1 00:00:01,240 --> 00:00:01,880 Speaker 1: The volume. 2 00:00:08,119 --> 00:00:10,240 Speaker 2: All right, Rory, we are back today. 3 00:00:10,280 --> 00:00:14,000 Speaker 3: We have a special guest, Yes, sir, now, Rory, this 4 00:00:14,080 --> 00:00:17,439 Speaker 3: guest here. He's a very unique guest. He's like, you know, 5 00:00:17,480 --> 00:00:23,400 Speaker 3: he's a child prodigy, child star, singer, dancer, songwriter, actor, 6 00:00:24,160 --> 00:00:27,720 Speaker 3: probably models on the weekend. But he's a guy that 7 00:00:27,760 --> 00:00:29,920 Speaker 3: I'm a fan of, been watching him for a long time, 8 00:00:30,240 --> 00:00:32,440 Speaker 3: and he's here with us today, and he's in one 9 00:00:32,479 --> 00:00:34,000 Speaker 3: of your favorite shows this upcoming season. 10 00:00:34,040 --> 00:00:35,760 Speaker 2: He will be on Gray's Anatomy of course. 11 00:00:36,000 --> 00:00:39,360 Speaker 3: Today we are joined by the talented Trevor Jackson. 12 00:00:39,440 --> 00:00:41,319 Speaker 1: Thank you man, Thank you so much. 13 00:00:41,360 --> 00:00:43,120 Speaker 2: Bro. 14 00:00:43,320 --> 00:00:45,640 Speaker 1: I feel great after that. I mean, sometimes you forget 15 00:00:45,640 --> 00:00:46,920 Speaker 1: who you are and then someone says. 16 00:00:46,880 --> 00:00:48,400 Speaker 2: Somebody has to give you your flowers. 17 00:00:49,320 --> 00:00:53,320 Speaker 3: But you're somebody that just in watching you know, uh 18 00:00:53,600 --> 00:00:58,520 Speaker 3: film and obviously Broadway, Uh been seeing you throughout the years, 19 00:00:58,720 --> 00:01:01,320 Speaker 3: watched you grow up. But to see what you're doing 20 00:01:01,400 --> 00:01:02,920 Speaker 3: now and see the things that you're doing in your 21 00:01:02,960 --> 00:01:05,560 Speaker 3: career and still add it's good to see black men, 22 00:01:05,720 --> 00:01:08,200 Speaker 3: thank you're always doing good things and always sticking to 23 00:01:08,280 --> 00:01:09,959 Speaker 3: what they want to do, so that it's a pleasure 24 00:01:09,959 --> 00:01:10,440 Speaker 3: to meet you man. 25 00:01:10,440 --> 00:01:12,080 Speaker 1: Thank you man. Nice to meet you. Guys too man, 26 00:01:12,160 --> 00:01:14,800 Speaker 1: fan of the shows, new music, new music out. 27 00:01:14,840 --> 00:01:17,080 Speaker 2: We were talking about it tomorrow tomorrow. 28 00:01:17,120 --> 00:01:18,480 Speaker 1: It's called I Love You. It's an EP. 29 00:01:19,120 --> 00:01:21,360 Speaker 4: It's the first of a series that leads up to 30 00:01:21,400 --> 00:01:23,840 Speaker 4: the album. The album is am I allowed to say 31 00:01:23,840 --> 00:01:24,479 Speaker 4: the album title? 32 00:01:25,000 --> 00:01:25,280 Speaker 1: Why not? 33 00:01:25,400 --> 00:01:27,480 Speaker 4: The album is I Love You Goodbye? The greatest breakup 34 00:01:27,480 --> 00:01:28,280 Speaker 4: album of all time? 35 00:01:28,360 --> 00:01:29,960 Speaker 2: The greatest breakup album of all time? 36 00:01:29,959 --> 00:01:32,240 Speaker 5: Hold on, how do we get to the greatest breakup 37 00:01:32,240 --> 00:01:32,920 Speaker 5: album of all time? 38 00:01:36,160 --> 00:01:36,840 Speaker 2: Where you come from? 39 00:01:36,920 --> 00:01:38,720 Speaker 5: Unless you had the greatest breakup of all time. 40 00:01:38,760 --> 00:01:40,440 Speaker 4: No, that's what I'm saying to me. It's the greatest 41 00:01:40,440 --> 00:01:42,200 Speaker 4: breakup of all time. So I called it that. 42 00:01:42,400 --> 00:01:43,119 Speaker 2: Why is that. 43 00:01:44,840 --> 00:01:48,360 Speaker 4: I wrote it so close to my breakup in such 44 00:01:48,400 --> 00:01:49,280 Speaker 4: an honest way? 45 00:01:49,520 --> 00:01:54,280 Speaker 1: Okay, yeah, it's Did she hear it yet? Yeah? What 46 00:01:54,560 --> 00:01:55,040 Speaker 1: did she say? 47 00:01:55,040 --> 00:01:55,120 Speaker 5: Like? 48 00:01:55,120 --> 00:01:57,520 Speaker 2: What's her changed that back? 49 00:01:57,880 --> 00:02:00,520 Speaker 1: Like she probably heard some of it, know what I'm saying. 50 00:02:00,560 --> 00:02:02,600 Speaker 5: But he went from she heard it till she heard 51 00:02:02,640 --> 00:02:06,400 Speaker 5: something the records. 52 00:02:06,480 --> 00:02:08,919 Speaker 4: So we weren't even talking right. But before my surgery, 53 00:02:09,440 --> 00:02:10,919 Speaker 4: I was scared and I was like what I just 54 00:02:10,960 --> 00:02:13,000 Speaker 4: you know, I get nervous about doctors, and I was like, 55 00:02:13,000 --> 00:02:14,720 Speaker 4: what if something happened so I said it before my 56 00:02:14,720 --> 00:02:17,560 Speaker 4: surgers like hey, and then she was just like, you know, it's. 57 00:02:17,440 --> 00:02:18,919 Speaker 1: Gonna be okay, basically being like. 58 00:02:18,880 --> 00:02:21,360 Speaker 4: You know, that's it whatever, Yeah, okay, but but I 59 00:02:21,360 --> 00:02:21,880 Speaker 4: love you goodbye. 60 00:02:21,880 --> 00:02:22,960 Speaker 1: It was the last thing she said to me on 61 00:02:23,000 --> 00:02:23,440 Speaker 1: the phone. 62 00:02:24,040 --> 00:02:25,760 Speaker 5: And that's why it's like, right before you're about to 63 00:02:25,800 --> 00:02:26,360 Speaker 5: have surgery. 64 00:02:26,440 --> 00:02:28,680 Speaker 4: No that this was like a quick text, but on 65 00:02:28,720 --> 00:02:31,480 Speaker 4: the phone when we last time we spoke, ever ever spoke, 66 00:02:31,560 --> 00:02:34,440 Speaker 4: she was like, I love you goodbye, And I was like, 67 00:02:34,480 --> 00:02:36,440 Speaker 4: this hurts me but also incredible. 68 00:02:37,080 --> 00:02:38,639 Speaker 2: Did you just hang the phone up on I love 69 00:02:38,639 --> 00:02:40,120 Speaker 2: you goodbye? To's somebody that you was with? 70 00:02:40,280 --> 00:02:41,200 Speaker 1: Like and is it? Like? 71 00:02:41,600 --> 00:02:42,320 Speaker 2: Is that the closure? 72 00:02:42,360 --> 00:02:44,160 Speaker 1: Like that? That was it? That was it, and that's 73 00:02:44,160 --> 00:02:45,960 Speaker 1: it made sense to me. It's like, yeah, we we 74 00:02:46,000 --> 00:02:48,440 Speaker 1: love each other, but it's the same, right goodbye. 75 00:02:48,520 --> 00:02:48,720 Speaker 5: Yeah. 76 00:02:48,880 --> 00:02:49,800 Speaker 2: Do you think that's healthy. 77 00:02:49,880 --> 00:02:53,400 Speaker 5: Do you take accountability on this greatest, greatest breakup of 78 00:02:53,480 --> 00:02:53,839 Speaker 5: all time? 79 00:02:54,360 --> 00:02:57,519 Speaker 1: Uh? What do you mean take accountability the sentence? 80 00:02:57,880 --> 00:03:01,560 Speaker 5: And what and what way do you take accountability on 81 00:03:01,600 --> 00:03:04,040 Speaker 5: the EPs and leading up to the project of your 82 00:03:04,120 --> 00:03:05,720 Speaker 5: role in the relationship? Uh? 83 00:03:05,800 --> 00:03:06,960 Speaker 1: Yeah, one hundred percent. 84 00:03:07,160 --> 00:03:10,240 Speaker 4: And again, nobody did one thing or the other It's 85 00:03:10,320 --> 00:03:11,399 Speaker 4: just it just wasn't right. 86 00:03:11,880 --> 00:03:12,120 Speaker 1: Man. 87 00:03:12,200 --> 00:03:14,680 Speaker 4: I'm the type of guy I feel like I would 88 00:03:14,680 --> 00:03:17,160 Speaker 4: have held on forever, you know what I'm saying. And 89 00:03:17,600 --> 00:03:19,120 Speaker 4: I was, you know, I'm like, this is it, this 90 00:03:19,200 --> 00:03:21,160 Speaker 4: is my So I'm glad that it happened because where 91 00:03:21,200 --> 00:03:22,720 Speaker 4: I am now, I would go through the pain again 92 00:03:22,760 --> 00:03:25,000 Speaker 4: a million times. I tore my achilles. Also two weeks 93 00:03:25,040 --> 00:03:27,600 Speaker 4: after we broke up, I tore my achilles. So I 94 00:03:27,639 --> 00:03:30,079 Speaker 4: was really, yeah, right, that's what everybody was saying. 95 00:03:30,400 --> 00:03:32,600 Speaker 5: Or sometimes you purposely after hurts and see if she'll 96 00:03:32,680 --> 00:03:33,480 Speaker 5: visit you in the hospital. 97 00:03:34,280 --> 00:03:35,840 Speaker 2: Now I know what to think. 98 00:03:36,040 --> 00:03:39,160 Speaker 5: The court just went, it's not she liked me. 99 00:03:39,520 --> 00:03:41,560 Speaker 3: It's not as traumatic as what Lamar did in the 100 00:03:41,560 --> 00:03:43,960 Speaker 3: Bunny Rams, like he killed hisself and came back to 101 00:03:43,960 --> 00:03:45,000 Speaker 3: life like we walking to do that. 102 00:03:46,120 --> 00:03:47,160 Speaker 2: It worked, though it worked. 103 00:03:47,240 --> 00:03:49,960 Speaker 5: Tomorrow of them got his girl back absolutely. 104 00:03:50,160 --> 00:03:52,240 Speaker 3: So Trevor talked to us about what is it like 105 00:03:53,440 --> 00:03:55,040 Speaker 3: growing up in front of the camera, man, like you 106 00:03:55,360 --> 00:03:57,880 Speaker 3: play young Simba in the line came with a I 107 00:03:57,920 --> 00:04:00,960 Speaker 3: mean you got that on your resume. Bodies is perking 108 00:04:01,000 --> 00:04:03,160 Speaker 3: up at that point, but what is it like to 109 00:04:04,440 --> 00:04:06,720 Speaker 3: come up in this industry as a child, grow up, 110 00:04:06,760 --> 00:04:09,040 Speaker 3: become a man, go through everything in front of the camera, Like, 111 00:04:09,040 --> 00:04:09,800 Speaker 3: what's that experience? 112 00:04:09,920 --> 00:04:11,520 Speaker 4: Life is hard enough as it is, so you add 113 00:04:11,560 --> 00:04:13,200 Speaker 4: that it's definitely gonna be a little harder. But I'm 114 00:04:13,200 --> 00:04:14,720 Speaker 4: thankful to have the family that I have and the 115 00:04:14,720 --> 00:04:17,839 Speaker 4: support system that I had that I never I was 116 00:04:17,880 --> 00:04:20,680 Speaker 4: never too concerned about people's opinion of me. And I 117 00:04:20,680 --> 00:04:22,039 Speaker 4: feel like a lot of people in my position are 118 00:04:22,040 --> 00:04:22,719 Speaker 4: always on the front. 119 00:04:22,720 --> 00:04:24,080 Speaker 1: What are they saying? Are they talking about me? Or 120 00:04:24,080 --> 00:04:26,600 Speaker 1: they're being me? Like, you don't care about social media? 121 00:04:26,680 --> 00:04:28,800 Speaker 4: Like the only reason that's why I started doing the 122 00:04:28,800 --> 00:04:30,640 Speaker 4: T mixes because I hated social media so much and 123 00:04:30,640 --> 00:04:32,200 Speaker 4: everybody that I met or like, you got to be 124 00:04:32,440 --> 00:04:33,960 Speaker 4: have social media presence. I was like, the only thing 125 00:04:34,000 --> 00:04:37,120 Speaker 4: I feel comfortable doing people seeing me do is music. 126 00:04:37,240 --> 00:04:37,440 Speaker 1: You know. 127 00:04:37,520 --> 00:04:39,480 Speaker 4: So I started doing the T mixes and that's kind 128 00:04:39,480 --> 00:04:42,039 Speaker 4: of how that came about. But yeah, I'm thankful that 129 00:04:42,120 --> 00:04:45,279 Speaker 4: I'm I'm so loved and I'm so supported by my 130 00:04:45,360 --> 00:04:47,960 Speaker 4: family and my team that you know, I don't create 131 00:04:48,000 --> 00:04:50,640 Speaker 4: for any anybody's approval, you know what I'm saying. 132 00:04:52,040 --> 00:04:54,680 Speaker 5: But what was Broadway like as it was being in 133 00:04:54,680 --> 00:04:55,880 Speaker 5: that environment as a child. 134 00:04:56,040 --> 00:05:00,159 Speaker 3: Yeah, I hate to be over first ever Broadway or 135 00:05:00,279 --> 00:05:01,000 Speaker 3: State theater. 136 00:05:01,279 --> 00:05:02,120 Speaker 1: No. So the first thing I. 137 00:05:02,160 --> 00:05:03,880 Speaker 4: Did was the same called the Beefing Boards Christmas Show 138 00:05:03,880 --> 00:05:06,120 Speaker 4: when I was eleven years when I was seven years old. 139 00:05:06,440 --> 00:05:07,240 Speaker 1: That was in Indiana. 140 00:05:07,279 --> 00:05:08,680 Speaker 4: It was like a local thing, but it was equity 141 00:05:08,720 --> 00:05:10,799 Speaker 4: like it was a professional job right on stage. 142 00:05:11,200 --> 00:05:11,960 Speaker 1: And then while I was. 143 00:05:11,880 --> 00:05:13,280 Speaker 4: Doing that, everybody's like, you should do lin king, you 144 00:05:13,279 --> 00:05:16,920 Speaker 4: should be linking. I auditioned, Uh. It was an open audition, 145 00:05:17,040 --> 00:05:20,520 Speaker 4: five thousand kids. It was like a giant five thousand 146 00:05:21,040 --> 00:05:23,159 Speaker 4: and I remember being there, you know, we're waiting whatever 147 00:05:23,200 --> 00:05:25,919 Speaker 4: I auditioned. Didn't think I was gonna get it. They 148 00:05:25,960 --> 00:05:28,039 Speaker 4: called me and I was one of the youngest that 149 00:05:28,080 --> 00:05:29,680 Speaker 4: they've ever hired. You know, they wait till they're like 150 00:05:29,760 --> 00:05:31,279 Speaker 4: nine or ten, but I was. I was like eight, 151 00:05:31,360 --> 00:05:32,320 Speaker 4: Like I just turned eight. 152 00:05:32,839 --> 00:05:34,400 Speaker 2: But what's that? What's what's that? 153 00:05:34,880 --> 00:05:35,000 Speaker 1: Like? 154 00:05:35,200 --> 00:05:37,560 Speaker 2: You getting that call that you were I'm screaming. There's 155 00:05:37,560 --> 00:05:39,000 Speaker 2: a video of it at eight years old. 156 00:05:39,200 --> 00:05:41,880 Speaker 1: That has to be like, it's nuts. So I didn't 157 00:05:41,920 --> 00:05:43,840 Speaker 1: get that call right. So my mom knew and she had. 158 00:05:43,720 --> 00:05:45,719 Speaker 4: A dinner at my grandmother's house, got rest my grandmother's 159 00:05:45,760 --> 00:05:48,800 Speaker 4: so she just passed away, but we were all there 160 00:05:48,839 --> 00:05:51,400 Speaker 4: just sitting and then she's like, so, Trev, just want 161 00:05:51,440 --> 00:05:54,120 Speaker 4: to say, we're gonna have to leave soon because you're 162 00:05:54,120 --> 00:05:59,919 Speaker 4: gonna be like it. 163 00:05:56,640 --> 00:05:56,760 Speaker 5: You know. 164 00:06:00,000 --> 00:06:02,320 Speaker 1: I'm running up, grabbing, jumping on her like yeah, man. 165 00:06:02,360 --> 00:06:04,479 Speaker 4: And it felt like we did it, you know, because 166 00:06:04,520 --> 00:06:06,839 Speaker 4: she right before that, we had gotten to a car accident, 167 00:06:06,920 --> 00:06:09,320 Speaker 4: like really bad. I was like paralyzed for a few days. 168 00:06:09,320 --> 00:06:11,599 Speaker 4: My spine was bruised so I couldn't move. And this 169 00:06:11,760 --> 00:06:14,440 Speaker 4: was maybe like a week or two before. My mom 170 00:06:14,520 --> 00:06:15,920 Speaker 4: was like because we were debating, she was like, I 171 00:06:15,960 --> 00:06:17,280 Speaker 4: don't know if he really wants is he's just a 172 00:06:17,360 --> 00:06:19,760 Speaker 4: kid saying this, Like but after the accident, after I 173 00:06:19,800 --> 00:06:21,919 Speaker 4: was good, she's like, no, we're going, yeah, we're gonna go. 174 00:06:21,960 --> 00:06:22,760 Speaker 1: That's dope. Man. 175 00:06:23,040 --> 00:06:25,400 Speaker 2: How did she and your family balance that entire thing 176 00:06:25,480 --> 00:06:25,719 Speaker 2: of you? 177 00:06:26,000 --> 00:06:27,599 Speaker 1: It wasn't easy. My dad was like, you're taking my 178 00:06:27,680 --> 00:06:29,200 Speaker 1: son away, you know, my dad's family. 179 00:06:29,279 --> 00:06:29,440 Speaker 5: You know. 180 00:06:29,480 --> 00:06:30,960 Speaker 1: It's like you're just stealing around, you know. 181 00:06:31,320 --> 00:06:33,040 Speaker 4: And she's like, this is what he wants, you know, 182 00:06:33,240 --> 00:06:35,320 Speaker 4: and she my mom always did good of asking me 183 00:06:35,360 --> 00:06:37,720 Speaker 4: always you're still having fun, you still want to do this, Like, 184 00:06:37,760 --> 00:06:39,680 Speaker 4: if you don't want to, we can go home. I'm like, 185 00:06:39,720 --> 00:06:42,800 Speaker 4: what's the best time I've ever had? Like picture getting 186 00:06:42,800 --> 00:06:44,640 Speaker 4: to go to a park or a playground, but in 187 00:06:44,720 --> 00:06:47,000 Speaker 4: every city, Yeah, every city I get to go to him, 188 00:06:47,040 --> 00:06:49,600 Speaker 4: going state parks, learning about new ways of you know, 189 00:06:49,760 --> 00:06:50,920 Speaker 4: how people live in different cities. 190 00:06:51,080 --> 00:06:53,680 Speaker 1: It was dope. It was a training also from my 191 00:06:53,720 --> 00:06:54,880 Speaker 1: hard work, my work ethic. 192 00:06:54,960 --> 00:06:57,320 Speaker 4: You know. We had eight shows a week, but because 193 00:06:57,320 --> 00:06:58,720 Speaker 4: we were young, we could only do four and four. 194 00:06:58,760 --> 00:06:59,920 Speaker 4: But if the other kid is sick, I'll have to 195 00:06:59,920 --> 00:07:02,120 Speaker 4: do all eight shows, you know. So and if I 196 00:07:02,120 --> 00:07:04,159 Speaker 4: didn't get to perform, my man like, if he's performing. 197 00:07:03,880 --> 00:07:05,760 Speaker 1: I'm like, I want to be on stage. 198 00:07:06,520 --> 00:07:09,479 Speaker 3: So that's something you always wanted. Yeah, how did you 199 00:07:09,560 --> 00:07:11,320 Speaker 3: How did you fall into music? Was music a big 200 00:07:11,320 --> 00:07:12,120 Speaker 3: part of your family? 201 00:07:13,320 --> 00:07:15,560 Speaker 1: My family movies and music. 202 00:07:15,640 --> 00:07:18,200 Speaker 4: You know, they always just are watching movies, always well 203 00:07:18,280 --> 00:07:21,360 Speaker 4: rounded with the type of music that they were listening to. 204 00:07:21,480 --> 00:07:24,440 Speaker 1: Go from Elton John to Brian McKnight to you know 205 00:07:24,440 --> 00:07:25,280 Speaker 1: what I mean, it was just. 206 00:07:25,800 --> 00:07:28,000 Speaker 2: Very probably night. You're a little too young to know 207 00:07:28,080 --> 00:07:28,640 Speaker 2: bout I. 208 00:07:28,560 --> 00:07:30,360 Speaker 1: Love Brian mcna. I can't wait for you to hear 209 00:07:30,360 --> 00:07:30,720 Speaker 1: that album. 210 00:07:30,880 --> 00:07:32,560 Speaker 3: You know, I definitely want to hit the album. The record, 211 00:07:32,600 --> 00:07:34,680 Speaker 3: the one footing record is is dope. But we had 212 00:07:34,680 --> 00:07:37,280 Speaker 3: to talk off camerabout it being R and B. R 213 00:07:37,320 --> 00:07:39,360 Speaker 3: and B but the album is an R and B. 214 00:07:39,480 --> 00:07:40,600 Speaker 3: But that is a pop right. 215 00:07:40,680 --> 00:07:41,720 Speaker 1: Yeah, Yeah, for sure love it though. 216 00:07:41,760 --> 00:07:43,280 Speaker 4: By the way, my goal is to not be R 217 00:07:43,320 --> 00:07:44,360 Speaker 4: and B and my goal is to be the biggest 218 00:07:44,440 --> 00:07:46,200 Speaker 4: music artists of all time and be global. 219 00:07:46,200 --> 00:07:47,760 Speaker 1: You don't want to be boxing, Yeah, And I want 220 00:07:47,760 --> 00:07:51,720 Speaker 1: to make music that I've been saying this word a lot. 221 00:07:51,760 --> 00:07:53,800 Speaker 4: I don't want to sound like MLK, but freedom is 222 00:07:54,040 --> 00:07:56,080 Speaker 4: is what I'm trying to promote with everything that I 223 00:07:56,120 --> 00:07:57,600 Speaker 4: do in life. The way I do it, the type 224 00:07:57,600 --> 00:08:00,200 Speaker 4: of music I make, the shows I picked, Like my 225 00:08:00,200 --> 00:08:02,600 Speaker 4: life doesn't make sense for most people, right like how 226 00:08:02,600 --> 00:08:04,080 Speaker 4: are you on TV? And then you do this and 227 00:08:04,080 --> 00:08:05,320 Speaker 4: then you write a country song and you go over 228 00:08:05,320 --> 00:08:07,880 Speaker 4: here and you do you know, But I'm just taking 229 00:08:07,920 --> 00:08:10,360 Speaker 4: whatever's coming from wherever it's coming from, you know what 230 00:08:10,360 --> 00:08:12,520 Speaker 4: I'm saying, and then I'm just releasing it and it 231 00:08:12,560 --> 00:08:15,280 Speaker 4: feels good, and it feels good to be free. 232 00:08:15,760 --> 00:08:18,320 Speaker 2: What do you love, Mortal? Do you love the acting 233 00:08:18,520 --> 00:08:19,559 Speaker 2: or I love music? 234 00:08:19,640 --> 00:08:22,600 Speaker 4: More only because it's closer to my chest. Right when 235 00:08:22,600 --> 00:08:24,600 Speaker 4: I'm acting, I'm acting as someone else. I'm acting as 236 00:08:24,640 --> 00:08:26,840 Speaker 4: another someone else wrote the word, someone else is telling 237 00:08:26,880 --> 00:08:29,400 Speaker 4: me how to you know, directing me. But if I'm 238 00:08:29,400 --> 00:08:32,320 Speaker 4: writing my music, it's oh man, it's so personal and 239 00:08:32,360 --> 00:08:34,400 Speaker 4: it's so real, and it's it saves me. 240 00:08:35,160 --> 00:08:37,280 Speaker 1: Like I make music when I feel like I'm gonna explode. 241 00:08:37,760 --> 00:08:39,839 Speaker 4: Right, so with the breakup stuff, right when we broke up, 242 00:08:40,400 --> 00:08:42,040 Speaker 4: I wrote the album in like two and a half weeks, 243 00:08:42,520 --> 00:08:44,160 Speaker 4: you know what I'm saying. Like it was very fast. 244 00:08:44,160 --> 00:08:46,160 Speaker 4: It was the quickest album I've ever made, made it, 245 00:08:46,520 --> 00:08:48,720 Speaker 4: you know, and I just kept vomiting. I'm crying, recording, 246 00:08:48,800 --> 00:08:50,720 Speaker 4: put my leg up, letting the blood roa right down. 247 00:08:50,840 --> 00:08:54,760 Speaker 1: Then I'm recording and I'm coming put my legs bad, 248 00:08:55,000 --> 00:08:55,760 Speaker 1: and then I already have. 249 00:08:55,760 --> 00:08:58,400 Speaker 4: Backpains so from my achilles because the all these things, 250 00:08:58,440 --> 00:09:02,240 Speaker 4: like I was just it was bad. Yeah, And that 251 00:09:02,360 --> 00:09:04,720 Speaker 4: saved me being able to make that music and be 252 00:09:04,760 --> 00:09:05,439 Speaker 4: like this shit is. 253 00:09:05,400 --> 00:09:07,800 Speaker 1: Are you know you're back your head back to yeah, 254 00:09:08,160 --> 00:09:08,880 Speaker 1: Like that's life. 255 00:09:08,920 --> 00:09:11,400 Speaker 4: Though it doesn't even just have to be music, Like 256 00:09:11,440 --> 00:09:13,480 Speaker 4: you'll bounce your head to moments that you did later 257 00:09:13,480 --> 00:09:15,280 Speaker 4: in life that You're like, man, I really thought that 258 00:09:15,320 --> 00:09:17,120 Speaker 4: was gonna end me, but it made me. You know, 259 00:09:17,280 --> 00:09:19,720 Speaker 4: this is beautiful. So that's kind of what I want to know. 260 00:09:20,000 --> 00:09:22,800 Speaker 5: How did you navigate from the Broadway side to the 261 00:09:22,880 --> 00:09:23,440 Speaker 5: music side? 262 00:09:23,600 --> 00:09:24,559 Speaker 2: What comes to production? 263 00:09:25,360 --> 00:09:27,320 Speaker 5: Was so a lot of resources come from people you 264 00:09:27,360 --> 00:09:29,640 Speaker 5: met in the Broadway world. 265 00:09:29,760 --> 00:09:32,000 Speaker 4: No, No, So the Broadway was actually kind of really 266 00:09:32,000 --> 00:09:34,480 Speaker 4: separate from my music stuff, right, So I did Broadway 267 00:09:34,559 --> 00:09:36,640 Speaker 4: for three years. I toured on two years on the 268 00:09:36,840 --> 00:09:38,760 Speaker 4: East Coast when y're on the West Coast, and then 269 00:09:38,800 --> 00:09:40,719 Speaker 4: everybody was like, yo, this kid, like you guys got 270 00:09:40,760 --> 00:09:41,839 Speaker 4: to make sure you ei to move to New York 271 00:09:41,880 --> 00:09:42,199 Speaker 4: or LA. 272 00:09:42,240 --> 00:09:44,679 Speaker 1: New York LA. And I love to beach. I'm surfer, 273 00:09:44,720 --> 00:09:45,760 Speaker 1: you know what I'm saying. I'm like, okay, we'll go 274 00:09:45,800 --> 00:09:46,160 Speaker 1: to LA. 275 00:09:46,720 --> 00:09:50,400 Speaker 4: And I moved to LA when I was eleven on auditioning, 276 00:09:50,520 --> 00:09:52,360 Speaker 4: trying to you know, make stuff happen. I got signed 277 00:09:52,400 --> 00:09:55,120 Speaker 4: to Atlantic Records when I was fifteen. That was kind 278 00:09:55,120 --> 00:09:56,880 Speaker 4: of hey, do this where this be this guy? 279 00:09:56,960 --> 00:09:57,120 Speaker 5: Right? 280 00:09:57,200 --> 00:09:57,800 Speaker 1: Yeah? 281 00:09:57,880 --> 00:10:00,000 Speaker 4: So I didn't even find my sound or like producers 282 00:10:00,040 --> 00:10:01,720 Speaker 4: or the way I wanted to make music until me 283 00:10:01,720 --> 00:10:03,520 Speaker 4: and my brother one day, were like, we're doing the 284 00:10:03,520 --> 00:10:05,480 Speaker 4: next drum, We're gonna make all the songs, you know 285 00:10:05,480 --> 00:10:05,880 Speaker 4: what I'm saying? 286 00:10:05,920 --> 00:10:06,840 Speaker 1: And that was in my feelings. 287 00:10:06,840 --> 00:10:09,040 Speaker 4: That was our first time writing, and it was funny 288 00:10:09,080 --> 00:10:10,920 Speaker 4: the looks on our faces when we made a song. 289 00:10:11,000 --> 00:10:12,440 Speaker 4: We're like, Oh, you don't have to get someone to 290 00:10:12,480 --> 00:10:14,280 Speaker 4: write it. You don't have to get something like to 291 00:10:14,280 --> 00:10:16,560 Speaker 4: be Also, you don't need a vocal I remember paying 292 00:10:16,600 --> 00:10:18,520 Speaker 4: five grand out of my budget for a vocal producer. 293 00:10:18,800 --> 00:10:22,440 Speaker 1: And to be honest, most vocal producers can't sing almost 294 00:10:22,480 --> 00:10:23,719 Speaker 1: all them, do you know? 295 00:10:25,120 --> 00:10:30,480 Speaker 6: I can sit there and that's not That's not how 296 00:10:30,480 --> 00:10:33,240 Speaker 6: it supposed to Soundah, So what was the sound at 297 00:10:33,240 --> 00:10:35,000 Speaker 6: this time when you were with Atlantic, Like what was 298 00:10:35,040 --> 00:10:36,600 Speaker 6: happening in the industry as far as what. 299 00:10:36,559 --> 00:10:38,839 Speaker 1: Was the norm? 300 00:10:39,040 --> 00:10:43,840 Speaker 4: It was just if I guess at that time, I 301 00:10:43,840 --> 00:10:45,360 Speaker 4: guess Trey's song is. 302 00:10:46,240 --> 00:10:46,679 Speaker 1: You know what I mean? 303 00:10:47,040 --> 00:10:50,360 Speaker 4: Yeah, that kind of vibe, which I loved trade songs. 304 00:10:50,360 --> 00:10:52,360 Speaker 4: I think trade songs is great, but it just felt 305 00:10:52,520 --> 00:10:54,760 Speaker 4: very like Nietzche. You know, I just didn't I don't 306 00:10:54,760 --> 00:10:56,000 Speaker 4: even if I said that word right, but you know 307 00:10:56,080 --> 00:10:58,839 Speaker 4: what I mean. 308 00:10:58,400 --> 00:11:00,199 Speaker 5: A lot of that over singing doesn't work for everybody 309 00:11:00,200 --> 00:11:01,560 Speaker 5: else it works the tray, it doesn't work for. 310 00:11:01,800 --> 00:11:03,040 Speaker 1: Yeah, yeah, you know and me too. 311 00:11:03,040 --> 00:11:05,120 Speaker 4: That Actually that was a big issue, was like I 312 00:11:05,200 --> 00:11:06,920 Speaker 4: just sounded like other people. You know, I sounded like 313 00:11:06,960 --> 00:11:09,360 Speaker 4: Chris or I sounded like this, and you know, I 314 00:11:09,400 --> 00:11:12,160 Speaker 4: had to find my voice, but I would do it. 315 00:11:12,200 --> 00:11:14,200 Speaker 4: I wouldn't change anything, man, Like I said, that's how 316 00:11:14,200 --> 00:11:17,760 Speaker 4: I feel about life. Like where I am now, my 317 00:11:17,880 --> 00:11:19,760 Speaker 4: sound is there. And we were actually we had an 318 00:11:19,760 --> 00:11:21,680 Speaker 4: interview earlier today and they were talking about this ebolish 319 00:11:21,679 --> 00:11:27,120 Speaker 4: commercial that I did for u Ezema and you can 320 00:11:27,160 --> 00:11:29,080 Speaker 4: barely hear my voice in the back, but people call me, hey, 321 00:11:29,120 --> 00:11:30,880 Speaker 4: is this you? Or even on Twitter. I'm like, y'all 322 00:11:30,920 --> 00:11:32,800 Speaker 4: can tell my voice. Like so I felt like in 323 00:11:32,840 --> 00:11:34,800 Speaker 4: that moment, I was like, yeah, my sound like it's. 324 00:11:34,679 --> 00:11:35,600 Speaker 2: Mean people recognize. 325 00:11:35,679 --> 00:11:40,400 Speaker 5: Yeah, yeah is different though, white guy like. 326 00:11:40,559 --> 00:11:42,080 Speaker 2: It's worse. You can see it. 327 00:11:42,360 --> 00:11:45,520 Speaker 1: You're severe, We'll get you. 328 00:11:53,280 --> 00:11:57,160 Speaker 2: So you had you had a the Superfly movie. 329 00:11:57,240 --> 00:11:57,440 Speaker 1: Yeah. 330 00:11:58,280 --> 00:11:59,800 Speaker 3: Now, when that we had first heard of the supal 331 00:11:59,840 --> 00:12:01,200 Speaker 3: Fly was coming out, I was like, I hope they 332 00:12:01,200 --> 00:12:05,560 Speaker 3: don't fuck this up. Yeah, it's you know, old black blaxploitation. 333 00:12:05,960 --> 00:12:10,880 Speaker 3: I guess that's what they call it film classic film Superfly. Yeah, 334 00:12:11,480 --> 00:12:14,880 Speaker 3: but the the version that you did, I actually liked 335 00:12:14,880 --> 00:12:15,640 Speaker 3: the movie, Like. 336 00:12:15,600 --> 00:12:16,439 Speaker 2: I thought it was cool. 337 00:12:16,559 --> 00:12:17,120 Speaker 1: I appreciate it. 338 00:12:17,120 --> 00:12:20,320 Speaker 3: Why didn't we get another, like a part two or 339 00:12:20,440 --> 00:12:23,200 Speaker 3: like maybe like a TV because I felt like the 340 00:12:23,240 --> 00:12:24,280 Speaker 3: movie was dope, but I felt like. 341 00:12:24,280 --> 00:12:26,520 Speaker 2: The story wasn't fool, it wasn't done. 342 00:12:26,600 --> 00:12:29,360 Speaker 3: It was like so many Yeah, like that was never 343 00:12:29,400 --> 00:12:30,600 Speaker 3: a conversation at all. 344 00:12:31,080 --> 00:12:32,679 Speaker 4: There's a lot of people who want to do it too, 345 00:12:32,880 --> 00:12:35,719 Speaker 4: and you know, but some of the producers and things 346 00:12:35,760 --> 00:12:36,600 Speaker 4: that just didn't, you. 347 00:12:36,559 --> 00:12:37,839 Speaker 1: Know, work out. And for me, I was. 348 00:12:37,760 --> 00:12:41,040 Speaker 4: Cool with the one and done because uh, yeah, that 349 00:12:41,120 --> 00:12:42,840 Speaker 4: was a moment, you know what I'm saying. I captured 350 00:12:42,840 --> 00:12:45,600 Speaker 4: that moment. I captured that character and then I really said, 351 00:12:45,640 --> 00:12:47,360 Speaker 4: now I'm on to the next thing, you know. 352 00:12:47,840 --> 00:12:49,760 Speaker 1: Uh. And that's just kind of I felt about it. 353 00:12:49,840 --> 00:12:53,000 Speaker 4: And also, when you play something that's so iconic, you 354 00:12:53,040 --> 00:12:54,600 Speaker 4: become that guy, the super yah. 355 00:12:54,720 --> 00:12:55,360 Speaker 1: I mean that's true. 356 00:12:55,400 --> 00:12:56,600 Speaker 2: You get boxing, which you. 357 00:12:56,559 --> 00:12:58,800 Speaker 4: Know, there's Michael Jackson movie's about to come out, and 358 00:12:58,840 --> 00:13:01,080 Speaker 4: you know, I could have audition for that and for 359 00:13:01,120 --> 00:13:04,440 Speaker 4: that and I'm like. 360 00:13:03,200 --> 00:13:04,360 Speaker 1: If I kill it, it's bad. 361 00:13:04,440 --> 00:13:07,680 Speaker 4: And if I don't do it's bad, right because Michael 362 00:13:07,760 --> 00:13:11,200 Speaker 4: Jackson and so I kind of try to be careful 363 00:13:11,200 --> 00:13:11,480 Speaker 4: with that. 364 00:13:11,880 --> 00:13:15,839 Speaker 3: Are there any Are there any films TV? Any roles 365 00:13:15,840 --> 00:13:19,960 Speaker 3: that you passed on that you look back and be like, damn. 366 00:13:19,840 --> 00:13:21,000 Speaker 2: Like I should have took that one. 367 00:13:21,559 --> 00:13:26,720 Speaker 1: Uh No, No, there's there's none that. I yeah, like 368 00:13:27,040 --> 00:13:27,800 Speaker 1: it's the opposite, though. 369 00:13:27,840 --> 00:13:29,600 Speaker 4: There's a lot of ones that I wish I had gotten, 370 00:13:29,720 --> 00:13:30,920 Speaker 4: and I'm glad I didn't get it. 371 00:13:31,360 --> 00:13:32,200 Speaker 1: That happens a lot. 372 00:13:32,040 --> 00:13:33,000 Speaker 2: Which ones you auditioned for? 373 00:13:33,440 --> 00:13:39,800 Speaker 4: Uh said, nice, Okay, what you mean. I'm a professor, 374 00:13:44,040 --> 00:13:46,160 Speaker 4: But there's some just projects. I'm like, Okay, that wouldn't 375 00:13:46,160 --> 00:13:49,000 Speaker 4: the main sense, right, Okay, yeah, I get it. I 376 00:13:49,080 --> 00:13:52,280 Speaker 4: like that just wouldn't have made sick. It doesn't align 377 00:13:52,320 --> 00:13:52,720 Speaker 4: with your brain. 378 00:13:52,840 --> 00:13:54,840 Speaker 1: God is good in that way, though, right, we feel 379 00:13:54,840 --> 00:13:55,360 Speaker 1: like we need. 380 00:13:55,280 --> 00:13:57,920 Speaker 3: This whenever they do that, whenever they bring up whenever 381 00:13:57,920 --> 00:14:01,240 Speaker 3: they said, like, see you see what the team does. 382 00:14:01,760 --> 00:14:04,200 Speaker 2: This is the ship that y'all do to travel. 383 00:14:04,520 --> 00:14:07,920 Speaker 3: He said, you don't know, he can't kick it with us? 384 00:14:07,960 --> 00:14:11,960 Speaker 2: Got it so good? We know the amount of roles 385 00:14:11,960 --> 00:14:17,959 Speaker 2: that he should have gotten. But sometimes all the time. 386 00:14:18,480 --> 00:14:25,040 Speaker 3: All the time, and he's always on time. 387 00:14:26,920 --> 00:14:27,760 Speaker 1: Love that self. 388 00:14:28,000 --> 00:14:31,440 Speaker 5: What do you think has brought more insecurity though? 389 00:14:31,520 --> 00:14:34,200 Speaker 2: With the business TV, movies or music? 390 00:14:34,760 --> 00:14:39,880 Speaker 1: Music? So I felt I think it's a combination of them, right. 391 00:14:39,920 --> 00:14:43,680 Speaker 4: I felt because I did TV and music, people weren't 392 00:14:43,720 --> 00:14:48,760 Speaker 4: really understanding the level of quality in my voice or 393 00:14:48,760 --> 00:14:51,400 Speaker 4: performances or whatever. I felt like, I'm one of the best, 394 00:14:51,520 --> 00:14:53,000 Speaker 4: you know what I'm saying, And that's only because I 395 00:14:53,000 --> 00:14:55,280 Speaker 4: studied the best and I take it very very seriously. 396 00:14:55,320 --> 00:14:56,720 Speaker 4: I'm not here to make a lot of money. I'm 397 00:14:56,720 --> 00:14:58,880 Speaker 4: not here to get some chicks. I'm here to be 398 00:14:58,920 --> 00:15:02,480 Speaker 4: one of the greatest that I lived. And so I 399 00:15:02,520 --> 00:15:04,880 Speaker 4: felt like because people had seen me, you know, on 400 00:15:04,960 --> 00:15:07,040 Speaker 4: TV when I was doing music, they weren't even really listening. 401 00:15:07,440 --> 00:15:10,080 Speaker 4: They weren't even really you know, seeing it. And now 402 00:15:10,080 --> 00:15:11,240 Speaker 4: they're like, oh my god, he sings. 403 00:15:11,280 --> 00:15:11,640 Speaker 1: I'm like, I. 404 00:15:12,080 --> 00:15:14,440 Speaker 4: Probably sain' bed when I was fifteen sixteen, you know, 405 00:15:15,320 --> 00:15:16,320 Speaker 4: I was really going hard. 406 00:15:16,320 --> 00:15:18,880 Speaker 1: But it all again, God is good. 407 00:15:19,320 --> 00:15:22,720 Speaker 5: I mean, even just to have like a human moment 408 00:15:22,760 --> 00:15:24,600 Speaker 5: based off what the amount of things we work on 409 00:15:24,680 --> 00:15:27,160 Speaker 5: outside of this podcast too, that we think may compromise 410 00:15:27,400 --> 00:15:33,520 Speaker 5: our perception here. Yeah, getting Gray's anatomy is amazing TV history, Yeah, 411 00:15:33,560 --> 00:15:35,640 Speaker 5: but also trying to put music out at the same time, 412 00:15:35,720 --> 00:15:37,320 Speaker 5: is that in the back of your mind of less 413 00:15:38,080 --> 00:15:40,480 Speaker 5: could this ruin one side of it, no matter how 414 00:15:40,520 --> 00:15:41,400 Speaker 5: good both are. 415 00:15:41,600 --> 00:15:43,800 Speaker 4: Now not where I am now, but I think at 416 00:15:43,840 --> 00:15:45,960 Speaker 4: some point I was worried about that. Like if I 417 00:15:46,000 --> 00:15:48,520 Speaker 4: was doing Grownish, I probably wanted to Like a lot 418 00:15:48,520 --> 00:15:50,360 Speaker 4: of times a team would be like, hey, let's promote 419 00:15:50,760 --> 00:15:52,960 Speaker 4: the Grownish in the music at the same time, which 420 00:15:53,280 --> 00:15:54,760 Speaker 4: I didn't mind it, but I wanted it to be 421 00:15:54,800 --> 00:15:55,720 Speaker 4: I'm here because i'm. 422 00:15:55,560 --> 00:15:57,040 Speaker 1: My music, yeah, or I'm here. 423 00:15:56,920 --> 00:15:59,160 Speaker 2: Because I'm an actors. 424 00:15:59,160 --> 00:16:01,200 Speaker 1: They don't have to be comportar I take both very seriously. 425 00:16:01,200 --> 00:16:02,880 Speaker 1: It's not because I can do it's because I need to. 426 00:16:02,920 --> 00:16:04,160 Speaker 1: I have to do these things right. 427 00:16:04,560 --> 00:16:06,320 Speaker 4: So that's kind of But now I'm at a place 428 00:16:06,320 --> 00:16:09,040 Speaker 4: where I've embraced everything that I am. I'm not ashamed 429 00:16:09,040 --> 00:16:12,480 Speaker 4: of being multifaceteding. It always made me laugh speaking of 430 00:16:12,520 --> 00:16:14,880 Speaker 4: the basketball player over there, like my brother's also Hooper, 431 00:16:15,120 --> 00:16:18,120 Speaker 4: but like the person on the court, the person on 432 00:16:18,160 --> 00:16:20,680 Speaker 4: the court that can pass, that can shoot, that can dunt, 433 00:16:20,720 --> 00:16:22,600 Speaker 4: that can still as a good defensive player. That's the 434 00:16:22,600 --> 00:16:26,320 Speaker 4: best player on the court, So why in any other field? 435 00:16:26,320 --> 00:16:28,840 Speaker 4: Why is that different? I can sing just as good 436 00:16:28,840 --> 00:16:31,120 Speaker 4: as I can act, I can produce, I can write, you. 437 00:16:31,120 --> 00:16:31,560 Speaker 1: Know what I mean. 438 00:16:33,160 --> 00:16:35,840 Speaker 3: There's a such thing as and it's fucked up, But 439 00:16:35,880 --> 00:16:39,000 Speaker 3: there's a such thing as being too talented for sure, 440 00:16:39,040 --> 00:16:40,560 Speaker 3: you know what I mean. Like, there's sometimes people are 441 00:16:40,560 --> 00:16:42,720 Speaker 3: looking a be like is this a gimmick? Like this 442 00:16:42,800 --> 00:16:45,040 Speaker 3: kid can't act as good and sing as good and 443 00:16:45,080 --> 00:16:46,960 Speaker 3: you dance it is good, and you know what I'm saying. 444 00:16:47,000 --> 00:16:49,560 Speaker 3: So it's like sometimes people are kind of like, pick one. 445 00:16:49,480 --> 00:16:49,920 Speaker 1: What do you do? 446 00:16:49,960 --> 00:16:51,800 Speaker 3: What is it that you do? But in your case, 447 00:16:51,800 --> 00:16:53,640 Speaker 3: You're like, I'm passionate about. 448 00:16:53,680 --> 00:16:57,160 Speaker 4: I'm a capture of moments, and I'm also honestly surviving 449 00:16:57,160 --> 00:16:58,040 Speaker 4: with the things that I do. 450 00:16:58,280 --> 00:17:00,440 Speaker 1: They're part of my therapy. They're part of me being 451 00:17:00,480 --> 00:17:02,600 Speaker 1: able to get up in the morning and go to bed. 452 00:17:02,720 --> 00:17:04,399 Speaker 4: You know what I'm saying. Sometimes I can't sleep. I 453 00:17:04,440 --> 00:17:06,640 Speaker 4: gotta make a song first and I can sleep. Yeah, 454 00:17:06,720 --> 00:17:07,359 Speaker 4: you know what I'm saying. 455 00:17:07,440 --> 00:17:09,879 Speaker 3: Like it's just a part was the toughest, the toughest 456 00:17:09,920 --> 00:17:14,720 Speaker 3: pill for you to swallow maturing and becoming a man 457 00:17:14,760 --> 00:17:16,679 Speaker 3: in the industry, Like, what was the one thing that 458 00:17:16,720 --> 00:17:17,040 Speaker 3: you was. 459 00:17:17,040 --> 00:17:20,760 Speaker 4: Like not taking not taking I took some stuff for 460 00:17:20,800 --> 00:17:24,360 Speaker 4: granted opportunities, you know, I think when I was younger, 461 00:17:24,480 --> 00:17:26,520 Speaker 4: and I'm not ashamed of myself when I'm bashing old 462 00:17:26,560 --> 00:17:30,080 Speaker 4: me or anything, but I felt like there was a 463 00:17:30,080 --> 00:17:31,920 Speaker 4: time where I wasn't as grateful as I should have 464 00:17:31,960 --> 00:17:34,280 Speaker 4: been in the positions that I was at because I 465 00:17:34,280 --> 00:17:36,040 Speaker 4: was worried about just life stuff and not being like, yo, 466 00:17:36,160 --> 00:17:38,320 Speaker 4: it's a privilege to be able to be set, it's 467 00:17:38,320 --> 00:17:39,880 Speaker 4: a privilege to be able to get on stage. 468 00:17:40,400 --> 00:17:41,879 Speaker 1: I get to do those things. I don't have to 469 00:17:41,920 --> 00:17:42,520 Speaker 1: do those right. 470 00:17:42,880 --> 00:17:44,920 Speaker 4: So I think maybe that I probably was like most 471 00:17:45,119 --> 00:17:46,040 Speaker 4: disappointing that But. 472 00:17:47,440 --> 00:17:49,480 Speaker 1: Yeah, okay, that makes sense. 473 00:17:49,520 --> 00:17:50,840 Speaker 3: I mean, if you if you're growing up in an 474 00:17:50,840 --> 00:17:53,360 Speaker 3: industry as a kid, I would think that a lot 475 00:17:53,359 --> 00:17:55,600 Speaker 3: of that is a tribute to you being young. Though, Yeah, 476 00:17:55,640 --> 00:17:57,639 Speaker 3: like you don't know to not take certain things for 477 00:17:57,680 --> 00:18:01,960 Speaker 3: granted exactly exactly. I'm fifteen, sixteen, you know, I don't 478 00:18:02,000 --> 00:18:03,160 Speaker 3: have that in my brain yet. 479 00:18:03,200 --> 00:18:05,159 Speaker 2: I'm like, this is like, you know, some people do. 480 00:18:05,240 --> 00:18:08,159 Speaker 3: Some some people get that they learned that jewel, they 481 00:18:08,200 --> 00:18:11,240 Speaker 3: pick up that jewel early but fathers, it takes coming 482 00:18:11,320 --> 00:18:13,439 Speaker 3: twenty five twenty six said to look back and be like, yo, 483 00:18:13,520 --> 00:18:14,720 Speaker 3: I should have definitely. 484 00:18:14,400 --> 00:18:17,720 Speaker 1: Man twenty seven, that year for me was the you. 485 00:18:17,760 --> 00:18:18,120 Speaker 5: Know what I mean? 486 00:18:18,359 --> 00:18:20,400 Speaker 1: Yeah, why is that? That's when the break of heaving. 487 00:18:21,119 --> 00:18:27,560 Speaker 2: Oh so she put it in perspective, No, God, God 488 00:18:27,960 --> 00:18:29,960 Speaker 2: came back so good. 489 00:18:31,800 --> 00:18:32,960 Speaker 5: Yeah, not give her that credit. 490 00:18:33,359 --> 00:18:34,679 Speaker 2: But I hear what you're saying. 491 00:18:35,119 --> 00:18:38,000 Speaker 5: But also I may disagree with your therapist in that regard. 492 00:18:38,119 --> 00:18:40,720 Speaker 5: Like if you've been hitting nothing but net since she 493 00:18:40,840 --> 00:18:43,000 Speaker 5: was eight years old, it's not that you are taking 494 00:18:43,000 --> 00:18:45,600 Speaker 5: things for granted. You're just living in the reality that's 495 00:18:45,640 --> 00:18:45,960 Speaker 5: your in. 496 00:18:46,440 --> 00:18:46,920 Speaker 1: Yeah. 497 00:18:47,000 --> 00:18:49,080 Speaker 5: Yeah, you want to keep going and keep all Yeah, 498 00:18:49,080 --> 00:18:50,520 Speaker 5: I did Lion King at eight years old. That doesn't 499 00:18:50,560 --> 00:18:52,919 Speaker 5: mean I now need to settle and oh let me 500 00:18:52,960 --> 00:18:55,679 Speaker 5: go back to that moment and trying to really empathize 501 00:18:55,680 --> 00:18:57,960 Speaker 5: what happened. Now it's time to keep moving fucking forward. 502 00:18:57,960 --> 00:19:00,600 Speaker 5: It doesn't mean I'm taking that for granted. I'm moving 503 00:19:00,600 --> 00:19:02,560 Speaker 5: on what I'm doing right, So I think you should 504 00:19:02,560 --> 00:19:03,639 Speaker 5: get your money back from your therapist. 505 00:19:05,480 --> 00:19:10,000 Speaker 1: That's what you're saying, your money back. So it's good though, 506 00:19:10,040 --> 00:19:10,800 Speaker 1: the right therapist is. 507 00:19:10,800 --> 00:19:14,360 Speaker 2: Good, absolutely, and especially as black men. 508 00:19:14,400 --> 00:19:16,480 Speaker 3: I think, oh, man, something we need therapy, Like I 509 00:19:16,560 --> 00:19:18,320 Speaker 3: learned that later in life, Like you know what we 510 00:19:18,680 --> 00:19:19,159 Speaker 3: all need. 511 00:19:19,040 --> 00:19:21,560 Speaker 1: Because you know when you say it that you're like, whoa, right. 512 00:19:21,400 --> 00:19:24,040 Speaker 3: Because it's a it's a it's almost like you're saying, 513 00:19:24,359 --> 00:19:27,160 Speaker 3: something's wrong with me. I think that's the tone that comes. 514 00:19:26,960 --> 00:19:29,879 Speaker 1: With But it's not that. It's not I mean, don 515 00:19:29,920 --> 00:19:31,960 Speaker 1: want to take a shower. Something's wrong with you? So 516 00:19:32,000 --> 00:19:35,639 Speaker 1: you're not getting a shot cleanse. Yeah, it's it's cleansing 517 00:19:35,640 --> 00:19:36,040 Speaker 1: the mind. 518 00:19:36,119 --> 00:19:41,000 Speaker 5: It's it's explained that to my Irish Catholic parents. It's 519 00:19:41,040 --> 00:19:41,960 Speaker 5: just like taking a shower. 520 00:19:42,200 --> 00:19:48,200 Speaker 2: Yeah. So you got the Rolling Grays Anatomy. 521 00:19:48,240 --> 00:19:50,960 Speaker 4: First of all, congrats on accurate that is black doctor 522 00:19:51,000 --> 00:19:51,359 Speaker 4: on TV. 523 00:19:52,960 --> 00:19:53,200 Speaker 1: Listen. 524 00:19:53,280 --> 00:19:56,080 Speaker 2: That is amazing, amazing, very very cool. 525 00:19:57,119 --> 00:19:59,000 Speaker 3: Was this something that was kind of on your vision 526 00:19:59,000 --> 00:20:02,280 Speaker 3: board or something that just came about, came about. 527 00:20:01,960 --> 00:20:04,240 Speaker 4: Randomly, and then when it happened, I'm like, whoa, this 528 00:20:04,359 --> 00:20:04,840 Speaker 4: is sick. 529 00:20:05,400 --> 00:20:07,200 Speaker 2: I get reading anatom music. That's a big deal. 530 00:20:07,320 --> 00:20:08,120 Speaker 1: It's sick, bro. 531 00:20:08,320 --> 00:20:11,119 Speaker 4: And and just oh, I'm so sorry, I'm so I 532 00:20:11,240 --> 00:20:12,119 Speaker 4: profession that God. 533 00:20:13,680 --> 00:20:16,960 Speaker 5: That's the greatest break up of all tom Right. 534 00:20:17,320 --> 00:20:21,320 Speaker 1: So sorry, what was the say my brain? Yeah, it 535 00:20:21,359 --> 00:20:24,400 Speaker 1: was an audition that was kind of it was amongst 536 00:20:24,440 --> 00:20:24,960 Speaker 1: a few that. 537 00:20:24,920 --> 00:20:27,160 Speaker 4: I had, like maybe had that week like two three, 538 00:20:27,200 --> 00:20:28,680 Speaker 4: and I was like, okay, let me just put these 539 00:20:28,680 --> 00:20:31,080 Speaker 4: on tape. Didn't think anything was gonna happen a few 540 00:20:31,119 --> 00:20:33,240 Speaker 4: weeks past they called me. But being able to go 541 00:20:33,280 --> 00:20:34,879 Speaker 4: to work, you've I've worked on a bunch of sets, 542 00:20:34,880 --> 00:20:36,720 Speaker 4: but now I get to go and everything is new, 543 00:20:37,000 --> 00:20:39,920 Speaker 4: you know what I'm saying? Lab codes, surgeons. Sometimes I 544 00:20:40,000 --> 00:20:42,280 Speaker 4: got these dummy faked bodies. I'm like, oh, shoot, it's 545 00:20:42,320 --> 00:20:45,400 Speaker 4: a real person, Like it's dope, It's fun. 546 00:20:45,560 --> 00:20:48,280 Speaker 5: What was I guess outside of the audition, once you 547 00:20:48,359 --> 00:20:50,000 Speaker 5: got the role of the training for that, Like we 548 00:20:50,000 --> 00:20:51,800 Speaker 5: we've talked with Nick Cannon about when he had to 549 00:20:51,840 --> 00:20:54,000 Speaker 5: do drum line, he actually had to go do the 550 00:20:54,040 --> 00:20:57,639 Speaker 5: whole thing. We've talked to people that have done Army rolls, 551 00:20:57,680 --> 00:20:59,560 Speaker 5: like they went to boot camp for real, like did 552 00:20:59,600 --> 00:21:00,960 Speaker 5: you have to did not? Do you have to play 553 00:21:00,960 --> 00:21:04,120 Speaker 5: the operator game? Like at least the operator game at minimum? 554 00:21:04,800 --> 00:21:06,240 Speaker 4: What they did have us do though, we did some 555 00:21:06,320 --> 00:21:09,000 Speaker 4: training with some bananas and like sewing, how did you 556 00:21:09,040 --> 00:21:09,760 Speaker 4: do stitching? 557 00:21:10,000 --> 00:21:11,680 Speaker 1: I did a horrible and. 558 00:21:11,880 --> 00:21:12,679 Speaker 2: Everyone's gonna die. 559 00:21:14,040 --> 00:21:18,120 Speaker 1: She's bleeding all the time. 560 00:21:18,640 --> 00:21:21,359 Speaker 4: Seriously, dude, it's it's not easy and it's crazy. So 561 00:21:21,400 --> 00:21:22,960 Speaker 4: that you know they got the pros in there. And 562 00:21:23,200 --> 00:21:25,440 Speaker 4: there's nothing worse than somebody being really good at something 563 00:21:25,480 --> 00:21:27,000 Speaker 4: trying to explain it to me like it's okay while 564 00:21:27,000 --> 00:21:27,520 Speaker 4: they're doing it. 565 00:21:27,640 --> 00:21:29,359 Speaker 1: Yeah, he's like, dude, so you just want to keep it. 566 00:21:29,480 --> 00:21:32,240 Speaker 4: He's literally using one finger to stitch, right, That's how 567 00:21:32,240 --> 00:21:37,359 Speaker 4: Cody is. He's and it's taken me like they're like, 568 00:21:37,400 --> 00:21:42,760 Speaker 4: we'll come back, We'll go there like okay, yeah, and 569 00:21:42,760 --> 00:21:43,600 Speaker 4: we'll be a close up. 570 00:21:46,720 --> 00:21:46,920 Speaker 2: Now. 571 00:21:47,040 --> 00:21:49,440 Speaker 3: Is because I have this theory about actors. I think 572 00:21:49,480 --> 00:21:51,840 Speaker 3: actors are some of the craziest people. 573 00:21:51,840 --> 00:21:53,720 Speaker 5: You have to be a little bit bro, you have 574 00:21:53,760 --> 00:21:54,760 Speaker 5: to be a sociopath to something. 575 00:21:55,000 --> 00:21:57,040 Speaker 3: Is there ever going to be a time where you know, 576 00:21:57,080 --> 00:21:58,960 Speaker 3: you meet a girl, say she has no idea who 577 00:21:58,960 --> 00:22:02,360 Speaker 3: you are? Yeah, And because now you're on Grazing anatomy 578 00:22:02,480 --> 00:22:03,040 Speaker 3: and now you know. 579 00:22:03,000 --> 00:22:04,199 Speaker 1: How to talk like a doctor. 580 00:22:04,600 --> 00:22:06,199 Speaker 3: Is never gonna be a time where you act like 581 00:22:06,200 --> 00:22:06,960 Speaker 3: you're a doctor. 582 00:22:06,720 --> 00:22:07,119 Speaker 2: In real life? 583 00:22:07,160 --> 00:22:09,080 Speaker 3: And I have this conversation like, yeah, so last week 584 00:22:09,080 --> 00:22:10,639 Speaker 3: he lost his patient on the table, and he was 585 00:22:10,680 --> 00:22:11,200 Speaker 3: just like, I'm. 586 00:22:11,040 --> 00:22:12,919 Speaker 1: Sure in a few months I could do that. 587 00:22:12,920 --> 00:22:15,120 Speaker 3: That is sick that you have the ability to really 588 00:22:15,160 --> 00:22:16,720 Speaker 3: like late that on in real life. 589 00:22:16,720 --> 00:22:18,320 Speaker 4: And it's not difficult, bro, because you know from the 590 00:22:18,400 --> 00:22:19,800 Speaker 4: UK and that if you know what I mean, but 591 00:22:20,240 --> 00:22:20,800 Speaker 4: it's easy. 592 00:22:22,119 --> 00:22:23,120 Speaker 2: Then that's why she left. 593 00:22:23,160 --> 00:22:25,560 Speaker 1: That's why I've gotten that too. 594 00:22:25,600 --> 00:22:27,800 Speaker 4: Oh my god, you literally alive for a living like 595 00:22:27,800 --> 00:22:29,600 Speaker 4: I don't know anything you said. 596 00:22:29,400 --> 00:22:31,280 Speaker 1: So women have hit you with that back oh so 597 00:22:31,560 --> 00:22:32,400 Speaker 1: many times? 598 00:22:32,760 --> 00:22:34,720 Speaker 3: How is that because they he know when you're being 599 00:22:34,840 --> 00:22:36,120 Speaker 3: real sincere hurt? 600 00:22:36,280 --> 00:22:36,440 Speaker 1: Bro? 601 00:22:37,680 --> 00:22:38,520 Speaker 2: That is crazy. 602 00:22:39,359 --> 00:22:41,640 Speaker 5: Okay, but I knowed you, you said, and that laugh 603 00:22:41,800 --> 00:22:45,160 Speaker 5: that laugh, Yeah, Like no, I. 604 00:22:45,080 --> 00:22:48,000 Speaker 2: Can pick up on cues. I'm her. I'm glad you you. 605 00:22:49,240 --> 00:22:50,880 Speaker 2: I see what she said, I love you, good bye. 606 00:22:51,119 --> 00:22:54,879 Speaker 2: I totally understand she was being manipulated. Like he started 607 00:22:54,920 --> 00:22:56,280 Speaker 2: in the middle of augience. You need to give me 608 00:22:56,280 --> 00:22:57,399 Speaker 2: a little back hands like. 609 00:22:57,400 --> 00:23:02,520 Speaker 4: Whoa, he said, listen to demon taking you. 610 00:23:02,560 --> 00:23:06,560 Speaker 3: But that is dope to have that ability as a. 611 00:23:06,000 --> 00:23:09,000 Speaker 5: For your like for your regular life, because at some 612 00:23:09,040 --> 00:23:10,680 Speaker 5: point if you're you and that every day. 613 00:23:10,560 --> 00:23:14,760 Speaker 2: No if not not to use your right response. 614 00:23:14,600 --> 00:23:18,360 Speaker 5: Right because I felt in a way smaller scale. When 615 00:23:18,400 --> 00:23:22,000 Speaker 5: I've had arguments with past partners, They've said to me 616 00:23:22,040 --> 00:23:25,639 Speaker 5: an argument, stop podcasting, And I'm like, I'm not fucking podcasting. Yeah, 617 00:23:25,680 --> 00:23:27,400 Speaker 5: And then I started hearing myself. I'm like, wait, I'm 618 00:23:27,400 --> 00:23:31,160 Speaker 5: podcasting right now. Sometimes you can't turn the show. 619 00:23:34,200 --> 00:23:34,480 Speaker 2: Better. 620 00:23:34,600 --> 00:23:38,080 Speaker 5: You need better help. Twenty percent of new orry and mall, 621 00:23:38,400 --> 00:23:42,400 Speaker 5: you need therapy. It becomes a tick, like it becomes 622 00:23:43,240 --> 00:23:44,240 Speaker 5: what's the Jim carry shit? 623 00:23:44,480 --> 00:23:44,680 Speaker 1: Uh? 624 00:23:45,200 --> 00:23:48,800 Speaker 5: Which one so many the movie The Mask Liar liar 625 00:23:49,640 --> 00:23:52,159 Speaker 5: in a reality show Truman Show. Sometimes it becomes a 626 00:23:52,160 --> 00:23:54,119 Speaker 5: Truman Show, like in the middle, all of a sudden, 627 00:23:54,160 --> 00:23:56,560 Speaker 5: you're selling products in the whole shit. Sometimes you just 628 00:23:56,600 --> 00:23:59,399 Speaker 5: get caught in the world, like the lines blur. In 629 00:23:59,400 --> 00:24:00,439 Speaker 5: that regard, I will. 630 00:24:00,320 --> 00:24:02,880 Speaker 4: Say this, someone that loves you, your partner, when they're hurt, 631 00:24:02,880 --> 00:24:05,120 Speaker 4: they're gonna hurt you by the thing that you love 632 00:24:05,400 --> 00:24:07,200 Speaker 4: almost as much as them, which is that far which 633 00:24:07,240 --> 00:24:09,000 Speaker 4: is your job right podcasting. 634 00:24:09,119 --> 00:24:10,119 Speaker 1: So it doesn't matter what you do. 635 00:24:10,160 --> 00:24:11,399 Speaker 4: I'm sure if you were a chef, you'd be like, 636 00:24:11,800 --> 00:24:14,040 Speaker 4: you're trying what you're in a chef room, they use 637 00:24:14,080 --> 00:24:16,080 Speaker 4: anything that trying to stab into this. 638 00:24:16,320 --> 00:24:17,440 Speaker 2: I'm not one of your so chefs. 639 00:24:17,480 --> 00:24:20,680 Speaker 1: Yeah, right, exactly. You can't just yell at me because 640 00:24:20,760 --> 00:24:21,840 Speaker 1: I'm not a piece of you. 641 00:24:21,840 --> 00:24:23,400 Speaker 2: I wanted to say, yes, chef, do what you want 642 00:24:23,440 --> 00:24:23,680 Speaker 2: to say. 643 00:24:23,760 --> 00:24:25,280 Speaker 1: That's what the girls said. 644 00:24:25,280 --> 00:24:26,280 Speaker 2: I'm not your sou chef. 645 00:24:27,040 --> 00:24:29,359 Speaker 1: It's not your if you can't just talk about it, okay. 646 00:24:30,960 --> 00:24:34,880 Speaker 2: So how do you go from preparing for Gray's anatomy. 647 00:24:34,600 --> 00:24:37,520 Speaker 1: Yep, to then sorry, I am sweating with a big girl? 648 00:24:37,600 --> 00:24:41,160 Speaker 2: Are you yes, Josh turn that is it all? 649 00:24:41,240 --> 00:24:42,560 Speaker 1: Yeah? 650 00:24:42,600 --> 00:24:44,760 Speaker 5: And do you think you would have changed your achilles 651 00:24:44,840 --> 00:24:48,040 Speaker 5: injury post Gray's anatomy training? Would you have told the 652 00:24:48,080 --> 00:24:50,359 Speaker 5: doctor after the achilles injury of the surgery like, I 653 00:24:50,400 --> 00:24:51,720 Speaker 5: don't think it should stitch that way. 654 00:24:52,880 --> 00:24:54,120 Speaker 2: You're doing this so wrong. 655 00:24:56,080 --> 00:25:00,840 Speaker 1: On set and one hand, so what are you doing right. 656 00:25:02,600 --> 00:25:02,800 Speaker 5: Yet? 657 00:25:04,440 --> 00:25:04,640 Speaker 1: Paul? 658 00:25:04,680 --> 00:25:07,040 Speaker 5: You've been telling me non stop that you're thinking about 659 00:25:07,119 --> 00:25:10,119 Speaker 5: upgrading to the all new iPhone seventeen Pro because it 660 00:25:10,280 --> 00:25:12,560 Speaker 5: is designed to be the most powerful iPhone ever. You 661 00:25:12,600 --> 00:25:15,880 Speaker 5: will not shut up about it. The zoom feature is incredible, insane. 662 00:25:16,040 --> 00:25:18,160 Speaker 5: But are you also thinking about the traffic on your 663 00:25:18,160 --> 00:25:20,240 Speaker 5: way to the store or transferring all your data? 664 00:25:20,760 --> 00:25:21,760 Speaker 1: No, I'm nothing about that. 665 00:25:21,800 --> 00:25:23,040 Speaker 2: Well, if you were good news. 666 00:25:23,160 --> 00:25:25,120 Speaker 5: When you order a new phone online with boost Mobile, 667 00:25:25,160 --> 00:25:27,600 Speaker 5: they'll send an expert to your home or work or 668 00:25:27,680 --> 00:25:30,280 Speaker 5: to deliver your brand new iPhone seventeen Pro and get 669 00:25:30,359 --> 00:25:32,840 Speaker 5: you set up on the Boost Mobile within minutes, no 670 00:25:32,920 --> 00:25:33,720 Speaker 5: hassle whatsoever. 671 00:25:34,240 --> 00:25:37,000 Speaker 3: Visit boostmobile dot com to get started. Delivery available for 672 00:25:37,040 --> 00:25:40,000 Speaker 3: select devices. Purchase at boostmobile dot Com. Terms apply. 673 00:25:40,280 --> 00:25:43,480 Speaker 5: Today's show is brought to you by our new presenting sponsor, 674 00:25:43,680 --> 00:25:46,760 Speaker 5: hard Rock Bet. It's simple, it's clean, it's packed with 675 00:25:46,880 --> 00:25:49,880 Speaker 5: new promos every day. Starting with your first bet, new 676 00:25:49,880 --> 00:25:52,760 Speaker 5: customers can place a five dollars bet and if it hits, 677 00:25:53,080 --> 00:25:55,520 Speaker 5: you get not only your winnings, but also one hundred 678 00:25:55,520 --> 00:25:58,919 Speaker 5: and fifty dollars in extra bonus bets like that this 679 00:25:59,040 --> 00:26:01,680 Speaker 5: coming Monday, Jets and Miami. 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Arizona, Colorado, Illinois, New Jersey, Ohio, Tennessee, and Virginia. 695 00:26:52,600 --> 00:26:55,480 Speaker 2: So you have the episode of the EP I Love You. 696 00:26:55,640 --> 00:26:58,200 Speaker 1: Yeah, October third, coming out October thir tomorrow. 697 00:26:58,359 --> 00:27:02,600 Speaker 3: Yes, how long did it take for you to get 698 00:27:02,760 --> 00:27:05,000 Speaker 3: the songs to a place where it's like, Okay, I'm 699 00:27:05,040 --> 00:27:08,080 Speaker 3: ready to put this out? Because as songwriters, sometimes y'all 700 00:27:08,119 --> 00:27:10,760 Speaker 3: live with y'all head a lot, and y'all hear things 701 00:27:10,760 --> 00:27:12,560 Speaker 3: that other people don't hear. Are you one of those 702 00:27:12,560 --> 00:27:15,199 Speaker 3: people that it takes you a while to get the 703 00:27:15,240 --> 00:27:15,800 Speaker 3: album done? 704 00:27:15,920 --> 00:27:18,000 Speaker 1: Or is it like, Yo, I got the record, this 705 00:27:18,040 --> 00:27:18,840 Speaker 1: is it, I'm. 706 00:27:18,680 --> 00:27:20,399 Speaker 4: Not yet I got finished it in two and a 707 00:27:20,440 --> 00:27:22,640 Speaker 4: half weeks this album so fast. 708 00:27:22,680 --> 00:27:24,000 Speaker 1: And I don't I didn't go back, you know what 709 00:27:24,000 --> 00:27:24,240 Speaker 1: I mean. 710 00:27:24,840 --> 00:27:26,879 Speaker 4: There might have been some production stuff that, you know, 711 00:27:26,920 --> 00:27:28,600 Speaker 4: the team wanted to change, but in terms of my 712 00:27:28,680 --> 00:27:32,000 Speaker 4: vocal performance and my edits and all that, as long 713 00:27:32,040 --> 00:27:34,200 Speaker 4: as it's close to the moment that happened, it's real. 714 00:27:34,320 --> 00:27:35,480 Speaker 4: It's the realist version of it. 715 00:27:35,520 --> 00:27:38,000 Speaker 1: I don't want to meddle. Yeah with the you know 716 00:27:38,000 --> 00:27:38,480 Speaker 1: what I'm saying. 717 00:27:38,920 --> 00:27:40,480 Speaker 5: I feel like that's how a lot of artists fuck 718 00:27:40,560 --> 00:27:40,920 Speaker 5: up everything. 719 00:27:41,200 --> 00:27:42,160 Speaker 1: Yeah, yeah, let's just. 720 00:27:42,040 --> 00:27:42,479 Speaker 2: Sit and there. 721 00:27:42,480 --> 00:27:44,119 Speaker 5: It's like, all right, well, let's just be able to 722 00:27:44,160 --> 00:27:46,560 Speaker 5: make it now. That was the moment all the energy 723 00:27:46,640 --> 00:27:47,000 Speaker 5: was in that. 724 00:27:47,160 --> 00:27:49,119 Speaker 1: Absolutely, dude. I was feeling so much. 725 00:27:49,560 --> 00:27:51,440 Speaker 4: And the only way I could articulate it if this 726 00:27:51,640 --> 00:27:52,840 Speaker 4: was if I made it there now, if I took 727 00:27:52,880 --> 00:27:54,520 Speaker 4: them in it, and I probably would have tried to 728 00:27:54,520 --> 00:27:57,119 Speaker 4: be cool about it, you know what I mean, instead 729 00:27:57,119 --> 00:27:59,119 Speaker 4: of being so The funny thing is, I have like 730 00:27:59,160 --> 00:28:02,040 Speaker 4: four albums that are finish complete, not gonna change. They're 731 00:28:02,040 --> 00:28:05,159 Speaker 4: already done, the order everything, they're finished, and you know, 732 00:28:05,480 --> 00:28:07,000 Speaker 4: some of the team and I were like, maybe we 733 00:28:07,840 --> 00:28:09,600 Speaker 4: do another one, and I was like, there's no way, 734 00:28:09,720 --> 00:28:11,280 Speaker 4: Like this has to come out first, so I can 735 00:28:11,320 --> 00:28:13,040 Speaker 4: release this and then. 736 00:28:13,040 --> 00:28:13,960 Speaker 3: You know what I mean, I can move on to 737 00:28:14,000 --> 00:28:15,359 Speaker 3: the next year, move on to the next Did you 738 00:28:15,359 --> 00:28:17,640 Speaker 3: work with anybody on this album or is this all 739 00:28:17,680 --> 00:28:19,359 Speaker 3: like in house your team? 740 00:28:19,520 --> 00:28:21,600 Speaker 4: This is mainly in house Me and my brother Ian 741 00:28:21,720 --> 00:28:25,320 Speaker 4: Jackson shout out and then Brunus Charles played a lot 742 00:28:25,359 --> 00:28:27,639 Speaker 4: of guitar. There's a few other maybe like one or 743 00:28:27,680 --> 00:28:30,320 Speaker 4: two other producers, but I wrote probably ninety percent of 744 00:28:30,359 --> 00:28:35,560 Speaker 4: the album and yeah, man, it came together in a 745 00:28:35,600 --> 00:28:36,200 Speaker 4: beautiful way. 746 00:28:36,280 --> 00:28:39,240 Speaker 3: Is it any artist that you've worked with that you 747 00:28:39,920 --> 00:28:41,760 Speaker 3: want to work with again, or any artists that you've 748 00:28:41,800 --> 00:28:43,400 Speaker 3: never worked with that you like, I got to get 749 00:28:43,440 --> 00:28:45,040 Speaker 3: it right with I got and get a studio with 750 00:28:45,080 --> 00:28:45,480 Speaker 3: this person. 751 00:28:45,640 --> 00:28:48,160 Speaker 4: Absolutely so writers, by the way, I want to shout 752 00:28:48,160 --> 00:28:50,560 Speaker 4: out Mike Jay, one of the most incredible song writers 753 00:28:50,600 --> 00:28:52,400 Speaker 4: of all time, ro turning up to music for Chris Brown. 754 00:28:52,840 --> 00:28:55,360 Speaker 1: He's just he's an animal. So him and I did 755 00:28:55,400 --> 00:28:57,840 Speaker 1: worth fighting for, which is on this album? That's you here? 756 00:28:58,280 --> 00:28:59,360 Speaker 1: So I want to work with him again. 757 00:28:59,520 --> 00:29:05,040 Speaker 4: Dominious incredible, their black tuxedos, their name together. Eric Bellinger 758 00:29:05,720 --> 00:29:07,760 Speaker 4: worked with him and will always work with him. Like 759 00:29:08,440 --> 00:29:10,520 Speaker 4: he's one of the few people at first that kind 760 00:29:10,560 --> 00:29:13,120 Speaker 4: of in music, you know, that was like that dude 761 00:29:13,200 --> 00:29:15,680 Speaker 4: right there, right and after I'm. 762 00:29:15,520 --> 00:29:18,040 Speaker 1: Like this dude writes ashes, yeah, and you think much 763 00:29:18,080 --> 00:29:19,560 Speaker 1: of it is tight, I'm. 764 00:29:19,440 --> 00:29:22,600 Speaker 4: Doing it does and that's what you know, what I'm saying, 765 00:29:22,640 --> 00:29:23,440 Speaker 4: And that's how I felt. 766 00:29:23,440 --> 00:29:24,920 Speaker 1: And you know, he took me on tour with them, bro, 767 00:29:25,040 --> 00:29:26,800 Speaker 1: Like it really meant a lot to me. So that's 768 00:29:26,800 --> 00:29:30,160 Speaker 1: somebody I'll always respecting and be there for. Yeah. Good, 769 00:29:30,200 --> 00:29:30,720 Speaker 1: good dude. 770 00:29:30,920 --> 00:29:34,080 Speaker 4: And then also Sean Stalking from boys to men, it 771 00:29:34,120 --> 00:29:37,520 Speaker 4: was another family that was another to go like, hey, bro, 772 00:29:38,040 --> 00:29:40,240 Speaker 4: you're doing it everything that you said you wanted. If 773 00:29:40,240 --> 00:29:42,480 Speaker 4: you're looking at us and being like, hey, we you 774 00:29:42,640 --> 00:29:44,200 Speaker 4: you're doing it. We're so proud of we see everything 775 00:29:44,240 --> 00:29:46,680 Speaker 4: you're doing and you're keeping it alive. Let's go right 776 00:29:47,000 --> 00:29:47,800 Speaker 4: And I'm almost. 777 00:29:47,560 --> 00:29:48,200 Speaker 1: Crying with the talking. 778 00:29:48,320 --> 00:29:49,720 Speaker 4: And they thought I was playing around there like this 779 00:29:49,720 --> 00:29:51,280 Speaker 4: guy for I was like, no, you guys, I've listened 780 00:29:51,320 --> 00:29:53,240 Speaker 4: to you my whole life, like yeah, and I was 781 00:29:53,280 --> 00:29:55,840 Speaker 4: just listening to you, like played the run a million times, 782 00:29:55,840 --> 00:29:56,480 Speaker 4: so I can do it. 783 00:29:56,680 --> 00:29:58,560 Speaker 1: There's actually a song on the album called. 784 00:30:00,640 --> 00:30:03,320 Speaker 4: Called kept It oh no, no, no, I kept it 785 00:30:03,480 --> 00:30:05,520 Speaker 4: and manage steel one of the damn songs. But the 786 00:30:05,600 --> 00:30:10,640 Speaker 4: riff is the exact same from uh yesterday, I've been in. 787 00:30:10,680 --> 00:30:15,760 Speaker 2: These We'll cut that parts. You keep the publishing right, It's. 788 00:30:15,560 --> 00:30:15,760 Speaker 5: Just a. 789 00:30:18,360 --> 00:30:21,280 Speaker 1: It was interpretation, but right. That's how much I love 790 00:30:21,320 --> 00:30:21,640 Speaker 1: these guys. 791 00:30:21,760 --> 00:30:23,680 Speaker 4: Is like, no, so when I'm when they're when these 792 00:30:23,720 --> 00:30:25,960 Speaker 4: people are telling me that, when you're asking me maybe insecurities, 793 00:30:26,400 --> 00:30:27,280 Speaker 4: when I had that from. 794 00:30:27,240 --> 00:30:28,880 Speaker 1: Them, yeah, those vanished. 795 00:30:29,280 --> 00:30:30,760 Speaker 5: Who are some of the songwriters that you would like 796 00:30:30,800 --> 00:30:33,560 Speaker 5: to work with or something that just inspired you? 797 00:30:33,080 --> 00:30:37,360 Speaker 4: When I want to work with Drake, I want to 798 00:30:37,400 --> 00:30:40,640 Speaker 4: work with Wayne, I want to work with Rascal Flats, 799 00:30:40,720 --> 00:30:42,400 Speaker 4: I want to work with I hate this. 800 00:30:42,400 --> 00:30:44,000 Speaker 1: I always get this question. Then later on be in 801 00:30:44,000 --> 00:30:44,440 Speaker 1: the car like. 802 00:30:44,360 --> 00:30:46,320 Speaker 2: Why didn't I say I'm a more just songwriter. 803 00:30:46,360 --> 00:30:48,480 Speaker 5: I mean, of course Drake and all them are songwriters, 804 00:30:48,480 --> 00:30:50,640 Speaker 5: but you know, specifically down or what you know you 805 00:30:50,640 --> 00:30:53,240 Speaker 5: were saying with Eric Bellingers is outside of him be 806 00:30:53,280 --> 00:30:54,160 Speaker 5: an amazing artist. 807 00:30:54,200 --> 00:30:56,200 Speaker 2: We know his pen is what animal. 808 00:30:56,480 --> 00:30:59,720 Speaker 1: I would like to work with Pooh Beer of course, beast. 809 00:31:00,640 --> 00:31:03,480 Speaker 4: I've worked with Diane Warren a bunch and she's incredible 810 00:31:03,560 --> 00:31:04,280 Speaker 4: and we got records. 811 00:31:04,280 --> 00:31:05,640 Speaker 1: So remember the albums I'll tell you about. 812 00:31:05,720 --> 00:31:08,560 Speaker 4: She got some on those, right, and everything too that 813 00:31:08,600 --> 00:31:12,040 Speaker 4: I've done, guys is so story, like this is all 814 00:31:12,080 --> 00:31:13,959 Speaker 4: a part of the story. So the album that came 815 00:31:14,000 --> 00:31:17,320 Speaker 4: out before this is complicated this. This album is coming 816 00:31:17,360 --> 00:31:18,239 Speaker 4: out of the prequel to that. 817 00:31:18,680 --> 00:31:19,320 Speaker 1: So that album is. 818 00:31:19,320 --> 00:31:21,200 Speaker 4: Basically I'm the guy on the side. We still mess around, 819 00:31:21,240 --> 00:31:24,040 Speaker 4: we still mess around. Then the breakup album comes out, 820 00:31:24,200 --> 00:31:26,080 Speaker 4: and then the next album. 821 00:31:25,920 --> 00:31:28,560 Speaker 1: Is like, Okay, I'm not We're not together anymore. I'm 822 00:31:28,560 --> 00:31:29,360 Speaker 1: going back outside. 823 00:31:29,720 --> 00:31:31,480 Speaker 4: Kind of how all my homies told me to handle 824 00:31:31,520 --> 00:31:34,360 Speaker 4: the breakup is what motion. 825 00:31:34,280 --> 00:31:37,000 Speaker 1: Is, right, They're all like, go back outside. 826 00:31:37,320 --> 00:31:37,960 Speaker 2: Why did they tell you? 827 00:31:38,000 --> 00:31:40,960 Speaker 5: Because because Mall is probably the worst homie that you 828 00:31:41,080 --> 00:31:46,440 Speaker 5: could ever be next to. Yeah, I'll be going to Malls. 829 00:31:46,680 --> 00:31:48,720 Speaker 5: You got two days to cry and then shut this. 830 00:31:50,000 --> 00:31:53,959 Speaker 2: I'm like, no, I'm hurting right now. You get a weekend, 831 00:31:54,440 --> 00:31:54,920 Speaker 2: go through it. 832 00:31:55,920 --> 00:31:56,200 Speaker 4: Cry. 833 00:31:56,880 --> 00:31:58,840 Speaker 2: You know what I'm saying. You got a showery. 834 00:32:00,160 --> 00:32:02,000 Speaker 3: But after that, it's just like, yo, come on, man, 835 00:32:02,640 --> 00:32:06,240 Speaker 3: we gotta keep we gotta move because it's like I 836 00:32:06,320 --> 00:32:08,640 Speaker 3: get it. You get heartbroken, and depending on what happened 837 00:32:08,680 --> 00:32:10,800 Speaker 3: in the relationship. It hurts, and yeah, you know, you 838 00:32:11,040 --> 00:32:13,440 Speaker 3: become accustomed to this person always being in That's. 839 00:32:13,280 --> 00:32:14,440 Speaker 1: What it's more is, I think for a lot of 840 00:32:14,440 --> 00:32:15,360 Speaker 1: people's the habitual. 841 00:32:15,640 --> 00:32:18,200 Speaker 2: Yes, it's the habits. That's that's human nature. We all 842 00:32:18,240 --> 00:32:21,080 Speaker 2: have habits. And five years? Can I get more than 843 00:32:21,080 --> 00:32:21,760 Speaker 2: a weekend to get over? 844 00:32:21,800 --> 00:32:22,040 Speaker 1: This time? 845 00:32:23,040 --> 00:32:24,800 Speaker 2: I get it? Like I get it, But it's like, 846 00:32:25,240 --> 00:32:28,200 Speaker 2: get you can take five years. You can take five 847 00:32:28,280 --> 00:32:28,840 Speaker 2: years to get over? 848 00:32:29,520 --> 00:32:31,720 Speaker 1: How get you to the next? Girl'd five years? 849 00:32:34,440 --> 00:32:37,920 Speaker 2: Never take five years to get over? We're not doing that. 850 00:32:39,080 --> 00:32:42,000 Speaker 3: How do you get into the mindset of when you're 851 00:32:42,000 --> 00:32:46,240 Speaker 3: about to record music versus going on set to shoot? 852 00:32:46,280 --> 00:32:49,520 Speaker 3: Is it a different preparation or like what is that? 853 00:32:49,760 --> 00:32:51,600 Speaker 2: What is that that? That time like for you? 854 00:32:52,120 --> 00:32:55,160 Speaker 4: Depending on the road right in the quantity of work. 855 00:32:55,360 --> 00:32:56,720 Speaker 4: You know, if I have a few lines, I tend 856 00:32:56,760 --> 00:32:58,280 Speaker 4: not to look at it. You know, if it's just 857 00:32:58,320 --> 00:33:00,840 Speaker 4: a few like one liners here, I just I want 858 00:33:00,840 --> 00:33:02,720 Speaker 4: to be it actually is very similar to the music 859 00:33:02,720 --> 00:33:04,520 Speaker 4: as close to the moment as possible. How would I 860 00:33:04,520 --> 00:33:06,240 Speaker 4: really react to this if I see it real quick? Okay, 861 00:33:06,280 --> 00:33:09,000 Speaker 4: ask me, and however I respond. However, my body moves 862 00:33:09,040 --> 00:33:12,240 Speaker 4: right that's the realist version. But that's kind of similar 863 00:33:12,240 --> 00:33:14,760 Speaker 4: with the music, Like as soon as the situation happens 864 00:33:14,760 --> 00:33:16,840 Speaker 4: with me, I'm running downstairs. I got to make this song. 865 00:33:16,880 --> 00:33:19,280 Speaker 4: It's off of the off of the initial feeling. But 866 00:33:19,600 --> 00:33:22,560 Speaker 4: if there's a bigger batch of work, I'm a bigger 867 00:33:22,640 --> 00:33:25,240 Speaker 4: role and there's more words and maybe it's a different character, 868 00:33:25,280 --> 00:33:26,640 Speaker 4: I will, I would dive in. 869 00:33:26,720 --> 00:33:27,200 Speaker 1: I would. 870 00:33:27,480 --> 00:33:30,640 Speaker 4: I would like to eventually do the Daniel day Lewis, 871 00:33:30,920 --> 00:33:33,280 Speaker 4: you know, the Joaquin Phoenix, Like I want to take 872 00:33:33,320 --> 00:33:35,720 Speaker 4: three months and go live somewhere and then shoot the 873 00:33:35,720 --> 00:33:37,040 Speaker 4: movie after I live there for three months. 874 00:33:37,080 --> 00:33:37,760 Speaker 1: You know what I'm saying. 875 00:33:38,120 --> 00:33:40,480 Speaker 4: And really, if I'm supposed to be a doctor work 876 00:33:40,800 --> 00:33:42,880 Speaker 4: sleep in the hospital for the months, you know, I'm 877 00:33:43,800 --> 00:33:44,360 Speaker 4: I want that. 878 00:33:44,480 --> 00:33:45,520 Speaker 1: And it took me. 879 00:33:45,560 --> 00:33:48,040 Speaker 4: Actually, I was supposed to do a film with Charlie Buffett. 880 00:33:48,080 --> 00:33:50,720 Speaker 4: It fell through due to some other stuff. But when 881 00:33:50,720 --> 00:33:52,880 Speaker 4: we were rehearsing for the film, I saw what it 882 00:33:52,920 --> 00:33:54,440 Speaker 4: took because he's one of my favorite actors of all 883 00:33:54,480 --> 00:33:57,760 Speaker 4: Time'm Tarlie Buffer. It's dope and incredible directors. Yeah, he's 884 00:33:57,800 --> 00:33:59,800 Speaker 4: a he's an anemy, he's you know what I'm saying. 885 00:34:00,120 --> 00:34:03,320 Speaker 4: I've it's almost like when you like if if you 886 00:34:03,320 --> 00:34:05,880 Speaker 4: see Lebron or Kobe or something in there on the court, 887 00:34:05,920 --> 00:34:08,120 Speaker 4: like practicing. It's like when I was like watching him, 888 00:34:08,480 --> 00:34:10,840 Speaker 4: I'm like, Oh, he's trying to murder this ship. He 889 00:34:10,920 --> 00:34:14,120 Speaker 4: wants to murder it, you know. And uh, and just 890 00:34:14,200 --> 00:34:16,200 Speaker 4: the amount of work that he was doing. It was 891 00:34:16,200 --> 00:34:18,200 Speaker 4: a cop movie and he had already been too much 892 00:34:18,200 --> 00:34:19,680 Speaker 4: before I had met him. He was already going to 893 00:34:19,719 --> 00:34:22,080 Speaker 4: the converstation every day. He had hours and hours of 894 00:34:22,080 --> 00:34:24,160 Speaker 4: footage on his phone. He's asking him if he can 895 00:34:24,239 --> 00:34:26,439 Speaker 4: record in the ride alongs and stuff like he wants 896 00:34:26,480 --> 00:34:27,399 Speaker 4: to be he. 897 00:34:27,360 --> 00:34:29,719 Speaker 1: Wants to be it. Yeah, so I do want to 898 00:34:29,760 --> 00:34:30,520 Speaker 1: do that at some point? 899 00:34:30,719 --> 00:34:33,239 Speaker 2: Is that is like what is your your dream role? 900 00:34:33,320 --> 00:34:36,279 Speaker 1: Like what is the the movie Superhero? I want to 901 00:34:36,280 --> 00:34:37,120 Speaker 1: be Silver Surfer. 902 00:34:37,320 --> 00:34:40,920 Speaker 4: Already superhero, but I'd love to be Silver Surfer or 903 00:34:40,960 --> 00:34:45,480 Speaker 4: like a Miles Morales and older Miles Morales or uh, 904 00:34:45,520 --> 00:34:47,640 Speaker 4: I'm spacing on the name. But there's a black Batman 905 00:34:47,760 --> 00:34:48,520 Speaker 4: that would be sick. 906 00:34:49,200 --> 00:34:49,640 Speaker 1: Uh. 907 00:34:49,719 --> 00:34:51,560 Speaker 3: And also any movie with Denzel What did you feel 908 00:34:51,560 --> 00:34:52,680 Speaker 3: about The Last Batman? 909 00:34:52,960 --> 00:34:54,360 Speaker 2: Like a lot of people didn't like it because it 910 00:34:54,360 --> 00:34:55,319 Speaker 2: was so dark and like. 911 00:34:56,760 --> 00:34:57,080 Speaker 1: I thought. 912 00:34:57,120 --> 00:34:59,399 Speaker 3: I thought, I thought that that was people. They didn't 913 00:34:59,440 --> 00:35:02,400 Speaker 3: have the act that people are used to in Batman movie. 914 00:35:02,480 --> 00:35:04,319 Speaker 4: Yeah, I'm a film guy though, right, So I like 915 00:35:04,440 --> 00:35:07,600 Speaker 4: the long sequences. I like consuming, like I'm get into 916 00:35:07,600 --> 00:35:08,719 Speaker 4: that a lot of movies that I love. 917 00:35:08,719 --> 00:35:09,399 Speaker 1: People like that's boring. 918 00:35:09,440 --> 00:35:10,799 Speaker 4: I'm like that because you're not watching the way I'm 919 00:35:10,800 --> 00:35:12,680 Speaker 4: watching it, right, I'm watching it for other reasons. 920 00:35:13,480 --> 00:35:14,720 Speaker 1: So I loved it. Matt Reeves. 921 00:35:14,719 --> 00:35:17,480 Speaker 4: The director went nuts, the coloring went nuts, the people 922 00:35:17,600 --> 00:35:18,000 Speaker 4: went nuts. 923 00:35:18,000 --> 00:35:19,680 Speaker 1: Colin Farrell also one of my favorite actors. 924 00:35:20,120 --> 00:35:24,640 Speaker 4: Colin Farrell's cousin Nut disrecusin you guys. 925 00:35:24,760 --> 00:35:28,760 Speaker 2: Too, I'll see he did the I didn't do the color. 926 00:35:28,600 --> 00:35:29,360 Speaker 1: You have them press for. 927 00:35:31,400 --> 00:35:33,400 Speaker 2: That's that he killed that. But that's what I'm saying, 928 00:35:33,440 --> 00:35:35,960 Speaker 2: he killed that. I was at the phone booth. Hey, 929 00:35:36,080 --> 00:35:40,600 Speaker 2: that's that's an underrated movie. No, I'm not. No, he's 930 00:35:40,640 --> 00:35:41,799 Speaker 2: my father's second cousin here. 931 00:35:42,120 --> 00:35:42,759 Speaker 1: No, I'm really not. 932 00:35:42,760 --> 00:35:47,440 Speaker 2: I'm really not joking. No, we don't talk. I don't 933 00:35:47,480 --> 00:35:51,040 Speaker 2: like him and I don't but I don't talk. But 934 00:35:51,160 --> 00:35:52,160 Speaker 2: we went to the phone booth. 935 00:35:52,920 --> 00:35:55,680 Speaker 1: Dude. When people say Colin fer. 936 00:35:57,480 --> 00:36:01,560 Speaker 2: Cousin ten times a move. But bro, yeah, so are 937 00:36:01,640 --> 00:36:03,839 Speaker 2: there any go to the swat set that we weren't? 938 00:36:03,840 --> 00:36:07,480 Speaker 2: But I was very mad. I was like, Dad, we're 939 00:36:07,480 --> 00:36:08,319 Speaker 2: not going to swat set. 940 00:36:10,440 --> 00:36:13,600 Speaker 3: Are there any movies that you look at now and 941 00:36:14,000 --> 00:36:16,279 Speaker 3: are inspired by? Like, what did you think about the 942 00:36:16,360 --> 00:36:16,960 Speaker 3: Sinners movie? 943 00:36:17,360 --> 00:36:17,680 Speaker 1: Loved it? 944 00:36:18,200 --> 00:36:20,120 Speaker 2: Love I heard that they're releasing it for Halloween. 945 00:36:20,280 --> 00:36:24,160 Speaker 1: Yeah, they are, and they should. Ryan Coogler Animal, Michael B. 946 00:36:24,239 --> 00:36:27,600 Speaker 4: Jordan Animal, to me, that was his He went crazy 947 00:36:27,680 --> 00:36:30,280 Speaker 4: in that, And I was just so proud of it, honestly, 948 00:36:30,360 --> 00:36:32,600 Speaker 4: because I feel like when it's us, they find a 949 00:36:32,640 --> 00:36:34,759 Speaker 4: way to make something off right. They find a way 950 00:36:34,760 --> 00:36:36,399 Speaker 4: to oh, he's either this, or he's a little nerd, 951 00:36:36,480 --> 00:36:37,799 Speaker 4: or he's a blah blah blah, and. 952 00:36:37,840 --> 00:36:39,600 Speaker 1: He's never the guy right. And if it is a 953 00:36:39,680 --> 00:36:41,640 Speaker 1: guy in the big movies. 954 00:36:41,600 --> 00:36:44,480 Speaker 4: If is a black dude, he has less lines, or 955 00:36:44,600 --> 00:36:46,160 Speaker 4: he does the stuff but not as good as the 956 00:36:46,200 --> 00:36:47,920 Speaker 4: other you know what I mean. I always feel this way. 957 00:36:47,960 --> 00:36:49,839 Speaker 4: I'm always watching stuff like this, and I'm like, that's 958 00:36:50,200 --> 00:36:52,080 Speaker 4: it's programming. That's like, hey, this is where I see 959 00:36:52,120 --> 00:36:53,960 Speaker 4: it will always be a little bit less right. So 960 00:36:54,040 --> 00:36:56,359 Speaker 4: when I saw Sinners and everybody look good. 961 00:36:56,400 --> 00:36:57,080 Speaker 1: The lighting was good. 962 00:36:57,160 --> 00:36:58,719 Speaker 4: Sometimes it'll be that too. It'll be a movie and 963 00:36:58,719 --> 00:37:00,320 Speaker 4: there's a black guy. They don't light them right, and 964 00:37:00,560 --> 00:37:03,160 Speaker 4: you know what I mean. They lit everything right. Everybody 965 00:37:03,239 --> 00:37:05,719 Speaker 4: looked amazing. They look cool, they looked strong, they looked. 966 00:37:05,920 --> 00:37:07,800 Speaker 2: Oh yeah, felt. I was happy that I went to 967 00:37:07,840 --> 00:37:08,600 Speaker 2: see that in the theaters. 968 00:37:08,800 --> 00:37:10,680 Speaker 3: You have to see it, because I was on the 969 00:37:10,760 --> 00:37:12,359 Speaker 3: side of I was like, I wait to this because 970 00:37:12,400 --> 00:37:14,600 Speaker 3: movies only last three weeks in the theaters now if 971 00:37:14,719 --> 00:37:15,840 Speaker 3: that before they're streaming. 972 00:37:16,239 --> 00:37:17,440 Speaker 2: But that Senters movie, I was. 973 00:37:17,480 --> 00:37:18,920 Speaker 3: Glad that I got to go to the theater and 974 00:37:19,000 --> 00:37:20,600 Speaker 3: experience that movie because I thought it was dope. It 975 00:37:20,719 --> 00:37:23,840 Speaker 3: was really really and and the actor what's what's the 976 00:37:23,920 --> 00:37:24,960 Speaker 3: singer what's his name? 977 00:37:25,320 --> 00:37:27,319 Speaker 1: Oh yeah, you were crazy, the young bull. I don't 978 00:37:27,360 --> 00:37:27,920 Speaker 1: know his name. 979 00:37:28,280 --> 00:37:30,920 Speaker 2: I'm stating on it. I didn't realize he was really singing. 980 00:37:31,040 --> 00:37:33,600 Speaker 1: Yeah, he's cold. I could tell. I could tell only 981 00:37:33,640 --> 00:37:35,520 Speaker 1: because I just saw how he was in it. You 982 00:37:35,560 --> 00:37:37,480 Speaker 1: can't tell when somebody can't sing in there trying like fake. 983 00:37:37,560 --> 00:37:39,759 Speaker 3: See yeah, yeah, you can see it. But him, he 984 00:37:39,920 --> 00:37:41,520 Speaker 3: was like I just saw like a video of him 985 00:37:41,600 --> 00:37:44,840 Speaker 3: singing like those live. I was like, wait, just like 986 00:37:44,920 --> 00:37:47,839 Speaker 3: he's a singer. Yeah, fucked me up, but he also 987 00:37:48,440 --> 00:37:50,239 Speaker 3: his ass off and he did. He did a great job. 988 00:37:50,320 --> 00:37:53,040 Speaker 4: That's his first time, right, Yeah, yeah, acted his butt off. Yeah, 989 00:37:53,560 --> 00:37:55,080 Speaker 4: that's what I'm saying, Like, who is this kid? 990 00:37:55,200 --> 00:37:55,319 Speaker 1: Now? 991 00:37:55,360 --> 00:37:55,759 Speaker 2: He killed it? 992 00:37:55,880 --> 00:37:56,920 Speaker 1: Now he was the start of movie. 993 00:37:57,200 --> 00:38:00,399 Speaker 2: I mean, I get Michael B. Jordan's but that the start. 994 00:38:00,600 --> 00:38:01,800 Speaker 1: It was the heart. It was the heart, you know, 995 00:38:01,880 --> 00:38:04,239 Speaker 1: every time. It was such a good movie, I got 996 00:38:04,320 --> 00:38:04,720 Speaker 1: to rewatch. 997 00:38:05,120 --> 00:38:09,040 Speaker 5: You think traditional R and B is niche? Now, yeah, 998 00:38:09,200 --> 00:38:12,320 Speaker 5: you think it's it'll never be over for traditional R 999 00:38:12,320 --> 00:38:14,239 Speaker 5: and B. I would never be that person to say that. 1000 00:38:14,760 --> 00:38:18,680 Speaker 1: Definitely niche. It's changing, you know, it's changing, but I 1001 00:38:18,719 --> 00:38:20,400 Speaker 1: hope to kind of try and keep it alive a 1002 00:38:20,440 --> 00:38:20,839 Speaker 1: little bit. 1003 00:38:21,160 --> 00:38:24,479 Speaker 4: But I definitely think it's yeah, it lost his place 1004 00:38:24,719 --> 00:38:26,880 Speaker 4: and that I think it plays into this thing, right, 1005 00:38:27,000 --> 00:38:31,320 Speaker 4: I think today's society effort is frowned upon, which I hate. 1006 00:38:31,840 --> 00:38:35,560 Speaker 1: I think. I think it's the most ridiculous thing. And 1007 00:38:35,680 --> 00:38:38,799 Speaker 1: it's my little nephews. It's not cool to try. 1008 00:38:39,600 --> 00:38:41,200 Speaker 4: You gotta be And I'm like, we're missing out on 1009 00:38:41,320 --> 00:38:45,000 Speaker 4: probably some of our greatest artists, painters, musicians because they 1010 00:38:45,000 --> 00:38:45,719 Speaker 4: think it's not cool. 1011 00:38:46,000 --> 00:38:46,720 Speaker 1: I know this singer. 1012 00:38:46,800 --> 00:38:48,840 Speaker 4: I know this basketball player who can sing, and he 1013 00:38:48,880 --> 00:38:50,319 Speaker 4: would never sing in front of his friend because they 1014 00:38:50,320 --> 00:38:50,879 Speaker 4: would dogg him. 1015 00:38:50,920 --> 00:38:53,280 Speaker 1: But this dude's a little white boy thriffing. 1016 00:38:52,920 --> 00:38:55,560 Speaker 4: His ass off and he only does when we're around, right, 1017 00:38:55,960 --> 00:38:57,640 Speaker 4: But he would never tell his friends that he sings, 1018 00:38:57,920 --> 00:38:59,719 Speaker 4: you know what I'm saying, because they you know. And 1019 00:38:59,840 --> 00:39:01,960 Speaker 4: I think that plays into that because to be a 1020 00:39:02,040 --> 00:39:03,279 Speaker 4: true R and b RS, you have to sing your 1021 00:39:03,280 --> 00:39:05,640 Speaker 4: ass off, and there's not a lot of that, you 1022 00:39:05,680 --> 00:39:08,040 Speaker 4: know what I mean. So I think that's why. But 1023 00:39:08,160 --> 00:39:09,879 Speaker 4: I just want people out there to know it's okay 1024 00:39:09,960 --> 00:39:11,359 Speaker 4: to try, it's okay to be good at something. 1025 00:39:11,400 --> 00:39:13,759 Speaker 1: It's okay to put everything you have into things that 1026 00:39:13,880 --> 00:39:16,080 Speaker 1: you love. Like, that's not not cool, that's awesome. 1027 00:39:16,360 --> 00:39:17,680 Speaker 2: That's crazy that you have to say that. 1028 00:39:22,080 --> 00:39:24,560 Speaker 3: You have to say that to people because again, people 1029 00:39:24,600 --> 00:39:26,080 Speaker 3: think that, you know, it's kind of like it's not 1030 00:39:26,200 --> 00:39:27,680 Speaker 3: cool to try some new things. 1031 00:39:28,160 --> 00:39:30,560 Speaker 4: It's group think. It's group thinking that comes again. People 1032 00:39:30,600 --> 00:39:31,719 Speaker 4: are lonely. They want to fit in. 1033 00:39:31,920 --> 00:39:34,400 Speaker 1: So I'd rather fit in than actually follow my dreams. 1034 00:39:35,080 --> 00:39:38,359 Speaker 4: I'd rather be, you know, a part of something, even 1035 00:39:38,400 --> 00:39:40,160 Speaker 4: if I don't fully agree with it, because at least 1036 00:39:40,160 --> 00:39:42,320 Speaker 4: there's someone next to me, at least I'm I'm not 1037 00:39:42,560 --> 00:39:44,239 Speaker 4: you know, it's scary to be on the Earth in 1038 00:39:44,280 --> 00:39:46,680 Speaker 4: the middle of space and not know why you're here. 1039 00:39:46,719 --> 00:39:50,080 Speaker 5: It's still paying for water, you know what I'm saying. 1040 00:39:50,120 --> 00:39:52,399 Speaker 2: That like debating water. 1041 00:39:52,719 --> 00:39:57,479 Speaker 4: We're talking about springs here, you know what I'm saying. 1042 00:39:57,520 --> 00:39:59,839 Speaker 4: But it's it's just wild to me. So I think 1043 00:39:59,880 --> 00:40:01,239 Speaker 4: that that's what I always want to carry. 1044 00:40:01,320 --> 00:40:05,080 Speaker 2: Man is So what is that Treubor can't do? Like, 1045 00:40:05,160 --> 00:40:06,000 Speaker 2: what are you terrible? 1046 00:40:06,280 --> 00:40:09,440 Speaker 4: Still can't sist? Still that's the hardest thing for me. 1047 00:40:11,280 --> 00:40:13,319 Speaker 4: But no, no, I think is it crack? 1048 00:40:18,000 --> 00:40:20,440 Speaker 2: You can tell me I'm from the hood like I was. 1049 00:40:20,480 --> 00:40:22,600 Speaker 1: Born with it just some internal practice, right. 1050 00:40:23,239 --> 00:40:27,160 Speaker 5: Trump told us yesterday that talent, talent whole lives at crack. 1051 00:40:27,440 --> 00:40:27,799 Speaker 1: I know it. 1052 00:40:29,760 --> 00:40:34,960 Speaker 4: To days before, but I actually found as I got 1053 00:40:35,000 --> 00:40:37,040 Speaker 4: older it's could be anxiety, you know what I mean. 1054 00:40:37,120 --> 00:40:39,719 Speaker 4: It's like like kind of even people would be like, oh, 1055 00:40:39,760 --> 00:40:41,520 Speaker 4: you're always singing. And I found out later in life 1056 00:40:41,560 --> 00:40:44,400 Speaker 4: the vaguel nerve that helps peace and like breathe and 1057 00:40:44,440 --> 00:40:46,879 Speaker 4: regulature stuff. It's based in the back of your head. 1058 00:40:46,880 --> 00:40:49,680 Speaker 4: And when you're singing, it vibrates and it calls calms it. 1059 00:40:50,120 --> 00:40:51,880 Speaker 4: That's so I would always be singing and I'm thinking, hey, 1060 00:40:51,880 --> 00:40:54,200 Speaker 4: I'm just singing. But it was breathed, especially going to 1061 00:40:54,280 --> 00:40:56,359 Speaker 4: a new place. I remember, it's a funny story. 1062 00:40:56,400 --> 00:40:56,840 Speaker 1: I can tell this. 1063 00:40:57,520 --> 00:40:59,120 Speaker 4: So I mean little Wayne, and I don't really meet 1064 00:40:59,200 --> 00:41:02,160 Speaker 4: him because I'm scared, right, but I'm good friends with Twist. 1065 00:41:02,320 --> 00:41:03,000 Speaker 1: We go to meet him. 1066 00:41:03,000 --> 00:41:06,279 Speaker 4: It's his birthday and my brother he's stronger than I am. 1067 00:41:06,280 --> 00:41:08,040 Speaker 4: And he gets up and walks over the way and. 1068 00:41:08,080 --> 00:41:09,279 Speaker 1: I didn't want to. It was like he was like 1069 00:41:09,320 --> 00:41:10,719 Speaker 1: behind the thing. I didn't want to come around and 1070 00:41:10,760 --> 00:41:12,440 Speaker 1: like attle, so I just kind of sit down. 1071 00:41:12,560 --> 00:41:14,480 Speaker 4: But then I started sing kind of next to the 1072 00:41:14,520 --> 00:41:16,200 Speaker 4: table and I start singing and his eyes like hit 1073 00:41:16,280 --> 00:41:19,480 Speaker 4: my Like, bro, I was like, I'm nervous, so you 1074 00:41:19,560 --> 00:41:20,120 Speaker 4: do that to relax. 1075 00:41:20,320 --> 00:41:20,480 Speaker 2: Yeah. 1076 00:41:20,560 --> 00:41:21,839 Speaker 4: I was like I'm nervous. And he was like, he's 1077 00:41:21,840 --> 00:41:23,279 Speaker 4: gonna think you're trying to sing in front him, so 1078 00:41:23,400 --> 00:41:23,839 Speaker 4: get on the song. 1079 00:41:23,840 --> 00:41:26,160 Speaker 1: I'm like, that's not true. I'm just singing. 1080 00:41:27,120 --> 00:41:27,440 Speaker 2: I want to. 1081 00:41:29,080 --> 00:41:31,719 Speaker 1: I'm like, I wonder what song were you singing? Though? 1082 00:41:31,960 --> 00:41:34,240 Speaker 1: Whatever song was playing, it was like some song. 1083 00:41:34,160 --> 00:41:38,080 Speaker 2: That somebody just starts busting out and snow officer. 1084 00:41:42,239 --> 00:41:45,520 Speaker 1: But dude, I totally was. And then even in that moment, 1085 00:41:45,560 --> 00:41:47,560 Speaker 1: I was like, maybe that's why I do it, because 1086 00:41:47,560 --> 00:41:48,160 Speaker 1: I'd be nervous. 1087 00:41:48,200 --> 00:41:50,240 Speaker 2: But the only thing you can't do is sit still still. 1088 00:41:50,400 --> 00:41:50,440 Speaker 4: No. 1089 00:41:50,560 --> 00:41:51,759 Speaker 1: I mean, I'm sure there's a lot of things I 1090 00:41:51,800 --> 00:41:53,400 Speaker 1: can't do. I just don't like the word can't. I 1091 00:41:53,440 --> 00:41:55,640 Speaker 1: feel like I could figure it out, you know, and 1092 00:41:55,719 --> 00:41:57,480 Speaker 1: everything in life that I've really wanted to do, I've 1093 00:41:57,600 --> 00:41:58,000 Speaker 1: I've done. 1094 00:41:58,040 --> 00:41:59,200 Speaker 4: Like I was like, I want to play guitar. I 1095 00:41:59,320 --> 00:42:01,799 Speaker 4: played guitar. I want to surf. I surf, I want 1096 00:42:01,840 --> 00:42:03,680 Speaker 4: to I'm sure if I woke up and wanted to 1097 00:42:03,880 --> 00:42:06,120 Speaker 4: be a pot in pottery class, I could do that. 1098 00:42:06,280 --> 00:42:09,200 Speaker 4: But I think the best thing about it is I 1099 00:42:09,320 --> 00:42:12,080 Speaker 4: follow my heart. I followed things I want, And that's 1100 00:42:12,120 --> 00:42:14,640 Speaker 4: why I feel like I'm I'm happy. 1101 00:42:15,360 --> 00:42:17,800 Speaker 3: You know, that's dope that you keep like that about you, 1102 00:42:17,800 --> 00:42:20,560 Speaker 3: because this industry will rip all that around from you. 1103 00:42:21,080 --> 00:42:21,479 Speaker 1: You can't. 1104 00:42:21,560 --> 00:42:25,359 Speaker 2: Yeah, but in since eight I'm sure they've tried. Definitely tried. 1105 00:42:26,400 --> 00:42:28,840 Speaker 5: Before we let you go, I was having an argument 1106 00:42:28,880 --> 00:42:32,640 Speaker 5: with my dad about AI. We were talking about sports. First, 1107 00:42:32,760 --> 00:42:35,680 Speaker 5: this is crazy guy is here, and I was like, Yo, 1108 00:42:36,000 --> 00:42:39,560 Speaker 5: boxing and track are the purest forms of athletics on Earth. 1109 00:42:39,600 --> 00:42:42,520 Speaker 5: There's no way AI could infiltrate that. Then we started 1110 00:42:42,600 --> 00:42:45,439 Speaker 5: talking about the arts, which have already been infiltrated. I said, 1111 00:42:45,640 --> 00:42:50,359 Speaker 5: Broadway on stage is the purest form of art that's 1112 00:42:50,400 --> 00:42:54,520 Speaker 5: ever existed since the fucking sixteen hundreds. AI cannot fuck 1113 00:42:54,600 --> 00:42:58,320 Speaker 5: with Broadway. I'm just someone that buys a ticket to Broadway. 1114 00:42:58,480 --> 00:43:03,200 Speaker 5: You've been inside that entire world. Do you think AI 1115 00:43:03,320 --> 00:43:04,920 Speaker 5: could ever fuck with what is going on? 1116 00:43:05,120 --> 00:43:08,960 Speaker 1: Guys? AI is let's talk about who. 1117 00:43:09,239 --> 00:43:10,520 Speaker 2: Take it to a Broadway show with AI? 1118 00:43:10,760 --> 00:43:12,840 Speaker 1: You're not even gonna know That's that's where we're headed. 1119 00:43:13,160 --> 00:43:16,360 Speaker 1: They're gonna look like this, They're gonna look like this. 1120 00:43:16,480 --> 00:43:17,319 Speaker 2: It's broadly them. 1121 00:43:18,400 --> 00:43:19,080 Speaker 1: If it looks. 1122 00:43:20,400 --> 00:43:22,160 Speaker 4: That's where we're headed. Though, what I'm saying, you're not 1123 00:43:22,200 --> 00:43:24,200 Speaker 4: gonna be able to tell the difference. And that's the 1124 00:43:24,280 --> 00:43:27,880 Speaker 4: scary part is that, you know, it gets scared to 1125 00:43:27,880 --> 00:43:29,440 Speaker 4: even talk about because I'm obsessed with you know, all 1126 00:43:29,480 --> 00:43:31,719 Speaker 4: these I've seen almost every movie you know about AI 1127 00:43:31,800 --> 00:43:33,440 Speaker 4: and all this stuff, and it's like we are literally 1128 00:43:33,520 --> 00:43:35,400 Speaker 4: in it, and people That's why I get frustrated to 1129 00:43:36,040 --> 00:43:38,239 Speaker 4: people like to joke around about it instead of just 1130 00:43:38,680 --> 00:43:40,360 Speaker 4: you know, sitting what's really happening. 1131 00:43:40,840 --> 00:43:43,480 Speaker 1: This ship is changing vast, it's changing fast, and it's 1132 00:43:43,520 --> 00:43:44,080 Speaker 1: changing like in a. 1133 00:43:44,080 --> 00:43:47,880 Speaker 4: Big way, and we got to talk about it, you 1134 00:43:47,920 --> 00:43:48,439 Speaker 4: know what I'm saying. 1135 00:43:48,880 --> 00:43:49,800 Speaker 2: How do you think they could do that? 1136 00:43:49,920 --> 00:43:50,080 Speaker 1: Though? 1137 00:43:50,280 --> 00:43:52,560 Speaker 5: With Broadway, Like, it's easy to see how they could 1138 00:43:52,600 --> 00:43:55,320 Speaker 5: replace as far as anything in pro tools, anything will. 1139 00:43:56,280 --> 00:43:59,560 Speaker 4: Vocals, there's already robots, there's already the humanoid robots. 1140 00:43:59,560 --> 00:44:02,360 Speaker 1: They're gonna ad skin, then they're gonna add a voice. 1141 00:44:02,400 --> 00:44:05,239 Speaker 4: But like it's it's artificial intelligence, one of my favorite movies. 1142 00:44:05,640 --> 00:44:07,239 Speaker 4: And they were hitting the money on the head and 1143 00:44:07,280 --> 00:44:09,839 Speaker 4: then it's gonna be them versus us tye, by which 1144 00:44:09,880 --> 00:44:11,040 Speaker 4: I hope is not you know what I mean, But 1145 00:44:11,120 --> 00:44:13,200 Speaker 4: it will be that. That's where we're going in the 1146 00:44:13,239 --> 00:44:15,680 Speaker 4: next play video, the next fucking three hundred years. They 1147 00:44:15,680 --> 00:44:17,520 Speaker 4: will look like us, and sound like us and walk 1148 00:44:17,560 --> 00:44:18,080 Speaker 4: around like us. 1149 00:44:18,160 --> 00:44:21,719 Speaker 2: They just signed that R and B A AI the 1150 00:44:21,880 --> 00:44:23,680 Speaker 2: three million dollars. That's ridiculous. 1151 00:44:23,760 --> 00:44:27,120 Speaker 3: I don't even million dollars, you know why. It's so 1152 00:44:27,200 --> 00:44:28,680 Speaker 3: ridiculous that I didn't even read it. 1153 00:44:29,000 --> 00:44:29,439 Speaker 1: No, I didn't. 1154 00:44:29,560 --> 00:44:31,080 Speaker 2: I refuse to eat listen to the tea. 1155 00:44:31,719 --> 00:44:32,080 Speaker 1: When did that? 1156 00:44:32,200 --> 00:44:32,239 Speaker 4: Like? 1157 00:44:32,520 --> 00:44:33,200 Speaker 1: You know, I like saw it. 1158 00:44:33,440 --> 00:44:35,680 Speaker 2: What does that even mean that an AI artist signed 1159 00:44:35,719 --> 00:44:36,759 Speaker 2: in are a three million? 1160 00:44:36,880 --> 00:44:39,960 Speaker 4: I means a very rich man paid a computer guy 1161 00:44:40,080 --> 00:44:42,319 Speaker 4: to create a person and create a sound and paid 1162 00:44:43,160 --> 00:44:46,719 Speaker 4: charted yeah, and said that he gave the person three million. 1163 00:44:46,800 --> 00:44:48,720 Speaker 1: But you can't give an AI ar just three million dollars. 1164 00:44:48,760 --> 00:44:51,439 Speaker 5: It's okay, the same thing that's going on with radio. 1165 00:44:51,560 --> 00:44:53,480 Speaker 5: We're gonna save this for another full episode because I 1166 00:44:53,480 --> 00:44:55,799 Speaker 5: already have this theory of the AI artist, the same 1167 00:44:55,840 --> 00:44:58,200 Speaker 5: way Radio is going through the rico of how they'relaundering money. 1168 00:44:58,360 --> 00:45:01,840 Speaker 5: These AI artists are being created and going into the algorithm, 1169 00:45:02,080 --> 00:45:04,800 Speaker 5: to the algorithm to launder the fucking three million dollars 1170 00:45:04,840 --> 00:45:05,480 Speaker 5: that you gave. 1171 00:45:05,960 --> 00:45:08,240 Speaker 2: It doesn't exist. You're setting it doesn't. 1172 00:45:08,320 --> 00:45:11,880 Speaker 5: You're setting the price based off the stream, and now 1173 00:45:11,920 --> 00:45:15,280 Speaker 5: you're putting an artist here. You're laundering that three million 1174 00:45:15,320 --> 00:45:17,439 Speaker 5: dollars to come right back to you doesn't make any money. 1175 00:45:17,560 --> 00:45:21,040 Speaker 1: Laundering and the world is is so not here that 1176 00:45:21,239 --> 00:45:22,960 Speaker 1: they're like, oh my god, what you know what I'm saying. 1177 00:45:23,600 --> 00:45:24,840 Speaker 1: That's how people are respond. 1178 00:45:26,239 --> 00:45:28,600 Speaker 4: Instead of being like, you know, that's a little crazy. 1179 00:45:28,640 --> 00:45:30,680 Speaker 4: That's that's probably the scariestart too. I'm sure you guys 1180 00:45:30,680 --> 00:45:32,080 Speaker 4: can at test it because you guys are smart. Man 1181 00:45:32,200 --> 00:45:34,640 Speaker 4: is like also knowing that most of the world doesn't 1182 00:45:34,640 --> 00:45:38,360 Speaker 4: give the food they don't that's a scar that is 1183 00:45:38,480 --> 00:45:39,160 Speaker 4: scary to me. 1184 00:45:39,360 --> 00:45:40,879 Speaker 2: But but I'm gonna put. 1185 00:45:40,800 --> 00:45:43,560 Speaker 3: As an artist, as somebody that is as passionate as 1186 00:45:43,640 --> 00:45:46,880 Speaker 3: you are about arts, How does that keep you motivated 1187 00:45:47,080 --> 00:45:48,799 Speaker 3: to want to keep doing it when you see things 1188 00:45:48,880 --> 00:45:49,080 Speaker 3: like this? 1189 00:45:49,360 --> 00:45:49,480 Speaker 5: Oh? 1190 00:45:49,680 --> 00:45:53,520 Speaker 4: I think honestly, it motivates me in an amazing way. 1191 00:45:53,520 --> 00:45:54,839 Speaker 4: It makes me to go getting harder. But I think 1192 00:45:55,000 --> 00:46:00,960 Speaker 4: this album kind of speaks to the true about humanity, right, 1193 00:46:01,040 --> 00:46:03,680 Speaker 4: Like I don't feel like a robot could write a 1194 00:46:03,760 --> 00:46:06,040 Speaker 4: breakup song that would feel like these You know what 1195 00:46:06,080 --> 00:46:08,000 Speaker 4: I'm saying Because even that thing, even though they listen 1196 00:46:08,000 --> 00:46:09,520 Speaker 4: to it, I heard the voice, the voice doesn't I 1197 00:46:09,600 --> 00:46:13,640 Speaker 4: can't feel it really kind of sounds a little robe tronic. 1198 00:46:13,719 --> 00:46:16,720 Speaker 3: Yeah, you can tell it's very piece together, even. 1199 00:46:16,680 --> 00:46:18,279 Speaker 4: Just the way you put words, like, you know, I've 1200 00:46:18,280 --> 00:46:21,280 Speaker 4: seen people like hey make an ai song and it's simple. 1201 00:46:21,440 --> 00:46:24,320 Speaker 4: It's cool, but it's it's not life experience. It's not 1202 00:46:24,440 --> 00:46:26,440 Speaker 4: you can you can you can tell. So I think 1203 00:46:26,520 --> 00:46:29,960 Speaker 4: that'll be the separating factor. But then again, they're about 1204 00:46:30,000 --> 00:46:31,279 Speaker 4: to take minds and be able to put. 1205 00:46:31,200 --> 00:46:32,239 Speaker 1: Them into it. You know what I'm saying. 1206 00:46:32,320 --> 00:46:36,279 Speaker 4: We're already here, Guys, open the computer, look some stuff up. 1207 00:46:36,280 --> 00:46:46,600 Speaker 1: It's because it's already here. I'm a robot. That would 1208 00:46:46,600 --> 00:46:47,919 Speaker 1: be a way to drop the world. 1209 00:46:48,680 --> 00:46:49,280 Speaker 2: The first. 1210 00:46:51,600 --> 00:46:53,719 Speaker 1: Does so many things. That's why you. 1211 00:46:57,520 --> 00:47:01,440 Speaker 5: Got to get the oil before we close. You were 1212 00:47:01,520 --> 00:47:02,000 Speaker 5: Jason Weaver. 1213 00:47:03,520 --> 00:47:06,399 Speaker 1: Jason Weaver, Okay, chasing that was my way. 1214 00:47:06,440 --> 00:47:07,560 Speaker 2: What's but wait? 1215 00:47:07,600 --> 00:47:08,160 Speaker 1: What's the quote? 1216 00:47:08,239 --> 00:47:11,600 Speaker 2: Is the question? He knew the question right away. I 1217 00:47:11,640 --> 00:47:13,040 Speaker 2: don't Can you let me in on the question? Just 1218 00:47:13,080 --> 00:47:13,759 Speaker 2: can't wait to be king. 1219 00:47:14,520 --> 00:47:17,960 Speaker 3: Oh I'm like, wait, Jay Weave, that's my guy, Like, 1220 00:47:18,440 --> 00:47:21,080 Speaker 3: that's our brother. Yeah, I love all right. So Trevor 1221 00:47:21,120 --> 00:47:24,080 Speaker 3: telling people the album win. Album comes out tomorrow. It's 1222 00:47:24,200 --> 00:47:26,960 Speaker 3: called I Love You Well. No EP comes out tomorrow. 1223 00:47:27,280 --> 00:47:30,600 Speaker 3: Album comes out in November, and please listen to it. 1224 00:47:30,800 --> 00:47:33,120 Speaker 3: If you ever had your heart broken or haven't yet, 1225 00:47:33,880 --> 00:47:36,680 Speaker 3: it's happened, it'll happen, It'll happen this you'll be pressing 1226 00:47:36,760 --> 00:47:37,160 Speaker 3: play on this. 1227 00:47:37,440 --> 00:47:39,080 Speaker 2: Just wait for Gray's Anatomy again. 1228 00:47:39,160 --> 00:47:43,040 Speaker 3: Congratulations role in Anatomy use that's major and we support 1229 00:47:43,080 --> 00:47:44,440 Speaker 3: you anytime you back in the York, come by and 1230 00:47:44,520 --> 00:47:45,480 Speaker 3: kick it with I will man. 1231 00:47:46,840 --> 00:47:51,840 Speaker 2: That nigga, he's just judged. That's Trevor Jackson. G G boys. 1232 00:47:55,560 --> 00:47:56,919 Speaker 1: Thank you, man,