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Speaker 1: I missed you, girl.

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Speaker 2: Girl, let me tell you something I missed you too.

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Speaker 1: Look at that tricep though you like that? Yeah, I

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Speaker 1: mean for a guy that doesn't even lift anymore, you

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Speaker 1: got a nice try try.

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Speaker 2: I lift a little bit. I left a little bit.

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Speaker 1: No, you said you're just doing peloton, but you're not

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Speaker 1: like curling iron.

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Speaker 2: Oh No, I got a couple of weights that I

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Speaker 2: curl every now and then, just to you know, keep

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Speaker 2: my shit quick.

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Speaker 1: Oh. I just thought you were doing you were you

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Speaker 1: were on a quarantine trip where you were just like

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Speaker 1: Cardio nothing else.

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Speaker 2: No, I thought you were about to say carbs and

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Speaker 2: nothing else. Yeah, I'm doing that too though. By the way, A.

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Speaker 1: Lot of love, A lot of love for the first

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Speaker 1: animation we put out.

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Speaker 2: I love it. I love it, and it's so funny.

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Speaker 1: It's only thirty seconds, but I've watched it like nine

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Speaker 1: hundred times.

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Speaker 2: Yeah, it's like when we first heard the uh, when

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Speaker 2: we first heard the theme song. I remember how crazy

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Speaker 2: we were going for the theme song when we first

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Speaker 2: heard it.

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Speaker 1: For those of you who don't know this company, Cartooner

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Speaker 1: Radio is an animation company in Brooklyn, and they did

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Speaker 1: an animation of a moment of Donald and my podcast

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Speaker 1: of this podcast, and they just you know, tagged us

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Speaker 1: on Instagram and we thought it was so funny. We

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Speaker 1: hit them up and said, you know, can we work

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Speaker 1: out a situation where we'll obviously pay you, but will

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Speaker 1: you do like some quick, little thirty second moments from

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Speaker 1: the podcast. And they thought that was awesome, and so

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Speaker 1: now we were starting to roll some of them out.

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Speaker 1: In the first one we just put on our Instagram today.

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Speaker 1: Although this was this was this was this will be

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Speaker 1: like a week, this will be a this will be

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Speaker 1: like a week later. But anyway, they did the moment

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Speaker 1: with Donald giving Jeff Zucker and noogies, and the animation

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Speaker 1: is so funny. Dude, your eyes are all fucked.

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Speaker 2: Up, bloodshot dude, Like they knew I smoked that ship

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Speaker 2: and they knew I drank that ship that night.

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Speaker 1: Well, we did talk about how fucked up we were.

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Speaker 2: Yeah, but I didn't talk about how I smoked that ship.

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Speaker 2: Like when you when you drink, your eyes don't get

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Speaker 2: red like that.

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Speaker 1: They made hot pink. But what they got, you know

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Speaker 1: what they got. Maybe they're listening and they got because

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Speaker 1: another episode I mentioned how when you're hammered you like

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Speaker 1: this this what do you call this?

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Speaker 2: When you do this? It's a high step. I got

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Speaker 2: that shit from you though, dude.

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Speaker 1: Right anyway, just a drunk high step. And then when

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Speaker 1: they in the animation, when you're headed over to Zuoker,

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Speaker 1: you're like, get over here. That shit's hilarious.

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Speaker 2: It's funny.

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Speaker 1: And what I love about on Instagram. I'm sure they're

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Speaker 1: doing it on yours too. People are like saying, Oh,

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Speaker 1: you got to do this moment, Oh you gotta do

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Speaker 1: the washcloth to be you gotta do this.

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Speaker 2: They are doing that. What's crazy is that I think

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Speaker 2: you need to tell each and every one of your

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Speaker 2: followers that you demand that they follow me or fuck off, because.

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Speaker 1: I would never followers don't.

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Speaker 2: I don't listen. I look at what your numbers are,

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Speaker 2: and I look at what my numbers are on Instagram,

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Speaker 2: and I gotta be honest with you, I'm a little jealous. Dude.

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Speaker 1: You're assuming that they're all scrubs folks. They might be

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Speaker 1: some people that love Garden State and uh, and so.

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Speaker 2: Where my clueless people at? Huh? Where am I remember

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Speaker 2: the Titans people at? Where my motherfucking I'm telling you, right,

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Speaker 2: now where my motherfucking waiting to exhale? People at? Where

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Speaker 2: my karents ransome people at? Where my trip you people at?

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Speaker 1: Where?

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Speaker 2: Listen? I don't put it out there, man, because where

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Speaker 2: they at they need to represent.

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Speaker 1: Where your Homie Spamoni people wear them.

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Speaker 2: Homie Spamoni? Where my next day people at? Yo?

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Speaker 1: Come on now, Homie Spamoni is a film that Donald made.

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Speaker 1: It's basically the plot of the Jerk, except instead of

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Speaker 1: a white baby being dropped off at a black family's home,

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Speaker 1: Donald's a black baby that's dropped off at an Italian

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Speaker 1: family's home.

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Speaker 2: Right. No, no, no, I'm not even dropped off. They literally

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Speaker 2: kidnapped me pretty much.

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Speaker 1: Oh they kidnap you.

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Speaker 2: Yeah. They find me floating in the river in Italy

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Speaker 2: and the mom kidnaps.

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Speaker 1: Me like like Moses.

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Speaker 2: Uh well yeah, I guess so. But Moses was you.

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Speaker 1: Know, wasn't Moses put in the basket.

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Speaker 2: And yeah, trying to escape?

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Speaker 1: Yes, I have my old Testament? Right, Well didn't they

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Speaker 1: put Moses? Who the wife?

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Speaker 2: Yeah? No Moses.

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Speaker 1: Yeah, and then Pharaoh's wife found her found out I

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Speaker 1: went to Hebrew school. Now, Donald, I have a question

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Speaker 1: for you, Homie Pomoni. For those of you who don't know,

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Speaker 1: will Pi Goldberg.

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Speaker 2: The Great and the Great Paul Mooney, the great Paul Mooney.

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Speaker 1: Now do you, Tony Rock? You do an Italian New

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Speaker 1: York accent?

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Speaker 2: Right? Ude? Give us you want to hear a sample

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Speaker 2: of my accent. This is the character right, listen, right,

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Speaker 2: my name's Renato, right, and this is how we do

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Speaker 2: things where I'm from. Okay, it's very simple. It's almost

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Speaker 2: like a New York accent too. It's like a New

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Speaker 2: York you know.

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Speaker 1: I've seen a lot.

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Speaker 2: I was a lot thicker back in the day when

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Speaker 2: I was doing it. It was so hard like it

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Speaker 2: was thick, you know. Jamie Lynn Siegler, right, yes, yes, interest,

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Speaker 2: she was my love interest on it. She's like, you

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Speaker 2: sound like the guys I grew up with.

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Speaker 1: Oh that's a compliment because it was a compliment. I

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Speaker 1: think she's a Jersey girl, is she? I don't know.

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Speaker 2: They got a lot of Italians in Jersey.

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Speaker 1: Listen, I gotta tell you something. I've never seen that movie,

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Speaker 1: but if you.

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Speaker 2: Dude, I've never seen anything I've been now, I've seen

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Speaker 2: a lot of them, not bullshiting, man. I remember I

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Speaker 2: showed you fucking remember the t I was like, yo,

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Speaker 2: just watch remember the Titans on the plane. You got

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Speaker 2: halfway through it and you were like, I mean, no,

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Speaker 2: it's cool.

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Speaker 1: That's not a true story. That's not a true story.

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Speaker 1: I'm gonna watch that film because I know how much

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Speaker 1: people love it, and I love Denzel.

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Speaker 2: I love so you've never seen remember the Titans.

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Speaker 1: I have never seen Remember the Titans.

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Speaker 2: See that's what I'm talking about, right there, guy.

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Speaker 1: But you didn't read the Garden State script, so fuck off.

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Speaker 2: But I saw the Garden State script.

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Speaker 1: And you you didn't even hold the script in your hand.

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Speaker 2: Yeah, I did. I know.

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Speaker 1: I said I would like you read this and you said,

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Speaker 1: are there any black people in it? And I said

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Speaker 1: there's two, but you're not right for them. And I

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Speaker 1: already cast method Man And you said that I'm not

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Speaker 1: read it.

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Speaker 2: That's right, I do. That is true. But I will

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Speaker 2: tell you this, dick, What a dick, dude.

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Speaker 1: I'm gonna watch Remember the Titan. You know I'm gonna

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Speaker 1: watch it tonight. We're looking for a movie for tonight.

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Speaker 2: Yeah, please do all right, I'm telling you right now.

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Speaker 1: I'm gonna lay it down. I'm gonna pay down the

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Speaker 1: log you know you have?

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Speaker 2: Well, my kick ass two people at yo? Where y'all at?

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Speaker 1: Kick cass too? If you Donalds and kick ass too?

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Speaker 1: Donald is now.

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Speaker 2: Talking about Donald and where y'all at?

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Speaker 1: Oh, you're circling back to Instagram. Well, Donald, I'm sorry

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Speaker 1: that you're upset about this, but.

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Speaker 2: The good not upset. I'm just a little jealous.

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Speaker 1: Well, I think that you should give some love to

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Speaker 1: the people that are following you in so they don't

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Speaker 1: feel like what.

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Speaker 2: We don't matter to you, Donald, No, they definitely matter.

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Speaker 3: You.

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Speaker 2: People that following me right now, I love you. I

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Speaker 2: love you traumatic to me. Yes, you are special to me,

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Speaker 2: and we together are building a great foundation and an institution.

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Speaker 2: What is necessary right now is for you to tell

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Speaker 2: your friends that six hundred thousand isn't enough.

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Speaker 1: Tell your friends, tell your wife. Listen. Today's a very

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Speaker 1: special episode of this show because today's the first time

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Speaker 1: we're having on as our guest, someone who was not

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Speaker 1: on the show, someone who had nothing to do with

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Speaker 1: the show, but I wanted to have him on. We

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Speaker 1: wanted to have him on because he's an incredible writer,

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Speaker 1: and amongst many things that he's written, He's written a

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Speaker 1: self published book about Scrubs that I'm going to promote

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Speaker 1: many many times. It's called Where Do You Think We Are?

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Speaker 1: And it's ten illustrated essays about Scrubs and was written

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Speaker 1: by Shay Srano and it was illustrated by Arturo Torres

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Speaker 1: and it is really awesome. And he is, I don't

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Speaker 1: know how well you know Shay Donald. We'll get We're

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Speaker 1: gonna get him on before you tell me any anything

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Speaker 1: about how well you know him. But I follow him

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Speaker 1: on Twitter and he's very entertaining.

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Speaker 2: I don't know. I don't know him well, to be

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Speaker 2: honest with you.

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Speaker 4: But before we get into that five six seven stories

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Speaker 4: about show we made about a bunch of dosa, he's

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Speaker 4: a stories.

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Speaker 3: So YadA.

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Speaker 2: Ya wait for it. There he is wait it fresh,

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Speaker 2: cutting everything. There he is fresh. Therey is.

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Speaker 1: Oh man, it's so nice to finally meet you. I

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Speaker 1: am I am like one of your one of your

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Speaker 1: many many Twitter followers, and I feel like I know you.

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Speaker 1: But it's so nice to finally meet you in person.

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Speaker 5: Yeah, I'm excited. I'm really excited to be here. I've

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Speaker 5: been I've been waiting on hold since twelve in the

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Speaker 5: afternoon for three hours now, just to do that. I

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Speaker 5: don't want I don't want to miss it. I didn't

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Speaker 5: want to miss this one.

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Speaker 1: You know you've been sitting there. You've been sitting there.

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Speaker 2: We didn't put you on hold. You just this was

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Speaker 2: like a self proclaim hole.

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Speaker 1: Yes, he want to get he didn't want to fuck

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Speaker 1: up Donald. So he's been sitting there with his mic. Now, Shaye,

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Speaker 1: before you say anything, I got to tell you I

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Speaker 1: was doing research for the show on you because I

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Speaker 1: know you for being very popular on Twitter. I encourage

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Speaker 1: you to follow Shae and we'll get his handle out

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Speaker 1: before the show ends. But he, uh, I'm reading all

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Speaker 1: about you and your career is amazing. But I I

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Speaker 1: started reading like he wrote.

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Speaker 2: Uh.

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Speaker 1: This is second book was called the Rap Year Book,

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Speaker 1: the most important rap song from every year since nineteen

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Speaker 1: seventy nine. Then he's got another book called Basketball and

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Speaker 1: Other Things that Obama said was one of his favorite things.

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Speaker 1: And then he's got another And I'm sitting here going

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Speaker 1: I'm gonna lose Donald Faison to share like I'm sitting

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Speaker 1: here being like this was a this was a bad idea.

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Speaker 1: The man has written best selling books on rap and

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Speaker 1: basketball and I'm.

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Speaker 2: Going to lose him and you know what I love

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Speaker 2: and you know what I love?

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Speaker 5: Oh shit, you know what. What's what's funny is is, uh,

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Speaker 5: I got a chance. I met Donald one time. I

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Speaker 5: don't know if you remember.

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Speaker 2: I do remember. I remember look his book. Before I

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Speaker 2: even read the book.

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Speaker 5: Oh you read it?

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Speaker 2: Oh okay, I didn't read on like you read the

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Speaker 2: whole thing. Yeah. So but before before I even knew

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Speaker 2: that it existed, Zach was like you were coming on

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Speaker 2: and I look you up on uh, I googled you

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Speaker 2: and I was like, oh, I met this dude. I

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Speaker 2: met this dude. And when I was going to do

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Speaker 2: first take, I thought you were going to do first

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Speaker 2: take that day. Also, but I also met you. Your

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Speaker 2: wife was with you, right, is that your wife? Yeah?

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Speaker 2: And she and I got to talk a little bit

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Speaker 2: more than you and I did. But I remember, I mean,

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Speaker 2: and then I read the essay and you made it

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Speaker 2: seem like you were like all crazy, Like holy shit,

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Speaker 2: holy shit, you got a little bit cooler than that.

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Speaker 2: Now that my.

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Speaker 5: Head his head, Yeah, absolutely, inside of my head. There's

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Speaker 5: only been a few times in my life I was starstruck.

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Speaker 2: But it was me, Denzel Washington and Michael Jordan.

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Speaker 5: I know, I know, I know, I'm watching you walk

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Speaker 5: in that room. I don't know if it's because I

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Speaker 5: was surprised or because I had just finished, like I

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Speaker 5: was already working on the Scrubs thing, so I had

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Speaker 5: gone through the whole series again, whatever it was. But yeah,

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Speaker 5: when you walked in there, I was like, holy fucking shit,

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Speaker 5: Like I was trying so hard not to not to

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Speaker 5: wig out.

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Speaker 2: You took you were there for you were there for

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Speaker 2: a book, right, you were there for another book, but

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Speaker 2: it was it wasn't the rap book. It was the

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Speaker 2: basketball book right now?

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Speaker 5: Was the basketball one? Came out in twenty seventeen October

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Speaker 5: of last year. I did movies and other things, movies,

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Speaker 5: and so that's when I was in I was in

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Speaker 5: New York, you know, doing all the press stuff.

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Speaker 2: Okay, Rich, I'm sorry before we talk, get a word

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Speaker 2: in Eddy.

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Speaker 1: See this is what's gonna happen. This is my nightmare,

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Speaker 1: right Joelle. They just suddenly they turned my mic down

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Speaker 1: and they just go off.

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Speaker 2: Well, I just wanted to get into the basketball thing,

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Speaker 2: all right, dude, get into you said you think my

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Speaker 2: game would be more like like, you imagine my game

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Speaker 2: being like PJ. Tucker.

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Speaker 5: Yeah, yeah, yeah, yeah, yeah, I'm gonna agree with that.

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Speaker 2: I'm gonna agree I knew it. I'm gonna agree with that.

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Speaker 5: I'd watched enough.

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Speaker 2: Yeah yeah, yeah, a lot of jump shots, some defense,

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Speaker 2: very competitive and talks a lot of shit. Yeah that's me.

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Speaker 5: That's about right.

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Speaker 2: I wish I had a little bit of a you know,

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Speaker 2: a silkier game. I wish my game was more like

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Speaker 2: Klay Thompson. But PJ. Tucker spot On, Man, he's a

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Speaker 2: he's a great uh. I don't even know if you

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Speaker 2: would consider him a role player. He's just like a

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Speaker 2: glue guy, right.

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Speaker 5: Yeah, he's in a sin player on that Rockets team.

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Speaker 5: I lived in lerrman, I lived in Houston for fourteen years,

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Speaker 5: so we were there like when he showed up. And

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Speaker 5: then he's one of those guys who, like, if you

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Speaker 5: go to the city where he's playing, everybody there just

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Speaker 5: fucking loves him. Yeah, because all the stuff he does.

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Speaker 1: Yeah, now, Shaye, I have a question, do you know

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Speaker 1: do you have your book? Like could Donald about your

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Speaker 1: wrap book? And Shay is everything he writes becomes a

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Speaker 1: best seller, including the rap yearbook the most important rap

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Speaker 1: song from every year since nineteen seventy nine, discussed, debated,

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Speaker 1: and deconstructed. Billboard said this was one of the best

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Speaker 1: one hundred best music books of all time. Which, holy shit, man,

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Speaker 1: congratulations on an accomplishment like that.

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Speaker 2: Round of thunderous applause.

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Speaker 1: Yeah, Dan, please put in some thunder supplause. You won't

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Speaker 1: hear it, Shae, So just imagine it. It's just it's

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Speaker 1: like a stage. You listen to the podcast, right, Shay.

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Speaker 1: I've seen you, so you know you know how Dan

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Speaker 1: really brings the thunderous applause. Now, Shay, if Donald were

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Speaker 1: to say, because Donald loves rap, if you were to

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Speaker 1: like mention a year, you don't have this memorize, right,

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Speaker 1: or do you? Cause if he would just say, like

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Speaker 1: if Donald were to be like, all right, ninety seven,

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Speaker 1: would you be like, oh, this is what I wrote

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Speaker 1: about that.

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Speaker 5: I believe, so ninety seven is puff daddy. If I'm

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Speaker 5: not mistaken, which I want to say, you can look

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Speaker 5: it up.

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Speaker 1: For so good as sad as I am about how

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Speaker 1: much how well you guys are hitting it off. I

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Speaker 1: just feel like, once this rap conversation starts, it'll be

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Speaker 1: Donald's favorite conversation in the world because he really really

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Speaker 1: loves rap, like as long as I've known him.

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Speaker 5: Yeah, it's the best music in the world. It was

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Speaker 5: a can't Nobody hold Me Down?

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Speaker 2: Can't know okay with him and Mace, with him and.

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Speaker 5: Mace, Yeah, Okay, that was that one because because that

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Speaker 5: was when when when rap had like they were doing

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Speaker 5: the whole shiny suit thing. It was like it became

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Speaker 5: all about opulence and.

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Speaker 1: High vollume and high Williams of Mint music videos.

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Speaker 5: Right that those ones came a little bit yeah, right

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Speaker 5: right around then.

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Speaker 1: I remember around ninety seven, I just picked ninety seven Can't.

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Speaker 2: Nobody Hold Me Down? Was I wasn't HiPE william Yeah.

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Speaker 1: Yeah, I missaying because I was when I was peeing

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Speaker 1: fresh out of college. I was peeing on rap videos

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Speaker 1: in New York and I don't really know the music

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Speaker 1: that well, but I remember like HiPE Williams was a

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Speaker 1: god at the time. And that's right around the time

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Speaker 1: all those Mace Puffy videos were coming out.

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Speaker 2: That was the one way they went in the desert,

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Speaker 2: right And isn't j Lo in it too?

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Speaker 1: Yeah?

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Speaker 5: She's in that one?

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Speaker 2: Yeah, yeah, yea, yeah.

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Speaker 1: Right Donald. Do you want to pick a year now

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Speaker 1: that he's got it up, Just pick.

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Speaker 2: Like I mean, but I mean, okay, ninety two, that's

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Speaker 2: a hard one.

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Speaker 5: Nineteen ninety two, oh, like I don't have I don't

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Speaker 5: have the book up. I was love after the song

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Speaker 5: I wanted to me.

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Speaker 1: To put you on I don't mean to put you

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Speaker 1: on the spot.

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Speaker 2: I just wondered if you knew that's no.

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Speaker 5: But I will say I know, like I know, ninety

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Speaker 5: two was nothing but a g thing. That was wow, Yeah,

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Speaker 5: that was right.

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Speaker 2: That's a great, great record, man record that was really

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Speaker 2: really good. That Chronic was one of Oh my gosh, man,

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Speaker 2: there were a lot of great albums that came out, though,

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Speaker 2: I feel like in ninety two, you know what I mean,

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Speaker 2: that was it. Yeah, I graduated, I think from high school.

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Speaker 1: I'm pretty I liked that song rolling down the street

360
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Speaker 1: smoking and sipping on gin and juice.

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Speaker 5: So that's not the Doggie style album. And there's like

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Speaker 5: there's like a constant debate between which is a better

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Speaker 5: G funk album, between between the Chronic and Doggie Style

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Speaker 5: both the dope man, pick one, pick one, which one

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Speaker 5: do you want to listen to right now?

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Speaker 2: Ship man. Well, because no, because what happened is.

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Speaker 1: With to do it. What happened is it's hard.

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Speaker 2: Man, because Doggie Style, Nate Dog, all these cats are

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Speaker 2: on that record. Man, come on, this is it's hard

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Speaker 2: because like Dan, can you I take it back? I

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Speaker 2: go chronic. But just because of Deep Cover, I could

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Speaker 2: feel it.

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Speaker 5: I heard that ship.

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Speaker 2: I remember when Deep Cover of the movie came out

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Speaker 2: and that song was on the Deep Cover soundtrack, and

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Speaker 2: my boy played me that ship and we listened to

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Speaker 2: that ship over. We listened to that song over and

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Speaker 2: over and over again. And this is before the beef

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Speaker 2: with East Coast West Coast stuff, and it was just like, Yo,

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Speaker 2: this is the this is the dopest thing I ever

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Speaker 2: heard in my life.

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Speaker 5: Yes, it's one of the one of those moments where

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Speaker 5: you like, I've never heard something like this. Yeah, you's

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Speaker 5: snoop sort of lollygagging out into song like who yeah

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Speaker 5: is this guy?

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Speaker 2: Yeah yeah that and the beat was fucking fire and

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Speaker 2: fucking and then the cook was yeah and you don't

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Speaker 2: stop because it's one eight seven on an undercover cop?

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Speaker 1: Was still ever make a documentary about this? Because I

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Speaker 1: read that there was talk of it. Did they ever

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Speaker 1: make it a documentary about you of your book.

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Speaker 5: Oh yeah, yeah yeah. So what happened is a production

393
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Speaker 5: company got the rights for it, and then we signed

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Speaker 5: up with the Roots. They became like executive producers on it,

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Speaker 5: and then they sold it to We sold this series

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Speaker 5: to AMC and they did a six episode thing where

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Speaker 5: it was like six episodes. Each episode was about one

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Speaker 5: particular song. They're an hour long, and so it became

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Speaker 5: like a videover. It was really cool. I got to

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Speaker 5: go out to New York. They did like a concert.

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00:16:55,720 --> 00:16:58,080
Speaker 5: The Roost did a concert before that, and then they

402
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Speaker 5: showed the The one of the episodes is the one

403
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Speaker 5: that they did on on Jesus Walks, and it was

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Speaker 5: it was really really cool to.

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Speaker 1: What It's so cool because as I'm listening to you

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Speaker 1: talk about it, I mean, I just think it would

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Speaker 1: be such an amazing I can understand why'd be amazing series.

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Speaker 1: I wouldn't check that out.

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Speaker 2: I definitely yeah, it was great.

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Speaker 5: You know what's neat is? So they we got all

411
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Speaker 5: signed up and they like, we sold the series and

412
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Speaker 5: they started working on it and they gave me a

413
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Speaker 5: phone call and they're like, hey, do you want to

414
00:17:20,880 --> 00:17:23,439
Speaker 5: call in and like we're brainstorming and helping out doing whatever.

415
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Speaker 5: And I was like, oh yeah, yeah, like that'll be

416
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Speaker 5: cool because I like I know a lot about rap.

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Speaker 5: We're doing this whole thing. And I called in and

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Speaker 5: Black Thought and quest Lever both in there and like

419
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Speaker 5: everything that somebody brought up, like I had like a

420
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Speaker 5: third hand story, like oh yeah, I heard a story

421
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Speaker 5: about a party that happened at this thing, And no

422
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Speaker 5: matter what it was, Quest Lever Black Thought, they were like,

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Speaker 5: oh yeah, I was at that party. I rode to Okay,

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00:17:46,359 --> 00:17:47,960
Speaker 5: I don't want to I don't want to help anymore,

425
00:17:48,000 --> 00:17:50,080
Speaker 5: Like yeah, guys, clearly you got this. I was gonna

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Speaker 5: fall back.

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Speaker 1: That's amazing.

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Speaker 2: Yeah. You know, I've been at some places like where

429
00:17:56,200 --> 00:17:59,000
Speaker 2: crazy things happened, like and I was just I just

430
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Speaker 2: happened to be there when the things happened, like you

431
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Speaker 2: know what I mean, Like I was at the party

432
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Speaker 2: where Biggie got killed, you know, yeah shit, yeah yeah

433
00:18:07,600 --> 00:18:10,879
Speaker 2: yeah did you did you did you hear like the yeah,

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00:18:10,480 --> 00:18:13,760
Speaker 2: I heard gun I was outside, so I heard the gunshots.

435
00:18:13,960 --> 00:18:17,040
Speaker 2: I also I spoke to him before all of it happened.

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Speaker 1: Oh shit, you never told me this. You saved this

437
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Speaker 1: for Shay.

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Speaker 2: Dude, you're not a hip hop You're not a hip

439
00:18:23,320 --> 00:18:24,119
Speaker 2: hop I mean, I'm not.

440
00:18:24,119 --> 00:18:26,000
Speaker 1: A hip hop dude, but I'm a pop culture fan.

441
00:18:26,080 --> 00:18:27,680
Speaker 1: You could have told me you read that fucking event.

442
00:18:27,760 --> 00:18:30,240
Speaker 2: Yeah, dude, I was at that event event and I

443
00:18:30,240 --> 00:18:33,080
Speaker 2: spoke to him, and then the next morning I found

444
00:18:33,080 --> 00:18:34,840
Speaker 2: out he was there. I actually found out that night

445
00:18:34,920 --> 00:18:37,440
Speaker 2: that he had gotten shot. Somebody came around the corner

446
00:18:37,440 --> 00:18:40,359
Speaker 2: and told me, you know, yo, they just fucking got big,

447
00:18:40,480 --> 00:18:41,640
Speaker 2: And I was like, get the fuck out of here.

448
00:18:41,760 --> 00:18:44,679
Speaker 2: And I remember telling Ricky Bell from Bell Biv Devaux

449
00:18:44,720 --> 00:18:46,359
Speaker 2: and he was like, shut the fuck up, dude, you

450
00:18:46,359 --> 00:18:48,639
Speaker 2: don't know what you're talking about. And then the next morning,

451
00:18:48,680 --> 00:18:50,800
Speaker 2: my boy Dion Richmond called me up on the phone

452
00:18:50,840 --> 00:18:53,639
Speaker 2: and was like, Yo, they killed big last night. And

453
00:18:53,680 --> 00:18:55,680
Speaker 2: I was like holy and and I was like, holy shit.

454
00:18:55,760 --> 00:18:58,000
Speaker 2: I was there, dude. I was. I spoke to him

455
00:18:58,040 --> 00:18:59,840
Speaker 2: right before, you know what I mean. I did this

456
00:19:00,080 --> 00:19:03,160
Speaker 2: couple of instances, like I was at Nell's the night

457
00:19:03,200 --> 00:19:05,240
Speaker 2: all that shit went down with Tupac and the girl

458
00:19:05,280 --> 00:19:07,359
Speaker 2: on the dance floor and stuff like that. Like I

459
00:19:07,440 --> 00:19:09,240
Speaker 2: was at the I was at the club hanging out

460
00:19:09,280 --> 00:19:12,119
Speaker 2: with my friends and stuff like that, and I was

461
00:19:12,160 --> 00:19:14,400
Speaker 2: there for like just a bunch of things. Man, it's weird.

462
00:19:14,440 --> 00:19:17,199
Speaker 2: It's it's my connection to hip hop runs deep man.

463
00:19:17,240 --> 00:19:19,359
Speaker 2: I love I love it so much. And when I

464
00:19:19,400 --> 00:19:21,520
Speaker 2: was when I was younger, I would be you would

465
00:19:21,520 --> 00:19:26,080
Speaker 2: frequently find me at some of these events that were

466
00:19:26,119 --> 00:19:29,879
Speaker 2: considered you know later on that were considered iconic or

467
00:19:30,000 --> 00:19:34,040
Speaker 2: pivotal moments in artists careers, especially in Tupacs and bigs.

468
00:19:34,280 --> 00:19:36,640
Speaker 2: Those were two big moment. One one was the death

469
00:19:36,680 --> 00:19:39,360
Speaker 2: of one and one was where everybody started looking at

470
00:19:39,400 --> 00:19:42,199
Speaker 2: somebody as a true troublemaker, which was bullshit, but that

471
00:19:42,280 --> 00:19:45,680
Speaker 2: was that was what. From that moment on, Tupac's lane

472
00:19:45,720 --> 00:19:50,800
Speaker 2: shifted from you know, actor rapper to activists to you know,

473
00:19:51,800 --> 00:19:54,600
Speaker 2: his whole run with death Row and the whole East Coast,

474
00:19:54,680 --> 00:19:56,960
Speaker 2: West Coast Beef and all of that stuff. A lot

475
00:19:57,000 --> 00:19:59,960
Speaker 2: of it stemmed from that moment. Do you wasn't even

476
00:20:00,000 --> 00:20:02,840
Speaker 2: Do you think I wasn't that I wasn't. I don't

477
00:20:01,600 --> 00:20:04,359
Speaker 2: know right right?

478
00:20:05,119 --> 00:20:07,160
Speaker 1: You know, like that butterfly effect thing, when one thing

479
00:20:07,160 --> 00:20:08,879
Speaker 1: happens and then it causes everything to happen.

480
00:20:09,240 --> 00:20:12,120
Speaker 2: If I take myself out of the equation everyone would

481
00:20:12,119 --> 00:20:14,479
Speaker 2: have got would have got Donald.

482
00:20:14,560 --> 00:20:16,720
Speaker 1: Donald like bumped into some waiter who then got into

483
00:20:16,760 --> 00:20:18,440
Speaker 1: bad mood and was rude to Tupac, and all of

484
00:20:18,480 --> 00:20:20,800
Speaker 1: a sudden, all this ship happened because Donald.

485
00:20:20,480 --> 00:20:23,960
Speaker 5: Did do either of y'all follow a writer named Cheo

486
00:20:24,040 --> 00:20:28,800
Speaker 5: Hadari Coker. No, okay, so he he like works on

487
00:20:29,240 --> 00:20:30,919
Speaker 5: a ton of stuff, but he like worked on the

488
00:20:30,960 --> 00:20:34,119
Speaker 5: biggie movie Low Riders. Creed to like a bunch of

489
00:20:34,160 --> 00:20:35,760
Speaker 5: the stuff that I like, So I started following him.

490
00:20:35,920 --> 00:20:38,440
Speaker 5: But just today he was talking about, uh, I think

491
00:20:38,480 --> 00:20:39,840
Speaker 5: it was today, maybe it might have been last night

492
00:20:39,920 --> 00:20:43,320
Speaker 5: or yesterday, but he was talking about when when Tupac

493
00:20:43,359 --> 00:20:47,760
Speaker 5: did Juice, and he was saying, like when he got

494
00:20:47,760 --> 00:20:49,400
Speaker 5: the role of Bishop, which is like the guy who

495
00:20:49,440 --> 00:20:51,919
Speaker 5: causes all the trouble in it, Like that was the

496
00:20:51,960 --> 00:20:54,920
Speaker 5: beginning of his like gangster rapper, Like it's set him

497
00:20:54,920 --> 00:20:57,800
Speaker 5: on that path, right, Like that's just crazy to think about,

498
00:20:57,800 --> 00:21:00,000
Speaker 5: like little thing like that, you know what I'm saying.

499
00:21:00,119 --> 00:21:02,960
Speaker 2: Yeah, I was in Juice. I had a really tiny

500
00:21:03,040 --> 00:21:05,920
Speaker 2: role in that movie. And the one thing I remember

501
00:21:06,240 --> 00:21:10,119
Speaker 2: the most about that movie was the premiere and after

502
00:21:10,200 --> 00:21:15,520
Speaker 2: seeing it, and you know, Tupac walking into the It

503
00:21:15,560 --> 00:21:18,720
Speaker 2: was like a Lows on forty second Street or something

504
00:21:18,760 --> 00:21:20,320
Speaker 2: like that. It was in Times Square, I remember that.

505
00:21:20,600 --> 00:21:23,120
Speaker 2: And he walked into the area where everybody was being

506
00:21:23,480 --> 00:21:25,320
Speaker 2: let out of the movie, and it felt like he

507
00:21:25,359 --> 00:21:27,680
Speaker 2: had like the glow around, like the Bruce Leroy glow

508
00:21:27,720 --> 00:21:30,320
Speaker 2: around him, man, because you just knew at that moment

509
00:21:30,560 --> 00:21:32,840
Speaker 2: he was out of here. Man, Yeah, he was just

510
00:21:33,040 --> 00:21:36,200
Speaker 2: out of here. That's when I became a fan of his,

511
00:21:36,400 --> 00:21:38,439
Speaker 2: you know what I mean, Like as an actor, I

512
00:21:38,800 --> 00:21:40,800
Speaker 2: you know, checked on his stuff all the time, all

513
00:21:40,800 --> 00:21:43,160
Speaker 2: of the movies he made and stuff like that. When

514
00:21:43,200 --> 00:21:45,119
Speaker 2: I was younger, I remember thinking he's a better actor

515
00:21:45,160 --> 00:21:46,200
Speaker 2: than he is a rapper. Dude.

516
00:21:46,240 --> 00:21:50,120
Speaker 5: I remember thinking that's like an argument you could honestly,

517
00:21:50,280 --> 00:21:53,399
Speaker 5: legitimately make like he was unbelievable as an actor.

518
00:21:53,480 --> 00:21:55,760
Speaker 2: Yeah. Yeah, he was a very good actor.

519
00:21:56,040 --> 00:21:58,600
Speaker 1: So say tell us, like how you came to Scrubs

520
00:21:58,600 --> 00:22:04,000
Speaker 1: and with this book, because I just I was so

521
00:22:04,160 --> 00:22:06,320
Speaker 1: moved by a lot of that. I mean, it's funny

522
00:22:06,520 --> 00:22:09,800
Speaker 1: your book, but also there's moments I was reading and

523
00:22:09,920 --> 00:22:12,720
Speaker 1: that would give me goosebumps, cause you articulate moments in

524
00:22:12,760 --> 00:22:15,600
Speaker 1: Scrubs sometimes I think better than moments and Scrubs even

525
00:22:15,640 --> 00:22:19,400
Speaker 1: were we right? And no, I mean and I appreciate that.

526
00:22:19,600 --> 00:22:22,080
Speaker 1: We love what a fan you are. And I was

527
00:22:22,119 --> 00:22:25,320
Speaker 1: reading something you wrote about the episode we're going to

528
00:22:25,359 --> 00:22:28,960
Speaker 1: talk about today, my occurrence, and I got goosebumps when

529
00:22:29,000 --> 00:22:30,720
Speaker 1: you wrote it. It was about it was about when

530
00:22:30,760 --> 00:22:33,760
Speaker 1: I find out that Brendan Fraser's character has leukemia and

531
00:22:34,119 --> 00:22:36,800
Speaker 1: Judy standing there, and I'm not bullshitting you. When I

532
00:22:36,840 --> 00:22:39,600
Speaker 1: rewatched the episode today, it was even more moving to me.

533
00:22:39,760 --> 00:22:41,680
Speaker 1: It was really unique. It was a really unique experience

534
00:22:41,680 --> 00:22:44,080
Speaker 1: because I don't even remember the moment And then I

535
00:22:44,600 --> 00:22:46,679
Speaker 1: read your essay in his book where Do you Think

536
00:22:46,720 --> 00:22:48,760
Speaker 1: We Are? And it gave me goosebumps. And then I

537
00:22:48,800 --> 00:22:51,120
Speaker 1: rewatched the moment today and I was so much more

538
00:22:51,160 --> 00:22:53,280
Speaker 1: moved by it because I had your backstory. So so

539
00:22:53,600 --> 00:22:55,840
Speaker 1: I encourage you, if you're a Scrubs fan, to get

540
00:22:55,880 --> 00:22:58,600
Speaker 1: this book. But anyway, I just wanted to know. It's

541
00:22:58,600 --> 00:23:00,679
Speaker 1: a long question, but how did you come to Scrubs

542
00:23:00,720 --> 00:23:02,040
Speaker 1: and then how did you come to write this book.

543
00:23:02,520 --> 00:23:05,840
Speaker 5: I came to Scrubs late. This was this was back

544
00:23:05,840 --> 00:23:07,919
Speaker 5: when it was on Netflix, so it's a few you know,

545
00:23:08,000 --> 00:23:10,800
Speaker 5: several years ago, I didn't. I had never really I

546
00:23:10,840 --> 00:23:12,280
Speaker 5: didn't watch it when it was like got on an

547
00:23:12,320 --> 00:23:15,200
Speaker 5: ABC or NBC or anything like that. But I started

548
00:23:15,200 --> 00:23:16,600
Speaker 5: catching it when I think it showed up I got

549
00:23:16,600 --> 00:23:18,760
Speaker 5: on a Comedy Central, yeah, you know, you know, on

550
00:23:18,760 --> 00:23:21,080
Speaker 5: one of those cable channels. I was like, this is

551
00:23:21,119 --> 00:23:22,800
Speaker 5: this is like a cool show, but there was no

552
00:23:22,880 --> 00:23:24,960
Speaker 5: way to like rewatch the whole thing. You just catch

553
00:23:24,960 --> 00:23:27,159
Speaker 5: whatever episode you can. And then it popped up on

554
00:23:27,240 --> 00:23:30,680
Speaker 5: Netflix and Laramie, my wife, she also likes to shows

555
00:23:30,720 --> 00:23:32,639
Speaker 5: who were like, oh, let's like I haven't seen like

556
00:23:32,680 --> 00:23:34,720
Speaker 5: the first four seasons or something, let's sit down and

557
00:23:34,760 --> 00:23:37,439
Speaker 5: watch it. And so you like, that's how it started,

558
00:23:37,560 --> 00:23:39,080
Speaker 5: was a few years ago, and then it just became

559
00:23:39,119 --> 00:23:41,760
Speaker 5: one of those shows that we watched our whole way

560
00:23:41,760 --> 00:23:43,600
Speaker 5: through it. We we like fell in love with everybody

561
00:23:43,600 --> 00:23:45,840
Speaker 5: on there. And it was one of the ones where

562
00:23:45,840 --> 00:23:47,199
Speaker 5: it was like, it's been a long day and I

563
00:23:47,200 --> 00:23:49,720
Speaker 5: needed like unwind and relax and I need to like

564
00:23:49,840 --> 00:23:52,520
Speaker 5: feel some emotions of some sort. So let me put

565
00:23:52,880 --> 00:23:56,240
Speaker 5: put this one on because I think I wrote this

566
00:23:56,320 --> 00:23:58,040
Speaker 5: in a thing, but I think Scrubs is the best

567
00:23:58,119 --> 00:24:01,680
Speaker 5: TV show ever at like balancing between those two worlds.

568
00:24:01,720 --> 00:24:03,159
Speaker 5: You'll talk about it a lot of the time, like

569
00:24:03,200 --> 00:24:06,920
Speaker 5: how hard of a transition that is to make from

570
00:24:06,920 --> 00:24:11,439
Speaker 5: going from something like totally silly and like ridiculous immediately

571
00:24:11,480 --> 00:24:17,800
Speaker 5: into something just outlandish or you know, like crazy serious.

572
00:24:18,240 --> 00:24:20,520
Speaker 5: So that's how we started watching that show, and it

573
00:24:20,600 --> 00:24:24,040
Speaker 5: just became like like a ritual. Every so often we're like,

574
00:24:24,119 --> 00:24:26,280
Speaker 5: we're going to restart Scrubs again, We're gonna watch it,

575
00:24:26,280 --> 00:24:27,679
Speaker 5: and then that's gonna be like what we do.

576
00:24:28,480 --> 00:24:28,640
Speaker 2: Right.

577
00:24:29,119 --> 00:24:30,560
Speaker 1: I love it. And you and your wife get in

578
00:24:30,640 --> 00:24:32,600
Speaker 1: debates about the show I saw, and part of the

579
00:24:32,640 --> 00:24:35,800
Speaker 1: book is an email conversation you have about whether or

580
00:24:35,840 --> 00:24:39,120
Speaker 1: not she likes JD or not. Yea, And I really

581
00:24:39,160 --> 00:24:44,400
Speaker 1: appreciated your point of view more than Larmer because Laramie,

582
00:24:44,640 --> 00:24:47,600
Speaker 1: Laramie loves the show, but it's JD's not her favorite character.

583
00:24:47,800 --> 00:24:51,399
Speaker 1: And I appreciated Shay debating why he should be.

584
00:24:51,880 --> 00:24:55,400
Speaker 5: Yeah, yeah, that's like yeah. So that we started watching

585
00:24:55,400 --> 00:24:57,560
Speaker 5: the show, and I realized, like, you watch a show

586
00:24:57,600 --> 00:24:59,480
Speaker 5: and depending on like who you are, the type of

587
00:24:59,480 --> 00:25:01,200
Speaker 5: person you are, just watched it a little bit different

588
00:25:01,200 --> 00:25:03,560
Speaker 5: than everybody else. And I realized at some point that

589
00:25:03,600 --> 00:25:06,480
Speaker 5: we were very much watching the show differently. I was

590
00:25:06,520 --> 00:25:09,160
Speaker 5: watching it waiting for like the JD moment to happen,

591
00:25:09,200 --> 00:25:11,080
Speaker 5: when you like make your eyes water or you like

592
00:25:11,119 --> 00:25:13,840
Speaker 5: say a thing real seriously, and she was watching it

593
00:25:13,880 --> 00:25:17,120
Speaker 5: for like for like a Turk and Carlo situation or

594
00:25:17,080 --> 00:25:20,000
Speaker 5: a doctor Cox situation or whatever, and so like, we

595
00:25:20,200 --> 00:25:22,120
Speaker 5: should let you know, let's talk about this a little bit.

596
00:25:22,160 --> 00:25:25,760
Speaker 2: And that was my favorite, my favorite. I was skimming

597
00:25:25,760 --> 00:25:27,560
Speaker 2: through the book because you know I'm not.

598
00:25:28,320 --> 00:25:30,399
Speaker 1: But you don't take it personally. He skimmed through the

599
00:25:30,440 --> 00:25:32,240
Speaker 1: scripts for the episode.

600
00:25:31,880 --> 00:25:35,120
Speaker 2: So one, I'm not a great reader. And my attentions,

601
00:25:35,560 --> 00:25:41,680
Speaker 2: my my attention focused on to if JD and Turk

602
00:25:41,760 --> 00:25:44,000
Speaker 2: were to ever do a buddy cop movie, what would

603
00:25:44,000 --> 00:25:46,719
Speaker 2: it be? And you go through a bunch of a

604
00:25:46,760 --> 00:25:50,000
Speaker 2: bunch of lists of what movies and I immediately went

605
00:25:50,080 --> 00:25:53,360
Speaker 2: for Running Scared with Billy Crystal Gregory Hines, Like that's

606
00:25:53,400 --> 00:25:55,439
Speaker 2: the immediate one I went to. And I was like,

607
00:25:55,640 --> 00:25:57,160
Speaker 2: I bet you he doesn't have that on the list,

608
00:25:57,200 --> 00:25:59,600
Speaker 2: And sure enough, it's right there on list.

609
00:26:01,560 --> 00:26:04,679
Speaker 1: We always over the years, we've always talked about it's

610
00:26:04,760 --> 00:26:07,280
Speaker 1: never happened so far, but we've always talked about wanting

611
00:26:07,320 --> 00:26:09,680
Speaker 1: to do a buddy cop or buddy movie of some

612
00:26:09,800 --> 00:26:12,800
Speaker 1: kind together. I was obsessed with trying to do like

613
00:26:12,840 --> 00:26:15,800
Speaker 1: a Spies Like Us thing, because I thought Donald and

614
00:26:15,880 --> 00:26:19,520
Speaker 1: I could really do. We both love playing guy way

615
00:26:19,600 --> 00:26:22,600
Speaker 1: in over his head and the idea, and like, I mean,

616
00:26:22,640 --> 00:26:24,760
Speaker 1: I don't want to. I would never dare to attempt

617
00:26:24,800 --> 00:26:26,520
Speaker 1: to remake Spies Like Us because I love that movie.

618
00:26:26,520 --> 00:26:28,879
Speaker 1: But the premise of that, like two spies that are

619
00:26:29,000 --> 00:26:30,680
Speaker 1: are fuck ups that get in way over their head.

620
00:26:30,680 --> 00:26:32,400
Speaker 1: I thought Donald and I would be really funny at

621
00:26:32,880 --> 00:26:35,080
Speaker 1: But but it's funny that you wrote a section of

622
00:26:35,119 --> 00:26:36,760
Speaker 1: the book about that, because Donald and I always talked

623
00:26:36,760 --> 00:26:37,920
Speaker 1: about wanting to do something like that.

624
00:26:38,160 --> 00:26:40,480
Speaker 5: Yeah, but like, yeah, go ahead, man, oh, I was

625
00:26:40,480 --> 00:26:42,000
Speaker 5: gonna say, that's how you could tell. I was like,

626
00:26:42,320 --> 00:26:44,119
Speaker 5: I had just finished up the movie book at the

627
00:26:44,119 --> 00:26:46,639
Speaker 5: same time I was doing the Scrubs thing, and I

628
00:26:46,680 --> 00:26:49,040
Speaker 5: had rewatched all of like buddy cop movies, and I

629
00:26:49,040 --> 00:26:50,960
Speaker 5: was like, yeah, this is like this makes too much sense.

630
00:26:51,320 --> 00:26:54,320
Speaker 2: Sit didn't work. Try it does make sense, man, I

631
00:26:54,359 --> 00:26:58,040
Speaker 2: think Turk and JD would and and it really comes

632
00:26:58,119 --> 00:27:01,800
Speaker 2: through Zach on the episode, first episode that you directed,

633
00:27:02,119 --> 00:27:05,280
Speaker 2: where we're doing the whole heathogram thing. It really comes

634
00:27:05,320 --> 00:27:08,560
Speaker 2: through there like that's a buddy cop movie or a

635
00:27:08,600 --> 00:27:11,800
Speaker 2: buddy comedy in itself, right there, these two dudes going

636
00:27:11,880 --> 00:27:15,040
Speaker 2: to adventure and it's a silly one too, so his

637
00:27:15,119 --> 00:27:17,240
Speaker 2: boy can get some ass, you know what I mean with.

638
00:27:17,280 --> 00:27:20,720
Speaker 1: A letter from Elliot. Actually, Shay, you wrote that in

639
00:27:20,760 --> 00:27:21,959
Speaker 1: the in the book a little bit to because you're

640
00:27:21,960 --> 00:27:24,520
Speaker 1: talking about Molly Shannon's character in that episode, and that's

641
00:27:24,520 --> 00:27:27,320
Speaker 1: one of my favorite episodes ever. I uh, we bring

642
00:27:27,359 --> 00:27:29,119
Speaker 1: it up a lot because it was a pivotal moment

643
00:27:29,160 --> 00:27:30,560
Speaker 1: for me because it was the first one I got

644
00:27:30,600 --> 00:27:33,720
Speaker 1: to direct, and it was it was epic, and Donald

645
00:27:33,720 --> 00:27:36,040
Speaker 1: and I went on a quest that all took place

646
00:27:36,040 --> 00:27:37,960
Speaker 1: over in one night. You know, it's for budget. Most

647
00:27:38,000 --> 00:27:39,960
Speaker 1: of the time, we would you know, be confined to

648
00:27:40,000 --> 00:27:41,879
Speaker 1: the hospital with with going out a little bit here

649
00:27:41,920 --> 00:27:44,520
Speaker 1: or there. But you know, it's very expensive to bring

650
00:27:44,520 --> 00:27:47,200
Speaker 1: a full film crew out into the real world. And

651
00:27:47,200 --> 00:27:49,000
Speaker 1: and sometimes what Bill would do is he'd sort of

652
00:27:49,040 --> 00:27:51,600
Speaker 1: save up so we'd we'd have episodes that were mostly

653
00:27:51,640 --> 00:27:53,560
Speaker 1: contained to the world of the hospital, and then he'd

654
00:27:54,240 --> 00:27:56,639
Speaker 1: use the budget money he'd saved. Then we'd do like

655
00:27:56,640 --> 00:27:58,040
Speaker 1: a big ass one. That's why they'd be like the

656
00:27:58,040 --> 00:28:01,000
Speaker 1: Wizard of Oz or the Medieval Times or this one

657
00:28:01,040 --> 00:28:04,960
Speaker 1: with Heather where we were, you know, out all night long. Yeah,

658
00:28:05,119 --> 00:28:08,120
Speaker 1: I wanted to ask you, Shay, how I wanted to say,

659
00:28:08,160 --> 00:28:11,480
Speaker 1: just before we get into the episode. I really even

660
00:28:11,480 --> 00:28:15,000
Speaker 1: impressed by how hard you hustle and work. And you know,

661
00:28:15,320 --> 00:28:17,280
Speaker 1: we're both on Twitter. We're all on Twitter, and I

662
00:28:17,560 --> 00:28:19,680
Speaker 1: always see a lot of writers asking you for advice

663
00:28:19,720 --> 00:28:22,040
Speaker 1: and how do I do it. I'm just so impressed

664
00:28:22,119 --> 00:28:26,880
Speaker 1: with how hard you work. You write your ass off,

665
00:28:27,160 --> 00:28:31,040
Speaker 1: You then go off and you really talk to your

666
00:28:31,560 --> 00:28:34,240
Speaker 1: followers and say, hey, support the cause I'm here working

667
00:28:34,359 --> 00:28:37,280
Speaker 1: my ass off and I made a thing I think

668
00:28:37,280 --> 00:28:39,520
Speaker 1: you're gonna like. And I don't know, I just I've

669
00:28:39,560 --> 00:28:41,600
Speaker 1: always been impressed by how hard you work. And I

670
00:28:41,600 --> 00:28:43,640
Speaker 1: wonder if you, if you wanted to, could speak to

671
00:28:43,680 --> 00:28:46,880
Speaker 1: that for for anyone. It could be about anyone trying

672
00:28:46,880 --> 00:28:49,200
Speaker 1: to go after their dream, but you you particularly do

673
00:28:49,240 --> 00:28:49,880
Speaker 1: it with your writing.

674
00:28:50,600 --> 00:28:50,840
Speaker 2: Yeah.

675
00:28:50,840 --> 00:28:53,320
Speaker 5: Well, I think that's that's probably like an extension of

676
00:28:53,720 --> 00:28:56,480
Speaker 5: several different things. We grew up, Like we live in

677
00:28:56,480 --> 00:28:57,960
Speaker 5: San Antonio. Now that I grew up like on the

678
00:28:57,960 --> 00:29:02,440
Speaker 5: other side of town, we were like real poor. Nobody

679
00:29:02,480 --> 00:29:04,800
Speaker 5: was like finishing school or anything like that. So like

680
00:29:05,240 --> 00:29:06,840
Speaker 5: that's always in the back of my head, like if

681
00:29:06,840 --> 00:29:09,120
Speaker 5: shit goes wrong or if I make like a few mistakes,

682
00:29:09,120 --> 00:29:11,840
Speaker 5: we could fall all the way back there. So that's

683
00:29:12,480 --> 00:29:14,680
Speaker 5: that's part of it. But also like in the in

684
00:29:14,720 --> 00:29:18,600
Speaker 5: the case of the the Scrubs thing, like this was

685
00:29:18,640 --> 00:29:21,480
Speaker 5: a thing that I was publishing independently. That is, you

686
00:29:21,480 --> 00:29:24,160
Speaker 5: weren't gonna find it in bookstores. The only way anybody

687
00:29:24,200 --> 00:29:26,120
Speaker 5: was going to find out about it was directly through

688
00:29:26,160 --> 00:29:28,000
Speaker 5: me at the at the start of it, you know.

689
00:29:28,080 --> 00:29:30,640
Speaker 5: So like I'm not gonna just sit there and cross

690
00:29:30,680 --> 00:29:33,480
Speaker 5: my fingers and hope somebody like bats their way into it. Yeah,

691
00:29:33,480 --> 00:29:35,040
Speaker 5: it's not you know, I'm trying to be like the

692
00:29:35,080 --> 00:29:38,480
Speaker 5: guys at the at the fucking mall that comes spraying

693
00:29:38,480 --> 00:29:41,920
Speaker 5: you with perfume, you know what I'm saying, Like I'm

694
00:29:42,560 --> 00:29:44,960
Speaker 5: gonna be that. I'm gonna be that kind of salesperson.

695
00:29:44,680 --> 00:29:46,400
Speaker 1: Or the guys in New York with the rap album

696
00:29:46,600 --> 00:29:48,880
Speaker 1: they always trying to get you to buy there.

697
00:29:48,400 --> 00:29:51,160
Speaker 2: There strong dude, that's the strongest hustle level because there's

698
00:29:50,880 --> 00:29:54,040
Speaker 2: a part of that hustle is also like strong arming

699
00:29:54,080 --> 00:29:54,440
Speaker 2: you too.

700
00:29:54,600 --> 00:29:56,000
Speaker 5: Yeah, I know, I always do it.

701
00:29:56,040 --> 00:29:57,920
Speaker 1: I always do it because I feel so bad. By

702
00:29:57,960 --> 00:29:59,840
Speaker 1: the time you've walked two blocks with them, you're like, dude,

703
00:29:59,840 --> 00:30:01,680
Speaker 1: I'm okay, okay.

704
00:30:01,400 --> 00:30:04,080
Speaker 5: You're out there slick. There's say they're smart. They're like, hey,

705
00:30:04,080 --> 00:30:05,880
Speaker 5: hold this for me real quick, and then you hold

706
00:30:05,880 --> 00:30:07,840
Speaker 5: it and they're like, all right, that's seven dollars. Like

707
00:30:07,880 --> 00:30:08,400
Speaker 5: what the fuck.

708
00:30:08,600 --> 00:30:14,280
Speaker 2: I wasn't even I wasn't even I wasn't even trying

709
00:30:14,280 --> 00:30:15,400
Speaker 2: to buy it, dude, I was.

710
00:30:15,480 --> 00:30:17,560
Speaker 1: But they're the best salesman, those guys, because by the

711
00:30:17,640 --> 00:30:19,240
Speaker 1: time you've walked a block of them, you're like, yeah,

712
00:30:19,400 --> 00:30:20,880
Speaker 1: I do need to hear this. You're right, that does

713
00:30:20,920 --> 00:30:21,400
Speaker 1: sound good.

714
00:30:23,400 --> 00:30:28,479
Speaker 2: Sometimes sometimes it's like dog, okay, just give me out.

715
00:30:28,800 --> 00:30:30,520
Speaker 1: But then they're like, Donald, come on, Donald, keep it real.

716
00:30:30,560 --> 00:30:32,600
Speaker 2: Donald. I seen that. This is what I hate because

717
00:30:32,640 --> 00:30:34,280
Speaker 2: I get a lot of this. I've seen you in

718
00:30:34,320 --> 00:30:37,640
Speaker 2: the movies. Dog, don't let me don't fucking let me down. Now,

719
00:30:39,960 --> 00:30:42,880
Speaker 2: I didn't let you down. Don't let me down. All right.

720
00:30:44,720 --> 00:30:47,200
Speaker 1: Well, I always think, you know, in my career, the

721
00:30:47,200 --> 00:30:50,600
Speaker 1: things I've done that you know, you have to put

722
00:30:50,600 --> 00:30:53,160
Speaker 1: yourself out there. You have to really you know, I've

723
00:30:53,440 --> 00:30:56,840
Speaker 1: write my own stuff. You get turned down a hundred times,

724
00:30:56,840 --> 00:30:58,960
Speaker 1: and you just got to keep going and keep fighting

725
00:30:58,960 --> 00:31:01,000
Speaker 1: for it and keep believing yourself. And I think that's

726
00:31:01,040 --> 00:31:02,880
Speaker 1: one of the reasons I really like what you say

727
00:31:02,920 --> 00:31:04,680
Speaker 1: and do on on Twitter, because you do a lot

728
00:31:04,720 --> 00:31:07,400
Speaker 1: of philanthropic things as well, but you're also someone who's

729
00:31:07,440 --> 00:31:09,400
Speaker 1: just like, I'm gonna do this on my own. Sometimes

730
00:31:09,440 --> 00:31:12,280
Speaker 1: sometimes a publisher will publish it, sometimes I'll publish it,

731
00:31:12,320 --> 00:31:14,480
Speaker 1: but like I'm always going to be doing my own hustle,

732
00:31:14,520 --> 00:31:15,640
Speaker 1: which I really appreciate.

733
00:31:15,960 --> 00:31:17,280
Speaker 5: Yeah, thank you, Thank you very much.

734
00:31:17,360 --> 00:31:20,480
Speaker 1: So guys, we're getting to the episode. But go buy

735
00:31:20,600 --> 00:31:23,960
Speaker 1: Shay's book. It's called go to the website Sacred Heart

736
00:31:24,240 --> 00:31:28,280
Speaker 1: Gang dot com right correct. If you go to Sacred

737
00:31:28,400 --> 00:31:31,400
Speaker 1: If you go to Sacred Heart gang dot com, you

738
00:31:31,440 --> 00:31:33,400
Speaker 1: can buy the book. It's a PDF you can download.

739
00:31:33,560 --> 00:31:36,840
Speaker 1: It's twenty bucks. It's really worth it. It's amazing. I've

740
00:31:36,880 --> 00:31:39,160
Speaker 1: seen some people on online or are printing it out

741
00:31:39,160 --> 00:31:41,360
Speaker 1: and kind of making their own book out of it.

742
00:31:41,840 --> 00:31:47,080
Speaker 1: But support independent writers. He self published this with amazing

743
00:31:47,080 --> 00:31:51,760
Speaker 1: illustrations by Arturo Torres and I can't. I really recommend

744
00:31:51,760 --> 00:31:55,240
Speaker 1: it if you're a Scrubs fan. It's it's very, very entertaining,

745
00:31:55,640 --> 00:31:57,800
Speaker 1: and even the part's Donald skimmed.

746
00:31:58,080 --> 00:32:01,239
Speaker 2: Can we talk about the illustrations real quick illustration? They

747
00:32:01,800 --> 00:32:03,680
Speaker 2: kind of look like the New York Times. I'm not

748
00:32:03,720 --> 00:32:06,840
Speaker 2: the New York Times the Wall Street Journal. When they

749
00:32:07,080 --> 00:32:10,400
Speaker 2: draw the pictures like they look like when somebody sits

750
00:32:10,400 --> 00:32:12,600
Speaker 2: in front of you and poses and stuff like that,

751
00:32:12,640 --> 00:32:14,920
Speaker 2: they're very they're very lifelike, almost.

752
00:32:14,840 --> 00:32:15,560
Speaker 1: Like like a portrait.

753
00:32:16,480 --> 00:32:19,120
Speaker 2: Yeah, kind of kind of like a portrait. Yeah, absolutely, yes,

754
00:32:19,480 --> 00:32:22,120
Speaker 2: especially the one with Brendan Fraser on the for the

755
00:32:22,160 --> 00:32:24,280
Speaker 2: title of the book. You know what I mean with

756
00:32:24,320 --> 00:32:26,960
Speaker 2: the inside when you get to that moment and you

757
00:32:27,040 --> 00:32:28,800
Speaker 2: even say at that moment, I didn't want to talk

758
00:32:28,800 --> 00:32:31,080
Speaker 2: about the you know, I hate talking about this, and

759
00:32:31,160 --> 00:32:33,800
Speaker 2: Zach you before we get into the store, I wanted

760
00:32:33,840 --> 00:32:37,200
Speaker 2: to say this. Also. It made also me watching the

761
00:32:37,280 --> 00:32:41,320
Speaker 2: episode again, it made it more impactful for me because one,

762
00:32:41,440 --> 00:32:43,880
Speaker 2: I knew how it was going to work out the

763
00:32:43,880 --> 00:32:47,040
Speaker 2: way you laid it out in the book. I knew

764
00:32:47,040 --> 00:32:49,400
Speaker 2: how it was going to end up, not only because

765
00:32:49,440 --> 00:32:54,520
Speaker 2: I was in it, but because of that but but

766
00:32:54,520 --> 00:32:57,560
Speaker 2: but it made it more impactful because what the way

767
00:32:57,600 --> 00:33:02,560
Speaker 2: you described all of what was happening, Uh, you really

768
00:33:02,560 --> 00:33:04,360
Speaker 2: told the story. Well is my point?

769
00:33:04,360 --> 00:33:06,000
Speaker 1: You know, Well, that's good writing when you're like when

770
00:33:06,400 --> 00:33:09,800
Speaker 1: when he's he's he's writing his thoughts on something we

771
00:33:09,800 --> 00:33:13,360
Speaker 1: were a part of. And I never had this experience before.

772
00:33:13,360 --> 00:33:15,360
Speaker 1: I mean, I guess occasionally when someone writes a good

773
00:33:15,400 --> 00:33:18,200
Speaker 1: review of something you've done, maybe it's similar. But you're

774
00:33:18,200 --> 00:33:21,480
Speaker 1: writing his thoughts on this moment, and it made the

775
00:33:21,520 --> 00:33:23,960
Speaker 1: moment for me as a part of it more impactful.

776
00:33:24,000 --> 00:33:24,960
Speaker 1: I thought that was really good.

777
00:33:25,160 --> 00:33:27,200
Speaker 2: And then even where and then even where it stems

778
00:33:27,240 --> 00:33:29,560
Speaker 2: from how you bring it back to the episode where

779
00:33:30,080 --> 00:33:32,840
Speaker 2: we lose you know, where one in three patients die

780
00:33:32,880 --> 00:33:35,240
Speaker 2: when they go into the hospital and everything like that,

781
00:33:35,360 --> 00:33:38,280
Speaker 2: how you connect the This is how Scrubs fucks you up.

782
00:33:38,400 --> 00:33:40,520
Speaker 2: They fuck you up by making you think you know

783
00:33:41,080 --> 00:33:43,560
Speaker 2: everything's all right, everything's all right, everything's all right, and

784
00:33:43,600 --> 00:33:46,120
Speaker 2: then just when you're feel like you're out of the

785
00:33:46,120 --> 00:33:48,320
Speaker 2: woods and you're safe, they drop the fucking hammer on

786
00:33:48,400 --> 00:33:49,040
Speaker 2: you. You know what I mean.

787
00:33:49,080 --> 00:33:51,840
Speaker 1: And by the way, this is how good Shaye's writing is.

788
00:33:52,280 --> 00:33:57,880
Speaker 1: He preempted Brendan Fraser being on this podcast. So I

789
00:33:57,920 --> 00:33:59,880
Speaker 1: want you to know, Shay that we and I'm telling

790
00:34:00,000 --> 00:34:02,640
Speaker 1: bouncing to the fans right here and now, that the

791
00:34:02,680 --> 00:34:05,680
Speaker 1: next episode will have Brendan Fraser on this podcast.

792
00:34:05,680 --> 00:34:07,000
Speaker 5: That's perfect. That's perfect.

793
00:34:07,440 --> 00:34:09,239
Speaker 1: So we want Shay's gonna come on and we're gonna

794
00:34:09,239 --> 00:34:13,760
Speaker 1: talk through Brennan Fraser's first episode. Then the next episode

795
00:34:13,760 --> 00:34:16,319
Speaker 1: we're gonna have Brennan Fraser come on and uh and

796
00:34:16,400 --> 00:34:19,839
Speaker 1: talk about it and then uh, well eventually I guess

797
00:34:19,880 --> 00:34:22,759
Speaker 1: it's season three, we'll get to uh, the big one.

798
00:34:22,760 --> 00:34:24,880
Speaker 1: That's a lot of people's favorite episode of all time.

799
00:34:25,719 --> 00:34:29,160
Speaker 1: This also when Brendan spoiler alert dies.

800
00:34:29,160 --> 00:34:33,399
Speaker 2: This also is kind of a it's precursor the right

801
00:34:33,440 --> 00:34:37,520
Speaker 2: word to that episode. Like this whole episode pretty much

802
00:34:37,600 --> 00:34:38,840
Speaker 2: is a dream, dude that.

803
00:34:38,680 --> 00:34:40,440
Speaker 1: I didn't even remember that by the way, you know what.

804
00:34:40,360 --> 00:34:44,560
Speaker 2: I mean foreshadowing, Yeah, a lot of foreshadowing, right I.

805
00:34:44,880 --> 00:34:48,839
Speaker 2: I I didn't remember that either. And I've truly went

806
00:34:48,880 --> 00:34:52,120
Speaker 2: on this journey with j D through this whole episode

807
00:34:52,400 --> 00:34:56,759
Speaker 2: of him trying to, you know, rationalize why this, oh

808
00:34:56,760 --> 00:34:59,319
Speaker 2: this is a false positive test. This test isn't it's

809
00:34:59,360 --> 00:35:01,640
Speaker 2: not to co They're fucking up all day.

810
00:35:01,760 --> 00:35:02,000
Speaker 1: Yeah.

811
00:35:02,080 --> 00:35:04,120
Speaker 2: I even made a note, and I even made a note, Wow,

812
00:35:04,280 --> 00:35:06,560
Speaker 2: Sacred Heart is making a lot of mistakes.

813
00:35:07,239 --> 00:35:07,439
Speaker 3: Yeah.

814
00:35:07,920 --> 00:35:10,279
Speaker 1: Yeah. And also, by the way, first of all, I

815
00:35:10,400 --> 00:35:12,680
Speaker 1: was so fucking uncomfortable with Judy hitting on me, and

816
00:35:12,719 --> 00:35:16,719
Speaker 1: I didn't remember that at all, But because Donald's my

817
00:35:16,760 --> 00:35:18,400
Speaker 1: best friend in the world, I was nervous that his

818
00:35:18,560 --> 00:35:19,719
Speaker 1: TV wife.

819
00:35:19,560 --> 00:35:20,160
Speaker 2: Was hitting at me.

820
00:35:20,280 --> 00:35:24,600
Speaker 1: I was like, my stomach was getting uncomfortable. And then

821
00:35:24,640 --> 00:35:26,160
Speaker 1: I noticed a very subtle thing. I don't know if

822
00:35:26,200 --> 00:35:28,239
Speaker 1: you guys noticed this, because I'm just very aware of

823
00:35:28,239 --> 00:35:30,360
Speaker 1: the cinematography. I don't know if it was Larry Trilling

824
00:35:30,360 --> 00:35:32,719
Speaker 1: who directed by We mentioned that Bill Laurance wrote this

825
00:35:32,760 --> 00:35:35,759
Speaker 1: one and Larry Trilling, one of our favorite directors, directed it.

826
00:35:36,120 --> 00:35:39,520
Speaker 1: And there was this weird, sort of a very subtle

827
00:35:39,560 --> 00:35:43,920
Speaker 1: filter on the camera for that fantasy, that long dream sequence,

828
00:35:44,480 --> 00:35:46,880
Speaker 1: and I didn't remember that it was a dream sequence.

829
00:35:46,920 --> 00:35:49,200
Speaker 1: I remember, like, Jesus, why is this. It's usually a

830
00:35:49,200 --> 00:35:51,719
Speaker 1: filter you would reserve for a close up of a

831
00:35:52,400 --> 00:35:54,279
Speaker 1: woman of a certain age where you wanted to maybe

832
00:35:54,280 --> 00:35:56,680
Speaker 1: soften her wrinkles a little bit or her eyes. But

833
00:35:56,760 --> 00:35:59,360
Speaker 1: if you go back and look, it's on that whole sequence,

834
00:36:00,000 --> 00:36:01,799
Speaker 1: and I was kind of like, why is why is

835
00:36:01,840 --> 00:36:03,880
Speaker 1: this filter on? Like what? And then I was like

836
00:36:03,920 --> 00:36:05,759
Speaker 1: does this just look weird on my computer? Like what's

837
00:36:05,800 --> 00:36:08,120
Speaker 1: going on? And then when it was revealed that the

838
00:36:08,160 --> 00:36:11,200
Speaker 1: whole thing is a is a fantasy, I was like, Oh,

839
00:36:11,280 --> 00:36:13,160
Speaker 1: that was like a little subtle thing. You know, there's

840
00:36:13,200 --> 00:36:14,759
Speaker 1: lots of little subtle things either, but that's one thing

841
00:36:14,760 --> 00:36:16,000
Speaker 1: I noticed with the cinematography.

842
00:36:16,520 --> 00:36:18,400
Speaker 2: It makes you want to go back and watch it again.

843
00:36:20,040 --> 00:36:20,839
Speaker 5: It's a good show.

844
00:36:21,960 --> 00:36:23,680
Speaker 1: Show thank you, thank you.

845
00:36:23,719 --> 00:36:23,839
Speaker 4: Well.

846
00:36:23,840 --> 00:36:25,640
Speaker 1: I'm telling you when you get chased, when you guys

847
00:36:25,680 --> 00:36:28,600
Speaker 1: get Shay's book, you're gonna want to when you read

848
00:36:28,640 --> 00:36:30,920
Speaker 1: his essays, then you want to go back and go. Okay,

849
00:36:30,920 --> 00:36:33,440
Speaker 1: now I got to rewatch that episode with this with

850
00:36:33,520 --> 00:36:34,279
Speaker 1: this essay in mine.

851
00:36:34,280 --> 00:36:35,799
Speaker 6: All right, we're gonna go to break and we'll be

852
00:36:36,200 --> 00:36:46,240
Speaker 6: right back and back.

853
00:36:46,600 --> 00:36:49,160
Speaker 1: All right, we're gonna go into this episode, guys, all right.

854
00:36:49,040 --> 00:36:50,680
Speaker 2: I got one thing to say when we start off,

855
00:36:50,920 --> 00:36:53,000
Speaker 2: What the fuck? How do why do we have like

856
00:36:53,040 --> 00:36:56,080
Speaker 2: a cheese plate with a meat cheese meat plate the

857
00:36:56,120 --> 00:37:00,160
Speaker 2: size of like when you go to a party, you

858
00:37:00,200 --> 00:37:02,960
Speaker 2: know what I mean, Like, it's it's our cheese and

859
00:37:03,239 --> 00:37:06,960
Speaker 2: and and we and we got like the rouse version

860
00:37:07,120 --> 00:37:11,040
Speaker 2: of cheese and meat, like it's only cheddar. It's only

861
00:37:11,120 --> 00:37:15,719
Speaker 2: cheddar and American and white white cheddar, yellow cheddar and

862
00:37:15,800 --> 00:37:21,040
Speaker 2: American cheese. And it is the worst cheese, proast, beef, turkey.

863
00:37:21,440 --> 00:37:24,680
Speaker 1: It's cold cuts, rolled up what k.

864
00:37:27,080 --> 00:37:30,319
Speaker 2: And we're drinking wine with that, And this is our

865
00:37:30,360 --> 00:37:33,200
Speaker 2: and this is our night out from the hospital, is.

866
00:37:33,160 --> 00:37:36,080
Speaker 1: Our big fancy night and Judy and Carla says she

867
00:37:36,120 --> 00:37:38,799
Speaker 1: got a nice bottle of wine and then Donald's right,

868
00:37:38,840 --> 00:37:41,040
Speaker 1: if you freeze frame at five seconds on the plate

869
00:37:41,080 --> 00:37:44,359
Speaker 1: we're talking about, it's basically cubes of cheddar and rolled

870
00:37:44,440 --> 00:37:51,120
Speaker 1: up cold cuts. Well, maybe maybe the rationalization was that

871
00:37:51,480 --> 00:37:53,040
Speaker 1: we didn't know we were just we were like, we

872
00:37:53,040 --> 00:37:54,959
Speaker 1: were so busy being doctors. None of us are cooks,

873
00:37:55,000 --> 00:37:56,719
Speaker 1: and we're like, oh, we're gonna have like an adult night.

874
00:37:56,960 --> 00:37:57,880
Speaker 1: That's what we do. They have.

875
00:37:58,440 --> 00:38:01,080
Speaker 5: So this is a good example of one of the

876
00:38:01,360 --> 00:38:03,040
Speaker 5: one of the reasons I like to rewatch the show

877
00:38:03,080 --> 00:38:04,680
Speaker 5: so much, because every time you rewatch it, you're gonna

878
00:38:04,719 --> 00:38:07,680
Speaker 5: find like another little neat thing in there. So I

879
00:38:07,800 --> 00:38:10,000
Speaker 5: noticed that she's saying same same as y'all did when

880
00:38:10,000 --> 00:38:12,919
Speaker 5: I rewatched it yesterday and I was like, the only

881
00:38:12,960 --> 00:38:16,400
Speaker 5: person in this room who is upset about the situation

882
00:38:16,520 --> 00:38:20,080
Speaker 5: or the setup is Carla, Which makes sense because she

883
00:38:20,920 --> 00:38:23,160
Speaker 5: for that whole first season, second season, she's like the

884
00:38:23,200 --> 00:38:25,719
Speaker 5: adult in the room. Yeah, and the other and and

885
00:38:25,760 --> 00:38:28,000
Speaker 5: the other three are just sort of pretending to be adults,

886
00:38:28,120 --> 00:38:30,440
Speaker 5: so they think like, this is what is supposed to

887
00:38:30,480 --> 00:38:30,759
Speaker 5: look like.

888
00:38:30,760 --> 00:38:31,080
Speaker 2: And she.

889
00:38:33,120 --> 00:38:36,520
Speaker 1: Probably probably Robby Shaye, probably Turk and and UH and

890
00:38:36,640 --> 00:38:41,680
Speaker 1: JD were probably tasked with getting a nice place. We

891
00:38:41,719 --> 00:38:43,759
Speaker 1: went to fucking the supermarket. We're like, got one of

892
00:38:43,800 --> 00:38:48,520
Speaker 1: those round jobs. Meanwhile, she went to the liquor store

893
00:38:48,560 --> 00:38:49,720
Speaker 1: and bottom expensive.

894
00:38:50,400 --> 00:38:53,279
Speaker 2: Right, and then we still fucked it up for how about?

895
00:38:53,280 --> 00:38:56,960
Speaker 1: I mean, I feel bad talking like JD knowing so

896
00:38:57,040 --> 00:39:00,320
Speaker 1: much about what celebrities are are naked and what move movies,

897
00:39:00,320 --> 00:39:04,080
Speaker 1: but it was pretty funny when he's like frontal and touchus.

898
00:39:06,560 --> 00:39:08,920
Speaker 2: They have something like that on the Playboy. I mean,

899
00:39:09,080 --> 00:39:12,399
Speaker 2: never mind, this.

900
00:39:12,320 --> 00:39:14,640
Speaker 1: Is obviously before a website has existed, so it does

901
00:39:14,640 --> 00:39:16,480
Speaker 1: come up in the episode, but I don't think we

902
00:39:16,520 --> 00:39:18,680
Speaker 1: should actively advertise.

903
00:39:18,160 --> 00:39:19,520
Speaker 2: Them unless you want to hear it.

904
00:39:19,760 --> 00:39:23,839
Speaker 1: Let us know, Okay, hit up Donald on his Instagram on.

905
00:39:24,160 --> 00:39:28,680
Speaker 2: Hit me up on my Instagram, but you gotta find only.

906
00:39:28,800 --> 00:39:30,320
Speaker 2: I'll only respond if you follow.

907
00:39:30,440 --> 00:39:32,319
Speaker 1: But make sure you follow him because he's very upset

908
00:39:32,360 --> 00:39:35,080
Speaker 1: about his follower count. But if you really, if you

909
00:39:35,120 --> 00:39:36,840
Speaker 1: don't want to take the time to google it, just

910
00:39:36,880 --> 00:39:38,440
Speaker 1: ask Donald on Instagram.

911
00:39:38,080 --> 00:39:39,640
Speaker 2: Share you want some of this, man, we can. We

912
00:39:39,680 --> 00:39:42,600
Speaker 2: can hijack. We can hijack some of Zach's followers, man,

913
00:39:42,640 --> 00:39:44,960
Speaker 2: and get them on my followers.

914
00:39:45,000 --> 00:39:45,680
Speaker 1: He's blowing up.

915
00:39:46,560 --> 00:39:48,640
Speaker 2: What did Shay share some of yours with me? Brother?

916
00:39:48,760 --> 00:39:53,040
Speaker 1: Yeah? All right, one day one twelve, I was kind

917
00:39:53,080 --> 00:39:55,960
Speaker 1: of taken, and I think this comes up in your essay.

918
00:39:55,960 --> 00:39:58,360
Speaker 1: Say if I'm not mistaken, But we finally see Cox

919
00:39:58,560 --> 00:40:01,640
Speaker 1: like someone. Yeah right, You know he seems that he

920
00:40:01,719 --> 00:40:05,080
Speaker 1: seems to never like anybody or at least be snarky

921
00:40:05,160 --> 00:40:08,200
Speaker 1: with anyone and everyone. This is this is sort of

922
00:40:08,239 --> 00:40:11,799
Speaker 1: the first time that he's really uh, we see how

923
00:40:11,840 --> 00:40:14,400
Speaker 1: much he genuinely is no bullshit. Has a friend.

924
00:40:15,080 --> 00:40:17,800
Speaker 5: Yeah, that's really It's really like an interesting creation of

925
00:40:17,840 --> 00:40:20,880
Speaker 5: a character is to put somebody in in his orbit

926
00:40:21,239 --> 00:40:24,759
Speaker 5: who just sort of takes away all of his like

927
00:40:24,840 --> 00:40:27,920
Speaker 5: protective armor immediately, Like he has another friend later on

928
00:40:27,960 --> 00:40:30,920
Speaker 5: the show, Michael Boltman's character Ron and when he shows

929
00:40:30,960 --> 00:40:33,359
Speaker 5: up and they're like clearly close friends, but but at

930
00:40:33,360 --> 00:40:35,080
Speaker 5: the same time they're like poking each other in the

931
00:40:35,080 --> 00:40:37,240
Speaker 5: eye every once in a while with something. But Brendan

932
00:40:37,280 --> 00:40:39,520
Speaker 5: Fraser's character Ben is the only time we see him

933
00:40:39,640 --> 00:40:41,920
Speaker 5: where he is just wide open and like just having

934
00:40:41,960 --> 00:40:44,840
Speaker 5: a good old time and he loves Yeah.

935
00:40:44,160 --> 00:40:48,879
Speaker 1: It's it really mirrors Jad and it's like his turk

936
00:40:48,920 --> 00:40:51,799
Speaker 1: in a way, just solely in the fact that like

937
00:40:52,160 --> 00:40:54,480
Speaker 1: they're on you know, they're hugging, and they're and they're

938
00:40:54,600 --> 00:40:59,359
Speaker 1: joking about hugging and and they're just very they're being

939
00:40:59,400 --> 00:41:01,680
Speaker 1: playing silly games, the thing with the card on their head,

940
00:41:01,719 --> 00:41:04,120
Speaker 1: and they're just like they're unabashedly themselves.

941
00:41:04,400 --> 00:41:07,560
Speaker 5: Yeah, all of the things that doctor Cox says annoys

942
00:41:07,640 --> 00:41:10,080
Speaker 5: him about JD. Yeah, the things that Brent like he

943
00:41:10,480 --> 00:41:13,479
Speaker 5: talks in the voices, he's very affectionate, and I'm saying

944
00:41:13,560 --> 00:41:16,840
Speaker 5: like like, oh, this is like you begin to understand.

945
00:41:16,880 --> 00:41:19,440
Speaker 5: This is like why he has such a fondness for

946
00:41:19,560 --> 00:41:21,760
Speaker 5: JD is because he reminds him of this character.

947
00:41:21,880 --> 00:41:24,520
Speaker 1: That's great, Ja, I really love that analysis, and I

948
00:41:24,520 --> 00:41:27,840
Speaker 1: didn't see it but it's funny. I was watching Brendan

949
00:41:27,920 --> 00:41:30,160
Speaker 1: Fraser's choice in this character for the first time in

950
00:41:30,200 --> 00:41:33,600
Speaker 1: twenty years, and he is playing it very goofy and silly,

951
00:41:33,800 --> 00:41:36,799
Speaker 1: and it's very JD like. And it's funny that you

952
00:41:36,840 --> 00:41:39,000
Speaker 1: say that that I never thought of it like that.

953
00:41:39,080 --> 00:41:42,520
Speaker 1: It's like you're seeing even though Cox has to keep

954
00:41:42,520 --> 00:41:46,040
Speaker 1: it down because he has to be Cox to JD,

955
00:41:46,920 --> 00:41:49,959
Speaker 1: there is the there must be some aspect of JD

956
00:41:50,040 --> 00:41:51,440
Speaker 1: that reminds him of his good buddy.

957
00:41:51,520 --> 00:41:53,640
Speaker 5: You know, there's no question about it, There's no question.

958
00:41:55,200 --> 00:41:56,680
Speaker 1: I like when I got to the bar at one

959
00:41:56,760 --> 00:42:03,120
Speaker 1: twenty three when I go neat Hug. Yeah, what a

960
00:42:03,160 --> 00:42:04,440
Speaker 1: fucking tool, Neat Hug.

961
00:42:05,880 --> 00:42:09,879
Speaker 2: This is something that kind of bugged me the whole

962
00:42:09,880 --> 00:42:12,879
Speaker 2: time we made this show, but later on hindsight, being

963
00:42:12,920 --> 00:42:17,520
Speaker 2: twenty twenty nowadays, it's I wish, I'm so happy that

964
00:42:17,560 --> 00:42:20,800
Speaker 2: this happened. But Brendan Fraser brings a camera into the

965
00:42:20,880 --> 00:42:25,080
Speaker 2: episode and it's a polaroid camera, old school polaroid, old

966
00:42:25,080 --> 00:42:29,080
Speaker 2: school polaroid camera. And I'm not sure if we were

967
00:42:29,120 --> 00:42:32,560
Speaker 2: doing this before or if this is where it started,

968
00:42:33,400 --> 00:42:36,680
Speaker 2: but because of this moment right here, it's like I

969
00:42:36,800 --> 00:42:39,560
Speaker 2: have polaroids from you know what I mean.

970
00:42:39,760 --> 00:42:40,520
Speaker 1: I can't answer this.

971
00:42:40,719 --> 00:42:45,400
Speaker 2: Okay, let's let's let's get into it, because I I

972
00:42:45,440 --> 00:42:49,200
Speaker 2: was wondering, we have all of these memories on celluloid

973
00:42:49,640 --> 00:42:54,440
Speaker 2: because of someone bringing a camera, and then it became an.

974
00:42:54,360 --> 00:42:55,200
Speaker 1: All began with this.

975
00:42:55,880 --> 00:42:56,600
Speaker 2: Is this where it began?

976
00:42:56,760 --> 00:42:58,600
Speaker 1: Yeah, So here's the thing. Krista Miller and I are

977
00:42:58,640 --> 00:43:02,080
Speaker 1: both photographers as our hobby, and we both are camera geeks.

978
00:43:02,080 --> 00:43:04,680
Speaker 1: We love new cameras, we love old cameras, will like

979
00:43:04,719 --> 00:43:08,000
Speaker 1: send each other eBay listings of cameras. She's a really

980
00:43:08,160 --> 00:43:10,759
Speaker 1: talented photographer and I like to think I'm not too

981
00:43:10,760 --> 00:43:14,520
Speaker 1: bad myself. When Brendan Fraser came in, this was his

982
00:43:14,640 --> 00:43:17,759
Speaker 1: real hobby, shooting with these old school polaroids, as you

983
00:43:17,760 --> 00:43:21,320
Speaker 1: guys see in the movie, the kind of polaroid film

984
00:43:21,360 --> 00:43:23,399
Speaker 1: not that just comes out automatically. You pull it out

985
00:43:23,560 --> 00:43:24,920
Speaker 1: and then you got it's like shake it like a

986
00:43:24,920 --> 00:43:26,799
Speaker 1: polaroid picture of these you actually did have to wait

987
00:43:26,840 --> 00:43:28,719
Speaker 1: for a minute for them to cook and then you'd

988
00:43:28,719 --> 00:43:31,080
Speaker 1: peel it off and then'd be a beautiful a shot.

989
00:43:31,320 --> 00:43:34,480
Speaker 1: And this camera that he's shooting with was actually Brendan's

990
00:43:35,000 --> 00:43:38,080
Speaker 1: and he brought it in, and of course, and he

991
00:43:38,160 --> 00:43:39,960
Speaker 1: was taking pictures. All the pictures you see at the

992
00:43:40,080 --> 00:43:42,919
Speaker 1: end of the episode in that tin that he has,

993
00:43:43,120 --> 00:43:45,520
Speaker 1: we're all shot by him over the course of his

994
00:43:45,600 --> 00:43:49,239
Speaker 1: week hanging out with us. And then Christa and I got,

995
00:43:49,239 --> 00:43:51,520
Speaker 1: of course, got so into it. We're like, oh my god,

996
00:43:51,560 --> 00:43:52,600
Speaker 1: we got to get one of those. Where do we

997
00:43:52,640 --> 00:43:56,000
Speaker 1: buy him? And then over the years, Donald that you

998
00:43:56,080 --> 00:43:58,799
Speaker 1: have a lot of polaroid pictures, because I have a

999
00:43:58,800 --> 00:44:01,800
Speaker 1: bunch of these cameras now right, and I'm sure I'm

1000
00:44:01,840 --> 00:44:03,879
Speaker 1: sure Chris has given you some too, because she does too,

1001
00:44:04,239 --> 00:44:06,399
Speaker 1: but the bulk of the ones you have, I'm sure.

1002
00:44:06,440 --> 00:44:08,239
Speaker 1: I got super into it, and I was going on

1003
00:44:08,239 --> 00:44:10,520
Speaker 1: eBay and buying all these old cameras. That's why. That's

1004
00:44:10,600 --> 00:44:12,040
Speaker 1: that's it all started with.

1005
00:44:12,000 --> 00:44:14,120
Speaker 2: This, Okay, So all right, that's what I was. That's

1006
00:44:14,120 --> 00:44:16,160
Speaker 2: what I was running because it got ridiculous too at

1007
00:44:16,160 --> 00:44:18,520
Speaker 2: some point. At some point, it was like a battle

1008
00:44:18,560 --> 00:44:22,360
Speaker 2: between everybody who took pictures on the fucking show to

1009
00:44:22,440 --> 00:44:24,600
Speaker 2: bring in their new toy, you know what I mean,

1010
00:44:24,640 --> 00:44:27,680
Speaker 2: whether it was a lika or a cannon or a

1011
00:44:27,719 --> 00:44:30,640
Speaker 2: fucking or a point. This is the this is the

1012
00:44:30,760 --> 00:44:33,200
Speaker 2: Rolls Royce of Point and Shoot or this is the.

1013
00:44:35,520 --> 00:44:37,319
Speaker 1: How do you think I feel when you're talking about

1014
00:44:37,320 --> 00:44:41,360
Speaker 1: your new animation gadget? But listen, I it wasn't.

1015
00:44:41,520 --> 00:44:44,080
Speaker 2: I don't go to you, dude. Man, I just fucking

1016
00:44:44,080 --> 00:44:46,560
Speaker 2: got a c stand. Man, I'm really excited. I don't

1017
00:44:46,880 --> 00:44:47,960
Speaker 2: hit you up and do that ship.

1018
00:44:48,080 --> 00:44:50,439
Speaker 1: No, But on your Instagram you post shit like I'm doing.

1019
00:44:50,440 --> 00:44:52,200
Speaker 1: All this is on the ones and I just got

1020
00:44:52,200 --> 00:44:57,560
Speaker 1: this new gadget called l R two five nine. You

1021
00:44:57,600 --> 00:45:02,000
Speaker 1: think I give a funk how you're animating. Just show

1022
00:45:02,040 --> 00:45:08,160
Speaker 1: me to show me to finish product. No, but he's right.

1023
00:45:08,160 --> 00:45:10,680
Speaker 1: In addition to Christ and I, there's also a huge

1024
00:45:10,680 --> 00:45:13,400
Speaker 1: camera department and and uh and with all sort of

1025
00:45:13,400 --> 00:45:15,480
Speaker 1: you know, everyone in the camera department loves cameras. So yeah,

1026
00:45:15,480 --> 00:45:17,400
Speaker 1: there was a lot of camera talk on the set.

1027
00:45:17,560 --> 00:45:18,959
Speaker 1: I'm sorry we annoyed you with that.

1028
00:45:19,040 --> 00:45:21,400
Speaker 2: It wasn't annoying. I look back at it now and

1029
00:45:21,400 --> 00:45:23,319
Speaker 2: I'm so grateful for it because I have all of

1030
00:45:23,320 --> 00:45:24,480
Speaker 2: these memories captured.

1031
00:45:24,960 --> 00:45:27,319
Speaker 1: Yes, now I want to know why JD, who's we've

1032
00:45:27,400 --> 00:45:29,920
Speaker 1: established as a very good doctor, all beit young, is

1033
00:45:29,960 --> 00:45:32,120
Speaker 1: passing out at a nail in someone's hand. I mean,

1034
00:45:32,160 --> 00:45:34,480
Speaker 1: hasn't he seen far with things?

1035
00:45:34,960 --> 00:45:36,719
Speaker 2: That ship is grossed though, no matter how you look

1036
00:45:36,760 --> 00:45:41,200
Speaker 2: at it, man, really how you for some reason he's.

1037
00:45:40,960 --> 00:45:42,920
Speaker 1: He's fucking cleaned out people's rectums.

1038
00:45:43,280 --> 00:45:45,960
Speaker 2: Yeah, but when the ship's still in you, that's scary, man,

1039
00:45:45,960 --> 00:45:47,960
Speaker 2: because it has to come out. And when it comes

1040
00:45:48,000 --> 00:45:52,000
Speaker 2: Look you see in the movies, all right, you ready, one, two, three,

1041
00:45:52,040 --> 00:45:53,480
Speaker 2: and then they pull it and the person it's like

1042
00:45:58,480 --> 00:46:00,359
Speaker 2: that was the first thing I thought about, like they

1043
00:46:00,400 --> 00:46:01,480
Speaker 2: got to take that ship out.

1044
00:46:01,600 --> 00:46:03,839
Speaker 1: It didn't cross your It didn't cross your mind. Well

1045
00:46:03,960 --> 00:46:06,640
Speaker 1: as I understand it. Being a fake doctor, you don't

1046
00:46:06,680 --> 00:46:08,200
Speaker 1: want to pull it out before you get to the er,

1047
00:46:08,239 --> 00:46:10,760
Speaker 1: because then that's what that thing is, stopping the blood

1048
00:46:10,800 --> 00:46:11,600
Speaker 1: from coming out.

1049
00:46:11,960 --> 00:46:13,960
Speaker 2: In some cases, yes, in some cases.

1050
00:46:14,040 --> 00:46:17,160
Speaker 1: By the way, I'm gonna take this as medical. Please google,

1051
00:46:17,280 --> 00:46:18,440
Speaker 1: Please google the right thing to do.

1052
00:46:18,680 --> 00:46:21,200
Speaker 2: Listen, because in some movies when dude gets shot with

1053
00:46:21,239 --> 00:46:24,359
Speaker 2: the bow and arrow or something like that, or or

1054
00:46:24,480 --> 00:46:26,880
Speaker 2: or or get stabbed with a knife. Yeah, and they

1055
00:46:26,960 --> 00:46:29,640
Speaker 2: got to make the escape there. You know, it's the

1056
00:46:29,760 --> 00:46:32,560
Speaker 2: eye cont it's the close eye contact and everything. They're

1057
00:46:32,560 --> 00:46:36,160
Speaker 2: looking face to face and they're like all right, you ready,

1058
00:46:36,560 --> 00:46:43,080
Speaker 2: I'm ready on three one two, you shut on three.

1059
00:46:46,960 --> 00:46:50,120
Speaker 1: That's true. Well, anyway, I thought it was surprising that

1060
00:46:50,239 --> 00:46:53,520
Speaker 1: there's the episode begins with JD passing out and a

1061
00:46:53,600 --> 00:46:57,240
Speaker 1: nail in someone's hand, like he literally faints. He literally

1062
00:46:57,239 --> 00:47:00,359
Speaker 1: faints like a yeah, like a person in old movies faints.

1063
00:47:00,239 --> 00:47:05,000
Speaker 2: Right like be still yeah, like like yeah, back of

1064
00:47:05,040 --> 00:47:07,520
Speaker 2: hand the veples.

1065
00:47:09,480 --> 00:47:11,799
Speaker 1: Now there's a real thing in hospitals, you know, mix

1066
00:47:11,880 --> 00:47:13,920
Speaker 1: ups are are I mean, they've they've taken all these

1067
00:47:13,920 --> 00:47:17,040
Speaker 1: steps in the intervening years between this show and twenty

1068
00:47:17,080 --> 00:47:21,960
Speaker 1: twenty to make sure that fuck ups are very, very

1069
00:47:22,080 --> 00:47:25,760
Speaker 1: very rare. I just started watching this show on Netflix.

1070
00:47:25,760 --> 00:47:28,880
Speaker 1: There's a documentary show if you're into real doctor situations

1071
00:47:28,880 --> 00:47:31,640
Speaker 1: called Lenox Hill, where they're following around real doctors, and

1072
00:47:31,719 --> 00:47:33,520
Speaker 1: I just noticed that they go in to do brain

1073
00:47:33,520 --> 00:47:36,000
Speaker 1: surgery on someone and there's those whole process where they're

1074
00:47:36,000 --> 00:47:38,799
Speaker 1: like they're like, we'll be doing this on the right

1075
00:47:38,840 --> 00:47:40,520
Speaker 1: side of the brain. Does anyone hear right? Raise your

1076
00:47:40,520 --> 00:47:42,320
Speaker 1: hand if you heard right? And there's this whole system

1077
00:47:42,360 --> 00:47:45,279
Speaker 1: in place now where the nurses are like I heard right,

1078
00:47:45,400 --> 00:47:47,160
Speaker 1: I heard right, I heard right, and they're like sign

1079
00:47:47,520 --> 00:47:50,640
Speaker 1: he signs his name on the woman's skull before the surgery. Like,

1080
00:47:51,280 --> 00:47:54,239
Speaker 1: my point is, everyone in the medical community who listens

1081
00:47:54,239 --> 00:47:55,800
Speaker 1: to the show is laughing at me because I'm explaining

1082
00:47:55,840 --> 00:47:58,319
Speaker 1: it so horribly. But it made me think of that

1083
00:47:58,360 --> 00:48:00,600
Speaker 1: because there's so many systems in place now to make

1084
00:48:00,640 --> 00:48:02,759
Speaker 1: sure fuck ups happen less because it is a thing

1085
00:48:02,800 --> 00:48:03,480
Speaker 1: in hospitals.

1086
00:48:04,320 --> 00:48:06,360
Speaker 2: But it's also really funny how they figure out the

1087
00:48:06,400 --> 00:48:08,719
Speaker 2: mess up was happening, you know what I mean, Wait

1088
00:48:08,800 --> 00:48:11,959
Speaker 2: a second, I imagine that this guy is Jewish, Yeah,

1089
00:48:12,080 --> 00:48:15,360
Speaker 2: of course he is. Then why isn't his penis circumcised?

1090
00:48:15,800 --> 00:48:19,279
Speaker 2: And then Todd runs in, Hey, doctor Wynn wants to

1091
00:48:19,320 --> 00:48:21,680
Speaker 2: know if there's some sort of mix up because our

1092
00:48:21,719 --> 00:48:25,360
Speaker 2: appendix surgery doesn't have an appendix. And then he walks

1093
00:48:25,360 --> 00:48:27,200
Speaker 2: into the room and he's like, can you believe what

1094
00:48:27,239 --> 00:48:32,840
Speaker 2: the whoa it's going on here? That shit made me

1095
00:48:32,920 --> 00:48:34,400
Speaker 2: laugh so but by the.

1096
00:48:34,400 --> 00:48:38,160
Speaker 1: Way, I laughed so hard, But I did it understand something?

1097
00:48:38,680 --> 00:48:40,719
Speaker 1: I mean, I laughed so hard that. But isn't just

1098
00:48:40,760 --> 00:48:43,920
Speaker 1: an uncircumcised phoenis? Why is Todd? Why is Todd so

1099
00:48:44,000 --> 00:48:45,640
Speaker 1: freaked out by uncircumcised He's.

1100
00:48:46,600 --> 00:48:48,839
Speaker 2: He's not freaked out by it. But what it is

1101
00:48:48,840 --> 00:48:51,560
Speaker 2: is it's it's you know, the person's covered in a

1102
00:48:51,600 --> 00:48:55,040
Speaker 2: complete uh a cheet right, and it's covering their whole

1103
00:48:55,040 --> 00:48:56,960
Speaker 2: body and the only thing sticking out and there's a

1104
00:48:56,960 --> 00:49:00,680
Speaker 2: big light shining on it. Obviously is this dude's I

1105
00:49:00,840 --> 00:49:04,240
Speaker 2: can't and his balls and his balls? Yeah.

1106
00:49:04,280 --> 00:49:06,240
Speaker 1: But by the way, Donald, if you if you fans

1107
00:49:06,320 --> 00:49:08,799
Speaker 1: are listening, go back. You can see when when Rob

1108
00:49:08,880 --> 00:49:11,319
Speaker 1: comes in and says, WHOA, what is going on here?

1109
00:49:11,680 --> 00:49:14,200
Speaker 1: You can see Donald under his mask start to laugh

1110
00:49:15,040 --> 00:49:18,800
Speaker 1: and like, Donald, I can see you biting your fucking cheek.

1111
00:49:22,480 --> 00:49:23,600
Speaker 1: That ship was hilarious.

1112
00:49:23,680 --> 00:49:27,359
Speaker 2: He's fucking dude, man. I forgot how I say this

1113
00:49:27,520 --> 00:49:32,960
Speaker 2: over and over again, Robert Macio, Holy shit, I forgot

1114
00:49:32,960 --> 00:49:36,040
Speaker 2: how funny he is. Man. And we used to we

1115
00:49:36,160 --> 00:49:38,839
Speaker 2: used to fucking fuck with him all the time and oh,

1116
00:49:38,880 --> 00:49:41,800
Speaker 2: let's go run line and everything. But he fucking crushes

1117
00:49:41,840 --> 00:49:43,080
Speaker 2: it every time.

1118
00:49:43,680 --> 00:49:46,800
Speaker 1: Every time, dude, that's the funniest line on the show. WHOA,

1119
00:49:46,960 --> 00:49:48,080
Speaker 1: what is going on here?

1120
00:49:48,320 --> 00:49:49,279
Speaker 2: Is going on here?

1121
00:49:49,560 --> 00:49:51,439
Speaker 1: Even in my brain I was thinking, like, well, why

1122
00:49:51,480 --> 00:49:55,879
Speaker 1: is he so surprised to see vetus? But Donald oh Man?

1123
00:49:55,920 --> 00:49:57,480
Speaker 1: Then I looked at Donald and I know that look

1124
00:49:57,560 --> 00:50:01,880
Speaker 1: better than anyone that you're lucky by that. He's like,

1125
00:50:02,160 --> 00:50:04,240
Speaker 1: he's like his face is like scrutching.

1126
00:50:03,880 --> 00:50:12,640
Speaker 2: Up like this. Nicole Sullivan's back. Christain Miller's back on

1127
00:50:12,680 --> 00:50:13,320
Speaker 2: this episode.

1128
00:50:13,400 --> 00:50:14,359
Speaker 1: Yeah, Christ's back.

1129
00:50:15,600 --> 00:50:20,239
Speaker 2: Yeah, the Nicole Sullivan's story, you know, uh, Shay, you

1130
00:50:20,280 --> 00:50:22,839
Speaker 2: could speak on this also. This was one of those

1131
00:50:22,920 --> 00:50:25,719
Speaker 2: things where you throw her in there just so you can,

1132
00:50:26,600 --> 00:50:30,239
Speaker 2: just so the audience remembers, Okay, there's this character, and

1133
00:50:30,280 --> 00:50:33,560
Speaker 2: we have plans for her later on and to make

1134
00:50:33,600 --> 00:50:36,399
Speaker 2: this connection, to make to make what happens to her,

1135
00:50:36,440 --> 00:50:39,000
Speaker 2: to make you feel it more. We're gonna introduce her

1136
00:50:39,040 --> 00:50:42,160
Speaker 2: on some silly shit just so you're comfortable, like, oh,

1137
00:50:42,200 --> 00:50:44,480
Speaker 2: this is just somebody who comes into the space, into

1138
00:50:44,520 --> 00:50:48,400
Speaker 2: the universe for Elliott to make funny jokes with and

1139
00:50:48,480 --> 00:50:51,120
Speaker 2: you kind of don't realize, Okay, at the end of this,

1140
00:50:51,560 --> 00:50:54,280
Speaker 2: something's bad's gonna happen, even though we're laying out the crumbs,

1141
00:50:54,280 --> 00:50:56,160
Speaker 2: you know what I mean, somethings you know.

1142
00:50:56,480 --> 00:50:59,279
Speaker 1: Yeah, she talks about that in his book actually with

1143
00:50:59,400 --> 00:51:02,080
Speaker 1: the Brendan arc of it, all about how Bill wasn't

1144
00:51:02,320 --> 00:51:04,879
Speaker 1: was was totally not afraid to play the long game

1145
00:51:04,920 --> 00:51:07,279
Speaker 1: with these people, right say, like like they laid the

1146
00:51:07,320 --> 00:51:09,640
Speaker 1: foundation for Brennan and then that episode is now until

1147
00:51:09,719 --> 00:51:10,680
Speaker 1: two years later.

1148
00:51:11,040 --> 00:51:13,960
Speaker 5: You know, So that's the like, the one question I

1149
00:51:14,000 --> 00:51:15,600
Speaker 5: wanted to make sure I asked when I came on

1150
00:51:15,640 --> 00:51:18,680
Speaker 5: here was when y'all are doing that stuff with with

1151
00:51:18,680 --> 00:51:21,359
Speaker 5: with the the Cole Sullivan character or with the renin

1152
00:51:21,400 --> 00:51:24,480
Speaker 5: Frage character, do you know ahead of time? Like okay,

1153
00:51:24,520 --> 00:51:27,279
Speaker 5: and in fucking three years, this is when we're gonna

1154
00:51:27,280 --> 00:51:29,400
Speaker 5: get rid of no of the you just sort.

1155
00:51:29,200 --> 00:51:31,279
Speaker 2: Of we should throw it to Bill. Let's throw that.

1156
00:51:31,360 --> 00:51:34,120
Speaker 1: Yeah, well, let's let's throw the Brennan one to Bill,

1157
00:51:34,160 --> 00:51:37,240
Speaker 1: because that's I was thinking about doing that as well, Bill,

1158
00:51:37,719 --> 00:51:40,160
Speaker 1: when you had Brendan on in season one for these

1159
00:51:40,200 --> 00:51:43,759
Speaker 1: two awesome episodes, we have Shae Soronald here, and of

1160
00:51:43,800 --> 00:51:45,839
Speaker 1: course Bill knows who you are, Shay, because he wanted

1161
00:51:45,840 --> 00:51:49,880
Speaker 1: to I see him hitting you up on Twitter as well. Bill,

1162
00:51:50,360 --> 00:51:52,520
Speaker 1: was was it your intention that you would kind of

1163
00:51:52,520 --> 00:51:55,120
Speaker 1: play the long game and then bring Brennan back in

1164
00:51:55,480 --> 00:51:59,120
Speaker 1: season three for the episode Everybody Loves at the Funeral?

1165
00:51:59,400 --> 00:52:01,959
Speaker 1: Was that on your are this far out and because

1166
00:52:01,960 --> 00:52:05,440
Speaker 1: we're because you know we're talking about also Nicole Sullivan character,

1167
00:52:05,480 --> 00:52:07,080
Speaker 1: and how one of the things you did really well

1168
00:52:07,080 --> 00:52:09,520
Speaker 1: in Scrubs was not be afraid to play the long

1169
00:52:09,560 --> 00:52:12,120
Speaker 1: game with these characters. But first, well, Bill, please don't

1170
00:52:12,280 --> 00:52:13,080
Speaker 1: don't don't.

1171
00:52:12,880 --> 00:52:14,279
Speaker 2: Please don't do the s eight.

1172
00:52:15,640 --> 00:52:19,880
Speaker 7: Hey, guys, I guess we'll just continue this relationship in

1173
00:52:19,920 --> 00:52:22,320
Speaker 7: which you only reach out to me when you need me.

1174
00:52:23,360 --> 00:52:24,279
Speaker 7: And I'm supposed to.

1175
00:52:24,239 --> 00:52:28,160
Speaker 2: Feel good about that. Now I do feel good.

1176
00:52:28,360 --> 00:52:32,120
Speaker 7: Look, Brendan, he's an old family friend, a good friend

1177
00:52:32,120 --> 00:52:37,760
Speaker 7: of Christ's. And when we brought him on, initially we thought, wow,

1178
00:52:37,960 --> 00:52:39,840
Speaker 7: that's back when we kind of bring guest stars on,

1179
00:52:39,920 --> 00:52:41,879
Speaker 7: get to know him and kill him. But we thought

1180
00:52:41,880 --> 00:52:44,359
Speaker 7: it was kind of a good enough thing to give him,

1181
00:52:45,120 --> 00:52:50,080
Speaker 7: uh leukemia and you know, kind of see doctor Cox

1182
00:52:50,360 --> 00:52:52,120
Speaker 7: rise to the occasion and deal with it. The first

1183
00:52:52,160 --> 00:52:54,560
Speaker 7: episode is based on a short story called Occurrence at

1184
00:52:54,560 --> 00:52:57,680
Speaker 7: al Creek Bridge by Ambrose Beers. If anybody wanted to

1185
00:52:57,680 --> 00:53:00,920
Speaker 7: look that up. Second episode, it's just cool excuse to

1186
00:53:01,000 --> 00:53:04,880
Speaker 7: use the worthless peons, Ted's band and and all you guys.

1187
00:53:05,200 --> 00:53:09,840
Speaker 7: And Brennan was so good when he agreed to come back. Uh,

1188
00:53:09,880 --> 00:53:12,560
Speaker 7: it was perfect because we were able to do you

1189
00:53:12,600 --> 00:53:16,080
Speaker 7: know that sixth sense homage? So we always knew we

1190
00:53:16,080 --> 00:53:19,239
Speaker 7: wanted to kill him, but we hadn't planned. Uh we

1191
00:53:19,280 --> 00:53:21,120
Speaker 7: had hoped, but hadn't planned for him to come back,

1192
00:53:21,160 --> 00:53:23,560
Speaker 7: and when that happened, it's one of our favorite episodes ever.

1193
00:53:24,360 --> 00:53:26,600
Speaker 1: All Right, we were we have a fan that we're

1194
00:53:26,640 --> 00:53:28,920
Speaker 1: gonna take new commercial and then we come back.

1195
00:53:30,040 --> 00:53:31,960
Speaker 2: Do we ever go to fan and then go to

1196
00:53:31,960 --> 00:53:34,360
Speaker 2: commercial after the fan? How come we always got to

1197
00:53:34,400 --> 00:53:37,040
Speaker 2: go to commercial before the fan? Is this like it?

1198
00:53:37,480 --> 00:53:40,719
Speaker 2: Because and it's a seg it's a segment thing. I

1199
00:53:40,719 --> 00:53:41,920
Speaker 2: got it, it's a segment thing.

1200
00:53:42,040 --> 00:53:44,839
Speaker 1: Yeah, I mean there's when Joel we first started making

1201
00:53:44,880 --> 00:53:47,279
Speaker 1: the show. Joel had a very organized list of the

1202
00:53:47,320 --> 00:53:49,600
Speaker 1: way the show would go, and since all we do

1203
00:53:49,719 --> 00:53:52,160
Speaker 1: is ramble all over the fucking place, we just occasionally

1204
00:53:52,239 --> 00:53:53,480
Speaker 1: asked her if we should commerce.

1205
00:53:53,560 --> 00:53:57,120
Speaker 2: I know, it's always like it's always a tease though

1206
00:53:57,120 --> 00:53:59,240
Speaker 2: for the it's always a tease for the people listening

1207
00:53:59,280 --> 00:54:01,959
Speaker 2: to the podcast. Oh we've got a listener here. Let's

1208
00:54:02,160 --> 00:54:04,280
Speaker 2: you know what, we should probably go to fucking commercial.

1209
00:54:04,360 --> 00:54:06,400
Speaker 1: But I think that I think that you know, on

1210
00:54:06,800 --> 00:54:09,120
Speaker 1: real TV shows and radio shows, you want to you

1211
00:54:09,160 --> 00:54:11,080
Speaker 1: want the audience to stay on the line, right on,

1212
00:54:11,280 --> 00:54:14,759
Speaker 1: right on the fishing line. When we come back, we're

1213
00:54:14,760 --> 00:54:16,200
Speaker 1: gonna have an exciting caller.

1214
00:54:16,600 --> 00:54:18,160
Speaker 2: But we don't do it that way. We never do

1215
00:54:18,200 --> 00:54:18,560
Speaker 2: it that way.

1216
00:54:18,600 --> 00:54:20,160
Speaker 1: We always try it that way. Let's try and sell

1217
00:54:20,200 --> 00:54:21,560
Speaker 1: it this way. You want to try and sell it

1218
00:54:22,040 --> 00:54:24,520
Speaker 1: like pretendant, they might change the channel or switch to.

1219
00:54:24,640 --> 00:54:26,279
Speaker 2: The No, no, no, no, no, no, no no no.

1220
00:54:26,400 --> 00:54:28,640
Speaker 2: Don't you touch that down. When we come back, we'll

1221
00:54:28,680 --> 00:54:29,200
Speaker 2: have that call.

1222
00:54:29,600 --> 00:54:41,480
Speaker 1: Don't you touch that down. We're back in two and two. Oh, hi, guys,

1223
00:54:42,600 --> 00:54:46,719
Speaker 1: what's up? Gentlemen? It's Dylan and who else is Cam?

1224
00:54:47,320 --> 00:54:49,920
Speaker 2: Dylan and came there's.

1225
00:54:49,719 --> 00:54:52,440
Speaker 1: Your official Oprah voice. Guys. That's the price you get

1226
00:54:52,440 --> 00:54:54,280
Speaker 1: for making on the show. You get an Oprah voice.

1227
00:54:54,320 --> 00:54:56,480
Speaker 1: Intro Dylan and Cam.

1228
00:54:56,640 --> 00:54:58,440
Speaker 2: Where are you guys at It looks like you're like

1229
00:54:58,640 --> 00:55:01,120
Speaker 2: in a bunker underground. Yeah.

1230
00:55:02,400 --> 00:55:04,440
Speaker 3: Yeah, we have a little bar area in our basement.

1231
00:55:04,440 --> 00:55:06,200
Speaker 3: We're kind of hunkered down right here, but we're in

1232
00:55:06,239 --> 00:55:07,439
Speaker 3: a lacrosse with gods.

1233
00:55:08,400 --> 00:55:10,000
Speaker 2: Okay, Wisconsin in the house.

1234
00:55:10,480 --> 00:55:13,640
Speaker 1: Noise. Well, welcome guys to the show. We we we

1235
00:55:13,719 --> 00:55:16,600
Speaker 1: have Shay Serrano joining us, who's written an awesome book

1236
00:55:16,640 --> 00:55:20,319
Speaker 1: on Scrubs and it's incredible, uh, best selling author, and

1237
00:55:20,360 --> 00:55:22,719
Speaker 1: he probably knows more about scrubs than Donald and I.

1238
00:55:22,840 --> 00:55:26,640
Speaker 1: But you can well that's because Donald smokes a lot

1239
00:55:26,640 --> 00:55:28,680
Speaker 1: of weed. But you can ask us any question or

1240
00:55:28,680 --> 00:55:30,040
Speaker 1: maybe you're off? Are you off this hour?

1241
00:55:30,120 --> 00:55:32,600
Speaker 2: Though? Do you mean did I smoke today?

1242
00:55:32,920 --> 00:55:34,840
Speaker 1: No, because there was a couple of podcasts ago you

1243
00:55:34,840 --> 00:55:36,400
Speaker 1: said you were taking a break from weed, and I

1244
00:55:36,440 --> 00:55:37,280
Speaker 1: wonder if that's stuck.

1245
00:55:38,120 --> 00:55:44,399
Speaker 2: No, that didn't, didn't take didn't that night. That night

1246
00:55:44,440 --> 00:55:46,600
Speaker 2: I went back to the well. Uh.

1247
00:55:46,760 --> 00:55:49,040
Speaker 1: He always tries to brag Shay. He's like, yeah, I'm

1248
00:55:49,040 --> 00:55:51,000
Speaker 1: off weed. I'm like for how long? He's like an hour?

1249
00:55:52,239 --> 00:55:54,359
Speaker 5: How it starts, that's how it starts. One step at a.

1250
00:55:54,280 --> 00:55:56,160
Speaker 2: Time, one step at a time.

1251
00:55:56,480 --> 00:55:59,720
Speaker 1: All right, Dylan and Cam, what's up? What's your question? Guys? Welcome?

1252
00:56:00,120 --> 00:56:01,120
Speaker 2: Yeah, good to be here.

1253
00:56:01,200 --> 00:56:03,800
Speaker 3: Man, really big fans and a really huge fan of

1254
00:56:04,200 --> 00:56:05,520
Speaker 3: too nice.

1255
00:56:07,040 --> 00:56:10,560
Speaker 2: Yeah great, you guys, do you guys up the.

1256
00:56:12,600 --> 00:56:16,719
Speaker 1: Printed it out for you for you listeners? They held

1257
00:56:16,800 --> 00:56:19,680
Speaker 1: up Shay's book on the office. Uh, and they had

1258
00:56:19,680 --> 00:56:21,759
Speaker 1: printed it out and binded it. So these guys are

1259
00:56:21,760 --> 00:56:22,600
Speaker 1: real fans.

1260
00:56:22,920 --> 00:56:26,160
Speaker 3: Oh I love Yeah, I love. She probably my favorite author.

1261
00:56:26,200 --> 00:56:31,520
Speaker 1: Yeah, thank you? Oh wow nice Shay? All right, a

1262
00:56:31,600 --> 00:56:33,759
Speaker 1: question for I guess it's probably gonna be for Shay.

1263
00:56:33,840 --> 00:56:35,160
Speaker 1: But Donald and I are here too.

1264
00:56:37,200 --> 00:56:39,080
Speaker 3: So I guess it's you guys can to hop in

1265
00:56:39,160 --> 00:56:42,840
Speaker 3: with us too. But for Shay. So you've written obviously,

1266
00:56:43,000 --> 00:56:46,399
Speaker 3: Conference through five Minutes. For the Office, you've written, where

1267
00:56:46,400 --> 00:56:49,080
Speaker 3: do you think we are? For Scrubs? Is there another

1268
00:56:49,120 --> 00:56:51,640
Speaker 3: show that you've been thinking about? Or is there maybe

1269
00:56:51,680 --> 00:56:54,120
Speaker 3: one that maybe Donald or Dak would really like to

1270
00:56:54,520 --> 00:56:55,680
Speaker 3: kind of see from you as well?

1271
00:56:56,000 --> 00:56:57,799
Speaker 1: Oh that's good, I like I like my part, But

1272
00:56:57,880 --> 00:56:58,840
Speaker 1: you go for a show.

1273
00:56:59,360 --> 00:57:01,839
Speaker 5: There hasn't been one that I've thought of yet. Usually

1274
00:57:01,840 --> 00:57:03,600
Speaker 5: whenever I'm working on one of these, people will like

1275
00:57:03,640 --> 00:57:07,120
Speaker 5: start tweeting me, Oh, do the wire? Do arrested development?

1276
00:57:07,160 --> 00:57:11,000
Speaker 5: Do you sons of Anarchy or Madmen or whatever? But

1277
00:57:11,360 --> 00:57:14,080
Speaker 5: most of these things just sort of happen organically. I've

1278
00:57:14,120 --> 00:57:17,120
Speaker 5: been I've been watching Scrubs for so long. I've seen

1279
00:57:17,160 --> 00:57:19,280
Speaker 5: it so many times. It was like, well, you know,

1280
00:57:19,440 --> 00:57:22,160
Speaker 5: let me let me do something with all of the

1281
00:57:22,200 --> 00:57:24,000
Speaker 5: times I've watched it, And then it becomes like, oh,

1282
00:57:24,120 --> 00:57:26,240
Speaker 5: I was actually just working hard all of that time

1283
00:57:26,440 --> 00:57:28,080
Speaker 5: instead of just sitting around watching TV. You know what

1284
00:57:28,120 --> 00:57:28,520
Speaker 5: I'm saying.

1285
00:57:28,720 --> 00:57:30,280
Speaker 1: Yeah, that's a nice way to spend it. You're like,

1286
00:57:30,840 --> 00:57:33,200
Speaker 1: You're like, I wasn't wasting those hours. I was writing

1287
00:57:33,200 --> 00:57:34,000
Speaker 1: a book.

1288
00:57:34,080 --> 00:57:36,480
Speaker 5: Yeah exactly. I mean it's like one hundred and eighty

1289
00:57:36,560 --> 00:57:39,960
Speaker 5: something episodes of the show you watched, pot ninety hours

1290
00:57:40,000 --> 00:57:42,880
Speaker 5: of TV that you've seen four or five times all

1291
00:57:42,880 --> 00:57:46,680
Speaker 5: the way through. But yeah, usually, just if a show

1292
00:57:46,720 --> 00:57:48,080
Speaker 5: will grab a hold of me, then I then I'll

1293
00:57:48,080 --> 00:57:49,480
Speaker 5: write about it. But I haven't. I don't have any

1294
00:57:49,480 --> 00:57:51,560
Speaker 5: plans right now to do to do another one?

1295
00:57:51,840 --> 00:57:53,320
Speaker 1: All right, I have a nice Which one do you want?

1296
00:57:53,360 --> 00:57:54,360
Speaker 2: Which one do you want him to do?

1297
00:57:54,880 --> 00:57:56,640
Speaker 1: I was just well, the whole time he was talking,

1298
00:57:56,720 --> 00:58:00,840
Speaker 1: I was half listening and half thinking. I think, I think.

1299
00:58:00,880 --> 00:58:02,880
Speaker 1: I don't know if you watch the show, Shay Donald,

1300
00:58:02,960 --> 00:58:03,840
Speaker 1: I don't think watches it.

1301
00:58:03,880 --> 00:58:08,360
Speaker 5: But I really loved Atlanta as great, and I think it's.

1302
00:58:08,400 --> 00:58:11,960
Speaker 1: Ripe for analysis because it's got so many trippy storylines

1303
00:58:12,000 --> 00:58:15,560
Speaker 1: and so much social commentary, and I just I just

1304
00:58:15,600 --> 00:58:17,240
Speaker 1: think it's incredibly done.

1305
00:58:17,480 --> 00:58:19,000
Speaker 5: Yeah that's a really that's a really good one. But

1306
00:58:19,040 --> 00:58:22,080
Speaker 5: they're not done yet. It doesn't they're done. Yeah, you

1307
00:58:22,120 --> 00:58:23,000
Speaker 5: gotta wait till you get.

1308
00:58:22,880 --> 00:58:24,640
Speaker 1: Now The Wire. A lot of people say The Wire

1309
00:58:24,760 --> 00:58:27,600
Speaker 1: is I have to admit I only watched season one,

1310
00:58:27,720 --> 00:58:29,960
Speaker 1: so please don't yell at me. But a lot of

1311
00:58:29,960 --> 00:58:32,120
Speaker 1: people think that's the greatest TV show of all time?

1312
00:58:32,240 --> 00:58:33,919
Speaker 1: Is that? Is that on the top of your list?

1313
00:58:34,200 --> 00:58:37,720
Speaker 5: Yeah, that's absolutely on there, The Wire? Breaking Bad Soprano, Like,

1314
00:58:37,840 --> 00:58:39,920
Speaker 5: you know all of the all of the main ones.

1315
00:58:39,920 --> 00:58:41,800
Speaker 2: Right, I've never seen any of these shows.

1316
00:58:42,240 --> 00:58:45,320
Speaker 5: You haven't. No, you've never seen You've never seen Breaking Bad.

1317
00:58:45,640 --> 00:58:48,800
Speaker 1: No, No, you only watched wat We only watched the finale.

1318
00:58:48,800 --> 00:58:50,000
Speaker 1: It's the only episode you ever saw.

1319
00:58:50,240 --> 00:58:53,080
Speaker 2: So here's my thing. Here's my thing. I have a

1320
00:58:53,120 --> 00:58:56,320
Speaker 2: hard time investing in shows because what happens is either

1321
00:58:56,360 --> 00:58:59,440
Speaker 2: they get canceled or they disappoint you in the end. Right,

1322
00:58:59,520 --> 00:59:02,959
Speaker 2: that's my that's my issue with things. I hate when

1323
00:59:03,280 --> 00:59:05,320
Speaker 2: you know something, there's a cliffhanger at the end of

1324
00:59:05,360 --> 00:59:09,040
Speaker 2: the season, and then the show gets canceled and you

1325
00:59:09,080 --> 00:59:11,480
Speaker 2: don't get to finish, you know, and then.

1326
00:59:11,560 --> 00:59:14,320
Speaker 1: Surely there's a series. What's a series that you watched

1327
00:59:14,520 --> 00:59:16,280
Speaker 1: like that, you just loved all of it?

1328
00:59:16,440 --> 00:59:19,960
Speaker 2: The Clone Wars, it's got to be Star Wars.

1329
00:59:20,040 --> 00:59:20,960
Speaker 1: It's only Star Wars.

1330
00:59:21,440 --> 00:59:25,160
Speaker 2: Yeah, I mean that that that well yeah, you know,

1331
00:59:25,720 --> 00:59:26,760
Speaker 2: uh that.

1332
00:59:26,760 --> 00:59:28,720
Speaker 1: Was anything non Star Wars.

1333
00:59:29,440 --> 00:59:34,720
Speaker 2: No, No, Like you know, Bill Lawrence used to say

1334
00:59:34,720 --> 00:59:36,840
Speaker 2: it all the time, and it's so true. You you

1335
00:59:37,000 --> 00:59:40,760
Speaker 2: tell people when you when people meet you and they say,

1336
00:59:40,840 --> 00:59:43,439
Speaker 2: I'm such a huge fan of your show. Nine out

1337
00:59:43,440 --> 00:59:45,360
Speaker 2: of the ten times, they've only seen it like a

1338
00:59:45,400 --> 00:59:47,920
Speaker 2: handful of times, you know what I mean, and haven't

1339
00:59:47,960 --> 00:59:53,280
Speaker 2: seen it more than that. And so I fall in

1340
00:59:53,400 --> 00:59:57,120
Speaker 2: that category. If I were to see Brian and Aaron,

1341
00:59:58,160 --> 01:00:00,320
Speaker 2: it would be like, I'm such a huge I was

1342
01:00:00,360 --> 01:00:02,840
Speaker 2: such a huge fan of Breaking Bad. I only saw

1343
01:00:02,880 --> 01:00:04,680
Speaker 2: the final episode.

1344
01:00:05,080 --> 01:00:06,120
Speaker 1: I wouldn't let you admit that.

1345
01:00:06,560 --> 01:00:08,560
Speaker 2: I already told them it's all over the air now

1346
01:00:08,560 --> 01:00:10,360
Speaker 2: that somebody's gonna come back to him and say that

1347
01:00:10,400 --> 01:00:13,760
Speaker 2: shit now, but you know what I mean, Like, like

1348
01:00:13,880 --> 01:00:16,080
Speaker 2: I watch every now and then I'll check out a

1349
01:00:16,080 --> 01:00:19,800
Speaker 2: CW show, right, Like I love superhero movies, right, so

1350
01:00:19,880 --> 01:00:23,200
Speaker 2: I'll check out The Flash, or I'll check out Legends

1351
01:00:23,200 --> 01:00:28,400
Speaker 2: of Tomorrow, or I'll check out you know, Arrow, And

1352
01:00:29,120 --> 01:00:32,439
Speaker 2: I've only seen, like, you know, out of all of them,

1353
01:00:32,760 --> 01:00:38,000
Speaker 2: I've seen maybe you know thirty of them total, like

1354
01:00:38,320 --> 01:00:41,080
Speaker 2: of all of the show's total. But when I see

1355
01:00:41,480 --> 01:00:44,600
Speaker 2: the actors and stuff in it, I genuinely do love

1356
01:00:44,880 --> 01:00:46,840
Speaker 2: what I have seen, So I'll be like, I'm such

1357
01:00:46,840 --> 01:00:49,160
Speaker 2: a fan of your show, even though I've only seen

1358
01:00:49,200 --> 01:00:49,720
Speaker 2: each show.

1359
01:00:50,040 --> 01:00:52,440
Speaker 1: So the message for all those actors is that Donald

1360
01:00:52,480 --> 01:00:53,840
Speaker 1: is totally bullshitting you when.

1361
01:00:55,120 --> 01:00:57,760
Speaker 2: I'm telling the honest to goodness truth like a Supergirl,

1362
01:00:59,000 --> 01:01:00,320
Speaker 2: I have seen that time?

1363
01:01:00,400 --> 01:01:03,600
Speaker 1: You like it? What about small about Smallville?

1364
01:01:03,920 --> 01:01:06,480
Speaker 2: I only saw that show a couple of times also,

1365
01:01:06,480 --> 01:01:11,080
Speaker 2: and I like, you know, because Angel which one was

1366
01:01:11,160 --> 01:01:14,760
Speaker 2: Dark Angels one with Jessica album, I didn't watch that one.

1367
01:01:14,800 --> 01:01:16,120
Speaker 2: I didn't watch and I never to.

1368
01:01:16,480 --> 01:01:18,440
Speaker 1: You also used didn't you used to watch? There was

1369
01:01:18,440 --> 01:01:19,520
Speaker 1: a sci fi show.

1370
01:01:19,280 --> 01:01:23,320
Speaker 2: You Battlestar Galactica. I take it back, if you do Battlestar, Yeah,

1371
01:01:23,320 --> 01:01:24,600
Speaker 2: you should do Battlestar Galacta.

1372
01:01:25,280 --> 01:01:28,320
Speaker 1: Yeah, I ever watched Battlestar Galactic.

1373
01:01:29,120 --> 01:01:32,880
Speaker 2: There we go, Thank you, Zach. Thanks, I remember, I remember, I.

1374
01:01:32,840 --> 01:01:34,800
Speaker 1: Got, I got, was searching my brain for you. I

1375
01:01:34,880 --> 01:01:36,680
Speaker 1: was like, I know there was one sci fi show

1376
01:01:36,680 --> 01:01:39,480
Speaker 1: you actually watched that wasn't a Star Wars animated cartoon.

1377
01:01:39,880 --> 01:01:42,640
Speaker 2: I remember I got into an argument with my uh

1378
01:01:43,000 --> 01:01:47,840
Speaker 2: girlfriend at the time because I thought she uh taped

1379
01:01:47,920 --> 01:01:50,640
Speaker 2: over my Battlestar Galactica episode.

1380
01:01:50,760 --> 01:01:56,800
Speaker 1: I remember, did you watch that one? Shay?

1381
01:01:57,000 --> 01:01:58,080
Speaker 5: I did not watch Battlestar.

1382
01:01:58,320 --> 01:02:00,640
Speaker 1: You guys, Dylan Cam did you watch I'll start?

1383
01:02:00,880 --> 01:02:01,440
Speaker 3: Yeah?

1384
01:02:01,520 --> 01:02:03,360
Speaker 1: Yeah, Well do you guys like it?

1385
01:02:04,160 --> 01:02:07,520
Speaker 3: Yeah? I might? Super big and like sci fi by

1386
01:02:07,520 --> 01:02:09,960
Speaker 3: that one I was was pretty I think.

1387
01:02:09,800 --> 01:02:13,120
Speaker 1: As far as h like sci fi shows that people

1388
01:02:13,280 --> 01:02:15,560
Speaker 1: have liked. That's one of those ones everyone says was

1389
01:02:15,560 --> 01:02:17,200
Speaker 1: canceled too soon, and people.

1390
01:02:17,120 --> 01:02:20,760
Speaker 2: Katie Saccoff is a She's a g if you ask me,

1391
01:02:20,840 --> 01:02:22,320
Speaker 2: you know what I mean. Like, she's one of those

1392
01:02:22,720 --> 01:02:25,240
Speaker 2: action heroes that is a good Like she's straight up

1393
01:02:25,240 --> 01:02:29,800
Speaker 2: as a true action star who deserves the opportunity to

1394
01:02:29,920 --> 01:02:32,640
Speaker 2: carry some project. They say she's going to be in

1395
01:02:32,640 --> 01:02:37,600
Speaker 2: The Mandalorian this upcoming season as a Bokatan, which would

1396
01:02:37,640 --> 01:02:38,880
Speaker 2: be really fucking dope.

1397
01:02:39,200 --> 01:02:41,200
Speaker 1: My grandmother used to live in Boca Rattan.

1398
01:02:41,440 --> 01:02:46,240
Speaker 2: Right, Well, these characters, these these characters all travel from.

1399
01:02:46,120 --> 01:02:49,080
Speaker 1: Does it take place at an old Jewish community center.

1400
01:02:48,840 --> 01:02:52,160
Speaker 2: And can eat as Joel?

1401
01:02:52,240 --> 01:02:55,800
Speaker 1: Do you watch Battle Starry Galactica because you like the

1402
01:02:55,800 --> 01:02:56,720
Speaker 1: sci fi stuff.

1403
01:02:56,920 --> 01:03:00,160
Speaker 8: Yeah, I came very very late to Battlestar Galactica. I'm

1404
01:03:00,160 --> 01:03:03,840
Speaker 8: currently in the middle of season one but really loving it.

1405
01:03:03,840 --> 01:03:06,640
Speaker 8: It's amazing, It's excellent, good writing. If you're a Star

1406
01:03:06,680 --> 01:03:08,680
Speaker 8: Trek and or Star Wars fan, you'll probably find something

1407
01:03:08,800 --> 01:03:10,120
Speaker 8: like in Battlestar Galactica.

1408
01:03:10,960 --> 01:03:14,440
Speaker 1: All right, So guys, to finish that question off, do

1409
01:03:14,520 --> 01:03:17,760
Speaker 1: you have a show that that like you would love

1410
01:03:17,840 --> 01:03:19,760
Speaker 1: Shay to one day do a book.

1411
01:03:19,600 --> 01:03:22,320
Speaker 2: About each We're gonna ask both of you each.

1412
01:03:23,200 --> 01:03:27,640
Speaker 3: Yeah, first, okay, I would love Breaking Bad personally. Breaking

1413
01:03:27,680 --> 01:03:29,240
Speaker 3: That would be really sick. I think it's a really

1414
01:03:29,320 --> 01:03:34,920
Speaker 3: really good show. Yeah, that would probably be my top tice.

1415
01:03:34,960 --> 01:03:36,480
Speaker 3: Maybe Parks and Rack would kind of be a more

1416
01:03:36,480 --> 01:03:39,520
Speaker 3: fun one. I'm more lighthearted, but but I would probably

1417
01:03:39,560 --> 01:03:41,080
Speaker 3: say Breaking That would be a really cool one.

1418
01:03:41,320 --> 01:03:44,040
Speaker 1: All right, how about you, I've always been.

1419
01:03:43,920 --> 01:03:46,960
Speaker 3: A hush fan of the show, Dexter. I would love

1420
01:03:47,000 --> 01:03:48,040
Speaker 3: to see you do that.

1421
01:03:47,960 --> 01:03:52,760
Speaker 1: In my opinion, and show start and then kind of

1422
01:03:52,800 --> 01:03:53,560
Speaker 1: drop cop right to.

1423
01:03:53,600 --> 01:03:56,280
Speaker 3: Finish where I think Breaking Bad is better in the series,

1424
01:03:56,480 --> 01:03:59,000
Speaker 3: but I think That's best is better. Yeah, I think

1425
01:03:59,040 --> 01:04:00,919
Speaker 3: I think that's that's I kind of fall in line

1426
01:04:00,960 --> 01:04:04,200
Speaker 3: with Donalds of kind of a slight disaployment at the

1427
01:04:04,280 --> 01:04:04,640
Speaker 3: very end.

1428
01:04:04,760 --> 01:04:07,000
Speaker 2: But yeah, I was gonna say that's one. That's another

1429
01:04:07,000 --> 01:04:08,960
Speaker 2: show where I only watched the last episode and I

1430
01:04:09,000 --> 01:04:09,480
Speaker 2: was like, what the.

1431
01:04:11,520 --> 01:04:19,720
Speaker 1: Strange I've heard.

1432
01:04:18,000 --> 01:04:19,960
Speaker 2: That bulls Shady when Harry Mattseelly.

1433
01:04:20,360 --> 01:04:21,840
Speaker 1: It's a totally different example.

1434
01:04:21,960 --> 01:04:25,560
Speaker 2: Do you remember when Billy Crystal when she's asking when

1435
01:04:25,720 --> 01:04:28,920
Speaker 2: when she when he tells her how how dark he

1436
01:04:29,040 --> 01:04:30,680
Speaker 2: is and he's like, I read the end of the

1437
01:04:30,680 --> 01:04:33,640
Speaker 2: book before I start. That's me with movies. That's me

1438
01:04:33,800 --> 01:04:36,960
Speaker 2: with television shows that everybody's train But that's me with

1439
01:04:37,000 --> 01:04:39,760
Speaker 2: television shows that everybody's like, you should watch this, you

1440
01:04:39,760 --> 01:04:41,640
Speaker 2: know what show you would like, You would like this

1441
01:04:41,760 --> 01:04:42,480
Speaker 2: show now.

1442
01:04:42,400 --> 01:04:45,120
Speaker 5: But you miss you missed like the whole build up

1443
01:04:45,240 --> 01:04:48,240
Speaker 5: of everything, like you can't. Okay, we're talking about Nicole

1444
01:04:48,320 --> 01:04:52,920
Speaker 5: Sullivan's character. Yeah, yes, in the in the season eight finale,

1445
01:04:53,160 --> 01:04:55,880
Speaker 5: when jad is doing the walk down the hallway and

1446
01:04:55,960 --> 01:04:57,680
Speaker 5: she pops up out of the out of the thing

1447
01:04:57,720 --> 01:05:00,280
Speaker 5: and she's like, there you are, and you get so

1448
01:05:00,560 --> 01:05:03,960
Speaker 5: fucking excite, Like there's like a real jolt of joy

1449
01:05:04,000 --> 01:05:06,600
Speaker 5: in your body when you see that. If you haven't

1450
01:05:06,640 --> 01:05:09,280
Speaker 5: watched all the other episodes. You don't understand what that

1451
01:05:09,440 --> 01:05:11,800
Speaker 5: you think, this is just a person who happens to

1452
01:05:11,800 --> 01:05:12,960
Speaker 5: be you can't just watch.

1453
01:05:13,000 --> 01:05:16,200
Speaker 2: So then that makes the final episode of Scrubs a

1454
01:05:16,200 --> 01:05:21,959
Speaker 2: good episode. It's a great, fantastic because the Breaking Bad,

1455
01:05:22,480 --> 01:05:25,760
Speaker 2: the Breaking Bad finale is a fucking movie. All I

1456
01:05:25,800 --> 01:05:28,600
Speaker 2: needed to know was that this dude, Walter White, was

1457
01:05:28,680 --> 01:05:29,080
Speaker 2: this freak.

1458
01:05:29,080 --> 01:05:30,160
Speaker 1: I'm not gonna let the super.

1459
01:05:31,920 --> 01:05:34,480
Speaker 2: Why why why?

1460
01:05:34,680 --> 01:05:37,840
Speaker 1: Because you you you will get so I mean, let's

1461
01:05:37,840 --> 01:05:39,560
Speaker 1: just take Breaking back because I feel like it's a

1462
01:05:39,600 --> 01:05:42,280
Speaker 1: show that everyone listening to this problem.

1463
01:05:41,920 --> 01:05:44,680
Speaker 2: That last that last right, But that last episode is

1464
01:05:44,720 --> 01:05:48,160
Speaker 2: a movie. It's a fucking movie, a movie like like

1465
01:05:48,240 --> 01:05:51,400
Speaker 2: it's just like the twenty sixth Hour with Edward Norton

1466
01:05:51,640 --> 01:05:54,280
Speaker 2: where he finally where he's a board. I forget the

1467
01:05:54,320 --> 01:05:55,240
Speaker 2: name of the damn movie.

1468
01:05:55,040 --> 01:05:56,880
Speaker 1: But you can forget how many hours. There's a lot

1469
01:05:56,880 --> 01:05:57,160
Speaker 1: of them.

1470
01:05:57,440 --> 01:06:00,640
Speaker 2: There's a lot of them. But he fucking uh, he's

1471
01:06:00,640 --> 01:06:03,160
Speaker 2: a drug dealer who goes to jail. You don't need

1472
01:06:03,200 --> 01:06:06,640
Speaker 2: to know everything that goes on before the movie with

1473
01:06:06,920 --> 01:06:10,080
Speaker 2: the movie starts, you're invested the minute he gets caught

1474
01:06:10,120 --> 01:06:12,600
Speaker 2: out there after you know what I mean, and is

1475
01:06:12,640 --> 01:06:14,400
Speaker 2: going to jail, and it's the end of the story.

1476
01:06:14,400 --> 01:06:15,439
Speaker 2: It's his run.

1477
01:06:15,520 --> 01:06:18,320
Speaker 5: But you can watch that movie and understand all of

1478
01:06:18,320 --> 01:06:19,480
Speaker 5: the parts by the time you get to the end

1479
01:06:19,520 --> 01:06:21,600
Speaker 5: of it. If you only watch the finale of Breaking Bad,

1480
01:06:21,800 --> 01:06:24,400
Speaker 5: like you kind of you don't understand why it's so

1481
01:06:24,440 --> 01:06:27,120
Speaker 5: important that he saves Jesse in that moment. You're like,

1482
01:06:27,120 --> 01:06:28,800
Speaker 5: I don't get it. Why did he save this one

1483
01:06:28,840 --> 01:06:31,080
Speaker 5: kid and kill everybody else. I don't understand why he

1484
01:06:31,120 --> 01:06:32,840
Speaker 5: had to walk through the meth lab the last time.

1485
01:06:32,960 --> 01:06:34,920
Speaker 5: I don't understand why they play this particular song. Like,

1486
01:06:34,920 --> 01:06:37,600
Speaker 5: you're missing so much of this thing that you got

1487
01:06:37,600 --> 01:06:39,480
Speaker 5: to watch the rest of the episode. You gotta watch it,

1488
01:06:39,560 --> 01:06:41,560
Speaker 5: all right. Wait, let's ask the guys if they have

1489
01:06:41,600 --> 01:06:43,640
Speaker 5: another question. Go ahead, guys, do you have another one?

1490
01:06:44,480 --> 01:06:48,280
Speaker 3: So, you guys have mentioned earlier in the podcast series

1491
01:06:48,280 --> 01:06:50,720
Speaker 3: that you guys just to be roommates, right, Yes.

1492
01:06:50,520 --> 01:06:53,400
Speaker 2: We were roommates for a year, I mean for summer,

1493
01:06:53,480 --> 01:06:54,920
Speaker 2: for summer, summer for a summer.

1494
01:06:54,960 --> 01:06:56,840
Speaker 3: So maybe I'm kind of stirring the pod a little

1495
01:06:56,840 --> 01:06:59,200
Speaker 3: bit here, but what was from of your biggest pet

1496
01:06:59,240 --> 01:06:59,880
Speaker 3: peeves living with.

1497
01:06:59,880 --> 01:07:02,400
Speaker 1: The So I got to the loft. First, we rented

1498
01:07:02,440 --> 01:07:05,880
Speaker 1: this loft for the summer. And the loft it was enormous.

1499
01:07:06,240 --> 01:07:08,360
Speaker 1: It was like your dream loft in terms of size,

1500
01:07:08,400 --> 01:07:10,520
Speaker 1: but it didn't wasn't really that set up in terms

1501
01:07:10,560 --> 01:07:13,400
Speaker 1: of like two nice bedrooms, two nice bathrooms. So I

1502
01:07:13,560 --> 01:07:16,880
Speaker 1: claimed the nice bedroom because you know I got there first, right,

1503
01:07:16,920 --> 01:07:17,600
Speaker 1: that's what you doing.

1504
01:07:18,240 --> 01:07:18,320
Speaker 2: Right.

1505
01:07:18,400 --> 01:07:21,600
Speaker 1: Then I gave Donald what was technically the second bedroom,

1506
01:07:22,040 --> 01:07:25,520
Speaker 1: but it had a washer and drying ron, and he goes,

1507
01:07:25,560 --> 01:07:30,160
Speaker 1: who do you think I am? Benson? And for you

1508
01:07:30,200 --> 01:07:32,280
Speaker 1: guys are young, you don't know. But Benson was a

1509
01:07:32,360 --> 01:07:34,000
Speaker 1: show where.

1510
01:07:35,400 --> 01:07:39,040
Speaker 2: Benson Benson was a show. Robert Gione played Benson, and

1511
01:07:39,120 --> 01:07:41,040
Speaker 2: he was he worked for the mayor. He was an

1512
01:07:41,040 --> 01:07:42,120
Speaker 2: assistant to the mayor.

1513
01:07:42,400 --> 01:07:43,920
Speaker 1: He was staying like pretty much like who do you think?

1514
01:07:43,920 --> 01:07:44,520
Speaker 1: I worked for him?

1515
01:07:44,800 --> 01:07:47,760
Speaker 2: And Benson was the one that pretty much ran the

1516
01:07:47,840 --> 01:07:52,280
Speaker 2: country while because the mayor was this you know, bumbling Uh,

1517
01:07:52,600 --> 01:07:54,920
Speaker 2: well he wasn't a bumbling mayor, but he was. Benson

1518
01:07:55,040 --> 01:07:57,440
Speaker 2: was the one that handled everything right. He handled the house,

1519
01:07:57,680 --> 01:08:03,360
Speaker 2: he handled everything. Uh And for some reason, uh, to me,

1520
01:08:04,240 --> 01:08:06,280
Speaker 2: that ship was kind of fucked up that.

1521
01:08:06,480 --> 01:08:08,360
Speaker 1: You can never like Benson should be the mayor.

1522
01:08:08,560 --> 01:08:10,720
Speaker 2: Benson should have been the mayor, and the mayor should

1523
01:08:10,720 --> 01:08:12,840
Speaker 2: not have been the mayor. But that's not why I

1524
01:08:12,880 --> 01:08:14,960
Speaker 2: was pissed up. I was pissed off because it was like, Yo,

1525
01:08:15,000 --> 01:08:17,400
Speaker 2: you're gonna put me in the fucking room with the

1526
01:08:17,880 --> 01:08:23,200
Speaker 2: washer and drying of all the wrong look. It was

1527
01:08:23,200 --> 01:08:25,400
Speaker 2: either that or like a law. It was like a

1528
01:08:26,080 --> 01:08:28,439
Speaker 2: There was a cot right outside of his room, and

1529
01:08:28,439 --> 01:08:30,920
Speaker 2: I was not taking the cote. Take the fucking cot.

1530
01:08:31,040 --> 01:08:31,120
Speaker 8: Fu.

1531
01:08:31,320 --> 01:08:33,000
Speaker 1: Yeah. And then I didn't really have a door. So

1532
01:08:33,120 --> 01:08:35,679
Speaker 1: we we we were very open with each other that summer.

1533
01:08:35,920 --> 01:08:38,120
Speaker 2: We were very very open with the We touched tips

1534
01:08:38,160 --> 01:08:40,960
Speaker 2: no no, no, we didn't. We did doc did we

1535
01:08:41,040 --> 01:08:42,400
Speaker 2: donk And we never docked.

1536
01:08:42,479 --> 01:08:45,400
Speaker 1: We never docked. That was the midst of the dream.

1537
01:08:45,800 --> 01:08:46,840
Speaker 2: This is all gonna get this.

1538
01:08:47,000 --> 01:08:50,160
Speaker 1: Oh boy, now we're not cutting this out. Listen. This

1539
01:08:50,200 --> 01:08:52,120
Speaker 1: is what always happens on the show. We say something

1540
01:08:52,160 --> 01:08:54,000
Speaker 1: like that and then donneges we're cutting this out, and

1541
01:08:54,040 --> 01:08:57,240
Speaker 1: then we almost never cut it out. We used to

1542
01:08:57,240 --> 01:08:59,400
Speaker 1: play ping pong in our in our box.

1543
01:08:59,120 --> 01:09:01,519
Speaker 2: In our underwear do We had a lot of great times.

1544
01:09:01,760 --> 01:09:03,080
Speaker 2: I remember I.

1545
01:09:02,960 --> 01:09:06,519
Speaker 1: Think the writer Amy Tan is that a famous writer? Uh,

1546
01:09:06,760 --> 01:09:10,439
Speaker 1: Joel Okay, as I understand it. The writer Amy Tan

1547
01:09:10,640 --> 01:09:13,559
Speaker 1: lived beneath us, and she was not happy that two

1548
01:09:13,800 --> 01:09:16,800
Speaker 1: guys partying all summer were in the loft above her.

1549
01:09:17,240 --> 01:09:18,880
Speaker 2: Yeah, and we would get a note like.

1550
01:09:19,040 --> 01:09:21,720
Speaker 1: We would get notes like Amy Tan is furious, you

1551
01:09:21,760 --> 01:09:23,519
Speaker 1: guys need a fucking quiet down.

1552
01:09:24,000 --> 01:09:25,920
Speaker 2: She was like, she would write notes like do you

1553
01:09:25,960 --> 01:09:29,440
Speaker 2: guys have fucking elephants upstairs?

1554
01:09:29,520 --> 01:09:29,720
Speaker 1: Yeah?

1555
01:09:30,880 --> 01:09:33,559
Speaker 2: Because the banging. I can only imagine. She would write

1556
01:09:33,560 --> 01:09:35,479
Speaker 2: some pretty unique notes though she was a written well.

1557
01:09:35,400 --> 01:09:37,400
Speaker 1: She was a good writer. They were beautifully written.

1558
01:09:38,640 --> 01:09:40,599
Speaker 2: She wrote the joy Luck Club. Holy shit, we were

1559
01:09:40,640 --> 01:09:42,439
Speaker 2: fucking with the lady who wrote the joy Luck We.

1560
01:09:42,560 --> 01:09:44,479
Speaker 1: Weren't fucking whether, we were just having fun. And I

1561
01:09:44,520 --> 01:09:47,240
Speaker 1: remember her very well worded angry letters.

1562
01:09:47,520 --> 01:09:49,960
Speaker 2: Yeah, I wish you still had them.

1563
01:09:50,040 --> 01:09:51,960
Speaker 1: Yeah, she pulled out the thesaurus for some of those.

1564
01:09:56,080 --> 01:09:58,120
Speaker 1: We could probably sell them on eBay. Those are worth something.

1565
01:09:58,520 --> 01:10:07,320
Speaker 1: Amy Tan's angry letters. All right, we gotta keep going.

1566
01:10:07,800 --> 01:10:10,479
Speaker 1: Thank you guys for coming on, Donald, thank.

1567
01:10:10,400 --> 01:10:14,559
Speaker 2: You, Hey, thank you guys, appreciate it. What is that

1568
01:10:14,600 --> 01:10:15,960
Speaker 2: on your shirt? Summer League?

1569
01:10:16,520 --> 01:10:19,599
Speaker 3: Yeah, Vegas Summer League. So probably knows about Summer League. Yeah,

1570
01:10:20,160 --> 01:10:22,840
Speaker 3: and the yeah, basketball doak. You probably don't know too much.

1571
01:10:22,720 --> 01:10:25,639
Speaker 1: About what donald donald are you?

1572
01:10:25,680 --> 01:10:28,240
Speaker 3: But no, we're big Bucks fans.

1573
01:10:28,400 --> 01:10:30,800
Speaker 2: Bucks fans And okay, right on, how long do you

1574
01:10:30,800 --> 01:10:32,519
Speaker 2: think you can hold at too? There?

1575
01:10:32,520 --> 01:10:34,600
Speaker 3: For he's resigning?

1576
01:10:35,280 --> 01:10:37,240
Speaker 1: You heard heard it?

1577
01:10:39,160 --> 01:10:41,479
Speaker 3: You believe he's not coming to San Antonio show.

1578
01:10:43,880 --> 01:10:46,639
Speaker 2: I mean, look, here's the thing. Do they come out

1579
01:10:46,640 --> 01:10:48,240
Speaker 2: of the word? I mean, there is no East this

1580
01:10:48,360 --> 01:10:51,000
Speaker 2: year or West for the for this bubble round that

1581
01:10:51,040 --> 01:10:53,479
Speaker 2: they're talking about at Disney, right, it's just a bunch

1582
01:10:53,479 --> 01:10:55,360
Speaker 2: of teams thrown into a pot. Is that I think?

1583
01:10:55,439 --> 01:10:57,479
Speaker 3: I think they are still doing the East West. It's

1584
01:10:57,479 --> 01:10:59,320
Speaker 3: something weird though. It's kind of weird how they have

1585
01:10:59,360 --> 01:10:59,840
Speaker 3: it set up.

1586
01:11:00,080 --> 01:11:02,920
Speaker 2: It would be nice if they just threw teams into

1587
01:11:02,960 --> 01:11:05,320
Speaker 2: a pot so you could get, you know, first rounds

1588
01:11:05,320 --> 01:11:10,200
Speaker 2: with like Houston versus Milwaukee or Houston vers you know, Washington.

1589
01:11:10,479 --> 01:11:11,280
Speaker 2: That'd be really cool.

1590
01:11:11,320 --> 01:11:12,439
Speaker 1: But what's his name again?

1591
01:11:12,479 --> 01:11:28,200
Speaker 9: I want to try and use it, Jansa Joo. Yes, well,

1592
01:11:28,200 --> 01:11:30,120
Speaker 9: I gotta tell you he's a really great player. And

1593
01:11:30,200 --> 01:11:35,880
Speaker 9: what I like about him is he's always in the paint.

1594
01:11:36,080 --> 01:11:40,040
Speaker 9: That's actually true actually, And he reminds me of Rodman

1595
01:11:40,200 --> 01:11:41,880
Speaker 9: because he's always getting those rebounds.

1596
01:11:42,439 --> 01:11:47,160
Speaker 2: Wow, not bad, not bad, not bad.

1597
01:11:47,479 --> 01:11:50,880
Speaker 3: Not big basketball. Kind of a quick little share story.

1598
01:11:50,920 --> 01:11:55,040
Speaker 3: We uh, I think back to the episode where I

1599
01:11:55,040 --> 01:11:57,320
Speaker 3: don't think it was the standards. There's like a flashback

1600
01:11:57,400 --> 01:11:59,160
Speaker 3: to where you guys got to go see Michael Jordan's

1601
01:12:05,520 --> 01:12:07,960
Speaker 3: when we were in high school. I want ticket to

1602
01:12:08,120 --> 01:12:11,920
Speaker 3: buck Lakers game and shout rest in peace Kobe Bryant.

1603
01:12:11,960 --> 01:12:14,960
Speaker 3: But we got to see Kobe Bryant playing. We rolled up.

1604
01:12:15,040 --> 01:12:20,280
Speaker 3: That's we're doing. Don't see Kobe Bryant and I take it.

1605
01:12:20,800 --> 01:12:24,000
Speaker 1: Take it unlike unlike Jad and Turk. You guys remember

1606
01:12:24,080 --> 01:12:33,000
Speaker 1: the tickets. I take it right. Yeah, isn't that Is

1607
01:12:33,040 --> 01:12:35,200
Speaker 1: that like in Scrubs? Lord Donald? Is that how you

1608
01:12:35,240 --> 01:12:36,280
Speaker 1: began to lose your hair?

1609
01:12:36,680 --> 01:12:38,720
Speaker 2: You first started pulling it out, and I don't know

1610
01:12:38,760 --> 01:12:40,920
Speaker 2: how I began to I don't know how Turk started

1611
01:12:40,920 --> 01:12:42,960
Speaker 2: to lose his hair. But that was the first moment,

1612
01:12:43,160 --> 01:12:44,759
Speaker 2: the first that's one of the first moments.

1613
01:12:46,000 --> 01:12:47,519
Speaker 1: All right, guys, thank you so much for coming on.

1614
01:12:47,560 --> 01:12:48,439
Speaker 1: I really appreciate it.

1615
01:12:48,520 --> 01:12:51,760
Speaker 3: Appreciate Hey everyone, Wisconsin, come play tennis with the Zach

1616
01:12:51,800 --> 01:12:52,800
Speaker 3: for tennis coaches too.

1617
01:12:53,160 --> 01:12:56,920
Speaker 1: Oh really, right on? What I love it. I love it.

1618
01:12:56,960 --> 01:13:01,120
Speaker 1: I'll find you guys, all right, guys. You know, I

1619
01:13:01,160 --> 01:13:03,040
Speaker 1: appreciate that they knew how to tap into the one

1620
01:13:03,080 --> 01:13:06,439
Speaker 1: sport that I could talk about, and there they were.

1621
01:13:06,479 --> 01:13:07,439
Speaker 1: They were very good guests.

1622
01:13:07,479 --> 01:13:14,400
Speaker 2: I like that, Uhsi Massi is back this Yeah, which

1623
01:13:14,439 --> 01:13:17,160
Speaker 2: is great. He went on to become a time traveling hero.

1624
01:13:17,320 --> 01:13:20,240
Speaker 2: That was another show I watched, Shay Heroes. I watched

1625
01:13:20,360 --> 01:13:21,439
Speaker 2: that all the way through.

1626
01:13:21,880 --> 01:13:22,120
Speaker 5: Yeah.

1627
01:13:22,200 --> 01:13:24,880
Speaker 1: Yeah, by the way, a couple of goose I had

1628
01:13:24,880 --> 01:13:27,559
Speaker 1: goosebumps multiple times in this episode. The first was nine

1629
01:13:27,720 --> 01:13:31,040
Speaker 1: fifty six when they're playing pool in the bar and

1630
01:13:31,840 --> 01:13:34,639
Speaker 1: Ben's hand is still bleeding and the look Cox gives

1631
01:13:34,640 --> 01:13:38,639
Speaker 1: to JD. It really moved me because it's mynament. Because

1632
01:13:38,640 --> 01:13:41,400
Speaker 1: I was reading your essays and now was all emotional, Shay,

1633
01:13:41,479 --> 01:13:46,200
Speaker 1: but I went My first reaction was Cox can't hide

1634
01:13:46,200 --> 01:13:48,519
Speaker 1: the fact that he respects JD is a doctor to

1635
01:13:48,640 --> 01:13:50,080
Speaker 1: know that he'll know what that could mean.

1636
01:13:50,280 --> 01:13:52,360
Speaker 5: Yeah, immediately, do you know what I mean?

1637
01:13:52,720 --> 01:13:54,840
Speaker 1: It was like, you know, Cox is always fronting like,

1638
01:13:54,920 --> 01:13:57,439
Speaker 1: oh the girl's name and JD you sucking, but obviously

1639
01:13:57,560 --> 01:13:59,840
Speaker 1: under undercurrent trying to build him up. But that was

1640
01:13:59,840 --> 01:14:02,080
Speaker 1: a moment of shock where he looked to it as

1641
01:14:02,120 --> 01:14:05,080
Speaker 1: a peer, as a peer and when you know what

1642
01:14:05,080 --> 01:14:05,639
Speaker 1: that could mean?

1643
01:14:06,439 --> 01:14:09,000
Speaker 5: Yeah, that's like it. So you see you see him

1644
01:14:09,000 --> 01:14:10,840
Speaker 5: do it in the in the pilot, it was like

1645
01:14:10,880 --> 01:14:15,520
Speaker 5: the first time he expresses some sort of like not admiration,

1646
01:14:15,640 --> 01:14:17,000
Speaker 5: but like you know, I'm gonna grab a hold of

1647
01:14:17,000 --> 01:14:18,880
Speaker 5: you and take take care of you. And then this

1648
01:14:18,920 --> 01:14:21,439
Speaker 5: time was the first time when he he doesn't say anything.

1649
01:14:21,800 --> 01:14:25,200
Speaker 5: There's no words at all. He just looks and he knows,

1650
01:14:25,560 --> 01:14:28,200
Speaker 5: and JD knows, and the only person who doesn't know

1651
01:14:28,240 --> 01:14:30,680
Speaker 5: in that moment is Ben. He's like, oh, it's about it.

1652
01:14:31,000 --> 01:14:34,080
Speaker 1: I was really instructed by the respect that he's I mean,

1653
01:14:35,120 --> 01:14:37,800
Speaker 1: obviously in his mind wasn't I'm gonna now respect this person.

1654
01:14:37,880 --> 01:14:39,840
Speaker 1: It was just it didn't he didn't have a moment

1655
01:14:39,920 --> 01:14:42,240
Speaker 1: to put on his airs if you will, He didn't

1656
01:14:42,280 --> 01:14:44,360
Speaker 1: have a moment to put on his front. He just

1657
01:14:44,400 --> 01:14:47,400
Speaker 1: had an instant reaction to a fellow doctor and went, oh, fuck,

1658
01:14:47,439 --> 01:14:48,280
Speaker 1: you know what this could mean.

1659
01:14:48,520 --> 01:14:51,000
Speaker 5: It's totally it's it's totally different than when you see

1660
01:14:51,040 --> 01:14:54,559
Speaker 5: him at the very beginning of the next episode when

1661
01:14:54,600 --> 01:14:57,839
Speaker 5: he walks into the room and JD and and Jordan

1662
01:14:57,960 --> 01:15:00,040
Speaker 5: and Ben are in there, and JD's doing the thing

1663
01:15:00,080 --> 01:15:01,840
Speaker 5: about like we knew, you know, you don't need a

1664
01:15:02,640 --> 01:15:04,960
Speaker 5: we don't need a resident, We need like a hero.

1665
01:15:05,120 --> 01:15:07,120
Speaker 5: And then he comes walking in and now now he's

1666
01:15:07,160 --> 01:15:09,400
Speaker 5: prepared for the situation and doing the whole thing. But yeah,

1667
01:15:09,400 --> 01:15:12,120
Speaker 5: you're exactly right in that moment and.

1668
01:15:12,040 --> 01:15:15,000
Speaker 1: Then and the second time. First of all, I just

1669
01:15:15,000 --> 01:15:16,240
Speaker 1: want to say at ten or five, there was a

1670
01:15:16,240 --> 01:15:19,120
Speaker 1: really cool transition moment that Larry Trilling did from I

1671
01:15:19,160 --> 01:15:20,960
Speaker 1: love how they went from the bar right to the

1672
01:15:20,960 --> 01:15:22,120
Speaker 1: exam room. That was cool.

1673
01:15:22,520 --> 01:15:25,400
Speaker 2: Also, before we before we moved before, before we move

1674
01:15:25,439 --> 01:15:27,880
Speaker 2: forward with that, you know, he says, I've never asked

1675
01:15:27,920 --> 01:15:30,559
Speaker 2: you out for a beer before, but he had asked

1676
01:15:30,560 --> 01:15:32,479
Speaker 2: you out for a beer before, and that was when

1677
01:15:33,080 --> 01:15:38,840
Speaker 2: he lost his ship and tore up the lab that day,

1678
01:15:40,040 --> 01:15:42,639
Speaker 2: and he was having his worst day and you got

1679
01:15:42,640 --> 01:15:44,720
Speaker 2: caught up in it. He does invite you out for

1680
01:15:44,760 --> 01:15:46,320
Speaker 2: a beer. You guys go to a bar and you

1681
01:15:46,400 --> 01:15:51,479
Speaker 2: drink beer, you drink together actually, so that was very

1682
01:15:51,479 --> 01:15:53,240
Speaker 2: weird that he was like, you know, I've never asked

1683
01:15:53,280 --> 01:15:56,439
Speaker 2: you out, maybe you've blocked it out. Whatever, I'm just

1684
01:15:56,640 --> 01:15:58,759
Speaker 2: you know, you're just trying to show off.

1685
01:15:58,600 --> 01:16:01,680
Speaker 1: That you're like the Scrubs Wiki guy. By I mean

1686
01:16:01,720 --> 01:16:04,559
Speaker 1: a lot of laughter on my Insta comments about Scrubs

1687
01:16:04,600 --> 01:16:07,400
Speaker 1: Wiki guys. They were like someone was like that guy

1688
01:16:07,400 --> 01:16:13,360
Speaker 1: pulled a total Dorian and that people were just laughing about.

1689
01:16:13,360 --> 01:16:16,200
Speaker 1: How But no, friends, Trevor, we we got you. Now

1690
01:16:16,200 --> 01:16:19,120
Speaker 1: you're gonna be our Scrubs wiki guy, right, Donald.

1691
01:16:20,080 --> 01:16:21,960
Speaker 2: I mean he doesn't necessarily want him.

1692
01:16:22,120 --> 01:16:24,320
Speaker 1: No, but I kind of like that about his character. No,

1693
01:16:24,360 --> 01:16:26,400
Speaker 1: but I kind of liked that about his character in

1694
01:16:26,439 --> 01:16:30,080
Speaker 1: the show. He's like a reluctant. He like a reluctant.

1695
01:16:30,200 --> 01:16:30,919
Speaker 1: He's reluctant.

1696
01:16:31,120 --> 01:16:33,200
Speaker 2: So, yeah, that's what you do. Think of it as

1697
01:16:33,240 --> 01:16:36,840
Speaker 2: like the hero's journey. In the beginning, you don't really

1698
01:16:36,880 --> 01:16:39,400
Speaker 2: want to do it. Yeah, once you get on board,

1699
01:16:39,880 --> 01:16:43,879
Speaker 2: you're off to an adventure, that adventure of a lifetime.

1700
01:16:43,960 --> 01:16:45,920
Speaker 1: Yeah, Trevor, by the time we do one hundred and

1701
01:16:45,960 --> 01:16:48,280
Speaker 1: eighty two episodes, you'll be happy that you came along

1702
01:16:48,320 --> 01:16:51,120
Speaker 1: on the journey and the other moment and the other

1703
01:16:51,160 --> 01:16:54,599
Speaker 1: moment we got goo goosebumps. As I said earlier, that's

1704
01:16:54,720 --> 01:16:59,120
Speaker 1: that Shaye writes about in his essay was when Jad

1705
01:16:59,720 --> 01:17:02,479
Speaker 1: read the chart and sees that Ben has leukemia, and

1706
01:17:02,560 --> 01:17:05,800
Speaker 1: Carla comes up and she says, are you okay? And

1707
01:17:05,920 --> 01:17:09,559
Speaker 1: I just say no, And it was just really, really

1708
01:17:09,600 --> 01:17:11,679
Speaker 1: powerful because it was one of those moments that she's

1709
01:17:11,720 --> 01:17:14,160
Speaker 1: talking about where there had just been a silly moment

1710
01:17:14,280 --> 01:17:16,800
Speaker 1: of of the fantasy of what happens in that in

1711
01:17:16,840 --> 01:17:20,720
Speaker 1: that blood test guy's office, and and and and and

1712
01:17:20,800 --> 01:17:23,920
Speaker 1: Doug being you know Doug, and then all of a sudden, bam,

1713
01:17:23,960 --> 01:17:25,960
Speaker 1: we just drop in with, Hey, this guy we just

1714
01:17:26,040 --> 01:17:27,920
Speaker 1: made you fall in love with he's got leukemia.

1715
01:17:28,880 --> 01:17:31,479
Speaker 5: She's so good in like every single moment, Like she

1716
01:17:31,560 --> 01:17:35,120
Speaker 5: has this this like a like her player efficiency rating

1717
01:17:35,400 --> 01:17:38,200
Speaker 5: has got to be fucking outrageous, yeah, which is like

1718
01:17:38,400 --> 01:17:39,320
Speaker 5: you know what I'm saying.

1719
01:17:39,280 --> 01:17:41,759
Speaker 2: Yeah, she's if you were playing if you were playing

1720
01:17:43,479 --> 01:17:47,880
Speaker 2: NBA two K, she's like ninety six ninety seven, Like

1721
01:17:47,960 --> 01:17:51,560
Speaker 2: she's like just straight up like she's glitch mode man

1722
01:17:53,720 --> 01:17:54,959
Speaker 2: at that time. Yeah.

1723
01:17:55,040 --> 01:17:57,680
Speaker 1: I think that she is an incredible actress and in

1724
01:17:57,720 --> 01:18:00,760
Speaker 1: the show, she was the perfect tool to use for

1725
01:18:00,840 --> 01:18:02,800
Speaker 1: moments like this because she was the heart, you know,

1726
01:18:02,880 --> 01:18:04,680
Speaker 1: she was the heart of She was the conscience and

1727
01:18:04,720 --> 01:18:06,240
Speaker 1: the heart for everybody.

1728
01:18:06,160 --> 01:18:08,080
Speaker 2: At least the first two seasons. I think as the

1729
01:18:08,080 --> 01:18:11,400
Speaker 2: show went on, she you know, she became as much

1730
01:18:11,439 --> 01:18:14,800
Speaker 2: of us a character as we you know, as all

1731
01:18:14,840 --> 01:18:16,760
Speaker 2: of us did. But in the first two seasons, she

1732
01:18:16,880 --> 01:18:19,920
Speaker 2: was definitely the grounding factor to all of the you

1733
01:18:19,960 --> 01:18:21,519
Speaker 2: know what I mean to everything m hm.

1734
01:18:21,760 --> 01:18:24,080
Speaker 1: So then we go into this fantasy that we don't

1735
01:18:24,120 --> 01:18:27,320
Speaker 1: know is a fantasy delivery end of the show, and

1736
01:18:27,439 --> 01:18:30,400
Speaker 1: all of this happens in Jady's magination, which which again

1737
01:18:30,520 --> 01:18:33,880
Speaker 1: we talked about it early in this podcast, but you

1738
01:18:33,920 --> 01:18:38,760
Speaker 1: know that totally foreshadows the giant mislead we do in

1739
01:18:38,800 --> 01:18:42,599
Speaker 1: season three with with Johnny not knowing that that that

1740
01:18:42,920 --> 01:18:47,120
Speaker 1: Ben's gone. So it's just really interesting that that bill

1741
01:18:47,960 --> 01:18:50,680
Speaker 1: not only introduced Ben for for the long haul, but

1742
01:18:50,720 --> 01:18:54,200
Speaker 1: then mirrored that sort of wacky fantasy structure.

1743
01:18:54,720 --> 01:18:57,400
Speaker 5: Well, so when when when you reached out and asked

1744
01:18:57,400 --> 01:19:00,679
Speaker 5: which episode I wanted to be, like, if I could,

1745
01:19:00,720 --> 01:19:03,040
Speaker 5: if I wanted to be on a thing, that that

1746
01:19:03,200 --> 01:19:05,599
Speaker 5: was the whole reason that I ended up picking this

1747
01:19:05,640 --> 01:19:08,280
Speaker 5: one because I think this episode in season one especially

1748
01:19:08,600 --> 01:19:11,519
Speaker 5: is like the one episode where we see the most

1749
01:19:11,560 --> 01:19:14,519
Speaker 5: amount of tricks that Scrubs is able to pull off that.

1750
01:19:14,600 --> 01:19:17,200
Speaker 5: Maybe a lot of shows aren't. So so if we

1751
01:19:17,240 --> 01:19:19,840
Speaker 5: have if we put a list together, you have that

1752
01:19:19,880 --> 01:19:24,800
Speaker 5: great scene where Elliott makes herself cry to get the

1753
01:19:24,240 --> 01:19:27,000
Speaker 5: to redo the thing right. So this is like her

1754
01:19:27,120 --> 01:19:29,840
Speaker 5: being very silly in this situation. But to do that

1755
01:19:30,360 --> 01:19:34,880
Speaker 5: as an actor, I imagine, is incredibly tricky, just like pull

1756
01:19:34,960 --> 01:19:37,640
Speaker 5: that out of you. So you have her doing that.

1757
01:19:37,720 --> 01:19:40,559
Speaker 5: You have Carla with JD in the hallway and Carla's

1758
01:19:40,600 --> 01:19:42,680
Speaker 5: doing her quick missile strike right here where she's just

1759
01:19:42,720 --> 01:19:45,000
Speaker 5: like get a pump, a scene full of emotion. You

1760
01:19:45,040 --> 01:19:47,519
Speaker 5: have the thing where they're playing with timelines, which they

1761
01:19:47,920 --> 01:19:50,320
Speaker 5: use to even greater effect later on. You have the

1762
01:19:50,360 --> 01:19:53,880
Speaker 5: gag with we we find out that the janitor is

1763
01:19:53,920 --> 01:19:58,400
Speaker 5: in like the background of all of these pictures. There's

1764
01:19:58,439 --> 01:20:02,040
Speaker 5: so much we have. We have doctor Cox using his

1765
01:20:02,200 --> 01:20:04,800
Speaker 5: serious voice. He doesn't do it very often, but when

1766
01:20:04,800 --> 01:20:07,320
Speaker 5: he does it, you feel it. And he tells JD, like,

1767
01:20:07,360 --> 01:20:09,240
Speaker 5: your only job today is you get these test results

1768
01:20:09,240 --> 01:20:11,800
Speaker 5: back like you love to see him drop everything do that.

1769
01:20:11,840 --> 01:20:14,160
Speaker 5: You have Turk sticking up for JD. You have Brendan

1770
01:20:14,200 --> 01:20:17,599
Speaker 5: Fraser swooping in and being just like the perfect cameo

1771
01:20:17,720 --> 01:20:19,920
Speaker 5: character where you have to be able to tell a joke,

1772
01:20:19,960 --> 01:20:22,679
Speaker 5: but you also have to be able to stick this landing. Yeah,

1773
01:20:23,080 --> 01:20:26,080
Speaker 5: there's just so much stuff going on. This one episode's perfect.

1774
01:20:26,160 --> 01:20:28,120
Speaker 1: By the way, say you just made me think of

1775
01:20:28,120 --> 01:20:32,760
Speaker 1: something else, which was Sarah's bit which he really did

1776
01:20:32,840 --> 01:20:37,600
Speaker 1: live on camera obviously, which which actors often have to

1777
01:20:37,600 --> 01:20:40,559
Speaker 1: do and can always do, but Sarah does literally live

1778
01:20:40,640 --> 01:20:42,880
Speaker 1: on camera. Here is get themselves in a headspace where

1779
01:20:42,920 --> 01:20:48,719
Speaker 1: they can produce tears, and that moment really encapsulates exactly

1780
01:20:48,760 --> 01:20:51,280
Speaker 1: what you're talking about in Scrubbs, being able to dance

1781
01:20:51,320 --> 01:20:54,639
Speaker 1: between comedy and drama. Because what Sarah's doing is very funny,

1782
01:20:55,080 --> 01:20:57,160
Speaker 1: but if you look at the words she's saying to

1783
01:20:57,200 --> 01:21:00,719
Speaker 1: get herself to cry, it's very serious. Is the painful

1784
01:21:00,720 --> 01:21:03,240
Speaker 1: stuff from her life and trying to impress her father

1785
01:21:03,320 --> 01:21:05,880
Speaker 1: and whatever whatever she was saying, But it was like

1786
01:21:06,160 --> 01:21:10,280
Speaker 1: happening simultaneously, is this thing you're laughing at, but what

1787
01:21:10,320 --> 01:21:13,240
Speaker 1: the woman is saying is so sad? Do you know

1788
01:21:13,240 --> 01:21:15,320
Speaker 1: what I mean? And then it ends with her with

1789
01:21:15,360 --> 01:21:17,000
Speaker 1: tears streaming down her face. If it was a really

1790
01:21:17,040 --> 01:21:22,360
Speaker 1: great acting woman for Sarah, she's amazing. What about Chop

1791
01:21:22,439 --> 01:21:24,960
Speaker 1: Chop Nancy, Rapido Rapo.

1792
01:21:26,040 --> 01:21:28,799
Speaker 2: I remember that, dude, I remember that day. I remember.

1793
01:21:29,320 --> 01:21:31,000
Speaker 2: I think that was one of the first times where

1794
01:21:31,040 --> 01:21:32,599
Speaker 2: I was having a hard time with lines.

1795
01:21:32,960 --> 01:21:36,080
Speaker 1: I remember Chop Chop Nancy.

1796
01:21:36,400 --> 01:21:36,519
Speaker 8: No.

1797
01:21:36,600 --> 01:21:38,360
Speaker 2: I had the whole thing where I was like, you're

1798
01:21:38,400 --> 01:21:40,040
Speaker 2: gonna go back there and you're gonna do this and

1799
01:21:40,040 --> 01:21:41,640
Speaker 2: blah blah blah. I think that was one of the

1800
01:21:41,640 --> 01:21:43,639
Speaker 2: first times where I was like, I didn't study this.

1801
01:21:43,760 --> 01:21:49,760
Speaker 2: Oh shit. Leonard makes an appearance.

1802
01:21:49,360 --> 01:21:51,880
Speaker 1: Here without a hook arm, though without.

1803
01:21:51,439 --> 01:21:54,080
Speaker 2: A hook on his hand. So what is the story.

1804
01:21:54,120 --> 01:21:58,000
Speaker 1: I read on scrubs Wiki that the guy wrote perhaps

1805
01:21:58,120 --> 01:22:01,639
Speaker 1: this episode is before his ice machine accident.

1806
01:22:01,960 --> 01:22:04,320
Speaker 2: I think it is. I didn't.

1807
01:22:04,479 --> 01:22:07,439
Speaker 1: I didn't remember that that Leonard had lost his arm

1808
01:22:07,439 --> 01:22:09,120
Speaker 1: in an ice machine accident. Did you need that?

1809
01:22:09,320 --> 01:22:10,720
Speaker 2: I did not either, But I love that.

1810
01:22:10,760 --> 01:22:12,880
Speaker 1: I love that on scrubs Wiki it's like this may

1811
01:22:12,920 --> 01:22:16,040
Speaker 1: have occurred before ice machine.

1812
01:22:18,960 --> 01:22:20,719
Speaker 2: We didn't have to because he had a hand.

1813
01:22:20,840 --> 01:22:22,920
Speaker 1: So, for those of you who don't remember, that's Randall Winston,

1814
01:22:22,960 --> 01:22:25,720
Speaker 1: our line producer who not only played Death but also

1815
01:22:25,800 --> 01:22:29,240
Speaker 1: played Leonard. This is his first appearance in his wig.

1816
01:22:30,040 --> 01:22:31,760
Speaker 2: And the afro. Isn't that big yet either.

1817
01:22:31,800 --> 01:22:35,760
Speaker 1: It's like he was he was keeping his throat tighter, right,

1818
01:22:39,400 --> 01:22:41,160
Speaker 1: but he does he does not yet have a hook hand.

1819
01:22:41,200 --> 01:22:43,439
Speaker 1: This might be I believe, the only appearance of Leonard

1820
01:22:43,439 --> 01:22:46,799
Speaker 1: without his hook hands, so the ice machine. But then again, sorry,

1821
01:22:46,960 --> 01:22:49,360
Speaker 1: I'm going all over the place. But this was a fantasy.

1822
01:22:49,800 --> 01:22:52,840
Speaker 1: So maybe in JD's weird daydream, Leonard.

1823
01:22:52,640 --> 01:22:56,320
Speaker 2: Didn't have to cook yet. He didn't recognize Leonard had

1824
01:22:56,360 --> 01:22:57,880
Speaker 2: a hook yet he had.

1825
01:22:59,160 --> 01:23:01,280
Speaker 1: I hadn't noticed that Leonard had a hook hit, so

1826
01:23:01,280 --> 01:23:03,640
Speaker 1: when I had a fantasy, Shane.

1827
01:23:04,240 --> 01:23:06,320
Speaker 5: That seems like something you would notice, though, I just

1828
01:23:06,320 --> 01:23:10,600
Speaker 5: want to you've probably noticed that.

1829
01:23:12,040 --> 01:23:15,240
Speaker 1: So it took me a moment because I've forgotten. Well,

1830
01:23:15,280 --> 01:23:17,320
Speaker 1: I wanted to just mention in eighteen thirty six again,

1831
01:23:17,400 --> 01:23:20,160
Speaker 1: Brennan took all those pictures and they're pretty great, uh pictures,

1832
01:23:20,200 --> 01:23:23,439
Speaker 1: I believe christ this still save a bunch of them.

1833
01:23:24,320 --> 01:23:29,439
Speaker 1: And then JD. Yeah, So then I was kind of

1834
01:23:29,479 --> 01:23:32,080
Speaker 1: surprised by that reveal. You know, again, I've watched these

1835
01:23:32,120 --> 01:23:33,760
Speaker 1: in twenty years. I thought it was cool to see this,

1836
01:23:34,479 --> 01:23:38,000
Speaker 1: you know, and Bill was smart directorially and writing wise.

1837
01:23:38,040 --> 01:23:41,439
Speaker 1: You needed something very specific to make the audience go,

1838
01:23:41,640 --> 01:23:44,479
Speaker 1: this is the exact same moment. You need a device

1839
01:23:44,920 --> 01:23:46,760
Speaker 1: because the audience is going to centerally track it. Keep

1840
01:23:46,760 --> 01:23:48,360
Speaker 1: in mind, when people were watching these, they had commercial

1841
01:23:48,360 --> 01:23:50,559
Speaker 1: breaks in and everything, so that you need the audience

1842
01:23:50,560 --> 01:23:52,360
Speaker 1: to make sure they tracked that whole run. And he

1843
01:23:52,400 --> 01:23:55,000
Speaker 1: came up with the device of the exact playing cards

1844
01:23:55,000 --> 01:23:55,880
Speaker 1: on their foreheads.

1845
01:23:56,240 --> 01:23:58,639
Speaker 2: Right. But here's the thing. He also made it seem

1846
01:23:58,800 --> 01:24:02,439
Speaker 2: like it was a curveball. That's you know, not only

1847
01:24:02,520 --> 01:24:04,880
Speaker 2: did it curve, but the ship was a change up too,

1848
01:24:05,000 --> 01:24:07,880
Speaker 2: you know what I mean, Like, because you don't think

1849
01:24:07,960 --> 01:24:12,600
Speaker 2: that the whole thing is a daydream. You think, just

1850
01:24:12,800 --> 01:24:16,320
Speaker 2: when he gets the the paper the second time and

1851
01:24:16,400 --> 01:24:23,559
Speaker 2: he meets uh, Brendan Fraser outside, Yeah, you think that's

1852
01:24:23,600 --> 01:24:26,040
Speaker 2: all the fan that's just the fantasy. I'm gonna go

1853
01:24:26,080 --> 01:24:29,560
Speaker 2: out there and hey man, it's just leukemia. It's not leukemia.

1854
01:24:29,680 --> 01:24:32,080
Speaker 2: You're You're fine. I was wrong. I was wrong. And

1855
01:24:32,120 --> 01:24:34,240
Speaker 2: you know, the circle comes around and it's got this

1856
01:24:34,360 --> 01:24:37,840
Speaker 2: weird You think, Okay, so this part's the fantasy. And

1857
01:24:37,880 --> 01:24:40,640
Speaker 2: I expected you to be at the door of the

1858
01:24:40,760 --> 01:24:43,960
Speaker 2: exit telling him, no, dude, here's what I think you

1859
01:24:44,000 --> 01:24:46,280
Speaker 2: need to You need to come back inside actually and

1860
01:24:46,320 --> 01:24:48,800
Speaker 2: it doesn't even do that. It jumps all the way

1861
01:24:48,840 --> 01:24:51,840
Speaker 2: back to the moment. And so it was like a

1862
01:24:52,120 --> 01:24:54,760
Speaker 2: It was like a not It wasn't just one pump fake.

1863
01:24:54,960 --> 01:24:56,439
Speaker 2: It was like he was under the rim giving you

1864
01:24:56,439 --> 01:25:01,760
Speaker 2: the dream shake, you know what I mean? Like and

1865
01:25:01,800 --> 01:25:02,519
Speaker 2: then you know what I mean?

1866
01:25:02,760 --> 01:25:05,599
Speaker 1: You know what's funny about that fantasy? You know it's

1867
01:25:05,840 --> 01:25:07,880
Speaker 1: the writing is such that it's supposed to be. Oh,

1868
01:25:08,080 --> 01:25:11,240
Speaker 1: Ben says he doesn't like post pictures. You'll know it's

1869
01:25:11,240 --> 01:25:13,280
Speaker 1: a fantasy because here we are taking a post picture.

1870
01:25:13,520 --> 01:25:15,240
Speaker 1: But what tipped it off even more from me was

1871
01:25:15,280 --> 01:25:18,960
Speaker 1: that Kelso's happily getting in a picture with everything. I

1872
01:25:19,040 --> 01:25:23,519
Speaker 1: was like, ELSA would never want to do with these. Yeah,

1873
01:25:23,560 --> 01:25:25,240
Speaker 1: I think that's it, guys. I think we we did

1874
01:25:25,280 --> 01:25:26,960
Speaker 1: the whole We did the whole episode.

1875
01:25:27,320 --> 01:25:28,400
Speaker 2: Yeah we did.

1876
01:25:28,760 --> 01:25:30,479
Speaker 1: Chane, did you have fun? Are you glad you did this?

1877
01:25:31,120 --> 01:25:33,559
Speaker 5: I'm really glad this was like a you know, part

1878
01:25:33,600 --> 01:25:35,760
Speaker 5: of me is like, these are two guys who I

1879
01:25:35,760 --> 01:25:37,960
Speaker 5: have been watching for so long. I'm kind of nervous

1880
01:25:38,000 --> 01:25:39,519
Speaker 5: to meet him. I don't really like to meet the

1881
01:25:39,560 --> 01:25:42,160
Speaker 5: people who I admire because what if it turns out

1882
01:25:42,160 --> 01:25:44,920
Speaker 5: their dicks? So I had that in my head. But no,

1883
01:25:45,040 --> 01:25:49,200
Speaker 5: y'are cool. I hope you're better than I was.

1884
01:25:49,479 --> 01:25:50,880
Speaker 2: Will you come back on is?

1885
01:25:51,080 --> 01:25:52,080
Speaker 1: Yeah, when you come back on?

1886
01:25:52,680 --> 01:25:54,880
Speaker 5: Yeah, I'll come back on later on after y'all do

1887
01:25:54,920 --> 01:25:56,560
Speaker 5: all of the other stuff for sure.

1888
01:25:56,439 --> 01:25:58,559
Speaker 1: Because I have a feeling what's going to happen on

1889
01:25:58,600 --> 01:26:00,760
Speaker 1: all of our social media is every one's gonna say

1890
01:26:00,760 --> 01:26:02,559
Speaker 1: Shaye was the best. Guess you need to have shade

1891
01:26:02,560 --> 01:26:04,839
Speaker 1: back all the time. Carol mal Bear.

1892
01:26:05,280 --> 01:26:08,120
Speaker 2: Definitely hashtack Carl.

1893
01:26:14,200 --> 01:26:15,400
Speaker 1: Whatever happened to be.

1894
01:26:16,000 --> 01:26:18,559
Speaker 2: He we don't know. He freaking we went into the

1895
01:26:18,600 --> 01:26:21,200
Speaker 2: party and he got he got jumped or something like that.

1896
01:26:21,520 --> 01:26:25,439
Speaker 5: Yeah, he definitely died on the show. In real life

1897
01:26:25,439 --> 01:26:26,120
Speaker 5: he's still working.

1898
01:26:26,160 --> 01:26:31,679
Speaker 1: But on the show, you know he has a twin brother, right, yeah.

1899
01:26:30,160 --> 01:26:32,320
Speaker 2: Yeah, And I remember one night we were out and

1900
01:26:32,400 --> 01:26:34,880
Speaker 2: his twin brother. Everybody thought his twin brother was him,

1901
01:26:35,320 --> 01:26:37,400
Speaker 2: and they were coming up to him going pedro.

1902
01:26:37,600 --> 01:26:40,559
Speaker 1: Pedro, and as I recall, the twin brother was rolling with.

1903
01:26:40,520 --> 01:26:44,800
Speaker 2: It, rolling with it and loving it, and he was like,

1904
01:26:44,920 --> 01:26:47,479
Speaker 2: don't tell anybody. I was like, I'm not gonna say ship, dude,

1905
01:26:47,800 --> 01:26:49,760
Speaker 2: I thought that I thought you were the other one.

1906
01:26:53,800 --> 01:26:56,720
Speaker 1: Oh, I had people telling me that. I'm always say

1907
01:26:56,840 --> 01:27:00,200
Speaker 1: that's funny, like Manny Moore's character does on the sh

1908
01:27:00,280 --> 01:27:02,559
Speaker 1: and then I need to stop saying that Donald I

1909
01:27:02,560 --> 01:27:03,600
Speaker 1: had someone write that to me.

1910
01:27:03,920 --> 01:27:06,599
Speaker 2: You guys did date. Maybe that rubbed off on you.

1911
01:27:06,720 --> 01:27:11,200
Speaker 1: Well I don't know if that's the case, but all right, guys,

1912
01:27:11,479 --> 01:27:13,720
Speaker 1: I want to get out. I want to I know

1913
01:27:13,720 --> 01:27:18,559
Speaker 1: you can leave it. Listen Shay's handle on Twitter at

1914
01:27:18,840 --> 01:27:23,960
Speaker 1: Shay Serrano s h e A s E r r

1915
01:27:24,240 --> 01:27:27,040
Speaker 1: A n O follow him on there. He is one

1916
01:27:27,040 --> 01:27:29,240
Speaker 1: of the most popular fellows on Twitter. He does a

1917
01:27:29,240 --> 01:27:32,160
Speaker 1: lot of amazing I just talk for a second, shape

1918
01:27:32,200 --> 01:27:35,160
Speaker 1: before we go about this cool thing you do with

1919
01:27:35,240 --> 01:27:37,720
Speaker 1: the f O h army, tell people what that is.

1920
01:27:38,479 --> 01:27:41,200
Speaker 1: Shaye will have like drives for people that need help.

1921
01:27:41,240 --> 01:27:43,120
Speaker 1: He'll be like, all right, who's whose bills are we

1922
01:27:43,160 --> 01:27:47,120
Speaker 1: paying this week? And then he'll like just venmo them cash.

1923
01:27:47,240 --> 01:27:49,200
Speaker 1: So just talk about it for a second.

1924
01:27:49,360 --> 01:27:52,720
Speaker 5: Yeah, that's like the silly little sort of gorilla philanthropy

1925
01:27:52,760 --> 01:27:54,920
Speaker 5: thing we started a couple of years ago where it

1926
01:27:54,960 --> 01:27:58,280
Speaker 5: was like, after we had enough people following me on Twitter,

1927
01:27:58,479 --> 01:28:00,640
Speaker 5: we were all grouped up together. If we got get

1928
01:28:00,680 --> 01:28:03,320
Speaker 5: one hundred two hundred three hundred thousand people following, we

1929
01:28:03,360 --> 01:28:05,680
Speaker 5: could raise a lot of money real fast if everybody

1930
01:28:05,760 --> 01:28:08,720
Speaker 5: sends like a dollar or two dollars or whatever. And

1931
01:28:08,760 --> 01:28:11,679
Speaker 5: so you know, we started doing that and then yeah,

1932
01:28:11,720 --> 01:28:14,120
Speaker 5: when the coronavirus stuff hit, when the Black Lives Matter

1933
01:28:14,200 --> 01:28:19,200
Speaker 5: movement started up after the George Floyd's murder, we're like,

1934
01:28:19,400 --> 01:28:21,679
Speaker 5: you know, we're gonna try to help out in any

1935
01:28:21,720 --> 01:28:24,080
Speaker 5: situation we can. So like people will send stuff to

1936
01:28:24,120 --> 01:28:25,519
Speaker 5: me and we're like, all right, cool, we're gonna fund this.

1937
01:28:25,560 --> 01:28:28,000
Speaker 5: We're gonna send some money out. So yeah, I think

1938
01:28:28,040 --> 01:28:30,679
Speaker 5: like since March twelve, it's been you know, two hundred

1939
01:28:30,720 --> 01:28:33,519
Speaker 5: and fifty two hundred and forty thousand dollars up, just

1940
01:28:33,560 --> 01:28:36,439
Speaker 5: like straight cash. We've given two places of people.

1941
01:28:36,520 --> 01:28:38,719
Speaker 1: And do people give you I think just from following

1942
01:28:38,760 --> 01:28:40,800
Speaker 1: you do. Some people who can afford it give you

1943
01:28:40,880 --> 01:28:43,360
Speaker 1: like large sums and hey, say hey, Shay, distribute this.

1944
01:28:43,920 --> 01:28:45,800
Speaker 5: Every once in a while, somebody will hit me up

1945
01:28:45,840 --> 01:28:47,680
Speaker 5: like and my DMS and be like, hey, I don't

1946
01:28:47,720 --> 01:28:49,640
Speaker 5: want judits, like say where this came from, but like

1947
01:28:49,880 --> 01:28:52,800
Speaker 5: here's five thousand dollars. Can you pay bills for people

1948
01:28:52,880 --> 01:28:54,640
Speaker 5: until this is gone? Like that happens every once in

1949
01:28:54,680 --> 01:28:56,880
Speaker 5: a while. Mostly though, it's like we're all gonna chip

1950
01:28:56,880 --> 01:28:58,879
Speaker 5: in five bucks, ten bucks and see what happens.

1951
01:28:59,080 --> 01:29:01,040
Speaker 1: That's really awesome, man, that that's really awes and he's

1952
01:29:01,280 --> 01:29:03,479
Speaker 1: so sweet about it. People will write him things like, oh,

1953
01:29:03,600 --> 01:29:05,439
Speaker 1: thank you so much, Shay. I'm having trouble with my

1954
01:29:05,479 --> 01:29:07,800
Speaker 1: bills and he's like, fuck that noise and he'll send

1955
01:29:07,800 --> 01:29:12,240
Speaker 1: them money. That's awesome, awesome, all right, everybody, that's the

1956
01:29:12,280 --> 01:29:14,479
Speaker 1: episode I want to thank We want to thank on

1957
01:29:14,560 --> 01:29:17,880
Speaker 1: behalf of my co host and I Shay, you were

1958
01:29:17,880 --> 01:29:18,920
Speaker 1: an awesome guest, right.

1959
01:29:18,880 --> 01:29:23,200
Speaker 2: Donald, amazing guests? A well, dude, this was this was

1960
01:29:23,360 --> 01:29:28,960
Speaker 2: you know, always you never know how your guests are

1961
01:29:28,960 --> 01:29:34,000
Speaker 2: going to be. And you're somebody who wasn't on the show. Uh,

1962
01:29:34,400 --> 01:29:37,439
Speaker 2: but you fit in so well man. And your insight

1963
01:29:37,600 --> 01:29:40,200
Speaker 2: on our show. I'm dead serious, man, your insight on

1964
01:29:40,240 --> 01:29:42,360
Speaker 2: our show is is very awesome.

1965
01:29:42,400 --> 01:29:42,599
Speaker 8: Man.

1966
01:29:42,720 --> 01:29:44,720
Speaker 2: Like I I appreciate you.

1967
01:29:45,640 --> 01:29:49,200
Speaker 1: And since and since the old Caramel Bear died, I

1968
01:29:49,200 --> 01:29:53,240
Speaker 1: think I just hope that I just hope that my

1969
01:29:53,720 --> 01:29:56,880
Speaker 1: persona on this podcast has made Laramie like me a

1970
01:29:56,920 --> 01:30:00,280
Speaker 1: little bit more. I know that it was j I

1971
01:30:00,320 --> 01:30:02,519
Speaker 1: know it was JD. She didn't love, but maybe maybe

1972
01:30:02,560 --> 01:30:03,320
Speaker 1: she'll like Zach Brous.

1973
01:30:03,439 --> 01:30:08,400
Speaker 5: She loved Garden State, So you're good, all right, question.

1974
01:30:08,479 --> 01:30:10,480
Speaker 2: Everybody loves that movie.

1975
01:30:10,720 --> 01:30:13,120
Speaker 1: Yeah, you should have been in it. All right, listen,

1976
01:30:13,160 --> 01:30:16,120
Speaker 1: everybody go to go to.

1977
01:30:17,520 --> 01:30:22,000
Speaker 2: Donald Donald underscore ason. That's I'm trying to get all

1978
01:30:22,040 --> 01:30:25,120
Speaker 2: the Zach's followers. Okay, y'all need to come over to

1979
01:30:25,200 --> 01:30:26,560
Speaker 2: the dark side.

1980
01:30:26,320 --> 01:30:29,840
Speaker 1: All right, come over to Okay, that's one way to play.

1981
01:30:29,960 --> 01:30:35,439
Speaker 2: Join, join me, and together we will build this institution.

1982
01:30:35,439 --> 01:30:41,560
Speaker 1: And we will like weird memes. Listen, uh, combined strength.

1983
01:30:42,120 --> 01:30:46,400
Speaker 2: Okay, we can end this conflict and bring order to

1984
01:30:46,520 --> 01:30:47,200
Speaker 2: the galaxy.

1985
01:30:47,479 --> 01:30:51,439
Speaker 1: All right. That's his audition monologue. Listen. Check out Chase

1986
01:30:51,479 --> 01:30:55,040
Speaker 1: book a Sacred Heart Gang dot com. Please follow Donald

1987
01:30:55,080 --> 01:30:56,439
Speaker 1: on Instagram. I'm really getting sick, you.

1988
01:30:56,439 --> 01:30:59,559
Speaker 2: Know, just just hold on. Let's be clear. Not just

1989
01:30:59,600 --> 01:31:05,160
Speaker 2: the people who are listening Zach Braf's followers. Okay, follow

1990
01:31:05,520 --> 01:31:09,080
Speaker 2: Donald followers.

1991
01:31:07,840 --> 01:31:12,280
Speaker 1: Are tired of being accosted by you, and write Joelle

1992
01:31:12,600 --> 01:31:16,839
Speaker 1: your questions at Scrubsiheart at gmail dot com, and please

1993
01:31:17,560 --> 01:31:22,120
Speaker 1: subscribe and rate the podcast because I recently was told

1994
01:31:22,160 --> 01:31:24,799
Speaker 1: that that's a real thing. That's good for our exposure.

1995
01:31:24,840 --> 01:31:26,720
Speaker 1: If you give us five stars. I'm like the uber

1996
01:31:26,800 --> 01:31:29,559
Speaker 1: driver who's like five stars. Five stars, So give us

1997
01:31:29,560 --> 01:31:30,880
Speaker 1: five stars, right, Donald.

1998
01:31:31,000 --> 01:31:33,799
Speaker 2: Yeah, please give us five stars. All right, and time, friends,

1999
01:31:33,840 --> 01:31:34,960
Speaker 2: five stars are better.

2000
01:31:35,400 --> 01:31:37,519
Speaker 1: Tell your friends we are hoping to one day when

2001
01:31:37,520 --> 01:31:41,040
Speaker 1: the world opens up, tour this show and we'll come

2002
01:31:41,080 --> 01:31:42,880
Speaker 1: to will will you? Will you come when we come

2003
01:31:42,920 --> 01:31:44,439
Speaker 1: to Houston? Shay, are you still in Houston?

2004
01:31:44,520 --> 01:31:46,360
Speaker 5: I'm in San Antonio now, but if y'all make it

2005
01:31:46,400 --> 01:31:47,320
Speaker 5: to Texas, I'll show up.

2006
01:31:47,320 --> 01:31:47,559
Speaker 1: All right?

2007
01:31:47,560 --> 01:31:49,679
Speaker 2: Well, wait, hold on, now, I heard something about Tim

2008
01:31:49,760 --> 01:31:51,880
Speaker 2: Duncan and that being your favorite player of all time

2009
01:31:51,960 --> 01:31:52,360
Speaker 2: is this year?

2010
01:31:52,439 --> 01:31:54,280
Speaker 5: Absolutely absolutely?

2011
01:31:54,400 --> 01:31:58,200
Speaker 2: Why why Tim Duncan? Why before we go? Why this

2012
01:31:58,640 --> 01:32:00,479
Speaker 2: doesn't even have to be on the podcast. I just

2013
01:32:00,520 --> 01:32:02,400
Speaker 2: need to know this because Tim is one of my

2014
01:32:02,439 --> 01:32:06,040
Speaker 2: favorite players too. He's not my favorite player. Why Tim Duncan?

2015
01:32:06,120 --> 01:32:09,559
Speaker 5: Okay, let me tell you that there's a very personal

2016
01:32:09,640 --> 01:32:13,640
Speaker 5: connection that Tim Duncan has with San Antonio and that

2017
01:32:13,760 --> 01:32:16,840
Speaker 5: he showed up and all of a sudden a city

2018
01:32:16,880 --> 01:32:19,400
Speaker 5: that had an inferiority complex. You know, we're not as

2019
01:32:19,920 --> 01:32:23,000
Speaker 5: hip as Austin, We're not as cool as as Houston

2020
01:32:23,080 --> 01:32:25,440
Speaker 5: or whatever. They beat us in the playoffs. Blah blah blah.

2021
01:32:25,479 --> 01:32:27,519
Speaker 5: He shows up and all of a sudden, we have

2022
01:32:27,640 --> 01:32:31,080
Speaker 5: the guy on our team that everybody's afraid of, and

2023
01:32:31,160 --> 01:32:34,080
Speaker 5: he's going to war and he's not backing down. You

2024
01:32:34,160 --> 01:32:36,200
Speaker 5: gotta fucking kill this guy in the playoffs if you

2025
01:32:36,240 --> 01:32:39,280
Speaker 5: want to beat him. He shows up, he delivers five

2026
01:32:39,439 --> 01:32:42,760
Speaker 5: championships for us. All of a sudden, we have that

2027
01:32:43,280 --> 01:32:45,599
Speaker 5: we I think he's the fifth or sixth greatest basketball

2028
01:32:45,600 --> 01:32:48,120
Speaker 5: player of all time. We have him on our team.

2029
01:32:48,320 --> 01:32:51,519
Speaker 5: He allows you, in your chest to feel like a winner,

2030
01:32:51,520 --> 01:32:52,719
Speaker 5: to feel like a chepan. You know how it feels

2031
01:32:52,760 --> 01:32:54,840
Speaker 5: when the team that you love wins a thing and

2032
01:32:54,920 --> 01:32:56,280
Speaker 5: you feel like you're a part of it.

2033
01:32:56,280 --> 01:32:58,920
Speaker 2: It's like Jeter to New York Man, exactly know exactly

2034
01:32:58,920 --> 01:32:59,320
Speaker 2: what you mean?

2035
01:32:59,400 --> 01:33:02,760
Speaker 1: Yes, or Cole Milkinson in the original cast of Them.

2036
01:33:03,760 --> 01:33:06,880
Speaker 5: Absolutely, that's what. That's what Tim Duncan did. So I

2037
01:33:06,920 --> 01:33:07,800
Speaker 5: love him forever for that.

2038
01:33:08,200 --> 01:33:10,400
Speaker 2: I hear you, man, I feel like he had a

2039
01:33:10,439 --> 01:33:13,719
Speaker 2: lot of really good Uh if it was the Justice League,

2040
01:33:13,760 --> 01:33:16,440
Speaker 2: he had a lot of good supporting characters. He's Superman.

2041
01:33:16,720 --> 01:33:19,760
Speaker 2: He definitely had a Batman and it switched off between

2042
01:33:19,840 --> 01:33:21,160
Speaker 2: Genobilie and Tony Parker.

2043
01:33:21,720 --> 01:33:24,400
Speaker 5: Uh, those guys were Those guys were great, but those

2044
01:33:24,439 --> 01:33:26,679
Speaker 5: were not players you could take and put on other teams.

2045
01:33:26,920 --> 01:33:32,599
Speaker 2: And they maybe Janobili, Jenobli maybe you know, maybe Tony

2046
01:33:32,680 --> 01:33:34,479
Speaker 2: in his in his younger years anyway, but.

2047
01:33:34,479 --> 01:33:36,519
Speaker 1: Not Tony, not as much as Jenobili though, and.

2048
01:33:36,520 --> 01:33:38,599
Speaker 2: When he shut up man and when he got there.

2049
01:33:38,600 --> 01:33:40,439
Speaker 2: He also had the Admiral David Robinson.

2050
01:33:40,560 --> 01:33:40,800
Speaker 8: He did.

2051
01:33:40,960 --> 01:33:41,760
Speaker 5: He did have Big Dave.

2052
01:33:41,800 --> 01:33:42,080
Speaker 8: He did that.

2053
01:33:42,520 --> 01:33:44,000
Speaker 2: Dave only got one. He got five.

2054
01:33:44,240 --> 01:33:47,559
Speaker 5: Yeah, yeah, no, Dave got two. They've got to them.

2055
01:33:47,680 --> 01:33:49,400
Speaker 1: None of them are as good as Mike Jaminski. All right,

2056
01:33:49,439 --> 01:33:52,640
Speaker 1: we gotta go. We love you, Thank you, Shay. I

2057
01:33:52,640 --> 01:33:54,280
Speaker 1: hope he can be real friends in real life. I

2058
01:33:54,320 --> 01:33:56,599
Speaker 1: think you and Donald might hit it off really well.

2059
01:33:57,479 --> 01:33:59,640
Speaker 2: I think so too. He's like he's like, he's like

2060
01:33:59,680 --> 01:34:01,840
Speaker 2: he was a dick when I first met him. That's

2061
01:34:01,840 --> 01:34:03,479
Speaker 2: what I got out of the little That's what I

2062
01:34:03,479 --> 01:34:04,240
Speaker 2: got out of the thing.

2063
01:34:04,400 --> 01:34:07,000
Speaker 1: No, you're cool, you're super cool, super No, you're on

2064
01:34:07,040 --> 01:34:08,559
Speaker 1: your phone a lot. The one thing about that said

2065
01:34:08,600 --> 01:34:10,439
Speaker 1: I got it was like down sitting between two fans

2066
01:34:10,439 --> 01:34:12,280
Speaker 1: and he's on his phone, like talk to your family. Dick.

2067
01:34:12,840 --> 01:34:15,000
Speaker 1: Maybe this white people don't follow you on Instagram. Fox

2068
01:34:15,000 --> 01:34:17,880
Speaker 1: six seven eight stories. I'm not sure.

2069
01:34:18,120 --> 01:34:22,320
Speaker 3: We made about a bunch of dogs and nurses in

2070
01:34:22,560 --> 01:34:23,559
Speaker 3: the janitor who.

2071
01:34:24,240 --> 01:34:26,800
Speaker 2: I said, he's a story next.

2072
01:34:26,920 --> 01:34:27,880
Speaker 8: All s know?

2073
01:34:29,560 --> 01:34:33,519
Speaker 6: So Yander round you here, YadA around you here.

2074
01:34:34,120 --> 01:34:37,240
Speaker 2: Spoke means no