1 00:00:00,920 --> 00:00:02,920 Speaker 1: Hey, what's up. Everybody? Just wanted to chime in here 2 00:00:02,960 --> 00:00:05,520 Speaker 1: real quickly. You know that the recording of these bonus 3 00:00:05,559 --> 00:00:07,600 Speaker 1: episodes this week is going to be a little wonky. 4 00:00:08,039 --> 00:00:10,080 Speaker 1: I'm in the middle of building a new studio here. 5 00:00:10,119 --> 00:00:12,920 Speaker 1: We moved, it's a whole thing. Didn't want to go 6 00:00:12,920 --> 00:00:15,600 Speaker 1: a week without recording any bonus episodes though, so you're 7 00:00:15,600 --> 00:00:18,919 Speaker 1: gonna have to deal with a little extra reburb. Just 8 00:00:18,920 --> 00:00:20,720 Speaker 1: think of it as you're in like the studio at 9 00:00:20,720 --> 00:00:23,759 Speaker 1: Motown back of the day. Also, quick shout out before 10 00:00:23,800 --> 00:00:25,320 Speaker 1: we get into this bonus episode to all of you 11 00:00:25,400 --> 00:00:28,960 Speaker 1: listeners for the continued support. Thank you as always. This 12 00:00:29,000 --> 00:00:31,840 Speaker 1: episode is a special tribute to you guys. Thanks for 13 00:00:31,920 --> 00:00:35,840 Speaker 1: inspiring and motivating me as always. And yeah, real quick. 14 00:00:35,840 --> 00:00:38,239 Speaker 1: This past Tuesday, as you probably know, we released our 15 00:00:38,320 --> 00:00:41,239 Speaker 1: eighth episode in our Wu Tang series, this one on 16 00:00:41,360 --> 00:00:44,360 Speaker 1: Old Dirty Bastard, and this week over the bad Lands Feed, 17 00:00:44,400 --> 00:00:46,879 Speaker 1: we've got a brand new episode on David Lynch for 18 00:00:46,920 --> 00:00:49,680 Speaker 1: you to check out. I killed Laura Palmer just so 19 00:00:49,720 --> 00:00:51,519 Speaker 1: you know it was me. All right, let's get into 20 00:00:51,560 --> 00:00:56,800 Speaker 1: the after party. Hey, discos need a little more disgrace 21 00:00:56,880 --> 00:00:59,600 Speaker 1: Land in your life, Just to touch to get you through. 22 00:01:00,360 --> 00:01:03,440 Speaker 1: Yeah me too. This is the podcast that comes after 23 00:01:03,480 --> 00:01:20,880 Speaker 1: the podcast. Welcome to Disgraceland the after Bernie, Welcome to 24 00:01:20,920 --> 00:01:23,680 Speaker 1: the Disgraceland Bonus episode, a little thing we like to 25 00:01:23,680 --> 00:01:27,280 Speaker 1: call the after party. This is the show after the show, 26 00:01:27,400 --> 00:01:29,240 Speaker 1: the party after the party, the bridge to get you 27 00:01:29,280 --> 00:01:31,840 Speaker 1: from one full episode of Disgraceland to the other, the 28 00:01:31,920 --> 00:01:35,280 Speaker 1: backyard to dig into the dirt. On this episode, we 29 00:01:35,360 --> 00:01:39,160 Speaker 1: are talking, among other things, about well you guys, the 30 00:01:39,200 --> 00:01:42,800 Speaker 1: Disgraceland community and what makes you all so awesome. We're 31 00:01:42,800 --> 00:01:46,760 Speaker 1: also talking about old dirty bastard, amazing Halloween songs, and 32 00:01:46,800 --> 00:01:49,480 Speaker 1: a call to arms against shitty music and born music history, 33 00:01:49,520 --> 00:01:52,520 Speaker 1: and of course your voicemails, text dms and more, and 34 00:01:52,600 --> 00:01:56,120 Speaker 1: as always, a whole lot of Rosie. All right, disc goes, 35 00:01:56,440 --> 00:01:57,760 Speaker 1: Let's get. 36 00:01:57,960 --> 00:02:09,200 Speaker 2: Into it, all right. 37 00:02:09,240 --> 00:02:11,919 Speaker 1: We are here in the Disgraceland Bonus episode, in what 38 00:02:11,960 --> 00:02:14,919 Speaker 1: we call the after party, the place where we discuss 39 00:02:15,000 --> 00:02:18,680 Speaker 1: the music and the sometimes flawed and sometimes larger than 40 00:02:18,760 --> 00:02:23,360 Speaker 1: life characters that need discussing. And I've been reflective lately, 41 00:02:23,440 --> 00:02:25,360 Speaker 1: Like I said earlier at the top here, I recently 42 00:02:25,440 --> 00:02:29,440 Speaker 1: moved had some a little more alone time on my hands, 43 00:02:29,440 --> 00:02:32,480 Speaker 1: and I figured I would be having allowing me to 44 00:02:32,560 --> 00:02:35,280 Speaker 1: just sort of, you know, while I'm moving and unpacking 45 00:02:35,320 --> 00:02:37,800 Speaker 1: the stuff from the family, I'm thinking about what are 46 00:02:37,840 --> 00:02:41,120 Speaker 1: we even doing here in this disgrace land that we've built. 47 00:02:42,480 --> 00:02:45,760 Speaker 1: I put these bonus episodes together with the team to 48 00:02:45,760 --> 00:02:48,360 Speaker 1: help with the team here at Double Elvis, and a 49 00:02:48,400 --> 00:02:50,280 Speaker 1: lot of times I'm just caught up in the motion 50 00:02:50,320 --> 00:02:52,080 Speaker 1: of doing it. I wanted to kind of pause on 51 00:02:52,120 --> 00:02:55,320 Speaker 1: that this week and just sort of share my thinking 52 00:02:55,480 --> 00:02:58,760 Speaker 1: with you guys. When I started Disgraceland, I did it 53 00:02:58,800 --> 00:03:02,520 Speaker 1: in part to make the podcast that didn't yet exist 54 00:03:02,800 --> 00:03:05,800 Speaker 1: but that I wanted to hear. And before Disgraceland, there 55 00:03:05,840 --> 00:03:08,760 Speaker 1: was no music in true crime podcast. And what's grown 56 00:03:09,000 --> 00:03:12,600 Speaker 1: out of Disgraceland is this community, you guys, the discos, 57 00:03:13,280 --> 00:03:16,600 Speaker 1: and as we've grown together beyond music and true crime. 58 00:03:17,080 --> 00:03:19,480 Speaker 1: It's not just about the piano player who got away 59 00:03:19,480 --> 00:03:22,239 Speaker 1: with murdering his wife, or the hip hop star who 60 00:03:22,240 --> 00:03:25,160 Speaker 1: got gunned down on Crenshaw or the horror core artists 61 00:03:25,160 --> 00:03:28,120 Speaker 1: who aid his roommate. Now it's about you, and it's 62 00:03:28,120 --> 00:03:30,160 Speaker 1: about me, and it's about the relationship that we have. 63 00:03:30,880 --> 00:03:33,000 Speaker 1: I've been thinking about what I bring to this relationship. 64 00:03:33,040 --> 00:03:34,360 Speaker 1: You got to do that every once in a while 65 00:03:34,360 --> 00:03:36,119 Speaker 1: to keep things fresh. You guys know this, You guys 66 00:03:36,120 --> 00:03:38,000 Speaker 1: who are married, you guys who were in long term 67 00:03:38,000 --> 00:03:41,600 Speaker 1: relationships with other men and women and significant others, You 68 00:03:41,680 --> 00:03:44,560 Speaker 1: got to know when to stop and just sort of 69 00:03:44,600 --> 00:03:49,320 Speaker 1: do a little personal assessment. Okay, reflect. I've been thinking 70 00:03:49,360 --> 00:03:51,200 Speaker 1: about what I like, I said, what I bring to 71 00:03:51,240 --> 00:03:53,680 Speaker 1: this relationship, and I've been thinking about what you guys 72 00:03:53,680 --> 00:03:56,720 Speaker 1: bring to this relationship as well. This engagement that we 73 00:03:56,760 --> 00:04:00,240 Speaker 1: have in these bonus episodes, it's turned into this unexpect 74 00:04:00,240 --> 00:04:04,040 Speaker 1: to gift for me. When I started doing the bonus episodes, 75 00:04:04,080 --> 00:04:06,800 Speaker 1: I mean, quite honestly, it was a contractual obligation. That's 76 00:04:06,840 --> 00:04:08,680 Speaker 1: how it started, as one of the deals that I 77 00:04:08,720 --> 00:04:12,320 Speaker 1: had earlier in the in the lifespan here of Disgraceland. 78 00:04:12,680 --> 00:04:14,720 Speaker 1: And I didn't like just, you know, hacking up this 79 00:04:14,840 --> 00:04:17,880 Speaker 1: bonus episode and packaging it up and sending it out 80 00:04:17,880 --> 00:04:19,240 Speaker 1: to you guys. I thought there'd be a new, a 81 00:04:19,320 --> 00:04:23,039 Speaker 1: more interesting, more nuanced way to do things. So we 82 00:04:23,040 --> 00:04:25,200 Speaker 1: we found a way to do this with some old 83 00:04:25,240 --> 00:04:32,039 Speaker 1: school telephone wire, some rotary telephones, through voicemail and text 84 00:04:32,040 --> 00:04:34,640 Speaker 1: and of course, the modern tools of social media, and 85 00:04:34,680 --> 00:04:37,600 Speaker 1: now I had this other place for me to talk 86 00:04:37,640 --> 00:04:39,560 Speaker 1: to you and for us to talk together once a 87 00:04:39,560 --> 00:04:43,960 Speaker 1: week in a real and tangible way. And what's come 88 00:04:44,040 --> 00:04:46,480 Speaker 1: of that, you know, beyond all that, what's what's more 89 00:04:46,520 --> 00:04:50,320 Speaker 1: important is that you guys provoked me to think about 90 00:04:50,400 --> 00:04:53,240 Speaker 1: music and to think about musicians that we cover in 91 00:04:53,320 --> 00:04:57,040 Speaker 1: a different way, which is refreshing. It is totally refreshing, 92 00:04:57,360 --> 00:04:59,680 Speaker 1: and I have a lot of gratitude for it. What 93 00:04:59,760 --> 00:05:01,800 Speaker 1: I like to believe that I bring to the relationship 94 00:05:02,080 --> 00:05:04,160 Speaker 1: is similar. It's a unique point of view on the 95 00:05:04,240 --> 00:05:07,000 Speaker 1: musicians that we cover and the music that we love 96 00:05:07,520 --> 00:05:10,080 Speaker 1: or the music that we are in love with learning 97 00:05:10,160 --> 00:05:14,160 Speaker 1: about We are music lovers. All of us were obsessives. 98 00:05:14,600 --> 00:05:17,159 Speaker 1: It's not enough to know that old dirty bastard had 99 00:05:17,160 --> 00:05:20,000 Speaker 1: spent time in prison. We want to know and feel 100 00:05:20,040 --> 00:05:22,440 Speaker 1: his state of mind in the moment while he experienced 101 00:05:22,440 --> 00:05:26,200 Speaker 1: hard time. It's not enough to simply read on rollingstone 102 00:05:26,240 --> 00:05:30,080 Speaker 1: dot com that ACDC was accused of inspiring a serial killer. 103 00:05:30,360 --> 00:05:32,320 Speaker 1: We want to peek inside the state of mind to 104 00:05:32,400 --> 00:05:34,520 Speaker 1: that serial killer and find out what he was doing 105 00:05:34,560 --> 00:05:37,440 Speaker 1: when he was listening to a CDC it's not enough 106 00:05:37,440 --> 00:05:41,120 Speaker 1: to be told by Billboard Magazine that Bruce Springsteen's Nebraska 107 00:05:41,240 --> 00:05:44,680 Speaker 1: was inspired by real life gangsters from Philadelphia. We want 108 00:05:44,680 --> 00:05:46,440 Speaker 1: to be sitting on a corner across the street in 109 00:05:46,440 --> 00:05:48,799 Speaker 1: South Philly at that moment when they blew up the Chickenman, 110 00:05:48,839 --> 00:05:51,200 Speaker 1: and when they blew up his house too. In the 111 00:05:51,240 --> 00:05:53,920 Speaker 1: New York Post might interview me about Taylor Swift and 112 00:05:53,920 --> 00:05:57,359 Speaker 1: her many stalkers, But you want to hear the lunacy 113 00:05:57,440 --> 00:06:00,680 Speaker 1: and derangement that contributes to those stalkers scale walls and 114 00:06:00,720 --> 00:06:03,640 Speaker 1: bypassing the security of the biggest pop star in the world, 115 00:06:03,920 --> 00:06:06,640 Speaker 1: and to try to understand the reason behind all of that. 116 00:06:07,240 --> 00:06:11,080 Speaker 1: These artists, they're all entertaining, but that's just the tip 117 00:06:11,200 --> 00:06:14,320 Speaker 1: of the iceberg. That tip of the iceberg is all 118 00:06:14,360 --> 00:06:19,839 Speaker 1: throughout the mainstream music press. It's easy to find in biopics, 119 00:06:19,880 --> 00:06:24,240 Speaker 1: it's easy to find in biographies. But the things that 120 00:06:24,279 --> 00:06:27,280 Speaker 1: these artists do, they're crimes. The things that happen to them, 121 00:06:27,279 --> 00:06:31,159 Speaker 1: they're attackers, and the things that inspire them provide a 122 00:06:31,200 --> 00:06:34,960 Speaker 1: whole other level of entertainment for us to explore here 123 00:06:35,200 --> 00:06:38,080 Speaker 1: in Disgraceland, a new kind of storytelling that we can 124 00:06:38,120 --> 00:06:41,120 Speaker 1: tap into edge of your seat storytelling spawned from music 125 00:06:41,240 --> 00:06:43,719 Speaker 1: and true crime. And we've got a whole different but 126 00:06:43,839 --> 00:06:46,440 Speaker 1: similar thing going on with bad Lands, which I'll address 127 00:06:46,440 --> 00:06:48,920 Speaker 1: in our Rap Party Bonus episode. One of these weeks 128 00:06:49,320 --> 00:06:50,800 Speaker 1: you get us subscribe to that over in the bad 129 00:06:50,880 --> 00:06:54,040 Speaker 1: Lands Feed, But here in the Disgraceland Feed, this is 130 00:06:54,080 --> 00:06:57,880 Speaker 1: the place for the true music obsessives, for the freaks, 131 00:06:57,880 --> 00:07:01,080 Speaker 1: the geeks, the stoners, the burnouts, and the gearheads, and for, 132 00:07:01,160 --> 00:07:03,880 Speaker 1: like I said, the obsessed. For those who want the 133 00:07:03,920 --> 00:07:07,000 Speaker 1: story behind the story, That's what I've always wanted. For 134 00:07:07,040 --> 00:07:10,120 Speaker 1: those who want to be transported into the story, That's 135 00:07:10,160 --> 00:07:13,280 Speaker 1: what I've always wanted as well. For those long rides, 136 00:07:13,440 --> 00:07:17,360 Speaker 1: those lonely nights, those endless commutes, and those rare moments 137 00:07:17,360 --> 00:07:20,160 Speaker 1: of you time when it's just you and your headphones, 138 00:07:20,560 --> 00:07:24,400 Speaker 1: you're walking the dog, you're doing the dishes. Who the 139 00:07:24,440 --> 00:07:26,560 Speaker 1: fuck knows what you're doing. It's you time. You can 140 00:07:26,600 --> 00:07:29,360 Speaker 1: do whatever you want. You have great taste. You drive 141 00:07:29,400 --> 00:07:32,240 Speaker 1: the conversation here as much as I do. Try doing 142 00:07:32,280 --> 00:07:35,200 Speaker 1: that at Rolling Stone or at Billboard, or at Pitchfork 143 00:07:35,480 --> 00:07:38,440 Speaker 1: or anywhere else. Of consequence, they aren't going to listen 144 00:07:38,480 --> 00:07:41,560 Speaker 1: to you. They have their own agenda, they have publicists 145 00:07:41,560 --> 00:07:45,080 Speaker 1: to answer to, they have records to sell. Here we're 146 00:07:45,120 --> 00:07:47,680 Speaker 1: behind the board together, mixing our own music, and we 147 00:07:47,720 --> 00:07:51,160 Speaker 1: do it Old school and new school Telephone six one 148 00:07:51,280 --> 00:07:54,200 Speaker 1: seven nine oh six six six three eight, voicemail and 149 00:07:54,320 --> 00:07:56,520 Speaker 1: New school six one seven nine oh six six six 150 00:07:56,640 --> 00:08:00,840 Speaker 1: three eight Text at Disgrace Lampod on socials, Grace Lampod 151 00:08:00,920 --> 00:08:03,920 Speaker 1: at gmail dot com on email. I can't wait to 152 00:08:03,920 --> 00:08:05,720 Speaker 1: hear from you guys this week on all things music 153 00:08:05,720 --> 00:08:07,760 Speaker 1: and true crime. I'm gonna be back in two seconds 154 00:08:07,800 --> 00:08:10,560 Speaker 1: right after this break with your voicemails, your texts, and 155 00:08:10,600 --> 00:08:36,320 Speaker 1: your dms. All right, we're back in real quick. Before 156 00:08:36,320 --> 00:08:38,719 Speaker 1: we get into your voicemails, text and dms, I want 157 00:08:38,720 --> 00:08:40,880 Speaker 1: to illustrate what I was talking about in the earlier block. 158 00:08:41,320 --> 00:08:44,200 Speaker 1: So here are some recent headlines from the major music 159 00:08:44,280 --> 00:08:47,520 Speaker 1: sites right now. From Billboard dot com, this is an 160 00:08:47,520 --> 00:08:51,280 Speaker 1: actual headline. Jason Moras's Motown Nightjive brings season best scores 161 00:08:51,320 --> 00:08:54,760 Speaker 1: on Dancing with the Stars. Also from Billboard dot com. 162 00:08:54,960 --> 00:08:59,160 Speaker 1: Bts Young Cook shares golden concept photo ahead of album release. 163 00:09:00,040 --> 00:09:03,640 Speaker 1: Rollingstone dot com Tizo Touchdown is the future of rap rock, 164 00:09:04,240 --> 00:09:07,080 Speaker 1: and one more from Rollingstone dot Com. From kindles to 165 00:09:07,160 --> 00:09:10,079 Speaker 1: Crest White Strips, these are the best October Prime deals 166 00:09:10,080 --> 00:09:13,040 Speaker 1: worth shopping? Now, are you fucking kidding me? Does any 167 00:09:13,080 --> 00:09:16,040 Speaker 1: of this interest you? No? Of course it doesn't, because, 168 00:09:16,080 --> 00:09:18,480 Speaker 1: like me, you aren't interested in dancing with the stars, 169 00:09:18,880 --> 00:09:21,600 Speaker 1: k rock, rap rock, or giving a flying fuck about 170 00:09:21,640 --> 00:09:24,600 Speaker 1: Rolling Stone's take on Crest White Strips. And why would you? 171 00:09:25,280 --> 00:09:28,280 Speaker 1: This is a best asinine clickbait about music that doesn't 172 00:09:28,320 --> 00:09:31,880 Speaker 1: interest you, or at worst advertising disguised as music content. 173 00:09:32,480 --> 00:09:34,920 Speaker 1: Here's what you care about. Josh from the eight oh 174 00:09:35,000 --> 00:09:37,480 Speaker 1: one on the question of how we discovered music before 175 00:09:37,520 --> 00:09:38,640 Speaker 1: the Internet. 176 00:09:38,920 --> 00:09:41,040 Speaker 3: Hey Jake, this is Josh from the eight oh one 177 00:09:41,880 --> 00:09:46,560 Speaker 3: calling about how we found music before the Internet. For me, 178 00:09:46,640 --> 00:09:50,200 Speaker 3: it was skateboarding videos. You could hear anything from Johnny 179 00:09:50,240 --> 00:09:53,000 Speaker 3: Thunders to GZ in the same video, so you got 180 00:09:53,000 --> 00:09:54,280 Speaker 3: a good mix of everything. 181 00:09:54,559 --> 00:09:57,400 Speaker 4: And then it was a nineties kid So the Internet came. 182 00:09:57,240 --> 00:10:01,040 Speaker 3: Out shortly after that, But yeah, skateboarding the magazines were 183 00:10:01,240 --> 00:10:04,240 Speaker 3: mostly how I found music. Thanks love the show by. 184 00:10:04,720 --> 00:10:08,240 Speaker 1: Right on, Josh. I was never a skater myself, but 185 00:10:08,320 --> 00:10:10,880 Speaker 1: most every kid I hung out with was a skater. 186 00:10:11,640 --> 00:10:13,680 Speaker 1: So I know exactly what you're talking about. Skate videos 187 00:10:13,679 --> 00:10:16,559 Speaker 1: from the eighties and nineties nineties, especially Treasure Chors of 188 00:10:16,600 --> 00:10:20,200 Speaker 1: great Music and Dogtown and z Boys, the sort of 189 00:10:20,360 --> 00:10:23,640 Speaker 1: higher end skate documentary, great documentary, one of the greatest 190 00:10:23,679 --> 00:10:28,320 Speaker 1: documentary I've ever seen. Champagne narrates it it really I 191 00:10:28,360 --> 00:10:31,360 Speaker 1: know it's not a skate video, but it really drives 192 00:10:31,400 --> 00:10:34,160 Speaker 1: your point home. With the soundtrack for that film, it's 193 00:10:34,160 --> 00:10:36,760 Speaker 1: an incredible mix, as you probably know here, Josh. It's 194 00:10:36,760 --> 00:10:39,800 Speaker 1: an incredible mix of early metal, classic rock, pre punk 195 00:10:39,840 --> 00:10:42,360 Speaker 1: stuff that you would have heard during the time of 196 00:10:42,400 --> 00:10:45,640 Speaker 1: skateboarding's origins, which is what Dogtown Sea Boys is all about. 197 00:10:46,000 --> 00:10:47,840 Speaker 1: All right, let's check out with Chris from the five 198 00:10:47,920 --> 00:10:50,800 Speaker 1: seven three on how he got into music. 199 00:10:51,360 --> 00:10:54,600 Speaker 4: Hey, everybody, this is Chris from the five to seven 200 00:10:54,640 --> 00:10:58,200 Speaker 4: to three. I was going to comment on your request 201 00:10:58,280 --> 00:11:03,079 Speaker 4: to talk about musical I had a summer where the 202 00:11:03,120 --> 00:11:06,360 Speaker 4: parents had gotten divorced and I did proverbial stay at 203 00:11:06,360 --> 00:11:09,599 Speaker 4: the grandparents for the summer Newtown. I think I was 204 00:11:09,600 --> 00:11:13,079 Speaker 4: about a third grader and I meet a kid named 205 00:11:13,160 --> 00:11:16,360 Speaker 4: jesse Lee, and the first thing jesse Lee did was 206 00:11:16,400 --> 00:11:20,199 Speaker 4: hand me a TDK to set tape that it said 207 00:11:20,559 --> 00:11:25,439 Speaker 4: these three words guns and roses. You know, prior to that, 208 00:11:25,520 --> 00:11:28,760 Speaker 4: I was probably on a path towards marching band with 209 00:11:28,840 --> 00:11:32,640 Speaker 4: my little saxophone and it was Whitney Houston and Michael Jackson. 210 00:11:32,760 --> 00:11:38,440 Speaker 4: I just didn't have any other experiences. No Jesse Lee's 211 00:11:38,480 --> 00:11:40,199 Speaker 4: were in my world prior to that. But I listened 212 00:11:40,240 --> 00:11:43,280 Speaker 4: to that tape, shut her off and said, I don't 213 00:11:43,320 --> 00:11:45,520 Speaker 4: know what those guys are talking about, but I want 214 00:11:45,559 --> 00:11:47,959 Speaker 4: to be like them. Also, I was going to see 215 00:11:48,000 --> 00:11:51,480 Speaker 4: if you had ever heard the theory that Garth Brooks 216 00:11:51,679 --> 00:11:56,400 Speaker 4: is a serial killer. There's a lineage, not a lineage, 217 00:11:56,440 --> 00:11:59,400 Speaker 4: but there's a comparison to murders in each of the 218 00:11:59,440 --> 00:12:02,160 Speaker 4: cities he's played. At every city he goes to, there's 219 00:12:02,200 --> 00:12:06,120 Speaker 4: been a murder or there's an alarming amount of coincidences 220 00:12:06,160 --> 00:12:10,040 Speaker 4: that there's murders in each town that Garth Brooks has played. 221 00:12:10,280 --> 00:12:13,400 Speaker 4: And so I think it was Burt Kreischer that connected 222 00:12:13,679 --> 00:12:18,079 Speaker 4: the two details, and he's been saying that Garth Brooks 223 00:12:18,160 --> 00:12:21,160 Speaker 4: is a serial killer. That might make a good April 224 00:12:21,320 --> 00:12:24,160 Speaker 4: fool Day episode possibly, But anyway, you guys keep doing 225 00:12:24,160 --> 00:12:25,640 Speaker 4: what you're doing. Thank you for everything. 226 00:12:25,760 --> 00:12:29,760 Speaker 1: Cheers, Chris jesse Lee, You guy, jesse Lee sounds like 227 00:12:29,800 --> 00:12:32,480 Speaker 1: a gen X delinquent kid that I would have known 228 00:12:32,600 --> 00:12:35,520 Speaker 1: grown up as well. And I can relate to the 229 00:12:36,120 --> 00:12:39,240 Speaker 1: summers at my grandmother's. That's why that Nirvana Grandma take 230 00:12:39,320 --> 00:12:43,520 Speaker 1: me home. That hit fucking hard man. Anyways, I've never 231 00:12:43,559 --> 00:12:46,320 Speaker 1: heard the Garth Brooks serial killer story, but hot damn, Chris, 232 00:12:46,440 --> 00:12:50,679 Speaker 1: I am listening, all right. I'm loving the music discovery stories. 233 00:12:51,440 --> 00:12:53,880 Speaker 1: Keep them coming. Let's check in with Patrick from the 234 00:12:54,000 --> 00:12:56,720 Speaker 1: nine oh four. Out there eating up asphalt, working hard, 235 00:12:56,720 --> 00:12:58,600 Speaker 1: deliver a beer for you guys in the great state 236 00:12:58,640 --> 00:12:59,960 Speaker 1: of Florida. 237 00:13:00,000 --> 00:13:02,880 Speaker 5: Isaac looks up its patricks, got men in sane ougously in. 238 00:13:02,840 --> 00:13:05,160 Speaker 3: Florida driving a truck delivering beer. 239 00:13:05,800 --> 00:13:10,319 Speaker 5: Loved the podcast you were talking about discovery music stories. 240 00:13:10,400 --> 00:13:13,559 Speaker 5: I got one for you. I was a kid and 241 00:13:13,640 --> 00:13:16,640 Speaker 5: I was exploring this building that had been in construction 242 00:13:16,960 --> 00:13:20,760 Speaker 5: and abandoned, walking around, checking it out, you know, and 243 00:13:21,240 --> 00:13:25,000 Speaker 5: inside this little hole in the wall, I saw a 244 00:13:25,040 --> 00:13:28,640 Speaker 5: backpack and whatnot and thought someone was in there. Said hello, 245 00:13:28,679 --> 00:13:31,760 Speaker 5: got no response, went in, checked it out. Looked like 246 00:13:32,160 --> 00:13:35,240 Speaker 5: the stuff belonged to like a traveling kid. It was 247 00:13:35,240 --> 00:13:39,960 Speaker 5: a backpack, guitar from cardboards with markers and a CD case. 248 00:13:41,720 --> 00:13:43,640 Speaker 5: I was a little kid, so I decided, let me 249 00:13:43,640 --> 00:13:46,959 Speaker 5: look through this CD case see what I can find. 250 00:13:47,240 --> 00:13:49,600 Speaker 5: Kid obviously took some stuff with him on the road 251 00:13:49,679 --> 00:13:54,720 Speaker 5: to listen to. But I found the Funkadelic Cosmic Flop 252 00:13:54,760 --> 00:13:59,080 Speaker 5: album well CDs and it looked cool. I never heard 253 00:13:59,120 --> 00:14:02,120 Speaker 5: of it before, so I stay at home. Don't know 254 00:14:02,120 --> 00:14:03,760 Speaker 5: if you can say this on the pod. I got 255 00:14:03,760 --> 00:14:07,640 Speaker 5: a little stone listen to it and it blew my mind. 256 00:14:07,720 --> 00:14:10,800 Speaker 5: And to this day I am a huge Funkadelic fan 257 00:14:10,960 --> 00:14:15,480 Speaker 5: and cannot hear them without thinking of that story. So anyways, 258 00:14:15,600 --> 00:14:18,000 Speaker 5: love the show, brother, keep up what you're doing. I 259 00:14:18,120 --> 00:14:21,720 Speaker 5: listen to you while I'm driving around doing my saying Gee. 260 00:14:21,640 --> 00:14:23,760 Speaker 1: Thanks for the call. Patrick. Dude, the beginning of your 261 00:14:23,960 --> 00:14:26,920 Speaker 1: of your story sounds like the opening scene of a 262 00:14:26,960 --> 00:14:32,080 Speaker 1: horror movie. What a wild and daring way to discover 263 00:14:32,600 --> 00:14:36,960 Speaker 1: none other than Funkadelic Cosmic Slop. Yes, incredible album, and 264 00:14:37,040 --> 00:14:40,160 Speaker 1: yes and even more incredible album when you're stoned. At 265 00:14:40,160 --> 00:14:42,320 Speaker 1: some point, dude, we're going to do an episode on Funkadelic. 266 00:14:42,800 --> 00:14:45,320 Speaker 1: Thanks for this, Patrick, and thanks for working herd out there. 267 00:14:45,720 --> 00:14:48,760 Speaker 1: All right, let's switch topics and hear from Ian maybe 268 00:14:48,840 --> 00:14:52,480 Speaker 1: up in Canada on top five Halloween songs. 269 00:14:53,040 --> 00:14:56,600 Speaker 6: He hey, Jake, this is Ian maybe several five fuck 270 00:14:56,640 --> 00:15:00,880 Speaker 6: from Canada. I'd have to give you my top five 271 00:15:01,520 --> 00:15:06,920 Speaker 6: Halloween sells, in no particular order. Got Belle Lugosi's Dead, 272 00:15:07,840 --> 00:15:10,360 Speaker 6: Ministry every day it is Halloween. That's got to be 273 00:15:10,600 --> 00:15:15,720 Speaker 6: Man Love and Rock, It's Haunted, Swish Blade, Symphony, Witches, 274 00:15:16,880 --> 00:15:19,920 Speaker 6: type of negative black number one, And if I had 275 00:15:19,920 --> 00:15:22,680 Speaker 6: to give an honorable mention, it would be Uncle Acid 276 00:15:22,720 --> 00:15:25,400 Speaker 6: and the Dead Beats. I'll cut you down, all right, 277 00:15:25,880 --> 00:15:26,520 Speaker 6: rock and roller. 278 00:15:26,960 --> 00:15:31,040 Speaker 1: Fucking great list, and none of which would have been 279 00:15:31,080 --> 00:15:34,800 Speaker 1: on my list but will be now. Great titles, especially 280 00:15:34,880 --> 00:15:38,800 Speaker 1: Bella Lugosi's Dead. If you're interested in Quentin Tarantino's latest book, 281 00:15:38,840 --> 00:15:41,120 Speaker 1: centem A Speculation, It's got a great insert on the 282 00:15:41,120 --> 00:15:45,040 Speaker 1: death of Bella Lugosi. It's absolutely fascinating and worth checking 283 00:15:45,080 --> 00:15:47,840 Speaker 1: out for that alone. But the whole freaking book is incredible, 284 00:15:47,840 --> 00:15:50,480 Speaker 1: as you would imagine. There will be a bad Lands 285 00:15:50,520 --> 00:15:53,360 Speaker 1: episode on Bella Lagosi at some point. All right, so 286 00:15:53,440 --> 00:15:55,240 Speaker 1: let's recap just real quick. Some of the artists, you 287 00:15:55,240 --> 00:15:57,160 Speaker 1: guys brought up already on these calls and text Johnny 288 00:15:57,200 --> 00:16:01,520 Speaker 1: Thunder's guns N' Roses Bauhaus Funkadelic to the earlier point 289 00:16:02,160 --> 00:16:04,880 Speaker 1: of why we are here in this feed right now together. 290 00:16:04,960 --> 00:16:06,520 Speaker 1: It's not just to dig into edge of your seat 291 00:16:06,600 --> 00:16:09,600 Speaker 1: storytelling about insane rock star behavior, but it's to talk 292 00:16:09,640 --> 00:16:12,000 Speaker 1: about great music and the people who make it. And 293 00:16:12,080 --> 00:16:13,880 Speaker 1: you guys have great taste, and I hate to break 294 00:16:13,880 --> 00:16:15,480 Speaker 1: it to you, You're just not going to get Johnny 295 00:16:15,480 --> 00:16:19,520 Speaker 1: Thunder's guns N' Roses Bajas Funkadelic. You're not going to 296 00:16:19,560 --> 00:16:21,480 Speaker 1: get them on the pages of Rolling Stone right now 297 00:16:21,560 --> 00:16:23,720 Speaker 1: or Billboard or really anywhere else with the level of 298 00:16:23,760 --> 00:16:27,720 Speaker 1: context and perspective that we're dealing with here, You guys 299 00:16:27,720 --> 00:16:29,960 Speaker 1: built the space, the space where we are unashamed to 300 00:16:30,000 --> 00:16:32,280 Speaker 1: make classic rock great again, where we know in our 301 00:16:32,320 --> 00:16:34,360 Speaker 1: bones that there isn't a hip hop artist on the 302 00:16:34,440 --> 00:16:36,720 Speaker 1: charts right now who could ever hold the mic to 303 00:16:36,760 --> 00:16:40,240 Speaker 1: any number of nineties or early Adds mcs. It's right here, 304 00:16:40,680 --> 00:16:44,040 Speaker 1: right here, where metal, punk, dance music, hell even disco 305 00:16:44,200 --> 00:16:47,920 Speaker 1: takes flight through wildly entertaining transgressive behavior. And it's here 306 00:16:48,200 --> 00:16:51,320 Speaker 1: where the DIY can do hustle of hardcore music and 307 00:16:51,400 --> 00:16:55,400 Speaker 1: blue collar blues country in soul, where it inspires us 308 00:16:55,440 --> 00:16:58,520 Speaker 1: to always search for and unpack the most entertaining stories 309 00:16:58,520 --> 00:17:02,640 Speaker 1: from music history, the same old textbook bullshit pedaled by 310 00:17:02,640 --> 00:17:06,280 Speaker 1: the mainstream music press or the hackney biopics, entire biographies 311 00:17:06,600 --> 00:17:09,600 Speaker 1: right here in Disgraceland, right here because of you, the 312 00:17:09,640 --> 00:17:13,840 Speaker 1: Disgraceland community, the discos. This isn't a podcast. This is 313 00:17:13,840 --> 00:17:17,119 Speaker 1: a revolt against shitty music, a call to arms against 314 00:17:17,200 --> 00:17:20,520 Speaker 1: boring music history discos. Fire all of your guns at once, 315 00:17:20,640 --> 00:17:25,439 Speaker 1: Explode into space. Disgraceland after party, pre party, three pods 316 00:17:25,440 --> 00:17:35,360 Speaker 1: and the truth back in a moment with more from you, guys, 317 00:17:42,840 --> 00:17:45,960 Speaker 1: guys six one seven, nine oh six, six, six three 318 00:17:46,160 --> 00:17:48,119 Speaker 1: eight to leave me a voicemail. Let's keep going on 319 00:17:48,160 --> 00:17:51,000 Speaker 1: this music discovery thread. How did you guys get into 320 00:17:51,080 --> 00:17:53,560 Speaker 1: music in a pre Internet era? Which juvenile delink Win 321 00:17:53,640 --> 00:17:55,600 Speaker 1: got you into? The pre Pour Some Sugar on Me 322 00:17:55,680 --> 00:17:58,800 Speaker 1: def Leppard? Which Stone Skaters slipped you the first Suicidal 323 00:17:58,840 --> 00:18:01,359 Speaker 1: Tendencies album, The name of the cool older dude who 324 00:18:01,400 --> 00:18:03,480 Speaker 1: dated your sister and introduce you to jay Z for 325 00:18:03,520 --> 00:18:06,240 Speaker 1: the first time. Six one seven, nine oh six six 326 00:18:06,359 --> 00:18:08,760 Speaker 1: six three eight. Call me from work. Your boss is 327 00:18:08,800 --> 00:18:10,680 Speaker 1: not gonna care, trust me. Call me from the road 328 00:18:10,760 --> 00:18:13,480 Speaker 1: hands free only, of course. Six one seven nine oh 329 00:18:13,520 --> 00:18:16,119 Speaker 1: six six six three eight. You can send a text too, 330 00:18:16,600 --> 00:18:18,399 Speaker 1: just like Dylan from the two six TOZH. On the 331 00:18:18,480 --> 00:18:22,280 Speaker 1: question of favorite Halloween songs, Dylan writes Jake Dylan from 332 00:18:22,320 --> 00:18:24,159 Speaker 1: the two six oh Here, we'd like to submit my 333 00:18:24,240 --> 00:18:27,520 Speaker 1: list of my favorite Halloween songs. None of these mention 334 00:18:27,600 --> 00:18:29,480 Speaker 1: the word Halloween, but who the hell care is? They're great? 335 00:18:29,480 --> 00:18:31,399 Speaker 1: I agree with that favorite Halloween songs don't have to 336 00:18:31,440 --> 00:18:34,960 Speaker 1: explicitly mention Halloween or even be about Halloween. They just 337 00:18:35,000 --> 00:18:37,920 Speaker 1: gotta be spooky, fucking creepy. You know you're driving late 338 00:18:37,920 --> 00:18:40,400 Speaker 1: at night and you're like, fuck, I gotta get home, man, 339 00:18:40,760 --> 00:18:44,280 Speaker 1: I'm scared. Number one Children of the Grave, Black Sabbath, 340 00:18:44,320 --> 00:18:47,000 Speaker 1: I totally agree. Underrated by the way. Number two for 341 00:18:47,080 --> 00:18:50,720 Speaker 1: whom the Bell Tolls Metallica. Number three Symptom of the Universe, 342 00:18:50,800 --> 00:18:54,840 Speaker 1: Black Sabbath Greats might be my favorite Sabbath song. Awesome 343 00:18:54,880 --> 00:18:58,240 Speaker 1: taste Dylan. Number four zero The Smashing Pumpkins wouldn't have 344 00:18:58,240 --> 00:19:01,320 Speaker 1: picked that one, but I'm Okayumber five Ghost Song Jim 345 00:19:01,320 --> 00:19:03,520 Speaker 1: Morrison and the Doors. I don't know ghost song do I? 346 00:19:03,920 --> 00:19:06,360 Speaker 1: People are strange as where I go do with spooky 347 00:19:06,359 --> 00:19:09,880 Speaker 1: door stuff? Great list, nonetheless, Dylan, thank you so much. 348 00:19:10,880 --> 00:19:14,000 Speaker 1: All right, let's check in with the seven seveny five 349 00:19:14,200 --> 00:19:17,199 Speaker 1: on more Halloween songs, and right here they go in 350 00:19:17,200 --> 00:19:19,560 Speaker 1: with number one how to Make a Monster by Rob 351 00:19:19,680 --> 00:19:22,600 Speaker 1: Zombie both versions is that cheating? Number two crip Zombie 352 00:19:22,640 --> 00:19:26,919 Speaker 1: Hula by Deadcats, Number three blood Letting by Concrete Blonde, 353 00:19:27,040 --> 00:19:30,000 Speaker 1: Number four Night Prowler by ac DC, five eight No 354 00:19:30,119 --> 00:19:34,000 Speaker 1: Grave by Johnny Cash, six Zombie Crushed by Groovy Goolies. 355 00:19:34,000 --> 00:19:35,960 Speaker 1: I would totally have Werewolves of London on here, but 356 00:19:36,000 --> 00:19:38,000 Speaker 1: it was on your list. Hope you had some of 357 00:19:38,040 --> 00:19:41,280 Speaker 1: mine on yours as well. They're online and here's the playlist, 358 00:19:42,240 --> 00:19:45,960 Speaker 1: awesome playlist here, All Hallow's Eve. Excuse me as the 359 00:19:46,000 --> 00:19:48,160 Speaker 1: name of the playlist, I want to get you the playlist. 360 00:19:48,359 --> 00:19:53,439 Speaker 1: Use your name. It's Brent n Sandy, b R E 361 00:19:53,640 --> 00:19:57,200 Speaker 1: N t N s A N d I E. Check 362 00:19:57,240 --> 00:20:00,520 Speaker 1: that out on Spotify Brent in Sandy. And there's a 363 00:20:00,560 --> 00:20:04,720 Speaker 1: great playlist here called All Hallows Eve and it starts 364 00:20:04,720 --> 00:20:07,760 Speaker 1: with a fucking banger that they didn't mention heads will 365 00:20:07,840 --> 00:20:11,119 Speaker 1: roll by Yeah yeah, yeahes great one, great one, science fiction, 366 00:20:11,359 --> 00:20:16,160 Speaker 1: damn good stuff on here. I'm looking at this Psycho Killer, Godzilla, 367 00:20:16,400 --> 00:20:19,000 Speaker 1: nice good good, good, good, good good good list. Thank you. 368 00:20:19,040 --> 00:20:23,399 Speaker 1: Seven seventy five Jane from the three oh six right saying, Hey, Jake, 369 00:20:23,760 --> 00:20:27,040 Speaker 1: you asked about discovering music slash fants, et cetera. I 370 00:20:27,080 --> 00:20:29,520 Speaker 1: was a kid when smash Mols released I'm a believer, 371 00:20:29,560 --> 00:20:31,879 Speaker 1: and I had zero concept of what a cover song was. 372 00:20:32,200 --> 00:20:34,040 Speaker 1: We were in the city with my dad, who usually 373 00:20:34,040 --> 00:20:36,439 Speaker 1: only listened to talk radio. When the song came on 374 00:20:36,760 --> 00:20:40,399 Speaker 1: the local station. We're absolutely blown away when dad, a 375 00:20:40,520 --> 00:20:43,080 Speaker 1: child of the sixties, knew the words to this quote 376 00:20:43,160 --> 00:20:45,760 Speaker 1: unquote cool new song. It opened the doors to the 377 00:20:45,760 --> 00:20:48,760 Speaker 1: monkeys and beatles and all sorts of great music and 378 00:20:48,840 --> 00:20:54,400 Speaker 1: still a favorite memory of my dad. From Jane. Awesome story, Jane, 379 00:20:54,560 --> 00:20:59,919 Speaker 1: appreciate this, appreciate you should say, and a little bittersweet 380 00:21:00,000 --> 00:21:01,960 Speaker 1: as a singer from smash Mouths just passed away a 381 00:21:01,960 --> 00:21:05,600 Speaker 1: couple of weeks ago. Great text. Let's check in with 382 00:21:05,680 --> 00:21:09,080 Speaker 1: Sad from the four to two, who writes in, Hey, Jake. 383 00:21:09,440 --> 00:21:11,560 Speaker 1: Thad from the four h two formerly from six to 384 00:21:11,600 --> 00:21:14,560 Speaker 1: one to two, loved the series on Wu Tang. Worked 385 00:21:14,560 --> 00:21:16,280 Speaker 1: at a mom and pop record store in the early 386 00:21:16,359 --> 00:21:19,360 Speaker 1: nineties and sold a ton of Wu in associates. I'm 387 00:21:19,400 --> 00:21:21,280 Speaker 1: fifty three and finally going to give them a listen. 388 00:21:21,560 --> 00:21:25,240 Speaker 1: Couple of suggestions, Okay, three Black Flag Hawkwind or maybe 389 00:21:25,320 --> 00:21:28,399 Speaker 1: Jesus Lizard saw Jesus listenor open for Rollins band on 390 00:21:28,440 --> 00:21:30,640 Speaker 1: the Goat tour. Was never so scared for my life. 391 00:21:30,760 --> 00:21:32,720 Speaker 1: Keep up the great work, rock a Rolla. I think 392 00:21:32,720 --> 00:21:36,760 Speaker 1: I saw Jesus Lizard on that tour with Rollins in 393 00:21:36,840 --> 00:21:41,639 Speaker 1: Rhode Island, Providence, Babyhead. I've seen Jesus Lizard like three times. 394 00:21:42,080 --> 00:21:44,240 Speaker 1: I believe I saw them downstairs at the Middle East, 395 00:21:44,880 --> 00:21:47,240 Speaker 1: and I think I saw them at the Paradise as well. 396 00:21:48,280 --> 00:21:50,560 Speaker 1: Of course, my memory is very foggy and I could 397 00:21:50,640 --> 00:21:53,720 Speaker 1: just be making this shit up. No, I'm not. Jesus 398 00:21:53,680 --> 00:21:55,160 Speaker 1: Lizard is one of the greatest bands I've ever seen 399 00:21:55,200 --> 00:21:56,960 Speaker 1: in my life, one of the greatest last shows I 400 00:21:57,000 --> 00:22:02,280 Speaker 1: have ever ever ever seen. And Henry Rollins is doing 401 00:22:02,280 --> 00:22:05,040 Speaker 1: a spoken word to her, and he's doing a gig 402 00:22:05,040 --> 00:22:07,360 Speaker 1: about fifteen minutes from my home, and I think I'm 403 00:22:07,359 --> 00:22:08,800 Speaker 1: gonna go see him in a couple weeks, and I 404 00:22:08,800 --> 00:22:11,879 Speaker 1: hope to meet the man. Been a fan forever. Also, 405 00:22:11,880 --> 00:22:13,600 Speaker 1: there's a dude in my gym who wears a Rollins 406 00:22:13,640 --> 00:22:16,720 Speaker 1: Van shirt, and I'm gonna introduce myself one of these days. 407 00:22:16,720 --> 00:22:19,560 Speaker 1: I almost did it yesterday, but I didn't. I was like, eh, 408 00:22:19,920 --> 00:22:22,199 Speaker 1: shirts inside out. It's kind of fucking weird. All right, 409 00:22:22,280 --> 00:22:24,840 Speaker 1: Let's keep going here with the text the four one six, 410 00:22:24,840 --> 00:22:26,800 Speaker 1: where its in hey have you done an episode about 411 00:22:26,840 --> 00:22:30,160 Speaker 1: Ministry and Al Jorgensen and I respond with, Hey, no, 412 00:22:30,400 --> 00:22:36,159 Speaker 1: I haven't, but I might at some point. I used 413 00:22:36,160 --> 00:22:38,159 Speaker 1: to work in a moving company where the original drummer 414 00:22:38,200 --> 00:22:41,320 Speaker 1: from Ministry worked. He worked there before I got there, 415 00:22:41,400 --> 00:22:43,640 Speaker 1: like a couple of days before, and he was legend. 416 00:22:44,280 --> 00:22:48,120 Speaker 1: And I don't know what the original drummer for Ministry's 417 00:22:48,200 --> 00:22:50,200 Speaker 1: name was. I think at the time they even had 418 00:22:50,200 --> 00:22:53,200 Speaker 1: a drum machine. So this could all be moving company 419 00:22:53,280 --> 00:22:56,040 Speaker 1: myth for all I know. Anyone connected to Dan's Van 420 00:22:56,080 --> 00:22:57,879 Speaker 1: in Somerville from back in the day, hit me up 421 00:22:57,880 --> 00:23:00,239 Speaker 1: and let me know what I'm talking about. All right, 422 00:23:00,280 --> 00:23:05,119 Speaker 1: Let's do another text here from the four two three, 423 00:23:05,960 --> 00:23:09,560 Speaker 1: who writes in yo Jake Warner MC and Colorado here 424 00:23:09,680 --> 00:23:11,560 Speaker 1: not really a band, but I'd love to hear a 425 00:23:11,640 --> 00:23:14,240 Speaker 1: Bob Dylan album produced by Rick Rubin. I'll lot Johnny 426 00:23:14,240 --> 00:23:18,120 Speaker 1: Cash's late career American albums. Dylan being backed by Fish 427 00:23:18,160 --> 00:23:20,280 Speaker 1: would be a personal preference, but doubtful it would be 428 00:23:20,280 --> 00:23:27,400 Speaker 1: any good. I love it. You're suggesting it, and you're 429 00:23:27,440 --> 00:23:29,919 Speaker 1: doubtful it'll actually be any good. You're just there for 430 00:23:30,000 --> 00:23:31,920 Speaker 1: the chaos of it all, which I can get with. 431 00:23:32,640 --> 00:23:34,480 Speaker 1: You go want to say, speaking of Fish Farm Aide 432 00:23:34,520 --> 00:23:36,960 Speaker 1: and backing Legends, did you know that after backing Neil 433 00:23:37,000 --> 00:23:39,560 Speaker 1: Young for an absolutely scorching down by the River at 434 00:23:39,560 --> 00:23:42,600 Speaker 1: Farm in nineteen ninety eight, Neil approached Fish to back 435 00:23:42,640 --> 00:23:45,200 Speaker 1: them on tour, but the band declined. One can only 436 00:23:45,240 --> 00:23:47,119 Speaker 1: imagine how cool that tour would have been. Thanks to 437 00:23:47,160 --> 00:23:49,160 Speaker 1: all the great content and keep up the great work, 438 00:23:49,280 --> 00:23:53,159 Speaker 1: Rock a ROLLA. I love the idea of Rick Rubin 439 00:23:53,359 --> 00:23:56,159 Speaker 1: producing Bob Dylan. I don't think it'll ever happen, but 440 00:23:56,480 --> 00:23:59,400 Speaker 1: stranger things have happened. Maybe will who knows. I fucking 441 00:23:59,440 --> 00:24:01,080 Speaker 1: love it though for it, I can't believe I didn't 442 00:24:01,080 --> 00:24:03,000 Speaker 1: think of that. That's like something I would think of 443 00:24:03,080 --> 00:24:05,400 Speaker 1: but you did so. Cheers to you, four two three, 444 00:24:05,520 --> 00:24:08,439 Speaker 1: appreciate it. Let's do this one from the four to 445 00:24:08,440 --> 00:24:13,640 Speaker 1: four zero. Hey Jake Sean from Cleveland, Ohio, long time listener. 446 00:24:13,720 --> 00:24:16,840 Speaker 1: My question for you is, I know you do Disgraceland, 447 00:24:16,840 --> 00:24:18,760 Speaker 1: bad Lands twenty seven Club, but on the tracks dead 448 00:24:18,760 --> 00:24:20,960 Speaker 1: and Gone and the research that goes into these subjects, 449 00:24:21,119 --> 00:24:22,879 Speaker 1: what's the day like for Jake Brendan. Do you do 450 00:24:23,040 --> 00:24:25,520 Speaker 1: all the recording in one day? Do you do one 451 00:24:25,560 --> 00:24:28,440 Speaker 1: week of this show and next week focus on that show? 452 00:24:28,520 --> 00:24:30,520 Speaker 1: Whatever and however you do it. It's working. I look 453 00:24:30,560 --> 00:24:33,639 Speaker 1: forward to everything every week for a new episode and 454 00:24:33,680 --> 00:24:35,800 Speaker 1: for the new seasonal shows as well. Lastly, I just 455 00:24:35,840 --> 00:24:38,000 Speaker 1: wanted to say you're awesome with how you interact with 456 00:24:38,000 --> 00:24:40,679 Speaker 1: the fans. A lot of podcast hosts won't do that, 457 00:24:40,800 --> 00:24:42,840 Speaker 1: and you do and it's really cool. Take care man, 458 00:24:42,880 --> 00:24:47,320 Speaker 1: You got a Sean answer your question, it's yes I 459 00:24:47,359 --> 00:24:51,119 Speaker 1: do the research. Yes I do the writing, but I 460 00:24:51,240 --> 00:24:53,720 Speaker 1: have a whole team here who does research and writing 461 00:24:53,720 --> 00:24:56,000 Speaker 1: as well, and we pretty much divvy up the episodes. 462 00:24:56,400 --> 00:25:00,240 Speaker 1: It depends. Used to be that used to be that 463 00:25:00,280 --> 00:25:02,879 Speaker 1: I did everything, but that's not the case anymore. It's impossible, 464 00:25:02,880 --> 00:25:06,560 Speaker 1: as you can probably imagine with all the content. But typically, 465 00:25:06,680 --> 00:25:10,480 Speaker 1: and generally speaking, a week for me is either a 466 00:25:10,520 --> 00:25:14,280 Speaker 1: research week or a writing week, and I alternate and 467 00:25:14,359 --> 00:25:18,400 Speaker 1: I typically split my days generally speaking. Again, generally speaking, 468 00:25:18,400 --> 00:25:21,360 Speaker 1: I split my days in half. The early morning. I'm 469 00:25:21,359 --> 00:25:24,320 Speaker 1: a very early riser. In the first half of my 470 00:25:24,440 --> 00:25:27,639 Speaker 1: day are dedicated to either researching or writing, and the 471 00:25:27,680 --> 00:25:30,440 Speaker 1: second half of my day I'll typically take a break. 472 00:25:30,440 --> 00:25:32,719 Speaker 1: I'll go work out, go to the gym, or go 473 00:25:32,760 --> 00:25:35,800 Speaker 1: for a swim, and then I eat, and then the 474 00:25:35,840 --> 00:25:39,320 Speaker 1: second half of my day is done. Is this stuff 475 00:25:39,320 --> 00:25:41,919 Speaker 1: here talking into a microphone and doing that part of 476 00:25:41,920 --> 00:25:45,879 Speaker 1: it or reviewing mixes, which I have such a great 477 00:25:46,480 --> 00:25:49,639 Speaker 1: team here on the music and mix side that I 478 00:25:49,680 --> 00:25:53,560 Speaker 1: barely even review the mixes anymore. Matt Bowden is sort 479 00:25:53,560 --> 00:25:55,720 Speaker 1: of our mixar, and I have a lot of faith 480 00:25:55,760 --> 00:25:59,320 Speaker 1: and trust in him to handle that. So that's a 481 00:25:59,640 --> 00:26:02,600 Speaker 1: general speaking how I do things now. I've been moving 482 00:26:02,640 --> 00:26:05,520 Speaker 1: for the last it seems like months, a few months here, 483 00:26:05,600 --> 00:26:09,120 Speaker 1: so everything's been upset and disrupted. But I will say 484 00:26:09,160 --> 00:26:12,879 Speaker 1: the team here at Double Elvis, Zeth Lundy, Seankhalin, Matt T. Hainey, 485 00:26:12,920 --> 00:26:17,240 Speaker 1: Matt Bowden, Brady Sadler, Jammie Demas, Dennis Brennan, everybody involved, 486 00:26:17,520 --> 00:26:20,919 Speaker 1: whoever I'm forgetting off the top of my head, chips 487 00:26:20,920 --> 00:26:24,160 Speaker 1: in and helps with these episodes, touches them in one 488 00:26:24,200 --> 00:26:26,159 Speaker 1: way or another and makes it possible for us to 489 00:26:26,200 --> 00:26:30,080 Speaker 1: deliver so much goddamn content. And we have even more 490 00:26:30,200 --> 00:26:31,840 Speaker 1: in store for you. And I just got off a 491 00:26:31,840 --> 00:26:35,080 Speaker 1: call about an hour ago talking about a new idea 492 00:26:35,080 --> 00:26:36,600 Speaker 1: that I think we're gonna try to bring to life 493 00:26:36,800 --> 00:26:40,600 Speaker 1: next year as well. So I hope that answers your question, Sean. 494 00:26:40,960 --> 00:26:43,240 Speaker 1: Let's do one last one here from the two one 495 00:26:43,359 --> 00:26:46,600 Speaker 1: five it says, Hey, the season's hip hop episodes have 496 00:26:46,760 --> 00:26:49,600 Speaker 1: been incredible. Can't wait for Liquid Swords and like an 497 00:26:49,640 --> 00:26:52,040 Speaker 1: era bad Lands has been on point as well. I'm 498 00:26:52,040 --> 00:26:54,480 Speaker 1: spreading the word to all in Philly that these podcasts 499 00:26:54,520 --> 00:26:56,400 Speaker 1: are the ones to follow. I'm about to mellow out 500 00:26:56,440 --> 00:26:59,679 Speaker 1: with some slow, funky West Coast vibes and Tupac Radical 501 00:26:59,720 --> 00:27:02,080 Speaker 1: Truth on my lunch break. Keep up the good work, 502 00:27:02,119 --> 00:27:05,280 Speaker 1: double Elvis. You got a two one five. Appreciate that. 503 00:27:06,760 --> 00:27:09,040 Speaker 1: As you know, we're in the middle of this Wu 504 00:27:09,080 --> 00:27:12,760 Speaker 1: Tang Clan serialized season ten episodes on the WU one 505 00:27:12,880 --> 00:27:15,879 Speaker 1: each for each member, one episode for each member. We 506 00:27:16,119 --> 00:27:19,920 Speaker 1: just delivered, just launched our Old Dirty Bastard episode that's 507 00:27:19,960 --> 00:27:23,360 Speaker 1: in your feed right now. Odb was beloved. I can 508 00:27:23,400 --> 00:27:25,479 Speaker 1: tell from the response I'm getting from you guys on 509 00:27:25,560 --> 00:27:29,560 Speaker 1: social media. He was one of these incomparable artists and 510 00:27:29,720 --> 00:27:32,720 Speaker 1: just a crazy true crime story connected to him as well. 511 00:27:33,080 --> 00:27:36,560 Speaker 1: He's charged with attempted murder of an NYPD officer, chased 512 00:27:36,600 --> 00:27:39,160 Speaker 1: down by rot Wiler's shop by men at ski masks, 513 00:27:39,160 --> 00:27:41,920 Speaker 1: addicted to cocaine, arrested ten times in just a few 514 00:27:41,920 --> 00:27:46,240 Speaker 1: months time, suffered through some harrowing experiences while doing time 515 00:27:46,280 --> 00:27:49,800 Speaker 1: at a notorious prison. Of course, you can hear all 516 00:27:49,840 --> 00:27:51,480 Speaker 1: about this in the brand new episode that I just 517 00:27:51,520 --> 00:27:54,560 Speaker 1: mentioned that's available in your feeds. But you know, just 518 00:27:54,880 --> 00:27:56,840 Speaker 1: while we're in the after party here, I want to 519 00:27:56,880 --> 00:27:59,919 Speaker 1: talk a little bit about this gonzo thing that Odeb 520 00:28:00,080 --> 00:28:02,879 Speaker 1: you perfected. And as we say in the episode, old 521 00:28:02,920 --> 00:28:06,359 Speaker 1: Dirty Bastard was not Russell Jones. Old Dirty Bastard was 522 00:28:06,400 --> 00:28:08,920 Speaker 1: a character, just like all the guys in Wu Tang 523 00:28:08,920 --> 00:28:13,720 Speaker 1: are to some extent characters alter egos. Odib himself said, 524 00:28:13,800 --> 00:28:16,359 Speaker 1: quote dirty is just the negative side of me, the 525 00:28:16,359 --> 00:28:19,200 Speaker 1: pressure that builds up inside me. Then when somebody gets 526 00:28:19,200 --> 00:28:22,239 Speaker 1: on my nerves, it's got to come out. Which that 527 00:28:22,359 --> 00:28:26,919 Speaker 1: quote got me Jake Brennan thinking, here, what are some 528 00:28:26,960 --> 00:28:29,840 Speaker 1: of the best alter egos in music history? Some of 529 00:28:29,920 --> 00:28:32,960 Speaker 1: the best alter egos? Is it David Bowie as Ziggy Starts? 530 00:28:33,040 --> 00:28:35,639 Speaker 1: Is it Garth Brooks? Is Chris Gaines? Is it one 531 00:28:35,680 --> 00:28:39,040 Speaker 1: of princes as many alter egos? Maybe it's odib Who 532 00:28:39,040 --> 00:28:41,240 Speaker 1: do you got? Who do you think best alter egos 533 00:28:41,240 --> 00:28:43,360 Speaker 1: in rock music? Six one seven nine oh six six 534 00:28:43,480 --> 00:28:46,240 Speaker 1: six three eight Leave me a voicemail semi text and 535 00:28:46,360 --> 00:28:50,600 Speaker 1: let me know, all right, real quick recommendation here. Jim Croche, 536 00:28:50,600 --> 00:28:53,520 Speaker 1: specifically the album I Got a Name from the film 537 00:28:53,560 --> 00:28:56,479 Speaker 1: The Last American Hero with Jeff Bridges that I'm going 538 00:28:56,520 --> 00:28:58,120 Speaker 1: to talk about in bad Lands this week. You can 539 00:28:58,160 --> 00:29:01,160 Speaker 1: hear that real sad sack seventy shit that I'm a 540 00:29:01,200 --> 00:29:05,040 Speaker 1: sucker for that. I gotta I gotta say I I've 541 00:29:05,080 --> 00:29:07,920 Speaker 1: never gravitated toward Jim Croche, but I'm watching this movie. 542 00:29:08,000 --> 00:29:09,960 Speaker 1: This song is in the opening credit scene, and I'm 543 00:29:10,000 --> 00:29:13,160 Speaker 1: just like, oh yeah, this song, this song's fucking great. 544 00:29:13,200 --> 00:29:15,000 Speaker 1: I go, I take a bath. I listen to the 545 00:29:15,040 --> 00:29:18,880 Speaker 1: whole record and I'm just fucking blown away, smoking my 546 00:29:18,960 --> 00:29:23,840 Speaker 1: dad grass just awesome. So uh, I need more of this. 547 00:29:24,000 --> 00:29:25,920 Speaker 1: I don't need it, but I want it. I don't 548 00:29:25,920 --> 00:29:27,560 Speaker 1: even really want it. I just want to know what 549 00:29:27,840 --> 00:29:30,680 Speaker 1: Sad Sack seventy shit. You guys are suckers for Okay, 550 00:29:30,720 --> 00:29:35,240 Speaker 1: it's a cat Stevens Leonard Cohen bred America. Christopher Cross 551 00:29:35,360 --> 00:29:39,080 Speaker 1: is Christopher Cross seventies or eighties? I think he's eighties. 552 00:29:39,120 --> 00:29:41,240 Speaker 1: But anyways, what Sad Sack seventies album should I be 553 00:29:41,320 --> 00:29:43,480 Speaker 1: checking out? What Jim Crochey album is your favorite? 554 00:29:43,520 --> 00:29:43,800 Speaker 2: Let me know? 555 00:29:43,920 --> 00:29:46,640 Speaker 1: Six one seven nine oh six six six three eight. 556 00:29:46,680 --> 00:29:50,200 Speaker 1: Other questions to ponder best alter egos and rock and roll? 557 00:29:50,200 --> 00:29:53,440 Speaker 1: Who was better than old Dirty Bastard Ziggy Stardus, Chris Gaines? 558 00:29:53,680 --> 00:29:56,720 Speaker 1: Bruce Springsteen is Bruce Springsteen. I'm kidding. It's still only 559 00:29:56,720 --> 00:29:59,440 Speaker 1: the second week of October, Okay. So I also want 560 00:29:59,440 --> 00:30:02,160 Speaker 1: to know what your favorite Halloween songs are, And not 561 00:30:02,200 --> 00:30:05,560 Speaker 1: only that, I want to know what your favorite Disgraceland 562 00:30:05,640 --> 00:30:09,480 Speaker 1: Halloween episodes are. Big Lurch Jim Morrison as a Zodiac killer, 563 00:30:09,520 --> 00:30:13,440 Speaker 1: The Misfits, Black Sabbath, ac DC, who is it? Send 564 00:30:13,480 --> 00:30:15,520 Speaker 1: me a quick text or voicemail six one seven, nine 565 00:30:15,560 --> 00:30:17,280 Speaker 1: oh six, six six three eight to let me know. 566 00:30:17,640 --> 00:30:20,400 Speaker 1: The reason I want to know is because we're I'm 567 00:30:20,400 --> 00:30:22,960 Speaker 1: doing this informal poll because I want to top ten 568 00:30:23,560 --> 00:30:26,120 Speaker 1: these Disgraceland episodes and re release them for you in 569 00:30:26,120 --> 00:30:28,600 Speaker 1: the ten days leading up to Halloween. And we're almost there, 570 00:30:28,800 --> 00:30:30,160 Speaker 1: so I got to get on it, and so do you. 571 00:30:30,280 --> 00:30:32,440 Speaker 1: Let me know what your favorite disgrace Land Halloween episodes 572 00:30:32,480 --> 00:30:35,840 Speaker 1: are six one seven, nine oh six, six six three eight. 573 00:30:36,080 --> 00:30:51,320 Speaker 1: All right, quick break and I'm back in a flash. 574 00:30:51,880 --> 00:30:55,040 Speaker 1: All right, welcome back again. Six one seven, nine oh six, 575 00:30:55,080 --> 00:30:57,120 Speaker 1: six six three eighth. Let me know your favorite disgrace 576 00:30:57,200 --> 00:31:01,840 Speaker 1: Land Halloween episodes text or voicemail, Big Lurch, Michael alec Ouzzy, 577 00:31:01,920 --> 00:31:02,880 Speaker 1: the Misfit Sabbath. 578 00:31:02,960 --> 00:31:03,360 Speaker 5: Let me know. 579 00:31:03,680 --> 00:31:06,000 Speaker 1: You can hit me up on Instagram, Twitter and Facebook 580 00:31:06,040 --> 00:31:09,520 Speaker 1: as well. Justin G writes in on Instagram, just finished 581 00:31:09,520 --> 00:31:11,680 Speaker 1: the ODB episode. He was my fave to wish he 582 00:31:11,720 --> 00:31:14,280 Speaker 1: would have got a shit together in out od and 583 00:31:14,360 --> 00:31:17,840 Speaker 1: yes he made some great fucking music. Yes, Justin, old 584 00:31:17,840 --> 00:31:21,800 Speaker 1: dirty bastard certainly did it. Ellie Ordes writes in on Instagram. 585 00:31:21,800 --> 00:31:23,760 Speaker 1: Hey Jake, I just heard your latest bonus episode and 586 00:31:23,760 --> 00:31:26,400 Speaker 1: I got me thinking about my cosmic connections to music. 587 00:31:26,920 --> 00:31:29,240 Speaker 1: Super long story short. When I was a teenager, I 588 00:31:29,240 --> 00:31:32,040 Speaker 1: had this little yellow AMFM radio and I exclusively listened 589 00:31:32,040 --> 00:31:35,120 Speaker 1: to a rock station called k Rock LA, and it 590 00:31:35,280 --> 00:31:37,160 Speaker 1: changed the way I see music in general, because I 591 00:31:37,200 --> 00:31:39,280 Speaker 1: was introduced to all these different bands that most of 592 00:31:39,320 --> 00:31:42,080 Speaker 1: the kids I went to school with knew of already. 593 00:31:42,120 --> 00:31:45,280 Speaker 1: But I was so sheltered in a racist as heck 594 00:31:45,520 --> 00:31:49,080 Speaker 1: household where my grandfather would only ever let us listen 595 00:31:49,120 --> 00:31:52,440 Speaker 1: to and watch anything and just Spanish. So finding my 596 00:31:52,440 --> 00:31:55,280 Speaker 1: way into music enlightenment it was rather difficult, at least 597 00:31:55,320 --> 00:31:57,120 Speaker 1: at first, but once I got to keep listening and 598 00:31:57,160 --> 00:31:59,840 Speaker 1: in between listening to other stations too, I pretty much 599 00:32:00,040 --> 00:32:03,280 Speaker 1: spanned my music selections as most people these days, I 600 00:32:03,320 --> 00:32:05,840 Speaker 1: listened to a little bit of everything. And as for Spanish, 601 00:32:05,880 --> 00:32:08,160 Speaker 1: It's absolutely within my heart and soul and I'll always 602 00:32:08,160 --> 00:32:11,560 Speaker 1: flock to it from time to time. Great music discovery 603 00:32:11,600 --> 00:32:14,920 Speaker 1: story there from Disco Ellie Ordez, Thank you so much. 604 00:32:15,520 --> 00:32:19,840 Speaker 1: Let's check in with Michael lane Heath on Facebook real Quick, 605 00:32:20,080 --> 00:32:22,680 Speaker 1: who writes in Hya Jake got hip to your Disgracelam 606 00:32:22,800 --> 00:32:25,600 Speaker 1: podcast the other day, and I'm impressed by your noir 607 00:32:25,680 --> 00:32:29,280 Speaker 1: delivery and awareness of culture facts, etc. And the melotron 608 00:32:29,360 --> 00:32:31,800 Speaker 1: intros for what it's worth. A few yunks back, I 609 00:32:31,840 --> 00:32:33,880 Speaker 1: did a collection of interviews with Lou Reed. You might 610 00:32:33,920 --> 00:32:36,960 Speaker 1: have seen my week Beats. Your year paperback will be 611 00:32:37,000 --> 00:32:39,120 Speaker 1: out soon. Nice to reach out, keep in touch and 612 00:32:39,200 --> 00:32:43,960 Speaker 1: keep on keeping on. All the best from san fran MLH. Michael, 613 00:32:43,960 --> 00:32:46,520 Speaker 1: I'm not sure you're gonna hear, I responded in the 614 00:32:46,600 --> 00:32:49,840 Speaker 1: in the Disgraceland I'm sorry in the Facebook app. Thanks, 615 00:32:49,920 --> 00:32:52,640 Speaker 1: I appreciate it. I've heard of your book, by the way, 616 00:32:52,720 --> 00:32:56,120 Speaker 1: your collection, I believe I even I even read some 617 00:32:56,280 --> 00:32:58,080 Speaker 1: of it when I was researching Lou Reid. And as 618 00:32:58,080 --> 00:32:59,680 Speaker 1: I mentioned in my message back to you, I did 619 00:32:59,720 --> 00:33:03,360 Speaker 1: this whole double episode on lose origin story that's almost 620 00:33:03,480 --> 00:33:06,360 Speaker 1: entirely fictionalized, but based on the facts that I think 621 00:33:06,400 --> 00:33:10,520 Speaker 1: you're gonna dig. It's basically me copying Raymond Chandler in 622 00:33:10,640 --> 00:33:15,280 Speaker 1: honor of Lou Reed. All Right at Disgraceland pod on Instagram, Facebook, 623 00:33:15,320 --> 00:33:19,040 Speaker 1: and x Let's recap all Right number one, a new 624 00:33:19,080 --> 00:33:21,920 Speaker 1: episode on Old Dirty Bastard. The eighth episode in our 625 00:33:21,960 --> 00:33:24,520 Speaker 1: serialized season on Wu Tang clan is in your disgrace 626 00:33:24,600 --> 00:33:27,080 Speaker 1: Land feeds right now. We got two more episodes on 627 00:33:27,120 --> 00:33:29,160 Speaker 1: Wu Tang coming and then we're done, and then we're 628 00:33:29,160 --> 00:33:32,080 Speaker 1: moving on. We're moving into the spooky Halloween season, So 629 00:33:32,440 --> 00:33:34,840 Speaker 1: hit me up. Number two, Hit me up, Hit me 630 00:33:35,000 --> 00:33:38,840 Speaker 1: up with your favorite Disgraceland Halloween episodes, all right. Number 631 00:33:38,880 --> 00:33:40,680 Speaker 1: three over in the bad Lands feed, we got a 632 00:33:40,680 --> 00:33:43,480 Speaker 1: brand new episode on David Lynch and the Unsolved Murder 633 00:33:43,520 --> 00:33:46,840 Speaker 1: that inspired is great television show twin Peaks. Number four 634 00:33:47,520 --> 00:33:49,640 Speaker 1: next week in the Disgraceland feed. Like I said, this 635 00:33:49,760 --> 00:33:51,479 Speaker 1: is also kind of number two. We're wrapping up our 636 00:33:51,480 --> 00:33:54,120 Speaker 1: Wu Tang season with two new episodes on Mass Takila 637 00:33:54,480 --> 00:33:57,720 Speaker 1: and the Jizza, all right, both next week and then 638 00:33:57,880 --> 00:34:01,200 Speaker 1: booth we're out. Number four. The number is six one seven, 639 00:34:01,360 --> 00:34:06,320 Speaker 1: nine oh six, six, six three eight. Favorite Disgraceland Halloween episodes, 640 00:34:06,400 --> 00:34:09,799 Speaker 1: favorite Halloween songs. I also want to know your favorite 641 00:34:10,120 --> 00:34:13,080 Speaker 1: musical alter egos. Hit me up. I'm still listening for 642 00:34:13,160 --> 00:34:16,080 Speaker 1: Discovery stories as well. Text and voicemail six one seven, 643 00:34:16,160 --> 00:34:19,160 Speaker 1: nine oh six, six six three eight and number five 644 00:34:19,360 --> 00:34:21,719 Speaker 1: or number six. I can't remember anymore what number we're on. 645 00:34:22,120 --> 00:34:25,239 Speaker 1: Just you remember you remember this. No one cares about 646 00:34:25,239 --> 00:34:27,640 Speaker 1: the music that you love more than you do, Okay, 647 00:34:27,800 --> 00:34:31,120 Speaker 1: and that's a disgrace, all right. My moment of bliss 648 00:34:31,360 --> 00:34:34,200 Speaker 1: me reading you the phone book from the city where 649 00:34:34,239 --> 00:34:36,239 Speaker 1: old dirty Bastard was in drug rehab when he went 650 00:34:36,320 --> 00:34:42,840 Speaker 1: a wall, Pasadena, California, circa nineteen eighty six. Jehola Anthony 651 00:34:43,480 --> 00:34:48,959 Speaker 1: three three seven two four three three, Jehola Delfino two 652 00:34:48,960 --> 00:34:54,000 Speaker 1: eight four nine seven three one. JoJo's Flooring seven one 653 00:34:54,040 --> 00:34:57,839 Speaker 1: four five two two eight four three one. Joke Ennan 654 00:34:58,040 --> 00:35:03,640 Speaker 1: Anthony four four five three four one nine. Joko Dave 655 00:35:03,960 --> 00:35:09,200 Speaker 1: nine six six six six four seven, Joko Bob two 656 00:35:09,239 --> 00:35:13,960 Speaker 1: one three two eight three seven two six five Joko 657 00:35:14,440 --> 00:35:18,200 Speaker 1: Frank six two eight four nine two four two Day 658 00:35:18,400 --> 00:35:21,799 Speaker 1: Joe Green nine six six seven nine three seven four 659 00:35:21,920 --> 00:35:25,520 Speaker 1: five Oh go Joo, Joel grails Us two nine six 660 00:35:25,600 --> 00:35:28,600 Speaker 1: threes five one oh two six, Joelin and the Young 661 00:35:29,080 --> 00:35:32,200 Speaker 1: two one three two five, five, five six five eight, 662 00:35:32,960 --> 00:35:38,000 Speaker 1: Joey James seven nine six eight zero sixty two. Quit 663 00:35:38,200 --> 00:35:40,240 Speaker 1: talking and start mixing.