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Speaker 1: I listen to the Black Guy Who Tips podcast because

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Speaker 1: Rodin Karen Ahut.

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Speaker 2: Hey, welcome to another episode of the BLACKOUTILS podcast. I'm

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Speaker 2: your host, Rod joined us always with my co host,

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Speaker 2: and we're here to do a feedback show, Guys, feedback show.

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Speaker 2: That's where we talk about the things that you had

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Speaker 2: to say throughout the week, about the things we had

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Speaker 2: to say throughout the week. We did five episodes this week,

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Speaker 2: so we'll probably have a lot of feedback. We also

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Speaker 2: are experimenting with our Google Voice voicemail and got a

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Speaker 2: hold of it. No, the bots didn't get a hold

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Speaker 2: of it. That's not the problem. Oh, I had it

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Speaker 2: set to go to my phone as a backup, and

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Speaker 2: so I was getting calls all over the night and

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Speaker 2: I was just like, who the fuck is calling me

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Speaker 2: at three in the morning, and then I realized, oh,

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Speaker 2: it's my fault, and so I turned that part off.

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Speaker 2: But I believe we have voicemails and we will find

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Speaker 2: out together as an audience, how good the system is

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Speaker 2: and if we need to change it or whatever. Right,

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Speaker 2: of course, you can leave comments on the website voting

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Speaker 2: the polls. Go to the YouTube and leave comments and

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Speaker 2: now leave voicemails. The voicemail line is at the end

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Speaker 2: of each show note each episode show notes. You also

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Speaker 2: have five days left if you want to take advantage

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Speaker 2: of the halfway through this year coronavirus sale. After that

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Speaker 2: is going back in the vault. It's one hundred and

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Speaker 2: fifty dollars for a year, fifteen dollars for a month,

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Speaker 2: and those will be only two options. And of course,

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Speaker 2: if you need me to help you out because you

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Speaker 2: need cash, app, venmo, whatever, email me the Black Guy

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Speaker 2: tips at gmail dot com. I'll walk you through it

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Speaker 2: and so it's pretty and you know I'll help you out,

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Speaker 2: all right, y'all, until I mean, what's the what is

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Speaker 2: the weapon of the show? Voting? What is the unofficial sport?

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Speaker 2: And bullet boll extreme? Okay, we have to get into

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Speaker 2: the people that gave us money. Y'all are very important, y'all. Y'all.

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Speaker 2: Just go to the website, the blackoutils dot com. You

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Speaker 2: look on the right hand side, there's a do you

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Speaker 2: want to support the show? How much money, it don't matter,

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Speaker 2: how often, it don't matter. We give you a shout out.

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Speaker 2: I phone turning side ways. May I have a retention?

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Speaker 2: We're now listening to Charlotte Zone, Rod and Karen, if

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Speaker 2: you welcome to good folks who tied to the black tips.

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Speaker 2: That's right, new Uh. I don't know new money, new honeys.

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Speaker 2: I guess I probably said that before. Bambay Doctor Professor Bambie,

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Speaker 2: Jason f uh Falcons Diva, Derek L. W Ken, M

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Speaker 2: Zach from The Living Corporate Podcast, Lawrence Cy, Christophe R.

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Speaker 2: Michael W. Dostra J and Preston from the Slang of

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Speaker 2: a Podcast. They came through and they blessed the coffers

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Speaker 2: with a little bit of money. No five star reviews. Okay,

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Speaker 2: we got zero of them since April thirtieth.

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Speaker 1: That means being and you know what, I too have

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Speaker 1: been cutting up, so people may have seen them. But

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Speaker 1: for some reason, y'all, we not getting the international one.

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Speaker 2: Yeah. If they're international, we haven't seen them. Yeah, and

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Speaker 2: I don't know how to get them. I tried looking,

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Speaker 2: and it looks like we would have to have our

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Speaker 2: podcast hosted on Apple to see the international things. And

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Speaker 2: we can't do that because we're our heart right now. Yeah,

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Speaker 2: why would they require that? I don't know. You should

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Speaker 2: call them and find out after the show. Maybe talk

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Speaker 2: to Tim Apple. I don't have the answers for you,

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Speaker 2: no problem, but what we do have is your comments

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Speaker 2: for episode thirty eighty nine. You never know what the whites.

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Speaker 2: We got nine comments on this episode. It's gonna be

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Speaker 2: one of those weeks. I can see are says. If

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Speaker 2: a man could fight at gorilla and win, it would

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Speaker 2: be your current president. I've seen his health exams so impressive.

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Speaker 2: The gorilla wouldn't even have a chance. In fact, I

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Speaker 2: think he should fight the gorilla, even if it was

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Speaker 2: a little unfair to the animal. Do it please, Nel

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Speaker 2: says dang girl. I really thought I was gonna be

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Speaker 2: at you at the first comment. But you beat me.

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Speaker 2: Oh beat you the first comment. But you beat me

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Speaker 2: just as I was typing up my long ass comment. Yeah,

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Speaker 2: well she went short, you went long. That's what you

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Speaker 2: fucked up. I gotta be quicker. Nice try Nabs lost

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Speaker 2: by one minute. Damn about one minute. Nev says, I

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Speaker 2: recently had a very long flight with the layover, then

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Speaker 2: a one hour train ride home from the airport, and

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Speaker 2: decided to download an episode of The Blackout Tips for

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Speaker 2: the trip, and it was one about the Hookah Lounge

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Speaker 2: and the car dealership, and y'all had me literally laughing

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Speaker 2: out loud on planes and trains. God bless you, so

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Speaker 2: glad that you happened to be the one I doubt

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Speaker 2: that happened to be the one I downloaded for the journey. Yeah,

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Speaker 2: that was a very fun episode, and you know, I

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Speaker 2: enjoyed it a lot too. It wasn't as formatted as

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Speaker 2: some of the other stuff, but you know, I think

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Speaker 2: it was just a very fun story.

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Speaker 1: I went back and I re listened to it and

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Speaker 1: it was hilarious.

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Speaker 2: I'm in a hard meetup group in my area and

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Speaker 2: we all went to see Centers in Imax as our

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Speaker 2: monthly weekend movie, and it was a banger. We all

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Speaker 2: decided it's already the best horror movie at twenty twenty five,

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Speaker 2: even though it's only May. Honestly, Imax was worth it

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Speaker 2: just for the enhanced sound system because the music was

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Speaker 2: too damn good. Yeah. My dad is a big blues

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Speaker 2: and hard fan and has seen Buddy Guy live multiple times,

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Speaker 2: so I'm trying to get him to watch it. He'll

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Speaker 2: love it. Speaking of which, a Buddy Guy, Buddy Guy's

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Speaker 2: on tour later this year and come into a very

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Speaker 2: beautiful theater in Seattle, and I'm thinking about going. It's expensive,

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Speaker 2: but maybe I'll just get through those bleeds. Lots of

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Speaker 2: older people seem to love seeing him live still, so

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Speaker 2: one kind of want to see what the buzz is about.

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Speaker 2: Live music is always fun. The Sinners gave me a

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Speaker 2: better appreciation for the Blues.

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Speaker 1: Yeah, and I appreciate Sinners because Ryan Coogler did kind

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Speaker 1: of the same thing that people knocked them for this

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Speaker 1: but like and like some of these other people do

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Speaker 1: when they put a lot of people on and introduce

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Speaker 1: you two people that you may not have heard of

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Speaker 1: me as somebody who's not who don't really know a

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Speaker 1: lot about the Blues and things like that, or either

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Speaker 1: people that were fans were like, oh, so I can

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Speaker 1: guarantee you when he starts touring, the ticket sales are

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Speaker 1: going to go up in some places may have been

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Speaker 1: sold out just because of the connections to centers.

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Speaker 2: Uh yeah, I agree. I think you understand a lot

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Speaker 2: of people that you know, had their curiosity peak because

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Speaker 2: of this. And I think also the reputation and stuff

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Speaker 2: like that becomes like, oh, it's whitewash when people think

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Speaker 2: of the Blues now or they think of it as

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Speaker 2: white music, or they think of it as old, corny

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Speaker 2: music and not like the building blocks of rhythm and

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Speaker 2: blues and all the stuff that we appreciate today. But

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Speaker 2: that's what one of the things I liked about Centers

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Speaker 2: is that sometimes, like Centers Thunderbolts, like certain movies, there's

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Speaker 2: certain times where corniness is actually very powerful the cliche thing.

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Speaker 2: When it's just done earnestly and done well, you really

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Speaker 2: can't defeat it. So it doesn't matter that this music is,

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Speaker 2: you know, something that is old. If it is done well,

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Speaker 2: your audience will have no choice but to be like,

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Speaker 2: oh my god, I'm in awe of the talent I'm

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Speaker 2: seeing on screen right.

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Speaker 1: And you're like, he's like I was saying, it would be.

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Speaker 2: For a lot of people.

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Speaker 1: Like I said, I didn't even know he was torn

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Speaker 1: until you said something. So it's one of those things

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Speaker 1: where for a lot of people, they'll go, like I said,

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Speaker 1: they're gonna start checking them out and going and things

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Speaker 1: like that. And I know we're gonna be an experience

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Speaker 1: for people who probably have never seen blues live before.

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Speaker 2: Somebody like me, Yeah, I'm sure it will be. Let's

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Speaker 2: see Apia says, I'm sad you can't see it international.

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Speaker 2: Oh yeah, your podcast. I'm starting a conspiracy theory right now.

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Speaker 2: The radical right wants you to think we get a

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Speaker 2: world out this fantastic content, quality, entertainment and education, and

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Speaker 2: what do we get in return. Nothing? Only Americans give

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Speaker 2: us nice reviews. The other countries seem to be just

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Speaker 2: ungrateful and should say thank you more. The non American

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Speaker 2: world is ungrateful. We don't like it anymore. Maybe our

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Speaker 2: illustration is right after all. Luckily you are smart and

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Speaker 2: have smart listeners who figured it out, but other podcasts don't.

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Speaker 2: Sean says, I was finally able to re up my

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Speaker 2: review in Japan. iTunes didn't have an option to review

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Speaker 2: for almost a month. Yeah, And like I said, I

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Speaker 2: can't see it. So I'm not saying you got like

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Speaker 2: I believe you guys. I just literally there's nothing I

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Speaker 2: can do to see these Internet.

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Speaker 1: They did im up an overhaul, and it's like, hey,

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Speaker 1: we're gonna kind of force people to do certain things

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Speaker 1: in order to see this, which is you know, it's stupid,

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Speaker 1: but you know they.

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Speaker 2: Could do what they want to do. Yeah, I mean,

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Speaker 2: maybe they did it to make people sign up for

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Speaker 2: Apple podcast as a host. You know, that's one way

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Speaker 2: of forcing people into like that ecosystem instead of you

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Speaker 2: hosting it on some third party platform. Maybe it's just

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Speaker 2: something I haven't figured out yet. I know they have

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Speaker 2: some third party platforms that I used to use that

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Speaker 2: could connect our stuff a little bit, you know, but

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Speaker 2: they stopped Charterable stop. Basically. I think it either got

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Speaker 2: boughted or just stopped working. So anyway, well, hopefully we'll

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Speaker 2: figure it out one day and we'll go back and

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Speaker 2: read all the international reviews that we missed. Sean says,

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Speaker 2: I'm abstaining from voting in the poll. The poe was,

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Speaker 2: did you watch Sinners? I'm so disappointed that I can't

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Speaker 2: watch it. Dang what running? Raphael says, dang what they

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Speaker 2: waiting for to release it in Japan? Yeah? Maybe it's

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Speaker 2: the tariffs. I don't know.

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Speaker 1: It might be you know, if that falling out about everything.

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Speaker 2: Yeah, maybe it's there was like y'all going up the

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Speaker 2: prices on Demon Wars, so so.

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Speaker 1: We gonna stop sentence. Oh my god, ain't it ridiculous?

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Speaker 1: So I don't know, guys, I hope it works out.

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Speaker 2: That Demon was Demon slayter. Yeah, I hope it works

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Speaker 2: out or whatever, but yeah, that sucks, know what I'm saying.

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Speaker 2: Running Raphael says, finally, I could legally vote twice if

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Speaker 2: I wanted to hide this comment from the glp ops.

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Speaker 2: I've seen centers in regular then Imax. My goodness, it

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Speaker 2: was like I lost my virginity again. I'll never look

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Speaker 2: at directors to shoot movies in seventy milimeter sideways again.

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Speaker 2: I repent it of my ignoramis. Immediately I set foot

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Speaker 2: on the Imax joint. Gonna be seeing a few more

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Speaker 2: movies in that format now. I'm no longer a virgin.

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Speaker 2: Thank you Ryan Coogler for the deliverance through the Fire indeed.

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Speaker 1: Yeah, and the thing about Imax, he shot it in

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Speaker 1: true Imax, not no upraised Ibax, which makes a very

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Speaker 1: very big difference when you're shooting the only screens, like

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Speaker 1: when when you're seeing as an audience on these screens.

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Speaker 2: Yeah, I could see that. I think there are certain

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Speaker 2: creators that really do put it into the IMAX format

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Speaker 2: and they and I think the people that don't really

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Speaker 2: do that but still greedily try to get the extra

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Speaker 2: money on the movie tickets so they put it in

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Speaker 2: Imax even though nothing's really changed, right. That sucks and

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Speaker 2: it has hurt the Imax brand. That's why I fuck

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Speaker 2: with James Cameron too, because I know it's gonna be real.

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Speaker 2: Christopher Nolan's why and now Ryan Coogler where it's like,

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Speaker 2: oh no, they want it means something when they put

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Speaker 2: their name on the Imax, it actually means something, right.

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Speaker 1: A lot of other people be bullshit and then people

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Speaker 1: get doup few times and they don't want to see

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Speaker 1: the same thing with three D. How when three D

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Speaker 1: first came out, when people actually shot it in a

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Speaker 1: pure three D you kind of felt that tingle in

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Speaker 1: the back of your brain. Then I think it was

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Speaker 1: green wintered or something we saw when they had that

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Speaker 1: after three D yes and I think we had to

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Speaker 1: fire or something. And we came back in the movie theater,

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Speaker 1: I was like, hey, I can see this is just fine.

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Speaker 1: I was like, oh, y'all just gallup people out of

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Speaker 1: their money, right.

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Speaker 2: So Eve said something I fail to mention in my

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Speaker 2: feedback that I don't see a lot of people talking about.

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Speaker 2: Is gorilla versus one hundred man discourses? What are they

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Speaker 2: going to do? When the gorilla starts throwing d do Uh. Yeah,

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Speaker 2: I don't. I don't think I think that's monkeys. I

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Speaker 2: didn't think that's gorillas. But either way, I don't I

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Speaker 2: think Dudoo will be the LEASTI your problems at that

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Speaker 2: period of time. You gonna wish she was do. Let's see.

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Speaker 2: Let's check the episode on YouTube. Three comments. Let's see

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Speaker 2: what we got here. Hard emojis from Alicia says, dear Diary,

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Speaker 2: I'm just here for the algorithm. Also, I didn't realize

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Speaker 2: Michelle Obama Finance was sixty one years old. Such a

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Speaker 2: classy and beautiful woman. And Rod, let Karen go on

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Speaker 2: her tangents. We know who the start of the show is. Okay,

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Speaker 2: all right, Remember y'all asked for that because when one

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Speaker 2: of y'all right saying, like, really that had nothing, Really, Rod,

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Speaker 2: that was so long she was out off topic. Yeah,

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Speaker 2: I'm a host too, and I'm trying to keep us

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Speaker 2: on track. We actually have shit to do. Sometimes we

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Speaker 2: have to do shit and be done by certain time.

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Speaker 2: And Nad says, good morning, thanks for the shout out.

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Speaker 2: Just say when the whole time you were talking about

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Speaker 2: buying cars at the rental Place car Max commercial was

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Speaker 2: playing in my head. I don't think I'm the only one.

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Speaker 2: Great job, Karen. Thanks again for Karen Hunter for introducing

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Speaker 2: you both to my family, to the family of the rebels.

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Speaker 2: Remember me, I'm the one who is always overpacking. Yes,

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Speaker 2: there was a generation of black, generation of women back

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Speaker 2: in the day that iron their men's clothes when they

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Speaker 2: knew they were stepping out. If you know, you know, damn,

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Speaker 2: that's crazy. That's crazy to be ironing them clothes.

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Speaker 3: Like.

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Speaker 2: I can't be letting you cheat on me looking out

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Speaker 2: rinker right. I can't be letting my reputation be ruined.

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Speaker 2: This jes got to know you was fresh when you

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Speaker 2: scoop me right and them.

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Speaker 1: I ain't act like I got no standards.

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Speaker 2: I just let the commercial keep running all night. It

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Speaker 2: might help you at your next car. You both are

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Speaker 2: the best of the best. I see Friday, See you

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Speaker 2: Friday at three pm on Serious XM one to twenty six,

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Speaker 2: Foolishness Friday on the House. Peace, Power to the people.

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Speaker 2: Thank you, Yay, appreciate Rebel Karen Rebel. And the poll

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Speaker 2: was did you watch centers Yes in Imax thirty five

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Speaker 2: percent yes, But not in imax forty percent, No, twenty

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Speaker 2: five percent. That's still such a high. Seventy five percent

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Speaker 2: of the audience that answered this poll has watched centers.

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Speaker 1: Yeah, because so many people talked about it and.

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Speaker 2: Just be told, the way the.

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Speaker 1: Trailers hit, it wasn't promoted like a lot of other

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Speaker 1: movies were like you've seen it and like you say,

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Speaker 1: black people and the shit was talking about it because

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Speaker 1: it's Ryan Coogler, But it didn't get like that big

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Speaker 1: push that like a lot of the other movies get

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Speaker 1: where that shit is fucking everywhere on NBA commercials, you know,

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Speaker 1: like teen like like literally everywhere. It's like that now,

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Speaker 1: But it wasn't like initially like that when when everybody

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Speaker 1: was first talking about at least I don't remember it

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Speaker 1: being like that when everybody initially had talked about it.

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Speaker 2: Yeah, it's just really wild that a movie was able

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Speaker 2: to do this, you know, like shout out to them.

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Speaker 1: And that's why a lot of the critiques and creator

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Speaker 1: not creators critics and shit are shocked, in surprise, particular

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Speaker 1: a lot of white ones, because this shit wasn't even

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Speaker 1: on their radar.

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Speaker 2: Yeah, let me play a beat here so we can

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Speaker 2: get some money because, like I said, we didn't get

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Speaker 2: any reviews, so let's get some some beats up in

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Speaker 2: here and get paid. All right. That was a nice

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Speaker 2: beat that was called old Flame. All right. The next

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Speaker 2: episode is thirty nine. Indeed the podcast Mike Conspiracy. We

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Speaker 2: got three comments on this one. This is when we

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Speaker 2: had Shawna Christmas on to talk about her comedy stand

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Speaker 2: up album, which you know, she was an awesome guest

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Speaker 2: and we hope to have her back at some point.

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Speaker 2: Yes running around Heel says, I enjoyed Shawna Christmas. I'm

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Speaker 2: looking forward to not only a special but also her

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Speaker 2: unexpected podcast. Appia says, I like the idea describing someone

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Speaker 2: as highly intelligent. Now I'm wondering how tall that person is.

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Speaker 2: Let's say a woman has to be it's not quite

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Speaker 2: six feet tall, but almost they're enough asking for myself. Well,

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Speaker 2: from my understanding of how what she meant from us

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Speaker 2: talking about it in our discussion, I believe she was

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Speaker 2: saying that highly intelligent and will have to watch the

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Speaker 2: special when it comes out, I believe on the twentieth

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Speaker 2: I believe she was saying that that is a term

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Speaker 2: that she's using for women who have been sexually assaulted possibly,

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Speaker 2: and that that's what she meant when she was saying

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Speaker 2: highly intelligent. Now that was from context clues I was

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Speaker 2: picking up in our discussion. So we'll have to watch

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Speaker 2: the special to be sure, but it seemed like she

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Speaker 2: was saying that when another woman in the crowd was

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Speaker 2: crying or feeling like emotional about her talking about her

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Speaker 2: sexual assault. She's like, you know, I see we have

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Speaker 2: other highly intelligent women in here. Eve, He says. I

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Speaker 2: enjoyed this guest. I hope Shawna will be back. She

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Speaker 2: was funny and killed and liked her vibe. I giggled

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Speaker 2: thinking about being a comedian in the strip club. I

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Speaker 2: can't imagine going to strip club to see Teddy's instead

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Speaker 2: getting a comedy show. But I bet that would make

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Speaker 2: a great material for a show. Yeah, naw, she was great, man,

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Speaker 2: I really really funny, enjoyable. Yeah, really fit into the show.

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Speaker 2: And you know, a little behind the scenes. This is

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Speaker 2: not like it had no bearing on anything that happened,

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Speaker 2: but it's just it's just a funny story I had. So,

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Speaker 2: you know, we get gased sometimes and like people like

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Speaker 2: would you like that? As guest on well, there's only

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Speaker 2: so much we know about him. And of course I

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Speaker 2: have a couple of friends in the industry or whatever,

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Speaker 2: and I'll be like, hey, what do you think about

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Speaker 2: this person? And sometimes, you know, it's like, like I say,

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Speaker 2: ninety percent of times like they're cool, they're a good person.

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Speaker 2: But every once in a while I was like, whoa, whoa, whoa,

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Speaker 2: watch out. That person's kind of wild. And then I,

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Speaker 2: you know, I've declined the request, right, But I accepted

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Speaker 2: the request because I looked up her social media and

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Speaker 2: I looked up her like YouTube clisson and I was like,

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Speaker 2: oh my gosh, she's so funny, uh and she seems

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Speaker 2: like she'd be a great fit to talk on the show.

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Speaker 2: And I listened to a couple of episodes of a

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Speaker 2: podcast she had been on because I try to do

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Speaker 2: my research. But I hit up my friend after I

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Speaker 2: had booked it, so I'd already said she's going to

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Speaker 2: be on the show, and I'm like, yo, what do

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Speaker 2: you know about Seanna Christmas and or like she's going

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Speaker 2: to be on the show or whatever, And this person had,

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Speaker 2: in my mind have replied she's an asshole. And then

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Speaker 2: at the time I was high Okay, I was on

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Speaker 2: some edibles so at the so I in my mind

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Speaker 2: was like it had that in my mind, like she's

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Speaker 2: an asshole? What like, okay, well we already booked it,

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Speaker 2: so who gives a fuck. And it's not like I'm

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Speaker 2: gonna show up to the interview with my arms folded.

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Speaker 2: Like if a person just because someone else says someone's

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Speaker 2: an asshole doesn't really mean they are asshole. Could be

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Speaker 2: a bad interaction, could be a misunderstanding, It could be

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Speaker 2: a bunch of shit. You know, she's a person that

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Speaker 2: talks about she's talked about this other comedian and that

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Speaker 2: sexually assaulted her. And I'm sure that people that's what

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Speaker 2: people do. They label people like that as bad people like,

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Speaker 2: oh this is we don't this person's maxing up the

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Speaker 2: vibe around the scene. It's like, or you're kicking it

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Speaker 2: with a person that is sexual assault folks, and you

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Speaker 2: just don't want to stop. So you're making it her fault,

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Speaker 2: right right, All this went through my head. We do

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Speaker 2: the show. It was fucking great. She she she's amazing,

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Speaker 2: She very charismatic, very funny. Everything fit right in. So

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Speaker 2: I text my friend back, I was like, I don't

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Speaker 2: know why people will call her ass so she seems

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Speaker 2: really fucking cool, and she's like, yeah, I don't know

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Speaker 2: why people. Why why do you think people are saying that.

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Speaker 2: I'm like, maybe it's because of the you know, people

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Speaker 2: like what I just explained. And she's like, yeah, I

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Speaker 2: was like, but then you say she was an asshole.

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Speaker 2: She was like, I don't know her. I scroll back up, y'all.

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Speaker 2: The she's an asshole is a reply to a different

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Speaker 2: fucking comment in the fucking text thread. That's not about

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Speaker 2: Shawna at all. It's about I think the stylist for

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Speaker 2: Shannon Sharp who talks about how she could have outed

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Speaker 2: him or something like that she was and the person

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Speaker 2: was saying, like, she's an asshole for either like either

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Speaker 2: out the dude or you know or or don't, but

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Speaker 2: don't try to like make it seem like you're a

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Speaker 2: hero for not for helping him be an asshole behind

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Speaker 2: the scenes. Total misunderstanding, Total misunderstanding. I'm glad it didn't

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Speaker 2: affect anything, Like seriously, I go into the interviews, I

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Speaker 2: don't I don't preach judge anybody. I don't take that

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Speaker 2: with me. I go into the drift with the blank mind,

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Speaker 2: but a man. I was like, why this is how

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Speaker 2: I got a stay off the edibles a little bit.

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Speaker 2: I was like, in my brain, I had been thinking

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Speaker 2: for five days, like this interview is gonna go terrible.

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Speaker 2: I hope she really isn't a bad person because you anyway,

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Speaker 2: she so, she was so great even with that in

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Speaker 2: the back of the back of the back of my mind,

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Speaker 2: she's still I walked out of interview like, man, fuck that.

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Speaker 2: Anybody say, shawna asshole? We gotta fight, right So anyway,

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Speaker 2: that's a little behind the scenes for y'all. That's hilarious.

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Speaker 2: Let's see YouTube the podcast Mike Conspiracy. We got four

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Speaker 2: comments and nad says, hello everyone. Koche Nagwell says, my

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Speaker 2: stepbrother went to BC two. I think that's what she

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Speaker 2: went to college. Love SHAWNA. Can't wait to watch the special,

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Speaker 2: says Christoph. My mom says great show. The microphones get

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Speaker 2: was hilarious. Oh you're at the end. Yeah, that was

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Speaker 2: very funny. That segment where we talked about podcast Mike's

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Speaker 2: in the Hood and Karen said they picked up the

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Speaker 2: milk crates and put the put the that's feel because

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Speaker 2: just came out of nowhere. Someone made a photo shop

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Speaker 2: of that that was hilarious on social media. I think

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Speaker 2: it was great Uncle Bob or whatever that did us

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Speaker 2: photoshop of you know what, the pot the milk crates

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Speaker 2: coming down the mics and but the c I he

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Speaker 2: putting the milk the MIC's out. It was very funny.

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Speaker 2: And I love when our audience, you know, gets in

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Speaker 2: on the fund like that, because it just makes it

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Speaker 2: better for us. I'll show y'all a picture and is funny. Yeah,

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Speaker 2: I don't you always keep saying that, like there's a

425
00:22:39,160 --> 00:22:42,160
Speaker 2: bunch of people saying you're not funny or something. Yes,

426
00:22:42,359 --> 00:22:46,320
Speaker 2: that is fucking hilarious. Yeah, this is the milk Crk Challenge.

427
00:22:46,359 --> 00:22:50,760
Speaker 2: But now it's it's got the microphones. That's milk crates

428
00:22:52,040 --> 00:22:56,480
Speaker 2: tumbling down, hilarious. All right, let's get into the rest

429
00:22:56,520 --> 00:23:00,439
Speaker 2: of the comments. Let's see. Uh yeah, because I think

430
00:23:00,480 --> 00:23:02,600
Speaker 2: that was all of them. So we got to go

431
00:23:02,680 --> 00:23:07,119
Speaker 2: to the pole. Do you do creative pursuits as a

432
00:23:07,200 --> 00:23:08,760
Speaker 2: side hustle? Yes?

433
00:23:09,280 --> 00:23:09,320
Speaker 1: No?

434
00:23:09,600 --> 00:23:12,800
Speaker 2: Or my creative pursuit is my main hustle. Three percent

435
00:23:12,800 --> 00:23:15,240
Speaker 2: of the audience that creative pursuit is their main hustle.

436
00:23:16,280 --> 00:23:18,679
Speaker 2: That's I mean, because it really is rare to be

437
00:23:18,760 --> 00:23:21,520
Speaker 2: able to do like something creative for a living and

438
00:23:21,520 --> 00:23:23,560
Speaker 2: make enough money to do it, you know. Yeah.

439
00:23:23,600 --> 00:23:29,800
Speaker 1: And also for some people they're the thing that they

440
00:23:30,000 --> 00:23:34,959
Speaker 1: because everything because the way society is now, anytime you

441
00:23:35,000 --> 00:23:38,000
Speaker 1: are good or halfway good or decent than anything, everybody

442
00:23:40,880 --> 00:23:42,680
Speaker 1: has this thing with I gotta make money off of what.

443
00:23:42,840 --> 00:23:44,960
Speaker 1: Some people go, No, I want to do this. I

444
00:23:45,000 --> 00:23:46,480
Speaker 1: don't want to make no money off of it. I

445
00:23:46,520 --> 00:23:48,600
Speaker 1: want to do it for my own pleasure, like just

446
00:23:48,840 --> 00:23:51,920
Speaker 1: tap tap into that creative side. I don't want no pressure,

447
00:23:52,320 --> 00:23:54,760
Speaker 1: I don't want no stress. I don't want to do

448
00:23:54,840 --> 00:23:56,639
Speaker 1: with any of that. So for some people, they do

449
00:23:56,680 --> 00:23:59,040
Speaker 1: a lot of creative shits almost like just for them

450
00:23:59,040 --> 00:24:02,280
Speaker 1: differends in their family. Yeah, and so they don't want

451
00:24:02,320 --> 00:24:04,480
Speaker 1: it to be their main hustle. But I realized a

452
00:24:04,480 --> 00:24:08,399
Speaker 1: lot of the younger generation, because you know, it's so

453
00:24:08,480 --> 00:24:10,240
Speaker 1: hard out there for them, everything you do got to

454
00:24:10,240 --> 00:24:12,639
Speaker 1: be a hustle. And for some people that creative part

455
00:24:12,960 --> 00:24:15,160
Speaker 1: it burns them out because they was like, I want

456
00:24:15,200 --> 00:24:16,680
Speaker 1: to do this just for fun. I don't want to

457
00:24:16,720 --> 00:24:19,840
Speaker 1: do this to profit and make money or whatever whatever

458
00:24:19,880 --> 00:24:22,080
Speaker 1: the case may be because you know, because I've kind

459
00:24:22,080 --> 00:24:25,840
Speaker 1: of renched articles about this and how some people got

460
00:24:25,880 --> 00:24:28,000
Speaker 1: into that hustle thing and they say it killed their

461
00:24:28,000 --> 00:24:30,680
Speaker 1: creativity for what they were doing because it's not really

462
00:24:30,680 --> 00:24:32,080
Speaker 1: what they want. They didn't want to do it for

463
00:24:32,119 --> 00:24:33,119
Speaker 1: a profit margin.

464
00:24:33,800 --> 00:24:36,840
Speaker 2: Yeah, I think also just as black people, and I

465
00:24:36,840 --> 00:24:39,920
Speaker 2: bet this applies to a lot of immigrants in different backgrounds.

466
00:24:39,920 --> 00:24:42,080
Speaker 2: But that's just this whole idea of like, only do

467
00:24:42,200 --> 00:24:45,560
Speaker 2: this on the side, like, don't do just as a

468
00:24:45,800 --> 00:24:49,240
Speaker 2: main thing because it won't work or if it doesn't work,

469
00:24:49,280 --> 00:24:52,000
Speaker 2: you won't have money, or even if it is working,

470
00:24:52,040 --> 00:24:54,280
Speaker 2: while you're trying to build it up, you won't have money.

471
00:24:54,280 --> 00:24:57,760
Speaker 2: So get you a main gig and then you can

472
00:24:58,000 --> 00:25:00,440
Speaker 2: like kind of go back and back in full front.

473
00:25:00,800 --> 00:25:02,840
Speaker 1: But I just until that side hustle make more money

474
00:25:02,880 --> 00:25:04,760
Speaker 1: than your main hustle basically, right.

475
00:25:05,000 --> 00:25:08,280
Speaker 2: So I think that's a big, big problem that that's

476
00:25:08,359 --> 00:25:08,919
Speaker 2: that's true too.

477
00:25:09,000 --> 00:25:10,680
Speaker 1: Yeah, because a lot of people probably are really really

478
00:25:10,680 --> 00:25:13,520
Speaker 1: great and like and I didn't even think about that,

479
00:25:13,560 --> 00:25:16,000
Speaker 1: but because of that for some people, and they've probably

480
00:25:16,000 --> 00:25:17,639
Speaker 1: have had people I probably have told them like, oh,

481
00:25:17,680 --> 00:25:22,160
Speaker 1: you'll be really really good at this, but the the

482
00:25:22,240 --> 00:25:25,760
Speaker 1: mental gymnastics. You have to do the self deprecation that

483
00:25:25,880 --> 00:25:27,720
Speaker 1: a lot of us have about us and our work

484
00:25:27,760 --> 00:25:30,600
Speaker 1: and our creativity and things like that. And like you said,

485
00:25:30,640 --> 00:25:32,959
Speaker 1: capitalism a lot has a lot of to do with

486
00:25:33,000 --> 00:25:35,399
Speaker 1: it because you know a lot of times, even if

487
00:25:35,400 --> 00:25:37,280
Speaker 1: you're good or great at something, that's very hard to

488
00:25:37,280 --> 00:25:38,960
Speaker 1: get loans and you know a lot of us don't

489
00:25:38,960 --> 00:25:40,760
Speaker 1: have family and friends and you're like, here's a few

490
00:25:40,800 --> 00:25:43,520
Speaker 1: thousand dollars to start disadventure, you know, mean whatever is

491
00:25:43,560 --> 00:25:45,680
Speaker 1: you're trying to do. So that's why a lot of people,

492
00:25:45,760 --> 00:25:47,560
Speaker 1: you know, kind of go that route because they go,

493
00:25:47,640 --> 00:25:49,200
Speaker 1: I don't have a choice because I don't.

494
00:25:49,359 --> 00:25:51,560
Speaker 2: But like this me failing is me failing.

495
00:25:51,640 --> 00:25:54,159
Speaker 1: I don't have a quote unquote safety net to bounce

496
00:25:54,200 --> 00:25:55,639
Speaker 1: back and come back and try again.

497
00:25:56,440 --> 00:25:58,680
Speaker 2: Yeah, I think that's yeah. I think that's it too.

498
00:25:59,080 --> 00:26:04,600
Speaker 2: And also just you know, fear, yes, and there's yeah, fear,

499
00:26:04,680 --> 00:26:07,879
Speaker 2: And people are putting that stigma on you the struggling artist.

500
00:26:08,000 --> 00:26:11,320
Speaker 2: You know, like no one wants to struggle, but if

501
00:26:11,359 --> 00:26:14,240
Speaker 2: you were struggling and you had a forty hour week job,

502
00:26:14,280 --> 00:26:17,400
Speaker 2: people just treat that differently, like there's no like it's like, oh, yeah,

503
00:26:17,440 --> 00:26:19,080
Speaker 2: you got a struggle job, but at least you're working

504
00:26:19,119 --> 00:26:20,679
Speaker 2: forty hours a week. But if you're like I'm a

505
00:26:20,760 --> 00:26:22,720
Speaker 2: musician and I'm struggling, people are like, go get a

506
00:26:22,760 --> 00:26:25,960
Speaker 2: fucking job. You know, it's definitely a stigma.

507
00:26:25,640 --> 00:26:28,439
Speaker 1: Yeah, because people, honestly, people, most the average person don't

508
00:26:28,520 --> 00:26:31,720
Speaker 1: respect creativity. Like people will not admit that they don't

509
00:26:31,760 --> 00:26:35,399
Speaker 1: respect creativity because anything that's like pure creative A lot

510
00:26:35,440 --> 00:26:38,480
Speaker 1: of times they don't really want to pay because it's

511
00:26:38,480 --> 00:26:40,480
Speaker 1: not something you could put a price tag or dollar

512
00:26:40,480 --> 00:26:41,880
Speaker 1: amount on creativity.

513
00:26:42,080 --> 00:26:43,679
Speaker 2: Versus if you come here, we're eight hours.

514
00:26:43,720 --> 00:26:45,399
Speaker 1: I can listen to your things you do, and I

515
00:26:45,440 --> 00:26:47,480
Speaker 1: can calculate how much I'm supposed to pay.

516
00:26:47,400 --> 00:26:51,520
Speaker 2: Someone someone figured that number out, Like there's no what

517
00:26:51,800 --> 00:26:55,040
Speaker 2: Like people don't appreciate other people's work just in general.

518
00:26:55,160 --> 00:26:58,000
Speaker 2: I agreed, you know how many times you know anyway,

519
00:26:58,080 --> 00:27:01,440
Speaker 2: it's just people don't. Yeah, but I just think there's

520
00:27:01,440 --> 00:27:04,439
Speaker 2: a stigma around being a struggling artist as opposed to

521
00:27:04,600 --> 00:27:07,080
Speaker 2: struggling other shit. It's just like, oh no, that's that's

522
00:27:07,119 --> 00:27:12,080
Speaker 2: admirable struggling struggling nurse, admirable struggling rapper. Motherfucker, you need

523
00:27:12,080 --> 00:27:14,800
Speaker 2: to go get a real job, you know, right at

524
00:27:14,840 --> 00:27:17,359
Speaker 2: any rate? Eighteen percent yes, they do them as a

525
00:27:17,400 --> 00:27:20,040
Speaker 2: side hustle, seventy eight percent do not have creative pursuits

526
00:27:20,040 --> 00:27:22,720
Speaker 2: as a side hustle, and three percent have actually made

527
00:27:22,800 --> 00:27:27,240
Speaker 2: their side hustle their main hustle with creative pursuits. All right,

528
00:27:27,320 --> 00:27:31,520
Speaker 2: let's get to the next episode, which was the thirty

529
00:27:31,600 --> 00:27:35,000
Speaker 2: ninety one. The Kendrick says a Grand National Tour concert review,

530
00:27:36,200 --> 00:27:39,160
Speaker 2: we tired. We had four comments, says, listen to your joy.

531
00:27:39,200 --> 00:27:43,080
Speaker 2: I almost understand why people go to concerts. I'm overall extrovert,

532
00:27:43,160 --> 00:27:45,760
Speaker 2: but I don't enjoy people in big groups. All right, Well,

533
00:27:45,800 --> 00:27:48,639
Speaker 2: everyone's different. Pamela In says, the only word that I

534
00:27:48,680 --> 00:27:51,480
Speaker 2: have to describe you for you is breathtaking, like literally

535
00:27:51,520 --> 00:27:53,919
Speaker 2: take my breath away. Every so often last year and

536
00:27:53,920 --> 00:27:55,840
Speaker 2: this year, I will pull it up on YouTube, close

537
00:27:55,920 --> 00:27:58,159
Speaker 2: my eyes and listen to it, bopping my head and

538
00:27:58,320 --> 00:28:00,200
Speaker 2: just gasping at the heat and the ventrial. The whether

539
00:28:00,240 --> 00:28:02,080
Speaker 2: he gets into it. Like Bomani said on the show

540
00:28:02,119 --> 00:28:05,240
Speaker 2: last year, y'all don't understand he hates that man child. Yes,

541
00:28:05,320 --> 00:28:08,280
Speaker 2: he just not like that man very much. Appreciate the

542
00:28:08,320 --> 00:28:10,960
Speaker 2: deep guys that y'all took last year for those of

543
00:28:11,040 --> 00:28:14,359
Speaker 2: us not to know. Glad that the concert was great,

544
00:28:14,359 --> 00:28:19,680
Speaker 2: as I imagine, Pamela mar Crowned says, hello, mister and

545
00:28:19,760 --> 00:28:23,080
Speaker 2: mister and missus Karenmorrow, I'm glad you all enjoyed the show.

546
00:28:23,119 --> 00:28:25,360
Speaker 2: I went a few days before you all, and when

547
00:28:25,359 --> 00:28:28,159
Speaker 2: he came to Atlanta, that show was everything. And I

548
00:28:28,160 --> 00:28:30,399
Speaker 2: don't think I'm being hyperbolic when I say that it

549
00:28:30,480 --> 00:28:32,560
Speaker 2: was the best rap concert that I've ever been to.

550
00:28:32,760 --> 00:28:36,680
Speaker 2: The video packages of his Disposition, Deposition, Needling, that Drake

551
00:28:36,720 --> 00:28:39,960
Speaker 2: were hilarious, especially that last one when it just kept

552
00:28:39,960 --> 00:28:43,280
Speaker 2: saying drop drop, drop drop, and then it led to

553
00:28:43,360 --> 00:28:46,000
Speaker 2: not like us. If I had any critique, it would

554
00:28:46,000 --> 00:28:49,480
Speaker 2: be that he brought out our hometown guy, Playboy Carti.

555
00:28:49,640 --> 00:28:51,800
Speaker 2: That part of the show was not for me initially,

556
00:28:52,080 --> 00:28:54,680
Speaker 2: but after experiencing Cardi on that stage, I totally get

557
00:28:54,680 --> 00:28:57,120
Speaker 2: while people love him any who love you guys peace.

558
00:28:57,400 --> 00:28:59,640
Speaker 1: That's the same way I felt about the Tyler the

559
00:28:59,760 --> 00:29:04,280
Speaker 1: Cree show with it Lit Yachty, Yeah, because like I said,

560
00:29:04,360 --> 00:29:07,200
Speaker 1: I don't really know much about Li Yachty anything like that,

561
00:29:07,240 --> 00:29:08,760
Speaker 1: but seeing Little Yachty.

562
00:29:08,480 --> 00:29:11,080
Speaker 2: Live, I was like, oh, I get.

563
00:29:10,920 --> 00:29:13,800
Speaker 1: It like like like you say, I understand even though

564
00:29:13,800 --> 00:29:16,440
Speaker 1: it ain't for me, I do understand.

565
00:29:16,320 --> 00:29:18,480
Speaker 2: Why you are where you are. Well. I think the

566
00:29:18,520 --> 00:29:21,480
Speaker 2: difference is that Lil Yachty opened for Tyler the creator,

567
00:29:21,600 --> 00:29:24,960
Speaker 2: as this seems that he probably had Playboy Cardy come

568
00:29:24,960 --> 00:29:29,360
Speaker 2: out and rap during the song Okay that Kendrick does

569
00:29:29,440 --> 00:29:31,840
Speaker 2: near the end that is his verse off of that

570
00:29:31,920 --> 00:29:36,320
Speaker 2: new Playboy Cardi song. So I think maybe that. But yeah,

571
00:29:36,480 --> 00:29:39,280
Speaker 2: generally I agree that sometimes you just need to see

572
00:29:39,320 --> 00:29:41,160
Speaker 2: a person in the element to be like, oh, okay,

573
00:29:41,280 --> 00:29:43,640
Speaker 2: I get it right, But I don't. I don't. Like

574
00:29:43,680 --> 00:29:45,920
Speaker 2: I said, I maybe I have to see Playboy Cardi live.

575
00:29:46,040 --> 00:29:48,680
Speaker 2: I just I've tried so many times to listening to

576
00:29:48,680 --> 00:29:50,520
Speaker 2: his music. I don't. I can't do it.

577
00:29:50,640 --> 00:29:52,440
Speaker 1: It's just not for you. We just find everybody ain't

578
00:29:52,440 --> 00:29:53,440
Speaker 1: for everybody, even.

579
00:29:53,280 --> 00:29:55,480
Speaker 2: He says, thanks for sharing your experience of the concert.

580
00:29:55,560 --> 00:29:57,960
Speaker 2: I love hearing how much you enjoyed the concert. Hearing

581
00:29:57,960 --> 00:30:00,960
Speaker 2: you talk about the Kendrick concert reminded me of how

582
00:30:00,960 --> 00:30:03,760
Speaker 2: excited Karen was when you went to see Beyonce last year.

583
00:30:04,800 --> 00:30:06,840
Speaker 2: I was always a casual fan of Kendrick, but your

584
00:30:06,880 --> 00:30:09,080
Speaker 2: recap made me realize I know more Kendrick songs than

585
00:30:09,120 --> 00:30:11,000
Speaker 2: I thought, and I love Scissor too, and it would

586
00:30:11,000 --> 00:30:13,040
Speaker 2: be a fun concert to attend, But tickets are sold

587
00:30:13,040 --> 00:30:15,120
Speaker 2: out in my city and the skypers won't get one

588
00:30:15,160 --> 00:30:17,760
Speaker 2: red cent from me. So it's nice living vicarrously through

589
00:30:17,800 --> 00:30:20,600
Speaker 2: you too. I do wonder if you try to look

590
00:30:20,600 --> 00:30:23,440
Speaker 2: for tickets closer to the day, if you will find

591
00:30:23,600 --> 00:30:28,000
Speaker 2: like some sales because my understanding, I don't know much

592
00:30:28,040 --> 00:30:30,680
Speaker 2: about the second ticket market, but from what I've heard

593
00:30:30,920 --> 00:30:33,760
Speaker 2: is if you wait till like the day of sometimes

594
00:30:34,000 --> 00:30:37,640
Speaker 2: because skypurds are basically like I'm gonna get zero dollars or.

595
00:30:37,560 --> 00:30:40,360
Speaker 1: I'm going to get some market value right.

596
00:30:40,320 --> 00:30:44,040
Speaker 2: Something, and so sometimes you can get a below market

597
00:30:44,080 --> 00:30:48,040
Speaker 2: value ticket that last day or so, but you may

598
00:30:48,120 --> 00:30:50,680
Speaker 2: need to like really hustle up, like it may be

599
00:30:51,040 --> 00:30:53,600
Speaker 2: a couple hours for the concert before you buy this ticket.

600
00:30:55,440 --> 00:30:56,880
Speaker 1: And I guess that would make sense, yeah, because you

601
00:30:56,880 --> 00:30:58,520
Speaker 1: bought them and you go, I want to make something.

602
00:30:58,320 --> 00:31:00,960
Speaker 2: Off of this. Yeah, So I've heard that, you know,

603
00:31:01,000 --> 00:31:03,240
Speaker 2: I know when we went to Hornets Games, I definitely

604
00:31:03,240 --> 00:31:05,200
Speaker 2: heard people that walked in there and they would be

605
00:31:05,280 --> 00:31:08,000
Speaker 2: talking very loudly about how little they paid for their

606
00:31:08,040 --> 00:31:10,400
Speaker 2: tickets because they had waited till either the game started

607
00:31:10,440 --> 00:31:13,080
Speaker 2: to write before the game started, and the hornets were bad,

608
00:31:13,480 --> 00:31:15,520
Speaker 2: so it's like, mayn, we got these tickets for four

609
00:31:15,560 --> 00:31:18,920
Speaker 2: dollars or whatever, and I'm like, damn. I was like,

610
00:31:19,040 --> 00:31:22,280
Speaker 2: but I want to watch the whole game. Let's see

611
00:31:22,480 --> 00:31:24,760
Speaker 2: YouTube fourteen comments.

612
00:31:24,840 --> 00:31:28,600
Speaker 1: Okay, they had a lot to say, apparently, I guess what.

613
00:31:28,720 --> 00:31:31,560
Speaker 1: Apparently us changing the name put the name up front.

614
00:31:31,600 --> 00:31:34,360
Speaker 2: The numbers matter time, I guess. So maybe people don't

615
00:31:34,360 --> 00:31:36,840
Speaker 2: know what the hell they was talking about if no

616
00:31:36,880 --> 00:31:40,520
Speaker 2: one's written in with apology yet, let's see. Thank you

617
00:31:40,560 --> 00:31:42,320
Speaker 2: for doing a review of the concert. I love to

618
00:31:42,360 --> 00:31:44,760
Speaker 2: see this tour live. I'm a Day two fan too.

619
00:31:45,680 --> 00:31:48,040
Speaker 2: You're so right about people not respecting the art centers

620
00:31:48,120 --> 00:31:52,280
Speaker 2: was also amazing. CHM eight one eight says I love

621
00:31:52,360 --> 00:31:56,560
Speaker 2: the in living colored shirt Rod, thank you. Ramsey. Eph

622
00:31:56,640 --> 00:31:58,800
Speaker 2: Done says the review is filled with all the black

623
00:31:58,880 --> 00:32:02,520
Speaker 2: Joy five stars. Jane says, hey, y'all, I went to

624
00:32:02,600 --> 00:32:05,520
Speaker 2: Charlotte Shall too. I knew y'all was somewhere vibing in there.

625
00:32:05,560 --> 00:32:07,560
Speaker 2: I had floor seats and the range just made me

626
00:32:07,600 --> 00:32:10,400
Speaker 2: feel like it was a music festival. I did miss

627
00:32:10,960 --> 00:32:13,640
Speaker 2: mis whacked out murals while I was getting to my seat,

628
00:32:13,680 --> 00:32:16,440
Speaker 2: but I went crazy for Euphoria two. E looe. That

629
00:32:16,480 --> 00:32:20,240
Speaker 2: show was absolutely amazing. The stage design was flames. I

630
00:32:20,280 --> 00:32:23,200
Speaker 2: love the stage design. Cheyenne says, I'm so excited to

631
00:32:23,200 --> 00:32:25,880
Speaker 2: see Kendrick and Tyler in June. I was hoping he

632
00:32:25,960 --> 00:32:28,600
Speaker 2: did the Heart Part five, but God knowing, I can

633
00:32:28,680 --> 00:32:33,400
Speaker 2: wrap King Kunta with him life affirming. Thanks for the recap.

634
00:32:33,520 --> 00:32:36,680
Speaker 2: I'm glad y'all had a fun double day. Thank you,

635
00:32:36,680 --> 00:32:38,680
Speaker 2: You're gonna have a good time. Both of them concerts

636
00:32:38,760 --> 00:32:42,520
Speaker 2: are top notching, worth every dollar. Yeah, and I guess

637
00:32:42,720 --> 00:32:45,600
Speaker 2: he could have done the Heart Part five, maybe right

638
00:32:45,680 --> 00:32:49,520
Speaker 2: before Gloria or something, But I'm just telling you, by

639
00:32:49,520 --> 00:32:51,680
Speaker 2: that time it was perfect. I didn't even miss the

640
00:32:51,680 --> 00:32:54,240
Speaker 2: Heart Part five and I liked the Heart Part five.

641
00:32:54,320 --> 00:32:58,400
Speaker 2: I just it was what a great concert. Cheyenne says,

642
00:32:58,440 --> 00:33:00,400
Speaker 2: I'm so excited to see Kendrick in Oh wait, I

643
00:33:00,440 --> 00:33:04,000
Speaker 2: said this future proof Prep says, come on with the

644
00:33:04,240 --> 00:33:07,000
Speaker 2: was it the braids? What is the braids? We and

645
00:33:07,120 --> 00:33:11,240
Speaker 2: this together, brother Rod. Those vocal stems are priceless. Thank you.

646
00:33:12,160 --> 00:33:16,640
Speaker 2: Uh Leah says, I drowned before and after the show.

647
00:33:17,960 --> 00:33:20,480
Speaker 2: I guess that's what we said. I must have said

648
00:33:20,480 --> 00:33:22,880
Speaker 2: that at the one hour mark. Yes we did. I

649
00:33:22,880 --> 00:33:24,720
Speaker 2: would do it all over again, such a great show.

650
00:33:24,800 --> 00:33:27,160
Speaker 2: Or maybe she she went to I don't.

651
00:33:27,000 --> 00:33:28,760
Speaker 1: Know, yeah, but I said if you did, yeah, you

652
00:33:28,880 --> 00:33:31,480
Speaker 1: was swimming pool before the swimm pool afterwards?

653
00:33:31,680 --> 00:33:35,000
Speaker 2: Can yeah, yeah, I'm glad he did swimming pools right

654
00:33:35,000 --> 00:33:38,720
Speaker 2: he did. Cam says May third, the one year anniversary

655
00:33:38,760 --> 00:33:42,680
Speaker 2: of Meet the Grahams and The Charlotte Show. YEP Tip

656
00:33:42,760 --> 00:33:45,520
Speaker 2: Tip says, I went in atl we was on fire.

657
00:33:46,360 --> 00:33:49,440
Speaker 2: Charles says, mister Morale still getting played by me all

658
00:33:49,440 --> 00:33:52,760
Speaker 2: the time. Definitely a classic to me. But I'm forty seven. Yeah,

659
00:33:52,760 --> 00:33:55,640
Speaker 2: it's a classic to me too, man, you know. And

660
00:33:55,680 --> 00:33:59,400
Speaker 2: it's that thing where like because people always say, like,

661
00:34:00,240 --> 00:34:03,280
Speaker 2: especially because of how much I listen to music and

662
00:34:03,280 --> 00:34:05,880
Speaker 2: how much I talk, like think about music, not talk

663
00:34:05,880 --> 00:34:09,360
Speaker 2: about but think about music. Over the last few years,

664
00:34:09,400 --> 00:34:12,080
Speaker 2: I've gotten multiple people like, you need to start a

665
00:34:12,200 --> 00:34:14,920
Speaker 2: hip hop podcast, you need to talk, you need to

666
00:34:15,040 --> 00:34:16,879
Speaker 2: do y'all need to have a spin off that's about

667
00:34:16,960 --> 00:34:19,759
Speaker 2: music or something like that. And it's it's not just

668
00:34:19,800 --> 00:34:23,040
Speaker 2: that I'm adverse to picking up more work or whatever.

669
00:34:25,120 --> 00:34:29,839
Speaker 2: But I really like, I don't think they're wrong. It's

670
00:34:29,840 --> 00:34:32,200
Speaker 2: what I'm saying because like, I do find that my

671
00:34:32,280 --> 00:34:34,839
Speaker 2: opinion is kind of unique. I don't and I'm not

672
00:34:34,920 --> 00:34:38,080
Speaker 2: trying to be contrarian or asshole. Like you look at

673
00:34:38,120 --> 00:34:40,799
Speaker 2: these podcasts and you know the ones, so they're going

674
00:34:40,880 --> 00:34:44,480
Speaker 2: viral because if something well Kendrick kind of whack, you

675
00:34:44,520 --> 00:34:46,920
Speaker 2: know or whatever, like whatever the vibe is that people

676
00:34:46,920 --> 00:34:49,000
Speaker 2: are having, they say the opposite so that they'll get

677
00:34:49,000 --> 00:34:51,640
Speaker 2: the clicks. You know, I never liked Beyonce in the

678
00:34:51,640 --> 00:34:53,759
Speaker 2: first place. She ain't that good. And then you know,

679
00:34:54,040 --> 00:34:56,279
Speaker 2: like and it becomes a big thing and you know,

680
00:34:56,360 --> 00:34:58,439
Speaker 2: so and so don't like Beyonce. The clip goes viral,

681
00:34:58,480 --> 00:35:01,000
Speaker 2: everybody gets mad da da da da da, And even

682
00:35:01,040 --> 00:35:04,560
Speaker 2: if years later they admit that they were wrong or

683
00:35:04,600 --> 00:35:08,560
Speaker 2: they like, they can't lie anymore more, because like the

684
00:35:08,600 --> 00:35:10,920
Speaker 2: wave is so strong that they even they have to

685
00:35:10,920 --> 00:35:13,640
Speaker 2: be like, nah, I do like this new I just

686
00:35:13,719 --> 00:35:18,239
Speaker 2: find Yeah, I just I do think I think about

687
00:35:18,360 --> 00:35:22,240
Speaker 2: music differently than a lot of people. And it's definitely

688
00:35:22,239 --> 00:35:24,200
Speaker 2: something I'm considering. I don't know how I would do

689
00:35:24,239 --> 00:35:28,120
Speaker 2: it exactly. I would have to think about, you know,

690
00:35:28,160 --> 00:35:29,680
Speaker 2: how to do it in a way that would make

691
00:35:29,719 --> 00:35:33,959
Speaker 2: it like fun for meun and whether I would have

692
00:35:34,080 --> 00:35:36,120
Speaker 2: like guests or if I would just be sitting here

693
00:35:36,160 --> 00:35:38,680
Speaker 2: talking or what because I'm not I'm not a go

694
00:35:38,760 --> 00:35:41,520
Speaker 2: to a bunch of concert guys or whatever. But like

695
00:35:41,560 --> 00:35:44,839
Speaker 2: stuff like mister Morale, I was on it from day one,

696
00:35:44,960 --> 00:35:47,239
Speaker 2: is my point. Like, I didn't even have to come

697
00:35:47,280 --> 00:35:50,520
Speaker 2: around to it. I heard the slander about it. I

698
00:35:50,600 --> 00:35:52,799
Speaker 2: wasn't responding to. I wasn't gonna go back and forth

699
00:35:52,840 --> 00:35:54,719
Speaker 2: for people over it, But I said, I remember having

700
00:35:54,760 --> 00:35:57,920
Speaker 2: episodes of this podcast where I'm like, people are just

701
00:35:58,040 --> 00:36:01,120
Speaker 2: missing the fucking moment, right, They just want to hear

702
00:36:01,120 --> 00:36:03,399
Speaker 2: what he had to say at the times, Like some

703
00:36:03,760 --> 00:36:06,480
Speaker 2: sometimes genius is in your face and it's fine if

704
00:36:06,480 --> 00:36:08,799
Speaker 2: you don't get it. You know, everybody wants to be

705
00:36:08,840 --> 00:36:11,920
Speaker 2: simple and stuff. But like how passionate I feel about

706
00:36:11,960 --> 00:36:15,960
Speaker 2: likes the miseducation yep, and the context and the framing

707
00:36:16,000 --> 00:36:18,920
Speaker 2: of the mis education and how much that was lost

708
00:36:18,960 --> 00:36:20,680
Speaker 2: and how much you know, and I get it. Some

709
00:36:20,680 --> 00:36:24,319
Speaker 2: people really want to be simple, like the whole thing.

710
00:36:24,520 --> 00:36:26,360
Speaker 2: I'll just listen to it and all skipping songs. I

711
00:36:26,360 --> 00:36:29,120
Speaker 2: don't like it, and that's fine, but I think there

712
00:36:29,120 --> 00:36:31,800
Speaker 2: should be a podcast for people that's not that simple,

713
00:36:31,880 --> 00:36:34,359
Speaker 2: that different, a little bit of different tastes that do

714
00:36:34,440 --> 00:36:36,480
Speaker 2: want to hear some little stuff a little bit more

715
00:36:36,520 --> 00:36:39,799
Speaker 2: in depth. Yeah, And of course my main issue is that,

716
00:36:39,880 --> 00:36:43,520
Speaker 2: you know, I, like everyone else, don't like everything, and

717
00:36:43,560 --> 00:36:46,920
Speaker 2: so I feel like there would be some artists and

718
00:36:46,920 --> 00:36:48,880
Speaker 2: stuff that people would probably you know, I had to

719
00:36:48,920 --> 00:36:51,640
Speaker 2: go back and forth for people would feel bad about

720
00:36:51,680 --> 00:36:54,319
Speaker 2: me not liking and stuff, and so part of that,

721
00:36:54,480 --> 00:36:57,400
Speaker 2: to be honest, is part of my like reticence to

722
00:36:57,440 --> 00:36:59,799
Speaker 2: do a show about music is that I don't want

723
00:37:00,080 --> 00:37:02,440
Speaker 2: to ship on someone else's favorite art If I if

724
00:37:02,480 --> 00:37:04,440
Speaker 2: I can't get into Playboy Cardi, I don't want to

725
00:37:04,480 --> 00:37:06,919
Speaker 2: turn it into I'm shitting on Playboy Cardi to run

726
00:37:06,920 --> 00:37:09,399
Speaker 2: and joke to me every week when they're when they're

727
00:37:09,520 --> 00:37:13,319
Speaker 2: very popular, very you know, people love their music and

728
00:37:13,440 --> 00:37:16,799
Speaker 2: it's just not for me or whatever. So that's when

729
00:37:16,840 --> 00:37:19,000
Speaker 2: and I don't want to engage in those conversations. The

730
00:37:19,000 --> 00:37:20,800
Speaker 2: same way I don't like when I'm listening to someone

731
00:37:20,840 --> 00:37:24,200
Speaker 2: and they're just shipping on Kendricks like skip this episode. Agreed,

732
00:37:24,640 --> 00:37:26,880
Speaker 2: So anyway, I'll think about it as my point. I

733
00:37:26,880 --> 00:37:29,000
Speaker 2: felt his maturity as an artist on that one and

734
00:37:29,040 --> 00:37:31,319
Speaker 2: gave him the permission to unleash the dragon on Drake.

735
00:37:33,320 --> 00:37:35,680
Speaker 2: Missing Around the Big Step is my favorite album, says

736
00:37:35,719 --> 00:37:40,000
Speaker 2: Tip Tip seven oh six. Come on now, listen. I like,

737
00:37:40,080 --> 00:37:43,160
Speaker 2: I'm not joking. I get if you want to say

738
00:37:43,160 --> 00:37:45,759
Speaker 2: it's not as best artist album. If that's really how

739
00:37:45,800 --> 00:37:47,920
Speaker 2: you feel that, I'm not arguing with you. I understand.

740
00:37:47,960 --> 00:37:50,640
Speaker 2: It's not full of it's not like gn X. It's

741
00:37:50,640 --> 00:37:54,279
Speaker 2: just it's just full of bops. It's simple, full of bops, straightforward.

742
00:37:54,320 --> 00:37:59,879
Speaker 2: It's what people claim they want it. But that that

743
00:38:00,120 --> 00:38:05,600
Speaker 2: album is just so fucking ahead of everyone else. It's

744
00:38:05,680 --> 00:38:09,800
Speaker 2: just so ahead of everyone else. It's it's really insane.

745
00:38:10,239 --> 00:38:13,480
Speaker 2: No and people can they just could not process it

746
00:38:13,560 --> 00:38:15,719
Speaker 2: or pick it up in that way, and they still

747
00:38:15,760 --> 00:38:18,680
Speaker 2: don't hold it to the reverence I believe that album deserves.

748
00:38:19,200 --> 00:38:22,920
Speaker 2: I I won't name any names or whatever. You know

749
00:38:22,960 --> 00:38:26,200
Speaker 2: what I'm saying, but like how something like rich Nigga,

750
00:38:26,239 --> 00:38:31,040
Speaker 2: broke Phone don't hit you like in the like damn,

751
00:38:31,239 --> 00:38:34,040
Speaker 2: that's what we all eventually gonna end up is the

752
00:38:34,680 --> 00:38:37,200
Speaker 2: let me turn the social media apps and all this

753
00:38:37,360 --> 00:38:40,160
Speaker 2: off off and go live my fucking life because the

754
00:38:40,200 --> 00:38:42,920
Speaker 2: phone is making me miserable. He was ahead of the

755
00:38:43,000 --> 00:38:45,240
Speaker 2: curve with that, and people was like, look at him

756
00:38:45,280 --> 00:38:49,439
Speaker 2: trying to usurp responsibility for the hip hop game. I'm

757
00:38:49,480 --> 00:38:53,600
Speaker 2: not your savior, like yeah, And.

758
00:38:53,600 --> 00:38:57,080
Speaker 1: Also that album was a lot of self reflection, which

759
00:38:57,120 --> 00:38:58,440
Speaker 1: is what a lot of niggas don't want to do.

760
00:38:58,480 --> 00:39:01,600
Speaker 1: Then this album come out doing the pandemic, Yes, and

761
00:39:01,680 --> 00:39:04,759
Speaker 1: I think with the pandemic and people going through their

762
00:39:04,800 --> 00:39:09,120
Speaker 1: own things with him going ay y'all, his album about

763
00:39:09,360 --> 00:39:14,000
Speaker 1: therapy and learning and growing and I'm not perfect and

764
00:39:14,080 --> 00:39:16,799
Speaker 1: I fucked up and these are the things you know

765
00:39:16,920 --> 00:39:19,000
Speaker 1: going on in my life. I think for a lot

766
00:39:19,000 --> 00:39:21,440
Speaker 1: of people it was an automatic rejection because they was like,

767
00:39:21,480 --> 00:39:23,520
Speaker 1: I'm depressed to nigga, I'm going through shit.

768
00:39:24,280 --> 00:39:29,240
Speaker 2: Well, what bothered me is that he was saying I

769
00:39:29,320 --> 00:39:33,200
Speaker 2: Am not your savior, and then they were critiquing him

770
00:39:33,200 --> 00:39:37,240
Speaker 2: as like this coward doesn't want to be our savior. Right,

771
00:39:37,480 --> 00:39:40,319
Speaker 2: but before when he did have that savior complex, y'all

772
00:39:40,360 --> 00:39:42,560
Speaker 2: were like, who does this nigga think he is? Like

773
00:39:42,640 --> 00:39:46,200
Speaker 2: it it's very interesting, and especially because he went through

774
00:39:46,200 --> 00:39:48,040
Speaker 2: the stuff that people claim they want to see people

775
00:39:48,120 --> 00:39:50,759
Speaker 2: go through. He did the therapy, he did the you

776
00:39:50,800 --> 00:39:53,200
Speaker 2: know what I'm saying, He did the self exploration. He

777
00:39:53,280 --> 00:39:56,360
Speaker 2: criticized himself before you could. He realized he wasn't a

778
00:39:56,360 --> 00:40:00,520
Speaker 2: perfect person. You know, he talked about he he talked

779
00:40:00,520 --> 00:40:04,120
Speaker 2: about topics that other artists won't fucking touch. When he's

780
00:40:04,160 --> 00:40:09,120
Speaker 2: talking about his trans and gay family members, and people

781
00:40:09,160 --> 00:40:11,360
Speaker 2: are like, well, he dad named them. You missed the

782
00:40:11,440 --> 00:40:15,839
Speaker 2: fucking point. You missed the fucking point. People don't have

783
00:40:15,920 --> 00:40:18,440
Speaker 2: perfect language, Like they sit on Twitter all day and

784
00:40:18,440 --> 00:40:21,040
Speaker 2: they go learn all the right things to say. He's

785
00:40:21,080 --> 00:40:24,360
Speaker 2: giving you the raw. I have a perfect I have

786
00:40:24,440 --> 00:40:29,040
Speaker 2: a perfect heart. If you asked my uncle and you

787
00:40:29,160 --> 00:40:32,960
Speaker 2: asked my cousin about me and how I how I

788
00:40:33,080 --> 00:40:36,040
Speaker 2: stay with them ten toes down, they won't come back

789
00:40:36,080 --> 00:40:38,160
Speaker 2: and be, well, you know, he doesn't always get the

790
00:40:38,160 --> 00:40:41,799
Speaker 2: pronouns right. They'll be like, no, that's my motherfucking the

791
00:40:41,840 --> 00:40:43,680
Speaker 2: one that stood up in church and said, what the

792
00:40:43,680 --> 00:40:46,680
Speaker 2: fuck are you doing trying to trying to ostracize my cousin.

793
00:40:47,000 --> 00:40:50,799
Speaker 2: That's who he is, right, So it's that type of thing.

794
00:40:50,960 --> 00:40:55,160
Speaker 2: So you know anyway, I won't. I'm already doing it. Uh,

795
00:40:55,640 --> 00:40:58,960
Speaker 2: Kylie you Bruther says, yes, Sissy is hot brown sugar butter,

796
00:41:00,080 --> 00:41:04,680
Speaker 2: she is. Listen, Kelli, bro, Mike, you know me. I

797
00:41:04,800 --> 00:41:07,480
Speaker 2: like my women like I like my grits, all right,

798
00:41:08,120 --> 00:41:13,719
Speaker 2: Dick chocolate and black as hell. Oh lord. Now I

799
00:41:13,719 --> 00:41:17,560
Speaker 2: don't know how to make grips, which is I don't

800
00:41:17,600 --> 00:41:22,040
Speaker 2: eat them. Okay, but I'm just junking. And it says

801
00:41:22,200 --> 00:41:25,440
Speaker 2: I've seen Kendrick twice, so I chose to see Metallic

802
00:41:25,480 --> 00:41:27,880
Speaker 2: at the end of the month. I don't. I didn't

803
00:41:27,880 --> 00:41:30,280
Speaker 2: know Charlotte had a train system on coming from Greensboro.

804
00:41:30,920 --> 00:41:33,120
Speaker 2: Is there a specific stop I should use to avoid

805
00:41:33,320 --> 00:41:37,319
Speaker 2: the traffic after the show. I don't have all of

806
00:41:37,360 --> 00:41:40,040
Speaker 2: that information for you because it was our first time

807
00:41:40,160 --> 00:41:42,040
Speaker 2: using the train system. I would not call it a

808
00:41:42,080 --> 00:41:45,239
Speaker 2: train system. It is a light reds. We did a

809
00:41:45,280 --> 00:41:48,520
Speaker 2: park and ride, so I don't know how far from

810
00:41:48,560 --> 00:41:52,560
Speaker 2: out of town you can go with that. And the

811
00:41:52,600 --> 00:41:55,120
Speaker 2: parking ride does work, but you need to find basically

812
00:41:55,120 --> 00:41:57,440
Speaker 2: a parking lot get on the stop. I don't know

813
00:41:57,480 --> 00:42:00,680
Speaker 2: how big that Metallica concert is going to be, so

814
00:42:01,040 --> 00:42:04,880
Speaker 2: I mean, if it's sold out in the Panthers Stadium.

815
00:42:04,920 --> 00:42:07,200
Speaker 2: I'm gonna tell you right now, the closest track, the

816
00:42:07,239 --> 00:42:10,120
Speaker 2: closest stop to the stadium is probably like a ten

817
00:42:10,200 --> 00:42:13,480
Speaker 2: or twelve minute walk, and the way to get on

818
00:42:13,520 --> 00:42:15,839
Speaker 2: the train was probably about I mean, if you wanted

819
00:42:15,840 --> 00:42:18,120
Speaker 2: to get on one that wasn't super crowded, it was me,

820
00:42:18,200 --> 00:42:20,960
Speaker 2: my mom and Karen. You needed to wait probably an

821
00:42:20,960 --> 00:42:24,040
Speaker 2: extra thirty forty minutes before you were going to get

822
00:42:24,400 --> 00:42:27,720
Speaker 2: enough people out of the station to where it was like, okay,

823
00:42:27,840 --> 00:42:30,680
Speaker 2: now we can take a train home. So just giving

824
00:42:30,719 --> 00:42:34,759
Speaker 2: you all that information, but I don't and I don't know,

825
00:42:35,719 --> 00:42:38,560
Speaker 2: it would really depend on how big that that crowd

826
00:42:38,680 --> 00:42:42,760
Speaker 2: is gonna be, because that determined stuff like parking, yeah

827
00:42:42,800 --> 00:42:43,279
Speaker 2: and all that.

828
00:42:43,400 --> 00:42:47,160
Speaker 1: And also I would actually just search on the internet

829
00:42:47,200 --> 00:42:49,759
Speaker 1: Charlotte Parking Ride and it probably would give you like

830
00:42:49,920 --> 00:42:52,360
Speaker 1: a list of the stops and how far they are,

831
00:42:52,719 --> 00:42:54,719
Speaker 1: and you probably can like, no, it probably have a

832
00:42:54,719 --> 00:42:56,440
Speaker 1: big ass map to show you, so you can kind

833
00:42:56,480 --> 00:42:58,680
Speaker 1: of map out and plan out in advance, so you

834
00:42:58,760 --> 00:43:01,839
Speaker 1: probably come halfway whatever park and ride so you won't

835
00:43:01,880 --> 00:43:02,800
Speaker 1: be fighting at traffic.

836
00:43:02,960 --> 00:43:05,919
Speaker 2: Yeah, So this is we kind of experimented and learned

837
00:43:05,960 --> 00:43:07,800
Speaker 2: there was a big day to do that because honestly,

838
00:43:07,920 --> 00:43:10,319
Speaker 2: like a lot was happening compared to like the Love

839
00:43:10,360 --> 00:43:13,239
Speaker 2: and Life thing was downtown. So like, if Metallica is

840
00:43:13,239 --> 00:43:15,359
Speaker 2: the only thing in town, you'll probably be fine. But

841
00:43:15,400 --> 00:43:18,960
Speaker 2: if it's other shit happening, who knows. Yeah, But with us,

842
00:43:18,960 --> 00:43:22,520
Speaker 2: it was like two festivals happening that were highly attended anyway,

843
00:43:22,640 --> 00:43:24,359
Speaker 2: So it was like we was we was pushing our

844
00:43:24,400 --> 00:43:28,320
Speaker 2: luck with that, but it worked out anyway. All Right,

845
00:43:28,440 --> 00:43:31,640
Speaker 2: let's see, Paul, do you plan on attendant to Kendrick

846
00:43:31,719 --> 00:43:34,120
Speaker 2: Lamar tour this year? Thirty percent the audience said yes.

847
00:43:34,560 --> 00:43:34,719
Speaker 4: Uh.

848
00:43:34,800 --> 00:43:38,080
Speaker 2: Seventy said no, And I would imagine part of that

849
00:43:38,239 --> 00:43:42,239
Speaker 2: is because many people are like, you can't get tickets now, right,

850
00:43:43,239 --> 00:43:46,880
Speaker 2: all right, let's go to uh some music, and then

851
00:43:46,920 --> 00:43:49,919
Speaker 2: we'll come back and we will do some more of

852
00:43:50,040 --> 00:43:54,960
Speaker 2: the show. All right, let's do let's do this one

853
00:43:56,400 --> 00:43:57,560
Speaker 2: psycho music.

854
00:43:59,160 --> 00:43:59,520
Speaker 1: Psycho.

855
00:44:32,480 --> 00:44:35,399
Speaker 2: I think that one was called It's My Psycho music

856
00:44:35,480 --> 00:44:40,239
Speaker 2: called Sey too Low, no title? All right, thirty ninety

857
00:44:40,239 --> 00:44:42,640
Speaker 2: two the second worst thing r Kelly has ever done.

858
00:44:44,239 --> 00:44:46,800
Speaker 2: Appia says, when people's rights are in danger or they suffer,

859
00:44:46,840 --> 00:44:48,520
Speaker 2: I always think it could happen to me, even if

860
00:44:48,560 --> 00:44:50,719
Speaker 2: I'm hearing in a good situation. Maybe this is what

861
00:44:50,840 --> 00:44:54,359
Speaker 2: doesn't let me fall for demagoguery. I was one night

862
00:44:54,600 --> 00:44:57,359
Speaker 2: in migrant housing center with my mother, and I came

863
00:44:57,400 --> 00:44:59,960
Speaker 2: to Germany. My father came three months earlier. It was

864
00:45:00,120 --> 00:45:03,040
Speaker 2: just one night. But still I'm not above anything. Always

865
00:45:03,080 --> 00:45:04,840
Speaker 2: funny to me, how Karen, who is younger than me,

866
00:45:04,960 --> 00:45:07,279
Speaker 2: loves to say how very old she is. It is

867
00:45:07,360 --> 00:45:10,760
Speaker 2: not possible. You are practically a baby, Karen. The devil

868
00:45:10,800 --> 00:45:13,239
Speaker 2: really seemed nice in this one story. Maybe he went

869
00:45:13,280 --> 00:45:15,680
Speaker 2: to therapy, worked on himself and change. He has seen

870
00:45:16,120 --> 00:45:18,760
Speaker 2: what the American administration is doing and was bored wanted

871
00:45:18,760 --> 00:45:20,880
Speaker 2: to change things up. After all, he is a fallen

872
00:45:21,000 --> 00:45:24,000
Speaker 2: angel Bible stuff and knows deep down's good. If so,

873
00:45:24,239 --> 00:45:28,000
Speaker 2: there's really hope for everyone. Sean says that Guy Derrey

874
00:45:28,080 --> 00:45:29,759
Speaker 2: queen learned the hard way. You come for the Queen.

875
00:45:29,800 --> 00:45:32,080
Speaker 2: You're best not missed that being said. Dairy Queen in

876
00:45:32,120 --> 00:45:34,680
Speaker 2: most locations is at or near the top of fast

877
00:45:34,680 --> 00:45:37,760
Speaker 2: food hamburgers in the US. You should try them out sometime.

878
00:45:37,920 --> 00:45:41,000
Speaker 2: I did not know that. I don't think I feel

879
00:45:41,000 --> 00:45:43,000
Speaker 2: like I've had a dry queen Berger. But I'm not sure,

880
00:45:43,040 --> 00:45:45,560
Speaker 2: so you know what sean challenge accepted. I don't go

881
00:45:45,600 --> 00:45:48,799
Speaker 2: give me a dry queen burger. I don't remember. Yeah,

882
00:45:48,840 --> 00:45:50,680
Speaker 2: I will go give me a derry queen burger one

883
00:45:50,760 --> 00:45:54,200
Speaker 2: day this next week and try it, and I'll come

884
00:45:54,200 --> 00:45:57,800
Speaker 2: back and tell you guys about it, and you know,

885
00:45:58,000 --> 00:46:00,719
Speaker 2: we'll we'll see what it tasts like. Hopefully you're right

886
00:46:01,760 --> 00:46:05,440
Speaker 2: and I can tell the audience it was delicious. If not,

887
00:46:05,760 --> 00:46:08,600
Speaker 2: then you will have to pay pal me some money

888
00:46:08,760 --> 00:46:13,400
Speaker 2: to pay me that. Even he says, I'm a little

889
00:46:13,440 --> 00:46:15,520
Speaker 2: confused about what you meant about the type of music

890
00:46:15,600 --> 00:46:18,480
Speaker 2: R Kelly made popular. Did you mean the closet style

891
00:46:18,719 --> 00:46:20,560
Speaker 2: R and B. Trapped in the closet style R and

892
00:46:20,600 --> 00:46:23,000
Speaker 2: B where he's not really singing but kind of storytelling,

893
00:46:23,120 --> 00:46:26,200
Speaker 2: or like straight up begging like Keith Sweat. I can't

894
00:46:26,280 --> 00:46:28,520
Speaker 2: believe that was confusing. I thought it was kind of

895
00:46:28,560 --> 00:46:33,360
Speaker 2: open to sing. It's to sing talking begging. Begging like

896
00:46:33,480 --> 00:46:36,319
Speaker 2: Keith Sweat is not a problem. I love begging. I

897
00:46:36,360 --> 00:46:38,920
Speaker 2: love it. Keep sweat. I'm not a huge key sweat

898
00:46:38,920 --> 00:46:41,839
Speaker 2: guy like that. But I think we lost a lot

899
00:46:41,840 --> 00:46:44,040
Speaker 2: in R and B when niggas stop begging for pussy.

900
00:46:44,120 --> 00:46:46,520
Speaker 2: It really fucked the whole game up. Yes, it did.

901
00:46:47,080 --> 00:46:52,160
Speaker 2: Like R and B, dudes not begging women is one

902
00:46:52,160 --> 00:46:55,560
Speaker 2: of the inflection points of R and B. When they

903
00:46:55,600 --> 00:46:58,360
Speaker 2: started being like women should want to fuck me because

904
00:46:58,400 --> 00:47:01,120
Speaker 2: I'm such a great guy or or you know whatever,

905
00:47:01,239 --> 00:47:04,319
Speaker 2: and I will fuck your girl at the concert and

906
00:47:04,320 --> 00:47:07,160
Speaker 2: all this shit, it just lost something. It was better

907
00:47:07,200 --> 00:47:09,920
Speaker 2: when you would have like one dude in the group

908
00:47:09,960 --> 00:47:11,959
Speaker 2: that couldn't even really sing that much, but he would

909
00:47:11,960 --> 00:47:14,839
Speaker 2: be doing that thing like three fourths of the way

910
00:47:14,880 --> 00:47:18,480
Speaker 2: through the song, like hey girl, you know when I

911
00:47:18,520 --> 00:47:21,560
Speaker 2: slept with your sister. I'm sorry, come on, what happened?

912
00:47:21,600 --> 00:47:23,040
Speaker 2: I won't I please you?

913
00:47:24,120 --> 00:47:27,279
Speaker 1: Yes, chah, I love me like like, hey girl, you

914
00:47:27,400 --> 00:47:28,040
Speaker 1: special to me.

915
00:47:28,680 --> 00:47:28,879
Speaker 4: Yeah.

916
00:47:28,920 --> 00:47:31,520
Speaker 2: I don't think Keith on those tracks seem to be

917
00:47:31,560 --> 00:47:34,000
Speaker 2: the strongest singer, but he was one of the strongest beggars.

918
00:47:34,800 --> 00:47:37,359
Speaker 2: So I thought I was pretty clear in what I

919
00:47:37,400 --> 00:47:40,800
Speaker 2: was conveying. But maybe I'm maybe I'm messed up somehow somewhere,

920
00:47:40,840 --> 00:47:43,720
Speaker 2: but that's what But I sing, Yeah, the sing talking

921
00:47:43,840 --> 00:47:46,359
Speaker 2: shit like Trey Songs does, Chris Brown does. It's just

922
00:47:46,880 --> 00:47:49,560
Speaker 2: it's like they're half rapping, half singing. They're not singing,

923
00:47:49,600 --> 00:47:52,920
Speaker 2: they're just rap singing. You know. It's I remember he

924
00:47:53,000 --> 00:47:56,520
Speaker 2: did it on I'm sure there's a song before this

925
00:47:56,680 --> 00:47:59,000
Speaker 2: or whatever, but the one I remember the most of

926
00:47:59,120 --> 00:48:01,400
Speaker 2: him being like, I'm not trying to be rude and

927
00:48:01,480 --> 00:48:06,759
Speaker 2: baby you mean and I'm like, this is not fucking singing. No,

928
00:48:06,920 --> 00:48:09,719
Speaker 2: that's not and of course you sound like you fuck kids.

929
00:48:09,719 --> 00:48:12,240
Speaker 2: I want to tune too, and even a beat beat?

930
00:48:12,440 --> 00:48:12,560
Speaker 1: Was it?

931
00:48:12,719 --> 00:48:14,520
Speaker 2: Thomas? Yes? Nothing?

932
00:48:14,640 --> 00:48:14,719
Speaker 4: No?

933
00:48:15,440 --> 00:48:18,680
Speaker 2: What is this? Thomas? Da train fucked that ship? No?

934
00:48:18,800 --> 00:48:21,759
Speaker 2: I was agreeing with you. It doesn't the same Yes

935
00:48:21,840 --> 00:48:24,080
Speaker 2: you did when you said begging from Keith sweat Han

936
00:48:24,320 --> 00:48:27,960
Speaker 2: I heard it beat down. You was liking it either way.

937
00:48:28,080 --> 00:48:30,680
Speaker 2: Some of the at the time either way, some of

938
00:48:30,680 --> 00:48:33,799
Speaker 2: the latest stuff that passes for RB A straight ass.

939
00:48:33,840 --> 00:48:35,520
Speaker 2: I'm sorry, but I think a lot of these guys

940
00:48:35,560 --> 00:48:38,840
Speaker 2: like Trey Songs and Jocks are Jock are straight Jack Quaz,

941
00:48:38,840 --> 00:48:40,239
Speaker 2: I don't even know how he say his name, are

942
00:48:40,280 --> 00:48:42,640
Speaker 2: straight garbage. Give me an old school UK the track anytime.

943
00:48:42,800 --> 00:48:45,279
Speaker 1: Yes, yeah, because I'm not gonna revise history. Like I

944
00:48:45,400 --> 00:48:46,319
Speaker 1: wasn't bopping to it.

945
00:48:46,760 --> 00:48:49,439
Speaker 2: I was, Yeah that yes came out. It was very

946
00:48:49,520 --> 00:48:53,360
Speaker 2: obvious that you loved it and all I and I

947
00:48:53,480 --> 00:48:54,960
Speaker 2: was the point I was making. Is it sounded he

948
00:48:55,040 --> 00:48:58,320
Speaker 2: was fucking kids? And he was like yes, oh yes,

949
00:48:58,520 --> 00:49:02,000
Speaker 2: it was so good after that time he was fucking back.

950
00:49:02,120 --> 00:49:06,360
Speaker 2: Oh take me back there, No, don't take me back songs?

951
00:49:06,440 --> 00:49:11,439
Speaker 2: Is count doing one play two twelve player?

952
00:49:11,520 --> 00:49:11,719
Speaker 3: Yeah?

953
00:49:11,719 --> 00:49:14,200
Speaker 2: I knew what he was doing was talking to fucking kids.

954
00:49:14,320 --> 00:49:21,480
Speaker 2: He was you remind me anyway? Uh comments on uh

955
00:49:21,640 --> 00:49:24,600
Speaker 2: the second worst thing R Kelly ever did thirty ninety

956
00:49:24,600 --> 00:49:28,120
Speaker 2: two on YouTube. Yo, Paul Pierce is too old to

957
00:49:28,200 --> 00:49:31,960
Speaker 2: be Damn that damn ignorant, says Lamont. That's the attitude

958
00:49:32,000 --> 00:49:34,360
Speaker 2: that limits black men and they end up alone and miserable.

959
00:49:34,360 --> 00:49:38,759
Speaker 2: There's nothing wrong with loving a woman. That dude's been hurt. Yeah,

960
00:49:38,880 --> 00:49:41,440
Speaker 2: it's some pain. Now. I always wonder, like do they

961
00:49:41,480 --> 00:49:44,560
Speaker 2: not know we can see them? They don't care, Like

962
00:49:44,640 --> 00:49:46,880
Speaker 2: where are the people in their lives that would be

963
00:49:46,960 --> 00:49:48,320
Speaker 2: like brother therapy?

964
00:49:48,880 --> 00:49:51,319
Speaker 1: They the person who said that no longer their friend.

965
00:49:51,880 --> 00:49:53,080
Speaker 1: Like like people get to a.

966
00:49:53,000 --> 00:49:56,040
Speaker 2: Certain point when I guarantee you somebody was like, hey,

967
00:49:56,120 --> 00:49:57,960
Speaker 2: you ain't helping. They like get the fuck out of here,

968
00:49:58,040 --> 00:50:00,200
Speaker 2: Like they get rid of all those people before before

969
00:50:00,280 --> 00:50:03,359
Speaker 2: you pick up that podcast, Mike, how about we get

970
00:50:03,400 --> 00:50:06,160
Speaker 2: you a little therapy. How about so we can work

971
00:50:06,200 --> 00:50:08,600
Speaker 2: through this. How about we we how about before you

972
00:50:08,719 --> 00:50:11,239
Speaker 2: voice these opinions, is if you have any expertise on

973
00:50:11,239 --> 00:50:14,759
Speaker 2: this subject other than just you have lived life and

974
00:50:14,840 --> 00:50:18,040
Speaker 2: you've decided that women is the problem. How about we

975
00:50:18,080 --> 00:50:20,319
Speaker 2: do a little something different? Isn't in lane already? Four?

976
00:50:21,520 --> 00:50:24,160
Speaker 2: I guarantee it's jam packed? Bum Why don't Why don't

977
00:50:24,200 --> 00:50:27,440
Speaker 2: you want to be different? Why be the nine hundred

978
00:50:27,560 --> 00:50:30,279
Speaker 2: thousand nigga on a microphone being like, you know, the

979
00:50:30,360 --> 00:50:33,359
Speaker 2: problem with society is these fucking women. It's not us

980
00:50:33,600 --> 00:50:37,000
Speaker 2: at all. They always want stuff, all right?

981
00:50:37,080 --> 00:50:39,239
Speaker 1: Did I'm attracted to but I really don't like them?

982
00:50:39,760 --> 00:50:42,200
Speaker 2: Why would I ever get married? It's only good for

983
00:50:42,320 --> 00:50:44,719
Speaker 2: a woman. It is bad for me as a man

984
00:50:44,760 --> 00:50:46,960
Speaker 2: that only wants to have sex with a lot of

985
00:50:47,000 --> 00:50:48,440
Speaker 2: different women all the time.

986
00:50:49,800 --> 00:50:49,920
Speaker 1: Uh.

987
00:50:50,000 --> 00:50:51,359
Speaker 2: The girl on the other side of the road said,

988
00:50:51,400 --> 00:50:53,480
Speaker 2: people will never be sorry for voting for Trump. It'll

989
00:50:53,480 --> 00:50:56,880
Speaker 2: be anything else's fault. But there's because admitting to it

990
00:50:56,880 --> 00:50:59,080
Speaker 2: will hurt that ego and make them feel blame for everything.

991
00:50:59,160 --> 00:51:01,600
Speaker 2: Thus waiting for an you will never work. People's kids

992
00:51:01,600 --> 00:51:03,600
Speaker 2: would die because of Trump, and they would say, but

993
00:51:03,640 --> 00:51:06,920
Speaker 2: the Democrats weren't good in messaging correct. Alicia says that

994
00:51:07,040 --> 00:51:09,960
Speaker 2: is the crazy part to me. They will find another

995
00:51:10,040 --> 00:51:12,080
Speaker 2: reason a person to blame for what he has done.

996
00:51:12,120 --> 00:51:16,320
Speaker 2: And I also annoyed because everyone except for the most

997
00:51:16,360 --> 00:51:19,480
Speaker 2: most black people can't admit Kamala didn't win because she

998
00:51:19,640 --> 00:51:21,799
Speaker 2: was a black woman. Crazy. This is an upside down

999
00:51:21,840 --> 00:51:27,640
Speaker 2: for real. I agree with both printers are equal opportunity haters, wireless, USB,

1000
00:51:27,840 --> 00:51:33,000
Speaker 2: parallel ceial, It don't fucking matter, says wan Ganghi wan Ganji.

1001
00:51:33,360 --> 00:51:35,359
Speaker 2: He also says ice in your water is a thing.

1002
00:51:35,400 --> 00:51:37,960
Speaker 2: I noticed why I travel outside of the US. So

1003
00:51:38,080 --> 00:51:40,440
Speaker 2: now when I establish a rapport with the staff, asked

1004
00:51:40,440 --> 00:51:43,080
Speaker 2: for American ice and we all laugh. Of course, since

1005
00:51:43,120 --> 00:51:45,840
Speaker 2: time is a flash circle, folks is back to referring

1006
00:51:45,840 --> 00:51:49,279
Speaker 2: to themselves as Canadian and international situations now. So I

1007
00:51:49,320 --> 00:51:51,719
Speaker 2: would advise against this tactic unless you can pass as

1008
00:51:51,800 --> 00:51:57,000
Speaker 2: not white, unless you can pass as not white, Okay, y'all,

1009
00:51:57,000 --> 00:51:58,800
Speaker 2: I was gonna say, as a black person, I feel

1010
00:51:58,800 --> 00:52:01,000
Speaker 2: like if I travel somewhere and I say I'm American,

1011
00:52:01,120 --> 00:52:05,399
Speaker 2: they not associate me with Trump. So I'm good. I'm

1012
00:52:05,440 --> 00:52:08,919
Speaker 2: good at any neighborhood, Lisha said, speaking of the music

1013
00:52:08,920 --> 00:52:10,960
Speaker 2: from the nineties, y'all remember that song Ladies Night with

1014
00:52:11,000 --> 00:52:13,680
Speaker 2: Missy and Little Kim de Bratt, Left Eye, et cetera. Yeah,

1015
00:52:13,680 --> 00:52:15,880
Speaker 2: I remember that song. It's like one of the last

1016
00:52:16,120 --> 00:52:20,120
Speaker 2: times we really had a women's posse cut collective. Yeah, yeah,

1017
00:52:20,160 --> 00:52:22,400
Speaker 2: I want to say I Want to Be Down remix

1018
00:52:22,560 --> 00:52:27,080
Speaker 2: was another one. Freedom from the Black Panther Soundtrack was

1019
00:52:27,120 --> 00:52:31,440
Speaker 2: another one, A Panther The Panther soundtrack, not Black Panther Soundtrack,

1020
00:52:31,800 --> 00:52:33,840
Speaker 2: but that one, because I think they had an R

1021
00:52:33,880 --> 00:52:36,760
Speaker 2: and B mix and a rap mix on that one.

1022
00:52:37,840 --> 00:52:40,120
Speaker 2: That was a good one. Anyway, I love that song,

1023
00:52:40,120 --> 00:52:42,640
Speaker 2: and I'm praying this new corehre of female rappers do

1024
00:52:42,680 --> 00:52:46,040
Speaker 2: a remake. Shit, they remake literally everything else. I could

1025
00:52:46,040 --> 00:52:49,040
Speaker 2: see Flow Millie Lattel Douci of course, Meg and Glow

1026
00:52:49,160 --> 00:52:52,279
Speaker 2: and maybe Sizza and the Bailey sisters on the course. Yeah,

1027
00:52:52,360 --> 00:52:54,959
Speaker 2: long as we don't get it's so funny we're saying

1028
00:52:54,960 --> 00:52:57,160
Speaker 2: all this and we all have the unspoken like, long

1029
00:52:57,160 --> 00:53:01,160
Speaker 2: as Nicki Minaj don't show up, they might actually work together.

1030
00:53:01,520 --> 00:53:03,719
Speaker 2: They might work together, But nah, I would love to

1031
00:53:03,719 --> 00:53:06,400
Speaker 2: see the girls get together. It's so funny because I

1032
00:53:06,440 --> 00:53:09,839
Speaker 2: think one of the big times that we would get

1033
00:53:09,880 --> 00:53:13,719
Speaker 2: stuff like that used to be movie soundtracks, and now

1034
00:53:13,719 --> 00:53:16,200
Speaker 2: we don't really do a lot of original score for

1035
00:53:16,360 --> 00:53:19,160
Speaker 2: movie soundtrack. It's a lot of like I, oh, pick

1036
00:53:19,239 --> 00:53:22,200
Speaker 2: this song from over here, or here's a play, almost

1037
00:53:22,239 --> 00:53:25,120
Speaker 2: like a mixtape, one original song and then a mixtape

1038
00:53:25,120 --> 00:53:27,879
Speaker 2: of other people's songs. It would be cool if someone

1039
00:53:27,960 --> 00:53:29,799
Speaker 2: took it back to the old school where we had

1040
00:53:29,880 --> 00:53:34,040
Speaker 2: like the above the Rim soundtrack or Panther soundtrack, And like.

1041
00:53:34,000 --> 00:53:35,439
Speaker 1: You say, it used to be back in the day

1042
00:53:35,800 --> 00:53:38,040
Speaker 1: where some songs you can only get them on soundtrack.

1043
00:53:38,040 --> 00:53:40,000
Speaker 1: They didn't come out of nobody's album. They ain't come

1044
00:53:40,040 --> 00:53:42,640
Speaker 1: out of the cut, nothing like that. Like you said,

1045
00:53:42,719 --> 00:53:44,439
Speaker 1: you really get it a lot of times, like you said,

1046
00:53:44,440 --> 00:53:47,879
Speaker 1: if you get a soundtrack, it's a collaboration, a little

1047
00:53:47,880 --> 00:53:49,640
Speaker 1: bit of everything. A lot of times there's songs that

1048
00:53:49,719 --> 00:53:52,160
Speaker 1: were made and like the cause we're old, the two thousands,

1049
00:53:52,160 --> 00:53:53,799
Speaker 1: the twenty ten's and shit like they're like.

1050
00:53:53,719 --> 00:53:56,319
Speaker 2: Oh you remember that, Yeah, we used to. I mean,

1051
00:53:56,719 --> 00:53:59,040
Speaker 2: so I'm not saying it will be stuff made back then.

1052
00:53:59,080 --> 00:54:05,719
Speaker 2: I'm saying, like new movies, it'll be like contemporary songs.

1053
00:54:05,760 --> 00:54:10,319
Speaker 2: But it's but it's just they're they're not made for

1054
00:54:10,400 --> 00:54:13,239
Speaker 2: this movie. It's just like here's twelve songs. You see

1055
00:54:13,239 --> 00:54:15,439
Speaker 2: what I'm saying. Like they make soundtracks all the time.

1056
00:54:15,520 --> 00:54:18,160
Speaker 2: It's like if you hold no, no, no, let me,

1057
00:54:18,440 --> 00:54:21,759
Speaker 2: I'll put it in the like if I put it

1058
00:54:21,800 --> 00:54:25,520
Speaker 2: in a Twitter, I mean Twitter, Spotify, Sinners. It has

1059
00:54:25,560 --> 00:54:29,439
Speaker 2: an original motion picture soundtrack. So it's it's like they

1060
00:54:29,480 --> 00:54:32,239
Speaker 2: have this happens all the time. Okay, now this was

1061
00:54:32,320 --> 00:54:34,200
Speaker 2: probably not a good example because I'm pretty sure it's

1062
00:54:34,760 --> 00:54:37,120
Speaker 2: you know, Ryan Coogler would not let this be some bullshit,

1063
00:54:37,600 --> 00:54:40,400
Speaker 2: so so it's gonna be some new stuff. But like

1064
00:54:40,520 --> 00:54:42,680
Speaker 2: I guess if I put it in maybe Thunderbolts. I

1065
00:54:42,680 --> 00:54:45,560
Speaker 2: wonder what would happened with Thunderbolts if I put that in. Yeah,

1066
00:54:45,600 --> 00:54:51,840
Speaker 2: Thunderbolt's original motion picture soundtrack and it's all by son Lux.

1067
00:54:52,280 --> 00:54:54,120
Speaker 2: So it's basically this is the other thing I was

1068
00:54:54,160 --> 00:54:58,240
Speaker 2: gonna say. You also have this like this one group

1069
00:54:58,400 --> 00:55:02,759
Speaker 2: made this soundtrack, Like it's not a collection of what

1070
00:55:02,800 --> 00:55:04,759
Speaker 2: we used to have where it's like, you know, like

1071
00:55:04,800 --> 00:55:06,799
Speaker 2: if you put in Above the Ram, it's Tupac, it's

1072
00:55:06,880 --> 00:55:07,600
Speaker 2: the Dog.

1073
00:55:07,440 --> 00:55:11,680
Speaker 1: Pound is Queen TV like Jones like love Jones, Like

1074
00:55:11,719 --> 00:55:14,000
Speaker 1: we don't make example that the song they were everywhere.

1075
00:55:14,120 --> 00:55:16,120
Speaker 2: We don't have that much anymore.

1076
00:55:16,320 --> 00:55:19,000
Speaker 1: Okay that, yes, I see im now that I agree. Yes,

1077
00:55:19,080 --> 00:55:21,280
Speaker 1: And and some of them songs didn't even make the movie.

1078
00:55:22,040 --> 00:55:24,480
Speaker 2: Yeah is that okay? Like I'm with you, like we

1079
00:55:24,600 --> 00:55:27,279
Speaker 2: used to do that all the time, and now, like

1080
00:55:27,320 --> 00:55:32,759
Speaker 2: you said, it's either like it's either like uh a

1081
00:55:32,920 --> 00:55:39,960
Speaker 2: mixtape of like remember these songs from the uh the

1082
00:55:38,080 --> 00:55:42,560
Speaker 2: uh the nineties, or it's like, like I said, a

1083
00:55:42,560 --> 00:55:46,480
Speaker 2: lot of stuff that is contemporary, but it's just very disparate.

1084
00:55:46,520 --> 00:55:49,640
Speaker 2: They're not connected. There's not a theme. They're just picking

1085
00:55:49,760 --> 00:55:52,080
Speaker 2: songs to be like this, this will be a cool song.

1086
00:55:52,160 --> 00:55:54,279
Speaker 2: They don't have a flow to them. Yeah, like I'm

1087
00:55:54,280 --> 00:55:59,400
Speaker 2: looking on the accountant to soundtrack. Uh well, actually no,

1088
00:55:59,520 --> 00:56:01,520
Speaker 2: this isn't that's not right because this one just says

1089
00:56:01,600 --> 00:56:03,719
Speaker 2: a playlist, So I don't even know if they had

1090
00:56:03,719 --> 00:56:07,000
Speaker 2: a real soundtrack anyway, you got we're getting I'm getting

1091
00:56:07,000 --> 00:56:10,680
Speaker 2: on the tangent. I'm sorry, this isn't important. See I

1092
00:56:10,719 --> 00:56:14,279
Speaker 2: do it to myself, to Alicia, I'll stop my own

1093
00:56:14,320 --> 00:56:21,200
Speaker 2: tangent dras that self control. Dragon Love from Chicago says,

1094
00:56:21,280 --> 00:56:24,960
Speaker 2: got me laughing over here. Thanks Cali, Bro. Mike says

1095
00:56:25,080 --> 00:56:28,239
Speaker 2: January fourth, and this ship is still being broadcasted Man,

1096
00:56:28,320 --> 00:56:31,640
Speaker 2: this edit, this editing is an eight point seven on

1097
00:56:31,680 --> 00:56:36,520
Speaker 2: the Gender War scale. Koche Nager says, congrats on a

1098
00:56:36,600 --> 00:56:39,959
Speaker 2: new car. Jason says, I'm popular, pending opinion, the big

1099
00:56:40,000 --> 00:56:43,759
Speaker 2: pimping on the above the Rim soundtrack is better than

1100
00:56:43,840 --> 00:56:46,279
Speaker 2: jay Z's Big pimping. Of course, part of that is

1101
00:56:46,280 --> 00:56:48,520
Speaker 2: colored by the fact that that's what's bumping when Tupac

1102
00:56:48,520 --> 00:56:51,320
Speaker 2: and then pull up to the basketball tournament. Yeah, the

1103
00:56:51,360 --> 00:56:55,319
Speaker 2: shootout which turned it to a shootout the scene. That

1104
00:56:55,400 --> 00:56:58,359
Speaker 2: scene is hard. Also the fact that the Tupac song

1105
00:56:58,440 --> 00:57:00,600
Speaker 2: that has played literally all throughout the movie was not

1106
00:57:01,120 --> 00:57:04,600
Speaker 2: on the CD version soundtrack should have been a class

1107
00:57:04,680 --> 00:57:08,600
Speaker 2: action lawsuit for everyone who bought that soundtrack looking for

1108
00:57:08,600 --> 00:57:12,080
Speaker 2: that salt. I used to hate that shit. Well, you're like,

1109
00:57:12,320 --> 00:57:15,320
Speaker 2: you can't just trick me like that. I've come to

1110
00:57:15,320 --> 00:57:17,880
Speaker 2: the conclusion that Gender War's featuring a wealthy dude's usually

1111
00:57:17,920 --> 00:57:20,560
Speaker 2: better than Gender War's featuring a broke dude. You get

1112
00:57:20,600 --> 00:57:23,040
Speaker 2: the same dynamic of poor white people riding for Trump

1113
00:57:23,440 --> 00:57:26,760
Speaker 2: fellas will passionately illogically ride for someone who absolutely does

1114
00:57:26,840 --> 00:57:28,720
Speaker 2: not care what they think. This creates the potential of

1115
00:57:28,760 --> 00:57:31,920
Speaker 2: maximum ignorance. Good point. Yeah, I don't think about that.

1116
00:57:31,920 --> 00:57:33,680
Speaker 2: That's about of how they get extra points because of

1117
00:57:33,720 --> 00:57:34,040
Speaker 2: that too.

1118
00:57:35,160 --> 00:57:35,280
Speaker 3: Uh.

1119
00:57:35,320 --> 00:57:37,480
Speaker 2: Do you prefer room temperature water when you go out

1120
00:57:37,520 --> 00:57:41,640
Speaker 2: to eat? Now? Eighteen percent does, eighty two percent does not,

1121
00:57:41,720 --> 00:57:44,040
Speaker 2: which is why I don't understand why any fucking restaurant

1122
00:57:44,080 --> 00:57:48,200
Speaker 2: will serve it. Ask like, why would you serve it

1123
00:57:48,720 --> 00:57:53,200
Speaker 2: default room temp? Right, eighty percent of the people are like,

1124
00:57:53,320 --> 00:57:56,240
Speaker 2: I'm expecting some ice. I'm respecting cool cold water, And

1125
00:57:56,240 --> 00:57:57,520
Speaker 2: it's actually more work for you.

1126
00:57:57,640 --> 00:58:00,280
Speaker 1: So unless you're gonna have ice in the water in

1127
00:58:00,320 --> 00:58:03,120
Speaker 1: the container whatever you're pouring out of, they're gonna turn around.

1128
00:58:03,120 --> 00:58:04,640
Speaker 1: A lot of people ain't like you about can you

1129
00:58:04,680 --> 00:58:06,520
Speaker 1: give me some ice? So now you're actually doing more work.

1130
00:58:06,560 --> 00:58:07,640
Speaker 1: Just put the icing up front.

1131
00:58:07,800 --> 00:58:09,720
Speaker 2: Now I'm really gonna have to earn my supper here

1132
00:58:09,720 --> 00:58:13,520
Speaker 2: because this is the latest episode thirty ninety three Kendrick

1133
00:58:13,560 --> 00:58:19,960
Speaker 2: Lamar and Sinners and it's us Mike Bossi from the

1134
00:58:20,040 --> 00:58:22,440
Speaker 2: Idea of Podcast and you guys of course, had a

1135
00:58:22,600 --> 00:58:26,760
Speaker 2: shit ton to say, So here we go. Who Rona

1136
00:58:26,800 --> 00:58:29,520
Speaker 2: Rapaiel says, I've stayed from voting in the poe. However

1137
00:58:29,560 --> 00:58:32,960
Speaker 2: I stayed from saying Karen be knowing the poll? What

1138
00:58:33,120 --> 00:58:36,920
Speaker 2: was the poll? It was? Should Jacoby in the Big Three? Okay?

1139
00:58:39,200 --> 00:58:42,040
Speaker 2: Great breakdown by everyone. Fun fact, I felt my comment

1140
00:58:42,160 --> 00:58:44,040
Speaker 2: was too long. On a sport movie review, I had

1141
00:58:44,040 --> 00:58:47,439
Speaker 2: written how Buddy's facial scars looked like a Yoruba facial scar.

1142
00:58:48,000 --> 00:58:50,800
Speaker 2: Then the race because the Blackout Tests award winner here

1143
00:58:50,920 --> 00:58:53,480
Speaker 2: got to consider my good brother Rod. So it was

1144
00:58:53,520 --> 00:58:56,080
Speaker 2: glad that BOSSI brought it up in a much better way.

1145
00:58:56,120 --> 00:58:58,720
Speaker 2: By the way, go see Centers show and watch out

1146
00:58:58,720 --> 00:59:02,160
Speaker 2: for my blues album. Sin City says, people forget Beyonce

1147
00:59:02,280 --> 00:59:04,240
Speaker 2: is one of the greatest rappers of twenty ten's. It's

1148
00:59:04,280 --> 00:59:08,280
Speaker 2: definitely not Ja Cole. Yes, she could be third, who knows. Yeah,

1149
00:59:08,360 --> 00:59:10,800
Speaker 2: no offense to Ja Cole, but I'm not putting them

1150
00:59:10,800 --> 00:59:14,000
Speaker 2: into Big Three. Not to me. Julian says, ry you,

1151
00:59:14,080 --> 00:59:15,840
Speaker 2: my guy, because you said exactly what I've been thinking

1152
00:59:15,880 --> 00:59:18,160
Speaker 2: about Centers. Some folks are really trying to force this

1153
00:59:18,240 --> 00:59:22,440
Speaker 2: narrative about Asian identity trying tying into higher education and

1154
00:59:22,520 --> 00:59:25,520
Speaker 2: proximity to whiteness into the film, but honestly, that feels

1155
00:59:25,560 --> 00:59:27,640
Speaker 2: like a stretch. From the jump. Lisa is shown to

1156
00:59:27,640 --> 00:59:31,040
Speaker 2: be super skeptical everyone and everything. That's key. The way

1157
00:59:31,160 --> 00:59:34,920
Speaker 2: Grace took out her husband stood on business while she

1158
00:59:35,000 --> 00:59:37,160
Speaker 2: herself caught on fire was her way of saying, if

1159
00:59:37,160 --> 00:59:39,280
Speaker 2: I can eliminate my husband, then no one can use

1160
00:59:39,320 --> 00:59:42,240
Speaker 2: either of us to get to Lisa. Yeah, because if

1161
00:59:42,240 --> 00:59:44,640
Speaker 2: she or her husband shows up at the door, her

1162
00:59:44,720 --> 00:59:47,360
Speaker 2: daughter is going to let them in. Of course, that's

1163
00:59:47,520 --> 00:59:50,200
Speaker 2: you know, and I'm not saying it's a full proof plan,

1164
00:59:50,320 --> 00:59:52,640
Speaker 2: but in her mind, she's like, my daughter's not letting

1165
00:59:52,680 --> 00:59:56,520
Speaker 2: in a stranger or any of these other people into

1166
00:59:56,560 --> 00:59:59,200
Speaker 2: the house, so I can eliminate this problem for me

1167
00:59:59,280 --> 01:00:02,800
Speaker 2: and my family right now. And the what I would

1168
01:00:02,920 --> 01:00:06,600
Speaker 2: say is the movie doesn't give us any reason to

1169
01:00:06,680 --> 01:00:09,800
Speaker 2: feel that, in my opinion, that that is an Asian thing,

1170
01:00:10,600 --> 01:00:13,000
Speaker 2: or that that is a thing that no one else

1171
01:00:13,000 --> 01:00:15,520
Speaker 2: would have folded on, because no one else is challenging

1172
01:00:15,560 --> 01:00:19,120
Speaker 2: that way. Right If someone, if Remick, would have used

1173
01:00:19,160 --> 01:00:21,840
Speaker 2: one of those people to be like, we're gonna go

1174
01:00:21,960 --> 01:00:26,200
Speaker 2: kill preacher boys, daddy and the congregation and your and

1175
01:00:26,240 --> 01:00:29,840
Speaker 2: your brothers and sisters, maybe we get maybe we would

1176
01:00:29,880 --> 01:00:33,400
Speaker 2: see a contrast where he's like kill him then fuck it,

1177
01:00:33,640 --> 01:00:36,400
Speaker 2: or I'm not coming out, and we go, oh, he's

1178
01:00:36,440 --> 01:00:41,120
Speaker 2: standing ten toes down where where Grace could not. But

1179
01:00:41,160 --> 01:00:44,400
Speaker 2: we didn't get that. So I'm not going to jump

1180
01:00:44,400 --> 01:00:47,280
Speaker 2: to the conclusion of because of real life shit that

1181
01:00:47,640 --> 01:00:51,840
Speaker 2: this movie is trying to imitate when Asian people do

1182
01:00:51,920 --> 01:00:54,960
Speaker 2: that model minority bullshit. I didn't feel that. I feel like,

1183
01:00:55,000 --> 01:00:56,680
Speaker 2: if they wanted to do that, Lisa and then would

1184
01:00:56,720 --> 01:01:00,520
Speaker 2: have literally joined up with the vampire, uh, because the

1185
01:01:00,640 --> 01:01:04,200
Speaker 2: vampire kind of represented that joining in to this you know,

1186
01:01:04,240 --> 01:01:07,520
Speaker 2: this club. Anyway, we watched that movie and ask if

1187
01:01:07,560 --> 01:01:09,920
Speaker 2: that girl looks like she accepts candy from strangers. So

1188
01:01:10,040 --> 01:01:12,400
Speaker 2: by removing themselves, Grace May and sure Lisa couldn't be

1189
01:01:12,440 --> 01:01:14,960
Speaker 2: luurered in. That wasn't weakness of treachery, that was protection.

1190
01:01:15,080 --> 01:01:18,040
Speaker 2: That was love. Yeah. Out to my girl Reagan, go man.

1191
01:01:18,120 --> 01:01:21,440
Speaker 2: She said that on Twitter, and and you know she's

1192
01:01:21,520 --> 01:01:23,640
Speaker 2: I know she got media literacy. That's why I fuck

1193
01:01:23,680 --> 01:01:26,160
Speaker 2: with Reagan. But she was like, if you look at

1194
01:01:26,160 --> 01:01:28,200
Speaker 2: this through this movie, so many of the decisions that

1195
01:01:28,200 --> 01:01:32,560
Speaker 2: were made were out of love, love protection. Yes, Julian

1196
01:01:32,760 --> 01:01:35,000
Speaker 2: three thousand also says, also no one else in that

1197
01:01:35,040 --> 01:01:37,520
Speaker 2: building really seemed to have deep times with anybody outside

1198
01:01:37,560 --> 01:01:39,440
Speaker 2: smokest girl was in there with him. I don't think

1199
01:01:39,480 --> 01:01:42,320
Speaker 2: Sammy likes his preacher daddy that much that the other

1200
01:01:42,440 --> 01:01:45,520
Speaker 2: ladies out here cheating on her husband and Slim has

1201
01:01:45,560 --> 01:01:49,479
Speaker 2: all he needs and hair their drink. Well, I think

1202
01:01:49,560 --> 01:01:52,360
Speaker 2: the Sami thing. I think if they would have, if

1203
01:01:52,400 --> 01:01:54,320
Speaker 2: Remick would have said, I'm gonna go kill your family,

1204
01:01:54,320 --> 01:01:57,480
Speaker 2: because remember they shall Sammy waking up all his siblings

1205
01:01:58,520 --> 01:02:01,200
Speaker 2: earlier in the day, I feel like that might have

1206
01:02:01,720 --> 01:02:04,680
Speaker 2: made at least given Sammy something to think about. But

1207
01:02:05,360 --> 01:02:11,200
Speaker 2: my guess is whoever, whoever he had absorbed didn't really

1208
01:02:11,280 --> 01:02:15,520
Speaker 2: have that type of deep tie into what Sammy's weaknesses

1209
01:02:15,560 --> 01:02:21,320
Speaker 2: would be, meaning that even though he had absorbed Stack

1210
01:02:21,400 --> 01:02:25,720
Speaker 2: at that point, I don't think Stack, it didn't seem

1211
01:02:25,800 --> 01:02:28,400
Speaker 2: like Stack hung around the family. They were just taking

1212
01:02:28,440 --> 01:02:30,840
Speaker 2: Sammy for a day out where if maybe if Sammy had,

1213
01:02:30,920 --> 01:02:33,120
Speaker 2: if Stack had hung around Sammy's family and know the

1214
01:02:33,440 --> 01:02:37,400
Speaker 2: siblings and all that, it would then I think Remick

1215
01:02:37,400 --> 01:02:39,360
Speaker 2: would have definitely used that to try to get to

1216
01:02:39,520 --> 01:02:41,520
Speaker 2: Preacher Boy, and we will find out if that would

1217
01:02:41,520 --> 01:02:43,080
Speaker 2: have moved Preacher Boy or not. I don't know if

1218
01:02:43,080 --> 01:02:47,200
Speaker 2: it would have right. Jake jail Coven says, I had

1219
01:02:47,280 --> 01:02:49,120
Speaker 2: asked Rod if there was a closing scene, not the

1220
01:02:49,120 --> 01:02:51,479
Speaker 2: buddy Guy scene which I did see the first time,

1221
01:02:51,800 --> 01:02:53,440
Speaker 2: and if I should go see it again for that.

1222
01:02:53,480 --> 01:02:55,320
Speaker 2: He told me I did miss a scene, but it

1223
01:02:55,360 --> 01:02:57,520
Speaker 2: was not worth an entire rewatch well, in an effort

1224
01:02:57,560 --> 01:03:01,200
Speaker 2: to support black capitalism despite Rod's claire andaganism and trying

1225
01:03:01,200 --> 01:03:03,880
Speaker 2: to keep dollars in generational wealth away from the Coogler family.

1226
01:03:03,920 --> 01:03:07,840
Speaker 2: I saw it again. It's a great movie. Jael Jinks alert,

1227
01:03:08,000 --> 01:03:11,920
Speaker 2: let's see and he stopped this. I thought it was

1228
01:03:11,960 --> 01:03:14,840
Speaker 2: the best performance of Michael B. Jordan's career, and I

1229
01:03:14,880 --> 01:03:16,640
Speaker 2: really think there was no weak point in the movie

1230
01:03:16,680 --> 01:03:19,560
Speaker 2: or cast. Perhaps too heavy with score usage, since I

1231
01:03:19,560 --> 01:03:22,160
Speaker 2: am smart, much smarter on movies than I am on

1232
01:03:22,240 --> 01:03:24,480
Speaker 2: Kendrick Lamar, though I did appreciate and learn a ton

1233
01:03:24,520 --> 01:03:27,680
Speaker 2: from Riod's online course on Kendrick and Drake. I think,

1234
01:03:27,760 --> 01:03:30,360
Speaker 2: much like NFL fans who kept comparing Mike Vick to

1235
01:03:30,600 --> 01:03:34,200
Speaker 2: Randall Cunningham instead of the much more clear Steve Young comparison.

1236
01:03:34,760 --> 01:03:37,080
Speaker 2: I felt a lot of Christopher Nolan influence in his

1237
01:03:37,280 --> 01:03:41,040
Speaker 2: work with Unspoken in the Cooglar Kendrick talk, and he

1238
01:03:41,080 --> 01:03:44,440
Speaker 2: did advise Coogler on imax technique. Sidebar. Coogler's praise of

1239
01:03:44,480 --> 01:03:46,760
Speaker 2: The Dark Knight should settle any Black Panther the Dark

1240
01:03:46,840 --> 01:03:50,440
Speaker 2: Knight debate in quotes, Actually, no, I don't think it does.

1241
01:03:51,480 --> 01:03:55,600
Speaker 2: Let me tell you why. It's like if Michael Jackson

1242
01:03:55,720 --> 01:03:58,800
Speaker 2: said one of his influences was a guy who made

1243
01:03:58,880 --> 01:04:02,040
Speaker 2: honky tonk music in nineteen oh five, that does not

1244
01:04:02,160 --> 01:04:04,400
Speaker 2: make me be like, well, that honky top music is

1245
01:04:04,440 --> 01:04:07,600
Speaker 2: superior to what Michael Jackson went on to make. No,

1246
01:04:08,240 --> 01:04:11,240
Speaker 2: I still would be like this, Michael Jackson shit is amazing,

1247
01:04:11,400 --> 01:04:14,160
Speaker 2: and credit to his source, that guy was good for

1248
01:04:14,240 --> 01:04:17,480
Speaker 2: his time. We love to see it as well. And

1249
01:04:17,520 --> 01:04:21,640
Speaker 2: I'm not a person that hates song Christopher Nolan, but

1250
01:04:21,960 --> 01:04:25,200
Speaker 2: that don't make his movie better than Black Panther, That's all.

1251
01:04:26,200 --> 01:04:28,960
Speaker 2: But I think BOSSI and Mike would have smashed me

1252
01:04:28,960 --> 01:04:31,200
Speaker 2: in the head with a guitar if I brought Christopher

1253
01:04:31,200 --> 01:04:34,280
Speaker 2: Nolan into this. Well. You know that's because you bring

1254
01:04:34,360 --> 01:04:37,240
Speaker 2: him into everything. I think. I think the movie will

1255
01:04:37,280 --> 01:04:39,160
Speaker 2: be a contender for all major awards, but the early

1256
01:04:39,200 --> 01:04:41,840
Speaker 2: release will inevitably make it more difficult than if this

1257
01:04:41,920 --> 01:04:45,280
Speaker 2: had been released in October or November. I agree, I agree,

1258
01:04:45,560 --> 01:04:48,000
Speaker 2: like that the same thing happened with get Out, where

1259
01:04:48,000 --> 01:04:50,880
Speaker 2: like it did end up I believe, winning some stuff,

1260
01:04:50,880 --> 01:04:53,760
Speaker 2: but it was very much like if that doesn't come

1261
01:04:53,800 --> 01:04:57,080
Speaker 2: out in like the beginning of the year, it's hard.

1262
01:04:57,120 --> 01:04:59,680
Speaker 2: It's just hard to keep it on people's minds as

1263
01:04:59,720 --> 01:05:03,440
Speaker 2: time continues, because I remember get Out had one of

1264
01:05:03,520 --> 01:05:06,800
Speaker 2: the biggest critic press like run things, like they were

1265
01:05:06,800 --> 01:05:09,080
Speaker 2: constantly sending us a bunch of shit throughout the year

1266
01:05:09,080 --> 01:05:12,080
Speaker 2: to be like, hey, don't forget soundtime, here's a book,

1267
01:05:12,280 --> 01:05:14,080
Speaker 2: here's it, this, here's it that. Like it was like

1268
01:05:14,200 --> 01:05:16,919
Speaker 2: get get Out, get Out, get Out, because I mean,

1269
01:05:17,000 --> 01:05:21,040
Speaker 2: how do you keep people engaged for essentially a year, Like, yes,

1270
01:05:21,280 --> 01:05:23,680
Speaker 2: people think of it like oh, the end of the years,

1271
01:05:23,840 --> 01:05:25,600
Speaker 2: when no, the end of the year is when the

1272
01:05:26,040 --> 01:05:29,000
Speaker 2: big push for like the last minute movies to win

1273
01:05:29,040 --> 01:05:32,360
Speaker 2: the award are but like the actual award show is

1274
01:05:32,400 --> 01:05:34,680
Speaker 2: like another couple of months after that. If I'm not mistaken,

1275
01:05:35,120 --> 01:05:38,600
Speaker 2: so you basically need to keep people from April to

1276
01:05:38,760 --> 01:05:43,960
Speaker 2: like February of next year understanding and appreciating this same

1277
01:05:44,000 --> 01:05:48,800
Speaker 2: thing happened with everything everywhere, all at once. It came

1278
01:05:48,840 --> 01:05:51,240
Speaker 2: out so early that by the time it came up,

1279
01:05:51,280 --> 01:05:53,520
Speaker 2: it was like, is it gonna win? I remember how

1280
01:05:53,560 --> 01:05:55,640
Speaker 2: I felt about that movie. I remember thinking it was great.

1281
01:05:55,680 --> 01:05:58,880
Speaker 2: But now we're ten months removed from that. Can it

1282
01:05:59,040 --> 01:06:00,920
Speaker 2: keep that momentum? Yes?

1283
01:06:01,520 --> 01:06:04,760
Speaker 1: Yeah, and yeah yeah yeah, like you said, and depend

1284
01:06:04,920 --> 01:06:07,600
Speaker 1: on how things fall and things like that and how

1285
01:06:07,640 --> 01:06:08,880
Speaker 1: the studios lay the shit out.

1286
01:06:08,920 --> 01:06:09,600
Speaker 2: It's just some shit.

1287
01:06:09,640 --> 01:06:11,400
Speaker 1: They just like, nope, put it up in the earlier

1288
01:06:11,400 --> 01:06:12,760
Speaker 1: part of the year for whatever reason.

1289
01:06:13,400 --> 01:06:19,320
Speaker 2: Yeah, so okay, ms barn says everywhere, everything, everywhere, All

1290
01:06:19,320 --> 01:06:21,800
Speaker 2: the ones came out around Oscar time the year it

1291
01:06:21,920 --> 01:06:24,480
Speaker 2: was released, but it was heavily it was heavily nominated

1292
01:06:24,520 --> 01:06:28,200
Speaker 2: the following year. Yeah, so like did it not make

1293
01:06:28,280 --> 01:06:32,560
Speaker 2: the cutoff? I just remember that. I remember when that

1294
01:06:32,640 --> 01:06:37,360
Speaker 2: shit came out that it was like, can it keep

1295
01:06:38,200 --> 01:06:44,040
Speaker 2: everybody's like focused on how great it was until it

1296
01:06:44,160 --> 01:06:46,640
Speaker 2: is time to vote for it? So I don't remember

1297
01:06:46,640 --> 01:06:52,240
Speaker 2: the exact date that it was released. So yeah, March eleventh. Okay, yeah,

1298
01:06:52,320 --> 01:06:58,120
Speaker 2: March eleventh, twenty twenty two, and let's see Oscars Day

1299
01:06:58,960 --> 01:07:01,760
Speaker 2: twenty twenty two. Sorry to do this research live on

1300
01:07:01,840 --> 01:07:06,040
Speaker 2: the air was March twenty seven, which means it probably

1301
01:07:06,320 --> 01:07:09,720
Speaker 2: was not qualifying for you need to release somewhere around

1302
01:07:09,760 --> 01:07:12,160
Speaker 2: like December, I believe. So you have to keep that

1303
01:07:12,240 --> 01:07:16,600
Speaker 2: momentum for a year. Sinners came out in April, so

1304
01:07:16,640 --> 01:07:20,640
Speaker 2: we're talking March to April, one month difference, so now

1305
01:07:20,680 --> 01:07:25,640
Speaker 2: you need to keep that momentum for eleven months essentially

1306
01:07:25,720 --> 01:07:29,080
Speaker 2: and make people remember this's great. You loved it. It

1307
01:07:29,160 --> 01:07:33,520
Speaker 2: was great, and you know, our cynical microwave ADHD society

1308
01:07:33,640 --> 01:07:36,280
Speaker 2: will be like, but what about this thing? Or here's

1309
01:07:36,280 --> 01:07:38,160
Speaker 2: a now that everyone loves it, here's a hot take,

1310
01:07:38,240 --> 01:07:40,520
Speaker 2: what if we didn't love it? You know. So it's

1311
01:07:40,520 --> 01:07:42,880
Speaker 2: got to go through that gauntlet to make it back

1312
01:07:42,960 --> 01:07:46,200
Speaker 2: to this and I can see that, you know, being

1313
01:07:46,240 --> 01:07:51,280
Speaker 2: a thing that will lose some momentum, and because some

1314
01:07:51,320 --> 01:07:54,760
Speaker 2: people are racist in the academy, you'll have to deal

1315
01:07:54,760 --> 01:07:56,720
Speaker 2: with that as well. So like it's got an uphill

1316
01:07:56,800 --> 01:08:00,200
Speaker 2: battle to if it's gonna be like BOSSI said, when

1317
01:08:00,200 --> 01:08:02,560
Speaker 2: she wants to win everything. It's got an uphill battles

1318
01:08:02,560 --> 01:08:02,919
Speaker 2: my point.

1319
01:08:03,080 --> 01:08:05,480
Speaker 1: Yeah, and this is why sometimes a lot and everywhere,

1320
01:08:05,640 --> 01:08:09,800
Speaker 1: uh uh, everything everywhere, all at once, And a lot

1321
01:08:09,800 --> 01:08:11,520
Speaker 1: of these movies that have a tendency to come out

1322
01:08:11,560 --> 01:08:13,200
Speaker 1: at the earlier part of the year end up getting

1323
01:08:13,240 --> 01:08:16,240
Speaker 1: re releases like sometimes several times, like a lot.

1324
01:08:16,280 --> 01:08:19,640
Speaker 2: I hope that helps too, because released in October and

1325
01:08:19,680 --> 01:08:21,479
Speaker 2: then they said they do right around the end of

1326
01:08:21,520 --> 01:08:21,840
Speaker 2: the year.

1327
01:08:21,880 --> 01:08:24,640
Speaker 1: A lot of times, that gets people back into the

1328
01:08:24,640 --> 01:08:26,439
Speaker 1: theaters to kind of refresh their memories.

1329
01:08:26,520 --> 01:08:26,800
Speaker 2: I hope.

1330
01:08:26,800 --> 01:08:26,880
Speaker 1: So.

1331
01:08:27,640 --> 01:08:27,800
Speaker 4: Uh.

1332
01:08:27,880 --> 01:08:30,200
Speaker 2: He goes on to say, but my one plessy sister,

1333
01:08:30,320 --> 01:08:34,640
Speaker 2: Hayley Steinfeld, and everyone else non black seem to be

1334
01:08:34,680 --> 01:08:36,960
Speaker 2: taking a little extra heat from BOSSI and Mike that

1335
01:08:37,080 --> 01:08:40,360
Speaker 2: I'm not sure Coogler intended. I also found Sammy's father,

1336
01:08:40,400 --> 01:08:42,880
Speaker 2: a pretty nice religious figure in the movie, warned his son,

1337
01:08:42,960 --> 01:08:45,240
Speaker 2: did not shun his son, welcome the son back. Even

1338
01:08:45,280 --> 01:08:47,400
Speaker 2: the twins spoke of their uncle as a good man,

1339
01:08:47,760 --> 01:08:49,639
Speaker 2: so I was not sure why he caught more heat

1340
01:08:49,680 --> 01:08:53,200
Speaker 2: during your discussion. Well, here's the thing. Two things, okay.

1341
01:08:53,760 --> 01:08:57,080
Speaker 2: The first one is BOSSI and Mike be on TikTok

1342
01:08:57,360 --> 01:08:59,960
Speaker 2: and they be seeing white people dancing to Kendrick Lamar

1343
01:09:00,520 --> 01:09:02,479
Speaker 2: when he's talking about forty acres in the mules. So

1344
01:09:02,479 --> 01:09:05,120
Speaker 2: they're a bit more militant than I am about the

1345
01:09:05,160 --> 01:09:08,160
Speaker 2: guardrails of black art and how much they want white

1346
01:09:08,200 --> 01:09:10,760
Speaker 2: interlopers to like back down and stop fucking with shit.

1347
01:09:11,400 --> 01:09:14,360
Speaker 2: I don't engage in those TikTok discussions, so I don't

1348
01:09:14,400 --> 01:09:17,760
Speaker 2: see the I don't see what they see to make

1349
01:09:17,840 --> 01:09:20,200
Speaker 2: me feel the way that they feel about, like, oh,

1350
01:09:20,240 --> 01:09:23,080
Speaker 2: these white folks get the fuck out of here. I'm like, whatever,

1351
01:09:23,160 --> 01:09:25,800
Speaker 2: if you make great art, white people exist and they

1352
01:09:25,840 --> 01:09:27,760
Speaker 2: know what great art is, they're gonna want to come

1353
01:09:27,880 --> 01:09:29,840
Speaker 2: in and watch it, you know. So I don't feel that.

1354
01:09:30,320 --> 01:09:32,439
Speaker 2: As far as the father thing, I don't think he

1355
01:09:32,520 --> 01:09:34,880
Speaker 2: caught that much heat. I think you may be, but

1356
01:09:34,960 --> 01:09:37,640
Speaker 2: as a religious person, you may be a little oversensitive

1357
01:09:37,680 --> 01:09:42,599
Speaker 2: to critiques of religion in that way. I know you're

1358
01:09:42,720 --> 01:09:45,599
Speaker 2: running real high for having a new pope and everything

1359
01:09:46,000 --> 01:09:50,280
Speaker 2: who is also a jail covan pope. You know what

1360
01:09:50,320 --> 01:09:54,679
Speaker 2: I'm saying. Okay, the beige rage is up in him. Okay,

1361
01:09:54,720 --> 01:09:57,320
Speaker 2: he might tan a little. He might have to be keramuch.

1362
01:09:57,320 --> 01:09:59,160
Speaker 2: He tens in the summer. If you know what I'm saying,

1363
01:10:00,320 --> 01:10:04,759
Speaker 2: But I think what we were saying is two things

1364
01:10:04,800 --> 01:10:09,280
Speaker 2: about the about the about the father of Sammy. One

1365
01:10:10,640 --> 01:10:15,080
Speaker 2: put the guitar down, which they emphasized on him multiple times,

1366
01:10:15,640 --> 01:10:19,000
Speaker 2: multiple times, was put the guitar down. Sammy does not

1367
01:10:19,040 --> 01:10:23,960
Speaker 2: put the guitar down. And but that feeling and that

1368
01:10:24,080 --> 01:10:28,519
Speaker 2: disapproval he had of not just the blues and SAME's talent,

1369
01:10:29,040 --> 01:10:30,920
Speaker 2: but of the fact that he's not using it to

1370
01:10:31,080 --> 01:10:34,479
Speaker 2: serve the Lord is a type of judgment and a

1371
01:10:34,600 --> 01:10:41,360
Speaker 2: type of historical, especially in the South, black religious dogma

1372
01:10:41,760 --> 01:10:45,120
Speaker 2: that has been in many cases the opposite of freedom

1373
01:10:45,120 --> 01:10:48,080
Speaker 2: for people. And while I thought we did a good

1374
01:10:48,160 --> 01:10:52,040
Speaker 2: job of putting how generationally his father was a good dude,

1375
01:10:52,320 --> 01:10:55,920
Speaker 2: So I think that is definitely in our conversation about

1376
01:10:55,920 --> 01:11:03,919
Speaker 2: how their uncle, that their father for the twins, was abusive. Yes,

1377
01:11:04,640 --> 01:11:08,400
Speaker 2: sammy father doesn't hit him and seem to have found

1378
01:11:08,439 --> 01:11:12,200
Speaker 2: religion as the way to break the cycle on his side,

1379
01:11:12,320 --> 01:11:15,600
Speaker 2: but that does not mean that that made him a

1380
01:11:17,240 --> 01:11:21,360
Speaker 2: figure in Sammy's life that was extremely supportive of Sammy's

1381
01:11:21,360 --> 01:11:24,280
Speaker 2: pursuit of music and whatnot. So there is a judgment

1382
01:11:24,400 --> 01:11:28,040
Speaker 2: that comes from the father in this film and the

1383
01:11:28,120 --> 01:11:30,600
Speaker 2: reason we never see Sammy put that guitar down, the

1384
01:11:30,680 --> 01:11:35,520
Speaker 2: tool that saved his life, is clearly that as a protagonist,

1385
01:11:35,560 --> 01:11:38,439
Speaker 2: we are supposed to identify. I believe with Sammy over

1386
01:11:38,479 --> 01:11:40,720
Speaker 2: his father and going you don't need to put the

1387
01:11:40,720 --> 01:11:44,599
Speaker 2: guitar down like that is your gift, that is your calling.

1388
01:11:45,040 --> 01:11:48,400
Speaker 2: He just don't really understand you don't need to run

1389
01:11:48,479 --> 01:11:54,040
Speaker 2: to religion and Christianity as salvation because you had a

1390
01:11:54,080 --> 01:11:57,840
Speaker 2: heroin experience last night. And if anything, it felt a

1391
01:11:57,840 --> 01:12:00,920
Speaker 2: little manipulative of the father to now. And I'm not

1392
01:12:00,960 --> 01:12:04,280
Speaker 2: saying he was being manipulative, but it felt like, oh,

1393
01:12:04,320 --> 01:12:08,320
Speaker 2: you're at your weakest point. You just saw your cousin die.

1394
01:12:08,439 --> 01:12:14,320
Speaker 2: You just saw something scary out there. Fold yourself up

1395
01:12:14,320 --> 01:12:15,799
Speaker 2: into what I've always wanted.

1396
01:12:15,600 --> 01:12:15,920
Speaker 1: You to be.

1397
01:12:16,160 --> 01:12:19,080
Speaker 2: Enjoin my religion and be use your gift only for

1398
01:12:19,160 --> 01:12:21,160
Speaker 2: the church and all this stuff. That's how it felt

1399
01:12:21,160 --> 01:12:23,120
Speaker 2: to me. I thought that was a subtext. So I

1400
01:12:23,120 --> 01:12:25,160
Speaker 2: don't necessarily think that any of us call him a

1401
01:12:25,160 --> 01:12:27,280
Speaker 2: bad man. He was understanding the world in the way

1402
01:12:27,320 --> 01:12:29,920
Speaker 2: that he could understand the world. But I just think

1403
01:12:31,520 --> 01:12:33,679
Speaker 2: we were also not treating him like he's the hero

1404
01:12:33,840 --> 01:12:37,000
Speaker 2: of the story. Or whatever. It's like, yeah, he's a

1405
01:12:37,160 --> 01:12:40,720
Speaker 2: good man, he's doing the best he can. But in

1406
01:12:41,520 --> 01:12:44,479
Speaker 2: the eyes of the narrative, they're telling he's not the

1407
01:12:44,600 --> 01:12:48,120
Speaker 2: answer or the salvation either. He's just he's trying to

1408
01:12:48,160 --> 01:12:50,200
Speaker 2: do it the way that he can to relate to

1409
01:12:50,240 --> 01:12:52,719
Speaker 2: his son. But in that moment, it was more about

1410
01:12:52,720 --> 01:12:56,479
Speaker 2: getting his son in the fold rather than even asking

1411
01:12:56,520 --> 01:13:02,360
Speaker 2: the son what happened or trying to trying to like

1412
01:13:02,520 --> 01:13:05,519
Speaker 2: comfort him. It was okay, So now it was like

1413
01:13:06,800 --> 01:13:09,719
Speaker 2: the prodigal son, now that you have returned about down

1414
01:13:10,080 --> 01:13:12,519
Speaker 2: to the Lord and you know, follow the path that

1415
01:13:12,600 --> 01:13:14,320
Speaker 2: I've told you to be on. That's what it was.

1416
01:13:14,680 --> 01:13:16,880
Speaker 2: And so I can see how as a religious person

1417
01:13:17,520 --> 01:13:20,679
Speaker 2: that would sound like, oh, he's a great man to you.

1418
01:13:20,840 --> 01:13:23,679
Speaker 2: But to me, I'm like, no, you still not. You're

1419
01:13:23,680 --> 01:13:26,599
Speaker 2: not seeing your son. You're seeing an opportunity for your

1420
01:13:26,600 --> 01:13:30,599
Speaker 2: son to join the fold. That's it. Uh. This episode

1421
01:13:30,640 --> 01:13:32,680
Speaker 2: was a ride Rogan three hours, but well worth it.

1422
01:13:33,360 --> 01:13:36,200
Speaker 2: Future Race Wars, Gender Wars content Hayley Steinfeld gets the

1423
01:13:36,240 --> 01:13:38,720
Speaker 2: only nomination for Sinner's next genuard. Yeah that's gonna be

1424
01:13:38,760 --> 01:13:44,120
Speaker 2: a problem. Oh yeah, if that happens, I'm deleting my

1425
01:13:44,400 --> 01:13:47,360
Speaker 2: social media for like, uh, I'll come back when y'all

1426
01:13:47,400 --> 01:13:49,800
Speaker 2: are done. Yeah, I'm not gonna get a for ray.

1427
01:13:50,200 --> 01:13:53,200
Speaker 2: They better not. That's all I'm saying. They better not.

1428
01:13:53,920 --> 01:13:57,040
Speaker 2: But yeah, anyway, I appreciate you writing in jail, and

1429
01:13:57,120 --> 01:13:59,360
Speaker 2: I appreciate you taking some shots back. Okay, I know

1430
01:13:59,400 --> 01:14:01,120
Speaker 2: I take a lot of on side of shots your way,

1431
01:14:01,160 --> 01:14:02,640
Speaker 2: and now I could take them the back, but I

1432
01:14:02,680 --> 01:14:09,200
Speaker 2: will defend myself. Okay, I'm not no cook. John Baby

1433
01:14:09,280 --> 01:14:11,920
Speaker 2: John says, I've heard a couple of reviews of Centers Now,

1434
01:14:11,920 --> 01:14:14,000
Speaker 2: but I don't think i've heard anyone mentioned the cameo

1435
01:14:14,080 --> 01:14:17,040
Speaker 2: by Chris Stone Kingfish Ingram, who was on stage with

1436
01:14:17,040 --> 01:14:19,200
Speaker 2: Buddy Guy in the scene after the credits. Kingfish was

1437
01:14:19,200 --> 01:14:21,120
Speaker 2: a blues prodigy as a teenager, and I've been a

1438
01:14:21,120 --> 01:14:23,200
Speaker 2: fan of his for a couple of years. I believe

1439
01:14:23,200 --> 01:14:26,320
Speaker 2: he is from Clarksdale, Mississippi too. Anyway, to me, that

1440
01:14:26,600 --> 01:14:29,599
Speaker 2: was Coogler showing how Sammy had taken a young musician

1441
01:14:29,640 --> 01:14:32,559
Speaker 2: under his wing and was paying for whatever Slim poured

1442
01:14:32,600 --> 01:14:35,240
Speaker 2: into him during this short relationship with performers. All Right,

1443
01:14:35,240 --> 01:14:37,840
Speaker 2: that's dope, Thank you, John Baby John. Evie e says,

1444
01:14:37,880 --> 01:14:40,120
Speaker 2: I still haven't seen Sinners yet, mainly because of the

1445
01:14:40,120 --> 01:14:43,240
Speaker 2: time constraint restraints recently, and when I do have time,

1446
01:14:43,479 --> 01:14:45,479
Speaker 2: the theaters in my area are still for I'm still

1447
01:14:45,520 --> 01:14:47,479
Speaker 2: super excited to see it and will make a point

1448
01:14:47,479 --> 01:14:49,800
Speaker 2: to do it this weekend. This review made me even

1449
01:14:49,840 --> 01:14:51,600
Speaker 2: more excited to see it. Sorry to Mike, but I

1450
01:14:51,640 --> 01:14:54,360
Speaker 2: couldn't name a single J Cole song at gunpoint, and

1451
01:14:54,439 --> 01:14:57,719
Speaker 2: that is nothing against Ja Cole, but I have heard

1452
01:14:57,800 --> 01:15:00,960
Speaker 2: a couple of future songs, not saying he should be

1453
01:15:01,040 --> 01:15:03,160
Speaker 2: in the Big Three either. I'm not sure who would

1454
01:15:03,200 --> 01:15:05,880
Speaker 2: currently be in the Big three, but Kendrick would be

1455
01:15:06,040 --> 01:15:08,840
Speaker 2: one of them. Not sure who the other two would be.

1456
01:15:08,920 --> 01:15:11,000
Speaker 2: At the beginning of last year, most people would have

1457
01:15:11,000 --> 01:15:13,080
Speaker 2: said Arby Graham was in the Big Three, but now

1458
01:15:13,120 --> 01:15:15,760
Speaker 2: he's a joke. Yeah, I think people would still put

1459
01:15:15,800 --> 01:15:19,320
Speaker 2: Drake into Big Three of his era. I think Kendrick

1460
01:15:19,400 --> 01:15:22,120
Speaker 2: is in the Big Three of that same era. I

1461
01:15:22,240 --> 01:15:24,000
Speaker 2: just don't know about the J Cole thing, and I

1462
01:15:24,040 --> 01:15:27,000
Speaker 2: mean I don't. I don't think it's a knock on

1463
01:15:27,080 --> 01:15:29,720
Speaker 2: him to say that. I just don't see him as

1464
01:15:30,439 --> 01:15:32,280
Speaker 2: I see him as a guy that brags about that

1465
01:15:32,320 --> 01:15:33,840
Speaker 2: type of shit. But I don't see him as a

1466
01:15:33,840 --> 01:15:36,360
Speaker 2: guy who is that type of shit. And it's no

1467
01:15:36,400 --> 01:15:39,720
Speaker 2: offense to him. He could not step sell out of stadium.

1468
01:15:39,920 --> 01:15:43,040
Speaker 2: And because of the style he's chosen to have, it's

1469
01:15:43,080 --> 01:15:48,920
Speaker 2: not very repeatable or influential in that way, meaning there

1470
01:15:48,960 --> 01:15:51,479
Speaker 2: aren't we don't have no many J. Coles. We don't

1471
01:15:51,479 --> 01:15:53,519
Speaker 2: have people trying to be J. Cole. We got a

1472
01:15:53,520 --> 01:15:55,240
Speaker 2: bunch of little mini Drakes. We got a bunch of

1473
01:15:55,280 --> 01:15:57,560
Speaker 2: people thinking they could be Kendrick or glom on the

1474
01:15:57,640 --> 01:16:01,439
Speaker 2: Kendrick even though he's a singular time in his in hisself,

1475
01:16:01,439 --> 01:16:04,200
Speaker 2: but it's more intimidating that his skill level is so

1476
01:16:04,360 --> 01:16:06,360
Speaker 2: unique that I think people are like, I can't even

1477
01:16:06,360 --> 01:16:09,680
Speaker 2: try this shit. Well Cole, I just think he's just

1478
01:16:09,680 --> 01:16:12,720
Speaker 2: in his own lane one and he had but and

1479
01:16:12,760 --> 01:16:16,439
Speaker 2: he hasn't really tried to do a lot of collaboratory

1480
01:16:17,280 --> 01:16:21,439
Speaker 2: work in that he has his people that he has

1481
01:16:21,520 --> 01:16:23,559
Speaker 2: under his wing. But I don't see him as a

1482
01:16:23,560 --> 01:16:27,080
Speaker 2: guy who's trying to like be up out front with

1483
01:16:27,200 --> 01:16:29,960
Speaker 2: every He's not hopping on everybody else's single and all

1484
01:16:29,960 --> 01:16:32,200
Speaker 2: that shit, and this, which is fine. I've always respected

1485
01:16:32,200 --> 01:16:35,479
Speaker 2: that about him. Honestly, nerdy sense, say said senters. Use

1486
01:16:35,479 --> 01:16:38,160
Speaker 2: of Sammy's drive back to his dad churches be both

1487
01:16:38,200 --> 01:16:41,439
Speaker 2: the opening and the post turmoil scenes was executed so well.

1488
01:16:41,720 --> 01:16:43,560
Speaker 2: As the opening, it feeled the air with dread and

1489
01:16:43,600 --> 01:16:45,559
Speaker 2: despair as we watched the survivor find his way home

1490
01:16:45,600 --> 01:16:47,840
Speaker 2: after their death. When it appeared the second time, as

1491
01:16:47,880 --> 01:16:50,280
Speaker 2: it naturally occurred in a series of events that came beforehand,

1492
01:16:50,280 --> 01:16:52,960
Speaker 2: it feeled the airwor relief and comfort. I really loved

1493
01:16:53,000 --> 01:16:56,080
Speaker 2: how that scene was able to carry so much emotion away. Uh.

1494
01:16:56,120 --> 01:16:58,280
Speaker 2: Something that made me think about how good Sammy is

1495
01:16:58,280 --> 01:17:00,840
Speaker 2: as a person was that I believe he left to

1496
01:17:00,960 --> 01:17:03,200
Speaker 2: not only follow his dream, but also to protect his

1497
01:17:03,280 --> 01:17:06,840
Speaker 2: family from any more potential supernatural threats. He was probably

1498
01:17:06,840 --> 01:17:09,280
Speaker 2: afraid that some other devil might hear his gift, making

1499
01:17:09,280 --> 01:17:12,200
Speaker 2: his father warning easier to visualize. Oh that's a good point.

1500
01:17:12,240 --> 01:17:14,920
Speaker 2: I didn't think about that could have been. I just

1501
01:17:14,920 --> 01:17:17,920
Speaker 2: says I've watched a lot of movies. If I watched

1502
01:17:17,920 --> 01:17:20,280
Speaker 2: a lot of movies, I would consider sinners. I'm so

1503
01:17:20,840 --> 01:17:23,840
Speaker 2: I'm so fun my friends, not concerts, too many people,

1504
01:17:23,920 --> 01:17:25,920
Speaker 2: not movies too long. I swear I'm a good time

1505
01:17:26,360 --> 01:17:28,320
Speaker 2: just this week, I had a three day bender. I

1506
01:17:28,360 --> 01:17:30,519
Speaker 2: didn't come home for two nights. Oh well, who am

1507
01:17:30,560 --> 01:17:33,639
Speaker 2: I kidding? It was a neurology congress. Yeah, that does

1508
01:17:33,680 --> 01:17:36,479
Speaker 2: sound mad born. I mean, I'm sure you think you're five,

1509
01:17:36,560 --> 01:17:39,880
Speaker 2: but seem kind of boring to me. Tanya W forty

1510
01:17:39,920 --> 01:17:42,639
Speaker 2: two says I loved Sinners, but I had a similar

1511
01:17:42,640 --> 01:17:45,080
Speaker 2: experience to BASSI. I didn't know it was about vampires,

1512
01:17:45,120 --> 01:17:47,000
Speaker 2: but I was so focused on avoiding spoilers, I had

1513
01:17:47,000 --> 01:17:49,400
Speaker 2: no idea. Michael B. Jordan played two roles, so the

1514
01:17:49,439 --> 01:17:52,240
Speaker 2: first time that smoking Stacker on screen, I felt incredibly

1515
01:17:52,320 --> 01:17:54,320
Speaker 2: racist because I couldn't figure out which one was MBJ.

1516
01:17:54,479 --> 01:17:59,120
Speaker 2: Then I realized, oh, face palm. But what a profound,

1517
01:17:59,120 --> 01:18:01,720
Speaker 2: beautiful movie, relaxed pace at the beginning, with such a

1518
01:18:01,720 --> 01:18:03,800
Speaker 2: breath of fresh air. I love the world building and

1519
01:18:03,840 --> 01:18:07,040
Speaker 2: the music and the cast stunning. Yeah, them jump scares

1520
01:18:07,040 --> 01:18:09,120
Speaker 2: at the beginning, though they let you know some shit

1521
01:18:09,240 --> 01:18:12,880
Speaker 2: was coming. Sinners was definitely more elaborate, but I did

1522
01:18:12,960 --> 01:18:15,719
Speaker 2: it did remind me of a bit of Penny dreadful

1523
01:18:15,760 --> 01:18:18,360
Speaker 2: season of Angels. I really wish this show was. That

1524
01:18:18,400 --> 01:18:21,400
Speaker 2: show wasn't canceled after the first season. Yeah, I never

1525
01:18:21,479 --> 01:18:24,240
Speaker 2: saw that one. I love Penny Draftfuld never saw the

1526
01:18:24,280 --> 01:18:28,519
Speaker 2: spin off. Ms Barr says, WHOA Sinners has changed my

1527
01:18:28,840 --> 01:18:32,080
Speaker 2: movie in music life. I have never spent good money

1528
01:18:32,080 --> 01:18:33,960
Speaker 2: to see a movie in the theater three times, yet

1529
01:18:34,000 --> 01:18:36,719
Speaker 2: here I am. I've been at the movies every weekend

1530
01:18:36,760 --> 01:18:39,640
Speaker 2: since Centers open, and when I saw Thunderbolts New Avengers,

1531
01:18:39,800 --> 01:18:41,840
Speaker 2: I was trying to figure it out, figure if I

1532
01:18:41,840 --> 01:18:43,840
Speaker 2: can add Centers as a double feature. But I reserve

1533
01:18:43,920 --> 01:18:46,880
Speaker 2: my third watch for tomorrow for Mother's Day tomorrow. All

1534
01:18:46,920 --> 01:18:48,840
Speaker 2: of that to say thank you for such a good show,

1535
01:18:48,880 --> 01:18:51,679
Speaker 2: as I always loved Bossy's input on Kendrick and Centers. Also,

1536
01:18:51,880 --> 01:18:56,240
Speaker 2: I stand won me mos So well, let's go to YouTube.

1537
01:18:56,760 --> 01:18:59,559
Speaker 2: We got sixteen comments. Here we go. I had a

1538
01:18:59,560 --> 01:19:02,680
Speaker 2: lot to say. Karen always says that when we have

1539
01:19:03,160 --> 01:19:04,240
Speaker 2: you guys have a lot to say.

1540
01:19:04,720 --> 01:19:07,240
Speaker 1: Yes, I know I'm stating, miss obvious.

1541
01:19:07,320 --> 01:19:10,760
Speaker 2: I'm sorry, y'all. It's okay. I understand I'm reading a

1542
01:19:10,800 --> 01:19:15,519
Speaker 2: lot and I need the breaks anyway. Jeanne says, Oh

1543
01:19:15,560 --> 01:19:17,280
Speaker 2: my god, Karen, thank you for pointing out that the

1544
01:19:17,320 --> 01:19:20,240
Speaker 2: sex scenes had no nudity. It's so refreshing. That the

1545
01:19:20,240 --> 01:19:23,759
Speaker 2: typical hard bear skin shock value a void. I rarely

1546
01:19:23,920 --> 01:19:26,960
Speaker 2: appreciate it. I really appreciate it. The choices made, the centers,

1547
01:19:27,160 --> 01:19:29,280
Speaker 2: and I had a great time watching it. It's double

1548
01:19:29,479 --> 01:19:32,599
Speaker 2: triple the fun. The post with post movie commentary from y'all,

1549
01:19:33,280 --> 01:19:36,479
Speaker 2: as Carter says, Remick and wanted Sammy's gifts so that

1550
01:19:36,560 --> 01:19:39,839
Speaker 2: he could connect to his ancestors. Sammy's gift was crossing

1551
01:19:39,880 --> 01:19:42,880
Speaker 2: the top barrier of time. He saw him call forth

1552
01:19:42,920 --> 01:19:45,600
Speaker 2: the ancestors and junk and wanted his gift to do

1553
01:19:45,640 --> 01:19:48,920
Speaker 2: that for him. He says it when he is baptizing Sammy,

1554
01:19:48,960 --> 01:19:51,000
Speaker 2: and it calls back to what and he said about

1555
01:19:51,080 --> 01:19:53,000
Speaker 2: vampires being stuck on Earth and not being able to

1556
01:19:53,000 --> 01:19:57,559
Speaker 2: connect with the ancestors. I agree completely, except I think

1557
01:19:57,760 --> 01:20:00,880
Speaker 2: what you're what you're replying, my guess is what you're

1558
01:20:00,920 --> 01:20:04,240
Speaker 2: applying to is us saying that we believe Remick would

1559
01:20:04,240 --> 01:20:07,160
Speaker 2: have used Sammy's gift to lure in even more people.

1560
01:20:07,880 --> 01:20:10,760
Speaker 2: And I just don't think those two things offset each other.

1561
01:20:10,960 --> 01:20:16,840
Speaker 2: I think both ideas work in concord, meaning that and

1562
01:20:16,920 --> 01:20:19,120
Speaker 2: I honestly thought it was a given that they What

1563
01:20:19,160 --> 01:20:21,800
Speaker 2: you just explained I thought was obvious. The movie says

1564
01:20:21,840 --> 01:20:24,120
Speaker 2: it right to your face. Well, we were talking about

1565
01:20:24,120 --> 01:20:25,880
Speaker 2: something which is a little more subtle and a little

1566
01:20:25,960 --> 01:20:30,439
Speaker 2: less obvious, which is the gifts of Sammy in the

1567
01:20:30,520 --> 01:20:34,920
Speaker 2: hands of Remick, who has shown himself to be a gluttonous,

1568
01:20:35,680 --> 01:20:41,320
Speaker 2: bottomless manipulator pit of greed would not stop at Well,

1569
01:20:41,320 --> 01:20:44,599
Speaker 2: now I get to see my ancestors whenever he plays music,

1570
01:20:44,920 --> 01:20:47,400
Speaker 2: and I am satisfied. No, it would be like, and

1571
01:20:47,439 --> 01:20:50,880
Speaker 2: now I use him to get every person, every living

1572
01:20:50,960 --> 01:20:53,719
Speaker 2: human being to get I will gather as many people

1573
01:20:53,720 --> 01:20:55,920
Speaker 2: as I can now that I have such a powerful tool.

1574
01:20:56,439 --> 01:20:58,880
Speaker 2: I mean, he was tow he been taking him out.

1575
01:20:59,000 --> 01:21:01,280
Speaker 2: He was using that band and Joe Whackass picked the

1576
01:21:01,360 --> 01:21:05,400
Speaker 2: Robin Clean music just because that he could get him

1577
01:21:05,400 --> 01:21:08,439
Speaker 2: to sing it. Like it wasn't even a anyway he

1578
01:21:08,479 --> 01:21:09,559
Speaker 2: would have used that gift for.

1579
01:21:09,520 --> 01:21:11,599
Speaker 1: Bad Yeah, And I think at that time Al Drick

1580
01:21:11,640 --> 01:21:13,640
Speaker 1: said that was the only too he had because all

1581
01:21:13,680 --> 01:21:17,479
Speaker 1: Drick side everybody else they didn't have Sammy's gifts. Yeah,

1582
01:21:17,520 --> 01:21:20,120
Speaker 1: so you know, they wouldn't singers and the performers. So

1583
01:21:20,400 --> 01:21:22,479
Speaker 1: it was like, well, this is all I got, So

1584
01:21:22,520 --> 01:21:23,320
Speaker 1: I guess this is what we're.

1585
01:21:23,240 --> 01:21:25,400
Speaker 2: Gonna do imagine he shows up to that black town

1586
01:21:25,439 --> 01:21:29,559
Speaker 2: they mentioned in the movie earlier and he had Sammy's

1587
01:21:29,560 --> 01:21:32,960
Speaker 2: gift with him. Yeah, that's what we were thinking about.

1588
01:21:33,000 --> 01:21:35,599
Speaker 2: So you're not wrong. I think we all agree on

1589
01:21:35,640 --> 01:21:37,360
Speaker 2: that point. It was just we were moving a little

1590
01:21:37,360 --> 01:21:40,680
Speaker 2: past that point. TKG one says, great show. Love of

1591
01:21:40,680 --> 01:21:42,920
Speaker 2: the discussion in the group dynamic, and Minnie says, what

1592
01:21:43,000 --> 01:21:44,720
Speaker 2: a great convo. I'd be interested to know if you

1593
01:21:44,760 --> 01:21:48,080
Speaker 2: all notice people's eyes glowing. I noticed that Sammy's dad's

1594
01:21:48,200 --> 01:21:50,320
Speaker 2: eyes was going when he was pushing religion in the

1595
01:21:50,320 --> 01:21:54,120
Speaker 2: beginning of the movie. I felt that other characters eyes

1596
01:21:54,200 --> 01:21:56,720
Speaker 2: glowed when they were trying to convince other characters to

1597
01:21:56,760 --> 01:21:59,479
Speaker 2: do a thing they didn't want to do. Michelle replies,

1598
01:21:59,520 --> 01:22:01,840
Speaker 2: now the white again. Interesting, I did not notice the

1599
01:22:01,880 --> 01:22:04,000
Speaker 2: eye going thing. I haven't seen anyone else bring up

1600
01:22:04,040 --> 01:22:06,400
Speaker 2: the eye going thing. Not saying you're wrong. I just

1601
01:22:06,960 --> 01:22:09,960
Speaker 2: wouldn't need to watch it some more times before I

1602
01:22:10,120 --> 01:22:13,200
Speaker 2: to specifically look for that, because I didn't notice anything.

1603
01:22:13,560 --> 01:22:15,880
Speaker 2: I just thought that was the IMAX making these niggas

1604
01:22:15,880 --> 01:22:18,200
Speaker 2: look gorgeous, right, amazing.

1605
01:22:18,720 --> 01:22:18,960
Speaker 3: You know.

1606
01:22:19,680 --> 01:22:22,880
Speaker 2: Kendrick and Coogler both worked on The Black Panther soundtrack together,

1607
01:22:22,960 --> 01:22:26,120
Speaker 2: says eb Nest. That's correct, they did, so maybe that's

1608
01:22:26,160 --> 01:22:29,679
Speaker 2: where Maybe that's why there their art feels sympatico lately.

1609
01:22:30,840 --> 01:22:34,400
Speaker 2: Wanganji says great panel dope thoughts new Angles loved it.

1610
01:22:34,479 --> 01:22:37,040
Speaker 2: Alicia said three plus hours. This is a treat. I love,

1611
01:22:37,120 --> 01:22:40,559
Speaker 2: love love When BOSSI stops by and hey knew, Mike, Yeah,

1612
01:22:40,560 --> 01:22:42,720
Speaker 2: this was so long. I couldn't get my computer to

1613
01:22:42,800 --> 01:22:46,439
Speaker 2: convert the foul to add the intro and outro to it,

1614
01:22:46,560 --> 01:22:50,759
Speaker 2: so I had to actually just upload the raw video.

1615
01:22:51,479 --> 01:22:54,080
Speaker 2: It was like, here you go. Yeah. So if you

1616
01:22:54,080 --> 01:22:56,160
Speaker 2: guys don't see the intro on this one, that's what's why.

1617
01:22:57,600 --> 01:23:01,000
Speaker 2: No one said anything about it, though, which makes me

1618
01:23:01,080 --> 01:23:05,639
Speaker 2: think maybe those who didn't like the intro doth protest

1619
01:23:05,760 --> 01:23:09,320
Speaker 2: too much. No one wrote thank you Rod that four

1620
01:23:09,360 --> 01:23:11,960
Speaker 2: seconds of my life that I couldn't stand watching a

1621
01:23:12,040 --> 01:23:15,719
Speaker 2: new intro is gone. No one said that. Why is that? Everybody?

1622
01:23:16,800 --> 01:23:21,320
Speaker 2: All right? Jenksville says, to defend Cole, I should stop

1623
01:23:21,320 --> 01:23:25,760
Speaker 2: reading right there, because this is my problem. This is

1624
01:23:25,800 --> 01:23:29,080
Speaker 2: the problem with the Cole fans. He don't really need defense,

1625
01:23:30,040 --> 01:23:30,880
Speaker 2: He really don't.

1626
01:23:30,920 --> 01:23:33,240
Speaker 1: He is who he is, He's in his lane.

1627
01:23:33,360 --> 01:23:37,400
Speaker 2: He's perfectly happy seemingly being in his lane. People that

1628
01:23:37,479 --> 01:23:39,920
Speaker 2: don't fuck with him don't fuck with him. They're not

1629
01:23:40,000 --> 01:23:43,439
Speaker 2: required to fuck with your favorite artists period. You know,

1630
01:23:43,640 --> 01:23:45,840
Speaker 2: they don't get it. Let him not get it. I

1631
01:23:45,880 --> 01:23:47,439
Speaker 2: get you know what I'm saying, Like, this is what

1632
01:23:47,479 --> 01:23:49,200
Speaker 2: I was saying earlier when I brought up people not

1633
01:23:49,600 --> 01:23:53,080
Speaker 2: understanding mister Morale. I wasn't writing in today podcast to

1634
01:23:53,120 --> 01:23:55,479
Speaker 2: try to explain to them. I was just like, they

1635
01:23:55,479 --> 01:23:58,559
Speaker 2: don't get it. Fuck him. I'm right, they wrong. But okay,

1636
01:23:58,720 --> 01:24:00,720
Speaker 2: I will read this. I just want you to know

1637
01:24:01,120 --> 01:24:04,680
Speaker 2: that this only harms the cold sit shit. If I

1638
01:24:04,760 --> 01:24:07,200
Speaker 2: was J Cole, I would actually be a little bit

1639
01:24:07,240 --> 01:24:12,280
Speaker 2: embarrassed by my fans and their online just way of

1640
01:24:12,360 --> 01:24:15,360
Speaker 2: like attacking people that are just like I don't. I don't.

1641
01:24:15,520 --> 01:24:17,160
Speaker 2: He's not my cup of tea. It's like, oh but

1642
01:24:17,320 --> 01:24:20,320
Speaker 2: let me tell you why. But okay, let's go through

1643
01:24:20,360 --> 01:24:23,880
Speaker 2: this to the fen cod one. Just because you don't

1644
01:24:23,880 --> 01:24:26,280
Speaker 2: listen to an artist doesn't discredit their relevance. Not really

1645
01:24:26,360 --> 01:24:28,479
Speaker 2: a valid argument that you can can't name a J

1646
01:24:28,640 --> 01:24:32,160
Speaker 2: Cole argument. J Cole, I think you meant song when

1647
01:24:32,200 --> 01:24:36,280
Speaker 2: millions of people can Okay, then why does they even

1648
01:24:36,280 --> 01:24:38,680
Speaker 2: need to be written into our show? You should keep

1649
01:24:38,720 --> 01:24:42,480
Speaker 2: that internally and be like fuck Bossy's opinion on that.

1650
01:24:42,479 --> 01:24:46,040
Speaker 2: That's what I would do if I like, we're doing

1651
01:24:46,040 --> 01:24:48,320
Speaker 2: a podcast. Let's say be Jings for you had a

1652
01:24:48,360 --> 01:24:51,040
Speaker 2: podcast and you had to talk about whatever the fuck

1653
01:24:51,120 --> 01:24:54,479
Speaker 2: let's say, music, movies, whatever. Eventually we're gonna get to

1654
01:24:54,520 --> 01:24:59,120
Speaker 2: somebody you just don't fuck with, right, don't matter how

1655
01:24:59,120 --> 01:25:01,360
Speaker 2: many other people fuck with. I can't make you fuck

1656
01:25:01,400 --> 01:25:04,799
Speaker 2: with Wes Anderson or whoever you name the person. There's somebody,

1657
01:25:04,840 --> 01:25:10,880
Speaker 2: because we all have somebody. It's just a fucking opinion. Okay.

1658
01:25:11,160 --> 01:25:15,360
Speaker 2: I'm not writing any of your podcasts like, oh excuse me, now,

1659
01:25:15,479 --> 01:25:20,479
Speaker 2: it's fun. It's to say if like I might, now, look, baby,

1660
01:25:20,520 --> 01:25:22,120
Speaker 2: it's an ugly guy. You don't want to hear it.

1661
01:25:22,200 --> 01:25:24,280
Speaker 2: But I assume this happens to us all the time

1662
01:25:24,280 --> 01:25:26,320
Speaker 2: in a lot of y'all's heads, and it's fine. I

1663
01:25:26,360 --> 01:25:28,479
Speaker 2: would probably just be like fuck them and funck their

1664
01:25:28,479 --> 01:25:31,360
Speaker 2: opinion and move on like, well they not right about that.

1665
01:25:31,840 --> 01:25:34,840
Speaker 2: People catch strays from us talking for hours a day

1666
01:25:35,040 --> 01:25:38,000
Speaker 2: all the time. Day dune just just a random bullet

1667
01:25:38,040 --> 01:25:41,080
Speaker 2: you're like, goddamn, And I'm sure some of y'all enjoy

1668
01:25:41,240 --> 01:25:45,800
Speaker 2: everything that we don't like and vice versa. So all right,

1669
01:25:45,800 --> 01:25:48,559
Speaker 2: I'll keep going, but I'm just saying it. I don't know.

1670
01:25:48,720 --> 01:25:51,000
Speaker 2: And the reason I'm pointing out is because J Cole

1671
01:25:51,040 --> 01:25:54,760
Speaker 2: fans specifically have this issue. It has been I stopped.

1672
01:25:55,200 --> 01:25:58,760
Speaker 2: I told y'all, I listened to j Cole in this conversation.

1673
01:25:58,960 --> 01:26:02,639
Speaker 2: I was telling even Bossy would clown him, and even

1674
01:26:02,680 --> 01:26:08,759
Speaker 2: when Mike would like, in my opinion, almost over defend him.

1675
01:26:09,160 --> 01:26:11,880
Speaker 2: I felt like I was being really reasonable on saying

1676
01:26:12,120 --> 01:26:14,040
Speaker 2: something over and over and over there. I don't think

1677
01:26:14,040 --> 01:26:16,479
Speaker 2: anyone was listening to which is I A'm a fan

1678
01:26:16,520 --> 01:26:18,920
Speaker 2: of Jaco. I do listen to his music. I do

1679
01:26:19,040 --> 01:26:22,080
Speaker 2: respect his talent and his skills. I like J Coole music.

1680
01:26:22,439 --> 01:26:26,479
Speaker 2: It ain't the greatest for me, but I think dude.

1681
01:26:26,800 --> 01:26:29,960
Speaker 2: Dude has a lot of skills. And I've noticed this

1682
01:26:30,000 --> 01:26:32,400
Speaker 2: happens all the time. If you play something and you

1683
01:26:32,479 --> 01:26:35,639
Speaker 2: don't tell somebody that's Jaco, all the time you'll see, oh,

1684
01:26:35,680 --> 01:26:40,080
Speaker 2: what is the song us Jaco? That's Jaco. It happens

1685
01:26:40,120 --> 01:26:44,160
Speaker 2: all the time. But it's just so interesting because I'm

1686
01:26:44,200 --> 01:26:46,400
Speaker 2: a fan of his. I'm just not a whiny bitch

1687
01:26:46,439 --> 01:26:48,880
Speaker 2: about it. Not saying you're a bitch, Jamesville, but I'm not.

1688
01:26:49,000 --> 01:26:52,320
Speaker 2: But over the years, a lot of his online supporters

1689
01:26:52,320 --> 01:26:54,840
Speaker 2: have been whiny bitches. Like it's just like I used

1690
01:26:54,880 --> 01:26:57,760
Speaker 2: to go on message boards about music, and his fans

1691
01:26:57,760 --> 01:27:02,280
Speaker 2: got their own reputation as being fucking whiny ass complainers,

1692
01:27:02,320 --> 01:27:05,639
Speaker 2: and it's just like, y'all hurt his reputation if anything.

1693
01:27:05,680 --> 01:27:07,800
Speaker 2: And I'm from North Carolina. I want this man to

1694
01:27:07,840 --> 01:27:12,120
Speaker 2: be succeed and to have a proper place in the industry.

1695
01:27:12,160 --> 01:27:14,719
Speaker 2: He gets a lot of money back, not just the money.

1696
01:27:14,800 --> 01:27:17,840
Speaker 2: I just think he's overall. I think dude is a

1697
01:27:17,920 --> 01:27:20,720
Speaker 2: much better guy than he gets credit for. But a

1698
01:27:20,760 --> 01:27:22,879
Speaker 2: lot of that is not him. It is his fans

1699
01:27:22,920 --> 01:27:26,040
Speaker 2: and their need to defend every tucking thing he does

1700
01:27:26,680 --> 01:27:30,639
Speaker 2: as the greatest, and it's just it's just not it's

1701
01:27:30,720 --> 01:27:34,679
Speaker 2: just kind of whack because unlike Kendrick or Drake, where

1702
01:27:34,680 --> 01:27:36,599
Speaker 2: they're at the top of the sales charting stuff where

1703
01:27:36,600 --> 01:27:39,840
Speaker 2: you kind of understand stand culture comes along with that,

1704
01:27:40,200 --> 01:27:43,720
Speaker 2: it's not really their fault. For Cole, he's not at

1705
01:27:43,760 --> 01:27:45,640
Speaker 2: the top of the charts like that for people to

1706
01:27:45,680 --> 01:27:48,400
Speaker 2: be like, damn bro y'all really on his dick, and

1707
01:27:48,479 --> 01:27:49,880
Speaker 2: so I think that's why you end up with all

1708
01:27:49,920 --> 01:27:52,880
Speaker 2: this pushback where it's kind of annoying. Even right now,

1709
01:27:52,920 --> 01:27:55,360
Speaker 2: I'm really more responding to what we're doing to show

1710
01:27:55,400 --> 01:27:59,360
Speaker 2: fifteen years fifteen years of annoyance, y'all. Like I said,

1711
01:27:59,400 --> 01:28:01,679
Speaker 2: I'm a fan, y'all. Don't ever hear me talk about

1712
01:28:01,720 --> 01:28:04,880
Speaker 2: Ja Cole on this podcast. Why cause his fans are

1713
01:28:04,960 --> 01:28:09,320
Speaker 2: overly sensitive. I can't say anything that isn't one hundred

1714
01:28:09,360 --> 01:28:13,519
Speaker 2: percent flattering about this dude without us getting a comment

1715
01:28:13,560 --> 01:28:16,400
Speaker 2: about him from somebody at some point. So I stopped

1716
01:28:16,400 --> 01:28:18,360
Speaker 2: talking about him, which you think would be a detriment

1717
01:28:18,360 --> 01:28:20,600
Speaker 2: if you a Jko Fenn and we're one of your

1718
01:28:20,640 --> 01:28:23,439
Speaker 2: favorite podcasts. When you want a guy like me being like, man,

1719
01:28:23,479 --> 01:28:25,840
Speaker 2: I fucking love this new J Cole song. I can't

1720
01:28:25,880 --> 01:28:27,640
Speaker 2: even say when I love his shit, because if I

1721
01:28:27,680 --> 01:28:30,880
Speaker 2: say anything off of other than that, it's here we

1722
01:28:30,960 --> 01:28:32,879
Speaker 2: go with the well you know who he went platinum

1723
01:28:32,920 --> 01:28:36,960
Speaker 2: with no features? I know, Nigga, Yes, we all know. Anyway, Sorry,

1724
01:28:37,040 --> 01:28:38,760
Speaker 2: James Folt, this is not all about you. This is

1725
01:28:38,840 --> 01:28:43,599
Speaker 2: just my general Cole this is a collection, Okay, yeah,

1726
01:28:43,640 --> 01:28:46,519
Speaker 2: because I agree with you. I just don't even think

1727
01:28:46,520 --> 01:28:50,280
Speaker 2: I would write in about number one like, yes, BOSSI

1728
01:28:50,360 --> 01:28:53,120
Speaker 2: does not respect or like his music. She can't name

1729
01:28:53,160 --> 01:28:56,360
Speaker 2: a song. Why does that bother you so much? She

1730
01:28:56,560 --> 01:28:58,880
Speaker 2: just giveing an opinion? It's just Bossing, It's just her.

1731
01:28:59,479 --> 01:29:04,000
Speaker 2: She the one play on her Spotify playlist, not yours. Two.

1732
01:29:04,080 --> 01:29:06,080
Speaker 2: Cole has shown growth over the years. I don't know

1733
01:29:06,080 --> 01:29:12,000
Speaker 2: how BOSSI can make that claim if she doesn't listen. Yeah,

1734
01:29:12,040 --> 01:29:15,800
Speaker 2: so then why are you right now? Self explanatory? Right,

1735
01:29:16,640 --> 01:29:19,320
Speaker 2: not saying he's had a growth arc as wild as Tyler. Well,

1736
01:29:19,360 --> 01:29:21,080
Speaker 2: he hasn't, and that's what we were comparing him to.

1737
01:29:21,160 --> 01:29:23,639
Speaker 2: So that's probably what she's talking about. But there's definitely

1738
01:29:23,680 --> 01:29:26,200
Speaker 2: been progression in subject matter, at least by general rap

1739
01:29:26,200 --> 01:29:28,479
Speaker 2: stand especially when you think about albums like For Your

1740
01:29:28,520 --> 01:29:31,439
Speaker 2: Eyes Only. Yeah. My main problem with that is that

1741
01:29:32,080 --> 01:29:35,400
Speaker 2: I too feel like Cole has not grown as much

1742
01:29:35,439 --> 01:29:38,960
Speaker 2: as some of these other artists have grown. But if

1743
01:29:39,040 --> 01:29:41,720
Speaker 2: that was some sort of like you can't be in

1744
01:29:41,760 --> 01:29:44,360
Speaker 2: the Big three, shit, I don't. I don't think that

1745
01:29:44,400 --> 01:29:47,400
Speaker 2: would apply to J Cole, because if Drake can be

1746
01:29:47,400 --> 01:29:49,840
Speaker 2: in the Big three three and has shown no growth.

1747
01:29:49,880 --> 01:29:52,559
Speaker 2: If anything, he's shown regression. If future can be in

1748
01:29:52,560 --> 01:29:54,960
Speaker 2: the Big three, he has shown no growth over the

1749
01:29:55,040 --> 01:29:58,160
Speaker 2: years of his career. I don't think growth is required

1750
01:29:58,200 --> 01:30:01,320
Speaker 2: to be in the Big three co sation. So Cole

1751
01:30:01,760 --> 01:30:04,800
Speaker 2: is totally germane to the Big three conversation if you

1752
01:30:04,800 --> 01:30:07,320
Speaker 2: would like to have it. He's not in my Big three,

1753
01:30:07,600 --> 01:30:10,479
Speaker 2: he's not in Bossi's Big three, but he can be

1754
01:30:10,520 --> 01:30:13,760
Speaker 2: in your Big three. It's not like, you know, there's

1755
01:30:13,760 --> 01:30:17,320
Speaker 2: no need to push back. We're all giving opinions. It's okay,

1756
01:30:17,920 --> 01:30:20,960
Speaker 2: But yeah, I just I'm just trying to help you.

1757
01:30:21,400 --> 01:30:23,200
Speaker 2: Next time you get raidy to write something like that,

1758
01:30:23,320 --> 01:30:25,960
Speaker 2: take a breath and just go and fuck that opinion

1759
01:30:26,040 --> 01:30:28,720
Speaker 2: and move on because I really don't know. Yeah, this

1760
01:30:28,760 --> 01:30:31,960
Speaker 2: did not convince anybody. No one who was like thinks

1761
01:30:32,040 --> 01:30:33,920
Speaker 2: J Cole's not Big three is gonna listen to this

1762
01:30:34,000 --> 01:30:36,439
Speaker 2: and be like, yeah, man, I'm glad b Jenks for

1763
01:30:36,560 --> 01:30:39,080
Speaker 2: defended J Cole. He's now in my Big three. No,

1764
01:30:39,479 --> 01:30:43,560
Speaker 2: so it's okay. Michelle says Remick chose a chose to

1765
01:30:43,760 --> 01:30:46,280
Speaker 2: song pick Poor Robin Clean about a person being robbed

1766
01:30:46,320 --> 01:30:50,040
Speaker 2: at his introduction song message Michael was spot on. You

1767
01:30:50,080 --> 01:30:52,840
Speaker 2: can shine, but you can't. Don't outshine me your mind.

1768
01:30:52,960 --> 01:30:55,599
Speaker 2: I don't think Remick wanted to declan people because they

1769
01:30:55,600 --> 01:30:58,320
Speaker 2: did not bring any richness to him. He bent both

1770
01:30:58,320 --> 01:31:02,080
Speaker 2: of them and could only play the Joe. He wanted

1771
01:31:02,120 --> 01:31:04,360
Speaker 2: to have the culture. Sorry, I'm talking to the screen.

1772
01:31:04,400 --> 01:31:08,200
Speaker 2: In the comments, Michelle says, chef's kiss, thank you, Sol replied,

1773
01:31:08,760 --> 01:31:11,040
Speaker 2: Remick is the white person who think they are our lives,

1774
01:31:11,080 --> 01:31:14,719
Speaker 2: but they are not. Chocolate Lady Cap says, I slightly

1775
01:31:14,720 --> 01:31:16,920
Speaker 2: disagree with Bassi about Donald Glover. It is not that

1776
01:31:17,000 --> 01:31:19,719
Speaker 2: he doesn't like people. It's more than he dislikes black women.

1777
01:31:20,640 --> 01:31:24,519
Speaker 2: We disagree, yes, we do. We just disagree. It is

1778
01:31:24,560 --> 01:31:28,000
Speaker 2: what it is. It's fine. We've covered it in depth,

1779
01:31:28,080 --> 01:31:32,000
Speaker 2: especially when we did this too much, and we BOSSI

1780
01:31:32,080 --> 01:31:34,519
Speaker 2: and I used to do at Land to recaps on

1781
01:31:34,600 --> 01:31:37,640
Speaker 2: every episode. The podcast is still available everywhere. If you

1782
01:31:37,680 --> 01:31:40,280
Speaker 2: would like to hear our in depth thoughts about Donald

1783
01:31:40,320 --> 01:31:44,040
Speaker 2: Glover and his relationship to black women, you can find

1784
01:31:44,080 --> 01:31:47,080
Speaker 2: it there. I also think he's been a victim of

1785
01:31:47,280 --> 01:31:51,439
Speaker 2: the internet hate campaign. Yes, and it just gets out

1786
01:31:51,479 --> 01:31:54,280
Speaker 2: of control. They can take something where he said something

1787
01:31:54,320 --> 01:31:56,800
Speaker 2: in twenty ten, and they be like, it don't matter

1788
01:31:56,840 --> 01:31:59,960
Speaker 2: that he's done a bunch of work for fifteen years

1789
01:32:00,160 --> 01:32:02,400
Speaker 2: that has shown the opposite of this joke he made

1790
01:32:02,400 --> 01:32:05,040
Speaker 2: in him standing there special. Fuck it. That's who he

1791
01:32:05,160 --> 01:32:08,240
Speaker 2: is to me forever. And maybe he does hate black women,

1792
01:32:08,360 --> 01:32:10,559
Speaker 2: I just know that it's not in the work in

1793
01:32:10,640 --> 01:32:15,040
Speaker 2: that way. And then the couple of examples that people

1794
01:32:15,040 --> 01:32:17,840
Speaker 2: with cherry pick from his work one that offset by

1795
01:32:17,880 --> 01:32:20,640
Speaker 2: other examples that show that clearly he either took that

1796
01:32:20,720 --> 01:32:24,840
Speaker 2: commentary in and and and and and and and put

1797
01:32:24,840 --> 01:32:27,160
Speaker 2: out work that was the opposite of that. I also

1798
01:32:27,280 --> 01:32:30,479
Speaker 2: noticed that people like the cherry pick stuff that doesn't

1799
01:32:30,479 --> 01:32:35,439
Speaker 2: make sense. So like he was behind the what was

1800
01:32:35,479 --> 01:32:40,160
Speaker 2: the name of that Amazon show with let me see

1801
01:32:43,120 --> 01:32:50,000
Speaker 2: uh give me one second, because he did a show

1802
01:32:50,040 --> 01:32:54,040
Speaker 2: on Amazon Swarm. He was behind the TV series Swarm,

1803
01:32:54,400 --> 01:33:01,120
Speaker 2: which people went up for. Okay, and and it just

1804
01:33:01,200 --> 01:33:04,559
Speaker 2: does not matter. People are going to see it one

1805
01:33:04,640 --> 01:33:08,000
Speaker 2: way the way they want to see it, and so

1806
01:33:08,120 --> 01:33:12,600
Speaker 2: those people are going to always internalize it as he

1807
01:33:12,680 --> 01:33:14,960
Speaker 2: hates black women. No matter what the fuck he does.

1808
01:33:15,080 --> 01:33:16,880
Speaker 2: It doesn't matter what the black women that work with

1809
01:33:17,000 --> 01:33:19,040
Speaker 2: him say. It doesn't matter what the black women he

1810
01:33:19,160 --> 01:33:25,519
Speaker 2: empowers to be producers, directors, video video it doesn't matter.

1811
01:33:25,640 --> 01:33:28,320
Speaker 2: Those black women don't count. Only people who know him

1812
01:33:28,360 --> 01:33:32,960
Speaker 2: strictly from Twitter or whatever. Only their opinions count. And

1813
01:33:34,400 --> 01:33:36,560
Speaker 2: you know, it is what it is, it's built, is

1814
01:33:37,120 --> 01:33:43,679
Speaker 2: now something that has become its own thing. And even

1815
01:33:43,680 --> 01:33:46,000
Speaker 2: with Atlanta, what I find interesting is like some of

1816
01:33:46,000 --> 01:33:49,200
Speaker 2: that stuff he didn't even produce a direct it's just

1817
01:33:49,320 --> 01:33:51,679
Speaker 2: because people don't know how Hollywood works. Some stuff he's

1818
01:33:51,800 --> 01:33:54,519
Speaker 2: just a name on and some stuff he's literally behind

1819
01:33:54,520 --> 01:33:58,240
Speaker 2: the camera directing and show running. So it just depends

1820
01:33:58,280 --> 01:34:01,240
Speaker 2: on your thing. But I would disagree that it's so

1821
01:34:01,360 --> 01:34:04,559
Speaker 2: blatantly in his work like that, and if if, and

1822
01:34:04,600 --> 01:34:06,800
Speaker 2: that's fine. If you don't agree, that's fine as well.

1823
01:34:06,840 --> 01:34:09,360
Speaker 2: But I yeah, I think and I don't. I think

1824
01:34:09,439 --> 01:34:12,759
Speaker 2: BOSSI disagrees as well. And uh, we're on the record

1825
01:34:12,920 --> 01:34:15,000
Speaker 2: of breaking down his work and telling you where and

1826
01:34:15,120 --> 01:34:17,439
Speaker 2: where we think he either fucked up or did good.

1827
01:34:17,960 --> 01:34:22,360
Speaker 1: And also I think for me, particularly on social media,

1828
01:34:23,320 --> 01:34:25,920
Speaker 1: and I know for Twitter in particular, I just don't

1829
01:34:25,960 --> 01:34:29,439
Speaker 1: even talk to him because I don't even talk about

1830
01:34:29,479 --> 01:34:33,559
Speaker 1: Donald Glove, like like even mentioned his name, Donald Global

1831
01:34:33,680 --> 01:34:37,559
Speaker 1: and or childish Gambino because like, you know, I like him,

1832
01:34:37,600 --> 01:34:40,439
Speaker 1: I enjoy his music, I enjoy his work. And whenever

1833
01:34:40,479 --> 01:34:43,120
Speaker 1: you would just put anything out there, you just get

1834
01:34:43,240 --> 01:34:47,360
Speaker 1: random as bots. And some of these people are real.

1835
01:34:47,720 --> 01:34:49,559
Speaker 1: They would just come out to whitward. Its probably because

1836
01:34:49,560 --> 01:34:51,160
Speaker 1: they just search his name and you'd be like, I

1837
01:34:51,160 --> 01:34:53,439
Speaker 1: don't know you to fuck you over here for like,

1838
01:34:54,240 --> 01:34:57,240
Speaker 1: so so all just said that hate train run runs

1839
01:34:57,240 --> 01:34:59,920
Speaker 1: deep with him, and a lot of it, I'll just

1840
01:35:00,160 --> 01:35:03,240
Speaker 1: I come from community too, and a lot of it

1841
01:35:03,280 --> 01:35:06,400
Speaker 1: comes from people questioning his blackness and all that shit too,

1842
01:35:06,600 --> 01:35:09,000
Speaker 1: like like I remember these things, like you know, and

1843
01:35:09,040 --> 01:35:12,479
Speaker 1: I'm like, that's a nigga, you know. But yeah, it

1844
01:35:12,600 --> 01:35:16,120
Speaker 1: was like the whole time from the beginning, everybody it

1845
01:35:16,160 --> 01:35:18,720
Speaker 1: was like it was like this train just against him

1846
01:35:18,760 --> 01:35:20,880
Speaker 1: and he just could not do right. And you know,

1847
01:35:21,040 --> 01:35:23,640
Speaker 1: nobody's perfect and they fucked up. And the thing is

1848
01:35:24,600 --> 01:35:26,519
Speaker 1: when people do the work, they don't have to do

1849
01:35:26,560 --> 01:35:29,599
Speaker 1: the work in front of you to for you to

1850
01:35:29,720 --> 01:35:32,280
Speaker 1: validate them doing the work, because it wouldn't matter because

1851
01:35:32,280 --> 01:35:34,280
Speaker 1: if you don't like somebody, regardless if they do the

1852
01:35:34,320 --> 01:35:36,599
Speaker 1: work or not, you're still gonna have a problem. So

1853
01:35:36,680 --> 01:35:38,559
Speaker 1: I think a lot of the work and the critiques

1854
01:35:38,600 --> 01:35:41,519
Speaker 1: he had, he internalized, it fixed, it corrected some of them,

1855
01:35:41,560 --> 01:35:46,400
Speaker 1: because nobody's perfect and his work reflected that, and nobody's

1856
01:35:46,520 --> 01:35:49,000
Speaker 1: looking at the reflection of the work on the back end.

1857
01:35:49,360 --> 01:35:51,160
Speaker 1: It's like they want to catch him in the bubble

1858
01:35:51,200 --> 01:35:53,720
Speaker 1: and say you are this forever when nobody is their

1859
01:35:53,720 --> 01:35:55,280
Speaker 1: worst moment for all time.

1860
01:35:55,920 --> 01:35:58,720
Speaker 2: Yeah, so you know, I get it. It's not you know,

1861
01:35:59,400 --> 01:36:01,840
Speaker 2: it's not for everybody whatever. But I've arrived at a

1862
01:36:01,840 --> 01:36:03,840
Speaker 2: different conclusion than a lot of people. And that's fine.

1863
01:36:04,160 --> 01:36:08,080
Speaker 2: I can't whatever they you know, whatever they think is

1864
01:36:08,280 --> 01:36:10,439
Speaker 2: what they think about it, and I'm not gonna try

1865
01:36:10,479 --> 01:36:13,120
Speaker 2: to convince them differently. But I watched all that same

1866
01:36:13,120 --> 01:36:16,200
Speaker 2: shit too. Me and Bossy reviewed all that same shit too.

1867
01:36:16,240 --> 01:36:18,680
Speaker 2: We arrived at different conclusions. And I would say my

1868
01:36:18,800 --> 01:36:22,600
Speaker 2: last thought on it is I find it extremely interesting

1869
01:36:22,680 --> 01:36:30,439
Speaker 2: how many people, how many people excuse and let shit

1870
01:36:30,560 --> 01:36:34,679
Speaker 2: slide that is directly anti black women all the fucking time,

1871
01:36:35,479 --> 01:36:37,720
Speaker 2: when it comes from different people, and they worship these

1872
01:36:37,720 --> 01:36:41,160
Speaker 2: people as heroes. And yet Donald Glover, a guy who's

1873
01:36:41,160 --> 01:36:45,880
Speaker 2: done some complicated, intense work that has kind of run

1874
01:36:45,960 --> 01:36:50,360
Speaker 2: the gambit and had some great portrayals of black women,

1875
01:36:50,479 --> 01:36:52,800
Speaker 2: some not so great ones. Same thing with black men,

1876
01:36:52,960 --> 01:36:54,720
Speaker 2: same with thing with every other kind of character on

1877
01:36:54,760 --> 01:36:57,920
Speaker 2: those shows. It's funny how they just want to stick

1878
01:36:57,960 --> 01:37:00,240
Speaker 2: that only to him. You know, I've had people but that.

1879
01:37:00,520 --> 01:37:03,040
Speaker 2: Look up the Snoop Dogg and Anderson Pock and shit

1880
01:37:03,120 --> 01:37:05,679
Speaker 2: and then be like, but Donald Glover hates black women,

1881
01:37:05,760 --> 01:37:07,479
Speaker 2: you know or whatever. I'm like, I don't know. Did

1882
01:37:07,479 --> 01:37:09,600
Speaker 2: he ever carry to around on the chains at the

1883
01:37:09,680 --> 01:37:13,800
Speaker 2: fucking event? Like, you know, I don't know music is

1884
01:37:13,840 --> 01:37:16,519
Speaker 2: his music? Just calling them bitches and hoes and shit

1885
01:37:16,680 --> 01:37:16,920
Speaker 2: or what?

1886
01:37:17,120 --> 01:37:17,240
Speaker 3: Like?

1887
01:37:17,280 --> 01:37:20,280
Speaker 2: What are we talking about? So it's just very interesting

1888
01:37:20,320 --> 01:37:22,360
Speaker 2: what sticks and what doesn't. But that's why you gotta

1889
01:37:22,360 --> 01:37:26,519
Speaker 2: staff the internet, I mean social media talking to these people.

1890
01:37:27,120 --> 01:37:30,000
Speaker 2: Uh bro says, please clip a short of the last

1891
01:37:30,040 --> 01:37:32,639
Speaker 2: ten minutes you had me in tears. Thank you everybody who.

1892
01:37:32,680 --> 01:37:35,120
Speaker 2: That was a lot of comments. The poe was should

1893
01:37:35,200 --> 01:37:38,400
Speaker 2: Jacoby in the Big three? Thirty six percent? Yeah, sixty

1894
01:37:38,400 --> 01:37:43,599
Speaker 2: five sixty four percent no, So like overwhelmingly most people

1895
01:37:43,640 --> 01:37:45,439
Speaker 2: think he should not be in a Big Three. But

1896
01:37:45,560 --> 01:37:47,799
Speaker 2: I think thirty five percent is a pretty good percentage.

1897
01:37:47,840 --> 01:37:51,680
Speaker 2: So that's that's not nothing. To sneeze that you know. Uh,

1898
01:37:51,720 --> 01:37:54,000
Speaker 2: all right, I'm gonna play a song and then we're

1899
01:37:54,000 --> 01:37:56,960
Speaker 2: gonna see what this voicemail shit look like because I

1900
01:37:56,960 --> 01:38:00,439
Speaker 2: have no idea what it's gonna what it's gonna sound like. Guys,

1901
01:38:00,960 --> 01:38:04,040
Speaker 2: we have no idea. Find out gonna be real calls?

1902
01:38:04,040 --> 01:38:05,240
Speaker 1: Are there gonna be from the prison?

1903
01:38:05,280 --> 01:38:40,120
Speaker 2: We don't know? All right, it's saying we have four voicemails.

1904
01:38:40,960 --> 01:38:48,000
Speaker 2: Let's find out what they How do you even play them?

1905
01:38:48,479 --> 01:38:50,160
Speaker 1: I'm about to find out together, sir.

1906
01:38:50,200 --> 01:38:52,519
Speaker 2: Double click it. Oh it's at the bottom.

1907
01:38:52,560 --> 01:38:57,320
Speaker 4: Okay, Hey, Rod and Karen, it's Jen. I have a

1908
01:38:57,360 --> 01:39:02,240
Speaker 4: few more minutes left on the Sinners recap, and I

1909
01:39:02,240 --> 01:39:06,080
Speaker 4: wanted to call in before the feedback show tomorrow. I

1910
01:39:06,120 --> 01:39:10,559
Speaker 4: know this is y'all's first feedback episode with the new numbers,

1911
01:39:10,560 --> 01:39:12,920
Speaker 4: but hopefully this makes it to you. But I just

1912
01:39:12,960 --> 01:39:17,000
Speaker 4: wanted to say thank you for the recap. I love, love,

1913
01:39:17,080 --> 01:39:19,679
Speaker 4: love when y'all do a deep dive. I love any

1914
01:39:19,720 --> 01:39:24,280
Speaker 4: Bossy episode honestly, and Mike was a great addition to

1915
01:39:24,360 --> 01:39:27,720
Speaker 4: the crew, and I love a deep dive episode. I

1916
01:39:27,720 --> 01:39:30,200
Speaker 4: think the last one that y'all did was the Kendrick

1917
01:39:30,320 --> 01:39:34,439
Speaker 4: Drake beef and I was just sad, like love it. Yeah,

1918
01:39:34,439 --> 01:39:36,439
Speaker 4: And I just think that y'all made so many good points.

1919
01:39:36,439 --> 01:39:39,960
Speaker 4: I'm gonna miss so many of them. But my main

1920
01:39:40,000 --> 01:39:43,439
Speaker 4: one was just like talking about the love Letter to

1921
01:39:43,479 --> 01:39:48,360
Speaker 4: the South. You know, I am from the Rally area,

1922
01:39:48,520 --> 01:39:50,559
Speaker 4: so for me, it's just like you don't really see

1923
01:39:50,560 --> 01:39:52,400
Speaker 4: that a lot. And I have lived in major cities

1924
01:39:52,400 --> 01:39:55,280
Speaker 4: for the past fifteen years so and that's like so

1925
01:39:55,360 --> 01:39:57,479
Speaker 4: much of a focus of all of these major movies.

1926
01:39:57,520 --> 01:40:00,920
Speaker 4: So to see something that was just really beautiful depiction

1927
01:40:01,080 --> 01:40:06,640
Speaker 4: the South was amazing. And It's funny. I've seen the

1928
01:40:06,680 --> 01:40:09,559
Speaker 4: movie and like a couple of days later, I went

1929
01:40:09,640 --> 01:40:12,240
Speaker 4: to go work with one of the one of these

1930
01:40:12,280 --> 01:40:15,559
Speaker 4: producers and I was like, I don't know if I'm tripping,

1931
01:40:15,600 --> 01:40:17,280
Speaker 4: but I put that to the best movie I've ever seen,

1932
01:40:18,240 --> 01:40:19,800
Speaker 4: and he kind of disagreed. He was like, I think

1933
01:40:19,840 --> 01:40:27,400
Speaker 4: it's getting highest. I'm like, I don't know, like casting, cinematography, direction, acting, music,

1934
01:40:27,880 --> 01:40:30,599
Speaker 4: like you know, I'm just like I want to see

1935
01:40:30,600 --> 01:40:32,400
Speaker 4: I'm going to see it again. I already got tickets

1936
01:40:32,439 --> 01:40:36,800
Speaker 4: for the IMAX, but the re release here in LA

1937
01:40:36,960 --> 01:40:39,479
Speaker 4: But like, I'm like, I don't know, I need to

1938
01:40:39,479 --> 01:40:41,639
Speaker 4: see it again, but I mean it's already it's definitely

1939
01:40:41,680 --> 01:40:44,839
Speaker 4: going in my top five. So to hear y'all expressed

1940
01:40:44,880 --> 01:40:47,719
Speaker 4: that opinion, it just felt really good because I felt

1941
01:40:47,760 --> 01:40:50,040
Speaker 4: like I feel like I'm dripping and like I've talked

1942
01:40:50,040 --> 01:40:52,679
Speaker 4: to people about really loving it, but they just think

1943
01:40:52,720 --> 01:40:54,400
Speaker 4: that it's hyped, and I'm like, I don't know, y'all

1944
01:40:54,400 --> 01:40:56,840
Speaker 4: need to take a step back because this is a masterpiece.

1945
01:40:57,240 --> 01:40:59,439
Speaker 4: So I appreciate y'all breaking it down. I don't know

1946
01:40:59,479 --> 01:41:01,920
Speaker 4: how much time Playy gives me, but I was just

1947
01:41:01,920 --> 01:41:05,599
Speaker 4: the last thing I wanted to say was that I

1948
01:41:05,640 --> 01:41:07,720
Speaker 4: know somebody had written in I think you said it

1949
01:41:07,760 --> 01:41:11,360
Speaker 4: was syncopathy or something like that. Maybe it was on YouTube,

1950
01:41:11,400 --> 01:41:13,559
Speaker 4: but they had asked about the the Banter song and

1951
01:41:13,640 --> 01:41:17,479
Speaker 4: if it was on streaming, and I didn't put like

1952
01:41:17,560 --> 01:41:21,200
Speaker 4: that on streaming because I know with like YouTube and stuff,

1953
01:41:21,240 --> 01:41:26,200
Speaker 4: if you have music that's released, you could get copyright

1954
01:41:26,680 --> 01:41:29,519
Speaker 4: infringement if you can get pulled. So I think I'm

1955
01:41:29,520 --> 01:41:33,600
Speaker 4: pretty sure, like it's what why most podcasts get royalty

1956
01:41:33,640 --> 01:41:36,640
Speaker 4: free music is because they don't want to get that

1957
01:41:36,800 --> 01:41:39,519
Speaker 4: to happen. So yeah, anything I give y'all, I'm won't

1958
01:41:39,560 --> 01:41:41,160
Speaker 4: put on streaming because I want you to be able

1959
01:41:41,240 --> 01:41:45,400
Speaker 4: to use it freely. So yeah, but if they want to,

1960
01:41:45,400 --> 01:41:46,320
Speaker 4: you know, I can give them a link, or you

1961
01:41:46,360 --> 01:41:47,400
Speaker 4: can send the link I gave you.

1962
01:41:47,520 --> 01:41:48,360
Speaker 3: I don't they can have it.

1963
01:41:50,320 --> 01:41:52,120
Speaker 4: Y'all are great. I hope you have a great week.

1964
01:41:52,320 --> 01:41:55,439
Speaker 2: And I talked, oh so apparently it comes off at

1965
01:41:55,479 --> 01:41:57,920
Speaker 2: three minutes, but you had got most of what you

1966
01:41:57,960 --> 01:42:01,479
Speaker 2: had to say out, so but yeah, thank you for that.

1967
01:42:01,960 --> 01:42:06,559
Speaker 2: I appreciate you. We do. And yeah, I'm glad you

1968
01:42:06,680 --> 01:42:09,679
Speaker 2: enjoyed the us talking with Bossie. I love talking with Bossie.

1969
01:42:09,680 --> 01:42:12,840
Speaker 2: I'll talk to her all the time. Sometimes it's you know,

1970
01:42:13,520 --> 01:42:17,519
Speaker 2: I'm sometimes I'm like, man, we're having these conversations that

1971
01:42:17,520 --> 01:42:19,559
Speaker 2: I'm sure the podcast will love to be privy too.

1972
01:42:19,800 --> 01:42:21,720
Speaker 2: But that's also why you gotta go check out the

1973
01:42:21,800 --> 01:42:26,200
Speaker 2: idea of podcasts that she has right now, because she's

1974
01:42:26,240 --> 01:42:29,439
Speaker 2: having these conversations with Mike every week and I listen

1975
01:42:29,520 --> 01:42:32,400
Speaker 2: to them. They're they're fascinating conversations about real life shit.

1976
01:42:32,560 --> 01:42:35,960
Speaker 2: So you know, make sure y'all go support her over there.

1977
01:42:37,000 --> 01:42:38,160
Speaker 2: All right, go to the next one.

1978
01:42:39,760 --> 01:42:43,880
Speaker 5: Okay, Rid and Karen, this is Simone and I just

1979
01:42:43,920 --> 01:42:49,479
Speaker 5: wanted to say that I have really, really enjoyed these

1980
01:42:49,520 --> 01:42:54,000
Speaker 5: episodes where we kind of move away from the segments

1981
01:42:54,040 --> 01:42:58,559
Speaker 5: and you guys just do all the answer or even

1982
01:42:58,840 --> 01:43:03,360
Speaker 5: like you know, when you talked about your restaurant experience

1983
01:43:03,520 --> 01:43:06,439
Speaker 5: and stuff like that, you guys always managed to find

1984
01:43:06,520 --> 01:43:10,639
Speaker 5: the funny. And I just wanted to say, like Rod,

1985
01:43:10,680 --> 01:43:14,000
Speaker 5: if you are ever like concerned that you did not

1986
01:43:14,320 --> 01:43:17,280
Speaker 5: kind of break it up and find where to put

1987
01:43:17,280 --> 01:43:20,240
Speaker 5: the ads, do not stress about where the AI chooses

1988
01:43:20,320 --> 01:43:22,240
Speaker 5: to place the ad because I don't know if it's

1989
01:43:22,280 --> 01:43:24,200
Speaker 5: just the ads for me or where they break in

1990
01:43:24,280 --> 01:43:24,640
Speaker 5: for me.

1991
01:43:25,200 --> 01:43:26,360
Speaker 4: But the ads are.

1992
01:43:26,240 --> 01:43:31,360
Speaker 5: Always wild, like they pop in it. The transition is crazy,

1993
01:43:31,400 --> 01:43:33,960
Speaker 5: but it always cracks me up. Sometimes it cuts you

1994
01:43:34,000 --> 01:43:36,920
Speaker 5: off mid sentence, but it's always funny to me. So

1995
01:43:37,680 --> 01:43:39,840
Speaker 5: I mean, because I know eventually we're gonna jump right

1996
01:43:39,880 --> 01:43:42,360
Speaker 5: back in and I'm gonna go back to listening and

1997
01:43:42,479 --> 01:43:47,439
Speaker 5: enjoying you guys, But I just find that part so

1998
01:43:47,600 --> 01:43:52,519
Speaker 5: so hilarious. And I'm really been enjoying the guess the

1999
01:43:52,640 --> 01:43:57,000
Speaker 5: race tiktoks. Even when I watch the episode I'm listening

2000
01:43:57,120 --> 01:44:00,240
Speaker 5: or listen to the episode, sometimes I'll forget and I

2001
01:44:00,280 --> 01:44:03,519
Speaker 5: guess it's very entertaining. So shout out to you guys

2002
01:44:03,600 --> 01:44:08,639
Speaker 5: for consistently being entertaining, funny, and just overall dope of y'all.

2003
01:44:08,880 --> 01:44:13,400
Speaker 2: Bye, oh, thank you, thank you. I appreciate that because

2004
01:44:13,439 --> 01:44:15,960
Speaker 2: that's definitely something I think about when I when we

2005
01:44:16,040 --> 01:44:20,360
Speaker 2: do these episodes, and I literally we need so we

2006
01:44:20,560 --> 01:44:24,240
Speaker 2: have to have ads to make money. And also because

2007
01:44:24,320 --> 01:44:26,680
Speaker 2: we work with the Inflection Network, they need, you know,

2008
01:44:26,760 --> 01:44:29,920
Speaker 2: like they want us to have ad breaks, and so

2009
01:44:29,960 --> 01:44:32,559
Speaker 2: sometimes it's just easier when they're segments because here's a

2010
01:44:32,600 --> 01:44:35,320
Speaker 2: segment break, here's a segment music boom, throw a ad,

2011
01:44:35,520 --> 01:44:37,960
Speaker 2: you know, and I know people probably skip a lot

2012
01:44:37,960 --> 01:44:39,840
Speaker 2: of them. Whatever. I don't care about that part, but

2013
01:44:40,920 --> 01:44:44,120
Speaker 2: you know it, it still helps to have the ad

2014
01:44:44,240 --> 01:44:47,240
Speaker 2: markers there. But we just talk. Sometimes I can get

2015
01:44:47,240 --> 01:44:49,240
Speaker 2: in my own head because I'm like, oh shit, I

2016
01:44:49,240 --> 01:44:51,080
Speaker 2: don't where am I gonna put the fucking ad And

2017
01:44:51,120 --> 01:44:54,280
Speaker 2: I'm definitely not going back to listen to every syllable episode,

2018
01:44:54,320 --> 01:44:56,240
Speaker 2: so I can be like, okay, the thirty second mark.

2019
01:44:56,520 --> 01:44:59,920
Speaker 2: So they have like this thing that generates ad markers

2020
01:45:00,080 --> 01:45:02,760
Speaker 2: for you, and you have to wait a little longer

2021
01:45:02,760 --> 01:45:05,080
Speaker 2: when I upload. It takes like sometimes thirty minutes to

2022
01:45:05,120 --> 01:45:07,640
Speaker 2: an hour afterwards, and it's like, hey, here are some

2023
01:45:07,680 --> 01:45:11,720
Speaker 2: potential places you can add ads. I don't really know

2024
01:45:12,479 --> 01:45:14,840
Speaker 2: what the exact thing is being said at that moment,

2025
01:45:15,360 --> 01:45:17,840
Speaker 2: so I'm just trying to find places that are like

2026
01:45:18,439 --> 01:45:20,479
Speaker 2: spaced out enough for it not to fuck up the

2027
01:45:20,479 --> 01:45:22,960
Speaker 2: whole experience for y'all, so that it's not like every

2028
01:45:23,000 --> 01:45:25,280
Speaker 2: five minutes, here comes thirty seconds of ADS or for

2029
01:45:25,360 --> 01:45:27,880
Speaker 2: this or whatever. I try to make it so it's like, okay,

2030
01:45:27,920 --> 01:45:33,040
Speaker 2: we recorded for three hours. Four AD breaks sounds about right.

2031
01:45:33,080 --> 01:45:33,280
Speaker 4: You know.

2032
01:45:33,400 --> 01:45:36,200
Speaker 2: That's like you're getting forty five minutes before you get

2033
01:45:36,200 --> 01:45:37,960
Speaker 2: an AD, then forty five minutes, you know. So that's

2034
01:45:37,960 --> 01:45:39,640
Speaker 2: how I'll try to do it. So it's good to

2035
01:45:39,720 --> 01:45:42,320
Speaker 2: know that it isn't hurting the experience too much.

2036
01:45:43,040 --> 01:45:47,440
Speaker 1: It's not as somebody who has listened to the podcast.

2037
01:45:47,479 --> 01:45:50,360
Speaker 1: Whenever you do the AI breaks and in a lot

2038
01:45:50,400 --> 01:45:52,759
Speaker 1: of times it will pick like a poll. So sometimes

2039
01:45:52,760 --> 01:45:55,200
Speaker 1: it does stop missing this, which is fine because, like

2040
01:45:55,200 --> 01:45:57,600
Speaker 1: they say, when it comes back, it just lead just

2041
01:45:57,640 --> 01:45:59,680
Speaker 1: picks right up where you left off, so it's not

2042
01:45:59,720 --> 01:46:04,760
Speaker 1: like big disruption, you know, in the conversation.

2043
01:46:05,200 --> 01:46:08,800
Speaker 2: And I kind of hope that some of the ones

2044
01:46:08,840 --> 01:46:10,360
Speaker 2: that throw y'all off, I hope those are the ones

2045
01:46:10,400 --> 01:46:12,280
Speaker 2: that get tricked people into listening to them. That way

2046
01:46:12,320 --> 01:46:14,280
Speaker 2: we get a little more money, all right. I think

2047
01:46:14,280 --> 01:46:17,880
Speaker 2: the next voicemail is two parts from the same person.

2048
01:46:17,920 --> 01:46:21,880
Speaker 2: I think it's dre one fifty five seconds once two minutes.

2049
01:46:21,920 --> 01:46:22,479
Speaker 2: So here we go.

2050
01:46:24,040 --> 01:46:27,760
Speaker 3: Okay, So with the new voicemail system, I see they

2051
01:46:27,800 --> 01:46:30,720
Speaker 3: have you say your name at the beginning. Maybe y'all

2052
01:46:30,800 --> 01:46:33,040
Speaker 3: might have fucked up. So if you get a voicemail

2053
01:46:33,080 --> 01:46:36,000
Speaker 3: from all Shit, it's because I meant to say it

2054
01:46:36,200 --> 01:46:39,799
Speaker 3: was all shit. I see, we got a new voicemail number.

2055
01:46:40,160 --> 01:46:41,559
Speaker 3: You know what I'm saying, niggas well.

2056
01:46:41,600 --> 01:46:44,519
Speaker 2: I want you to know what happened was that I

2057
01:46:44,640 --> 01:46:46,920
Speaker 2: had this thing. I didn't realize this option was going

2058
01:46:46,960 --> 01:46:49,320
Speaker 2: to do this. It tells you like, hey, put your

2059
01:46:49,400 --> 01:46:53,320
Speaker 2: other your real phone number in here for like a

2060
01:46:53,360 --> 01:46:55,720
Speaker 2: secondary line or something like that. I didn't understand it.

2061
01:46:55,760 --> 01:46:57,400
Speaker 2: I just when I was feeling everything out, I just

2062
01:46:57,439 --> 01:47:01,599
Speaker 2: filled it out, and it was sending the these these

2063
01:47:01,640 --> 01:47:06,800
Speaker 2: calls to my phone, and then I was supposed to

2064
01:47:06,800 --> 01:47:10,920
Speaker 2: pick up the phone and say uh one, sending the

2065
01:47:11,000 --> 01:47:14,840
Speaker 2: voicemailer to answer the call. I don't want that option.

2066
01:47:15,160 --> 01:47:17,800
Speaker 2: Everybody that called his number take their ass the voicemail,

2067
01:47:18,240 --> 01:47:21,280
Speaker 2: and so that's why it's turned I've turned that part

2068
01:47:21,320 --> 01:47:21,840
Speaker 2: off now.

2069
01:47:22,400 --> 01:47:25,280
Speaker 1: And the thing is, I'm glad you did because it

2070
01:47:25,360 --> 01:47:27,640
Speaker 1: sounds like everybody was calling from jail, because all of

2071
01:47:27,680 --> 01:47:30,960
Speaker 1: a sudden, it'd be like, no da from.

2072
01:47:30,760 --> 01:47:34,160
Speaker 2: Hey, it's me from Keisha, And I'd be like, why

2073
01:47:34,160 --> 01:47:38,200
Speaker 2: are we getting calls from the correction? What's happening here?

2074
01:47:38,400 --> 01:47:41,280
Speaker 3: That is sweet it up. Just so y'all know, I

2075
01:47:41,360 --> 01:47:43,240
Speaker 3: might have made two mistakes in a row. You know

2076
01:47:43,240 --> 01:47:44,400
Speaker 3: what I'm saying. This is Ray.

2077
01:47:44,439 --> 01:47:45,000
Speaker 4: By the way, in.

2078
01:47:44,960 --> 01:47:49,880
Speaker 3: Case you didn't listen to the voicemails anyway, it's nine

2079
01:47:49,960 --> 01:47:53,639
Speaker 3: eighty zero because if you do, some dude named Walter

2080
01:47:53,800 --> 01:47:57,960
Speaker 3: Kramer and ship like that. Anyway, I'm glad the voicemails

2081
01:47:57,960 --> 01:48:00,400
Speaker 3: are back because when Skype was on his phone, shit,

2082
01:48:00,800 --> 01:48:06,120
Speaker 3: I left the voicemail, and then the next week somebody says, anyway,

2083
01:48:07,280 --> 01:48:09,080
Speaker 3: I'm a callback from my real voicemail.

2084
01:48:09,280 --> 01:48:11,519
Speaker 2: Okay, okay, so we got to the next one. Then

2085
01:48:12,280 --> 01:48:13,719
Speaker 2: here we go for this two minutes.

2086
01:48:14,120 --> 01:48:17,479
Speaker 3: Okay, drag again. Now this is the real message I

2087
01:48:17,560 --> 01:48:22,200
Speaker 3: actually wanted to leave. So I've been thinking and all

2088
01:48:22,280 --> 01:48:26,800
Speaker 3: the talks that we be having on this podcast, you know,

2089
01:48:27,280 --> 01:48:29,920
Speaker 3: the listeners and you are we talk about the Democrats

2090
01:48:29,920 --> 01:48:33,000
Speaker 3: for Republicans all the time, and I'm starting to feel

2091
01:48:33,000 --> 01:48:36,719
Speaker 3: like I've identified one of the core issues that causes

2092
01:48:36,760 --> 01:48:40,840
Speaker 3: you to see Democrats ever ever be satisfied. And I

2093
01:48:40,920 --> 01:48:45,400
Speaker 3: really think it's just an overcorrection to the cult that

2094
01:48:45,640 --> 01:48:49,320
Speaker 3: is Maga and Donald Trump. So essentially, what I'm saying

2095
01:48:49,400 --> 01:48:54,840
Speaker 3: is I think that people have watched Donald Trump's followers

2096
01:48:54,840 --> 01:49:01,919
Speaker 3: become so like unwilling to think, so willing to actually

2097
01:49:01,960 --> 01:49:06,639
Speaker 3: consider what they're supporting, and they just blindly support him anyway,

2098
01:49:06,760 --> 01:49:09,360
Speaker 3: and we are all so disgusted watching that. I think

2099
01:49:09,400 --> 01:49:17,200
Speaker 3: It's caused people otherwise well meaning people to overly analyze

2100
01:49:17,240 --> 01:49:20,040
Speaker 3: and critique the Democratic Party to prove that they're not that,

2101
01:49:20,280 --> 01:49:22,200
Speaker 3: to prove that this is not a cult in the

2102
01:49:22,240 --> 01:49:25,120
Speaker 3: same way that Donald Trump is a cult. And as

2103
01:49:25,120 --> 01:49:27,120
Speaker 3: a result, what they've done is put us in a

2104
01:49:27,120 --> 01:49:30,519
Speaker 3: position where we can never really have anything because no

2105
01:49:30,560 --> 01:49:34,120
Speaker 3: one will ever give any credit for anything positive that's done,

2106
01:49:34,200 --> 01:49:37,559
Speaker 3: No one will ever give any kind of grace for

2107
01:49:37,680 --> 01:49:40,560
Speaker 3: any any oversight or mistake it's everything has got to

2108
01:49:40,600 --> 01:49:43,160
Speaker 3: be so critically analyzing. It's always got to be. I'm

2109
01:49:43,160 --> 01:49:45,799
Speaker 3: not really a Democrat, but oh I don't really support

2110
01:49:45,800 --> 01:49:49,559
Speaker 3: the German crats. But and Republicans just never ever do that.

2111
01:49:49,880 --> 01:49:54,200
Speaker 3: They never ever qualify their statements. They're like, no, this

2112
01:49:54,280 --> 01:49:56,400
Speaker 3: is why I support and everything they say is right

2113
01:49:57,000 --> 01:49:59,240
Speaker 3: and I'm not saying it to give these people like

2114
01:49:59,720 --> 01:50:03,720
Speaker 3: some excuse. It's just what I think is happened. And

2115
01:50:04,040 --> 01:50:05,720
Speaker 3: I didn't say that to say anything else. There is

2116
01:50:05,720 --> 01:50:08,080
Speaker 3: no solution beyond that. I don't even know that there's

2117
01:50:08,120 --> 01:50:11,080
Speaker 3: anything that's gonna change it. But that is what I

2118
01:50:11,080 --> 01:50:16,160
Speaker 3: think is happening, and I've been wanting to say that weeks. Anyway.

2119
01:50:16,800 --> 01:50:19,080
Speaker 3: I love y'all. Glad the voicemail. Is that a piece?

2120
01:50:19,600 --> 01:50:22,400
Speaker 2: Oh man? That is that is a good ass voicemail. Bro,

2121
01:50:22,560 --> 01:50:26,759
Speaker 2: I completely see what you mean. Like, I definitely agree.

2122
01:50:28,800 --> 01:50:33,599
Speaker 2: I agree with you on that. Yeah, it's it's it's

2123
01:50:33,640 --> 01:50:36,960
Speaker 2: really is that simple for people that where I think

2124
01:50:37,080 --> 01:50:39,360
Speaker 2: a lot of them are like I don't want to

2125
01:50:39,400 --> 01:50:41,120
Speaker 2: be I don't want to look like I'm part of

2126
01:50:41,120 --> 01:50:43,360
Speaker 2: a cult. I don't want to be like them over there,

2127
01:50:43,439 --> 01:50:48,160
Speaker 2: and it's like, well, honestly, you just look weird, like

2128
01:50:48,439 --> 01:50:52,720
Speaker 2: maybe maybe you should be thinking of it more like that,

2129
01:50:53,600 --> 01:50:57,520
Speaker 2: maybe you should be looking at it more like, Uh,

2130
01:50:57,920 --> 01:50:59,600
Speaker 2: we need to line up on our side, and we

2131
01:50:59,640 --> 01:51:02,720
Speaker 2: need to with the people that we're here with, because yeah,

2132
01:51:02,800 --> 01:51:10,120
Speaker 2: I think we're having a very sad result, which is

2133
01:51:10,160 --> 01:51:13,160
Speaker 2: that people can't be proud of anything Democrats accomplished because

2134
01:51:13,160 --> 01:51:16,240
Speaker 2: they don't want to look like you know, I don't

2135
01:51:16,240 --> 01:51:17,720
Speaker 2: know what they think they look like, you know what

2136
01:51:17,800 --> 01:51:19,720
Speaker 2: I mean, Like that, whether it's a cold or a

2137
01:51:19,800 --> 01:51:23,479
Speaker 2: cook or just easily satisfied or not righteous enough or

2138
01:51:23,640 --> 01:51:27,920
Speaker 2: I'm compromising or whatever. Everyone wants their own brand to

2139
01:51:28,040 --> 01:51:31,960
Speaker 2: be like their thing. And I think you're right. I

2140
01:51:31,960 --> 01:51:33,080
Speaker 2: think you hit the nail on the head.

2141
01:51:33,640 --> 01:51:35,599
Speaker 1: I agree, And so this is the way I kind

2142
01:51:35,640 --> 01:51:39,000
Speaker 1: of look at it. I look at democrat the same

2143
01:51:39,080 --> 01:51:41,479
Speaker 1: way as I look at feminism. And the reason why

2144
01:51:41,520 --> 01:51:43,800
Speaker 1: I said is because when you said the word feminism,

2145
01:51:44,120 --> 01:51:46,280
Speaker 1: there are a lot of associations with it, good bad,

2146
01:51:46,280 --> 01:51:48,599
Speaker 1: in the different when you say democrat there's a lot

2147
01:51:48,600 --> 01:51:52,120
Speaker 1: of things associated with it, good, bad, and indifferent. And

2148
01:51:52,200 --> 01:51:55,760
Speaker 1: so when you talk to a lot of women, and

2149
01:51:55,840 --> 01:51:59,160
Speaker 1: I'm speaking for me personally, for a very, very long time.

2150
01:51:59,479 --> 01:52:02,400
Speaker 1: We just have conversations on I Show about feminism and

2151
01:52:02,439 --> 01:52:04,439
Speaker 1: I'd be like, yeah, I agree, women shall have the

2152
01:52:04,520 --> 01:52:05,880
Speaker 1: right of drunk, but I don't want to be I

2153
01:52:05,920 --> 01:52:08,439
Speaker 1: don't want to be labeled a feminist because I don't

2154
01:52:08,439 --> 01:52:10,439
Speaker 1: want the bullshit that comes along with that. I don't

2155
01:52:10,479 --> 01:52:13,719
Speaker 1: want the judgment. I didn't want the arguments. I didn't

2156
01:52:13,720 --> 01:52:17,040
Speaker 1: want the pointless conversations. I didn't want the opinions that

2157
01:52:17,040 --> 01:52:19,559
Speaker 1: I didn't give a fuck about. You're free to do

2158
01:52:19,600 --> 01:52:21,719
Speaker 1: whatever the fuck you want to just leave me alone

2159
01:52:21,800 --> 01:52:23,360
Speaker 1: and let me do what I want to And to me,

2160
01:52:23,400 --> 01:52:25,879
Speaker 1: it was that simple. But what I feel to realize

2161
01:52:26,000 --> 01:52:29,280
Speaker 1: is that the foundation I'm talking about me, particularly the

2162
01:52:29,280 --> 01:52:31,400
Speaker 1: foundation and who I am.

2163
01:52:31,760 --> 01:52:33,080
Speaker 2: I'm a feminist.

2164
01:52:32,800 --> 01:52:36,640
Speaker 1: Because and the thing is, when it comes to feminism

2165
01:52:36,760 --> 01:52:40,840
Speaker 1: and feminists, everybody thinks that their version is the right way,

2166
01:52:41,040 --> 01:52:43,360
Speaker 1: just like democrats. Everybody think that their version is the

2167
01:52:43,439 --> 01:52:46,439
Speaker 1: right way. Everybody else's version is wrong. And this is

2168
01:52:46,439 --> 01:52:48,640
Speaker 1: why you have all a lot of this internal infighting

2169
01:52:48,640 --> 01:52:51,880
Speaker 1: with feminists, you know, because some feminists think is feminism

2170
01:52:51,960 --> 01:52:53,960
Speaker 1: to be a stay at home mom. Some think it's

2171
01:52:54,000 --> 01:52:56,599
Speaker 1: a feminist to work. Some have babies, not have babies.

2172
01:52:57,240 --> 01:53:02,519
Speaker 1: Truth be told, all that is the choice. The choice

2173
01:53:02,800 --> 01:53:07,160
Speaker 1: is the feminism part. And people get so bad into

2174
01:53:07,240 --> 01:53:11,479
Speaker 1: the nuances of where we disagree versus saying, I don't

2175
01:53:11,520 --> 01:53:12,920
Speaker 1: give fuck what you choose to do.

2176
01:53:13,000 --> 01:53:13,720
Speaker 2: That's feminism.

2177
01:53:13,800 --> 01:53:15,559
Speaker 1: You're gonna have a baby, not have a baby, be

2178
01:53:15,640 --> 01:53:18,360
Speaker 1: at home, not be at home, work, drive, whatever you

2179
01:53:18,479 --> 01:53:22,760
Speaker 1: choose to do. That's your personal version of feminism. And

2180
01:53:23,240 --> 01:53:25,320
Speaker 1: and at the end of the day, I should have

2181
01:53:25,320 --> 01:53:27,120
Speaker 1: the right to have a baby or not. You should

2182
01:53:27,120 --> 01:53:28,800
Speaker 1: have the right to have a baby or not. You

2183
01:53:28,800 --> 01:53:30,320
Speaker 1: should have the right to stay at home, and I

2184
01:53:30,320 --> 01:53:32,160
Speaker 1: should have the right to stay at home. And all

2185
01:53:32,800 --> 01:53:36,080
Speaker 1: no man, no lawels should be able to tell us

2186
01:53:36,120 --> 01:53:40,320
Speaker 1: anything different. And that's the fundamental thing about feminism. But

2187
01:53:40,360 --> 01:53:43,280
Speaker 1: there's so many divisions, there's so many subsections. There's so

2188
01:53:43,360 --> 01:53:45,840
Speaker 1: much argument that's been going on for decades. Same thing

2189
01:53:45,880 --> 01:53:50,320
Speaker 1: with the Democrats. So much division, so much argument, so

2190
01:53:50,439 --> 01:53:55,360
Speaker 1: much things that the past has impact, has has impact.

2191
01:53:55,720 --> 01:54:01,240
Speaker 1: Racism impact both of these groups, you know. Sexism impacts

2192
01:54:01,280 --> 01:54:04,639
Speaker 1: both of these groups, you know. And so that's kind

2193
01:54:04,640 --> 01:54:07,720
Speaker 1: of how I look at And I'm like, end of

2194
01:54:07,720 --> 01:54:10,240
Speaker 1: the day, everybody should have freedoms and everybody should have

2195
01:54:10,360 --> 01:54:15,200
Speaker 1: rights period and all this subsection, all this other shit,

2196
01:54:15,280 --> 01:54:16,680
Speaker 1: all this critiquing.

2197
01:54:16,320 --> 01:54:18,759
Speaker 2: It don't matter. It don't matter.

2198
01:54:18,880 --> 01:54:21,200
Speaker 1: And it's very hard to get people to think outside

2199
01:54:21,200 --> 01:54:24,160
Speaker 1: of themselves and realize none of this other bullshit, it

2200
01:54:24,200 --> 01:54:27,800
Speaker 1: don't matter. It ain't solving nothing, ain't nobody being free.

2201
01:54:27,920 --> 01:54:29,519
Speaker 1: You know, at the end of the day, you have

2202
01:54:29,640 --> 01:54:32,120
Speaker 1: to do work. Feminism, you have to do work. Women

2203
01:54:32,200 --> 01:54:34,120
Speaker 1: have to fight for the right to vote, women have

2204
01:54:34,240 --> 01:54:36,000
Speaker 1: to fight for the right to drive, women have to

2205
01:54:36,040 --> 01:54:37,360
Speaker 1: fight for the right to have bank accounts.

2206
01:54:37,600 --> 01:54:40,720
Speaker 2: Democrats, you're gonna have to fight. You just can't be.

2207
01:54:40,480 --> 01:54:43,600
Speaker 1: Spewing words that make you temporarily feel good for a

2208
01:54:43,680 --> 01:54:47,000
Speaker 1: moment and then don't want to take any personal responsibility

2209
01:54:47,240 --> 01:54:47,879
Speaker 1: when it's.

2210
01:54:47,680 --> 01:54:51,760
Speaker 2: Time for action. And that's another critique that I have

2211
01:54:51,840 --> 01:54:52,840
Speaker 2: for the Democratic Party.

2212
01:54:52,880 --> 01:54:55,640
Speaker 1: Too many people have too many steps tools and too

2213
01:54:55,680 --> 01:54:58,560
Speaker 1: many platforms, but they ain't doing shit. But they're consistently

2214
01:54:58,600 --> 01:55:02,040
Speaker 1: critiquing the one party that is trying to do something

2215
01:55:02,240 --> 01:55:04,040
Speaker 1: for them and like. And so that's why I said,

2216
01:55:04,040 --> 01:55:05,920
Speaker 1: I agree with you when it comes to that, and

2217
01:55:06,080 --> 01:55:08,520
Speaker 1: as somebody is very frustrating because I don't give a

2218
01:55:08,560 --> 01:55:11,440
Speaker 1: fuck what your issue is or what your matter is.

2219
01:55:11,480 --> 01:55:13,760
Speaker 1: You should have the right to be here. You should

2220
01:55:13,760 --> 01:55:17,400
Speaker 1: not be deported, you know, like like like, And that's

2221
01:55:17,440 --> 01:55:18,920
Speaker 1: the foundation.

2222
01:55:18,640 --> 01:55:20,560
Speaker 2: Of of of it for me.

2223
01:55:20,960 --> 01:55:23,920
Speaker 1: So, like I said, all these otherisms and sisms and

2224
01:55:23,960 --> 01:55:26,720
Speaker 1: all these other ships, these are internal personal things that

2225
01:55:26,760 --> 01:55:29,720
Speaker 1: our people are bringing to the Democratic Party, and they

2226
01:55:29,760 --> 01:55:32,560
Speaker 1: want to make the Democratic Party be responsible for their

2227
01:55:32,600 --> 01:55:35,480
Speaker 1: own shit instead of instead of looking at the bigger

2228
01:55:35,520 --> 01:55:38,480
Speaker 1: picture of what the Democratic Party is trying to do.

2229
01:55:39,120 --> 01:55:41,320
Speaker 1: If you want freedoms, we are there for it. You

2230
01:55:41,360 --> 01:55:43,120
Speaker 1: want the right to vote, we are there for it.

2231
01:55:43,240 --> 01:55:45,000
Speaker 1: You want the you want you want the right to

2232
01:55:45,040 --> 01:55:47,240
Speaker 1: be lgbt Q, we are there for You want the

2233
01:55:47,280 --> 01:55:49,360
Speaker 1: right to smoke weed, we there for it, like like.

2234
01:55:49,440 --> 01:55:52,160
Speaker 1: Instead of them looking at what the Democratic Party can

2235
01:55:52,240 --> 01:55:54,960
Speaker 1: do for them, they're too busy talking about the ship

2236
01:55:54,960 --> 01:55:57,840
Speaker 1: that is not doing for them. But the other side

2237
01:55:57,960 --> 01:56:00,680
Speaker 1: is not doing anything. And anything you want to do,

2238
01:56:00,960 --> 01:56:04,320
Speaker 1: they're going fuck that. Anything that you want, They're gonna

2239
01:56:04,360 --> 01:56:07,360
Speaker 1: we don't care. Our whole thing is. We're gonna kill it,

2240
01:56:07,680 --> 01:56:10,640
Speaker 1: destroy it. That's what they're doing. They're tearing it down.

2241
01:56:11,640 --> 01:56:13,440
Speaker 1: We don't want you to have rights. We don't want

2242
01:56:13,440 --> 01:56:16,839
Speaker 1: you to have freedoms like like, and they're saying it boldly,

2243
01:56:17,200 --> 01:56:18,160
Speaker 1: and people.

2244
01:56:18,640 --> 01:56:20,480
Speaker 2: I feel like don't fail to realize.

2245
01:56:20,200 --> 01:56:22,920
Speaker 1: Their epathy is an issue and it's a problem. And

2246
01:56:22,920 --> 01:56:26,000
Speaker 1: when you put that bullshit out, everybody acting like you're

2247
01:56:26,080 --> 01:56:28,400
Speaker 1: the problem for saying no, I am not the problem.

2248
01:56:28,680 --> 01:56:30,920
Speaker 1: I'm going to vote Democratic no matter what. And I

2249
01:56:31,040 --> 01:56:33,960
Speaker 1: refuse to be ashamed. I'm not gonna be shamed out

2250
01:56:34,000 --> 01:56:36,720
Speaker 1: of voting for my rights and freedoms and somebody else's

2251
01:56:36,760 --> 01:56:38,800
Speaker 1: rights and freedoms too. And too many people have been

2252
01:56:38,840 --> 01:56:41,160
Speaker 1: shamed out of it, shamed out of being Democrats.

2253
01:56:41,200 --> 01:56:42,640
Speaker 2: They've been shamed out of it, and it's.

2254
01:56:42,560 --> 01:56:46,120
Speaker 1: Ridiculous the party this is actually out here trying to

2255
01:56:46,120 --> 01:56:46,960
Speaker 1: be sure.

2256
01:56:46,720 --> 01:56:48,720
Speaker 2: You don't die in the streets.

2257
01:56:49,320 --> 01:56:53,080
Speaker 1: People are going, I don't know, I got feelings both sides, bitch,

2258
01:56:53,120 --> 01:56:53,920
Speaker 1: they ain't the same.

2259
01:56:54,000 --> 01:56:54,560
Speaker 2: They ain't And.

2260
01:56:54,480 --> 01:56:57,240
Speaker 1: They've been telling you for decades. If you've been paying attention,

2261
01:56:57,320 --> 01:57:01,200
Speaker 1: I'm funny something years old. I've been vote logging, ain't saying.

2262
01:57:02,000 --> 01:57:05,760
Speaker 2: I think also, I agree with everything you just said there.

2263
01:57:06,040 --> 01:57:12,920
Speaker 2: I think also there's the social media aspect of being

2264
01:57:12,960 --> 01:57:16,400
Speaker 2: an individual and looking like, oh no, I'm beholden to

2265
01:57:16,440 --> 01:57:19,920
Speaker 2: no one. And this is a deeper level of thought

2266
01:57:20,240 --> 01:57:22,480
Speaker 2: on it that I'm sure some people will reject what

2267
01:57:22,520 --> 01:57:25,320
Speaker 2: I'm saying here, and that's fine. I find that to

2268
01:57:25,480 --> 01:57:31,840
Speaker 2: be a spin off of white supremacy. And here's what

2269
01:57:31,880 --> 01:57:40,960
Speaker 2: I mean by that. Whiteness promotes objectivity as superiority, meaning

2270
01:57:41,840 --> 01:57:45,280
Speaker 2: I'm so above what is happening. I don't see it

2271
01:57:45,320 --> 01:57:47,680
Speaker 2: as a moral imperative. I don't see it as a

2272
01:57:47,760 --> 01:57:51,040
Speaker 2: right or wrong imperative. I'm just saying it's all messed

2273
01:57:51,080 --> 01:57:54,600
Speaker 2: up and I'm above it. I think black lives matter,

2274
01:57:54,760 --> 01:57:59,120
Speaker 2: Blue lives matter, White lives matter. I think everyone's being tribalist.

2275
01:57:59,560 --> 01:58:02,800
Speaker 2: I think every isn't that. I think identity politics is

2276
01:58:02,840 --> 01:58:05,280
Speaker 2: the problem. That's the thing that people say that are

2277
01:58:05,360 --> 01:58:09,520
Speaker 2: conservative and liberal progressive, like they both say that shit.

2278
01:58:09,560 --> 01:58:12,000
Speaker 2: Bernie says he don't like identity politics as much as

2279
01:58:12,000 --> 01:58:13,560
Speaker 2: Trump don't like identity politics.

2280
01:58:13,640 --> 01:58:13,800
Speaker 4: Right.

2281
01:58:14,560 --> 01:58:17,240
Speaker 2: That is whiteness. It's John Stewart going on the air

2282
01:58:17,240 --> 01:58:20,280
Speaker 2: and telling us shitting on Bidens is important as shitting

2283
01:58:20,320 --> 01:58:23,160
Speaker 2: on Trump, because shitting on both of them equally as

2284
01:58:23,200 --> 01:58:26,680
Speaker 2: hard is what matters. Reality of one of them deserving

2285
01:58:26,720 --> 01:58:30,040
Speaker 2: more criticism than the other. That doesn't matter. My job

2286
01:58:30,160 --> 01:58:32,480
Speaker 2: is to find a way to criticize them both fifty

2287
01:58:32,520 --> 01:58:34,880
Speaker 2: percent of the time, right, That is what I do.

2288
01:58:34,920 --> 01:58:36,880
Speaker 2: And I have to find a way to praise Trump

2289
01:58:36,920 --> 01:58:39,960
Speaker 2: sometimes too, because no one else will be as bold

2290
01:58:40,000 --> 01:58:43,560
Speaker 2: as I am. And that is a very white supremacist mindset.

2291
01:58:43,600 --> 01:58:46,320
Speaker 2: That is whiteness. That is whiteness telling you those are

2292
01:58:46,320 --> 01:58:49,000
Speaker 2: the values. And what I see is many black and

2293
01:58:49,040 --> 01:58:52,160
Speaker 2: brown people repeat that where they go in order to

2294
01:58:52,200 --> 01:58:54,920
Speaker 2: be either in the spaces of whiteness, to be ingratiated

2295
01:58:54,920 --> 01:58:58,840
Speaker 2: to whiteness, to belong in order to be correct, I

2296
01:58:58,960 --> 01:59:00,760
Speaker 2: need to be above. And so what we say is

2297
01:59:00,760 --> 01:59:04,120
Speaker 2: shit like I'm not a Democrat. I'm just but and

2298
01:59:04,160 --> 01:59:06,400
Speaker 2: maybe you aren't. Maybe that really does apply to you.

2299
01:59:06,440 --> 01:59:08,400
Speaker 2: But I'm gonna tell you straight up, I know I'm

2300
01:59:08,440 --> 01:59:11,280
Speaker 2: a Democrat. And the other reason that I say I'm

2301
01:59:11,320 --> 01:59:12,840
Speaker 2: a Democrat, and I say it on this show, and

2302
01:59:12,880 --> 01:59:17,240
Speaker 2: I think it's important because the party fucking owes me. Yes,

2303
01:59:17,320 --> 01:59:22,200
Speaker 2: it is. The party will and should respect and live

2304
01:59:22,280 --> 01:59:26,520
Speaker 2: up to the values I uphold as well because I

2305
01:59:26,560 --> 01:59:28,919
Speaker 2: am part of the party. I'm not on the outside

2306
01:59:29,000 --> 01:59:31,400
Speaker 2: trying to influence the party to do some shit and

2307
01:59:31,440 --> 01:59:34,400
Speaker 2: then not voting or telling them I'm gonna no. I

2308
01:59:35,120 --> 01:59:39,560
Speaker 2: am here to make sure you are accountable. This like

2309
01:59:39,840 --> 01:59:41,680
Speaker 2: I get that other people want to be Mavericks, and

2310
01:59:41,720 --> 01:59:44,440
Speaker 2: it's different depending on where you live and all that

2311
01:59:44,480 --> 01:59:47,120
Speaker 2: type of shit. I'm telling you In Charlotte, North Carolina,

2312
01:59:47,200 --> 01:59:49,920
Speaker 2: I've never had a moment of flirting with Republicans. I've

2313
01:59:49,920 --> 01:59:52,440
Speaker 2: never even had a point in my life where it

2314
01:59:52,440 --> 01:59:58,920
Speaker 2: would have been strategically advantageous for me to mess around

2315
01:59:58,920 --> 02:00:01,800
Speaker 2: with Republicans and conservative They just have not even allowed

2316
02:00:01,840 --> 02:00:04,640
Speaker 2: that in our where we live. They haven't allowed that.

2317
02:00:04,680 --> 02:00:06,800
Speaker 2: They haven't given us a day to go. I can

2318
02:00:06,840 --> 02:00:08,920
Speaker 2: see how we need to get in the Republican primary

2319
02:00:09,000 --> 02:00:12,960
Speaker 2: this time. It's very black and white here, so I

2320
02:00:13,000 --> 02:00:15,600
Speaker 2: can only speak for here. You see what I'm saying.

2321
02:00:15,880 --> 02:00:19,360
Speaker 2: So I had the luxury of other places. Yeah, I'm

2322
02:00:19,400 --> 02:00:24,160
Speaker 2: a lifelong Democrat. I will always be voting Democrat unless

2323
02:00:24,160 --> 02:00:26,720
Speaker 2: the parties completely flipped the way they did before I

2324
02:00:26,840 --> 02:00:28,680
Speaker 2: was born. Agree, that's the only way I can see

2325
02:00:28,680 --> 02:00:31,280
Speaker 2: myself being Like I guess I'm a Republican, but I

2326
02:00:31,320 --> 02:00:34,839
Speaker 2: cannot like they have left me with not much choice,

2327
02:00:36,120 --> 02:00:39,480
Speaker 2: and I don't find that exercising that choice just to

2328
02:00:39,560 --> 02:00:42,160
Speaker 2: prove a point matters. Like when Steven Asmith says, maybe

2329
02:00:42,160 --> 02:00:44,640
Speaker 2: black people should vote Republican for what so they can

2330
02:00:44,680 --> 02:00:46,720
Speaker 2: take away more of our rights? I don't think So.

2331
02:00:47,080 --> 02:00:49,240
Speaker 2: How about they do something to game our vote the

2332
02:00:49,280 --> 02:00:52,120
Speaker 2: way that you demand Democrats gain our vote and earn

2333
02:00:52,160 --> 02:00:54,920
Speaker 2: our vote. Why aren't you saying those things the Republicans

2334
02:00:54,920 --> 02:00:57,520
Speaker 2: that they need to earn our vote. I don't understand

2335
02:00:57,560 --> 02:01:00,520
Speaker 2: that logic. So I completely agree with you on this camp. Yeah,

2336
02:01:01,000 --> 02:01:02,480
Speaker 2: like I said, it's one of those things.

2337
02:01:02,520 --> 02:01:06,120
Speaker 1: But like I said, I might not know everything, but

2338
02:01:06,160 --> 02:01:08,200
Speaker 1: there are some things that are common sense. Like you said,

2339
02:01:08,200 --> 02:01:10,080
Speaker 1: that's one thing about being down the South, we don't

2340
02:01:10,120 --> 02:01:12,320
Speaker 1: have all these luxuries that other parts of the country have.

2341
02:01:12,800 --> 02:01:15,480
Speaker 1: And so I'm not bullshiting with y'all. I'm not playing

2342
02:01:15,520 --> 02:01:17,880
Speaker 1: around with y'all. I don't have time for no and

2343
02:01:18,000 --> 02:01:19,920
Speaker 1: and and people can feel how they want to feel

2344
02:01:19,960 --> 02:01:22,200
Speaker 1: about this, but I don't have time for for for

2345
02:01:22,360 --> 02:01:24,600
Speaker 1: all these parties that ain't gonna impact. We are two

2346
02:01:24,640 --> 02:01:26,720
Speaker 1: party system in this country and I and I forty

2347
02:01:26,760 --> 02:01:28,760
Speaker 1: something years old, and my family is older, and people

2348
02:01:28,760 --> 02:01:30,840
Speaker 1: been complaining, Well, then y'all need to do something and

2349
02:01:30,880 --> 02:01:33,160
Speaker 1: create this other party, do the groundwork. If you're not

2350
02:01:33,160 --> 02:01:35,360
Speaker 1: gonna do the groundwork, baby, it's left or right and

2351
02:01:35,400 --> 02:01:37,520
Speaker 1: the other party wants me to stay black and die.

2352
02:01:38,120 --> 02:01:43,480
Speaker 2: I vote and I vote Democrat. That's it really that

2353
02:01:43,600 --> 02:01:46,040
Speaker 2: simple to me. You know, everybody trying to do these

2354
02:01:46,120 --> 02:01:49,160
Speaker 2: Jedi mind tricks around it. When you see the people

2355
02:01:49,240 --> 02:01:53,880
Speaker 2: that really really push how much they aren't committed to

2356
02:01:54,200 --> 02:01:57,080
Speaker 2: either party or either side of anything, I want you

2357
02:01:57,120 --> 02:01:59,440
Speaker 2: to stop and think about it. Why do they say

2358
02:01:59,440 --> 02:02:02,840
Speaker 2: that is because they'll be okay? Why can't they take

2359
02:02:02,880 --> 02:02:06,600
Speaker 2: a wild swing from extremely Like there was a comedian

2360
02:02:06,640 --> 02:02:08,320
Speaker 2: I won't say his name just because I don't want

2361
02:02:08,320 --> 02:02:10,240
Speaker 2: to start no shit, but there was a comedian I

2362
02:02:10,280 --> 02:02:14,640
Speaker 2: thought that was so progressive during the Obama years. He

2363
02:02:14,800 --> 02:02:18,560
Speaker 2: was like, I'm not voting Democrat because I'm so progressive Obama,

2364
02:02:19,440 --> 02:02:22,280
Speaker 2: drone strikes, whatever, right, something, I don't remember what his

2365
02:02:22,360 --> 02:02:25,560
Speaker 2: exact reason of Wall Street, occupy Wall Street, whatever, it was,

2366
02:02:25,600 --> 02:02:29,520
Speaker 2: some reason he was voting. He was not voting. Then

2367
02:02:29,800 --> 02:02:34,280
Speaker 2: here comes Hillary Clinton. He ain't voting again, Hillary Clinton?

2368
02:02:34,280 --> 02:02:36,800
Speaker 2: What about her emails or some shit or I don't whatever.

2369
02:02:36,840 --> 02:02:39,840
Speaker 2: He found some reasons maybe ninety four crime bill. He's

2370
02:02:39,840 --> 02:02:41,840
Speaker 2: a white guy, by the way, but he found a reason.

2371
02:02:42,680 --> 02:02:47,160
Speaker 2: Then here comes Trump found a reason not to vote

2372
02:02:47,160 --> 02:02:49,200
Speaker 2: that time, or you know, not to fuck with Biden

2373
02:02:49,280 --> 02:02:53,760
Speaker 2: or whatever. And now this man is a transfobe, right

2374
02:02:54,120 --> 02:02:57,880
Speaker 2: outspoken transfob, like goes up to the marches, transfob. Family,

2375
02:02:57,880 --> 02:03:03,080
Speaker 2: don't talk to him, no more transfob Right. Yeah, what

2376
02:03:03,200 --> 02:03:06,320
Speaker 2: a wild swing. But you know what he has in

2377
02:03:06,400 --> 02:03:09,040
Speaker 2: common in every single one of those elections I just mentioned.

2378
02:03:10,040 --> 02:03:15,240
Speaker 2: He gonna be okay, Right, he gonna be okay. That's

2379
02:03:15,320 --> 02:03:20,560
Speaker 2: the thing I'm not. I am not Republicans take over

2380
02:03:20,600 --> 02:03:23,280
Speaker 2: my state. I guarantee you guys, I won't be okay.

2381
02:03:24,360 --> 02:03:28,000
Speaker 2: We're fighting tooth and nail. We're fighting. We just got

2382
02:03:28,000 --> 02:03:33,680
Speaker 2: our judge to actually officially be confirmed because the guy

2383
02:03:33,680 --> 02:03:37,080
Speaker 2: who was who lost her election was challenging her North

2384
02:03:37,080 --> 02:03:41,880
Speaker 2: Carolina Supreme Court seat even though he lost, because he

2385
02:03:41,960 --> 02:03:44,600
Speaker 2: was just hoping that enough Republicans in power would be like,

2386
02:03:45,200 --> 02:03:47,040
Speaker 2: you know what, fuck is still the election from her.

2387
02:03:47,520 --> 02:03:49,560
Speaker 2: We don't care that she won the election. Still it

2388
02:03:49,640 --> 02:03:52,080
Speaker 2: take it because we have the power. That's the fight

2389
02:03:52,160 --> 02:03:54,240
Speaker 2: we fighting down here. It ain't the same as New

2390
02:03:54,360 --> 02:03:57,080
Speaker 2: York and New Jersey and Seattle and wherever the fuck

2391
02:03:57,080 --> 02:04:00,880
Speaker 2: else people are. Now that being said, it can be

2392
02:04:00,960 --> 02:04:05,080
Speaker 2: the same. Everybody that think they safe, You ain't safe.

2393
02:04:05,640 --> 02:04:09,200
Speaker 2: You won election, you one fucking rule, you want law,

2394
02:04:10,480 --> 02:04:16,680
Speaker 2: your one criminal case. You're one Republican slush fund attacking

2395
02:04:16,720 --> 02:04:20,560
Speaker 2: your city from being one of these places. You think

2396
02:04:20,600 --> 02:04:23,760
Speaker 2: you're safe, Yes you do. No one's safe if you

2397
02:04:23,840 --> 02:04:29,080
Speaker 2: stop fighting. The fighting is what makes you safe. Yes,

2398
02:04:29,160 --> 02:04:31,200
Speaker 2: and people just don't have to fight at them. All right,

2399
02:04:31,320 --> 02:04:33,840
Speaker 2: we got voice emails and then we're gonna wrap it up.

2400
02:05:04,120 --> 02:05:06,680
Speaker 2: That's called Tomorrow by DJ Joffe. I love that one,

2401
02:05:07,080 --> 02:05:09,760
Speaker 2: Brian Rice, and congratulations on your new car driving in

2402
02:05:09,760 --> 02:05:12,200
Speaker 2: good health and safety. Careen mentioned that it has a

2403
02:05:12,240 --> 02:05:16,120
Speaker 2: proximity sensor feature. There are several buttons to get familiar

2404
02:05:16,120 --> 02:05:17,960
Speaker 2: with for a new vehicle, and you're likely to fiddle

2405
02:05:18,040 --> 02:05:19,840
Speaker 2: with them. At some point. One of those buttons will

2406
02:05:19,880 --> 02:05:22,000
Speaker 2: turn off the proximity sensor, so if you come to

2407
02:05:22,040 --> 02:05:24,440
Speaker 2: rely on it for parking, you may wind up hitting

2408
02:05:24,480 --> 02:05:28,360
Speaker 2: something if you don't hear the beeping you're expecting. Been there,

2409
02:05:28,640 --> 02:05:31,680
Speaker 2: done that, Best wishes and love all your episodes. I'm

2410
02:05:31,760 --> 02:05:35,480
Speaker 2: beaming with enjoy your enjoyment of the Kendrick Lamar concert. Well, Brian,

2411
02:05:35,560 --> 02:05:37,840
Speaker 2: thank you. I don't know what button turns it off.

2412
02:05:37,880 --> 02:05:39,560
Speaker 2: I ain't touching it. No, don't turn it off. Keep

2413
02:05:39,560 --> 02:05:41,920
Speaker 2: it on. I need that. I like you to. I

2414
02:05:41,920 --> 02:05:45,240
Speaker 2: don't rely on it, but I because I haven't had

2415
02:05:45,320 --> 02:05:47,840
Speaker 2: this car long enough, and it's the nicest car I've

2416
02:05:47,840 --> 02:05:51,280
Speaker 2: ever ownso and I know for y'all, y'all are rich,

2417
02:05:51,320 --> 02:05:54,120
Speaker 2: and it's not y'all nicest car, but it's nice to me.

2418
02:05:54,280 --> 02:05:58,760
Speaker 2: And I am not trusting the camera and the beeps yet,

2419
02:05:59,040 --> 02:06:01,440
Speaker 2: I'll still be looking for you too, looking at the left,

2420
02:06:01,440 --> 02:06:03,160
Speaker 2: look at to the right, too close to the curve.

2421
02:06:03,160 --> 02:06:04,680
Speaker 2: I'm gonna try. I'm gonna back it up. I know

2422
02:06:04,760 --> 02:06:06,800
Speaker 2: it says I have room, but I don't feel like

2423
02:06:06,840 --> 02:06:09,600
Speaker 2: I have the room. Let me do this again. I'm

2424
02:06:09,600 --> 02:06:13,040
Speaker 2: doing it until I feel like to my feelings brown facts.

2425
02:06:13,080 --> 02:06:14,120
Speaker 2: You don't want me driving it?

2426
02:06:14,160 --> 02:06:15,280
Speaker 1: Be like, why are you at the eat back of

2427
02:06:15,280 --> 02:06:17,160
Speaker 1: the pockelt Because bitch, I don't trust my parking.

2428
02:06:17,240 --> 02:06:21,200
Speaker 2: Until I can do We're gonna have to walk the bath. Yeah,

2429
02:06:21,440 --> 02:06:23,800
Speaker 2: see it right saying but by no means do you

2430
02:06:23,840 --> 02:06:26,960
Speaker 2: need to read every bullet point feed every bullet of feedback.

2431
02:06:27,000 --> 02:06:29,560
Speaker 2: I know the show will be fit to be seven hours.

2432
02:06:29,880 --> 02:06:30,520
Speaker 2: Where are we at?

2433
02:06:30,720 --> 02:06:30,880
Speaker 3: Oh?

2434
02:06:31,040 --> 02:06:34,360
Speaker 2: Over two hours? Okay, you aren't You aren't wrong. Uh,

2435
02:06:34,720 --> 02:06:36,560
Speaker 2: it is long, but you know we thought it would

2436
02:06:36,600 --> 02:06:40,760
Speaker 2: be long listening to y'all loving loving Bossie. She's my

2437
02:06:40,840 --> 02:06:42,960
Speaker 2: best friend. No, she's my best friend. Was the cutest,

2438
02:06:42,960 --> 02:06:45,320
Speaker 2: most wholesome black love. I really appreciate hearing two black

2439
02:06:45,360 --> 02:06:47,280
Speaker 2: men go up for any of my sisters like that

2440
02:06:47,560 --> 02:06:49,880
Speaker 2: and then not be sexual. I don't think I hear

2441
02:06:49,920 --> 02:06:53,040
Speaker 2: that enough. I feel you on that said, but yeah,

2442
02:06:53,120 --> 02:06:56,960
Speaker 2: she is awesome. She the best. And look, Mike is

2443
02:06:56,960 --> 02:07:00,600
Speaker 2: the j Cole of her, of her Big three Black

2444
02:07:00,640 --> 02:07:03,520
Speaker 2: Men Friends podcast friends. So I'm cool with that. Long

2445
02:07:03,560 --> 02:07:05,920
Speaker 2: as I'm the Kendrick. I don't have a problem with them.

2446
02:07:06,000 --> 02:07:06,720
Speaker 2: It's just big me.

2447
02:07:07,520 --> 02:07:07,680
Speaker 1: Uh.

2448
02:07:07,800 --> 02:07:10,600
Speaker 2: The way y'all talk about future is crazy. As someone

2449
02:07:10,640 --> 02:07:13,360
Speaker 2: who started college in two thousand and eight, Oh just

2450
02:07:13,400 --> 02:07:17,360
Speaker 2: call us, Oh why don't you? Okay?

2451
02:07:17,960 --> 02:07:18,080
Speaker 1: Uh?

2452
02:07:18,160 --> 02:07:22,120
Speaker 2: The Nevadias slander is wild as a musician, not as

2453
02:07:22,120 --> 02:07:24,920
Speaker 2: a person. Similar as a musician, Future Hendrix, the nigga

2454
02:07:24,960 --> 02:07:27,879
Speaker 2: that taught us French, he taught y'all French French Montana

2455
02:07:27,880 --> 02:07:31,880
Speaker 2: didn't do that. It's in his name, uh said. Let

2456
02:07:31,960 --> 02:07:34,120
Speaker 2: him be the one we call when it's time to

2457
02:07:34,200 --> 02:07:37,080
Speaker 2: be a freak. Got us thinking about putting thumbs and

2458
02:07:37,120 --> 02:07:41,400
Speaker 2: butts and fucking real sisters. Well that's the thing, you young,

2459
02:07:42,200 --> 02:07:46,040
Speaker 2: I've been on thumbs and butts, so that's new for you.

2460
02:07:46,400 --> 02:07:53,120
Speaker 2: But like this is old hat for those of us

2461
02:07:53,200 --> 02:07:56,280
Speaker 2: that have been around for a while. Digital Underground have

2462
02:07:56,400 --> 02:07:59,120
Speaker 2: been putting thumbs in butts for decades. By the time

2463
02:07:59,160 --> 02:08:03,120
Speaker 2: Future showed up, you can't I get how you would

2464
02:08:03,200 --> 02:08:06,320
Speaker 2: be like, whoa that he that's the one. But for me,

2465
02:08:06,400 --> 02:08:08,520
Speaker 2: I'm like, oh, we just sa on thumbs and butts.

2466
02:08:08,560 --> 02:08:11,960
Speaker 2: We haven't progressed yet. I guess I have to wait

2467
02:08:12,640 --> 02:08:16,240
Speaker 2: for this man to listen to some aka Nelly. Oh No,

2468
02:08:17,680 --> 02:08:20,800
Speaker 2: our March Madness will be the last song play. Oh

2469
02:08:20,840 --> 02:08:22,720
Speaker 2: March Madness will be the last song players. They lowered

2470
02:08:22,760 --> 02:08:25,840
Speaker 2: me into the dirt that Nigga reminded us that God

2471
02:08:25,880 --> 02:08:28,760
Speaker 2: ain't never left the trap the King low life. I

2472
02:08:28,800 --> 02:08:30,680
Speaker 2: loved it. I loved that you love Future and that's

2473
02:08:30,680 --> 02:08:32,480
Speaker 2: why I had him as I think he would be

2474
02:08:32,520 --> 02:08:35,400
Speaker 2: in the Big Three over j kevill that's all I'm saying.

2475
02:08:36,320 --> 02:08:38,160
Speaker 2: But you know what that's I feel like that comment

2476
02:08:38,240 --> 02:08:42,160
Speaker 2: is more for Mike because I don't think anybody else

2477
02:08:42,240 --> 02:08:44,000
Speaker 2: was arguing that Future wasn't Big three.

2478
02:08:44,320 --> 02:08:44,440
Speaker 4: Uh.

2479
02:08:45,320 --> 02:08:47,440
Speaker 2: I think we were all like he got more acclaimed

2480
02:08:47,440 --> 02:08:48,960
Speaker 2: to it than Jay Cole got and he was the

2481
02:08:48,960 --> 02:08:52,280
Speaker 2: one acting like well, I never like, I don't even

2482
02:08:52,320 --> 02:08:56,040
Speaker 2: listen to Future like that. Nigga is obvioushere. You know

2483
02:08:56,080 --> 02:08:58,640
Speaker 2: how many Future clones there are. It's crazy when you

2484
02:08:58,680 --> 02:09:01,920
Speaker 2: think about Atlanta rappers because obviously you got g Z,

2485
02:09:02,400 --> 02:09:05,280
Speaker 2: got t I like, you got those people. But I

2486
02:09:05,280 --> 02:09:08,320
Speaker 2: would say Future probably spawned the most clones where it's

2487
02:09:08,360 --> 02:09:12,880
Speaker 2: just niggas that do that like auto tune mumbo rapping

2488
02:09:13,240 --> 02:09:18,520
Speaker 2: type of vibe. You know, the the the I'm on

2489
02:09:18,560 --> 02:09:21,080
Speaker 2: some pills and some drink type you just want to

2490
02:09:21,080 --> 02:09:24,879
Speaker 2: fuck some bitches that that that imprint is heavy in Atlanta.

2491
02:09:24,880 --> 02:09:26,680
Speaker 2: I don't know how you can't give it to them

2492
02:09:26,920 --> 02:09:31,200
Speaker 2: as an influential rapper. But okay, uh, that's gotta be

2493
02:09:31,400 --> 02:09:33,760
Speaker 2: like a quarterly or bout Angelo. There's gotta be a

2494
02:09:33,840 --> 02:09:36,919
Speaker 2: quarterly orbout annual rap episode. Y'all would make an incredible

2495
02:09:37,000 --> 02:09:40,120
Speaker 2: rap show. This episode gonna be have a million comments.

2496
02:09:40,440 --> 02:09:43,040
Speaker 2: Uh yeah, Like I said, I'll be thinking about that

2497
02:09:44,880 --> 02:09:48,520
Speaker 2: with the with the I think I have to find

2498
02:09:48,520 --> 02:09:50,120
Speaker 2: a way to do something with music. I don't I

2499
02:09:50,120 --> 02:09:53,640
Speaker 2: don't know how, and I don't want to make it

2500
02:09:53,720 --> 02:09:56,120
Speaker 2: so big that it's involving a million people and ship.

2501
02:09:56,920 --> 02:09:59,600
Speaker 2: But I don't know. I'm thinking about it because I

2502
02:09:59,640 --> 02:10:02,160
Speaker 2: do like music and listen to music a lot more

2503
02:10:02,200 --> 02:10:04,360
Speaker 2: than most of the people. And there's so many people

2504
02:10:04,360 --> 02:10:08,320
Speaker 2: that talk about music. While I'm like, I could do that,

2505
02:10:08,640 --> 02:10:11,080
Speaker 2: I don't like and look and I don't think. I'm like,

2506
02:10:11,120 --> 02:10:13,560
Speaker 2: I'm not super deep. I don't. I can't tell you

2507
02:10:13,640 --> 02:10:16,360
Speaker 2: like the instrumentation on each person and like this person

2508
02:10:16,480 --> 02:10:18,840
Speaker 2: was the drum on that, Like there's people that know

2509
02:10:18,920 --> 02:10:20,880
Speaker 2: that stuff way better than me. But like I could

2510
02:10:20,880 --> 02:10:23,840
Speaker 2: tell you some contemporary shit then be like yo, this, Yo,

2511
02:10:23,960 --> 02:10:26,840
Speaker 2: have you heard this album yet? That type of thing.

2512
02:10:27,160 --> 02:10:30,400
Speaker 2: So I'll think about it, though, Goddamn, that was a

2513
02:10:30,440 --> 02:10:32,879
Speaker 2: perfect segue and the Sinners, because that so the religious

2514
02:10:32,880 --> 02:10:35,040
Speaker 2: experience is so individual. I think that's what a lot

2515
02:10:35,040 --> 02:10:38,680
Speaker 2: of people don't understand about Beyonce's art is otherworldly, but

2516
02:10:38,760 --> 02:10:40,920
Speaker 2: it doesn't have to be Beyonce for someone that had

2517
02:10:40,920 --> 02:10:42,800
Speaker 2: that experience. I'm just glad that Sinners gave us an

2518
02:10:42,800 --> 02:10:46,920
Speaker 2: example of reference, of reference that when that thing, when

2519
02:10:47,000 --> 02:10:49,360
Speaker 2: the theme that we find most holy is not something

2520
02:10:49,400 --> 02:10:52,360
Speaker 2: that relates to Christianity or like religion, that spirit and

2521
02:10:52,360 --> 02:10:56,520
Speaker 2: spirituality lives anywhere a story can be told. That put

2522
02:10:56,520 --> 02:11:00,720
Speaker 2: that on t shirt. Quentin. While I'm the fuck ahead

2523
02:11:00,760 --> 02:11:03,200
Speaker 2: because the dynamic of the four y'all is very entertaining

2524
02:11:03,240 --> 02:11:06,200
Speaker 2: and won't like thirty minutes in, I feel the feedback

2525
02:11:06,240 --> 02:11:11,080
Speaker 2: show might be long as fuck. Saturday nerd Off question

2526
02:11:11,240 --> 02:11:14,600
Speaker 2: for quick question for you and Karen. If artists or

2527
02:11:14,640 --> 02:11:18,560
Speaker 2: specific piece of art. If an artist or specific piece

2528
02:11:18,560 --> 02:11:21,200
Speaker 2: of art, word Finity stars who slash, what would you

2529
02:11:21,240 --> 02:11:24,520
Speaker 2: collect for your power? Godlet my example beyond Say's renaissance

2530
02:11:24,520 --> 02:11:27,880
Speaker 2: to film. Kendrick Chufouria whacked out Murals Man at the Garden,

2531
02:11:28,240 --> 02:11:31,520
Speaker 2: Coogler whole body of work, Tony Morrison belove it mex

2532
02:11:31,560 --> 02:11:34,240
Speaker 2: Coachella said, oh, like five.

2533
02:11:34,080 --> 02:11:36,800
Speaker 1: Things, I don't know, five things, you know what.

2534
02:11:36,920 --> 02:11:39,080
Speaker 2: I'm gonna save this for the nerd Off. I'm gonna

2535
02:11:39,120 --> 02:11:41,560
Speaker 2: I'm gonna put this as a question for the next

2536
02:11:41,640 --> 02:11:43,960
Speaker 2: nerd Off we do that way. It gives Cared some

2537
02:11:44,000 --> 02:11:45,600
Speaker 2: time to think about it because.

2538
02:11:45,800 --> 02:11:46,640
Speaker 1: I don't I don't know.

2539
02:11:47,120 --> 02:11:49,200
Speaker 2: I just sprung this on her. Is it music related?

2540
02:11:49,240 --> 02:11:51,959
Speaker 2: I don't know. She was saying, it can be anything

2541
02:11:52,160 --> 02:11:55,440
Speaker 2: like what would yo things that you like? It could

2542
02:11:55,480 --> 02:12:01,080
Speaker 2: be you know five things cowboy bebop Okay, Okay, so

2543
02:12:02,200 --> 02:12:04,200
Speaker 2: he's a DJ, I'm the rapper or whatever, you know

2544
02:12:05,640 --> 02:12:08,200
Speaker 2: that that type of thing. So give I think we

2545
02:12:08,280 --> 02:12:12,960
Speaker 2: have a nerd off coming up this Friday, so give

2546
02:12:13,080 --> 02:12:15,920
Speaker 2: us that. That will give us time to think about it.

2547
02:12:15,960 --> 02:12:19,480
Speaker 2: So we'll give you a more complete list. Please and

2548
02:12:19,480 --> 02:12:21,840
Speaker 2: and tune in this Friday. If you're a premium person,

2549
02:12:21,880 --> 02:12:26,080
Speaker 2: tune in this Friday for our Nerd off and we'll

2550
02:12:26,080 --> 02:12:31,480
Speaker 2: be answering our infinity stones of pop culture questions. There

2551
02:12:31,480 --> 02:12:36,480
Speaker 2: you go. Uh, John Wright said, sinners, good morning riding Karen,

2552
02:12:36,960 --> 02:12:37,720
Speaker 2: this a long one.

2553
02:12:38,240 --> 02:12:44,879
Speaker 1: Boy has something to say. That's the title episode.

2554
02:12:45,000 --> 02:12:47,880
Speaker 2: Just go ahead and write it down. I had something

2555
02:12:47,920 --> 02:12:50,480
Speaker 2: to say because that put that on a T shirt.

2556
02:12:52,240 --> 02:12:53,160
Speaker 2: That is Karen's ship.

2557
02:12:53,360 --> 02:12:56,200
Speaker 1: Okay, niggas know y'all be talking.

2558
02:12:56,440 --> 02:13:00,520
Speaker 2: This is long. They had something to say, didn't they good?

2559
02:13:00,240 --> 02:13:04,200
Speaker 2: And Karen really enjoyed Sinner's Deep Dive with Bossi and Mike.

2560
02:13:04,480 --> 02:13:06,720
Speaker 2: I've already seen the movie twice and absolutely loved a

2561
02:13:06,760 --> 02:13:09,000
Speaker 2: true masterpiece that had so much interesting stuff to say

2562
02:13:09,040 --> 02:13:12,280
Speaker 2: about America, whiteness and a black lived experience, cultural appropriation, etc.

2563
02:13:12,800 --> 02:13:15,120
Speaker 2: All done it an incredibly entertaining way. As a musician,

2564
02:13:15,160 --> 02:13:17,600
Speaker 2: I especially loved the use of music and the incredible score.

2565
02:13:18,040 --> 02:13:21,520
Speaker 2: Not only were the performed songs fantastic and perfectly integrated

2566
02:13:21,600 --> 02:13:24,360
Speaker 2: to the film, but the score, with his lush strings

2567
02:13:24,400 --> 02:13:27,880
Speaker 2: and or other orchestral stuff, always had the move just

2568
02:13:28,000 --> 02:13:29,800
Speaker 2: right for the given scene. A couple of other things

2569
02:13:29,800 --> 02:13:32,880
Speaker 2: that stood out to me that I love Kugler's use

2570
02:13:32,880 --> 02:13:34,960
Speaker 2: of the Irish. It would have been really easy and

2571
02:13:35,000 --> 02:13:36,880
Speaker 2: obvious for Coogler at some point to have a character

2572
02:13:36,920 --> 02:13:39,600
Speaker 2: tell the audience that, know, the Irish were never slaves

2573
02:13:39,640 --> 02:13:41,480
Speaker 2: in the same way that black people were, with a

2574
02:13:41,480 --> 02:13:44,880
Speaker 2: big old message. I'm a moment, but I'm glad he

2575
02:13:44,960 --> 02:13:47,160
Speaker 2: took a much more interesting approach the Irish culture, and

2576
02:13:47,200 --> 02:13:49,320
Speaker 2: the music in the film was actually really good, especially

2577
02:13:49,320 --> 02:13:52,040
Speaker 2: the ballad of will Ye Go Lassie Go, which was

2578
02:13:52,080 --> 02:13:54,480
Speaker 2: beautiful and just dawned on me could have been a

2579
02:13:54,560 --> 02:13:57,600
Speaker 2: literal question to marry as the lassie, asking if she

2580
02:13:57,600 --> 02:14:00,520
Speaker 2: would come over to whiteness with the vampires. Think about

2581
02:14:00,520 --> 02:14:03,480
Speaker 2: the initial song pick Poor Robin Klean, one of the

2582
02:14:03,480 --> 02:14:06,320
Speaker 2: black characters, even muttered some sort of appreciation of the

2583
02:14:06,320 --> 02:14:09,480
Speaker 2: performance off camera, though maybe I just imagine it because

2584
02:14:09,520 --> 02:14:11,560
Speaker 2: I saw an interview with Coogler talk about his appreciation

2585
02:14:11,600 --> 02:14:14,160
Speaker 2: for Irish music and how at least his family fucked

2586
02:14:14,160 --> 02:14:16,240
Speaker 2: with it when he was growing up. Did you notice

2587
02:14:16,240 --> 02:14:19,280
Speaker 2: that when Remick and the Vampires reformed that song to

2588
02:14:19,280 --> 02:14:21,160
Speaker 2: try to get to the entrance to the juke joint,

2589
02:14:21,160 --> 02:14:23,720
Speaker 2: they used choreographed moves straight out of the Temptations for

2590
02:14:23,880 --> 02:14:26,960
Speaker 2: Tops and other motow acts, mimicking black moves to try

2591
02:14:27,000 --> 02:14:28,600
Speaker 2: to get in with black people.

2592
02:14:28,640 --> 02:14:29,040
Speaker 3: Brilliant.

2593
02:14:29,480 --> 02:14:31,560
Speaker 2: Makes me wonder if Remick really is a stand in

2594
02:14:31,600 --> 02:14:34,880
Speaker 2: for Justin Timberlay. By the way, you want to see

2595
02:14:34,960 --> 02:14:39,320
Speaker 2: Jack o'conno's Remick's range, check out the incredible Western series Godless,

2596
02:14:39,640 --> 02:14:42,360
Speaker 2: which was filmed out here in Taos, New Mexico. He

2597
02:14:42,520 --> 02:14:44,800
Speaker 2: is so different we almost didn't even recognize him in

2598
02:14:44,800 --> 02:14:47,480
Speaker 2: this role. You mentioned the way the camera illustrated a

2599
02:14:47,600 --> 02:14:49,680
Speaker 2: love for the South, and there was a little talk

2600
02:14:49,680 --> 02:14:51,960
Speaker 2: about other films that have done that. The first thing

2601
02:14:52,000 --> 02:14:54,919
Speaker 2: that came to mind was our fave Underground Like Underground

2602
02:14:55,000 --> 02:14:58,360
Speaker 2: Centers used those incredible shots of the endless fields, gun

2603
02:14:58,400 --> 02:15:01,080
Speaker 2: and styes and always an eye for the beautiful blackness

2604
02:15:01,080 --> 02:15:02,840
Speaker 2: on display from the cast. It also reminded me of

2605
02:15:02,840 --> 02:15:06,440
Speaker 2: Moonlight and that respect. Yeah, that's those two good casts. Yeah,

2606
02:15:06,520 --> 02:15:11,120
Speaker 2: both of those. I thought the character Grace was really great.

2607
02:15:11,200 --> 02:15:13,120
Speaker 2: It was a really great part of the film, especially

2608
02:15:13,120 --> 02:15:15,280
Speaker 2: when Remick and the other vampire are trying to goad

2609
02:15:15,320 --> 02:15:17,200
Speaker 2: her into letting them in. It struck me as a

2610
02:15:17,240 --> 02:15:19,480
Speaker 2: wonderful metaphor for the way whiteness appeals to white ad

2611
02:15:19,520 --> 02:15:22,120
Speaker 2: Jason poc And will even threaten them that if they

2612
02:15:22,160 --> 02:15:24,200
Speaker 2: don't join whiteness that kids and loved ones will pay

2613
02:15:24,240 --> 02:15:27,400
Speaker 2: a serious price. Pretty brilliant and unexpected. Yep, that's a

2614
02:15:27,440 --> 02:15:31,480
Speaker 2: good point. And finally, whether Coogler meant to or not,

2615
02:15:31,720 --> 02:15:35,600
Speaker 2: I appreciate the fact that he got my timeline debating

2616
02:15:35,600 --> 02:15:37,800
Speaker 2: whether the one drop rule is still in effect, whether

2617
02:15:38,200 --> 02:15:41,640
Speaker 2: it's Haley Steinfeld is black. Lol. I do not appreciate

2618
02:15:41,680 --> 02:15:44,760
Speaker 2: this conversation. I do not appreciate the one drop being

2619
02:15:44,800 --> 02:15:48,200
Speaker 2: all on my timeline it was so bad at the centers,

2620
02:15:48,320 --> 02:15:51,360
Speaker 2: I thought it was still going yesterday, and it turns

2621
02:15:51,400 --> 02:15:54,280
Speaker 2: out I think it's about the Pope because I was like,

2622
02:15:54,320 --> 02:15:56,480
Speaker 2: why are y'all still talking about this one drop shit?

2623
02:15:56,680 --> 02:15:59,360
Speaker 2: This is get the fuck off my timeline. The movie

2624
02:15:59,400 --> 02:16:02,160
Speaker 2: is over, who cares who's passing? And I'm like, oh,

2625
02:16:02,240 --> 02:16:04,760
Speaker 2: it's the Pope. Okay, well go ahead, I go. I

2626
02:16:04,760 --> 02:16:08,120
Speaker 2: get that's gonna be another week of this bullshit. But yeah,

2627
02:16:08,440 --> 02:16:10,960
Speaker 2: Secret Black Pope is just too good for people. They

2628
02:16:11,000 --> 02:16:14,440
Speaker 2: can't pass that up. We love Steinfeld since her superb

2629
02:16:14,480 --> 02:16:17,440
Speaker 2: Apple TV series Dickinson, in which she absolutely kills it

2630
02:16:17,480 --> 02:16:20,560
Speaker 2: and I had no idea she had Filipino with black heritage.

2631
02:16:20,680 --> 02:16:23,480
Speaker 2: She was even better than I expected as marrying this film. Bravo,

2632
02:16:23,520 --> 02:16:27,040
Speaker 2: mister Coogler. Definitely a top five favorite movie for me. Cheers, John.

2633
02:16:27,760 --> 02:16:31,240
Speaker 2: One last thing I'll point out about her, and even

2634
02:16:31,360 --> 02:16:36,680
Speaker 2: like Florence Pugh, Marvel is not restricting these actresses and

2635
02:16:36,920 --> 02:16:42,240
Speaker 2: actors from doing other like fun sexy work, like if

2636
02:16:42,240 --> 02:16:44,920
Speaker 2: they won't get their titties out or fuck somebody or

2637
02:16:44,959 --> 02:16:48,039
Speaker 2: do some sexy vampire shit in another film, you have

2638
02:16:48,080 --> 02:16:50,879
Speaker 2: to be a sexual. You can be hawkey. And also

2639
02:16:51,400 --> 02:16:53,680
Speaker 2: if they want to go see you, like Rod Michael B.

2640
02:16:53,800 --> 02:16:55,840
Speaker 2: Jordan on Sinners, they can go see that and you

2641
02:16:55,879 --> 02:16:59,080
Speaker 2: can still be hawkeye. Right. I'm glad we progressed to

2642
02:16:59,120 --> 02:17:01,720
Speaker 2: that point because I feel like I remember, back during

2643
02:17:02,160 --> 02:17:08,080
Speaker 2: the Cosby Show, Denise did that Denise? Why can't I

2644
02:17:08,160 --> 02:17:17,840
Speaker 2: draw that actress's name? Fuck Lisa. Lisa Bonnet did a

2645
02:17:17,879 --> 02:17:20,920
Speaker 2: movie where she it was like a lot of sexy nakedness,

2646
02:17:21,320 --> 02:17:23,720
Speaker 2: and then like Bill Coley's like, get the fuck out

2647
02:17:23,840 --> 02:17:26,120
Speaker 2: the show, like you can't be out here with the

2648
02:17:26,120 --> 02:17:29,240
Speaker 2: Phil Floren Phil, And I'm like, what, they ain't got

2649
02:17:29,280 --> 02:17:32,160
Speaker 2: nothing to do with each other? Like that's a part

2650
02:17:32,200 --> 02:17:35,360
Speaker 2: of an actor too. Yeah, so it's good. I didn't

2651
02:17:35,400 --> 02:17:38,160
Speaker 2: even think of that during the recording, or I didn't

2652
02:17:38,160 --> 02:17:40,160
Speaker 2: bring it up because we've been talking. But yeah, it's

2653
02:17:40,240 --> 02:17:41,640
Speaker 2: kind of cool to be able to see, like a

2654
02:17:41,720 --> 02:17:44,840
Speaker 2: Marvel actress get out here and do some sexy, vampire

2655
02:17:44,920 --> 02:17:47,800
Speaker 2: gory killing shit and then shows be hawkeyed next year

2656
02:17:47,800 --> 02:17:49,480
Speaker 2: and we'll I'll be like, oh, yeah, go get them.

2657
02:17:49,520 --> 02:17:53,480
Speaker 2: So all right, that's it, guys, thanks for listening. We'll

2658
02:17:53,520 --> 02:17:56,840
Speaker 2: be back tomorrow with my mom for Mother's Day. I

2659
02:17:56,840 --> 02:17:58,800
Speaker 2: believe it'd be ten thirty am. If you want to

2660
02:17:59,000 --> 02:18:01,640
Speaker 2: tune in live free to ask my old questions. If not,

2661
02:18:01,680 --> 02:18:04,880
Speaker 2: we're just gonna do a regular episode. Uh So, that's

2662
02:18:04,879 --> 02:18:06,959
Speaker 2: it until next time. I love you, I love you too.

2663
02:18:07,120 --> 02:18:07,360
Speaker 4: Wh