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Speaker 1: Welcome back to Alchemy This Sammy host Kevin Pollock. What's happen? Yes,

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Speaker 1: that Kevin Pollock. Would you like to meet the Alchemist.

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Speaker 1: Let's do that now, shall we. Chris Alvarado, how are

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Speaker 1: you sorry? Great? Feeling good today? Yeah? Man, I love

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Speaker 1: this podcast and I love everybody. What's your favorite thing

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Speaker 1: someone has said about the podcast so far? Um. I

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Speaker 1: like that it tends to get people through there sometimes

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Speaker 1: boring jobs. I think it's cool that we can could

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Speaker 1: bring a little fun to them in the office where

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Speaker 1: they're plugging away. Yeah. Yeah, you asked in a previous

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Speaker 1: episode that I just heard folks send us some Instagram

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Speaker 1: photos of you in your tedium that you keep referring

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Speaker 1: to while you're listening to us. So let's remind people

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Speaker 1: to do that tedium or it might have been there

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Speaker 1: was a hashtag that he said in the moment. Yeah,

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Speaker 1: just as long as it is this is us, that

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Speaker 1: would be that. Yeah. Um, and we love hearing from you.

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Speaker 1: Right your name here at Alchemy this dot com. Your

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Speaker 1: name here, alcome me this dot com and uh, Chris,

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Speaker 1: thank you for that. Joey Greer, Yes, thank you. James Heeney. Yeah, yeah, great, Craigkowski,

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Speaker 1: thank you, longtime player, first time listener. About let's do this.

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Speaker 1: I think one of my favorite things is did someone

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Speaker 1: else have a favorite thing? It was great? And I'm sorry.

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Speaker 1: We have to have you heard when you're when you're

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Speaker 1: not here? Have you heard what you sound like when

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Speaker 1: you're not here? What what you should listen to the show?

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Speaker 1: Someone in this room may have you down pretty good.

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Speaker 1: Let's just leave it there, Okay, thank you to listen

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Speaker 1: to it. Um, all right, So this story, uh, is

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Speaker 1: a little more lengthy. I read this story yesterday and

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Speaker 1: painstakingly copy and pasted it. Yeah, and uh, and so

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Speaker 1: we're it's going to take a minute to read it

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Speaker 1: or three and then um, we'll just dive in. This

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Speaker 1: is a story and it's handy me strapped in kids.

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Speaker 1: This one is more lengthy, as I just said, than

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Speaker 1: the previous ones. And it begins now. Pauline's parents, Warren

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Speaker 1: and Ruth, had separated when she was five. Warren, a

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Speaker 1: successful businessman, was a heavy drinker who became violent. Eventually,

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Speaker 1: Ruth just couldn't take it anymore. When Pauline was seven,

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Speaker 1: Ruth took the children on a holiday to Winnipeg. More

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Speaker 1: than a thousand miles from their home. When they arrived,

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Speaker 1: Ruth told them they were never going back. When Pauline

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Speaker 1: asked her mom why, she only said, I'm sorry, I

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Speaker 1: can't tell you. When you're older, I will A similar

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Speaker 1: sudden pickup and move happened, though only four years later. Otherwise,

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Speaker 1: life was somewhat normal for Pauline's family. They'd start again,

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Speaker 1: build a new life in a new town. But below

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Speaker 1: the surface, Pauling was confused, anxious, and falling into depression.

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Speaker 1: She said, I knew something bad was happening. I know

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Speaker 1: what it was, but there was always a sense of

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Speaker 1: something dire that was unspoken. By the time Pauline was eleven,

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Speaker 1: she had attended six different schools in as nearly as

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Speaker 1: many years and had lost touch with her dad. But

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Speaker 1: another man had come into the family's life, a church

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Speaker 1: minister named Stan. Pauline's mother had met Stan at a

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Speaker 1: support group for families of alcoholic Stand was a counselor there,

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Speaker 1: and Ruth had gone to him when she was struggling

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Speaker 1: with Warren's drinking and preparing to leave him. Both times

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Speaker 1: that Pauline's family had disappeared, Stan's family had moved in

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Speaker 1: lockstep with them, so whatever happened had been going on,

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Speaker 1: they were a part of it. At age twenty three, Pauline,

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Speaker 1: graduated from university, was working on her local newspaper and

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Speaker 1: when her mother telephoned and said, Okay, I'm ready to

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Speaker 1: explain all the strange things that have happened throughout your life.

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Speaker 1: When Pauline arrived, Ruth slipped her a note with an

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Speaker 1: empty envelope. The note read, don't say anything. Put all

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Speaker 1: your jewelry in the envelope. I'll explain. Her mother took

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Speaker 1: her to a hotel room nearby, where Pauline was surprised

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Speaker 1: to find Stan was waiting there as well. Stand and

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Speaker 1: Ruth told Pauline that for the past sixteen years they

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Speaker 1: had been on the run from the mafia. That Pauline's

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Speaker 1: family had been targeted because her father, Warren, had been

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Speaker 1: involved in organized crime. She was asked to remove for

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Speaker 1: jewelry because it needed to be tested for recording bugs.

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Speaker 1: Pauline said, a feeling of terror came over me, that

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Speaker 1: this might be something we could never escape. Stan explained

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Speaker 1: that it all started after he had counseled the mafia

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Speaker 1: kingpin who wanted to turn his back on his criminal pass.

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Speaker 1: When the mob discovered that the man had broken his

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Speaker 1: coat of silence, they assassinated him, and they had come

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Speaker 1: for Stan after thinking he probably knew too much as well. Later,

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Speaker 1: when Ruth, the embittered ex wife of him offer herself

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Speaker 1: had started working as a secretary at Stands Church, she

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Speaker 1: too had become a target. Pauline says, I was then

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Speaker 1: told that each of us had someone following keeping an

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Speaker 1: eye on us from a distance, and that there had

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Speaker 1: been many attempts either kidnapped, poison, or to kill myself

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Speaker 1: and my brother and that these agents had intervened to

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Speaker 1: keep me and my brothers safe many times over the years.

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Speaker 1: Stan also explained that there were shadowy communities, towns, and

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Speaker 1: different parts of the country where people who had been

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Speaker 1: targeted by the market could go and protective custody. This

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Speaker 1: was known as the Weird World. Stan was already living

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Speaker 1: in one of these communities, but his wife hadn't wanted

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Speaker 1: to go inside, so he was there alone. As unbelievable

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Speaker 1: as all this sounded, Pauline insists there was all these

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Speaker 1: explanations that made some troubling pieces fall into some kind

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Speaker 1: of pattern. A narrative. Over time, more and more alarming

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Speaker 1: information came from Stan and Ruth about the weird world,

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Speaker 1: that there were doubles for her and her brother, doubles

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Speaker 1: for the people looking after them. Stan explained spent several

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Speaker 1: months studying home videos to learn how to behave convincingly

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Speaker 1: these doubles using plastic surgery as well. On the day

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Speaker 1: or Ruther got married, for example, she met her father

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Speaker 1: and her aunt for the first time in many, many years.

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Speaker 1: My mother was so upset at the wedding because her

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Speaker 1: sister was supposed to be a double, she kept saying Pauline.

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Speaker 1: Her mother also received dozens of letters from people on

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Speaker 1: the inside the weird world. The handwriting always looked authentic.

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Speaker 1: They were convincing who on earth would take the time

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Speaker 1: to forge all these letters if they weren't real. Pauline

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Speaker 1: decided that she would go inside with her mother. Stantold

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Speaker 1: Pauline that there was work inside and she would have

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Speaker 1: plenty to do and people to meet. Many years later,

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Speaker 1: Pauline met Kevin, who would later become her husband. Dan

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Speaker 1: gave paul and Pauline awaited and her big day. Of course,

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Speaker 1: she couldn't invite her real dad, but Kevin was allowed

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Speaker 1: in on this dreadful secret. Kevin agreed that he too

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Speaker 1: would go inside. Pauline, after many many years, finally decided

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Speaker 1: she needed to know for sure and set up a

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Speaker 1: sting to make sure this was all factual. She called

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Speaker 1: her mother and said, somebody broke into the house. What

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Speaker 1: should I do? Pauline's mother replied, I'll ask our friend

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Speaker 1: and calling you back, Ruth called back and said she

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Speaker 1: couldn't talk on the phone. Pauline must come to their

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Speaker 1: house immediately. Once Pauline got their, horrified, Ruth and stand

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Speaker 1: told her that two people had in fact broken into

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Speaker 1: her house, had photographs, They found photographs of her, and

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Speaker 1: they've been following her looking for different things and certain

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Speaker 1: things that would make her life otherwise unlivable. She said

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Speaker 1: she couldn't take it anymore, and she knew in that

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Speaker 1: moment that it was a lie and she had a

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Speaker 1: severe relationship. She had made the whole thing up. She

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Speaker 1: was so shell shocked and angry. When Pauline confronted Stan,

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Speaker 1: he told her that there must be some mistake. Report

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Speaker 1: about these two men picking up in the photographs and

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Speaker 1: breaking into the house must have been incorrect, but Pauline

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Speaker 1: knew it was too late. I was furious, resentful, and

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Speaker 1: I finally decided that my mother was not in on it,

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Speaker 1: though Stan had made the whole thing up. But I

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Speaker 1: just couldn't think why, why he would have done it.

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Speaker 1: Pauline went to see a psychiatrist who told of an

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Speaker 1: actual case for let Adeu, a syndrome in with symptoms

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Speaker 1: of delusional behavior are transmitted from a dominant personality to

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Speaker 1: a less personality. Pauline's relationship with her mother never entirely recovered,

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Speaker 1: though it didn't prove when Pauline started her family, I

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Speaker 1: had to forgive her. I could never forget, but I

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Speaker 1: had to forgive her. Shortly before she died, she tried

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Speaker 1: to warn me to be careful. I said to her,

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Speaker 1: I don't need any more to be careful, anymore than

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Speaker 1: anyone else out there. Her mother said, oh, Polly, if

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Speaker 1: you don't believe this, how you must have hated me.

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Speaker 1: And I said to my mother, I never hated you.

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Speaker 1: I've been angry, but I love you. Wow. Wow, are

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Speaker 1: you the Kevin from that s It's a weird time

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Speaker 1: to tell you, but this is actually a part of

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Speaker 1: my life. My first wife weird world. I learned my attentions.

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Speaker 1: Man is shut to keep coming back and be like wait,

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Speaker 1: who I think I understand? That's so confident. Let's play.

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Speaker 1: You're going to Toronto? What? Why? What's the move? What's

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Speaker 1: going on? We have to go to Toronto? Business move? Okay,

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Speaker 1: it's a business move. Can I get my stuff and

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Speaker 1: we'll go when it's I meant to say, it's a Um,

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Speaker 1: your mother's taking you on a vacation. Okay, okay, so

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Speaker 1: pack your things all right, so quick. I don't understand

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Speaker 1: what you call me when you get there. Yeah, I'll

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Speaker 1: call you when I get there. Good. But I got

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Speaker 1: the prom dance tonight, I get the prom dance. Can wait, anybody, boy,

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Speaker 1: it's me. It's uncle Jim. You know me. Um, your

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Speaker 1: mom and I are we we're gonna be taking you

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Speaker 1: on this vacation. Um, why isn't my dad he's busy, right,

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Speaker 1: that's right, Yeah, he's busy. Are we all set? I'm

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Speaker 1: all set? Is this the kid that I'm supposed to impersonate? What? Okay,

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Speaker 1: we're moving really quickly. I'm gonna have to put your

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Speaker 1: look at mommy. Take a look at mommy. I know

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Speaker 1: you were excited for the prom dance. I know we

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Speaker 1: have a great life here, but we're just changing up

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Speaker 1: a little. Okay, and this, this young man is going

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Speaker 1: to be another version of you and something we're going

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Speaker 1: to call um Waco World should get to go prom?

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Speaker 1: That's ball. Why isn't he just go there? I go

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Speaker 1: to prom. No, you pack your things with your mother.

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Speaker 1: Don't understand this? So many people. It's a vacation. You're

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Speaker 1: going to have fun, Jacob, I love you. We haven't

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Speaker 1: been on a vacasion since we went to the Cape

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Speaker 1: two months ago. We need this, okay, Jacob, can I

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Speaker 1: have your phone? I guess I need your cell phone?

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Speaker 1: Why do you need a cell phone? I'm taking his life.

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Speaker 1: I'm taking all his calls. Okay, stop getting so angry

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Speaker 1: with this. I'm also we didn't know that you'd be

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Speaker 1: interacting with him so closely. I thought that this was

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Speaker 1: going to be seamless. I thought this could right, This

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Speaker 1: is the opportunity I get to know. Why are you

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Speaker 1: so angry at us? I'm angry that I am not

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Speaker 1: aware of the you know, if I'm going to be honest,

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Speaker 1: I'm frankly angry. You don't look like Jacob. What do

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Speaker 1: you mean I don't look like Jacob. Okay, okay, look

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Speaker 1: I sent the guy out and sent I sent one

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Speaker 1: of my agents out there to work with you guys.

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Speaker 1: O came. Sorry. I wasn't the one you wanted, all right,

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Speaker 1: but I mean, the whole experience was really didn't work.

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Speaker 1: Maybe you promised us protection. Okay, you promised us protection.

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Speaker 1: Now I I already feel like my my my cover

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Speaker 1: is blown. I had to show up and say I'm

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Speaker 1: his uncle, uncle Jim. I mean from the records and

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Speaker 1: what I heard, you were that clear about it. You

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Speaker 1: were kind of floundered in the moment. You gotta be

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Speaker 1: better than fake Jacob. Fake Jacob was blew it right away.

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Speaker 1: You fake Jacob didn't match for. He didn't match for.

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Speaker 1: You had a deal. Remind us of the deal. The

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Speaker 1: deal was that I was going to send you a

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Speaker 1: Facob and he was gonna get in there. He was

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Speaker 1: gonna implement himself seamlessly into where Jacob really was, and

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Speaker 1: then you guys could leave, do whatever, and we're gonna

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Speaker 1: have double triples, quadruples all over the city, all over

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Speaker 1: the state. I didn't know about the quadruples. I knew

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Speaker 1: about it. Why do we need quadruples? That's the package

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Speaker 1: of You went for the quadruple, Well, I want us

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Speaker 1: to be you didn't buy it. My husband bought it, right,

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Speaker 1: I work for him. Oh god, we'll send another over. Okay,

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Speaker 1: just this Martino. Can I see my office please? Yeah.

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Speaker 1: I'm getting complaints for what's going on with you. I'm

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Speaker 1: getting complaints from you in the field and the people

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Speaker 1: you're sending out to be the doubles. Oh yeah, like

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Speaker 1: you're sending your relatives instead of people who actually look

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Speaker 1: like the people that's supposed to be double store. Well

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Speaker 1: well yeah, but sometimes your relatives know you better, right, right,

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Speaker 1: So can I read some of the complaints. They're gonna hurt.

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Speaker 1: But yeah, they are gonna hurt because we have problems. Right,

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Speaker 1: We're supposed to infiltrate people's lives with seamless doubles, right,

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Speaker 1: and you keep sending your family who looks nothing like

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Speaker 1: the people. So who do you need me to double

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Speaker 1: this time? It's eleven year old girl. Yeah. If you

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Speaker 1: don't buy it, yeah, so just you know, when you're

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Speaker 1: at there, just you move, move around, you do a

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Speaker 1: lot of sitting. People are gonna buy this there, you're okay,

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Speaker 1: look how long we've been relative, so yeah, but before

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Speaker 1: I'm a fifty year old man. But well for my life.

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Speaker 1: So just you're good, Teresa, Teresa, give Cindy the ball.

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Speaker 1: Give Cindy the ball. Hey, thanks for the ball. You

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Speaker 1: seem different. Are you sick? No, I'm not sick. I'm

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Speaker 1: having a great time. Smushed our Ballah. Sorry, I don't

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Speaker 1: know my own strength sometimes a Cindy. Okay, kids come inside, alright,

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Speaker 1: so hey, let's have some cake. Who are you? We

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Speaker 1: don't eat cake every day. That's Cindy. That's Cindy. Cindy. Yeah,

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Speaker 1: I hang out of here all the time. You are

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Speaker 1: wearing what Cindy normally wearing. Okay. Uh had a real

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Speaker 1: gross spurt, yes, with facial hair okay, great, and a

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Speaker 1: tattoo on your arm of a snake. Okay. So let's

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Speaker 1: get back to this, Okay. I want things to be

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Speaker 1: very clear before we head out. Okay, I'm all for it.

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Speaker 1: I just want to be safe. I want to keep

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Speaker 1: Jacob safe. That's what I want to I want to

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Speaker 1: ultimately be reunited with my husban, and you will. And

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Speaker 1: he's doing us a really big favor by for by

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Speaker 1: staying in town. Okay, so obviously I'm were you and

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Speaker 1: I are not related. I work for it. I understand. Okay, Terrific,

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Speaker 1: Um your son. But I'm saying you're my son's uncle

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Speaker 1: as if you were my brother. But you are not.

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Speaker 1: That's correct. So we are brother and sister. Terrific. Jacob

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Speaker 1: will be with us. Um. It's confusing, but it's important

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Speaker 1: because your life is in danger. Your husband's life isn't

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Speaker 1: so much in danger. I'm not getting any new information yet, Okay, fair, okay,

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Speaker 1: I just want to make sure that we had the

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Speaker 1: basics down. Why is my life in danger of I'm leaving? Well,

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Speaker 1: don't you? Don't you see if your if your husband's

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Speaker 1: life is in danger, he would be leaving. But this

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Speaker 1: isn't so much in danger as yours and Jacob's life.

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Speaker 1: Oh yeah, you see. Your husband obviously has been in

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Speaker 1: part of some criminal enterprises. Um. But the way the

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Speaker 1: people have to burgers, no let us for you, no

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Speaker 1: tomatoes for thank you. I had an extra fri thank you.

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Speaker 1: She's my sister. This is my brother. Can you believe it?

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Speaker 1: We grew up together? Actually? Can you? Guys? Don't look

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Speaker 1: anything like what ever because I look like my mom

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Speaker 1: and he looks like our dad. Our dad. Okay, we

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Speaker 1: used to spend Christmas together. What happened we got older? Yeah? Life,

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Speaker 1: that's crazy. Do you guys have like a shared saying

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Speaker 1: or anything that most siblings do? Did you? Oh? We do?

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Speaker 1: What do you want to say it? Yeah? Count us off?

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Speaker 1: Waitress two? What happened at table show? I don't know?

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Speaker 1: They just right off. I can't cover this bill. I

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Speaker 1: can't cover it. Take a break? Okay, okay, okay, So

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Speaker 1: are we square? I mean I froze. I'm freaking out.

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Speaker 1: I don't think it's okay. And that was low stakes. Okay,

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Speaker 1: that was low steaks. That was good. That was just

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Speaker 1: a rep book. She poison ourselves? No, no, no, no,

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Speaker 1: no no. The only to think about job. We should

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Speaker 1: be peacefully dead. You usually diad, not on the Lamb

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Speaker 1: and Wackle world. Your husband has done terrible things to

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Speaker 1: people who want to take out his crimes on his family.

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Speaker 1: Exactly should just I should eat poison. I should eat

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Speaker 1: rat poison. I have a bunch in the trunk. I

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Speaker 1: can't let you do that. Why not? Because I'm not

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Speaker 1: only here to be your brother. I'm also here to

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Speaker 1: protect you. Ice cream. You guys want some ice cream? Okay,

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Speaker 1: this is he's he's undercover, he's one of us. How

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Speaker 1: you doing? Oh is that real ice cream? Just's not

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Speaker 1: just talking. We're just running you through some real scenarios.

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Speaker 1: He's frozen New York. I'll have some terrific very good,

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Speaker 1: very good. Do you want to you want vanilla chocolate

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Speaker 1: or swirl? Swirl? Is both options? Okay? You can't sorry,

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Speaker 1: you can't hesitate like that because to put a bullet

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Speaker 1: through your brain. My god, but put a bullet through

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Speaker 1: your brain into Jacob. Yeah, everybody, Well, I don't understand

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Speaker 1: the swirls actually working. I can do a little bit

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Speaker 1: of each Oh that's okay. I don't like it looks

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00:17:00,440 --> 00:17:02,120
Speaker 1: popped on top of each other. I'll just have one.

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Speaker 1: That's how it is. Um, I'll take it. Thank you.

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Speaker 1: What do you mean they don't want me to beat Jacob?

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Speaker 1: This is for me, I get okay. Look, look, look

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Speaker 1: you don't give me thinking. You just there's nothing. You

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Speaker 1: don't look like the guy just shaved. I did everything

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Speaker 1: that was supposed to do. Is could go to prom

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Speaker 1: I'm doing casting now? Oh my god? Yeah, and you

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Speaker 1: don't look like the kid. I look just like a

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Speaker 1: seventeen year old seat. And maybe there'll be something you

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Speaker 1: write for, maybe some lucky uncle. Listen, I've never graduated

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Speaker 1: high school and this is no yeah, this is by

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Speaker 1: the way. I got everybody's cookies. You had three bucks

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Speaker 1: of Samoa's. You had like five minutes. Oh, man, I

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Speaker 1: mean Cindy is selling, so I mean me, I'm taking

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Speaker 1: off what what what were the cookies? We just got cookies. Yeah,

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Speaker 1: we got cookies. I'm doing casting now. He doesn't look

325
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Speaker 1: like a sending, but he's got to get the little thing,

326
00:18:08,320 --> 00:18:13,520
Speaker 1: the stickers. He's not getting the badge. Come on, get

327
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Speaker 1: jesus mead. Okay, you can finish out Sindy. Okay, just

328
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Speaker 1: to the end of the show. Why can't I finish

329
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Speaker 1: up Jacob until I get a degree? Oh that's what

330
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Speaker 1: you were talking about, Like, Oh, I get it, you

331
00:18:28,040 --> 00:18:29,960
Speaker 1: have that. You should just go to get your g

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Speaker 1: D somewhere else. Because even if you get it as Jacob,

333
00:18:32,200 --> 00:18:34,600
Speaker 1: you don't have it. Marla. It just means a lot

334
00:18:34,640 --> 00:18:36,240
Speaker 1: to the kids, you know what I mean? Why is

335
00:18:36,240 --> 00:18:39,159
Speaker 1: it turning on me? Just say like you're trying to

336
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Speaker 1: save this business. You know what's going to happen in

337
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Speaker 1: Wackle world if you keep this up. I mean everyone's

338
00:18:44,840 --> 00:18:48,480
Speaker 1: gonna die. Yeah, everyone's going to die. By the way,

339
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Speaker 1: everyone coming to my soccer game this weekendes okay, and

340
00:18:53,760 --> 00:18:56,360
Speaker 1: don't truck people like your shoulder and these kids. It's like,

341
00:18:56,480 --> 00:19:00,600
Speaker 1: it's all right, Jacob, jo Hey Jacob, what do you

342
00:19:00,600 --> 00:19:03,359
Speaker 1: think about this hotel? Huh, it's pretty cool. I guess

343
00:19:03,400 --> 00:19:07,080
Speaker 1: is that light not working? It's not working, but but

344
00:19:07,160 --> 00:19:10,000
Speaker 1: your mom is here, so that's cool. And hey, you

345
00:19:10,000 --> 00:19:16,959
Speaker 1: said I think we should eat poisoned were overhead? Look

346
00:19:16,960 --> 00:19:20,960
Speaker 1: at me. It's okay, I can't ice cream? Man said

347
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Speaker 1: you put a bullet hesitated. Holy look at me, Look

348
00:19:28,760 --> 00:19:30,640
Speaker 1: at me, Look at me, look at me. Okay, I'm

349
00:19:30,680 --> 00:19:34,280
Speaker 1: a good person. Okay, I'm here too. Happy you're safe. Okay,

350
00:19:34,920 --> 00:19:37,440
Speaker 1: Now here's the deal. You know, I'm mean your fucking uncle, right,

351
00:19:37,600 --> 00:19:41,000
Speaker 1: I don't know that I thought you were. You were, okay,

352
00:19:41,920 --> 00:19:47,000
Speaker 1: you cover, just put your own cover. Guys, are you

353
00:19:47,080 --> 00:19:50,720
Speaker 1: checking into the hotel? We were? Yeah, it was this room.

354
00:19:50,760 --> 00:19:54,399
Speaker 1: We're just waking to thisb This is not supposed to

355
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Speaker 1: be a room where you can have a gun out. Oh,

356
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Speaker 1: I'll put it the way there. Okay, please to thank you.

357
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Speaker 1: Can we get some towels, towels just out here in

358
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Speaker 1: the lobby? Yeah, okay, yeah, so I'll go get up terrific.

359
00:20:05,600 --> 00:20:08,280
Speaker 1: You two are making my job very difficult. This should

360
00:20:08,280 --> 00:20:11,880
Speaker 1: be a good time, are relaxing, good time? I don't

361
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Speaker 1: think it's going to be. It's gonna be a bad

362
00:20:13,760 --> 00:20:15,880
Speaker 1: time from here on. It your father did some bad things.

363
00:20:15,920 --> 00:20:19,919
Speaker 1: More people want because you're the first way to get

364
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Speaker 1: to me. So before they even kill me, they're going

365
00:20:21,600 --> 00:20:23,080
Speaker 1: to cut you up into little bits and then give

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Speaker 1: them to me, trying to make me break. But I

367
00:20:24,880 --> 00:20:28,680
Speaker 1: don't even know anything but anything good news. I I'm

368
00:20:28,800 --> 00:20:31,520
Speaker 1: not a great uncle, I know, but by my uncle.

369
00:20:31,520 --> 00:20:35,639
Speaker 1: But but your granddad's here. Anybody needs some ice cream

370
00:20:37,040 --> 00:20:39,840
Speaker 1: and he'll be taking you to another hotel tomorrow. Everything

371
00:20:39,920 --> 00:20:43,560
Speaker 1: going okay? Who is not my granddad? I know my granddad?

372
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Speaker 1: Okay here here, can't take this gun? Oh, I gotta go, Jacob, Jacob,

373
00:20:49,440 --> 00:20:52,280
Speaker 1: it's a custom grip. How do you know that, Jacob?

374
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Speaker 1: You got them? I got this all right? Bye, guys, sir,

375
00:20:55,760 --> 00:20:58,960
Speaker 1: the towels, I'll take that where you go. Thank you.

376
00:20:59,040 --> 00:21:04,159
Speaker 1: Slippery breath of fish. Why did he say that? Just

377
00:21:04,240 --> 00:21:09,440
Speaker 1: done it? Just I don't want to be a man.

378
00:21:09,720 --> 00:21:13,000
Speaker 1: God's sake. I brought you into this world, okay, and

379
00:21:13,080 --> 00:21:15,400
Speaker 1: a new from the first moment I made eye contact

380
00:21:15,440 --> 00:21:17,400
Speaker 1: with you that I could, I could take you out

381
00:21:17,440 --> 00:21:20,480
Speaker 1: with me, because what's the point, what's even the point

382
00:21:20,480 --> 00:21:22,720
Speaker 1: if we're not together? Right? Buddy? Who whose Moby's buddy?

383
00:21:23,080 --> 00:21:28,159
Speaker 1: Everybody you're my buddy. This lobbies used for everybody, but

384
00:21:28,359 --> 00:21:30,879
Speaker 1: it would really be sometimes when you use the lobby,

385
00:21:30,920 --> 00:21:33,480
Speaker 1: it's making it so nobody else can enjoy the lobby

386
00:21:33,480 --> 00:21:37,200
Speaker 1: as much as we want. Okay, well, okay, okay, sorry

387
00:21:37,240 --> 00:21:43,800
Speaker 1: for interrupting. M I don't know what to do. Take

388
00:21:43,920 --> 00:21:46,280
Speaker 1: us take us away. Let me go to the zoo

389
00:21:46,280 --> 00:21:49,320
Speaker 1: with your grandpa. You know he's not going anywhere alone

390
00:21:49,400 --> 00:21:51,720
Speaker 1: with you. I'm going to the zoo too if he

391
00:21:51,840 --> 00:21:57,320
Speaker 1: If he's going. Thanks, Wow. I love this crssage. Um.

392
00:21:57,520 --> 00:22:00,440
Speaker 1: This is I've been dreaming a problem like I don't

393
00:22:00,480 --> 00:22:02,040
Speaker 1: even think about a wedding. I think about like I

394
00:22:02,080 --> 00:22:06,000
Speaker 1: just thought about PM. I want her back by ten PM. Alright,

395
00:22:06,320 --> 00:22:11,000
Speaker 1: I'll bring her back, sir for Jacob Dric. But I

396
00:22:11,000 --> 00:22:13,840
Speaker 1: don't want you back by ten. It's problem with always

397
00:22:13,880 --> 00:22:18,359
Speaker 1: going on in the boy's mine. Oh Dad, okay, Jacob,

398
00:22:18,600 --> 00:22:22,960
Speaker 1: Wow you look great. Thank you. You look fantastic. Thank you,

399
00:22:23,160 --> 00:22:25,840
Speaker 1: thank you. Come out, get into the car. I don't

400
00:22:25,840 --> 00:22:32,159
Speaker 1: want any drinking going on on your other leave him aloud,

401
00:22:32,520 --> 00:22:35,640
Speaker 1: you do, okay? No drinking? Ok okay, Dan. I want

402
00:22:35,640 --> 00:22:37,720
Speaker 1: to go dance. All right, you know Jacob, but you know,

403
00:22:37,840 --> 00:22:40,480
Speaker 1: let me see if Jacob come dance. Come here, James

404
00:22:40,600 --> 00:22:45,480
Speaker 1: me for a want you guy taking my dance? Alright? Alright?

405
00:22:45,600 --> 00:22:52,800
Speaker 1: Can you put some music on? So I've always loved Jacob.

406
00:22:53,040 --> 00:22:56,639
Speaker 1: Can I look at your teeth? I've always loved Jacob's teeth.

407
00:22:56,880 --> 00:22:58,560
Speaker 1: My teeth are sre today. I don't want I don't

408
00:22:58,600 --> 00:23:01,199
Speaker 1: want to show him off. Hey, can I get some

409
00:23:01,240 --> 00:23:04,000
Speaker 1: pictures with my big sister before she heads after the premise.

410
00:23:06,600 --> 00:23:10,080
Speaker 1: I'm Cindy. I'm her little sister. Cdy you know, Cindy,

411
00:23:10,119 --> 00:23:14,679
Speaker 1: of course you know, but please don't look like Jacob's teeth.

412
00:23:14,920 --> 00:23:26,200
Speaker 1: Call me crazy, You're crazy, crazy job Sorry, your mind

413
00:23:26,359 --> 00:23:30,560
Speaker 1: is going Cindy. Um, are you gonna have fun tonight

414
00:23:30,880 --> 00:23:33,760
Speaker 1: with Grandma? I'm gonna have so much fun. Yeah, we're

415
00:23:33,760 --> 00:23:38,679
Speaker 1: gonna watch the voice and uh and play Candy lean. Okay,

416
00:23:38,720 --> 00:23:44,120
Speaker 1: all right, jakeob you ready, let's go hold you any kissing?

417
00:23:44,119 --> 00:23:46,399
Speaker 1: I don't know, but are you gonna kiss? You? Kiss

418
00:23:46,440 --> 00:23:52,840
Speaker 1: me first? I want to you. Okay, you don't even

419
00:23:52,880 --> 00:23:58,600
Speaker 1: know that I was gonna kiss. Maybe I will kiss. Okay,

420
00:23:58,640 --> 00:24:03,560
Speaker 1: let's just do a quick little little very good. No, no,

421
00:24:04,680 --> 00:24:06,880
Speaker 1: I about a kiss for a little Cindy over here,

422
00:24:07,840 --> 00:24:12,719
Speaker 1: kiss my little daughter. You're doing great, guss. Why are

423
00:24:12,760 --> 00:24:15,640
Speaker 1: you feeding me into this? Kiss? You're doing great? Alright, alright,

424
00:24:15,640 --> 00:24:19,360
Speaker 1: I just want a little kiss. Oh where did that?

425
00:24:23,640 --> 00:24:27,439
Speaker 1: I got a badge in it? Cindy's such big hands

426
00:24:27,480 --> 00:24:33,280
Speaker 1: for a little girl. Yes, I think it's the carburetor.

427
00:24:34,160 --> 00:24:36,199
Speaker 1: Maybe you know? Okay, that'll be happy to look at

428
00:24:36,200 --> 00:24:40,680
Speaker 1: it for you, No problem. I'm I'm undercover. Say good,

429
00:24:41,680 --> 00:24:45,719
Speaker 1: I'm undercover. Okay, but just keep you tuning like you're

430
00:24:45,720 --> 00:24:49,600
Speaker 1: looking at my car. Yep, Hold, look it is a carburetor. Great.

431
00:24:49,720 --> 00:24:51,080
Speaker 1: What do you mean to do? Did you just keep

432
00:24:51,080 --> 00:24:53,520
Speaker 1: talking about car stuff? I'm want to tell you you

433
00:24:53,640 --> 00:24:55,399
Speaker 1: might want to take a look at that fan belt

434
00:24:55,480 --> 00:24:59,720
Speaker 1: as well. Your wife and kid are not doing well. Okay, okay, yeah,

435
00:25:00,040 --> 00:25:02,320
Speaker 1: and bell I can probably replace I think a lot

436
00:25:02,359 --> 00:25:04,320
Speaker 1: of parts here. If your wife wants to do a

437
00:25:04,359 --> 00:25:07,840
Speaker 1: double suicide with your child, okay, yeah, well let me

438
00:25:08,000 --> 00:25:10,920
Speaker 1: uh let me check the plugs while i'm under It's

439
00:25:10,960 --> 00:25:13,919
Speaker 1: important that you get rid of Jacob. His cover has

440
00:25:13,960 --> 00:25:18,920
Speaker 1: been compromised. We needs you to kill Jacob. How uh

441
00:25:19,080 --> 00:25:23,400
Speaker 1: I need this done by at least this afternoon. Oh yeah, everybody,

442
00:25:23,400 --> 00:25:29,160
Speaker 1: and Linda floor manager. Here's your interaction going, uh interaction? Yeah,

443
00:25:29,720 --> 00:25:31,800
Speaker 1: whether he's brought in his car, it needs work and

444
00:25:31,840 --> 00:25:35,280
Speaker 1: I'm gonna have I'm gonna have the boys. What's the diagnosis, doc,

445
00:25:36,359 --> 00:25:40,480
Speaker 1: I would say, just cleaned the carburetor, replaced the Yeah,

446
00:25:40,640 --> 00:25:43,280
Speaker 1: it does look fine, but that's what it's underwarrned. We

447
00:25:43,359 --> 00:25:46,560
Speaker 1: don't want to miss diagnose anyone's car. She's right, We

448
00:25:46,640 --> 00:25:49,560
Speaker 1: don't let me get a bad help review. Let me

449
00:25:49,600 --> 00:25:53,240
Speaker 1: take another look at it. Sure, sure, I'm sorry interrupt

450
00:25:53,520 --> 00:25:55,280
Speaker 1: this gentleman here to show me here he worked on

451
00:25:55,320 --> 00:25:59,000
Speaker 1: my card writer earlier. He just ruined the engine. I

452
00:25:59,000 --> 00:26:01,600
Speaker 1: I don't know what they did. It drove off here, fine,

453
00:26:01,680 --> 00:26:03,679
Speaker 1: yeah it did, and then it stalled out and then

454
00:26:03,760 --> 00:26:07,000
Speaker 1: it just fell off the box. Routine are you going

455
00:26:07,080 --> 00:26:10,000
Speaker 1: to leave a negative yump review. Oh you can bet it,

456
00:26:10,200 --> 00:26:15,119
Speaker 1: you can bet it you're fired? What? Just like that? Absolutely,

457
00:26:15,160 --> 00:26:17,199
Speaker 1: just like that. It doesn't know how to take care

458
00:26:17,200 --> 00:26:20,200
Speaker 1: of a car. Yeah, I feel and I'm sorry. I'm sorry.

459
00:26:20,240 --> 00:26:22,880
Speaker 1: Moron doesn't know how to take care of her car.

460
00:26:23,359 --> 00:26:28,439
Speaker 1: Moron is not enough under the bus. Keep your cool? Okay, please, boss,

461
00:26:28,680 --> 00:26:31,200
Speaker 1: what I need to drop? Bad? You've a gun? Sir,

462
00:26:32,080 --> 00:26:40,680
Speaker 1: I'm a cop. Where are you going? Get over here? Okay? Okay,

463
00:26:40,680 --> 00:26:48,480
Speaker 1: pop trunk the trunk, help the trunk, help me out? Okay, okay,

464
00:26:50,640 --> 00:26:56,920
Speaker 1: what is that? Well? Weed whacker? Ma'm I'm a police

465
00:26:56,960 --> 00:27:00,480
Speaker 1: officers killed a woman that you don't need to know that.

466
00:27:00,520 --> 00:27:02,800
Speaker 1: I don't need to answer that. Police officer wouldn't do that.

467
00:27:03,640 --> 00:27:05,960
Speaker 1: I've been reading a lot of fuss speed articles. Oh

468
00:27:06,000 --> 00:27:09,240
Speaker 1: my god, I see you. That's a badge. That's right. Okay, okay,

469
00:27:09,320 --> 00:27:12,520
Speaker 1: now listen. Why does Waco World p D because I

470
00:27:12,560 --> 00:27:16,240
Speaker 1: live in a different time? No? Okay, well, I don't know.

471
00:27:16,280 --> 00:27:18,280
Speaker 1: You asked me a weird question. Let's questions, boss. My

472
00:27:18,320 --> 00:27:23,960
Speaker 1: family is endangerous. You're fired, understand, lady? In this trunk world?

473
00:27:24,280 --> 00:27:26,080
Speaker 1: I quit? Please tell me how I can help. Okay,

474
00:27:26,080 --> 00:27:27,359
Speaker 1: we need you to take out Jake. I gotta take

475
00:27:27,400 --> 00:27:31,359
Speaker 1: out Jacob. That's right, he's been compromised. Everybody, just find

476
00:27:31,400 --> 00:27:33,600
Speaker 1: a couple and make your way up to the dance

477
00:27:33,640 --> 00:27:37,520
Speaker 1: floor and enjoy the final dance. I just want you

478
00:27:37,560 --> 00:27:41,920
Speaker 1: guys to know I'm the fun chaperone. So if anybody, grandson, anybody,

479
00:27:41,920 --> 00:27:45,040
Speaker 1: I won't tell. Why is your skirt so high? I'm

480
00:27:45,200 --> 00:27:48,360
Speaker 1: d is mom. I'll be over about the punch. You

481
00:27:48,400 --> 00:27:54,000
Speaker 1: guys can do whatever when you're in my quadron, you're see. Okay, Jacob,

482
00:27:54,000 --> 00:27:58,760
Speaker 1: this has been a really, really wonderful nights. I've had

483
00:27:58,920 --> 00:28:05,720
Speaker 1: more fun than I've had in a long In there,

484
00:28:07,119 --> 00:28:10,399
Speaker 1: I don't want to kiss you. Why. I just feel

485
00:28:10,440 --> 00:28:13,080
Speaker 1: like I don't know. I just feel like we've grown

486
00:28:13,080 --> 00:28:15,520
Speaker 1: a part a lot you. When we were doing the

487
00:28:15,520 --> 00:28:18,560
Speaker 1: Electric Slide together and then the Chicken Dance, I thought

488
00:28:18,560 --> 00:28:24,360
Speaker 1: we were coming together. Come stop pushing me. Your horphones

489
00:28:24,400 --> 00:28:27,000
Speaker 1: are aging. Okay, okay, get out on each other. I

490
00:28:27,119 --> 00:28:30,520
Speaker 1: watch Chacob. I want to say something. Yeah, if you

491
00:28:30,560 --> 00:28:32,480
Speaker 1: were to ever be brutally murdered in front of me,

492
00:28:32,720 --> 00:28:35,919
Speaker 1: I would never forgot it. Really, come give me a kiss.

493
00:28:36,320 --> 00:28:38,800
Speaker 1: I'm not going to kiss you. I don't think it's appropriate.

494
00:28:39,560 --> 00:28:41,800
Speaker 1: I really don't. It's pretty nuts. Other other kids just

495
00:28:42,160 --> 00:28:47,520
Speaker 1: dancing around. Yeah, I mean, well that's how it is. Yeah,

496
00:28:47,560 --> 00:28:50,040
Speaker 1: that's what it is. Nuts. Remember when we were dancing,

497
00:28:51,520 --> 00:28:52,880
Speaker 1: we just stand and go on the wall and look

498
00:28:52,880 --> 00:29:00,560
Speaker 1: at the girl. We had real music, though, Oh my god,

499
00:29:00,600 --> 00:29:02,760
Speaker 1: Why why they hate lyrics so much? I don't know.

500
00:29:03,040 --> 00:29:05,480
Speaker 1: I think it's all intill production, all the producers, the

501
00:29:05,560 --> 00:29:11,760
Speaker 1: Boys Club for chaperon's over here, boys boys wants Molly?

502
00:29:12,360 --> 00:29:16,720
Speaker 1: What Who's which one's Molly? It's a good one. It's

503
00:29:16,720 --> 00:29:18,440
Speaker 1: gonna make you feel It just makes you feel happy.

504
00:29:18,560 --> 00:29:20,320
Speaker 1: Watch the kids. You can feel like a kid. But

505
00:29:20,480 --> 00:29:24,120
Speaker 1: you go watch the kids? Who was Molly? You on

506
00:29:24,200 --> 00:29:28,240
Speaker 1: a kid? And I'm gonna ask you a kid there?

507
00:29:28,240 --> 00:29:33,160
Speaker 1: You see, I'm sitting there, soup, take it as aspen.

508
00:29:33,440 --> 00:29:35,960
Speaker 1: If you'll do it, I'll do it. But the Boys

509
00:29:36,040 --> 00:29:38,080
Speaker 1: Club was a little afraid to take a little thing

510
00:29:38,160 --> 00:29:41,760
Speaker 1: from the Lime, Miss I guess, so I really can't

511
00:29:41,800 --> 00:29:44,920
Speaker 1: take any drugs. Well, I'm it's not a chaperon, it's

512
00:29:44,960 --> 00:29:49,200
Speaker 1: not a drug, and you're not schnapperoning looke. Come on, Okay,

513
00:29:49,440 --> 00:29:52,120
Speaker 1: that's right. I'm a that's right, I'm a parent here.

514
00:29:52,120 --> 00:29:56,800
Speaker 1: I'm a parent at this school. Boy, Saponce, this is

515
00:29:56,840 --> 00:29:59,600
Speaker 1: my boy. This is a straightest student. These kids need

516
00:29:59,680 --> 00:30:02,040
Speaker 1: to like go, These kids need to that loose When

517
00:30:02,120 --> 00:30:03,920
Speaker 1: I was in high school. You know what I was doing.

518
00:30:05,120 --> 00:30:08,480
Speaker 1: You don't want one of these, the one in the

519
00:30:08,480 --> 00:30:11,040
Speaker 1: five Buddy and well ship. Okay, Well if you look,

520
00:30:11,080 --> 00:30:12,240
Speaker 1: if you look, if you do it, I'll do it.

521
00:30:13,440 --> 00:30:19,120
Speaker 1: I'll do it. Yeah, look folds fast good. I don't know, Jacob,

522
00:30:19,720 --> 00:30:23,040
Speaker 1: it's I know they're like lasers, like light showy stuff

523
00:30:23,080 --> 00:30:26,200
Speaker 1: going on. But there's one red laser that keeps going

524
00:30:26,240 --> 00:30:28,760
Speaker 1: around your forehead. Let's move a little bit faster. This

525
00:30:28,840 --> 00:30:31,920
Speaker 1: is a slow dances. It's sometimes it's just it's so funny,

526
00:30:31,960 --> 00:30:34,520
Speaker 1: the lasers right on your forehead. All right, now, let's

527
00:30:34,520 --> 00:30:36,800
Speaker 1: get all the kids together. Let's make a ball and

528
00:30:36,920 --> 00:30:39,120
Speaker 1: dance in that ball. It's the dance ball. I love

529
00:30:39,160 --> 00:30:44,600
Speaker 1: a dance God, thank god we dance ball. I feel

530
00:30:44,640 --> 00:30:46,200
Speaker 1: really good, man, I'm telling you right now, I feel

531
00:30:46,360 --> 00:30:51,560
Speaker 1: really really. Anybody lies on Jacob in the ball, he's

532
00:30:51,600 --> 00:30:55,600
Speaker 1: in the ball. I get that's on Jacob. Look at

533
00:30:55,640 --> 00:30:59,520
Speaker 1: those how many buns Dana, is that your name? No?

534
00:31:00,040 --> 00:31:05,520
Speaker 1: This is what is your name? Oh it is? Wait

535
00:31:05,600 --> 00:31:14,800
Speaker 1: a second, we're happen to Jacob check down? Get off

536
00:31:14,840 --> 00:31:19,160
Speaker 1: of me? Why is everybody get off Jacob bleeding? I'm

537
00:31:19,160 --> 00:31:25,600
Speaker 1: gonna get this kid out of you, right the stuff? Okay,

538
00:31:25,640 --> 00:31:28,480
Speaker 1: so can we just can I just start the PTA

539
00:31:28,520 --> 00:31:30,920
Speaker 1: meeting by saying, what the f happened at prom? We

540
00:31:31,000 --> 00:31:33,880
Speaker 1: got a kid? You're looking at me because Dana, you're

541
00:31:33,920 --> 00:31:35,280
Speaker 1: the one in charge of the floor. Okay, you have

542
00:31:35,760 --> 00:31:38,680
Speaker 1: a quadrant and you're quadrant. There's a kid who got shot. No,

543
00:31:38,960 --> 00:31:41,080
Speaker 1: because by the time the kid got shot, there was

544
00:31:41,120 --> 00:31:44,360
Speaker 1: a dance ball and the dance ball was overlapping all

545
00:31:44,440 --> 00:31:47,080
Speaker 1: four How many times we have to have a meeting

546
00:31:47,120 --> 00:31:49,640
Speaker 1: about whether or not there should ever be a dance

547
00:31:49,720 --> 00:31:52,480
Speaker 1: ball allowed? Again? Yeah, I'm not sure why the dance

548
00:31:52,520 --> 00:31:54,720
Speaker 1: ball even happens in the first place. Every time there's

549
00:31:54,760 --> 00:31:57,200
Speaker 1: a dance ball, there's kids. We need an outlaw the

550
00:31:57,280 --> 00:32:00,760
Speaker 1: dance ball is what I'm agree all right, favor about

551
00:32:00,800 --> 00:32:04,080
Speaker 1: long danceball. I know you guys aren't really like hearing

552
00:32:04,200 --> 00:32:07,719
Speaker 1: my opinion, so maybe I won't. I don't know. I mean,

553
00:32:07,760 --> 00:32:09,800
Speaker 1: I have a theory I still maybe what happened and

554
00:32:09,880 --> 00:32:13,120
Speaker 1: what went wrong there? It doesn't include a dance ball.

555
00:32:13,400 --> 00:32:15,520
Speaker 1: Believe it or not, you were there what happened? So

556
00:32:15,760 --> 00:32:22,200
Speaker 1: I have two theories. On one, I'll take the second. Okay,

557
00:32:22,240 --> 00:32:25,040
Speaker 1: the second theory is that Jacob wasn't actually Jacob, that

558
00:32:25,080 --> 00:32:32,320
Speaker 1: he was an older man behind conspiracy. What's the first theory?

559
00:32:32,400 --> 00:32:36,440
Speaker 1: Ging violence? I believe that. I think it's gang By.

560
00:32:36,440 --> 00:32:40,640
Speaker 1: I don't think it's here and Town that was breaking

561
00:32:40,760 --> 00:32:43,840
Speaker 1: my heart. Does anyone want one of these? Put skirt down?

562
00:32:44,080 --> 00:32:47,040
Speaker 1: I can't. Is a tube topic goes up and down?

563
00:32:47,960 --> 00:32:49,600
Speaker 1: I really don't know which way is it going to go.

564
00:32:50,880 --> 00:32:54,200
Speaker 1: Just just wear a shirt that tube top, just put

565
00:32:54,320 --> 00:32:56,080
Speaker 1: put a shirt there or so. I don't know what

566
00:32:56,400 --> 00:32:59,320
Speaker 1: you what's your problem? My problem? Honestly? What my problem

567
00:32:59,360 --> 00:33:02,480
Speaker 1: is this is, Yeah, that's part of my problem. Okay,

568
00:33:02,680 --> 00:33:04,440
Speaker 1: he's killing in school, but he's not connecting at home.

569
00:33:04,560 --> 00:33:05,640
Speaker 1: I don't know what to do. I don't know how

570
00:33:05,640 --> 00:33:08,320
Speaker 1: to reach the kid. All right, Yeah, I struggle with that.

571
00:33:08,880 --> 00:33:10,440
Speaker 1: You know. Perfection is something that we all try to

572
00:33:10,520 --> 00:33:12,880
Speaker 1: reach forwards. And all these go to Harvard and all that's,

573
00:33:12,960 --> 00:33:15,840
Speaker 1: oh great, here we go, Snap's great. Whatever, great whatever. Okay,

574
00:33:15,880 --> 00:33:17,720
Speaker 1: who cares? I got problems at home? But who gives

575
00:33:17,760 --> 00:33:20,000
Speaker 1: a ship? Oh, let's stop the dance ball. Jesus Christ,

576
00:33:20,280 --> 00:33:23,680
Speaker 1: welcome to the holiday and express you are the grandfather

577
00:33:23,840 --> 00:33:30,040
Speaker 1: of this young man. That's your daughter. I assume you

578
00:33:30,160 --> 00:33:35,000
Speaker 1: know we're not my daughter in law, daughter in law, terrifict.

579
00:33:35,280 --> 00:33:38,040
Speaker 1: I don't need it's not pertinent information on It is

580
00:33:38,120 --> 00:33:46,520
Speaker 1: the son of my son who is my ex partner. Okay,

581
00:33:46,800 --> 00:33:52,520
Speaker 1: we need a room, okay, a little bit. We need

582
00:33:52,600 --> 00:33:58,600
Speaker 1: a room with a deep bathtim okay, sure, let check

583
00:33:58,640 --> 00:34:02,120
Speaker 1: that out here. And we don't have those specific specifications.

584
00:34:02,240 --> 00:34:07,240
Speaker 1: See that three times, specific specifications. Specific we do have.

585
00:34:07,600 --> 00:34:09,920
Speaker 1: We have the honeymoon sweet that has a heart shaped

586
00:34:10,239 --> 00:34:11,960
Speaker 1: top is probably going to be the deepest we've got.

587
00:34:12,040 --> 00:34:13,719
Speaker 1: I don't know. I don't need the honeymoon suite. I'm

588
00:34:13,760 --> 00:34:17,719
Speaker 1: with my daughter in law and my grandson inappropriate. I

589
00:34:17,840 --> 00:34:20,480
Speaker 1: just that's the only way I can accommodate a deep bathtub.

590
00:34:21,560 --> 00:34:25,000
Speaker 1: The little man, he looks sad. I'm okay, okay, I

591
00:34:25,040 --> 00:34:27,160
Speaker 1: mean you're in Florida. We don't have to do this much.

592
00:34:27,640 --> 00:34:29,440
Speaker 1: You guys go into Disney World today. I don't think

593
00:34:29,480 --> 00:34:32,400
Speaker 1: I'm allowed to go outside in public. Yeah, that's right.

594
00:34:32,440 --> 00:34:35,120
Speaker 1: We're going to Disney World. Oh my gosh, that is

595
00:34:35,239 --> 00:34:39,200
Speaker 1: so much funny eyes, go on a long vacation and

596
00:34:39,239 --> 00:34:42,520
Speaker 1: everything's going to be fine. Okay, did you want two

597
00:34:42,640 --> 00:34:44,960
Speaker 1: queens or one king? Do you know what it looks

598
00:34:45,000 --> 00:34:49,200
Speaker 1: like when a man's chest is open? Um? Two queens? Please?

599
00:34:49,440 --> 00:34:52,719
Speaker 1: Two queens. I can't see two queens and I pull

600
00:34:52,760 --> 00:34:55,560
Speaker 1: out if you haven't and to pull out. Okay, I

601
00:34:55,640 --> 00:34:57,680
Speaker 1: found have one here with the couch pull out terrific.

602
00:34:57,760 --> 00:35:01,160
Speaker 1: And actually this one does have tub specific casitions. This

603
00:35:01,320 --> 00:35:05,480
Speaker 1: is a nine foot tub deeper that sounds good. Yeah, deeper.

604
00:35:05,920 --> 00:35:08,440
Speaker 1: I don't have that exactly. That's the part I don't know.

605
00:35:08,920 --> 00:35:11,160
Speaker 1: It needs to be deep. Okay, well you're gonna find

606
00:35:11,200 --> 00:35:13,200
Speaker 1: out soon. Here you go. How many keys would you like?

607
00:35:14,360 --> 00:35:18,080
Speaker 1: One key? There you are, I'm a charge of the

608
00:35:18,200 --> 00:35:20,719
Speaker 1: key terrific and I'll just need a credit card with

609
00:35:20,800 --> 00:35:22,520
Speaker 1: a real name on it and an I D Why

610
00:35:22,560 --> 00:35:25,440
Speaker 1: did you say real name? I'm sorry? Why did he

611
00:35:25,480 --> 00:35:27,800
Speaker 1: say real name? I don't know what's going on. I

612
00:35:27,880 --> 00:35:30,279
Speaker 1: still have that gun. I think you're gonna have to

613
00:35:30,400 --> 00:35:33,359
Speaker 1: use it. Sure, here's a credit card with my real name.

614
00:35:34,280 --> 00:35:38,800
Speaker 1: Great and just an identification place. Okay, what's what's the

615
00:35:38,880 --> 00:35:46,080
Speaker 1: name of the credit card? Um McCracken, Yes, Phil McCracken.

616
00:35:47,000 --> 00:35:57,440
Speaker 1: Here's here's the idea that matches that credit card. Hold

617
00:35:57,520 --> 00:36:02,480
Speaker 1: on a second, you guys checking today? You get a

618
00:36:02,640 --> 00:36:07,240
Speaker 1: free breakfast? Are your breakfast? So here you are Holiday

619
00:36:07,280 --> 00:36:10,600
Speaker 1: and Express breakfast? Well, continentals usually free, but you have

620
00:36:10,680 --> 00:36:14,399
Speaker 1: a free real person. Where do we go to person?

621
00:36:15,120 --> 00:36:17,560
Speaker 1: Real person's breakfast? Where do we go to get that?

622
00:36:18,040 --> 00:36:21,400
Speaker 1: It'll be delivered to your room by the way. You

623
00:36:21,480 --> 00:36:24,000
Speaker 1: are in room one twelve. That is where the players dwell.

624
00:36:24,560 --> 00:36:27,400
Speaker 1: Why do I have a different room? Um, well, you

625
00:36:27,440 --> 00:36:31,120
Speaker 1: wanted two queens, so I give you two rooms. Just

626
00:36:31,239 --> 00:36:36,520
Speaker 1: go So you say you want to listening device inside

627
00:36:36,560 --> 00:36:40,160
Speaker 1: the jewelry? Is that what I'm understanding? Yeah? Okay? And

628
00:36:40,680 --> 00:36:43,359
Speaker 1: how how big is the jewelry itself? It's very small.

629
00:36:44,040 --> 00:36:46,600
Speaker 1: Is it a ring? Is that airring? It's a ring

630
00:36:46,640 --> 00:36:49,239
Speaker 1: with a tiny gym. Is it a toe ring? It's

631
00:36:49,239 --> 00:36:51,800
Speaker 1: a toe ring with a tiny gym. What is the

632
00:36:51,880 --> 00:36:57,600
Speaker 1: gym on X on X? So? Next, Well, that's helpful

633
00:36:57,680 --> 00:36:59,640
Speaker 1: for me because it's darker. I will be able to

634
00:36:59,680 --> 00:37:05,040
Speaker 1: hide them behind it. How soon do you need this today? Today? Okay,

635
00:37:06,000 --> 00:37:07,799
Speaker 1: give me about forty five minutes. I should be able

636
00:37:07,840 --> 00:37:11,359
Speaker 1: to make this happen for it, just the one tob ring. Look,

637
00:37:11,640 --> 00:37:14,040
Speaker 1: I'd like as many listening devices, as many pieces of

638
00:37:14,120 --> 00:37:18,839
Speaker 1: jeweler as you can do today today again. Okay, well

639
00:37:19,080 --> 00:37:21,880
Speaker 1: we don't provide the jewelry. So how much jewelry do

640
00:37:21,960 --> 00:37:25,600
Speaker 1: you have? Let's see, I've got charm bracelet. Charm bracelet.

641
00:37:26,080 --> 00:37:27,680
Speaker 1: You should be able to put it, yep, I gotta

642
00:37:27,719 --> 00:37:30,520
Speaker 1: watch behind the cable car on the charm bracelet. I

643
00:37:30,560 --> 00:37:33,080
Speaker 1: could put a nice little mike. And what else did

644
00:37:33,120 --> 00:37:35,680
Speaker 1: you have? I gotta watch kind of watch. Well, look

645
00:37:35,719 --> 00:37:38,160
Speaker 1: at that there you go? Is that an omega? That's

646
00:37:38,200 --> 00:37:42,400
Speaker 1: an omega. That's a nice one. Huh My grandfather hadn't omega?

647
00:37:42,440 --> 00:37:46,560
Speaker 1: Is a big James Bond fair? All right? Um? I

648
00:37:46,600 --> 00:37:48,040
Speaker 1: should be able to put a mic in that watch

649
00:37:49,040 --> 00:37:51,040
Speaker 1: and you get all three of these today by five?

650
00:37:52,160 --> 00:37:55,080
Speaker 1: Al righty, let me just get a credit card for

651
00:37:55,160 --> 00:37:59,000
Speaker 1: a deposit. Okay, uh, credit card with my name on it,

652
00:37:59,120 --> 00:38:01,520
Speaker 1: that's what I need. Make sure you're telling a real

653
00:38:01,640 --> 00:38:05,960
Speaker 1: name up, Thank you, honey. I'm making this mistake all

654
00:38:06,000 --> 00:38:07,719
Speaker 1: the time, we need a credit card with credit card

655
00:38:07,719 --> 00:38:11,200
Speaker 1: with my real name. You're uh, would it help to

656
00:38:11,200 --> 00:38:14,719
Speaker 1: show you a real person's breakfast card from Oh, you

657
00:38:14,760 --> 00:38:19,239
Speaker 1: have a breakfast card? Real persons are the holiday expression. Okay, well,

658
00:38:19,239 --> 00:38:22,000
Speaker 1: we got a lot of business from there. They did

659
00:38:22,080 --> 00:38:25,480
Speaker 1: refer me to you. You get referrals from there. Very Uh.

660
00:38:25,719 --> 00:38:30,880
Speaker 1: I said, I need a surveillance guy in Orlando and

661
00:38:32,320 --> 00:38:35,880
Speaker 1: over here, Julie, Yeah to Tom's no, they're very appreciate.

662
00:38:36,640 --> 00:38:39,040
Speaker 1: We appreciate it. We appreciate your business when you go

663
00:38:39,120 --> 00:38:41,160
Speaker 1: back over there where you let them know, we appreciate it.

664
00:38:42,120 --> 00:38:44,960
Speaker 1: All right, listen up, bad guys, listen up. We're all gamesters.

665
00:38:45,040 --> 00:38:48,080
Speaker 1: We're all bad guys. Okay, you're not gonna listen up

666
00:38:48,120 --> 00:38:52,719
Speaker 1: that good job, Good job. Here's the issue with with

667
00:38:52,920 --> 00:38:54,600
Speaker 1: the case where we're going on right now, the bad

668
00:38:54,640 --> 00:38:56,560
Speaker 1: guy case where we go because we're bad guys, we

669
00:38:56,640 --> 00:38:59,080
Speaker 1: kill people that do bad things that we know we're

670
00:38:59,120 --> 00:39:02,200
Speaker 1: sucking back. Okay, okay, what we do. Okay, So I

671
00:39:02,239 --> 00:39:04,960
Speaker 1: don't think we're always bad. Well, I don't want to

672
00:39:04,960 --> 00:39:08,160
Speaker 1: get into that philosophical discussion here. All I'm saying I

673
00:39:08,200 --> 00:39:11,239
Speaker 1: think that's a that's an important thing that, Yeah, we're

674
00:39:11,280 --> 00:39:14,120
Speaker 1: not always bad because sometimes we're the one. What we

675
00:39:14,400 --> 00:39:16,640
Speaker 1: really do think it is right? You know what. I agree,

676
00:39:16,760 --> 00:39:19,160
Speaker 1: but I disagree with that because I think everything I

677
00:39:19,280 --> 00:39:24,040
Speaker 1: do is bad. That's your story that Tommy, Please explain

678
00:39:24,080 --> 00:39:26,160
Speaker 1: what the funk we're all going. All I'm saying, that

679
00:39:26,320 --> 00:39:29,800
Speaker 1: is all I'm saying is individually, you've been doing good, Salve,

680
00:39:30,000 --> 00:39:32,399
Speaker 1: you've been even pick pocket that. I don't want that ship.

681
00:39:32,440 --> 00:39:33,920
Speaker 1: I don't want to be doing good. I want to

682
00:39:33,920 --> 00:39:36,960
Speaker 1: be doing bad. Here's your own thing. That's what I'm saying.

683
00:39:37,239 --> 00:39:41,839
Speaker 1: That's the universal. You two are in love. Okay, now

684
00:39:41,960 --> 00:39:47,239
Speaker 1: moving on, here's just the weird world thing again, don't

685
00:39:47,400 --> 00:39:51,719
Speaker 1: don't say that so casually, everybody, listen up. You you're

686
00:39:51,760 --> 00:39:56,120
Speaker 1: all being duped, not YouTube. You two are madly in love.

687
00:39:56,960 --> 00:39:59,239
Speaker 1: Is that true? Okay? Is that true? You tell me

688
00:39:59,480 --> 00:40:01,160
Speaker 1: I have a few, but I don't know. I don't

689
00:40:01,160 --> 00:40:03,160
Speaker 1: know what this is, asshole. I can't trust my instinct

690
00:40:03,680 --> 00:40:06,080
Speaker 1: want to do bad. I can't trust my instincts because

691
00:40:06,080 --> 00:40:07,520
Speaker 1: I never know what I'm gonna do next time. I

692
00:40:07,560 --> 00:40:10,399
Speaker 1: want to kiss step pretty much. All right, listen again,

693
00:40:10,440 --> 00:40:12,960
Speaker 1: I'm not really picking people's pockets No, I'm saying you're

694
00:40:12,960 --> 00:40:16,279
Speaker 1: doing a good job with your individual endeavor. He's doing

695
00:40:16,320 --> 00:40:20,160
Speaker 1: a bad job. But he's a bad guy, terrific vulnerable

696
00:40:20,280 --> 00:40:25,040
Speaker 1: right now? Are you vulnerable? I'm vulnerable. Watt should do

697
00:40:25,200 --> 00:40:29,040
Speaker 1: something about this now I have sex already. Here's what

698
00:40:29,080 --> 00:40:33,600
Speaker 1: I'm saying. I mean, I'm not gonna jump to that immediately.

699
00:40:33,640 --> 00:40:38,640
Speaker 1: You know what I mean. Quiz geniuses? Quiz Yeah, who

700
00:40:38,680 --> 00:40:40,520
Speaker 1: do you think it is? You took out the dance

701
00:40:40,560 --> 00:40:44,360
Speaker 1: the other night, Fake Jacob Faco. You knew it was

702
00:40:44,400 --> 00:40:47,040
Speaker 1: fake Jacob Facob So okay, So you guys are on

703
00:40:47,160 --> 00:40:50,719
Speaker 1: top of it because the cops are trying to confuse us.

704
00:40:52,000 --> 00:40:53,879
Speaker 1: What I'm trying to say is, you're going after people

705
00:40:53,920 --> 00:40:56,200
Speaker 1: that are actually the people you think you're going after. Trouble, So,

706
00:40:56,320 --> 00:40:59,279
Speaker 1: going after saying it wasn't fake Jacob and we killed

707
00:40:59,360 --> 00:41:03,520
Speaker 1: real Jake was to kill fake I'm saying, you killed

708
00:41:03,600 --> 00:41:08,000
Speaker 1: fake Jacob. Okay, then we did. But what we're trying

709
00:41:08,040 --> 00:41:10,640
Speaker 1: to get the real Jacob? But does it sending a

710
00:41:10,760 --> 00:41:13,160
Speaker 1: message to the real Jacob that we're on is a

711
00:41:13,280 --> 00:41:16,160
Speaker 1: better message would be sending a message to the guy

712
00:41:16,360 --> 00:41:19,359
Speaker 1: who we're trying to publish Family I mean you told

713
00:41:19,400 --> 00:41:20,800
Speaker 1: us to kill fake Jacob. We did, and then what

714
00:41:21,239 --> 00:41:24,239
Speaker 1: we did the bad things to kill YouTube. You need

715
00:41:24,280 --> 00:41:29,600
Speaker 1: to hold hands right now. It ain't gonna do that,

716
00:41:29,800 --> 00:41:31,960
Speaker 1: all right, you you too, hold hands? Everyone else look

717
00:41:31,960 --> 00:41:34,680
Speaker 1: at this white board. Okay, here we go. This guy

718
00:41:34,800 --> 00:41:37,759
Speaker 1: did something bad. Okay, which one is? He's he's the

719
00:41:37,840 --> 00:41:41,120
Speaker 1: dad Wait wait wait from how far back? Dad? Fake?

720
00:41:41,239 --> 00:41:44,000
Speaker 1: Real dad? Dad is a bad gay. So we're trying

721
00:41:44,040 --> 00:41:45,600
Speaker 1: to get him back. So we're going to do terrible

722
00:41:45,640 --> 00:41:48,680
Speaker 1: these to his family. He worked with us, right, yes, right, exactly, Okay,

723
00:41:48,840 --> 00:41:52,040
Speaker 1: but he's also it works in a car dealership. He

724
00:41:52,120 --> 00:41:56,319
Speaker 1: fix my car, real good fued my car up. He's

725
00:41:56,360 --> 00:41:58,960
Speaker 1: not a perfect person. Why do we gotta do it

726
00:41:59,080 --> 00:42:06,279
Speaker 1: every time? Perfect? Get him like he's perfect? Guilty? The

727
00:42:06,360 --> 00:42:07,360
Speaker 1: son of a bitch right here is one of the

728
00:42:07,400 --> 00:42:16,200
Speaker 1: most perfect a piece of artwork. All I'm saying is

729
00:42:16,600 --> 00:42:19,600
Speaker 1: here are our targets. We need to kill fake Jacob

730
00:42:19,640 --> 00:42:22,080
Speaker 1: to fake Jacob three, but we also need to get

731
00:42:22,200 --> 00:42:24,880
Speaker 1: kill real change. To my point, we're spreading us something

732
00:42:24,920 --> 00:42:26,560
Speaker 1: when we just kill real Jacob. Okay, do you know

733
00:42:26,600 --> 00:42:30,840
Speaker 1: where your eyes look like to see its storm? Fuck

734
00:42:30,960 --> 00:42:35,359
Speaker 1: you piece of fine new objective, new mission. You kill

735
00:42:35,560 --> 00:42:41,440
Speaker 1: real mom, you kill real Jacob. Go now, yeah, find him,

736
00:42:42,640 --> 00:42:45,560
Speaker 1: all of you, all of us, Oh Jesus Christ, all right,

737
00:42:45,600 --> 00:42:49,080
Speaker 1: finding you too, take a car, go around the city together.

738
00:42:49,480 --> 00:42:58,240
Speaker 1: I got your keys, come on your pocket? So skinny,

739
00:42:58,719 --> 00:43:04,560
Speaker 1: he's Cindy. Yeah, what is it I can of? I

740
00:43:04,640 --> 00:43:08,000
Speaker 1: need to talk to you about something personal? Yeah, sure,

741
00:43:08,040 --> 00:43:11,799
Speaker 1: I can always lend a near to my older sister. Um,

742
00:43:13,520 --> 00:43:19,320
Speaker 1: I just feel like things have changed since Jacob died,

743
00:43:19,600 --> 00:43:23,200
Speaker 1: and um it was a real tough prim I look

744
00:43:23,239 --> 00:43:27,440
Speaker 1: at you, I see like an old soul. I don't

745
00:43:27,480 --> 00:43:29,360
Speaker 1: know why I'm coming to my little sister for for

746
00:43:29,640 --> 00:43:32,040
Speaker 1: for questions. I mean, from eleven years old and a

747
00:43:32,120 --> 00:43:36,680
Speaker 1: girl's scout. But you're more than that somehow, all right.

748
00:43:39,239 --> 00:43:41,040
Speaker 1: I don't know. I don't even know what I'm asking.

749
00:43:41,120 --> 00:43:43,839
Speaker 1: I just I need guide in some advice. That you're

750
00:43:43,880 --> 00:43:48,120
Speaker 1: just a little kid. Why do I come to you, Cindy?

751
00:43:50,840 --> 00:43:55,399
Speaker 1: You get me? You know? Maybe maybe there's another Jake

752
00:43:55,440 --> 00:44:00,239
Speaker 1: ab out there? Okay, and I'm not talking metaphoric. I

753
00:44:00,280 --> 00:44:04,840
Speaker 1: mean maybe there's another Jake about there. Did that Jacob

754
00:44:05,800 --> 00:44:11,400
Speaker 1: wasn't a real Jacob? You're winking right, I've got a

755
00:44:11,480 --> 00:44:15,799
Speaker 1: real person breakfast for Room one twelve. That's us. Open

756
00:44:15,880 --> 00:44:19,080
Speaker 1: the door, Um, can you slide it under the door?

757
00:44:19,239 --> 00:44:22,799
Speaker 1: Oh gosh, it's these scrambled eggs. The piles up pretty tall.

758
00:44:22,960 --> 00:44:26,440
Speaker 1: Open the door, just are you Room one twelve? Just

759
00:44:26,480 --> 00:44:28,480
Speaker 1: slide it under the door, please. Oh I'm trying. It

760
00:44:28,640 --> 00:44:31,440
Speaker 1: just won't fit. Open it just a crack. Just put

761
00:44:31,480 --> 00:44:33,359
Speaker 1: the eggs on the carpet and the paper to shove

762
00:44:33,400 --> 00:44:35,360
Speaker 1: it through a place. Just put the eggs on the

763
00:44:35,400 --> 00:44:37,080
Speaker 1: carpet and then use a piece of paper to slide

764
00:44:37,080 --> 00:44:42,040
Speaker 1: at the place. Is that you or me? It's coming

765
00:44:42,080 --> 00:44:44,319
Speaker 1: from inside your room? Why does you open the door

766
00:44:44,360 --> 00:44:47,960
Speaker 1: before you go? Hello? Yeah? Hi, listen, there's gonna be

767
00:44:48,040 --> 00:44:50,080
Speaker 1: something coming by a room and he may or may

768
00:44:50,160 --> 00:44:52,960
Speaker 1: not have an actual breakfast. All right. I just want

769
00:44:53,000 --> 00:44:55,000
Speaker 1: you to be careful. Who opened the door? Do? Okay?

770
00:44:55,080 --> 00:44:57,960
Speaker 1: So so do not open it or open It's up

771
00:44:57,960 --> 00:44:59,439
Speaker 1: to you. I'm i gonna tell you what did dude?

772
00:44:59,520 --> 00:45:02,320
Speaker 1: Just be you care who is? Ask a lot of

773
00:45:02,440 --> 00:45:08,320
Speaker 1: questions if someone brings food to your door? James, who's

774
00:45:08,400 --> 00:45:12,120
Speaker 1: vault over a nice long swim? Okay, mama, come babe,

775
00:45:12,160 --> 00:45:16,160
Speaker 1: you uh sir? Oh yeah, I have to go clean

776
00:45:16,239 --> 00:45:18,799
Speaker 1: my mom. I can't. I can't eat right now. It's

777
00:45:18,800 --> 00:45:21,960
Speaker 1: flood it's getting cold. Oh, it's burning my fingers cold,

778
00:45:23,360 --> 00:45:26,280
Speaker 1: it's getting cold. Right now, it's hot and burning my fingers.

779
00:45:26,560 --> 00:45:28,439
Speaker 1: On the door. To slide it under the door, please,

780
00:45:28,640 --> 00:45:32,080
Speaker 1: this door won't have anything. Slide under it, Okay, I

781
00:45:32,160 --> 00:45:33,839
Speaker 1: didn't know that. Put it through the crack on the side.

782
00:45:33,840 --> 00:45:35,880
Speaker 1: And then how about this. I'll leave it here and

783
00:45:35,960 --> 00:45:38,799
Speaker 1: I'll walk away. It's on the floor. You can open

784
00:45:38,840 --> 00:45:40,880
Speaker 1: the door when one's well if you leave it on

785
00:45:40,920 --> 00:45:42,400
Speaker 1: the floor. I know that there's some dogs roaming the

786
00:45:42,440 --> 00:45:43,719
Speaker 1: halls and they will eat it. So if you could

787
00:45:43,719 --> 00:45:46,839
Speaker 1: just slide it under the great This door goes all

788
00:45:46,920 --> 00:45:51,000
Speaker 1: the way to the floor. There's no crack. Just open.

789
00:45:53,040 --> 00:45:56,319
Speaker 1: I don't even have a floor hold on. Hello, yeah,

790
00:45:56,440 --> 00:46:00,520
Speaker 1: I listened. Stop talking the gay at the door. What's happening?

791
00:46:00,560 --> 00:46:03,720
Speaker 1: Immediately tell him who you are. Trust, tell me your dad. Okay,

792
00:46:03,760 --> 00:46:09,279
Speaker 1: it's your father, Papa. Be very careful and don't open

793
00:46:09,360 --> 00:46:13,160
Speaker 1: the door. And Jacob, are you wearing my tel rings?

794
00:46:14,080 --> 00:46:17,400
Speaker 1: I can't find it. I haven't, Mama, go and go

795
00:46:17,600 --> 00:46:19,040
Speaker 1: talk to your mother and get away from the game.

796
00:46:19,160 --> 00:46:24,680
Speaker 1: But please, I love you so much. Please come into Disneyland, Caribbean.

797
00:46:25,200 --> 00:46:27,600
Speaker 1: So you're saying I can't get the biscuits and gravy

798
00:46:27,680 --> 00:46:33,120
Speaker 1: with this, with this real persons. You promised me a

799
00:46:33,160 --> 00:46:35,600
Speaker 1: card where I could get access to the full buffet. Okay,

800
00:46:36,440 --> 00:46:38,640
Speaker 1: I need to get back to my room. Okay, my

801
00:46:38,760 --> 00:46:41,319
Speaker 1: grandson might be in trouble, but I want to get

802
00:46:41,360 --> 00:46:43,520
Speaker 1: these biscuits and gravy first. He is in trouble. What

803
00:46:45,480 --> 00:46:50,160
Speaker 1: you've been compromised? You work for us. Why did you

804
00:46:50,239 --> 00:46:56,320
Speaker 1: kill yourself? Oh no, no, just he was giving me

805
00:46:56,360 --> 00:47:01,480
Speaker 1: permission to Where did you get the real biscuits? A

806
00:47:01,520 --> 00:47:05,120
Speaker 1: real biscuit card? We're fill cracking right there. There you go.

807
00:47:05,480 --> 00:47:08,680
Speaker 1: I'm headed off to I didn't get a real biscuit card.

808
00:47:09,160 --> 00:47:14,080
Speaker 1: We've got a man down. Somebody call it nine. I

809
00:47:14,160 --> 00:47:15,719
Speaker 1: didn't want to have to do. That is our problem

810
00:47:15,760 --> 00:47:22,880
Speaker 1: over here, sir, dogs dogs everywhere. Stay away from my biscuits.

811
00:47:23,520 --> 00:47:27,040
Speaker 1: Stay away from my briscuit. What's going on out there?

812
00:47:27,120 --> 00:47:31,759
Speaker 1: Some I'm going on the hallways. They have how just

813
00:47:31,960 --> 00:47:35,600
Speaker 1: opened the door, opened the door for breakfast. Just shoves

814
00:47:35,680 --> 00:47:39,279
Speaker 1: under the door. Please you put your hands into the door.

815
00:47:40,040 --> 00:47:42,400
Speaker 1: Is so deep we get almost drowned. I'll be gonna

816
00:47:42,400 --> 00:47:46,640
Speaker 1: sucking me. I gotta get a pizza for Jacob. Open

817
00:47:46,719 --> 00:47:49,720
Speaker 1: the door. Pizza. Let's just put it under the door, please,

818
00:47:49,880 --> 00:47:54,280
Speaker 1: Candy Graham, Candy gram for Jacob. We're all here for you. Jacob,

819
00:47:54,400 --> 00:47:57,600
Speaker 1: opened the door. We're all here for you. Jacob. Just

820
00:47:57,760 --> 00:48:00,920
Speaker 1: put off the beautiful jake your hand on my waist

821
00:48:01,040 --> 00:48:10,520
Speaker 1: right now. Yeah, you're talking to Jacob. You're jaking. Trust

822
00:48:10,560 --> 00:48:20,520
Speaker 1: me and my mom. Weird. I got dog a lot

823
00:48:20,560 --> 00:48:22,279
Speaker 1: of food on it for you, Jacob. Put it on

824
00:48:22,480 --> 00:48:27,160
Speaker 1: the door. Please bring deliveries here. Yeah, stay away from me.

825
00:48:27,239 --> 00:48:33,120
Speaker 1: Old man, are you going into this room? Old man? Grandpa? Yeah, grandfather, Okay,

826
00:48:33,120 --> 00:48:34,920
Speaker 1: go ahead, go into the room. And I got the

827
00:48:35,000 --> 00:48:38,359
Speaker 1: one key, okay, just open the door. Only we had

828
00:48:38,400 --> 00:48:43,920
Speaker 1: a pickpocket and amid, Oh, give me this one to

829
00:48:44,000 --> 00:48:56,439
Speaker 1: you right here? Is that me or you? Hello? Hello?

830
00:48:56,600 --> 00:49:01,120
Speaker 1: Might be me? No? Hello? Yeah, I think the line's

831
00:49:01,120 --> 00:49:04,879
Speaker 1: got crossed. Hello. Yeah? You know who are you? Who

832
00:49:04,920 --> 00:49:10,319
Speaker 1: are your Pepa? Papa, Papa? Do me a favorite. There's

833
00:49:10,320 --> 00:49:12,480
Speaker 1: a man outside with a gun that goes pu pew.

834
00:49:13,200 --> 00:49:14,520
Speaker 1: I want you to get out there and get that

835
00:49:14,600 --> 00:49:17,239
Speaker 1: gun off. He gust you to go out in the hole.

836
00:49:17,400 --> 00:49:20,719
Speaker 1: Look for the man whose gun says pu pu al right,

837
00:49:20,760 --> 00:49:23,879
Speaker 1: doesn't make a normal gun. Stumps can't wait, it goes

838
00:49:23,960 --> 00:49:26,759
Speaker 1: pu pew. They can't wait. To give me this gun

839
00:49:26,960 --> 00:49:32,440
Speaker 1: right here, Give me my gun back. You're a beautiful mother.

840
00:49:32,480 --> 00:49:39,320
Speaker 1: Fun We'll stop like sunny Jack. Whoever whoever is on

841
00:49:39,400 --> 00:49:41,960
Speaker 1: the phone with you, he's telling you to take my gun.

842
00:49:42,200 --> 00:49:46,719
Speaker 1: It's my pepa. It's not your peepa. I'm your father.

843
00:49:47,040 --> 00:49:50,000
Speaker 1: What I'm your real father. You're my dad and your

844
00:49:50,200 --> 00:49:53,560
Speaker 1: I know I was pretending to be your grandfather. Grandpa's

845
00:49:53,560 --> 00:50:00,160
Speaker 1: our dad. Oh yeah, Grandpa's not your dad. Who Ever

846
00:50:00,360 --> 00:50:03,320
Speaker 1: whoever's in that pathtub, that's not your mom. That's not

847
00:50:03,440 --> 00:50:08,000
Speaker 1: your mom. And I don't know, but she's not your mom. Okay,

848
00:50:08,120 --> 00:50:14,120
Speaker 1: I'm your dad. Okay, wow boo, hearts and breaking. How

849
00:50:14,200 --> 00:50:17,279
Speaker 1: many people are out there dead? There's a lot, and

850
00:50:17,360 --> 00:50:19,040
Speaker 1: I don't know who they all work for, some of them.

851
00:50:19,040 --> 00:50:21,560
Speaker 1: I'm talking to the door of the kids. You man,

852
00:50:21,680 --> 00:50:23,600
Speaker 1: open the door. We're gonna kill you. And that little

853
00:50:23,680 --> 00:50:27,000
Speaker 1: Jim Bione. I got the I got the key it open.

854
00:50:31,760 --> 00:50:34,600
Speaker 1: I really do have I have a gun. I have

855
00:50:34,680 --> 00:50:36,160
Speaker 1: a gone and I don't I don't care. Who knows

856
00:50:36,200 --> 00:50:39,799
Speaker 1: how I will use it? No? Shoot? Oh nice work,

857
00:50:40,239 --> 00:50:42,320
Speaker 1: very good, very good. All right, which one if you

858
00:50:42,400 --> 00:50:44,759
Speaker 1: had the gun that went peep peep, that was me

859
00:50:45,200 --> 00:50:49,799
Speaker 1: and now I got it? Good mom, Mom, help help mom.

860
00:50:50,200 --> 00:50:53,240
Speaker 1: Everybody stop stuff. If you're going to kill the real Jacob,

861
00:50:53,400 --> 00:50:56,600
Speaker 1: I'm the real Jacob. No, I'm the real Jacob. No,

862
00:50:56,840 --> 00:51:02,680
Speaker 1: I'm the real Jacob. I'm the real Jacob Jake. This

863
00:51:02,880 --> 00:51:08,800
Speaker 1: is what we call a casting coup and another great episode.

864
00:51:09,600 --> 00:51:11,960
Speaker 1: Let's go around and thank our alchemist please, starting with

865
00:51:12,120 --> 00:51:15,680
Speaker 1: James Heeney, Jemmy Jack. Oh gosh, guys, thank you so

866
00:51:15,840 --> 00:51:18,960
Speaker 1: much for listening to Alchemy. This, your suggestions help us

867
00:51:19,120 --> 00:51:26,400
Speaker 1: make great shows, and thanks for just okay. Then go

868
00:51:26,480 --> 00:51:31,000
Speaker 1: to Brief Newsprief dot com. Greg Man, first time listening

869
00:51:31,080 --> 00:51:37,919
Speaker 1: and I really enjoyed that. Okay on Twitter, Lovely Vanessia Ragling,

870
00:51:38,360 --> 00:51:42,080
Speaker 1: Dynasty Typewriter on Instagram, Dynasty tarpwriter dot com. The whole

871
00:51:42,160 --> 00:51:47,360
Speaker 1: calendars are there show, come enjoy the popcorn. It's Ridunculus

872
00:51:47,440 --> 00:51:51,440
Speaker 1: Chris oper At Chris Operando on the various social media's

873
00:51:51,480 --> 00:51:56,400
Speaker 1: and Joe, we grew that pretty much close. Jeffy Greeber

874
00:51:57,719 --> 00:52:01,800
Speaker 1: dm me you know, send me photos of you got it? Everyone?

875
00:52:02,040 --> 00:52:07,080
Speaker 1: Send our our Instagram uh any photos of yourselves in

876
00:52:07,239 --> 00:52:09,360
Speaker 1: your Tedium. We get a lot of letters. Keep writing

877
00:52:09,360 --> 00:52:11,680
Speaker 1: to us your name here at alchemy this dot com,

878
00:52:12,000 --> 00:52:15,040
Speaker 1: hashtag tedious or hashtag tedium, whatever works best for you,

879
00:52:15,480 --> 00:52:19,759
Speaker 1: and send us some photos of your days listening to

880
00:52:19,880 --> 00:52:22,120
Speaker 1: the show, and what the hell we're keeping you from,

881
00:52:22,760 --> 00:52:25,799
Speaker 1: saving you from a lot of theming going on? Point

882
00:52:25,840 --> 00:52:27,520
Speaker 1: your letters and please continue to write what was your

883
00:52:27,640 --> 00:52:29,839
Speaker 1: name here at alchemy this dot com. I'm your host,

884
00:52:29,920 --> 00:52:35,520
Speaker 1: Kevin Pollock, dog Ban, engineer to the Stars, Sophie Lichtman,

885
00:52:35,600 --> 00:52:38,240
Speaker 1: our producer, and all the fine folks at I Heart Radio.

886
00:52:39,640 --> 00:52:45,759
Speaker 1: Let's not forget our sound design by Raphael Bruto. All Right,

887
00:52:46,080 --> 00:53:17,800
Speaker 1: until next time. Hello, Hello,