<v Speaker 3>Can you wait until tomorrow?

0:08:30.000 --> 0:08:30.520
<v Speaker 1>Probably?

0:08:30.920 --> 0:08:31.120
<v Speaker 2>Yeah?

0:08:31.320 --> 0:08:31.800
<v Speaker 1>Probably?

0:08:31.880 --> 0:08:32.080
<v Speaker 3>Yeah.

0:08:33.520 --> 0:08:35.800
<v Speaker 2>I do think that's gonna be the most interesting thing

0:08:35.920 --> 0:08:38.320
<v Speaker 2>is like how can they hook us into this world

0:08:38.320 --> 0:08:41.360
<v Speaker 2>when we already know where we're going, And that's the

0:08:41.400 --> 0:08:44.160
<v Speaker 2>cust of all prequels. I do think that the visual

0:08:44.200 --> 0:08:46.560
<v Speaker 2>world building and as you put it, Jason, the vibes,

0:08:46.640 --> 0:08:49.679
<v Speaker 2>which I think we are into a vibe show, and

0:08:49.760 --> 0:08:52.000
<v Speaker 2>that side of it really did suck me in, like

0:08:52.040 --> 0:08:54.040
<v Speaker 2>I want to spend time in this world, which I

0:08:54.080 --> 0:08:55.280
<v Speaker 2>think is really important.

0:08:55.280 --> 0:08:58.199
<v Speaker 1>It's a lot like foundation where yes, just looking at

0:08:58.240 --> 0:09:00.560
<v Speaker 1>it great, I can just continue need to look at

0:09:00.600 --> 0:09:02.760
<v Speaker 1>it because I want to continue to just even beyond

0:09:02.800 --> 0:09:04.480
<v Speaker 1>the storytelling, like the visuals.

0:09:04.200 --> 0:09:06.080
<v Speaker 2>Or another immense law show.

0:09:06.280 --> 0:09:11.040
<v Speaker 1>Yes. Valia orders a small group of sister collaborators to

0:09:11.160 --> 0:09:15.760
<v Speaker 1>begin a plot to raise an empress who will rule

0:09:15.920 --> 0:09:21.760
<v Speaker 1>over the imperium. Apparently Sister Dorotea is on the outside

0:09:21.760 --> 0:09:23.800
<v Speaker 1>of this plan. She's going to be a problem because

0:09:23.800 --> 0:09:26.320
<v Speaker 1>she disagrees with a lot of stuff, including the genetic project.

0:09:26.400 --> 0:09:28.600
<v Speaker 2>She's like, we're meant to be just humble witches, guys,

0:09:28.880 --> 0:09:31.920
<v Speaker 2>we're not supposed to be becoming eugenesis doctors.

0:09:32.160 --> 0:09:34.520
<v Speaker 1>She probably has why did you join this group? Then?

0:09:34.720 --> 0:09:37.400
<v Speaker 1>Like this is kind of what the group project is Dorotea.

0:09:37.559 --> 0:09:39.640
<v Speaker 2>I think her mom is Riquela. I don't know if

0:09:39.640 --> 0:09:40.720
<v Speaker 2>she had a law of choice.

0:09:40.760 --> 0:09:43.200
<v Speaker 1>Yes, So there's a lot of clues and hanging mysteries

0:09:43.240 --> 0:09:46.160
<v Speaker 1>regarding her as well. At the funeral for Mother Raquela,

0:09:46.600 --> 0:09:49.840
<v Speaker 1>Dorotea and her acolytes make it clear that hey, mother

0:09:49.920 --> 0:09:53.240
<v Speaker 1>Superior's dying wishes, we're not down. We don't like that,

0:09:53.360 --> 0:09:55.679
<v Speaker 1>We're not going to do it. Conflict clearly shaping up.

0:09:56.240 --> 0:10:01.080
<v Speaker 1>Valia finds now Mother Dorotea, so she did she drink

0:10:01.120 --> 0:10:04.400
<v Speaker 1>the spice or no, she just took the mantle on,

0:10:04.520 --> 0:10:07.040
<v Speaker 1>but she hasn't done any of the stuff.

0:10:06.679 --> 0:10:09.959
<v Speaker 2>Correct, which shows like her disrespect for the version of

0:10:10.000 --> 0:10:12.720
<v Speaker 2>the sisterhood that was before. Now she's like, I'll just

0:10:12.760 --> 0:10:14.840
<v Speaker 2>take it on, yeah and do something different.

0:10:14.920 --> 0:10:17.640
<v Speaker 3>Yeah, And again there's potential for more flashback that flashes

0:10:17.679 --> 0:10:20.240
<v Speaker 3>this out. But Dorotea is also the other Volley and

0:10:20.280 --> 0:10:23.160
<v Speaker 3>Dorotea are the two next sisters to do the stuff

0:10:23.280 --> 0:10:26.080
<v Speaker 3>and become the next reverend mothers in the books. In

0:10:26.120 --> 0:10:27.960
<v Speaker 3>the books, and then there's a power struggle. There's a

0:10:27.960 --> 0:10:30.839
<v Speaker 3>schism in the sisterhood and it's Dorotaea vers Valia.

0:10:31.040 --> 0:10:34.240
<v Speaker 2>Interesting again, skimm Dova in the last ten minutes of

0:10:34.280 --> 0:10:34.920
<v Speaker 2>this episode.

0:10:35.080 --> 0:10:39.240
<v Speaker 1>Yeah, so Dorotea is like, we should just be, in

0:10:39.440 --> 0:10:42.440
<v Speaker 1>Rosie's words, humble witches who guide the imperium. We don't

0:10:42.440 --> 0:10:46.319
<v Speaker 1>want to like ruling it from the shadows. That's overstepping.

0:10:47.040 --> 0:10:51.959
<v Speaker 1>And so in service of my vision for this organization,

0:10:52.080 --> 0:10:54.240
<v Speaker 1>I'm going to go into the genetic archive and I'm

0:10:54.240 --> 0:10:57.440
<v Speaker 1>going to destroy it. And Valia is like, no, you're not.

0:10:57.640 --> 0:10:59.439
<v Speaker 1>She used stops her from doing it.

0:10:59.520 --> 0:11:03.839
<v Speaker 2>She's like, I don't know that.

0:11:03.960 --> 0:11:06.240
<v Speaker 3>I'm not gonna get her that something she invented.

0:11:06.679 --> 0:11:09.920
<v Speaker 1>Yeah, she invented the voice. She's the first person to

0:11:09.960 --> 0:11:10.959
<v Speaker 1>ever use it live.

0:11:11.160 --> 0:11:12.680
<v Speaker 2>Is that true to the Bookaboo?

0:11:12.880 --> 0:11:13.720
<v Speaker 3>That is true to the book.

0:11:13.800 --> 0:11:17.440
<v Speaker 1>Yes, Okay, so she's been developing the voice apparently, like

0:11:17.520 --> 0:11:21.360
<v Speaker 1>doing R and D in secret she's so, this is

0:11:21.360 --> 0:11:23.920
<v Speaker 1>the first live test of the voice and it's successful.

0:11:24.040 --> 0:11:26.480
<v Speaker 2>I want to know how have she been practicing it?

0:11:26.559 --> 0:11:29.240
<v Speaker 2>Because if she they get those prisoners from the imperium. Oh,

0:11:29.280 --> 0:11:32.040
<v Speaker 2>that's true, she's just been making them do horrible stuff. Yah,

0:11:32.080 --> 0:11:34.720
<v Speaker 2>she's a villain. They they if you felt like the

0:11:34.760 --> 0:11:37.720
<v Speaker 2>Penguin on HBO Max, that was real villain centric show.

0:11:37.800 --> 0:11:40.200
<v Speaker 2>I feel like this is following on in that in

0:11:40.320 --> 0:11:41.160
<v Speaker 2>great terms.

0:11:41.679 --> 0:11:45.160
<v Speaker 1>So Valia's like, well, listen, the voice pretty cool? Right,

0:11:45.240 --> 0:11:46.960
<v Speaker 1>you were like this is pretty sick.

0:11:47.040 --> 0:11:48.400
<v Speaker 3>Wouldn't you want to do this?

0:11:48.760 --> 0:11:50.520
<v Speaker 1>Don't you want to learn how to do this? Right?

0:11:50.720 --> 0:11:52.480
<v Speaker 1>I will teach you how to do it? If you

0:11:52.840 --> 0:11:54.720
<v Speaker 1>just let us do the gen nick thing, can we

0:11:54.760 --> 0:11:57.480
<v Speaker 1>do it? Dorte is like no, I will never agree

0:11:57.520 --> 0:12:02.040
<v Speaker 1>to that. So Valias like ten stands us up of

0:12:02.080 --> 0:12:04.400
<v Speaker 1>the neck and she's dead, and she does go on

0:12:04.520 --> 0:12:08.800
<v Speaker 1>and the other sisters come running, not knowing Maybee the

0:12:08.880 --> 0:12:11.000
<v Speaker 1>voice has been used. They don't even know about the voice,

0:12:11.200 --> 0:12:13.120
<v Speaker 1>and they're just like, oh my god, dort kill herself.

0:12:13.200 --> 0:12:13.760
<v Speaker 1>This is crazy.

0:12:13.880 --> 0:12:16.240
<v Speaker 2>Guess we can just do our plan now. This is convenient.

0:12:16.320 --> 0:12:18.000
<v Speaker 1>Yeah, I'm fast forward thirty years.

0:12:18.080 --> 0:12:20.400
<v Speaker 2>Yeah, my read of it is those three women that

0:12:20.640 --> 0:12:24.000
<v Speaker 2>run along. I think they at least heard the voice,

0:12:24.080 --> 0:12:26.640
<v Speaker 2>or they have some suspicion that Valuo was involved. But

0:12:26.679 --> 0:12:30.400
<v Speaker 2>that plan is essentially like getting an empress to be

0:12:30.480 --> 0:12:32.760
<v Speaker 2>in charge of the imperium is the most important thing.

0:12:32.800 --> 0:12:35.760
<v Speaker 2>So we'll keep this between us, and like people in

0:12:35.800 --> 0:12:38.800
<v Speaker 2>a slasher movie, in thirty years, someone's gonna come up

0:12:38.800 --> 0:12:40.600
<v Speaker 2>and be like, bro, did you kill someone? And it's

0:12:40.600 --> 0:12:42.800
<v Speaker 2>going to be a problem. And now it's that years later.

0:12:43.040 --> 0:12:44.440
<v Speaker 2>That's a crazy time jump.

0:12:44.760 --> 0:12:47.080
<v Speaker 1>So now it is thirty years later, one hundred and

0:12:47.120 --> 0:12:51.000
<v Speaker 1>sixteen years after the end of the Butlery and Gie

0:12:51.040 --> 0:12:56.040
<v Speaker 1>hot aka Machine War, and it's like ten thousand plus

0:12:56.200 --> 0:12:59.319
<v Speaker 1>years before Paul and Tree's again, not that big of

0:12:59.360 --> 0:13:01.960
<v Speaker 1>an emergency. Obviously, we don't want it to happen, but guys,

0:13:01.960 --> 0:13:03.400
<v Speaker 1>we had ten grand And also.

0:13:03.200 --> 0:13:06.240
<v Speaker 2>Guys, he was born early anyway, so it was supposed

0:13:06.240 --> 0:13:08.400
<v Speaker 2>to be that next generation. So he's like even then,

0:13:08.840 --> 0:13:11.000
<v Speaker 2>it's still a long time, guys, even though he came ali.

0:13:11.280 --> 0:13:13.920
<v Speaker 1>So in the intervening years, Valya has taught the sisters

0:13:13.960 --> 0:13:16.200
<v Speaker 1>how to use the voice, and the Order has only

0:13:16.240 --> 0:13:19.239
<v Speaker 1>grown in power and influence. We now have sister soothsayers

0:13:20.240 --> 0:13:22.480
<v Speaker 1>very much in demand across the galaxy.

0:13:22.480 --> 0:13:23.520
<v Speaker 2>Everyone has on it.

0:13:24.080 --> 0:13:25.920
<v Speaker 1>Everyone has one. You gotta get.

0:13:25.920 --> 0:13:28.720
<v Speaker 2>It's like a tamagotchi. Everyone wants on you.

0:13:29.160 --> 0:13:33.280
<v Speaker 1>Well, the Harkonans have not got one, and you think

0:13:33.679 --> 0:13:36.199
<v Speaker 1>they're probably thinking, well, hold on, Valia, you're one of us.

0:13:36.240 --> 0:13:38.960
<v Speaker 1>What the fuck can we get a soothsayer? And they've

0:13:39.000 --> 0:13:42.520
<v Speaker 1>asked numerous times and Valua is like, for the fourth time, no, no,

0:13:42.559 --> 0:13:48.240
<v Speaker 1>fuck yourself. Interesting interesting development. Yes, Imperial guards arrive, including

0:13:48.760 --> 0:13:52.280
<v Speaker 1>the prince Lord Constantine, who is he's hung the half

0:13:52.360 --> 0:13:55.000
<v Speaker 1>brother of the Princess Ynez who will soon be a

0:13:55.040 --> 0:13:58.640
<v Speaker 1>student here at the not yet ben a Jesuit order,

0:13:59.160 --> 0:14:01.800
<v Speaker 1>and he's here to just inspect the facilities and make

0:14:01.840 --> 0:14:05.360
<v Speaker 1>sure everything's fine for the arrival of his sister. Lord

0:14:05.440 --> 0:14:08.720
<v Speaker 1>Constantine is like, my sister's got to have her own quarters,

0:14:08.760 --> 0:14:10.760
<v Speaker 1>she's got to have her own cell phone, she's got

0:14:10.760 --> 0:14:13.080
<v Speaker 1>to have a prince, she's got to have.

0:14:13.000 --> 0:14:15.400
<v Speaker 2>A she needs a special seat that's riped off so

0:14:15.440 --> 0:14:16.840
<v Speaker 2>no one else can sit in all.

0:14:16.760 --> 0:14:20.440
<v Speaker 1>Of that stuff. She needs a toilet seat that warms

0:14:20.520 --> 0:14:23.560
<v Speaker 1>up and all that stuff. And Valuys like spa days

0:14:23.560 --> 0:14:25.520
<v Speaker 1>and Volley's like, absolutely not. She's just gonna be a

0:14:25.520 --> 0:14:29.000
<v Speaker 1>normal sister like everybody else. And Lord Constant's like, okay,

0:14:29.040 --> 0:14:29.520
<v Speaker 1>well I tried.

0:14:29.600 --> 0:14:30.760
<v Speaker 2>Yeah, He's like I had to try it.

0:14:30.800 --> 0:14:31.240
<v Speaker 3>He wasn't that.

0:14:31.320 --> 0:14:33.520
<v Speaker 1>He's very chill guy. He tried, and he's like, yeah,

0:14:33.520 --> 0:14:38.600
<v Speaker 1>I tried. Later to lahar Conen, Valia's sister is teaching

0:14:39.160 --> 0:14:43.200
<v Speaker 1>the students how to strategically guide events in the Councils

0:14:43.200 --> 0:14:48.160
<v Speaker 1>of the Powerful by lying and understanding the difference between

0:14:48.200 --> 0:14:51.360
<v Speaker 1>lies and the truth, and understanding when to use each

0:14:51.440 --> 0:14:53.600
<v Speaker 1>and how to shade truth with lies and how to

0:14:53.640 --> 0:14:57.720
<v Speaker 1>shade lies with truth, et cetera. Her sister Valia comes

0:14:57.720 --> 0:15:01.400
<v Speaker 1>down and says, hey, the Emperor deal, we got it sealed.

0:15:02.000 --> 0:15:04.840
<v Speaker 1>Princesses common She's gonna be living here. It's gonna be great.

0:15:04.880 --> 0:15:06.720
<v Speaker 2>Okay, bo, can I ask you a quick question. Ye

0:15:07.040 --> 0:15:11.360
<v Speaker 2>are the women that we see in that sequence? Are

0:15:11.440 --> 0:15:14.560
<v Speaker 2>all of those women actual characters from the books?

0:15:14.840 --> 0:15:16.960
<v Speaker 3>No, there's a lot of original characters.

0:15:16.960 --> 0:15:17.240
<v Speaker 1>Okay.

0:15:17.840 --> 0:15:20.320
<v Speaker 2>It felt to me like this was kind of a

0:15:20.320 --> 0:15:23.680
<v Speaker 2>adding kids to the Magic School section. It didn't necessarily

0:15:23.680 --> 0:15:25.960
<v Speaker 2>feel like they were coming directly from the book, So

0:15:26.000 --> 0:15:26.520
<v Speaker 2>thank you for that.

0:15:27.120 --> 0:15:31.240
<v Speaker 1>We go to Seleusis Secundas, which apparently is the Emperor's

0:15:31.640 --> 0:15:34.960
<v Speaker 1>throne world and will in the future, I believe, be

0:15:35.080 --> 0:15:37.480
<v Speaker 1>the place where they make his imperial guards. Is that correct?

0:15:37.640 --> 0:15:41.200
<v Speaker 3>That's correct. The planet mysteriously gets nuked to oblivion and

0:15:41.240 --> 0:15:43.400
<v Speaker 3>becomes like the Healthscape prison planet.

0:15:43.600 --> 0:15:43.840
<v Speaker 2>Fun.

0:15:44.040 --> 0:15:48.680
<v Speaker 1>Okay, Swordmaster here into Tradees is sparring with Princess Ynez

0:15:48.680 --> 0:15:51.120
<v Speaker 1>and let me tell you, Oh they're sparring. He's using

0:15:51.160 --> 0:15:52.640
<v Speaker 1>more than just the sword.

0:15:52.880 --> 0:15:56.320
<v Speaker 2>Is dead Pool Wolverine levels of we're having a fight,

0:15:56.440 --> 0:15:57.840
<v Speaker 2>but really we're having sex.

0:15:59.200 --> 0:16:01.880
<v Speaker 3>Focus on my body, he says, yeah.

0:16:01.800 --> 0:16:02.480
<v Speaker 1>Focus on.

0:16:05.600 --> 0:16:08.600
<v Speaker 2>The chemistry. Is that this is seems like she's having

0:16:08.600 --> 0:16:09.080
<v Speaker 2>a good time.

0:16:09.440 --> 0:16:12.760
<v Speaker 1>Constantine comes back and he's like, just came back from

0:16:12.760 --> 0:16:17.240
<v Speaker 1>the school. Were elsewhere. The Emperor is having a meeting

0:16:17.400 --> 0:16:19.480
<v Speaker 1>with the Duke of Riches.

0:16:21.280 --> 0:16:22.360
<v Speaker 2>A space venus.

0:16:22.840 --> 0:16:32.800
<v Speaker 1>Hey, yah, you're gonna love the matter. You're gonna love him.

0:16:32.800 --> 0:16:36.280
<v Speaker 1>And if you are marrying princess to my charm, beautiful,

0:16:36.600 --> 0:16:38.080
<v Speaker 1>I give you the ships.

0:16:38.360 --> 0:16:40.760
<v Speaker 2>You need the sheep negotiation.

0:16:40.160 --> 0:16:42.480
<v Speaker 1>You need my ballist, the ships and knows that the

0:16:42.600 --> 0:16:45.120
<v Speaker 1>Cussi fall the iracas and you get the spies and

0:16:45.160 --> 0:16:48.760
<v Speaker 1>the spies are gonna flow, So apparently the emperor is

0:16:48.880 --> 0:16:53.160
<v Speaker 1>hard up for warships the emperor. So this is a

0:16:53.160 --> 0:16:55.080
<v Speaker 1>good point where we can ask a question. I think

0:16:55.360 --> 0:16:59.800
<v Speaker 1>because I think you hear emperor and you think unchecked power.

0:17:00.400 --> 0:17:04.680
<v Speaker 1>But the emperor in the world of Dune is hamstrung

0:17:04.840 --> 0:17:09.600
<v Speaker 1>by the power of his subordinates, the power of the

0:17:09.640 --> 0:17:13.640
<v Speaker 1>great houses. Could you explain to us exactly why this

0:17:13.800 --> 0:17:19.840
<v Speaker 1>emperor seems so weak and unable to provide his own armaments.

0:17:19.400 --> 0:17:22.640
<v Speaker 2>And machinations with other houses.

0:17:22.720 --> 0:17:26.480
<v Speaker 3>Yeah, yeah, couple of reasons. One, Jason, You're correct, there's

0:17:26.520 --> 0:17:30.520
<v Speaker 3>like this tenuous political tripod of this universe. You have

0:17:30.640 --> 0:17:35.000
<v Speaker 3>the Emperor and his forces, which is currently hous Carino

0:17:35.520 --> 0:17:38.320
<v Speaker 3>on one side. Then you have the lands Rod, which

0:17:38.400 --> 0:17:41.119
<v Speaker 3>is the collection of great houses, the trades, the Harconins,

0:17:41.119 --> 0:17:44.040
<v Speaker 3>there are jay Z's. And then you have a group

0:17:44.080 --> 0:17:46.040
<v Speaker 3>we haven't seen in this show, but is very present

0:17:46.080 --> 0:17:47.879
<v Speaker 3>in the books and we saw it in the Villna films,

0:17:47.920 --> 0:17:50.440
<v Speaker 3>the Spacing Guild, who have a monopoly on all travel.

0:17:50.800 --> 0:17:53.719
<v Speaker 3>And you have these three powers sort of precariously working

0:17:53.920 --> 0:17:56.359
<v Speaker 3>with and against each other at all times. And so

0:17:56.440 --> 0:17:59.919
<v Speaker 3>the Emperor isn't so powerful that he can just stomp

0:18:00.200 --> 0:18:03.000
<v Speaker 3>over the Guild or the Lancerod any day he chooses,

0:18:03.040 --> 0:18:04.800
<v Speaker 3>he has to work with them. His hands are tied.

0:18:05.359 --> 0:18:08.000
<v Speaker 3>The second reason we're seeing sort of a weaker house

0:18:08.080 --> 0:18:10.680
<v Speaker 3>Carino and a weaker Emperor at the moment is because

0:18:10.720 --> 0:18:13.000
<v Speaker 3>we've just come off the tales of a machine war

0:18:13.560 --> 0:18:17.840
<v Speaker 3>that SAPs the resources of all of humanity basically right, soldiers, money,

0:18:18.440 --> 0:18:21.199
<v Speaker 3>everything we came from, back from essentially the brink of

0:18:21.280 --> 0:18:25.520
<v Speaker 3>enslavement and destruction at the hands of machines and House

0:18:25.600 --> 0:18:29.320
<v Speaker 3>Karno was pivotal in doing that, but very likely sacrifice

0:18:29.400 --> 0:18:31.520
<v Speaker 3>the most in doing that as well. So they've obtained

0:18:31.560 --> 0:18:35.680
<v Speaker 3>power but at great cost. And now they may control

0:18:35.680 --> 0:18:38.640
<v Speaker 3>Aracus and Spice, but that doesn't mean they are objectively

0:18:38.720 --> 0:18:40.359
<v Speaker 3>the most powerful people out there right now.

0:18:40.600 --> 0:18:42.960
<v Speaker 1>So they need the ships they need there cheesy ships.

0:18:43.560 --> 0:18:47.040
<v Speaker 1>While this is happening, we see that Kasha, the Emperor

0:18:47.119 --> 0:18:50.960
<v Speaker 1>soothsayer and Duke with Chesy's soothsayer like finger signaling to

0:18:51.000 --> 0:18:54.040
<v Speaker 1>each other and they're like, this fucking duke is a

0:18:54.080 --> 0:18:56.040
<v Speaker 1>real asshole listening, and she's like, yeah.

0:18:55.920 --> 0:18:58.560
<v Speaker 2>In case you didn't realize, the Duke of Richesi, you're

0:18:58.600 --> 0:18:59.600
<v Speaker 2>selling his child, and.

0:19:02.359 --> 0:19:04.359
<v Speaker 1>The Duke's in sooth series like, you don't even know

0:19:04.400 --> 0:19:05.919
<v Speaker 1>the half of it. I work with this guy all

0:19:05.960 --> 0:19:09.040
<v Speaker 1>the time. He's a piece of shit, and Kasha has

0:19:09.080 --> 0:19:11.800
<v Speaker 1>to be like, well, listen, once the marriage is over

0:19:11.960 --> 0:19:13.760
<v Speaker 1>and we're clear of that, we can take care of

0:19:13.800 --> 0:19:16.159
<v Speaker 1>this guy. Whatever gom Jabar in the neck, we poison,

0:19:16.400 --> 0:19:18.160
<v Speaker 1>whatever the case might be, we get rid of him.

0:19:18.200 --> 0:19:21.159
<v Speaker 1>But we just got to get this wedding going. The

0:19:21.200 --> 0:19:24.680
<v Speaker 1>Emperor then consults with Kasha over the ballistas and whether

0:19:24.720 --> 0:19:29.280
<v Speaker 1>it's worth marrying his beloved daughter Ynez to the Duke

0:19:29.280 --> 0:19:33.320
<v Speaker 1>of Richesi's son, and they confer and he goes over

0:19:33.359 --> 0:19:35.280
<v Speaker 1>to the Duke of Riches. He's like, okay, let's do it,

0:19:35.359 --> 0:19:36.560
<v Speaker 1>my daughter for the ships. Yeah.

0:19:36.560 --> 0:19:39.000
<v Speaker 2>And it's very clear now that he is fully under

0:19:39.040 --> 0:19:41.639
<v Speaker 2>the thrall of the Benajezra at this point, or at

0:19:41.680 --> 0:19:45.000
<v Speaker 2>least takes them pre be prey the Sisterhood. Let's call

0:19:45.080 --> 0:19:45.800
<v Speaker 2>him the Sisterhood.

0:19:45.960 --> 0:19:49.320
<v Speaker 1>I wouldn't even say the thrall. I just think he is. Again,

0:19:49.320 --> 0:19:54.439
<v Speaker 1>he's a weak emperor vying with powerful political forces that

0:19:54.480 --> 0:19:58.880
<v Speaker 1>are ostensibly his subordinates but have agency on their own,

0:19:59.000 --> 0:20:01.560
<v Speaker 1>and he just doesn't know where to turn. And I

0:20:01.560 --> 0:20:04.560
<v Speaker 1>think Kasha has given him good advice to this point,

0:20:04.760 --> 0:20:06.840
<v Speaker 1>and he's got to get the spice to flow.

0:20:06.960 --> 0:20:09.960
<v Speaker 3>Yeah, and sort of living in the shoes of his predecessors,

0:20:10.000 --> 0:20:13.240
<v Speaker 3>like he didn't win the machine war his the Karnos

0:20:13.280 --> 0:20:16.080
<v Speaker 3>before him did, and he just inherited being emperor, so

0:20:16.160 --> 0:20:18.199
<v Speaker 3>he didn't like get here on his own savvy or

0:20:19.000 --> 0:20:21.959
<v Speaker 3>political and military might. He's just inherited it.

0:20:22.640 --> 0:20:25.800
<v Speaker 1>Back on Wallack nine, where the Sisters live, we see

0:20:25.840 --> 0:20:30.080
<v Speaker 1>that they are learning combat techniques and other subtle techniques

0:20:30.080 --> 0:20:34.640
<v Speaker 1>in order to influence people. Sister Jen, during a session

0:20:34.680 --> 0:20:38.000
<v Speaker 1>in which they take the Imperial prisoners and discover whether

0:20:38.119 --> 0:20:42.000
<v Speaker 1>lying or not, thinks that all this soothsaying shit is

0:20:42.040 --> 0:20:45.359
<v Speaker 1>too easy. It's way this way too easy. Come on,

0:20:45.440 --> 0:20:47.679
<v Speaker 1>when are we going to ramp it up? Vol was like, okay,

0:20:48.160 --> 0:20:50.480
<v Speaker 1>let's show us lie to us and tell us something.

0:20:50.960 --> 0:20:53.000
<v Speaker 1>And she's like, oh yeah, well you know why I'm here.

0:20:53.000 --> 0:20:55.159
<v Speaker 1>I'm here because I have fucking murdered my parents and

0:20:55.200 --> 0:20:59.840
<v Speaker 1>I murdered my I walk into a McDonald's, I killed

0:21:00.000 --> 0:21:03.800
<v Speaker 1>everybody blood and I put the blood in a super

0:21:03.840 --> 0:21:05.639
<v Speaker 1>sized cup and I drank the blood out of that

0:21:05.640 --> 0:21:07.720
<v Speaker 1>and I put ice it. And then I put the

0:21:07.720 --> 0:21:10.119
<v Speaker 1>blood on my chicken nugget and I put ice cream

0:21:10.160 --> 0:21:10.359
<v Speaker 1>on it.

0:21:10.520 --> 0:21:11.760
<v Speaker 3>Yeah, the bloody frosty.

0:21:11.880 --> 0:21:12.080
<v Speaker 2>Yeah.

0:21:12.080 --> 0:21:14.560
<v Speaker 1>And all the sisters are like, I don't know, I

0:21:14.600 --> 0:21:16.600
<v Speaker 1>can't tell. I can't tell if that's true or not.

0:21:16.680 --> 0:21:17.680
<v Speaker 1>And she's like it's a lie.

0:21:17.760 --> 0:21:19.880
<v Speaker 2>Ah bitch, she's crazy.

0:21:20.000 --> 0:21:23.639
<v Speaker 1>Later, Empress Natasha talks to the princess about the wedding.

0:21:23.800 --> 0:21:26.720
<v Speaker 1>She's like, I hate all of this. I hate the wedding.

0:21:26.880 --> 0:21:30.439
<v Speaker 1>I hate you going to the sisterhood school. This kid's nine.

0:21:30.880 --> 0:21:33.080
<v Speaker 1>He's nine. The Chesy boy is nine.

0:21:32.840 --> 0:21:35.040
<v Speaker 2>And he's got name threw it, ri Chesy. That's just

0:21:35.080 --> 0:21:36.240
<v Speaker 2>a dumb es.

0:21:36.359 --> 0:21:38.320
<v Speaker 1>Are you fucking kidding asking me your husband.

0:21:38.400 --> 0:21:40.960
<v Speaker 2>She's like, I am here in the world of Dune,

0:21:40.960 --> 0:21:45.399
<v Speaker 2>and guess what my name is, Natasha, just like Duncan. Yeah, Paul,

0:21:45.840 --> 0:21:48.000
<v Speaker 2>I'm one of the people with a normal name. Your

0:21:48.080 --> 0:21:50.800
<v Speaker 2>name's like kind of cool, Inns. It's not crazy, I

0:21:50.840 --> 0:21:53.000
<v Speaker 2>know if you Andezza's in real life. But she's like

0:21:53.119 --> 0:21:55.160
<v Speaker 2>through it, ri Chesy, like this is what you're doing.

0:21:55.200 --> 0:21:57.439
<v Speaker 2>And also I think this is really interesting because the

0:21:57.600 --> 0:22:00.520
<v Speaker 2>mom is basically like, you don't have to do this.

0:22:00.760 --> 0:22:02.919
<v Speaker 2>You can just marry whoever you want your royalty, like,

0:22:03.040 --> 0:22:05.399
<v Speaker 2>just live my life, don't live what your father wants.

0:22:05.400 --> 0:22:08.000
<v Speaker 2>And I think that's interesting because that sets up that

0:22:08.040 --> 0:22:12.080
<v Speaker 2>battle between the mom and then the influence of these witches.

0:22:12.520 --> 0:22:16.120
<v Speaker 1>So the princess has a completely different point of view,

0:22:16.119 --> 0:22:18.400
<v Speaker 1>which is she loves it. She wants to marry the boy.

0:22:18.520 --> 0:22:21.560
<v Speaker 1>In fact, she wishes the boy was like three years

0:22:21.600 --> 0:22:24.320
<v Speaker 1>old instead of nine, so she could have six extra

0:22:24.440 --> 0:22:26.800
<v Speaker 1>years influencing him and molding him and.

0:22:26.800 --> 0:22:28.320
<v Speaker 2>Being in the bensnany jesuit at school.

0:22:28.400 --> 0:22:32.879
<v Speaker 1>Yeah, turning his heart and brains into servants for the Kreno.

0:22:33.040 --> 0:22:35.960
<v Speaker 1>Cause she's like, this is fucking awesome. Mom's like fine,

0:22:36.400 --> 0:22:38.480
<v Speaker 1>but also admit to me that you want to fuck

0:22:38.560 --> 0:22:42.280
<v Speaker 1>You're a Tread's swordmasters, right, I could see it. You

0:22:42.280 --> 0:22:43.960
<v Speaker 1>should do it. Yeah, I support it. And by the way,

0:22:44.000 --> 0:22:46.960
<v Speaker 1>everybody could see it. Kuran, the swordmaster, walks in and

0:22:46.960 --> 0:22:49.440
<v Speaker 1>he tells the Emperor that a guy just arrived from

0:22:49.440 --> 0:22:51.760
<v Speaker 1>Oracus and it's Jason Momoa. No, it's not.

0:22:56.720 --> 0:23:02.200
<v Speaker 2>Like, look at this man, isn't he Jason Momo? From behind? No,

0:23:01.080 --> 0:23:04.120
<v Speaker 2>I knew it wasn't him.

0:23:04.600 --> 0:23:06.000
<v Speaker 3>We have at home.

0:23:05.960 --> 0:23:08.120
<v Speaker 2>Yeah, exactly, that's right. This is Wish Jason Momo.

0:23:08.440 --> 0:23:11.400
<v Speaker 1>This is t WU Jason Ravola. This is Houston Street

0:23:11.520 --> 0:23:15.680
<v Speaker 1>Jason Ravola. He is Desmond Hart. He is a twelve

0:23:15.920 --> 0:23:20.280
<v Speaker 1>tour veteran of the battlefields of Iracus, where he's been

0:23:20.280 --> 0:23:25.160
<v Speaker 1>fighting Fremen and just recently his entire squadron was totally

0:23:25.200 --> 0:23:28.320
<v Speaker 1>wiped out by a Fremen attack. And guess what, Desmond

0:23:28.359 --> 0:23:30.639
<v Speaker 1>Hart the only guy who fucking survived. He's a little

0:23:32.720 --> 0:23:36.240
<v Speaker 1>he's a little amped up, a little weird, but you're

0:23:36.240 --> 0:23:39.400
<v Speaker 1>gonna like him. Hart has a meeting with the Emperor

0:23:39.480 --> 0:23:42.720
<v Speaker 1>and he says, guess what, Emperor, it wasn't Fremen, it

0:23:42.920 --> 0:23:48.480
<v Speaker 1>was your own allies. It was other forces from the

0:23:48.520 --> 0:23:53.120
<v Speaker 1>great Houses who were secretly put on Iracus to undermine you.

0:23:54.000 --> 0:23:56.040
<v Speaker 1>And the Emperor is like what. He goes over and

0:23:56.080 --> 0:23:58.600
<v Speaker 1>talks to Kasha, is like, Kasha, is this true. She's like, well,

0:23:58.720 --> 0:24:01.520
<v Speaker 1>he's telling the truth and what he thinks is the truth,

0:24:01.960 --> 0:24:04.560
<v Speaker 1>so who knows? And she's like, why haven't I heard

0:24:04.560 --> 0:24:06.280
<v Speaker 1>a thing about this? And she's like, well, maybe it's

0:24:06.280 --> 0:24:09.160
<v Speaker 1>an isolated incident. Sounds is a weird.

0:24:08.960 --> 0:24:09.840
<v Speaker 2>Thing, very suck.

0:24:10.000 --> 0:24:10.840
<v Speaker 1>Yeah, I don't get that.

0:24:10.920 --> 0:24:13.320
<v Speaker 2>I just want to say I love Mark Strong. He's

0:24:13.359 --> 0:24:15.480
<v Speaker 2>one of my favorite actors. He's great in the Penguin.

0:24:15.560 --> 0:24:17.440
<v Speaker 2>Love to see him here. Love that he's getting to

0:24:17.480 --> 0:24:19.520
<v Speaker 2>plan an emper Good for him. But this emperor is dumb.

0:24:19.880 --> 0:24:21.840
<v Speaker 2>If this man walked in and was like, hey, so

0:24:22.000 --> 0:24:25.480
<v Speaker 2>everybody else who was a witness to this diede but

0:24:25.560 --> 0:24:29.120
<v Speaker 2>here's my version of it that no one else can support.

0:24:29.560 --> 0:24:32.280
<v Speaker 2>And then the Empress like, come to my wedding, Come

0:24:32.320 --> 0:24:33.160
<v Speaker 2>to my door's wedding.

0:24:33.160 --> 0:24:38.480
<v Speaker 1>I'm like, why is he invited? Don't I agree with you?

0:24:38.560 --> 0:24:41.440
<v Speaker 1>So yeah, heart is like, hey, do you want your

0:24:41.520 --> 0:24:43.760
<v Speaker 1>very own Jason Momoa in the palace? Give me a

0:24:43.840 --> 0:24:45.720
<v Speaker 1>job here, And the Emperor is like sure.

0:24:45.560 --> 0:24:46.600
<v Speaker 2>Sure, I'm too busy for this.

0:24:46.680 --> 0:24:49.040
<v Speaker 1>And in fact, you don't just get a job, you

0:24:49.080 --> 0:24:51.280
<v Speaker 1>get to show up to my fucking daughter's wedding to

0:24:51.280 --> 0:24:53.200
<v Speaker 1>a nine year old. This is gonna be an awesome time,

0:24:53.280 --> 0:24:58.240
<v Speaker 1>great food, great drink, incredible. Kasha has a dream that

0:24:58.640 --> 0:25:03.320
<v Speaker 1>includes a lot of really ominous symbols, including fruit filled

0:25:03.320 --> 0:25:07.200
<v Speaker 1>with worms and the princess being devoured by a sand worm,

0:25:07.760 --> 0:25:10.800
<v Speaker 1>and then those glowing eyes with a strange voice in space.

0:25:11.440 --> 0:25:13.760
<v Speaker 1>She goes to speak to the princesses like, I'm leaving

0:25:13.880 --> 0:25:18.320
<v Speaker 1>because there's weird signs and dreams importance and I gotta

0:25:18.359 --> 0:25:20.920
<v Speaker 1>go back. The vibes are off. I got to talk

0:25:20.960 --> 0:25:23.679
<v Speaker 1>to the sisterhood about it. I'll be back, but listen,

0:25:23.960 --> 0:25:26.680
<v Speaker 1>we hope you become empress. You're well on your way,

0:25:26.880 --> 0:25:31.440
<v Speaker 1>and I'll be back shortly. Okay. The Emperor is really

0:25:31.560 --> 0:25:36.320
<v Speaker 1>vexed that Kasha has left, but apparently she'll be back. Yeah,

0:25:36.400 --> 0:25:38.879
<v Speaker 1>he just she leaves her like a message, like on

0:25:38.920 --> 0:25:42.679
<v Speaker 1>a mini disc, and he's like, what this is fucked up,

0:25:42.680 --> 0:25:44.879
<v Speaker 1>But apparently she's only going to miss the engagement party,

0:25:44.960 --> 0:25:49.040
<v Speaker 1>not the actual wedding itself, so okay. The Emperor Empress.

0:25:49.080 --> 0:25:52.480
<v Speaker 1>They argue about this wedding. The Emperor is for it

0:25:52.560 --> 0:25:54.520
<v Speaker 1>because he needs the arichesy.

0:25:54.000 --> 0:25:58.800
<v Speaker 2>Shit he needs and the galaxy the best.

0:26:02.080 --> 0:26:04.479
<v Speaker 1>And a cheesy ship and go to bring a rackets

0:26:04.560 --> 0:26:08.679
<v Speaker 1>to his knees uh, and the prisons against it because

0:26:08.680 --> 0:26:09.639
<v Speaker 1>the groom is nine.

0:26:09.760 --> 0:26:11.679
<v Speaker 2>He's like, come on, and she's like, this is just

0:26:11.720 --> 0:26:14.760
<v Speaker 2>some dumb Betty jesureite plot. I'm not into this. She's like, well,

0:26:14.960 --> 0:26:16.879
<v Speaker 2>if I don't always happy, and he's like, she wants

0:26:16.920 --> 0:26:18.159
<v Speaker 2>to do it, We'll be happy with.

0:26:18.840 --> 0:26:23.000
<v Speaker 1>Cheesy and again, we'll talk about the various storytelling decisions later.

0:26:23.040 --> 0:26:27.120
<v Speaker 1>But I think part of the reason that particular conflict

0:26:27.119 --> 0:26:29.480
<v Speaker 1>doesn't land too much is because your daughter wants to

0:26:29.520 --> 0:26:34.280
<v Speaker 1>do it. Anyway, We go back to Wallack and Tula

0:26:34.320 --> 0:26:37.199
<v Speaker 1>and Valier strategizing for the princess's arrival. Who do we

0:26:37.240 --> 0:26:39.960
<v Speaker 1>pair her with? Who's your friend? Et cetera. You know this.

0:26:40.119 --> 0:26:44.480
<v Speaker 1>The acolyte program is apparently a very important program. Emmeline, No,

0:26:44.640 --> 0:26:47.040
<v Speaker 1>she's a bad influence. It's a bad apple. What about

0:26:47.080 --> 0:26:50.600
<v Speaker 1>Sister Jen. Sister Jen is a little too independent, but

0:26:50.640 --> 0:26:56.800
<v Speaker 1>obviously very very talented. What about Theodosia? Okay, hold on, now,

0:26:57.160 --> 0:26:59.960
<v Speaker 1>she owes us for some reason which we will clearly

0:27:00.160 --> 0:27:02.960
<v Speaker 1>find out about later. And she's apparently Vali's favorite, So

0:27:03.280 --> 0:27:07.040
<v Speaker 1>guess what It's probably gonna be Theodosia, although Tula's favorite

0:27:07.160 --> 0:27:12.520
<v Speaker 1>is Lila. Okay. Valia thinks that Lila is weak and afraid. Okay,

0:27:12.600 --> 0:27:14.640
<v Speaker 1>so there's gonna be a difference of a pity there,

0:27:14.960 --> 0:27:17.919
<v Speaker 1>and Tula says, well, she has a lot of promise,

0:27:17.960 --> 0:27:19.639
<v Speaker 1>but she just needs time. I don't know that we've

0:27:19.840 --> 0:27:23.359
<v Speaker 1>really landed on who the acolyte for the princess is

0:27:23.359 --> 0:27:26.600
<v Speaker 1>gonna be, but clearly we're in a horse race between

0:27:27.040 --> 0:27:31.720
<v Speaker 1>Lila and Theodosia. Rumbling then announces the arrival of the

0:27:31.960 --> 0:27:34.639
<v Speaker 1>ship that shouldn't be here. It's Kasha. She's like, I

0:27:34.680 --> 0:27:37.000
<v Speaker 1>had a really crazy dream. Let me tell you about it.

0:27:37.040 --> 0:27:40.800
<v Speaker 1>She's clearly very afraid. Kasha is concerned that the reckoning,

0:27:40.840 --> 0:27:43.439
<v Speaker 1>which is ten thousand years from now, if that's the

0:27:43.480 --> 0:27:47.000
<v Speaker 1>thing they're talking about, might be closer if they do

0:27:47.119 --> 0:27:49.560
<v Speaker 1>the thing that they're doing, which is putting an empress

0:27:49.560 --> 0:27:52.600
<v Speaker 1>on the throne in the genetic machinations. They think that

0:27:52.600 --> 0:27:54.560
<v Speaker 1>they're going to have a hard time getting the princess

0:27:54.640 --> 0:27:56.760
<v Speaker 1>on the throne, which is why it's crucial apparently that

0:27:56.800 --> 0:27:58.400
<v Speaker 1>the princess marry this nine year old that.

0:27:58.400 --> 0:28:00.800
<v Speaker 2>Kasha is like, don't do it. She's like beginning to

0:28:00.800 --> 0:28:02.520
<v Speaker 2>have her downs because of She's like, well, if a

0:28:02.600 --> 0:28:04.360
<v Speaker 2>kid just has bad vibes.

0:28:04.119 --> 0:28:06.679
<v Speaker 1>I had a crazy dream, and maybe we shouldn't do this.

0:28:07.240 --> 0:28:09.560
<v Speaker 1>One thing that we should do is toss to an

0:28:09.600 --> 0:28:11.199
<v Speaker 1>ad break. We're going to go to a word from

0:28:11.240 --> 0:28:29.439
<v Speaker 1>our sponsors back in a second, and we're back, and

0:28:29.480 --> 0:28:32.800
<v Speaker 1>the cheeses are back. The Chesy's a back, Baby Cheesy's arrive.

0:28:33.560 --> 0:28:37.119
<v Speaker 1>It's the engagement party, a wonderful event. We get her.

0:28:37.200 --> 0:28:40.440
<v Speaker 1>Look at Pruit, this young nine year old chesy boy.

0:28:40.920 --> 0:28:43.840
<v Speaker 1>The princess is there, she looks great. The Empress the

0:28:44.360 --> 0:28:46.960
<v Speaker 1>loving that dress, that red dress is about you're in

0:28:47.040 --> 0:28:51.120
<v Speaker 1>a Tread's all there, Tula back on Wallach. Tula and

0:28:51.160 --> 0:28:54.480
<v Speaker 1>Vala argue about the importance of Castia's dream. Tula is like,

0:28:55.000 --> 0:28:56.880
<v Speaker 1>we got to take them more seriously, don't we. Let's

0:28:56.880 --> 0:28:59.200
<v Speaker 1>pump the brakes and just really analyze what we're doing.

0:29:00.000 --> 0:29:02.080
<v Speaker 1>He says, all gas, no breaks. We go forward. The

0:29:02.080 --> 0:29:06.320
<v Speaker 1>princess is marrying that little boy, and she's the empress

0:29:06.320 --> 0:29:08.760
<v Speaker 1>we need and we got to do it. Tula is like, okay,

0:29:08.760 --> 0:29:11.000
<v Speaker 1>but can you just go and check the genetic archive

0:29:11.120 --> 0:29:14.000
<v Speaker 1>to just make sure that we're right. Yeah, yeah, I'll

0:29:14.040 --> 0:29:16.920
<v Speaker 1>go check here. The princess and Pruitt go through with

0:29:16.960 --> 0:29:19.480
<v Speaker 1>the engagement ritual. It is super awkward. It involves like

0:29:19.560 --> 0:29:24.440
<v Speaker 1>feeding pomegranate seaberries to each other something. Yeah. Yeah, it

0:29:24.480 --> 0:29:28.840
<v Speaker 1>doesn't go smoothly. Preuit in particular does not seem keen

0:29:29.160 --> 0:29:32.080
<v Speaker 1>to wed at this particular time, which I get it.

0:29:32.120 --> 0:29:35.880
<v Speaker 1>He's nine, and it's very awkward, but there's lots of

0:29:35.920 --> 0:29:39.520
<v Speaker 1>applause because obviously a lot of right is writing on us. Later,

0:29:39.720 --> 0:29:42.800
<v Speaker 1>Constantine is playing the lute, and the ladies fucking love

0:29:42.880 --> 0:29:44.240
<v Speaker 1>that shit. When he gets the.

0:29:44.280 --> 0:29:47.960
<v Speaker 2>Loot out, Pruit sisters are really into it, and I think.

0:29:48.360 --> 0:29:50.920
<v Speaker 1>He's a good looking kid. Lord he is.

0:29:51.000 --> 0:29:53.560
<v Speaker 2>He's hunky and he's got a very strong jaw line.

0:29:53.800 --> 0:29:56.920
<v Speaker 1>The Emperor is watching all of this closely. He's watching

0:29:56.960 --> 0:30:01.600
<v Speaker 1>the richeses very suspiciously. The Princess, who is sitting on

0:30:01.640 --> 0:30:07.080
<v Speaker 1>a little Dais couch with Pruet, notices that he's messing

0:30:07.120 --> 0:30:09.080
<v Speaker 1>around with his little pouch on his belt, Like, what

0:30:09.120 --> 0:30:12.840
<v Speaker 1>the fuck's that? I can tell that you're being untruthful

0:30:12.880 --> 0:30:15.000
<v Speaker 1>right now and trying to hide whatever is in your

0:30:15.240 --> 0:30:18.800
<v Speaker 1>little fucking belt pocket. And he's like, okay, it's this,

0:30:19.160 --> 0:30:21.720
<v Speaker 1>and he pulls out a little robot lizard that runs

0:30:21.720 --> 0:30:24.680
<v Speaker 1>around the room and runs around the floor. Mister Hart

0:30:24.800 --> 0:30:28.080
<v Speaker 1>Desmond Heart Timu Jason Momoa stabs it with a knife

0:30:28.120 --> 0:30:31.120
<v Speaker 1>and then shows it to everybody, and everybody is shocked

0:30:31.120 --> 0:30:35.160
<v Speaker 1>because this is apparently forbidden robot shit, you know, coming

0:30:35.160 --> 0:30:37.200
<v Speaker 1>off the Robot Wars, you're not supposed to have stuff.

0:30:37.200 --> 0:30:40.000
<v Speaker 2>It's actually like scared in as when she saw it,

0:30:40.040 --> 0:30:43.040
<v Speaker 2>She's like when the unfelt from the hand, she was

0:30:43.080 --> 0:30:44.040
<v Speaker 2>like terrified.

0:30:44.320 --> 0:30:46.680
<v Speaker 1>These are the things that tried to enslave us. How

0:30:46.800 --> 0:30:49.840
<v Speaker 1>what the fuck? You can't have shit like this? And

0:30:50.760 --> 0:30:54.080
<v Speaker 1>House Karno, obviously because of their role in guiding the

0:30:54.120 --> 0:30:56.120
<v Speaker 1>galaxy to victory of the machines, takes this kind of

0:30:56.120 --> 0:30:59.719
<v Speaker 1>stuff very seriously. The Empress is like, this is forbidden.

0:31:00.080 --> 0:31:03.160
<v Speaker 1>This is forbidden. We're Chesy's we might have to throw

0:31:03.200 --> 0:31:04.520
<v Speaker 1>you in the dungeon. The Emperor is like, oh who

0:31:04.520 --> 0:31:06.880
<v Speaker 1>whoa wha who Let's talk about it after the marriage.

0:31:07.040 --> 0:31:11.440
<v Speaker 2>Yeah, okay to a child. Yeah, I'm married to this child.

0:31:11.560 --> 0:31:15.680
<v Speaker 1>It's like, obviously it's a big deal. Yes, talk about

0:31:15.720 --> 0:31:19.840
<v Speaker 1>it later, but he is clearly concerned. Heart gives the

0:31:19.840 --> 0:31:23.280
<v Speaker 1>boy back his little robot. Here's a moment I didn't understand.

0:31:23.360 --> 0:31:26.160
<v Speaker 1>Prude is like, thanks Eniz for what.

0:31:26.280 --> 0:31:28.400
<v Speaker 2>No, no, no, no no. She when the mom is

0:31:28.440 --> 0:31:30.920
<v Speaker 2>like talking about it being forbidden technology and trying to

0:31:30.920 --> 0:31:33.200
<v Speaker 2>set the gods on them, she puts him behind her

0:31:33.200 --> 0:31:36.480
<v Speaker 2>back and like protects him, but then she turns around

0:31:36.520 --> 0:31:38.840
<v Speaker 2>and says to him, if I see that thing again,

0:31:38.920 --> 0:31:41.080
<v Speaker 2>I'll kill you myself murder. So that was a bit

0:31:41.120 --> 0:31:43.560
<v Speaker 2>complex to me, But I think she's playing the political

0:31:43.600 --> 0:31:47.040
<v Speaker 2>game where she was protecting per It because it's like,

0:31:47.080 --> 0:31:48.920
<v Speaker 2>this is my guy that I'm gonna get married to,

0:31:49.000 --> 0:31:51.600
<v Speaker 2>and we have to have some kind of loyalty. But

0:31:51.760 --> 0:31:54.480
<v Speaker 2>also you're fucking with my ship, which is that I

0:31:54.520 --> 0:31:56.680
<v Speaker 2>want to go to the Hearken.

0:31:56.760 --> 0:31:59.000
<v Speaker 1>And I just found it weird because obviously Ynes blew

0:31:59.040 --> 0:32:02.840
<v Speaker 1>up his spot. It's weird to thank her in that moment. Anyway.

0:32:03.680 --> 0:32:07.120
<v Speaker 1>Valia is like, hey, just check the archive, and I

0:32:07.200 --> 0:32:10.520
<v Speaker 1>just want you to know, like legit, like the princess

0:32:10.520 --> 0:32:11.840
<v Speaker 1>is the right one. We're good.

0:32:11.960 --> 0:32:15.400
<v Speaker 2>Oh and with zero evidence, like bay, yes please.

0:32:15.800 --> 0:32:18.800
<v Speaker 1>Tula wants Kasha back at the Emperor's side, like we

0:32:18.920 --> 0:32:23.360
<v Speaker 1>got to have her there. Valia says, yes, we'll obviously

0:32:23.400 --> 0:32:24.880
<v Speaker 1>we're gonna put her back when he place her back

0:32:24.880 --> 0:32:26.200
<v Speaker 1>with the Emperor, but we got to make sure that

0:32:26.480 --> 0:32:29.640
<v Speaker 1>everything is okay with her upstairs because these dreams, I

0:32:29.640 --> 0:32:33.440
<v Speaker 1>guess are a little concerning. Sister Emmeline and Jen are

0:32:33.480 --> 0:32:35.760
<v Speaker 1>complaining about the princess looming arrival on campus. So we

0:32:35.800 --> 0:32:37.760
<v Speaker 1>got to get the idea that this is a controversial

0:32:37.760 --> 0:32:40.760
<v Speaker 1>thing that's going to happen here at the school. Constantin

0:32:40.840 --> 0:32:43.680
<v Speaker 1>and Yinez head into town for a party. This is

0:32:43.720 --> 0:32:49.640
<v Speaker 1>wild raving. Yes, spare fucking. They snort some imperial booger sugars. So,

0:32:49.720 --> 0:32:53.280
<v Speaker 1>I guess what do we think this is? Like spice cocaine? Maybe, yeah, like.

0:32:53.240 --> 0:32:56.040
<v Speaker 2>Some drugs caught with spice. Aboo is there anything like

0:32:56.080 --> 0:32:56.760
<v Speaker 2>this in the books.

0:32:56.920 --> 0:32:59.080
<v Speaker 3>There are a lot of drugs in the books. Yeah,

0:32:59.160 --> 0:33:02.440
<v Speaker 3>Frank Kreber was not about drugs. This could be sumuta,

0:33:02.520 --> 0:33:04.520
<v Speaker 3>this could be a laca blah blah blah. Like there's

0:33:04.520 --> 0:33:06.840
<v Speaker 3>a lot of deep cut, lower drug things. But it

0:33:06.960 --> 0:33:08.560
<v Speaker 3>just looks like, okay.

0:33:09.000 --> 0:33:13.240
<v Speaker 1>Straight up, they're just doing good. So they go to

0:33:13.280 --> 0:33:17.360
<v Speaker 1>a club. The club is banging. Meanwhile, the Emperor is

0:33:17.400 --> 0:33:22.080
<v Speaker 1>like brooding by himself. He's so sad. He's like, Kash

0:33:22.240 --> 0:33:23.600
<v Speaker 1>is not here, Who do I trust?

0:33:23.640 --> 0:33:23.760
<v Speaker 2>Well?

0:33:23.800 --> 0:33:25.800
<v Speaker 1>What about Desmond Heart? Dosnet Heart comes in?

0:33:25.840 --> 0:33:27.920
<v Speaker 2>What about your wife? Sah, how about you have a

0:33:27.960 --> 0:33:29.240
<v Speaker 2>conversation with your wife?

0:33:29.320 --> 0:33:32.080
<v Speaker 1>Well, he says, there's apparently, yeah, there's apparently a problem

0:33:32.120 --> 0:33:35.120
<v Speaker 1>between those two. But Desmond Heart comes in and is like,

0:33:35.480 --> 0:33:38.120
<v Speaker 1>I can tell you're afraid, which is like a weird

0:33:38.480 --> 0:33:41.760
<v Speaker 1>thing to start with. The Emperor asks Heart, Okay, what

0:33:41.800 --> 0:33:44.719
<v Speaker 1>do we do about this insurgency on Aracus that you

0:33:44.760 --> 0:33:49.280
<v Speaker 1>say is not fremen. Heart doesn't answer, but he's like, well,

0:33:49.280 --> 0:33:52.600
<v Speaker 1>that's not your only problem. Here's what your actual problem is.

0:33:53.000 --> 0:33:57.760
<v Speaker 1>Your problem is that other great houses in the lands

0:33:57.880 --> 0:34:01.280
<v Speaker 1>rad are grumbling because you made them get rid of

0:34:01.400 --> 0:34:04.400
<v Speaker 1>their cell phones and their laptops and all that stuff.

0:34:04.440 --> 0:34:07.120
<v Speaker 1>And they are like, we like that stuff. We want

0:34:07.120 --> 0:34:08.239
<v Speaker 1>it back, we want all.

0:34:08.160 --> 0:34:09.360
<v Speaker 2>That life is hard without.

0:34:09.520 --> 0:34:12.680
<v Speaker 1>Yeah, and I guess this is aboo. Is this pre

0:34:12.920 --> 0:34:14.319
<v Speaker 1>the Mentat system?

0:34:14.360 --> 0:34:17.600
<v Speaker 3>This is around the Mentats. Yeah, everything sort of crops

0:34:17.640 --> 0:34:20.560
<v Speaker 3>up at once, the sisters, the Mentats that guild all

0:34:20.560 --> 0:34:22.919
<v Speaker 3>of these things that replace technology.

0:34:23.080 --> 0:34:26.880
<v Speaker 1>So at this point they're doing like space calculations, like

0:34:26.960 --> 0:34:29.919
<v Speaker 1>on pad and paper, Like, how are they just like calculators?

0:34:29.960 --> 0:34:32.200
<v Speaker 1>I mean they're doing it, Longhand at this point.

0:34:32.000 --> 0:34:34.680
<v Speaker 3>No, the Mentat should exist. But we haven't seen any

0:34:34.680 --> 0:34:36.360
<v Speaker 3>of the show. Okay, so I don't know what the

0:34:36.960 --> 0:34:37.959
<v Speaker 3>creative choice is there.

0:34:38.000 --> 0:34:41.200
<v Speaker 1>We may see them okay later, So whatever the case,

0:34:41.400 --> 0:34:44.879
<v Speaker 1>there are various dissidents within the royal system who think

0:34:44.880 --> 0:34:47.160
<v Speaker 1>that getting rid of Ai was a bad idea, and

0:34:47.440 --> 0:34:52.560
<v Speaker 1>they think that the emperor having the monopoly on spice

0:34:52.640 --> 0:34:55.560
<v Speaker 1>is also a bad idea, and the Emperor is like,

0:34:55.600 --> 0:34:58.280
<v Speaker 1>I've never heard of this. This leads me to believe,

0:34:58.640 --> 0:35:01.960
<v Speaker 1>along with the Glowing Eyes boo, that the major antagonist

0:35:02.040 --> 0:35:03.839
<v Speaker 1>is going to be the Spacing Guild, like the Rise

0:35:03.880 --> 0:35:04.400
<v Speaker 1>of Space.

0:35:05.080 --> 0:35:06.080
<v Speaker 2>That's a good I like that.

0:35:06.080 --> 0:35:07.480
<v Speaker 3>That would be fun for them to introduce that.

0:35:07.640 --> 0:35:11.319
<v Speaker 1>Yeah, yeah, the Emperor is now like, you know what,

0:35:11.719 --> 0:35:14.239
<v Speaker 1>Kasha is not here and I've completely changed my mind.

0:35:14.320 --> 0:35:15.600
<v Speaker 1>I'm out on the wedding.

0:35:15.680 --> 0:35:21.319
<v Speaker 2>Dude, this guy he has got like no fucking backbone,

0:35:21.440 --> 0:35:23.600
<v Speaker 2>Like he doesn't know what is going on. He's like,

0:35:23.960 --> 0:35:27.359
<v Speaker 2>Kasha has left me for five minutes and I'm sick

0:35:27.400 --> 0:35:31.480
<v Speaker 2>of it. I'm done. Actually now, fake Jason Hama. You

0:35:31.560 --> 0:35:34.040
<v Speaker 2>are now my new spiritual guide even though I've only

0:35:34.120 --> 0:35:34.560
<v Speaker 2>known you for.

0:35:35.320 --> 0:35:38.280
<v Speaker 1>You're my new guy, and I'm out on the wedding

0:35:38.320 --> 0:35:41.080
<v Speaker 1>despite the fact that Kasha, who has never steered me wrong,

0:35:41.160 --> 0:35:43.560
<v Speaker 1>is for it. But here's the issue.

0:35:43.800 --> 0:35:46.680
<v Speaker 2>Needs those riches a ship the riches of ships.

0:35:46.800 --> 0:35:49.240
<v Speaker 1>It's important. And here is like one of these moments

0:35:49.280 --> 0:35:51.480
<v Speaker 1>where I felt a producer saying we need to restate

0:35:51.520 --> 0:35:53.879
<v Speaker 1>the stakes because I don't understand what's at stake here.

0:35:54.440 --> 0:35:57.840
<v Speaker 1>And so he says again, we need the riches ships

0:35:57.880 --> 0:36:00.399
<v Speaker 1>because if I pull out of this marriage, we don't

0:36:00.480 --> 0:36:02.799
<v Speaker 1>get the ships. And then we need the ships to

0:36:02.840 --> 0:36:05.560
<v Speaker 1>secure ourragas and secure the spies. Because the Emperor can

0:36:05.640 --> 0:36:08.640
<v Speaker 1>underlived the Spice. I'm a dead I'm a dead man.

0:36:08.840 --> 0:36:11.200
<v Speaker 2>I'm a dead man. You'll come to me on the

0:36:11.280 --> 0:36:12.920
<v Speaker 2>day of my daughter's engagement, but.

0:36:14.640 --> 0:36:20.400
<v Speaker 1>I can't have the spice ad This is terrible. Desmond

0:36:20.520 --> 0:36:24.239
<v Speaker 1>Hart says, Emperor. I'm gonna tell you some weird shit

0:36:24.320 --> 0:36:26.400
<v Speaker 1>because I've been on a planet of spice for a

0:36:26.440 --> 0:36:29.840
<v Speaker 1>long time and now I'm just gonna get crazy. Here's

0:36:29.840 --> 0:36:32.200
<v Speaker 1>what's crazy. It's a miracle that I'm alive and then

0:36:32.200 --> 0:36:34.759
<v Speaker 1>I'm with you right now because I was almost dead.

0:36:34.840 --> 0:36:37.640
<v Speaker 1>I was reborn on Arakis. They almost killed me. I

0:36:37.680 --> 0:36:41.759
<v Speaker 1>was there for twelve different tours and somehow I died

0:36:41.800 --> 0:36:43.920
<v Speaker 1>a million times. And I'm back. He's back, and I

0:36:43.960 --> 0:36:47.239
<v Speaker 1>feel that it's the will of the gods that I

0:36:47.280 --> 0:36:51.799
<v Speaker 1>am here with you, Emperor Carino, and the Emperor says, well, listen,

0:36:51.840 --> 0:36:53.919
<v Speaker 1>I'm not a religious man, but if the gods can

0:36:53.960 --> 0:36:57.120
<v Speaker 1>get me out of this wedding to the a chesy child,

0:36:57.320 --> 0:37:00.360
<v Speaker 1>oh I will be literally the biggest religion guy in

0:37:00.400 --> 0:37:02.360
<v Speaker 1>the galaxy. Like I will be number one religion.

0:37:02.719 --> 0:37:07.040
<v Speaker 2>My god, my, this fucking guy. This is like, this

0:37:07.200 --> 0:37:09.319
<v Speaker 2>is like when you're a little kid and you're in

0:37:09.400 --> 0:37:12.400
<v Speaker 2>trouble and you're like, oh please, I don't want anyone

0:37:12.400 --> 0:37:14.200
<v Speaker 2>to find out I'm gonna be in trouble. Like then

0:37:14.280 --> 0:37:16.319
<v Speaker 2>I will like be a good person. I'm like, how

0:37:16.360 --> 0:37:16.719
<v Speaker 2>old are you?

0:37:16.800 --> 0:37:17.000
<v Speaker 1>Brow?

0:37:17.040 --> 0:37:19.759
<v Speaker 2>Are you like eight years old? You literally just gave

0:37:19.800 --> 0:37:22.640
<v Speaker 2>this guy a free pause to do whatever he wants

0:37:22.680 --> 0:37:24.600
<v Speaker 2>to stop the wedding, just so that you can be

0:37:24.680 --> 0:37:28.040
<v Speaker 2>like really into religion. Like, Mark strong, Emperor, you're doing

0:37:28.080 --> 0:37:28.560
<v Speaker 2>a bad job.

0:37:28.680 --> 0:37:32.400
<v Speaker 1>Mark strong Emperor, you are you are not a great emperor.

0:37:33.120 --> 0:37:36.239
<v Speaker 1>In the club where literally most of the people here

0:37:36.320 --> 0:37:40.840
<v Speaker 1>are off fam they are Kieran is there. He clearly

0:37:40.840 --> 0:37:42.720
<v Speaker 1>got the text from Yez is like going.

0:37:42.600 --> 0:37:44.760
<v Speaker 2>To the club, I'm gad to see you there.

0:37:44.840 --> 0:37:47.280
<v Speaker 1>And there's a vibe there is there is an extremely

0:37:47.320 --> 0:37:51.080
<v Speaker 1>strong vibe between them. Kieran's girlfriend question Mark is like

0:37:51.239 --> 0:37:54.040
<v Speaker 1>over his shoulder, being like, why are you flirting with

0:37:54.120 --> 0:37:56.480
<v Speaker 1>the princess? Like do I need to explain this to you?

0:37:57.160 --> 0:38:01.160
<v Speaker 1>So that was confusing because clearly the vibe I was hey,

0:38:01.239 --> 0:38:04.239
<v Speaker 1>boyfriend girlfriend, but there was no explanation to who this

0:38:04.600 --> 0:38:07.760
<v Speaker 1>woman behind Kieran was. Right, miss, I would say, it.

0:38:07.680 --> 0:38:09.799
<v Speaker 2>Is quite interesting to me that this is a show,

0:38:09.840 --> 0:38:12.800
<v Speaker 2>even after a couple of watches, where like they choose

0:38:12.840 --> 0:38:15.040
<v Speaker 2>to do a lot of exposition about some stuff but

0:38:15.120 --> 0:38:17.399
<v Speaker 2>be very vague about other stuff. And I guess that's

0:38:17.440 --> 0:38:19.960
<v Speaker 2>every show, but it felt like in this when it

0:38:20.040 --> 0:38:22.120
<v Speaker 2>was like we need the spice, the spice must flow,

0:38:22.120 --> 0:38:24.920
<v Speaker 2>and I'm like, bro, everyone who's ever watched Dune or

0:38:25.000 --> 0:38:27.799
<v Speaker 2>read even one bit of Dune knows the spice must flow,

0:38:27.840 --> 0:38:29.799
<v Speaker 2>even if you only know the memes. But I would

0:38:29.840 --> 0:38:32.200
<v Speaker 2>also like to like know some names, so like can

0:38:32.200 --> 0:38:33.320
<v Speaker 2>the names be flowing?

0:38:33.520 --> 0:38:37.600
<v Speaker 1>Yeah? Like who is this woman who looks upset? Anyway,

0:38:38.120 --> 0:38:43.880
<v Speaker 1>Kieran if he is dating that woman, he's not particularly

0:38:44.239 --> 0:38:47.560
<v Speaker 1>attached to her, because he immediately goes to a private

0:38:47.640 --> 0:38:52.080
<v Speaker 1>room with Princess Ynez. He smokes some space crack and

0:38:52.160 --> 0:38:56.560
<v Speaker 1>then they start having sex crazy. They seize the moment.

0:38:56.880 --> 0:39:00.600
<v Speaker 1>She's like, I'm leaving forever probably in a days, go

0:39:00.640 --> 0:39:03.279
<v Speaker 1>into the Benny not yet. The Benny Jes are at

0:39:03.320 --> 0:39:06.239
<v Speaker 1>school and also marrying this nine year old, So if

0:39:06.239 --> 0:39:07.560
<v Speaker 1>we want to get it in, we kind of have

0:39:07.600 --> 0:39:08.000
<v Speaker 1>to get.

0:39:07.840 --> 0:39:09.200
<v Speaker 2>It in right now.

0:39:09.239 --> 0:39:12.080
<v Speaker 1>Let's do it now, and Kurtt is like, bet, let's go.

0:39:12.719 --> 0:39:15.680
<v Speaker 1>We go to Wallach nine, where it's nighttime. We meet Lila.

0:39:16.280 --> 0:39:20.479
<v Speaker 1>She can't sleep. Jen also up notices that Lila can't sleep.

0:39:20.560 --> 0:39:24.680
<v Speaker 1>He's like, what's your deal. Lila says, that story that

0:39:24.719 --> 0:39:27.400
<v Speaker 1>you told, which was a lie, there's a ring of

0:39:27.440 --> 0:39:30.400
<v Speaker 1>truth to it and I could tell. And then Lila

0:39:30.480 --> 0:39:33.000
<v Speaker 1>tells her story about how she got here. She doesn't

0:39:33.000 --> 0:39:36.240
<v Speaker 1>know who her parents are. She thinks that the sisters

0:39:36.360 --> 0:39:39.000
<v Speaker 1>know her family history but are keeping it from her.

0:39:39.520 --> 0:39:43.080
<v Speaker 1>Jen says, don't worry because if it's important enough, the

0:39:43.120 --> 0:39:46.960
<v Speaker 1>truth will find you, which is cold comfort. Valia is

0:39:47.080 --> 0:39:51.520
<v Speaker 1>staring at mother Raquela's statue or mummy and just thinking

0:39:51.560 --> 0:39:53.480
<v Speaker 1>about the future. Is it her mummy? Do we know?

0:39:53.640 --> 0:39:55.799
<v Speaker 1>Like it seems like a very lifelike statue in a

0:39:55.840 --> 0:39:58.400
<v Speaker 1>weird way. Yeah, I think it's just a statue, okay,

0:39:58.560 --> 0:40:01.400
<v Speaker 1>but I like your spooky v that it's a mummy.

0:40:01.600 --> 0:40:05.200
<v Speaker 1>The Emperor has a bad dream that involves a lot

0:40:05.239 --> 0:40:07.480
<v Speaker 1>of the imagery which we have seen previously in the

0:40:07.640 --> 0:40:11.720
<v Speaker 1>two previous bad dreams we've watched. He then goes wandering

0:40:11.800 --> 0:40:15.320
<v Speaker 1>on the palace and he finds a video from Desmond

0:40:15.360 --> 0:40:18.720
<v Speaker 1>Heart about how he survived on Oracus, and he watches

0:40:18.760 --> 0:40:22.879
<v Speaker 1>the video taken like from a drone, I guess, and

0:40:22.920 --> 0:40:25.279
<v Speaker 1>we see that there's a lot of dead bodies on

0:40:25.320 --> 0:40:27.640
<v Speaker 1>the field. We don't see what happened, but Desmond Heart's

0:40:27.640 --> 0:40:30.440
<v Speaker 1>walking around, he's the only guy. There's a spice loader

0:40:30.480 --> 0:40:34.200
<v Speaker 1>in the background. And then there's like a huge worm

0:40:34.320 --> 0:40:39.080
<v Speaker 1>that is clearly coming, and something happens. The worm seems

0:40:39.120 --> 0:40:41.200
<v Speaker 1>to pause, but then also seems to attack, and then

0:40:41.239 --> 0:40:44.399
<v Speaker 1>the video cuts out. Clearly Desmond is alive. So this

0:40:44.760 --> 0:40:46.800
<v Speaker 1>raises a lot more questions than answer.

0:40:47.440 --> 0:40:51.160
<v Speaker 2>Does this mean that he wrote to sand No, I

0:40:51.160 --> 0:40:52.560
<v Speaker 2>think all of this is up in the air.

0:40:53.040 --> 0:40:56.760
<v Speaker 3>It's intentionally one of those you'll find out later, Okay, yeah, thanks.

0:40:56.640 --> 0:41:01.520
<v Speaker 1>Yeah, So elsewhere in the palace proven it is playing

0:41:01.560 --> 0:41:03.880
<v Speaker 1>like in a hallway with his robot because apparently like

0:41:04.080 --> 0:41:06.160
<v Speaker 1>he can't do it in his room because people will

0:41:06.200 --> 0:41:09.520
<v Speaker 1>find out. So he's playing with his robot and Desmond

0:41:09.520 --> 0:41:12.520
<v Speaker 1>Heart comes up. Prewe It is like, hey, Desmond Hart,

0:41:12.560 --> 0:41:14.080
<v Speaker 1>I don't know you, but you're just like a weird,

0:41:14.120 --> 0:41:15.960
<v Speaker 1>strange man in the palace. Let me tell you about

0:41:16.000 --> 0:41:19.760
<v Speaker 1>my dad. Here's what's up. My dad thinks we should

0:41:19.760 --> 0:41:21.920
<v Speaker 1>never have gotten rid of computers and cell phones and

0:41:21.960 --> 0:41:22.759
<v Speaker 1>he wants them back.

0:41:22.840 --> 0:41:25.200
<v Speaker 2>Thinks that great, he would thinks everyone should have a

0:41:25.200 --> 0:41:25.920
<v Speaker 2>little airom.

0:41:26.120 --> 0:41:29.640
<v Speaker 1>Yeah, that stuff's got to come back. Heart says, you know,

0:41:29.719 --> 0:41:33.320
<v Speaker 1>it's interesting. I was a soldier on Oracus and prewe

0:41:33.320 --> 0:41:35.399
<v Speaker 1>It is like, well, why are you here and he's like, well,

0:41:35.440 --> 0:41:38.560
<v Speaker 1>because the palace is like a battleground also, and then

0:41:38.600 --> 0:41:41.880
<v Speaker 1>he says, young boy, prew it. I have an important

0:41:41.920 --> 0:41:45.000
<v Speaker 1>mission and sadly that mission requires you to be dead,

0:41:45.080 --> 0:41:47.840
<v Speaker 1>and then he like fries the kid with his mind.

0:41:47.960 --> 0:41:48.960
<v Speaker 1>It's really gross.

0:41:49.040 --> 0:41:51.560
<v Speaker 2>Yeah, And it goes on for a long time. They

0:41:51.600 --> 0:41:53.680
<v Speaker 2>are like making you watch and this is not like

0:41:53.719 --> 0:41:55.799
<v Speaker 2>a Jeoffrey who we know is evil. This is just

0:41:55.800 --> 0:41:58.640
<v Speaker 2>like a funny, little rude nine year old with a toy.

0:41:59.120 --> 0:42:03.200
<v Speaker 2>But alas he gets fried with The implication here to

0:42:03.280 --> 0:42:05.880
<v Speaker 2>me is this is to start some kind of war

0:42:06.000 --> 0:42:09.040
<v Speaker 2>or conflict or to stop the wedding, obviously, but also

0:42:09.120 --> 0:42:11.239
<v Speaker 2>I feel like now you're going to have like, oh,

0:42:11.280 --> 0:42:14.120
<v Speaker 2>there's someone in the palace who is a mole who

0:42:14.200 --> 0:42:17.200
<v Speaker 2>is killing people. But obviously we know it's hot, but

0:42:17.239 --> 0:42:18.560
<v Speaker 2>I don't think anyone else is going.

0:42:18.560 --> 0:42:18.920
<v Speaker 3>To know that.

0:42:19.280 --> 0:42:22.160
<v Speaker 1>I think that Desmond Hard is working on the orders

0:42:22.200 --> 0:42:26.480
<v Speaker 1>of the Nascent Spacing guildh in order to make sure

0:42:26.520 --> 0:42:30.320
<v Speaker 1>that the spice production remains chaotic and is up for grabs,

0:42:30.360 --> 0:42:32.479
<v Speaker 1>so that they can get some access to this shit.

0:42:32.600 --> 0:42:33.239
<v Speaker 1>That's what I think.

0:42:33.280 --> 0:42:35.400
<v Speaker 2>I also wondered if it was like he's turned and

0:42:35.400 --> 0:42:37.520
<v Speaker 2>now he's on the side of the Fremen, so he's

0:42:37.560 --> 0:42:40.480
<v Speaker 2>actually there to stop spice being taken.

0:42:40.640 --> 0:42:43.240
<v Speaker 1>Yeah, he doesn't look a Fremen vibe.

0:42:43.400 --> 0:42:45.640
<v Speaker 2>He does look like he may have been doing some

0:42:45.760 --> 0:42:49.320
<v Speaker 2>kissing with a Fremen. Yeah, kissing a Fremen, marrying a Fremen,

0:42:49.760 --> 0:42:51.600
<v Speaker 2>killing children for a freemen. It could happen.

0:42:51.640 --> 0:42:53.920
<v Speaker 1>This guy has smelled the water of life.

0:42:54.160 --> 0:42:56.880
<v Speaker 2>Oh baby, he's spiced himself, that's for sure.

0:42:57.239 --> 0:43:01.280
<v Speaker 1>Valiya wakes to screaming in the school. Tula is also

0:43:01.360 --> 0:43:04.880
<v Speaker 1>awoken by this. They run up. They find Kasha wandering

0:43:05.160 --> 0:43:08.000
<v Speaker 1>the halls in agony, and then she burns up just

0:43:08.080 --> 0:43:09.440
<v Speaker 1>like Pruett died.

0:43:09.600 --> 0:43:12.680
<v Speaker 2>You know, I like Kasha. I was a big Kasha man.

0:43:12.920 --> 0:43:16.440
<v Speaker 1>The only Asian character dies in episode one. I can't

0:43:16.480 --> 0:43:22.279
<v Speaker 1>do we've done it again anyway. Valyya then says, I

0:43:22.320 --> 0:43:26.759
<v Speaker 1>see mother twice and clearly she realizes the importance of

0:43:26.800 --> 0:43:29.200
<v Speaker 1>this event in a way that we don't understand yet,

0:43:29.239 --> 0:43:31.720
<v Speaker 1>and that brings us to the end of our episode.

0:43:31.719 --> 0:43:33.280
<v Speaker 1>We be right back after the word for our sponsors

0:43:33.280 --> 0:43:52.520
<v Speaker 1>to discuss this episode. We're back. Okay, there's a lot.

0:43:52.840 --> 0:43:57.160
<v Speaker 1>There's a lot here. Yeah, and while we discussed the episode,

0:43:57.239 --> 0:44:00.200
<v Speaker 1>let's also discuss some of the lore that we saw

0:44:00.640 --> 0:44:03.399
<v Speaker 1>so that we can all understand what we've seen. First

0:44:03.400 --> 0:44:06.239
<v Speaker 1>of all, just reactions. Aboo, you're the super fan. You've

0:44:06.280 --> 0:44:08.600
<v Speaker 1>been following this Yeah, guy for years, You've been following

0:44:08.600 --> 0:44:11.240
<v Speaker 1>the production news of this show for years. Your thoughts

0:44:11.480 --> 0:44:13.080
<v Speaker 1>Episode one, Dune Prophecy.

0:44:13.760 --> 0:44:18.280
<v Speaker 3>I think I'm cautiously optimistic. I quite enjoyed this first episode,

0:44:18.480 --> 0:44:21.000
<v Speaker 3>and I want to come into it with an open mind.

0:44:21.040 --> 0:44:24.440
<v Speaker 3>Considering it is episode one. I'm trying to remember what

0:44:24.480 --> 0:44:26.799
<v Speaker 3>it felt like to watch Game of Thrones episode one,

0:44:26.880 --> 0:44:27.880
<v Speaker 3>and obviously.

0:44:27.520 --> 0:44:30.080
<v Speaker 2>I think this is very Game of Thrones episode one.

0:44:30.440 --> 0:44:32.880
<v Speaker 3>Yeah, and so I want to give it time to

0:44:32.960 --> 0:44:36.120
<v Speaker 3>tell its story and come into an open minded So

0:44:36.320 --> 0:44:38.560
<v Speaker 3>I'm gonna let it do that before I come down

0:44:38.600 --> 0:44:40.279
<v Speaker 3>too hard on it. Obviously I come in with a

0:44:40.320 --> 0:44:43.680
<v Speaker 3>lot of preconceived notions, just being a Dune person and

0:44:43.760 --> 0:44:46.240
<v Speaker 3>being a lifelong fan of the universe and the books.

0:44:46.800 --> 0:44:49.240
<v Speaker 3>So there's a lot there. There's a lot of easter eggs.

0:44:49.360 --> 0:44:51.960
<v Speaker 3>There's a lot of deep cuts for folks who do

0:44:52.080 --> 0:44:56.200
<v Speaker 3>know you know, Like you mentioned Tiaran RFL earlier, Jason,

0:44:56.440 --> 0:44:59.120
<v Speaker 3>that is a deep, deep cut from the fourth and

0:44:59.320 --> 0:45:03.040
<v Speaker 3>fifth book that Frank Herbert wrote, of the six that

0:45:03.080 --> 0:45:06.560
<v Speaker 3>Frank wrote, and so like most people aren't making it

0:45:06.600 --> 0:45:09.120
<v Speaker 3>that far and aren't recognizing the word RFL, you know,

0:45:09.800 --> 0:45:12.920
<v Speaker 3>And that to me inspires a little bit of confidence

0:45:13.360 --> 0:45:15.719
<v Speaker 3>that the folks behind the show have done their own

0:45:15.760 --> 0:45:18.440
<v Speaker 3>work and are throwing in those deep cuts for the

0:45:18.440 --> 0:45:21.440
<v Speaker 3>super fans and doing their best to also make it accessible.

0:45:21.880 --> 0:45:24.280
<v Speaker 3>I agree with many of the criticisms we've talked about,

0:45:24.640 --> 0:45:29.200
<v Speaker 3>heavy on the exposition a bit of clunky storytelling, a

0:45:29.239 --> 0:45:31.080
<v Speaker 3>lot of things that are like we'll tell you about

0:45:31.080 --> 0:45:33.080
<v Speaker 3>this later, but just keep this in mind. Let's put

0:45:33.120 --> 0:45:34.480
<v Speaker 3>a pin in it. There's a lot of putting pin

0:45:34.560 --> 0:45:38.280
<v Speaker 3>in things for now. But again, episode one of a series,

0:45:39.000 --> 0:45:41.000
<v Speaker 3>it's got to establish a lot of things before we

0:45:41.280 --> 0:45:42.840
<v Speaker 3>get to the meat of it, so I'm willing to

0:45:42.840 --> 0:45:45.480
<v Speaker 3>give it a bit of grace. TLDR. I liked it.

0:45:45.920 --> 0:45:49.280
<v Speaker 3>I'm impressed by what I saw. It's very beautiful visually,

0:45:49.600 --> 0:45:53.000
<v Speaker 3>very beautiful, and I look forward to seeing how the

0:45:53.000 --> 0:45:53.600
<v Speaker 3>rest of it goes.

0:45:54.200 --> 0:45:55.160
<v Speaker 1>Rosie your thoughts.

0:45:55.600 --> 0:45:58.239
<v Speaker 2>I agree with the Boo. Also like Doune for me

0:45:58.480 --> 0:46:01.640
<v Speaker 2>in general, whether it's the Lynch Dune or the Denny

0:46:01.719 --> 0:46:05.160
<v Speaker 2>June or this or even the books when I'm brave

0:46:05.280 --> 0:46:08.360
<v Speaker 2>enough to try and dive into them, it's a vibe

0:46:08.520 --> 0:46:11.240
<v Speaker 2>property for me. I think it's all about the world

0:46:11.320 --> 0:46:15.279
<v Speaker 2>building and the vibe of it and whether you want

0:46:15.280 --> 0:46:17.520
<v Speaker 2>to spend time in that world. And I think Denny

0:46:17.640 --> 0:46:19.359
<v Speaker 2>made me want to spend time in it a lot,

0:46:19.440 --> 0:46:21.080
<v Speaker 2>so I got a lot more into done in the

0:46:21.080 --> 0:46:24.840
<v Speaker 2>books and this first episode. It does a lot of

0:46:24.880 --> 0:46:29.440
<v Speaker 2>things that I really enjoy. I love like a school story,

0:46:29.560 --> 0:46:32.040
<v Speaker 2>in a genre space, So I think it's very interesting

0:46:32.080 --> 0:46:34.680
<v Speaker 2>that we're getting this kind of Bena Jesuit training ground

0:46:34.719 --> 0:46:37.920
<v Speaker 2>that's very ya, very divergent. I was very into that.

0:46:38.360 --> 0:46:41.640
<v Speaker 2>I also thought that it looked great, very cool stuff

0:46:41.680 --> 0:46:45.319
<v Speaker 2>to see, and also I like the weird lore of

0:46:45.360 --> 0:46:48.320
<v Speaker 2>the Benny Jesre, so I'm interested to kind of see

0:46:48.400 --> 0:46:51.920
<v Speaker 2>that happen. Also, I did think, even though you know,

0:46:52.000 --> 0:46:55.600
<v Speaker 2>opening with a narration and a kind of flashback is

0:46:55.960 --> 0:47:00.319
<v Speaker 2>often a shortcut for doing a deeper storytelling, it was

0:47:00.360 --> 0:47:04.359
<v Speaker 2>interesting to see the visualization of what the Machine War

0:47:04.440 --> 0:47:09.160
<v Speaker 2>looked like because I think often Doune feels very archaic

0:47:09.360 --> 0:47:13.920
<v Speaker 2>and very star wars y and very like Sandy Planet's retrofuturism.

0:47:14.280 --> 0:47:16.799
<v Speaker 2>So it's really interesting to get to see that high

0:47:16.880 --> 0:47:19.239
<v Speaker 2>tech segment. So I would be interested to go back

0:47:19.239 --> 0:47:21.200
<v Speaker 2>and look at that. And obviously the AI stuff feels

0:47:21.280 --> 0:47:24.280
<v Speaker 2>very timely right now, Jason, what about you.

0:47:24.719 --> 0:47:28.919
<v Speaker 1>Agree with everything that was said. I'm cautiously in In fact,

0:47:28.960 --> 0:47:32.359
<v Speaker 1>I think very optimistic. I think that a really good

0:47:32.360 --> 0:47:35.400
<v Speaker 1>show I think could emerge here, and could emerge I

0:47:35.400 --> 0:47:38.200
<v Speaker 1>think pretty early on in this season, once we set

0:47:38.239 --> 0:47:40.520
<v Speaker 1>a baseline of understanding of where we are in the world.

0:47:40.600 --> 0:47:43.720
<v Speaker 1>I do think that there are I have small notes,

0:47:44.120 --> 0:47:46.560
<v Speaker 1>like I think the exposition could have been handled better.

0:47:46.880 --> 0:47:48.600
<v Speaker 1>I think that there was too much.

0:47:48.680 --> 0:47:52.120
<v Speaker 2>A lot of characters introduced as well, Like a lot of.

0:47:52.120 --> 0:47:54.919
<v Speaker 1>Characters, I think we could have narrowed the focus considerably,

0:47:55.160 --> 0:47:58.080
<v Speaker 1>like who I couldn't tell you who the main character

0:47:58.160 --> 0:48:01.719
<v Speaker 1>of this episode was, whereas in Game of Thrones episode one,

0:48:01.800 --> 0:48:03.320
<v Speaker 1>it was very clear and Ned was going to be

0:48:03.360 --> 0:48:06.480
<v Speaker 1>the main character of that story, and I think that

0:48:06.480 --> 0:48:08.600
<v Speaker 1>that was a little bit of an issue. I do

0:48:08.680 --> 0:48:11.359
<v Speaker 1>think that there was too much, Like with so much

0:48:11.360 --> 0:48:16.200
<v Speaker 1>information coming at you, I disagree with, Hey, table this

0:48:16.239 --> 0:48:17.799
<v Speaker 1>for later, but it's going to be important. We're going

0:48:17.840 --> 0:48:19.000
<v Speaker 1>to come back to it. I think you need to

0:48:19.040 --> 0:48:22.440
<v Speaker 1>explain more right away and set the stakes right away.

0:48:22.520 --> 0:48:25.960
<v Speaker 2>Yeah, or do more, like more distinct hooks rather than

0:48:25.960 --> 0:48:27.640
<v Speaker 2>put a pin in it. You want to feel hooked?

0:48:27.640 --> 0:48:28.520
<v Speaker 2>Do you want to it?

0:48:28.680 --> 0:48:31.200
<v Speaker 1>Like the wedding is a good example of like why

0:48:31.239 --> 0:48:33.200
<v Speaker 1>is everybody so anxious about this? And then you find

0:48:33.200 --> 0:48:34.600
<v Speaker 1>out it's a nine year old? Just tell us that,

0:48:34.760 --> 0:48:37.040
<v Speaker 1>like off the back, just give us that off the jump.

0:48:37.600 --> 0:48:40.799
<v Speaker 1>There are other weird things, like it was only when

0:48:40.840 --> 0:48:45.880
<v Speaker 1>we started talking in our pre recording powow that I

0:48:46.000 --> 0:48:50.000
<v Speaker 1>realized that it's very possible, if not likely, that Volia

0:48:50.120 --> 0:48:53.040
<v Speaker 1>lies to her sister Tula, that she actually checked the Bai.

0:48:54.960 --> 0:48:58.719
<v Speaker 1>The princess is the right person, because otherwise I was like,

0:48:58.760 --> 0:49:01.120
<v Speaker 1>why does this scene exist? Why is there a scene

0:49:01.160 --> 0:49:05.560
<v Speaker 1>in which Tula and Valia discuss whether or not to

0:49:05.760 --> 0:49:08.239
<v Speaker 1>check the archives and then Folly's like, Okay, I'll check them,

0:49:08.239 --> 0:49:09.919
<v Speaker 1>and then we get a scene later where she's leaving

0:49:09.920 --> 0:49:12.960
<v Speaker 1>the archives, She's like, I checked it. That's really clunky

0:49:12.960 --> 0:49:15.759
<v Speaker 1>to me, And the possibility that she's lying just kind

0:49:15.760 --> 0:49:19.359
<v Speaker 1>of slips by because of all this information that you

0:49:19.400 --> 0:49:22.960
<v Speaker 1>don't know of varying importance, and it's hard to understand,

0:49:23.000 --> 0:49:24.600
<v Speaker 1>like what's important what's not. I think they could have

0:49:24.680 --> 0:49:28.040
<v Speaker 1>set stuff up like that better by just letting you

0:49:28.160 --> 0:49:31.399
<v Speaker 1>see that she didn't actually do it, and and there's

0:49:31.480 --> 0:49:34.759
<v Speaker 1>like various things like that. Oh and one more, I

0:49:34.800 --> 0:49:38.239
<v Speaker 1>think that the Sisterhood is too far along. I would

0:49:38.239 --> 0:49:42.200
<v Speaker 1>have liked it if they were further back in their evolution,

0:49:42.440 --> 0:49:45.640
<v Speaker 1>because yes, they're not the Benny Jesuit yet, right, and

0:49:45.680 --> 0:49:48.279
<v Speaker 1>they've just only developed the voice, and they may not

0:49:48.440 --> 0:49:51.160
<v Speaker 1>have other technologies like the Gomjabar and different.

0:49:51.320 --> 0:49:53.080
<v Speaker 2>Already in these spaces.

0:49:53.120 --> 0:49:55.480
<v Speaker 1>But they're already there are They already have someone with

0:49:55.520 --> 0:49:58.520
<v Speaker 1>the emperor who's advising the emperor. They already have sisters

0:49:58.560 --> 0:50:01.879
<v Speaker 1>who are placed with very great houses throughout the lands

0:50:01.920 --> 0:50:05.560
<v Speaker 1>right including the Chess, and so they've already grown to

0:50:05.680 --> 0:50:10.440
<v Speaker 1>this incredible extent where they're doing essentially the core functions

0:50:10.440 --> 0:50:12.760
<v Speaker 1>of what the Benijeres are going to do ten thousand

0:50:12.800 --> 0:50:15.160
<v Speaker 1>years now, and I think that's too similar. I would

0:50:15.200 --> 0:50:18.400
<v Speaker 1>have liked to see them having to make the case

0:50:18.440 --> 0:50:22.440
<v Speaker 1>about why it's important to have one of these sisters

0:50:23.160 --> 0:50:26.520
<v Speaker 1>to in your hall of power, like why do you

0:50:26.640 --> 0:50:28.719
<v Speaker 1>want someone like this next to a duke, next to

0:50:28.800 --> 0:50:32.479
<v Speaker 1>the emperor, next to a various other lords? And that's

0:50:32.520 --> 0:50:34.759
<v Speaker 1>my only one note that said. I do I think

0:50:34.800 --> 0:50:36.879
<v Speaker 1>this is I think this is really promising. I think

0:50:36.920 --> 0:50:39.000
<v Speaker 1>obviously it looks great, and I think that there is

0:50:39.600 --> 0:50:42.319
<v Speaker 1>potential for a really really fun show. And I love

0:50:42.400 --> 0:50:45.360
<v Speaker 1>the kind of political machinations that direction they've taken it,

0:50:45.400 --> 0:50:48.319
<v Speaker 1>which is so core I think to the experience of

0:50:48.360 --> 0:50:51.000
<v Speaker 1>reading Dune, and so I can't wait to see where

0:50:51.040 --> 0:50:54.480
<v Speaker 1>this goes. Now that we've talked about our reactions. I

0:50:54.480 --> 0:50:58.120
<v Speaker 1>think we're all on the same page. Let's mine the mind,

0:50:58.520 --> 0:51:02.799
<v Speaker 1>yes of super producer Boo, to try and understand this

0:51:02.920 --> 0:51:05.719
<v Speaker 1>world a little better and get some of that exposition

0:51:05.800 --> 0:51:08.879
<v Speaker 1>that that show dumped on us to set in our

0:51:08.880 --> 0:51:12.800
<v Speaker 1>minds a little bit more. Let's start. You mentioned RFL,

0:51:13.239 --> 0:51:16.840
<v Speaker 1>the term we heard. Let's go further into some of

0:51:16.880 --> 0:51:18.880
<v Speaker 1>those easter eggs. What are some of those deep cuts

0:51:18.920 --> 0:51:21.160
<v Speaker 1>those easter eggs that the show dropped on us.

0:51:21.440 --> 0:51:23.320
<v Speaker 3>Sure, so there's a couple of things that I found.

0:51:23.520 --> 0:51:27.080
<v Speaker 3>And this is all super fun for me personally because

0:51:27.320 --> 0:51:30.759
<v Speaker 3>I love world building. And again, I'm picking apart some

0:51:30.800 --> 0:51:33.680
<v Speaker 3>of these because I think it shows us the confidence

0:51:33.719 --> 0:51:36.719
<v Speaker 3>with which the creators are coming into this story. They've

0:51:36.719 --> 0:51:39.480
<v Speaker 3>done their homework, and that inspires confidence in someone like me.

0:51:40.080 --> 0:51:42.960
<v Speaker 3>I mentioned RFL, so we already talked about how in

0:51:43.000 --> 0:51:46.960
<v Speaker 3>the show it's defined as this great yet vague sort

0:51:47.000 --> 0:51:50.840
<v Speaker 3>of existential threat for the Sisterhood, some sort of reckoning,

0:51:50.960 --> 0:51:54.600
<v Speaker 3>perhaps a tyrant. It's not very well defined what exactly

0:51:54.719 --> 0:51:57.600
<v Speaker 3>this RFL threat is, but we know that Raquela has

0:51:57.640 --> 0:52:01.799
<v Speaker 3>foreseen it and Vally is working toward preventing it. And

0:52:02.000 --> 0:52:04.239
<v Speaker 3>what's funny is like in the fourth and fifth do

0:52:04.320 --> 0:52:07.000
<v Speaker 3>in books. That's basically how it's used in the books

0:52:07.000 --> 0:52:11.000
<v Speaker 3>as well, this vague existential threat that's very loosely defined

0:52:11.640 --> 0:52:15.720
<v Speaker 3>that folks are foreseeing and worried about and trying to prevent.

0:52:16.280 --> 0:52:18.360
<v Speaker 3>I did a little bit of history. What's fun is

0:52:18.360 --> 0:52:21.120
<v Speaker 3>Frank is obviously borrowing a lot of his world building

0:52:21.200 --> 0:52:26.400
<v Speaker 3>from real world religions and traditions and cultures. And so RFL,

0:52:26.680 --> 0:52:29.080
<v Speaker 3>for folks who may not know, is actually the Hebrew

0:52:29.160 --> 0:52:32.520
<v Speaker 3>word for fog. And within a religious context you see

0:52:32.600 --> 0:52:35.120
<v Speaker 3>RFL come up in the Bible a lot. For example,

0:52:35.400 --> 0:52:38.880
<v Speaker 3>it's usually used to refer to the apocalypse. So clearly

0:52:38.960 --> 0:52:41.399
<v Speaker 3>there's a line here between the way Frank is using

0:52:41.480 --> 0:52:43.960
<v Speaker 3>it and the real world use of that word. Something

0:52:43.960 --> 0:52:47.440
<v Speaker 3>else I wanted to call out quickly was at Raquella's funeral,

0:52:48.000 --> 0:52:50.919
<v Speaker 3>we hear Dorotea and some of the other sisters say

0:52:50.960 --> 0:52:54.160
<v Speaker 3>the words the mind of man is holy. And that's

0:52:54.160 --> 0:52:57.080
<v Speaker 3>important because that's sort of like the rallying cry of

0:52:57.160 --> 0:53:02.000
<v Speaker 3>the but Larians, the Butleryan gihad. Is is this turning

0:53:02.080 --> 0:53:05.879
<v Speaker 3>against the machines, right, this war against the machines. Here

0:53:05.880 --> 0:53:08.280
<v Speaker 3>in the show, it's a literal war. I would argue,

0:53:08.280 --> 0:53:11.319
<v Speaker 3>in Frank Herbert's original interpretation of it, it was more

0:53:11.360 --> 0:53:17.160
<v Speaker 3>of a religious Zelot turning against technology as something that

0:53:17.280 --> 0:53:20.440
<v Speaker 3>harms us as humans, takes away our humanity, and so

0:53:20.480 --> 0:53:24.000
<v Speaker 3>we turned against it. In the show it's a literal war.

0:53:24.120 --> 0:53:26.359
<v Speaker 3>But regardless, the mind of man is holy is sort

0:53:26.360 --> 0:53:29.759
<v Speaker 3>of the rallying cry of that man is holy and

0:53:29.960 --> 0:53:33.480
<v Speaker 3>relying too much on technology takes away from man's holiness.

0:53:34.000 --> 0:53:36.720
<v Speaker 3>And Jason, before our recording, you had asked, like, where's

0:53:36.760 --> 0:53:38.640
<v Speaker 3>the line? You know, what are we saying is a

0:53:38.680 --> 0:53:41.360
<v Speaker 3>thinking machine and must be banned? And where are we

0:53:41.440 --> 0:53:44.800
<v Speaker 3>saying it's okay? And I think the easiest way to

0:53:44.840 --> 0:53:48.080
<v Speaker 3>think about it is a thinking machine is something that

0:53:48.160 --> 0:53:54.200
<v Speaker 3>can compute on its own, and any sort of mechanical

0:53:54.239 --> 0:53:58.880
<v Speaker 3>machine that requires human input and human control to operate

0:53:59.560 --> 0:54:02.680
<v Speaker 3>is fine. Maybe it toes the line a little bit,

0:54:03.120 --> 0:54:05.640
<v Speaker 3>and certainly many technologies in the books toe the line.

0:54:05.640 --> 0:54:07.680
<v Speaker 3>A lot of cultures are pushing how far they can

0:54:08.120 --> 0:54:11.120
<v Speaker 3>mess with the Butlerians, But I think it's that so

0:54:11.200 --> 0:54:15.600
<v Speaker 3>like a computer that does, like advanced computations, not kosher,

0:54:15.840 --> 0:54:18.720
<v Speaker 3>but like a I don't know, like a claw machine,

0:54:18.760 --> 0:54:21.800
<v Speaker 3>a ship, a ship, something that moves because like people

0:54:21.840 --> 0:54:26.440
<v Speaker 3>push buttons. That's okay, So that's interesting. Two super quick

0:54:26.440 --> 0:54:29.200
<v Speaker 3>things I wanted to call out as well. We see

0:54:29.239 --> 0:54:31.520
<v Speaker 3>the blue within blue eyes in this episode, which is

0:54:31.560 --> 0:54:34.680
<v Speaker 3>fun because we've seen that Timothy Shallowy himself gets blue

0:54:34.680 --> 0:54:40.720
<v Speaker 3>eyes in the movies. Here it's Kieran's girlfriend, question Mark friend.

0:54:43.680 --> 0:54:47.920
<v Speaker 3>She has blue eyes, And if you've only seen the movies,

0:54:47.920 --> 0:54:50.439
<v Speaker 3>you might think is that a Fremen because I've only

0:54:50.440 --> 0:54:53.600
<v Speaker 3>ever seen Fremen with blue eyes. But the reality is

0:54:53.680 --> 0:54:55.560
<v Speaker 3>these eyes, which are called the eyes of a bad

0:54:55.880 --> 0:54:58.240
<v Speaker 3>are just the result of spice addiction. So we're getting

0:54:58.239 --> 0:55:00.120
<v Speaker 3>some hints here that maybe a lot of this clobe ub,

0:55:00.719 --> 0:55:03.920
<v Speaker 3>a lot of what's being consumed is spice or spice adjacent,

0:55:04.520 --> 0:55:07.160
<v Speaker 3>and perhaps this person in particular is addicted and has

0:55:07.160 --> 0:55:07.680
<v Speaker 3>the blue eyes.

0:55:07.840 --> 0:55:10.799
<v Speaker 1>Question regarding spice addiction, because I think we've seen from

0:55:10.880 --> 0:55:14.319
<v Speaker 1>Dune and from the later lore that continue to suspice

0:55:15.280 --> 0:55:18.440
<v Speaker 1>you basically become immortal, but it also mutates you use

0:55:18.520 --> 0:55:23.200
<v Speaker 1>of the fucking like a crazy huge cadpole. Much of

0:55:23.200 --> 0:55:26.080
<v Speaker 1>the Space and Guild. That said, it seems to me

0:55:26.239 --> 0:55:30.640
<v Speaker 1>like how expensive would like a crippling spice addiction be

0:55:30.640 --> 0:55:34.680
<v Speaker 1>because this is like the rarest, the most hard to get,

0:55:35.040 --> 0:55:38.600
<v Speaker 1>the most important substance in the universe, and it is

0:55:38.640 --> 0:55:41.279
<v Speaker 1>a little crazy to me that it would even be

0:55:41.440 --> 0:55:43.360
<v Speaker 1>possible to use it recreationally.

0:55:43.640 --> 0:55:46.920
<v Speaker 3>Yes, you are correct. I think we are seeing a

0:55:47.000 --> 0:55:50.919
<v Speaker 3>club for the one percenters. Hence the princess is going

0:55:50.960 --> 0:55:53.960
<v Speaker 3>to this club in particular, and I think the patrons

0:55:53.960 --> 0:55:57.200
<v Speaker 3>are also fellow one percenters. The economics, of course, like

0:55:57.320 --> 0:55:59.920
<v Speaker 3>frankdon lay out the economics of spice, and if you

0:56:00.080 --> 0:56:02.359
<v Speaker 3>try to pick apart the hints throughout the books and

0:56:02.400 --> 0:56:04.080
<v Speaker 3>do the math, which I have tried to do, it

0:56:04.120 --> 0:56:08.240
<v Speaker 3>makes absolutely no sense. So I think just the simple

0:56:08.280 --> 0:56:10.759
<v Speaker 3>answer to that is like spice is available to the

0:56:10.760 --> 0:56:14.920
<v Speaker 3>wealthy enough people and they are able to consume it

0:56:14.960 --> 0:56:16.880
<v Speaker 3>in enough quantities, which is not a lot. You only

0:56:16.920 --> 0:56:18.760
<v Speaker 3>need a little bit of spice to get addicted.

0:56:19.200 --> 0:56:21.960
<v Speaker 1>You mentioned the earlier in our conversation, like the kind

0:56:22.000 --> 0:56:25.000
<v Speaker 1>of like the three legged tripod the Emperor.

0:56:25.040 --> 0:56:27.920
<v Speaker 2>That's why I was gonna say, yeah, yeah, tell us

0:56:27.960 --> 0:56:31.880
<v Speaker 2>about how why is spice important in a post computer

0:56:32.080 --> 0:56:36.280
<v Speaker 2>world and what does it allow humanity to do.

0:56:36.520 --> 0:56:41.120
<v Speaker 3>That's a great question. First of all, it's economically important. Spice,

0:56:41.560 --> 0:56:45.640
<v Speaker 3>very analogous to oil, is the oil of this universe.

0:56:45.680 --> 0:56:48.400
<v Speaker 3>It operates a lot of things. So the Guild operates

0:56:48.520 --> 0:56:51.960
<v Speaker 3>giant ships. But since it can't travel through space and

0:56:52.000 --> 0:56:56.600
<v Speaker 3>through void space using advanced computers that do the computations

0:56:56.640 --> 0:57:00.279
<v Speaker 3>for them, they use these tadpole fish people that you're

0:57:00.320 --> 0:57:03.080
<v Speaker 3>alluding to, Jason, which we won't see until future books

0:57:03.120 --> 0:57:07.000
<v Speaker 3>and movies. These navigators consume tons and tons of spice.

0:57:07.040 --> 0:57:10.359
<v Speaker 3>They live in these giant vats of spice, and then

0:57:10.400 --> 0:57:14.000
<v Speaker 3>they basically they trip balls and vision their way through

0:57:14.400 --> 0:57:18.120
<v Speaker 3>safely navigating this ship. So spice is the engine that

0:57:18.440 --> 0:57:22.760
<v Speaker 3>is powering transportation within the Empire. That's one value of it.

0:57:22.840 --> 0:57:26.720
<v Speaker 3>The Sisterhood needs spice in order to create reverend Mothers,

0:57:26.720 --> 0:57:29.840
<v Speaker 3>in order to create truth sayers, So there's another political

0:57:30.000 --> 0:57:33.640
<v Speaker 3>and economic aspect of it. The Sisterhood needs it, so

0:57:33.840 --> 0:57:38.080
<v Speaker 3>it's necessary for a lot of the groups that pop

0:57:38.160 --> 0:57:41.800
<v Speaker 3>up host Machine War to fill in the gaps of technology.

0:57:42.400 --> 0:57:45.200
<v Speaker 3>Spice powers a lot of these groups and their abilities

0:57:45.440 --> 0:57:49.240
<v Speaker 3>and thus becomes this very essential commodity that many groups

0:57:49.280 --> 0:57:52.680
<v Speaker 3>need for various reasons. And then are fighting over because

0:57:52.680 --> 0:57:53.680
<v Speaker 3>of politics and power.

0:57:54.640 --> 0:57:56.840
<v Speaker 1>Anything else that we should know that will help us

0:57:56.920 --> 0:58:00.960
<v Speaker 1>understand the world of Doom Prophecy as we head into

0:58:01.160 --> 0:58:02.400
<v Speaker 1>the rest of the season.

0:58:03.160 --> 0:58:06.120
<v Speaker 3>The final thing, this is a deep, deep cut one

0:58:06.200 --> 0:58:08.120
<v Speaker 3>last thing I wanted to kind of shout out for,

0:58:08.400 --> 0:58:12.439
<v Speaker 3>in particular my Dune heads out there. The Empress has

0:58:12.480 --> 0:58:15.680
<v Speaker 3>this very quick throwaway line about the traders of Harmon

0:58:15.760 --> 0:58:18.640
<v Speaker 3>THEP when she's talking about her wedding dress with Yez,

0:58:19.320 --> 0:58:22.840
<v Speaker 3>and that perked my ears up because Harmon THEP is

0:58:22.840 --> 0:58:25.280
<v Speaker 3>a planet that shows up in many of the Brian

0:58:25.320 --> 0:58:28.040
<v Speaker 3>Herbert Kevin J. Anderson prequel books. It's also in the

0:58:28.120 --> 0:58:31.280
<v Speaker 3>Dune Encyclopedia, which is this expanded lore book that was

0:58:31.320 --> 0:58:34.840
<v Speaker 3>created and then decanonized many years ago. But Harmit THEP

0:58:34.920 --> 0:58:36.600
<v Speaker 3>is fun that it got a name drop because it's

0:58:36.640 --> 0:58:39.880
<v Speaker 3>a planet that's located in the same Solar system as Kaladin.

0:58:40.520 --> 0:58:44.200
<v Speaker 3>It has a pretty interesting history the precursors to the

0:58:44.240 --> 0:58:47.880
<v Speaker 3>Fremen people known as the Zensuni Wanderers. It was one

0:58:47.920 --> 0:58:51.120
<v Speaker 3>of the planets that they wandered to. These people were

0:58:51.160 --> 0:58:54.520
<v Speaker 3>basically persecuted and forcibly migrated from planet to planet before

0:58:54.560 --> 0:58:57.360
<v Speaker 3>settling on Oracus. Harmon Dep was one of those planets.

0:58:58.000 --> 0:58:59.680
<v Speaker 3>What's fun is we are so far back in the

0:58:59.760 --> 0:59:02.680
<v Speaker 3>history again, ten thousand years back in the.

0:59:02.720 --> 0:59:05.520
<v Speaker 1>History that's twice recorded human history.

0:59:05.600 --> 0:59:08.760
<v Speaker 3>Yeah, yeah, so we are so far before any of this.

0:59:09.440 --> 0:59:11.880
<v Speaker 3>These Zansuni wanderers are not on Harmon Dep right now

0:59:11.880 --> 0:59:14.320
<v Speaker 3>in the show. None of that matters really, Like Harma

0:59:14.400 --> 0:59:16.400
<v Speaker 3>Dep gets blown up. It gets nuked and blown up

0:59:16.520 --> 0:59:19.680
<v Speaker 3>six thousand years after this show takes place. But what's

0:59:19.680 --> 0:59:22.520
<v Speaker 3>fun is, by the time we're in Paul's universe, Harmit

0:59:22.560 --> 0:59:24.960
<v Speaker 3>Dep is like a rumor. It's a lost world. There's

0:59:24.960 --> 0:59:27.520
<v Speaker 3>a lost language. Nobody knows what happened to Harmon thep

0:59:28.000 --> 0:59:31.560
<v Speaker 3>And it's fun to get again these really deep cuts

0:59:31.760 --> 0:59:35.560
<v Speaker 3>in a show that clearly knows that the super fans

0:59:35.600 --> 0:59:37.320
<v Speaker 3>like me are going to be out here listening for

0:59:37.360 --> 0:59:39.240
<v Speaker 3>that sort of thing. So I wanted to call that

0:59:39.280 --> 0:59:41.840
<v Speaker 3>out too. I think that's fun that they're picking tiny,

0:59:41.880 --> 0:59:45.560
<v Speaker 3>tiny details and like throwaway planets to include in the writ.

0:59:45.560 --> 0:59:47.520
<v Speaker 2>That's the kind of stuff that makes us excited to

0:59:47.640 --> 0:59:51.800
<v Speaker 2>watch these shows and kind of agree into them. And yeah, yeah,

0:59:51.960 --> 0:59:54.960
<v Speaker 2>this was really fun. I'm glad to be learning more

0:59:55.000 --> 0:59:57.720
<v Speaker 2>about the wild world of Dune.

0:59:57.800 --> 0:59:58.880
<v Speaker 3>Yeah, truly wild.

0:59:59.240 --> 1:00:01.720
<v Speaker 1>On tomorrow's episode of X ray Vision, we're diving into

1:00:01.720 --> 1:00:04.720
<v Speaker 1>our favorite films in the world of sword and Sandals,

1:00:04.760 --> 1:00:08.120
<v Speaker 1>movies and television shows, and then our Friday we're sharing

1:00:08.120 --> 1:00:15.640
<v Speaker 1>our reactions to Gladdie in a tube. That's it for

1:00:15.760 --> 1:00:23.520
<v Speaker 1>the episode. Thanks for listening, Bye bye. X ray Vision

1:00:23.600 --> 1:00:27.440
<v Speaker 1>is hosted by Jason Nsumsion and Rosie Knight and is

1:00:27.480 --> 1:00:31.560
<v Speaker 1>a production of iHeart Podcasts. Our executive producers are Joelle

1:00:31.560 --> 1:00:36.440
<v Speaker 1>Smith and Aaron Kaufman. Our supervising producer is a Boo Zafar.

1:00:37.400 --> 1:00:41.800
<v Speaker 1>Our producers are Carmen Lawn and Mia Taylor. Our theme

1:00:41.840 --> 1:00:43.480
<v Speaker 1>song is by Brian Basquez.

1:00:43.960 --> 1:00:48.280
<v Speaker 2>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

1:00:48.600 --> 1:00:50.680
<v Speaker 2>and Heidi a Discoord moderata