WEBVTT - Abandoned at Age 13 by His Mother: The Sam + Reed Harkness Story

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<v Speaker 1>Sam Harkness was thirteen years old when his mother left

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<v Speaker 1>one day, leaving no note, no forwarding address, no information

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<v Speaker 1>on where she was going. Sam and his brothers were

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<v Speaker 1>then left with the question of not only why, but

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<v Speaker 1>also where and how. The telling of Sam's story is

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<v Speaker 1>all the more remarkable because Sam's half brother, Read Harkness,

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<v Speaker 1>made a series of films about Sam's antics while he

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<v Speaker 1>was a child and an adolescent. The film Sam Now

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<v Speaker 1>beautifully intercuts this footage of Sam the child with Sam

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<v Speaker 1>the adult on a journey to find his mother and

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<v Speaker 1>the far more complex journey of what to do when

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<v Speaker 1>he finally finds her. It's the story of complex and

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<v Speaker 1>difficult personalities in a family, how they affect everyone, the

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<v Speaker 1>challenges in balancing empathy, compassion, boundaries, and reality at how

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<v Speaker 1>healing is a process of evolution. This podcast should not

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<v Speaker 1>be used as a substitute for medical or mental health advice.

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<v Speaker 1>Individuals are advised to seek independent medical advice, counseling, and

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<v Speaker 1>or therapy from a healthcare professional with respect to any

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<v Speaker 1>medical condition, mental health issue, or health inquiry, including matters

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<v Speaker 1>discussed on this podcast. The views and opinions expressed are

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<v Speaker 1>solely those of the podcast author or individuals participating in

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<v Speaker 1>the podcast, and do not represent the opinions of Red

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<v Speaker 1>Table Talk Productions, iHeartMedia, or their employees. So Sam and Reid,

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<v Speaker 1>welcome to Navigating Narcissism. Your film is one of those

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<v Speaker 1>films I call sort of a film that sticks to

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<v Speaker 1>the hippocampus. You can't quite shake it. It's so visually beautiful.

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<v Speaker 1>It's a richly told story. It is such a unique

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<v Speaker 1>use of foot I can't wait till everyone in the

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<v Speaker 1>world can see this film because it is actually one

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<v Speaker 1>of the more beautiful, evocative films I've seen. Your dream

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<v Speaker 1>is a psychologist dream. So thank you for bringing your

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<v Speaker 1>art into the world. It's wonderful to our listeners. Sam

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<v Speaker 1>and Read our brothers. Sam is a subject of this film.

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<v Speaker 1>Read is a filmmaker, and what's stunning about the film

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<v Speaker 1>is it stitches together twenty five years of home videos.

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<v Speaker 1>Read shot of Sam and their film. Sam Now is

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<v Speaker 1>really a movie about love. It's about longing, it's about loss,

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<v Speaker 1>it's about family, and it's also about intergenerational issues within

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<v Speaker 1>a family and understanding how the trauma and loss of

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<v Speaker 1>one generation pays forward into another and how it impacts them.

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<v Speaker 1>So that's my take on it, my shrinky take. I

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<v Speaker 1>would love to hear from both of you. Tell us

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<v Speaker 1>please a little bit about the film.

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<v Speaker 2>Thank you so much for then intro. This is a

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<v Speaker 2>film I started when I was a teenager, and I

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<v Speaker 2>persisted for twenty five years. And the reason why is

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<v Speaker 2>because I was really interested in some characteristics about my

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<v Speaker 2>little brother. He's my half brother, and this sort of

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<v Speaker 2>resilient attitude he had. He would always take falls but

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<v Speaker 2>then bounce right back up, which is not something I

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<v Speaker 2>naturally do. So I kept filming him over the years

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<v Speaker 2>and started to learn more about him and see this

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<v Speaker 2>kid kind of grow up. At this point that we

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<v Speaker 2>bring up making a film about Sam's missing mother, my stepmother.

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<v Speaker 2>She disappeared one day from our family without telling anyone.

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<v Speaker 2>This is a shock to the family. Nobody expects it,

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<v Speaker 2>and eventually the police are contacted and weeks later, a

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<v Speaker 2>missing person's detective gets back to our family and says,

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<v Speaker 2>we found her. She's not being held against her will

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<v Speaker 2>and she doesn't want to any of you. So we're

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<v Speaker 2>left with that for the next three years, and it's

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<v Speaker 2>a really awkward thing in the family. The adults don't

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<v Speaker 2>seem to know what to do, and our brother Jared

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<v Speaker 2>is very depressed and is dropping out of school, and

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<v Speaker 2>there's not much support for Sam either, So it becomes

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<v Speaker 2>a strange thing where I find, as the older brother

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<v Speaker 2>that I should get involved.

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<v Speaker 1>Can I ask you, Sam? And I think listeners almost

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<v Speaker 1>need a moment to take this in.

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<v Speaker 2>You.

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<v Speaker 1>Basically, one day your mother disappeared, and then not only

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<v Speaker 1>do you find out that it wasn't an accident or

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<v Speaker 1>something like that, but that she's very much alive and

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<v Speaker 1>doesn't want to talk to you. This is so many

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<v Speaker 1>layered losses that for many people it's incomprehensible. Interestingly, the

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<v Speaker 1>story of the father leaving is one that I don't

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<v Speaker 1>want to say quite normalized, but it's definitely sort of

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<v Speaker 1>steeped in the culture. The idea of a mother leaving

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<v Speaker 1>is a very rare and anomalous experience. And so so Sam,

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<v Speaker 1>how old were you at the time your mother left?

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<v Speaker 3>It was right when I was entering high school, so

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<v Speaker 3>right before my freshman year May it was thirteen.

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<v Speaker 4>Yeah, okay, so thirteen.

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<v Speaker 1>The reason I want to know the age is that

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<v Speaker 1>that's actually a pretty significant juncture, right, This is sort

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<v Speaker 1>of now a boy, girl, anyone. It's in puberty and

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<v Speaker 1>coming out of puberty into adolescence, and so's there's a lot.

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<v Speaker 1>There's a lot happening even on a good day for

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<v Speaker 1>the average thirteen year old boy.

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<v Speaker 4>Let alone. Now you're a thirteen year.

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<v Speaker 1>Old boy about to go to high school and your

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<v Speaker 1>mother has disappeared. Is Jared younger than you or older

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<v Speaker 1>than you?

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<v Speaker 3>Older by two and a half years.

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<v Speaker 1>So Jared's an adolescent. You're coming into adolescence, and now

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<v Speaker 1>your mom is gone. So before we get to that,

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<v Speaker 1>what was your relationship like with your mom when she

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<v Speaker 1>was still there and you were living with her.

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<v Speaker 3>Yes, So, firstly, my parents were divorced, and so it

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<v Speaker 3>was a very i think typical split time. A custody

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<v Speaker 3>between the two parents was every other weekend in a

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<v Speaker 3>couple of week days at my mom's house, and I

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<v Speaker 3>think we had a close relationship. I think I was

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<v Speaker 3>closer with my dad solely because I was very into

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<v Speaker 3>athletics and sports and he really nourished that part of me.

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<v Speaker 3>And also a lot of my friends were in my

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<v Speaker 3>dad's neighborhood. So sometimes when we're at my mom's house,

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<v Speaker 3>it was kind of a little more isolation. But my

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<v Speaker 3>mom was really responsible for a lot of like academics

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<v Speaker 3>and keeping up with a lot of our social lives. Again,

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<v Speaker 3>even though it wasn't necessarily in her neighborhood, she kept

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<v Speaker 3>up on like birthday parties and making sure we made

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<v Speaker 3>those in planning play dates and all these things. I

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<v Speaker 3>think she understood my social life better and knew a

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<v Speaker 3>lot of my friends and my friend's parents as well.

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<v Speaker 3>She was more on top of, like meals every night,

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<v Speaker 3>more on top of routine.

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<v Speaker 1>I would say, I'm so glad you shared that, Sam,

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<v Speaker 1>because you know, I think that one would say a

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<v Speaker 1>mom would abandon a child or move away or just disappear,

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<v Speaker 1>that maybe they weren't being a mom before they left.

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<v Speaker 4>But what you're describing is very mom stuff.

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<v Speaker 1>Routines and meals and setting up playdates and social life

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<v Speaker 1>and homework.

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<v Speaker 4>I mean, that's momming.

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<v Speaker 1>And so you know you very much had that relationship

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<v Speaker 1>with her. Frankly, sand which magnifies the magnitude of the loss,

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<v Speaker 1>because it wasn't like this was a checked out mom.

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<v Speaker 1>What I'm hearing from you is that she actually, at

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<v Speaker 1>least on these measures, was very present and was doing

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<v Speaker 1>the things we would expect that a mother would do

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<v Speaker 1>for both you and your brother.

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<v Speaker 3>Yeah, And I would even say that I had the

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<v Speaker 3>not to like rate the relationships for my mom and

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<v Speaker 3>my brothers. But I think I had the lowest kind

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<v Speaker 3>of attachment to her between my brothers, and so my

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<v Speaker 3>brother Jared had an even stronger attachment. I think the

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<v Speaker 3>way me and my dad kind of vibed in sports

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<v Speaker 3>and whatnot, my brother Jared and my mom vibed a

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<v Speaker 3>lot more with everything else. Like he was much more

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<v Speaker 3>of an academic and she was very much into that.

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<v Speaker 3>And it's not like I had a batterlyhip with her.

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<v Speaker 3>Is this more that I could see there was more

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<v Speaker 3>of a closeness with them.

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<v Speaker 1>And read I know that she was your stepmother. How

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<v Speaker 1>did that affect you? You were quite a bit older.

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<v Speaker 1>How did it affect you when she left?

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<v Speaker 2>She left right around a time when I was also

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<v Speaker 2>like moving out and I was actually living in Portland

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<v Speaker 2>at the time. I thought it was just like the

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<v Speaker 2>strangest thing, and thought that she was just going to

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<v Speaker 2>come back like any day.

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<v Speaker 3>You know.

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<v Speaker 2>It's like seemed like the kind of thing where it's like, Okay,

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<v Speaker 2>something's happened and she's she's going to be back any day,

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<v Speaker 2>and then time passes. I keep checking in with our

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<v Speaker 2>dad and there's no news, and it gets weirder and

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<v Speaker 2>weirder as time goes on.

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<v Speaker 1>So, Sam, can you share what it was like in

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<v Speaker 1>those early days your mom's disappeared and it took a

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<v Speaker 1>minute to figure out what had happened. What was that

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<v Speaker 1>early period of time like for you, not just when

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<v Speaker 1>she had first left, but then when there's recognition that

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<v Speaker 1>she was okay, but that she did not want to

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<v Speaker 1>talk to you. How did all of that feel and

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<v Speaker 1>play out.

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<v Speaker 3>For you initially? I think like one of the big

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<v Speaker 3>memories that sticks out to me was continuing to go

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<v Speaker 3>to my stepdad's house even when my mom was very

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<v Speaker 3>clearly gone and not well maybe we didn't know she

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<v Speaker 3>was coming back yet, but there was like a good

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<v Speaker 3>couple of months where we continued the routine of going

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<v Speaker 3>over to my stepdad's house and we would literally Jared

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<v Speaker 3>and I would show up asking my stepdad, Hey, is

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<v Speaker 3>mom home, and then he would say no, and then

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<v Speaker 3>he would ask questions back to us, have you heard

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<v Speaker 3>from her? And it was a very bizarre exchange. And

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<v Speaker 3>that's kind of what it's referencing with a little bit

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<v Speaker 3>of the role reversal, where sometimes I felt like we

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<v Speaker 3>also had to have some responsibility for where she was

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<v Speaker 3>or having tabs on what's going on and when we

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<v Speaker 3>had no idea. But that was kind of when I

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<v Speaker 3>think it was starting to hit that I was like,

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<v Speaker 3>this is not normal that we just keep going to

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<v Speaker 3>this house expecting her to be there and she's not.

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<v Speaker 3>And then when we found out that she wasn't coming

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<v Speaker 3>back we kind of heard about the investigator and that

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<v Speaker 3>she wasn't gonna be returning, that was hard. But I

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<v Speaker 3>think that's when I made a pretty quick switch, and

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<v Speaker 3>I probably didn't emotionally process it very easily. I think

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<v Speaker 3>I switched to like, oh, I'm independent, I'm a young man,

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<v Speaker 3>I can do this, I've been able to do this,

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<v Speaker 3>and really just put off processing it all together and

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<v Speaker 3>didn't really think about it too much.

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<v Speaker 1>So in a way, Sam, I'm hearing, it's almost like

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<v Speaker 1>you managed it a little bit like one might a death,

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<v Speaker 1>Like she's gone, that's it, keep going.

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<v Speaker 3>Yeah, I'd say.

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<v Speaker 2>So.

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<v Speaker 3>We'd get gifts sent to us like Christmas and our birthdays,

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<v Speaker 3>and she had made sure that you couldn't track where

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<v Speaker 3>they were coming from. And so gift giving is kind

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<v Speaker 3>of a triggering thing for me sometimes. So especially like packages,

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<v Speaker 3>that was a thing that like, I don't know, held

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<v Speaker 3>some sort of hope for me. Sometimes was like these

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<v Speaker 3>these packages that would show up and almost like a

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<v Speaker 3>replacement for her presence, but I you know, I don't know,

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<v Speaker 3>held on to it in some kind of way. That

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<v Speaker 3>was like, oh, she is coming back, and.

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<v Speaker 1>Yeah, hope can be a miraculous thing and a treacherous thing.

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<v Speaker 1>The gifts that would come from a person who disappeared

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<v Speaker 1>who is your mother, and who didn't want to be

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<v Speaker 1>found but was still making her presence known clearly brought

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<v Speaker 1>up a mix of emotions. In an ambiguous situation like this,

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<v Speaker 1>Hope is really tricky. It begs the question of whether

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<v Speaker 1>it would have been easier if she didn't send the

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<v Speaker 1>gifts at all, so Sam and his brothers could just

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<v Speaker 1>move on. Hope can create connective tissue in a relationship

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<v Speaker 1>even when the person is physically gone. So it fostered

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<v Speaker 1>a hope and in a way then that gift actually

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<v Speaker 1>had quite a different impact. And I mean, at some

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<v Speaker 1>level one would say we would never know We'll never

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<v Speaker 1>know what her agenda was in sending those gifts, because

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<v Speaker 1>there was you know, to send a gift from a

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<v Speaker 1>mother that you'd have once had, who has no intention

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<v Speaker 1>of maintaining a relationship with you is an incredibly confusing experience.

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<v Speaker 1>The question I have for you, Sam, it's interesting you're

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<v Speaker 1>going back to your stepfather's. Your mother's clearly not there,

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<v Speaker 1>your stepfather's asking you have you heard from her? I

0:12:14.160 --> 0:12:16.360
<v Speaker 1>want to understand where the grown ups were in all

0:12:16.400 --> 0:12:20.280
<v Speaker 1>of this, Like were your feelings being processed? Were there

0:12:20.360 --> 0:12:24.040
<v Speaker 1>people so solicitous of you and holding you close and

0:12:24.400 --> 0:12:28.160
<v Speaker 1>protecting you and soothing you. I'm confused as to why

0:12:28.200 --> 0:12:30.080
<v Speaker 1>they'd send you there, Like why they wouldn't just keep

0:12:30.080 --> 0:12:33.520
<v Speaker 1>you in one place until that all got figured out?

0:12:33.640 --> 0:12:35.719
<v Speaker 1>So can you break that down a little, because I

0:12:35.720 --> 0:12:37.120
<v Speaker 1>don't actually even fully understand that.

0:12:37.360 --> 0:12:41.079
<v Speaker 3>Yeah, I would say that the Harkness family is very

0:12:41.120 --> 0:12:43.760
<v Speaker 3>good at physically showing up and kind of like you

0:12:43.800 --> 0:12:48.160
<v Speaker 3>mentioned that protective. They'll form that protective bubble around you

0:12:48.200 --> 0:12:50.560
<v Speaker 3>and make sure your needs are met and be there.

0:12:50.960 --> 0:12:55.960
<v Speaker 3>But the hard conversations aren't had, and the asking for

0:12:57.080 --> 0:12:59.800
<v Speaker 3>you know how I'm feeling, or the emotional processing support

0:13:00.080 --> 0:13:02.920
<v Speaker 3>isn't there really either. But you know, my grandma was

0:13:02.920 --> 0:13:06.960
<v Speaker 3>there so much for me, just when my dad needed

0:13:06.960 --> 0:13:08.760
<v Speaker 3>help with childcare. I think I was over at her

0:13:08.760 --> 0:13:11.599
<v Speaker 3>house probably, and she lives two blocks away from my

0:13:11.679 --> 0:13:13.760
<v Speaker 3>dad's house, which was really convenient, and she's kind of

0:13:13.760 --> 0:13:16.600
<v Speaker 3>got this open door policy that you know, me and

0:13:16.600 --> 0:13:20.520
<v Speaker 3>my brother were probably there eating dinner five or six

0:13:20.600 --> 0:13:24.720
<v Speaker 3>nights of the week. And again she was there. She

0:13:24.800 --> 0:13:28.160
<v Speaker 3>was great, But I don't remember anybody really coming to

0:13:28.240 --> 0:13:30.400
<v Speaker 3>like ask us about what was happening.

0:13:30.320 --> 0:13:33.040
<v Speaker 1>And for you read because obviously you were in the

0:13:33.080 --> 0:13:36.199
<v Speaker 1>family system though you were moving away. First of all,

0:13:36.200 --> 0:13:38.720
<v Speaker 1>what was your relationship like with her? And then how

0:13:38.760 --> 0:13:41.600
<v Speaker 1>did that you know, how did you manage those early

0:13:41.720 --> 0:13:44.720
<v Speaker 1>days of her being gone, and then when it got

0:13:44.760 --> 0:13:46.079
<v Speaker 1>confirmed she's not coming back.

0:13:46.360 --> 0:13:49.960
<v Speaker 2>Before she left, I felt like our relationship had gotten

0:13:50.040 --> 0:13:53.800
<v Speaker 2>kind of closer and closer, even though you know, she's

0:13:54.320 --> 0:13:57.560
<v Speaker 2>got this whole separate house that's a little bit more

0:13:57.600 --> 0:14:00.360
<v Speaker 2>removed from the Harkness family. I would go over there.

0:14:00.920 --> 0:14:03.280
<v Speaker 2>My stepbrother's close in age to me, so like we

0:14:03.320 --> 0:14:06.080
<v Speaker 2>would do sleepovers over there, hang out with my brothers,

0:14:06.320 --> 0:14:09.880
<v Speaker 2>And I felt like, as I got older, I got

0:14:09.880 --> 0:14:14.040
<v Speaker 2>closer with Joyce because we really shared this sort of

0:14:14.120 --> 0:14:18.400
<v Speaker 2>like artistic drive, and she was really encouraging of like

0:14:19.280 --> 0:14:21.960
<v Speaker 2>me taking Sam out and doing the filmmaking them we

0:14:22.000 --> 0:14:24.440
<v Speaker 2>were doing. She was like, that's so great, you know,

0:14:24.560 --> 0:14:27.280
<v Speaker 2>Like she would just be so excited and she's like

0:14:27.320 --> 0:14:28.760
<v Speaker 2>I'd be like, okay, I'm here to pick up Sam,

0:14:28.800 --> 0:14:31.160
<v Speaker 2>and she's like great, you know. She just she was

0:14:31.200 --> 0:14:34.800
<v Speaker 2>so encouraging. So I think that my memory of her

0:14:35.000 --> 0:14:38.160
<v Speaker 2>before leaving was that same kind of energy, And so

0:14:38.200 --> 0:14:41.280
<v Speaker 2>I had a kind of blind optimism when it comes

0:14:41.280 --> 0:14:43.440
<v Speaker 2>to this sort of road trip idea, that it's like,

0:14:43.800 --> 0:14:46.800
<v Speaker 2>if we can find her, like she'll at least be

0:14:46.840 --> 0:14:48.960
<v Speaker 2>able to connect with us in some way, you know.

0:14:49.440 --> 0:14:51.200
<v Speaker 1>And I want to come into that road trip because

0:14:51.200 --> 0:14:54.400
<v Speaker 1>this is the significant piece of the film before I

0:14:54.440 --> 0:14:57.400
<v Speaker 1>get to that for either of you. Because I think

0:14:57.440 --> 0:15:00.600
<v Speaker 1>a lot of viewers, myself included when I saw the film,

0:15:01.040 --> 0:15:06.200
<v Speaker 1>are going to wonder did anyone, even children in the family,

0:15:06.480 --> 0:15:09.840
<v Speaker 1>see any red flags that would have led you not

0:15:09.960 --> 0:15:11.640
<v Speaker 1>to say, well, of course she's going to leave, because

0:15:11.640 --> 0:15:14.640
<v Speaker 1>obviously you were all startled by it. But when you

0:15:14.680 --> 0:15:19.000
<v Speaker 1>told the story backwards, you felt like Okay, this doesn't

0:15:19.160 --> 0:15:22.040
<v Speaker 1>this isn't completely in a vacuum or out of nowhere.

0:15:22.280 --> 0:15:22.480
<v Speaker 2>Yeah.

0:15:22.520 --> 0:15:25.520
<v Speaker 3>I think a couple months before she left, she was

0:15:25.560 --> 0:15:28.720
<v Speaker 3>taking a few trips. I remember her going to Texas

0:15:29.280 --> 0:15:33.080
<v Speaker 3>a couple times and maybe California once, and that was

0:15:33.120 --> 0:15:35.080
<v Speaker 3>a little bit out of the ordinary for her. I

0:15:35.120 --> 0:15:37.800
<v Speaker 3>don't remember her traveling much at all besides maybe to

0:15:37.840 --> 0:15:40.560
<v Speaker 3>go visit her parents in Oregon. And we didn't go

0:15:40.600 --> 0:15:42.640
<v Speaker 3>on trips very often either. When I traveled, it was

0:15:42.680 --> 0:15:44.840
<v Speaker 3>usually with my dad. Yeah, not a lot with my

0:15:44.880 --> 0:15:46.880
<v Speaker 3>mom and her doing solo trips. That was like a

0:15:46.880 --> 0:15:49.520
<v Speaker 3>little bit of like, oh, that's interesting that she's traveling

0:15:49.520 --> 0:15:52.400
<v Speaker 3>by herself, not with my stepdad. But we were very

0:15:52.440 --> 0:15:54.200
<v Speaker 3>well informed about it. We knew when she was leaving,

0:15:54.200 --> 0:15:57.000
<v Speaker 3>when she was coming back, and all that. So again

0:15:57.080 --> 0:15:58.680
<v Speaker 3>wasn't a red flag at the time, but now that

0:15:58.760 --> 0:16:01.120
<v Speaker 3>I'm thinking about it, that was like, it's interesting to

0:16:01.160 --> 0:16:01.640
<v Speaker 3>think about.

0:16:01.880 --> 0:16:04.280
<v Speaker 1>Okay, So there was things that while they were happening,

0:16:04.320 --> 0:16:08.000
<v Speaker 1>you never nobody, Sam whatever connected dots of she went

0:16:08.000 --> 0:16:10.280
<v Speaker 1>to Texas and California, She's going to leave.

0:16:10.400 --> 0:16:12.280
<v Speaker 4>I mean, that's not how you connect that.

0:16:12.560 --> 0:16:14.960
<v Speaker 1>But then you go backwards and you say, there was

0:16:15.000 --> 0:16:16.800
<v Speaker 1>that slight change in behavior.

0:16:17.040 --> 0:16:18.920
<v Speaker 4>What about you read you were a little older.

0:16:19.040 --> 0:16:22.160
<v Speaker 1>Was there anything you were observing that now in retrospect

0:16:22.480 --> 0:16:23.720
<v Speaker 1>you thought no.

0:16:24.360 --> 0:16:27.680
<v Speaker 2>But when we started making a film about this, I

0:16:27.720 --> 0:16:30.080
<v Speaker 2>did a really deep investigation where I was talking to

0:16:30.160 --> 0:16:32.440
<v Speaker 2>all of our family members and all of her friends

0:16:32.480 --> 0:16:36.120
<v Speaker 2>at the time, and stuff came out through that. So, like,

0:16:36.240 --> 0:16:41.040
<v Speaker 2>I learned that she started kind of retreating from friendships,

0:16:41.080 --> 0:16:44.520
<v Speaker 2>long term friendships, and she was demoted at a job,

0:16:45.600 --> 0:16:49.960
<v Speaker 2>and a few things were happening that kind of might

0:16:50.000 --> 0:16:52.160
<v Speaker 2>have sent her to a place of feeling like she

0:16:52.320 --> 0:16:55.280
<v Speaker 2>just her old life had kind of come to a

0:16:55.320 --> 0:16:56.760
<v Speaker 2>place where she just wasn't happy.

0:16:58.400 --> 0:17:01.200
<v Speaker 1>Okay, So again things that be told backwards, but in

0:17:01.240 --> 0:17:03.240
<v Speaker 1>real time, hey, you didn't know some of those things

0:17:03.320 --> 0:17:05.920
<v Speaker 1>until afterwards or be when they were happening. It would

0:17:05.920 --> 0:17:08.120
<v Speaker 1>have been a bit of a leap of conceptual leap

0:17:08.160 --> 0:17:09.919
<v Speaker 1>to say, oh, she's gone to Texas, so she's going

0:17:10.000 --> 0:17:10.360
<v Speaker 1>to leave.

0:17:10.680 --> 0:17:11.960
<v Speaker 4>So I understand that.

0:17:12.080 --> 0:17:14.080
<v Speaker 1>But what I want to do now is really get

0:17:14.119 --> 0:17:16.800
<v Speaker 1>into this idea of the road trip, because this is

0:17:16.800 --> 0:17:19.480
<v Speaker 1>why this is such a wonderful film, because not only

0:17:19.520 --> 0:17:22.400
<v Speaker 1>is there this beautiful footage of a boy growing up,

0:17:22.760 --> 0:17:25.320
<v Speaker 1>told through the lens of his brother. Then all of

0:17:25.320 --> 0:17:28.080
<v Speaker 1>a sudden, it becomes a road trip film, which, of

0:17:28.119 --> 0:17:29.920
<v Speaker 1>who doesn't love a road trip film and.

0:17:29.920 --> 0:17:32.359
<v Speaker 4>A very very unique road trip.

0:17:33.840 --> 0:17:36.520
<v Speaker 1>It wasn't even until after I talked to Read and

0:17:36.640 --> 0:17:39.960
<v Speaker 1>Sam that it jumped out to me that healing is

0:17:40.000 --> 0:17:42.800
<v Speaker 1>a road trip and it's fashion, even if it's not

0:17:43.000 --> 0:17:46.920
<v Speaker 1>literally in a car. Survivors of any kind of difficult,

0:17:47.160 --> 0:17:51.880
<v Speaker 1>confusing relationship, especially if it is something as formative as

0:17:51.880 --> 0:17:55.960
<v Speaker 1>a relationship with a parent, feel compelled to sort of

0:17:56.000 --> 0:17:58.080
<v Speaker 1>go on a bit of a journey to figure it out.

0:17:58.440 --> 0:18:01.560
<v Speaker 1>Read and Sam got into a are to literally look

0:18:01.600 --> 0:18:06.480
<v Speaker 1>for their mother and stepmother. Most survivors do this psychologically.

0:18:06.880 --> 0:18:10.560
<v Speaker 1>They explore and ask questions and go backwards and forwards

0:18:10.560 --> 0:18:12.040
<v Speaker 1>in their mind to figure it out.

0:18:12.280 --> 0:18:15.160
<v Speaker 4>Where did this go? What just happened?

0:18:15.760 --> 0:18:18.840
<v Speaker 1>So would lud love to do, is have you share

0:18:18.880 --> 0:18:21.679
<v Speaker 1>with us what the goal of the road trip was

0:18:21.720 --> 0:18:25.200
<v Speaker 1>going to be, what you hoped would happen from both

0:18:25.200 --> 0:18:28.280
<v Speaker 1>of your perspectives. So here you are setting off on

0:18:28.320 --> 0:18:31.359
<v Speaker 1>a road trip, honestly like no other. What was the

0:18:31.359 --> 0:18:32.800
<v Speaker 1>goal of this road trip?

0:18:32.920 --> 0:18:35.320
<v Speaker 2>Sam was so gung how about this He's like, this

0:18:35.359 --> 0:18:38.760
<v Speaker 2>is happening during my midwinter break. This is the only

0:18:38.800 --> 0:18:41.320
<v Speaker 2>window I have my schedule. Is really important that this

0:18:41.400 --> 0:18:44.480
<v Speaker 2>is the timeframe that I have. So I was like, Okay, okay,

0:18:44.480 --> 0:18:47.480
<v Speaker 2>I guess, I guess. I guess we're going then. And

0:18:48.320 --> 0:18:51.359
<v Speaker 2>I was not prepared. First of all, I'm the only

0:18:51.400 --> 0:18:55.440
<v Speaker 2>one that's got a driver's license. And then and then

0:18:55.520 --> 0:18:59.360
<v Speaker 2>like we're borrowing our dad's minivan, and like we don't

0:18:59.359 --> 0:19:03.960
<v Speaker 2>have any money, and so we're like borrowing money from

0:19:04.000 --> 0:19:06.680
<v Speaker 2>family members. Our grandma sends us with like a batch

0:19:06.680 --> 0:19:10.800
<v Speaker 2>of cookies, and you know, we didn't really have a

0:19:10.840 --> 0:19:15.720
<v Speaker 2>solid lead, but we had one location, and we have

0:19:15.880 --> 0:19:19.720
<v Speaker 2>this location in Long Beach, California. There's supposed to be

0:19:19.920 --> 0:19:23.120
<v Speaker 2>like a history professor that might have been in contact

0:19:23.119 --> 0:19:25.679
<v Speaker 2>with her. So we're like, hey, we're gonna just like

0:19:25.760 --> 0:19:28.120
<v Speaker 2>go down there and meet this guy in his office hour.

0:19:28.240 --> 0:19:29.640
<v Speaker 2>So that's gonna be your best shot.

0:19:29.800 --> 0:19:32.240
<v Speaker 1>So how did you come to the determination about the

0:19:32.320 --> 0:19:35.760
<v Speaker 1>professor in Long Beach? Did you look at old correspondence?

0:19:35.920 --> 0:19:37.320
<v Speaker 1>Was it a recollection you had?

0:19:37.520 --> 0:19:40.359
<v Speaker 2>Yeah, so it came up through these interviews. I was

0:19:40.400 --> 0:19:43.359
<v Speaker 2>doing this like in a research investigative process. That I

0:19:43.440 --> 0:19:45.520
<v Speaker 2>was doing. We're doing it through the film, and you

0:19:45.520 --> 0:19:48.639
<v Speaker 2>can see how that comes about our step brother Peter,

0:19:49.080 --> 0:19:53.240
<v Speaker 2>through Joyce's first marriage. He's about my age. We were

0:19:53.240 --> 0:20:02.000
<v Speaker 2>having a conversation and he mentioned a name, and through

0:20:02.119 --> 0:20:06.040
<v Speaker 2>research we figured out that he was down at this university.

0:20:07.000 --> 0:20:10.120
<v Speaker 2>And we thought that if we just cold called him

0:20:10.440 --> 0:20:13.760
<v Speaker 2>that he might just like hang up on us, you know,

0:20:13.840 --> 0:20:15.879
<v Speaker 2>too easy for him to just like, you know, go cold,

0:20:16.440 --> 0:20:18.720
<v Speaker 2>and so we thought our best shot was to, like,

0:20:19.040 --> 0:20:24.240
<v Speaker 2>you know, okay, here's the actual relatives. Showing up at

0:20:24.240 --> 0:20:27.399
<v Speaker 2>his office after driving a thousand miles, that's probably like,

0:20:27.600 --> 0:20:30.520
<v Speaker 2>you know, he's probably like entertained us, you know.

0:20:30.680 --> 0:20:33.399
<v Speaker 1>Okay, So you get in the minivan, you point it south,

0:20:33.800 --> 0:20:36.280
<v Speaker 1>you drive one thousand miles, You show up at the

0:20:36.359 --> 0:20:41.439
<v Speaker 1>university in Long Beach, and smartly, so you show up

0:20:41.480 --> 0:20:43.520
<v Speaker 1>at office hours when all of us professors had to

0:20:43.520 --> 0:20:44.600
<v Speaker 1>have our doors open.

0:20:45.160 --> 0:20:47.080
<v Speaker 4>What happened when you got to Long Beach and showed

0:20:47.119 --> 0:20:49.000
<v Speaker 4>up at the university, he wasn't there.

0:20:49.240 --> 0:20:52.800
<v Speaker 1>As we often are professors often missed their office hour.

0:20:54.200 --> 0:20:58.080
<v Speaker 2>We get there and not only is he like not

0:20:58.119 --> 0:21:01.640
<v Speaker 2>there at the time, but we're told he's on semi

0:21:01.640 --> 0:21:07.920
<v Speaker 2>permanent leave of absence. He's out, so is super discouraging.

0:21:08.600 --> 0:21:13.119
<v Speaker 2>Just a really upsetting thing for me, who you know,

0:21:13.520 --> 0:21:15.000
<v Speaker 2>figured this was our one shot.

0:21:15.160 --> 0:21:18.080
<v Speaker 3>It did feel like almost this just you know, sign

0:21:18.160 --> 0:21:22.119
<v Speaker 3>on the wall saying like you failed, like you this

0:21:22.280 --> 0:21:25.080
<v Speaker 3>is it? That was it? Like you drove all this

0:21:25.119 --> 0:21:28.199
<v Speaker 3>way and you you failed. It's kind of just like

0:21:28.240 --> 0:21:30.680
<v Speaker 3>what I like running into a wall immediately.

0:21:30.960 --> 0:21:32.520
<v Speaker 4>So was the road tripe or bust.

0:21:32.760 --> 0:21:35.080
<v Speaker 2>No. Right after that, we went to the beach to

0:21:35.160 --> 0:21:38.560
<v Speaker 2>throw a frisbee and deliberate, and you know, Sam is

0:21:38.600 --> 0:21:42.320
<v Speaker 2>still maintaining is cool. He's like, eh, well we're at

0:21:42.320 --> 0:21:44.720
<v Speaker 2>the beach. Let's throw a frisbee. I was ready to

0:21:44.760 --> 0:21:46.720
<v Speaker 2>break down, and I thought I was going to be

0:21:46.720 --> 0:21:49.080
<v Speaker 2>the one that, like, you know, Sam might be crawling

0:21:49.160 --> 0:21:51.959
<v Speaker 2>on my shoulder. But at this point I think, like

0:21:52.080 --> 0:21:54.640
<v Speaker 2>I'm ready to lose it, and Sam's being the sort

0:21:54.640 --> 0:21:59.480
<v Speaker 2>of stable one. And I realized in my notes that

0:21:59.640 --> 0:22:03.159
<v Speaker 2>I have I have a few phone numbers listings I

0:22:03.160 --> 0:22:07.879
<v Speaker 2>had found for this professor, and so we decide on

0:22:08.000 --> 0:22:10.879
<v Speaker 2>this beach to start making some phone calls.

0:22:11.080 --> 0:22:14.239
<v Speaker 3>Well, I think we practice. Reid has me practice like

0:22:14.520 --> 0:22:17.720
<v Speaker 3>if your mom picks up or if Professor Goslin picks up,

0:22:18.240 --> 0:22:20.560
<v Speaker 3>what do you say? I was like, oh, yeah, well

0:22:20.640 --> 0:22:23.320
<v Speaker 3>I'll just say that I'm Sam, I'm her kid, or

0:22:23.600 --> 0:22:25.400
<v Speaker 3>you know, my mom picks up, I say, hi Mom.

0:22:26.160 --> 0:22:29.200
<v Speaker 3>I remember feeling excited because I had like some giddy energy.

0:22:29.240 --> 0:22:30.719
<v Speaker 3>I think you can see it in the movie that

0:22:31.080 --> 0:22:33.800
<v Speaker 3>you know. I'm like kind of smiling through everything I'm saying.

0:22:33.840 --> 0:22:37.560
<v Speaker 3>And I make the call and my mom picks up.

0:22:37.960 --> 0:22:40.359
<v Speaker 3>I say, like Mom, and then I think she picks

0:22:40.400 --> 0:22:42.960
<v Speaker 3>up that it's me pretty quickly too. I think I

0:22:43.080 --> 0:22:46.680
<v Speaker 3>like talk for like five minutes straight, just updating her

0:22:47.040 --> 0:22:49.040
<v Speaker 3>without her even like getting much of a word in.

0:22:49.400 --> 0:22:52.119
<v Speaker 3>And I'm just updating her on my life, in Jared's

0:22:52.160 --> 0:22:54.399
<v Speaker 3>life and what I'm doing. And I was like, I'm

0:22:54.440 --> 0:22:57.520
<v Speaker 3>in California. I was looking for you, as if that's

0:22:57.520 --> 0:23:00.680
<v Speaker 3>a really normal thing to like like in an introduction, Hey,

0:23:00.720 --> 0:23:03.080
<v Speaker 3>I was looking for you, And well let me tell

0:23:03.119 --> 0:23:05.919
<v Speaker 3>you about Like I've traveled to Europe, I've done all

0:23:05.920 --> 0:23:07.679
<v Speaker 3>this stuff, and I've been to Japan.

0:23:08.520 --> 0:23:10.840
<v Speaker 2>Yeah, I got a girlfriend girlfriend Jared.

0:23:13.320 --> 0:23:16.399
<v Speaker 3>Yeah. And then it does end with an invite over

0:23:16.720 --> 0:23:19.760
<v Speaker 3>to see her, to come see her, but also with

0:23:19.800 --> 0:23:24.080
<v Speaker 3>a pretty like Stern. Don't tell anybody you found me

0:23:24.320 --> 0:23:26.240
<v Speaker 3>or where I am, or that you've spoken to me.

0:23:26.920 --> 0:23:29.680
<v Speaker 3>And I think that was kind of understood from the beginning, like, yeah,

0:23:29.720 --> 0:23:31.680
<v Speaker 3>you've gone through a lot of effort to not be found.

0:23:31.760 --> 0:23:34.480
<v Speaker 3>I'm not going to just tell everybody where you are.

0:23:34.520 --> 0:23:37.520
<v Speaker 3>But it both ends with this welcoming like you and

0:23:37.600 --> 0:23:41.119
<v Speaker 3>reed come come see me, come in person, and also

0:23:41.200 --> 0:23:43.080
<v Speaker 3>don't tell people about this.

0:23:44.000 --> 0:23:46.359
<v Speaker 1>I have to say that that moment of the film

0:23:46.440 --> 0:23:51.000
<v Speaker 1>was incredibly, incredibly affecting for me, when you are sitting

0:23:51.000 --> 0:23:54.320
<v Speaker 1>on the beach talking on the phone, and what was

0:23:54.359 --> 0:23:58.240
<v Speaker 1>amazing to me, Sam, amazing was you literally did just

0:23:58.320 --> 0:24:01.119
<v Speaker 1>jump into a conversation, like just kind of giving her

0:24:01.160 --> 0:24:02.679
<v Speaker 1>an update, as though she was someone who had been

0:24:02.720 --> 0:24:04.199
<v Speaker 1>on a business trip and you hadn't talked to her

0:24:04.200 --> 0:24:05.000
<v Speaker 1>for a week or two.

0:24:05.119 --> 0:24:05.239
<v Speaker 2>Right.

0:24:06.560 --> 0:24:10.960
<v Speaker 1>I have to say, Sam, the vast majority of people

0:24:11.040 --> 0:24:19.320
<v Speaker 1>in your situation would have become rageful, angry, accusatory. How

0:24:19.359 --> 0:24:22.239
<v Speaker 1>could you There's something very special about you. I have

0:24:22.359 --> 0:24:25.760
<v Speaker 1>to say. Your brother captured it initially saying you're very resilient,

0:24:26.320 --> 0:24:29.040
<v Speaker 1>And it was there that I actually to pause the film.

0:24:29.080 --> 0:24:29.640
<v Speaker 4>At that point.

0:24:29.720 --> 0:24:33.160
<v Speaker 1>I was almost sort of crying and upset, like, how

0:24:33.280 --> 0:24:35.679
<v Speaker 1>is he able to do this? And he should be

0:24:35.760 --> 0:24:38.159
<v Speaker 1>angry at her, like as though Sam was responsible for

0:24:38.240 --> 0:24:41.720
<v Speaker 1>channeling my emotion in that scene, right, anyone who watches

0:24:41.760 --> 0:24:46.200
<v Speaker 1>this an incredibly powerful scene. And so how did you

0:24:46.240 --> 0:24:50.440
<v Speaker 1>just spring into just the update instead of not only

0:24:50.520 --> 0:24:52.159
<v Speaker 1>did you give her the update and not going to

0:24:52.240 --> 0:24:57.720
<v Speaker 1>all the accusations. Then she's asking you, hey, please do

0:24:57.840 --> 0:25:00.639
<v Speaker 1>not if you will blow my cover, not share this.

0:25:01.200 --> 0:25:03.879
<v Speaker 1>Like I said, the vast majority of people will say

0:25:04.080 --> 0:25:06.840
<v Speaker 1>to heck with you? Do you know how many people affected?

0:25:06.880 --> 0:25:09.119
<v Speaker 1>You affected Jared and what it said? I am telling

0:25:09.119 --> 0:25:10.879
<v Speaker 1>everyone where you are you had no right to know

0:25:11.840 --> 0:25:15.639
<v Speaker 1>you respected that boundary. You kind of were being sort

0:25:15.640 --> 0:25:18.479
<v Speaker 1>of blue lanterny there. That was sort of kind of

0:25:18.520 --> 0:25:20.640
<v Speaker 1>epic because I think a lot of people would say,

0:25:20.680 --> 0:25:23.679
<v Speaker 1>I'm not keeping your secret, I'm not doing this, and

0:25:23.720 --> 0:25:27.080
<v Speaker 1>would have likely reacted with a lot of negative emotion

0:25:27.440 --> 0:25:29.600
<v Speaker 1>at the time of the call. So how did that

0:25:29.640 --> 0:25:31.760
<v Speaker 1>play out for you and what was happening inside of

0:25:31.760 --> 0:25:33.640
<v Speaker 1>you that you were able to just make this about

0:25:33.720 --> 0:25:36.320
<v Speaker 1>update and you and Read were able to show up

0:25:36.359 --> 0:25:39.240
<v Speaker 1>and not violate something she asked you to do.

0:25:39.400 --> 0:25:43.080
<v Speaker 3>From the very beginning as little foresight as I had

0:25:43.400 --> 0:25:46.040
<v Speaker 3>back then in that trip, I think the one thing

0:25:46.119 --> 0:25:49.520
<v Speaker 3>I knew I did want was to just pick up

0:25:49.560 --> 0:25:52.719
<v Speaker 3>where he left off with my mom's relationship and not

0:25:52.880 --> 0:25:54.960
<v Speaker 3>have to hold your accountable to anything. I don't think

0:25:55.880 --> 0:25:59.119
<v Speaker 3>holding it an accountable was ever a goal of mine,

0:25:59.560 --> 0:26:02.359
<v Speaker 3>and in fact was an area I wanted to stay

0:26:02.440 --> 0:26:05.800
<v Speaker 3>clear of to not scare her away. I think I

0:26:05.840 --> 0:26:08.359
<v Speaker 3>was worried about that as well. I even thought, like

0:26:08.400 --> 0:26:10.920
<v Speaker 3>sometimes when the camera was around when we first get

0:26:11.000 --> 0:26:13.040
<v Speaker 3>to see her, when Reid and I got to see her, like,

0:26:13.640 --> 0:26:15.320
<v Speaker 3>I had a little bit anxiety about that, and like,

0:26:15.320 --> 0:26:16.840
<v Speaker 3>maybe we should put the camera away read maybe we

0:26:16.880 --> 0:26:19.760
<v Speaker 3>shouldn't film this, as you know, a major possibility of

0:26:19.760 --> 0:26:24.119
<v Speaker 3>her being scared away and disappearing again and being inhearder

0:26:24.200 --> 0:26:29.280
<v Speaker 3>to find. So I hear and see people like kind

0:26:29.320 --> 0:26:32.000
<v Speaker 3>of see that more like as resilience in bravery, and

0:26:32.760 --> 0:26:36.400
<v Speaker 3>I see a lot more as I'm willing to ignore.

0:26:38.920 --> 0:26:42.040
<v Speaker 1>Sam made such an important point here, and it was

0:26:42.080 --> 0:26:46.240
<v Speaker 1>a revelation for me. I had to check myself because

0:26:46.320 --> 0:26:49.160
<v Speaker 1>I got so caught up in the zeal of resilient

0:26:49.280 --> 0:26:54.160
<v Speaker 1>Sam that I didn't step back and consider capitulating Sam

0:26:54.560 --> 0:26:58.679
<v Speaker 1>survival Sam, Sam who has mastered the ability to push

0:26:58.760 --> 0:27:04.400
<v Speaker 1>emotions down to keep relationships going. This is so important

0:27:04.880 --> 0:27:09.280
<v Speaker 1>because survivors are often congratulated, and right here I am

0:27:09.359 --> 0:27:10.520
<v Speaker 1>guilty as charged.

0:27:10.680 --> 0:27:11.760
<v Speaker 4>I just did it with him.

0:27:11.840 --> 0:27:16.119
<v Speaker 1>Right here, they're congratulated for not sharing their emotions, for

0:27:16.280 --> 0:27:20.920
<v Speaker 1>not being angry. Maybe him holding back that anger wasn't

0:27:20.960 --> 0:27:26.080
<v Speaker 1>necessarily a superpower, but simply a manifestation of how he

0:27:26.200 --> 0:27:29.199
<v Speaker 1>was emotionally silenced by her loss.

0:27:29.359 --> 0:27:32.160
<v Speaker 3>Yeah, to kind of push feelings down for the sake

0:27:32.240 --> 0:27:33.080
<v Speaker 3>of others. There.

0:27:33.560 --> 0:27:36.320
<v Speaker 1>Good for you for picking it up that way, because

0:27:36.359 --> 0:27:39.119
<v Speaker 1>you're absolutely right. On a second watching of the film,

0:27:39.280 --> 0:27:41.960
<v Speaker 1>I was like, wait a minute, you know, why does

0:27:42.000 --> 0:27:46.440
<v Speaker 1>she still get to call the shots after her leaving?

0:27:46.680 --> 0:27:49.720
<v Speaker 1>And you were making accommodation for her, which my next

0:27:49.720 --> 0:27:52.399
<v Speaker 1>thought was this skill may not serve Sam well in

0:27:52.440 --> 0:27:56.679
<v Speaker 1>the future. Yep, And so I think that there is

0:27:56.720 --> 0:27:59.359
<v Speaker 1>that moment of wow, he's being so nice. Then it's again.

0:27:59.400 --> 0:28:01.440
<v Speaker 1>The next reaction was anger, Why does she still get

0:28:01.440 --> 0:28:03.760
<v Speaker 1>to call the shots? She called the ultimate shots? In

0:28:03.760 --> 0:28:07.199
<v Speaker 1>many ways, it's Sam who should be accommodated too, And

0:28:07.280 --> 0:28:09.840
<v Speaker 1>yet you were still doing the accommodating for a very

0:28:09.840 --> 0:28:11.560
<v Speaker 1>clear reason that you didn't want to.

0:28:11.560 --> 0:28:12.399
<v Speaker 4>Scare her away.

0:28:12.760 --> 0:28:15.200
<v Speaker 1>Read What was that day like for you that Sam

0:28:15.240 --> 0:28:16.679
<v Speaker 1>got her on the phone and then the two of

0:28:16.680 --> 0:28:18.440
<v Speaker 1>you rolled up to her house?

0:28:18.760 --> 0:28:22.479
<v Speaker 2>Oh what a mix of emotions. I mean, definitely one

0:28:22.520 --> 0:28:27.080
<v Speaker 2>of the most like profound moments, day moments. You know,

0:28:27.200 --> 0:28:31.040
<v Speaker 2>so much is happening there, and it's reduced to just

0:28:31.760 --> 0:28:34.399
<v Speaker 2>me and Sam, you know, like we're the only ones

0:28:34.680 --> 0:28:38.800
<v Speaker 2>experiencing this and we're not allowed to talk about it

0:28:38.840 --> 0:28:42.640
<v Speaker 2>with anyone. So it's like there's this strange electricity, like

0:28:42.800 --> 0:28:45.680
<v Speaker 2>what does this mean? What's going to happen? What's she's

0:28:45.720 --> 0:28:47.800
<v Speaker 2>going to be like when we see her? See I

0:28:47.880 --> 0:28:50.360
<v Speaker 2>was just like, it'll be cool, Everything's gonna be fine.

0:28:50.840 --> 0:28:52.720
<v Speaker 2>We don't need to really even talk about it. I'm

0:28:52.760 --> 0:28:55.880
<v Speaker 2>just excited to see her. And for me, it's just

0:28:56.120 --> 0:28:59.640
<v Speaker 2>more questions are coming up. I just I'm just like, well,

0:28:59.640 --> 0:29:03.560
<v Speaker 2>why if she's so cool with us coming, Like, why

0:29:03.560 --> 0:29:05.760
<v Speaker 2>did she have to be hidden for so long? Like

0:29:05.760 --> 0:29:08.920
<v Speaker 2>why couldn't she have just reached out? So it was

0:29:08.960 --> 0:29:12.560
<v Speaker 2>so strange. And then when we get there, she's all

0:29:12.560 --> 0:29:18.240
<v Speaker 2>smiles and hugs and welcoming and even has like like

0:29:18.400 --> 0:29:21.760
<v Speaker 2>sushi and like the very saved soda that she used

0:29:21.800 --> 0:29:24.200
<v Speaker 2>to have in the fridge at their old house. She

0:29:24.400 --> 0:29:30.560
<v Speaker 2>was keyed in to bits of this old life and

0:29:30.600 --> 0:29:34.760
<v Speaker 2>she was able to step back into that performance of

0:29:35.720 --> 0:29:41.320
<v Speaker 2>who she was as a mother instantly. But like right away,

0:29:41.360 --> 0:29:45.360
<v Speaker 2>there's no like I'm sorry, or like gosh, oh my gosh,

0:29:45.360 --> 0:29:47.240
<v Speaker 2>you guys have been through so much. I can't believe it.

0:29:47.280 --> 0:29:50.440
<v Speaker 2>You know. It was just like here I am. And

0:29:50.480 --> 0:29:52.680
<v Speaker 2>then we go and we like have this like sit

0:29:52.760 --> 0:29:57.440
<v Speaker 2>down thing at a coffee shop and she basically gives

0:29:57.480 --> 0:30:01.520
<v Speaker 2>this this passionate speel about why she laughed, which is

0:30:02.160 --> 0:30:04.760
<v Speaker 2>another scene in the movie that is just very intense.

0:30:05.080 --> 0:30:07.800
<v Speaker 1>So you went from the house to the coffee shop

0:30:08.200 --> 0:30:10.560
<v Speaker 1>and that's where she starts talking about her why.

0:30:10.720 --> 0:30:12.840
<v Speaker 4>That's right, Sam, to start.

0:30:12.520 --> 0:30:15.400
<v Speaker 1>With you, What did it feel like to hear her

0:30:15.480 --> 0:30:18.880
<v Speaker 1>why her reason for leaving, and how did that affect

0:30:18.920 --> 0:30:22.280
<v Speaker 1>your process of sort of figuring all of this out.

0:30:22.560 --> 0:30:24.920
<v Speaker 3>I remember not holding a ton of value in it.

0:30:24.920 --> 0:30:26.880
<v Speaker 3>It's not gonna be that valuable to me to know why.

0:30:27.160 --> 0:30:30.280
<v Speaker 3>And I think also, like knowing my mom, she could

0:30:30.320 --> 0:30:34.720
<v Speaker 3>be somewhat manipulative in a very charismatic way, and I

0:30:34.840 --> 0:30:37.040
<v Speaker 3>kind of know sometimes when I'm stepping into that, and

0:30:37.840 --> 0:30:40.840
<v Speaker 3>that felt like one of those times. So it just

0:30:40.880 --> 0:30:45.600
<v Speaker 3>didn't feel like a full, like honest answer and reasoning.

0:30:45.720 --> 0:30:48.840
<v Speaker 3>And yeah, it felt more like I have to defend

0:30:48.840 --> 0:30:51.560
<v Speaker 3>myself first before I actually give you any kind of

0:30:51.640 --> 0:30:54.480
<v Speaker 3>like substantial reasoning behind what I did.

0:30:54.880 --> 0:30:58.400
<v Speaker 1>Okay, so you got her defense. When the substantial reasoning came,

0:30:58.440 --> 0:31:00.959
<v Speaker 1>did it ring true or like you said, you were

0:31:00.960 --> 0:31:02.840
<v Speaker 1>able to see it with a grain of salt, knowing

0:31:02.840 --> 0:31:05.440
<v Speaker 1>that it may potentially be sort of a distortion or

0:31:05.440 --> 0:31:06.120
<v Speaker 1>a manipulation.

0:31:06.240 --> 0:31:08.320
<v Speaker 3>Well, the thing is, I don't know if I've ever

0:31:08.400 --> 0:31:12.760
<v Speaker 3>actually heard or discussed with her a full reasoning why,

0:31:13.280 --> 0:31:15.560
<v Speaker 3>and so I don't think I've gotten that deep with

0:31:15.600 --> 0:31:16.520
<v Speaker 3>her yet before.

0:31:17.040 --> 0:31:19.200
<v Speaker 1>Wow, So you still, after all these years, you haven't

0:31:19.200 --> 0:31:21.680
<v Speaker 1>gotten that deep with her? This is I'm going to

0:31:21.680 --> 0:31:23.080
<v Speaker 1>ask you a strange question, but you may not be

0:31:23.080 --> 0:31:26.680
<v Speaker 1>able to answer. Do you think she knows?

0:31:26.400 --> 0:31:30.239
<v Speaker 3>That is a great question. I'm not sure. I don't know.

0:31:31.520 --> 0:31:33.760
<v Speaker 3>I want to say she has been putting in some

0:31:33.840 --> 0:31:37.160
<v Speaker 3>work more recently on good just a lot of what's

0:31:37.160 --> 0:31:39.920
<v Speaker 3>going on, But I don't know. I don't know for.

0:31:39.920 --> 0:31:42.560
<v Speaker 1>Sure and read you were at that same coffee shop meeting,

0:31:42.640 --> 0:31:45.800
<v Speaker 1>so you heard sort of the defense followed by sounds

0:31:45.840 --> 0:31:49.760
<v Speaker 1>like I'm not very convincing, sort of why as it were,

0:31:50.080 --> 0:31:51.880
<v Speaker 1>how did that encounter leave you feeling?

0:31:52.000 --> 0:31:56.479
<v Speaker 2>That coffee shop explanation was so intense. I mean she

0:31:56.600 --> 0:31:59.160
<v Speaker 2>says things like I had to leave to get out

0:31:59.200 --> 0:32:02.840
<v Speaker 2>of the control of everybody and then like rebuild her life.

0:32:03.440 --> 0:32:08.040
<v Speaker 2>So basically she's saying she had to leave and she

0:32:08.080 --> 0:32:12.320
<v Speaker 2>had to start a new life, and I couldn't make

0:32:12.360 --> 0:32:14.880
<v Speaker 2>sense of that. I mean, even to this day, I

0:32:14.960 --> 0:32:18.240
<v Speaker 2>play back that taper. I watched that scene and there's

0:32:18.280 --> 0:32:20.680
<v Speaker 2>a lot of things in there that I'm still trying

0:32:20.720 --> 0:32:25.800
<v Speaker 2>to like really understand. I think it's possible that, you know,

0:32:26.120 --> 0:32:28.600
<v Speaker 2>she was going into a place where she was she

0:32:28.760 --> 0:32:33.440
<v Speaker 2>was really losing her mind and would have been an

0:32:33.520 --> 0:32:37.120
<v Speaker 2>unpleasant person to be around. But I still can't get

0:32:37.120 --> 0:32:40.720
<v Speaker 2>over the simplicity of just like, Okay, well, once you're

0:32:40.720 --> 0:32:42.880
<v Speaker 2>able to send a gift, or once you're able to

0:32:42.920 --> 0:32:45.280
<v Speaker 2>like just send a letter, you know, like just let

0:32:45.320 --> 0:32:48.440
<v Speaker 2>these guys know. Because the more time that goes on,

0:32:48.520 --> 0:32:51.600
<v Speaker 2>I could see that it was like it was getting

0:32:51.800 --> 0:32:54.520
<v Speaker 2>worse I just felt like I had so many more

0:32:54.600 --> 0:32:58.280
<v Speaker 2>questions at that point, and so I kept going back

0:32:58.320 --> 0:33:01.160
<v Speaker 2>and interviewing her and talking to her and trying to

0:33:01.200 --> 0:33:05.719
<v Speaker 2>like crack this open because I wanted to understand and

0:33:05.760 --> 0:33:08.360
<v Speaker 2>I wanted to know was there things that were happening.

0:33:08.600 --> 0:33:12.800
<v Speaker 2>Was like, they're like any like abuse or anything that

0:33:13.000 --> 0:33:15.320
<v Speaker 2>like would have really made a person need to go

0:33:15.360 --> 0:33:18.400
<v Speaker 2>on like a witness protection plan level escape.

0:33:18.840 --> 0:33:20.800
<v Speaker 4>And it doesn't seem like that's what you found out.

0:33:21.040 --> 0:33:24.600
<v Speaker 2>No, I didn't find anything like that out. But we

0:33:24.680 --> 0:33:28.400
<v Speaker 2>did learn a lot about Joyce's upbringing. And I think

0:33:28.440 --> 0:33:32.880
<v Speaker 2>that that's really the thing is that you know, Sam

0:33:32.920 --> 0:33:36.360
<v Speaker 2>brought up like attachment with his dad and his mom,

0:33:36.400 --> 0:33:38.280
<v Speaker 2>and I felt a little more attached to his dad.

0:33:38.640 --> 0:33:43.480
<v Speaker 2>I mean, in Sam's case, he had attachment to two parents.

0:33:44.320 --> 0:33:47.720
<v Speaker 2>I think that in Joyce's case, she didn't have any

0:33:47.880 --> 0:33:51.960
<v Speaker 2>parental attachments. Like the way she describes it and the

0:33:52.000 --> 0:33:57.480
<v Speaker 2>way that we see her adoptive family on camera, there

0:33:57.600 --> 0:34:01.719
<v Speaker 2>wasn't to secure attachment potentially, And I don't know you

0:34:01.760 --> 0:34:04.320
<v Speaker 2>can tell me as a psychologist if this is where

0:34:04.640 --> 0:34:06.360
<v Speaker 2>this kind of behavior begins.

0:34:06.640 --> 0:34:09.320
<v Speaker 1>You know, as you're asking read, is you weren't learning

0:34:09.360 --> 0:34:14.040
<v Speaker 1>about some sort of very clear reason why she left.

0:34:14.280 --> 0:34:16.560
<v Speaker 1>But what you did on Earth was more information about

0:34:16.560 --> 0:34:19.480
<v Speaker 1>her family of origin, which wasn't a safe place. It

0:34:19.520 --> 0:34:22.360
<v Speaker 1>wasn't characterized by attachment. We come to find out that

0:34:22.719 --> 0:34:26.440
<v Speaker 1>Joyce was adopted, and there's a complicated series of issues

0:34:26.560 --> 0:34:31.000
<v Speaker 1>related to that. Absolutely those things can matter. Attachment is

0:34:31.080 --> 0:34:34.719
<v Speaker 1>so important to how we go through the world as

0:34:34.760 --> 0:34:37.480
<v Speaker 1>adults that it can shape things. So in essence, a

0:34:37.520 --> 0:34:41.680
<v Speaker 1>seed may have been planted decades before, in the sense

0:34:41.719 --> 0:34:45.640
<v Speaker 1>that when people have disruptions in early attachment, they could

0:34:45.640 --> 0:34:49.040
<v Speaker 1>be the loss of a caregiver. It could be chaos

0:34:49.080 --> 0:34:53.000
<v Speaker 1>in the early family system. It could be neglect, coldness,

0:34:53.280 --> 0:34:55.680
<v Speaker 1>it could be abandonment at a very young age. And

0:34:55.719 --> 0:34:59.000
<v Speaker 1>attachment is laid down when we're young. Most of this

0:34:59.040 --> 0:35:01.759
<v Speaker 1>happens before the age of three and four, as the

0:35:01.880 --> 0:35:04.799
<v Speaker 1>child is looking to a safe, consistent place to come

0:35:04.840 --> 0:35:08.360
<v Speaker 1>to where they feel that their vocalizations will be recognized

0:35:08.400 --> 0:35:09.479
<v Speaker 1>and responded to.

0:35:09.680 --> 0:35:10.480
<v Speaker 4>By a caregiver.

0:35:11.120 --> 0:35:13.680
<v Speaker 1>And there were disruptions in all of that is what

0:35:13.719 --> 0:35:17.480
<v Speaker 1>you had heard from Joyce, and that absolutely can result

0:35:17.520 --> 0:35:20.560
<v Speaker 1>in this. People who don't have secure attachments will often

0:35:20.600 --> 0:35:24.399
<v Speaker 1>have anxious or avoidant or disorganized attachments in adult life,

0:35:24.400 --> 0:35:30.120
<v Speaker 1>which means intimacy becomes difficult, empathy becomes difficult, the capacity

0:35:30.239 --> 0:35:34.239
<v Speaker 1>for staying in uncomfortable circumstances because of that lack of

0:35:34.280 --> 0:35:36.719
<v Speaker 1>intimacy and depth, some people just want to do a

0:35:36.719 --> 0:35:39.440
<v Speaker 1>cut and run because it just doesn't feel safe. And

0:35:39.520 --> 0:35:43.080
<v Speaker 1>so all of those early attachment experiences, this is why,

0:35:43.680 --> 0:35:48.000
<v Speaker 1>this is why supporting new parents and creating safety for children,

0:35:48.320 --> 0:35:50.800
<v Speaker 1>it's not just putting time into an infant. It is

0:35:50.840 --> 0:35:53.879
<v Speaker 1>a payout that can last seventy eighty ninety years because

0:35:53.960 --> 0:35:57.120
<v Speaker 1>it will affect how that person goes through life in perpetuity.

0:35:57.480 --> 0:36:02.759
<v Speaker 1>Be attachment wounds that Joy experienced absolutely could be a

0:36:03.040 --> 0:36:06.479
<v Speaker 1>major explanatory factor into how she was able to leave

0:36:06.800 --> 0:36:11.879
<v Speaker 1>a custodial role being the mother to three sons because

0:36:11.920 --> 0:36:15.080
<v Speaker 1>she also had Peter. Yeah, so she the mother to

0:36:15.120 --> 0:36:18.320
<v Speaker 1>three sons, a stepmother to a son. That's a lot

0:36:18.360 --> 0:36:22.360
<v Speaker 1>to leave. And so it often isn't a simple explanation.

0:36:22.440 --> 0:36:25.520
<v Speaker 1>And once we open the lid on attachment, we recognize

0:36:25.520 --> 0:36:27.920
<v Speaker 1>that these are wounds that far predated the birth of

0:36:27.960 --> 0:36:30.920
<v Speaker 1>any of you and that you ended up kind of

0:36:30.960 --> 0:36:33.800
<v Speaker 1>getting and this is why we talk about intergenerational trauma

0:36:34.040 --> 0:36:37.959
<v Speaker 1>and intergenerational cycles. The tracks for this were planted long

0:36:38.040 --> 0:36:41.520
<v Speaker 1>before the next generation even exists, and that becomes important

0:36:41.520 --> 0:36:43.719
<v Speaker 1>as a way of lifting a sense of responsibility for

0:36:43.760 --> 0:36:46.080
<v Speaker 1>the survivors who had absolutely nothing to do with this.

0:36:46.120 --> 0:36:48.880
<v Speaker 1>They came long after those initial traumas were set, and

0:36:48.920 --> 0:36:52.000
<v Speaker 1>these can sometimes be cycles handed down two, three, four,

0:36:52.120 --> 0:36:56.400
<v Speaker 1>even more generations. So it's quite profound. Do you have

0:36:56.440 --> 0:36:57.359
<v Speaker 1>any thoughts about that?

0:36:57.440 --> 0:37:00.120
<v Speaker 2>I mean, that's super enlightening for me. My fine, and

0:37:00.160 --> 0:37:03.319
<v Speaker 2>like you know, this, this story to you know, be

0:37:03.360 --> 0:37:05.839
<v Speaker 2>a really complex narrative and that like we're looking at

0:37:05.880 --> 0:37:09.960
<v Speaker 2>all these different members of family, we're looking at different generations,

0:37:10.320 --> 0:37:12.920
<v Speaker 2>and you know, we're starting to see all of these clues.

0:37:13.160 --> 0:37:15.880
<v Speaker 2>You start to see kind of a map, and I

0:37:15.920 --> 0:37:17.520
<v Speaker 2>think it is the kind of movie that you can

0:37:17.560 --> 0:37:20.960
<v Speaker 2>watch multiple times in order to get more out of it.

0:37:21.680 --> 0:37:24.520
<v Speaker 2>But you know, you know, me starting with a simple

0:37:24.600 --> 0:37:28.040
<v Speaker 2>question of like why is Sam resilient? These things start

0:37:28.080 --> 0:37:29.960
<v Speaker 2>to get answered through looking at this sort of like

0:37:30.040 --> 0:37:35.000
<v Speaker 2>generational mapping, and it's also strange, but I it all

0:37:35.040 --> 0:37:37.919
<v Speaker 2>begins to make sense at the same time, Like, yes,

0:37:38.040 --> 0:37:41.040
<v Speaker 2>that makes sense if you know in eighteen months. Joyce

0:37:41.360 --> 0:37:44.160
<v Speaker 2>was in a Japanese orphanage at the end of World

0:37:44.200 --> 0:37:48.560
<v Speaker 2>War Two and the circumstances were really crazy, and a

0:37:48.640 --> 0:37:51.839
<v Speaker 2>military family adopted her and brought her back, probably under

0:37:51.880 --> 0:37:55.920
<v Speaker 2>some pressure from the military that you know, there's just

0:37:56.040 --> 0:37:59.960
<v Speaker 2>too many orphaned babies now mixed raced orphan babies in Japan.

0:38:01.239 --> 0:38:04.359
<v Speaker 2>She comes to Oregon and finds that she doesn't feel

0:38:04.360 --> 0:38:07.160
<v Speaker 2>like she fits in or is accepted, or there's not

0:38:08.120 --> 0:38:10.719
<v Speaker 2>a good connection, and that persists, you know, all the

0:38:10.760 --> 0:38:13.160
<v Speaker 2>way through her teens. It seems we don't have enough

0:38:13.160 --> 0:38:16.640
<v Speaker 2>information to like really understand what goes on there. But

0:38:17.160 --> 0:38:21.440
<v Speaker 2>from her story, it was not a healthy experience, not

0:38:21.480 --> 0:38:22.640
<v Speaker 2>a positive experience.

0:38:23.000 --> 0:38:24.840
<v Speaker 1>Sam, What was it like for you as more and

0:38:24.920 --> 0:38:28.399
<v Speaker 1>more light got shed on your mother's origin story of

0:38:28.920 --> 0:38:31.919
<v Speaker 1>being adopted from a Japanese orphanage at a time when

0:38:32.040 --> 0:38:35.279
<v Speaker 1>the mixed race orphans were really really viewed through the

0:38:35.280 --> 0:38:40.880
<v Speaker 1>most humanizing of lenses, coming to the States, not having healthy,

0:38:41.239 --> 0:38:45.160
<v Speaker 1>secure attachments with the adoptive family. As that picture filled

0:38:45.200 --> 0:38:50.280
<v Speaker 1>out for you, how did it impact your process of growth, healing,

0:38:51.239 --> 0:38:54.000
<v Speaker 1>moving beyond this sort of experience that happened when you're

0:38:54.000 --> 0:38:55.200
<v Speaker 1>twelve or thirteen years old.

0:38:55.480 --> 0:38:58.719
<v Speaker 3>Yeah, I think there's multiple points of like I can

0:38:58.760 --> 0:39:01.360
<v Speaker 3>kind of remember when more light was being shed on

0:39:01.400 --> 0:39:05.280
<v Speaker 3>everything and my kind of perception of it all was growing.

0:39:06.160 --> 0:39:08.719
<v Speaker 3>But I do remember having a very little understanding when

0:39:08.719 --> 0:39:12.399
<v Speaker 3>I was younger. I remember once having a conversation with

0:39:12.480 --> 0:39:14.759
<v Speaker 3>my mom, maybe when I was like younger than ten,

0:39:15.680 --> 0:39:19.600
<v Speaker 3>I didn't really understand adoption very well, and I had

0:39:19.640 --> 0:39:23.719
<v Speaker 3>asked her, it sounds really weird, but why doesn't she

0:39:23.880 --> 0:39:27.040
<v Speaker 3>just look for her biological mom or like something like that,

0:39:27.719 --> 0:39:30.920
<v Speaker 3>and she snapped at me. I remember in a way

0:39:30.960 --> 0:39:32.879
<v Speaker 3>that was just kind of like, we don't, like I'm

0:39:32.880 --> 0:39:35.239
<v Speaker 3>not going to talk about this with you anymore. And

0:39:35.320 --> 0:39:39.160
<v Speaker 3>I remember like so early messaging of something we talk about.

0:39:39.360 --> 0:39:42.279
<v Speaker 3>And then there were other clues later on just about

0:39:42.360 --> 0:39:44.680
<v Speaker 3>kind of like I think the mistreatment she kind of

0:39:44.680 --> 0:39:48.160
<v Speaker 3>had from her adoptive family. And I would hear little

0:39:48.239 --> 0:39:50.440
<v Speaker 3>stories about how she was kind of just like a

0:39:50.480 --> 0:39:54.400
<v Speaker 3>second class family member to everybody, and the punishment she

0:39:54.440 --> 0:39:57.040
<v Speaker 3>would go through, like time out standing in corners. And

0:39:57.680 --> 0:39:59.319
<v Speaker 3>I think we had like a pet monkey at one

0:39:59.400 --> 0:40:02.400
<v Speaker 3>point that she would always talk about how the monkey

0:40:02.520 --> 0:40:06.120
<v Speaker 3>was a higher up family member than her. Yeah, so

0:40:06.320 --> 0:40:08.360
<v Speaker 3>I was getting all these clues that like this adoptive

0:40:08.400 --> 0:40:10.640
<v Speaker 3>life is not good for her, and that she won't

0:40:10.719 --> 0:40:16.120
<v Speaker 3>talk about the biological life. And so I think later on,

0:40:16.160 --> 0:40:18.080
<v Speaker 3>when I started to learning more and more, after we'd

0:40:18.080 --> 0:40:20.359
<v Speaker 3>found my mom again and she talked about a little

0:40:20.400 --> 0:40:22.439
<v Speaker 3>bit more, I think I started to understand a little

0:40:22.440 --> 0:40:25.400
<v Speaker 3>bit more of the like the trauma that was involved.

0:40:26.120 --> 0:40:28.439
<v Speaker 3>And you know, now it kind of feels like she's

0:40:28.520 --> 0:40:31.880
<v Speaker 3>experienced two different abandonments through her life, one from her

0:40:32.400 --> 0:40:35.319
<v Speaker 3>biological family and then one you know, although I think

0:40:35.320 --> 0:40:37.680
<v Speaker 3>she also distanced herself. But like you see in the

0:40:37.760 --> 0:40:42.280
<v Speaker 3>movie Her Mom teen, her adopted mom teen like says

0:40:42.280 --> 0:40:44.359
<v Speaker 3>that there is no choice to her anymore. So that's

0:40:44.400 --> 0:40:48.360
<v Speaker 3>like a second basically abandonment happening there as well. So

0:40:48.440 --> 0:40:50.759
<v Speaker 3>I think I started to understand and empathize a lot

0:40:50.800 --> 0:40:53.440
<v Speaker 3>more that, like, she had gone through a lot. Yeah,

0:40:53.520 --> 0:40:56.680
<v Speaker 3>I think just that understanding was really helpful for me.

0:40:57.080 --> 0:40:57.919
<v Speaker 4>It's good tonight.

0:40:57.960 --> 0:41:00.640
<v Speaker 1>It's very interesting you say that, you know, her own

0:41:00.680 --> 0:41:02.799
<v Speaker 1>adoptive mother saying there is no more joyce to me.

0:41:03.239 --> 0:41:06.000
<v Speaker 1>But actually the person who endured sort of the worst

0:41:06.040 --> 0:41:09.240
<v Speaker 1>of the abandonment was you and you did hold space

0:41:09.280 --> 0:41:13.360
<v Speaker 1>for her, which really is an interesting juxtaposition that in

0:41:13.400 --> 0:41:16.800
<v Speaker 1>this case it was the child who was behaving most compassionately.

0:41:17.239 --> 0:41:19.239
<v Speaker 1>And this is something we'll circle back to in a

0:41:19.280 --> 0:41:23.799
<v Speaker 1>little bit. But what gets so challenging is to hear

0:41:23.840 --> 0:41:27.600
<v Speaker 1>a story like Joyce's which you receive with compassion. Of course,

0:41:28.480 --> 0:41:31.160
<v Speaker 1>this is a very complicated early life to be a

0:41:31.239 --> 0:41:34.160
<v Speaker 1>child who've been brought to another country to be treated

0:41:34.200 --> 0:41:36.480
<v Speaker 1>like a second class citizen, and what that would do

0:41:36.600 --> 0:41:40.520
<v Speaker 1>to someone. And yet Sam read you endured something very real,

0:41:41.000 --> 0:41:44.760
<v Speaker 1>and it's the balancing of those two truths, the truth

0:41:44.920 --> 0:41:48.200
<v Speaker 1>of Joyce's early difficult life and the truth of the

0:41:48.239 --> 0:41:51.920
<v Speaker 1>losses that you endured, Jared Peter, all of you endured,

0:41:52.200 --> 0:41:55.239
<v Speaker 1>and those two things can coexist, but it creates something

0:41:55.320 --> 0:41:58.520
<v Speaker 1>very uncomfortable where you ping pong between going back and

0:41:58.560 --> 0:42:01.560
<v Speaker 1>forth between I feel yea for her, I don't feel good,

0:42:01.600 --> 0:42:03.520
<v Speaker 1>I feel bad for I don't feel good. And the

0:42:03.600 --> 0:42:05.759
<v Speaker 1>hard work is being able to hold those two things

0:42:05.760 --> 0:42:09.520
<v Speaker 1>simultaneously in your mind, to hold compassion for her, but

0:42:09.560 --> 0:42:12.880
<v Speaker 1>also hold grace for yourself and giving yourself permission to

0:42:12.960 --> 0:42:15.040
<v Speaker 1>be angry and not saying well she went through that,

0:42:15.080 --> 0:42:16.960
<v Speaker 1>So I have no right to be angry. You have

0:42:17.160 --> 0:42:19.480
<v Speaker 1>right to feel any way you want. It's the only

0:42:19.520 --> 0:42:21.840
<v Speaker 1>way for these emotions to be processed. It's one of

0:42:21.880 --> 0:42:23.879
<v Speaker 1>the things that was stunning about the film was that

0:42:24.160 --> 0:42:26.520
<v Speaker 1>we as the viewer had to sit with the discomfort

0:42:26.560 --> 0:42:29.640
<v Speaker 1>of the story. And when you created that discomfort in us,

0:42:29.880 --> 0:42:32.880
<v Speaker 1>we were able to have tremendous empathy with the discomfort

0:42:32.920 --> 0:42:35.560
<v Speaker 1>that all of you had to endure at a relatively

0:42:35.560 --> 0:42:39.040
<v Speaker 1>young age. So I really I appreciate that about your storytelling.

0:42:39.600 --> 0:42:43.560
<v Speaker 1>My session with Sam and Reid will continue after this break.

0:42:46.800 --> 0:42:49.880
<v Speaker 1>So after a long beach, after the coffee shop meeting,

0:42:50.520 --> 0:42:53.279
<v Speaker 1>after all of that, what happens all road trips come

0:42:53.320 --> 0:42:55.200
<v Speaker 1>to an end? Did you just turn the minivan around

0:42:55.200 --> 0:42:57.879
<v Speaker 1>and drive back to Portland? What happened after that?

0:42:58.000 --> 0:42:59.719
<v Speaker 2>A lot of things happen in the movie. You can

0:42:59.719 --> 0:43:03.960
<v Speaker 2>see there's like a point where I like stand up

0:43:04.000 --> 0:43:07.319
<v Speaker 2>and address the family over what's going on, But I

0:43:07.320 --> 0:43:11.200
<v Speaker 2>think we should just fast forward to Sam is still

0:43:11.239 --> 0:43:14.759
<v Speaker 2>just like wanting to protect Joyce in the scenario feels like,

0:43:14.920 --> 0:43:16.960
<v Speaker 2>you know, like, hey, everything's fine and she's back in

0:43:17.040 --> 0:43:20.600
<v Speaker 2>my life. We're good. Everything's good now, and I. One

0:43:20.640 --> 0:43:23.560
<v Speaker 2>of the last things I say is like, well, don't

0:43:23.600 --> 0:43:25.520
<v Speaker 2>you want to know why she left? She's like no,

0:43:25.680 --> 0:43:29.160
<v Speaker 2>I'm good, Like everything's good now. So fast forward to

0:43:29.360 --> 0:43:33.440
<v Speaker 2>years later, Sam's point of view changes pretty dramatically.

0:43:33.760 --> 0:43:35.400
<v Speaker 4>Can you talk about that, Sam?

0:43:35.760 --> 0:43:38.560
<v Speaker 1>Many years later, you go from I don't need to

0:43:38.600 --> 0:43:41.839
<v Speaker 1>know why I'm going to you know, in essence protect her?

0:43:42.360 --> 0:43:45.280
<v Speaker 1>What shifted for you and why did that happen?

0:43:45.840 --> 0:43:49.800
<v Speaker 3>Yeah? Sam, I touched my own relationships with behaviors. I

0:43:49.800 --> 0:43:51.840
<v Speaker 3>it was like recognizing as some of like my mom's

0:43:51.840 --> 0:43:56.560
<v Speaker 3>behaviors too, which I could pick up on being annoying,

0:43:56.640 --> 0:43:59.120
<v Speaker 3>and I could recognize like this is like not how

0:43:59.239 --> 0:44:01.319
<v Speaker 3>I want to behave, But I didn't quite pick up

0:44:01.360 --> 0:44:03.600
<v Speaker 3>on like, oh, that's stuff my mom would do, not

0:44:03.680 --> 0:44:06.359
<v Speaker 3>until I went to therapy afterwards. And I kind of

0:44:06.400 --> 0:44:09.600
<v Speaker 3>had a three year relationship that went really poorly and

0:44:09.800 --> 0:44:12.440
<v Speaker 3>it was totally my fault and felt a lot of

0:44:12.440 --> 0:44:14.520
<v Speaker 3>shame and guilt around it. And that was kind of

0:44:14.520 --> 0:44:17.160
<v Speaker 3>the catalyst for me going to therapy, and that's when

0:44:17.160 --> 0:44:19.160
<v Speaker 3>I started to work a lot more on like, you know,

0:44:19.280 --> 0:44:20.879
<v Speaker 3>this is kind of the impact. I think a lot

0:44:20.880 --> 0:44:22.840
<v Speaker 3>of this, a lot of the abandonment had on me,

0:44:23.480 --> 0:44:25.360
<v Speaker 3>and not even just the abandonment, but like some of

0:44:25.400 --> 0:44:27.800
<v Speaker 3>the more toxic behaviors I'd seen in my mom throughout

0:44:27.800 --> 0:44:28.399
<v Speaker 3>my life too.

0:44:28.960 --> 0:44:31.160
<v Speaker 1>It's interesting what you're describing, Sam, because we see this

0:44:31.239 --> 0:44:33.120
<v Speaker 1>in many people who go through what you went through.

0:44:33.239 --> 0:44:35.719
<v Speaker 1>They go through it in childhood, they go through it,

0:44:35.719 --> 0:44:38.680
<v Speaker 1>they don't think about it, don't even have languaging for it,

0:44:38.920 --> 0:44:41.960
<v Speaker 1>and then come into adulthood and then notice that there

0:44:42.000 --> 0:44:44.080
<v Speaker 1>are things in their life that are not going well,

0:44:44.120 --> 0:44:49.080
<v Speaker 1>particularly intimate relationships, and then sort of begin to connect

0:44:49.120 --> 0:44:50.880
<v Speaker 1>those dots Joyce's behavior.

0:44:51.160 --> 0:44:52.239
<v Speaker 4>You were hurt by it.

0:44:52.600 --> 0:44:54.759
<v Speaker 1>You know, there's no way you could soften that that

0:44:54.800 --> 0:44:57.480
<v Speaker 1>this did directly affect you. It wasn't that Joyce did something.

0:44:57.719 --> 0:45:00.680
<v Speaker 1>And I can find a way to think differently it. Oh,

0:45:00.719 --> 0:45:02.560
<v Speaker 1>we don't have to take it on. We don't need

0:45:02.600 --> 0:45:05.040
<v Speaker 1>to talk about why she did it. This is when

0:45:05.080 --> 0:45:07.400
<v Speaker 1>people say just think differently. I'm like, yeah, nah, doesn't

0:45:07.440 --> 0:45:10.080
<v Speaker 1>work that way. You know that the poison comes up

0:45:10.080 --> 0:45:13.040
<v Speaker 1>through the groundwater, as it were, Like this stuff, if

0:45:13.040 --> 0:45:15.600
<v Speaker 1>it's not processed, it doesn't mean we're doomed.

0:45:15.680 --> 0:45:17.360
<v Speaker 4>It means it needs to be processed.

0:45:17.920 --> 0:45:19.880
<v Speaker 1>And so and that's the piece is that And you

0:45:19.920 --> 0:45:22.000
<v Speaker 1>did go to therapy, and this is what therapists do.

0:45:22.280 --> 0:45:25.080
<v Speaker 1>We're just really good at connect the dots because it's

0:45:25.120 --> 0:45:27.759
<v Speaker 1>not our story, it's not our life. So we're able

0:45:27.800 --> 0:45:30.200
<v Speaker 1>to get a little bit of a zoomed out view

0:45:30.640 --> 0:45:33.120
<v Speaker 1>to help a person connect those dots and start seeing that.

0:45:33.960 --> 0:45:35.440
<v Speaker 4>I want to go back a little.

0:45:35.160 --> 0:45:38.040
<v Speaker 1>Bit ahead of that, because Long Beach, you go back,

0:45:38.320 --> 0:45:42.359
<v Speaker 1>Mom drops you off, and there's still though that disconnect

0:45:42.360 --> 0:45:44.560
<v Speaker 1>for Joy, she did not feel the need to see Jared.

0:45:45.040 --> 0:45:47.719
<v Speaker 1>That also is very affecting that why wouldn't you You've

0:45:47.719 --> 0:45:49.359
<v Speaker 1>seen your once and why wouldn't you want to see

0:45:49.360 --> 0:45:52.759
<v Speaker 1>your other? So she remains still very very detached, and

0:45:52.800 --> 0:45:55.479
<v Speaker 1>then she turns around, she goes home. But it wasn't

0:45:55.520 --> 0:45:58.760
<v Speaker 1>like it was over there. Your mom, Joy started coming

0:45:58.800 --> 0:46:02.400
<v Speaker 1>back into your life. Is now going to be more contact?

0:46:02.960 --> 0:46:05.160
<v Speaker 1>How did that play out? I know, Red, you know,

0:46:05.239 --> 0:46:08.319
<v Speaker 1>talk to the family, said what was going on? But

0:46:08.440 --> 0:46:10.680
<v Speaker 1>it's not like then she went to Long Beach and disappeared.

0:46:11.280 --> 0:46:14.880
<v Speaker 1>She actually became a little bit more of a presence

0:46:14.920 --> 0:46:15.760
<v Speaker 1>in your life again.

0:46:16.120 --> 0:46:17.560
<v Speaker 4>What did that feel like?

0:46:17.800 --> 0:46:23.319
<v Speaker 3>It definitely felt like this very tightrope walk of a

0:46:23.360 --> 0:46:27.279
<v Speaker 3>balance of we have a small relationship and we see

0:46:27.320 --> 0:46:30.279
<v Speaker 3>each other once a year maybe and very much on

0:46:30.320 --> 0:46:33.480
<v Speaker 3>her terms. Like you know, she she didn't really come

0:46:33.520 --> 0:46:36.160
<v Speaker 3>to Seattle. Maybe she came once every three years or so,

0:46:36.960 --> 0:46:39.080
<v Speaker 3>and it was us having to visit her, which I

0:46:39.120 --> 0:46:43.760
<v Speaker 3>always thought was difficult because three of her sons were

0:46:43.880 --> 0:46:46.799
<v Speaker 3>in Seattle, and you know what parent wouldn't love to

0:46:46.840 --> 0:46:49.160
<v Speaker 3>have all of their adult kids in the same city

0:46:49.200 --> 0:46:51.799
<v Speaker 3>to like visit at the same time. That was kind

0:46:51.800 --> 0:46:53.560
<v Speaker 3>of like me starting to realize that, like, you know,

0:46:53.640 --> 0:46:56.000
<v Speaker 3>she's not going to leave her comfort zone. She's going

0:46:56.000 --> 0:46:58.759
<v Speaker 3>to keep everything on her terms and as flexible as

0:46:58.760 --> 0:47:01.279
<v Speaker 3>she makes herself seen with like yeah, I'll like buy

0:47:01.320 --> 0:47:03.080
<v Speaker 3>a train ticket for you to come out or do whatever.

0:47:03.160 --> 0:47:04.799
<v Speaker 3>But it's like very much we have to go out

0:47:04.800 --> 0:47:07.520
<v Speaker 3>to you, yeah, and yeah, you're not going to come

0:47:07.520 --> 0:47:10.240
<v Speaker 3>to us. So that was like kind of that middle

0:47:10.480 --> 0:47:13.239
<v Speaker 3>part of the relationship was a lot of space. Still

0:47:13.320 --> 0:47:16.480
<v Speaker 3>so much space, and yeah, it wasn't exactly what I'd

0:47:16.520 --> 0:47:16.840
<v Speaker 3>hoped for.

0:47:19.280 --> 0:47:22.360
<v Speaker 1>A piece of their story that is actually very telling

0:47:22.440 --> 0:47:26.040
<v Speaker 1>and may not be completely clear, is that Joyce did

0:47:26.239 --> 0:47:29.360
<v Speaker 1>end up moving away from Long Beach to southern Oregon.

0:47:30.160 --> 0:47:33.800
<v Speaker 1>As Sam points out, her children are all in Seattle,

0:47:34.560 --> 0:47:39.840
<v Speaker 1>so she is closer, but still far enough that seeing

0:47:39.880 --> 0:47:45.440
<v Speaker 1>each other would be logistically challenging. This feels almost metaphorical

0:47:45.640 --> 0:47:49.560
<v Speaker 1>that in these kinds of challenging relationships there may be

0:47:49.600 --> 0:47:53.440
<v Speaker 1>some shift, but that that larger goal of connection and

0:47:53.520 --> 0:47:58.200
<v Speaker 1>closeness feels elusive. Were you part of this whole journey

0:47:58.200 --> 0:48:00.759
<v Speaker 1>of like joyce coming back into every one's life or

0:48:00.800 --> 0:48:03.160
<v Speaker 1>was this much more something that was for Salm and

0:48:03.200 --> 0:48:03.600
<v Speaker 1>his brother.

0:48:03.880 --> 0:48:07.920
<v Speaker 2>It was mostly for Sam and Jared, Jared especially, so

0:48:08.040 --> 0:48:10.799
<v Speaker 2>Jared was invited to come live with her. You might

0:48:10.840 --> 0:48:13.160
<v Speaker 2>have been invited to Sam, I don't remember, but Jared

0:48:13.200 --> 0:48:15.680
<v Speaker 2>was invited. He goes in, he lives with her down

0:48:15.680 --> 0:48:18.640
<v Speaker 2>in southern Oregon, and she really is involved with like

0:48:18.719 --> 0:48:21.879
<v Speaker 2>getting him back on track. It's like they're just like, Okay,

0:48:22.000 --> 0:48:25.280
<v Speaker 2>let's deal with school. Let's get you, you know, enrolled

0:48:25.280 --> 0:48:28.560
<v Speaker 2>in a university. Let's get you a job, you know,

0:48:28.600 --> 0:48:31.320
<v Speaker 2>all of the driver's license, like all of these things

0:48:31.320 --> 0:48:34.920
<v Speaker 2>she was so good at with Jared, and Jared is

0:48:35.040 --> 0:48:39.720
<v Speaker 2>just like just springs back to life from somebody who's

0:48:39.840 --> 0:48:43.360
<v Speaker 2>so depressed and doesn't want to do a thing. To

0:48:44.239 --> 0:48:46.320
<v Speaker 2>you know, really right away after we found her. He

0:48:46.440 --> 0:48:50.760
<v Speaker 2>bounces back in school, he bounces back his energy. He's

0:48:50.840 --> 0:48:53.560
<v Speaker 2>like there's like a shot in the movie where he's

0:48:53.560 --> 0:48:56.680
<v Speaker 2>throwing her frisbee with us, And I don't think he

0:48:56.760 --> 0:48:59.960
<v Speaker 2>had like done anything like that in the last few years.

0:49:00.120 --> 0:49:05.720
<v Speaker 2>Like he just was just like a lump on the couch.

0:49:06.400 --> 0:49:09.200
<v Speaker 2>It's really sad to think about now. But the Jared

0:49:09.239 --> 0:49:11.320
<v Speaker 2>that we know now is like is not that way.

0:49:11.440 --> 0:49:14.160
<v Speaker 2>He actually like works with those kind of kids at

0:49:14.160 --> 0:49:16.560
<v Speaker 2>the same school where we see him in the movie,

0:49:17.200 --> 0:49:19.600
<v Speaker 2>and like helps them with like confidence and starting in

0:49:19.600 --> 0:49:22.560
<v Speaker 2>their assignments and all these things, which is pretty special.

0:49:23.239 --> 0:49:26.640
<v Speaker 2>So Joyce played an active mother role for Jared and

0:49:26.719 --> 0:49:31.000
<v Speaker 2>helped him kind of bounce back. But with Sam, she

0:49:31.239 --> 0:49:34.960
<v Speaker 2>wasn't really it was all still very compartmentalized and like

0:49:35.400 --> 0:49:38.480
<v Speaker 2>she wouldn't just come up and visit us all together.

0:49:38.520 --> 0:49:41.560
<v Speaker 2>That wasn't a thing. Sam and Jared were invited to

0:49:41.680 --> 0:49:44.399
<v Speaker 2>go down there, or Sam and Jared and Peter might

0:49:44.440 --> 0:49:46.520
<v Speaker 2>have been invited to go down there. I'm like these

0:49:46.600 --> 0:49:51.480
<v Speaker 2>very special invitations. And then I was still doing my thing,

0:49:51.520 --> 0:49:54.440
<v Speaker 2>which is like I started a project. I started a

0:49:54.440 --> 0:49:56.160
<v Speaker 2>film about this and so I would go and I

0:49:56.160 --> 0:49:59.040
<v Speaker 2>would visit with her, and film is like, you know,

0:49:59.160 --> 0:50:03.120
<v Speaker 2>she's doing stuff with Jared or interview Joyce to just

0:50:03.160 --> 0:50:05.880
<v Speaker 2>kind of learn more about the story and her upbringing,

0:50:06.480 --> 0:50:09.359
<v Speaker 2>that kind of thing. And so our relationship became very

0:50:09.400 --> 0:50:10.240
<v Speaker 2>tied to the movie.

0:50:11.480 --> 0:50:13.400
<v Speaker 1>Okay, and it's interesting read if we go all the

0:50:13.440 --> 0:50:16.320
<v Speaker 1>way back. One of the things that facilitated your early

0:50:16.360 --> 0:50:19.560
<v Speaker 1>relationship with Joyce was how enthusiastic she was about your

0:50:19.560 --> 0:50:23.240
<v Speaker 1>creative pursuits. So, I mean, the very thing she brought

0:50:23.400 --> 0:50:27.279
<v Speaker 1>she brought again, and so there was a consistency to that.

0:50:27.760 --> 0:50:31.480
<v Speaker 1>And to then witness Jared sort of coming back to life,

0:50:32.320 --> 0:50:36.839
<v Speaker 1>it speaks to how muddy the water of these complicated

0:50:36.880 --> 0:50:41.279
<v Speaker 1>relationships is the easy thing to do. If somebody gave

0:50:41.360 --> 0:50:44.880
<v Speaker 1>you the elevator pitch of this film, coming of life,

0:50:44.880 --> 0:50:48.440
<v Speaker 1>film mother, abandoned son, sons go on road trip and

0:50:48.480 --> 0:50:52.440
<v Speaker 1>find her, people would immediately paint Joyce to be the

0:50:52.480 --> 0:50:56.240
<v Speaker 1>two dimensional villain, what kind of woman leaves her children?

0:50:57.120 --> 0:51:00.400
<v Speaker 1>But what happens is is you punch the story out,

0:51:00.960 --> 0:51:03.640
<v Speaker 1>as we have to do in all of these stories.

0:51:04.440 --> 0:51:07.440
<v Speaker 1>What happens for the people in your role Sam Jared

0:51:07.600 --> 0:51:13.640
<v Speaker 1>read it's so complicated because something terrible did happen, and

0:51:13.880 --> 0:51:18.160
<v Speaker 1>she was a attentive mother at one point, and Jared

0:51:18.239 --> 0:51:21.120
<v Speaker 1>did pop back to life when she came back, and

0:51:21.200 --> 0:51:24.520
<v Speaker 1>she was still very cagey, and she still did want

0:51:24.560 --> 0:51:28.080
<v Speaker 1>things on her terms. This kind of ebb and flow

0:51:28.239 --> 0:51:32.920
<v Speaker 1>roller coaster good things, bad things is the characteristic of

0:51:32.960 --> 0:51:36.920
<v Speaker 1>these sorts of complex and at times antagonistic relationships. The

0:51:36.920 --> 0:51:39.360
<v Speaker 1>film brings that to light, but here we think of

0:51:39.400 --> 0:51:41.600
<v Speaker 1>the most This idea of a mother abandoning and a

0:51:41.680 --> 0:51:44.360
<v Speaker 1>child is really sort of like a top shelf of

0:51:44.400 --> 0:51:47.239
<v Speaker 1>like things you never do and it happened, and it's

0:51:47.239 --> 0:51:48.360
<v Speaker 1>still not that simple.

0:51:48.680 --> 0:51:52.799
<v Speaker 3>Yeah, I just want to speak to uh. Read was

0:51:52.840 --> 0:51:56.319
<v Speaker 3>going over some of the poster ideas with me, and

0:51:56.920 --> 0:51:59.120
<v Speaker 3>there was one where he was talking about, there's like

0:51:59.160 --> 0:52:01.800
<v Speaker 3>a silhouette of my young and my young face, and

0:52:02.760 --> 0:52:05.600
<v Speaker 3>then they wanted to have my mom's silhouette like back

0:52:05.640 --> 0:52:08.880
<v Speaker 3>to back in this like kind of sunset looking poster,

0:52:09.200 --> 0:52:12.120
<v Speaker 3>and I was like, absolutely not, Like this is not

0:52:12.360 --> 0:52:15.319
<v Speaker 3>like a protagonist antagonist, Like I think I was in

0:52:15.320 --> 0:52:19.280
<v Speaker 3>a lighter light and hers was a darker light and

0:52:19.280 --> 0:52:22.200
<v Speaker 3>that's just too easy, Like that's way too simplified in

0:52:22.280 --> 0:52:26.080
<v Speaker 3>the story. It really reminded me of this like Anakin

0:52:26.280 --> 0:52:30.560
<v Speaker 3>Skywalker or like Darth Vader type. It's like, this is

0:52:30.600 --> 0:52:33.800
<v Speaker 3>not like hero villain. We got to be more complex

0:52:33.880 --> 0:52:34.120
<v Speaker 3>than that.

0:52:34.280 --> 0:52:37.440
<v Speaker 1>And like, yeah, And I think that that's where this

0:52:37.480 --> 0:52:40.240
<v Speaker 1>film is so powerful, is that what every survivor says

0:52:40.320 --> 0:52:44.000
<v Speaker 1>is that I've gone through something terrible. This relationship, whatever

0:52:44.080 --> 0:52:46.480
<v Speaker 1>form it takes, has hurt me. And everyone's like, oh,

0:52:46.480 --> 0:52:49.960
<v Speaker 1>they're terrible, They're terrible, And the person experiencing the relationship says,

0:52:50.480 --> 0:52:52.879
<v Speaker 1>it's not that simple, because if it was, I would

0:52:52.920 --> 0:52:55.359
<v Speaker 1>have just walked away and cut this person out. And

0:52:55.400 --> 0:52:57.440
<v Speaker 1>this is the core of what we struggle with in

0:52:57.480 --> 0:53:01.280
<v Speaker 1>every story we tell, and it's really magnified in your story.

0:53:01.920 --> 0:53:04.960
<v Speaker 1>So what's happening though in the background, because now Joyce

0:53:04.960 --> 0:53:07.400
<v Speaker 1>has moved Just so listeners are more clear, Joyce is

0:53:07.440 --> 0:53:10.800
<v Speaker 1>no longer in California, She's moved closer. She's only about

0:53:10.840 --> 0:53:14.480
<v Speaker 1>five hours away, so she's a lot closer to everyone,

0:53:14.520 --> 0:53:16.879
<v Speaker 1>though not that close. Five hour drive is still quite

0:53:16.920 --> 0:53:19.920
<v Speaker 1>a distance. But in the midst of all this, you

0:53:20.000 --> 0:53:23.759
<v Speaker 1>still have your your father's family. How are they supporting

0:53:23.760 --> 0:53:26.000
<v Speaker 1>you to this part of it because I have to say,

0:53:26.040 --> 0:53:29.279
<v Speaker 1>as complicated as it was to deal with the initial

0:53:29.640 --> 0:53:33.560
<v Speaker 1>abandonment and finding her, what's even more complicated is this

0:53:33.640 --> 0:53:36.080
<v Speaker 1>very delicate dance of bringing her back into your life.

0:53:36.080 --> 0:53:39.239
<v Speaker 4>And initially you were really, really really.

0:53:39.120 --> 0:53:42.720
<v Speaker 1>Careful, Sam, because you were trying to, in essence, stave

0:53:42.760 --> 0:53:46.399
<v Speaker 1>off another abandonment. But you're still very embedded in your

0:53:46.400 --> 0:53:49.680
<v Speaker 1>father's life and your extended family. How are they helping

0:53:49.719 --> 0:53:50.760
<v Speaker 1>you through this process?

0:53:50.920 --> 0:53:55.080
<v Speaker 3>Yeah, I think that my dad was very supportive and appreciated.

0:53:55.160 --> 0:53:57.640
<v Speaker 3>I think the relationship, like rebuilding the relationship with their

0:53:57.640 --> 0:54:01.000
<v Speaker 3>mom and again kind of like very results oriented wise.

0:54:01.040 --> 0:54:03.400
<v Speaker 3>He was very happy with how Jared was doing, you know,

0:54:03.480 --> 0:54:06.520
<v Speaker 3>Jared coming back and like graduating and having a job,

0:54:06.560 --> 0:54:09.080
<v Speaker 3>having a car, having all this success. And I do

0:54:09.160 --> 0:54:12.520
<v Speaker 3>want to mention that when my mom came up to

0:54:12.600 --> 0:54:16.040
<v Speaker 3>Seattle and visits my dad's house, in my grandma's house,

0:54:16.600 --> 0:54:19.200
<v Speaker 3>you know, those were two things that I had kind

0:54:19.200 --> 0:54:22.320
<v Speaker 3>of in my mind eliminated. Was never ever happening again.

0:54:22.400 --> 0:54:24.840
<v Speaker 3>You like kind of categorize it. It's like this person

0:54:24.880 --> 0:54:27.920
<v Speaker 3>will never be in this space again. And I understand that.

0:54:28.239 --> 0:54:31.399
<v Speaker 3>And when it happened, it was very like blew kind

0:54:31.440 --> 0:54:33.120
<v Speaker 3>of my mind and almost shut off a lot of

0:54:33.120 --> 0:54:36.160
<v Speaker 3>the processing of what was going on because environmentally I

0:54:36.200 --> 0:54:39.200
<v Speaker 3>was not prepared for it. The people who were talking

0:54:39.280 --> 0:54:40.879
<v Speaker 3>to each other, my dad, my mom talking to each other,

0:54:40.960 --> 0:54:44.000
<v Speaker 3>wasn't prepared for that either. It just kind of almost

0:54:44.040 --> 0:54:46.600
<v Speaker 3>triggered a fight flight or freeze for me. And I

0:54:46.719 --> 0:54:50.239
<v Speaker 3>was very frozen, very much. Couldn't understand to me that

0:54:50.360 --> 0:54:54.040
<v Speaker 3>time period that like day is a snow globe captured

0:54:54.120 --> 0:54:58.000
<v Speaker 3>piece that you know, it's just completely outside of the ordinary,

0:54:58.000 --> 0:55:00.359
<v Speaker 3>completely outside of the wayship I have my mom, Like,

0:55:00.719 --> 0:55:03.680
<v Speaker 3>I can't fit it anywhere in the entirety of this

0:55:03.840 --> 0:55:06.879
<v Speaker 3>story at all. Like I don't understand it still to this.

0:55:06.920 --> 0:55:09.239
<v Speaker 1>Day, Red, do you have any insights on that day,

0:55:09.280 --> 0:55:12.440
<v Speaker 1>because it was actually quite It was a very interesting moment.

0:55:13.480 --> 0:55:19.759
<v Speaker 2>Yeah, this is coming after Sam's confronted Joyce through letters

0:55:20.080 --> 0:55:23.480
<v Speaker 2>about her leaving him and the effect it's had on him,

0:55:23.520 --> 0:55:28.239
<v Speaker 2>and he's actually angry as a grown adult, and he's

0:55:28.280 --> 0:55:32.799
<v Speaker 2>said some pretty interesting things. But he's requested also that

0:55:33.360 --> 0:55:35.759
<v Speaker 2>Joyce makes more of an effort to come and like

0:55:36.680 --> 0:55:39.880
<v Speaker 2>be a part of our lives in Seattle, especially like

0:55:40.000 --> 0:55:42.719
<v Speaker 2>come see Sam and Jared come try to be a

0:55:42.760 --> 0:55:47.680
<v Speaker 2>little more normal about the relationship. And what is normal?

0:55:47.840 --> 0:55:52.080
<v Speaker 2>Who knows, but he's like made this request. He really

0:55:52.080 --> 0:55:54.879
<v Speaker 2>wants Joyce to be a little more active and proactive.

0:55:55.160 --> 0:55:59.000
<v Speaker 2>And so this on this Halloween Day in twenty fifteen,

0:55:59.480 --> 0:56:05.279
<v Speaker 2>she up and just applies all of this energy to

0:56:06.280 --> 0:56:10.480
<v Speaker 2>reinserting herself back into the whole Harkness family. She's like,

0:56:10.560 --> 0:56:14.040
<v Speaker 2>let's go surprise Randy and then let's go see Grandma,

0:56:14.120 --> 0:56:16.960
<v Speaker 2>and you know, on a total whim and so she's

0:56:17.000 --> 0:56:20.080
<v Speaker 2>like kind of getting a kick out of the surprise

0:56:20.239 --> 0:56:22.880
<v Speaker 2>factor And wouldn't it be funny if this happened? And

0:56:23.360 --> 0:56:25.920
<v Speaker 2>you know what's going to happen, what's gonna happen next?

0:56:25.960 --> 0:56:29.760
<v Speaker 2>And in my mind, I think that she was charged

0:56:29.840 --> 0:56:36.160
<v Speaker 2>by Sam's request, and I wonder if she was intentionally

0:56:36.200 --> 0:56:37.239
<v Speaker 2>self sabotaging it.

0:56:37.280 --> 0:56:39.640
<v Speaker 1>At the same time, it is interesting because one of

0:56:39.680 --> 0:56:41.319
<v Speaker 1>the things that jumps out at me at this is

0:56:41.360 --> 0:56:43.600
<v Speaker 1>there is a certain it's a little bit of a

0:56:43.680 --> 0:56:45.799
<v Speaker 1>lack of empathy of what would it be like if

0:56:45.800 --> 0:56:46.359
<v Speaker 1>I showed up?

0:56:46.400 --> 0:56:47.839
<v Speaker 4>What is it like if I show up at all

0:56:47.840 --> 0:56:48.920
<v Speaker 4>these people's houses.

0:56:49.440 --> 0:56:52.800
<v Speaker 1>What I'm saying is that empathy is not just understanding

0:56:52.800 --> 0:56:56.120
<v Speaker 1>the feelings of others, but understanding our impact on other

0:56:56.160 --> 0:57:00.279
<v Speaker 1>people and catching ourselves before we do something that may not,

0:57:01.120 --> 0:57:03.319
<v Speaker 1>i don't know, feel good for the other person, right,

0:57:03.480 --> 0:57:05.440
<v Speaker 1>And so there was a little bit of an empathic

0:57:05.520 --> 0:57:07.680
<v Speaker 1>fail there in the sense of I'm going to come

0:57:07.680 --> 0:57:10.200
<v Speaker 1>in and like you said, read it was this shock value,

0:57:10.640 --> 0:57:14.120
<v Speaker 1>was this lack of awareness, was this this is what

0:57:14.160 --> 0:57:15.960
<v Speaker 1>I feel like doing, so I'm just going to do

0:57:16.040 --> 0:57:20.080
<v Speaker 1>it that obviously we don't know, but it definitely seemed

0:57:20.120 --> 0:57:22.040
<v Speaker 1>a bit tone deaf at best.

0:57:22.200 --> 0:57:23.920
<v Speaker 2>Yeah, And I mean, I will say also that like

0:57:24.200 --> 0:57:26.480
<v Speaker 2>the family is used to drop ins on each other,

0:57:26.960 --> 0:57:28.919
<v Speaker 2>like we're all like kind of loose in this way.

0:57:29.000 --> 0:57:32.040
<v Speaker 2>It is like we were free range kids. But you know,

0:57:32.120 --> 0:57:35.040
<v Speaker 2>this is something really different that's happening, where like, you know,

0:57:35.040 --> 0:57:37.480
<v Speaker 2>people that haven't seen her in like fifteen years, and

0:57:38.720 --> 0:57:40.640
<v Speaker 2>you know, she comes to the door and my dad

0:57:40.840 --> 0:57:43.360
<v Speaker 2>doesn't even recognize her, like invit seran thinks he's just

0:57:43.440 --> 0:57:46.040
<v Speaker 2>like some friend of ours. And then she comes in.

0:57:46.120 --> 0:57:47.760
<v Speaker 2>It takes him like, you know, a couple of minutes

0:57:47.760 --> 0:57:50.880
<v Speaker 2>before he's like, oh my gosh, it's Joyce. And then

0:57:51.400 --> 0:57:53.840
<v Speaker 2>things like are like oh okay, and now he's like,

0:57:54.280 --> 0:57:56.000
<v Speaker 2>now he's going into this place where he's like what

0:57:56.000 --> 0:57:59.200
<v Speaker 2>do I do about this situation? And you know, he's

0:57:59.240 --> 0:58:01.800
<v Speaker 2>such a sweet and he really you can see in

0:58:01.840 --> 0:58:04.920
<v Speaker 2>the scene he's like, Okay, well, like let's kind of

0:58:05.000 --> 0:58:07.280
<v Speaker 2>roll with this and see how it plays out, you know,

0:58:07.360 --> 0:58:09.800
<v Speaker 2>and he's just he's a first grade teacher for like

0:58:09.840 --> 0:58:12.760
<v Speaker 2>thirty years, so he's like been through all kinds of

0:58:12.840 --> 0:58:16.479
<v Speaker 2>experiences with you with kids and has this temperament that's

0:58:16.560 --> 0:58:19.080
<v Speaker 2>just like kind of just like okay, we'll just kind

0:58:19.080 --> 0:58:22.160
<v Speaker 2>of go with things here. And then we all go

0:58:22.200 --> 0:58:24.720
<v Speaker 2>over to our grandma's house and the party kind of grows,

0:58:25.160 --> 0:58:27.960
<v Speaker 2>but it's a grandma's house where we really where Joyce

0:58:28.680 --> 0:58:30.880
<v Speaker 2>reaches a point where she really starts to like let

0:58:30.960 --> 0:58:34.360
<v Speaker 2>us in a little bit more to what's going on

0:58:34.440 --> 0:58:40.280
<v Speaker 2>with her and our grandma, who's very wise lady has

0:58:40.840 --> 0:58:45.080
<v Speaker 2>done lots of work with early child development and attachment

0:58:45.400 --> 0:58:51.240
<v Speaker 2>and all these things, like actually happens to approach Joyce

0:58:51.480 --> 0:58:57.640
<v Speaker 2>about narcissism and offers her a book on narcissism, and

0:58:58.360 --> 0:59:04.480
<v Speaker 2>Joyce says, that's me, and then she goes on to

0:59:04.560 --> 0:59:08.440
<v Speaker 2>sort of describe her coping mechanism a little more clearly

0:59:08.600 --> 0:59:13.479
<v Speaker 2>for the first time. And it's pretty enlightening, even after

0:59:13.560 --> 0:59:16.720
<v Speaker 2>we've gone through this roller coaster of a day of like,

0:59:17.240 --> 0:59:20.080
<v Speaker 2>you know, we're surprising our dad and then and this

0:59:20.200 --> 0:59:23.920
<v Speaker 2>is uncomfortable, and then like Grandma just like embraces her

0:59:24.040 --> 0:59:28.160
<v Speaker 2>and puts on tea and and like let's talk like,

0:59:28.320 --> 0:59:32.080
<v Speaker 2>you know, just just like old times. And her experience

0:59:32.120 --> 0:59:35.120
<v Speaker 2>of that day was that like how nice it was that,

0:59:35.520 --> 0:59:38.880
<v Speaker 2>you know, Joyce came back into the fold. And I

0:59:38.920 --> 0:59:42.680
<v Speaker 2>think my dad's experience was just like what a unnerving

0:59:42.840 --> 0:59:46.720
<v Speaker 2>what a he says the word it was. It was freaky.

0:59:47.040 --> 0:59:50.960
<v Speaker 2>It was freakish to me. So it was a mix

0:59:51.040 --> 0:59:53.240
<v Speaker 2>of many things. And I think it was you know,

0:59:54.240 --> 0:59:57.440
<v Speaker 2>it wasn't what Sam had wanted. I think he had

0:59:57.440 --> 1:00:00.120
<v Speaker 2>wanted something different. Do what did you want, Sam? What

1:00:00.160 --> 1:00:01.200
<v Speaker 2>did you want to have happened?

1:00:01.920 --> 1:00:04.720
<v Speaker 3>Yeah, maybe just like a dinner with me, Jared and

1:00:04.760 --> 1:00:07.040
<v Speaker 3>Peter it would have been that would have been a

1:00:07.080 --> 1:00:11.080
<v Speaker 3>good start. Yeah, you know, I don't need her to

1:00:11.120 --> 1:00:15.000
<v Speaker 3>keep herself secret from everybody, but yeah, I think letting

1:00:15.040 --> 1:00:17.880
<v Speaker 3>more people in on what like could be happening, instead

1:00:17.880 --> 1:00:19.960
<v Speaker 3>of having having the jump on them a little bit

1:00:19.960 --> 1:00:21.920
<v Speaker 3>would have been better. Like I would have loved for

1:00:22.000 --> 1:00:25.040
<v Speaker 3>my grandma and my mom to like meet and see

1:00:25.040 --> 1:00:27.200
<v Speaker 3>each other and they know actually that relationship's going still

1:00:27.320 --> 1:00:30.280
<v Speaker 3>very well for them. But I just, yeah, I think

1:00:30.320 --> 1:00:32.600
<v Speaker 3>it was not approached very well.

1:00:33.160 --> 1:00:33.480
<v Speaker 2>M M.

1:00:34.280 --> 1:00:34.520
<v Speaker 4>Yeah.

1:00:34.640 --> 1:00:34.680
<v Speaker 2>No.

1:00:34.840 --> 1:00:37.840
<v Speaker 1>I love that moment when your grandmother's like, Okay, well

1:00:37.880 --> 1:00:39.640
<v Speaker 1>this is what I think you are, And it actually

1:00:39.640 --> 1:00:41.680
<v Speaker 1>puts a finer point on that. One thing we know

1:00:42.160 --> 1:00:45.680
<v Speaker 1>is many people with any kind of narcissistic presentation do

1:00:45.840 --> 1:00:49.600
<v Speaker 1>have some sort of traumatic origin. The entire narcissistic presentation

1:00:49.720 --> 1:00:52.800
<v Speaker 1>then is sort of a defense against that kind of

1:00:53.440 --> 1:00:58.240
<v Speaker 1>existential hole that the attachment disruptions can sometimes cause, and

1:00:58.280 --> 1:01:01.520
<v Speaker 1>so everything's a defensive maneuver with little regard for the

1:01:01.560 --> 1:01:02.120
<v Speaker 1>other people.

1:01:02.200 --> 1:01:03.760
<v Speaker 4>So your grandmother was spot on.

1:01:03.960 --> 1:01:06.640
<v Speaker 1>What was really compelling to me was how Joyce was

1:01:06.680 --> 1:01:09.200
<v Speaker 1>actually able to receive it and says, yes, that's me,

1:01:09.640 --> 1:01:13.440
<v Speaker 1>which actually isn't the normative reaction. Most people who've handed

1:01:13.480 --> 1:01:16.400
<v Speaker 1>a book about narcissism would either throw it against.

1:01:16.120 --> 1:01:18.360
<v Speaker 4>The wall start to rage, how dare you?

1:01:18.960 --> 1:01:21.720
<v Speaker 1>What was fascinating to me was Joyce's willingness to be

1:01:21.760 --> 1:01:25.360
<v Speaker 1>in that moment with it. Again not unusual when people

1:01:25.520 --> 1:01:28.800
<v Speaker 1>who've had more of that traumatic origin. So narcissism is

1:01:28.800 --> 1:01:32.320
<v Speaker 1>also not a singular picture because the origins of it

1:01:32.360 --> 1:01:35.240
<v Speaker 1>can come down so many different pathways. In some ways

1:01:35.240 --> 1:01:39.040
<v Speaker 1>that can also affect the presentation. We will be right

1:01:39.080 --> 1:01:45.000
<v Speaker 1>back with this conversation with Sam and Reid. You know,

1:01:45.000 --> 1:01:46.720
<v Speaker 1>there's a point that came up in the film. I'm

1:01:46.720 --> 1:01:49.360
<v Speaker 1>going to be selfish here because I found it very affecting.

1:01:49.400 --> 1:01:51.640
<v Speaker 1>And I've told you that I found this really affecting,

1:01:52.000 --> 1:01:55.959
<v Speaker 1>which was when your mom who left your life comes

1:01:56.000 --> 1:01:58.320
<v Speaker 1>back in your life, lives five hours away, expects you

1:01:58.360 --> 1:02:00.840
<v Speaker 1>to come see her. That there was one year, one

1:02:00.880 --> 1:02:03.000
<v Speaker 1>year at Christmas, Sam, when you had a lot of

1:02:03.000 --> 1:02:05.120
<v Speaker 1>stuff going on in your life, and he was like,

1:02:05.480 --> 1:02:07.880
<v Speaker 1>you just didn't reach out. You didn't feel that you'

1:02:07.920 --> 1:02:11.800
<v Speaker 1>something you had to do. She became very angry as

1:02:11.880 --> 1:02:15.200
<v Speaker 1>the viewer. I mean, you did something almost hitchcocky in

1:02:15.360 --> 1:02:18.439
<v Speaker 1>here that you left so many things towards the end,

1:02:18.800 --> 1:02:20.880
<v Speaker 1>and yet we felt like we were seeing them all along.

1:02:20.920 --> 1:02:22.440
<v Speaker 4>It was genius filmmaking.

1:02:22.840 --> 1:02:25.800
<v Speaker 1>And so I remember I was there with Joyce, I

1:02:25.880 --> 1:02:28.000
<v Speaker 1>really was. I was there with her, I was there

1:02:28.000 --> 1:02:30.000
<v Speaker 1>with all of you. Then she pulled what I call

1:02:30.080 --> 1:02:33.040
<v Speaker 1>the Christmas maneuver, and that was the moment Joyce lost me.

1:02:33.320 --> 1:02:35.840
<v Speaker 1>I remember literally talking to the screen and saying, how

1:02:36.160 --> 1:02:39.440
<v Speaker 1>dare you? Sam owes you nothing, He does not owe

1:02:39.480 --> 1:02:41.960
<v Speaker 1>you a Mary Christmas. Don't ever watch a movie with me,

1:02:41.960 --> 1:02:44.000
<v Speaker 1>by the way, because it's a whole conversation thing. But

1:02:44.240 --> 1:02:47.400
<v Speaker 1>I was like, how could you do this to Sam? So, Sam,

1:02:47.560 --> 1:02:50.320
<v Speaker 1>now I get the privilege of hearing from you what

1:02:50.360 --> 1:02:52.840
<v Speaker 1>was happening for you? You said I can't be bothered

1:02:52.920 --> 1:02:56.240
<v Speaker 1>this Christmas? And then you had to withstand some of

1:02:56.280 --> 1:02:59.160
<v Speaker 1>her anger. What was that moment like for you?

1:02:59.160 --> 1:03:01.520
<v Speaker 3>You know? At that point it too. I've been pretty

1:03:01.520 --> 1:03:04.480
<v Speaker 3>far along in my in my like social work career,

1:03:05.160 --> 1:03:08.720
<v Speaker 3>and so some of the professional skills I had been

1:03:08.760 --> 1:03:11.200
<v Speaker 3>developing and working on it, I think we'll also just

1:03:11.280 --> 1:03:14.880
<v Speaker 3>kind of fit my own like you know, personality and

1:03:14.920 --> 1:03:17.960
<v Speaker 3>the soft skills I already had growing up. I definitely

1:03:18.280 --> 1:03:20.600
<v Speaker 3>had an immediate response of like the kind of you know,

1:03:20.680 --> 1:03:24.280
<v Speaker 3>she had this how dare you? Tone? And the immediate

1:03:24.280 --> 1:03:26.480
<v Speaker 3>thought was I was like, how dare you? Like where

1:03:26.520 --> 1:03:29.960
<v Speaker 3>do you think I get it from? But so I

1:03:30.360 --> 1:03:33.919
<v Speaker 3>really tried to absorb it in this way that was like, Wow,

1:03:33.960 --> 1:03:37.000
<v Speaker 3>I'm really sorry, I hurt you. I am a little

1:03:37.000 --> 1:03:38.720
<v Speaker 3>bit overwhelmed. And I was going on this like kind

1:03:38.720 --> 1:03:42.480
<v Speaker 3>of like getaway with my girlfriend to like a little staycation.

1:03:42.520 --> 1:03:43.680
<v Speaker 3>It's gonna be a weekend long, and I was like,

1:03:43.680 --> 1:03:45.400
<v Speaker 3>can I really get back to you after this, Like

1:03:45.640 --> 1:03:48.000
<v Speaker 3>after the staycation, I've been like working super hard. And

1:03:48.360 --> 1:03:50.840
<v Speaker 3>I think I actually worked every holiday too. I was

1:03:50.840 --> 1:03:53.240
<v Speaker 3>working in homelessness youth services and I was working in

1:03:53.240 --> 1:03:56.680
<v Speaker 3>the shelter at the time, and yeah, I kind of

1:03:56.720 --> 1:03:58.600
<v Speaker 3>just like was trying to be accountable to it, and

1:03:58.960 --> 1:04:01.080
<v Speaker 3>probably a little bit of me was social working here

1:04:01.120 --> 1:04:03.200
<v Speaker 3>a little bit. Like it was like, I'm really sorry,

1:04:03.200 --> 1:04:06.400
<v Speaker 3>it's my mistake. I did this and and I hurt you.

1:04:06.800 --> 1:04:08.760
<v Speaker 3>Let me like get back to you on this when

1:04:08.760 --> 1:04:12.440
<v Speaker 3>I get back, and not only enraged her further, and

1:04:12.560 --> 1:04:15.120
<v Speaker 3>she sent like a couple more emails like right back,

1:04:15.240 --> 1:04:17.680
<v Speaker 3>and this is I'm I'm on like the ferry to

1:04:18.480 --> 1:04:21.360
<v Speaker 3>this like one hour away destination where we have this

1:04:21.440 --> 1:04:24.720
<v Speaker 3>airbnb set up and everything, and yeah, within that time,

1:04:24.800 --> 1:04:29.480
<v Speaker 3>she sends like two more pretty scathing emails where she's

1:04:30.120 --> 1:04:33.880
<v Speaker 3>kind of yelling at me for like being ungrateful and

1:04:34.040 --> 1:04:36.640
<v Speaker 3>that I was always mad at her, never let it

1:04:36.680 --> 1:04:40.400
<v Speaker 3>go that she had left or never forgave her, and

1:04:40.840 --> 1:04:42.600
<v Speaker 3>a lot of things that were just like pretty hurtful.

1:04:42.960 --> 1:04:45.320
<v Speaker 3>After like a couple of responses, I was like pretty

1:04:45.400 --> 1:04:47.240
<v Speaker 3>hurt and I didn't have it left into me for

1:04:47.360 --> 1:04:49.760
<v Speaker 3>like to hold together relationships. It was kind of ignoring

1:04:49.760 --> 1:04:54.040
<v Speaker 3>it again. And then she again sent a couple more emails,

1:04:54.080 --> 1:04:56.120
<v Speaker 3>so she got caught up in this big whirlwind of

1:04:56.200 --> 1:04:58.000
<v Speaker 3>like she needs to be like getting all this out

1:04:58.040 --> 1:05:00.520
<v Speaker 3>at me. But eventually there was like a very much

1:05:00.640 --> 1:05:04.600
<v Speaker 3>apologetic email where she mentions also that you know, there's

1:05:05.160 --> 1:05:06.840
<v Speaker 3>there's a lot of harm that happened to me when

1:05:06.880 --> 1:05:09.920
<v Speaker 3>I was younger, and also there's I was in therapy

1:05:10.120 --> 1:05:12.320
<v Speaker 3>for a long time and all this stuff, and you know,

1:05:12.360 --> 1:05:15.000
<v Speaker 3>I'm unhinged. Like basically she's like admitting to being like

1:05:15.680 --> 1:05:19.920
<v Speaker 3>to having these mental health issues. And it was bizarre,

1:05:20.000 --> 1:05:22.040
<v Speaker 3>it was weird. It was isolating for me. I don't

1:05:22.080 --> 1:05:24.000
<v Speaker 3>think any of my other brothers got that side of

1:05:24.040 --> 1:05:27.360
<v Speaker 3>her ever, And I started to feel this like I'm

1:05:27.400 --> 1:05:29.800
<v Speaker 3>the scapegoat of my brothers. I'm the ones she can

1:05:29.920 --> 1:05:32.360
<v Speaker 3>like do this too, and know it's gonna be okay,

1:05:32.600 --> 1:05:35.120
<v Speaker 3>and that I and especially now in my line of work,

1:05:35.200 --> 1:05:38.120
<v Speaker 3>where like I, you know, you can say those things

1:05:38.120 --> 1:05:41.880
<v Speaker 3>to me and it's okay. So I have to like

1:05:41.880 --> 1:05:44.040
<v Speaker 3>put up more boundaries now with her in that aspect

1:05:44.040 --> 1:05:46.800
<v Speaker 3>of like I can't. I'm not gonna let you isolate me.

1:05:46.840 --> 1:05:48.760
<v Speaker 3>I'm not gonna let you like do these things. Were like,

1:05:48.840 --> 1:05:50.800
<v Speaker 3>if this is gonna happen, you have to do it

1:05:50.840 --> 1:05:54.520
<v Speaker 3>to all my brothers and not just me. But yeah,

1:05:54.560 --> 1:05:57.720
<v Speaker 3>so that that was pretty hard and really difficult when

1:05:57.880 --> 1:06:00.880
<v Speaker 3>I confronted my brothers about it and showed them the emails.

1:06:01.040 --> 1:06:02.680
<v Speaker 3>Has this ever happened to you? And they're like no.

1:06:04.920 --> 1:06:08.200
<v Speaker 1>It is not unusual in a family system where the

1:06:08.320 --> 1:06:13.440
<v Speaker 1>person who may have some narcissistic ish patterns will focus

1:06:13.560 --> 1:06:17.120
<v Speaker 1>on one person in the family system that they are

1:06:17.120 --> 1:06:22.240
<v Speaker 1>more disregulated with or demanding of, and take out more

1:06:22.280 --> 1:06:26.280
<v Speaker 1>of their rage with, and might typically be seen just

1:06:26.320 --> 1:06:29.640
<v Speaker 1>as in this case with siblings, with one sibling being

1:06:29.680 --> 1:06:32.120
<v Speaker 1>a bit more of a scapegoat and getting the worse

1:06:32.200 --> 1:06:34.880
<v Speaker 1>of it and the others getting little or none of

1:06:34.920 --> 1:06:38.240
<v Speaker 1>it at all, and not only doesn't feel good, it

1:06:38.280 --> 1:06:41.960
<v Speaker 1>can feel worse when the people it's not happening to

1:06:42.560 --> 1:06:46.280
<v Speaker 1>may minimize it or play it down, which can sort

1:06:46.320 --> 1:06:51.520
<v Speaker 1>of feel gaslighty. This triangulated dynamic, which appears at various

1:06:51.600 --> 1:06:55.440
<v Speaker 1>times in this story, is a signature element of family

1:06:55.520 --> 1:06:58.920
<v Speaker 1>systems impacted by these personality styles.

1:06:59.040 --> 1:07:01.800
<v Speaker 3>Not even just no, but excused her a little bit too, like,

1:07:02.880 --> 1:07:04.240
<v Speaker 3>I don't think this is going to be a thing.

1:07:04.240 --> 1:07:05.440
<v Speaker 3>I don't think you have to worry about it. And

1:07:05.440 --> 1:07:07.640
<v Speaker 3>I was like, I don't know, I am like worried

1:07:07.640 --> 1:07:10.000
<v Speaker 3>about it being more of a pattern, and yeah, it

1:07:10.040 --> 1:07:12.480
<v Speaker 3>was kind of ignored and not dealt with.

1:07:12.600 --> 1:07:14.080
<v Speaker 4>Yeah, that doesn't feel good.

1:07:14.200 --> 1:07:16.120
<v Speaker 1>I mean that, that doesn't feel good read as one

1:07:16.160 --> 1:07:18.560
<v Speaker 1>of I mean again, this is unique opportunity here you are,

1:07:19.040 --> 1:07:22.200
<v Speaker 1>You were part of this conversation. Did you really believe

1:07:22.240 --> 1:07:24.200
<v Speaker 1>you just thought this wasn't going to happen anymore?

1:07:24.400 --> 1:07:27.000
<v Speaker 3>I will say, Covey, that read actually I think was

1:07:27.080 --> 1:07:29.400
<v Speaker 3>hearing me more. Oh, it was more. It was Jared

1:07:29.440 --> 1:07:32.200
<v Speaker 3>and Peter who oh okay, okay, they have more of

1:07:32.200 --> 1:07:33.160
<v Speaker 3>a relationship on the line.

1:07:33.240 --> 1:07:34.680
<v Speaker 4>Yeah, okay, okay.

1:07:34.920 --> 1:07:37.360
<v Speaker 1>You know again, a lot of what you were having

1:07:37.360 --> 1:07:39.960
<v Speaker 1>to bear under Sam was sort of the projected shame

1:07:40.000 --> 1:07:42.520
<v Speaker 1>of Joyce right. That's the nature of these relationships is

1:07:42.560 --> 1:07:45.240
<v Speaker 1>that the shame builds up to such an intolerable level

1:07:45.240 --> 1:07:48.240
<v Speaker 1>in her she doesn't have healthy tools for coping with it.

1:07:48.520 --> 1:07:51.720
<v Speaker 1>And in these relationships, people with these personality styles they

1:07:51.760 --> 1:07:55.360
<v Speaker 1>project that shame on the person they believe evoked that shame.

1:07:55.720 --> 1:07:58.640
<v Speaker 1>You evoked that shame without having the Christmas s greeting,

1:07:59.000 --> 1:08:01.000
<v Speaker 1>you were going to get the worst of it. In

1:08:01.040 --> 1:08:03.840
<v Speaker 1>many ways, It's quite likely that Jared and Peter weren't

1:08:03.880 --> 1:08:05.840
<v Speaker 1>so much in that shame of voking role. And the

1:08:05.880 --> 1:08:08.640
<v Speaker 1>shame of voking role is often the person who puts

1:08:08.680 --> 1:08:10.960
<v Speaker 1>up with them a little bit more and then sometimes

1:08:10.960 --> 1:08:13.840
<v Speaker 1>sets a boundary. So that person and you did you

1:08:13.840 --> 1:08:15.760
<v Speaker 1>set a boundary. I'm gonna go and do what I

1:08:15.840 --> 1:08:18.040
<v Speaker 1>need to do this weekend, spend time with my partner.

1:08:18.360 --> 1:08:20.599
<v Speaker 1>So when we understand it that way doesn't mean it's

1:08:20.640 --> 1:08:23.840
<v Speaker 1>any less hurtful. Listen, someone does anything, someone pushes and

1:08:23.880 --> 1:08:26.800
<v Speaker 1>shoves you, that's going to her. Even if you understand

1:08:26.880 --> 1:08:30.080
<v Speaker 1>what's behind the shove, there's still a moment of hurt

1:08:30.400 --> 1:08:33.400
<v Speaker 1>and pain. So I really appreciate you sharing that. And

1:08:33.439 --> 1:08:36.040
<v Speaker 1>now may I ask this, what is your relationship with

1:08:36.160 --> 1:08:38.679
<v Speaker 1>your mother, Like now, right.

1:08:38.479 --> 1:08:41.439
<v Speaker 3>Before this movie released, it was pretty good in a

1:08:41.479 --> 1:08:44.400
<v Speaker 3>sense that like we're checking in almost every month to

1:08:44.439 --> 1:08:47.880
<v Speaker 3>every other month, and I think we do sometimes have to, like,

1:08:47.960 --> 1:08:50.559
<v Speaker 3>you know, there was a Thanksgiving where it felt like,

1:08:50.600 --> 1:08:52.840
<v Speaker 3>you know, there's a certain amount of time we can

1:08:52.920 --> 1:08:56.120
<v Speaker 3>be around each other before I start to have anxiety

1:08:56.160 --> 1:08:59.280
<v Speaker 3>about her or she maybe feels, yeah that like I'm

1:08:59.640 --> 1:09:02.600
<v Speaker 3>in some sort of shame out of her. So, you know,

1:09:02.640 --> 1:09:05.280
<v Speaker 3>it's I think we're starting to understand how much we

1:09:05.320 --> 1:09:09.639
<v Speaker 3>can actually like interact with each other. And I want more,

1:09:09.720 --> 1:09:12.080
<v Speaker 3>for sure. I always want more out of it, but

1:09:12.120 --> 1:09:15.240
<v Speaker 3>I'm being as realistic as possible as I'm moving forward.

1:09:15.840 --> 1:09:20.280
<v Speaker 3>I think every kind of minute this film is out,

1:09:20.439 --> 1:09:23.000
<v Speaker 3>I have a worry that she'll see it and that

1:09:23.040 --> 1:09:27.920
<v Speaker 3>she's going to have some response of you know, on

1:09:27.960 --> 1:09:31.360
<v Speaker 3>a spectrum from disappearing again to like maybe someone more

1:09:31.360 --> 1:09:33.559
<v Speaker 3>in the middle of just yelling at me and read

1:09:33.800 --> 1:09:37.120
<v Speaker 3>or or silence or I do I'm not entirely sure,

1:09:37.200 --> 1:09:39.840
<v Speaker 3>but yeah, or seeing it and then holding it in

1:09:39.880 --> 1:09:42.160
<v Speaker 3>and never speaking to anybody about it, how she feels

1:09:42.160 --> 1:09:44.400
<v Speaker 3>about it, and that I would also be terrible. Yeah,

1:09:44.439 --> 1:09:46.800
<v Speaker 3>So there's there's a lot of anxiety right now with

1:09:46.840 --> 1:09:49.080
<v Speaker 3>the film being out, that like something could change and

1:09:49.080 --> 1:09:51.680
<v Speaker 3>I relation should immediately and as far as we know,

1:09:51.760 --> 1:09:53.800
<v Speaker 3>she hasn't seen it. But yeah, I don't know.

1:09:54.360 --> 1:09:57.520
<v Speaker 1>But there's a curiousness and a fragility that the relationship

1:09:57.600 --> 1:10:00.639
<v Speaker 1>has with always that this is now something that's hanging

1:10:00.640 --> 1:10:04.599
<v Speaker 1>out there as a possibility. So before we end, we'd

1:10:04.640 --> 1:10:05.519
<v Speaker 1>like to play this clip.

1:10:05.960 --> 1:10:08.400
<v Speaker 2>So when we set out to find your mom, what

1:10:08.520 --> 1:10:10.759
<v Speaker 2>were you hoping to accomplish.

1:10:10.840 --> 1:10:12.880
<v Speaker 3>I think I had a kind of a fantasy in

1:10:13.000 --> 1:10:15.639
<v Speaker 3>mind of what was going to happen. I don't think

1:10:15.640 --> 1:10:17.760
<v Speaker 3>I actually cared that much for a relationship with my

1:10:17.800 --> 1:10:22.120
<v Speaker 3>mom at that point. I was like fairly independent, and

1:10:23.080 --> 1:10:26.880
<v Speaker 3>I didn't really think it through, to be honest, like emotionally,

1:10:27.040 --> 1:10:28.559
<v Speaker 3>how I'd feel about it or what it would do

1:10:28.600 --> 1:10:34.439
<v Speaker 3>to me. Did you get what you wanted? If you

1:10:34.479 --> 1:10:36.559
<v Speaker 3>were to ask me, like right after the trip, did

1:10:36.600 --> 1:10:38.920
<v Speaker 3>I good I wanted? I would have said yes. But

1:10:39.040 --> 1:10:47.439
<v Speaker 3>now asking myself in like my late twenties, no even

1:10:47.600 --> 1:10:50.479
<v Speaker 3>finding her, like the connection is still a little severed.

1:10:55.320 --> 1:10:57.240
<v Speaker 3>Later on in my adult life, I kind of found

1:10:57.280 --> 1:11:02.160
<v Speaker 3>out that I was both concerned with myself being capable

1:11:02.160 --> 1:11:05.479
<v Speaker 3>of abandoning somebody and also concerned about being abandoned by

1:11:05.520 --> 1:11:09.320
<v Speaker 3>more people, and then realizing that I had that that capability,

1:11:09.360 --> 1:11:11.960
<v Speaker 3>I was like, oh no, like I can just like

1:11:12.040 --> 1:11:12.840
<v Speaker 3>shut somebody out.

1:11:13.640 --> 1:11:15.720
<v Speaker 4>So do you agree with that?

1:11:15.760 --> 1:11:18.599
<v Speaker 1>I think that's like you're really eloquent kind of laying

1:11:18.640 --> 1:11:21.080
<v Speaker 1>out of what has happened. Do you still given that

1:11:21.160 --> 1:11:24.000
<v Speaker 1>was part of the film and now some time has passed,

1:11:24.240 --> 1:11:25.160
<v Speaker 1>how do you feel about that?

1:11:25.560 --> 1:11:27.800
<v Speaker 3>I would say some of those fears are still very

1:11:27.880 --> 1:11:30.040
<v Speaker 3>valid in my life and sort of a kind of

1:11:30.040 --> 1:11:32.960
<v Speaker 3>I'd mentioned before. I don't think I've ever really gotten

1:11:33.000 --> 1:11:36.120
<v Speaker 3>a full understanding or explanation from my mom about why

1:11:36.160 --> 1:11:40.840
<v Speaker 3>she left. But sometimes when I'm acting out the same

1:11:41.320 --> 1:11:44.320
<v Speaker 3>behaviors she has had that were like kind of negative

1:11:44.320 --> 1:11:51.320
<v Speaker 3>behaviors of sabotage, abandoning others, distancing myself emotionally and physically,

1:11:52.479 --> 1:11:55.280
<v Speaker 3>that's the closest I get to understanding what she did

1:11:55.320 --> 1:11:59.160
<v Speaker 3>and why she did it is whenever I'm playing that

1:11:59.240 --> 1:12:02.559
<v Speaker 3>through or like also playing out that same cycle. But

1:12:03.840 --> 1:12:06.599
<v Speaker 3>I definitely have recognized it more and so I can

1:12:06.600 --> 1:12:08.960
<v Speaker 3>step out of it easier. I can remove myself, I

1:12:09.000 --> 1:12:12.360
<v Speaker 3>can more prevention of it as well. I would say

1:12:12.400 --> 1:12:14.599
<v Speaker 3>then when that video is being taped, I was kind

1:12:14.640 --> 1:12:16.040
<v Speaker 3>of like in the middle of it and having a

1:12:16.080 --> 1:12:18.400
<v Speaker 3>hard time with it and barely getting out of it.

1:12:19.240 --> 1:12:21.880
<v Speaker 3>And now I'm in a much better spot. I can

1:12:21.920 --> 1:12:24.240
<v Speaker 3>see it coming. Yeah, and like replacing a lot of

1:12:24.240 --> 1:12:28.080
<v Speaker 3>those maladaptive coping mechanisms with better ones that serve me

1:12:28.120 --> 1:12:28.639
<v Speaker 3>a lot better.

1:12:29.720 --> 1:12:31.559
<v Speaker 1>And I think that's great to hear, Sam, because it's

1:12:31.560 --> 1:12:34.439
<v Speaker 1>a real reminder that people do. We do get out

1:12:34.479 --> 1:12:37.000
<v Speaker 1>of these acute states of distress, and we do find

1:12:37.000 --> 1:12:39.800
<v Speaker 1>our footing. And I mean, I'll be frank with you, Sam,

1:12:39.960 --> 1:12:43.360
<v Speaker 1>very rarely in this kind of a relationship does anyone

1:12:43.400 --> 1:12:47.200
<v Speaker 1>get that question of why ever answered. And it's learning

1:12:47.200 --> 1:12:51.320
<v Speaker 1>how to move forward. It's its own form of ambiguous grief, right,

1:12:51.400 --> 1:12:54.920
<v Speaker 1>learning to move forward without ever knowing the why. If

1:12:55.000 --> 1:12:57.960
<v Speaker 1>someone in front of us we love dies from a disease,

1:12:58.200 --> 1:13:02.160
<v Speaker 1>we're sad, especially if they died prematurely, but we understand

1:13:02.200 --> 1:13:04.040
<v Speaker 1>that they got a disease. There's a why that we

1:13:04.080 --> 1:13:06.680
<v Speaker 1>can get our head around. This why is again, is

1:13:06.880 --> 1:13:10.360
<v Speaker 1>so many whys in these relationships never get answered. We

1:13:10.439 --> 1:13:12.880
<v Speaker 1>have to struggle to make our meaning of it. But

1:13:12.920 --> 1:13:15.439
<v Speaker 1>then we also have to learn to move forward not

1:13:15.479 --> 1:13:18.799
<v Speaker 1>only without that why, but also never blaming ourselves, because

1:13:18.800 --> 1:13:22.160
<v Speaker 1>that's a tendency many many survivors have, and then finding

1:13:22.160 --> 1:13:24.920
<v Speaker 1>that balancing act of how to have a relationship with

1:13:25.000 --> 1:13:28.719
<v Speaker 1>her where the fear of her abandoning you again holds

1:13:28.720 --> 1:13:31.360
<v Speaker 1>you back from making decisions in the relationship that.

1:13:31.280 --> 1:13:34.080
<v Speaker 4>Are healthy for you. Do you have any further thoughts,

1:13:34.120 --> 1:13:35.400
<v Speaker 4>either of you, Sam read.

1:13:35.640 --> 1:13:38.080
<v Speaker 2>I do have something I want to say, which is

1:13:38.760 --> 1:13:43.320
<v Speaker 2>Joyce is somebody who like she's done some things within

1:13:43.400 --> 1:13:46.840
<v Speaker 2>these stories that are hurtful, right, and we've pointed out

1:13:46.880 --> 1:13:50.080
<v Speaker 2>these sort of specific things where you know, this is

1:13:50.680 --> 1:13:52.840
<v Speaker 2>this is a hurtful thing that has happened. You know,

1:13:53.200 --> 1:13:55.920
<v Speaker 2>leaving your kids is a really big one. And then

1:13:56.000 --> 1:13:59.960
<v Speaker 2>certainly these sort of these later things where Sam Fields targeted.

1:14:00.920 --> 1:14:06.120
<v Speaker 2>But even still, you know, she's still an active family

1:14:06.200 --> 1:14:10.599
<v Speaker 2>member for all of us here, and none of us

1:14:10.600 --> 1:14:13.240
<v Speaker 2>are trying to push her away. Even in making the movie,

1:14:14.120 --> 1:14:17.520
<v Speaker 2>it's not about bringing shame to Joyce. It's about understanding

1:14:17.560 --> 1:14:21.480
<v Speaker 2>her and trying to understand her and all the characters

1:14:22.160 --> 1:14:24.640
<v Speaker 2>and what has happened and really look at sort of

1:14:24.720 --> 1:14:28.320
<v Speaker 2>like the fact is some of these things are like

1:14:28.479 --> 1:14:32.000
<v Speaker 2>outside of any of our control. These are things that

1:14:32.080 --> 1:14:35.440
<v Speaker 2>might have happened at eighteen months old, this sort of patterning.

1:14:35.479 --> 1:14:39.439
<v Speaker 2>And Sam you know, works in this professionally, he coaches

1:14:39.520 --> 1:14:43.400
<v Speaker 2>in breaking out of patterns. But like, I think that

1:14:44.120 --> 1:14:46.960
<v Speaker 2>we'll have to realize that it's like not really about us.

1:14:47.000 --> 1:14:50.479
<v Speaker 2>It's like these are things that like they exist in

1:14:50.640 --> 1:14:53.880
<v Speaker 2>a lot of families, and you know, when we do

1:14:53.920 --> 1:14:58.040
<v Speaker 2>feel isolated alone, the answer to that is to share.

1:14:58.560 --> 1:15:03.400
<v Speaker 2>And I know Joyce put a great distance between herself

1:15:03.880 --> 1:15:08.800
<v Speaker 2>and her kids and Harkness family, you know, partially, that's

1:15:08.880 --> 1:15:12.240
<v Speaker 2>like her her thing. She can do that. You can

1:15:12.280 --> 1:15:14.680
<v Speaker 2>do that in your life if you want. But it

1:15:14.720 --> 1:15:19.880
<v Speaker 2>did create some reactions, right, It created some things, And

1:15:20.479 --> 1:15:26.080
<v Speaker 2>I just hope that people, you know, society, our families

1:15:26.160 --> 1:15:28.519
<v Speaker 2>can start to evolve a little bit more to a

1:15:28.560 --> 1:15:31.479
<v Speaker 2>place of like, how do we understand this a little

1:15:31.520 --> 1:15:33.320
<v Speaker 2>bit better? How can we get to a place where

1:15:33.320 --> 1:15:38.240
<v Speaker 2>we like really can like embrace these qualities and the

1:15:38.439 --> 1:15:41.320
<v Speaker 2>like this is a condition, This is something that is

1:15:42.200 --> 1:15:44.720
<v Speaker 2>real in our family and a lot of other families.

1:15:45.200 --> 1:15:48.880
<v Speaker 2>How can we move forward as a family without severing,

1:15:49.120 --> 1:15:54.240
<v Speaker 2>without like alienating, without like pushing somebody out. I think,

1:15:54.800 --> 1:15:58.280
<v Speaker 2>I think it's really hard, and we might ed ever

1:15:58.400 --> 1:16:01.679
<v Speaker 2>get to that place. But I feel like the film

1:16:01.680 --> 1:16:07.160
<v Speaker 2>at least presents a long enough storyline where other people

1:16:07.200 --> 1:16:10.400
<v Speaker 2>can start to learn and maybe think about things a

1:16:10.400 --> 1:16:11.080
<v Speaker 2>little differently.

1:16:11.400 --> 1:16:14.320
<v Speaker 1>Absolutely, and every family is so different, which is what's

1:16:14.320 --> 1:16:18.280
<v Speaker 1>so challenging, and I think that that's where people struggle,

1:16:18.439 --> 1:16:21.160
<v Speaker 1>is they'll see parts of their family and pieces of

1:16:21.200 --> 1:16:24.760
<v Speaker 1>the story, but not others, and every family makes different decisions.

1:16:25.080 --> 1:16:28.120
<v Speaker 1>I think the real burden and the real burden of

1:16:28.160 --> 1:16:32.400
<v Speaker 1>healing is how to hold compassion for yourself and compassion

1:16:32.560 --> 1:16:36.639
<v Speaker 1>for the other and not quitting yourself and holding space

1:16:36.680 --> 1:16:38.360
<v Speaker 1>for the other in a way that's as safe for

1:16:38.400 --> 1:16:42.920
<v Speaker 1>yourself as possible. That is a very very thin razor's

1:16:43.000 --> 1:16:44.920
<v Speaker 1>edge on which to balance, and I think we're always

1:16:45.000 --> 1:16:49.040
<v Speaker 1>course correcting as we try to do that. And I

1:16:49.080 --> 1:16:51.720
<v Speaker 1>think that it's really quite an amazing story. I think

1:16:51.760 --> 1:16:54.760
<v Speaker 1>Sam your journey in particular, since we get to see

1:16:54.760 --> 1:16:58.920
<v Speaker 1>you go from childhood into adulthood and have had sort

1:16:58.920 --> 1:17:01.599
<v Speaker 1>of a lot of the ups and downs with your mother,

1:17:02.040 --> 1:17:04.320
<v Speaker 1>But it shows us that these things will also continue

1:17:04.360 --> 1:17:07.559
<v Speaker 1>to evolve. And also I don't believe you have kids yet, Sam,

1:17:07.600 --> 1:17:09.240
<v Speaker 1>but you do read and we talk about how do

1:17:09.320 --> 1:17:11.960
<v Speaker 1>these cycles end. They end with how the next generation

1:17:12.040 --> 1:17:14.880
<v Speaker 1>of children get parented. That you have a generation of

1:17:14.960 --> 1:17:18.120
<v Speaker 1>kids who now have parents who are more self examined,

1:17:18.600 --> 1:17:22.280
<v Speaker 1>who really cultivate attachment and security, and then a new

1:17:22.320 --> 1:17:25.960
<v Speaker 1>generation of children from this family where it was difficult,

1:17:26.400 --> 1:17:29.240
<v Speaker 1>spring into the world feeling secure and safe in the world,

1:17:29.320 --> 1:17:32.479
<v Speaker 1>and new things happen. So I think that's where it's

1:17:32.560 --> 1:17:35.360
<v Speaker 1>all of us being self reflective so we can then

1:17:35.439 --> 1:17:38.320
<v Speaker 1>do right and doing the work frankly, and then we

1:17:38.360 --> 1:17:40.439
<v Speaker 1>can do right by the children we have. We ain't

1:17:40.439 --> 1:17:42.919
<v Speaker 1>going to get it perfect, but at least at a minimum,

1:17:42.960 --> 1:17:44.920
<v Speaker 1>we can help our children feel safe. And that's the

1:17:44.920 --> 1:17:47.240
<v Speaker 1>real legacy that gets paid forward. That if you learn

1:17:47.320 --> 1:17:50.000
<v Speaker 1>that from Joyce, of that I need to double down

1:17:50.040 --> 1:17:52.840
<v Speaker 1>on making sure that my own children feel safe, then

1:17:52.840 --> 1:17:55.320
<v Speaker 1>none of these lessons were in vain, and that you

1:17:55.400 --> 1:17:58.559
<v Speaker 1>really really took something quite valuable on how you'll move

1:17:58.640 --> 1:18:01.720
<v Speaker 1>forward and also so be able to hold space for

1:18:01.760 --> 1:18:04.160
<v Speaker 1>her in light of a very complex history. So what

1:18:04.200 --> 1:18:06.439
<v Speaker 1>I really love about your film, what I really love

1:18:06.439 --> 1:18:08.840
<v Speaker 1>about your story and how you've told it is that

1:18:09.080 --> 1:18:12.720
<v Speaker 1>this isn't about black and white cartoon villain images. This

1:18:12.800 --> 1:18:17.360
<v Speaker 1>is actually about really robust takes on these stories and

1:18:17.439 --> 1:18:20.160
<v Speaker 1>everyone is so different, and that if we can always

1:18:20.160 --> 1:18:23.640
<v Speaker 1>bring in empathic and compassionate lens but also have that

1:18:23.680 --> 1:18:27.040
<v Speaker 1>compassion for ourselves, I think rather amazing things can happen

1:18:27.080 --> 1:18:28.840
<v Speaker 1>in your film is one of those examples. Do you

1:18:28.880 --> 1:18:31.559
<v Speaker 1>have any last thoughts or feelings or questions you want

1:18:31.600 --> 1:18:31.920
<v Speaker 1>to share?

1:18:32.200 --> 1:18:35.240
<v Speaker 3>I think approaching this movie also with like a gender

1:18:35.760 --> 1:18:39.040
<v Speaker 3>lens of if the parental figure gender was swapped, this

1:18:39.080 --> 1:18:42.400
<v Speaker 3>is a totally different movie, right, And just like appreciate

1:18:42.680 --> 1:18:47.280
<v Speaker 3>that the women, the moms, the meatriarchal figures in our

1:18:47.320 --> 1:18:50.400
<v Speaker 3>life are doing so much of the emotional labor and work,

1:18:50.760 --> 1:18:54.400
<v Speaker 3>and that the story is this big because when that

1:18:54.600 --> 1:18:58.600
<v Speaker 3>figure disappears, a lot of that's gone. And yeah, I

1:18:58.680 --> 1:19:00.479
<v Speaker 3>just like I don't want to recognize that and make

1:19:00.479 --> 1:19:02.559
<v Speaker 3>sure that you know that people are seeing it through

1:19:02.560 --> 1:19:03.160
<v Speaker 3>that as well.

1:19:03.680 --> 1:19:06.000
<v Speaker 1>I'm so glad you brought that up, Sam, because I

1:19:06.040 --> 1:19:08.320
<v Speaker 1>think that that is why the story was so affecting.

1:19:08.320 --> 1:19:10.200
<v Speaker 1>You're right, if this had been a story about a

1:19:10.280 --> 1:19:12.040
<v Speaker 1>dad who got up and left, I'm going to be

1:19:12.080 --> 1:19:14.920
<v Speaker 1>frank with you, people have been kind of been like, okay,

1:19:14.960 --> 1:19:18.639
<v Speaker 1>and show me something new. We much much more rarely

1:19:19.160 --> 1:19:22.240
<v Speaker 1>see this, this story of a mother leaving, which is

1:19:22.320 --> 1:19:25.280
<v Speaker 1>actually much more of a cultural taboo, to be quite

1:19:25.280 --> 1:19:26.920
<v Speaker 1>frank with you, and I think we view it through

1:19:26.920 --> 1:19:29.760
<v Speaker 1>that lens. But also so the other side of the

1:19:29.800 --> 1:19:33.639
<v Speaker 1>patriarchy is the assumptions we make, again in a gendered lens,

1:19:33.680 --> 1:19:36.760
<v Speaker 1>from the matriarchy, and the sort of you know, the

1:19:36.880 --> 1:19:43.120
<v Speaker 1>unrecognized emotional work of nourishing children's psyches and developing them

1:19:43.120 --> 1:19:47.200
<v Speaker 1>into adults disproportionately has and continues to fall on women's shoulders.

1:19:47.600 --> 1:19:50.439
<v Speaker 1>But again the sixth story. It's even been explored in

1:19:50.479 --> 1:19:53.040
<v Speaker 1>stories like The Lost Daughter, I mean, other really compelling

1:19:53.080 --> 1:19:55.840
<v Speaker 1>films that are taking on this idea of what happens

1:19:55.840 --> 1:19:59.200
<v Speaker 1>when the mother goes, and it's a much more demonizing narrative.

1:19:59.240 --> 1:20:01.160
<v Speaker 1>And I had to catch myself so the second time

1:20:01.200 --> 1:20:02.920
<v Speaker 1>I watch it, I thought, I need to look at

1:20:02.920 --> 1:20:05.280
<v Speaker 1>it through that lens, because if Joyce had been a man,

1:20:05.920 --> 1:20:08.760
<v Speaker 1>I actually don't think the same level of demonization would happen.

1:20:08.800 --> 1:20:11.600
<v Speaker 1>And I think that's why it's an incredible story, and

1:20:12.120 --> 1:20:14.720
<v Speaker 1>there's so many layers to how we think about this

1:20:14.840 --> 1:20:17.360
<v Speaker 1>and for you Sam and Sam and read both of

1:20:17.400 --> 1:20:20.040
<v Speaker 1>you as survivors of this, to lose a mother in

1:20:20.080 --> 1:20:24.160
<v Speaker 1>this way, you had far fewer cultural templates and archetypes

1:20:24.400 --> 1:20:26.880
<v Speaker 1>to turn to than if you had had your father

1:20:27.000 --> 1:20:29.160
<v Speaker 1>get up and leave, which I think is actually a

1:20:29.160 --> 1:20:30.879
<v Speaker 1>more universalized story.

1:20:31.360 --> 1:20:34.680
<v Speaker 4>Yeah, So to which end? How can people find you?

1:20:34.760 --> 1:20:36.880
<v Speaker 1>Support you? How can people see this film? Because now

1:20:36.880 --> 1:20:38.920
<v Speaker 1>that we're talking about it, people are going to want

1:20:38.960 --> 1:20:41.240
<v Speaker 1>to see this and I cannot recommend this enough. So

1:20:41.520 --> 1:20:43.040
<v Speaker 1>how can people do this?

1:20:43.120 --> 1:20:46.800
<v Speaker 2>Ah? The good news is it'll be broadcast nationally on PBS.

1:20:46.960 --> 1:20:52.120
<v Speaker 2>Oh great, this may on independent lens and PBS now

1:20:52.120 --> 1:20:55.639
<v Speaker 2>has a app that you know, anyone can watch it

1:20:55.680 --> 1:20:59.400
<v Speaker 2>for free on you know, whatever device they have, Just

1:20:59.400 --> 1:21:02.519
<v Speaker 2>get the PBS app. And right now we are doing

1:21:02.560 --> 1:21:05.760
<v Speaker 2>a film festival tour too, so we'll be in maybe

1:21:05.800 --> 1:21:07.280
<v Speaker 2>we'll be in your city. You can look for us

1:21:07.320 --> 1:21:11.280
<v Speaker 2>on samnowmovie dot com and see if we'll be showing up.

1:21:11.520 --> 1:21:12.040
<v Speaker 4>That's awesome.

1:21:12.080 --> 1:21:14.000
<v Speaker 1>We'll put that link in the show note so people

1:21:14.040 --> 1:21:15.519
<v Speaker 1>can see if it's coming close to them.

1:21:15.600 --> 1:21:17.400
<v Speaker 2>So, thank you, thank you, doctor Reminie.

1:21:18.479 --> 1:21:22.360
<v Speaker 1>Here are my takeaways from my conversation with Sam and Reed.

1:21:22.880 --> 1:21:27.400
<v Speaker 1>The road trip metaphor is particularly poignant because it captures

1:21:27.439 --> 1:21:32.800
<v Speaker 1>the process of growing through complex family relationships. Anyone who

1:21:32.880 --> 1:21:36.360
<v Speaker 1>has had to unpack this kind of family trauma and

1:21:36.439 --> 1:21:40.080
<v Speaker 1>loss knows that while we may not literally be getting

1:21:40.120 --> 1:21:44.240
<v Speaker 1>into a car, it's a mental journey through trying to

1:21:44.280 --> 1:21:48.880
<v Speaker 1>find answers, disappointments, frustrations.

1:21:48.080 --> 1:21:48.920
<v Speaker 4>And discovery.

1:21:49.320 --> 1:21:52.120
<v Speaker 1>Certainly, the road trip in the film yielded those kinds

1:21:52.160 --> 1:21:56.400
<v Speaker 1>of discoveries, but framing it as such for ourselves may

1:21:56.439 --> 1:21:59.960
<v Speaker 1>give us a tangible metaphor that can help us understand

1:22:00.360 --> 1:22:04.800
<v Speaker 1>that it's a process. In this next takeaway, keeping secrets

1:22:04.840 --> 1:22:08.479
<v Speaker 1>is always such a challenging family dynamic, and Sam was

1:22:08.520 --> 1:22:10.960
<v Speaker 1>put in that position when he got to Long Beach

1:22:11.000 --> 1:22:15.080
<v Speaker 1>and found his mother. Something so personally powerful and that

1:22:15.200 --> 1:22:18.720
<v Speaker 1>he knew would profoundly affect his brother and family was

1:22:18.760 --> 1:22:22.280
<v Speaker 1>something he was being instructed to keep a secret by

1:22:22.280 --> 1:22:24.080
<v Speaker 1>the person who abandoned him.

1:22:24.320 --> 1:22:25.080
<v Speaker 4>While many of the.

1:22:25.040 --> 1:22:28.200
<v Speaker 1>Secrets that people and families are often instructed to keep

1:22:28.240 --> 1:22:31.720
<v Speaker 1>as children are not as heavy, secret keeping is a

1:22:31.960 --> 1:22:35.599
<v Speaker 1>tall and inappropriate order to place on a child, and

1:22:35.680 --> 1:22:37.840
<v Speaker 1>yet it happens all the time.

1:22:39.000 --> 1:22:41.080
<v Speaker 4>In this next takeaway.

1:22:40.880 --> 1:22:45.320
<v Speaker 1>Accountability is so important in a relationship, and even if

1:22:45.360 --> 1:22:49.599
<v Speaker 1>someone in any kind of close relationship behaves poorly, hearing

1:22:49.640 --> 1:22:53.479
<v Speaker 1>them take responsibility for it can be quite restorative for

1:22:53.560 --> 1:22:57.160
<v Speaker 1>the person who is hurt. The dynamic that Sam found

1:22:57.240 --> 1:23:01.000
<v Speaker 1>himself in being afraid to ask for a accountability from

1:23:01.000 --> 1:23:03.920
<v Speaker 1>his mother because he was afraid he would scare her

1:23:03.960 --> 1:23:08.000
<v Speaker 1>away is a classical dynamic for children in what feel

1:23:08.080 --> 1:23:13.200
<v Speaker 1>like fragile relationships with parents. Over time, the child can

1:23:13.240 --> 1:23:17.800
<v Speaker 1>get indoctrinated to believe that accountability is too risky, and

1:23:17.880 --> 1:23:21.840
<v Speaker 1>in adulthood may find themselves in relationships where there is

1:23:21.880 --> 1:23:25.880
<v Speaker 1>anxiety about needing it or asking for it. In this

1:23:26.080 --> 1:23:30.719
<v Speaker 1>next takeaway, do we ever get the question of why answered?

1:23:31.160 --> 1:23:35.639
<v Speaker 1>In difficult, narcissistic, or any kind of relationship with someone

1:23:35.640 --> 1:23:41.480
<v Speaker 1>who does not have self reflective capacity. Probably not understanding

1:23:41.560 --> 1:23:45.440
<v Speaker 1>our motivations for why we do what we do requires

1:23:45.560 --> 1:23:49.840
<v Speaker 1>self awareness, vulnerability, and a dropping of defenses.

1:23:50.680 --> 1:23:51.559
<v Speaker 4>Not getting a.

1:23:51.479 --> 1:23:56.360
<v Speaker 1>Why can make moving forward feel difficult. But one element

1:23:56.439 --> 1:24:00.720
<v Speaker 1>of certain personality styles is a lack of insight into

1:24:00.800 --> 1:24:05.320
<v Speaker 1>their own motivations. When healing from these kinds of losses

1:24:05.360 --> 1:24:10.479
<v Speaker 1>and relationships, a challenging part of the radical acceptance is

1:24:10.560 --> 1:24:15.000
<v Speaker 1>giving up on ever getting the question of why answered.

1:24:15.880 --> 1:24:21.880
<v Speaker 1>In this next takeaway, trauma, loss and attachment disruption can

1:24:21.920 --> 1:24:26.320
<v Speaker 1>play a significant part in the development of narcissism. While

1:24:26.439 --> 1:24:29.880
<v Speaker 1>understanding this can result in compassion for someone with a

1:24:30.000 --> 1:24:34.720
<v Speaker 1>narcissistic or antagonistic personality, it can also raise guilt and

1:24:34.840 --> 1:24:40.360
<v Speaker 1>confusion in survivors. A person's trauma may absolutely explain their

1:24:40.439 --> 1:24:45.080
<v Speaker 1>challenges with empathy, attachment, and self awareness, and yet at

1:24:45.080 --> 1:24:48.799
<v Speaker 1>the same time you can still feel hurt by their behavior.

1:24:49.600 --> 1:24:54.479
<v Speaker 1>Sam's story is such a reminder of how complex these

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<v Speaker 1>personalities and relationships are, and in our last takeaway, this

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<v Speaker 1>episode really brings up the role of place in understanding

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<v Speaker 1>and healing. Sam shares that despite the numerous challenges that

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<v Speaker 1>his story had, the moment when his mother showed back

1:25:13.960 --> 1:25:17.639
<v Speaker 1>up at his father's home was unsettling and upside down.

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<v Speaker 1>For many people who have gone through any kind of

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<v Speaker 1>relationship characterized by abandonment, lack of empathy, and lack of clarity,

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<v Speaker 1>you may find that on many days you are moving forward,

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<v Speaker 1>then one day you find yourself back in a place,

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<v Speaker 1>for example, a childhood home or place you lived with

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<v Speaker 1>someone and a person can really feel thrown backwards. That

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<v Speaker 1>sequence with Sam was a reminder of how powerful place

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<v Speaker 1>and location can be, how it can impact our emotions,

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<v Speaker 1>and for survivors to be kind to themselves when they

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<v Speaker 1>have to face the place wo