WEBVTT - #414 - Yelawolf

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<v Speaker 1>What's up.

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<v Speaker 2>This is Yellow Wolf, Catfish Billy.

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<v Speaker 1>Make sure you check me out on the Bootleg keV

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<v Speaker 1>podcast happening right now.

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<v Speaker 3>Yo, Bootleg cap podcast Man special guests in here, my guy.

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<v Speaker 3>It's been a long time coming. Yep, mister Wolf himself,

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<v Speaker 3>Yellowolf is in.

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<v Speaker 1>The building, man, dud, good to see you as well.

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<v Speaker 1>Been friends for a long time.

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<v Speaker 3>For a very long time, man, Like shit, since like

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<v Speaker 3>I think you and I met in twenty ten. Wow,

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<v Speaker 3>I introduced you on stage at the Wiz the Wiz tourter.

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<v Speaker 3>But I was already like a huge fan and already

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<v Speaker 3>kind of like diving into your world and like following

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<v Speaker 3>Ritz and shit, and so it was dope to be able.

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<v Speaker 1>To meet you finally. Yeah, for sure.

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<v Speaker 3>O G Trunk Music. It was when like I think,

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<v Speaker 3>just I wish was on the right fucking which was

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<v Speaker 3>a fucking great record, a remix with Ray Kwan.

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<v Speaker 1>Oh my god, shout out Taylor Gang. Shout to Taylor Gang. Yeah,

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<v Speaker 1>it's a fucking era, man, it was.

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<v Speaker 2>It was the you know, breaking bad basically.

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<v Speaker 3>Dude, Like seriously, like when I think about like the

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<v Speaker 3>best eras of hip hop I've been a part of

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<v Speaker 3>that is the era where it was like twenty like

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<v Speaker 3>nine twenty ten, the blog era, like still being excited

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<v Speaker 3>when people and people were just dropping free music with

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<v Speaker 3>like no like plan. It was just like what is

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<v Speaker 3>this free music? That are these z share links and

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<v Speaker 3>these media fire links, and you know, there was that

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<v Speaker 3>PIF and all that shit, and like you were like,

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<v Speaker 3>you're one of the goats of that era.

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<v Speaker 1>So, I mean, you've been through so.

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<v Speaker 2>Much, man, that's crazy.

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<v Speaker 1>Earlier I was talking to so Willpower, which will Power

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<v Speaker 1>produced Trump music and the legend and a shit, shitty

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<v Speaker 1>shit house in fucking the hood of gas in Alabama.

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<v Speaker 2>We did that record, but as far as like releasing music.

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<v Speaker 1>Speaking of that in particular, we fucking put a We

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<v Speaker 1>put pop the trunk out from from the apartment from

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<v Speaker 1>I was rooming his apartment to Twitter. That's how we

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<v Speaker 1>got that record going crazy. And we did it with

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<v Speaker 1>no permission. Actually we did it in spite of the

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<v Speaker 1>advice to not well because I was like, well, that's

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<v Speaker 1>got time. You were fully independent, right. I was with

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<v Speaker 1>Kawan Pray through even with KP and Ghetto Ghetto Vision,

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<v Speaker 1>but that was like more of a production deal. There

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<v Speaker 1>was no like, now this is before south By.

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<v Speaker 3>When you had everybody bidding on you and going crazy.

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<v Speaker 3>This was very early on.

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<v Speaker 1>So yeah, this was like that. That was the That

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<v Speaker 1>was the pivotal record that put the Internet on fire

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<v Speaker 1>and you know, got all the attention going. Then we

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<v Speaker 1>started doing shows and had moved off video.

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<v Speaker 2>Oh yeah for five grand with a five D and

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<v Speaker 2>no lights.

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<v Speaker 3>It's so crazy when you go back and watch that

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<v Speaker 3>video still. I watched it recently. It's it holds up.

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<v Speaker 3>Some of those videos they don't hold up, you know,

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<v Speaker 3>but that video holds up.

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<v Speaker 1>Yeah, definitely. It's like a it's like shook ones. You know,

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<v Speaker 1>it's got that for real, for real in the streets,

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<v Speaker 1>for real with the real people do when real shit

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<v Speaker 1>you know. Yeah, man, I mean it was just a

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<v Speaker 1>the stars aligned for that to happen.

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<v Speaker 3>Do you remember being featured on the hook of a

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<v Speaker 3>Slim Thug song but not getting the featured credit.

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<v Speaker 1>Yeah, I run it didn't say feature and yellow No,

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<v Speaker 1>I tell you, I like how so And then there

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<v Speaker 1>was mixing up the medicine by Joel's. People were using

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<v Speaker 1>you for hook hooks for a little bit. I went

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<v Speaker 1>to uh the Ozone Awards in Texas. I had already

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<v Speaker 1>done the Ozone Awards and uh with a mixtape and

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<v Speaker 1>with DJ Ideal called Stereo. We're just getting our feet wet,

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<v Speaker 1>you know, like trying ship doing things. That was my

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<v Speaker 1>cup in the way, but uh, it was Jim Johnson

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<v Speaker 1>and Jim Johnson and I both have this like affinity

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<v Speaker 1>for classic rock, and.

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<v Speaker 2>So I did he.

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<v Speaker 1>I was at at the Ozone Awards and shit got

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<v Speaker 1>crazy and I think it was Houston that sounds about right,

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<v Speaker 1>and uh it got weird. You know, there was shit happening,

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<v Speaker 1>beef happening, and ship and Jim was like, fuck this,

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<v Speaker 1>Let's go to this studio. I got a session booked

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<v Speaker 1>with Slim Thug, and uh, that is it.

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<v Speaker 2>Flock of Seagulls.

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<v Speaker 3>The original writ interpolation right, yeah, yeah, uh yeah, I.

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<v Speaker 1>Run the streets all night and day. So I cut

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<v Speaker 1>the vocals and I went back to Gadsten. I was

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<v Speaker 1>still fucking dumb, broke, still living like in the trap basically,

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<v Speaker 1>and I couldn't afford to make it to the video.

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<v Speaker 1>So Jim Johnson stood in and voiced over my part.

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<v Speaker 3>People who don't know Jim Johnson, this is the multi

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<v Speaker 3>platinum Lollipop by Lil Wayne. I mean, you just guys

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<v Speaker 3>got real fucking hit records, many legendary platinum producer.

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<v Speaker 1>Many, many, many hits. Yeah, from the trailer parks of Florida,

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<v Speaker 1>shout out Jim Johnson him, but yeah, he just he

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<v Speaker 1>saw a place for me in that, and uh so

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<v Speaker 1>we did it. But yeah, I remember walking around and

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<v Speaker 1>it was a smash with smash record. It was all

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<v Speaker 1>over the radio. Yeah, and I was just walking around

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<v Speaker 1>like that's me, that's me, that's me. No, that's literally me.

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<v Speaker 1>That's not They're like, nah, I'm like, dude, I run,

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<v Speaker 1>that's me. Look like I'll sing it for you.

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<v Speaker 2>Yeah, I'll seek it for you. But it spawned a

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<v Speaker 2>bunch of opportunities.

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<v Speaker 1>The next opportunity that came out for a short period,

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<v Speaker 1>I was the guy to go to for that, so

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<v Speaker 1>I redid uh Subterranean Blues by Bob Dylan for Joel

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<v Speaker 1>Santana mixing up the medicine and I was in the basement.

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<v Speaker 1>So it spawned out, and then it became like, oh,

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<v Speaker 1>I'm going to reach out to to this guy yellow Wolf.

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<v Speaker 1>He's got the rock hooks, some cool hooks, and and

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<v Speaker 1>then it spawned the relationship for Big Boy from Maltcast

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<v Speaker 1>hit me up and I was like, I was like,

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<v Speaker 1>big oh you were on I remember that was one

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<v Speaker 1>of your first big looks. Well, your DJ no DJ

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<v Speaker 1>started with he he was like, hey man, let me

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<v Speaker 1>get one of them rock hooks.

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<v Speaker 3>Because there was a few looks where I was like, oh,

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<v Speaker 3>people are starting to catch on now.

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<v Speaker 1>Yeah, I think I think it was the Big Boys shit.

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<v Speaker 3>And then I remember you sharing a record with it

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<v Speaker 3>It wasn't it wasn't it. You were on a record

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<v Speaker 3>with bud Bee early on. What was the record?

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<v Speaker 1>Uh around that time? Was it on your ship? Oh?

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<v Speaker 1>Good to Go? Good to Go, That's what I'm thinking of. Yeah, yeah, good,

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<v Speaker 1>that's your ship. That that was after uh that's after

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<v Speaker 1>all this stuff. Yeah yeah yeah yeah. And then yeah,

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<v Speaker 1>so I was like big please, I just want to

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<v Speaker 1>I need I need to wrap. I can. I actually

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<v Speaker 1>got verses, like I got something fun. I got verses

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<v Speaker 1>and he was playing beats. He's like what about this?

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<v Speaker 1>What about that? And when I heard your DJ no DJ,

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<v Speaker 1>he was like, man, now three thousand produced that. That's

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<v Speaker 1>that's a no go. I said, please, man, and he

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<v Speaker 1>gave me the track. He said, I'll give you a shot,

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<v Speaker 1>and I gave him like sixty eight bars, like just

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<v Speaker 1>non stop bars. So we ended up chopping those bars

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<v Speaker 1>and sharing versus throughout the song. That was the record here,

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<v Speaker 1>that was the one. That was the one he took me,

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<v Speaker 1>you know, took me to the BET Awards with him

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<v Speaker 1>and put me on stage for the first time in

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<v Speaker 1>front of camera.

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<v Speaker 2>So love you big podcast.

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<v Speaker 3>A legend, man. It's crazy around that time you because

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<v Speaker 3>when I think of nine oh wait hip hop, I'm thinking, like,

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<v Speaker 3>there was the year where it was you and Krit

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<v Speaker 3>were for Mixtape of the Year. I think it was

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<v Speaker 3>DJ Booth did their awards. I think you lost to Crit,

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<v Speaker 3>but I remember being like this is.

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<v Speaker 2>Like always lose to Crit.

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<v Speaker 1>But during that time, it was like so crazy because

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<v Speaker 1>what about that one train though that I really lose

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<v Speaker 1>to did not? No, you did not.

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<v Speaker 3>And also I'd also like to point out the piece

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<v Speaker 3>of Shit record where you Ritch and Crit was a

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<v Speaker 3>fucking legendary Yes.

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<v Speaker 1>Oh no, full of shit, full of shit, full of shit.

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<v Speaker 1>I'm full of full of shit. I should I Yeah,

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<v Speaker 1>my mama said I should have had brown eyes because

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<v Speaker 1>why I'm full of ship, full of shit on full

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<v Speaker 1>of shit.

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<v Speaker 3>But even then, like with the Wiz movement that was

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<v Speaker 3>going on, do you ever because you've had so many

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<v Speaker 3>errors of your career, but do you ever take the

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<v Speaker 3>time out to like truly reflect on like the stuff

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<v Speaker 3>you've been a part of.

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<v Speaker 1>Not really because I I'm like programmed next, next, like

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<v Speaker 1>what's next.

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<v Speaker 3>I think we all are that way, so at times

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<v Speaker 3>it's it's like you kind of got to just reflect

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<v Speaker 3>a little.

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<v Speaker 1>Like fuck, I mean, it piles up, and you know,

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<v Speaker 1>it's a I had a night actually where I got

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<v Speaker 1>a new place in Nashville and I had my buddy

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<v Speaker 1>Sam Lee over the tattoo guy, great guy, a little bro,

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<v Speaker 1>you know, and and he's like, we're playing all this

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<v Speaker 1>other music. He's like, yo, man, let's let's let's bump

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<v Speaker 1>through your discography. You know. I was like, and I

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<v Speaker 1>never ever do that. And after about an hour, I

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<v Speaker 1>like sat down on the couch and I was like,

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<v Speaker 1>holy shit, I'm yellow Wolf, Like what the fuck? You know?

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<v Speaker 2>It was like this.

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<v Speaker 1>I was like, it was like a it was scary, honestly,

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<v Speaker 1>the real to realize the amount of music and what

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<v Speaker 1>I've done over the years, you know, it was a

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<v Speaker 1>bit emotional. Man, I was like, fuck, man, We've I've

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<v Speaker 1>really put in work, man, Like we we've really been

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<v Speaker 1>out here for a minute, doing a long doing a

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<v Speaker 1>lot of shit. So uh but yeah, unless someone else

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<v Speaker 1>brings it to my attention, I don't I don't really

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<v Speaker 1>dig back because I'm just so focused on like what's

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<v Speaker 1>right now, which right now for me is war Story.

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<v Speaker 2>The double album is coming out in May.

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<v Speaker 3>Yeah, everything is very I mean, vintage blog era bars.

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<v Speaker 1>The beat is crazy, the videos fucking crazy. It's just

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<v Speaker 1>a rap video. You got fucking.

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<v Speaker 3>Legend, you got fucking Estevon in there, you got you

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<v Speaker 3>got fucking yeah, yeah, shout the Baldacci the face of

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<v Speaker 3>La fucking DJ Paul's And it's just a very like

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<v Speaker 3>i'd heard, like because I was talking to will Power

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<v Speaker 3>a bit, but I heard like you were like kind

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<v Speaker 3>of back honed in on scratching that itch again.

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<v Speaker 1>Why why is this? Why? Why? Now? Though?

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<v Speaker 2>Well, I did this rock and roll album with Shooter Jennings.

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<v Speaker 1>I was gonna bring that out, by the way, Yeah,

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<v Speaker 1>I'm a believer. Yeah yeah, bro listen people, sometimes why

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<v Speaker 1>is a fucking It's like it might be a perfect

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<v Speaker 1>rock album. We thought so, me and Jelly talk about

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<v Speaker 1>it all the time because we're like, this ship is

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<v Speaker 1>like the best version of like the old school rock

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<v Speaker 1>we like. But today, well that's what we we that's

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<v Speaker 1>what we set out to do. I mean, baby's fucking hard, bro,

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<v Speaker 1>thank you well. We great Schroman music too.

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<v Speaker 2>Oh yeah that album sometimes?

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<v Speaker 1>Why please, if you're a rock and roll even if

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<v Speaker 1>you're not a rock and roll fan, you should, you should,

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<v Speaker 1>you should bump down on that arena shit. It's arena shit.

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<v Speaker 1>I mean we you know, like Shooter and I have

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<v Speaker 1>been talking about doing a record for years. Didn't know

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<v Speaker 1>how we we're gonna do it, didn't know what we're

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<v Speaker 1>gonna make, honestly, but he sent me a SoundBite of

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<v Speaker 1>a guitar riff he made and it was during COVID.

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<v Speaker 1>So I had this little studio up under my stairs

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<v Speaker 1>and I recorded a vocal and sent it back to him,

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<v Speaker 1>and he called me immediately like, holy shit, dude, if

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<v Speaker 1>this is any indication of what we can do, we

0:11:46.440 --> 0:11:49.800
<v Speaker 1>have to make this happen. So we booked a session

0:11:50.080 --> 0:11:57.120
<v Speaker 1>at Sunset Sound and uh, two days before our first session,

0:11:58.400 --> 0:12:02.360
<v Speaker 1>George Floyd was murdered and we already had flights we

0:12:02.400 --> 0:12:06.040
<v Speaker 1>already had all these things set up, so we came

0:12:06.080 --> 0:12:08.640
<v Speaker 1>into l a hot you know that it was obviously

0:12:08.679 --> 0:12:11.880
<v Speaker 1>a wild time and so deuring the during the making

0:12:12.000 --> 0:12:17.280
<v Speaker 1>of that record, we were out marching. We were out

0:12:17.320 --> 0:12:19.240
<v Speaker 1>like we would take just a break and just go

0:12:19.320 --> 0:12:23.280
<v Speaker 1>walk for a few miles, you know, just supporting. And

0:12:24.120 --> 0:12:28.880
<v Speaker 1>but obviously the vibe was just so and intense. You know,

0:12:28.920 --> 0:12:31.960
<v Speaker 1>there's helicopters and and and you're in ls everywhere. You know,

0:12:32.320 --> 0:12:35.120
<v Speaker 1>I'm on Sunset Sunset sound man, all the Sunset Trip.

0:12:35.240 --> 0:12:37.319
<v Speaker 3>Yeah, the fucking protests were everywhere. I mean she was

0:12:37.360 --> 0:12:38.520
<v Speaker 3>active right outside the door.

0:12:38.640 --> 0:12:42.960
<v Speaker 1>Yeah, it was active, very you know, and so it did.

0:12:43.080 --> 0:12:47.400
<v Speaker 1>It created that part created all an intense emotional vibe,

0:12:47.800 --> 0:12:53.360
<v Speaker 1>and one record reflects that. Off that album in particular,

0:12:58.480 --> 0:13:01.480
<v Speaker 1>it's it's just a story of the neighborhood is going

0:13:01.559 --> 0:13:06.400
<v Speaker 1>to ship, you know, like everything is changing, and but

0:13:06.559 --> 0:13:09.400
<v Speaker 1>you know, like as far as like the record and

0:13:09.440 --> 0:13:12.280
<v Speaker 1>the vibe of of each song was, we just wanted

0:13:12.320 --> 0:13:14.240
<v Speaker 1>to do what we loved, like the ship that we

0:13:14.320 --> 0:13:16.839
<v Speaker 1>grew up listening to, the ship that we the rock

0:13:16.920 --> 0:13:22.040
<v Speaker 1>that we were inspired by, and each song just started happening.

0:13:22.120 --> 0:13:24.800
<v Speaker 1>We wrote and record of that entire album and that

0:13:25.120 --> 0:13:28.720
<v Speaker 1>in that week, That in a week. Yeah, it's crazy.

0:13:28.920 --> 0:13:32.480
<v Speaker 3>If anybody who hasn't heard this album just listen to

0:13:32.520 --> 0:13:34.360
<v Speaker 3>make me a believer and tell me it isn't meant

0:13:34.360 --> 0:13:36.640
<v Speaker 3>to be in a fucking That ship is like stadium

0:13:36.720 --> 0:13:37.400
<v Speaker 3>rock bro.

0:13:38.200 --> 0:13:43.440
<v Speaker 1>That you know, like what we we definitely we thought so.

0:13:43.840 --> 0:13:45.880
<v Speaker 1>I thought that that record. I thought that that album

0:13:46.000 --> 0:13:51.680
<v Speaker 1>was going to change my career forever. I was like,

0:13:52.160 --> 0:13:54.120
<v Speaker 1>because we thought that as well. I was like, Man,

0:13:55.200 --> 0:13:59.760
<v Speaker 1>this ship may really really go, and this may actually

0:14:00.800 --> 0:14:03.040
<v Speaker 1>people are going to forget that I was even a rapper.

0:14:03.320 --> 0:14:05.679
<v Speaker 1>That's how powerful I thought that record was. I was like, man,

0:14:05.679 --> 0:14:08.040
<v Speaker 1>they're gonna have to they'll dig back and discover pop

0:14:08.080 --> 0:14:10.880
<v Speaker 1>the trunk and they're going to scratch their head. They're

0:14:10.920 --> 0:14:14.640
<v Speaker 1>not going to even know. Well, as it turned out

0:14:14.679 --> 0:14:16.880
<v Speaker 1>like the you know, we and we got all these

0:14:16.920 --> 0:14:19.640
<v Speaker 1>crazy critical acclaims. You know, it played the played the

0:14:20.000 --> 0:14:23.640
<v Speaker 1>Grammy Museum and we were you know, considered for a

0:14:23.680 --> 0:14:29.240
<v Speaker 1>nomination and all those things, and it just kind of

0:14:31.000 --> 0:14:32.800
<v Speaker 1>I don't think that it had a moment. I don't

0:14:32.800 --> 0:14:34.920
<v Speaker 1>think that it for whatever reason, it didn't have the

0:14:34.960 --> 0:14:36.480
<v Speaker 1>moment we thought it was going to have. But we

0:14:36.480 --> 0:14:40.560
<v Speaker 1>did like legendary Ship. We played Rainbow Rooms fiftieth anniversary.

0:14:40.000 --> 0:14:42.520
<v Speaker 2>Which is crazy it played. We played the Viper Room.

0:14:42.640 --> 0:14:44.640
<v Speaker 1>We did some really cool ship with that opened up

0:14:44.640 --> 0:14:47.840
<v Speaker 1>for Leonard skinnerd like, yeah, we.

0:14:47.800 --> 0:14:51.680
<v Speaker 2>Did crazy ship with the record. But I think.

0:14:51.520 --> 0:14:55.920
<v Speaker 1>The the lack of what I considered I thought it

0:14:55.960 --> 0:15:00.520
<v Speaker 1>was a little underappreciated and under under worked.

0:15:01.520 --> 0:15:03.600
<v Speaker 3>I think a lot of it's that it's not you guys,

0:15:03.600 --> 0:15:05.960
<v Speaker 3>it's really the you know. No, it wasn't like I mean,

0:15:06.440 --> 0:15:08.160
<v Speaker 3>because I know it was worked to radio because I

0:15:08.160 --> 0:15:10.080
<v Speaker 3>remember the machine well, I remember seeing it on the

0:15:10.160 --> 0:15:11.960
<v Speaker 3>radio chart at rock. So I was like, oh, at

0:15:12.040 --> 0:15:14.560
<v Speaker 3>least they're working it to rock, you know, Like yeah,

0:15:14.560 --> 0:15:16.080
<v Speaker 3>but it's it's the machine.

0:15:16.320 --> 0:15:20.800
<v Speaker 1>Okay. It takes a lot of a lot of things

0:15:21.320 --> 0:15:24.800
<v Speaker 1>to make radio work. Let's just say that. And and

0:15:25.040 --> 0:15:27.400
<v Speaker 1>I wasn't willing. I was like, man, if it you know,

0:15:28.160 --> 0:15:30.320
<v Speaker 1>if it's not, if it's not doing what it's supposed

0:15:30.320 --> 0:15:33.880
<v Speaker 1>to be. Really on a campaign, bro, it's really a campaign. Well,

0:15:33.920 --> 0:15:35.560
<v Speaker 1>I'll tell you one thing that we did that we

0:15:35.680 --> 0:15:39.400
<v Speaker 1>reignited as a as a crew is we put a

0:15:39.440 --> 0:15:42.720
<v Speaker 1>quarter million dollars in wheat pasting across the world and

0:15:42.800 --> 0:15:48.600
<v Speaker 1>billboards and we tore s it up all over Paris, Australia, Japan,

0:15:48.880 --> 0:15:54.000
<v Speaker 1>like Canada, New Zealand, you know, like and that was impactful,

0:15:54.040 --> 0:15:56.240
<v Speaker 1>that had that had a real impact on people. I

0:15:56.280 --> 0:15:59.640
<v Speaker 1>got it. There's a photo of Paul Rosenberg taking a

0:15:59.680 --> 0:16:01.720
<v Speaker 1>selfie in front of the wheat paste in Paris.

0:16:02.160 --> 0:16:06.040
<v Speaker 3>You know, no people, I think people underestimate that Gorilla ships.

0:16:05.800 --> 0:16:07.520
<v Speaker 1>Too, they do. I don't.

0:16:07.800 --> 0:16:11.440
<v Speaker 2>But you know, keep sleeping, keep sucking shit works.

0:16:11.720 --> 0:16:15.640
<v Speaker 1>Well, I mean you were get back to what made

0:16:15.720 --> 0:16:19.520
<v Speaker 1>uh okay so okay? So reuniting with willpower. It's been,

0:16:19.640 --> 0:16:22.760
<v Speaker 1>it's been, it's been not too many years. But well,

0:16:22.760 --> 0:16:24.960
<v Speaker 1>when I tapped back in, like literally like when I say,

0:16:24.960 --> 0:16:28.000
<v Speaker 1>I compartmentalized those moments and so when I when I

0:16:28.040 --> 0:16:30.200
<v Speaker 1>dove into sometimes why that was that was my life

0:16:30.200 --> 0:16:32.200
<v Speaker 1>and my existence and I put all my energy into that.

0:16:35.120 --> 0:16:39.960
<v Speaker 1>But the frustration of the what I thought was the

0:16:40.080 --> 0:16:42.600
<v Speaker 1>under being underappreciated when you think.

0:16:42.520 --> 0:16:44.600
<v Speaker 3>This is our life change, this is going to change things,

0:16:44.880 --> 0:16:46.040
<v Speaker 3>and it maybe goes you know.

0:16:46.040 --> 0:16:49.760
<v Speaker 1>And it don't and it don't. It it definitely got

0:16:49.800 --> 0:16:55.880
<v Speaker 1>like artistic credibility. Sure, but it just made me like

0:16:56.560 --> 0:16:59.120
<v Speaker 1>tap back in to hip hop. And when I did

0:16:59.160 --> 0:17:05.040
<v Speaker 1>tap back in, I was like, nah, man, I have

0:17:05.160 --> 0:17:07.400
<v Speaker 1>something to say, I have something to do. It made

0:17:07.400 --> 0:17:10.960
<v Speaker 1>me so hungry for versus because I had spent so

0:17:11.040 --> 0:17:14.240
<v Speaker 1>much time training myself how to sing correctly, how to

0:17:14.280 --> 0:17:17.680
<v Speaker 1>deliver those rock and roll records the best that I could,

0:17:18.440 --> 0:17:22.560
<v Speaker 1>and I was so hyper focused on that that when

0:17:22.600 --> 0:17:28.800
<v Speaker 1>I pulled that spot out of my mind where I

0:17:28.960 --> 0:17:35.560
<v Speaker 1>do rap versus hip, I just got so hungry for

0:17:35.640 --> 0:17:40.000
<v Speaker 1>hip hop again. And so I talked to Malay. I

0:17:40.080 --> 0:17:44.760
<v Speaker 1>called Malay and I called Willpower, and I was like, man,

0:17:45.240 --> 0:17:49.760
<v Speaker 1>we need to get back together and do love story again,

0:17:50.680 --> 0:17:54.800
<v Speaker 1>but this time, let's call it war story because we've

0:17:54.840 --> 0:17:58.160
<v Speaker 1>been through it. And so I came out to Los

0:17:58.200 --> 0:18:03.120
<v Speaker 1>Angeles State at the Sunset Market. He Malay would feed

0:18:03.160 --> 0:18:06.000
<v Speaker 1>me bpms. For the most part, there was no beats.

0:18:06.520 --> 0:18:09.240
<v Speaker 1>It's pretty crazy, that's pretty crazy. He would send me like, Okay,

0:18:09.240 --> 0:18:12.960
<v Speaker 1>today's BPM eighty five. Yes, today's eighty five, here's a

0:18:13.000 --> 0:18:15.639
<v Speaker 1>click track. And I would write full songs and hooks

0:18:15.680 --> 0:18:19.399
<v Speaker 1>and everything, go into the studio at like two pm.

0:18:19.440 --> 0:18:21.240
<v Speaker 2>Cut my verses, cut the hooks and he'd.

0:18:21.080 --> 0:18:23.720
<v Speaker 1>Produce around it. That's the that's crazy.

0:18:23.880 --> 0:18:26.120
<v Speaker 2>Yeah, And people.

0:18:25.880 --> 0:18:27.240
<v Speaker 1>Who don't know that's like the opposite of how it

0:18:27.320 --> 0:18:30.600
<v Speaker 1>usually goes right. Yeah. I mean, if you're like hip hop, recording,

0:18:30.640 --> 0:18:33.960
<v Speaker 1>it's usually to a beat to a beat, you're you're

0:18:34.080 --> 0:18:37.400
<v Speaker 1>something exactly something to some kind of melody. But recording

0:18:37.440 --> 0:18:39.600
<v Speaker 1>it's with absolutely nothing. Like He's like, nah, man, you

0:18:39.680 --> 0:18:42.119
<v Speaker 1>make up a melody in your head, make up a concept,

0:18:42.320 --> 0:18:45.880
<v Speaker 1>make up a cadence, and bring it. And so I did,

0:18:45.880 --> 0:18:48.320
<v Speaker 1>and we did that for the whole album. And when

0:18:48.320 --> 0:18:50.639
<v Speaker 1>I cut that album, I was like, oh fuck. I

0:18:50.680 --> 0:18:53.360
<v Speaker 1>still hadn't worked with Willpower. So we cut a whole

0:18:53.359 --> 0:18:56.679
<v Speaker 1>album with Malay. I called Will. I said, man, you

0:18:56.680 --> 0:18:59.320
<v Speaker 1>got to come to Atlanta and I mean, you got

0:18:59.320 --> 0:19:01.320
<v Speaker 1>to come to Nashville and here this fucking record that

0:19:01.400 --> 0:19:05.119
<v Speaker 1>me and Malay did. It's bonkers. Your your work is

0:19:05.160 --> 0:19:08.119
<v Speaker 1>cut out for you. Because if we're gonna do what

0:19:08.320 --> 0:19:10.119
<v Speaker 1>I think we're gonna do, I think we're gonna to

0:19:10.160 --> 0:19:11.880
<v Speaker 1>hang you gotta you gotta go crazy.

0:19:13.200 --> 0:19:13.800
<v Speaker 2>And he did.

0:19:13.840 --> 0:19:17.359
<v Speaker 1>He went absolutely crazy, and we went to Atlanta and

0:19:17.440 --> 0:19:20.200
<v Speaker 1>cut that record. And when I had both the albums,

0:19:20.200 --> 0:19:22.080
<v Speaker 1>I was like, man, this is not. I can't blend

0:19:22.160 --> 0:19:24.520
<v Speaker 1>these two. This is two separate albums. But then I

0:19:24.520 --> 0:19:30.440
<v Speaker 1>didn't have time to put two of them out like separately,

0:19:31.240 --> 0:19:33.280
<v Speaker 1>so it's like, fuck it, let's just put out a

0:19:33.280 --> 0:19:36.200
<v Speaker 1>double album. So it's Trump Music Forever with will Power

0:19:36.200 --> 0:19:39.719
<v Speaker 1>and Michael Wayne with Malay all under All under a

0:19:39.760 --> 0:19:40.359
<v Speaker 1>War Story.

0:19:41.080 --> 0:19:44.920
<v Speaker 3>I look at like I always somehow will Power is back.

0:19:44.960 --> 0:19:49.239
<v Speaker 3>We got liquor, liquors, Liquors touchdown. I was gonna say,

0:19:49.280 --> 0:19:53.480
<v Speaker 3>willis coat. I always tell will Power on is it

0:19:54.920 --> 0:19:56.160
<v Speaker 3>Box Chevy four?

0:19:56.600 --> 0:19:58.199
<v Speaker 1>On which what's which one is on?

0:19:58.480 --> 0:19:58.760
<v Speaker 4>Uh?

0:19:58.880 --> 0:19:59.720
<v Speaker 1>Trump Music too?

0:20:00.000 --> 0:20:00.080
<v Speaker 5>Oh.

0:20:00.119 --> 0:20:03.359
<v Speaker 1>I got a surprise for the block Chevy fans, but

0:20:03.480 --> 0:20:08.160
<v Speaker 1>you is there. I got a big surprise for.

0:20:08.119 --> 0:20:10.359
<v Speaker 2>Bock Chevy fans on the War Story.

0:20:10.520 --> 0:20:15.040
<v Speaker 1>Bock Chevy eight is on War Story and crazy Man,

0:20:16.600 --> 0:20:19.639
<v Speaker 1>I'll tell you this. I have three of my close

0:20:19.720 --> 0:20:27.080
<v Speaker 1>friends and og Slamerican Killer my squad that were at

0:20:27.080 --> 0:20:32.960
<v Speaker 1>the Grammys American sen exactly. Yeah, he knows his ship. Well, okay,

0:20:33.119 --> 0:20:36.400
<v Speaker 1>fuck it, Killer, Mike, DJ Paul and Jelly Roll are

0:20:36.440 --> 0:20:39.879
<v Speaker 1>on this record, not on Box Chevy eight separately and

0:20:40.400 --> 0:20:42.880
<v Speaker 1>on different songs. So I'm not gonna tell you which

0:20:42.920 --> 0:20:45.359
<v Speaker 1>song they're on, but they're all three on there and

0:20:45.400 --> 0:20:49.640
<v Speaker 1>they were all at the Grammys. Dude, that was such

0:20:49.640 --> 0:20:52.280
<v Speaker 1>a moment man like like as a, as A, as

0:20:52.280 --> 0:20:54.720
<v Speaker 1>a friend and A and A and A and an

0:20:54.840 --> 0:20:58.520
<v Speaker 1>artist friend, like watching that, like my boys up there

0:20:58.840 --> 0:21:01.440
<v Speaker 1>getting it amazing, and look, we already had.

0:21:01.400 --> 0:21:02.400
<v Speaker 2>These records in the bag.

0:21:02.440 --> 0:21:05.119
<v Speaker 1>I was like, oh shit, it's funny.

0:21:05.520 --> 0:21:07.920
<v Speaker 3>I saw your story when you were watching I because

0:21:07.960 --> 0:21:09.919
<v Speaker 3>I was watching. I never watched the Grammys, but I

0:21:09.960 --> 0:21:12.399
<v Speaker 3>was watching them like you because I just I just

0:21:12.440 --> 0:21:14.359
<v Speaker 3>wanted to see if Jelly got new artists.

0:21:14.200 --> 0:21:16.639
<v Speaker 1>Right right right of course. So it was literally but

0:21:16.720 --> 0:21:20.280
<v Speaker 1>come on, Mike, Mike. But but it sucked that wasn't

0:21:20.280 --> 0:21:22.760
<v Speaker 1>on TV because by the time the show started on TV,

0:21:22.760 --> 0:21:24.639
<v Speaker 1>we already knew he won three and then I think

0:21:24.680 --> 0:21:26.480
<v Speaker 1>he was in He was a handcuffs by then. That

0:21:26.560 --> 0:21:29.199
<v Speaker 1>was incredible. I have been more pro I'm to sweep

0:21:29.280 --> 0:21:29.920
<v Speaker 1>three of them.

0:21:30.560 --> 0:21:36.400
<v Speaker 3>And then I just love the post like campaign he's

0:21:36.440 --> 0:21:38.520
<v Speaker 3>on right now going to the breakfast club talking his

0:21:38.600 --> 0:21:40.520
<v Speaker 3>ship like he made the best rap album of the year.

0:21:40.520 --> 0:21:42.480
<v Speaker 1>It's not even close. Him and I talked about it.

0:21:42.600 --> 0:21:44.040
<v Speaker 1>I was like, you're gonna get a Grammy for this

0:21:44.840 --> 0:21:50.399
<v Speaker 1>that's you know what and deservingly, deservingly come on, you

0:21:50.440 --> 0:21:54.440
<v Speaker 1>know and and it just goes back so far. Mike

0:21:54.560 --> 0:21:57.360
<v Speaker 1>was one of my very, very first cosns. I'm talking

0:21:57.400 --> 0:22:00.680
<v Speaker 1>about going back to kicking like way before, like when

0:22:00.720 --> 0:22:03.560
<v Speaker 1>I first got my first situation, a brief situation with

0:22:03.600 --> 0:22:07.040
<v Speaker 1>Columbia Records, Mike pulled up. Mike pulled up with when

0:22:07.080 --> 0:22:09.080
<v Speaker 1>I was working with Will Power and we did Sla

0:22:09.040 --> 0:22:11.840
<v Speaker 1>American Shit. Is the first time that I even mentioned Slamerican?

0:22:12.040 --> 0:22:13.600
<v Speaker 1>Was that record? Alum on YouTube?

0:22:14.480 --> 0:22:15.119
<v Speaker 2>I'm sure it is.

0:22:15.160 --> 0:22:17.359
<v Speaker 1>Everything's on fer I just had it on my phone forever.

0:22:18.080 --> 0:22:20.560
<v Speaker 1>Everything's on YouTube. I find shit of mine on YouTube.

0:22:20.600 --> 0:22:22.520
<v Speaker 1>I'm like, I'm I don't even how it's still there,

0:22:23.160 --> 0:22:25.440
<v Speaker 1>but yeah, everything ends up there. Yeah.

0:22:25.480 --> 0:22:27.280
<v Speaker 3>So for people who don't know it's American Shittisen was

0:22:27.280 --> 0:22:29.000
<v Speaker 3>a record that you and Killer Mike did, I don't know,

0:22:29.240 --> 0:22:31.359
<v Speaker 3>twelve years ago, fifteen years ago, I don't even know

0:22:31.359 --> 0:22:31.800
<v Speaker 3>how long ago.

0:22:31.920 --> 0:22:35.400
<v Speaker 1>Was in a fucking barn studio in Atlanta, Georgia. It's

0:22:35.440 --> 0:22:37.560
<v Speaker 1>not even there no more. They tore that motherfucker down.

0:22:37.600 --> 0:22:38.880
<v Speaker 1>It's like Atlantic Station now.

0:22:40.440 --> 0:22:42.919
<v Speaker 3>No, but it's it's definitely it's it's been cool to

0:22:42.960 --> 0:22:46.760
<v Speaker 3>see him and Jelly's Grammy night.

0:22:46.720 --> 0:22:48.840
<v Speaker 2>Was so awesome and Paul DJ Paul.

0:22:48.640 --> 0:22:51.439
<v Speaker 3>Yeah and Paul and Paul went in a Grammy. He

0:22:51.520 --> 0:22:53.040
<v Speaker 3>might fuck around with an E guy if he wants

0:22:53.080 --> 0:22:53.560
<v Speaker 3>to go do something.

0:22:53.560 --> 0:22:55.760
<v Speaker 1>I think we're going to. Man, we talked about to

0:22:56.000 --> 0:22:59.240
<v Speaker 1>score a play. Now that's what I'm saying. Please, he

0:22:59.240 --> 0:23:01.200
<v Speaker 1>could get an E guy for real. I want to

0:23:01.240 --> 0:23:04.480
<v Speaker 1>I want to see I want to see Memphis through

0:23:04.520 --> 0:23:07.760
<v Speaker 1>his eyes in a play and and and a series

0:23:08.000 --> 0:23:11.760
<v Speaker 1>for the Emmy. He deserves that, dude, Paul's the best.

0:23:11.800 --> 0:23:12.960
<v Speaker 1>So what are we drinking? Dad?

0:23:13.800 --> 0:23:14.879
<v Speaker 2>Slow Mafia, by the.

0:23:14.880 --> 0:23:18.760
<v Speaker 1>Way, that ep you guys did? That? Was that a

0:23:18.760 --> 0:23:19.280
<v Speaker 1>four banger?

0:23:19.320 --> 0:23:21.639
<v Speaker 3>You guys did like what seven eight years ago with

0:23:21.680 --> 0:23:24.320
<v Speaker 3>all the fucking classic samples?

0:23:24.680 --> 0:23:28.960
<v Speaker 1>Fuck? Oh, Paul, he done another one that we've done

0:23:28.960 --> 0:23:33.280
<v Speaker 1>two so far we did, Yeah, we did. What did

0:23:33.280 --> 0:23:36.960
<v Speaker 1>we call that? That ship was tough? Yeah? That was

0:23:37.640 --> 0:23:39.720
<v Speaker 1>there was only four records I think. Yeah, it was

0:23:39.760 --> 0:23:43.879
<v Speaker 1>like a quick one, like a quick banger that we

0:23:43.920 --> 0:23:47.960
<v Speaker 1>did another one titled slaw Mafia like that like.

0:23:47.880 --> 0:23:50.120
<v Speaker 2>Two I think three three.

0:23:50.000 --> 0:23:54.119
<v Speaker 1>Years ago, like I did a August I called it

0:23:54.160 --> 0:23:57.159
<v Speaker 1>the august Onslaught where I dropped like four albums in

0:23:57.200 --> 0:24:00.679
<v Speaker 1>a month that it was you drop that.

0:24:00.760 --> 0:24:04.199
<v Speaker 3>You dropped the album with riff Raft, you dropped, you

0:24:04.280 --> 0:24:04.920
<v Speaker 3>dropped two others.

0:24:05.000 --> 0:24:10.360
<v Speaker 1>Yeah, I dropped uh uh, DJ DJ Mugs, Miles zero

0:24:10.560 --> 0:24:13.399
<v Speaker 1>Ye shout to Mugs with fucking Del the Funky Homo

0:24:13.440 --> 0:24:16.040
<v Speaker 1>Sapient and DJ Paul on one record.

0:24:16.160 --> 0:24:18.480
<v Speaker 3>Another great ol Fi hip hop record. Another great album

0:24:18.520 --> 0:24:20.320
<v Speaker 3>you did. But it was after the Sometimes Why Ship?

0:24:20.440 --> 0:24:24.040
<v Speaker 3>If I'm right that I feel like you scratched your

0:24:24.240 --> 0:24:26.840
<v Speaker 3>rapping itche On was you and Caski's album.

0:24:26.600 --> 0:24:30.040
<v Speaker 1>Is fucking crazy? That came after. I think it came

0:24:30.040 --> 0:24:33.000
<v Speaker 1>after Yellow Black Sheep came after I think I might.

0:24:33.080 --> 0:24:33.320
<v Speaker 1>I think.

0:24:33.600 --> 0:24:36.000
<v Speaker 3>No, No it didn't because I was with Caski at

0:24:36.000 --> 0:24:36.920
<v Speaker 3>the at the Rainbow Room.

0:24:37.000 --> 0:24:37.680
<v Speaker 2>Yeah no I didn't.

0:24:37.760 --> 0:24:39.959
<v Speaker 1>It was before it was, but I was with Caski

0:24:40.080 --> 0:24:41.640
<v Speaker 1>at you know what you guys are talking about doing

0:24:41.680 --> 0:24:42.040
<v Speaker 1>part two?

0:24:42.480 --> 0:24:44.200
<v Speaker 2>You know a matter of fact, we were kind.

0:24:44.040 --> 0:24:46.280
<v Speaker 1>Of deep into it, and and I knew that that

0:24:46.320 --> 0:24:48.320
<v Speaker 1>record had to come out, and I was telling Caski.

0:24:48.840 --> 0:24:51.040
<v Speaker 1>I was like, bro, and I was like, I got

0:24:51.040 --> 0:24:53.479
<v Speaker 1>this rock and roll project. Though, Man, I'm telling you

0:24:53.560 --> 0:24:56.600
<v Speaker 1>we better get this out. Yeah, we better go. But

0:24:56.600 --> 0:24:59.119
<v Speaker 1>been a problem man is one of my favorite. Shout

0:24:59.119 --> 0:25:02.200
<v Speaker 1>to Tasty Man, so yeah, yeah, yeah'd be his crazy

0:25:02.240 --> 0:25:04.400
<v Speaker 1>that have one of the hardest videos too. Shout out

0:25:04.400 --> 0:25:06.720
<v Speaker 1>to Kaski too, who's getting married in a couple of days.

0:25:06.760 --> 0:25:09.240
<v Speaker 1>And I can't fucking make it too, is what. I'm sorry.

0:25:09.480 --> 0:25:11.680
<v Speaker 1>I'm sorry, dog, I'm sorry I cannot make it to you.

0:25:12.000 --> 0:25:12.520
<v Speaker 1>He's one of the.

0:25:12.440 --> 0:25:16.440
<v Speaker 3>Best, very underrated somehow, but just murdering it, building this

0:25:16.560 --> 0:25:17.560
<v Speaker 3>fan base still.

0:25:18.560 --> 0:25:22.400
<v Speaker 1>I that's a that's a that's that whole underrated thing

0:25:22.560 --> 0:25:25.679
<v Speaker 1>is like such a mystery. I like, I don't know

0:25:25.720 --> 0:25:32.119
<v Speaker 1>how well okay, so and in the same sense, like

0:25:32.440 --> 0:25:38.320
<v Speaker 1>even myself. You know, I met an artist named Cordel

0:25:38.640 --> 0:25:42.920
<v Speaker 1>with DJ Paul the other day. This guy get did

0:25:43.000 --> 0:25:47.679
<v Speaker 1>two billion streams just last year, and I had no clue.

0:25:48.000 --> 0:25:50.120
<v Speaker 2>I had never heard of him, never met him.

0:25:50.200 --> 0:25:52.960
<v Speaker 1>What kind of music does he do? It's like festival

0:25:53.200 --> 0:25:57.160
<v Speaker 1>like dark know, it's they call it funk, they call

0:25:57.240 --> 0:26:03.080
<v Speaker 1>it funky. Yeah, like they call that rat. But he

0:26:03.160 --> 0:26:06.479
<v Speaker 1>took over that ship and you know, and we hit

0:26:06.520 --> 0:26:09.080
<v Speaker 1>it up. We're homies. But I'm just like, you can

0:26:09.160 --> 0:26:12.960
<v Speaker 1>you can like have these like like your parameters don't

0:26:12.960 --> 0:26:14.440
<v Speaker 1>make like it doesn't line up with it, and you

0:26:14.480 --> 0:26:17.880
<v Speaker 1>can have a whole solar system and no one knows,

0:26:18.320 --> 0:26:20.160
<v Speaker 1>like people like you wouldn't believe.

0:26:20.200 --> 0:26:24.280
<v Speaker 2>Like a dude walks up to me like two days ago, like, oh.

0:26:24.160 --> 0:26:27.440
<v Speaker 1>Shit, yellow Wolf, what what dude? What I'm what? You

0:26:27.840 --> 0:26:29.720
<v Speaker 1>still making music? Like?

0:26:30.040 --> 0:26:31.680
<v Speaker 2>Man, I heard from you since Pop the Chunk.

0:26:31.720 --> 0:26:34.280
<v Speaker 1>I was like dog, you you you checked out. I

0:26:34.280 --> 0:26:37.240
<v Speaker 1>didn't check out. You tapped into some other ship. I've

0:26:37.240 --> 0:26:39.080
<v Speaker 1>been tapped in on my ship, you know, Like I

0:26:39.119 --> 0:26:42.520
<v Speaker 1>was like Dog. Since then, I've done like fifteen albums.

0:26:42.520 --> 0:26:44.119
<v Speaker 1>I don't know where you've been. But then I have

0:26:44.160 --> 0:26:47.639
<v Speaker 1>a gold album and multi platinum bro actually today like

0:26:48.320 --> 0:26:53.000
<v Speaker 1>multi platinum records and you know, a fucking a whiskey

0:26:53.040 --> 0:26:57.919
<v Speaker 1>company of fucking clothing and apparel brand, a fucking just

0:26:58.280 --> 0:27:00.360
<v Speaker 1>all kinds of shit's going on, and you know, but

0:27:00.359 --> 0:27:04.600
<v Speaker 1>it's just like you know, no, you can just exist, man. Well,

0:27:04.760 --> 0:27:07.920
<v Speaker 1>I always because I went to Utah and interviewed the

0:27:08.080 --> 0:27:12.200
<v Speaker 1>NBA Young Boy and I did a show with him

0:27:12.200 --> 0:27:15.280
<v Speaker 1>in New Zealand. Oh that's great, it's random him and CEO.

0:27:15.440 --> 0:27:19.360
<v Speaker 1>It was me and him and Cuevo Fire. Yeah, they

0:27:19.400 --> 0:27:21.520
<v Speaker 1>were dope, Like, both of them are great, but the

0:27:21.680 --> 0:27:26.359
<v Speaker 1>actual festival and the whole way random they did not have.

0:27:26.560 --> 0:27:29.439
<v Speaker 1>I flew out there with Tea pain. I was getting

0:27:29.440 --> 0:27:35.240
<v Speaker 1>more random paint. Well that's the homie first of all.

0:27:35.280 --> 0:27:39.399
<v Speaker 1>Oh he's the best, he's great. Uh got knights with

0:27:39.440 --> 0:27:43.840
<v Speaker 1>that guy? Yeah, me too? Uh uh? I love his wife.

0:27:43.880 --> 0:27:47.080
<v Speaker 1>Two shots. His wife's wife's great. Of course she's She's

0:27:47.119 --> 0:27:50.280
<v Speaker 1>from Gadsden, Alabama, my hometown.

0:27:50.320 --> 0:27:52.800
<v Speaker 3>I feel like her and I discussed that, but for real,

0:27:52.880 --> 0:27:54.720
<v Speaker 3>I think so because I think she had some sort

0:27:54.720 --> 0:27:56.600
<v Speaker 3>of road tide shit going on and I was like, oh,

0:27:56.600 --> 0:27:59.080
<v Speaker 3>you're from Alabama and she said, you're one of my

0:27:59.119 --> 0:28:00.359
<v Speaker 3>only Alabama references.

0:28:00.359 --> 0:28:02.520
<v Speaker 1>Obviously it's blown up a lot more. There's a lot more.

0:28:02.480 --> 0:28:06.120
<v Speaker 3>Popping artists from Alabama now, you know. But like I'm

0:28:06.119 --> 0:28:07.840
<v Speaker 3>always like, yo, where is that? How close is that

0:28:07.880 --> 0:28:09.680
<v Speaker 3>to Gadson? And they're like, how do you know about Gatsa?

0:28:09.720 --> 0:28:11.159
<v Speaker 3>Like Yellowolf from Gadson.

0:28:12.400 --> 0:28:14.560
<v Speaker 1>Beyonce is from Guys and I heard I know her.

0:28:15.320 --> 0:28:18.840
<v Speaker 1>Most of her family is still there, the Knowles family.

0:28:19.520 --> 0:28:22.720
<v Speaker 1>Are you all hip to? Like the young I know

0:28:22.800 --> 0:28:25.479
<v Speaker 1>streets of that Alabama got roots and gas. And let

0:28:25.520 --> 0:28:27.600
<v Speaker 1>me be clear. I know I know she wraps Texas,

0:28:27.600 --> 0:28:28.600
<v Speaker 1>but do you pay attention?

0:28:28.640 --> 0:28:30.919
<v Speaker 3>Like there's a kid named No Cap who's going crazy,

0:28:30.920 --> 0:28:34.679
<v Speaker 3>but he's like sign a little baby, super young street rapper,

0:28:34.720 --> 0:28:37.680
<v Speaker 3>but he's fucking litt He's from Alabama like some blues dope.

0:28:37.720 --> 0:28:40.840
<v Speaker 1>He's from US. He's from alabam. Alabama's having a wave man.

0:28:40.800 --> 0:28:42.360
<v Speaker 2>Alabama RECTI Peace dough b.

0:28:42.800 --> 0:28:47.120
<v Speaker 1>Yeah. Absolutely. Wasn't there a group called Dirty? Oh yeah, Dirty? Yeah?

0:28:47.160 --> 0:28:50.640
<v Speaker 1>Of course a group called Dirty were they wasn't it

0:28:51.360 --> 0:28:54.719
<v Speaker 1>Pop the Trunk? And there were were? There? Were they

0:28:54.760 --> 0:28:57.640
<v Speaker 1>on rap a lot? I don't know they might have been.

0:28:57.720 --> 0:28:58.760
<v Speaker 2>I don't you know what.

0:28:58.800 --> 0:29:01.880
<v Speaker 1>I don't really nerd out like that, you know, like

0:29:01.920 --> 0:29:04.160
<v Speaker 1>I said, I'm just I'm so hyper focused on the

0:29:04.200 --> 0:29:07.080
<v Speaker 1>ship that I do the next yeah.

0:29:06.440 --> 0:29:08.040
<v Speaker 2>Or just what I'm doing at the time.

0:29:08.120 --> 0:29:10.720
<v Speaker 1>You know, I don't have the bandwidth to study everything

0:29:10.720 --> 0:29:13.600
<v Speaker 1>that's happening. There's so fucking much and there's always something

0:29:13.640 --> 0:29:17.360
<v Speaker 1>new to discover and a lot of fucking talent. Man. Honestly,

0:29:17.520 --> 0:29:20.880
<v Speaker 1>the young the younger generation is killing it. In my opinion.

0:29:21.040 --> 0:29:22.840
<v Speaker 1>I love what's coming up. You know, there's a lot

0:29:22.840 --> 0:29:25.360
<v Speaker 1>of trash, of course, but there's a lot of inspiration

0:29:25.440 --> 0:29:28.760
<v Speaker 1>as well. For you.

0:29:29.640 --> 0:29:31.920
<v Speaker 3>We talked about Jelly a little bit, but just to

0:29:31.960 --> 0:29:34.720
<v Speaker 3>see I really gotta want to you know. You you've

0:29:34.760 --> 0:29:37.040
<v Speaker 3>been a guy who's been championing Jelly roll for it

0:29:37.080 --> 0:29:40.440
<v Speaker 3>for years and years and years from the grit and uh,

0:29:40.880 --> 0:29:43.440
<v Speaker 3>you know, he's always.

0:29:43.160 --> 0:29:44.880
<v Speaker 1>With He's one of the first crew members with this

0:29:44.880 --> 0:29:47.040
<v Speaker 1>SLA American tattoo, you know what I mean, Like that

0:29:47.040 --> 0:29:50.280
<v Speaker 1>that I took Jelly on tour with me and you know,

0:29:50.480 --> 0:29:53.320
<v Speaker 1>like put him in the studio and produce one of

0:29:53.320 --> 0:29:55.320
<v Speaker 1>his first singer songwriter songs, you know what I mean,

0:29:55.360 --> 0:29:58.480
<v Speaker 1>Like during when I was making a Ghetto Cowboy and

0:29:59.280 --> 0:30:02.080
<v Speaker 1>a Trial by Fire, when when Struggle just got out

0:30:02.080 --> 0:30:06.880
<v Speaker 1>of prison, had you know, Struggles still out of halfway house,

0:30:06.920 --> 0:30:09.640
<v Speaker 1>when I was pulling pulling them into the studio and

0:30:09.680 --> 0:30:13.680
<v Speaker 1>working and then uh waiting and Willie, which I think

0:30:13.680 --> 0:30:15.720
<v Speaker 1>they've done four of them now, but the first one

0:30:15.960 --> 0:30:20.360
<v Speaker 1>first was with us, you know. Yeah, And but you know,

0:30:20.440 --> 0:30:23.760
<v Speaker 1>to see to see it, he's just so incredibly smart man,

0:30:24.040 --> 0:30:29.040
<v Speaker 1>like blows my mind. I call him the Governor, Like, dude,

0:30:29.040 --> 0:30:30.240
<v Speaker 1>you're the governor he'll walk in.

0:30:30.320 --> 0:30:32.120
<v Speaker 2>He remembers everyone's.

0:30:31.720 --> 0:30:35.960
<v Speaker 1>Name, always eye contact, always everyone's name. How's your mom?

0:30:36.000 --> 0:30:40.160
<v Speaker 1>He remember mom's name, kids names, birthdays. He's like a

0:30:40.200 --> 0:30:43.640
<v Speaker 1>savant with that ship. And he's so pleasant to be around.

0:30:43.680 --> 0:30:47.120
<v Speaker 1>And I'm just happy that people are getting to experience that,

0:30:47.200 --> 0:30:49.960
<v Speaker 1>you know what I mean, Like he's always been that,

0:30:50.000 --> 0:30:52.840
<v Speaker 1>and he's always been the name hustling too though, Like sure,

0:30:52.840 --> 0:30:55.040
<v Speaker 1>but don't get it fucked up. He's tough, tough as nails,

0:30:55.080 --> 0:30:55.640
<v Speaker 1>you know what I mean.

0:30:55.720 --> 0:30:57.560
<v Speaker 2>And so but.

0:30:57.560 --> 0:30:59.200
<v Speaker 3>He hasn't changed, like people are like, yo, this guy

0:30:59.280 --> 0:31:01.600
<v Speaker 3>Jelly's so great, Like his interviewsers like that's how he's

0:31:01.600 --> 0:31:02.200
<v Speaker 3>always finished.

0:31:02.240 --> 0:31:03.520
<v Speaker 1>Well, I'm not going to say. I'm not going to

0:31:03.560 --> 0:31:06.800
<v Speaker 1>say he hasn't changed, but he has evolved into a

0:31:07.040 --> 0:31:10.040
<v Speaker 1>better version of himself, you know, Like the game is

0:31:10.080 --> 0:31:15.480
<v Speaker 1>fucking hard, man, and when you're when you're down, you

0:31:15.560 --> 0:31:19.000
<v Speaker 1>tend to be you gotta chip on your shoulder, you

0:31:19.040 --> 0:31:21.480
<v Speaker 1>know what I mean. And when things start to evolve,

0:31:21.640 --> 0:31:24.640
<v Speaker 1>it lightens up that weight that that you have been

0:31:24.680 --> 0:31:27.560
<v Speaker 1>carrying for so long, and it allows you to be

0:31:27.760 --> 0:31:31.080
<v Speaker 1>cool or you know what I mean. And so that

0:31:31.280 --> 0:31:33.480
<v Speaker 1>for him, I'm happy. I'm happy for him that he

0:31:33.600 --> 0:31:36.920
<v Speaker 1>is going to relieve Congress. He's relieved of the burden

0:31:36.960 --> 0:31:41.640
<v Speaker 1>of getting known. Now it's a rap. Now he gets

0:31:41.680 --> 0:31:45.200
<v Speaker 1>to like sit back, make more music, you know.

0:31:45.440 --> 0:31:48.160
<v Speaker 3>I mean when I tell people like he's been an

0:31:48.280 --> 0:31:51.440
<v Speaker 3>underground rapper for years, like this guy was opening for

0:31:51.560 --> 0:31:53.760
<v Speaker 3>Insane Clown Posse like nine years ago.

0:31:53.800 --> 0:31:56.360
<v Speaker 1>Like people don't get it, like ship me too, fucking

0:31:56.720 --> 0:32:00.840
<v Speaker 1>woo woo. They're coming here tonight, the coming here. I'm

0:32:00.840 --> 0:32:02.080
<v Speaker 1>interviewing them at ten pm. Two.

0:32:02.120 --> 0:32:02.560
<v Speaker 2>Let's go.

0:32:03.600 --> 0:32:04.800
<v Speaker 1>It's gonna be good. Dude.

0:32:04.880 --> 0:32:05.360
<v Speaker 2>It last time.

0:32:05.360 --> 0:32:07.960
<v Speaker 1>I look, I did that festival. Yeah, I guess that

0:32:08.760 --> 0:32:12.280
<v Speaker 1>the last the last time. What was I like, Well,

0:32:12.480 --> 0:32:16.120
<v Speaker 1>the first time, the first show I went to, they

0:32:16.120 --> 0:32:18.640
<v Speaker 1>started throwing fireworks on stage and I heard that, like

0:32:19.240 --> 0:32:22.000
<v Speaker 1>you know, they were like rowdy. I've heard that. I've

0:32:22.000 --> 0:32:23.440
<v Speaker 1>seen it, yeah, and I was like, fuck it, I'm

0:32:23.440 --> 0:32:26.840
<v Speaker 1>about that life. And I was with Shady at the time.

0:32:26.920 --> 0:32:29.400
<v Speaker 1>So when I walked on stage, I said, Shady records

0:32:29.400 --> 0:32:34.400
<v Speaker 1>in this motherfucker and I knew but like purposeful that show, yeah, exactly,

0:32:34.520 --> 0:32:36.960
<v Speaker 1>because I knew the beef You're like throw shit at me.

0:32:37.400 --> 0:32:37.840
<v Speaker 1>I'm here.

0:32:37.960 --> 0:32:38.640
<v Speaker 2>I knew the beef.

0:32:39.120 --> 0:32:45.280
<v Speaker 1>They're like boo, start throwing fireworks on stage and.

0:32:46.040 --> 0:32:49.000
<v Speaker 2>I said, I said, I said, whoo whoop, let's go.

0:32:49.680 --> 0:32:52.040
<v Speaker 1>And they loved it. It was like it was like

0:32:52.160 --> 0:32:54.400
<v Speaker 1>instant family, you know what I mean. I didn't say

0:32:54.440 --> 0:32:58.080
<v Speaker 1>that to say fuck y'all. I said that to say

0:32:59.400 --> 0:33:02.320
<v Speaker 1>I'm not scared, you know what I mean? Respect me here.

0:33:02.640 --> 0:33:05.360
<v Speaker 1>I made a fucking party. So they started throwing the

0:33:05.360 --> 0:33:09.560
<v Speaker 1>fucking fireworks on stage, and then somebody threw like a

0:33:09.600 --> 0:33:13.400
<v Speaker 1>pile of those fucking black cat firecrackers and it just

0:33:13.440 --> 0:33:18.120
<v Speaker 1>so happened right during the line, stood on top of them,

0:33:18.280 --> 0:33:20.080
<v Speaker 1>jump on like a pack is standing to get back

0:33:20.080 --> 0:33:21.520
<v Speaker 1>in the back and live with the pack of man ex.

0:33:21.520 --> 0:33:23.239
<v Speaker 1>I just went off on this fucking tangent and they

0:33:23.240 --> 0:33:28.280
<v Speaker 1>were going like fireworks and the fucking like and they

0:33:28.280 --> 0:33:31.640
<v Speaker 1>were like family family.

0:33:32.160 --> 0:33:33.120
<v Speaker 2>It was a rap after that.

0:33:33.360 --> 0:33:35.240
<v Speaker 1>So I fell in love with their squad and the

0:33:35.360 --> 0:33:38.440
<v Speaker 1>fans that they're the best man's the best people out there. Honestly,

0:33:38.640 --> 0:33:42.160
<v Speaker 1>I heard that the festival's wild placement. No okay, so

0:33:42.240 --> 0:33:44.520
<v Speaker 1>it got rowdier now they knew I was about it.

0:33:44.600 --> 0:33:50.360
<v Speaker 1>So the second time I went, they threw mortars. Mortars. Yeah,

0:33:50.400 --> 0:33:52.920
<v Speaker 1>that can hurt No, no, no, no, it definitely could.

0:33:53.160 --> 0:33:55.240
<v Speaker 1>And then somebody fucking hit me in the face with

0:33:55.320 --> 0:34:00.400
<v Speaker 1>a bottle rocket. Luckily I had shades on, but I

0:34:00.520 --> 0:34:02.720
<v Speaker 1>was like, fuck it, let's go. I never stopped, and

0:34:02.840 --> 0:34:06.680
<v Speaker 1>then this last time I went last, I'd have been

0:34:06.720 --> 0:34:10.400
<v Speaker 1>done after that. Oh listen, gonna shoot me next time? No?

0:34:10.440 --> 0:34:14.279
<v Speaker 2>No, no, no, okay they did, they did.

0:34:14.960 --> 0:34:19.480
<v Speaker 1>Okay, So so I walked out on stage, and I

0:34:19.560 --> 0:34:24.840
<v Speaker 1>guess at this point they're like, how rowdy can we

0:34:25.040 --> 0:34:28.239
<v Speaker 1>get during a Wolf set? You know, I'm not saying

0:34:28.280 --> 0:34:30.120
<v Speaker 1>they wanted to hurt me. It wasn't like that. That's

0:34:30.200 --> 0:34:32.680
<v Speaker 1>just their way of showing love, and like that's just

0:34:32.840 --> 0:34:35.520
<v Speaker 1>what they do. I guess it's like old school, like oh,

0:34:35.680 --> 0:34:39.160
<v Speaker 1>like like Western. They used to you know, they like

0:34:39.280 --> 0:34:41.880
<v Speaker 1>chicken wire around the stage and they would throw bottles

0:34:41.920 --> 0:34:43.279
<v Speaker 1>and beers when they loved the band.

0:34:43.320 --> 0:34:45.759
<v Speaker 2>They were just like that's just how they represent So

0:34:46.360 --> 0:34:47.520
<v Speaker 2>walking on stage.

0:34:47.520 --> 0:34:52.040
<v Speaker 1>Chicken wings, fucking hot dogs, and all of a sudden,

0:34:52.160 --> 0:34:54.440
<v Speaker 1>I feel like I'm getting stung by bees, like all

0:34:54.520 --> 0:34:59.480
<v Speaker 1>over my body, but I'm not moving. And then it

0:34:59.520 --> 0:35:02.160
<v Speaker 1>started to fucking like I need to move left and

0:35:02.239 --> 0:35:05.960
<v Speaker 1>right because something's they've they've sent I don't know what

0:35:06.040 --> 0:35:06.880
<v Speaker 1>the fuck was happening.

0:35:07.040 --> 0:35:11.280
<v Speaker 2>It was dark, but it was so come to find.

0:35:11.600 --> 0:35:14.520
<v Speaker 1>There was like three people out there with those automatic

0:35:14.680 --> 0:35:19.880
<v Speaker 1>fucking uh pellet guns that shoot plastic, and they were

0:35:19.960 --> 0:35:25.560
<v Speaker 1>like lighting me up, just the whole my whole set,

0:35:27.640 --> 0:35:31.840
<v Speaker 1>just fucking just fucking me up. But I survived. So

0:35:32.800 --> 0:35:36.600
<v Speaker 1>there's that. They got that, Like the drug Bridge family,

0:35:38.520 --> 0:35:41.840
<v Speaker 1>they're like, fuck you yo. So before the show, I

0:35:42.320 --> 0:35:46.040
<v Speaker 1>was I was talking to what's homie's name, Shaggy you

0:35:46.360 --> 0:35:47.200
<v Speaker 1>violent Jol.

0:35:48.160 --> 0:35:49.000
<v Speaker 2>I was talking to viol j.

0:35:49.120 --> 0:35:52.120
<v Speaker 1>I was like, I was like, hey man, you know

0:35:52.239 --> 0:35:54.960
<v Speaker 1>last time they threw mortars on stage. You know, I'm

0:35:55.000 --> 0:35:56.600
<v Speaker 1>not sure what's going to happen tonight, but you know,

0:35:56.680 --> 0:36:00.200
<v Speaker 1>if it gets too crazy, you think you could come

0:36:00.239 --> 0:36:02.040
<v Speaker 1>out there and like make sure they don't like kill

0:36:02.120 --> 0:36:02.600
<v Speaker 1>me or something.

0:36:03.280 --> 0:36:08.279
<v Speaker 6>He was like, bro, honestly, it'll probably get worse if

0:36:08.320 --> 0:36:11.000
<v Speaker 6>I step out there and say something like you can't

0:36:11.040 --> 0:36:12.640
<v Speaker 6>tell them to calm down. I was like, you're right,

0:36:12.719 --> 0:36:15.080
<v Speaker 6>you're right, you're right, all right, fuck it, here we go.

0:36:15.719 --> 0:36:20.000
<v Speaker 1>And so that was that. I was all fucking fucked up.

0:36:20.080 --> 0:36:22.480
<v Speaker 1>Looked like I got hit with ants all over my body.

0:36:22.680 --> 0:36:23.520
<v Speaker 1>Oh my god.

0:36:24.360 --> 0:36:29.040
<v Speaker 3>Yeah, that's shout out to uh to the Juggalos. They're

0:36:29.080 --> 0:36:32.360
<v Speaker 3>an interesting uh group of humans there.

0:36:32.840 --> 0:36:35.160
<v Speaker 2>Some artists got fucked up up out there, though, man like.

0:36:35.320 --> 0:36:39.080
<v Speaker 3>Tila Tequila got fucked up for Tela Tequila was like

0:36:39.160 --> 0:36:41.880
<v Speaker 3>on stage and they just just bombed her with just

0:36:42.480 --> 0:36:45.840
<v Speaker 3>and I think somebody from I think od B and

0:36:45.960 --> 0:36:50.360
<v Speaker 3>I gonna talk too more about the detes ICP Man's

0:36:50.920 --> 0:36:51.440
<v Speaker 3>good guys.

0:36:51.640 --> 0:36:53.000
<v Speaker 1>Good guys, I mean.

0:36:53.320 --> 0:36:55.000
<v Speaker 2>Yeah, yeah, absolutely, they're good guys.

0:36:55.040 --> 0:36:57.200
<v Speaker 1>You know what I mean. They fucking they pay attention,

0:36:57.440 --> 0:37:00.480
<v Speaker 1>you know, and they showed love and support. I mean,

0:37:01.080 --> 0:37:05.600
<v Speaker 1>they've built an amazing following. Those dudes are brilliant, to

0:37:05.719 --> 0:37:07.399
<v Speaker 1>be honest, like brilliant business guys.

0:37:10.280 --> 0:37:15.480
<v Speaker 3>You have had a crazy since you got off of Shady.

0:37:15.719 --> 0:37:18.000
<v Speaker 3>I feel like, well, a good thing that happened was

0:37:18.040 --> 0:37:20.799
<v Speaker 3>Trunk Music too almost immediately went up on DSPs, which

0:37:20.880 --> 0:37:22.880
<v Speaker 3>was fucking amazing because that's actually my favorite one, that's

0:37:22.920 --> 0:37:23.919
<v Speaker 3>my favorite project of yours.

0:37:25.560 --> 0:37:31.239
<v Speaker 1>But Trump music too, Yes, what's the fucking second truck music? No,

0:37:31.360 --> 0:37:36.920
<v Speaker 1>I know what I'm just trying to figure out. Yeah, oh, Tennessee,

0:37:37.200 --> 0:37:39.800
<v Speaker 1>first that was on that for the first time, I

0:37:39.880 --> 0:37:40.600
<v Speaker 1>forget which.

0:37:40.480 --> 0:37:42.480
<v Speaker 2>One is one, which one's whatever.

0:37:43.200 --> 0:37:46.000
<v Speaker 1>I DJ the fucking release party in South Boy. You

0:37:46.080 --> 0:37:48.960
<v Speaker 1>were fucking blackout well, of course, and I had a

0:37:49.040 --> 0:37:51.960
<v Speaker 1>beard and a gold grill. Yes you did, Yes you did.

0:37:52.200 --> 0:37:54.880
<v Speaker 1>Uh Boo was tripping out rest in peace. She's like,

0:37:55.000 --> 0:37:57.520
<v Speaker 1>you got a grill and a beard. I'm surprised everybody

0:37:57.560 --> 0:38:00.239
<v Speaker 1>I saw who would I see who?

0:38:00.440 --> 0:38:05.440
<v Speaker 2>Uh uh djuh Drama.

0:38:06.120 --> 0:38:08.839
<v Speaker 1>Saw Drama on the plane on the way to south

0:38:08.880 --> 0:38:11.200
<v Speaker 1>By Southwest and I was sitting next to him in

0:38:11.280 --> 0:38:15.920
<v Speaker 1>first class. He was like, he's like, yo, yellow Wolf.

0:38:16.080 --> 0:38:18.080
<v Speaker 1>I was like, I was like, yeah, dog had a

0:38:18.120 --> 0:38:20.320
<v Speaker 1>fucking big period and a gold grill. He's like, I

0:38:20.400 --> 0:38:22.799
<v Speaker 1>was like, what, It's just a beard. He goes, nah, man,

0:38:22.840 --> 0:38:26.440
<v Speaker 1>it's a lot. That's a lot.

0:38:26.800 --> 0:38:27.759
<v Speaker 2>Nah Man, that's a lot.

0:38:28.880 --> 0:38:31.200
<v Speaker 1>Don't just call the beard. But I showed up at

0:38:31.200 --> 0:38:33.120
<v Speaker 1>south By Southwest that hey man, thank you by the

0:38:33.120 --> 0:38:34.800
<v Speaker 1>way for fucking supporting that record.

0:38:34.840 --> 0:38:37.080
<v Speaker 3>And No, it's been crazy though, just to see like

0:38:37.360 --> 0:38:40.680
<v Speaker 3>your output has been so awesome in terms of just

0:38:40.760 --> 0:38:43.600
<v Speaker 3>from a fan's perspective, because I feel like when you

0:38:43.719 --> 0:38:47.640
<v Speaker 3>were on Innerscope and Shady, we knew like if you

0:38:47.719 --> 0:38:48.719
<v Speaker 3>dropped music.

0:38:49.000 --> 0:38:50.880
<v Speaker 1>You'd be in a few years, you know, we get

0:38:50.960 --> 0:38:51.359
<v Speaker 1>something new.

0:38:51.719 --> 0:38:53.560
<v Speaker 3>But now it's like like you said, you had a

0:38:53.600 --> 0:38:55.680
<v Speaker 3>month thre you dropped an album every week. You might say,

0:38:55.760 --> 0:38:57.840
<v Speaker 3>fuck it, I want to go. Do you know an

0:38:57.880 --> 0:38:59.400
<v Speaker 3>album with CASKI or a rock album.

0:38:59.560 --> 0:39:01.480
<v Speaker 1>I do it the fu I want to do when

0:39:01.560 --> 0:39:03.279
<v Speaker 1>I want to do it. The other problem at that

0:39:03.480 --> 0:39:05.560
<v Speaker 1>with you know, just to add a conversation, like the

0:39:05.640 --> 0:39:09.160
<v Speaker 1>reason why artists get caught up at labels is because, yeah,

0:39:09.160 --> 0:39:11.960
<v Speaker 1>I got an album, it's prime, it's mixed, mastered, everything's

0:39:11.960 --> 0:39:13.640
<v Speaker 1>ready to go, got the whole world out planning going.

0:39:13.760 --> 0:39:18.560
<v Speaker 1>But hey, guess what, Kendrick Lamar's dropping on Fridays, so

0:39:19.200 --> 0:39:21.120
<v Speaker 1>we gotta wait. You cannot you know what I mean

0:39:21.200 --> 0:39:23.680
<v Speaker 1>type of deal where it's like now it's like fucking

0:39:23.760 --> 0:39:26.520
<v Speaker 1>drop that ship whenever, you know. And I love that,

0:39:26.680 --> 0:39:29.520
<v Speaker 1>and I know the fans appreciate it because, like you know,

0:39:29.880 --> 0:39:33.359
<v Speaker 1>and also this freestyles. Freestyles are fucking fun as fuck.

0:39:33.440 --> 0:39:36.319
<v Speaker 1>You know, just fucking record record them day of put

0:39:36.360 --> 0:39:39.120
<v Speaker 1>them out that night. You know, like it's that shit

0:39:39.239 --> 0:39:43.600
<v Speaker 1>is so much fun, and it just keeps the mojo flowing. Man,

0:39:43.640 --> 0:39:47.440
<v Speaker 1>And I'm excited about worst story Oh my god, this

0:39:47.600 --> 0:39:52.000
<v Speaker 1>double album. I'm excited. Oh my god. Dude, I've always

0:39:52.040 --> 0:39:53.800
<v Speaker 1>told you, by the way, and whenever you want to

0:39:53.840 --> 0:39:55.640
<v Speaker 1>do this during this podcast, if you would like to,

0:39:56.760 --> 0:40:00.480
<v Speaker 1>You've always asked me, let me break something, let me

0:40:00.520 --> 0:40:01.960
<v Speaker 1>break a record, let me break a song.

0:40:03.560 --> 0:40:08.279
<v Speaker 2>So I've decided I'll let I'll let you.

0:40:09.840 --> 0:40:14.120
<v Speaker 1>I will. I will grant you that. Now I'll let

0:40:14.160 --> 0:40:15.960
<v Speaker 1>you take a pick. Actually, because we've been homies for

0:40:16.040 --> 0:40:19.239
<v Speaker 1>so long. Yeah, okay, I got five singles that are

0:40:19.280 --> 0:40:21.800
<v Speaker 1>gonna roll out all the way up until the album

0:40:21.840 --> 0:40:26.320
<v Speaker 1>coming out May May. Okay, so we got five singles

0:40:26.360 --> 0:40:28.439
<v Speaker 1>and five videos. We just put out everything with a video.

0:40:29.000 --> 0:40:32.680
<v Speaker 1>Fucking sick video, sick record. Thank you. The next that's

0:40:32.719 --> 0:40:35.600
<v Speaker 1>off of Trump Music Forever. The next single that's coming

0:40:35.640 --> 0:40:37.239
<v Speaker 1>out is off of the Michael Wayne album, so we're

0:40:37.280 --> 0:40:39.160
<v Speaker 1>kind of skipping back. That's the one I just listened to.

0:40:39.680 --> 0:40:42.719
<v Speaker 2>Yeah, yeah, listen to that is a Michael Wayne album.

0:40:43.000 --> 0:40:44.719
<v Speaker 1>No, I listened to the record though. The next record

0:40:44.760 --> 0:40:49.080
<v Speaker 1>that got the next record, get the fuck out of here? Yeah,

0:40:49.280 --> 0:40:51.600
<v Speaker 1>what is it? I just fucking heard it. It's vibe

0:40:51.600 --> 0:40:56.279
<v Speaker 1>as fuck. Who since you make you love Me? Yeah,

0:40:56.320 --> 0:40:58.759
<v Speaker 1>that's it. Right, Yeah, who the fuck? Since you make

0:40:58.840 --> 0:40:59.880
<v Speaker 1>you love me? Fucking rich?

0:41:00.080 --> 0:41:00.400
<v Speaker 4>You have it?

0:41:00.480 --> 0:41:00.600
<v Speaker 5>Bro?

0:41:01.200 --> 0:41:01.399
<v Speaker 4>Nah?

0:41:02.120 --> 0:41:03.719
<v Speaker 2>Who oh my publishers.

0:41:03.880 --> 0:41:06.239
<v Speaker 1>Yeah, dude, he's fucking leaking your shit. This guy, he's

0:41:06.280 --> 0:41:09.560
<v Speaker 1>leaking your ship. He sent you that record. I'm looking

0:41:09.560 --> 0:41:09.799
<v Speaker 1>at it her.

0:41:10.640 --> 0:41:11.520
<v Speaker 2>Hey, bro, we need to talk.

0:41:11.560 --> 0:41:14.799
<v Speaker 1>I got the clean edit, too clean edit. I don't

0:41:14.800 --> 0:41:17.360
<v Speaker 1>know you play clean edits have to Yeah, I'm on

0:41:17.480 --> 0:41:20.400
<v Speaker 1>the like you know, I'm all over the all right, Bro?

0:41:20.719 --> 0:41:23.960
<v Speaker 1>I like that record. I'll play you whatever you want.

0:41:25.080 --> 0:41:26.600
<v Speaker 1>We did do a freestyle. Remember we did that Wu

0:41:26.640 --> 0:41:29.000
<v Speaker 1>Tang freestyle we recorded at money Mar's house. I'll play you,

0:41:29.400 --> 0:41:31.640
<v Speaker 1>I'll play you, make you love me, I'll play you. Uh,

0:41:32.560 --> 0:41:34.839
<v Speaker 1>I'll play you anything you want off the records. Matter

0:41:34.880 --> 0:41:39.719
<v Speaker 1>of fact, I had thought, fuck it, I'll send the

0:41:39.719 --> 0:41:42.040
<v Speaker 1>whole goddamn album. I like to listen to it for sure.

0:41:42.800 --> 0:41:44.160
<v Speaker 1>You can trust me. I'm not gonna leak it.

0:41:45.160 --> 0:41:47.040
<v Speaker 2>No, what I'm saying is leak it.

0:41:47.440 --> 0:41:48.680
<v Speaker 1>Oh you want me to leak it? Oh? I see

0:41:48.680 --> 0:41:52.160
<v Speaker 1>what we're doing. Okay, Yeah, yeah, I'm down. But let's

0:41:52.200 --> 0:41:55.479
<v Speaker 1>just start with the single and the singles done both.

0:41:55.600 --> 0:41:56.720
<v Speaker 1>Like I'm telling you whatever.

0:41:56.840 --> 0:42:00.359
<v Speaker 3>When I heard this everything record I'm telling you because

0:42:00.400 --> 0:42:02.719
<v Speaker 3>I saw you teasing it, but when I saw when

0:42:02.920 --> 0:42:04.480
<v Speaker 3>it finally because it dropped like two weeks ago.

0:42:04.560 --> 0:42:06.320
<v Speaker 1>Now it was the last Friday. I feel like it

0:42:06.440 --> 0:42:10.440
<v Speaker 1>just came out. Yeah, it's like on the sixteenth. That

0:42:10.600 --> 0:42:14.359
<v Speaker 1>dropped on the sixteenth. Thank you, amazing, amazing record man.

0:42:14.440 --> 0:42:17.200
<v Speaker 3>Shout out to Willpower. I'm excited to hear both sides.

0:42:17.239 --> 0:42:19.000
<v Speaker 3>So this is like a double disc if there were

0:42:19.040 --> 0:42:19.880
<v Speaker 3>discs still.

0:42:22.080 --> 0:42:26.520
<v Speaker 1>Disc well, I mean it's it's gonna be vinyl, So

0:42:26.560 --> 0:42:28.320
<v Speaker 1>you're gonna be able to do the vinyl like you

0:42:28.440 --> 0:42:30.279
<v Speaker 1>might even have four Vieah, you know, it's dope. This

0:42:30.440 --> 0:42:33.879
<v Speaker 1>is dope. I'm going to the actual vinyl press. I'm

0:42:33.960 --> 0:42:38.400
<v Speaker 1>going to pour my own wax Wow into into an

0:42:38.480 --> 0:42:41.960
<v Speaker 1>exclusive amount of We're obviously we're doing a lot of vinyl,

0:42:42.520 --> 0:42:46.239
<v Speaker 1>but there will be a certain number that I pour myself,

0:42:46.600 --> 0:42:49.600
<v Speaker 1>and they'll be numbered. Yeah, they'll be signed the number

0:42:49.680 --> 0:42:51.560
<v Speaker 1>that I've and we're gonna film it and all that shit,

0:42:51.640 --> 0:42:54.279
<v Speaker 1>And that's just for the fans and also something fucking

0:42:54.320 --> 0:42:56.320
<v Speaker 1>really cool. I've never been I've never done that before,

0:42:56.800 --> 0:42:58.759
<v Speaker 1>So I'm gonna I'm gonna pour and press my own

0:42:58.840 --> 0:43:00.759
<v Speaker 1>vinyl and I'm gonna make up. So I'm gonna do

0:43:00.800 --> 0:43:02.839
<v Speaker 1>some shit like mix mix up some colors and ship

0:43:02.920 --> 0:43:05.800
<v Speaker 1>make them like really super unique. Y. Yeah, put some

0:43:05.880 --> 0:43:07.520
<v Speaker 1>skips in there, a little skippies.

0:43:07.600 --> 0:43:09.680
<v Speaker 3>You know, it's crazy, Like it's got to feel good

0:43:09.719 --> 0:43:12.080
<v Speaker 3>all these years, for all these years later though, like

0:43:12.320 --> 0:43:15.000
<v Speaker 3>you know, we use that word underground and we're talking

0:43:15.320 --> 0:43:18.080
<v Speaker 3>or underrated. Rather we're talking about certain people. There could

0:43:18.080 --> 0:43:20.680
<v Speaker 3>be a whole solar system happened and people don't realize it, right,

0:43:20.760 --> 0:43:25.239
<v Speaker 3>But you have had this fan base that has just

0:43:25.440 --> 0:43:29.960
<v Speaker 3>like always supported like like like throughout whatever you're going through.

0:43:30.000 --> 0:43:32.520
<v Speaker 3>You have that core, that slum American fan base that

0:43:32.719 --> 0:43:36.600
<v Speaker 3>is just I mean, most artists would die to have

0:43:36.800 --> 0:43:40.280
<v Speaker 3>that level of dedication from a group of people.

0:43:40.120 --> 0:43:42.879
<v Speaker 1>That most artists would die to have it, But most

0:43:43.000 --> 0:43:45.200
<v Speaker 1>artists wouldn't put their life in jeopardy like I have

0:43:45.400 --> 0:43:47.640
<v Speaker 1>to eat it to earn it. Yeah, Like it's not

0:43:48.560 --> 0:43:51.400
<v Speaker 1>it's not. It's not an easy route, you know what

0:43:51.440 --> 0:43:58.160
<v Speaker 1>I mean, To build your own thing, it just takes

0:43:58.200 --> 0:44:00.279
<v Speaker 1>a lot of time and it takes a lot of

0:44:00.360 --> 0:44:02.640
<v Speaker 1>courage too, you know what I mean. And to dive

0:44:02.760 --> 0:44:07.120
<v Speaker 1>off away from the system and to curate in your

0:44:07.160 --> 0:44:13.960
<v Speaker 1>own way, your own thing. And so I'm extremely fortunate

0:44:14.640 --> 0:44:18.040
<v Speaker 1>to have fell into what, you know, what SLA American is,

0:44:18.160 --> 0:44:22.279
<v Speaker 1>and to create the word and the culture and the

0:44:22.360 --> 0:44:25.640
<v Speaker 1>idea behind it, and for people to understand it. You know,

0:44:25.760 --> 0:44:27.520
<v Speaker 1>at one point we had more people around the world

0:44:27.600 --> 0:44:31.480
<v Speaker 1>with SLA American tattoos before we even printed a shirt

0:44:31.640 --> 0:44:34.800
<v Speaker 1>that says American. It was that serious. People really understood

0:44:34.840 --> 0:44:39.799
<v Speaker 1>it all over the globe. And so now yeah, it's

0:44:40.080 --> 0:44:44.200
<v Speaker 1>we've it's become the umbrella of a lot of amazing things,

0:44:44.320 --> 0:44:47.799
<v Speaker 1>you know, and you know, multiple genres. I got people

0:44:47.920 --> 0:44:51.960
<v Speaker 1>coming in like younger, younger artists coming into to Nashville

0:44:52.080 --> 0:44:56.040
<v Speaker 1>and recording records on new talent. Got a lot of

0:44:56.040 --> 0:44:58.480
<v Speaker 1>stuff coming in twenty twenty four. Mant not just my

0:44:58.640 --> 0:45:02.840
<v Speaker 1>double album, but a new new artist, crazy artists like

0:45:03.120 --> 0:45:05.600
<v Speaker 1>you know, I don't co sign a bullshit like crazy artists,

0:45:07.239 --> 0:45:10.400
<v Speaker 1>Country music, hip hop, rock and roll, all of it,

0:45:10.560 --> 0:45:12.640
<v Speaker 1>all all the things that fall up under SLA American.

0:45:13.080 --> 0:45:18.000
<v Speaker 1>I've I'm not going to say found, but I would

0:45:18.000 --> 0:45:20.960
<v Speaker 1>say they have found me, and they have found a

0:45:21.120 --> 0:45:24.000
<v Speaker 1>space where they feel comfortable making music and and and

0:45:24.120 --> 0:45:26.759
<v Speaker 1>the right crew to put it out with because I

0:45:26.840 --> 0:45:28.920
<v Speaker 1>get it, you know, I really truly do get it.

0:45:29.719 --> 0:45:35.600
<v Speaker 1>And yeah it's dope fucking clothing and apparel brand popping.

0:45:35.719 --> 0:45:39.160
<v Speaker 1>I just brought in Manny to do a cutting soul

0:45:39.160 --> 0:45:42.640
<v Speaker 1>Slamaria is gonna have a fashion house, dog fashion house

0:45:42.680 --> 0:45:45.040
<v Speaker 1>and that like the like limited drug well you were

0:45:45.080 --> 0:45:48.880
<v Speaker 1>doing it's like the Bible belt or like this is

0:45:48.960 --> 0:45:51.000
<v Speaker 1>something that this is like, look, we've I've been crawling.

0:45:51.080 --> 0:45:53.439
<v Speaker 1>I still got my ball Mark jacket. Let's go bal Mart.

0:45:54.160 --> 0:45:59.239
<v Speaker 1>Shout out, shout out Stuart Walton, Walton family, some of

0:45:59.280 --> 0:46:03.439
<v Speaker 1>that o G some of that og famous Slamerican.

0:46:02.880 --> 0:46:04.440
<v Speaker 2>Shit, Country Fresh.

0:46:04.719 --> 0:46:07.440
<v Speaker 3>Travis Barker, I still got the white tea and it's

0:46:07.480 --> 0:46:09.759
<v Speaker 3>got you on it with the skeleton face.

0:46:10.120 --> 0:46:11.440
<v Speaker 1>Man. Can I say how much I love I just

0:46:11.480 --> 0:46:13.600
<v Speaker 1>want to say officially how much I love Travis Barker

0:46:13.680 --> 0:46:17.040
<v Speaker 1>and what he did for me, you know, being in

0:46:17.320 --> 0:46:21.719
<v Speaker 1>California and Los Angeles in particular that you know, that

0:46:21.840 --> 0:46:25.560
<v Speaker 1>dude changed my life, you know, like as a big brother,

0:46:25.960 --> 0:46:31.640
<v Speaker 1>especially during my time with Shady. He was he was

0:46:32.160 --> 0:46:33.839
<v Speaker 1>he had my sex man, you know what I mean,

0:46:33.960 --> 0:46:37.120
<v Speaker 1>like really really carried me around and showed me so

0:46:37.280 --> 0:46:40.520
<v Speaker 1>much not just about music and networking, but.

0:46:42.360 --> 0:46:45.600
<v Speaker 2>Business and owning your own thing.

0:46:46.200 --> 0:46:48.440
<v Speaker 1>So much of Slamerican, of how I built Some American

0:46:48.560 --> 0:46:51.479
<v Speaker 1>was inspired by watching how.

0:46:51.480 --> 0:46:52.040
<v Speaker 2>Travis did it.

0:46:52.120 --> 0:46:53.920
<v Speaker 1>And you watched it from up close. Man, I was

0:46:54.040 --> 0:46:57.160
<v Speaker 1>right there. I saw it, you know, as you know

0:46:57.880 --> 0:47:00.800
<v Speaker 1>when when mixed Maaster Mike Travis to myself and the

0:47:00.880 --> 0:47:05.279
<v Speaker 1>cool kids went out and opened for Nicki Minaj and

0:47:06.480 --> 0:47:09.600
<v Speaker 1>I think Rick Ross, Nicki Minaj, Rick Ross and Low

0:47:09.640 --> 0:47:13.440
<v Speaker 1>Wayne and we were the openers for the show. And

0:47:13.600 --> 0:47:15.040
<v Speaker 1>like we pull up to a city and the whole

0:47:15.080 --> 0:47:18.360
<v Speaker 1>city would be dumped. Every city would already be dumped

0:47:18.400 --> 0:47:21.320
<v Speaker 1>with famous famous everywhere stickers, wheat paste all over the

0:47:21.360 --> 0:47:21.959
<v Speaker 1>fucking city.

0:47:22.040 --> 0:47:26.560
<v Speaker 2>He had like sent his crew out to dump the

0:47:26.640 --> 0:47:28.480
<v Speaker 2>city and then when.

0:47:28.360 --> 0:47:30.320
<v Speaker 1>We showed up, it was already present, and you're like,

0:47:30.400 --> 0:47:32.600
<v Speaker 1>oh shit, it's just brilliant, you know what I mean.

0:47:32.680 --> 0:47:36.080
<v Speaker 1>And so yeah, he's just the famous era was like

0:47:36.120 --> 0:47:36.680
<v Speaker 1>a real era.

0:47:36.840 --> 0:47:37.000
<v Speaker 4>Man.

0:47:37.400 --> 0:47:37.600
<v Speaker 1>Yeah.

0:47:37.680 --> 0:47:39.880
<v Speaker 2>Now he started at dt l A, which is crazy.

0:47:40.440 --> 0:47:43.000
<v Speaker 1>Oh that's his ship, Yeah exactly, I know that. Yeah,

0:47:43.080 --> 0:47:44.759
<v Speaker 1>I think he probably likes that no one knows that

0:47:44.800 --> 0:47:47.839
<v Speaker 1>he's behind it. Well now they do, now they do. Uh?

0:47:48.640 --> 0:47:50.919
<v Speaker 1>You and I haven't talked. Well, we've talked, we've seen

0:47:50.960 --> 0:47:52.840
<v Speaker 1>each other. I hope I got my facts right on that.

0:47:53.080 --> 0:47:55.399
<v Speaker 3>I don't know me too. I guess we'll find out.

0:47:59.160 --> 0:48:02.279
<v Speaker 3>But I went to the Trunk Music three release party.

0:48:02.360 --> 0:48:05.720
<v Speaker 3>It was at a random shithole bar in Sherman Oaks.

0:48:07.320 --> 0:48:11.960
<v Speaker 3>MGK pulled up. It was a moment, Oh yeah, I remember,

0:48:12.480 --> 0:48:14.279
<v Speaker 3>that's that's a night I met Gangster bur on your bus.

0:48:16.200 --> 0:48:19.560
<v Speaker 1>I can't I don't know. I don't know what I

0:48:19.719 --> 0:48:23.560
<v Speaker 1>was thinking, honestly with that party. It was super small, dude. Roll.

0:48:23.640 --> 0:48:25.719
<v Speaker 1>I was like, if I'm gonna go to Oyster House,

0:48:25.800 --> 0:48:27.359
<v Speaker 1>if I'm going to La, I'm gonna do it at

0:48:27.360 --> 0:48:29.000
<v Speaker 1>a dive bar. At the time you're well, at the

0:48:29.040 --> 0:48:32.040
<v Speaker 1>time you're pushing your creek water. Yeah, I'm gonna go

0:48:32.120 --> 0:48:32.279
<v Speaker 1>do it.

0:48:32.320 --> 0:48:33.759
<v Speaker 2>I'm gonna do a dive bar.

0:48:34.160 --> 0:48:36.080
<v Speaker 1>Fucking l a thing.

0:48:37.920 --> 0:48:40.480
<v Speaker 2>You don't do that ship in Los Angeles. Man, It's

0:48:40.560 --> 0:48:41.200
<v Speaker 2>like it was wild.

0:48:41.480 --> 0:48:45.239
<v Speaker 1>They didn't. It's not. It's that's some Nashville shit, you

0:48:45.280 --> 0:48:47.439
<v Speaker 1>know what I'm saying. Like Consight's twenty twenty, I would

0:48:47.480 --> 0:48:49.480
<v Speaker 1>have taken it down at least to the Rainbow or

0:48:49.520 --> 0:48:51.600
<v Speaker 1>the Viper Room. Or somewhere somewhere else sunset, you know

0:48:51.640 --> 0:48:53.400
<v Speaker 1>what I mean. So well, I was gonna say, like

0:48:53.560 --> 0:48:56.839
<v Speaker 1>it was, it was such a big deal. GKA pulled

0:48:56.920 --> 0:48:59.920
<v Speaker 1>up like I was twenty nineteen, right, I was twenty nine.

0:49:00.080 --> 0:49:01.520
<v Speaker 1>Team that I'm dropped.

0:49:02.200 --> 0:49:04.880
<v Speaker 3>But up until that point, like for your fans and

0:49:05.040 --> 0:49:06.880
<v Speaker 3>his fans, like you guys shared so many fans, you

0:49:06.920 --> 0:49:10.120
<v Speaker 3>guys had this weird like few that wasn't really about much,

0:49:10.560 --> 0:49:12.680
<v Speaker 3>you know, Oh it was a gay the MGK thing. Well,

0:49:12.719 --> 0:49:14.120
<v Speaker 3>I was gonna say, can you walk us through how

0:49:14.120 --> 0:49:17.440
<v Speaker 3>you guys ever communicating and forward and all that for

0:49:17.520 --> 0:49:18.200
<v Speaker 3>the fans who don't know.

0:49:18.600 --> 0:49:23.200
<v Speaker 1>Yeah, well MGK was just coming up super young. You

0:49:23.280 --> 0:49:24.279
<v Speaker 1>called him out on my show.

0:49:24.600 --> 0:49:26.440
<v Speaker 2>Yeah, well, I mean, yeah, he was coming up. He's

0:49:26.480 --> 0:49:26.920
<v Speaker 2>super young.

0:49:27.040 --> 0:49:27.880
<v Speaker 1>Yeah do you remember that?

0:49:28.400 --> 0:49:29.920
<v Speaker 2>Yeah, yeah, I remember that.

0:49:30.719 --> 0:49:32.919
<v Speaker 1>But he was super young. And I was on Warped

0:49:32.960 --> 0:49:35.360
<v Speaker 1>tour at the time, and I was like, you know,

0:49:35.640 --> 0:49:39.600
<v Speaker 1>part of my stage performance has always been you know,

0:49:40.320 --> 0:49:43.879
<v Speaker 1>throwing water, crowdsurfing, mosh pitting, and he made some kind

0:49:43.920 --> 0:49:45.800
<v Speaker 1>of comment I believe at the time it's like nobody

0:49:45.880 --> 0:49:48.320
<v Speaker 1>needs to be crowdsurfing, moshpitting, throwing or whatever.

0:49:48.480 --> 0:49:49.479
<v Speaker 2>Then this is my shit.

0:49:49.600 --> 0:49:52.200
<v Speaker 1>You know. He trying to claim that. Well, yeah, he

0:49:52.320 --> 0:49:54.879
<v Speaker 1>was young, like you said, Yeah, yeah, he was young.

0:49:55.000 --> 0:49:58.520
<v Speaker 2>And he might not have even been talking about me

0:49:58.600 --> 0:49:59.200
<v Speaker 2>in particular.

0:49:59.320 --> 0:50:01.120
<v Speaker 1>I mean, he may be. It may be somebody else.

0:50:02.080 --> 0:50:04.040
<v Speaker 1>I say in particular a lot these days. It's a

0:50:04.080 --> 0:50:06.440
<v Speaker 1>good thing to say in particular. Yeah, I like it.

0:50:06.480 --> 0:50:07.800
<v Speaker 1>I'm gonna shake it. I'm not saying it for the

0:50:07.840 --> 0:50:09.640
<v Speaker 1>rest of the interview. I'm over it, all right. Well

0:50:10.640 --> 0:50:14.600
<v Speaker 1>so so he so he uh so he made a

0:50:14.640 --> 0:50:16.000
<v Speaker 1>comment and I made my thing.

0:50:16.040 --> 0:50:17.120
<v Speaker 4>I was like, yo, you know what.

0:50:17.280 --> 0:50:18.120
<v Speaker 2>I don't know what I said.

0:50:18.160 --> 0:50:21.239
<v Speaker 1>But he said, say my name, dog, He said, say

0:50:21.320 --> 0:50:23.960
<v Speaker 1>my name. It was like before Walter White said save

0:50:24.000 --> 0:50:26.600
<v Speaker 1>my name. You were in my interview, You're like, say

0:50:26.719 --> 0:50:31.799
<v Speaker 1>my name on a record. It was aggressive. I mean yeah,

0:50:31.880 --> 0:50:33.600
<v Speaker 1>I mean I was coming in hot man, you know,

0:50:33.680 --> 0:50:36.560
<v Speaker 1>I was fucking but you guys had this out it,

0:50:36.680 --> 0:50:38.680
<v Speaker 1>you know, I know this thing. And then yeah, So

0:50:38.920 --> 0:50:41.239
<v Speaker 1>I saw him at a trade show like about three

0:50:41.320 --> 0:50:43.439
<v Speaker 1>or four months later. I think it was SR trade

0:50:43.440 --> 0:50:45.759
<v Speaker 1>show actually, as a matter of fact, and uh and

0:50:45.960 --> 0:50:49.359
<v Speaker 1>in LA and I walked up to him.

0:50:50.000 --> 0:50:52.120
<v Speaker 2>I was like, damn, this fool is tall. Tall for

0:50:52.320 --> 0:50:54.319
<v Speaker 2>for sure, and I was like, he was like, yo,

0:50:54.400 --> 0:50:56.000
<v Speaker 2>can we That's the first thing I noticed.

0:50:56.040 --> 0:50:58.440
<v Speaker 1>I like, damn, I'm goin to box this tall asthma,

0:50:58.840 --> 0:51:01.880
<v Speaker 1>Like this is not gonna be go well or is

0:51:01.920 --> 0:51:03.719
<v Speaker 1>it either gonna go really good for me or really

0:51:03.760 --> 0:51:06.880
<v Speaker 1>bad for me? But okay, and so we're gonna I

0:51:07.040 --> 0:51:09.120
<v Speaker 1>just walked up and I was like, I was like, yeoh,

0:51:09.160 --> 0:51:10.680
<v Speaker 1>what up. He was like, hey, man, can we talk?

0:51:11.040 --> 0:51:11.640
<v Speaker 1>I was like yeah.

0:51:13.120 --> 0:51:17.040
<v Speaker 2>And then he was you know, he apologized. I apologize.

0:51:17.080 --> 0:51:17.440
<v Speaker 1>That was it.

0:51:17.800 --> 0:51:19.200
<v Speaker 2>There was nothing else to say, and.

0:51:20.600 --> 0:51:23.319
<v Speaker 1>Time went by. We never did a at that time.

0:51:23.400 --> 0:51:25.239
<v Speaker 1>I was like, man, you know, like honestly, let's just

0:51:25.280 --> 0:51:27.319
<v Speaker 1>do a record, you know, and just squashed this whole

0:51:27.360 --> 0:51:30.040
<v Speaker 1>ship because like my fans were acting stupid for sure,

0:51:30.200 --> 0:51:33.840
<v Speaker 1>real stupid, like putting Slamerican banners on the side of

0:51:33.920 --> 0:51:36.280
<v Speaker 1>his bus and doing dumb shit, you know, taking selfies,

0:51:36.320 --> 0:51:38.120
<v Speaker 1>and I was like, this is stupid.

0:51:37.880 --> 0:51:38.920
<v Speaker 2>And this is getting out of hand.

0:51:39.000 --> 0:51:41.160
<v Speaker 1>Like I didn't. I didn't that you're a great guy.

0:51:41.239 --> 0:51:43.799
<v Speaker 1>He's a great guy. It's fun. Yeah, it's all good.

0:51:43.920 --> 0:51:46.359
<v Speaker 1>It's all good. So years later the song came out

0:51:46.400 --> 0:51:47.600
<v Speaker 1>Hard years later.

0:51:47.600 --> 0:51:48.800
<v Speaker 2>DJ Paul says.

0:51:50.320 --> 0:51:55.239
<v Speaker 1>Hey man, we're working on a Trump music. Fucking what

0:51:55.440 --> 0:51:57.239
<v Speaker 1>is it now? Three? Three? It was three?

0:51:57.480 --> 0:51:57.680
<v Speaker 4>Yeah?

0:51:58.360 --> 0:51:59.759
<v Speaker 2>How was you want to fuck with?

0:51:59.800 --> 0:52:02.440
<v Speaker 1>Three? I like three a lot. Love three the record

0:52:02.440 --> 0:52:05.640
<v Speaker 1>with Dube's hard as fuck. Yeah, great album. I love

0:52:05.719 --> 0:52:06.200
<v Speaker 1>three threes.

0:52:06.480 --> 0:52:07.440
<v Speaker 2>I thought three was crazy.

0:52:07.560 --> 0:52:08.080
<v Speaker 1>No, I agree.

0:52:08.840 --> 0:52:10.200
<v Speaker 2>Two's got some classics on me.

0:52:10.360 --> 0:52:14.719
<v Speaker 1>Two though, it's just like peak willpower. Well, you know what,

0:52:15.040 --> 0:52:17.759
<v Speaker 1>good point because to me, because because and three will

0:52:17.840 --> 0:52:20.480
<v Speaker 1>power was not fully present because I had will power

0:52:20.560 --> 0:52:21.680
<v Speaker 1>at my house when I think it.

0:52:21.760 --> 0:52:24.640
<v Speaker 3>Was Box Chevy four where he just freaks the instrumental

0:52:24.719 --> 0:52:27.160
<v Speaker 3>for like three minutes at the end, and it's just

0:52:27.280 --> 0:52:29.719
<v Speaker 3>like it was like almost like the closest thing to

0:52:29.760 --> 0:52:30.759
<v Speaker 3>a hip hop solo.

0:52:30.640 --> 0:52:32.719
<v Speaker 1>There is, oh yeah, yeah, yeah, yeah. We went crazy

0:52:32.800 --> 0:52:34.600
<v Speaker 1>on that one. But no, I love I mean listen,

0:52:34.840 --> 0:52:39.120
<v Speaker 1>I was both appreciate it. Three is amazing, love three

0:52:39.360 --> 0:52:39.920
<v Speaker 1>thank you well.

0:52:40.000 --> 0:52:45.320
<v Speaker 2>DJ Paul was like, you know, we're making rowdy And

0:52:45.400 --> 0:52:48.080
<v Speaker 2>by the way, it was about it. If you bout it,

0:52:48.719 --> 0:52:49.560
<v Speaker 2>say you bout it.

0:52:49.680 --> 0:52:53.040
<v Speaker 1>I'm about it. The city that is about it, about it, No,

0:52:53.120 --> 0:52:55.680
<v Speaker 1>it's about it. But we couldn't get we couldn't we

0:52:55.719 --> 0:52:59.120
<v Speaker 1>couldn't get in contact with Master, Peeve or nothing. Paul

0:52:59.200 --> 0:53:05.439
<v Speaker 1>was just like, man, fuck it color rowdy. Yeah, he goes, hey, man.

0:53:05.920 --> 0:53:06.520
<v Speaker 4>Go get uh.

0:53:06.960 --> 0:53:11.120
<v Speaker 7>He goes go get mg K and eminem and we

0:53:11.239 --> 0:53:16.799
<v Speaker 7>had the craziest record of all time. So he's like, y'all,

0:53:16.880 --> 0:53:20.640
<v Speaker 7>three white boys get out of here. It's gonna be crazy.

0:53:21.040 --> 0:53:23.960
<v Speaker 7>And I was like, that's not a bad idea actually,

0:53:24.840 --> 0:53:25.640
<v Speaker 7>So I recorded it.

0:53:25.640 --> 0:53:28.960
<v Speaker 1>And fucking senate Sena to Marshall and you know, ship

0:53:29.960 --> 0:53:32.880
<v Speaker 1>next thing, you know, Marshall fucking went went crazy on

0:53:33.160 --> 0:53:35.640
<v Speaker 1>on mg k's they had to kill show. I had

0:53:36.000 --> 0:53:36.560
<v Speaker 1>actually think.

0:53:36.520 --> 0:53:40.960
<v Speaker 3>Mg pivots, you know, do my thing, because there was

0:53:41.120 --> 0:53:44.520
<v Speaker 3>I feel like, was there did they? Because that came

0:53:44.520 --> 0:53:47.399
<v Speaker 3>out that was your last album on Shady Right Truck

0:53:47.480 --> 0:53:47.919
<v Speaker 3>Music three?

0:53:49.239 --> 0:53:52.600
<v Speaker 1>Was it? I believe it was? Yeah?

0:53:52.640 --> 0:53:55.479
<v Speaker 2>I think so because after that was my independent release

0:53:55.480 --> 0:53:56.160
<v Speaker 2>Ghtto Cowboy.

0:53:56.440 --> 0:54:00.440
<v Speaker 3>Was there any pushback from Shady having MGK the album

0:54:00.440 --> 0:54:00.839
<v Speaker 3>at the time?

0:54:03.080 --> 0:54:05.640
<v Speaker 1>Now, there was no, No. Marshall was all about it. Marshall.

0:54:05.760 --> 0:54:09.680
<v Speaker 1>Marshall like, no, respectfully, I did tap in for sure.

0:54:09.680 --> 0:54:11.480
<v Speaker 1>You know what I'm saying, Like, I ain't fucking not

0:54:11.560 --> 0:54:14.000
<v Speaker 1>a fool jumping off a cliffs. No, I'm not like

0:54:14.800 --> 0:54:17.160
<v Speaker 1>because to be honest, it was like if if you

0:54:17.800 --> 0:54:20.680
<v Speaker 1>if you say no and you say go to war, there,

0:54:20.719 --> 0:54:24.560
<v Speaker 1>let's go. It's it's it's curtains like respectfully on some

0:54:24.640 --> 0:54:27.399
<v Speaker 1>hip hop ships, of course tap in with the sense

0:54:27.440 --> 0:54:32.319
<v Speaker 1>he so I did, and fucking he was like, nah, man,

0:54:32.440 --> 0:54:35.120
<v Speaker 1>like you know, people want to hear that, you know,

0:54:35.440 --> 0:54:38.520
<v Speaker 1>and it just you know, I've always had a lot

0:54:38.560 --> 0:54:41.200
<v Speaker 1>of respect for Marshall obviously, you know, I've looked up

0:54:41.239 --> 0:54:44.480
<v Speaker 1>to up to him for years. That moment was kind

0:54:44.520 --> 0:54:48.160
<v Speaker 1>of like, damn, man, you really give a fuck about me,

0:54:48.440 --> 0:54:50.080
<v Speaker 1>you know what I mean, Like you really care that

0:54:50.280 --> 0:54:53.239
<v Speaker 1>much to put aside and be like, yeah and let

0:54:53.360 --> 0:54:56.760
<v Speaker 1>me live. Ipect. Knowing that I had invested this before

0:54:56.760 --> 0:54:59.759
<v Speaker 1>I knew this happened, I was just like, man, you're

0:55:00.239 --> 0:55:05.320
<v Speaker 1>man that I got nothing bad to say about Shady

0:55:05.440 --> 0:55:08.200
<v Speaker 1>or that whole time I was there. There's you know,

0:55:08.600 --> 0:55:11.120
<v Speaker 1>we hit our we bumped our heads on the first album,

0:55:11.719 --> 0:55:16.080
<v Speaker 1>you know, like creatively, you know, yeah, I mean I remember,

0:55:16.239 --> 0:55:17.200
<v Speaker 1>but I remember you.

0:55:17.280 --> 0:55:18.920
<v Speaker 3>I mean you recorded most of that Ilum in Vegas,

0:55:19.280 --> 0:55:22.040
<v Speaker 3>all of it, yeah, at Moll's house, and then some.

0:55:22.200 --> 0:55:26.520
<v Speaker 2>Of it in Detroit, like we did Heartbreak in Detroit.

0:55:27.239 --> 0:55:31.279
<v Speaker 3>Let me tell you about heartbreak. Yeah, it's one of

0:55:31.320 --> 0:55:33.080
<v Speaker 3>my favorites. That's probably the best song on that album.

0:55:34.680 --> 0:55:35.839
<v Speaker 3>I like the one with Ritz too.

0:55:36.600 --> 0:55:39.080
<v Speaker 1>I just burped right into the mIRC. It happens when

0:55:39.160 --> 0:55:42.200
<v Speaker 1>you talk for Yeah, No, it's crazy because radioactive to me,

0:55:42.880 --> 0:55:47.160
<v Speaker 1>I remember, you know what it was though, keV, What

0:55:48.440 --> 0:55:51.600
<v Speaker 1>have you seen Wayne's World? Yeah? Of course I know

0:55:51.719 --> 0:55:55.600
<v Speaker 1>most people have. It's kind of rhetorical, but I like,

0:55:56.880 --> 0:56:02.279
<v Speaker 1>but yeah, great, fair enough. But so great movie by

0:56:02.360 --> 0:56:06.160
<v Speaker 1>the way, great movie, by the way. Both is there? Three?

0:56:06.280 --> 0:56:13.480
<v Speaker 1>Is there a thirty? So no, that scene where you

0:56:13.600 --> 0:56:18.640
<v Speaker 1>know they have this crazy underground show and you know it,

0:56:19.440 --> 0:56:22.279
<v Speaker 1>they have their stees and you know, everything's like kind

0:56:22.280 --> 0:56:26.719
<v Speaker 1>of perfect, and they get ripped up and thrown into

0:56:26.840 --> 0:56:31.680
<v Speaker 1>this corporate scene and then it goes the their theme

0:56:31.800 --> 0:56:35.960
<v Speaker 1>music changes. You know, it's all fucking dressed up to

0:56:36.040 --> 0:56:37.760
<v Speaker 1>be pretty and not the same show anymore.

0:56:38.480 --> 0:56:39.360
<v Speaker 8>And that is.

0:56:40.360 --> 0:56:43.960
<v Speaker 2>Exactly what happened to me with my first album.

0:56:44.280 --> 0:56:45.600
<v Speaker 1>Like even.

0:56:47.440 --> 0:56:49.040
<v Speaker 2>My logo got flipped.

0:56:49.040 --> 0:56:51.960
<v Speaker 1>They had an art department at Interscope that fucking changed

0:56:52.000 --> 0:56:55.840
<v Speaker 1>my logo and like put the radioactive symbol and the

0:56:56.000 --> 0:56:59.880
<v Speaker 1>o of yellow Wolf and like orange beanies and like

0:57:00.320 --> 0:57:03.200
<v Speaker 1>just all kinds of weird you know, ship that like

0:57:03.239 --> 0:57:06.000
<v Speaker 1>people think I'm responsible for. So there's so much of

0:57:06.120 --> 0:57:09.400
<v Speaker 1>that that I was just like, what the like wanting

0:57:09.440 --> 0:57:11.200
<v Speaker 1>to flip over tables, you know what I mean, like,

0:57:11.239 --> 0:57:14.200
<v Speaker 1>what the fuck are you doing? Fucking it up? And

0:57:14.280 --> 0:57:16.560
<v Speaker 1>then and then creatively, you know, it was such a

0:57:16.720 --> 0:57:19.080
<v Speaker 1>rat race to be on that album because like, oh

0:57:19.200 --> 0:57:21.800
<v Speaker 1>my god, fucking eminem sound a white boy, What the

0:57:21.840 --> 0:57:22.480
<v Speaker 1>fuck is going on?

0:57:22.640 --> 0:57:24.160
<v Speaker 2>I want to I have to be a part of this.

0:57:24.240 --> 0:57:26.880
<v Speaker 1>And plus, you know, I was buzzing pretty heavy at

0:57:26.920 --> 0:57:29.400
<v Speaker 1>the time with with with Trump music and everything that

0:57:29.480 --> 0:57:31.720
<v Speaker 1>had going on. And then.

0:57:34.320 --> 0:57:37.840
<v Speaker 2>Poop, you know, we had poo Bear in the studio

0:57:38.040 --> 0:57:38.720
<v Speaker 2>whom I loved.

0:57:39.120 --> 0:57:43.080
<v Speaker 1>Happy Birthday, Happy Birthday shouts at audibles too, Happy Birthday,

0:57:44.000 --> 0:57:48.080
<v Speaker 1>shout out to Molly mal you know, wild Era Bear,

0:57:48.400 --> 0:57:53.200
<v Speaker 1>j Dot Kawan, Prather, the whole, the whole Gang Park

0:57:53.400 --> 0:57:54.959
<v Speaker 1>in Vegas House.

0:57:55.280 --> 0:57:57.440
<v Speaker 3>Oh yeah, that was before it was like on MTV

0:57:57.520 --> 0:57:59.120
<v Speaker 3>and people really knew who Mall was. Like that was

0:57:59.200 --> 0:58:02.640
<v Speaker 3>like peak, like mysterious random mansion in.

0:58:02.640 --> 0:58:05.320
<v Speaker 1>The I love Mall the mam man that that that dude,

0:58:05.400 --> 0:58:08.040
<v Speaker 1>he liked My mom came out like look, they became

0:58:08.120 --> 0:58:11.640
<v Speaker 1>like super super Superman. He would fly my mom out

0:58:12.040 --> 0:58:14.160
<v Speaker 1>and just get my like cart my mom around in

0:58:14.200 --> 0:58:15.480
<v Speaker 1>a may box, you know what I mean, Like just

0:58:15.520 --> 0:58:18.080
<v Speaker 1>like with a driver. Dinner with you, your mom and

0:58:18.240 --> 0:58:20.760
<v Speaker 1>him at the Palms one time. Oh my god, that

0:58:20.880 --> 0:58:23.000
<v Speaker 1>was Newport. That was my first big bill. That was

0:58:23.040 --> 0:58:25.760
<v Speaker 1>my first big dinner bill. Mmm, and your name was

0:58:25.800 --> 0:58:28.240
<v Speaker 1>it was It was like seven thousand dollars to feed

0:58:28.280 --> 0:58:30.800
<v Speaker 1>your puckish. Remember it was the first time you had

0:58:30.840 --> 0:58:34.840
<v Speaker 1>your name on the Palm sign up on the Marquee,

0:58:35.440 --> 0:58:37.560
<v Speaker 1>which the Palms Market and it was Palms is that

0:58:37.760 --> 0:58:39.760
<v Speaker 1>ship because there was like rain and there was the

0:58:39.800 --> 0:58:43.680
<v Speaker 1>spot on the fucking roof and yeah, pump man, Me

0:58:43.760 --> 0:58:47.600
<v Speaker 1>and me and Travis bark That was my highest paying

0:58:49.160 --> 0:58:52.240
<v Speaker 1>show was me and Travis Barker New Year's at the Palms.

0:58:53.080 --> 0:59:00.160
<v Speaker 1>I remember teen minutes hommy hunter k that's beautiful. You

0:59:00.200 --> 0:59:02.760
<v Speaker 1>know what I'm saying. Let's go me and me and

0:59:02.840 --> 0:59:06.000
<v Speaker 1>fucking there was one of clothing me and Travers was like,

0:59:06.320 --> 0:59:09.440
<v Speaker 1>yup it fucking split that shit up and dip well.

0:59:09.560 --> 0:59:11.880
<v Speaker 1>It was one of the clothing conventions that was in town.

0:59:12.120 --> 0:59:15.160
<v Speaker 1>And that shit don't exist no more. The palms, not

0:59:15.240 --> 0:59:17.280
<v Speaker 1>the money. The money is still there, trust me, no.

0:59:17.440 --> 0:59:21.160
<v Speaker 3>But I remember me and you went to a Travis

0:59:21.320 --> 0:59:24.920
<v Speaker 3>Sweet party and it was like, you know, they were

0:59:24.960 --> 0:59:27.600
<v Speaker 3>just giving away tennis shoes and shit from whatever shoe

0:59:27.640 --> 0:59:29.840
<v Speaker 3>company had. So I left with like, you know, at

0:59:29.840 --> 0:59:31.640
<v Speaker 3>the time, I'm making like twenty five grand a year

0:59:31.640 --> 0:59:34.360
<v Speaker 3>at that shitty Vegas radio station, So I'm like, how

0:59:34.480 --> 0:59:37.640
<v Speaker 3>I can have some I'm walking down the fucking elevator

0:59:37.680 --> 0:59:39.760
<v Speaker 3>with like twelve pairs of shoes to try to fucking sell.

0:59:39.680 --> 0:59:43.720
<v Speaker 1>It, and like all this Famous stars and strap shit,

0:59:43.800 --> 0:59:46.040
<v Speaker 1>and I'm like, cool, this shit's going on. You know,

0:59:46.120 --> 0:59:49.120
<v Speaker 1>I have my own shoe on Famous I think I

0:59:49.200 --> 0:59:51.960
<v Speaker 1>recall that. Yeah, designed it. I drew that motherfucker on

0:59:52.080 --> 0:59:55.520
<v Speaker 1>paper in the back of the bus. And so there

0:59:55.600 --> 0:59:58.600
<v Speaker 1>was an opportunity to extend the deal with Famous. So

1:00:00.120 --> 1:00:03.240
<v Speaker 1>I was like, man, well, I'm down to I'm down

1:00:03.320 --> 1:00:06.080
<v Speaker 1>to do another run. But can I have my own

1:00:06.160 --> 1:00:09.560
<v Speaker 1>like like kind of a sub line, which I was like,

1:00:09.920 --> 1:00:12.920
<v Speaker 1>we'll call it Country Fresh. And then I want a

1:00:12.960 --> 1:00:15.800
<v Speaker 1>shoe deal? Can I get a shoe? I always wanted

1:00:15.840 --> 1:00:18.520
<v Speaker 1>a shoe, So I designed this shoe a red shoe.

1:00:19.200 --> 1:00:21.560
<v Speaker 1>I remember him, you remember I remember they were higher, right,

1:00:21.760 --> 1:00:24.760
<v Speaker 1>they were like a chuck a boot, Yeah, yeah, but

1:00:24.800 --> 1:00:26.800
<v Speaker 1>they had their friends around the back. I remember him.

1:00:26.840 --> 1:00:31.280
<v Speaker 1>I remember him man almost like a ghost face wallaby

1:00:31.360 --> 1:00:34.280
<v Speaker 1>if you will, ish kind of a wallaby, a little

1:00:34.320 --> 1:00:36.800
<v Speaker 1>bit of advanced chuck a boot kind of a wallaby

1:00:36.880 --> 1:00:43.120
<v Speaker 1>and moccasin blend. Yes, hard ass toe box. By the way,

1:00:43.440 --> 1:00:50.600
<v Speaker 1>like the silhouette on this shoe is so sick. And

1:00:50.880 --> 1:00:54.200
<v Speaker 1>I'm not sure, but I want to say that whoever

1:00:54.320 --> 1:00:57.040
<v Speaker 1>was running famous at the time got fired for that

1:00:57.200 --> 1:01:01.520
<v Speaker 1>shoe because they made too many. They got, they got,

1:01:01.560 --> 1:01:03.960
<v Speaker 1>they got too stoked on it and made too many shoes.

1:01:04.600 --> 1:01:08.640
<v Speaker 1>And but that shoe, it was a unique shoe. Bro Listen,

1:01:09.160 --> 1:01:13.640
<v Speaker 1>it got ripped. Van's got a hold of that design.

1:01:13.840 --> 1:01:16.280
<v Speaker 1>Louis Watan got a hold of that design. That's crazy.

1:01:16.440 --> 1:01:20.320
<v Speaker 1>Diamond up, Nick Diamond Diamond got got a hold of

1:01:20.640 --> 1:01:22.640
<v Speaker 1>a little piece of there was like that that friends

1:01:22.720 --> 1:01:23.680
<v Speaker 1>off the back of that shoe.

1:01:23.840 --> 1:01:24.640
<v Speaker 2>It went crazy.

1:01:25.400 --> 1:01:25.520
<v Speaker 1>Yo.

1:01:26.480 --> 1:01:28.320
<v Speaker 3>Getting back to the first album, do you feel like

1:01:28.440 --> 1:01:31.840
<v Speaker 3>a record Like's If You were to Move? I feel

1:01:31.880 --> 1:01:34.640
<v Speaker 3>like a record like Let's Roll at that time? Was

1:01:35.760 --> 1:01:38.040
<v Speaker 3>at the time you were getting pushed at urban and

1:01:38.120 --> 1:01:40.960
<v Speaker 3>rhythmic radio, which was like hip hop radio, and it's

1:01:41.040 --> 1:01:44.600
<v Speaker 3>kind of a It was just a hard sell to

1:01:44.800 --> 1:01:46.440
<v Speaker 3>close minded program directors at that time.

1:01:46.440 --> 1:01:49.040
<v Speaker 2>Always art, I'm never not hard, you know what I'm saying.

1:01:49.400 --> 1:01:51.160
<v Speaker 3>If you move forward, like I feel like a lot

1:01:51.240 --> 1:01:52.920
<v Speaker 3>of that ship like that, to me is a record

1:01:53.000 --> 1:01:57.360
<v Speaker 3>that's like nowadays, the genre is ship like really goes.

1:01:57.480 --> 1:02:00.560
<v Speaker 3>It's almost like you know, like I feel like you're

1:02:00.560 --> 1:02:01.960
<v Speaker 3>almost like you were ahead of your you kind of

1:02:02.000 --> 1:02:06.080
<v Speaker 3>fucking ran through bullets so people could walk safely at night.

1:02:06.160 --> 1:02:07.480
<v Speaker 3>When it comes to a lot of this ship, you

1:02:07.520 --> 1:02:10.280
<v Speaker 3>know what I mean, I mean, and then I app

1:02:10.640 --> 1:02:12.040
<v Speaker 3>say that a lot of guys will give you that credit.

1:02:12.080 --> 1:02:13.560
<v Speaker 1>You know what I mean, thank you, thank you. You know,

1:02:14.160 --> 1:02:17.280
<v Speaker 1>I'll take the flowers, you know, like I know, you know,

1:02:17.320 --> 1:02:19.920
<v Speaker 1>I like if you know, you know, but you know,

1:02:20.040 --> 1:02:24.440
<v Speaker 1>it's like, you know, walking that line took a lot

1:02:24.480 --> 1:02:29.640
<v Speaker 1>of fucking like I had to make like boss decisions

1:02:30.920 --> 1:02:35.680
<v Speaker 1>at a young artist age, like not not age and

1:02:36.200 --> 1:02:39.080
<v Speaker 1>not age specifically, I just mean like I'm a new artist,

1:02:39.160 --> 1:02:42.360
<v Speaker 1>but I gotta make boss decisions. One of those decisions

1:02:42.600 --> 1:02:46.640
<v Speaker 1>was we were in Harlem to shoot, let's roll the

1:02:46.800 --> 1:02:50.880
<v Speaker 1>whole out. The whole video was shot in Harlem with

1:02:51.160 --> 1:02:55.600
<v Speaker 1>DJ Coolhirk, me, Bob and HERK and a Cadillac around

1:02:55.840 --> 1:03:00.400
<v Speaker 1>around Harlem. By the way, there's an argument going on

1:03:00.800 --> 1:03:03.640
<v Speaker 1>of not not an argument, but a discussion. There's a

1:03:03.680 --> 1:03:09.160
<v Speaker 1>discussion going on. Cool Heirk told me that, you know,

1:03:09.240 --> 1:03:14.040
<v Speaker 1>he created hip hop and and in in this particular neighborhood.

1:03:14.400 --> 1:03:16.880
<v Speaker 1>He you know, he brought the tables Cedric Conceder, right,

1:03:17.000 --> 1:03:19.200
<v Speaker 1>is this is the and then the other the other

1:03:19.920 --> 1:03:21.360
<v Speaker 1>And he told me the whole story. I'm not going

1:03:21.440 --> 1:03:24.840
<v Speaker 1>to go into depth about it, you know whatever, but

1:03:25.400 --> 1:03:27.120
<v Speaker 1>it made a lot of sense to me, Like you know,

1:03:27.400 --> 1:03:31.760
<v Speaker 1>the break beats and the MC's and how he's credited

1:03:31.800 --> 1:03:33.720
<v Speaker 1>as the guy who kind of kicked the ship off

1:03:34.080 --> 1:03:36.480
<v Speaker 1>kind of No, he's credited as the guy like he's

1:03:36.600 --> 1:03:38.120
<v Speaker 1>the guy, he's the inventor of hip hop.

1:03:38.240 --> 1:03:38.400
<v Speaker 4>Yeah.

1:03:38.560 --> 1:03:46.360
<v Speaker 1>But then Africa ben Bata, right, so there's thing going down,

1:03:46.680 --> 1:03:49.880
<v Speaker 1>you know, but Bob and there's a lot of things

1:03:49.960 --> 1:03:52.000
<v Speaker 1>going down with Africa. The whole time that we're recording

1:03:52.080 --> 1:03:56.800
<v Speaker 1>this video, Bob and and HERK are just going Bob

1:03:56.960 --> 1:03:58.640
<v Speaker 1>is kid rock. By the way, I just called him,

1:03:59.680 --> 1:04:01.360
<v Speaker 1>I feel worried about calling m kid rock every time

1:04:01.440 --> 1:04:02.480
<v Speaker 1>kid rock, kid Rock, kid Rock.

1:04:02.520 --> 1:04:03.840
<v Speaker 2>He said, Bob, it's Bob, It's Bobby.

1:04:04.640 --> 1:04:07.240
<v Speaker 1>So they're going back and forth, you know, with this story,

1:04:07.320 --> 1:04:09.160
<v Speaker 1>and I'm just soaking it up, man, you know what

1:04:09.160 --> 1:04:11.080
<v Speaker 1>I mean. We're rolling through Harlem and shit, and it

1:04:11.200 --> 1:04:14.800
<v Speaker 1>was beautiful. But at the end of the edit I

1:04:14.960 --> 1:04:18.240
<v Speaker 1>saw it and I was like, Bro, I'm from Alabama.

1:04:18.360 --> 1:04:20.520
<v Speaker 1>My first single cannot be shot in Harlem.

1:04:21.120 --> 1:04:21.560
<v Speaker 2>It can't.

1:04:22.480 --> 1:04:24.720
<v Speaker 1>I need to shoot the rest of this in Alabama. Somehow,

1:04:25.200 --> 1:04:30.760
<v Speaker 1>no budget, none, zero label says no. I call the director.

1:04:31.800 --> 1:04:34.000
<v Speaker 1>This is what I'm saying about making boss decisions. I

1:04:34.120 --> 1:04:37.920
<v Speaker 1>called the director. I said, I'll pay you everything that

1:04:38.000 --> 1:04:41.960
<v Speaker 1>I have, please come to Alabama. And I did my

1:04:42.160 --> 1:04:45.200
<v Speaker 1>fucking money, and I did not have a lot of money.

1:04:45.640 --> 1:04:48.960
<v Speaker 1>I spent every three shoot. I think it cost me

1:04:49.040 --> 1:04:52.200
<v Speaker 1>like sixty grand and I may have had like maybe

1:04:52.440 --> 1:04:56.920
<v Speaker 1>seventy thousand dollars in the bank. And I took like

1:04:57.960 --> 1:05:00.960
<v Speaker 1>that sixty and put it direc directly in his pocket.

1:05:01.960 --> 1:05:03.880
<v Speaker 1>And so let's shoot the rest of the ship in Alabama.

1:05:04.720 --> 1:05:08.360
<v Speaker 1>And thank God, because like Bro, that was the part

1:05:08.720 --> 1:05:13.920
<v Speaker 1>that that guided the country rap shit that.

1:05:14.080 --> 1:05:16.760
<v Speaker 3>Was that was to follow, and I think that had

1:05:16.760 --> 1:05:18.920
<v Speaker 3>a lot to do with I don't know if you

1:05:19.080 --> 1:05:21.560
<v Speaker 3>still their part well, I mean obviously being being because

1:05:21.600 --> 1:05:24.320
<v Speaker 3>it was. Wasn't it Alabama's theme song for one of

1:05:24.360 --> 1:05:26.480
<v Speaker 3>their their championship runs or something? I remember seeing it

1:05:26.520 --> 1:05:27.080
<v Speaker 3>on ESPN.

1:05:27.400 --> 1:05:28.080
<v Speaker 2>Let me tell you something.

1:05:28.280 --> 1:05:30.400
<v Speaker 1>I'll tell you a real funny story about that ship,

1:05:31.000 --> 1:05:33.520
<v Speaker 1>roll Tide. Tell you a real funny story about that

1:05:33.680 --> 1:05:38.520
<v Speaker 1>motherfucking shit. All right, shout to Rollie Willie. Now it's

1:05:38.600 --> 1:05:40.640
<v Speaker 1>roll tiede to the grip because you know, it's a

1:05:40.680 --> 1:05:41.960
<v Speaker 1>birthright when you're from Alabama.

1:05:42.000 --> 1:05:44.000
<v Speaker 2>It's just some shit that you're just born with, you

1:05:44.080 --> 1:05:47.040
<v Speaker 2>know what I mean? Like, come on, look, it's.

1:05:47.000 --> 1:05:51.640
<v Speaker 1>Roll Tide, sign hearted Dixie, Alabama. It's getting it so

1:05:54.520 --> 1:06:01.640
<v Speaker 1>recipes Tommy Mitchell, Barbara Mitchell, Barbara Jean so so like, yeah,

1:06:01.800 --> 1:06:04.600
<v Speaker 1>you we had we had this whole like there was

1:06:04.640 --> 1:06:05.880
<v Speaker 1>an importance to that song.

1:06:06.280 --> 1:06:07.440
<v Speaker 2>Let's roll roll.

1:06:07.320 --> 1:06:11.720
<v Speaker 1>Tide, duh, duh, right, match made in heaven. Like but

1:06:11.920 --> 1:06:13.560
<v Speaker 1>even when I wrote it, I didn't think about that,

1:06:14.200 --> 1:06:16.520
<v Speaker 1>you know what I'm saying. But I was like, oh, yeah,

1:06:16.720 --> 1:06:19.760
<v Speaker 1>let's fucking let's go out and fucking support the Crimson

1:06:19.840 --> 1:06:23.280
<v Speaker 1>Tide at what is it the Iron Bow Iron Bowl

1:06:23.280 --> 1:06:28.320
<v Speaker 1>with Auburn. Yeah, so they're in Tuscaloosa for the Iron

1:06:28.360 --> 1:06:31.640
<v Speaker 1>Bowl and we're gonna go work. Let's roll at the

1:06:31.760 --> 1:06:37.840
<v Speaker 1>Arn Bowl and I pull up, pull up to the

1:06:37.960 --> 1:06:41.440
<v Speaker 1>Ron Bowl and there's a dude, I'm not shipping you

1:06:41.560 --> 1:06:45.560
<v Speaker 1>hanging out of a truck can with a with a

1:06:46.640 --> 1:06:51.400
<v Speaker 1>like the fucking what are the megaphone? Megaphone hanging out

1:06:51.480 --> 1:06:53.480
<v Speaker 1>the truck the side of a truck like a like

1:06:53.560 --> 1:06:58.440
<v Speaker 1>a like a U Haul truck, literally a U Haul truck.

1:07:01.360 --> 1:07:06.000
<v Speaker 1>You're the wolf is in the building outside by the way,

1:07:06.080 --> 1:07:09.720
<v Speaker 1>we're outside, you're the wolf is in the building. You're

1:07:09.800 --> 1:07:17.200
<v Speaker 1>the and like they have let's roll posters about on

1:07:17.320 --> 1:07:21.720
<v Speaker 1>the truck size about the size of this big Lebowski poster.

1:07:23.400 --> 1:07:26.280
<v Speaker 2>Taped in multiple across.

1:07:26.800 --> 1:07:33.440
<v Speaker 1>Do you wow? Innerscope had given this promotional company.

1:07:34.560 --> 1:07:39.240
<v Speaker 2>Money to promote me. They plastered my poster on the

1:07:39.280 --> 1:07:40.640
<v Speaker 2>side of this U haul truck.

1:07:40.760 --> 1:07:42.720
<v Speaker 1>How much they truck and walked around how much hold

1:07:42.800 --> 1:07:44.400
<v Speaker 1>up and walked around I'll get to that, and walked

1:07:44.520 --> 1:07:49.600
<v Speaker 1>and drove around yelling that shit out. But first of all,

1:07:49.880 --> 1:07:53.640
<v Speaker 1>when I saw that the car wasn't even stopping. My

1:07:53.760 --> 1:07:59.200
<v Speaker 1>manager goes, I say, Yo, what what the And I

1:07:59.280 --> 1:08:01.760
<v Speaker 1>fucking I jump out of the car. Where are still rolling?

1:08:03.040 --> 1:08:05.560
<v Speaker 1>And Jaya goes, no, no, no, please please, no no, no,

1:08:05.640 --> 1:08:08.320
<v Speaker 1>no no no, I'm fucking I'm yanking all the posters

1:08:08.360 --> 1:08:10.680
<v Speaker 1>off a fucking fucking take the dude's fucking megaphone out

1:08:10.720 --> 1:08:13.280
<v Speaker 1>of his fucking hand, like, fucking throw that shit on

1:08:13.360 --> 1:08:15.920
<v Speaker 1>the ground, get the fuck out of here. So they had,

1:08:16.080 --> 1:08:19.479
<v Speaker 1>so they probably took about fifteen hundred dollars to pay

1:08:19.560 --> 1:08:21.800
<v Speaker 1>that guy to do that, and then and took the

1:08:21.920 --> 1:08:25.439
<v Speaker 1>other twenty grand, Yeah, and paid for a frat party

1:08:25.600 --> 1:08:28.320
<v Speaker 1>keg party. Well just for people who don't know bow.

1:08:28.920 --> 1:08:30.640
<v Speaker 1>If that's how that works, well, if you're an up

1:08:30.680 --> 1:08:34.879
<v Speaker 1>and coming artist, the number one way that people inside

1:08:34.920 --> 1:08:37.160
<v Speaker 1>of the buildings steal money from artists budgets is the

1:08:37.200 --> 1:08:40.400
<v Speaker 1>street team budget. Yeah, it's all bullshit.

1:08:40.479 --> 1:08:43.360
<v Speaker 3>It's a bullshit like if you if there's still there's

1:08:43.360 --> 1:08:46.000
<v Speaker 3>still labels right now that when an album drops, it's

1:08:46.120 --> 1:08:48.719
<v Speaker 3>in people's deals that fifty k is allocated for street

1:08:48.760 --> 1:08:51.679
<v Speaker 3>team marketing. To this day, I'm talking about major labels,

1:08:52.000 --> 1:08:55.720
<v Speaker 3>and I know people in those buildings that split that

1:08:55.800 --> 1:08:56.679
<v Speaker 3>money between themselves.

1:08:56.680 --> 1:08:58.680
<v Speaker 1>They'll take all your fucking posters and throw them in

1:08:58.680 --> 1:09:01.000
<v Speaker 1>the dumpster and say, yeah, say I ran the streets.

1:09:01.640 --> 1:09:03.280
<v Speaker 1>What you have to do is you got to have

1:09:03.520 --> 1:09:09.880
<v Speaker 1>someone that you like. When we did our ship, we

1:09:11.080 --> 1:09:13.200
<v Speaker 1>what's a fucking phone call right there? And I might

1:09:13.240 --> 1:09:17.240
<v Speaker 1>a sure take that not going to fuck fuck it?

1:09:20.160 --> 1:09:24.800
<v Speaker 1>So oh man, God, that just threw me off of

1:09:26.200 --> 1:09:28.599
<v Speaker 1>what uh okay? So yeah, So I used to work

1:09:28.640 --> 1:09:30.640
<v Speaker 1>for a marketing company when I was a kid. I

1:09:31.439 --> 1:09:39.760
<v Speaker 1>so in in in New York and two thousand. I

1:09:39.880 --> 1:09:44.479
<v Speaker 1>worked for a company called Guerrilla Marketing, and I did

1:09:44.520 --> 1:09:46.519
<v Speaker 1>a lot of hip hop albums during that time. One

1:09:46.560 --> 1:09:51.320
<v Speaker 1>of them was Autobionics for De La Soul. So I

1:09:51.680 --> 1:09:55.560
<v Speaker 1>would go around the streets wearing a space suit in

1:09:55.680 --> 1:09:58.439
<v Speaker 1>New York City, like a full on space like a

1:09:58.520 --> 1:10:02.400
<v Speaker 1>space suit dog. And I painted this big like god,

1:10:02.439 --> 1:10:04.599
<v Speaker 1>I don't know where that that painting, man, if someone

1:10:04.640 --> 1:10:08.960
<v Speaker 1>could find that, holy shit I painted. I painted their

1:10:09.160 --> 1:10:15.120
<v Speaker 1>album cover on a piece of canvas and and I

1:10:15.120 --> 1:10:19.120
<v Speaker 1>would walk around the city, you know, with this suit

1:10:19.320 --> 1:10:23.519
<v Speaker 1>the sign. My other job was to take posters and

1:10:23.560 --> 1:10:26.519
<v Speaker 1>stickers and put them up in all these record stores. Now,

1:10:26.800 --> 1:10:29.560
<v Speaker 1>I did that because I honored day La Soul, you know,

1:10:29.720 --> 1:10:32.400
<v Speaker 1>and I also honored the job of promotion. I understood it,

1:10:32.640 --> 1:10:37.080
<v Speaker 1>you know, and I was loyal. Some of the mother motherfuckers, though,

1:10:38.080 --> 1:10:40.360
<v Speaker 1>they would take like a bag of like day La

1:10:40.439 --> 1:10:45.400
<v Speaker 1>Soul's posters literally on the street, literally and then go

1:10:45.560 --> 1:10:48.080
<v Speaker 1>get pizza, do whatever the fuck they wanted to do.

1:10:48.760 --> 1:10:51.200
<v Speaker 1>You know, you're working from from from noon to to

1:10:51.320 --> 1:10:53.800
<v Speaker 1>seven or eight at night, and they would just clock

1:10:53.840 --> 1:10:56.600
<v Speaker 1>out at eight, and we're like, yeah, I handled that so.

1:10:57.320 --> 1:11:00.840
<v Speaker 3>That that it's worse nowadays, that kind of shit don't

1:11:00.880 --> 1:11:02.960
<v Speaker 3>even exist anymore. The money is just invisible. It's like

1:11:02.960 --> 1:11:03.360
<v Speaker 3>where to go.

1:11:03.680 --> 1:11:05.920
<v Speaker 1>Shit. We don't fuck around though, man, my my, my

1:11:06.080 --> 1:11:09.479
<v Speaker 1>boys are from the streets and have done I'm not

1:11:09.560 --> 1:11:10.240
<v Speaker 1>talking about crime.

1:11:10.280 --> 1:11:11.280
<v Speaker 2>I'm talking about street shit.

1:11:11.320 --> 1:11:15.439
<v Speaker 1>I'm talking about street art, street ship, you know, street promotion,

1:11:15.720 --> 1:11:19.600
<v Speaker 1>like gorilla shit. So when we do shiit, we you know,

1:11:19.920 --> 1:11:21.720
<v Speaker 1>we're on point with it, and like you ain't. You

1:11:21.760 --> 1:11:24.360
<v Speaker 1>ain't slipping up, man, We're tapping in. We know the tricks,

1:11:24.479 --> 1:11:26.479
<v Speaker 1>so you ain't pulling that pulling that shit over here.

1:11:26.720 --> 1:11:29.040
<v Speaker 3>You talked about having that job, wasn't there like a

1:11:29.160 --> 1:11:31.360
<v Speaker 3>year in which you were doing like deep ice fishing.

1:11:31.400 --> 1:11:33.120
<v Speaker 1>Oh you want to hear something crazy on a boat

1:11:33.240 --> 1:11:36.120
<v Speaker 1>somewhere just before we go there, when I was.

1:11:36.160 --> 1:11:38.520
<v Speaker 2>In front of t R L in a fucking spacesuit.

1:11:39.280 --> 1:11:42.080
<v Speaker 1>It's an era. My wife that I would meet years

1:11:42.160 --> 1:11:47.320
<v Speaker 1>later was in Fife. Yes, Fife Dobson was in my

1:11:47.439 --> 1:11:50.840
<v Speaker 1>ex wife. But she's you, guys are it's very coolsher.

1:11:51.240 --> 1:11:51.880
<v Speaker 2>I love Fefe.

1:11:52.000 --> 1:11:52.559
<v Speaker 1>I love her to death.

1:11:52.560 --> 1:11:54.280
<v Speaker 3>I'd like to point out Tennessee Life, one of the

1:11:54.479 --> 1:11:58.719
<v Speaker 3>most fucking emotionally amazing love songs ever my wife.

1:11:59.439 --> 1:12:02.400
<v Speaker 1>I played it my wedding. Yeah, I played this song

1:12:02.439 --> 1:12:02.840
<v Speaker 1>on my wedding.

1:12:02.920 --> 1:12:04.160
<v Speaker 3>It was one of the songs it was like, it

1:12:04.240 --> 1:12:05.719
<v Speaker 3>was like one of the ten songs that I needed

1:12:05.760 --> 1:12:06.840
<v Speaker 3>to play before we came out.

1:12:07.120 --> 1:12:11.360
<v Speaker 1>I should have played it at my wedding. Fucking should

1:12:11.360 --> 1:12:17.360
<v Speaker 1>have fucking wrapped that ship to her face. Maybe my

1:12:17.439 --> 1:12:20.760
<v Speaker 1>marriage would have turned out better. No, nah nah, I

1:12:20.840 --> 1:12:23.400
<v Speaker 1>love Fife to death. She's amazing, Like seriously, all time

1:12:23.479 --> 1:12:26.880
<v Speaker 1>great Canadian listen, all time, great artists, all time, great

1:12:27.280 --> 1:12:30.800
<v Speaker 1>human all time, like the first of her kind in

1:12:30.920 --> 1:12:36.800
<v Speaker 1>so many ways, like artistically just untouched, like just unbelievable.

1:12:37.160 --> 1:12:38.479
<v Speaker 2>So love you Fife.

1:12:38.600 --> 1:12:41.240
<v Speaker 3>If you watch him, she saw me the highest night

1:12:41.320 --> 1:12:42.800
<v Speaker 3>of my life. I tell the story all the time.

1:12:43.160 --> 1:12:45.040
<v Speaker 3>It is the first time I ever really talked to

1:12:45.120 --> 1:12:49.280
<v Speaker 3>a Fifi. You and Ritz were on tour and I

1:12:49.600 --> 1:12:52.760
<v Speaker 3>ate a whole weed brownie that I shouldn't ate, and

1:12:53.720 --> 1:12:55.720
<v Speaker 3>that shit hit me like a fucking.

1:12:55.479 --> 1:12:56.519
<v Speaker 4>Ton of bricks. Dude.

1:12:56.760 --> 1:12:58.720
<v Speaker 1>You know the first song that we did that how

1:12:58.840 --> 1:13:02.360
<v Speaker 1>Fifi and I like hit it off? Animal produced by

1:13:02.439 --> 1:13:08.120
<v Speaker 1>Diplo Crazy on Radioactive and she featured on that record,

1:13:08.520 --> 1:13:10.920
<v Speaker 1>and we hung out and and I didn't realize Diplo

1:13:11.000 --> 1:13:17.599
<v Speaker 1>made that beat. Cannot confirm or deny whether Diplo actually

1:13:17.680 --> 1:13:24.280
<v Speaker 1>made that beat, but let's just say he did. Okay, Nah,

1:13:24.880 --> 1:13:27.320
<v Speaker 1>Diplo is a for goddamn man, dude, Like, I'm sure

1:13:27.320 --> 1:13:30.200
<v Speaker 1>he did make the beat, but sometimes he just produces

1:13:30.240 --> 1:13:31.280
<v Speaker 1>and he don't touch it.

1:13:33.000 --> 1:13:34.479
<v Speaker 2>Yeah, fucking get get it.

1:13:34.520 --> 1:13:38.240
<v Speaker 1>How you live. I'm not mad. He like our friend

1:13:38.320 --> 1:13:41.960
<v Speaker 1>Molly More produce. Yes, Producing doesn't mean okay, this is

1:13:42.040 --> 1:13:44.320
<v Speaker 1>for real, for real, this is for real. Producing does

1:13:44.439 --> 1:13:48.360
<v Speaker 1>not mean that you touch any instrument. Sometimes producing is

1:13:48.439 --> 1:13:54.599
<v Speaker 1>producing the room, producing an artist, facilitating relationships, knowing who

1:13:54.760 --> 1:13:56.920
<v Speaker 1>and who needs to work with one another, and that

1:13:57.160 --> 1:14:00.519
<v Speaker 1>is indeed literally producing. And a lot of the fuckers

1:14:00.560 --> 1:14:03.800
<v Speaker 1>who think their producers are just making loops. So like,

1:14:03.960 --> 1:14:06.559
<v Speaker 1>don't call yourself a producer if you're making a loop

1:14:06.840 --> 1:14:09.639
<v Speaker 1>and you email it to somebody and they then turn

1:14:09.760 --> 1:14:12.880
<v Speaker 1>that into a hit record because they are the people

1:14:12.880 --> 1:14:15.040
<v Speaker 1>who are producing the song. You just made a loop.

1:14:15.320 --> 1:14:20.040
<v Speaker 2>Facts and yeah, for real, loop it.

1:14:21.000 --> 1:14:23.640
<v Speaker 1>Just call yourself a looper. You're a looper? What was

1:14:23.680 --> 1:14:26.240
<v Speaker 1>that movie? Wasn't that? Wasn't there a Bruce Willis movie

1:14:26.280 --> 1:14:29.360
<v Speaker 1>with that was called Looper? It was a Bruce Looper.

1:14:29.720 --> 1:14:32.360
<v Speaker 1>That's a good producer name. No tell me about the

1:14:32.400 --> 1:14:34.120
<v Speaker 1>time though, because you were you were like a fisherman

1:14:34.240 --> 1:14:36.800
<v Speaker 1>right for a little bit. Was this in I was

1:14:36.840 --> 1:14:40.760
<v Speaker 1>insane man night eighteen nineteen Seattle. I was out of

1:14:40.840 --> 1:14:43.800
<v Speaker 1>my goddamn gord. Yeah, dude, I fucking jumped on the

1:14:43.800 --> 1:14:48.760
<v Speaker 1>ground bus five five days up across. Oh my god, bro,

1:14:49.240 --> 1:14:52.960
<v Speaker 1>I was I wasn't gadzed and acting a fool, like

1:14:53.240 --> 1:15:00.559
<v Speaker 1>really really really down bad like you've seen on the flow.

1:15:00.760 --> 1:15:03.720
<v Speaker 1>Of course, that was my life, man. That that that

1:15:03.960 --> 1:15:06.360
<v Speaker 1>if you if you could, that's the easiest way to

1:15:06.439 --> 1:15:09.400
<v Speaker 1>describe with somebody the kind of environment that I was in,

1:15:10.240 --> 1:15:12.960
<v Speaker 1>you know, down to the box chevy. I'm not going

1:15:13.040 --> 1:15:15.960
<v Speaker 1>to go into details for about things that were going down,

1:15:16.000 --> 1:15:17.280
<v Speaker 1>but I would just say that it was fucking it

1:15:17.360 --> 1:15:17.960
<v Speaker 1>was going down.

1:15:18.800 --> 1:15:19.400
<v Speaker 2>So I jumped.

1:15:19.439 --> 1:15:21.280
<v Speaker 1>I jumped on the I jumped on the greyhound bus

1:15:21.360 --> 1:15:24.719
<v Speaker 1>with the thought of getting twenty grand in the season. Somebody,

1:15:24.840 --> 1:15:27.479
<v Speaker 1>somebody like in Aniston, Alabama, was like.

1:15:28.439 --> 1:15:31.439
<v Speaker 2>Yo, man, you can get twenty thousand dollars in one month.

1:15:32.240 --> 1:15:36.400
<v Speaker 1>I was like, twenty thousand dollars, I mean one month

1:15:36.800 --> 1:15:41.479
<v Speaker 1>for what for fishing? Fuck that shit. I'm going to Seattle.

1:15:41.560 --> 1:15:44.799
<v Speaker 1>Let's see what's up with this shit. So I scratched

1:15:44.880 --> 1:15:47.639
<v Speaker 1>up a little bit of change, got on a greyhound bus. Right,

1:15:48.000 --> 1:15:49.640
<v Speaker 1>had my cousin take me to a greyhound bus at

1:15:49.680 --> 1:15:54.559
<v Speaker 1>like midnight in Dothan. There were two buses and they

1:15:54.680 --> 1:15:57.559
<v Speaker 1>both said Washington's keV. You can't make this shuit up.

1:15:59.080 --> 1:15:59.679
<v Speaker 1>One was DC.

1:16:00.400 --> 1:16:00.639
<v Speaker 4>Yeah.

1:16:03.320 --> 1:16:03.519
<v Speaker 9>Yeah.

1:16:04.520 --> 1:16:06.760
<v Speaker 1>The bus I got on was going to UH to

1:16:07.000 --> 1:16:11.400
<v Speaker 1>UH to Washington. So I get on the bus and

1:16:11.760 --> 1:16:15.080
<v Speaker 1>fall asleep like a rock. Wake up in Atlanta, Georgia,

1:16:15.840 --> 1:16:19.479
<v Speaker 1>and I'm like it's the wrong direction. Yes, and I'm like,

1:16:20.920 --> 1:16:24.679
<v Speaker 1>fuck man, like I was, just like, I just told

1:16:24.720 --> 1:16:27.880
<v Speaker 1>my boy Snake, who was who was traveling with me

1:16:27.960 --> 1:16:31.120
<v Speaker 1>at the time, because I had befriended him. I was like, Snake,

1:16:31.160 --> 1:16:33.560
<v Speaker 1>you come with me, Let's go get this bread. So

1:16:33.720 --> 1:16:36.320
<v Speaker 1>he's with me, and I was like, dude, just don't

1:16:36.360 --> 1:16:39.160
<v Speaker 1>get off the bus. If we just act like we're asleep,

1:16:39.840 --> 1:16:42.400
<v Speaker 1>just don't get off the bus. So we did, and

1:16:42.520 --> 1:16:45.720
<v Speaker 1>we waited all the way up to Chicago, where they

1:16:45.800 --> 1:16:48.760
<v Speaker 1>made us get off the bus and I talked to

1:16:48.880 --> 1:16:50.840
<v Speaker 1>that I talked to the managers and we got on

1:16:50.880 --> 1:16:53.479
<v Speaker 1>the wrong bus. He said, in Alabama, how the fuck

1:16:53.520 --> 1:16:55.360
<v Speaker 1>did you figure out you was going the wrong way

1:16:55.439 --> 1:16:58.640
<v Speaker 1>by the time you made it to Chicago. I was like,

1:16:59.240 --> 1:16:59.640
<v Speaker 1>I don't know.

1:17:00.160 --> 1:17:01.599
<v Speaker 2>You know, I fucking hustled him.

1:17:02.280 --> 1:17:05.320
<v Speaker 1>This dude was so cool. He gave me and Snake

1:17:05.800 --> 1:17:08.280
<v Speaker 1>tickets to get all the way to fucking Seattle, but

1:17:08.360 --> 1:17:11.479
<v Speaker 1>we went across the north So in short, we were

1:17:11.520 --> 1:17:13.200
<v Speaker 1>on that bus for five days. I was about to say,

1:17:13.200 --> 1:17:15.720
<v Speaker 1>you saw the whole country by the time we got

1:17:15.760 --> 1:17:21.360
<v Speaker 1>to Chicago. Broke zero money, but we got.

1:17:22.880 --> 1:17:24.759
<v Speaker 3>If that dude didn't give you a break on them tickets,

1:17:24.800 --> 1:17:27.519
<v Speaker 3>you guys, have it fucked not me full, I'm a

1:17:27.880 --> 1:17:29.680
<v Speaker 3>I would have figured it out absolutely.

1:17:30.040 --> 1:17:31.080
<v Speaker 2>I was going to Seattle.

1:17:31.200 --> 1:17:35.240
<v Speaker 1>Yeah, we figure it out. I promise you I'm going there,

1:17:36.120 --> 1:17:40.920
<v Speaker 1>so you know I had that determination. So we're broke, right, no, no,

1:17:41.439 --> 1:17:44.680
<v Speaker 1>no money. So we leave Chicago absolutely no money. Now

1:17:45.000 --> 1:17:49.720
<v Speaker 1>greyhound makes a stop at gas stations for the for

1:17:49.800 --> 1:17:53.960
<v Speaker 1>the patrons or the shop what do you call them? Oh, listen, passengers.

1:17:54.200 --> 1:17:57.960
<v Speaker 1>The first time it was a little sketchy. You're like burrito,

1:17:58.439 --> 1:18:00.479
<v Speaker 1>you know what I'm saying, Like you fucking like you know,

1:18:00.560 --> 1:18:02.240
<v Speaker 1>you're kind of racking up a little bit. You get

1:18:02.280 --> 1:18:05.439
<v Speaker 1>on the bus and kind of munching down. Second time

1:18:05.520 --> 1:18:10.960
<v Speaker 1>you're like barrito. Third time you're like, fuck this, Shove

1:18:11.000 --> 1:18:14.160
<v Speaker 1>me a two liter, give me a hat, some fucking jewelry.

1:18:14.240 --> 1:18:16.360
<v Speaker 1>But by the top, dude, by the time we got

1:18:16.400 --> 1:18:19.519
<v Speaker 1>to fucking Seattle, man, like, it got so stupid easy.

1:18:20.960 --> 1:18:22.880
<v Speaker 2>So we ate all the way there. But when I

1:18:22.960 --> 1:18:24.040
<v Speaker 2>landed in.

1:18:24.160 --> 1:18:34.080
<v Speaker 1>Seattle New Year's night, two thousand, snowing, greyhound closes nowhere

1:18:34.120 --> 1:18:36.800
<v Speaker 1>to go on the streets, like sleeping under a church.

1:18:36.880 --> 1:18:38.800
<v Speaker 2>People, and my home boys state was like fucking why

1:18:38.840 --> 1:18:40.320
<v Speaker 2>two k almost.

1:18:40.360 --> 1:18:44.080
<v Speaker 1>Hey, man, okat my grandma, give me a ticket home?

1:18:44.280 --> 1:18:48.120
<v Speaker 2>I said, what this fool left me? Left me by

1:18:48.400 --> 1:18:48.800
<v Speaker 2>one day?

1:18:49.880 --> 1:18:52.639
<v Speaker 1>Five days was a day trip, but after being in Seattle,

1:18:52.680 --> 1:18:54.400
<v Speaker 1>we was less less than twenty four hours. He was

1:18:54.439 --> 1:18:57.000
<v Speaker 1>headed back home to Alabama. I can't do this, I

1:18:57.080 --> 1:19:00.800
<v Speaker 1>was like, bet I'm staying so I fucking like stay

1:19:00.840 --> 1:19:02.560
<v Speaker 1>by myself on the streets for a while and like

1:19:02.760 --> 1:19:06.040
<v Speaker 1>homeless life. Oh yeah, where would you sleep anywhere? I

1:19:06.080 --> 1:19:09.400
<v Speaker 1>could or not sleep at all? Sometimes I feel like

1:19:09.479 --> 1:19:11.360
<v Speaker 1>Seattle right now it would be a good place to

1:19:11.439 --> 1:19:14.519
<v Speaker 1>be homeless right now. I don't know, dude. It's terrible.

1:19:14.560 --> 1:19:16.720
<v Speaker 1>It's terrible. It's the worst. Whether it's the worst, it's

1:19:16.920 --> 1:19:19.120
<v Speaker 1>the worst place to be homeless. Heard, it's lit out there,

1:19:19.360 --> 1:19:21.800
<v Speaker 1>like they got lit. They got the fucking the little

1:19:21.840 --> 1:19:24.040
<v Speaker 1>area that there's like that's what they called it these days.

1:19:24.080 --> 1:19:25.040
<v Speaker 2>That's what the kids are calling.

1:19:26.000 --> 1:19:31.080
<v Speaker 1>Very sad, fucking where you're gonna get your next No, No,

1:19:31.280 --> 1:19:33.360
<v Speaker 1>they got an area there's like no laws. It's like

1:19:33.560 --> 1:19:34.960
<v Speaker 1>it's it's supposed to be kind of like it's like

1:19:35.000 --> 1:19:38.479
<v Speaker 1>Hamsterdam from the Wire. Did you say Hamsterdam? Did you

1:19:38.520 --> 1:19:39.200
<v Speaker 1>ever watch the Wire?

1:19:40.280 --> 1:19:40.320
<v Speaker 5>No?

1:19:40.439 --> 1:19:42.240
<v Speaker 1>I never got into it, okay, great shows. Not to

1:19:42.280 --> 1:19:44.040
<v Speaker 1>disappoint anyone. I've never I know.

1:19:44.280 --> 1:19:47.680
<v Speaker 2>People love the Wire, people fucking love fucking.

1:19:49.040 --> 1:19:49.800
<v Speaker 1>I've heard.

1:19:49.840 --> 1:19:52.160
<v Speaker 2>I didn't watch The Wire. I didn't watch a fucking.

1:19:52.600 --> 1:19:56.760
<v Speaker 1>Breaking bad No, really little bit of it. I get bored.

1:19:56.880 --> 1:20:01.000
<v Speaker 2>I get bored. I get watch, but no, get bored.

1:20:01.240 --> 1:20:02.439
<v Speaker 1>I gotta go. Which show was?

1:20:02.560 --> 1:20:06.000
<v Speaker 2>Uh, I've never watched a season of anything until It's gone?

1:20:06.080 --> 1:20:06.200
<v Speaker 5>Was on?

1:20:06.320 --> 1:20:06.719
<v Speaker 1>What show?

1:20:07.400 --> 1:20:08.200
<v Speaker 2>Sons of Anarchy?

1:20:09.080 --> 1:20:12.960
<v Speaker 1>That's it? Great show? Never see like I saw the episode?

1:20:13.120 --> 1:20:15.519
<v Speaker 1>Never seen it. You didn't see the episode your song

1:20:15.600 --> 1:20:18.559
<v Speaker 1>played it? Not a single episode of Sons of Anarchy

1:20:18.640 --> 1:20:22.960
<v Speaker 1>have I ever seen? I'm sure it is. Well, you

1:20:23.080 --> 1:20:25.000
<v Speaker 1>end up going being homeless in Seattle to being on

1:20:25.080 --> 1:20:31.760
<v Speaker 1>a boat. So so I'm on the streets and then

1:20:31.760 --> 1:20:33.439
<v Speaker 1>I started doing like day to days, you know, I mean,

1:20:34.240 --> 1:20:38.080
<v Speaker 1>like I had that hustle from Gadston, Like you could

1:20:38.120 --> 1:20:39.760
<v Speaker 1>go up, like you could pull up at four in

1:20:39.800 --> 1:20:42.479
<v Speaker 1>the morning to like a work for hire spot it's

1:20:42.520 --> 1:20:44.320
<v Speaker 1>called work for yeah, and they'll give you something to

1:20:44.360 --> 1:20:46.160
<v Speaker 1>do for the day, whatever it is, yeah.

1:20:46.000 --> 1:20:48.080
<v Speaker 2>You know, and you get a check at the end

1:20:48.120 --> 1:20:48.400
<v Speaker 2>of the day.

1:20:48.439 --> 1:20:50.560
<v Speaker 1>You go cash a check, check cash and spot I

1:20:50.640 --> 1:20:53.280
<v Speaker 1>had that hustle in my back pocket, so I knew

1:20:53.280 --> 1:20:54.960
<v Speaker 1>I could do that. So I started doing that to

1:20:55.040 --> 1:20:59.080
<v Speaker 1>pay for mine. Well, at first it was a hostel.

1:21:00.120 --> 1:21:07.519
<v Speaker 1>You know, I shared bathroom. My publicist is promoting right now.

1:21:07.800 --> 1:21:10.720
<v Speaker 2>This is what he does, songs, that's what he does,

1:21:11.760 --> 1:21:12.840
<v Speaker 2>fucking DJing.

1:21:12.560 --> 1:21:17.120
<v Speaker 1>Over there the work. So no, no, no, So I'm

1:21:17.160 --> 1:21:21.080
<v Speaker 1>doing uh, you know, day to day to first play,

1:21:21.880 --> 1:21:24.880
<v Speaker 1>pay for a hostel, be friend of some other kids,

1:21:27.960 --> 1:21:30.920
<v Speaker 1>my homeboy Lafayette rest in Peace, who came out and

1:21:32.920 --> 1:21:35.120
<v Speaker 1>he was out there randomly too, based on the same

1:21:35.240 --> 1:21:40.240
<v Speaker 1>like dream of that I found him randomly. So we

1:21:40.439 --> 1:21:44.040
<v Speaker 1>just collected our bread from these day to day jobs

1:21:44.080 --> 1:21:46.360
<v Speaker 1>and like would get like a room, two beds, but

1:21:46.400 --> 1:21:48.160
<v Speaker 1>there'll be like seven of us in like a little

1:21:48.640 --> 1:21:52.040
<v Speaker 1>motel or whatever. And then after work every day was

1:21:52.120 --> 1:21:54.840
<v Speaker 1>the hustles, go to the docks, knock on doors, you know,

1:21:54.960 --> 1:21:58.040
<v Speaker 1>they go knock on a voat. So I did that

1:21:58.200 --> 1:22:04.200
<v Speaker 1>up until the point where should I incriminate myself right now?

1:22:04.320 --> 1:22:07.160
<v Speaker 1>I mean it's past the statue limitations, is it? Yeah?

1:22:07.240 --> 1:22:07.519
<v Speaker 1>For sure?

1:22:07.680 --> 1:22:10.040
<v Speaker 3>Was that twenty years ago, twenty five years ago? It's

1:22:10.080 --> 1:22:12.639
<v Speaker 3>a ten year thing. I mean, you didn't murder somebody.

1:22:12.880 --> 1:22:14.320
<v Speaker 1>No, He's like, I can't.

1:22:14.520 --> 1:22:17.120
<v Speaker 2>No, No, I didn't stole a boat, not for real,

1:22:17.200 --> 1:22:19.639
<v Speaker 2>but okay, so this is interesting.

1:22:20.720 --> 1:22:26.320
<v Speaker 1>So one of my hustles as a kid was like,

1:22:27.439 --> 1:22:31.360
<v Speaker 1>if I was hungry, I would, like, you know, I

1:22:31.400 --> 1:22:35.840
<v Speaker 1>would call the pizza man or whatever, and then they

1:22:35.880 --> 1:22:38.280
<v Speaker 1>would pull up and then it was just curtains. Like

1:22:38.400 --> 1:22:40.600
<v Speaker 1>I would just take everything, you know, the food and

1:22:40.720 --> 1:22:43.280
<v Speaker 1>everything you know, and I would just say, like, you

1:22:43.400 --> 1:22:45.760
<v Speaker 1>know whatever, like I used to mask up when I

1:22:45.880 --> 1:22:49.120
<v Speaker 1>was really young, give me, give me, give me the

1:22:49.160 --> 1:22:49.680
<v Speaker 1>fucking tip.

1:22:50.040 --> 1:22:52.120
<v Speaker 2>I've never heard a person in my life, but like it's.

1:22:52.040 --> 1:22:56.720
<v Speaker 1>Just said, extra cheese, motherfucker. I think stealing food is honorable.

1:22:56.840 --> 1:22:58.880
<v Speaker 1>It is honorable. Sometimes you got to steal food like

1:22:58.880 --> 1:23:00.000
<v Speaker 1>Aladdin in the Disney movie.

1:23:00.960 --> 1:23:03.280
<v Speaker 2>So everybody's hungry, and my hotel.

1:23:03.320 --> 1:23:04.840
<v Speaker 1>I still still gum every once in a while, just

1:23:04.880 --> 1:23:05.720
<v Speaker 1>to see if I still got it.

1:23:07.320 --> 1:23:09.920
<v Speaker 2>I don't steal nothing anymore, every boy.

1:23:10.320 --> 1:23:12.920
<v Speaker 1>If I'm in a liquor store, well not a liquor store,

1:23:12.920 --> 1:23:16.559
<v Speaker 1>it's a big chain gas station and the line's crazy,

1:23:16.600 --> 1:23:18.560
<v Speaker 1>and I got one pack of gum, I just I

1:23:18.680 --> 1:23:19.800
<v Speaker 1>just might throw it in my pack.

1:23:20.200 --> 1:23:21.639
<v Speaker 2>Well, yo, I'm out in Seattle.

1:23:21.720 --> 1:23:25.080
<v Speaker 1>Okay. So, like the whole fucking crew is hungry, like

1:23:25.320 --> 1:23:27.559
<v Speaker 1>all seven people that are staying this little room is hungry.

1:23:27.720 --> 1:23:32.800
<v Speaker 1>And I'm like, I got it, don't worry, you know.

1:23:33.240 --> 1:23:35.960
<v Speaker 1>And so I called. I called the pizza dude. He

1:23:36.040 --> 1:23:39.120
<v Speaker 1>pulls up and I'm like, man, this is like bold

1:23:39.160 --> 1:23:43.160
<v Speaker 1>as fuck. I'm so over it. I'm like, just give

1:23:43.200 --> 1:23:45.479
<v Speaker 1>me the pizza man, like just you know what I mean.

1:23:45.680 --> 1:23:47.400
<v Speaker 1>I lied to him. I said, there's people in the

1:23:47.479 --> 1:23:50.160
<v Speaker 1>bushes over here and there they like, trust me, you

1:23:50.200 --> 1:23:53.080
<v Speaker 1>don't want it, you know. So I like seven pizzas

1:23:53.120 --> 1:23:54.080
<v Speaker 1>and shit walked in there.

1:23:54.160 --> 1:23:55.439
<v Speaker 2>It was life of the party.

1:23:56.760 --> 1:24:00.560
<v Speaker 1>So the next day, next day, my dumb man, I

1:24:00.680 --> 1:24:04.120
<v Speaker 1>walk outside in the same clothes. Now that pizza man

1:24:04.200 --> 1:24:07.280
<v Speaker 1>obviously went back and called the cops. Right, so cop

1:24:07.400 --> 1:24:10.000
<v Speaker 1>rolls by, Like it's in Seattle. They have these like

1:24:10.479 --> 1:24:14.960
<v Speaker 1>crazy like the interstates that they have these big dividers.

1:24:15.520 --> 1:24:18.080
<v Speaker 1>But it's weird because there's no it's like a pull

1:24:18.120 --> 1:24:22.280
<v Speaker 1>off into a gas station. There's no like exit. It's

1:24:22.320 --> 1:24:25.880
<v Speaker 1>like so but they're like one ways, you know what

1:24:25.880 --> 1:24:28.439
<v Speaker 1>I mean, one way, this one, like three lanes, this way,

1:24:28.520 --> 1:24:32.920
<v Speaker 1>three lanes this way, split up, split by dividers. This

1:24:33.120 --> 1:24:35.360
<v Speaker 1>cop rolls by and there's two people in his car,

1:24:35.439 --> 1:24:40.680
<v Speaker 1>and he's like and fucking spotlights me as he's rolling by,

1:24:40.920 --> 1:24:44.000
<v Speaker 1>and I'm like, this was like two in the afternoon,

1:24:45.400 --> 1:24:49.640
<v Speaker 1>and I'm like, oh, I knew exactly, and I was

1:24:49.680 --> 1:24:50.120
<v Speaker 1>in trouble.

1:24:51.160 --> 1:24:52.120
<v Speaker 2>So I fucking run.

1:24:52.479 --> 1:24:55.400
<v Speaker 1>He goes up and I see him making a right term,

1:24:55.680 --> 1:24:57.800
<v Speaker 1>but I know that he has no chance to get

1:24:57.840 --> 1:25:00.320
<v Speaker 1>across to the divider. The divider's too far. Did you

1:25:00.400 --> 1:25:01.720
<v Speaker 1>play Frogger? Yes?

1:25:02.080 --> 1:25:05.800
<v Speaker 2>I played Frogger real life Frogger nice and I won.

1:25:06.400 --> 1:25:11.200
<v Speaker 1>I won it. It was not easy. Almost splat, almost splat.

1:25:13.960 --> 1:25:16.960
<v Speaker 1>Uh So so I run across the media and jump

1:25:17.000 --> 1:25:19.960
<v Speaker 1>the median like went to a like a bus stop.

1:25:22.080 --> 1:25:23.960
<v Speaker 1>Took off my hat I had like a beanie on,

1:25:24.160 --> 1:25:26.599
<v Speaker 1>took off my hat, my hair I had long hair

1:25:26.720 --> 1:25:29.200
<v Speaker 1>like past my waist. Took off my hat, my hair

1:25:29.280 --> 1:25:30.880
<v Speaker 1>found out and passed my wais, took off my jacket,

1:25:30.960 --> 1:25:32.960
<v Speaker 1>threw it in the bushes, and I just sat there.

1:25:33.840 --> 1:25:35.439
<v Speaker 1>I just sit there at the bus stop, and that

1:25:35.600 --> 1:25:39.519
<v Speaker 1>cop rolled right past, didn't didn't put and two together,

1:25:39.600 --> 1:25:41.640
<v Speaker 1>recognized me because I had long ass hair, and I

1:25:41.800 --> 1:25:44.599
<v Speaker 1>wasn't wearing the same ass jacket and all that ship.

1:25:44.720 --> 1:25:45.840
<v Speaker 2>So anyway, I took it so.

1:25:47.680 --> 1:25:49.800
<v Speaker 1>Long the longer. The short is. I got on the

1:25:49.840 --> 1:25:52.560
<v Speaker 1>greyhound bus that day and went to the docks and

1:25:52.960 --> 1:25:55.800
<v Speaker 1>UH got hired immediately. As a matter of fact, they.

1:25:55.720 --> 1:25:58.120
<v Speaker 2>Were like, do you got anybody else? I was like,

1:25:58.160 --> 1:25:59.400
<v Speaker 2>we need to the whole room of people.

1:25:59.439 --> 1:26:02.400
<v Speaker 1>We got seven. They're like, bring them. Did you guys

1:26:02.439 --> 1:26:03.120
<v Speaker 1>make twenty grand?

1:26:04.000 --> 1:26:06.479
<v Speaker 2>No, it was a piece of ship. It was a

1:26:06.560 --> 1:26:07.439
<v Speaker 2>piece of ship.

1:26:08.240 --> 1:26:10.800
<v Speaker 1>The boat that we got on was left by a

1:26:10.920 --> 1:26:15.160
<v Speaker 1>Russian UH, a group of Russian fishermen that lost all

1:26:15.160 --> 1:26:17.439
<v Speaker 1>their money and they left it in Seattle. It got

1:26:17.520 --> 1:26:20.120
<v Speaker 1>bought by this It was a jump boat. We built

1:26:20.160 --> 1:26:22.920
<v Speaker 1>the motherfucker on the way out. Imagine me with a welder,

1:26:23.920 --> 1:26:28.479
<v Speaker 1>did no building this ship? Like you get this welder

1:26:28.520 --> 1:26:30.960
<v Speaker 1>and weld that ship like fucking like out there, like

1:26:31.120 --> 1:26:35.120
<v Speaker 1>like like like making the factory on the way to

1:26:35.200 --> 1:26:38.280
<v Speaker 1>SI while it's going to see like dumping tons of

1:26:38.479 --> 1:26:40.160
<v Speaker 1>rotten fish out of the bow and.

1:26:41.880 --> 1:26:42.439
<v Speaker 2>And trash.

1:26:42.960 --> 1:26:45.479
<v Speaker 1>Captain did that, by the way, that's a fucking ask. No,

1:26:46.000 --> 1:26:49.599
<v Speaker 1>he made us. We fucking so what kind of were

1:26:49.600 --> 1:26:51.000
<v Speaker 1>you guys, just any type of fish?

1:26:51.320 --> 1:26:51.439
<v Speaker 5>Was it?

1:26:51.560 --> 1:26:55.160
<v Speaker 1>Like fucking codfish mostly, and then like somehow a bit

1:26:56.040 --> 1:26:59.680
<v Speaker 1>a lot of illegal ship too, because he was a

1:26:59.720 --> 1:27:02.280
<v Speaker 1>piece of ship. What's in the ocean. You can't fish

1:27:02.320 --> 1:27:04.519
<v Speaker 1>on the season, like so if you like you can't

1:27:04.560 --> 1:27:07.400
<v Speaker 1>go out there and like you're dragging a net across

1:27:07.439 --> 1:27:09.880
<v Speaker 1>the bearing seas, are you gonna get everything? Did you

1:27:09.920 --> 1:27:13.880
<v Speaker 1>guys get it? Like any dolphins? Dude, like dolphins, fucking

1:27:14.320 --> 1:27:20.200
<v Speaker 1>octopuss likes. Oh, the eels are fucked up, brodude, the

1:27:20.439 --> 1:27:22.360
<v Speaker 1>halibits are fucked up. That there was a halibu that

1:27:22.400 --> 1:27:25.439
<v Speaker 1>got on the boat. And you know, we're fucking young fools,

1:27:25.880 --> 1:27:28.599
<v Speaker 1>so we're like wrestling this halibit. We're like fucking having

1:27:28.680 --> 1:27:31.400
<v Speaker 1>challenge and it's fucking this motherfucker jumped on the back

1:27:31.400 --> 1:27:34.240
<v Speaker 1>of his halibet and broke it. Broke his arm, broke

1:27:34.320 --> 1:27:36.240
<v Speaker 1>his arm, It pinned him against one of the fucking

1:27:36.320 --> 1:27:38.920
<v Speaker 1>cleaning things, and like you had to get helicoptered all ship.

1:27:39.080 --> 1:27:42.840
<v Speaker 1>Speaking of fishing, that whole that whole thing is you

1:27:42.920 --> 1:27:45.200
<v Speaker 1>know what I want to do, and you you have

1:27:45.280 --> 1:27:47.519
<v Speaker 1>to tell us where to do it at So me

1:27:47.680 --> 1:27:50.519
<v Speaker 1>and that Mexicano t we went boar hunting in Texas

1:27:50.560 --> 1:27:52.439
<v Speaker 1>out of a fucking helicopter with machine guns.

1:27:52.600 --> 1:27:54.760
<v Speaker 3>It was pretty gnarly. The next thing we want to

1:27:54.840 --> 1:27:58.960
<v Speaker 3>do and it's can we get some liquor? It's inspired liquor,

1:27:59.560 --> 1:28:02.320
<v Speaker 3>liquor extra quicker. It's inspired by what I saw you

1:28:02.560 --> 1:28:07.960
<v Speaker 3>doing with uh was his name, Rambo, your boys mboy,

1:28:08.680 --> 1:28:10.040
<v Speaker 3>the guy with the pet fucking possum.

1:28:10.760 --> 1:28:12.000
<v Speaker 1>But you guys were noodling.

1:28:13.000 --> 1:28:14.400
<v Speaker 2>Oh dude, you don't want no parts of that.

1:28:14.760 --> 1:28:16.800
<v Speaker 1>It's not fun because we're thinking like we're like, yo,

1:28:16.880 --> 1:28:18.680
<v Speaker 1>we gotta do another YouTube video where we go where

1:28:18.720 --> 1:28:20.760
<v Speaker 1>we go fishing or something. And I was like, dude,

1:28:21.080 --> 1:28:23.679
<v Speaker 1>I remember yellow If used to noodle and he would

1:28:24.320 --> 1:28:26.880
<v Speaker 1>fucking get on his fucking knees and you'd grab the

1:28:26.920 --> 1:28:30.400
<v Speaker 1>catfish out of the mud. You know what I realized, man,

1:28:30.520 --> 1:28:34.560
<v Speaker 1>about myself is that, you know, a lot of that

1:28:34.720 --> 1:28:39.280
<v Speaker 1>ship is just like yeah, I'll do it because I

1:28:39.320 --> 1:28:40.200
<v Speaker 1>don't give a fuck.

1:28:41.479 --> 1:28:42.479
<v Speaker 2>The other part is.

1:28:42.720 --> 1:28:44.720
<v Speaker 1>I'm too boogie for that ship. I don't want to

1:28:44.800 --> 1:28:48.280
<v Speaker 1>fucking do that ship. Like dude, Like dude, i'd do

1:28:48.439 --> 1:28:52.560
<v Speaker 1>like one thing, you know, and like I'm like, man, motherfucker,

1:28:53.200 --> 1:28:55.400
<v Speaker 1>I'll buy my attacks of durmy, I ain't gonna go

1:28:55.479 --> 1:28:57.479
<v Speaker 1>sit in the woods in the fucking in the cold,

1:28:57.560 --> 1:28:59.840
<v Speaker 1>and and like you know, there's a there's this whole

1:28:59.880 --> 1:29:02.759
<v Speaker 1>thing in country, in the South, in particularly, they always

1:29:02.760 --> 1:29:04.840
<v Speaker 1>want to tap in on how country you are, how

1:29:04.960 --> 1:29:05.759
<v Speaker 1>you wait country.

1:29:06.240 --> 1:29:08.640
<v Speaker 2>You don't do this, you don't do that.

1:29:09.920 --> 1:29:12.760
<v Speaker 1>Liken't fucking don't test me, mother. I get out there

1:29:12.800 --> 1:29:16.200
<v Speaker 1>and get bucked with yours, trust me, But I don't

1:29:16.280 --> 1:29:18.439
<v Speaker 1>like it. I'm cool. You've also gotten to the point

1:29:18.439 --> 1:29:20.040
<v Speaker 1>in life where you know you're like, hey, I've done it,

1:29:20.360 --> 1:29:24.040
<v Speaker 1>thank you. I didn't make noodling a habit. Look, okay,

1:29:24.080 --> 1:29:27.599
<v Speaker 1>imagine this all right, And to some people this is okay.

1:29:27.760 --> 1:29:30.160
<v Speaker 1>People don't know. Noodling is catching catfish by you're going

1:29:30.200 --> 1:29:34.720
<v Speaker 1>to describe it, okay, Noodling is when you let's just say,

1:29:34.800 --> 1:29:37.280
<v Speaker 1>I don't know if anyone who's watching has ever seen

1:29:37.840 --> 1:29:39.800
<v Speaker 1>like a boat dock. It's like a met It's like

1:29:39.840 --> 1:29:42.120
<v Speaker 1>a concrete boat dock that goes into a river or

1:29:42.120 --> 1:29:45.720
<v Speaker 1>a lake. Right, you've seen them. They they they that's

1:29:45.760 --> 1:29:47.599
<v Speaker 1>how they get their boats into the water. You back

1:29:47.640 --> 1:29:51.200
<v Speaker 1>your truck hand or whatever. Right, so they're all over

1:29:51.280 --> 1:29:55.519
<v Speaker 1>the rivers and ship. So up underneath that this is

1:29:55.640 --> 1:29:57.200
<v Speaker 1>just one place to noodle. There's a lot of place

1:29:57.240 --> 1:29:59.559
<v Speaker 1>of noodles. But where I was taken was a boat

1:29:59.640 --> 1:30:02.800
<v Speaker 1>dock or a boat ramp, boat ramp, boat ramp, My bad.

1:30:05.000 --> 1:30:08.080
<v Speaker 1>So up under that boat ramp there's a gap, you

1:30:08.160 --> 1:30:10.800
<v Speaker 1>know what I'm saying, where like the water and the

1:30:10.920 --> 1:30:14.360
<v Speaker 1>mud and the tide and the fucking current has has

1:30:14.640 --> 1:30:17.280
<v Speaker 1>built a gap. And catfish like to go and bed

1:30:17.479 --> 1:30:21.759
<v Speaker 1>down in places they can hide, right, and if anything

1:30:21.880 --> 1:30:24.720
<v Speaker 1>comes in that particular space, they eat it, you know,

1:30:24.920 --> 1:30:27.919
<v Speaker 1>like they just like It's like it's like you imagine

1:30:27.960 --> 1:30:30.840
<v Speaker 1>going into a cave and you're like, oh, you just

1:30:31.920 --> 1:30:34.120
<v Speaker 1>ate up, you know, Like that's how they do it,

1:30:34.320 --> 1:30:42.040
<v Speaker 1>you know. But so you use your hands as a bait. Okay,

1:30:45.160 --> 1:30:50.160
<v Speaker 1>it's just your hand is just interference to its space.

1:30:50.360 --> 1:30:53.120
<v Speaker 1>It's not hungry for your hand. It's just like, get

1:30:53.160 --> 1:30:55.600
<v Speaker 1>the fuck out of what the fucker what is this?

1:30:55.840 --> 1:30:57.240
<v Speaker 1>The thing is is to bite your hand. You pull

1:30:57.320 --> 1:31:04.559
<v Speaker 1>it out, right, Okay. So Cambo is like fucking put

1:31:04.600 --> 1:31:06.760
<v Speaker 1>your fucking hand in there and fucking pull him out.

1:31:07.120 --> 1:31:08.920
<v Speaker 1>He'll go under water and he comes back and goes

1:31:09.000 --> 1:31:09.679
<v Speaker 1>like I got one.

1:31:10.240 --> 1:31:15.080
<v Speaker 2>There's one in there, and I'm like, dog for real.

1:31:15.200 --> 1:31:17.280
<v Speaker 1>He's like, no, there's one in there. It's big too,

1:31:18.080 --> 1:31:21.599
<v Speaker 1>get out in there. And I'm like, fuck, I'm already committed.

1:31:21.640 --> 1:31:24.080
<v Speaker 1>There's cameras browling this ship. I'm like, fuck. Fuck.

1:31:24.920 --> 1:31:27.040
<v Speaker 2>So I go up under the water and stick.

1:31:26.840 --> 1:31:30.280
<v Speaker 1>My hand down in that hole and I feel this

1:31:30.479 --> 1:31:34.360
<v Speaker 1>slimy bastard's fucking I'm like, ah, I goes. I can't

1:31:34.360 --> 1:31:35.880
<v Speaker 1>do it, can't do it, can't do it. It's crazy.

1:31:36.240 --> 1:31:39.160
<v Speaker 1>He's like, nah, just fucking do it. I fucking did it, man.

1:31:39.200 --> 1:31:44.400
<v Speaker 1>I fucking got down in there. Let him. The sensation

1:31:44.640 --> 1:31:47.599
<v Speaker 1>of an animal biting you, biting you on the hand

1:31:48.560 --> 1:31:52.960
<v Speaker 1>is not a good talk. Fuck, take me to the camper,

1:31:53.760 --> 1:31:56.720
<v Speaker 1>give me my fucking saint lawns. I'm fucking out of here.

1:31:56.760 --> 1:31:56.880
<v Speaker 5>Bro.

1:31:57.200 --> 1:31:59.800
<v Speaker 1>Let me know when it's give me my cowboy boots

1:32:00.200 --> 1:32:02.400
<v Speaker 1>played when it's called nice clean truck. I ain't trying

1:32:02.400 --> 1:32:05.760
<v Speaker 1>to take my ship, Motherbo out of here. I just

1:32:05.880 --> 1:32:07.000
<v Speaker 1>that was a real moment for me.

1:32:07.200 --> 1:32:09.680
<v Speaker 2>I've did a lot with Cambo, though, anything Cambo.

1:32:09.479 --> 1:32:11.519
<v Speaker 1>Would do, I would do, such a sick following ig

1:32:12.439 --> 1:32:16.040
<v Speaker 1>walk walk a swamp with him, do anything he wanted

1:32:16.080 --> 1:32:17.720
<v Speaker 1>to do because I'm about it. I'm about it. If

1:32:17.720 --> 1:32:19.559
<v Speaker 1>I ain't gonna fucking like didn't try to get him

1:32:19.560 --> 1:32:21.320
<v Speaker 1>a TV show or wasn't there TV show being worked.

1:32:21.120 --> 1:32:22.479
<v Speaker 2>On, I gave him a TV show.

1:32:22.479 --> 1:32:25.439
<v Speaker 1>I got him two million dollars bro crazy, I'm two

1:32:25.479 --> 1:32:27.599
<v Speaker 1>million dollars, two million dollar budget under.

1:32:27.920 --> 1:32:29.240
<v Speaker 2>Yeah, we did it.

1:32:29.720 --> 1:32:30.240
<v Speaker 1>It's a thing.

1:32:30.439 --> 1:32:32.080
<v Speaker 2>He was making like five bands of show.

1:32:32.680 --> 1:32:39.160
<v Speaker 1>He spent it all on guns and truck parts. Went

1:32:39.240 --> 1:32:45.400
<v Speaker 1>Bro love you, Cambo Truth, truth, dark Truth, what a

1:32:45.439 --> 1:32:47.560
<v Speaker 1>truth Dart? Truth Dart. We call him. Hit you with

1:32:47.640 --> 1:32:50.240
<v Speaker 1>the truth. He knows it. He don't give a fuck.

1:32:50.280 --> 1:32:52.439
<v Speaker 1>I love him. He knows what he did. I was

1:32:52.479 --> 1:32:55.439
<v Speaker 1>gonna ask you. He built like a shack on the

1:32:55.560 --> 1:33:01.800
<v Speaker 1>river with fucking like old cabin wood and built the fire. Dude.

1:33:01.800 --> 1:33:03.519
<v Speaker 2>These fools were like he was so crazy, man.

1:33:03.600 --> 1:33:05.920
<v Speaker 1>This fool was like he was like, oh man, watch this,

1:33:06.280 --> 1:33:08.439
<v Speaker 1>and fucking like he would let people like shoot guns

1:33:08.479 --> 1:33:10.439
<v Speaker 1>off his head with like a twenty two Like I

1:33:10.479 --> 1:33:12.439
<v Speaker 1>don't remember following him, and I'd be uneasy with some

1:33:12.479 --> 1:33:14.200
<v Speaker 1>of the shit. He was like shoot beer cans off

1:33:14.240 --> 1:33:16.400
<v Speaker 1>of each other's heads with like twenty two's and shit,

1:33:17.640 --> 1:33:18.320
<v Speaker 1>no that's missed.

1:33:18.640 --> 1:33:20.800
<v Speaker 2>That boy was about it, about it.

1:33:21.240 --> 1:33:25.559
<v Speaker 1>You know what I'm saying, Like Ben here, Ben Trull's.

1:33:25.280 --> 1:33:31.320
<v Speaker 3>It's interesting because I feel like, you know, like you said,

1:33:31.320 --> 1:33:34.800
<v Speaker 3>you're not like super paying attention to every single thing

1:33:34.840 --> 1:33:35.559
<v Speaker 3>that goes on into.

1:33:35.640 --> 1:33:38.080
<v Speaker 2>Not even super barely barely right, No.

1:33:38.800 --> 1:33:42.760
<v Speaker 3>But I do wonder, like, you know, I feel like

1:33:42.840 --> 1:33:45.960
<v Speaker 3>when you first came out, it felt like there was

1:33:46.040 --> 1:33:51.439
<v Speaker 3>this scramble to be like the the white rapper right

1:33:51.760 --> 1:33:54.880
<v Speaker 3>as opposed to like just being another rapper, because at

1:33:54.920 --> 1:34:00.800
<v Speaker 3>that time it was like Eminem and then whoever was next,

1:34:01.240 --> 1:34:03.160
<v Speaker 3>and then it was like at the time, it felt

1:34:03.200 --> 1:34:05.320
<v Speaker 3>like there's only room. It's almost like the female rapper

1:34:05.360 --> 1:34:06.920
<v Speaker 3>thing that happened for a while when Nikki had the

1:34:06.960 --> 1:34:09.080
<v Speaker 3>crown for so long, and now there's this female But

1:34:09.240 --> 1:34:14.200
<v Speaker 3>nowadays it feels like the white rapper thing has finally

1:34:14.280 --> 1:34:16.400
<v Speaker 3>kind of went away in terms of like if someone's dope,

1:34:16.400 --> 1:34:16.720
<v Speaker 3>they're just.

1:34:16.800 --> 1:34:19.439
<v Speaker 1>Dope, like like have you noticed that? And then also

1:34:19.560 --> 1:34:21.800
<v Speaker 1>on the other end of it, there's this like really dark,

1:34:21.920 --> 1:34:25.200
<v Speaker 1>like weird sub genre of like white boy. Well, I

1:34:25.320 --> 1:34:27.000
<v Speaker 1>just I just want to speak on female rappers for

1:34:27.080 --> 1:34:32.880
<v Speaker 1>a second. Hold up, Bahamadia was amazing, Lady Bug from

1:34:32.960 --> 1:34:40.040
<v Speaker 1>Diggable Planets, uh Rodga, Lady of Rage. Thanks, Gangsta boob

1:34:40.479 --> 1:34:43.280
<v Speaker 1>rest in Peace, Yes, thank you so much, and fucking

1:34:43.439 --> 1:34:52.599
<v Speaker 1>like Lauren Hill, Queen Latifa, Yes, thank you. Like I'm

1:34:52.680 --> 1:34:59.519
<v Speaker 1>not sure Foxy Brown course, yeah, do we say that, Brad,

1:34:59.560 --> 1:35:02.599
<v Speaker 1>We said it's right, right yeh boss.

1:35:04.840 --> 1:35:05.040
<v Speaker 4>Ooh.

1:35:06.200 --> 1:35:07.880
<v Speaker 1>I don't give a fuck, not a single fuck, not

1:35:07.920 --> 1:35:10.400
<v Speaker 1>a single solitary fuck, remember that shit? Dude? Come on?

1:35:11.479 --> 1:35:15.360
<v Speaker 1>Uh so, like I I'm not sure where like the

1:35:16.080 --> 1:35:25.320
<v Speaker 1>culture forgot, but you know, uhr Jazzy Joyce, DJ Jazzy Joyce,

1:35:25.760 --> 1:35:27.680
<v Speaker 1>you know what I mean, Like, come on, man, like

1:35:27.920 --> 1:35:30.120
<v Speaker 1>they've they've.

1:35:30.000 --> 1:35:31.640
<v Speaker 2>Always been present and I don't know.

1:35:32.120 --> 1:35:34.280
<v Speaker 3>There was that era which was amazing, but I feel

1:35:34.320 --> 1:35:36.840
<v Speaker 3>like I feel like in like the twenty tens, it

1:35:37.000 --> 1:35:40.479
<v Speaker 3>felt like there was It was a little harder if

1:35:40.560 --> 1:35:43.639
<v Speaker 3>you weren't Nikki to have a spot. But nowadays women

1:35:43.760 --> 1:35:46.960
<v Speaker 3>run hip hop like like, I don't know how much

1:35:46.960 --> 1:35:48.720
<v Speaker 3>you pay attention, but now the biggest records are all

1:35:48.760 --> 1:35:51.639
<v Speaker 3>women artists and there's not like, oh, she's the chick

1:35:51.680 --> 1:35:54.400
<v Speaker 3>of the crew or she's the chick. Uh you know, yeah,

1:35:54.400 --> 1:35:55.960
<v Speaker 3>we gotta sign a girl. Like you know, back in

1:35:56.000 --> 1:35:57.800
<v Speaker 3>the day, every crew have like a female, the first

1:35:57.840 --> 1:36:00.519
<v Speaker 3>lady of whatever label you had. Now days it's like

1:36:00.680 --> 1:36:03.040
<v Speaker 3>all of the women in hip hop are literally.

1:36:03.360 --> 1:36:06.720
<v Speaker 1>Oh and also, I say, Blondie, you want to talk

1:36:06.720 --> 1:36:10.599
<v Speaker 1>about first white rappers? Blondie the Rapture, Yeah, the Rapture, Yeah,

1:36:10.720 --> 1:36:13.120
<v Speaker 1>come on, if you really want to go there, you

1:36:13.160 --> 1:36:15.400
<v Speaker 1>know what I mean. Like so like I mean like

1:36:16.120 --> 1:36:21.360
<v Speaker 1>like it's just like the the press. I don't it's

1:36:21.360 --> 1:36:24.840
<v Speaker 1>hard for me to digest, like ignoring the presence that's

1:36:24.880 --> 1:36:26.960
<v Speaker 1>always been there and then saying, oh, now it's this,

1:36:27.160 --> 1:36:29.559
<v Speaker 1>now it's that. So like what as far as white

1:36:29.640 --> 1:36:33.800
<v Speaker 1>rappers go, I was just raised on like real shit,

1:36:34.120 --> 1:36:37.200
<v Speaker 1>you know what I mean. And for the brief time

1:36:38.200 --> 1:36:40.639
<v Speaker 1>that I was a kid, and I was a fan

1:36:40.720 --> 1:36:44.639
<v Speaker 1>of Vanilla Ice, right, and then I saw him get

1:36:44.720 --> 1:36:49.160
<v Speaker 1>called out and then third base called him out and

1:36:50.240 --> 1:36:53.880
<v Speaker 1>then and then all of a sudden, exactly search so

1:36:54.479 --> 1:36:58.320
<v Speaker 1>and so I was like, oh fuck, I kind of

1:36:58.640 --> 1:37:00.519
<v Speaker 1>I caught the okie doke on that one, you know

1:37:00.520 --> 1:37:03.200
<v Speaker 1>what I mean. I kind of got like played, you

1:37:03.240 --> 1:37:06.719
<v Speaker 1>know what I mean. Then he got on our senior

1:37:06.840 --> 1:37:09.800
<v Speaker 1>hall and it was a real rap for me, you

1:37:09.880 --> 1:37:12.040
<v Speaker 1>know what I mean. And but I had like white

1:37:12.080 --> 1:37:17.000
<v Speaker 1>rappers around my neighborhood, like Eric mcinally the South Side hustler,

1:37:17.240 --> 1:37:19.519
<v Speaker 1>you know that at the time, was like a real

1:37:19.600 --> 1:37:21.760
<v Speaker 1>dope boy, a real street guy, you know what I'm saying,

1:37:21.760 --> 1:37:24.160
<v Speaker 1>that had like real records on the streets, a white boy.

1:37:24.280 --> 1:37:28.840
<v Speaker 1>But you know, in Antioch at that particular time, it

1:37:29.040 --> 1:37:30.880
<v Speaker 1>was like there was a lot of that shit going on.

1:37:31.360 --> 1:37:34.840
<v Speaker 1>You know, that white boy's rolling around my neighborhood with

1:37:35.240 --> 1:37:38.400
<v Speaker 1>gold teeth and corn rolls that didn't give a fuck

1:37:38.520 --> 1:37:41.800
<v Speaker 1>about being a rapper, right There wasn't about hip hop.

1:37:41.880 --> 1:37:44.000
<v Speaker 1>It was just about what they did and who they were,

1:37:44.200 --> 1:37:47.439
<v Speaker 1>and so they would tap in and so you really

1:37:47.520 --> 1:37:49.840
<v Speaker 1>had to check out, you know, like when you're coming

1:37:49.880 --> 1:37:53.679
<v Speaker 1>around a neighborhood that listened to fucking eight ball, MJG

1:37:53.880 --> 1:37:57.880
<v Speaker 1>three six, Mafia, Suave House, you know, like that's kind

1:37:57.880 --> 1:38:01.919
<v Speaker 1>of that runs the gamut, you know around the Tennessee

1:38:02.040 --> 1:38:07.240
<v Speaker 1>Sound at the time. Uh, you really had to tap

1:38:07.320 --> 1:38:09.840
<v Speaker 1>in and and and there was no one really doing it,

1:38:10.160 --> 1:38:12.800
<v Speaker 1>you know. So when I was around again, like hustling flow,

1:38:14.280 --> 1:38:17.400
<v Speaker 1>you know, you know, you talk about nineteen ninety seven

1:38:17.479 --> 1:38:24.439
<v Speaker 1>at the Atrium, me pulling up you know, to see

1:38:24.479 --> 1:38:28.280
<v Speaker 1>through six Mafia and Mystic may be crazy. It was

1:38:28.439 --> 1:38:33.000
<v Speaker 1>fucking crazy. But let me tell you white boys nowhere

1:38:34.000 --> 1:38:36.320
<v Speaker 1>nowhere like I, you know what I mean, Like I

1:38:36.360 --> 1:38:40.600
<v Speaker 1>didn't see ninety, I didn't see any you know, not

1:38:40.720 --> 1:38:44.280
<v Speaker 1>that I was looking, but it's noticeable, like okay, whatever,

1:38:44.720 --> 1:38:47.560
<v Speaker 1>But you know it's like but and whom I came with,

1:38:47.960 --> 1:38:50.479
<v Speaker 1>you know, or my family, you know what I mean,

1:38:50.600 --> 1:38:52.200
<v Speaker 1>people that I grew up in my neighborhood with.

1:38:52.360 --> 1:38:54.599
<v Speaker 2>So I was kind of cut from a different crop,

1:38:54.800 --> 1:38:54.960
<v Speaker 2>you know.

1:38:55.000 --> 1:38:57.640
<v Speaker 1>I started with my verses in the streets, like you know,

1:38:57.800 --> 1:38:59.960
<v Speaker 1>like in the projects, like really out of box chevyes,

1:39:00.080 --> 1:39:04.800
<v Speaker 1>like pulling up to like like like lodges, you know

1:39:04.840 --> 1:39:08.200
<v Speaker 1>what I mean, like like like the Elks Lodge two

1:39:08.320 --> 1:39:11.360
<v Speaker 1>thirty one, you know, like that type ship like and

1:39:11.600 --> 1:39:15.360
<v Speaker 1>like not rap battling per se, but but just circle,

1:39:15.560 --> 1:39:18.599
<v Speaker 1>like a circle of rappers, you know, back in the day,

1:39:18.840 --> 1:39:20.800
<v Speaker 1>fucking like when I was coming up you and fucking

1:39:21.120 --> 1:39:23.439
<v Speaker 1>you know, dis somebody you get slapped up, you know

1:39:23.479 --> 1:39:25.920
<v Speaker 1>what I mean, Like just wrap your ship, you know,

1:39:26.080 --> 1:39:29.320
<v Speaker 1>don't well you don't diss me, you know, like just

1:39:29.479 --> 1:39:31.720
<v Speaker 1>tell your tell your thing, and it was move on.

1:39:31.920 --> 1:39:34.840
<v Speaker 1>It was Cadillac shit, you know yeah, like like recipes

1:39:34.960 --> 1:39:37.640
<v Speaker 1>like Pimpseason, like these country rap tunes, you know, so

1:39:37.760 --> 1:39:39.280
<v Speaker 1>get in there, you know what I mean. So that's

1:39:39.320 --> 1:39:40.680
<v Speaker 1>kind of the world that I grew up in. And

1:39:40.760 --> 1:39:43.320
<v Speaker 1>so I was raised, you know, like come on man,

1:39:43.479 --> 1:39:47.839
<v Speaker 1>like you know, having to go to Bankhead and Bankhead,

1:39:47.880 --> 1:39:53.240
<v Speaker 1>Georgia and Bessemer Birmingham, Alabama, like popping the trunk on

1:39:53.280 --> 1:39:55.639
<v Speaker 1>the Chevy and selling selling tapes out of my out

1:39:55.680 --> 1:39:57.959
<v Speaker 1>of my box Chevy at the gas station and Bessemer

1:39:58.760 --> 1:40:02.920
<v Speaker 1>like dolo, you know, just so the white boy thing

1:40:03.120 --> 1:40:08.200
<v Speaker 1>was of course I was aware, but at the same time,

1:40:08.360 --> 1:40:11.000
<v Speaker 1>like I felt, I always felt.

1:40:12.640 --> 1:40:16.439
<v Speaker 2>I felt uh worthy, I felt worthy.

1:40:17.200 --> 1:40:20.320
<v Speaker 1>I mean, you were a hip hop for real, yeah, respectfully. Yeah, yeah,

1:40:20.439 --> 1:40:22.680
<v Speaker 1>you know, because I had already dug dug down in

1:40:22.760 --> 1:40:26.719
<v Speaker 1>the graffiti scene, the b boys scene, the skateboarding scene.

1:40:27.280 --> 1:40:28.920
<v Speaker 1>You know, this is me like as a kid, like

1:40:29.120 --> 1:40:31.960
<v Speaker 1>doing the like the promotion for the Daylight Soul, and

1:40:32.080 --> 1:40:34.679
<v Speaker 1>now I had had bumped down, back down it back

1:40:34.800 --> 1:40:40.200
<v Speaker 1>down to Alabama after kicking it in Harlem with Pete Rock,

1:40:41.120 --> 1:40:43.680
<v Speaker 1>you know, and and and like I had all this,

1:40:43.920 --> 1:40:45.639
<v Speaker 1>all these things going on in the hip hop world

1:40:45.680 --> 1:40:49.519
<v Speaker 1>that I carried back into Alabama because and you're.

1:40:49.439 --> 1:40:51.160
<v Speaker 3>Doing and you're and you and you're I mean, the

1:40:51.240 --> 1:40:54.080
<v Speaker 3>thing is is like rac aside, like if you're gonna

1:40:54.120 --> 1:40:58.599
<v Speaker 3>move with integrity and like high artistic value in this game,

1:40:58.840 --> 1:41:01.680
<v Speaker 3>like you know, that's why you've had the longevity you've had,

1:41:01.840 --> 1:41:03.720
<v Speaker 3>Like you know, it's it's it feels like a lot

1:41:03.800 --> 1:41:05.439
<v Speaker 3>of the ship that I'll see nowadays in like this

1:41:05.560 --> 1:41:09.880
<v Speaker 3>weird like sub genre like underbelly of like what you

1:41:09.920 --> 1:41:12.160
<v Speaker 3>would call white hip hop is like just weird.

1:41:12.280 --> 1:41:14.280
<v Speaker 1>Short term pandem Is it even a thing?

1:41:14.439 --> 1:41:14.599
<v Speaker 5>Though?

1:41:14.680 --> 1:41:16.599
<v Speaker 1>It's a thang, bro, It's a thang for sure. White

1:41:16.680 --> 1:41:19.360
<v Speaker 1>hip hop is a thing that the fucking the like

1:41:19.560 --> 1:41:22.439
<v Speaker 1>there's like a little like weird little fucking pocket bro

1:41:22.560 --> 1:41:25.320
<v Speaker 1>where motherfucker's is like is it like it has it been?

1:41:25.479 --> 1:41:27.479
<v Speaker 2>Like has it has it?

1:41:28.880 --> 1:41:28.920
<v Speaker 5>What?

1:41:29.479 --> 1:41:32.040
<v Speaker 2>So there's a whay do I fall in that in

1:41:32.120 --> 1:41:33.639
<v Speaker 2>your opinion? If you could say, like, oh.

1:41:33.640 --> 1:41:35.679
<v Speaker 1>I think you're I think I think that you're perceived

1:41:35.720 --> 1:41:38.439
<v Speaker 1>to be like bigger than that whole, like an artist,

1:41:39.320 --> 1:41:42.439
<v Speaker 1>an actual art fucking like yeah, like a real artist. Yeah,

1:41:43.800 --> 1:41:45.920
<v Speaker 1>so I think that's why you know, that's tough.

1:41:46.120 --> 1:41:48.040
<v Speaker 3>Yeah, because I mean, lookten, dude, at the end of

1:41:48.040 --> 1:41:53.160
<v Speaker 3>the day, like there there's you know, I think longevity

1:41:53.840 --> 1:41:54.679
<v Speaker 3>is the key.

1:41:55.360 --> 1:41:58.000
<v Speaker 1>You know, You've you've had twenty five years.

1:41:58.680 --> 1:41:59.920
<v Speaker 3>If you go back to when you were on that

1:42:00.040 --> 1:42:03.320
<v Speaker 3>fucking TV show, when you were contestant on that TV show,

1:42:03.360 --> 1:42:03.800
<v Speaker 3>was hear me.

1:42:03.800 --> 1:42:04.720
<v Speaker 2>Shock the world right now?

1:42:04.960 --> 1:42:08.960
<v Speaker 1>Go ahead? I'm not really white? What are your native? Yeah,

1:42:09.200 --> 1:42:13.360
<v Speaker 1>I'm part Native American, Blackfoot, and Cherokee. I'm not a

1:42:13.439 --> 1:42:15.360
<v Speaker 1>full blooded white boy. The reason why I took on

1:42:15.439 --> 1:42:17.760
<v Speaker 1>the whiteboard, Moniker, is because I was called a white boy.

1:42:18.800 --> 1:42:21.720
<v Speaker 1>That's it. And if I'm called that and you want

1:42:21.800 --> 1:42:23.439
<v Speaker 1>me to be that, then I'm gonna use it to

1:42:23.560 --> 1:42:28.559
<v Speaker 1>my strength. I'm not a fucking Caucasian from the Caucasus

1:42:28.640 --> 1:42:32.439
<v Speaker 1>mountains with not from fucking Norway, dog like like I

1:42:32.880 --> 1:42:35.240
<v Speaker 1>grew up in the gutter of Alabama, you know, part

1:42:35.320 --> 1:42:40.400
<v Speaker 1>Native American, you know, And that's what yellow Wolf is. Idiot, Like,

1:42:40.560 --> 1:42:43.320
<v Speaker 1>come on, you couldn't see past that. You think I

1:42:43.400 --> 1:42:45.640
<v Speaker 1>got red tattooed on my neck because I'm a red neck.

1:42:45.680 --> 1:42:48.800
<v Speaker 1>I got red tattooed on my neck because that's what

1:42:49.000 --> 1:42:51.400
<v Speaker 1>you said. It was ironic. It was ironic tattoo. Yeah,

1:42:51.680 --> 1:42:54.120
<v Speaker 1>that's what you said. That's the If you put that

1:42:54.400 --> 1:42:57.560
<v Speaker 1>stereotype on me, then I'm gonna run with it. And

1:42:57.960 --> 1:43:02.600
<v Speaker 1>you know, but you know I but then it became affectionate,

1:43:03.600 --> 1:43:06.040
<v Speaker 1>like oh, white boy, white boy, white boy, white boy.

1:43:07.560 --> 1:43:10.360
<v Speaker 1>I fuck it. I used to get pissed. When I

1:43:10.479 --> 1:43:12.519
<v Speaker 1>was a kid, was like fifteen, sixteen years old.

1:43:13.280 --> 1:43:14.360
<v Speaker 2>It was fight music.

1:43:14.439 --> 1:43:16.320
<v Speaker 1>If you said that to me, well, I feel like

1:43:16.400 --> 1:43:17.840
<v Speaker 1>you carried like a boulder.

1:43:17.560 --> 1:43:19.800
<v Speaker 3>On your shoulder against all the other white rappers for

1:43:19.920 --> 1:43:21.960
<v Speaker 3>like at least a few years when you first came out, Well,

1:43:22.040 --> 1:43:24.600
<v Speaker 3>it just became like if you like, if like And

1:43:24.680 --> 1:43:27.040
<v Speaker 3>then Mac Miller happened, and Mac Miller was like, this

1:43:27.200 --> 1:43:27.719
<v Speaker 3>is Mac Miller.

1:43:27.760 --> 1:43:29.720
<v Speaker 1>He's like the coolest dude ever. Like, we love Mac.

1:43:29.800 --> 1:43:34.040
<v Speaker 1>Mac was the best. Mac is the best dude. I'm

1:43:34.439 --> 1:43:36.000
<v Speaker 1>rest in peace, man. I just took this down, and

1:43:36.080 --> 1:43:37.120
<v Speaker 1>I gotta hate it somewhere else.

1:43:37.840 --> 1:43:38.800
<v Speaker 2>I love Max so much.

1:43:38.880 --> 1:43:42.800
<v Speaker 1>When Mac passed, dude, I was so hurt from that

1:43:43.720 --> 1:43:47.040
<v Speaker 1>that I gave away everything I owned. That's a true story.

1:43:47.200 --> 1:43:50.519
<v Speaker 1>Wait wait, explain. I gave away every article of clothing

1:43:50.600 --> 1:43:52.880
<v Speaker 1>that I owned when Mac when Mac passed the next day,

1:43:53.000 --> 1:43:55.720
<v Speaker 1>just because I felt like I needed to do something nice, like.

1:43:56.920 --> 1:43:57.599
<v Speaker 2>Dude, that kid.

1:43:59.080 --> 1:44:03.880
<v Speaker 1>I mean, no one really knew how cool he and

1:44:04.000 --> 1:44:06.760
<v Speaker 1>I really were because we didn't do music, you know

1:44:06.800 --> 1:44:07.280
<v Speaker 1>what I'm saying.

1:44:07.320 --> 1:44:09.240
<v Speaker 2>But like that kid was like.

1:44:10.880 --> 1:44:13.839
<v Speaker 1>When we first kicked it, he it was the cipher.

1:44:15.240 --> 1:44:17.200
<v Speaker 1>It wasn't even a cipher. It was like a freestyle

1:44:17.360 --> 1:44:20.160
<v Speaker 1>for the Double Excel cover, right, so like everybody did,

1:44:20.280 --> 1:44:23.840
<v Speaker 1>everybody had their verse, right yeah, and Mac, dude, he

1:44:23.960 --> 1:44:27.200
<v Speaker 1>might have been god nineteen.

1:44:27.520 --> 1:44:28.640
<v Speaker 2>I mean he was young a kid.

1:44:28.760 --> 1:44:29.599
<v Speaker 1>He was a kid for real.

1:44:30.439 --> 1:44:33.559
<v Speaker 9>And I pulled a cigarette out and like we were

1:44:33.640 --> 1:44:37.400
<v Speaker 9>chilling his lip. He's like, oh, that's what we're doing,

1:44:37.439 --> 1:44:39.160
<v Speaker 9>you know. He pulled a cigarette and he bucking lit

1:44:39.200 --> 1:44:43.600
<v Speaker 9>a cigarette up. Oh like and it was like a

1:44:43.920 --> 1:44:48.360
<v Speaker 9>very like a like affectionate kind of like like almost

1:44:48.360 --> 1:44:50.320
<v Speaker 9>an instant big brother role, you know what I mean,

1:44:50.479 --> 1:44:53.200
<v Speaker 9>Like all right, dude, like let's go.

1:44:53.400 --> 1:44:57.120
<v Speaker 1>You know, I see you, you know. And he went

1:44:57.200 --> 1:45:01.280
<v Speaker 1>on to make incredible music, obviously amazing time music, and uh,

1:45:02.160 --> 1:45:05.840
<v Speaker 1>like we've done tours together, dude, shows like fucking I've

1:45:05.880 --> 1:45:08.280
<v Speaker 1>done shows with Mac and the Swiss Alps bro like

1:45:09.160 --> 1:45:11.680
<v Speaker 1>like we were. That was my homie. Man.

1:45:12.040 --> 1:45:13.720
<v Speaker 2>So anyway, when he passed.

1:45:15.040 --> 1:45:20.680
<v Speaker 1>And I had just text him like weeks before, just

1:45:20.840 --> 1:45:23.719
<v Speaker 1>tapping in, you know what I mean, And when he passed,

1:45:23.760 --> 1:45:27.080
<v Speaker 1>I was like, Man, I'm just I just need to

1:45:27.600 --> 1:45:29.840
<v Speaker 1>I need to purge, you know what I mean, Like

1:45:30.080 --> 1:45:34.200
<v Speaker 1>I've got too much. You know, I've got too much.

1:45:34.760 --> 1:45:38.439
<v Speaker 1>I have too many things, like I didn't feel worthy of.

1:45:38.600 --> 1:45:41.599
<v Speaker 1>Sometimes having too much shit can bog you down mentally,

1:45:41.680 --> 1:45:43.880
<v Speaker 1>too nah for real. So I just took all my

1:45:44.000 --> 1:45:46.040
<v Speaker 1>ship and put it on hangers and set it outside

1:45:46.120 --> 1:45:49.200
<v Speaker 1>my store and I told everybody I put it on Instagram,

1:45:49.439 --> 1:45:51.800
<v Speaker 1>come get it. You come get an outfit, you know,

1:45:52.000 --> 1:45:56.439
<v Speaker 1>like jewelry, hats, shoes, clothes, everything I gave away, like man,

1:45:56.840 --> 1:45:59.040
<v Speaker 1>I don't know like one hundred thousand dollars worth of

1:45:59.080 --> 1:46:03.599
<v Speaker 1>fucking fashion, just dumped it all and started over, started

1:46:03.680 --> 1:46:04.519
<v Speaker 1>my my collection.

1:46:04.680 --> 1:46:07.800
<v Speaker 3>Over Rest in Peace, Man, Rest in peace to Mac.

1:46:08.560 --> 1:46:10.120
<v Speaker 3>Before we wrap, I want to go through a couple

1:46:10.160 --> 1:46:14.200
<v Speaker 3>of quick hits. One would be uh one Train, which

1:46:14.240 --> 1:46:17.559
<v Speaker 3>is one of the most probably the last great hip

1:46:17.600 --> 1:46:18.360
<v Speaker 3>hop posse cut.

1:46:18.439 --> 1:46:25.439
<v Speaker 1>We've gotten you murdered it obviously, what was when you

1:46:25.600 --> 1:46:27.360
<v Speaker 1>got it? Did you know who was on it? No,

1:46:29.080 --> 1:46:33.559
<v Speaker 1>here's the beat. Do what you do? So ASA sent

1:46:33.640 --> 1:46:39.400
<v Speaker 1>me the track like per Rocky, Yeah, send me the

1:46:39.479 --> 1:46:40.960
<v Speaker 1>track personally.

1:46:42.880 --> 1:46:44.960
<v Speaker 2>Through a text, and uh.

1:46:46.880 --> 1:46:49.719
<v Speaker 1>So I jumped on it like of course, like whatever,

1:46:49.920 --> 1:46:53.839
<v Speaker 1>like we you know, and look, I don't do features

1:46:54.000 --> 1:46:59.320
<v Speaker 1>because I I think there's some kind of win or

1:46:59.479 --> 1:47:02.720
<v Speaker 1>some kind of that's that's never the thing. I really

1:47:02.840 --> 1:47:06.400
<v Speaker 1>have to like the track. I like the track one two.

1:47:06.479 --> 1:47:08.760
<v Speaker 1>It was my boy, you know, we we had been

1:47:08.920 --> 1:47:11.800
<v Speaker 1>through Europe and doing shows together and ship like that,

1:47:13.120 --> 1:47:16.400
<v Speaker 1>and so yeah, I hopped on it. I had no

1:47:16.800 --> 1:47:19.600
<v Speaker 1>clue what he had planned or what was in his

1:47:19.720 --> 1:47:23.439
<v Speaker 1>back pocket. Now had I known, you would have a

1:47:23.439 --> 1:47:26.800
<v Speaker 1>different raisier, like if I could size up. But I'm

1:47:26.840 --> 1:47:28.680
<v Speaker 1>sure everyone thought that, you know what I mean. I'm

1:47:28.680 --> 1:47:32.360
<v Speaker 1>sure every maybe he did that to everyone. He probably did,

1:47:32.960 --> 1:47:39.960
<v Speaker 1>and which is genius. But when I heard everyone else's verse,

1:47:40.000 --> 1:47:44.000
<v Speaker 1>I was like, ooh, the is going crazy. Who do

1:47:44.080 --> 1:47:47.160
<v Speaker 1>you think if you remove yourself from the equation? Who

1:47:47.200 --> 1:47:47.600
<v Speaker 1>had no?

1:47:47.680 --> 1:47:47.720
<v Speaker 5>No?

1:47:48.000 --> 1:47:51.760
<v Speaker 1>I your favorite? Even with myself in the equation, Big

1:47:51.840 --> 1:47:58.960
<v Speaker 1>Critt killed it, krit crit like come on, man, Like

1:47:59.120 --> 1:48:02.720
<v Speaker 1>I was like Krik killed it period. I mean that's

1:48:02.800 --> 1:48:04.560
<v Speaker 1>just my opinion. I mean, I love my verse. I

1:48:04.640 --> 1:48:08.560
<v Speaker 1>think I snapped on majority and like, you know, I

1:48:09.000 --> 1:48:10.960
<v Speaker 1>say that like in the sport of hip hop, you know,

1:48:11.080 --> 1:48:14.240
<v Speaker 1>the competition between all MC's and shit, like, oh yeah,

1:48:14.479 --> 1:48:15.639
<v Speaker 1>I got created on that one.

1:48:15.680 --> 1:48:17.479
<v Speaker 2>But the truth is, like I really feel like he

1:48:17.640 --> 1:48:18.639
<v Speaker 2>closed it properly.

1:48:20.000 --> 1:48:22.400
<v Speaker 3>Segueing to the next thing, why did we never get

1:48:22.439 --> 1:48:24.040
<v Speaker 3>country cousins between you and grit.

1:48:27.840 --> 1:48:28.200
<v Speaker 1>And did it?

1:48:28.280 --> 1:48:28.439
<v Speaker 4>Did it?

1:48:28.560 --> 1:48:29.960
<v Speaker 1>Was there ever any songs recorded for that?

1:48:31.479 --> 1:48:35.040
<v Speaker 2>Well at the height of like you know, just like

1:48:35.800 --> 1:48:36.439
<v Speaker 2>at the height of.

1:48:40.360 --> 1:48:47.200
<v Speaker 1>There are some like cultural and there's there's a cultural

1:48:47.280 --> 1:48:51.559
<v Speaker 1>importance to a project like me and Krick coming together, right,

1:48:51.640 --> 1:48:53.920
<v Speaker 1>you know, And I think that there there there's a

1:48:54.040 --> 1:48:58.680
<v Speaker 1>time and a place for that. I don't make excuses

1:48:58.760 --> 1:49:03.200
<v Speaker 1>about why we haven't done that project yet, and I

1:49:03.320 --> 1:49:06.840
<v Speaker 1>can't predict when we might do that project because I

1:49:06.960 --> 1:49:10.240
<v Speaker 1>won't put it off the books. I love crit I'm

1:49:10.280 --> 1:49:14.560
<v Speaker 1>a huge, huge fan. Obviously, he was early early on

1:49:15.200 --> 1:49:17.559
<v Speaker 1>and the crew, you know what I mean, like early

1:49:17.680 --> 1:49:22.720
<v Speaker 1>early like Tree Sound, Tree Sound Atlanta early, and uh

1:49:23.720 --> 1:49:26.320
<v Speaker 1>so I just let it happen, you know. But I

1:49:26.360 --> 1:49:28.920
<v Speaker 1>think that there's like, I think that he and I

1:49:29.080 --> 1:49:33.160
<v Speaker 1>both appreciate the importance of what that record means. It's

1:49:33.200 --> 1:49:38.240
<v Speaker 1>not it's not just not just the collaboration. I think

1:49:38.280 --> 1:49:43.600
<v Speaker 1>that there's some artistic cultural importance to that particular collaboration.

1:49:43.920 --> 1:49:47.280
<v Speaker 1>Sure that means something, and I think it needs it needs.

1:49:47.280 --> 1:49:49.519
<v Speaker 1>I mean because Krit was hearing trunk music was the

1:49:49.560 --> 1:49:51.880
<v Speaker 1>same year. Yeah, because you could take it lightly. But

1:49:52.560 --> 1:49:55.479
<v Speaker 1>the record we did, the record, the record we did

1:49:55.560 --> 1:50:00.719
<v Speaker 1>do Happy Birthday hip Hop amazing as a statement record.

1:50:03.240 --> 1:50:07.160
<v Speaker 3>How's your relationship these days with our psychopathic friend Ritz

1:50:07.200 --> 1:50:07.519
<v Speaker 3>over there?

1:50:07.800 --> 1:50:13.519
<v Speaker 1>I got his plaques over there, our psychopathic friend. I

1:50:13.840 --> 1:50:17.439
<v Speaker 1>love Rich to the to the grit. Rich is my

1:50:18.040 --> 1:50:20.439
<v Speaker 1>Rich is my dog. I mean, you know, hey, man,

1:50:21.520 --> 1:50:24.000
<v Speaker 1>he's a maniac. Artists is going to be artists man like,

1:50:24.240 --> 1:50:26.800
<v Speaker 1>and I'm a maniac too. I just have you eat

1:50:26.840 --> 1:50:30.120
<v Speaker 1>your maniacs, by the way, in your own way, like

1:50:30.240 --> 1:50:34.240
<v Speaker 1>my dad said. My dad said, everybody has their own

1:50:34.360 --> 1:50:37.760
<v Speaker 1>brand of crazy, you know, and that's what's up. You know,

1:50:37.920 --> 1:50:42.800
<v Speaker 1>Like I like my crazy. I feed it and take

1:50:42.880 --> 1:50:45.280
<v Speaker 1>care of it, you know. Like I'm looking forward to

1:50:45.479 --> 1:50:48.240
<v Speaker 1>like when Rich is like able to like I'm.

1:50:48.080 --> 1:50:48.960
<v Speaker 2>Trying to get him to sing.

1:50:49.120 --> 1:50:51.960
<v Speaker 1>keV No, he could sing. He can't sing, but it's

1:50:52.520 --> 1:50:57.240
<v Speaker 1>come to Nashville and record a singer songwriter album with me. Please,

1:50:57.400 --> 1:50:59.080
<v Speaker 1>I'm putting it on the record. I've told you that

1:50:59.200 --> 1:51:01.400
<v Speaker 1>over the phone. Now I'm saying in the podcast. I've

1:51:01.439 --> 1:51:03.800
<v Speaker 1>been trying to all the fans that are watching, Yo,

1:51:04.439 --> 1:51:06.200
<v Speaker 1>I don't want to hear you rap no more. I

1:51:06.320 --> 1:51:08.880
<v Speaker 1>want to hear some singing. BRIT's time singing, Buddy, time

1:51:08.920 --> 1:51:11.479
<v Speaker 1>to sing with a little bit of rapping. And I

1:51:11.560 --> 1:51:14.240
<v Speaker 1>want him to do like a He's a great singer,

1:51:15.000 --> 1:51:16.639
<v Speaker 1>he is. He could sing his ass off. He's always

1:51:16.640 --> 1:51:19.600
<v Speaker 1>been singing as he could play the guitar like a

1:51:19.640 --> 1:51:23.960
<v Speaker 1>motherfucker too. By the way, Yeah, yeah, like crazy, let's

1:51:24.080 --> 1:51:26.880
<v Speaker 1>let's go. Let's do a fucking secret songwriter album man

1:51:27.000 --> 1:51:29.040
<v Speaker 1>like do something different, No, for.

1:51:29.080 --> 1:51:33.479
<v Speaker 3>Sure, shout out to ritz Man Albums coming out in May.

1:51:34.760 --> 1:51:36.000
<v Speaker 3>How many videos are in the can?

1:51:36.600 --> 1:51:38.920
<v Speaker 1>Five? I already got five? Okay? Is that? Are you

1:51:38.960 --> 1:51:42.639
<v Speaker 1>gonna keep shooting if it feels right or we'll see

1:51:42.680 --> 1:51:46.040
<v Speaker 1>what like, We're gonna shoot five videos right and just

1:51:46.240 --> 1:51:48.920
<v Speaker 1>from the from the pat just learning releases and ship

1:51:49.000 --> 1:51:51.400
<v Speaker 1>like I want to like, I want to let the

1:51:51.479 --> 1:51:55.599
<v Speaker 1>fans tell us, like, Hey, if this song goes fucking

1:51:55.680 --> 1:51:58.160
<v Speaker 1>crazy takes off, shoot a video to this, Like.

1:51:58.280 --> 1:52:00.240
<v Speaker 2>Yeah, just let us know, Like, let us know what

1:52:00.320 --> 1:52:01.000
<v Speaker 2>you want to see.

1:52:01.240 --> 1:52:04.479
<v Speaker 1>We've picked our personal faves and what we thought led

1:52:05.040 --> 1:52:07.800
<v Speaker 1>led you into a war story the best way. But

1:52:08.160 --> 1:52:11.400
<v Speaker 1>after that, I really do want to listen and and

1:52:12.280 --> 1:52:15.080
<v Speaker 1>basically like kind of take a poll, you know, like

1:52:15.200 --> 1:52:18.000
<v Speaker 1>what do you want to see next? Because I've fucked

1:52:18.080 --> 1:52:20.559
<v Speaker 1>up so many times by not shooting videos to songs

1:52:20.600 --> 1:52:23.479
<v Speaker 1>that I should have. Catfish Billy, Oh such a good Hey,

1:52:23.760 --> 1:52:27.120
<v Speaker 1>Tennessee love no video. You know, it's funny. There's a

1:52:27.160 --> 1:52:28.920
<v Speaker 1>lot of classics with no Videofish Billy.

1:52:28.960 --> 1:52:31.360
<v Speaker 3>I just think of like this fucking boat floating with

1:52:31.439 --> 1:52:34.920
<v Speaker 3>all your belongings in like a dark like I think

1:52:34.960 --> 1:52:36.559
<v Speaker 3>of like a fucking lantern, you know what I mean.

1:52:36.680 --> 1:52:39.960
<v Speaker 3>Like that's probably the best mash pit song. Fucking dude,

1:52:39.960 --> 1:52:41.880
<v Speaker 3>that song makes me want to fuck motherfucker's up.

1:52:41.920 --> 1:52:42.000
<v Speaker 10>Bro.

1:52:42.200 --> 1:52:44.840
<v Speaker 3>That's like my workout joint, bro. Like Halffish Billy. And

1:52:44.880 --> 1:52:47.600
<v Speaker 3>when you perform that shit live violence.

1:52:47.280 --> 1:52:56.000
<v Speaker 1>Dude, fucking sick Yes, Savagery Savagery tour coming unless uh nah, listen, man, maybe.

1:52:55.840 --> 1:53:01.719
<v Speaker 2>Got clever back. Oh Doodle is back?

1:53:02.000 --> 1:53:08.080
<v Speaker 1>All right? I did on the fucking new record is crazy, dude,

1:53:08.120 --> 1:53:11.280
<v Speaker 1>when I let are you pressed for time? No?

1:53:11.439 --> 1:53:13.360
<v Speaker 3>I mean no ever find we can keep going. Fuck

1:53:13.400 --> 1:53:16.400
<v Speaker 3>off that Mexican Ot might walk in here, But that's fine.

1:53:17.720 --> 1:53:21.679
<v Speaker 2>Mexican Ot is coming. That's my dog, man.

1:53:21.760 --> 1:53:25.400
<v Speaker 1>What's up? I'm you guys, dude. I fucking love that guy.

1:53:25.520 --> 1:53:27.160
<v Speaker 1>He told me to keep you late. He was like,

1:53:27.920 --> 1:53:29.880
<v Speaker 1>if I'm on a four, make sure he stays. I

1:53:29.960 --> 1:53:33.639
<v Speaker 1>want to say hi to him. Man, I'm not leaving, good, good,

1:53:33.800 --> 1:53:34.599
<v Speaker 1>I'm not leaving.

1:53:34.800 --> 1:53:36.920
<v Speaker 2>I have to meet this guy in person. I'm fucking

1:53:37.000 --> 1:53:38.160
<v Speaker 2>I'm a huge fan of.

1:53:39.000 --> 1:53:43.280
<v Speaker 1>To meet him. Okay, so we got time, go ahead.

1:53:45.640 --> 1:53:50.320
<v Speaker 1>So I'm so psyched to meet Mexican Ot. Man, he's sick.

1:53:50.439 --> 1:53:53.160
<v Speaker 3>I'm distracted by the you meet his dad to his

1:53:53.240 --> 1:53:55.479
<v Speaker 3>dad's fucking great, dude, we were at the talk, we

1:53:55.560 --> 1:53:57.120
<v Speaker 3>were at the taco truck last night and his dad

1:53:57.240 --> 1:54:00.200
<v Speaker 3>knocks some fucking dude the fuck out there is this

1:54:00.600 --> 1:54:03.599
<v Speaker 3>drunk maniac. He was chugging Mickey's outside of the Taco

1:54:03.640 --> 1:54:06.640
<v Speaker 3>truck and he kept doing then the Hitler salute.

1:54:07.840 --> 1:54:10.679
<v Speaker 1>And fucking he was talking to nitler Ler.

1:54:12.760 --> 1:54:17.280
<v Speaker 3>And Chuck warned him like twenty times, even gave him

1:54:17.280 --> 1:54:19.599
<v Speaker 3>half of his food to go away, and the dude

1:54:19.680 --> 1:54:22.400
<v Speaker 3>stepped to him one more time and he fucking slapped him,

1:54:23.439 --> 1:54:26.160
<v Speaker 3>and we're like, all right, well it's time to walk off.

1:54:27.479 --> 1:54:29.880
<v Speaker 1>Go fuck with Dad's strength, man, No, his dad's a

1:54:29.920 --> 1:54:33.600
<v Speaker 1>fucking rock. Dad's strength is this dude is like he

1:54:33.720 --> 1:54:36.080
<v Speaker 1>looks like the rock, Like he looks like a professional.

1:54:35.760 --> 1:54:39.240
<v Speaker 3>Rest But even if he wasn't, you don't withd no

1:54:39.360 --> 1:54:42.360
<v Speaker 3>for sure strength And he's got like a certain other

1:54:42.440 --> 1:54:44.080
<v Speaker 3>type of strength starts with arm.

1:54:44.280 --> 1:54:54.120
<v Speaker 1>Can't say it anymore, Royd's strength. Oh is that the

1:54:54.440 --> 1:55:03.200
<v Speaker 1>R word? It could be? You can't say anymore. I

1:55:03.280 --> 1:55:04.400
<v Speaker 1>don't we just did?

1:55:04.680 --> 1:55:07.400
<v Speaker 2>Have I been that checked out? I think it's the

1:55:07.440 --> 1:55:08.320
<v Speaker 2>word I'd like back.

1:55:09.160 --> 1:55:12.480
<v Speaker 1>I don't mind. I don't mind it. How about this one?

1:55:12.600 --> 1:55:14.200
<v Speaker 1>I don't know if it's up to whether we find it.

1:55:14.400 --> 1:55:15.080
<v Speaker 1>How about this one?

1:55:17.640 --> 1:55:23.600
<v Speaker 2>You fucking that fool's got franks? Let me not be insensitive.

1:55:24.000 --> 1:55:28.640
<v Speaker 1>Sure I'm not, I'm not. Okay, listen whatever, dude, it's like,

1:55:29.160 --> 1:55:33.040
<v Speaker 1>save it canceled, card been canceled? How about that? Uh?

1:55:34.040 --> 1:55:36.760
<v Speaker 1>Where are we going with this, I said, Clevers back

1:55:36.800 --> 1:55:40.240
<v Speaker 1>in the due said, you don't even know. You don't

1:55:40.240 --> 1:55:46.400
<v Speaker 1>even know. I got the crazy story for you. Okay, look, yo,

1:55:46.520 --> 1:55:48.720
<v Speaker 1>when I talk to my friends, I'm talking to my friends.

1:55:49.080 --> 1:55:49.640
<v Speaker 2>You know what I'm saying.

1:55:49.840 --> 1:55:51.840
<v Speaker 1>I know we're filming and ship's going on, but I

1:55:51.840 --> 1:55:54.080
<v Speaker 1>don't like whatever. It's like we'll be kicking it with pain.

1:55:54.160 --> 1:56:00.000
<v Speaker 1>We're just doing whatever. Okay, So we land in Los Angeles.

1:56:00.160 --> 1:56:05.240
<v Speaker 1>Is from Atlanta. Yeah, we're going to New Zealand. This

1:56:05.320 --> 1:56:10.200
<v Speaker 1>fool gets arrested clever, Yeah, police are waiting by the plane.

1:56:11.280 --> 1:56:14.000
<v Speaker 2>Now I have a whole This is me going down

1:56:14.080 --> 1:56:16.280
<v Speaker 2>to do the festival in New Zealand.

1:56:17.920 --> 1:56:22.320
<v Speaker 1>And not sure what happened, but there was a confrontation

1:56:22.880 --> 1:56:26.520
<v Speaker 1>with a passenger on the way and that particular passenger

1:56:28.120 --> 1:56:36.520
<v Speaker 1>was a lawyer. So this is a lawyer called L A. P. D.

1:56:37.760 --> 1:56:42.080
<v Speaker 1>And they they drag my boy out, you know what

1:56:42.120 --> 1:56:44.800
<v Speaker 1>I'm saying, Like, put him in a wheelchair, push him

1:56:44.800 --> 1:56:48.000
<v Speaker 1>out the airport, like Hannibal Lecter. I'm on the way to.

1:56:48.040 --> 1:56:48.800
<v Speaker 2>Fucking New Zealand.

1:56:48.800 --> 1:56:51.160
<v Speaker 1>I got no DJ, and I'm like, I like, Zilla,

1:56:52.000 --> 1:56:54.720
<v Speaker 1>looks like you're DJ and doll you better fucking laptop,

1:56:54.800 --> 1:56:58.120
<v Speaker 1>that shit fucking press play one one finger Jones, hit Intern,

1:56:58.320 --> 1:57:02.120
<v Speaker 1>hit Intern, hit space bar Innerarenter. I've had to do

1:57:02.200 --> 1:57:07.360
<v Speaker 1>it before warped tour, So like fucking lost my DJ.

1:57:08.080 --> 1:57:09.840
<v Speaker 1>Didn't know what the fuck was gonna happen, you know

1:57:09.880 --> 1:57:13.000
<v Speaker 1>what I'm saying. Like I thought he was gone, like forever,

1:57:13.160 --> 1:57:15.960
<v Speaker 1>you know what I'm saying, Not forever.

1:57:16.120 --> 1:57:18.280
<v Speaker 2>I thought I thought he was gone. I was like, dude,

1:57:18.280 --> 1:57:18.560
<v Speaker 2>I can't.

1:57:18.760 --> 1:57:20.400
<v Speaker 1>I'm never gonna I'm not gonna see him in New

1:57:20.480 --> 1:57:23.680
<v Speaker 1>Zealand for sure. For sure, Delta xes him out of

1:57:23.720 --> 1:57:27.120
<v Speaker 1>the whole situation. I mean they're like, get him off

1:57:27.160 --> 1:57:33.800
<v Speaker 1>the property type ship. Uh, my friend Stefan Janowski, this

1:57:34.080 --> 1:57:35.560
<v Speaker 1>guy he's got his own Nike.

1:57:36.200 --> 1:57:42.280
<v Speaker 2>Yeah, fucking pro lifer. He's the best I cost that fire.

1:57:42.320 --> 1:57:47.600
<v Speaker 1>I'm like, please pull up Stefan and Jessica love y'all,

1:57:48.120 --> 1:57:52.760
<v Speaker 1>please pull up and get my friend. And he's he

1:57:52.800 --> 1:57:54.440
<v Speaker 1>needs to ride an airport or he's going he needs

1:57:54.480 --> 1:57:56.920
<v Speaker 1>to ride to the hotel. He's going to jail. Police

1:57:56.920 --> 1:57:58.440
<v Speaker 1>were like, yo, since somebody get him whor he's going

1:57:58.480 --> 1:58:02.120
<v Speaker 1>to jail, So like, ah, we got you, Like, dude,

1:58:02.160 --> 1:58:05.120
<v Speaker 1>this New Year's night. They're like chilling out the crib

1:58:05.160 --> 1:58:07.120
<v Speaker 1>and they and they go get him like real friends,

1:58:07.240 --> 1:58:10.000
<v Speaker 1>like real friends, go get them taken to the hotel.

1:58:10.440 --> 1:58:11.640
<v Speaker 2>I'm sure he woke up the next.

1:58:11.520 --> 1:58:13.520
<v Speaker 1>He was fucking hammered, hammered.

1:58:13.960 --> 1:58:15.480
<v Speaker 2>He was hammered before we let that land.

1:58:15.680 --> 1:58:19.360
<v Speaker 1>Uh, Nashville. We're drinking on the plane.

1:58:19.680 --> 1:58:21.760
<v Speaker 2>Oh bro, Delta lounge.

1:58:22.120 --> 1:58:22.880
<v Speaker 1>The plane drinking.

1:58:23.000 --> 1:58:25.000
<v Speaker 3>It hits different, especially when you land and go to

1:58:25.080 --> 1:58:28.120
<v Speaker 3>stand up and you're like, oh fuck.

1:58:29.880 --> 1:58:34.840
<v Speaker 2>But anyway, we uh we we got him back. We

1:58:34.960 --> 1:58:36.080
<v Speaker 2>flew him out coach.

1:58:38.400 --> 1:58:41.760
<v Speaker 1>So when he made it, we flew coach. He made it.

1:58:41.960 --> 1:58:44.320
<v Speaker 2>We flew coach to New Zealand.

1:58:44.440 --> 1:58:47.760
<v Speaker 1>Dude, Okay, look what is that is that like New Zealand?

1:58:48.040 --> 1:58:52.000
<v Speaker 1>No full thirty six hours It took me to get

1:58:52.120 --> 1:58:57.280
<v Speaker 1>from Nashville to New Zealand. All right, so god, it's

1:58:58.280 --> 1:59:04.880
<v Speaker 1>torture like coach Middlese that's, oh my god, for a

1:59:04.960 --> 1:59:09.440
<v Speaker 1>day and a half. Fun. But like he he he

1:59:09.560 --> 1:59:11.000
<v Speaker 1>ended up making it, you know what I'm saying, And

1:59:11.120 --> 1:59:15.560
<v Speaker 1>we pulled off the shows and ship. But yeah, like arrested,

1:59:16.040 --> 1:59:19.360
<v Speaker 1>arrested upon arrival. Now he's he's moving back to Nashville.

1:59:19.400 --> 1:59:22.000
<v Speaker 1>He actually moved back to Nashville, and he's from Atlanta.

1:59:22.880 --> 1:59:28.080
<v Speaker 1>Where's he from? Atlanta? Georgia. Man Atlanta's finest bro one

1:59:28.120 --> 1:59:31.600
<v Speaker 1>of the greatest DJs. Man no scratch DJ, and I

1:59:31.760 --> 1:59:36.160
<v Speaker 1>put that, I'll put that on everything for the record.

1:59:36.480 --> 1:59:38.200
<v Speaker 1>And you've had some great DJs. You had Chris Curran,

1:59:38.240 --> 1:59:39.880
<v Speaker 1>you had the what was fucking your o G DJ?

1:59:40.000 --> 1:59:41.240
<v Speaker 1>The guy who was Latin was not for.

1:59:41.320 --> 1:59:44.320
<v Speaker 2>The record, And this is like, this is just healthy competition.

1:59:44.480 --> 1:59:48.520
<v Speaker 1>Like any dj MC combo that wants to battle, I'm

1:59:48.600 --> 1:59:52.920
<v Speaker 1>up at the fire, I'm ready, We're ready. I'd sit

1:59:53.040 --> 1:59:56.160
<v Speaker 1>well any person on the planet. You go get your

1:59:56.240 --> 2:00:00.320
<v Speaker 1>best MC and your best DJ. And I've tried to

2:00:00.360 --> 2:00:03.200
<v Speaker 1>do this before and nobody stepped up. Maybe somebody will.

2:00:03.720 --> 2:00:07.120
<v Speaker 1>I want to see it, and I will gracefully bow out.

2:00:07.240 --> 2:00:09.360
<v Speaker 1>If you come with a better set, you're not going

2:00:09.440 --> 2:00:14.240
<v Speaker 1>to It's curtains there. It is. Last thing? Did you

2:00:14.320 --> 2:00:19.040
<v Speaker 1>and Royce ever patch things up? I love Royce? Okay,

2:00:19.320 --> 2:00:24.040
<v Speaker 1>I haven't spoken to him since that incident happened, but

2:00:25.120 --> 2:00:28.000
<v Speaker 1>that's my dude, man, Like I have I really I

2:00:28.080 --> 2:00:31.600
<v Speaker 1>don't hold any I don't harbor any bad feelings about Royce.

2:00:32.360 --> 2:00:34.520
<v Speaker 1>You know what I mean. I haven't spoken to him,

2:00:34.560 --> 2:00:38.880
<v Speaker 1>like I said, since that that time. But at the

2:00:39.000 --> 2:00:40.880
<v Speaker 1>end of the day, we did a lot of great

2:00:40.960 --> 2:00:45.400
<v Speaker 1>things together. You know what I'm saying, Like I mean

2:00:46.000 --> 2:00:48.920
<v Speaker 1>your grace to XXL with him. Yeah, you know what

2:00:48.920 --> 2:00:51.080
<v Speaker 1>I mean, Like a lot of a lot of amazing

2:00:51.200 --> 2:00:53.400
<v Speaker 1>moments happened it.

2:00:54.000 --> 2:00:55.960
<v Speaker 2>Yeah with my boy, you know what I meaning, like

2:00:56.120 --> 2:00:58.280
<v Speaker 2>and it's it's all good for me.

2:00:58.840 --> 2:00:59.400
<v Speaker 1>It's all good.

2:00:59.640 --> 2:01:01.720
<v Speaker 2>That's good and you know that that's it just is

2:01:01.800 --> 2:01:02.440
<v Speaker 2>what it is, Like.

2:01:02.560 --> 2:01:07.720
<v Speaker 1>What DJ Premiere, you know, DJ Premiere, Royce me, come on,

2:01:07.800 --> 2:01:09.800
<v Speaker 1>there's a lot of there's a lot of moments Royce

2:01:09.880 --> 2:01:14.960
<v Speaker 1>and Ritz, you know, like Royce, Marshall, myself, the fucking Gang,

2:01:15.040 --> 2:01:17.680
<v Speaker 1>you know, like like there was there's there's history there

2:01:17.800 --> 2:01:22.040
<v Speaker 1>that like I can't, I can't like just make disappear.

2:01:23.120 --> 2:01:26.600
<v Speaker 2>And you know what I mean, like to put some.

2:01:28.680 --> 2:01:32.280
<v Speaker 1>You know, discrepancy or a disagreement or like whatever it is.

2:01:32.520 --> 2:01:32.720
<v Speaker 1>You know.

2:01:34.240 --> 2:01:37.000
<v Speaker 2>Whatever it's not it's not to me. It's water under

2:01:37.000 --> 2:01:37.360
<v Speaker 2>the bridge.

2:01:37.480 --> 2:01:39.840
<v Speaker 1>Good. I thought of another random thing.

2:01:40.200 --> 2:01:43.440
<v Speaker 3>When you did Worldwide Choppers with Tech, did you know

2:01:43.560 --> 2:01:45.600
<v Speaker 3>there was gonna be people wrapping in like Turkish and

2:01:45.720 --> 2:01:48.720
<v Speaker 3>fucking all kinds of fucking wild ass languages on that ship.

2:01:49.320 --> 2:01:53.600
<v Speaker 1>Speaking to Posse Records, that shit went platinum. There's a

2:01:53.680 --> 2:01:54.640
<v Speaker 1>Turkish verse.

2:01:54.880 --> 2:02:03.800
<v Speaker 4>Yeah, the beginning. There's a dude who's like that, no way, Yeah,

2:02:04.000 --> 2:02:04.680
<v Speaker 4>it's platinum.

2:02:05.440 --> 2:02:06.360
<v Speaker 1>You're on it. It's platin.

2:02:06.680 --> 2:02:09.360
<v Speaker 2>I never even I never, I never heard it.

2:02:09.480 --> 2:02:10.840
<v Speaker 1>I only recorded my verse.

2:02:11.040 --> 2:02:12.160
<v Speaker 2>I never even listened to it.

2:02:12.240 --> 2:02:16.000
<v Speaker 1>It's like you it's him, No I know, I'm it's

2:02:16.040 --> 2:02:18.960
<v Speaker 1>bust rhynd, twist buzz around like and then it's a

2:02:19.040 --> 2:02:22.080
<v Speaker 1>bunch of other dudes to expect bro, I fucking like,

2:02:22.200 --> 2:02:24.760
<v Speaker 1>just fucking you send me some ship. Sometimes I'm like

2:02:26.800 --> 2:02:29.280
<v Speaker 1>and then I go, fucking I'm out. Yeah, I don't like,

2:02:29.880 --> 2:02:31.520
<v Speaker 1>you need to get a plaque sent to you. You're

2:02:31.560 --> 2:02:35.720
<v Speaker 1>on the song. It's placked. Let me tell you. One

2:02:35.720 --> 2:02:39.560
<v Speaker 1>of my biggest regrets what is that with with Tech nine?

2:02:40.240 --> 2:02:44.480
<v Speaker 1>I got a few, but musically one of them is

2:02:46.320 --> 2:02:49.680
<v Speaker 1>Tech nine sent me a record and he said, he said, hey,

2:02:49.840 --> 2:02:53.200
<v Speaker 1>I won't meet you and Kendrick on this song. Yes,

2:02:53.280 --> 2:02:58.440
<v Speaker 1>it's called Fragile. And I was like, I listened to

2:02:58.600 --> 2:03:04.080
<v Speaker 1>it and I was like, man, I don't know if

2:03:04.120 --> 2:03:08.440
<v Speaker 1>I can talk about being fragile, because I don't feel

2:03:08.760 --> 2:03:12.120
<v Speaker 1>genuinely fragile, and I don't know if I am.

2:03:12.640 --> 2:03:17.320
<v Speaker 2>Maybe I am, but I at the time, I was like, I.

2:03:19.200 --> 2:03:23.880
<v Speaker 1>Could not connect with the concept of like admitting that

2:03:24.040 --> 2:03:27.040
<v Speaker 1>I have a problem with someone not liking my music,

2:03:27.960 --> 2:03:29.080
<v Speaker 1>you know what I mean? Because it was really for

2:03:29.120 --> 2:03:30.040
<v Speaker 1>people I haven't heard the record.

2:03:30.080 --> 2:03:33.080
<v Speaker 3>It was really like an ode to negative journalistic opinions

2:03:33.120 --> 2:03:36.840
<v Speaker 3>on our critics, critics, like a fuck you to critics, essentially.

2:03:37.000 --> 2:03:43.640
<v Speaker 1>Exactly, Man, do I wish I would have just you know,

2:03:43.920 --> 2:03:47.400
<v Speaker 1>I actually laid a verse I did. I recorded a

2:03:47.480 --> 2:03:51.280
<v Speaker 1>verse and never sent it. So I have a verse

2:03:51.880 --> 2:03:55.880
<v Speaker 1>in my in my hard drive on Fragile with with

2:03:56.120 --> 2:04:00.400
<v Speaker 1>Kendrick and and Tech nine, but I never returned to

2:04:00.480 --> 2:04:03.760
<v Speaker 1>them that had been crazy and look in these and

2:04:03.840 --> 2:04:07.400
<v Speaker 1>these and then like you know, fast forward Saturday Night Live.

2:04:11.680 --> 2:04:15.200
<v Speaker 2>Hey, listen to you kids, don't.

2:04:17.360 --> 2:04:17.840
<v Speaker 4>Just do it.

2:04:18.160 --> 2:04:18.960
<v Speaker 1>Don't overthink it.

2:04:19.120 --> 2:04:22.880
<v Speaker 2>No, don't overthink it. Fucking do it. We got keV

2:04:22.920 --> 2:04:23.600
<v Speaker 2>over here. Look at me.

2:04:24.440 --> 2:04:26.240
<v Speaker 1>I'm making sure Ot is not outside. He's not here yet.

2:04:26.240 --> 2:04:28.560
<v Speaker 1>He's running late for the usual. So we're fine, okay, man,

2:04:28.760 --> 2:04:31.600
<v Speaker 1>just making We're gonna do it a nice hang. We're

2:04:31.600 --> 2:04:33.200
<v Speaker 1>gonna go hang. You guys can do a song tonight.

2:04:33.280 --> 2:04:34.160
<v Speaker 1>Let's make a song. Happen.

2:04:34.200 --> 2:04:36.680
<v Speaker 2>Listen, listen to you kids, do not.

2:04:38.640 --> 2:04:39.320
<v Speaker 1>Don't overthink.

2:04:40.560 --> 2:04:43.120
<v Speaker 2>Another one is uh run the Jewels?

2:04:43.960 --> 2:04:45.400
<v Speaker 1>What do you mean? Oh bro?

2:04:48.520 --> 2:04:48.640
<v Speaker 5>Uh?

2:04:49.360 --> 2:04:51.280
<v Speaker 1>LP sent me a song when I was making Trump

2:04:51.360 --> 2:04:57.120
<v Speaker 1>Music three, Trump Music three. Yeah, and so did Ritz

2:04:57.680 --> 2:05:02.200
<v Speaker 1>And I was so I was so wrapped out, you

2:05:02.240 --> 2:05:05.160
<v Speaker 1>know what I'm saying. I was like so versed to death.

2:05:05.600 --> 2:05:08.520
<v Speaker 1>Right after making that, I was like, I'm like tapped.

2:05:08.560 --> 2:05:11.480
<v Speaker 1>I've tapped right everything I have to offer as an

2:05:11.560 --> 2:05:16.880
<v Speaker 1>MC to do this, Like, I don't got it. Man,

2:05:17.000 --> 2:05:19.560
<v Speaker 1>missed the opportunity to be on the Run the Jewels record,

2:05:19.880 --> 2:05:25.000
<v Speaker 1>like like ship that, Like that's an opportunity that's always open.

2:05:25.040 --> 2:05:29.560
<v Speaker 1>I'm sure, though, Well, you know I've I've kicked it.

2:05:29.800 --> 2:05:32.440
<v Speaker 1>I've kicked it with LP quite a bit. You No, Obviously,

2:05:32.720 --> 2:05:35.440
<v Speaker 1>Mike's my fucking dog, you know, And I love LP

2:05:35.640 --> 2:05:37.440
<v Speaker 1>and I've I've spent some time with LP in New

2:05:37.520 --> 2:05:39.480
<v Speaker 1>York and we've had moments.

2:05:39.520 --> 2:05:39.680
<v Speaker 4>You know.

2:05:39.960 --> 2:05:42.560
<v Speaker 1>I was around for some of their earliest sessions at

2:05:42.600 --> 2:05:44.320
<v Speaker 1>Tree Sound again, like when they were probably working on

2:05:44.400 --> 2:05:47.760
<v Speaker 1>rap music. Oh, yeah. Yeah, like before it happens the

2:05:47.800 --> 2:05:53.320
<v Speaker 1>thing thing. Yeah, it had been crazy. You want one

2:05:53.360 --> 2:05:56.520
<v Speaker 1>of them fucking bro them fucking Run the Jewels, fucking albums,

2:05:56.560 --> 2:06:01.280
<v Speaker 1>all four fucking crazy amazing. I hate myself for not

2:06:01.440 --> 2:06:01.760
<v Speaker 1>doing that.

2:06:03.080 --> 2:06:05.040
<v Speaker 2>I hate but but at the same time, like I

2:06:05.200 --> 2:06:05.600
<v Speaker 2>just wasn't.

2:06:05.800 --> 2:06:05.920
<v Speaker 4>Yo.

2:06:06.120 --> 2:06:07.680
<v Speaker 1>So Ritz is like, Yo, give me a rat verse,

2:06:07.720 --> 2:06:09.760
<v Speaker 1>give me a rat verse. This is on this album

2:06:09.800 --> 2:06:13.200
<v Speaker 1>that he's coming out with, uh with Tech, okay, right,

2:06:13.800 --> 2:06:15.360
<v Speaker 1>and I'm like, oh, you talking about like a couple

2:06:15.440 --> 2:06:19.240
<v Speaker 1>of albums, like when he was on he was on Strange. Yeah,

2:06:19.920 --> 2:06:25.200
<v Speaker 1>I gave him the worst verse his first album, one

2:06:25.240 --> 2:06:27.120
<v Speaker 1>of my careers, Like, like, you mean the song you

2:06:27.160 --> 2:06:30.360
<v Speaker 1>did with him on your on his first Soul Late terrible. Yeah,

2:06:30.960 --> 2:06:34.240
<v Speaker 1>I remember he hated No, he was like, dude, fucking

2:06:34.760 --> 2:06:38.440
<v Speaker 1>and then Wolf gives me this fucking throwaway verse and

2:06:38.560 --> 2:06:41.080
<v Speaker 1>it made the album because of course his first album

2:06:41.160 --> 2:06:42.120
<v Speaker 1>needs to have you on it.

2:06:42.280 --> 2:06:44.840
<v Speaker 2>He's like, he's like, he's like, you have to be

2:06:45.160 --> 2:06:45.520
<v Speaker 2>on this.

2:06:45.920 --> 2:06:48.480
<v Speaker 1>I said, Ritz, no, I don't, mane he said, no,

2:06:48.600 --> 2:06:51.080
<v Speaker 1>you have to. And I was like, all right, dude,

2:06:52.200 --> 2:06:58.400
<v Speaker 1>here you go. Man, somebody saw Tech. He was like, uh, Tech,

2:06:58.440 --> 2:07:02.760
<v Speaker 1>we'll talk about doing another record. I say, man, I'm

2:07:02.800 --> 2:07:04.640
<v Speaker 1>not gonna be I'm not gonna give you one of

2:07:04.720 --> 2:07:08.240
<v Speaker 1>the races, one of the more verses, and he was like,

2:07:08.360 --> 2:07:13.160
<v Speaker 1>he was like, please, please don't, please don't. Oh my god,

2:07:13.320 --> 2:07:14.800
<v Speaker 1>bro crazy man.

2:07:15.240 --> 2:07:17.400
<v Speaker 3>Yeah, man, hey, dude, well, look the new album is

2:07:17.480 --> 2:07:19.440
<v Speaker 3>coming out, and do we have an exact May date?

2:07:23.760 --> 2:07:28.080
<v Speaker 1>May twelve? Oh, May twelve, May twelve, you heard it first.

2:07:28.640 --> 2:07:33.080
<v Speaker 1>May Twelve's the double disc? Ish? Definitely double vinyl, maybe

2:07:33.120 --> 2:07:34.920
<v Speaker 1>even four vinyls. I feel like this might be like

2:07:35.000 --> 2:07:38.080
<v Speaker 1>a well no, I think it's like twenty it's like

2:07:38.160 --> 2:07:40.520
<v Speaker 1>twenty four twenty six songs. So how many vinyls does

2:07:40.520 --> 2:07:44.840
<v Speaker 1>that take? At least three? That feels like a triple

2:07:45.000 --> 2:07:50.160
<v Speaker 1>A triple rich? How many vinyls we're doing? Six? Rich

2:07:50.200 --> 2:07:54.400
<v Speaker 1>has six six vinyls six two four six. Yeah, it's

2:07:54.440 --> 2:07:57.520
<v Speaker 1>gonna be a six. It gonna be eight vinyl probably.

2:07:57.520 --> 2:07:59.680
<v Speaker 1>I don't know, fucking know, man, I do know that,

2:07:59.800 --> 2:08:01.840
<v Speaker 1>like I want like a you know, you got like

2:08:02.200 --> 2:08:04.000
<v Speaker 1>eight songs on one side, eight songs on the other. Right,

2:08:04.320 --> 2:08:07.480
<v Speaker 1>How long they are all? That part? Yeah? That part?

2:08:07.720 --> 2:08:09.280
<v Speaker 1>So it depends if you got like a fucking six

2:08:09.400 --> 2:08:12.440
<v Speaker 1>minute joint. You know which you probably do? I do

2:08:12.560 --> 2:08:15.680
<v Speaker 1>got one? Probably do? Would you do another? Sometimes? Why?

2:08:15.960 --> 2:08:18.640
<v Speaker 1>Because I guess Fuck yeah, I gotta do another one.

2:08:18.680 --> 2:08:20.880
<v Speaker 1>I have to man yeah to the ship's do good.

2:08:21.480 --> 2:08:23.600
<v Speaker 1>I'm just gonna this time. I'm just gonna record it

2:08:23.600 --> 2:08:26.560
<v Speaker 1>and say keep sucking. I'm not doing the whole fucking

2:08:26.600 --> 2:08:34.480
<v Speaker 1>run around like May seventeenth is the album May seventeenth,

2:08:36.280 --> 2:08:42.520
<v Speaker 1>Get it right, May seventeenth, May seventeenth war story comes out? Damn, Hey, yo,

2:08:42.760 --> 2:08:46.320
<v Speaker 1>you're gonna come out to my podcast? Are you? Are

2:08:46.360 --> 2:08:49.760
<v Speaker 1>you gonna do a podcast? Yeah? Fuck yeah? You know

2:08:49.760 --> 2:08:52.520
<v Speaker 1>what you gotta do now? That Ritz I think is singleish.

2:08:53.120 --> 2:08:55.120
<v Speaker 1>You gotta have Rits on your podcast so he could

2:08:55.160 --> 2:09:01.040
<v Speaker 1>tell the nastiest stories in hip hop unapologetically. Now we

2:09:01.120 --> 2:09:03.040
<v Speaker 1>ain't even got time for me to go into the

2:09:03.080 --> 2:09:04.680
<v Speaker 1>stories I know about the bus troll.

2:09:07.240 --> 2:09:14.760
<v Speaker 5>Wait, wait, hey, riddle me, this Canadian missed the bus troll.

2:09:16.120 --> 2:09:17.680
<v Speaker 5>You know Rich is the bus troll?

2:09:17.800 --> 2:09:20.880
<v Speaker 1>Bro was Rich? Was Rich? Why I hit on it

2:09:21.000 --> 2:09:23.320
<v Speaker 1>in that fucking garbage verse that I gave for for

2:09:24.800 --> 2:09:27.000
<v Speaker 1>I'm glad you admitted it. He's gonna be so happy

2:09:27.040 --> 2:09:27.560
<v Speaker 1>you admitted it.

2:09:28.280 --> 2:09:29.240
<v Speaker 2>He fucking knows.

2:09:29.760 --> 2:09:31.680
<v Speaker 3>I was like, you know, Ritz feels some type of way.

2:09:31.680 --> 2:09:33.760
<v Speaker 3>You guys never did a project together. You know it's

2:09:33.840 --> 2:09:36.760
<v Speaker 3>it's it's because fans always bother him. He's like, yo, man,

2:09:37.680 --> 2:09:42.080
<v Speaker 3>we could have gave the fans that the ogs American fans.

2:09:42.240 --> 2:09:44.400
<v Speaker 1>I don't want to rap with Ritz man, that's the truth, man,

2:09:44.520 --> 2:09:46.160
<v Speaker 1>Like I want to rap. Man, Let's let's do some

2:09:46.280 --> 2:09:50.360
<v Speaker 1>other ship. Man, I'm singing. Yeah, it's rapping is too easy, man, Yeah,

2:09:50.680 --> 2:09:52.840
<v Speaker 1>let's do some ship. We put some rap ship in there,

2:09:52.880 --> 2:09:54.240
<v Speaker 1>but I want to do some mo Was it the

2:09:54.360 --> 2:09:58.160
<v Speaker 1>tour with you uh, in which his nose blew up red?

2:10:00.840 --> 2:10:05.320
<v Speaker 1>Wasn't that your guys's tour? He had the coke nose?

2:10:05.360 --> 2:10:05.480
<v Speaker 4>Bro.

2:10:07.880 --> 2:10:13.760
<v Speaker 1>Yeah, he's gonna love this interview. He's gotta love this.

2:10:15.520 --> 2:10:17.040
<v Speaker 1>You see if I get him answer a facet had

2:10:17.080 --> 2:10:25.480
<v Speaker 1>this piece of ship. Oh my god, dude, he showed

2:10:25.520 --> 2:10:30.040
<v Speaker 1>me pictures of that ship. You had to let the

2:10:30.160 --> 2:10:37.000
<v Speaker 1>pop forgot about the cocos. Oh my bro, this will

2:10:37.080 --> 2:10:39.360
<v Speaker 1>text me at three in the morning the night before last.

2:10:39.640 --> 2:10:45.120
<v Speaker 8>Oh oh, let's let's double team, let's tag team and

2:10:45.240 --> 2:10:53.240
<v Speaker 8>full home. Oh right now, cos please God bless America,

2:10:53.320 --> 2:10:55.400
<v Speaker 8>Please phone Coke.

2:10:55.560 --> 2:10:59.960
<v Speaker 1>Gang bangon pause through face time, full Home, full Home.

2:11:00.000 --> 2:11:03.200
<v Speaker 1>Oh yeah, he'd like it, full sin. He's had worse.

2:11:04.640 --> 2:11:08.320
<v Speaker 1>He's the grenade jumper. You pussy answer the phone, Coke

2:11:08.440 --> 2:11:10.960
<v Speaker 1>knows look at us. You're on the fucking you're on

2:11:11.040 --> 2:11:16.800
<v Speaker 1>the podcast, You fucking pussy. Yeah, you pussy like man,

2:11:16.880 --> 2:11:22.160
<v Speaker 1>he's probably in the basement somewhere crying, Hey, why are

2:11:22.240 --> 2:11:24.120
<v Speaker 1>we calling you both? And you're not answering your piece

2:11:24.160 --> 2:11:27.280
<v Speaker 1>of ship? Yeah, get your ship together, man, know. Fucking

2:11:27.760 --> 2:11:32.760
<v Speaker 1>bus troll. Yeah, it's probably fucking a midget on me.

2:11:33.520 --> 2:11:35.360
<v Speaker 1>You know I caught it the bus troll, because you

2:11:35.400 --> 2:11:39.240
<v Speaker 1>would get hammered, dog hammered in the bus, and he.

2:11:39.240 --> 2:11:39.640
<v Speaker 4>Would just.

2:11:41.600 --> 2:11:47.400
<v Speaker 11>We have understand some Jeremy Scott Adidas swaying back, like

2:11:48.160 --> 2:11:53.640
<v Speaker 11>if you imagine Rinson is under his hair, I can

2:11:53.680 --> 2:11:58.080
<v Speaker 11>imagine it, Yo, like blocking the door with a fucking

2:11:58.200 --> 2:11:59.240
<v Speaker 11>plastic bottle of.

2:11:59.360 --> 2:12:01.120
<v Speaker 1>Canadian bro How about this.

2:12:01.600 --> 2:12:03.760
<v Speaker 3>The only time Ritz ever got really mad at me

2:12:04.280 --> 2:12:07.320
<v Speaker 3>was I was blacked out and I took his beanie

2:12:07.400 --> 2:12:09.879
<v Speaker 3>off and he oh.

2:12:11.760 --> 2:12:14.560
<v Speaker 1>Oh, I touched the beanie. It was a fucking problem. Hey,

2:12:14.600 --> 2:12:18.240
<v Speaker 1>well this is him without a beanie, Like this might

2:12:18.320 --> 2:12:20.120
<v Speaker 1>be that Mexico toot's see you guys here.

2:12:21.840 --> 2:12:25.640
<v Speaker 2>No Spotify?

2:12:26.400 --> 2:12:29.200
<v Speaker 1>Okay, so what's their et a idea?

2:12:29.920 --> 2:12:30.080
<v Speaker 8>Now?

2:12:32.160 --> 2:12:34.840
<v Speaker 1>All right, let me cause that I'll find out. Are

2:12:34.880 --> 2:12:37.480
<v Speaker 1>you I'm in here, I'm in here, come in you

2:12:37.600 --> 2:12:42.160
<v Speaker 1>fuck him in the middle of an interview. There's a

2:12:42.200 --> 2:12:44.600
<v Speaker 1>winning gate. It's unlocked. Push it through, you got it? Goodbye?

2:12:45.320 --> 2:12:45.440
<v Speaker 8>Yo.

2:12:45.680 --> 2:12:49.280
<v Speaker 1>So look so like he would like why we called

2:12:49.360 --> 2:12:50.240
<v Speaker 1>him bus troll?

2:12:51.040 --> 2:12:54.280
<v Speaker 10>It is because he was like standing in the hallway,

2:12:54.400 --> 2:12:58.400
<v Speaker 10>bro and like blocking the antl to the to the

2:12:58.520 --> 2:13:05.280
<v Speaker 10>bucks and no, with a bottle of Canadian miss like

2:13:05.360 --> 2:13:07.400
<v Speaker 10>a fucking leprechaun or some ship.

2:13:08.000 --> 2:13:12.480
<v Speaker 1>And so we started saying, riddle me this Canadian miss,

2:13:15.520 --> 2:13:17.360
<v Speaker 1>like you had to answer a riddle to get to

2:13:17.440 --> 2:13:21.600
<v Speaker 1>your bunk. So anyway, we shout out to Ritz. He's

2:13:21.640 --> 2:13:22.920
<v Speaker 1>a legend, great guy. I love him.

2:13:23.640 --> 2:13:23.920
<v Speaker 10>Whatever.

2:13:24.240 --> 2:13:27.760
<v Speaker 1>Listen, man, I'm just here having fun. That was funny.

2:13:28.760 --> 2:13:32.080
<v Speaker 1>It's funny. It is because I'm crying. You know who

2:13:32.160 --> 2:13:35.600
<v Speaker 1>was gnarly? Was your old fucking road manager the night

2:13:35.640 --> 2:13:38.200
<v Speaker 1>I told you about Josh Spice. No, no, no, Jos's

2:13:38.240 --> 2:13:40.520
<v Speaker 1>cool shots o G. I'm talking about the fucking violent

2:13:40.640 --> 2:13:48.120
<v Speaker 1>motherfucker Brooklyn. Oh Brooklyn. He was crazy nuts. So I'm

2:13:48.200 --> 2:13:51.200
<v Speaker 1>tripping out, worst trip of my night, like of my life.

2:13:52.120 --> 2:13:55.360
<v Speaker 1>So I'm on, I'm on all the edibles in the world, right,

2:13:55.880 --> 2:13:57.720
<v Speaker 1>Rich is opening up for you. I'm standing in the crowd.

2:13:58.080 --> 2:14:00.520
<v Speaker 1>My legs are cemented to the floor. I can't move.

2:14:01.200 --> 2:14:03.400
<v Speaker 3>Garfield the Cats on stage next to Ritz with fucking

2:14:03.440 --> 2:14:04.320
<v Speaker 3>slot machine eyes.

2:14:05.360 --> 2:14:05.880
<v Speaker 4>You go on.

2:14:06.280 --> 2:14:08.920
<v Speaker 1>I go outside. I'm puking on the side of the venue.

2:14:09.320 --> 2:14:14.520
<v Speaker 1>I'm just throwing up profusely. Right, And I walk back in,

2:14:14.640 --> 2:14:17.320
<v Speaker 1>and for whatever reason, like when I'm tripping hard, all

2:14:17.400 --> 2:14:20.960
<v Speaker 1>of the ship that would make someone's trip really bad

2:14:21.480 --> 2:14:23.680
<v Speaker 1>happening in real life around them always happens to me. Right,

2:14:24.200 --> 2:14:26.120
<v Speaker 1>So I got some Native American dude trying to check

2:14:26.160 --> 2:14:29.160
<v Speaker 1>me about being white on stolen land. Outside, going to

2:14:29.240 --> 2:14:32.960
<v Speaker 1>the fucking backstage of the venue, and Brooklyn's beating the

2:14:33.120 --> 2:14:35.320
<v Speaker 1>ship out of some guy on the side of the stage.

2:14:35.800 --> 2:14:38.440
<v Speaker 1>We wait, is this the observatory? No, this isn't Arizona.

2:14:39.400 --> 2:14:41.760
<v Speaker 2>This is this is how many times this happened.

2:14:41.800 --> 2:14:44.680
<v Speaker 1>This is the clubhouse. I don't wonder which venue. This

2:14:44.800 --> 2:14:47.080
<v Speaker 1>is the clubhouse in Arizona. And so I'm sitting on

2:14:47.160 --> 2:14:49.520
<v Speaker 1>the couch and this fucking dude just getting the ship

2:14:49.680 --> 2:14:51.760
<v Speaker 1>rocked out of him right in front of me. And

2:14:51.880 --> 2:14:54.640
<v Speaker 1>I don't know how real it is because I'm fucked,

2:14:56.240 --> 2:14:58.920
<v Speaker 1>and that dude's a gnarly dude. Little dude, but like

2:14:59.120 --> 2:15:00.800
<v Speaker 1>not even a little dude, but like not like as

2:15:00.840 --> 2:15:02.960
<v Speaker 1>big of a dude as you'd expect to be throwing

2:15:03.000 --> 2:15:05.400
<v Speaker 1>the way he was throwing, like normal size guy.

2:15:06.520 --> 2:15:06.680
<v Speaker 8>You know.

2:15:07.000 --> 2:15:11.000
<v Speaker 1>No, Brooklyn was a savage. Savage. Yeah, that's crazy. Yeah,

2:15:11.000 --> 2:15:14.160
<v Speaker 1>he's a maniac. Yeah, good time, the best time tour

2:15:14.240 --> 2:15:17.840
<v Speaker 1>coming ish, Yeah, spot. I'm not I'm not into torn

2:15:17.960 --> 2:15:20.200
<v Speaker 1>right now. Man, I'm telling you, I'm just like I'm.

2:15:21.560 --> 2:15:24.960
<v Speaker 3>You had ruptured your spleen skydiving, right, that's crowded guy,

2:15:25.320 --> 2:15:26.520
<v Speaker 3>crowd crowded.

2:15:26.320 --> 2:15:30.320
<v Speaker 1>In a way. Yeah yeah, in Los Angeles, and that

2:15:30.480 --> 2:15:34.120
<v Speaker 1>had stopped you from doing more of that? Correct? I?

2:15:34.400 --> 2:15:38.520
<v Speaker 1>Well no it didn't. It didn't stop me, but did it? Got?

2:15:38.840 --> 2:15:41.240
<v Speaker 1>I got this tattoo it said calm down. I was

2:15:41.320 --> 2:15:44.680
<v Speaker 1>in ICU for fucking four days and assisted living for

2:15:44.800 --> 2:15:48.840
<v Speaker 1>two weeks. They I had signed a death papers for

2:15:49.040 --> 2:15:51.560
<v Speaker 1>that that injury. Like they were like, if you die,

2:15:51.640 --> 2:15:54.520
<v Speaker 1>we're not responsible. Type of ship I was on dolt

2:15:54.640 --> 2:15:57.160
<v Speaker 1>of and ship and then I and then I left

2:15:57.200 --> 2:16:00.240
<v Speaker 1>that assisted living and went straight to the airport to

2:16:00.320 --> 2:16:07.600
<v Speaker 1>Australia for a tour. Fuck and ah, man, I mean,

2:16:09.800 --> 2:16:13.760
<v Speaker 1>I'm cool, I'm cool on like I just look, man,

2:16:14.000 --> 2:16:15.680
<v Speaker 1>you're not gonna climb to the top of the venue

2:16:15.720 --> 2:16:19.800
<v Speaker 1>and do a fucking flying elbow off of it. I

2:16:19.920 --> 2:16:22.760
<v Speaker 1>mean I might, yeah, you know, I mean, what better

2:16:22.800 --> 2:16:27.120
<v Speaker 1>way to go out? Honestly, I mean, dude, when I

2:16:27.240 --> 2:16:30.720
<v Speaker 1>ruptured my spleen, what happened is I landed on a

2:16:30.800 --> 2:16:36.960
<v Speaker 1>dude's face and his nosebone went into my spleen. So

2:16:37.120 --> 2:16:43.160
<v Speaker 1>I like dove off of like fucking ten feet in

2:16:43.280 --> 2:16:45.680
<v Speaker 1>Los Angeles. Actually I don't know what venue it was,

2:16:46.959 --> 2:16:49.560
<v Speaker 1>so that dude was fucked up, but everybody's hands were

2:16:49.680 --> 2:16:51.400
<v Speaker 1>up and this dude turned around like.

2:16:53.040 --> 2:16:54.119
<v Speaker 2>Fucking splattered his nose.

2:16:54.160 --> 2:16:58.760
<v Speaker 1>He was so stoked, he was so happy. No, wow,

2:16:58.879 --> 2:17:01.840
<v Speaker 1>good for him for him being a real one. Twenty

2:17:01.920 --> 2:17:04.560
<v Speaker 1>twenty four. That happens. They're getting fucking too. I've been

2:17:04.640 --> 2:17:10.359
<v Speaker 1>superfore for what that that ship that happened at Observatory,

2:17:10.879 --> 2:17:13.040
<v Speaker 1>What happened? How was happening at a few of your

2:17:13.080 --> 2:17:15.760
<v Speaker 1>shows there? Now that that full jumped on stage and

2:17:15.840 --> 2:17:18.880
<v Speaker 1>pulled me down. It was on like all like, what

2:17:19.040 --> 2:17:20.280
<v Speaker 1>is it all hip hop or whatever?

2:17:20.480 --> 2:17:22.520
<v Speaker 3>I remember the vlog you had where someone stepped on

2:17:22.560 --> 2:17:24.280
<v Speaker 3>your bus and you clocked them. You remember that on

2:17:24.360 --> 2:17:28.240
<v Speaker 3>the bus stairs? What was that like twelve years ago?

2:17:28.840 --> 2:17:30.680
<v Speaker 1>Do you remember that? It was on one of your vlogs,

2:17:30.720 --> 2:17:33.560
<v Speaker 1>like on your YouTube channel. Some fools some food was

2:17:33.600 --> 2:17:35.160
<v Speaker 1>trying to get on the bus and you just fucking

2:17:35.280 --> 2:17:37.520
<v Speaker 1>lay Yeah, yeah, for sure.

2:17:37.680 --> 2:17:40.520
<v Speaker 2>But that that shit happened the loss you having an observatory.

2:17:40.720 --> 2:17:42.840
<v Speaker 1>I got pulled down by my overalls. It was like

2:17:42.959 --> 2:17:47.040
<v Speaker 1>a it's not no, it's all Star, No, not all

2:17:47.160 --> 2:17:51.680
<v Speaker 1>Star world Star. Was this that ship and they posed

2:17:51.680 --> 2:17:53.400
<v Speaker 1>it up but it blew up on ward Star or whatever?

2:17:53.520 --> 2:17:55.960
<v Speaker 1>I like, was this the show that the jelly and

2:17:56.000 --> 2:17:59.359
<v Speaker 1>struggle opened up on? No, no, no, people go okay,

2:17:59.800 --> 2:18:04.600
<v Speaker 1>But anyway, Brooklyn was there. Yeah, the point is Brooklyn

2:18:04.720 --> 2:18:09.160
<v Speaker 1>was there. I got a lawsuit. Shit I threw. I

2:18:09.200 --> 2:18:13.320
<v Speaker 1>threw a bottle of this idiot who was who was

2:18:13.400 --> 2:18:17.600
<v Speaker 1>trying to beat me up? Basically, and yeah, I got

2:18:17.920 --> 2:18:22.720
<v Speaker 1>I got the business. Well, look man, May seventeenth album

2:18:22.840 --> 2:18:25.480
<v Speaker 1>is coming. It's I'm excited for this one. Man, can

2:18:25.560 --> 2:18:26.640
<v Speaker 1>we do some hip hop this year?

2:18:27.080 --> 2:18:27.320
<v Speaker 4>Yeah?

2:18:27.520 --> 2:18:30.720
<v Speaker 1>Can we fucking do some mother fucking hip hop this year?

2:18:30.760 --> 2:18:33.760
<v Speaker 1>That's what I'm trying to fucking do. Man Warst Story

2:18:33.920 --> 2:18:37.879
<v Speaker 1>May seventeenth, Truck Music Forever. My energy is up, man good,

2:18:38.280 --> 2:18:40.840
<v Speaker 1>My energy is way up. I'm glad, bro, I'm serious,

2:18:41.920 --> 2:18:44.600
<v Speaker 1>I'm glad. I feel it. I feel like that first

2:18:44.640 --> 2:18:46.879
<v Speaker 1>record was a statement, like, bitch, I'm here to rack dog.

2:18:46.959 --> 2:18:48.640
<v Speaker 1>You know what I'm saying, Like, don't forget I wanted

2:18:48.680 --> 2:18:52.279
<v Speaker 1>the coldest. I'm here to do more than that fucking

2:18:55.040 --> 2:18:59.640
<v Speaker 1>ballmart ballmart Baby, Go buy some some American. Go support

2:18:59.680 --> 2:19:02.680
<v Speaker 1>this guy, Go buy some Slamerican. How about not go

2:19:02.840 --> 2:19:03.480
<v Speaker 1>bootlegg it?

2:19:03.840 --> 2:19:07.280
<v Speaker 2>keV dad joke?

2:19:07.320 --> 2:19:09.120
<v Speaker 1>What's up with Newport? I still have a green hoodie

2:19:09.160 --> 2:19:10.080
<v Speaker 1>with his fucking face on it.

2:19:10.800 --> 2:19:13.360
<v Speaker 2>You have the fucking dude We're killing it hoodie. Yeah,

2:19:13.760 --> 2:19:15.600
<v Speaker 2>that's a classic, man, you better hold on to that.

2:19:15.959 --> 2:19:19.440
<v Speaker 1>We'll never make it again. I'm sure he won't. Why

2:19:19.480 --> 2:19:23.360
<v Speaker 1>would you? That was a moment like be like, yo,

2:19:23.480 --> 2:19:27.240
<v Speaker 1>let's print another Newport hoodie. Might print some skateboards or

2:19:27.280 --> 2:19:29.640
<v Speaker 1>some shit, but oh Newport, dude, he's got his own

2:19:29.680 --> 2:19:34.560
<v Speaker 1>skate shop. He's great man, Magic City, Miami. We had

2:19:35.560 --> 2:19:37.480
<v Speaker 1>If you are getting down to Miami and you want

2:19:37.520 --> 2:19:40.440
<v Speaker 1>to go to a skate shop with the family, check

2:19:40.520 --> 2:19:42.520
<v Speaker 1>in in Magic City. Man. That's my boy. Man, he's

2:19:42.560 --> 2:19:45.320
<v Speaker 1>got a great skateboard shop, you know, popping.

2:19:45.959 --> 2:19:49.440
<v Speaker 3>Would you ever do any movies or try to maybe

2:19:49.520 --> 2:19:51.240
<v Speaker 3>like write a pilot for a TV show based on

2:19:52.120 --> 2:19:54.240
<v Speaker 3>some of your life or any of your fucking why

2:19:54.280 --> 2:19:54.480
<v Speaker 3>do you.

2:19:54.600 --> 2:19:57.480
<v Speaker 1>Ask so many things that have such long answers.

2:19:58.160 --> 2:20:00.680
<v Speaker 3>Well, because we're waiting for that Mexicano t his handler

2:20:00.800 --> 2:20:02.680
<v Speaker 3>just got here, the gay man in the corner over there.

2:20:02.959 --> 2:20:05.440
<v Speaker 1>Well, first of all, I've done my first feature film.

2:20:05.440 --> 2:20:09.720
<v Speaker 1>It's called Peter Peanut Butter Falcon with Sealah Buff Dakota. Zach.

2:20:11.560 --> 2:20:13.320
<v Speaker 1>You used to check it out, Okay I didn't. I

2:20:13.320 --> 2:20:15.880
<v Speaker 1>haven't seen that. When I didn't, we'll fucking stop sleeping on,

2:20:17.080 --> 2:20:21.119
<v Speaker 1>stop sleeping. Got some bars, he definitely does, got bars,

2:20:21.600 --> 2:20:24.280
<v Speaker 1>but not now this role. Oh John Hawks, you know

2:20:24.280 --> 2:20:29.640
<v Speaker 1>what I mean, like like crew crew. But the movie

2:20:29.760 --> 2:20:33.440
<v Speaker 1>is called Peanut Butter Falconi movie. That's also a sick

2:20:33.480 --> 2:20:40.840
<v Speaker 1>band name. It's a great movie. Zach is starring in

2:20:40.959 --> 2:20:46.160
<v Speaker 1>it and the story is what got me about the role.

2:20:46.640 --> 2:20:49.240
<v Speaker 1>But I was fresh out of rehab, dude, like, and

2:20:49.360 --> 2:20:53.680
<v Speaker 1>my role is called rat boy and pooh boy. Did

2:20:53.720 --> 2:20:54.200
<v Speaker 1>I own that?

2:20:54.480 --> 2:20:55.200
<v Speaker 5>You know? So?

2:20:55.400 --> 2:20:58.480
<v Speaker 1>I fucking that was my first role and only role.

2:20:59.400 --> 2:21:01.920
<v Speaker 1>But I just say down with Shannon from Average Joe's

2:21:02.400 --> 2:21:07.800
<v Speaker 1>who they just did Old Henry And if you haven't

2:21:07.800 --> 2:21:10.960
<v Speaker 1>seen Old Henry, please do yourself a favorite. Check that movie.

2:21:10.959 --> 2:21:14.960
<v Speaker 1>I was brilliant Old Henry. So we're working on some things.

2:21:15.000 --> 2:21:19.160
<v Speaker 1>I mean, we'll see. I'm just not a fucking artist

2:21:19.280 --> 2:21:22.240
<v Speaker 1>that wants to do film for film's sake. I like

2:21:22.879 --> 2:21:26.040
<v Speaker 1>rad shit, like I like how like most Death did

2:21:26.120 --> 2:21:30.600
<v Speaker 1>it right get out. He just got the Italian job

2:21:30.680 --> 2:21:33.680
<v Speaker 1>to be Henrie Wind. You know, he just picked great

2:21:33.840 --> 2:21:37.200
<v Speaker 1>roles and he had a very like he was very

2:21:37.360 --> 2:21:41.760
<v Speaker 1>tasteful about how he approached it, you know, and it

2:21:41.920 --> 2:21:45.000
<v Speaker 1>was somehow it seemed like on brand for what you

2:21:45.040 --> 2:21:48.400
<v Speaker 1>would appreciate from from him most deaf, you know what

2:21:48.440 --> 2:21:49.840
<v Speaker 1>I'm saying. So I would like to do it like that.

2:21:50.040 --> 2:21:52.800
<v Speaker 1>Another artist who did it is like Dwight Yoakum. Dwight

2:21:52.920 --> 2:21:55.320
<v Speaker 1>Yoakum did it very tastefully. I feel like too. From

2:21:55.440 --> 2:21:58.720
<v Speaker 1>from like music to film legend. So I'm just trying

2:21:58.760 --> 2:22:01.959
<v Speaker 1>to make that like transition and like gracefully. I get

2:22:02.080 --> 2:22:04.480
<v Speaker 1>rolls all the time, but it's always like some love interests,

2:22:04.560 --> 2:22:10.320
<v Speaker 1>like fucking weird, just romantic comedy, like the fuck.

2:22:10.160 --> 2:22:10.440
<v Speaker 9>Out of here.

2:22:10.440 --> 2:22:12.160
<v Speaker 1>I don't want to do a romantic comedy like I

2:22:12.240 --> 2:22:16.800
<v Speaker 1>want some fucking gnarly shit. Let's get gnarly.

2:22:17.440 --> 2:22:18.720
<v Speaker 2>Let's get gnarly in twenty.

2:22:18.520 --> 2:22:20.480
<v Speaker 1>Four, Gnarly twenty twenty four.

2:22:21.080 --> 2:22:23.120
<v Speaker 2>I gotta fucking piss like a raise me too.

2:22:23.440 --> 2:22:26.440
<v Speaker 1>What's in the fucking podcast? The podcast just ended. It's over. Now,

2:22:26.600 --> 2:22:32.560
<v Speaker 1>it's over. Wait, what's the May seventeenth? May seventeenth War story?

2:22:32.640 --> 2:22:35.520
<v Speaker 1>The double album is out, Thank you my god. keV, Hey,

2:22:35.640 --> 2:22:37.760
<v Speaker 1>you're going to introduce me to os. Yeah, he'll be

2:22:37.800 --> 2:22:38.600
<v Speaker 1>here in a second. Yeah,