WEBVTT - Listener Mail: Fatberg City

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<v Speaker 1>Welcome Stuff to Blow Your Mind, a production of I

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<v Speaker 1>Heart Radios How Stuff Works. Hey, you, welcome to Stuff

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<v Speaker 1>to Blow your Mind. My name is Robert Lamb and

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<v Speaker 1>I'm Joe McCormick, and we're coming at you with listener

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<v Speaker 1>mail today. Now our loyal mail bought. Carney has been

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<v Speaker 1>through some changes. That's right. He's been uh, he's been

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<v Speaker 1>off in Fatburg City. He's been helping uh Officer Fatburg

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<v Speaker 1>battle the city's Fatburg problem. That's right. And in the

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<v Speaker 1>course of fighting a Fatburg, which of course turned out

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<v Speaker 1>to be sentient and alive. I guess that goes without

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<v Speaker 1>saying you can't be sentient without being alive, but not

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<v Speaker 1>for long um or maybe you can. Yeah, that's subject

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<v Speaker 1>for another day. Anyway, like the black Ooze in Prometheus,

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<v Speaker 1>part of that Fatburg just got right on into Carney.

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<v Speaker 1>It took over part of his processor. Now he's Fatberg

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<v Speaker 1>inside Fatberg power, uh Fatburg logic, and he's part fat

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<v Speaker 1>Burg bought forever. Little flies come out of his nooks

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<v Speaker 1>and crannies. I think that's just temporary. I think this

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<v Speaker 1>is going to be an equilibrium that has reached and

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<v Speaker 1>to whatever extent Carney can be fueled by fat birds. Um,

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<v Speaker 1>you know, I think that's exciting. I think that's the future. Uh.

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<v Speaker 1>That's actually gonna be the topic of another episode we're

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<v Speaker 1>going to be recording. Have an episode of Invention coming up.

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<v Speaker 1>What happens when robots can eat fat birds? We'll find out.

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<v Speaker 1>But this episode is about listener mail, and we did

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<v Speaker 1>receive a lot of really cool listener mail regarding our

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<v Speaker 1>episode on fat birds. Now, just just to refresh, uh,

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<v Speaker 1>to remove some of the you know, the sci fi

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<v Speaker 1>fun here that we've been throwing out for a second.

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<v Speaker 1>A fat berg is this large mass that accumulates in

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<v Speaker 1>a modern sewer system or even kind of I guess

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<v Speaker 1>an archaic sewer system, but due to modern sewage problems

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<v Speaker 1>mostly caused by the flushing or the or the the

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<v Speaker 1>dumping of of grease and the flush of sanitary wipes,

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<v Speaker 1>wet wipes primarily. Yeah, like the problem with the with

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<v Speaker 1>the wipe things or these things that are wet wipes.

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<v Speaker 1>And apparently we heard from a lot of listeners, even

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<v Speaker 1>people who worked in uh, you know, sewer maintenance, sewer workers,

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<v Speaker 1>who said that these things that are so called flushable

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<v Speaker 1>wet wipes are not flushable. Don't flush them even if

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<v Speaker 1>they say you can. Yeah. And you know, I I

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<v Speaker 1>have a kid. I've have used wet wipes plenty of times.

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<v Speaker 1>And after you use them, you want to be rid

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<v Speaker 1>of them, being able to throw them into a magical

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<v Speaker 1>um uh you know, vat of water and then pushing

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<v Speaker 1>a button and watching it disappear. That that's an attractive

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<v Speaker 1>idea when you have a poop smeared. Uh what why?

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<v Speaker 1>But but it doesn't really disappear, It goes somewhere and

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<v Speaker 1>then it it makes friends. It becomes the bones of

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<v Speaker 1>the soap dragon. That's right. Uh, So maybe we should

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<v Speaker 1>get right to our first email. This one comes from Ray. Robert,

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<v Speaker 1>you want to read this one? Hello Robert and Joe.

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<v Speaker 1>My name is Ray, and I could not believe how

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<v Speaker 1>close to home the episode of fat Bergs landed. I

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<v Speaker 1>am currently a sewer utility worker in Faydeville, North Carolina,

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<v Speaker 1>and prior to serving in the army for several years,

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<v Speaker 1>I was a sewer utility worker in Jersey City, New Jersey.

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<v Speaker 1>The issue of grease infiltrating our country sewers seems to

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<v Speaker 1>be almost a universal problem with no real end in sight.

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<v Speaker 1>Although there are significant differences in the capacity and complexity

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<v Speaker 1>between the two sewer systems. I have personal experience with

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<v Speaker 1>the effects of grease and non biodegradable solids such as

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<v Speaker 1>wet wipes and feminine hygiene products. Seems to be universal

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<v Speaker 1>in my experience. I have seen and worked on many

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<v Speaker 1>Greef related issues, and though I have seen some large blockages,

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<v Speaker 1>the issues I have come to find most common or

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<v Speaker 1>more are more like grease tubes. The initial blockage creates

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<v Speaker 1>a type of grease dam, which in turn leads to

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<v Speaker 1>the sewer pipe becoming completely impacted with grease. Picture this

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<v Speaker 1>is a tube of toothpaste. These issues can run for

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<v Speaker 1>hundreds of feet underground and can require days of work.

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<v Speaker 1>A clear the comparison made in the articles you read

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<v Speaker 1>about it and concrete cannot be more accurate when trying

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<v Speaker 1>to relieve a fat Burg induced blockage quote. Chipping away

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<v Speaker 1>at the grease gestalt monstrosity with mason tools is surprisingly

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<v Speaker 1>effective and brings to mind archaeologists using picks and hammers

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<v Speaker 1>trying to reveal the hidden past and secrets the fat

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<v Speaker 1>Birds hold in its subterranean lipid vaults. One point that

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<v Speaker 1>I noticed was not mentioned that absolutely needs mentioning was

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<v Speaker 1>the surprisingly distinct smell that grease blockages have, which, if

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<v Speaker 1>one enjoys fried foods, could actually be appetite inducing. Each

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<v Speaker 1>of the several grease blockages I have dealt with had

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<v Speaker 1>a small had a smell scape that one could use

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<v Speaker 1>to easily identify the main contributor to its unholy birth,

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<v Speaker 1>whether it be Pizzeria's Chinese food takeout or even a

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<v Speaker 1>rather famous diner located in downtown Jersey City. Nothing makes

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<v Speaker 1>you look forward to lunch like the smell of comfort

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<v Speaker 1>food wafting up from the depths of the sup Oh God,

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<v Speaker 1>thank you again guys for never failing to surprise me

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<v Speaker 1>with your awesome topics. This one, in particular, fat Burgs,

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<v Speaker 1>made me realize that even something as mundane sounding as

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<v Speaker 1>sewer utility work, it can be interesting. As a final

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<v Speaker 1>side note, I would often try and tell people how

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<v Speaker 1>serious grease problems can be in sewers and how large

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<v Speaker 1>and lengthy they could be. It reminded me of another

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<v Speaker 1>episode of Yours Great Wave, in which stories would be

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<v Speaker 1>told by wayward sailors, often describing waves whose proportions seemed

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<v Speaker 1>a drastically exaggerated I feel a shared kindred with these sailors,

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<v Speaker 1>knowing that grease abominations lurk below the streets, and those

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<v Speaker 1>who I tell my tales to disregard them as exaggerated fantasy.

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<v Speaker 1>L O L. Thanks again, Right, Well, we don't disregard them, Ray,

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<v Speaker 1>We believe every word, except I am a little skeptical

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<v Speaker 1>about the the appetite inducing qualities of the sewer smell. Well,

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<v Speaker 1>I think I think we have some other listener mail

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<v Speaker 1>that that speaks to the odor, But I don't know

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<v Speaker 1>I can and that I mean, I trust Ray on

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<v Speaker 1>the matter. I mean, he he has experience that I

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<v Speaker 1>do not have regarding uh fat bergs in their unholy kin.

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<v Speaker 1>So if he says there's an appetizing odor, then I

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<v Speaker 1>I believe it. I guess what I mean is the

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<v Speaker 1>only thing I doubt is whether it would be appetizing

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<v Speaker 1>to lots of people or to everyone. That seems like

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<v Speaker 1>it would probably very person to person, especially depending on

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<v Speaker 1>how maybe you're disgust reflexes and how sensitive they are,

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<v Speaker 1>oh you need to fast food, or to just in general, No,

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<v Speaker 1>I mean to general, like the association. I mean, we

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<v Speaker 1>we know a lot about how smell is in some

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<v Speaker 1>ways cognitive. You know, we've talked on the show before

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<v Speaker 1>about how the exact same smell if you're told it's

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<v Speaker 1>a cheese, it smells good. But if you're told you're

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<v Speaker 1>smelling socks and it's the exact same chemical stimulant, uh,

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<v Speaker 1>it's disgusting. It makes you you know, you find it revolting.

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<v Speaker 1>And I think the same thing would probably be true.

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<v Speaker 1>You know, they're different levels of sensitivity. But like, you

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<v Speaker 1>can smell a smell that would maybe smell good if

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<v Speaker 1>it's coming out of a restaurant kitchen, but if you

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<v Speaker 1>smell it in a sewer, might give you the gag reflex, right,

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<v Speaker 1>But then if you're working in a sewer, like I

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<v Speaker 1>don't know, it might turn things around, Like you're you're

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<v Speaker 1>in there so long exposed to this different smellscape, and

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<v Speaker 1>if there's a hint of something even that is uh,

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<v Speaker 1>you know, from beyond the sewer, then perhaps you know,

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<v Speaker 1>the human mind can latch onto that I don't know. Um,

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<v Speaker 1>there's also if I remember correctly, in our past episodes

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<v Speaker 1>about smell, we've discussed how you know how about good

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<v Speaker 1>smells and bad smells, and about how bad smells can

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<v Speaker 1>sort of fade into the background a bit, while good

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<v Speaker 1>smells remain in the forefront. I believe I have that right.

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<v Speaker 1>Um In any right, there's there's a lot going on

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<v Speaker 1>when we perceive odors, like even very strong odors. You know,

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<v Speaker 1>some maybe destressed and others remain stressed. Uh in at

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<v Speaker 1>least as you know, as far as our perceptions go,

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<v Speaker 1>because there might be different adaptive reasons for the brain

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<v Speaker 1>to remain aware of certain kinds of odors but not

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<v Speaker 1>of others once you've initially smelled them, right, So maybe

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<v Speaker 1>that would allow room for like the pleasing odor that

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<v Speaker 1>is mixed in amongst the foul older odors to sort

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<v Speaker 1>of resonate more after a while. This is just me guessing.

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<v Speaker 1>Does the Yankee Candle Company make a fat burg candle?

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<v Speaker 1>I don't know, but uh that we did discuss in

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<v Speaker 1>that episode some of the possibilities of of using fatburgs

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<v Speaker 1>for fuel. Yeah. Well, we actually have a great piece

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<v Speaker 1>of listener mail about this, do it. Let's see here

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<v Speaker 1>this one. This is a short one. This comes from Damian.

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<v Speaker 1>Damian subject line, fat bergs are real. Hello from Little

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<v Speaker 1>Rock fat Burgs. Sweet Jesus. Those things can ruin your life.

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<v Speaker 1>My wife's grandparents had no qualms with pouring bacon grease

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<v Speaker 1>down the sink. They had apparently been doing so for

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<v Speaker 1>the last seventy years. A Router company worker that we

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<v Speaker 1>hired told us that our pipes were worse off than

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<v Speaker 1>a waffle house. I dug up ancient clay pipes and

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<v Speaker 1>they were packed with the same stuff that's clocking sewers worldwide.

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<v Speaker 1>It's a soap like material that is fairly stinky and

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<v Speaker 1>very light weight. Actually lit it on fire while it

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<v Speaker 1>was still wet. I'll include the fire video and offer

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<v Speaker 1>to send you a sample of the burg itself. If

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<v Speaker 1>you want some, let me know. I love your shows.

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<v Speaker 1>Keep it up, Damien. Okay, Damien, I don't think we

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<v Speaker 1>need a sample of the burg, but I did watch

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<v Speaker 1>the video and dude, yeah, it's like it's like a

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<v Speaker 1>tiny grease fire in puck form. Amazing. Yeah. Yeah. I

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<v Speaker 1>I glanced at this video as well, and it is.

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<v Speaker 1>It's it's really flaming up there. It's kind of it's

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<v Speaker 1>kind of making spitting sounds that might have to do

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<v Speaker 1>with water content or the fact that it's wet. I mean,

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<v Speaker 1>I'm not gonna say don't send us a piece of fatburg.

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<v Speaker 1>Let's leave that up to the stochastic gods of fat

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<v Speaker 1>berg face. I think I'm gonna do this next one

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<v Speaker 1>here from our listener Joe. In fact, hi Robert and Joe.

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<v Speaker 1>My name is also Joe, and I'm a plumber that

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<v Speaker 1>listens to your podcast. No, not that plumber. I live

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<v Speaker 1>in the state of Alabama. I routinely listen to your

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<v Speaker 1>podcast on my way to job sites, having been a

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<v Speaker 1>service lumber in the past. I have to tell you

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<v Speaker 1>that Donnie Don't made me twitch a little. I think

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<v Speaker 1>we started off the Fatberg episode with some don't do

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<v Speaker 1>what Donnie Don't does, pouring pouring duck fat down the

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<v Speaker 1>bathtub and stuff. Joe continues, Donna Don't, who also flushes

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<v Speaker 1>sanitary products and plants shrubs over the residential sewer line,

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<v Speaker 1>would have made me twitch a lot more. I don't

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<v Speaker 1>care if the packaging says flushable or not. Anything small

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<v Speaker 1>enough to fit down a toilet is flushable. That doesn't

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<v Speaker 1>mean you should flush it. I could flush one Leader

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<v Speaker 1>water bottles down some toilets, or even a bucket full

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<v Speaker 1>of golf balls. There are even some that I wholly

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<v Speaker 1>believe could flush small children, but that does not mean

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<v Speaker 1>it's a good idea. That being said, my city doesn't

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<v Speaker 1>have a sewer system that you can walk around in

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<v Speaker 1>as it's more modern. However, I do have some grease

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<v Speaker 1>stories that may interest you. Oh and old Greece is

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<v Speaker 1>the single worst thing to smell in plumbing, narrowly beating

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<v Speaker 1>out old urine. You would think that it's the pooh,

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<v Speaker 1>but it's not. Of course, I haven't had the displeasure

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<v Speaker 1>of cleaning the lines at a more refuneral home. I

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<v Speaker 1>know some who have, and I will not regale you

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<v Speaker 1>with those stories. I'm sure you can imagine. To preface

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<v Speaker 1>these stories, restaurants are required to have a grease interceptor

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<v Speaker 1>in their line going out, and they do just what

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<v Speaker 1>the name implies. They intercept and hold the grease. However,

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<v Speaker 1>in one case that was overlooked by the city when

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<v Speaker 1>I was an apprentice, we received a service call to

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<v Speaker 1>a dentist's office that was backing up with raw sewage.

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<v Speaker 1>The building was roughly ten feet above the city sewer,

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<v Speaker 1>and it was also the lowest of the surrounding buildings.

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<v Speaker 1>After confirming that the lines to the city sewer were clear,

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<v Speaker 1>we decided to pop a manhole cover the roads dirt

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<v Speaker 1>and grime had sealed it down. This heavy cast iron

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<v Speaker 1>manhole cover then proceeded to float, albeit briefly, on the

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<v Speaker 1>flood of water among other things that rose from the manhole,

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<v Speaker 1>and then had to direct traffic away from this open

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<v Speaker 1>manhole as we waited for the city's jet truck to

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<v Speaker 1>come clear the line. I think the jet truck is

0:11:57.920 --> 0:12:00.520
<v Speaker 1>like a high pressure water. This was a very busy

0:12:00.559 --> 0:12:03.120
<v Speaker 1>four lane road in the downtown of my city. I

0:12:03.160 --> 0:12:06.040
<v Speaker 1>almost got run over several times as people swerved into

0:12:06.080 --> 0:12:09.000
<v Speaker 1>the other lane within feet of me. I digress. When

0:12:09.000 --> 0:12:12.040
<v Speaker 1>the truck arrived, the twelve inch City Maine was blocked

0:12:12.080 --> 0:12:15.440
<v Speaker 1>for two hundred feet by you guessed it, fat and

0:12:15.559 --> 0:12:18.880
<v Speaker 1>grease where this restaurant's line joined the cities. They had

0:12:18.880 --> 0:12:22.600
<v Speaker 1>been pouring all of their oil down the drains. On

0:12:22.640 --> 0:12:26.000
<v Speaker 1>another note, as an apprentice, again, I have personally stood

0:12:26.040 --> 0:12:28.679
<v Speaker 1>on one foot on top of hardened grease and an

0:12:28.679 --> 0:12:31.560
<v Speaker 1>intercept or at another restaurant. The grease was about a

0:12:31.600 --> 0:12:34.520
<v Speaker 1>foot thick and weighed about two hundred pounds at the time,

0:12:34.760 --> 0:12:37.120
<v Speaker 1>and it did not give. We had to take a

0:12:37.200 --> 0:12:39.400
<v Speaker 1>steel bar to it to break it up so that

0:12:39.440 --> 0:12:41.920
<v Speaker 1>it could be pumped out. I wouldn't say that it's

0:12:41.920 --> 0:12:44.800
<v Speaker 1>as hard as concrete, but still rock like. I'm looking

0:12:44.800 --> 0:12:48.079
<v Speaker 1>forward to more awesome episodes from you guys. Joe all right,

0:12:48.200 --> 0:12:51.880
<v Speaker 1>another field report from the war against the fat Bergs.

0:12:52.120 --> 0:12:54.920
<v Speaker 1>That is an epic tale of a heroic struggle. I

0:12:54.960 --> 0:12:57.439
<v Speaker 1>wish I only had the you know, the mind of

0:12:57.480 --> 0:13:01.960
<v Speaker 1>a Homer to translated into poetry. But hey, you know

0:13:02.040 --> 0:13:04.400
<v Speaker 1>one thing we did in that Fatburg episode is we

0:13:04.480 --> 0:13:09.040
<v Speaker 1>proposed a movie crossover, which should be Fatburg copy and

0:13:09.280 --> 0:13:13.080
<v Speaker 1>Officer Fatberg. So we asked if anybody out there is,

0:13:13.440 --> 0:13:16.720
<v Speaker 1>you know, developer in Hollywood or anything, get Fatburg cop going.

0:13:17.200 --> 0:13:19.599
<v Speaker 1>We did hear back from a couple of people, a

0:13:19.640 --> 0:13:22.480
<v Speaker 1>couple of creative types who engage with fat Bergs one

0:13:22.480 --> 0:13:25.400
<v Speaker 1>way or another. Weird from one listener named Tom, who

0:13:25.520 --> 0:13:28.000
<v Speaker 1>shared with us a story he had written about a

0:13:28.040 --> 0:13:31.200
<v Speaker 1>fat Burg that becomes sentient. This was independent of our episode.

0:13:31.240 --> 0:13:33.320
<v Speaker 1>He had already written it in the past. But we

0:13:33.400 --> 0:13:36.080
<v Speaker 1>also heard from our listener L Robert do you want

0:13:36.120 --> 0:13:39.840
<v Speaker 1>to read this one? Yes? L Rights quote. I recently

0:13:39.880 --> 0:13:42.480
<v Speaker 1>listened to your episode on Fatberg's. You had mentioned how

0:13:42.480 --> 0:13:45.040
<v Speaker 1>it would be cool to create an artist rendition of

0:13:45.040 --> 0:13:49.000
<v Speaker 1>an anthropomorphic, murderous and justice seeking Fatburg. Well, being an

0:13:49.040 --> 0:13:51.640
<v Speaker 1>artist myself, I could think of nothing more than to

0:13:51.720 --> 0:13:54.559
<v Speaker 1>do just this. I wanted to make the creature humanoid,

0:13:54.720 --> 0:13:57.120
<v Speaker 1>but also not too human. I ended up with some

0:13:57.240 --> 0:13:59.960
<v Speaker 1>sort of a lizard man cotton made of congealed grease,

0:14:00.480 --> 0:14:03.440
<v Speaker 1>and it turned out more saying than I would have liked.

0:14:04.080 --> 0:14:07.000
<v Speaker 1>Make of that what you will. Maybe Fatburg really is

0:14:07.040 --> 0:14:09.880
<v Speaker 1>the hero. Nevertheless, I enjoyed making this a ight style

0:14:09.920 --> 0:14:13.200
<v Speaker 1>poster art. Robert had mentioned never visiting Philly, Well, come

0:14:13.200 --> 0:14:15.920
<v Speaker 1>on by, I can't recommend it enough. Also, I recently

0:14:16.040 --> 0:14:19.200
<v Speaker 1>visited the Mooder Museum uh the week before the episode. This,

0:14:19.240 --> 0:14:21.080
<v Speaker 1>of course, the museum with all sorts of cool um

0:14:21.480 --> 0:14:26.840
<v Speaker 1>medical oddities. I guess you'd say, men in medical uh um,

0:14:27.800 --> 0:14:31.760
<v Speaker 1>anomalous medical history, graham artifacts of medical history, etcetera. I've

0:14:31.800 --> 0:14:34.040
<v Speaker 1>long wanted to visit there and just never have had

0:14:34.040 --> 0:14:35.800
<v Speaker 1>the chance. It came up in the episode because we

0:14:35.800 --> 0:14:38.840
<v Speaker 1>were talking about the process of supponification, where like lipid

0:14:39.040 --> 0:14:41.760
<v Speaker 1>and fatty acids can turn into soap like substances, and

0:14:41.840 --> 0:14:45.680
<v Speaker 1>one example is a thing that's within the Mooder Museum's collection,

0:14:45.720 --> 0:14:49.120
<v Speaker 1>the soap Lady, and I think also a male uh corpse,

0:14:49.200 --> 0:14:52.520
<v Speaker 1>the soapman, which are covered in this soap like material

0:14:52.560 --> 0:14:54.880
<v Speaker 1>called adapas or that's formed out of the lipids and

0:14:54.960 --> 0:14:58.360
<v Speaker 1>flesh as it decays in certain types of environments I

0:14:58.400 --> 0:15:02.000
<v Speaker 1>think like alkaline environments. All right, l continues, I was

0:15:02.040 --> 0:15:04.560
<v Speaker 1>looking for something to do with friends while nearby, though

0:15:04.640 --> 0:15:07.440
<v Speaker 1>sadly not knowing what I was getting myself into. Listening

0:15:07.440 --> 0:15:10.000
<v Speaker 1>to your description of the soap Lady instantly brought a

0:15:10.000 --> 0:15:12.880
<v Speaker 1>haunting image to my head of the corps that visited

0:15:13.040 --> 0:15:16.240
<v Speaker 1>visitors are greeted with as they entered the main room. Uh.

0:15:16.320 --> 0:15:19.640
<v Speaker 1>This the main room of the Commuter Museum, at least

0:15:19.680 --> 0:15:21.800
<v Speaker 1>I think it was it. I wasn't going to stick

0:15:21.840 --> 0:15:24.280
<v Speaker 1>around to read the description. As soon as I realized

0:15:24.320 --> 0:15:26.120
<v Speaker 1>what I got myself into, I tried to leave as

0:15:26.200 --> 0:15:28.320
<v Speaker 1>soon as I could. Although I can see it's importance

0:15:28.360 --> 0:15:32.560
<v Speaker 1>as medical history and uh and it's importance for research,

0:15:32.760 --> 0:15:35.720
<v Speaker 1>the idea of dead body and fetuses on display just

0:15:35.720 --> 0:15:38.120
<v Speaker 1>didn't settle well with me. Not to say others would.

0:15:38.120 --> 0:15:41.400
<v Speaker 1>It would have a different experience at the very least

0:15:41.400 --> 0:15:43.840
<v Speaker 1>it was a unique experience I attached to the work

0:15:43.880 --> 0:15:46.840
<v Speaker 1>of Officer Fatburgh below. I loved listening to your episode

0:15:46.840 --> 0:15:49.040
<v Speaker 1>as I always do, and I loved listening to your

0:15:49.040 --> 0:15:51.400
<v Speaker 1>show every time I drive or commute. Keep it up

0:15:51.760 --> 0:15:55.560
<v Speaker 1>L from Philly. Okay, So for starters, this art that

0:15:55.800 --> 0:16:00.320
<v Speaker 1>L gave us is tremendous and as of this record thing,

0:16:00.360 --> 0:16:03.160
<v Speaker 1>I've requested that we be allowed to share this with

0:16:03.240 --> 0:16:05.960
<v Speaker 1>the world. On the landing page for this episode is

0:16:06.000 --> 0:16:08.440
<v Speaker 1>stuff to Blow your Mind dot com, So hopefully that

0:16:08.480 --> 0:16:10.680
<v Speaker 1>will be the case and you all can go check

0:16:10.720 --> 0:16:13.000
<v Speaker 1>it out for yourself. It's pretty fun. It's reminiscent of

0:16:13.040 --> 0:16:16.680
<v Speaker 1>things like Maniac Cop and so forth. And then secondly,

0:16:16.880 --> 0:16:19.240
<v Speaker 1>uh yeah, I have to admit that I can as

0:16:19.280 --> 0:16:22.239
<v Speaker 1>interested as I am, and in visiting the Neuter Museum,

0:16:22.360 --> 0:16:24.600
<v Speaker 1>I can imagine it's not everybody's cup of tea, and

0:16:24.680 --> 0:16:28.600
<v Speaker 1>not necessarily everybody's cup of tea every day. Like I,

0:16:29.120 --> 0:16:32.240
<v Speaker 1>you know, some of my interests run uh or have

0:16:32.400 --> 0:16:34.880
<v Speaker 1>run darker or more morbid at times. But in the

0:16:34.960 --> 0:16:36.600
<v Speaker 1>air days where I don't do not want to see

0:16:36.600 --> 0:16:40.640
<v Speaker 1>a soap person or or some sort of pickled remains.

0:16:40.720 --> 0:16:44.520
<v Speaker 1>I mean, for instance, I just watched this is completely

0:16:44.520 --> 0:16:47.600
<v Speaker 1>off topic, but I just watched The Deathly Hallows Part one,

0:16:48.320 --> 0:16:51.040
<v Speaker 1>uh last night Harry Potter and How Its Part one

0:16:51.120 --> 0:16:53.840
<v Speaker 1>last night with my family, and the film was a

0:16:53.880 --> 0:16:56.960
<v Speaker 1>lot darker than I remember it being, uh to the

0:16:57.000 --> 0:16:59.560
<v Speaker 1>point where it really I felt kind of bummed out

0:16:59.600 --> 0:17:02.800
<v Speaker 1>into after finishing it. Yeah. I don't know if my

0:17:02.800 --> 0:17:06.360
<v Speaker 1>my tastes have just changed a lot recently, but it's

0:17:06.400 --> 0:17:08.239
<v Speaker 1>like like that was just it was that was too

0:17:08.320 --> 0:17:11.320
<v Speaker 1>dark of a film for me. Yesterday is definitely how

0:17:11.359 --> 0:17:14.000
<v Speaker 1>is the Last One? It's well, it's the first part

0:17:14.040 --> 0:17:16.000
<v Speaker 1>of the last one, it's the so it's the penultimate

0:17:16.000 --> 0:17:19.760
<v Speaker 1>movie and the Harry Potter sequence of films, so it is.

0:17:19.800 --> 0:17:22.320
<v Speaker 1>It does have kind of ultimately an Empire strikes Back

0:17:22.359 --> 0:17:24.800
<v Speaker 1>kind of ending, because it's like all these terrible things

0:17:24.800 --> 0:17:27.440
<v Speaker 1>that are happening and all these trials of the characters

0:17:27.440 --> 0:17:29.240
<v Speaker 1>have put through. And it's a great movie, Don't get

0:17:29.240 --> 0:17:32.159
<v Speaker 1>me wrong. I think it's a tremendously impressive what they

0:17:32.160 --> 0:17:35.320
<v Speaker 1>did with it. And I love Harry Potter uh and

0:17:35.440 --> 0:17:38.600
<v Speaker 1>as much as anybody, but who that one, I felt

0:17:38.600 --> 0:17:41.520
<v Speaker 1>like it really put me through the ringers, so their

0:17:41.560 --> 0:17:43.399
<v Speaker 1>days when I am not in the mood for the

0:17:43.480 --> 0:17:45.520
<v Speaker 1>darkness of a Harry Potter film Their days when I'm

0:17:45.600 --> 0:17:48.680
<v Speaker 1>I'm definitely not in the mood to see a human

0:17:48.720 --> 0:17:52.760
<v Speaker 1>cadaver that has been partially turned into soap. Fair enough, Robert,

0:17:52.760 --> 0:17:54.840
<v Speaker 1>I will never try to force you to go look

0:17:54.840 --> 0:17:56.679
<v Speaker 1>at the soap lady if you're not feeling it right.

0:17:56.760 --> 0:17:59.199
<v Speaker 1>And if somebody sends us a fat bird chunk, you know,

0:17:59.440 --> 0:18:01.560
<v Speaker 1>maybe it'll be a day day when I'm totally up

0:18:01.560 --> 0:18:03.560
<v Speaker 1>for looking at it. Maybe It'll be a day when

0:18:03.600 --> 0:18:05.359
<v Speaker 1>I just need a um, you know, ask you to

0:18:05.560 --> 0:18:09.080
<v Speaker 1>keep the bag closed. Okay, I think we need to

0:18:09.080 --> 0:18:10.960
<v Speaker 1>take a quick break, but we will be right back.

0:18:11.880 --> 0:18:16.399
<v Speaker 1>Thank Alright, we're back. So Carney has given us the

0:18:16.440 --> 0:18:18.879
<v Speaker 1>sign that we need to move on from fat Burgska

0:18:19.840 --> 0:18:22.919
<v Speaker 1>is full of fat birds. He's currently processing and digesting it,

0:18:23.000 --> 0:18:26.199
<v Speaker 1>turning it into energy. So we're gonna move on to

0:18:26.520 --> 0:18:29.160
<v Speaker 1>some other episodes that we did some listener feedback on them,

0:18:29.200 --> 0:18:34.400
<v Speaker 1>particularly our episode concerning the fundamental attribution error. Right now.

0:18:34.440 --> 0:18:37.360
<v Speaker 1>This was a while back, so we did some messages

0:18:37.400 --> 0:18:39.480
<v Speaker 1>about this on the last listener mail episode, but I

0:18:39.560 --> 0:18:42.040
<v Speaker 1>think this one came in since then. This is from

0:18:42.040 --> 0:18:45.680
<v Speaker 1>our listener, Matthew. Matthew says, greetings, So I am eagerly

0:18:45.720 --> 0:18:49.639
<v Speaker 1>awaiting tonight's finale episode of Game of Thrones. It is

0:18:49.640 --> 0:18:51.800
<v Speaker 1>one of the few shows or movies that I value

0:18:51.840 --> 0:18:54.800
<v Speaker 1>experiencing along with the rest of the world. This last

0:18:54.840 --> 0:18:58.000
<v Speaker 1>season has been taking a lot of flak from online critics,

0:18:58.080 --> 0:19:01.399
<v Speaker 1>and I myself have felt the declining quality. While thinking

0:19:01.440 --> 0:19:03.760
<v Speaker 1>through the seasons and talking to my wife, I came

0:19:03.800 --> 0:19:07.040
<v Speaker 1>to the conclusion that it was mainly because of characters

0:19:07.080 --> 0:19:10.600
<v Speaker 1>acting out of their expected behaviors as established over the

0:19:10.640 --> 0:19:14.399
<v Speaker 1>past seven seasons. Having listened to your recent cast on

0:19:14.520 --> 0:19:18.200
<v Speaker 1>fundamental attribution error, I began to think about the stories

0:19:18.240 --> 0:19:21.920
<v Speaker 1>players on a grander scale, about the society and why

0:19:22.000 --> 0:19:24.840
<v Speaker 1>the characters within that society are acting the way they are,

0:19:25.160 --> 0:19:29.040
<v Speaker 1>as opposed to out of solely personal motivations. It made

0:19:29.080 --> 0:19:31.800
<v Speaker 1>me feel so intelligent when I came across this article

0:19:31.880 --> 0:19:35.199
<v Speaker 1>by an actual smart person discussing this very subject with

0:19:35.320 --> 0:19:40.399
<v Speaker 1>direct references to fundamental attribution error. Basically, the show's focus

0:19:40.520 --> 0:19:44.679
<v Speaker 1>switched from a broad society based story where something like

0:19:44.720 --> 0:19:47.280
<v Speaker 1>the death of a main character progressed the narrative for

0:19:47.320 --> 0:19:50.000
<v Speaker 1>everyone else and he says that that's more in line

0:19:50.000 --> 0:19:53.720
<v Speaker 1>with George R. Martin's novels, and it switched to an

0:19:53.720 --> 0:19:58.960
<v Speaker 1>individual focus narrative where each character's own psychology is being explored,

0:19:59.000 --> 0:20:02.560
<v Speaker 1>which is the Hollywood's green writers more common approach. Thank

0:20:02.600 --> 0:20:05.000
<v Speaker 1>you for equipping me to think about even mundane things

0:20:05.040 --> 0:20:08.680
<v Speaker 1>like TV shows about dragons on a deep, almost academic level.

0:20:08.960 --> 0:20:11.399
<v Speaker 1>Keep up the good work. Invention is awesome. You guys

0:20:11.400 --> 0:20:13.040
<v Speaker 1>have long been the first thing I look for in

0:20:13.080 --> 0:20:16.680
<v Speaker 1>my new releases list each week Matthew, and Matthew links

0:20:16.720 --> 0:20:18.280
<v Speaker 1>to this article he's talking about, and this is what

0:20:18.400 --> 0:20:20.679
<v Speaker 1>I had seen shared around a while, but I actually

0:20:20.960 --> 0:20:23.200
<v Speaker 1>didn't read it until just today. It's an article in

0:20:23.240 --> 0:20:26.520
<v Speaker 1>Scientific American by zep two fact she is, who's a

0:20:26.560 --> 0:20:29.520
<v Speaker 1>really good writer. I'd seen it going around, but I'm

0:20:29.560 --> 0:20:31.440
<v Speaker 1>glad I read it because I think I pretty much

0:20:31.440 --> 0:20:34.240
<v Speaker 1>agree with it about a hundred percent. It's very spot

0:20:34.280 --> 0:20:38.840
<v Speaker 1>on in analyzing how the show's storytelling mode changed over time,

0:20:38.920 --> 0:20:42.639
<v Speaker 1>especially after the show ran out of book material to

0:20:42.680 --> 0:20:46.680
<v Speaker 1>work with. Um And And the essential idea is that

0:20:47.160 --> 0:20:51.040
<v Speaker 1>in the in the books, characters are hugely driven by

0:20:51.080 --> 0:20:55.320
<v Speaker 1>circumstances by you know, the sort of like social pressures

0:20:55.320 --> 0:20:58.240
<v Speaker 1>on them and the norms they face and by you know,

0:20:58.359 --> 0:21:02.400
<v Speaker 1>events outside their control, and we we we constantly see

0:21:02.480 --> 0:21:05.560
<v Speaker 1>characters having to deal with all of these circumstantial pressures,

0:21:05.600 --> 0:21:09.840
<v Speaker 1>and we understand the influence of circumstantial pressures. And after

0:21:09.960 --> 0:21:12.480
<v Speaker 1>the book material ran out and the show runners were

0:21:12.480 --> 0:21:15.160
<v Speaker 1>more out on their own, it started to feel more

0:21:15.280 --> 0:21:18.679
<v Speaker 1>like a typical Hollywood screenplay, where like characters have like

0:21:18.720 --> 0:21:22.679
<v Speaker 1>a main defining personality attribute and everything they do is

0:21:22.680 --> 0:21:27.720
<v Speaker 1>pretty much in line with that main personality attribute. Yeah,

0:21:27.760 --> 0:21:30.320
<v Speaker 1>this is interest, especially you know, coming from HBO. And

0:21:30.359 --> 0:21:33.680
<v Speaker 1>granted these were different show runners, but I feel like, um,

0:21:33.720 --> 0:21:37.080
<v Speaker 1>I feel it feel like The Wire, um for instance,

0:21:37.560 --> 0:21:41.440
<v Speaker 1>did a great job of really I think throughout the series,

0:21:41.480 --> 0:21:44.800
<v Speaker 1>like focusing on the societal pressures that are making people

0:21:45.200 --> 0:21:47.840
<v Speaker 1>what they are. Yeah. I mean David Simon in interviews

0:21:47.880 --> 0:21:50.800
<v Speaker 1>has talked about, you know, like in the in his work,

0:21:50.880 --> 0:21:54.399
<v Speaker 1>especially in The Wire, like the gods of this Greek

0:21:54.400 --> 0:21:57.520
<v Speaker 1>tragedy are instead of being like Zeus and Poseidon and

0:21:57.560 --> 0:22:01.600
<v Speaker 1>so forth, their institutions uh there, you know, it's it's government.

0:22:01.720 --> 0:22:05.200
<v Speaker 1>It's uh, it's law enforcement, it's a you know whatever.

0:22:05.200 --> 0:22:08.480
<v Speaker 1>The particular institution is that is applying this pressure to

0:22:09.320 --> 0:22:14.200
<v Speaker 1>populations to individuals. And yeah, I feel like that sort

0:22:14.240 --> 0:22:17.480
<v Speaker 1>of thing is is more evident in the earlier seasons

0:22:17.480 --> 0:22:21.399
<v Speaker 1>of Game of Thrones and then almost completely gone in

0:22:21.440 --> 0:22:24.720
<v Speaker 1>the later seasons. The last couple of seasons particularly yeah

0:22:24.800 --> 0:22:28.280
<v Speaker 1>and uh and actually zanat affect, she makes exactly that

0:22:28.320 --> 0:22:31.320
<v Speaker 1>comparison to the Wire, so she does, okay, so yeah, uh, yeah.

0:22:31.400 --> 0:22:32.919
<v Speaker 1>I think The Wire is a great example of that.

0:22:32.960 --> 0:22:34.720
<v Speaker 1>A lot of the great shows are like that in

0:22:34.720 --> 0:22:38.160
<v Speaker 1>in a way, even though it's it's more focused on

0:22:38.320 --> 0:22:41.520
<v Speaker 1>individual psychology, but even The Sopranos is kind of like this.

0:22:41.640 --> 0:22:44.400
<v Speaker 1>It has a it has a sociological kind of feel.

0:22:44.440 --> 0:22:48.240
<v Speaker 1>They're like there are large movements and pressures and trends

0:22:48.359 --> 0:22:52.639
<v Speaker 1>at play and characters. You constantly see characters struggling with

0:22:52.680 --> 0:22:56.200
<v Speaker 1>their circumstances and being moved by them and not just

0:22:56.320 --> 0:23:01.080
<v Speaker 1>like acting out their dominant personality traits, right, you know,

0:23:01.160 --> 0:23:03.639
<v Speaker 1>I I do not want to make it sound like

0:23:03.680 --> 0:23:07.800
<v Speaker 1>I am attributing Hollywood with all of society's woes or

0:23:07.880 --> 0:23:11.720
<v Speaker 1>blaming superhero movies in particular, but I think it is

0:23:11.760 --> 0:23:15.920
<v Speaker 1>worth noting that, you know, um, certainly Matthew here mentions

0:23:15.960 --> 0:23:20.040
<v Speaker 1>the Hollywood screenwriter approach and that being focused on individuals,

0:23:20.200 --> 0:23:23.160
<v Speaker 1>and of course Hollywood is epicenter for our our our

0:23:23.200 --> 0:23:26.359
<v Speaker 1>focus on celebrities. To focus on these key individuals that

0:23:26.400 --> 0:23:31.480
<v Speaker 1>we've sent singled out for deification and vilification, um to um,

0:23:31.480 --> 0:23:35.080
<v Speaker 1>to lift up into sacrifice. This need be to satiate

0:23:35.119 --> 0:23:39.560
<v Speaker 1>our our, our our need for some sort of vicarious experience.

0:23:40.080 --> 0:23:44.760
<v Speaker 1>And um, it's I wonder you know what the dangers

0:23:44.760 --> 0:23:48.000
<v Speaker 1>are and been putting that much. Um, you know, cultural

0:23:48.080 --> 0:23:53.000
<v Speaker 1>power within a single you know, a single system, well,

0:23:53.080 --> 0:23:55.440
<v Speaker 1>especially one that, as we talked about in the episode,

0:23:55.600 --> 0:23:59.760
<v Speaker 1>is is very often given to the fundamental attribution error.

0:23:59.800 --> 0:24:02.920
<v Speaker 1>I and like, I think a lot of especially the weaker,

0:24:03.320 --> 0:24:07.280
<v Speaker 1>shallower kinds of you know, popular Hollywood storytelling, very much

0:24:07.320 --> 0:24:11.200
<v Speaker 1>fall into the FA kind of category where characters behaviors

0:24:11.200 --> 0:24:15.919
<v Speaker 1>are almost entirely explained by their like innate qualities and predispositions,

0:24:15.960 --> 0:24:19.840
<v Speaker 1>and there's really not much attention paid to like broader

0:24:19.920 --> 0:24:23.600
<v Speaker 1>trends and sidal pressures and circumstances that change the way

0:24:23.640 --> 0:24:27.639
<v Speaker 1>people are right and and with superheroes, and and I

0:24:27.680 --> 0:24:30.359
<v Speaker 1>do again I want to stress that I enjoy superhero movies,

0:24:30.760 --> 0:24:33.560
<v Speaker 1>and I'm not I'm not meaning to criticize them just

0:24:33.600 --> 0:24:38.320
<v Speaker 1>across the board, but superhero movies are movies about individuals

0:24:38.320 --> 0:24:41.480
<v Speaker 1>that are essentially God's uh that they may have you know,

0:24:42.200 --> 0:24:46.720
<v Speaker 1>flawed characteristics and even very human characteristics in some uh

0:24:46.920 --> 0:24:48.840
<v Speaker 1>some ways, which can of course be very much in

0:24:48.920 --> 0:24:52.560
<v Speaker 1>keeping with with you know, classical treatments of gods, but

0:24:52.720 --> 0:24:57.440
<v Speaker 1>they are they are individuals that that that apply pressure

0:24:57.520 --> 0:25:00.000
<v Speaker 1>more to society or seem to be you know, complete

0:25:00.080 --> 0:25:04.879
<v Speaker 1>the remove from societal pressure in some cases. And um,

0:25:05.240 --> 0:25:09.320
<v Speaker 1>if when those are the dominant stories that we're telling,

0:25:09.359 --> 0:25:10.960
<v Speaker 1>those are the ones that seem to have the most

0:25:11.000 --> 0:25:13.800
<v Speaker 1>cultural impact, and certainly have them, you know, the most

0:25:13.840 --> 0:25:17.920
<v Speaker 1>box office impact. Does that uh? Does that just serve

0:25:18.040 --> 0:25:21.600
<v Speaker 1>to to help reinforce the fundamental attribution error in our

0:25:21.840 --> 0:25:25.080
<v Speaker 1>popular storytelling. I think that's that you could very well

0:25:25.119 --> 0:25:28.120
<v Speaker 1>make that case. I think that's likely true. That being said,

0:25:28.119 --> 0:25:32.840
<v Speaker 1>I may be missing some really key examples of of films,

0:25:33.359 --> 0:25:35.720
<v Speaker 1>you know, particularly in non Hollywood films, but maybe some

0:25:35.800 --> 0:25:39.639
<v Speaker 1>big tent pictures as well that that run counter to this.

0:25:39.760 --> 0:25:41.679
<v Speaker 1>So I would love to hear from listeners who have

0:25:41.720 --> 0:25:46.800
<v Speaker 1>some really good examples of of films that avoid the

0:25:46.840 --> 0:25:50.640
<v Speaker 1>fundamental attribution eraor I think there's one reason you more

0:25:50.680 --> 0:25:54.520
<v Speaker 1>often see uh like non f A storytelling and more

0:25:54.560 --> 0:26:00.880
<v Speaker 1>like sociological or circumstance based storytelling in longer television series these. Uh.

0:26:00.920 --> 0:26:03.160
<v Speaker 1>And that's just like having to do with the efficiency

0:26:03.200 --> 0:26:06.040
<v Speaker 1>of storytelling and run time. It's hard to tell a

0:26:06.160 --> 0:26:08.600
<v Speaker 1>story that's not a little bit given to the f

0:26:08.720 --> 0:26:11.480
<v Speaker 1>A E in a short run time, you know, because

0:26:11.520 --> 0:26:15.320
<v Speaker 1>you need to identify themes really quickly and and identify

0:26:15.359 --> 0:26:18.280
<v Speaker 1>who characters are in a memorable way really quickly. You

0:26:18.280 --> 0:26:20.720
<v Speaker 1>don't have whole seasons to figure out who people are

0:26:20.840 --> 0:26:22.760
<v Speaker 1>and get a sense of them. Oh yeah, Well, like

0:26:22.800 --> 0:26:25.320
<v Speaker 1>with The Wire, for instance, they had the time to

0:26:25.720 --> 0:26:30.840
<v Speaker 1>provide characters and secondary character, primary and secondary characters at

0:26:30.840 --> 0:26:33.560
<v Speaker 1>all levels of society. So you had, you know, you

0:26:33.600 --> 0:26:36.320
<v Speaker 1>had you had people on law enforcement side, people that

0:26:36.440 --> 0:26:40.000
<v Speaker 1>were in the criminal element in the sale and the

0:26:40.040 --> 0:26:44.000
<v Speaker 1>trafficking of drugs, but then also the political spectrum, the

0:26:44.119 --> 0:26:46.919
<v Speaker 1>educational spectrum, you know, and they were able to layer

0:26:47.080 --> 0:26:50.160
<v Speaker 1>on more from season to season to provide this overall

0:26:50.480 --> 0:26:54.440
<v Speaker 1>ultimately holistic picture of how the world worked. Yeah, and

0:26:54.480 --> 0:26:56.919
<v Speaker 1>doing something doing that kind of thing. You need time

0:26:56.920 --> 0:27:00.000
<v Speaker 1>to do that, and it's really hard to tell a story,

0:27:00.480 --> 0:27:04.520
<v Speaker 1>uh that you know, that appropriately treats the influence of

0:27:04.560 --> 0:27:08.280
<v Speaker 1>circumstances and all that without doing something like that. So yeah,

0:27:08.320 --> 0:27:10.919
<v Speaker 1>I can see why this kind of storytelling shows up

0:27:10.960 --> 0:27:13.120
<v Speaker 1>more often on like the you know, the gold standard

0:27:13.119 --> 0:27:16.400
<v Speaker 1>TV series than it does in movies. Yeah, yeah, because ultimately,

0:27:16.400 --> 0:27:18.720
<v Speaker 1>of you know, if a movie can basically cover the

0:27:18.720 --> 0:27:21.080
<v Speaker 1>ground of a short story, a short story is going

0:27:21.119 --> 0:27:24.080
<v Speaker 1>to be limited generally to like one p O V. Like,

0:27:24.119 --> 0:27:26.720
<v Speaker 1>there's not a lot generally not much room for anything

0:27:26.760 --> 0:27:31.240
<v Speaker 1>beyond that. Alright, Well, speaking of created worlds, we have

0:27:31.280 --> 0:27:34.120
<v Speaker 1>a correction here. This one comes to us from Steve Um.

0:27:34.240 --> 0:27:36.639
<v Speaker 1>I can't even was this a previous Listener mail episode

0:27:36.680 --> 0:27:38.800
<v Speaker 1>we were talking about. I think it was on the

0:27:38.880 --> 0:27:42.760
<v Speaker 1>last Listener Mail episode we did. Somebody wrote in, uh,

0:27:42.920 --> 0:27:46.280
<v Speaker 1>wrote in with an email that incorrectly attributed the author

0:27:46.400 --> 0:27:49.280
<v Speaker 1>of a story, and we did not catch that right.

0:27:49.560 --> 0:27:51.840
<v Speaker 1>So anyway, Steve writes in and says, in your recent

0:27:51.960 --> 0:27:56.080
<v Speaker 1>listener email, uh, it was slated that John Scalz wrote

0:27:56.240 --> 0:28:00.320
<v Speaker 1>the Forever War. That is incorrect. Joe Halderman wrote the

0:28:00.359 --> 0:28:04.679
<v Speaker 1>Forever War, which yes, this is correct. Yes, the author

0:28:04.680 --> 0:28:09.520
<v Speaker 1>of The Forever War is Joe Halderman. Okay, we stand corrected. Yes, yeah,

0:28:09.560 --> 0:28:11.200
<v Speaker 1>I mean and I've read The Forever War, so I

0:28:11.200 --> 0:28:14.080
<v Speaker 1>should have remembered that one. But at any rate, stuff

0:28:14.119 --> 0:28:17.800
<v Speaker 1>goes by really fast while we're sitting here talking. All right,

0:28:17.840 --> 0:28:19.679
<v Speaker 1>here's another one. This one comes to us from Chris

0:28:19.680 --> 0:28:23.800
<v Speaker 1>regarding our Almost Cannibals episode, which was, you know, a

0:28:23.840 --> 0:28:26.520
<v Speaker 1>contemplation of well, you know, how do we classify things

0:28:26.520 --> 0:28:29.520
<v Speaker 1>that are not quite cannibalism in the animal world and

0:28:29.520 --> 0:28:33.120
<v Speaker 1>occasionally in the human world. Uh, they're not quite cannibalism,

0:28:33.119 --> 0:28:35.520
<v Speaker 1>but they're almost cannibalism. It's all almost close in one

0:28:35.520 --> 0:28:39.520
<v Speaker 1>way or another pre cannibalism. Right, So Chris writes in

0:28:39.600 --> 0:28:41.520
<v Speaker 1>and says, hey, checking in on a couple of recent

0:28:41.520 --> 0:28:43.920
<v Speaker 1>episodes of Stuff to Blow your mind and invention, and boy,

0:28:43.960 --> 0:28:46.160
<v Speaker 1>do I have a crossover story for you. In your

0:28:46.200 --> 0:28:49.000
<v Speaker 1>recent episode on Almost Cannibals, you mentioned a story about

0:28:49.000 --> 0:28:51.840
<v Speaker 1>an army roasting meat and eating in close proximity to

0:28:51.920 --> 0:28:56.320
<v Speaker 1>fallen soldiers from an opposing force. Uh. And this, by

0:28:56.360 --> 0:28:59.720
<v Speaker 1>the way, this was like an older you know, a

0:28:59.760 --> 0:29:03.280
<v Speaker 1>true you did detail from history that you know was

0:29:03.320 --> 0:29:06.360
<v Speaker 1>probably rolled out as a way to criticize the enemy

0:29:06.360 --> 0:29:08.959
<v Speaker 1>and make them seem more barbaric. Uh. You know, as

0:29:09.000 --> 0:29:10.800
<v Speaker 1>if to say, let's look at these people. They're not

0:29:10.800 --> 0:29:13.400
<v Speaker 1>cannibals yet, but they're just like just one stumble away

0:29:13.440 --> 0:29:16.920
<v Speaker 1>from it. Anyway, it continues, and that there were rumors

0:29:17.160 --> 0:29:19.760
<v Speaker 1>that the army were cannibals because of this. Well, my

0:29:19.840 --> 0:29:22.120
<v Speaker 1>story is about my grandfather who was in the ninety

0:29:22.120 --> 0:29:25.040
<v Speaker 1>five Infantry Division during World War two. Uh. And he

0:29:25.080 --> 0:29:28.160
<v Speaker 1>includes a short link to a video about them this.

0:29:28.560 --> 0:29:31.880
<v Speaker 1>He earned his nickname during the war as the Buzzard

0:29:32.080 --> 0:29:34.240
<v Speaker 1>as an unfortunate part of his job was to remove

0:29:34.280 --> 0:29:37.479
<v Speaker 1>bodies from the field and take them off the trucks

0:29:37.520 --> 0:29:40.040
<v Speaker 1>when they returned to the base the moniker. The buzzard

0:29:40.080 --> 0:29:42.000
<v Speaker 1>was applied because he was known to pull bodies from

0:29:42.000 --> 0:29:45.200
<v Speaker 1>the truck with one hand and have a ham sandwich

0:29:45.240 --> 0:29:47.960
<v Speaker 1>and the other WHOA, It's amazing what the human mind

0:29:47.960 --> 0:29:50.440
<v Speaker 1>can normalize during the horrors of war. I am by

0:29:50.440 --> 0:29:52.920
<v Speaker 1>no means in insinuating that he was a cannibal, but

0:29:53.040 --> 0:29:55.560
<v Speaker 1>the bit about eating too close to dead bodies sparked

0:29:55.560 --> 0:29:59.160
<v Speaker 1>a memory. The second tie in comes Once he returned home.

0:29:59.440 --> 0:30:01.600
<v Speaker 1>My grandp and it's house was three blocks from our

0:30:01.680 --> 0:30:06.360
<v Speaker 1>small town two thousand people funeral home. Um, here is

0:30:06.400 --> 0:30:09.160
<v Speaker 1>where the camera comes in. We recently did a whole

0:30:09.160 --> 0:30:13.880
<v Speaker 1>slew of episodes of Invention about the camera. Once he

0:30:13.920 --> 0:30:16.840
<v Speaker 1>came back from the war, he would go to every

0:30:16.880 --> 0:30:19.040
<v Speaker 1>week where the person was laid out at the funeral

0:30:19.040 --> 0:30:20.800
<v Speaker 1>home and take a picture of them in the casket.

0:30:21.040 --> 0:30:23.480
<v Speaker 1>You mentioned in the episode on the Camera about how

0:30:23.520 --> 0:30:26.760
<v Speaker 1>early photo photography was used to document deceased relatives. He

0:30:26.840 --> 0:30:29.920
<v Speaker 1>would then develop the film and annotate the back of

0:30:29.920 --> 0:30:32.800
<v Speaker 1>the photograph with named date of birth, death, etcetera, and

0:30:32.840 --> 0:30:36.520
<v Speaker 1>all the photos would be out in albums. When he died,

0:30:36.600 --> 0:30:39.800
<v Speaker 1>he had dozens and dozens of albums filled with these photos.

0:30:40.560 --> 0:30:43.040
<v Speaker 1>He never talked about the war or really anything much,

0:30:43.280 --> 0:30:45.360
<v Speaker 1>but I have to imagine that what he saw on

0:30:45.520 --> 0:30:47.680
<v Speaker 1>serving changed the way he viewed life and death, and

0:30:47.720 --> 0:30:50.720
<v Speaker 1>his photographs of those who had died were his own

0:30:50.760 --> 0:30:54.760
<v Speaker 1>way of remembering them. Cheers Chris. Wow, Well that's an

0:30:54.800 --> 0:30:56.719
<v Speaker 1>interesting story. I don't know what to make about that,

0:30:56.760 --> 0:30:59.200
<v Speaker 1>but thank you for sharing. Chris. Yeah, I mean it's

0:30:59.240 --> 0:31:01.560
<v Speaker 1>I think it's a very point about the horrors of war.

0:31:01.640 --> 0:31:05.880
<v Speaker 1>I mean, a lot of us, maybe most of those

0:31:05.920 --> 0:31:08.239
<v Speaker 1>listening to us, you know, we were far removed from

0:31:08.320 --> 0:31:11.200
<v Speaker 1>those horrors. Um. You know, certainly we we do hear

0:31:12.000 --> 0:31:14.560
<v Speaker 1>from time to time from individuals who have served in

0:31:14.600 --> 0:31:19.080
<v Speaker 1>combat situations or law enforcements to environments, or or you know,

0:31:19.240 --> 0:31:22.600
<v Speaker 1>in some way or another, have have had you know,

0:31:23.440 --> 0:31:26.760
<v Speaker 1>this level of violence impact their lives. But for a

0:31:26.800 --> 0:31:29.240
<v Speaker 1>lot of us, we are removed from it. So, you know,

0:31:29.320 --> 0:31:31.560
<v Speaker 1>we we don't know what it's like to have to

0:31:32.280 --> 0:31:34.440
<v Speaker 1>haul dead bodies around and at the same time deal

0:31:34.440 --> 0:31:36.040
<v Speaker 1>with the fact that you have to eat, you have

0:31:36.120 --> 0:31:38.480
<v Speaker 1>to have sandwich, and maybe you do have a sandwich

0:31:38.520 --> 0:31:40.560
<v Speaker 1>in one hand, and then likewise when it comes to

0:31:40.680 --> 0:31:44.840
<v Speaker 1>just dealing with with with death. I mean, I'm wondering

0:31:44.880 --> 0:31:47.480
<v Speaker 1>about this case with the grandfather to like being a

0:31:47.600 --> 0:31:51.120
<v Speaker 1>you know, an older individual, like perhaps they had memories

0:31:51.160 --> 0:31:53.960
<v Speaker 1>of of you know, of of a time when there

0:31:53.960 --> 0:31:57.240
<v Speaker 1>were more there was more photography to a funeral photography

0:31:57.280 --> 0:32:00.200
<v Speaker 1>taking place, and you know there therefore they're just kind

0:32:00.240 --> 0:32:02.920
<v Speaker 1>of you know, returning to those memories and um and

0:32:03.080 --> 0:32:06.400
<v Speaker 1>doing it themselves. I don't know, but but yeah, this

0:32:06.480 --> 0:32:08.400
<v Speaker 1>was certainly all food for thoughts, So it looks like

0:32:08.440 --> 0:32:11.480
<v Speaker 1>we need to move on to the next group of

0:32:11.480 --> 0:32:14.760
<v Speaker 1>listener mail. This was in response to our episode against

0:32:14.840 --> 0:32:18.160
<v Speaker 1>the phrase survival of the Fittest in the context of

0:32:18.320 --> 0:32:22.440
<v Speaker 1>explaining how evolution works. And so we got some responses

0:32:22.480 --> 0:32:24.000
<v Speaker 1>just to the episode in general, and we've got a

0:32:24.080 --> 0:32:29.000
<v Speaker 1>number of responses, some mega responses to Pokemon, which Robert,

0:32:29.000 --> 0:32:31.520
<v Speaker 1>I think you brought up at the end of the episode, right, yeah,

0:32:31.560 --> 0:32:33.920
<v Speaker 1>I mean part of it just is because I'm I'm

0:32:33.960 --> 0:32:36.600
<v Speaker 1>too old for Pokemon, was I id or at least

0:32:36.600 --> 0:32:38.480
<v Speaker 1>I didn't. I never did anything with Pokemon, so I

0:32:38.480 --> 0:32:41.440
<v Speaker 1>don't have an appreciation for it. But I realize, you know,

0:32:41.520 --> 0:32:44.400
<v Speaker 1>just from being online, that it is really important to

0:32:44.480 --> 0:32:47.800
<v Speaker 1>many people, and and that Pokemon becomes like a metaphor

0:32:47.840 --> 0:32:50.600
<v Speaker 1>for understanding various things in life. And so they made

0:32:50.640 --> 0:32:53.720
<v Speaker 1>me curious about, well, how does that play into understandings

0:32:53.760 --> 0:32:56.160
<v Speaker 1>of evolution. Is it helpful, is it a hindrance, etcetera.

0:32:56.280 --> 0:32:58.080
<v Speaker 1>And so we put that out the listeners to chime in.

0:32:58.440 --> 0:33:00.280
<v Speaker 1>We heard from a lot. Well, I think maybe should

0:33:00.280 --> 0:33:02.560
<v Speaker 1>do a general email about the episode first and then

0:33:02.600 --> 0:33:05.440
<v Speaker 1>we'll do the Pokemon one. Okay, So this first one

0:33:05.520 --> 0:33:08.680
<v Speaker 1>comes from our listener Lloyd. Lloyd says, Hi, guys, love

0:33:08.720 --> 0:33:11.440
<v Speaker 1>your podcast. I listened with interest to your episode on

0:33:11.560 --> 0:33:14.520
<v Speaker 1>natural selection and Survival of the Fittest. I agree with

0:33:14.560 --> 0:33:17.360
<v Speaker 1>your point that the latter phrase is not linguistically apt

0:33:17.440 --> 0:33:19.960
<v Speaker 1>when a modern sembilance of the phrase is applied. However,

0:33:20.240 --> 0:33:23.080
<v Speaker 1>I wondered if this overlooks the fact that fittest may

0:33:23.120 --> 0:33:25.760
<v Speaker 1>have had a slightly different meaning at the time when

0:33:25.760 --> 0:33:29.960
<v Speaker 1>Spencer Wallace and Darwin We're discussing it. You considered fittest

0:33:30.000 --> 0:33:32.480
<v Speaker 1>to mean the biggest and the strongest, as in the

0:33:32.520 --> 0:33:36.560
<v Speaker 1>bigger batterism you talked about. However, the word fittest literally

0:33:36.600 --> 0:33:40.200
<v Speaker 1>means the best fit, most fit, or most suitable. Fit

0:33:40.320 --> 0:33:43.200
<v Speaker 1>has only recently come to mean physically fit, and has

0:33:43.240 --> 0:33:46.160
<v Speaker 1>in the past meant something more akin too suitable, as

0:33:46.160 --> 0:33:49.400
<v Speaker 1>in the phrase this man is a fit and proper person.

0:33:49.800 --> 0:33:53.320
<v Speaker 1>In your podcast, you also considered survival to mean survival

0:33:53.360 --> 0:33:56.600
<v Speaker 1>of the individual. However, it also means survival of the

0:33:56.600 --> 0:34:00.840
<v Speaker 1>species considered this way, survival of the fittest, survival of

0:34:00.880 --> 0:34:03.880
<v Speaker 1>the species best fitted, or you might say, most suitable

0:34:03.960 --> 0:34:07.520
<v Speaker 1>to its environment. I therefore find myself agreeing with Wallace

0:34:07.560 --> 0:34:09.640
<v Speaker 1>to some extent that it is a good and in

0:34:09.719 --> 0:34:13.279
<v Speaker 1>some sense is better descriptor of the evolutionary process than

0:34:13.320 --> 0:34:16.680
<v Speaker 1>the phrase natural selection. I would suggest that the better

0:34:16.800 --> 0:34:19.520
<v Speaker 1>argument for use of the term natural selection is that

0:34:19.560 --> 0:34:23.319
<v Speaker 1>it suggests a kind of positive advancement or natural refinement.

0:34:23.719 --> 0:34:26.880
<v Speaker 1>By contrast, survival of the most suitable or the fittest

0:34:26.960 --> 0:34:30.000
<v Speaker 1>draws on the more nihilistic side of evolution that those

0:34:30.040 --> 0:34:32.480
<v Speaker 1>who are not the most suitable are destined to decline.

0:34:32.719 --> 0:34:36.800
<v Speaker 1>That is, of course true, but it's pretty depressing. Yours faithfully, Lloyd.

0:34:37.480 --> 0:34:40.080
<v Speaker 1>Um Well, Lloyd, I mean I think I accepted a

0:34:40.080 --> 0:34:41.520
<v Speaker 1>lot of the sense of what you're saying. I mean,

0:34:42.160 --> 0:34:45.080
<v Speaker 1>what you're describing is I think how Darwin and Wallace,

0:34:45.080 --> 0:34:47.280
<v Speaker 1>since Spencer meant it as we discussed in the episode.

0:34:47.320 --> 0:34:50.640
<v Speaker 1>I mean, I don't think they were they were saying

0:34:50.640 --> 0:34:54.040
<v Speaker 1>anything incorrect when they use the phrase. We were talking

0:34:54.080 --> 0:34:58.480
<v Speaker 1>more about the the modern implications that people get from

0:34:58.520 --> 0:35:01.240
<v Speaker 1>the baggage of these words. It's not that like Darwin

0:35:01.320 --> 0:35:04.279
<v Speaker 1>and Wallace were incorrect and how they used it. Yeah,

0:35:04.280 --> 0:35:08.680
<v Speaker 1>I mean, certainly the words uh, words can change over time,

0:35:08.800 --> 0:35:12.879
<v Speaker 1>or at least the they can. They can skew different directions. Uh,

0:35:12.920 --> 0:35:15.920
<v Speaker 1>and then we have to, um, we have to you know,

0:35:15.920 --> 0:35:18.759
<v Speaker 1>account for that. Also, words tend to I mean, when

0:35:18.800 --> 0:35:21.800
<v Speaker 1>there's a phrase like natural selection or survival of the fittest,

0:35:22.080 --> 0:35:25.760
<v Speaker 1>we have to deal with the fact that, in Darwin's context,

0:35:25.880 --> 0:35:28.600
<v Speaker 1>this is a phrase that's appearing within a book, you know,

0:35:28.640 --> 0:35:30.960
<v Speaker 1>so he's got a whole book to explain what he means.

0:35:32.040 --> 0:35:34.840
<v Speaker 1>But these phrases now are just sort of floating free

0:35:35.000 --> 0:35:38.200
<v Speaker 1>within the culture and there you know, people invoke these

0:35:38.200 --> 0:35:40.799
<v Speaker 1>phrases to explain how evolution works, but they might not

0:35:40.840 --> 0:35:44.280
<v Speaker 1>necessarily bring with them all of the explanation that comes,

0:35:44.280 --> 0:35:47.160
<v Speaker 1>like say, in on the Origin of species. So you

0:35:47.200 --> 0:35:48.960
<v Speaker 1>don't have a book in front of you all the time.

0:35:49.000 --> 0:35:52.239
<v Speaker 1>You have to think about how phrases are just received

0:35:52.280 --> 0:35:55.759
<v Speaker 1>in in a vacuum. All right, Well here's one. Here's

0:35:55.760 --> 0:35:57.480
<v Speaker 1>one of the Pokemon of spots. This this comes to

0:35:57.520 --> 0:36:00.440
<v Speaker 1>us from Taylor. Hey, Robert and Joe Taylor here, another

0:36:00.440 --> 0:36:03.600
<v Speaker 1>long time fan and email writer. When Robert asked the

0:36:03.600 --> 0:36:06.120
<v Speaker 1>audience to reach out with their Pokemon experiences at the

0:36:06.200 --> 0:36:08.680
<v Speaker 1>end of against Survival of the Fittest, it was a

0:36:08.719 --> 0:36:11.880
<v Speaker 1>bespoke question for me, as a student of evolutionary biology

0:36:11.920 --> 0:36:14.319
<v Speaker 1>and one of the biggest Pokemon nerds you'll ever meet.

0:36:14.600 --> 0:36:17.759
<v Speaker 1>I couldn't resist saying everything I could, so let's get

0:36:17.840 --> 0:36:20.759
<v Speaker 1>right to it. When a Pokemon quote unquote evolves within

0:36:20.760 --> 0:36:22.920
<v Speaker 1>the context of the game, it matures into a larger,

0:36:22.960 --> 0:36:27.359
<v Speaker 1>more powerful form and benefits from increased combat stats. Well,

0:36:27.400 --> 0:36:29.880
<v Speaker 1>this might look like a terrible case of bigger batterism

0:36:29.880 --> 0:36:33.920
<v Speaker 1>on the surface, the Pokemon franchise approaches adaptation and biodiversity

0:36:34.120 --> 0:36:36.840
<v Speaker 1>with much more nuanced than you might expect. While the

0:36:36.880 --> 0:36:39.560
<v Speaker 1>game uses the term evolution to describe this growth, it's

0:36:39.600 --> 0:36:42.240
<v Speaker 1>clear within the context of the game the Pokemon evolution

0:36:42.320 --> 0:36:45.239
<v Speaker 1>is a descriptive is a is a is descriptive of

0:36:45.239 --> 0:36:49.520
<v Speaker 1>a Pokemon species maturation and natural life cycle, and not

0:36:49.680 --> 0:36:53.360
<v Speaker 1>of natural selection. This distinction is especially clear when Pokemon

0:36:53.400 --> 0:36:57.080
<v Speaker 1>evolution represents the metamorphosis of a species. For example, when

0:36:57.080 --> 0:37:02.480
<v Speaker 1>the larval Pokemon wheel evolved into the pup eight Kakuna

0:37:02.520 --> 0:37:05.920
<v Speaker 1>before emerging as the wasp like be Drill at the

0:37:06.000 --> 0:37:08.759
<v Speaker 1>end of its life cycle, or when the tadpole like

0:37:09.360 --> 0:37:13.760
<v Speaker 1>uh Dratini matures into the dopey amphibian dragon Pokemon called

0:37:13.840 --> 0:37:17.560
<v Speaker 1>dragon Eyed, but Wait, there's more. The Pokemon games also

0:37:17.600 --> 0:37:21.480
<v Speaker 1>do a great job of describing symbiotic relationships, sexual dimorphism,

0:37:21.520 --> 0:37:25.840
<v Speaker 1>and yes, even natural selection. Many Pokemon species exhibit important

0:37:25.920 --> 0:37:30.680
<v Speaker 1>symbiotic relationships. For example, the seafaring mantle like Pokemon manteen,

0:37:31.080 --> 0:37:36.440
<v Speaker 1>is rarely depicted without a remorade. I like that. It's

0:37:36.480 --> 0:37:38.920
<v Speaker 1>like the gatorade of remoras. Yeah, that would be I

0:37:38.920 --> 0:37:42.440
<v Speaker 1>guess it's the genesis there clinging to its underside as

0:37:42.480 --> 0:37:45.080
<v Speaker 1>you might have guessed. Their relationship is illustrative of the

0:37:45.080 --> 0:37:48.360
<v Speaker 1>real life symbiosis of ramorras and open ocean predators like

0:37:48.440 --> 0:37:52.400
<v Speaker 1>blue sharks. A lot of Pokemon also exhibits sexual dimorphism.

0:37:52.400 --> 0:37:56.280
<v Speaker 1>One of my favorite examples is Burmy, a Pokemon based

0:37:56.320 --> 0:37:59.880
<v Speaker 1>on real life bagwarm moths. Like their real world world

0:38:00.000 --> 0:38:04.080
<v Speaker 1>on our parts, Burmi build protective cloaks around themselves out

0:38:04.080 --> 0:38:07.120
<v Speaker 1>of whatever detritus is available to them. If you encounter

0:38:07.480 --> 0:38:10.640
<v Speaker 1>Burmy with a forest within a forest, it is covered

0:38:10.640 --> 0:38:14.720
<v Speaker 1>in leaves, whereas a desert dwelling Burmi would be covered

0:38:14.719 --> 0:38:17.880
<v Speaker 1>in sand and pebbles. But it gets more interesting. Female

0:38:17.960 --> 0:38:22.720
<v Speaker 1>burmi exhibit neatany they evolve into werma dam, a larger

0:38:22.760 --> 0:38:27.120
<v Speaker 1>bagworm Pokemon that remains sessile but male burmy evolve into

0:38:27.719 --> 0:38:31.759
<v Speaker 1>moth motham, a flying insect that can flit from one

0:38:31.840 --> 0:38:35.720
<v Speaker 1>from female to female. Another great example is the grouse

0:38:35.800 --> 0:38:41.600
<v Speaker 1>like Pokemon un Phasant, whose males boast resplendent plumage that

0:38:41.680 --> 0:38:45.719
<v Speaker 1>the drab females lack and Pokemon doesn't have. Doesn't leave

0:38:45.760 --> 0:38:50.279
<v Speaker 1>other examples of adaptation untouched. Several species illustrate coevolution, as

0:38:50.400 --> 0:38:53.399
<v Speaker 1>is the case with heat More and Durant. Heat More

0:38:53.440 --> 0:38:56.440
<v Speaker 1>as an ant eater Pokemon whose lava hot tongue allows

0:38:56.440 --> 0:38:59.920
<v Speaker 1>it to bore through the metal exoskeleton of the insect Durant.

0:39:00.400 --> 0:39:04.040
<v Speaker 1>The franchise is explicit in describing this predatory relationship's role

0:39:04.080 --> 0:39:07.080
<v Speaker 1>in the evolution of both heat morse tongue and Durance

0:39:07.080 --> 0:39:11.360
<v Speaker 1>metal shell. Finally, the most recent generation of the game's Pokemon,

0:39:11.480 --> 0:39:15.120
<v Speaker 1>Sun and Moon, introduced regional variants. Sun and Moon take

0:39:15.160 --> 0:39:19.560
<v Speaker 1>place on the Polynesian themed islands of Aloa. Regional variants

0:39:19.640 --> 0:39:22.759
<v Speaker 1>represent Pokemon species that have been introduced to Alloa from

0:39:22.760 --> 0:39:25.640
<v Speaker 1>elsewhere in the Pokemon world and have adapted to life

0:39:25.640 --> 0:39:29.120
<v Speaker 1>on the islands. For example, the armadillo like sand shrew

0:39:29.600 --> 0:39:33.200
<v Speaker 1>and its mature form sand slash are usually encountered in

0:39:33.239 --> 0:39:36.680
<v Speaker 1>desert biomas, but in Aloa their regional variants have adapted

0:39:36.719 --> 0:39:41.160
<v Speaker 1>to frigid mountain caves and both thicker bodies. Ultimately, Pokemon

0:39:41.320 --> 0:39:44.279
<v Speaker 1>is a fantastical king. While I've put forth plenty of

0:39:44.320 --> 0:39:46.880
<v Speaker 1>fascinating biology on display in the Pokemon world, there are

0:39:46.880 --> 0:39:50.880
<v Speaker 1>still other Pokemon based on ghosts, dolemns, and inanimate objects,

0:39:51.040 --> 0:39:54.560
<v Speaker 1>which may be unsurprising because of its Japanese origins. Nevertheless,

0:39:54.600 --> 0:39:57.560
<v Speaker 1>I think it does a fantastic job of illustrating biodiversity

0:39:57.600 --> 0:40:00.200
<v Speaker 1>and the mechanisms that relate to it the Pokemon games.

0:40:00.239 --> 0:40:03.160
<v Speaker 1>It shouldn't be a child's textbook revolution, but for this

0:40:03.280 --> 0:40:07.479
<v Speaker 1>childhood Pokemon fan become biologists, they played an extraordinary role

0:40:07.800 --> 0:40:11.600
<v Speaker 1>in following in love with the natural world. Cheers Taylor. Ps.

0:40:11.680 --> 0:40:14.680
<v Speaker 1>I highly recommend looking up images of the Pokemon I've

0:40:14.680 --> 0:40:17.680
<v Speaker 1>described here because their designs are simply delightful. Let me

0:40:17.719 --> 0:40:22.040
<v Speaker 1>show you my Pokemon's. Thank you so much, Taylor, you

0:40:22.120 --> 0:40:24.279
<v Speaker 1>know what you've brought me around. Yeah, I am not.

0:40:24.800 --> 0:40:27.399
<v Speaker 1>I am not a Pokemon nerd like you. I did

0:40:27.440 --> 0:40:30.000
<v Speaker 1>not ever really get deep into Pokemon I think the

0:40:30.040 --> 0:40:32.879
<v Speaker 1>deepest ever got was when that original game Boy game

0:40:32.960 --> 0:40:35.400
<v Speaker 1>Play came out. I played it, but I never finished it.

0:40:35.480 --> 0:40:38.880
<v Speaker 1>Oh yeah, the most I think I played when that

0:40:38.320 --> 0:40:41.040
<v Speaker 1>uh that that that phone game came out recently. That

0:40:41.120 --> 0:40:43.280
<v Speaker 1>was all the craze where you find Pokemon on the street,

0:40:43.360 --> 0:40:46.440
<v Speaker 1>that had people wandering around waving their phones at stuff. Yeah.

0:40:46.480 --> 0:40:49.319
<v Speaker 1>I checked that out of out, out of curiosity, and

0:40:49.360 --> 0:40:51.960
<v Speaker 1>I think I like, I encountered a Pokemon in my

0:40:52.040 --> 0:40:54.960
<v Speaker 1>house and then like I saw one down the street,

0:40:55.040 --> 0:40:57.640
<v Speaker 1>and then um, but that was it. But I I

0:40:57.680 --> 0:41:00.319
<v Speaker 1>appreciated what seemed possible with that game. Would did that

0:41:00.360 --> 0:41:03.239
<v Speaker 1>game not turn out to be a massive data mining operation?

0:41:04.160 --> 0:41:06.239
<v Speaker 1>I don't know. I haven't. I I have friends who

0:41:06.239 --> 0:41:08.719
<v Speaker 1>I think still play it, still really into it, and

0:41:08.719 --> 0:41:12.080
<v Speaker 1>they enjoy going on like walks and even trips and

0:41:12.400 --> 0:41:15.799
<v Speaker 1>searching for Pokemon while they're out there. So I don't know.

0:41:16.000 --> 0:41:18.400
<v Speaker 1>I gotta look into that more. But anyway, you've brought

0:41:18.400 --> 0:41:20.920
<v Speaker 1>me around on the basic Pokemon concept. I love the

0:41:20.920 --> 0:41:23.919
<v Speaker 1>Pokemon's now and you know what, some of the illustrations

0:41:23.960 --> 0:41:27.120
<v Speaker 1>are really great. You got me there, alright. One that note,

0:41:27.160 --> 0:41:29.320
<v Speaker 1>We're gonna take one more break, But when we come back,

0:41:29.800 --> 0:41:32.640
<v Speaker 1>we will leave the realm of Pokemon behind and we

0:41:32.640 --> 0:41:38.520
<v Speaker 1>will venture to the Holy Mountain. Thank thank Alright, we're back.

0:41:38.680 --> 0:41:41.080
<v Speaker 1>So this is a straggler email that came in I

0:41:41.120 --> 0:41:44.240
<v Speaker 1>think after the last batch that we read about sacred mountains,

0:41:44.280 --> 0:41:47.160
<v Speaker 1>and this is from our listener, Dave. Dave writes, Hi,

0:41:47.280 --> 0:41:51.120
<v Speaker 1>Robert and Joe Medium the longtime listener, first time writer.

0:41:51.239 --> 0:41:53.359
<v Speaker 1>I'm a big fan of your podcast and your new

0:41:53.360 --> 0:41:56.280
<v Speaker 1>one invention. I'm writing in regard to the two episodes

0:41:56.320 --> 0:41:59.440
<v Speaker 1>focused on Sacred Mountains. I live in the Pacific Northwest

0:41:59.480 --> 0:42:02.000
<v Speaker 1>and I'm an amateure mountaineer. I wanted to share a

0:42:02.040 --> 0:42:04.640
<v Speaker 1>couple of things with you that you were curious about

0:42:04.680 --> 0:42:09.200
<v Speaker 1>from your listeners. First, I've experienced altitude sickness a few times,

0:42:09.239 --> 0:42:11.279
<v Speaker 1>but the worst of it was when I summitted Mount

0:42:11.280 --> 0:42:14.560
<v Speaker 1>Whitney in California, the tallest peak in the country within

0:42:14.600 --> 0:42:17.839
<v Speaker 1>the contiguous United States at fourteen thousand, five hundred and

0:42:17.880 --> 0:42:20.920
<v Speaker 1>five feet. My partner and I were hiking the Pacific

0:42:20.920 --> 0:42:24.480
<v Speaker 1>Crest Trail in SI from Mexico to Canada. We had

0:42:24.520 --> 0:42:27.280
<v Speaker 1>stopped off to meet my mom and toured around Las Vegas,

0:42:27.320 --> 0:42:30.640
<v Speaker 1>the Eastern Sierra and Death Valley National Park. So we

0:42:30.680 --> 0:42:33.040
<v Speaker 1>went to Death Valley, which has the lowest point in

0:42:33.080 --> 0:42:35.480
<v Speaker 1>the US at two hundred and seventy nine ft below

0:42:35.600 --> 0:42:38.319
<v Speaker 1>sea level. Three or four days later we were back

0:42:38.360 --> 0:42:40.759
<v Speaker 1>on the trail in the heart of the Sierra and

0:42:40.920 --> 0:42:44.040
<v Speaker 1>summitted Mount Whitney. We had we we had lost all

0:42:44.080 --> 0:42:47.120
<v Speaker 1>of our altitude acclimatization since we took a break, and

0:42:47.160 --> 0:42:49.720
<v Speaker 1>it was certainly felt. I made it up the summit

0:42:49.760 --> 0:42:53.640
<v Speaker 1>relatively fine, slowly moving to some degree. Then on the

0:42:53.640 --> 0:42:55.720
<v Speaker 1>way down it hit me like a ton of bricks.

0:42:56.040 --> 0:42:58.600
<v Speaker 1>I could barely move, had the worst migraine I had

0:42:58.640 --> 0:43:01.680
<v Speaker 1>ever had, and was completely disoriented. I felt like I

0:43:01.719 --> 0:43:05.239
<v Speaker 1>was going to explode at both ends constantly. Eventually I

0:43:05.320 --> 0:43:07.520
<v Speaker 1>made it to camp at about eight thousand feet and

0:43:07.560 --> 0:43:10.520
<v Speaker 1>recovered over the next twelve hours. I drank plenty of

0:43:10.520 --> 0:43:12.960
<v Speaker 1>water eight and slept. After that, I was more or

0:43:13.040 --> 0:43:16.000
<v Speaker 1>less back to normal. Secondly, you had both mentioned when

0:43:16.040 --> 0:43:19.880
<v Speaker 1>researching the episode, you didn't come across any evil mountains. Really,

0:43:20.200 --> 0:43:22.279
<v Speaker 1>When I was listening, one popped into my head that

0:43:22.360 --> 0:43:26.120
<v Speaker 1>I find fascinating. According to the Native American tribe the Klamath,

0:43:26.560 --> 0:43:29.840
<v Speaker 1>the Good God is Mount Shasta, in northern California, and

0:43:29.840 --> 0:43:33.640
<v Speaker 1>the evil god was Mountain Massama in central Oregon. Apparently

0:43:33.719 --> 0:43:36.280
<v Speaker 1>eight thousand years ago. The two gods had an awesome

0:43:36.320 --> 0:43:39.920
<v Speaker 1>battle and ultimately the good prevailed. This resulted in Mountain

0:43:39.920 --> 0:43:43.600
<v Speaker 1>Azama exploding and collapsing in on itself and then creating

0:43:43.640 --> 0:43:46.640
<v Speaker 1>the clearest and cleanest lake in the world, Crater Lake,

0:43:46.840 --> 0:43:49.040
<v Speaker 1>which is an amazing place to go to. If you've

0:43:49.040 --> 0:43:52.880
<v Speaker 1>never been, Crater Lake is definitely worth the trip. David says,

0:43:52.960 --> 0:43:55.279
<v Speaker 1>keep doing what you're doing. Love your stuff, and he

0:43:55.320 --> 0:43:58.719
<v Speaker 1>also attaches a photo of himself on Mount Whitney. He says,

0:43:58.800 --> 0:44:02.760
<v Speaker 1>quote before my world crashed in on me. Well, thanks David.

0:44:03.840 --> 0:44:06.319
<v Speaker 1>All right, here's another one that comes into us, and

0:44:06.400 --> 0:44:09.160
<v Speaker 1>this one um. You know, you know, no one ever

0:44:09.200 --> 0:44:11.600
<v Speaker 1>has to use the real name when they're right in um,

0:44:11.680 --> 0:44:15.719
<v Speaker 1>and this particular individual wrote in as Daddy. So at

0:44:15.719 --> 0:44:18.879
<v Speaker 1>any rate, this is what Datty had to say. Dear

0:44:18.960 --> 0:44:21.040
<v Speaker 1>Robert and Joe, I've been listening to your show for

0:44:21.040 --> 0:44:22.759
<v Speaker 1>the last few months, and I would like to say

0:44:22.800 --> 0:44:25.800
<v Speaker 1>thank you. You have provided me with such nutritious brain food.

0:44:26.600 --> 0:44:28.880
<v Speaker 1>I have been bingeing on episodes while working out in

0:44:28.920 --> 0:44:31.800
<v Speaker 1>the fields, mostly I sit a cross legged planting vegetables.

0:44:32.120 --> 0:44:34.960
<v Speaker 1>While the setting is quite peaceful, the labor is quite monotonous.

0:44:35.000 --> 0:44:37.680
<v Speaker 1>Listening to your podcast has prevented my mind from turning

0:44:37.680 --> 0:44:40.520
<v Speaker 1>into mud. I have so many compliments and comments about

0:44:40.560 --> 0:44:43.239
<v Speaker 1>various topics you discussed, but it would make for quite

0:44:43.239 --> 0:44:45.160
<v Speaker 1>the read. To save time, I have neared it down

0:44:45.200 --> 0:44:47.480
<v Speaker 1>to a list of three. Number one, you both have

0:44:47.560 --> 0:44:51.600
<v Speaker 1>such great taste in film. Well many would disagree. Arguable,

0:44:51.760 --> 0:44:54.640
<v Speaker 1>I guess, but but you know I'm glad we see I.

0:44:55.760 --> 0:44:58.880
<v Speaker 1>He continues, I was so excited when I started listening

0:44:58.880 --> 0:45:01.239
<v Speaker 1>and discovered that many of the tapes you discussed I

0:45:01.280 --> 0:45:05.360
<v Speaker 1>own on VHS because it's the only way to go. Also,

0:45:05.520 --> 0:45:08.000
<v Speaker 1>films you have mentioned that I haven't seen. I now

0:45:08.080 --> 0:45:11.359
<v Speaker 1>have to thank you you also for the recommendations. Uh.

0:45:11.400 --> 0:45:15.680
<v Speaker 1>Then number two, the Cube film would make for a

0:45:15.760 --> 0:45:18.560
<v Speaker 1>killer episode. Not only could you explore the science behind

0:45:18.560 --> 0:45:21.280
<v Speaker 1>such a structure, I was reminded of the Library of Babel,

0:45:21.560 --> 0:45:23.880
<v Speaker 1>but the themes submerged in the film would also provide

0:45:23.960 --> 0:45:27.480
<v Speaker 1>quite the thought adventure. Have you seen Cube Horring of

0:45:27.480 --> 0:45:31.920
<v Speaker 1>its sequels? Joe, Yes, it's been a while. I remember it. Uh,

0:45:32.000 --> 0:45:34.279
<v Speaker 1>I remember it? Was a movie that definitely held my

0:45:34.320 --> 0:45:38.000
<v Speaker 1>attention but was also kind of bad. Yeah, I remember,

0:45:38.200 --> 0:45:40.480
<v Speaker 1>I think I watched it like on the Sci Fi

0:45:40.560 --> 0:45:43.960
<v Speaker 1>channel on a Sunday afternoon, Uh, sort of a thing,

0:45:44.280 --> 0:45:46.000
<v Speaker 1>and I remember being intrigued by it because it does

0:45:46.040 --> 0:45:49.600
<v Speaker 1>have an intriguing concept like it. It has certain Kafka

0:45:49.719 --> 0:45:52.040
<v Speaker 1>esque elements to it, you know, where people were trapped

0:45:52.040 --> 0:45:56.160
<v Speaker 1>in this machine that is lethal and full of lethal traps,

0:45:56.480 --> 0:45:58.920
<v Speaker 1>but they don't know why they're in it or what

0:45:59.000 --> 0:46:01.319
<v Speaker 1>purposes it serve ing. And I think it's also you know,

0:46:02.120 --> 0:46:05.160
<v Speaker 1>it stated or implied that, like the people who made it,

0:46:05.200 --> 0:46:07.360
<v Speaker 1>we're working on different parts of it and had no

0:46:07.440 --> 0:46:09.759
<v Speaker 1>idea what the complete hole was. I think one of

0:46:09.800 --> 0:46:12.000
<v Speaker 1>the guys in the Cube, it turns out like, helped

0:46:12.080 --> 0:46:13.520
<v Speaker 1>build it, but he didn't know what it was going

0:46:13.560 --> 0:46:16.520
<v Speaker 1>to be. Yeah, And I think like those some of

0:46:16.520 --> 0:46:20.160
<v Speaker 1>those ideas are very thought provoking. It gets into you know,

0:46:20.239 --> 0:46:25.240
<v Speaker 1>ideas of the Panopticon and uh, you know, modern modern

0:46:25.280 --> 0:46:28.440
<v Speaker 1>society itself and uh, in in a way like the

0:46:29.400 --> 0:46:31.040
<v Speaker 1>Cube movies, or at least the first one. You know,

0:46:31.080 --> 0:46:34.840
<v Speaker 1>it's kind of a predecessor to the Song movies, but

0:46:35.280 --> 0:46:38.080
<v Speaker 1>kind of like elaborate traps, but I feel like the

0:46:38.080 --> 0:46:42.759
<v Speaker 1>elaborate traps were more the cube set up for the

0:46:42.760 --> 0:46:45.319
<v Speaker 1>elaborate traps. I think I far prefer than just like

0:46:45.800 --> 0:46:48.200
<v Speaker 1>crazy serial killer with way too much time on their hands.

0:46:49.160 --> 0:46:53.120
<v Speaker 1>We got another exquisite movie recommendation coming next though. Oh yes,

0:46:53.200 --> 0:46:56.760
<v Speaker 1>number three Zar does. It was somewhat off handedly suggested

0:46:56.760 --> 0:46:59.359
<v Speaker 1>by Joe in an episode I cannot remember which, but yes,

0:46:59.400 --> 0:47:02.359
<v Speaker 1>please for apps you can break the tavernac. What did

0:47:02.440 --> 0:47:05.000
<v Speaker 1>I say about Zardas? I don't. I don't remember because

0:47:05.040 --> 0:47:08.680
<v Speaker 1>I suggest science of Zardas. Maybe you did, because we're

0:47:08.719 --> 0:47:12.200
<v Speaker 1>probably talking about Highlander or Highlander too. I've actually never

0:47:12.239 --> 0:47:16.160
<v Speaker 1>seen Zardas. It's a I've never checked it out. WHOA,

0:47:17.160 --> 0:47:20.160
<v Speaker 1>this is a game changer, Robert. Would you like to

0:47:20.200 --> 0:47:23.440
<v Speaker 1>see Sean Connery with a long braided ponytail and a

0:47:23.480 --> 0:47:27.640
<v Speaker 1>red diaper and a mustache? Well, I absolutely I would,

0:47:28.239 --> 0:47:31.640
<v Speaker 1>especially if there's some sort of weird flying heads. Yeah,

0:47:31.640 --> 0:47:34.040
<v Speaker 1>there's weird flying heads. That's all I know about it.

0:47:34.040 --> 0:47:36.520
<v Speaker 1>But those two elements are alone are enough to get me. There.

0:47:37.200 --> 0:47:39.879
<v Speaker 1>Didn't somebody interesting to the music? Is there something about

0:47:39.880 --> 0:47:42.200
<v Speaker 1>the music? But I should be aware music because I

0:47:42.239 --> 0:47:47.439
<v Speaker 1>think it was directed by the same guy who made Deliverance. Uh,

0:47:47.960 --> 0:47:52.600
<v Speaker 1>very very strange movie. Anyway, I think both of those

0:47:52.600 --> 0:47:55.759
<v Speaker 1>sound like solid suggestions. We I think we have yet

0:47:55.800 --> 0:47:57.920
<v Speaker 1>to do them. So we basically we've been doing these

0:47:57.920 --> 0:48:01.440
<v Speaker 1>movie episodes where once a month, generally will will pick

0:48:01.480 --> 0:48:04.000
<v Speaker 1>a movie and we'll use it as an excuse to

0:48:04.320 --> 0:48:06.640
<v Speaker 1>you know, talk about topics we've discussed before, but in

0:48:06.840 --> 0:48:09.080
<v Speaker 1>light of the film, or as a way to talk

0:48:09.120 --> 0:48:11.080
<v Speaker 1>about topics that might not otherwise come up on the

0:48:11.080 --> 0:48:13.879
<v Speaker 1>show in their own episode. And generally there's some sort

0:48:13.880 --> 0:48:15.520
<v Speaker 1>of you know, approach to be made there. And we've

0:48:15.520 --> 0:48:18.200
<v Speaker 1>talked about stuff like two thousand one of Space Odyssey,

0:48:18.280 --> 0:48:21.200
<v Speaker 1>the Dark Crystal. We've talked about Highlander too. Um, we've

0:48:21.200 --> 0:48:24.640
<v Speaker 1>talked about Silent Running. Um am I missing one in there.

0:48:26.640 --> 0:48:29.640
<v Speaker 1>I don't know, maybe maybe yeah. At any rate, it's

0:48:29.640 --> 0:48:32.239
<v Speaker 1>a fun exercise and we're hoping to continue doing it

0:48:32.280 --> 0:48:35.920
<v Speaker 1>and it's and we enjoy hearing recommendations from folks. Maybe

0:48:36.080 --> 0:48:37.879
<v Speaker 1>one day we'll even come up we'll cover a movie

0:48:37.920 --> 0:48:40.000
<v Speaker 1>that came out in the last couple of decades. You

0:48:40.040 --> 0:48:43.440
<v Speaker 1>seem to be you know, uh narrowing in on like

0:48:43.480 --> 0:48:46.719
<v Speaker 1>what the sixties, seventies, and eighties thus far. Why would

0:48:46.760 --> 0:48:49.120
<v Speaker 1>we change that? Yeah, as as a golden age, right,

0:48:49.760 --> 0:48:52.080
<v Speaker 1>But it's not just old media that we talked about

0:48:52.120 --> 0:48:54.160
<v Speaker 1>on this show. We also talk about new media. We

0:48:54.200 --> 0:48:58.799
<v Speaker 1>also talk about social media, um and and that can

0:48:58.840 --> 0:49:02.000
<v Speaker 1>sometimes be quite a duze. Social media is certainly it

0:49:02.120 --> 0:49:07.279
<v Speaker 1>is the cube and the czar DAWs of our world. Um. So, yeah,

0:49:07.280 --> 0:49:10.480
<v Speaker 1>it's the tabernacle, it's the cube maze, it's all those things.

0:49:10.480 --> 0:49:13.239
<v Speaker 1>The cube cube. Actually, that whole scenario we just talked

0:49:13.239 --> 0:49:17.520
<v Speaker 1>about about people creating this thing, working on their individual

0:49:17.760 --> 0:49:21.759
<v Speaker 1>um corners of it. It's a giant murderous weapon field traps, yeah,

0:49:21.760 --> 0:49:26.200
<v Speaker 1>and ultimately making a giant murder machine. Um. I think

0:49:26.239 --> 0:49:28.320
<v Speaker 1>there are a lot of comparisons to be made between

0:49:28.400 --> 0:49:33.840
<v Speaker 1>that and various big name social media platforms um, which

0:49:33.960 --> 0:49:36.880
<v Speaker 1>I think will be exploring in greater detail and subsequent

0:49:36.920 --> 0:49:39.240
<v Speaker 1>episodes of the show. But we have been discussing aspects

0:49:39.239 --> 0:49:41.320
<v Speaker 1>of it already. Yeah. Well, let's talk about some listener

0:49:41.360 --> 0:49:44.000
<v Speaker 1>feedback to the episode we did about the Doppelganger Network,

0:49:44.040 --> 0:49:47.080
<v Speaker 1>where we discussed the idea, of course of doppelgangers and

0:49:47.120 --> 0:49:50.279
<v Speaker 1>all that. But then also we discussed an article by

0:49:50.480 --> 0:49:54.440
<v Speaker 1>Robert Zapolski, the neuro indo Chronologist, where he made a

0:49:54.480 --> 0:49:59.160
<v Speaker 1>connection between the psychological syndrome known as Capgras delusion, where

0:49:59.400 --> 0:50:02.040
<v Speaker 1>people and to believe that the people they know have

0:50:02.160 --> 0:50:06.640
<v Speaker 1>been replaced by impostors or doubles or doublegangers, that and

0:50:06.680 --> 0:50:09.839
<v Speaker 1>the kinds of psychological effects that are brought about by

0:50:09.880 --> 0:50:12.399
<v Speaker 1>social media, and he in the main comparison he makes

0:50:12.480 --> 0:50:15.560
<v Speaker 1>is that, uh, social media may be causing a similar

0:50:15.640 --> 0:50:20.560
<v Speaker 1>kind of situation of recognition without familiarity uh and its inverse.

0:50:21.120 --> 0:50:24.040
<v Speaker 1>So one of the things we talked about in that episode,

0:50:24.040 --> 0:50:27.040
<v Speaker 1>of course, is you know, often Robert and I, especially

0:50:27.160 --> 0:50:29.840
<v Speaker 1>lately or or we will tend to gripe about the

0:50:29.880 --> 0:50:32.319
<v Speaker 1>evils of social media, and we talked about the possibility

0:50:32.320 --> 0:50:35.200
<v Speaker 1>of could anything be improved if you just took the

0:50:35.239 --> 0:50:37.960
<v Speaker 1>corporate influence out of it and just had like nonprofit,

0:50:38.000 --> 0:50:41.320
<v Speaker 1>open source social media platforms. I do want to reiterate

0:50:41.360 --> 0:50:44.719
<v Speaker 1>my feeling that even if we took the corrupting influence

0:50:44.760 --> 0:50:47.399
<v Speaker 1>of the profit motive out of these platforms, I'm still

0:50:47.440 --> 0:50:49.960
<v Speaker 1>not sure they'd be a good thing. I think it's

0:50:50.160 --> 0:50:53.920
<v Speaker 1>highly possible they could still overall like even a nonprofit

0:50:54.239 --> 0:50:57.320
<v Speaker 1>open source Facebook might be a bad thing for the world.

0:50:58.080 --> 0:50:59.719
<v Speaker 1>And I also want to drive home to come back

0:50:59.719 --> 0:51:03.160
<v Speaker 1>to the you scenario, is that a lot of the

0:51:03.440 --> 0:51:07.240
<v Speaker 1>people that we've been reading on this topic, like they're

0:51:07.280 --> 0:51:10.680
<v Speaker 1>not saying that there is UM. I think Jarren Lantier,

0:51:11.080 --> 0:51:13.640
<v Speaker 1>uh is the exact phrase, and he says that there's not.

0:51:13.760 --> 0:51:16.400
<v Speaker 1>He doesn't believe that say it Facebook, that there is.

0:51:16.880 --> 0:51:19.719
<v Speaker 1>There's a room. There's like an evil room in which

0:51:19.719 --> 0:51:23.320
<v Speaker 1>an evil person plots out evil things for this particular

0:51:24.040 --> 0:51:28.120
<v Speaker 1>company that that it emerges more like the death machine

0:51:28.160 --> 0:51:31.440
<v Speaker 1>in Cube, where where a company is trying to do

0:51:31.520 --> 0:51:34.360
<v Speaker 1>various things, and some of those things may be quite

0:51:34.400 --> 0:51:38.160
<v Speaker 1>noble or at least have noble ambitions to them. Other

0:51:38.239 --> 0:51:42.560
<v Speaker 1>things have far more corporate leanings, and all of these

0:51:42.600 --> 0:51:45.560
<v Speaker 1>things like come together in the just bake and the

0:51:45.560 --> 0:51:49.080
<v Speaker 1>the alchemy of of a major corporation, and then the

0:51:49.120 --> 0:51:53.600
<v Speaker 1>results uh may not be the best for us. Yeah,

0:51:53.600 --> 0:51:56.560
<v Speaker 1>And so so it's there's no guarantee all of these

0:51:56.600 --> 0:52:00.000
<v Speaker 1>negative effects that we associate with social media platforms would

0:52:00.040 --> 0:52:03.200
<v Speaker 1>go away if you say, like distributed the creation of

0:52:03.239 --> 0:52:05.560
<v Speaker 1>that platform and took away the profit motive. But it

0:52:05.680 --> 0:52:07.960
<v Speaker 1>still might possibly be a step in the right direction.

0:52:08.000 --> 0:52:10.719
<v Speaker 1>So we're asking about this, and several listeners got in

0:52:10.760 --> 0:52:13.160
<v Speaker 1>touch to name a few things. One is Keith who's

0:52:13.200 --> 0:52:16.560
<v Speaker 1>a data scientist and software developer. He mentions a few

0:52:16.600 --> 0:52:21.600
<v Speaker 1>platforms that are open source or nonprofit social media platforms. Quote.

0:52:21.640 --> 0:52:23.879
<v Speaker 1>The main one I'd like to point out is mastadon.

0:52:24.400 --> 0:52:26.719
<v Speaker 1>This one has been gaining interraction, and it's pretty much

0:52:26.719 --> 0:52:29.719
<v Speaker 1>a clone of Twitter. Some major differences are that it's

0:52:29.760 --> 0:52:32.760
<v Speaker 1>open source, and they also encourage users to self host,

0:52:33.160 --> 0:52:35.160
<v Speaker 1>so you can use the code to have your own

0:52:35.200 --> 0:52:37.759
<v Speaker 1>social media. The main site says that there are three

0:52:38.000 --> 0:52:40.680
<v Speaker 1>d and twenty thousand users, which is not a large amount,

0:52:40.719 --> 0:52:43.080
<v Speaker 1>but it is growing. I'd also like to note some

0:52:43.080 --> 0:52:46.200
<v Speaker 1>more obscure social media. There are chat room social media

0:52:46.239 --> 0:52:49.840
<v Speaker 1>platforms like discord and Slack where communities form too. Open

0:52:49.880 --> 0:52:54.120
<v Speaker 1>source alternatives are getter and rocket chat. So I hadn't

0:52:54.400 --> 0:52:56.680
<v Speaker 1>heard it of those. I think maybe i'd heard of Mastodon,

0:52:56.760 --> 0:52:59.120
<v Speaker 1>but I didn't really know what it was. Mainly, I'm

0:52:59.160 --> 0:53:01.439
<v Speaker 1>just familiar with the band end Right, which I don't

0:53:01.440 --> 0:53:03.759
<v Speaker 1>think have any involvement in this, uh this at all.

0:53:04.160 --> 0:53:08.200
<v Speaker 1>We're a thrash metal platform. Yeah, I massad On of

0:53:08.239 --> 0:53:11.480
<v Speaker 1>course local local band. Occasionally I will I'll run into

0:53:11.520 --> 0:53:14.279
<v Speaker 1>folks from Mastadon at various events. It's great seeing him.

0:53:15.160 --> 0:53:18.719
<v Speaker 1>There was one band member in particular that UM and

0:53:18.760 --> 0:53:21.960
<v Speaker 1>I'm I'm not like, I'm not super familiar familiar with Mastadon,

0:53:22.040 --> 0:53:23.719
<v Speaker 1>but one of the members of Mastodon has like really

0:53:23.719 --> 0:53:26.279
<v Speaker 1>cool sideburns, or has in the past, and I would

0:53:26.280 --> 0:53:29.239
<v Speaker 1>occasionally see him at different events and I would like

0:53:29.320 --> 0:53:31.040
<v Speaker 1>kind of look at him and be like, hey, guy's

0:53:31.040 --> 0:53:32.600
<v Speaker 1>got some pretty good sideburns, you know, And I'm kind

0:53:32.640 --> 0:53:35.040
<v Speaker 1>of like admiring his sideburns from afar and then he'll

0:53:35.120 --> 0:53:37.080
<v Speaker 1>kind of look back at me and they'll be like

0:53:37.200 --> 0:53:38.960
<v Speaker 1>kind of a not a look of fear, but a

0:53:38.960 --> 0:53:41.560
<v Speaker 1>look of like like you know, like I'm staring at him,

0:53:41.560 --> 0:53:44.000
<v Speaker 1>you know. And but and I didn't. I didn't put

0:53:44.000 --> 0:53:46.360
<v Speaker 1>it together till later. Then I'm like, oh, he's in

0:53:46.360 --> 0:53:49.000
<v Speaker 1>a famous band, and he thought that I was maybe like,

0:53:49.160 --> 0:53:51.879
<v Speaker 1>you know, you know, fan boying out and that might

0:53:51.960 --> 0:53:54.840
<v Speaker 1>like I might approach him and uh, you know, disruptive,

0:53:54.960 --> 0:53:57.160
<v Speaker 1>you know, whatever he's doing. And really I was just

0:53:57.280 --> 0:54:04.120
<v Speaker 1>admiring his sideburns. UM. Anyway, for whatever that's but I

0:54:04.160 --> 0:54:07.839
<v Speaker 1>also admire their music that. Oh yeah, I think they're

0:54:07.880 --> 0:54:12.239
<v Speaker 1>they're top tier modern metal. Okay, so I think let's

0:54:12.239 --> 0:54:15.839
<v Speaker 1>look at this next email from Sammy. This one came

0:54:15.840 --> 0:54:19.360
<v Speaker 1>in after the Doppelganger Network episode. Sammy says, hey, guys,

0:54:19.719 --> 0:54:22.120
<v Speaker 1>I just started listening to your new episode the Doppelganger

0:54:22.160 --> 0:54:25.120
<v Speaker 1>Network and you brought up cap cross syndrome. I've never

0:54:25.160 --> 0:54:27.240
<v Speaker 1>heard of it. Uh. And at first, when you guys

0:54:27.280 --> 0:54:30.719
<v Speaker 1>said that this famous frenchwoman thought her loved ones were

0:54:30.719 --> 0:54:34.120
<v Speaker 1>replaced by doppelgangers, I thought, how is this even possible?

0:54:34.200 --> 0:54:37.040
<v Speaker 1>But as you started explaining it more as when the

0:54:37.080 --> 0:54:40.600
<v Speaker 1>face recognition part of our brain knows it's someone we know,

0:54:40.719 --> 0:54:44.280
<v Speaker 1>but the feeling of familiarity does not arise, I started

0:54:44.320 --> 0:54:47.440
<v Speaker 1>thinking this is what I have. I was diagnosed with

0:54:47.480 --> 0:54:49.719
<v Speaker 1>depression about eight years ago and put it on an

0:54:49.800 --> 0:54:52.360
<v Speaker 1>s s R I. But as I started my treatment

0:54:52.400 --> 0:54:54.640
<v Speaker 1>and doing research, my dad and I came across a

0:54:54.800 --> 0:54:58.920
<v Speaker 1>term called de personalization. This is exactly what you described

0:54:58.960 --> 0:55:01.400
<v Speaker 1>when you know you know the person you see, but

0:55:01.480 --> 0:55:04.759
<v Speaker 1>you don't feel the warmth of familiarity. In the first

0:55:04.840 --> 0:55:06.960
<v Speaker 1>two years of my illness, I dealt with this probably

0:55:06.960 --> 0:55:10.320
<v Speaker 1>about nine percent of the time. It was horrifying seeing

0:55:10.360 --> 0:55:13.600
<v Speaker 1>my parents, my friends, my boyfriend, and knowing I'm supposed

0:55:13.640 --> 0:55:16.399
<v Speaker 1>to feel something but I don't. Quite a few times

0:55:16.480 --> 0:55:18.799
<v Speaker 1>I almost broke up with my boyfriend because I felt

0:55:18.800 --> 0:55:21.480
<v Speaker 1>guilty that I didn't love him. At the peak of this,

0:55:21.600 --> 0:55:24.400
<v Speaker 1>when I was with my therapist, I told her, if

0:55:24.440 --> 0:55:26.680
<v Speaker 1>you brought another man into this room and told me

0:55:26.719 --> 0:55:30.680
<v Speaker 1>he was my dad, I'd believe you. Fortunately, now several

0:55:30.719 --> 0:55:34.400
<v Speaker 1>years later, I rarely experienced episodes like this. My last

0:55:34.400 --> 0:55:38.240
<v Speaker 1>full on depersonalization episode was about two years ago. However,

0:55:38.360 --> 0:55:41.399
<v Speaker 1>to this day, I hold myself back from certain situations

0:55:41.440 --> 0:55:43.120
<v Speaker 1>because I know that they have caused me to have

0:55:43.200 --> 0:55:46.719
<v Speaker 1>these episodes in the past. Anyways, I felt immense gratitude

0:55:46.719 --> 0:55:48.600
<v Speaker 1>when you guys mentioned this in the first part of

0:55:48.600 --> 0:55:51.000
<v Speaker 1>the episode, because this issue is something I find so

0:55:51.080 --> 0:55:54.080
<v Speaker 1>hard to explain to people, but you guys and Sepolski

0:55:54.160 --> 0:55:56.879
<v Speaker 1>put it into the perfect words. I don't know if

0:55:56.920 --> 0:55:59.160
<v Speaker 1>what I have dealt with is related to this syndrome,

0:55:59.320 --> 0:56:02.200
<v Speaker 1>as I don't think people have been replaced, but I

0:56:02.239 --> 0:56:06.240
<v Speaker 1>thought it was interesting. My official diagnosis now is panic disorder.

0:56:06.680 --> 0:56:08.799
<v Speaker 1>Thank you for everything you guys, do you're one of

0:56:08.800 --> 0:56:12.640
<v Speaker 1>the three podcasts I always listened to Sammy. Uh Well,

0:56:12.680 --> 0:56:14.400
<v Speaker 1>first of all, thank you for sharing with us, but

0:56:14.440 --> 0:56:17.920
<v Speaker 1>also I'm really glad to hear you're doing better these days. Yeah. Absolutely,

0:56:18.080 --> 0:56:20.080
<v Speaker 1>And you know, I think as we try and stress

0:56:20.120 --> 0:56:22.920
<v Speaker 1>on the podcast, you know, anybody out there if you're

0:56:22.960 --> 0:56:27.279
<v Speaker 1>experiencing if you ever find yourself experiencing symptoms that were

0:56:27.280 --> 0:56:30.440
<v Speaker 1>discussing on the show, Um, I mean, certainly they are

0:56:30.520 --> 0:56:35.120
<v Speaker 1>dangers and self self evaluation, but don't hesitate to to

0:56:35.160 --> 0:56:38.560
<v Speaker 1>ask a professional about what you're feeling and to bring

0:56:38.600 --> 0:56:41.200
<v Speaker 1>it to their attention. Yeah, I think that is always

0:56:41.239 --> 0:56:43.840
<v Speaker 1>a it's always a wise move, that's what that's what

0:56:43.880 --> 0:56:46.359
<v Speaker 1>they're there for, and they're the ones that can can

0:56:46.440 --> 0:56:50.160
<v Speaker 1>ultimately help you, uh or or tell you that you're

0:56:50.200 --> 0:56:51.960
<v Speaker 1>if you're if you are worrying about nothing, if you

0:56:52.000 --> 0:56:55.080
<v Speaker 1>are you know, self diagnosing based on a podcast and

0:56:55.160 --> 0:56:58.239
<v Speaker 1>jump into conclusions like they're they're the ones to rein

0:56:58.280 --> 0:57:00.000
<v Speaker 1>you in on that as well. Yeah, exactly. I mean,

0:57:00.080 --> 0:57:02.319
<v Speaker 1>nothing nothing good ever comes out of keeping stuff like

0:57:02.360 --> 0:57:05.759
<v Speaker 1>this hidden. If you are experiencing symptoms like this, it's

0:57:05.960 --> 0:57:08.160
<v Speaker 1>important to talk to your loved ones about it to

0:57:08.200 --> 0:57:11.239
<v Speaker 1>seek professional help. These are not the kind of things

0:57:11.280 --> 0:57:12.759
<v Speaker 1>that it is best to deal with on your own

0:57:13.040 --> 0:57:16.880
<v Speaker 1>right now. As But again though, as for social media

0:57:17.120 --> 0:57:21.200
<v Speaker 1>inducing symptoms like this in a and a more widespread scale,

0:57:22.040 --> 0:57:25.040
<v Speaker 1>I mean, that's kind of new territory in some regards.

0:57:26.440 --> 0:57:30.320
<v Speaker 1>I wonder, I wonder how the therapeutic world is is currently,

0:57:30.800 --> 0:57:33.160
<v Speaker 1>you know, adapting to all of this, and how they

0:57:33.160 --> 0:57:36.360
<v Speaker 1>will be adapting in the near future, because I mean,

0:57:36.360 --> 0:57:38.880
<v Speaker 1>I look at my own experience with say Facebook, and

0:57:38.920 --> 0:57:41.640
<v Speaker 1>I go on there, and I think what I experienced

0:57:41.680 --> 0:57:45.960
<v Speaker 1>some like level of just large scale depersonalization with everybody

0:57:46.000 --> 0:57:48.280
<v Speaker 1>on there. These days, I feel like I am not

0:57:48.480 --> 0:57:52.080
<v Speaker 1>encountering real versions of the people that I know or new,

0:57:52.560 --> 0:57:55.160
<v Speaker 1>and that I am not presenting a real version of

0:57:55.160 --> 0:57:58.520
<v Speaker 1>the person I am. And it's it's it's weird and

0:57:58.520 --> 0:58:01.200
<v Speaker 1>and off putting and and granted, some of this may

0:58:01.200 --> 0:58:03.680
<v Speaker 1>be due to some of the research we've been doing,

0:58:03.720 --> 0:58:06.880
<v Speaker 1>I mean, it's certainly is a possibility, but I also

0:58:06.920 --> 0:58:09.280
<v Speaker 1>think a large part of it is the platforms. Again

0:58:09.320 --> 0:58:11.680
<v Speaker 1>will hopefully be discussing more of this in future episodes

0:58:11.680 --> 0:58:14.640
<v Speaker 1>of the show. Yeah, totally. But also I just want

0:58:14.680 --> 0:58:17.120
<v Speaker 1>to say again. We're really glad to hear you're doing better, Sammy,

0:58:17.200 --> 0:58:19.840
<v Speaker 1>and best of luck in the future. All right, here's

0:58:19.840 --> 0:58:22.120
<v Speaker 1>another one. This one comes to us from Kate high

0:58:22.160 --> 0:58:24.760
<v Speaker 1>Stuff to blow your mind. Recently, listen to your episode

0:58:24.760 --> 0:58:28.160
<v Speaker 1>about Doppelgangers. At one point you were talking about para

0:58:28.240 --> 0:58:31.120
<v Speaker 1>social relationships and start listening some examples, but you completely

0:58:31.120 --> 0:58:35.480
<v Speaker 1>forgot to mention the very medium you're using, podcasts. Sometimes

0:58:35.480 --> 0:58:38.520
<v Speaker 1>I listen to podcasts more than I communicate with my friends, family,

0:58:38.600 --> 0:58:41.200
<v Speaker 1>or even boyfriends. There was a time when I used

0:58:41.200 --> 0:58:44.000
<v Speaker 1>to us to consider Ira Glass from This American Life

0:58:44.040 --> 0:58:47.800
<v Speaker 1>like a brother, Stephen Dubner from Freakonomics like a father figure,

0:58:48.120 --> 0:58:50.560
<v Speaker 1>and still to this day, you guys are like my friends.

0:58:50.960 --> 0:58:54.360
<v Speaker 1>Interesting that this is based purely on personality and nothing

0:58:54.400 --> 0:58:58.000
<v Speaker 1>to do with age. Stephen Dubner, five years old, is

0:58:58.040 --> 0:59:01.400
<v Speaker 1>younger than Ira Glass sixty years old. I have mentioned

0:59:01.400 --> 0:59:04.320
<v Speaker 1>this to friends, and they have also revealed that they

0:59:04.320 --> 0:59:06.720
<v Speaker 1>consider some of the podcast hosts they listen to like

0:59:06.800 --> 0:59:10.720
<v Speaker 1>their friends. I would never consider these paras social relationships

0:59:10.720 --> 0:59:13.720
<v Speaker 1>as a negative because it genuinely enriches many of my

0:59:13.760 --> 0:59:17.480
<v Speaker 1>face to face relationships. Thank you anyway, f Y, I

0:59:17.520 --> 0:59:20.240
<v Speaker 1>The Myths and Legends podcasted an amazing episode about people

0:59:20.280 --> 0:59:23.600
<v Speaker 1>in real life who have experiences seeing their doppelgangers. Definitely

0:59:23.640 --> 0:59:25.920
<v Speaker 1>worth a listen. And she includes a link but the

0:59:26.080 --> 0:59:28.280
<v Speaker 1>uh and I won't read the whole link, But basically

0:59:28.280 --> 0:59:31.320
<v Speaker 1>the website is myth podcast dot com. So that sounds

0:59:31.320 --> 0:59:33.600
<v Speaker 1>like a phone we to check out. Always always happy

0:59:33.640 --> 0:59:36.520
<v Speaker 1>to check out new podcasts, especially if they concerned something

0:59:36.560 --> 0:59:39.480
<v Speaker 1>like mythology. Yeah, so I will try to give that

0:59:39.520 --> 0:59:41.800
<v Speaker 1>a look if I find some time. But also I

0:59:41.880 --> 0:59:45.240
<v Speaker 1>have to report, Yeah, I sometimes have a feeling like this.

0:59:45.320 --> 0:59:48.880
<v Speaker 1>I mean, you can definitely, when listening to a podcast,

0:59:49.280 --> 0:59:51.440
<v Speaker 1>start to feel like the people you're listening to are

0:59:51.480 --> 0:59:56.200
<v Speaker 1>just your buddies, especially if it's a conversational podcast. I

0:59:56.280 --> 0:59:59.200
<v Speaker 1>have had this experience plenty of times. I think, um,

0:59:59.440 --> 1:00:01.560
<v Speaker 1>and yeah, I guess the question about whether you know

1:00:01.560 --> 1:00:04.200
<v Speaker 1>whether these counts para social relationships and whether or not

1:00:04.240 --> 1:00:07.280
<v Speaker 1>they're destructive, I think is a question of what role

1:00:07.360 --> 1:00:09.480
<v Speaker 1>they play in in your life, because yeah, I've also

1:00:09.560 --> 1:00:13.120
<v Speaker 1>had the experience of listening to podcasts and sort of

1:00:13.320 --> 1:00:16.040
<v Speaker 1>feeling when I'm listening to these people talk like they're

1:00:16.040 --> 1:00:19.959
<v Speaker 1>my buddies. But I think it's okay because I don't

1:00:20.040 --> 1:00:23.280
<v Speaker 1>find them like preventing me from spending time with my

1:00:23.360 --> 1:00:27.040
<v Speaker 1>real friends or my real loved ones. Um, if if

1:00:27.080 --> 1:00:29.800
<v Speaker 1>I did find that that it was like interfering with

1:00:29.840 --> 1:00:34.040
<v Speaker 1>my relationships, I think I would be concerned then yeah, yeah,

1:00:34.200 --> 1:00:36.400
<v Speaker 1>or you know, certainly I would be concerned if if

1:00:36.400 --> 1:00:38.560
<v Speaker 1>a listener showed you sor at my doorstep and wanted

1:00:38.560 --> 1:00:41.640
<v Speaker 1>to borrow my xbox or something, right, yeah, that would

1:00:41.640 --> 1:00:44.120
<v Speaker 1>probably right. I mean, also, yeah, it's important to have

1:00:44.200 --> 1:00:46.680
<v Speaker 1>like realistic perspective and know that, you know, while it

1:00:46.720 --> 1:00:49.080
<v Speaker 1>can feel like you're being social with people when you

1:00:49.160 --> 1:00:51.600
<v Speaker 1>listen to a podcast, of course you know they're not

1:00:51.680 --> 1:00:54.400
<v Speaker 1>actually you're you know, you don't actually know each other. Well,

1:00:54.400 --> 1:00:58.600
<v Speaker 1>like let's say, take um Paul Kennedy, the hosts of Ideas,

1:00:59.000 --> 1:01:01.560
<v Speaker 1>the CBC radio show I've spoken on spoken about it

1:01:01.600 --> 1:01:03.440
<v Speaker 1>on the show before because it's one of my favorites,

1:01:03.840 --> 1:01:06.200
<v Speaker 1>and like I can I can catch myself kind of

1:01:06.680 --> 1:01:09.200
<v Speaker 1>looking at Paul Kennedy kind of like a father or

1:01:09.280 --> 1:01:13.600
<v Speaker 1>grandfather figure. Um, And you know, especially since you know

1:01:13.640 --> 1:01:16.320
<v Speaker 1>I don't I don't really have any of I don't

1:01:16.320 --> 1:01:19.080
<v Speaker 1>have a real father or grandfather figure, in my life anymore.

1:01:19.520 --> 1:01:22.440
<v Speaker 1>So maybe I'm more inclined to to find that in

1:01:22.680 --> 1:01:25.560
<v Speaker 1>uh an individual from the uh you know, from the

1:01:26.520 --> 1:01:30.760
<v Speaker 1>podcast world. But I think it's ultimately, like this particular example,

1:01:30.800 --> 1:01:33.640
<v Speaker 1>like it's it's a healthy attachment, like like you don't

1:01:33.640 --> 1:01:37.720
<v Speaker 1>think you're actually gonna go like meet Paul Kennedy, right I.

1:01:36.760 --> 1:01:40.360
<v Speaker 1>I I know Paul Kennedy does not know me. And

1:01:40.280 --> 1:01:43.680
<v Speaker 1>the ultimately is just this this friendly voice that shares

1:01:44.200 --> 1:01:47.000
<v Speaker 1>uh you know, wonderful topics with me via this medium

1:01:47.000 --> 1:01:49.720
<v Speaker 1>of podcast and uh and yeah, I think it's that

1:01:49.960 --> 1:01:53.400
<v Speaker 1>that is a beneficial para social relationship, if that is

1:01:53.440 --> 1:01:56.360
<v Speaker 1>indeed what it is. It sounds like it to me,

1:01:56.440 --> 1:01:58.920
<v Speaker 1>and I I hope we can only be if we

1:01:58.960 --> 1:02:01.080
<v Speaker 1>are a par of social or relationship for anybody, I

1:02:01.120 --> 1:02:03.840
<v Speaker 1>hope we can only be a beneficial one. Don't don't

1:02:03.880 --> 1:02:06.720
<v Speaker 1>don't let our voices replace your real relationships with your

1:02:06.760 --> 1:02:09.320
<v Speaker 1>friends and family. They're more important. Go talk to them

1:02:09.320 --> 1:02:13.680
<v Speaker 1>about fat bergs. Well that's you know, that's all. That's

1:02:13.840 --> 1:02:17.200
<v Speaker 1>ultimately what what I I love to hear from listeners

1:02:17.240 --> 1:02:19.240
<v Speaker 1>is when we've been able to turn you onto a

1:02:19.320 --> 1:02:21.960
<v Speaker 1>topic and then you know you can, then you pick

1:02:22.000 --> 1:02:23.720
<v Speaker 1>it up and you run with it, or you take

1:02:23.760 --> 1:02:25.080
<v Speaker 1>it out and you share it with people and you

1:02:25.080 --> 1:02:27.400
<v Speaker 1>should and it becomes a you know, conversation. It becomes

1:02:28.080 --> 1:02:30.400
<v Speaker 1>at least a catalyst for you to then go out

1:02:30.440 --> 1:02:33.840
<v Speaker 1>and interact with the world, interact with with with friends

1:02:33.840 --> 1:02:36.360
<v Speaker 1>and family members and make new friends, make new family

1:02:36.360 --> 1:02:39.360
<v Speaker 1>members for that matter. Um, if if such as possible

1:02:39.400 --> 1:02:41.560
<v Speaker 1>with some of our topics, uh, you know, I think

1:02:41.600 --> 1:02:45.439
<v Speaker 1>that's that that's ultimately the best case scenario for any

1:02:45.560 --> 1:02:47.800
<v Speaker 1>any episode that we put out there. Not that I

1:02:47.960 --> 1:02:50.960
<v Speaker 1>don't think I've ever heard of anybody like actually acquiring

1:02:50.960 --> 1:02:53.120
<v Speaker 1>a new family member through the show, but I would

1:02:53.120 --> 1:02:55.479
<v Speaker 1>love to hear if if anybody out there has ever

1:02:55.720 --> 1:03:00.439
<v Speaker 1>met a significant other U through listening to our show,

1:03:00.480 --> 1:03:03.240
<v Speaker 1>I would absolutely love to hear about. Oh my god, yes,

1:03:03.400 --> 1:03:06.560
<v Speaker 1>please send us your stories if that happened. Maybe Fatbirg

1:03:06.680 --> 1:03:09.560
<v Speaker 1>is doing it right now. Somewhere out there. A love

1:03:09.640 --> 1:03:13.800
<v Speaker 1>story is brewing through um just strangers meeting and talking

1:03:13.800 --> 1:03:16.000
<v Speaker 1>about the fat Burg episode of Stuff to Blow your Mind.

1:03:16.360 --> 1:03:20.560
<v Speaker 1>It's a romance between so Plady and Fatbird Cop. Yeah,

1:03:20.560 --> 1:03:23.000
<v Speaker 1>that would be the sequel, right, Fat Bird too, Fat

1:03:23.000 --> 1:03:28.320
<v Speaker 1>Birds in Love La who's upontificating? Now there you go.

1:03:29.160 --> 1:03:31.840
<v Speaker 1>All right, Well, hey, we we have a whole stack

1:03:31.880 --> 1:03:34.720
<v Speaker 1>of emails here that Carney the mail bot brought us.

1:03:34.920 --> 1:03:37.040
<v Speaker 1>We were not able to read them all at all,

1:03:37.760 --> 1:03:39.560
<v Speaker 1>but we we we did what we could. We read

1:03:39.560 --> 1:03:41.560
<v Speaker 1>some of them. There are plenty that we read to

1:03:41.600 --> 1:03:44.360
<v Speaker 1>ourselves and you know, and we didn't read on the show.

1:03:45.200 --> 1:03:46.960
<v Speaker 1>But hey, some of them will say for next time.

1:03:47.000 --> 1:03:49.240
<v Speaker 1>And we encourage everyone to keep writing in. You have

1:03:49.280 --> 1:03:52.760
<v Speaker 1>thoughts about episodes, you have corrections about episodes. Uh, you

1:03:52.800 --> 1:03:55.840
<v Speaker 1>have criticisms, you have little tidbits to share. Uh. We

1:03:55.920 --> 1:03:59.000
<v Speaker 1>love to hear from everybody. We'll share the email address

1:03:59.000 --> 1:04:01.200
<v Speaker 1>here at the end of the show. You can also

1:04:01.240 --> 1:04:04.200
<v Speaker 1>reach out to us. The main way really is if

1:04:04.240 --> 1:04:06.960
<v Speaker 1>you go to the Facebook group associated with the show,

1:04:07.040 --> 1:04:10.080
<v Speaker 1>which is the Stuff to Blew your Mind discussion module. UH.

1:04:10.120 --> 1:04:12.200
<v Speaker 1>That's probably one of the better ways to interact with

1:04:12.320 --> 1:04:14.720
<v Speaker 1>us these days. And of course Stuff to Bow your

1:04:14.720 --> 1:04:16.840
<v Speaker 1>Mind dot Com is the mothership. That's our O n

1:04:16.880 --> 1:04:19.240
<v Speaker 1>O website, as they say, that's where you'll find all

1:04:19.280 --> 1:04:22.240
<v Speaker 1>the episodes of the show, uh, and the various other

1:04:22.280 --> 1:04:25.160
<v Speaker 1>bits of information that you might need. Huge thanks as

1:04:25.160 --> 1:04:28.680
<v Speaker 1>always to our excellent audio producer Tory Harrison, and to

1:04:28.920 --> 1:04:32.440
<v Speaker 1>our guest producer today my Cole. If you would like

1:04:32.520 --> 1:04:34.600
<v Speaker 1>to get in touch with us with feedback on this

1:04:34.640 --> 1:04:37.280
<v Speaker 1>episode or any other, to suggest a topic for the future,

1:04:37.440 --> 1:04:40.680
<v Speaker 1>just to say hello, you can email us at contact

1:04:40.760 --> 1:04:52.600
<v Speaker 1>dot stuff to Blow your Mind dot com. Stuff to

1:04:52.600 --> 1:04:54.600
<v Speaker 1>Blow Your Mind is a production of iHeart Radio's How

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<v Speaker 1>Stuff Works. For more podcasts from my heart Radio, visit

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