1 00:00:00,120 --> 00:00:05,080 Speaker 1: Hello, and welcome to ah want to Smoke Up All 2 00:00:05,320 --> 00:00:11,200 Speaker 1: Side and every Day Great, welcome to you know that 3 00:00:11,240 --> 00:00:15,080 Speaker 1: other Zitegey ste Daily guest. I have a special guest 4 00:00:15,360 --> 00:00:18,000 Speaker 1: co host with me today, um my partner in Crime 5 00:00:18,960 --> 00:00:22,200 Speaker 1: Hit podcast. I think it's actually number one on Earth 6 00:00:22,320 --> 00:00:26,520 Speaker 1: right now. Yeah, for twenty day Fiance, I'm with Sophia Alexandra. 7 00:00:26,560 --> 00:00:28,320 Speaker 1: Thank you so much for joining me with this. Thanks 8 00:00:28,360 --> 00:00:31,160 Speaker 1: so much for having me quick rundown of the top 9 00:00:31,240 --> 00:00:34,040 Speaker 1: news stories of the day. And look, if you haven't 10 00:00:34,040 --> 00:00:36,400 Speaker 1: subscribed to Fortunately Day Cancer yet, what are you doing? 11 00:00:36,440 --> 00:00:38,080 Speaker 1: What are you doing? What do you like trash TV? 12 00:00:38,120 --> 00:00:41,640 Speaker 1: Because you're like, come, come aboard this ship. You like 13 00:00:41,720 --> 00:00:46,160 Speaker 1: some delightful, juicy tangents. Oh yeah, they're dull, they're ripe. 14 00:00:46,320 --> 00:00:49,320 Speaker 1: The tangents are right. Um, so let's just take a 15 00:00:49,320 --> 00:00:52,320 Speaker 1: look at some of the top trending stories right now. 16 00:00:52,880 --> 00:00:56,120 Speaker 1: George Zimmerman is trending and I was like, why the 17 00:00:56,200 --> 00:00:59,240 Speaker 1: fuck is the guy who got away with murdering Trayvon Martin? 18 00:00:59,680 --> 00:01:04,480 Speaker 1: Try ending every time a celebrity trends that you like, 19 00:01:04,800 --> 00:01:06,959 Speaker 1: you're like, oh god, I hope they're not dead, and 20 00:01:07,000 --> 00:01:10,120 Speaker 1: they are always dead. It's like David Bowie dead. And 21 00:01:10,240 --> 00:01:14,520 Speaker 1: now whenever someone like a ship is trending like George Zimmerman, 22 00:01:14,640 --> 00:01:16,560 Speaker 1: you're like, oh my god, is he dead? Is he 23 00:01:16,640 --> 00:01:22,480 Speaker 1: did something? Did see in jail? Not he not good news? 24 00:01:22,600 --> 00:01:24,640 Speaker 1: I mean, for if you don't a quick history lesson. 25 00:01:24,640 --> 00:01:28,199 Speaker 1: Back in, George Zimmerman murdered Trayvon Martin, who's only seventeen 26 00:01:28,280 --> 00:01:32,160 Speaker 1: years old, unarmed, unarmed, but you know, he he committed 27 00:01:32,160 --> 00:01:34,520 Speaker 1: the heinous act of being a young man of color 28 00:01:34,640 --> 00:01:39,039 Speaker 1: while wearing a hood at sweatshirt. And Zimmerman also was 29 00:01:39,720 --> 00:01:42,560 Speaker 1: part of a neighborhood watch, so he was like a 30 00:01:42,640 --> 00:01:46,319 Speaker 1: self appointed fucking yeah, and it was the whole thing 31 00:01:46,360 --> 00:01:50,440 Speaker 1: is a mess obviously. Uh look you'll remember. But he 32 00:01:50,560 --> 00:01:55,320 Speaker 1: has now filed a one hundred million dollar lawsuit against 33 00:01:55,480 --> 00:01:58,680 Speaker 1: this attorney, Ben Crump, and the family of Trayvon Martin 34 00:02:00,120 --> 00:02:06,000 Speaker 1: hundred million dollars because he's also naming someone Rachel Jane Tell, 35 00:02:06,080 --> 00:02:10,040 Speaker 1: who was a key witness, for saying she was an 36 00:02:10,080 --> 00:02:13,720 Speaker 1: impostor and a fake witness. It also says that in 37 00:02:13,760 --> 00:02:17,560 Speaker 1: the suit that Crump, the lawyer, was defaming Mr. Zimmerman 38 00:02:17,919 --> 00:02:19,800 Speaker 1: because of remarks he made in a book that came 39 00:02:19,840 --> 00:02:23,600 Speaker 1: out called open season legalized genocide of colored people. Wow, 40 00:02:23,639 --> 00:02:26,000 Speaker 1: I mean that. I'm sure that whole book is about you. 41 00:02:26,040 --> 00:02:30,600 Speaker 1: George MM Zimmerman. Anyway, what a trash human being. I 42 00:02:30,639 --> 00:02:33,079 Speaker 1: really feel like he's just doing this so people talk 43 00:02:33,120 --> 00:02:36,400 Speaker 1: about him. There's no other way, There's no other reason, right, 44 00:02:36,440 --> 00:02:39,360 Speaker 1: It's just a publicity. He needs money. He's probably whatever 45 00:02:39,400 --> 00:02:42,440 Speaker 1: it is, um trying to get some kind of attention, 46 00:02:42,480 --> 00:02:45,520 Speaker 1: I mean, and fucked up to keep bothering this poor 47 00:02:45,560 --> 00:02:48,799 Speaker 1: boy's family, like are you kidding me? And even naming 48 00:02:48,880 --> 00:02:53,480 Speaker 1: his mother in this lawsuit as well. It's disgraceful. This 49 00:02:53,560 --> 00:02:58,079 Speaker 1: dude got away with murder. He murdered him and still 50 00:02:58,200 --> 00:03:04,640 Speaker 1: terrorizing the emily. It is so heinous. If there's a level, 51 00:03:05,160 --> 00:03:08,000 Speaker 1: if hell was real and there's different levels to it, 52 00:03:08,080 --> 00:03:10,000 Speaker 1: this dude would be. It's like, I'm murder your son 53 00:03:10,040 --> 00:03:11,920 Speaker 1: and then sue you for making it hot for me. 54 00:03:12,040 --> 00:03:15,760 Speaker 1: That I fucking bottom of all of it. Um, Yeah, 55 00:03:15,840 --> 00:03:20,959 Speaker 1: it's it's but hey, that's uh, that's how things work 56 00:03:21,080 --> 00:03:26,280 Speaker 1: these days. Also trending, um ironically, I guess right after 57 00:03:26,440 --> 00:03:30,760 Speaker 1: George Zimmerman is another young black man who was killed. Uh, 58 00:03:30,760 --> 00:03:35,320 Speaker 1: Fred Hampton, Um, Now he was the head of the 59 00:03:35,400 --> 00:03:39,640 Speaker 1: Illinois chapter of the Black Panther Party, and today marks 60 00:03:39,640 --> 00:03:43,920 Speaker 1: the fiftieth anniversary of his assassination. And I say assassination 61 00:03:44,320 --> 00:03:47,680 Speaker 1: because with between the FBI and the Chicago police, Uh, 62 00:03:47,720 --> 00:03:49,920 Speaker 1: they basically I'm pretty sure he was drugged and then 63 00:03:49,960 --> 00:03:51,920 Speaker 1: they broke into his house and shot him in his 64 00:03:51,920 --> 00:03:55,520 Speaker 1: bed while he slept, shot him point blank in his head. Um. 65 00:03:55,880 --> 00:03:59,080 Speaker 1: And the reason, when you look at again, he was 66 00:03:59,240 --> 00:04:02,080 Speaker 1: he was twenty one years old when this happened. He 67 00:04:02,200 --> 00:04:06,000 Speaker 1: was really Um, he was getting too close of doing 68 00:04:06,040 --> 00:04:08,960 Speaker 1: the thing of uniting poor black people and poor white 69 00:04:09,000 --> 00:04:12,760 Speaker 1: people and erasing that color line of a truly inclusive 70 00:04:12,800 --> 00:04:16,599 Speaker 1: movement of disenfranchised people, of working people, of poor people, Uh, 71 00:04:16,640 --> 00:04:21,840 Speaker 1: to you know, mobilize and empower themselves. Um. Yeah, So 72 00:04:21,920 --> 00:04:25,000 Speaker 1: of course that's how well, that's how the FBI looks 73 00:04:25,040 --> 00:04:27,719 Speaker 1: at things. It's like, oh, we have a history of 74 00:04:27,880 --> 00:04:31,400 Speaker 1: going after leaders who get too close to actually uniting 75 00:04:31,880 --> 00:04:34,400 Speaker 1: the people, which shows you a lot about what the 76 00:04:34,440 --> 00:04:42,160 Speaker 1: power dynamics are play um in our h quote unquote democracy. Um, 77 00:04:41,400 --> 00:04:46,120 Speaker 1: this was fifty years ago. So um, it's cool to 78 00:04:46,200 --> 00:04:49,000 Speaker 1: know nothing has changed, No, And I mean yeah, like 79 00:04:49,279 --> 00:04:51,360 Speaker 1: party was like damn. Right after George everyone, you also 80 00:04:51,360 --> 00:04:55,200 Speaker 1: see Fred Hampton, who I mean, my god, the momentum 81 00:04:55,240 --> 00:04:58,479 Speaker 1: that was being created through his work and the people 82 00:04:58,520 --> 00:05:02,159 Speaker 1: around him. A. I can't imagine what history would have 83 00:05:02,160 --> 00:05:05,279 Speaker 1: looked like in this country. Um, had he lived much longer. 84 00:05:05,320 --> 00:05:07,400 Speaker 1: And also you know his his wife, his pregnant wife 85 00:05:07,400 --> 00:05:10,040 Speaker 1: was sleeping in bed next to him when this happened. 86 00:05:10,400 --> 00:05:14,000 Speaker 1: She survived, um and give birth to their son, Fred 87 00:05:14,040 --> 00:05:16,919 Speaker 1: Hampton Jr. Because Yeah, they were like, no, you know, 88 00:05:16,920 --> 00:05:18,839 Speaker 1: it would be inhumane to all some murder of the 89 00:05:18,880 --> 00:05:22,080 Speaker 1: wife just him. Yeah, but it's twenty one to have 90 00:05:22,200 --> 00:05:27,040 Speaker 1: had that much effect and been that much of a threat, Yeah, 91 00:05:27,240 --> 00:05:34,040 Speaker 1: is crazy. He he accomplished, accomplished so much at such 92 00:05:34,040 --> 00:05:36,479 Speaker 1: a young age. Yeah, and I would be like, please 93 00:05:36,560 --> 00:05:38,760 Speaker 1: read up because or even listening to some of his 94 00:05:38,800 --> 00:05:41,960 Speaker 1: speeches because there's also been like write ups around it. 95 00:05:42,240 --> 00:05:45,720 Speaker 1: Don't really they talk about the tragedy, but it's really 96 00:05:45,920 --> 00:05:49,560 Speaker 1: the class issues um that he was addressing that I 97 00:05:49,600 --> 00:05:52,480 Speaker 1: think are really the important, um, one of the more 98 00:05:52,520 --> 00:05:54,560 Speaker 1: important parts of what he was doing. Because you know, 99 00:05:54,600 --> 00:05:57,919 Speaker 1: this is like another thing we're facing again, Uh in 100 00:05:58,000 --> 00:06:01,719 Speaker 1: this country, we're looking at Oh we they're the upper 101 00:06:01,760 --> 00:06:05,120 Speaker 1: class has completely declared war on working people. UM. Not 102 00:06:05,240 --> 00:06:08,119 Speaker 1: in like, oh, they're killing you with weapons type ship. 103 00:06:08,200 --> 00:06:11,200 Speaker 1: They're killing working people with the lack of access to things, 104 00:06:11,320 --> 00:06:17,240 Speaker 1: lack of living wages, etcetera. UM and again healthcare. This 105 00:06:17,320 --> 00:06:20,799 Speaker 1: is uh this, this fight still continues, um, so please 106 00:06:21,200 --> 00:06:25,159 Speaker 1: keep that in your mind. Onto some other news. Uh. 107 00:06:25,360 --> 00:06:31,839 Speaker 1: Jay Z is trending because he's fifty years old. Uh. 108 00:06:31,880 --> 00:06:35,320 Speaker 1: And finally he put all his music on Spotify because 109 00:06:35,360 --> 00:06:38,520 Speaker 1: I was not getting titled. I don't care what. I 110 00:06:38,520 --> 00:06:40,520 Speaker 1: don't care how many albums of his I really love, 111 00:06:40,720 --> 00:06:42,920 Speaker 1: could not bring myself to pay for title. Just didn't 112 00:06:42,920 --> 00:06:45,000 Speaker 1: make sense, even if he was being like, well, then 113 00:06:45,000 --> 00:06:50,640 Speaker 1: you don't get my music. I don't care a threat honestly, Like, 114 00:06:50,760 --> 00:06:54,560 Speaker 1: I'll just listen to those songs off of YouTube. Yeah that, 115 00:06:54,720 --> 00:06:56,800 Speaker 1: or like go and bring on my old hard drive 116 00:06:56,920 --> 00:06:58,279 Speaker 1: from like back in the day when we used to 117 00:06:58,360 --> 00:07:02,080 Speaker 1: store all your MPT book. I have all your albums anyway, 118 00:07:02,120 --> 00:07:03,960 Speaker 1: but like, don't make me go into this case. I 119 00:07:04,040 --> 00:07:06,240 Speaker 1: will go to my garage. I will get that CD 120 00:07:06,360 --> 00:07:09,880 Speaker 1: book out. Do you have anything of his own vinyl? No, 121 00:07:10,120 --> 00:07:16,560 Speaker 1: what's your favorite jay Z song? I don't think I 122 00:07:16,600 --> 00:07:19,520 Speaker 1: have a song, probably an album. What's your favorite album? 123 00:07:19,800 --> 00:07:25,520 Speaker 1: The Danger Mouse remix? Ouma, Wow, I really love the 124 00:07:25,520 --> 00:07:31,840 Speaker 1: Gray Album. I think the Man the Problems version on 125 00:07:32,080 --> 00:07:35,200 Speaker 1: the Gray Album is amazing. Everything actually on that is 126 00:07:35,240 --> 00:07:38,240 Speaker 1: super is the best album. It's one of those albums. 127 00:07:38,320 --> 00:07:39,920 Speaker 1: Man and I talked about this on the show, like 128 00:07:40,160 --> 00:07:42,800 Speaker 1: back in the maybe like a year ago. I started 129 00:07:42,880 --> 00:07:47,720 Speaker 1: re listening listening to it again and it holds up. 130 00:07:47,760 --> 00:07:49,960 Speaker 1: But it like gave me energy, Like I was like, 131 00:07:50,160 --> 00:07:53,560 Speaker 1: it's not often I listened to some I go, oh, yeah, 132 00:07:53,760 --> 00:07:58,240 Speaker 1: it slaps when I'm driving. I'm like, oh, I'm speeding. 133 00:07:58,240 --> 00:08:02,720 Speaker 1: I'm speeding and I'm in a cop carps. Uh. Yeah. 134 00:08:02,800 --> 00:08:05,760 Speaker 1: So that's um a little bit of interesting development for 135 00:08:05,760 --> 00:08:07,920 Speaker 1: those of you all on Spotify and like jay Z 136 00:08:08,480 --> 00:08:12,320 Speaker 1: outside of his act as an overt capitalist who tries 137 00:08:12,360 --> 00:08:16,080 Speaker 1: to subvert the forward upward movement of one Colin Kaepernick, 138 00:08:16,120 --> 00:08:21,320 Speaker 1: then yeah, check that out. Also finally, Uh, James Bond 139 00:08:22,120 --> 00:08:24,720 Speaker 1: is trending. I don't know if you guys saw that 140 00:08:24,760 --> 00:08:28,920 Speaker 1: trailer No Time to Die? Uh? Is this like as 141 00:08:28,920 --> 00:08:30,320 Speaker 1: they say, a lot of people are saying, it's the 142 00:08:30,360 --> 00:08:34,320 Speaker 1: first Bond in the me too era, because as we 143 00:08:34,360 --> 00:08:37,600 Speaker 1: all know, women are mostly props in Bond films, are 144 00:08:37,679 --> 00:08:42,040 Speaker 1: just just a delightful wet holes, yes, who typically will 145 00:08:42,120 --> 00:08:45,520 Speaker 1: like lose their lives. And it's sort of like, yes, sorry, 146 00:08:45,520 --> 00:08:47,679 Speaker 1: thank you, gotta go because I just needed we just 147 00:08:47,720 --> 00:08:51,480 Speaker 1: wanted to before for the marketing too, right, because all 148 00:08:51,520 --> 00:08:54,199 Speaker 1: the marketing is whoever is playing James Bond plus this 149 00:08:54,520 --> 00:08:58,840 Speaker 1: very attractive actress equals please come to the movie boom. 150 00:08:59,160 --> 00:09:02,360 Speaker 1: But this new film, No Time to Die co written 151 00:09:02,480 --> 00:09:06,920 Speaker 1: by Phoebe Waller Bridge Holler from obviously Fleaback. I don't 152 00:09:06,920 --> 00:09:08,760 Speaker 1: know if she wasn't killing Eve too forgot about that. 153 00:09:08,920 --> 00:09:11,720 Speaker 1: I love killing Eve. Oh my god, it makes me 154 00:09:11,880 --> 00:09:15,559 Speaker 1: so horny. It's crazy, does it. It totally does. It's 155 00:09:15,600 --> 00:09:17,760 Speaker 1: like entertaining. But I'm like the entire time, I'm like, 156 00:09:17,840 --> 00:09:20,920 Speaker 1: so around, Oh my god, like she's a she's a 157 00:09:20,920 --> 00:09:25,240 Speaker 1: sadistic killer. It's happening, so multi can her and Sandra 158 00:09:25,520 --> 00:09:31,640 Speaker 1: fuck already what is happening? But you know, um, so yeah, 159 00:09:31,640 --> 00:09:34,760 Speaker 1: this new one. We were watching the trailer. I mean, look, 160 00:09:35,160 --> 00:09:37,520 Speaker 1: we already I like that. We're already seeing like a 161 00:09:37,520 --> 00:09:39,559 Speaker 1: strong woman of color who's like you're getting get my 162 00:09:39,600 --> 00:09:41,560 Speaker 1: fucking way James Bond and I'm gonna knee cap you, 163 00:09:42,040 --> 00:09:43,920 Speaker 1: and she like knew what that he had one bad 164 00:09:44,000 --> 00:09:45,839 Speaker 1: knee already and she called him out on and she's like, 165 00:09:45,880 --> 00:09:48,320 Speaker 1: old man, I'm gonna take out your one good knee. 166 00:09:48,400 --> 00:09:50,160 Speaker 1: There was a SHAWNA Lynch who was in Captain Marvel 167 00:09:50,760 --> 00:09:53,640 Speaker 1: another great film. Uh, And then you see like the 168 00:09:53,760 --> 00:09:57,160 Speaker 1: usual group of people. I mean, I didn't realize Christoph 169 00:09:57,240 --> 00:09:59,200 Speaker 1: Valtz was also in this one too, but that makes 170 00:09:59,200 --> 00:10:00,840 Speaker 1: sense because I think he was the last one. And 171 00:10:00,960 --> 00:10:03,920 Speaker 1: Romney Malick is the bad guy. I guess. I don't know. 172 00:10:04,080 --> 00:10:06,079 Speaker 1: I think we just in the Phantom of the Opera. 173 00:10:06,160 --> 00:10:09,040 Speaker 1: We don't really know. Yeah, there's a big mask thing, 174 00:10:09,120 --> 00:10:10,880 Speaker 1: but then we see him without the mask. I don't 175 00:10:10,880 --> 00:10:12,560 Speaker 1: really know what the mask is for if we're going 176 00:10:12,600 --> 00:10:15,080 Speaker 1: to see it looks like a mask like some like 177 00:10:15,120 --> 00:10:19,600 Speaker 1: a Japanese folklore kind of mask or definitely Asian influence. Um, 178 00:10:19,640 --> 00:10:21,200 Speaker 1: but I don't know. I could be totally wrong, but 179 00:10:21,240 --> 00:10:24,280 Speaker 1: it's still but it totally is the Phantom mask. Yeah, 180 00:10:24,280 --> 00:10:26,760 Speaker 1: like when it cracks, like, yeah, whenever you see a 181 00:10:26,800 --> 00:10:29,600 Speaker 1: mask where like the lower third of your mouth and 182 00:10:29,679 --> 00:10:33,319 Speaker 1: like half of your phantom, your phantom made. But maybe 183 00:10:33,320 --> 00:10:36,599 Speaker 1: it's the Japanese fantoma. That's what they call me in 184 00:10:36,640 --> 00:10:40,720 Speaker 1: the streets. Uh yeah, I don't know. I'm curious to 185 00:10:40,760 --> 00:10:44,120 Speaker 1: see what the script actually means, like how it seems 186 00:10:44,120 --> 00:10:47,120 Speaker 1: already from the trailer the characters in this that are 187 00:10:47,160 --> 00:10:50,439 Speaker 1: women have much more agency, have much more independence outside 188 00:10:50,440 --> 00:10:53,960 Speaker 1: of their relations to the male character, um but also 189 00:10:54,040 --> 00:10:56,679 Speaker 1: generally just sucking it up. But also it's I thought like, oh, 190 00:10:56,720 --> 00:10:59,840 Speaker 1: maybe there would be some funny lines because Phoebe, but 191 00:11:00,120 --> 00:11:03,040 Speaker 1: there weren't any. It's like a pretty serious trailer. Yeah 192 00:11:03,040 --> 00:11:05,000 Speaker 1: it's a Bond film trailer though, I mean, but you 193 00:11:05,040 --> 00:11:07,120 Speaker 1: know a lot of times they'll throw in like I 194 00:11:07,160 --> 00:11:09,560 Speaker 1: think they're funny. Line was when the bar were the 195 00:11:09,600 --> 00:11:12,400 Speaker 1: bartender or whoever, the when he's checking in and he's 196 00:11:12,440 --> 00:11:15,680 Speaker 1: like Bond and he's like, who like James Bond. I 197 00:11:15,720 --> 00:11:18,040 Speaker 1: think that was their like wink. Or that was when 198 00:11:18,960 --> 00:11:20,920 Speaker 1: when she was like, I'll shoot you in your other knee, 199 00:11:21,679 --> 00:11:24,280 Speaker 1: like in your good knee. I don't know, maybe that 200 00:11:24,280 --> 00:11:26,840 Speaker 1: wasn't even that. I mean, it was a very action. 201 00:11:27,000 --> 00:11:29,920 Speaker 1: Look the action looks good. I like. I like Bond movies. 202 00:11:30,000 --> 00:11:32,520 Speaker 1: I do too, I also like the books. Did you 203 00:11:32,520 --> 00:11:36,920 Speaker 1: ever read the books? No, I'm illiterate, actually, so that 204 00:11:36,920 --> 00:11:40,080 Speaker 1: sounds like a threat. I haven't read the trick question. 205 00:11:40,120 --> 00:11:43,960 Speaker 1: There are no Bond books really fun? They are? They 206 00:11:44,000 --> 00:11:47,320 Speaker 1: just super like easy page turner, Yes, exactly, like bring 207 00:11:47,320 --> 00:11:48,920 Speaker 1: it on the beach kind of ship, right, and you 208 00:11:49,040 --> 00:11:50,880 Speaker 1: burn through half the book in like twenty minutes. Yeah, 209 00:11:50,920 --> 00:11:54,559 Speaker 1: it's so fun. Okay, maybe I'll accept your challenge. I 210 00:11:54,600 --> 00:11:57,320 Speaker 1: still need to see a Harry Potter film. Oh yeah, again. 211 00:11:57,440 --> 00:11:59,800 Speaker 1: Shout out to any listeners if you got a mansion 212 00:12:00,000 --> 00:12:03,880 Speaker 1: on a mansion or a movie theater and I want 213 00:12:03,880 --> 00:12:05,840 Speaker 1: to come over. He's gonna watch Harry Potter for the 214 00:12:05,880 --> 00:12:12,240 Speaker 1: first time. We're gonna get very high. Did in Finding Silvery? Um? Okay, 215 00:12:12,280 --> 00:12:15,480 Speaker 1: well that's about it for today. I hope you guys enjoyed. 216 00:12:15,800 --> 00:12:18,880 Speaker 1: Jack is out. He's on a special assignment. Um, he's 217 00:12:18,920 --> 00:12:20,959 Speaker 1: out in the field, man, he's out. He's out there, 218 00:12:21,000 --> 00:12:25,040 Speaker 1: out in the fields. A lot of pockets, a lot 219 00:12:25,040 --> 00:12:27,760 Speaker 1: of pockets, binoculars. Yeah, he's he's out there. He's got 220 00:12:27,800 --> 00:12:30,720 Speaker 1: one of those hats with a net on it, pip helmet, 221 00:12:30,960 --> 00:12:33,640 Speaker 1: like he's in the like a safari. Yeah. Yeah, Safari 222 00:12:33,679 --> 00:12:37,480 Speaker 1: outfit for sure. Cargo shorts anyway, very high up. Oh, 223 00:12:37,520 --> 00:12:41,200 Speaker 1: also I forgot the director is Karrie Jogi Fukunaga. Shout 224 00:12:41,200 --> 00:12:45,360 Speaker 1: out to Jeffanese Americans out there doing your thing. Getting 225 00:12:45,440 --> 00:12:49,280 Speaker 1: that back yeah um yeah with that, thank you so 226 00:12:49,400 --> 00:12:51,840 Speaker 1: much for listening. We'll see you tomorrow morning for Daily 227 00:12:51,880 --> 00:12:53,319 Speaker 1: Sight Guys by